7084 lines
260 KiB
Plaintext
7084 lines
260 KiB
Plaintext
1875
|
|
PEER GYNT
|
|
by Henrik Ibsen
|
|
THE CHARACTERS
|
|
ASE, a peasant's widow.
|
|
PEER GYNT, her son.
|
|
TWO OLD WOMEN with corn-sacks. ASLAK, a smith. WEDDING-GUESTS. A
|
|
MASTER-COOK, A FIDDLER, etc.
|
|
A MAN AND WIFE, newcomers to the district.
|
|
SOLVEIG and LITTLE HELGA, their daughters.
|
|
THE FARMER AT HEGSTAD.
|
|
INGRID, his daughter.
|
|
THE BRIDEGROOM and His PARENTS.
|
|
THREE SAETER-GIRLS. A GREEN-CLAD WOMAN.
|
|
THE OLD MAN OF THE DOVRE.
|
|
A TROLL-COURTIER. SEVERAL OTHERS. TROLL-MAIDENS and TROLL-URCHINS. A
|
|
COUPLE OF WITCHES. BROWNIES, NIXIES, GNOMES, etc.
|
|
AN UGLY BRAT. A VOICE IN THE DARKNESS. BIRD-CRIES.
|
|
KARI, a cottar's wife.
|
|
Master COTTON, Monsieur BALLON, Herren VON EBERKOPF and
|
|
TRUMPETERSTRALE, gentlemen on their travels. A THIEF and A RECEIVER.
|
|
ANITRA, daughter of a Bedouin chief.
|
|
ARABS, FEMALE SLAVES, DANCING-GIRLS, etc.
|
|
THE MEMNON-STATUE (singing). THE SPHINX AT GIZEH (muta persona).
|
|
PROFESSOR BEGRIFFENFELDT, Dr. Phil., director of the madhouse at
|
|
Cairo.
|
|
HUHU, a language-reformer from the coast of Malabar. HUSSEIN, an
|
|
eastern Minister. A FELLAH, with a royal mummy.
|
|
SEVERAL MADMEN, with their KEEPERS.
|
|
A NORWEGIAN SKIPPER and HIS CREW. A STRANGE PASSENGER.
|
|
A PASTOR. A FUNERAL-PARTY. A PARISH-OFFICER. A BUTTON-MOULDER. A
|
|
LEAN PERSON.
|
|
The action, which opens in the beginning of the nineteenth
|
|
century, and ends around the 1860's, takes place partly in
|
|
Gudbrandsdalen, and on the mountains around it, partly on the coast
|
|
of Morocco, in the desert of Sahara, in a madhouse at Cairo, at sea,
|
|
etc.
|
|
ACT FIRST
|
|
SCENE FIRST
|
|
[A wooded hillside near ASE's farm. A river rushes down the slope.
|
|
On the further side of it an old mill shed. It is a hot day in
|
|
summer.]
|
|
[PEER GYNT, a strongly-built youth of twenty, comes down the
|
|
pathway. His mother, ASE, a small, slightly built woman, follows
|
|
him, scolding angrily.]
|
|
ASE
|
|
Peer, you're lying!
|
|
PEER [without stopping].
|
|
No, I am not!
|
|
ASE
|
|
Well then, swear that it is true!
|
|
PEER
|
|
Swear? Why should I?
|
|
ASE
|
|
See, you dare not!
|
|
It's a lie from first to last.
|
|
PEER [stopping].
|
|
It is true-each blessed word!
|
|
ASE [confronting him].
|
|
Don't you blush before your mother?
|
|
First you skulk among the mountains
|
|
monthlong in the busiest season,
|
|
stalking reindeer in the snows;
|
|
home you come then, torn and tattered,
|
|
gun amissing, likewise game;-
|
|
and at last, with open eyes,
|
|
think to get me to believe
|
|
all the wildest hunters'-lies!-
|
|
Well, where did you find the buck, then?
|
|
PEER
|
|
West near Gendin.
|
|
ASE [laughing scornfully].
|
|
Ah! Indeed!
|
|
PEER
|
|
Keen the blast towards me swept;
|
|
hidden by an alder-clump,
|
|
he was scraping in the snow-crust
|
|
after lichen-
|
|
ASE [as before].
|
|
Doubtless, yes!
|
|
PEER
|
|
Breathlessly I stood and listened,
|
|
heard the crunching of his hoof,
|
|
saw the branches of one antler.
|
|
Softly then among the boulders
|
|
I crept forward on my belly.
|
|
Crouched in the moraine I peered up;-
|
|
such a buck, so sleek and fat,
|
|
you, I'm sure, have ne'er set eyes on.
|
|
ASE
|
|
No, of course not!
|
|
PEER
|
|
Bang! I fired!
|
|
Clean he dropped upon the hillside.
|
|
But the instant that he fell
|
|
I sat firm astride his back,
|
|
gripped him by the left ear tightly,
|
|
and had almost sunk my knife-blade
|
|
in his neck, behind his skull-
|
|
when, behold! the brute screamed wildly,
|
|
sprang upon his feet like lightning,
|
|
with a back-cast of his head
|
|
from my fist made knife and sheath fly,
|
|
pinned me tightly by the thigh,
|
|
jammed his horns against my legs,
|
|
clenched me like a pair of tongs;-
|
|
then forthwith away he flew
|
|
right along the Gendin-Edge!
|
|
ASE [involuntarily].
|
|
Jesus save us-!
|
|
PEER
|
|
Have you ever
|
|
chanced to see the Gendin-Edge?
|
|
Nigh on four miles long it stretches
|
|
sharp before you like a scythe.
|
|
Down o'er glaciers, landslips, scaurs,
|
|
down the toppling grey moraines,
|
|
you can see, both right and left,
|
|
straight into the tarns that slumber,
|
|
black and sluggish, more than seven
|
|
hundred fathoms deep below you.
|
|
Right along the Edge we two
|
|
clove our passage through the air.
|
|
Never rode I such a colt!
|
|
Straight before us as we rushed
|
|
'twas as though there glittered suns.
|
|
Brown-backed eagles that were sailing
|
|
in the wide and dizzy void
|
|
half-way 'twixt us and the tarns,
|
|
dropped behind, like motes in air.
|
|
Ice-floes on the shores broke crashing,
|
|
but no murmur reached my ears.
|
|
Only sprites of dizziness sprang,
|
|
dancing, round;-they sang, they swung,
|
|
circle-wise, past sight and hearing!
|
|
ASE [dizzy].
|
|
Oh, God save me!
|
|
PEER
|
|
All at once,
|
|
at a desperate, break-neck spot,
|
|
rose a great cock-ptarmigan,
|
|
flapping, cackling, terrified,
|
|
from the crack where he lay hidden
|
|
at the buck's feet on the Edge.
|
|
Then the buck shied half around,
|
|
leapt sky-high, and down we plunged
|
|
both of us into the depths!
|
|
[ASE totters, and catches at the trunk of a tree. PEER GYNT
|
|
continues:]
|
|
Mountain walls behind us, black,
|
|
and below a void unfathomed!
|
|
First we clove through banks of mist,
|
|
then we clove a flock of sea-gulls,
|
|
so that they, in mid-air startled,
|
|
flew in all directions, screaming.
|
|
Downward rushed we, ever downward.
|
|
But beneath us something shimmered,
|
|
whitish, like a reindeer's belly.-
|
|
Mother, 'twas our own reflection
|
|
in the glass-smooth mountain tarn,
|
|
shooting up towards the surface
|
|
with the same wild rush of speed
|
|
wherewith we were shooting downwards.
|
|
ASE [gasping for breath].
|
|
Peer! God help me-! Quickly, tell-!
|
|
PEER
|
|
Buck from over, buck from under,
|
|
in a moment clashed together,
|
|
scattering foam-flecks all around.
|
|
There we lay then, floating, plashing,-
|
|
But at last we made our way
|
|
somehow to the northern shore;
|
|
buck, he swam, I clung behind him:-
|
|
I ran homewards-
|
|
ASE
|
|
But the buck, dear?
|
|
PEER
|
|
He's there still, for aught I know;-
|
|
[Snaps his fingers, turns on his heel, and adds:]
|
|
catch him, and you're welcome to him!
|
|
ASE
|
|
And your neck you haven't broken?
|
|
Haven't broken both your thighs?
|
|
and your backbone, too, is whole?
|
|
Oh, dear Lord-what thanks, what praise,
|
|
should be thine who helped my boy!
|
|
There's a rent, though, in your breeches;
|
|
but it's scarce worth talking of
|
|
when one thinks what dreadful things
|
|
might have come of such a leap-!
|
|
[Stops suddenly, looks at him open-mouthed and wide-eyed; cannot
|
|
find words for some time, but at last bursts out:]
|
|
Oh, you devil's story-teller,
|
|
Cross of Christ, how you can lie!
|
|
All this screed you foist upon me,
|
|
I remember now, I knew it
|
|
when I was a girl of twenty.
|
|
Gudbrand Glesne it befell,
|
|
never you, you-
|
|
PEER
|
|
Me as well.
|
|
Such a thing can happen twice.
|
|
ASE [exasperated].
|
|
Yes, a lie, turned topsy-turvy,
|
|
can be prinked and tinselled out,
|
|
decked in plumage new and fine,
|
|
till none knows its lean old carcass.
|
|
That is just what you've been doing,
|
|
vamping up things, wild and grand,
|
|
garnishing with eagles' backs
|
|
and with all the other horrors,
|
|
lying right and lying left,
|
|
filling me with speechless dread,
|
|
till at last I recognised not
|
|
what of old I'd heard and known!
|
|
PEER
|
|
If another talked like that
|
|
I'd half kill him for his pains.
|
|
ASE [weeping].
|
|
Oh, would God I lay a corpse;
|
|
would the black earth held me sleeping!
|
|
Prayers and tears don't bite upon him.-
|
|
Peer, you're lost, and ever will be!
|
|
PEER
|
|
Darling, pretty little mother,
|
|
you are right in every word;-
|
|
don't be cross, be happy-
|
|
ASE
|
|
Silence!
|
|
Could I, if I would, be happy,
|
|
with a pig like you for son?
|
|
Think how bitter I must find it,
|
|
I, a poor defenceless widow,
|
|
ever to be put to shame!
|
|
[Weeping again.]
|
|
How much have we now remaining
|
|
from your grandsire's days of glory?
|
|
Where are now the sacks of coin
|
|
left behind by Rasmus Gynt?
|
|
Ah, your father lent them wings,-
|
|
lavished them abroad like sand,
|
|
buying land in every parish,
|
|
driving round in gilded chariots.
|
|
Where is all the wealth he wasted
|
|
at the famous winter-banquet,
|
|
when each guest sent glass and bottle
|
|
shivering 'gainst the wall behind him?
|
|
PEER
|
|
Where's the snow of yester-year?
|
|
ASE
|
|
Silence, boy, before your mother!
|
|
See the farmhouse! Every second
|
|
window-pane is stopped with clouts.
|
|
Hedges, fences, all are down,
|
|
beasts exposed to wind and weather,
|
|
fields and meadows lying fallow,
|
|
every month a new distraint-
|
|
PEER
|
|
Come now, stop this old-wife's talk!
|
|
Many a time has luck seemed dropping,
|
|
and sprung up as high as ever!
|
|
ASE
|
|
Salt-strewn is the soil it grew from.
|
|
Lord, but you're a rare one, you,-
|
|
just as pert and jaunty still,
|
|
just as bold as when the pastor,
|
|
newly come from Copenhagen,
|
|
bade you tell your Christian name,
|
|
and declared that such a headpiece
|
|
many a prince down there might envy;
|
|
till the cob your father gave him,
|
|
with a sledge to boot, in thanks
|
|
for his pleasant, friendly talk.-
|
|
Ah, but things went bravely then!
|
|
Provost, captain, all the rest,
|
|
dropped in daily, ate and drank,
|
|
swilling, till they well-nigh burst.
|
|
But 'tis need that tests one's neighbour.
|
|
Still it grew and empty here
|
|
from the day that "Gold-bag Jon"
|
|
started with his pack, a pedlar.
|
|
[Dries her eyes with her apron.]
|
|
Ah, you're big and strong enough,
|
|
you should be a staff and pillar
|
|
for your mother's frail old age,-
|
|
you should keep the farm-work going,
|
|
guard the remnants of your gear;-
|
|
[Crying again.]
|
|
oh, God help me, small's the profit
|
|
you have been to me, you scamp!
|
|
Lounging by the hearth at home,
|
|
grubbing in the charcoal embers;
|
|
or, round all the country, frightening
|
|
girls away from merry-makings-
|
|
shaming me in all directions,
|
|
fighting with the worst rapscallions-
|
|
PEER [turning away from her].
|
|
Let me be.
|
|
ASE [following him].
|
|
Can you deny
|
|
that you were the foremost brawler
|
|
in the mighty battle royal
|
|
fought the other day at Lunde,
|
|
when you raged like mongrels mad?
|
|
Who was it but you that broke
|
|
Blacksmith Aslak's arm for him,-
|
|
or at any rate that wrenched one
|
|
of his fingers out of joint?
|
|
PEER
|
|
Who has filled you with such prate?
|
|
ASE [hotly].
|
|
Cottar Kari heard the yells!
|
|
PEER [rubbing his elbow].
|
|
Maybe, but 'twas I that howled.
|
|
ASE
|
|
You?
|
|
PEER
|
|
Yes, mother,-I got beaten.
|
|
ASE
|
|
What d'you say?
|
|
PEER
|
|
He's limber, he is.
|
|
ASE
|
|
Who?
|
|
PEER
|
|
Why Aslak, to be sure.
|
|
ASE
|
|
Shame-and shame; I spit upon you!
|
|
Such a worthless sot as that,
|
|
such a brawler, such a sodden
|
|
dram-sponge to have beaten you!
|
|
[Weeping again.]
|
|
Many a shame and slight I've suffered;
|
|
but that this should come to pass
|
|
is the worst disgrace of all.
|
|
What if he be ne'er so limber,
|
|
need you therefore be a weakling?
|
|
PEER
|
|
Though I hammer or am hammered,-
|
|
still we must have lamentations.
|
|
[Laughing.]
|
|
Cheer up, mother-
|
|
ASE
|
|
What? You're lying
|
|
now again?
|
|
PEER
|
|
Yes, just this once.
|
|
Come now, wipe your tears away;-
|
|
|
|
[Clenching his left hand.]
|
|
see,-with this same pair of tongs,
|
|
thus I held the smith bent double,
|
|
while my sledge-hammer right fist-
|
|
ASE
|
|
Oh, you brawler! You will bring me
|
|
with your doings to the grave!
|
|
PEER
|
|
No, you're worth a better fate;
|
|
better twenty thousand times!
|
|
Little, ugly, dear old mother,
|
|
you may safely trust my word,-
|
|
all the parish shall exalt you;
|
|
only wait till I have done
|
|
something-something really grand!
|
|
ASE [contemptuously].
|
|
You!
|
|
PEER
|
|
Who knows what may befall one!
|
|
ASE
|
|
Would you'd get so far in sense
|
|
one day as to do the darning
|
|
of your breeches for yourself!
|
|
PEER [hotly].
|
|
I will be a king, a kaiser!
|
|
ASE
|
|
Oh, God comfort me, he's losing
|
|
all the wits that he had left!
|
|
PEER
|
|
Yes, I will! just give me time!
|
|
ASE
|
|
Give you time, you'll be a prince,
|
|
so the saying goes, I think!
|
|
PEER
|
|
You shall see!
|
|
ASE
|
|
Oh, hold your tongue!
|
|
You're as mad as mad can be.-
|
|
Ah, and yet it's true enough,-
|
|
something might have come of you,
|
|
had you not been steeped for ever
|
|
in your lies and trash and moonshine.
|
|
Hegstad's girl was fond of you.
|
|
Easily you could have won her
|
|
had you wooed her with a will-
|
|
PEER
|
|
Could I?
|
|
ASE
|
|
The old man's too feeble
|
|
not to give his child her way.
|
|
He is stiff-necked in a fashion
|
|
but at last 'tis Ingrid rules;
|
|
and where she leads, step by step,
|
|
stumps the gaffer, grumbling, after.
|
|
[Begins to cry again.]
|
|
Ah, my Peer!-a golden girl-
|
|
land entailed on her! just think,
|
|
had you set your mind upon it,
|
|
you'd be now a bridegroom brave,-
|
|
you that stand here grimed and tattered!
|
|
PEER [briskly].
|
|
Come, we'll go a-wooing, then!
|
|
ASE
|
|
Where?
|
|
PEER
|
|
At Hegstad!
|
|
ASE
|
|
Ah, poor boy;
|
|
Hegstad way is barred to wooers!
|
|
PEER
|
|
How is that?
|
|
ASE
|
|
Ah, I must sigh!
|
|
Lost the moment, lost the luck-
|
|
PEER
|
|
Speak!
|
|
ASE [sobbing].
|
|
While in the Wester-hills
|
|
you in air were riding reindeer,
|
|
here Mads Moen's won the girl!
|
|
PEER
|
|
What! That women's-bugbear! He-!
|
|
ASE
|
|
Ay, she's taking him for husband.
|
|
PEER
|
|
Wait you here till I have harnessed
|
|
horse and waggon-
|
|
[Going.]
|
|
ASE
|
|
Spare your pains.
|
|
They are to be wed to-morrow-
|
|
PEER
|
|
Pooh; this evening I'll be there!
|
|
ASE
|
|
Fie now! Would you crown our miseries
|
|
with a load of all men's scorn?
|
|
PEER
|
|
Never fear; 'twill all go well.
|
|
[Shouting and laughing at the same time.]
|
|
Mother, jump! We'll spare the waggon;
|
|
'twould take time to fetch the mare up-
|
|
[Lifts her up in his arms.]
|
|
ASE
|
|
Put me down!
|
|
PEER
|
|
No, in my arms
|
|
I will bear you to the wedding!
|
|
[Wades out into the stream.]
|
|
ASE
|
|
Help! The Lord have mercy on us!
|
|
Peer! We're drowning-
|
|
PEER
|
|
I was born
|
|
for a braver death-
|
|
ASE
|
|
Ay, true;
|
|
sure enough you'll hang at last!
|
|
[Tugging at his hair.]
|
|
Oh, you brute!
|
|
PEER
|
|
Keep quiet now;
|
|
here the bottom's slippery-slimy.
|
|
ASE
|
|
Ass!
|
|
PEER
|
|
That's right, don't spare your tongue;
|
|
that does no one any harm.
|
|
Now it's shelving up again-
|
|
ASE
|
|
Don't you drop me!
|
|
PEER
|
|
Heisan! Hop!
|
|
Now we'll play at Peer and reindeer;-
|
|
[Curvetting.]
|
|
I'm the reindeer, you are Peer!
|
|
ASE
|
|
Oh, I'm going clean distraught!
|
|
PEER
|
|
There see; now we've reached the shallows;-
|
|
[Wades ashore.]
|
|
come, a kiss now, for the reindeer;
|
|
just to thank him for the ride-
|
|
ASE [boxing his ears].
|
|
This is how I thank him!
|
|
PEER
|
|
Ow!
|
|
That's a miserable fare!
|
|
ASE
|
|
Put me down!
|
|
PEER
|
|
First to the wedding.
|
|
Be my spokesman. You're so clever;
|
|
talk to him, the old curmudgeon;
|
|
say Mads Moen's good for nothing-
|
|
ASE
|
|
Put me down!
|
|
PEER
|
|
And tell him then
|
|
what a rare lad is Peer Gynt.
|
|
ASE
|
|
Truly, you may swear to that!
|
|
Fine's the character I'll give you.
|
|
Through and through I'll show you up;
|
|
all about your devil's pranks
|
|
I will tell them straight and plain-
|
|
PEER
|
|
Will you?
|
|
ASE [kicking with rage].
|
|
I won't stay my tongue
|
|
till the old man sets his dog
|
|
at you, as you were a tramp!
|
|
PEER
|
|
Hm; then I must go alone.
|
|
ASE
|
|
Ay, but I'll come after you!
|
|
PEER
|
|
Mother dear, you haven't strength-
|
|
ASE
|
|
Strength? When I'm in such a rage,
|
|
I could crush the rocks to powder!
|
|
Hu! I'd make a meal of flints!
|
|
Put me down!
|
|
PEER
|
|
You'll promise then-
|
|
ASE
|
|
Nothing! I'll to Hegstad with you!
|
|
They shall know you, what you are!
|
|
PEER
|
|
Then you'll even have to stay here.
|
|
ASE
|
|
Never! To the feast I'm coming!
|
|
PEER
|
|
That you shan't.
|
|
ASE
|
|
What will you do?
|
|
PEER
|
|
Perch you on the mill-house roof.
|
|
[He puts her up on the roof. ASE screams.]
|
|
ASE
|
|
Lift me down!
|
|
PEER
|
|
Yes, if you'll listen-
|
|
ASE
|
|
Rubbish!
|
|
PEER
|
|
Dearest mother, pray-!
|
|
ASE [throwing a sod of grass at him].
|
|
Lift me down this moment, Peer!
|
|
PEER
|
|
If I dared, be sure I would.
|
|
[Coming nearer.]
|
|
Now remember, sit quite still.
|
|
Do not sprawl and kick about;
|
|
do not tug and tear the shingles,-
|
|
else 'twill be the worse for you;
|
|
you might topple down.
|
|
ASE
|
|
You beast!
|
|
PEER
|
|
Do not kick!
|
|
ASE
|
|
I'd have you blown,
|
|
like a changeling, into space!
|
|
PEER
|
|
Mother, fie!
|
|
ASE
|
|
Bah!
|
|
PEER
|
|
Rather give your
|
|
blessing on my undertaking.
|
|
Will you? Eh?
|
|
ASE
|
|
I'll thrash you soundly,
|
|
hulking fellow though you be!
|
|
PEER
|
|
Well, good-bye then, mother dear!
|
|
Patience; I'll be back ere long.
|
|
[Is going, but turns, holds up his finger warningly, and says:]
|
|
Careful now, don't kick and sprawl!
|
|
[Goes.]
|
|
ASE
|
|
Peer!-God help me, now he's off;
|
|
Reindeer-rider! Liar! Hei!
|
|
Will you listen!-No, he's striding
|
|
o'er the meadow-! [Shrieks.] Help! I'm dizzy!
|
|
[TWO OLD WOMEN, with sacks on their backs, come down the path to
|
|
the mill.]
|
|
FIRST WOMAN
|
|
Christ, who's screaming?
|
|
ASE
|
|
It is I!
|
|
SECOND WOMAN
|
|
Ase! Well, you are exalted!
|
|
ASE
|
|
This won't be the end of it;-
|
|
soon, God help me, I'll be heaven-high!
|
|
FIRST WOMAN
|
|
Bless your passing!
|
|
ASE
|
|
Fetch a ladder;
|
|
I must be down! That devil Peer-
|
|
SECOND WOMAN
|
|
Peer! Your son?
|
|
ASE
|
|
Now you can say
|
|
you have seen how he behaves.
|
|
FIRST WOMAN
|
|
We'll bear witness.
|
|
ASE
|
|
Only help me;
|
|
straight to Hegstad I will hasten-
|
|
SECOND WOMAN
|
|
Is he there?
|
|
FIRST WOMAN
|
|
You'll be revenged, then;
|
|
Aslak Smith will be there too.
|
|
ASE [wringing her hands].
|
|
Oh, God help me with my boy;
|
|
they will kill him ere they're done!
|
|
FIRST WOMAN
|
|
Oh, that lot has oft been talked of;
|
|
comfort you: what must be must be!
|
|
SECOND WOMAN
|
|
She is utterly demented.
|
|
[Calls up the hill.]
|
|
Eivind, Anders! Hei! Come here!
|
|
A MAN'S VOICE
|
|
What's amiss?
|
|
SECOND WOMAN
|
|
Peer Gynt has perched his
|
|
mother on the mill-house roof!
|
|
SCENE SECOND
|
|
[A hillock, covered with bushes and heather. The highroad runs
|
|
behind it; a fence between.]
|
|
[PEER GYNT comes along a footpath, goes quickly up to the fence,
|
|
stops, and looks out over the stretch of country below.]
|
|
PEER
|
|
There it lies, Hegstad. Soon I'll have reached it.
|
|
[Puts one leg over the fence; then hesitates.]
|
|
Wonder if Ingrid's alone in the house now?
|
|
[Shades his eyes with his hand, and looks out.]
|
|
No; to the farm guests are swarming like gnats.-
|
|
Hm, to turn back now perhaps would be wisest.
|
|
[Draws back his leg.]
|
|
Still they must titter behind your back,
|
|
and whisper so that it burns right through you.
|
|
[Moves a few steps away from the fence, and begins absently
|
|
plucking leaves.]
|
|
Ah, if I'd only a good strong dram now.
|
|
Or if I could pass to and fro unseen.-
|
|
Or were I unknown.-Something proper and strong
|
|
were the best thing of all, for the laughter don't bite then.
|
|
[Looks around suddenly as though afraid; then hides among the
|
|
bushes. Some WEDDING-GUESTS pass by, going downwards towards
|
|
the farm.]
|
|
A MAN [in conversation as they pass].
|
|
His father was drunken, his mother is weak.
|
|
A WOMAN
|
|
Ay, then it's no wonder the lad's good for nought.
|
|
[They pass on. Presently PEER GYNT comes forward, his face flushed
|
|
with shame. He peers after them.]
|
|
PEER [softly].
|
|
Was it me they were talking of?
|
|
[With a forced shrug.]
|
|
Oh, let them chatter!
|
|
After all, they can't sneer the life out of my body.
|
|
[Casts himself down upon the heathery slope; lies for some time flat
|
|
on his back with his hands under his head, gazing up into the sky.]
|
|
What a strange sort of cloud! It is just like a horse.
|
|
There's a man on it too-and saddle-and bridle.-
|
|
And after it comes an old crone on a broomstick.
|
|
[Laughs quietly to himself.]
|
|
It is mother. She's scolding and screaming: You beast!
|
|
Hei you, Peer Gynt-[His eyes gradually close.] Ay, now
|
|
she is frightened.-
|
|
Peer Gynt he rides first, and there follow him many.-
|
|
His steed it is gold-shod and crested with silver.
|
|
Himself he has gauntlets and sabre and scabbard.
|
|
His cloak it is long, and its lining is silken.
|
|
Full brave is the company riding behind him.
|
|
None of them, though, sits his charger so stoutly.
|
|
None of them glitters like him in the sunshine.-
|
|
Down by the fence stand the people in clusters,
|
|
lifting their hats, and agape gazing upwards.
|
|
Women are curtseying. All the world knows him,
|
|
Kaiser Peer Gynt, and his thousands of henchmen.
|
|
Sixpenny pieces and glittering shillings
|
|
over the roadway he scatters like pebbles.
|
|
Rich as a lord grows each man in the parish.
|
|
High o'er the ocean Peer Gynt goes a-riding.
|
|
Engelland's Prince on the seashore awaits him;
|
|
there too await him all Engelland's maidens.
|
|
Engelland's nobles and Engelland's Kaiser,
|
|
see him come riding and rise from their banquet.
|
|
Raising his crown, hear the Kaiser address him-
|
|
ASLAK THE SMITH [to some other young men, passing along the road].
|
|
Just look at Peer Gynt there, the drunken swine-!
|
|
PEER [starting half up].
|
|
What, Kaiser-!
|
|
THE SMITH [leaning against the fence and grinning].
|
|
Up with you, Peer, my lad!
|
|
PEER
|
|
What the devil? The smith? What do you want here?
|
|
THE SMITH [to the others].
|
|
He hasn't got over the Lunde-spree yet.
|
|
PEER [jumping up].
|
|
You'd better be off!
|
|
THE SMITH
|
|
I am going, yes.
|
|
But tell us, where have you dropped from, man?
|
|
You've been gone six weeks. Were you troll-taken, eh?
|
|
PEER
|
|
I have been doing strange deeds, Aslak Smith!
|
|
THE SMITH [winking to the others].
|
|
Let us hear them, Peer!
|
|
PEER
|
|
They are nought to you.
|
|
THE SMITH [after a pause].
|
|
You're going to Hegstad?
|
|
PEER
|
|
No.
|
|
THE SMITH
|
|
Time was
|
|
they said that the girl there was fond of you.
|
|
PEER
|
|
You grimy crow-!
|
|
THE SMITH [falling back a little].
|
|
Keep your temper, Peer!
|
|
Though Ingrid has jilted you, others are left;-
|
|
think-son of Jon Gynt! Come on to the feast;
|
|
you'll find there both lambkins and widows well on-
|
|
PEER
|
|
To hell-!
|
|
THE SMITH
|
|
You will surely find one that will have you.-
|
|
Good evening! I'll give your respects to the bride.-
|
|
[They go off, laughing and whispering.]
|
|
PEER [looks after them a while, then makes a defiant motion and
|
|
turns half round].
|
|
For my part, may Ingrid of Hegstad go marry
|
|
whoever she pleases. It's all one to me.
|
|
[Looks down at his clothes.]
|
|
My breeches are torn. I am ragged and grim.-
|
|
If only I had something new to put on now.
|
|
[Stamps on the ground.]
|
|
If only I could, with a butcher-grip,
|
|
tear out the scorn from their very vitals!
|
|
[Looks round suddenly.]
|
|
What was that? Who was it that tittered behind there?
|
|
Hm, I certainly thought-No no, it was no one.-
|
|
I'll go home to mother.
|
|
[Begins to go upwards, but stops again and listens towards Hegstad.]
|
|
They're playing a dance!
|
|
[Gazes and listens; moves downwards step by step, his eyes
|
|
glisten; he rubs his hands down his thighs.]
|
|
How the lasses do swarm! Six or eight to a man!
|
|
Oh, galloping death,-I must join in the frolic!-
|
|
But how about mother, perched up on the mill-house-
|
|
[His eyes are drawn downwards again; he leaps and laughs.]
|
|
Hei, how the Halling flies over the green!
|
|
Ay, Guttorm, he can make his fiddle speak out!
|
|
It gurgles and booms like a foss o'er a scaur.
|
|
And then all that glittering bevy of girls!-
|
|
Yes, galloping death, I must join in the frolic!
|
|
[Leaps over the fence and goes down the road.]
|
|
SCENE THIRD
|
|
[The farm-place at Hegstad. In the background, the dwelling-house.
|
|
A THRONG OF GUESTS. A lively dance in progress on the green. THE
|
|
FIDDLER sits on a table. THE MASTER-COOK is standing in the doorway.
|
|
COOKMAIDS are going to and fro between the different buildings.
|
|
Groups of ELDERLY PEOPLE sit here and there, talking.]
|
|
A WOMAN [joins a group that is seated on some logs of wood].
|
|
The bride? Oh yes, she is crying a bit;
|
|
but that, you know, isn't worth heeding.
|
|
THE MASTER-COOK [in another group].
|
|
Now then, good folk, you must empty the barrel.
|
|
A MAN
|
|
Thanks to you, friend; but you fill up too quick.
|
|
A LAD [to the FIDDLER as he flies past, holding A GIRL by the hand].
|
|
To it now, Guttorm, and don't spare the fiddlestrings!
|
|
THE GIRL
|
|
Scrape till it echoes out over the meadows!
|
|
OTHER GIRLS [standing in a ring round a lad who is dancing].
|
|
That's a rare fling!
|
|
A GIRL
|
|
He has legs that can lift him!
|
|
THE LAD [dancing].
|
|
The roof here is high, and the walls wide asunder!
|
|
THE BRIDEGROOM [comes whimpering up to his FATHER, who is standing
|
|
talking with some other men, and twitches his jacket].
|
|
Father, she will not; she is so proud!
|
|
HIS FATHER
|
|
What won't she do?
|
|
THE BRIDEGROOM
|
|
She has locked herself in.
|
|
HIS FATHER
|
|
Well, you must manage to find the key.
|
|
THE BRIDEGROOM
|
|
I don't know how.
|
|
HIS FATHER
|
|
You're a nincompoop!
|
|
[Turns away to the others. The BRIDEGROOM drifts across the yard.]
|
|
A LAD [comes from behind the house].
|
|
Wait a bit, girls! Things 'll soon be lively!
|
|
Here comes Peer Gynt.
|
|
THE SMITH [who has just come up].
|
|
Who invited him?
|
|
THE MASTER-COOK
|
|
No one.
|
|
[Goes towards the house.]
|
|
THE SMITH [to the girls].
|
|
If he should speak to you, never take notice!
|
|
A GIRL [to the others].
|
|
No, we'll pretend that we don't even see him.
|
|
PEER GYNT [comes in heated and full of animation, stops right in
|
|
front of the group, and claps his hands].
|
|
Which is the liveliest girl of the lot of you?
|
|
A GIRL [as he approaches her].
|
|
I am not.
|
|
ANOTHER [similarly].
|
|
I am not.
|
|
A THIRD
|
|
No; nor I either.
|
|
PEER [to a fourth].
|
|
You come along, then, for want of a better.
|
|
THE GIRL
|
|
Haven't got time.
|
|
PEER [to a fifth].
|
|
Well then, you!
|
|
THE GIRL [going].
|
|
I'm for home.
|
|
PEER
|
|
To-night? are you utterly out of your senses?
|
|
THE SMITH [after a moment, in a low voice].
|
|
See, Peer, she's taken a greybeard for partner.
|
|
PEER [turns sharply to an elderly man].
|
|
Where are the unbespoke girls?
|
|
THE MAN
|
|
Find them out.
|
|
[Goes away from him.]
|
|
[PEER GYNT has suddenly become subdued. He glances shyly and
|
|
furtively at the group. All look at him, but no one speaks. He
|
|
approaches other groups. Wherever he goes there is silence; when he
|
|
moves away, they look after him and smile.]
|
|
PEER [to himself].
|
|
Mocking looks; needle-keen whispers and smiles.
|
|
They grate like a sawblade under the file!
|
|
[He slinks along close to the fence. SOLVEIG, leading little HELGA
|
|
by the hand, comes into the yard, along with her PARENTS.]
|
|
A MAN [to another, close to PEER GYNT].
|
|
Look, here are the new folk.
|
|
THE OTHER
|
|
The ones from the west?
|
|
THE FIRST MAN
|
|
Ay, the people from Hedal.
|
|
THE OTHER
|
|
Ah yes, so they are.
|
|
PEER [places himself in the path of the new-comers, points to
|
|
SOLVEIG, and asks the FATHER:]
|
|
May I dance with your daughter?
|
|
THE FATHER [quietly].
|
|
You may so; but first
|
|
we must go to the farm-house and greet the good people.
|
|
[They go in.]
|
|
THE MASTER-COOK [to PEER GYNT, offering him drink].
|
|
Since you are here, you'd best take a pull at the liquor.
|
|
PEER [looking fixedly after the new-comers].
|
|
Thanks; I'm for dancing; I am not athirst.
|
|
[The MASTER-COOK goes away from him. PEER GYNT gazes towards the
|
|
house and laughs.]
|
|
How fair! Did ever you see the like?
|
|
Looked down at her shoes and her snow-white-apron-!
|
|
And then she held on to her mother's skirt-folds,
|
|
and carried a psalm-book wrapped up in a kerchief-!
|
|
I must look at that girl.
|
|
[Going into the house.]
|
|
A LAD [coming out of the house, with several others].
|
|
Are you off so soon, Peer,
|
|
from the dance?
|
|
PEER
|
|
No, no.
|
|
THE LAD
|
|
Then you're heading amiss!
|
|
[Takes hold of his shoulder to turn him round.]
|
|
PEER
|
|
Let me pass!
|
|
THE LAD
|
|
I believe you're afraid of the smith.
|
|
PEER
|
|
I afraid!
|
|
THE LAD
|
|
You remember what happened at Lunde?
|
|
[They go off, laughing, to the dancing-green.]
|
|
SOLVEIG [in the doorway of the house].
|
|
Are you not the lad that was wanting to dance?
|
|
PEER
|
|
Of course it was me; don't you know me again?
|
|
[Takes her hand.]
|
|
Come, then!
|
|
SOLVEIG
|
|
We mustn't go far, mother said.
|
|
PEER
|
|
Mother said! Mother said! Were you born yesterday?
|
|
SOLVEIG
|
|
Now you're laughing-!
|
|
PEER
|
|
Why sure, you are almost a child.
|
|
Are you grown up?
|
|
SOLVEIG
|
|
I read with the pastor last spring.
|
|
PEER
|
|
Tell me your name, lass, and then we'll talk easier.
|
|
SOLVEIG
|
|
My name is Solveig. And what are you called?
|
|
PEER
|
|
Peer Gynt.
|
|
SOLVEIG [withdrawing her hand].
|
|
Oh heaven!
|
|
PEER
|
|
Why, what is it now?
|
|
SOLVEIG
|
|
My garter is loose; I must tie it up tighter.
|
|
[Goes away from him.]
|
|
THE BRIDEGROOM [pulling at his MOTHER'S gown].
|
|
Mother, she will not-!
|
|
HIS MOTHER
|
|
She will not? What?
|
|
THE BRIDEGROOM
|
|
She won't, mother-
|
|
HIS MOTHER
|
|
What?
|
|
THE BRIDEGROOM
|
|
Unlock the door.
|
|
HIS FATHER [angrily, below his breath].
|
|
Oh, you're only fit to be tied in a stall!
|
|
HIS MOTHER
|
|
Don't scold him. Poor dear, he'll be all right yet.
|
|
[They move away.]
|
|
A LAD [coming with a whole crowd of others from the dancing-green].
|
|
Peer, have some brandy?
|
|
PEER
|
|
No.
|
|
THE LAD
|
|
Only a drain?
|
|
PEER [looking darkly at him].
|
|
Got any?
|
|
THE LAD
|
|
Well, I won't say but I have.
|
|
[Pulls out a pocket-flask and drinks.]
|
|
Ah! How it stings your throat!-Well?
|
|
PEER [Drinks.]
|
|
Let me try it.
|
|
ANOTHER LAD
|
|
Now you must try mine as well, you know.
|
|
PEER
|
|
No!
|
|
THE LAD
|
|
Oh, nonsense; now don't be a fool.
|
|
Take a pull, Peer!
|
|
PEER
|
|
Well then, give me a drop.
|
|
[Drinks again.]
|
|
A GIRL [half aloud].
|
|
Come, let's be going.
|
|
PEER
|
|
Afraid of me, wench?
|
|
A THIRD LAD
|
|
Who isn't afraid of you?
|
|
A FOURTH
|
|
At Lunde
|
|
you showed us clearly what tricks you could play.
|
|
PEER
|
|
I can do more than that, when once I get started!
|
|
THE FIRST LAD [whispering].
|
|
Now he's getting into swing!
|
|
SEVERAL OTHERS [forming a circle around him].
|
|
Tell away! Tell away!
|
|
What can you-?
|
|
PEER
|
|
To-morrow-!
|
|
OTHERS
|
|
No, now, to-night!
|
|
A GIRL
|
|
Can you conjure, Peer?
|
|
PEER
|
|
I can call up the devil!
|
|
A MAN
|
|
My grandam could do that before I was born!
|
|
PEER
|
|
Liar! What I can do, that no one else can.
|
|
I one day conjured him into a nut.
|
|
It was worm-bored, you see!
|
|
SEVERAL [laughing].
|
|
Ay, that's easily guessed!
|
|
PEER
|
|
He cursed, and he wept, and he wanted to bribe me
|
|
with all sorts of things-
|
|
ONE OF THE CROWD
|
|
But he had to go in?
|
|
PEER
|
|
Of course. I stopped up the hole with a peg.
|
|
Hei! If you'd heard him rumbling and grumbling!
|
|
A GIRL
|
|
Only think!
|
|
PEER
|
|
It was just like a humble-bee buzzing.
|
|
THE GIRL
|
|
Have you got him still in the nut?
|
|
PEER
|
|
Why, no;
|
|
by this time that devil has flown on his way.
|
|
The grudge the smith bears me is all his doing.
|
|
A LAD
|
|
Indeed?
|
|
PEER
|
|
I went to the smithy, and begged
|
|
that he would crack that same nutshell for me.
|
|
He promised he would!-laid it down on his anvil;
|
|
but Aslak, you know, is so heavy of hand;-
|
|
for ever swinging that great sledge-hammer-
|
|
A VOICE FROM THE CROWD
|
|
Did he kill the foul fiend?
|
|
PEER
|
|
He laid on like a man.
|
|
But the devil showed fight, and tore off in a flame
|
|
through the roof, and shattered the wall asunder.
|
|
SEVERAL VOICES
|
|
And the smith-?
|
|
PEER
|
|
Stood there with his hands all scorched.
|
|
And from that day onwards, we've never been friends.
|
|
[General laughter.]
|
|
SOME OF THE CROWD
|
|
That yarn is a good one.
|
|
OTHERS
|
|
About his best.
|
|
PEER
|
|
Do you think I am making it up?
|
|
A MAN
|
|
Oh no,
|
|
that you're certainly not; for I've heard the most on't
|
|
from my grandfather-
|
|
PEER
|
|
Liar! It happened to me!
|
|
THE MAN
|
|
Yes, like everything else.
|
|
PEER [with a fling].
|
|
I can ride, I can,
|
|
clean through the air, on the bravest of steeds!
|
|
Oh, many's the thing I can do, I tell you!
|
|
[Another roar of laughter.]
|
|
ONE OF THE GROUP
|
|
Peer, ride through the air a bit!
|
|
MANY
|
|
Do, dear Peer Gynt-!
|
|
PEER
|
|
You may spare you the trouble of begging so hard.
|
|
I will ride like a hurricane over you all!
|
|
Every man in the parish shall fall at my feet!
|
|
AN ELDERLY MAN
|
|
Now he is clean off his head.
|
|
ANOTHER
|
|
The dolt!
|
|
A THIRD
|
|
Braggart!
|
|
A FOURTH
|
|
Liar!
|
|
PEER [threatening them].
|
|
Ay, wait till you see!
|
|
A MAN [half drunk].
|
|
Ay, wait; you'll soon get your jacket dusted!
|
|
OTHERS
|
|
Your back beaten tender! Your eyes painted blue!
|
|
[The crowd disperses, the elder men angry, the younger laughing
|
|
and jeering.]
|
|
THE BRIDEGROOM [close to PEER GYNT].
|
|
Peer, is it true you can ride through the air?
|
|
PEER [shortly].
|
|
It's all true, Mads! You must know I'm a rare one!
|
|
THE BRIDEGROOM
|
|
Then have you got the Invisible Cloak too?
|
|
PEER
|
|
The Invisible Hat, do you mean? Yes, I have.
|
|
[Turns away from him. SOLVEIG crosses the yard, leading little
|
|
HELGA.]
|
|
PEER [goes towards them; his face lights up].
|
|
Solveig! Oh, it is well you have come!
|
|
[Takes hold of her wrist.]
|
|
Now will I swing you round fast and fine!
|
|
SOLVEIG
|
|
Loose me!
|
|
PEER
|
|
Wherefore?
|
|
SOLVEIG
|
|
You are so wild.
|
|
PEER
|
|
The reindeer is wild, too, when summer is dawning.
|
|
Come then, lass; do not be wayward now!
|
|
SOLVEIG [withdrawing her arm].
|
|
Dare not.
|
|
PEER
|
|
Wherefore?
|
|
SOLVEIG
|
|
No, you've been drinking.
|
|
[Moves off with HELGA.]
|
|
PEER
|
|
Oh, if I had but my knife-blade driven
|
|
clean through the heart of them,-one and all!
|
|
THE BRIDEGROOM [nudging him with his elbow].
|
|
Peer, can't you help me to get at the bride?
|
|
PEER [absently].
|
|
The bride? Where is she?
|
|
THE BRIDEGROOM
|
|
In the store-house.
|
|
PEER
|
|
Ah.
|
|
THE BRIDEGROOM
|
|
Oh, dear Peer Gynt, you must try at least!
|
|
PEER
|
|
No, you must get on without my help.
|
|
[A thought strikes him; he says softly but sharply:]
|
|
Ingrid! The store-house!
|
|
[Goes Up tO SOLVEIG.]
|
|
Have you thought better on't?
|
|
[SOLVEIG tries to go; he blocks her path.]
|
|
You're ashamed to, because I've the look of a tramp.
|
|
SOLVEIG [hastily].
|
|
No, that you haven't; that's not true at all!
|
|
PEER
|
|
Yes! And I've taken a drop as well;
|
|
but that was to spite you, because you had hurt me.
|
|
Come then!
|
|
SOLVEIG
|
|
Even if I would now, I daren't.
|
|
PEER
|
|
Who are you frightened of?
|
|
SOLVEIG
|
|
Father, most.
|
|
PEER
|
|
Father? Ay, ay; he is one of the quiet ones!
|
|
One of the godly, eh?-Answer, come!
|
|
SOLVEIG
|
|
What shall I say?
|
|
PEER
|
|
Is your father a psalm-singer?
|
|
And you and your mother as well, no doubt?
|
|
Come, will you speak?
|
|
SOLVEIG
|
|
Let me go in peace.
|
|
PEER
|
|
No!
|
|
[In a low but sharp and threatening tone.]
|
|
I can turn myself into a troll!
|
|
I'll come to your bedside at midnight to-night.
|
|
If you should hear some one hissing and spitting,
|
|
you mustn't imagine it's only the cat.
|
|
It's me, lass! I'll drain out your blood in a cup,
|
|
and your little sister, I'll eat her up;
|
|
ay, you must know I'm a werewolf at night;-
|
|
I'll bite you all over the loins and the back-
|
|
[Suddenly changes his tone, and entreats, as if in dread:]
|
|
Dance with me, Solveig!
|
|
SOLVEIG [looking darkly at him].
|
|
Then you were grim.
|
|
[Goes into the house.]
|
|
THE BRIDEGROOM [comes sidling up again].
|
|
I'll give you an ox if you'll help me!
|
|
PEER
|
|
Then come!
|
|
[They go out behind the house. At the same moment a crowd of men
|
|
come up from the dancing-green; most of them are drunk. Noise and
|
|
hubbub. SOLVEIG, HELGA, and their PARENTS appear among a number of
|
|
elderly people in the doorway.]
|
|
THE MASTER-COOK [to the SMITH, who is the foremost of the crowd].
|
|
Keep peace now!
|
|
THE SMITH [pulling off his jacket].
|
|
No, we must fight it out here.
|
|
Peer Gynt or I must be taught a lesson.
|
|
SOME VOICES
|
|
Ay, let them fight for it!
|
|
OTHERS
|
|
No, only wrangle!
|
|
THE SMITH
|
|
Fists must decide; for the case is past words.
|
|
SOLVEIG'S FATHER
|
|
Control yourself, man!
|
|
HELGA
|
|
Will they beat him, mother?
|
|
A LAD
|
|
Let us rather tease him with all his lies!
|
|
ANOTHER
|
|
Kick him out of the company!
|
|
A THIRD
|
|
Spit in his eyes!
|
|
A FOURTH [to the SMITH].
|
|
You're not backing out, smith?
|
|
THE SMITH [flinging away his jacket].
|
|
The jade shall be slaughtered!
|
|
SOLVEIG'S MOTHER [to SOLVEIG].
|
|
There, you can see how that windbag is thought of.
|
|
ASE [coming up with a stick in her hand].
|
|
Is that son of mine here? Now he's in for a drubbing!
|
|
Oh! how heartily I will dang him!
|
|
THE SMITH [rolling up his shirt-sleeves].
|
|
That switch is too light for a carcass like his.
|
|
The smith will dang him!
|
|
OTHERS
|
|
Bang him!
|
|
THE SMITH [spits on his hands and nods to ASE].
|
|
Hang him!
|
|
ASE
|
|
What? Hang my Peer? Ay, just try if you dare;-
|
|
Ase and I, we have teeth and claws!-
|
|
Where is he? [Calls across the yard:] Peer!
|
|
THE BRIDEGROOM [comes running up].
|
|
Oh, God's death on the cross!
|
|
Come father, come mother, and-!
|
|
HIS FATHER
|
|
What is the matter?
|
|
THE BRIDEGROOM
|
|
Just fancy, Peer Gynt-!
|
|
ASE [screams].
|
|
Have they taken his life?
|
|
THE BRIDEGROOM
|
|
No, but Peer Gynt-! Look, there on the hillside-!
|
|
THE CROWD
|
|
With the bride!
|
|
ASE [lets her stick sink].
|
|
Oh, the beast!
|
|
THE SMITH [as if thunderstruck].
|
|
Where the slope rises sheerest
|
|
he's clambering upwards, by God, like a goat!
|
|
THE BRIDEGROOM [crying].
|
|
He's shouldered her, mother, as I might a pig!
|
|
ASE [shaking her fist up at him].
|
|
Would God you might fall, and-!
|
|
[Screams out in terror.]
|
|
Take care of your footing!
|
|
THE HEGSTAD FARMER [comes in, bare-headed and white with rage].
|
|
I'll have his life for this bride-rape yet!
|
|
ASE
|
|
Oh no, God punish me if I let you!
|
|
ACT SECOND
|
|
SCENE FIRST
|
|
[A narrow path, high up in the mountains. Early morning.]
|
|
[PEER GYNT comes hastily and sullenly along the path. INGRID,
|
|
Still wearing some of her bridal ornaments, is trying to hold him
|
|
back.]
|
|
PEER
|
|
Get you from me!
|
|
INGRID [weeping].
|
|
After this, Peer?
|
|
Whither?
|
|
PEER
|
|
Where you will for me.
|
|
INGRID [wringing her hands].
|
|
Oh, what falsehood!
|
|
PEER
|
|
Useless railing.
|
|
Each alone must go his way.
|
|
INGRID
|
|
Sin-and sin again unites us!
|
|
PEER
|
|
Devil take all recollections!
|
|
Devil take the tribe of women-
|
|
all but one-!
|
|
INGRID
|
|
Who is that one, pray?
|
|
PEER
|
|
'Tis not you.
|
|
INGRID
|
|
Who is it then?
|
|
PEER
|
|
Go! Go thither whence you came!
|
|
Off! To your father!
|
|
INGRID
|
|
Dearest, sweetest-
|
|
PEER
|
|
Peace!
|
|
INGRID
|
|
You cannot mean it, surely,
|
|
what you're saying?
|
|
PEER
|
|
Can and do.
|
|
INGRID
|
|
First to lure-and then forsake me!
|
|
PEER
|
|
And what terms have you to offer?
|
|
INGRID
|
|
Hegstad Farm, and more besides.
|
|
PEER
|
|
Is your psalm-book in your kerchief?
|
|
Where's the gold-mane on your shoulders?
|
|
Do you glance adown your apron?
|
|
Do you hold your mother's skirt-fold?
|
|
Speak!
|
|
INGRID
|
|
No, but-
|
|
PEER
|
|
Went you to the pastor
|
|
this last spring-tide?
|
|
INGRID
|
|
No, but Peer-
|
|
PEER
|
|
Is there shyness in your glances?
|
|
When I beg, can you deny?
|
|
INGRID
|
|
Heaven! I think his wits are going!
|
|
PEER
|
|
Does your presence sanctify?
|
|
Speak!
|
|
INGRID
|
|
No, but-
|
|
PEER
|
|
What's all the rest then?
|
|
[Going.]
|
|
INGRID [blocking his way].
|
|
Know you it will cost your neck
|
|
should you fail me?
|
|
PEER
|
|
What do I care?
|
|
INGRID
|
|
You may win both wealth and honour
|
|
if you take me-
|
|
PEER
|
|
Can't afford.
|
|
INGRID [bursting into tears].
|
|
Oh, you lured me-!
|
|
PEER
|
|
You were willing.
|
|
INGRID
|
|
I was desperate!
|
|
PEER
|
|
Frantic I.
|
|
INGRID [threatening].
|
|
Dearly shall you pay for this!
|
|
PEER
|
|
Dearest payment cheap I'll reckon.
|
|
INGRID
|
|
Is your purpose set?
|
|
PEER
|
|
Like flint.
|
|
INGRID
|
|
Good! we'll see, then, who's the winner!
|
|
[Goes downwards.]
|
|
PEER [stands silent a moment, then cries:]
|
|
Devil take all recollections!
|
|
Devil take the tribe of women!
|
|
INGRID [turning her head, and calling mockingly upwards:]
|
|
All but one!
|
|
PEER
|
|
Yes, all but one.
|
|
[They go their several ways.]
|
|
SCENE SECOND
|
|
[Near a mountain tarn; the ground is soft and marshy round about.
|
|
A storm is gathering.]
|
|
[ASE enters, calling and gazing around her despairingly, in every
|
|
direction. SOLVEIG has difficulty in keeping up with her. SOLVEIG'S
|
|
FATHER and MOTHER, with HELGA, are some way behind.]
|
|
ASE [tossing about her arms, and tearing her hair].
|
|
All things are against me with wrathful might!
|
|
Heaven, and the waters, and the grisly mountains!
|
|
Fog-scuds from heaven roll down to bewilder him!
|
|
The treacherous waters are lurking to murder him!
|
|
The mountains would crush him with landslip and rift!-
|
|
And the people too! They're out after his life!
|
|
God knows they shan't have it! I can't bear to lose him!
|
|
Oh, the oaf! to think that the fiend should tempt him!
|
|
[Turning to SOLVEIG.]
|
|
Now isn't it clean unbelievable this?
|
|
He, that did nought but romance and tell lies;-
|
|
he, whose sole strength was the strength of his jaw;
|
|
he, that did never a stroke of true work;-
|
|
he-! Oh, a body could both cry and laugh!-
|
|
Oh, we clung closely in sorrow and need.
|
|
Ay, you must know that my husband, he drank,
|
|
loafed round the parish to roister and prate,
|
|
wasted and trampled our gear under foot.
|
|
And meanwhile at home there sat Peerkin and I-
|
|
the best we could do was to try to forget;
|
|
for ever I've found it so hard to bear up.
|
|
It's a terrible thing to look fate in the eyes;
|
|
and of course one is glad to be quit of one's cares,
|
|
and try all one can to keep thought far away.
|
|
Some take to brandy, and others to lies;
|
|
and we-why we took to fairy-tales
|
|
of princes and trolls and of all sorts of beasts;
|
|
and of bride-rapes as well. Ah, but who could have dreamt
|
|
that those devil's yarns would have stuck in his head?
|
|
[In a fresh access of terror.]
|
|
Hu! What a scream! It's the nixie or droug!
|
|
Peer! Peer!-Up there on that hillock-!
|
|
[She runs to the top of a little rise, and looks out over the
|
|
tarn. SOLVEIG'S FATHER and MOTHER come up.]
|
|
ASE
|
|
Not a sign to be seen!
|
|
THE FATHER [quietly].
|
|
It is worst for him!
|
|
ASE [weeping].
|
|
Oh, my Peer! Oh, my own lost lamb!
|
|
THE FATHER [nods mildly].
|
|
You may well say lost.
|
|
ASE
|
|
Oh no, don't talk like that!
|
|
He is so clever. There's no one like him.
|
|
THE FATHER
|
|
You foolish woman!
|
|
ASE
|
|
Oh ay; oh ay;
|
|
foolish I am, but the boy's all right!
|
|
THE FATHER [still softly and with mild eyes].
|
|
His heart is hardened, his soul is lost.
|
|
ASE [in terror].
|
|
No, no, he can't be so hard, our Lord!
|
|
THE FATHER
|
|
Do you think he can sigh for his debt of sin?
|
|
ASE [eagerly].
|
|
No, but he can ride through the air on a buck, though!
|
|
THE MOTHER
|
|
Christ, are you mad?
|
|
THE FATHER
|
|
Why, what do you mean?
|
|
ASE
|
|
Never a deed is too great for him.
|
|
You shall see, if only he lives so long-
|
|
THE FATHER
|
|
Best if you saw him on the gallows hanging.
|
|
ASE [shrieks].
|
|
Oh, cross of Christ!
|
|
THE FATHER
|
|
In the hangman's hands,
|
|
it may be his heart would be turned to repentance.
|
|
ASE [bewildered].
|
|
Oh, you'll soon talk me out of my senses!
|
|
We must find him!
|
|
THE FATHER
|
|
To rescue his soul.
|
|
ASE
|
|
And his body!
|
|
If he's stuck in the swamp, we must drag him out;
|
|
if he's taken by trolls, we must ring the bells for him.
|
|
THE FATHER
|
|
Hm!-Here's a sheep-path-
|
|
ASE
|
|
The Lord will repay you
|
|
your guidance and help!
|
|
THE FATHER
|
|
It's a Christian's duty.
|
|
ASE
|
|
Then the others, fie! they are heathens all;
|
|
there wasn't one that would go with us-
|
|
THE FATHER
|
|
They knew him too well.
|
|
ASE
|
|
He was too good for them!
|
|
[Wrings her hands.]
|
|
And to think-and to think that his life is at stake!
|
|
THE FATHER
|
|
Here are tracks of a man.
|
|
ASE
|
|
Then it's here we must search!
|
|
THE FATHER
|
|
We'll scatter around on this side of our saeter.
|
|
[He and his wife go on ahead.]
|
|
SOLVEIG [to ASE].
|
|
Say on; tell me more.
|
|
ASE [drying her eyes].
|
|
Of my son, you mean?
|
|
SOLVEIG
|
|
Yes;-
|
|
Tell everything!
|
|
ASE [smiles and tosses her head].
|
|
Everything?-Soon you'd be tired!
|
|
SOLVEIG
|
|
Sooner by far will you tire of the telling
|
|
than I of the hearing.
|
|
SCENE THIRD
|
|
[Low, treeless heights, close under the mountain moorlands; peaks in
|
|
the distance. The shadows are long; it is late in the day.]
|
|
[PEER GYNT comes running at full speed, and stops short on the
|
|
hillside.]
|
|
PEER
|
|
The parish is all at my heels in a pack!
|
|
Every man of them armed or with gun or with club.
|
|
Foremost I hear the old Hegstad-churl howling.-
|
|
Now it's noised far and wide that Peer Gynt is abroad!
|
|
It is different, this, from a bout with a smith!
|
|
This is life! Every limb grows as strong as a bear's.
|
|
[Strikes out with his arms and leaps in the air.]
|
|
To crush, overturn, stem the rush of the foss!
|
|
To strike! Wrench the fir-tree right up by the root!
|
|
This is life! This both hardens and lifts one high!
|
|
To hell then with all of the savourless lies!
|
|
THREE SAETER GIRLS [rush across the hillside, screaming and
|
|
singing].
|
|
Trond of the Valfjeld! Bard and Kare!
|
|
Troll-pack! To-night would you sleep in our arms?
|
|
PEER
|
|
To whom are you calling?
|
|
THE GIRLS
|
|
To the trolls! to the trolls!
|
|
FIRST GIRL
|
|
Trond, come with kindness!
|
|
SECOND GIRL
|
|
Bard, come with force!
|
|
THIRD GIRL
|
|
The cots in the saeter are all standing empty!
|
|
FIRST GIRL
|
|
Force is kindness!
|
|
SECOND GIRL
|
|
And kindness is force!
|
|
THIRD GIRL
|
|
If lads are awanting, one plays with the trolls!
|
|
PEER
|
|
Why, where are the lads, then?
|
|
ALL THREE [with a horse-laugh].
|
|
They cannot come hither!
|
|
FIRST GIRL
|
|
Mine called me his sweetheart and called me his darling.
|
|
Now he has married a grey-headed widow.
|
|
SECOND GIRL
|
|
Mine met a gipsy-wench north on the upland.
|
|
Now they are tramping the country together.
|
|
THIRD GIRL
|
|
Mine put an end to our bastard brat.
|
|
Now his head's grinning aloft on a stake.
|
|
ALL THREE
|
|
Trond of the Valfjeld! Bard and Kare!
|
|
Troll-pack! To-night would you sleep in our arms?
|
|
PEER [stands, with a sudden leap, in the midst of them].
|
|
I'm a three-headed troll, and the boy for three girls!
|
|
THE GIRLS
|
|
Are you such a lad, eh?
|
|
PEER
|
|
You shall judge for yourselves!
|
|
FIRST GIRL
|
|
To the hut! To the hut!
|
|
SECOND GIRL
|
|
We have mead!
|
|
PEER
|
|
Let it flow!
|
|
THIRD GIRL
|
|
No cot shall stand empty this Saturday night!
|
|
SECOND GIRL [kissing him].
|
|
He sparkles and glisters like white-heated iron.
|
|
THIRD GIRL [doing likewise].
|
|
Like a baby's eyes from the blackest tarn.
|
|
PEER [dancing in the midst of them].
|
|
Heavy of heart and wanton of mind.
|
|
The eyes full of laughter, the throat of tears!
|
|
THE GIRLS [making mocking gestures towards the mountain-tops,
|
|
screaming and singing].
|
|
Trond of the Valfjeld! Bard and Kare!
|
|
Troll-pack!-To-night will you sleep in our arms?
|
|
[They dance away over the heights, with PEER GYNT in their midst.]
|
|
SCENE FOURTH
|
|
[Among the Ronde mountains. Sunset. Shining snowpeaks all around.]
|
|
[PEER GYNT enters, dizzy and bewildered.]
|
|
PEER
|
|
Tower over tower arises!
|
|
Hei, what a glittering gate!
|
|
Stand! Will you stand! It's drifting
|
|
further and further away!
|
|
High on the vane the cock stands
|
|
lifting his wings for flight;-
|
|
blue spread the rifts and bluer,
|
|
locked is the fell and barred.-
|
|
What are those trunks and tree-roots,
|
|
that grow from the ridge's clefts?
|
|
They are warriors heron-footed!
|
|
Now they, too, are fading away.
|
|
A shimmering like rainbow-streamers
|
|
goes shooting through eyes and brain.
|
|
What is it, that far-off chiming?
|
|
What's weighing my eyebrows down?
|
|
Hu, how my forehead's throbbing-
|
|
a tightening red-hot ring-!
|
|
I cannot think who the devil
|
|
has bound it around my head!
|
|
[Sinks down.]
|
|
Flight o'er the Edge of Gendin-
|
|
stuff and accursed lies!
|
|
Up o'er the steepest hill-wall
|
|
with the bride,-and a whole day drunk;
|
|
hunted by hawks and falcons,
|
|
threatened by trolls and such,
|
|
sporting with crazy wenches:-
|
|
lies and accursed stuff!
|
|
[Gazes long upwards.]
|
|
Yonder sail two brown eagles.
|
|
Southward the wild geese fly.
|
|
And here I must splash and stumble
|
|
in quagmire and filth knee-deep!
|
|
[Springs up.]
|
|
I'll fly too! I will wash myself clean in
|
|
the bath of the keenest winds!
|
|
I'll fly high! I will plunge myself fair in
|
|
the glorious christening-font!
|
|
I will soar far over the saeter;
|
|
I will ride myself pure of soul;
|
|
I will forth o'er the salt sea waters,
|
|
and high over Engelland's prince!
|
|
Ay, gaze as ye may, young maidens;
|
|
my ride is for none of you;
|
|
you're wasting your time in waiting-!
|
|
Yet maybe I'll swoop down, too.-
|
|
What has come of the two brown eagles-?
|
|
They've vanished, the devil knows where!-
|
|
There's the peak of a gable rising;
|
|
it's soaring on every hand:
|
|
it's growing from out the ruins;-
|
|
see, the gateway is standing wide!
|
|
Ha-ha, yonder house, I know it;
|
|
it's grandfather's new-built farm!
|
|
Gone are the clouts from the windows;
|
|
the crazy old fence is gone.
|
|
The lights gleam from every casement;
|
|
there's a feast in the hall to-night.
|
|
There, that was the provost clinking
|
|
the back of his knife on his glass;-
|
|
there's the captain flinging his bottle,
|
|
and shivering the mirror to bits.-
|
|
Let them waste; let it all be squandered!
|
|
Peace, mother; what need we care!
|
|
'Tis the rich Jon Gynt gives the banquet;
|
|
hurrah for the race of Gynt!
|
|
What's all this bustle and hubbub?
|
|
Why do they shout and bawl?
|
|
The captain is calling the son in;-
|
|
oh, the provost would drink my health.
|
|
In then, Peer Gynt, to the judgment;
|
|
it rings forth in song and shout:
|
|
Peer Gynt, thou art come of great things,
|
|
and great things shall come of thee!
|
|
[Leaps forward, but runs his head against a rock, falls, and remains
|
|
stretched on the ground.]
|
|
SCENE FIFTH
|
|
[A hillside, wooded with great soughing trees. Stars are gleaming
|
|
through the leaves; birds are singing in the tree-tops.]
|
|
[A GREEN-CLAD WOMAN is crossing the hillside; PEER GYNT follows her,
|
|
with all sorts of lover-like antics.]
|
|
THE GREEN-CLAD ONE [stops and turns round].
|
|
Is it true?
|
|
PEER [drawing his finger across his throat].
|
|
As true as my name is Peer;-
|
|
as true as that you are a lovely woman!
|
|
Will you have me? You'll see what a fine man I'll be;
|
|
you shall neither tread the loom nor turn the spindle.
|
|
You shall eat all you want, till you're ready to burst.
|
|
I never will drag you about by the hair-
|
|
THE GREEN-CLAD ONE
|
|
Nor beat me?
|
|
PEER
|
|
No, can you think I would?
|
|
We kings' sons never beat women and such.
|
|
THE GREEN-CLAD ONE
|
|
You're a king's son?
|
|
PEER
|
|
Yes.
|
|
THE GREEN-CLAD ONE
|
|
I'm the Dovre-King's daughter.
|
|
PEER
|
|
Are you? See there, now, how well that fits in!
|
|
THE GREEN-CLAD ONE
|
|
Deep in the Ronde has father his palace.
|
|
PEER
|
|
My mother's is bigger, or much I'm mistaken.
|
|
THE GREEN-CLAD ONE
|
|
Do you know my father? His name is King Brose.
|
|
PEER
|
|
Do you know my mother? Her name is Queen Ase.
|
|
THE GREEN-CLAD ONE
|
|
When my father is angry the mountains are riven.
|
|
PEER
|
|
They reel when my mother by chance falls a-scolding.
|
|
THE GREEN-CLAD ONE
|
|
My father can kick e'en the loftiest roof-tree.
|
|
PEER
|
|
My mother can ride through the rapidest river.
|
|
THE GREEN-CLAD ONE
|
|
Have you other garments besides those rags?
|
|
PEER
|
|
Ho, you should just see my Sunday clothes!
|
|
THE GREEN-CLAD ONE
|
|
My week-day gown is of gold and silk.
|
|
PEER
|
|
It looks to me liker tow and straws.
|
|
THE GREEN-CLAD ONE
|
|
Ay, there is one thing you must remember:-
|
|
this is the Ronde-folk's use and wont:
|
|
all our possessions have twofold form.
|
|
When you shall come to my father's hall,
|
|
it well may chance that you're on the point
|
|
of thinking you stand in a dismal moraine.
|
|
PEER
|
|
Well now, with us it's precisely the same.
|
|
Our gold will seem to you litter and trash!
|
|
And you'll think, mayhap, every glittering pane
|
|
is nought but a bunch of old stockings and clouts.
|
|
THE GREEN-CLAD ONE
|
|
Black it seems white, and ugly seems fair.
|
|
PEER
|
|
Big it seems little, and dirty seems clean.
|
|
THE GREEN-CLAD ONE [falling on his neck].
|
|
Ay, Peer, now I see that we fit, you and I!
|
|
PEER
|
|
Like the leg and the trouser, the hair and the comb.
|
|
THE GREEN-CLAD ONE [calls away over the hillside].
|
|
Bridal-steed! Bridal-steed! bridal-steed mine!
|
|
[A gigantic pig comes running in with a rope's end for a bridle
|
|
and an old sack for a saddle. PEER GYNT vaults on its back, and
|
|
seats the GREEN-CLAD ONE in front of him.]
|
|
PEER
|
|
Hark-away! Through the Ronde-gate gallop we in!
|
|
Gee-up, gee-up, my courser fine!
|
|
THE GREEN-CLAD ONE [tenderly].
|
|
Ah, but lately I wandered and moped and pined-.
|
|
One never can tell what may happen to one!
|
|
PEER [thrashing the pig and trotting off].
|
|
You may know the great by their riding-gear!
|
|
SCENE SIXTH
|
|
[The Royal Hall of the King of the Dovre-Trolls. A great assembly
|
|
of TROLL-COURTIERS, GNOMES, and BROWNIES. THE OLD MAN OF THE DOVRE
|
|
sits on the throne, crowned, and with his sceptre in his hand. His
|
|
CHILDREN and NEAREST RELATIONS are ranged on both sides. PEER GYNT
|
|
stands before him. Violent commotion in the hall.]
|
|
THE TROLL-COURTIERS
|
|
Slay him! a Christian-man's son has deluded
|
|
the Dovre-King's loveliest maid!
|
|
A TROLL-IMP
|
|
May I hack him on the fingers?
|
|
ANOTHER
|
|
May I tug him by the hair?
|
|
A TROLL-MAIDEN
|
|
Hu, hei, let me bite him in the haunches!
|
|
A TROLL-WITCH [with a ladle].
|
|
Shall he be boiled into broth and bree?
|
|
ANOTHER TROLL-WITCH [with a chopper].
|
|
Shall he roast on a spit or be browned in a stewpan?
|
|
THE OLD MAN OF THE DOVRE
|
|
Ice to your blood, friends!
|
|
[Beckons his counsellors nearer around him.]
|
|
Don't let us talk big.
|
|
We've been drifting astern in these latter years;
|
|
we can't tell what's going to stand or to fall,
|
|
and there's no sense in turning recruits away.
|
|
Besides the lad's body has scarce a blemish,
|
|
and he's strongly-built too, if I see aright.
|
|
It's true, he has only a single head;
|
|
but my daughter, too, has no more than one.
|
|
Three-headed trolls are going clean out of fashion;
|
|
one hardly sees even a two-header now,
|
|
and even those heads are but so-so ones.
|
|
[To PEER GYNT.]
|
|
It's my daughter, then, you demand of me?
|
|
PEER
|
|
Your daughter and the realm to her dowry, yes.
|
|
THE OLD MAN
|
|
You shall have the half while I'm still alive,
|
|
and the other half when I come to die.
|
|
PEER
|
|
I'm content with that.
|
|
THE OLD MAN
|
|
Ay, but stop, my lad;-
|
|
you also have some undertakings to give.
|
|
If you break even one, the whole pact's at an end,
|
|
and you'll never get away from here living.
|
|
First of all you must swear that you'll never give heed
|
|
to aught that lies outside Ronde-hills' bounds;
|
|
day you must shun, and deeds, and each sunlit spot.
|
|
PEER
|
|
Only call me king, and that's easy to keep.
|
|
THE OLD MAN
|
|
And next-now for putting your wits to the test.
|
|
[Draws himself up in his seat.]
|
|
THE OLDEST TROLL-COURTIER [to PEER GYNT].
|
|
Let us see if you have a wisdom-tooth
|
|
that can crack the Dovre-King's riddle-nut!
|
|
THE OLD MAN
|
|
What difference is there 'twixt trolls and men?
|
|
PEER
|
|
No difference at all, as it seems to me.
|
|
Big trolls would roast you and small trolls would claw you;-
|
|
with us it were likewise, if only they dared.
|
|
THE OLD MAN
|
|
True enough; in that and in more we're alike.
|
|
Yet morning is morning, and even is even,
|
|
and there is a difference all the same.-
|
|
Now let me tell you wherein it lies:
|
|
Out yonder, under the shining vault,
|
|
among men the saying goes: "Man, be thyself!"
|
|
At home here with us, 'mid the tribe of the trolls,
|
|
the saying goes: "Troll, to thyself be-enough!"
|
|
THE TROLL-COURTIER [to PEER GYNT].
|
|
Can you fathom the depth?
|
|
PEER
|
|
It strikes me as misty.
|
|
THE OLD MAN
|
|
My son, that "Enough," that most potent and sundering
|
|
word, must be graven upon your escutcheon.
|
|
PEER [scratching his head].
|
|
Well, but-
|
|
THE OLD MAN
|
|
It must, if you here would be master!
|
|
PEER
|
|
Oh well, let it pass; after all, it's no worse-
|
|
THE OLD MAN
|
|
And next you must learn to appreciate
|
|
our homely, everyday way of life.
|
|
[He beckons; two TROLLS with pigs'-heads, white night-caps, and so
|
|
forth, bring in food and drink.]
|
|
The cow gives cakes and the bullock mead;
|
|
ask not if its taste be sour or sweet;
|
|
the main matter is, and you mustn't forget it,
|
|
it's all of it home-brewed.
|
|
PEER [pushing the things away from him].
|
|
The devil fly off with your home-brewed drinks!
|
|
I'll never get used to the ways of this land.
|
|
THE OLD MAN
|
|
The bowl's given in, and it's fashioned of gold.
|
|
Whoso owns the gold bowl, him my daughter holds dear.
|
|
PEER [pondering].
|
|
It is written: Thou shalt bridle the natural man;-
|
|
and I daresay the drink may in time seem less sour.
|
|
So be it!
|
|
[Complies.]
|
|
THE OLD MAN
|
|
Ay, that was sagaciously said.
|
|
You spit?
|
|
PEER
|
|
One must trust to the force of habit.
|
|
THE OLD MAN
|
|
And next you must throw off your Christian-man's garb;
|
|
for this you must know to our Dovre's renown:
|
|
here all things are mountain-made, nought's from the dale,
|
|
except the silk bow at the end of your tail.
|
|
PEER [indignant].
|
|
I haven't a tail!
|
|
THE OLD MAN
|
|
Then of course you must get one.
|
|
See my Sunday-tail, Chamberlain, fastened to him.
|
|
PEER
|
|
I'll be hanged if you do! Would you make me a fool!
|
|
THE OLD MAN
|
|
None comes courting my child with no tail at his rear.
|
|
PEER
|
|
Make a beast of a man!
|
|
THE OLD MAN
|
|
Nay, my son, you mistake;
|
|
I make you a mannerly wooer, no more.
|
|
A bright orange bow we'll allow you to wear,
|
|
and that passes here for the highest of honours.
|
|
PEER [reflectively].
|
|
It's true, as the saying goes: Man's but a mote.
|
|
And it's wisest to follow the fashion a bit.
|
|
Tie away!
|
|
THE OLD MAN
|
|
You're a tractable fellow, I see.
|
|
THE COURTIER
|
|
just try with what grace you can waggle and whisk it!
|
|
PEER [peevishly].
|
|
Ha, would you force me to go still further?
|
|
Do you ask me to give up my Christian faith?
|
|
THE OLD MAN
|
|
No, that you are welcome to keep in peace.
|
|
Doctrine goes free; upon that there's no duty;
|
|
it's the outward cut one must tell a troll by.
|
|
If we're only at one in our manners and dress,
|
|
you may hold as your faith what to us is a horror.
|
|
PEER
|
|
Why, in spite of your many conditions, you are
|
|
a more reasonable chap than one might have expected.
|
|
THE OLD MAN
|
|
We troll-folk, my son, are less black than we're painted;
|
|
that's another distinction between you and us.-
|
|
But the serious part of the meeting is over;
|
|
now let us gladden our ears and our eyes.
|
|
Music-maid, forth! Set the Dovre-harp sounding!
|
|
Dancing-maid, forth! Tread the Dovre-hall's floor!
|
|
[Music and a dance.]
|
|
THE COURTIER
|
|
How like you it?
|
|
PEER
|
|
Like it? Hm-
|
|
THE OLD MAN
|
|
Speak without fear!
|
|
What see you?
|
|
PEER
|
|
Why, something unspeakably grim:
|
|
a bell-cow with her hoof on a gut-harp strumming,
|
|
a sow in socklets a-trip to the tune.
|
|
THE COURTIERS
|
|
Eat him!
|
|
THE OLD MAN
|
|
His sense is but human, remember!
|
|
TROLL-MAIDENS
|
|
Hu, tear away both his ears and his eyes!
|
|
THE GREEN-CLAD ONE [weeping].
|
|
Hu-hu! And this we must hear and put up with,
|
|
when I and my sister make music and dance.
|
|
PEER
|
|
Oho, was it you? Well, a joke at the feast,
|
|
you must know, is never unkindly meant.
|
|
THE GREEN-CLAD ONE
|
|
Can you swear it was so?
|
|
PEER
|
|
Both the dance and the music
|
|
were utterly charming, the cat claw me else.
|
|
THE OLD MAN
|
|
This same human nature's a singular thing;
|
|
it sticks to people so strangely long.
|
|
If it gets a gash in the fight with us,
|
|
it heals up at once, though a scar may remain.
|
|
My son-in-law, now, is as pliant as any;
|
|
he's willingly thrown off his Christian-man's garb,
|
|
he's willingly drunk from our chalice of mead,
|
|
he's willingly tied on the tail to his back,-
|
|
so willing, in short, did we find him in all things,
|
|
I thought to myself the old Adam, for certain,
|
|
had for good and all been kicked out of doors;
|
|
but lo! in two shakes he's atop again!
|
|
Ay ay, my son, we must treat you, I see,
|
|
to cure this pestilent human nature.
|
|
PEER
|
|
What will you do?
|
|
THE OLD MAN
|
|
In your left eye, first,
|
|
I'll scratch you a bit, till you see awry;
|
|
but all that you see will seem fine and brave.
|
|
And then I'll just cut your right window-pane out-
|
|
PEER
|
|
Are you drunk?
|
|
THE OLD MAN [lays a number of sharp instruments on the table].
|
|
See, here are the glazier's tools.
|
|
Blinkers you'll wear, like a raging bull.
|
|
Then you'll recognise that your bride is lovely,-
|
|
and ne'er will your vision be troubled, as now,
|
|
with bell-cows harping and sows that dance.
|
|
PEER
|
|
This is madman's talk!
|
|
THE OLDEST COURTIER
|
|
It's the Dovre-King speaking;
|
|
it's he that is wise, and it's you that are crazy!
|
|
THE OLD MAN
|
|
Just think how much worry and mortification
|
|
you'll thus escape from, year out, year in.
|
|
You must remember, your eyes are the fountain
|
|
of the bitter and searing lye of tears.
|
|
PEER
|
|
That's true; and it says in our sermon-book:
|
|
If thine eye offend thee, then pluck it out.
|
|
But tell me, when will my sight heal up
|
|
into human sight?
|
|
THE OLD MAN
|
|
Nevermore, my friend.
|
|
PEER
|
|
Indeed! In that case, I'll take my leave.
|
|
THE OLD MAN
|
|
What would you without?
|
|
PEER
|
|
I would go my way.
|
|
THE OLD MAN
|
|
No, stop! It's easy to slip in here,
|
|
but the Dovre-King's gate doesn't open outwards.
|
|
PEER
|
|
You wouldn't detain me by force, I hope?
|
|
THE OLD MAN
|
|
Come now, just listen to reason, Prince Peer!
|
|
You have gifts for trolldom. He acts, does he not,
|
|
even now in a passably troll-like fashion?
|
|
And you'd fain be a troll?
|
|
PEER
|
|
Yes, I would, sure enough.
|
|
For a bride and a well-managed kingdom to boot,
|
|
I can put up with losing a good many things.
|
|
But there is a limit to all things on earth.
|
|
The tail I've accepted, it's perfectly true;
|
|
but no doubt I can loose what the Chamberlain tied.
|
|
My breeches I've dropped; they were old and patched;
|
|
but no doubt I can button them on again.
|
|
And lightly enough I can slip my cable
|
|
from these your Dovrefied ways of life.
|
|
I am willing to swear that a cow is a maid;
|
|
an oath one can always eat up again:-
|
|
but to know that one never can free oneself,
|
|
that one can't even die like a decent soul;
|
|
to live as a hill-troll for all one's days-
|
|
to feel that one never can beat a retreat,-
|
|
as the book has it, that's what your heart is set on;
|
|
but that is a thing I can never agree to.
|
|
THE OLD MAN
|
|
Now, sure as I live, I shall soon lose my temper;
|
|
and then I am not to be trifled with.
|
|
You pasty-faced loon! Do you know who I am?
|
|
First with my daughter you make too free-
|
|
PEER
|
|
There you lie in your throat!
|
|
THE OLD MAN
|
|
You must marry her.
|
|
PEER
|
|
Do you dare to accuse me-?
|
|
THE OLD MAN
|
|
What? Can you deny
|
|
that you lusted for her in heart and eye?
|
|
PEER [with a snort of contempt].
|
|
No more? Who the deuce cares a straw for that?
|
|
THE OLD MAN
|
|
It's ever the same with this humankind.
|
|
The spirit you're ready to own with your lips,
|
|
but in fact nothing counts that your fists cannot handle.
|
|
So you really think, then, that lust matters nought?
|
|
Wait; you shall soon have ocular proof of it-
|
|
PEER
|
|
You don't catch me with a bait of lies!
|
|
THE GREEN-CLAD ONE
|
|
My Peer, ere the year's out, you'll be a father.
|
|
PEER
|
|
Open doors! let me go!
|
|
THE OLD MAN
|
|
In a he-goat's skin,
|
|
you shall have the brat after you.
|
|
PEER [mopping the sweat off his brow].
|
|
Would I could waken!
|
|
THE OLD MAN
|
|
Shall we send him to the palace?
|
|
PEER
|
|
You can send him to the parish!
|
|
THE OLD MAN
|
|
Well well, Prince Peer; that's your own look-out.
|
|
But one thing's certain, what's done is done;
|
|
and your offspring, too, will be sure to grow;
|
|
such mongrels shoot up amazingly fast-
|
|
PEER
|
|
Old man, don't act like a headstrong ox!
|
|
Hear reason, maiden! Let's come to terms.
|
|
You must know I'm neither a prince nor rich;-
|
|
and whether you measure or whether you weigh me,
|
|
be sure you won't gain much by making me yours.
|
|
[THE GREEN-CLAD ONE is taken ill, and is carried out by
|
|
TROLL-MAIDS.]
|
|
THE OLD MAN [looks at him for a while in high disdain; then says:]
|
|
Dash him to shards on the rock-walls, children!
|
|
THE TROLL-IMPS
|
|
Oh dad, mayn't we play owl-and-eagle first!
|
|
The wolf-game! Grey-mouse and glow-eyed cat!
|
|
THE OLD MAN
|
|
Yes, but quick. I am worried and sleepy. Good-night!
|
|
[He goes.]
|
|
PEER [hunted by the TROLL-IMPS].
|
|
Let me be, devil's imps!
|
|
[Tries to escape up the chimney.]
|
|
THE IMPS
|
|
Come brownies! Come nixies!
|
|
Bite him behind!
|
|
PEER
|
|
Ow!
|
|
[Tries to slip down the cellar trap-door.]
|
|
THE IMPS
|
|
Shut up all the crannies!
|
|
THE TROLL-COURTIER
|
|
Now the small-fry are happy!
|
|
PEER [struggling with a little imp that has bit himself fast to
|
|
his ear].
|
|
Let go, will you, beast!
|
|
THE COURTIER [hitting him across the fingers].
|
|
Gently, you scamp, with a scion of royalty!
|
|
PEER
|
|
A rat-hole-!
|
|
[Runs to it.]
|
|
THE IMPS
|
|
Be quick, Brother Nixie, and block it!
|
|
PEER
|
|
The old one was bad, but the youngsters are worse!
|
|
THE IMPS
|
|
Slash him!
|
|
PEER
|
|
Oh, would I were small as a mouse!
|
|
[Rushing around.]
|
|
THE IMPS [swarming round him].
|
|
Close the ring! Close the ring!
|
|
PEER [weeping].
|
|
Would that I were a louse!
|
|
[He falls.]
|
|
THE IMPS
|
|
Now into his eyes!
|
|
PEER [buried in a heap of imps].
|
|
Mother, help me, I die!
|
|
[Church-bells sound far away.]
|
|
THE IMPS
|
|
Bells in the mountain! The Black-Frock's cows!
|
|
[THE TROLLS take to flight, amid a confused uproar of yells and
|
|
shrieks. The palace collapses; everything disappears.]
|
|
SCENE SEVENTH
|
|
[Pitch darkness.]
|
|
[PEER GYNT is heard beating and slashing about him with a large
|
|
bough.]
|
|
PEER
|
|
Answer! Who are you?
|
|
A VOICE IN THE DARKNESS
|
|
Myself.
|
|
PEER
|
|
Clear the way!
|
|
THE VOICE
|
|
Go roundabout, Peer! The hill's roomy enough.
|
|
PEER [tries to force a passage at another place, but strikes against
|
|
something].
|
|
Who are you?
|
|
THE VOICE
|
|
Myself. Can you say the same?
|
|
PEER
|
|
I can say what I will; and my sword can smite!
|
|
Mind yourself! Hu, hei, now the blow falls crushing!
|
|
King Saul slew hundreds; Peer Gynt slew thousands!
|
|
[Cutting and slashing.]
|
|
Who are you?
|
|
THE VOICE
|
|
Myself.
|
|
PEER
|
|
That stupid reply
|
|
you may spare; it doesn't clear up the matter.
|
|
What are you?
|
|
THE VOICE
|
|
The great Boyg.
|
|
PEER
|
|
Ah, indeed!
|
|
The riddle was black; now I'd call it grey.
|
|
Clear the way then, Boyg!
|
|
THE VOICE
|
|
Go roundabout, Peer!
|
|
PEER
|
|
No, through!
|
|
[Cuts and slashes.]
|
|
There he fell!
|
|
[Tries to advance, but strikes against something.]
|
|
Ho ho, are there more here?
|
|
THE VOICE
|
|
The Boyg, Peer Gynt! the one only one.
|
|
It's the Boyg that's unwounded, and the Boyg that was hurt,
|
|
it's the Boyg that is dead, and the Boyg that's alive.
|
|
PEER [throws away the branch].
|
|
The weapon is troll-smeared; but I have my fists!
|
|
[Fights his way forward.]
|
|
THE VOICE
|
|
Ay, trust to your fists, lad, trust to your body.
|
|
Hee-hee, Peer Gynt, so you'll reach the summit.
|
|
PEER [falling back again].
|
|
Forward or back, and it's just as far;-
|
|
out or in, and it's just as strait!
|
|
He is there! And there! And he's round the bend!
|
|
No sooner I'm out than I'm back in the ring.-
|
|
Name who you are! Let me see you! What are you?
|
|
THE VOICE
|
|
The Boyg.
|
|
PEER [groping around].
|
|
Not dead, not living; all slimy; misty.
|
|
Not so much as a shape! It's as bad as to battle
|
|
in a cluster of snarling, half-wakened bears!
|
|
[Screams.]
|
|
Strike back at me, can't you!
|
|
THE VOICE
|
|
The Boyg isn't mad.
|
|
PEER
|
|
Strike!
|
|
THE VOICE
|
|
The Boyg strikes not.
|
|
PEER
|
|
Fight! You shall
|
|
THE VOICE
|
|
The great Boyg conquers, but does not fight.
|
|
PEER
|
|
Were there only a nixie here that could prick me!
|
|
Were there only as much as a year-old troll!
|
|
Only something to fight with. But here there is nothing.-
|
|
Now he's snoring! Boyg!
|
|
THE VOICE
|
|
What's your will?
|
|
PEER
|
|
Use force!
|
|
THE VOICE
|
|
The great Boyg conquers in all things without it.
|
|
PEER [biting his own arms and hands].
|
|
Claws and ravening teeth in my flesh!
|
|
I must feel the drip of my own warm blood.
|
|
[A sound is heard like the wing-strokes of great birds.]
|
|
BIRD-CRIES
|
|
Comes he now, Boyg?
|
|
THE VOICE
|
|
Ay, step by step.
|
|
BIRD-CRIES
|
|
All our sisters far off! Gather here to the tryst!
|
|
PEER
|
|
If you'd save me now, lass, you must do it quick!
|
|
Gaze not adown so, lowly and bending.-
|
|
Your clasp-book! Hurl it straight into his eyes!
|
|
BIRD-CRIES
|
|
He totters!
|
|
THE VOICE
|
|
We have him.
|
|
BIRD-CRIES
|
|
Sisters! Make haste!
|
|
PEER
|
|
Too dear the purchase one pays for life
|
|
in such a heart-wasting hour of strife.
|
|
[Sinks down.]
|
|
BIRD-CRIES
|
|
Boyg, there he's fallen! Seize him! Seize him!
|
|
[A sound of bells and of psalm-singing is heard far away.]
|
|
THE BOYG [shrinks up to nothing, and says in a gasp:]
|
|
He was too strong. There were women behind him.
|
|
SCENE EIGHTH
|
|
[Sunrise. The mountain-side in front of ASE's saeter. The door is
|
|
shut; all is silent and deserted.]
|
|
[PEER GYNT iS lying asleep by the wall of the saeter.]
|
|
PEER [wakens, and looks about him with dull and heavy eyes. He
|
|
spits].
|
|
What wouldn't I give for a pickled herring!
|
|
[Spits again, and at the same moment catches sight of HELGA, who
|
|
appears carrying a basket of food.]
|
|
Ha, child, are you there? What is it you want?
|
|
HELGA
|
|
It is Solveig-
|
|
PEER [jumping up].
|
|
Where is she?
|
|
HELGA
|
|
Behind the saeter.
|
|
SOLVEIG [unseen].
|
|
If you come nearer, I'll run away!
|
|
PEER [stopping short].
|
|
Perhaps you're afraid I might take you in my arms?
|
|
SOLVEIG
|
|
For shame!
|
|
PEER
|
|
Do you know where I was last night?-
|
|
Like a horse-fly the Dovre-King's daughter is after me.
|
|
SOLVEIG
|
|
Then it was well that the bells were set ringing.
|
|
PEER
|
|
Peer Gynt's not the lad they can lure astray.-
|
|
What do you say?
|
|
HELGA [crying].
|
|
Oh, she's running away!
|
|
[Running after her.]
|
|
Wait!
|
|
PEER [catches her by the arm].
|
|
Look here, what I have in my pocket!
|
|
A silver button, child! You shall have it,-
|
|
only speak for me!
|
|
HELGA
|
|
Let me be; let me go!
|
|
PEER
|
|
There you have it.
|
|
HELGA
|
|
Let go; there's the basket of food.
|
|
PEER
|
|
God pity you if you don't-!
|
|
HELGA
|
|
Uf, how you scare me!
|
|
PEER [gently; letting her go].
|
|
No, I only meant: beg her not to forget me!
|
|
[HELGA runs off.]
|
|
ACT THIRD
|
|
SCENE FIRST
|
|
[Deep in the pine-woods. Grey autumn weather. Snow is falling.]
|
|
[PEER GYNT stands in his shirt-sleeves, felling timber.]
|
|
PEER [hewing at a large fir-tree with twisted branches].
|
|
Oh ay, you are tough, you ancient churl;
|
|
but it's all in vain, for you'll soon be down.
|
|
[Hews at it again.]
|
|
I see well enough you've a chain-mail shirt,
|
|
but I'll hew it through, were it never so stout.-
|
|
Ay, ay, you're shaking your twisted arms;
|
|
you've reason enough for your spite and rage;
|
|
but none the less you must bend the knee-!
|
|
[Breaks off suddenly.]
|
|
Lies! 'Tis an old tree, and nothing more.
|
|
Lies! It was never a steel-clad churl;
|
|
it's only a fir-tree with fissured bark.-
|
|
It is heavy labour this hewing timber;
|
|
but the devil and all when you hew and dream too.-
|
|
I'll have done with it all-with this dwelling in mist,
|
|
and, broad-awake, dreaming your senses away.-
|
|
You're an outlaw, lad! You are banned to the woods.
|
|
[Hews for a while rapidly.]
|
|
Ay, an outlaw, ay. You've no mother now
|
|
to spread your table and bring your food.
|
|
If you'd eat, my lad, you must help yourself,
|
|
fetch your rations raw from the wood and stream,
|
|
split your own fir-roots and light your own fire,
|
|
bustle around, and arrange and prepare things.
|
|
Would you clothe yourself warmly, you must stalk your deer;
|
|
would you found you a house, you must quarry the stones;
|
|
would you build up its walls, you must fell the logs,
|
|
and shoulder them all to the building-place.-
|
|
[His axe sinks down; he gazes straight in front of him.]
|
|
Brave shall the building be. Tower and vane
|
|
shall rise from the roof-tree, high and fair.
|
|
And then I will carve, for the knob on the gable,
|
|
a mermaid, shaped like a fish from the navel.
|
|
Brass shall there be on the vane and the door-locks.
|
|
Glass I must see and get hold of too.
|
|
Strangers, passing, shall ask amazed
|
|
what that is glittering far on the hillside.
|
|
[Laughs angrily.]
|
|
Devil's own lies! There they come again.
|
|
You're an outlaw, lad!
|
|
[Hewing vigorously.]
|
|
A bark-thatched hovel
|
|
is shelter enough both in rain and frost.
|
|
[Looks up at the tree.]
|
|
Now he stands wavering. There; only a kick,
|
|
and he topples and measures his length on the ground;-
|
|
the thick-swarming undergrowth shudders around him!
|
|
[Begins lopping the branches from the trunk; suddenly he listens,
|
|
and stands motionless with his axe in the air.]
|
|
There's some one after me!-Ay, are you that sort,
|
|
old Hegstad-churl;-would you play me false?
|
|
[Crouches behind the tree, and peeps over it.]
|
|
A lad! One only. He seems afraid.
|
|
He peers all round him. What's that he hides
|
|
'neath his jacket? A sickle. He stops and looks around,-
|
|
now he lays his hand on a fence-rail flat.
|
|
What's this now? Why does he lean like that-?
|
|
Ugh, ugh! Why, he's chopped his finger off!
|
|
A whole finger off!-He bleeds like an ox.-
|
|
Now he takes to his heels with his fist in a clout.
|
|
[Rises.]
|
|
What a devil of a lad! An unmendable finger!
|
|
Right off! And with no one compelling him to it!
|
|
Ho', now I remember! It's only thus
|
|
you can 'scape from having to serve the King.
|
|
That's it. They wanted to send him soldiering,
|
|
and of course the lad didn't want to go.-
|
|
But to chop off-? To sever for good and all-?
|
|
Ay, think of it-wish it done-will it to boot,-
|
|
but do it-! No, that's past my understanding!
|
|
[Shakes his head a little; then goes on with his work.]
|
|
SCENE SECOND
|
|
[A room in ASE's house. Everything in disorder; boxes standing open;
|
|
wearing apparel strewn around. A cat is lying on the bed.]
|
|
[ASE and the COTTAR's WIFE are hard at work packing things
|
|
together and putting them straight.]
|
|
ASE [running to one side].
|
|
Kari, come here!
|
|
KARI
|
|
What now?
|
|
ASE [on the other side].
|
|
Come here-!
|
|
Where is-? Where shall I find-? Tell me where-?
|
|
What am I seeking? I'm out of my wits!
|
|
Where is the key of the chest?
|
|
KARI
|
|
In the key-hole.
|
|
ASE
|
|
What is that rumbling?
|
|
KARI
|
|
The last cart-load
|
|
they're driving to Hegstad.
|
|
ASE [weeping].
|
|
How glad I'd be
|
|
in the black chest myself to be driven away!
|
|
Oh, what must a mortal abide and live through!
|
|
God help me in mercy! The whole house is bare!
|
|
What the Hegstad-churl left now the bailiff has taken.
|
|
Not even the clothes on my back have they spared.
|
|
Fie! Shame on them all that have judged so hardly!
|
|
[Seats herself on the edge of the bed.]
|
|
Both the land and the farm-place are lost to our line;
|
|
the old man was hard, but the law was still harder;-
|
|
there was no one to help me, and none would show mercy;
|
|
Peer was away; not a soul to give counsel.
|
|
KARI
|
|
But here, in this house, you may dwell till you die.
|
|
ASE
|
|
Ay, the cat and I live on charity.
|
|
KARI
|
|
God help you, mother; your Peer's cost you dear.
|
|
ASE
|
|
Peer? Why, you're out of your senses, sure!
|
|
Ingrid came home none the worse in the end.
|
|
The right thing had been to hold Satan to reckoning;-
|
|
he was the sinner, ay, he and none other;
|
|
the ugly beast tempted my poor boy astray!
|
|
KARI
|
|
Had I not better send word to the parson?
|
|
Mayhap you're worse than you think you are.
|
|
ASE
|
|
To the parson? Truly I almost think so.
|
|
[Starts up.]
|
|
But, oh God, I can't! I'm the boy's own mother;
|
|
and help him I must; it's no more than my duty;
|
|
I must do what I can when the rest forsake him.
|
|
They've left him this coat; I must patch it up.
|
|
I wish I dared snap up the fur-rug as well!
|
|
What's come of the hose?
|
|
KARI
|
|
They are there, 'mid that rubbish.
|
|
ASE [rummaging about].
|
|
Why, what have we here? I declare it's an old
|
|
casting-ladle, Kari! With this he would play
|
|
button-moulder, would melt, and then shape, and then stamp
|
|
them.
|
|
One day-there was company-in the boy came,
|
|
and begged of his father a lump of tin.
|
|
"No tin," says Jon, "but King Christian's coin;
|
|
silver; to show you're the son of Jon Gynt."
|
|
God pardon him, Jon; he was drunk, you see,
|
|
and then he cared neither for tin nor for gold.
|
|
Here are the hose. Oh, they're nothing but holes;
|
|
they want darning, Kari!
|
|
KARI
|
|
Indeed but they do.
|
|
ASE
|
|
When that is done, I must get to bed;
|
|
I feel so broken, and frail, and ill-
|
|
[Joyfully.]
|
|
Two woollen-shirts, Kari;-they've passed them by!
|
|
KARI
|
|
So they have indeed.
|
|
ASE
|
|
It's a bit of luck.
|
|
One of the two you may put aside;
|
|
or rather, I think we'll e'en take them both;-
|
|
the one he has on is so worn and thin.
|
|
KARI
|
|
But oh, Mother Ase, I fear it's a sin!
|
|
ASE
|
|
Maybe; but remember, the priest holds out
|
|
pardon for this and our other sinnings.
|
|
SCENE THIRD
|
|
[In front of a settler's newly-built hut in the forest. A reindeer's
|
|
horns over the door. The snow is lying deep around. It is dusk.]
|
|
[PEER GYNT is standing outside the door, fastening a large wooden
|
|
bar to it.]
|
|
PEER [laughing betweenwhiles].
|
|
Bars I must fix me; bars that can fasten
|
|
the door against troll-folk, and men, and women.
|
|
Bars I must fix me; bars that can shut out
|
|
all the cantankerous little hobgoblins.-
|
|
They come with the darkness, they knock and they rattle:
|
|
Open, Peer Gynt, we're as nimble as thoughts are!
|
|
'Neath the bedstead we bustle, we rake in the ashes,
|
|
down the chimney we hustle like fiery-eyed dragons.
|
|
Hee-hee! Peer Gynt; think you staples and planks
|
|
can shut out cantankerous hobgoblin-thoughts?
|
|
[SOLVEIG comes on snow-shoes over the heath; she has a shawl over
|
|
her head, and a bundle in her hand.]
|
|
SOLVEIG
|
|
God prosper your labour. You must not reject me.
|
|
You sent for me hither, and so you must take me.
|
|
PEER
|
|
Solveig! It cannot be-! Ay, but it is!
|
|
And you're not afraid to come near to me!
|
|
SOLVEIG
|
|
One message you sent me by little Helga;
|
|
others came after in storm and in stillness.
|
|
All that your mother told bore me a message,
|
|
that brought forth others when dreams sank upon me.
|
|
Nights full of heaviness, blank, empty days,
|
|
brought me the message that now I must come.
|
|
It seemed as though life had been quenched down there;
|
|
I could nor laugh nor weep from the depths of my heart.
|
|
I knew not for sure how you might be minded;
|
|
I knew but for sure what I should do and must do.
|
|
PEER
|
|
But your father?
|
|
SOLVEIG
|
|
In all of God's wide earth
|
|
I have none I can call either father or mother.
|
|
I have loosed me from all of them.
|
|
PEER
|
|
Solveig, you fair one-
|
|
and to come to me?
|
|
SOLVEIG
|
|
Ay, to you alone;
|
|
you must be all to me, friend and consoler.
|
|
[In tears.]
|
|
The worst was leaving my little sister;-
|
|
but parting from father was worse, still worse;
|
|
and worst to leave her at whose breast I was borne;-
|
|
oh no, God forgive me, the worst I must call
|
|
the sorrow of leaving them all, ay all!
|
|
PEER
|
|
And you know the doom that was passed in spring?
|
|
It forfeits my farm and my heritage.
|
|
SOLVEIG
|
|
Think you for heritage, goods, and gear,
|
|
I forsook the paths all my dear ones tread?
|
|
PEER
|
|
And know you the compact? Outside the forest
|
|
whoever may meet me may seize me at will.
|
|
SOLVEIG
|
|
I ran upon snow-shoes; I asked my way on;
|
|
they said "Whither go you?" I answered, "I go home."
|
|
PEER
|
|
Away, away then with nails and planks!
|
|
No need now for bars against hobgoblin-thoughts.
|
|
If you dare dwell with the hunter here,
|
|
I know the hut will be blessed from ill.
|
|
Solveig! Let me look at you! Not too near!
|
|
Only look at you! Oh, but you are bright and pure!
|
|
Let me lift you! Oh, but you are fine and light!
|
|
Let me carry you, Solveig, and I'll never be tired!
|
|
I will not soil you. With outstretched arms
|
|
I will hold you far out from me, lovely and warm one!
|
|
Oh, who would have thought I could draw you to me,-
|
|
ah, but I have longed for you, daylong and nightlong.
|
|
Here you may see I've been hewing and building;-
|
|
it must down again, dear; it is ugly and mean-
|
|
SOLVEIG
|
|
Be it mean or brave,-here is all to my mind.
|
|
One so lightly draws breath in the teeth of the wind.
|
|
Down below it was airless; one felt as though choked;
|
|
that was partly what drove me in fear from the dale.
|
|
But here, with the fir-branches soughing o'erhead,-
|
|
what a stillness and song!-I am here in my home.
|
|
PEER
|
|
And know you that surely? For all your days?
|
|
SOLVEIG
|
|
The path I have trodden leads back nevermore.
|
|
PEER
|
|
You are mine then! In! In the room let me see you!
|
|
Go in! I must go to fetch fir-roots for fuel.
|
|
Warm shall the fire be and bright shall it shine,
|
|
you shall sit softly and never be a-cold.
|
|
[He opens the door; SOLVEIG goes in. He stands still for a while,
|
|
then laughs aloud with joy and leaps into the air.]
|
|
PEER
|
|
My king's daughter! Now I have found her and won her!
|
|
Hei! Now the palace shall rise, deeply founded!
|
|
[He seizes his axe and moves away; at the same moment an OLD-LOOKING
|
|
WOMAN, in a tattered green gown, comes out from the wood; an UGLY
|
|
BRAT, with an ale-flagon in his hand, limps after, holding on to her
|
|
skirt.]
|
|
THE WOMAN
|
|
Good evening, Peer Lightfoot!
|
|
PEER
|
|
What is it? Who's there?
|
|
THE WOMAN
|
|
Old friends of yours, Peer Gynt! My home is near by.
|
|
We are neighbours.
|
|
PEER
|
|
Indeed? That is more than I know.
|
|
THE WOMAN
|
|
Even as your hut was builded, mine built itself too.
|
|
PEER [going].
|
|
I'm in haste-
|
|
THE WOMAN
|
|
Yes, that you are always, my lad;
|
|
but I'll trudge behind you and catch you at last.
|
|
PEER
|
|
You're mistaken, good woman!
|
|
THE WOMAN
|
|
I was so before;
|
|
I was when you promised such mighty fine things.
|
|
PEER
|
|
I promised-? What devil's own nonsense is this?
|
|
THE WOMAN
|
|
You've forgotten the night when you drank with my sire?
|
|
You've forgot-?
|
|
PEER
|
|
I've forgot what I never have known.
|
|
What's this that you prate of? When last did we meet?
|
|
THE WOMAN
|
|
When last we met was when first we met.
|
|
[To THE BRAT.]
|
|
Give your father a drink; he is thirsty, I'm sure.
|
|
PEER
|
|
Father? You're drunk, woman! Do you call him-?
|
|
THE WOMAN
|
|
I should think you might well know the pig by its skin!
|
|
Why, where are your eyes? Can't you see that he's lame
|
|
in his shank, just as you too are lame in your soul?
|
|
PEER
|
|
Would you have me believe-?
|
|
THE WOMAN
|
|
Would you wriggle away-?
|
|
PEER
|
|
This long-legged urchin-!
|
|
THE WOMAN
|
|
He's shot up apace.
|
|
PEER
|
|
Dare you, you troll-snout, father on me-?
|
|
THE WOMAN
|
|
Come now, Peer Gynt, you're as rude as an ox!
|
|
[Weeping.]
|
|
Is it my fault if no longer I'm fair,
|
|
as I was when you lured me on hillside and lea?
|
|
Last fall, in my labour, the Fiend held my back,
|
|
and so 'twas no wonder I came out a fright.
|
|
But if you would see me as fair as before,
|
|
you have only to turn yonder girl out of doors,
|
|
drive her clean out of your sight and your mind;-
|
|
do but this, dear my love, and I'll soon lose my snout!
|
|
PEER
|
|
Begone from me, troll-witch!
|
|
THE WOMAN
|
|
Ay, see if I do!
|
|
PEER
|
|
I'll split your skull open-!
|
|
THE WOMAN
|
|
Just try if you dare!
|
|
Ho-ho, Peer Gynt, I've no fear of blows!
|
|
Be sure I'll return every day of the year.
|
|
I'll set the door ajar and peep in at you both.
|
|
When you're sitting with your girl on the fireside bench,-
|
|
when you're tender, Peer Gynt,-when you'd pet and caress her,-
|
|
I'll seat myself by you, and ask for my share.
|
|
She there and I-we will take you by turns.
|
|
Farewell, dear my lad, you can marry to-morrow!
|
|
PEER
|
|
You nightmare of hell!
|
|
THE WOMAN
|
|
By-the-bye, I forgot!
|
|
You must rear your own youngster, you light-footed scamp!
|
|
Little imp, will you go to your father?
|
|
THE BRAT [spits at him].
|
|
Faugh!
|
|
I'll chop you with my hatchet; only wait, only wait!
|
|
THE WOMAN [kisses THE BRAT].
|
|
What a head he has got on his shoulders, the dear!
|
|
You'll be father's living image when once you're a man!
|
|
PEER [stamping].
|
|
Oh, would you were as far-!
|
|
THE WOMAN
|
|
As we now are near?
|
|
PEER [clenching his hands].
|
|
And all this-!
|
|
THE WOMAN
|
|
For nothing but thoughts and desires!
|
|
It is hard on you, Peer!
|
|
PEER
|
|
It is worst for another!-
|
|
Solveig, my fairest, my purest gold!
|
|
THE WOMAN
|
|
Oh ay, 'tis the guiltless must smart, said the devil;
|
|
his mother boxed his ears when his father was drunk!
|
|
[She trudges off into the thicket with THE BRAT, who throws the
|
|
flagon at PEER GYNT.]
|
|
PEER [after a long silence].
|
|
The Boyg said, "Go roundabout!"-so one must here.-
|
|
There fell my fine palace, with crash and clatter!
|
|
There's a wall around her whom I stood so near,
|
|
of a sudden all's ugly-my joy has grown old.-
|
|
Roundabout, lad! There's no way to be found
|
|
right through all this from where you stand to her.
|
|
Right through? Hm, surely there should be one.
|
|
There's a text on repentance, unless I mistake.
|
|
But what? What is it? I haven't the book,
|
|
I've forgotten it mostly, and here there is none
|
|
that can guide me aright in the pathless wood.-
|
|
Repentance? And maybe 'twould take whole years,
|
|
ere I fought my way through. 'Twere a meagre life, that.
|
|
To shatter what's radiant, and lovely, and pure,
|
|
and clinch it together in fragments and shards?
|
|
You can do it with a fiddle, but not with a bell.
|
|
Where you'd have the sward green, you must mind not to trample.
|
|
'Twas nought but a lie though, that witch-snout business!
|
|
Now all that foulness is well out of sight.-
|
|
Ay, out of sight maybe, not out of mind.
|
|
Thoughts will sneak stealthily in at my heel.
|
|
Ingrid! And the three, they that danced on the heights!
|
|
Will they too want to join us? With vixenish spite
|
|
will they claim to be folded, like her, to my breast,
|
|
to be tenderly lifted on outstretched arms?
|
|
Roundabout, lad; though my arms were as long
|
|
as the root of the fir, or the pine-tree's stem,-
|
|
I think even then I should hold her too near,
|
|
to set her down pure and untarnished again.-
|
|
I must roundabout here, then, as best I may,
|
|
and see that it bring me nor gain nor loss.
|
|
One must put such things from one, and try to forget.-
|
|
[Goes a few steps towards the hut, but stops again.]
|
|
Go in after this? So befouled and disgraced?
|
|
Go in with that troll-rabble after me still?
|
|
Speak, yet be silent; confess, yet conceal-?
|
|
[Throws away his axe.]
|
|
It's holy-day evening. For me to keep tryst,
|
|
such as now I am, would be sacrilege.
|
|
SOLVEIG [in the doorway].
|
|
Are you coming?
|
|
PEER [half aloud].
|
|
Roundabout!
|
|
SOLVEIG
|
|
What?
|
|
PEER
|
|
You must wait.
|
|
It is dark, and I've got something heavy to fetch.
|
|
SOLVEIG
|
|
Wait; I will help you; the burden we'll share.
|
|
PEER
|
|
No, stay where you are! I must bear it alone.
|
|
SOLVEIG
|
|
But don't go too far, dear!
|
|
PEER
|
|
Be patient, my girl;
|
|
be my way long or short-you must wait.
|
|
SOLVEIG [nodding to him as he goes].
|
|
Yes, I'll Wait!
|
|
[PEER GYNT goes down the wood-path. SOLVEIG remains standing in
|
|
the open half-door.]
|
|
SCENE FOURTH
|
|
[ASE's room. Evening. The room is lighted by a wood fire on the open
|
|
hearth. A cat is lying on a chair at the foot of the bed.]
|
|
[ASE lies in the bed, fumbling about restlessly with her hands on
|
|
the coverlet.]
|
|
ASE
|
|
Oh, Lord my God, isn't he coming?
|
|
The time drags so drearily on.
|
|
I have no one to send with a message;
|
|
and I've much, oh so much, to say.
|
|
I haven't a moment to lose now!
|
|
So quickly! Who could have foreseen!
|
|
Oh me, if I only were certain
|
|
I'd not been too strict with him!
|
|
PEER GYNT [enters].
|
|
Good evening!
|
|
ASE
|
|
The Lord give you gladness!
|
|
You've come then, my boy, my dear!
|
|
But how dare you show face in the valley?
|
|
You know your life's forfeit here.
|
|
PEER
|
|
Oh, life must e'en go as it may go;
|
|
I felt that I must look in.
|
|
ASE
|
|
Ay, now Kari is put to silence,
|
|
and I can depart in peace!
|
|
PEER
|
|
Depart? Why, what are you saying?
|
|
Where is it you think to go?
|
|
ASE
|
|
Alas, Peer, the end is nearing;
|
|
I have but a short time left.
|
|
PEER [writhing, and walking towards the back of the room].
|
|
See there now! I'm fleeing from trouble;
|
|
I thought at least here I'd be free-!
|
|
Are your hands and your feet a-cold, then?
|
|
ASE
|
|
Ay, Peer; all will soon be o'er.-
|
|
When you see that my eyes are glazing,
|
|
you must close them carefully.
|
|
And then you must see to my coffin;
|
|
and be sure it's a fine one, dear.
|
|
Ah no, by-the-bye-
|
|
PEER
|
|
Be quiet!
|
|
There's time yet to think of that.
|
|
ASE
|
|
Ay, ay.
|
|
[Looks restlessly around the room.]
|
|
Here you see the little
|
|
they've left us! It's like them, just.
|
|
PEER [with a writhe].
|
|
Again!
|
|
[Harshly.]
|
|
Well, I know it was my fault.
|
|
What's the use of reminding me?
|
|
ASE
|
|
You! No, that accursed liquor,
|
|
from that all the mischief came!
|
|
Dear my boy, you know you'd been drinking;
|
|
and then no one knows what he does;
|
|
and besides, you'd been riding the reindeer;
|
|
no wonder your head was turned!
|
|
PEER
|
|
Ay, ay; of that yarn enough now.
|
|
Enough of the whole affair.
|
|
All that's heavy we'll let stand over
|
|
till after-some other day.
|
|
[Sits on the edge of the bed.]
|
|
Now, mother, we'll chat together;
|
|
but only of this and that,-
|
|
forget what's awry and crooked,
|
|
and all that is sharp and sore.-
|
|
Why see now, the same old pussy;
|
|
so she is alive then, still?
|
|
ASE
|
|
She makes such a noise o' nights now;
|
|
you know what that bodes, my boy!
|
|
PEER [changing the subject].
|
|
What news is there here in the parish?
|
|
ASE [smiling].
|
|
There's somewhere about, they say,
|
|
a girl who would fain to the uplands-
|
|
PEER [hastily].
|
|
Mads Moen, is he content?
|
|
ASE
|
|
They say that she hears and heeds not
|
|
the old people's prayers and tears.
|
|
You ought to look in and see them;-
|
|
you, Peer, might perhaps bring help-
|
|
PEER
|
|
The smith, what's become of him now?
|
|
ASE
|
|
Don't talk of that filthy smith.
|
|
Her name I would rather tell you,
|
|
the name of the girl, you know-
|
|
PEER
|
|
No, now we will chat together,
|
|
but only of this and that,-
|
|
forget what's awry and crooked,
|
|
and all that is sharp and sore.
|
|
Are you thirsty? I'll fetch you water.
|
|
Can you stretch you? The bed is short.
|
|
Let me see;-if I don't believe, now,
|
|
It's the bed that I had when a boy!
|
|
Do you mind, dear, how oft in the evenings
|
|
you sat at my bedside here,
|
|
and spread the fur-coverlet o'er me,
|
|
and sang many a lilt and lay?
|
|
ASE
|
|
Ay, mind you? And then we played sledges
|
|
when your father was far abroad.
|
|
The coverlet served for sledge-apron,
|
|
and the floor for an ice-bound fiord.
|
|
PEER
|
|
Ah, but the best of all, though,-
|
|
mother, you mind that too?-
|
|
the best was the fleet-foot horses-
|
|
ASE
|
|
Ay, think you that I've forgot?-
|
|
It was Kari's cat that we borrowed;
|
|
it sat on the log-scooped chair-
|
|
PEER
|
|
To the castle west of the moon, and
|
|
the castle east of the sun,
|
|
to Soria-Moria Castle
|
|
the road ran both high and low.
|
|
A stick that we found in the closet,
|
|
for a whip-shaft you made it serve.
|
|
ASE
|
|
Right proudly I perked on the box-seat-
|
|
PEER
|
|
Ay, ay; you threw loose the reins,
|
|
and kept turning round as we travelled,
|
|
and asked me if I was cold.
|
|
God bless you, ugly old mother,-
|
|
you were ever a kindly soul-!
|
|
What's hurting you now?
|
|
ASE
|
|
My back aches,
|
|
because of the hard, bare boards.
|
|
PEER
|
|
Stretch yourself; I'll support you.
|
|
There now, you're lying soft.
|
|
ASE [uneasily].
|
|
No, Peer, I'd be moving!
|
|
PEER
|
|
Moving?
|
|
ASE
|
|
Ay, moving; 'tis ever my wish.
|
|
PEER
|
|
Oh, nonsense! Spread o'er you the bed-fur.
|
|
Let me sit at your bedside here.
|
|
There; now we'll shorten the evening
|
|
with many a lilt and lay.
|
|
ASE
|
|
Best bring from the closet the prayer-book:
|
|
I feel so uneasy of soul.
|
|
PEER
|
|
In Soria-Moria Castle
|
|
the King and the Prince give a feast.
|
|
On the sledge-cushions lie and rest you;
|
|
I'll drive you there over the heath-
|
|
ASE
|
|
But, Peer dear, am I invited?
|
|
PEER
|
|
Ay, that we are, both of us.
|
|
[He throws a string round the back of the chair on which the cat is
|
|
lying, takes up a stick, and seats himself at the foot of the bed.]
|
|
Gee-up! Will you stir yourself, Black-boy?
|
|
Mother, you're not a-cold?
|
|
Ay, ay; by the pace one knows it,
|
|
when Grane begins to go!
|
|
ASE
|
|
Why, Peer, what is it that's ringing-?
|
|
PEER
|
|
The glittering sledge-bells, dear!
|
|
ASE
|
|
Oh, mercy, how hollow it's rumbling!
|
|
PEER
|
|
We're just driving over a fiord.
|
|
ASE
|
|
I'm afraid! What is that I hear rushing
|
|
and sighing so strange and wild?
|
|
PEER
|
|
It's the sough of the pine-trees, mother,
|
|
on the heath. Do you but sit still.
|
|
ASE
|
|
There's a sparkling and gleaming afar now;
|
|
whence comes all that blaze of light?
|
|
PEER
|
|
From the castle's windows and doorways.
|
|
Don't you hear, they are dancing?
|
|
ASE
|
|
Yes.
|
|
PEER
|
|
Outside the door stands Saint Peter,
|
|
and prays you to enter in.
|
|
ASE
|
|
Does he greet us?
|
|
PEER
|
|
He does, with honor,
|
|
and pours out the sweetest wine.
|
|
ASE
|
|
Wine! Has he cakes as well, Peer?
|
|
PEER
|
|
Cakes? Ay, a heaped-up dish.
|
|
And the dean's wife is getting ready
|
|
your coffee and your dessert.
|
|
ASE
|
|
Oh, Christ; shall we two come together?
|
|
PEER
|
|
As freely as ever you will.
|
|
ASE
|
|
Oh, deary, Peer, what a frolic
|
|
you're driving me to, poor soul!
|
|
PEER [cracking his whip].
|
|
Gee-up; will you stir yourself, Black-boy!
|
|
ASE
|
|
Peer, dear, you're driving right?
|
|
PEER [cracking his whip again].
|
|
Ay, broad is the way.
|
|
ASE
|
|
This journey,
|
|
it makes me so weak and tired.
|
|
PEER
|
|
There's the castle rising before us;
|
|
the drive will be over soon.
|
|
ASE
|
|
I will lie back and close my eyes then,
|
|
and trust me to you, my boy!
|
|
PEER
|
|
Come up with you, Grane, my trotter!
|
|
In the castle the throng is great;
|
|
they bustle and swarm to the gateway.
|
|
Peer Gynt and his mother are here!
|
|
What say you, Master Saint Peter?
|
|
Shall mother not enter in?
|
|
You may search a long time, I tell you,
|
|
ere you find such an honest old soul.
|
|
Myself I don't want to speak of;
|
|
I can turn at the castle gate.
|
|
If you'll treat me, I'll take it kindly;
|
|
if not, I'll go off just as pleased.
|
|
I have made up as many flim-flams
|
|
as the devil at the pulpit-desk,
|
|
and called my old mother a hen, too,
|
|
because she would cackle and crow.
|
|
But her you shall honour and reverence,
|
|
and make her at home indeed;
|
|
there comes not a soul to beat her
|
|
from the parishes nowadays.-
|
|
Ho-ho; here comes God the Father!
|
|
Saint Peter! you're in for it now!
|
|
[In a deep voice.]
|
|
"Have done with these jack-in-office airs, sir;
|
|
Mother Ase shall enter free!"
|
|
[Laughs loudly, and turns towards his mother.]
|
|
Ay, didn't I know what would happen?
|
|
Now they dance to another tune!
|
|
[Uneasily.]
|
|
Why, what makes your eyes so glassy?
|
|
Mother! Have you gone out of your wits-?
|
|
[Goes to the head of the bed.]
|
|
You mustn't lie there and stare so-!
|
|
Speak, mother; it's I, your boy!
|
|
[Feels her forehead and hands cautiously; then throws the string
|
|
on the chair, and says softly:]
|
|
Ay, ay!-You can rest yourself, Grane;
|
|
for even now the journey's done.
|
|
[Closes her eyes, and bends over her.]
|
|
For all of your days I thank you,
|
|
for beatings and lullabies!-
|
|
But see, you must thank me back, now-
|
|
[Presses his cheek against her mouth]
|
|
There; that was the driver's fare.
|
|
THE COTTAR'S WIFE [entering].
|
|
What? Peer! Ah, then we are over
|
|
the worst of the sorrow and need!
|
|
Dear Lord, but she's sleeping soundly-
|
|
or can she be-?
|
|
PEER
|
|
Hush; she is dead.
|
|
[KARI weeps beside the body; PEER GYNT walks up and down the room
|
|
for some time; at last he stops beside the bed.]
|
|
PEER
|
|
See mother buried with honour.
|
|
I must try to fare forth from here.
|
|
KARI
|
|
Are you faring afar?
|
|
PEER
|
|
To seaward.
|
|
KARI
|
|
So far!
|
|
PEER
|
|
Ay, and further still.
|
|
[He goes.]
|
|
ACT FOURTH
|
|
SCENE FIRST
|
|
[On the south-west coast of Morocco. A palm-grove. Under an
|
|
awning, on ground covered with matting, a table spread for dinner.
|
|
Further back in the grove hammocks are slung. In the offing lies a
|
|
steam-yacht, flying the Norwegian and American colours. A jolly-boat
|
|
drawn up on the beach. It is towards sunset.]
|
|
[PEER GYNT, a handsome middle-aged gentleman, in an elegant
|
|
travelling-dress, with a gold-rimmed double eyeglass hanging at his
|
|
waistcoat, is doing the honours at the head of the table. MR.
|
|
COTTON, MONSIEUR BALLON, HERR VON EBERKOPF, and HERR
|
|
TRUMPETERSTRALE, are seated at the table finishing dinner.]
|
|
PEER GYNT
|
|
Drink, gentlemen! If man is made
|
|
for pleasure, let him take his fill then.
|
|
You know 'tis written: Lost is lost,
|
|
and gone is gone-. What may I hand you?
|
|
TRUMPETERSTRALE
|
|
As host you're princely, Brother Gynt!
|
|
PEER
|
|
I share the honour with my cash,
|
|
with cook and steward-
|
|
MR. COTTON
|
|
Very well;
|
|
let's pledge a toast to all the four!
|
|
MONSIEUR BALLON
|
|
Monsieur, you have a gout, a ton
|
|
that nowadays is seldom met with
|
|
among men living en garcon,-
|
|
a certain-what's the word-?
|
|
VON EBERKOPF
|
|
A dash,
|
|
a tinge of free soul-contemplation,
|
|
and cosmopolitanisation,
|
|
an outlook through the cloudy rifts
|
|
by narrow prejudice unhemmed,
|
|
a stamp of high illumination,
|
|
an Ur-Natur, with lore of life,
|
|
to crown the trilogy, united.
|
|
Nicht wahr, Monsieur, 'twas that you meant?
|
|
MONSIEUR BALLON
|
|
Yes, very possibly; not quite
|
|
so loftily it sounds in French.
|
|
VON EBERKOPF
|
|
Ei was! That language is so stiff.-
|
|
But the phenomenon's final cause
|
|
if we would seek-
|
|
PEER
|
|
It's found already.
|
|
The reason is that I'm unmarried.
|
|
Yes, gentlemen, completely clear
|
|
the matter is. What should a man be?
|
|
Himself, is my concise reply.
|
|
He should regard himself and his.
|
|
But can he, as a sumpter-mule
|
|
for others' woe and others' weal?
|
|
VON EBERKOPF
|
|
But this same in-and-for-yourself-ness,
|
|
I'll answer for't, has cost you strife-
|
|
PEER
|
|
Ay yes, indeed; in former days;
|
|
but always I came off with honour.
|
|
Yet one time I ran very near
|
|
to being trapped against my will.
|
|
I was a brisk and handsome lad,
|
|
and she to whom my heart was given,
|
|
she was of royal family-
|
|
MONSIEUR BALLON
|
|
Of royal-?
|
|
PEER [carelessly].
|
|
One of those old stocks,
|
|
you know the kind-
|
|
TRUMPETERSTRALE [thumping the table].
|
|
Those noble-trolls!
|
|
PEER [shrugging his shoulders].
|
|
Old fossil Highnesses who make it
|
|
their pride to keep plebeian blots
|
|
excluded from their line's escutcheon.
|
|
MR. COTTON
|
|
Then nothing came of the affair?
|
|
MONSIEUR BALLON
|
|
The family opposed the marriage?
|
|
PEER
|
|
Far from it!
|
|
MONSIEUR BALLON
|
|
Ah!
|
|
PEER [with forbearance].
|
|
You understand
|
|
that certain circumstances made for
|
|
their marrying us without delay.
|
|
But, truth to tell, the whole affair
|
|
was, first to last, distasteful to me.
|
|
I'm finical in certain ways,
|
|
and like to stand on my own feet.
|
|
And when my father-in-law came out
|
|
with delicately veiled demands
|
|
that I should change my name and station,
|
|
and undergo ennoblement,
|
|
with much else that was most distasteful,
|
|
not to say quite inacceptable,-
|
|
why then I gracefully withdrew,
|
|
point-blank declined his ultimatum-
|
|
and so renounced my youthful bride.
|
|
[Drums on the table with a devout air.]
|
|
Yes, yes; there is a ruling Fate!
|
|
On that we mortals may rely;
|
|
and 'tis a comfortable knowledge.
|
|
MONSIEUR BALLON
|
|
And so the matter ended, eh?
|
|
PEER
|
|
Oh no, far otherwise I found it;
|
|
for busy-bodies mixed themselves,
|
|
with furious outcries, in the business.
|
|
The juniors of the clan were worst;
|
|
with seven of them I fought a duel.
|
|
That time I never shall forget,
|
|
though I came through it all in safety.
|
|
It cost me blood; but that same blood
|
|
attests the value of my person,
|
|
and points encouragingly towards
|
|
the wise control of Fate aforesaid.
|
|
VON EBERKOPF
|
|
Your outlook on the course of life
|
|
exalts you to the rank of thinker.
|
|
Whilst the mere commonplace empiric
|
|
sees separately the scattered scenes,
|
|
and to the last goes groping on,
|
|
you in one glance can focus all things.
|
|
One norm to all things you apply.
|
|
You point each random rule of life,
|
|
till one and all diverge like rays
|
|
from one full-orbed philosophy.-
|
|
And you have never been to college?
|
|
PEER
|
|
I am, as I've already said,
|
|
exclusively a self-taught man.
|
|
Methodically naught I've learned;
|
|
but I have thought and speculated,
|
|
and done much desultory reading.
|
|
I started somewhat late in life,
|
|
and then, you know, it's rather hard
|
|
to plough ahead through page on page,
|
|
and take in all of everything.
|
|
I've done my history piecemeal;
|
|
I never have had time for more.
|
|
And, as one needs in days of trial
|
|
some certainty to place one's trust in,
|
|
I took religion intermittently.
|
|
That way it goes more smoothly down.
|
|
One should not read to swallow all,
|
|
but rather see what one has use for.
|
|
MR. COTTON
|
|
Ay, that is practical!
|
|
PEER [lights a cigar].
|
|
Dear friends,
|
|
just think of my career in general.
|
|
In what case came I to the West?
|
|
A poor young fellow, empty-handed.
|
|
I had to battle sore for bread;
|
|
trust me, I often found it hard.
|
|
But life, my friends, ah, life is dear,
|
|
and, as the phrase goes, death is bitter.
|
|
Well! Luck, you see, was kind to me;
|
|
old Fate, too, was accommodating.
|
|
I prospered; and, by versatility,
|
|
I prospered better still and better.
|
|
In ten years' time I bore the name
|
|
of Croesus 'mongst the Charleston shippers.
|
|
My fame flew wide from port to port,
|
|
and fortune sailed on board my vessels-
|
|
MR. COTTON
|
|
What did you trade in?
|
|
PEER
|
|
I did most
|
|
in Negro slaves for Carolina,
|
|
and idol-images for China.
|
|
MONSIEUR BALLON
|
|
Fi donc!
|
|
TRUMPETERSTRALE
|
|
The devil, Uncle Gynt!
|
|
PEER
|
|
You think, no doubt, the business hovered
|
|
on the outer verge of the allowable?
|
|
Myself I felt the same thing keenly.
|
|
It struck me even as odious.
|
|
But, trust me, when you've once begun,
|
|
it's hard to break away again.
|
|
At any rate it's no light thing,
|
|
in such a vast trade-enterprise,
|
|
that keeps whole thousands in employ,
|
|
to break off wholly, once for all.
|
|
That "once for all" I can't abide,
|
|
but own, upon the other side,
|
|
that I have always felt respect
|
|
for what are known as consequences;
|
|
and that to overstep the bounds
|
|
has ever somewhat daunted me.
|
|
Besides, I had begun to age,
|
|
was getting on towards the fifties;-
|
|
my hair was slowly growing grizzled;
|
|
and, though my health was excellent,
|
|
yet painfully the thought beset me:
|
|
Who knows how soon the hour may strike,
|
|
the jury-verdict be delivered
|
|
that parts the sheep and goats asunder?
|
|
What could I do? To stop the trade
|
|
with China was impossible.
|
|
A plan I hit on-opened straightway
|
|
a new trade with the self-same land.
|
|
I shipped off idols every spring,
|
|
each autumn sent forth missionaries,
|
|
supplying them with all they needed,
|
|
as stockings, Bibles, rum, and rice-
|
|
MR. COTTON
|
|
Yes, at a profit?
|
|
PEER
|
|
Why, of course.
|
|
It prospered. Dauntlessly they toiled.
|
|
For every idol that was sold
|
|
they got a coolie well baptised,
|
|
so that the effect was neutralised.
|
|
The mission-field lay never fallow,
|
|
for still the idol-propaganda
|
|
the missionaries held in check.
|
|
MR. COTTON
|
|
Well, but the African commodities?
|
|
PEER
|
|
There, too, my ethics won the day.
|
|
I saw the traffic was a wrong one
|
|
for people of a certain age.
|
|
One may drop off before one dreams of it.
|
|
And then there were the thousand pitfalls
|
|
laid by the philanthropic camp;
|
|
besides, of course, the hostile cruisers,
|
|
and all the wind-and-weather risks.
|
|
All this together won the day.
|
|
I thought: Now, Peter, reef your sails;
|
|
see to it you amend your faults!
|
|
So in the South I bought some land,
|
|
and kept the last meat-importation,
|
|
which chanced to be a superfine one.
|
|
They throve so, grew so fat and sleek,
|
|
that 'twas a joy to me, and them too.
|
|
Yes, without boasting, I may say
|
|
I acted as a father to them,-
|
|
and found my profit in so doing.
|
|
I built them schools, too, so that virtue
|
|
might uniformly be maintained at
|
|
a certain general niveau,
|
|
and kept strict watch that never its
|
|
thermometer should sink below it.
|
|
Now, furthermore, from all this business
|
|
I've beat a definite retreat;-
|
|
I've sold the whole plantation, and
|
|
its tale of live-stock, hide and hair.
|
|
At parting, too, I served around,
|
|
to big and little, gratis grog,
|
|
so men and women all got drunk,
|
|
and widows got their snuff as well.
|
|
So that is why I trust,-provided
|
|
the saying is not idle breath:
|
|
Whoso does not do ill, does good,-
|
|
my former errors are forgotten,
|
|
and I, much more than most, can hold
|
|
my misdeeds balanced by my virtues.
|
|
VON EBERKOPF [clinking glasses with him].
|
|
How strengthening it is to hear
|
|
a principle thus acted out,
|
|
freed from the night of theory,
|
|
unshaken by the outward ferment!
|
|
PEER [who has been drinking freely during the preceding passages]
|
|
We Northland men know how to carry
|
|
our battle through! The key to the art
|
|
of life's affairs is simply this:
|
|
to keep one's ear close shut against
|
|
the ingress of one dangerous viper.
|
|
MR. COTTON
|
|
What sort of viper, pray, dear friend?
|
|
PEER
|
|
A little one that slyly wiles you
|
|
to tempt the irretrievable.
|
|
[Drinking again.]
|
|
The essence of the art of daring,
|
|
the art of bravery in act,
|
|
is this: To stand with choice-free foot
|
|
amid the treacherous snares of life,-
|
|
to know for sure that other days
|
|
remain beyond the day of battle,-
|
|
to know that ever in the rear
|
|
a bridge for your retreat stands open.
|
|
This theory has borne me on,
|
|
has given my whole career its colour;
|
|
and this same theory I inherit,
|
|
a race-gift, from my childhood's home.
|
|
MONSIEUR BALLON
|
|
You are Norwegian?
|
|
PEER
|
|
Yes, by birth;
|
|
but cosmopolitan in spirit.
|
|
For fortune such as I've enjoyed
|
|
I have to thank America.
|
|
My amply-furnished library
|
|
I owe to Germany's later schools.
|
|
From France, again, I get my waistcoats,
|
|
my manners, and my spice of wit,-
|
|
from England an industrious hand,
|
|
and keen sense for my own advantage.
|
|
The Jew has taught me how to wait.
|
|
Some taste for dolce far niente
|
|
I have received from Italy,-
|
|
and one time, in a perilous pass,
|
|
to eke the measure of my days,
|
|
I had recourse to Swedish steel.
|
|
TRUMPETERSTRALE [lifting up his glass].
|
|
Ay, Swedish steel-?
|
|
VON EBERKOPF
|
|
The weapon's wielder
|
|
demands our homage first of all!
|
|
[They clink glasses and drink with him. The wine begins to go to his
|
|
head.]
|
|
MR. COTTON
|
|
All this is very good indeed;-
|
|
but, sir, I'm curious to know
|
|
what with your gold. you think of doing.
|
|
PEER [smiling].
|
|
Hm; doing? Eh?
|
|
ALL FOUR [coming closer].
|
|
Yes, let us hear!
|
|
PEER
|
|
Well, first of all, I want to travel.
|
|
You see, that's why I shipped you four,
|
|
to keep me company, at Gibraltar.
|
|
I needed such a dancing-choir
|
|
of friends around my gold-calf-altar-
|
|
VON EBERKOPF
|
|
Most witty!
|
|
MR. COTTON
|
|
Well, but no one hoists
|
|
his sails for nothing but the sailing.
|
|
Beyond all doubt, you have a goal;
|
|
and that is-?
|
|
PEER
|
|
To be Emperor.
|
|
ALL FOUR
|
|
What?
|
|
PEER [nodding].
|
|
Emperor!
|
|
THE FOUR
|
|
Where?
|
|
PEER
|
|
O'er all the world.
|
|
MONSIEUR BALLON
|
|
But how, friend-?
|
|
PEER By the might of gold!
|
|
That plan is not at all a new one;
|
|
it's been the soul of my career.
|
|
Even as a boy, I swept in dreams
|
|
far o'er the ocean on a cloud.
|
|
I soared with train and golden scabbard,-
|
|
and flopped down on all-fours again.
|
|
But still my goal, my friends, stood fast.-
|
|
There is a text, or else a saying,
|
|
somewhere, I don't remember where,
|
|
that if you gained the whole wide world,
|
|
but lost yourself, your gain were but
|
|
a garland on a cloven skull.
|
|
That is the text-or something like it;
|
|
and that remark is sober truth.
|
|
VON EBERKOPF
|
|
But what then is the Gyntish Self?
|
|
PEER
|
|
The world behind my forehead's arch,
|
|
in force of which I'm no one else
|
|
than I, no more than God's the Devil.
|
|
TRUMPETERSTRALE
|
|
I understand now where you're aiming!
|
|
MONSIEUR BALLON
|
|
Thinker sublime!
|
|
VON EBERKOPF
|
|
Exalted poet!
|
|
PEER [more and more elevated].
|
|
The Gyntish Self-it is the host
|
|
of wishes, appetites, desires,-
|
|
the Gyntish Self, it is the sea
|
|
of fancies, exigencies, claims,
|
|
all that, in short, makes my breast heave,
|
|
and whereby I, as I, exist.
|
|
But as our Lord requires the clay
|
|
to constitute him God o' the world,
|
|
so I, too, stand in need of gold,
|
|
if I as Emperor would figure.
|
|
MONSIEUR BALLON
|
|
You have the gold, though!
|
|
PEER
|
|
Not enough.
|
|
Ay, maybe for a nine-days' flourish,
|
|
as Emperor a la Lippe-Detmold.
|
|
But I must be myself en bloc,
|
|
must be the Gynt of all the planet,
|
|
Sir Gynt throughout, from top to toe!
|
|
MONSIEUR BALLON [enraptured].
|
|
Possess the earth's most exquisite beauty!
|
|
VON EBERKOPF
|
|
All century-old Johannisberger!
|
|
TRUMPETERSTRALE
|
|
And all the blades of Charles the Twelfth!
|
|
MR. COTTON
|
|
But first a profitable opening
|
|
for business-
|
|
PEER
|
|
That's already found;
|
|
our anchoring here supplied me with it.
|
|
To-night we set off northward ho!
|
|
The papers I received on board
|
|
have brought me tidings of importance-!
|
|
[Rises with uplifted glass.]
|
|
It seems that Fortune ceaselessly
|
|
aids him who has the pluck to seize it-
|
|
THE GUESTS
|
|
Well? Tell us-!
|
|
PEER
|
|
Greece is in revolt.
|
|
ALL FOUR [springing up].
|
|
What! Greece-?
|
|
PEER
|
|
The Greeks have risen in Hellas.
|
|
THE FOUR
|
|
Hurrah!
|
|
PEER
|
|
And Turkey's in a fix!
|
|
[Empties his glass.]
|
|
MONSIEUR BALLON
|
|
To Hellas! Glory's gate stands open!
|
|
I'll help them with the sword of France!
|
|
VON EBERKOPF
|
|
And I with war-whoops-from a distance!
|
|
MR. COTTON
|
|
And I as well-by taking contracts!
|
|
TRUMPETERSTRALE
|
|
Lead on! I'll find again in Bender
|
|
the world-renowned spur-strap-buckles!
|
|
MONSIEUR BALLON [falling on PEER GYNT'S neck].
|
|
Forgive me, friend, that I at first
|
|
misjudged you quite!
|
|
VON EBERKOPF [pressing his hands].
|
|
I, stupid hound,
|
|
took you for next door to a scoundrel!
|
|
MR. COTTON
|
|
Too strong that; only for a fool-
|
|
TRUMPETERSTRALE [trying to kiss him].
|
|
I, Uncle, for a specimen
|
|
of Yankee riff-raff's meanest spawn-!
|
|
Forgive me-!
|
|
VON EBERKOPF
|
|
We've been in the dark-
|
|
PEER
|
|
What stuff is this?
|
|
VON EBERKOPF
|
|
We now see gathered
|
|
in glory all the Gyntish host
|
|
of wishes, appetites, and desires-!
|
|
MONSIEUR BALLON [admiringly].
|
|
So this is being Monsieur Gynt!
|
|
VON EBERKOPF [in the same tone].
|
|
This I call being Gynt with honour!
|
|
PEER
|
|
But tell me-?
|
|
MONSIEUR BALLON
|
|
Don't you understand?
|
|
PEER
|
|
May I be hanged if I begin to!
|
|
MONSIEUR BALLON
|
|
What? Are you not upon your way
|
|
to join the Greeks, with ship and money-?
|
|
PEER [contemptuously].
|
|
No, many thanks! I side with strength,
|
|
and lend my money to the Turks.
|
|
MONSIEUR BALLON
|
|
Impossible!
|
|
VON EBERKOPF
|
|
Witty, but a jest!
|
|
PEER [after a short silence, leaning on a chair and assuming a
|
|
dignified mien].
|
|
Come, gentlemen, I think it best
|
|
we part before the last remains
|
|
of friendship melt away like smoke.
|
|
Who nothing owns will lightly risk it.
|
|
When in the world one scarce commands
|
|
the strip of earth one's shadow covers,
|
|
one's born to serve as food for powder.
|
|
But when a man stands safely landed,
|
|
as I do, then his stake is greater.
|
|
Go you to Hellas. I will put you
|
|
ashore, and arm you gratis too.
|
|
The more you eke the flames of strife,
|
|
the better will it serve my purpose.
|
|
Strike home for freedom and for right!
|
|
Fight! storm! make hell hot for the Turks;-
|
|
and gloriously end your days
|
|
upon the Janissaries' lances.-
|
|
But I-excuse me-
|
|
[Slaps his pocket.]
|
|
I have cash,
|
|
and am myself, Sir Peter Gynt.
|
|
[Puts up his sunshade, and goes into the grove, where the hammocks
|
|
are partly visible.]
|
|
TRUMPETERSTRALE
|
|
The swinish cur!
|
|
MONSIEUR BALLON
|
|
No taste for glory-!
|
|
MR. COTTON
|
|
Oh, glory's neither here nor there;
|
|
but think of the enormous profits
|
|
we'd reap if Greece should free herself.
|
|
MONSIEUR BALLON
|
|
I saw myself a conqueror,
|
|
by lovely Grecian maids encircled.
|
|
TRUMPETERSTRALE
|
|
Grasped in my Swedish hands, I saw
|
|
the great, heroic spur-strap-buckles!
|
|
VON EBERKOPF
|
|
I my gigantic Fatherland's
|
|
culture saw spread o'er earth and sea-!
|
|
MR. COTTON
|
|
The worst's the loss in solid cash.
|
|
God dam! I scarce can keep from weeping!
|
|
I saw me owner of Olympus.
|
|
If to its fame the mountain answers,
|
|
there must be veins of copper in it,
|
|
that could be opened up again.
|
|
And furthermore, that stream Castalia,
|
|
which people talk so much about,
|
|
with fall on fall, at lowest reckoning,
|
|
must mean a thousand horse-power good-!
|
|
TRUMPETERSTRALE
|
|
Still I will go! My Swedish sword
|
|
is worth far more than Yankee gold!
|
|
MR. COTTON
|
|
Perhaps; but, jammed into the ranks,
|
|
amid the press we'd all be drowned;
|
|
and then where would the profit be?
|
|
MONSIEUR BALLON
|
|
Accurst! So near to fortune's summit,
|
|
and now stopped short beside its grave!
|
|
MR. COTTON [shakes his fist towards the yacht].
|
|
That long black chest holds coffered up
|
|
the nabob's golden nigger-sweat-!
|
|
VON EBERKOPF
|
|
A royal notion! Quick! Away!
|
|
It's all up with his empire now!
|
|
Hurrah!
|
|
MONSIEUR BALLON
|
|
What would you?
|
|
VON EBERKOPF
|
|
Seize the power!
|
|
The crew can easily be bought.
|
|
On board then! I annex the yacht!
|
|
MR. COTTON
|
|
You-what-?
|
|
VON EBERKOPF
|
|
I grab the whole concern!
|
|
[Goes down to the jolly-boat.]
|
|
MR. COTTON
|
|
Why then self-interest commands me
|
|
to grab my share.
|
|
[Goes after him.]
|
|
TRUMPETERSTRALE
|
|
What scoundrelism!
|
|
MONSIEUR BALLON
|
|
A scurvy business-but-enfin!
|
|
[Follows the others.]
|
|
TRUMPETERSTRALE
|
|
I'll have to follow, I suppose,-
|
|
but I protest to all the world-!
|
|
[Follows.]
|
|
SCENE SECOND
|
|
[Another part of the coast. Moonlight with drifting clouds. The
|
|
yacht is seen far out, under full steam.]
|
|
[PEER GYNT comes running along the beach; now pinching his arms, now
|
|
gazing out to sea.]
|
|
PEER
|
|
A nightmare!-Delusion!-I'll soon be awake!
|
|
She's standing to sea! And at furious speed!-
|
|
Mere delusion! I'm sleeping! I'm dizzy and drunk!
|
|
[Clenches his hands.]
|
|
It's not possible I should be going to die!
|
|
[Tearing his hair.]
|
|
A dream! I'm determined it shall be a dream!
|
|
Oh, horror! It's only too real, worse luck!
|
|
My brute-beasts of friends-! Do but hear me, oh Lord!
|
|
Since thou art so wise and so righteous-! Oh judge-!
|
|
[With upstretched arms.]
|
|
It is I, Peter Gynt! Oh, Lord, give but heed!
|
|
Hold thy hand o'er me, Father; or else I must perish!
|
|
Make them back the machine! Make them lower the gig!
|
|
Stop the robbers! Make something go wrong with the rigging!
|
|
Hear me! Let other folks' business lie over!
|
|
The world can take care of itself for the time!
|
|
I'm blessed if he hears me! He's deaf as his wont is!
|
|
Here's a nice thing! A God that is bankrupt of help!
|
|
[Beckons upwards.]
|
|
Hist! I've abandoned the nigger-plantation!
|
|
And missionaries I've exported to Asia!
|
|
Surely one good turn should be worth another!
|
|
Oh, help me on board-!
|
|
[A jet of fire shoots into the air from the yacht, followed by thick
|
|
clouds of smoke; a hollow report is heard. PEER GYNT utters a
|
|
shriek, and sinks down on the sands. Gradually the smoke clears
|
|
away; the ship has disappeared.]
|
|
PEER [softly, with a pale face].
|
|
That's the sword of wrath!
|
|
In a crack to the bottom, every soul, man and mouse!
|
|
Oh, for ever blest be the lucky chance-
|
|
[With emotion.]
|
|
A chance? No, no, it was more than chance.
|
|
I was to be rescued and they to perish.
|
|
Oh, thanks and praise for that thou hast kept me,
|
|
hast cared for me, spite of all my sins!-
|
|
[Draws a deep breath.]
|
|
What a marvellous feeling of safety and peace
|
|
it gives one to know oneself specially shielded!
|
|
But the desert! What about, food and drink?
|
|
Oh, something I'm sure to find. He'll see to that.
|
|
There's no cause for alarm;-
|
|
[Loud and insinuatingly.]
|
|
He would never allow
|
|
a poor little sparrow like me to perish!
|
|
Be but lowly of spirit. And give him time.
|
|
Leave it all in the Lord's hands; and don't be cast down.-
|
|
[With a start of terror.]
|
|
Can that be a lion that growled in the reeds-?
|
|
[His teeth chattering.]
|
|
No, it wasn't a lion.
|
|
[Mustering up courage.]
|
|
A lion, forsooth!
|
|
Those beasts, they'll take care to keep out of the way.
|
|
They know it's no joke to fall foul of their betters.
|
|
They have instinct to guide them;-they feel, what's a fact,
|
|
that it's dangerous playing with elephants.-
|
|
But all the same-. I must find a tree.
|
|
There's a grove of acacias and palms over there;
|
|
if I once can climb up, I'll be sheltered and safe,-
|
|
most of all if I knew but a psalm or two.
|
|
[Clambers up.]
|
|
Morning and evening are not alike;
|
|
that text has been oft enough weighed and pondered.
|
|
[Seats himself comfortably.]
|
|
How blissful to feel so uplifted in spirit.
|
|
To think nobly is more than to know oneself rich.
|
|
Only trust in Him. He knows well what share
|
|
of the chalice of need I can bear to drain.
|
|
He takes fatherly thought for my personal weal;-
|
|
[Casts a glance over the sea, and whispers with a sigh:]
|
|
but economical-no, that he isn't!
|
|
SCENE THIRD
|
|
[Night. An encampment of Moroccan troops on the edge of the
|
|
desert. Watchfires, with SOLDIERS resting by them.]
|
|
A SLAVE [enters, tearing his hair].
|
|
Gone is the Emperor's milk-white charger!
|
|
ANOTHER SLAVE [enters, rending his garments].
|
|
The Emperor's sacred robes are stolen!
|
|
AN OFFICER [enters].
|
|
A hundred stripes upon the foot-soles
|
|
for all who fail to catch the robber!
|
|
[The troopers mount their horses, and gallop away in every
|
|
direction.]
|
|
SCENE FOURTH
|
|
[Daybreak. The grove of acacias and palms.]
|
|
[PEER GYNT in his tree with a broken branch in his hand, trying to
|
|
beat off a swarm of monkeys.]
|
|
PEER
|
|
Confound it! A most disagreeable night.
|
|
[Laying about him.]
|
|
Are you there again? This is most accursed!
|
|
Now they're throwing fruit. No, it's something else.
|
|
A loathsome beast is your Barbary ape!
|
|
The Scripture says: Thou shalt watch and fight.
|
|
But I'm blest if I can; I am heavy and tired.
|
|
[Is again attacked; impatiently:]
|
|
I must put a stopper upon this nuisance!
|
|
I must see and get hold of one of these scamps,
|
|
get him hung and skinned, and then dress myself up,
|
|
as best I may, in his shaggy hide,
|
|
that the others may take me for one of themselves.-
|
|
What are we mortals? Motes, no more;
|
|
and it's wisest to follow the fashion a bit.-
|
|
Again a rabble! They throng and swarm.
|
|
Off with you! Shoo! They go on as though crazy.
|
|
If only I had a false tail to put on now,-
|
|
only something to make me a bit like a beast.-
|
|
What now? There's a pattering over my head-!
|
|
[Looks up.]
|
|
It's the grandfather ape,-with his fists full of filth-!
|
|
[Huddles together apprehensively, and keeps still for a while. The
|
|
ape makes a motion; PEER GYNT begins coaxing and wheedling him, as
|
|
he might a dog.]
|
|
Ay,-are you there, my good old Bus!
|
|
He's a good beast, he is! He will listen to reason!
|
|
He wouldn't throw;-I should think not, indeed!
|
|
It is me! Pip-pip! We are first-rate friends!
|
|
Ai-ai! Don't you hear, I can talk your language?
|
|
Bus and I, we are kinsfolk, you see;-
|
|
Bus shall have sugar to-morrow-! The beast!
|
|
The whole cargo on top of me! Ugh, how disgusting!-
|
|
Or perhaps it was food? 'Twas in taste-indefinable;
|
|
and taste's for the most part a matter of habit.
|
|
What thinker is it who somewhere says:
|
|
You must spit and trust to the force of habit?-
|
|
Now here come the small-fry!
|
|
[Hits and slashes around him.]
|
|
It's really too bad
|
|
that man, who by rights is the lord of creation,
|
|
should find himself forced to-! O murder! murder!
|
|
the old one was bad, but the youngsters are worse!
|
|
SCENE FIFTH
|
|
[Early morning. A stony region, with a view out over the desert.
|
|
On one side a cleft in the hill, and a cave.]
|
|
[A THIEF and a RECEIVER hidden in the cleft, with the Emperor's
|
|
horse and robes. The horse, richly caparisoned, is tied to a stone.
|
|
Horsemen are seen afar off.]
|
|
THE THIEF
|
|
The tongues of the lances
|
|
all flickering and flashing,-
|
|
see, see!
|
|
THE RECEIVER
|
|
Already my head seems
|
|
to roll on the sand-plain!
|
|
Woe, woe!
|
|
THE THIEF [folds his arms over his breast].
|
|
My father he thieved;
|
|
so his son must be thieving.
|
|
THE RECEIVER
|
|
My father received;
|
|
so his son keeps receiving.
|
|
THE THIEF
|
|
Thy lot shalt thou bear still;
|
|
thyself shalt thou be still.
|
|
THE RECEIVER [listening].
|
|
Steps in the brushwood!
|
|
Flee, flee! But where?
|
|
THE THIEF
|
|
The cavern is deep,
|
|
and the Prophet great!
|
|
[They make off, leaving the booty behind them. The horsemen
|
|
gradually disappear in the distance.]
|
|
PEER GYNT [enters, cutting a reed whistle].
|
|
What a delectable morning-tide!-
|
|
The dung-beetle's rolling his ball in the dust;
|
|
the snail creeps out of his dwelling-house.
|
|
The morning; ay, it has gold in its mouth.-
|
|
It's a wonderful power, when you think of it,
|
|
that Nature has given to the light of day.
|
|
One feels so secure, and so much more courageous,-
|
|
one would gladly, at need, take a bull by the horns.-
|
|
What a stillness all round! Ah, the joys of Nature,-
|
|
strange enough I should never have prized them before.
|
|
Why go and imprison oneself in a city,
|
|
for no end but just to be bored by the mob.-
|
|
just look how the lizards are whisking about,
|
|
snapping, and thinking of nothing at all.
|
|
What innocence ev'n in the life of the beasts!
|
|
Each fulfils the Creator's behest unimpeachably,
|
|
preserving its own special stamp undefaced;
|
|
is itself, is itself, both in sport and in strife,
|
|
itself, as it was at his primal: Be!
|
|
[Puts on his eye-glasses.]
|
|
A toad. In the middle of a sandstone block.
|
|
Petrifaction all round him. His head alone peering.
|
|
There he's sitting and gazing as though through a window
|
|
at the world, and is-to himself enough.-
|
|
[Reflectively.]
|
|
Enough? To himself-? Where is it that's written?
|
|
I've read it, in youth, in some so-called classic.
|
|
In the family prayer-book? Or Solomon's Proverbs?
|
|
Alas, I notice that, year by year,
|
|
my memory for dates and for places is fading.
|
|
[Seats himself in the shade.]
|
|
Here's a cool spot to rest and to stretch out one's feet.
|
|
Why, look, here are ferns growing-edible roots.
|
|
[Eats a little.]
|
|
'Twould be fitter food for an animal-
|
|
but the text says: Bridle the natural man!
|
|
Furthermore it is written: The proud shall be humbled,
|
|
and whoso abaseth himself, exalted.
|
|
[Uneasily.]
|
|
Exalted? Yes, that's what will happen with me;-
|
|
no other result can so much as be thought of.
|
|
Fate will assist me away from this place,
|
|
and arrange matters so that I get a fresh start.
|
|
This is only a trial; deliverance will follow,-
|
|
if only the Lord lets me keep my health.
|
|
[Dismisses his misgivings, lights a cigar, stretches himself, and
|
|
gazes out over the desert.]
|
|
What an enormous, limitless waste!-
|
|
Far in the distance an ostrich is striding.-
|
|
What can one fancy was really God's
|
|
meaning in all of this voidness and deadness?
|
|
This desert, bereft of all sources of life;
|
|
this burnt-up cinder, that profits no one;
|
|
this patch of the world, that for ever lies fallow;
|
|
this corpse, that never, since earth's creation,
|
|
has brought its Maker so much as thanks,-
|
|
why was it created?-How spendthrift is Nature!-
|
|
Is that sea in the east there, that dazzling expanse
|
|
all gleaming? It can't be; 'tis but a mirage.
|
|
The sea's to the west; it lies piled up behind me,
|
|
dammed out from the desert by a sloping ridge.
|
|
[A thought flashes through his mind.]
|
|
Dammed out? Then I could-? The ridge is narrow.
|
|
Dammed out? It wants but a gap, a canal,-
|
|
like a flood of life would the waters rush
|
|
in through the channel, and fill the desert!
|
|
Soon would the whole of yon red-hot grave
|
|
spread forth, a breezy and rippling sea.
|
|
The oases would rise in the midst, like islands;
|
|
Atlas would tower in green cliffs on the north;
|
|
sailing-ships would, like stray birds on the wing,
|
|
skim to the south, on the caravans' track.
|
|
Life-giving breezes would scatter the choking
|
|
vapours, and dew would distil from the clouds.
|
|
People would build themselves town on town,
|
|
and grass would grow green round the swaying palm-trees.
|
|
The southland, behind the Sahara's wall,
|
|
would make a new seaboard for civilisation.
|
|
Steam would set Timbuctoo's factories spinning;
|
|
Bornu would be colonised apace;
|
|
the naturalist would pass safely through Habes
|
|
in his railway-car to the Upper Nile.
|
|
In the midst of my sea, on a fat oasis,
|
|
I will replant the Norwegian race;
|
|
the Dalesman's blood is next door to royal;
|
|
Arabic crossing will do the rest.
|
|
Skirting a bay, on a shelving strand,
|
|
I'll build the chief city, Peeropolis.
|
|
The world is decrepit! Now comes the turn
|
|
of Gyntiana, my virgin land!
|
|
[Springs up.]
|
|
Had I but capital, soon 'twould be done.-
|
|
A gold key to open the gate of the sea!
|
|
A crusade against Death! The close-fisted old churl
|
|
shall open the sack he lies brooding upon.
|
|
Men rave about freedom in every land;-
|
|
like the ass in the ark, I will send out a cry
|
|
o'er the world, and will baptise to liberty
|
|
the beautiful, thrall-bounden coasts that shall be.
|
|
I must on! To find capital, eastward or west!
|
|
My kingdom-well, half of it, say-for a horse!
|
|
[The horse in the cleft neighs.]
|
|
A horse! Ay, and robes!-jewels too,-and a sword!
|
|
[Goes closer.]
|
|
It can't be! It is though-! But how? I have read,
|
|
I don't quite know where, that the will can move mountains;-
|
|
but how about moving a horse as well-?
|
|
Pooh! Here stands the horse, that's a matter of fact;
|
|
for the rest, why, ab esse ad posse, et cetera.
|
|
[Puts on the dress and looks down at it.]
|
|
Sir Peter-a Turk, too, from top to toe!
|
|
Well, one never knows what may happen to one.-
|
|
Gee-up, now, Grane, my trusty steed!
|
|
[Mounts the horse.]
|
|
Gold-slipper stirrups beneath my feet!-
|
|
You may know the great by their riding-gear!
|
|
[Gallops off into the desert.]
|
|
SCENE SIXTH
|
|
[The tent of an Arab chief, standing alone on an oasis.]
|
|
[PEER GYNT, in his Eastern dress, resting on cushions. He is
|
|
drinking coffee, and smoking a long pipe. ANITRA, and a bevy of
|
|
GIRLS, dancing and singing before him.]
|
|
CHORUS OF GIRLS
|
|
The Prophet is come!
|
|
The Prophet, the Lord, the All-Knowing One,
|
|
to us, to us is he come,
|
|
o'er the sand-ocean riding!
|
|
The Prophet, the Lord, the Unerring One,
|
|
to us, to us is he come,
|
|
o'er the sand-ocean sailing!
|
|
Wake the flute and the drum!
|
|
The Prophet, the Prophet is come!
|
|
ANITRA
|
|
His courser is white as the milk is
|
|
that streams in the rivers of Paradise.
|
|
Bend every knee! Bow every head!
|
|
His eyes are as bright-gleaming, mild-beaming stars.
|
|
Yet none earth-born endureth
|
|
the rays of those stars in their blinding splendour!
|
|
Through the desert he came.
|
|
Gold and pearl-drops sprang forth on his breast.
|
|
Where he rode there was light.
|
|
Behind him was darkness;
|
|
behind him raged drought and the simoom.
|
|
He, the glorious one, came!
|
|
Through the desert he came,
|
|
like a mortal apparelled.
|
|
Kaaba, Kaaba stands void;-
|
|
he himself hath proclaimed it!
|
|
THE CHORUS OF GIRLS
|
|
Wake the flute and the drum!
|
|
The Prophet, the Prophet is come!
|
|
[They continue the dance, to soft music.]
|
|
PEER
|
|
I have read it in print-and the saying is true-
|
|
that no one's a prophet in his native land.-
|
|
This position is very much more to my mind
|
|
than my life over there 'mong the Charleston merchants.
|
|
There was something hollow in the whole affair,
|
|
something foreign at the bottom, something dubious behind it;-
|
|
I was never at home in their company,
|
|
nor felt myself really one of the guild.
|
|
What tempted me into that galley at all?
|
|
To grub and grub in the bins of trade-
|
|
as I think it all over, I can't understand it;-
|
|
it happened so; that's the whole affair.-
|
|
To be oneself on a basis of gold
|
|
is no better than founding one's house on the sand.
|
|
For your watch, and your ring, and the rest of your trappings
|
|
the good people fawn on you, grovelling to earth;
|
|
they lift their hats to your jewelled breast-pin;
|
|
but your ring and your breast-pin are not your person.-
|
|
A prophet; ay, that is a clearer position.
|
|
At least one knows on what footing one stands.
|
|
If you make a success, it's yourself that receives
|
|
the ovation, and not your pounds-sterling and shillings.
|
|
One is what one is, and no nonsense about it;
|
|
one owes nothing to chance or to accident,
|
|
and needs neither licence nor patent to lean on.-
|
|
A prophet; ay, that is the thing for me.
|
|
And I slipped so utterly unawares into it,-
|
|
just by coming galloping over the desert,
|
|
and meeting these children of nature en route.
|
|
The Prophet had come to them; so much was clear.
|
|
It was really not my intent to deceive-
|
|
there's a difference 'twixt lies and oracular answers;
|
|
and then I can always withdraw again.
|
|
I'm in no way bound; it's a simple matter-;
|
|
the whole thing is private, so to speak;
|
|
I can go as I came; there's my horse ready saddled;
|
|
I am master, in short, of the situation.
|
|
ANITRA [approaching from the tent-door].
|
|
Prophet and Master!
|
|
PEER
|
|
What would my slave?
|
|
ANITRA
|
|
The sons of the desert await at thy tent-door;
|
|
they pray for the light of thy countenance-
|
|
PEER
|
|
Stop!
|
|
Say in the distance I'd have them assemble;
|
|
say from the distance I hear all their prayers.
|
|
Add that I suffer no menfolk in here!
|
|
Men, my child, are a worthless crew,-
|
|
inveterate rascals you well may call them!
|
|
Anitra, you can't think how shamelessly
|
|
they have swind-I mean they have sinned, my child!-
|
|
Well, enough now of that; you may dance for me, damsels!
|
|
The Prophet would banish the memories that gall him.
|
|
THE GIRLS [dancing].
|
|
The Prophet is good! The Prophet is grieving
|
|
for the ill that the sons of the dust have wrought!
|
|
The Prophet is mild; to his mildness be praises;
|
|
he opens to sinners his Paradise!
|
|
PEER [his eyes following ANITRA during the dance].
|
|
Legs as nimble as drumsticks flitting.
|
|
She's a dainty morsel indeed, that wench!
|
|
It's true she has somewhat extravagant contours,-
|
|
not quite in accord with the norms of beauty.
|
|
But what is beauty? A mere convention,-
|
|
a coin made current by time and place.
|
|
And just the extravagant seems most attractive
|
|
when one of the normal has drunk one's fill.
|
|
In the law-bound one misses all intoxication.
|
|
Either plump to excess or excessively lean;
|
|
either parlously young or portentously old;-
|
|
the medium is mawkish.-
|
|
Her feet-they are not altogether clean;
|
|
no more are her arms; in especial one of them.
|
|
But that is at bottom no drawback at all.
|
|
I should rather call it a qualification-
|
|
Anitra, come listen!
|
|
ANITRA [approaching].
|
|
Thy handmaiden hears!
|
|
PEER
|
|
You are tempting, my daughter! The Prophet is touched.
|
|
If you don't believe me, then hear the proof;-
|
|
I'll make you a Houri in Paradise!
|
|
ANITRA
|
|
Impossible, Lord!
|
|
PEER
|
|
What? You think I am jesting?
|
|
I'm in sober earnest, as true as I live!
|
|
ANITRA
|
|
But I haven't a soul.
|
|
PEER
|
|
Then of course you must get one!
|
|
ANITRA
|
|
How, Lord?
|
|
PEER
|
|
Just leave me alone for that;-
|
|
I shall look after your education.
|
|
No soul? Why, truly you're not over bright,
|
|
as the saying goes. I've observed it with pain.
|
|
But pooh! for a soul you can always find room.
|
|
Come here! let me measure your brain-pan, child.-
|
|
There is room, there is room, I was sure there was.
|
|
It's true you never will penetrate
|
|
very deep; to a large soul you'll scarcely attain-
|
|
but never you mind; it won't matter a bit;-
|
|
you'll have plenty to carry you through with credit-
|
|
ANITRA
|
|
The Prophet is gracious-
|
|
PEER
|
|
You hesitate? Speak!
|
|
ANITRA
|
|
But I'd rather-
|
|
PEER
|
|
Say on; don't waste time about it!
|
|
ANITRA
|
|
I don't care so much about having a soul;-
|
|
give me rather-
|
|
PEER
|
|
What, child?
|
|
ANITRA [pointing to his turban].
|
|
That lovely opal
|
|
PEER [enchanted, handing her the jewel].
|
|
Anitra! Anitra! true daughter of Eve!
|
|
I feel thee magnetic; for I am a man.
|
|
And, as a much-esteemed author has phrased it:
|
|
"Das Ewig-Weibliche ziehet uns an!"
|
|
SCENE SEVENTH
|
|
[A moonlight night. The palm-grove outside ANITRA'S tent.]
|
|
[PEER GYNT is sitting beneath a tree, with an Arabian lute in his
|
|
hands. His beard and hair are clipped; he looks considerably younger.]
|
|
PEER GYNT [plays and sings].
|
|
I double-locked my Paradise,
|
|
and took its key with me.
|
|
The north-wind bore me seaward ho!
|
|
while lovely women all forlorn
|
|
wept on the ocean strand.
|
|
Still southward, southward clove my keel
|
|
the salt sea-currents through.
|
|
Where palms were swaying proud and fair,
|
|
a garland round the ocean-bight,
|
|
I set my ship afire.
|
|
I climbed aboard the desert ship,
|
|
a ship on four stout legs.
|
|
It foamed beneath the lashing whip-
|
|
oh, catch me; I'm a flitting bird;-
|
|
I'm twittering on a bough!
|
|
Anitra, thou'rt the palm-tree's must;
|
|
that know I now full well!
|
|
Ay, even the Angora goat-milk cheese
|
|
is scarcely half such dainty fare,
|
|
Anitra, ah, as thou!
|
|
[He hangs the lute over his shoulder, and comes forward.]
|
|
Stillness! Is the fair one listening?
|
|
Has she heard my little song?
|
|
Peeps she from behind the curtain,
|
|
veil and so forth cast aside?-
|
|
Hush! A sound as though a cork
|
|
from a bottle burst amain!
|
|
Now once more! And yet again!
|
|
Love-sighs can it be? or songs?-
|
|
No, it is distinctly snoring.-
|
|
Dulcet strain! Anitra sleepeth!
|
|
Nightingale, thy warbling stay!
|
|
Every sort of woe betide thee,
|
|
if with gurgling trill thou darest-
|
|
but, as says the text: Let be!
|
|
Nightingale, thou art a singer;
|
|
ah, even such an one am I.
|
|
He, like me, ensnares with music
|
|
tender, shrinking little hearts.
|
|
Balmy night is made for music;
|
|
music is our common sphere;
|
|
in the act of singing, we are
|
|
we, Peer Gynt and nightingale.
|
|
And the maiden's very sleeping
|
|
is my passion's crowning bliss;-
|
|
for the lips protruded o'er the
|
|
beaker yet untasted quite-
|
|
but she's coming, I declare!
|
|
After all, it's best she should.
|
|
ANITRA [from the tent].
|
|
Master, call'st thou in the night?
|
|
PEER
|
|
Yes indeed, the Prophet calls.
|
|
I was wakened by the cat
|
|
with a furious hunting-hubbub-
|
|
ANITRA
|
|
Ah, not hunting-noises, Master;
|
|
it was something much, much worse.
|
|
PEER
|
|
What, then, was't?
|
|
ANITRA
|
|
Oh, spare me!
|
|
PEER
|
|
Speak.
|
|
ANITRA
|
|
Oh, I blush to-
|
|
PEER [approaching].
|
|
Was it, mayhap,
|
|
that which filled me so completely
|
|
when I let you have my opal?
|
|
ANITRA [horrified].
|
|
Liken thee, O earth's great treasure,
|
|
to a horrible old cat!
|
|
PEER
|
|
Child, from passion's standpoint viewed,
|
|
may a tom-cat and a prophet
|
|
come to very much the same.
|
|
ANITRA
|
|
Master, jest like honey floweth
|
|
from thy lips.
|
|
PEER
|
|
My little friend,
|
|
you, like other maidens, judge
|
|
great men by their outsides only.
|
|
I am full of jest at bottom,
|
|
most of all when we're alone.
|
|
I am forced by my position
|
|
to assume a solemn mask.
|
|
Duties of the day constrain me;
|
|
all the reckonings and worry
|
|
that I have with one and all,
|
|
make me oft a cross-grained prophet;
|
|
but it's only from the tongue out.-
|
|
Fudge, avaunt! En tete-a-tete
|
|
I'm Peer-well, the man I am.
|
|
Hei, away now with the prophet;
|
|
me, myself, you have me here!
|
|
[Seats himself under a tree, and draws her to him.]
|
|
Come, Anitra, we will rest us
|
|
underneath the palm's green fan-shade!
|
|
I'll lie whispering, you'll lie smiling;
|
|
afterwards our roles exchange we;
|
|
then shall your lips, fresh and balmy,
|
|
to my smiling, passion whisper!
|
|
ANITRA [lies down at his feet].
|
|
All thy words are sweet as singing,
|
|
though I understand but little.
|
|
Master, tell me, can thy daughter
|
|
catch a soul by listening?
|
|
PEER
|
|
Soul, and spirit's light and knowledge,
|
|
all in good time you shall have them.
|
|
When in east, on rosy streamers
|
|
golden types print: Here is day,-
|
|
then, my child, I'll give you lessons;
|
|
you'll be well brought-up, no fear.
|
|
But, 'mid night's delicious stillness,
|
|
it were stupid if I should,
|
|
with a threadbare wisdom's remnants,
|
|
play the part of pedagogue.-
|
|
And the soul, moreover, is not,
|
|
looked at properly, the main thing.
|
|
It's the heart that really matters.
|
|
ANITRA
|
|
Speak, O Master! When thou speakest,
|
|
I see gleams, as though of opals!
|
|
PEER
|
|
Wisdom in extremes is folly;
|
|
coward blossoms into tyrant;
|
|
truth, when carried to excess,
|
|
ends in wisdom written backwards.
|
|
Ay, my daughter, I'm forsworn
|
|
as a dog if there are not
|
|
folk with o'erfed souls on earth
|
|
who shall scarce attain to clearness.
|
|
Once I met with such a fellow,
|
|
of the flock the very flower;
|
|
and even he mistook his goal,
|
|
losing sense in blatant sound.-
|
|
See the waste round this oasis.
|
|
Were I but to swing my turban,
|
|
I could force the ocean-flood
|
|
to fill up the whole concern.
|
|
But I were a blockhead, truly,
|
|
seas and lands to go creating.
|
|
Know you what it is to live?
|
|
ANITRA
|
|
Teach me!
|
|
PEER
|
|
It is to be wafted
|
|
dry-shod down the stream of time,
|
|
wholly, solely as oneself.
|
|
Only in full manhood can I
|
|
be the man I am, dear child!
|
|
Aged eagle moults his plumage,
|
|
aged fogey lags declining,
|
|
aged dame has ne'er a tooth left,
|
|
aged churl gets withered hands,-
|
|
one and all get souls.
|
|
Youth! Ah, youth! I mean to reign,
|
|
as a sultan, whole and fiery,-
|
|
not on Gyntiana's shores,
|
|
under trellised vines and palm-leaves,-
|
|
but enthroned in the freshness
|
|
of a woman's virgin thoughts.-
|
|
See you now, my little maiden,
|
|
why I've graciously bewitched you,-
|
|
why I have your heart selected,
|
|
and established, so to speak,
|
|
there my being's Caliphate?
|
|
All your longings shall be mine.
|
|
I'm an autocrat in passion!
|
|
You shall live for me alone.
|
|
I'll be he who shall enthrall
|
|
you like gold and precious stones.
|
|
Should we part, then life is over,-
|
|
that is, your life, nota bene!
|
|
Every inch and fibre of you,
|
|
will-less, without yea or nay,
|
|
I must know filled full of me.
|
|
Midnight beauties of your tresses,
|
|
all that's lovely to be named,
|
|
shall, like Babylonian gardens,
|
|
tempt your Sultan to his tryst.
|
|
After all, I don't complain, then,
|
|
of your empty forehead-vault.
|
|
With a soul, one's oft absorbed in
|
|
contemplation of oneself.
|
|
Listen, while we're on the subject,-
|
|
if you like it, faith, you shall
|
|
have a ring about your ankle:-
|
|
'twill be best for both of us.
|
|
I will be your soul by proxy;
|
|
for the rest-why, status quo.
|
|
[ANITRA snores.]
|
|
What! She sleeps! Then has it glided
|
|
bootless past her, all I've said?-
|
|
No; it marks my influence o'er her
|
|
that she floats away in dreams
|
|
on my love-talk as it flows.
|
|
[Rises, and lays trinkets in her lap.]
|
|
Here are jewels! Here are more!
|
|
Sleep, Anitra! Dream of Peer-.
|
|
Sleep! In sleeping, you the crown have
|
|
placed upon your Emperor's brow!
|
|
Victory on his Person's basis
|
|
has Peer Gynt this night achieved.
|
|
SCENE EIGHTH
|
|
[A caravan route. The oasis is seen far off in the background.]
|
|
[PEER GYNT comes galloping across the desert on his white horse,
|
|
with ANITRA before him on his saddle-bow.]
|
|
ANITRA
|
|
Let be, or I'll bite you!
|
|
PEER
|
|
You little rogue!
|
|
ANITRA
|
|
What would you?
|
|
PEER
|
|
What would I? Play hawk and dove!
|
|
Run away with you! Frolic and frisk a bit!
|
|
ANITRA
|
|
For shame! An old prophet like you-!
|
|
PEER
|
|
Oh, stuff!
|
|
The prophet's not old at all, you goose!
|
|
Do you think all this is a sign of age?
|
|
ANITRA
|
|
Let me go! I want to go home!
|
|
PEER
|
|
Coquette!
|
|
What, home! To father-in-law! That would be fine!
|
|
We madcap birds that have flown from the cage
|
|
must never come into his sight again.
|
|
Besides, my child, in the self-same place
|
|
it's wisest never to stay too long;
|
|
for familiarity lessens respect;-
|
|
most of all when one comes as a prophet or such.
|
|
One should show oneself glimpse-wise, and pass like a dream.
|
|
Faith, 'twas time that the visit should come to an end.
|
|
They're unstable of soul, are these sons of the desert;-
|
|
both incense and prayers dwindled off towards the end.
|
|
ANITRA
|
|
Yes, but are you a prophet?
|
|
PEER
|
|
Your Emperor I am!
|
|
[Tries to kiss her.]
|
|
Why just see now how coy the wee woodpecker is!
|
|
ANITRA
|
|
Give me that ring that you have on your finger.
|
|
PEER
|
|
Take, sweet Anitra, the whole of the trash!
|
|
ANITRA
|
|
Thy words are as songs! Oh, how dulcet their sound!
|
|
PEER
|
|
How blessed to know oneself loved to this pitch!
|
|
I'll dismount! Like your slave, I will lead your palfrey!
|
|
[Hands her his riding-whip, and dismounts.]
|
|
There now, my rosebud, my exquisite flower!
|
|
Here I'll go trudging my way through the sand,
|
|
till a sunstroke o'ertakes me and finishes me.
|
|
I'm young, Anitra; bear that in mind!
|
|
You mustn't be shocked at my escapades.
|
|
Frolics and high-jinks are youth's sole criterion!
|
|
And so, if your intellect weren't so dense,
|
|
you would see at a glance, oh my fair oleander,-
|
|
your lover is frolicsome-ergo, he's young!
|
|
ANITRA
|
|
Yes, you are young. Have you any more rings?
|
|
PEER
|
|
Am I not? There, grab! I can leap like a buck!
|
|
Were there vine-leaves around, I would garland my brow.
|
|
To be sure I am young! Hei, I'm going to dance!
|
|
[Dances and sings.]
|
|
I am a blissful game-cock!
|
|
Peck me, my little pullet!
|
|
Hop-sa-sa! Let me trip it;-
|
|
I am a blissful game-cock!
|
|
ANITRA
|
|
You are sweating, my prophet; I fear you will melt;-
|
|
hand me that heavy bag hung at your belt.
|
|
PEER
|
|
Tender solicitude! Bear the purse ever;-
|
|
hearts that can love are content without gold!
|
|
[Dances and sings again.]
|
|
Young Peer Gynt is the maddest wag;-
|
|
he knows not what foot he shall stand upon.
|
|
Pooh, says Peer;-pooh, never mind!
|
|
Young Peer Gynt is the maddest wag!
|
|
ANITRA
|
|
What joy when the Prophet steps forth in the dance!
|
|
PEER
|
|
Oh, bother the Prophet!-Suppose we change clothes!
|
|
Heisa! Strip off!
|
|
ANITRA
|
|
Your caftan were too long,
|
|
your girdle too wide, and your stockings too tight-
|
|
PEER
|
|
Eh bien!
|
|
[Kneels down.]
|
|
But vouchsafe me a vehement sorrow-,-
|
|
to a heart full of love, it is sweet to suffer!
|
|
Listen; as soon as we're home at my castle-
|
|
ANITRA
|
|
In your Paradise;-have we far to ride?
|
|
PEER
|
|
Oh, a thousand miles or-
|
|
ANITRA
|
|
Too far!
|
|
PEER
|
|
Oh, listen;-
|
|
you shall have the soul that I promised you once-
|
|
ANITRA
|
|
Oh, thank you; I'll get on without the soul.
|
|
But you asked for a sorrow-
|
|
PEER [rising].
|
|
Ay, curse me, I did!
|
|
A keen one, but short,-to last two or three days!
|
|
ANITRA
|
|
Anitra obeyeth the Prophet!-Farewell!
|
|
[Gives him a smart cut across the fingers, and dashes off, at a
|
|
tearing gallop, back across the desert.]
|
|
PEER [stands for a long time thunderstruck].
|
|
Well now, may I be-!
|
|
SCENE NINTH
|
|
[The same place, an hour later.]
|
|
[PEER GYNT is stripping off his Turkish costume; soberly and
|
|
thoughtfully, bit by bit. Last of all, he takes his little
|
|
travelling-cap out of his coat-pocket, puts it on, and stands once
|
|
more in European dress.]
|
|
PEER GYNT [throwing the turban far away from him].
|
|
There lies the Turk, then, and here stand I!-
|
|
These heathenish doings are no sort of good.
|
|
It's lucky 'twas only a matter of clothes,
|
|
and not, as the saying goes, bred in the bone.-
|
|
What tempted me into that galley at all?
|
|
It's best, in the long run, to live as a Christian,
|
|
to put away peacock-like ostentation,
|
|
to base all one's dealings on law and morality,
|
|
to be ever oneself, and to earn at the last
|
|
speech at one's grave-side, and wreaths on one's coffin.
|
|
[Walks a few steps.]
|
|
The hussy;-she was on the very verge
|
|
of turning my head clean topsy-turvy.
|
|
May I be a troll if I understand
|
|
what it was that dazed and bemused me so.
|
|
Well; it's well that's done: had the joke been carried
|
|
but one step on, I'd have looked absurd.-
|
|
I have erred;-but at least it's a consolation
|
|
that my error was due to the false situation.
|
|
It wasn't my personal self that fell.
|
|
'Twas in fact this prophetical way of life,
|
|
so utterly lacking the salt of activity,
|
|
that took its revenge in these qualms of bad taste.
|
|
It's a sorry business this prophetising!
|
|
One's office compels one to walk in a mist;
|
|
in playing the prophet, you throw up the game
|
|
the moment you act like a rational being.
|
|
In so far I've done what the occasion demanded,
|
|
in the mere fact of paying my court to that goose.
|
|
But, nevertheless-
|
|
[Bursts out laughing.]
|
|
Hm, to think of it now!
|
|
To try to make time stop by jigging and dancing,
|
|
and to cope with the current by capering and prancing!
|
|
To thrum on the lute-strings, to fondle and sigh,
|
|
and end, like a rooster,-by getting well plucked!
|
|
Such conduct is truly prophetic frenzy.-
|
|
Yes, plucked!-Phew! I'm plucked clean enough indeed.
|
|
Well, well, I've a trifle still left in reserve;
|
|
I've a little in America, a little in my pocket;
|
|
so I won't be quite driven to beg my bread.-
|
|
And at bottom this middle condition is best.
|
|
I'm no longer a slave to my coachman and horses;
|
|
I haven't to fret about postchaise or baggage;
|
|
I am master, in short, of the situation.-
|
|
What path should I choose? Many paths lie before me;
|
|
and a wise man is known from a fool by his choice.
|
|
My business life is a finished chapter;
|
|
my love-sports, too, are a cast-off garment.
|
|
I feel no desire to live back like a crab.
|
|
"Forward or back, and it's just as far;
|
|
out or in, and it's just as strait,"-
|
|
so I seem to have read in some luminous work.-
|
|
I'll try something new, then; ennoble my course;
|
|
find a goal worth the labour and money it costs.
|
|
Shall I write my life without dissimulation,-
|
|
a book for guidance and imitation?
|
|
Or stay-! I have plenty of time at command;-
|
|
what if, as a travelling scientist,
|
|
I should study past ages and time's voracity?
|
|
Ay, sure enough; that is the thing for me!
|
|
Legends I read e'en in childhood's days,
|
|
and since then I've kept up that branch of learning.-
|
|
I will follow the path of the human race!
|
|
Like a feather I'll float on the stream of history,
|
|
make it all live again, as in a dream,-
|
|
see the heroes battling for truth and right,
|
|
as an onlooker only, in safety ensconced,-
|
|
see thinkers perish and martyrs bleed,
|
|
see empires founded and vanish away,-
|
|
see world-epochs grow from their trifling seeds;
|
|
in short, I will skim off the cream of history.-
|
|
I must try to get hold of a volume of Becker,
|
|
and travel as far as I can by chronology.-
|
|
It's true-my grounding's by no means thorough,
|
|
and history's wheels within wheels are deceptive;-
|
|
but pooh; the wilder the starting-point,
|
|
the result will oft be the more original.-
|
|
How exalting it is, now, to choose a goal,
|
|
and drive straight for it, like flint and steel!
|
|
[With quiet emotion.]
|
|
To break off all round one, on every side,
|
|
the bonds that bind one to home and friends,-
|
|
to blow into atoms one's hoarded wealth,-
|
|
to bid one's love and its joys good-night,-
|
|
all simply to find the arcana of truth,-
|
|
[Wiping a tear from his eye.]
|
|
that is the test of the true man of science!-
|
|
I feel myself happy beyond all measure.
|
|
Now I have fathomed my destiny's riddle.
|
|
Now 'tis but persevering through thick and thin!
|
|
It's excusable, sure, if I hold up my head,
|
|
and feel my worth, as the man, Peer Gynt,
|
|
also called Human-life's Emperor.-
|
|
I will own the sum-total of bygone days;
|
|
I'll nevermore tread in the paths of the living.
|
|
The present is not worth so much as a shoe-sole;
|
|
all faithless and marrowless the doings of men;
|
|
their soul has no wings and their deeds no weight;
|
|
[Shrugs his shoulders.]
|
|
and women,-ah, they are a worthless crew!
|
|
[Goes off.]
|
|
SCENE TENTH
|
|
[A summer day. Far up in the North. A hut in the forest. The door,
|
|
with a large wooden bar, stands open. Reindeer-horns over it. A
|
|
flock of goats by the wall of the hut.]
|
|
[A MIDDLE-AGED WOMAN, fair-haired and comely, sits spinning
|
|
outside in the sunshine.]
|
|
THE WOMAN [glances down the path, and sings].
|
|
Maybe both the winter and spring will pass by,
|
|
and the next summer too, and the whole of the year;-
|
|
but thou wilt come one day, that know I full well;
|
|
and I will await thee, as I promised of old.
|
|
[Calls the goats, and sings again.]
|
|
God strengthen thee, whereso thou goest in the world!
|
|
God gladden thee, if at his footstool thou stand!
|
|
Here will I await thee till thou comest again;
|
|
and if thou wait up yonder, then there we'll meet, my friend!
|
|
SCENE ELEVENTH
|
|
[In Egypt. Daybreak. MEMNON'S STATUE amid the sands.]
|
|
[PEER GYNT enters on foot, and looks around him for a while.]
|
|
PEER GYNT
|
|
Here I might fittingly start on my wanderings.-
|
|
So now, for a change, I've become an Egyptian;
|
|
but Egyptian on the basis of the Gyntish I.
|
|
To Assyria next I will bend my steps.
|
|
To begin right back at the world's creation
|
|
would lead to nought but bewilderment.
|
|
I will go round about all the Bible history;
|
|
its secular traces I'll always be coming on;
|
|
and to look, as the saying goes, into its seams,
|
|
lies entirely outside both my plan and my powers.
|
|
[Sits upon a stone.]
|
|
Now I will rest me, and patiently wait
|
|
till the statue has sung its habitual dawn-song.
|
|
When breakfast is over, I'll climb up the pyramid;
|
|
if I've time, I'll look through its interior afterwards.
|
|
Then I'll go round the head of the Red Sea by land;
|
|
perhaps I may hit on King Potiphar's grave.-
|
|
Next I'll turn Asiatic. In Babylon I'll seek for
|
|
the far-renowned harlots and hanging gardens,-
|
|
that's to say, the chief traces of civilisation.
|
|
Then at one bound to the ramparts of Troy.
|
|
From Troy there's a fareway by sea direct
|
|
across to the glorious ancient Athens;-
|
|
there on the spot will I, stone by stone,
|
|
survey the Pass that Leonidas guarded.
|
|
I will get up the works of the better philosophers,
|
|
find the prison where Socrates suffered, a martyr-;
|
|
oh no, by-the-bye-there's a war there at present-!
|
|
Well then, my Hellenism must even stand over.
|
|
[Looks at his watch.]
|
|
It's really too bad, such an age as it takes
|
|
for the sun to rise. I am pressed for time.
|
|
Well then, from Troy-it was there I left off-
|
|
[Rises and listens.]
|
|
What is that strange sort of murmur that's rushing-?
|
|
[Sunrise.]
|
|
MEMNON'S STATUE [sings].
|
|
From the demigod's ashes there soar, youth-renewing,
|
|
birds ever singing.
|
|
Zeus the Omniscient
|
|
shaped them contending
|
|
Owls of wisdom,
|
|
my birds, where do they slumber?
|
|
Thou must die if thou rede not
|
|
the song's enigma!
|
|
PEER
|
|
How strange now,-I really fancied there came
|
|
from the statue a sound. Music, this, of the Past.
|
|
I heard the stone-accents now rising, now sinking.-
|
|
I will register it, for the learned to ponder.
|
|
[Notes in his pocket-book.]
|
|
"The statue did sing. I heard the sound plainly,
|
|
but didn't quite follow the text of the song.
|
|
The whole thing, of course, was hallucination.-
|
|
Nothing else of importance observed to-day."
|
|
[Proceeds on his way.]
|
|
SCENE TWELFTH
|
|
[Near the village of Gizeh. The great SPHINX carved out of the rock.
|
|
In the distance the spires and minarets of Cairo.]
|
|
[PEER GYNT enters; he examines the SPHINX attentively, now through
|
|
his eyeglass, now through his hollowed hand.]
|
|
PEER GYNT
|
|
Now, where in the world have I met before
|
|
something half forgotten that's like this hobgoblin?
|
|
For met it I have, in the north or the south.
|
|
Was it a person? And, if so, who?
|
|
That Memnon, it afterwards crossed my mind,
|
|
was like the Old Men of the Dovre, so called,
|
|
just as he sat there, stiff and stark,
|
|
planted on end on the stumps of pillars.-
|
|
But this most curious mongrel here,
|
|
this changeling, a lion and woman in one,-
|
|
does he come to me, too, from a fairy-tale,
|
|
or from a remembrance of something real?
|
|
From a fairy-tale? Ho, I remember the fellow!
|
|
Why, of course it's the Boyg, that I smote on the skull,-
|
|
that is, I dreamt it,-I lay in fever.-
|
|
[Going closer.]
|
|
The self-same eyes, and the self-same lips;-
|
|
not quite so lumpish; a little more cunning;
|
|
but the same, for the rest, in all essentials.-
|
|
Ay, so that's it, Boyg; so you're like a lion
|
|
when one sees you from behind and meets you in the daytime!
|
|
Are you still good at riddling? Come, let us try.
|
|
Now we shall see if you answer as last time!
|
|
[Calls out towards the SPHINX.]
|
|
Hei, Boyg, who are you?
|
|
A VOICE [behind the SPHINX].
|
|
Ach, Sphinx, wer bist du?
|
|
PEER
|
|
What! Echo answers in German! How strange!
|
|
THE VOICE
|
|
Wer bist du?
|
|
PEER
|
|
It speaks it quite fluently too!
|
|
That observation is new, and my own.
|
|
[Notes in his book.]
|
|
"Echo in German. Dialect, Berlin."
|
|
[BEGRIFFENFELDT COMES OUT from behind the SPHINX.]
|
|
BEGRIFFENFELDT
|
|
A man!
|
|
PEER
|
|
Oh, then it was he that was chattering.
|
|
[Notes again.]
|
|
"Arrived in the sequel at other results."
|
|
BEGRIFFENFELDT [with all sorts of restless antics].
|
|
Excuse me, mein Herr-! Eine Lebensfrage-!
|
|
What brings you to this place precisely to-day?
|
|
PEER
|
|
A visit. I'm greeting a friend of my youth.
|
|
BEGRIFFENFELDT
|
|
What? The Sphinx-?
|
|
PEER [nods].
|
|
Yes, I knew him in days gone by.
|
|
BEGRIFFENFELDT
|
|
Famos!-And that after such a night!
|
|
My temples are hammering as though they would burst!
|
|
You know him, man! Answer! Say on! Can you tell
|
|
what he is?
|
|
PEER
|
|
What he is? Yes, that's easy enough.
|
|
He's himself.
|
|
BEGRIFFENFELDT [with a bound].
|
|
Ha, the riddle of life lightened forth
|
|
in a flash to my vision!-It's certain he is
|
|
himself?
|
|
PEER
|
|
Yes, he says so, at any rate.
|
|
BEGRIFFENFELDT
|
|
Himself! Revolution! thine hour is at hand!
|
|
[Takes off his hat.]
|
|
Your name, pray, mein Herr?
|
|
PEER
|
|
I was christened Peer Gynt.
|
|
BEGRIFFENFELDT [in rapt admiration].
|
|
Peer Gynt! Allegoric! I might have foreseen it.-
|
|
Peer Gynt? That must clearly imply: The Unknown,-
|
|
the Comer whose coming was foretold to me-
|
|
PEER
|
|
What, really? And now you are here to meet-?
|
|
BEGRIFFENFELDT
|
|
Peer Gynt! Profound! Enigmatic! Incisive!
|
|
Each word, as it were, an abysmal lesson!
|
|
What are you?
|
|
PEER [modestly].
|
|
I've always endeavoured to be
|
|
myself. For the rest, here's my passport, you see.
|
|
BEGRIFFENFELDT
|
|
Again that mysterious word at the bottom.
|
|
[Seizes him by the wrist.]
|
|
To Cairo! The Interpreters' Kaiser is found!
|
|
PEER
|
|
Kaiser?
|
|
BEGRIFFENFELDT
|
|
Come on!
|
|
PEER
|
|
Am I really known-?
|
|
BEGRIFFENFELDT [dragging him away].
|
|
The Interpreters' Kaiser-on the basis of Self!
|
|
SCENE THIRTEENTH
|
|
[In Cairo. A large courtyard, surrounded by high walls and
|
|
buildings. Barred windows; iron cages.]
|
|
[THREE KEEPERS in the courtyard. A FOURTH comes in.]
|
|
THE NEW-COMER
|
|
Schafmann, say, where's the director gone?
|
|
A KEEPER
|
|
He drove out this morning some time before dawn.
|
|
THE FIRST
|
|
I think something must have occurred to annoy him;
|
|
for last night-
|
|
ANOTHER
|
|
Hush, be quiet; he's there at the door!
|
|
[BEGRIFFENFELDT leads PEER GYNT in, locks the gate, and puts the key
|
|
in his pocket.]
|
|
PEER [to himself].
|
|
Indeed an exceedingly gifted man;
|
|
almost all that he says is beyond comprehension.
|
|
[Looks around.]
|
|
So this is the Club of the Savants, eh?
|
|
BEGRIFFENFELDT
|
|
Here you will find them, every man jack of them;-
|
|
the group of Interpreters threescore and ten;
|
|
it's been lately increased by a hundred and sixty-
|
|
[Shouts to the KEEPERS.]
|
|
Mikkel, Schlingelberg, Schafmann, Fuchs,-
|
|
into the cages with you at once!
|
|
THE KEEPERS
|
|
We!
|
|
BEGRIFFENFELDT
|
|
Who else, pray? Get in, get in!
|
|
When the world twirls around, we must twirl with it too.
|
|
[Forces them into a cage.]
|
|
He's arrived this morning, the mighty Peer;-
|
|
the rest you can guess,-I need say no more.
|
|
[Locks the cage door, and throws the key into a well.]
|
|
PEER
|
|
But, my dear Herr Doctor and Director, pray-?
|
|
BEGRIFFENFELDT Neither one nor the other! I was before-
|
|
Herr Peer, are you secret? I must ease my heart-
|
|
PEER [with increasing uneasiness].
|
|
What is it?
|
|
BEGRIFFENFELDT
|
|
Promise you will not tremble.
|
|
PEER
|
|
I will do my best, but-
|
|
BEGRIFFENFELDT [draws him into a corner, and whispers].
|
|
The Absolute Reason
|
|
departed this life at eleven last night.
|
|
PEER
|
|
God help me-!
|
|
BEGRIFFENFELDT
|
|
Why, yes, it's extremely deplorable.
|
|
And as I'm placed, you see, it is doubly unpleasant;
|
|
for this institution has passed up to now
|
|
for what's called a madhouse.
|
|
PEER
|
|
A madhouse, ha!
|
|
BEGRIFFENFELDT
|
|
Not now, understand!
|
|
PEER [softly, pale with fear].
|
|
Now I see what the place is!
|
|
And the man is mad;-and there's none that knows it!
|
|
[Tries to steal away.]
|
|
BEGRIFFENFELDT [following him].
|
|
However, I hope you don't misunderstand me?
|
|
When I said he was dead, I was talking stuff.
|
|
He's beside himself. Started clean out of his skin,-
|
|
just like my compatriot Munchausen's fox.
|
|
PEER
|
|
Excuse me a moment-
|
|
BEGRIFFENFELDT [holding him back].
|
|
I meant like an eel;-
|
|
it was not like a fox. A needle through his eye;-
|
|
and he writhed on the wall-
|
|
PEER
|
|
Where can rescue be found!
|
|
BEGRIFFENFELDT
|
|
A snick round his neck, and whip! out of his skin!
|
|
PEER
|
|
He's raving! He's utterly out of his wits!
|
|
BEGRIFFENFELDT
|
|
Now it's patent, and can't be dissimulated,
|
|
that this from-himself-going must have for result
|
|
a complete revolution by sea and land.
|
|
The persons one hitherto reckoned as mad,
|
|
you see, became normal last night at eleven,
|
|
accordant with Reason in its newest phase.
|
|
And more, if the matter be rightly regarded,
|
|
it's patent that, at the aforementioned hour,
|
|
the sane folks, so called, began forthwith to rave.
|
|
PEER
|
|
You mentioned the hour, sir, my time is but scant-
|
|
BEGRIFFENFELDT
|
|
Your time, did you say? There you jog my remembrance!
|
|
[Opens a door and calls out.]
|
|
Come forth all! The time that shall be is proclaimed!
|
|
Reason is dead and gone; long live Peer Gynt!
|
|
PEER
|
|
Now, my dear good fellow-!
|
|
[The LUNATICS come one by one, and at intervals, into the
|
|
courtyard.]
|
|
BEGRIFFENFELDT
|
|
Good morning! Come forth,
|
|
and hail the dawn of emancipation!
|
|
Your Kaiser has come to you!
|
|
PEER
|
|
Kaiser?
|
|
BEGRIFFENFELDT
|
|
Of course!
|
|
PEER
|
|
But the honour's so great, so entirely excessive-
|
|
BEGRIFFENFELDT
|
|
Oh, do not let any false modesty sway you
|
|
at an hour such as this.
|
|
PEER
|
|
But at least give me time-!
|
|
No, indeed, I'm not fit; I'm completely dumbfounded!
|
|
BEGRIFFENFELDT
|
|
A man who has fathomed the Sphinx's meaning!
|
|
A man who's himself!
|
|
PEER
|
|
Ay, but that's just the rub.
|
|
It's true that in everything I am myself;
|
|
but here the point is, if I follow your meaning,
|
|
to be, so to phrase it, outside oneself.
|
|
BEGRIFFENFELDT
|
|
Outside? No, there you are strangely mistaken!
|
|
It's here, sir, that one is oneself with a vengeance;
|
|
oneself, and nothing whatever besides.
|
|
We go, full sail, as our very selves.
|
|
Each one shuts himself up in the barrel of self,
|
|
in the self-fermentation he dives to the bottom,-
|
|
with the self-bung he seals it hermetically,
|
|
and seasons the staves in the well of self.
|
|
No one has tears for the other's woes;
|
|
no one has mind for the other's ideas.
|
|
We're our very selves, both in thought and tone,
|
|
ourselves to the spring-board's uttermost verge,-
|
|
and so, if a Kaiser's to fill the throne,
|
|
it is clear that you are the very man.
|
|
PEER
|
|
O would that the devil-!
|
|
BEGRIFFENFELDT
|
|
Come, don't be cast down;
|
|
almost all things in nature are new at the first.
|
|
"Oneself;"-come, here you shall see an example;
|
|
I'll choose you at random the first man that comes
|
|
[To a gloomy figure.]
|
|
Good-day, Huhu! Well, my boy, wandering round
|
|
for ever with misery's impress upon you?
|
|
HUHU
|
|
Can I help it, when the people,
|
|
race by race, dies untranslated?
|
|
[To PEER GYNT.]
|
|
You're a stranger; will you listen?
|
|
PEER [bowing].
|
|
Oh, by all means!
|
|
HUHU
|
|
Lend your ear then.-
|
|
Eastward far, like brow-borne garlands,
|
|
lie the Malabarish seaboards.
|
|
Hollanders and Portugueses
|
|
compass all the land with culture.
|
|
There, moreover, swarms are dwelling
|
|
of the pure-bred Malabaris.
|
|
These have muddled up the language,
|
|
they now lord it in the country.-
|
|
But in long-departed ages
|
|
there the orang-outang was ruler.
|
|
He, the forest's lord and master,
|
|
freely fought and snarled in freedom.
|
|
As the hand of nature shaped him,
|
|
just so grinned he, just so gaped he.
|
|
He could shriek unreprehended;
|
|
he was ruler in his kingdom.-
|
|
Ah, but then the foreign yoke came,
|
|
marred the forest-tongue primeval.
|
|
Twice two hundred years of darkness
|
|
brooded o'er the race of monkeys;
|
|
and, you know, nights so protracted
|
|
bring a people to a standstill.-
|
|
Mute are now the wood-notes primal;
|
|
grunts and growls are heard no longer;-
|
|
if we'd utter our ideas,
|
|
it must be by means of language.
|
|
What constraint on all and sundry!
|
|
Hollanders and Portugueses,
|
|
half-caste race and Malabaris,
|
|
all alike must suffer by it.-
|
|
I have tried to fight the battle
|
|
of our real, primal wood-speech,-
|
|
tried to bring to life its carcass,-
|
|
proved the people's right of shrieking,-
|
|
shrieked myself, and shown the need of
|
|
shrieks in poems for the people.-
|
|
Scantly, though, my work is valued.-
|
|
Now I think you grasp my sorrow.
|
|
Thanks for lending me a hearing;-
|
|
have you counsel, let me hear it!
|
|
PEER [softly].
|
|
It is written: Best be howling
|
|
with the wolves that are about you.
|
|
[Aloud.]
|
|
Friend, if I remember rightly,
|
|
there are bushes in Morocco,
|
|
where orang-outangs in plenty
|
|
live with neither bard nor spokesman;-
|
|
their speech sounded Malabarish;-
|
|
it was classical and pleasing.
|
|
Why don't you, like other worthies,
|
|
emigrate to serve your country?
|
|
HUHU
|
|
Thanks for lending me a hearing;-
|
|
I will do as you advise me.
|
|
[With a large gesture.]
|
|
East! thou hast disowned thy singer!
|
|
West! thou hast orang-outangs still!
|
|
[Goes.]
|
|
BEGRIFFENFELDT
|
|
Well, was he himself? I should rather think so.
|
|
He's filled with his own affairs, simply and solely.
|
|
He's himself in all that comes out of him,-
|
|
himself, just because he's beside himself.
|
|
Come here! Now I'll show you another one,
|
|
who's no less, since last evening, accordant with Reason.
|
|
[To a FELLAH, with a mummy on his back.]
|
|
King Apis, how goes it, my mighty lord?
|
|
THE FELLAH [wildly, to PEER GYNT].
|
|
Am I King Apis?
|
|
PEER [getting behind the DOCTOR].
|
|
I'm sorry to say
|
|
I'm not quite at home in the situation;
|
|
but I certainly gather, to judge by your tone-
|
|
THE FELLAH
|
|
Now you too are lying.
|
|
BEGRIFFENFELDT
|
|
Your Highness should state
|
|
how the whole matter stands.
|
|
THE FELLAH
|
|
Yes, I'll tell him my tale.
|
|
[Turns to PEER GYNT.]
|
|
Do you see whom I bear on my shoulders?
|
|
His name was King Apis of old.
|
|
Now he goes by the title of mummy,
|
|
and withal he's completely dead.
|
|
All the pyramids yonder he builded,
|
|
and hewed out the mighty Sphinx,
|
|
and fought, as the Doctor puts it,
|
|
with the Turks, both to rechts and links.
|
|
And therefore the whole of Egypt
|
|
exalted him as a god,
|
|
and set up his image in temples,
|
|
in the outward shape of a bull.-
|
|
But I am this very King Apis,
|
|
I see that as clear as day;
|
|
and if you don't understand it,
|
|
you shall understand it soon.
|
|
King Apis, you see, was out hunting,
|
|
and got off his horse awhile,
|
|
and withdrew himself unattended
|
|
to a part of my ancestor's land.
|
|
But the field that King Apis manured
|
|
has nourished me with its corn,
|
|
and if further proofs are demanded,
|
|
know, I have invisible horns.
|
|
Now, isn't it most accursed
|
|
that no one will own my might!
|
|
By birth I am Apis of Egypt,
|
|
but a fellah in other men's sight.
|
|
Can you tell me what course to follow?-
|
|
then counsel me honestly.-
|
|
The problem is how to make me
|
|
resemble King Apis the Great.
|
|
PEER
|
|
Build pyramids then, your highness,
|
|
and carve out a greater Sphinx,
|
|
and fight, as the Doctor puts it,
|
|
with the Turks, both to rechts and links.
|
|
THE FELLAH
|
|
Ay, that is all mighty fine talking!
|
|
A fellah! A hungry louse!
|
|
I, who scarcely can keep my hovel
|
|
clear even of rats and mice.
|
|
Quick, man,-think of something better,
|
|
that'll make me both great and safe,
|
|
and further, exactly like to
|
|
King Apis that's on my back!
|
|
PEER
|
|
What if your highness hanged you,
|
|
and then, in the lap of earth,
|
|
'twixt the coffin's natural frontiers,
|
|
kept still and completely dead.
|
|
THE FELLAH
|
|
I'll do it! My life for a halter!
|
|
To the gallows with hide and hair!-
|
|
At first there will be some difference,
|
|
but that time will smooth away.
|
|
[Goes off and prepares to hang himself.]
|
|
BEGRIFFENFELDT
|
|
There's a personality for you, Herr Peer,-
|
|
a man of method-
|
|
PEER
|
|
Yes, yes; I see-;
|
|
but he'll really hang himself! God grant us grace!
|
|
I'll be ill;-I can scarcely command my thoughts!
|
|
BEGRIFFENFELDT
|
|
A state of transition; it won't last long.
|
|
PEER
|
|
Transition? To what? With your leave-I must go-
|
|
BEGRIFFENFELDT [holding him].
|
|
Are you crazy?
|
|
PEER
|
|
Not yet-. Crazy? Heaven forbid!
|
|
[A commotion. The Minister HUSSEIN forces his way
|
|
through the crowd.]
|
|
HUSSEIN
|
|
They tell me a Kaiser has come to-day.
|
|
[To PEER GYNT.]
|
|
It is you?
|
|
PEER [in desperation].
|
|
Yes, that is a settled thing!
|
|
HUSSEIN
|
|
Good.-Then no doubt there are notes to be answered?
|
|
PEER [tearing his hair].
|
|
Come on! Right you are, sir;-the madder the better!
|
|
HUSSEIN
|
|
Will you do me the honour of taking a dip?
|
|
[Bowing deeply.]
|
|
I am a pen.
|
|
PEER [bowing still deeper].
|
|
Why then I am quite clearly
|
|
a rubbishy piece of imperial parchment.
|
|
HUSSEIN
|
|
My story, my lord, is concisely this:
|
|
they take me for a sand-box, and I am a pen.
|
|
PEER
|
|
My story, Sir Pen, is, to put it briefly:
|
|
I'm a blank sheet of paper that no one will write on.
|
|
HUSSEIN
|
|
No man understands in the least what I'm good for;
|
|
they all want to use me for scattering sand with!
|
|
PEER
|
|
I was in a woman's keeping a silver-clasped book;-
|
|
it's one and the same misprint to be either mad or sane!
|
|
HUSSEIN [with high leap].
|
|
Just fancy, what an exhausting life:
|
|
to be a pen and never taste the edge of a knife!
|
|
PEER
|
|
Just fancy, for a reindeer to leap from on high-
|
|
to fall and fall-and never feel the ground beneath your
|
|
hoofs!
|
|
HUSSEIN
|
|
A knife! I am blunt;-quick, mend me and slit me!
|
|
The world will go to ruin if they don't mend my point for me! !
|
|
PEER
|
|
A pity for the world which, like other self-made things,
|
|
was reckoned by the Lord to be so excellently good.
|
|
BEGRIFFENFELDT
|
|
Here's a knife!
|
|
HUSSEIN [seizing it].
|
|
Ah, how I shall lick up the ink now!
|
|
Oh, what rapture to cut oneself!
|
|
[Cuts his throat.]
|
|
BEGRIFFENFELDT [stepping aside].
|
|
Pray do not sputter.
|
|
PEER [in increasing terror].
|
|
Hold him!
|
|
HUSSEIN
|
|
Ay, hold me! That is the word!
|
|
Hold! Hold the pen! On the desk with the paper-!
|
|
[Falls.]
|
|
I'm outworn. The postscript-remember it, pray:
|
|
He lived and he died as a fate-guided pen!
|
|
PEER [dizzily].
|
|
What shall I-! What am I? Thou mighty-, hold fast!
|
|
I am all that thou wilt,-I'm a Turk, I'm a sinner-
|
|
a hill-troll-; but help;-there was something that burst-!
|
|
[Shrieks.]
|
|
I cannot just hit on thy name at the moment;-
|
|
oh, come to my aid, thou-all madmen's protector!
|
|
[Sinks down insensible.]
|
|
BEGRIFFENFELDT [with a wreath of straw in his hand, gives a bound
|
|
and sits astride of him].
|
|
Ha! See him in the mire enthroned;-
|
|
beside himself-! To crown him now!
|
|
Long life, long life to Self-hood's Kaiser!
|
|
SCHAFMANN [in the cage].
|
|
Es lebe hoch der grosse Peer!
|
|
ACT FIFTH
|
|
SCENE FIRST
|
|
[On board a ship on the North Sea, off the Norwegian coast.
|
|
Sunset. Stormy weather.]
|
|
[PEER GYNT, a vigorous old man, with grizzled hair and beard, is
|
|
standing aft on the poop. He is dressed half sailor-fashion, with
|
|
a pea-jacket and long boots. His clothing is rather the worse for
|
|
wear; he himself is weather-beaten, and has a somewhat harder
|
|
expression. The CAPTAIN is standing beside the steersman at the
|
|
wheel. The crew are forward.]
|
|
PEER GYNT [leans with his arms on the bulwark, and gazes towards the
|
|
land].
|
|
Look at Hallingskarv in his winter furs;-
|
|
he's ruffling it, old one, in the evening glow.
|
|
The Jokel, his brother, stands behind him askew;
|
|
he's got his green ice-mantle still on his back.
|
|
The Flogefann, now, she is mighty fine,-
|
|
lying there like a maiden in spotless white.
|
|
Don't you be madcaps, old boys that you are!
|
|
Stand where you stand; you're but granite knobs.
|
|
THE CAPTAIN [shouts forward].
|
|
Two hands to the wheel, and the lantern aloft!
|
|
PEER
|
|
It's blowing up stiff-
|
|
THE CAPTAIN
|
|
-for a gale to-night.
|
|
PEER
|
|
Can one see the Ronde Hills from the sea?
|
|
THE CAPTAIN
|
|
No, how should you? They lie at the back of the snow-fields.
|
|
PEER
|
|
Or Blaho?
|
|
THE CAPTAIN
|
|
No; but from up in the rigging,
|
|
you've a glimpse, in clear weather, of Galdhopiggen.
|
|
PEER
|
|
Where does Harteig lie?
|
|
THE CAPTAIN [pointing].
|
|
About over there.
|
|
PEER
|
|
I thought so.
|
|
THE CAPTAIN
|
|
You know where you are, it appears.
|
|
PEER
|
|
When I left the country, I sailed by here;
|
|
And the dregs, says the proverb, hang in to the last.
|
|
[Spits, and gazes at the coast.]
|
|
In there, where the scaurs and the clefts lie blue,-
|
|
where the valleys, like trenches, gloom narrow and black,
|
|
and underneath, skirting the open fiords,-
|
|
it's in places like these human beings abide.
|
|
[Looks at the CAPTAIN.]
|
|
They build far apart in this country.
|
|
THE CAPTAIN
|
|
Ay;
|
|
few are the dwellings and far between.
|
|
PEER
|
|
Shall we get in by day-break?
|
|
THE CAPTAIN
|
|
Thereabouts;
|
|
if we don't have too dirty a night altogether.
|
|
PEER
|
|
It grows thick in the west.
|
|
THE CAPTAIN
|
|
It does so.
|
|
PEER
|
|
Stop a bit!
|
|
You might put me in mind when we make up accounts-
|
|
I'm inclined, as the phrase goes, to do a good turn
|
|
to the crew-
|
|
THE CAPTAIN
|
|
I thank you.
|
|
PEER
|
|
It won't be much.
|
|
I have dug for gold, and lost what I found;-
|
|
we are quite at loggerheads, Fate and I.
|
|
You know what I've got in safe keeping on board-
|
|
that's all I have left;-the rest's gone to the devil.
|
|
THE CAPTAIN
|
|
It's more than enough, though, to make you of weight
|
|
among people at home here.
|
|
PEER
|
|
I've no relations.
|
|
There's no one awaiting the rich old curmudgeon.-
|
|
Well; that saves you, at least, any scenes on the pier!
|
|
THE CAPTAIN
|
|
Here comes the storm.
|
|
PEER
|
|
Well, remember then-
|
|
If any of your crew are in real need,
|
|
I won't look too closely after the money-
|
|
THE CAPTAIN
|
|
That's kind. They are most of them ill enough off;
|
|
they have all got their wives and their children at home.
|
|
With their wages alone they can scarce make ends meet;
|
|
but if they come home with some cash to the good,
|
|
it will be a return not forgot in a hurry.
|
|
PEER
|
|
What do you say? Have they wives and children?
|
|
Are they married?
|
|
THE CAPTAIN
|
|
Married? Ay, every man of them.
|
|
But the one that is worst off of all is the cook;
|
|
black famine is ever at home in his house.
|
|
PEER
|
|
Married? They've folks that await them at home?
|
|
Folks to be glad when they come? Eh?
|
|
THE CAPTAIN
|
|
Of course,
|
|
in poor people's fashion.
|
|
PEER
|
|
And come they one evening,
|
|
what then?
|
|
THE CAPTAIN
|
|
Why, I daresay the goodwife will fetch
|
|
something good for a treat-
|
|
PEER
|
|
And a light in the sconce?
|
|
THE CAPTAIN
|
|
Ay, ay, may be two; and a dram to their supper.
|
|
PEER
|
|
And there they sit snug! There's a fire on the hearth!
|
|
They've their children about them! The room's full of chatter;
|
|
not one hears another right out to an end,
|
|
for the joy that is on them-!
|
|
THE CAPTAIN
|
|
It's likely enough.
|
|
So it's really kind, as you promised just now,
|
|
to help eke things out.
|
|
PEER [thumping the bulwark].
|
|
I'll be damned if I do!
|
|
Do you think I am mad? Would you have me fork out
|
|
for the sake of a parcel of other folks' brats?
|
|
I've slaved much too sorely in earning my cash!
|
|
There's nobody waiting for old Peer Gynt.
|
|
THE CAPTAIN
|
|
Well well; as you please then; your money's your own.
|
|
PEER
|
|
Right! Mine it is, and no one else's.
|
|
We'll reckon as soon as your anchor is down!
|
|
Take my fare, in the cabin, from Panama here.
|
|
Then brandy all round to the crew. Nothing more.
|
|
If I give a doit more, slap my jaw for me, Captain.
|
|
THE CAPTAIN
|
|
I owe you a quittance, and not a thrashing;-
|
|
but excuse me, the wind's blowing up to a gale.
|
|
[He goes forward. It has fallen dark; lights are lit in the cabin.
|
|
The sea increases. Fog and thick clouds.]
|
|
PEER
|
|
To have a whole bevy of youngsters at home;-
|
|
still to dwell in their minds as a coming delight;-
|
|
to have others' thoughts follow you still on your path!-
|
|
There's never a soul gives a thought to me.-
|
|
Lights in the sconces! I'll put out those lights.
|
|
I will hit upon something!-I'll make them all drunk;-
|
|
not one of the devils shall go sober ashore.
|
|
They shall all come home drunk to their children and wives!
|
|
They shall curse; bang the table till it rings again,-
|
|
they shall scare those that wait for them out of their wits!
|
|
The goodwife shall scream and rush forth from the house,-
|
|
clutch her children along! All their joy gone to ruin!
|
|
[The ship gives a heavy lurch; he staggers and keeps his balance
|
|
with difficulty.]
|
|
Why, that was a buffet and no mistake.
|
|
The sea's hard at labour, as though it were paid for it;-
|
|
it's still itself here on the coasts of the north;-
|
|
a cross-sea, as wry and wrong-headed as ever-
|
|
[Listens.]
|
|
Why, what can those screams be?
|
|
THE LOOK-OUT [forward].
|
|
A wreck a-lee!
|
|
THE CAPTAIN [on the main deck, shouts].
|
|
Helm hard a-starboard! Bring her up to the wind!
|
|
THE MATE
|
|
Are there men on the wreck?
|
|
THE LOOK-OUT
|
|
I can just see three!
|
|
PEER
|
|
Quick! lower the stern boat-
|
|
THE CAPTAIN
|
|
She'd fill ere she floated.
|
|
[Goes forward.]
|
|
PEER
|
|
Who can think of that now?
|
|
[To some of the crew.]
|
|
If you're men, to the rescue!
|
|
What the devil, if you should get a bit of a ducking!
|
|
THE BOATSWAIN
|
|
It's out of the question in such a sea.
|
|
PEER
|
|
They are screaming again! There's a lull in the wind.-
|
|
Cook, will you risk it? Quick! I will pay-
|
|
THE COOK
|
|
No, not if you offered me twenty pounds-sterling-
|
|
PEER
|
|
You hounds! You chicken-hearts! Can you forget
|
|
these are men that have goodwives and children at home?
|
|
There they're sitting and waiting-
|
|
THE BOATSWAIN
|
|
Well, patience is wholesome.
|
|
THE CAPTAIN
|
|
Bear away from that sea!
|
|
THE MATE
|
|
There the wreck turned over!
|
|
PEER
|
|
All is silent of a sudden-!
|
|
THE BOATSWAIN
|
|
Were they married, as you think,
|
|
there are three new-baked widows even now in the world.
|
|
[The storm increases. PEER GYNT moves away aft.]
|
|
PEER
|
|
There is no faith left among men any more,-
|
|
no Christianity,-well may they say it and write it;-
|
|
their good deeds are few and their prayers are still fewer,
|
|
and they pay no respect to the Powers above them.-
|
|
In a storm like to-night's, he's a terror, the Lord is.
|
|
These beasts should be careful, and think, what's the truth,
|
|
that it's dangerous playing with elephants;-
|
|
and yet they must openly brave his displeasure!
|
|
I am no whit to blame; for the sacrifice
|
|
I can prove I stood ready, my money in hand.
|
|
But how does it profit me?-What says the proverb?
|
|
A conscience at ease is a pillow of down.
|
|
Oh ay, that is all very well on dry land,
|
|
but I'm blest if it matters a snuff on board ship,
|
|
when a decent man's out on the seas with such riff-raff.
|
|
At sea one never can be one's self;
|
|
one must go with the others from deck to keel;
|
|
if for boatswain and cook the hour of vengeance should strike,
|
|
I shall no doubt be swept to the deuce with the rest;-
|
|
one's personal welfare is clean set aside;-
|
|
one counts but as a sausage in slaughtering-time.-
|
|
My mistake is this: I have been too meek;
|
|
and I've had no thanks for it after all.
|
|
Were I younger, I. think I would shift the saddle,
|
|
and try how it answered to lord it awhile.
|
|
There is time enough yet! They shall know in the parish
|
|
that Peer has come sailing aloft o'er the seas!
|
|
I'll get back the farmstead by fair means or foul;-
|
|
I will build it anew; it shall shine like a palace.
|
|
But none shall be suffered to enter the hall!
|
|
They shall stand at the gateway, all twirling their caps;-
|
|
they shall beg and beseech-that they freely may do;
|
|
but none gets so much as a farthing of mine.
|
|
If I've had to howl 'neath the lashes of fate,
|
|
trust me to find folks I can lash in my turn-
|
|
THE STRANGE PASSENGER [stands in the darkness at PEER GYNT's side,
|
|
and salutes him in friendly fashion].
|
|
Good evening!
|
|
PEER
|
|
Good evening! What-? Who are you?
|
|
THE PASSENGER
|
|
Your fellow-passenger, at your service.
|
|
PEER
|
|
Indeed? I thought I was the only one.
|
|
THE PASSENGER
|
|
A mistaken impression, which now is set right.
|
|
PEER
|
|
But it's singular that, for the first time to-night,
|
|
I should see you-
|
|
THE PASSENGER
|
|
I never come out in the day-time.
|
|
PEER
|
|
Perhaps you are ill? You're as white as a sheet-
|
|
THE PASSENGER
|
|
No, thank you-my health is uncommonly good.
|
|
PEER
|
|
What a raging storm!
|
|
THE PASSENGER
|
|
Ay, a blessed one, man!
|
|
PEER
|
|
A blessed one?
|
|
THE PASSENGER
|
|
The sea's running high as houses.
|
|
Ah, one can feel one's mouth watering!
|
|
just think of the wrecks that to-night will be shattered;-
|
|
and think, too, what corpses will drive ashore!
|
|
PEER
|
|
Lord save us!
|
|
THE PASSENGER
|
|
Have ever you seen a man strangled,
|
|
or hanged,-or drowned?
|
|
PEER
|
|
This is going too far-!
|
|
THE PASSENGER
|
|
The corpses all laugh. But their laughter is forced;
|
|
and the most part are found to have bitten their tongues.
|
|
PEER
|
|
Hold off from me-!
|
|
THE PASSENGER
|
|
Only one question pray!
|
|
If we, for example, should strike on a rock,
|
|
and sink in the darkness-
|
|
PEER
|
|
You think there is danger?
|
|
THE PASSENGER
|
|
I really don't know what I ought to say.
|
|
But suppose, now, I float and you go to the bottom-
|
|
PEER
|
|
Oh, rubbish-
|
|
THE PASSENGER
|
|
It's just a hypothesis.
|
|
But when one is placed with one foot in the grave,
|
|
one grows soft-hearted and open-handed-
|
|
PEER [puts his hand in his pocket].
|
|
Ho, money!
|
|
THE PASSENGER
|
|
No, no; but perhaps you would kindly
|
|
make me a gift of your much-esteemed carcass-?
|
|
PEER
|
|
This is too much!
|
|
THE PASSENGER
|
|
No more than your body, you know!
|
|
To help my researches in science-
|
|
PEER
|
|
Begone!
|
|
THE PASSENGER
|
|
But think, my dear sir-the advantage is yours!
|
|
I'll have you laid open and brought to the light.
|
|
What I specially seek is the centre of dreams,-
|
|
and with critical care I'll look into your seams-
|
|
PEER
|
|
Away with you!
|
|
THE PASSENGER
|
|
Why, my dear sir-a drowned corpse-!
|
|
PEER
|
|
Blasphemer! You're goading the rage of the storm!
|
|
I call it too bad! Here it's raining and blowing,
|
|
a terrible sea on, and all sorts of signs
|
|
of something that's likely to shorten our days;-
|
|
And you carry on so as to make it come quicker!
|
|
THE PASSENGER
|
|
You're in no mood, I see, to negotiate further;
|
|
but time, you know, brings with it many a change-
|
|
[Nods in a friendly fashion.]
|
|
We'll meet when you're sinking, if not before;
|
|
perhaps I may then find you more in the humour.
|
|
[Goes into the cabin.]
|
|
PEER
|
|
Unpleasant companions these scientists are!
|
|
With their freethinking ways-
|
|
[To the BOATSWAIN, who is passing.]
|
|
Hark, a word with you, friend!
|
|
That passenger? What crazy creature is he?
|
|
THE BOATSWAIN
|
|
I know of no passenger here but yourself.
|
|
PEER
|
|
No others? This thing's getting worse and worse.
|
|
[To the SHIP'S BOY, who comes out of the cabin.]
|
|
Who went down the companion just now?
|
|
THE BOY
|
|
The ship's dog, sir!
|
|
[Passes on.]
|
|
THE LOOK-OUT [shouts].
|
|
Land close ahead!
|
|
PEER
|
|
Where's my box? Where's my trunk?
|
|
All the baggage on deck!
|
|
THE BOATSWAIN
|
|
We have more to attend to!
|
|
PEER
|
|
It was nonsense, captain! 'Twas only my joke;-
|
|
as sure as I'm here I will help the cook-
|
|
THE CAPTAIN
|
|
The jib's blown away!
|
|
THE MATE
|
|
And there went the foresail!
|
|
THE BOATSWAIN [shrieks from forward].
|
|
Breakers under the bow!
|
|
THE CAPTAIN
|
|
She will go to shivers!
|
|
[The ship strikes. Noise and confusion.]
|
|
SCENE SECOND
|
|
[Close under the land, among sunken rocks and surf. The ship
|
|
sinks. The jolly-boat, with two men in her, is seen for a moment
|
|
through the scud. A sea strikes her; she fills and upsets. A shriek
|
|
is heard; then all is silent for a while. Shortly afterwards the
|
|
boat appears floating bottom upwards.]
|
|
[PEER GYNT comes to the surface near the boat.]
|
|
PEER
|
|
Help! Help! A boat! Help! I'll be drowned!
|
|
Save me, oh Lord-as saith the text!
|
|
[Clutches hold of the boat's keel.]
|
|
THE COOK [comes up on the other side].
|
|
Oh, Lord God-for my children's sake,
|
|
have mercy! Let me reach the land!
|
|
[Seizes hold of the keel.]
|
|
PEER
|
|
Let go!
|
|
THE COOK
|
|
Let go!
|
|
PEER
|
|
I'll strike!
|
|
THE COOK
|
|
So'll I!
|
|
PEER
|
|
I'll crush you down with kicks and blows!
|
|
Let go your hold! She won't float two!
|
|
THE COOK
|
|
I know it! Yield!
|
|
PEER
|
|
Yield you!
|
|
THE COOK
|
|
Oh yes!
|
|
[They fight; one of the COOKS hands is disabled; he clings on with
|
|
the other.]
|
|
PEER
|
|
Off with that hand!
|
|
THE COOK
|
|
Oh, kind sir-spare!
|
|
Think of my little ones at home!
|
|
PEER
|
|
I need my life far more than you,
|
|
for I am lone and childless still.
|
|
THE COOK
|
|
Let go! You've lived, and I am young!
|
|
PEER
|
|
Quick; haste you; sink;-you drag us down.
|
|
THE COOK
|
|
Have mercy! Yield in heaven's name!
|
|
There's none to miss and mourn for you-
|
|
[His hand slips; he screams:]
|
|
I'm drowning!
|
|
PEER [seizing him].
|
|
By this wisp of hair
|
|
I'll hold you; say your Lord's Prayer, quick!
|
|
THE COOK
|
|
I can't remember; all turns black-
|
|
PEER
|
|
Come, the essentials in a word-!
|
|
THE COOK
|
|
Give us this day-!
|
|
PEER
|
|
Skip that part, Cook;
|
|
you'll get all you need, safe enough.
|
|
THE COOK
|
|
Give us this day-
|
|
PEER
|
|
The same old song!
|
|
One sees you were a cook in life-
|
|
[The COOK slips from his grasp.]
|
|
THE COOK [sinking].
|
|
Give us this day our-
|
|
[Disappears.]
|
|
PEER
|
|
Amen, lad!
|
|
to the last gasp you were yourself.-
|
|
[Draws himself up on to the bottom of the boat.]
|
|
So long as there is life there's hope-
|
|
THE STRANGE PASSENGER [catches hold of the boat].
|
|
Good morning!
|
|
PEER
|
|
Hoy!
|
|
THE PASSENGER
|
|
I heard you shout.-
|
|
It's pleasant finding you again.
|
|
Well? So my prophecy came true!
|
|
PEER
|
|
Let go! Let go! 'Twill scarce float one!
|
|
THE PASSENGER
|
|
I'm striking out with my left leg.
|
|
I'll float, if only with their tips
|
|
my fingers rest upon this ledge.
|
|
But apropos: your body-
|
|
PEER
|
|
Hush!
|
|
THE PASSENGER
|
|
The rest, of course, is done for, clean-
|
|
PEER
|
|
No more!
|
|
THE PASSENGER
|
|
Exactly as you please.
|
|
[Silence.]
|
|
PEER
|
|
Well?
|
|
THE PASSENGER
|
|
I am silent.
|
|
PEER
|
|
Satan's tricks!-
|
|
What now?
|
|
THE PASSENGER
|
|
I'm waiting.
|
|
PEER [tearing his hair].
|
|
I'll go mad!-
|
|
What are you?
|
|
THE PASSENGER [nods].
|
|
Friendly.
|
|
PEER
|
|
What else? Speak!
|
|
THE PASSENGER
|
|
What think you? Do you know none other
|
|
that's like me?
|
|
PEER
|
|
Do I know the devil-?
|
|
THE PASSENGER [in a low voice].
|
|
Is it his way to light a lantern
|
|
for life's night-pilgrimage through fear?
|
|
PEER
|
|
Ah, come! When once the thing's cleared up,
|
|
you'd seem a messenger of light?
|
|
THE PASSENGER
|
|
Friend,-have you once in each half-year
|
|
felt all the earnestness of dread?
|
|
PEER
|
|
Why, one's afraid when danger threatens;-
|
|
but all your words have double meanings.
|
|
THE PASSENGER
|
|
Ay, have you gained but once in life
|
|
the victory that is given in dread?
|
|
PEER [looks at him].
|
|
Came you to ope for me a door,
|
|
'twas stupid not to come before.
|
|
What sort of sense is there in choosing
|
|
your time when seas gape to devour one?
|
|
THE PASSENGER
|
|
Were, then, the victory more likely
|
|
beside your hearth-stone, snug and quiet?
|
|
PEER
|
|
Perhaps not; but your talk befooled me.
|
|
How could you fancy it awakening?
|
|
THE PASSENGER
|
|
Where I come from, there smiles are prized
|
|
as highly as pathetic style.
|
|
PEER
|
|
All has its time; what fits the taxman,
|
|
so says the text, would damn the bishop.
|
|
THE PASSENGER
|
|
The host whose dust inurned has slumbered
|
|
treads not on week-days the cothurnus.
|
|
PEER
|
|
Avaunt thee, bugbear! Man, begone!
|
|
I will not die! I must ashore!
|
|
THE PASSENGER
|
|
Oh, as for that, be reassured;-
|
|
one dies not midmost of Act Five.
|
|
[Glides away.]
|
|
PEER
|
|
Ah, there he let it out at last;-
|
|
he was a sorry moralist.
|
|
SCENE THIRD
|
|
[Churchyard in a high-lying mountain parish.]
|
|
[A funeral is going on. By the grave, the PRIEST and a gathering
|
|
of people. The last verse of the psalm is being sung. PEER GYNT
|
|
passes by on the road.]
|
|
PEER [at the gate].
|
|
Here's a countryman going the way of all flesh.
|
|
God be thanked that it isn't me.
|
|
[Enters the churchyard.]
|
|
THE PRIEST [speaking beside the grave].
|
|
Now, when the soul has gone to meet its doom,
|
|
and here the dust lies, like an empty pod,-
|
|
now, my dear friends, we'll speak a word or two
|
|
about this dead man's pilgrimage on earth.
|
|
He was not wealthy, neither was he wise,
|
|
his voice was weak, his bearing was unmanly,
|
|
he spoke his mind abashed and faltering,
|
|
he scarce was master at his own fireside;
|
|
he sidled into church, as though appealing
|
|
for leave, like other men, to take his place.
|
|
It was from Gudbrandsdale, you know, he came.
|
|
When here he settled he was but a lad;-
|
|
and you remember how, to the very last,
|
|
he kept his right hand hidden in his pocket.
|
|
That right hand in the pocket was the feature
|
|
that chiefly stamped his image on the mind,-
|
|
and therewithal his writhing, his abashed
|
|
shrinking from notice wheresoe'er he went.
|
|
But, though he still pursued a path aloof,
|
|
and ever seemed a stranger in our midst,
|
|
you all know what he strove so hard to hide,-
|
|
the hand he muffled had four fingers only.-
|
|
I well remember, many years ago,
|
|
one morning; there were sessions held at Lunde.
|
|
'Twas war-time, and the talk in every mouth
|
|
turned on the country's sufferings and its fate.
|
|
I stood there watching. At the table sat
|
|
the Captain, 'twixt the bailiff and the sergeants;
|
|
lad after lad was measured up and down,
|
|
passed, and enrolled, and taken for a soldier.
|
|
The room was full, and from the green outside,
|
|
where thronged the young folks, loud the laughter rang.
|
|
A name was called, and forth another stepped,
|
|
one pale as snow upon the glacier's edge.
|
|
They bade the youth advance; he reached the table;
|
|
we saw his right hand swaddled in a clout;-
|
|
he gasped, he swallowed, battling after words,-
|
|
but, though the Captain urged him, found no voice.
|
|
Ah yes, at last! Then with his cheek aflame,
|
|
his tongue now failing him, now stammering fast,
|
|
he mumbled something of a scythe that slipped
|
|
by chance, and shore his finger to the skin.
|
|
Straightway a silence fell upon the room.
|
|
Men bandied meaning glances; they made mouths;
|
|
they stoned the boy with looks of silent scorn.
|
|
He felt the hail-storm, but he saw it not.
|
|
Then up the Captain stood, the grey old man;
|
|
he spat, and pointed forth, and thundered "Go!"
|
|
And the lad went. On both sides men fell back,
|
|
till through their midst he had to run the gauntlet.
|
|
He reached the door; from there he took to flight;-
|
|
up, up he went,-through wood and over hillside,
|
|
up through the stone-slips, rough, precipitous.
|
|
He had his home up there among the mountains.-
|
|
It was some six months later he came here,
|
|
with mother, and betrothed, and little child.
|
|
He leased some ground upon the high hillside,
|
|
there where the waste lands trend away towards Lomb.
|
|
He married the first moment that he could;
|
|
he built a house; he broke the stubborn soil;
|
|
he throve, as many a cultivated patch
|
|
bore witness, bravely clad in waving gold.
|
|
At church he kept his right hand in his pocket,-
|
|
but sure I am at home his fingers nine
|
|
toiled every bit as hard as others' ten.-
|
|
One spring the torrent washed it all away.
|
|
Their lives were spared. Ruined and stripped of all,
|
|
he set to work to make another clearing;
|
|
and, ere the autumn, smoke again arose
|
|
from a new, better-sheltered, mountain farm-house.
|
|
Sheltered? From torrent-not from avalanche;
|
|
two years, and all beneath the snow lay buried.
|
|
But still the avalanche could not daunt his spirit.
|
|
He dug, and raked, and carted-cleared the ground-
|
|
and the next winter, ere the snow-blasts came,
|
|
a third time was his little homestead reared.
|
|
Three sons he had, three bright and stirring boys;
|
|
they must to school, and school was far away;-
|
|
and they must clamber where the hill-track failed,
|
|
by narrow ledges through the headlong scaur.
|
|
What did he do? The eldest had to manage
|
|
as best he might, and, where the path was worst,
|
|
his father cast a rope round him to stay him;-
|
|
the others on his back and arms he bore.
|
|
Thus he toiled, year by year, till they were men.
|
|
Now might he well have looked for some return.
|
|
In the New World, three prosperous gentlemen
|
|
their school-going and their father have forgotten.
|
|
He was short-sighted. Out beyond the circle
|
|
of those most near to him he nothing saw.
|
|
To him seemed meaningless as cymbals' tinkling
|
|
those words that to the heart should ring like steel.
|
|
His race, his fatherland, all things high and shining,
|
|
stood ever, to his vision, veiled in mist.
|
|
But he was humble, humble, was this man;
|
|
and since that sessions-day his doom oppressed him,
|
|
as surely as his cheeks were flushed with shame,
|
|
and his four fingers hidden in his pocket.-
|
|
Offender 'gainst his country's laws? Ay, true!
|
|
But there is one thing that the law outshineth
|
|
sure as the snow-white tent of Glittertind
|
|
has clouds, like higher rows of peaks, above it.
|
|
No patriot was he. Both for church and state
|
|
a fruitless tree. But there, on the upland ridge,
|
|
in the small circle where he saw his calling,
|
|
there he was great, because he was himself.
|
|
His inborn note rang true unto the end.
|
|
His days were as a lute with muted strings.
|
|
And therefore, peace be with thee, silent warrior,
|
|
that fought the peasant's little fight, and fell!
|
|
It is not ours to search the heart and reins;-
|
|
that is no task for dust, but for its ruler;-
|
|
yet dare I freely, firmly, speak my hope:
|
|
he scarce stands crippled now before his God!
|
|
[The gathering disperses. PEER GYNT remains behind, alone.]
|
|
PEER
|
|
Now that is what I call Christianity!
|
|
Nothing to seize on one's mind unpleasantly.-
|
|
And the topic-immovably being oneself,-
|
|
that the pastor's homily turned upon,-
|
|
is full, in its essence, of edification.
|
|
[Looks down upon the grave.]
|
|
Was it he, I wonder, that hacked through his knuckle
|
|
that day I was out hewing logs in the forest?
|
|
Who knows? If I weren't standing here with my staff
|
|
by the side of the grave of this kinsman in spirit,
|
|
I could almost believe it was I that slept,
|
|
and heard in a vision my panegyric.-
|
|
It's a seemly and Christianlike custom indeed
|
|
this casting a so-called memorial glance
|
|
in charity over the life that is ended.
|
|
I shouldn't at all mind accepting my verdict
|
|
at the hands of this excellent parish priest.
|
|
Ah well, I dare say I have some time left
|
|
ere the gravedigger comes to invite me to stay with him;-
|
|
and as Scripture has it: What's best is best,-
|
|
and: Enough for the day is the evil thereof,-
|
|
and further: Discount not thy funeral.-
|
|
Ah, the church, after all, is the true consoler.
|
|
I've hitherto scarcely appreciated it;-
|
|
but now I feel clearly how blessed it is
|
|
to be well assured upon sound authority:
|
|
Even as thou sowest thou shalt one day reap.-
|
|
One must be oneself; for oneself and one's own
|
|
one must do one's best, both in great and in small things.
|
|
If the luck goes against you, at least you've the honour
|
|
of a life carried through in accordance with principle.-
|
|
Now homewards! Though narrow and steep the path,
|
|
though Fate to the end may be never so biting-
|
|
still old Peer Gynt will pursue his own way,
|
|
and remain what he is: poor, but virtuous ever.
|
|
[Goes out.]
|
|
SCENE FOURTH
|
|
[A hillside seamed by the dry bed of a torrent. A ruined
|
|
mill-house beside the stream. The ground is torn up, and the whole
|
|
place waste. Further up the hill, a large farm-house.]
|
|
[An auction is going on in front of the farm-house. There is a great
|
|
gathering of people, who are drinking, with much noise. PEER GYNT iS
|
|
sitting on a rubbish-heap beside the mill.]
|
|
PEER
|
|
Forward and back, and it's just as far;
|
|
out and in, and it's just as strait.-
|
|
Time wears away and the river gnaws on.
|
|
Go roundabout, the Boyg said;-and here one must.
|
|
A MAN DRESSED IN MOURNING
|
|
Now there is only rubbish left over.
|
|
[Catches sight of PEER GYNT.]
|
|
Are there strangers here too! God be with you, good friend!
|
|
PEER
|
|
Well met! You have lively times here to-day.
|
|
Is't a christening junket or a wedding feast?
|
|
THE MAN IN MOURNING
|
|
I'd rather call it a house-warming treat;-
|
|
the bride is laid in a wormy bed.
|
|
PEER
|
|
And the worms are squabbling for rags and clouts.
|
|
THE MAN IN MOURNING
|
|
That's the end of the ditty; it's over and done.
|
|
PEER
|
|
All the ditties end just alike;
|
|
and they're all old together; I knew 'em as a boy.
|
|
A LAD OF TWENTY [with a casting-ladle].
|
|
Just look what a rare thing I've been buying!
|
|
In this Peer Gynt cast his silver buttons.
|
|
ANOTHER
|
|
Look at mine, though! The money-bag bought for a halfpenny.
|
|
A THIRD
|
|
No more, eh? Twopence for the pedlar's pack!
|
|
PEER
|
|
Peer Gynt? Who was he?
|
|
THE MAN IN MOURNING
|
|
All I know is this:
|
|
he was kinsman to Death and to Aslak the Smith.
|
|
A MAN IN GREY
|
|
You're forgetting me, man! Are you mad or drunk?
|
|
THE MAN IN MOURNING
|
|
You forget that at Hegstad was a storehouse door.
|
|
THE MAN IN GREY
|
|
Ay, true; but we know you were never dainty.
|
|
THE MAN IN MOURNING
|
|
If only she doesn't give Death the slip-
|
|
THE MAN IN GREY
|
|
Come, kinsman! A dram, for our kinship's sake!
|
|
THE MAN IN MOURNING
|
|
To the deuce with your kinship! You're maundering in drink-
|
|
THE MAN IN GREY
|
|
Oh, rubbish; blood's never so thin as all that;
|
|
one cannot but feel one's akin to Peer Gynt.
|
|
[Goes off with him.]
|
|
PEER [to himself].
|
|
One meets with acquaintances.
|
|
A LAD [calls after the MAN IN MOURNING].
|
|
Mother that's dead
|
|
will be after you, Aslak, if you wet your whistle.
|
|
PEER [rises].
|
|
The agriculturists' saying seems scarce to hold here:
|
|
The deeper one harrows the better it smells.
|
|
A LAD [with a bear's skin].
|
|
Look, the cat of the Dovre! Well, only his fell.
|
|
It was he chased the trolls out on Christmas Eve.
|
|
ANOTHER [with a reindeer-skull].
|
|
Here is the wonderful reindeer that bore,
|
|
at Gendin, Peer Gynt over edge and scaur.
|
|
A THIRD [with a hammer, calls out to the MAN IN MOURNING].
|
|
Hei, Aslak, this sledge-hammer, say, do you know it?
|
|
Was it this that you used when the devil clove the wall?
|
|
A FOURTH [empty-handed].
|
|
Mads Moen, here's the invisible cloak
|
|
Peer Gynt and Ingrid flew off through the air with.
|
|
PEER
|
|
Brandy here, boys! I feel I'm grown old;-
|
|
I must put up to auction my rubbish and lumber!
|
|
A LAD
|
|
What have you to sell, then?
|
|
PEER
|
|
A palace I have-
|
|
it lies in the Ronde; it's solidly built.
|
|
THE LAD
|
|
A button is bid!
|
|
PEER
|
|
You must run to a dram.
|
|
'Twere a sin and a shame to bid anything less.
|
|
ANOTHER
|
|
He's a jolly old boy this!
|
|
[The bystanders crowd round him.]
|
|
PEER [shouts].
|
|
Grane, my steed;
|
|
who bids?
|
|
ONE OF THE CROWD
|
|
Where's he running?
|
|
PEER
|
|
Why, far in the west!
|
|
Near the sunset, my lads! Ah, that courser can fly
|
|
as fast, ay, as fast as Peer Gynt could lie.
|
|
VOICES
|
|
What more have you got?
|
|
PEER
|
|
I've both rubbish and gold!
|
|
I bought it with ruin; I'll sell it at a loss.
|
|
A LAD
|
|
Put it up!
|
|
PEER
|
|
A dream of a silver-clasped book!
|
|
That you can have for an old hook and eye.
|
|
THE LAD
|
|
To the devil with dreams!
|
|
PEER
|
|
Here's my Kaiserdom!
|
|
I throw it in the midst of you; scramble for it!
|
|
THE LAD
|
|
Is the crown given in?
|
|
PEER
|
|
Of the loveliest straw.
|
|
It will fit whoever first puts it on.
|
|
Hei, there is more yet! An addled egg!
|
|
A madman's grey hair! And the Prophet's beard!
|
|
All these shall be his that will show on the hillside
|
|
a post that has writ on it: Here lies your path!
|
|
THE BAILIFF [who has come up].
|
|
You're carrying on, my good man, so that almost
|
|
I think that your path will lead straight to the lock-up.
|
|
PEER [hat in hand].
|
|
Quite likely. But, tell me, who was Peer Gynt?
|
|
THE BAILIFF
|
|
Oh, nonsense-
|
|
PEER
|
|
Your pardon! Most humbly I beg-!
|
|
THE BAILIFF
|
|
Oh, he's said to have been an abominable liar-
|
|
PEER
|
|
A liar-?
|
|
THE BAILIFF
|
|
Yes-all that was strong and great
|
|
he made believe always that he had done it.
|
|
But, excuse me, friend-I have other duties-
|
|
[Goes.]
|
|
PEER
|
|
And where is he now, this remarkable man?
|
|
AN ELDERLY MAN
|
|
He fared over seas to a foreign land;
|
|
it went ill with him there, as one well might foresee;-
|
|
it's many a year now since he was hanged.
|
|
PEER
|
|
Hanged! Ay, ay! Why, I thought as much;
|
|
our lamented Peer Gynt was himself to the last.
|
|
[Bows.]
|
|
Good-bye,-and best thanks for to-day's merry meeting.
|
|
[Goes a few steps, but stops again.]
|
|
You joyous youngsters, you comely lasses,-
|
|
shall I pay my shot with a traveller's tale?
|
|
SEVERAL VOICES
|
|
Yes; do you know any?
|
|
PEER
|
|
Nothing more easy.-
|
|
[He comes nearer; a look of strangeness comes over him.]
|
|
I was gold-digging once in San Francisco.
|
|
There were mountebanks swarming all over the town.
|
|
One with his toes could perform on the fiddle;
|
|
another could dance a Spanish halling on his knees;
|
|
a third, I was told, kept on making verses
|
|
while his brain-pan was having a hole bored right through it.
|
|
To the mountebank-meeting came also the devil;-
|
|
thought he'd try his luck with the rest of them.
|
|
His talent was this: in a manner convincing,
|
|
he was able to grunt like a flesh-and-blood pig.
|
|
He was not recognised, yet his manners attracted.
|
|
The house was well filled; expectation ran high.
|
|
He stepped forth in a cloak with an ample cape to it;
|
|
man muss sich drappiren, as the Germans say.
|
|
But under the mantle-what none suspected-
|
|
he'd managed to smuggle a real live pig.
|
|
And now he opened the representation;
|
|
the devil he pinched, and the pig gave voice.
|
|
The whole thing purported to be a fantasia
|
|
on the porcine existence, both free and in bonds;
|
|
and all ended up with a slaughter-house squeal-
|
|
whereupon the performer bowed low and retired.-
|
|
The critics discussed and appraised the affair;
|
|
the tone of the whole was attacked and defended.
|
|
Some fancied the vocal expression too thin,
|
|
while some thought the death-shriek too carefully studied;
|
|
but all were agreed as to one thing: qua grunt,
|
|
the performance was grossly exaggerated.-
|
|
Now that, you see, came of the devil's stupidity
|
|
in not taking the measure of his public first.
|
|
[He bows and goes off. A puzzled silence comes over the crowd.]
|
|
SCENE FIFTH
|
|
[Whitsun Eve.-In the depths of the forest. To the back, in a
|
|
clearing, is a hut with a pair of reindeer horns over the
|
|
porch-gable.]
|
|
[PEER GYNT is creeping among the undergrowth, gathering wild
|
|
onions.]
|
|
PEER
|
|
Well, this is one standpoint. Where is the next?
|
|
One should try all things and choose the best.
|
|
Well, I have done so,-beginning from Caesar,
|
|
and downwards as far as to Nebuchadnezzar.
|
|
So I had, after all, to go through Bible history;-
|
|
the old boy's had to take to his mother again.
|
|
After all it is written: Of the earth art thou come.-
|
|
The main thing in life is to fill one's belly.
|
|
Fill it with onions? That's not much good;-
|
|
I must take to cunning, and set out snares.
|
|
There's water in the beck here; I shan't suffer thirst;
|
|
and I count as the first 'mong the beasts after all.
|
|
When my time comes to die-as most likely it will,-
|
|
I shall crawl in under a wind-fallen tree;
|
|
like the bear, I will heap up a leaf-mound above me,
|
|
and I'll scratch in big print on the bark of the tree:
|
|
Here rests Peer Gynt, that decent soul,
|
|
Kaiser o'er all of the other beasts.-
|
|
Kaiser?
|
|
[Laughs inwardly.]
|
|
Why, you old soothsayer-humbug!
|
|
no Kaiser are you; you are nought but an onion.
|
|
I'm going to peel you now, my good Peer!
|
|
You won't escape either by begging or howling.
|
|
[Takes an onion and pulls off layer after layer.]
|
|
There lies the outermost layer, all torn;
|
|
that's the shipwrecked man on the jolly-boat's keel.
|
|
Here's the passenger layer, scanty and thin;-
|
|
and yet in its taste there's a tang of Peer Gynt.
|
|
Next underneath is the gold-digger ego;
|
|
the juice is all gone-if it ever had any.
|
|
This coarse-grained layer with the hardened skin
|
|
is the peltry-hunter by Hudson's Bay.
|
|
The next one looks like a crown;-oh, thanks!
|
|
we'll throw it away without more ado.
|
|
Here's the archaeologist, short but sturdy;
|
|
and here is the Prophet, juicy and fresh.
|
|
He stinks, as the Scripture has it, of lies,
|
|
enough to bring the water to an honest man's eyes.
|
|
This layer that rolls itself softly together
|
|
is the gentleman, living in ease and good cheer.
|
|
The next one seems sick. There are black streaks upon it;-
|
|
black symbolises both parsons and niggers.
|
|
[Pulls off several layers at once.]
|
|
What an enormous number of swathings!
|
|
Isn't the kernel soon coming to light?
|
|
[Pulls the whole onion to pieces.]
|
|
I'm blest if it is! To the innermost centre,
|
|
it's nothing but swathings-each smaller and smaller.-
|
|
Nature is witty!
|
|
[Throws the fragments away.]
|
|
The devil take brooding!
|
|
If one goes about thinking, one's apt to stumble.
|
|
Well, I can at any rate laugh at that danger;
|
|
for here on all fours I am firmly planted.
|
|
[Scratches his head.]
|
|
A queer enough business, the whole concern!
|
|
Life, as they say, plays with cards up its sleeve;
|
|
but when one snatches at them, they've disappeared,
|
|
and one grips something else,-or else nothing at all.
|
|
[He has come near to the hut; he catches sight of it and starts.]
|
|
This hut? On the heath-! Ha!
|
|
[Rubs his eyes.]
|
|
It seems exactly
|
|
as though I had known this same building before.-
|
|
The reindeer-horns jutting above the gable!-
|
|
A mermaid, shaped like a fish from the navel!-
|
|
Lies! there's no mermaid! But nails-and planks,-
|
|
bars too, to shut out hobgoblin thoughts!-
|
|
SOLVEIG [singing in the hut].
|
|
Now all is ready for Whitsun Eve.
|
|
Dearest boy of mine, far away,
|
|
comest thou soon?
|
|
Is thy burden heavy,
|
|
take time, take time;-
|
|
I will await thee;
|
|
I promised of old.
|
|
PEER [rises, quiet and deadly pale].
|
|
One that's remembered,-and one that's forgot.
|
|
One that has squandered,-and one that has saved.-
|
|
Oh, earnest!-and never can the game be played o'er!
|
|
Oh, dread!-here was my Kaiserdom!
|
|
[Hurries off along the wood path.]
|
|
SCENE SIXTH
|
|
[Night. A heath, with fir-trees. A forest fire has been raging;
|
|
charred tree-trunks are seen stretching for miles. White mists here
|
|
and there clinging to the earth.]
|
|
[PEER GYNT comes running over the heath.]
|
|
PEER
|
|
Ashes, fog-scuds, dust wind-driven,-
|
|
here's enough for building with!
|
|
Stench and rottenness within it;
|
|
all a whited sepulchre.
|
|
Figments, dreams, and still-born knowledge
|
|
lay the pyramid's foundation;
|
|
o'er them shall the work mount upwards,
|
|
with its step on step of falsehood.
|
|
Earnest shunned, repentance dreaded,
|
|
flaunt at the apex like a scutcheon,
|
|
fill the trump of judgment with their:
|
|
Petrus Gyntus Caesar fecit!
|
|
[Listens.]
|
|
What is this, like children's weeping?
|
|
Weeping, but half-way to song.-
|
|
Thread-balls at my feet are rolling!-
|
|
[Kicking at them.]
|
|
Off with you! You block my path!
|
|
THE THREAD-BALLS [on the ground].
|
|
We are thoughts;
|
|
thou shouldst have thought us;-
|
|
feet to run on
|
|
thou shouldst have given us!
|
|
PEER [going round about].
|
|
I have given life to one;-
|
|
'twas a bungled, crook-legged thing!
|
|
THE THREAD-BALLS
|
|
We should have soared up
|
|
like clangorous voices,-
|
|
and here we must trundle
|
|
as grey-yarn thread-balls.
|
|
PEER [stumbling].
|
|
Thread-clue! You accursed scamp!
|
|
Would you trip your father's heels?
|
|
[Flees.]
|
|
WITHERED LEAVES [flying before the wind].
|
|
We are a watchword;
|
|
thou shouldst have proclaimed us!
|
|
See how thy dozing
|
|
has wofully riddled us.
|
|
The worm has gnawed us
|
|
in every crevice;
|
|
we have never twined us
|
|
like wreaths round fruitage.
|
|
PEER
|
|
Not in vain your birth, however;-
|
|
lie but still and serve as manure.
|
|
A SIGHING IN THE AIR
|
|
We are songs;
|
|
thou shouldst have sung us!-
|
|
a thousand times over
|
|
hast thou cowed us and smothered us.
|
|
Down in thy heart's pit
|
|
we have lain and waited;-
|
|
we were never called forth.
|
|
In thy gorge be poison!
|
|
PEER
|
|
Poison thee, thou foolish stave!
|
|
Had I time for verse and stuff?
|
|
[Attempts a short cut.]
|
|
DEWDROPS [dripping from the branches].
|
|
We are tears
|
|
unshed for ever.
|
|
Ice-spears, sharp-wounding,
|
|
we could have melted.
|
|
Now the barb rankles
|
|
in the shaggy bosom;-
|
|
the wound is closed over;
|
|
our power is ended.
|
|
PEER
|
|
Thanks;-I wept in Ronde-cloisters,-
|
|
none the less they tied the tail on!
|
|
BROKEN STRAWS
|
|
We are deeds;
|
|
thou shouldst have achieved us!
|
|
Doubt, the throttler,
|
|
has crippled and riven us.
|
|
On the Day of Judgment
|
|
we'll come a-flock,
|
|
and tell the story,-
|
|
then woe to you!
|
|
PEER
|
|
Rascal-tricks! How dare you debit
|
|
what is negative against me?
|
|
[Hastens away.]
|
|
ASE'S VOICE [far away].
|
|
Fie, what a post-boy!
|
|
Hu, you've upset me!
|
|
Snow's newly fallen here;-
|
|
sadly it's smirched me.-
|
|
You've driven me the wrong way.
|
|
Peer, where's the castle?
|
|
The Fiend has misled you
|
|
with the switch from the cupboard!
|
|
PEER
|
|
Better haste away, poor fellow!
|
|
With the devil's sins upon you,
|
|
soon you'll faint upon the hillside;-
|
|
hard enough to bear one's own sins.
|
|
[Runs off.]
|
|
SCENE SEVENTH
|
|
[Another part of the heath.]
|
|
PEER GYNT [sings].
|
|
A sexton! A sexton! where are you, hounds?
|
|
A song from braying precentor-mouths;
|
|
around your hat-brim a mourning band;-
|
|
my dead are many; I must follow their biers!
|
|
[THE BUTTON-MOULDER, with a box of tools, and a large casting-ladle,
|
|
comes from a side-path.]
|
|
THE BUTTON-MOULDER
|
|
Well met, old gaffer!
|
|
PEER
|
|
Good evening, friend.
|
|
THE BUTTON-MOULDER
|
|
The man's in a hurry. Why, where is he going?
|
|
PEER
|
|
To a grave-feast.
|
|
THE BUTTON-MOULDER
|
|
Indeed? My sight's not very good;-
|
|
excuse me,-your name doesn't chance to be Peer?
|
|
PEER
|
|
Peer Gynt, as the saying is.
|
|
THE BUTTON-MOULDER
|
|
That I call luck!
|
|
It's precisely Peer Gynt I am sent for to-night.
|
|
PEER
|
|
You're sent for? What do you want?
|
|
THE BUTTON-MOULDER
|
|
Why, see here;
|
|
I'm a button-moulder. You're to go into my ladle.
|
|
PEER
|
|
And what to do there?
|
|
THE BUTTON-MOULDER
|
|
To be melted up.
|
|
PEER
|
|
To be melted?
|
|
THE BUTTON-MOULDER
|
|
Here it is, empty and scoured.
|
|
Your grave is dug ready, your coffin bespoke.
|
|
The worms in your body will live at their ease;-
|
|
but I have orders, without delay,
|
|
on Master's behalf to fetch in your soul.
|
|
PEER
|
|
It can't be! Like this, without any warning-!
|
|
THE BUTTON-MOULDER
|
|
It's an old tradition at burials and births
|
|
to appoint in secret the day of the feast,
|
|
with no warning at all to the guest of honour.
|
|
PEER
|
|
Ay, ay, that's true. All my brain's awhirl.
|
|
You are-?
|
|
THE BUTTON-MOULDER
|
|
Why, I told you-a button-moulder.
|
|
PEER
|
|
I see! A pet child has many nicknames.
|
|
So that's it, Peer; it is there you're to harbour!
|
|
But these, my good man, are most unfair proceedings!
|
|
I'm sure I deserve better treatment than this;-
|
|
I'm not nearly so bad as perhaps you think,-
|
|
I've done a good deal of good in the world;-
|
|
at worst you may call me a sort of a bungler,-
|
|
but certainly not an exceptional sinner.
|
|
THE BUTTON-MOULDER
|
|
Why that is precisely the rub, my man;
|
|
you're no sinner at all in the higher sense;
|
|
that's why you're excused all the torture-pangs,
|
|
and land, like others, in the casting-ladle.
|
|
PEER
|
|
Give it what name you please-call it ladle or pool;
|
|
spruce ale and swipes, they are both of them beer.
|
|
Avaunt from me, Satan!
|
|
THE BUTTON-MOULDER
|
|
You can't be so rude
|
|
as to take my foot for a horse's hoof?
|
|
PEER
|
|
On horse's hoof or on fox's claws-
|
|
be off; and be careful what you're about!
|
|
THE BUTTON-MOULDER
|
|
My friend, you're making a great mistake.
|
|
We're both in a hurry, and so, to save time,
|
|
I'll explain the reason of the whole affair.
|
|
You are, with your own lips you told me so,
|
|
no sinner on the so-called heroic scale,-
|
|
scarce middling even-
|
|
PEER
|
|
Ah, now you're beginning
|
|
to talk common sense
|
|
THE BUTTON-MOULDER
|
|
Just have patience a bit-
|
|
but to call you virtuous would be going too far.-
|
|
PEER
|
|
Well, you know I have never laid claim to that.
|
|
THE BUTTON-MOULDER
|
|
You're nor one thing nor t'other then, only so-so.
|
|
A sinner of really grandiose style
|
|
is nowadays not to be met on the highways.
|
|
It wants much more than merely to wallow in mire;
|
|
for both vigour and earnestness go to a sin.
|
|
PEER
|
|
Ay, it's very true, that remark of yours;
|
|
one has to lay on, like the old Berserkers.
|
|
THE BUTTON-MOULDER
|
|
You, friend, on the other hand, took your sin lightly.
|
|
PEER
|
|
Only outwardly, friend, like a splash of mud.
|
|
THE BUTTON-MOULDER
|
|
Ah, we'll soon be at one now. The sulphur pool
|
|
is no place for you, who but plashed in the mire.
|
|
PEER
|
|
And in consequence, friend, I can go as I came?
|
|
THE BUTTON-MOULDER
|
|
No, in consequence, friend, I must melt you up.
|
|
PEER
|
|
What tricks are these that you've hit upon
|
|
at home here, while I've been in foreign parts?
|
|
THE BUTTON-MOULDER
|
|
The custom's as old as the Snake's creation;
|
|
it's designed to prevent loss of good material.
|
|
You've worked at the craft-you must know that often
|
|
a casting turns out, to speak plainly, mere dross;
|
|
the buttons, for instance, have sometimes no loop to them.
|
|
What did you do, then?
|
|
PEER
|
|
Flung the rubbish away.
|
|
THE BUTTON-MOULDER
|
|
Ah, yes; Jon Gynt was well known for a waster,
|
|
so long as he'd aught left in wallet or purse.
|
|
But Master, you see, he is thrifty, he is;
|
|
and that is why he's so well-to-do.
|
|
He flings nothing away as entirely worthless
|
|
that can be made use of as raw material.
|
|
Now, you were designed for a shining button
|
|
on the vest of the world; but your loop gave way;
|
|
so into the waste-box you needs must go,
|
|
and then, as they phrase it, be merged in the mass.
|
|
PEER
|
|
You're surely not meaning to melt me up,
|
|
with Dick, Tom, and Harry, into something new?
|
|
THE BUTTON-MOULDER
|
|
That's just what I do mean, and nothing else.
|
|
We've done it already to plenty of folks.
|
|
At Kongsberg they do just the same with money
|
|
that's been current so long that its stamp's worn away.
|
|
PEER
|
|
But this is the wretchedest miserliness!
|
|
My dear good friend, let me get off free;-
|
|
a loopless button, a worn out farthing,-
|
|
what is that to a man in your Master's position?
|
|
THE BUTTON-MOULDER
|
|
Oh, so long, and inasmuch as, the spirit's in one,
|
|
one always has value as so much metal.
|
|
PEER
|
|
No, I say! No! With both teeth and claws
|
|
I'll fight against this! Sooner anything else!
|
|
THE BUTTON-MOULDER
|
|
But what else? Come now, be reasonable.
|
|
You know you're not airy enough for heaven-
|
|
PEER
|
|
I'm not hard to content; I don't aim so high;-
|
|
but I won't be deprived of one doit of my Self.
|
|
Have me judged by the law in the old-fashioned way!
|
|
For a certain time place me with Him of the Hoof;-
|
|
say a hundred years, come the worst to the worst;
|
|
that, now, is a thing that one surely can bear;
|
|
for they say the torment is only moral,
|
|
so it can't after all be so pyramidal.
|
|
It is, as 'tis written, a mere transition;
|
|
and as the fox said: One waits; there comes
|
|
an hour of deliverance; one lives in seclusion,
|
|
and hopes in the meantime for happier days.-
|
|
But this other notion-to have to be merged,
|
|
like a mote, in the carcass of some outsider,-
|
|
this casting-ladle business, this Gynt-cessation,-
|
|
it stirs up my innermost soul in revolt!
|
|
THE BUTTON-MOULDER
|
|
Bless me, my dear Peer, there is surely no need
|
|
to get so wrought up about trifles like this.
|
|
Yourself you never have been at all;-
|
|
then what does it matter, your dying right out?
|
|
PEER
|
|
Have I not been-? I could almost laugh!
|
|
Peer Gynt, then, has been something else, I suppose!
|
|
No, Button-moulder, you judge in the dark.
|
|
If you could but look into my very reins,
|
|
you'd find only Peer there, and Peer all through,-
|
|
nothing else in the world, no, nor anything more.
|
|
THE BUTTON-MOULDER
|
|
It's impossible. Here I have got my orders.
|
|
Look, here it is written: Peer Gynt shalt thou summon.
|
|
He has set at defiance his life's design;
|
|
clap him into the ladle with other spoilt goods.
|
|
PEER
|
|
What nonsense! They must mean some other person.
|
|
Is it really Peer? It's not Rasmus, or Jon?
|
|
THE BUTTON-MOULDER
|
|
It is many a day since I melted them.
|
|
So come quietly now, and don't waste my time.
|
|
PEER
|
|
I'll be damned if I do! Ay, 'twould be a fine thing
|
|
if it turned out to-morrow some one else was meant.
|
|
You'd better take care what you're at, my good man!
|
|
think of the onus you're taking upon you-
|
|
THE BUTTON-MOULDER
|
|
I have it in writing-
|
|
PEER
|
|
At least give me time!
|
|
THE BUTTON-MOULDER
|
|
What good would that do you?
|
|
PEER
|
|
I'll use it to prove
|
|
that I've been myself all the days of my life;
|
|
and that's the question that's in dispute.
|
|
THE BUTTON-MOULDER
|
|
You'll prove it? And how?
|
|
PEER
|
|
Why, by vouchers and witnesses.
|
|
THE BUTTON-MOULDER
|
|
I'm sadly afraid Master will not accept them.
|
|
PEER
|
|
Impossible! However, enough for the day-!
|
|
My dear man, allow me a loan of myself;
|
|
I'll be back again shortly. One is born only once,
|
|
and one's self, as created, one fain would stick to.
|
|
Come, are we agreed?
|
|
THE BUTTON-MOULDER
|
|
Very well then, so be it.
|
|
But remember, we meet at the next cross-roads.
|
|
[PEER GYNT runs off.]
|
|
SCENE EIGHTH
|
|
[A further point on the heath.]
|
|
PEER [running hard].
|
|
Time is money, as the scripture says.
|
|
If I only knew where the cross-roads are;-
|
|
they may be near and they may be far.
|
|
The earth burns beneath me like red-hot iron.
|
|
A witness! A witness! Oh, where shall I find one?
|
|
It's almost unthinkable here in the forest.
|
|
The world is a bungle! A wretched arrangement,
|
|
when a man must prove a right that's as patent as day!
|
|
[AN OLD MAN, bent with age, with a staff in his hand and a bag on
|
|
his back, is trudging in front of him.]
|
|
THE OLD MAN [stops].
|
|
Dear, kind sir-a trifle to a houseless soul!
|
|
PEER
|
|
Excuse me; I've got no small change in my pocket-
|
|
THE OLD MAN
|
|
Prince Peer! Oh, to think we should meet again-!
|
|
PEER
|
|
Who are you?
|
|
THE OLD MAN
|
|
You forget the Old Man in the Ronde?
|
|
PEER
|
|
Why, you're never-?
|
|
THE OLD MAN
|
|
The King of the Dovre, my boy!
|
|
PEER
|
|
The Dovre-King? Really? The Dovre-king? Speak!
|
|
THE OLD MAN
|
|
Oh, I've come terribly down in the world-!
|
|
PEER
|
|
Ruined?
|
|
THE OLD MAN
|
|
Ay, plundered of every stiver.
|
|
Here am I tramping it, starved as a wolf.
|
|
PEER
|
|
Hurrah! Such a witness doesn't grow on the trees!
|
|
THE OLD MAN
|
|
My Lord Prince, too, has grizzled a bit since we met.
|
|
PEER
|
|
My dear father-in-law, the years gnaw and wear one.-
|
|
Well well, a truce to all private affairs,-
|
|
and pray, above all things, no family jars.
|
|
I was then a sad madcap-
|
|
THE OLD MAN
|
|
Oh yes; oh yes;-
|
|
His Highness was young; and what won't one do then?
|
|
But his Highness was wise in rejecting his bride;
|
|
he saved himself thereby both worry and shame;
|
|
for since then she's utterly gone to the bad-
|
|
PEER
|
|
Indeed!
|
|
THE OLD MAN
|
|
She has led a deplorable life;
|
|
and, just think,-she and Trond are now living together.
|
|
PEER
|
|
Which Trond?
|
|
THE OLD MAN
|
|
Of the Valfjeld.
|
|
PEER
|
|
It's he? Aha;
|
|
it was he I cut out with the saeter-girls.
|
|
THE OLD MAN
|
|
But my grandson has flourished-grown both stout and great,
|
|
and has strapping children all over the country-
|
|
PEER
|
|
Now, my dear man, spare us this flow of words;-
|
|
I've something quite different troubling my mind.-
|
|
I've got into rather a ticklish position,
|
|
and am greatly in need of a witness or voucher;-
|
|
that's how you could help me best, father-in-law,
|
|
and I'll find you a trifle to drink my health with.
|
|
THE OLD MAN
|
|
You don't say so; can I be of use to his Highness?
|
|
You'll give me a character, then, in return?
|
|
PEER
|
|
Most gladly. I'm somewhat hard pressed for cash,
|
|
and must cut down expenses in every direction.
|
|
Now hear what's the matter. No doubt you remember
|
|
that night when I came to the Ronde a-wooing-
|
|
THE OLD MAN
|
|
Why, of course, my Lord Prince!
|
|
PEER
|
|
Oh, no more of the Prince!
|
|
But no matter. You wanted, by sheer brute force,
|
|
to bias my sight, with a slit in the lens,
|
|
and to change me about from Peer Gynt to a troll.
|
|
What did I do then? I stood out against it,-
|
|
swore I would stand on no feet but my own;
|
|
love, power, and glory at once I renounced,
|
|
and all for the sake of remaining myself.
|
|
Now this fact, you see, you must swear to in Court-
|
|
THE OLD MAN
|
|
No, I'm blest if I can.
|
|
PEER
|
|
Why, what nonsense is this?
|
|
THE OLD MAN
|
|
You surely don't want to compel me to lie?
|
|
You pulled on the troll-breeches, don't you remember,
|
|
and tasted the mead-
|
|
PEER
|
|
Ay, you lured me seductively;-
|
|
but I flatly declined the decisive test,
|
|
and that is the thing you must judge your man by.
|
|
It's the end of the ditty that all depends on.
|
|
THE OLD MAN
|
|
But it ended, Peer, just in the opposite way.
|
|
PEER
|
|
What rubbish is this?
|
|
THE OLD MAN
|
|
When you left the Ronde,
|
|
you inscribed my motto upon your 'scutcheon.
|
|
PEER
|
|
What motto?
|
|
THE OLD MAN
|
|
The potent and sundering word.
|
|
PEER
|
|
The word?
|
|
THE OLD MAN
|
|
That which severs the whole race of men
|
|
from the troll-folk.Troll! To thyself be enough!
|
|
PEER [falls back a step].
|
|
Enough!
|
|
THE OLD MAN
|
|
And with every nerve in your body,
|
|
you've being living up to it ever since.
|
|
PEER
|
|
What, I? Peer Gynt?
|
|
THE OLD MAN [weeps].
|
|
It's ungrateful of you!
|
|
You've lived as a troll, but have still kept it secret.
|
|
The word I taught you has shown you the way
|
|
to swing yourself up as a man of substance;-
|
|
and now you must needs come and turn up your nose
|
|
at me and the word you've to thank for it all.
|
|
PEER
|
|
Enough! A hill-troll! An egoist!
|
|
This must be all rubbish; that's perfectly certain!
|
|
THE OLD MAN [pulls out a bundle of old newspapers].
|
|
I daresay you think that we've no newspapers?
|
|
Wait; here I'll show you in red and black,
|
|
how the Bloksberg Post eulogises you;
|
|
and the Heklefield Journal has done the same
|
|
ever since the winter you left the country.-
|
|
Do you care to read them? You're welcome, Peer.
|
|
Here's an article, look you, signed "Stallionhoof."
|
|
And here too is one: "On Troll-Nationalism."
|
|
The writer points out and lays stress on the truth
|
|
that horns and a tail are of little importance,
|
|
so long as one has but a strip of the hide.
|
|
"Our enough," he concludes, "gives the hall-mark of trolldom
|
|
to man,"-and proceeds to cite you as an instance.
|
|
PEER
|
|
A hill-troll? I?
|
|
THE OLD MAN
|
|
Yes, that's perfectly clear.
|
|
PEER
|
|
Might as well have stayed quietly where I was?
|
|
Might have stopped in the Ronde in comfort and peace?
|
|
Saved my trouble and toil and no end of shoe-leather?
|
|
Peer Gynt-a troll? Why it's rubbish! It's stuff!
|
|
Good-bye! There's a halfpenny to buy you tobacco.
|
|
THE OLD MAN
|
|
Nay, my good Prince Peer!
|
|
PEER
|
|
Let me go! You're mad,
|
|
or else doting. Off to the hospital with you!
|
|
THE OLD MAN
|
|
Oh, that is exactly what I'm in search of.
|
|
But, as I told you, my grandson's offspring
|
|
have become overwhelmingly strong in the land,
|
|
and they say that I only exist in books.
|
|
The saw says: One's kin are unkindest of all;
|
|
I've found to my cost that that saying is true.
|
|
It's cruel to count as mere figment and fable
|
|
PEER
|
|
My dear man, there are others who share the same fate.
|
|
THE OLD MAN
|
|
And ourselves we've no Mutual Aid Society,
|
|
no alms-box or Penny Savings Bank;-
|
|
in the Ronde, of course, they'd be out of place.
|
|
PEER
|
|
No, that cursed: To thyself be enough was the word there!
|
|
THE OLD MAN
|
|
Oh, come now, the Prince can't complain of the word.
|
|
And if he could manage by hook or by crook-
|
|
PEER
|
|
My man, you have got on the wrong scent entirely;
|
|
I'm myself, as the saying goes, fairly cleaned out-
|
|
THE OLD MAN
|
|
You surely can't mean it? His Highness a beggar?
|
|
PEER
|
|
Completely. His Highness's ego's in pawn.
|
|
And it's all your fault, you accursed trolls!
|
|
That's what comes of keeping bad company.
|
|
THE OLD MAN
|
|
So there came my hope toppling down from its perch again!
|
|
Good-bye! I had best struggle on to the town-
|
|
PEER
|
|
What would you do there?
|
|
THE OLD MAN
|
|
I will go to the theatre.
|
|
The papers are clamouring for national talents-
|
|
PEER
|
|
Good luck on your journey; and greet them from me.
|
|
If I can but get free, I will go the same way.
|
|
A farce I will write them, a mad and profound one;
|
|
its name shall be: "Sic transit gloria mundi."
|
|
[He runs off along the road; the OLD MAN shouts after him.]
|
|
SCENE NINTH
|
|
[At a cross-road.]
|
|
PEER GYNT
|
|
Now comes the pinch, Peer, as never before!
|
|
This Dovrish Enough has passed judgment upon you.
|
|
The vessel's a wreck; one must float with the spars.
|
|
All else; only not to the spoilt-goods heap!
|
|
THE BUTTON-MOULDER [at the cross-road].
|
|
Well now, Peer Gynt, have you found your voucher?
|
|
PEER
|
|
Have we reached the cross-road? Well, that's short work!
|
|
THE BUTTON-MOULDER
|
|
I can see on your face, as it were on a signboard,
|
|
the gist of the paper before I've read it.
|
|
PEER
|
|
I got tired of the hunt;-One might lose one's way-
|
|
THE BUTTON-MOULDER
|
|
Yes; and what does it lead to, after all?
|
|
PEER
|
|
True enough; in the wood, and by night as well-
|
|
THE BUTTON-MOULDER
|
|
There's an old man, though, trudging. Shall we call him here?
|
|
PEER
|
|
No let him go. He is drunk, my dear fellow!
|
|
THE BUTTON-MOULDER
|
|
But perhaps he might-
|
|
PEER
|
|
Hush; no-let him be!
|
|
THE BUTTON-MOULDER
|
|
Well, shall we turn to then?
|
|
PEER
|
|
One question only:
|
|
What is it, at bottom, this "being oneself"?
|
|
THE BUTTON-MOULDER
|
|
A singular question, most odd in the mouth
|
|
of a man who just now-
|
|
PEER
|
|
Come, a straightforward answer.
|
|
THE BUTTON-MOULDER
|
|
To be oneself is: to slay oneself.
|
|
But on you that answer is doubtless lost;
|
|
and therefore we'll say: to stand forth everywhere
|
|
with Master's intention displayed like a signboard.
|
|
PEER
|
|
But suppose a man never has come to know
|
|
what Master meant with him?
|
|
THE BUTTON-MOULDER
|
|
He must divine it.
|
|
PEER
|
|
But how oft are divinings beside the mark,-
|
|
then one's carried ad undas in middle career.
|
|
THE BUTTON-MOULDER
|
|
That is certain, Peer Gynt; in default of divining
|
|
the cloven-hoofed gentleman finds his best hook.
|
|
PEER
|
|
This matter's excessively complicated.-
|
|
See here! I no longer plead being myself;-
|
|
it might not be easy to get it proven.
|
|
That part of my case I must look on as lost.
|
|
But just now, as I wandered alone o'er the heath,
|
|
I felt my conscience-shoe pinching me;
|
|
I said to myself: After all, you're a sinner-
|
|
THE BUTTON-MOULDER
|
|
You seem bent on beginning all over again-
|
|
PEER
|
|
No, very far from it; a great one I mean;
|
|
not only in deeds, but in words and desires.
|
|
I've lived a most damnable life abroad-
|
|
THE BUTTON-MOULDER
|
|
Perhaps; I must ask you to show me the schedule!
|
|
PEER
|
|
Well well, give me time; I will find out a parson,
|
|
confess with all speed, and then bring you his voucher.
|
|
THE BUTTON-MOULDER
|
|
Ay, if you can bring me that, then it is clear
|
|
you escape this business of the casting-ladle.
|
|
But Peer, I'd my orders-
|
|
PEER
|
|
The paper is old;
|
|
it dates no doubt from a long past period;-
|
|
at one time I lived with disgusting slackness,
|
|
went playing the prophet, and trusted in Fate.
|
|
Well, may I try?
|
|
THE BUTTON-MOULDER
|
|
But-!
|
|
PEER
|
|
My dear fellow,
|
|
I'm sure you can't have so much to do.
|
|
Here, in this district, the air is so bracing,
|
|
it adds an ell to the people's ages.
|
|
Recollect what the Justedal parson wrote:
|
|
"It's seldom that any one dies in this valley."
|
|
THE BUTTON-MOULDER
|
|
To the next cross-roads then; but not a step further.
|
|
PEER
|
|
A priest I must catch, if it be with the tongs.
|
|
[He starts running.]
|
|
SCENE TENTH
|
|
[A heather-clad hillside with a path following the windings of the
|
|
ridge.]
|
|
PEER
|
|
This may come in useful in many ways,
|
|
said Esben as he picked up a magpie's wing.
|
|
Who could have thought one's account of sins
|
|
would come to one's aid on the last night of all?
|
|
Well, whether or no, it's a ticklish business;
|
|
a move from the frying-pan into the fire;-
|
|
but then there's a proverb of well-tried validity
|
|
which says that as long as there's life, there's hope.
|
|
[A LEAN PERSON, in a priest's cassock, kilted-up high, and with a
|
|
birding net over his shoulder, comes hurrying along the ridge.]
|
|
PEER
|
|
Who goes there? A priest with a fowling-net!
|
|
Hei, hop! I'm the spoilt child of fortune indeed!
|
|
Good evening, Herr Pastor! the path is bad-
|
|
THE LEAN ONE
|
|
Ah yes; but what wouldn't one do for a soul?
|
|
PEER
|
|
Aha! then there's some one bound heavenwards?
|
|
THE LEAN ONE
|
|
No;
|
|
I hope he is taking a different road.
|
|
PEER
|
|
May I walk with Herr Pastor a bit of the way?
|
|
THE LEAN ONE
|
|
With pleasure; I'm partial to company.
|
|
PEER
|
|
I should like to consult you-
|
|
THE LEAN ONE
|
|
Heraus! Go ahead!
|
|
PEER
|
|
You see here before you a good sort of man.
|
|
The laws of the state I have strictly observed,
|
|
have made no acquaintance with fetters or bolts;-
|
|
but it happens at times that one misses one's footing
|
|
and stumbles-
|
|
THE LEAN ONE
|
|
Ah yes; that occurs to the best of us.
|
|
PEER
|
|
Now these trifles you see-
|
|
THE LEAN ONE
|
|
Only trifles?
|
|
PEER
|
|
Yes;
|
|
from sinning en gros I have ever refrained.
|
|
THE LEAN ONE
|
|
Oh then, my dear fellow, pray leave me in peace;-
|
|
I'm not the person you seem to think me.-
|
|
You look at my fingers? What see you in them?
|
|
PEER
|
|
A nail-system somewhat extremely developed.
|
|
THE LEAN ONE
|
|
And now? You are casting a glance at my feet?
|
|
PEER [pointing].
|
|
That's a natural hoof?
|
|
THE LEAN ONE
|
|
So I flatter myself.
|
|
PEER [raises his hat].
|
|
I'd have taken my oath you were simply a parson;
|
|
and I find I've the honour-. Well, best is best;-
|
|
when the hall door stands wide,-shun the kitchen way;
|
|
when the king's to be met with,-avoid the lackey.
|
|
THE LEAN ONE
|
|
Your hand! You appear to be free from prejudice.
|
|
Say on then, my - friend; in what way can I serve you?
|
|
Now you mustn't ask me for wealth or power;
|
|
I couldn't supply them although I should hang for it.
|
|
You can't think how slack the whole business is;-
|
|
transactions have dwindled most pitiably.
|
|
Nothing doing in souls; only now and again
|
|
a stray one-
|
|
PEER
|
|
The race has improved so remarkably?
|
|
THE LEAN ONE
|
|
No, just the reverse; it's sunk shamefully low;-
|
|
the majority end in a casting-ladle.
|
|
PEER
|
|
Ah yes-I have heard that ladle mentioned;
|
|
in fact, 'twas the cause of my coming to you.
|
|
THE LEAN ONE
|
|
Speak out!
|
|
PEER
|
|
If it were not too much to ask,
|
|
I should like-
|
|
THE LEAN ONE
|
|
A harbour of refuge? eh?
|
|
PEER
|
|
You've guessed my petition before I have asked.
|
|
You tell me the business is going awry;
|
|
so I daresay you will not be over-particular.
|
|
THE LEAN ONE
|
|
But, my dear-
|
|
PEER
|
|
My demands are in no way excessive.
|
|
I shouldn't insist on a salary;
|
|
but treatment as friendly as things will permit.
|
|
THE LEAN ONE
|
|
A fire in your room?
|
|
PEER
|
|
Not too much fire;-and chiefly
|
|
the power of departing in safety and peace,-
|
|
the right, as the phrase goes, of freely withdrawing
|
|
should an opening offer for happier days.
|
|
THE LEAN ONE
|
|
My dear friend, I vow I'm sincerely distressed;
|
|
but you cannot imagine how many petitions
|
|
of similar purport good people send in
|
|
when they're quitting the scene of their earthly activity.
|
|
PEER
|
|
But now that I think of my past career,
|
|
I feel I've an absolute claim to admission-
|
|
THE LEAN ONE
|
|
'Twas but trifles, you said-
|
|
PEER
|
|
In a certain sense;-
|
|
but, now I remember, I've trafficked in slaves-
|
|
THE LEAN ONE
|
|
There are men that have trafficked in wills and souls,
|
|
but who bungled it so that they failed to get in.
|
|
PEER
|
|
I've shipped Bramah-figures in plenty to China.
|
|
THE LEAN ONE
|
|
Mere fustian again! Why, we laugh at such things.
|
|
There are people that ship off far gruesomer figures
|
|
in sermons, in art, and in literature-
|
|
yet have to stay out in the cold-
|
|
PEER
|
|
Ah, but then,
|
|
do you know-I once went and set up as prophet!
|
|
THE LEAN ONE
|
|
In foreign parts? Humbug! Why, most people's sehen
|
|
ins Blaue ends in the casting-ladle.
|
|
If you've no more than that to rely upon,
|
|
with the best of goodwill, I can't possibly house you.
|
|
PEER
|
|
But hear this: In a shipwreck-I clung to a boat's keel,-
|
|
and it's written: A drowning man grasps at a straw,-
|
|
furthermore it is written: You're nearest yourself,-
|
|
so I half-way divested a cook of his life.
|
|
THE LEAN ONE
|
|
It were all one to me if a kitchen-maid
|
|
you had half-way divested of something else.
|
|
What sort of stuff is this half-way jargon,
|
|
saving your presence? Who, think you, would care
|
|
to throw away dearly-bought fuel in times
|
|
like these on such spiritless rubbish as this?
|
|
There now, don't be enraged; 'twas your sins that scoffed at;
|
|
and excuse my speaking my mind so bluntly.-
|
|
Come, my dearest friend, banish this stuff from your head,
|
|
and get used to the thought of the casting-ladle.
|
|
What would you gain if I lodged you and boarded you?
|
|
Consider; I know you're a sensible man.
|
|
Well, you'd keep your memory; that's so far true;-
|
|
|
|
but the retrospect o'er recollection's domain
|
|
would be, both for heart and for intellect,
|
|
what the Swedes call "Mighty poor sport" indeed.
|
|
You have nothing either to howl or to smile about,
|
|
no cause for rejoicing nor yet for despair,
|
|
nothing to make you feel hot or cold;
|
|
only a sort of a something to fret over.
|
|
PEER
|
|
It is written: It's never so easy to know
|
|
where the shoe is tight that one isn't wearing.
|
|
THE LEAN ONE
|
|
Very true; I have-praise be to so-and-so!-
|
|
no occasion for more than a single odd shoe.
|
|
But it's lucky we happened to speak of shoes;
|
|
it reminds me that I must be hurrying on;-
|
|
I'm after a roast that I hope will prove fat;
|
|
so I really mustn't stand gossiping here.-
|
|
PEER
|
|
And may one inquire, then, what sort of sin-diet
|
|
the man has been fattened on?
|
|
THE LEAN ONE
|
|
I understand
|
|
he has been himself both by night and by day,
|
|
and that, after all, is the principal point.
|
|
PEER
|
|
Himself? Then do such folks belong to your parish?
|
|
THE LEAN ONE
|
|
That depends; the door, at least, stands ajar for them.
|
|
Remember, in two ways a man can be
|
|
himself-there's a right and wrong side to the jacket.
|
|
You know they have lately discovered in Paris
|
|
a way to take portraits by help of the sun.
|
|
One can either produce a straightforward picture,
|
|
or else what is known as a negative one.
|
|
In the latter the lights and the shades are reversed,
|
|
and they're apt to seem ugly to commonplace eyes;
|
|
but for all that the likeness is latent in them,
|
|
and all you require is to bring it out.
|
|
If, then, a soul shall have pictured itself
|
|
in the course of its life by the negative method,
|
|
the plate is not therefore entirely cashiered,-
|
|
but without more ado they consign it to me.
|
|
I take it in hand, then, for further treatment,
|
|
and by suitable methods effect its development.
|
|
I steam it, I dip it, I burn it, I scour it,
|
|
with sulphur and other ingredients like that,
|
|
till the image appears which the plate was designed for,-
|
|
that, namely, which people call positive.
|
|
But if one, like you, has smudged himself out,
|
|
neither sulphur nor potash avails in the least.
|
|
PEER
|
|
I see; one must come to you black as a raven
|
|
to turn out a white ptarmigan? Pray what's the name
|
|
inscribed 'neath the negative counterfeit
|
|
that you're now to transfer to the positive side?
|
|
THE LEAN ONE
|
|
The name's Peter Gynt.
|
|
PEER
|
|
Peter Gynt! Indeed?
|
|
Is Herr Gynt himself?
|
|
THE LEAN ONE
|
|
Yes, he vows he is.
|
|
PEER
|
|
Well, he's one to be trusted, that same Herr Peter.
|
|
THE LEAN ONE
|
|
You know him, perhaps?
|
|
PEER
|
|
Oh yes, after a fashion;-
|
|
one knows all sorts of people.
|
|
THE LEAN ONE
|
|
I'm pressed for time;
|
|
where saw you him last?
|
|
PEER
|
|
It was down at the Cape.
|
|
THE LEAN ONE
|
|
Di Buona Speranza?
|
|
PEER
|
|
Just so; but he sails
|
|
very shortly again, if I'm not mistaken.
|
|
THE LEAN ONE
|
|
I must hurry off then without delay.
|
|
I only hope I may catch him in time!
|
|
That Cape of Good Hope-I could never abide it;-
|
|
it's ruined by missionaries from Stavanger.
|
|
[He rushes off southwards.]
|
|
PEER
|
|
The stupid hound! There he takes to his heels
|
|
with his tongue lolling out. He'll be finely sold.
|
|
It delights me to humbug an ass like that.
|
|
He to give himself airs, and to lord it forsooth!
|
|
He's a mighty lot, truly, to swagger about!
|
|
He'll scarcely grow fat at his present trade;-
|
|
he'll soon drop from his perch with his whole apparatus.-
|
|
Hm, I'm not over-safe in the saddle either;
|
|
[A shooting star is seen; he nods after it.]
|
|
I'm expelled, one may say, from self-owning nobility.
|
|
Bear all hail from Peer Gynt, Brother Starry-Flash!
|
|
To flash forth, to go out, and be naught at a gulp-
|
|
[Pulls himself together as though in terror, and goes deeper in
|
|
among the mists; stillness for awhile; then he cries:]
|
|
Is there no one, no one in all the turmoil,-
|
|
in the void no one, no one in heaven-!
|
|
[He comes forward again further down, throws his hat upon the
|
|
ground, and tears at his hair. By degrees a stillness comes over him.]
|
|
So unspeakably poor, then, a soul can go
|
|
back to nothingness, into the grey of the mist.
|
|
Thou beautiful earth, be not angry with me
|
|
that I trampled thy grasses to no avail.
|
|
Thou beautiful sun, thou hast squandered away
|
|
thy glory of light in an empty hut.
|
|
There was no one within it to hearten and warm;-
|
|
the owner, they tell me, was never at home.
|
|
Beautiful sun and beautiful earth,
|
|
you were foolish to bear and give light to my mother.
|
|
The spirit is niggard and nature lavish;
|
|
and dearly one pays for one's birth with one's life.-
|
|
I will clamber up high, to the dizziest peak;
|
|
I will look once more on the rising sun,
|
|
gaze till I'm tired o'er the promised land;
|
|
then try to get snowdrifts piled up over me.
|
|
They can write above them: "Here No One lies buried;"
|
|
and afterwards,-then-! Let things go as they can.
|
|
CHURCH-GOERS [singing on the forest path].
|
|
Oh, morning thrice blessed,
|
|
when the tongues of God's kingdom
|
|
struck the earth like to flaming steel!
|
|
from the earth to His dwelling
|
|
now the heirs' song ascendeth
|
|
in the tongue of the kingdom of God.
|
|
PEER [crouches as in terror].
|
|
Never look there! there all's desert and waste.-
|
|
I fear I was dead long before I died.
|
|
[Tries to slink in among the bushes, but comes upon the
|
|
cross-roads.]
|
|
THE BUTTON-MOULDER
|
|
Good morning, Peer Gynt! Where's the list of your sins?
|
|
PEER
|
|
Do you think that I haven't been whistling and shouting
|
|
as hard as I could?
|
|
THE BUTTON-MOULDER
|
|
And met no one at all?
|
|
PEER
|
|
Not a soul but a tramping photographer.
|
|
THE BUTTON-MOULDER
|
|
Well, the respite is over.
|
|
PEER
|
|
Ay, everything's over.
|
|
The owl smells the daylight. just list to the hooting!
|
|
THE BUTTON-MOULDER
|
|
It's the matin-bell ringing-
|
|
PEER [pointing].
|
|
What's that shining yonder?
|
|
THE BUTTON-MOULDER
|
|
Only light from a hut.
|
|
PEER
|
|
And that wailing sound-?
|
|
THE BUTTON-MOULDER
|
|
But a woman singing.
|
|
PEER
|
|
Ay, there-there I'll find
|
|
the list of my sins-
|
|
THE BUTTON-MOULDER [seizing him].
|
|
Set your house in order!
|
|
[They have come out of the underwood, and are standing near the hut.
|
|
Day is dawning.]
|
|
PEER
|
|
Set my house in order? It's there! Away!
|
|
Get you gone! Though your ladle were huge as a coffin,
|
|
it were too small, I tell you, for me and my sins!
|
|
THE BUTTON-MOULDER
|
|
Well, to the third cross-road, Peer; but then-!
|
|
[Turns aside and goes.]
|
|
PEER [approaches the hut].
|
|
Forward and back, and it's just as far.
|
|
Out and in, and it's just as strait.
|
|
[Stops.]
|
|
No!-like a wild, an unending lament,
|
|
is the thought: to come back, to go in, to go home.
|
|
[Takes a few steps on, but stops again.]
|
|
Roundabout, said the Boyg!
|
|
[Hears singing in the hut.]
|
|
Ah, no; this time at least
|
|
right through, though the path may be never so strait!
|
|
[He runs towards the hut; at the same moment SOLVEIG appears in
|
|
the doorway, dressed for church, with psalm-book wrapped in a
|
|
kerchief, and a staff in her hand. She stands there erect and mild.]
|
|
PEER [flings himself down on the threshold].
|
|
Hast thou doom for a sinner, then speak it forth!
|
|
SOLVEIG
|
|
He is here! He is here! Oh, to God be the praise!
|
|
[Stretches out her arms as though groping for him.]
|
|
PEER
|
|
Cry out all my sins and my trespasses!
|
|
SOLVEIG
|
|
In nought hast thou sinned, oh my own only boy.
|
|
[Gropes for him again, and finds him.]
|
|
THE BUTTON-MOULDER [behind the house].
|
|
The sin-list, Peer Gynt?
|
|
PEER
|
|
Cry aloud my crime!
|
|
SOLVEIG [sits down beside him].
|
|
Thou hast made all my life as a beautiful song.
|
|
Blessed be thou that at last thou hast come!
|
|
Blessed, thrice blessed our Whitsun-morn meeting!
|
|
PEER
|
|
Then I am lost!
|
|
SOLVEIG
|
|
There is one that rules all things.
|
|
PEER [laughs].
|
|
Lost! Unless thou canst answer riddles.
|
|
SOLVEIG
|
|
Tell me them.
|
|
PEER
|
|
Tell them! Come on! To be sure!
|
|
Canst thou tell where Peer Gynt has been since we parted?
|
|
SOLVEIG
|
|
Been?
|
|
PEER
|
|
With his destiny's seal on his brow;
|
|
been, as in God's thought he first sprang forth!
|
|
Canst thou tell me? If not, I must get me home,-
|
|
go down to the mist-shrouded regions.
|
|
SOLVEIG [smiling].
|
|
Oh, that riddle is easy.
|
|
PEER
|
|
Then tell what thou knowest!
|
|
Where was I, as myself, as the whole man, the true man?
|
|
where was I, with God's sigil upon my brow?
|
|
SOLVEIG
|
|
In my faith, in my hope, and in my love.
|
|
PEER [starts back].
|
|
What sayest thou-? Peace! These are juggling words.
|
|
Thou art mother thyself to the man that's there.
|
|
SOLVEIG
|
|
Ay, that I am; but who is his father?
|
|
Surely he that forgives at the mother's prayer.
|
|
PEER [a light shines in his face; he cries:]
|
|
My mother; my wife; oh, thou innocent woman!-
|
|
in thy love-oh, there hide me, hide me!
|
|
[Clings to her and hides his face in her lap. A long silence. The
|
|
sun rises.]
|
|
SOLVEIG [sings softly].
|
|
Sleep thou, dearest boy of mine!
|
|
I will cradle thee, I will watch thee-
|
|
The boy has been sitting on his mother's lap.
|
|
They two have been playing all the life-day long.
|
|
The boy has been resting at his mother's breast
|
|
all the life-day long. God's blessing on my joy!
|
|
The boy has been lying close in to my heart
|
|
all the life-day long. He is weary now.
|
|
Sleep thou, dearest boy of mine!
|
|
I will cradle thee, I will watch thee.
|
|
THE BUTTON-MOULDER'S VOICE [behind the house].
|
|
We'll meet at the last cross-road again, Peer;
|
|
and then we'll see whether-; I say no more.
|
|
SOLVEIG [sings louder in the full daylight].
|
|
I will cradle thee, I will watch thee;
|
|
Sleep and dream thou, dear my boy!
|
|
|
|
|
|
-THE END-
|