11563 lines
449 KiB
Plaintext
11563 lines
449 KiB
Plaintext
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BAB: A SUB-DEB, by MARY ROBERTS RINEHART.
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Digitized by Cardinalis Etext Press, C.E.K.
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Posted to Wiretap in July 1993, as subdeb.txt.
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Bold and italics are depicted _thusly_. This book
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was written by a 16 year old girl, and the spelling
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is as it appears in the original paper edition
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(please do not correct it.)
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This text is in the PUBLIC DOMAIN.
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BAB: A SUB-DEB
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MARY ROBERTS RINEHART
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AUTHOR OF "K," "THE CIRCULAR STAIRCASE," "KINGS, QUEENS AND
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PAWNS," ETC.
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----
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NEW YORK
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GEORGE H. DORAN COMPANY
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COPYRIGHT, 1917,
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BY GEORGE H. DORAN COMPANY
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COPYRIGHT, 1916 AND 1917 BY THE CURTIS PUBLISHING COMPANY
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PRINTED IN THE UNITED STATES OF AMERICA
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CONTENTS
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CHAPTER
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I THE SUB-DEB
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II THEME: THE CELEBRITY
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III HER DIARY
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IV BAB'S BURGLAR
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V THE G.A.C.
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CHAPTER I
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THE SUB-DEB: A THEME WRITTEN AND SUBMITTED IN LITERATURE CLASS
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BY BARBARA PUTNAM ARCHIBALD, 1917.
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_DEFINITION OF A THEME:_
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A theme is a piece of writing, either true or made up by
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the author, and consisting of Introduction, Body and Conclusion.
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It should contain Unity, Coherence, Emphasis, Perspecuity,
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Vivacity, and Presision. It may be ornamented with dialogue,
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discription and choice quotations.
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_SUBJECT OF THEME:_
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An interesting Incident of My Christmas Holadays.
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_Introduction:_
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"A tyrant's power in rigor is exprest."--DRYDEN.
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I HAVE decided to relate with Presision what occurred during my
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recent Christmas holaday. Although I was away from this school
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only four days, returning unexpectedly the day after Christmas,
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a number of Incidents occurred which I believe I should narate.
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It is only just and fair that the Upper House, at least,
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should know of the injustice of my exile, and that it is all the
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result of Circumstances over which I had no controll.
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For I make this apeal, and with good reason. Is it any
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fault of mine that my sister Leila is 20 months older than I am?
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Naturaly, no.
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Is it fair also, I ask, that in the best society, a girl is
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a Sub-Deb the year before she comes out, and although mature in
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mind, and even maturer in many ways than her older sister, the
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latter is treated as a young lady, enjoying many privileges,
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while the former is treated as a mere child, in spite, as I have
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observed, of only 20 months difference? I wish to place myself
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on record that it is _not_ fair.
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I shall go back, for a short time, to the way things were
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at home when I was small. I was very strictly raised. With the
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exception of Tommy Gray, who lives next door and only is about
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my age, I was never permitted to know any of the Other Sex.
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Looking back, I am sure that the present way society is
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organized is really to blame for everything. I am being frank,
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and that is the way I feel. I was too strictly raised. I always
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had a Governess taging along. Until I came here to school I had
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never walked to the corner of the next street unattended. If it
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wasn't Mademoiselle it was mother's maid, and if it wasn't
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either of them, it was mother herself, telling me to hold my
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toes out and my shoulder blades in. As I have said, I never knew
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any of the Other Sex, except the miserable little beasts at
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dancing school. I used to make faces at them when Mademoiselle
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was putting on my slippers and pulling out my hair bow. They
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were totaly uninteresting, and I used to put pins in my sash, so
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that they would get scratched.
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Their pumps mostly squeaked, and nobody noticed it,
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although I have known my parents to dismiss a Butler who creaked
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at the table.
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When I was sent away to school, I expected to learn
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something of life. But I was disapointed. I do not desire to
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criticize this Institution of Learning. It is an excellent one,
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as is shown by the fact that the best Families send their
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daughters here. But to learn life one must know something of
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both sides of it, Male and Female. It was, therefore, a matter
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of deep regret to me to find that, with the exception of the
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Dancing Master, who has three children, and the Gardner, there
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were no members of the sterner sex to be seen.
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The Athletic Coach was a girl! As she has left now to be
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married, I venture to say that she was not what Lord
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Chesterfield so uphoniously termed "_Suaviter in modo, fortater
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in re_."
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When we go out to walk we are taken to the country, and the
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three matinees a year we see in the city are mostly Shakspeare,
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aranged for the young. We are allowed only certain magazines,
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the Atlantic Monthly and one or two others, and Barbara
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Armstrong was penalized for having a framed photograph of her
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brother in running clothes.
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At the school dances we are compeled to dance with each
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other, and the result is that when at home at Holaday parties I
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always try to lead, which annoys the boys I dance with.
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Notwithstanding all this it is an excellent school. We
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learn a great deal, and our dear Principle is a most charming
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and erudite person. But we see very little of Life. And if
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school is a preparation for Life, where are we?
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Being here alone since the day after Christmas, I have had
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time to think everything out. I am naturally a thinking person.
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And now I am no longer indignant. I realize that I was wrong,
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and that I am only paying the penalty that I deserve although I
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consider it most unfair to be given French translation to do. I
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do not object to going to bed at nine o'clock, although ten is
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the hour in the Upper House, because I have time then to look
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back over things, and to reflect, to think.
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"_There is nothing either good or bad, but thinking makes
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it so_."
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SHAKSPEARE.
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_BODY OF THEME:_
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I now approach the narative of what happened during the
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first four days of my Christmas Holiday.
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For a period before the fifteenth of December, I was rather
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worried. All the girls in the school were getting new clothes
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for Christmas parties, and their Families were sending on
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invitations in great numbers, to various festivaties that were
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to occur when they went home.
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Nothing, however, had come for me, and I was worried. But
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on the 16th mother's visiting Secretary sent on four that I was
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to accept, with tiped acceptances for me to copy and send. She
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also sent me the good news that I was to have two party dresses,
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and I was to send on my measurements for them.
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One of the parties was a dinner and theater party, to be
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given by Carter Brooks on New Year's Day. Carter Brooks is the
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well-known Yale Center, although now no longer such but selling
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advertizing, etcetera.
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It is tradgic to think that, after having so long
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anticapated that party, I am now here in sackcloth and ashes,
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which is a figure of speech for the Peter Thompson uniform of
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the school, with plain white for evenings and no jewellry.
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It was with anticapatory joy, therefore, that I sent the
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acceptances and the desired measurements, and sat down to
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cheerfully while away the time in studies and the various duties
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of school life, until the Holadays.
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However, I was not long to rest in piece, for in a few days
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I received a letter from Carter Brooks, as follows:
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_Dear Barbara_: It was sweet of you to write me so
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promptly, although I confess to being rather astonished as well
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as delighted at being called "Dearest." The signature too was
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charming, "Ever thine." But, dear child, won't you write at once
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and tell me why the waist, bust and hip measurements? And the
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request to have them really low in the neck?
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Ever thine,
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CARTER.
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It will be perceived that I had sent him the letter to
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mother, by mistake.
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I was very unhappy about it. It was not an auspisious way
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to begin the Holadays, especially the low neck. Also I disliked
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very much having told him my waist measure which is large owing
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to Basket Ball.
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As I have stated before, I have known very few of the Other
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Sex, but some of the girls had had more experience, and in the
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days before we went home, we talked a great deal about things.
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Especially Love. I felt that it was rather over-done,
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particularly in fiction. Also I felt and observed at divers
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times that I would never marry. It was my intention to go upon
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the stage, although modafied since by what I am about to relate.
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The other girls say that I look like Julia Marlowe.
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Some of the girls had boys who wrote to them, and one of
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them--I refrain from giving her name had--a Code. You read every
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third word. He called her "Couzin" and he would write like this:
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Dear Couzin: I am well. Am just about crazy this week to go
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home. See notice enclosed you football game.
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And so on and on. Only what it really said was "I am crazy to
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see you."
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(In giving this Code I am betraying no secrets, as they have
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quarreled and everything is now over between them.)
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As I had nobody, at that time, and as I had visions of a
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Career, I was a man-hater. I acknowledge that this was a pose.
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But after all, what is life but a pose?
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"Stupid things!" I always said. "Nothing in their heads but
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football and tobacco smoke. Women," I said, "are only their
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playthings. And when they do grow up and get a little
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intellagence they use it in making money."
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There has been a story in the school--I got it from one of
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the little girls--that I was disapointed in love in early youth,
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the object of my atachment having been the Tener in our Church
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choir at home. I daresay I should have denied the soft
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impeachment, but I did not. It was, although not appearing so at
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the time, my first downward step on the path that leads to
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destruction.
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"The way of the Transgresser is hard"--Bible.
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I come now to the momentous day of my return to my dear
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home for Christmas. Father and my sister Leila, who from now on
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I will term "Sis," met me at the station. Sis was very elegantly
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dressed, and she said:
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"Hello, Kid," and turned her cheek for me to kiss.
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She is, as I have stated, but 2O months older than I, and
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depends altogether on her clothes for her beauty. In the morning
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she is plain, although having a good skin. She was trimmed up
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with a bouquet of violets as large as a dishpan, and she covered
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them with her hands when I kissed her.
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She was waved and powdered, and she had on a perfectly new
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Outfit. And I was shabby. That is the exact word. Shabby. If you
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have to hang your entire Wardrobe in a closet ten inches deep,
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and put it over you on cold nights, with the steam heat shut off
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at ten o'clock, it does not make it look any better.
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My father has always been my favorite member of the family,
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and he was very glad to see me. He has a great deal of tact,
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also, and later on he slipped ten dollars in my purse in the
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motor. I needed it very much, as after I had paid the porter and
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bought luncheon, I had only three dollars left and an I. O. U.
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from one of the girls for seventy-five cents, which this may
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remind her, if it is read in class, she has forgoten.
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"Good heavens, Barbara," Sis said, while I hugged father,
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"you certainly need to be pressed."
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"I daresay I'll be the better for a hot iron," I retorted,
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"but at least I shan't need it on my hair." My hair is curly
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while hers is straight.
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"Boarding school wit!" she said, and stocked to the motor.
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Mother was in the car and glad to see me, but as usual she
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managed to restrain her enthusiasm. She put her hands over some
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Orkids she was wearing when I kissed her. She and Sis were on
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their way to something or other.
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"Trimmed up like Easter hats, you two!" I said.
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"School has not changed you, I fear, Barbara," mother
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observed. "I hope you are studying hard."
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"Exactly as hard as I have to. No more, no less," I regret
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to confess that I replied. And I saw Sis and mother exchange
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glances of signifacance.
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We dropped them at the Reception and father went to his
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office and I went on home alone. And all at once I began to be
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embittered. Sis had everything, and what had I? And when I got
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home, and saw that Sis had had her room done over, and ivory
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toilet things on her dressing table, and two perfectly huge
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boxes of candy on a stand and a Ball Gown laid out on the bed,
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I almost wept.
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My own room was just as I had left it. It had been the
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night nursery, and there was still the dent in the mantel where
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I had thrown a hair brush at Sis, and the ink spot on the carpet
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at the foot of the bed, and everything.
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Mademoiselle had gone, and Hannah, mother's maid, came to
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help me off with my things. I slammed the door in her face, and
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sat down on the bed and _raged_.
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They still thought I was a little girl. They _patronized_
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me. I would hardly have been surprised If they had sent up a
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bread and milk supper on a tray. It was then and there that I
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made up my mind to show them that I was no longer a mere child.
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That the time was gone when they could shut me up in the nursery
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and forget me. I was seventeen years and eleven days old, and
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Juliet, in Shakspeare, was only sixteen when she had her
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well-known affair with Romeo.
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I had no plan then. It was not until the next afternoon
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that the thing sprung (sprang?) full-pannoplied from the head of
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Jove.
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The evening was rather dreary. The family was going out,
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but not until nine thirty, and mother and Leila went over my
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clothes. They sat, Sis in pink chiffon and mother in black and
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silver, and Hannah took out my things and held them up. I was
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obliged to silently sit by, while my rags and misery were
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exposed.
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"Why this open humiliation?" I demanded at last. "I am the
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family Cinderella, I admit it. But it isn't necessary to lay so
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much emphacis on it, is it?"
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"Don't be sarcastic, Barbara," said mother. "You are still
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only a Child, and a very untidy Child at that. What do you do
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with your elbows to rub them through so? It must have taken
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patience and aplication."
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"Mother" I said, "am I to have the party dresses?"
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"Two. Very simple."
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"Low in the neck?"
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"Certainly not. A small v, perhaps."
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"I've got a good neck." She rose impressively.
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"You amaze and shock me, Barbara," she said coldly.
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"I shouldn't have to wear tulle around my shoulders to hide
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the bones!" I retorted. "Sis is rather thin."
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"You are a very sharp-tongued little girl," mother said,
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looking up at me. I am two inches taller than she is.
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"Unless you learn to curb yourself, there will be no
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parties for you, and no party dresses."
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This was the speach that broke the Camel's back. I could
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endure no more.
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"I think," I said, "that I shall get married and end
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||
everything."
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Need I explain that I had no serious intention of taking
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the fatal step? But it was not deliberate mendasity. It was
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Despair.
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Mother actually went white. She cluched me by the arm and
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shook me.
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||
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"What are you saying?" she demanded.
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"I think you heard me, mother" I said, very politely. I was
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||
however thinking hard.
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"Marry whom? Barbara, answer me."
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"I don't know. Anybody."
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"She's trying to frighten you, mother" Sis said. "There
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isn't anybody. Don't let her fool you."
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||
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"Oh, isn't there?" I said in a dark and portentious manner.
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Mother gave me a long look, and went out. I heard her go
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into father's dressing-room. But Sis sat on my bed and watched
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me.
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"Who is it, Bab?" she asked. "The dancing teacher? Or your
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riding master? Or the school plumber?"
|
||
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||
"Guess again."
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||
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||
"You're just enough of a little Simpleton to get tied up to
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||
some wreched creature and disgrace us all."
|
||
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||
I wish to state here that until that moment I had no
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||
intention of going any further with the miserable business. I am
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||
naturaly truthful, and Deception is hateful to me. But when my
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sister uttered the above dispariging remark I saw that, to
|
||
preserve my own dignaty, which I value above precious stones, I
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||
would be compelled to go on.
|
||
|
||
"I'm perfectly mad about him," I said. "And he's crazy
|
||
about me."
|
||
|
||
"I'd like very much to know," Sis said, as she stood up and
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||
stared at me, "how much you are making up and how much is true."
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||
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||
None the less, I saw that she was terrafied. The family
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||
Kitten, to speak in allegory, had become a Lion and showed its
|
||
clause.
|
||
|
||
When she had gone out I tried to think of some one to hang
|
||
a love affair to. But there seemed to be nobody. They knew
|
||
perfectly well that the dancing master had one eye and three
|
||
children, and that the clergyman at school was elderly, with two
|
||
wives. One dead.
|
||
|
||
I searched my Past, but it was blameless. It was empty and
|
||
bare, and as I looked back and saw how little there had been in
|
||
it but imbibing wisdom and playing basket-ball and tennis, and
|
||
typhoid fever when I was fourteen and almost having to have my
|
||
head shaved, a great wave of bitterness agatated me.
|
||
|
||
"Never again," I observed to myself with firmness. "Never
|
||
again, If I have to invent a member of the Other Sex."
|
||
|
||
At that time, however, owing to the appearance of Hannah
|
||
with a mending basket, I got no further than his name.
|
||
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||
It was Harold. I decided to have him dark, with a very
|
||
small black mustache, and Passionate eyes. I felt, too, that he
|
||
would be jealous. The eyes would be of the smouldering type,
|
||
showing the green-eyed monster beneath.
|
||
|
||
I was very much cheered up. At least they could not ignore
|
||
me any more, and I felt that they would see the point. If I was
|
||
old enough to have a lover--especialy a jealous one with the
|
||
aformentioned eyes--I was old enough to have the necks of my
|
||
frocks cut out.
|
||
|
||
While they were getting their wraps on in the lower hall,
|
||
I counted my money. I had thirteen dollars. It was enough for a
|
||
Plan I was beginning to have in mind.
|
||
|
||
"Go to bed early, Barbara," mother said when they were
|
||
ready to go out.
|
||
|
||
"You don't mind if I write a letter, do you?"
|
||
|
||
"To whom?"
|
||
|
||
"Oh, just a letter," I said, and she stared at me coldly.
|
||
|
||
"I daresay you will write it, whether I consent or not.
|
||
Leave it on the hall table, and it will go out with the morning
|
||
mail."
|
||
|
||
"I may run out to the box with it."
|
||
|
||
"I forbid your doing anything of the sort."
|
||
|
||
"Oh, very well," I responded meekly.
|
||
|
||
"If there is such haste about it, give it to Hannah to
|
||
mail."
|
||
|
||
"Very well," I said.
|
||
|
||
She made an excuse to see Hannah before she left, and I
|
||
knew _that I was being watched_. I was greatly excited, and
|
||
happier than I had been for weeks. But when I had settled myself
|
||
in the Library, with the paper in front of me, I could not think
|
||
of anything to say in a letter. So I wrote a poem instead.
|
||
|
||
_"To H----_
|
||
|
||
_"Dear love: you seem so far away,_
|
||
|
||
_I would that you were near._
|
||
|
||
_I do so long to hear you say_
|
||
|
||
_Again, `I love you, dear.'_
|
||
|
||
_"Here all is cold and drear and strange_
|
||
|
||
_With none who with me tarry,_
|
||
|
||
_I hope that soon we can arrange_
|
||
|
||
_To run away and marry."_
|
||
|
||
The last verse did not scan, exactly, but I wished to use
|
||
the word "marry" if possible. It would show, I felt, that things
|
||
were really serious and impending. A love affair is only a love
|
||
affair, but Marriage is Marriage, and the end of everything.
|
||
|
||
It was at that moment, 10 o'clock, that the Strange Thing
|
||
occurred which did not seem strange at all at the time, but
|
||
which developed into so great a mystery later on. Which was to
|
||
actualy threaten my reason and which, flying on winged feet, was
|
||
to send me back here to school the day after Christmas and put
|
||
my seed pearl necklace in the safe deposit vault. Which was very
|
||
unfair, for what had my necklace to do with it? And just now,
|
||
when I need comfort, it--the necklace--would help to releive my
|
||
exile.
|
||
|
||
Hannah brought me in a cup of hot milk, with a Valentine's
|
||
malted milk tablet dissolved in it.
|
||
|
||
As I stirred it around, it occurred to me that Valentine
|
||
would be a good name for Harold. On the spot I named him Harold
|
||
Valentine, and I wrote the name on the envelope that had the
|
||
poem inside, and addressed it to the town where this school gets
|
||
its mail.
|
||
|
||
It looked well written out. "Valentine," also, is a word
|
||
that naturaly connects itself with affairs _de cour_. And I felt
|
||
that I was safe, for as there was no Harold Valentine, he could
|
||
not call for the letter at the post office, and would therefore
|
||
not be able to cause me any trouble, under any circumstances.
|
||
And, furthermore. I knew that Hannah would not mail the letter
|
||
anyhow, but would give it to mother. So, even if there was a
|
||
Harold Valentine, he would never get it.
|
||
|
||
Comforted by these reflections, I drank my malted milk,
|
||
ignorant of the fact that Destiny, "which never swerves, nor
|
||
yields to men the helm"--Emerson, was stocking at my heels.
|
||
|
||
Between sips, as the expression goes, I addressed the
|
||
envelope to Harold Valentine, and gave it to Hannah. She went
|
||
out the front door with it, as I had expected, but I watched
|
||
from a window, and she turned right around and went in the area
|
||
way. So _that_ was all right.
|
||
|
||
It had worked like a Charm. I could tear my hair now when
|
||
I think how well it worked. I ought to have been suspicious for
|
||
that very reason. When things go very well with me at the start,
|
||
it is a sure sign that they are going to blow up eventualy.
|
||
|
||
Mother and Sis slept late the next morning, and I went out
|
||
stealthily and did some shopping. First I bought myself a bunch
|
||
of violets, with a white rose in the center, and I printed on
|
||
the card:
|
||
|
||
"My love is like a white, white rose. H." And sent it to
|
||
myself.
|
||
|
||
It was deception, I acknowledge, but having put my hand to
|
||
the Plow, I did not intend to steer a crooked course. I would go
|
||
straight to the end. I am like that in everything I do. But, on
|
||
delibarating things over, I felt that Violets, alone and
|
||
unsuported, were not enough. I felt that If I had a photograph,
|
||
it would make everything more real. After all, what is a love
|
||
affair without a picture of the Beloved Object?
|
||
|
||
So I bought a photograph. It was hard to find what I
|
||
wanted, but I got it at last in a stationer's shop, a young man
|
||
in a checked suit with a small mustache--the young man, of
|
||
course, not the suit. Unluckaly, he was rather blonde, and had
|
||
a dimple in his chin. But he looked exactly as though his name
|
||
ought to be Harold.
|
||
|
||
I may say here that I chose "Harold," not because it is a
|
||
favorite name of mine, but because it is romantic in sound. Also
|
||
because I had never known any one named Harold and it seemed
|
||
only discrete.
|
||
|
||
I took it home in my muff and put it under my pillow where
|
||
Hannah would find it and probably take it to mother. I wanted to
|
||
buy a ring too, to hang on a ribbon around my neck. But the
|
||
violets had made a fearful hole in my thirteen dollars.
|
||
|
||
I borrowed a stub pen at the stationer's and I wrote on the
|
||
photograph, in large, sprawling letters, "To _you_ from _me_."
|
||
|
||
"There," I said to myself, when I put it under the pillow.
|
||
"You look like a photograph, but you are really a bomb-shell."
|
||
|
||
As things eventuated, it was. More so, indeed.
|
||
|
||
Mother sent for me when I came in. She was sitting in front
|
||
of her mirror, having the vibrater used on her hair, and her
|
||
manner was changed. I guessed that there had been a family
|
||
Counsel over the poem, and that they had decided to try
|
||
kindness.
|
||
|
||
"Sit down, Barbara," she said. "I hope you were not lonely
|
||
last night?"
|
||
|
||
"I am never lonely, mother. I always have things to think
|
||
about."
|
||
|
||
I said this in a very pathetic tone.
|
||
|
||
"What sort of things?" mother asked, rather sharply.
|
||
|
||
"Oh--things," I said vaguely. "Life is such a mess, isn't
|
||
it?"
|
||
|
||
"Certainly not. Unless one makes it so."
|
||
|
||
"But it is so difficult. Things come up and--and it's hard
|
||
to know what to do. The only way, I suppose, is to be true to
|
||
one's beleif in one's self."
|
||
|
||
"Take that thing off my head and go out, Hannah," mother
|
||
snapped. "Now then, Barbara, what in the world has come over
|
||
you?"
|
||
|
||
"Over me? Nothing."
|
||
|
||
"You are being a silly child."
|
||
|
||
"I am no longer a child, mother. I am seventeen. And at
|
||
seventeen there are problems. After all, one's life is one's
|
||
own. One must decide----"
|
||
|
||
"Now, Barbara, I am not going to have any nonsense. You
|
||
must put that man out of your head."
|
||
|
||
"Man? What man?"
|
||
|
||
"You think you are in love with some drivelling young Fool.
|
||
I'm not blind, or an idot. And I won't have it."
|
||
|
||
"I have not said that there is anyone, have I?" I said in
|
||
a gentle voice. "But if there was, just what would you propose
|
||
to do, mother?"
|
||
|
||
"If you were three years younger I'd propose to spank you."
|
||
Then I think she saw that she was taking the wrong method, for
|
||
she changed her Tactics. "It's the fault of that Silly School,"
|
||
she said. (Note: These are my mother's words, not mine.) "They
|
||
are hotbeds of sickley sentamentality. They----"
|
||
|
||
And just then the violets came, addressed to me. Mother
|
||
opened them herself, her mouth set. "My love is like a white,
|
||
white rose," she said. "Barbara, do you know who sent these?"
|
||
|
||
"Yes, mother," I said meekly. This was quite true. I did.
|
||
|
||
I am indeed sorry to record that here my mother lost her
|
||
temper, and there was no end of a fuss. It ended by mother
|
||
offering me a string of seed pearls for Christmas, and my party
|
||
dresses cut V front and back, if I would, as she phrazed it,
|
||
"put him out of my silly head."
|
||
|
||
"I shall have to write one letter, mother," I said, "to--to
|
||
break things off. I cannot tear myself out of another's Life
|
||
without a word."
|
||
|
||
She sniffed.
|
||
|
||
"Very well," she said. "One letter. I trust you to make it
|
||
only one."
|
||
|
||
I come now to the next day. How true it is, that "Man's
|
||
life is but a jest, a dream, a shadow, bubble, air, a vapour at
|
||
the best!"
|
||
|
||
I spent the morning with mother at the dressmakers and she
|
||
chose two perfectly spiffing things, one of white chiffon over
|
||
silk, made modafied Empire, with little bunches of roses here
|
||
and there on it, and when she and the dressmaker were hagling
|
||
over the roses, I took the scizzors and cut the neck of the
|
||
lining two inches lower in front. The effect was posatively
|
||
impressive. The other was blue over orkid, a perfectly
|
||
passionate combination.
|
||
|
||
When we got home some of the girls had dropped in, and
|
||
Carter Brooks and Sis were having tea in the den. I am perfectly
|
||
sure that Sis threw a cigarette in the fire when I went in. When
|
||
I think of my sitting here alone, when I have done _nothing_,
|
||
and Sis playing around and smoking cigarettes, and nothing said,
|
||
all for a difference of 2O months, it makes me furious.
|
||
|
||
"Let's go in and play with the children, Leila," he said.
|
||
"I'm feeling young today."
|
||
|
||
Which was perfectly silly. He is not Methuzala. Although
|
||
thinking himself so, or almost.
|
||
|
||
Well, they went into the drawing room. Elaine Adams was
|
||
there waiting for me, and Betty Anderson and Jane Raleigh. And
|
||
I hadn't been in the room five minutes before I knew that they
|
||
all knew. It turned out later that Hannah was engaged to the
|
||
Adams's butler, and she had told him, and he had told Elaine's
|
||
governess, who is still there and does the ordering, and Elaine
|
||
sends her stockings home for her to darn.
|
||
|
||
Sis had told Carter, too, I saw that, and among them they
|
||
had rather a good time. Carter sat down at the piano and struck
|
||
a few chords, chanting "My Love is like a white, white rose."
|
||
|
||
"Only you know" he said, turning to me, "that's wrong. It
|
||
ought to be a `red, red rose.'"
|
||
|
||
"Certainly not. The word is `white.'"
|
||
|
||
"Oh, is it?" he said, with his head on one side. "Strange
|
||
that both you and Harold should have got it wrong."
|
||
|
||
I confess to a feeling of uneasiness at that moment.
|
||
|
||
Tea came, and Carter insisted on pouring.
|
||
|
||
"I do so love to pour!" he said. "Really, after a long
|
||
day's shopping, tea is the only thing that keeps me going until
|
||
dinner. Cream or lemon, Leila dear?"
|
||
|
||
"Both," Sis said in an absent manner, with her eyes on me.
|
||
"Barbara, come into the den a moment. I want to show you
|
||
mother's Xmas gift."
|
||
|
||
She stocked in ahead of me, and lifted a book from the
|
||
table. Under it was the photograph.
|
||
|
||
"You wretched child!" she said. "Where did you get that?"
|
||
|
||
"That's not your affair, is it?"
|
||
|
||
"I'm going to make it my affair. Did he give it to you?"
|
||
|
||
"Have you read what's written on it?"
|
||
|
||
"Where did you meet him?"
|
||
|
||
I hesitated because I am by nature truthfull. But at last
|
||
I said:
|
||
|
||
"At school."
|
||
|
||
"Oh," she said slowly. "So you met him at school! What was
|
||
he doing there? Teaching elocution?"
|
||
|
||
"Elocution!"
|
||
|
||
"This is Harold, is it?"
|
||
|
||
"Certainly." Well, he _was_ Harold, if I chose to call him
|
||
that, wasn't he? Sis gave a little sigh.
|
||
|
||
"You're quite hopeless, Bab. And, although I'm perfectly
|
||
sure you want me to take the thing to mother, I'll do nothing of
|
||
the sort."
|
||
|
||
_She flung it into the fire_. I was raging. It had cost me
|
||
a dollar. It was quite brown when I got it out, and a corner was
|
||
burned off. But I got it.
|
||
|
||
"I'll thank you to burn your own things," I said with
|
||
dignaty. And I went back to the drawing room.
|
||
|
||
The girls and Carter Brooks were talking in an undertone
|
||
when I got there. I knew it was about me. And Jane came over to
|
||
me and put her arm around me.
|
||
|
||
"You poor thing!" she said. "Just fight it out. We're all
|
||
with you."
|
||
|
||
"I'm so helpless, Jane." I put all the despair I could into
|
||
my voice. For after all, if they were going to talk about my
|
||
private Affairs behind my back, I felt that they might as well
|
||
have something to talk about. As Jane's second couzin once
|
||
removed is in this school and as Jane will probably write her
|
||
all about it, I hope this Theme is read aloud in class, so she
|
||
will get it all straight. Jane is imaginative and may have a
|
||
wrong idea of things.
|
||
|
||
"Don't give in. Let them bully you. They can't really do
|
||
anything. And they're scared. Leila is positively sick."
|
||
|
||
"I've promised to write and break it off," I said in a
|
||
tence tone.
|
||
|
||
"If he really loves you," said Jane, "the letter won't
|
||
matter." There was a thrill in her voice. Had I not been uneasy
|
||
at my deciet, I to would have thrilled.
|
||
|
||
Some fresh muffins came in just then and I was starveing.
|
||
But I waved them away, and stood staring at the fire.
|
||
|
||
I am writing all of this as truthfully as I can. I am not
|
||
defending myself. What I did I was driven to, as any one can
|
||
see. It takes a real shock to make the average Familey wake up
|
||
to the fact that the youngest daughter is not the Familey baby
|
||
at seventeen. All I was doing was furnishing the shock. If
|
||
things turned out badly, as they did, it was because I rather
|
||
overdid the thing. That is all. My motives were perfectly
|
||
ireproachible.
|
||
|
||
Well, they fell on the muffins like pigs, and I could
|
||
hardly stand it. So I wandered into the den, and it occurred to
|
||
me to write the letter then. I felt that they all expected me to
|
||
do something anyhow.
|
||
|
||
If I had never written the wretched letter things would be
|
||
better now. As I say, I overdid. But everything had gone so
|
||
smoothly all day that I was decieved. But the real reason was a
|
||
new set of furs. I had secured the dresses and the promise of
|
||
the necklace on a Poem and a Photograph, and I thought that a
|
||
good love letter might bring a muff. It all shows that it does
|
||
not do to be grasping.
|
||
|
||
_Had I not written the letter, there would have been no
|
||
tradgedy_.
|
||
|
||
But I wrote it and if I do say it, it was a _letter_. I
|
||
commenced it "Darling," and I said I was mad to see him, and
|
||
that I would always love him. But I told him that the Familey
|
||
objected to him, and that this was to end everything between us.
|
||
They had started the phonograph in the library, and were playing
|
||
"The Rosary." So I ended with a verse from that. It was really
|
||
a most affecting letter. I almost wept over it myself, because,
|
||
if there had been a Harold, it would have broken his Heart.
|
||
|
||
Of course I meant to give it to Hannah to mail, and she
|
||
would give it to mother. Then, after the family had read it and
|
||
it had got in its work, including the set of furs, they were
|
||
welcome to mail it. It would go to the Dead Letter Office, since
|
||
there was no Harold. It could not come back to me, for I had
|
||
only signed it "Barbara." I had it all figured out carefully. It
|
||
looked as if I had everything to gain, including the furs, and
|
||
nothing to lose. Alas, how little I knew!
|
||
|
||
"The best laid plans of mice and men gang aft aglay."
|
||
Burns.
|
||
|
||
Carter Brooks ambled into the room just as I sealed it and
|
||
stood gazing down at me.
|
||
|
||
"You're quite a Person these days, Bab," he said. "I
|
||
suppose all the customary Xmas kisses are being saved this year
|
||
for what's his name."
|
||
|
||
"I don't understand you."
|
||
|
||
"For Harold. You know, Bab, I think I could bear up better
|
||
if his name wasn't Harold."
|
||
|
||
"I don't see how it concerns you," I responded.
|
||
|
||
"Don't you? With me crazy about you for lo, these many
|
||
years! First as a baby, then as a sub-sub-deb, and now as a
|
||
sub-deb. Next year, when you are a real Debutante----"
|
||
|
||
"You've concealed your infatuation bravely."
|
||
|
||
"It's been eating me inside. A green and yellow
|
||
melancholly--hello! A letter to him!"
|
||
|
||
"Why, so it is," I said in a scornfull tone.
|
||
|
||
He picked it up, and looked at it. Then he started and
|
||
stared at me.
|
||
|
||
"No!" he said. "It isn't possible! It isn't old Valentine!"
|
||
|
||
Positively, my knees got cold. I never had such a shock.
|
||
|
||
"It--it certainly is Harold Valentine," I said feebly.
|
||
|
||
"Old Hal!" he muttered. "Well, who would have thought it!
|
||
And not a word to me about it, the secretive old duffer!" He
|
||
held out his hand to me. "Congratulations, Barbara," he said
|
||
heartily. "Since you absolutely refuse me, you couldn't do
|
||
better. He's the finest chap I know. If it's Valentine the
|
||
Familey is kicking up such a row about, you leave it to me. I'll
|
||
tell them a few things."
|
||
|
||
I was stunned. Would anybody have beleived it? To pick a
|
||
name out of the air, so to speak, and off a malted milk tablet,
|
||
and then to find that it actualy belonged to some one--was
|
||
sickning.
|
||
|
||
"It may not be the one you know" I said desperately.
|
||
"It--it's a common name. There must be plenty of Valentines."
|
||
|
||
"Sure there are, lace paper and Cupids--lots of that sort.
|
||
But there's only one Harold Valentine, and now you've got him
|
||
pinned to the wall! I'll tell you what I'll do, Barbara. I'm a
|
||
real friend of yours. Always have been. Always will be. The
|
||
chances are against the Familey letting him get this letter.
|
||
I'll give it to him."
|
||
|
||
"_Give _it to him?"
|
||
|
||
"Why, he's here. You know that, don't you? He's in town
|
||
over the holadays."
|
||
|
||
"Oh, no!" I said in a gasping Voice.
|
||
|
||
"Sorry," he said. "Probably meant it as a surprize to you.
|
||
Yes, he's here, with bells on."
|
||
|
||
He then put the letter in his pocket before my very eyes,
|
||
and sat down on the corner of the writing table!
|
||
|
||
"You don't know how all this has releived my mind," he
|
||
said. "The poor chap's been looking down. Not interested in
|
||
anything. Of course this explains it. He' s the sort to take
|
||
Love hard. At college he took everything hard--like to have died
|
||
once with German meazles."
|
||
|
||
He picked up a book, and the charred picture was
|
||
underneath. He pounced on it. "Pounced" is exactly the right
|
||
word.
|
||
|
||
"Hello!" he said. "Familey again, I suppose. Yes, it's Hal,
|
||
all right. Well, who would have thought it!"
|
||
|
||
My last hope died. Then and there I had a nervous chill. I
|
||
was compelled to prop my chin on my hand to keep my teeth from
|
||
chattering.
|
||
|
||
"Tell you what I'll do," he said, in a perfectly cheerfull
|
||
tone that made me cold all over. "I'll be the Cupid for your
|
||
Valentine. See? Far be it from me to see Love's young dream
|
||
wiped out by a hardhearted Familey. I'm going to see this thing
|
||
through. You count on me, Barbara. I'll arrange that you get a
|
||
chance to see each other, Familey or no Familey. Old Hal has
|
||
been looking down his nose long enough. When's your first
|
||
party?"
|
||
|
||
"Tomorrow night," I gasped out.
|
||
|
||
"Very well. Tomorrow night it is. It's the Adams's, isn't
|
||
it, at the Club?"
|
||
|
||
I could only nod. I was beyond speaking. I saw it all
|
||
clearly. I had been wicked in decieving my dear Familey and now
|
||
I was to pay the Penalty. He would know at once that I had made
|
||
him up, or rather he did not know me and therefore could not
|
||
possibly be in Love with me. And what then?
|
||
|
||
"But look here," he said, "if I take him there as
|
||
Valentine, the Familey will be on, you know. We'd better call
|
||
him something else. Got any choice as to a name?"
|
||
|
||
"Carter" I said franticaly. "I think I'd better tell you.
|
||
I----"
|
||
|
||
"How about calling him Grosvenor?". he babbled on.
|
||
"Grosvenor's a good name. Ted Grosvenor--that ought to hit them
|
||
between the eyes. It's going to be rather a lark, Miss Bab!"
|
||
|
||
And of course just then mother came in, and the Brooks
|
||
idiot went in and poured her a cup of tea, with his little
|
||
finger stuck out at a right angel, and every time he had a
|
||
chance he winked at me.
|
||
|
||
I wanted to die.
|
||
|
||
When they had all gone home it seemed like a bad dream, the
|
||
whole thing. It could not be true. I went upstairs and manacured
|
||
my nails, which usually comforts me, and put my hair up like
|
||
Leila's.
|
||
|
||
But nothing could calm me. I had made my own Fate, and must
|
||
lie in it. And just then Hannah slipped in with a box in her
|
||
hands and her eyes frightened.
|
||
|
||
"Oh, Miss Barbara!" she said. "If your mother sees this!"
|
||
|
||
I dropped my manacure scizzors, I was so alarmed. But I
|
||
opened the box, and clutched the envelope inside. It said "from
|
||
H----." Then Carter was right. There was an H after all!
|
||
|
||
Hannah was rolling her hands in her apron and her eyes were
|
||
poping out of her head.
|
||
|
||
"I just happened to see the boy at the door," she said,
|
||
with her silly teeth chattering. "Oh, Miss Barbara, if Patrick
|
||
had answered the bell! What shall we do with them?"
|
||
|
||
"You take them right down the back stairs," I said. "As if
|
||
it was an empty box. And put it outside with the waist papers.
|
||
Quick."
|
||
|
||
She gathered the thing up, but of course mother had to come
|
||
in just then and they met in the doorway. She saw it all in one
|
||
glance, and she snatched the card out of my hand.
|
||
|
||
"From H----!" she read. "Take them out, Hannah, and throw
|
||
them away. No, don't do that. Put them on the Servant's table."
|
||
Then, when the door had closed, she turned to me. "Just one more
|
||
ridiculous Episode of this kind, Barbara," she said, "and you go
|
||
back to school--Xmas or no Xmas."
|
||
|
||
I will say this. If she had shown the faintest softness,
|
||
I'd have told her the whole thing. But she did not. She looked
|
||
exactly as gentle as a macadam pavment. I am one who has to be
|
||
handled with Gentleness. A kind word will do anything with me,
|
||
but harsh treatment only makes me determined. I then become
|
||
inflexable as iron.
|
||
|
||
That is what happened then. Mother took the wrong course
|
||
and threatened, which as I have stated is fatal, as far as I am
|
||
concerned. I refused to yeild an inch, and it ended in my having
|
||
my dinner in my room, and mother threatening to keep me home
|
||
from the Party the next night. It was not a threat, if she had
|
||
only known it.
|
||
|
||
But when the next day went by, with no more flowers, and
|
||
nothing aparently wrong except that mother was very dignafied
|
||
with me, I began to feel better. Sis was out all day, and in the
|
||
afternoon Jane called me up.
|
||
|
||
"How are you?" she said.
|
||
|
||
"Oh, I'm all right."
|
||
|
||
"Everything smooth?"
|
||
|
||
"Well, smooth enough."
|
||
|
||
"Oh, Bab," she said. "I'm just crazy about it. All the
|
||
girls are."
|
||
|
||
"I knew they were crazy about something."
|
||
|
||
"You poor thing, no wonder you are bitter," she said.
|
||
"Somebody's coming. I'll have to ring off. But don't you give
|
||
in, Bab. Not an inch. Marry your Heart's Desire, no matter who
|
||
butts in."
|
||
|
||
Well, you can see how it was. Even then I could have told
|
||
father and mother, and got out of it somehow. But all the girls
|
||
knew about it, and there was nothing to do but go on.
|
||
|
||
All that day every time I thought of the Party my heart
|
||
missed a beat. But as I would not lie and say that I was ill--I
|
||
am naturaly truthful, as far as possible--I was compelled to go,
|
||
although my heart was breaking.
|
||
|
||
I am not going to write much about the party, except a
|
||
slight discription, which properly belongs in every Theme.
|
||
|
||
All Parties for the school set are alike. The boys range
|
||
from knickerbockers to college men in their Freshmen year, and
|
||
one is likely to dance half the evening with youngsters that one
|
||
saw last in their perambulaters. It is rather startling to have
|
||
about six feet of black trouser legs and white shirt front come
|
||
and ask one to dance and then to get one's eyes raised as far as
|
||
the top of what looks like a particularly thin pair of tree
|
||
trunks and see a little boy's face.
|
||
|
||
As this Theme is to contain discription I shall discribe
|
||
the ball room of the club where the eventful party occurred.
|
||
|
||
The ball room is white, with red hangings, and looks like
|
||
a Charlotte Russe with maraschino cherries. Over the fireplace
|
||
they had put "Merry Christmas," in electric lights, and the
|
||
chandaliers were made into Christmas trees and hung with colored
|
||
balls. One of the balls fell off during the Cotillion, and went
|
||
down the back of one of the girl's dresses, and they were
|
||
compelled to up-end her and shake her out in the dressing room.
|
||
|
||
The favors were insignifacant, as usual. It is not
|
||
considered good taste to have elaberate things for the school
|
||
crowd. But when I think of the silver things Sis always brought
|
||
home, and remember that I took away about six Christmas
|
||
Stockings, a toy Baloon, four Whistles, a wooden Canary in a
|
||
cage and a box of Talcum Powder, I feel that things are not fair
|
||
in this World.
|
||
|
||
Hannah went with me, and in the motor she said:
|
||
|
||
"Oh, Miss Barbara, do be careful. The Familey is that
|
||
upset."
|
||
|
||
"Don't be a silly," I said. "And if the Familey is half as
|
||
upset as I am, it is throwing a fit at this minute."
|
||
|
||
We were early, of course. My mother beleives in being on
|
||
time, and besides, she and Sis wanted the motor later. And while
|
||
Hannah was on her knees taking off my carriage boots, I suddenly
|
||
decided that I could not go down. Hannah turned quite pale when
|
||
I told her.
|
||
|
||
"What'll your mother say?" she said." And you with your new
|
||
dress and all! It's as much as my life is worth to take you back
|
||
home now, Miss Barbara."
|
||
|
||
Well, that was true enough. There would be a Riot if I went
|
||
home, and I knew it.
|
||
|
||
"I'll see the Stuard and get you a cup of tea," Hannah
|
||
said. "Tea sets me up like anything when I'm nervous. Now please
|
||
be a good girl, Miss Barbara, and don't run off, or do anything
|
||
foolish."
|
||
|
||
She wanted me to promise, but I would not, although I could
|
||
not have run anywhere. My legs were entirely numb.
|
||
|
||
In a half hour at the utmost I knew all would be known, and
|
||
very likely I would be a homless wanderer on the earth. For I
|
||
felt that never, never could I return to my Dear Ones, when my
|
||
terrable actions became known.
|
||
|
||
Jane came in while I was sipping the tea and she stood off
|
||
and eyed me with sympathy.
|
||
|
||
"I don't wonder, Bab!" she said. "The idea of your Familey
|
||
acting so outragously! And look here" She bent over me and
|
||
whispered it. "Don't trust Carter too much. He is perfectly in
|
||
fatuated with Leila, and he will play into the hands of the
|
||
enemy. _Be careful_."
|
||
|
||
"Loathesome creature!" was my response. "As for trusting
|
||
him, I trust no one, these days."
|
||
|
||
"I don't wonder your Faith is gone," she observed. But she
|
||
was talking with one eye on a mirror.
|
||
|
||
"Pink makes me pale," she said. "I'll bet the maid has a
|
||
drawer full of rouge. I'm going to see. How about a touch for
|
||
you? You look gastly."
|
||
|
||
"I don't care how I look," I said, recklessly. "I think
|
||
I'll sprain my ankle and go home. Anyhow I am not allowed to use
|
||
rouge."
|
||
|
||
"Not allowed!" she observed. "What has that got to do with
|
||
it? I don't understand you, Bab; you are totaly changed."
|
||
|
||
"I am suffering," I said. I was to.
|
||
|
||
Just then the maid brought me a folded note. Hannah was
|
||
hanging up my wraps, and did not see it. Jane's eyes fairly
|
||
bulged.
|
||
|
||
"I hope you have saved the Cotillion for me," it said. And
|
||
it was signed. H----!
|
||
|
||
"Good gracious," Jane said breathlessly."Don't tell me he
|
||
is here, and that that's from him!"
|
||
|
||
I had to swallow twice before I could speak. Then I said,
|
||
solemnly:
|
||
|
||
"He is here, Jane. He has followed me. I am going to dance
|
||
the Cotillion with him although I shall probably be disinherited
|
||
and thrown out into the World, as a result."
|
||
|
||
I have no recollection whatever of going down the staircase
|
||
and into the ballroom. Although I am considered rather brave,
|
||
and once saved one of the smaller girls from drowning, as I need
|
||
not remind the school, when she was skating on thin ice, I was
|
||
frightened. I remember that, inside the door, Jane said
|
||
"Courage!" in a low tence voice, and that I stepped on
|
||
somebody's foot and said "Certainly" instead of apologizing. The
|
||
shock of that brought me around somewhat, and I managed to find
|
||
Mrs. Adams and Elaine, and not disgrace myself. Then somebody at
|
||
my elbow said:
|
||
|
||
"All right, Barbara. Everything's fixed."
|
||
|
||
It was Carter.
|
||
|
||
"He's waiting in the corner over there," he said. "We'd
|
||
better go through the formalaty of an introduction. He's
|
||
positively twittering with excitement."
|
||
|
||
"Carter" I said desparately. "I want to tell you somthing
|
||
first. I've got myself in an awful mess. I----"
|
||
|
||
"Sure you have," he said. "That's why I'm here, to help you
|
||
out. Now you be calm, and there's no reason why you two can't
|
||
have the evening of your young lives. I wish _I_ could fall in
|
||
Love. It must be bully."
|
||
|
||
"Carter----!"
|
||
|
||
"Got his note, didn't you?"
|
||
|
||
"Yes, I----"
|
||
|
||
"Here we are," said Carter. "Miss Archibald, I would like
|
||
to present Mr. Grosvenor."
|
||
|
||
Somebody bowed in front of me, and then straightened up and
|
||
looked down at me. _It was the man of the Picture, little
|
||
mustache and all_. My mouth went perfectly dry.
|
||
|
||
It is all very well to talk about Romance and Love, and all
|
||
that sort of thing. But I have concluded that amorus experiences
|
||
are not always agreeable. And I have discovered something else.
|
||
The moment anybody is crazy about me I begin to hate him. It is
|
||
curious, but I am like that. I only care as long as they, or he,
|
||
is far away. And the moment I touched H's white kid glove, I
|
||
knew I loathed him.
|
||
|
||
"Now go to it, you to," Carter said in cautious tone.
|
||
"Don't be conspicuous. That's all."
|
||
|
||
And he left us.
|
||
|
||
"Suppose we dance this. Shall we?" said H. And the next
|
||
moment we were gliding off. He danced very well. I will say
|
||
that. But at the time I was too much occupied with hateing him
|
||
to care about dancing, or anything. But I was compelled by my
|
||
pride to see things through. We are a very proud Familey and
|
||
never show our troubles, though our hearts be torn with anguish.
|
||
|
||
"Think," he said, when we had got away from the band,
|
||
"think of our being together like this!"
|
||
|
||
"It's not so surprizing, is it? We've got to be together if
|
||
we are dancing."
|
||
|
||
"Not that. Do you know, I never knew so long a day as this
|
||
has been. The thought of meeting you--er--again, and all that."
|
||
|
||
"You needn't rave for my benefit," I said freesingly. "You
|
||
know perfectly well that you never saw me before."
|
||
|
||
"Barbara! With your dear little Letter in my breast pocket
|
||
at this moment!"
|
||
|
||
"I didn't know men had breast pockets in their evening
|
||
clothes."
|
||
|
||
"Oh well, have it your own way. I'm too happy to quarrel,"
|
||
he said. "How well you dance--only, let me lead, won't you? How
|
||
strange it is to think that we have never danced together
|
||
before!"
|
||
|
||
"We must have a talk," I said desparately. "Can't we go
|
||
somwhere, away from the noise?"
|
||
|
||
"That would be conspicuous, wouldn't it, under the
|
||
circumstances? If we are to overcome the Familey objection to
|
||
me, we'll have to be cautious, Barbara."
|
||
|
||
"Don't call me Barbara," I snapped. "I know perfectly well
|
||
what you think of me, and I----"
|
||
|
||
"I think you are wonderful," he said. "Words fail me when
|
||
I try to tell you what I am thinking. You've saved the Cotillion
|
||
for me, haven't you? If not, I'm going to claim it anyhow. _It
|
||
is my right_."
|
||
|
||
He said it in the most determined manner, as if everything
|
||
was settled. I felt like a rat in a trap, and Carter, watching
|
||
from a corner, looked exactly like a cat. If he had taken his
|
||
hand in its white glove and washed his face with it, I would
|
||
hardly have been surprized.
|
||
|
||
The music stopped, and somebody claimed me for the next.
|
||
Jane came up, too, and cluched my arm.
|
||
|
||
"You lucky thing!" she said. "He's perfectly handsome. And
|
||
oh, Bab, he's wild about you. I can see it in his eyes."
|
||
|
||
"Don't pinch, Jane," I said coldly. "And don't rave. He's
|
||
an idiot."
|
||
|
||
She looked at me with her mouth open.
|
||
|
||
"Well, if you don't want him, pass him on to me," she said,
|
||
and walked away.
|
||
|
||
It was too silly, after everything that had happened, to
|
||
dance the next dance with Willie Graham, who is still in
|
||
knickerbockers, and a full head shorter than I am. But that's
|
||
the way with a Party for the school crowd, as I've said before.
|
||
They ask all ages, from perambulaters up, and of course the
|
||
little boys all want to dance with the older girls. It is deadly
|
||
stupid.
|
||
|
||
But H seemed to be having a good time. He danced a lot with
|
||
Jane, who is a wreched dancer, with no sense of time whatever.
|
||
Jane is not pretty, but she has nice eyes, and I am not afraid,
|
||
second couzin once removed or no second couzin once removed, to
|
||
say she used them.
|
||
|
||
Altogether, it was a terrible evening. I danced three
|
||
dances out of four with knickerbockers, and one with old Mr.
|
||
Adams, who is fat and rotates his partner at the corners by
|
||
swinging her on his waistcoat. Carter did not dance at all, and
|
||
every time I tried to speak to him he was taking a crowd of the
|
||
little girls to the fruit-punch bowl.
|
||
|
||
I determined to have things out with H during the
|
||
Cotillion, and tell him that I would never marry him, that I
|
||
would Die first. But I was favored a great deal, and when we did
|
||
have a chance the music was making such a noise that I would
|
||
have had to shout. Our chairs were next to the band.
|
||
|
||
But at last we had a minute, and I went out to the
|
||
verandah, which was closed in with awnings. He had to follow, of
|
||
course, and I turned and faced him.
|
||
|
||
"Now" I said, "this has got to stop."
|
||
|
||
"I don't understand you, Bab."
|
||
|
||
"You do, perfectly well," I stormed. "I can't stand it. I
|
||
am going crazy. "
|
||
|
||
"Oh," he said slowly. "I see. I've been dancing too much
|
||
with the little girl with the eyes! Honestly, Bab, I was only
|
||
doing it to disarm suspicion. _My Every Thought is of you_."
|
||
|
||
"I mean," I said, as firmly as I could, "that this whole
|
||
thing has got to stop. I can't stand it."
|
||
|
||
"Am I to understand," he said solemnly, "that you intend to
|
||
end everything?"
|
||
|
||
I felt perfectly wild and helpless.
|
||
|
||
"After that Letter!" he went on. "After that sweet Letter!
|
||
You said, you know, that you were mad to see me, and that--it is
|
||
almost too sacred to repeat, even to _you_--that you would
|
||
always love me. After that Confession I refuse to agree that all
|
||
is over. It can _never_ be over."
|
||
|
||
"I daresay I am losing my mind," I said. "It all sounds
|
||
perfectly natural. But it doesn't mean anything. There _can't_
|
||
be any Harold Valentine; because I made him up. But there is, so
|
||
there must be. And I am going crazy."
|
||
|
||
"Look here," he stormed, suddenly quite raving, and
|
||
throwing out his right hand. It would have been terrably
|
||
dramatic, only he had a glass of punch in it. "I am not going to
|
||
be played with. And you are not going to jilt me without a
|
||
reason. Do you mean to deny everything? Are you going to say,
|
||
for instance, that I never sent you any violets? Or gave you my
|
||
Photograph, with an--er--touching inscription on it?" Then,
|
||
appealingly, "You can't mean to deny that Photograph, Bab!"
|
||
|
||
And then that lanky wretch of an Eddie Perkins brought me
|
||
a toy Baloon, and I had to dance, with my heart crushed.
|
||
|
||
Nevertheless, I ate a fair supper. I felt that I needed
|
||
Strength. It was quite a grown-up supper, with boullion and
|
||
creamed chicken and baked ham and sandwitches, among other
|
||
things. But of course they had to show it was a `kid' party,
|
||
after all. For instead of coffee we had milk.
|
||
|
||
Milk! When I was going through a tradgedy. For if it is not
|
||
a tradgedy to be engaged to a man one never saw before, what is
|
||
it?
|
||
|
||
All through the refreshments I could feel that his eyes
|
||
were on me. And I hated him. It was all well enough for Jane to
|
||
say he was handsome. She wasn't going to have to marry him. I
|
||
detest dimples in chins. I always have. And anybody could see
|
||
that it was his first mustache, and soft, and that he took it
|
||
round like a mother pushing a new baby in a perambulater. It was
|
||
sickning.
|
||
|
||
I left just after supper. He did not see me when I went
|
||
upstairs, but he had missed me, for when Hannah and I came down,
|
||
he was at the door, waiting. Hannah was loaded down with silly
|
||
favors, and lagged behind, which gave him a chance to speak to
|
||
me. I eyed him coldly and tried to pass him, but I had no
|
||
chance.
|
||
|
||
"I'll see you tomorrow, _dearest_," he whispered.
|
||
|
||
"Not if I can help it," I said, looking straight ahead.
|
||
Hannah had dropped a stocking--not her own. One of the Xmas
|
||
favors--and was fumbling about for it.
|
||
|
||
"You are tired and unerved to-night, Bab. When I have seen
|
||
your father tomorrow, and talked to him----"
|
||
|
||
"Don't you dare to see my father."
|
||
|
||
"----and when he has agreed to what I propose," he went on,
|
||
without paying any atention to what I had said, "you will be
|
||
calmer. We can plan things."
|
||
|
||
Hannah came puffing up then, and he helped us into the
|
||
motor. He was very careful to see that we were covered with the
|
||
robes, and he tucked Hannah's feet in. She was awfully
|
||
flattered. Old Fool! And she babbled about him until I wanted to
|
||
slap her.
|
||
|
||
"He's a nice young man. Miss Bab," she said. "That is, if
|
||
he's the One. And he has nice manners. So considerate. Many a
|
||
party I've taken your sister to, and never before----"
|
||
|
||
"I wish you'd shut up, Hannah," I said. "He's a Pig, and I
|
||
hate him."
|
||
|
||
She sulked after that, and helped me out of my things at
|
||
home without a word. When I was in bed, however, and she was
|
||
hanging up my clothes, she said:
|
||
|
||
"I don't know what's got into you, Miss Barbara. You are
|
||
that cross that there's no living with you."
|
||
|
||
"Oh, go away," I said.
|
||
|
||
"And what's more," she added, "I don't know but what your
|
||
mother ought to know about these goingson. You're only a little
|
||
girl, with all your high and mightiness, and there's going to be
|
||
no scandal in this Familey if I can help it."
|
||
|
||
I put the bedclothes over my head, and she went out.
|
||
|
||
But of course I could not sleep. Sis was not home yet, or
|
||
mother, and I went into Sis's room and got a novel from her
|
||
table. It was the story of a woman who had married a man in a
|
||
hurry, and without really loving him, and when she had been
|
||
married a year, and hated the very way her husband drank his
|
||
coffee and cut the ends off his cigars, she found some one she
|
||
really loved with her Whole Heart. And it was too late. But she
|
||
wrote him one Letter, the other man, you know, and it caused a
|
||
lot of trouble. So she said--I remember the very words--
|
||
|
||
"Half the troubles in the world are caused by Letters.
|
||
Emotions are changable things"--this was after she had found
|
||
that she really loved her husband after all, but he had had to
|
||
shoot himself before she found it out, although not fataly--"but
|
||
the written word does not change. It remains always, embodying
|
||
a dead truth and giving it apparent life. No woman should ever
|
||
put her thoughts on paper."
|
||
|
||
She got the Letter back, but she had to steal it. And it
|
||
turned out that the other man had really only wanted her money
|
||
all the time.
|
||
|
||
That story was a real ilumination to me. I shall have a
|
||
great deal of money when I am of age, from my grandmother. I saw
|
||
it all. It was a trap sure enough. And if I was to get out I
|
||
would have to have the letter.
|
||
|
||
_It was the Letter that put me in his power_.
|
||
|
||
The next day was Xmas. I got a lot of things, including the
|
||
necklace, and a mending basket from Sis, with the hope that it
|
||
would make me tidey, and father had bought me a set of Silver
|
||
Fox, which mother did not approve of, it being too expencive for
|
||
a young girl to wear, according to her. I must say that for an
|
||
hour or two I was happy enough.
|
||
|
||
But the afternoon was terrable. We keep open house on Xmas
|
||
afternoon, and father makes a champagne punch, and somebody
|
||
pours tea, although nobody drinks it, and there are little cakes
|
||
from the Club, and the house is decorated with poin--(Memo: Not
|
||
in the Dictionery and I cannot spell it, although not usualy
|
||
troubled as to spelling.)
|
||
|
||
At eleven o'clock the mail came in, and mother sorted it
|
||
over, while father took a gold piece out to the post-man.
|
||
|
||
There were about a million cards, and mother glanced at the
|
||
addresses and passed them round. But suddenly she frowned. There
|
||
was a small parcel, addressed to me.
|
||
|
||
"This looks like a Gift, Barbara," she said. And proceded
|
||
to open it.
|
||
|
||
My heart skipped two beats, and then hamered. Mother's
|
||
mouth was set as she tore off the paper and opened the box.
|
||
There was a card, which she glanced at, and underneath, was a
|
||
book of poems.
|
||
|
||
"Love Lyrics," said mother, in a terrable voice. "To
|
||
Barbara, from H----"
|
||
|
||
"Mother----" I began, in an ernest tone.
|
||
|
||
"A child of mine recieving such a book from a man!" she
|
||
went on. "Barbara, I am speachless."
|
||
|
||
But she was not speachless. If she was speachless for the
|
||
next half hour, I would hate to hear her really converse. And
|
||
all that I could do was to bear it. For I had made a
|
||
Frankenstein--see the book read last term by the Literary
|
||
Society--not out of grave-yard fragments, but from malted milk
|
||
tablets, so to speak, and now it was pursuing me to an early
|
||
grave. For I felt that I simply could not continue to live.
|
||
|
||
"Now--where does he live?"
|
||
|
||
"I--don't know, mother."
|
||
|
||
"You sent him a Letter."
|
||
|
||
"I don't know where he lives, anyhow."
|
||
|
||
"Leila," mother said, "will you ask Hannah to bring my
|
||
smelling salts?"
|
||
|
||
"Aren't you going to give me the book?" I asked. "It--it
|
||
sounds interesting."
|
||
|
||
"You are shameless," mother said, and threw the thing into
|
||
the fire. A good many of my things seemed to be going into the
|
||
fire at that time. I cannot help wondering what they would have
|
||
done if it had all happened in the summer, and no fires burning.
|
||
They would have felt quite helpless, I imagine.
|
||
|
||
Father came back just then, but he did not see the Book,
|
||
which was then blazing with a very hot red flame. I expected
|
||
mother to tell him, and I daresay I should not have been
|
||
surprised to see my furs follow the book. I had got into the way
|
||
of expecting to see things burning that do not belong in a
|
||
fireplace. But mother did not tell him.
|
||
|
||
I have thought over this a great deal, and I beleive
|
||
that now I understand. Mother was unjustly putting the blame for
|
||
everything on this School, and mother had chosen the School. My
|
||
father had not been much impressed by the catalogue. "Too much
|
||
dancing room and not enough tennis courts," he had said. This,
|
||
of course, is my father's opinion. Not mine.
|
||
|
||
The real reason, then, for mother's silence was that she
|
||
disliked confessing that she made a mistake in her choice of a
|
||
School.
|
||
|
||
I ate very little Luncheon and my only comfort was my seed
|
||
pearls. I was wearing them, for fear the door-bell would ring,
|
||
and a Letter or flowers would arrive from H. In that case I felt
|
||
quite sure that someone, in a frenzy, would burn the Pearls
|
||
also.
|
||
|
||
The afternoon was terrable. It rained solid sheets, and
|
||
Patrick, the butler, gave notice three hours after he had
|
||
recieved his Xmas presents, on account of not being let off for
|
||
early mass.
|
||
|
||
But my father's punch is famous, and people came, and stood
|
||
around and buzzed, and told me I had grown and was almost a
|
||
young lady. And Tommy Gray got out of his cradle and came to
|
||
call on me, and coughed all the time, with a whoop. He developed
|
||
the whooping cough later. He had on his first long trousers, and
|
||
a pair of lavender Socks and a Tie to match. He said they were
|
||
not exactly the same shade, but he did not think it would be
|
||
noticed. Hateful child!
|
||
|
||
At half past five, when the place was jamed, I happened to
|
||
look up. Carter Brooks was in the hall, and behind him was H. He
|
||
had seen me before I saw him, and he had a sort of sickley grin,
|
||
meant to denote joy. I was talking to our Bishop at the time,
|
||
and he was asking me what sort of services we had in the school
|
||
chapel.
|
||
|
||
I meant to say "non-sectarian," but in my surprize and
|
||
horror I regret to say that I said, "vegetarian." Carter Brooks
|
||
came over to me like a cat to a saucer of milk, and pulled me
|
||
off into a corner.
|
||
|
||
"It's all right," he said. "I 'phoned mama, and she said to
|
||
bring him. He's known as Grosvenor here, of course. They'll
|
||
never suspect a thing. Now, do I get a small `thank you'?"
|
||
|
||
"I won't see him."
|
||
|
||
"Now look here, Bab," he protested, "you two have got to
|
||
make this thing up You are a pair of Idiots, quarreling over
|
||
nothing. Poor old Hal is all broken up. He's sensative. You've
|
||
got to remember how sensative he is."
|
||
|
||
"Go, away" I cried, in broken tones. "Go away, and take him
|
||
with you."
|
||
|
||
"Not until he had spoken to your Father," he observed,
|
||
setting his jaw. "He's here for that, and you know it. You can't
|
||
play fast and loose with a man, you know."
|
||
|
||
"Don't you dare to let him speak to father!"
|
||
|
||
He shrugged his shoulders.
|
||
|
||
"That's between you to, of course," he said. "It's not up
|
||
to me. Tell him yourself, if you've changed your mind. I don't
|
||
intend," he went on, impressively, "to have any share in ruining
|
||
his life."
|
||
|
||
"Oh piffle," I said. I am aware that this is slang, and
|
||
does not belong in a Theme. But I was driven to saying it.
|
||
|
||
I got through the crowd by using my elbows. I am afraid I
|
||
gave the Bishop quite a prod, and I caught Mr. Andrews on his
|
||
rotateing waistcoat. But I was desparate.
|
||
|
||
Alas, I was too late.
|
||
|
||
The caterer's man, who had taken Patrick's place in a
|
||
hurry, was at the punch bowl, and father was gone. I was just in
|
||
time to see him take H. into his library and close the door.
|
||
|
||
Here words fail me. I knew perfectly well that beyond that
|
||
door H, whom I had invented and who therefore simply did not
|
||
exist, was asking for my Hand. I made up my mind at once to run
|
||
away and go on the stage, and I had even got part way up the
|
||
stairs, when I remembered that, with a dollar for the picture
|
||
and five dollars for the violets and three dollars for the hat
|
||
pin I had given Sis, and two dollars and a quarter for mother's
|
||
handkercheif case, I had exactly a dollar and seventy-five cents
|
||
in the world.
|
||
|
||
_I was trapped_.
|
||
|
||
I went up to my room, and sat and waited. Would father be
|
||
violent, and throw H. out and then come upstairs, pale with fury
|
||
and disinherit me? Or would the whole Familey conspire together,
|
||
when the people had gone, and send me to a convent? I made up my
|
||
mind, if it was the convent, to take the veil and be a nun. I
|
||
would go to nurse lepers, or something, and then, when it was
|
||
too late, they would be sorry.
|
||
|
||
The stage or the convent, nun or actress? Which?
|
||
|
||
I left the door open, but there was only the sound of
|
||
revelry below. I felt then that it was to be the convent. I
|
||
pinned a towel around my face, the way the nuns wear whatever
|
||
they call them, and from the side it was very becoming. I really
|
||
did look like Julia Marlowe, especialy as my face was very sad
|
||
and tradgic.
|
||
|
||
At something before seven every one had gone, and I heard
|
||
Sis and mother come upstairs to dress for dinner. I sat and
|
||
waited, and when I heard father I got cold all over. But he went
|
||
on by, and I heard him go into mother's room and close the door.
|
||
Well, I knew I had to go through with it, although my life was
|
||
blasted. So I dressed and went downstairs.
|
||
|
||
Father was the first down. _He came down whistling_.
|
||
|
||
It is perfectly true. I could not beleive my ears.
|
||
|
||
He approached me with a smileing face.
|
||
|
||
"Well, Bab," he said, exactly as if nothing had happened,
|
||
"have you had a nice day?"
|
||
|
||
He had the eyes of a bacilisk, that creature of Fable.
|
||
|
||
"I've had a lovely day, Father," I replied. I could be
|
||
bacilisk-ish also.
|
||
|
||
There is a mirror over the drawing room mantle, and he
|
||
turned me around until we both faced it.
|
||
|
||
"Up to my ears," he said, referring to my heighth." And
|
||
Lovers already! Well, I daresay we must make up our minds to
|
||
lose you."
|
||
|
||
"I won't be lost," I declared, almost violently. "Of
|
||
course, if you intend to shove me off your hands, to the first
|
||
Idiot who comes along and pretends a lot of stuff, I----"
|
||
|
||
"My dear child!" said father, looking surprised. "Such an
|
||
outburst! All I was trying to say, before your mother comes
|
||
down, is that I--well, that I understand and that I shall not
|
||
make my little girl unhappy by--er--by breaking her Heart."
|
||
|
||
"Just what do you mean by that, father?"
|
||
|
||
He looked rather uncomfortable, being one who hates to talk
|
||
sentament.
|
||
|
||
"It's like this, Barbara," he said. "If you want to marry
|
||
this young man--and you have made it very clear that you do--I
|
||
am going to see that you do it. You are young, of course, but
|
||
after all your dear mother was not much older than you are when
|
||
I married her."
|
||
|
||
"Father!" I cried, from an over-flowing heart.
|
||
|
||
"I have noticed that you are not happy, Barbara," he said.
|
||
"And I shall not thwart you, or allow you to be thwarted. In
|
||
affairs of the Heart, you are to have your own way."
|
||
|
||
"I want to tell you something!" I cried. "I will _not_ be
|
||
cast off! I----"
|
||
|
||
"Tut, tut," said Father. "Who is casting you off? I tell
|
||
you that I like the young man, and give you my blessing, or what
|
||
is the present-day equivelent for it, and you look like a figure
|
||
of Tradgedy!"
|
||
|
||
But I could endure no more. My own father had turned on me
|
||
and was rending me, so to speak. With a breaking heart and
|
||
streaming eyes I flew to my Chamber.
|
||
|
||
There, for hours I paced the floor.
|
||
|
||
Never, I determined, would I marry H. Better death, by far.
|
||
He was a scheming Fortune-hunter, but to tell the family that
|
||
was to confess all. And I would never confess. I would run away
|
||
before I gave Sis such a chance at me. I would run away, but
|
||
first I would kill Carter Brooks.
|
||
|
||
Yes, I was driven to thoughts of murder. It shows how the
|
||
first false step leads down and down, to crime and even to
|
||
death. Oh never, never, gentle reader, take that first False
|
||
Step. Who knows to what it may lead!
|
||
|
||
"One false Step is never retreived." Gray--On a Favorite
|
||
Cat.
|
||
|
||
I reflected also on how the woman in the book had ruined
|
||
her life with a letter. "The written word does not change," she
|
||
had said. "It remains always, embodying a dead truth and giving
|
||
it apparent life."
|
||
|
||
"Apparent life" was exactly what my letter had given to H.
|
||
Frankenstein. That was what I called him, in my agony. I felt
|
||
that if only I had never written the Letter there would have
|
||
been no trouble. And another awful thought came to me: Was there
|
||
an H after all? Could there be an H?
|
||
|
||
Once the French teacher had taken us to the theater in New
|
||
York, and a woman sitting on a chair and covered with a sheet,
|
||
had brought a man out of a perfectly empty Cabinet, by simply
|
||
willing to do it. The Cabinet was empty, for four respectible
|
||
looking men went up and examined it, and one even measured it
|
||
with a Tape-measure.
|
||
|
||
She had materialised him, out of nothing.
|
||
|
||
And while I had had no Cabinet, there are many things in
|
||
this world "that we do not dream of in our Philosophy." Was H.
|
||
a real person, or a creature of my disordered brain? In plain
|
||
and simple language, _could there be such a Person_?
|
||
|
||
I feared not.
|
||
|
||
And If there was no H, really, and I married him, where
|
||
would I be?
|
||
|
||
There was a ball at the Club that night, and the Familey
|
||
all went. No one came to say good-night to me, and by half past
|
||
ten I was alone with my misery. I knew Carter Brooks would be at
|
||
the ball, and H also, very likely, dancing around as agreably as
|
||
if he really existed, and I had not made him up.
|
||
|
||
I got the book from Sis's room again, and re-read it. The
|
||
woman in it had been in great trouble, too, with her husband
|
||
cleaning his revolver and making his will. And at last she had
|
||
gone to the apartments of the man who had her letters, in a
|
||
taxicab covered with a heavy veil, and had got them back. He had
|
||
shot himself when she returned--the husband--but she burned the
|
||
letters and then called a Doctor, and he was saved. Not the
|
||
doctor, of course. The husband.
|
||
|
||
The villain's only hold on her had been the letters, so he
|
||
went to South Africa and was gored by an elephant, thus passing
|
||
out of her life.
|
||
|
||
Then and there I knew that I would have to get my letter
|
||
back from H. Without it he was powerless. The trouble was that
|
||
I did not know where he was staying. Even if he came out of a
|
||
Cabinet, the Cabinet would have to be somewhere, would it not?
|
||
|
||
I felt that I would have to meet gile with gile. And to
|
||
steal one's own letter is not really stealing. Of course if he
|
||
was visiting any one and pretending to be a real person, I had
|
||
no chance in the world. But if he was stopping at a hotel I
|
||
thought I could manage. The man in the book had had an
|
||
apartment, with a Japanese servant, who went away and drew plans
|
||
of American Forts in the kitchen and left the woman alone with
|
||
the desk containing the Letter. But I daresay that was unusualy
|
||
lucky and not the sort of thing to look forward to.
|
||
|
||
With me, to think is to act. Hannah was out, it being Xmas
|
||
and her brother-in-law having a wake, being dead, so I was free
|
||
to do anything I wanted to.
|
||
|
||
First I called the Club and got Carter Brooks on the
|
||
telephone.
|
||
|
||
"Carter," I said, "I--I am writing a letter. Where
|
||
is--where does H. stay?"
|
||
|
||
"Who?"
|
||
|
||
"H.--Mr. Grosvenor."
|
||
|
||
"Why, bless your ardent little Heart! Writing, are you?
|
||
It's sublime, Bab!"
|
||
|
||
"Where does he live?"
|
||
|
||
"And is it all alone you are, on Xmas Night!" he burbled.
|
||
(This is a word from Alice in WonderLand, and although not in
|
||
the dictionery, is quite expressive.)
|
||
|
||
"Yes," I replied, bitterly. "I am old enough to be married
|
||
off without my consent, but I am not old enough for a real Ball.
|
||
It makes me sick."
|
||
|
||
"I can smuggle him here, if you want to talk to him."
|
||
|
||
"Smuggle!" I said, with scorn. "There is no need to smuggle
|
||
him. The Familey is crazy about him. They are flinging me at
|
||
him."
|
||
|
||
"Well, that's nice," he said. "Who'd have thought it! Shall
|
||
I bring him to the 'phone?"
|
||
|
||
"I don't want to talk to him. I hate him."
|
||
|
||
"Look here," he observed, "if you keep that up, he'll begin
|
||
to beleive you. Don't take these little quarrels too hard,
|
||
Barbara. He's so happy to-night in the thought that you----"
|
||
|
||
"Does he live in a Cabinet, or where?"
|
||
|
||
"In a what? I don't get that word."
|
||
|
||
"Don't bother. Where shall I send his letter?"
|
||
|
||
Well, it seemed he had an apartment at the Arcade, and I
|
||
rang off. It was after eleven by that time, and by the time I
|
||
had got into my school mackintosh and found a heavy veil of
|
||
mother's and put it on, it was almost half past.
|
||
|
||
The house was quiet, and as Patrick had gone, there was no
|
||
one around in the lower Hall. I slipped out and closed the door
|
||
behind me, and looked for a taxicab, but the veil was so heavy
|
||
that I hailed our own limousine, and Smith had drawn up at the
|
||
curb before I knew him.
|
||
|
||
"Where to, lady?" he said. "This is a private car, but I'll
|
||
take you anywhere in the city for a dollar."
|
||
|
||
A flush of just indignation rose to my cheek, at the
|
||
knowledge that Smith was using our car for a taxicab! And just
|
||
as I was about to speak to him severely, and threaten to tell
|
||
father, I remembered, and walked away.
|
||
|
||
"Make it seventy-five cents," he called after me. But I
|
||
went on. It was terrable to think that Smith could go on renting
|
||
our car to all sorts of people, covered with germs and
|
||
everything, and that I could never report it to the Familey.
|
||
|
||
I got a real taxi at last, and got out at the Arcade,
|
||
giving the man a quarter, although ten cents would have been
|
||
plenty as a tip.
|
||
|
||
I looked at him, and I felt that he could be trusted.
|
||
|
||
"This," I said, holding up the money, "is the price of
|
||
Silence."
|
||
|
||
But If he was trustworthy he was not subtile, and he said:
|
||
|
||
"The what, miss?"
|
||
|
||
"If any one asks if you have driven me here, _you have
|
||
not_" I explained, in an impressive manner.
|
||
|
||
He examined the quarter, even striking a match to look at
|
||
it. Then he replied: "I have not!" and drove away.
|
||
|
||
Concealing my nervousness as best I could, I entered the
|
||
doomed Building. There was only a hall boy there, asleep in the
|
||
elevator, and I looked at the thing with the names on it. "Mr.
|
||
Grosvenor" was on the fourth floor.
|
||
|
||
I wakened the boy, and he yawned and took me to the fourth
|
||
floor. My hands were stiff with nervousness by that time, but
|
||
the boy was half asleep, and evadently he took me for some one
|
||
who belonged there, for he said "Goodnight" to me, and went on
|
||
down. There was a square landing with two doors, and "Grosvenor"
|
||
was on one. I tried it gently. It was unlocked.
|
||
|
||
"_Facilus descensus in Avernu_."
|
||
|
||
I am not defending myself. What I did was the result of
|
||
desparation. But I cannot even write of my sensations as I
|
||
stepped through that fatal portal, without a sinking of the
|
||
heart. I had, however, had suficient forsight to prepare an
|
||
alabi. In case there was some one present in the apartment I
|
||
intended to tell a falshood, I regret to confess, and to say
|
||
that I had got off at the wrong floor.
|
||
|
||
There was a sort of hall, with a clock and a table, and a
|
||
shaded electric lamp, and beyond that the door was open into a
|
||
sitting room.
|
||
|
||
There was a small light burning there, and the remains of
|
||
a wood fire in the fireplace. There was no Cabinet however.
|
||
|
||
Evervthing was perfectly quiet, and I went over to the fire
|
||
and warmed my hands. My nails were quite blue, but I was
|
||
strangly calm. I took off mother's veil, and my mackintosh, so
|
||
I would be free to work, and I then looked around the room.
|
||
There were a number of photographs of rather smart looking
|
||
girls, and I curled my lip scornfully. He might have fooled them
|
||
but he could not decieve me. And it added to my bitterness to
|
||
think that at that moment the villain was dancing--and flirting
|
||
probably--while I was driven to actual theft to secure the
|
||
Letter that placed me in his power.
|
||
|
||
When I had stopped shivering I went to his desk. There were
|
||
a lot of letters on the top, all addressed to him as Grosvenor.
|
||
It struck me suddenly as strange that if he was only visiting,
|
||
under an assumed name, in order to see me, that so many people
|
||
should be writing to him as Mr. Grosvenor. And it did not look
|
||
like the room of a man who was visiting, unless he took a
|
||
freight car with him on his travels.
|
||
|
||
_There was a mystery_. All at once I knew it.
|
||
|
||
My letter was not on the desk, so I opened the top drawer.
|
||
It seemed to be full of bills, and so was the one below it. I
|
||
had just started on the third drawer, when a terrable thing
|
||
happened.
|
||
|
||
"Hello!" said some one behind me.
|
||
|
||
I turned my head slowly, and my heart stopped.
|
||
|
||
_The porteres into the passage had opened, and a Gentleman
|
||
in his evening clothes was standing there_.
|
||
|
||
"Just sit still, please," he said, in a perfectly cold
|
||
voice. And he turned and locked the door into the hall. I was
|
||
absolutely unable to speak. I tried once, but my tongue hit the
|
||
roof of my mouth like the clapper of a bell.
|
||
|
||
"Now," he said, when he had turned around. "I wish you
|
||
would tell me some good reason why I should not hand you over to
|
||
the Police."
|
||
|
||
"Oh, please don't!" I said.
|
||
|
||
"That's eloquent. But not a reason. I'll sit down and give
|
||
you a little time. I take it, you did not expect to find me
|
||
here."
|
||
|
||
"I'm in the wrong apartment. That's all," I said. "Maybe
|
||
you'll think that's an excuse and not a reason. I can't help it
|
||
if you do."
|
||
|
||
"Well," he said, "that explains some things. It's pretty
|
||
well known, I fancy, that I have little worth stealing, except
|
||
my good name."
|
||
|
||
"I was not stealing," I replied in a sulky manner.
|
||
|
||
"I beg your pardon," he said. "It _is_ an ugly word. We
|
||
will strike it from the record. Would you mind telling me whose
|
||
apartment you intended to--er--investigate? If this is the wrong
|
||
one, you know."
|
||
|
||
"I was looking for a Letter."
|
||
|
||
"Letters, letters!" he said. "When will you women learn not
|
||
to write letters. Although"--he looked at me closely--"you look
|
||
rather young for that sort of thing." He sighed. "It's born in
|
||
you, I daresay," he said.
|
||
|
||
Well, for all his patronizing ways, he was not very old
|
||
himself.
|
||
|
||
"Of course," he said, "if you are telling the truth--and it
|
||
sounds fishy, I must say--it's hardly a Police matter, is it?
|
||
It's rather one for diplomasy. But can you prove what you say?"
|
||
|
||
"My word should be suficient," I replied stiffly. "How do
|
||
I know that _you_ belong here?"
|
||
|
||
"Well, you don't, as a matter of fact. Suppose you take my
|
||
word for that, and I agree to beleive what you say about the
|
||
wrong apartment, Even then it's rather unusual. I find a pale
|
||
and determined looking young lady going through my desk in a
|
||
business-like manner. She says she has come for a Letter. Now
|
||
the question is, is there a Letter? If so, what Letter?"
|
||
|
||
"It is a love letter," I said.
|
||
|
||
"Don't blush over such a confession," he said. "If it is
|
||
true, be proud of it. Love is a wonderful thing. Never be
|
||
ashamed of being in love, my child."
|
||
|
||
"I am not in love," I cried with bitter furey.
|
||
|
||
"Ah! Then it is not _your_ letter!"
|
||
|
||
"I wrote it."
|
||
|
||
"But to simulate a passion that does not exist--that is
|
||
sackrilege. It is----"
|
||
|
||
"Oh, stop talking," I cried, in a hunted tone. "I can't
|
||
bear it. If you are going to arrest me, get it over."
|
||
|
||
"I'd rather _not_ arrest you, if we can find a way out. You
|
||
look so young, so new to Crime! Even your excuse for being here
|
||
is so naive, that I--won't you tell me why you wrote a love
|
||
letter, if you are not in love? And whom you sent it to? That's
|
||
important, you see, as it bears on the case. I intend," he said,
|
||
"to be judgdicial, unimpassioned, and quite fair."
|
||
|
||
"I wrote a love letter" I explained, feeling rather
|
||
cheered, "but it was not intended for any one, Do you see? It
|
||
was just a love letter."
|
||
|
||
"Oh," he said. "Of course. It is often done. And after
|
||
that?"
|
||
|
||
"Well, it had to go somewhere. At least I felt that way
|
||
about it. So I made up a name from some malted milk tablets----"
|
||
|
||
"Malted milk tablets!" he said, looking bewildered.
|
||
|
||
"Just as I was thinking up a name to send it to," I
|
||
explained, "Hannah--that's mother's maid, you know--brought in
|
||
some hot milk and some malted milk tablets, and I took the name
|
||
from them."
|
||
|
||
"Look here," he said, "I'm unpredjudiced and quite calm,
|
||
but isn't the `mother's maid' rather piling it on?"
|
||
|
||
"Hannah is mother's maid, and she brought in the milk and
|
||
the tablets, I should think," I said, growing sarcastic, "that
|
||
so far it is clear to the dullest mind."
|
||
|
||
"Go on," he said, leaning back and closing his eyes. "You
|
||
named the letter for your mother's maid--I mean for the malted
|
||
milk. Although you have not yet stated the name you chose; I
|
||
never heard of any one named Milk, and as to the other, while I
|
||
have known some rather thoroughly malted people--however, let
|
||
that go."
|
||
|
||
"Valentine's tablets," I said. "Of Course, you understand,"
|
||
I said, bending forward, "there was no such Person. I made him
|
||
up. The Harold was made up too--Harold Valentine."
|
||
|
||
"I see. Not clearly, perhaps, but I have a gleam of
|
||
intellagence."
|
||
|
||
"But, after all, there was such a person. That's clear,
|
||
isn't it? And now he considers that we are engaged, and--and he
|
||
insists on marrying me."
|
||
|
||
"That," he said, "is realy easy to understand. I don't
|
||
blame him at all. He is clearly a person of diszernment."
|
||
|
||
"Of course," I said bitterly, "you would be on _his_ side.
|
||
Every one is."
|
||
|
||
"But the point is this," he went on. "If you made him up
|
||
out of the whole cloth, as it were, and there was no such
|
||
Person, how can there be such a Person? I am merely asking to
|
||
get it all clear in my head. It sounds so reasonable when you
|
||
say it, but there seems to be something left out."
|
||
|
||
"I don't know how he can be, but he is," I said,
|
||
hopelessly. "And he is exactly like his picture."
|
||
|
||
"Well, that's not unusual, you know."
|
||
|
||
"It is in this case. Because I bought the picture in a
|
||
shop, and just pretended it was him. (He?) And it _was_."
|
||
|
||
He got up and paced the floor.
|
||
|
||
"It's a very strange case," he said. "Do you mind if I
|
||
light a cigarette? It helps to clear my brain. What was the name
|
||
you gave him?"
|
||
|
||
"Harold Valentine. But he is here under another name,
|
||
because of my Familey. They think I am a mere child, you see,
|
||
and so of course he took a _nom de plume_."
|
||
|
||
"A _nom de plume_? Oh I see! What is it?"
|
||
|
||
"Grosvenor," I said. "The same as yours."
|
||
|
||
"There's another Grosvenor in the building, That's where
|
||
the trouble came in, I suppose, Now let me get this straight.
|
||
You wrote a letter, and somehow or other he got it, and now you
|
||
want it back. Stripped of the things that baffle my
|
||
intellagence, that's it, isn't it?"
|
||
|
||
I rose in excitement.
|
||
|
||
"Then, if he lives in the building, the letter is probably
|
||
here. Why can't you go and get it for me?"
|
||
|
||
"Very neat! And let you slip away while I am gone?"
|
||
|
||
I saw that he was still uncertain that I was telling him
|
||
the truth. It was maddening. And only the Letter itself could
|
||
convince him.
|
||
|
||
"Oh, please try to get it," I cried, almost weeping. "You
|
||
can lock me in here, if you are afraid I will run away. And he
|
||
is out. I know he is. He is at the Club ball."
|
||
|
||
"Naturaly," he said "the fact that you are asking me to
|
||
compound a felony, commit larceny, and be an accessery after the
|
||
fact does not trouble you. As I told you before, all I have left
|
||
is my good name, and now----!"
|
||
|
||
"Please!" I said.
|
||
|
||
He stared down at me.
|
||
|
||
"Certainly," he said. "Asked in that tone, Murder would be
|
||
one of the easiest things I do. But I shall lock you in."
|
||
|
||
"Very well," I said meekly. And after I had described
|
||
it--the Letter--to him he went out.
|
||
|
||
I had won, but my triumph was but sackcloth and ashes in my
|
||
mouth. I had won, but at what a cost! Ah, how I wished that I
|
||
might live again the past few days! That I might never have
|
||
started on my Path of Deception! Or that, since my intentions at
|
||
the start had been so inocent, I had taken another photograph at
|
||
the shop, which I had fancied considerably but had heartlessly
|
||
rejected because of no mustache.
|
||
|
||
He was gone for a long time, and I sat and palpatated. For
|
||
what if H. had returned early and found him and called in the
|
||
Police?
|
||
|
||
But the latter had not occurred, for at ten minutes after
|
||
one he came back, eutering by the window from a fire-escape, and
|
||
much streaked with dirt.
|
||
|
||
"Narrow escape, dear child!" he observed, locking the
|
||
window and drawing the shade. "Just as I got it,
|
||
your--er--gentleman friend returned and fitted his key in the
|
||
lock. I am not at all sure," he said, wiping his hands with his
|
||
handkerchief, "that he will not regard the open window as a
|
||
suspicious circumstance. He may be of a low turn of mind.
|
||
However, all's well that ends here in this room. Here it is."
|
||
|
||
I took it, and my heart gave a great leap of joy. I was
|
||
saved.
|
||
|
||
"Now," he said, "we'll order a taxicab and get you home.
|
||
And while it is coming suppose you tell me the thing over again.
|
||
It's not as clear to me as it ought to be, even now."
|
||
|
||
So then I told him--about not being out yet, and Sis having
|
||
flowers sent her, and her room done over, and never getting to
|
||
bed until dawn. And that they treated me like a mere Child,
|
||
which was the reason for everything, and about the Poem, which
|
||
he considered quite good. And then about the Letter.
|
||
|
||
"I get the whole thing a bit clearer now," he said. "Of
|
||
course, it is still cloudy in places. The making up somebody to
|
||
write to is understandable, under the circumstances. But it is
|
||
odd to have had the very Person materialise, so to speak. It
|
||
makes me wonder--well, how about burning the Letter, now we've
|
||
got it? It would be better, I think. The way things have been
|
||
going with you, if we don't destroy it, it is likely to walk off
|
||
into somebody else's pocket and cause more trouble."
|
||
|
||
So we burned it, and then the telephone rang and said the
|
||
taxi was there.
|
||
|
||
"I'll get my coat and be ready in a jiffey," he said, "and
|
||
maybe we can smuggle you into the house and no one the wiser.
|
||
We'll try anyhow."
|
||
|
||
He went into the other room and I sat by the fire and
|
||
thought. You remember that when I was planning Harold Valentine,
|
||
I had imagined him with a small, dark mustache, and deep,
|
||
passionate eyes? Well, this Mr. Grosvenor had both, or rather,
|
||
all three. And he had the loveliest smile, with no dimple. He
|
||
was, I felt, exactly the sort of man I could die for.
|
||
|
||
It was too tradgic that, with all the world to choose from,
|
||
I had not taken him instead of H.
|
||
|
||
We walked downstairs, so as not to give the elevator boy a
|
||
chance to talk, he said. But he was asleep again, and we got to
|
||
the street and to the taxicab without being seen.
|
||
|
||
Oh, I was very cheerful. When I think of it--but I might
|
||
have known, all along. Nothing went right with me that week.
|
||
|
||
Just before we got to the house he said:
|
||
|
||
"Goodnight and goodbye, little Barbara. I'll never forget
|
||
you and this evening. And save me a dance at your coming-out
|
||
party. I'll be there."
|
||
|
||
I held out my hand, and he took it and kissed it. It was
|
||
all perfectly thrilling. And then we drew up in front of the
|
||
house and he helped me out, and my entire Familey had just got
|
||
out of the motor and was lined up on the pavment staring at us!
|
||
|
||
"All right, are you?" he said, as coolly as if they had not
|
||
been anywhere in sight. "Well, good night and good luck!" And he
|
||
got into the taxicab and drove away, leaving me in the hands of
|
||
the Enemy.
|
||
|
||
The next morning I was sent back to school. They never gave
|
||
me a chance to explain, for mother went into hysterics, after
|
||
accusing me of having men dangling around waiting at every
|
||
corner. They had to have a doctor, and things were awful.
|
||
|
||
The only person who said anything was Sis. She came to my
|
||
room that night when I was in bed, and stood looking down at me.
|
||
She was very angry, but there was a sort of awe in her eyes.
|
||
|
||
"My hat's off to you, Barbara," she said. "Where in the
|
||
world do you pick them all up? Things must have changed at
|
||
school since I was there."
|
||
|
||
"I'm sick to death of the Other Sex," I replied languidley.
|
||
"It's no punishment to send me away. I need a little piece and
|
||
quiet." And I did.
|
||
|
||
CONCLUSION:
|
||
|
||
All this holaday week, while the girls are away, I have
|
||
been writing this Theme, for Literature class. To-day is New
|
||
Years and I am putting in the finishing touches. I intend to
|
||
have it tiped in the village and to send a copy to father, who
|
||
I think will understand, and another copy, but with a few lines
|
||
cut, to Mr. Grosvenor. The nice one. There were some things he
|
||
did not quite understand, and this will explain.
|
||
|
||
I shall also send a copy to Carter Brooks, who came out
|
||
handsomly with an apoligy this morning in a letter and a ten
|
||
pound box of Candy.
|
||
|
||
His letter explains everything. H. is a real person and did
|
||
not come out of a Cabinet. Carter recognized the photograph as
|
||
being one of a Mr. Grosvenor he went to college with, who had
|
||
gone on the stage and was playing in a stock company at home.
|
||
Only they were not playing Xmas week, as business, he says, is
|
||
rotten then. When he saw me writing the letter he felt that it
|
||
was all a bluff, especialy as he had seen me sending myself the
|
||
violets at the florists.
|
||
|
||
So he got Mr. Grosvenor, the blonde one, to pretend he was
|
||
Harold Valentine. Only things slipped up. I quote from Carter's
|
||
letter:
|
||
|
||
"He's a bully chap, Bab, and he went into it for a lark,
|
||
roses and poems and all. But when he saw that you took it rather
|
||
hard, he felt it wasn't square. He went to your father to
|
||
explain and apologized, but your father seemed to think you
|
||
needed a lesson. He's a pretty good Sport, your father. And he
|
||
said to let it go on for a day or two. A little worry wouldn't
|
||
hurt you."
|
||
|
||
However, I do not call it being a good sport to see one's
|
||
daughter perfectly wreched and do nothing to help. And more than
|
||
that, to willfully permit one's child to suffer, and enjoy it.
|
||
|
||
But it was father, after all, who got the Jolt, I think,
|
||
when he saw me get out of the taxicab.
|
||
|
||
Therefore I will not explain, for a time. A little worry
|
||
will not hurt him either.
|
||
|
||
I will not send him his copy for a week.
|
||
|
||
Perhaps, after all, I will give him somthing to worry about
|
||
eventually. For I have recieved a box of roses, with no card,
|
||
but a pen and ink drawing of a Gentleman in evening clothes
|
||
crawling onto a fire-escape through an open window. He has
|
||
dropped his Heart, and it is two floors below.
|
||
|
||
My narative has now come to a conclusion, and I will close
|
||
with a few reflections drawin from my own sad and tradgic
|
||
Experience. I trust the Girls of this School will ponder and
|
||
reflect.
|
||
|
||
Deception is a very sad thing. It starts very easy, and
|
||
without Warning, and everything seems to be going all right, and
|
||
No Rocks ahead. When suddenly the Breakers loom up, and your
|
||
frail Vessel sinks, with you on board, and maybe your dear Ones,
|
||
dragged down with you.
|
||
|
||
_Oh, what a tangeled Web we wieve_,
|
||
|
||
_When first we practice to decieve_.
|
||
|
||
_Sir Walter Scott_.
|
||
|
||
CHAPTER II
|
||
|
||
THEME: THE CELEBRITY
|
||
|
||
WE have been requested to write, during this vacation, a true
|
||
and varacious account of a meeting with any Celebrity we
|
||
happened to meet during the summer. If no Celebrity, any
|
||
interesting character would do, excepting one's own Familey.
|
||
|
||
But as one's own Familey is neither celebrated nor
|
||
interesting, there is no temptation to write about it.
|
||
|
||
As I met Mr. Reginald Beecher this summer, I have chosen
|
||
him as my Subject.
|
||
|
||
Brief history of the Subject: He was born in 1890 at
|
||
Woodbury, N. J. Attended public and High Schools, and in 1910
|
||
graduated from Princeton University.
|
||
|
||
Following year produced first Play in New York, called Her
|
||
Soul. Followed this by the Soul Mate, and this by The Divorce.
|
||
|
||
Description of Subject. Mr. Beecher is tall and slender,
|
||
and wears a very small dark Mustache. Although but twenty-six
|
||
years of age, his hair on close inspection reveals here and
|
||
there a Silver Thread. His teeth are good, and his eyes amber,
|
||
with small flecks of brown in them. He has been vacinated twice.
|
||
|
||
It has alwavs been one of my chief ambitions to meet a
|
||
Celebrity. On one or two occasions we have had them at school,
|
||
but they never sit at the Junior's table. Also, they are seldom
|
||
connected with either the Drama or The Movies (a slang term but
|
||
aparently taking a place in our Literature).
|
||
|
||
It was my intention, on being given this subject for my
|
||
midsummer theme, to seek out Mrs. Bainbridge, a lady Author who
|
||
has a cottage across the bay from ours, and to ask the privelege
|
||
of sitting at her feet for a few hours, basking in the sunshine
|
||
of her presence, and learning from her own lips her favorite
|
||
Flower, her favorite Poem and the favorite child of her Brain.
|
||
|
||
_Of all those arts in which the wise excel_,
|
||
|
||
_Nature's chief masterpiece is writing well_.
|
||
|
||
_Duke of Buckingham_
|
||
|
||
I had meant to write my Theme on her, but I learned in time
|
||
that she was forty years of age. Her work is therefore done. She
|
||
has passed her active years, and I consider that it is not the
|
||
past of American Letters which is at stake, but the future.
|
||
Besides, I was more interested in the Drama than in Literature.
|
||
|
||
Posibly it is owing to the fact that the girls think I
|
||
resemhle Julia Marlowe, that from my earliest years my mind has
|
||
been turned toward the Stage. I am very determined and fixed in
|
||
my ways, and with me to decide to do a thing is to decide to do
|
||
it. I am not of a romantic Nature, however, and as I learned of
|
||
the dangers of the theater, I drew back. Even a strong nature,
|
||
such as mine is, on occassions, can be influenced. I therefore
|
||
decided to change my plans, and to write Plays instead of acting
|
||
in them.
|
||
|
||
At first I meant to write Comedies, but as I realized the
|
||
graveity of life, and its bitterness and disapointments, I
|
||
turned naturaly to Tradgedy. Surely, as dear Shakspeare says:
|
||
|
||
_The world is a stage_
|
||
|
||
_Where every man must play a part_,
|
||
|
||
_And mine a sad one_.
|
||
|
||
This explains my sinsere interest in Mr. Beecher. His Works
|
||
were all realistic and sad. I remember that I saw the first one
|
||
three years ago, when a mere Child, and became violently ill
|
||
from crying and had to be taken home.
|
||
|
||
The school will recall that last year I wrote a Play,
|
||
patterned on The Divorce, and that only a certain narowness of
|
||
view on the part of the faculty prevented it being the Class
|
||
Play. If I may be permited to express an opinion, we of the
|
||
class of 1917 are not children, and should not be treated as
|
||
such.
|
||
|
||
Encouraged by the Aplause of my class-mates, and feeling
|
||
that I was of a more serious turn of mind than most of them, who
|
||
seem to think of pleasure only, I decided to write a play during
|
||
the summer. I would thus be improving my Vacation hours, and, I
|
||
considered, keeping out of mischeif. It was pure idleness which
|
||
had caused my Trouble during the last Christmas holidays. How
|
||
true it is that the Devil finds work for idle Hands!
|
||
|
||
With a Play and this Theme I beleived that the Devil would
|
||
give me up as a totle loss, and go elsewhere.
|
||
|
||
How little we can read the Future!
|
||
|
||
I now proceed to an account of my meeting and acquaintence
|
||
with Mr. Beecher. It is my intention to conceal nothing. I can
|
||
only comfort myself with the thought that my Motives were
|
||
inocent, and that I was obeying orders and secureing material
|
||
for a theme. I consider that the atitude of my Familey is wrong
|
||
and cruel, and that my sister Leila, being only 2O months older,
|
||
although out in Society, has no need to write me the sort of
|
||
letters she has been writing. Twenty months is twenty months,
|
||
and not two years, although she seems to think it is.
|
||
|
||
I returned home full of happy plans for my vacation. When
|
||
I look back it seems strange that the gay and inocent young girl
|
||
of the train can have heen I. So much that is tradgic has since
|
||
happened. If I had not had a cinder in my eye things would have
|
||
been diferent. But why repine? Fate frequently hangs thus on a
|
||
single hair--an eye-lash, as one may say.
|
||
|
||
Father met me at the train. I had got the aformentioned
|
||
cinder in my eye, and a very nice young man had taken it out for
|
||
me. I still cannot see what harm there was in our chating
|
||
together after that, especialy as we said nothing to object to.
|
||
But father looked very disagreeable about it, and the young man
|
||
went away in a hurry. But it started us off wrong, although I
|
||
got him--father--to promise not to tell mother.
|
||
|
||
"I do wish you would be more careful, Bab," he said with a
|
||
sort of sigh.
|
||
|
||
"Careful!" I said. "Then it's not doing Things, but being
|
||
found out, that matters!"
|
||
|
||
"Careful in your conduct, Bab."
|
||
|
||
"He was a beautiful young man, father," I observed, sliping
|
||
my arm through his.
|
||
|
||
"Barbara, Barbara! Your poor mother----"
|
||
|
||
"Now look here, father" I said. "If it was mother who was
|
||
interested in him it might be troublesome. But it is only me.
|
||
And I warn you, here and now, that I expect to be thrilled at
|
||
the sight of a Nice Young Man right along. It goes up my back
|
||
and out the roots of my hair."
|
||
|
||
Well, my father is a real Person, so he told me to talk
|
||
sense, and gave me twenty dollars, and agreed to say nothing
|
||
about the young man to mother, if I would root for Canada
|
||
against the Adirondacks for the summer, because of the Fishing.
|
||
|
||
Mother was waiting in the hall for me, but she held me off
|
||
with both hands.
|
||
|
||
"Not until you have bathed and changed your clothing,
|
||
Barbara," she said. "I have never had it."
|
||
|
||
She meant the whooping cough. The school will recall the
|
||
epademic which ravaged us last June, and changed us from a
|
||
peaceful institution to what sounded like a dog show.
|
||
|
||
Well, I got the same old room, not much fixed up, but they
|
||
had put up diferent curtains anyhow, thank goodness. I had been
|
||
hinting all spring for new Furnature, but my Familey does not
|
||
take a hint unless it is cloroformed first, and I found the same
|
||
old stuff there.
|
||
|
||
They beleive in waiting until a girl makes her Debut before
|
||
giving her anything but the necessarys of life.
|
||
|
||
Sis was off for a week-end, but Hannah was there, and I
|
||
kissed her. Not that I'm so fond of her, but I had to kiss
|
||
sombody.
|
||
|
||
"Well, Miss Barbara!" she said. "How you've grown!"
|
||
|
||
That made me rather sore, because I am not a child any
|
||
longer, but they all talk to me as if I were but six years old,
|
||
and small for my age.
|
||
|
||
"I've stopped growing, Hannah," I said, with dignaty." At
|
||
least, almost. But I see I still draw the nursery."
|
||
|
||
Hannah was opening my suitcase, and she looked up and said:
|
||
"I tried to get you the Blue room, Miss Bab. But Miss Leila said
|
||
she needed it for house Parties."
|
||
|
||
"Never mind," I said. "I don't care anything about
|
||
Furnature. I have other things to think about, Hannah; I want
|
||
the school room Desk up here."
|
||
|
||
"Desk!" she said, with her jaw drooping.
|
||
|
||
"I am writing now," I said. "I need a lot of ink, and
|
||
paper, and a good Lamp. Let them keep the Blue room, Hannah, for
|
||
their selfish purposes. I shall be happy in my work. I need
|
||
nothing more."
|
||
|
||
"Writing!" said Hannah. "Is it a book you're writing?"
|
||
|
||
"A Play."
|
||
|
||
"Listen to the child! A Play!"
|
||
|
||
I sat on the edge of the bed.
|
||
|
||
"Listen, Hannah," I said. "It is not what is outside of us
|
||
that matters. It is what is inside. It is what we are, not what
|
||
we eat, or look like, or wear. I have given up everything,
|
||
Hannah, to my Career."
|
||
|
||
"You're young yet," said Hannah. "You used to be fond
|
||
enough of the Boys."
|
||
|
||
Hannah has been with us for years, so she gets rather
|
||
talkey at times, and has to be sat upon.
|
||
|
||
"I care nothing whatever for the Other Sex," I replied
|
||
hautily.
|
||
|
||
She was opening my suitcase at the time, and I was
|
||
surveying the chamber which was to be the seen of my Literary
|
||
Life, at least for some time.
|
||
|
||
"Now and then," I said to Hannah, "I shall read you parts
|
||
of it. Only you mustn't run and tell mother."
|
||
|
||
"Why not?" said she, pearing into the Suitcase.
|
||
|
||
"Because I intend to deal with Life," I said. "I shall deal
|
||
with real Things, and not the way we think them. I am young, but
|
||
I have thought a great deal. I shall minse nothing."
|
||
|
||
"Look here, Miss Barbara," Hannah said, all at once, "what
|
||
are you doing with this whiskey Flask? And these socks? And--you
|
||
come right here, and tell me where you got the things in this
|
||
Suitcase." I stocked over to the bed, and my blood frose in my
|
||
vains. _It was not mine_.
|
||
|
||
Words cannot fully express how I felt. While fully
|
||
convinsed that there had been a mistake, I knew not when or how.
|
||
Hannah was staring at me with cold and accusing eyes.
|
||
|
||
"You're a very young Lady, Miss Barbara," she said, with
|
||
her eyes full of Suspicion, "to be carrying a Flask about with
|
||
you." I was as puzzled as she was, but I remained calm and to
|
||
all apearances Spartan.
|
||
|
||
"I am young in years," I remarked. "But I have seen Life,
|
||
Hannah."
|
||
|
||
Now I meant nothing by this at the time. But it was getting
|
||
on my nerves to be put in the infant class all the time. The
|
||
Xmas before they had done it, and I had had my revenge. Although
|
||
it had hurt me more than it hurt them, and if I gave them a
|
||
fright I gave myself a worse one. As I said at that time:
|
||
|
||
_Oh, what a tangeled web we weive_,
|
||
|
||
_When first we practice to decieve_.
|
||
|
||
_Sir Walter Scott_.
|
||
|
||
Hannah gave me a horrafied Glare, and dipped into the
|
||
Suitcase again. She brought up a tin box of Cigarettes, and I
|
||
thought she was going to have delerium tremens at once.
|
||
|
||
Well, at first I thought the girls at school had played a
|
||
Trick on me, and a low down mean Trick at that. There are always
|
||
those who think it is funny to do that sort of thing, but they
|
||
are the first to squeel when anything is done to them. Once I
|
||
put a small garter Snake in a girl's muff, and it went up her
|
||
sleave, which is nothing to some of the things she had done to
|
||
me. And you would have thought the School was on fire.
|
||
|
||
Anyhow, I said to myself that some Smarty was trying to get
|
||
me into trouble, and Hannah would run to the Familey, and they'd
|
||
never beleive me. All at once I saw all my cherished plans for
|
||
the summer gone, and me in the Country somewhere with
|
||
Mademoiselle, and walking through the pasture with a botany in
|
||
one hand and a folding Cup in the other, in case we found a
|
||
spring a cow had not stepped in. Mademoiselle was once my
|
||
Governess, but has retired to private life, except in cases of
|
||
emergency.
|
||
|
||
I am naturaly very quick in mind. The Archibalds are all
|
||
like that, and when once we decide on a Course we stick to it
|
||
through thick and thin. But we do not lie. It is rediculous for
|
||
Hannah to say I said the cigarettes were mine. All I said was:
|
||
|
||
"I suppose you are going to tell the Familey. You'd better
|
||
run, or you'll burst."
|
||
|
||
"Oh, Miss Barbara, Miss Barbara!" she said." And you so
|
||
young to be so wild!"
|
||
|
||
This was unjust, and I am one to resent injustice. I had
|
||
returned home with my mind fixed on serious Things, and now I
|
||
was being told I was wild.
|
||
|
||
"If I tell your mother she'll have a fit," Hannah said,
|
||
evadently drawn hither and thither by emotion. "Now see here,
|
||
Miss Bab, you've just come Home, and there was trouble at your
|
||
last vacation that I'm like to remember to my dieing day. You
|
||
tell me how those things got there, like a good girl, and I'll
|
||
say nothing about them."
|
||
|
||
I am naturaly sweet in disposition, but to call me a good
|
||
girl and remind me of last Xmas holadays was too much. My
|
||
natural firmness came to the front.
|
||
|
||
"Certainly _not_," I said.
|
||
|
||
"You needn't stick your lip out at me, Miss Bab, that was
|
||
only giving you a chance, and forgetting my Duty to help you,
|
||
not to mention probably losing my place when the Familey finds
|
||
out."
|
||
|
||
"Finds out what?"
|
||
|
||
"What you've been up to, the stage, and writing plays, and
|
||
now liquor and tobacco!"
|
||
|
||
Now I may be at fault in the Narative that follows. But I
|
||
ask the school if this was fair treatment. I had returned to my
|
||
home full of high Ideals, only to see them crushed beneath the
|
||
heal of domestic tyranny.
|
||
|
||
_Necessity is the argument of tyrants; it is the creed of
|
||
slaves_. _William Pitt_.
|
||
|
||
How true are these immortal words.
|
||
|
||
It was with a firm countenance but a sinking heart that I
|
||
saw Hannah leave the room. I had come home inspired with lofty
|
||
Ambition, and it had ended thus. Heart-broken, I wandered to the
|
||
bedside, and let my eyes fall on the Suitcase, the container of
|
||
all my woe.
|
||
|
||
Well, I was surprised, all right. It was not and never had
|
||
been mine. Instead of my blue serge sailor suit and my _robe de
|
||
nuit_ and kimona etc., it contained a checked gentleman's suit,
|
||
a mussed shirt and a cap. At first I was merely astonished. Then
|
||
a sense of loss overpowered me. I suffered. I was prostrated
|
||
with grief. Not that I cared a Rap for the clothes I'd lost,
|
||
being most of them to small and patched here and there. But I
|
||
had lost the plot of my Play. My Career was gone.
|
||
|
||
I was undone.
|
||
|
||
It may be asked what has this Recitle to do with the
|
||
account of meeting a Celebrity. I reply that it has a great deal
|
||
to do with it. A bare recitle of a meeting may be News, but it
|
||
is not Art.
|
||
|
||
A theme consists of Introduction, Body and Conclusion.
|
||
|
||
This is still the Introduction.
|
||
|
||
When I was at last revived enough to think I knew what had
|
||
happened. The young man who took the Cinder out of my eye had
|
||
come to sit beside me, which I consider was merely kindness on
|
||
his part and nothing like Flirting, and he had brought his
|
||
Suitcase over, and they had got mixed up. But I knew the Familey
|
||
would call it Flirting, and not listen to a word I said.
|
||
|
||
A madness siezed me. Now that everything is over, I realize
|
||
that it was madness. But "there is a divinity that shapes our
|
||
ends etc." It was to be. It was Karma, or Kismet, or whatever
|
||
the word is. It was written in the Book of Fate that I was to go
|
||
ahead, and wreck my life, and generaly ruin everything.
|
||
|
||
I locked the door behind Hannah, and stood with tradgic
|
||
feet, "where the brook and river meet." What was I to do? How
|
||
hide this evadence of my (presumed) duplicaty? I was inocent,
|
||
but I looked gilty. This, as everyone knows, is worse than gilt.
|
||
|
||
I unpacked the Suitcase as fast as I could, therfore, and
|
||
being just about destracted, I bundled the things up and put
|
||
them all together in the toy Closet, where all Sis's dolls and
|
||
mine are, mine being mostly pretty badly gone, as I was always
|
||
hard on dolls.
|
||
|
||
How far removed were those Inocent Years when I played with
|
||
dolls!
|
||
|
||
Well, I knew Hannah pretty well, and therfore was not
|
||
surprised when, having hidden the trowsers under a doll buggy,
|
||
I heard mother's voice at the door.
|
||
|
||
"Let me in, Barbara," she said.
|
||
|
||
I closed the closet door, and said: "What is it, mother?"
|
||
|
||
"Let me in."
|
||
|
||
So I let her in, and pretended I expected her to kiss me,
|
||
which she had not yet, on account of the whooping cough. But she
|
||
seemed to have forgotten that. Also the Kiss.
|
||
|
||
"Barbara," she said, in the meanest voice, "how long have
|
||
you been smoking?"
|
||
|
||
Now I must pause to explain this. Had mother aproached me
|
||
in a sweet and maternal manner, I would have been softened, and
|
||
would have told the Whole Story. But she did not. She was, as
|
||
you might say, steeming with Rage. And seeing that I was
|
||
misunderstood, I hardened. I can be as hard as adamant when
|
||
necessary.
|
||
|
||
"What do you mean, mother?"
|
||
|
||
"Don't anser one question with another."
|
||
|
||
"How can I anser when I don't understand you?"
|
||
|
||
She simply twiched with fury.
|
||
|
||
"You--a mere Child!" she raved. "And I can hardly bring
|
||
myself to mention it--the idea of your owning a Flask, and
|
||
bringing it into this house--it is--it is----"
|
||
|
||
Well, I was growing cold and more hauty every moment, so I
|
||
said: "I don't see why the mere mention of a Flask upsets you
|
||
so. It isn't because you aren't used to one, especialy when
|
||
traveling. And since I was a mere baby I have been acustomed to
|
||
intoxicants."
|
||
|
||
"Barbara!" she intergected, in the most dreadful tone.
|
||
|
||
"I mean, in the Familey," I said. "I have seen wine on our
|
||
table ever since I can remember. I knew to put salt on a claret
|
||
stain before I could talk."
|
||
|
||
Well, you know how it is to see an Enemy on the run, and
|
||
although I regret to refer to my dear mother as an Enemy, still
|
||
at that moment she was such and no less. And she was beating it.
|
||
It was the referance to my youth that had aroused me, and I was
|
||
like a wounded lion. Besides, I knew well enough that if they
|
||
refused to see that I was practicaly grown up, if not entirely,
|
||
I would get a lot of Sis's clothes, fixed up with new ribbons.
|
||
Faded old things! I'd had them for years.
|
||
|
||
Better to be considered a bad woman than an unformed child.
|
||
|
||
"However, mother," I finished, "if it is any comfort to
|
||
you, I did not buy that Flask. And I am not a confirmed
|
||
alcoholic. By no means."
|
||
|
||
"This settles it," she said, in a melancoly tone. "When I
|
||
think of the comfort Leila has been to me, and the anxiety you
|
||
have caused, I wonder where you get your--your _Deviltry_ from.
|
||
I am posatively faint."
|
||
|
||
I was alarmed, for she did look queer, with her face all
|
||
white around the Rouge. So I reached for the Flask.
|
||
|
||
"I'll give you a swig of this," I said. "It will pull you
|
||
around in no time."
|
||
|
||
But she held me off feircely.
|
||
|
||
"Never!" she said. "Never again. I shall emty the wine
|
||
cellar. There will be nothing to drink in this house from now
|
||
on. I do not know what we are coming to."
|
||
|
||
She walked into the bathroom, and I heard her emptying the
|
||
Flask down the drain pipe. It was a very handsome Flask, silver
|
||
with gold stripes, and all at once I knew the young man would
|
||
want it back. So I said:
|
||
|
||
"Mother, please leave the Flask here anyhow."
|
||
|
||
"Certainly not."
|
||
|
||
"It's not mine, mother."
|
||
|
||
"Whose is it?"
|
||
|
||
"It--a friend of mine loned it to me."
|
||
|
||
"Who?"
|
||
|
||
"I can't tell you."
|
||
|
||
"You can't _tell_ me! Barbara, I am utterly bewildered. I
|
||
sent you away a simple child, and you return to me--what?"
|
||
|
||
Well, we had about an hour's fight over it, and we ended in
|
||
a compromise. I gave up the Flask, and promised not to smoke and
|
||
so forth, and I was to have some new dresses and a silk Sweater,
|
||
and to be allowed to stay up until ten o'clock, and to have a
|
||
desk in my room for my work.
|
||
|
||
"Work!" mother said. "Career! What next? Why can't you be
|
||
like Leila, and settle down to haveing a good time?"
|
||
|
||
"Leila and I are diferent," I said loftily, for I resented
|
||
her tone. "Leila is a child of the moment. Life for her is one
|
||
grand, sweet Song. For me it is a serious matter. `Life is real,
|
||
life is earnest, and the Grave is not its goal,'" I quoted in
|
||
impasioned tones.
|
||
|
||
(Because that is the way I feel. How can the Grave be its
|
||
goal? _There must be something beyond_. I have thought it all
|
||
out, and I beleive in a world beyond, but not in a hell. Hell,
|
||
I beleive, is the state of mind one gets into in this world as
|
||
a result of one's wicked Acts or one's wicked Thoughts, and is
|
||
in one's self.)
|
||
|
||
As I have said, the other side of the Compromise was that
|
||
I was not to carry Flasks with me, or drink any punch at parties
|
||
if it had a stick in it, and you can generally find out by the
|
||
taste. For if it is what Carter Brooks calls "loaded" it stings
|
||
your tongue. Or if it tastes like cider it's probably Champane.
|
||
And I was not to smoke any cigarettes.
|
||
|
||
Mother was holding out on the Sweater at that time, saying
|
||
that Sis had a perfectly good one from Miami, and why not wear
|
||
that? So I put up a strong protest about the cigarettes,
|
||
although I have never smoked but once as I think the School
|
||
knows, and that only half through, owing to getting dizzy. I
|
||
said that Sis smoked now and then, because she thought it looked
|
||
smart; but that, if I was to have a Career, I felt that the
|
||
sootheing influence of tobaco would help a lot.
|
||
|
||
So I got the new Sweater, and everything looked smooth
|
||
again, and mother kissed me on the way out, and said she had not
|
||
meant to be harsch, but that my great uncle Putnam had been a
|
||
notorious drunkard, and I looked like him, although of a more
|
||
refined tipe.
|
||
|
||
There was a dreadful row that night, however, when father
|
||
came home. We were all dressed for dinner, and waiting in the
|
||
drawing room, and Leila was complaining about me, as usual.
|
||
|
||
"She looks older than I do now, mother," she said. "If she
|
||
goes to the seashore with us I'll have her always taging at my
|
||
heals. I don't see why I can't have my first summer in peace."
|
||
Oh, yes, we were going to the shore, after all. Sis wanted it,
|
||
and everybody does what she wants, regardless of what they
|
||
prefer, even Fishing.
|
||
|
||
"First summer!" I exclaimed. "One would think you were a
|
||
teething baby!"
|
||
|
||
"I was speaking to mother, Barbara. Everyone knows that a
|
||
Debutante only has one year nowadays, and if she doesn't go off
|
||
in that year she's swept away by the flood of new Girls the next
|
||
fall. We might as well be frank. And while Barbara's not a
|
||
beauty, as soon as the bones in her neck get a little flesh on
|
||
them she won't be hopeless, and she has a flipant manner that
|
||
Men like."
|
||
|
||
"I intend to keep Barbara under my eyes this summer,"
|
||
mother said firmly. "After last Xmas's happenings, and our
|
||
Discovery today, I shall keep her with me. She need not,
|
||
however, interfere with you, Leila. Her Hours are mostly
|
||
diferent, and I will see that her friends are the younger boys."
|
||
|
||
I said nothing, but I knew perfectly well she had in mind
|
||
Eddie Perkins and Willie Graham, and a lot of other little kids
|
||
that hang around the fruit Punch at parties, and throw the peas
|
||
from the Croquettes at each other when the footmen are not near,
|
||
and pretend they are allowed to smoke, but have sworn off for
|
||
the summer.
|
||
|
||
I was naturaly indignant at Sis's words, which were not
|
||
filial, to my mind, but I replied as sweetly as possable:
|
||
|
||
"I shall not be in your way, Leila. I ask nothing but Food
|
||
and Shelter, and that perhaps not for long."
|
||
|
||
"Why? Do you intend to die?" she demanded.
|
||
|
||
"I intend to work," I said. "It's more interesting than
|
||
dieing, and will be a novelty in this House."
|
||
|
||
Father came in just then, and he said:
|
||
|
||
"I'll not wait to dress, Clara. Hello, children. I'll just
|
||
change my coller while you ring for the Cocktails."
|
||
|
||
Mother got up and faced him with Magesty.
|
||
|
||
"We are not going to have, any" she said.
|
||
|
||
"Any what?" said father from the doorway.
|
||
|
||
"I have had some fruit juice prepared with a dash of
|
||
bitters. It is quite nice. And I'll ask you, James, not to
|
||
explode before the servants. I will explain later."
|
||
|
||
Father has a very nice disposition but I could see that
|
||
mother's manner got on his Nerves, as it got on mine. Anyhow
|
||
there was a terific fuss, with Sis playing the Piano so that the
|
||
servants would not hear, and in the end father had a Cocktail.
|
||
Mother waited until he had had it, and was quieter, and then she
|
||
told him about me, and my having a Flask in my Suitcase. Of
|
||
course I could have explained, but if they persisted in
|
||
mis-understanding me, why not let them do so, and be miserable?
|
||
|
||
"It's a very strange thing, Bab," he said, looking at me,
|
||
"that everything in this House is quiet until you come home, and
|
||
then we get as lively as kittens in a frying pan. We'll have to
|
||
marry you off pretty soon, to save our piece of mind."
|
||
|
||
"James!" said my mother. "Remember last winter, please."
|
||
|
||
There was no Claret or anything with dinner, and father
|
||
ordered mineral water, and criticised the food, and fussed about
|
||
Sis's dressmaker's bill. And the second man gave notice
|
||
immediately after we left the dining room. When mother reported
|
||
that, as we were having coffee in the drawing room, father said:
|
||
|
||
"Humph! Well, what can you expect? Those fellows have been
|
||
getting the best half of a bottle of Claret every night since
|
||
they've been here, and now it's cut off. Damed if I wouldn't
|
||
like to leave myself."
|
||
|
||
From that time on I knew that I was watched. It made little
|
||
or no diference to me. I had my Work, and it filled my life.
|
||
There were times when my Soul was so filled with joy that I
|
||
could hardly bare it. I had one act done in two days. I wrote
|
||
out the Love seens in full, because I wanted to be sure of what
|
||
they would say to each other. How I thrilled as each marvelous
|
||
burst of Fantacy flowed from my pen! But the dialogue of less
|
||
interesting parts I left for the actors to fill in themselves.
|
||
I consider this the best way, as it gives them a chance to be
|
||
original, and not to have to say the same thing over and over.
|
||
|
||
Jane Raleigh came over to see me the day after I came home,
|
||
and I read her some of the Love seens. She posatively wept with
|
||
excitement.
|
||
|
||
"Bab," she said, "if any man, no matter who, ever said
|
||
those things to me, I'd go straight into his arms. I couldn't
|
||
help it. Whose going to act in it?"
|
||
|
||
"I think I'll have Robert Edeson, or Richard Mansfield."
|
||
|
||
"Mansfield's dead," said Jane.
|
||
|
||
"Honestly?"
|
||
|
||
"Honest he is. Why don't you get some of these moveing
|
||
picture actors? They never have a chance in the Movies, only
|
||
acting and not talking."
|
||
|
||
Well, that sounded logicle. And then I read her the place
|
||
where the cruel first husband comes back and finds her married
|
||
again and happy, and takes the Children out to drown them, only
|
||
he can't because they can swim, and they pull him in instead.
|
||
The curtain goes down on nothing but a few bubbles rising to
|
||
mark his watery Grave.
|
||
|
||
Jane was crying.
|
||
|
||
"It is too touching for words, Bab!" she said. "It has
|
||
broken my heart. I can just close my eyes aud see the Theater
|
||
dark, and the stage almost dark, and just those bubbles coming
|
||
up and breaking. Would you have to have a tank?"
|
||
|
||
"I darsay," I replied dreamily. "Let the other people worry
|
||
about that. I can only give them the material, and hope that
|
||
they have intellagence enough to grasp it."
|
||
|
||
I think Sis must have told Carter Brooks something about
|
||
the trouble I was in, for he brought me a box of Candy one
|
||
afternoon, and winked at me when mother was not looking.
|
||
|
||
"Don't open it here," he whispered.
|
||
|
||
So I was forced to controll my impatience, though
|
||
passionately fond of Candy. And when I got to my room later, the
|
||
box was full of cigarettes. I could have screamed. It just gave
|
||
me one more thing to hide, as if a man's suit and shirt and so
|
||
on was not suficient.
|
||
|
||
But Carter paid more attention to me than he ever had
|
||
before, and at a tea dance sombody had at the Country Club he
|
||
took me to one side and gave me a good talking to.
|
||
|
||
"You're being rather a bad child, aren't you?" he said.
|
||
|
||
"Certainly not."
|
||
|
||
"Well, not bad, but--er--naughty. Now see here, Bab, I'm
|
||
fond of you, and you're growing into a mightey pretty girl. But
|
||
your whole Social Life is at stake. For heaven's sake, at least
|
||
until you're married, cut out the cigarettes and booze."
|
||
|
||
That cut me to the heart, but what could I say?
|
||
|
||
Well, July came, and we had rented a house at Little
|
||
Hampton and everywhere one went one fell over an open trunk or
|
||
a barrell containing Silver or Linen.
|
||
|
||
Mother went around with her lips moving as if in prayer,
|
||
but she was realy repeating lists, such as sowing basket, table
|
||
candles, headache tablets, black silk stockings and tennis
|
||
rackets.
|
||
|
||
Sis got some lovely Clothes, mostly imported, but they had
|
||
a woman come in and sow for me. Hannah and she used to interupt
|
||
my most precious Moments at my desk by running a tape measure
|
||
around me, or pinning a paper pattern to me. The sowing woman
|
||
always had her mouth full of Pins, and once, owing to my
|
||
remarking that I wished I had been illagitimate, so I could go
|
||
away and live my own life, she swallowed one. It caused a grate
|
||
deal of excitement, with Hannah blaming me and giving her
|
||
vinigar to swallow to soften the pin. Well, it turned out all
|
||
right, for she kept on living, but she pretended to have sharp
|
||
pains all over her here and there, and if the pin had been as
|
||
lively as a tadpole and wriggled from spot to spot, it could not
|
||
have hurt in so many Places.
|
||
|
||
Of course they blamed me, and I shut myself up more and
|
||
more in my Sanctuery. There I lived with the creatures of my
|
||
dreams, and forgot for a while that I was only a Sub-Deb, and
|
||
that Leila's last year's tennis clothes were being fixed over
|
||
for me.
|
||
|
||
But how true what dear Shakspeare says:
|
||
|
||
_dreams_,
|
||
|
||
_Which are the children of an idle brain_.
|
||
|
||
_Begot of nothing but vain fantasy_.
|
||
|
||
I loved my dreams, but alas, they were not enough. After a
|
||
tortured hour or two at my desk, living in myself the agonies of
|
||
my characters, suffering the pangs of the wife with two husbands
|
||
and both living, struggling in the water with the children,
|
||
fruit of the first union, dying with number two and blowing my
|
||
last Bubbles heavenward--after all these emotions, I was done
|
||
out.
|
||
|
||
Jane came in one day and found me prostrate on my couch,
|
||
with a light of sufering in my eyes.
|
||
|
||
"Dearest!" cried Jane, and gliding to my side, fell on her
|
||
knees.
|
||
|
||
"Jane!"
|
||
|
||
"What is it? You are ill?"
|
||
|
||
I could hardly more than whisper. In a low tone I said:
|
||
|
||
"He is dead."
|
||
|
||
"Dearest!"
|
||
|
||
"Drowned!"
|
||
|
||
At first she thought I meant a member of my Familey. But
|
||
when she understood she looked serious.
|
||
|
||
"You are too intence, Bab," she said solemly. "You suffer
|
||
too much. You are wearing yourself out."
|
||
|
||
"There is no other way," I replied in broken tones.
|
||
|
||
Jane went to the Mirror and looked at herself. Then she
|
||
turned to me.
|
||
|
||
"Others don't do it."
|
||
|
||
"I must work out my own Salvation, Jane," I observed
|
||
firmly. But she had roused me from my apathy, and I went into
|
||
Sis's room, returning with a box of candy some one had sent her.
|
||
"I must feel, Jane, or I cannot write."
|
||
|
||
"Pooh! Loads of writers get fat on it. Why don't you try
|
||
Comedy? It pays well."
|
||
|
||
"Oh--_money_!" I said, in a disgusted tone.
|
||
|
||
"Your _forte_, of course, is Love," she said. "Probably
|
||
that's because you've had so much experience." Owing to certain
|
||
reasons it is generaly supposed that I have experienced the
|
||
gentle Passion. But not so, alas! "Bab," Jane said, suddenly, "I
|
||
have been your friend for a long time. I have never betrayed
|
||
you. You can trust me with your Life. Why don't you tell me?"
|
||
|
||
"Tell you what?"
|
||
|
||
"Somthing has happened. I see it in your eyes. No girl who
|
||
is happy and has not a tradgic story stays at home shut up at a
|
||
messy desk when everyone is out at the Club playing tennis.
|
||
Don't talk to me about a Career. A girl's Career is a man and
|
||
nothing else. And especialy after last winter, Bab. Is--is it
|
||
the same one?"
|
||
|
||
Here I made my fatal error. I should have said at once that
|
||
there was no one, just as there had been no one last Winter. But
|
||
she looked so intence, sitting there, and after all, why should
|
||
I not have an amorus experience? I am not ugly, and can dance
|
||
well, although inclined to lead because of dansing with other
|
||
girls all winter at school. So I lay back on my pillow and
|
||
stared at the ceiling.
|
||
|
||
"No. It is not the same man."
|
||
|
||
"What is he like? Bab, I'm so excited I can't sit still."
|
||
|
||
"It--it hurts to talk about him," I observed faintly.
|
||
|
||
Now I intended to let it go at that, and should have, had
|
||
not Jane kept on asking Questions. Because I had had a good
|
||
lesson the winter before, and did not intend to decieve again.
|
||
And this I will say--I realy told Jane Raleigh nothing. She
|
||
jumped to her own conclusions. And as for her people saying she
|
||
cannot chum with me any more, I will only say this: If Jane
|
||
Raleigh smokes she did not learn it from me.
|
||
|
||
Well, I had gone as far as I meant to. I was not realy in
|
||
love with anyone, although I liked Carter Brooks, and would
|
||
posibly have loved him with all the depth of my Nature if Sis
|
||
had not kept an eye on me most of the time. However----
|
||
|
||
Jane seemed to be expecting somthing, and I tried to think
|
||
of some way to satisfy her and not make any trouble. And then I
|
||
thought of the Suitcase. So I locked the door and made her
|
||
promise not to tell, and got the whole thing out of the Toy
|
||
Closet.
|
||
|
||
"Wha--what is it?" asked Jane.
|
||
|
||
I said nothing, but opened it all up. The Flask was gone,
|
||
but the rest was there, and Carter's box too. Jane leaned down
|
||
and lifted the trowsers. and poked around somewhat. Then she
|
||
straitened and said:
|
||
|
||
"You have run away and got married, Bab."
|
||
|
||
"Jane!"
|
||
|
||
She looked at me peircingly.
|
||
|
||
"Don't lie to me," she said accusingly. "Or else what are
|
||
you doing with a man's whole Outfit, including his dirty coller?
|
||
Bab, I just can't bare it."
|
||
|
||
Well, I saw that I had gone to far, and was about to tell
|
||
Jane the truth when I heard the sowing Woman in the hall. I had
|
||
all I could do to get the things put away, and with Jane looking
|
||
like death I had to stand there and be fitted for one of Sis's
|
||
chiffon frocks, with the low neck filled in with net.
|
||
|
||
"You must remember, Miss Bab," said the human Pin cushon,
|
||
"that you are still a very young girl, and not out yet."
|
||
|
||
Jane got up off the bed suddenly.
|
||
|
||
"I--I guess I'll go, Bab," she said. "I don't feel very
|
||
well."
|
||
|
||
As she went out she stopped in the Doorway and crossed her
|
||
Heart, meaning that she would die before she would tell
|
||
anything. But I was not comfortable. It is not a pleasant
|
||
thought that your best friend considers you married and gone
|
||
beyond recall, when in truth you are not, or even thinking about
|
||
it, except in idle moments.
|
||
|
||
The seen now changes. Life is nothing but such changes. No
|
||
sooner do we alight on one Branch, and begin to sip the honey
|
||
from it, but we are taken up and carried elsewhere, perhaps to
|
||
the Mountains or to the Sea-shore, and there left to make new
|
||
friends and find new methods of Enjoyment.
|
||
|
||
The flight--or journey--was in itself an anxious time. For
|
||
on my otherwise clear conscience rested the weight of that
|
||
strange Suitcase. Fortunately Hannah was so busy that I was left
|
||
to pack my belongings myself, and thus for a time my gilty
|
||
secret was safe. I put my things in on top of the masculine
|
||
articles, not daring to leave any of them in the closet, owing
|
||
to house-cleaning, which is always done before our return in the
|
||
fall.
|
||
|
||
On the train I had a very unpleasant experience, due to Sis
|
||
opening my Suitcase to look for a magazine, and drawing out a
|
||
soiled gentleman's coller. She gave me a very peircing Glance,
|
||
but said nothing and at the next opportunity I threw it out of
|
||
a window, concealed in a newspaper.
|
||
|
||
We now approach the Catastrofe. My book on playwriting
|
||
divides plays into Introduction, Development, Crisis, Denouement
|
||
and Catastrofe. And so one may devide life. In my case the
|
||
Cinder proved the Introduction, as there was none other. I
|
||
consider that the Suitcase was the Development, my showing it to
|
||
Jane Raleigh was the Crisis, and the Denouement or Catastrofe
|
||
occured later on.
|
||
|
||
Let us then procede to the Catastrofe.
|
||
|
||
Jane Raleigh came to see me off at the train. Her Familey
|
||
was coming the next day. And instead of Flowers, she put a small
|
||
bundel into my hands. "Keep it hiden, Bab," she said, "and tear
|
||
up the card."
|
||
|
||
I looked when I got a chance, and she had crocheted me a
|
||
wash cloth, with a pink edge. "For your linen Chest," the card
|
||
said, "and I'm doing a bath towle to match."
|
||
|
||
I tore up the Card, but I put the wash cloth with the other
|
||
things I was trying to hide, because it is bad luck to throw a
|
||
Gift away. But I hoped, as I seemed to be getting more things to
|
||
conceal all the time, that she would make me a small bath towle,
|
||
and not the sort as big as a bed spread.
|
||
|
||
Father went with us to get us settled, and we had a long
|
||
talk while mother and Sis made out lists for Dinners and so
|
||
forth.
|
||
|
||
"Look here, Bab," he said, "somthing's wrong with you. I
|
||
seem to have lost my only boy, and have got instead a sort of
|
||
tear-y young person I don't recognize."
|
||
|
||
"I'm growing up, father" I said. I did not mean to rebuke
|
||
him, but ye gods! Was I the only one to see that I was no longer
|
||
a Child?
|
||
|
||
"Somtimes I think you are not very happy with us."
|
||
|
||
"Happy?" I pondered. "Well, after all, what is happiness?"
|
||
|
||
He took a spell of coughing then, and when it was over he
|
||
put his arms around me and was quite afectionate.
|
||
|
||
"What a queer little rat it is!" he said.
|
||
|
||
I only repeat this to show how even my father, with all his
|
||
afection and good qualities, did not understand and never would
|
||
understand. My Heart was full of a longing to be understood. I
|
||
wanted to tell him my yearnings for better things, my
|
||
aspirations to make my life a great and glorious thing. _And he
|
||
did not understand_.
|
||
|
||
He gave me five dollars instead. Think of the Tradgedy of
|
||
it!
|
||
|
||
As we went along, and he pulled my ear and finaly went
|
||
asleep with a hand on my shoulder, the bareness of my Life came
|
||
to me. I shook with sobs. And outside somewhere Sis and mother
|
||
made Dinner lists. Then and there I made up my mind to work hard
|
||
and acheive, to become great and powerful, to write things that
|
||
would ring the Hearts of men--and women, to, of course--and to
|
||
come back to them some day, famous and beautiful, and when they
|
||
sued for my love, to be kind and hauty, but cold. I felt that I
|
||
would always be cold, although gracious.
|
||
|
||
I decided then to be a writer of plays first, and then
|
||
later on to act in them. I would thus be able to say what came
|
||
into my head, as it was my own play. Also to arrange the seens
|
||
so as to wear a variety of gowns, including evening things. I
|
||
spent the rest of the afternoon manacuring my nails in our state
|
||
room.
|
||
|
||
Well, we got there at last. It was a large house, but
|
||
everything was to thin about it. The School will understand
|
||
this, the same being the condition of the new Freshman
|
||
dormitory. The walls were to thin, and so were the floors. The
|
||
Doors shivered in the wind, and palpatated if you slamed them.
|
||
Also you could hear every Sound everywhere.
|
||
|
||
I looked around me in dispair. Where, oh where, was I to
|
||
find my cherished solatude? Where?
|
||
|
||
On account of Hannah hating a new place, and considering
|
||
the house an insult to the Servants, especialy only one bathroom
|
||
for the lot of them, she let me unpack alone, and so far I was
|
||
safe. But where was I to work? Fate settled that for me however.
|
||
|
||
_There is no armour against fate_;
|
||
|
||
_Death lays his icy hand on Kings_.
|
||
|
||
_J. Shirley; Dirge_.
|
||
|
||
Previously, however, mother and I had had a talk. She
|
||
sailed into my room one evening, dressed for dinner, and found
|
||
me in my _robe de nuit_, curled up in the window seat admiring
|
||
the view of the ocean.
|
||
|
||
"Well!" she said. "Is this the way you intend going to
|
||
dinner?"
|
||
|
||
"I do not care for any dinner," I replied. Then, seeing she
|
||
did not understand, I said coldly. "How can I care for food,
|
||
mother, when the Sea looks like a dying ople?"
|
||
|
||
"Dying pussycat!" mother said, in a very nasty way. "I
|
||
don't know what has come over you, Barbara. You used to be a
|
||
normle Child, and there was some accounting for what you were
|
||
going to do. But now! Take off that nightgown, and I'll have
|
||
Tanney hold off dinner for half an hour."
|
||
|
||
Tanney was the butler who had taken Patrick's place.
|
||
|
||
"If you insist," I said coldly. "But I shall not eat."
|
||
|
||
"Why not?"
|
||
|
||
"You wouldn't understand, mother."
|
||
|
||
"Oh, I wouldn't? Well, suppose I try," she said, and sat
|
||
down. "I am not very intellagent, but if you put it clearly I
|
||
may grasp it. Perhaps you'd better speak slowly, also."
|
||
|
||
So, sitting there in my room, while the sea throbed in
|
||
tireless beats against the shore, while the light faded and the
|
||
stars issued, one by one, like a rash on the Face of the sky, I
|
||
told mother of my dreams. I intended, I said, to write Life as
|
||
it realy is, and not as supposed to be.
|
||
|
||
"It may in places be, ugly" I said, "but Truth is my
|
||
banner. The Truth is never ugly, because it is real. It is, for
|
||
instance, not ugly if a man is in love with the wife of another,
|
||
if it is real love, and not the passing fansy of a moment."
|
||
|
||
Mother opened her mouth, but did not say anything.
|
||
|
||
"There was a time," I said, "when I longed for things that
|
||
now have no value whatever to me. I cared for clothes and even
|
||
for the attentions of the Other Sex. But that has passed away,
|
||
mother. I have now no thought but for my Career."
|
||
|
||
I watched her face, and soon the dreadfull understanding
|
||
came to me. She, to, did not understand. My literary Aspirations
|
||
were as nothing to her!
|
||
|
||
Oh, the bitterness of that moment. My mother, who had cared
|
||
for me as a child, and obeyed my slightest wish, no longer
|
||
understood me. And sadest of all, there was no way out. None.
|
||
Once, in my Youth, I had beleived that I was not the child of my
|
||
parents at all, but an adopted one--perhaps of rank and kept out
|
||
of my inheritance by those who had selfish motives. But now I
|
||
knew that I had no rank or Inheritance, save what I should carve
|
||
out for myself. There was no way out. None.
|
||
|
||
Mother rose slowly, stareing at me with perfectly fixed and
|
||
glassy Eyes.
|
||
|
||
"I am absolutely sure," she said, "that you are on the edge
|
||
of somthing. It may be tiphoid, or it may be an elopement. But
|
||
one thing is certain. You are not normle."
|
||
|
||
With this she left me to my Thoughts. But she did not
|
||
neglect me. Sis came up after Dinner, and I saw mother's fine
|
||
hand in that. Although not hungry in the usual sense of the
|
||
word, I had begun to grow rather empty, and was nibling out of
|
||
a box of Chocolates when Sis came.
|
||
|
||
She got very little out of me. To one with softness and
|
||
tenderness I would have told all, but Sis is not that sort. And
|
||
at last she showed her clause.
|
||
|
||
"Don't fool yourself for a minute," she said. "This
|
||
literary pose has not fooled anybody. Either you're doing it to
|
||
apear Interesting, or you've done somthing you're scared about.
|
||
Which is it?"
|
||
|
||
I refused to reply.
|
||
|
||
"Because if it's the first, and you're trying to look
|
||
literary, you are going about it wrong," she said. "Real
|
||
Literary People don't go round mooning and talking about the
|
||
ople sea."
|
||
|
||
I saw mother had been talking, and I drew myself up.
|
||
|
||
"They look and act like other people," said Leila, going to
|
||
the bureau and spilling Powder all over the place. "Look at
|
||
Beecher."
|
||
|
||
"Beecher!" I cried, with a thrill that started inside my
|
||
elbows. (I have read this to one or two of the girls, and they
|
||
say there is no such thrill. But not all people act alike under
|
||
the influence of emotion, and mine is in my Arms, as stated.)
|
||
|
||
"The playwright," Sis said. "He's staying next door. And if
|
||
he does any languishing it is not by himself."
|
||
|
||
There may be some who have for a long time had an Ideal,
|
||
but without hoping ever to meet him, and then suddenly learning
|
||
that he is nearby, with indeed but a wall or two between, can be
|
||
calm and cool. But I am not like that. Although long supression
|
||
has taught me to disemble at times, where my Heart is concerned
|
||
I am powerless.
|
||
|
||
For it was at last my heart that was touched. I, who had
|
||
scorned the Other Sex and felt that I was born cold and always
|
||
would be cold, that day I discovered the truth. Reginald Beecher
|
||
was my ideal. I had never spoken to him, nor indeed seen him,
|
||
except for his pictures. But the very mention of his name
|
||
brought a lump to my Throat.
|
||
|
||
Feeling better imediately, I got Sis out of the room and
|
||
coaxed Hannah to bring me some dinner. While she was sneaking it
|
||
out of the Pantrey I was dressing, and soon, as a new being, I
|
||
was out on the stone bench at the foot of the lawn, gazing with
|
||
wrapt eyes at the sea.
|
||
|
||
But Fate was against me. Eddie Perkins saw me there and
|
||
came over. He had but recently been put in long trowsers, and
|
||
those not his best ones but only white flannels. He was never
|
||
sure of his garters, and was always looking to see if his socks
|
||
were coming down. Well, he came over just as I was sure I saw
|
||
Reginald Beecher next door on the veranda, and made himself a
|
||
nusance right away, trying all sorts of kid tricks, such as
|
||
snaping a rubber Band at me, and pulling out Hairpins.
|
||
|
||
But I felt that I must talk to somone. So I said:
|
||
|
||
"Eddie, if you had your choice of love or a Career, which
|
||
would it be?"
|
||
|
||
"Why not both," he said, hiching the rubber band onto one
|
||
of his front teeth and playing on it. "Niether ought to take up
|
||
all a fellow's time. Say, listen to this! Talk about a
|
||
eukelele!"
|
||
|
||
"A woman can never have both."
|
||
|
||
He played a while, struming with one finger until the hand
|
||
sliped off and stung him on the lip.
|
||
|
||
"Once," I said, "I dreamed of a Career. But I beleive
|
||
love's the most important."
|
||
|
||
Well, I shall pass lightly over what followed. Why is it
|
||
that a girl cannot speak of Love without every member of the
|
||
Other Sex present, no matter how young, thinking it is he? And
|
||
as for mother maintaining that I kissed that wreched Child, and
|
||
they saw me from the drawing-room, it is not true and never was
|
||
true. It was but one more Misunderstanding which convinced the
|
||
Familey that I was carrying on all manner of afairs.
|
||
|
||
Carter Brooks had arrived that day, and was staying at the
|
||
Perkins' cottage. I got rid of the Perkins' baby, as his Nose
|
||
was bleeding--but I had not slaped him hard at all, and felt
|
||
little or no compunction--when I heard Carter coming down the
|
||
walk. He had called to see Leila, but she had gone to a beech
|
||
dance and left him alone. He never paid any attention to me when
|
||
she was around, and I recieved him cooly.
|
||
|
||
"Hello!" he said.
|
||
|
||
"Well?" I replied.
|
||
|
||
"Is that the way you greet me, Bab?"
|
||
|
||
"It's the way I would greet most any Left-over," I said. "I
|
||
eat hash at school, but I don't have to pretend to like it."
|
||
|
||
"I came to see _you_."
|
||
|
||
"How youthfull of you!" I replied, in stinging tones.
|
||
|
||
He sat down on a Bench and stared at me.
|
||
|
||
"What's got into you lately?" he said. "Just as you're
|
||
geting to be the prettiest girl around, and I'm strong for you,
|
||
you--you turn into a regular Rattlesnake."
|
||
|
||
The kindness of his tone upset me considerably, to who so
|
||
few kind Words had come recently. I am compeled to confess that
|
||
I wept, although I had not expected to, and indeed shed few
|
||
tears, although bitter ones.
|
||
|
||
How could I posibly know that the chaste Salute of Eddie
|
||
Perkins and my head on Carter Brooks' shoulder were both plainly
|
||
visable against the rising moon? But this was the Case,
|
||
especialy from the house next door.
|
||
|
||
But I digress.
|
||
|
||
Suddenly Carter held me off and shook me somewhat.
|
||
|
||
"Sit up here and tell me about it," he said. "I'm geting
|
||
more scared every minute. You are such an impulsive little
|
||
Beast, and you turn the fellows' heads so--look here, is Jane
|
||
Raleigh lying, or did you run away and get married to somone?"
|
||
|
||
I am aware that I should have said, then and there, No. But
|
||
it seemed a shame to spoil Things just as they were geting
|
||
interesting. So I said, through my tears:
|
||
|
||
"Nobody understands me. Nobody. And I'm so lonely."
|
||
|
||
"And of course you haven't run away with anyone, have you?"
|
||
|
||
"Not--exactly."
|
||
|
||
"Bless you, Bab!" he said. And I might as well say that he
|
||
kissed me, because he did, although unexpectedly. Sombody just
|
||
then moved a Chair on the porch next door and coughed rather
|
||
loudly, so Carter drew a long breath and got up.
|
||
|
||
"There's somthing about you lately, Bab, that I don't
|
||
understand," he said. "You--you're mysterious. That's the word.
|
||
In a couple of Years you'll be the real thing."
|
||
|
||
"Come and see me then," I said in a demure manner. And he
|
||
went away.
|
||
|
||
So I sat on my Bench and looked at the sea and dreamed. It
|
||
seemed to me that Centuries must have passed since I was a
|
||
light-hearted girl, running up and down that beech, paddling,
|
||
and so forth, with no thought of the future farther away than my
|
||
next meal.
|
||
|
||
Once I lived to eat. Now I merely ate to live, and hardly
|
||
that. The fires of Genius must be fed, but no more.
|
||
|
||
Sitting there, I suddenly made a discovery. The boat house
|
||
was near me, and I realize that upstairs, above the Bath-houses,
|
||
et cetera, there must be a room or two. The very thought
|
||
intriged me (a new word for interest, but coming into use, and
|
||
sounding well).
|
||
|
||
Solatude--how I craved it for my work. And here it was, or
|
||
would be when I had got the Place fixed up. True, the next door
|
||
boat-house was close, but a boat-house is a quiet place,
|
||
generaly, and I knew that nowhere, aside from the dessert, is
|
||
there perfect Silence.
|
||
|
||
I investagated at once, but found the place locked and the
|
||
boatman gone. However, there was a latice, and I climbed up that
|
||
and got in. I had a Fright there, as it seemed to be full of
|
||
people, but I soon saw it was only the Familey bathing suits
|
||
hung up to dry. Aside from the odor of drying things it was a
|
||
fine study, and I decided to take a small table there, and the
|
||
various tools of my Profession.
|
||
|
||
Climbing down, however, I had a surprise. For a man was
|
||
just below, and I nearly put my foot on his shoulder in the
|
||
darkness.
|
||
|
||
"Hello!" he said. "So it's _you_."
|
||
|
||
I was quite speachless. It was Mr. Beecher himself, in his
|
||
dinner clothes and bareheaded.
|
||
|
||
Oh flutering Heart, be still. Oh Pen, move steadily. _Oh
|
||
tempora o mores_!
|
||
|
||
"Let me down," I said. I was still hanging to the latice.
|
||
|
||
"In a moment," he said. "I have an idea that the instant I
|
||
do you'll vanish. And I have somthing to tell you."
|
||
|
||
I could hardly beleive my ears.
|
||
|
||
"You see," he went on, "I think you must move that Bench."
|
||
|
||
"Bench?"
|
||
|
||
"You seem to be so very popular," he Said." And of course
|
||
I'm only a transient and don't matter. But some evening one of
|
||
the admirers may be on the Patten's porch, while another is with
|
||
you on the bench. And--the Moon rises beyond it."
|
||
|
||
I was silent with horor. So that was what he thought of me.
|
||
Like all the others, he, to, did not understand. He considered
|
||
me a Flirt, when my only Thoughts were serious ones, of
|
||
imortality and so on.
|
||
|
||
"You'd better come down now," he said. "I was afraid to
|
||
warn you until I saw you climbing the latice. Then I knew you
|
||
were still young enough to take a friendly word of Advise."
|
||
|
||
I got down then and stood before him. He was magnifacent.
|
||
Is there anything more beautiful than a tall man with a gleaming
|
||
expance of dress shirt? I think not.
|
||
|
||
But he was staring at me.
|
||
|
||
"Look here," he said. "I'm afraid I've made a mistake after
|
||
all. I thought you were a little girl."
|
||
|
||
"That needn't worry you. Everybody does," I replied. "I'm
|
||
seventeen, but I shall be a mere Child until I come out."
|
||
|
||
"Oh!" he said.
|
||
|
||
"One day I am a Child in the nursery," I said. "And the
|
||
next I'm grown up and ready to be sold to the highest Bider."
|
||
|
||
"I beg your pardon, I----"
|
||
|
||
"But I am as grown up now as I will ever be," I said. "And
|
||
indeed more so. I think a great deal now, because I have plenty
|
||
of Time. But my sister never thinks at all. She is to busy."
|
||
|
||
"Suppose we sit on the Bench. The moon is to high to be a
|
||
menace, and besides, I am not dangerous. Now, what do you think
|
||
about?"
|
||
|
||
"About Life, mostly. But of course there is Death, which is
|
||
beautiful but cold. And--one always thinks of Love, doesn't
|
||
one?"
|
||
|
||
"Does one?" he asked. I could see he was much interested.
|
||
As for me, I dared not consider whom it was who sat beside me,
|
||
almost touching. That way lay madness.
|
||
|
||
"Don't you ever," he said, "reflect on just ordinary
|
||
things, like Clothes and so forth?"
|
||
|
||
I shruged my shoulders.
|
||
|
||
"I don't get enough new clothes to worry about. Mostly I
|
||
think of my Work."
|
||
|
||
"Work?"
|
||
|
||
"I am a writer" I said in a low, ernest tone.
|
||
|
||
"No! How--how amazing. What do you write?"
|
||
|
||
"I'm on a play now."
|
||
|
||
"A Comedy?"
|
||
|
||
"No. A Tradgedy. How can I write a Comedy when a play must
|
||
always end in a catastrofe? The book says all plays end in
|
||
Crisis, Denouement and Catastrofe."
|
||
|
||
"I can't beleive it," he said. "But, to tell you a Secret,
|
||
I never read any books about Plays."
|
||
|
||
"We are not all gifted from berth, as you are," I observed,
|
||
not to merely please him, but because I considered it the simple
|
||
Truth.
|
||
|
||
He pulled out his watch and looked at it in the moonlight.
|
||
|
||
"All this reminds me," he said, "that I have promised to go
|
||
to work tonight. But this is so--er--thrilling that I guess the
|
||
work can wait. Well--now go on."
|
||
|
||
Oh, the Joy of that night! How can I describe it? To be at
|
||
last in the company of one who understood, who--as he himself
|
||
had said in "Her Soul"--spoke my own languidge! Except for the
|
||
occasional mosquitoe, there was no sound save the turgescent sea
|
||
and his Voice.
|
||
|
||
Often since that time I have sat and listened to
|
||
conversation. How flat it sounds to listen to father prozing
|
||
about Gold, or Sis about Clothes, or even to the young men who
|
||
come to call, and always talk about themselves.
|
||
|
||
We were at last interupted in a strange manner. Mr. Patten
|
||
came down their walk and crossed to us, walking very fast. He
|
||
stopped right in front of us and said:
|
||
|
||
"Look here, Reg, this is about all I can stand."
|
||
|
||
"Oh, go away, and sing, or do somthing," said Mr. Beecher
|
||
sharply.
|
||
|
||
"You gave me your word of Honor" said the Patten man. "I
|
||
can only remind you of that. Also of the expence I'm incuring,
|
||
and all the rest of it. I've shown all sorts of patience, but
|
||
this is the limit."
|
||
|
||
He turned on his Heal, but came back for a last word or
|
||
two.
|
||
|
||
"Now see here," he said, "we have everything fixed the way
|
||
you said You wanted it. And I'll give you ten minutes. That's
|
||
all."
|
||
|
||
He stocked away, and Mr. Beecher looked at me.
|
||
|
||
"Ten minutes of Heaven," he said, "and then perdetion with
|
||
that bunch. Look here," he said, "I--I'm awfully interested in
|
||
what you are telling me. Let's cut off up the beech and talk."
|
||
|
||
Oh night of Nights! Oh moon of Moons!
|
||
|
||
Our talk was strictly business. He asked me my Plot, and
|
||
although I had been warned not to do so, even to David Belasco,
|
||
I gave it to him fully. And even now, when all is over, I am not
|
||
sorry. Let him use it if he will. I can think of plenty of
|
||
Plots.
|
||
|
||
The real tradgedy is that we met father. He had been
|
||
ordered to give up smoking, and I considered had done so, mother
|
||
feeling that I should be encouraged in leaving off cigarettes.
|
||
So when I saw the cigar I was sure it was not father. It proved
|
||
to be, however, and although he passed with nothing worse than
|
||
a Glare, I knew I was in more trouble.
|
||
|
||
At last we reached the Bench again, and I said good night.
|
||
Our relations continued business-like to the last. He said:
|
||
|
||
"Good night, little authoress, and let's have some more
|
||
talks."
|
||
|
||
"I'm afraid I've board you," I said.
|
||
|
||
"Board me!" he said. "I haven't spent such an evening for
|
||
years!"
|
||
|
||
The Familey acted perfectly absurd about it. Seeing that
|
||
they were going to make a fuss, I refused to say with whom I had
|
||
been walking. You'd have thought I had committed a crime.
|
||
|
||
"It has come to this, Barbara," mother said, pacing the
|
||
floor. "You cannot be trusted out of our sight. Where do you
|
||
meet all these men? If this is how things are now, what will it
|
||
be when given your Liberty?"
|
||
|
||
Well, it is to painful to record. I was told not to leave
|
||
the place for three days, although allowed the boat-house. And
|
||
of course Sis had to chime in that she'd heard a roomer I had
|
||
run away and got married, and although of course she knew it
|
||
wasn't true, owing to no time to do so, still where there was
|
||
Smoke there was Fire.
|
||
|
||
But I felt that their confidence in me was going, and that
|
||
night, after all were in the Land of Dreams, I took that wreched
|
||
suit of clothes and so on to the boathouse, and hid them in the
|
||
rafters upstairs.
|
||
|
||
I come now to the strange Event of the next day, and its
|
||
sequel.
|
||
|
||
The Patten place and ours are close together, and no other
|
||
house near. Mother had been very cool about the Pattens, owing
|
||
to nobody knowing them that we knew. Although I must say they
|
||
had the most interesting people all the time, and Sis was crazy
|
||
to call and meet some of them.
|
||
|
||
Jane came that day to visit her aunt, and she ran down to
|
||
see me first thing.
|
||
|
||
"Come and have a ride," she said. "I've got the Runabout,
|
||
and after that we'll bathe and have a real time."
|
||
|
||
But I shook my head.
|
||
|
||
"I'm a prisoner, Jane," I said.
|
||
|
||
"Honestly! Is it the Play, or somthing else?"
|
||
|
||
"Somthing else, Jane," I said. "I can tell you nothing
|
||
more. I am simply in trouble, as usual."
|
||
|
||
"But why make you a prisoner, unless----" She stopped
|
||
suddenly and stared at me.
|
||
|
||
"He has claimed you!" she said. "He is here, somwhere about
|
||
this Place, and now, having had time to think it over, you do
|
||
not Want to go to him. Don't deny it. I see it in your face. Oh,
|
||
Bab, my heart aches for you."
|
||
|
||
It sounded so like a play that I kept it up. Alas, with
|
||
what results!
|
||
|
||
"What else can I do, Jane?" I said.
|
||
|
||
"You can refuse, if you do not love him. Oh Bab, I did not
|
||
say it before, thinking you loved him. But no man who wears
|
||
clothes like those could ever win my heart. At least, not
|
||
permanently."
|
||
|
||
Well, she did most of the talking. She had finished the
|
||
bath towle, which was a large size, after all, and monogramed,
|
||
and she made me promise never to let my husband use it. When she
|
||
went away she left it with me, and I carried it out and put it
|
||
on the rafters, with the other things--I seemed to be getting
|
||
more to hide every day.
|
||
|
||
Things went all wrong the next day. Sis was in a bad
|
||
temper, and as much as said I was flirting with Carter Brooks,
|
||
although she never intends to marry him herself, owing to his
|
||
not having money and never having asked her.
|
||
|
||
I spent the morning in fixing up a Studio in the
|
||
boat-house, and felt better by noon. I took two boards on
|
||
trestles and made a desk, and brought a Dictionery and some pens
|
||
and ink out. I use a Dictionery because now and then I am
|
||
uncertain how to spell a word.
|
||
|
||
Events now moved swiftly and terrably. I did not do much
|
||
work, being exhausted by my efforts to fix up the studio, and
|
||
besides, feeling that nothing much was worth while when one's
|
||
Familey did not and never would understand. At eleven o'clock
|
||
Sis and Carter and Jane and some others went in bathing from our
|
||
dock. Jane called up to me, but I pretended not to hear. They
|
||
had a good time judging by the noise, although I should think
|
||
Jane would cover her arms and neck in the water, being very
|
||
thin. Legs one can do nothing with, although I should think
|
||
stripes going around would help. But arms can have sleaves.
|
||
|
||
However--the people next door went in to, and I thrilled to
|
||
the core when Mr. Beecher left the bath-house and went down to
|
||
the beech. What a physic! What shoulders, all brown and
|
||
muscular! And to think that, strong as they were, they wrote the
|
||
tender Love seens of his plays. Strong and tender--what
|
||
descriptive words they are! It was then that I saw he had been
|
||
vacinated twice.
|
||
|
||
To resume. All the Pattens went in, and a new girl with
|
||
them, in a One-peace Suit. I do not deny that she was pretty. I
|
||
only say that she was not modest, and that the way she stood on
|
||
the Patten's dock and pozed for Mr. Beecher's benafit was
|
||
unecessary and well, not respectable.
|
||
|
||
She was nothing to me, nor I to her. But I watched her
|
||
closely. I confess that I was interested in Mr. Beecher. Why
|
||
not? He was a Public Character, and entitled to respect. Nay,
|
||
even to love. But I maintain and will to my dying day, that such
|
||
love is diferent from that ordinaraly born to the Other Sex, and
|
||
a thing to be proud of.
|
||
|
||
Well, I was seeing a drama and did not even know it. After
|
||
the rest had gone, Mr. Patten came to the door into Mr.
|
||
Beecher's room in the bath-house--they are all in a row, with
|
||
doors opening on the sand--and he had a box in his hand. He
|
||
looked around, and no one was looking except me, and he did not
|
||
see me. He looked very Feirce and Glum, and shortly after he
|
||
carried in a chair and a folding card table. I thought this was
|
||
very strange, but imagine how I felt when he came out carrying
|
||
Mr. Beecher's clothes! He brought them all, going on his tiptoes
|
||
and watching every minute. I felt like screaming.
|
||
|
||
However, I considered that it was a practicle Joke, and I
|
||
am no spoil sport. So I sat still and waited. They staid in the
|
||
water a long time, and the girl with the Figure was always
|
||
crawling out on the dock and then diving in to show off. Leila
|
||
and the rest got sick of her actions and came in to Lunch. They
|
||
called up to me, but I said I was not hungry.
|
||
|
||
"I don't know what's come over Bab," I heard Sis say to
|
||
Carter Brooks. "She's crazy, I think."
|
||
|
||
"She's seventeen," he said. "That's all. They get over it
|
||
mostly, but she has it hard."
|
||
|
||
I lothed him.
|
||
|
||
Pretty soon the other crowd came up, and I could see every
|
||
one knew the joke but Mr. Beecher. They all scuttled into their
|
||
doorways, and Mr. Patten waited till Mr. Beecher was inside and
|
||
had thrown out the shirt of his bathing Suit. Then he locked the
|
||
door from the outside.
|
||
|
||
There was a silence for a minute. Then Mr. Beecher said in
|
||
a terrable voice.
|
||
|
||
"So that's the Game, is it?"
|
||
|
||
"Now listen, Reg," Mr. Patten said, in a soothing voice.
|
||
"I've tried everything but Force, and now I'm driven to that.
|
||
I've got to have that third Act. The company's got the first two
|
||
acts well under way, and I'm getting wires about every hour.
|
||
I've got to have that script."
|
||
|
||
"You go to Hell!" said Mr. Beecher. You could hear him
|
||
plainly through the window, high up in the wall. And although I
|
||
do not approve of an oath, there are times when it eases the
|
||
tortured Soul.
|
||
|
||
"Now be reasonable, Reg," Mr. Patten pleaded. "I've put a
|
||
fortune in this thing, and you're lying down on the job. You
|
||
could do it in four hours if you'd put your mind to it."
|
||
|
||
There was no anser to this. And he went on:
|
||
|
||
"I'll send out food or anything. But nothing to drink.
|
||
There's Champane on the ice for you when you've finished,
|
||
however. And you'll find pens and ink and paper on the table."
|
||
|
||
The anser to this was Mr. Beecher's full weight against the
|
||
door. But it held, even against the full force of his fine
|
||
physic.
|
||
|
||
"Even if you do break it open," Mr. Patten said, "you can't
|
||
go very far the way you are. Now be a good fellow, and let's get
|
||
this thing done. It's for your good as well as mine. You'll make
|
||
a Fortune out of it."
|
||
|
||
Then he went into his own door, and soon came out, looking
|
||
like a gentleman, unless one knew, as I did, that he was a
|
||
Whited Sepulcher.
|
||
|
||
How long I sat there, paralized with emotion, I do not
|
||
know. Hannah came out and roused me from my Trance of grief. She
|
||
is a kindly soul, although to afraid of mother to be helpful.
|
||
|
||
"Come in like a good girl, Miss Bab," she said. "There's
|
||
that fruit salad that cook prides herself on, and I'll ask her
|
||
to brown a bit of sweetbread for you."
|
||
|
||
"Hannah," I said in a low voice, "there is a Crime being
|
||
committed in this neighborhood, and you talk to me of food."
|
||
|
||
"Good gracious, Miss Bab!"
|
||
|
||
"I cannot tell you any more than that, Hannah," I said
|
||
gently, "because it is only being done now, and I cannot make up
|
||
my Mind about it. But of course I do not want any food."
|
||
|
||
As I say, I was perfectly gentle with her, and I do not
|
||
understand why she burst into tears and went away.
|
||
|
||
I sat and thought it all over. I could not leave, under the
|
||
circumstances. But yet, what was I to do? It was hardly a Police
|
||
matter, being between friends, as one may say, and yet I simply
|
||
could not bare to leave my Ideal there in that damp bath-house
|
||
without either food or, as one may say, raiment.
|
||
|
||
About the middle of the afternoon it occurred to me to try
|
||
to find a key for the lock of the bath-house. I therfore left my
|
||
Studio and proceded to the house. I passed close by the fatal
|
||
building, but there was no sound from it.
|
||
|
||
I found a number of trunk-keys in a drawer in the library,
|
||
and was about to escape with them, when father came in. He gave
|
||
me a long look, and said:
|
||
|
||
"Bee still buzzing?"
|
||
|
||
I had hoped for some understanding from him, but my Spirits
|
||
fell at this speach.
|
||
|
||
"I am still working, father," I said, in a firm if nervous
|
||
tone. "I am not doing as good work as I would if things were
|
||
diferent, but--I am at least content, if not happy."
|
||
|
||
He stared at me, and then came over to me.
|
||
|
||
"Put out your tongue," he said.
|
||
|
||
Even against this crowning infamey I was silent.
|
||
|
||
"That's all right," he said. "Now see here, Chicken, get
|
||
into your riding togs and we'll order the horses. I don't intend
|
||
to let this play-acting upset your health."
|
||
|
||
But I refused. "Unless, of course, you insist," I finished.
|
||
He only shook his head, however, and left the room. I felt that
|
||
I had lost my Last Friend.
|
||
|
||
I did not try the keys myself, but instead stood off a
|
||
short distance and through them through the window. I learned
|
||
later that they struck Mr. Beecher on the head. Not knowing, of
|
||
course, that I had flung them, and that my reason was pure
|
||
Friendliness and Idealizm, he through them out again with a
|
||
violent exclamation. They fell at my feet, and lay there,
|
||
useless, regected, tradgic.
|
||
|
||
At last I summoned courage to speak.
|
||
|
||
"Can't I do somthing to help?" I said, in a quaking voice,
|
||
to the window.
|
||
|
||
There was no anser, but I could hear a pen scraching on
|
||
paper.
|
||
|
||
"I do so want to help you," I said, in a louder tone.
|
||
|
||
"Go, away" said his voice, rather abstracted than angry.
|
||
|
||
"May I try the keys?" I asked. Be still, my Heart! For the
|
||
scraching had ceased.
|
||
|
||
"Who's that?" asked the beloved voice. I say `beloved'
|
||
because an Ideal is always beloved. The voice was beloved, but
|
||
sharp.
|
||
|
||
"It's me."
|
||
|
||
I heard him mutter somthing, and I think he came to the
|
||
Door.
|
||
|
||
"Look here," he said. "Go away. Do you understand? I want
|
||
to work. And don't come near here again until seven o'clock."
|
||
|
||
"Very well," I said faintly.
|
||
|
||
"And then come without fail," he said.
|
||
|
||
"Yes, Mr. Beecher," I replied. How commanding he was!
|
||
Strong but tender!
|
||
|
||
"And if anyone comes around making a noise, before that,
|
||
you shoot them for me, will you?"
|
||
|
||
"_Shoot_ them?"
|
||
|
||
"Drive them off, or use a Bean-shooter. Anything. But don't
|
||
yell at them. It distracts me."
|
||
|
||
It was a Sacred trust. I, and only I, stood between him and
|
||
his _magnum opum_. I sat down on the steps of our bath-house,
|
||
and took up my vigel.
|
||
|
||
It was about five o'clock when I heard Jane approaching. I
|
||
knew it was Jane, because she always wears tight shoes, and
|
||
limps when unobserved. Although having the reputation of the
|
||
smallest foot of any girl in our set in the city, I prefer
|
||
Comfort and Ease, unhampered by heals--French or otherwise. No
|
||
man will ever marry a girl because she wears a small shoe, and
|
||
catches her heals in holes in the Boardwalk, and has to soak her
|
||
feet at night before she can sleep. However----
|
||
|
||
Jane came on, and found me croutched on the doorstep, in a
|
||
lowly attatude, and holding my finger to my lips.
|
||
|
||
She stopped and stared at me.
|
||
|
||
"Hello," she said. "What do you think you are? A Statue?"
|
||
|
||
"Hush, Jane," I said, in a low tone. "I can only ask you to
|
||
be quiet and speak in Whispers. I cannot give the reason."
|
||
|
||
"Good heavens!" she whispered. "What has happened, Bab?"
|
||
|
||
"It is happening now, but I cannot explain."
|
||
|
||
"_What_ is happening?"
|
||
|
||
"Jane," I whispered, ernestly, "you have known me a long
|
||
time and I have always been Trustworthy, have I not?"
|
||
|
||
She nodded. She is never exactly pretty, and now she had
|
||
opened her mouth and forgot to close it.
|
||
|
||
"Then ask No Questions. Trust me, as I am trusting you." It
|
||
seemed to me that Mr. Beecher through his pen at the door, and
|
||
began to pace the bath-house. Owing of course to his being in
|
||
his bare feet, I was not certain. Jane heard somthing, to, for
|
||
she clutched my arm.
|
||
|
||
"Bab," she said, in intence tones, "if you don't explain I
|
||
shall lose my mind. I feel now that I am going to shreik."
|
||
|
||
She looked at me searchingly.
|
||
|
||
"Sombody is a Prisoner. That's all."
|
||
|
||
It was the truth, was it not? And was there any reasons for
|
||
Jane Raleigh to jump to conclusions as she did, and even to
|
||
repeat later in Public that I had told her that my lover had
|
||
come for me, and that father had locked him up to prevent my
|
||
running away with him, imuring him in the Patten's bath-house?
|
||
Certainly not.
|
||
|
||
Just then I saw the boatman coming who looks after our
|
||
motor boat, and I tiptoed to him and asked him to go away, and
|
||
not to come back unless he had quieter boats and would not
|
||
whistel. He acted very ugly about it, I must say, but he went.
|
||
|
||
When I came back, Jane was sitting thinking, with her
|
||
forhead all puckered.
|
||
|
||
"What I don't understand, Bab," she said, "is, why no
|
||
noise?"
|
||
|
||
"Because he is writing," I explained. "Although his
|
||
clothing has been taken away, he is writing. I don't think I
|
||
told you, Jane, but that is his business. He is a Writer. And if
|
||
I tell you his name you will faint with surprise."
|
||
|
||
She looked at me searchingly.
|
||
|
||
"Locked up--and writing, and his clothing gone! What's he
|
||
writing, Bab? His Will?"
|
||
|
||
"He is doing his duty to the end, Jane," I said softly. "He
|
||
is writing the last Act of a Play. The Company is rehearsing the
|
||
first two Acts, and he has to get this one ready, though the
|
||
Heavens fall."
|
||
|
||
But to my surprise, she got up and said to me, in a firm
|
||
voice:
|
||
|
||
"Either you are crazy, Barbara Archibald, or you think I
|
||
am. You've been stuffing me for about a week, and I don't
|
||
beleive a Word of it. And you'll apologize to me or I'll never
|
||
speak to you again."
|
||
|
||
She said this loudly, and then went away, And Mr. Beecher
|
||
said, through the door.
|
||
|
||
"What the Devil's the row about?"
|
||
|
||
Perhaps my nerves were going, or possably it was no
|
||
luncheon and probably no dinner. But I said, just as if he had
|
||
been an ordinary person:
|
||
|
||
"Go on and write and get through. I can't stew on these
|
||
steps all day."
|
||
|
||
"I thought you were an amiable Child."
|
||
|
||
"I'm not amiable and I'm not a Child."
|
||
|
||
"Don't spoil your pretty face with frowns."
|
||
|
||
"It's _my_ face. And you can't see it anyhow," I replied,
|
||
venting in femanine fashion, my anger at Jane on the nearest
|
||
object.
|
||
|
||
"Look here," he said, through the door, "you've been my
|
||
good Angel. I'm doing more work than I've done in two months,
|
||
although it was a dirty, low-down way to make me do it. You're
|
||
not going back on me now, are you?"
|
||
|
||
Well, I was mollafied, as who would not be? So I said:
|
||
|
||
"Well?"
|
||
|
||
"What did Patten do with my clothes?"
|
||
|
||
"He took them with him." He was silent, except for a
|
||
muttered word.
|
||
|
||
"You might throw those Keys back again," he said. "Let me
|
||
know first, however. You're the most acurate Thrower I've ever
|
||
seen."
|
||
|
||
So I through them through the window and I beleive hit the
|
||
ink bottle. But no matter. And he tried them, but none availed.
|
||
|
||
So he gave up, and went back to Work, having saved enough
|
||
ink to finish with. But a few minutes later he called to me
|
||
again, and I moved to the Doorstep, where I sat listening, while
|
||
aparently admiring the sea. He explained that having been thus
|
||
forced, he had almost finished the last Act, and it was a
|
||
corker. And he said if he had his clothes and some money, and a
|
||
key to get out, he'd go right back to Town with it and put it in
|
||
rehearsle. And at the same time he would give the Pattens
|
||
something to worry about over night. Because, play or no play,
|
||
it was a Rotten thing to lock a man in a bath-house and take his
|
||
clothes away.
|
||
|
||
"But of course I can't get my clothes," he said. "They'll
|
||
take cussed good care of that. And there's the Key too. We're up
|
||
against it, Little Sister."
|
||
|
||
Although excited by his calling me thus, I retained my
|
||
faculties, and said:
|
||
|
||
"I have a suit of Clothes you can have."
|
||
|
||
"Thanks awfully," he said. "But from the slight
|
||
acquaintance we have had, I don't beleive they would fit me."
|
||
|
||
"Gentleman's Clothes," I said fridgidly.
|
||
|
||
"You have?"
|
||
|
||
"In my Studio," I said. "I can bring them, if you like.
|
||
They look quite good, although Creased."
|
||
|
||
"You know" he said, after a moment's silence, "I can't
|
||
quite beleive this is realy happening to me! Go and bring the
|
||
suit of clothes, and--you don't happen to have a cigar, I
|
||
suppose,?"
|
||
|
||
"I have a large box of Cigarettes."
|
||
|
||
"It is true," I heard him say through the door. "It is all
|
||
true. I am here, locked in. The Play is almost done. And a very
|
||
young lady on the doorstep is offering me a suit of Clothes and
|
||
Tobaco. I pinch myself. I am awake."
|
||
|
||
Alas! Mingled with my joy at serving my Ideal there was
|
||
also greif. My idle had feet of clay. He was a slave, like the
|
||
rest of us, to his body. He required clothes and tobaco. I felt
|
||
that, before long, he might even ask for an apple, or something
|
||
to stay the pangs of hunger. This I felt I could not bare.
|
||
|
||
Perhaps I would better pass over quickly the events of the
|
||
next hour. I got the suit and the cigarettes, and even Jane's
|
||
bath towle, and through them in to him. Also I beleive he took
|
||
a shower, as I heard the water running, At about seven o'clock
|
||
he said he had finished the play. He put on the Clothes which he
|
||
observed almost fitted him, although gayer than he usually wore,
|
||
and said that if I would give him a hair pin he thought he could
|
||
pick the Lock. But he did not succeed.
|
||
|
||
Being now dressed, however, he drew a chair to the window
|
||
and we talked together. It seemed like a dream that I should be
|
||
there, on such intimate terms with a great Playwright, who had
|
||
just, even if under compulsion, finished a last Act, I bared my
|
||
very soul to him, such as about resembling Julia Marlowe, and no
|
||
one understanding my craveing to acheive a Place in the World of
|
||
Art. We were once interupted by Hannah looking for me for
|
||
dinner. But I hid in a bath-house, and she went away.
|
||
|
||
What was Food to me compared with such a Conversation?
|
||
|
||
When Hannah had disappeared, he said suddenly:
|
||
|
||
"It's rather unusual, isn't it, your having a suit of
|
||
clothes and everything in your--er--studio?"
|
||
|
||
But I did not explain fully, merely saving that it was a
|
||
painful story.
|
||
|
||
At half past seven I saw mother on the veranda looking for
|
||
me, and I ducked out of sight, I was by this time very hungry,
|
||
although I did not like to mention the fact, But Mr. Beecher
|
||
made a suggestion, which was this: that the Pattens were
|
||
evadently going to let him starve until he got through work, and
|
||
that he would see them in perdetion before he would be the Butt
|
||
for their funny remarks when they freed him. He therfore tried
|
||
to escape out the window, but stuck fast, and finaly gave it up.
|
||
|
||
At last he said:
|
||
|
||
"Look here, you're a curious child, but a nervy one. How'd
|
||
you like to see if you can get the Key? If you do we'll go to a
|
||
hotel and have a real meal, and we can talk about your Career."
|
||
|
||
Although quivering with Terror, I consented. How could I do
|
||
otherwise, with such a prospect? For now I began to see that all
|
||
other Emotions previously felt were as nothing to this one. I
|
||
confess, without shame, that I felt the stiring of the Tender
|
||
Passion in my breast. Ah me, that it should have died ere it had
|
||
hardly lived!
|
||
|
||
"Where is the key?" I asked, in a wrapt but anxious tone.
|
||
|
||
He thought a while.
|
||
|
||
"Generaly," he said, "it hangs on a nail at the back entry.
|
||
But the chances are that Patten took it up to his room this
|
||
time, for safety, You'd know it if you saw it. It has some
|
||
buttons off sombody's batheing suit tied to it."
|
||
|
||
Here it was necessary to hide again, as father came
|
||
stocking out, calling me in an angry tone. But shortly
|
||
afterwards I was on my way to the Patten's house, on shaking
|
||
Knees. It was by now twilight, that beautiful period of Romanse,
|
||
although the dinner hour also. Through the dusk I sped, toward
|
||
what? I knew not.
|
||
|
||
The Pattens and the one-peace lady were at dinner, and
|
||
having a very good time, in spite of having locked a Guest in
|
||
the bath-house. Being used to servants and prowling around,
|
||
since at one time when younger I had a habit of taking things
|
||
from the pantrey, I was quickly able to see that the Key was not
|
||
in the entry. I therfore went around to the front Door and went
|
||
in, being prepared, if discovered, to say that somone was in
|
||
their bath-house and they ought to know it. But I was not heard
|
||
among their sounds of revelry, and was able to proceed upstairs,
|
||
which I did.
|
||
|
||
But not having asked which was Mr. Patten's room, I was at
|
||
a loss and almost discovered by a maid who was turning down the
|
||
beds--much to early, also, and not allowed in the best houses
|
||
until nine-thirty, since otherwise the rooms look undressed and
|
||
informle.
|
||
|
||
I had but Time to duck into another chamber, and from there
|
||
to a closet.
|
||
|
||
_I remained in that closet all night_.
|
||
|
||
I will explain. No sooner had the maid gone than a Woman
|
||
came into the room and closed the door. I heard her moving
|
||
around and I suddenly felt that she was going to bed, and might
|
||
get her _robe de nuit_ out of the closet. I was petrafied. But
|
||
it seems, while she really _was_ undressing at that early hour,
|
||
the maid had laid her night clothes out, and I was saved.
|
||
|
||
Very soon a knock came to the door, and somhody came in,
|
||
like Mrs. Patten's voice and said: "You're not going to bed,
|
||
surely!"
|
||
|
||
"I'm going to pretend to have a sick headache," said the
|
||
other Person, and I knew it was the One-peace Lady. "He's going
|
||
to come back in a frenzey, and he'll take it out on me, unless
|
||
I'm prepared."
|
||
|
||
"Poor Reggie!" said Mrs. Patten, "To think of him locked in
|
||
there alone, and no Clothes or anything. It's too funny for
|
||
words."
|
||
|
||
"You're not married to him."
|
||
|
||
My heart stopped beating. Was _she_ married to him? She was
|
||
indeed. My dream was over. And the worst part of it was that for
|
||
a married man I had done without Food or exercise and now stood
|
||
in a hot closet in danger of a terrable fuss.
|
||
|
||
"No, thank Heaven!" said Mrs. Patten. "But it was the only
|
||
way to make him work. He is a lazy dog. But don't worry. We'll
|
||
feed him before he sees you. He's always rather tractible after
|
||
he's fed."
|
||
|
||
Were _all_ my dreams to go? Would they leave nothing to my
|
||
shattered ilusions? Alas, no.
|
||
|
||
"Jolly him a little, to," said----can I write it?--Mrs.
|
||
Beecher. "Tell him he's the greatest thing in the World. That
|
||
will help some. He's vain, you know, awfully vain. I expect he's
|
||
written a lot of piffle."
|
||
|
||
Had they listened they would have heard a low, dry sob,
|
||
wrung from my tortured heart. But Mrs. Beecher had started a
|
||
vibrater, and my anguished cry was lost.
|
||
|
||
"Well," said Mrs. Patten, "Will has gone down to let him
|
||
out, I expect he'll attack him. He's got a vile Temper. I'll sit
|
||
with you till he comes back, if you don't mind. I'm feeling
|
||
nervous."
|
||
|
||
It was indeed painful to recall the next half hour. I must
|
||
tell the truth however. They discussed us, especialy mother, who
|
||
had not called. They said that we thought we were the whole
|
||
summer Colony, although every one was afraid of mother's tongue,
|
||
and nobody would marry Leila, except Carter Brooks, and he was
|
||
poor and no prospects. And that I was an incorrigable, and
|
||
carried on somthing gastly, and was going to be put in a
|
||
convent. I became justly furious and was about to step out and
|
||
tell them a few plain Facts, when sombody hammered at the door
|
||
and then came in. It was Mr. Patten.
|
||
|
||
"He's gone!" he said.
|
||
|
||
"Well, he won't go far, in bathing trunks," said Mrs.
|
||
Beecher.
|
||
|
||
"That's just it. His bathing trunks are there."
|
||
|
||
"Well, he won't go far _without_ them!"
|
||
|
||
"He's gone so far I can't locate him."
|
||
|
||
I heard Mrs. Beecher get up.
|
||
|
||
"Are you in ernest, Will?" she said. "Do you mean that he
|
||
has gone without a Stich of clothes, and can't be found?"
|
||
|
||
Mrs. Patten gave a sort of screach.
|
||
|
||
"You don't think--oh Will, he's so tempermental. You don't
|
||
think he's drowned himself?"
|
||
|
||
"No such luck," said Mrs. Beecher, in a cold tone. I hated
|
||
her for it. True, he had decieved me. He was not as I had
|
||
thought him. In our to conversations he had not mentioned his
|
||
wife, leaveing me to beleive him free to love "where he listed,"
|
||
as the poet says.
|
||
|
||
"There are a few clues," said Mr. Patten. "He got out by
|
||
means of a wire hairpin, for one thing. And he took the
|
||
manuscript with him, which he'd hardly have done if he meant to
|
||
drown himself. Or even if, as we fear, he had no Pockets. He has
|
||
smoked a lot of cigarettes out of a candy box, which I did not
|
||
supply him, and he left behind a bath towle that does not, I
|
||
think, belong to us."
|
||
|
||
"I should think he would have worn it," said Mrs. Beecher,
|
||
in a scornfull tone.
|
||
|
||
"Here's the bath towle," Mr. Patten went on. "You may
|
||
recognize the initials. I don't."
|
||
|
||
"B. P. A.," said Mrs. Beecher. "Look here, don't they call
|
||
that--that fliberty-gibbet next door `Barbara'?"
|
||
|
||
"The little devil!" said Mr. Patten, in a raging tone. "She
|
||
let him out, and of course he's done no work on the Play or
|
||
anything. I'd like to choke her."
|
||
|
||
Nobody spoke then, and my heart beat fast and hard. I leave
|
||
it to anybody, how they'd like to be shut in a closet and
|
||
threatened with a violent Death from without. Would or would
|
||
they not ever be the same person afterwards?
|
||
|
||
"I'll tell you what I'd do," said the Beecher woman. "I'd
|
||
climb up the back of father, next door, and tell him what his
|
||
little Daughter has done, Because I know she's mixed up in it,
|
||
towle or no towle. Reg is always sappy when they're seventeen.
|
||
And she's been looking moon-eyed at him for days."
|
||
|
||
Well, the Pattens went away, and Mrs. Beecher manacured her
|
||
Nails,--I could hear her fileing them--and sang around and was
|
||
not much concerned, although for all she knew he was in the
|
||
briney deep, a corpse. How true it is that "the paths of glory
|
||
lead but to the grave."
|
||
|
||
I got very tired and much hoter, and I sat down on the
|
||
floor. After what seemed like hours, Mrs. Patten came back, all
|
||
breathless, and she said:
|
||
|
||
"The girl's gone to, Clare."
|
||
|
||
"What girl?"
|
||
|
||
"Next door. If you want Excitement, they've got it. The
|
||
mother is in hysterics and there's a party searching the beech
|
||
for her body, The truth is, of course, if that towle means
|
||
anything"
|
||
|
||
"That Reg has run away with her, of course," said Mrs.
|
||
Beecher, in a resined tone. "I wish he would grow up and learn
|
||
somthing. He's becoming a nusance. And when there are so many
|
||
Interesting People to run away with, to choose that chit!"
|
||
|
||
Yes, she said that, And in my retreat I could but sit and
|
||
listen, and of course perspire, which I did freely. Mrs. Patten
|
||
went away, after talking about the "scandle" for some time. And
|
||
I sat and thought of the beech being searched for my Body, a
|
||
thought which filled my Eyes with tears of pity for what might
|
||
have been, I still hoped Mrs. Beecher would go to bed, but she
|
||
did not. Through the key hole I could see her with a Book,
|
||
reading, and not caring at all that Mr. Beecher's body, and mine
|
||
to, might be washing about in the cruel Sea, or have eloped to
|
||
New York.
|
||
|
||
I lothed her.
|
||
|
||
At last I must have slept, for a bell rang, and there I was
|
||
still in the closet, and she was ansering it.
|
||
|
||
"Arrested?" she said, "Well, I should think he'd better be,
|
||
If what you say about clothing is true.... Well, then--what's he
|
||
arrested for?... Oh, kidnaping! Well, if I'm any judge, they
|
||
ought to arrest the Archibald girl for kidnaping _him_. No,
|
||
don't bother me with it tonight. I'll try to read myself to
|
||
sleep."
|
||
|
||
So this was Marriage! Did she flee to her unjustly acused
|
||
husband's side and comfort him? Not she. She went to bed.
|
||
|
||
At daylight, being about smotherd, I opened the closet door
|
||
and drew a breath of fresh air. Also I looked at her, and she
|
||
was asleep, with her hair in patent wavers. Ye gods!
|
||
|
||
The wife of Reginald Beecher thus to distort her looks at
|
||
night! I could not bare it.
|
||
|
||
I averted my eyes, and on my tiptoes made for the Window.
|
||
|
||
My sufferings were over. In a short time I had slid down
|
||
and was making my way through the dewey morn toward my home.
|
||
Before the sun was up, or more than starting, I had climbed to
|
||
my casement by means of a wire trellis, and put on my _robe de
|
||
nuit_. But before I settled to sleep I went to the pantrey and
|
||
there satisfied the pangs of nothing since Breakfast the day
|
||
before. All the lights seemed to be on, on the lower floor,
|
||
which I considered wastful of Tanney, the butler. But being
|
||
sleepy, gave it no further thought. And so to bed, as the great
|
||
English dairy-keeper, Pepys, had said in his dairy.
|
||
|
||
It seemed but a few moments later that I heard a scream,
|
||
and opening my eyes, saw Leila in the doorway. She screamed
|
||
again, and mother came and stood beside her. Although very
|
||
drowsy, I saw that they still wore their dinner clothes.
|
||
|
||
They stared as if transfixed, and then mother gave a low
|
||
moan, and said to Sis:
|
||
|
||
"That unfortunate man has been in Jail all night."
|
||
|
||
And Sis said: "Jane Raleigh is crazy. That's all." Then
|
||
they looked at me, and mother burst into tears. But Sis said:
|
||
|
||
"You little imp! Don't tell me you've been in that bed all
|
||
night. _I know better_."
|
||
|
||
I closed my eyes. They were not of the understanding sort,
|
||
and never would be.
|
||
|
||
"If that's the way you feel I shall tell you nothing," I
|
||
said wearily.
|
||
|
||
"_Where have you been_?" mother said, in a slow and
|
||
dreadful voice.
|
||
|
||
Well, I saw then that a part of the Truth must be
|
||
disclosed, especialy since she has for some time considered
|
||
sending me to a convent, although without cause, and has not
|
||
done so for fear of my taking the veil. So I told her this. I
|
||
said:
|
||
|
||
"I spent the night shut in a clothes closet, but where is
|
||
not my secret. I cannot tell you."
|
||
|
||
"Barbara! You _must_ tell me."
|
||
|
||
"It is not my secret alone, mother."
|
||
|
||
She caught at the foot of the bed.
|
||
|
||
"Who was shut with you in that closet?" she demanded in a
|
||
shaking voice. "Barbara, there is another wreched Man in all
|
||
this. It could not have been Mr. Beecher, because he has been in
|
||
the Station House all night."
|
||
|
||
I sat up, leaning on one elbow, and looked at her ernestly.
|
||
|
||
"Mother" I said, "you have done enough damage, interfering
|
||
with Careers--not only mine, but another's imperiled now by not
|
||
haveing a last Act. I can tell you no More, except"--here my
|
||
voice took on a deep and intence fiber--"that I have done
|
||
nothing to be ashamed of, although unconventional."
|
||
|
||
Mother put her hands to her Face, and emited a low,
|
||
despairing cry.
|
||
|
||
"Come," Leila said to her, as to a troubled child. "Come,
|
||
and Hannah can use the vibrater on your spine."
|
||
|
||
So she went, but before she left she said:
|
||
|
||
"Barbara, if you will only promise to be a good girl, and
|
||
give us a chance to live this Scandle down, I will give you
|
||
anything you ask for."
|
||
|
||
"Mother!" Sis said, in an angry tone.
|
||
|
||
"What can I do, Leila?" mother said. "The girl is
|
||
atractive, and probably men will always be following her and
|
||
making trouble. Think of last Winter. I know it is Bribery, but
|
||
it is better than Scandle."
|
||
|
||
"I want nothing, mother," I said, in a low, heartstricken
|
||
tone, "save to be allowed to live my own life and to have a
|
||
Career."
|
||
|
||
"My Heavens," mother said, "if I hear that word again, I'll
|
||
go crazy."
|
||
|
||
So she went away, and Sis came over and looked down at me.
|
||
|
||
"Well!" she said. "What's happened anyhow? Of course you've
|
||
been up to some Mischeif, but I don't suppose anybody will ever
|
||
know the Truth of it. I was hopeing you'd make it this time and
|
||
get married, and stop worrying us."
|
||
|
||
"Go away, please, and let me Sleep," I said. "As to getting
|
||
married, under no circumstances did I expect to marry him. He
|
||
has a Wife already. Personally, I think she's a totle loss. She
|
||
wears patent wavers at night, and sleeps with her Mouth open.
|
||
But who am I to interfere with the marriage bond? I never have
|
||
and never will."
|
||
|
||
But Sis only gave me a wild look and went away.
|
||
|
||
This, dear readers and schoolmates, is the true story of my
|
||
meeting with and parting from Reginald Beecher, the playwright.
|
||
Whatever the papers may say, it is not true, except the Fact
|
||
that he was recognized by Jane Raleigh, who knew the suit he
|
||
wore, when in the act of pawning his ring to get money to escape
|
||
from his captors (_i. e._, The Pattens) with. It was the necktie
|
||
which struck her first, and also his gilty expression. As I was
|
||
missing by that time, Jane put two and two together and made an
|
||
Elopement.
|
||
|
||
Sometimes I sit and think things over, my fingers wandering
|
||
"over the ivory keys" of the typewriter they gave me to promise
|
||
not to elope with anybody--although such a thing is far from my
|
||
mind--and the World seems a cruel and unjust place, especialy to
|
||
those with ambition.
|
||
|
||
For Reginald Beecher is no longer my ideal, my Night of the
|
||
pen. I will tell about that in a few words.
|
||
|
||
Jane Raleigh and I went to a matinee late in September
|
||
before returning to our institutions of learning. Jane cluched
|
||
my arm as we looked at our programs and pointed to something.
|
||
|
||
How my heart beat! For whatever had come between us, I was
|
||
still loyal to him.
|
||
|
||
This was a new play by him!
|
||
|
||
"Ah," my heart seemed to say, "now again you will hear his
|
||
dear words, although spoken by alien mouths.
|
||
|
||
The love seens----"
|
||
|
||
I could not finish. Although married and forever beyond me,
|
||
I could still hear his manly tones as issueing from the door of
|
||
the Bath-house. I thrilled with excitement. As the curtain rose
|
||
I closed my eyes in ecstacy.
|
||
|
||
"Bab!" Jane said, in a quavering tone.
|
||
|
||
I looked. What did I see? The bath-house itself, the very
|
||
one. And as I stared I saw a girl, wearing her hair as I wear
|
||
mine, cross the stage with a Bunch of Keys in her hand, and say
|
||
to the bath-house door.
|
||
|
||
"Can't I do somthing to help? I do so want to help you."
|
||
|
||
_My very words_.
|
||
|
||
And a voice from beyond the bath-house door said:
|
||
|
||
"Who's that?"
|
||
|
||
_His words_.
|
||
|
||
I could bare no more. Heedless of Jane's Protests and
|
||
Anguish, I got up and went out, into the light of day. My body
|
||
was bent with misry. Because at last I knew that, like mother
|
||
and all the rest, _he to did not understand me, and never
|
||
would_. To him I was but material, the stuff that plays are made
|
||
of!
|
||
|
||
_And now we know that he never could know_,
|
||
|
||
_And did not understand_.
|
||
|
||
_Kipling._
|
||
|
||
Ignoring Jane's observation that the tickets had cost two
|
||
dollars each, I gathered up the scattered Skeins of my life
|
||
together, and fled.
|
||
|
||
CHAPTER III
|
||
|
||
HER DIARY: BEING THE DAILY JOURNAL OF THE SUB-DEB
|
||
|
||
JANUARY 1st. I have today recieved this dairy from home, having
|
||
come back a few days early to make up a French Condition.
|
||
|
||
Weather, clear and cold.
|
||
|
||
New Year's dinner. Roast chicken (Turkey being very
|
||
expencive), mashed Turnips, sweet Potatos and minse Pie.
|
||
|
||
It is my intention to record in this book the details of my
|
||
Daily Life, my thoughts which are to sacred for utterence, and
|
||
my ambitions. Because who is there to whom I can speak them? I
|
||
am surounded by those who exist for the mere Pleasures of the
|
||
day, or whose lives are bound up in Resitations.
|
||
|
||
For instance, at dinner today, being mostly faculty and a
|
||
few girls who live in the Far West, the conversation was
|
||
entirely on buying a Phonograph for dancing because the music
|
||
teacher has the meazles and is quarentined in the infirmery. And
|
||
on Miss Everett's couzin, who has written a play.
|
||
|
||
When one looks at Miss Everett, one recognises that no
|
||
couzin of hers could write a play.
|
||
|
||
New Year's resolution--to help some one every day. Today
|
||
helped Mademoiselle to put on her rubers.
|
||
|
||
JANUARY 2ND. Today I wrote my French theme, beginning, "Les
|
||
hommes songent moins a leur _Ame qu a_ leur _corps_.
|
||
Mademoiselle sent for me and objected, saying that it was not a
|
||
theme for a young girl, and that I must write a new one, on the
|
||
subject of pears. How is one to develope in this atmosphere?
|
||
|
||
Some of the girls are coming back. They stragle in, and put
|
||
the favers they got at Cotillions on the dresser, and their
|
||
holaday gifts, and each one relates some amorus experience while
|
||
at home. Dear dairy, is there somthing wrong with me, that Love
|
||
has passed me by? I have had offers of Devotion but none that
|
||
apealed to me, being mostly either to young or not atracting me
|
||
by physicle charm. I am not cold, although frequently acused of
|
||
it, Beneath my fridgid Exterior beats a warm heart. I intend to
|
||
be honest in this dairy, and so I admit it. But, except for
|
||
passing Fansies--one being, alas, for a married man--I remain
|
||
without the Divine Passion.
|
||
|
||
What must it be to thrill at the aproach of the loved Form?
|
||
To harken to each ring of the telephone bell, in the hope that,
|
||
if it is not the Idolised Voice, it is at least a message from
|
||
it? To waken in the morning and, looking around the familiar
|
||
room, to muze: "Today I may see him--on the way to the Post
|
||
Office, or rushing past in his racing car." And to know that at
|
||
the same moment _he_ to is muzing: "Today I may see her, as she
|
||
exercises herself at basket ball, or mounts her horse for a
|
||
daily canter!"
|
||
|
||
Although I have no horse. The school does not care for
|
||
them, considering walking the best exercise.
|
||
|
||
Have flunked the French again, Mademoiselle not feeling
|
||
well, and marking off for the smallest Thing.
|
||
|
||
Today's helpfull Deed--asisted one of the younger girls
|
||
with her spelling.
|
||
|
||
JANUARY 4TH. Miss Everett's couzin's play is coming here.
|
||
The school is to have free tickets, as they are "trying it on
|
||
the dog." Which means seeing if it is good enough for the large
|
||
cities.
|
||
|
||
We have desided, if Everett marks us well in English from
|
||
now on, to aplaud it, but if she is unpleasent, to sit still and
|
||
show no interest.
|
||
|
||
JANUARY 5TH, 6TH, 7TH, 8TH. Bad weather, which is
|
||
depressing to one of my Temperment. Also boil on noze.
|
||
|
||
A few helpfull Deeds--nothing worth putting down.
|
||
|
||
JANUARY 9TH. Boil cut.
|
||
|
||
Again I can face my Image in my mirror, and not shrink.
|
||
|
||
Mademoiselle is sick and no French. _Misericorde_!
|
||
|
||
Helpfull Deed--sent Mademoiselle some fudge, but this
|
||
school does not encourage kindness. Reprimanded for cooking in
|
||
room. School sympathises with me. We will go to Miss Everett's
|
||
couzin's play, but we will dam it with faint praise.
|
||
|
||
JANUARY 10TH. I have written this Date, and now I sit back
|
||
and regard it. As it is impressed on this white paper, so, Dear
|
||
Dairy, is it written on my Soul. To others it may be but the
|
||
tenth of January. To me it is the day of days. Oh, tenth of
|
||
January! Oh, Monday. Oh, day of my awakning!
|
||
|
||
It is now late at night, and around me my schoolmates are
|
||
sleeping the sleep of the young and Heart free. Lights being
|
||
off, I am writing by the faint luminocity of a candle. Propped
|
||
up in bed, my mackinaw coat over my _robe de nuit_ for warmth,
|
||
I sit and dream. And as I dream I still hear in my ears his
|
||
final words: "My darling. My woman!"
|
||
|
||
How wonderfull to have them said to one Night after Night,
|
||
the while being in his embrase, his tender arms around one! I
|
||
refer to the heroine in the play, to whom he says the above
|
||
raptureous words.
|
||
|
||
Coming home from the theater tonight, still dazed with the
|
||
revelation of what I am capable of, once aroused, I asked Miss
|
||
Everett if her couzin had said anything about Mr. Egleston being
|
||
in love with the Leading Character. She observed:
|
||
|
||
"No. But he may be. She is very pretty."
|
||
|
||
"Possably," I remarked. "But I should like to see her in
|
||
the morning, when she gets up."
|
||
|
||
All the girls were perfectly mad about Mr. Egleston,
|
||
although pretending merely to admire his Art. But I am being
|
||
honest, as I agreed at the start, and now I know, as I sit here
|
||
with the soft, although chilly breeses of the night blowing on
|
||
my hot brow, now I know that this thing that has come to me is
|
||
Love. Morover, it is the Love of my Life. He will never know it,
|
||
but I am his. He is exactly my Ideal, strong and tall and
|
||
passionate. And clever, to. He said some awfuly clever things.
|
||
|
||
I beleive that he saw me. He looked in my direction. But
|
||
what does it matter? I am small, insignifacant. He probably
|
||
thinks me a mere child, although seventeen.
|
||
|
||
What matters, oh Dairy, is that I am at last in Love. It is
|
||
hopeless. Just now, when I had written that word, I buried my
|
||
face in my hands. There is no hope. None. I shall never see him
|
||
again. He passed out of my life on the 11:45 train. But I love
|
||
him. _Mon Dieu_, how I love him!
|
||
|
||
JANUARY 11TH. We are going home. _We are going home_. WE
|
||
ARE GOING HOME. WE ARE GOING HOME!
|
||
|
||
Mademoiselle has the meazles.
|
||
|
||
JANUARY 13TH. The Familey managed to restrain its ecstacy
|
||
on seeing me today. The house is full of people, as they are
|
||
having a Dinner-Dance tonight. Sis had moved into my room, to
|
||
let one of the visitors have hers, and she acted in a very
|
||
unfilial manner when she came home and found me in it.
|
||
|
||
"Well!" she said. "Expelled at last?"
|
||
|
||
"Not at all," I replied in a lofty manner. "I am here
|
||
through no fault of my own. And I'd thank you to have Hannah
|
||
take your clothes off my bed."
|
||
|
||
She gave me a bitter glanse.
|
||
|
||
"I never knew it to fail!" she said. "Just as everything is
|
||
fixed, and we're recovering from you're being here for the
|
||
Holadays, you come back and stir up a lot of trouble. What
|
||
brought you, anyhow?"
|
||
|
||
"Meazles."
|
||
|
||
She snached up her ball gown.
|
||
|
||
"Very well," she said. "I'll see that you're quarentined,
|
||
Miss Barbara, all right. And If you think you're going to slip
|
||
downstairs tonight after dinner and _worm_ yourself into this
|
||
party, I'll show you."
|
||
|
||
She flounsed out, and shortly afterwards mother took a
|
||
minute from the Florest, and came upstairs.
|
||
|
||
"I do hope you are not going to be troublesome, Barbara,"
|
||
she said. "You are too young to understand, but I want
|
||
everything to go well tonight, and Leila ought not to be
|
||
worried."
|
||
|
||
"Can't I dance a little?"
|
||
|
||
"You can sit on the stairs and watch." She looked fidgity.
|
||
"I--I'll send up a nice dinner, and you can put on your dark
|
||
blue, with a fresh collar, and--it ought to satisfy you,
|
||
Barbara, that you are at home and posibly have brought the
|
||
meazles with you, without making a lot of fuss. When you come
|
||
out----"
|
||
|
||
"Oh, very well," I murmured, in a resined tone. "I don't
|
||
care enough about it to want to dance with a lot of Souses
|
||
anyhow."
|
||
|
||
"Barbara!" said mother.
|
||
|
||
"I suppose you have some one on the String for her," I
|
||
said, with the _abandon_ of my thwarted Hopes. "Well, I hope she
|
||
gets him. Because if not I darsay I shall be kept in the Cradle
|
||
for years to come."
|
||
|
||
"You will come out when vou reach a proper Age," she said,
|
||
"if your Impertanence does not kill me off before my Time."
|
||
|
||
Dear Dairy, I am fond of my mother, and I felt repentent
|
||
and stricken.
|
||
|
||
So I became more agreable, although feeling all the time
|
||
that she does not and never will understand my Temperment. I
|
||
said:
|
||
|
||
"I don't care about Society, and you know it, mother. If
|
||
you'll keep Leila out of this room, which isn't much but is my
|
||
Castle while here, I'll probably go to bed early."
|
||
|
||
"Barbara, sometimes I think you have no afection for your
|
||
Sister."
|
||
|
||
I had agreed to honesty January first, so I replied.
|
||
|
||
"I have, of course, mother. But I am fonder of her while at
|
||
school than at home. And I should be a better Sister if not
|
||
condemed to her old things, including hats which do not suit my
|
||
Tipe."
|
||
|
||
Mother moved over magestically to the door and shut it.
|
||
Then she came and stood over me.
|
||
|
||
"I've come to the conclusion, Barbara," she said, "to
|
||
appeal to your better Nature. Do you wish Leila to be married
|
||
and happy?"
|
||
|
||
"I've just said, mother----"
|
||
|
||
"Because a very interesting thing is happening," said
|
||
mother, trying to look playfull. "I--a chance any girl would
|
||
jump at."
|
||
|
||
So here I sit, Dear Dairy, while there are sounds of
|
||
revelery below, and Sis jumps at her chance, which is the
|
||
Honorable Page Beres ford, who is an Englishman visiting here
|
||
because he has a weak heart and can't fight. And father is away
|
||
on business, and I am all alone.
|
||
|
||
I have been looking for a rash, but no luck.
|
||
|
||
Ah me, how the strains of the orkestra recall that magic
|
||
night in the theater when Adrian Egleston looked down into my
|
||
eyes and although ostensably to an actress, said to my beating
|
||
heart: "My Darling! My Woman!"
|
||
|
||
3 A. M. I wonder if I can controll my hands to write.
|
||
|
||
In mother's room across the hall I can hear furious Voices,
|
||
and I know that Leila is begging to have me sent to Switzerland.
|
||
Let her beg. Switzerland is not far from England, and in
|
||
England----
|
||
|
||
Here I pause to reflect a moment. How is this thing
|
||
possible? Can I love to members of the Other Sex? And if such is
|
||
the Case, how can I go on with my Life? Better far to end it
|
||
now, than to perchance marry one, and find the other still in my
|
||
heart. The terrable thought has come to me that I am fickel.
|
||
|
||
Fickel or polygamus--which?
|
||
|
||
Dear Dairy, I have not been a good girl. My New Year's
|
||
Resolutions have gone to airey nothing.
|
||
|
||
The way they went was this: I had settled down to a quiet
|
||
evening, spent with his beloved picture which I had clipped from
|
||
a newspaper. (Adrian's. I had not as yet met the other.) And, as
|
||
I sat in my chamber, I grew more and more desolate. I love Life,
|
||
although pessamistic at times. And it seemed hard that I should
|
||
be there, in exile, while my Sister, only 2O months older, was
|
||
jumping at her chance below.
|
||
|
||
At last I decided to try on one of Sis's frocks and see how
|
||
I looked in it. I though, if it looked all right, I might hang
|
||
over the stairs and see what I then scornfully termed "His
|
||
Nibs." Never again shall I so call him.
|
||
|
||
I got an evening gown from Sis's closet, and it fitted me
|
||
quite well, although tight at the waste for me, owing to Basket
|
||
Ball. It was also to low, so that when I had got it all hooked
|
||
about four inches of my _lingerie_ showed. As it had been hard
|
||
as anything to hook, I was obliged to take the scizzors and cut
|
||
off the said _lingerie_. The result was good, although very
|
||
_decollte_. I have no bones in my neck, or practicaly so.
|
||
|
||
And now came my moment of temptation. How easy to put my
|
||
hair up on my head, and then, by the servant's staircase, make
|
||
my way to the seen below!
|
||
|
||
I, however, considered that I looked pale, although Mature.
|
||
I looked at least nineteen. So I went into Sis's room, which was
|
||
full of evening wraps but emty, and put on a touch of rouge.
|
||
With that and my eyebrows blackend, I would not have known
|
||
myself, had I not been certain it was I and no other.
|
||
|
||
I then made my way down the Back Stairs.
|
||
|
||
Ah me, Dear Dairy, was that but a few hours ago? Is it but
|
||
a short time since Mr. Beresford was sitting at my feet,
|
||
thinking me a _debutante_, and staring soulfully into my very
|
||
heart? Is it but a matter of minutes since Leila found us there,
|
||
and in a manner which revealed the true feeling she has for me,
|
||
ordered me to go upstairs and take off Maidie Mackenzie's gown?
|
||
|
||
(Yes, it was not Leila's after all. I had forgotten that
|
||
Maidie had taken her room. And except for pulling it somewhat at
|
||
the waste, I am sure I did not hurt the old thing.)
|
||
|
||
I shall now go to bed and dream. Of which one I know not.
|
||
My heart is full. Romanse has come at last into my dull and
|
||
dreary life. Below, the revelers have gone. The flowers hang
|
||
their herbacious heads. The music has flowed away into the river
|
||
of the past. I am alone with my Heart.
|
||
|
||
JANUARY 14TH. How complacated my Life grows, Dear Dairy!
|
||
How full and yet how incomplete! How everything begins and
|
||
nothing ends!
|
||
|
||
_He_ is in town.
|
||
|
||
I discovered it at breakfast. I knew I was in for it, and
|
||
I got down early, counting on mother breakfasting in bed. I
|
||
would have felt better if father had been at home, because he
|
||
understands somwhat the way They keep me down. But he was away
|
||
about an order for shells (not sea; war), and I was to bear my
|
||
chiding alone. I had eaten my fruit and serial, and was about to
|
||
begin on sausage, when mother came in, having risen early from
|
||
her slumbers to take the decorations to the Hospital.
|
||
|
||
"So here you are, wreched child!" she said, giving me one
|
||
of her coldest looks. "Barbara, I wonder if you ever think
|
||
whither you are tending."
|
||
|
||
I ate a sausage.
|
||
|
||
What, Dear Dairy, was there to say?
|
||
|
||
"To disobey!" she went on. "To force yourself on the
|
||
atention of Mr. Beresford, in a borowed dress, with your
|
||
eyelashes blackend and your face painted----"
|
||
|
||
"I should think, mother," I observed, "that if he wants to
|
||
marry into this family, and is not merely being dragged into it,
|
||
that he ought to see the worst at the start." She glired,
|
||
without speaking. "You know," I continued, "it would be a
|
||
dreadfull thing to have the Ceramony performed and everything to
|
||
late to back out, and then have _me_ Sprung on him. It wouldn't
|
||
be honest, would it?"
|
||
|
||
"Barbara!" she said in a terrable tone. "First
|
||
disobedience, and now sarcasm. If your father was only here! I
|
||
feel so alone and helpless."
|
||
|
||
Her tone cut me to the Heart. After all she was my own
|
||
mother, or at least maintained so, in spite of numerous
|
||
questions enjendered by our lack of resemblence, moral as well
|
||
as physicle. But I did not offer to embrase her, as she was at
|
||
that moment poring out her tea. I hid my misery behind the
|
||
morning paper, and there I beheld the fated vision. Had I felt
|
||
any doubt as to the state of my afections it was settled then.
|
||
My Heart leaped in my bosom. My face sufused. My hands trembled
|
||
so that a piece of sausage slipped from my fork. _His picture
|
||
looked out at me with that well remembered gaze from the depths
|
||
of the morning paper_.
|
||
|
||
Oh, Adrian, Adrian!
|
||
|
||
Here in the same city as I, looking out over perchance the
|
||
same newspaper to perchance the same sun, wondering--ah, what
|
||
was he wondering?
|
||
|
||
I was not even then, in that first Rapture, foolish about
|
||
him. I knew that to him I was probably but a tender memory. I
|
||
knew, to, that he was but human and probably very concieted. On
|
||
the other hand, I pride myself on being a good judge of
|
||
character, and he carried Nobility in every linament. Even the
|
||
obliteration of one eye by the printer could only hamper but not
|
||
destroy his dear face.
|
||
|
||
"Barbara," mother said sharply. "I am speaking. Are you
|
||
being sulkey?"
|
||
|
||
"Pardon me, mother," I said in my gentlest tones. "I was
|
||
but dreaming." And as she made no reply, but rang the bell
|
||
visciously, I went on, pursuing my line of thought. "Mother,
|
||
were you ever in Love?"
|
||
|
||
"Love! What sort of Love?"
|
||
|
||
I sat up and stared at her.
|
||
|
||
"Is there more than one sort?" I demanded.
|
||
|
||
"There is a very silly, schoolgirl Love," she said, eyeing
|
||
me, "that people outgrow and blush to look back on."
|
||
|
||
"Do you?"
|
||
|
||
"Do I what?"
|
||
|
||
"Do you blush to look back on it?"
|
||
|
||
Mother rose and made a sweeping gesture with her right arm.
|
||
|
||
"I wash my hands of you!" she said. "You are impertanent
|
||
and indelacate. At your age I was an inocent child, not
|
||
troubleing with things that did not concern me. As for Love, I
|
||
had never heard of it until I came out."
|
||
|
||
"Life must have burst on you like an explosion," I
|
||
observed. "I suppose you thought that babies----"
|
||
|
||
"Silense!" mother shreiked. And seeing that she persisted
|
||
in ignoring the real things of Life while in my presence, I went
|
||
out, cluching the precious paper to my Heart.
|
||
|
||
JANUARY 15TH. I am alone in my _boudoir_ (which is realy
|
||
the old schoolroom, and used now for a sowing room).
|
||
|
||
My very soul is sick, oh Dairy. How can I face the truth?
|
||
How write it out for my eyes to see? But I must. For _something
|
||
must be done_. The play is failing.
|
||
|
||
The way I discovered it was this. Yesterday, being short of
|
||
money, I sold my amethist pin to Jane, one of the housemaids,
|
||
for two dollars, throwing in a lace coller when she seemed
|
||
doubtful, as I had a special purpose for useing funds. Had
|
||
father been at home I could have touched him, but mother is
|
||
diferent.
|
||
|
||
I then went out to buy a frame for his picture, which I had
|
||
repaired by drawing in the other eye, although licking the Fire
|
||
and passionate look of the originle. At the shop I was compeled
|
||
to show it, to buy a frame to fit. The clerk was almost
|
||
overpowered.
|
||
|
||
"Do you know him?" she asked, in a low and throbing tone.
|
||
|
||
"Not intimitely," I replied.
|
||
|
||
"Don't you love the Play?" she said. "I'm crazy about it.
|
||
I've been back three times. Parts of it I know off by heart.
|
||
He's very handsome. That picture don't do him justise."
|
||
|
||
I gave her a searching glanse. Was it posible that, without
|
||
any acquaintance with him whatever, she had fallen in love with
|
||
him? It was indeed. She showed it in every line of her silly
|
||
face.
|
||
|
||
I drew myself up hautily. "I should think it would be very
|
||
expencive, going so often," I said, in a cool tone.
|
||
|
||
"Not so very. You see, the play is a failure, and they give
|
||
us girls tickets to dress the house. Fill it up, you know. Half
|
||
the girls in the store are crazy about Mr. Egleston."
|
||
|
||
My world shuddered about me. What--fail! That beautiful
|
||
play, ending "My darling, my woman"? It could not be. Fate would
|
||
not be cruel. Was there no apreciation of the best in Art? Was
|
||
it indeed true, as Miss Everett has complained, although not in
|
||
these exact words, that the Theater was only supported now by
|
||
chorus girls' legs, dancing about in uter _abandon_?
|
||
|
||
With an expression of despair on my features, I left the
|
||
store, carrying the Frame under my arm.
|
||
|
||
One thing is certain. I must see the play again, and judge
|
||
it with a criticle eye. _If it is worth saving, it must be
|
||
saved_.
|
||
|
||
JANUARY 16TH. Is it only a day since I saw you, Dear Dairy?
|
||
Can so much have happened in the single lapse of a few hours? I
|
||
look in my mirror, and I look much as before, only with perhaps
|
||
a touch of paller. Who would not be pale?
|
||
|
||
I have seen _him_ again, and there is no longer any doubt
|
||
in my heart. Page Beresford is atractive, and if it were not for
|
||
circumstances as they are I would not anser for the
|
||
consequences. But things _are_ as they are. There is no changing
|
||
that. And I have reid my own heart.
|
||
|
||
I am not fickel. On the contrary, I am true as steal.
|
||
|
||
I have put his Picture under my mattress, and have given
|
||
Jane my gold cuff pins to say nothing when she makes my bed. And
|
||
now, with the house full of People downstairs acting in a
|
||
flippent and noisy maner, I shall record how it all happened.
|
||
|
||
My finantial condition was not improved this morning,
|
||
father having not returned. But I knew that I must see the Play,
|
||
as mentioned above, even if it became necesary to borow from
|
||
Hannah. At last, seeing no other way, I tried this, but failed.
|
||
|
||
"What for?" she said, in a suspicous way."
|
||
|
||
"I need it terrably, Hannah," I said.
|
||
|
||
"You'd ought to get it from your mother, then, Miss
|
||
Barbara. The last time I gave you some you paid it back in
|
||
postage stamps, and I haven't written a letter since. They're
|
||
all stuck together now, and a totle loss."
|
||
|
||
"Very well," I said, fridgidly. "But the next time you
|
||
break anything----"
|
||
|
||
"How much do you want?" she asked.
|
||
|
||
I took a quick look at her, and I saw at once that she had
|
||
desided to lend it to me and then run and tell mother,
|
||
beginning, "I think you'd ought to know, Mrs. Archibald----"
|
||
|
||
"Nothing doing, Hannah," I said, in a most dignafied
|
||
manner. "But I think you are an old Clam, and I don't mind
|
||
saying so."
|
||
|
||
I was now thrown on my own resourses, and very bitter. I
|
||
seemed to have no Friends, at a time when I needed them most,
|
||
when I was, as one may say, "standing with reluctent feet, where
|
||
the brook and river meet."
|
||
|
||
Tonight I am no longer sick of Life, as I was then. My
|
||
throws of anguish have departed. But I was then uterly reckless,
|
||
and even considered running away and going on the stage myself.
|
||
|
||
I have long desired a Career for mvself, anyhow. I have a
|
||
good mind, and learn easily, and I am not a Paracite. The idea
|
||
of being such has always been repugnent to me, while the idea of
|
||
a few dollars at a time doaled out to one of independant mind is
|
||
galling. And how is one to remember what one has done with one's
|
||
Allowence, when it is mostly eaten up by Small Lones, Carfare,
|
||
Stamps, Church Collection, Rose Water and Glicerine, and other
|
||
Mild Cosmetics, and the aditional Food necesary when one is
|
||
still growing?
|
||
|
||
To resume, Dear Dairy; having uterly failed with Hannah,
|
||
and having shortly after met Sis on the stairs, I said to her,
|
||
in a sisterly tone, intimite rather than fond:
|
||
|
||
"I darsay you can lend me five dollars for a day or so."
|
||
|
||
"I darsay I can. But I won't," was her cruel reply.
|
||
|
||
"Oh, very well," I said breifly. But I could not refrain
|
||
from making a grimase at her back, and she saw me in a mirror.
|
||
|
||
"When I think," she said heartlessly, "that that wreched
|
||
school may be closed for weeks, I could scream."
|
||
|
||
"Well, scream!" I replied. "You'll scream harder if I've
|
||
brought the meazles home on me. And if you're laid up, you can
|
||
say good-bye to the Dishonorable. You've got him tide, maybe,"
|
||
I remarked, "but not thrown as yet."
|
||
|
||
(A remark I had learned from one of the girls, Trudie
|
||
Mills, who comes from Montana.)
|
||
|
||
I was therfore compeled to dispose of my silver napkin ring
|
||
from school. Jane was bought up, she said, and I sold it to the
|
||
cook for fifty cents and half a minse pie although baked with
|
||
our own materials.
|
||
|
||
All my Fate, therfore, hung on a paltrey fifty cents.
|
||
|
||
I was torn with anxiety. Was it enough? Could I, for fifty
|
||
cents, steel away from the sordid cares of life, and lose myself
|
||
in obliviousness, gazing only it his dear Face, listening to his
|
||
dear and softly modulited Voice, and wondering if, as his eyes
|
||
swept the audiance, they might perchance light on me and
|
||
brighten with a momentary gleam in their unfathomable Depths?
|
||
Only this and nothing more, was my expectation.
|
||
|
||
How diferent was the reality!
|
||
|
||
Having ascertained that there was a matinee, I departed at
|
||
an early hour after luncheon, wearing my blue velvet with my fox
|
||
furs. White gloves and white topped shoes completed my outfit,
|
||
and, my own _chapeau_ showing the effect of a rainstorm on the
|
||
way home from church while away at school, I took a chance on
|
||
one of Sis's, a perfectly madening one of rose-colored velvet.
|
||
As the pink made me look pale, I added a touch of rouge.
|
||
|
||
I looked fully out, and indeed almost Second Season. I have
|
||
a way of assuming a serious and Mature manner, so that I am
|
||
frequently taken for older than I realy am. Then, taking a few
|
||
roses left from the decorations, and thrusting them carelessly
|
||
into the belt of my coat, I went out the back door, as Sis was
|
||
getting ready for some girls to Bridge, in the front of the
|
||
house.
|
||
|
||
Had I felt any greif at decieving my Familey, the bridge
|
||
party would have knocked them. For, as usual, I had not been
|
||
asked, although playing a good game myself, and having on more
|
||
than one occasion won most of the money in the Upper House at
|
||
school.
|
||
|
||
I was early at the theater. No one was there, and women
|
||
were going around taking covers off the seats. My fifty cents
|
||
gave me a good seat, from which I opined, alas, that the shop
|
||
girl had been right and busness was rotten. But at last, after
|
||
hours of waiting, the faint tuning of musicle instruments was
|
||
heard.
|
||
|
||
From that time I lived in a daze. I have never before felt
|
||
so strange. I have known and respected the Other Sex, and indeed
|
||
once or twise been kissed by it. But I had remained Cold. My
|
||
Pulses had never flutered. I was always conserned only with the
|
||
fear that others had overseen and would perhaps tell. But now--I
|
||
did not care who would see, if only Adrian would put his arms
|
||
about me. Divine shamlessness! Brave Rapture! For if one who he
|
||
could not possably love, being so close to her in her make-up,
|
||
if one who was indeed employed to be made Love to, could submit
|
||
in public to his embrases, why should not I, who would have died
|
||
for him?
|
||
|
||
These were my thoughts as the Play went on. The hours flew
|
||
on joyous feet. When Adrian came to the footlights and looking
|
||
aparently square at me, declaimed: "The World owes me a living.
|
||
I will have it," I almost swooned. His clothes were worn. He
|
||
looked hungry and ghaunt. But how true that
|
||
|
||
"Rags are royal raimant, when worn for virtue's sake."
|
||
|
||
(I shall stop here and go down to the Pantrey. I could eat
|
||
no dinner, being filled with emotion. But I must keep strong if
|
||
I am to help Adrian in his Trouble. The minse pie was excelent,
|
||
but after all pastrey does not take the place of solid food.)
|
||
|
||
LATER: I shall now go on with my recitle. As the theater
|
||
was almost emty, at the end of Act One I put on the pink hat and
|
||
left it on as though absent-minded. There was no one behind me.
|
||
And, although during Act One I had thought that he perhaps felt
|
||
my presense, he had not once looked directly at me.
|
||
|
||
But the hat captured his erant gaze, as one may say. And,
|
||
after capture, it remained on my face, so much so that I flushed
|
||
and a woman. sitting near with a very plain girl in a Skunk
|
||
Coller, observed:
|
||
|
||
"Realy, it is outragous."
|
||
|
||
Now came a moment which I thrill even to recolect. For
|
||
Adrian plucked a pink rose from a vase--he was in the
|
||
Milionaire' s house, and was starving in the midst of
|
||
luxury--and held it to his lips.
|
||
|
||
The rose, not the house, of course. Looking over it, he
|
||
smiled down at me.
|
||
|
||
LATER: It is midnight. I cannot sleep. Perchanse he to is
|
||
lieing awake. I am sitting at the window in my _robe de nuit_.
|
||
Below, mother and Sis have just come in, and Smith has slamed
|
||
the door of the car and gone back to the _garage_. How puney is
|
||
the life my Familey leads! Nothing but eating and playing, with
|
||
no Higher Thoughts.
|
||
|
||
A man has just gone by. For a moment I thought I recognised
|
||
the footstep. But no, it was but the night watchman.
|
||
|
||
JANUARY 17TH. Father still away. No money, as mother
|
||
absolutely refuses on account of Maidie Mackenzie's gown, which
|
||
she had to send away to be repaired.
|
||
|
||
JANUARY 18TH. Father still away. The Hon. sent Sis a huge
|
||
bunch of orkids today. She refused me even one. She is always
|
||
tight with flowers and candy.
|
||
|
||
JANUARY 19TH. The paper says that Adrian's Play is going to
|
||
close the end of next week. No busness. How can I endure to know
|
||
that he is sufering, and that I cannot help, even to the extent
|
||
of buying one ticket? Matinee today, and no money. Father still
|
||
away.
|
||
|
||
I have tried to do a kind Deed today, feeling that perhaps
|
||
it would soften mother's heart and she would advance my
|
||
Allowence. I offered to manacure her nails for her, but she
|
||
refused, saying that as Hannah had done it for many years, she
|
||
guessed she could manage now.
|
||
|
||
JANUARY 2OTH. Today I did a desparate thing, dear Dairy.
|
||
|
||
"The desparatest is the wisest course." Butler.
|
||
|
||
It is Sunday. I went to Church, and thought things over.
|
||
What a wonderfull thing it would be if I could save the play!
|
||
Why should I feel that my Sex is a handycap?
|
||
|
||
The recter preached on "The Opportunaties of Women." The
|
||
Sermon gave me courage to go on. When he said, "Women today step
|
||
in where men are afraid to tred, and bring success out of
|
||
failure," I felt that it was meant for me.
|
||
|
||
Had no money for the Plate, and mother atempted to smugle
|
||
a half dollar to me. I refused, however, as if I cannot give my
|
||
own money to the Heathen, I will give none. Mother turned pale,
|
||
and the man with the plate gave me a black look. What can he
|
||
know of my reasons?
|
||
|
||
Beresford lunched with us, and as I discouraged him
|
||
entirely, he was very atentive to Sis. Mother is planing a big
|
||
Wedding, and I found Sis in the store room yesterday looking up
|
||
mother's wedding veil.
|
||
|
||
No old stuff for me.
|
||
|
||
I guess Beresford is trying to forget that he kissed my
|
||
hand the other night, for he called me "Little Miss Barbara"
|
||
today, meaning little in the sense of young. I gave him a stern
|
||
glanse.
|
||
|
||
"I am not any littler than the other night," I observed.
|
||
|
||
"That was merely an afectionate diminutive," he said,
|
||
looking uncomfortable.
|
||
|
||
"If you don't mind," I said coldly, "you might do as you
|
||
have hertofore--reserve vour afectionate advances until we are
|
||
alone."
|
||
|
||
"Barbara!" mother said. And began quickly to talk about a
|
||
Lady Somthing or other we'd met on a train in Switzerland.
|
||
Because--they can talk until they are black in the face, dear
|
||
Dairy, but it is true we do not know any of the British
|
||
Nobilaty, except the aforementioned and the man who comes once
|
||
a year with flavering extracts, who says he is the third son of
|
||
a Barronet.
|
||
|
||
Every one being out this afternoon, I suddenly had an
|
||
inspiration, and sent for Carter Brooks. I then put my hair up
|
||
and put on my blue silk, because while I do not beleive in Woman
|
||
using her femanine charm when talking busness, I do beleive that
|
||
she should look her best under any and all circumstances.
|
||
|
||
He was rather surprized not to find Sis in, as I had used
|
||
her name in telephoning.
|
||
|
||
"I did it," I explained, "because I knew that you felt no
|
||
interest in me, and I had to see you."
|
||
|
||
He looked at me, and said:
|
||
|
||
"I'm rather flabergasted, Bab. I--what ought I to say,
|
||
anyhow?"
|
||
|
||
He came very close, dear Dairy, and sudenly I saw in his
|
||
eyes the horible truth. He thought me in Love with him, and
|
||
sending for him while the Familey was out.
|
||
|
||
Words cannot paint my agony of Soul. I stepped back, but he
|
||
siezed my hand, in a caresing gesture.
|
||
|
||
"Bab!" he said. "Dear little Bab!"
|
||
|
||
Had my afections not been otherwise engaged, I should have
|
||
thriled at his accents. But, although handsome and of good
|
||
familey, although poor, I could not see it that way.
|
||
|
||
So I drew my hand away, and retreated behind a sofa.
|
||
|
||
"We must have an understanding, Carter" I Said. "I have
|
||
sent for you, but not for the reason you seem to think. I am in
|
||
desparate Trouble."
|
||
|
||
He looked dumfounded.
|
||
|
||
"Trouble!" he said. "You! Why, little Bab"
|
||
|
||
"If you don't mind," I put in, rather petishly, because of
|
||
not being little, "I wish you would treat me like almost a
|
||
_debutante_, if not entirely. I am not a child in arms."
|
||
|
||
"You are sweet enough to be, if the arms might be mine."
|
||
|
||
I have puzled over this, since, dear Dairy. Because there
|
||
must be some reason why men fall in Love with me. I am not ugly,
|
||
but I am not beautifull, my noze being too short. And as for
|
||
clothes, I get none except Leila's old things. But Jane Raleigh
|
||
says there are women like that. She has a couzin who has had
|
||
four Husbands and is beginning on a fifth, although not pretty
|
||
and very slovenly, but with a mass of red hair.
|
||
|
||
Are all men to be my Lovers?
|
||
|
||
"Carter," I said earnestly, "I must tell you now that I do
|
||
not care for you--in that way."
|
||
|
||
"What made you send for me, then?"
|
||
|
||
"Good gracious!" I exclaimed, losing my temper somwhat. "I
|
||
can send for the ice man without his thinking I'm crazy about
|
||
him, can't I?"
|
||
|
||
"Thanks."
|
||
|
||
"The truth is," I said, sitting down and motioning him to
|
||
a seat in my maturest manner, "I--I want some money. There are
|
||
many things, but the Money comes first."
|
||
|
||
He just sat and looked at me with his mouth open.
|
||
|
||
"Well," he said at last, "of course--I suppose you know
|
||
you've come to a Bank that's gone into the hands of a reciever.
|
||
But aside from that, Bab, it's a pretty mean trick to send for
|
||
me and let me think--well, no matter about that. How much do you
|
||
want?"
|
||
|
||
"I can pay it back as soon as father comes home," I said,
|
||
to releive his mind. It is against my principals to borow money,
|
||
especialy from one who has little or none. But since I was doing
|
||
it, I felt I might as well ask for a lot.
|
||
|
||
"Could you let me have ten dollars?" I said, in a faint
|
||
tone.
|
||
|
||
He drew a long breath.
|
||
|
||
"Well, I guess yes," he observed. "I thought you were going
|
||
to touch me for a hundred, anyhow. I--I suppose you wouldn't
|
||
give me a kiss and call it square."
|
||
|
||
I considered. Because after all, a kiss is not much, and
|
||
ten dollars is a good deal. But at last my better nature won
|
||
out.
|
||
|
||
"Certainly not," I said coldly. "And if there is a String
|
||
to it I do not want it."
|
||
|
||
So he apologised, and came and sat beside me, without being
|
||
a nusance, and asked me what my other troubles were.
|
||
|
||
"Carter" I said, in a grave voice, "I know that you beleive
|
||
me young and incapable of Afection. But you are wrong. I am of
|
||
a most loving disposition."
|
||
|
||
"Now see here, Bab," he said. "Be fair. If I am not to hold
|
||
your hand, or--or be what you call a nusance, don't talk like
|
||
this. I am but human," he said, "and there is somthing about you
|
||
lately that--well, go on with your story. Only, as I say, don't
|
||
try me to far."
|
||
|
||
"It's like this," I explained. "Girls think they are cold
|
||
and distant, and indeed, frequently are"
|
||
|
||
"Frequently!"
|
||
|
||
"Until they meet the Right One. Then they learn that their
|
||
hearts are, as you say, but human."
|
||
|
||
"Bab," he said, sudenly turning and facing me, "an awfull
|
||
thought has come to me. You are in Love--and not with me!"
|
||
|
||
"I am in Love, and not with you," I said in tradgic tones.
|
||
|
||
I had not thought he would feel it deeply--because of
|
||
having been interested in Leila since they went out in their
|
||
Perambulaters together. But I could see it was a shock to him.
|
||
He got up and stood looking in the fire, and his shoulders shook
|
||
with greif.
|
||
|
||
"So I have lost you," he said in a smothered voice. And
|
||
then--"Who is the sneaking schoundrel?"
|
||
|
||
I forgave him this, because of his being upset, and in a
|
||
rapt attatude I told him the whole story. He listened, as one in
|
||
a daze.
|
||
|
||
"But I gather," he said, when at last the recitle was over,
|
||
"that you have never met the--met him."
|
||
|
||
"Not in the ordinery use of the word," I remarked. "But
|
||
then it is not an ordinery situation. We have met and we have
|
||
not. Our eyes have spoken, if not our vocal chords." Seeing his
|
||
eyes on me I added, "if you do not beleive that Soul can cry
|
||
unto Soul, Carter, I shall go no further."
|
||
|
||
"Oh!" he exclaimed. "There is more, is there? I trust it is
|
||
not painfull, because I have stood as much as I can now without
|
||
breaking down."
|
||
|
||
"Nothing of which I am ashamed," I said, rising to my full
|
||
height. "I have come to you for help, Carter. _That play must
|
||
not fail_."
|
||
|
||
We faced each other over those vitle words--faced, and
|
||
found no solution.
|
||
|
||
"Is it a good Play?" he asked, at last.
|
||
|
||
"It is a beautiful Play. Oh, Carter, when at the end he
|
||
takes his Sweetheart in his arms--the leading lady, and not at
|
||
all atractive. Jane Raleigh says that the star generaly _hates_
|
||
his leading lady--there is not a dry eye in the house."
|
||
|
||
"Must be a jolly little thing. Well, of course I'm no
|
||
theatricle manager, but if it's any good there's only one way to
|
||
save it. Advertize. I didn't know the piece was in town, which
|
||
shows that the publicaty has been rotten."
|
||
|
||
He began to walk the floor. I don't think I have mentioned
|
||
it, but that is Carter's busness. Not walking the floor.
|
||
Advertizing. Father says he is quite good, although only
|
||
beginning.
|
||
|
||
"Tell me about it," he said.
|
||
|
||
So I told him that Adrian was a mill worker, and the
|
||
villain makes him lose his position, by means of forjery. And
|
||
Adrian goes to jail, and comes out, and no one will give him
|
||
work. So he prepares to blow up a Milionaire's house, and his
|
||
sweetheart is in it. He has been to the Milionaire for work and
|
||
been refused and thrown out, saying, just before the butler and
|
||
three footmen push him through a window, in dramatic tones, "The
|
||
world owes me a living and I will have it."
|
||
|
||
"Socialism!" said Carter. "Hard stuff to handle for the two
|
||
dollar seats. The world owes him a living. Humph! Still, that's
|
||
a good line to work on. Look here, Bab, give me a little time on
|
||
this, eh what? I may be able to think of a trick or two. But
|
||
mind, not a word to any one."
|
||
|
||
He started out, but he came back.
|
||
|
||
"Look here," he said. "Where do we come in on this anyhow?
|
||
Suppose I do think of somthing--what then? How are we to know
|
||
that your beloved and his manager will thank us for buting in,
|
||
or do what we sugest?"
|
||
|
||
Again I drew myself to my full heighth.
|
||
|
||
"I am a person of iron will when my mind is made up," I
|
||
said. "You think of somthing, Carter, and I'll see that it is
|
||
done."
|
||
|
||
He gazed at me in a rapt manner.
|
||
|
||
"Dammed if I don't beleive you," he said.
|
||
|
||
It is now late at night. Beresford has gone. The house is
|
||
still. I take the dear Picture out from under my mattress and
|
||
look at it.
|
||
|
||
Oh Adrien, my Thespian, my Love.
|
||
|
||
JANUARY 21ST. I have a bad cold, Dear Dairy, and feel
|
||
rotten. But only my physicle condition is such. I am happy
|
||
beyond words. This morning, while mother and Sis were out I
|
||
called up the theater and inquired the price of a box. The man
|
||
asked me to hold the line, and then came back and said it would
|
||
be ten dollars. I told him to reserve it for Miss Putnam--my
|
||
middle name.
|
||
|
||
I am both terrafied and happy, dear Dairy, as I lie here in
|
||
bed with a hot water bottle at my feet. I have helped the Play
|
||
by buying a box, and tonight I shall sit in it alone, and he
|
||
will percieve me there, and consider that I must be at least
|
||
twenty, or I would not be there at the theater alone. Hannah has
|
||
just come in and offered to lend me three dollars. I refused
|
||
hautily, but at last rang for her and took two. I might as well
|
||
have a taxi tonight.
|
||
|
||
1 A. M. _The Familey was there_. I might have known it.
|
||
Never do I have any luck. I am a broken thing, crushed to earth.
|
||
But "Truth crushed to earth will rise again."--Whittier?
|
||
|
||
I had my dinner in bed, on account of my cold, and was let
|
||
severly alone by the Familey. At seven I rose and with
|
||
palpatating fingers dressed myself in my best evening Frock,
|
||
which is a pale yellow. I put my hair up, and was just finished,
|
||
when mother nocked. It was terrable.
|
||
|
||
I had to duck back into bed and crush everything. But she
|
||
only looked in and said to try and behave for the next three
|
||
hours, and went away.
|
||
|
||
At a quarter to eight I left the house in a clandestine
|
||
manner by means of the cellar and the area steps, and on the
|
||
pavment drew a long breath. I was free, and I had twelve
|
||
dollars.
|
||
|
||
Act One went well, and no disturbence. Although Adrian
|
||
started when he saw me. The yellow looked very well.
|
||
|
||
I had expected to sit back, sheltered by the curtains, and
|
||
only visable from the stage. I have often read of this method.
|
||
But there were no curtains. I therfore sat, turning a stoney
|
||
profile to the Audiance, and ignoreing it, as though it were not
|
||
present, trusting to luck that no one I knew was there.
|
||
|
||
He saw me. More than that, he hardly took his eyes from the
|
||
box wherein I sat. I am sure to that he had mentioned me to the
|
||
Company, for one and all they stared at me until I think they
|
||
will know me the next time they see me.
|
||
|
||
I still think I would not have been recognized by the
|
||
Familey had I not, in a very quiet seen, commenced to sneaze. I
|
||
did this several times, and a lot of people looked anoyed, as
|
||
though I sneazed because I liked to sneaze. And I looked back at
|
||
them defiantly, and in so doing, encountered the gaze of my
|
||
Maternal Parent.
|
||
|
||
Oh, Dear Dairy, that I could have died at that moment, and
|
||
thus, when streched out a pathetic figure, with tubroses and
|
||
other flowers, have compeled their pity. But alas, no. I sneazed
|
||
again!
|
||
|
||
Mother was weged in, and I saw that my only hope was
|
||
flight. I had not had more than between three and four dollars
|
||
worth of the evening, but I glansed again and Sis was boring
|
||
holes into me with her eyes. Only Beresford knew nothing, and
|
||
was trying to hold Sis's hand under her opera cloak. Any fool
|
||
could tell that.
|
||
|
||
But, as I was about to rise and stand poized, as one may
|
||
say, for departure, I caught Adrian's eyes, with a gleam in
|
||
their deep depths. He was, at the moment, toying with the bowl
|
||
of roses. He took one out, and while the Leading Lady was
|
||
talking, he eged his way toward my box. There, standing very
|
||
close, aparently by accident, he droped the rose into my lap.
|
||
|
||
Oh Dairy! Dairy!
|
||
|
||
I picked it up, and holding it close to me, I flew.
|
||
|
||
I am now in bed and rather chilley. Mother banged at the
|
||
door some time ago, and at last went away, mutering.
|
||
|
||
I am afraid she is going to be petish.
|
||
|
||
JANUARY 22ND. Father came home this morning, and things are
|
||
looking up. Mother of course tackeled him first thing, and when
|
||
he came upstairs I expected an awful time. But my father is a
|
||
reel Person, so he only sat down on the bed, and said:
|
||
|
||
"Well, chicken, so you're at it again!"
|
||
|
||
I had to smile, although my chin shook.
|
||
|
||
"You'd better turn me out and forget me," I said. "I was
|
||
born for Trouble. My advice to the Familey is to get out from
|
||
under. That's all."
|
||
|
||
"Oh, I don't know," he said. "It's pretty conveniant to
|
||
have a Familey to drop on when the slump comes." He thumped
|
||
himself on the chest. "A hundred and eighty pounds," he
|
||
observed, "just intended for little daughters to fall back on
|
||
when other things fail."
|
||
|
||
"Father," I inquired, putting my hand in his, because I had
|
||
been bearing my burdens alone, and my strength was failing: "do
|
||
you beleive in Love?"
|
||
|
||
"_Do_ I!"
|
||
|
||
"But I mean, not the ordinery atachment between two married
|
||
people. I mean Love--the reel thing."
|
||
|
||
"I see! Why, of course I do."
|
||
|
||
"Did you ever read Pope, father?"
|
||
|
||
"Pope? Why I--probably, chicken. Why?"
|
||
|
||
"Then you know what he says: `Curse on all laws but those
|
||
which Love has made.'"
|
||
|
||
"Look here," he said, sudenly laying a hand on my brow. "I
|
||
beleive you are feverish."
|
||
|
||
"Not feverish, but in trouble," I explained. And so I told
|
||
him the story, not saying much of my deep Passion for Adrian,
|
||
but merely that I had formed an atachment for him which would
|
||
persist during Life. Although I had never yet exchanged a word
|
||
with him.
|
||
|
||
Father listened and said it was indeed a sad story, and
|
||
that he knew my deep nature, and that I would be true to the
|
||
End. But he refused to give me any money, except enough to pay
|
||
back Hannah and Carter Brooks, saying:
|
||
|
||
"Your mother does not wish you to go to the Theater again,
|
||
and who are we to go against her wishes? And anyhow, maybe if
|
||
you met this fellow and talked to him, you would find him a
|
||
disapointment. Many a pretty girl I have seen in my time, who
|
||
didn't pan out acording to specifications when I finaly met
|
||
her."
|
||
|
||
At this revalation of my beloved father's true self, I was
|
||
almost stuned. It is evadent that I do not inherit my being true
|
||
as steal from him. Nor from my mother, who is like steal in
|
||
hardness but not in being true to anything but Social Position.
|
||
|
||
As I record this awfull day, dear Dairy, there comes again
|
||
into my mind the thought that _I do not belong here_. I am not
|
||
like them. I do not even resemble them in features. And, if I
|
||
belonged to them, would they not treat me with more
|
||
consideration and less disipline? Who, in the Familey, has my
|
||
noze?
|
||
|
||
It is all well enough for Hannah to observe that I was a
|
||
pretty baby with fat cheaks. May not Hannah herself, for some
|
||
hiden reason, have brought me here, taking away the real I to
|
||
perhaps languish unseen and "waste my sweetness on the dessert
|
||
air"? But that way lies madness. Life must be made the best of
|
||
as it is, and not as it might be or indeed ought to be.
|
||
|
||
Father promised before he left that I was not to be
|
||
scolded, as I felt far from well, and was drinking water about
|
||
every minute.
|
||
|
||
"I just want to lie here and think about things," I said,
|
||
when he was going. "I seem to have so many thoughts. And father-
|
||
---"
|
||
|
||
"Yes, chicken."
|
||
|
||
"If I need any help to carry out a plan I have, will you
|
||
give it to me, or will I have to go to totle strangers?"
|
||
|
||
"Good gracious, Bab!" he exclaimed. "Come to me, of
|
||
course."
|
||
|
||
"And you'll do what you're told?"
|
||
|
||
He looked out into the hall to see if mother was near.
|
||
Then, dear Dairy, he turned to me and said:
|
||
|
||
"I always have, Bab. I guess I'll run true to form."
|
||
|
||
JANUARY 23RD. Much better today. Out and around. Familey
|
||
(mother and Sis) very dignafied and nothing much to say.
|
||
Evadently have promised father to restrain themselves. Father
|
||
rushed and not coming home to dinner.
|
||
|
||
Beresford on edge of proposeing. Sis very jumpy.
|
||
|
||
LATER: Jane Raleigh is home for her couzin's wedding! Is
|
||
coming over. We shall take a walk, as I have much to tell her.
|
||
|
||
6 P. M. What an afternoon! How shall I write it? This is a
|
||
Milestone in my Life.
|
||
|
||
I have met him at last. Nay, more. I have been in his
|
||
dressing room, conversing as though acustomed to such things all
|
||
my life. I have conceled under the mattress a real photograph of
|
||
him, beneath which he has written Yours always, Adrian
|
||
Egleston."
|
||
|
||
I am writing in bed, as the room is chilley--or I am--and
|
||
by putting out my hand I can touch His pictured likeness.
|
||
|
||
Jane came around for me this afternoon, and mother
|
||
consented to a walk. I did not have a chance to take Sis's pink
|
||
hat, as she keeps her door locked now when not in her room.
|
||
Which is rediculous, because I am not her tipe, and her things
|
||
do not suit me very well anyhow. And I have never borowed
|
||
anything but gloves and handkercheifs, except Maidie's dress and
|
||
the hat.
|
||
|
||
She had, however, not locked her bathroom, and finding a
|
||
bunch of violets in the washbowl I put them on. It does not hurt
|
||
violets to wear them, and anyhow I knew Carter Brooks had sent
|
||
them and she ought to wear only Beresford's flowers if she means
|
||
to marry him.
|
||
|
||
Jane at once remarked that I looked changed.
|
||
|
||
"Naturaly," I said, in a _blase_ maner.
|
||
|
||
"If I didn't know you, Bab," she observed, "I would say
|
||
that you are rouged."
|
||
|
||
I became very stiff and distant at that. For Jane, although
|
||
my best friend, had no right to be suspicous of me.
|
||
|
||
"How do I look changed?" I demanded.
|
||
|
||
"I don't know. You--Bab, I beleive you are up to some
|
||
mischeif!"
|
||
|
||
"Mischeif?"
|
||
|
||
"You don't need to pretend to me," she went on, looking
|
||
into my very soul. "I have eyes. You're not decked out this way
|
||
for _me_."
|
||
|
||
I had meant to tell her nothing, but spying just then a man
|
||
ahead who walked like Adrian, I was startled. I cluched her arm
|
||
and closed my eyes.
|
||
|
||
"Bab!" she said.
|
||
|
||
The man turned, and I saw it was not he. I breathed again.
|
||
But Jane was watching me, and I spoke out of an overflowing
|
||
Heart.
|
||
|
||
"For a moment I thought--Jane, I have met _the One_ at
|
||
last."
|
||
|
||
"Barbara!" she said, and stopped dead. "Is it any one I
|
||
know?"
|
||
|
||
"He is an Actor."
|
||
|
||
"Ye gods!" said Jane, in a tence voice. "What a tradgedy!"
|
||
|
||
"Tradgedy indeed," I was compeled to admit. "Jane, my Heart
|
||
is breaking. I am not alowed to see him. It is all off,
|
||
forever."
|
||
|
||
"Darling!" said Jane. "You are trembling all over. Hold on
|
||
to me. Do they disaprove?"
|
||
|
||
"I am never to see him again. Never."
|
||
|
||
The bitterness of it all overcame me. My eves sufused with
|
||
tears.
|
||
|
||
But I told her, in broken accents, of my determination to
|
||
stick to him, no matter what. I might never be Mrs. Adrian
|
||
Egleston, but----"
|
||
|
||
"Adrian Egleston!" she cried, in amazement. "Why _Barbara_,
|
||
you lucky Thing!"
|
||
|
||
So, finding her fuller of simpathy than usual, I violated
|
||
my Vow of Silence and told her all.
|
||
|
||
And, to prove the truth of what I said, I showed her the
|
||
sachet over my heart containing his rose.
|
||
|
||
"It's perfectly wonderfull," Jane said, in an awed tone.
|
||
"You beat anything I've ever known for Adventures. You are the
|
||
tipe men like, for one thing. But there is one thing I could not
|
||
stand, in your place--having to know that he is making love to
|
||
the heroine every evening and twice on Wednesdays and--Bab, this
|
||
is _Wednesday_!"
|
||
|
||
I glansed at my wrist watch. It was but to o'clock.
|
||
Instantly, dear Dairy, I became conscious of a dual going on
|
||
within me, between love and duty. Should I do as instructed and
|
||
see him no more, thus crushing my inclination under the iron
|
||
heal of Resolution? Or should I cast my Parents to the winds,
|
||
and go?
|
||
|
||
Which?
|
||
|
||
At last I desided to leave it to Jane. I observed: "I'm
|
||
forbiden to try to see him. But I darsay, if you bought some
|
||
theater tickets and did not say what the play was, and we went
|
||
and it happened to be his, it would not be my fault, would it?"
|
||
|
||
I cannot recall her reply, or much more, except that I
|
||
waited in a Pharmasy, and Jane went out, and came back and took
|
||
me by the arm.
|
||
|
||
"We're going to the matinee, Bab," she said. "I'll not tell
|
||
you which one, because it's to be a surprize." She squeazed my
|
||
arm. "First row," she whispered.
|
||
|
||
I shall draw a Veil over my feelings. Jane bought some
|
||
chocolates to take along, but I could eat none. I was thirsty,
|
||
but not hungry. And my cold was pretty bad, to.
|
||
|
||
So we went in, and the curtain went up. When Adrian saw me,
|
||
in the front row, he smiled although in the midst of a serious
|
||
speach about the world oweing him a living. And Jane was
|
||
terrably excited.
|
||
|
||
"Isn't he the handsomest Thing!" she said. "And oh, Bab, I
|
||
can see that he adores you. He is acting for you. All the rest
|
||
of the people mean nothing to him. He sees but you."
|
||
|
||
Well, I had not told her that we had not yet met, and she
|
||
said I could do nothing less than send him a note.
|
||
|
||
"You ought to tell him that you are true, in spite of
|
||
everything," she said.
|
||
|
||
If I had not decieved Jane things would be better. But she
|
||
was set on my sending the note. So at last I wrote one on my
|
||
visiting card, holding it so she could not read it. Jane is my
|
||
best friend and I am devoted to her, but she has no scruples
|
||
about reading what is not meant for her. I said:
|
||
|
||
"Dear Mr. Egleston: I think the Play is perfectly
|
||
wonderfull. And you are perfectly splendid in it. It is
|
||
perfectly terrable that it is going to stop.
|
||
|
||
"(Signed) The girl of the
|
||
rose."
|
||
|
||
I know that this seems bold. But I did not feel bold, dear
|
||
Dairy. It was such a letter as any one might read, and contained
|
||
nothing compromizing. Still, I darsay I should not have written
|
||
it. But "out of the fulness of the Heart the mouth speaketh."
|
||
|
||
I was shaking so much that I could not give it to the
|
||
usher. But Jane did. However, I had sealed it up in an envelope.
|
||
|
||
Now comes the real surprize, dear Dairy. For the usher came
|
||
down and said Mr. Egleston hoped I would go back and see him
|
||
after the act was over. I think a paller must have come over me,
|
||
and Jane said:
|
||
|
||
"Bab! Do you dare?"
|
||
|
||
I said yes, I dared, but that I would like a glass of
|
||
water. I seemed to be thirsty all the time. So she got it, and
|
||
I recovered my _savoir fair_, and stopped shaking.
|
||
|
||
I suppose Jane expected to go along, but I refrained from
|
||
asking her. She then said:
|
||
|
||
"Try to remember everything he says, Bab. I am just crazy
|
||
about it."
|
||
|
||
Ah, dear Dairy, how can I write how I felt when being led
|
||
to him. The entire seen is engraved on my Soul. I, with my very
|
||
heart in my eyes, in spite of my eforts to seem cool and
|
||
collected. He, in front of his mirror, drawing in the lines of
|
||
starvation around his mouth for the next seen, while on his poor
|
||
feet a valet put the raged shoes of Act II!
|
||
|
||
He rose when I entered, and took me by the hand.
|
||
|
||
"Well!" he said. "At last!"
|
||
|
||
He did not seem to mind the _valet_, whom he treated like
|
||
a chair or table. And he held my hand and looked deep into my
|
||
eyes.
|
||
|
||
Ah, dear Dairy, Men may come and Men may go in my life, but
|
||
never again will I know such ecstacy as at that moment.
|
||
|
||
"Sit down," he said. "Little Lady of the rose--but it's
|
||
violets today, isn't it? And so you like the Play?"
|
||
|
||
I was by that time somwhat calmer, but glad to sit down,
|
||
owing to my knees feeling queer.
|
||
|
||
"I think it is magnifacent," I said.
|
||
|
||
"I wish there were more like you," he observed. "Just a
|
||
moment, I have to make a change here. No need to go out. There's
|
||
a screan for that very purpose."
|
||
|
||
He went behind the screan, and the man handed him a raged
|
||
shirt over the top of it, while I sat in a chair and dreamed.
|
||
What I reflected, would the School say if it but knew! I felt no
|
||
remorce. I was there, and beyond the screan, changing into the
|
||
garments of penury, was the only member of the Other Sex I had
|
||
ever felt I could truly care for.
|
||
|
||
Dear Dairy, I am tired and my head aches. I cannot write it
|
||
all. He was perfectly respectfull, and only his eyes showed his
|
||
true feelings. The woman who is the Adventuress in the play came
|
||
to the Door, but he motioned her away with a waive of the hand.
|
||
And at last it was over, and he was asking me to come again
|
||
soon, and if I wou1d care to have one of his pictures.
|
||
|
||
I am very sleepy tonight, but I cannot close this record of
|
||
a w-o-n-d-e-r-f-u-l d-a-y----
|
||
|
||
JANUARY 24TH. Cold worse.
|
||
|
||
Not hearing from Carter Brooks I telephoned him just now.
|
||
He is sore about Beresford and said he would not come to the
|
||
house. So I have asked him to meet me in the Park, and said that
|
||
there were only to more days, this being Thursday.
|
||
|
||
LATER: I have seen Carter, and he has a fine plan. If only
|
||
father will do it.
|
||
|
||
He says the Theme is that the world owes Adrian a living,
|
||
and that the way to do is to put that strongly before the
|
||
people.
|
||
|
||
"Suppose," he said, "that this fellow would go to some big
|
||
factery, and demand work. Not ask for it. Demand it. He could
|
||
pretend to be starving and say: `The world owes me a living, and
|
||
I intend to have it.'"
|
||
|
||
"But supose they were sorry for him and gave it to him?" I
|
||
observed.
|
||
|
||
"Tut, child," he said. "That would have to be all fixed up
|
||
first. It ought to be aranged that he not only be refused, but
|
||
what's more, that he'll be thrown out. He'll have to cut up a
|
||
lot, d'you see, so they'll throw him out. And we'll have
|
||
Reporters there, so the story can get around. You get it, don't
|
||
you? Your friend, in order to prove that the idea of the Play is
|
||
right, goes out for a job, and proves that he cannot demand
|
||
Laber and get it." He stopped and spoke with excitement: "Is he
|
||
a real sport? Would he stand being arested? Because that would
|
||
cinch it."
|
||
|
||
But here I drew a line. I would not subject him to such
|
||
humiliation. I would not have him arested. And at last Carter
|
||
gave in.
|
||
|
||
"But you get the Idea," he said. "There'll be the deuce of
|
||
a Row, and it's good for a half collumn on the first page of the
|
||
evening papers. Result, a jamb that night at the performence,
|
||
and a new lease of life for the Play. Egleston comes on, bruized
|
||
and battered, and perhaps with a limp. The Labor Unions take up
|
||
the matter--it's a knock out. I'd charge a thousand dollars for
|
||
that idea if I were selling it."
|
||
|
||
"Bruized!" I exclaimed. "Realy bruized or painted on?"
|
||
|
||
He glared at me impatiently.
|
||
|
||
"Now see here, Bab," he said. "I'm doing this for you.
|
||
You've got to play up. And if your young man won't stand a bang
|
||
in the eye, for instanse, to earn his Bread and Butter, he's not
|
||
worth saving."
|
||
|
||
"Who are you going to get to--to throw him out?" I asked,
|
||
in a faltering tone.
|
||
|
||
He stopped and stared at me.
|
||
|
||
"I like that!" he said. "It's not my Play that's failing,
|
||
is it? Go and tell him the Skeme, and then let his manager work
|
||
it out. And tell him who I am, and that I have a lot of Ideas,
|
||
but this is the only one I'm giving away."
|
||
|
||
We had arived at the house by that time and I invited him
|
||
to come in. But he only glansed bitterly at the Windows and
|
||
observed that they had taken in the mat with Welcome on it, as
|
||
far as he was concerned. And went away.
|
||
|
||
Although we have never had a mat with Welcome on it.
|
||
|
||
Dear Dairy, I wonder if father would do it? He is gentle
|
||
and kind-hearted, and it would be painfull to him. But to who
|
||
else can I turn in my extremity?
|
||
|
||
I have but one hope. My father is like me. He can be coaxed
|
||
and if kindly treated will do anything. But if aproached in the
|
||
wrong way, or asked to do somthing against his principals, he
|
||
becomes a Roaring Lion.
|
||
|
||
He would never be bully-ed into giving a Man work, even so
|
||
touching a Personallity as Adrian's.
|
||
|
||
LATER: I meant to ask father tonight, but he has just heard
|
||
of Beresford and is in a terrable temper. He says Sis can't
|
||
marry him, because he is sure there are plenty of things he
|
||
could be doing in England, if not actualy fighting.
|
||
|
||
"He could probably run a bus, and releace some one who can
|
||
fight," he shouted. "Or he could at least do an honest day's
|
||
work with his hands. Don't let me see him, that's all."
|
||
|
||
"Do I understand that you forbid him the house?" Leila
|
||
asked, in a cold furey.
|
||
|
||
"Just keep him out of my sight," father snaped. "I supose
|
||
I can't keep him from swilling tea while I am away doing my part
|
||
to help the Allies"
|
||
|
||
"Oh, rot!" said Sis, in a scornfull maner. "While you help
|
||
your bank account, you mean. I don't object to that, father, but
|
||
for Heaven's sake don't put it on altruistic grounds."
|
||
|
||
She went upstairs then and banged her door, and mother
|
||
merely set her lips and said nothing. But when Beresford called,
|
||
later, Tanney had to tell him the Familey was out.
|
||
|
||
Were it not for our afections, and the necessity for
|
||
getting married, so there would be an increase in the
|
||
Population, how happy we could all be!
|
||
|
||
LATER: I have seen father.
|
||
|
||
It was a painfull evening, with Sis shut away in her room,
|
||
and father cuting the ends off cigars in a viscious maner.
|
||
Mother was _non est_, and had I not had my memories, it would
|
||
have been a Sickning Time.
|
||
|
||
I sat very still and waited until father softened, which he
|
||
usualy does, like ice cream, all at once and all over. I sat
|
||
perfectly still in a large chair, and except for an ocasional
|
||
sneaze, was quiet.
|
||
|
||
Only once did my parent adress me in an hour, when he said:
|
||
|
||
"What the devil's making you sneaze so?"
|
||
|
||
"My noze, I think, sir," I said meekly.
|
||
|
||
"Humph!" he said. "It's rather a small noze to be making
|
||
such a racket."
|
||
|
||
I was cut to the heart, dear Dairy. One of my dearest
|
||
dreams has always been a delicate noze, slightly arched and long
|
||
enough to be truly aristocratic. Not realy acqualine but on the
|
||
verge. I _hate_ my little noze--hate it--hate it--_hate it_.
|
||
|
||
"Father" I said, rising and on the point of tears. "How can
|
||
you! To taunt me with what is not my own fault, but partly
|
||
heredatary and partly carelessness. For if you had pinched it in
|
||
infansy it would have been a good noze, and not a pug. And----"
|
||
|
||
"Good gracious!" he exclaimed. "Why, Bab, I never meant to
|
||
insult your noze. As a matter of fact, it's a good noze. It's
|
||
exactly the sort of noze you ought to have. Why, what in the
|
||
world would _you_ do with a Roman noze?"
|
||
|
||
I have not been feeling very well, dear Dairy, and so I
|
||
sudenly began to weap.
|
||
|
||
"Why, chicken!" said my father. And made me sit down on his
|
||
knee. "Don't tell me that my bit of sunshine is behind a cloud!"
|
||
|
||
"Behind a noze," I said, feebly.
|
||
|
||
So he said he liked my noze, even although somwhat swolen,
|
||
and he kissed it, and told me I was a little fool, and at last
|
||
I saw he was about ready to be tackeled. So I observed:
|
||
|
||
"Father, will you do me a faver?"
|
||
|
||
"Sure," he said. "How much do you need? Busness is pretty
|
||
good now, and I've about landed the new order for shells for the
|
||
English War Department. I--supose we make it fifty! Although,
|
||
we'd better keep it a Secret between the to of us."
|
||
|
||
I drew myself up, although tempted. But what was fifty
|
||
dollars to doing somthing for Adrian? A mere bagatelle.
|
||
|
||
"Father," I said, "do you know Miss Everett, my English
|
||
teacher?"
|
||
|
||
He remembered the name.
|
||
|
||
"Would you be willing to do her a great favor?" I demanded
|
||
intencely.
|
||
|
||
"What sort of a favor?"
|
||
|
||
"Her couzin has written a play. She is very fond of her
|
||
couzin, and anxious to have him suceed. And it is a lovely
|
||
play."
|
||
|
||
He held me off and stared at me.
|
||
|
||
"So _that_ is what you were doing in that box alone!" he
|
||
exclaimed. "You incomprehensable child! Why didn't you tell your
|
||
mother?"
|
||
|
||
"Mother does not always understand," I said, in a low
|
||
voice. "I thought, by buying a Box, I would do my part to help
|
||
Miss Everett's couzin's play suceed. And as a result I was
|
||
draged home, and shamefully treated in the most mortafying
|
||
maner. But I am acustomed to brutalaty."
|
||
|
||
"Oh, come now," he said. "I wouldn't go as far as that,
|
||
chicken. Well, I won't finanse the play, but short of that I'll
|
||
do what I can."
|
||
|
||
However he was not so agreable when I told him Carter
|
||
Brooks' plan. He delivered a firm no.
|
||
|
||
"Although," he said, "sombody ought to do it, and show the
|
||
falasy of the Play. In the first place, the world doesn't owe
|
||
the fellow a living, unless he will hustel around and make it.
|
||
In the second place an employer has a right to turn away a man
|
||
he doesn't want. No one can force Capitle to employ Labor."
|
||
|
||
"Well," I said, "as long as Labor talks and makes a lot of
|
||
noise, and Capitle is to dignafied to say anything, most people
|
||
are going to side with Labor."
|
||
|
||
He gazed at me.
|
||
|
||
"Right!" he said. "You've put your finger on it, in true
|
||
femanine fashion."
|
||
|
||
"Then why won't you throw out this man when he comes to you
|
||
for Work? He intends to force you to employ him."
|
||
|
||
"Oh, he does, does he?" said father, in a feirce voice.
|
||
"Well, let him come. I can stand up for my Principals, to. I'll
|
||
throw him out, all right."
|
||
|
||
Dear Dairy, the battle is over and I have won. I am very
|
||
happy. How true it is that strategy will do more than violance!
|
||
|
||
We have aranged it all. Adrian is to go to the mill,
|
||
dressed like a decayed Gentleman, and father will refuse to give
|
||
him work. I have said nothing about violance, leaving that to
|
||
arange itself.
|
||
|
||
I must see Adrian and his manager. Carter has promised to
|
||
tell some reporters that there may be a story at the mill on
|
||
Saturday morning. I am to excited to sleep.
|
||
|
||
Feel horid. Forbiden to go out this morning.
|
||
|
||
JANUARY 25TH. Beresford was here to lunch and he and mother
|
||
and Sis had a long talk. He says he has kept it a secret because
|
||
he did not want his Busness known. But he is here to place a
|
||
shell order for the English War Department.
|
||
|
||
"Well," Leila said, "I can hardly wait to tell father and
|
||
see him curl up."
|
||
|
||
"No, no," said Beresford, hastily. "Realy you must allow me
|
||
I must inform him myself. I am sure you can see why. This is a
|
||
thing for men to settle. Besides, it is a delacate matter. Mr.
|
||
Archibald is trying to get the Order, and our New York office,
|
||
if I am willing, is ready to place it with him."
|
||
|
||
"Well!" said Leila, in a thunderstruck tone. "If you
|
||
British don't beat anything for keeping your own Counsel!"
|
||
|
||
I could see that he had her hand under the table. It was
|
||
sickning.
|
||
|
||
Jane came to see me after lunch. The wedding was that
|
||
night, and I had to sit through silver vegatable dishes, and
|
||
after-dinner coffee sets and plates and a grand piano and a set
|
||
of gold vazes and a cabushon saphire and the bridesmaid's
|
||
clothes and the wedding supper and heaven knows what. But at
|
||
last she said:
|
||
|
||
"You dear thing--how weary and wan you look!"
|
||
|
||
I closed my eyes.
|
||
|
||
"But you don't intend to give him up, do you?"
|
||
|
||
"Look at me!" I said, in imperious tones. "Do I look like
|
||
one who would give him up, because of Familey objections?"
|
||
|
||
"How brave you are!" she observed. "Bab, I am green with
|
||
envy. When I think of the way he looked at you, and the tones of
|
||
his voice when he made love to that--that creature, I am
|
||
posatively _shaken_."
|
||
|
||
We sat in somber silence. Then she said:
|
||
|
||
"I darsay he detests the Heroine, doesn't he?"
|
||
|
||
"He tolarates her," I said, with a shrug.
|
||
|
||
More silense. I rang for Hannah to bring some ice water. We
|
||
were in my _boudoir_.
|
||
|
||
"I saw him yesterday," said Jane, when Hannah had gone.
|
||
|
||
"Jane!"
|
||
|
||
"In the park. He was with the woman that plays the
|
||
Adventuress. Ugly old thing."
|
||
|
||
I drew a long breath of relief. For I knew that the
|
||
Adventuress was at least thirty and perhaps more. Besides being
|
||
both wicked and cruel, and not at all femanine.
|
||
|
||
Hannah brought the ice-water and then came in the most
|
||
madening way and put her hand on my Forehead.
|
||
|
||
"I've done nothing but bring you ice-water for to days,"
|
||
she said. "Your head's hot. I think you need a musterd foot bath
|
||
and to go to bed."
|
||
|
||
"Hannah," Jane said, in her loftyest fashion, "Miss Barbara
|
||
is woried, not ill. And please close the door when you go out."
|
||
|
||
Which was her way of telling Hannah to go. Hannah glared at
|
||
her.
|
||
|
||
"If you take my advice, Miss Jane," she said. "You'll keep
|
||
away from Miss Barbara."
|
||
|
||
And she went out, slaming the door.
|
||
|
||
"Well!" gasped Jane. "Such impertanence. Old servant or
|
||
not, she ought to have her mouth slaped."
|
||
|
||
Well, I told Jane the plan and she was perfectly crazy
|
||
about it. I had a headache, but she helped me into my street
|
||
things, and got Sis's rose hat for me while Sis was at the
|
||
telephone. Then we went out.
|
||
|
||
First we telephoned Carter Brooks, and he said tomorrow
|
||
morning would do, and he'd give a couple of reporters the word
|
||
to hang around father's office at the mill. He said to have
|
||
Adrian there at ten o'clock.
|
||
|
||
"Are you sure your father will do it?" he asked. "We don't
|
||
want a flivver, you know."
|
||
|
||
"He's making a principal of it," I said. "When he makes a
|
||
principal of a thing, he does it."
|
||
|
||
"Good for father!" Carter said. "Tell him not to be to
|
||
gentle. And tell your Actor-friend to make a lot of fuss. The
|
||
more the better. I'll see the Policeman at the mill, and he'll
|
||
probably take him up. But we'll get him out for the matinee. And
|
||
watch the evening papers."
|
||
|
||
It was then that a terrable thought struck me. What if
|
||
Adrian considered it beneath his profession to advertize, even
|
||
if indirectly? What if he prefered the failure of Miss Everett's
|
||
couzin's play to a bruize on the eye? What, in short, if he
|
||
refused?
|
||
|
||
Dear Dairy, I was stupafied. I knew not which way to turn.
|
||
For Men are not like Women, who are dependible and anxious to
|
||
get along, and will sacrifise anything for Success. No, men are
|
||
likely to turn on the ones they love best, if the smallest
|
||
Things do not suit them, such as cold soup, or sleaves to long
|
||
from the shirt-maker, or plans made which they have not been
|
||
consulted about beforhand.
|
||
|
||
"Darling!" said Jane, as I turned away, "you look
|
||
_stricken_!"
|
||
|
||
"My head aches," I said, with a weary gesture toward my
|
||
forehead. It did ache, for that matter. It is acheing now, dear
|
||
Dairy.
|
||
|
||
However, I had begun my task and must go through with it.
|
||
Abandoning Jane at a corner, in spite of her calling me cruel
|
||
and even sneeking, I went to Adrian's hotel, which I had learned
|
||
of during my _seance_ in his room while he was changing his
|
||
garments behind a screan, as it was marked on a dressing case.
|
||
|
||
It was then five o'clock.
|
||
|
||
How nervous I felt as I sent up my name to his chamber. Oh,
|
||
dear Dairy, to think that it was but five hours ago that I sat
|
||
and waited, while people who guessed not the inner trepadation
|
||
of my heart past and repast, and glansed at me and at Leila's
|
||
pink hat above.
|
||
|
||
At last he came. My heart beat thunderously, as he
|
||
aproached, strideing along in that familiar walk, swinging his
|
||
strong and tender arms. And I! I beheld him coming and could
|
||
think of not a word to say.
|
||
|
||
"Well!" he said, pausing in front of me. "I knew I was
|
||
going to be lucky today. Friday is my best day."
|
||
|
||
"I was born on Friday," I said. I could think of nothing
|
||
else.
|
||
|
||
"Didn't I say it was my lucky day? But you mustn't sit
|
||
here. What do you say to a cup of tea in the restarant?"
|
||
|
||
How grown up and like a _debutante_ I felt, dear Dairy,
|
||
going to have tea as if I had it every day at School, with a
|
||
handsome actor across! Although somwhat uneasy also, owing to
|
||
the posibility of the Familey coming in. But it did not and I
|
||
had a truly happy hour, not at all spoiled by looking out the
|
||
window and seeing Jane going by, with her eyes popping out, and
|
||
walking very slowly so I would invite her to come in.
|
||
|
||
_Which I did not_.
|
||
|
||
Dear Dairy, _he will do it_. At first he did not
|
||
understand, and looked astounded. But when I told him of Carter
|
||
being in the advertizing busness, and father owning a large
|
||
mill, and that there would be reporters and so on, he became
|
||
thoughtfull.
|
||
|
||
"It's realy incredably clever," he said. "And if it's
|
||
pulled off right it ought to be a Stampede. But I'd like to see
|
||
Mr. Brooks. We can't have it fail, you know." He leaned over the
|
||
table. "It's straight goods, is it, Miss er--Barbara? There's
|
||
nothing foney about it?"
|
||
|
||
"Foney!" I said, drawing back. "Certainly not."
|
||
|
||
He kept on leaning over the table.
|
||
|
||
"I wonder," he said, "what makes you so interested in the
|
||
Play?"
|
||
|
||
Oh, Dairy, Dairy!
|
||
|
||
And just then I looked up, and the Adventuress was staring
|
||
in the door at me with the _meanest_ look on her face.
|
||
|
||
I draw a Veil over the remainder of our happy hour. Suffice
|
||
it to say that he considers me exactly the tipe he finds most
|
||
atractive, and that he does not consider my noze to short. We
|
||
had a long dispute about this. He thinks I am wrong and says I
|
||
am not an acquiline tipe. He says I am romantic and of a loving
|
||
disposition. Also somwhat reckless, and he gave me good advice
|
||
about doing what my Familey consider for my good, at least until
|
||
I come out.
|
||
|
||
But our talk was all to short, for a fat man with three
|
||
rings on came in, and sat down with us, and ordered a whiskey
|
||
and soda. My blood turned cold, for fear some one I knew would
|
||
come in and see me sitting there in a drinking party.
|
||
|
||
And my blood was right to turn cold. For, just as he had
|
||
told the manager about the arangement I had made, and the
|
||
manager said "Bully" and raised his glass to drink to me I
|
||
looked across and there was mother's aunt, old Susan Paget,
|
||
sitting near, with the most awfull face I ever saw!
|
||
|
||
I colapsed in my chair.
|
||
|
||
Dear Dairy, I only remember saying, "Well, remember, ten
|
||
o'clock. And dress up like a Gentleman in hard luck," and his
|
||
saying: "Well, I hope I'm a Gentleman, and the hard luck's no
|
||
joke," and then I went away.
|
||
|
||
And now, dear Dairy, I am in bed, and every time the
|
||
telephone rings I have a chill. And in between times I drink
|
||
ice-water and sneaze. How terrable a thing is Love.
|
||
|
||
LATER: I can hardly write. Switzerland is a settled thing.
|
||
Father is not home tonight and I cannot apeal to him. Susan
|
||
Paget said I was drinking to, and mother is having the vibrater
|
||
used on her spine. If I felt better I would run away.
|
||
|
||
JANUARY 26TH. How can I write what has happened? It is so
|
||
terrable.
|
||
|
||
Beresford went at ten o'clock to ask for Leila, and did not
|
||
send in his card for fear father would refuse to see him. And
|
||
father thought, from his saying that he had come to ask for
|
||
somthing, and so on, that it was Adrian, and threw him out. He
|
||
ordered him out first, and Beresford refused to go, and they had
|
||
words, and then there was a fight. The Reporters got it, and it
|
||
is in all the papers. Hannah has just brought one in. It is
|
||
headed "Manufacturer assaults Peer." Leila is in bed, and the
|
||
doctor is with her.
|
||
|
||
LATER: Adrian has disapeared. The manager has just called
|
||
up, and with shaking knees I went to the telephone. Adrian went
|
||
to the mill a little after ten, and has not been seen since.
|
||
|
||
It is in vain I protest that he has not eloped with me. It
|
||
is almost time now for the Matinee and no Adrian. What shall I
|
||
do?
|
||
|
||
SATURDAY, 11 P.M. Dear Dairy, I have the meazles. I am all
|
||
broken out, and look horible. But what is a sickness of the Body
|
||
compared to the agony of my Mind? Oh, dear Dairy, to think of
|
||
what has happened since last I saw your stainless Pages!
|
||
|
||
What is a sickness to a broken heart? And to a heart broken
|
||
while trying to help another who did not deserve to be helped.
|
||
But if he decieved me, he has paid for it, and did until he was
|
||
rescued at ten o'clock tonight.
|
||
|
||
I have been given a sleeping medacine, and until it takes
|
||
affect I shall write out the tradgedy of this day, omiting
|
||
nothing. The trained nurse is asleep on a cot, and her cap is
|
||
hanging on the foot of the bed.
|
||
|
||
I have tried it on, dear Dairy, and it is very becoming. If
|
||
they insist on Switzerland I think I shall run away and be a
|
||
trained nurse. It is easy work, although sleeping on a cot is
|
||
not always comfortible. But at least a trained nurse leads her
|
||
own Life and is not bully-ed by her Familey. And more, she does
|
||
good constantly.
|
||
|
||
I feel tonight that I should like to do good, and help the
|
||
sick, and perhaps go to the Front. I know a lot of college men
|
||
in the American Ambulence.
|
||
|
||
I shall never go on the stage, dear Dairy. I know now its
|
||
decietfullness and visisitudes. My heart has bled until it can
|
||
bleed no more, as a result of a theatricle Adonis. I am through
|
||
with the theater forever.
|
||
|
||
I shall begin at the beginning. I left off where Adrian had
|
||
disapeared.
|
||
|
||
Although feeling very strange, and looking a queer red
|
||
color in my mirror, I rose and dressed myself. I felt that
|
||
somthing had slipped, and I must find Adrian. (It is strange
|
||
with what coldness I write that once beloved name.)
|
||
|
||
While dressing I percieved that my chest and arms were
|
||
covered with small red dots, but I had no time to think of
|
||
myself. I sliped downstairs and outside the drawing room I heard
|
||
mother conversing in a loud and angry tone with a visitor. I
|
||
glansed in, and ye gods!
|
||
|
||
It was the Adventuress.
|
||
|
||
Drawing somwhat back, I listened. Oh, Dairy, what a
|
||
revalation!
|
||
|
||
"But I _must_ see her," she was saying. "Time is flying. In
|
||
a half hour the performance begins, and--he cannot be found."
|
||
|
||
"I can't understand," mother said, in a stiff maner. "What
|
||
can my daughter Barbara know about him?"
|
||
|
||
The Adventuress snifed. "Humph!" she said. "She knows, all
|
||
right. And I'd like to see her in a hurry, if she is in the
|
||
house."
|
||
|
||
"Certainly she is in the house," said mother.
|
||
|
||
"_Are you sure of that_? Because I have every reason to
|
||
beleive she has run away with him. She has been hanging around
|
||
him all week, and only yesterday afternoon I found them
|
||
together. She had some sort of a Skeme, he said afterwards, and
|
||
he wrinkled a coat under his mattress last night. He said it was
|
||
to look as if he had slept in it. I know nothing further of your
|
||
daughter's Skeme. But I know he went out to meet her. He has not
|
||
been seen since. His manager has hunted for to hours."
|
||
|
||
"Just a moment," said mother, in a fridgid tone. "Am I to
|
||
understand that this--this Mr. Egleston is----"
|
||
|
||
"He is my Husband."
|
||
|
||
Ah, dear Dairy, that I might then and there have passed
|
||
away. But I did not. I stood there, with my heart crushed, until
|
||
I felt strong enough to escape. Then I fled, like a Gilty Soul.
|
||
It was gastly.
|
||
|
||
On the doorstep I met Jane. She gazed at me strangely when
|
||
she saw my face, and then cluched me by the arm.
|
||
|
||
"Bab!" she cried. "What on the earth is the matter with
|
||
your complexion?"
|
||
|
||
But I was desparate.
|
||
|
||
"Let me go!" I said. "Only lend me two dollars for a taxi
|
||
and let me go. Somthing horible has happened."
|
||
|
||
She gave me ninety cents, which was all she had, and I
|
||
rushed down the street, followed by her peircing gaze.
|
||
|
||
Although realizing that my Life, at least the part of it
|
||
pertaining to sentament, was over, I knew that, single or
|
||
married, I must find him. I could not bare to think that I, in
|
||
my desire to help, had ruined Miss Everett's couzin's play.
|
||
Luckaly I got a taxi at the corner, and I ordered it to drive to
|
||
the mill. I sank back, bathed in hot persparation, and on
|
||
consulting my bracelet watch found I had but twenty five minutes
|
||
until the curtain went up.
|
||
|
||
I must find him, but where and how! I confess for a moment
|
||
that I doubted my own father, who can be very feirce on ocasion.
|
||
What if, madened by his mistake about Beresford, he had, on
|
||
being aproached by Adrian, been driven to violance? What if, in
|
||
my endeaver to help one who was unworthy, I had led my poor
|
||
paternal parent into crime?
|
||
|
||
_Hell is paved with good intentions_.
|
||
|
||
SAMUEL JOHNSTON.
|
||
|
||
On driving madly into the mill yard, I sudenly remembered
|
||
that it was Saturday and a half holaday. The mill was going, but
|
||
the offices were closed. Father, then, was imured in the safety
|
||
of his Club, and could not be reached except by pay telephone.
|
||
And the taxi was now ninty cents.
|
||
|
||
I got out, and paid the man. I felt very dizzy and queer,
|
||
and was very thirsty, so I went to the hydrent in the yard and
|
||
got a drink of water. I did not as yet suspect meazles, but laid
|
||
it all to my agony of mind.
|
||
|
||
Haveing thus refreshed myself, I looked about, and saw the
|
||
yard Policeman, a new one who did not know me, as I am away at
|
||
school most of the time, and the Familey is not expected to
|
||
visit the mill, because of dirt and possable accidents.
|
||
|
||
I aproached him, however, and he stood still and stared at
|
||
me.
|
||
|
||
"Officer" I said, in my most dignafied tones. "I am looking
|
||
for a--for a Gentleman who came here this morning to look for
|
||
work."
|
||
|
||
"There was about two hundred lined up here this morning,
|
||
Miss," he said. "Which one would it be, now?"
|
||
|
||
How my heart sank!
|
||
|
||
"About what time would he be coming?" he said. "Things have
|
||
been kind of mixed-up around here today, owing to a little
|
||
trouble this morning. But perhaps I'll remember him."
|
||
|
||
But, although Adrian is of an unusual tipe, I felt that I
|
||
could not describe him, besides having a terrable headache. So
|
||
I asked if he would lend me carfare, which he did with a strange
|
||
look.
|
||
|
||
"You're not feeling sick, Miss, are you?" he said. But I
|
||
could not stay to converce, as it was then time for the curtain
|
||
to go up, and still no Adrian.
|
||
|
||
I had but one refuge in mind, Carter Brooks, and to him I
|
||
fled on the wings of misery in the street car. I burst into his
|
||
advertizing office like a furey.
|
||
|
||
"Where is he?" I demanded. "Where have you and your
|
||
plotting hidden him?"
|
||
|
||
"Who? Beresford?" he asked in a placid maner. "He is at his
|
||
hotel, I beleive, putting beefstake on a bad eye. Beleive me,
|
||
Bab----"
|
||
|
||
"Beresford!" I cried, in scorn and wrechedness. "What is he
|
||
to me? Or his eye either? I refer to Mr. Egleston. It is time
|
||
for the curtain to go up now, and unless he has by this time
|
||
returned, there can be no performence."
|
||
|
||
"Look here," Carter said sudenly, "you look awfuly queer,
|
||
Bab. Your face----"
|
||
|
||
I stamped my foot.
|
||
|
||
"What does my face matter?" I demanded. "I no longer care
|
||
for him, but I have ruined Miss Everett's couzin's play unless
|
||
he turns up. Am I to be sent to Switzerland with that on my
|
||
Soul?"
|
||
|
||
"Switzerland!" he said slowly. "Why, Bab, they're not going
|
||
to do that, are they? I--I don't want you so far away."
|
||
|
||
Dear Dairy, I am unsuspisious by nature, beleiving all
|
||
mankind to be my friends until proven otherwise. But there was
|
||
a gloating look in Carter Brooks' eyes as they turned on me.
|
||
|
||
"Carter!" I said, "you know where he is and you will not
|
||
tell me. You _wish_ to ruin him."
|
||
|
||
I was about to put my hand on his arm, but he drew away.
|
||
|
||
"Look here," he said. "I'll tell you somthing, but please
|
||
keep back. Because you look like smallpox to me. I was at the
|
||
mill this morning. I do not know anything about your
|
||
Actor-friend. He's probably only been run over or somthing. But
|
||
I saw Beresford going in, and I--well, I sugested that he'd
|
||
better walk in on your father or he wouldn't get in. It worked,
|
||
Bab. _How it did work_! He went in and said he had come to ask
|
||
your father for somthing, and your father blew up by saying that
|
||
he knew about it, but that the world only owed a living to the
|
||
man who would hustle for it, and that he would not be forced to
|
||
take any one he did not want.
|
||
|
||
"And in to minutes Beresford hit him, and got a responce.
|
||
It was a Million dollars worth."
|
||
|
||
So he babbled on. But what were his words to me?
|
||
|
||
Dear Dairy, I gave no thought to the smallpox he had
|
||
mentioned, although fatle to the complexion. Or to the fight at
|
||
the mill. I heard only Adrian's possable tradgic fate. Sudenly
|
||
I colapsed, and asked for a drink of water, feeling horible,
|
||
very wobbley and unable to keep my knees from bending.
|
||
|
||
And the next thing I remember is father taking me home, and
|
||
Adrian's fate still a deep mystery, and remaining such, while I
|
||
had a warm sponge to bring out the rest of the rash, folowed by
|
||
a sleep--it being meazles and not smallpox.
|
||
|
||
Oh, dear Dairy, what a story I learned when haveing wakened
|
||
and feeling better, my father came tonight and talked to me from
|
||
the doorway, not being allowed in.
|
||
|
||
Adrian had gone to the mill, and father, haveing thrown
|
||
Beresford out and asserted his principals, had not thrown him
|
||
out, _but had given him a job in the mill_. And the Policeman
|
||
had given him no chance to escape, which he atempted. He was
|
||
dragged to the shell plant and there locked in, because of
|
||
spies. The plant is under Milatary Guard.
|
||
|
||
_And there he had been compeled to drag a Wheelbarrow back
|
||
and forth, containing charcoal for a small furnase, for hours_! Even when Carter found him he could not be releaced, as
|
||
father was in hiding from Reporters, and would not go to the
|
||
telephone or see callers.
|
||
|
||
_He labored until ten P. M_., while the theater remained
|
||
dark, and people got their money back.
|
||
|
||
I have ruined him. I have also ruined Miss Everett's
|
||
couzin.
|
||
|
||
* * *
|
||
|
||
The nurse is still asleep. I think I will enter a hospitle.
|
||
My career is ended, my Life is blasted.
|
||
|
||
I reach under the mattress and draw out the picture of him
|
||
who today I have ruined, compeling him to do manual labor for
|
||
hours, although unacustomed to it. He is a great actor, and I
|
||
beleive has a future. But my love for him is dead. Dear Dairy,
|
||
he decieved me, and that is one thing I cannot forgive.
|
||
|
||
So now I sit here among my pillows, while the nurse sleeps,
|
||
and I reflect about many Things. But one speach rings in my ears
|
||
over and over.
|
||
|
||
Carter Brooks, on learning about Switzerland, said it in a
|
||
strange maner, looking at me with inscrutible eyes.
|
||
|
||
"Switzerland! Why, Bab--I don't want you to go so far
|
||
away."
|
||
|
||
_What did he mean by it_?
|
||
|
||
* * *
|
||
|
||
Dear Dairy, you will have to be burned, I darsay. Perhaps
|
||
it is as well. I have p o r e d out my H-e-a-r-t----
|
||
|
||
CHAPTER IV
|
||
|
||
BAB'S BURGLAR
|
||
|
||
MONEY is the root of all Evil."
|
||
|
||
I do not know who said the above famous words, but they are
|
||
true. I know it but to well. For had I never gone on an
|
||
Allowence, and been in debt and always worried about the way
|
||
silk stockings wear out, et cetera, I would be having a much
|
||
better time. For who can realy enjoy a dress when it is not paid
|
||
for or only partialy so?
|
||
|
||
I have decided to write out this story, which is true in
|
||
every particuler, except here and there the exact words of
|
||
conversation, and then sell it to a Magazine. I intend to do
|
||
this for to reasons. First, because I am in Debt, especialy for
|
||
to tires, and second, because parents will then read it, and
|
||
learn that it is not possable to make a good appearence,
|
||
including furs, theater tickets and underwear, for a Thousand
|
||
Dollars a year, even if one wears plain uncouth things beneath.
|
||
I think this, too. My mother does not know how much clothes and
|
||
other things, such as manacuring, cost these days. She merely
|
||
charges things and my father gets the bills. Nor do I consider
|
||
it fair to expect me to atend Social Functions and present a
|
||
good appearence on a small Allowence, when I would often prefer
|
||
a simple game of tennis or to lie in a hammick, or to converce
|
||
with some one I am interested in, of the Other Sex.
|
||
|
||
It was mother who said a Thousand dollars a year and no
|
||
extras. But I must confess that to me, after ten dollars a month
|
||
at school, it seemed a large sum. I had but just returned for
|
||
the summer holadays, and the Familey was having a counsel about
|
||
me. They always have a counsel when I come home, and mother
|
||
makes a list, begining with the Dentist.
|
||
|
||
"I should make it a Thousand," she said to father. "The
|
||
chiid is in shameful condition. She is never still, and she
|
||
fidgits right through her clothes."
|
||
|
||
"Very well," said father, and got his Check Book. "That is
|
||
$83.33 1/3 cents a month. Make it thirty four cents. But no
|
||
bills, Barbara."
|
||
|
||
"And no extras," my mother observed, in a stern tone.
|
||
|
||
"Candy, tennis balls and matinee tickets?" I asked.
|
||
|
||
"All included," said father. "And Church collection also,
|
||
and ice cream and taxicabs and Xmas gifts."
|
||
|
||
Although pretending to consider it small, I realy felt that
|
||
it was a large amount, and I was filled with joy when father
|
||
ordered a Check Book for me with my name on each Check. Ah, me!
|
||
How happy I was!
|
||
|
||
I was two months younger then and possably childish in some
|
||
ways. For I remember that in my exhiliration I called up Jane
|
||
Raleigh the moment she got home. She came over, and I showed her
|
||
the book.
|
||
|
||
"Bab!" she said. "A thousand dollars! Why, it is wealth."
|
||
|
||
"It's not princly," I observed. "But it will do, Jane."
|
||
|
||
We then went out and took a walk, and I treated her to a
|
||
Facial Masage, having one myself at the same time, having never
|
||
been able to aford it before.
|
||
|
||
"It's Heavenley, Bab," Jane observed to me, through a hot
|
||
towle. "If I were you I should have one daily. Because after
|
||
all, what are features if the skin is poor?"
|
||
|
||
We also had manacures, and as the young person was very
|
||
nice, I gave her a dollar. As I remarked to Jane, it had taken
|
||
all the lines out of my face, due to the Spring Term and
|
||
examinations. And as I put on my hat, I could see that it had
|
||
done somthing else. For the first time my face showed Character.
|
||
I looked mature, if not, indeed, even more.
|
||
|
||
I paid by a Check, although they did not care about taking
|
||
it, prefering cash. But on calling up the Bank accepted it, and
|
||
also another check for cold cream, and a fancy comb.
|
||
|
||
I had, as I have stated, just returned from my Institution
|
||
of Learning, and now, as Jane and I proceded to a tea place I
|
||
had often viewed with hungry eyes but no money to spend, it
|
||
being expencive, I suddenly said:
|
||
|
||
"Jane, do you ever think how ungrateful we are to those who
|
||
cherish us through the school year and who, although stern at
|
||
times, are realy our Best Friends?"
|
||
|
||
"Cherish us!" said Jane. "I haven't noticed any cherishing.
|
||
They tolarate me, and hardly that."
|
||
|
||
"I fear you are pessamistic," I said, reproving her but
|
||
mildly, for Jane's school is well known to be harsh and
|
||
uncompromizing. "However, my own feelings to my Instructers are
|
||
diferent and quite friendly, especialy at a distance. I shall
|
||
send them flowers."
|
||
|
||
It was rather awful, however, after I had got inside the
|
||
shop, to find that violets, which I had set my heart on as being
|
||
the school flour, were five dollars a hundred. Also there were
|
||
more teachers than I had considered, some of them making but
|
||
small impression on account of mildness.
|
||
|
||
_There were eight_.
|
||
|
||
"Jane!" I said, in desparation. "Eight without the
|
||
housekeeper! And she must be remembered because if not she will
|
||
be most unpleasant next fall, and swipe my chaffing dish. Forty
|
||
five dollars is a lot of Money."
|
||
|
||
"You only have to do it once," said Jane, who could aford
|
||
to be calm, as it was costing her nothing.
|
||
|
||
However, I sent the violets aud paid with a check. I felt
|
||
better by subtracting the amount from one thousand. I had still
|
||
$945.00, less the facials and so on, which had been ten.
|
||
|
||
This is not a finantial story, although turning on Money.
|
||
I do not wish to be considered as thinking only of Wealth.
|
||
Indeed, I have always considered that where my heart was in
|
||
question I would always decide for Love and penury rather than
|
||
a Castle and greed. In this I differ from my sister Leila, who
|
||
says that under no circumstanses would she ever inspect a
|
||
refrigerater to see if the cook was wasting anything.
|
||
|
||
I was not worried about the violets, as I consider Money
|
||
spent as but water over a damn, and no use worrying about. But
|
||
I was no longer hungry, and I observed this to Jane.
|
||
|
||
"Oh, come on," she said, in an impatient maner. "I'll pay
|
||
for it."
|
||
|
||
I can read Jane's inmost thoughts, and I read them then.
|
||
She considered that I had cold feet financially, although with
|
||
almost $945.00 in the bank. Therefore I said at once:
|
||
|
||
"Don't be silly. It is my party. And we'll take some candy
|
||
home."
|
||
|
||
However, I need not have worried, for we met Tommy Gray in
|
||
the tea shop, and he paid for everything.
|
||
|
||
I pause here to reflect. How strange to look back, and
|
||
think of all that has since hapened, and that I then considered
|
||
that Tommy Gray was interested in Jane and never gave me a
|
||
thought. Also that I considered that the look he gave me now and
|
||
then was but a friendly glanse! Is it not strange that Romanse
|
||
comes thus into our lives, through the medium of a tea-cup, or
|
||
an eclair, unheralded and unsung, yet leaving us never the same
|
||
again?
|
||
|
||
Even when Tommy bought us candy and carried mine under his
|
||
arm while leaving Jane to get her own from the counter, I
|
||
suspected nothing. But when he said to me, "Gee, Bab, you're
|
||
geting to be a regular Person," and made no such remark to Jane,
|
||
I felt that it was rather pointed.
|
||
|
||
Also, on walking up the Avenue, he certainly walked nearer
|
||
me than Jane. I beleive she felt it, to, for she made a sharp
|
||
speach or to about his Youth, and what he meant to do when he
|
||
got big. And he replied by saying that she was big enough
|
||
allready, which hurt because Jane is plump and will eat starches
|
||
anyhow.
|
||
|
||
Tommy Gray had improved a great deal since Xmas. He had at
|
||
that time apeared to long for his head. I said this to Jane,
|
||
_soto voce_, while he was looking at some neckties in a window.
|
||
|
||
"Well, his head is big enough now," she said in a snapish
|
||
maner. "It isn't very long, Bab, since you considered him a mere
|
||
Child."
|
||
|
||
"He is twenty," I asserted, being one to stand up for my
|
||
friends under any and all circumstanses.
|
||
|
||
Jane snifed.
|
||
|
||
"Twenty!" she exclaimed. "He's not eighteen yet. His very
|
||
noze is imature."
|
||
|
||
Our discourse was interupted by the object of it, who
|
||
requested an opinion on the ties. He ignored Jane entirely.
|
||
|
||
We went in, and I purchaced a handsome tie for father,
|
||
considering it but right thus to show my apreciation of his
|
||
giving me the Allowence.
|
||
|
||
It was seventy five cents, and I made out a check for the
|
||
amount and took the tie with me. We left Jane soon after, as she
|
||
insisted on adressing Tommy as dear child, or "_mon enfant_,"
|
||
and strolled on together, oblivious to the World, by the World
|
||
forgot. Our conversation was largely about ourselves, Tommv
|
||
maintaining that I gave an impression of fridgidity, and that
|
||
all the College men considered me so.
|
||
|
||
"Better fridgidity," I retorted, "than softness. But I am
|
||
sincere. I stick to my friends through thick and thin."
|
||
|
||
Here he observed that my Chin was romantic, but that my
|
||
Ears were stingy, being small and close to my head. This
|
||
irratated me, although glad they are small. So I bought him a
|
||
gardenia to wear from a flour-seller, but as the flour-seller
|
||
refused a check, he had to pay for it.
|
||
|
||
In exchange he gave me his Frat pin to wear.
|
||
|
||
"You know what that means, don't you, Bab?" he said, in a
|
||
low and thriling tone. "It means, if you wear it, that you are
|
||
my--well, you're my girl."
|
||
|
||
Although thriled, I still retained my practacality.
|
||
|
||
"Not exclusively, Tom," I said, in a firm tone. "We are
|
||
both young, and know little of Life. Some time, but not as yet."
|
||
|
||
He looked at me with a searching glanse.
|
||
|
||
"I'll bet you have a couple of dozen Frat pins lying
|
||
around, Bab," he said savigely. "You're that sort. All the
|
||
fellows are sure to be crasy about you. And I don't intend to be
|
||
an Also-ran."
|
||
|
||
"Perhaps," I observed, in my most dignafied maner. "But no
|
||
one has ever tried to bully me before. I may be young, but the
|
||
Other Sex have always treated me with respect."
|
||
|
||
I then walked up the steps and into my home, leaving him on
|
||
the pavment. It was cruel, but I felt that it was best to start
|
||
right.
|
||
|
||
But I was troubled and _distrait_ during dinner, which
|
||
consisted of mutton and custard, which have no appeal for me
|
||
owing to having them to often at school. For I had, although not
|
||
telling an untruth, allowed Tom to think that I had a dozen or
|
||
so Frat pins, although I had none at all.
|
||
|
||
Still, I reflected, why not? Is it not the only way a woman
|
||
can do when in conflict with the Other Sex, to meet Wile with
|
||
Gile? In other words, to use her intellagence against brute
|
||
force? I fear so.
|
||
|
||
Men do not expect truth from us, so why disapoint them?
|
||
|
||
During the salid mother inquired what I had done during the
|
||
afternoon.
|
||
|
||
"I made a few purchaces," I said.
|
||
|
||
"I hope you bought some stockings and underclothes," she
|
||
observed. "Hannah cannot mend your chemises any more, and as for
|
||
your----"
|
||
|
||
"Mother!" I said, turning scarlet, for George--who was the
|
||
Butler, as Tanney had been found kissing Jane--was at that
|
||
moment bringing in the cheeze.
|
||
|
||
"I am not going to interfere with your Allowence," she went
|
||
on. "But I recall very distinctly that during Leila's first year
|
||
she came home with three evening wraps and one nightgown, having
|
||
to borrow from one of her schoolmates, while that was being
|
||
washed. I feel that you should at least be warned."
|
||
|
||
How could I then state that instead of bying nightgowns, et
|
||
cetera, I had been sending violets? I could not. If Life to my
|
||
Familey was a matter of petticoats, and to me was a matter of
|
||
fragrant flours, why cause them to suffer by pointing out the
|
||
diference?
|
||
|
||
I did not feel superior. Only diferent.
|
||
|
||
That evening, while mother and Leila were out at a
|
||
Festivaty, I gave father his neck-tie. He was overcome with joy
|
||
and for a moment could not speak. Then he said:
|
||
|
||
"Good gracious, Bab! What a--what a _diferent_ necktie."
|
||
|
||
I explained my reasons for buying it for him, and also Tom
|
||
Gray's objecting to it as to juvenile.
|
||
|
||
"Young impudense!" said father, refering to Tom. "I darsay
|
||
I am quite an old fellow to him. Tie it for me, Bab."
|
||
|
||
"Though old of body, you are young in mentalaty," I said.
|
||
But he only laughed, and then asked about the pin, which I wore
|
||
over my heart.
|
||
|
||
"Where did you get that?" he asked in quite a feirce voice.
|
||
|
||
I told him, but not quite all. It was the first time I had
|
||
concealed an _amour_ from my parents, having indeed had but few,
|
||
and I felt wicked and clandestine. But, alas, it is the way of
|
||
the heart to conceal its deepest feelings, save for blushes,
|
||
which are beyond bodily control.
|
||
|
||
My father, however, mearly sighed and observed:
|
||
|
||
"So it has come at last!"
|
||
|
||
"What has come at last?" I asked, but feeling that he meant
|
||
Love. For although forty-two and not what he once was, he still
|
||
remembers his Youth.
|
||
|
||
But he refused to anser, and inquired politely if I felt to
|
||
much grown-up, with the Allowence and so on, to be held on knees
|
||
and occasionaly tickeled, as in other days.
|
||
|
||
Which I did not.
|
||
|
||
That night I stood at the window of my Chamber and gazed
|
||
with a heaving heart at the Gray residense, which is next door.
|
||
Often before I had gazed at its walls, and considered them but
|
||
brick and morter, and needing paint. Now my emotions were
|
||
diferent. I realized that a House is but a shell, covering and
|
||
protecting its precious contents from weather and curious eyes,
|
||
et cetera.
|
||
|
||
As I stood there, I percieved a light in an upper window,
|
||
where the nursery had once been in which Tom--in those days when
|
||
a child, Tommy--and I had played as children, he frequently
|
||
pulling my hair and never thinking of what was to be. As I
|
||
gazed, I saw a figure come to the window and gaze fixedly at me.
|
||
_It was he_.
|
||
|
||
Hannah was in my room, making a list of six of everything
|
||
which I needed, so I dared not call out. But we exchanged
|
||
gestures of afection and trust across the void, and with a
|
||
beating heart I retired to bed.
|
||
|
||
Before I slept, however, I put to myself this question, but
|
||
found no anser to it. How can it be that two people of Diferent
|
||
Sexes can know each other well, such as calling by first names
|
||
and dancing together at dancing school, and going to the same
|
||
dentist, and so on, and have no interest in each other except to
|
||
have a partner at parties or make up a set at tennis? And then
|
||
nothing happens, but there is a diference, and they are always
|
||
hoping to meet on the street or elsewhere, and although
|
||
quareling sometimes when together, are not happy when apart! How
|
||
strange is Life!
|
||
|
||
Hannah staid in my room that evening, fussing about my not
|
||
hanging up my garments when undressing. As she has lived with us
|
||
for a long time, and used to take me for walks when Mademoiselle
|
||
had the toothache, which was often, because she hated to walk,
|
||
she knows most of the Familey affairs, and is sometimes a
|
||
nusance.
|
||
|
||
So, while I said my prayers, she looked in my Check Book.
|
||
I was furious, and snached it from her, but she had allready
|
||
seen to much.
|
||
|
||
"Humph!" she said. "Well, all I've got to say is this, Miss
|
||
Bab. You'll last just twenty days at the rate you are going, and
|
||
will have to go stark naked all year."
|
||
|
||
At this indelacate speach I ordered her out of the room,
|
||
but she only tucked the covers in and asked me if I had brushed
|
||
my teeth.
|
||
|
||
"You know," she said, "that you'll be coming to me for
|
||
money when you run out, Miss Bab, as you've always done, and
|
||
expecting me to patch and mend and make over your old things,
|
||
when I've got my hands full anyhow. And you with a Fortune
|
||
fritered away."
|
||
|
||
"I wish to think, Hannah," I said in a plaintive tone.
|
||
"Please go away."
|
||
|
||
But she came and stood over me.
|
||
|
||
"Now you're going to be a good girl this Summer and not
|
||
give any trouble, aren't you?" she asked. "Because we're upset
|
||
enough as it is, and your poor mother most distracted, without
|
||
you're cutting loose as usual and driving everybody crazy."
|
||
|
||
I sat up in bed, forgetful that the window was now open for
|
||
the night, and that I was visable from the Gray's in my _robe de
|
||
nuit_.
|
||
|
||
"Whose distracted about what?" I asked.
|
||
|
||
But Hannah would say no more, and left me a pray to doubt
|
||
and fear.
|
||
|
||
Alas, Hannah was right. There was something wrong in the
|
||
house. Coming home as I had done, full of the joy of no rising
|
||
bell or French grammar, or meat pie on Mondays from Sunday's
|
||
roast, I had noticed nothing.
|
||
|
||
I fear I am one who lives for the Day only, and as such I
|
||
beleive that when people smile they are happy, forgetfull that
|
||
to often a smile conceals an aching and tempestuous Void within.
|
||
|
||
Now I was to learn that the demon Strife had entered my
|
||
domacile, there to make his--or her--home. I do not agree with
|
||
that poet, A. J. Ryan, date forgoten, who observed:
|
||
|
||
_Better a day of strife_
|
||
|
||
_Than a Century of sleep_.
|
||
|
||
Although naturaly no one wishes to sleep for a Century, or
|
||
even approxamately.
|
||
|
||
There was Strife in the house. The first way I noticed it,
|
||
aside from Hannah's anonamous remark, was by observing that
|
||
Leila was mopeing. She acted very strangely, giving me a pair of
|
||
pink hoze without more than a hint on my part, and not sending
|
||
me out of the room when Carter Brooks came in to tea the next
|
||
day.
|
||
|
||
I had staid at home, fearing that if I went out I should
|
||
purchace some _crepe de chene_ combinations I had been craving
|
||
in a window, and besides thinking it possable that Tom would
|
||
drop in to renew our relations of yesterday, not remembering
|
||
that there was a Ball Game.
|
||
|
||
Mother having gone out to the Country Club, I put my hair
|
||
on top of my head, thus looking as adult as possable. Taking a
|
||
new detective story of Jane's under my arm, I descended the
|
||
staircase to the library.
|
||
|
||
Sis was there, curled up in a chair, knitting for the
|
||
soldiers. Having forgoten the Ball Game, as I have stated, I
|
||
asked her, in case I had a caller, to go away, which,
|
||
considering she has the house to herself all winter, I
|
||
considered not to much.
|
||
|
||
"A caller!" she said. "Since when have you been allowed to
|
||
have callers?"
|
||
|
||
I looked at her steadily.
|
||
|
||
"I am young," I observed, "and still in the school room,
|
||
Leila. I admit it, so don't argue. But as I have not taken the
|
||
veil, and as this is not a Penitentary, I darsav I can see my
|
||
friends now and anon, especialy when they live next door."
|
||
|
||
"Oh!" she said. "It's the Gray infant, is it!"
|
||
|
||
This remark being purely spiteful, I ignored it and sat
|
||
down to my book, which concerned the stealing of some famous
|
||
Emerelds, the heroine being a girl detective who could shoot the
|
||
cork out of a bottle at a great distance, and whose name was
|
||
Barbara!
|
||
|
||
It was for that reason Jane had loaned me the book.
|
||
|
||
I had reached the place where the Duchess wore the Emerelds
|
||
to a ball, above white satin and lillies, the girl detective
|
||
being dressed as a man and driving her there, because the
|
||
Duchess had been warned and hautily refused to wear the paste
|
||
copies she had--when Sis said, peavishly:
|
||
|
||
"Why don't you knit or do somthing useful, Bab?"
|
||
|
||
I do not mind being picked on by my parents or teachers,
|
||
knowing it is for my own good. But I draw the line at Leila. So
|
||
I replied:
|
||
|
||
"Knit! If that's the scarf you were on at Christmas, and it
|
||
looks like it, because there's the crooked place you wouldn't
|
||
fix, let me tell you that since then I have made three socks,
|
||
heals and all, and they are probably now on the feet of the
|
||
Allies."
|
||
|
||
"Three!" she said. "Why _three_?"
|
||
|
||
"I had no more wool, and there are plenty of one-leged men
|
||
anyhow."
|
||
|
||
I would fane have returned to my book, dreaming between
|
||
lines, as it were, of the Romanse which had come into my life
|
||
the day before. It is, I have learned, much more interesting to
|
||
read a book when one has, or is, experiencing the Tender Passion
|
||
at the time. For during the love seens one can then fancy that
|
||
the impasioned speaches are being made to oneself, by the object
|
||
of one's afection. In short, one becomes, even if but a time,
|
||
the Heroine.
|
||
|
||
But I was to have no privacy.
|
||
|
||
"Bab," Sis said, in a more mild and fraternal tone, "I want
|
||
you to do somthing for me."
|
||
|
||
"Why don't you go and get it yourself?" I said. "Or ring
|
||
for George?"
|
||
|
||
"I don't want you to get anything. I want you to go to
|
||
father and mother for somthing."
|
||
|
||
"I'd stand a fine chance to get it!" I said. "Unless it's
|
||
Calomel or advice."
|
||
|
||
Although not suspicous by nature, I now looked at her and
|
||
saw why I had recieved the pink hoze. It was not kindness. It
|
||
was bribery!
|
||
|
||
"It's this," she explained. "The house we had last year at
|
||
the seashore is emty and we can have it. But mother won't go.
|
||
She--well, she won't go. They're going to open the country house
|
||
and stay there."
|
||
|
||
A few days previously this would have been sad news for me,
|
||
owing to not being allowed to go to the Country Club except in
|
||
the mornings, and no chance to meet any new people, and no
|
||
bathing save in the usual tub. But now I thriled at the
|
||
information, because the Grays have a place near the Club also.
|
||
|
||
For a moment I closed my eyes and saw myself, all in white
|
||
and decked with flours, wandering through the meadows and on the
|
||
links with a certain Person whose name I need not write, having
|
||
allready related my feelings toward him.
|
||
|
||
I am older now by some weeks, older and sader and wiser.
|
||
For Tradgedy has crept into my life, so that somtimes I wonder
|
||
if it is worth while to live on and suffer, especialy without an
|
||
Allowence, and being again obliged to suplicate for the smallest
|
||
things.
|
||
|
||
But I am being brave. And, as Carter Brooks wrote me in a
|
||
recent letter, acompanying a box of candy:
|
||
|
||
"After all, Bab, you did your durndest. And if they do not
|
||
understand, I do, and I'm proud of you. As for being `blited,'
|
||
as per your note to me, remember that I am, also. Why not be
|
||
blited together?"
|
||
|
||
This latter, of course, is not serious, as he is eight
|
||
years older than I, and even fills in at middle-aged Dinners,
|
||
being handsome and dressing well, although poor.
|
||
|
||
Sis's remarks were interupted by the clamor of the door
|
||
bell. I placed a shaking hand over the Frat pin, beneath which
|
||
my heart was beating only for _him_. And waited.
|
||
|
||
What was my dispair to find it but Carter Brooks!
|
||
|
||
Now there had been a time when to have Carter Brooks sit
|
||
beside me, as now, and treat me as fully out in Society, would
|
||
have thriled me to the core. But that day had gone. I realized
|
||
that he was not only to old, but to flirtatous. He was one who
|
||
would not look on a woman's Love as precious, but as a
|
||
plaything.
|
||
|
||
"Barbara," he said to me. "I do not beleive that Sister is
|
||
glad to see me."
|
||
|
||
"I don't have to look at you," Sis said, "I can knit."
|
||
|
||
"Tell me, Barbara," he said to me beseachingly, "am I as
|
||
hard to look at as all that?"
|
||
|
||
"I rather like looking at you," I rejoined with cander.
|
||
"Across the room."
|
||
|
||
He said we were not as agreable as we might be, so he
|
||
picked up a magazine and looked at the Automobile advertizments.
|
||
|
||
"I can't aford a car," he said. "Don't listen to me, either
|
||
of you. I'm only talking to myself. But I like to read the ads.
|
||
Hello, here's a snappy one for five hundred and fifty. Let me
|
||
see. If I gave up a couple of Clubs, and smokeing, and flours to
|
||
_Debutantes_--except Barbara, because I intend to buy every pozy
|
||
in town when she comes out--I might----"
|
||
|
||
"Carter," I said, "will you let me see that ad?"
|
||
|
||
Now the reason I had asked for it was this: in the book the
|
||
Girl Detective had a small but powerful car, and she could do
|
||
anything with it, even going up the Court House steps once in it
|
||
and interupting a trial at the criticle moment.
|
||
|
||
But I did not, at that time, expect to more than wish for
|
||
such a vehical. How pleasant, my heart said, to have a car
|
||
holding to, and since there was to be no bathing, et cetera, and
|
||
I was not allowed a horse in the country, except my old pony and
|
||
the basket faeton, to ramble through the lanes with a choice
|
||
Spirit, and talk about ourselves mostly, with a sprinkling of
|
||
other subjects!
|
||
|
||
Five hundred and fifty from nine hundred and forty-five
|
||
leaves three hundred and forty-five. But I need few garments at
|
||
school, wearing mostly unaforms of blue serge with one party
|
||
frock for Friday nights and receptions to Lecturers and Members
|
||
of the Board. And besides, to own a machine would mean less
|
||
carfare and no shoes to speak of, because of not walking.
|
||
|
||
Jane Raleigh came in about then and I took her upstairs and
|
||
closed the door.
|
||
|
||
"Jane," I said, "I want your advise. And be honest, because
|
||
it's a serious matter."
|
||
|
||
"If it's Tommy Gray," she said, in a contemptable manner,
|
||
"don't."
|
||
|
||
How could I know, as revealed later, that Jane had gone on
|
||
a Diet since yesterday, owing to a certain remark, and had had
|
||
nothing but an apple all day? I could not. I therfore stared at
|
||
her steadily and observed:
|
||
|
||
"I shall never ask for advise in matters of the Heart.
|
||
There I draw the line."
|
||
|
||
However, she had seen some caromels on my table, and
|
||
suddenly burst into emotion. I was worried, not knowing the
|
||
trouble and fearing that Jane was in love with Tom. It was a
|
||
terrable thought, for which should I do? Hold on to him and let
|
||
her suffer, or remember our long years of intimacy and give him
|
||
up to her?
|
||
|
||
Should I or should I not remove his Frat pin?
|
||
|
||
However, I was not called upon to renunciate anything. In
|
||
the midst of my dispair Jane asked for a Sandwitch and thus
|
||
releived my mind. I got her some cake and a bottle of cream from
|
||
the pantrey and she became more normle. She swore she had never
|
||
cared for Tom, he being not her style, as she had never loved
|
||
any one who had not black eyes.
|
||
|
||
"Nothing else matters, Bab," she said, holding out the
|
||
Sandwitch in a dramatic way. "I see but his eyes. If they are
|
||
black, they go through me like a knife."
|
||
|
||
"Blue eyes are true eyes," I observed.
|
||
|
||
"There is somthing feirce about black eyes," she said,
|
||
finishing the cream. "I feel this way. One cannot tell what
|
||
black eyes are thinking. They are a mystery, and as such they
|
||
atract me. Almost all murderers have black eyes."
|
||
|
||
"Jane!" I exclaimed.
|
||
|
||
"They mean passion," she muzed. "They are _strong_ eyes.
|
||
Did you ever see a black-eyed man with glasses? Never. Bab, are
|
||
you engaged to Tom?"
|
||
|
||
"Practicaly."
|
||
|
||
I saw that she wished details, but I am not that sort. I am
|
||
not the kind to repeat what has been said to me in the emotion
|
||
of Love. I am one to bury sentament deep in my heart, and have
|
||
therfore the reputation of being cold and indiferent. But better
|
||
that than having the Male Sex afraid to tell me how I effect
|
||
them for fear of it being repeated to other girls, as some do.
|
||
|
||
"Of course it cannot be soon, if at all," I said. "He has
|
||
three more years of College, and as you know, here they regard
|
||
me as a child."
|
||
|
||
"You have your own income."
|
||
|
||
That reminded me of the reason for my having sought the
|
||
privasy of my Chamber. I said:
|
||
|
||
"Jane, I am thinking of buying an automobile. Not a
|
||
Limousine, but somthing styleish and fast. I must have Speed, if
|
||
nothing else."
|
||
|
||
She stopped eating a caromel and gave me a stunned look.
|
||
|
||
"What for?"
|
||
|
||
"For emergencies."
|
||
|
||
"Then they disaprove of him?" she said, in a low, tence
|
||
voice.
|
||
|
||
"They know but little, although what they suspect--Jane,"
|
||
I said, my bitterness bursting out, "what am I now? Nothing. A
|
||
prisoner, or the equivalent of such, forbiden everything because
|
||
I am to young! My Soul hampered by being taken to the country
|
||
where there is nothing to do, given a pony cart, although but 2O
|
||
months younger than Leila, and not going to come out until she
|
||
is married, or permanently engaged."
|
||
|
||
"It _is_ hard," said Jane. "Heart-breaking, Bab."
|
||
|
||
We sat, in deep and speachless gloom. At last Jane said:
|
||
|
||
"Has she anyone in sight?"
|
||
|
||
"How do I know? They keep me away at School all year. I am
|
||
but a stranger here, although I try hard to be otherwise."
|
||
|
||
"Because we might help along, if there is anyone. To get
|
||
her married is your only hope, Bab. They're afraid of you.
|
||
That's all. You're the tipe to atract Men, except your noze, and
|
||
you could help that by pulling it. My couzin did that, only she
|
||
did it to much, and made it pointed."
|
||
|
||
I looked in my mirror and sighed. I have always desired an
|
||
aristocratic noze, but a noze cannot be altered like teeth,
|
||
unless broken and then generaly not improved.
|
||
|
||
"I have tried a shell hair pin at night, but it falls off
|
||
when I go to sleep," I said, in a despondant manner.
|
||
|
||
We sat for some time, eating caromels and thinking about
|
||
Leila, because there was nothing to do with my noze, but Leila
|
||
was diferent.
|
||
|
||
"Although," Jane said, "you will never be able to live your
|
||
own Life until she is gone, Bab."
|
||
|
||
"There is Carter Brooks," I suggested. "But he is poor. And
|
||
anyhow she is not in Love with him."
|
||
|
||
"Leila is not one to care about Love," said Jane. "That
|
||
makes it eazier."
|
||
|
||
"But whom?" I said. "Whom, Jane?"
|
||
|
||
We thought and thought, but of course it was hard, for we
|
||
knew none of those who filled my sister's life, or sent her
|
||
flours and so on.
|
||
|
||
At last I said:
|
||
|
||
"There must be a way, Jane. _There must be_. And if not, I
|
||
shall make one. For I am desparate. The mere thought of going
|
||
back to school, when I am as old as at present and engaged also,
|
||
is madening."
|
||
|
||
But Jane held out a warning hand.
|
||
|
||
"Go slow, dearie," she said, in a solemn tone. "Do nothing
|
||
rash. Remember this, that she is your sister, and should be
|
||
hapily married if at all. Also she needs one with a strong hand
|
||
to control her. And such are not easy to find. You must not ruin
|
||
her Life."
|
||
|
||
Considering the fatal truth of that, is it any wonder that,
|
||
on contemplateing the events that folowed, I am ready to cry,
|
||
with the great poet Hood: 1835-1874: whose numerous works we
|
||
studied during the spring term:
|
||
|
||
_Alas, I have walked through life_
|
||
|
||
_To heedless where I trod_;
|
||
|
||
_Nay, helping to trampel my fellow worm_,
|
||
|
||
_And fill the burial sod_.
|
||
|
||
II
|
||
|
||
If I were to write down all the surging thoughts that
|
||
filled my brain this would have to be a Novel instead of a Short
|
||
Story. And I am not one who beleives in beginning the life of
|
||
Letters with a long work. I think one should start with breif
|
||
Romanse. For is not Romanse itself but breif, the thing of an
|
||
hour, at least to the Other Sex?
|
||
|
||
Women and girls, having no interest outside their hearts,
|
||
such as baseball and hockey and earning saleries, are more
|
||
likely to hug Romanse to their breasts, until it is finaly
|
||
drowned in their tears.
|
||
|
||
I pass over the next few days, therfore, mearly stating
|
||
that my _affaire de couer_ went on rapidly, and that Leila was
|
||
sulkey _and had no Male visitors_. On the day after the Ball
|
||
Game Tom took me for a walk, and in a corner of the park, he
|
||
took my hand and held it for quite a while. He said he had never
|
||
been a hand-holder, but he guessed it was time to begin. Also he
|
||
remarked that my noze need not worry me, as it exactly suited my
|
||
face and nature.
|
||
|
||
"How does it suit my nature?" I asked.
|
||
|
||
"It's--well, it's cute."
|
||
|
||
"I do not care about being cute, Tom," I said ernestly. "It
|
||
is a word I despize."
|
||
|
||
"Cute means kissible, Bab!" he said, in an ardent manner.
|
||
|
||
"I don't beleive in kissing."
|
||
|
||
"Well," he observed, "there is kissing and kissing."
|
||
|
||
But a nurse with a baby in a perambulater came along just
|
||
then and nothing happened worth recording. As soon as she had
|
||
passed, however, I mentioned that kissing was all right if one
|
||
was engaged, but not otherwise. And he said:
|
||
|
||
"But we are, aren't we?"
|
||
|
||
Although understood before, it had now come in full force.
|
||
I, who had been but Barbara Archibald before, was now engaged.
|
||
Could it be I who heard my voice saying, in a low tone, the
|
||
"yes" of Destiny? It was!
|
||
|
||
We then went to the corner drug-store and had some soda,
|
||
although forbiden by my Familey because of city water being
|
||
used. How strange to me to recall that I had once thought the
|
||
Clerk nice-looking, and had even purchaced things there, such as
|
||
soap and chocolate, in order to speak a few words to him!
|
||
|
||
I was engaged, dear Reader, but not yet kissed. Tom came
|
||
into our vestabule with me, and would doubtless have done so
|
||
when no one was passing, but that George opened the door
|
||
suddenly.
|
||
|
||
However, what difference, when we had all the rest of our
|
||
Lives to kiss in? Or so I then considered.
|
||
|
||
Carter Brooks came to dinner that night because his people
|
||
were out of town, and I think he noticed that I looked mature
|
||
and dignafied, for he stared at me a lot. And father said:
|
||
|
||
"Bab, you're not eating. Is it possable that that boarding
|
||
school hollow of yours is filling up?"
|
||
|
||
One's Familey is apt to translate one's finest Emotions
|
||
into terms of food and drink. Yet could I say that it was my
|
||
Heart and not my Stomache that was full? I could not.
|
||
|
||
During dinner I looked at Leila and wondered how she could
|
||
be married off. For until so I would continue to be but a Child,
|
||
and not allowed to be engaged or anything. I thought if she
|
||
would eat some starches it would help, she being pretty but
|
||
thin. I therfore urged her to eat potatos and so on, because of
|
||
evening dress and showing her coller bones, but she was quite
|
||
nasty.
|
||
|
||
"Eat your dinner," she said in an unfraternal maner, "and
|
||
stop watching me. They're _my_ bones."
|
||
|
||
"I have no intention of being criticle," I said. "And they
|
||
are vour bones, although not a matter to brag about. But I was
|
||
only thinking, if you were fater and had a permanant wave put in
|
||
your hair, because one of the girls did and it hardly broke off
|
||
at all"
|
||
|
||
She then got up and flung down her napkin.
|
||
|
||
"Mother!" she said. "Am I to stand this sort of thing
|
||
indefinately? Because if I am I shall go to France and scrub
|
||
floors in a Hospitle."
|
||
|
||
Well, I reflected, that would be almost as good as having
|
||
her get married. Besides being a good chance to marry over
|
||
there, the unaform being becoming to most, especialy of Leila's
|
||
tipe.
|
||
|
||
That night, in the drawing room, while Sis sulked and
|
||
father was out and mother was ofering the cook more money to go
|
||
to the country, I said to Carter Brooks:
|
||
|
||
"Why don't you stop hanging round, and make her marry you?"
|
||
|
||
"I'd like to know what's running about in that mad head of
|
||
yours, Bab," he said. "Of course if you say so I'll try, but
|
||
don't count to much on it. I don't beleive she'll have me. But
|
||
why this unseemly haste?"
|
||
|
||
So I told him, and he understood perfectly, although I did
|
||
not say that I had already plited my troth.
|
||
|
||
"Of course," he said. "If that fails there is another
|
||
method of aranging things, although you may not care to have the
|
||
Funeral Baked Meats set fourth to grace the Marriage Table. If
|
||
she refuses me, we might become engaged. You and I."
|
||
|
||
To proposals in one day. Ye gods!
|
||
|
||
I was obliged therfore to tell him I was already engaged,
|
||
and he looked very queer, especialy when I told him to whom it
|
||
was.
|
||
|
||
"Pup!" he said, in a manner which I excused because of his
|
||
natural feelings at being preceded. "And of course this is the
|
||
real thing?"
|
||
|
||
"I am not one to change easily, Carter" I said. "When I
|
||
give I give freely. A thing like this, with me, is to Eternaty,
|
||
and even beyond."
|
||
|
||
He is usualy most polite, but he got up then and said:
|
||
|
||
"Well, I'm dammed."
|
||
|
||
He went away soon after, and left Sis and me to sit alone,
|
||
not speaking, because when she is angry she will not speak to me
|
||
for days at a time. But I found a Magazine picture of a Duchess
|
||
in a nurse's dress and wearing a fringe, which is English for
|
||
bangs, and put it on her dressing table.
|
||
|
||
I felt that this was subtile and would sink in.
|
||
|
||
The next day Jane came around early.
|
||
|
||
"There's a sail on down town, Bab," she said. "Don't you
|
||
want to begin laying away underclothes for your _Trouseau_? You
|
||
can't begin to soon, because it takes such a lot."
|
||
|
||
I have no wish to reflect on Jane in this story. She meant
|
||
well. But she knew I had decided to buy an automobile, saying
|
||
nothing to the Familey until to late, when I had learned to
|
||
drive it and it could not be returned. Also she knew my Income,
|
||
which was not princly although suficient.
|
||
|
||
But she urged me to take my Check Book and go to the sail.
|
||
|
||
Now, if I have a weakness, it is for fine under things,
|
||
with ribbon of a pale pink and everything maching. Although I
|
||
spent but fifty-eight dollars and sixty-five cents on the
|
||
_Trouseau_ that day, I felt uneasy, especialy as, just
|
||
afterwards, I saw in a window a costume for a woman _chauffeur_,
|
||
belted lether coat and leggings, skirt and lether cap.
|
||
|
||
I gave a check for it also, and on going home hid my Check
|
||
Book, as Hannah was always snooping around and watching how much
|
||
I spent. But luckaly we were packing for the country, and she
|
||
did not find it.
|
||
|
||
During that evening I reflected about marrying Leila off,
|
||
as the Familey was having a dinner and I was sent a tray to my
|
||
Chamber, consisting of scrambeled eggs, baked potatos and
|
||
junket, which considering that I was engaged and even then
|
||
colecting my _Trouseau_, was to juvenile for words.
|
||
|
||
I decided this: that Leila was my sister and therfore bound
|
||
to me by ties of Blood and Relationship. She must not be married
|
||
to anyone, therfore, whom she did not love or at least respect.
|
||
I would not doom her to be unhappy.
|
||
|
||
Now I have a qualaty which is well known at school, and
|
||
frequently used to obtain holadays and so on. It may be
|
||
Magnatism, it may be Will. I have a very strong Will, having as
|
||
a child had a way of lying on the floor and kicking my feet if
|
||
thwarted. In school, by fixing my eyes ridgidly on the teacher,
|
||
I have been able to make her do as I wish, such as not calling
|
||
on me when unprepared, et cetera.
|
||
|
||
Full well I know the danger of such a Power, unless used
|
||
for good.
|
||
|
||
I now made up my mind to use this Will, or Magnatism, on
|
||
Leila, she being unsuspicious at the time and thinking that the
|
||
thought of Marriage was her own, and no one else's.
|
||
|
||
Being still awake when the Familey came upstairs, I went
|
||
into her room and experamented while she was taking down her
|
||
hair.
|
||
|
||
"Well?" she said at last. "You needn't stare like that. I
|
||
can't do my hair this way without a Swich."
|
||
|
||
"I was merely thinking," I said in a lofty tone.
|
||
|
||
"Then go and think in bed."
|
||
|
||
"Does it or does it not concern you as to what I was
|
||
thinking?" I demanded.
|
||
|
||
"It doesn't greatly concern me," she replied, wraping her
|
||
hair around a kid curler, "but I darsay I know what it was. It's
|
||
written all over you in letters a foot high. You'd like me to
|
||
get married and out of the way."
|
||
|
||
I was exultent yet terrafied at this result of my
|
||
Experament. Already! I said to my wildly beating heart. And if
|
||
thus in five minutes what in the entire summer?
|
||
|
||
On returning to my Chamber I spent a pleasant hour planing
|
||
my maid-of-honor gown, which I considered might be blue to mach
|
||
my eyes, with large pink hat and carrying pink flours.
|
||
|
||
The next morning father and I breakfasted alone, and I said
|
||
to him:
|
||
|
||
"In case of festivaty in the Familey, such as a Wedding, is
|
||
my Allowence to cover clothes and so on for it?"
|
||
|
||
He put down his paper and searched me with a peircing
|
||
glanse. Although pleasant after ten A. M. he is not realy
|
||
paternal in the early morning, and when Mademoiselle was still
|
||
with us was quite hateful to her at times, asking her to be good
|
||
enough not to jabber French at him untill evening when he felt
|
||
stronger.
|
||
|
||
"Whose Wedding?" he said.
|
||
|
||
"Well," I said. "You've got to Daughters and we might as
|
||
well look ahead."
|
||
|
||
"I intend to have to Daughters," he said, "for some time to
|
||
come. And while we're on the subject, Bab, I've got somthing to
|
||
say to you. Don't let that romantic head of yours get filled up
|
||
with Sweethearts, because you are still a little girl, with all
|
||
your airs. If I find any boys mooning around here, I'll--I'll
|
||
shoot them."
|
||
|
||
Ye gods! How intracate my life was becoming! I engaged and
|
||
my masculine parent convercing in this homacidal manner! I
|
||
withdrew to my room and there, when Jane Raleigh came later,
|
||
told her the terrable news.
|
||
|
||
"Only one thing is to be done, Jane," I said, my voice
|
||
shaking. "Tom must be warned."
|
||
|
||
"Call him up," said Jane, "and tell him to keep away."
|
||
|
||
But this I dare not do.
|
||
|
||
"Who knows, Jane," I observed, in a forlorn manner, "but
|
||
that the telephone is watched? They must suspect. But how?
|
||
_How_?"
|
||
|
||
Jane was indeed a _fidus A chates_. She went out to the
|
||
drug store and telephoned to Tom, being careful not to mention
|
||
my name, because of the clerk at the soda fountain listening,
|
||
saying merely to keep away from a Certain Person for a time as
|
||
it was dangerous. She then merely mentioned the word "revolver"
|
||
as meaning nothing to the clerk but a great deal to Tom. She
|
||
also aranged a meeting in the Park at 3 P. M. as being the hour
|
||
when father signed his mail before going to his Club to play
|
||
bridge untill dinner.
|
||
|
||
Our meeting was a sad one. How could it be otherwise, when
|
||
to loving Hearts are forbiden to beat as one, or even to meet?
|
||
And when one or the other is constantly saying:
|
||
|
||
"Turn your back. There is some one I know coming!"
|
||
|
||
Or:
|
||
|
||
"There's the Peters's nurse, and she's the worst talker you
|
||
ever heard of." And so on.
|
||
|
||
At one time Tom would have been allowed to take out their
|
||
Roadster, but unfortunately he had been forbiden to do so, owing
|
||
to having upset it while taking his Grandmother Gray for an
|
||
airing, and was not to drive again until she could walk without
|
||
cruches.
|
||
|
||
"Won't your people let you take out a car?" he asked.
|
||
"Every girl ought to know how to drive, in case of war or the
|
||
_chauffeur_ leaving----"
|
||
|
||
"----or taking a Grandmother for an airing!" I said coldly.
|
||
Because I did not care to be criticized when engaged only a few
|
||
hours.
|
||
|
||
However, after we had parted with mutual Protestations, I
|
||
felt the desire that every engaged person of the Femanine Sex
|
||
always feels, to apear perfect to the one she is engaged to. I
|
||
therfore considered whether to ask Smith to teach me to drive
|
||
one of our cars or to purchace one of my own, and be responsable
|
||
to no one if muddy, or arrested for speeding, or any other
|
||
Vicissatude.
|
||
|
||
On the next day Jane and I looked at automobiles, starting
|
||
with ones I could not aford so as to clear the air, as Jane
|
||
said. At last we found one I could aford. Also its lining
|
||
matched my costume, being tan. It was but six hundred dollars,
|
||
having been more but turned in by a lady after three hundred
|
||
miles because she was of the kind that never learns to drive but
|
||
loses its head during an emergency and forgets how to stop, even
|
||
though a Human Life be in its path.
|
||
|
||
The Salesman said that he could tell at a glanse that I was
|
||
not that sort, being calm in danger and not likly to chase a
|
||
chicken into a fense corner and murder it, as some do when
|
||
excited.
|
||
|
||
Jane and I consulted, for buying a car is a serious matter
|
||
and not to be done lightly, especialy when one has not consulted
|
||
one's Familey and knows not where to keep the car when
|
||
purchaced. It is not like a dog, which I have once or twice kept
|
||
in a clandestine manner in the Garage, because of flees in the
|
||
house.
|
||
|
||
"The trouble is," Jane said, "that if you don't take it
|
||
some one will, and you will have to get one that costs more."
|
||
|
||
True indeed, I reflected, with my Check Book in my hand.
|
||
|
||
Ah, would that some power had whispered in my ear "No. By
|
||
purchacing the above car you are endangering that which lies
|
||
near to your Heart and Mind. Be warned in time."
|
||
|
||
But no sign came. No warning hand was outstretched to put
|
||
my Check Book back in my pocket book. I wrote the Check and
|
||
sealed my doom.
|
||
|
||
How weak is human nature! It is terrable to remember the
|
||
rapture of that moment, and compare it with my condition now,
|
||
with no Allowence, with my faith gone and my heart in fragments.
|
||
And with, alas, another year of school.
|
||
|
||
As we were going to the country in but a few days, I
|
||
aranged to leave my new Possesion, merely learning to drive it
|
||
meanwhile, and having my first lesson the next day.
|
||
|
||
"Dearest," Jane said as we left. "I am thriled to the
|
||
depths. The way you do things is wonderfull. You have no fear,
|
||
none whatever. With your father's Revenge hanging over you, and
|
||
to secrets, you are calm. Perfectly calm."
|
||
|
||
"I fear I am reckless, Jane," I said, wistfully. "I am not
|
||
brave. I am reckless, and also desparate."
|
||
|
||
"You poor darling!" she said, in a broken voice. "When I
|
||
think of all you are suffering, and then see your smile, my
|
||
Heart aches for you."
|
||
|
||
We then went in and had some ice cream soda, which I paid
|
||
for, Jane having nothing but a dollar, which she needed for a
|
||
manacure. I also bought a key ring for Tom, feeling that he
|
||
should have somthing of mine, a token, in exchange for the Frat
|
||
pin.
|
||
|
||
I shall pass over lightly the following week, during which
|
||
the Familey was packing for the country and all the servants
|
||
were in a bad humer. In the mornings I took lessons driving the
|
||
car, which I called the Arab, from the well-known song, which we
|
||
have on the phonograph;
|
||
|
||
_From the Dessert I come to thee_,
|
||
|
||
_On my Arab shod with fire_.
|
||
|
||
The instructer had not heard the song, but he said it was
|
||
a good name, because very likly no one else would think of
|
||
having it.
|
||
|
||
"It sounds like a love song," he observed.
|
||
|
||
"It is," I replied, and gave him a steady glanse. Because,
|
||
if one realy loves, it is silly to deny it.
|
||
|
||
"Long ways to a Dessert, isn't it?" he inquired.
|
||
|
||
"A Dessert may be a place, or it may be a thirsty and emty
|
||
place in the Soul," I replied. "In my case it is Soul, not
|
||
terratory."
|
||
|
||
But I saw that he did not understand.
|
||
|
||
How few there are who realy understand! How many of us, as
|
||
I, stand thirsty in the market place, holding out a cup for a
|
||
kind word or for some one who sees below the surface, and
|
||
recieve nothing but indiference!
|
||
|
||
On Tuesday the Grays went to their country house, and Tom
|
||
came over to say good-bye. Jane had told him he could come, as
|
||
the Familey would be out.
|
||
|
||
The thought of the coming seperation, although but for four
|
||
days, caused me deep greif. Although engaged for only a short
|
||
time, already I felt how it feels to know that in the vicinaty
|
||
is some one dearer than Life itself. I felt I must speak to some
|
||
one, so I observed to Hannah that I was most unhappy, but not to
|
||
ask me why. I was dressing at the time, and she was hooking me
|
||
up.
|
||
|
||
"Unhappy!" she said, "with a thousand dollars a year, and
|
||
naturaly curly hair! You ought to be ashamed, Miss Bab."
|
||
|
||
"What is money, or even hair?" I asked, "when one's Heart
|
||
aches?"
|
||
|
||
"I guess it's your stomache and not your Heart," she said.
|
||
"With all the candy you eat. If you'd take a dose of magnezia
|
||
to-night, Miss Bab, with some orange juice to take the taste
|
||
away, you'd feel better right off."
|
||
|
||
I fled from my chamber.
|
||
|
||
I have frequently wondered how it would feel to be going
|
||
down a staircase, dressed in one's best frock, low neck and no
|
||
sleaves, to some loved one lurking below, preferably in evening
|
||
clothes, although not necesarily so. To move statuesqly and yet
|
||
tenderly, apearing indiferent but inwardly seathing, while below
|
||
pasionate eyes looked up as I floated down.
|
||
|
||
However, Tom had not put on evening dress, his clothes
|
||
being all packed. He was taking one of father's cigars as I
|
||
entered the library, and he looked very tall and adolesent,
|
||
although thin. He turned and seeing me, observed:
|
||
|
||
"Great Scott, Bab! Why the raiment?"
|
||
|
||
"For you," I said in a low tone.
|
||
|
||
"Well, it makes a hit with me all right," he said.
|
||
|
||
And came toward me.
|
||
|
||
When Jane Raleigh was first kissed by a member of the Other
|
||
Sex, while in a hammick, she said she hated to be kissed until
|
||
he did it, and then she liked it. I at the time had considered
|
||
Jane as flirtatous and as probably not hating it at all. But now
|
||
I knew she was right, for as I saw Tom coming toward me after
|
||
laying fatther's cigar on the piano, I felt that _I could not
|
||
bear it_.
|
||
|
||
And this I must say, here and now. I do not like kissing.
|
||
Even then, in that first embrase of to, I was worried because I
|
||
could smell the varnish burning on the Piano. I therfore
|
||
permited but one salute on the cheek and no more before removing
|
||
the cigar, which had burned a large spot.
|
||
|
||
"Look here," he said, in a stern manner, "are we engaged or
|
||
aren't we? Because I'd like to know."
|
||
|
||
"If you are to demonstrative, no!" I replied, firmly.
|
||
|
||
"If you call that a kiss, I don't."
|
||
|
||
"It sounded like one," I said. "I suppose you know more
|
||
than I do what is a kiss and what is not. But I'll tell you
|
||
this--there is no use keeping our amatory affairs to ourselves
|
||
and then kissing so the Butler thinks the fire whistle is
|
||
blowing."
|
||
|
||
We then sat down, and I gave him the key ring, which he
|
||
said was a dandy. I then told him about getting Sis married and
|
||
out of the way. He thought it was a good idea.
|
||
|
||
"You'll never have a chance as long as she's around," he
|
||
observed, smoking father's cigar at intervals. "They're afraid
|
||
of you, and that's flat. It's your Eyes. That's what got me,
|
||
anyhow." He blue a smoke ring and sat back with his legs
|
||
crossed. "Funny, isn't it?" he said. "Here we are, snug as
|
||
weavils in a cotton thing-un-a-gig, and only a week ago there
|
||
was nothing between us but to brick walls. Hot in here, don't
|
||
you think?"
|
||
|
||
"Only a week!" I said. "Tom, I've somthing to tell you.
|
||
That is the nice part of being engaged--to tell things that one
|
||
would otherwise bury in one's own Bosom. I shall have no secrets
|
||
from you from henceforward."
|
||
|
||
So I told him about the car and how we could drive together
|
||
in it, and no one would know it was mine, although I would tell
|
||
the Familey later on, when to late to return it. He said little,
|
||
but looked at me and kept on smoking, and was not as excited as
|
||
I had expected, although interested.
|
||
|
||
But in the midst of my Narative he rose quickly and
|
||
observed:
|
||
|
||
"Bab, I'm poizoned!"
|
||
|
||
I then perceived that he was pale and hagard. I rose to my
|
||
feet, and thinking it might be the cigar, I asked him if he
|
||
would care for a peice of chocolate cake to take the taste away.
|
||
But to my greif he refused very snappishly and without a
|
||
Farewell slamed out of the house, leaving his hat and so forth
|
||
in the hall.
|
||
|
||
A bitter night ensued. For I shall admit that terrable
|
||
thoughts filled my mind, although how perpetrated I knew not.
|
||
Would those who loved me stoop to such depths as to poizon my
|
||
afianced? And if so, whom?
|
||
|
||
The very thought was sickning.
|
||
|
||
I told Jane the next morning, but she pretended to beleive
|
||
that the cigar had been to strong for him, and that I should
|
||
remember that, although very good-hearted, he was a mere child.
|
||
But, if poizon, she suggested Hannah.
|
||
|
||
That day, although unerved from anxiety, I took the Arab
|
||
out alone, having only Jane with me. Except that once I got into
|
||
reverce instead of low geer, and broke a lamp on a Gentleman
|
||
behind, I had little or no trouble, although having one or to
|
||
narrow escapes owing to putting my foot on the gas throttle
|
||
instead of the brake.
|
||
|
||
It was when being backed off the pavment by to Policemen
|
||
and a man from a milk wagon, after one of the aforsaid mistakes,
|
||
that I first saw he who was to bring such wrechedness to me.
|
||
|
||
Jane had got out to see how much milk we had spilt--we had
|
||
struck the milk wagon--and I was getting out my check book,
|
||
because the man was very nasty and insisted on having my name,
|
||
when I first saw him. He had stopped and was looking at the
|
||
gutter, which was full of milk. Then he looked at me.
|
||
|
||
"How much damages does he want?" he said in a respectful
|
||
tone.
|
||
|
||
"Twenty dollars," I replied, not considering it flirting to
|
||
merely reply in this manner.
|
||
|
||
The Stranger then walked over to the milkman and said:
|
||
|
||
"A very little spilt milk goes a long way. Five dollars is
|
||
plenty for that and you know it."
|
||
|
||
"How about me getting a stitch in my chin, and having to
|
||
pay for that?"
|
||
|
||
I beleive I have not said that the milk man was cut in the
|
||
chin by a piece of a bottle.
|
||
|
||
"Ten, then," said my friend in need.
|
||
|
||
When it was all over, and I had given two dollars to the
|
||
old woman who had been in the milk wagon and was knocked out
|
||
although only bruized, I went on, thinking no more about the
|
||
Stranger, and almost running into my father, who did not see me.
|
||
|
||
That afternoon I realized that I must face the state of
|
||
afairs, and I added up the Checks I had made out. Ye gods! Of
|
||
all my Money there now remaind for the ensuing year but two
|
||
hundred and twenty nine dollars and forty five cents.
|
||
|
||
I now realized that I had been extravagant, having spent so
|
||
much in six days. Although I did not regard the Arab as such,
|
||
because of saving car fare and half soleing shoes. Nor the
|
||
_Trouseau_, as one must have clothing. But facial masage and
|
||
manacures and candy et cetera I felt had been wastefull.
|
||
|
||
At dinner that night mother said:
|
||
|
||
"Bab, you must get yourself some thin frocks. You have
|
||
absolutely nothing. And Hannah says you have bought nothing.
|
||
After all a thousand dollars is a thousand dollars. You can have
|
||
what you ought to have. Don't be to saving."
|
||
|
||
"I have not the interest in clothes I once had, mother" I
|
||
replied. "If Leila will give me her old things I will use them."
|
||
|
||
"Bab!" mother said, with a peircing glanse, "go upstairs
|
||
and bring down your Check Book."
|
||
|
||
I turned pale with fright, but father said:
|
||
|
||
"No, my dear. Suppose we let this thing work itself out. It
|
||
is Barbara's money, and she must learn."
|
||
|
||
That night, when I was in bed and trying to divide $229.45
|
||
by 12 months, father came in and sat down on the bed.
|
||
|
||
"There doesn't happen to be anything you want to say to me,
|
||
I suppose, Bab?" he inquired in a gentle tone.
|
||
|
||
Although not a weeping person, shedding but few tears even
|
||
when punished in early years, his kind tone touched my Heart,
|
||
and made me lachrymoze. Such must always be the feelings of
|
||
those who decieve.
|
||
|
||
But, although bent, I was not yet broken. I therfore wept
|
||
on in silence while father patted my back.
|
||
|
||
"Because," he said, "while I am willing to wait until you
|
||
are ready, when things begin to get to thick I want you to know
|
||
that I'm around, the same as usual."
|
||
|
||
He kissed the back of my neck, which was all that was
|
||
visable, and went to the door. From there he said, in a low
|
||
tone:
|
||
|
||
"And by the way, Bab, I think, since you bought me the Tie,
|
||
it would be rather nice to get your mother somthing also. How
|
||
about it? Violets, you know, or--or somthing."
|
||
|
||
Ye gods! Violets at five dollars a hundred. But I agreed.
|
||
I then sat up in bed and said:
|
||
|
||
"Father, what would you say if you knew some one was
|
||
decieving you?"
|
||
|
||
"Well," he said, "I am an old Bird and hard to decieve. A
|
||
good many people think they can do it, however, and now and then
|
||
some one gets away with it."
|
||
|
||
I felt softened and repentent. Had he but patted me once
|
||
more, I would have told all. But he was looking for a match for
|
||
his cigar, and the opportunaty passed.
|
||
|
||
"Well," he said, "close up that active brain of yours for
|
||
the night, Bab, and here are to `don'ts' to sleep on. Don't
|
||
break your neck in--in any way. You're a reckless young Lady.
|
||
And don't elope with the first moony young idiot who wants to
|
||
hold your hand. There will quite likly be others."
|
||
|
||
Others! How heartless! How cynical! Were even those I love
|
||
best to worldly to understand a monogamous Nature?
|
||
|
||
When he had gone out, I rose to hide my Check Book in the
|
||
crown of an old hat, away from Hannah. Then I went to the window
|
||
and glansed out. There was no moon, but the stars were there as
|
||
usual, over the roof of that emty domacile next door, whence all
|
||
life had fled to the neighborhood of the Country Club.
|
||
|
||
But a strange thing caught my eye and transfixed it. There
|
||
on the street, looking up at our house, now in the first throes
|
||
of sleep, was the Stranger I had seen that afternoon when I had
|
||
upset the milk wagon against the Park fense.
|
||
|
||
III
|
||
|
||
I shall now remove the Familey to the country, which is
|
||
easier on paper than in the flesh, owing to having to take
|
||
china, silver, bedding and edables. Also porch furnature and so
|
||
on.
|
||
|
||
Sis acted very queer while we were preparing. She sat in
|
||
her room and knited, and was not at home to Callers, although
|
||
there were not many owing to summer and every one away. When she
|
||
would let me in, which was not often, as she said I made her
|
||
head ache, I tried to turn her thoughts to marriage or to
|
||
nursing at the War, which was for her own good, since she is of
|
||
the kind who would never be happy leading a simple life, but
|
||
should be married.
|
||
|
||
But alas for all my hopes. She said, on the day before we
|
||
left, while packing her jewel box:
|
||
|
||
"You might just as well give up trying to get rid of me,
|
||
Barbara. Because I do not intend to marry any one."
|
||
|
||
"Very well, Leila," I said, in a cold tone. "Of course it
|
||
matters not to me, because I can be kept in school untill I am
|
||
thirty, and never come out or have a good time, and no one will
|
||
care. But when you are an old woman and have not employed your
|
||
natural function of having children to suport you in Age, don't
|
||
say I did not warn you."
|
||
|
||
"Oh, you'll come out all right," she said, in a brutal
|
||
manner. "You'll come out like a sky rocket. You'd be as
|
||
impossable to supress as a boil."
|
||
|
||
Carter Brooks came around that afternoon and we played
|
||
marbels in the drawing room with moth balls, as the rug was up.
|
||
It was while sitting on the floor eating some candy he had
|
||
brought that I told him that there was no use hanging around, as
|
||
Leila was not going to marry. He took it bravely, and said that
|
||
he saw nothing to do but to wait for some of the younger crowd
|
||
to grow up, as the older ones had all refused him.
|
||
|
||
"By the way," he said. "I thought I saw you running a car
|
||
the other day. You were chasing a fox terier when I saw you, but
|
||
I beleive the dog escaped."
|
||
|
||
I looked at him and I saw that, although smiling, he was
|
||
one who could be trusted, even to the Grave.
|
||
|
||
"Carter," I said. "It was I, although when you saw me I
|
||
know not, as dogs are always getting in the way."
|
||
|
||
I then told him about the pony cart, and the Allowence, and
|
||
saving car fare. Also that I felt that I should have some
|
||
pleasure, even if _sub rosa_, as the expression is. But I told
|
||
him also that I disliked decieving my dear parents, who had
|
||
raised me from infancy and through meazles, whooping cough and
|
||
shingles.
|
||
|
||
"Do you mean to say," he said in an astounded voice, "that
|
||
you have _bought_ that car?"
|
||
|
||
"I have. And paid for it."
|
||
|
||
Being surprized he put a moth ball into his mouth, instead
|
||
of a gum drop.
|
||
|
||
"Well," he said, "you'll have to tell them. You can't hide
|
||
it in a closet, you know, or under the bed."
|
||
|
||
"And let them take it away? Never."
|
||
|
||
My tone was firm, and he saw that I meant it, especialy
|
||
when I explained that there would be nothing to do in the
|
||
country, as mother and Sis would play golf all day, and I was
|
||
not allowed at the Club, and that the Devil finds work for idle
|
||
hands.
|
||
|
||
"But where in the name of good sense are you going to keep
|
||
it?" he inquired, in a wild tone.
|
||
|
||
"I have been thinking about that," I said. "I may have to
|
||
buy a portible Garage and have it set up somwhere."
|
||
|
||
"Look here," he said, "you give me a little time on this,
|
||
will you? I'm not naturaly a quick thinker, and somhow my brain
|
||
won't take it all in just yet. I suppose there's no use telling
|
||
you not to worry, because you are not the worrying kind."
|
||
|
||
How little he knew of me, after years of calls and
|
||
conversation!
|
||
|
||
Just before he left he said: "Bab, just a word of advise
|
||
for you. Pick your Husband, when the time comes, with care. He
|
||
ought to have the solidaty of an elephant and the mental agilaty
|
||
of a flee. But no imagination, or he'll die a lunatic."
|
||
|
||
The next day he telephoned and said that he had found a
|
||
place for the car in the country, a shed on the Adams' place,
|
||
which was emty, as the Adams's were at Lakewood. So that was
|
||
fixed.
|
||
|
||
Now my plan about the car was this: Not to go on
|
||
indefanitely decieving my parents, but to learn to drive the car
|
||
as an expert. Then, when they were about to say that I could not
|
||
have one as I would kill myself in the first few hours, to say:
|
||
|
||
"You wrong me. I have bought a car, and driven it
|
||
for----days, and have killed no one, or injured any one beyond
|
||
bruizes and one stitch."
|
||
|
||
I would then disapear down the drive, returning shortly in
|
||
the Arab, which, having been used----days, could not be returned.
|
||
|
||
All would have gone as aranged had it not been for the
|
||
fatal question of Money.
|
||
|
||
Owing to having run over some broken milk bottles on the
|
||
ocasion I have spoken of, I was obliged to buy a new tire at
|
||
thirty-five dollars. I also had a bill of eleven dollars for
|
||
gasoline, and a fine of ten dollars for speeding, which I paid
|
||
at once for fear of a Notice being sent home.
|
||
|
||
This took fifty-six dollars more, and left me but $183.45
|
||
for the rest of the year, $15.28 a month to dress on and pay all
|
||
expences. To add to my troubles mother suddenly became very
|
||
fussy about my clothing and insisted that I purchace a new suit,
|
||
hat and so on, which cost one hundred dollars and left me on the
|
||
verge of penury.
|
||
|
||
Is it surprizing that, becoming desparate, I seized at any
|
||
straw, however intangable?
|
||
|
||
I paid a man five dollars to take the Arab to the country
|
||
and put it in the aforsaid shed, afterwards hiding the key under
|
||
a stone outside. But, although needing relaxation and pleasure
|
||
during those sad days, I did not at first take it out, as I felt
|
||
that another tire would ruin me.
|
||
|
||
Besides, they had the Pony Cart brought every day, and I
|
||
had to take it out, pretending enjoyment I could not feel, since
|
||
acustomed to forty miles an hour and even more at times.
|
||
|
||
I at first invited Tom to drive with me in the Cart,
|
||
thinking that merely to be together would be pleasure enough.
|
||
But at last I was compeled to face the truth. Although
|
||
protesting devotion until death, Tom did not care for the Cart,
|
||
considering it juvenile for a college man, and also to small for
|
||
his legs.
|
||
|
||
But at last he aranged a plan, which was to take the Cart
|
||
as far as the shed, leave it there, and take out the car. This
|
||
we did frequently, and I taught Tom how to drive it.
|
||
|
||
I am not one to cry over spilt milk. But I am one to
|
||
confess when I have made a mistake. I do not beleive in laying
|
||
the blame on Providence when it belongs to the Other Sex,
|
||
either.
|
||
|
||
It was on going down to the shed one morning and finding a
|
||
lamp gone and another tire hanging in tatters that I learned the
|
||
Truth. He who should have guarded my interests with his very
|
||
Life, including finances, had been taking the Arab out in the
|
||
evenings when I was confined to the bosom of my Familey, and
|
||
using up gasoline et cetera besides riding with whom I knew not.
|
||
|
||
Eighty-three dollars and 45 cents less thirty-five dollars
|
||
for a tire and a bill for gasoline in the village of eight
|
||
dollars left me, for the balance of the year, but $40.45 or
|
||
$3.37 a month! And still a lamp missing.
|
||
|
||
It was terrable.
|
||
|
||
I sat on the running board and would have shed tears had I
|
||
not been to angry.
|
||
|
||
It was while sitting thus, and deciding to return the Frat
|
||
pin as costing to much in gasoline and patients, that I
|
||
percieved Tom coming down the road. His hand was tied up in a
|
||
bandige, and his whole apearance was of one who wishes to be
|
||
forgiven.
|
||
|
||
Why, oh, why, must women of my Sex do all the forgiving?
|
||
|
||
He stood in the doorway so I could see the bandige and
|
||
would be sorry for him. But I apeared not to notice him.
|
||
|
||
"Well?" he said.
|
||
|
||
I was silent.
|
||
|
||
"Now look here," he went on, "I'm darned lucky to be here
|
||
and not dead, young lady. And if you are going to make a fuss,
|
||
I'm going away and join the Ambulance in France."
|
||
|
||
"They'd better not let you drive a car if they care
|
||
anything about it," I said, coldly.
|
||
|
||
"That's it! Go to it! Give me the Devil, of course. Why
|
||
should you care that I have a broken arm, or almost?"
|
||
|
||
"Well," I said, in a cutting manner, "broken bones mend
|
||
themselves and do not have to be taken to a Garage, where they
|
||
charge by the hour and loaf most of the time. May I ask, if not
|
||
to much trouble to inform me, whom you took out in my car last
|
||
night? Because I'd like to send her your pin. I'd go on wearing
|
||
it, but it's to expencive."
|
||
|
||
"Oh, very well," he said. He then brought out my key ring,
|
||
although unable to take the keys off because of having but one
|
||
hand. "If you're as touchy as all that, and don't care for the
|
||
real story, I'm through. That's all."
|
||
|
||
I then began to feel remorceful. I am of a forgiving Nature
|
||
naturaly and could not forget that but yesterday he had been
|
||
tender and loving, and had let me drive almost half the time. I
|
||
therfore said:
|
||
|
||
"If you can explain I will listen. But be breif. I am in no
|
||
mood for words."
|
||
|
||
Well, the long and short of it was that I was wrong, and
|
||
should not have jumped to conclusions. Because the Gray's house
|
||
had been robbed the night before, taking all the silver and Mr.
|
||
Gray's dress suit, as well as shirts and so on, and as their
|
||
_chauffeur_ had taken one of the maids out _incognito_ and gone
|
||
over a bank, returning at seven A. M. in a hired hack, there was
|
||
no way to follow the theif. So Tom had taken my car and would
|
||
have caught him, having found Mr. Gray's trowsers on a fense,
|
||
although torn, but that he ran into a tree because of going very
|
||
fast and skiding.
|
||
|
||
He would have gone through the wind-shield, but that it was
|
||
down.
|
||
|
||
I was by that time mollafied and sorry I had been so angry,
|
||
especialy as Tom said:
|
||
|
||
"Father ofered a hundred dollars reward for his capture,
|
||
and as you have been adviseing me to save money, I went after
|
||
the hundred."
|
||
|
||
At this thought, that my _fiancee_ had endangered his hand
|
||
and the rest of his person in order to acquire money for our
|
||
ultamate marriage, my anger died.
|
||
|
||
I therfore submitted to an embrase, and washed the car,
|
||
which was covered with mud. as Tom had but one hand and that
|
||
holding a cigarette.
|
||
|
||
Now and then, Dear Reader, when not to much worried with
|
||
finances, I look back and recall those halycon days when Love
|
||
had its place in my life, filling it to the exclusion of even
|
||
suficient food, and rendering me immune to the questions of my
|
||
Familey, who wanted to know how I spent my time.
|
||
|
||
Oh, magic eyes of afection, which see the beloved object as
|
||
containing all the virtues, including strong features and
|
||
intellagence! Oh, dear dead Dreams, when I saw myself going down
|
||
the church isle in white satin and Dutchess lace! O Tempora O
|
||
Mores! Farewell.
|
||
|
||
What would have happened, I wonder, if father had not
|
||
discharged Smith that night for carrying passengers to the Club
|
||
from the railway station in our car, charging them fifty cents
|
||
each and scraching the varnish with golf clubs?
|
||
|
||
I know not.
|
||
|
||
But it gave me the idea that ultamately ruined my dearest
|
||
hopes. This was it. If Smith could get fifty cents each for
|
||
carrying passengers, why not I? I was unknown to most, having
|
||
been expatriated at School for several years. But also there
|
||
were to stations, one which the summer people used, and one
|
||
which was used by the so-called locals.
|
||
|
||
I was desparate. Money I must have, whether honestly or
|
||
not, for mother had bought me some more things and sent me the
|
||
bill.
|
||
|
||
"Because you will not do it yourself," she said. "And I
|
||
cannot have it said that we neglect you, Barbara."
|
||
|
||
The bill was ninety dollars! Ye gods, were they determined
|
||
to ruin me?
|
||
|
||
With me to think is to act. I am always like that. I
|
||
always, alas, feel that the thing I have thought of is right,
|
||
and there is no use arguing about it. This is well known in my
|
||
Institution of Learning, where I am called impetuus and even
|
||
rash.
|
||
|
||
That night, my Familey being sunk in sweet slumber and
|
||
untroubled by finances, I made a large card which said: "For
|
||
Hire." I had at first made it "For Higher," but saw that this
|
||
was wrong and corected it. Although a natural speller, the best
|
||
of us make mistakes.
|
||
|
||
I did not, the next day, confide in my betrothed, knowing
|
||
that he would object to my earning Money in any way, unless
|
||
perhaps in large amounts, such as the stock market, or, as at
|
||
present, in Literature. But being one to do as I make up my mind
|
||
to, I took the car to the station, and in three hours made one
|
||
dollar and a fifteen cent tip from the Gray's butler, who did
|
||
not know me as I wore large gogles.
|
||
|
||
I was now embarked on a Commercial Enterprize, and happier
|
||
than for days. Although having one or to narrow escapes, such as
|
||
father getting off the train at my station instead of the other,
|
||
but luckily getting a cinder in his eye and unable to see until
|
||
I drove away quickly. And one day Carter Brooks got off and
|
||
found me changing a tire and very dusty and worried, because a
|
||
new tube cost five dollars and so far I had made but
|
||
six-fifteen.
|
||
|
||
I did not know he was there until he said:
|
||
|
||
"Step back and let me do that, Bab."
|
||
|
||
He was all dressed, but very firm. So I let him and he
|
||
looked terrible when finished.
|
||
|
||
"Now" he said at last, "jump in and take me somewhere near
|
||
the Club. And tell me how this happened."
|
||
|
||
"I am a bankrupt, Carter," I responded in a broken tone. "I
|
||
have sold my birthright for a mess of porridge."
|
||
|
||
"Good heavens!" he said. "You don't mean you've spent the
|
||
whole business?"
|
||
|
||
I then got my Check Book from the tool chest, and held it
|
||
out to him. Also the unpaid bills. I had but $40.45 in the Bank
|
||
and owed $90.00 for the things mother had bought.
|
||
|
||
"Everything has gone wrong," I admitted. "I love this car,
|
||
but it is as much expence as a large familey and does not get
|
||
better with age, as a familey does, which grows up and works or
|
||
gets married. And Leila is getting to be a Man-hater and acts
|
||
very strange most of the time."
|
||
|
||
Here I almost wept, and probably would have, had he not
|
||
said:
|
||
|
||
"Here! Stop that, Or I----" He stopped and then said: "How
|
||
about the engagement, Bab? Is it a failure to?"
|
||
|
||
"We are still plited," I said. "Of course we do not agree
|
||
about some things, but the time to fuss is now, I darsay, and
|
||
not when to late, with perhaps a large familey and unable to
|
||
seperate."
|
||
|
||
"What sort of things?"
|
||
|
||
"Well," I said, "he thinks that he ought to play around
|
||
with other girls so no one will suspect, but he does not like it
|
||
when I so much as sit in a hammick with a member of the Other
|
||
Sex."
|
||
|
||
"Bab," he said in an ernest tone, "that, in twenty words,
|
||
is the whole story of all the troubles between what you call the
|
||
Sexes. The only diference between Tommy Gray and me is that I
|
||
would not want to play around with any one else if--well, if
|
||
engaged to anyone like you. And I feel a lot like looking him up
|
||
and giving him a good thrashing."
|
||
|
||
He paid me fifty cents and a quarter tip, and offered,
|
||
although poor, to lend me some Money. But I refused.
|
||
|
||
"I have made my bed," I said, "and I shall occupy it,
|
||
Carter. I can have no companion in misfortune."
|
||
|
||
It was that night that another house near the Club was
|
||
robed, and everything taken, including groceries and a case of
|
||
champane. The Summer People got together the next day at the
|
||
Club and offered a reward of two hundred dollars, and engaged a
|
||
night watchman with a motor-cycle, which I considered silly, as
|
||
one could hear him coming when to miles off, and any how he
|
||
spent most of the time taking the maids for rides, and broke an
|
||
arm for one of them.
|
||
|
||
Jane spent the night with me, and being unable to sleep,
|
||
owing to dieting again and having an emty stomache, wakened me
|
||
at 2 A. M. and we went to the pantrey together. When going back
|
||
upstairs with some cake and canned pairs, we heard a door close
|
||
below. We both shreiked, and the Familey got up, but found no
|
||
one except Leila, who could not sleep and was out getting some
|
||
air. They were very unpleasant, but as Jane observed, families
|
||
have little or no gratitude.
|
||
|
||
I come now to the Stranger again.
|
||
|
||
On the next afternoon, while engaged in a few words with
|
||
the station hackman, who said I was taking his trade although
|
||
not needing the Money--which was a thing he could not possably
|
||
know--while he had a familey and a horse to feed, I saw the
|
||
Stranger of the milk wagon, et cetera, emerge from the
|
||
one-thirty five.
|
||
|
||
He then looked at a piece of _mauve note paper_, and said:
|
||
|
||
"How much to take me up the Greenfield Road?"
|
||
|
||
"Where to?" I asked in a pre-emptory manner.
|
||
|
||
He then looked at a piece of _mauve note paper_, and said:
|
||
|
||
"To a big pine tree at the foot of Oak Hill. Do you know
|
||
the Place?"
|
||
|
||
Did I know the Place? Had I not, as a child, rolled and
|
||
even turned summersalts down that hill? Was it not on my very
|
||
ancestrial acres? It was, indeed.
|
||
|
||
Although suspicous at once, because of no address but a
|
||
pine tree, I said nothing, except merely:
|
||
|
||
"Fifty cents."
|
||
|
||
"Suppose we fix it like this," he suggested. "Fifty cents
|
||
for the trip and another fifty for going away at once and not
|
||
hanging around, and fifty more for forgetting me the moment you
|
||
leave?"
|
||
|
||
I had until then worn my gogles, but removing them to wipe
|
||
my face, he stared, and then said:
|
||
|
||
"And another fifty for not running into anything, including
|
||
milk wagons."
|
||
|
||
I hesatated. To dollars was to dollars, but I have always
|
||
been honest, and above reproach. But what if he was the Theif,
|
||
and now about to survey my own Home with a view to entering it
|
||
clandestinely? Was I one to assist him under those
|
||
circumstanses?
|
||
|
||
However, at that moment I remembered the Reward. With that
|
||
amount I could pay everything and start life over again, and
|
||
even purchace a few things I needed. For I was allready wearing
|
||
my _Trouseau_, having been unable to get any plain every-day
|
||
garments, and thus frequently obliged to change a tire in a
|
||
_crepe de chine_ petticoat, et cetera.
|
||
|
||
I yeilded to the temptation. How could I know that I was
|
||
sewing my own destruction?
|
||
|
||
IV
|
||
|
||
Let us, dear reader, pass with brevaty over the next few
|
||
days. Even to write them is a repugnent task, for having set my
|
||
hand to the Plow, I am not one to do things half way and then
|
||
stop.
|
||
|
||
Every day the Stranger came and gave me to dollars and I
|
||
took him to the back road on our place and left him there. And
|
||
every night, although weary unto death with washing the car,
|
||
carrying people, changeing tires and picking nails out of the
|
||
road which the hackman put there to make trouble, I but
|
||
pretended to slumber, and instead sat up in the library and kept
|
||
my terrable Vigil. For now I knew that he had dishonest designs
|
||
on the sacred interior of my home, and was but biding his time.
|
||
|
||
The house having been closed for a long time, there were
|
||
mice everywhere, so that I sat on a table with my feet up.
|
||
|
||
I got so that I fell asleep almost anywhere but
|
||
particularly at meals, and mother called in a doctor. He said I
|
||
needed exercise! Ye gods!
|
||
|
||
Now I think this: if I were going to rob a house, or comit
|
||
any sort of Crime, I should do it and get it over, and not hang
|
||
around for days making up my mind. Besides keeping every one
|
||
tence with anxiety. It is like diving off a diving board for the
|
||
first time. The longer you stand there, the more afraid you get,
|
||
and the farther (further?) it seems to the water.
|
||
|
||
At last, feeling I could stand no more, I said this to the
|
||
Stranger as he was paying me. He was so surprized that he
|
||
dropped a quarter in the road, and did not pick it up. I went
|
||
back for it later but some one else had found it.
|
||
|
||
"Oh!" he said. "And all this time I've been beleiving that
|
||
you--well, no matter. So you think it's a mistake to delay to
|
||
long?"
|
||
|
||
"I think when one has somthing Right or Wrong to do, and
|
||
that's for your conscience to decide, it's easier to do it
|
||
quickly."
|
||
|
||
"I see," he said, in a thoughtfull manner. "Well, perhaps
|
||
you are right. Although I'm afraid you've been getting one fifty
|
||
cents you didn't earn."
|
||
|
||
"I have never hung around," I retorted. "And no Archibald
|
||
is ever a sneak."
|
||
|
||
"Archibald!" he said, getting very red. "Why, then you
|
||
are----"
|
||
|
||
"It doesn't matter who I am," I said, and got into the car
|
||
and went away very fast, because I saw I had made a dreadfull
|
||
Slip and probably spoiled everything. It was not untill I was
|
||
putting the car up for the night that I saw I had gone off with
|
||
his overcoat I hung it on a nail and getting my revolver from
|
||
under a board, I went home, feeling that I had lost two hundred
|
||
dollars, and all because of Familey pride.
|
||
|
||
How true that "pride goeth before a fall"!
|
||
|
||
I have not yet explained about the revolver. I had bought
|
||
it from the gardner, having promised him ten dollars for it,
|
||
although not as yet paid for. And I had meant to learn to be an
|
||
expert, so that I could capture the Crimenal in question without
|
||
assistance, thus securing all the reward.
|
||
|
||
But owing to nervousness the first day I had, while
|
||
practicing in the chicken yard, hit the Gardner in the pocket
|
||
and would have injured him severely had he not had his garden
|
||
scizzors in his pocket.
|
||
|
||
He was very angry, and said he had a bruize the exact shape
|
||
of the scizzors on him, so I had had to give him the ten plus
|
||
five dollars more, which was all I had and left me stranded.
|
||
|
||
I went to my domacile that evening in low spirits, which
|
||
were not improved by a conversation I had with Tom that night
|
||
after the Familey had gone out to a Club dance.
|
||
|
||
He said that he did not like women and girls who did
|
||
things.
|
||
|
||
"I like femanine girls," he said. "A fellow wants to be the
|
||
Oak and feel the Vine clinging to him."
|
||
|
||
"I am afectionate," I said, "but not clinging. I cannot
|
||
change my Nature."
|
||
|
||
"Just what do you mean by afectionate?" he asked, in a
|
||
stern voice. "Is it afectionate for you to sit over there and
|
||
not even let me hold your hand? If that's afection, give me
|
||
somthing else."
|
||
|
||
Alas, it was but to true. When away from me I thought of
|
||
him tenderly, and of whether he was thinking of me. But when
|
||
with me I was diferent. I could not account for this, and it
|
||
troubled me. Because I felt this way. Romanse had come into my
|
||
life, but suppose I was incapable of loving, although loved?
|
||
|
||
Why should I wish to be embrased, but become cold and
|
||
fridgid when about to be?
|
||
|
||
"It's come to a Show-down, Bab," he said, ernestly. "Either
|
||
you love me or you don't. I'm darned if I know which."
|
||
|
||
"Alas, I do not know" I said in a low and pitious voice. I
|
||
then buried my face in my hands, and tried to decide. But when
|
||
I looked up he was gone, and only the sad breese wailed around
|
||
me.
|
||
|
||
I had expected that the Theif would take my hint and act
|
||
that night, if not scared off by learning that I belonged to the
|
||
object of his nefarius designs. But he did not come, and I was
|
||
wakened on the library table at 8 A. M. by George coming in to
|
||
open the windows.
|
||
|
||
I was by that time looking pale and thin, and my father
|
||
said to me that morning, ere departing for the office:
|
||
|
||
"Haven't anything you'd like to get off your chest, have
|
||
you, Bab?"
|
||
|
||
I sighed deeply.
|
||
|
||
"Father," I said, "do you think me cold? Or lacking in
|
||
afection?"
|
||
|
||
"Certainly not."
|
||
|
||
"Or one who does not know her own mind?"
|
||
|
||
"Well," he observed, "those who have a great deal of mind
|
||
do not always know it all. Just as you think you know it some
|
||
new corner comes up that you didn't suspect and upsets
|
||
everything."
|
||
|
||
"Am I femanine?" I then demanded, in an anxious manner.
|
||
|
||
"Femanine! If you were any more so we couldn't bare it."
|
||
|
||
I then inquired if he prefered the clinging Vine or the
|
||
independant tipe, which follows its head and not its instincts.
|
||
He said a man liked to be engaged to a clinging Vine, but that
|
||
after marriage a Vine got to be a darned nusance and took
|
||
everything while giving nothing, being the sort to prefer
|
||
chicken croquets to steak and so on, and wearing a boudoir cap
|
||
in bed in the mornings.
|
||
|
||
He then kissed me and said:
|
||
|
||
"Just a word of advise, Bab, from a parent who is, of
|
||
course, extremely old but has not forgoten his Youth entirely.
|
||
Don't try to make yourself over for each new Admirer who comes
|
||
along. Be yourself. If you want to do any making over, try it on
|
||
the boys. Most of them could stand it."
|
||
|
||
That morning, after changing another tire and breaking
|
||
three finger nails, I remembered the overcoat and, putting aside
|
||
my scruples, went through the pockets. Although containing no
|
||
Burglar's tools, I found a _sketch of the lower floor of our
|
||
house, with a cross outside one of the library windows_!
|
||
|
||
I was for a time greatly excited, but calmed myself, since
|
||
there was work to do. I felt that, as I was to capture him
|
||
unaided, I must make a Plan, which I did and which I shall tell
|
||
of later on.
|
||
|
||
Alas, while thinking only of securing the Reward and of
|
||
getting Sis married, so that I would be able to be engaged and
|
||
enjoy it without worry as to Money, coming out and so on, my
|
||
Ship of Love was in the hands of the wicked, and about to be
|
||
utterly destroyed, or almost, the complete finish not coming
|
||
untill later. But
|
||
|
||
_'Tis better to have loved and lost_
|
||
|
||
_Than never to have loved at all_.
|
||
|
||
This is the tradgic story. Tom had gone to the station,
|
||
feeling repentant probably, or perhaps wishing to drive the
|
||
Arab, and finding me not yet there, had conversed with the
|
||
hackman. And that person, for whom I have nothing but contempt
|
||
and scorn, had observed to him that every day I met a young
|
||
gentleman at the three-thirty train and took him for a ride!
|
||
|
||
Could Mendasity do more? Is it right that such a Creature,
|
||
with his pockets full of nails and scandle, should vote, while
|
||
intellagent women remain idle? I think not.
|
||
|
||
When, therefore, I waved my hand to my _fiancee_, thus
|
||
showing a forgiving disposition, I was met but with a cold bow.
|
||
I was heart-broken, but it is but to true that in our state of
|
||
society the female must not make advanses, but must remain
|
||
still, although suffering. I therfore sat still and stared
|
||
hautily at the water cap of my car, although seathing within,
|
||
but without knowing the cause of our rupture.
|
||
|
||
The Stranger came. I shrink in retrospect from calling him
|
||
the Theif, although correct in one sense. I saw Tom stareing at
|
||
him banefully, but I took no notice, merely getting out and
|
||
kicking the tires to see if air enough in them. I then got in
|
||
and drove away.
|
||
|
||
The Stranger looked excited, and did not mention the
|
||
weather as customery. But at last he said:
|
||
|
||
"Somehow I gather, Little Sister, that you know a lot of
|
||
things you do not talk about."
|
||
|
||
"I do not care to be adressed as `Little Sister,'" I said
|
||
in an icy tone. "As for talking, I do not interfere with what is
|
||
not my concern."
|
||
|
||
"Good," he observed." And I take it that, when you find an
|
||
overcoat or any such garment, you do not exhibit it to the
|
||
Familey, but put it away in some secluded nook. Eh, what?"
|
||
|
||
"No one has seen it. It is in the Car now, under that rug."
|
||
|
||
He turned and looked at me intently.
|
||
|
||
"Do you know," he observed, "my admiration for you is
|
||
posatively beyond words!"
|
||
|
||
"Then don't talk," I said, feeling still anguished by Tom's
|
||
conduct and not caring much just then about the reward or any
|
||
such mundane matters.
|
||
|
||
"But I _must_ talk," he replied. "I have a little plan,
|
||
which I darsay you have guest. As a matter of fact, I have
|
||
reasons to think it will fall in with--er--plans of your own."
|
||
|
||
Ye gods! Was I thus being asked to compound a felony? Or
|
||
did he not think I belonged to my own Familey, but to some other
|
||
of the same name, and was therfore not suspicous.
|
||
|
||
"Here's what I want," he went on in a smooth manner. "And
|
||
there's Twenty-five dollars in it for you. I want this little
|
||
car of yours tonight."
|
||
|
||
Here I almost ran into a cow, but was luckaly saved, as a
|
||
Jersey cow costs seventy-five dollars and even more, depending
|
||
on how much milk given daily. When back on the road again,
|
||
having but bent a mud guard against a fense, I was calmer.
|
||
|
||
"How do I know you will bring it back?" I asked, stareing
|
||
at him fixedly.
|
||
|
||
"Oh, now see here," he said, straightening his necktie, "I
|
||
may be a Theif, but I am not that kind of a Theif. I play for
|
||
big stakes or nothing."
|
||
|
||
I then remembered that there was a large dinner that night
|
||
and that mother would have her jewelery out from the safe
|
||
deposit, and father's pearl studs et cetera. I turned pale, but
|
||
he did not notice it, being busy counting out Twenty-five
|
||
dollars in small bills.
|
||
|
||
I am one to think quickly, but with precicion. So I said:
|
||
|
||
"You can't drive, can you?"
|
||
|
||
"I do drive, dear Little--I beg your pardon. And I think,
|
||
with a lesson now, I could get along. Now see here, Twenty-five
|
||
dollars while you are asleep and therfore not gilty if I take
|
||
your car from wherever you keep it. I'll leave it at the station
|
||
and you'll find it there in the morning."
|
||
|
||
Is it surprizing that I agreed and that I took the filthy
|
||
lucre? No. For I knew then that he would never get to the
|
||
station, and the reward of two hundred, plus the Twenty-five,
|
||
was already mine mentaly.
|
||
|
||
He learned to drive the Arab in but a short time, and I
|
||
took him to the shed and showed him where I hid the key. He said
|
||
he had never heard before of a girl owning a Motor and her
|
||
parents not knowing, and while we were talking there Tom Gray
|
||
went by in the station hack and droped somthing in the road.
|
||
|
||
When I went out to look _it was the key ring I had given
|
||
him_.
|
||
|
||
I knew then that all was over and that I was doomed to a
|
||
single life, growing more and more meloncholy until Death
|
||
releived my sufferings. For I am of a proud nature, to proud to
|
||
go to him and explain. If he was one to judge me by apearances
|
||
I was through. But I ached. Oh, how I ached!
|
||
|
||
The Theif did not go further that day, but returned to the
|
||
station. And I? I was not idle, beleive me. During the remainder
|
||
of the day, although a broken thing, I experamented to find
|
||
exactly how much gas it took to take the car from the station to
|
||
our house. As I could not go to the house I had to guess partly,
|
||
but I have a good mind for estimations, and I found that two
|
||
quarts would do it.
|
||
|
||
So he could come to the house or nearby, but he could not
|
||
get away with his ill-gotten gains. I therfore returned to my
|
||
home and ate a nursery supper, and Hannah came in and said:
|
||
|
||
"I'm about out of my mind, Miss Bab. There's trouble coming
|
||
to this Familey, and it keeps on going to dinners and
|
||
disregarding all hints."
|
||
|
||
"What sort of trouble?". I asked, in a flutering voice. For
|
||
if she knew and told I would not recieve the reward, or not
|
||
solely.
|
||
|
||
"I think you know," she rejoined, in a suspicous tone." And
|
||
that you should assist in such a thing, Miss Bab, is a great
|
||
Surprize to me. I have considered you flitey, but nothing more."
|
||
|
||
She then slapped a cup custard down in front of me and went
|
||
away, leaving me very nervous. Did she know of the Theif, or was
|
||
she merely refering to the car, which she might have guest from
|
||
grease on my clothes, which would get there in spite of being
|
||
carful, especialy when changing a tire?
|
||
|
||
Well, I have now come to the horrable events of that night,
|
||
at writing which my pen almost refuses. To have dreamed and
|
||
hoped for a certain thing, and then by my own actions to
|
||
frustrate it was to be my fate.
|
||
|
||
"Oh God! that one might read the book of fate!" Shakspeare.
|
||
|
||
As I felt that, when everything was over, the people would
|
||
come in from the Club and the other country places to see the
|
||
captured Crimenal, I put on one of the frocks which mother had
|
||
ordered and charged to me on that Allowence which was by that
|
||
time _non est_. (Latin for dissapated. I use dissapated in the
|
||
sense of spent, and not debauchery.) By that time it was nine
|
||
o'clock, and Tom had not come, nor even telephoned. But I felt
|
||
this way. If he was going to be jealous it was better to know it
|
||
now, rather than when to late and perhaps a number of offspring.
|
||
|
||
I sat on the Terrace and waited, knowing full well that it
|
||
was to soon, but nervous anyhow. I had before that locked all
|
||
the library windows but the one with the X on the sketch, also
|
||
putting a nail at the top so he could not open them and escape.
|
||
And I had the key of the library door and my trusty weapon under
|
||
a cushion, loaded--the weapon, of course, not the key.
|
||
|
||
I then sat down to my lonely Vigil.
|
||
|
||
At eleven P. M. I saw a sureptitious Figure coming across
|
||
the lawn, and was for a moment alarmed, as he might be coming
|
||
while the Familey and the jewels, and so on, were still at the
|
||
Club.
|
||
|
||
But it was only Carter Brooks, who said he had invited
|
||
himself to stay all night, and the Club was sickning, as all the
|
||
old people were playing cards and the young ones were paired and
|
||
he was an odd man.
|
||
|
||
He then sat down on the cushion with the revolver under it,
|
||
and said:
|
||
|
||
"Gee whiz! Am I on the Cat? Because if so it is dead. It
|
||
moves not."
|
||
|
||
"It might be a Revolver," I said, in a calm voice. "There
|
||
was one lying around somwhere."
|
||
|
||
So he got up and observed: "I have conscientous scruples
|
||
against sitting on a poor, unprotected gun, Bab." He then picked
|
||
it up and it went off, but did no harm except to put a hole in
|
||
his hat which was on the floor.
|
||
|
||
"Now see here, Bab," he observed, looking angry, because it
|
||
was a new one--the hat. "I know you, and I strongly suspect you
|
||
put that Gun there. And no blue eyes and white frock will make
|
||
me think otherwise. And if so, why?"
|
||
|
||
"I am alone a good deal, Carter," I said, in a wistfull
|
||
manner, "as my natural protecters are usualy enjoying the flesh
|
||
pots of Egypt. So it is natural that I should wish to be at
|
||
least fortified against trouble."
|
||
|
||
_He then put the revolver in his pocket_, and remarked that
|
||
he was all the protecter I needed, and that the flesh pots only
|
||
seemed desirable because I was not yet out. But that once out I
|
||
would find them full of indigestion, headaches, and heartburn.
|
||
|
||
"This being grown-up is a sort of Promised Land," he said,
|
||
"and it is always just over the edge of the World. You'll never
|
||
be as nice again, Bab, as you are just now. And because you are
|
||
still a little girl, although `plited,' I am going to kiss the
|
||
tip of your ear, which even the lady who ansers letters in the
|
||
newspapers could not object to, and send you up to bed."
|
||
|
||
So he bent over and kissed the tip of my ear, which I
|
||
considered not a sentamental spot and therfore not to be fussy
|
||
about. And I had to pretend to go up to my chamber.
|
||
|
||
I was in a state of great trepidation as I entered my
|
||
Residense, because how was I to capture my prey unless armed to
|
||
the teeth? Little did Carter Brooks think that he carried in his
|
||
pocket, not a Revolver or at least not merely, but my entire
|
||
future.
|
||
|
||
However, I am not one to give up, and beyond a few tears of
|
||
weakness, I did not give way. In a half hour or so I heard
|
||
Carter Brooks asking George for a whisky and soda and a suit of
|
||
father's pajamas, and I knew that, ere long, he would be would
|
||
be
|
||
|
||
_In pleasing Dreams and slumbers light_.
|
||
|
||
_ Scott_.
|
||
|
||
Would or would he not bolt his door? On this hung, in the
|
||
Biblical phraze, all the law and the profits.
|
||
|
||
He did not. Crouching in my Chamber I saw the light over
|
||
his transom become blackness, and soon after, on opening his
|
||
door and speaking his name softly, there was no response. I
|
||
therfore went in and took my Revolver from his bureau, but there
|
||
was somthing wrong with the spring and it went off. It broke
|
||
nothing, and as for Hannah saying it nearly killed her, this is
|
||
not true. It went into her mattress and wakened her, but nothing
|
||
more.
|
||
|
||
Carter wakened up and yelled, but I went out into the hall
|
||
and said:
|
||
|
||
"I have taken my Revolver, which belongs to me anyhow. And
|
||
don't dare to come out, because you are not dressed."
|
||
|
||
I then went into my chamber and closed the door firmly,
|
||
because the servants were coming down screaming and Hannah was
|
||
yelling that she was shot. I explained through the door that
|
||
nothing was wrong, and that I would give them a dollar each to
|
||
go back to bed and not alarm my dear parents. Which they
|
||
promised.
|
||
|
||
It was then midnight, and soon after my Familey returned
|
||
and went to bed. I then went downstairs and put on a dark coat
|
||
because of not wishing to be seen, and a cap of father's,
|
||
wishing to apear as masculine as possable, and went outside,
|
||
carrying my weapon, and being careful not to shoot it, as the
|
||
spring seemed very loose. I felt lonely, but not terrafied, as
|
||
I would have been had I not known the Theif personaly and felt
|
||
that he was not of a violent tipe.
|
||
|
||
It was a dark night, and I sat down on the verandah outside
|
||
the fatal window, which is a French one to the floor, and
|
||
waited. But suddenly my heart almost stopped. Some one was
|
||
moving about _inside_!
|
||
|
||
I had not thought of an acomplice, yet such there must be.
|
||
For I could hear, on the hill, the noise of my automobile, which
|
||
is not good on grades and has to climb in a low geer. How
|
||
terrable, to, to think of us as betrayed by one of our own
|
||
_menage_!
|
||
|
||
It was indeed a cricis.
|
||
|
||
However, by getting in through a pantrey window, which I
|
||
had done since a child for cake and so on, I entered the hall
|
||
and was able, without a sound, to close and lock the library
|
||
door. In this way, owing to nails in the windows, I thus had the
|
||
Gilty Member of our _menage_ so that only the one window
|
||
remained, and I now returned to the outside and covered it with
|
||
a steady aim.
|
||
|
||
What was my horror to see a bag thrust out through this
|
||
window and set down by the unknown within!
|
||
|
||
Dear reader, have you ever stood by and seen a home you
|
||
loved looted, despoiled and deprived of even the egg spoons,
|
||
silver after-dinner coffee cups, jewels and toilet articals? If
|
||
not, you cannot comprehand my greif and stern resolve to recover
|
||
them, at whatever cost.
|
||
|
||
I by now cared little for the Reward but everything for
|
||
honor.
|
||
|
||
The second Theif was now aproaching. I sank behind a
|
||
steamer chair and waited.
|
||
|
||
Need I say here that I meant to kill no one? Have I not, in
|
||
every page, shown that I am one for peace and have no desire for
|
||
bloodshed? I think I have. Yet, when the Theif apeared on the
|
||
verandah and turned a pocket flash on the leather bag, which I
|
||
percieved was one belonging to the Familey, I felt indeed like
|
||
shooting him, although not in a fatal spot.
|
||
|
||
He then entered the room and spoke in a low tone.
|
||
|
||
_The Reward was mine_.
|
||
|
||
I but slipped to the window and closed it from the outside,
|
||
at the same time putting in a nail as mentioned before, so that
|
||
it could not be raised, and then, raising my revolver in the
|
||
air, I fired the remaining four bullets, forgeting the roof of
|
||
the verandah which now has four holes in it.
|
||
|
||
Can I go on? Have I the strength to finish? Can I tell how
|
||
the Theif cursed and tried to raise the window, and how every
|
||
one came downstairs in their night clothes and broke in the
|
||
library door, while carrying pokers, and knives, et cetera. And
|
||
how, when they had met with no violence but only sulkey silence,
|
||
and turned on the lights, there was Leila dressed ready to
|
||
elope, and the Theif had his arms around her, and she was
|
||
weeping? Because he was poor, although of good familey, and
|
||
lived in another city, where he was a broker, my familey had
|
||
objected to him. Had I but been taken into Leila's confidence,
|
||
which he considered I had, or at least that I understood, how I
|
||
would have helped, instead of thwarting! If any parents or older
|
||
sisters read this, let them see how wrong it is to leave any
|
||
member of the familey in the dark, especialy in _affaires de
|
||
couer_.
|
||
|
||
Having seen from the verandah window that I had comitted an
|
||
enor, and unable to bear any more, I crawled in the pantrey
|
||
window again and went up stairs to my Chamber. There I undressed
|
||
and having hid my weapon, pretended to be asleep.
|
||
|
||
Some time later I heard my father open the door and look
|
||
in.
|
||
|
||
"Bab!" he said, in a stealthy tone.
|
||
|
||
I then pretended to wake up, and he came in and turned on
|
||
a light.
|
||
|
||
"I suppose you've been asleep all night," he said, looking
|
||
at me with a searching glanse.
|
||
|
||
"Not lately," I said. "I--wasn't there a Noise or
|
||
somthing?"
|
||
|
||
"There was," he said. "Quite a racket. You're a sound
|
||
sleeper. Well, turn over and settle down. I don't want my little
|
||
girl to lose her Beauty Sleep."
|
||
|
||
He then went over to the lamp and said:
|
||
|
||
"By the way, Bab, I don't mind you're sleeping in my golf
|
||
cap, but put it back in the morning because I hate to have to
|
||
hunt my things all over the place."
|
||
|
||
I had forgoten to take off his cap!
|
||
|
||
Ah, well, it was all over, although he said nothing more,
|
||
and went out. But the next morning, after a terrable night, when
|
||
I realized that Leila had been about to get married and I had
|
||
ruined everything, I found a note from him under my door.
|
||
|
||
_Dear Bab_: After thinking things over, I think you and I
|
||
would better say nothing about last night's mystery. But suppose
|
||
you bring your car to meet me tonight at the station, and we
|
||
will take a ride, avoiding milk wagons if possible. You might
|
||
bring your check book, too, and the revolver, which we had
|
||
better bury in some quiet spot.
|
||
|
||
FATHER.
|
||
|
||
P. S. I have mentioned to your mother that I am thinking of
|
||
buying you a small car. _Verbum sap_.
|
||
|
||
* * * *
|
||
|
||
The next day my mother took me calling, because if the
|
||
Servants were talking it was best to put up a bold front, and
|
||
pretend that nothing had happened except a Burglar alarm and no
|
||
Burglar. We went to Gray's and Tom's grandmother was there,
|
||
_without her cruches_.
|
||
|
||
During the evening I dressed in a pink frock, with roses,
|
||
and listened for a car, because I knew Tom was now allowed to
|
||
drive again. I felt very kind and forgiving, because father had
|
||
said I was to bring the car to our garage and he would buy
|
||
gasoline and so on, although paying no old bills, because I
|
||
would have to work out my own Salvation, but buying my revolver
|
||
at what I paid for it.
|
||
|
||
But Tom did not come. This I could not beleive at first,
|
||
because such conduct is very young and imature, and to much like
|
||
fighting at dancing school because of not keeping step and so
|
||
on.
|
||
|
||
At last, Dear Reader, I heard a machine coming, and I went
|
||
to the entrance to our drive, sliding in the shrubery to
|
||
surprize him. I did not tremble as previously, because I had
|
||
learned that he was but human, though I had once considered
|
||
otherwise, but I was willing to forget.
|
||
|
||
_How happy is the blameless Vestal's lot_!
|
||
|
||
_The World forgeting, by the World forgot_.
|
||
|
||
_Pope_.
|
||
|
||
However, the car did not turn into our drive, but went on.
|
||
And in it were Tom, and that one who I had considered until that
|
||
time my best and most intimite friend, Jane Raleigh.
|
||
|
||
_Sans_ fiancee, _sans_ friend, _sans_ reward and _sans_
|
||
Allowence, I turned and went back to my father, who was on the
|
||
verandah and was now, with my mother and sister, all that I had
|
||
left in the World.
|
||
|
||
And my father said: "Well, here I am, around as usual. Do
|
||
you feel to grown-up to sit on my knee?"
|
||
|
||
I did not.
|
||
|
||
CHAPTER V
|
||
|
||
THE G.A.C.
|
||
|
||
APRIL 9TH. As I am leaving this School to-morrow for the Easter
|
||
Holadays, I revert to this Dairy, which has not been written in
|
||
for some months, owing to being a Senior now and carrying a
|
||
heavy schedule.
|
||
|
||
My trunk has now gone, and I have but just returned from
|
||
Chapel, where Miss Everett made a Speach, as the Head has
|
||
quinzy. She raised a large Emblem that we have purchaced at
|
||
fifty cents each, and said in a thrilling voice that our beloved
|
||
Country was now at war, and expected each and all to do his
|
||
duty.
|
||
|
||
"I shall not," she said, "point out to any the Fields of
|
||
their Usefulness. That they must determine for themselves. But
|
||
I know that the Girls of this school will do what they find to
|
||
do, and return to the school at the end of two weeks, school
|
||
opening with evening Chapel as usual and no tardiness permitted,
|
||
better off for the use they have made of this Precious Period."
|
||
|
||
We then sang the Star-Spangled Banner, all standing and
|
||
facing the piano, but watching to see if Fraulein sang, which
|
||
she did. Because there are those who consider that she is a
|
||
German Spy.
|
||
|
||
I am now sitting in the Upper House, wondering what I can
|
||
do. For I am like this and always have been. I am an American
|
||
through and through, having been told that I look like a tipical
|
||
American girl. And I do not beleive in allowing Patriotism to be
|
||
a matter of words--words, emty words.
|
||
|
||
No. I am one who beleives in doing things, even though
|
||
necesarily small. What if I can be but one of the little drops
|
||
of Water or little grains of Sand? I am ready to rise like a
|
||
lioness to my country's call and would, if permitted and not
|
||
considered imodest by my Familey, put on the clothing of the
|
||
Other Sex and go into the trenches.
|
||
|
||
What can I do?
|
||
|
||
It is strange to be going home in this manner, thinking of
|
||
Duty and not of boys and young men. Usualy when about to return
|
||
to my Familey I think of Clothes and _affairs de couer_, because
|
||
at school there is nothing much of either except on Friday
|
||
evenings. But now all is changed. All my friends of the Other
|
||
Sex will have roused to the defense of their Country, and will
|
||
be away.
|
||
|
||
And I to must do my part, or bit, as the English say.
|
||
|
||
But what? Oh what?
|
||
|
||
APRIL 10TH. I am writing this in the Train, which accounts
|
||
for poor writing, etcetera. But I cannot wait for I now see a
|
||
way to help my Country.
|
||
|
||
The way I thought of it was this:
|
||
|
||
I had been sitting in deep thought, and although returning
|
||
to my Familey was feeling sad at the idea of my Country at war
|
||
and I not helping. Because what could I do, alone and unarmed?
|
||
What was my strength against that of the German Army? A trifle
|
||
light as air!
|
||
|
||
It was at this point in my pain and feeling of being
|
||
utterly useless, that a young man in the next seat asked if he
|
||
might close the Window, owing to Soot and having no other coller
|
||
with him. I assented.
|
||
|
||
How little did I realize that although resembling any other
|
||
Male of twenty years, he was realy Providence?
|
||
|
||
The way it happened was in this manner. Although not
|
||
supposed to talk on trains, owing to once getting the wrong
|
||
suit-case, etcetera, one cannot very well refuse to anser if one
|
||
is merely asked about a Window. And also I pride myself on
|
||
knowing Human Nature, being seldom decieved as to whether a
|
||
gentleman or not. I gave him a steady glance, and saw that he
|
||
was one.
|
||
|
||
I then merely said to him that I hoped he intended to
|
||
enlist, because I felt that I could at least do this much for my
|
||
Native Land.
|
||
|
||
"I have already done so," he said, and sat down beside me.
|
||
He was very interesting and I think will make a good soldier,
|
||
although not handsome. He said he had been to Plattsburg the
|
||
summer before, drilling, and had not been the same since,
|
||
feeling now very ernest and only smoking three times a day. And
|
||
he was two inches smaller in the waste and three inches more in
|
||
chest. He then said:
|
||
|
||
"If some of you girls with nothing to do would only try it
|
||
you would have a new outlook on Life."
|
||
|
||
"Nothing to do!" I retorted, in an angry manner. "I am sick
|
||
and tired of the way my Sex is always reproached as having
|
||
nothing to do. If you consider French and music and Algebra and
|
||
History and English composition nothing, as well as keeping
|
||
house and having children and atending to social duties, _I do_
|
||
not."
|
||
|
||
"Sorry," he said, stiffly. "Of course I had no idea--do you
|
||
mean that you have a Familey of your own?"
|
||
|
||
"I was refering to my Sex in general," I replied, in a cold
|
||
tone.
|
||
|
||
He then said that there were Camps for girls, like
|
||
Plattsburg only more Femanine, and that they were bully. (This
|
||
was his word. I do not use slang.)
|
||
|
||
"You see," he said, "they take a lot of over-indulged
|
||
society girls and make them over into real People."
|
||
|
||
Ye gods! Over-indulged!
|
||
|
||
"Why don't you go to one?" he then asked.
|
||
|
||
"Evadently," I said, "I am not a real Person."
|
||
|
||
"Well, I wouldn't go as far as that. But there isn't much
|
||
left of the way God made a girl, by the time she's been curled
|
||
and dressed and governessed for years, is there? They can't even
|
||
walk, but they talk about helping in the War. It makes me sick!"
|
||
|
||
I now saw that I had made a mistake, and began reading a
|
||
Magazine, so he went back to his seat and we were as strangers
|
||
again. As I was very angry I again opened my window, and he got
|
||
a cinder in his eye and had to have the Porter get it out.
|
||
|
||
He got out soon after, and he had the impertinance to stop
|
||
beside me and say:
|
||
|
||
"I hate to disapoint you, but I find I have a clean coller
|
||
in my bag after all." He then smiled at me, although I gave him
|
||
no encouragment whatever, and said: "You're sitting up much
|
||
better, you know. And if you would take off those heals I'll
|
||
venture to say you could _walk_ with any one."
|
||
|
||
I detested him with feirceness at that time. But since then
|
||
I have pondered over what he said. For it is my Nature to be
|
||
fair and to consider things from every angel. I therfore said
|
||
this to myself.
|
||
|
||
"If members of the Male Sex can reduce their wastes and
|
||
increase their usefulness to their Native Land by camping,
|
||
exercising and drilling, why not get up a camp of my own, since
|
||
I knew that I would not be alowed to go away to train, owing to
|
||
my Familey?"
|
||
|
||
I am always one to decide quickly. So I have now made a
|
||
sketch of a Unaform and written out the names of ten girls who
|
||
will be home when I am. I here write out the Purpose of our
|
||
organisation:
|
||
|
||
To defend the Country and put ourselves into good Physical
|
||
Condition.--Memo: Look up "physical" as it looks odd, as if
|
||
mispelled.
|
||
|
||
MOTTO: To be voted on later.
|
||
|
||
PASSWORD: Plattsburg.
|
||
|
||
DUES: Ten dollars each in advance to buy Tent, etcetera.
|
||
|
||
UNAFORM: Kakhi, with orange-colored necktie. In times of
|
||
danger the orange color to be changed to something which will
|
||
not atract the guns of the Enemy.
|
||
|
||
NAME: Girls' Aviation Corps. But to be known generally as
|
||
the G. A. C. as because of Spies and so on we must be as secret
|
||
as possable.
|
||
|
||
I have done everything thus in advance, because we will
|
||
have but a short time, and besides I know that if everything is
|
||
not settled Jane will want to run things, and probably insist on
|
||
a set of By-Laws, etcetera, which will take to much time.
|
||
|
||
I have also decided to be Captain, as having organised the
|
||
Camp and having a right to be.
|
||
|
||
10 P. M. I am now in my familiar Chamber, and Hannah says
|
||
they intended to get new furnature but feel they should not, as
|
||
War is here and everything very expencive.
|
||
|
||
But I must not complain. It is war time.
|
||
|
||
I shall now record the events from 5 P. M. to the present.
|
||
|
||
Father met me at the station as usual, and asked me if I
|
||
cared to stop and buy some candy on the way home. Ye gods, was
|
||
I in a mood for candy?
|
||
|
||
"I think not, father," I replied, in a dignafied way. "Our
|
||
dear Country is now at war, and it is no time for
|
||
self-indulgence."
|
||
|
||
"Good for you!" he said. "Evadently that school of yours is
|
||
worth something after all. But we might have a bit of candy,
|
||
anyhow, don't you think? Because we want to keep our Industries
|
||
going and money in circulation."
|
||
|
||
I could not refuse under such circumstances, and purchaced
|
||
five pounds.
|
||
|
||
Alas, war has already made changes in my Familey. George,
|
||
the butler, has felt the call of Duty and has enlisted, and we
|
||
now have a William who chips the best china, and looks like a
|
||
German although he says not, and willing to put out the Natioual
|
||
Emblem every morning from a window in father's dressing room.
|
||
Which if he is a Spy he would probably not do, or at least
|
||
without being compeled to.
|
||
|
||
I said nothing about the G. A. C. during dinner, as I was
|
||
waiting to see if father would give me ten dollars before I
|
||
organized it. But I am a person of strong feelings, and I was
|
||
sad and depressed, thinking of my dear Country at War and our
|
||
beginning with soup and going on through as though nothing was
|
||
happening. I therfore observed that I considered it unpatriotic,
|
||
with the Enemy at our gatez, to have Sauterne on the table and
|
||
a Cocktail beforehand, as well as expencive tobacco and so on,
|
||
even although economising in other ways, such as furnature.
|
||
|
||
"What's that?" my father said to me, in a sharp tone.
|
||
|
||
"Let her alone, father," Leila said. "She's just
|
||
dramatising herself as usual. We're probably in for a dose of
|
||
Patriotism."
|
||
|
||
I would perhaps have made a sharp anser, but a street piano
|
||
outside began to play The Star-Spangled Banner. I then stood up,
|
||
of course, and mother said: "Sit down, for heaven's sake,
|
||
Barbara."
|
||
|
||
"Not until our National Anthem is finished, mother," I said
|
||
in a tone of gentle reproof. "I may not vote or pay taxes, but
|
||
this at least I can do."
|
||
|
||
Well, father got up to, and drank his coffee standing. But
|
||
he gave William a dollar for the man outside, and said to tell
|
||
him to keep away at meal times as even patriotism requires
|
||
nourishment.
|
||
|
||
After dinner in the drawing room, mother said that she was
|
||
going to let me give a Luncheon.
|
||
|
||
"There are about a dosen girls coming out when you do,
|
||
Bab," she said. "And you might as well begin to get acquainted.
|
||
We can have it at the Country Club, and have some boys, and
|
||
tennis afterwards, if the courts are ready."
|
||
|
||
"Mother!" I cried, stupafied. "How can you think of Social
|
||
pleasures when the enemy is at our gates?"
|
||
|
||
"Oh nonsense, Barbara," she replied in a cold tone. "We
|
||
intend to do our part, of course. But what has that to do with
|
||
a small Luncheon?"
|
||
|
||
"I do not feel like festivaty," I said. "And I shall be
|
||
very busy this holaday, because although young there are some
|
||
things I can do."
|
||
|
||
Now I have always loved my mother, although feeling
|
||
sometimes that she had forgoten about having been a girl herself
|
||
once, and also not being much given to Familey embrases because
|
||
of her hair being marceled and so on. I therfore felt that she
|
||
would probably be angry and send me to bed.
|
||
|
||
But she was not. She got up very sudenly and came around
|
||
the table while William was breaking a plate in the pantrey, and
|
||
put her hand on my shoulder.
|
||
|
||
"Dear little Bab!" she said. "You are right and I am wrong,
|
||
and we will just turn in and do what we can, all of us. We will
|
||
give the party money to the Red Cross."
|
||
|
||
I was greatly agatated, but managed to ask for the ten
|
||
dollars for my share of the Tent, etcetera, although not saying
|
||
exactly what for, and father passed it over to me. War certainly
|
||
has changed my Familey, for even Leila came over a few moments
|
||
ago with a hat that she had bought and did not like.
|
||
|
||
I must now stop and learn the Star-Spangled Banner by
|
||
heart, having never known but the first verse, and that not
|
||
entirely.
|
||
|
||
LATER: How helpless I feel and how hopeless!
|
||
|
||
I was learning the second verse by singing it, when father
|
||
came over in his _robe de nuit_, although really pagamas, and
|
||
said that he enjoyed it very much, and of course I was right to
|
||
learn it as aforsaid. but that if the Familey did not sleep it
|
||
could not be very usefull to the Country the next day such as
|
||
making shells and other explosives.
|
||
|
||
APRIL 11TH: I have had my breakfast and called up Jane
|
||
Raleigh. She was greatly excited and said:
|
||
|
||
"I'm just crazy about it. What sort of a Unaform will we
|
||
have?"
|
||
|
||
This is like Jane, who puts clothes before everything. But
|
||
I told her what I had in mind, and she said it sounded perfectly
|
||
thrilling.
|
||
|
||
"We each of us ought to learn some one thing," she said,
|
||
"so we can do it right. It's an age of Specialties. Suppose you
|
||
take up signaling, or sharp-shooting if you prefer it, and I can
|
||
learn wireless telegraphy. And maybe Betty will take the flying
|
||
course, because we ought to have an Aviator and she is afraid of
|
||
nothing, besides having an uncle who is thinking of buying an
|
||
Aeroplane."
|
||
|
||
"What else would you sugest?" I said freezingly. Because to
|
||
hear her one would have considered the entire G. A. C. as her
|
||
own idea.
|
||
|
||
"Well," she said, "I don't know, unless we have a Secret
|
||
Service and guard your father's mill. Because every one thinks
|
||
he is going to have trouble with Spies."
|
||
|
||
I made no reply to this, as William was dusting the Drawing
|
||
Room, but said, "Come over. We can discuss that privatly." I
|
||
then rang off.
|
||
|
||
I am terrably worried, because my father is my best friend,
|
||
having always understood me. I cannot endure to think that he is
|
||
in danger. Alas, how true are the words of Dryden:
|
||
|
||
_"War, he sung, is Toil and Trouble_,
|
||
|
||
_Honour but an empty Bubble_."
|
||
|
||
NOON: Jane came over as soon as she had had her breakfast,
|
||
and it was a good thing I had everything written out, because
|
||
she started in right away to run things. She wanted a
|
||
Constitution and By-Laws as I had expected. But I was ready for
|
||
her.
|
||
|
||
"We have a Constitution, Jane," I said, solemnly. "The
|
||
Constitution of the United States, and if it is good enough for
|
||
a whole Country I darsay it is good enough for us. As for
|
||
By-laws, we can make them as we need them, which is the way laws
|
||
ought to be made anyhow."
|
||
|
||
We then made a list, Jane calling up as I got the numbers
|
||
in the telephone book. Everybody accepted, although Betty
|
||
Anderson objected to the orange tie because she has red hair,
|
||
and one of the Robinson twins could not get ten dollars because
|
||
she was on probation at School and her Familey very cold with
|
||
her. But she had loned a girl at school five dollars and was
|
||
going to write for it at once, and thought she could sell a last
|
||
year's sweater for three dollars to their laundress's daughter.
|
||
We therfore admited her.
|
||
|
||
All is going well, unless our Parents refuse, which is not
|
||
likely, as we intend to purchace the Tent and Unaforms before
|
||
consulting them. It is the way of Parents not to care to see
|
||
money wasted.
|
||
|
||
Our motto we have decided on. It is but three letters, W.
|
||
I. H., and is a secret.
|
||
|
||
LATER: Sis has just informed me that Carter Brooks has not
|
||
enlisted, but is playing around as usual! I feel dreadfully, as
|
||
he is a friend of my Familey. Or rather _was.
|
||
_
|
||
|
||
7 P. M.: The G. A. C. is a fact. It is also ready for duty.
|
||
How wonderful it is to feel that one is about to be of some use
|
||
to one's own, one's Native Land!
|
||
|
||
We held a meeting early this P. M. in our library, all
|
||
doors being closed and Sentries posted. I had made some fudge
|
||
also, although the cook, who is a new one, was not pleasant
|
||
about the butter and so on.
|
||
|
||
We had intended to read the Constitution of the U. S. out
|
||
loud, but as it is long we did not, but signed our names to it
|
||
in my father's copy of the American Common Wealth. We then went
|
||
out and bought the Tent and ten camp chairs, although not
|
||
expecting to have much time to sit down.
|
||
|
||
The G. A. C. was then ready for duty.
|
||
|
||
Before disbanding for the day I made a short speach in the
|
||
shop, which was almost emty. I said that it was our intention to
|
||
show the members of the Other Sex that we were ready to spring
|
||
to the Country's call, and also to assist in recruiting by
|
||
visiting the different Milatary Stations and there encouraging
|
||
those who looked faint-hearted and not willing to fight.
|
||
|
||
"Each day," I said, in conclusion, "one of us will be
|
||
selected by the Captain, myself, to visit these places and as
|
||
soon as a man has signed up, to pin a flower in his buttonhole.
|
||
As we have but little money, the tent having cost more than
|
||
expected, we can use carnations as not expencive."
|
||
|
||
The man who had sold us the tent thought this was a fine
|
||
idea, and said he thought he would enlist the next day, if we
|
||
would be around.
|
||
|
||
We then went went to a book shop and bought the Plattsburg
|
||
Manual, and I read to the members of the Corps these rules, to
|
||
be strictly observed:
|
||
|
||
1. Carry yourself at all times as though you were proud of
|
||
Yourself, your Unaform, and your Country.
|
||
|
||
2. Wear your hat so that the brim is parallel to the
|
||
ground.
|
||
|
||
3. Have all buttons fastened.
|
||
|
||
4. Never have sleeves rolled up.
|
||
|
||
5. Never wear sleeve holders.
|
||
|
||
6. Never leave shirt or coat unbuttoned at the throat.
|
||
|
||
7. Have leggins and trousers properly laced. (Only
|
||
leggins).
|
||
|
||
8. Keep shoes shined.
|
||
|
||
9. Always be clean shaved. (Unecessary).
|
||
|
||
10. Keep head up and shoulders square.
|
||
|
||
11. Camp life has a tendency to make one careless as to
|
||
personal cleanliness. Bear this in mind.
|
||
|
||
We then gave the Milatary Salute and disbanded, as it was
|
||
time to go home and dress for dinner.
|
||
|
||
On returning to my domacile I discovered that, although the
|
||
sun had set and the hour of twilight had arived, the Emblem of
|
||
my Country still floated in the breese. This made me very angry,
|
||
and ringing the door-bell I called William to the steps and
|
||
pointing upward, I said:
|
||
|
||
"William, what does this mean?"
|
||
|
||
He pretended not to understand, although avoiding my eye.
|
||
|
||
"What does what mean, Miss Barbara?"
|
||
|
||
"The Emblem of my Country, and I trust of yours, for I
|
||
understand you are naturalized, although if not you'd better be,
|
||
floating in the breese _after sunset_."
|
||
|
||
Did I or did I not see his face set into the lines of one
|
||
who had little or no respect for the Flag?
|
||
|
||
"I'll take it down when I get time, miss," he said, in a
|
||
tone of resignation. "But what with making the salid and laying
|
||
the table for dinner and mixing cocktails, and the cook so ugly
|
||
that if I as much as ask for the paprika she's likely to throw
|
||
a stove lid, I haven't much time for Flags."
|
||
|
||
I regarded him sternly.
|
||
|
||
"Beware, William," I said. "Remember that, although
|
||
probably not a Spy or at least not dangerous, as we in this
|
||
country now have our eyes open and will stand no nonsense, you
|
||
must at all times show proper respect to the National Emblem. Go
|
||
upstairs and take it in."
|
||
|
||
"Very well, miss," he said. "But perhaps you will allow me
|
||
to say this, miss. There are to many houses in this country
|
||
where the Patriotic Feeling of the inhabatants are shown only by
|
||
having a paid employee hang out and take in what you call The
|
||
Emblem."
|
||
|
||
He then turned and went in, leaving me in a stupafied state
|
||
on the door-step.
|
||
|
||
But I am not one to be angry on hearing the truth, although
|
||
painfull. I therfore ran in after him and said:
|
||
|
||
"William, you are right and I am wrong. Go back to your
|
||
Pantrey, and leave the Flag to me. From now on it will be my
|
||
duty."
|
||
|
||
I therfore went upstairs to my father's dressing room,
|
||
where he was shaveing for dinner, and opened the window. He was
|
||
disagreable and observed:
|
||
|
||
"Here, shut that! It's as cold as blue blazes."
|
||
|
||
I turned and looked at him in a severe manner.
|
||
|
||
"I am sorry, father," I said. "But as between you and my
|
||
Country I have no choice."
|
||
|
||
"What the dickens has the Country got to do with giving me
|
||
influensa?" he exclaimed, glaring at me. "Shut that window."
|
||
|
||
I folded my arms, but remained calm.
|
||
|
||
"Father," I said, in a low and gentle tone, "need I remind
|
||
you that it is at present almost seven P. M. and that the Stars
|
||
and Stripes, although supposed to be lowered at sunset, are
|
||
still hanging out this window?"
|
||
|
||
"Oh, that's it, is it?" he said in a releived tone. "You're
|
||
nothing if you're not thorough, Bab! Well, as they have hung an
|
||
hour and fifteen minutes to long as it is, I guess the Country
|
||
won't go to the dogs if you shut that window until I get a shirt
|
||
on. Go away and send Williarm up in ten minutes."
|
||
|
||
"Father," I demanded, intencely, "do you consider yourself
|
||
a Patriot?"
|
||
|
||
"Well," he said, "I'm not the shouting tipe, but I guess
|
||
I'll be around if I'm needed. Unless I die of the chill I'm
|
||
getting just now, owing to one shouting Patriot in the Familey."
|
||
|
||
"Is this your Country or William's?" I insisted, in an
|
||
inflexable voice.
|
||
|
||
"Oh, come now," he said, "we can divide it, William and I.
|
||
There's enough for both. I'm not selfish."
|
||
|
||
It is always thus in my Familey. They joke about the most
|
||
serious things, and then get terrably serious about nothing at
|
||
all, such as overshoes on wet days, or not passing in French
|
||
grammer, or having a friend of the Other Sex, etcetera.
|
||
|
||
"There are to many houses in this country, father," I said,
|
||
folding my arms, "where the Patriotism of the Inhabatants is
|
||
shown by having a paid employee hang out and take in the Emblem
|
||
between Cocktails and salid, so to speak."
|
||
|
||
"Oh damm!" said my father, in a feirce voice. "Here, get
|
||
away and let me take it in. And as I'm in my undershirt I only
|
||
hope the neighbors aren't looking out."
|
||
|
||
He then sneazed twice and drew in the Emblem, while I stood
|
||
at the Salute. How far, how very far from the Plattsburg Manual,
|
||
which decrees that our flag be lowered to the inspiring music of
|
||
the Star-Spangled Banner, or to the bugel call, "To the Colors."
|
||
|
||
Such, indeed, is life.
|
||
|
||
LATER: Carter Brooks dropped in this evening. I was very
|
||
cold to him and said:
|
||
|
||
"Please pardon me if I do not talk much, as I am in low
|
||
spirits."
|
||
|
||
"Low spirits on a holaday!" he exclaimed. "Well, we'll have
|
||
to fix that. How about a motor Picnic?"
|
||
|
||
It is always like that in our house. They regard a Party or
|
||
a Picnic as a cure for everything, even a heartache, or being
|
||
worried about Spies, etcetera.
|
||
|
||
"No, thank you," I said. "I am worried about those of my
|
||
friends who have enlisted." I then gave him a scornful glance
|
||
and left the room. He said "Bab!" in a strange voice and I heard
|
||
him coming after me. So I ran as fast as I could to my Chamber
|
||
and locked the door.
|
||
|
||
IN CAMP GIRLS AVIATION CORPS, APRIL 12TH.
|
||
|
||
We are now in Camp, although not in Unaform, owing to the
|
||
delivery waggon not coming yet with our clothes. I am writing on
|
||
a pad on my knee, while my Orderley, Betty Anderson, holds the
|
||
ink bottle.
|
||
|
||
What a morning we have had!
|
||
|
||
Would one not think that, in these terrable times, it would
|
||
be a simple matter to obtain a spot wherein to prepare for the
|
||
defence of the Country? Should not the Young be encouraged to
|
||
spring to the call, "To arms, to arms, ye braves!" instead of
|
||
being reproved for buying a Tent with no place as yet to put it,
|
||
and the Adams's governess being sent along with Elaine because
|
||
we need a Chaperone?
|
||
|
||
Ye gods! A Chaperone to a Milatary Camp!
|
||
|
||
She is now sitting on one of the camp stools and
|
||
embroidering a centerpeice. She brought her own lunch and
|
||
Elaine's, refusing to allow her to eat the regular Milatary
|
||
rations of bacon and boiled potatoes, etcetera, and not ofering
|
||
a thing to us, although having brought chicken sandwitches, cake
|
||
and fruit.
|
||
|
||
I shall now put down the events of the day, as although the
|
||
Manual says nothing of keeping a record, I am sure it is always
|
||
done. Have I not read, again and again, of the Captain's log,
|
||
which is not wood, as it sounds, but is a journal or Dairy?
|
||
|
||
This morning the man at the tent store called up and asked
|
||
where to send the tent. I then called a meeting in my Chamber,
|
||
only to meet with bitter disapointment, as one Parent after
|
||
another had refused to allow their grounds to be used. I felt
|
||
sad--helpless, as our house has no grounds, except for hanging
|
||
out washing, etcetera.
|
||
|
||
I was very angry and tired to, having had to get up at
|
||
sunrise to put out the Emblem, and father having wakened and
|
||
been very nasty. So I got up and said:
|
||
|
||
"It is clear that our Families are Patriots in name only,
|
||
and not in deed. Since they have abandoned us, The G. A. C. must
|
||
abandon them and do as it thinks best. Between Familey and
|
||
Country, I am for the Country."
|
||
|
||
Here they all cheered, and Hannah came in and said mother
|
||
had a headache and to keep quiet.
|
||
|
||
I could but look around, with an eloquent gesture.
|
||
|
||
"You see, Members of the Corps," I said in a tence voice,
|
||
"that things at present are intollerable. We must strike out for
|
||
ourselves. Those who are willing please signafy by saying Aye."
|
||
|
||
They all said it and I then sugested that we take my car
|
||
and as many as possable of the officers and go out to find a
|
||
suitable spot. I then got my car and crowded into it the First
|
||
and Second Lieutenants, the Sergeant and the Quartermaster,
|
||
which was Jane. She had asked to be Veterinarian, being fond of
|
||
dogs, but as we had no animals, I had made her Quartermaster,
|
||
giving her charge of the Quarters, or Tent, etcetera. The others
|
||
followed in the Adams's limousine, taking also cooking utensils
|
||
and food, although Mademoiselle was very disagreeable about the
|
||
frying pan and refused to hold it.
|
||
|
||
We went first to the tent store. The man in the shop then
|
||
instructed me as to how to put up the Tent, and was very kind,
|
||
offering to send some one to do it. But I refused.
|
||
|
||
"One must learn to do things oneself if one is to be
|
||
usefull," I said. "It is our intention to call on no member of
|
||
the Male Sex, but to show that we can get along without them."
|
||
|
||
"Quite right," he said. "I'm sure you can get along without
|
||
us, miss, much better than we could get along without you."
|
||
|
||
Mademoiselle considered this a flirtatious speach and
|
||
walked out of the shop. But I consider that it was a General
|
||
Remark and not personal, and anyhow he was thirty at least, and
|
||
had a married apearance.
|
||
|
||
As there was not room for the Tent and camp chairs in my
|
||
car, the delivery waggon followed us, making quite a procession.
|
||
|
||
We tried several farm houses, but one and all had no
|
||
Patriotism whatever and refused to let us use their terratory.
|
||
It was heartrending, for where we not there to help to protect
|
||
that very terratory from the enemy? But no, they cared not at
|
||
all, and said they did not want papers all over the place, and
|
||
so on. One woman observed that she did not object to us, but
|
||
that we would probably have a lot of boys hanging around and
|
||
setting fire to things with cigarettes, and anyhow if we were
|
||
going to shoot it would keep the hens from laying.
|
||
|
||
Ye gods! Is this our National Spirit?
|
||
|
||
I simply stood up in the car and said:
|
||
|
||
"Madame, we intend to have no Members of the Other Sex. And
|
||
if you put eggs above the Stars and Stripes you are nothing but
|
||
a Traitor and we will keep an eye on you."
|
||
|
||
We then went on, and at last found a place where no one was
|
||
living, and decided to claim it in the name of the government.
|
||
We then put up the tent, although not as tight as it should have
|
||
been, owing to the Adams's chauffeur not letting us have his
|
||
wrench to drive the pins in with, and were ready for the day's
|
||
work.
|
||
|
||
We have now had luncheon and the Quartermaster, Jane, is
|
||
burning the papers and so on.
|
||
|
||
After I have finished this Log we will take up the
|
||
signaling. We have decided in this way: Lining up in a row, and
|
||
counting one to ten, and even numbers will study flag signals,
|
||
and the odds will take up telagraphy, which is very clearly
|
||
shown in the Manual.
|
||
|
||
After that we will have exercises to make us strong and
|
||
elastic, and then target practise.
|
||
|
||
We have as yet no guns, but father has one he uses for duck
|
||
shooting in the fall, and Betty's uncle was in Africa last year
|
||
and has three, which she thinks she can secure without being
|
||
noticed. We have passed this Resolution: To have nothing to do
|
||
with those of the other Sex who are not prepared to do their
|
||
Duty.
|
||
|
||
EVENING, APRIL 12TH. I returned to my domacile in time to
|
||
take in Old Glory, and also to dress for dinner, being muddy and
|
||
needing a bath, as we had tried bathing in the creek at the camp
|
||
while Mademoiselle was asleep in the tent, but found that there
|
||
was an oil well near and the water was full of oil, which stuck
|
||
to us and was very disagreeable to smell.
|
||
|
||
Carter Brooks came to dinner, and I played the National
|
||
Anthem on the phonograph as we went in to the Dining Room.
|
||
Mother did not like it, as the soup was getting cold, but we all
|
||
stood until it was finished. I then saluted, and we sat down.
|
||
|
||
Carter Brooks sat beside me, and he gave me a long and
|
||
piercing glance.
|
||
|
||
"What's the matter with you, Bab?" he said. "You were
|
||
rather rude to me last night and now you've been looking through
|
||
me and not at me ever since I came, and I'll bet you're
|
||
feverish."
|
||
|
||
"Not at all." I said, in a cold tone. "I may be excited,
|
||
because of war and my Country's Peril. But for goodness sake
|
||
don't act like the Familey, which always considers that I am
|
||
sick when I am merely intence."
|
||
|
||
"Intence about what?" he asked.
|
||
|
||
But can one say when one's friends are a disapointment to
|
||
one? No, or at least not at the table.
|
||
|
||
The others were not listening, as father was fussing about
|
||
my waking him at daylight to put out the Emblem.
|
||
|
||
"Just slide your hand this way, under the table cloth,"
|
||
Carter Brooks said in a low tone. "It may be only intencity, but
|
||
it looks most awfully like chicken pocks or somthing."
|
||
|
||
So I did, considering that it was only Politeness, and he
|
||
took it and said:
|
||
|
||
"Don't jerk! It is nice and warm and soft, but not
|
||
feverish. What's that lump?"
|
||
|
||
"It's a blister," I said. And as the others were now
|
||
complaining about the soup, I told him of the Corps, etcetera,
|
||
thinking that perhaps it would rouse him to some patriotic
|
||
feelings. But no, it did not.
|
||
|
||
"Now look here," he said, turning and frowning at me,
|
||
"Aviation Corps means flying. Just remember this,--if I hear of
|
||
your trying any of that nonsense I'll make it my business to see
|
||
that you're locked up, young lady."
|
||
|
||
"I shall do exactly as I like, Carter" I said in a, friggid
|
||
manner. "I shall fly if I so desire, and you have nothing to say
|
||
about it."
|
||
|
||
However, seeing that he was going to tell my father, I
|
||
added:
|
||
|
||
"We shall probably not fly, as we have no machine. There
|
||
are Cavalry Regiments that have no horses, aren't there? But we
|
||
are but at the beginning of our Milatary existence, and no one
|
||
can tell what the next day may bring forth."
|
||
|
||
"Not with you, anyhow," he said in an angry tone, and was
|
||
very cold to me the rest of the dinner hour.
|
||
|
||
They talked about the war, but what a disapointment was
|
||
mine! I had returned from my Institution of Learning full of
|
||
ferver, and it was a bitter moment when I heard my father
|
||
observe that he felt he could be of more use to his Native Land
|
||
by making shells than by marching and carrying a gun, as he had
|
||
once had milk-leg and was never the same since.
|
||
|
||
"Of course," said my father, "Bab thinks I am a slacker.
|
||
But a shell is more valuable against the Germans than a milk
|
||
leg, anytime."
|
||
|
||
I at that moment looked up and saw William looking at my
|
||
father in a strange manner. To those who were not on the alert
|
||
it might have apeared that he was trying not to smile, my father
|
||
having a way of indulging in "quips and cranks and wanton wiles"
|
||
at the table which mother does not like, as our Butlers are apt
|
||
to listen to him and not fill the glasses and so on.
|
||
|
||
But if my Familey slept mentaly I did not. _At once_ I
|
||
suspected William. Being still not out, and therfore not
|
||
listened to with much atention, I kept my piece and said
|
||
nothing. And I saw this. _William was not what he seemed_.
|
||
|
||
As soon as dinner was over I went into my father's den,
|
||
where he brings home drawings and estamates, and taking his
|
||
Leather Dispach case, I locked it in my closet, tying the key
|
||
around my neck with a blue ribben. I then decended to the lower
|
||
floor, and found Carter Brooks in the hall.
|
||
|
||
"I want to talk to you," he said. "Have you young Turks--I
|
||
mean young Patriots any guns at this camp of yours?"
|
||
|
||
"Not yet."
|
||
|
||
"But you expect to, of course?"
|
||
|
||
I looked at him in a steady manner.
|
||
|
||
"When you have put on the Unaform of your Country" I said,
|
||
"or at least of Plattsburg, I shall tell you my Milatary
|
||
secrets, and not before."
|
||
|
||
"Plattsburg!" he exclaimed. "What do you know of
|
||
Plattsburg?"
|
||
|
||
I then told him, and he listened, but in a very
|
||
disagreeable way. And at last he said:
|
||
|
||
"The plain truth, Bab, is that some good-looking chap has
|
||
filled you up with a lot of dope which is meant for men, not
|
||
romantic girls. I'll bet to cents that if a fellow with a broken
|
||
noze or a squint had told you, you'd have forgotten it the next
|
||
minute."
|
||
|
||
I was exasparated. Because I am tired of being told that
|
||
the defence of our Dear Country is a masculine matter.
|
||
|
||
"Carter" I said, "I do not beleive in the double, standard,
|
||
and never did."
|
||
|
||
"The what?"
|
||
|
||
"The double standard," I said with dignaty. "It was all
|
||
well and good when war meant wearing a kitchin stove and
|
||
wielding a lance. It is no longer so. And I will show you."
|
||
|
||
I did not mean to be boastfull, such not being my nature.
|
||
But I did not feel that one who had not yet enlisted, remarking
|
||
that there was time enough when the Enemy came over, etcetera,
|
||
had any right to criticise me.
|
||
|
||
12 MIDNIGHT. How can I set down what I have discovered? And
|
||
having recorded it, how be sure that Hannah will not snoop
|
||
around and find this record, and so ruin everything?
|
||
|
||
It is midnight. Leila is still out, bent on frivolaty. The
|
||
rest of the Familey sleeps quietly, except father, who has taken
|
||
cold and is breathing through his mouth, and I sit here alone,
|
||
with my secret.
|
||
|
||
William is a Spy. I have the proofs. How my hand trembles
|
||
as I set down the terrable words.
|
||
|
||
I discovered it thus.
|
||
|
||
Feeling somewhat emty at bed time and never sleeping well
|
||
when hollow inside, I went down to the pantrey at eleven P. M.
|
||
to see if any of the dinner puding had been left, although not
|
||
hopeful, owing to the servants mostly finishing the desert.
|
||
|
||
_William was in the pantrey_.
|
||
|
||
He was writing somthing, and he tried to hide it when I
|
||
entered.
|
||
|
||
Being in my _robe de nuit_ I closed the door and said
|
||
through it:
|
||
|
||
"Please go away, William. Because I want to come in, unless
|
||
all the puding is gone."
|
||
|
||
I could hear him moving around, as though concealing
|
||
somthing.
|
||
|
||
"There is no puding, miss," he said. "And no fruit except
|
||
for breakfast. Your mother is very particuler that no one take
|
||
the breakfast fruit."
|
||
|
||
"William," I said sternly, "go out by the kitchen door.
|
||
Because I am hungry, and I am coming in for _somthing_."
|
||
|
||
He was opening and closing the pantrey drawers, and
|
||
although young, and not a housekeeper, I knew that he was not
|
||
looking in them for edables.
|
||
|
||
"If you'll go up to your room, Miss Bab," he said, "I'll
|
||
mix you an Eggnogg, without alkohol, of course, and bring it up.
|
||
An Eggnogg is a good thing to stay the stomache with at night.
|
||
I frequently resort to one myself."
|
||
|
||
I saw that he would not let me in, so I agreed to the
|
||
Eggnogg, but without nutmeg, and went away. My knees tremble to
|
||
think that into our peacefull home had come "Grim-vizaged War,"
|
||
but I felt keen and capable of dealing with anything, even a
|
||
Spy.
|
||
|
||
William brought up the Eggnogg, with a dash of sherry in
|
||
it, and I could hear him going up the stairs to his chamber. I
|
||
drank the Eggnogg, feeling that I would need all my strength for
|
||
what was to come, and then went down to the pantrey. It was in
|
||
perfect order, except that one of the tea towles had had a pen
|
||
wiped on it.
|
||
|
||
I then went through the drawers one by one, although not
|
||
hopeful, because he probably had the incrimanating document in
|
||
the heal of his shoe, which Spies usually have made hollow for
|
||
the purpose, or sowed in the lining of his coat.
|
||
|
||
At least, so I feared. But it was not so. Under one of the
|
||
best table cloths I found it.
|
||
|
||
Yes. _I found it_.
|
||
|
||
I copy it here in my journal, although knowing nothing of
|
||
what it means. Is it a scheme to blow up my father's mill, where
|
||
he is making shells for the defence of his Native Land? I do not
|
||
know. With shaking hands I put it down as follows:
|
||
|
||
48 D. K.
|
||
48 D. F.
|
||
36 S. F.
|
||
34 F. F.
|
||
36 T. S.
|
||
36 S. S.
|
||
36 C. S.
|
||
24 I. H. K.
|
||
36 F. K.
|
||
|
||
But in one way its meaning is clear. Treachery is abroad
|
||
and Treason has but just stocked up the stairs to its Chamber.
|
||
|
||
APRIL 13TH. It is now noon and snowing, although supposed
|
||
to be spring. I am writing this Log in the tent, where we have
|
||
built a fire. Mademoiselle is sitting in the Adams's limousine,
|
||
wrapped in rugs. She is very sulky.
|
||
|
||
There are but nine of us, as I telephoned the Quartermaster
|
||
early this morning and summoned her to come over and discuss
|
||
important business.
|
||
|
||
Her Unaform had come and so had mine. What a thrill I felt
|
||
as she entered Headquarters (my chamber) in kakhi and saluted.
|
||
She was about to sit down, but I reminded her that war knows no
|
||
intimacies, and that I was her Captain. She therfore stood, and
|
||
I handed her William's code. She read it and said:
|
||
|
||
"What is it?"
|
||
|
||
"That is what the G. A. C. is to find out," I said. "It is
|
||
a cipher."
|
||
|
||
"It looks like it," said Jane in a flutering tone. "Oh,
|
||
Bab, what are we to do?"
|
||
|
||
I then explained how I had discovered it and so on.
|
||
|
||
"Our first duty," I went on, "is to watch William. He must
|
||
be followed and his every movement recorded. I need not tell you
|
||
that our mill is making shells, and that the fate of the Country
|
||
may hang on you today."
|
||
|
||
"On me?" said Jane, looking terrafied.
|
||
|
||
"On you. I have selected you for this first day. To-morrow
|
||
it will be another. I have not yet decided which. You must
|
||
remain secreted here, but watching. If he goes out, follow him."
|
||
|
||
I was again obliged to remind her of my rank and so on, as
|
||
she sat down and began to object at once.
|
||
|
||
"The Familey," I said, "will be out all day at First Aid
|
||
classes. You will be safe from discovery."
|
||
|
||
Here I am sorry to say Jane disapointed me, for she
|
||
observed, bitterly:
|
||
|
||
"No luncheon, I suppose!"
|
||
|
||
"Not at all," I said. "It is a part of the Plattsburg idea
|
||
that a good soldier must have nourishment, as his strength is
|
||
all he has, the Officers providing the brains."
|
||
|
||
I then rang for Hannah, and ofered her to dollars to bring
|
||
Jane a tray at noon and to sneak it from the kitchin, not the
|
||
pantrey.
|
||
|
||
"From the kitchin?" she said. "Miss Bab, it's as much as my
|
||
life is worth to go to the kitchin. The cook and that new Butler
|
||
are fighting something awfull."
|
||
|
||
Jane and I exchanged glances.
|
||
|
||
"Hannah," I said, in a low tone, "I can only say this. If
|
||
you but do your part you may avert a great calamaty."
|
||
|
||
"My God, Miss Bab!" she cried. "That cook's a German. I
|
||
said so from the beginning."
|
||
|
||
"Not the cook, Hannah."
|
||
|
||
We were all silent. It was a terrable moment. I shortly
|
||
afterwards left the house, leaving Jane to study flag signals,
|
||
or wig-waging as vulgarly called, and _to watch_.
|
||
|
||
CAMP, 4 P. M. Father has just been here.
|
||
|
||
We were trying to load one of Betty's uncle's guns when my
|
||
Orderley reported a car coming at a furious gate. On going to
|
||
the opening of the tent I saw that it was our car with father
|
||
and Jane inside. They did not stop in the road, but turned and
|
||
came into the field, bumping awfully.
|
||
|
||
Father leaped out and exclaimed:
|
||
|
||
"Well!"
|
||
|
||
He then folded his arms and looked around.
|
||
|
||
"Upon my word, Bab!" he said. "You might at least take your
|
||
Familey into your confidence. If Jane had not happened to be at
|
||
the house I'd never have found you. But never mind about that
|
||
now. Have you or have you not seen my leather Dispach Case?"
|
||
|
||
Alas, my face betrayed me, being one that flushes easily
|
||
and then turns pale.
|
||
|
||
"I thought so," he said, in an angry voice. "Do you know
|
||
that you have kept a Board of Directors sitting for three hours,
|
||
and that--Bab, you are hopeless! Where is it?"
|
||
|
||
How great was my humiliation, although done with the
|
||
Highest Motives, to have my Corps standing around and listening.
|
||
Also watching while I drew out the rihben and the key.
|
||
|
||
"I hid it in my closet, father," I said.
|
||
|
||
"Great thunder!" he said. "And we have called in the Secret
|
||
Service!"
|
||
|
||
He then turned on his heal and stocked away, only stopping
|
||
to stare at Mademoiselle in the car, and then driving as fast as
|
||
possable back to the mill.
|
||
|
||
As he had forgotten Jane, she was obliged to stay. It was
|
||
by now raining, and the Corps wanted to go home. But I made a
|
||
speach, saying that if we weakened now what would we do in times
|
||
of Real Danger?
|
||
|
||
"What are a few drops of rain?" I inquired, "to the falling
|
||
of bullets and perhaps shells? We will now have the class in
|
||
bandageing."
|
||
|
||
The Corps drew lots as to who would be bandaged, there
|
||
being no volunteers, as it was cold and necesary to remove
|
||
Unaform etcetera. Elaine got number seven. The others then
|
||
practiced on her, having a book to go by.
|
||
|
||
I here add to this log Jane's report on William. He had
|
||
cleaned silver until 1 P. M., when he had gone back to the
|
||
kitchin and moved off the soup kettle to boil some dish towles.
|
||
The cook had then set his dish towles out in the yard and upset
|
||
the pan, pretending that a dog had done so. Hannah had told Jane
|
||
about it.
|
||
|
||
At 1:45 William had gone out, remarking that he was going
|
||
to the drug store to get some poizon for the cook. Jane had
|
||
followed him and _he had really mailed a Letter_.
|
||
|
||
APRIL 14TH. I have taken a heavy cold and am, alas, _hors
|
||
de combat_. The Familey has issued orders that I am to stay in
|
||
bed this A. M. and if stopped sneazing by 2 P. M. am to be
|
||
allowed up but not to go to Camp.
|
||
|
||
Elaine is in bed to, and her mother called up and asked my
|
||
Parents if they would not send me back to school, as I had upset
|
||
everything and they could not even get Elaine to the Dentist's,
|
||
as she kept talking about teeth being unimportant when the
|
||
safety of the Nation was hanging in the Balence.
|
||
|
||
As I lie here and reflect, it seems to me that everywhere
|
||
around me I see nothing but Sloth and Indiference. One would
|
||
beleive that nothing worse could happen than a Cook giving
|
||
notice. Will nothing rouze us to our Peril? Are we to sit here,
|
||
talking about housecleaning and sowing women and how wide are
|
||
skirts, when the minions of the German Army may at any time turn
|
||
us into slaves? Never!
|
||
|
||
LATER: Carter Brooks has sent me a book on First Aid. Ye
|
||
gods, what chance have I at a wounded Soldier when every person
|
||
of the Femanine Sex in this Country is learning First Aid, and
|
||
even hoping for small accidents so they can practice on them.
|
||
No, there are some who can use their hands (i. e. at bandageing
|
||
and cutting small boils, etcetera. Leila has just cut one for
|
||
Henry, the chauffeur, although not yellow on top and therfore
|
||
not ready) and there are others who do not care for Nursing, as
|
||
they turn sick at the sight of blood, and must therfore use
|
||
their brains. I am of this class.
|
||
|
||
William brought up my tray this morning. I gave him a
|
||
peircing glance and said:
|
||
|
||
"Is the Emblem out?"
|
||
|
||
He avoided my eye.
|
||
|
||
"Not yet, miss," he said. "Your father left sharp orders as
|
||
to being disturbed before 8 A. M."
|
||
|
||
"As it is now 9:30," I observed coldly, "there has been
|
||
time enough lost. I am _hors de combat_, or I would have atended
|
||
to it long ago."
|
||
|
||
He had drawn a stand beside the bed, and I now sat up and
|
||
looked at my Tray. The orange was cut through the wrong way!
|
||
|
||
Had I needed proof, dear log or journal, I had it there.
|
||
For any _Butler_ knows how to cut a breakfast orange.
|
||
|
||
"William," I said, as he was going out, "how long have you
|
||
been a Butler?"
|
||
|
||
Perhaps this was a foolish remark as being calculated to
|
||
put him on his guard. But "out of the fullness of the Heart the
|
||
Mouth speaketh." It was said. I could not withdraw my words.
|
||
|
||
He turned suddenly and looked at me.
|
||
|
||
"Me, miss?" he said in a far to inocent tone. "Why, I don't
|
||
know exactly. " He then smiled and said: "There are some who
|
||
think I am not much of a Butler now."
|
||
|
||
"Just a word of advise, William," I said in a signifacant
|
||
tone. "A real Butler cuts an orange the other way. I am telling
|
||
you, because although having grape fruit mostly, some morning
|
||
some one may order an orange, and one should be very careful
|
||
_these days_."
|
||
|
||
Shall I ever forget his face as he went out? No, never. He
|
||
knew that I knew, and was one to stand no nonsense. But I had
|
||
put him on his guard. It was to be a battle of Intellagence, his
|
||
brains against mine.
|
||
|
||
Although regretful at first of having warned him, I feel
|
||
now that it is as well. I am one who likes to fight in the open,
|
||
not as a serpent coiled in the grass and pretending, like the
|
||
one in the Bible, to be a friend.
|
||
|
||
3 P. M. No new developments. Although forbidden to go out
|
||
nothing was said about the roof. I have therfore been up on it
|
||
exchanging Signals with Lucy Gray next door by means of flags.
|
||
As their roof slants and it is still raining, she sliped once
|
||
and slid to the gutter. She then sat there and screamed like a
|
||
silly, although they got her back with a clothesline which the
|
||
Policeman asked for.
|
||
|
||
But Mrs. Gray was very unpleasant from one of their windows
|
||
and said I was a Murderer at heart.
|
||
|
||
Has the Average Parent no soul?
|
||
|
||
NOON, APRIL 14 (In Camp).
|
||
|
||
This is a fine day, being warm and bright and all here but
|
||
Elaine and Mademoiselle--the latter not greatly missed, as
|
||
although French and an Ally she thinks we should be knitting
|
||
etcetera, and ordered the car to be driven away when ever we
|
||
tried to load the gun.
|
||
|
||
A quorum being present, it was moved and seconded that we
|
||
express wherever possable our disaproval in war time of
|
||
|
||
1. Cigarettes
|
||
|
||
2. Drinking
|
||
|
||
3. Low-necked dresses
|
||
|
||
4. Parties
|
||
|
||
5. Fancy deserts
|
||
|
||
6. Golf and other sports--except when necesary for health.
|
||
|
||
7. Candy.
|
||
|
||
We also pleged ourselves to try and make our Families rise
|
||
early, and to insist on Members of our Families hoisting and
|
||
taking down the Stars and Stripes, instead of having it done by
|
||
those who may not respect it, or only aparently so.
|
||
|
||
Passed unanamously.
|
||
|
||
The class in Telegraphy reported that it could do little or
|
||
nothing, as it is easy to rap out a dot but not possable to rap
|
||
a dash. We therfore gave it up for The Study of the Rifle and
|
||
Its Care.
|
||
|
||
Luncheon today: Canned salmon, canned beans and vanila
|
||
wafers.
|
||
|
||
2 A. M., APRIL 15TH. I have seen a Spy at his nefarius
|
||
work!
|
||
|
||
I am still trembling. At one moment I think that I must go
|
||
again to Father and demand consideration, as more mature than he
|
||
seems to think, and absolutely certain I was not walking in my
|
||
sleep. But the next moment I think not, but that if I can
|
||
discover William's plot myself, my Familey will no longer ignore
|
||
me and talk about my studying Vocal next winter instead of
|
||
coming out.
|
||
|
||
To return to William, dear Log or journal. I had been
|
||
asleep for some time, but wakened up to find myself standing in
|
||
the dining room with a napkin in each hand. I was standing in
|
||
the Flag Signal position for A, which is the only one I remember
|
||
as yet without the Manual.
|
||
|
||
I then knew that I had been walking in my sleep, having
|
||
done so several times at School, and before Examinations being
|
||
usualy tied by my Room-mate with a string from my ankle to the
|
||
door knob, so as in case of getting out of bed to wake up.
|
||
|
||
I was rather scared, as I do not like the dark, feeling
|
||
when in it that Something is behind me and about to cluch at me.
|
||
|
||
I therfore stood still and felt like screaming, when
|
||
suddenly the door of the Butler's pantrey squeaked. Could I then
|
||
have shreiked I would have, but I had no breath for the purpose.
|
||
|
||
Somebody came into the room and felt for the table, passing
|
||
close by me and stepping by accident on the table bell, which is
|
||
under the rug. It rang and scared me more than ever. We then
|
||
both stood still, and I hoped if he or it heard my Heart thump
|
||
he or it would think it was the hall clock.
|
||
|
||
After a time the footsteps moved on around the table and
|
||
out into the hall. I was still standing in position A, being as
|
||
it were frosen thus.
|
||
|
||
However, seeing that it was something human and not
|
||
otherwise, as its shoes creaked, I now became angry at the
|
||
thought that Treason was under the roof of my home. I therfore
|
||
followed the Traitor out into the hall and looked in through the
|
||
door at him. He had a flash light, and was opening the drawers
|
||
of my father's desk. It was William.
|
||
|
||
I then concealed myself behind my father's overcoat in the
|
||
hack hall, and considered what to do. Should I scream and be
|
||
probably killed, thus dying a noble Death? Or should I remain
|
||
still? I decided on the latter.
|
||
|
||
And now, dear Log or Journal, I must record what followed,
|
||
which I shall do as acurately as I can, in case of having later
|
||
on to call in the Secret Service and read this to them.
|
||
|
||
There is a safe built in my resadence under the stairs, in
|
||
which the silver service, plates, etcetera, are stored, as to
|
||
big for the Safe Deposit, besides being a nusance to send for
|
||
every time there is a dinner.
|
||
|
||
This safe only my father can unlock, or rather, this I
|
||
fondly believed until tonight. But how diferent are the facts!
|
||
For William walked to it, after listening at the foot of the
|
||
stairs, and opened it as if he had done so before quite often.
|
||
He then took from it my father's Dispach Case, locked the safe
|
||
again, and went back through the dining room.
|
||
|
||
It is a terrable thing to see a crime thus comitted and to
|
||
know not what to do. Had William repaired again to his chamber,
|
||
or would he return for the plates, etcetera?
|
||
|
||
At last I crept upstairs to my father's room, which was
|
||
locked. I could not waken him by gently taping, and I feared
|
||
that if I made a noise I would warn the lurking Criminal in his
|
||
den. I therfore went to my bathroom and filled my bath sponge
|
||
with water, and threw it threw the transom in the direction of
|
||
my father's bed.
|
||
|
||
As it happened it struck on his face, and I heard him
|
||
getting up and talking dreadfully to himself. Also turning on
|
||
the lights. I put my mouth to the keyhole and said:
|
||
|
||
"Father!"
|
||
|
||
Had he but been quiet, all would have been well. But he
|
||
opened the door and began roaring at me in a loud tone, calling
|
||
me an imp of Mischeif and other things, and yelling for a towle.
|
||
|
||
I then went in and closed the door and said:
|
||
|
||
"That's right. Bellow and spoil it all."
|
||
|
||
"Spoil what?" he said, glareing at me. "There's nothing
|
||
left to spoil, is there? Look at that bed! Look at me!"
|
||
|
||
"Father," I said, "while you are raging about over such a
|
||
thing as a wet Sponge, which I was driven to in desparation, the
|
||
house is or rather has been robbed."
|
||
|
||
He then sat down on the bed and said:
|
||
|
||
"You are growing up, Bab, although it is early for the
|
||
burglar obsession. Go on, though. Who is robbing us and why?
|
||
Because if he finds any Money I'll divide with him."
|
||
|
||
Such a speach discouraged me, for I can bear anything
|
||
except to be laughed at. I therfore said:
|
||
|
||
"William has just taken your Dispach Case out of the safe.
|
||
I saw him."
|
||
|
||
"William!"
|
||
|
||
"William," I repeated in a tence voice.
|
||
|
||
He was then alarmed and put on his slippers and dressing
|
||
gown.
|
||
|
||
"You stay here," he observed. "Personally I think you've
|
||
had a bad dream, because William can't possably know the
|
||
combination of that safe. It's as much as I can do to remember
|
||
it myself."
|
||
|
||
"It's a Spy's business to know everything, father."
|
||
|
||
He gave me a peircing glance.
|
||
|
||
"He's a Spy, is he?" he then said. "Well, I might have
|
||
known that all this war preparation of yours would lead to
|
||
Spies. It has turned more substantile intellects than yours."
|
||
|
||
He then swiched on the hall lights from the top of the
|
||
stairs and desended. I could but wait at the top, fearing at
|
||
each moment a shot would ring out, as a Spy's business is such
|
||
as not to stop at Murder.
|
||
|
||
My father unlocked the safe and looked in it. Then he
|
||
closed it again and disapeared into the back of the house. How
|
||
agonising were the moments that ensued! He did not return, and
|
||
at last, feeling that he had met a terrable Death, I went down.
|
||
|
||
I went through the fatal dining room to the pantrey and
|
||
there found him not only alive, but putting on a plate some cold
|
||
roast beef and two apples.
|
||
|
||
"I thought we'd have a bite to eat," he said. "I need a
|
||
little nourishment before getting back into that puddle to
|
||
sleep."
|
||
|
||
"Father!" I said. "How can you talk of food when knowing---
|
||
-"
|
||
|
||
"Get some salt and pepper," he said, "and see if there is
|
||
any mustard mixed. You've had a dream, Bab. That's all. The Case
|
||
is in the safe, and William is in his bed, and in about two
|
||
minutes a cold repast is going to be in me."
|
||
|
||
Ye gods!
|
||
|
||
He is now asleep, and I am writing this at 2 A. M.
|
||
|
||
I, and I alone, know that there is a Criminal in this
|
||
house, serving our meals and quareling with the cook as if a
|
||
regular Butler, but really a Spy. And although I cry aloud in my
|
||
anguish, those who hear me but maintain that I am having a
|
||
nightmare.
|
||
|
||
I am a Voice crying in the Wilderness.
|
||
|
||
APRIL 15TH: 9 A. M. William is going about as usual, but
|
||
looks as though he had not had enough sleep.
|
||
|
||
Father has told mother about last night, and I am not to
|
||
have coffee in the evenings. This is not surprizing, as they
|
||
have always considered me from a physical and not a mental
|
||
standpoint.
|
||
|
||
My very Soul is in revolt.
|
||
|
||
6 P. M. This being Sunday, camp did not convene until 3 P.
|
||
M. and then but for a short time. We flag-signaled mostly and
|
||
are now to the letter E. Also got the gun loaded at last and
|
||
fired it several times, I giving the orders as in the book, page
|
||
262, in a loud voice:
|
||
|
||
(1) "Hold the rifle on the mark." (2) "Aim properly." (3)
|
||
"Squeeze the Triger properly." (4) "Call the shot."
|
||
|
||
We had but just started, and Mademoiselle had taken the car
|
||
and gone back to the Adams's residence to bring out Mr. Adams,
|
||
as she considers gun-shooting as dangerous, when a farmer with
|
||
to dogs came over a fense and objected, saying that it was
|
||
Sunday and that his cows were getting excited anyhow and would
|
||
probahly not give any milk.
|
||
|
||
"These are War times," I said, in a dignafied manner. "And
|
||
if you are doing nothing for the country yourself you should at
|
||
least allow others to do so."
|
||
|
||
He was a not unreasonable tipe and this seemed to effect
|
||
him. For he sat down on one of our stools and said:
|
||
|
||
"Well, I don't know about that, miss. You see----"
|
||
|
||
"Captain," I put in. Because he might as well know that we
|
||
meant business.
|
||
|
||
"Captain, of course!" he said. "You'll have to excuze me.
|
||
This thing of Women in War is new to me. But now don't you think
|
||
that you'll be doing the country a service not to interfere with
|
||
the food supply and so on?" He then looked at me and remarked:
|
||
"If I was you, miss or Captain, I would not come any to clost to
|
||
my place. My wife was pretty well bruized up that time you upset
|
||
our milk waggon."
|
||
|
||
_It was indeed he_! But he was not unpleasant about it,
|
||
although remarking that if he had a daughter and a machine,
|
||
although he had niether, and expected niether, the one would
|
||
never be allowed to have the other until carefully taught on an
|
||
emty road.
|
||
|
||
He then said:
|
||
|
||
"You girls have been wig-wagging, I see."
|
||
|
||
"We are studying flag signals."
|
||
|
||
"Humph!" he observed. "I used to know something about that
|
||
myself, in the Spanish war. Now let's see what I remember. Watch
|
||
this. And somebody keep an eye on that hill and report if a blue
|
||
calico dress is charging from the enemies' Trenches."
|
||
|
||
It was very strange to see one who apeared to be but an
|
||
ordinary Farmer, Or Milkman, pick up our flags and wave them
|
||
faster than we could read them. It was indeed thrilling,
|
||
although discouraging, because if that was the regular rate of
|
||
Speed we felt that we could never acheive it. I remarked this,
|
||
and he then said:
|
||
|
||
"Work hard at it, and I reckon I can slip over now and then
|
||
and give you a lesson. Any girl that can drive an automobile
|
||
hell-bent" (these are his words, not mine) "can do most anything
|
||
she sets her mind on. You leave that gun alone, and work at the
|
||
signaling, and I guess I can make out to come every afternoon.
|
||
I start out about 2 A. M. and by noon I'm mostly back."
|
||
|
||
We all thanked him, and saluted as he left. He saluted to,
|
||
and said:
|
||
|
||
"Name's Schmidt, but don't worry about that. Got some
|
||
German blood way back, but who hasn't?"
|
||
|
||
He then departed with his to dogs, and we held a meeting,
|
||
and voted to give up everything but signaling.
|
||
|
||
Passed unanamously.
|
||
|
||
8 P. M. I am now at home. Dinner is over, being early on
|
||
Sundays because of Servants' days out and so on.
|
||
|
||
Leila had a Doctor to dinner. She met him at the Red Cross,
|
||
and he would, I think, be a good husband. He sat beside me, and
|
||
I talked mostly about her, as I wished him to know that,
|
||
although having her faults as all have, she would be a good
|
||
wife.
|
||
|
||
"She can sow very well," I told him, "and she would
|
||
probably like to keep House, but of course has no chance here,
|
||
as mother thinks no one can manage but herself."
|
||
|
||
"Indeed!" he said, looking at me. "But of course she will
|
||
probably have a house of her own before long."
|
||
|
||
"Very likely," I said. "Although she has had a number of
|
||
chances and always refuses."
|
||
|
||
"Probably the right Person has not happened along;" he
|
||
observed.
|
||
|
||
"Perhaps," I said, in a signifacant tone. "Or perhaps he
|
||
does not know he is the right Person."
|
||
|
||
William, of whom more anon, was passing the ice cream just
|
||
then. I refused it, saying:
|
||
|
||
"Not in war time."
|
||
|
||
"Barbara," mother said, stiffly. "Don't be a silly. Eat
|
||
your desert."
|
||
|
||
As I do not like seens I then took a little, but no cake.
|
||
|
||
During dinner Leila made an observation which has somewhat
|
||
changed my opinion of Carter Brooks. She said his mother did not
|
||
want him to enlist which was why he had not. She has no other
|
||
sons and probably never will have, being a widow.
|
||
|
||
I have now come to William.
|
||
|
||
Lucy Gray had been on Secret Service that day, but did the
|
||
observing from the windows of their house, as my Familey was at
|
||
home and liable to poke into my room at any moment.
|
||
|
||
William had made it up with the cook, Lucy said, and had
|
||
showed her a game of Solitaire in the morning by the kitchin
|
||
window. He had then fallen asleep in the pantrey, the window
|
||
being up. In the afternoon, luncheon being over and the Familey
|
||
out in the car for a ride, he had gone out into the yard behind
|
||
the house and pretended to look to see if the crocuses were all
|
||
gone. But soon he went into the Garage and was there a half
|
||
hour.
|
||
|
||
Now it is one of the rules of this Familey that no house
|
||
servants go to the Garage, owing to taking up the Chauffeur's
|
||
time when he should be oiling up, etcetera. Also owing to one
|
||
Butler stealing the Chauffeur's fur coat and never being seen
|
||
again.
|
||
|
||
But alas, what am I to do? For although I reported this
|
||
being in the Garage to mother, she but said:
|
||
|
||
"Don't worry me about him, Bab. He is hopelessly
|
||
inefficient. But there are no Men Servants to be had and we'll
|
||
have to get along."
|
||
|
||
1 A. M. I have been on watch all evening, but everything is
|
||
quiet.
|
||
|
||
I must now go to bed, as the Manual says, page 166:
|
||
|
||
"Retire early and get a good night's rest."
|
||
|
||
APRIL 16TH. In camp. Luncheon of sardines, pickels, and
|
||
eclairs as no one likes to cook, owing to smoke in the eyes,
|
||
etcetera.
|
||
|
||
Camp convened at 12 noon, as we spent the morning helping
|
||
to get members of the Other Sex to enlist. We pinned a pink
|
||
Carnation on each Enlister, and had to send for more several
|
||
times. We had quite a Crowd there and it was very polite except
|
||
one, who said he would enlist twice for one kiss. The Officer
|
||
however took him by the ear and said the Army did not wish such
|
||
as he. He then through (threw?) him out.
|
||
|
||
This morning I warned the new Chauffeur, feeling that if he
|
||
had by chance any Milatary Secrets in the Garage he should know
|
||
about William.
|
||
|
||
"William!" he said, looking up from where he was in the
|
||
Repair Pit at the time. "_William_!"
|
||
|
||
"I am sorry, Henry," I said, in a quiet voice. "But I fear
|
||
that William is not what he apears to be."
|
||
|
||
"I think you must be mistaken, miss." He then hamered for
|
||
some time. When he was through he climbed out and said: "There's
|
||
to much Spy talk going on, to my thinking, miss. And anyhow,
|
||
what would a Spy be after in this house?"
|
||
|
||
"Well," I observed, in an indignant manner, for I am
|
||
sensative and hate to have my word doubted, "as my father is in
|
||
a business which is now War Secrets and nothing else, I can
|
||
understand, if you can't."
|
||
|
||
He then turned on the engine and made a terrable noise, to
|
||
see if hitting on all cylinders. When he shut it off I told him
|
||
about William spending a half hour in the Garage the day before.
|
||
Although calm before he now became white with anger and said:
|
||
|
||
"Just let me catch him sneaking around here, and
|
||
I'll--what's he after me for anyhow? I haven't got any Milatary
|
||
Secrets."
|
||
|
||
I then sugested that we work together, as I felt sure
|
||
William was after my father's blue prints and so on, which were
|
||
in the Dispach Case in the safe at night. He said he was not a
|
||
Spy-catcher, but if I caught William at any nonsense I might let
|
||
him know, and if he put a padlock on the outside of his door and
|
||
mother saw it and raised a fuss, I could stand up for him.
|
||
|
||
I agreed to do so.
|
||
|
||
10 P. M. Doctor Connor called this evening, to bring Sis a
|
||
pattern for a Surgicle Dressing. They spent to hours in the
|
||
Library looking at it. Mother is rather upset, as she thinks a
|
||
Doctor makes a poor husband, having to be out at night and never
|
||
able to go to Dinners owing to baby cases and so on.
|
||
|
||
She said this to father, but I heard her and observed:
|
||
|
||
"Mother, is a doctor then to have no Familey life, and only
|
||
to bring into the world other people's children?"
|
||
|
||
She would usualy have replied to me, but she merely sighed,
|
||
as she is not like herself, being worried about father.
|
||
|
||
She beleives that my Father's Life is in danger, as
|
||
although usualy making steel, which does not explode and is
|
||
therfore a safe business, he is now making shells, and every
|
||
time it has thundered this week she has ohserved:
|
||
|
||
"The mill!"
|
||
|
||
She refuses to be placated, although knowing that only
|
||
those known to the foremen can enter, as well as having a medal
|
||
with a number on it, and at night a Password which is new every
|
||
night.
|
||
|
||
I know this, because we have this evening made up a list of
|
||
Passwords for the next week, using a magazine to get them out
|
||
of, and taking advertisements, such as Cocoa, Razers, Suspenders
|
||
and so on. Not these actualy but others like them.
|
||
|
||
We then learned them off by heart and burned the paper, as
|
||
one cannot be to carefull with a Spy in the house, even if not
|
||
credited as such by my Parents.
|
||
|
||
Have forgotten the Emblem. Must take it in.
|
||
|
||
APRIL 17TH. In camp.
|
||
|
||
Henry brought me out in the big car, as mine has a broken
|
||
spring owing to going across the field with it.
|
||
|
||
He says he has decided to help me, and that I need not
|
||
watch the safe, etcetera, at night. I therfore gave him a key to
|
||
the side door, and now feel much better. He also said not to
|
||
have any of the Corps detailed to watch William in the daytime,
|
||
as he can do so, because the Familey is now spending all day at
|
||
the Red Cross.
|
||
|
||
He thinks the Password idea fine, as otherwise almost
|
||
anybody could steal a medal and get into the mill.
|
||
|
||
William seems to know that I know something, and this
|
||
morning, while opening the door for me, he said:
|
||
|
||
"I beg pardon, Miss Bab, but I see Henry is driving you
|
||
today."
|
||
|
||
"It is not hard to see," I replied, in a hauty manner. It
|
||
is not the Butler's business who is driving me, and anyhow I had
|
||
no intention of any unecessary conversation with a Spy.
|
||
|
||
"Your own car being out of order, miss?"
|
||
|
||
"It is," I retorted. "As you will probably be going to the
|
||
Garage, although against orders, while Henry is out, you can see
|
||
it yourself."
|
||
|
||
I then went out and sat in front in order to converce with
|
||
Henry, as the back is lonely. I looked up at the door and
|
||
William was standing there, with a very queer look on his face.
|
||
|
||
3 P. M. Mr. Schmidt is late and the Corps is practising,
|
||
having now got to K.
|
||
|
||
Luncheon was a great surprize, as at 12:45 a car apeared on
|
||
the sky line and was reported by our Sentry as aproaching
|
||
rapidly.
|
||
|
||
When it came near it was seen to be driven by Carter
|
||
Brooks, and to contain several baskets, etcetera. He then
|
||
dismounted and saluted and said:
|
||
|
||
"The Commiseriat has sent me forward with the day's
|
||
rations, sir."
|
||
|
||
"Very good," I returned, in an official manner. "Corps will
|
||
line up and count. Odd numbers to unpack and evens to set the
|
||
table."
|
||
|
||
This of course was figurative, as we have no table, but eat
|
||
upon the ground.
|
||
|
||
He then carried over the baskets and a freezer of ice
|
||
cream. He had brought a fruit salid, cold chicken, potatoe
|
||
Chips, cake and ice-cream. It was a delightful Repast, and not
|
||
soon to be forgotten by the Corps.
|
||
|
||
Mademoiselle got out of the Adams's car and came over,
|
||
although she had her own lunch as usual. She then had the
|
||
Chauffeur carry over a seat cushion, and to see her one would
|
||
beleive she was always pleasant. I have no use for those who are
|
||
only pleasant in the presence of Food or Strangers.
|
||
|
||
Carter Brooks sat beside me, and observed:
|
||
|
||
"You see, Bab, although a Slacker myself, I cannot bear
|
||
that such brave spirits as those of the Girls' Aviation Corps
|
||
should go hungry."
|
||
|
||
I then gave him a talking-to, saying that he had been a
|
||
great disapointment, as I thought one should rise to the
|
||
Country's Call and not wait until actualy needed, even when an
|
||
only son.
|
||
|
||
He made no defence, but said in a serious tone:
|
||
|
||
"You see, it's like this. I am not sure of myself, Bab. I
|
||
don't want to enlist because others of the Male Sex, as you
|
||
would say, are enlisting and I'm ashamed not to. And I don't
|
||
want to enlist just to wear a Unaform and get away from
|
||
business. I don't take it as lightly as all that."
|
||
|
||
"Have you no Patriotism?" I demanded. "Can you repeat
|
||
unmoved the celabrated lines:
|
||
|
||
"Lives there a man with Soul so dead,
|
||
|
||
He (or who) never to himself hath said:
|
||
|
||
This is my own, my Native Land."
|
||
|
||
I then choked up, although being Captain I felt that tears
|
||
were a femanine weakness and a bad Example.
|
||
|
||
Mademoiselle had at that moment felt an ant somewhere and
|
||
was not looking. Therfore she did not perceive when he reached
|
||
over and put his hand on my foot, which happened to be nearest
|
||
to him. He then pated my foot, and said:
|
||
|
||
"What a nice kid you are!"
|
||
|
||
It is strange, now that he and the baskets, etcetera, have
|
||
gone away, that I continue to think about his pating my foot.
|
||
Because I have known him for years, and he is nothing to me but
|
||
a good friend and not sentamental in any way.
|
||
|
||
I feel this way. Suppose he enlists and goes away to die
|
||
for his Country, as a result of my Speach. Can I endure to think
|
||
of it? No. I did not feel this way about Tom Gray, who has gone
|
||
to Florida to learn to fly, although at one time thinking the
|
||
Sun rose and set on him. It is very queer.
|
||
|
||
The Sentry reports Mr. Schmidt and the dogs coming over the
|
||
fense.
|
||
|
||
EVENING. Doctor Connor is here again. He is taking Sis to
|
||
a meeting where he is to make a Speach. I ofered to go along,
|
||
but they did not apear to hear me, and perhaps it is as well,
|
||
for I must watch William, as Henry is taking them in the car. I
|
||
am therfore writing on the stairs, as I can then hear him
|
||
washing Silver in the pantrey.
|
||
|
||
Mother has been very sweet to me this evening. I cannot
|
||
record how I feel about the change. I used to feel that she
|
||
loved me when she had time to do so, but that she had not much
|
||
time, being busy with Bridge, Dinners, taking Leila out and
|
||
Housekeeping, and so on. But now she has more time. Tonight she
|
||
said:
|
||
|
||
"Bab, suppose we have a little talk. I have been thinking
|
||
all day what I would do if you were a boy, and took it into that
|
||
Patriotic head of yours to enlist. I couldn't bear it, that's
|
||
all."
|
||
|
||
I was moved to tears by this afection on the part of my
|
||
dear Parent, but I remembered being Captain of the Corps, and so
|
||
did not weep. She then said that she would buy us an Emblem for
|
||
the Camp, and have a luncheon packed each day. She also ofered
|
||
me a wrist watch.
|
||
|
||
I cannot but think what changes War can make, bringing
|
||
people together because of worry and danger, and causing gifts,
|
||
such as flags and watches, and ofering to come out and see us in
|
||
a day or so.
|
||
|
||
It is now 9 P. M. and the mention of the flag has reminded
|
||
me that our own Emblem still fluters beneath the Starry Sky.
|
||
|
||
LATER: William is now in the Garage. I am watching from the
|
||
window of the sowing room.
|
||
|
||
The terrable thought comes--has he a wireless concealed
|
||
there, by which he sends out clandestine messages, perhaps to
|
||
Germany?
|
||
|
||
This I know. He cannot get into Henry's room, as the
|
||
padlock is now on.
|
||
|
||
LATER: He has returned, foiled!
|
||
|
||
APRIL 18TH. Nothing new. Working hard at signaling. Mr.
|
||
Schmidt says I am doing well and if he was an Officer he would
|
||
give me a job.
|
||
|
||
APRIL 19TH. Nothing new. But Doctor Connor had told Leila
|
||
that my father looks sick or at least not well. When I went to
|
||
him, being frightened, as he is my only Male Parent and very
|
||
dear to me, he only laughed and said:
|
||
|
||
"Nonsense! We're rushed at the Mill, that's all. You see,
|
||
Bab, War is more than Unaforms and saluting. It is a nasty
|
||
Business. And of course, between your forgetting The Emblem
|
||
until midnight, when I am in my first sleep, and putting it out
|
||
at Dawn, I am not getting all the rest I really need."
|
||
|
||
He then took my hand and said:
|
||
|
||
"Bab, you haven't by any chance been in my Dispach Case for
|
||
anything, have you?"
|
||
|
||
"Why? Is something missing?" I said in I startled tone.
|
||
|
||
"No. But sometimes I think--however, never mind about that.
|
||
I think I'll take the Case upstairs and lock my door hereafter,
|
||
and if the Emblem is an hour or to late, we will have to stand
|
||
for it. Eight o'clock is early enough for any Flag, especialy if
|
||
it has been out late the night before."
|
||
|
||
"Father" I said, in a tence voice. "I have before this
|
||
warned you, but you would not listen, considering me imature and
|
||
not knowing a Spy when I see one."
|
||
|
||
I then told him what I knew about William, but he only
|
||
said:
|
||
|
||
"Well, the only thing that matters is the Password, and
|
||
that cannot be stolen. As for William, I have had his record
|
||
looked up by the Police, and it is fine. Now go to bed, and send
|
||
in the Spy. I want a Scotch and Soda."
|
||
|
||
APRIL 20TH. Henry and I have searched the Garage, but there
|
||
is no Wireless, unless in a Chimney. Henry says this is often
|
||
done, by Spies, who raise a Mast out of the chimney by night.
|
||
|
||
To night I shall watch the Chimney, as there is an ark
|
||
light near it, so that it is as bright as Day.
|
||
|
||
The cook has given notice, as she and William cannot get
|
||
along, and as he can only make to salids and those not cared for
|
||
by the other servants.
|
||
|
||
APRIL 27TH. After eight days I am at last alowed this Log
|
||
or Journal, being supported with pillows while writing as Doctor
|
||
Connor says it will not hurt me.
|
||
|
||
He has just gone, and I am sure kissed Leila in the hall
|
||
while Hannah and the nurse were getting pen, ink, etcetera.
|
||
Perhaps after all Romanse has at last come to my beloved sister,
|
||
who will now get married. If so, I can come out in November,
|
||
which is the best time, as December is busy with Xmas and so on.
|
||
|
||
How shall I tell the tradgic story of that night? How can
|
||
I put, by means of a pen, my Experiences on paper? There are
|
||
some things which may not be written, but only felt, and that
|
||
mostly afterwards, as during the time one is to excited to feel.
|
||
|
||
On April 21st, Saturday, I had a bad cold and was not
|
||
allowed to go to camp. I therfore slept most of the day, being
|
||
one to sleep easily in daytime, except for Hannah coming in to
|
||
feel if I was feverish.
|
||
|
||
My father did not come home to dinner, and later on
|
||
telephoned that he was not to be looked for until he arived,
|
||
owing to somthing very important at the Mill and a night shift
|
||
going on for the first time.
|
||
|
||
We ate Dinner without him, and mother was very nervous and
|
||
kept saying that with foremen and so on she did not see why
|
||
father should have to kill himself.
|
||
|
||
Ye gods! Had we but realised the Signifacance of that
|
||
remark! But we did not, but went to living in a Fool's Paradice,
|
||
and complaining because William had put to much vinigar in the
|
||
French Dressing.
|
||
|
||
William locked up the house and we retired to our Chambers.
|
||
But as I had slept most of the day I could not compose myself to
|
||
Slumber, but sat up in my robe de nuit and reflected about
|
||
Carter Brooks, and that perhaps it would be better for him not
|
||
to enlist as there is plenty to be done here at home, where one
|
||
is safe from bullets, machine guns and so on. Because, although
|
||
not Sentamental about him or silly in any way, I felt that he
|
||
should not wish to go into danger if his mother objected. And
|
||
after all one must consider mothers and other Parents.
|
||
|
||
I put a dressing gown over my _robe de nuit_, and having
|
||
then remembered about the Wireless, I put out my light and sat
|
||
in the window seat. But there was no Mast to be seen, and
|
||
nothing but the ark light swinging.
|
||
|
||
I then saw some one come in the drive and go back to the
|
||
Garage, but as Henry has a friend who has been out of work and
|
||
sleeps with him, although not told to the Familey, as probably
|
||
objecting,--although why I could not see, since he used half of
|
||
Henry's bed and therfore cost nothing--I considered that it was
|
||
he.
|
||
|
||
It was not, however, as I shall now record in this Log or
|
||
Journal.
|
||
|
||
I had perhaps gone to sleep in my place of watching, when
|
||
I heard a rapping at my Chamber door. "Only this and nothing
|
||
more." Poe--The Raven.
|
||
|
||
I at once opened the door, and it was the cook. She said
|
||
that Henry had returned from the mill with a pain in his ear,
|
||
and had telephoned to her by the house 'phone to bring over a
|
||
hot water bottle, as father was driving himself home when ready.
|
||
|
||
She then said that if I would go over with her to the
|
||
Garage and drop some laudinum into his ear, she being to
|
||
nervous, and also taking my hot water bottle, she would be
|
||
grateful.
|
||
|
||
Although not fond of her, owing to her giving notice and
|
||
also being very fussy about cake taken from the pantrey, I am
|
||
one to go always where needed. I also felt that a member of the
|
||
Corps should not shirk Duty, even a Chauffeur's ear. I therfore
|
||
got my hot water bottle and some slippers, etcetera, and we went
|
||
to the Garage.
|
||
|
||
I went up the stairs to Henry's room, but what was my
|
||
surprize to find him not there, but only his friend. I then
|
||
said:
|
||
|
||
"Where is Henry?"
|
||
|
||
The cook was behind me, and she said:
|
||
|
||
"He is coming. He has to walk around because it aches so."
|
||
|
||
Then Henry's friend said, in a queer voice:
|
||
|
||
"Now, Miss Bab, there is nothing to be afraid of, unless
|
||
you make a noise. If you do there will be trouble and that at
|
||
once. We three are going to have a little talk."
|
||
|
||
Ye gods! I tremble even to remember his words, for he said:
|
||
|
||
"What we want is simple enough. We want tonight's Password
|
||
at the Mill. _Don't scream_."
|
||
|
||
I dropped the hot water bottle, because there is no use
|
||
pretending one is not scared at such a time. One is. But of
|
||
course I would not tell them the Password, and the cook said:
|
||
|
||
"Be careful, Miss Bab. We are not playing. We are in
|
||
terrable ernest."
|
||
|
||
She did not sound like a cook at all, and she looked
|
||
diferent, being very white and with to red spots on her cheeks.
|
||
|
||
"So am I," I responded, although with shaking teeth. "And
|
||
just wait until the Police hear of this and see what happens.
|
||
You will all be arested. If I scream----"
|
||
|
||
"If you scream," said Henry's friend in an awful voice,
|
||
"you will never scream again."
|
||
|
||
There was now a loud report from below, which the neighbors
|
||
afterwards said they heard, but considered gas in a muffler,
|
||
which happens often and sounds like a shot. There was then a
|
||
sort of low growl and somebody fell with a thump. Then the cook
|
||
said to Henry's friend:
|
||
|
||
"Jump out of the window. They've got him!"
|
||
|
||
But he did not jump, but listened, and we then heard Henry
|
||
saying:
|
||
|
||
"Come down here, quick."
|
||
|
||
Henry's friend then went downstairs very rapidly, and I ran
|
||
to the window thinking to jump out. But it was closed and
|
||
locked, and anyhow the cook caught me and said, in a hissing
|
||
manner:
|
||
|
||
"None of that, you little fool."
|
||
|
||
I had never been so spoken to, especially by a cook, and it
|
||
made me very angry. I then threw the bottle of laudinum at her,
|
||
and broke a front tooth, also cutting her lip, although I did
|
||
not know this until later, as I then fainted.
|
||
|
||
When I came to I was on the floor and William, whom I had
|
||
considered a Spy, was on the bed with his hands and feet tied.
|
||
Henry was standing by the door, with a revolver, and he said:
|
||
|
||
"I'm sorry, Miss Bab, because you are all right and have
|
||
helped me a lot, especially with that on the bed. If it hadn't
|
||
been for you our Goose would have been cooked."
|
||
|
||
He then picked me up and put me in a chair, and looked at
|
||
his watch.
|
||
|
||
"Now," he said, "we'll have that Password, because time is
|
||
going and there are things to be done, quite a few of them."
|
||
|
||
I could see William then, and I saw his eyes were partly
|
||
shut, and that he had been shot, because of blood, etcetera. I
|
||
was about to faint again, as the sight of blood makes me sick at
|
||
the stomache, but Henry held a bottle of amonia under my nose
|
||
and said in a brutal way:
|
||
|
||
"Here, none of that."
|
||
|
||
I then said that I would not tell the Password, although
|
||
killed for it, and he said if I kept up that attitude I would
|
||
be, because they were desperate and would stop at nothing.
|
||
|
||
"There is no use being stubborn," he said, "because we are
|
||
going to get that Password, and the right one to, because if the
|
||
wrong one you, to, will be finished off in short order."
|
||
|
||
As I was now desperate myself I decided to shriek, happen
|
||
what may. But I had merely opened my mouth to when he sprang at
|
||
me and put his hand over my mouth. He then said he would be
|
||
obliged to gag me, and that when I made up my mind to tell the
|
||
Password, if I would nod my Head he would then remove the gag.
|
||
As I grew pale at these words he threw up a window, because air
|
||
prevents fainting.
|
||
|
||
He then tied a towel around my mouth and lips, putting part
|
||
of it between my teeth, and tied it in a hard knot behind. He
|
||
also tied my hands behind me, although I kicked as hard as
|
||
possable, and can do so very well, owing to skating and so on.
|
||
|
||
How awfull were my sensations as I thus sat facing Death,
|
||
and remembering that I had often been excused from Chapel when
|
||
not necesary, and had been confirmed while pretending to know
|
||
the Creed while not doing so. Also not always going to Sunday
|
||
School as I should, and being inclined to skip my Prayers when
|
||
very tired.
|
||
|
||
We sat there for a long time, which seemed Eternities,
|
||
Henry making dreadful threats, and holding a revolver. But I
|
||
would not tell the Password, and at last he went out, locking
|
||
the door behind him, to consult with the other Spies.
|
||
|
||
I then heard a whisper, and saw that William was not dead.
|
||
He said:
|
||
|
||
"Here, quick. I'll unloose your hands and you can drop out
|
||
the window."
|
||
|
||
He did so, but just in time, as Henry returned, looking
|
||
fierce and saying that I had but fifteen minutes more. I was
|
||
again in my chair, and he did not percieve that my hands were
|
||
now untied.
|
||
|
||
I must stop here, as my hands tremble to much to hold my
|
||
trusty pen.
|
||
|
||
APRIL 28TH. Leila has just been in. She kissed me in a
|
||
fraternal manner, and I then saw that she wore an engagement
|
||
ring. Well, such is Life. We only get realy acquainted with our
|
||
Families when they die, or get married.
|
||
|
||
Doctor Connor came in a moment later and kissed me to,
|
||
calling me his brave little Sister.
|
||
|
||
How pleasant it is to lie thus, having wine jelatine and
|
||
squab and so on, and wearing a wrist watch with twenty-seven
|
||
diamonds, and mother using the vibrator on my back to make me
|
||
sleepy, etcetera. Also, to know that when one's father returns
|
||
he will say:
|
||
|
||
"Well, how is the Patriot today?" and not smile while
|
||
saying it.
|
||
|
||
I have recorded in this journal up to where I had got my
|
||
hands loose, and Henry was going to shoot me in fifteen minutes.
|
||
|
||
We have thus come to Mr. Schmidt.
|
||
|
||
Suddenly Henry swore in an angry manner. This was because
|
||
my father had brought the machine home and was but then coming
|
||
along the drive. Had he come alone it would have been the end of
|
||
him and the Mill, for Henry and his friend would have caught
|
||
him, and my father is like me--he would die before giving the
|
||
Password and blowing up all the men and so on in the Mill. But
|
||
he brought the manager with him, as he lives out of town and
|
||
there is no train after midnight.
|
||
|
||
My father said:
|
||
|
||
"Henry!"
|
||
|
||
So Henry replied:
|
||
|
||
"Coming, sir" and went out, but again locked the door.
|
||
|
||
Before he went out he said:
|
||
|
||
"Now mind, any noise up here and we will finish you and
|
||
your father also. _Don't you overturn a chair by mistake, young
|
||
lady_."
|
||
|
||
He then went down, and I could hear my dear Parent's voice
|
||
which I felt I would probably never hear again, discussing new
|
||
tires and Henry's earache, which was not a real one, as I now
|
||
knew.
|
||
|
||
I looked at William, but he had his eyes shut and I saw he
|
||
was now realy unconscious. I then however heard a waggon in our
|
||
alley, and I went to the window. What was my joy to see that it
|
||
was Mr. Schmidt's milk waggon which had stopped under the ark
|
||
light, with he himself on the seat. He was getting some milk
|
||
bottles out, and I suppose he heard the talking in our Garage,
|
||
for he stopped and then looked up. Then he dropped a milk
|
||
bottle, but he stood still and stared.
|
||
|
||
With what anguished eyes, dear Log or Journal, did I look
|
||
down at him, unable to speak or utter a sound. I then tried to
|
||
untie the Towle but could not, owing to feeling weak and sick
|
||
and the knots being hard.
|
||
|
||
I at one moment thought of jumping out, but it was to far
|
||
for our Garage was once a Stable and is high. But I knew that if
|
||
the Criminals who surounded my Father and the manager heard such
|
||
a sound, they would then attack my Father and kill him.
|
||
|
||
I was but a moment thinking all this, as my mind is one to
|
||
work fast when in Danger. Mr. Schmidt was still staring, and the
|
||
horse was moving on to the next house, as Mr. Schmidt says it
|
||
knows all his Customers and could go out alone if necesary.
|
||
|
||
It was then that I remembered that, although I could not
|
||
speak, I could signal him, although having no flags. I therfore
|
||
signaled, saying:
|
||
|
||
"Quiet. Spies. Bring police."
|
||
|
||
It was as well that he did not wait for the last to
|
||
letters, as I could not remember C, being excited and worried at
|
||
the time. But I saw him get into his waggon and drive away very
|
||
fast, which no one in the Garage noticed, as milk waggons were
|
||
not objects of suspicion.
|
||
|
||
How strange it was to sit down again as if I had not moved,
|
||
as per orders, and hear my Father whistling as he went to the
|
||
house. I began to feel very sick at my Stomache, although glad
|
||
he was safe, and wondered what they would do without me. Because
|
||
I had now seen that, although insisting that I was still a
|
||
child, I was as dear to them as Leila, though in a different
|
||
way.
|
||
|
||
I had not cried as yet, but at the thought of Henry's
|
||
friend and the others coming up to kill me before Mr. Schmidt
|
||
could get help, I shed a few tears.
|
||
|
||
They all came back as soon as my Father had slamed the
|
||
house door, and if they had been feirce before they were awfull
|
||
then, the cook with a handkerchief to her mouth, and Henry's
|
||
friend getting out a watch and giving me five minutes. He had
|
||
counted three minutes and was holding his Revolver to just
|
||
behind my ear, when I heard the milk waggon coming back, with
|
||
the horse galloping.
|
||
|
||
It stopped in the alley, and the cook said, in a dreadfull
|
||
voice:
|
||
|
||
"What's that?"
|
||
|
||
She dashed to the Window, and looked out, and then turned
|
||
to the other Spies and said:
|
||
|
||
"The Police!"
|
||
|
||
I do not know what happened next, as I fainted again,
|
||
having been under a strain for some time.
|
||
|
||
I must now stop, as mother has brought the Vibrater.
|
||
|
||
APRIL 29TH. All the people in my father's Mill have gone
|
||
together and brought me a riding horse. I have just been to the
|
||
window of my Chamber to look at it. I have always wanted a
|
||
horse, but I cannot see that I deserve this one, having but done
|
||
what any member of the G. A. C. should do.
|
||
|
||
As I now have a horse, perhaps the Corps should become
|
||
Cavalry. Memo: Take this up with Jane.
|
||
|
||
LATER: Carter Brooks has just gone, and I have a terrable
|
||
headache owing to weeping, which always makes my head ache.
|
||
|
||
He has gone to the War.
|
||
|
||
I cannot write more.
|
||
|
||
10 P. M. I can now think better, although still weeping at
|
||
intervals. I must write down all that has happened, as I do not
|
||
feel like telling Jane, or indeed anybody.
|
||
|
||
Always before I have had no Secrets from Jane, even in
|
||
matters of the Other Sex. But I feel very strange about this and
|
||
like thinking about it rather than putting it into speach.
|
||
|
||
Also I feel very kind toward everybody, and wish that I had
|
||
been a better girl in many ways. I have tried to be good, and
|
||
have never smoked cigarettes or been decietful except when
|
||
forced to be by the Familey not understanding. But I know I am
|
||
far from being what Carter Brooks thinks me to be.
|
||
|
||
I have called Hannah and given her my old watch, with money
|
||
to for a new chrystal. Also stood by at Salute while my father
|
||
brought in the Emblem. For William can no longer do it, as he
|
||
was not really a Butler at all but a Secret Service Inspector,
|
||
and also being still in the Hospital, although improving.
|
||
|
||
He had not told the Familey, as he was afraid they would
|
||
not then treat him as a real Butler. As for the code in the
|
||
pantrey, it was really not such, but the silver list, beginning
|
||
with 48 D. K. or dinner knives, etcetera. When taking my
|
||
Father's Dispach Case from the safe, it was to keep the real
|
||
Spies from getting it. He did it every night, and took the
|
||
important papers out until morning, when he put them back.
|
||
|
||
To-night my father brought in the Emblem and folded it. He
|
||
then said:
|
||
|
||
"Well, I admit that Fathers are not real Substatutes for
|
||
young men in Unaform, but in times of Grief they may be mighty
|
||
handy to tie to." He then put his arms around me and said: "You
|
||
see, Bab, the real part of War, for a woman--and you are that
|
||
now, Bab, in spite of your years--the real thing she has to do
|
||
is not the fighting part, although you are about as good a
|
||
soldier as any I know. The thing she has to do is to send some
|
||
one she cares about, and then sit back and wait."
|
||
|
||
As he saw that I was agatated, he then kissed me and
|
||
sugested that we learn something more than the first verse of
|
||
the National Hymn, as he was tired of making his lips move and
|
||
thus pretending to sing when not actualy doing so.
|
||
|
||
I shall now record about Carter Brooks coming today. I was
|
||
in a chair with pilows and so on, when Leila came in and kissed
|
||
me, and then said:
|
||
|
||
"Bab, are you able to see a caller?"
|
||
|
||
I said yes, if not the Police, as I had seen a great many
|
||
and was tired of telling about Henry and Henry's friend,
|
||
etcetera.
|
||
|
||
"Not the Police," she said.
|
||
|
||
She then went out in the hall and said:
|
||
|
||
"Come up. It's all right."
|
||
|
||
I then saw a Soldier in the door, and could not beleive
|
||
that it was Carter Brooks, until he saluted and said:
|
||
|
||
"Captain, I have come to report. Owing to the end of the
|
||
Easter Holadays the Girls' Aviation Corps----"
|
||
|
||
I could no longer be silent. I cried:
|
||
|
||
"Oh, Carter!"
|
||
|
||
So he came into the room and turned round, saying:
|
||
|
||
"Some soldier, eh?"
|
||
|
||
Leila had gone out, and all at once I knew that my
|
||
Patriotism was not what I had thought it, for I could not bear
|
||
to see him going to War, especialy as his mother would be lonly
|
||
without him.
|
||
|
||
Although I have never considered myself weak, I now felt
|
||
that I was going to cry. I therfore said in a low voice to give
|
||
me a Handkercheif, and he gave me one of his.
|
||
|
||
"Why, look here," he said, in an astounded manner, "you
|
||
aren't crying about_ me_, are you?"
|
||
|
||
I said from behind his Handkercheif that I was not, except
|
||
being sorry for his mother and also for him on account of Leila.
|
||
|
||
"Leila!" he said. "What about Leila?"
|
||
|
||
"She is lost to you forever," I replied in a choking tone.
|
||
"She is betrothed to another."
|
||
|
||
He became very angry at that, and observed:
|
||
|
||
"Look here, Bab. One minute I think you are the cleverest
|
||
Girl in the World, and the next--you little stuped, do you still
|
||
insist on thinking that I am in love with Leila?"
|
||
|
||
At that time I began to feel very queer, being week and at
|
||
the same time excited and getting red, the more so as he pulled
|
||
the Handkercheif from my eyes and commanded me: "Bab, look at
|
||
me. Do I _look_ as though I care for Leila?"
|
||
|
||
I, however, could not look at him just then. Because I felt
|
||
that I could not endure to see the Unaform.
|
||
|
||
"Don't you know why I hang around this House?" he said, in
|
||
a very savige manner. "Because if you don't everybody else
|
||
does."
|
||
|
||
Dear Log or Journal, I could but think of one thing, which
|
||
was that I was not yet out, but still what is called a Sub-Deb,
|
||
and so he was probably only joking, or perhaps merely playing
|
||
with me.
|
||
|
||
I said so, in a low tone, but he only gave a Groan and
|
||
said:
|
||
|
||
"I know you are not out and all the rest of it. Don't I lie
|
||
awake at night knowing it? And that's the reason I----" Here he
|
||
stopped and said: "Damm it" in a feirce voice. "Very well," he
|
||
went on. "I came to say Good-bye, and to ask you if you will
|
||
write to me now and then. Because I'm going to War half because
|
||
the Country needs me and the other half because I'm not going to
|
||
disapoint a certain young Person who has a way of expecting
|
||
people to be better than they are."
|
||
|
||
He then very suddenly stood up and said:
|
||
|
||
"I guess I'd better go. And don't you dare to cry, because
|
||
if you do there will be Trouble."
|
||
|
||
But I could not help it, as he was going to War for my
|
||
Native Land, and might never come back. I therfore asked for his
|
||
Handkercheif again, but he did not listen. He only said:
|
||
|
||
"You are crying, and I warned you."
|
||
|
||
He then stooped over and put his hand under my Chin and
|
||
said:
|
||
|
||
"Good-bye, sweetheart."
|
||
|
||
_And kissed me_.
|
||
|
||
He went out at once, slaming the door, and passed Leila in
|
||
the lower Hall without speaking to her.
|
||
|
||
APRIL 30TH. I now intend to close this Log or Journal, and
|
||
write no more in it. I am not going back to school, but am to
|
||
get strong and well again, and to help mother at the Red Cross.
|
||
I wish to do this, as it makes me feel usefull and keeps me from
|
||
worrying.
|
||
|
||
After all, I could not realy care for any one who would not
|
||
rise to the Country's Call.
|
||
|
||
MAY 3RD. I have just had a letter from Carter. It is mostly
|
||
about blisters on his feet and so on, and is not exactly a love
|
||
letter. But he ends with this, which I shall quote, and so end
|
||
this Dairy:
|
||
|
||
"After all, Bab, perhaps we all needed this. I know I did.
|
||
|
||
"I want to ask you something. Do you remember the time you
|
||
wrote me that you were _blited_ and I sugested that we be blited
|
||
together. How about changing that a bit, and being _plited_.
|
||
Because if I am not cheered by something of the sort, my
|
||
Patriotism is going to ooze out of the blisters on my heels."
|
||
|
||
I have thought about this all day, and I have no right to
|
||
ruin his Career. I beleive that the Army should be encouraged as
|
||
much as possible. I have therefore sent him a small drawing,
|
||
copied from the Manual, like this
|
||
|
||
{1" tall figure of a man holding semifore flags -- his right arm
|
||
is to the right and his left arm is up}
|
||
|
||
Which means "Afirmative"
|
||
|
||
[End.]
|
||
.
|