17962 lines
811 KiB
Plaintext
17962 lines
811 KiB
Plaintext
The Project Gutenberg Etext of Thomas Hardy's Jude the Obscure.
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Jude the Obscure by Thomas Hardy
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August, 1994 [Etext #153]
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The Project Gutenberg Etext of Jude the Obscure, by Thomas Hardy
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The Project Gutenberg Etext of Jude the Obscure
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by Thomas Hardy
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Part First
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AT MARYGREEN
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"Yea, many there be that have run out of their wits for women,
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and become servants for their sakes. Many also have perished,
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have erred, and sinned, for women.... O ye men, how can it be
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but women should be strong, seeing they do thus?"--ESDRAS.
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I
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THE schoolmaster was leaving the village, and everybody seemed sorry.
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The miller at Cresscombe lent him the small white tilted cart and horse
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to carry his goods to the city of his destination, about twenty miles off,
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such a vehicle proving of quite sufficient size for the departing
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teacher's effects. For the schoolhouse had been partly furnished by
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the managers, and the only cumbersome article possessed by the master,
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in addition to the packing-case of books, was a cottage piano that he had
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bought at an auction during the year in which he thought of learning
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instrumental music. But the enthusiasm having waned he had never acquired
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any skill in playing, and the purchased article had been a perpetual trouble
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to him ever since in moving house.
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The rector had gone away for the day, being a man who disliked
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the sight of changes. He did not mean to return till the evening,
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when the new school-teacher would have arrived and settled in,
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and everything would be smooth again.
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The blacksmith, the farm bailiff, and the schoolmaster himself were
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standing in perplexed attitudes in the parlour before the instrument.
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The master had remarked that even if he got it into the cart he should
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not know what to do with it on his arrival at Christminster, the city
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he was bound for, since he was only going into temporary lodgings just
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at first.
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A little boy of eleven, who had been thoughtfully assisting
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in the packing, joined the group of men, and as they rubbed
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their chins he spoke up, blushing at the sound of his own voice:
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"Aunt have got a great fuel-house, and it could be put there,
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perhaps, till you've found a place to settle in, sir."
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"A proper good notion," said the blacksmith.
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It was decided that a deputation should wait on the boy's aunt--
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an old maiden resident--and ask her if she would house the piano
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till Mr. Phillotson should send for it. The smith and the bailiff
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started to see about the practicability of the suggested shelter,
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and the boy and the schoolmaster were left standing alone.
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"Sorry I am going, Jude?" asked the latter kindly.
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Tears rose into the boy's eyes, for he was not among the regular day scholars,
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who came unromantically close to the schoolmaster's life, but one who had
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attended the night school only during the present teacher's term of office.
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The regular scholars, if the truth must be told, stood at the present moment
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afar off, like certain historic disciples, indisposed to any enthusiastic
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volunteering of aid.
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The boy awkwardly opened the book he held in his hand,
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which Mr. Phillotson had bestowed on him as a parting gift,
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and admitted that he was sorry.
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"So am I," said Mr. Phillotson.
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"Why do you go, sir?" asked the boy.
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"Ah--that would be a long story. You wouldn't understand my reasons, Jude.
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You will, perhaps, when you are older."
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"I think I should now, sir."
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"Well--don't speak of this everywhere. You know what a university is,
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and a university degree? It is the necessary hallmark of a man
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who wants to do anything in teaching. My scheme, or dream,
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is to be a university graduate, and then to be ordained. By going
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to live at Christminster, or near it, I shall be at headquarters,
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so to speak, and if my scheme is practicable at all, I consider
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that being on the spot will afford me a better chance of carrying it
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out than I should have elsewhere."
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The smith and his companion returned. Old Miss Fawley's fuel-house was dry,
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and eminently practicable; and she seemed willing to give the instrument
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standing-room there. It was accordingly left in the school till the evening,
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when more hands would be available for removing it; and the schoolmaster gave
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a final glance round.
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The boy Jude assisted in loading some small articles, and at nine o'clock
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Mr. Phillotson mounted beside his box of books and other IMPEDIMENTA,
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and bade his friends good-bye.
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"I shan't forget you, Jude," he said, smiling, as the cart moved off.
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"Be a good boy, remember; and be kind to animals and birds, and read all
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you can. And if ever you come to Christminster remember you hunt me out
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for old acquaintance' sake."
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The cart creaked across the green, and disappeared round
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the corner by the rectory-house. The boy returned to the draw-well
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at the edge of the greensward, where he had left his buckets
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when he went to help his patron and teacher in the loading.
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There was a quiver in his lip now and after opening the well-cover
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to begin lowering the bucket he paused and leant with his forehead
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and arms against the framework, his face wearing the fixity
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of a thoughtful child's who has felt the pricks of life somewhat
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before his time. The well into which he was looking was as
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ancient as the village itself, and from his present position
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appeared as a long circular perspective ending in a shining
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disk of quivering water at a distance of a hundred feet down.
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There was a lining of green moss near the top, and nearer still
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the hart's-tongue fern.
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He said to himself, in the melodramatic tones of a whimsical boy,
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that the schoolmaster had drawn at that well scores of times
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on a morning like this, and would never draw there any more.
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"I've seen him look down into it, when he was tired with his drawing,
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just as I do now, and when he rested a bit before carrying
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the buckets home! But he was too clever to bide here any longer--
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a small sleepy place like this!"
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A tear rolled from his eye into the depths of the well.
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The morning was a little foggy, and the boy's breathing
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unfurled itself as a thicker fog upon the still and heavy air.
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His thoughts were interrupted by a sudden outcry:
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"Bring on that water, will ye, you idle young harlican!"
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It came from an old woman who had emerged from her door towards
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the garden gate of a green-thatched cottage not far off.
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The boy quickly waved a signal of assent, drew the water
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with what was a great effort for one of his stature, landed and
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emptied the big bucket into his own pair of smaller ones,
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and pausing a moment for breath, started with them across
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the patch of clammy greensward whereon the well stood--
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nearly in the centre of the little village, or rather hamlet
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of Marygreen.
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It was as old-fashioned as it was small, and it rested in the lap
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of an undulating upland adjoining the North Wessex downs.
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Old as it was, however, the well-shaft was probably the only
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relic of the local history that remained absolutely unchanged.
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Many of the thatched and dormered dwelling-houses had been
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pulled down of late years, and many trees felled on the green.
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Above all, the original church, hump-backed, wood-turreted,
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and quaintly hipped, had been taken down, and either cracked
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up into heaps of road-metal in the lane, or utilized
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as pig-sty walls, garden seats, guard-stones to fences,
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and rockeries in the flower-beds of the neighbourhood.
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In place of it a tall new building of modern Gothic design,
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unfamiliar to English eyes, had been erected on a new piece
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of ground by a certain obliterator of historic records who had run
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down from London and back in a day. The site whereon so long
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had stood the ancient temple to the Christian divinities was
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not even recorded on the green and level grass-plot that had
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immemorially been the churchyard, the obliterated graves being
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commemorated by eighteen-penny castiron crosses warranted to last
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five years.
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II
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SLENDER as was Jude Fawley's frame he bore the two brimming
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house-buckets of water to the cottage without resting.
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Over the door was a little rectangular piece of blue board,
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on which was painted in yellow letters, "Drusilla Fawley, Baker."
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Within the little lead panes of the window--this being one
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of the few old houses left--were five bottles of sweets,
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and three buns on a plate of the willow pattern.
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While emptying the buckets at the back of the house he could hear
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an animated conversation in progress within-doors between his
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great-aunt, the Drusilla of the sign-board, and some other villagers.
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Having seen the school-master depart, they were summing up particulars
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of the event, and indulging in predictions of his future.
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"And who's he?" asked one, comparatively a stranger, when the boy entered.
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"Well ye med ask it, Mrs. Williams. He's my great-nephew--come since you
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was last this way." The old inhabitant who answered was a tall, gaunt woman,
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who spoke tragically on the most trivial subject, and gave a phrase
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of her conversation to each auditor in turn. "He come from Mellstock,
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down in South Wessex, about a year ago--worse luck for 'n, Belinda"
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(turning to the right) "where his father was living, and was took wi'
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the shakings for death, and died in two days, as you know, Caroline"
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(turning to the left). "It would ha' been a blessing if Goddy-mighty
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had took thee too, wi' thy mother and father, poor useless boy!
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But I've got him here to stay with me till I can see what's to be
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done with un, though I am obliged to let him earn any penny he can.
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Just now he's a-scaring of birds for Farmer Troutham. It keeps him
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out of mischty. Why do ye turn away, Jude?" she continued, as the boy,
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feeling the impact of their glances like slaps upon his face,
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moved aside.
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The local washerwoman replied that it was perhaps a very good
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plan of Miss or Mrs. Fawley's (as they called her indifferently)
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to have him with her--"to kip 'ee company in your loneliness,
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fetch water, shet the winder-shet-ters o' nights, and help in
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the bit o' baking."
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|
|
Miss Fawley doubted it.... "Why didn't ye get the schoolmaster
|
|
to take 'ee to Christminster wi' un, and make a scholar of 'ee,"
|
|
she continued, in frowning pleasantry. "I'm sure he couldn't ha'
|
|
took a better one. The boy is crazy for books, that he is.
|
|
It runs in our family rather. His cousin Sue is just the same--
|
|
so I've heard; but I have not seen the child for years, though she
|
|
was born in this place, within these four walls, as it happened.
|
|
My niece and her husband, after they were married, didn' get a house
|
|
of their own for some year or more; and then they only had one till--
|
|
Well, I won't go into that. Jude, my child, don't you ever marry.
|
|
'Tisn't for the Fawleys to take that step any more. She, their only one,
|
|
was like a child o' my own, Belinda, till the split come!
|
|
Ah, that a little maid should know such changes!"
|
|
|
|
Jude, finding the general attention again centering on himself,
|
|
went out to the bakehouse, where he ate the cake provided
|
|
for his breakfast. The end of his spare time had now arrived,
|
|
and emerging from the garden by getting over the hedge at
|
|
the back he pursued a path northward, till he came to a wide
|
|
and lonely depression in the general level of the upland,
|
|
which was sown as a corn-field. This vast concave was the scene
|
|
of his labours for Mr Troutham the farmer, and he descended into
|
|
the midst of it.
|
|
|
|
The brown surface of the field went right up towards the sky all round,
|
|
where it was lost by degrees in the mist that shut out the actual verge
|
|
and accentuated the solitude. The only marks on the uniformity of the scene
|
|
were a rick of last year's produce standing in the midst of the arable,
|
|
the rooks that rose at his approach, and the path athwart the fallow
|
|
by which he had come, trodden now by he hardly knew whom, though once
|
|
by many of his own dead family.
|
|
|
|
"How ugly it is here!" he murmured.
|
|
|
|
The fresh harrow-lines seemed to stretch like the channellings
|
|
in a piece of new corduroy, lending a meanly utilitarian air
|
|
to the expanse, taking away its gradations, and depriving it of all
|
|
history beyond that of the few recent months, though to every clod
|
|
and stone there really attached associations enough and to spare--
|
|
echoes of songs from ancient harvest-days, of spoken words,
|
|
and of sturdy deeds. Every inch of ground had been the site,
|
|
first or last, of energy, gaiety, horse-play, bickerings, weariness.
|
|
Groups of gleaners had squatted in the sun on every square yard.
|
|
Love-matches that had populated the adjoining hamlet had been
|
|
made up there between reaping and carrying. Under the hedge
|
|
which divided the field from a distant plantation girls had given
|
|
themselves to lovers who would not turn their heads to look at them
|
|
by the next harvest; and in that ancient cornfield many a man
|
|
had made love-promises to a woman at whose voice he had trembled
|
|
by the next seed-time after fulfilling them in the church adjoining.
|
|
But this neither Jude nor the rooks around him considered.
|
|
For them it was a lonely place, possessing, in the one view, only the
|
|
quality of a work-ground, and in the other that of a granary good to
|
|
feed in.
|
|
|
|
The boy stood under the rick before mentioned, and every few seconds used
|
|
his clacker or rattle briskly. At each clack the rooks left off pecking,
|
|
and rose and went away on their leisurely wings, burnished like tassets
|
|
of mail, afterwards wheeling back and regarding him warily, and descending
|
|
to feed at a more respectful distance.
|
|
|
|
He sounded the clacker till his arm ached, and at length
|
|
his heart grew sympathetic with the birds' thwarted desires.
|
|
They seemed, like himself, to be living in a world which did
|
|
not want them. Why should he frighten them away? They took
|
|
upon more and more the aspect of gentle friends and pensioners--
|
|
the only friends he could claim as being in the least degree
|
|
interested in him, for his aunt had often told him that she was not.
|
|
He ceased his rattling, and they alighted anew.
|
|
|
|
"Poor little dears!" said Jude, aloud. "You SHALL have some dinner--
|
|
you shall. There is enough for us all. Farmer Troutham can afford
|
|
to let you have some. Eat, then my dear little birdies, and make
|
|
a good meal!"
|
|
|
|
They stayed and ate, inky spots on the nut-brown soil and Jude
|
|
enjoyed their appetite. A magic thread of fellow-feeling united
|
|
his own life with theirs. Puny and sorry as those lives were,
|
|
they much resembled his own.
|
|
|
|
His clacker he had by this time thrown away from him, as being a mean
|
|
and sordid instrument, offensive both to the birds and to himself
|
|
as their friend. All at once he became conscious of a smart blow upon
|
|
his buttocks, followed by a loud clack, which announced to his surprised
|
|
senses that the clacker had been the instrument of offence used.
|
|
The birds and Jude started up simultaneously, and the dazed eyes
|
|
of the latter beheld the farmer in person, the great Troutham himself,
|
|
his red face glaring down upon Jude's cowering frame, the clacker swinging
|
|
in his hand.
|
|
|
|
"So it's 'Eat my dear birdies,' is it, young man?
|
|
'Eat, dear birdies,' indeed! I'll tickle your breeches,
|
|
and see if you say, 'Eat, dear birdies,' again in a hurry!
|
|
And you've been idling at the schoolmaster's too, instead of
|
|
coming here, ha'n't ye, hey? That's how you earn your sixpence
|
|
a day for keeping the rooks off my corn!"
|
|
|
|
Whilst saluting Jude's ears with this impassioned rhetoric,
|
|
Troutham had seized his left hand with his own left, and swinging
|
|
his slim frame round him at arm's-length, again struck Jude
|
|
on the hind parts with the flat side of Jude's own rattle,
|
|
till the field echoed with the blows, which were delivered once
|
|
or twice at each revolution.
|
|
|
|
"Don't 'ee, sir--please don't 'ee!" cried the whirling child, as helpless
|
|
under the centrifugal tendency of his person as a hooked fish swinging
|
|
to land, and beholding the hill, the rick, the plantation, the path,
|
|
and the rooks going round and round him in an amazing circular race.
|
|
"I--I sir--only meant that--there was a good crop in the ground--
|
|
I saw 'em sow it--and the rooks could have a little bit for dinner--
|
|
and you wouldn't miss it, sir--and Mr. Phillotson said I was to be kind to
|
|
'em--oh, oh, oh!"
|
|
|
|
This truthful explanation seemed to exasperate the farmer even more
|
|
than if Jude had stoutly denied saying anything at all, and he still
|
|
smacked the whirling urchin, the clacks of the instrument continuing
|
|
to resound all across the field and as far as the ears of distant workers--
|
|
who gathered thereupon that Jude was pursuing his business of clacking
|
|
with great assiduity--and echoing from the brand-new church tower just
|
|
behind the mist, towards the building of which structure the farmer
|
|
had largely subscribed, to testify his love for God and man.
|
|
|
|
Presently Troutham grew tired of his punitive task, and depositing
|
|
the quivering boy on his legs, took a sixpence from his pocket
|
|
and gave it him in payment for his day's work, telling him to go
|
|
home and never let him see him in one of those fields again.
|
|
|
|
Jude leaped out of arm's reach, and walked along the trackway weeping--
|
|
not from the pain, though that was keen enough; not from the perception
|
|
of the flaw in the terrestrial scheme, by which what was good for God's
|
|
birds was bad for God's gardener; but with the awful sense that he had
|
|
wholly disgraced himself before he had been a year in the parish,
|
|
and hence might be a burden to his great-aunt for life.
|
|
|
|
With this shadow on his mind he did not care to show himself in the village,
|
|
and went homeward by a roundabout track behind a high hedge and across
|
|
a pasture. Here he beheld scores of coupled earthworms lying half their
|
|
length on the surface of the damp ground, as they always did in such weather
|
|
at that time of the year. It was impossible to advance in regular steps
|
|
without crushing some of them at each tread.
|
|
|
|
Though Farmer Troutham had just hurt him, he was a boy who could not
|
|
himself bear to hurt anything. He had never brought home a nest of young
|
|
birds without lying awake in misery half the night after, and often
|
|
re-instating them and the nest in their original place the next morning.
|
|
He could scarcely bear to see trees cut down or lopped, from a fancy
|
|
that it hurt them; and late pruning, when the sap was up and the tree
|
|
bled profusely, had been a positive grief to him in his infancy.
|
|
This weakness of character, as it may be called, suggested that he was the
|
|
sort of man who was born to ache a good deal before the fall of the curtain
|
|
upon his unnecessary life should signify that all was well with him again.
|
|
He carefully picked his way on tiptoe among the earthworms, without killing
|
|
a single one.
|
|
|
|
On entering the cottage he found his aunt selling a penny loaf
|
|
to a little girl, and when the customer was gone she said,
|
|
"Well, how do you come to be back here in the middle
|
|
of the morning like this?"
|
|
|
|
"I'm turned away."
|
|
|
|
"What?"
|
|
|
|
"Mr. Troutham have turned me away because I let the rooks have a few
|
|
peckings of corn. And there's my wages--the last I shall ever hae!"
|
|
|
|
He threw the sixpence tragically on the table.
|
|
|
|
"Ah!" said his aunt, suspending her breath. And she opened upon him a lecture
|
|
on how she would now have him all the spring upon her hands doing nothing.
|
|
"If you can't skeer birds, what can ye do? There! don't ye look so deedy!
|
|
Farmer Troutham is not so much better than myself, come to that.
|
|
But 'tis as Job said, 'Now they that are younger than I have me in derision,
|
|
whose fathers I would have disdained to have set with the dogs of my flock.'
|
|
His father was my father's journeyman, anyhow, and I must have been a fool
|
|
to let 'ee go to work for 'n, which I shouldn't ha' done but to keep 'ee out
|
|
of mischty."
|
|
|
|
More angry with Jude for demeaning her by coming there than for dereliction
|
|
of duty, she rated him primarily from that point of view, and only secondarily
|
|
from a moral one.
|
|
|
|
"Not that you should have let the birds eat what Farmer Troutham planted.
|
|
Of course you was wrong in that. Jude, Jude, why didstn't go off with
|
|
that schoolmaster of thine to Christminster or somewhere? But, oh no--
|
|
poor or'nary child--there never was any sprawl on thy side of the family,
|
|
and never will be!"
|
|
|
|
"Where is this beautiful city, Aunt--this place where Mr. Phillotson
|
|
is gone to?" asked the boy, after meditating in silence.
|
|
|
|
"Lord! you ought to know where the city of Christminster is.
|
|
Near a score of miles from here. It is a place much
|
|
too good for you ever to have much to do with, poor boy,
|
|
I'm a-thinking."
|
|
|
|
"And will Mr. Phillotson always be there?"
|
|
|
|
"How can I tell?"
|
|
|
|
"Could I go to see him?"
|
|
|
|
"Lord, no! You didn't grow up hereabout, or you wouldn't ask such as that.
|
|
We've never had anything to do with folk in Christminster, nor folk in
|
|
Christminster with we."
|
|
|
|
Jude went out, and, feeling more than ever his existence to be
|
|
an undemanded one, he lay down upon his back on a heap of litter
|
|
near the pig-sty. The fog had by this time become more translucent,
|
|
and the position of the sun could be seen through it. He pulled
|
|
his straw hat over his face, and peered through the interstices
|
|
of the plaiting at the white brightness, vaguely reflecting.
|
|
Growing up brought responsibilities, he found. Events did not rhyme
|
|
quite as he had thought. Nature's logic was too horrid for him
|
|
to care for. That mercy towards one set of creatures was cruelty
|
|
towards another sickened his sense of harmony. As you got older,
|
|
and felt yourself to be at the centre of your time, and not at
|
|
a point in its circumference, as you had felt when you were little,
|
|
you were seized with a sort of shuddering, he perceived. All around you
|
|
there seemed to be something glaring, garish, rattling, and the noises
|
|
and glares hit upon the little cell called your life, and shook it,
|
|
and warped it.
|
|
|
|
If he could only prevent himself growing up! He did not want to be a man.
|
|
|
|
Then, like the natural boy, he forgot his despondency, and sprang up.
|
|
During the remainder of the morning he helped his aunt, and in the afternoon,
|
|
when there was nothing more to be done, he went into the village.
|
|
Here he asked a man whereabouts Christminster lay.
|
|
|
|
"Christminster? Oh, well, out by there yonder; though I've never bin there--
|
|
not I. I've never had any business at such a place."
|
|
|
|
The man pointed north-eastward, in the very direction where lay that
|
|
field in which Jude had so disgraced himself. There was something
|
|
unpleasant about the coincidence for the moment, but the fearsomeness
|
|
of this fact rather increased his curiosity about the city.
|
|
The farmer had said he was never to be seen in that field again;
|
|
yet Christminster lay across it, and the path was a public one.
|
|
So, stealing out of the hamlet, he descended into the same hollow
|
|
which had witnessed his punishment in the morning, never swerving
|
|
an inch from the path, and climbing up the long and tedious ascent
|
|
on the other side till the track joined the highway by a little clump
|
|
of trees. Here the ploughed land ended, and all before him was bleak
|
|
open down.
|
|
|
|
|
|
|
|
III
|
|
|
|
|
|
NOT a soul was visible on the hedgeless highway, or on either side of it,
|
|
and the white road seemed to ascend and diminish till it joined the sky.
|
|
At the very top it was crossed at right angles by a green "ridgeway"--the
|
|
Ickneild Street and original Roman road through the district. This ancient
|
|
track ran east and west for many miles, and down almost to within living
|
|
memory had been used for driving flocks and herds to fairs and markets.
|
|
But it was now neglected and overgrown.
|
|
|
|
The boy had never before strayed so far north as this from the nestling
|
|
hamlet in which he had been deposited by the carrier from a railway
|
|
station southward, one dark evening some few months earlier, and till
|
|
now he had had no suspicion that such a wide, flat, low-lying country
|
|
lay so near at hand, under the very verge of his upland world.
|
|
The whole northern semicircle between east and west, to a distance
|
|
of forty or fifty miles, spread itself before him; a bluer,
|
|
moister atmosphere, evidently, than that he breathed up here.
|
|
|
|
Not far from the road stood a weather-beaten old barn of reddish-grey brick
|
|
and tile. It was known as the Brown House by the people of the locality.
|
|
He was about to pass it when he perceived a ladder against the eaves;
|
|
and the reflection that the higher he got, the further he could see,
|
|
led Jude to stand and regard it. On the slope of the roof two men
|
|
were repairing the tiling. He turned into the ridgeway and drew towards
|
|
the barn.
|
|
|
|
When he had wistfully watched the workmen for some time he took courage,
|
|
and ascended the ladder till he stood beside them.
|
|
|
|
"Well, my lad, and what may you want up here?~'
|
|
|
|
"I wanted to know where the city of Christminster is, if you please."
|
|
|
|
"Christminster is out across there, by that clump. You can see it--
|
|
at least you can on a clear day. Ah, no, you can't now."
|
|
|
|
The other tiler, glad of any kind of diversion from the monotony
|
|
of his labour, had also turned to look towards the quarter designated.
|
|
"You can't often see it in weather like this," he said. "The time
|
|
I've noticed it is when the sun is going down in a blaze of flame,
|
|
and it looks like--I don't know what."
|
|
|
|
"The heavenly Jerusalem," suggested the serious urchin.
|
|
|
|
"Ay--though I should never ha' thought of it myself.... But
|
|
I can't see no Christminster to-day."
|
|
|
|
The boy strained his eyes also; yet neither could he see the far-off city.
|
|
He descended from the barn, and abandoning Christminster with the versatility
|
|
of his age he walked along the ridge-track, looking for any natural objects
|
|
of interest that might lie in the banks thereabout. When he repassed the barn
|
|
to go back to Marygreen he observed that the ladder was still in its place,
|
|
but that the men had finished their day's work and gone away.
|
|
|
|
It was waning towards evening; there was still a faint mist,
|
|
but it had cleared a little except in the damper tracts
|
|
of subjacent country and along the river-courses. He thought
|
|
again of Christminster, and wished, since he had come two or
|
|
three miles from his aunt's house on purpose, that he could have
|
|
seen for once this attractive city of which he had been told.
|
|
But even if he waited here it was hardly likely that the air
|
|
would clear before night. Yet he was loth to leave the spot,
|
|
for the northern expanse became lost to view on retreating towards
|
|
the village only a few hundred yards.
|
|
|
|
He ascended the ladder to have one more look at the point the men
|
|
had designated, and perched himself on the highest rung, overlying
|
|
the tiles. He might not be able to come so far as this for many days.
|
|
Perhaps if he prayed, the wish to see Christminster might be forwarded.
|
|
People said that, if you prayed, things sometimes came to you,
|
|
even though they sometimes did not. He had read in a tract that a man
|
|
who had begun to build a church, and had no money to finish it,
|
|
knelt down and prayed, and the money came in by the next post.
|
|
Another man tried the same experiment, and the money did not come;
|
|
but he found afterwards that the breeches he knelt in were made
|
|
by a wicked Jew. This was not discouraging, and turning on the ladder
|
|
Jude knelt on the third rung, where, resting against those above it,
|
|
he prayed that the mist might rise.
|
|
|
|
He then seated himself again, and waited. In the course of ten or fifteen
|
|
minutes the thinning mist dissolved altogether from the northern horizon,
|
|
as it had already done elsewhere, and about a quarter of an hour before
|
|
the time of sunset the westward clouds parted, the sun's position being
|
|
partially uncovered, and the beams streaming out in visible lines between two
|
|
bars of slaty cloud. The boy immediately looked back in the old direction.
|
|
|
|
Some way within the limits of the stretch of landscape, points of light
|
|
like the topaz gleamed. The air increased in transparency with the lapse
|
|
of minutes, till the topaz points showed themselves to be the vanes,
|
|
windows, wet roof slates, and other shining spots upon the spires,
|
|
domes, freestone-work, and varied outlines that were faintly revealed.
|
|
It was Christminster, unquestionably; either directly seen, or miraged
|
|
in the peculiar atmosphere.
|
|
|
|
The spectator gazed on and on till the windows and vanes lost their shine,
|
|
going out almost suddenly like extinguished candles. The vague city became
|
|
veiled in mist. Turning to the west, he saw that the sun had disappeared.
|
|
The foreground of the scene had grown funereally dark, and near objects put on
|
|
the hues and shapes of chimaeras.
|
|
|
|
He anxiously descended the ladder, and started homewards
|
|
at a run, trying not to think of giants, Herne the Hunter,
|
|
Apollyon lying in wait for Christian, or of the captain
|
|
with the bleeding hole in his forehead and the corpses round
|
|
him that remutinied every night on board the bewitched ship.
|
|
He knew that he had grown out of belief in these horrors,
|
|
yet he was glad when he saw the church tower and the lights in
|
|
the cottage windows, even though this was not the home of his birth,
|
|
and his great-aunt did not care much about him.
|
|
|
|
Inside and round about that old woman's "shop" window, with its twenty-four
|
|
little panes set in lead-work, the glass of some of them oxidized with age,
|
|
so that you could hardly see the poor penny articles exhibited within,
|
|
and forming part of a stock which a strong man could have carried, Jude had
|
|
his outer being for some long tideless time. But his dreams were as gigantic
|
|
as his surroundings were small.
|
|
|
|
Through the solid barrier of cold cretaceous upland to the northward
|
|
he was always beholding a gorgeous city--the fancied place
|
|
he had likened to the new Jerusalem, though there was perhaps more
|
|
of the painter's imagination and less of the diamond merchant's
|
|
in his dreams thereof than in those of the Apocalyptic writer.
|
|
And the city acquired a tangibility, a permanence, a hold on his life,
|
|
mainly from the one nucleus of fact that the man for whose knowledge
|
|
and purposes he had so much reverence was actually living there;
|
|
not only so, but living among the more thoughtful and mentally shining
|
|
ones therein.
|
|
|
|
In sad wet seasons, though he knew it must rain at Christminster too,
|
|
he could hardly believe that it rained so drearily there.
|
|
Whenever he could get away from the confines of the hamlet
|
|
for an hour or two, which was not often, he would steal off
|
|
to the Brown House on the hill and strain his eyes persistently;
|
|
sometimes to be rewarded by the sight of a dome or spire,
|
|
at other times by a little smoke, which in his estimate had some of
|
|
the mysticism of incense.
|
|
|
|
Then the day came when it suddenly occurred to him that if he ascended
|
|
to the point of view after dark, or possibly went a mile or two further,
|
|
he would see the night lights of the city. It would be necessary to come
|
|
back alone, but even that consideration did not deter him, for he could
|
|
throw a little manliness into his mood, no doubt.
|
|
|
|
The project was duly executed. It was not late when he arrived
|
|
at the place of outlook, only just after dusk, but a black
|
|
north-east sky, accompanied by a wind from the same quarter,
|
|
made the occasion dark enough. He was rewarded; but what
|
|
he saw was not the lamps in rows, as he had half expected.
|
|
No individual light was visible, only a halo or glow-fog
|
|
over-arching the place against the black heavens behind it,
|
|
making the light and the city seem distant but a mile
|
|
or so.
|
|
|
|
He set himself to wonder on the exact point in the glow
|
|
where the schoolmaster might be--he who never communicated
|
|
with anybody at Marygreen now; who was as if dead to them here.
|
|
In the glow he seemed to see Phillotson promenading at ease,
|
|
like one of the forms in Nebuchadnezzar's furnace.
|
|
|
|
He had heard that breezes travelled at the rate of ten miles an hour,
|
|
and the fact now came into his mind. He parted his lips as he faced
|
|
the north-east, and drew in the wind as if it were a sweet liquor.
|
|
|
|
"You," he said, addressing the breeze caressingly "were in Christminster city
|
|
between one and two hours ago, floating along the streets, pulling round
|
|
the weather-cocks, touching Mr. Phillotson's face, being breathed by him;
|
|
and now you are here, breathed by me--you, the very same."
|
|
|
|
Suddenly there came along this wind something towards him--
|
|
a message from the place--from some soul residing there, it seemed.
|
|
Surely it was the sound of bells, the voice of the city,
|
|
faint and musical, calling to him, "We are happy here!"
|
|
|
|
He had become entirely lost to his bodily situation during this mental leap,
|
|
and only got back to it by a rough recalling. A few yards below the brow
|
|
of the hill on which he paused a team of horses made its appearance,
|
|
having reached the place by dint of half an hour's serpentine progress from
|
|
the bottom of the immense declivity. They had a load of coals behind them--
|
|
a fuel that could only be got into the upland by this particular route.
|
|
They were accompanied by a carter, a second man, and a boy, who now kicked a
|
|
large stone behind one of the wheels, and allowed the panting animals to have
|
|
a long rest, while those in charge took a flagon off the load and indulged in
|
|
a drink round.
|
|
|
|
They were elderly men, and had genial voices. Jude addressed them,
|
|
inquiring if they had come from Christminster.
|
|
|
|
"Heaven forbid, with this load!" said they.
|
|
|
|
"The place I mean is that one yonder." He was getting so romantically
|
|
attached to Christminster that, like a young lover alluding to his mistress,
|
|
he felt bashful at mentioning its name again. He pointed to the light
|
|
in the sky--hardly perceptible to their older eyes.
|
|
|
|
"Yes. There do seem a spot a bit brighter in the nor'- east
|
|
than elsewhere, though I shouldn't ha' noticed it myself,
|
|
and no doubt it med be Christminster."
|
|
|
|
Here a little book of tales which Jude had tucked up under his arm,
|
|
having brought them to read on his way hither before it grew dark,
|
|
slipped and fell into the road. The carter eyed him while he picked it
|
|
up and straightened the leaves.
|
|
|
|
"Ah, young man," he observed, "you'd have to get your head screwed
|
|
on t'other way before you could read what they read there."
|
|
|
|
"Why?" asked the boy.
|
|
|
|
"Oh, they never look at anything that folks like we can understand,"
|
|
the carter continued, by way of passing the time.
|
|
"On'y foreign tongues used in the days of the Tower of Babel,
|
|
when no two families spoke alike. They read that sort of thing
|
|
as fast as a night-hawk will whir. 'Tis all learning there--
|
|
nothing but learning, except religion. And that's learning too,
|
|
for I never could understand it. Yes, 'tis a serious-minded place.
|
|
Not but there's wenches in the streets o' nights.... You know,
|
|
I suppose, that they raise pa'sons there like radishes in a bed?
|
|
And though it do take--how many years, Bob?--five years to turn
|
|
a lirruping hobble-de-hoy chap into a solemn preaching man
|
|
with no corrupt passions, they'll do it, if it can be done,
|
|
and polish un off like the workmen they be, and turn un out wi'
|
|
a long face, and a long black coat and waistcoat, and a religious
|
|
collar and hat, same as they used to wear in the Scriptures,
|
|
so that his own mother wouldn't know un sometimes.... There,
|
|
'tis their business, like anybody else's."
|
|
|
|
"But how should you know"
|
|
|
|
"Now don't you interrupt, my boy. Never interrupt your senyers.
|
|
Move the fore hoss aside, Bobby; here's som'at coming.... You must mind
|
|
that I be a-talking of the college life. 'Em lives on a lofty level;
|
|
there's no gainsaying it, though I myself med not think much of 'em.
|
|
As we be here in our bodies on this high ground, so be they in their minds--
|
|
noble-minded men enough, no doubt--some on 'em--able to earn hundreds
|
|
by thinking out loud. And some on 'em be strong young fellows that can
|
|
earn a'most as much in silver cups. As for music, there's beautiful
|
|
music everywhere in Christminster. You med be religious, or you med not,
|
|
but you can't help striking in your homely note with the rest.
|
|
And there's a street in the place--the main street--that ha'n't
|
|
another like it in the world. I should think I did know a little
|
|
about Christminster!"
|
|
|
|
By this time the horses had recovered breath and bent to their collars again.
|
|
Jude, throwing a last adoring look at the distant halo, turned and walked
|
|
beside his remarkably well-informed friend, who had no objection to telling
|
|
him as they moved on more yet of the city--its towers and halls and churches.
|
|
The waggon turned into a cross-road, whereupon Jude thanked the carter warmly
|
|
for his information, and said he only wished he could talk half as well about
|
|
Christminster as he.
|
|
|
|
"Well, 'tis oonly what has come in my way," said the carter unboastfully.
|
|
"I've never been there, no more than you; but I've picked up the knowledge
|
|
here and there, and you be welcome to it. A-getting about the world as I do,
|
|
and mixing with all classes of society, one can't help hearing of things.
|
|
A friend o' mine, that used to clane the boots at the Crozier Hotel in
|
|
Christminster when he was in his prime, why, I knowed un as well as my own
|
|
brother in his later years."
|
|
|
|
Jude continued his walk homeward alone, pondering so deeply
|
|
that he forgot to feel timid. He suddenly grew older.
|
|
It had been the yearning of his heart to find something to anchor on,
|
|
to cling to--for some place which he could call admirable.
|
|
Should he find that place in this city if he could get there?
|
|
Would it be a spot in which, without fear of farmers, or hindrance,
|
|
or ridicule, he could watch and wait, and set himself to some
|
|
mighty undertaking like the men of old of whom he had heard?
|
|
As the halo had been to his eyes when gazing at it a quarter of an
|
|
hour earlier, so was the spot mentally to him as he pursued his
|
|
dark way.
|
|
|
|
"It is a city of light," he said to himself.
|
|
|
|
"The tree of knowledge grows there," he added a few steps further on.
|
|
|
|
"It is a place that teachers of men spring from and go to."
|
|
|
|
"It is what you may call a castle, manned by scholarship and religion."
|
|
|
|
After this figure he was silent a long while, till he added:
|
|
|
|
"It would just suit me."
|
|
|
|
|
|
|
|
IV
|
|
|
|
|
|
WALKING somewhat slowly by reason of his concentration, the boy--an ancient
|
|
man in some phases of thought, much younger than his years in others--
|
|
was overtaken by a light-footed pedestrian, whom, notwithstanding the gloom,
|
|
he could perceive to be wearing an extraordinarily tall hat,
|
|
a swallow-tailed coat, and a watch-chain that danced madly and threw
|
|
around scintillations of sky-light as its owner swung along upon a pair
|
|
of thin legs and noiseless boots. Jude, beginning to feel lonely,
|
|
endeavoured to keep up with him.
|
|
|
|
"Well, my man! I'm in a hurry, so you'll have to walk pretty fast
|
|
if you keep alongside of me. Do you know who I am?"
|
|
|
|
"Yes, I think. Physician Vilbert?"
|
|
|
|
"Ah--l'm known everywhere, I see! That comes of being a public benefactor."
|
|
|
|
Vilbert was an itinerant quack-doctor, well known to the rustic population,
|
|
and absolutely unknown to anybody else, as he, indeed, took care to be,
|
|
to avoid inconvenient investigations. Cottagers formed his only patients,
|
|
and his Wessex-wide repute was among them alone. His position was
|
|
humbler and his field more obscure than those of the quacks with capital
|
|
and an organized system of advertising. He was, in fact, a survival.
|
|
The distances he traversed on foot were enormous, and extended nearly
|
|
the whole length and breadth of Wessex. Jude had one day seen him selling
|
|
a pot of coloured lard to an old woman as a certain cure for a bad leg,
|
|
the woman arranging to pay a guinea, in instalments of a shilling
|
|
a fortnight, for the precious salve, which, according to the physician,
|
|
could only be obtained from a particular animal which grazed on Mount Sinai,
|
|
and was to be captured only at great risk to life and limb. Jude, though he
|
|
already had his doubts about this gentleman's medicines, felt him to be
|
|
unquestionably a travelled personage, and one who might be a trustworthy
|
|
source of information on matters not strictly professional.
|
|
|
|
"I s'pose you've been to Christminster, Physician?"
|
|
|
|
"I have--many times," replied the long thin man. "That's one of my centres."
|
|
|
|
"It's a wonderful city for scholarship and religion?"
|
|
|
|
"You'd say so, my boy, if you'd seen it. Why, the very sons of the old
|
|
women who do the washing of the colleges can talk in Latin--not good Latin,
|
|
that I admit, as a critic: dog-Latin--cat-Latin, as we used to call it in my
|
|
undergraduate days."
|
|
|
|
"And Greek?"
|
|
|
|
"Well--that's more for the men who are in training for bishops,
|
|
that they may be able to read the New Testament in the original."
|
|
|
|
"I want to learn Latin and Greek myself."
|
|
|
|
"A lofty desire. You must get a grammar of each tongue."
|
|
|
|
"I mean to go to Christminster some day."
|
|
|
|
"Whenever you do, you say that Physician Vilbert is the only proprietor
|
|
of those celebrated pills that infallibly cure all disorders of
|
|
the alimentary system, as well as asthma and shortness of breath.
|
|
Two and threepence a box--specially licensed by the government stamp."
|
|
|
|
"Can you get me the grammars if I promise to say it hereabout?"
|
|
|
|
"I'll sell you mine with pleasure--those I used as a student."
|
|
|
|
"Oh, thank you, sir!" said Jude gratefully, but in gasps,
|
|
for the amazing speed of the physician's walk kept him
|
|
in a dog-trot which was giving him a stitch in the side.
|
|
"I think you'd better drop behind, my young man.
|
|
Now I'll tell you what I'll do. I'll get you the grammars,
|
|
and give you a first lesson, if you'll remember, at every house
|
|
in the village, to recommend Physician Vilbert's golden ointment,
|
|
life-drops, and female pills."
|
|
|
|
"Where will you be with the grammars?"
|
|
|
|
"I shall be passing here this day fortnight at precisely this hour
|
|
of five-and-twenty minutes past seven. My movements are as truly
|
|
timed as those of the planets in their courses."
|
|
|
|
"Here I'll be to meet you," said Jude.
|
|
|
|
"With orders for my medicines?"
|
|
|
|
"Yes, Physician."
|
|
|
|
Jude then dropped behind, waited a few minutes to recover breath,
|
|
and went home with a consciousness of having struck a blow
|
|
for Christminster.
|
|
|
|
Through the intervening fortnight he ran about and smiled outwardly at
|
|
his inward thoughts, as if they were people meeting and nodding to him--
|
|
smiled with that singularly beautiful irradiation which is seen
|
|
to spread on young faces at the inception of some glorious idea,
|
|
as if a supernatural lamp were held inside their transparent natures,
|
|
giving rise to the flattering fancy that heaven lies about them then.
|
|
|
|
He honestly performed his promise to the man of many cures,
|
|
in whom he now sincerely believed, walking miles hither and thither
|
|
among the surrounding hamlets as the Physician's agent in advance.
|
|
On the evening appointed he stood motionless on the plateau,
|
|
at the place where he had parted from Vilbert, and there
|
|
awaited his approach. The road-physician was fairly up
|
|
to time; but, to the surprise of Jude on striking into his pace,
|
|
which the pedestrian did not diminish by a single unit of force,
|
|
the latter seemed hardly to recognize his young companion,
|
|
though with the lapse of the fortnight the evenings had grown light.
|
|
Jude thought it might perhaps be owing to his wearing another hat,
|
|
and he saluted the physician with dignity.
|
|
|
|
"Well, my boy?" said the latter abstractedly.
|
|
|
|
"I've come," said Jude.
|
|
|
|
"You? who are you? Oh yes--to be sure! Got any orders, lad?"
|
|
|
|
"Yes." And Jude told him the names and addresses of the cottagers who
|
|
were willing to test the virtues of the world-renowned pills and salve.
|
|
The quack mentally registered these with great care.
|
|
|
|
"And the Latin and Greek grammars?" Jude's voice trembled with anxiety.
|
|
|
|
"What about them?"
|
|
|
|
"You were to bring me yours, that you used before you took your degree."
|
|
|
|
"Ah, yes, yes! Forgot all about it--all! So many lives depending
|
|
on my attention, you see, my man, that I can't give so much thought
|
|
as I would like to other things."
|
|
|
|
Jude controlled himself sufficiently long to make sure of the truth;
|
|
and he repeated, in a voice of dry misery, "You haven't brought 'em!"
|
|
|
|
"No. But you must get me some more orders from sick people,
|
|
and I'll bring the grammars next time."
|
|
|
|
Jude dropped behind. He was an unsophisticated boy, but the gift
|
|
of sudden insight which is sometimes vouchsafed to children showed
|
|
him all at once what shoddy humanity the quack was made of.
|
|
There was to be no intellectual light from this source. The leaves
|
|
dropped from his imaginary crown of laurel; he turned to a gate,
|
|
leant against it, and cried bitterly.
|
|
|
|
The disappointment was followed by an interval of blankness.
|
|
He might, perhaps, have obtained grammars from Alfredston,
|
|
but to do that required money, and a knowledge of what books to order;
|
|
and though physically comfortable, he was in such absolute
|
|
dependence as to be without a farthing of his own.
|
|
|
|
At this date Mr. Phillotson sent for his pianoforte, and it gave Jude a lead.
|
|
Why should he not write to the schoolmaster, and ask him to be so kind
|
|
as to get him the grammars in Christminster? He might slip a letter inside
|
|
the case of the instrument, and it would be sure to reach the desired eyes.
|
|
Why not ask him to send any old second-hand copies, which would have the charm
|
|
of being mellowed by the university atmosphere?
|
|
|
|
To tell his aunt of his intention would be to defeat it.
|
|
It was necessary to act alone.
|
|
|
|
After a further consideration of a few days he did act,
|
|
and on the day of the piano's departure, which happened
|
|
to be his next birthday, clandestinely placed the letter
|
|
inside the packing-case, directed to his much-admired friend,
|
|
being afraid to reveal the operation to his aunt Drusilla,
|
|
lest she should discover his motive, and compel him to abandon
|
|
his scheme.
|
|
|
|
The piano was despatched, and Jude waited days and weeks, calling every
|
|
morning at the cottage post office before his great-aunt was stirring.
|
|
At last a packet did indeed arrive at the village, and he saw from the ends
|
|
of it that it contained two thin books. He took it away into a lonely place,
|
|
and sat down on a felled elm to open it.
|
|
|
|
Ever since his first ecstasy or vision of Christminster
|
|
and its possibilities, Jude had meditated much and curiously
|
|
on the probable sort of process that was involved in turning
|
|
the expressions of one language into those of another.
|
|
He concluded that a grammar of the required tongue
|
|
would contain, primarily, a rule, prescription, or clue
|
|
of the nature of a secret cipher, which, once known,
|
|
would enable him, by merely applying it, to change at will
|
|
all words of his own speech into those of the foreign one.
|
|
His childish idea was, in fact, a pushing to the extremity of
|
|
mathematical precision what is everywhere known as Grimm's Law--
|
|
an aggrandizement of rough rules to ideal completeness.
|
|
Thus he assumed that the words of the required language were
|
|
always to be found somewhere latent in the words of the given
|
|
language by those who had the art to uncover them, such art being
|
|
furnished by the books aforesaid.
|
|
|
|
When, therefore, having noted that the packet bore the postmark
|
|
of Christminster, he cut the string, opened the volumes,
|
|
and turned to the Latin grammar, which chanced to come uppermost,
|
|
he could scarcely believe his eyes.
|
|
|
|
The book was an old one--thirty years old, soiled, scribbled wantonly
|
|
over with a strange name in every variety of enmity to the letterpress,
|
|
and marked at random with dates twenty years earlier than his own day.
|
|
But this was not the cause of Jude's amazement. He learnt for the first time
|
|
that there was no law of transmutation, as in his innocence he had supposed
|
|
(there was, in some degree, but the grammarian did not recognize it),
|
|
but that every word in both Latin and Greek was to be individually committed
|
|
to memory at the cost of years of plodding.
|
|
|
|
Jude flung down the books, lay backward along the broad trunk of the elm,
|
|
and was an utterly miserable boy for the space of a quarter of an hour.
|
|
As he had often done before, he pulled his hat over his face and watched
|
|
the sun peering insidiously at him through the interstices of the straw.
|
|
This was Latin and Greek, then, was it this grand delusion! The charm
|
|
he had supposed in store for him was really a labour like that of Israel
|
|
in Egypt.
|
|
|
|
What brains they must have in Christminster and the great schools,
|
|
he presently thought, to learn words one by one up to tens of thousands!
|
|
There were no brains in his head equal to this business; and as the little
|
|
sun-rays continued to stream in through his hat at him, he wished he had
|
|
never seen a book, that he might never see another, that he had never
|
|
been born.
|
|
|
|
Somebody might have come along that way who would have asked him his trouble,
|
|
and might have cheered him by saying that his notions were further advanced
|
|
than those of his grammarian. But nobody did come, because nobody does;
|
|
and under the crushing recognition of his gigantic error Jude continued to
|
|
wish himself out of the world.
|
|
|
|
|
|
|
|
V
|
|
|
|
|
|
DURING the three or four succeeding years a quaint and singular vehicle
|
|
might have been discerned moving along the lanes and by-roads near Marygreen,
|
|
driven in a quaint and singular way.
|
|
|
|
In the course of a month or two after the receipt of the books Jude
|
|
had grown callous to the shabby trick played him by the dead languages.
|
|
In fact, his disappointment at the nature of those tongues had, after a while,
|
|
been the means of still further glorifying the erudition of Christminster.
|
|
To acquire languages, departed or living in spite of such obstinacies
|
|
as he now knew them inherently to possess, was a herculean performance
|
|
which gradually led him on to a greater interest in it than in the presupposed
|
|
patent process. The mountain-weight of material under which the ideas
|
|
lay in those dusty volumes called the classics piqued him into a dogged,
|
|
mouselike subtlety of attempt to move it piecemeal.
|
|
|
|
He had endeavoured to make his presence tolerable to his crusty maiden
|
|
aunt by assisting her to the best of his ability, and the business
|
|
of the little cottage bakery had grown in consequence. An aged horse
|
|
with a hanging head had been purchased for eight pounds at a sale,
|
|
a creaking cart with a whity-brown tilt obtained for a few pounds more,
|
|
and in this turn-out it became Jude's business thrice a week to carry
|
|
loaves of bread to the villagers and solitary cotters immediately
|
|
round Marygreen.
|
|
|
|
The singularity aforesaid lay, after all, less in the conveyance
|
|
itself than in Jude's manner of conducting it along its route.
|
|
Its interior was the scene of most of Jude's education by "private study."
|
|
As soon as the horse had learnt the road and the houses at which he was
|
|
to pause awhile, the boy, seated in front, would slip the reins over
|
|
his arm, ingeniously fix open, by means of a strap attached to the tilt,
|
|
the volume he was reading, spread the dictionary on his knees,
|
|
and plunge into the simpler passages from Caesar, Virgil, or Horace,
|
|
as the case might be, in his purblind stumbling way, and with an expenditure
|
|
of labour that would have made a tender-hearted pedagogue shed tears;
|
|
yet somehow getting at the meaning of what he read, and divining rather than
|
|
beholding the spirit of the original, which often to his mind was something
|
|
else than that which he was taught to look for.
|
|
|
|
The only copies he had been able to lay hands on were old Delphin editions,
|
|
because they were superseded, and therefore cheap. But, bad for
|
|
idle schoolboys, it did so happen that they were passably good for him.
|
|
The hampered and lonely itinerant conscientiously covered up the marginal
|
|
readings, and used them merely on points of construction, as he would
|
|
have used a comrade or tutor who should have happened to be passing by.
|
|
And though Jude may have had little chance of becoming a scholar by these
|
|
rough and ready means, he was in the way of getting into the groove
|
|
he wished to follow.
|
|
|
|
While he was busied with these ancient pages, which had already been thumbed
|
|
by hands possibly in the grave, digging out the thoughts of these minds
|
|
so remote yet so near, the bony old horse pursued his rounds, and Jude would
|
|
be aroused from the woes of Dido by the stoppage of his cart and the voice
|
|
of some old woman crying, "Two to-day, baker, and I return this stale one."
|
|
|
|
He was frequently met in the lanes by pedestrians and others without
|
|
his seeing them, and by degrees the people of the neighbourhood
|
|
began to talk about his method of combining work and play
|
|
(such they considered his reading to be), which, though probably
|
|
convenient enough to himself, was not altogether a safe proceeding
|
|
for other travellers along the same roads. There were murmurs.
|
|
Then a private resident of an adjoining place informed the local
|
|
policeman that the baker's boy should not be allowed to read
|
|
while driving, and insisted that it was the constable's duty to catch
|
|
him in the act, and take him to the police court at Alfredston,
|
|
and get him fined for dangerous practices on the highway.
|
|
The policeman thereupon lay in wait for Jude, and one day accosted him
|
|
and cautioned him.
|
|
|
|
As Jude had to get up at three o'clock in the morning to heat the oven,
|
|
and mix and set in the bread that he distributed later in the day,
|
|
he was obliged to go to bed at night immediately after laying the sponge;
|
|
so that if he could not read his classics on the highways he could hardly
|
|
study at all. The only thing to be done was, therefore, to keep a sharp
|
|
eye ahead and around him as well as he could in the circumstances,
|
|
and slip away his books as soon as anybody loomed in the distance,
|
|
the policeman in particular. To do that official justice, he did
|
|
not put himself much in the way of Jude's bread-cart, considering
|
|
that in such a lonely district the chief danger was to Jude himself,
|
|
and often on seeing the white tilt over the hedges he would move in
|
|
another direction.
|
|
|
|
On a day when Fawley was getting quite advanced, being now
|
|
about sixteen, and had been stumbling through the "Carmen Saeculare,"
|
|
on his way home, he found himself to be passing over the high
|
|
edge of the plateau by the Brown House. The light had changed,
|
|
and it was the sense of this which had caused him to look up.
|
|
The sun was going down, and the full moon was rising simultaneously
|
|
behind the woods in the opposite quarter. His mind had become
|
|
so impregnated with the poem that, in a moment of the same impulsive
|
|
emotion which years before had caused him to kneel on the ladder,
|
|
he stopped the horse, alighted, and glancing round to see that nobody
|
|
was in sight, knelt down on the roadside bank with open book.
|
|
He turned first to the shiny goddess, who seemed to look so softly
|
|
and critically at his doings, then to the disappearing luminary on
|
|
the other hand, as he began:
|
|
|
|
|
|
"Phoebe silvarumque potens Diana!"
|
|
|
|
|
|
The horse stood still till he had finished the hymn, which Jude repeated
|
|
under the sway of a polytheistic fancy that he would never have thought
|
|
of humouring in broad daylight.
|
|
|
|
Reaching home, he mused over his curious superstition, innate or acquired,
|
|
in doing this, and the strange forgetfulness which had led to such a lapse
|
|
from common sense and custom in one who wished, next to being a scholar, to be
|
|
a Christian divine. It had all come of reading heathen works exclusively.
|
|
The more he thought of it the more convinced he was of his inconsistency.
|
|
He began to wonder whether he could be reading quite the right books for his
|
|
object in life. Certainly there seemed little harmony between this pagan
|
|
literature and the mediaeval colleges at Christminster, that ecclesiastical
|
|
romance in stone.
|
|
|
|
Ultimately he decided that in his sheer love of reading
|
|
he had taken up a wrong emotion for a Christian young man.
|
|
He had dabbled in Clarke's Homer, but had never yet worked
|
|
much at the New Testament in the Greek, though he possessed
|
|
a copy, obtained by post from a second-hand bookseller.
|
|
He abandoned the now familiar Ionic for a new dialect,
|
|
and for a long time onward limited his reading almost
|
|
entirely to the Gospels and Epistles in Griesbach's text.
|
|
Moreover, on going into Alfredston one day, he was introduced
|
|
to patristic literature by finding at the bookseller's some
|
|
volumes of the Fathers which had been left behind by an insolvent
|
|
clergyman of the neighbourhood.
|
|
|
|
As another outcome of this change of groove he visited
|
|
on Sundays all the churches within a walk, and deciphered
|
|
the Latin inscriptions on fifteenth-century brasses and tombs.
|
|
On one of these pilgrimages he met with a hunch-backed old
|
|
woman of great intelligence, who read everything she could lay
|
|
her hands on, and she told him more yet of the romantic charms
|
|
of the city of light and lore. Thither he resolved as firmly
|
|
as ever to go.
|
|
|
|
But how live in that city? At present he had no income at all.
|
|
He had no trade or calling of any dignity or stability whatever
|
|
on which he could subsist while carrying out an intellectual labour
|
|
which might spread over many years.
|
|
|
|
What was most required by citizens? Food, clothing, and shelter.
|
|
An income from any work in preparing the first would
|
|
be too meagre; for making the second he felt a distaste;
|
|
the preparation of the third requisite he inclined to.
|
|
They built in a city; therefore he would learn to build.
|
|
He thought of his unknown uncle, his cousin Susanna's father,
|
|
an ecclesiastical worker in metal, and somehow mediaeval art
|
|
in any material was a trade for which he had rather a fancy.
|
|
He could not go far wrong in following his uncle's footsteps,
|
|
and engaging himself awhile with the carcases that contained the
|
|
scholar souls.
|
|
|
|
As a preliminary he obtained some small blocks of freestone,
|
|
metal not being available, and suspending his studies awhile,
|
|
occupied his spare half-hours in copying the heads and capitals
|
|
in his parish church.
|
|
|
|
There was a stone-mason of a humble kind in Alfredston, and as soon
|
|
as he had found a substitute for himself in his aunt's little business,
|
|
he offered his services to this man for a trifling wage.
|
|
Here Jude had the opportunity of learning at least the rudiments
|
|
of freestone-working. Some time later he went to a church-builder
|
|
in the same place, and under the architect's direction became handy
|
|
at restoring the dilapidated masonries of several village churches
|
|
round about.
|
|
|
|
Not forgetting that he was only following up this handicraft
|
|
as a prop to lean on while he prepared those greater engines
|
|
which he flattered himself would be better fitted for him,
|
|
he yet was interested in his pursuit on its own account.
|
|
He now had lodgings during the week in the little town,
|
|
whence he returned to Marygreen village every Saturday evening.
|
|
And thus he reached and passed his nineteenth year.
|
|
|
|
|
|
|
|
VI
|
|
|
|
|
|
AT this memorable date of his life he was, one Saturday,
|
|
returning from Alfredston to Marygreen about three o'clock
|
|
in the afternoon. It was fine, warm, and soft summer weather,
|
|
and he walked with his tools at his back, his little chisels
|
|
clinking faintly against the larger ones in his basket.
|
|
It being the end of the week he had left work early, and had
|
|
come out of the town by a round-about route which he did not
|
|
usually frequent, having promised to call at a flour-mill near
|
|
Cresscombe to execute a commission for his aunt.
|
|
|
|
He was in an enthusiastic mood. He seemed to see his way
|
|
to living comfortably in Christminster in the course of a year
|
|
or two, and knocking at the doors of one of those strongholds
|
|
of learning of which he had dreamed so much. He might,
|
|
of course, have gone there now, in some capacity or other,
|
|
but he preferred to enter the city with a little more assurance
|
|
as to means than he could be said to feel at present.
|
|
A warm self-content suffused him when he considered
|
|
what he had already done. Now and then as he went along
|
|
he turned to face the peeps of country on either side of him.
|
|
But he hardly saw them; the act was an automatic repetition
|
|
of what he had been accustomed to do when less occupied;
|
|
and the one matter which really engaged him was the mental
|
|
estimate of his progress thus far.
|
|
|
|
"I have acquired quite an average student's power to read the common
|
|
ancient classics, Latin in particular." This was true, Jude possessing
|
|
a facility in that language which enabled him with great ease to himself
|
|
to beguile his lonely walks by imaginary conversations therein.
|
|
|
|
"I have read two books of the ILIAD, besides being pretty familiar
|
|
with passages such as the speech of Phoenix in the ninth book,
|
|
the fight of Hector and Ajax in the fourteenth, the appearance
|
|
of Achilles unarmed and his heavenly armour in the eighteenth,
|
|
and the funeral games in the twenty-third. I have also done some Hesiod,
|
|
a little scrap of Thucydides, and a lot of the Greek Testament.... I
|
|
wish there was only one dialect all the same.
|
|
|
|
"I have done some mathematics, including the first six and the eleventh
|
|
and twelfth books of Euclid; and algebra as far as simple equations.
|
|
|
|
"I know something of the Fathers, and something of Roman and English history.
|
|
|
|
"These things are only a beginning. But I shall not make much
|
|
farther advance here, from the difficulty of getting books. Hence I
|
|
must next concentrate all my energies on settling in Christminster.
|
|
Once there I shall so advance, with the assistance I shall there get,
|
|
that my present knowledge will appear to me but as childish ignorance.
|
|
I must save money, and I will; and one of those colleges shall open
|
|
its doors to me--shall welcome whom now it would spurn, if I wait twenty
|
|
years for the welcome.
|
|
|
|
"I'll be D.D. before I have done!"
|
|
|
|
And then he continued to dream, and thought he might become even
|
|
a bishop by leading a pure, energetic, wise, Christian life.
|
|
And what an example he would set! If his income were 5000 pounds
|
|
a year, he would give away 4500 pounds in one form and another,
|
|
and live sumptuously (for him) on the remainder. Well, on second thoughts,
|
|
a bishop was absurd. He would draw the line at an archdeacon.
|
|
Perhaps a man could be as good and as learned and as useful in
|
|
the capacity of archdeacon as in that of bishop. Yet he thought of
|
|
the bishop again.
|
|
|
|
"Meanwhile I will read, as soon as I am settled in Christminster,
|
|
the books I have not been able to get hold of here:
|
|
Livy, Tacitus, Herodotus, AEschylus, Sophocles, Aristophanes--"
|
|
|
|
"Ha, ha, ha! Hoity-toity!" The sounds were expressed in light
|
|
voices on the other side of the hedge, but he did not notice them.
|
|
His thoughts went on:
|
|
|
|
"--Euripides, Plato, Aristotle, Lucretius, Epictetus, Seneca, Antoninus.
|
|
Then I must master other things: the Fathers thoroughly;
|
|
Bede and ecclesiastical history generally; a smattering of Hebrew--
|
|
I only know the letters as yet--"
|
|
|
|
"Hoity-toity!"
|
|
|
|
"--but I can work hard. I have staying power in abundance, thank God!
|
|
and it is that which tells.... Yes, Christminster shall be my Alma Mater;
|
|
and I'll be her beloved son, in whom she shall be well pleased."
|
|
|
|
In his deep concentration on these transactions of the future Jude's
|
|
walk had slackened, and he was now standing quite still, looking at
|
|
the ground as though the future were thrown thereon by a magic lantern.
|
|
On a sudden something smacked him sharply in the ear, and he became aware
|
|
that a soft cold substance had been flung at him, and had fallen at
|
|
his feet.
|
|
|
|
A glance told him what it was--a piece of flesh, the characteristic part
|
|
of a barrow-pig, which the countrymen used for greasing their boots, as it
|
|
was useless for any other purpose. Pigs were rather plentiful hereabout,
|
|
being bred and fattened in large numbers in certain parts of North Wessex.
|
|
|
|
On the other side of the hedge was a stream, whence, as he now
|
|
for the first time realized, had come the slight sounds of voices
|
|
and laughter that had mingled with his dreams. He mounted the bank
|
|
and looked over the fence. On the further side of the stream
|
|
stood a small homestead, having a garden and pig-sties attached;
|
|
in front of it, beside the brook, three young women were kneeling,
|
|
with buckets and platters beside them containing heaps of pigs'
|
|
chitterlings, which they were washing in the running water.
|
|
One or two pairs of eyes slyly glanced up, and perceiving that his
|
|
attention had at last been attracted, and that he was watching them,
|
|
they braced themselves for inspection by putting their mouths
|
|
demurely into shape and recommencing their rinsing operations
|
|
with assiduity.
|
|
|
|
"Thank you!" said Jude severely.
|
|
|
|
"I DIDN'T throw it, I tell you!" asserted one girl to her neighbour,
|
|
as if unconscious of the young man's presence.
|
|
|
|
"Nor I," the second answered.
|
|
|
|
"Oh, Anny, how can you!" said the third.
|
|
|
|
"If I had thrown anything at all, it shouldn't have been THAT!"
|
|
|
|
"Pooh! I don't care for him!" And they laughed and continued their work,
|
|
without looking up, still ostentatiously accusing each other.
|
|
|
|
Jude grew sarcastic as he wiped his face, and caught their remarks.
|
|
|
|
"YOU didn't do it--oh no!" he said to the up-stream one of the three.
|
|
|
|
She whom he addressed was a fine dark-eyed girl, not exactly handsome,
|
|
but capable of passing as such at a little distance, despite some
|
|
coarseness of skin and fibre. She had a round and prominent bosom,
|
|
full lips, perfect teeth, and the rich complexion of a Cochin hen's egg.
|
|
She was a complete and substantial female animal--no more, no less;
|
|
and Jude was almost certain that to her was attributable the enterprise
|
|
of attracting his attention from dreams of the humaner letters to what was
|
|
simmering in the minds around him.
|
|
|
|
"That you'll never be told," said she deedily.
|
|
|
|
"Whoever did it was wasteful of other people's property."
|
|
|
|
"Oh, that's nothing."
|
|
|
|
"But you want to speak to me, I suppose?"
|
|
|
|
"Oh yes; if you like to."
|
|
|
|
"Shall I clamber across, or will you come to the plank above here?"
|
|
|
|
Perhaps she foresaw an opportunity; for somehow or other the eyes
|
|
of the brown girl rested in his own when he had said the words,
|
|
and there was a momentary flash of intelligence, a dumb announcement
|
|
of affinity IN POSSE between herself and him, which, so far
|
|
as Jude Fawley was concerned, had no sort of premeditation in it.
|
|
She saw that he had singled her out from the three, as a woman is singled
|
|
out in such cases, for no reasoned purpose of further acquaintance,
|
|
but in commonplace obedience to conjunctive orders from headquarters,
|
|
unconsciously received by unfortunate men when the last intention of
|
|
their lives is to be occupied with the feminine.
|
|
|
|
Springing to her feet, she said: "Bring back what is lying there."
|
|
|
|
Jude was now aware that no message on any matter connected
|
|
with her father's business had prompted her signal to him.
|
|
He set down his basket of tools, picked up the scrap of offal,
|
|
beat a pathway for himself with his stick, and got over the hedge.
|
|
They walked in parallel lines, one on each bank of the stream,
|
|
towards the small plank bridge. As the girl drew nearer to it,
|
|
she gave without Jude perceiving it, an adroit little
|
|
suck to the interior of each of her cheeks in succession,
|
|
by which curious and original manoeuvre she brought as by
|
|
magic upon its smooth and rotund surface a perfect dimple,
|
|
which she was able to retain there as long as she continued
|
|
to smile. This production of dimples at will was a not
|
|
unknown operation, which many attempted, but only a few succeeded
|
|
in accomplishing.
|
|
|
|
They met in the middle of the plank, and Jude, tossing back her missile,
|
|
seemed to expect her to explain why she had audaciously stopped him by this
|
|
novel artillery instead of by hailing him.
|
|
|
|
But she, slyly looking in another direction, swayed herself
|
|
backwards and forwards on her hand as it clutched the rail
|
|
of the bridge; till, moved by amatory curiosity, she turned
|
|
her eyes critically upon him.
|
|
|
|
"You don't think I would shy things at you?"
|
|
|
|
"Oh no."
|
|
|
|
"We are doing this for my father, who naturally doesn't
|
|
want anything thrown away. He makes that into dubbin."
|
|
She nodded towards the fragment on the grass.
|
|
|
|
"What made either of the others throw it, I wonder?" Jude asked,
|
|
politely accepting her assertion, though he had very large doubts
|
|
as to its truth.
|
|
|
|
"Impudence. Don't tell folk it was I, mind!"
|
|
|
|
"How can I? I don't know your name."
|
|
|
|
"Ah, no. Shall I tell it to you?"
|
|
|
|
"Do!"
|
|
|
|
"Arabella Donn. I'm living here."
|
|
|
|
"I must have known it if I had often come this way. But I mostly
|
|
go straight along the high-road."
|
|
|
|
"My father is a pig-breeder, and these girls are helping me wash
|
|
the innerds for black-puddings and such like."
|
|
|
|
They talked a little more and a little more, as they stood regarding
|
|
each other and leaning against the hand-rail of the bridge.
|
|
The unvoiced call of woman to man, which was uttered very distinctly
|
|
by Arabella's personality, held Jude to the spot against his intention--
|
|
almost against his will, and in a way new to his experience.
|
|
It is scarcely an exaggeration to say that till this moment Jude
|
|
had never looked at a woman to consider her as such, but had
|
|
vaguely regarded the sex as beings outside his life and purposes.
|
|
He gazed from her eyes to her mouth, thence to her bosom, and to her full
|
|
round naked arms, wet, mottled with the chill of the water, and firm
|
|
as marble.
|
|
|
|
"What a nice-looking girl you are!" he murmured, though the words
|
|
had not been necessary to express his sense of her magnetism.
|
|
|
|
"Ah, you should see me Sundays!" she said piquantly.
|
|
|
|
"I don't suppose I could?" he answered
|
|
|
|
"That's for you to think on. There's nobody after me just now,
|
|
though there med be in a week or two." She had spoken this without
|
|
a smile, and the dimples disappeared.
|
|
|
|
Jude felt himself drifting strangely, but could not help it.
|
|
"Will you let me?"
|
|
|
|
"I don't mind."
|
|
|
|
By this time she had managed to get back one dimple by turning
|
|
her face aside for a moment and repeating the odd little sucking
|
|
operation before mentioned, Jude being still unconscious of more than
|
|
a general impression of her appearance. "Next Sunday?" he hazarded.
|
|
"To-morrow, that is?"
|
|
|
|
"Yes."
|
|
|
|
"Shall I call?"
|
|
|
|
"Yes."
|
|
|
|
She brightened with a little glow of triumph, swept him almost tenderly
|
|
with her eyes in turning, and retracing her steps down the brookside
|
|
grass rejoined her companions.
|
|
|
|
Jude Fawley shouldered his tool-basket and resumed his lonely way,
|
|
filled with an ardour at which he mentally stood at gaze.
|
|
He had just inhaled a single breath from a new atmosphere,
|
|
which had evidently been hanging round him everywhere
|
|
he went, for he knew not how long, but had somehow been
|
|
divided from his actual breathing as by a sheet of glass.
|
|
The intentions as to reading, working, and learning,
|
|
which he had so precisely formulated only a few minutes earlier,
|
|
were suffering a curious collapse into a corner, he knew
|
|
not how.
|
|
|
|
"Well, it's only a bit of fun," he said to himself, faintly conscious
|
|
that to common sense there was something lacking, and still
|
|
more obviously something redundant in the nature of this girl
|
|
who had drawn him to her which made it necessary that he should
|
|
assert mere sportiveness on his part as his reason in seeking her--
|
|
something in her quite antipathetic to that side of him which had been
|
|
occupied with literary study and the magnificent Christminster dream.
|
|
It had been no vestal who chose THAT missile for opening her attack
|
|
on him. He saw this with his intellectual eye, just for a short;
|
|
fleeting while, as by the light of a falling lamp one might momentarily
|
|
see an inscription on a wall before being enshrouded in darkness.
|
|
And then this passing discriminative power was withdrawn, and Jude
|
|
was lost to all conditions of things in the advent of a fresh
|
|
and wild pleasure, that of having found a new channel for emotional
|
|
interest hitherto unsuspected, though it had lain close beside him.
|
|
He was to meet this enkindling one of the other sex on the
|
|
following Sunday.
|
|
|
|
Meanwhile the girl had joined her companions, and she silently resumed
|
|
her flicking and sousing of the chitterlings in the pellucid stream.
|
|
|
|
"Catched un, my dear?" laconically asked the girl called Anny.
|
|
|
|
"I don't know. I wish I had thrown something else than that!"
|
|
regretfully murmured Arabella.
|
|
|
|
"Lord! he's nobody, though you med think so. He used to drive old
|
|
Drusilla Fawley's bread-cart out at Marygreen, till he 'prenticed himself
|
|
at Alfredston. Since then he's been very stuck up, and always reading.
|
|
He wants to be a scholar, they say."
|
|
|
|
"Oh, I don't care what he is, or anything about 'n. Don't you think it,
|
|
my child!"
|
|
|
|
"Oh, don't ye! You needn't try to deceive us!
|
|
What did you stay talking to him for, if you didn't want un?
|
|
Whether you do or whether you don't, he's as simple as a child.
|
|
I could see it as you courted on the bridge, when he looked
|
|
at 'ee as if he had never seen a woman before in his born days.
|
|
Well, he's to be had by any woman who can get him to care
|
|
for her a bit, if she likes to set herself to catch him the
|
|
right way."
|
|
|
|
|
|
|
|
VII
|
|
|
|
|
|
THE next day Jude Fawley was pausing in his bedroom with the sloping ceiling,
|
|
looking at the books on the table, and then at the black mark on the plaster
|
|
above them, made by the smoke of his lamp in past months.
|
|
|
|
It was Sunday afternoon, four-and-twenty hours after his meeting
|
|
with Arabella Donn. During the whole bygone week he had been
|
|
resolving to set this afternoon apart for a special purpose,--
|
|
the re-reading of his Greek Testament--his new one, with better
|
|
type than his old copy, following Griesbach's text as amended
|
|
by numerous correctors, and with variorum readings in the margin.
|
|
He was proud of the book, having obtained it by boldly writing
|
|
to its London publisher, a thing he had never done before.
|
|
|
|
He had anticipated much pleasure in this afternoon's reading,
|
|
under the quiet roof of his great-aunt's house as formerly,
|
|
where he now slept only two nights a week. But a new thing,
|
|
a great hitch, had happened yesterday in the gliding and noiseless
|
|
current of his life, and he felt as a snake must feel who has
|
|
sloughed off its winter skin, and cannot understand the brightness
|
|
and sensitiveness of its new one.
|
|
|
|
He would not go out to meet her, after all. He sat down, opened the book,
|
|
and with his elbows firmly planted on the table, and his hands to his temples
|
|
began at the beginning:
|
|
|
|
|
|
[Three Greek words]
|
|
|
|
|
|
Had he promised to call for her? Surely he had! She would wait indoors,
|
|
poor girl, and waste all her afternoon on account of him. There was
|
|
a something in her, too, which was very winning, apart from promises.
|
|
He ought not to break faith with her. Even though he had only Sundays
|
|
and week-day evenings for reading he could afford one afternoon,
|
|
seeing that other young men afforded so many. After to-day he would
|
|
never probably see her again. Indeed, it would be impossible,
|
|
considering what his plans were.
|
|
|
|
In short, as if materially, a compelling arm of extraordinary muscular
|
|
power seized hold of him--something which had nothing in common
|
|
with the spirits and influences that had moved him hitherto.
|
|
This seemed to care little for his reason and his will,
|
|
nothing for his so-called elevated intentions, and moved him along,
|
|
as a violent schoolmaster a schoolboy he has seized by the collar,
|
|
in a direction which tended towards the embrace of a woman for whom
|
|
he had no respect, and whose life had nothing in common with his own
|
|
except locality.
|
|
|
|
[Three Greek words] was no more heeded, and the predestinate Jude sprang up
|
|
and across the room. Foreseeing such an event he had already arrayed himself
|
|
in his best clothes. In three minutes he was out of the house and descending
|
|
by the path across the wide vacant hollow of corn-ground which lay between
|
|
the village and the isolated house of Arabella in the dip beyond the upland.
|
|
|
|
As he walked he looked at his watch. He could be back in two hours,
|
|
easily, and a good long time would still remain to him for reading after tea.
|
|
|
|
Passing the few unhealthy fir-trees and cottage where the path
|
|
joined the highway he hastened along, and struck away to the left,
|
|
descending the steep side of the country to the west of the Brown House.
|
|
Here at the base of the chalk formation he neared the brook that oozed
|
|
from it, and followed the stream till he reached her dwelling.
|
|
A smell of piggeries came from the back, and the grunting of the
|
|
originators of that smell. He entered the garden, and knocked at
|
|
the door with the knob of his stick.
|
|
|
|
Somebody had seen him through the window, for a male voice on the inside said:
|
|
|
|
"Arabella! Here's your young man come coorting! Mizzle, my girl!"
|
|
|
|
Jude winced at the words. Courting in such a business-like aspect as it
|
|
evidently wore to the speaker was the last thing he was thinking of.
|
|
He was going to walk with her, perhaps kiss her; but "courting" was too
|
|
coolly purposeful to be anything but repugnant to his ideas. The door
|
|
was opened and he entered, just as Arabella came downstairs in radiant
|
|
walking attire.
|
|
|
|
"Take a chair, Mr. What's-your-name?" said her father, an energetic,
|
|
black-whiskered man, in the same businesslike tones Jude had heard
|
|
from outside.
|
|
|
|
"I'd rather go out at once, wouldn't you?" she whispered to Jude.
|
|
|
|
"Yes," said he. "We'll walk up to the Brown House and back,
|
|
we can do it in half an hour."
|
|
|
|
Arabella looked so handsome amid her untidy surroundings that he felt glad
|
|
he had come, and all the misgivings vanished that had hitherto haunted him.
|
|
|
|
First they clambered to the top of the great down, during which
|
|
ascent he had occasionally to take her hand to assist her.
|
|
Then they bore off to the left along the crest into the ridgeway,
|
|
which they followed till it intersected the high-road at
|
|
the Brown House aforesaid, the spot of his former fervid
|
|
desires to behold Christminster. But he forgot them now.
|
|
He talked the commonest local twaddle to Arabella with greater
|
|
zest than he would have felt in discussing all the philosophies
|
|
with all the Dons in the recently adored university, and passed
|
|
the spot where he had knelt to Diana and Phoebus without
|
|
remembering that there were any such people in the mythology,
|
|
or that the sun was anything else than a useful lamp for
|
|
illuminating Arabella's face. An indescribable lightness of heel
|
|
served to lift him along; and Jude, the incipient scholar,
|
|
prospective D.D., professor, bishop, or what not, felt himself
|
|
honoured and glorified by the condescension of this handsome
|
|
country wench in agreeing to take a walk with him in her Sunday
|
|
frock and ribbons.
|
|
|
|
They reached the Brown House barn--the point at which he had
|
|
planned to turn back. While looking over the vast northern
|
|
landscape from this spot they were struck by the rising of a
|
|
dense volume of smoke from the neighbourhood of the little
|
|
town which lay beneath them at a distance of a couple of miles.
|
|
|
|
"It is a fire," said Arabella. "Let's run and see it--do! It is not far!"
|
|
|
|
The tenderness which had grown up in Jude's bosom left him no will
|
|
to thwart her inclination now--which pleased him in affording him
|
|
excuse for a longer time with her. They started off down the hill
|
|
almost at a trot; but on gaining level ground at the bottom,
|
|
and walking a mile, they found that the spot of the fire was much
|
|
further off than it had seemed.
|
|
|
|
Having begun their journey, however, they pushed on; but it was
|
|
not till five o'clock that they found themselves on the scene,--
|
|
the distance being altogether about half-a-dozen miles from Marygreen,
|
|
and three from Arabella's. The conflagration had been got
|
|
under by the time they reached it, and after a short inspection
|
|
of the melancholy ruins they retraced their steps--their course
|
|
lying through the town of Alfredston.
|
|
|
|
Arabella said she would like some tea, and they entered an inn
|
|
of an inferior class, and gave their order. As it was not for beer
|
|
they had a long time to wait. The maid-servant recognized Jude,
|
|
and whispered her surprise to her mistress in the background,
|
|
that he, the student "who kept hisself up so particular,"
|
|
should have suddenly descended so low as to keep company with Arabella.
|
|
The latter guessed what was being said, and laughed as she met
|
|
the serious and tender gaze of her lover--the low and triumphant laugh
|
|
of a careless woman who sees she is winning her game.
|
|
|
|
They sat and looked round the room, and at the picture of Samson
|
|
and Delilah which hung on the wall, and at the circular beer-stains
|
|
on the table, and at the spittoons underfoot filled with sawdust.
|
|
The whole aspect of the scene had that depressing effect on Jude
|
|
which few places can produce like a tap-room on a Sunday evening
|
|
when the setting sun is slanting in, and no liquor is going,
|
|
and the unfortunate wayfarer finds himself with no other haven
|
|
of rest.
|
|
|
|
It began to grow dusk. They could not wait longer, really, for the tea,
|
|
they said. "Yet what else can we do?" asked Jude. "It is a three-mile
|
|
walk for you."
|
|
|
|
"I suppose we can have some beer," said Arabella.
|
|
|
|
"Beer, oh yes. I had forgotten that. Somehow it seems odd
|
|
to come to a public-house for beer on a Sunday evening."
|
|
|
|
"But we didn't."
|
|
|
|
"No, we didn't." Jude by this time wished he was out of
|
|
such an uncongenial atmosphere; but he ordered the beer,
|
|
which was promptly brought.
|
|
|
|
Arabella tasted it. "Ugh!" she said.
|
|
|
|
Jude tasted. "What's the matter with it?" he asked.
|
|
"I don't understand beer very much now, it is true. I like it
|
|
well enough, but it is bad to read on, and I find coffee better.
|
|
But this seems all right."
|
|
|
|
"Adulterated--I can't touch it!" She mentioned three or four
|
|
ingredients that she detected in the liquor beyond malt and hops,
|
|
much to Jude's surprise.
|
|
|
|
"How much you know!" he said good-humouredly.
|
|
|
|
Nevertheless she returned to the beer and drank her share,
|
|
and they went on their way. It was now nearly dark, and as soon
|
|
as they had withdrawn from the lights of the town they walked
|
|
closer together, till they touched each other. She wondered
|
|
why he did not put his arm round her waist, but he did not;
|
|
he merely said what to himself seemed a quite bold enough thing:
|
|
"Take my arm."
|
|
|
|
She took it, thoroughly, up to the shoulder. He felt the warmth
|
|
of her body against his, and putting his stick under his other arm
|
|
held with his right hand her right as it rested in its place.
|
|
|
|
"Now we are well together, dear, aren't we?" he observed.
|
|
|
|
"Yes," said she; adding to herself: "Rather mild!"
|
|
|
|
"How fast I have become!" he was thinking.
|
|
|
|
Thus they walked till they reached the foot of the upland, where they
|
|
could see the white highway ascending before them in the gloom.
|
|
From this point the only way of getting to Arabella's was by going
|
|
up the incline, and dipping again into her valley on the right.
|
|
Before they had climbed far they were nearly run into by two men who had
|
|
been walking on the grass unseen.
|
|
|
|
"These lovers--you find 'em out o' doors in all seasons and weathers--
|
|
lovers and homeless dogs only," said one of the men as they vanished down
|
|
the hill.
|
|
|
|
Arabella tittered lightly.
|
|
|
|
"Are we lovers?" asked Jude.
|
|
|
|
"You know best."
|
|
|
|
"But you can tell me?"
|
|
|
|
For answer she inclined her head upon his shoulder.
|
|
Jude took the hint, and encircling her waist with his arm,
|
|
pulled her to him and kissed her.
|
|
|
|
They walked now no longer arm in arm but, as she had desired,
|
|
clasped together. After all, what did it matter since it was dark,
|
|
said Jude to himself. When they were half-way up the long
|
|
hill they paused as by arrangement, and he kissed her again.
|
|
They reached the top, and he kissed her once more.
|
|
|
|
"You can keep your arm there, if you would like to," she said gently.
|
|
|
|
He did so, thinking how trusting she was.
|
|
|
|
Thus they slowly went towards her home. He had left his cottage at
|
|
half-past three, intending to be sitting down again to the New Testament
|
|
by half-past five. It was nine o'clock when, with another embrace,
|
|
he stood to deliver her up at her father's door.
|
|
|
|
She asked him to come in, if only for a minute, as it would seem
|
|
so odd otherwise, and as if she had been out alone in the dark.
|
|
He gave way, and followed her in. Immediately that the door was opened
|
|
he found, in addition to her parents, several neighbours sitting round.
|
|
They all spoke in a congratulatory manner, and took him seriously as
|
|
Arabella's intended partner.
|
|
|
|
They did not belong to his set or circle, and he felt out of place
|
|
and embarrassed. He had not meant this: a mere afternoon
|
|
of pleasant walking with Arabella, that was all he had meant.
|
|
He did not stay longer than to speak to her stepmother, a simple,
|
|
quiet woman without features or character; and bidding them all
|
|
good night plunged with a sense of relief into the track over
|
|
the down.
|
|
|
|
But that sense was only temporary: Arabella soon re-asserted her sway
|
|
in his soul. He walked as if he felt himself to be another man from the Jude
|
|
of yesterday. What were his books to him? what were his intentions,
|
|
hitherto adhered to so strictly, as to not wasting a single minute of time
|
|
day by day? "Wasting!" It depended on your point of view to define that:
|
|
he was just living for the first time: not wasting life. It was better to
|
|
love a woman than to be a graduate, or a parson; ay, or a pope!
|
|
|
|
When he got back to the house his aunt had gone to bed, and a general
|
|
consciousness of his neglect seemed written on the face of all things
|
|
confronting him. He went upstairs without a light, and the dim interior
|
|
of his room accosted him with sad inquiry. There lay his book open,
|
|
just as he had left it, and the capital letters on the title-page regarded
|
|
him with fixed reproach in the grey starlight, like the unclosed eyes
|
|
of a dead man:
|
|
|
|
[Three Greek words.]
|
|
|
|
|
|
Jude had to leave early next morning for his usual week of absence
|
|
at lodgings; and it was with a sense of futility that he threw
|
|
into his basket upon his tools and other necessaries the unread
|
|
book he had brought with him.
|
|
|
|
He kept his impassioned doings a secret almost from himself.
|
|
Arabella, on the contrary, made them public among all her
|
|
friends and acquaintance.
|
|
|
|
Retracing by the light of dawn the road he had followed a few hours
|
|
earlier under cover of darkness, with his sweetheart by his side,
|
|
he reached the bottom of the hill, where he walked slowly, and stood still.
|
|
He was on the spot where he had given her the first kiss. As the sun
|
|
had only just risen it was possible that nobody had passed there since.
|
|
Jude looked on the ground and sighed. He looked closely, and could
|
|
just discern in the damp dust the imprints of their feet as they had
|
|
stood locked in each other's arms. She was not there now, and "the
|
|
embroidery of imagination upon the stuff of nature" so depicted her
|
|
past presence that a void was in his heart which nothing could fill.
|
|
A pollard willow stood close to the place, and that willow was different
|
|
from all other willows in the world. Utter annihilation of the six
|
|
days which must elapse before he could see her again as he had promised
|
|
would have been his intensest wish if he had had only the week
|
|
to live.
|
|
|
|
An hour and a half later Arabella came along the same way with her two
|
|
companions of the Saturday. She passed unheedingly the scene of the kiss,
|
|
and the willow that marked it, though chattering freely on the subject
|
|
to the other two.
|
|
|
|
"And what did he tell 'ee next?"
|
|
|
|
"Then he said--" And she related almost word for word some of his
|
|
tenderest speeches. If Jude had been behind the fence he would
|
|
have felt not a little surprised at learning how very few of his
|
|
sayings and doings on the previous evening were private.
|
|
|
|
"You've got him to care for 'ee a bit, 'nation if you han't!"
|
|
murmured Anny judicially. "It's well to be you!"
|
|
|
|
In a few moments Arabella replied in a curiously low,
|
|
hungry tone of latent sensuousness: "I've got him to care
|
|
for me: yes! But I want him to more than care for me;
|
|
I want him to have me--to marry me! I must have him.
|
|
I can't do without him. He's the sort of man I long for.
|
|
I shall go mad if I can't give myself to him altogether! I felt I
|
|
should when I first saw him!"
|
|
|
|
"As he is a romancing, straightfor'ard, honest chap, he's to be had,
|
|
and as a husband, if you set about catching him in the right way."
|
|
|
|
Arabella remained thinking awhile. "What med be the right way?"
|
|
she asked.
|
|
|
|
"Oh you don't know--you don't!" said Sarah, the third girl.
|
|
|
|
"On my word I don't!--No further, that is, than by plain courting,
|
|
and taking care he don't go too far!"
|
|
|
|
The third girl looked at the second. "She DON'T know!"
|
|
|
|
"'Tis clear she don't!" said Anny.
|
|
|
|
"And having lived in a town, too, as one may say! Well, we can teach
|
|
'ee som'at then, as well as you us."
|
|
|
|
"Yes. And how do you mean--a sure way to gain a man?
|
|
Take me for an innocent, and have done wi' it!"
|
|
|
|
"As a husband."
|
|
|
|
"As a husband."
|
|
|
|
"A countryman that's honourable and serious-minded such as he;
|
|
God forbid that I should say a sojer, or sailor, or commercial gent
|
|
from the towns, or any of them that be slippery with poor women!
|
|
I'd do no friend that harm!"
|
|
|
|
"Well, such as he, of course!"
|
|
|
|
Arabella's companions looked at each other, and turning up their eyes
|
|
in drollery began smirking. Then one went up close to Arabella, and,
|
|
although nobody was near, imparted some information in a low tone,
|
|
the other observing curiously the effect upon Arabella.
|
|
|
|
"Ah!" said the last-named slowly. "I own I didn't think of that way! ...
|
|
But suppose he ISN'T honourable? A woman had better not have tried it!"
|
|
|
|
"Nothing venture nothing have! Besides, you make sure that he's
|
|
honourable before you begin. You'd be safe enough with yours.
|
|
I wish I had the chance! Lots of girls do it; or do you think they'd
|
|
get married at all?"
|
|
|
|
Arabella pursued her way in silent thought. "I'll try it!"
|
|
she whispered; but not to them.
|
|
|
|
|
|
|
|
VIII
|
|
|
|
|
|
ONE week's end Jude was as usual walking out to his aunt's at Marygreen
|
|
from his lodging in Alfredston, a walk which now had large attractions
|
|
for him quite other than his desire to see his aged and morose relative.
|
|
He diverged to the right before ascending the hill with the single
|
|
purpose of gaining, on his way, a glimpse of Arabella that should not
|
|
come into the reckoning of regular appointments. Before quite reaching
|
|
the homestead his alert eye perceived the top of her head moving
|
|
quickly hither and thither over the garden hedge. Entering the gate
|
|
he found that three young unfattened pigs had escaped from their sty
|
|
by leaping clean over the top, and that she was endeavouring unassisted
|
|
to drive them in through the door which she had set open. The lines
|
|
of her countenance changed from the rigidity of business to the softness
|
|
of love when she saw Jude, and she bent her eyes languishingly upon him.
|
|
The animals took a vantage of the pause by doubling and bolting out of
|
|
the way.
|
|
|
|
"They were only put in this morning!" she cried, stimulated to pursue
|
|
in spite of her lover's presence. They were drove from Spaddleholt
|
|
Farm only yesterday, where Father bought 'em at a stiff price enough.
|
|
They are wanting to get home again, the stupid toads! Will you shut
|
|
the garden gate, dear, and help me to get 'em in. There are no men folk
|
|
at home, only Mother, and they'll be lost if we don't mind."
|
|
|
|
He set himself to assist, and dodged this way and that over
|
|
the potato rows and the cabbages. Every now and then they
|
|
ran together, when he caught her for a moment an kissed her.
|
|
The first pig was got back promptly; the second with some difficulty;
|
|
the third a long-legged creature, was more obstinate and agile.
|
|
He plunged through a hole in the garden hedge, and into
|
|
the lane.
|
|
|
|
"He'll be lost if I don't follow 'n!" said she. "Come along with me!"
|
|
|
|
She rushed in full pursuit out of the garden, Jude alongside her,
|
|
barely contriving to keep the fugitive in sight. Occasionally they
|
|
would shout to some boy to stop the animal, but he always wriggled
|
|
past and ran on as before.
|
|
|
|
"Let me take your hand, darling," said Jude. "You are getting out
|
|
of breath." She gave him her now hot hand with apparent willingness,
|
|
and they trotted along together.
|
|
|
|
"This comes of driving 'em home," she remarked. "They always know the way
|
|
back if you do that. They ought to have been carted over."
|
|
|
|
By this time the pig had reached an unfastened gate admitting
|
|
to the open down, across which he sped with all the agility
|
|
his little legs afforded. As soon as the pursuers had entered
|
|
and ascended to the top of the high ground it became apparent
|
|
that they would have to run all the way to the farmer's if they
|
|
wished to get at him. From this summit he could be seen
|
|
as a minute speck, following an unerring line towards his old home.
|
|
|
|
"It is no good!" cried Arabella. "He'll be there long before we get there.
|
|
It don't matter now we know he's not lost or stolen on the way. They'll see
|
|
it is ours, and send un back. Oh dear, how hot I be!"
|
|
|
|
Without relinquishing her hold of Jude's hand she swerved
|
|
aside and flung herself down on the sod under a stunted thorn,
|
|
precipitately pulling Jude on to his knees at the same time.
|
|
|
|
"Oh, I ask pardon--I nearly threw you down, didn't I!
|
|
But I am so tired!"
|
|
|
|
She lay supine, and straight as an arrow, on the sloping
|
|
sod of this hill-top, gazing up into the blue miles of sky,
|
|
and still retaining her warm hold of Jude's hand. He reclined
|
|
on his elbow near her.
|
|
|
|
"We've run all this way for nothing," she went on, her form
|
|
heaving and falling in quick pants, her face flushed, her full
|
|
red lips parted, and a fine dew of perspiration on her skin.
|
|
"Well--why don't you speak, deary?"
|
|
|
|
"I'm blown too. It was all up hill."
|
|
|
|
They were in absolute solitude--the most apparent of all solitudes,
|
|
that of empty surrounding space. Nobody could be nearer than
|
|
a mile to them without their seeing him. They were, in fact,
|
|
on one of the summits of the county, and the distant landscape
|
|
around Christminster could be discerned from where they lay.
|
|
But Jude did not think of that then.
|
|
|
|
"Oh, I can see such a pretty thing up this tree," said Arabella.
|
|
"A sort of a--caterpillar, of the most loveliest green and yellow you
|
|
ever came across!"
|
|
|
|
"Where?" said Jude, sitting up.
|
|
|
|
"You can't see him there--you must come here," said she.
|
|
|
|
He bent nearer and put his head in front of hers. "No--I can't see it,"
|
|
he said.
|
|
|
|
"Why, on the limb there where it branches off--close to
|
|
the moving leaf--there!" She gently pulled him down beside her.
|
|
|
|
"I don't see it," he repeated, the back of his head against her cheek.
|
|
"But I can, perhaps, standing up." He stood accordingly, placing himself
|
|
in the direct line of her gaze.
|
|
|
|
"How stupid you are!" she said crossly, turning away her face.
|
|
|
|
"I don't care to see it, dear: why should I?" he replied looking
|
|
down upon her. "Get up, Abby."
|
|
|
|
"Why?"
|
|
|
|
"I want you to let me kiss you. I've been waiting to ever so long!"
|
|
|
|
She rolled round her face, remained a moment looking deedily aslant at him;
|
|
then with a slight curl of the lip sprang to her feet, and exclaiming abruptly
|
|
"I must mizzle!" walked off quickly homeward. Jude followed and rejoined her.
|
|
|
|
"Just one!" he coaxed
|
|
|
|
"Shan't!" she said
|
|
|
|
He, surprised: "What's the matter?"
|
|
|
|
She kept her two lips resentfully together, and Jude followed
|
|
her like a pet lamb till she slackened her pace and walked
|
|
beside him, talking calmly on indifferent subjects, and always
|
|
checking him if he tried to take her hand or clasp her waist.
|
|
Thus they descended to the precincts of her father's homestead,
|
|
and Arabella went in, nodding good-bye to him with a supercilious,
|
|
affronted air.
|
|
|
|
"I expect I took too much liberty with her, somehow," Jude said to himself,
|
|
as he withdrew with a sigh and went on to Marygreen.
|
|
|
|
On Sunday morning the interior of Arabella's home was, as usual, the scene
|
|
of a grand weekly cooking, the preparation of the special Sunday dinner.
|
|
Her father was shaving before a little glass hung on the mullion of
|
|
the window, and her mother and Arabella herself were shelling beans hard by.
|
|
A neighbour passed on her way home from morning service at the nearest church,
|
|
and seeing Donn engaged at the window with the razor, nodded and came in.
|
|
|
|
She at once spoke playfully to Arabella: "I zeed 'ee running
|
|
with 'un--hee-hee! I hope 'tis coming to something?"
|
|
|
|
Arabella merely threw a look of consciousness into her face
|
|
without raising her eyes.
|
|
|
|
"He's for Christminster, I hear, as soon as he can get there."
|
|
|
|
"Have you heard that lately--quite lately?" asked Arabella with a jealous,
|
|
tigerish indrawing of breath.
|
|
|
|
"Oh no! But it has been known a long time that it is his plan.
|
|
He's on'y waiting here for an opening. Ah well: he must
|
|
walk about with somebody, I s'pose. Young men don't mean
|
|
much now-a-days. 'Tis a sip here and a sip there with 'em.
|
|
'Twas different in my time."
|
|
|
|
When the gossip had departed Arabella said suddenly to her mother:
|
|
"I want you and Father to go and inquire how the Edlins be,
|
|
this evening after tea. Or no--there's evening service at Fensworth--
|
|
you can walk to that."
|
|
|
|
"Oh? What's up to-night, then?"
|
|
|
|
"Nothing. Only I want the house to myself. He's shy;
|
|
and I can't get un to come in when you are here. I shall let
|
|
him slip through my fingers if I don't mind, much as I care
|
|
for 'n!"
|
|
|
|
"If it is fine we med as well go, since you wish."
|
|
|
|
In the afternoon Arabella met and walked with Jude, who had now for weeks
|
|
ceased to look into a book of Greek, Latin, or any other tongue.
|
|
They wandered up the slopes till they reached the green track along the ridge,
|
|
which they followed to the circular British earth-bank adjoining,
|
|
Jude thinking of the great age of the trackway, and of the drovers
|
|
who had frequented it, probably before the Romans knew the country.
|
|
Up from the level lands below them floated the chime of church bells.
|
|
Presently they were reduced to one note, which quickened,
|
|
and stopped.
|
|
|
|
"Now we'll go back," said Arabella, who had attended to the sounds.
|
|
|
|
Jude assented. So long as he was near her he minded little where he was.
|
|
When they arrived at her house he said lingeringly: "I won't come in.
|
|
Why are you in such a hurry to go in to-night? It is not near dark."
|
|
|
|
"Wait a moment," said she. She tried the handle of the door and found
|
|
it locked.
|
|
|
|
"Ah--they are gone to church," she added. And searching
|
|
behind the scraper she found the key and unlocked the door.
|
|
"Now, you'll come in a moment?" she asked lightly. "We shall be
|
|
all alone."
|
|
|
|
"Certainly," said Jude with alacrity, the case being unexpectedly altered.
|
|
|
|
Indoors they went. Did he want any tea? No, it was too late:
|
|
he would rather sit and talk to her. She took off her jacket and hat,
|
|
and they sat down--naturally enough close together.
|
|
|
|
"Don't touch me, please," she said softly. "I am part
|
|
egg-shell. Or perhaps I had better put it in a safe place."
|
|
She began unfastening the collar of her gown.
|
|
|
|
"What is it?" said her lover.
|
|
|
|
"An egg--a cochin's egg. I am hatching a very rare sort.
|
|
I carry it about everywhere with me, and it will get hatched
|
|
in less than three weeks."
|
|
|
|
"Where do you carry it?"
|
|
|
|
"Just here." She put her hand into her bosom and drew out the egg,
|
|
which was wrapped in wool, outside it being a piece of pig's bladder,
|
|
in case of accidents. Having exhibited it to him she put it back,
|
|
"Now mind you don't come near me. I don't want to get it broke,
|
|
and have to begin another."
|
|
|
|
"Why do you do such a strange thing?"
|
|
|
|
"It's an old custom. I suppose it is natural for a woman to want
|
|
to bring live things into the world."
|
|
|
|
"It is very awkward for me just now," he said, laughing.
|
|
|
|
"It serves you right. There--that's all you can have of me"
|
|
|
|
She had turned round her chair, and, reaching over the back of it,
|
|
presented her cheek to him gingerly.
|
|
|
|
"That's very shabby of you!"
|
|
|
|
"You should have catched me a minute ago when I had put
|
|
the egg down! There!" she said defiantly, "I am without
|
|
it now!" She had quickly withdrawn the egg a second time;
|
|
but before he could quite reach her she had put it back
|
|
as quickly, laughing with the excitement of her strategy.
|
|
Then there was a little struggle, Jude making a plunge for it
|
|
and capturing it triumphantly. Her face flushed; and becoming
|
|
suddenly conscious he flushed also.
|
|
|
|
They looked at each other, panting; till he rose and said:
|
|
"One kiss, now I can do it without damage to property;
|
|
and I'll go!"
|
|
|
|
But she had jumped up too. "You must find me first!" she cried.
|
|
|
|
Her lover followed her as she withdrew. It was now dark inside the room,
|
|
and the window being small he could not discover for a long time what had
|
|
become of her, till a laugh revealed her to have rushed up the stairs,
|
|
whither Jude rushed at her heels.
|
|
|
|
|
|
|
|
IX
|
|
|
|
|
|
IT was some two months later in the year, and the pair had met
|
|
constantly during the interval. Arabella seemed dissatisfied;
|
|
she was always imagining, and waiting, and wondering.
|
|
|
|
One day she met the itinerant Vilbert. She, like all
|
|
the cottagers thereabout, knew the quack well, and she began
|
|
telling him of her experiences. Arabella had been gloomy,
|
|
but before he left her she had grown brighter. That evening
|
|
she kept an appointment with Jude, who seemed sad.
|
|
|
|
"I am going away," he said to her. "I think I ought to go.
|
|
I think it will be better both for you and for me. I wish
|
|
some things had never begun! I was much to blame, I know.
|
|
But it is never too late to mend."
|
|
|
|
Arabella began to cry. "How do you know it is not too late?"
|
|
she said. "That's all very well to say! I haven't told you yet!"
|
|
and she looked into his face with streaming eyes.
|
|
|
|
"What?" he asked, turning pale. "Not ... ?"
|
|
|
|
"Yes! And what shall I do if you desert me?"
|
|
|
|
"Oh, Arabella--how can you say that, my dear! You _know_ I
|
|
wouldn't desert you!"
|
|
|
|
"Well then----
|
|
|
|
"I have next to no wages as yet, you know; or perhaps I should have thought
|
|
of this before.... But, of course if that's the case, we must marry!
|
|
What other thing do you think I could dream of doing?"
|
|
|
|
"I thought--I thought, deary, perhaps you would go away all the more for that,
|
|
and leave me to face it alone!"
|
|
|
|
"You knew better! Of course I never dreamt six months ago,
|
|
or even three, of marrying. It is a complete smashing up
|
|
of my plans--I mean my plans before I knew you, my dear.
|
|
But what are they, after all! Dreams about books, and degrees,
|
|
and impossible fellowships, and all that. Certainly we'll marry:
|
|
we must!"
|
|
|
|
That night he went out alone, and walked in the dark self-communing. He
|
|
knew well, too well, in the secret centre of his brain, that Arabella
|
|
was not worth a great deal as a specimen of womankind. Yet, such being
|
|
the custom of the rural districts among honourable young men who had
|
|
drifted so far into intimacy with a woman as he unfortunately had done,
|
|
he was ready to abide by what he had said, and take the consequences.
|
|
For his own soothing he kept up a factitious belief in her. His idea
|
|
of her was the thing of most consequence, not Arabella herself, he sometimes
|
|
said laconically.
|
|
|
|
The banns were put in and published the very next Sunday.
|
|
The people of the parish all said what a simple fool
|
|
young Fawley was. All his reading had only come to this,
|
|
that he would have to sell his books to buy saucepans.
|
|
Those who guessed the probable state of affairs, Arabella's parents
|
|
being among them, declared that it was the sort of conduct
|
|
they would have expected of such an honest young man as Jude
|
|
in reparation of the wrong he had done his innocent sweetheart.
|
|
The parson who married them seemed to think it satisfactory too.
|
|
And so, standing before the aforesaid officiator, the two swore
|
|
that at every other time of their lives till death took them,
|
|
they would assuredly believe, feel, and desire precisely
|
|
as they had believed, felt, and desired during the few
|
|
preceding weeks. What was as remarkable as the undertaking
|
|
itself was the fact that nobody seemed at all surprised at what
|
|
they swore.
|
|
|
|
Fawley's aunt being a baker she made him a bride-cake, saying
|
|
bitterly that it was the last thing she could do for him,
|
|
poor silly fellow; and that it would have been far better if,
|
|
instead of his living to trouble her, he had gone underground
|
|
years before with his father and mother. Of this cake Arabella
|
|
took some slices, wrapped them up in white note-paper, and
|
|
sent them to her companions in the pork-dressing business,
|
|
Anny and Sarah, labelling each packet _"In remembrance of good
|
|
advice."_
|
|
|
|
The prospects of the newly married couple were certainly
|
|
not very brilliant even to the most sanguine mind.
|
|
He, a stone-mason's apprentice, nineteen years of age,
|
|
was working for half wages till he should be out of his time.
|
|
His wife was absolutely useless in a town-lodging, where he at
|
|
first had considered it would be necessary for them to live.
|
|
But the urgent need of adding to income in ever so little a degree
|
|
caused him to take a lonely roadside cottage between the Brown House
|
|
and Marygreen, that he might have the profits of a vegetable garden,
|
|
and utilize her past experiences by letting her keep a pig.
|
|
But it was not the sort of life he had bargained for,
|
|
and it was a long way to walk to and from Alfredston
|
|
every day. Arabella, however, felt that all these make-shifts
|
|
were temporary; she had gained a husband; that was the thing--
|
|
a husband with a lot of earning power in him for buying her
|
|
frocks and hats when he should begin to get frightened a bit,
|
|
and stick to his trade, and throw aside those stupid books for
|
|
practical undertakings.
|
|
|
|
So to the cottage he took her on the evening of the marriage,
|
|
giving up his old room at his aunt's--where so much of the hard
|
|
labour at Greek and Latin had been carried on.
|
|
|
|
A little chill overspread him at her first unrobing. A long tail of hair,
|
|
which Arabella wore twisted up in an enormous knob at the back of her head,
|
|
was deliberately unfastened, stroked out, and hung upon the looking-glass
|
|
which he had bought her.
|
|
|
|
"What--it wasn't your own?" he said, with a sudden distaste for her.
|
|
|
|
"Oh no--it never is nowadays with the better class."
|
|
|
|
"Nonsense! Perhaps not in towns. But in the country it is supposed
|
|
to be different. Besides, you've enough of your own, surely?"
|
|
|
|
"Yes, enough as country notions go. But in town the men expect more,
|
|
and when I was barmaid at Aldbrickham----"
|
|
|
|
"Barmaid at Aldbrickham?"
|
|
|
|
"Well, not exactly barmaid--I used to draw the drink at
|
|
a public-house there--just for a little time; that was all.
|
|
Some people put me up to getting this, and I bought it just
|
|
for a fancy. The more you have the better in Aldbrickham,
|
|
which is a finer town than all your Christminsters. Every lady
|
|
of position wears false hair--the barber's assistant told
|
|
me so."
|
|
|
|
Jude thought with a feeling of sickness that though this might be true to
|
|
some extent, for all that he knew, many unsophisticated girls would and did go
|
|
to towns and remain there for years without losing their simplicity of life
|
|
and embellishments. Others, alas, had an instinct towards artificiality
|
|
in their very blood, and became adepts in counterfeiting at the first glimpse
|
|
of it. However, perhaps there was no great sin in a woman adding to her hair,
|
|
and he resolved to think no more of it.
|
|
|
|
A new-made wife can usually manage to excite interest for a few weeks,
|
|
even though the prospects of the house-hold ways and means are cloudy.
|
|
There is a certain piquancy about her situation, and her manner to her
|
|
acquaintance at the sense of it, which carries off the gloom of facts,
|
|
and renders even the humblest bride independent awhile of the real.
|
|
Mrs. Jude Fawley was walking in the streets of Alfredston one market-day
|
|
with this quality in her carriage when she met Anny her former friend,
|
|
whom she had not seen since the wedding.
|
|
|
|
As usual they laughed before talking; the world seemed funny
|
|
to them without saying it.
|
|
|
|
"So it turned out a good plan, you see!" remarked the girl to the wife.
|
|
"I knew it would with such as him. He's a dear good fellow, and you ought
|
|
to be proud of un."
|
|
|
|
"I am," said Mrs. Fawley quietly.
|
|
|
|
"And when do you expect?"
|
|
|
|
"Ssh! Not at all."
|
|
|
|
"What!"
|
|
|
|
"I was mistaken."
|
|
|
|
"Oh, Arabella, Arabella; you be a deep one! Mistaken! well, that's clever--
|
|
it's a real stroke of genius! It is a thing I never thought o', wi'
|
|
all my experience! I never thought beyond bringing about the real thing--
|
|
not that one could sham it!"
|
|
|
|
"Don't you be too quick to cry sham! 'Twasn't sham.
|
|
I didn't know."
|
|
|
|
"My word--won't he be in a taking! He'll give it to 'ee o'
|
|
Saturday nights! Whatever it was, he'll say it was a trick--
|
|
a double one, by the Lord!"
|
|
|
|
"I'll own to the first, but not to the second.... Pooh--
|
|
he won't care! He'll be glad I was wrong in what I said.
|
|
He'll shake down, bless 'ee--men always do. What can 'em
|
|
do otherwise? Married is married."
|
|
|
|
Nevertheless it was with a little uneasiness that Arabella
|
|
approached the time when in the natural course of things she
|
|
would have to reveal that the alarm she had raised had been
|
|
without foundation. The occasion was one evening at bedtime,
|
|
and they were in their chamber in the lonely cottage by the
|
|
wayside to which Jude walked home from his work every day.
|
|
He had worked hard the whole twelve hours, and had retired
|
|
to rest before his wife. When she came into the room he was
|
|
between sleeping and waking, and was barely conscious of her
|
|
undressing before the little looking-glass as he lay.
|
|
|
|
One action of hers, however, brought him to full cognition.
|
|
Her face being reflected towards him as she sat, he could perceive
|
|
that she was amusing herself by artificially producing in each
|
|
cheek the dimple before alluded to, a curious accomplishment
|
|
of which she was mistress, effecting it by a momentary suction.
|
|
It seemed to him for the first time that the dimples were
|
|
far oftener absent from her face during his intercourse
|
|
with her nowadays than they had been in the earlier weeks of
|
|
their acquaintance.
|
|
|
|
"Don't do that, Arabella!" he said suddenly. "There is no harm
|
|
in it, but--I don't like to see you."
|
|
|
|
She turned and laughed. "Lord, I didn't know you were awake!" she said.
|
|
"How countrified you are! That's nothing."
|
|
|
|
"Where did you learn it?"
|
|
|
|
"Nowhere that I know of. They used to stay without any trouble when I
|
|
was at the public-house; but now they won't. My face was fatter then."
|
|
|
|
"I don't care about dimples. I don't think they improve a woman--
|
|
particularly a married woman, and of full-sized figure like you."
|
|
|
|
"Most men think otherwise."
|
|
|
|
"I don't care what most men think, if they do. How do you know?"
|
|
|
|
"I used to be told so when I was serving in the tap-room."
|
|
|
|
|
|
"Ah--that public-house experience accounts for your knowing
|
|
about the adulteration of the ale when we went and had some
|
|
that Sunday evening. I thought when I married you that you
|
|
had always lived in your father's house."
|
|
|
|
"You ought to have known better than that, and seen I was a little
|
|
more finished than I could have been by staying where I was born.
|
|
There was not much to do at home, and I was eating my head off, so I
|
|
went away for three months."
|
|
|
|
"You'll soon have plenty to do now, dear, won't you?"
|
|
|
|
"How do you mean?"
|
|
|
|
"Why, of course--little things to make."
|
|
|
|
"Oh."
|
|
|
|
"When will it be? Can't you tell me exactly, instead of in such general
|
|
terms as you have used?"
|
|
|
|
"Tell you?"
|
|
|
|
"Yes--the date."
|
|
|
|
"There's nothing to tell. I made a mistake."
|
|
|
|
"What?"
|
|
|
|
"It was a mistake."
|
|
|
|
He sat bolt upright in bed and looked at her. "How can that be?"
|
|
|
|
"Women fancy wrong things sometimes."
|
|
|
|
"But--! Why, of course, so unprepared as I was, without a stick of furniture,
|
|
and hardly a shilling, I shouldn't have hurried on our affair, and brought you
|
|
to a half-furnished hut before I was ready, if it had not been for the news
|
|
you gave me, which made it necessary to save you, ready or no.... Good God!"
|
|
|
|
"Don't take on, dear. What's done can't be undone."
|
|
|
|
"I have no more to say!"
|
|
|
|
He gave the answer simply, and lay down; and there was silence between them.
|
|
|
|
When Jude awoke the next morning he seemed to see the world
|
|
with a different eye. As to the point in question he was
|
|
compelled to accept her word; in the circumstances he could
|
|
not have acted otherwise while ordinary notions prevailed.
|
|
But how came they to prevail?
|
|
|
|
There seemed to him, vaguely and dimly, something wrong in a social ritual
|
|
which made necessary a cancelling of well-formed schemes involving years
|
|
of thought and labour, of foregoing a man's one opportunity of showing
|
|
himself superior to the lower animals, and of contributing his units
|
|
of work to the general progress of his generation, because of a momentary
|
|
surprise by a new and transitory instinct which had nothing in it
|
|
of the nature of vice, and could be only at the most called weakness.
|
|
He was inclined to inquire what he had done, or she lost, for that matter,
|
|
that he deserved to be caught in a gin which would cripple him,
|
|
if not her also, for the rest of a lifetime? There was perhaps something
|
|
fortunate in the fact that the immediate reason of his marriage had proved
|
|
to be non-existent. But the marriage remained.
|
|
|
|
|
|
|
|
X
|
|
|
|
|
|
THE time arrived for killing the pig which Jude and his wife had
|
|
fattened in their sty during the autumn months, and the butchering
|
|
was timed to take place as soon as it was light in the morning,
|
|
so that Jude might get to Alfredston without losing more than
|
|
a quarter of a day.
|
|
|
|
The night had seemed strangely silent. Jude looked out of the window
|
|
long before dawn, and perceived that the ground was covered with snow--
|
|
snow rather deep for the season, it seemed, a few flakes still falling.
|
|
|
|
"I'm afraid the pig-killer won't be able to come," he said to Arabella.
|
|
|
|
"Oh, he'll come. You must get up and make the water hot,
|
|
if you want Challow to scald him. Though I like singeing best."
|
|
|
|
"I'll get up," said Jude. "I like the way of my own county."
|
|
|
|
He went downstairs, lit the fire under the copper, and began
|
|
feeding it with bean-stalks, all the time without a candle,
|
|
the blaze flinging a cheerful shine into the room; though for
|
|
him the sense of cheerfulness was lessened by thoughts on
|
|
the reason of that blaze--to heat water to scald the bristles
|
|
from the body of an animal that as yet lived, and whose voice
|
|
could be continually heard from a corner of the garden.
|
|
At half-past six, the time of appointment with the butcher,
|
|
the water boiled, and Jude's wife came downstairs.
|
|
|
|
"Is Challow come?" she asked.
|
|
|
|
"No."
|
|
|
|
They waited, and it grew lighter, with the dreary light of a snowy dawn.
|
|
She went out, gazed along the road, and returning said, "He's not coming.
|
|
Drunk last night, I expect. The snow is not enough to hinder him, surely!"
|
|
|
|
"Then we must put it off. It is only the water boiled for nothing.
|
|
The snow may be deep in the valley."
|
|
|
|
"Can't be put off. There's no more victuals for the pig.
|
|
He ate the last mixing o' barleymeal yesterday morning."
|
|
|
|
"Yesterday morning? What has he lived on since?"
|
|
|
|
"Nothing."
|
|
|
|
"What--he has been starving?"
|
|
|
|
"Yes. We always do it the last day or two, to save bother with the innerds.
|
|
What ignorance, not to know that!"
|
|
|
|
"That accounts for his crying so. Poor creature!"
|
|
|
|
"Well--you must do the sticking--there's no help for it.
|
|
I'll show you how. Or I'll do it myself--I think I could.
|
|
Though as it is such a big pig I had rather Challow had done it.
|
|
However, his basket o' knives and things have been already sent
|
|
on here, and we can use 'em."
|
|
|
|
"Of course you shan't do it," said Jude. "I'll do it, since it must be done."
|
|
|
|
He went out to the sty, shovelled away the snow for the space
|
|
of a couple of yards or more, and placed the stool in front,
|
|
with the knives and ropes at hand. A robin peered down at
|
|
the preparations from the nearest tree, and, not liking
|
|
the sinister look of the scene, flew away, though hungry.
|
|
By this time Arabella had joined her husband, and Jude, rope in hand,
|
|
got into the sty, and noosed the affrighted animal, who, beginning
|
|
with a squeak of surprise, rose to repeated cries of rage.
|
|
Arabella opened the sty-door, and together they hoisted
|
|
the victim on to the stool, legs upward, and while Jude held
|
|
him Arabella bound him down, looping the cord over his legs
|
|
to keep him from struggling.
|
|
|
|
The animal's note changed its quality. It was not now rage,
|
|
but the cry of despair; long-drawn, slow and hopeless.
|
|
|
|
"Upon my soul I would sooner have gone without the pig than have had this
|
|
to do!" said Jude. "A creature I have fed with my own hands."
|
|
|
|
"Don't be such a tender-hearted fool! There's the sticking-knife--
|
|
the one with the point. Now whatever you do, don't stick un
|
|
too deep."
|
|
|
|
"I'll stick him effectually, so as to make short work of it.
|
|
That's the chief thing."
|
|
|
|
"You must not!" she cried. "The meat must be well bled,
|
|
and to do that he must die slow. We shall lose a shilling a score
|
|
if the meat is red and bloody! Just touch the vein, that's all.
|
|
I was brought up to it, and I know. Every good butcher keeps
|
|
un bleeding long. He ought to be eight or ten minutes dying,
|
|
at least."
|
|
|
|
"He shall not be half a minute if I can help it, however the meat may look,"
|
|
said Jude determinedly. Scraping the bristles from the pig's upturned throat,
|
|
as he had seen the butchers do, he slit the fat; then plunged in the knife
|
|
with all his might.
|
|
|
|
"'Od damn it all!" she cried, "that ever I should say it!
|
|
You've over-stuck un! And I telling you all the time----"
|
|
|
|
"Do be quiet, Arabella, and have a little pity on the creature!"
|
|
|
|
"Hold up the pail to catch the blood, and don't talk!"
|
|
|
|
However unworkmanlike the deed, it had been mercifully done. The blood
|
|
flowed out in a torrent instead of in the trickling stream she had desired.
|
|
The dying animal's cry assumed its third and final tone, the shriek of agony;
|
|
his glazing eyes riveting themselves on Arabella with the eloquently keen
|
|
reproach of a creature recognizing at last the treachery of those who had
|
|
seemed his only friends.
|
|
|
|
"Make un stop that!" said Arabella. "Such a noise will bring somebody or
|
|
other up here, and I don't want people to know we are doing it ourselves."
|
|
Picking up the knife from the ground whereon Jude had flung it, she slipped it
|
|
into the gash, and slit the windpipe. The pig was instantly silent, his dying
|
|
breath coming through the hole
|
|
|
|
"That's better," she said.
|
|
|
|
"It is a hateful business!" said he.
|
|
|
|
"Pigs must be killed."
|
|
|
|
The animal heaved in a final convulsion, and, despite the rope,
|
|
kicked out with all his last strength. A tablespoonful of black clot
|
|
came forth, the trickling of red blood having ceased for some seconds.
|
|
|
|
"That's it; now he'll go," said she. "Artful creatures--
|
|
they always keep back a drop like that as long as they can!"
|
|
|
|
The last plunge had come so unexpectedly as to make Jude stagger,
|
|
and in recovering himself he kicked over the vessel in which the blood
|
|
had been caught.
|
|
|
|
"There!" she cried, thoroughly in a passion. "Now I can't make any blackpot.
|
|
There's a waste, all through you!"
|
|
|
|
Jude put the pail upright, but only about a third of the whole
|
|
steaming liquid was left in it, the main part being splashed
|
|
over the snow, and forming a dismal, sordid, ugly spectacle--
|
|
to those who saw it as other than an ordinary obtaining of meat.
|
|
The lips and nostrils of the animal turned livid, then white,
|
|
and the muscles of his limbs relaxed.
|
|
|
|
"Thank God!" Jude said. "He's dead."
|
|
|
|
"What's God got to do with such a messy job as a pig-killing, I
|
|
should like to know!" she said scornfully. "Poor folks must live."
|
|
|
|
"I know, I know," said he. "I don't scold you."
|
|
|
|
Suddenly they became aware of a voice at hand.
|
|
|
|
"Well done, young married volk! I couldn't have carried it out much
|
|
better myself, cuss me if I could!" The voice, which was husky,
|
|
came from the garden-gate, and looking up from the scene of slaughter
|
|
they saw the burly form of Mr. Challow leaning over the gate,
|
|
critically surveying their performance.
|
|
|
|
"'Tis well for 'ee to stand there and glane!" said Arabella.
|
|
"Owing to your being late the meat is blooded and half spoiled!
|
|
'Twon't fetch so much by a shilling a score!"
|
|
|
|
Challow expressed his contrition. "You should have waited
|
|
a bit" he said, shaking his head, "and not have done this--
|
|
in the delicate state, too, that you be in at present,
|
|
ma'am. 'Tis risking yourself too much."
|
|
|
|
"You needn't be concerned about that," said Arabella, laughing.
|
|
Jude too laughed, but there was a strong flavour of bitterness
|
|
in his amusement.
|
|
|
|
Challow made up for his neglect of the killing by zeal in the scalding
|
|
and scraping. Jude felt dissatisfied with himself as a man at what
|
|
he had done, though aware of his lack of common sense, and that the deed
|
|
would have amounted to the same thing if carried out by deputy.
|
|
The white snow, stained with the blood of his fellow-mortal, wore
|
|
an illogical look to him as a lover of justice, not to say a Christian;
|
|
but he could not see how the matter was to be mended. No doubt he was,
|
|
as his wife had called him, a tender-hearted fool.
|
|
|
|
He did not like the road to Alfredston now. It stared him
|
|
cynically in the face. The wayside objects reminded him so much
|
|
of his courtship of his wife that, to keep them out of his eyes,
|
|
he read whenever he could as he walked to and from his work.
|
|
Yet he sometimes felt that by caring for books he was not escaping
|
|
common-place nor gaining rare ideas, every working-man being
|
|
of that taste now. When passing near the spot by the stream
|
|
on which he had first made her acquaintance he one day
|
|
heard voices just as he had done at that earlier time.
|
|
One of the girls who had been Arabella's companions was talking
|
|
to a friend in a shed, himself being the subject of discourse,
|
|
possibly because they had seen him in the distance. They were
|
|
quite unaware that the shed-walls were so thin that he could hear
|
|
their words as he passed.
|
|
|
|
"Howsomever, 'twas I put her up to it! 'Nothing venture nothing have,'
|
|
I said. If I hadn't she'd no more have been his mis'ess than I."
|
|
|
|
"'Tis my belief she knew there was nothing the matter when she told him she
|
|
was ..."
|
|
|
|
What had Arabella been put up to by this woman, so that he should make
|
|
her his "mis'ess," otherwise wife? The suggestion was horridly unpleasant,
|
|
and it rankled in his mind so much that instead of entering his own cottage
|
|
when he reached it he flung his basket inside the garden-gate and passed on,
|
|
determined to go and see his old aunt and get some supper there.
|
|
|
|
This made his arrival home rather late. Arabella however,
|
|
was busy melting down lard from fat of the deceased pig,
|
|
for she had been out on a jaunt all day, and so delayed her work.
|
|
Dreading lest what he had heard should lead him to say something
|
|
regrettable to her he spoke little. But Arabella was very talkative,
|
|
and said among other things that she wanted some money.
|
|
Seeing the book sticking out of his pocket she added that he ought
|
|
to earn more.
|
|
|
|
"An apprentice's wages are not meant to be enough to keep a wife on,
|
|
as a rule, my dear."
|
|
|
|
"Then you shouldn't have had one."
|
|
|
|
"Come, Arabella! That's too bad, when you know how it came about."
|
|
|
|
"I'll declare afore Heaven that I thought what I told you was true.
|
|
Doctor Vilbert thought so. It was a good job for you that it
|
|
wasn't so!"
|
|
|
|
"I don't mean that," he said hastily. "I mean before that time.
|
|
I know it was not your fault; but those women friends of yours
|
|
gave you bad advice. If they hadn't, or you hadn't taken it,
|
|
we should at this moment have been free from a bond which, not to
|
|
mince matters, galls both of us devilishly. It may be very sad,
|
|
but it is true."
|
|
|
|
"Who's been telling you about my friends? What advice?
|
|
I insist upon you telling me."
|
|
|
|
"Pooh--I d rather not."
|
|
|
|
"But you shall--you ought to. It is mean of 'ee not to!"
|
|
|
|
"Very well." And he hinted gently what had been revealed to him.
|
|
"But I don't wish to dwell upon it. Let us say no more about it."
|
|
|
|
Her defensive manner collapsed. "That was nothing," she said,
|
|
laughing coldly. "Every woman has a right to do such as that.
|
|
The risk is hers."
|
|
|
|
"I quite deny it, Bella. She might if no lifelong penalty
|
|
attached to it for the man, or, in his default, for herself;
|
|
if the weakness of the moment could end with the moment,
|
|
or even with the year. But when effects stretch so far she
|
|
should not go and do that which entraps a man if he is honest,
|
|
or herself if he is otherwise."
|
|
|
|
"What ought I to have done?"
|
|
|
|
"Given me time.... Why do you fuss yourself about melting down that pig's
|
|
fat to-night? Please put it away!"
|
|
|
|
"Then I must do it to-morrow morning. It won't keep."
|
|
|
|
"Very well--do."
|
|
|
|
|
|
|
|
XI
|
|
|
|
|
|
NEXT morning, which was Sunday, she resumed operations about ten o'clock;
|
|
and the renewed work recalled the conversation which had accompanied it
|
|
the night before, and put her back into the same intractable temper.
|
|
|
|
"That's the story about me in Marygreen, is it--that I entrapped 'ee?
|
|
Much of a catch you were, Lord send!" As she warmed she saw some of Jude's
|
|
dear ancient classics on a table where they ought not to have been laid.
|
|
"I won't have them books here in the way!" she cried petulantly; and seizing
|
|
them one by one she began throwing them upon the floor.
|
|
|
|
"Leave my books alone!" he said. "You might have thrown them aside
|
|
if you had liked, but as to soiling them like that, it is disgusting!"
|
|
In the operation of making lard Arabella's hands had become smeared
|
|
with the hot grease, and her fingers consequently left very perceptible
|
|
imprints on the book-covers. She continued deliberately to toss
|
|
the books severally upon the floor, till Jude, incensed beyond bearing,
|
|
caught her by the arms to make her leave off. Somehow, in going so,
|
|
he loosened the fastening of her hair, and it rolled about her ears.
|
|
|
|
"Let me go!" she said.
|
|
|
|
"Promise to leave the books alone."
|
|
|
|
She hesitated. "Let me go!" she repeated.
|
|
|
|
"Promise!"
|
|
|
|
After a pause: "I do."
|
|
|
|
Jude relinquished his hold, and she crossed the room to the door,
|
|
out of which she went with a set face, and into the highway. Here she
|
|
began to saunter up and down, perversely pulling her hair into a worse
|
|
disorder than he had caused, and unfastening several buttons of her gown.
|
|
It was a fine Sunday morning, dry, clear and frosty, and the bells
|
|
of Alfredston Church could be heard on the breeze from the north.
|
|
People were going along the road, dressed in their holiday clothes;
|
|
they were mainly lovers--such pairs as Jude and Arabella had been
|
|
when they sported along the same track some months earlier.
|
|
These pedestrians turned to stare at the extraordinary spectacle she
|
|
now presented, bonnetless, her dishevelled hair blowing in the wind,
|
|
her bodice apart her sleeves rolled above her elbows for her work, and her
|
|
hands reeking with melted fat. One of the passers said in mock terror:
|
|
"Good Lord deliver us!"
|
|
|
|
"See how he's served me!" she cried. "Making me work Sunday mornings
|
|
when I ought to be going to my church, and tearing my hair off my head,
|
|
and my gown off my back!"
|
|
|
|
Jude was exasperated, and went out to drag her in by main force.
|
|
Then he suddenly lost his heat. Illuminated with the sense that all
|
|
was over between them, and that it mattered not what she did, or he,
|
|
her husband stood still, regarding her. Their lives were ruined,
|
|
he thought; ruined by the fundamental error of their matrimonial union:
|
|
that of having based a permanent contract on a temporary feeling which
|
|
had no necessary connection with affinities that alone render a lifelong
|
|
comradeship tolerable.
|
|
|
|
"Going to ill-use me on principle, as your father ill-used
|
|
your mother, and your father's sister ill-used her husband?"
|
|
she asked. "All you be a queer lot as husbands and wives!"
|
|
|
|
Jude fixed an arrested, surprised look on her. But she said
|
|
no more, and continued her saunter till she was tired.
|
|
He left the spot, and, after wandering vaguely a little while,
|
|
walked in the direction of Marygreen. Here he called upon his
|
|
great-aunt, whose infirmities daily increased.
|
|
|
|
"Aunt--did my father ill-use my mother, and my aunt her husband?"
|
|
said Jude abruptly, sitting down by the fire.
|
|
|
|
She raised her ancient eyes under the rim of the by-gone
|
|
bonnet that she always wore. "Who's been telling you that?"
|
|
she said.
|
|
|
|
"I have heard it spoken of, and want to know all."
|
|
|
|
"You med so well, I s'pose; though your wife--I reckon 'twas she--
|
|
must have been a fool to open up that! There isn't much to know after all.
|
|
Your father and mother couldn't get on together, and they parted.
|
|
It was coming home from Alfredston market, when you were a baby--
|
|
on the hill by the Brown House barn--that they had their last difference,
|
|
and took leave of one another for the last time. Your mother soon
|
|
afterwards died--she drowned herself, in short, and your father went away
|
|
with you to South Wessex, and never came here any more."
|
|
|
|
Jude recalled his father's silence about North Wessex and Jude's mother,
|
|
never speaking of either till his dying day.
|
|
|
|
"It was the same with your father's sister. Her husband offended her,
|
|
and she so disliked living with him afterwards that she went away
|
|
to London with her little maid. The Fawleys were not made for wedlock:
|
|
it never seemed to sit well upon us. There's sommat in our blood that
|
|
won't take kindly to the notion of being bound to do what we do readily
|
|
enough if not bound. That's why you ought to have hearkened to me,
|
|
and not ha' married."
|
|
|
|
"Where did Father and Mother part--by the Brown House, did you say?"
|
|
|
|
"A little further on--where the road to Fenworth branches off,
|
|
and the handpost stands. A gibbet once stood there not onconnected
|
|
with our history. But let that be."
|
|
|
|
In the dusk of that evening Jude walked away from his old
|
|
aunt's as if to go home. But as soon as he reached the open
|
|
down he struck out upon it till he came to a large round pond.
|
|
The frost continued, though it was not particularly sharp,
|
|
and the larger stars overhead came out slow and flickering.
|
|
Jude put one foot on the edge of the ice, and then the other:
|
|
it cracked under his weight; but this did not deter him.
|
|
He ploughed his way inward to the centre, the ice making sharp
|
|
noises as he went. When just about the middle he looked
|
|
around him and gave a jump. The cracking repeated itself;
|
|
but he did not go down. He jumped again, but the cracking
|
|
had ceased. Jude went back to the edge, and stepped upon
|
|
the ground.
|
|
|
|
It was curious, he thought. What was he reserved for?
|
|
He supposed he was not a sufficiently dignified person for suicide.
|
|
Peaceful death abhorred him as a subject, and would not
|
|
take him.
|
|
|
|
What could he do of a lower kind than self-extermination; what was
|
|
there less noble, more in keeping with his present degraded position?
|
|
He could get drunk. Of course that was it; he had forgotten.
|
|
Drinking was the regular, stereotyped resource of the despairing worthless.
|
|
He began to see now why some men boozed at inns. He struck down the hill
|
|
northwards and came to an obscure public-house. On entering and sitting
|
|
down the sight of the picture of Samson and Delilah on the wall caused him
|
|
to recognize the place as that he had visited with Arabella on that first
|
|
Sunday evening of their courtship. He called for liquor and drank briskly
|
|
for an hour or more.
|
|
|
|
Staggering homeward late that night, with all his sense of depression gone,
|
|
and his head fairly clear still, he began to laugh boisterously,
|
|
and to wonder how Arabella would receive him in his new aspect.
|
|
The house was in darkness when he entered, and in his stumbling state
|
|
it was some time before he could get a light. Then he found that,
|
|
though the marks of pig-dressing, of fats and scallops, were visible,
|
|
the materials themselves had been taken away. A line written by his wife
|
|
on the inside of an old envelope was pinned to the cotton blower of
|
|
the fireplace:
|
|
|
|
"HAVE GONE TO MY FRIENDS. SHALL NOT RETURN."
|
|
|
|
All the next day he remained at home, and sent off the carcase
|
|
of the pig to Alfredston. He then cleaned up the premises,
|
|
locked the door, put the key in a place she would know if she
|
|
came back, and returned to his masonry at Alfredston.
|
|
|
|
At night when he again plodded home he found she had not visited the house.
|
|
The next day went in the same way, and the next. Then there came a letter
|
|
from her.
|
|
|
|
That she had gone tired of him she frankly admitted. He was such
|
|
a slow old coach, and she did not care for the sort of life he led.
|
|
There was no prospect of his ever bettering himself or her.
|
|
She further went on to say that her parents had, as he knew,
|
|
for some time considered the question of emigrating to Australia,
|
|
the pig-jobbing business being a poor one nowadays. They had at last
|
|
decided to go, and she proposed to go with them, if he had no objection.
|
|
A woman of her sort would have more chance over there than in this
|
|
stupid country.
|
|
|
|
Jude replied that he had not the least objection to her going.
|
|
He thought it a wise course, since she wished to go,
|
|
and one that might be to the advantage of both. He enclosed
|
|
in the packet containing the letter the money that had been
|
|
realized by the sale of the pig, with all he had besides,
|
|
which was not much.
|
|
|
|
From that day he heard no more of her except indirectly,
|
|
though her father and his household did not immediately leave,
|
|
but waited till his goods and other effects had been sold off.
|
|
When Jude learnt that there was to be an auction at the house
|
|
of the Donns he packed his own household goods into a waggon,
|
|
and sent them to her at the aforesaid homestead, that she
|
|
might sell them with the rest, or as many of them as she
|
|
should choose.
|
|
|
|
He then went into lodgings at Alfredston, and saw in a shopwindow
|
|
the little handbill announcing the sale of his father-in-law's furniture.
|
|
He noted its date, which came and passed without Jude's going
|
|
near the place, or perceiving that the traffic out of Alfredston
|
|
by the southern road was materially increased by the auction.
|
|
A few days later he entered a dingy broker's shop in the main street
|
|
of the town, and amid a heterogeneous collection of saucepans,
|
|
a clothes-horse, rolling-pin, brass candlestick, swing looking-glass,
|
|
and other things at the back of the shop, evidently just brought
|
|
in from a sale, he perceived a framed photograph, which turned out to
|
|
be his own portrait.
|
|
|
|
It was one which he had had specially taken and framed by a
|
|
local man in bird's-eye maple, as a present for Arabella,
|
|
and had duly given her on their wedding-day. On the back
|
|
was still to be read, "JUDE TO ARABELLA," with the date.
|
|
She must have thrown it in with the rest of her property at
|
|
the auction.
|
|
|
|
"Oh," said the broker, seeing him look at this and the other
|
|
articles in the heap, and not perceiving that the portrait
|
|
was of himself: "It is a small lot of stuff that was knocked
|
|
down to me at a cottage sale out on the road to Marygreen.
|
|
The frame is a very useful one, if you take out the likeness.
|
|
You shall have it for a shilling."
|
|
|
|
The utter death of every tender sentiment in his wife, as brought home to him
|
|
by this mute and undesigned evidence of her sale of his portrait and gift,
|
|
was the conclusive little stroke required to demolish all sentiment in him.
|
|
He paid the shilling, took the photograph away with him, and burnt it,
|
|
frame and all, when he reached his lodging.
|
|
|
|
Two or three days later he heard that Arabella and her parents had departed.
|
|
He had sent a message offering to see her for a formal leave-taking, but she
|
|
had said that it would be better otherwise, since she was bent on going,
|
|
which perhaps was true. On the evening following their emigration,
|
|
when his day's work was done, he came out of doors after supper, and strolled
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in the starlight along the too familiar road towards the upland whereon
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had been experienced the chief emotions of his life. It seemed to be his
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own again.
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He could not realize himself. On the old track he seemed to be
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a boy still, hardly a day older than when he had stood dreaming at
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the top of that hill, inwardly fired for the first time with ardours
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for Christminster and scholarship. "Yet I am a man," he said.
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"I have a wife. More, I have arrived at the still riper stage
|
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of having disagreed with her, disliked her, had a scuffle with her,
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and parted from her."
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He remembered then that he was standing not far from the spot at which
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the parting between his father and his mother was said to have occurred.
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A little further on was the summit whence Christminster,
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or what he had taken for that city, had seemed to be visible.
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A milestone, now as always, stood at the roadside hard by.
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Jude drew near it, and felt rather than read the mileage
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to the city. He remembered that once on his way home
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he had proudly cut with his keen new chisel an inscription
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on the back of that milestone, embodying his aspirations.
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It had been done in the first week of his apprenticeship,
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before he had been diverted from his purposes by an unsuitable woman.
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He wondered if the inscription were legible still, and going
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to the back of the milestone brushed away the nettles.
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By the light of a match he could still discern what he had cut so
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enthusiastically so long ago:
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THITHER
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J. F.
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[with a pointing finger]
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The sight of it, unimpaired, within its screen of grass
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and nettles, lit in his soul a spark of the old fire.
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Surely his plan should be to move onward through good and ill--
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|
to avoid morbid sorrow even though he did see uglinesses
|
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in the world? BENE AGERE ET LOETARI--to do good cheerfully--
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which he had heard to be the philosophy of one Spinoza,
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might be his own even now.
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He might battle with his evil star, and follow out his original intention.
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By moving to a spot a little way off he uncovered the horizon
|
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in a north-easterly direction. There actually rose the faint halo,
|
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a small dim nebulousness, hardly recognizable save by the eye of faith.
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It was enough for him. He would go to Christminster as soon as the term
|
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of his apprenticeship expired.
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He returned to his lodgings in a better mood, and said his prayers.
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Part Second
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AT CHRISTMINSTER
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"Save his own soul he hath no star."--SWINBURNE.
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"Notitiam primosque gradus vicinia fecit;
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Tempore crevit amor."--OVID.
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I
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THE next noteworthy move in Jude's life was that in which he appeared
|
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gliding steadily onward through a dusky landscape of some three years'
|
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later leafage than had graced his courtship of Arabella, and the
|
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disruption of his coarse conjugal life with her. He was walking towards
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Christminster City, at a point a mile or two to the south-west of it.
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He had at last found himself clear of Marygreen and Alfredston:
|
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he was out of his apprenticeship, and with his tools at his back
|
|
seemed to be in the way of making a new start--the start to which,
|
|
barring the interruption involved in his intimacy and married
|
|
experience with Arabella, he had been looking forward for about
|
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ten years.
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Jude would now have been described as a young man with a forcible,
|
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meditative, and earnest rather than handsome cast of countenance.
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He was of dark complexion, with dark harmonizing eyes,
|
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and he wore a closely trimmed black beard of more advanced growth
|
|
than is usual at his age; this, with his great mass of black
|
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curly hair, was some trouble to him in combing and washing out
|
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the stone-dust that settled on it in the pursuit of his trade.
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His capabilities in the latter, having been acquired in the country,
|
|
were of an all-round sort, including monumental stone-cutting, gothic
|
|
free-stone work for the restoration of churches, and carving of a
|
|
general kind. In London he would probably have become specialized
|
|
and have made himself a "moulding mason," a "foliage sculptor"--
|
|
perhaps a "statuary."
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He had that afternoon driven in a cart from Alfredston to the village
|
|
nearest the city in this direction, and was now walking the remaining
|
|
four miles rather from choice than from necessity, having always fancied
|
|
himself arriving thus.
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The ultimate impulse to come had had a curious origin--
|
|
one more nearly related to the emotional side of him than
|
|
to the intellectual, as is often the case with young men.
|
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One day while in lodgings at Alfredston he had gone to Marygreen
|
|
to see his old aunt, and had observed between the brass
|
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candlesticks on her mantlepiece the photograph of a pretty
|
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girlish face, in a broad hat with radiating folds under
|
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the brim like the rays of a halo. He had asked who she was.
|
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His grand-aunt had gruffly replied that she was his cousin
|
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Sue Bridehead, of the inimical branch of the family; and on
|
|
further questioning the old woman had replied that the girl lived
|
|
in Christminster, though she did not know where, or what she
|
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was doing.
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His aunt would not give him the photograph. But it haunted him;
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and ultimately formed a quickening ingredient in his latent intent
|
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of following his friend the school master thither.
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He now paused at the top of a crooked and gentle declivity, and obtained
|
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his first near view of the city. Grey-stoned and dun-roofed, it stood
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within hail of the Wessex border, and almost with the tip of one small
|
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toe within it, at the northernmost point of the crinkled line along
|
|
which the leisurely Thames strokes the fields of that ancient kingdom.
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The buildings now lay quiet in the sunset, a vane here and there on their
|
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many spires and domes giving sparkle to a picture of sober secondary and
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tertiary hues.
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Reaching the bottom he moved along the level way between
|
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pollard willows growing indistinct in the twilight, and soon
|
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confronted the outmost lamps of the town--some of those lamps
|
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which had sent into the sky the gleam and glory that caught
|
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his strained gaze in his days of dreaming, so many years ago.
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They winked their yellow eyes at him dubiously, and as if,
|
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though they had been awaiting him all these years in disappointment
|
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at his tarrying, they did not much want him now.
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He was a species of Dick Whittington whose spirit was touched
|
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to finer issues than a mere material gain. He went along
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the outlying streets with the cautious tread of an explorer.
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He saw nothing of the real city in the suburbs on this side.
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His first want being a lodging he scrutinized carefully such
|
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localities as seemed to offer on inexpensive terms the modest
|
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type of accommodation he demanded; and after inquiry took a room
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in a suburb nicknamed "Beersheba," though he did not know this
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at the time. Here he installed himself, and having had some tea
|
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sallied forth.
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It was a windy, whispering, moonless night. To guide himself he opened
|
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under a lamp a map he had brought. The breeze ruffled and fluttered it,
|
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but he could see enough to decide on the direction he should take to reach
|
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the heart of the place.
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After many turnings he came up to the first ancient
|
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mediaeval pile that he had encountered. It was a college,
|
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as he could see by the gateway. He entered it, walked round,
|
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and penetrated to dark corners which no lamplight reached.
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Close to this college was another; and a little further
|
|
on another; and then he began to be encircled as it were
|
|
with the breath and sentiment of the venerable city.
|
|
When he passed objects out of harmony with its general
|
|
expression he allowed his eyes to slip over them as if he did
|
|
not see them.
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A bell began clanging, and he listened till a hundred-and-one
|
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strokes had sounded. He must have made a mis-take, he thought:
|
|
it was meant for a hundred.
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When the gates were shut, and he could no longer get into the quadrangles,
|
|
he rambled under the walls and doorways, feeling with his fingers
|
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the contours of their mouldings and carving. The minutes passed,
|
|
fewer and fewer people were visible, and still he serpentined among
|
|
the shadows, for had he not imagined these scenes through ten bygone years,
|
|
and what mattered a night's rest for once? High against the black sky
|
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the flash of a lamp would show crocketed pinnacles and indented battlements.
|
|
Down obscure alleys, apparently never trodden now by the foot of man,
|
|
and whose very existence seemed to be forgotten, there would jut into
|
|
the path porticoes, oriels, doorways of enriched and florid middle-age design,
|
|
their extinct air being accentuated by the rottenness of the stones.
|
|
It seemed impossible that modern thought could house itself in such decrepit
|
|
and superseded chambers.
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|
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Knowing not a human being here, Jude began to be impressed with the
|
|
isolation of his own personality, as with a self-spectre, the sensation
|
|
being that of one who walked but could not make himself seen or heard.
|
|
He drew his breath pensively, and, seeming thus almost his own ghost,
|
|
gave his thoughts to the other ghostly presences with which the nooks
|
|
were haunted.
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|
|
During the interval of preparation for this venture, since his wife
|
|
and furniture's uncompromising disappearance into space, he had read
|
|
and learnt almost all that could be read and learnt by one in his position,
|
|
of the worthies who had spent their youth within these reverend walls,
|
|
and whose souls had haunted them in their maturer age. Some of them,
|
|
by the accidents of his reading, loomed out in his fancy disproportionately
|
|
large by comparison with the rest. The brushings of the wind against
|
|
the angles, buttresses, and door-jambs were as the passing of these
|
|
only other inhabitants, the tappings of each ivy leaf on its neighbour
|
|
were as the mutterings of their mournful souls, the shadows as their
|
|
thin shapes in nervous movement, making him comrades in his solitude.
|
|
In the gloom it was as if he ran against them without feeling their
|
|
bodily frames.
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|
|
The streets were now deserted, but on account of these things he could
|
|
not go in. There were poets abroad, of early date and of late, from the
|
|
friend and eulogist of Shakespeare down to him who has recently passed
|
|
into silence, and that musical one of the tribe who is still among us.
|
|
Speculative philosophers drew along, not always with wrinkled foreheads
|
|
and hoary hair as in framed portraits, but pink-faced, slim, and active as
|
|
in youth; modern divines sheeted in their surplices, among whom the most real
|
|
to Jude Fawley were the founders of the religious school called Tractarian;
|
|
the well-known three, the enthusiast, the poet, and the formularist,
|
|
the echoes of whose teachings had influenced him even in his obscure home.
|
|
A start of aversion appeared in his fancy to move them at sight of those
|
|
other sons of the place, the form in the full-bottomed wig, statesman rake,
|
|
reasoner and sceptic; the smoothly shaven historian so ironically civil
|
|
to Christianity; with others of the same incredulous temper, who knew
|
|
each quad as well as the faithful, and took equal freedom in haunting
|
|
its cloisters.
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|
|
|
He regarded the statesmen in their various types, men of firmer
|
|
movement and less dreamy air; the scholar, the speaker, the plodder;
|
|
the man whose mind grew with his growth in years, and the man whose
|
|
mind contracted with the same.
|
|
|
|
The scientists and philologists followed on in his mind-sight
|
|
in an odd impossible combination, men of meditative faces,
|
|
strained foreheads, and weak-eyed as bats with constant research;
|
|
then official characters--such men as governor-generals
|
|
and lord-lieutenants, in whom he took little interest;
|
|
chief-justices and lord chancellors, silent thin-lipped
|
|
figures of whom he knew barely the names. A keener regard
|
|
attached to the prelates, by reason of his own former hopes.
|
|
Of them he had an ample band--some men of heart, others rather
|
|
men of head; he who apologized for the Church in Latin;
|
|
the saintly author of the Evening Hymn; and near them the great
|
|
itinerant preacher, hymn-writer, and zealot, shadowed like Jude
|
|
by his matrimonial difficulties.
|
|
|
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Jude found himself speaking out loud, holding conversations
|
|
with them as it were, like an actor in a melodrama who
|
|
apostrophizes the audience on the other side of the footlights;
|
|
till he suddenly ceased with a start at his absurdity.
|
|
Perhaps those incoherent words of the wanderer were heard
|
|
within the walls by some student or thinker over his lamp;
|
|
and he may have raised his head, and wondered what voice it was,
|
|
and what it betokened. Jude now perceived that, so far
|
|
as solid flesh went, he had the whole aged city to himself
|
|
with the exception of a belated townsman here and there,
|
|
and that he seemed to be catching a cold.
|
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|
|
A voice reached him out of the shade; a real and local voice:
|
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|
|
"You've been a-settin' a long time on that plinth-stone, young man.
|
|
What med you be up to?"
|
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|
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It came from a policeman who had been observing Jude without
|
|
the latter observing him.
|
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|
|
Jude went home and to bed, after reading up a little about these men
|
|
and their several messages to the world from a book or two that
|
|
he had brought with him concerning the sons of the university.
|
|
As he drew towards sleep various memorable words of theirs that he had
|
|
just been conning seemed spoken by them in muttering utterances;
|
|
some audible, some unintelligible to him. One of the spectres
|
|
(who afterwards mourned Christminster as "the home of lost causes,"
|
|
though Jude did not remember this) was now apostrophizing
|
|
her thus:
|
|
|
|
"Beautiful city! so venerable, so lovely, so unravaged by the fierce
|
|
intellectual life of our century, so serene! ... Her ineffable charm
|
|
keeps ever calling us to the true goal of all of us, to the ideal,
|
|
to perfection."
|
|
|
|
Another voice was that of the Corn Law convert, whose phantom
|
|
he had just seen in the quadrangle with a great bell.
|
|
Jude thought his soul might have been shaping the historic words
|
|
of his master-speech:
|
|
|
|
"Sir, I may be wrong, but my impression is that my duty towards a country
|
|
threatened with famine requires that that which has been the ordinary remedy
|
|
under all similar circumstances should be resorted to now, namely, that there
|
|
should be free access to the food of man from whatever quarter it may come....
|
|
Deprive me of office to-morrow, you can never deprive me of the consciousness
|
|
that I have exercised the powers committed to me from no corrupt or
|
|
interested motives, from no desire to gratify ambition, for no personal gain."
|
|
|
|
Then the sly author of the immortal Chapter on Christianity:
|
|
"How shall we excuse the supine inattention of the Pagan
|
|
and philosophic world, to those evidences [miracles] which were
|
|
presented by Omnipotence? ... The sages of Greece and Rome
|
|
turned aside from the awful spectacle, and appeared unconscious
|
|
of any alterations in the moral or physical government of
|
|
the world."
|
|
|
|
Then the shade of the poet, the last of the optimists:
|
|
|
|
|
|
How the world is made for each of us!
|
|
. . . . . . . . . . .
|
|
And each of the Many helps to recruit
|
|
The life of the race by a general plan.
|
|
|
|
|
|
Then one of the three enthusiasts he had seen just now,
|
|
the author of the APOLOGIA:
|
|
|
|
"My argument was ... that absolute certitude as to the truths of natural
|
|
theology was the result of an assemblage of concurring and converging
|
|
probabilities ... that probabilities which did not reach to logical
|
|
certainty might create a mental certitude."
|
|
|
|
The second of them, no polemic, murmured quieter things:
|
|
|
|
|
|
Why should we faint, and fear to live alone,
|
|
Since all alone, so Heaven has will'd, we die?
|
|
|
|
|
|
He likewise heard some phrases spoken by the phantom with the short face,
|
|
the genial Spectator:
|
|
|
|
"When I look upon the tombs of the great, every motion of envy dies in me;
|
|
when I read the epitaphs of the beautiful, every inordinate desire goes out;
|
|
when I meet with the grief of parents upon a tombstone, my heart melts
|
|
with compassion; when I see the tombs of the parents themselves, I consider
|
|
the vanity of grieving for those whom we must quickly follow."
|
|
|
|
And lastly a gentle-voiced prelate spoke, during whose meek,
|
|
familiar rhyme, endeared to him from earliest childhood,
|
|
Jude fell asleep:
|
|
|
|
|
|
Teach me to live, that I may dread
|
|
The grave as little as my bed.
|
|
Teach me to die ...
|
|
|
|
|
|
He did not wake till morning. The ghostly past seemed to have gone,
|
|
and everything spoke of to-day. He started up in bed, thinking he had
|
|
overslept himself and then said:
|
|
|
|
"By Jove--I had quite forgotten my sweet-faced cousin, and that she's
|
|
here all the time! ... and my old schoolmaster, too." His words
|
|
about his schoolmaster had, perhaps, less zest in them than his words
|
|
concerning his cousin.
|
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|
|
|
|
|
|
II
|
|
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|
|
NECESSARY meditations on the actual, including the mean
|
|
bread-and-cheese question, dissipated the phantasmal for a while,
|
|
and compelled Jude to smother high thinkings under immediate needs.
|
|
He had to get up, and seek for work, manual work; the only kind
|
|
deemed by many of its professors to be work at all.
|
|
|
|
Passing out into the streets on this errand he found that the colleges had
|
|
treacherously changed their sympathetic countenances: some were pompous;
|
|
some had put on the look of family vaults above ground; something barbaric
|
|
loomed in the masonries of all. The spirits of the great men had disappeared.
|
|
|
|
The numberless architectural pages around him he read, naturally, less as
|
|
an artist-critic of their forms than as an artizan and comrade of the dead
|
|
handicraftsmen whose muscles had actually executed those forms.
|
|
He examined the mouldings, stroked them as one who knew their beginning,
|
|
said they were difficult or easy in the working, had taken little or
|
|
much time, were trying to the arm, or convenient to the tool.
|
|
|
|
What at night had been perfect and ideal was by day the more
|
|
or less defective real. Cruelties, insults, had, he perceived,
|
|
been inflicted on the aged erections. The condition of several
|
|
moved him as he would have been moved by maimed sentient beings.
|
|
They were wounded, broken, sloughing off their outer shape in
|
|
the deadly struggle against years, weather, and man.
|
|
|
|
The rottenness of these historical documents reminded him that he was not,
|
|
after all, hastening on to begin the morning practically as he had intended.
|
|
He had come to work, and to live by work, and the morning had nearly gone.
|
|
It was, in one sense, encouraging to think that in a place of crumbling
|
|
stones there must be plenty for one of his trade to do in the business
|
|
of renovation. He asked his way to the workyard of the stone-mason whose name
|
|
had been given him at Alfredston; and soon heard the familiar sound of the
|
|
rubbers and chisels.
|
|
|
|
The yard was a little centre of regeneration. Here, with keen
|
|
edges and smooth curves, were forms in the exact likeness
|
|
of those he had seen abraded and time-eaten on the walls.
|
|
These were the ideas in modern prose which the lichened
|
|
colleges presented in old poetry. Even some of those
|
|
antiques might have been called prose when they were new.
|
|
They had done nothing but wait, and had become poetical.
|
|
How easy to the smallest building; how impossible to
|
|
most men.
|
|
|
|
He asked for the foreman, and looked round among the new traceries,
|
|
mullions, transoms, shafts, pinnacles, and battlements standing on
|
|
the bankers half worked, or waiting to be removed. They were marked
|
|
by precision, mathematical straightness, smoothness, exactitude:
|
|
there in the old walls were the broken lines of the original idea;
|
|
jagged curves, disdain of precision, irregularity, disarray.
|
|
|
|
For a moment there fell on Jude a true illumination; that here in
|
|
the stone yard was a centre of effort as worthy as that dignified
|
|
by the name of scholarly study within the noblest of the colleges.
|
|
But he lost it under stress of his old idea. He would accept any
|
|
employment which might be offered him on the strength of his late
|
|
employer's recommendation; but he would accept it as a provisional
|
|
thing only. This was his form of the modern vice of unrest.
|
|
|
|
Moreover he perceived that at best only copying, patching and imitating went
|
|
on here; which he fancied to be owing to some temporary and local cause.
|
|
He did not at that time see that mediaevalism was as dead as a fern-leaf in a
|
|
lump of coal; that other developments were shaping in the world around him,
|
|
in which Gothic architecture and its associations had no place. The deadly
|
|
animosity of contemporary logic and vision towards so much of what he held in
|
|
reverence was not yet revealed to him.
|
|
|
|
Having failed to obtain work here as yet he went away,
|
|
and thought again of his cousin, whose presence somewhere at hand
|
|
he seemed to feel in wavelets of interest, if not of emotion.
|
|
How he wished he had that pretty portrait of her!
|
|
At last he wrote to his aunt to send it. She did so,
|
|
with a request, however, that he was not to bring disturbance
|
|
into the family by going to see the girl or her relations.
|
|
Jude, a ridiculously affectionate fellow, promised nothing,
|
|
put the photograph on the mantel-piece, kissed it--he did not
|
|
know why--and felt more at home. She seemed to look down and
|
|
preside over his tea. It was cheering--the one thing uniting
|
|
him to the emotions of the living city.
|
|
|
|
There remained the schoolmaster--probably now a reverend parson.
|
|
But he could not possibly hunt up such a respectable man just yet;
|
|
so raw and unpolished was his condition, so precarious
|
|
were his fortunes. Thus he still remained in loneliness.
|
|
Although people moved round him he virtually saw none.
|
|
Not as yet having mingled with the active life of the place it
|
|
was largely non-existent to him. But the saints and prophets
|
|
in the window-tracery, the paintings in the galleries, the statues,
|
|
the busts, the gargoyles, the corbel-heads--these seemed to breathe
|
|
his atmosphere. Like all new comers to a spot on which the past
|
|
is deeply graven he heard that past announcing itself with an
|
|
emphasis altogether unsuspected by, and even incredible to,
|
|
the habitual residents.
|
|
|
|
For many days he haunted the cloisters and quadrangles of the colleges at odd
|
|
minutes in passing them, surprised by impish echoes of his own footsteps,
|
|
smart as the blows of a mallet. The Christminster "sentiment," as it
|
|
had been called, ate further and further into him; till he probably knew
|
|
more about those buildings materially, artistically, and historically,
|
|
than any one of their inmates.
|
|
|
|
It was not till now, when he found himself actually on the spot
|
|
of his enthusiasm, that Jude perceived how far away from the object
|
|
of that enthusiasm he really was. Only a wall divided him
|
|
from those happy young contemporaries of his with whom he shared
|
|
a common mental life; men who had nothing to do from morning till
|
|
night but to read, mark, learn, and inwardly digest. Only a wall--
|
|
but what a wall!
|
|
|
|
Every day, every hour, as he went in search of labour,
|
|
he saw them going and coming also, rubbed shoulders
|
|
with them, heard their voices, marked their movements.
|
|
The conversation of some of the more thoughtful among them
|
|
seemed oftentimes, owing to his long and persistent preparation
|
|
for this place, to be peculiarly akin to his own thoughts.
|
|
Yet he was as far from them as if he had been at the antipodes.
|
|
Of course he was. He was a young workman in a white blouse,
|
|
and with stone-dust in the creases of his clothes; and in passing
|
|
him they did not even see him, or hear him, rather saw through
|
|
him as through a pane of glass at their familiars beyond.
|
|
Whatever they were to him, he to them was not on the spot at all;
|
|
and yet he had fancied he would be close to their lives by
|
|
coming there.
|
|
|
|
But the future lay ahead after all; and if he could only be so fortunate
|
|
as to get into good employment he would put up with the inevitable.
|
|
So he thanked God for his health and strength, and took courage.
|
|
For the present he was outside the gates of everything, colleges included:
|
|
perhaps some day he would be inside. Those palaces of light and leading;
|
|
he might some day look down on the world through their panes.
|
|
|
|
At length he did receive a message from the stone-mason's yard--
|
|
that a job was waiting for him. It was his first encouragement,
|
|
and he closed with the offer promptly.
|
|
|
|
He was young and strong, or he never could have executed with such zest
|
|
the undertakings to which he now applied himself, since they involved
|
|
reading most of the night after working all the day. First he bought
|
|
a shaded lamp for four and six-pence, and obtained a good light.
|
|
Then he got pens, paper, and such other necessary books as he had been
|
|
unable to obtain elsewhere. Then, to the consternation of his landlady,
|
|
he shifted all the furniture of his room--a single one for living
|
|
and sleeping--rigged up a curtain on a rope across the middle,
|
|
to make a double chamber out of one, hung up a thick blind that no-body
|
|
should know how he was curtailing the hours of sleep, laid out his books,
|
|
and sat down.
|
|
|
|
Having been deeply encumbered by marrying, getting a cottage,
|
|
and buying the furniture which had disappeared in the wake
|
|
of his wife, he had never been able to save any money since
|
|
the time of those disastrous ventures, and till his wages
|
|
began to come in he was obliged to live in the narrowest way.
|
|
After buying a book or two he could not even afford himself
|
|
a fire; and when the nights reeked with the raw and cold air
|
|
from the Meadows he sat over his lamp in a great-coat, hat,
|
|
and woollen gloves.
|
|
|
|
From his window he could perceive the spire of the cathedral,
|
|
and the ogee dome under which resounded the great bell of the city.
|
|
The tall tower, tall belfry windows, and tall pinnacles of the college
|
|
by the bridge he could also get a glimpse of by going to the staircase.
|
|
These objects he used as stimulants when his faith in the future
|
|
was dim.
|
|
|
|
Like enthusiasts in general he made no inquiries into details of procedure.
|
|
Picking up general notions from casual acquaintance, he never dwelt
|
|
upon them. For the present, he said to himself, the one thing necessary
|
|
was to get ready by accumulating money and knowledge, and await whatever
|
|
chances were afforded to such an one of becoming a son of the University.
|
|
"For wisdom is a defence, and money is a defence; but the excellency
|
|
of knowledge is, that wisdom giveth life to them that have it." His desire
|
|
absorbed him, and left no part of him to weigh its practicability.
|
|
|
|
At this time he received a nervously anxious letter from his poor
|
|
old aunt, on the subject which had previously distressed her--
|
|
a fear that Jude would not be strong-minded enough to keep
|
|
away from his cousin Sue Bridehead and her relations.
|
|
Sue's father, his aunt believed, had gone back to London,
|
|
but the girl remained at Christminster. To make her still
|
|
more objectionable she was an artist or designer of some
|
|
sort in what was called an ecclesiastical warehouse,
|
|
which was a perfect seed-bed of idolatry, and she was no doubt
|
|
abandoned to mummeries on that account--if not quite a Papist.
|
|
(Miss Drusilla Fawley was of her date, Evangelical.)
|
|
|
|
As Jude was rather on an intellectual track than a theological,
|
|
this news of Sue's probable opinions did not much influence him one way
|
|
or the other, but the clue to her whereabouts was decidedly interesting.
|
|
With an altogether singular pleasure he walked at his earliest spare
|
|
minutes past the shops answering to his great-aunt's description;
|
|
and beheld in one of them a young girl sitting behind a desk,
|
|
who was suspiciously like the original of the portrait.
|
|
He ventured to enter on a trivial errand, and having made his purchase
|
|
lingered on the scene. The shop seemed to be kept entirely by women.
|
|
It contained Anglican books, stationery, texts, and fancy goods:
|
|
little plaster angels on brackets, Gothic-framed pictures of saints,
|
|
ebony crosses that were almost crucifixes, prayer-books that were
|
|
almost missals. He felt very shy of looking at the girl in the desk;
|
|
she was so pretty that he could not believe it possible that she
|
|
should belong to him. Then she spoke to one of the two older
|
|
women behind the counter; and he recognized in the accents certain
|
|
qualities of his own voice; softened and sweetened, but his own.
|
|
What was she doing? He stole a glance round. Before her lay a piece
|
|
of zinc, cut to the shape of a scroll three or four feet long,
|
|
and coated with a dead-surface paint on one side. Hereon she was
|
|
designing or illuminating, in characters of Church text, the single
|
|
word
|
|
|
|
A L L E L U J H
|
|
|
|
"A sweet, saintly, Christian business, hers!" thought he.
|
|
|
|
Her presence here was now fairly enough explained, her skill
|
|
in work of this sort having no doubt been acquired from her
|
|
father's occupation as an ecclesiastical worker in metal.
|
|
The lettering on which she was engaged was clearly intended to be
|
|
fixed up in some chancel to assist devotion.
|
|
|
|
He came out. It would have been easy to speak to her there and then,
|
|
but it seemed scarcely honourable towards his aunt to disregard her request
|
|
so incontinently. She had used him roughly, but she had brought him up:
|
|
and the fact of her being powerless to control him lent a pathetic force
|
|
to a wish that would have been inoperative as an argument.
|
|
|
|
So Jude gave no sign. He would not call upon Sue just yet.
|
|
He had other reasons against doing so when he had walked away.
|
|
She seemed so dainty beside himself in his rough working-jacket
|
|
and dusty trousers that he felt he was as yet unready
|
|
to encounter her, as he had felt about Mr. Phillotson.
|
|
And how possible it was that she had inherited the antipathies
|
|
of her family, and would scorn him, as far as a Christian could,
|
|
particularly when he had told her that unpleasant part of his history
|
|
which had resulted in his becoming enchained to one of her own
|
|
sex whom she would certainly not admire.
|
|
|
|
Thus he kept watch over her, and liked to feel she was there.
|
|
The consciousness of her living presence stimulated him.
|
|
But she remained more or less an ideal character,
|
|
about whose form he began to weave curious and fantastic
|
|
day-dreams.
|
|
|
|
Between two and three weeks afterwards Jude was engaged with some
|
|
more men, outside Crozier College in Old-time Street, in getting
|
|
a block of worked freestone from a waggon across the pavement,
|
|
before hoisting it to the parapet which they were repairing.
|
|
Standing in position the head man said, "Spaik when he heave!
|
|
He-ho!" And they heaved.
|
|
|
|
All of a sudden, as he lifted, his cousin stood close to his elbow,
|
|
pausing a moment on the bend of her foot till the obstructing object
|
|
should have been removed. She looked right into his face with liquid,
|
|
untranslatable eyes, that combined, or seemed to him to combine,
|
|
keenness with tenderness, and mystery with both, their expression,
|
|
as well as that of her lips, taking its life from some words just spoken
|
|
to a companion, and being carried on into his face quite unconsciously.
|
|
She no more observed his presence than that of the dust-motes which his
|
|
manipulations raised into the sunbeams.
|
|
|
|
His closeness to her was so suggestive that he trembled, and turned
|
|
his face away with a shy instinct to prevent her recognizing him,
|
|
though as she had never once seen him she could not possibly
|
|
do so; and might very well never have heard even his name.
|
|
He could perceive that though she was a country-girl at bottom,
|
|
a latter girlhood of some years in London, and a womanhood here,
|
|
had taken all rawness out of her.
|
|
|
|
When she was gone he continued his work, reflecting on her.
|
|
He had been so caught by her influence that he had taken
|
|
no count of her general mould and build. He remembered now
|
|
that she was not a large figure, that she was light and slight,
|
|
of the type dubbed elegant. That was about all he had seen.
|
|
There was nothing statuesque in her; all was nervous motion.
|
|
She was mobile, living, yet a painter might not have called her
|
|
handsome or beautiful. But the much that she was surprised him.
|
|
She was quite a long way removed from the rusticity that was his.
|
|
How could one of his cross-grained, unfortunate, almost accursed
|
|
stock, have contrived to reach this pitch of niceness? London had
|
|
done it, he supposed.
|
|
|
|
From this moment the emotion which had been accumulating in his breast
|
|
as the bottled-up effect of solitude and the poetized locality he dwelt in,
|
|
insensibly began to precipitate itself on this half-visionary form;
|
|
and he perceived that, whatever his obedient wish in a contrary direction,
|
|
he would soon be unable to resist the desire to make himself known
|
|
to her.
|
|
|
|
He affected to think of her quite in a family way, since there were crushing
|
|
reasons why he should not and could not think of her in any other.
|
|
|
|
The first reason was that he was married, and it would be wrong.
|
|
The second was that they were cousins. It was not well for cousins
|
|
to fall in love even when circumstances seemed to favour the passion.
|
|
The third: even were he free, in a family like his own where marriage
|
|
usually meant a tragic sadness, marriage with a blood-relation would
|
|
duplicate the adverse conditions, and a tragic sadness might be
|
|
intensified to a tragic horror.
|
|
|
|
Therefore, again, he would have to think of Sue with only
|
|
a relation's mutual interest in one belonging to him;
|
|
regard her in a practical way as some one to be proud of;
|
|
to talk and nod to; later on, to be invited to tea by,
|
|
the emotion spent on her being rigorously that of a kinsman
|
|
and well-wisher. So would she be to him a kindly star,
|
|
an elevating power, a companion in Anglican worship, a tender
|
|
friend
|
|
|
|
|
|
|
|
III
|
|
|
|
|
|
BUT under the various deterrent influences Jude's instinct
|
|
was to approach her timidly, and the next Sunday he went
|
|
to the morning service in the Cathedral church of Cardinal
|
|
College to gain a further view of her, for he had found
|
|
that she frequently attended there.
|
|
|
|
She did not come, and he awaited her in the afternoon, which was finer.
|
|
He knew that if she came at all she would approach the building
|
|
along the eastern side of the great green quadrangle from which it
|
|
was accessible, and he stood in a corner while the bell was going.
|
|
A few minutes before the hour for service she appeared as one of
|
|
the figures walking along under the college walls, and at sight of her
|
|
he advanced up the side opposite, and followed her into the building,
|
|
more than ever glad that he had not as yet revealed himself.
|
|
To see her, and to be himself unseen and unknown, was enough for him
|
|
at present.
|
|
|
|
He lingered awhile in the vestibule, and the service was some way advanced
|
|
when he was put into a seat. It was a louring, mournful, still afternoon,
|
|
when a religion of some sort seems a necessity to ordinary practical men,
|
|
and not only a luxury of the emotional and leisured classes. In the dim
|
|
light and the baffling glare of the clerestory windows he could discern the
|
|
opposite worshippers indistinctly only, but he saw that Sue was among them.
|
|
He had not long discovered the exact seat that she occupied when the chanting
|
|
of the 119th Psalm in which the choir was engaged reached its second part,
|
|
IN QUO CORRIGET, the organ changing to a pathetic Gregorian tune as the
|
|
singers gave forth:
|
|
|
|
|
|
Wherewithal shall a young man cleanse his way?
|
|
|
|
|
|
It was the very question that was engaging Jude's attention at this moment.
|
|
What a wicked worthless fellow he had been to give vent as he had
|
|
done to an animal passion for a woman, and allow it to lead to such
|
|
disastrous consequences; then to think of putting an end to himself;
|
|
then to go recklessly and get drunk. The great waves of pedal music
|
|
tumbled round the choir, and, nursed on the supernatural as he had been,
|
|
it is not wonderful that he could hardly believe that the psalm was not
|
|
specially set by some regardful Providence for this moment of his first
|
|
entry into the solemn building. And yet it was the ordinary psalm for
|
|
the twenty-fourth evening of the month.
|
|
|
|
The girl for whom he was beginning to nourish an extraordinary
|
|
tenderness was at this time ensphered by the same harmonies as those
|
|
which floated into his ears; and the thought was a delight to him.
|
|
She was probably a frequenter of this place, and, steeped body and soul
|
|
in church sentiment as she must be by occupation and habit, had, no doubt,
|
|
much in common with him. To an impressionable and lonely young man
|
|
the consciousness of having at last found anchorage for his thoughts,
|
|
which promised to supply both social and spiritual possibilities,
|
|
was like the dew of Hermon, and he remained throughout the service in a
|
|
sustaining atmosphere of ecstasy.
|
|
|
|
Though he was loth to suspect it, some people might have said to him
|
|
that the atmosphere blew as distinctly from Cyprus as from Galilee.
|
|
|
|
Jude waited till she had left her seat and passed under the screen
|
|
before he himself moved. She did not look towards him, and by
|
|
the time he reached the door she was half-way down the broad path.
|
|
Being dressed up in his Sunday suit he was inclined to follow
|
|
her and reveal himself. But he was not quite ready; and, alas,
|
|
ought he to do so with the kind of feeling that was awakening in him?
|
|
|
|
For though it had seemed to have an ecclesiastical basis during
|
|
the service, and he had persuaded himself that such was the case,
|
|
he could not altogether be blind to the real nature of the magnetism.
|
|
She was such a stranger that the kinship was affectation, and he said,
|
|
"It can't be! I, a man with a wife, must not know her!" Still Sue
|
|
WAS his own kin, and the fact of his having a wife, even though she
|
|
was not in evidence in this hemisphere, might be a help in one sense.
|
|
It would put all thought of a tender wish on his part out of
|
|
Sue's mind, and make her intercourse with him free and fearless.
|
|
It was with some heartache that he saw how little he cared
|
|
for the freedom and fearlessness that would result in her from
|
|
such knowledge.
|
|
|
|
|
|
Some little time before the date of this service in the cathedral
|
|
the pretty, liquid-eyed, light-footed young woman Sue Bridehead
|
|
had an afternoon's holiday, and leaving the ecclesiastical
|
|
establishment in which she not only assisted but lodged,
|
|
took a walk into the country with a book in her hand.
|
|
It was one of those cloudless days which sometimes occur
|
|
in Wessex and elsewhere between days of cold and wet,
|
|
as if intercalated by caprice of the weather-god. She went
|
|
along for a mile or two until she came to much higher
|
|
ground than that of the city she had left behind her.
|
|
The road passed between green fields, and coming to a stile
|
|
Sue paused there, to finish the page she was reading,
|
|
and then looked back at the towers and domes and pinnacles new
|
|
and old.
|
|
|
|
On the other side of the stile, in the footpath, she beheld
|
|
a foreigner with black hair and a sallow face, sitting on the grass
|
|
beside a large square board whereon were fixed, as closely as they
|
|
could stand, a number of plaster statuettes, some of them bronzed,
|
|
which he was re-arranging before proceeding with them on his way.
|
|
They were in the main reduced copies of ancient marbles, and comprised
|
|
divinities of a very different character from those the girl was
|
|
accustomed to see portrayed, among them being a Venus of standard pattern,
|
|
a Diana, and, of the other sex, Apollo, Bacchus, and Mars.
|
|
Though the figures were many yards away from her the south-west sun
|
|
brought them out so brilliantly against the green herbage that she could
|
|
discern their contours with luminous distinctness; and being almost
|
|
in a line between herself and the church towers of the city they awoke
|
|
in her an oddly foreign and contrasting set of ideas by comparison.
|
|
The man rose, and, seeing her, politely took off his cap, and cried
|
|
"I-i-i-mages!" in an accent that agreed with his appearance.
|
|
In a moment he dexterously lifted upon his knee the great board
|
|
with its assembled notabilities divine and human, and raised
|
|
it to the top of his head, bringing them on to her and resting
|
|
the board on the stile. First he offered her his smaller wares--
|
|
the busts of kings and queens, then a minstrel, then a winged Cupid.
|
|
She shook her head.
|
|
|
|
"How much are these two?" she said, touching with her finger the Venus
|
|
and the Apollo--the largest figures on the tray.
|
|
|
|
He said she should have them for ten shillings.
|
|
|
|
"I cannot afford that," said Sue. She offered considerably less,
|
|
and to her surprise the image-man drew them from their wire stay
|
|
and handed them over the stile. She clasped them as treasures.
|
|
|
|
When they were paid for, and the man had gone, she began to be
|
|
concerned as to what she should do with them. They seemed so very
|
|
large now that they were in her possession, and so very naked.
|
|
Being of a nervous temperament she trembled at her enterprise.
|
|
When she handled them the white pipeclay came off on her gloves
|
|
and jacket. After carrying them along a little way openly an idea
|
|
came to her, and, pulling some huge burdock leaves, parsley,
|
|
and other rank growths from the hedge, she wrapped up her burden
|
|
as well as she could in these, so that what she carried appeared
|
|
to be an enormous armful of green stuff gathered by a zealous lover
|
|
of nature.
|
|
|
|
"Well, anything is better than those everlasting church fallals!" she said.
|
|
But she was still in a trembling state, and seemed almost to wish she had not
|
|
bought the figures.
|
|
|
|
Occasionally peeping inside the leaves to see that Venus's
|
|
arm was not broken, she entered with her heathen load into
|
|
the most Christian city in the country by an obscure street
|
|
running parallel to the main one, and round a corner to
|
|
the side door of the establishment to which she was attached.
|
|
Her purchases were taken straight up to her own chamber,
|
|
and she at once attempted to lock them in a box that was her
|
|
very own property; but finding them too cumbersome she wrapped
|
|
them in large sheets of brown paper, and stood them on the floor
|
|
in a corner.
|
|
|
|
The mistress of the house, Miss Fontover, was an elderly lady in spectacles,
|
|
dressed almost like an abbess; a dab at Ritual, as become one of her business,
|
|
and a worshipper at the ceremonial church of St. Silas, in the suburb
|
|
of Beersheba before-mentioned, which Jude also had begun to attend.
|
|
She was the daughter of a clergyman in reduced circumstances,
|
|
and at his death, which had occurred several years before this date,
|
|
she boldly avoided penury by taking over a little shop of church
|
|
requisites and developing it to its present creditable proportions.
|
|
She wore a cross and beads round her neck as her only ornament, and knew
|
|
the Christian Year by heart.
|
|
|
|
She now came to call Sue to tea, and, finding that the girl did not respond
|
|
for a moment, entered the room just as the other was hastily putting a string
|
|
round each parcel.
|
|
|
|
"Something you have been buying, Miss Bridehead?" she asked,
|
|
regarding the enwrapped objects.
|
|
|
|
"Yes--just something to ornament my room," said Sue.
|
|
|
|
"Well, I should have thought I had put enough here already,"
|
|
said Miss Fontover, looking round at the Gothic-framed prints
|
|
of saints, the Church-text scrolls, and other articles which,
|
|
having become too stale to sell, had been used to furnish
|
|
this obscure chamber. "What is it? How bulky!" She tore
|
|
a little hole, about as big as a wafer, in the brown paper,
|
|
and tried to peep in. "Why, statuary? Two figures?
|
|
Where did you get them?"
|
|
|
|
"Oh--I bought them of a travelling man who sells casts"
|
|
|
|
"Two saints?"
|
|
|
|
"Yes."
|
|
|
|
"What ones?"
|
|
|
|
"St. Peter and St.--St. Mary Magdalen."
|
|
|
|
"Well--now come down to tea, and go and finish that organ-text, if there's
|
|
light enough afterwards."
|
|
|
|
These little obstacles to the indulgence of what had been
|
|
the merest passing fancy created in Sue a great zest for unpacking
|
|
her objects and looking at them; and at bedtime, when she was sure
|
|
of being undisturbed, she unrobed the divinities in comfort.
|
|
Placing the pair of figures on the chest of drawers,
|
|
a candle on each side of them, she withdrew to the bed,
|
|
flung herself down thereon, and began reading a book she
|
|
had taken from her box, which Miss Fontover knew nothing of.
|
|
It was a volume of Gibbon, and she read the chapter dealing
|
|
with the reign of Julian the Apostate. Occasionally she looked
|
|
up at the statuettes, which appeared strange and out of place,
|
|
there happening to be a Calvary print hanging between them,
|
|
and, as if the scene suggested the action, she at length jumped
|
|
up and withdrew another book from her box--a volume of verse--
|
|
and turned to the familiar poem--
|
|
|
|
|
|
Thou hast conquered, O pale Galilean:
|
|
The world has grown grey from thy breath!
|
|
|
|
|
|
which she read to the end. Presently she put out the candles, undressed,
|
|
and finally extinguished her own light.
|
|
|
|
She was of an age which usually sleeps soundly, yet to-night
|
|
she kept waking up, and every time she opened her eyes there
|
|
was enough diffused light from the street to show her the white
|
|
plaster figures, standing on the chest of drawers in odd contrast
|
|
to their environment of text and martyr, and the Gothic-framed
|
|
Crucifix-picture that was only discernible now as a Latin cross,
|
|
the figure thereon being obscured by the shades.
|
|
|
|
On one of these occasions the church clocks struck some small hour.
|
|
It fell upon the ears of another person who sat bending
|
|
over his books at a not very distant spot in the same city.
|
|
Being Saturday night the morrow was one on which Jude had not
|
|
set his alarm-clock to call him at his usually early time,
|
|
and hence he had stayed up, as was his custom, two or three hours
|
|
later than he could afford to do on any other day of the week.
|
|
Just then he was earnestly reading from his Griesbach's text.
|
|
At the very time that Sue was tossing and staring at her figures,
|
|
the policeman and belated citizens passing along under his window
|
|
might have heard, if they had stood still, strange syllables
|
|
mumbled with fervour within--words that had for Jude an
|
|
indescribable enchantment: inexplicable sounds something
|
|
like these:--
|
|
|
|
"ALL HEMIN HEIS THEOS HO PATER, EX HOU TA PANTA, KAI HEMEIS EIS AUTON:"
|
|
|
|
Till the sounds rolled with reverent loudness, as a book was heard to close:--
|
|
|
|
"KAI HEIS KURIOS IESOUS CHRISTOS, DI HOU TA PANTA KAI HEMEIS DI AUTOU!"
|
|
|
|
|
|
|
|
IV
|
|
|
|
|
|
HE was a handy man at his trade, an all-round man, as artizans
|
|
in country-towns are apt to be. In London the man who carves
|
|
the boss or knob of leafage declines to cut the fragment of moulding
|
|
which merges in that leafage, as if it were a degradation to do
|
|
the second half of one whole. When there was not much Gothic
|
|
moulding for Jude to run, or much window-tracery on the bankers,
|
|
he would go out lettering monuments or tombstones, and take
|
|
a pleasure in the change of handiwork.
|
|
|
|
The next time that he saw her was when he was on a ladder
|
|
executing a job of this sort inside one of the churches.
|
|
There was a short morning service, and when the parson entered
|
|
Jude came down from his ladder, and sat with the half-dozen
|
|
people forming the congregation, till the prayer should be ended,
|
|
and he could resume his tapping. He did not observe till
|
|
the service was half over that one of the women was Sue, who had
|
|
perforce accompanied the elderly Miss Fontover thither.
|
|
|
|
Jude sat watching her pretty shoulders, her easy, curiously nonchalant
|
|
risings and sittings, and her perfunctory genuflexions, and thought what
|
|
a help such an Anglican would have been to him in happier circumstances.
|
|
It was not so much his anxiety to get on with his work that made him
|
|
go up to it immediately the worshipers began to take their leave:
|
|
it was that he dared not, in this holy spot, confront the woman
|
|
who was beginning to influence him in such an indescribable manner.
|
|
Those three enormous reasons why he must not attempt intimate acquaintance
|
|
with Sue Bridehead, now that his interest in her had shown itself
|
|
to be unmistakably of a sexual kind, loomed as stubbornly as ever.
|
|
But it was also obvious that man could not live by work alone;
|
|
that the particular man Jude, at any rate, wanted something to love.
|
|
Some men would have rushed incontinently to her, snatched the pleasure of easy
|
|
friendship which she could hardly refuse, and have left the rest to chance.
|
|
Not so Jude--at first.
|
|
|
|
But as the days, and still more particularly the lonely evenings,
|
|
dragged along, he found himself, to his moral consternation,
|
|
to be thinking more of her instead of thinking less of her,
|
|
and experiencing a fearful bliss in doing what was erratic,
|
|
informal, and unexpected. Surrounded by her influence all day,
|
|
walking past the spots she frequented, he was always thinking
|
|
of her, and was obliged to own to himself that his conscience
|
|
was likely to be the loser in this battle.
|
|
|
|
To be sure she was almost an ideality to him still. Perhaps to know her
|
|
would be to cure himself of this unexpected and unauthorized passion.
|
|
A voice whispered that, though he desired to know her, he did not desire
|
|
to be cured.
|
|
|
|
There was not the least doubt that from his own orthodox point
|
|
of view the situation was growing immoral. For Sue to be the loved
|
|
one of a man who was licensed by the laws of his country to love
|
|
Arabella and none other unto his life's end, was a pretty bad second
|
|
beginning when the man was bent on such a course as Jude purposed.
|
|
This conviction was so real with him that one day when,
|
|
as was frequent, he was at work in a neighbouring village church alone,
|
|
he felt it to be his duty to pray against his weakness. But much
|
|
as he wished to be an exemplar in these things he could not get on.
|
|
It was quite impossible, he found, to ask to be delivered from
|
|
temptation when your heart's desire was to be tempted unto seventy
|
|
times seven. So he excused himself. "After all," he said,
|
|
"it is not altogether an EROTOLEPSY that is the matter with me,
|
|
as at that first time. I can see that she is exceptionally bright;
|
|
and it is partly a wish for intellectual sympathy, and a craving
|
|
for loving-kindness in my solitude." Thus he went on adoring her,
|
|
fearing to realize that it was human perversity. For whatever
|
|
Sue's virtues, talents, or ecclesiastical saturation, it was
|
|
certain that those items were not at all the cause of his affection
|
|
for her.
|
|
|
|
On an afternoon at this time a young girl entered the stone-mason's yard
|
|
with some hesitation, and, lifting her skirts to avoid draggling them
|
|
in the white dust, crossed towards the office.
|
|
|
|
"That's a nice girl," said one of the men known as Uncle Joe.
|
|
|
|
"Who is she?" asked another.
|
|
|
|
"I don't know--I've seen her about here and there. Why, yes, she's the
|
|
daughter of that clever chap Bridehead who did all the wrought ironwork
|
|
at St. Silas' ten years ago, and went away to London afterwards.
|
|
I don't know what he's doing now--not much I fancy--as she's come
|
|
back here."
|
|
|
|
Meanwhile the young woman had knocked at the office door and asked
|
|
if Mr. Jude Fawley was at work in the yard. It so happened
|
|
that Jude had gone out somewhere or other that afternoon,
|
|
which information she received with a look of disappointment,
|
|
and went away immediately. When Jude returned they told him,
|
|
and described her, whereupon he exclaimed, "Why--that's my
|
|
cousin Sue!"
|
|
|
|
He looked along the street after her, but she was out of sight.
|
|
He had no longer any thought of a conscientious avoidance
|
|
of her, and resolved to call upon her that very evening.
|
|
And when he reached his lodging he found a note from her--
|
|
a first note--one of those documents which, simple and commonplace
|
|
in themselves, are seen retrospectively to have been pregnant with
|
|
impassioned consequences. The very unconsciousness of a looming
|
|
drama which is shown in such innocent first epistles from women
|
|
to men, or VICE VERSA, makes them, when such a drama follows,
|
|
and they are read over by the purple or lurid light of it,
|
|
all the more impressive, solemn, and in cases, terrible.
|
|
|
|
Sue's was of the most artless and natural kind. She addressed
|
|
him as her dear cousin Jude; said she had only just learnt
|
|
by the merest accident that he was living in Christminster,
|
|
and reproached him with not letting her know. They might have
|
|
had such nice times together, she said, for she was thrown
|
|
much upon herself, and had hardly any congenial friend.
|
|
But now there was every probability of her soon going away,
|
|
so that the chance of companionship would be lost perhaps
|
|
for ever.
|
|
|
|
A cold sweat overspread Jude at the news that she was going away.
|
|
That was a contingency he had never thought of, and it spurred
|
|
him to write all the more quickly to her. He would meet her that
|
|
very evening, he said, one hour from the time of writing, at the cross
|
|
in the pavement which marked the spot of the Martyrdoms.
|
|
|
|
When he had despatched the note by a boy he regretted that in his
|
|
hurry he should have suggested to her to meet him out of doors,
|
|
when he might have said he would call upon her. It was, in fact,
|
|
the country custom to meet thus, and nothing else had occurred to him.
|
|
Arabella had been met in the same way, unfortunately, and it might not
|
|
seem respectable to a dear girl like Sue. However, it could not be
|
|
helped now, and he moved towards the point a few minutes before the hour,
|
|
under the glimmer of the newly lighted lamps.
|
|
|
|
The broad street was silent, and almost deserted, although it was not late.
|
|
He saw a figure on the other side, which turned out to be hers, and they both
|
|
converged towards the crossmark at the same moment. Before either had reached
|
|
it she called out to him:
|
|
|
|
"I am not going to meet you just there, for the first time in my life!
|
|
Come further on."
|
|
|
|
The voice, though positive and silvery, had been tremulous.
|
|
They walked on in parallel lines, and, waiting her pleasure,
|
|
Jude watched till she showed signs of closing in,
|
|
when he did likewise, the place being where the carriers'
|
|
carts stood in the daytime, though there was none on the
|
|
spot then.
|
|
|
|
"I am sorry that I asked you to meet me, and didn't call,"
|
|
began Jude with the bashfulness of a lover. "But I thought it
|
|
would save time if we were going to walk."
|
|
|
|
"Oh--I don't mind that," she said with the freedom of a friend.
|
|
"I have really no place to ask anybody in to. What I meant was that
|
|
the place you chose was so horrid--I suppose I ought not to say horrid--
|
|
I mean gloomy and inauspicious in its associations.... But
|
|
isn't it funny to begin like this, when I don't know you yet?"
|
|
She looked him up and down curiously, though Jude did not look much
|
|
at her.
|
|
|
|
"You seem to know me more than I know you," she added.
|
|
|
|
"Yes--I have seen you now and then."
|
|
|
|
"And you knew who I was, and didn't speak? And now I am going away!"
|
|
|
|
"Yes. That's unfortunate. I have hardly any other friend.
|
|
I have, indeed, one very old friend here somewhere, but I
|
|
don't quite like to call on him just yet. I wonder if you
|
|
know anything of him--Mr. Phillotson? A parson somewhere
|
|
about the county I think he is."
|
|
|
|
"No--I only know of one Mr. Phillotson. He lives a little way
|
|
out in the country, at Lumsdon. He's a village schoolmaster."
|
|
|
|
"Ah! I wonder if he's the same. Surely it is impossible!
|
|
Only a schoolmaster still! Do you know his Christian name--
|
|
is it Richard?"
|
|
|
|
"Yes--it is; I've directed books to him, though I've never seen him."
|
|
|
|
"Then he couldn't do it!"
|
|
|
|
Jude's countenance fell, for how could he succeed in an enterprise
|
|
wherein the great Phillotson had failed? He would have had a day
|
|
of despair if the news had not arrived during his sweet Sue's presence,
|
|
but even at this moment he had visions of how Phillotson's failure
|
|
in the grand university scheme would depress him when she had gone.
|
|
|
|
"As we are going to take a walk, suppose we go and call upon him?"
|
|
said Jude suddenly. "It is not late."
|
|
|
|
She agreed, and they went along up a hill, and through some prettily
|
|
wooded country. Presently the embattled tower and square turret
|
|
of the church rose into the sky, and then the school-house. They
|
|
inquired of a person in the street if Mr. Phillotson was likely
|
|
to be at home, and were informed that he was always at home.
|
|
A knock brought him to the school-house door, with a candle in his hand
|
|
and a look of inquiry on his face, which had grown thin and careworn
|
|
since Jude last set eyes on him.
|
|
|
|
That after all these years the meeting with Mr. Phillotson should be of this
|
|
homely complexion destroyed at one stroke the halo which had surrounded
|
|
the school-master's figure in Jude's imagination ever since their parting.
|
|
It created in him at the same time a sympathy with Phillotson as an obviously
|
|
much chastened and disappointed man. Jude told him his name, and said
|
|
he had come to see him as an old friend who had been kind to him in his
|
|
youthful days.
|
|
|
|
"I don't remember you in the least," said the school-master thoughtfully.
|
|
"You were one of my pupils, you say? Yes, no doubt; but they number so many
|
|
thousands by this time of my life, and have naturally changed so much, that I
|
|
remember very few except the quite recent ones."
|
|
|
|
"It was out at Marygreen," said Jude, wishing he had not come.
|
|
|
|
"Yes. I was there a short time. And is this an old pupil, too?"
|
|
|
|
"No--that's my cousin.... I wrote to you for some grammars,
|
|
if you recollect, and you sent them?"
|
|
|
|
"Ah--yes!--I do dimly recall that incident."
|
|
|
|
"It was very kind of you to do it. And it was you who first
|
|
started me on that course. On the morning you left Marygreen,
|
|
when your goods were on the waggon, you wished me good-bye, and said
|
|
your scheme was to be a university man and enter the Church--
|
|
that a degree was the necessary hall-mark of one who wanted to do
|
|
anything as a theologian or teacher."
|
|
|
|
"I remember I thought all that privately; but I wonder I did not keep
|
|
my own counsel. The idea was given up years ago."
|
|
|
|
"I have never forgotten it. It was that which brought me to this
|
|
part of the country, and out here to see you to-night."
|
|
|
|
"Come in," said Phillotson. "And your cousin, too."
|
|
|
|
They entered the parlour of the school-house, where there was a lamp
|
|
with a paper shade, which threw the light down on three or four books.
|
|
Phillotson took it off, so that they could see each other better,
|
|
and the rays fell on the nervous little face and vivacious dark
|
|
eyes and hair of Sue, on the earnest features of her cousin,
|
|
and on the schoolmaster's own maturer face and figure, showing him
|
|
to be a spare and thoughtful personage of five-and-forty, with a
|
|
thin-lipped, somewhat refined mouth, a slightly stooping habit,
|
|
and a black frock coat, which from continued frictions shone
|
|
a little at the shoulder-blades, the middle of the back,
|
|
and the elbows.
|
|
|
|
The old friendship was imperceptibly renewed, the schoolmaster
|
|
speaking of his experiences, and the cousins of theirs.
|
|
He told them that he still thought of the Church sometimes,
|
|
and that though he could not enter it as he had intended
|
|
to do in former years he might enter it as a licentiate.
|
|
Meanwhile, he said, he was comfortable in his present position,
|
|
though he was in want of a pupil-teacher.
|
|
|
|
They did not stay to supper, Sue having to be indoors before
|
|
it grew late, and the road was retraced to Christminster.
|
|
Though they had talked of nothing more than general subjects,
|
|
Jude was surprised to find what a revelation of woman
|
|
his cousin was to him. She was so vibrant that everything
|
|
she did seemed to have its source in feeling. An exciting
|
|
thought would make her walk ahead so fast that he could
|
|
hardly keep up with her; and her sensitiveness on some
|
|
points was such that it might have been misread as vanity.
|
|
It was with heart-sickness he perceived that, while her sentiments
|
|
towards him were those of the frankest friendliness only,
|
|
he loved her more than before becoming acquainted with her;
|
|
and the gloom of the walk home lay not in the night overhead,
|
|
but in the thought of her departure.
|
|
|
|
"Why must you leave Christminster?" he said regretfully.
|
|
"How can you do otherwise than cling to a city in whose history
|
|
such men as Newman, Pusey, Ward, Keble, loom so large!"
|
|
|
|
"Yes--they do. Though how large do they loom in the history
|
|
of the world? ... What a funny reason for caring to stay!
|
|
I should never have thought of it!" She laughed.
|
|
|
|
"Well--I must go," she continued. "Miss Fontover, one of the partners
|
|
whom I serve, is offended with me, and I with her; and it is best to go."
|
|
|
|
"How did that happen?"
|
|
|
|
"She broke some statuary of mine."
|
|
|
|
"Oh? Wilfully?"
|
|
|
|
"Yes. She found it in my room, and though it was my property she threw it
|
|
on the floor and stamped on it, because it was not according to her taste,
|
|
and ground the arms and the head of one of the figures all to bits with
|
|
her heel--a horrid thing!"
|
|
|
|
"Too Catholic-Apostolic for her, I suppose? No doubt she called
|
|
them popish images and talked of the invocation of saints."
|
|
|
|
"No.... No, she didn't do that. She saw the matter quite differently."
|
|
|
|
"Ah! Then I am surprised!"
|
|
|
|
"Yes. It was for quite some other reason that she didn't
|
|
like my patron-saints. So I was led to retort upon her;
|
|
and the end of it was that I resolved not to stay, but to get
|
|
into an occupation in which I shall be more independent."
|
|
|
|
"Why don't you try teaching again? You once did, I heard."
|
|
|
|
"I never thought of resuming it; for I was getting on as an art-designer."
|
|
|
|
"DO let me ask Mr. Phillotson to let you try your hand in his school?
|
|
If you like it, and go to a training college, and become a first-class
|
|
certificated mistress, you get twice as large an income as any designer or
|
|
church artist, and twice as much freedom."
|
|
|
|
"Well--ask him. Now I must go in. Good-bye, dear Jude!
|
|
I am so glad we have met at last. We needn't quarrel because our
|
|
parents did, need we?"
|
|
|
|
Jude did not like to let her see quite how much he agreed with her,
|
|
and went his way to the remote street in which he had his lodging.
|
|
|
|
To keep Sue Bridehead near him was now a desire which operated without
|
|
regard of consequences, and the next evening he again set out for Lumsdon,
|
|
fearing to trust to the persuasive effects of a note only. The school-master
|
|
was unprepared for such a proposal.
|
|
|
|
"What I rather wanted was a second year's transfer, as it is called,"
|
|
he said. "Of course your cousin would do, personally; but she has had
|
|
no experience. Oh--she has, has she? Does she really think of adopting
|
|
teaching as a profession?"
|
|
|
|
Jude said she was disposed to do so, he thought, and his ingenious
|
|
arguments on her natural fitness for assisting Mr. Phillotson,
|
|
of which Jude knew nothing whatever, so influenced the schoolmaster
|
|
that he said he would engage her, assuring Jude as a friend that
|
|
unless his cousin really meant to follow on in the same course,
|
|
and regarded this step as the first stage of an apprenticeship,
|
|
of which her training in a normal school would be the second stage,
|
|
her time would be wasted quite, the salary being merely nominal.
|
|
|
|
The day after this visit Phillotson received a letter from Jude,
|
|
containing the information that he had again consulted his cousin,
|
|
who took more and more warmly to the idea of tuition; and that she
|
|
had agreed to come. It did not occur for a moment to the schoolmaster
|
|
and recluse that Jude's ardour in promoting the arrangement arose
|
|
from any other feelings towards Sue than the instinct of co-operation
|
|
common among members of the same family.
|
|
|
|
|
|
|
|
V
|
|
|
|
|
|
THE schoolmaster sat in his homely dwelling attached to the school, both being
|
|
modern erections; and he looked across the way at the old house in which his
|
|
teacher Sue had a lodging. The arrangement had been concluded very quickly.
|
|
A pupil-teacher who was to have been transferred to Mr. Phillotson's school
|
|
had failed him, and Sue had been taken as stop-gap. All such provisional
|
|
arrangements as these could only last till the next annual visit of H.M.
|
|
Inspector, whose approval was necessary to make them permanent. Having taught
|
|
for some two years in London, though she had abandoned that vocation of late,
|
|
Miss Bridehead was not exactly a novice, and Phillotson thought there would
|
|
be no difficulty in retaining her services, which he already wished to do,
|
|
though she had only been with him three or four weeks. He had found her quite
|
|
as bright as Jude had described her; and what master-tradesman does not wish
|
|
to keep an apprentice who saves him half his labour?
|
|
|
|
It was a little over half-past eight o'clock in the morning and he was
|
|
waiting to see her cross the road to the school, when he would follow.
|
|
At twenty minutes to nine she did cross, a light hat tossed on her head;
|
|
and he watched her as a curiosity. A new emanation, which had nothing
|
|
to do with her skill as a teacher, seemed to surround her this morning.
|
|
He went to the school also, and Sue remained governing her class at
|
|
the other end of the room, all day under his eye. She certainly was an
|
|
excellent teacher.
|
|
|
|
It was part of his duty to give her private lessons in the evening,
|
|
and some article in the Code made it necessary that a respectable,
|
|
elderly woman should be present at these lessons when the teacher
|
|
and the taught were of different sexes. Richard Phillotson thought
|
|
of the absurdity of the regulation in this case, when he was old
|
|
enough to be the girl's father; but he faithfully acted up to it;
|
|
and sat down with her in a room where Mrs. Hawes, the widow
|
|
at whose house Sue lodged, occupied herself with sewing.
|
|
The regulation was, indeed, not easy to evade, for there was no other
|
|
sitting-room in the dwelling.
|
|
|
|
Sometimes as she figured--it was arithmetic that they were working at--
|
|
she would involuntarily glance up with a little inquiring smile at him,
|
|
as if she assumed that, being the master, he must perceive all that was
|
|
passing in her brain, as right or wrong. Phillotson was not really thinking
|
|
of the arithmetic at all, but of her, in a novel way which somehow seemed
|
|
strange to him as preceptor. Perhaps she knew that he was thinking of
|
|
her thus.
|
|
|
|
For a few weeks their work had gone on with a monotony which in
|
|
itself was a delight to him. Then it happened that the children
|
|
were to be taken to Christminster to see an itinerant exhibition,
|
|
in the shape of a model of Jerusalem, to which schools were
|
|
admitted at a penny a head in the interests of education.
|
|
They marched along the road two and two, she beside her
|
|
class with her simple cotton sunshade, her little thumb
|
|
cocked up against its stem; and Phillotson behind in his
|
|
long dangling coat, handling his walking-stick genteelly,
|
|
in the musing mood which had come over him since her arrival.
|
|
The afternoon was one of sun and dust, and when they entered
|
|
the exhibition room few people were present but themselves.
|
|
The model of the ancient city stood in the middle of the apartment,
|
|
and the proprietor, with a fine religious philanthropy written
|
|
on his features, walked round it with a pointer in his hand,
|
|
showing the young people the various quarters and places known
|
|
to them by name from reading their Bibles, Mount Moriah,
|
|
the Valley of Jehoshaphat, the City of Zion, the walls and the gates,
|
|
outside one of which there was a large mound like a tumulus,
|
|
and on the mound a little white cross. The spot, he said,
|
|
was Calvary.
|
|
|
|
"I think," said Sue to the schoolmaster, as she stood with him
|
|
a little in the background, "that this model, elaborate as it is,
|
|
is a very imaginary production. How does anybody know that Jerusalem
|
|
was like this in the time of Christ? I am sure this man doesn't."
|
|
|
|
"It is made after the best conjectural maps, based on actual
|
|
visits to the city as it now exists."
|
|
|
|
"I fancy we have had enough of Jerusalem," she said, "considering we are
|
|
not descended from the Jews. There was nothing first-rate about the place,
|
|
or people, after all--as there was about Athens, Rome, Alexandria, and other
|
|
old cities."
|
|
|
|
"But my dear girl, consider what it is to us!"
|
|
|
|
She was silent, for she was easily repressed; and then perceived
|
|
behind the group of children clustered round the model a young man
|
|
in a white flannel jacket, his form being bent so low in his intent
|
|
inspection of the Valley of Jehoshaphat that his face was almost
|
|
hidden from view by the Mount of Olives. "Look at your cousin Jude,"
|
|
continued the schoolmaster. "He doesn't think we have had enough
|
|
of Jerusalem!"
|
|
|
|
"Ah--I didn't see him!" she cried in her quick, light voice.
|
|
"Jude--how seriously you are going into it!"
|
|
|
|
Jude started up from his reverie, and saw her. "Oh--Sue!" he said,
|
|
with a glad flush of embarrassment. "These are your school-children,
|
|
of course! I saw that schools were admitted in the afternoons,
|
|
and thought you might come; but I got so deeply interested that I
|
|
didn't remember where I was. How it carries one back, doesn't it!
|
|
I could examine it for hours, but I have only a few minutes, unfortunately;
|
|
for I am in the middle of a job out here."
|
|
|
|
"Your cousin is so terribly clever that she criticizes it unmercifully,"
|
|
said Phillotson, with good-humoured satire. "She is quite sceptical
|
|
as to its correctness."
|
|
|
|
"No, Mr. Phillotson, I am not--altogether! I hate to be what is
|
|
called a clever girl--there are too many of that sort now!"
|
|
answered Sue sensitively. "I only meant--I don't know what I meant--
|
|
except that it was what you don't understand!"
|
|
|
|
"I know your meaning," said Jude ardently (although he did not).
|
|
"And I think you are quite right."
|
|
|
|
"That's a good Jude--I know you believe in me!" She impulsively
|
|
seized his hand, and leaving a reproachful look on the schoolmaster
|
|
turned away to Jude, her voice revealing a tremor which she
|
|
herself felt to be absurdly uncalled for by sarcasm so gentle.
|
|
She had not the least conception how the hearts of the twain went
|
|
out to her at this momentary revelation of feeling, and what a
|
|
complication she was building up thereby in the futures of both.
|
|
|
|
The model wore too much of an educational aspect for the children
|
|
not to tire of it soon, and a little later in the afternoon they
|
|
were all marched back to Lumsdon, Jude returning to his work.
|
|
He watched the juvenile flock in their clean frocks and pinafores,
|
|
filing down the street towards the country beside Phillotson and Sue,
|
|
and a sad, dissatisfied sense of being out of the scheme of the latters'
|
|
lives had possession of him. Phillotson had invited him to walk
|
|
out and see them on Friday evening, when there would be no lessons
|
|
to give to Sue, and Jude had eagerly promised to avail himself of
|
|
the opportunity.
|
|
|
|
Meanwhile the scholars and teachers moved homewards, and the next day,
|
|
on looking on the blackboard in Sue's class, Phillotson was surprised
|
|
to find upon it, skilfully drawn in chalk, a perspective view of Jerusalem,
|
|
with every building shown in its place.
|
|
|
|
"I thought you took no interest in the model, and hardly looked at it?"
|
|
he said.
|
|
|
|
"I hardly did," said she, "but I remembered that much of it."
|
|
|
|
"It is more than I had remembered myself."
|
|
|
|
Her Majesty's school-inspector was at that time paying "surprise-visits"
|
|
in this neighbourhood to test the teaching unawares; and two days later,
|
|
in the middle of the morning lessons, the latch of the door was softly lifted,
|
|
and in walked my gentleman, the king of terrors--to pupil-teachers.
|
|
|
|
To Mr. Phillotson the surprise was not great; like the lady in the story
|
|
he had been played that trick too many times to be unprepared.
|
|
But Sue's class was at the further end of the room, and her back was towards
|
|
the entrance; the inspector therefore came and stood behind her and watched
|
|
her teaching some half-minute before she became aware of his presence.
|
|
She turned, and realized that an oft-dreaded moment had come.
|
|
The effect upon her timidity was such that she uttered a cry of fright.
|
|
Phillotson, with a strange instinct of solicitude quite beyond his control,
|
|
was at her side just in time to prevent her falling from faintness.
|
|
She soon recovered herself, and laughed; but when the inspector had gone there
|
|
was a reaction, and she was so white that Phillotson took her into his room,
|
|
and gave her some brandy to bring her round. She found him holding
|
|
her hand.
|
|
|
|
"You ought to have told me," she gasped petulantly, "that one of
|
|
the inspector's surprise-visits was imminent! Oh, what shall I do!
|
|
Now he'll write and tell the managers that I am no good, and I shall
|
|
be disgraced for ever!"
|
|
|
|
"He won't do that, my dear little girl. You are the best teacher ever I had!"
|
|
|
|
He looked so gently at her that she was moved, and regretted that she
|
|
had upbraided him. When she was better she went home.
|
|
|
|
Jude in the meantime had been waiting impatiently for Friday.
|
|
On both Wednesday and Thursday he had been so much under
|
|
the influence of his desire to see her that he walked
|
|
after dark some distance along the road in the direction
|
|
of the village, and, on returning to his room to read,
|
|
found himself quite unable to concentrate his mind on the page.
|
|
On Friday, as soon as he had got himself up as he thought
|
|
Sue would like to see him, and made a hasty tea, he set out,
|
|
notwithstanding that the evening was wet. The trees overhead
|
|
deepened the gloom of the hour, and they dripped sadly upon him,
|
|
impressing him with forebodings--illogical forebodings;
|
|
for though he knew that he loved her he also knew that he could
|
|
not be more to her than he was.
|
|
|
|
On turning the corner and entering the village the first sight
|
|
that greeted his eyes was that of two figures under one umbrella
|
|
coming out of the vicarage gate. He was too far back for them
|
|
to notice him, but he knew in a moment that they were Sue
|
|
and Phillotson. The latter was holding the umbrella over her head,
|
|
and they had evidently been paying a visit to the vicar--
|
|
probably on some business connected with the school work.
|
|
And as they walked along the wet and deserted lane Jude saw
|
|
Phillotson place his arm round the girl's waist; whereupon she
|
|
gently removed it; but he replaced it; and she let it remain,
|
|
looking quickly round her with an air of misgiving. She did
|
|
not look absolutely behind her, and therefore did not see Jude,
|
|
who sank into the hedge like one struck with a blight.
|
|
There he remained hidden till they had reached Sue's cottage
|
|
and she had passed in, Phillotson going on to the school
|
|
hard by.
|
|
|
|
"Oh, he's too old for her--too old!" cried Jude in all the terrible sickness
|
|
of hopeless, handicapped love.
|
|
|
|
He could not interfere. Was he not Arabella's? He was unable
|
|
to go on further, and retraced his steps towards Christminster.
|
|
Every tread of his feet seemed to say to him that he must
|
|
on no account stand in the schoolmaster's way with Sue.
|
|
Phillotson was perhaps twenty years her senior, but many a happy
|
|
marriage had been made in such conditions of age. The ironical
|
|
clinch to his sorrow was given by the thought that the intimacy
|
|
between his cousin and the schoolmaster had been brought about
|
|
entirely by himself.
|
|
|
|
|
|
|
|
VI
|
|
|
|
|
|
JUDE'S old and embittered aunt lay unwell at Marygreen, and on the following
|
|
Sunday he went to see her--a visit which was the result of a victorious
|
|
struggle against his inclination to turn aside to the village of Lumsdon
|
|
and obtain a miserable interview with his cousin, in which the word nearest
|
|
his heart could not be spoken, and the sight which had tortured him could
|
|
not be revealed.
|
|
|
|
His aunt was now unable to leave her bed, and a great part of Jude's
|
|
short day was occupied in making arrangements for her comfort.
|
|
The little bakery business had been sold to a neighbour, and with
|
|
the proceeds of this and her savings she was comfortably supplied
|
|
with necessaries and more, a widow of the same village living
|
|
with her and ministering to her wants. It was not till the time had
|
|
nearly come for him to leave that he obtained a quiet talk with her,
|
|
and his words tended insensibly towards his cousin.
|
|
|
|
"Was Sue born here?"
|
|
|
|
"She was--in this room. They were living here at that time.
|
|
What made 'ee ask that?"
|
|
|
|
"Oh--I wanted to know."
|
|
|
|
"Now you've been seeing her!" said the harsh old woman.
|
|
"And what did I tell 'ee?"
|
|
|
|
"Well--that I was not to see her."
|
|
|
|
"Have you gossiped with her?"
|
|
|
|
"Yes."
|
|
|
|
"Then don't keep it up. She was brought up by her father
|
|
to hate her mother's family; and she'll look with no favour
|
|
upon a working chap like you--a townish girl as she's become
|
|
by now. I never cared much about her. A pert little thing,
|
|
that's what she was too often, with her tight-strained nerves.
|
|
Many's the time I've smacked her for her impertinence.
|
|
Why, one day when she was walking into the pond with her shoes
|
|
and stockings off, and her petticoats pulled above her knees,
|
|
afore I could cry out for shame, she said: 'Move on, Aunty!
|
|
This is no sight for modest eyes!'"
|
|
|
|
"She was a little child then."
|
|
|
|
"She was twelve if a day."
|
|
|
|
"Well--of course. But now she's older she's of a thoughtful,
|
|
quivering, tender nature, and as sensitive as--"
|
|
|
|
"Jude!" cried his aunt, springing up in bed. "Don't you be a fool about her!"
|
|
|
|
"No, no, of course not."
|
|
|
|
"Your marrying that woman Arabella was about as bad a thing
|
|
as a man could possibly do for himself by trying hard.
|
|
But she's gone to the other side of the world, and med never
|
|
trouble you again. And there'll be a worse thing if you,
|
|
tied and bound as you be, should have a fancy for Sue. If your
|
|
cousin is civil to you, take her civility for what it is worth.
|
|
But anything more than a relation's good wishes it is stark
|
|
madness for 'ee to give her. If she's townish and wanton it
|
|
med bring 'ee to ruin."
|
|
|
|
"Don't say anything against her, Aunt! Don't, please!"
|
|
|
|
A relief was afforded to him by the entry of the companion
|
|
and nurse of his aunt, who must have been listening to
|
|
the conversation, for she began a commentary on past years,
|
|
introducing Sue Bridehead as a character in her recollections.
|
|
She described what an odd little maid Sue had been when
|
|
a pupil at the village school across the green opposite,
|
|
before her father went to London--how, when the vicar arranged
|
|
readings and recitations, she appeared on the platform,
|
|
the smallest of them all, "in her little white frock,
|
|
and shoes, and pink sash"; how she recited "Excelsior,"
|
|
"There was a sound of revelry by night," and "The Raven";
|
|
how during the delivery she would knit her little brows and glare
|
|
round tragically, and say to the empty air, as if some real
|
|
creature stood there--
|
|
|
|
|
|
"Ghastly, grim, and ancient Raven, wandering from the Nightly shore,
|
|
Tell me what thy lordly name is on the Night's Plutonian shore!"
|
|
|
|
|
|
"She'd bring up the nasty carrion bird that clear," corroborated the sick
|
|
woman reluctantly, "as she stood there in her little sash and things,
|
|
that you could see un a'most before your very eyes. You too, Jude,
|
|
had the same trick as a child of seeming to see things in the air."
|
|
|
|
The neighbour told also of Sue's accomplishments in other kinds:
|
|
|
|
"She was not exactly a tomboy, you know; but she could do things
|
|
that only boys do, as a rule. I've seen her hit in and steer
|
|
down the long slide on yonder pond, with her little curls blowing,
|
|
one of a file of twenty moving along against the sky like shapes
|
|
painted on glass, and up the back slide without stopping.
|
|
All boys except herself; and then they'd cheer her, and then
|
|
she'd say, 'Don't be saucy, boys,' and suddenly run indoors.
|
|
They'd try to coax her out again. But 'a wouldn't come."
|
|
|
|
These retrospective visions of Sue only made Jude the more miserable
|
|
that he was unable to woo her, and he left the cottage of his aunt
|
|
that day with a heavy heart. He would fain have glanced into the school
|
|
to see the room in which Sue's little figure had so glorified itself;
|
|
but he checked his desire and went on.
|
|
|
|
It being Sunday evening some villagers who had known him during
|
|
his residence here were standing in a group in their best clothes.
|
|
Jude was startled by a salute from one of them:
|
|
|
|
"Ye've got there right enough, then!"
|
|
|
|
Jude showed that he did not understand.
|
|
|
|
"Why, to the seat of l'arning--the 'City of Light' you used
|
|
to talk to us about as a little boy! Is it all you expected
|
|
of it?"
|
|
|
|
"Yes; more!" cried Jude.
|
|
|
|
"When I was there once for an hour I didn't see much in it for my part;
|
|
auld crumbling buildings, half church, half almshouse, and not much going
|
|
on at that."
|
|
|
|
"You are wrong, John; there is more going on than meets the eye of a man
|
|
walking through the streets. It is a unique centre of thought and religion--
|
|
the intellectual and spiritual granary of this country. All that silence
|
|
and absence of goings-on is the stillness of infinite motion--the sleep of
|
|
the spinning-top, to borrow the simile of a well-known writer."
|
|
|
|
"Oh, well, it med be all that, or it med not. As I say,
|
|
I didn't see nothing of it the hour or two I was there;
|
|
so I went in and had a pot o' beer, and a penny loaf,
|
|
and a ha'porth o' cheese, and waited till it was time
|
|
to come along home. You've j'ined a college by this time,
|
|
I suppose?"
|
|
|
|
"Ah, no!" said Jude. "I am almost as far off that as ever."
|
|
|
|
"How so?"
|
|
|
|
Jude slapped his pocket.
|
|
|
|
"Just what we thought! Such places be not for such as you--
|
|
only for them with plenty o' money."
|
|
|
|
"There you are wrong," said Jude, with some bitterness.
|
|
"They are for such ones!"
|
|
|
|
Still, the remark was sufficient to withdraw Jude's attention
|
|
from the imaginative world he had lately inhabited, in which an
|
|
abstract figure, more or less himself, was steeping his mind
|
|
in a sublimation of the arts and sciences, and making his calling
|
|
and election sure to a seat in the paradise of the learned.
|
|
He was set regarding his prospects in a cold northern light.
|
|
He had lately felt that he could not quite satisfy himself
|
|
in his Greek--in the Greek of the dramatists particularly.
|
|
So fatigued was he sometimes after his day's work that
|
|
he could not maintain the critical attention necessary
|
|
for thorough application. He felt that he wanted a coach--
|
|
a friend at his elbow to tell him in a moment what sometimes
|
|
would occupy him a weary month in extracting from unanticipative,
|
|
clumsy books.
|
|
|
|
It was decidedly necessary to consider facts a little more closely
|
|
than he had done of late. What was the good, after all, of using up
|
|
his spare hours in a vague labour called "private study" without giving
|
|
an outlook on practicabilities?
|
|
|
|
"I ought to have thought of this before," he said, as he journeyed back.
|
|
"It would have been better never to have embarked in the scheme at all
|
|
than to do it without seeing clearly where I am going, or what I am aiming
|
|
at.... This hovering outside the walls of the colleges, as if expecting
|
|
some arm to be stretched out from them to lift me inside, won't do!
|
|
I must get special information."
|
|
|
|
The next week accordingly he sought it. What at first seemed an opportunity
|
|
occurred one afternoon when he saw an elderly gentleman, who had been
|
|
pointed out as the head of a particular college, walking in the public path
|
|
of a parklike enclosure near the spot at which Jude chanced to be sitting.
|
|
The gentleman came nearer, and Jude looked anxiously at his face.
|
|
It seemed benign, considerate, yet rather reserved. On second thoughts
|
|
Jude felt that he could not go up and address him; but he was sufficiently
|
|
influenced by the incident to think what a wise thing it would be for him
|
|
to state his difficulties by letter to some of the best and most judicious of
|
|
these old masters, and obtain their advice.
|
|
|
|
During the next week or two he accordingly placed himself in such positions
|
|
about the city as would afford him glimpses of several of the most
|
|
distinguished among the provosts, wardens, and other heads of houses;
|
|
and from those he ultimately selected five whose physiognomies seemed
|
|
to say to him that they were appreciative and far-seeing men.
|
|
To these five he addressed letters, briefly stating his difficulties,
|
|
and asking their opinion on his stranded situation.
|
|
|
|
When the letters were posted Jude mentally began to criticize them;
|
|
he wished they had not been sent. "It is just one of those intrusive,
|
|
vulgar, pushing, applications which are so common in these days," he thought.
|
|
"Why couldn't I know better than address utter strangers in such a way?
|
|
I may be an impostor, and idle scamp, a man with a bad character,
|
|
for all that they know to the contrary.... Perhaps that's what I am!"
|
|
|
|
Nevertheless, he found himself clinging to the hope of some reply
|
|
as to his one last chance of redemption. He waited day after day,
|
|
saying that it was perfectly absurd to expect, yet expecting.
|
|
While he waited he was suddenly stirred by news about Phillotson.
|
|
Phillotson was giving up the school near Christminster, for a larger
|
|
one further south, in Mid-Wessex. What this meant; how it would
|
|
affect his cousin; whether, as seemed possible, it was a practical
|
|
move of the schoolmaster's towards a larger income, in view of a
|
|
provision for two instead of one, he would not allow himself to say.
|
|
And the tender relations between Phillotson and the young girl
|
|
of whom Jude was passionately enamoured effectually made it
|
|
repugnant to Jude's tastes to apply to Phillotson for advice on his
|
|
own scheme.
|
|
|
|
Meanwhile the academic dignitaries to whom Jude had written vouchsafed
|
|
no answer, and the young man was thus thrown back entirely on himself,
|
|
as formerly, with the added gloom of a weakened hope. By indirect
|
|
inquiries he soon perceived clearly what he had long uneasily suspected,
|
|
that to qualify himself for certain open scholarships and exhibitions
|
|
was the only brilliant course. But to do this a good deal of coaching
|
|
would be necessary, and much natural ability. It was next to impossible
|
|
that a man reading on his own system, however widely and thoroughly,
|
|
even over the prolonged period of ten years, should be able to compete
|
|
with those who had passed their lives under trained teachers and had worked
|
|
to ordained lines.
|
|
|
|
The other course, that of buying himself in, so to speak, seemed the only one
|
|
really open to men like him, the difficulty being simply of a material kind.
|
|
With the help of his information he began to reckon the extent of this
|
|
material obstacle, and ascertained, to his dismay, that, at the rate at which,
|
|
with the best of fortune, he would be able to save money, fifteen years must
|
|
elapse before he could be in a position to forward testimonials to the head
|
|
of a college and advance to a matriculation examination. The undertaking
|
|
was hopeless.
|
|
|
|
He saw what a curious and cunning glamour the neighbourhood of the place
|
|
had exercised over him. To get there and live there, to move among
|
|
the churches and halls and become imbued with the GENIUS LOCI,
|
|
had seemed to his dreaming youth, as the spot shaped its charms to him
|
|
from its halo on the horizon, the obvious and ideal thing to do.
|
|
"Let me only get there," he had said with the fatuousness of Crusoe
|
|
over his big boat, "and the rest is but a matter of time and energy."
|
|
It would have been far better for him in every way if he had never come
|
|
within sight and sound of the delusive precincts, had gone to some busy
|
|
commercial town with the sole object of making money by his wits,
|
|
and thence surveyed his plan in true perspective. Well, all that was
|
|
clear to him amounted to this, that the whole scheme had burst up,
|
|
like an iridescent soap-bubble, under the touch of a reasoned inquiry.
|
|
He looked back at himself along the vista of his past years, and his thought
|
|
was akin to Heine's:
|
|
|
|
|
|
Above the youth's inspired and flashing eyes
|
|
I see the motley mocking fool's-cap rise!
|
|
|
|
|
|
Fortunately he had not been allowed to bring his disappointment
|
|
into his dear Sue's life by involving her in this collapse.
|
|
And the painful details of his awakening to a sense of his
|
|
limitations should now be spared her as far as possible.
|
|
After all, she had only know a little part of the miserable
|
|
struggle in which he had been engaged thus unequipped, poor,
|
|
and unforeseeing.
|
|
|
|
He always remembered the appearance of the afternoon on which
|
|
he awoke from his dream. Not quite knowing what to do with himself,
|
|
he went up to an octagonal chamber in the lantern of a singularly
|
|
built theatre that was set amidst this quaint and singular city.
|
|
It had windows all round, from which an outlook over the whole
|
|
town and its edifices could be gained. Jude's eyes swept all
|
|
the views in succession, meditatively, mournfully, yet sturdily.
|
|
Those buildings and their associations and privileges were not for him.
|
|
From the looming roof of the great library, into which he hardly
|
|
ever had time to enter, his gaze travelled on to the varied spires,
|
|
halls, gables, streets, chapels, gardens, quadrangles, which composed
|
|
the ensemble of this unrivalled panorama. He saw that his destiny lay
|
|
not with these, but among the manual toilers in the shabby purlieu
|
|
which he himself occupied, unrecognized as part of the city at all
|
|
by its visitors and panegyrists, yet without whose denizens the hard
|
|
readers could not read nor the high thinkers live.
|
|
|
|
He looked over the town into the country beyond, to the trees
|
|
which screened her whose presence had at first been the support
|
|
of his heart, and whose loss was now a maddening torture.
|
|
But for this blow he might have borne with his fate. With Sue
|
|
as companion he could have renounced his ambitions with a smile.
|
|
Without her it was inevitable that the reaction from the long
|
|
strain to which he had subjected himself should affect
|
|
him disastrously. Phillotson had no doubt passed through a similar
|
|
intellectual disappointment to that which now enveloped him.
|
|
But the schoolmaster had been since blest with the consolation of
|
|
sweet Sue, while for him there was no consoler.
|
|
|
|
Descending to the streets, he went listlessly along till he arrived at an inn,
|
|
and entered it. Here he drank several glasses of beer in rapid succession,
|
|
and when he came out it was night. By the light of the flickering
|
|
lamps he rambled home to supper, and had not long been sitting at table
|
|
when his landlady brought up a letter that had just arrived for him.
|
|
She laid it down as if impressed with a sense of its possible importance,
|
|
and on looking at it Jude perceived that it bore the embossed stamp
|
|
of one of the colleges whose heads he had addressed. "ONE--at last!"
|
|
cried Jude.
|
|
|
|
The communication was brief, and not exactly what he had expected;
|
|
though it really was from the master in person. It ran thus:
|
|
|
|
|
|
"BIBLIOLL COLLEGE.
|
|
|
|
"SIR,--I have read your letter with interest; and, judging from your
|
|
description of yourself as a working-man, I venture to think that you
|
|
will have a much better chance of success in life by remaining
|
|
in your own sphere and sticking to your trade than by adopting
|
|
any other course. That, therefore, is what I advise you to do.
|
|
Yours faithfully, "T. TETUPHENAY. "To Mr. J. FAWLEY, Stone-mason."
|
|
|
|
|
|
This terribly sensible advice exasperated Jude. He had known all
|
|
that before. He knew it was true. Yet it seemed a hard slap after
|
|
ten years of labour, and its effect upon him just now was to make him
|
|
rise recklessly from the table, and, instead of reading as usual,
|
|
to go downstairs and into the street. He stood at a bar and tossed
|
|
off two or three glasses, then unconsciously sauntered along till
|
|
he came to a spot called The Fourways in the middle of the city,
|
|
gazing abstractedly at the groups of people like one in a trance,
|
|
till, coming to himself, he began talking to the policeman fixed there.
|
|
|
|
That officer yawned, stretched out his elbows, elevated himself
|
|
an inch and a half on the balls of his toes, smiled, and looking
|
|
humorously at Jude, said, "You've had a wet, young man."
|
|
|
|
"No; I've only begun," he replied cynically.
|
|
|
|
Whatever his wetness, his brains were dry enough.
|
|
He only heard in part the policeman's further remarks,
|
|
having fallen into thought on what struggling people like himself
|
|
had stood at that crossway, whom nobody ever thought of now.
|
|
It had more history than the oldest college in the city.
|
|
It was literally teeming, stratified, with the shades of
|
|
human groups, who had met there for tragedy, comedy, farce;
|
|
real enactments of the intensest kind. At Fourways men had stood
|
|
and talked of Napoleon, the loss of America, the execution
|
|
of King Charles, the burning of the Martyrs, the Crusades,
|
|
the Norman Conquest, possibly of the arrival of Caesar.
|
|
Here the two sexes had met for loving, hating, coupling, parting;
|
|
had waited, had suffered, for each other; had triumphed over
|
|
each other; cursed each other in jealousy, blessed each other
|
|
in forgiveness.
|
|
|
|
He began to see that the town life was a book of humanity infinitely
|
|
more palpitating, varied, and compendious than the gown life.
|
|
These struggling men and women before him were the reality
|
|
of Christminster, though they knew little of Christ or Minster.
|
|
That was one of the humours of things. The floating population
|
|
of students and teachers, who did know both in a way, were not
|
|
Christminster in a local sense at all.
|
|
|
|
He looked at his watch, and, in pursuit of this idea, he went on till
|
|
he came to a public hall, where a promenade concert was in progress.
|
|
Jude entered, and found the room full of shop youths and girls,
|
|
soldiers, apprentices, boys of eleven smoking cigarettes,
|
|
and light women of the more respectable and amateur class.
|
|
He had tapped the real Christminster life. A band was playing,
|
|
and the crowd walked about and jostled each other, and every now and then
|
|
a man got upon a platform and sang a comic song.
|
|
|
|
The spirit of Sue seemed to hover round him and prevent his
|
|
flirting and drinking with the frolicsome girls who made advances--
|
|
wistful to gain a little joy. At ten o'clock he came away,
|
|
choosing a circuitous route homeward to pass the gates of
|
|
the college whose head had just sent him the note.
|
|
|
|
The gates were shut, and, by an impulse, he took from his pocket
|
|
the lump of chalk which as a workman he usually carried there,
|
|
and wrote along the wall:
|
|
|
|
"I HAVE UNDERSTANDING AS WELL AS YOU; I AM NOT INFERIOR TO YOU:
|
|
YEA, WHO KNOWETH NOT SUCH THINGS AS THESE?"--Job xii. 3.
|
|
|
|
|
|
|
|
VII
|
|
|
|
|
|
THE stroke of scorn relieved his mind, and the next morning
|
|
he laughed at his self-conceit. But the laugh was not a healthy one.
|
|
He re-read the letter from the master, and the wisdom in its lines,
|
|
which had at first exasperated him, chilled and depressed him now.
|
|
He saw himself as a fool indeed.
|
|
|
|
Deprived of the objects of both intellect and emotion, he could not proceed
|
|
to his work. Whenever he felt reconciled to his fate as a student,
|
|
there came to disturb his calm his hopeless relations with Sue.
|
|
That the one affined soul he had ever met was lost to him through his
|
|
marriage returned upon him with cruel persistency, till, unable to bear
|
|
it longer, he again rushed for distraction to the real Christminster life.
|
|
He now sought it out in an obscure and low-ceiled tavern up a court
|
|
which was well known to certain worthies of the place, and in brighter
|
|
times would have interested him simply by its quaintness. Here he sat more
|
|
or less all the day, convinced that he was at bottom a vicious character,
|
|
of whom it was hopeless to expect anything.
|
|
|
|
In the evening the frequenters of the house dropped in one by one,
|
|
Jude still retaining his seat in the corner, though his money was all spent,
|
|
and he had not eaten anything the whole day except a biscuit. He surveyed
|
|
his gathering companions with all the equanimity and philosophy of a man
|
|
who has been drinking long and slowly, and made friends with several:
|
|
to wit, Tinker Taylor, a decayed church-ironmonger who appeared to have been
|
|
of a religious turn in earlier years, but was somewhat blasphemous now;
|
|
also a red-nosed auctioneer; also two Gothic masons like himself,
|
|
called Uncle Jim and Uncle Joe. There were present, too, some clerks,
|
|
and a gown- and surplice-maker's assistant; two ladies who sported moral
|
|
characters of various depths of shade, according to their company,
|
|
nicknamed "Bower o' Bliss" and "Freckles"; some horsey men "in the know"
|
|
of betting circles; a travelling actor from the theatre, and two
|
|
devil-may-care young men who proved to be gownless undergraduates;
|
|
they had slipped in by stealth to meet a man about bull-pups, and stayed
|
|
to drink and smoke short pipes with the racing gents aforesaid, looking at
|
|
their watches every now and then.
|
|
|
|
The conversation waxed general. Christminster society was criticized,
|
|
the dons, magistrates, and other people in authority being sincerely
|
|
pitied for their shortcomings, while opinions on how they ought to conduct
|
|
themselves and their affairs to be properly respected, were exchanged
|
|
in a large-minded and disinterested manner.
|
|
|
|
Jude Fawley, with the self-conceit, effrontery, and APLOMB
|
|
of a strong-brained fellow in liquor, threw in his remarks
|
|
somewhat peremptorily; and his aims having been what they
|
|
were for so many years, everything the others said turned upon
|
|
his tongue, by a sort of mechanical craze, to the subject
|
|
of scholarship and study, the extent of his own learning
|
|
being dwelt upon with an insistence that would have appeared
|
|
pitiable to himself in his sane hours.
|
|
|
|
"I don't care a damn," he was saying, "for any provost, warden,
|
|
principal, fellow, or cursed master of arts in the university!
|
|
What I know is that I'd lick 'em on their own ground if they'd
|
|
give me a chance, and show 'em a few things they are not up to yet!"
|
|
|
|
"Hear, hear!" said the undergraduates from the corner, where they
|
|
were talking privately about the pups
|
|
|
|
"You always was fond o' books, I've heard," said Tinker Taylor,
|
|
"and I don't doubt what you state. Now with me 'twas different.
|
|
I always saw there was more to be learnt outside a book than in;
|
|
and I took my steps accordingly, or I shouldn't have been the man
|
|
I am."
|
|
|
|
"You aim at the Church, I believe?" said Uncle Joe.
|
|
"If you are such a scholar as to pitch yer hopes so high
|
|
as that, why not give us a specimen of your scholarship?
|
|
Canst say the Creed in Latin, man? That was how they once put it
|
|
to a chap down in my country."
|
|
|
|
"I should think so!" said Jude haughtily.
|
|
|
|
"Not he! Like his conceit!" screamed one of the ladies.
|
|
|
|
"Just you shut up, Bower o' Bliss!" said one of the undergraduates.
|
|
"Silence!" He drank off the spirits in his tumbler, rapped with it
|
|
on the counter, and announced, "The gentleman in the corner is
|
|
going to rehearse the Articles of his Belief, in the Latin tongue,
|
|
for the edification of the company."
|
|
|
|
"I won't!" said Jude.
|
|
|
|
"Yes--have a try!" said the surplice-maker.
|
|
|
|
"You can't!" said Uncle Joe.
|
|
|
|
"Yes, he can!" said Tinker Taylor.
|
|
|
|
"I'll swear I can!" said Jude. "Well, come now, stand me a small Scotch cold,
|
|
and I'll do it straight off."
|
|
|
|
"That's a fair offer," said the undergraduate, throwing down the money
|
|
for the whisky.
|
|
|
|
The barmaid concocted the mixture with the bearing of a person
|
|
compelled to live amongst animals of an inferior species,
|
|
and the glass was handed across to Jude, who, having drunk
|
|
the contents, stood up and began rhetorically, without hesitation:
|
|
|
|
"CREDO IN UNUM DEUM, PATREM OMNIPOTENTEM, FACTOREM COELI ET TERRAE,
|
|
VISIBILIUM OMNIUM ET INVISIBILIUM."
|
|
|
|
"Good! Excellent Latin!" cried one of the undergraduates,
|
|
who, however, had not the slightest conception of a single word.
|
|
|
|
A silence reigned among the rest in the bar, and the maid stood still,
|
|
Jude's voice echoing sonorously into the inner parlour, where the
|
|
landlord was dozing, and bringing him out to see what was going on.
|
|
Jude had declaimed steadily ahead, and was continuing:
|
|
|
|
"CRUCIFIXUS ETIAM PRO NOBIS: SUB PONTIO PILATO PASSUS, ET SEPULTUS EST.
|
|
ET RESURREXIT TERTIA DIE, SECUNDUM SCRIPTURAS."
|
|
|
|
"That's the Nicene," sneered the second undergraduate.
|
|
"And we wanted the Apostles'!"
|
|
|
|
"You didn't say so! And every fool knows, except you, that the Nicene
|
|
is the most historic creed!"
|
|
|
|
"Let un go on, let un go on!" said the auctioneer.
|
|
|
|
But Jude's mind seemed to grow confused soon, and he could not get on.
|
|
He put his hand to his forehead, and his face assumed an expression
|
|
of pain.
|
|
|
|
"Give him another glass--then he'll fetch up and get through it,"
|
|
said Tinker Taylor.
|
|
|
|
Somebody threw down threepence, the glass was handed, Jude stretched
|
|
out his arm for it without looking, and having swallowed the liquor,
|
|
went on in a moment in a revived voice, raising it as he neared the end
|
|
with the manner of a priest leading a congregation:
|
|
|
|
"ET IN SPIRITUM SANCTUM, DOMINUM ET VIVIFICANTEM, QUI EX PATRE
|
|
FILIOQUE PROCEDIT. QUI CUM PATRE ET FILIO SIMUL ADORATUR
|
|
ET CONGLORIFICATUR. QUI LOCUTUS EST PER PROPHETAS.
|
|
|
|
"ET UNAM CATHOLICAM ET APOSTOLICAM ECCLESIAM. CONFITEOR UNUM BAPTISMA
|
|
IN REMISSIONEM PECCATORUM. ET EXSPECTO RESURRECTIONEM MORTUORUM.
|
|
ET VITAM VENTURI SAECULI. AMEN."
|
|
|
|
"Well done!" said several, enjoying the last word, as being
|
|
the first and only one they had recognized.
|
|
|
|
Then Jude seemed to shake the fumes from his brain, as he stared
|
|
round upon them.
|
|
|
|
"You pack of fools!" he cried. "Which one of you knows whether I
|
|
have said it or no? It might have been the Ratcatcher's Daughter
|
|
in double Dutch for all that your besotted heads can tell!
|
|
See what I have brought myself to--the crew I have come among!"
|
|
|
|
The landlord, who had already had his license endorsed for harbouring
|
|
queer characters, feared a riot, and came outside the counter; but Jude,
|
|
in his sudden flash of reason, had turned in disgust and left the scene,
|
|
the door slamming with a dull thud behind him.
|
|
|
|
He hastened down the lane and round into the straight
|
|
broad street, which he followed till it merged in the highway,
|
|
and all sound of his late companions had been left behind.
|
|
Onward he still went, under the influence of a childlike yearning
|
|
for the one being in the world to whom it seemed possible to fly--
|
|
an unreasoning desire, whose ill judgement was not apparent
|
|
to him now. In the course of an hour, when it was between
|
|
ten and eleven o'clock, he entered the village of Lumsdon,
|
|
and reaching the cottage, saw that a light was burning in a
|
|
downstairs room, which he assumed, rightly as it happened,
|
|
to be hers.
|
|
|
|
Jude stepped close to the wall, and tapped with his finger on the pane,
|
|
saying impatiently, "Sue, Sue!"
|
|
|
|
She must have recognized his voice, for the light disappeared from
|
|
the apartment, and in a second or two the door was unlocked and opened,
|
|
and Sue appeared with a candle in her hand.
|
|
|
|
"Is it Jude? Yes, it is! My dear, dear cousin, what's the matter?"
|
|
|
|
"Oh, I am--I couldn't help coming, Sue!" said he, sinking down upon
|
|
the doorstep. "I am so wicked, Sue--my heart is nearly broken, and I could
|
|
not bear my life as it was! So I have been drinking, and blaspheming,
|
|
or next door to it, and saying holy things in disreputable quarters--
|
|
repeating in idle bravado words which ought never to be uttered
|
|
but reverently! Oh, do anything with me, Sue--kill me--I don't care!
|
|
Only don't hate me and despise me like all the rest of the world!"
|
|
|
|
"You are ill, poor dear! No, I won't despise you; of course I
|
|
won't! Come in and rest, and let me see what I can do for you.
|
|
Now lean on me, and don't mind." With one hand holding
|
|
the candle and the other supporting him, she led him indoors,
|
|
and placed him in the only easy chair the meagrely furnished
|
|
house afforded, stretching his feet upon another, and pulling
|
|
off his boots. Jude, now getting towards his sober senses,
|
|
could only say, "Dear, dear Sue!" in a voice broken by grief
|
|
and contrition.
|
|
|
|
She asked him if he wanted anything to eat, but he shook his head.
|
|
Then telling him to go to sleep, and that she would come down early
|
|
in the morning and get him some breakfast, she bade him good-night
|
|
and ascended the stairs.
|
|
|
|
Almost immediately he fell into a heavy slumber, and did not wake till dawn.
|
|
At first he did not know where he was, but by degrees his situation
|
|
cleared to him, and he beheld it in all the ghastliness of a right mind.
|
|
She knew the worst of him--the very worst. How could he face her now?
|
|
She would soon be coming down to see about breakfast, as she had said,
|
|
and there would he be in all his shame confronting her. He could not
|
|
bear the thought, and softly drawing on his boots, and taking his hat
|
|
from the nail on which she had hung it, he slipped noiselessly out of
|
|
the house.
|
|
|
|
His fixed idea was to get away to some obscure spot and hide,
|
|
and perhaps pray; and the only spot which occurred to him
|
|
was Marygreen. He called at his lodging in Christminster,
|
|
where he found awaiting him a note of dismissal from his employer;
|
|
and having packed up he turned his back upon the city that had
|
|
been such a thorn in his side, and struck southward into Wessex.
|
|
He had no money left in his pocket, his small savings,
|
|
deposited at one of the banks in Christminster, having fortunately
|
|
been left untouched. To get to Marygreen, therefore, his only
|
|
course was walking; and the distance being nearly twenty miles,
|
|
he had ample time to complete on the way the sobering process begun
|
|
in him.
|
|
|
|
At some hour of the evening he reached Alfredston. Here he pawned
|
|
his waistcoat, and having gone out of the town a mile or two,
|
|
slept under a rick that night. At dawn he rose, shook off
|
|
the hayseeds and stems from his clothes, and started again,
|
|
breasting the long white road up the hill to the downs,
|
|
which had been visible to him a long way off, and passing
|
|
the milestone at the top, whereon he had carved his hopes
|
|
years ago.
|
|
|
|
He reached the ancient hamlet while the people were at breakfast.
|
|
Weary and mud-bespattered, but quite possessed of his ordinary
|
|
clearness of brain, he sat down by the well, thinking as he did
|
|
so what a poor Christ he made. Seeing a trough of water near
|
|
he bathed his face, and went on to the cottage of his great-aunt,
|
|
whom he found breakfasting in bed, attended by the woman who lived
|
|
with her.
|
|
|
|
"What--out o' work?" asked his relative, regarding him through
|
|
eyes sunken deep, under lids heavy as pot-covers, no other cause
|
|
for his tumbled appearance suggesting itself to one whose whole
|
|
life had been a struggle with material things.
|
|
|
|
"Yes," said Jude heavily. "I think I must have a little rest."
|
|
|
|
Refreshed by some breakfast, he went up to his old room and lay
|
|
down in his shirt-sleeves, after the manner of the artizan.
|
|
He fell asleep for a short while, and when he awoke it
|
|
was as if he had awakened in hell. It WAS hell--"the hell
|
|
of conscious failure," both in ambition and in love.
|
|
He thought of that previous abyss into which he had fallen
|
|
before leaving this part of the country; the deepest deep
|
|
he had supposed it then; but it was not so deep as this.
|
|
That had been the breaking in of the outer bulwarks of his hope:
|
|
this was of his second line.
|
|
|
|
If he had been a woman he must have screamed under the nervous
|
|
tension which he was now undergoing. But that relief being
|
|
denied to his virility, he clenched his teeth in misery,
|
|
bringing lines about his mouth like those in the Laocoon,
|
|
and corrugations between his brows.
|
|
|
|
A mournful wind blew through the trees, and sounded in the chimney
|
|
like the pedal notes of an organ. Each ivy leaf overgrowing
|
|
the wall of the churchless church-yard hard by, now abandoned,
|
|
pecked its neighbour smartly, and the vane on the new Victorian-Gothic
|
|
church in the new spot had already begun to creak. Yet apparently
|
|
it was not always the outdoor wind that made the deep murmurs;
|
|
it was a voice. He guessed its origin in a moment or two;
|
|
the curate was praying with his aunt in the adjoining room.
|
|
He remembered her speaking of him. Presently the sounds ceased,
|
|
and a step seemed to cross the landing. Jude sat up,
|
|
and shouted "Hoi!"
|
|
|
|
The step made for his door, which was open, and a man looked in.
|
|
It was a young clergyman.
|
|
|
|
"I think you are Mr. Highridge," said Jude. "My aunt has
|
|
mentioned you more than once. Well, here I am, just come home;
|
|
a fellow gone to the bad; though I had the best intentions
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in the world at one time. Now I am melancholy mad, what with
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drinking and one thing and another."
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Slowly Jude unfolded to the curate his late plans and movements,
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by an unconscious bias dwelling less upon the intellectual
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and ambitious side of his dream, and more upon the theological,
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though this had, up till now, been merely a portion of the general
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plan of advancement.
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"Now I know I have been a fool, and that folly is with me,"
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added Jude in conclusion. "And I don't regret the collapse of my
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university hopes one jot. I wouldn't begin again if I were sure
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to succeed. I don't care for social success any more at all.
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But I do feel I should like to do some good thing; and I bitterly
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regret the Church, and the loss of my chance of being her
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ordained minister."
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The curate, who was a new man to this neighbourhood,
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had grown deeply interested, and at last he said: "If you
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feel a real call to the ministry, and I won't say from your
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conversation that you do not, for it is that of a thoughtful
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and educated man, you might enter the Church as a licentiate.
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Only you must make up your mind to avoid strong drink."
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"I could avoid that easily enough, if I had any kind of hope to support me!"
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Part Third
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AT MELCHESTER
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"For there was no other girl, O bridegroom, like her!"--SAPPHO (H.T. Wharton).
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I
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IT was a new idea--the ecclesiastical and altruistic life
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as distinct from the intellectual and emulative life.
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A man could preach and do good to his fellow-creatures
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without taking double-firsts in the schools of Christminster,
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or having anything but ordinary knowledge. The old fancy
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which had led on to the culminating vision of the bishopric
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had not been an ethical or theological enthusiasm at all,
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but a mundane ambition masquerading in a surplice.
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He feared that his whole scheme had degenerated to, even though
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it might not have originated in, a social unrest which had no
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foundation in the nobler instincts; which was purely an artificial
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product of civilization. There were thousands of young
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men on the same self-seeking track at the present moment.
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The sensual hind who ate, drank, and lived carelessly with his
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wife through the days of his vanity was a more likable being
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than he.
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But to enter the Church in such an unscholarly way that he could not
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in any probability rise to a higher grade through all his career than
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that of the humble curate wearing his life out in an obscure village
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or city slum--that might have a touch of goodness and greatness in it;
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that might be true religion, and a purgatorial course worthy of being
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followed by a remorseful man.
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The favourable light in which this new thought showed itself by contrast
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with his foregone intentions cheered Jude, as he sat there, shabby and lonely;
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and it may be said to have given, during the next few days, the COUP DE GRACE
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to his intellectual career--a career which had extended over the greater
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part of a dozen years. He did nothing, however, for some long stagnant
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time to advance his new desire, occupying himself with little local jobs
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in putting up and lettering headstones about the neighbouring villages,
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and submitting to be regarded as a social failure, a returned purchase,
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by the half-dozen or so of farmers and other country-people who condescended
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to nod to him.
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The human interest of the new intention--and a human interest
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is indispensable to the most spiritual and self-sacrificing--
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was created by a letter from Sue, bearing a fresh postmark.
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She evidently wrote with anxiety, and told very little
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about her own doings, more than that she had passed some sort
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of examination for a Queen's Scholarship, and was going
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to enter a training college at Melchester to complete herself
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for the vocation she had chosen, partly by his influence.
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There was a theological college at Melchester; Melchester was a quiet
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and soothing place, almost entirely ecclesiastical in its tone;
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a spot where worldly learning and intellectual smartness had
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no establishment; where the altruistic feeling that he did
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possess would perhaps be more highly estimated than a brilliancy
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which he did not.
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As it would be necessary that he should continue for a time to work at his
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trade while reading up Divinity, which he had neglected at Christminster
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for the ordinary classical grind, what better course for him than to get
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employment at the further city, and pursue this plan of reading?
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That his excessive human interest in the new place was entirely of
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Sue's making, while at the same time Sue was to be regarded even less
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than formerly as proper to create it, had an ethical contradictoriness
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to which he was not blind. But that much he conceded to human frailty,
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and hoped to learn to love her only as a friend and kinswoman.
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He considered that he might so mark out his coming years as to begin
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his ministry at the age of thirty--an age which much attracted him
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as being that of his exemplar when he first began to teach in Galilee.
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This would allow him plenty of time for deliberate study, and for acquiring
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capital by his trade to help his aftercourse of keeping the necessary terms
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at a theological college.
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Christmas had come and passed, and Sue had gone to the Melchester
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Normal School. The time was just the worst in the year for Jude to get
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into new employment, and he had written suggesting to her that he should
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postpone his arrival for a month or so, till the days had lengthened.
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She had acquiesced so readily that he wished he had not proposed it--
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she evidently did not much care about him, though she had never once
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reproached him for his strange conduct in coming to her that night,
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and his silent disappearance. Neither had she ever said a word about her
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relations with Mr. Phillotson.
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Suddenly, however, quite a passionate letter arrived from Sue. She was
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quite lonely and miserable, she told him. She hated the place she was in;
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it was worse than the ecclesiastical designer's; worse than anywhere.
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She felt utterly friendless; could he come immediately?--though when he did
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come she would only be able to see him at limited times, the rules
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of the establishment she found herself in being strict to a degree.
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It was Mr. Phillotson who had advised her to come there, and she wished she
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had never listened to him.
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Phillotson's suit was not exactly prospering, evidently; and Jude felt
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unreasonably glad. He packed up his things and went to Melchester
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with a lighter heart than he had known for months.
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This being the turning over a new leaf he duly looked about
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for a temperance hotel, and found a little establishment
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of that description in the street leading from the station.
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When he had had something to eat he walked out into the dull winter
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light over the town bridge, and turned the corner towards the Close.
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The day was foggy, and standing under the walls of the most
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graceful architectural pile in England he paused and looked up.
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The lofty building was visible as far as the roofridge;
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above, the dwindling spire rose more and more remotely, till its
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apex was quite lost in the mist drifting across it.
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The lamps now began to be lighted, and turning to the west front
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he walked round. He took it as a good omen that numerous blocks
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of stone were lying about, which signified that the cathedral
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was undergoing restoration or repair to a considerable extent.
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It seemed to him, full of the superstitions of his beliefs,
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that this was an exercise of forethought on the part of a ruling Power,
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that he might find plenty to do in the art he practised while waiting
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for a call to higher labours.
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Then a wave of warmth came over him as he thought how near he now
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stood to the bright-eyed vivacious girl with the broad forehead
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and pile of dark hair above it; the girl with the kindling glance,
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daringly soft at times--something like that of the girls he had seen
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in engravings from paintings of the Spanish school. She was here--
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actually in this Close--in one of the houses confronting this very
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west facade.
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He went down the broad gravel path towards the building.
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It was an ancient edifice of the fifteenth century, once a palace,
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now a training-school, with mullioned and transomed windows,
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and a courtyard in front shut in from the road by a wall.
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Jude opened the gate and went up to the door through which,
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on inquiring for his cousin, he was gingerly admitted to a
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waiting-room, and in a few minutes she came.
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Though she had been here such a short while, she was not
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as he had seen her last. All her bounding manner was gone;
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her curves of motion had become subdued lines. The screens
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and subtleties of convention had likewise disappeared.
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Yet neither was she quite the woman who had written the letter
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that summoned him. That had plainly been dashed off
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in an impulse which second thoughts had somewhat regretted;
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thoughts that were possibly of his recent self-disgrace. Jude
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was quite overcome with emotion.
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"You don't--think me a demoralized wretch--for coming to you as I was--
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and going so shamefully, Sue?"
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"Oh, I have tried not to! You said enough to let me know what had caused it.
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I hope I shall never have any doubt of your worthiness, my poor Jude! And I
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am glad you have come!"
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She wore a murrey-coloured gown with a little lace collar.
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It was made quite plain, and hung about her slight figure with
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clinging gracefulness. Her hair, which formerly she had worn
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according to the custom of the day was now twisted up tightly,
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and she had altogether the air of a woman clipped and pruned
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by severe discipline, an under-brightness shining through
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from the depths which that discipline had not yet been able
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to reach.
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She had come forward prettily, but Jude felt that she had
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hardly expected him to kiss her, as he was burning to do,
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under other colours than those of cousinship. He could not
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perceive the least sign that Sue regarded him as a lover,
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or ever would do so, now that she knew the worst of him,
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even if he had the right to behave as one; and this helped on
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his growing resolve to tell her of his matrimonial entanglement,
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which he had put off doing from time to time in sheer dread of
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losing the bliss of her company.
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Sue came out into the town with him, and they walked and
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talked with tongues centred only on the passing moments.
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Jude said he would like to buy her a little present of some sort,
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and then she confessed, with something of shame, that she was
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dreadfully hungry. They were kept on very short allowances
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in the college, and a dinner, tea, and supper all in one was
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the present she most desired in the world. Jude thereupon
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took her to an inn and ordered whatever the house afforded,
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which was not much. The place, however, gave them a delightful
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opportunity for a TETE-A-TETE, nobody else being in the room,
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and they talked freely.
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She told him about the school as it was at that date, and the rough living,
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and the mixed character of her fellow-students, gathered together from all
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parts of the diocese, and how she had to get up and work by gas-light in
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the early morning, with all the bitterness of a young person to whom restraint
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was new. To all this he listened; but it was not what he wanted especially
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to know--her relations with Phillotson. That was what she did not tell.
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When they had sat and eaten, Jude impulsively placed his hand upon hers;
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she looked up and smiled, and took his quite freely into her own little
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soft one, dividing his fingers and coolly examining them, as if they were the
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fingers of a glove she was purchasing.
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"Your hands are rather rough, Jude, aren't they?" she said.
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"Yes. So would yours be if they held a mallet and chisel all day."
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"I don't dislike it, you know. I think it is noble to see a man's
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hands subdued to what he works in.... Well, I'm rather glad I came
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to this training-school, after all. See how independent I shall be
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after the two years' training! I shall pass pretty high, I expect,
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and Mr. Phillotson will use his influence to get me a big school."
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She had touched the subject at last. "I had a suspicion,
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a fear," said Jude, "that he--cared about you rather warmly,
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and perhaps wanted to marry you."
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"Now don't be such a silly boy!"
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"He has said something about it, I expect."
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"If he had, what would it matter? An old man like him!"
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"Oh, come, Sue; he's not so very old. And I know what I saw him doing
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"Not kissing me--that I'm certain!"
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"No. But putting his arm round your waist."
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"Ah--I remember. But I didn't know he was going to."
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"You are wriggling out if it, Sue, and it isn't quite kind!"
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Her ever-sensitive lip began to quiver, and her eye to blink,
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at something this reproof was deciding her to say.
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"I know you'll be angry if I tell you everything, and that's why
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I don't want to!"
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"Very well, then, dear," he said soothingly. "I have no real
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right to ask you, and I don't wish to know."
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"I shall tell you!" said she, with the perverseness that was part of her.
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"This is what I have done: I have promised--I have promised--that I
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will marry him when I come out of the training-school two years hence,
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and have got my certificate; his plan being that we shall then take
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a large double school in a great town--he the boys' and I the girls'--
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as married school-teachers often do, and make a good income between us."
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"Oh, Sue! ... But of course it is right--you couldn't have done better!"
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He glanced at her and their eyes met, the reproach in his own
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belying his words. Then he drew his hand quite away from hers,
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and turned his face in estrangement from her to the window.
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Sue regarded him passively without moving.
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"I knew you would be angry!" she said with an air of no emotion whatever.
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"Very well--I am wrong, I suppose! I ought not to have let you come
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to see me! We had better not meet again; and we'll only correspond at
|
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long intervals, on purely business matters!"
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This was just the one thing he would not be able to bear,
|
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as she probably knew, and it brought him round at once.
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"Oh yes, we will," he said quickly. "Your being engaged can make
|
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no difference to me whatever. I have a perfect right to see you
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when I want to; and I shall!"
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"Then don't let us talk of it any more. It is quite spoiling
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our evening together. What does it matter about what one
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is going to do two years hence!"
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She was something of a riddle to him, and he let the subject drift away.
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"Shall we go and sit in the cathedral?" he asked, when their meal
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was finished.
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"Cathedral? Yes. Though I think I'd rather sit in the railway station,"
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she answered, a remnant of vexation still in her voice. "That's the centre
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of the town life now. The cathedral has had its day!"
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"How modern you are!"
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"So would you be if you had lived so much in the Middle Ages as I have done
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these last few years! The cathedral was a very good place four or five
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centuries ago; but it is played out now ... I am not modern, either. I am
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more ancient than mediaevalism, if you only knew."
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Jude looked distressed.
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"There--I won't say any more of that!" she cried. "Only you
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don't know how bad I am, from your point of view, or you wouldn't
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think so much of me, or care whether I was engaged or not.
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Now there's just time for us to walk round the Close, then I must
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go in, or I shall be locked out for the night."
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He took her to the gate and they parted. Jude had a conviction
|
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that his unhappy visit to her on that sad night had precipitated this
|
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marriage engagement, and it did anything but add to his happiness.
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Her reproach had taken that shape, then, and not the shape
|
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of words. However, next day he set about seeking employment,
|
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which it was not so easy to get as at Christminster, there being,
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as a rule, less stone-cutting in progress in this quiet city,
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and hands being mostly permanent. But he edged himself in by degrees.
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His first work was some carving at the cemetery on the hill;
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and ultimately he became engaged on the labour he most desired--
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the cathedral repairs, which were very extensive, the whole interior
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stonework having been overhauled, to be largely replaced by new.
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It might be a labour of years to get it all done, and he had
|
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confidence enough in his own skill with the mallet and chisel
|
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to feel that it would be a matter of choice with himself how long
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he would stay.
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The lodgings he took near the Close Gate would not have
|
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disgraced a curate, the rent representing a higher percentage
|
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on his wages than mechanics of any sort usually care to pay.
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His combined bed and sitting-room was furnished with framed
|
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photographs of the rectories and deaneries at which his landlady
|
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had lived as trusted servant in her time, and the parlour
|
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downstairs bore a clock on the mantelpiece inscribed to
|
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the effect that it was presented to the same serious-minded
|
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woman by her fellow-servants on the occasion of her marriage.
|
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Jude added to the furniture of his room by unpacking photographs
|
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of the ecclesiastical carvings and monuments that he had executed
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with his own hands; and he was deemed a satisfactory acquisition
|
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as tenant of the vacant apartment.
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He found an ample supply of theological books in the city
|
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book-shops, and with these his studies were recommenced
|
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in a different spirit and direction from his former course.
|
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As a relaxation from the Fathers, and such stock works as Paley
|
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and Butler, he read Newman, Pusey, and many other modern lights.
|
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He hired a harmonium, set it up in his lodging, and practised
|
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chants thereon, single and double.
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II
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"TO-MORROW is our grand day, you know. Where shall we go?"
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"I have leave from three till nine. Wherever we can get to and come
|
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back from in that time. Not ruins, Jude--I don't care for them."
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"Well--Wardour Castle. And then we can do Fonthill if we like--
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all in the same afternoon."
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"Wardour is Gothic ruins--and I hate Gothic!"
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"No. Quite otherwise. It is a classic building--Corinthian, I think;
|
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with a lot of pictures."
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"Ah--that will do. I like the sound of Corinthian. We'll go."
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Their conversation had run thus some few weeks later, and next
|
|
morning they prepared to start. Every detail of the outing
|
|
was a facet reflecting a sparkle to Jude, and he did not venture
|
|
to meditate on the life of inconsistency he was leading.
|
|
His Sue's conduct was one lovely conundrum to him; he could say
|
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no more.
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There duly came the charm of calling at the college door for her;
|
|
her emergence in a nunlike simplicity of costume that was rather
|
|
enforced than desired; the traipsing along to the station,
|
|
the porters' "B'your leave!," the screaming of the trains--
|
|
everything formed the basis of a beautiful crystallization.
|
|
Nobody stared at Sue, because she was so plainly dressed,
|
|
which comforted Jude in the thought that only himself knew
|
|
the charms those habiliments subdued. A matter of ten pounds
|
|
spent in a drapery-shop, which had no connection with her real
|
|
life or her real self, would have set all Melchester staring.
|
|
The guard of the train thought they were lovers, and put them into a
|
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compartment all by themselves.
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|
"That's a good intention wasted!" said she.
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|
|
Jude did not respond. He thought the remark unnecessarily cruel,
|
|
and partly untrue.
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|
|
They reached the park and castle and wandered through the picture-galleries,
|
|
Jude stopping by preference in front of the devotional pictures by Del Sarto,
|
|
Guido Reni, Spagnoletto, Sassoferrato, Carlo Dolci, and others. Sue paused
|
|
patiently beside him, and stole critical looks into his face as, regarding
|
|
the Virgins, Holy Families, and Saints, it grew reverent and abstracted.
|
|
When she had thoroughly estimated him at this, she would move on and wait
|
|
for him before a Lely or Reynolds. It was evident that her cousin deeply
|
|
interested her, as one might be interested in a man puzzling out his way along
|
|
a labyrinth from which one had one's self escaped.
|
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|
|
When they came out a long time still remained to them and Jude
|
|
proposed that as soon as they had had something to eat they should
|
|
walk across the high country to the north of their present position,
|
|
and intercept the train of another railway leading back to Melchester,
|
|
at a station about seven miles off. Sue, who was inclined for any
|
|
adventure that would intensify the sense of her day's freedom,
|
|
readily agreed; and away they went, leaving the adjoining station
|
|
behind them.
|
|
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|
It was indeed open country, wide and high. They talked and bounded on,
|
|
Jude cutting from a little covert a long walking-stick for Sue as tall
|
|
as herself, with a great crook, which made her look like a shepherdess.
|
|
About half-way on their journey they crossed a main road running
|
|
due east and west--the old road from London to Land's End.
|
|
They paused, and looked up and down it for a moment, and remarked upon
|
|
the desolation which had come over this once lively thoroughfare,
|
|
while the wind dipped to earth and scooped straws and hay-stems from
|
|
the ground.
|
|
|
|
They crossed the road and passed on, but during the next half-mile
|
|
Sue seemed to grow tired, and Jude began to be distressed for her.
|
|
They had walked a good distance altogether, and if they could not reach
|
|
the other station it would be rather awkward. For a long time there
|
|
was no cottage visible on the wide expanse of down and turnip-land;
|
|
but presently they came to a sheepfold, and next to the shepherd,
|
|
pitching hurdles. He told them that the only house near was his mother's
|
|
and his, pointing to a little dip ahead from which a faint blue smoke arose,
|
|
and recommended them to go on and rest there.
|
|
|
|
This they did, and entered the house, admitted by an old woman without
|
|
a single tooth, to whom they were as civil as strangers can be when their
|
|
only chance of rest and shelter lies in the favour of the householder.
|
|
|
|
"A nice little cottage," said Jude.
|
|
|
|
"Oh, I don't know about the niceness. I shall have to thatch it soon,
|
|
and where the thatch is to come from I can't tell, for straw do get
|
|
that dear, that 'twill soon be cheaper to cover your house wi'
|
|
chainey plates than thatch."
|
|
|
|
They sat resting, and the shepherd came in. "Don't 'ee mind I,"
|
|
he said with a deprecating wave of the hand "bide here as long as ye will.
|
|
But mid you be thinking o' getting back to Melchester to-night by train?
|
|
Because you'll never do it in this world, since you don't know the lie
|
|
of the country. I don't mind going with ye some o' the ways, but even then
|
|
the train mid be gone."
|
|
|
|
They started up.
|
|
|
|
"You can bide here, you know, over the night--can't 'em, Mother?
|
|
The place is welcome to ye. 'Tis hard lying, rather, but volk
|
|
may do worse." He turned to Jude and asked privately: "Be you a
|
|
married couple?"
|
|
|
|
"Hsh--no!" said Jude.
|
|
|
|
"Oh--I meant nothing ba'dy--not I! Well then, she can go into Mother's room,
|
|
and you and I can lie in the outer chimmer after they've gone through.
|
|
I can call ye soon enough to catch the first train back. You've lost this
|
|
one now."
|
|
|
|
On consideration they decided to close with this offer, and drew
|
|
up and shared with the shepherd and his mother the boiled bacon
|
|
and greens for supper.
|
|
|
|
"I rather like this," said Sue, while their entertainers were clearing
|
|
away the dishes. "Outside all laws except gravitation and germination."
|
|
|
|
"You only think you like it; you don't: you are quite a product
|
|
of civilization," said Jude, a recollection of her engagement
|
|
reviving his soreness a little.
|
|
|
|
"Indeed I am not, Jude. I like reading and all that, but I crave
|
|
to get back to the life of my infancy and its freedom."
|
|
|
|
"Do you remember it so well? You seem to me to have nothing
|
|
unconventional at all about you."
|
|
|
|
"Oh, haven't I! You don't know what's inside me."
|
|
|
|
"What?"
|
|
|
|
"The Ishmaelite."
|
|
|
|
"An urban miss is what you are."
|
|
|
|
She looked severe disagreement, and turned away.
|
|
|
|
The shepherd aroused them the next morning, as he had said.
|
|
It was bright and clear, and the four miles to the train were
|
|
accomplished pleasantly. When they had reached Melchester,
|
|
and walked to the Close, and the gables of the old building
|
|
in which she was again to be immured rose before Sue's eyes,
|
|
she looked a little scared. "I expect I shall catch it!"
|
|
she murmured.
|
|
|
|
They rang the great bell and waited.
|
|
|
|
"Oh, I bought something for you, which I had nearly forgotten,"
|
|
she said quickly, searching her pocket. "It is a new little
|
|
photograph of me. Would you like it?"
|
|
|
|
"WOULD I!" He took it gladly, and the porter came. There seemed
|
|
to be an ominous glance on his face when he opened the gate.
|
|
She passed in, looking back at Jude, and waving her hand.
|
|
|
|
|
|
|
|
III
|
|
|
|
|
|
THE seventy young women, of ages varying in the main from nineteen
|
|
to one-and-twenty, though several were older, who at this date
|
|
filled the species of nunnery known as the Training-School
|
|
at Melchester, formed a very mixed community, which included
|
|
the daughters of mechanics, curates, surgeons, shopkeepers, farmers,
|
|
dairy-men, soldiers, sailors, and villagers. They sat in the large
|
|
school-room of the establishment on the evening previously described, and
|
|
word was passed round that Sue Bridehead had not come in at closing-time.
|
|
|
|
"She went out with her young man," said a second-year's student, who knew
|
|
about young men. "And Miss Traceley saw her at the station with him.
|
|
She'll have it hot when she does come."
|
|
|
|
"She said he was her cousin," observed a youthful new girl.
|
|
|
|
"That excuse has been made a little too often in this school to be effectual
|
|
in saving our souls," said the head girl of the year, drily.
|
|
|
|
The fact was that, only twelve months before, there had occurred
|
|
a lamentable seduction of one of the pupils who had made
|
|
the same statement in order to gain meetings with her lover.
|
|
The affair had created a scandal, and the management had
|
|
consequently been rough on cousins ever since.
|
|
|
|
At nine o'clock the names were called, Sue's being pronounced three times
|
|
sonorously by Miss Traceley without eliciting an answer.
|
|
|
|
At a quarter past nine the seventy stood up to sing the "Evening Hymn,"
|
|
and then knelt down to prayers. After prayers they went in to supper,
|
|
and every girl's thought was, Where is Sue Bridehead? Some of the students,
|
|
who had seen Jude from the window, felt that they would not mind risking her
|
|
punishment for the pleasure of being kissed by such a kindly-faced young men.
|
|
Hardly one among them believed in the cousinship.
|
|
|
|
Half an hour later they all lay in their cubicles, their tender feminine
|
|
faces upturned to the flaring gas-jets which at intervals stretched
|
|
down the long dormitories, every face bearing the legend "The Weaker"
|
|
upon it, as the penalty of the sex wherein they were moulded, which by no
|
|
possible exertion of their willing hearts and abilities could be made
|
|
strong while the inexorable laws of nature remain what they are.
|
|
They formed a pretty, suggestive, pathetic sight, of whose pathos and
|
|
beauty they were themselves unconscious, and would not discover till,
|
|
amid the storms and strains of after-years, with their injustice,
|
|
loneliness, child-bearing, and bereavement, their minds would revert
|
|
to this experience as to something which had been allowed to slip past them
|
|
insufficiently regarded.
|
|
|
|
One of the mistresses came in to turn out the lights, and before
|
|
doing so gave a final glance at Sue's cot, which remained empty,
|
|
and at her little dressing-table at the foot, which, like all
|
|
the rest, was ornamented with various girlish trifles,
|
|
framed photographs being not the least conspicuous among them.
|
|
Sue's table had a moderate show, two men in their filigree and
|
|
velvet frames standing together beside her looking-glass.
|
|
|
|
"Who are these men--did she ever say?" asked the mistress.
|
|
"Strictly speaking, relations' portraits only are allowed on
|
|
these tables, you know."
|
|
|
|
"One--the middle-aged man," said a student in the next bed--"is
|
|
the schoolmaster she served under--Mr. Phillotson."
|
|
|
|
"And the other--this undergraduate in cap and gown--who is he?"
|
|
|
|
"He is a friend, or was. She has never told his name."
|
|
|
|
"Was it either of these two who came for her?"
|
|
|
|
"No."
|
|
|
|
"You are sure 'twas not the undergraduate?"
|
|
|
|
"Quite. He was a young man with a black beard."
|
|
|
|
The lights were promptly extinguished, and till they fell asleep the girls
|
|
indulged in conjectures about Sue, and wondered what games she had carried
|
|
on in London and at Christminster before she came here, some of the more
|
|
restless ones getting out of bed and looking from the mullioned windows at
|
|
the vast west front of the cathedral opposite, and the spire rising behind it.
|
|
|
|
When they awoke the next morning they glanced into Sue's nook,
|
|
to find it still without a tenant. After the early lessons
|
|
by gas-light, in half-toilet, and when they had come up to dress
|
|
for breakfast, the bell of the entrance gate was heard to ring loudly.
|
|
The mistress of the dormitory went away, and presently came back
|
|
to say that the principal's orders were that nobody was to speak to
|
|
Bridehead without permission.
|
|
|
|
When, accordingly, Sue came into the dormitory to hastily tidy herself,
|
|
looking flushed and tired, she went to her cubicle in silence, none of them
|
|
coming out to greet her or to make inquiry. When they had gone downstairs
|
|
they found that she did not follow them into the dining-hall to breakfast,
|
|
and they then learnt that she had been severely reprimanded, and ordered
|
|
to a solitary room for a week, there to be confined, and take her meals,
|
|
and do all her reading.
|
|
|
|
At this the seventy murmured, the sentence being, they thought,
|
|
too severe. A round robin was prepared and sent in to the principal,
|
|
asking for a remission of Sue's punishment. No notice was taken.
|
|
Towards evening, when the geography mistress began dictating her subject,
|
|
the girls in the class sat with folded arms.
|
|
|
|
"You mean that you are not going to work?" said the mistress at last.
|
|
"I may as well tell you that it has been ascertained that the young
|
|
man Bridehead stayed out with was not her cousin, for the very good
|
|
reason that she has no such relative. We have written to Christminster
|
|
to ascertain."
|
|
|
|
"We are willing to take her word," said the head girl.
|
|
|
|
"This young man was discharged from his work at Christminster
|
|
for drunkenness and blasphemy in public-houses, and he has
|
|
come here to live, entirely to be near her."
|
|
|
|
However, they remained stolid and motionless, and the mistress left the room
|
|
to inquire from her superiors what was to be done.
|
|
|
|
Presently, towards dusk, the pupils, as they sat, heard exclamations
|
|
from the first-year's girls in an adjoining classroom, and one rushed
|
|
in to say that Sue Bridehead had got out of the back window of the room
|
|
in which she had been confined, escaped in the dark across the lawn,
|
|
and disappeared. How she had managed to get out of the garden nobody
|
|
could tell, as it was bounded by the river at the bottom, and the side
|
|
door was locked.
|
|
|
|
They went and looked at the empty room, the casement between the middle
|
|
mullions of which stood open. The lawn was again searched with a lantern,
|
|
every bush and shrub being examined, but she was nowhere hidden.
|
|
Then the porter of the front gate was interrogated, and on reflection he said
|
|
that he remembered hearing a sort of splashing in the stream at the back,
|
|
but he had taken no notice, thinking some ducks had come down the river
|
|
from above.
|
|
|
|
"She must have walked through the river!" said a mistress.
|
|
|
|
"Or drownded herself," said the porter.
|
|
|
|
The mind of the matron was horrified--not so much at the possible
|
|
death of Sue as at the possible half-column detailing that event
|
|
in all the newspapers, which, added to the scandal of the year before,
|
|
would give the college an unenviable notoriety for many months
|
|
to come.
|
|
|
|
More lanterns were procured, and the river examined; and then,
|
|
at last, on the opposite shore, which was open to the fields,
|
|
some little boot-tracks were discerned in the mud,
|
|
which left no doubt that the too excitable girl had waded
|
|
through a depth of water reaching nearly to her shoulders--
|
|
for this was the chief river of the county, and was mentioned
|
|
in all the geography books with respect. As Sue had not brought
|
|
disgrace upon the school by drowning herself, the matron began
|
|
to speak superciliously of her, and to express gladness that she
|
|
was gone.
|
|
|
|
On the self-same evening Jude sat in his lodgings by the Close Gate.
|
|
Often at this hour after dusk he would enter the silent Close,
|
|
and stand opposite the house that contained Sue, and watch
|
|
the shadows of the girls' heads passing to and fro upon the blinds,
|
|
and wish he had nothing else to do but to sit reading and
|
|
learning all day what many of the thoughtless inmates despised.
|
|
But to-night, having finished tea and brushed himself up,
|
|
he was deep in the perusal of the Twenty-ninth Volume of Pusey's
|
|
Library of the Fathers, a set of books which he had purchased
|
|
of a second-hand dealer at a price that seemed to him
|
|
to be one of miraculous cheapness for that invaluable work.
|
|
He fancied he heard something rattle lightly against his window;
|
|
then he heard it again. Certainly somebody had thrown gravel.
|
|
He rose and gently lifted the sash.
|
|
|
|
"Jude!" (from below) .
|
|
|
|
"Sue!"
|
|
|
|
"Yes--it is! Can I come up without being seen?"
|
|
|
|
"Oh yes!"
|
|
|
|
"Then don't come down. Shut the window."
|
|
|
|
Jude waited, knowing that she could enter easily enough, the front
|
|
door being opened merely by a knob which anybody could turn,
|
|
as in most old country towns. He palpitated at the thought that she
|
|
had fled to him in her trouble as he had fled to her in his.
|
|
What counterparts they were! He unlatched the door of his room,
|
|
heard a stealthy rustle on the dark stairs, and in a moment she
|
|
appeared in the light of his lamp. He went up to seize her hand,
|
|
and found she was clammy as a marine deity, and that her clothes clung
|
|
to her like the robes upon the figures in the Parthenon frieze.
|
|
|
|
"I'm so cold!" she said through her chattering teeth.
|
|
"Can I come by your fire, Jude?"
|
|
|
|
She crossed to his little grate and very little fire, but as the water
|
|
dripped from her as she moved, the idea of drying herself was absurd.
|
|
"Whatever have you done, darling?" he asked, with alarm, the tender epithet
|
|
slipping out unawares.
|
|
|
|
"Walked through the largest river in the county--that's what I've done!
|
|
They locked me up for being out with you; and it seemed so unjust that I
|
|
couldn't bear it, so I got out of the window and escaped across the stream!"
|
|
She had begun the explanation in her usual slightly independent tones,
|
|
but before she had finished the thin pink lips trembled, and she could hardly
|
|
refrain from crying.
|
|
|
|
"Dear Sue!" he said. "You must take off all your things!
|
|
And let me see--you must borrow some from the landlady.
|
|
I'll ask her."
|
|
|
|
"No, no! Don't let her know, for God's sake! We are so near
|
|
the school that they'll come after me!"
|
|
|
|
"Then you must put on mine. You don't mind?"
|
|
|
|
"Oh no."
|
|
|
|
"My Sunday suit, you know. It is close here." In fact,
|
|
everything was close and handy in Jude's single chamber,
|
|
because there was not room for it to be otherwise. He opened
|
|
a drawer, took out his best dark suit, and giving the garments
|
|
a shake, said, "Now, how long shall I give you?"
|
|
|
|
"Ten minutes."
|
|
|
|
Jude left the room and went into the street, where he walked up
|
|
and down. A clock struck half-past seven, and he returned.
|
|
Sitting in his only arm-chair he saw a slim and fragile being
|
|
masquerading as himself on a Sunday, so pathetic in her
|
|
defencelessness that his heart felt big with the sense of it.
|
|
On two other chairs before the fire were her wet garments.
|
|
She blushed as he sat down beside her, but only for
|
|
a moment.
|
|
|
|
"I suppose, Jude, it is odd that you should see me like this
|
|
and all my things hanging there? Yet what nonsense!
|
|
They are only a woman's clothes--sexless cloth and linen.... I
|
|
wish I didn't feel so ill and sick! Will you dry my clothes now?
|
|
Please do, Jude, and I'll get a lodging by and by. It is not
|
|
late yet."
|
|
|
|
"No, you shan't, if you are ill. You must stay here. Dear, dear Sue,
|
|
what can I get for you?"
|
|
|
|
"I don't know! I can't help shivering. I wish I could get warm."
|
|
Jude put on her his great-coat in addition, and then ran out to the nearest
|
|
public-house, whence he returned with a little bottle in his hand.
|
|
"Here's six of best brandy," he said. "Now you drink it, dear;
|
|
all of it."
|
|
|
|
"I can't out of the bottle, can I?" Jude fetched the glass from
|
|
the dressing-table, and administered the spirit in some water.
|
|
She gasped a little, but gulped it down, and lay back in the armchair.
|
|
|
|
She then began to relate circumstantially her experiences since they
|
|
had parted; but in the middle of her story her voice faltered,
|
|
her head nodded, and she ceased. She was in a sound sleep.
|
|
Jude, dying of anxiety lest she should have caught a chill which might
|
|
permanently injure her, was glad to hear the regular breathing.
|
|
He softly went nearer to her, and observed that a warm flush now rosed
|
|
her hitherto blue cheeks, and felt that her hanging hand was no
|
|
longer cold. Then he stood with his back to the fire regarding her,
|
|
and saw in her almost a divinity.
|
|
|
|
|
|
|
|
IV
|
|
|
|
|
|
JUDE'S reverie was interrupted by the creak of footsteps ascending the stairs.
|
|
|
|
He whisked Sue's clothing from the chair where it was drying,
|
|
thrust it under the bed, and sat down to his book.
|
|
Somebody knocked and opened the door immediately. It was
|
|
the landlady.
|
|
|
|
"Oh, I didn't know whether you was in or not, Mr. Fawley.
|
|
I wanted to know if you would require supper. I see you've a
|
|
young gentleman----"
|
|
|
|
"Yes, ma'am. But I think I won't come down to-night. Will you bring supper
|
|
up on a tray, and I'll have a cup of tea as well."
|
|
|
|
It was Jude's custom to go downstairs to the kitchen,
|
|
and eat his meals with the family, to save trouble.
|
|
His landlady brought up the supper, however, on this occasion,
|
|
and he took it from her at the door.
|
|
|
|
When she had descended he set the teapot on the hob,
|
|
and drew out Sue's clothes anew; but they were far from dry.
|
|
A thick woollen gown, he found, held a deal of water.
|
|
So he hung them up again, and enlarged his fire and mused as
|
|
the steam from the garments went up the chimney.
|
|
|
|
Suddenly she said, "Jude!"
|
|
|
|
"Yes. All right. How do you feel now?"
|
|
|
|
"Better. Quite well. Why, I fell asleep, didn't I? What time is it?
|
|
Not late surely?"
|
|
|
|
"It is past ten."
|
|
|
|
"Is it really? What SHALL I do!" she said, starting up.
|
|
|
|
"Stay where you are."
|
|
|
|
"Yes; that's what I want to do. But I don't know what they would say!
|
|
And what will you do?"
|
|
|
|
"I am going to sit here by the fire all night, and read.
|
|
To-morrow is Sunday, and I haven't to go out anywhere.
|
|
Perhaps you will be saved a severe illness by resting there.
|
|
Don't be frightened. I'm all right. Look here, what I have got
|
|
for you. Some supper."
|
|
|
|
When she had sat upright she breathed plaintively and said, "I do feel rather
|
|
weak still. l thought I was well; and I ought not to be here, ought I?"
|
|
But the supper fortified her somewhat, and when she had had some tea and had
|
|
lain back again she was bright and cheerful.
|
|
|
|
The tea must have been green, or too long drawn, for she seemed
|
|
preternaturally wakeful afterwards, though Jude, who had not taken any,
|
|
began to feel heavy; till her conversation fixed his attention.
|
|
|
|
"You called me a creature of civilization, or something, didn't you?"
|
|
she said, breaking a silence. "It was very odd you should have done that."
|
|
|
|
"Why?"
|
|
|
|
"Well, because it is provokingly wrong. I am a sort of negation of it."
|
|
|
|
"You are very philosophical. 'A negation' is profound talking."
|
|
|
|
"Is it? Do I strike you as being learned?" she asked, with a touch
|
|
of raillery.
|
|
|
|
"No--not learned. Only you don't talk quite like a girl--well, a girl
|
|
who has had no advantages."
|
|
|
|
"I have had advantages. I don't know Latin and Greek, though I
|
|
know the grammars of those tongues. But I know most of the Greek
|
|
and Latin classics through translations, and other books too.
|
|
I read Lempriere, Catullus, Martial, Juvenal, Lucian, Beaumont
|
|
and Fletcher, Boccaccio, Scarron, De Brantame, Sterne, De Foe,
|
|
Smollett, Fielding, Shakespeare, the Bible, and other such;
|
|
and found that all interest in the unwholesome part of those books
|
|
ended with its mystery."
|
|
|
|
"You have read more than I," he said with a sigh. "How came you
|
|
to read some of those queerer ones?"
|
|
|
|
"Well," she said thoughtfully, "it was by accident. My life has
|
|
been entirely shaped by what people call a peculiarity in me.
|
|
I have no fear of men, as such, nor of their books.
|
|
I have mixed with them--one or two of them particularly--
|
|
almost as one of their own sex. I mean I have not felt
|
|
about them as most women are taught to feel--to be on their
|
|
guard against attacks on their virtue; for no average man--
|
|
no man short of a sensual savage--will molest a woman by day
|
|
or night, at home or abroad, unless she invites him.
|
|
Until she says by a look 'Come on' he is always afraid to,
|
|
and if you never say it, or look it, he never comes. However, what I
|
|
was going to say is that when I was eighteen I formed a friendly
|
|
intimacy with an undergraduate at Christminster, and he taught me
|
|
a great deal, and lent me books which I should never have got hold
|
|
of otherwise."
|
|
|
|
"Is your friendship broken off?"
|
|
|
|
"Oh yes. He died, poor fellow, two or three years after he had taken
|
|
his degree and left Christminster."
|
|
|
|
"You saw a good deal of him, I suppose?"
|
|
|
|
"Yes. We used to go about together--on walking tours,
|
|
reading tours, and things of that sort--like two men almost.
|
|
He asked me to live with him, and I agreed to by letter.
|
|
But when I joined him in London I found he meant a different
|
|
thing from what I meant. He wanted me to be his mistress,
|
|
in fact, but I wasn't in love with him--and on my saying I
|
|
should go away if he didn't agree to MY plan, he did so.
|
|
We shared a sitting-room for fifteen months; and he became
|
|
a leader-writer for one of the great London dailies; till he was
|
|
taken ill, and had to go abroad. He said I was breaking his
|
|
heart by holding out against him so long at such close quarters;
|
|
he could never have believed it of woman. I might play that
|
|
game once too often, he said. He came home merely to die.
|
|
His death caused a terrible remorse in me for my cruelty--
|
|
though I hope he died of consumption and not of me entirely.
|
|
l went down to Sandbourne to his funeral, and was his only mourner.
|
|
He left me a little money--because I broke his heart, I suppose.
|
|
That's how men are--so much better than women!"
|
|
|
|
"Good heavens!--what did you do then?"
|
|
|
|
"Ah--now you are angry with me!" she said, a contralto note of tragedy
|
|
coming suddenly into her silvery voice. "I wouldn't have told you if I
|
|
had known!"
|
|
|
|
"No, I am not. Tell me all."
|
|
|
|
"Well, I invested his money, poor fellow, in a bubble scheme,
|
|
and lost it. I lived about London by myself for some time,
|
|
and then I returned to Christminster, as my father--
|
|
who was also in London, and had started as an art metal-worker
|
|
near Long-Acre--wouldn't have me back; and I got that occupation
|
|
in the artist-shop where you found me.... I said you didn't know
|
|
how bad I was!"
|
|
|
|
Jude looked round upon the arm-chair and its occupant, as if
|
|
to read more carefully the creature he had given shelter to.
|
|
His voice trembled as he said: "However you have lived, Sue,
|
|
I believe you are as innocent as you are unconventional!"
|
|
|
|
"I am not particularly innocent, as you see, now that I have
|
|
|
|
|
|
'twitched the robe
|
|
From that blank lay-figure your fancy draped,'"
|
|
|
|
|
|
said she, with an ostensible sneer, though he could hear that she was
|
|
brimming with tears. "But I have never yielded myself to any lover,
|
|
if that's what you mean! I have remained as I began."
|
|
|
|
"I quite believe you. But some women would not have remained as they began."
|
|
|
|
"Pehaps not. Better women would not. People say I must
|
|
be cold-natured--sexless--on account of it. But I won't have it!
|
|
Some of the most passionately erotic poets have been the most
|
|
self-contained in their daily lives."
|
|
|
|
"Have you told Mr. Phillotson about this university scholar friend?"
|
|
|
|
"Yes--long ago. I have never made any secret of it to anybody."
|
|
|
|
"What did he say?"
|
|
|
|
"He did not pass any criticism--only said I was everything to him,
|
|
whatever I did; and things like that."
|
|
|
|
Jude felt much depressed; she seemed to get further and further away
|
|
from him with her strange ways and curious unconsciousness of gender.
|
|
|
|
"Aren't you REALLY vexed with me, dear Jude?" she suddenly asked,
|
|
in a voice of such extraordinary tenderness that it hardly seemed
|
|
to come from the same woman who had just told her story so lightly.
|
|
"I would rather offend anybody in the world than you, I think!"
|
|
|
|
"I don't know whether I am vexed or not. I know I care very much about you!"
|
|
|
|
"I care as much for you as for anybody I ever met."
|
|
|
|
"You don't care MORE! There, I ought not to say that.
|
|
Don't answer it!"
|
|
|
|
There was another long silence. He felt that she was treating
|
|
him cruelly, though he could not quite say in what way.
|
|
Her very helplessness seemed to make her so much stronger
|
|
than he.
|
|
|
|
"I am awfully ignorant on general matters, although I have worked so hard,"
|
|
he said, to turn the subject. "I am absorbed in theology, you know.
|
|
And what do you think I should be doing just about now, if you weren't here?
|
|
I should be saying my evening prayers. I suppose you wouldn't like----"
|
|
|
|
"Oh no, no," she answered, "I would rather not, if you don't mind.
|
|
I should seem so--such a hypocrite."
|
|
|
|
"I thought you wouldn't join, so I didn't propose it.
|
|
You must remember that I hope to be a useful minister some day."
|
|
|
|
"To be ordained, I think you said?"
|
|
|
|
"Yes."
|
|
|
|
"Then you haven't given up the idea?--I thought that perhaps you
|
|
had by this time."
|
|
|
|
"Of course not. I fondly thought at first that you felt as I do
|
|
about that, as you were so mixed up in Christminster Anglicanism.
|
|
And Mr. Phillotson----"
|
|
|
|
"I have no respect for Christminster whatever, except, in a
|
|
qualified degree, on its intellectual side," said Sue
|
|
Bridehead earnestly. "My friend I spoke of took that out of me.
|
|
He was the most irreligious man I ever knew, and the most moral.
|
|
And intellect at Christminster is new wine in old bottles.
|
|
The mediaevalism of Christminster must go, be sloughed off,
|
|
or Christminster itself will have to go. To be sure, at times
|
|
one couldn't help having a sneaking liking for the traditions
|
|
of the old faith, as preserved by a section of the thinkers there
|
|
in touching and simple sincerity; but when I was in my saddest,
|
|
rightest mind I always felt,
|
|
|
|
'O ghastly glories of saints, dead limbs of
|
|
gibbeted Gods!'"...
|
|
|
|
|
|
"Sue, you are not a good friend of mine to talk like that!"
|
|
|
|
"Then I won't, dear Jude!" The emotional throat-note had come back,
|
|
and she turned her face away.
|
|
|
|
"I still think Christminster has much that is glorious;
|
|
though I was resentful because I couldn't get there."
|
|
He spoke gently, and resisted his impulse to pique her on
|
|
to tears.
|
|
|
|
"It is an ignorant place, except as to the townspeople, artizans, drunkards,
|
|
and paupers," she said, perverse still at his differing from her.
|
|
"THEY see life as it is, of course; but few of the people in the colleges do.
|
|
You prove it in your own person. You are one of the very men Christminster
|
|
was intended for when the colleges were founded; a man with a passion
|
|
for learning, but no money, or opportunities, or friends. But you were
|
|
elbowed off the pavement by the millionaires' sons."
|
|
|
|
"Well, I can do without what it confers. I care for something higher."
|
|
|
|
"And I for something broader, truer," she insisted.
|
|
"At present intellect in Christminster is pushing one way,
|
|
and religion the other; and so they stand stock-still, like two
|
|
rams butting each other."
|
|
|
|
"What would Mr. Phillotson----"
|
|
|
|
"It is a place full of fetishists and ghost-seers!"
|
|
|
|
He noticed that whenever he tried to speak of the schoolmaster she turned
|
|
the conversation to some generalizations about the offending university.
|
|
Jude was extremely, morbidly, curious about her life as Phillotson's PROTEGEE
|
|
and betrothed; yet she would not enlighten him.
|
|
|
|
"Well, that's just what I am, too," he said. "I am fearful of life,
|
|
spectre-seeing always."
|
|
|
|
"But you are good and dear!" she murmured.
|
|
|
|
His heart bumped, and he made no reply.
|
|
|
|
"You are in the Tractarian stage just now, are you not?"
|
|
she added, putting on flippancy to hide real feeling,
|
|
a common trick with her. "Let me see--when was I there?
|
|
In the year eighteen hundred and----"
|
|
|
|
"There's a sarcasm in that which is rather unpleasant to me, Sue.
|
|
Now will you do what I want you to? At this time I read a chapter,
|
|
and then say prayers, as I told you. Now will you concentrate your
|
|
attention on any book of these you like, and sit with your back to me,
|
|
and leave me to my custom? You are sure you won't join me?"
|
|
|
|
"I'll look at you."
|
|
|
|
"No. Don't tease, Sue!"
|
|
|
|
"Very well--I'll do just as you bid me, and I won't vex you, Jude,"
|
|
she replied, in the tone of a child who was going to be good for ever after,
|
|
turning her back upon him accordingly. A small Bible other than the one
|
|
he was using lay near her, and during his retreat she took it up,
|
|
and turned over the leaves.
|
|
|
|
"Jude," she said brightly, when he had finished and come back to her;
|
|
"will you let me make you a NEW New Testament, like the one I made
|
|
for myself at Christminster?"
|
|
|
|
"Oh yes. How was that made?"
|
|
|
|
"I altered my old one by cutting up all the Epistles and Gospels into
|
|
separate BROCHURES, and rearranging them in chronological order as written,
|
|
beginning the book with Thessalonians, following on with the Epistles,
|
|
and putting the Gospels much further on. Then I had the volume rebound.
|
|
My university friend Mr. ---- --but never mind his name, poor boy--
|
|
said it was an excellent idea. I know that reading it afterwards made it
|
|
twice as interesting as before, and twice as understandable."
|
|
|
|
"H'm!" said Jude, with a sense of sacrilege.
|
|
|
|
"And what a literary enormity this is," she said, as she glanced
|
|
into the pages of Solomon's Song. "I mean the synopsis at the head
|
|
of each chapter, explaining away the real nature of that rhapsody.
|
|
You needn't be alarmed: nobody claims inspiration for the
|
|
chapter headings. Indeed, many divines treat them with contempt.
|
|
It seems the drollest thing to think of the four-and-twenty elders,
|
|
or bishops, or whatever number they were, sitting with long faces and
|
|
writing down such stuff."
|
|
|
|
Jude looked pained. "You are quite Voltairean!" he murmured.
|
|
|
|
"Indeed? Then I won't say any more, except that people have no
|
|
right to falsify the Bible! I HATE such hum-bug as could attempt
|
|
to plaster over with ecclesiastical abstractions such ecstatic,
|
|
natural, human love as lies in that great and passionate song!"
|
|
Her speech had grown spirited, and almost petulant at his rebuke,
|
|
and her eyes moist. "I WISH I had a friend here to support me;
|
|
but nobody is ever on my side!"
|
|
|
|
"But my dear Sue, my very dear Sue, I am not against you!"
|
|
he said, taking her hand, and surprised at her introducing
|
|
personal feeling into mere argument.
|
|
|
|
"Yes you are, yes you are!" she cried, turning away her face
|
|
that he might not see her brimming eyes. "You are on the side of
|
|
the people in the training-school--at least you seem almost to be!
|
|
What I insist on is, that to explain such verses as this:
|
|
'Whither is thy beloved gone, O thou fairest among women?'
|
|
by the note: 'THE CHURCH PROFESSETH HER FAITH,'
|
|
is supremely ridiculous!"
|
|
|
|
"Well then, let it be! You make such a personal matter of everything!
|
|
I am--only too inclined just now to apply the words profanely.
|
|
You know YOU are fairest among women to me, come to that!"
|
|
|
|
"But you are not to say it now!" Sue replied, her voice
|
|
changing to its softest note of severity. Then their eyes met,
|
|
and they shook hands like cronies in a tavern, and Jude saw
|
|
the absurdity of quarrelling on such a hypothetical subject,
|
|
and she the silliness of crying about what was written in an old
|
|
book like the Bible.
|
|
|
|
"I won't disturb your convictions--I really won't!" she went
|
|
on soothingly, for now he was rather more ruffled than she.
|
|
"But I did want and long to ennoble some man to high aims;
|
|
and when I saw you, and knew you wanted to be my comrade, I--
|
|
shall I confess it?--thought that man might be you.
|
|
But you take so much tradition on trust that I don't know what
|
|
to say."
|
|
|
|
"Well, dear; I suppose one must take some things on trust.
|
|
Life isn't long enough to work out everything in Euclid problems
|
|
before you believe it. I take Christianity."
|
|
|
|
"Well, perhaps you might take something worse."
|
|
|
|
"Indeed I might. Perhaps I have done so!" He thought of Arabella.
|
|
|
|
"I won't ask what, because we are going to be VERY nice with each other,
|
|
aren't we, and never, never, vex each other any more?" She looked
|
|
up trustfully, and her voice seemed trying to nestle in his breast.
|
|
|
|
"I shall always care for you!" said Jude.
|
|
|
|
"And I for you. Because you are single-hearted, and forgiving
|
|
to your faulty and tiresome little Sue!"
|
|
|
|
He looked away, for that epicene tenderness of hers was too harrowing.
|
|
Was it that which had broken the heart of the poor leader-writer;
|
|
and was he to be the next one? ... But Sue was so dear! ...
|
|
If he could only get over the sense of her sex, as she seemed
|
|
to be able to do so easily of his, what a comrade she would make;
|
|
for their difference of opinion on conjectural subjects only drew
|
|
them closer together on matters of daily human experience.
|
|
She was nearer to him than any other woman he had ever met, and he could
|
|
scarcely believe that time, creed, or absence, would ever divide him
|
|
from her.
|
|
|
|
But his grief at her incredulities returned. They sat on till
|
|
she fell asleep again, and he nodded in his chair likewise.
|
|
Whenever he aroused himself he turned her things, and made
|
|
up the fire anew. About six o'clock he awoke completely,
|
|
and lighting a candle, found that her clothes were dry.
|
|
Her chair being a far more comfortable one than his she still
|
|
slept on inside his great-coat, looking warm as a new bun and
|
|
boyish as a Ganymede. Placing the garments by her and touching
|
|
her on the shoulder he went downstairs, and washed himself by
|
|
starlight in the yard.
|
|
|
|
|
|
|
|
V
|
|
|
|
|
|
WHEN he returned she was dressed as usual.
|
|
|
|
"Now could I get out without anybody seeing me?" she asked.
|
|
"The town is not yet astir."
|
|
|
|
"But you have had no breakfast."
|
|
|
|
"Oh, I don't want any! I fear I ought not to have run away from that school!
|
|
Things seem so different in the cold light of morning, don't they?
|
|
What Mr. Phillotson will say I don't know! It was quite by his wish
|
|
that I went there. He is the only man in the world for whom I have any
|
|
respect or fear. I hope he'll forgive me; but he'll scold me dreadfully,
|
|
I expect!"
|
|
|
|
"I'll go to him and explain--" began Jude.
|
|
|
|
"Oh no, you shan't. I don't care for him! He may think what he likes--
|
|
I shall do just as I choose!"
|
|
|
|
"But you just this moment said----"
|
|
|
|
"Well, if I did, I shall do as I like for all him! I have thought
|
|
of what I shall do--go to the sister of one of my fellow-students
|
|
in the training-school, who has asked me to visit her.
|
|
She has a school near Shaston, about eighteen miles from here--
|
|
and I shall stay there till this has blown over, and I get back to
|
|
the training-school again."
|
|
|
|
At the last moment he persuaded her to let him make her a cup of coffee,
|
|
in a portable apparatus he kept in his room for use on rising to go
|
|
to his work every day before the household was astir.
|
|
|
|
"Now a dew-bit to eat with it," he said; "and off we go.
|
|
You can have a regular breakfast when you get there."
|
|
|
|
They went quietly out of the house, Jude accompanying her to the station.
|
|
As they departed along the street a head was thrust out of an upper window of
|
|
his lodging and quickly withdrawn. Sue still seemed sorry for her rashness,
|
|
and to wish she had not rebelled; telling him at parting that she would let
|
|
him know as soon as she got re-admitted to the training-school. They stood
|
|
rather miserably together on the platform; and it was apparent that he wanted
|
|
to say more.
|
|
|
|
"I want to tell you something--two things," he said hurriedly as the train
|
|
came up. "One is a warm one, the other a cold one!"
|
|
|
|
"Jude," she said. "I know one of them. And you mustn't!"
|
|
|
|
"What?"
|
|
|
|
"You mustn't love me. You are to like me--that's all!"
|
|
|
|
Jude's face became so full of complicated glooms that hers was agitated
|
|
in sympathy as she bade him adieu through the carriage window.
|
|
And then the train moved on, and waving her pretty hand to him she
|
|
vanished away.
|
|
|
|
|
|
Melchester was a dismal place enough for Jude that Sunday of her departure,
|
|
and the Close so hateful that he did not go once to the cathedral services.
|
|
The next morning there came a letter from her, which, with her usual
|
|
promptitude, she had written directly she had reached her friend's house.
|
|
She told him of her safe arrival and comfortable quarters, and then added:--
|
|
|
|
|
|
What I really write about, dear Jude, is something I said to you at parting.
|
|
You had been so very good and kind to me that when you were out of sight I
|
|
felt what a cruel and ungrateful woman I was to say it, and it has reproached
|
|
me ever since. IF YOU WANT TO LOVE ME, JUDE, YOU MAY: I don't mind at all;
|
|
and I'll never say again that you mustn't!
|
|
|
|
Now I won't write any more about that. You do forgive your thoughtless friend
|
|
for her cruelty? and won't make her miserable by saying you don't?--Ever, SUE.
|
|
|
|
It would be superfluous to say what his answer was; and how he thought
|
|
what he would have done had he been free, which should have rendered
|
|
a long residence with a female friend quite unnecessary for Sue.
|
|
He felt he might have been pretty sure of his own victory if it had
|
|
come to a conflict between Phillotson and himself for the possession
|
|
of her.
|
|
|
|
Yet Jude was in danger of attaching more meaning to Sue's impulsive
|
|
note than it really was intended to bear.
|
|
|
|
After the lapse of a few days he found himself hoping that she
|
|
would write again. But he received no further communication;
|
|
and in the intensity of his solicitude he sent another note,
|
|
suggesting that he should pay her a visit some Sunday, the distance
|
|
being under eighteen miles.
|
|
|
|
He expected a reply on the second morning after despatching his missive;
|
|
but none came. The third morning arrived; the postman did not stop.
|
|
This was Saturday, and in a feverish state of anxiety about her he sent off
|
|
three brief lines stating that he was coming the following day, for he felt
|
|
sure something had happened.
|
|
|
|
His first and natural thought had been that she was ill from her immersion;
|
|
but it soon occurred to him that somebody would have written for her
|
|
in such a case. Conjectures were put an end to by his arrival at
|
|
the village school-house near Shaston on the bright morning of Sunday,
|
|
between eleven and twelve o'clock, when the parish was as vacant
|
|
as a desert, most of the inhabitants having gathered inside the church,
|
|
whence their voices could occasionally be heard in unison.
|
|
|
|
A little girl opened the door. "Miss Bridehead is up-stairs," she said.
|
|
"And will you please walk up to her?"
|
|
|
|
"Is she ill?" asked Jude hastily.
|
|
|
|
"Only a little--not very."
|
|
|
|
Jude entered and ascended. On reaching the landing a voice
|
|
told him which way to turn--the voice of Sue calling his name.
|
|
He passed the doorway, and found her lying in a little bed in
|
|
a room a dozen feet square.
|
|
|
|
"Oh, Sue!" he cried, sitting down beside her and taking her hand.
|
|
"How is this! You couldn't write?"
|
|
|
|
"No--it wasn't that!" she answered. "I did catch a bad cold--
|
|
but I could have written. Only I wouldn't!"
|
|
|
|
"Why not?--frightening me like this!"
|
|
|
|
"Yes--that was what I was afraid of! But I had decided not to write
|
|
to you any more. They won't have me back at the school--that's why I
|
|
couldn't write. Not the fact, but the reason!"
|
|
|
|
"Well?"
|
|
|
|
"They not only won't have me, but they gave me a parting piece of advice----"
|
|
|
|
"What?"
|
|
|
|
She did not answer directly. "I vowed I never would tell you, Jude--it is
|
|
so vulgar and distressing!"
|
|
|
|
"Is it about us?"
|
|
|
|
"Yes."
|
|
|
|
"But do tell me!"
|
|
|
|
"Well--somebody has sent them baseless reports about us,
|
|
and they say you and I ought to marry as soon as possible,
|
|
for the sake of my reputation! ... There--now I have told you,
|
|
and I wish I hadn't!"
|
|
|
|
"Oh, poor Sue!"
|
|
|
|
"I don't think of you like that means! It did just OCCUR to me
|
|
to regard you in the way they think I do, but I hadn't begun to.
|
|
I HAVE recognized that the cousinship was merely nominal,
|
|
since we met as total strangers. But my marrying you,
|
|
dear Jude--why, of course, if I had reckoned upon marrying you l
|
|
shouldn't have come to you so often! And I never supposed you
|
|
thought of such a thing as marrying me till the other evening;
|
|
when I began to fancy you did love me a little. Perhaps I ought
|
|
not to have been so intimate with you. It is all my fault.
|
|
Everything is my fault always!"
|
|
|
|
The speech seemed a little forced and unreal, and they regarded
|
|
each other with a mutual distress.
|
|
|
|
"I was so blind at first!" she went on. "I didn't see what
|
|
you felt at all. Oh, you have been unkind to me--you have--
|
|
to look upon me as a sweetheart without saying a word,
|
|
and leaving me to discover it myself! Your attitude to me has
|
|
become known; and naturally they think we've been doing wrong!
|
|
I'll never trust you again!"
|
|
|
|
"Yes, Sue," he said simply; "I am to blame--more than you think.
|
|
I was quite aware that you did not suspect till within
|
|
the last meeting or two what I was feeling about you. I admit
|
|
that our meeting as strangers prevented a sense of relationship,
|
|
and that it was a sort of subterfuge to avail myself of it.
|
|
But don't you think l deserve a little consideration for concealing
|
|
my wrong, very wrong, sentiments, since I couldn't help
|
|
having them?"
|
|
|
|
She turned her eyes doubtfully towards him, and then looked away
|
|
as if afraid she might forgive him.
|
|
|
|
By every law of nature and sex a kiss was the only rejoinder that fitted
|
|
the mood and the moment, under the suasion of which Sue's undemonstrative
|
|
regard of him might not inconceivably have changed its temperature.
|
|
Some men would have cast scruples to the winds, and ventured it,
|
|
oblivious both of Sue's declaration of her neutral feelings, and of
|
|
the pair of autographs in the vestry chest of Arabella's parish church.
|
|
Jude did not. He had, in fact, come in part to tell his own fatal story.
|
|
It was upon his lips; yet at the hour of this distress he could
|
|
not disclose it. He preferred to dwell upon the recognized barriers
|
|
between them.
|
|
|
|
"Of course--I know you don't--care about me in any particular way,"
|
|
he sorrowed. "You ought not, and you are right. You belong to--
|
|
Mr. Phillotson. I suppose he has been to see you?"
|
|
|
|
"Yes," she said shortly, her face changing a little.
|
|
"Though I didn't ask him to come. You are glad, of course,
|
|
that he has been! But I shouldn't care if he didn't come
|
|
any more!"
|
|
|
|
It was very perplexing to her lover that she should be piqued at his honest
|
|
acquiescence in his rival, if Jude's feelings of love were deprecated by her.
|
|
He went on to something else.
|
|
|
|
"This will blow over, dear Sue," he said. "The training-school authorities
|
|
are not all the world. You can get to be a student in some other, no doubt."
|
|
|
|
"I'll ask Mr. Phillotson," she said decisively.
|
|
|
|
Sue's kind hostess now returned from church, and there was
|
|
no more intimate conversation. Jude left in the afternoon,
|
|
hopelessly unhappy. But he had seen her, and sat with her.
|
|
Such intercourse as that would have to content him for
|
|
the remainder of his life. The lesson of renunciation
|
|
it was necessary and proper that he, as a parish priest,
|
|
should learn.
|
|
|
|
But the next morning when he awoke he felt rather vexed with her,
|
|
and decided that she was rather unreasonable, not to say capricious.
|
|
Then, in illustration of what he had begun to discern as one of her
|
|
redeeming characteristics there came promptly a note, which she must
|
|
have written almost immediately he had gone from her:
|
|
|
|
|
|
Forgive me for my petulance yesterday! I was horrid to you;
|
|
I know it, and I feel perfectly miserable at my horridness.
|
|
It was so dear of you not to be angry! Jude please still
|
|
keep me as your friend and associate, with all my faults.
|
|
I'll try not to he like it again.
|
|
|
|
I am coming to Melchester on Saturday, to get my things away
|
|
from the T.S., &c. I could walk with you for half an hour,
|
|
if you would like?--Your repentant SUE.
|
|
|
|
|
|
Jude forgave her straightway, and asked her to call for him
|
|
at the cathedral works when she came.
|
|
|
|
|
|
|
|
VI
|
|
|
|
|
|
MEANWHILE a middle-aged man was dreaming a dream of great beauty
|
|
concerning the writer of the above letter. He was Richard Phillotson,
|
|
who had recently removed from the mixed village school at Lumsdon
|
|
near Christminster, to undertake a large boys' school in his native
|
|
town of Shaston, which stood on a hill sixty miles to the south-west
|
|
as the crow flies.
|
|
|
|
A glance at the place and its accessories was almost enough
|
|
to reveal that the schoolmaster's plans and dreams so long
|
|
indulged in had been abandoned for some new dream with which
|
|
neither the Church nor literature had much in common.
|
|
Essentially an unpractical man, he was now bent on making
|
|
and saving money for a practical purpose--that of keeping
|
|
a wife, who, if she chose, might conduct one of the girls'
|
|
schools adjoining his own; for which purpose he had advised her
|
|
to go into training, since she would not marry him offhand.
|
|
|
|
About the time that Jude was removing from Marygreen to Melchester,
|
|
and entering on adventures at the latter place with Sue,
|
|
the schoolmaster was settling down in the new school-house
|
|
at Shaston. All the furniture being fixed, the books shelved,
|
|
and the nails driven, he had begun to sit in his parlour during
|
|
the dark winter nights and re-attempt some of his old studies--
|
|
one branch of which had included Roman-Britannic antiquities--
|
|
an unremunerative labour for a national school-master but
|
|
a subject, that, after his abandonment of the university scheme,
|
|
had interested him as being a comparatively unworked mine;
|
|
practicable to those who, like himself, had lived in lonely spots
|
|
where these remains were abundant, and were seen to compel inferences
|
|
in startling contrast to accepted views on the civilization of
|
|
that time.
|
|
|
|
A resumption of this investigation was the outward and apparent
|
|
hobby of Phillotson at present--his ostensible reason for going
|
|
alone into fields where causeways, dykes, and tumuli abounded,
|
|
or shutting himself up in his house with a few urns, tiles, and mosaics
|
|
he had collected, instead of calling round upon his new neighbours,
|
|
who for their part had showed themselves willing enough to be friendly
|
|
with him. But it was not the real, or the whole, reason, after all.
|
|
Thus on a particular evening in the month, when it had grown quite late--
|
|
to near midnight, indeed--and the light of his lamp, shining from his
|
|
window at a salient angle of the hill-top town over infinite miles
|
|
of valley westward, announced as by words a place and person given
|
|
over to study, he was not exactly studying.
|
|
|
|
The interior of the room--the books, the furniture,
|
|
the schoolmaster's loose coat, his attitude at the table,
|
|
even the flickering of the fire, bespoke the same dignified
|
|
tale of undistracted research--more than creditable to a man
|
|
who had had no advantages beyond those of his own making.
|
|
And yet the tale, true enough till latterly, was not true now.
|
|
What he was regarding was not history. They were historic notes,
|
|
written in a bold womanly hand at his dictation some months before,
|
|
and it was the clerical rendering of word after word that
|
|
absorbed him.
|
|
|
|
He presently took from a drawer a carefully tied bundle
|
|
of letters, few, very few, as correspondence counts nowadays.
|
|
Each was in its envelope just as it had arrived, and the handwriting
|
|
was of the same womanly character as the historic notes.
|
|
He unfolded them one by one and read them musingly.
|
|
At first sight there seemed in these small documents to be
|
|
absolutely nothing to muse over. They were straightforward,
|
|
frank letters, signed "Sue B--"; just such ones as would
|
|
be written during short absences, with no other thought
|
|
than their speedy destruction, and chiefly concerning books
|
|
in reading and other experiences of a training school,
|
|
forgotten doubtless by the writer with the passing of the day
|
|
of their inditing. In one of them--quite a recent note--
|
|
the young woman said that she had received his considerate letter,
|
|
and that it was honourable and generous of him to say he would
|
|
not come to see her oftener than she desired (the school being
|
|
such an awkward place for callers, and because of her strong
|
|
wish that her engagement to him should not be known, which it
|
|
would infallibly be if he visited her often). Over these phrases
|
|
the school-master pored. What precise shade of satisfaction was
|
|
to be gathered from a woman's gratitude that the man who loved
|
|
her had not been often to see her? The problem occupied him,
|
|
distracted him.
|
|
|
|
He opened another drawer, and found therein an envelope, from which
|
|
he drew a photograph of Sue as a child, long before he had known her,
|
|
standing under trellis-work with a little basket in her hand.
|
|
There was another of her as a young woman, her dark eyes
|
|
and hair making a very distinct and attractive picture of her,
|
|
which just disclosed, too, the thoughtfulness that lay behind her
|
|
lighter moods. It was a duplicate of the one she had given Jude,
|
|
and would have given to any man. Phillotson brought it half-way
|
|
to his lips, but withdrew it in doubt at her perplexing phrases:
|
|
ultimately kissing the dead pasteboard with all the passionateness,
|
|
and more than all the devotion, of a young man of eighteen.
|
|
|
|
The schoolmaster's was an unhealthy-looking, old-fashioned face,
|
|
rendered more old-fashioned by his style of shaving.
|
|
A certain gentlemanliness had been imparted to it by nature,
|
|
suggesting an inherent wish to do rightly by all.
|
|
His speech was a little slow, but his tones were sincere enough
|
|
to make his hesitation no defect. His greying hair was curly,
|
|
and radiated from a point in the middle of his crown.
|
|
There were four lines across his forehead, and he only wore
|
|
spectacles when reading at night. It was almost certainly
|
|
a renunciation forced upon him by his academic purpose,
|
|
rather than a distaste for women, which had hitherto kept him
|
|
from closing with one of the sex in matrimony.
|
|
|
|
Such silent proceedings as those of this evening were repeated
|
|
many and oft times when he was not under the eye of the boys,
|
|
whose quick and penetrating regard would frequently become
|
|
almost intolerable to the self-conscious master in his present
|
|
anxious care for Sue, making him, in the grey hours of morning,
|
|
dread to meet anew the gimlet glances, lest they should read
|
|
what the dream within him was.
|
|
|
|
He had honourably acquiesced in Sue's announced wish that he was
|
|
not often to visit her at the training school; but at length,
|
|
his patience being sorely tried, he set out one Saturday afternoon
|
|
to pay her an unexpected call. There the news of her departure--
|
|
expulsion as it might almost have been considered--was flashed upon
|
|
him without warning or mitigation as he stood at the door expecting
|
|
in a few minutes to behold her face; and when he turned away he could
|
|
hardly see the road before him.
|
|
|
|
Sue had, in fact, never written a line to her suitor on the subject,
|
|
although it was fourteen days old. A short reflection told him that this
|
|
proved nothing, a natural delicacy being as ample a reason for silence
|
|
as any degree of blameworthiness.
|
|
|
|
They had informed him at the school where she was living, and having
|
|
no immediate anxiety about her comfort his thoughts took the direction
|
|
of a burning indignation against the training school committee.
|
|
In his bewilderment Phillotson entered the adjacent cathedral,
|
|
just now in a direly dismantled state by reason of the repairs.
|
|
He sat down on a block of freestone, regardless of the dusty imprint
|
|
it made on his breeches; and his listless eyes following the movements
|
|
of the workmen he presently became aware that the reputed culprit,
|
|
Sue's lover Jude, was one amongst them.
|
|
|
|
Jude had never spoken to his former hero since the meeting
|
|
by the model of Jerusalem. Having inadvertently witnessed
|
|
Phillotson's tentative courtship of Sue in the lane there had
|
|
grown up in the younger man's mind a curious dislike to think
|
|
of the elder, to meet him, to communicate in any way with him;
|
|
and since Phillotson's success in obtaining at least her
|
|
promise had become known to Jude, he had frankly recognized
|
|
that he did not wish to see or hear of his senior any more,
|
|
learn anything of his pursuits, or even imagine again
|
|
what excellencies might appertain to his character. On this
|
|
very day of the schoolmaster's visit Jude was expecting Sue,
|
|
as she had promised; and when therefore he saw the school
|
|
master in the nave of the building, saw, moreover, that he was
|
|
coming to speak to him, he felt no little embarrassment;
|
|
which Phillotson's own embarrassment prevented his observing.
|
|
|
|
Jude joined him, and they both withdrew from the other workmen to the spot
|
|
where Phillotson had been sitting. Jude offered him a piece of sackcloth
|
|
for a cushion, and told him it was dangerous to sit on the bare block.
|
|
|
|
"Yes; yes," said Phillotson abstractedly, as he reseated himself,
|
|
his eyes resting on the ground as if he were trying to remember
|
|
where he was. "I won't keep you long. It was merely that I
|
|
have heard that you have seen my little friend Sue recently.
|
|
It occurred to me to speak to you on that account. I merely want to ask
|
|
about her."
|
|
|
|
"I think I know what!" Jude hurriedly said. "About her escaping
|
|
from the training school, and her coming to me?"
|
|
|
|
"Yes."
|
|
|
|
"Well"--Jude for a moment felt an unprincipled and fiendish
|
|
wish to annihilate his rival at all cost. By the exercise
|
|
of that treachery which love for the same woman renders possible
|
|
to men the most honourable in every other relation of life,
|
|
he could send off Phillotson in agony and defeat by saying
|
|
that the scandal was true, and that Sue had irretrievably
|
|
committed herself with him. But his action did not respond
|
|
for a moment to his animal instinct; and what he said was, "I am
|
|
glad of your kindness in coming to talk plainly to me about it.
|
|
You know what they say?--that I ought to marry her."
|
|
|
|
"What!"
|
|
|
|
"And I wish with all my soul I could!"
|
|
|
|
Phillotson trembled, and his naturally pale face acquired a corpselike
|
|
sharpness in its lines. "I had no idea that it was of this nature!
|
|
God forbid!"
|
|
|
|
"No, no!" said Jude aghast. "I thought you understood?
|
|
I mean that were I in a position to marry her, or someone,
|
|
and settle down, instead of living in lodgings here and there,
|
|
I should be glad!"
|
|
|
|
What he had really meant was simply that he loved her.
|
|
|
|
"But--since this painful matter has been opened up--what really happened?"
|
|
asked Phillotson, with the firmness of a man who felt that a sharp smart
|
|
now was better than a long agony of suspense hereafter. "Cases arise,
|
|
and this is one, when even ungenerous questions must be put to make false
|
|
assumptions impossible, and to kill scandal."
|
|
|
|
Jude explained readily; giving the whole series of adventures,
|
|
including the night at the shepherd's, her wet arrival at his lodging,
|
|
her indisposition from her immersion, their vigil of discussion,
|
|
and his seeing her off next morning.
|
|
|
|
"Well now," said Phillotson at the conclusion, "I take it as your final word,
|
|
and I know I can believe you, that the suspicion which led to her rustication
|
|
is an absolutely baseless one?"
|
|
|
|
"It is," said Jude solemnly. "Absolutely. So help me God!"
|
|
|
|
The schoolmaster rose. Each of the twain felt that the interview could
|
|
not comfortably merge in a friendly discussion of their recent experiences,
|
|
after the manner of friends; and when Jude had taken him round, and shown
|
|
him some features of the renovation which the old cathedral was undergoing,
|
|
Phillotson bade the young man good-day and went away.
|
|
|
|
This visit took place about eleven o'clock in the morning;
|
|
but no Sue appeared. When Jude went to his dinner at one
|
|
he saw his beloved ahead of him in the street leading up
|
|
from the North Gate, walking as if no way looking for him.
|
|
Speedily overtaking her he remarked that he had asked her to come
|
|
to him at the cathedral, and she had promised.
|
|
|
|
"I have been to get my things from the college," she said--
|
|
an observation which he was expected to take as an answer,
|
|
though it was not one. Finding her to be in this evasive mood
|
|
he felt inclined to give her the information so long withheld.
|
|
|
|
"You have not seen Mr. Phillotson to-day?" he ventured to inquire.
|
|
|
|
"I have not. But I am not going to be cross-examined about him;
|
|
and if you ask anything more I won't answer!"
|
|
|
|
"It is very odd that--" He stopped, regarding her.
|
|
|
|
"What?"
|
|
|
|
"That you are often not so nice in your real presence as you
|
|
are in your letters!"
|
|
|
|
"Does it really seem so to you?" said she, smiling with quick curiosity.
|
|
"Well, that's strange; but I feel just the same about you, Jude. When you are
|
|
gone away I seem such a coldhearted----"
|
|
|
|
As she knew his sentiment towards her Jude saw that they
|
|
were getting upon dangerous ground. It was now, he thought,
|
|
that he must speak as an honest man.
|
|
|
|
But he did not speak, and she continued: "It was that which made me write
|
|
and say--I didn't mind your loving me--if you wanted to, much!"
|
|
|
|
The exultation he might have felt at what that implied, or seemed to imply,
|
|
was nullified by his intention, and he rested rigid till he began:
|
|
"I have never told you----"
|
|
|
|
"Yes you have," murmured she.
|
|
|
|
"I mean, I have never told you my history--all of it."
|
|
|
|
"But I guess it. l know nearly."
|
|
|
|
Jude looked up. Could she possibly know of that morning performance
|
|
of his with Arabella; which in a few months had ceased to be a marriage
|
|
more completely than by death? He saw that she did not.
|
|
|
|
"I can't quite tell you here in the street," he went on with a gloomy tongue.
|
|
"And you had better not come to my lodgings. Let us go in here."
|
|
|
|
The building by which they stood was the market-house, it
|
|
was the only place available; and they entered, the market
|
|
being over, and the stalls and areas empty. He would have
|
|
preferred a more congenial spot, but, as usually happens,
|
|
in place of a romantic field or solemn aisle for his tale,
|
|
it was told while they walked up and down over a floor
|
|
littered with rotten cabbage-leaves, and amid all the usual
|
|
squalors of decayed vegetable matter and unsaleable refuse.
|
|
He began and finished his brief narrative, which merely
|
|
led up to the information that he had married a wife
|
|
some years earlier, and that his wife was living still.
|
|
Almost before her countenance had time to change she hurried out
|
|
the words,
|
|
|
|
"Why didn't you tell me before!"
|
|
|
|
"I couldn't. It seemed so cruel to tell it."
|
|
|
|
"To yourself, Jude. So it was better to be cruel to me!"
|
|
|
|
"No, dear darling!" cried Jude passionately. He tried to take
|
|
her hand, but she withdrew it. Their old relations of confidence
|
|
seemed suddenly to have ended, and the antagonisms of sex
|
|
to sex were left without any counter-poising predilections.
|
|
She was his comrade, friend, unconscious sweetheart no longer;
|
|
and her eyes regarded him in estranged silence.
|
|
|
|
"I was ashamed of the episode in my life which brought about the marriage,"
|
|
he continued. "I can't explain it precisely now. I could have done it if you
|
|
had taken it differently!"
|
|
|
|
"But how can I?" she burst out. "Here I have been saying, or writing, that--
|
|
that you might love me, or something of the sort!--just out of charity--
|
|
and all the time--oh, it is perfectly damnable how things are!" she said,
|
|
stamping her foot in a nervous quiver.
|
|
|
|
"You take me wrong, Sue! I never thought you cared for me at all,
|
|
till quite lately; so I felt it did not matter! Do you care
|
|
for me, Sue?--you know how I mean?--I don't like 'out of charity'
|
|
at all!"
|
|
|
|
It was a question which in the circumstances Sue did not choose to answer.
|
|
|
|
"I suppose she--your wife--is--a very pretty woman even if she's wicked?"
|
|
she asked quickly.
|
|
|
|
"She's pretty enough, as far as that goes."
|
|
|
|
"Prettier than I am, no doubt!"
|
|
|
|
"You are not the least alike. And I have never seen her for years....
|
|
But she's sure to come back--they always do!"
|
|
|
|
"How strange of you to stay apart from her like this!"
|
|
said Sue, her trembling lip and lumpy throat belying her irony.
|
|
"You, such a religious man. How will the demi-gods in
|
|
your Pantheon--I mean those legendary persons you call saints--
|
|
intercede for you after this? Now if I had done such
|
|
a thing it would have been different, and not remarkable,
|
|
for I at least don't regard marriage as a sacrament.
|
|
Your theories are not so advanced as your practice!"
|
|
|
|
"Sue, you are terribly cutting when you like to be--a perfect Voltaire!
|
|
But you must treat me as you will!"
|
|
|
|
When she saw how wretched he was she softened, and trying to blink
|
|
away her sympathetic tears said with all the winning reproachfulness
|
|
of a heart-hurt woman: "Ah--you should have told me before you
|
|
gave me that idea that you wanted to be allowed to love me!
|
|
I had no feeling before that moment at the railway-station, except--"
|
|
For once Sue was as miserable as he, in her attempts to keep herself free
|
|
from emotion, and her less than half-success.
|
|
|
|
"Don't cry, dear!" he implored.
|
|
|
|
"I am--not crying--because I meant to--love you; but because of your
|
|
want of--confidence!"
|
|
|
|
They were quite screened from the market-square without,
|
|
and he could not help putting out his arm towards her waist.
|
|
His momentary desire was the means of her rallying. "No, no!"
|
|
she said, drawing back stringently, and wiping her eyes.
|
|
"Of course not! It would be hypocrisy to pretend that it
|
|
would be meant as from my cousin; and it can't be in any
|
|
other way."
|
|
|
|
They moved on a dozen paces, and she showed herself recovered.
|
|
It was distracting to Jude, and his heart would have ached less had
|
|
she appeared anyhow but as she did appear; essentially large-minded
|
|
and generous on reflection, despite a previous exercise of those
|
|
narrow womanly humours on impulse that were necessary to give
|
|
her sex.
|
|
|
|
"I don't blame you for what you couldn't help," she said, smiling.
|
|
"How should I be so foolish? I do blame you a little bit
|
|
for not telling me before. But, after all, it doesn't matter.
|
|
We should have had to keep apart, you see, even if this had not been
|
|
in your life."
|
|
|
|
"No, we shouldn't, Sue! This is the only obstacle."
|
|
|
|
"You forget that I must have loved you, and wanted to be
|
|
your wife, even if there had been no obstacle," said Sue,
|
|
with a gentle seriousness which did not reveal her mind.
|
|
"And then we are cousins, and it is bad for cousins
|
|
to marry. And--I am engaged to somebody else. As to our going
|
|
on together as we were going, in a sort of friendly way,
|
|
the people round us would have made it unable to continue.
|
|
Their views of the relations of man and woman are limited,
|
|
as is proved by their expelling me from the school.
|
|
Their philosophy only recognizes relations based on animal desire.
|
|
The wide field of strong attachment where desire plays, at least,
|
|
only a secondary part, is ignored by them--the part of--who is it?--
|
|
Venus Urania."
|
|
|
|
Her being able to talk learnedly showed that she was mistress
|
|
of herself again; and before they parted she had almost regained
|
|
her vivacious glance, her reciprocity of tone, her gay manner,
|
|
and her second-thought attitude of critical largeness towards
|
|
others of her age and sex.
|
|
|
|
He could speak more freely now. "There were several reasons
|
|
against my telling you rashly. One was what I have said;
|
|
another, that it was always impressed upon me that I ought
|
|
not to marry--that I belonged to an odd and peculiar family--
|
|
the wrong breed for marriage."
|
|
|
|
"Ah--who used to say that to you?"
|
|
|
|
"My great-aunt. She said it always ended badly with us Fawleys."
|
|
|
|
"That's strange. My father used to say the same to me!"
|
|
|
|
They stood possessed by the same thought, ugly enough, even as an assumption:
|
|
that a union between them, had such been possible, would have meant a terrible
|
|
intensification of unfitness--two bitters in one dish.
|
|
|
|
"Oh, but there can't be anything in it!" she said with nervous lightness.
|
|
"Our family have been unlucky of late years in choosing mates--
|
|
that's all."
|
|
|
|
And then they pretended to persuade themselves that all that had
|
|
happened was of no consequence, and that they could still be cousins
|
|
and friends and warm correspondents, and have happy genial times
|
|
when they met, even if they met less frequently than before.
|
|
Their parting was in good friendship, and yet Jude's last look into
|
|
her eyes was tinged with inquiry, for he felt that he did not even
|
|
now quite know her mind.
|
|
|
|
|
|
|
|
VII
|
|
|
|
|
|
TIDINGS from Sue a day or two after passed across Jude like a withering blast.
|
|
|
|
Before reading the letter he was led to suspect that its contents
|
|
were of a somewhat serious kind by catching sight of the signature--
|
|
which was in her full name, never used in her correspondence with him
|
|
since her first note:
|
|
|
|
|
|
MY DEAR JUDE,--I have something to tell you which perhaps you
|
|
will not be surprised to hear, though certainly it may strike
|
|
you as being accelerated (as the railway companies say of their
|
|
trains). Mr. Phillotson and I are to be married quite soon--
|
|
in three or four weeks. We had intended, as you know, to wait
|
|
till I had gone through my course of training and obtained
|
|
my certificate, so as to assist him, if necessary, in the teaching.
|
|
But he generously says he does not see any object in waiting,
|
|
now I am not at the training school. It is so good of him,
|
|
because the awkwardness of my situation has really come about by my
|
|
fault in getting expelled.
|
|
|
|
Wish me joy. Remember I say you are to, and you mustn't refuse!--
|
|
Your affectionate cousin,
|
|
|
|
SUSANNA FLORENCE MARY BRIDEHEAD.
|
|
|
|
|
|
Jude staggered under the news; could eat no breakfast;
|
|
and kept on drinking tea because his mouth was so dry.
|
|
Then presently he went back to his work and laughed the usual bitter
|
|
laugh of a man so confronted. Everything seemed turning to satire.
|
|
And yet, what could the poor girl do? he asked himself:
|
|
and felt worse than shedding tears.
|
|
|
|
"O Susanna Florence Mary!" he said as he worked. "You don't know
|
|
what marriage means!"
|
|
|
|
Could it be possible that his announcement of his own marriage
|
|
had pricked her on to this, just as his visit to her when in liquor
|
|
may have pricked her on to her engagement? To be sure, there seemed
|
|
to exist these other and sufficient reasons, practical and social,
|
|
for her decision; but Sue was not a very practical or calculating person;
|
|
and he was compelled to think that a pique at having his secret
|
|
sprung upon her had moved her to give way to Phillotson's
|
|
probable representations, that the best course to prove how unfounded
|
|
were the suspicions of the school authorities would be to marry
|
|
him off-hand, as in fulfilment of an ordinary engagement.
|
|
Sue had, in fact, been placed in an awkward corner. Poor Sue!
|
|
|
|
He determined to play the Spartan; to make the best of it, and support her;
|
|
but he could not write the requested good wishes for a day or two.
|
|
Meanwhile there came another note from his impatient little dear:
|
|
|
|
|
|
Jude, will you give me away? I have nobody else who could do it
|
|
so conveniently as you, being the only married relation I have here
|
|
on the spot, even if my father were friendly enough to be willing,
|
|
which he isn't. I hope you won't think it a trouble? I have been
|
|
looking at the marriage service in the prayer-book, and it seems
|
|
to me very humiliating that a giver-away should be required at all.
|
|
According to the ceremony as there printed, my bridegroom chooses me
|
|
of his own will and pleasure; but I don't choose him. Somebody GIVES
|
|
me to him, like a she-ass or she-goat, or any other domestic animal.
|
|
Bless your exalted views of woman, O churchman! But I forget:
|
|
I am no longer privileged to tease you.--Ever,
|
|
|
|
SUSANNA FLORENCE MARY BRIDEHEAD.
|
|
|
|
|
|
Jude screwed himself up to heroic key; and replied:
|
|
|
|
|
|
MY DEAR SUE,--Of course I wish you joy! And also of course I will give
|
|
you away. What I suggest is that, as you have no house of your own,
|
|
you do not marry from your school friend's, but from mine. It would be
|
|
more proper, I think, since I am, as you say, the person nearest related
|
|
to you in this part of the world.
|
|
|
|
I don't see why you sign your letter in such a new and terribly formal way?
|
|
Surely you care a bit about me still!--Ever your affectionate, JUDE.
|
|
|
|
|
|
What had jarred on him even more than the signature was a little
|
|
sting he had been silent on--the phrase "married relation"--
|
|
What an idiot it made him seem as her lover! If Sue had written
|
|
that in satire, he could hardly forgive her; if in suffering--
|
|
ah, that was another thing!
|
|
|
|
His offer of his lodging must have commended itself to Phillotson
|
|
at any rate, for the schoolmaster sent him a line of warm thanks,
|
|
accepting the convenience. Sue also thanked him. Jude immediately
|
|
moved into more commodious quarters, as much to escape the espionage
|
|
of the suspicious landlady who had been one cause of Sue's unpleasant
|
|
experience as for the sake of room.
|
|
|
|
Then Sue wrote to tell him the day fixed for the wedding; and Jude decided,
|
|
after inquiry, that she should come into residence on the following Saturday,
|
|
which would allow of a ten days' stay in the city prior to the ceremony,
|
|
sufficiently representing a nominal residence of fifteen.
|
|
|
|
She arrived by the ten o'clock train on the day aforesaid,
|
|
Jude not going to meet her at the station, by her special request,
|
|
that he should not lose a morning's work and pay, she said
|
|
(if this were her true reason). But so well by this time did
|
|
he know Sue that the remembrance of their mutual sensitiveness at
|
|
emotional crises might, he thought, have weighed with her in this.
|
|
When he came home to dinner she had taken possession of
|
|
her apartment.
|
|
|
|
She lived in the same house with him, but on a different floor,
|
|
and they saw each other little, an occasional supper being
|
|
the only meal they took together, when Sue's manner was something
|
|
like that of a scared child. What she felt he did not know;
|
|
their conversation was mechanical, though she did not look pale or ill.
|
|
Phillotson came frequently, but mostly when Jude was absent.
|
|
On the morning of the wedding, when Jude had given himself a holiday,
|
|
Sue and her cousin had breakfast together for the first and last
|
|
time during this curious interval; in his room--the parlour--
|
|
which he had hired for the period of Sue's residence. Seeing, as
|
|
women do, how helpless he was in making the place comfortable,
|
|
she bustled about.
|
|
|
|
"What's the matter, Jude?" she said suddenly.
|
|
|
|
He was leaning with his elbows on the table and his chin on his hands,
|
|
looking into a futurity which seemed to be sketched out on the tablecloth.
|
|
|
|
"Oh--nothing!"
|
|
|
|
"You are 'father', you know. That's what they call the man who gives
|
|
you away."
|
|
|
|
Jude could have said "Phillotson's age entitles him to be called that!"
|
|
But he would not annoy her by such a cheap retort.
|
|
|
|
She talked incessantly, as if she dreaded his indulgence in reflection,
|
|
and before the meal was over both he and she wished they had not put such
|
|
confidence in their new view of things, and had taken breakfast apart.
|
|
What oppressed Jude was the thought that, having done a wrong thing of this
|
|
sort himself, he was aiding and abetting the woman he loved in doing
|
|
a like wrong thing, instead of imploring and warning her against it.
|
|
It was on his tongue to say, "You have quite made up your mind?"
|
|
|
|
After breakfast they went out on an errand together moved
|
|
by a mutual thought that it was the last opportunity they
|
|
would have of indulging in unceremonious companionship.
|
|
By the irony of fate, and the curious trick in Sue's nature
|
|
of tempting Providence at critical times, she took his arm as they
|
|
walked through the muddy street--a thing she had never done
|
|
before in her life--and on turning the corner they found themselves
|
|
close to a grey perpendicular church with a low-pitched roof--
|
|
the church of St. Thomas.
|
|
|
|
"That's the church," said Jude.
|
|
|
|
"Where I am going to be married?"
|
|
|
|
"Yes."
|
|
|
|
"Indeed!" she exclaimed with curiosity. "How I should like to go in and see
|
|
what the spot is like where I am so soon to kneel and do it."
|
|
|
|
Again he said to himself, "She does not realize what marriage means!"
|
|
|
|
He passively acquiesced in her wish to go in, and they entered
|
|
by the western door. The only person inside the gloomy
|
|
building was a charwoman cleaning. Sue still held Jude's arm,
|
|
almost as if she loved him. Cruelly sweet, indeed, she had been
|
|
to him that morning; but his thoughts of a penance in store
|
|
for her were tempered by an ache:
|
|
|
|
|
|
... I can find no way
|
|
How a blow should fall, such as falls on men,
|
|
Nor prove too much for your womanhood!
|
|
|
|
|
|
They strolled undemonstratively up the nave towards the altar railing,
|
|
which they stood against in silence, turning then and walking down
|
|
the nave again, her hand still on his arm, precisely like a couple
|
|
just married. The too suggestive incident, entirely of her making,
|
|
nearly broke down Jude.
|
|
|
|
"I like to do things like this," she said in the delicate voice of an epicure
|
|
in emotions, which left no doubt that she spoke the truth.
|
|
|
|
"I know you do!" said Jude.
|
|
|
|
"They are interesting, because they have probably never been done before.
|
|
I shall walk down the church like this with my husband in about two hours,
|
|
shan't I!"
|
|
|
|
"No doubt you will!"
|
|
|
|
"Was it like this when you were married?"
|
|
|
|
"Good God, Sue--don't be so awfully merciless! ... There, dear one,
|
|
I didn't mean it!"
|
|
|
|
"Ah--you are vexed!" she said regretfully, as she blinked away an access
|
|
of eye moisture. "And I promised never to vex you! ... I suppose I ought
|
|
not to have asked you to bring me in here. Oh, I oughtn't! I see it now.
|
|
My curiosity to hunt up a new sensation always leads me into these scrapes.
|
|
Forgive me! ... You will, won't you, Jude?"
|
|
|
|
The appeal was so remorseful that Jude's eyes were even wetter
|
|
than hers as he pressed her hand for Yes.
|
|
|
|
"Now we'll hurry away, and I won't do it any more!"
|
|
she continued humbly; and they came out of the building,
|
|
Sue intending to go on to the station to meet Phillotson.
|
|
But the first person they encountered on entering the main
|
|
street was the schoolmaster himself, whose train had arrived
|
|
sooner than Sue expected. There was nothing really to demur
|
|
to in her leaning on Jude's arm; but she withdrew her hand,
|
|
and Jude thought that Phillotson had looked surprised.
|
|
|
|
"We have been doing such a funny thing!" said she, smiling candidly.
|
|
"We've been to the church, rehearsing as it were. Haven't we, Jude?"
|
|
|
|
"How?" said Phillotson curiously.
|
|
|
|
Jude inwardly deplored what he thought to be unnecessary frankness;
|
|
but she had gone too far not to explain all, which she accordingly did,
|
|
telling him how they had marched up to the altar.
|
|
|
|
Seeing how puzzled Phillotson seemed, Jude said as cheerfully
|
|
as he could, "I am going to buy her another little present.
|
|
Will you both come to the shop with me?"
|
|
|
|
"No," said Sue, "I'll go on to the house with him"; and requesting
|
|
her lover not to be a long time she departed with the schoolmaster.
|
|
|
|
Jude soon joined them at his rooms, and shortly after they prepared
|
|
for the ceremony. Phillotson's hair was brushed to a painful extent,
|
|
and his shirt collar appeared stiffer than it had been for the previous
|
|
twenty years. Beyond this he looked dignified and thoughtful,
|
|
and altogether a man of whom it was not unsafe to predict that he would
|
|
make a kind and considerate husband. That he adored Sue was obvious;
|
|
and she could almost be seen to feel that she was undeserving his adoration.
|
|
|
|
Although the distance was so short he had hired a fly from the Red Lion,
|
|
and six or seven women and children had gathered by the door when they
|
|
came out. The schoolmaster and Sue were unknown, though Jude was getting
|
|
to be recognized as a citizen; and the couple were judged to be some
|
|
relations of his from a distance, nobody supposing Sue to have been
|
|
a recent pupil at the training school.
|
|
|
|
In the carriage Jude took from his pocket his extra little wedding-present,
|
|
which turned out to be two or three yards of white tulle, which he threw
|
|
over her bonnet and all, as a veil.
|
|
|
|
"It looks so odd over a bonnet," she said. "I'll take the bonnet off."
|
|
|
|
"Oh no--let it stay," said Phillotson. And she obeyed.
|
|
|
|
When they had passed up the church and were standing in their
|
|
places Jude found that the antecedent visit had certainly
|
|
taken off the edge of this performance, but by the time they
|
|
were half-way on with the service he wished from his heart
|
|
that he had not undertaken the business of giving her away.
|
|
How could Sue have had the temerity to ask him to do it--
|
|
a cruelty possibly to herself as well as to him?
|
|
Women were different from men in such matters.
|
|
Was it that they were, instead of more sensitive, as reputed,
|
|
more callous, and less romantic; or were they more heroic?
|
|
Or was Sue simply so perverse that she wilfully gave herself
|
|
and him pain for the odd and mournful luxury of practising
|
|
long-suffering in her own person, and of being touched
|
|
with tender pity for him at having made him practise it?
|
|
He could perceive that her face was nervously set, and when they
|
|
reached the trying ordeal of Jude giving her to Phillotson she
|
|
could hardly command herself; rather, however, as it seemed,
|
|
from her knowledge of what her cousin must feel, whom she
|
|
need not have had there at all, than from self-consideration.
|
|
Possibly she would go on inflicting such pains again and again,
|
|
and grieving for the sufferer again and again, in all her
|
|
colossal inconsistency.
|
|
|
|
Phillotson seemed not to notice, to be surrounded by a mist which prevented
|
|
his seeing the emotions of others. As soon as they had signed their names
|
|
and come away, and the suspense was over, Jude felt relieved.
|
|
|
|
The meal at his lodging was a very simple affair, and at two
|
|
o'clock they went off. In crossing the pavement to the fly she
|
|
looked back; and there was a frightened light in her eyes.
|
|
Could it be that Sue had acted with such unusual foolishness
|
|
as to plunge into she knew not what for the sake of asserting
|
|
her independence of him, of retaliating on him for his secrecy?
|
|
Perhaps Sue was thus venturesome with men because she was childishly
|
|
ignorant of that side of their natures which wore out women's
|
|
hearts and lives.
|
|
|
|
When her foot was on the carriage-step she turned round,
|
|
saying that she had forgotten something. Jude and the landlady
|
|
offered to get it.
|
|
|
|
"No," she said, running back. "It is my handkerchief.
|
|
I know where I left it."
|
|
|
|
Jude followed her back. She had found it, and came holding it in her hand.
|
|
She looked into his eyes with her own tearful ones, and her lips suddenly
|
|
parted as if she were going to avow something. But she went on; and whatever
|
|
she had meant to say remained unspoken.
|
|
|
|
|
|
|
|
VIII
|
|
|
|
|
|
JUDE wondered if she had really left her handkerchief behind;
|
|
or whether it were that she had miserably wished to tell him
|
|
of a love that at the last moment she could not bring herself
|
|
to express.
|
|
|
|
He could not stay in his silent lodging when they were gone,
|
|
and fearing that he might be tempted to drown his misery in
|
|
alcohol he went upstairs, changed his dark clothes for his white,
|
|
his thin boots for his thick, and proceeded to his customary
|
|
work for the afternoon.
|
|
|
|
But in the cathedral he seemed to hear a voice behind him,
|
|
and to be possessed with an idea that she would come back.
|
|
She could not possibly go home with Phillotson, he fancied.
|
|
The feeling grew and stirred. The moment that the clock
|
|
struck the last of his working hours he threw down his
|
|
tools and rushed homeward. "Has anybody been for me?"
|
|
he asked.
|
|
|
|
Nobody had been there.
|
|
|
|
As he could claim the downstairs sitting-room till twelve o'clock
|
|
that night he sat in it all the evening; and even when the clock
|
|
had struck eleven, and the family had retired, he could not shake off
|
|
the feeling that she would come back and sleep in the little room
|
|
adjoining his own in which she had slept so many previous days.
|
|
Her actions were always unpredictable: why should she not come?
|
|
Gladly would he have compounded for the denial of her as a sweetheart
|
|
and wife by having her live thus as a fellow-lodger and friend,
|
|
even on the most distant terms. His supper still remained spread,
|
|
and going to the front door, and softly setting it open, he returned
|
|
to the room and sat as watchers sit on Old-Mid-summer eves,
|
|
expecting the phantom of the Beloved. But she did not come.
|
|
|
|
Having indulged in this wild hope he went upstairs, and looked
|
|
out of the window, and pictured her through the evening journey
|
|
to London, whither she and Phillotson had gone for their holiday;
|
|
their rattling along through the damp night to their hotel,
|
|
under the same sky of ribbed cloud as that he beheld,
|
|
through which the moon showed its position rather than its shape,
|
|
and one or two of the larger stars made themselves visible
|
|
as faint nebulae only. It was a new beginning of Sue's history.
|
|
He projected his mind into the future, and saw her with
|
|
children more or less in her own likeness around her.
|
|
But the consolation of regarding them as a continuation of her
|
|
identity was denied to him, as to all such dreamers, by the
|
|
wilfulness of Nature in not allowing issue from one parent alone.
|
|
Every desired renewal of an existence is debased by being
|
|
half alloy. "If at the estrangement or death of my lost love,
|
|
I could go and see her child--hers solely--there would be
|
|
comfort in it!" said Jude. And then he again uneasily saw,
|
|
as he had latterly seen with more and more frequency, the scorn
|
|
of Nature for man's finer emotions, and her lack of interest in
|
|
his aspirations.
|
|
|
|
The oppressive strength of his affection for Sue showed
|
|
itself on the morrow and following days yet more clearly.
|
|
He could no longer endure the light of the Melchester lamps;
|
|
the sunshine was as drab paint, and the blue sky as zinc.
|
|
Then he received news that his old aunt was dangerously
|
|
ill at Marygreen, which intelligence almost coincided
|
|
with a letter from his former employer at Christminster,
|
|
who offered him permanent work of a good class if he would
|
|
come back. The letters were almost a relief to him.
|
|
He started to visit Aunt Drusilla, and resolved to go onward
|
|
to Christminster to see what worth there might be in the
|
|
builder's offer.
|
|
|
|
Jude found his aunt even worse than the communication from the Widow
|
|
Edlin had led him to expect. There was every possibility of her
|
|
lingering on for weeks or months, though little likelihood.
|
|
He wrote to Sue informing her of the state of her aunt,
|
|
and suggesting that she might like to see her aged relative alive.
|
|
He would meet her at Alfredston Road, the following evening,
|
|
Monday, on his way back from Christminster, if she could come
|
|
by the up-train which crossed his down-train at that station.
|
|
Next morning, according, he went on to Christminster, intending to
|
|
return to Alfredston soon enough to keep the suggested appointment
|
|
with Sue.
|
|
|
|
The city of learning wore an estranged look, and he had lost all feeling
|
|
for its associations. Yet as the sun made vivid lights and shades
|
|
of the mullioned architecture of the facades, and drew patterns
|
|
of the crinkled battlements on the young turf of the quadrangles,
|
|
Jude thought he had never seen the place look more beautiful.
|
|
He came to the street in which he had first beheld Sue. The chair
|
|
she had occupied when, leaning over her ecclesiastical scrolls,
|
|
a hog-hair brush in her hand, her girlish figure had arrested the gaze
|
|
of his inquiring eyes, stood precisely in its former spot, empty.
|
|
It was as if she were dead, and nobody had been found capable of
|
|
succeeding her in that artistic pursuit. Hers was now the city phantom,
|
|
while those of the intellectual and devotional worthies who had
|
|
once moved him to emotion were no longer able to assert their
|
|
presence there.
|
|
|
|
However, here he was; and in fulfilment of his intention he went on to his
|
|
former lodging in "Beersheba," near the ritualistic church of St. Silas.
|
|
The old landlady who opened the door seemed glad to see him again,
|
|
and bringing some lunch informed him that the builder who had employed him
|
|
had called to inquire his address.
|
|
|
|
Jude went on to the stone-yard where he had worked.
|
|
But the old sheds and bankers were distasteful to him;
|
|
he felt it impossible to engage himself to return and stay
|
|
in this place of vanished dreams. He longed for the hour
|
|
of the homeward train to Alfredston, where he might probably
|
|
meet Sue.
|
|
|
|
Then, for one ghastly half-hour of depression caused by these scenes,
|
|
there returned upon him that feeling which had been his undoing
|
|
more than once--that he was not worth the trouble of being taken care
|
|
of either by himself or others; and during this half-hour he met
|
|
Tinker Taylor, the bankrupt ecclesiastical ironmonger, at Fourways,
|
|
who proposed that they should adjourn to a bar and drink together.
|
|
They walked along the street till they stood before one of the great
|
|
palpitating centres of Christminster life, the inn wherein he formerly
|
|
had responded to the challenge to rehearse the Creed in Latin--
|
|
now a popular tavern with a spacious and inviting entrance, which gave
|
|
admittance to a bar that had been entirely renovated and refitted in
|
|
modern style since Jude's residence here.
|
|
|
|
Tinker Taylor drank off his glass and departed, saying it
|
|
was too stylish a place now for him to feel at home in
|
|
unless he was drunker than he had money to be just then.
|
|
Jude was longer finishing his, and stood abstractedly silent
|
|
in the, for the minute, almost empty place. The bar had been
|
|
gutted and newly arranged throughout, mahogany fixtures having
|
|
taken the place of the old painted ones, while at the back
|
|
of the standing-space there were stuffed sofa-benches. The
|
|
room was divided into compartments in the approved manner,
|
|
between which were screens of ground glass in mahogany framing,
|
|
to prevent topers in one compartment being put to the blush
|
|
by the recognitions of those in the next. On the inside
|
|
of the counter two barmaids leant over the white-handled
|
|
beer-engines, and the row of little silvered taps inside,
|
|
dripping into a pewter trough.
|
|
|
|
Feeling tired, and having nothing more to do till the train left,
|
|
Jude sat down on one of the sofas. At the back of the barmaids rose
|
|
bevel-edged mirrors, with glass shelves running along their front,
|
|
on which stood precious liquids that Jude did not know the name of,
|
|
in bottles of topaz, sapphire, ruby and amethyst. The moment was
|
|
enlivened by the entrance of some customers into the next compartment,
|
|
and the starting of the mechanical tell-tale of monies received,
|
|
which emitted a ting-ting every time a coin was put in.
|
|
|
|
The barmaid attending to this compartment was invisible
|
|
to Jude's direct glance, though a reflection of her back
|
|
in the glass behind her was occasionally caught by his eyes.
|
|
He had only observed this listlessly, when she turned
|
|
her face for a moment to the glass to set her hair tidy.
|
|
Then he was amazed to discover that the face was Arabella's.
|
|
|
|
If she had come on to his compartment she would have seen him.
|
|
But she did not, this being presided over by the maiden on the other side.
|
|
Abby was in a black gown, with white linen cuffs and a broad white collar,
|
|
and her figure, more developed than formerly, was accentuated by a bunch
|
|
of daffodils that she wore on her left bosom. In the compartment she
|
|
served stood an electro-plated fountain of water over a spirit-lamp,
|
|
whose blue flame sent a steam from the top, all this being visible to him
|
|
only in the mirror behind her; which also reflected the faces of the men
|
|
she was attending to--one of them a handsome, dissipated young fellow,
|
|
possibly an undergraduate, who had been relating to her an experience of some
|
|
humorous sort.
|
|
|
|
"Oh, Mr. Cockman, now! How can you tell such a tale to me in my innocence!"
|
|
she cried gaily. "Mr. Cockman, what do you use to make your moustache curl
|
|
so beautiful?" As the young man was clean shaven the retort provoked a laugh
|
|
at his expense.
|
|
|
|
"Come!" said he, "I'll have a curacao; and a light, please."
|
|
|
|
She served the liqueur from one of the lovely bottles and striking a match
|
|
held it to his cigarette with ministering archness while he whiffed.
|
|
|
|
"Well, have you heard from your husband lately, my dear?"
|
|
he asked.
|
|
|
|
"Not a sound," said she.
|
|
|
|
"Where is he?"
|
|
|
|
"I left him in Australia; and I suppose he's there still."
|
|
|
|
Jude's eyes grew rounder.
|
|
|
|
"What made you part from him?"
|
|
|
|
"Don't you ask questions, and you won't hear lies."
|
|
|
|
"Come then, give me my change, which you've been keeping from me
|
|
for the last quarter of an hour; and I'll romantically vanish up
|
|
the street of this picturesque city."
|
|
|
|
She handed the change over the counter, in taking which he caught
|
|
her fingers and held them. There was a slight struggle and titter,
|
|
and he bade her good-bye and left.
|
|
|
|
Jude had looked on with the eye of a dazed philosopher.
|
|
It was extraordinary how far removed from his life Arabella now
|
|
seemed to be. He could not realize their nominal closeness.
|
|
And, this being the case, in his present frame of mind he was
|
|
indifferent to the fact that Arabella was his wife indeed.
|
|
|
|
The compartment that she served emptied itself of visitors,
|
|
and after a brief thought he entered it, and went forward
|
|
to the counter. Arabella did not recognize him for a moment.
|
|
Then their glances met. She started; till a humorous impudence
|
|
sparkled in her eyes, and she spoke.
|
|
|
|
"Well, I'm blest! I thought you were underground years ago!"
|
|
|
|
"Oh!"
|
|
|
|
"I never heard anything of you, or I don't know that I should have
|
|
come here. But never mind! What shall I treat you to this afternoon?
|
|
A Scotch and soda? Come, anything that the house will afford,
|
|
for old acquaintance' sake!"
|
|
|
|
"Thanks, Arabella," said Jude without a smile. "But I don't want anything
|
|
more than I've had." The fact was that her unexpected presence there had
|
|
destroyed at a stroke his momentary taste for strong liquor as completely
|
|
as if it had whisked him back to his milk-fed infancy.
|
|
|
|
"That's a pity, now you could get it for nothing."
|
|
|
|
"How long have you been here?"
|
|
|
|
"About six weeks. I returned from Sydney three months ago.
|
|
I always liked this business, you know."
|
|
|
|
"I wonder you came to this place!"
|
|
|
|
"Well, as I say, I thought you were gone to glory, and being in London I
|
|
saw the situation in an advertisement. Nobody was likely to know me here,
|
|
even if I had minded, for I was never in Christminster in my growing up."
|
|
|
|
"Why did you return from Australia?"
|
|
|
|
"Oh, I had my reasons.... Then you are not a don yet?"
|
|
|
|
"No."
|
|
|
|
"Not even a reverend?"
|
|
|
|
"No."
|
|
|
|
"Nor so much as a rather reverend dissenting gentleman?"
|
|
|
|
"I am as I was."
|
|
|
|
"True--you look so." She idly allowed her fingers to rest on
|
|
the pull of the beer-engine as she inspected him critically.
|
|
He observed that her hands were smaller and whiter than
|
|
when he had lived with her, and that on the hand which pulled
|
|
the engine she wore an ornamental ring set with what seemed
|
|
to be real sapphires--which they were, indeed, and were much
|
|
admired as such by the young men who frequented the bar.
|
|
|
|
"So you pass as having a living husband," he continued.
|
|
|
|
"Yes. I thought it might be awkward if I called myself a widow,
|
|
as I should have liked."
|
|
|
|
"True. I am known here a little."
|
|
|
|
"I didn't mean on that account--for as I said I didn't expect you.
|
|
It was for other reasons."
|
|
|
|
"What were they?"
|
|
|
|
"I don't care to go into them," she replied evasively.
|
|
"I make a very good living, and I don't know that I want
|
|
your company."
|
|
|
|
Here a chappie with no chin, and a moustache like a lady's eyebrow,
|
|
came and asked for a curiously compounded drink, and Arabella
|
|
was obliged to go and attend to him. "We can't talk here,"
|
|
she said, stepping back a moment. "Can't you wait till nine?
|
|
Say yes, and don't be a fool. I can get off duty two hours
|
|
sooner than usual, if I ask. I am not living in the house
|
|
at present."
|
|
|
|
He reflected and said gloomily, "I'll come back. I suppose we'd
|
|
better arrange something."
|
|
|
|
"Oh, bother arranging! I'm not going to arrange anything!"
|
|
|
|
"But I must know a thing or two; and, as you say, we can't talk here.
|
|
Very well; I'll call for you."
|
|
|
|
Depositing his unemptied glass he went out and walked up and down the street.
|
|
Here was a rude flounce into the pellucid sentimentality of his sad attachment
|
|
to Sue. Though Arabella's word was absolutely untrustworthy, he thought there
|
|
might be some truth in her implication that she had not wished to disturb him,
|
|
and had really supposed him dead. However, there was only one thing now to
|
|
be done, and that was to play a straightforward part, the law being the law,
|
|
and the woman between whom and himself there was no more unity than between
|
|
east and west being in the eye of the Church one person with him.
|
|
|
|
Having to meet Arabella here, it was impossible to meet Sue at Alfredston
|
|
as he had promised. At every thought of this a pang had gone through him;
|
|
but the conjuncture could not be helped. Arabella was perhaps
|
|
an intended intervention to punish him for his unauthorized love.
|
|
Passing the evening, therefore, in a desultory waiting about the town wherein
|
|
he avoided the precincts of every cloister and hall, because he could
|
|
not bear to behold them, he repaired to the tavern bar while the hundred
|
|
and one strokes were resounding from the Great Bell of Cardinal College,
|
|
a coincidence which seemed to him gratuitous irony. The inn was now
|
|
brilliantly lighted up, and the scene was altogether more brisk and gay.
|
|
The faces of the barmaidens had risen in colour, each having a pink
|
|
flush on her cheek; their manners were still more vivacious than before--
|
|
more abandoned, more excited, more sensuous, and they expressed their
|
|
sentiments and desires less euphemistically, laughing in a lackadaisical tone,
|
|
without reserve.
|
|
|
|
The bar had been crowded with men of all sorts during the previous hour,
|
|
and he had heard from without the hubbub of their voices; but the customers
|
|
were fewer at last. He nodded to Arabella, and told her that she would find
|
|
him outside the door when she came away.
|
|
|
|
"But you must have something with me first," she said with great good humour.
|
|
"Just an early night-cap: I always do. Then you can go out and wait a minute,
|
|
as it is best we should not be seen going together." She drew a couple of
|
|
liqueur glasses of brandy; and though she had evidently, from her countenance,
|
|
already taken in enough alcohol either by drinking or, more probably, from the
|
|
atmosphere she had breathed for so many hours, she finished hers quickly.
|
|
He also drank his, and went outside the house.
|
|
|
|
In a few minutes she came, in a thick jacket and a hat with a black feather.
|
|
"l live quite near," she said, taking his arm, "and can let myself in by a
|
|
latch-key at any time. What arrangement do you want to come to?"
|
|
|
|
"Oh--none in particular," he answered, thoroughly sick and tired,
|
|
his thoughts again reverting to Alfredston, and the train he did not go by;
|
|
the probable disappointment of Sue that he was not there when she arrived,
|
|
and the missed pleasure of her company on the long and lonely climb by
|
|
starlight up the hills to Marygreen. "l ought to have gone back really!
|
|
My aunt is on her deathbed, I fear."
|
|
|
|
"I'll go over with you to-morrow morning. I think I could get a day off."
|
|
|
|
There was something particularly uncongenial in the idea of Arabella,
|
|
who had no more sympathy than a tigress with his relations or him,
|
|
coming to the bedside of his dying aunt, and meeting Sue. Yet he said,
|
|
"Of course, if you'd like to, you can."
|
|
|
|
"Well, that we'll consider.... Now, until we have come to some
|
|
agreement it is awkward our being together here--where you are known,
|
|
and I am getting known, though without any suspicion that I have
|
|
anything to do with you. As we are going towards the station,
|
|
suppose we take the nine-forty train to Aldbrickham? We shall
|
|
be there in little more than half an hour, and nobody will know
|
|
us for one night, and we shall be quite free to act as we choose
|
|
till we have made up our minds whether we'll make anything public
|
|
or not."
|
|
|
|
"As you like."
|
|
|
|
"Then wait till I get two or three things. This is my lodging.
|
|
Sometimes when late I sleep at the hotel where I am engaged,
|
|
so nobody will think anything of my staying out."
|
|
|
|
She speedily returned, and they went on to the railway, and made
|
|
the half-hour's journey to Aldbrickham, where they entered
|
|
a third-rate inn near the station in time for a late supper.
|
|
|
|
|
|
|
|
IX
|
|
|
|
|
|
ON the morrow between nine and half-past they were journeying
|
|
back to Christminster, the only two occupants of a compartment
|
|
in a third-class railway-carriage. Having, like Jude, made rather
|
|
a hasty toilet to catch the train, Arabella looked a little frowsy,
|
|
and her face was very far from possessing the animation
|
|
which had characterized it at the bar the night before.
|
|
When they came out of the station she found that she still
|
|
had half an hour to spare before she was due at the bar.
|
|
They walked in silence a little way out of the town in the direction
|
|
of Alfredston. Jude looked up the far highway.
|
|
|
|
"Ah ... poor feeble me!" he murmured at last.
|
|
|
|
"What?" said she.
|
|
|
|
"This is the very road by which I came into Christminster years
|
|
ago full of plans!"
|
|
|
|
"Well, whatever the road is I think my time is nearly up,
|
|
as I have to be in the bar by eleven o'clock. And as I said,
|
|
I shan't ask for the day to go with you to see your aunt.
|
|
So perhaps we had better part here. I'd sooner not walk up
|
|
Chief Street with you, since we've come to no conclusion
|
|
at all."
|
|
|
|
"Very well. But you said when we were getting up this morning that you
|
|
had something you wished to tell me before I left?"
|
|
|
|
"So I had--two things--one in particular. But you wouldn't
|
|
promise to keep it a secret. I'll tell you now if you promise?
|
|
As an honest woman I wish you to know it.... It was what I began
|
|
telling you in the night--about that gentleman who managed
|
|
the Sydney hotel." Arabella spoke somewhat hurriedly for her.
|
|
"You'll keep it close?"
|
|
|
|
"Yes--yes--I promise!" said Jude impatiently. "Of course I don't
|
|
want to reveal your secrets."
|
|
|
|
"Whenever I met him out for a walk, he used to say that he was
|
|
much taken with my looks, and he kept pressing me to marry him.
|
|
I never thought of coming back to England again; and being out there
|
|
in Australia, with no home of my own after leaving my father, I at
|
|
last agreed, and did."
|
|
|
|
"What--marry him?"
|
|
|
|
"Yes."
|
|
|
|
"Regularly--legally--in church?"
|
|
|
|
"Yes. And lived with him till shortly before I left.
|
|
It was stupid, I know; but I did! There, now I've told you.
|
|
Don't round upon me! He talks of coming back to England,
|
|
poor old chap. But if he does, he won't be likely to
|
|
find me."
|
|
|
|
Jude stood pale and fixed.
|
|
|
|
"Why the devil didn't you tell me last, night!" he said.
|
|
|
|
"Well--I didn't.... Won't you make it up with me, then?"
|
|
|
|
"So in talking of 'your husband' to the bar gentlemen you meant him,
|
|
of course--not me!"
|
|
|
|
"Of course.... Come, don't fuss about it."
|
|
|
|
"I have nothing more to say!" replied Jude. "I have nothing
|
|
at all to say about the--crime--you've confessed to!"
|
|
|
|
"Crime! Pooh. They don't think much of such as that over there!
|
|
Lots of 'em do it.... Well, if you take it like that I shall go back
|
|
to him! He was very fond of me, and we lived honourable enough,
|
|
and as respectable as any married couple in the colony! How did I know
|
|
where you were?"
|
|
|
|
"I won't go blaming you. I could say a good deal; but perhaps it
|
|
would be misplaced. What do you wish me to do?"
|
|
|
|
"Nothing. There was one thing more I wanted to tell you;
|
|
but I fancy we've seen enough of one another for the present!
|
|
I shall think over what you said about your circumstances, and let
|
|
you know."
|
|
|
|
Thus they parted. Jude watched her disappear in the direction
|
|
of the hotel, and entered the railway station close by.
|
|
Finding that it wanted three-quarters of an hour of the time
|
|
at which he could get a train back to Alfredston, he strolled
|
|
mechanically into the city as far as to the Fourways,
|
|
where he stood as he had so often stood before, and surveyed
|
|
Chief Street stretching ahead, with its college after college,
|
|
in picturesqueness unrivalled except by such Continental vistas
|
|
as the Street of Palaces in Genoa; the lines of the buildings being
|
|
as distinct in the morning air as in an architectural drawing.
|
|
But Jude was far from seeing or criticizing these things;
|
|
they were hidden by an indescribable consciousness of Arabella's
|
|
midnight contiguity, a sense of degradation at his revived
|
|
experiences with her, of her appearance as she lay asleep at dawn,
|
|
which set upon his motionless face a look as of one accurst.
|
|
If he could only have felt resentment towards her he would have been
|
|
less unhappy; but he pitied while he contemned her.
|
|
|
|
Jude turned and retraced his steps. Drawing again towards
|
|
the station he started at hearing his name pronounced--
|
|
less at the name than at the voice. To his great surprise
|
|
no other than Sue stood like a vision before him--her look
|
|
bodeful and anxious as in a dream, her little mouth nervous,
|
|
and her strained eyes speaking reproachful inquiry.
|
|
|
|
"Oh, Jude--I am so glad--to meet you like this!" she said in quick,
|
|
uneven accents not far from a sob. Then she flushed as she observed
|
|
his thought that they had not met since her marriage.
|
|
|
|
They looked away from each other to hide their emotion,
|
|
took each other's hand without further speech, and went on
|
|
together awhile, till she glanced at him with furtive solicitude.
|
|
"I arrived at Alfredston station last night, as you asked me to,
|
|
and there was nobody to meet me! But I reached Marygreen alone,
|
|
and they told me Aunt was a trifle better. I sat up with her,
|
|
and as you did not come all night I was frightened about you--
|
|
I thought that perhaps, when you found yourself back in the old city,
|
|
you were upset at--at thinking I was--married, and not there
|
|
as I used to be; and that you had nobody to speak to;
|
|
so you had tried to drown your gloom--as you did at that former
|
|
time when you were disappointed about entering as a student,
|
|
and had forgotten your promise to me that you never would again.
|
|
And this, I thought, was why you hadn't come to meet me!"
|
|
|
|
"And you came to hunt me up, and deliver me, like a good angel!"
|
|
|
|
"I thought I would come by the morning train and try to find you--in case--
|
|
in case----"
|
|
|
|
"I did think of my promise to you, dear, continually! I shall never break
|
|
out again as I did, I am sure. I may have been doing nothing better,
|
|
but I was not doing that--I loathe the thought of it."
|
|
|
|
"I am glad your staying had nothing to do with that. But," she said,
|
|
the faintest pout entering into her tone, "you didn't come back last night
|
|
and meet me, as you engaged to!"
|
|
|
|
"I didn't--I am sorry to say. I had an appointment at nine o'clock--
|
|
too late for me to catch the train that would have met yours,
|
|
or to get home at all."
|
|
|
|
Looking at his loved one as she appeared to him now, in his
|
|
tender thought the sweetest and most disinterested comrade
|
|
that he had ever had, living largely in vivid imaginings,
|
|
so ethereal a creature that her spirit could be seen trembling
|
|
through her limbs, he felt heartily ashamed of his earthliness
|
|
in spending the hours he had spent in Arabella's company.
|
|
There was something rude and immoral in thrusting these recent facts
|
|
of his life upon the mind of one who, to him, was so uncarnate
|
|
as to seem at times impossible as a human wife to any average man.
|
|
And yet she was Phillotson's. How she had become such, how she
|
|
lived as such, passed his comprehension as he regarded her
|
|
to-day.
|
|
|
|
"You'll go back with me?" he said. "There's a train just now.
|
|
I wonder how my aunt is by this time.... And so, Sue, you really
|
|
came on my account all this way! At what an early time you must
|
|
have started, poor thing!"
|
|
|
|
"Yes. Sitting up watching alone made me all nerves for you,
|
|
and instead of going to bed when it got light I started.
|
|
And now you won't frighten me like this again about your morals
|
|
for nothing?"
|
|
|
|
He was not so sure that she had been frightened about his morals
|
|
for nothing. He released her hand till they had entered the train,--
|
|
it seemed the same carriage he had lately got out of with another--
|
|
where they sat down side by side, Sue between him and the window.
|
|
He regarded the delicate lines of her profile, and the small,
|
|
tight, applelike convexities of her bodice, so different from
|
|
Arabella's amplitudes. Though she knew he was looking at her she
|
|
did not turn to him, but kept her eyes forward, as if afraid that by
|
|
meeting his own some troublous discussion would be initiated.
|
|
|
|
"Sue--you are married now, you know, like me; and yet we have been
|
|
in such a hurry that we have not said a word about it!"
|
|
|
|
"There's no necessity," she quickly returned.
|
|
|
|
"Oh well--perhaps not.... But I wish"
|
|
|
|
"Jude--don't talk about ME--I wish you wouldn't!" she entreated.
|
|
"It distresses me, rather. Forgive my saying it! ... Where did you stay
|
|
last night?"
|
|
|
|
She had asked the question in perfect innocence, to change the topic.
|
|
He knew that, and said merely, "At an inn," though it would have
|
|
been a relief to tell her of his meeting with an unexpected one.
|
|
But the latter's final announcement of her marriage in Australia
|
|
bewildered him lest what he might say should do his ignorant wife
|
|
an injury.
|
|
|
|
Their talk proceeded but awkwardly till they reached Alfredston.
|
|
That Sue was not as she had been, but was labelled "Phillotson,"
|
|
paralyzed Jude whenever he wanted to commune with her as an individual.
|
|
Yet she seemed unaltered--he could not say why. There remained
|
|
the five-mile extra journey into the country, which it was just
|
|
as easy to walk as to drive, the greater part of it being uphill.
|
|
Jude had never before in his life gone that road with Sue,
|
|
though he had with another. It was now as if he carried a bright
|
|
light which temporarily banished the shady associations of the
|
|
earlier time.
|
|
|
|
Sue talked; but Jude noticed that she still kept the conversation
|
|
from herself. At length he inquired if her husband were well.
|
|
|
|
"O yes," she said. "He is obliged to be in the school all the day,
|
|
or he would have come with me. He is so good and kind that to
|
|
accompany me he would have dismissed the school for once, even against
|
|
his principles--for he is strongly opposed to giving casual holidays--
|
|
only I wouldn't let him. I felt it would be better to come alone.
|
|
Aunt Drusilla, I knew, was so very eccentric; and his being
|
|
almost a stranger to her now would have made it irksome to both.
|
|
Since it turns out that she is hardly conscious I am glad I did not
|
|
ask him."
|
|
|
|
Jude had walked moodily while this praise of Phillotson was being expressed.
|
|
"Mr. Phillotson obliges you in everything, as he ought," he said.
|
|
|
|
"Of course."
|
|
|
|
"You ought to be a happy wife."
|
|
|
|
"And of course I am."
|
|
|
|
"Bride, I might almost have said, as yet. It is not so many weeks since I
|
|
gave you to him, and----"
|
|
|
|
"Yes, I know! I know!" There was something in her face
|
|
which belied her late assuring words, so strictly proper
|
|
and so lifelessly spoken that they might have been taken from
|
|
a list of model speeches in "The Wife's Guide to Conduct."
|
|
Jude knew the quality of every vibration in Sue's voice, could read
|
|
every symptom of her mental condition; and he was convinced
|
|
that she was unhappy, although she had not been a month married.
|
|
But her rushing away thus from home, to see the last of a
|
|
relative whom she had hardly known in her life, proved nothing;
|
|
for Sue naturally did such things as those.
|
|
|
|
"Well, you have my good wishes now as always, Mrs. Phillotson."
|
|
|
|
She reproached him by a glance.
|
|
|
|
"No, you are not Mrs. Phillotson," murmured Jude. "You are dear,
|
|
free Sue Bridehead, only you don't know it! Wifedom has not yet
|
|
squashed up and digested you in its vast maw as an atom which has
|
|
no further individuality."
|
|
|
|
Sue put on a look of being offended, till she answered,
|
|
"Nor has husbandom you, so far as I can see!"
|
|
|
|
"But it has!" he said, shaking his head sadly.
|
|
|
|
When they reached the lone cottage under the firs, between the Brown House
|
|
and Marygreen, in which Jude and Arabella had lived and quarrelled, he turned
|
|
to look at it. A squalid family lived there now. He could not help saying
|
|
to Sue: "That's the house my wife and I occupied the whole of the time we
|
|
lived together. I brought her home to that house."
|
|
|
|
She looked at it. "That to you was what the school-house at Shaston
|
|
is to me."
|
|
|
|
"Yes; but I was not very happy there as you are in yours."
|
|
|
|
She closed her lips in retortive silence, and they walked
|
|
some way till she glanced at him to see how he was taking it.
|
|
"Of course I may have exaggerated your happiness--one never knows,"
|
|
he continued blandly.
|
|
|
|
"Don't think that, Jude, for a moment, even though you may have said it to
|
|
sting me! He's as good to me as a man can be, and gives me perfect liberty--
|
|
which elderly husbands don't do in general.... If you think I am not happy
|
|
because he's too old for me, you are wrong."
|
|
|
|
"I don't think anything against him--to you dear."
|
|
|
|
"And you won't say things to distress me, will you?"
|
|
|
|
"I will not."
|
|
|
|
He said no more, but he knew that, from some cause or other,
|
|
in taking Phillotson as a husband, Sue felt that she had done
|
|
what she ought not to have done.
|
|
|
|
They plunged into the concave field on the other side of which rose
|
|
the village--the field wherein Jude had received a thrashing
|
|
from the farmer many years earlier. On ascending to the village
|
|
and approaching the house they found Mrs. Edlin standing at
|
|
the door, who at sight of them lifted her hands deprecatingly.
|
|
"She's downstairs, if you'll believe me!" cried the widow. "Out o'
|
|
bed she got, and nothing could turn her. What will come o't I do
|
|
not know!"
|
|
|
|
On entering, there indeed by the fireplace sat the old woman,
|
|
wrapped in blankets, and turning upon them a countenance
|
|
like that of Sebastiano's Lazarus. They must have looked
|
|
their amazement, for she said in a hollow voice:
|
|
|
|
"Ah--sceered ye, have I! I wasn't going to bide up there no longer,
|
|
to please nobody! 'Tis more than flesh and blood can bear,
|
|
to be ordered to do this and that by a feller that don't know half
|
|
as well as you do your-self! ... Ah--you'll rue this marrying
|
|
as well as he!" she added, turning to Sue. "All our family do--
|
|
and nearly all everybody else's. You should have done as I did,
|
|
you simpleton! And Phillotson the schoolmaster, of all men!
|
|
What made 'ee marry him?"
|
|
|
|
"What makes most women marry, Aunt?"
|
|
|
|
"Ah! You mean to say you loved the man!"
|
|
|
|
"I don't meant to say anything definite."
|
|
|
|
"Do ye love un?"
|
|
|
|
"Don't ask me, Aunt."
|
|
|
|
"I can mind the man very well. A very civil, honourable liver; but Lord!--
|
|
I don't want to wownd your feelings, but--there be certain men here and there
|
|
that no woman of any niceness can stomach. I should have said he was one.
|
|
I don't say so NOW, since you must ha' known better than I--but that's what I
|
|
SHOULD have said!"
|
|
|
|
Sue jumped up and went out. Jude followed her, and found
|
|
her in the outhouse, crying.
|
|
|
|
"Don't cry, dear!" said Jude in distress. "She means well,
|
|
but is very crusty and queer now, you know."
|
|
|
|
"Oh no--it isn't that!" said Sue, trying to dry her eyes.
|
|
"I don't mind her roughness one bit."
|
|
|
|
"What is it, then?"
|
|
|
|
"It is that what she says is--is true!"
|
|
|
|
"God--what--you don't like him?" asked Jude.
|
|
|
|
"I don't mean that!" she said hastily. "That I ought--
|
|
perhaps I ought not to have married!"
|
|
|
|
He wondered if she had really been going to say that at first.
|
|
They went back, and the subject was smoothed over, and her aunt took
|
|
rather kindly to Sue, telling her that not many young women newly
|
|
married would have come so far to see a sick old crone like her.
|
|
In the afternoon Sue prepared to depart, Jude hiring a neighbour to drive
|
|
her to Alfredston.
|
|
|
|
"I'll go with you to the station, if you'd like?" he said.
|
|
|
|
She would not let him. The man came round with the trap,
|
|
and Jude helped her into it, perhaps with unnecessary attention,
|
|
for she looked at him prohibitively.
|
|
|
|
"I suppose--I may come to see you some day, when I am back again
|
|
at Melchester?" he half-crossly observed.
|
|
|
|
She bent down and said softly: "No, dear--you are not to come yet.
|
|
I don't think you are in a good mood."
|
|
|
|
"Very well," said Jude. "Good-bye!"
|
|
|
|
"Good-bye!" She waved her hand and was gone.
|
|
|
|
"She's right! I won't go!" he murmured.
|
|
|
|
He passed the evening and following days in mortifying by every
|
|
possible means his wish to see her, nearly starving himself in attempts
|
|
to extinguish by fasting his passionate tendency to love her.
|
|
He read sermons on discipline, and hunted up passages in Church
|
|
history that treated of the Ascetics of the second century.
|
|
Before he had returned from Marygreen to Melchester there arrived
|
|
a letter from Arabella. The sight of it revived a stronger feeling
|
|
of self-condemnation for his brief return to her society than for his
|
|
attachment to Sue.
|
|
|
|
The letter, he perceived, bore a London postmark instead
|
|
of the Christminster one. Arabella informed him that a few
|
|
days after their parting in the morning at Christminster,
|
|
she had been surprised by an affectionate letter from her
|
|
Australian husband, formerly manager of the hotel in Sydney.
|
|
He had come to England on purpose to find her; and had taken
|
|
a free, fully-licensed public, in Lambeth, where he wished
|
|
her to join him in conducting the business, which was likely
|
|
to be a very thriving one, the house being situated in
|
|
an excellent, densely populated, gin-drinking neighbourhood,
|
|
and already doing a trade of 200 pounds a month, which could be
|
|
easily doubled.
|
|
|
|
As he had said that he loved her very much still, and implored
|
|
her to tell him where she was, and as they had only parted
|
|
in a slight tiff, and as her engagement in Christminster was
|
|
only temporary, she had just gone to join him as he urged.
|
|
She could not help feeling that she belonged to him more
|
|
than to Jude, since she had properly married him, and had
|
|
lived with him much longer than with her first husband.
|
|
In thus wishing Jude good-bye she bore him no ill-will,
|
|
and trusted he would not turn upon her, a weak woman,
|
|
and inform against her, and bring her to ruin now that she
|
|
had a chance of improving her circumstances and leading a
|
|
genteel life.
|
|
|
|
|
|
X
|
|
|
|
|
|
JUDE returned to Melchester, which had the questionable recommendation of
|
|
being only a dozen and a half miles from his Sue's now permanent residence.
|
|
At first he felt that this nearness was a distinct reason for not going
|
|
southward at all; but Christminster was too sad a place to bear,
|
|
while the proximity of Shaston to Melchester might afford him the glory
|
|
of worsting the Enemy in a close engagement, such as was deliberately sought
|
|
by the priests and virgins of the early Church, who, disdaining an ignominious
|
|
flight from temptation, became even chamber-partners with impunity.
|
|
Jude did not pause to remember that, in the laconic words of the historian,
|
|
"insulted Nature sometimes vindicated her rights" in such circumstances.
|
|
|
|
He now returned with feverish desperation to his study for the priesthood--
|
|
in the recognition that the single-mindedness of his aims, and his
|
|
fidelity to the cause, had been more than questionable of late.
|
|
His passion for Sue troubled his soul; yet his lawful abandonment to the
|
|
society of Arabella for twelve hours seemed instinctively a worse thing--
|
|
even though she had not told him of her Sydney husband till afterwards.
|
|
He had, he verily believed, overcome all tendency to fly to liquor--
|
|
which, indeed, he had never done from taste, but merely as an escape
|
|
from intolerable misery of mind. Yet he perceived with despondency that,
|
|
taken all round, he was a man of too many passions to make a good clergyman;
|
|
the utmost he could hope for was that in a life of constant internal
|
|
warfare between flesh and spirit the former might not always
|
|
be victorious.
|
|
|
|
As a hobby, auxiliary to his readings in Divinity, he developed
|
|
his slight skill in church-music and thorough-bass, till
|
|
he could join in part-singing from notation with some accuracy.
|
|
A mile or two from Melchester there was a restored village church,
|
|
to which Jude had originally gone to fix the new columns
|
|
and capitals. By this means he had become acquainted with
|
|
the organist, and the ultimate result was that he joined
|
|
the choir as a bass voice.
|
|
|
|
He walked out to this parish twice every Sunday, and sometimes in the week.
|
|
One evening about Easter the choir met for practice, and a new hymn which Jude
|
|
had heard of as being by a Wessex composer was to be tried and prepared for
|
|
the following week. It turned out to be a strangely emotional composition.
|
|
As they all sang it over and over again its harmonies grew upon Jude,
|
|
and moved him exceedingly.
|
|
|
|
When they had finished he went round to the organist to make inquiries.
|
|
The score was in manuscript, the name of the composer being at the head,
|
|
together with the title of the hymn: "The Foot of the Cross."
|
|
|
|
"Yes," said the organist. "He is a local man. He is a professional musician
|
|
at Kennetbridge--between here and Christminster. The vicar knows him.
|
|
He was brought up and educated in Christminster traditions, which accounts
|
|
for the quality of the piece. I think he plays in the large church there,
|
|
and has a surpliced choir. He comes to Melchester sometimes, and once tried
|
|
to get the cathedral organ when the post was vacant. The hymn is getting
|
|
about everywhere this Easter."
|
|
|
|
As he walked humming the air on his way home, Jude fell to
|
|
musing on its composer, and the reasons why he composed it.
|
|
What a man of sympathies he must be! Perplexed and harassed
|
|
as he himself was about Sue and Arabella, and troubled
|
|
as was his conscience by the complication of his position,
|
|
how he would like to know that man!" He of all men would
|
|
understand my difficulties," said the impulsive Jude.
|
|
If there were any person in the world to choose as a confidant,
|
|
this composer would be the one, for he must have suffered,
|
|
and throbbed, and yearned.
|
|
|
|
In brief, ill as he could afford the time and money for the journey,
|
|
Fawley resolved, like the child that he was, to go to Kennetbridge
|
|
the very next Sunday. He duly started, early in the morning, for it
|
|
was only by a series of crooked railways that he could get to the town.
|
|
About mid-day he reached it, and crossing the bridge into the quaint old
|
|
borough he inquired for the house of the composer.
|
|
|
|
They told him it was a red brick building some little way further on.
|
|
Also that the gentleman himself had just passed along the street not five
|
|
minutes before.
|
|
|
|
"Which way?" asked Jude with alacrity.
|
|
|
|
"Straight along homeward from church."
|
|
|
|
Jude hastened on, and soon had the pleasure of observing a man in a black
|
|
coat and a black slouched felt hat no considerable distance ahead.
|
|
Stretching out his legs yet more widely he stalked after. "A hungry soul
|
|
in pursuit of a full soul!" he said. "I must speak to that man!"
|
|
|
|
He could not, however, overtake the musician before he had entered his own
|
|
house, and then arose the question if this were an expedient time to call.
|
|
Whether or not he decided to do so there and then, now that he had got here,
|
|
the distance home being too great for him to wait till late in the afternoon.
|
|
This man of soul would understand scant ceremony, and might be quite
|
|
a perfect adviser in a case in which an earthly and illegitimate passion
|
|
had cunningly obtained entrance into his heart through the opening afforded
|
|
for religion.
|
|
|
|
Jude accordingly rang the bell, and was admitted.
|
|
|
|
The musician came to him in a moment, and being respectably dressed,
|
|
good-looking, and frank in manner, Jude obtained a favourable reception.
|
|
He was nevertheless conscious that there would be a certain awkwardness in
|
|
explaining his errand.
|
|
|
|
"I have been singing in the choir of a little church near Melchester,"
|
|
he said. "And we have this week practised 'The Foot of the Cross,'
|
|
which I understand, sir, that you composed?"
|
|
|
|
"I did--a year or so ago."
|
|
|
|
"I--like it. I think it supremely beautiful!"
|
|
|
|
"Ah well--other people have said so too. Yes, there's money in it,
|
|
if I could only see about getting it published. I have other
|
|
compositions to go with it, too; I wish I could bring them out;
|
|
for I haven't made a five-pound note out of any of them yet.
|
|
These publishing people--they want the copyright of an obscure
|
|
composer's work, such as mine is, for almost less than I should have
|
|
to pay a person for making, a fair manuscript copy of the score.
|
|
The one you speak of I have lent to various friends about
|
|
here and Melchester, and so it has got to be sung a little.
|
|
But music is a poor staff to lean on--I am giving it up entirely.
|
|
You must go into trade if you want to make money nowadays.
|
|
The wine business is what I am thinking of. This is my forthcoming list--
|
|
it is not issued yet--but you can take one."
|
|
|
|
He handed Jude an advertisement list of several pages in booklet shape,
|
|
ornamentally margined with a red line, in which were set forth
|
|
the various clarets, champagnes, ports, sherries, and other wines
|
|
with which he purposed to initiate his new venture. It took Jude
|
|
more than by surprise that the man with the soul was thus and thus;
|
|
and he felt that he could not open up his confidences.
|
|
|
|
They talked a little longer, but constrainedly, for when the musician found
|
|
that Jude was a poor man his manner changed from what it had been while Jude's
|
|
appearance and address deceived him as to his position and pursuits.
|
|
Jude stammered out something about his feelings in wishing to congratulate
|
|
the author on such an exalted composition, and took an embarrassed leave.
|
|
|
|
All the way home by the slow Sunday train, sitting in the fireless
|
|
waiting-rooms on this cold spring day, he was depressed enough at
|
|
his simplicity in taking such a journey. But no sooner did he reach
|
|
his Melchester lodging than he found awaiting him a letter which had
|
|
arrived that morning a few minutes after he had left the house.
|
|
It was a contrite little note from Sue, in which she said,
|
|
with sweet humility, that she felt she had been horrid in telling
|
|
him he was not to come to see her, that she despised herself
|
|
for having been so conventional; and that he was to be sure to come
|
|
by the eleven-forty-five train that very Sunday, and have dinner
|
|
with them at half-past one.
|
|
|
|
Jude almost tore his hair at having missed this letter till it
|
|
was too late to act upon its contents; but he had chastened himself
|
|
considerably of late, and at last his chimerical expedition
|
|
to Kennetbridge really did seem to have been another special
|
|
intervention of Providence to keep him away from temptation.
|
|
But a growing impatience of faith, which he had noticed in himself
|
|
more than once of late, made him pass over in ridicule the idea
|
|
that God sent people on fools' errands. He longed to see her;
|
|
he was angry at having missed her: and he wrote instantly,
|
|
telling her what had happened, and saying he had not enough
|
|
patience to wait till the following Sunday, but would come any day
|
|
in the week that she liked to name.
|
|
|
|
Since he wrote a little over-ardently, Sue, as her manner was,
|
|
delayed her reply till Thursday before Good Friday,
|
|
when she said he might come that afternoon if he wished,
|
|
this being the earliest day on which she could welcome him,
|
|
for she was now assistant-teacher in her husband's school.
|
|
Jude therefore got leave from the cathedral works at the trifling
|
|
expense of a stoppage of pay, and went.
|
|
|
|
|
|
|
|
|
|
|
|
Part Fourth
|
|
|
|
|
|
AT SHASTON
|
|
|
|
|
|
|
|
"Whoso prefers either Matrimony or other Ordinance before the Good
|
|
of Man and the plain Exigence of Charity, let him profess Papist,
|
|
or Protestant, or what he will, he is no better than a Pharisee."--
|
|
J. Milton.
|
|
|
|
|
|
I
|
|
|
|
|
|
SHASTON, the ancient British Palladour,
|
|
|
|
From whose foundation first such strange reports
|
|
arise,
|
|
|
|
|
|
(as Drayton sang it), was, and is, in itself the city of a dream.
|
|
Vague imaginings of its castle, its three mints, its magnificent
|
|
apsidal abbey, the chief glory of South Wessex, its twelve churches,
|
|
its shrines, chantries, hospitals, its gabled freestone mansions--
|
|
all now ruthlessly swept away--throw the visitor, even against
|
|
his will, into a pensive melancholy, which the stimulating
|
|
atmosphere and limitless landscape around him can scarcely dispel.
|
|
The spot was the burial-place of a king and a queen, of abbots
|
|
and abbesses, saints and bishops, knights and squires.
|
|
The bones of King Edward "the Martyr," carefully removed hither
|
|
for holy preservation, brought Shaston a renown which made it
|
|
the resort of pilgrims from every part of Europe, and enabled it
|
|
to maintain a reputation extending far beyond English shores.
|
|
To this fair creation of the great Middle-Age the Dissolution was,
|
|
as historians tell us, the death-knell. With the destruction
|
|
of the enormous abbey the whole place collapsed in a general ruin:
|
|
the Martyr's bones met with the fate of the sacred pile
|
|
that held them, and not a stone is now left to tell where
|
|
they lie.
|
|
|
|
The natural picturesqueness and singularity of the town still remain;
|
|
but strange to say these qualities, which were noted by many writers
|
|
in ages when scenic beauty is said to have been unappreciated,
|
|
are passed over in this, and one of the queerest and quaintest spots
|
|
in England stands virtually unvisited to-day.
|
|
|
|
It has a unique position on the summit of a steep and imposing scarp,
|
|
rising on the north, south, and west sides of the borough out of
|
|
the deep alluvial Vale of Blackmoor, the view from the Castle Green
|
|
over three counties of verdant pasture--South, Mid, and Nether Wessex--
|
|
being as sudden a surprise to the unexpectant traveller's eyes
|
|
as the medicinal air is to his lungs. Impossible to a railway,
|
|
it can best be reached on foot, next best by light vehicles;
|
|
and it is hardly accessible to these but by a sort of isthmus on
|
|
the north-east, that connects it with the high chalk table-land on
|
|
that side.
|
|
|
|
Such is, and such was, the now world-forgotten Shaston or Palladour.
|
|
Its situation rendered water the great want of the town; and within
|
|
living memory, horses, donkeys and men may have been seen toiling up
|
|
the winding ways to the top of the height, laden with tubs and barrels
|
|
filled from the wells beneath the mountain, and hawkers retailing their
|
|
contents at the price of a halfpenny a bucketful.
|
|
|
|
This difficulty in the water supply, together with two other
|
|
odd facts, namely, that the chief graveyard slopes up as steeply
|
|
as a roof behind the church, and that in former times the town passed
|
|
through a curious period of corruption, conventual and domestic,
|
|
gave rise to the saying that Shaston was remarkable for three
|
|
consolations to man, such as the world afforded not elsewhere.
|
|
It was a place where the churchyard lay nearer heaven than
|
|
the church steeple, where beer was more plentiful than water,
|
|
and where there were more wanton women than honest wives and maids.
|
|
It is also said that after the Middle Ages the inhabitants were too
|
|
poor to pay their priests, and hence were compelled to pull down
|
|
their churches, and refrain altogether from the public worship of God;
|
|
a necessity which they bemoaned over their cups in the settles of
|
|
their inns on Sunday afternoons. In those days the Shastonians were
|
|
apparently not without a sense of humour.
|
|
|
|
There was another peculiarity--this a modern one--which Shaston appeared
|
|
to owe to its site. It was the resting-place and headquarters of
|
|
the proprietors of wandering vans, shows, shooting-galleries, and other
|
|
itinerant concerns, whose business lay largely at fairs and markets.
|
|
As strange wild birds are seen assembled on some lofty promontory,
|
|
meditatively pausing for longer flights, or to return by the course they
|
|
followed thither, so here, in this cliff-town, stood in stultified silence
|
|
the yellow and green caravans bearing names not local, as if surprised
|
|
by a change in the landscape so violent as to hinder their further progress;
|
|
and here they usually remained all the winter till they turned to seek again
|
|
their old tracks in the following spring.
|
|
|
|
It was to this breezy and whimsical spot that Jude ascended from
|
|
the nearest station for the first time in his life about four
|
|
o'clock one afternoon, and entering on the summit of the peak
|
|
after a toilsome climb, passed the first houses of the aerial town;
|
|
and drew towards the school-house. The hour was too early;
|
|
the pupils were still in school, humming small, like a swarm of gnats;
|
|
and he withdrew a few steps along Abbey Walk, whence he regarded the spot
|
|
which fate had made the home of all he loved best in the world.
|
|
In front of the schools, which were extensive and stone-built,
|
|
grew two enormous beeches with smooth mouse-coloured trunks,
|
|
as such trees will only grow on chalk uplands. Within the mullioned
|
|
and transomed windows he could see the black, brown, and flaxen crowns
|
|
of the scholars over the sills, and to pass the time away he walked
|
|
down to the level terrace where the abbey gardens once had spread,
|
|
his heart throbbing in spite of him.
|
|
|
|
Unwilling to enter till the children were dismissed he remained
|
|
here till young voices could be heard in the open air,
|
|
and girls in white pinafores over red and blue frocks appeared
|
|
dancing along the paths which the abbess, prioress, subprioress,
|
|
and fifty nuns had demurely paced three centuries earlier.
|
|
Retracing his steps he found that he had waited too long, and that
|
|
Sue had gone out into the town at the heels of the last scholar,
|
|
Mr. Phillotson having been absent all the afternoon at a teachers'
|
|
meeting at Shottsford.
|
|
|
|
Jude went into the empty schoolroom and sat down, the girl who
|
|
was sweeping the floor having informed him that Mrs. Phillotson
|
|
would be back again in a few minutes. A piano stood near--
|
|
actually the old piano that Phillotson had possessed at Marygreen--
|
|
and though the dark afternoon almost prevented him seeing
|
|
the notes Jude touched them in his humble way, and could
|
|
not help modulating into the hymn which had so affected him
|
|
in the previous week.
|
|
|
|
A figure moved behind him, and thinking it was still the girl with the broom
|
|
Jude took no notice, till the person came close and laid her fingers lightly
|
|
upon his bass hand. The imposed hand was a little one he seemed to know,
|
|
and he turned.
|
|
|
|
"Don't stop," said Sue. "I like it. I learnt it before I left Melchester.
|
|
They used to play it in the training school."
|
|
|
|
"I can't strum before you! Play it for me."
|
|
|
|
"Oh well--I don't mind."
|
|
|
|
Sue sat down, and her rendering of the piece, though not remarkable,
|
|
seemed divine as compared with his own. She, like him, was evidently touched--
|
|
to her own surprise--by the recalled air; and when she had finished,
|
|
and he moved his hand towards hers, it met his own half-way. Jude grasped it--
|
|
just as he had done before her marriage.
|
|
|
|
"It is odd," she said, in a voice quite changed, "that I should care
|
|
about that air; because----"
|
|
|
|
"Because what?"
|
|
|
|
"I am not that sort--quite."
|
|
|
|
"Not easily moved?"
|
|
|
|
"I didn't quite mean that."
|
|
|
|
"Oh, but you ARE one of that sort, for you are just like me at heart!"
|
|
|
|
"But not at head."
|
|
|
|
She played on and suddenly turned round; and by an unpremeditated
|
|
instinct each clasped the other's hand again.
|
|
|
|
She uttered a forced little laugh as she relinquished his quickly.
|
|
"How funny!" she said. "I wonder what we both did that for?"
|
|
|
|
"I suppose because we are both alike, as I said before."
|
|
|
|
"Not in our thoughts! Perhaps a little in our feelings."
|
|
|
|
"And they rule thoughts.... Isn't it enough to make one blaspheme
|
|
that the composer of that hymn is one of the most commonplace men
|
|
I ever met!"
|
|
|
|
"What--you know him?"
|
|
|
|
"I went to see him."
|
|
|
|
"Oh, you goose--to do just what I should have done! Why did you?"
|
|
|
|
"Because we are not alike," he said drily.
|
|
|
|
"Now we'll have some tea," said Sue. "Shall we have it here
|
|
instead of in my house? It is no trouble to get the kettle
|
|
and things brought in. We don't live at the school you know,
|
|
but in that ancient dwelling across the way called Old-Grove Place.
|
|
It is so antique and dismal that it depresses me dreadfully.
|
|
Such houses are very well to visit, but not to live in--
|
|
I feel crushed into the earth by the weight of so many previous
|
|
lives there spent. In a new place like these schools there is only
|
|
your own life to support. Sit down, and I'll tell Ada to bring
|
|
the tea-things across."
|
|
|
|
He waited in the light of the stove, the door of which she flung open
|
|
before going out, and when she returned, followed by the maiden with tea,
|
|
they sat down by the same light, assisted by the blue rays of a spirit-lamp
|
|
under the brass kettle on the stand.
|
|
|
|
"This is one of your wedding-presents to me," she said,
|
|
signifying the latter.
|
|
|
|
"Yes," said Jude.
|
|
|
|
The kettle of his gift sang with some satire in its note, to his mind;
|
|
and to change the subject he said, "Do you know of any good readable
|
|
edition of the uncanonical books of the New Testament? You don't read them
|
|
in the school I suppose?"
|
|
|
|
"Oh dear no!--'twould alarm the neighbourhood.... Yes, there is one.
|
|
I am not familiar with it now, though I was interested in it when my former
|
|
friend was alive. Cowper's APOCRYPHAL GOSPELS."
|
|
|
|
"That sounds like what I want." His thoughts, however reverted
|
|
with a twinge to the "former friend"--by whom she meant,
|
|
as he knew, the university comrade of her earlier days.
|
|
He wondered if she talked of him to Phillotson.
|
|
|
|
"The Gospel of Nicodemus is very nice," she went on to keep him from
|
|
his jealous thoughts, which she read clearly, as she always did.
|
|
Indeed when they talked on an indifferent subject, as now,
|
|
there was ever a second silent conversation passing between
|
|
their emotions, so perfect was the reciprocity between them.
|
|
"It is quite like the genuine article. All cut up into verses, too;
|
|
so that it is like one of the other evangelists read in a dream,
|
|
when things are the same, yet not the same. But, Jude, do you
|
|
take an interest in those questions still? Are you getting
|
|
up APOLOGETICA?"
|
|
|
|
"Yes. I am reading Divinity harder than ever."
|
|
|
|
She regarded him curiously.
|
|
|
|
"Why do you look at me like that?" said Jude.
|
|
|
|
"Oh--why do you want to know?"
|
|
|
|
"I am sure you can tell me anything I may be ignorant of in that subject.
|
|
You must have learnt a lot of everything from your dear dead friend!"
|
|
|
|
"We won't get on to that now!" she coaxed. "Will you be carving
|
|
out at that church again next week, where you learnt the pretty hymn?"
|
|
|
|
"Yes, perhaps."
|
|
|
|
"That will be very nice. Shall I come and see you there?
|
|
It is in this direction, and I could come any afternoon by train
|
|
for half an hour?"
|
|
|
|
"No. Don't come!"
|
|
|
|
"What--aren't we going to be friends, then, any longer,
|
|
as we used to be?"
|
|
|
|
"No."
|
|
|
|
"I didn't know that. I thought you were always going to be kind to me!"
|
|
|
|
"No, I am not."
|
|
|
|
"What have I done, then? I am sure I thought we two----
|
|
" The TREMOLO in her voice caused her to break off.
|
|
|
|
"Sue, I sometimes think you are a flirt," said he abruptly.
|
|
|
|
There was a momentary pause, till she suddenly jumped up;
|
|
and to his surprise he saw by the kettle-flame that her face
|
|
was flushed.
|
|
|
|
"I can't talk to you any longer, Jude!" she said, the tragic
|
|
contralto note having come back as of old. "It is getting
|
|
too dark to stay together like this, after playing morbid
|
|
Good Friday tunes that make one feel what one shouldn't! ...
|
|
We mustn't sit and talk in this way any more. Yes--you must
|
|
go away, for you mistake me! I am very much the reverse of
|
|
what you say so cruelly--Oh, Jude, it WAS cruel to say that!
|
|
Yet I can't tell you the truth--I should shock you by letting
|
|
you know how I give way to my impulses, and how much I feel
|
|
that I shouldn't have been provided with attractiveness unless
|
|
it were meant to be exercised! Some women's love of being
|
|
loved is insatiable; and so, often, is their love of loving;
|
|
and in the last case they may find that they can't give it
|
|
continuously to the chamber-officer appointed by the bishop's
|
|
licence to receive it. But you are so straightforward,
|
|
Jude, that you can't understand me! ... Now you must go.
|
|
I am sorry my husband is not at home."
|
|
|
|
"Are you?"
|
|
|
|
"I perceive I have said that in mere convention! Honestly I
|
|
don't think I am sorry. It does not matter, either way,
|
|
sad to say!"
|
|
|
|
As they had overdone the grasp of hands some time sooner,
|
|
she touched his fingers but lightly when he went out now.
|
|
He had hardly gone from the door when, with a dissatisfied look,
|
|
she jumped on a form and opened the iron casement of a
|
|
window beneath which he was passing in the path without.
|
|
"When do you leave here to catch your train, Jude?"
|
|
she asked.
|
|
|
|
He looked up in some surprise. "The coach that runs to meet
|
|
it goes in three-quarters of an hour or so."
|
|
|
|
"What will you do with yourself for the time?"
|
|
|
|
"Oh--wander about, I suppose. Perhaps I shall go and sit in the old church."
|
|
|
|
"It does seem hard of me to pack you off so! You have thought enough
|
|
of churches, Heaven knows, without going into one in the dark.
|
|
Stay there."
|
|
|
|
"Where?"
|
|
|
|
"Where you are. I can talk to you better like this than when you were
|
|
inside.... It was so kind and tender of you to give up half a day's work
|
|
to come to see me! ... You are Joseph the dreamer of dreams, dear Jude.
|
|
And a tragic Don Quixote. And sometimes you are St. Stephen, who, while they
|
|
were stoning him, could see Heaven opened. Oh, my poor friend and comrade,
|
|
you'll suffer yet!"
|
|
|
|
Now that the high window-sill was between them, so that he could
|
|
not get at her, she seemed not to mind indulging in a frankness
|
|
she had feared at close quarters.
|
|
|
|
"I have been thinking," she continued, still in the tone of one
|
|
brimful of feeling, "that the social moulds civilization fits us
|
|
into have no more relation to our actual shapes than the conventional
|
|
shapes of the constellations have to the real star-patterns. I am
|
|
called Mrs. Richard Phillotson, living a calm wedded life with my
|
|
counterpart of that name. But I am not really Mrs. Richard Phillotson,
|
|
but a woman tossed about, all alone, with aberrant passions,
|
|
and unaccountable antipathies.... Now you mustn't wait longer,
|
|
or you will lose the coach. Come and see me again. You must come
|
|
to the house then."
|
|
|
|
"Yes!" said Jude. "When shall it be?"
|
|
|
|
"To-morrow week. Good-bye--good-bye!" She stretched out
|
|
her hand and stroked his forehead pitifully--just once.
|
|
Jude said good-bye, and went away into the darkness.
|
|
|
|
Passing along Bimport Street he thought he heard the wheels
|
|
of the coach departing, and, truly enough, when he reached
|
|
the Duke's Arms in the Market Place the coach had gone.
|
|
It was impossible for him to get to the station on foot in time
|
|
for this train, and he settled himself perforce to wait for the next--
|
|
the last to Melchester that night.
|
|
|
|
He wandered about awhile, obtained something to eat; and then,
|
|
having another half-hour on his hands, his feet involuntarily
|
|
took him through the venerable graveyard of Trinity Church,
|
|
with its avenues of limes, in the direction of the schools again.
|
|
They were entirely in darkness. She had said she lived over the way
|
|
at Old-Grove Place, a house which he soon discovered from her
|
|
description of its antiquity.
|
|
|
|
A glimmering candlelight shone from a front window, the shutters
|
|
being yet unclosed. He could see the interior clearly--
|
|
the floor sinking a couple of steps below the road without,
|
|
which had become raised during the centuries since the house
|
|
was built. Sue, evidently just come in, as standing with her
|
|
hat on in this front parlour or sitting-room, whose walls
|
|
were lined with wainscoting of panelled oak reaching from
|
|
floor to ceiling, the latter being crossed by huge moulded
|
|
beams only a little way above her head. The mantelpiece was
|
|
of the same heavy description, carved with Jacobean pilasters
|
|
and scroll-work. The centuries did, indeed, ponderously overhang
|
|
a young wife who passed her time here.
|
|
|
|
She had opened a rosewood work-box, and was looking at a photograph.
|
|
Having contemplated it a little while she pressed it against her bosom,
|
|
and put it again in its place.
|
|
|
|
Then becoming aware that she had not obscured the windows she
|
|
came forward to do so, candle in hand. It was too dark for her
|
|
to see Jude without, but he could see her face distinctly,
|
|
and there was an unmistakable tearfulness about the dark,
|
|
long-lashed eyes.
|
|
|
|
She closed the shutters, and Jude turned away to pursue his solitary
|
|
journey home. "Whose photograph was she looking at?" he said.
|
|
He had once given her his; but she had others, he knew. Yet it
|
|
was his, surely?
|
|
|
|
He knew he should go to see her again, according to her invitation.
|
|
Those earnest men he read of, the saints, whom Sue, with gentle irreverence,
|
|
called his demi-gods, would have shunned such encounters if they
|
|
doubted their own strength. But he could not. He might fast and pray
|
|
during the whole interval, but the human was more powerful in him than
|
|
the Divine.
|
|
|
|
|
|
II
|
|
|
|
|
|
HOWEVER, if God disposed not, woman did. The next morning but one brought
|
|
him this note from her:
|
|
|
|
|
|
Don't come next week. On your own account don't! We were too free,
|
|
under the influence of that morbid hymn and the twilight.
|
|
Think no more than you can help of SUSANNA FLORENCE MARY.
|
|
|
|
|
|
The disappointment was keen. He knew her mood, the look
|
|
of her face, when she subscribed herself at length thus.
|
|
But whatever her mood he could not say she was wrong in her view.
|
|
He replied:
|
|
|
|
|
|
I acquiesce. You are right. It is a lesson in renunciation
|
|
which I suppose I ought to learn at this season. JUDE
|
|
|
|
|
|
He despatched the note on Easter Eve, and there seemed a finality in
|
|
their decisions. But other forces and laws than theirs were in operation.
|
|
On Easter Monday morning he received a message from the Widow Edlin,
|
|
whom he had directed to telegraph if anything serious happened:
|
|
|
|
|
|
Your aunt is sinking. Come at once.
|
|
|
|
|
|
He threw down his tools and went. Three and a half hours later
|
|
he was crossing the downs about Marygreen, and presently plunged into
|
|
the concave field across which the short cut was made to the village.
|
|
As he ascended on the other side a labouring man, who had been watching
|
|
his approach from a gate across the path, moved uneasily, and prepared
|
|
to speak. "I can see in his face that she is dead," said Jude.
|
|
"Poor Aunt Drusilla!"
|
|
|
|
It was as he had supposed, and Mrs. Edlin had sent out the man to break
|
|
the news to him.
|
|
|
|
"She wouldn't have knowed 'ee. She lay like a doll wi'
|
|
glass eyes; so it didn't matter that you wasn't here,"
|
|
said he.
|
|
|
|
Jude went on to the house, and in the afternoon, when everything was done,
|
|
and the layers-out had finished their beer, and gone, he sat down alone
|
|
in the silent place. It was absolutely necessary to communicate with Sue,
|
|
though two or three days earlier they had agreed to mutual severance.
|
|
He wrote in the briefest terms:
|
|
|
|
|
|
Aunt Drusilla is dead, having been taken almost suddenly.
|
|
The funeral is on Friday afternoon.
|
|
|
|
|
|
He remained in and about Marygreen through the intervening days,
|
|
went out on Friday morning to see that the grave was finished,
|
|
and wondered if Sue would come. She had not written, and that seemed
|
|
to signify rather that she would come than that she would not.
|
|
Having timed her by her only possible train, he locked the door
|
|
about mid-day, and crossed the hollow field to the verge of the upland
|
|
by the Brown House, where he stood and looked over the vast prospect
|
|
northwards, and over the nearer landscape in which Alfredston stood.
|
|
Two miles behind it a jet of white steam was travelling from the left
|
|
to the right of the picture.
|
|
|
|
There was a long time to wait, even now, till he would know if she
|
|
had arrived. He did wait, however, and at last a small hired
|
|
vehicle pulled up at the bottom of the hill, and a person alighted,
|
|
the conveyance going back, while the passenger began ascending the hill.
|
|
He knew her; and she looked so slender to-day that it seemed as if
|
|
she might be crushed in the intensity of a too passionate embrace--
|
|
such as it was not for him to give. Two-thirds of the way up her
|
|
head suddenly took a solicitous poise, and he knew that she had at
|
|
that moment recognized him. Her face soon began a pensive smile,
|
|
which lasted till, having descended a little way, he met her.
|
|
|
|
"I thought," she began with nervous quickness, "that it would be so sad
|
|
to let you attend the funeral alone! And so--at the last moment--
|
|
I came."
|
|
|
|
"Dear faithful Sue!" murmured Jude.
|
|
|
|
With the elusiveness of her curious double nature, however, Sue did not stand
|
|
still for any further greeting, though it wanted some time to the burial.
|
|
A pathos so unusually compounded as that which attached to this hour was
|
|
unlikely to repeat itself for years, if ever, and Jude would have paused,
|
|
and meditated, and conversed. But Sue either saw it not at all, or, seeing it
|
|
more than he, would not allow herself to feel it.
|
|
|
|
The sad and simple ceremony was soon over, their progress
|
|
to the church being almost at a trot, the bustling undertaker
|
|
having a more important funeral an hour later, three miles off.
|
|
Drusilla was put into the new ground, quite away from her ancestors.
|
|
Sue and Jude had gone side by side to the grave, and now sat
|
|
down to tea in the familiar house; their lives united at least
|
|
in this last attention to the dead.
|
|
|
|
"She was opposed to marriage, from first to last, you say?"
|
|
murmured Sue.
|
|
|
|
"Yes. Particularly for members of our family."
|
|
|
|
Her eyes met his, and remained on him awhile.
|
|
|
|
"We are rather a sad family, don't you think, Jude?"
|
|
|
|
"She said we made bad husbands and wives. Certainly we make unhappy ones.
|
|
At all events, I do, for one!"
|
|
|
|
Sue was silent. "Is it wrong, Jude," she said with a tentative tremor,
|
|
"for a husband or wife to tell a third person that they are unhappy
|
|
in their marriage? If a marriage ceremony is a religious thing,
|
|
it is possibly wrong; but if it is only a sordid contract,
|
|
based on material convenience in householding, rating, and taxing,
|
|
and the inheritance of land and money by children, making it
|
|
necessary that the male parent should be known--which it seems to be--
|
|
why surely a person may say, even proclaim upon the housetops, that it
|
|
hurts and grieves him or her?"
|
|
|
|
"I have said so, anyhow, to you."
|
|
|
|
Presently she went on: "Are there many couples, do you think,
|
|
where one dislikes the other for no definite fault?"
|
|
|
|
"Yes, I suppose. If either cares for another person, for instance."
|
|
|
|
"But even apart from that? Wouldn't the woman, for example,
|
|
be very bad-natured if she didn't like to live with
|
|
her husband; merely"--her voice undulated, and he guessed
|
|
things--"merely because she had a personal feeling against it--
|
|
a physical objection--a fastidiousness, or whatever it may
|
|
be called--although she might respect and be grateful to him?
|
|
I am merely putting a case. Ought she to try to overcome
|
|
her pruderies?"
|
|
|
|
Jude threw a troubled look at her. He said, looking away:
|
|
"It would be just one of those cases in which my experiences
|
|
go contrary to my dogmas. Speaking as an order-loving man--
|
|
which I hope I am, though I fear I am not--I should say, yes.
|
|
Speaking from experience and unbiased nature, I should say,
|
|
no.... Sue, I believe you are not happy!"
|
|
|
|
"Of course I am!" she contradicted. "How can a woman be unhappy
|
|
who has only been married eight weeks to a man she chose freely?"
|
|
|
|
"'Chose freely!'"
|
|
|
|
"Why do you repeat it? ... But I have to go back by the six o'clock train.
|
|
You will be staying on here, I suppose?"
|
|
|
|
"For a few days to wind up Aunt's affairs. This house is gone now.
|
|
Shall I go to the train with you?"
|
|
|
|
A little laugh of objection came from Sue. "I think not.
|
|
You may come part of the way."
|
|
|
|
"But stop--you can't go to-night! That train won't take you to Shaston.
|
|
You must stay and go back to-morrow. Mrs. Edlin has plenty of room, if you
|
|
don't like to stay here?"
|
|
|
|
"Very well," she said dubiously. "I didn't tell him I would come
|
|
for certain."
|
|
|
|
Jude went to the widow's house adjoining, to let her know;
|
|
and returning in a few minutes sat down again.
|
|
|
|
"It is horrible how we are circumstanced, Sue--horrible!" he said abruptly,
|
|
with his eyes bent to the floor.
|
|
|
|
"No! Why?"
|
|
|
|
"I can't tell you all my part of the gloom. Your part is that you
|
|
ought not to have married him. I saw it before you had done it,
|
|
but I thought I mustn't interfere. I was wrong. I ought to have!"
|
|
|
|
"But what makes you assume all this, dear?"
|
|
|
|
"Because--I can see you through your feathers, my poor little bird!"
|
|
|
|
Her hand lay on the table, and Jude put his upon it.
|
|
Sue drew hers away.
|
|
|
|
"That's absurd, Sue," cried he, "after what we've been talking about!
|
|
I am more strict and formal than you, if it comes to that;
|
|
and that you should object to such an innocent action shows that you
|
|
are ridiculously inconsistent!"
|
|
|
|
"Perhaps it was too prudish," she said repentantly.
|
|
"Only I have fancied it was a sort of trick of ours--
|
|
too frequent perhaps. There, you may hold it as much as you like.
|
|
Is that good of me?"
|
|
|
|
"Yes; very."
|
|
|
|
"But I must tell him."
|
|
|
|
"Who?"
|
|
|
|
"Richard."
|
|
|
|
"Oh--of course, if you think it necessary. But as it means nothing it
|
|
may be bothering him needlessly."
|
|
|
|
"Well--are you sure you mean it only as my cousin?"
|
|
|
|
"Absolutely sure. I have no feelings of love left in me."
|
|
|
|
"That's news. How has it come to be?"
|
|
|
|
"I've seen Arabella."
|
|
|
|
She winced at the hit; then said curiously, "When did you see her?"
|
|
|
|
"When I was at Christminster."
|
|
|
|
"So she's come back; and you never told me! I suppose you will live
|
|
with her now?"
|
|
|
|
"Of course--just as you live with your husband."
|
|
|
|
She looked at the window pots with the geraniums and cactuses,
|
|
withered for want of attention, and through them at the outer distance,
|
|
till her eyes began to grow moist. "What is it?" said Jude,
|
|
in a softened tone.
|
|
|
|
"Why should you be so glad to go back to her if--if what you
|
|
used to say to me is still true--I mean if it were true then!
|
|
Of course it is not now! How could your heart go back to Arabella
|
|
so soon?"
|
|
|
|
"A special Providence, I suppose, helped it on its way."
|
|
|
|
"Ah--it isn't true!" she said with gentle resentment. "You are teasing me--
|
|
that's all--because you think I am not happy!"
|
|
|
|
"I don't know. I don't wish to know."
|
|
|
|
"If I were unhappy it would be my fault, my wickedness;
|
|
not that I should have a right to dislike him! He is considerate
|
|
to me in everything; and he is very interesting, from the amount
|
|
of general knowledge he has acquired by reading everything
|
|
that comes in his way.... Do you think, Jude, that a man ought
|
|
to marry a woman his own age, or one younger than himself--
|
|
eighteen years--as I am than he?"
|
|
|
|
"It depends upon what they feel for each other."
|
|
|
|
He gave her no opportunity of self-satisfaction, and she had to go on unaided,
|
|
which she did in a vanquished tone, verging on tears:
|
|
|
|
"I--I think I must be equally honest with you as you have been with me.
|
|
Perhaps you have seen what it is I want to say?--that though I
|
|
like Mr. Phillotson as a friend, I don't like him--it is a torture
|
|
to me to--live with him as a husband!--There, now I have let it out--
|
|
I couldn't help it, although I have been--pretending I am happy.--
|
|
Now you'll have a contempt for me for ever, I suppose!"
|
|
She bent down her face upon her hands as they lay upon the cloth,
|
|
and silently sobbed in little jerks that made the fragile three-legged
|
|
table quiver.
|
|
|
|
"I have only been married a month or two!" she went on,
|
|
still remaining bent upon the table, and sobbing into her hands.
|
|
"And it is said that what a woman shrinks from--in the early
|
|
days of her marriage--she shakes down to with comfortable
|
|
indifference in half a dozen years. But that is much like saying
|
|
that the amputation of a limb is no affliction, since a person
|
|
gets comfortably accustomed to the use of a wooden leg or arm
|
|
in the course of time!"
|
|
|
|
Jude could hardly speak, but he said, "I thought there
|
|
was something wrong, Sue! Oh, I thought there was!"
|
|
|
|
"But it is not as you think!--there is nothing wrong except
|
|
my own wickedness, I suppose you'd call it--a repugnance
|
|
on my part, for a reason I cannot disclose, and what would
|
|
not be admitted as one by the world in general! ... What
|
|
tortures me so much is the necessity of being responsive
|
|
to this man whenever he wishes, good as he is morally!--
|
|
the dreadful contract to feel in a particular way in a matter
|
|
whose essence is its voluntariness! ... I wish he would
|
|
beat me, or be faithless to me, or do some open thing that I
|
|
could talk about as a justification for feeling as I do!
|
|
But he does nothing, except that he has grown a little cold
|
|
since he has found out how I feel. That's why he didn't
|
|
come to the funeral.... Oh, I am very miserable--I don't
|
|
know what to do! ... Don't come near me, Jude, because you
|
|
mustn't. Don't--don't!"
|
|
|
|
But he had jumped up and put his face against hers--or rather against her ear,
|
|
her face being inaccessible.
|
|
|
|
"I told you not to, Jude!"
|
|
|
|
"I know you did--I only wish to--console you! It all
|
|
arose through my being married before we met, didn't it?
|
|
You would have been my wife, Sue, wouldn't you, if it hadn't
|
|
been for that?"
|
|
|
|
Instead of replying she rose quickly, and saying she was going to walk to her
|
|
aunt's grave in the churchyard to recover herself, went out of the house.
|
|
Jude did not follow her. Twenty minutes later he saw her cross the village
|
|
green towards Mrs. Edlin's, and soon she sent a little girl to fetch her bag,
|
|
and tell him she was too tired to see him again that night.
|
|
|
|
In the lonely room of his aunt's house, Jude sat watching the cottage
|
|
of the Widow Edlin as it disappeared behind the night shade. He knew
|
|
that Sue was sitting within its walls equally lonely and disheartened;
|
|
and again questioned his devotional motto that all was for the best.
|
|
|
|
He retired to rest early, but his sleep was fitful from the sense
|
|
that Sue was so near at hand. At some time near two o'clock,
|
|
when he was beginning to sleep more soundly, he was aroused by a
|
|
shrill squeak that had been familiar enough to him when he lived
|
|
regularly at Marygreen. It was the cry of a rabbit caught in a gin.
|
|
As was the little creature's habit, it did not soon repeat its cry;
|
|
and probably would not do so more than once or twice; but would
|
|
remain bearing its torture till the morrow when the trapper would
|
|
come and knock it on the head.
|
|
|
|
He who in his childhood had saved the lives of the earthworms now
|
|
began to picture the agonies of the rabbit from its lacerated leg.
|
|
If it were a "bad catch" by the hind-leg, the animal would tug during
|
|
the ensuing six hours till the iron teeth of the trap had stripped
|
|
the leg-bone of its flesh, when, should a weak-springed instrument
|
|
enable it to escape, it would die in the fields from the mortification
|
|
of the limb. If it were a "good catch," namely, by the fore-leg,
|
|
the bone would be broken and the limb nearly torn in two in attempts
|
|
at an impossible escape.
|
|
|
|
Almost half an hour passed, and the rabbit repeated its cry.
|
|
Jude could rest no longer till he had put it out of its pain,
|
|
so dressing himself quickly he descended, and by the light
|
|
of the moon went across the green in the direction of the sound.
|
|
He reached the hedge bordering the widow's garden, when he stood still.
|
|
The faint click of the trap as dragged about by the writhing animal
|
|
guided him now, and reaching the spot he struck the rabbit on the back
|
|
of the neck with the side of his palm, and it stretched itself
|
|
out dead.
|
|
|
|
He was turning away when he saw a woman looking out of the open
|
|
casement at a window on the ground floor of the adjacent cottage.
|
|
"Jude!" said a voice timidly--Sue's voice. "It is you--
|
|
is it not?"
|
|
|
|
"Yes, dear!"
|
|
|
|
"I haven't been able to sleep at all, and then I heard the rabbit,
|
|
and couldn't help thinking of what it suffered, till I felt I must come
|
|
down and kill it! But I am so glad you got there first.... They ought
|
|
not to be allowed to set these steel traps, ought they!"
|
|
|
|
Jude had reached the window, which was quite a low one, so that she
|
|
was visible down to her waist. She let go the casement-stay and put
|
|
her hand upon his, her moonlit face regarding him wistfully.
|
|
|
|
"Did it keep you awake?" he said.
|
|
|
|
"No--I was awake."
|
|
|
|
"How was that?"
|
|
|
|
"Oh, you know--now! I know you, with your religious doctrines,
|
|
think that a married woman in trouble of a kind like mine commits
|
|
a mortal sin in making a man the confidant of it, as I did you.
|
|
I wish I hadn't, now!"
|
|
|
|
"Don't wish it, dear," he said. "That may have BEEN my view;
|
|
but my doctrines and I begin to part company."
|
|
|
|
"I knew it--I knew it! And that's why I vowed I wouldn't disturb
|
|
your belief. But--I am SO GLAD to see you!--and, oh, I didn't
|
|
mean to see you again, now the last tie between us, Aunt Drusilla,
|
|
is dead!"
|
|
|
|
Jude seized her hand and kissed it. "There is a stronger one left!"
|
|
he said. "I'll never care about my doctrines or my religion any more!
|
|
Let them go! Let me help you, even if I do love you, and even if you
|
|
..."
|
|
|
|
"Don't say it!--I know what you mean; but I can't admit
|
|
so much as that. There! Guess what you like, but don't
|
|
press me to answer questions!"
|
|
|
|
"I wish you were happy, whatever I may be!"
|
|
|
|
"I CAN'T be! So few could enter into my feeling--they would say
|
|
'twas my fanciful fastidiousness, or something of that sort,
|
|
and condemn me.... It is none of the natural tragedies of love that's
|
|
love's usual tragedy in civilized life, but a tragedy artificially
|
|
manufactured for people who in a natural state would find relief
|
|
in parting! ... It would have been wrong, perhaps, for me to tell
|
|
my distress to you, if I had been able to tell it to anybody else.
|
|
But I have nobody. And I MUST tell somebody! Jude, before I
|
|
married him I had never thought out fully what marriage meant,
|
|
even though I knew. It was idiotic of me--there is no excuse.
|
|
I was old enough, and I thought I was very experienced.
|
|
So I rushed on, when I had got into that training school scrape,
|
|
with all the cock-sureness of the fool that I was! ... I am certain
|
|
one ought to be allowed to undo what one had done so ignorantly!
|
|
I daresay it happens to lots of women, only they submit, and I kick....
|
|
When people of a later age look back upon the barbarous customs and
|
|
superstitions of the times that we have the unhappiness to live in,
|
|
what WILL they say!"
|
|
|
|
"You are very bitter, darling Sue! How I wish--I wish----"
|
|
|
|
"You must go in now!"
|
|
|
|
In a moment of impulse she bent over the sill, and laid her face upon
|
|
his hair, weeping, and then imprinting a scarcely perceptible little kiss
|
|
upon the top of his head, withdrawing quickly, so that he could not put
|
|
his arms round her, as otherwise he unquestionably would have done.
|
|
She shut the casement, and he returned to his cottage.
|
|
|
|
|
|
|
|
III
|
|
|
|
|
|
SUE'S distressful confession recurred to Jude's mind all the night as being
|
|
a sorrow indeed.
|
|
|
|
The morning after, when it was time for her to go, the neighbours
|
|
saw her companion and herself disappearing on foot down the hill
|
|
path which led into the lonely road to Alfredston. An hour
|
|
passed before he returned along the same route, and in his face
|
|
there was a look of exaltation not unmixed with recklessness.
|
|
An incident had occurred.
|
|
|
|
They had stood parting in the silent highway, and their tense
|
|
and passionate moods had led to bewildered inquiries of each
|
|
other on how far their intimacy ought to go; till they had
|
|
almost quarrelled, and she said tearfully that it was hardly
|
|
proper of him as a parson in embryo to think of such a thing
|
|
as kissing her even in farewell as he now wished to do.
|
|
Then she had conceded that the fact of the kiss would be nothing:
|
|
all would depend upon the spirit of it. If given in
|
|
the spirit of a cousin and a friend she saw no objection:
|
|
if in the spirit of a lover she could not permit it.
|
|
"Will you swear that it will not be in that spirit?"
|
|
she had said.
|
|
|
|
No: he would not. And then they had turned from each other
|
|
in estrangement, and gone their several ways, till at a distance
|
|
of twenty or thirty yards both had looked round simultaneously.
|
|
That look behind was fatal to the reserve hitherto more
|
|
or less maintained. They had quickly run back, and met,
|
|
and embracing most unpremeditatedly, kissed close and long.
|
|
When they parted for good it was with flushed cheeks on her side,
|
|
and a beating heart on his.
|
|
|
|
The kiss was a turning-point in Jude's career. Back again
|
|
in the cottage, and left to reflection, he saw one thing:
|
|
that though his kiss of that aerial being had seemed the purest
|
|
moment of his faultful life, as long as he nourished this
|
|
unlicensed tenderness it was glaringly inconsistent for him to
|
|
pursue the idea of becoming the soldier and servant of a religion
|
|
in which sexual love was regarded as at its best a frailty,
|
|
and at its worst damnation. What Sue had said in warmth
|
|
was really the cold truth. When to defend his affection
|
|
tooth and nail, to persist with headlong force in impassioned
|
|
attentions to her, was all he thought of, he was condemned
|
|
IPSO FACTO as a professor of the accepted school of morals.
|
|
He was as unfit, obviously, by nature, as he had been
|
|
by social position, to fill the part of a propounder of
|
|
accredited dogma.
|
|
|
|
Strange that his first aspiration--towards academical proficiency--
|
|
had been checked by a woman, and that his second aspiration--
|
|
towards apostleship--had also been checked by a woman. "Is it,"
|
|
he said, "that the women are to blame; or is it the artificial system
|
|
of things, under which the normal sex-impulses are turned into devilish
|
|
domestic gins and springs to noose and hold back those who want
|
|
to progress?"
|
|
|
|
It had been his standing desire to become a prophet, however humble,
|
|
to his struggling fellow-creatures, without any thought of personal gain.
|
|
Yet with a wife living away from him with another husband, and himself
|
|
in love erratically, the loved one's revolt against her state being
|
|
possibly on his account, he had sunk to be barely respectable according to
|
|
regulation views.
|
|
|
|
It was not for him to consider further: he had only to confront the obvious,
|
|
which was that he had made himself quite an impostor as a law-abiding
|
|
religious teacher.
|
|
|
|
At dusk that evening he went into the garden and dug a shallow hole, to which
|
|
he brought out all the theological and ethical works that he possessed,
|
|
and had stored here. He knew that, in this country of true believers,
|
|
most of them were not saleable at a much higher price than waste-paper value,
|
|
and preferred to get rid of them in his own way, even if he should sacrifice
|
|
a little money to the sentiment of thus destroying them. Lighting some loose
|
|
pamphlets to begin with, he cut the volumes into pieces as well as he could,
|
|
and with a three-pronged fork shook them over the flames. They kindled,
|
|
and lighted up the back of the house, the pigsty, and his own face, till they
|
|
were more or less consumed.
|
|
|
|
Though he was almost a stranger here now, passing cottagers
|
|
talked to him over the garden hedge.
|
|
|
|
"Burning up your awld aunt's rubbidge, I suppose? Ay; a lot gets heaped up
|
|
in nooks and corners when you've lived eighty years in one house."
|
|
|
|
It was nearly one o'clock in the morning before the leaves, covers,
|
|
and binding of Jeremy Taylor, Butler, Doddridge, Paley, Pusey, Newman and
|
|
the rest had gone to ashes, but the night was quiet, and as he turned
|
|
and turned the paper shreds with the fork, the sense of being no longer
|
|
a hypocrite to himself afforded his mind a relief which gave him calm.
|
|
He might go on believing as before, but he professed nothing, and no
|
|
longer owned and exhibited engines of faith which, as their proprietor,
|
|
he might naturally be supposed to exercise on himself first of all.
|
|
In his passion for Sue he could not stand as an ordinary sinner, and not
|
|
as a whited sepulchre.
|
|
|
|
Meanwhile Sue, after parting from him earlier in the day, had gone along to
|
|
the station, with tears in her eyes for having run back and let him kiss her.
|
|
Jude ought not to have pretended that he was not a lover, and made her give
|
|
way to an impulse to act unconventionally, if not wrongly. She was inclined
|
|
to call it the latter; for Sue's logic was extraordinarily compounded,
|
|
and seemed to maintain that before a thing was done it might be right to do,
|
|
but that being done it became wrong; or, in other words, that things which
|
|
were right in theory were wrong in practice.
|
|
|
|
"I have been too weak, I think!" she jerked out as she pranced on,
|
|
shaking down tear-drops now and then. "It was burning,
|
|
like a lover's--oh, it was! And I won't write to him any more,
|
|
or at least for a long time, to impress him with my dignity!
|
|
And I hope it will hurt him very much--expecting a letter
|
|
to-morrow morning, and the next, and the next, and no letter coming.
|
|
He'll suffer then with suspense--won't he, that's all!--and I am
|
|
very glad of it!"--Tears of pity for Jude's approaching sufferings
|
|
at her hands mingled with those which had surged up in pity
|
|
for herself.
|
|
|
|
Then the slim little wife or a husband whose person was disagreeable to her,
|
|
the ethereal, fine-nerved, sensitive girl, quite unfitted by temperament and
|
|
instinct to fulfil the conditions of the matrimonial relation with Phillotson,
|
|
possibly with scarce any man, walked fitfully along, and panted, and brought
|
|
weariness into her eyes by gazing and worrying hopelessly.
|
|
|
|
Phillotson met her at the arrival station, and, seeing that she
|
|
was troubled, thought it must be owing to the depressing effect
|
|
of her aunt's death and funeral. He began telling her of his
|
|
day's doings, and how his friend Gillingham, a neighbouring
|
|
schoolmaster whom he had not seen for years, had called upon him.
|
|
While ascending to the town, seated on the top of the omnibus
|
|
beside him, she said suddenly and with an air of self-chastisement,
|
|
regarding the white road and its bordering bushes of hazel:
|
|
|
|
"Richard--I let Mr. Fawley hold my hand a long while.
|
|
I don't know whether you think it wrong?"
|
|
|
|
He, waking apparently from thoughts of far different mould,
|
|
said vaguely, "Oh, did you? What did you do that for?"
|
|
|
|
"I don't know. He wanted to, and I let him."
|
|
|
|
"I hope it pleased him. I should think it was hardly a novelty."
|
|
|
|
They lapsed into silence. Had this been a case in the court of an
|
|
omniscient judge, he might have entered on his notes the curious
|
|
fact that Sue had placed the minor for the major indiscretion,
|
|
and had not said a word about the kiss.
|
|
|
|
After tea that evening Phillotson sat balancing the school registers.
|
|
She remained in an unusually silent, tense, and restless condition,
|
|
and at last, saying she was tired, went to bed early. When Phillotson
|
|
arrived upstairs, weary with the drudgery of the attendance-numbers, it
|
|
was a quarter to twelve o'clock. Entering their chamber, which by day
|
|
commanded a view of some thirty or forty miles over the Vale of Blackmoor,
|
|
and even into Outer Wessex, he went to the window, and, pressing his face
|
|
against the pane, gazed with hard-breathing fixity into the mysterious
|
|
darkness which now covered the far-reaching scene. He was musing, "I think,"
|
|
he said at last, without turning his head, "that I must get the committee
|
|
to change the school-stationer. All the copybooks are sent wrong
|
|
this time."
|
|
|
|
There was no reply. Thinking Sue was dozing he went on:
|
|
|
|
"And there must be a rearrangement of that ventilator in the class-room. The
|
|
wind blows down upon my head unmercifully and gives me the ear-ache."
|
|
|
|
As the silence seemed more absolute than ordinarily he turned round.
|
|
The heavy, gloomy oak wainscot, which extended over the walls
|
|
upstairs and down in the dilapidated "Old-Grove Place,"
|
|
and the massive chimney-piece reaching to the ceiling,
|
|
stood in odd contrast to the new and shining brass bedstead,
|
|
and the new suite of birch furniture that he had bought for her,
|
|
the two styles seeming to nod to each other across three centuries
|
|
upon the shaking floor.
|
|
|
|
"Soo!" he said (this being the way in which he pronounced her name).
|
|
|
|
She was not in the bed, though she had apparently been there--
|
|
the clothes on her side being flung back. Thinking she
|
|
might have forgotten some kitchen detail and gone downstairs
|
|
for a moment to see to it, he pulled off his coat and idled
|
|
quietly enough for a few minutes, when, finding she did not come,
|
|
he went out upon the landing, candle in hand, and said
|
|
again "Soo!"
|
|
|
|
"Yes!" came back to him in her voice, from the distant kitchen quarter.
|
|
|
|
"What are you doing down there at midnight--tiring yourself out for nothing!"
|
|
|
|
"I am not sleepy; I am reading; and there is a larger fire here."
|
|
|
|
He went to bed. Some time in the night he awoke. She was not there,
|
|
even now. Lighting a candle he hastily stepped out upon the landing,
|
|
and again called her name.
|
|
|
|
She answered "Yes!" as before, but the tones were small and confined,
|
|
and whence they came he could not at first understand.
|
|
Under the staircase was a large clothes-closet, without a window;
|
|
they seemed to come from it. The door was shut, but there was no
|
|
lock or other fastening. Phillotson, alarmed, went towards it,
|
|
wondering if she had suddenly become deranged.
|
|
|
|
"What are you doing in there?" he asked.
|
|
|
|
"Not to disturb you I came here, as it was so late."
|
|
|
|
"But there's no bed, is there? And no ventilation! Why, you'll be suffocated
|
|
if you stay all night!"
|
|
|
|
"Oh no, I think not. Don't trouble about me."
|
|
|
|
"But--" Phillotson seized the knob and pulled at the door.
|
|
She had fastened it inside with a piece of string, which broke
|
|
at his pull. There being no bedstead she had flung down some rugs
|
|
and made a little nest for herself in the very cramped quarters
|
|
the closet afforded.
|
|
|
|
When he looked in upon her she sprang out of her lair,
|
|
great-eyed and trembling.
|
|
|
|
"You ought not to have pulled open the door!" she cried excitedly.
|
|
"It is not becoming in you! Oh, will you go away; please will you!"
|
|
|
|
She looked so pitiful and pleading in her white nightgown
|
|
against the shadowy lumber-hole that he was quite worried.
|
|
She continued to beseech him not to disturb her.
|
|
|
|
He said: "I've been kind to you, and given you every liberty;
|
|
and it is monstrous that you should feel in this way!"
|
|
|
|
"Yes," said she, weeping. "I know that! It is wrong and wicked of me,
|
|
I suppose! I am very sorry. But it is not I altogether that am
|
|
to blame!"
|
|
|
|
"Who is then? Am l?"
|
|
|
|
"No--I don't know! The universe, I suppose--things in general,
|
|
because they are so horrid and cruel!"
|
|
|
|
"Well, it is no use talking like that. Making a man's house so
|
|
unseemly at this time o' night! Eliza will hear if we don't mind."
|
|
(He meant the servant.) "Just think if either of the parsons in this
|
|
town was to see us now! I hate such eccentricities, Sue. There's no
|
|
order or regularity in your sentiments! ... But I won't intrude on
|
|
you further; only I would advise you not to shut the door too tight,
|
|
or I shall find you stifled to-morrow."
|
|
|
|
On rising the next morning he immediately looked into the closet,
|
|
but Sue had already gone downstairs. There was a little nest
|
|
where she had lain, and spiders' webs hung overhead. "What must
|
|
a woman's aversion be when it is stronger than her fear of spiders!"
|
|
he said bitterly.
|
|
|
|
He found her sitting at the breakfast-table, and the meal began
|
|
almost in silence, the burghers walking past upon the pavement--
|
|
or rather roadway, pavements being scarce here--which was
|
|
two or three feet above the level of the parlour floor.
|
|
They nodded down to the happy couple their morning greetings,
|
|
as they went on.
|
|
|
|
"Richard," she said all at once; "would you mind my living away from you?"
|
|
|
|
"Away from me? Why, that's what you were doing when I married you.
|
|
What then was the meaning of marrying at all?"
|
|
|
|
"You wouldn't like me any the better for telling you."
|
|
|
|
"I don't object to know."
|
|
|
|
"Because I thought I could do nothing else. You had got my
|
|
promise a long time before that, remember. Then, as time went on,
|
|
I regretted I had promised you, and was trying to see an honourable
|
|
way to break it off. But as I couldn't I became rather reckless
|
|
and careless about the conventions. Then you know what scandals
|
|
were spread, and how I was turned out of the training school you
|
|
had taken such time and trouble to prepare me for and get me into;
|
|
and this frightened me and it seemed then that the one thing I
|
|
could do would be to let the engagement stand. Of course I,
|
|
of all people, ought not to have cared what was said, for it was
|
|
just what I fancied I never did care for. But I was a coward--
|
|
as so many women are--and my theoretic unconventionality broke down.
|
|
If that had not entered into the case it would have been better to
|
|
have hurt your feelings once for all then, than to marry you and hurt
|
|
them all my life after.... And you were so generous in never giving
|
|
credit for a moment to the rumour."
|
|
|
|
"I am bound in honesty to tell you that I weighed its probability
|
|
and inquired of your cousin about it."
|
|
|
|
"Ah!" she said with pained surprise.
|
|
|
|
"I didn't doubt you."
|
|
|
|
"But you inquired!"
|
|
|
|
"I took his word."
|
|
|
|
Her eyes had filled. "HE wouldn't have inquired!" she said.
|
|
"But you haven't answered me. Will you let me go away?
|
|
I know how irregular it is of me to ask it----"
|
|
|
|
"It is irregular."
|
|
|
|
"But I do ask it! Domestic laws should be made according to temperaments,
|
|
which should be classified. If people are at all peculiar in character they
|
|
have to suffer from the very rules that produce comfort in others! ... Will
|
|
you let me?"
|
|
|
|
"But we married"
|
|
|
|
"What is the use of thinking of laws and ordinances," she burst out,
|
|
"if they make you miserable when you know you are committing no sin?"
|
|
|
|
"But you are committing a sin in not liking me."
|
|
|
|
"I DO like you! But I didn't reflect it would be--that it would
|
|
be so much more than that.... For a man and woman to live on intimate
|
|
terms when one feels as I do is adultery, in any circumstances,
|
|
however legal. There--I've said it! ... Will you let me, Richard?"
|
|
|
|
"You distress me, Susanna, by such importunity!"
|
|
|
|
"Why can't we agree to free each other? We made the compact,
|
|
and surely we can cancel it--not legally of course;
|
|
but we can morally, especially as no new interests,
|
|
in the shape of children, have arisen to be looked after.
|
|
Then we might be friends, and meet without pain to either.
|
|
Oh Richard, be my friend and have pity! We shall both be
|
|
dead in a few years, and then what will it matter to anybody
|
|
that you relieved me from constraint for a little while?
|
|
I daresay you think me eccentric, or super-sensitive, or
|
|
something absurd. Well--why should I suffer for what I was born
|
|
to be, if it doesn't hurt other people?"
|
|
|
|
"But it does--it hurts me! And you vowed to love me."
|
|
|
|
"Yes--that's it! I am in the wrong. I always am! It is as culpable to bind
|
|
yourself to love always as to believe a creed always, and as silly as to vow
|
|
always to like a particular food or drink!"
|
|
|
|
"And do you mean, by living away from me, living by yourself?"
|
|
|
|
"Well, if you insisted, yes. But I meant living with Jude."
|
|
|
|
"As his wife?"
|
|
|
|
"As I choose."
|
|
|
|
Phillotson writhed.
|
|
|
|
Sue continued: "She, or he, 'who lets the world, or his own
|
|
portion of it, choose his plan of life for him, has no need
|
|
of any other faculty than the apelike one of imitation.'
|
|
J. S. Mill's words, those are. I have been reading it up.
|
|
Why can't you act upon them? I wish to, always."
|
|
|
|
"What do I care about J. S. Mill!" moaned he. "I only want
|
|
to lead a quiet life! Do you mind my saying that I have
|
|
guessed what never once occurred to me before our marriage--
|
|
that you were in love, and are in love, with Jude Fawley!"
|
|
|
|
"You may go on guessing that I am, since you have begun.
|
|
But do you suppose that if I had been I should have asked you
|
|
to let me go and live with him?"
|
|
|
|
The ringing of the school bell saved Phillotson from the necessity
|
|
of replying at present to what apparently did not strike him
|
|
as being such a convincing ARGUMENTUM AD VERECUNDIAM as she,
|
|
in her loss of courage at the last moment, meant it to appear.
|
|
She was beginning to be so puzzling and unstateable that he was ready
|
|
to throw in with her other little peculiarities the extremest request
|
|
which a wife could make.
|
|
|
|
They proceeded to the schools that morning as usual, Sue entering
|
|
the class-room, where he could see the back of her head through
|
|
the glass partition whenever he turned his eyes that way.
|
|
As he went on giving and hearing lessons his forehead and eyebrows
|
|
twitched from concentrated agitation of thought, till at length
|
|
he tore a scrap from a sheet of scribbling paper and wrote:
|
|
|
|
|
|
Your request prevents my attending to work at all. I don't know
|
|
what I am doing! Was it seriously made?
|
|
|
|
|
|
He folded the piece of paper very small, and gave it to a little
|
|
boy to take to Sue. The child toddled off into the class-room.
|
|
Phillotson saw his wife turn and take the note, and the bend
|
|
of her pretty head as she read it, her lips slightly crisped,
|
|
to prevent undue expression under fire of so many young eyes.
|
|
He could not see her hands, but she changed her position,
|
|
and soon the child returned, bringing nothing in reply.
|
|
In a few minutes, however, one of Sue's class appeared,
|
|
with a little note similar to his own. These words only were
|
|
pencilled therein:
|
|
|
|
|
|
I am sincerely sorry to say that it was seriously made.
|
|
|
|
|
|
Phillotson looked more disturbed than before, and the meeting-place
|
|
of his brows twitched again. In ten minutes he called up the child
|
|
he had just sent to her, and dispatched another missive:
|
|
|
|
|
|
God knows I don't want to thwart you in any reasonable way.
|
|
My whole thought is to make you comfortable and happy. But I
|
|
cannot agree to such a preposterous notion as your going to live
|
|
with your lover. You would lose everybody's respect and regard;
|
|
and so should I!
|
|
|
|
|
|
After an interval a similar part was enacted in the class-room,
|
|
and an answer came:
|
|
|
|
|
|
I know you mean my good. But I don't want to be respectable!
|
|
To produce "Human development in its richest diversity"
|
|
(to quote your Humboldt) is to my mind far above respectability.
|
|
No doubt my tastes are low--in your view--hopelessly low!
|
|
If you won t let me go to him, will you grant me this one request--
|
|
allow me to live in your house in a separate way?
|
|
|
|
|
|
To this he returned no answer.
|
|
|
|
She wrote again:
|
|
|
|
|
|
I know what you think. But cannot you have pity on me?
|
|
I beg you to; I implore you to be merciful! I would not
|
|
ask if I were not almost compelled by what I can't bear!
|
|
No poor woman has ever wished more than I that Eve had
|
|
not fallen, so that (as the primitive Christians believed)
|
|
some harmless mode of vegetation might have peopled Paradise.
|
|
But I won't trifle! Be kind to me--even though I have not been
|
|
kind to you! I will go away, go abroad, anywhere, and never
|
|
trouble you.
|
|
|
|
|
|
Nearly an hour passed, and then he returned an answer:
|
|
|
|
|
|
I do not wish to pain you. How well you KNOW I don't! Give me a little time.
|
|
I am disposed to agree to your last request.
|
|
|
|
|
|
One line from her:
|
|
|
|
|
|
Thank you from my heart, Richard. I do not deserve your kindness.
|
|
|
|
|
|
All day Phillotson bent a dazed regard upon her through the glazed partition;
|
|
and he felt as lonely as when he had not known her.
|
|
|
|
But he was as good as his word, and consented to her living
|
|
apart in the house. At first, when they met at meals,
|
|
she had seemed more composed under the new arrangement;
|
|
but the irksomeness of their position worked on her temperament,
|
|
and the fibres of her nature seemed strained like harp-strings.
|
|
She talked vaguely and indiscriminately to prevent his
|
|
talking pertinently.
|
|
|
|
|
|
|
|
IV
|
|
|
|
|
|
PHILLOTSON was sitting up late, as was often his custom,
|
|
trying to get together the materials for his long-neglected
|
|
hobby of Roman antiquities. For the first time since reviving
|
|
the subject he felt a return of his old interest in it.
|
|
He forgot time and place, and when he remembered himself and
|
|
ascended to rest it was nearly two o'clock.
|
|
|
|
His preoccupation was such that, though he now slept on the other side
|
|
of the house, he mechanically went to the room that he and his wife
|
|
had occupied when he first became a tenant of Old-Grove Place,
|
|
which since his differences with Sue had been hers exclusively.
|
|
He entered, and unconsciously began to undress.
|
|
|
|
There was a cry from the bed, and a quick movement.
|
|
Before the schoolmaster had realized where he was he perceived Sue
|
|
starting up half-awake, staring wildly, and springing out upon
|
|
the floor on the side away from him, which was towards the window.
|
|
This was somewhat hidden by the canopy of the bedstead,
|
|
and in a moment he heard her flinging up the sash. Before he had
|
|
thought that she meant to do more than get air she had mounted
|
|
upon the sill and leapt out. She disappeared in the darkness,
|
|
and he heard her fall below.
|
|
|
|
Phillotson, horrified, ran downstairs, striking himself sharply
|
|
against the newel in his haste. Opening the heavy door
|
|
he ascended the two or three steps to the level of the ground,
|
|
and there on the gravel before him lay a white heap.
|
|
Phillotson seized it in his arms, and bringing Sue into the hall
|
|
seated her on a chair, where he gazed at her by the flapping
|
|
light of the candle which he had set down in the draught on
|
|
the bottom stair.
|
|
|
|
She had certainly not broken her neck. She looked at him with eyes
|
|
that seemed not to take him in; and though not particularly large
|
|
in general they appeared so now.
|
|
|
|
She pressed her side and rubbed her arm, as if conscious of pain;
|
|
then stood up, averting her face, in evident distress at his gaze.
|
|
|
|
"Thank God--you are not killed! Though it's not for want of trying--
|
|
not much hurt I hope?"
|
|
|
|
Her fall, in fact, had not been a serious one, probably owing to the
|
|
lowness of the old rooms and to the high level of the ground without.
|
|
Beyond a scraped elbow and a blow in the side she had apparently incurred
|
|
little harm.
|
|
|
|
"I was asleep, I think!" she began, her pale face still turned away from him.
|
|
"And something frightened me--a terrible dream--I thought I saw you--"
|
|
The actual circumstances seemed to come back to her, and she was silent.
|
|
|
|
Her cloak was hanging at the back of the door, and the wretched
|
|
Phillotson flung it round her. "Shall I help you upstairs?"
|
|
he asked drearily; for the significance of all this sickened him
|
|
of himself and of everything.
|
|
|
|
"No thank you, Richard. I am very little hurt. I can walk."
|
|
|
|
"You ought to lock your door," he mechanically said, as if lecturing
|
|
in school. "Then no one could intrude even by accident."
|
|
|
|
"I have tried--it won't lock. All the doors are out of order."
|
|
|
|
The aspect of things was not improved by her admission.
|
|
She ascended the staircase slowly, the waving light of
|
|
the candle shining on her. Phillotson did not approach her,
|
|
or attempt to ascend himself till he heard her enter her room.
|
|
Then he fastened up the front door, and returning, sat down on
|
|
the lower stairs, holding the newel with one hand, and bowing
|
|
his face into the other. Thus he remained for a long long time--
|
|
a pitiable object enough to one who had seen him; till, raising his
|
|
head and sighing a sigh which seemed to say that the business
|
|
of his life must be carried on, whether he had a wife or no,
|
|
he took the candle and went upstairs to his lonely room on the other
|
|
side of the landing.
|
|
|
|
No further incident touching the matter between them occurred
|
|
till the following evening, when, immediately school was over,
|
|
Phillotson walked out of Shaston, saying he required no tea,
|
|
and not informing Sue where he was going. He descended from
|
|
the town level by a steep road in a north-westerly direction,
|
|
and continued to move downwards till the soil changed from its
|
|
white dryness to a tough brown clay. He was now on the low
|
|
alluvial beds
|
|
|
|
|
|
Where Duncliffe is the traveller's mark,
|
|
And cloty Stour's a-rolling dark.
|
|
|
|
|
|
More than once he looked back in the increasing obscurity of evening.
|
|
Against the sky was Shaston, dimly visible
|
|
|
|
|
|
On the grey-topp'd height
|
|
Of Paladore, as pale day wore
|
|
Away... [1]
|
|
|
|
|
|
The new-lit lights from its windows burnt with a steady shine
|
|
as if watching him, one of which windows was his own. Above it
|
|
he could just discern the pinnacled tower of Trinity Church.
|
|
The air down here, tempered by the thick damp bed of tenacious clay,
|
|
was not as it had been above, but soft and relaxing, so that when
|
|
he had walked a mile or two he was obliged to wipe his face with
|
|
his handkerchief.
|
|
|
|
Leaving Duncliffe Hill on the left he proceeded without
|
|
hesitation through the shade, as a man goes on, night or day,
|
|
in a district over which he has played as a boy. He had walked
|
|
altogether about four and a half miles
|
|
|
|
|
|
Where Stour receives her strength,
|
|
From six cleere fountains fed, [2]
|
|
|
|
|
|
when he crossed a tributary of the Stour, and reached Leddenton--
|
|
a little town of three or four thousand inhabitants--
|
|
where he went on to the boys' school, and knocked at the door
|
|
of the master's residence.
|
|
|
|
[1] William Barnes. [2] Drayton.
|
|
|
|
A boy pupil-teacher opened it, and to Phillotson's inquiry
|
|
if Mr. Gillingham was at home replied that he was, going at
|
|
once off to his own house, and leaving Phillotson to find
|
|
his way in as he could. He discovered his friend putting away
|
|
some books from which he had been giving evening lessons.
|
|
The light of the paraffin lamp fell on Phillotson's face--
|
|
pale and wretched by contrast with his friend's, who had a cool,
|
|
practical look. They had been schoolmates in boyhood,
|
|
and fellow-students at Wintoncester Training College, many years
|
|
before this time.
|
|
|
|
"Glad to see you, Dick! But you don't look well? Nothing the matter?"
|
|
|
|
Phillotson advanced without replying, and Gillingham closed
|
|
the cupboard and pulled up beside his visitor.
|
|
|
|
"Why you haven't been here--let me see--since you were married?
|
|
I called, you know, but you were out; and upon my word it
|
|
is such a climb after dark that I have been waiting till
|
|
the days are longer before lumpering up again. I am glad you
|
|
didn't wait, however."
|
|
|
|
Though well-trained and even proficient masters, they occasionally
|
|
used a dialect-word of their boyhood to each other in private.
|
|
|
|
"I've come, George, to explain to you my reasons for taking
|
|
a step that I am about to take, so that you, at least,
|
|
will understand my motives if other people question them anywhen--
|
|
as they may, indeed certainly will.... But anything is better
|
|
than the present condition of things God forbid that you should
|
|
ever have such an experience as mine!"
|
|
|
|
"Sit down. You don't mean--anything wrong between you and Mrs. Phillotson?"
|
|
|
|
"I do.... My wretched state is that I've a wife I love who not only
|
|
does not love me, but--but Well, I won't say. I know her feeling!
|
|
I should prefer hatred from her!"
|
|
|
|
"Ssh!"
|
|
|
|
"And the sad part of it is that she is not so much to blame
|
|
as I. She was a pupil-teacher under me, as you know, and I took
|
|
advantage of her inexperience, and toled her out for walks,
|
|
and got her to agree to a long engagement before she well knew
|
|
her own mind. Afterwards she saw somebody else, but she blindly
|
|
fulfilled her engagement."
|
|
|
|
"Loving the other?"
|
|
|
|
"Yes; with a curious tender solicitude seemingly; though her exact
|
|
feeling for him is a riddle to me--and to him too, I think--
|
|
possibly to herself. She is one of the oddest creatures I
|
|
ever met. However, I have been struck with these two facts;
|
|
the extraordinary sympathy, or similarity, between the pair.
|
|
He is her cousin, which perhaps accounts for some of it.
|
|
They seem to be one person split in two! And with her
|
|
unconquerable aversion to myself as a husband, even though
|
|
she may like me as a friend, 'tis too much to bear longer.
|
|
She has conscientiously struggled against it, but to no purpose.
|
|
I cannot bear it--I cannot! I can't answer her arguments--she has
|
|
read ten times as much as I. Her intellect sparkles like diamonds,
|
|
while mine smoulders like brown paper.... She's one too many
|
|
for me!"
|
|
|
|
"She'll get over it, good-now?"
|
|
|
|
"Never! It is--but I won't go into it--there are reasons why she never will.
|
|
At last she calmly and firmly asked if she might leave me and go to him.
|
|
The climax came last night, when, owing to my entering her room by accident,
|
|
she jumped out of window--so strong was her dread of me! She pretended it
|
|
was a dream, but that was to soothe me. Now when a woman jumps out of window
|
|
without caring whether she breaks her neck or no, she's not to be mistaken;
|
|
and this being the case I have come to a conclusion: that it is wrong to so
|
|
torture a fellow-creature any longer; and I won't be the inhuman wretch to do
|
|
it, cost what it may!"
|
|
|
|
"What--you'll let her go? And with her lover?"
|
|
|
|
"Whom with is her matter. I shall let her go; with him certainly,
|
|
if she wishes. I know I may be wrong--I know I can't logically,
|
|
or religiously, defend my concession to such a wish of hers,
|
|
or harmonize it with the doctrines I was brought up in.
|
|
Only I know one thing: something within me tells me I am doing
|
|
wrong in refusing her. I, like other men, profess to hold
|
|
that if a husband gets such a so-called preposterous request
|
|
from his wife, the only course that can possibly be regarded
|
|
as right and proper and honourable in him is to refuse it, and put
|
|
her virtuously under lock and key, and murder her lover perhaps.
|
|
But is that essentially right, and proper, and honourable,
|
|
or is it contemptibly mean and selfish? I don't profess to decide.
|
|
I simply am going to act by instinct, and let principles
|
|
take care of themselves. If a person who has blindly walked
|
|
into a quagmire cries for help, I am inclined to give it,
|
|
if possible."
|
|
|
|
"But--you see, there's the question of neighbours and society--
|
|
what will happen if everybody----"
|
|
|
|
"Oh, I am not going to be a philosopher any longer! I only see what's
|
|
under my eyes."
|
|
|
|
"Well--I don't agree with your instinct, Dick!" said Gillingham gravely.
|
|
"I am quite amazed, to tell the truth, that such a sedate, plodding fellow as
|
|
you should have entertained such a craze for a moment. You said when I called
|
|
that she was puzzling and peculiar: I think you are!"
|
|
|
|
"Have you ever stood before a woman whom you know to be intrinsically
|
|
a good woman, while she has pleaded for release--been the man she has
|
|
knelt to and implored indulgence of?"
|
|
|
|
"I am thankful to say I haven't."
|
|
|
|
"Then I don't think you are in a position to give an opinion.
|
|
I have been that man, and it makes all the difference
|
|
in the world, if one has any manliness or chivalry in him.
|
|
I had not the remotest idea--living apart from women as I have
|
|
done for so many years--that merely taking a woman to church
|
|
and putting a ring upon her finger could by any possibility
|
|
involve one in such a daily, continuous tragedy as that now shared
|
|
by her and me!"
|
|
|
|
"Well, I could admit some excuse for letting her leave you,
|
|
provided she kept to herself. But to go attended by a cavalier--
|
|
that makes a difference."
|
|
|
|
"Not a bit. Suppose, as I believe, she would rather endure her
|
|
present misery than be made to promise to keep apart from him?
|
|
All that is a question for herself. It is not the same thing
|
|
at all as the treachery of living on with a husband and
|
|
playing him false.... However, she has not distinctly implied
|
|
living with him as wife, though I think she means to....
|
|
And to the best of my understanding it is not an ignoble,
|
|
merely animal, feeling between the two: that is the worst of it;
|
|
because it makes me think their affection will be enduring.
|
|
I did not mean to confess to you that in the first jealous
|
|
weeks of my marriage, before I had come to my right mind, I hid
|
|
myself in the school one evening when they were together there,
|
|
and I heard what they said. I am ashamed of it now,
|
|
though I suppose I was only exercising a legal right.
|
|
I found from their manner that an extraordinary affinity,
|
|
or sympathy, entered into their attachment, which somehow
|
|
took away all flavour of grossness. Their supreme desire is
|
|
to be together--to share each other's emotions, and fancies,
|
|
and dreams."
|
|
|
|
"Platonic!"
|
|
|
|
"Well no. Shelleyan would be nearer to it. They remind me of--
|
|
what are their names--Laon and Cythna. Also of Paul and Virginia a little.
|
|
The more I reflect, the more ENTIRELY I am on their side!"
|
|
|
|
"But if people did as you want to do, there'd be a general
|
|
domestic disintegration. The family would no longer be the social unit."
|
|
|
|
"Yes--I am all abroad, I suppose!" said Phillotson sadly.
|
|
"I was never a very bright reasoner, you remember.... And yet,
|
|
I don't see why the woman and the children should not be the unit
|
|
without the man."
|
|
|
|
"By the Lord Harry!--Matriarchy! ... Does SHE say all this too?"
|
|
|
|
"Oh no. She little thinks I have out-Sued Sue in this--
|
|
all in the last twelve hours!"
|
|
|
|
"It will upset all received opinion hereabout. Good God--
|
|
what will Shaston say!"
|
|
|
|
"I don't say that it won't. I don't know--I don't know! ... As I say,
|
|
I am only a feeler, not a reasoner."
|
|
|
|
"Now," said Gillingham, "let us take it quietly, and have something
|
|
to drink over it." He went under the stairs, and produced
|
|
a bottle of cider-wine, of which they drank a rummer each.
|
|
"I think you are rafted, and not yourself," he continued.
|
|
"Do go back and make up your mind to put up with a few whims.
|
|
But keep her. I hear on all sides that she's a charming
|
|
young thing."
|
|
|
|
"Ah yes! That's the bitterness of it! Well, I won't stay.
|
|
I have a long walk before me."
|
|
|
|
Gillingham accompanied his friend a mile on his way, and at parting
|
|
expressed his hope that this consultation, singular as its subject was,
|
|
would be the renewal of their old comradeship. "Stick to her!"
|
|
were his last words, flung into the darkness after Phillotson;
|
|
from which his friend answered "Aye, aye!"
|
|
|
|
But when Phillotson was alone under the clouds of night, and no sound
|
|
was audible but that of the purling tributaries of the Stour, he said,
|
|
"So Gillingham, my friend, you had no stronger arguments against it
|
|
than those!"
|
|
|
|
"I think she ought to be smacked, and brought to her senses--
|
|
that's what I think!" murmured Gillingham, as he walked
|
|
back alone.
|
|
|
|
The next morning came, and at breakfast Phillotson told Sue:
|
|
|
|
"You may go--with whom you will. I absolutely and unconditionally agree."
|
|
|
|
Having once come to this conclusion it seemed to Phillotson
|
|
more and more indubitably the true one. His mild serenity
|
|
at the sense that he was doing his duty by a woman who was
|
|
at his mercy almost overpowered his grief at relinquishing her.
|
|
|
|
Some days passed, and the evening of their last meal together had come--
|
|
a cloudy evening with wind--which indeed was very seldom absent
|
|
in this elevated place. How permanently it was imprinted upon
|
|
his vision; that look of her as she glided into the parlour to tea;
|
|
a slim flexible figure; a face, strained from its roundness,
|
|
and marked by the pallors of restless days and nights, suggesting tragic
|
|
possibilities quite at variance with her times of buoyancy;
|
|
a trying of this morsel and that, and an inability to eat either.
|
|
Her nervous manner, begotten of a fear lest he should be injured
|
|
by her course, might have been interpreted by a stranger as displeasure
|
|
that Phillotson intruded his presence on her for the few brief minutes
|
|
that remained.
|
|
|
|
"You had better have a slice of ham or an egg, or something with your tea?
|
|
You can't travel on a mouthful of bread and butter."
|
|
|
|
She took the slice he helped her to; and they discussed as they
|
|
sat trivial questions of housekeeping, such as where he would find
|
|
the key of this or that cupboard, what little bills were paid,
|
|
and what not.
|
|
|
|
"I am a bachelor by nature, as you know, Sue," he said, in a heroic attempt
|
|
to put her at her ease. "So that being without a wife will not really be
|
|
irksome to me, as it might be to other men who have had one a little while.
|
|
I have, too, this grand hobby in my head of writing 'The Roman Antiquities
|
|
of Wessex,' which will occupy all my spare hours."
|
|
|
|
"If you will send me some of the manuscript to copy at any time,
|
|
as you used to, I will do it with so much pleasure!" she said
|
|
with amenable gentleness. "I should much like to be some help
|
|
to you still--as a--friend."
|
|
|
|
Phillotson mused, and said: "No, I think we ought to be really separate,
|
|
if we are to be at all. And for this reason, that I don't wish to ask
|
|
you any questions, and particularly wish you not to give me information
|
|
as to your movements, or even your address.... Now, what money do you want?
|
|
You must have some, you know."
|
|
|
|
"Oh, of course, Richard, I couldn't think of having any of your
|
|
money to go away from you with! I don't want any either.
|
|
I have enough of my own to last me for a long while, and Jude
|
|
will let me have----"
|
|
|
|
"I would rather not know anything about him, if you don't mind.
|
|
You are free, absolutely; and your course is your own."
|
|
|
|
"Very well. But I'll just say that I have packed only a change or two
|
|
of my own personal clothing, and one or two little things besides that are
|
|
my very own. I wish you would look into my trunk before it is closed.
|
|
Besides that I have only a small parcel that will go into Jude's portmanteau."
|
|
|
|
"Of course I shall do no such thing as examine your luggage!
|
|
I wish you would take three-quarters of the household furniture.
|
|
I don't want to be bothered with it. I have a sort of affection
|
|
for a little of it that belonged to my poor mother and father.
|
|
But the rest you are welcome to whenever you like to send
|
|
for it."
|
|
|
|
"That I shall never do."
|
|
|
|
"You go by the six-thirty train, don't you? It is now a quarter to six."
|
|
|
|
"You ... You don't seem very sorry I am going, Richard!"
|
|
|
|
"Oh no--perhaps not."
|
|
|
|
"I like you much for how you have behaved. It is a curious thing
|
|
that directly I have begun to regard you as not my husband,
|
|
but as my old teacher, I like you. I won't be so affected as to
|
|
say I love you, because you know I don't, except as a friend.
|
|
But you do seem that to me!"
|
|
|
|
Sue was for a few moments a little tearful at these reflections,
|
|
and then the station omnibus came round to take her up.
|
|
Phillotson saw her things put on the top, handed her in,
|
|
and was obliged to make an appearance of kissing her as he wished
|
|
her good-bye, which she quite understood and imitated.
|
|
From the cheerful manner in which they parted the omnibus-man had no
|
|
other idea than that she was going for a short visit.
|
|
|
|
When Phillotson got back into the house he went upstairs
|
|
and opened the window in the direction the omnibus had taken.
|
|
Soon the noise of its wheels died away. He came down then,
|
|
his face compressed like that of one bearing pain; he put on his
|
|
hat and went out, following by the same route for nearly a mile.
|
|
Suddenly turning round he came home.
|
|
|
|
He had no sooner entered than the voice of his friend Gillingham
|
|
greeted him from the front room.
|
|
|
|
"I could make nobody hear; so finding your door open I walked in,
|
|
and made myself comfortable. I said I would call, you remember."
|
|
|
|
"Yes. I am much obliged to you, Gillingham, particularly for coming to-night."
|
|
|
|
"How is Mrs.----"
|
|
|
|
"She is quite well. She is gone--just gone. That's her tea-cup,
|
|
that she drank out of only an hour ago. And that's the plate she--"
|
|
Phillotson's throat got choked up, and he could not go on.
|
|
He turned and pushed the tea-things aside.
|
|
|
|
"Have you had any tea, by the by?" he asked presently in a renewed voice.
|
|
|
|
"No--yes--never mind," said Gillingham, preoccupied. "Gone, you say she is?"
|
|
|
|
"Yes.... I would have died for her; but I wouldn't be cruel
|
|
to her in the name of the law. She is, as I understand,
|
|
gone to join her lover. What they are going to do I cannot say.
|
|
Whatever it may be she has my full consent to."
|
|
|
|
There was a stability, a ballast, in Phillotson's pronouncement
|
|
which restrained his friend's comment. "Shall I--leave you?"
|
|
he asked.
|
|
|
|
"No, no. It is a mercy to me that you have come. I have some articles
|
|
to arrange and clear away. Would you help me?"
|
|
|
|
Gillingham assented; and having gone to the upper rooms
|
|
the schoolmaster opened drawers, and began taking out all Sue's
|
|
things that she had left behind, and laying them in a large box.
|
|
"She wouldn't take all I wanted her to," he continued.
|
|
"But when I made up my mind to her going to live in her own way I
|
|
did make up my mind."
|
|
|
|
"Some men would have stopped at an agreement to separate."
|
|
|
|
"I've gone into all that, and don't wish to argue it. I was, and am,
|
|
the most old-fashioned man in the world on the question of marriage--
|
|
in fact I had never thought critically about its ethics at all.
|
|
But certain facts stared me in the face, and I couldn't go
|
|
against them."
|
|
|
|
They went on with the packing silently. When it was done Phillotson closed
|
|
the box and turned the key.
|
|
|
|
"There," he said. "To adorn her her somebody's eyes; never again in mine!"
|
|
|
|
|
|
|
|
V
|
|
|
|
|
|
FOUR-AND-TWENTY hours before this time Sue had written the following
|
|
note to Jude:
|
|
|
|
|
|
It is as I told you; and I am leaving to-morrow evening.
|
|
Richard and I thought it could be done with less obtrusiveness
|
|
after dark. I feel rather frightened, and therefore ask you
|
|
to be sure you are on the Melchester platform to meet me.
|
|
I arrive at a little to seven. I know you will, of course,
|
|
dear Jude; but I feel so timid that I can't help begging
|
|
you to be punctual. He has been so VERY kind to me through
|
|
it all!
|
|
|
|
Now to our meeting! S.
|
|
|
|
|
|
As she was carried by the omnibus farther and farther down
|
|
from the mountain town--the single passenger that evening--
|
|
she regarded the receding road with a sad face. But no hesitation
|
|
was apparent therein.
|
|
|
|
The up-train by which she was departing stopped by signal only.
|
|
To Sue it seemed strange that such a powerful organization as a
|
|
railway train should be brought to a stand-still on purpose for her--
|
|
a fugitive from her lawful home.
|
|
|
|
The twenty minutes' journey drew towards its close, and Sue began
|
|
gathering her things together to alight. At the moment that the train
|
|
came to a stand-still by the Melchester platform a hand was laid on
|
|
the door and she beheld Jude. He entered the compartment promptly.
|
|
He had a black bag in his hand, and was dressed in the dark suit he wore
|
|
on Sundays and in the evening after work. Altogether he looked a very
|
|
handsome young fellow, his ardent affection for her burning in his eyes.
|
|
|
|
"Oh Jude!" She clasped his hand with both hers, and her tense state caused
|
|
her to simmer over in a little succession of dry sobs. "I--I am so glad!
|
|
I get out here?"
|
|
|
|
"No. I get in, dear one! I've packed. Besides this bag I've
|
|
only a big box which is labelled."
|
|
|
|
"But don't I get out? Aren't we going to stay here?"
|
|
|
|
"We couldn't possibly, don't you see. We are known here--I, at any rate,
|
|
am well known. I've booked for Aldbrickham; and here's your ticket
|
|
for the same place, as you have only one to here."
|
|
|
|
"I thought we should have stayed here," she repeated.
|
|
|
|
"It wouldn't have done at all."
|
|
|
|
"Ah! Perhaps not."
|
|
|
|
"There wasn't time for me to write and say the place I had decided on.
|
|
Aldbrickham is a much bigger town--sixty or seventy thousand inhabitants--
|
|
and nobody knows anything about us there."
|
|
|
|
"And you have given up your cathedral work here?"
|
|
|
|
"Yes. It was rather sudden--your message coming unexpectedly.
|
|
Strictly, I might have been made to finish out the week.
|
|
But I pleaded urgency and I was let off. I would have deserted
|
|
any day at your command, dear Sue. I have deserted more than
|
|
that for you!"
|
|
|
|
"I fear I am doing you a lot of harm. Ruining your prospects of the Church;
|
|
ruining your progress in your trade; everything!"
|
|
|
|
"The Church is no more to me. Let it lie! I am not to be one of
|
|
|
|
|
|
The soldier-saints who, row on row,
|
|
Burn upward each to his point of bliss,
|
|
|
|
|
|
if any such there be! My point of bliss is not upward,
|
|
but here."
|
|
|
|
"Oh I seem so bad--upsetting men's courses like this!" said she,
|
|
taking up in her voice the emotion that had begun in his.
|
|
But she recovered her equanimity by the time they had travelled a
|
|
dozen miles.
|
|
|
|
"He has been so good in letting me go," she resumed.
|
|
"And here's a note I found on my dressing-table, addressed
|
|
to you."
|
|
|
|
"Yes. He's not an unworthy fellow," said Jude, glancing at the note.
|
|
"And I am ashamed of myself for hating him because he married you."
|
|
|
|
"According to the rule of women's whims I suppose I ought to suddenly
|
|
love him, because he has let me go so generously and unexpectedly,"
|
|
she answered smiling. "But I am so cold, or devoid of gratitude,
|
|
or so something, that even this generosity hasn't made me love him,
|
|
or repent, or want to stay with him as his wife; although I do feel I
|
|
like his large-mindedness, and respect him more than ever."
|
|
|
|
"It may not work so well for us as if he had been less kind,
|
|
and you had run away against his will," murmured Jude.
|
|
|
|
"That I NEVER would have done."
|
|
|
|
Jude's eyes rested musingly on her face. Then he suddenly kissed her;
|
|
and was going to kiss her again. "No--only once now--please, Jude!"
|
|
|
|
"That's rather cruel," he answered; but acquiesced. "Such a strange
|
|
thing has happened to me," Jude continued after a silence.
|
|
"Arabella has actually written to ask me to get a divorce from her--
|
|
in kindness to her, she says. She wants to honestly and legally marry
|
|
that man she has already married virtually; and begs me to enable her
|
|
to do it."
|
|
|
|
"What have you done?"
|
|
|
|
"I have agreed. I thought at first I couldn't do it without
|
|
getting her into trouble about that second marriage, and I
|
|
don't want to injure her in any way. Perhaps she's no worse
|
|
than I am, after all! But nobody knows about it over here,
|
|
and I find it will not be a difficult proceeding at all.
|
|
If she wants to start afresh I have only too obvious reasons
|
|
for not hindering her."
|
|
|
|
"Then you'll be free?"
|
|
|
|
"Yes, I shall be free."
|
|
|
|
"Where are we booked for?" she asked, with the discontinuity
|
|
that marked her to-night.
|
|
|
|
"Aldbrickham, as I said."
|
|
|
|
"But it will be very late when we get there?"
|
|
|
|
"Yes. I thought of that, and I wired for a room for us at the Temperance
|
|
Hotel there."
|
|
|
|
"One?"
|
|
|
|
"Yes--one."
|
|
|
|
She looked at him. "Oh Jude!" Sue bent her forehead against the corner of
|
|
the compartment. "I thought you might do it; and that I was deceiving you.
|
|
But I didn't mean that!"
|
|
|
|
In the pause which followed, Jude's eyes fixed themselves with a stultified
|
|
expression on the opposite seat. "Well!" he said.... "Well!"
|
|
|
|
He remained in silence; and seeing how discomfited he was she put
|
|
her face against his cheek, murmuring, "Don't be vexed, dear!"
|
|
|
|
"Oh--there's no harm done," he said. "But--I understood it
|
|
like that.... Is this a sudden change of mind?"
|
|
|
|
"You have no right to ask me such a question; and I shan't answer!"
|
|
she said, smiling.
|
|
|
|
"My dear one, your happiness is more to me than anything--
|
|
although we seem to verge on quarrelling so often!--
|
|
and your will is law to me. I am something more than a mere--
|
|
selfish fellow, I hope. Have it as you wish!" On reflection
|
|
his brow showed perplexity. "But perhaps it is that you don't
|
|
love me--not that you have become conventional! Much as,
|
|
under your teaching, I hate convention, I hope it IS that,
|
|
not the other terrible alternative!"
|
|
|
|
Even at this obvious moment for candour Sue could not be
|
|
quite candid as to the state of that mystery, her heart.
|
|
"Put it down to my timidity," she said with hurried evasiveness;
|
|
"to a woman's natural timidity when the crisis comes. I may feel
|
|
as well as you that I have a perfect right to live with you
|
|
as you thought--from this moment. I may hold the opinion that,
|
|
in a proper state of society, the father of a woman's child will
|
|
be as much a private matter of hers as the cut of her underlinen,
|
|
on whom nobody will have any right to question her.
|
|
But partly, perhaps, because it is by his generosity that I am
|
|
now free, I would rather not be other than a little rigid.
|
|
If there had been a rope-ladder, and he had run after us
|
|
with pistols, it would have seemed different, and I may have
|
|
acted otherwise. But don't press me and criticize me, Jude!
|
|
Assume that I haven't the courage of my opinions. I know I
|
|
am a poor miserable creature. My nature is not so passionate
|
|
as yours!"
|
|
|
|
He repeated simply! "I thought--what I naturally thought.
|
|
But if we are not lovers, we are not. Phillotson thought so,
|
|
I am sure. See, here is what he has written to me." He opened
|
|
the letter she had brought, and read:
|
|
|
|
"I make only one condition--that you are tender and kind to her.
|
|
I know you love her. But even love may be cruel at times.
|
|
You are made for each other: it is obvious, palpable, to any
|
|
unbiased older person. You were all along 'the shadowy third'
|
|
in my short life with her. I repeat, take care of Sue."
|
|
|
|
"He's a good fellow, isn't he!" she said with latent tears.
|
|
On reconsideration she added, "He was very resigned to letting me go--
|
|
too resigned almost! I never was so near being in love with him
|
|
as when he made such thoughtful arrangements for my being comfortable
|
|
on my journey, and offering to provide money. Yet I was not.
|
|
If I loved him ever so little as a wife, I'd go back to him
|
|
even now."
|
|
|
|
"But you don't, do you?"
|
|
|
|
"It is true--oh so terribly true!--I don't."
|
|
|
|
"Nor me neither, I half-fear!" he said pettishly. "Nor anybody perhaps!
|
|
Sue, sometimes, when I am vexed with you, I think you are incapable
|
|
of real love."
|
|
|
|
"That's not good and loyal of you!" she said, and drawing away from him as far
|
|
as she could, looked severely out into the darkness. She added in hurt tones,
|
|
without turning round: "My liking for you is not as some women's perhaps.
|
|
But it is a delight in being with you, of a supremely delicate kind,
|
|
and I don't want to go further and risk it by--an attempt to intensify it!
|
|
I quite realized that, as woman with man, it was a risk to come. But, as me
|
|
with you, I resolved to trust you to set my wishes above your gratification.
|
|
Don't discuss it further, dear Jude!"
|
|
|
|
"Of course, if it would make you reproach yourself ... but you
|
|
do like me very much, Sue? Say you do! Say that you do a quarter,
|
|
a tenth, as much as I do you, and I'll be content!"
|
|
|
|
"I've let you kiss me, and that tells enough."
|
|
|
|
"Just once or so!"
|
|
|
|
"Well--don't be a greedy boy."
|
|
|
|
He leant back, and did not look at her for a long time.
|
|
That episode in her past history of which she had told him--
|
|
of the poor Christminster graduate whom she had handled thus,
|
|
returned to Jude's mind; and he saw himself as a possible second in
|
|
such a torturing destiny.
|
|
|
|
"This is a queer elopement!" he murmured. "Perhaps you
|
|
are making a cat's paw of me with Phillotson all this time.
|
|
Upon my word it almost seems so--to see you sitting up there
|
|
so prim!"
|
|
|
|
"Now you mustn't be angry--I won't let you!" she coaxed,
|
|
turning and moving nearer to him. "You did kiss me just now,
|
|
you know; and I didn't dislike you to, I own it, Jude. Only I
|
|
don't want to let you do it again, just yet--considering how we
|
|
are circumstanced, don't you see!"
|
|
|
|
He could never resist her when she pleaded (as she well knew). And they sat
|
|
side by side with joined hands, till she aroused herself at some thought.
|
|
|
|
"I can't possibly go to that Temperance Inn, after your telegraphing
|
|
that message!"
|
|
|
|
"Why not?"
|
|
|
|
"You can see well enough!"
|
|
|
|
"Very well; there'll be some other one open, no doubt.
|
|
I have sometimes thought, since your marrying Phillotson because
|
|
of a stupid scandal, that under the affectation of independent
|
|
views you are as enslaved to the social code as any woman
|
|
I know!"
|
|
|
|
"Not mentally. But I haven't the courage of my views, as I said before.
|
|
I didn't marry him altogether because of the scandal. But sometimes
|
|
a woman's LOVE OF BEING LOVED gets the better of her conscience,
|
|
and though she is agonized at the thought of treating a man cruelly,
|
|
she encourages him to love her while she doesn't love him at all.
|
|
Then, when she sees him suffering, her remorse sets in, and she does
|
|
what she can to repair the wrong."
|
|
|
|
"You simply mean that you flirted outrageously with him,
|
|
poor old chap, and then repented, and to make reparation,
|
|
married him, though you tortured yourself to death by doing it."
|
|
|
|
"Well--if you will put it brutally!--it was a little like that--
|
|
that and the scandal together--and your concealing from me what you
|
|
ought to have told me before!"
|
|
|
|
He could see that she was distressed and tearful at his criticisms,
|
|
and soothed her, saying: "There, dear; don't mind! Crucify me,
|
|
if you will! You know you are all the world to me, whatever you do!"
|
|
|
|
"I am very bad and unprincipled--I know you think that!"
|
|
she said, trying to blink away her tears.
|
|
|
|
"I think and know you are my dear Sue, from whom neither length nor breadth,
|
|
nor things present nor things to come, can divide me!"
|
|
|
|
Though so sophisticated in many things she was such a child
|
|
in others that this satisfied her, and they reached the end
|
|
of their journey on the best of terms. It was about ten
|
|
o'clock when they arrived at Aldbrickham, the county town
|
|
of North Wessex. As she would not go to the Temperance Hotel
|
|
because of the form of his telegram, Jude inquired for another;
|
|
and a youth who volunteered to find one wheeled their luggage
|
|
to the George farther on, which proved to be the inn at which Jude
|
|
had stayed with Arabella on that one occasion of their meeting
|
|
after their division for years.
|
|
|
|
Owing, however, to their now entering it by another door,
|
|
and to his preoccupation, he did not at first recognize the place.
|
|
When they had engaged their respective rooms they went down to a
|
|
late supper. During Jude's temporary absence the waiting-maid
|
|
spoke to Sue.
|
|
|
|
"I think, ma'am, I remember your relation, or friend, or whatever he is,
|
|
coming here once before--late, just like this, with his wife--a lady,
|
|
at any rate, that wasn't you by no manner of means--jest as med be with
|
|
you now."
|
|
|
|
"Oh do you?" said Sue, with a certain sickness of heart.
|
|
"Though I think you must be mistaken! How long ago was it?"
|
|
|
|
"About a month or two. A handsome, full-figured woman.
|
|
They had this room."
|
|
|
|
When Jude came back and sat down to supper Sue seemed moping and miserable.
|
|
"Jude," she said to him plaintively, at their parting that night upon
|
|
the landing, "it is not so nice and pleasant as it used to be with us!
|
|
|
|
I don't like it here--I can't bear the place! And I don't
|
|
like you so well as I did!"
|
|
|
|
"How fidgeted you seem, dear! Why do you change like this?"
|
|
|
|
"Because it was cruel to bring me here!"
|
|
|
|
"Why?"
|
|
|
|
"You were lately here with Arabella. There, now I have said it!"
|
|
|
|
"Dear me, why--" said Jude looking round him. "Yes--it is the same!
|
|
I really didn't know it, Sue. Well--it is not cruel, since we have come
|
|
as we have--two relations staying together."
|
|
|
|
"How long ago was it you were here? Tell me, tell me!"
|
|
|
|
"The day before I met you in Christminster, when we went back
|
|
to Marygreen together. I told you I had met her."
|
|
|
|
"Yes, you said you had met her, but you didn't tell me all.
|
|
Your story was that you had met as estranged people,
|
|
who were not husband and wife at all in Heaven's sight--
|
|
not that you had made it up with her."
|
|
|
|
"We didn't make it up," he said sadly. "I can't explain, Sue."
|
|
|
|
"You've been false to me; you, my last hope! And I shall
|
|
never forget it, never!"
|
|
|
|
"But by your own wish, dear Sue, we are only to be friends, not lovers!
|
|
It is so very inconsistent of you to----"
|
|
|
|
"Friends can be jealous!"
|
|
|
|
"I don't see that. You concede nothing to me and I have to concede everything
|
|
to you. After all, you were on good terms with your husband at that time."
|
|
|
|
"No, I wasn't, Jude. Oh how can you think so! And you have taken me in,
|
|
even if you didn't intend to." She was so mortified that he was obliged
|
|
to take her into her room and close the door lest the people should hear.
|
|
"Was it this room? Yes it was--I see by your look it was! I won't
|
|
have it for mine! Oh it was treacherous of you to have her again!
|
|
I jumped out of the window!"
|
|
|
|
"But Sue, she was, after all, my legal wife, if not--"
|
|
|
|
Slipping down on her knees Sue buried her face in the bed and wept.
|
|
|
|
"I never knew such an unreasonable--such a dog-in-the-manger feeling,"
|
|
said Jude. "I am not to approach you, nor anybody else!"
|
|
|
|
"Oh don't you UNDERSTAND my feeling! Why don't you! Why are you so gross!
|
|
I jumped out of the window!"
|
|
|
|
"Jumped out of window?"
|
|
|
|
"I can't explain!"
|
|
|
|
It was true that he did not understand her feelings very well.
|
|
But he did a little; and began to love her none the less.
|
|
|
|
"I--I thought you cared for nobody--desired nobody in the world but me
|
|
at that time--and ever since!" continued Sue.
|
|
|
|
"It is true. I did not, and don't now!" said Jude, as distressed as she.
|
|
|
|
"But you must have thought much of her! Or--"
|
|
|
|
"No--I need not--you don't understand me either--women never do!
|
|
Why should you get into such a tantrum about nothing?"
|
|
|
|
Looking up from the quilt she pouted provokingly: "If it hadn't
|
|
been for that, perhaps I would have gone on to the Temperance Hotel,
|
|
after all, as you proposed; for I was beginning to think I did belong
|
|
to you!"
|
|
|
|
"Oh, it is of no consequence!" said Jude distantly.
|
|
|
|
"I thought, of course, that she had never been really your wife
|
|
since she left you of her own accord years and years ago!
|
|
My sense of it was, that a parting such as yours from her,
|
|
and mine from him, ended the marriage."
|
|
|
|
"I can't say more without speaking against her, and I don't want to do that,"
|
|
said he. "Yet I must tell you one thing, which would settle the matter
|
|
in any case. She has married another man--really married him! I knew nothing
|
|
about it till after the visit we made here."
|
|
|
|
"Married another? ... It is a crime--as the world treats it,
|
|
but does not believe."
|
|
|
|
"There--now you are yourself again. Yes, it is a crime--as you don't hold,
|
|
but would fearfully concede. But I shall never inform against her!
|
|
And it is evidently a prick of conscience in her that has led her
|
|
to urge me to get a divorce, that she may remarry this man legally.
|
|
So you perceive I shall not be likely to see her again."
|
|
|
|
"And you didn't really know anything of this when you saw her?"
|
|
said Sue more gently, as she rose.
|
|
|
|
"I did not. Considering all things, I don't think you ought
|
|
to be angry, darling!"
|
|
|
|
"I am not. But I shan't go to the Temperance Hotel!"
|
|
|
|
He laughed. "Never mind!" he said. "So that I am near you,
|
|
I am comparatively happy. It is more than this earthly wretch
|
|
called Me deserves--you spirit, you disembodied creature,
|
|
you dear, sweet, tantalizing phantom--hardly flesh at all;
|
|
so that when I put my arms round you I almost expect them to pass
|
|
through you as through air! Forgive me for being gross, as you
|
|
call it! Remember that our calling cousins when really strangers
|
|
was a snare. The enmity of our parents gave a piquancy to you
|
|
in my eyes that was intenser even than the novelty of ordinary
|
|
new acquaintance."
|
|
|
|
"Say those pretty lines, then, from Shelley's 'Epipsychidion' as if they
|
|
meant me!" she solicited, slanting up closer to him as they stood.
|
|
"Don't you know them?"
|
|
|
|
"I know hardly any poetry," he replied mournfully.
|
|
|
|
"Don't you? These are some of them:
|
|
|
|
|
|
There was a Being whom my spirit oft
|
|
Met on its visioned wanderings far aloft.
|
|
|
|
A seraph of Heaven, too gentle to be human,
|
|
Veiling beneath that radiant form of woman....
|
|
|
|
|
|
Oh it is too flattering, so I won't go on! But say it's me!
|
|
Say it's me!"
|
|
|
|
"It is you, dear; exactly like you!"
|
|
|
|
"Now I forgive you! And you shall kiss me just once there--not very long."
|
|
She put the tip of her finger gingerly to her cheek; and he did as commanded.
|
|
"You do care for me very much, don't you, in spite of my not--you know?"
|
|
|
|
"Yes, sweet!" he said with a sigh; and bade her good-night.
|
|
|
|
|
|
|
|
VI
|
|
|
|
|
|
IN returning to his native town of Shaston as schoolmaster Phillotson had won
|
|
the interest and awakened the memories of the inhabitants, who, though they
|
|
did not honour him for his miscellaneous aquirements as he would have been
|
|
honoured elsewhere, retained for him a sincere regard. When, shortly after
|
|
his arrival, he brought home a pretty wife--awkwardly pretty for him, if he
|
|
did not take care, they said--they were glad to have her settle among them.
|
|
|
|
For some time after her flight from that home Sue's absence did
|
|
not excite comment. Her place as monitor in the school was taken
|
|
by another young woman within a few days of her vacating it,
|
|
which substitution also passed without remark, Sue's services
|
|
having been of a provisional nature only. When, however, a month
|
|
had passed, and Phillotson casually admitted to an acquaintance
|
|
that he did not know where his wife was staying, curiosity began
|
|
to be aroused; till, jumping to conclusions, people ventured
|
|
to affirm that Sue had played him false and run away from him.
|
|
The schoolmaster's growing languor and listlessness over his work gave
|
|
countenance to the idea.
|
|
|
|
Though Phillotson had held his tongue as long as he could,
|
|
except to his friend Gillingham, his honesty and directness
|
|
would not allow him to do so when misapprehensions as to Sue's
|
|
conduct spread abroad. On a Monday morning the chairman of
|
|
the school committee called, and after attending to the business
|
|
of the school drew Phillotson aside out of earshot of the children.
|
|
|
|
"You'll excuse my asking, Phillotson, since everybody is talking of it:
|
|
is this true as to your domestic affairs--that your wife's going away
|
|
was on no visit, but a secret elopement with a lover? If so, I condole
|
|
with you."
|
|
|
|
"Don't," said Phillotson. "There was no secret about it."
|
|
|
|
"She has gone to visit friends?"
|
|
|
|
"No."
|
|
|
|
"Then what has happened?"
|
|
|
|
"She has gone away under circumstances that usually call for condolence
|
|
with the husband. But I gave my consent."
|
|
|
|
The chairman looked as if he had not apprehended the remark.
|
|
|
|
"What I say is quite true," Phillotson continued testily.
|
|
"She asked leave to go away with her lover, and I let her.
|
|
Why shouldn't I? A woman of full age, it was a question
|
|
of her own conscience--not for me. I was not her gaoler.
|
|
I can't explain any further. I don't wish to be questioned."
|
|
|
|
The children observed that much seriousness marked the faces
|
|
of the two men, and went home and told their parents
|
|
that something new had happened about Mrs. Phillotson.
|
|
Then Phillotson's little maidservant, who was a schoolgirl
|
|
just out of her standards, said that Mr. Phillotson had helped
|
|
in his wife's packing, had offered her what money she required,
|
|
and had written a friendly letter to her young man, telling him
|
|
to take care of her. The chairman of committee thought
|
|
the matter over, and talked to the other managers of the school,
|
|
till a request came to Phillotson to meet them privately.
|
|
The meeting lasted a long time, and at the end the school-master
|
|
came home, looking as usual pale and worn. Gillingham was sitting
|
|
in his house awaiting him.
|
|
|
|
"Well; it is as you said," observed Phillotson, flinging himself
|
|
down wearily in a chair. "They have requested me to send in my
|
|
resignation on account of my scandalous conduct in giving my tortured
|
|
wife her liberty--or, as they call it, condoning her adultery.
|
|
But I shan't resign!"
|
|
|
|
"I think I would."
|
|
|
|
"I won't. It is no business of theirs. It doesn't affect me
|
|
in my public capacity at all. They may expel me if they like."
|
|
|
|
"If you make a fuss it will get into the papers, and you'll never get
|
|
appointed to another school. You see, they have to consider what you did
|
|
as done by a teacher of youth--and its effects as such upon the morals
|
|
of the town; and, to ordinary opinion, your position is indefensible.
|
|
You must let me say that."
|
|
|
|
To this good advice, however, Phillotson would not listen.
|
|
|
|
"I don't care," he said. "I don't go unless I am turned out.
|
|
And for this reason; that by resigning I acknowledge I have acted
|
|
wrongly by her; when I am more and more convinced every day that in
|
|
the sight of Heaven and by all natural, straightforward humanity,
|
|
I have acted rightly."
|
|
|
|
Gillingham saw that his rather headstrong friend would not
|
|
be able to maintain such a position as this; but he said
|
|
nothing further, and in due time--indeed, in a quarter of an hour--
|
|
the formal letter of dismissal arrived, the managers having
|
|
remained behind to write it after Phillotson's withdrawal.
|
|
The latter replied that he should not accept dismissal;
|
|
and called a public meeting, which he attended, although he looked
|
|
so weak and ill that his friend implored him to stay at home.
|
|
When he stood up to give his reasons for contesting
|
|
the decision of the managers he advanced them firmly,
|
|
as he had done to his friend, and contended, moreover, that the
|
|
matter was a domestic theory which did not concern them.
|
|
This they over-ruled, insisting that the private eccentricities
|
|
of a teacher came quite within their sphere of control,
|
|
as it touched the morals of those he taught. Phillotson replied
|
|
that he did not see how an act of natural charity could
|
|
injure morals.
|
|
|
|
All the respectable inhabitants and well-to-do fellow-natives of the town
|
|
were against Phillotson to a man. But, somewhat to his surprise, some dozen
|
|
or more champions rose up in his defence as from the ground.
|
|
|
|
It has been stated that Shaston was the anchorage of a curious and
|
|
interesting group of itinerants, who frequented the numerous fairs
|
|
and markets held up and down Wessex during the summer and autumn months.
|
|
Although Phillotson had never spoken to one of these gentlemen they now nobly
|
|
led the forlorn hope in his defence. The body included two cheap Jacks,
|
|
a shooting-gallery proprietor and the ladies who loaded the guns,
|
|
a pair of boxing-masters, a steam-roundabout manager, two travelling
|
|
broom-makers, who called themselves widows, a gingerbread-stall keeper,
|
|
a swing-boat owner, and a "test-your-strength" man.
|
|
|
|
This generous phalanx of supporters, and a few others of independent judgment,
|
|
whose own domestic experiences had been not without vicissitude,
|
|
came up and warmly shook hands with Phillotson; after which they expressed
|
|
their thoughts so strongly to the meeting that issue was joined,
|
|
the result being a general scuffle, wherein a black board was split,
|
|
three panes of the school windows were broken, an inkbottle was spilled
|
|
over a town-councillor's shirt front, a churchwarden was dealt such a topper
|
|
with the map of Palestine that his head went right through Samaria,
|
|
and many black eyes and bleeding noses were given, one of which,
|
|
to everybody's horror, was the venerable incumbent's, owing to the zeal
|
|
of an emancipated chimney-sweep, who took the side of Phillotson's party.
|
|
When Phillotson saw the blood running down the rector's face he deplored
|
|
almost in groans the untoward and degrading circumstances, regretted that
|
|
he had not resigned when called upon, and went home so ill that next morning
|
|
he could not leave his bed.
|
|
|
|
The farcical yet melancholy event was the beginning of a serious
|
|
illness for him; and he lay in his lonely bed in the pathetic state
|
|
of mind of a middle-aged man who perceives at length that his life,
|
|
intellectual and domestic, is tending to failure and gloom.
|
|
Gillingham came to see him in the evenings, and on one occasion
|
|
mentioned Sue's name.
|
|
|
|
"She doesn't care anything about me!" said Phillotson.
|
|
"Why should she?"
|
|
|
|
"She doesn't know you are ill."
|
|
|
|
"So much the better for both of us."
|
|
|
|
"Where are her lover and she living?"
|
|
|
|
"At Melchester--I suppose; at least he was living there some time ago."
|
|
|
|
When Gillingham reached home he sat and reflected, and at last wrote an
|
|
anonymous line to Sue, on the bare chance of its reaching her, the letter
|
|
being enclosed in an envelope addressed to Jude at the diocesan capital.
|
|
Arriving at that place it was forwarded to Marygreen in North Wessex,
|
|
and thence to Aldbrickham by the only person who knew his present address--
|
|
the widow who had nursed his aunt.
|
|
|
|
Three days later, in the evening, when the sun was going down in
|
|
splendour over the lowlands of Blackmoor, and making the Shaston
|
|
windows like tongues of fire to the eyes of the rustics in that vale,
|
|
the sick man fancied that he heard somebody come to the house,
|
|
and a few minutes after there was a tap at the bedroom door.
|
|
Phillotson did not speak; the door was hesitatingly opened,
|
|
and there entered--Sue.
|
|
|
|
She was in light spring clothing, and her advent seemed ghostly--
|
|
like the flitting in of a moth. He turned his eyes upon her,
|
|
and flushed; but appeared to check his primary impulse
|
|
to speak.
|
|
|
|
"I have no business here," she said, bending her frightened face to him.
|
|
"But I heard you were ill--very ill; and--and as I know that you
|
|
recognize other feelings between man and woman than physical love,
|
|
I have come."
|
|
|
|
"I am not very ill, my dear friend. Only unwell."
|
|
|
|
"I didn't know that; and I am afraid that only a severe illness would
|
|
have justified my coming!"
|
|
|
|
"Yes ... yes. And I almost wish you had not come! It is a little too soon--
|
|
that's all I mean. Still, let us make the best of it. You haven't heard
|
|
about the school, I suppose?"
|
|
|
|
"No--what about it?"
|
|
|
|
"Only that I am going away from here to another place.
|
|
The managers and I don't agree, and we are going to part--
|
|
that's all."
|
|
|
|
Sue did not for a moment, either now or later, suspect what troubles
|
|
had resulted to him from letting her go; it never once seemed to cross
|
|
her mind, and she had received no news whatever from Shaston.
|
|
They talked on slight and ephemeral subjects, and when his tea was brought
|
|
up he told the amazed little servant that a cup was to be set for Sue.
|
|
That young person was much more interested in their history than
|
|
they supposed, and as she descended the stairs she lifted her eyes and
|
|
hands in grotesque amazement. While they sipped Sue went to the window
|
|
and thoughtfully said, "It is such a beautiful sunset, Richard."
|
|
|
|
"They are mostly beautiful from here, owing to the rays crossing
|
|
the mist of the vale. But I lose them all, as they don't shine
|
|
into this gloomy corner where I lie."
|
|
|
|
"Wouldn't you like to see this particular one? It is like heaven opened."
|
|
|
|
"Ah yes! But I can't."
|
|
|
|
"I'll help you to."
|
|
|
|
"No--the bedstead can't be shifted."
|
|
|
|
"But see how I mean."
|
|
|
|
She went to where a swing-glass stood, and taking it in her hands
|
|
carried it to a spot by the window where it could catch the sunshine,
|
|
moving the glass till the beams were reflected into Phillotson's face.
|
|
|
|
"There--you can see the great red sun now!" she said.
|
|
"And I am sure it will cheer you--I do so hope it will!"
|
|
She spoke with a childlike, repentant kindness, as if she could not
|
|
do too much for him.
|
|
|
|
Phillotson smiled sadly. "You are an odd creature!" he murmured
|
|
as the sun glowed in his eyes. "The idea of your coming to see me
|
|
after what has passed!"
|
|
|
|
"Don't let us go back upon that!" she said quickly.
|
|
"I have to catch the omnibus for the train, as Jude doesn't know
|
|
I have come; he was out when I started; so I must return home
|
|
almost directly. Richard, I am so very glad you are better.
|
|
You don't hate me, do you? You have been such a kind friend
|
|
to me!"
|
|
|
|
"I am glad to know you think so," said Phillotson huskily.
|
|
"No. I don't hate you!"
|
|
|
|
It grew dusk quickly in the gloomy room during their intermittent chat,
|
|
and when candles were brought and it was time to leave she put her hand
|
|
in his or rather allowed it to flit through his; for she was significantly
|
|
light in touch. She had nearly closed the door when he said, "Sue!"
|
|
He had noticed that, in turning away from him, tears were on her face
|
|
and a quiver in her lip.
|
|
|
|
It was bad policy to recall her--he knew it while he pursued it.
|
|
But he could not help it. She came back.
|
|
|
|
"Sue," he murmured, "do you wish to make it up, and stay?
|
|
I'll forgive you and condone everything!"
|
|
|
|
"Oh you can't, you can't!" she said hastily. "You can't condone it now!"
|
|
|
|
"He is your husband now, in effect, you mean, of course?"
|
|
|
|
"You may assume it. He is obtaining a divorce from his wife Arabella."
|
|
|
|
"His wife! It is altogether news to me that he has a wife."
|
|
|
|
"It was a bad marriage."
|
|
|
|
"Like yours."
|
|
|
|
"Like mine. He is not doing it so much on his own account as on hers.
|
|
She wrote and told him it would be a kindness to her, since then she could
|
|
marry and live respectably. And Jude has agreed."
|
|
|
|
"A wife.... A kindness to her. Ah, yes; a kindness to her to
|
|
release her altogether.... But I don't like the sound of it.
|
|
I can forgive, Sue."
|
|
|
|
"No, no! You can't have me back now I have been so wicked--
|
|
as to do what I have done!"
|
|
|
|
There had arisen in Sue's face that incipient fright which showed
|
|
itself whenever he changed from friend to husband, and which made
|
|
her adopt any line of defence against marital feeling in him.
|
|
"I MUST go now. I'll come again--may I?"
|
|
|
|
"I don't ask you to go, even now. I ask you to stay."
|
|
|
|
"I thank you, Richard; but I must. As you are not so ill as I thought,
|
|
I CANNOT stay!"
|
|
|
|
"She's his--his from lips to heel!" said Phillotson; but so faintly
|
|
that in closing the door she did not hear it. The dread of a reactionary
|
|
change in the schoolmaster's sentiments, coupled, perhaps, with a faint
|
|
shamefacedness at letting even him know what a slipshod lack of thoroughness,
|
|
from a man's point of view, characterized her transferred allegiance,
|
|
prevented her telling him of her, thus far, incomplete relations with Jude;
|
|
and Phillotson lay writhing like a man in hell as he pictured the prettily
|
|
dressed, maddening compound of sympathy and averseness who bore his name,
|
|
returning impatiently to the home of her lover.
|
|
|
|
Gillingham was so interested in Phillotson's affairs, and so
|
|
seriously concerned about him, that he walked up the hill-side
|
|
to Shaston two or three times a week, although, there and back,
|
|
it was a journey of nine miles, which had to be performed
|
|
between tea and supper, after a hard day's work in school.
|
|
When he called on the next occasion after Sue's visit his friend
|
|
was downstairs, and Gillingham noticed that his restless mood had
|
|
been supplanted by a more fixed and composed one.
|
|
|
|
"She's been here since you called last," said Phillotson.
|
|
|
|
"Not Mrs. Phillotson?"
|
|
|
|
"Yes."
|
|
|
|
"Ah! You have made it up?"
|
|
|
|
"No.... She just came, patted my pillow with her little white hand,
|
|
played the thoughtful nurse for half an hour, and went away."
|
|
|
|
"Well--I'm hanged! A little hussy!"
|
|
|
|
"What do you say?"
|
|
|
|
"Oh--nothing!"
|
|
|
|
"What do you mean?"
|
|
|
|
"I mean, what a tantalizing, capricious little woman!
|
|
If she were not your wife"
|
|
|
|
"She is not; she's another man's except in name and law.
|
|
And I have been thinking--it was suggested to me by a conversation
|
|
I had with her--that, in kindness to her, I ought to dissolve
|
|
the legal tie altogether; which, singularly enough, I think I can do,
|
|
now she has been back, and refused my request to stay after I
|
|
said I had forgiven her. I believe that fact would afford me
|
|
opportunity of doing it, though I did not see it at the moment.
|
|
What's the use of keeping her chained on to me if she doesn't
|
|
belong to me? I know--I feel absolutely certain--that she would
|
|
welcome my taking such a step as the greatest charity to her.
|
|
For though as a fellow-creature she sympathizes with, and pities me,
|
|
and even weeps for me, as a husband she cannot endure me--
|
|
she loathes me--there's no use in mincing words--she loathes me,
|
|
and my only manly, and dignified, and merciful course is to complete
|
|
what I have begun.... And for worldly reasons, too, it will be better
|
|
for her to be independent. I have hopelessly ruined my prospects
|
|
because of my decision as to what was best for us, though she does
|
|
not know it; I see only dire poverty ahead from my feet to the grave;
|
|
for I can be accepted as teacher no more. I shall probably have
|
|
enough to do to make both ends meet during the remainder of my life,
|
|
now my occupation's gone; and I shall be better able to bear it alone.
|
|
I may as well tell you that what has suggested my letting her
|
|
go is some news she brought me--the news that Fawley is doing
|
|
the same."
|
|
|
|
"Oh--he had a spouse, too? A queer couple, these lovers!"
|
|
|
|
"Well--I don't want your opinion on that. What I was going
|
|
to say is that my liberating her can do her no possible harm,
|
|
and will open up a chance of happiness for her which she has
|
|
never dreamt of hitherto. For then they'll be able to marry,
|
|
as they ought to have done at first."
|
|
|
|
Gillingham did not hurry to reply. "I may disagree with your motive,"
|
|
he said gently, for he respected views he could not share. "But I
|
|
think you are right in your determination--if you can carry it out.
|
|
I doubt, however, if you can."
|
|
|
|
|
|
|
|
|
|
|
|
Part Fifth
|
|
|
|
|
|
AT ALDBRICKHAM AND ELSEWHERE
|
|
|
|
|
|
|
|
"Thy aerial part, and all the fiery parts which are
|
|
mingled in thee, though by nature they have an upward
|
|
tendency, still in obedience to the disposition of the
|
|
universe they are over-powered here in the compound
|
|
mass the body."--M. ANTONINUS (Long).
|
|
|
|
|
|
I
|
|
|
|
|
|
How Gillingham's doubts were disposed of will most quickly appear
|
|
by passing over the series of dreary months and incidents that
|
|
followed the events of the last chapter, and coming on to a Sunday
|
|
in the February of the year following.
|
|
|
|
Sue and Jude were living in Aldbrickham, in precisely the same relations
|
|
that they had established between themselves when she left Shaston
|
|
to join him the year before. The proceedings in the law-courts had
|
|
reached their consciousness, but as a distant sound and an occasional
|
|
missive which they hardly understood.
|
|
|
|
They had met, as usual, to breakfast together in the little house
|
|
with Jude's name on it, that he had taken at fifteen pounds a year,
|
|
with three-pounds-ten extra for rates and taxes, and furnished
|
|
with his aunt's ancient and lumbering goods, which had cost him
|
|
about their full value to bring all the way from Marygreen.
|
|
Sue kept house, and managed everything.
|
|
|
|
As he entered the room this morning Sue held up a letter she
|
|
had just received.
|
|
|
|
"Well; and what is it about?" he said after kissing her.
|
|
|
|
"That the decree NISI in the case of Phillotson VERSUS Phillotson and Fawley,
|
|
pronounced six months ago, has just been made absolute."
|
|
|
|
"Ah," said Jude, as he sat down.
|
|
|
|
The same concluding incident in Jude's suit against Arabella
|
|
had occurred about a month or two earlier. Both cases
|
|
had been too insignificant to be reported in the papers,
|
|
further than by name in a long list of other undefended cases.
|
|
|
|
"Now then, Sue, at any rate, you can do what you like!"
|
|
He looked at his sweetheart curiously.
|
|
|
|
"Are we--you and I--just as free now as if we had never married at all?"
|
|
|
|
"Just as free--except, I believe, that a clergyman may object
|
|
personally to remarry you, and hand the job on to somebody else."
|
|
|
|
"But I wonder--do you think it is really so with us? I know it is generally.
|
|
But I have an uncomfortable feeling that my freedom has been obtained under
|
|
false pretences!"
|
|
|
|
"How?"
|
|
|
|
"Well--if the truth about us had been known, the decree wouldn't have
|
|
been pronounced. It is only, is it, because we have made no defence,
|
|
and have led them into a false supposition? Therefore is my freedom lawful,
|
|
however proper it may be?"
|
|
|
|
"Well--why did you let it be under false pretences? You have only yourself
|
|
to blame," he said mischievously.
|
|
|
|
"Jude--don't! You ought not to be touchy about that still.
|
|
You must take me as I am."
|
|
|
|
"Very well, darling: so I will. Perhaps you were right.
|
|
As to your question, we were not obliged to prove anything.
|
|
That was their business. Anyhow we are living together."
|
|
|
|
"Yes. Though not in their sense."
|
|
|
|
"One thing is certain, that however the decree may be
|
|
brought about, a marriage is dissolved when it is dissolved.
|
|
There is this advantage in being poor obscure people like us--
|
|
that these things are done for us in a rough and ready fashion.
|
|
It was the same with me and Arabella. I was afraid her criminal
|
|
second marriage would have been discovered, and she punished;
|
|
but nobody took any interest in her--nobody inquired,
|
|
nobody suspected it. If we'd been patented nobilities we should
|
|
have had infinite trouble, and days and weeks would have been spent
|
|
in investigations."
|
|
|
|
By degrees Sue acquired her lover's cheerfulness at the sense
|
|
of freedom, and proposed that they should take a walk in the fields,
|
|
even if they had to put up with a cold dinner on account of it.
|
|
Jude agreed, and Sue went up-stairs and prepared to start,
|
|
putting on a joyful coloured gown in observance of her liberty;
|
|
seeing which Jude put on a lighter tie.
|
|
|
|
"Now we'll strut arm and arm," he said, "like any other engaged couple.
|
|
We've a legal right to."
|
|
|
|
They rambled out of the town, and along a path over the low-lying
|
|
lands that bordered it, though these were frosty now,
|
|
and the extensive seed-fields were bare of colour and produce.
|
|
The pair, however, were so absorbed in their own situation
|
|
that their surroundings were little in their consciousness.
|
|
|
|
"Well, my dearest, the result of all this is that we can marry
|
|
after a decent interval."
|
|
|
|
"Yes; I suppose we can," said Sue, without enthusiasm.
|
|
|
|
"And aren't we going to?"
|
|
|
|
"I don't like to say no, dear Jude; but I feel just the same about it
|
|
now as I have done all along. I have just the same dread lest an iron
|
|
contract should extinguish your tenderness for me, and mine for you,
|
|
as it did between our unfortunate parents."
|
|
|
|
"Still, what can we do? I do love you, as you know, Sue."
|
|
|
|
"I know it abundantly. But I think I would much rather go on living
|
|
always as lovers, as we are living now, and only meeting by day.
|
|
It is so much sweeter--for the woman at least, and when she is sure
|
|
of the man. And henceforward we needn't be so particular as we have
|
|
been about appearances."
|
|
|
|
"Our experiences of matrimony with others have not been encouraging,
|
|
I own," said he with some gloom; "either owing to our own dissatisfied,
|
|
unpractical natures, or by our misfortune. But we two----"
|
|
|
|
"Should be two dissatisfied ones linked together, which would be twice
|
|
as bad as before.... I think I should begin to be afraid of you, Jude,
|
|
the moment you had contracted to cherish me under a Government stamp,
|
|
and I was licensed to be loved on the premises by you--Ugh, how horrible
|
|
and sordid! Although, as you are, free, I trust you more than any
|
|
other man in the world."
|
|
|
|
"No, no--don't say I should change!" he expostulated; yet there
|
|
was misgiving in his own voice also.
|
|
|
|
"Apart from ourselves, and our unhappy peculiarities, it is foreign
|
|
to a man's nature to go on loving a person when he is told that he must
|
|
and shall be that person's lover. There would be a much likelier chance
|
|
of his doing it if he were told not to love. If the marriage ceremony
|
|
consisted in an oath and signed contract between the parties to cease
|
|
loving from that day forward, in consideration of personal possession
|
|
being given, and to avoid each other's society as much as possible
|
|
in public, there would be more loving couples than there are now.
|
|
Fancy the secret meetings between the perjuring husband and wife,
|
|
the denials of having seen each other, the clambering in at bedroom windows,
|
|
and the hiding in closets! There'd be little cooling then."
|
|
|
|
"Yes; but admitting this, or something like it, to be true,
|
|
you are not the only one in the world to see it, dear little Sue.
|
|
People go on marrying because they can't resist natural forces,
|
|
although many of them may know perfectly well that they are
|
|
possibly buying a month's pleasure with a life's discomfort.
|
|
No doubt my father and mother, and your father and mother,
|
|
saw it, if they at all resembled us in habits of observation.
|
|
But then they went and married just the same, because they
|
|
had ordinary passions. But you, Sue, are such a phantasmal,
|
|
bodiless creature, one who--if you'll allow me to say it--
|
|
has so little animal passion in you, that you can act upon reason
|
|
in the matter, when we poor unfortunate wretches of grosser substance
|
|
can't."
|
|
|
|
"Well," she sighed, "you've owned that it would probably end in
|
|
misery for us. And I am not so exceptional a woman as you think.
|
|
Fewer women like marriage than you suppose, only they enter into it
|
|
for the dignity it is assumed to confer, and the social advantages
|
|
it gains them sometimes--a dignity and an advantage that I am quite
|
|
willing to do without."
|
|
|
|
Jude fell back upon his old complaint--that, intimate as they were,
|
|
he had never once had from her an honest, candid declaration that she
|
|
loved or could love him. "I really fear sometimes that you cannot,"
|
|
he said, with a dubiousness approaching anger. "And you are so reticent.
|
|
I know that women are taught by other women that they must never admit
|
|
the full truth to a man. But the highest form of affection is based
|
|
on full sincerity on both sides. Not being men, these women don't know
|
|
that in looking back on those he has had tender relations with, a man's
|
|
heart returns closest to her who was the soul of truth in her conduct.
|
|
The better class of man, even if caught by airy affectations of dodging
|
|
and parrying, is not retained by them. A Nemesis attends the woman who plays
|
|
the game of elusiveness too often, in the utter contempt for her that,
|
|
sooner or later, her old admirers feel; under which they allow her to go
|
|
unlamented to her grave."
|
|
|
|
Sue, who was regarding the distance, had acquired a guilty look;
|
|
and she suddenly replied in a tragic voice: "I don't think I
|
|
like you to-day so well as I did, Jude!"
|
|
|
|
"Don't you? Why?"
|
|
|
|
"Oh, well--you are not nice--too sermony. Though I suppose I am
|
|
so bad and worthless that I deserve the utmost rigour of lecturing!"
|
|
|
|
"No, you are not bad. You are a dear. But as slippery as an eel
|
|
when I want to get a confession from you."
|
|
|
|
"Oh yes I am bad, and obstinate, and all sorts! It is no use
|
|
your pretending I am not! People who are good don't want
|
|
scolding as I do.... But now that I have nobody but you,
|
|
and nobody to defend me, it is very hard that I mustn't have
|
|
my own way in deciding how I'll live with you, and whether
|
|
I'll be married or no!"
|
|
|
|
"Sue, my own comrade and sweetheart, I don't want to force you
|
|
either to marry or to do the other thing--of course I don't!
|
|
It is too wicked of you to be so pettish! Now we won't say
|
|
any more about it, and go on just the same as we have done;
|
|
and during the rest of our walk we'll talk of the meadows only,
|
|
and the floods, and the prospect of the farmers this
|
|
coming year."
|
|
|
|
After this the subject of marriage was not mentioned by them for several days,
|
|
though living as they were with only a landing between them it was
|
|
constantly in their minds. Sue was assisting Jude very materially now:
|
|
he had latterly occupied himself on his own account in working and
|
|
lettering headstones, which he kept in a little yard at the back of his
|
|
little house, where in the intervals of domestic duties she marked out
|
|
the letters full size for him, and blacked them in after he had cut them.
|
|
It was a lower class of handicraft than were his former performances
|
|
as a cathedral mason, and his only patrons were the poor people who lived
|
|
in his own neighbourhood, and knew what a cheap man this "Jude Fawley:
|
|
Monumental Mason" (as he called himself on his front door) was to employ
|
|
for the simple memorials they required for their dead. But he seemed
|
|
more independent than before, and it was the only arrangement under
|
|
which Sue, who particularly wished to be no burden on him, could render
|
|
any assistance.
|
|
|
|
|
|
|
|
II
|
|
|
|
|
|
IT was an evening at the end of the month, and Jude had just returned home
|
|
from hearing a lecture on ancient history in the public hall not far off.
|
|
When he entered, Sue, who had been keeping indoors during his absence,
|
|
laid out supper for him. Contrary to custom she did not speak. Jude had
|
|
taken up some illustrated paper, which he perused till, raising his eyes,
|
|
he saw that her face was troubled.
|
|
|
|
"Are you depressed, Sue?" he said.
|
|
|
|
She paused a moment. "I have a message for you," she answered.
|
|
|
|
"Somebody has called?"
|
|
|
|
"Yes. A woman." Sue's voice quavered as she spoke, and she suddenly
|
|
sat down from her preparations, laid her hands in her lap, and looked
|
|
into the fire. "I don't know whether I did right or not!" she continued.
|
|
"I said you were not at home, and when she said she would wait, I said I
|
|
thought you might not be able to see her."
|
|
|
|
"Why did you say that, dear? I suppose she wanted a headstone.
|
|
Was she in mourning?"
|
|
|
|
"No. She wasn't in mourning, and she didn't want a headstone;
|
|
and I thought you couldn't see her." Sue looked critically
|
|
and imploringly at him.
|
|
|
|
"But who was she? Didn't she say?"
|
|
|
|
"No. She wouldn't give her name. But I know who she was--I think I do!
|
|
It was Arabella!"
|
|
|
|
"Heaven save us! What should Arabella come for? What made you think
|
|
it was she?"
|
|
|
|
"Oh, I can hardly tell. But I know it was! I feel perfectly
|
|
certain it was--by the light in her eyes as she looked at me.
|
|
She was a fleshy, coarse woman."
|
|
|
|
"Well--I should not have called Arabella coarse exactly,
|
|
except in speech, though she may be getting so by this time
|
|
under the duties of the public house. She was rather handsome
|
|
when I knew her."
|
|
|
|
"Handsome! But yes!--so she is!"
|
|
|
|
"I think I heard a quiver in your little mouth. Well, waiving that,
|
|
as she is nothing to me, and virtuously married to another man,
|
|
why should she come troubling us?"
|
|
|
|
"Are you sure she's married? Have you definite news of it?"
|
|
|
|
"No--not definite news. But that was why she asked me to release her.
|
|
She and the man both wanted to lead a proper life, as I understood."
|
|
|
|
"Oh Jude--it was, it WAS Arabella!" cried Sue, covering her eyes
|
|
with her hand. "And I am so miserable! It seems such an ill omen,
|
|
whatever she may have come for. You could not possibly see her,
|
|
could you?"
|
|
|
|
"I don't really think I could. It would be so very painful to talk
|
|
to her now--for her as much as for me. However, she's gone.
|
|
Did she say she would come again?"
|
|
|
|
"No. But she went away very reluctantly."
|
|
|
|
Sue, whom the least thing upset, could not eat any supper,
|
|
and when Jude had finished his he prepared to go to bed.
|
|
He had no sooner raked out the fire, fastened the doors,
|
|
and got to the top of the stairs than there came a knock.
|
|
Sue instantly emerged from her room, which she had but
|
|
just entered.
|
|
|
|
"There she is again!" Sue whispered in appalled accents.
|
|
|
|
"How do you know?"
|
|
|
|
"She knocked like that last time."
|
|
|
|
They listened, and the knocking came again. No servant was kept
|
|
in the house, and if the summons were to be responded to one of them
|
|
would have to do it in person. "I'll open a window," said Jude.
|
|
"Whoever it is cannot be expected to be let in at this time."
|
|
|
|
He accordingly went into his bedroom and lifted the sash.
|
|
The lonely street of early retiring workpeople was empty from end
|
|
to end save of one figure--that of a woman walking up and down
|
|
by the lamp a few yards off.
|
|
|
|
"Who's there?" he asked.
|
|
|
|
"Is that Mr. Fawley?" came up from the woman, in a voice which was
|
|
unmistakably Arabella's.
|
|
|
|
Jude replied that it was.
|
|
|
|
"Is it she?" asked Sue from the door, with lips apart.
|
|
|
|
"Yes, dear," said Jude. "What do you want, Arabella?" he inquired.
|
|
|
|
"I beg your pardon, Jude, for disturbing you," said Arabella humbly.
|
|
"But I called earlier--I wanted particularly to see you to-night, if I could.
|
|
I am in trouble, and have nobody to help me!"
|
|
|
|
"In trouble, are you?"
|
|
|
|
"Yes."
|
|
|
|
There was a silence. An inconvenient sympathy seemed to be rising in Jude's
|
|
breast at the appeal. "But aren't you married?" he said.
|
|
|
|
Arabella hesitated. "No, Jude, I am not," she returned.
|
|
"He wouldn't, after all. And I am in great difficulty.
|
|
I hope to get another situation as barmaid soon. But it
|
|
takes time, and I really am in great distress because of a sudden
|
|
responsibility that's been sprung upon me from Australia;
|
|
or I wouldn't trouble you--believe me I wouldn't. I want to tell you
|
|
about it."
|
|
|
|
Sue remained at gaze, in painful tension, hearing every word,
|
|
but speaking none.
|
|
|
|
"You are not really in want of money, Arabella?" he asked,
|
|
in a distinctly softened tone.
|
|
|
|
"I have enough to pay for the night's lodging I have obtained,
|
|
but barely enough to take me back again."
|
|
|
|
"Where are you living?"
|
|
|
|
"In London still." She was about to give the address, but she said,
|
|
"I am afraid somebody may hear, so I don't like to call out particulars
|
|
of myself so loud. If you could come down and walk a little way with me
|
|
towards the Prince Inn, where I am staying to-night, I would explain all.
|
|
You may as well, for old time's sake!"
|
|
|
|
"Poor thing! I must do her the kindness of hearing what's the matter,
|
|
I suppose," said Jude in much perplexity. "As she's going back to-morrow
|
|
it can't make much difference."
|
|
|
|
"But you can go and see her to-morrow, Jude! Don't go now, Jude!" came in
|
|
plaintive accents from the doorway. "Oh, it is only to entrap you, I know
|
|
it is, as she did before! Don't go, dear! She is such a low-passioned woman--
|
|
I can see it in her shape, and hear it in her voice!
|
|
|
|
"But I shall go," said Jude. "Don't attempt to detain me, Sue. God knows
|
|
I love her little enough now, but I don't want to be cruel to her."
|
|
He turned to the stairs.
|
|
|
|
"But she's not your wife!" cried Sue distractedly. "And I----"
|
|
|
|
"And you are not either, dear, yet," said Jude.
|
|
|
|
"Oh, but are you going to her? Don't! Stay at home! Please, please stay
|
|
at home, Jude, and not go to her, now she's not your wife any more than I!"
|
|
|
|
"Well, she is, rather more than you, come to that," he said,
|
|
taking his hat determinedly. "I've wanted you to be, and I've
|
|
waited with the patience of Job, and I don't see that I've got
|
|
anything by my self-denial. I shall certainly give her something,
|
|
and hear what it is she is so anxious to tell me; no man could
|
|
do less!"
|
|
|
|
There was that in his manner which she knew it would be futile to oppose.
|
|
She said no more, but, turning to her room as meekly as a martyr,
|
|
heard him go down-stairs, unbolt the door, and close it behind him.
|
|
With a woman's disregard of her dignity when in the presence of nobody
|
|
but herself, she also trotted down, sobbing articulately as she went.
|
|
She listened. She knew exactly how far it was to the inn that Arabella
|
|
had named as her lodging. It would occupy about seven minutes to get
|
|
there at an ordinary walking pace; seven to come back again. If he did
|
|
not return in fourteen minutes he would have lingered. She looked at
|
|
the clock. It was twenty-five minutes to eleven. He MIGHT enter the inn
|
|
with Arabella, as they would reach it before closing time; she might get
|
|
him to drink with her; and Heaven only knew what disasters would befall
|
|
him then.
|
|
|
|
In a still suspense she waited on. It seemed as if the whole
|
|
time had nearly elapsed when the door was opened again,
|
|
and Jude appeared.
|
|
|
|
Sue gave a little ecstatic cry. "Oh, I knew I could trust you!--
|
|
how good you are!"--she began.
|
|
|
|
"I can't find her anywhere in this street, and I went out
|
|
in my slippers only. She has walked on, thinking I've been
|
|
so hard-hearted as to refuse her requests entirely, poor woman.
|
|
I've come back for my boots, as it is beginning to rain."
|
|
|
|
"Oh, but why should you take such trouble for a woman who has served
|
|
you so badly!" said Sue in a jealous burst of disappointment.
|
|
|
|
"But, Sue, she's a woman, and I once cared for her; and one can't
|
|
be a brute in such circumstances."
|
|
|
|
"She isn't your wife any longer!" exclaimed Sue, passionately excited.
|
|
"You MUSTN'T go out to find her! It isn't right! You CAN'T join her,
|
|
now she's a stranger to you. How can you forget such a thing, my dear,
|
|
dear one!"
|
|
|
|
"She seems much the same as ever--an erring, careless,
|
|
unreflecting fellow-creature," he said, continuing to pull
|
|
on his boots. "What those legal fellows have been playing
|
|
at in London makes no difference in my real relations to her.
|
|
If she was my wife while she was away in Australia with another
|
|
husband she's my wife now."
|
|
|
|
"But she wasn't! That's just what I hold! There's the absurdity!--
|
|
Well--you'll come straight back, after a few minutes, won't you, dear?
|
|
She is too low, too coarse for you to talk to long, Jude, and was always!"
|
|
|
|
"Perhaps I am coarse too, worse luck! I have the germs of every
|
|
human infirmity in me, I verily believe--that was why I saw
|
|
it was so preposterous of me to think of being a curate.
|
|
I have cured myself of drunkenness I think; but I never know
|
|
in what new form a suppressed vice will break out in me!
|
|
I do love you, Sue, though I have danced attendance on you
|
|
so long for such poor returns! All that's best and noblest
|
|
in me loves you, and your freedom from everything that's gross
|
|
has elevated me, and enabled me to do what I should never have
|
|
dreamt myself capable of, or any man, a year or two ago.
|
|
It is all very well to preach about self-control, and the wickedness
|
|
of coercing a woman. But I should just like a few virtuous
|
|
people who have condemned me in the past, about Arabella
|
|
and other things, to have been in my tantalizing position
|
|
with you through these late weeks!--they'd believe, I think,
|
|
that I have exercised some little restraint in always giving
|
|
in to your wishes--living here in one house, and not a soul
|
|
between us."
|
|
|
|
"Yes, you have been good to me, Jude; I know you have, my dear protector."
|
|
|
|
"Well--Arabella has appealed to me for help. I must go out and speak
|
|
to her, Sue, at least!"
|
|
|
|
"I can't say any more!--Oh, if you must, you must!" she said,
|
|
bursting out into sobs that seemed to tear her heart.
|
|
"I have nobody but you, Jude, and you are deserting me!
|
|
I didn't know you were like this--I can't bear it, I can't! If she
|
|
were yours it would be different!"
|
|
|
|
"Or if you were."
|
|
|
|
"Very well then--if I must I must. Since you will have it so,
|
|
I agree! I will be. Only I didn't mean to! And I didn't
|
|
want to marry again, either! ... But, yes--I agree, I agree!
|
|
I do love you. I ought to have known that you would conquer in
|
|
the long run, living like this!"
|
|
|
|
She ran across and flung her arms round his neck. "I am not
|
|
a cold-natured, sexless creature, am I, for keeping you at such
|
|
a distance? I am sure you don't think so! Wait and see!
|
|
I do belong to you, don't I? I give in!"
|
|
|
|
"And I'll arrange for our marriage to-morrow, or as soon as ever you wish."
|
|
|
|
"Yes, Jude."
|
|
|
|
"Then I'll let her go," said he, embracing Sue softly.
|
|
"I do feel that it would be unfair to you to see her,
|
|
and perhaps unfair to her. She is not like you, my darling,
|
|
and never was: it is only bare justice to say that.
|
|
Don't cry any more. There; and there; and there!" He kissed
|
|
her on one side, and on the other, and in the middle, and rebolted
|
|
the front door.
|
|
|
|
The next morning it was wet.
|
|
|
|
"Now, dear," said Jude gaily at breakfast; "as this is Saturday
|
|
I mean to call about the banns at once, so as to get the first
|
|
publishing done to-morrow, or we shall lose a week. Banns will do?
|
|
We shall save a pound or two."
|
|
|
|
Sue absently agreed to banns. But her mind for the moment was
|
|
running on something else. A glow had passed away from her,
|
|
and depression sat upon her features.
|
|
|
|
"I feel I was wickedly selfish last night!" she murmured.
|
|
"It was sheer unkindness in me--or worse--to treat Arabella as I did.
|
|
I didn't care about her being in trouble, and what she wished
|
|
to tell you! Perhaps it was really something she was justified
|
|
in telling you. That's some more of my badness, I suppose!
|
|
Love has its own dark morality when rivalry enters in--
|
|
at least, mine has, if other people's hasn't.... I wonder
|
|
how she got on? I hope she reached the inn all right,
|
|
poor woman."
|
|
|
|
"Oh yes: she got on all right," said Jude placidly.
|
|
|
|
"I hope she wasn't shut out, and that she hadn't to walk the streets
|
|
in the rain. Do you mind my putting on my waterproof and going to see
|
|
if she got in? I've been thinking of her all the morning."
|
|
|
|
"Well--is it necessary? You haven't the least idea how Arabella
|
|
is able to shift for herself. Still, darling, if you want to go
|
|
and inquire you can."
|
|
|
|
There was no limit to the strange and unnecessary penances
|
|
which Sue would meekly undertake when in a contrite mood;
|
|
and this going to see all sorts of extraordinary persons whose
|
|
relation to her was precisely of a kind that would have made
|
|
other people shun them was her instinct ever, so that the request
|
|
did not surprise him.
|
|
|
|
"And when you come back," he added, "I'll be ready to go about the banns.
|
|
You'll come with me?"
|
|
|
|
Sue agreed, and went off under cloak and umbrella letting Jude kiss
|
|
her freely, and returning his kisses in a way she had never done before.
|
|
Times had decidedly changed. "The little bird is caught at last!" she said,
|
|
a sadness showing in her smile.
|
|
|
|
"No--only nested," he assured her.
|
|
|
|
She walked along the muddy street till she reached the public
|
|
house mentioned by Arabella, which was not so very far off.
|
|
She was informed that Arabella had not yet left, and in doubt
|
|
how to announce herself so that her predecessor in Jude's affections
|
|
would recognize her, she sent up word that a friend from Spring
|
|
Street had called, naming the place of Jude's residence.
|
|
She was asked to step upstairs, and on being shown into a room
|
|
found that it was Arabella's bedroom, and that the latter had
|
|
not yet risen. She halted on the turn of her toe till Arabella
|
|
cried from the bed, "Come in and shut the door," which Sue
|
|
accordingly did.
|
|
|
|
Arabella lay facing the window, and did not at once turn her head:
|
|
and Sue was wicked enough, despite her penitence, to wish for a moment
|
|
that Jude could behold her forerunner now, with the daylight full upon her.
|
|
She may have seemed handsome enough in profile under the lamps,
|
|
but a frowsiness was apparent this morning; and the sight of her own
|
|
fresh charms in the looking-glass made Sue's manner bright, till she
|
|
reflected what a meanly sexual emotion this was in her, and hated herself
|
|
for it.
|
|
|
|
"I've just looked in to see if you got back comfortably last night,
|
|
that's all," she said gently. "I was afraid afterwards that you
|
|
might have met with any mishap?"
|
|
|
|
"Oh--how stupid this is! I thought my visitor was--your friend--
|
|
your husband--Mrs. Fawley, as I suppose you call yourself?"
|
|
said Arabella, flinging her head back upon the pillows with a
|
|
disappointed toss, and ceasing to retain the dimple she had just
|
|
taken the trouble to produce.
|
|
|
|
"Indeed I don't," said Sue.
|
|
|
|
"Oh, I thought you might have, even if he's not really yours.
|
|
Decency is decency, any hour of the twenty-four."
|
|
|
|
"I don't know what you mean," said Sue stiffly. "He is mine,
|
|
if you come to that!"
|
|
|
|
"He wasn't yesterday."
|
|
|
|
Sue coloured roseate, and said "How do you know?"
|
|
|
|
"From your manner when you talked to me at the door. Well, my dear,
|
|
you've been quick about it, and I expect my visit last night helped it on--
|
|
ha-ha! But I don't want to get him away from you."
|
|
|
|
Sue looked out at the rain, and at the dirty toilet-cover, and at
|
|
the detached tail of Arabella's hair hanging on the looking-glass,
|
|
just as it had done in Jude's time; and wished she had not come.
|
|
In the pause there was a knock at the door, and the chambermaid brought
|
|
in a telegram for "Mrs. Cartlett."
|
|
|
|
Arabella opened it as she lay, and her ruffled look disappeared.
|
|
|
|
"I am much obliged to you for your anxiety about me," she said blandly
|
|
when the maid had gone; "but it is not necessary you should feel it.
|
|
My man finds he can't do without me after all, and agrees to stand
|
|
by the promise to marry again over here that he has made me all along.
|
|
See here! This is in answer to one from me." She held out the telegram
|
|
for Sue to read, but Sue did not take it. "He asks me to come back.
|
|
His little corner public in Lambeth would go to pieces without me,
|
|
he says. But he isn't going to knock me about when he has had a drop,
|
|
any more after we are spliced by English law than before! ... As
|
|
for you, I should coax Jude to take me before the parson straight off,
|
|
and have done with it, if I were in your place. I say it as a friend,
|
|
my dear."
|
|
|
|
"He's waiting to, any day," returned Sue, with frigid pride.
|
|
|
|
"Then let him, in Heaven's name. Life with a man is more businesslike
|
|
after it, and money matters work better. And then, you see, if you have rows,
|
|
and he turns you out of doors, you can get the law to protect you, which you
|
|
can't otherwise, unless he half-runs you through with a knife, or cracks
|
|
your noddle with a poker. And if he bolts away from you--I say it friendly,
|
|
as woman to woman, for there's never any knowing what a man med do--
|
|
you'll have the sticks o' furniture, and won't be looked upon as a thief.
|
|
I shall marry my man over again, now he's willing, as there was a little flaw
|
|
in the first ceremony. In my telegram last night which this is an answer to,
|
|
I told him I had almost made it up with Jude; and that frightened him,
|
|
I expect! Perhaps I should quite have done it if it hadn't been for you,"
|
|
she said laughing; "and then how different our histories might have been
|
|
from to-day! Never such a tender fool as Jude is if a woman seems in trouble,
|
|
and coaxes him a bit! Just as he used to be about birds and things.
|
|
However, as it happens, it is just as well as if I had made it up, and I
|
|
forgive you. And, as I say, I'd advise you to get the business legally done
|
|
as soon as possible. You'll find it an awful bother later on if you don't."
|
|
|
|
"I have told you he is asking me to marry him--to make our
|
|
natural marriage a legal one," said Sue, with yet more dignity.
|
|
"It was quite by my wish that he didn't the moment I was free."
|
|
|
|
"Ah, yes--you are a oneyer too, like myself," said Arabella,
|
|
eyeing her visitor with humorous criticism. "Bolted from
|
|
your first, didn't you, like me?"
|
|
|
|
"Good morning!--I must go," said Sue hastily.
|
|
|
|
"And I, too, must up and off!" replied the other, springing out
|
|
of bed so suddenly that the soft parts of her person shook.
|
|
Sue jumped aside in trepidation. "Lord, I am only a woman--
|
|
not a six-foot sojer! ... Just a moment, dear," she continued,
|
|
putting her hand on Sue's arm. "I really did want to consult
|
|
Jude on a little matter of business, as I told him. I came about
|
|
that more than anything else. Would he run up to speak to me
|
|
at the station as I am going? You think not. Well, I'll write
|
|
to him about it. I didn't want to write it, but never mind--
|
|
I will."
|
|
|
|
|
|
|
|
III
|
|
|
|
|
|
WHEN Sue reached home Jude was awaiting her at the door to take
|
|
the initial step towards their marriage. She clasped his arm,
|
|
and they went along silently together, as true comrades oft-times do.
|
|
He saw that she was preoccupied, and forbore to question her.
|
|
|
|
"Oh Jude--I've been talking to her," she said at last.
|
|
"I wish I hadn't! And yet it is best to be reminded of things."
|
|
|
|
"I hope she was civil."
|
|
|
|
"Yes. I--I can't help liking her--just a little bit!
|
|
She's not an ungenerous nature; and I am so glad her difficulties
|
|
have all suddenly ended." She explained how Arabella
|
|
had been summoned back, and would be enabled to retrieve
|
|
her position. "I was referring to our old question.
|
|
What Arabella has been saying to me has made me feel more than
|
|
ever how hopelessly vulgar an institution legal marriage is--
|
|
a sort of trap to catch a man--I can't bear to think of it.
|
|
I wish I hadn't promised to let you put up the banns
|
|
this morning!"
|
|
|
|
"Oh, don't mind me. Any time will do for me. I thought you
|
|
might like to get it over quickly, now."
|
|
|
|
"Indeed, I don't feel any more anxious now than I did before.
|
|
Perhaps with any other man I might be a little anxious;
|
|
but among the very few virtues possessed by your family and mine,
|
|
dear, I think I may set staunchness. So I am not a bit frightened
|
|
about losing you, now I really am yours and you really are mine.
|
|
In fact, I am easier in my mind than I was, for my conscience
|
|
is clear about Richard, who now has a right to his freedom.
|
|
I felt we were deceiving him before."
|
|
|
|
"Sue, you seem when you are like this to be one of the women of some
|
|
grand old civilization, whom I used to read about in my bygone, wasted,
|
|
classical days, rather than a denizen of a mere Christian country.
|
|
I almost expect you to say at these times that you have just been talking
|
|
to some friend whom you met in the Via Sacra, about the latest news
|
|
of Octavia or Livia; or have been listening to Aspasia's eloquence,
|
|
or have been watching Praxiteles chiselling away at his latest Venus,
|
|
while Phryne made complaint that she was tired of posing."
|
|
|
|
They had now reached the house of the parish clerk. Sue stood back,
|
|
while her lover went up to the door. His hand was raised to knock
|
|
when she said: "Jude!"
|
|
|
|
He looked round.
|
|
|
|
"Wait a minute, would you mind?"
|
|
|
|
He came back to her.
|
|
|
|
"Just let us think," she said timidly. "I had such a horrid
|
|
dream one night! ... And Arabella----"
|
|
|
|
"What did Arabella say to you?" he asked
|
|
|
|
"Oh, she said that when people were tied up you could get the law of a man
|
|
better if he beat you--and how when couples quarrelled.... Jude, do you
|
|
think that when you must have me with you by law, we shall be so happy as we
|
|
are now? The men and women of our family are very generous when everything
|
|
depends upon their goodwill, but they always kick against compulsion.
|
|
Don't you dread the attitude that insensibly arises out of legal obligation?
|
|
Don't you think it is destructive to a passion whose essence is
|
|
its gratuitousness?"
|
|
|
|
"Upon my word, love, you are beginning to frighten me, too, with all
|
|
this foreboding! Well, let's go back and think it over."
|
|
|
|
Her face brightened. "Yes--so we will!" said she. And they turned
|
|
from the clerk's door, Sue taking his arm and murmuring as they
|
|
walked on homeward:
|
|
|
|
|
|
Can you keep the bee from ranging,
|
|
Or the ring-dove s neck from changing?
|
|
No! Nor fetter'd love ...
|
|
|
|
|
|
They thought it over, or postponed thinking. Certainly they
|
|
postponed action, and seemed to live on in a dreamy paradise.
|
|
At the end of a fortnight or three weeks matters remained unadvanced,
|
|
and no banns were announced to the ears of any Aldbrickham congregation.
|
|
|
|
Whilst they were postponing and postponing thus a letter and a
|
|
newspaper arrived before breakfast one morning from Arabella.
|
|
Seeing the handwriting Jude went up to Sue's room and told her,
|
|
and as soon as she was dressed she hastened down. Sue opened
|
|
the newspaper; Jude the letter. After glancing at the paper she
|
|
held across the first page to him with her finger on a paragraph;
|
|
but he was so absorbed in his letter that he did not turn awhile.
|
|
|
|
"Look!" said she.
|
|
|
|
He looked and read. The paper was one that circulated in South London only,
|
|
and the marked advertisement was simply the announcement of a marriage
|
|
at St. John's Church, Waterloo Road, under the names, "CARTLETT--DONN";
|
|
the united pair being Arabella and the inn-keeper.
|
|
|
|
|
|
"Well, it is satisfactory," said Sue complacently.
|
|
"Though, after this, it seems rather low to do likewise,
|
|
and I am glad. However, she is provided for now in a way,
|
|
I suppose, whatever her faults, poor thing. It is nicer
|
|
that we are able to think that, than to be uneasy about her.
|
|
I ought, too, to write to Richard and ask him how he is getting
|
|
on, perhaps?"
|
|
|
|
But Jude's attention was still absorbed. Having merely
|
|
glanced at the announcement he said in a disturbed voice:
|
|
"Listen to this letter. What shall I say or do?"
|
|
|
|
|
|
THE THREE HORNS, LAMBETH.
|
|
|
|
DEAR JUDE (I won't be so distant as to call you Mr. Fawley),--
|
|
I send to-day a newspaper, from which useful document you will
|
|
learn that I was married over again to Cartlett last Tuesday.
|
|
So that business is settled right and tight at last.
|
|
But what I write about more particular is that private affair
|
|
I wanted to speak to you on when I came down to Aldbrickham.
|
|
I couldn't very well tell it to your lady friend,
|
|
and should much have liked to let you know it by word
|
|
of mouth, as I could have explained better than by letter.
|
|
The fact is, Jude, that, though I have never informed you before,
|
|
there was a boy born of our marriage, eight months after I left you,
|
|
when I was at Sydney, living with my father and mother.
|
|
All that is easily provable. As I had separated from
|
|
you before I thought such a thing was going to happen,
|
|
and I was over there, and our quarrel had been sharp,
|
|
I did not think it convenient to write about the birth.
|
|
I was then looking out for a good situation, so my parents
|
|
took the child, and he has been with them ever since.
|
|
That was why I did not mention it when I met you in Christminster,
|
|
nor at the law proceedings. He is now of an intelligent age,
|
|
of course, and my mother and father have lately written
|
|
to say that, as they have rather a hard struggle over there,
|
|
and I am settled comfortably here, they don't see why they should
|
|
be encumbered with the child any longer, his parents being alive.
|
|
I would have him with me here in a moment, but he is not old
|
|
enough to be of any use in the bar nor will be for years
|
|
and years, and naturally Cartlett might think him in the way.
|
|
They have, however, packed him off to me in charge of some friends
|
|
who happened to be coming home, and I must ask you to take
|
|
him when he arrives, for I don't know what to do with him.
|
|
He is lawfully yours, that I solemnly swear. If anybody says
|
|
he isn't, call them brimstone liars, for my sake. Whatever I
|
|
may have done before or afterwards, I was honest to you from
|
|
the time we were married till I went away, and I remain, yours,
|
|
&c.,
|
|
|
|
ARABELLA CARTLETT.
|
|
|
|
|
|
Sue's look was one of dismay. "What will you do, dear?" she asked faintly.
|
|
|
|
Jude did not reply, and Sue watched him anxiously, with heavy breaths.
|
|
|
|
"It hits me hard!" said he in an under-voice. "It MAY be true!
|
|
I can't make it out. Certainly, if his birth was exactly when she says,
|
|
he's mine. I cannot think why she didn't tell me when I met her
|
|
at Christminster, and came on here that evening with her! ... Ah--
|
|
I do remember now that she said something about having a thing
|
|
on her mind that she would like me to know, if ever we lived
|
|
together again."
|
|
|
|
"The poor child seems to be wanted by nobody!" Sue replied,
|
|
and her eyes filled.
|
|
|
|
Jude had by this time come to himself. "What a view of life
|
|
he must have, mine or not mine!" he said. "I must say that,
|
|
if I were better off, I should not stop for a moment to think
|
|
whose he might be. I would take him and bring him up.
|
|
The beggarly question of parentage--what is it, after all?
|
|
What does it matter, when you come to think of it,
|
|
whether a child is yours by blood or not? All the little
|
|
ones of our time are collectively the children of us adults
|
|
of the time, and entitled to our general care. That excessive
|
|
regard of parents for their own children, and their dislike
|
|
of other people's, is, like class-feeling, patriotism,
|
|
save-your-own-soul-ism, and other virtues, a mean exclusiveness
|
|
at bottom."
|
|
|
|
Sue jumped up and kissed Jude with passionate devotion.
|
|
"Yes--so it is, dearest! And we'll have him here!
|
|
And if he isn't yours it makes it all the better. I do hope
|
|
he isn't--though perhaps I ought not to feel quite that!
|
|
If he isn't, I should like so much for us to have him as an
|
|
adopted child!"
|
|
|
|
"Well, you must assume about him what is most pleasing to you,
|
|
my curious little comrade!" he said. "I feel that, anyhow,
|
|
I don't like to leave the unfortunate little fellow to neglect.
|
|
Just think of his life in a Lambeth pothouse, and all its
|
|
evil influences, with a parent who doesn't want him, and has,
|
|
indeed, hardly seen him, and a stepfather who doesn't know him.
|
|
'Let the day perish wherein I was born, and the night
|
|
in which it was said, There is a man child conceived!'
|
|
That's what the boy--my boy, perhaps, will find himself saying
|
|
before long!"
|
|
|
|
"Oh no!"
|
|
|
|
"As I was the petitioner, I am really entitled to his custody,
|
|
I suppose."
|
|
|
|
"Whether or no, we must have him. I see that. I'll do the best I
|
|
can to be a mother to him, and we can afford to keep him somehow.
|
|
I'll work harder. I wonder when he'll arrive?"
|
|
|
|
"In the course of a few weeks, I suppose."
|
|
|
|
"I wish--When shall we have courage to marry, Jude?"
|
|
|
|
"Whenever you have it, I think I shall. It remains with you entirely, dear.
|
|
Only say the word, and it's done."
|
|
|
|
"Before the boy comes?"
|
|
|
|
"Certainly."
|
|
|
|
"It would make a more natural home for him, perhaps," she murmured.
|
|
|
|
Jude thereupon wrote in purely formal terms to request that the boy
|
|
should be sent on to them as soon as he arrived, making no remark
|
|
whatever on the surprising nature of Arabella's information,
|
|
nor vouchsafing a single word of opinion on the boy's paternity,
|
|
nor on whether, had he known all this, his conduct towards her would
|
|
have been quite the same.
|
|
|
|
In the down-train that was timed to reach Aldbrickham station
|
|
about ten o'clock the next evening, a small, pale child's face could
|
|
be seen in the gloom of a third-class carriage. He had large,
|
|
frightened eyes, and wore a white woollen cravat, over which a
|
|
key was suspended round his neck by a piece of common string:
|
|
the key attracting attention by its occasional shine in the lamplight.
|
|
In the band of his hat his half-ticket was stuck. His eyes
|
|
remained mostly fixed on the back of the seat opposite, and never
|
|
turned to the window even when a station was reached and called.
|
|
On the other seat were two or three passengers, one of them a working
|
|
woman who held a basket on her lap, in which was a tabby kitten.
|
|
The woman opened the cover now and then, whereupon the kitten
|
|
would put out its head, and indulge in playful antics.
|
|
At these the fellow-passengers laughed, except the solitary boy bearing
|
|
the key and ticket, who, regarding the kitten with his saucer eyes,
|
|
seemed mutely to say: "All laughing comes from misapprehension.
|
|
Rightly looked at there is no laughable thing under the sun."
|
|
|
|
Occasionally at a stoppage the guard would look into the compartment
|
|
and say to the boy, "All right, my man. Your box is safe in the van."
|
|
The boy would say, "Yes," without animation, would try to smile,
|
|
and fail.
|
|
|
|
He was Age masquerading as Juvenility, and doing it so badly that his real
|
|
self showed through crevices. A ground-swell from ancient years of night
|
|
seemed now and then to lift the child in this his morning-life, when his face
|
|
took a back view over some great Atlantic of Time, and appeared not to care
|
|
about what it saw.
|
|
|
|
When the other travellers closed their eyes, which they did one by one--
|
|
even the kitten curling itself up in the basket, weary of its too
|
|
circumscribed play--the boy remained just as before. He then seemed
|
|
to be doubly awake, like an enslaved and dwarfed divinity, sitting passive
|
|
and regarding his companions as if he saw their whole rounded lives
|
|
rather than their immediate figures.
|
|
|
|
This was Arabella's boy. With her usual carelessness she had postponed
|
|
writing to Jude about him till the eve of his landing, when she could
|
|
absolutely postpone no longer, though she had known for weeks of his
|
|
approaching arrival, and had, as she truly said, visited Aldbrickham
|
|
mainly to reveal the boy's existence and his near home-coming to Jude.
|
|
This very day on which she had received her former husband's answer
|
|
at some time in the afternoon, the child reached the London Docks,
|
|
and the family in whose charge he had come, having put him into a cab for
|
|
Lambeth and directed the cabman to his mother's house, bade him good-bye,
|
|
and went their way.
|
|
|
|
On his arrival at the Three Horns, Arabella had looked him
|
|
over with an expression that was as good as saying, "You are
|
|
very much what I expected you to be," had given him a good meal,
|
|
a little money, and, late as it was getting, dispatched him
|
|
to Jude by the next train, wishing her husband Cartlett,
|
|
who was out, not to see him.
|
|
|
|
The train reached Aldbrickham, and the boy was deposited on
|
|
the lonely platform beside his box. The collector took his
|
|
ticket and, with a meditative sense of the unfitness of things,
|
|
asked him where he was going by himself at that time of night.
|
|
|
|
"Going to Spring Street," said the little one impassively.
|
|
|
|
"Why, that's a long way from here; a'most out in the country;
|
|
and the folks will be gone to bed."
|
|
|
|
"I've got to go there."
|
|
|
|
"You must have a fly for your box."
|
|
|
|
"No. I must walk."
|
|
|
|
"Oh well: you'd better leave your box here and send for it.
|
|
There's a 'bus goes half-way, but you'll have to walk
|
|
the rest."
|
|
|
|
"I am not afraid."
|
|
|
|
"Why didn't your friends come to meet 'ee?"
|
|
|
|
"I suppose they didn't know I was coming."
|
|
|
|
"Who is your friends?"
|
|
|
|
"Mother didn't wish me to say."
|
|
|
|
"All I can do, then, is to take charge of this. Now walk as fast as you can."
|
|
|
|
Saying nothing further the boy came out into the street,
|
|
looking round to see that nobody followed or observed him.
|
|
When he had walked some little distance he asked for the street
|
|
of his destination. He was told to go straight on quite into
|
|
the outskirts of the place.
|
|
|
|
The child fell into a steady mechanical creep which had in it
|
|
an impersonal quality--the movement of the wave, or of the breeze,
|
|
or of the cloud. He followed his directions literally, without an
|
|
inquiring gaze at anything. It could have been seen that the boy's
|
|
ideas of life were different from those of the local boys.
|
|
Children begin with detail, and learn up to the general; they begin
|
|
with the contiguous, and gradually comprehend the universal.
|
|
The boy seemed to have begun with the generals of life,
|
|
and never to have concerned himself with the particulars.
|
|
To him the houses, the willows, the obscure fields beyond,
|
|
were apparently regarded not as brick residences, pollards, meadows;
|
|
but as human dwellings in the abstract, vegetation, and the wide
|
|
dark world.
|
|
|
|
He found the way to the little lane, and knocked at the door of Jude's house.
|
|
Jude had just retired to bed, and Sue was about to enter her chamber adjoining
|
|
when she heard the knock and came down.
|
|
|
|
"Is this where Father lives?" asked the child.
|
|
|
|
"Who?"
|
|
|
|
"Mr. Fawley, that's his name."
|
|
|
|
Sue ran up to Jude's room and told him, and he hurried down as soon
|
|
as he could, though to her impatience he seemed long.
|
|
|
|
"What--is it he--so soon?" she asked as Jude came.
|
|
|
|
She scrutinized the child's features, and suddenly went away into
|
|
the little sitting-room adjoining. Jude lifted the boy to a level
|
|
with himself, keenly regarded him with gloomy tenderness, and telling
|
|
him he would have been met if they had known of his coming so soon,
|
|
set him provisionally in a chair whilst he went to look for Sue,
|
|
whose supersensitiveness was disturbed, as he knew. He found her
|
|
in the dark, bending over an arm-chair. He enclosed her with his arm,
|
|
and putting his face by hers, whispered, "What's the matter?"
|
|
|
|
"What Arabella says is true--true! I see you in him!"
|
|
|
|
"Well: that's one thing in my life as it should be, at any rate."
|
|
|
|
"But the other half of him is--SHE! And that's what I can't bear!
|
|
But I ought to--I'll try to get used to it; yes, I ought!"
|
|
|
|
"Jealous little Sue! I withdraw all remarks about your sexlessness.
|
|
Never mind! Time may right things.... And Sue, darling; I have an idea!
|
|
We'll educate and train him with a view to the university.
|
|
What I couldn't accomplish in my own person perhaps I can carry
|
|
out through him? They are making it easier for poor students now,
|
|
you know."
|
|
|
|
"Oh you dreamer!" said she, and holding his hand returned to the child
|
|
with him. The boy looked at her as she had looked at him. "Is it you
|
|
who's my REAL mother at last?" he inquired.
|
|
|
|
"Why? Do I look like your father's wife?"
|
|
|
|
"Well, yes; 'cept he seems fond of you, and you of him.
|
|
Can I call you Mother?"
|
|
|
|
Then a yearning look came over the child and he began to cry.
|
|
Sue thereupon could not refrain from instantly doing likewise,
|
|
being a harp which the least wind of emotion from another's
|
|
heart could make to vibrate as readily as a radical stir in
|
|
her own.
|
|
|
|
"You may call me Mother, if you wish to, my poor dear!" she said,
|
|
bending her cheek against his to hide her tears.
|
|
|
|
"What's this round your neck?" asked Jude with affected calmness.
|
|
|
|
"The key of my box that's at the station."
|
|
|
|
They bustled about and got him some supper, and made him up a temporary bed,
|
|
where he soon fell asleep. Both went and looked at him as he lay.
|
|
|
|
"He called you Mother two or three times before he dropped off,"
|
|
murmured Jude. "Wasn't it odd that he should have wanted to!"
|
|
|
|
"Well--it was significant," said Sue. "There's more for us to think
|
|
about in that one little hungry heart than in all the stars of the sky....
|
|
I suppose, dear, we must pluck up courage, and get that ceremony over?
|
|
It is no use struggling against the current, and I feel myself
|
|
getting intertwined with my kind. Oh Jude, you'll love me dearly,
|
|
won't you, afterwards! I do want to be kind to this child, and to be
|
|
a mother to him; and our adding the legal form to our marriage might make
|
|
it easier for me."
|
|
|
|
|
|
|
|
IV
|
|
|
|
|
|
THEIR next and second attempt thereat was more deliberately made,
|
|
though it was begun on the morning following the singular child's
|
|
arrival at their home.
|
|
|
|
Him they found to be in the habit of sitting silent, his quaint
|
|
and weird face set, and his eyes resting on things they did not see
|
|
in the substantial world.
|
|
|
|
"His face is like the tragic mask of Melpomene," said Sue.
|
|
"What is your name, dear? Did you tell us?"
|
|
|
|
"Little Father Time is what they always called me. It is a nickname;
|
|
because I look so aged, they say."
|
|
|
|
"And you talk so, too," said Sue tenderly. "It is strange, Jude,
|
|
that these preternaturally old boys almost always come from new countries.
|
|
But what were you christened?"
|
|
|
|
"I never was."
|
|
|
|
"Why was that?"
|
|
|
|
"Because, if I died in damnation, 'twould save the expense
|
|
of a Christian funeral."
|
|
|
|
"Oh--your name is not Jude, then?" said his father with some disappointment.
|
|
|
|
The boy shook his head. "Never heerd on it."
|
|
|
|
"Of course not," said Sue quickly; "since she was hating you all the time!"
|
|
|
|
"We'll have him christened," said Jude; and privately to Sue:
|
|
"The day we are married." Yet the advent of the child
|
|
disturbed him.
|
|
|
|
Their position lent them shyness, and having an impression that a
|
|
marriage at a superintendent registrar's office was more private
|
|
than an ecclesiastical one, they decided to avoid a church this time.
|
|
Both Sue and Jude together went to the office of the district
|
|
to give notice: they had become such companions that they could
|
|
hardly do anything of importance except in each other's company.
|
|
|
|
Jude Fawley signed the form of notice, Sue looking over his
|
|
shoulder and watching his hand as it traced the words.
|
|
As she read the four-square undertaking, never before seen
|
|
by her, into which her own and Jude's names were inserted,
|
|
and by which that very volatile essence, their love for
|
|
each other, was supposed to be made permanent, her face
|
|
seemed to grow painfully apprehensive. "Names and Surnames
|
|
of the Parties"--(they were to be parties now, not lovers,
|
|
she thought). "Condition"--(a horrid idea)--"Rank or
|
|
Occupation"--"Age"--"Dwelling at"--"Length of Residence"--"Church
|
|
or Building in which the Marriage is to be solemnized"--
|
|
"District and County in which the Parties respectively dwell."
|
|
|
|
"It spoils the sentiment, doesn't it!" she said on their way home.
|
|
"It seems making a more sordid business of it even than signing
|
|
the contract in a vestry. There is a little poetry in a church.
|
|
But we'll try to get through with it, dearest, now."
|
|
|
|
"We will. 'For what man is he that hath betrothed a wife
|
|
and hath not taken her? Let him go and return unto his house,
|
|
lest he die in the battle, and another man take her.'
|
|
So said the Jewish law-giver."
|
|
|
|
"How you know the Scriptures, Jude! You really ought to have been a parson.
|
|
I can only quote profane writers!"
|
|
|
|
During the interval before the issuing of the certificate Sue,
|
|
in her housekeeping errands, sometimes walked past the office,
|
|
and furtively glancing in saw affixed to the wall the notice
|
|
of the purposed clinch to their union. She could not bear
|
|
its aspect. Coming after her previous experience of matrimony,
|
|
all the romance of their attachment seemed to be starved
|
|
away by placing her present case in the same category.
|
|
She was usually leading little Father Time by the hand, and fancied
|
|
that people thought him hers, and regarded the intended ceremony
|
|
as the patching up of an old error.
|
|
|
|
Meanwhile Jude decided to link his present with his past in some slight
|
|
degree by inviting to the wedding the only person remaining on earth who was
|
|
associated with his early life at Marygreen--the aged widow Mrs. Edlin,
|
|
who had been his great-aunt's friend and nurse in her last illness. He hardly
|
|
expected that she would come; but she did, bringing singular presents,
|
|
in the form of apples, jam, brass snuffers, an ancient pewter dish,
|
|
a warming-pan, and an enormous bag of goose feathers towards a bed.
|
|
She was allotted the spare room in Jude's house, whither she retired early,
|
|
and where they could hear her through the ceiling below, honestly saying
|
|
the Lord's Prayer in a loud voice, as the Rubric directed.
|
|
|
|
As, however, she could not sleep, and discovered that Sue and
|
|
Jude were still sitting up--it being in fact only ten o'clock--
|
|
she dressed herself again and came down, and they all sat by the fire
|
|
till a late hour--Father Time included; though, as he never spoke,
|
|
they were hardly conscious of him.
|
|
|
|
"Well, I bain't set against marrying as your great-aunt was," said the widow.
|
|
"And I hope 'twill be a jocund wedding for ye in all respects this time.
|
|
Nobody can hope it more, knowing what I do of your families, which is more,
|
|
I suppose, than anybody else now living. For they have been unlucky that way,
|
|
God knows."
|
|
|
|
Sue breathed uneasily.
|
|
|
|
"They was always good-hearted people, too--wouldn't kill
|
|
a fly if they knowed it," continued the wedding guest.
|
|
"But things happened to thwart 'em, and if everything wasn't vitty
|
|
they were upset. No doubt that's how he that the tale is told
|
|
of came to do what 'a did--if he WERE one of your family."
|
|
|
|
"What was that?" said Jude.
|
|
|
|
"Well--that tale, ye know; he that was gibbeted just on the brow
|
|
of the hill by the Brown House--not far from the milestone between
|
|
Marygreen and Alfredston, where the other road branches off.
|
|
But Lord, 'twas in my grandfather's time; and it medn' have been one
|
|
of your folk at all."
|
|
|
|
"I know where the gibbet is said to have stood, very well," murmured Jude.
|
|
"But I never heard of this. What--did this man--my ancestor and Sue's--
|
|
kill his wife?"
|
|
|
|
"'Twer not that exactly. She ran away from him, with their child,
|
|
to her friends; and while she was there the child died. He wanted
|
|
the body, to bury it where his people lay, but she wouldn't give it up.
|
|
Her husband then came in the night with a cart, and broke into the house
|
|
to steal the coffin away; but he was catched, and being obstinate,
|
|
wouldn't tell what he broke in for. They brought it in burglary,
|
|
and that's why he was hanged and gibbeted on Brown House Hill. His wife
|
|
went mad after he was dead. But it medn't be true that he belonged to ye
|
|
more than to me."
|
|
|
|
A small slow voice rose from the shade of the fireside,
|
|
as if out of the earth: "If I was you, Mother, I wouldn't
|
|
marry Father!" It came from little Time, and they started,
|
|
for they had forgotten him.
|
|
|
|
"Oh, it is only a tale," said Sue cheeringly.
|
|
|
|
After this exhilarating tradition from the widow on the eve
|
|
of the solemnization they rose, and, wishing their guest
|
|
good-night, retired.
|
|
|
|
The next morning Sue, whose nervousness intensified with the hours,
|
|
took Jude privately into the sitting-room before starting.
|
|
"Jude, I want you to kiss me, as a lover, incorporeally," she said,
|
|
tremulously nestling up to him, with damp lashes. "It won't be ever
|
|
like this any more, will it! I wish we hadn't begun the business.
|
|
But I suppose we must go on. How horrid that story was last night!
|
|
It spoilt my thoughts of to-day. It makes me feel as if a tragic doom
|
|
overhung our family, as it did the house of Atreus."
|
|
|
|
"Or the house of Jeroboam," said the quondam theologian.
|
|
|
|
"Yes. And it seems awful temerity in us two to go marrying!
|
|
I am going to vow to you in the same words I vowed in to my
|
|
other husband, and you to me in the same as you used to your
|
|
other wife; regardless of the deterrent lesson we were taught
|
|
by those experiments!"
|
|
|
|
"If you are uneasy I am made unhappy," said he. "I had hoped you would
|
|
feel quite joyful. But if you don't, you don't. It is no use pretending.
|
|
It is a dismal business to you, and that makes it so to me!"
|
|
|
|
"It is unpleasantly like that other morning--that's all," she murmured.
|
|
"Let us go on now."
|
|
|
|
They started arm in arm for the office aforesaid, no witness
|
|
accompanying them except the Widow Edlin. The day was chilly and dull,
|
|
and a clammy fog blew through the town from "Royal-tower'd Thame."
|
|
On the steps of the office there were the muddy foot-marks of people
|
|
who had entered, and in the entry were damp umbrellas Within the office
|
|
several persons were gathered, and our couple perceived that a
|
|
marriage between a soldier and a young woman was just in progress.
|
|
Sue, Jude, and the widow stood in the background while this
|
|
was going on, Sue reading the notices of marriage on the wall.
|
|
The room was a dreary place to two of their temperament,
|
|
though to its usual frequenters it doubtless seemed ordinary enough.
|
|
Law-books in musty calf covered one wall, and elsewhere
|
|
were post-office directories, and other books of reference.
|
|
Papers in packets tied with red tape were pigeon-holed around,
|
|
and some iron safes filled a recess, while the bare wood floor was,
|
|
like the door-step, stained by previous visitors.
|
|
|
|
The soldier was sullen and reluctant: the bride sad and timid;
|
|
she was soon, obviously, to become a mother, and she had a black eye.
|
|
Their little business was soon done, and the twain and their friends
|
|
straggled out, one of the witnesses saying casually to Jude and Sue
|
|
in passing, as if he had known them before: "See the couple just
|
|
come in? Ha, ha! That fellow is just out of gaol this morning.
|
|
She met him at the gaol gates, and brought him straight here.
|
|
She's paying for everything."
|
|
|
|
Sue turned her head and saw an ill-favoured man, closely cropped,
|
|
with a broad-faced, pock-marked woman on his arm, ruddy with liquor
|
|
and the satisfaction of being on the brink of a gratified desire.
|
|
They jocosely saluted the outgoing couple, and went forward
|
|
in front of Jude and Sue, whose diffidence was increasing.
|
|
The latter drew back and turned to her lover, her mouth shaping itself
|
|
like that of a child about to give way to grief:
|
|
|
|
"Jude--I don't like it here! I wish we hadn't come! The place gives
|
|
me the horrors: it seems so unnatural as the climax of our love!
|
|
I wish it had been at church, if it had to be at all. It is not so
|
|
vulgar there!"
|
|
|
|
"Dear little girl," said Jude. "How troubled and pale you look!"
|
|
|
|
"It must be performed here now, I suppose?"
|
|
|
|
"No--perhaps not necessarily."
|
|
|
|
He spoke to the clerk, and came back. "No--we need not marry
|
|
here or anywhere, unless we like, even now," he said.
|
|
"We can be married in a church, if not with the same certificate
|
|
with another he'll give us, I think. Anyhow, let us go out till
|
|
you are calmer, dear, and I too, and talk it over."
|
|
|
|
They went out stealthily and guiltily, as if they had committed
|
|
a misdemeanour, closing the door without noise, and telling the widow,
|
|
who had remained in the entry, to go home and await them; that they
|
|
would call in any casual passers as witnesses, if necessary.
|
|
When in the street they turned into an unfrequented side alley where
|
|
they walked up and down as they had done long ago in the market-house
|
|
at Melchester.
|
|
|
|
"Now, darling, what shall we do? We are making a mess of it,
|
|
it strikes me. Still, ANYTHING that pleases you will please me."
|
|
|
|
"But Jude, dearest, I am worrying you! You wanted it to be there,
|
|
didn't you?"
|
|
|
|
"Well, to tell the truth, when I got inside I felt as if I didn't care
|
|
much about it. The place depressed me almost as much as it did you--
|
|
it was ugly. And then I thought of what you had said this morning as to
|
|
whether we ought."
|
|
|
|
They walked on vaguely, till she paused, and her little voice began anew:
|
|
"It seems so weak, too, to vacillate like this! And yet how much better
|
|
than to act rashly a second time.... How terrible that scene was to me!
|
|
The expression in that flabby woman's face, leading her on to give herself
|
|
to that gaol-bird, not for a few hours, as she would, but for a lifetime,
|
|
as she must. And the other poor soul--to escape a nominal shame which was
|
|
owing to the weakness of her character, degrading herself to the real
|
|
shame of bondage to a tyrant who scorned her--a man whom to avoid for ever
|
|
was her only chance of salvation.... This is our parish church, isn't it?
|
|
This is where it would have to be, if we did it in the usual way? A service
|
|
or something seems to be going on."
|
|
|
|
Jude went up and looked in at the door. "Why--it is a wedding here too,"
|
|
he said. "Everybody seems to be on our tack to-day."
|
|
|
|
Sue said she supposed it was because Lent was just over,
|
|
when there was always a crowd of marriages. "Let us listen,"
|
|
she said, "and find how it feels to us when performed in
|
|
a church."
|
|
|
|
They stepped in, and entered a back seat, and watched the proceedings
|
|
at the altar. The contracting couple appeared to belong to the well-to-do
|
|
middle class, and the wedding altogether was of ordinary prettiness
|
|
and interest. They could see the flowers tremble in the bride's hand,
|
|
even at that distance, and could hear her mechanical murmur of words
|
|
whose meaning her brain seemed to gather not at all under the pressure
|
|
of her self-consciousness. Sue and Jude listened, and severally saw
|
|
themselves in time past going through the same form of self-committal.
|
|
|
|
"It is not the same to her, poor thing, as it would be to me
|
|
doing it over again with my present knowledge," Sue whispered.
|
|
"You see, they are fresh to it, and take the proceedings
|
|
as a matter of course. But having been awakened to its awful
|
|
solemnity as we have, or at least as I have, by experience,
|
|
and to my own too squeamish feelings perhaps sometimes,
|
|
it really does seem immoral in me to go and undertake the same
|
|
thing again with open eyes. Coming in here and seeing this
|
|
has frightened me from a church wedding as much as the other
|
|
did from a registry one.... We are a weak, tremulous pair,
|
|
Jude, and what others may feel confident in I feel doubts of--
|
|
my being proof against the sordid conditions of a business
|
|
contract again!"
|
|
|
|
Then they tried to laugh, and went on debating in whispers the object-lesson
|
|
before them. And Jude said he also thought they were both too thin-skinned--
|
|
that they ought never to have been born--much less have come together for
|
|
the most preposterous of all joint ventures for THEM--matrimony.
|
|
|
|
His betrothed shuddered; and asked him earnestly if he indeed felt that they
|
|
ought not to go in cold blood and sign that life-undertaking again?"
|
|
It is awful if you think we have found ourselves not strong enough for it,
|
|
and knowing this, are proposing to perjure ourselves," she said.
|
|
|
|
"I fancy I do think it--since you ask me," said Jude. "Remember I'll
|
|
do it if you wish, own darling." While she hesitated he went on
|
|
to confess that, though he thought they ought to be able to do it,
|
|
he felt checked by the dread of incompetency just as she did--
|
|
from their peculiarities, perhaps, because they were unlike other people.
|
|
"We are horribly sensitive; that's really what's the matter
|
|
with us, Sue!" he declared.
|
|
|
|
"I fancy more are like us than we think!"
|
|
|
|
"Well, I don't know. The intention of the contract is good,
|
|
and right for many, no doubt; but in our case it may defeat
|
|
its own ends because we are the queer sort of people we are--
|
|
folk in whom domestic ties of a forced kind snuff out cordiality
|
|
and spontaneousness."
|
|
|
|
Sue still held that there was not much queer or exceptional in them:
|
|
that all were so. "Everybody is getting to feel as we do.
|
|
We are a little beforehand, that's all. In fifty, a hundred,
|
|
years the descendants of these two will act and feel worse than we.
|
|
They will see weltering humanity still more vividly than we do now,
|
|
as
|
|
|
|
|
|
Shapes like our own selves hideously multiplied,
|
|
|
|
|
|
|
|
and will be afraid to reproduce them."
|
|
|
|
"What a terrible line of poetry! ... though I have felt it myself
|
|
about my fellow-creatures, at morbid times."
|
|
|
|
Thus they murmured on, till Sue said more brightly:
|
|
|
|
"Well--the general question is not our business, and why should
|
|
we plague ourselves about it? However different our reasons
|
|
are we come to the same conclusion; that for us particular two,
|
|
an irrevocable oath is risky. Then, Jude, let us go home
|
|
without killing our dream! Yes? How good you are, my friend:
|
|
you give way to all my whims!"
|
|
|
|
"They accord very much with my own."
|
|
|
|
He gave her a little kiss behind a pillar while the attention of everybody
|
|
present was taken up in observing the bridal procession entering the vestry;
|
|
and then they came outside the building. By the door they waited till two
|
|
or three carriages, which had gone away for a while, returned, and the new
|
|
husband and wife came into the open daylight. Sue sighed.
|
|
|
|
"The flowers in the bride's hand are sadly like the garland
|
|
which decked the heifers of sacrifice in old times!"
|
|
|
|
"Still, Sue, it is no worse for the woman than for the man.
|
|
That's what some women fail to see, and instead of protesting against
|
|
the conditions they protest against the man, the other victim;
|
|
just as a woman in a crowd will abuse the man who crushes against her,
|
|
when he is only the helpless transmitter of the pressure put
|
|
upon him."
|
|
|
|
"Yes--some are like that, instead of uniting with the man against
|
|
the common enemy, coercion." The bride and bridegroom had by this
|
|
time driven off, and the two moved away with the rest of the idlers.
|
|
"No--don't let's do it," she continued. "At least just now."
|
|
|
|
They reached home, and passing the window arm in arm saw the widow
|
|
looking out at them. "Well," cried their guest when they entered,
|
|
"I said to myself when I zeed ye coming so loving up to the door,
|
|
'They made up their minds at last, then!'"
|
|
|
|
They briefly hinted that they had not.
|
|
|
|
"What--and ha'n't ye really done it? Chok' it all, that I should have
|
|
lived to see a good old saying like 'marry in haste and repent at leisure'
|
|
spoiled like this by you two! 'Tis time I got back again to Marygreen--
|
|
sakes if tidden--if this is what the new notions be leading us to!
|
|
Nobody thought o' being afeard o' matrimony in my time, nor of much else but
|
|
a cannon-ball or empty cup-board! Why when I and my poor man were married we
|
|
thought no more o't than of a game o' dibs!"
|
|
|
|
"Don't tell the child when he comes in," whispered Sue nervously.
|
|
"He'll think it has all gone on right, and it will be better
|
|
that he should not be surprised and puzzled. Of course it is
|
|
only put off for reconsideration. If we are happy as we are,
|
|
what does it matter to anybody?"
|
|
|
|
|
|
|
|
V
|
|
|
|
|
|
THE purpose of a chronicler of moods and deeds does not require him
|
|
to express his personal views upon the grave controversy above given.
|
|
That the twain were happy--between their times of sadness--was indubitable.
|
|
And when the unexpected apparition of Jude's child in the house
|
|
had shown itself to be no such disturbing event as it had looked,
|
|
but one that brought into their lives a new and tender interest
|
|
of an ennobling and unselfish kind, it rather helped than injured
|
|
their happiness.
|
|
|
|
To be sure, with such pleasing anxious beings as they were, the boy's coming
|
|
also brought with it much thought for the future, particularly as he seemed
|
|
at present to be singularly deficient in all the usual hopes of childhood.
|
|
But the pair tried to dismiss, for a while at least, a too strenuously
|
|
forward view.
|
|
|
|
There is in Upper Wessex an old town of nine or ten thousand souls;
|
|
the town may be called Stoke-Barehills. It stands with its gaunt,
|
|
unattractive, ancient church, and its new red brick suburb,
|
|
amid the open, chalk-soiled cornlands, near the middle of an imaginary
|
|
triangle which has for its three corners the towns of Aldbrickham
|
|
and Wintoncester, and the important military station of Quartershot.
|
|
The great western highway from London passes through it, near a point
|
|
where the road branches into two, merely to unite again some twenty
|
|
miles further westward. Out of this bifurcation and reunion there
|
|
used to arise among wheeled travellers, before railway days,
|
|
endless questions of choice between the respective ways.
|
|
But the question is now as dead as the scot-and-lot freeholder,
|
|
the road waggoner, and the mail coachman who disputed it;
|
|
and probably not a single inhabitant of Stoke-Barehills is now even
|
|
aware that the two roads which part in his town ever meet again;
|
|
for nobody now drives up and down the great western highway dally.
|
|
|
|
The most familiar object in Stoke-Barehills nowadays is its cemetery,
|
|
standing among some picturesque mediaeval ruins beside the railway;
|
|
the modern chapels, modern tombs, and modern shrubs having a look
|
|
of intrusiveness amid the crumbling and ivy-covered decay of the
|
|
ancient walls.
|
|
|
|
On a certain day, however, in the particular year which has
|
|
now been reached by this narrative--the month being early June--
|
|
the features of the town excite little interest, though many
|
|
visitors arrive by the trains; some down-trains, in especial,
|
|
nearly emptying themselves here. It is the week of the Great Wessex
|
|
Agricultural Show, whose vast encampment spreads over the open
|
|
outskirts of the town like the tents of an investing army.
|
|
Rows of marquees, huts, booths, pavilions, arcades, porticoes--
|
|
every kind of structure short of a permanent one--
|
|
cover the green field for the space of a square half-mile,
|
|
and the crowds of arrivals walk through the town in a mass,
|
|
and make straight for the exhibition ground. The way thereto
|
|
is lined with shows, stalls, and hawkers on foot, who make
|
|
a market-place of the whole roadway to the show proper, and lead
|
|
some of the improvident to lighten their pockets appreciably
|
|
before they reach the gates of the exhibition they came expressly
|
|
to see.
|
|
|
|
It is the popular day, the shilling day, and of the fast
|
|
arriving excursion trains two from different directions enter
|
|
the two contiguous railway stations at almost the same minute.
|
|
One, like several which have preceded it, comes from London:
|
|
the other by a cross-line from Aldbrickham; and from the London
|
|
train alights a couple; a short, rather bloated man, with a
|
|
globular stomach and small legs, resembling a top on two pegs,
|
|
accompanied by a woman of rather fine figure and rather red face,
|
|
dressed in black material, and covered with beads from bonnet
|
|
to skirt, that made her glisten as if clad in chain-mail.
|
|
|
|
They cast their eyes around. The man was about to hire a fly as some others
|
|
had done, when the woman said, "Don't be in such a hurry, Cartlett. It isn't
|
|
so very far to the show-yard. Let us walk down the street into the place.
|
|
Perhaps I can pick up a cheap bit of furniture or old china. It is years
|
|
since I was here--never since I lived as a girl at Aldbrickham, and used to
|
|
come across for a trip sometimes with my young man."
|
|
|
|
"You can't carry home furniture by excursion train," said, in a thick voice,
|
|
her husband, the landlord of The Three Horns, Lambeth; for they had
|
|
both come down from the tavern in that "excellent, densely populated,
|
|
gin-drinking neighbourhood," which they had occupied ever since
|
|
the advertisement in those words had attracted them thither.
|
|
The configuration of the landlord showed that he, too, like his customers,
|
|
was becoming affected by the liquors he retailed.
|
|
|
|
"Then I'll get it sent, if I see any worth having," said his wife.
|
|
|
|
They sauntered on, but had barely entered the town when her attention
|
|
was attracted by a young couple leading a child, who had come out from
|
|
the second platform, into which the train from Aldbrickham had steamed.
|
|
They were walking just in front of the inn-keepers.
|
|
|
|
"Sakes alive!" said Arabella.
|
|
|
|
"What's that?" said Cartlett.
|
|
|
|
"Who do you think that couple is? Don't you recognize the man?"
|
|
|
|
"No."
|
|
|
|
"Not from the photos I have showed you?"
|
|
|
|
"Is it Fawley?"
|
|
|
|
"Yes--of course."
|
|
|
|
"Oh, well. I suppose he was inclined for a little sight-seeing like the rest
|
|
of us." Cartlett's interest in Jude whatever it might have been when Arabella
|
|
was new to him, had plainly flagged since her charms and her idiosyncrasies,
|
|
her supernumerary hair-coils, and her optional dimples, were becoming as a
|
|
tale that is told.
|
|
|
|
Arabella so regulated her pace and her husband's as to keep
|
|
just in the rear of the other three, which it was easy
|
|
to do without notice in such a stream of pedestrians.
|
|
Her answers to Cartlett's remarks were vague and slight,
|
|
for the group in front interested her more than all the rest
|
|
of the spectacle.
|
|
|
|
"They are rather fond of one another and of their child, seemingly,"
|
|
continued the publican.
|
|
|
|
"THEIR child! 'Tisn't their child," said Arabella with a curious,
|
|
sudden covetousness. "They haven't been married long enough for it
|
|
to be theirs!"
|
|
|
|
But although the smouldering maternal instinct was strong
|
|
enough in her to lead her to quash her husband's conjecture,
|
|
she was not disposed on second thoughts to be more candid
|
|
than necessary. Mr. Cartlett had no other idea than that his
|
|
wife's child by her first husband was with his grandparents
|
|
at the Antipodes.
|
|
|
|
"Oh I suppose not. She looks quite a girl."
|
|
|
|
"They are only lovers, or lately married, and have the child in charge,
|
|
as anybody can see."
|
|
|
|
All continued to move ahead. The unwitting Sue and Jude, the couple
|
|
in question, had determined to make this agricultural exhibition within
|
|
twenty miles of their own town the occasion of a day's excursion which
|
|
should combine exercise and amusement with instruction, at small expense.
|
|
Not regardful of themselves alone, they had taken care to bring Father Time,
|
|
to try every means of making him kindle and laugh like other boys,
|
|
though he was to some extent a hindrance to the delightfully unreserved
|
|
intercourse in their pilgrimages which they so much enjoyed.
|
|
But they soon ceased to consider him an observer, and went along with that
|
|
tender attention to each other which the shyest can scarcely disguise,
|
|
and which these, among entire strangers as they imagined, took less
|
|
trouble to disguise than they might have done at home. Sue, in her
|
|
new summer clothes, flexible and light as a bird, her little thumb
|
|
stuck up by the stem of her white cotton sunshade, went along as if she
|
|
hardly touched ground, and as if a moderately strong puff of wind would
|
|
float her over the hedge into the next field. Jude, in his light grey
|
|
holiday-suit, was really proud of her companionship, not more for her
|
|
external attractiveness than for her sympathetic words and ways.
|
|
That complete mutual understanding, in which every glance and movement
|
|
was as effectual as speech for conveying intelligence between them,
|
|
made them almost the two parts of a single whole.
|
|
|
|
The pair with their charge passed through the turnstiles,
|
|
Arabella and her husband not far behind them. When inside
|
|
the enclosure the publican's wife could see that the two
|
|
ahead began to take trouble with the youngster, pointing out
|
|
and explaining the many objects of interest, alive and dead;
|
|
and a passing sadness would touch their faces at their every
|
|
failure to disturb his indifference.
|
|
|
|
"How she sticks to him!" said Arabella. "Oh no--I fancy they are not married,
|
|
or they wouldn't be so much to one another as that.... I wonder!"
|
|
|
|
"But I thought you said he did marry her?"
|
|
|
|
"I heard he was going to--that's all, going to make another attempt,
|
|
after putting it off once or twice.... As far as they themselves
|
|
are concerned they are the only two in the show. I should be ashamed
|
|
of making myself so silly if I were he!"
|
|
|
|
"I don't see as how there's anything remarkable in their behaviour.
|
|
I should never have noticed their being in love, if you hadn't
|
|
said so."
|
|
|
|
"You never see anything," she rejoined. Nevertheless Cartlett's
|
|
view of the lovers' or married pair's conduct was undoubtedly
|
|
that of the general crowd, whose attention seemed to be in no way
|
|
attracted by what Arabella's sharpened vision discerned.
|
|
|
|
"He's charmed by her as if she were some fairy!" continued Arabella.
|
|
"See how he looks round at her, and lets his eyes rest on her.
|
|
I am inclined to think that she don't care for him quite so much
|
|
as he does for her. She's not a particular warm-hearted creature
|
|
to my thinking, though she cares for him pretty middling much--
|
|
as much as she's able to; and he could make her heart ache a bit
|
|
if he liked to try--which he's too simple to do. There--now they
|
|
are going across to the cart-horse sheds. Come along."
|
|
|
|
"I don't want to see the cart-horses. It is no business of ours to follow
|
|
these two. If we have come to see the show let us see it in our own way,
|
|
as they do in theirs."
|
|
|
|
"Well--suppose we agree to meet somewhere in an hour's time--
|
|
say at that refreshment tent over there, and go about independent?
|
|
Then you can look at what you choose to, and so can I."
|
|
|
|
Cartlett was not loath to agree to this, and they parted--
|
|
he proceeding to the shed where malting processes were
|
|
being exhibited, and Arabella in the direction taken by Jude
|
|
and Sue. Before, however, she had regained their wake
|
|
a laughing face met her own, and she was confronted by Anny,
|
|
the friend of her girlhood.
|
|
|
|
Anny had burst out in hearty laughter at the mere fact of
|
|
the chance encounter. "I am still living down there," she said,
|
|
as soon as she was composed. "I am soon going to be married,
|
|
but my intended couldn't come up here to-day. But there's lots
|
|
of us come by excursion, though I've lost the rest of 'em
|
|
for the present."
|
|
|
|
"Have you met Jude and his young woman, or wife, or whatever she is?
|
|
I saw 'em by now."
|
|
|
|
"No. Not a glimpse of un for years!"
|
|
|
|
"Well, they are close by here somewhere. Yes--there they are--
|
|
by that grey horse!"
|
|
|
|
"Oh, that's his present young woman--wife did you say?
|
|
Has he married again?"
|
|
|
|
"I don't know."
|
|
|
|
"She's pretty, isn't she!"
|
|
|
|
"Yes--nothing to complain of; or jump at. Not much to depend on, though;
|
|
a slim, fidgety little thing like that."
|
|
|
|
"He's a nice-looking chap, too! You ought to ha' stuck to un, Arabella."
|
|
|
|
"I don't know but I ought," murmured she.
|
|
|
|
Anny laughed. "That's you, Arabella! Always wanting another man
|
|
than your own."
|
|
|
|
"Well, and what woman don't I should like to know? As for that body with him--
|
|
she don't know what love is--at least what I call love! I can see in her face
|
|
she don't."
|
|
|
|
"And perhaps, Abby dear, you don't know what she calls love."
|
|
|
|
"I'm sure I don't wish to! ... Ah--they are making for the art department.
|
|
I should like to see some pictures myself. Suppose we go that way?--
|
|
Why, if all Wessex isn't here, I verily believe! There's Dr. Vilbert.
|
|
Haven't seen him for years, and he's not looking a day older than when I used
|
|
to know him. How do you do, Physician? I was just saying that you don't
|
|
look a day older than when you knew me as a girl."
|
|
|
|
"Simply the result of taking my own pills regular, ma'am. Only two
|
|
and threepence a box--warranted efficacious by the Government stamp.
|
|
Now let me advise you to purchase the same immunity from the ravages
|
|
of time by following my example? Only two-and-three."
|
|
|
|
The physician had produced a box from his waistcoat pocket,
|
|
and Arabella was induced to make the purchase.
|
|
|
|
"At the same time," continued he, when the pills were paid for,
|
|
"you have the advantage of me, Mrs.--Surely not Mrs. Fawley,
|
|
once Miss Donn, of the vicinity of Marygreen?"
|
|
|
|
"Yes. But Mrs. Cartlett now."
|
|
|
|
"Ah--you lost him, then? Promising young fellow! A pupil of mine, you know.
|
|
I taught him the dead languages. And believe me, he soon knew nearly as much
|
|
as I."
|
|
|
|
"I lost him; but not as you think," said Arabella dryly "The
|
|
lawyers untied us. There he is, look, alive and lusty;
|
|
along with that young woman, entering the art exhibition."
|
|
|
|
"Ah--dear me! Fond of her, apparently."
|
|
|
|
"They SAY they are cousins."
|
|
|
|
"Cousinship is a great convenience to their feelings, I should say?"
|
|
|
|
"Yes. So her husband thought, no doubt, when he divorced her....
|
|
Shall we look at the pictures, too?"
|
|
|
|
The trio followed across the green and entered. Jude and Sue,
|
|
with the child, unaware of the interest they were exciting,
|
|
had gone up to a model at one end of the building, which they regarded
|
|
with considerable attention for a long while before they went on.
|
|
Arabella and her friends came to it in due course, and the inscription
|
|
it bore was: "Model of Cardinal College, Christminster; by J. Fawley
|
|
and S. F. M. Bridehead."
|
|
|
|
"Admiring their own work," said Arabella. "How like Jude--
|
|
always thinking of colleges and Christminster, instead of attending
|
|
to his business!"
|
|
|
|
They glanced cursorily at the pictures, and proceeded to the band-stand.
|
|
When they had stood a little while listening to the music of the
|
|
military performers, Jude, Sue, and the child came up on the other side.
|
|
Arabella did not care if they should recognize her; but they were too deeply
|
|
absorbed in their own lives, as translated into emotion by the military band,
|
|
to perceive her under her beaded veil. She walked round the outside
|
|
of the listening throng, passing behind the lovers, whose movements
|
|
had an unexpected fascination for her to-day. Scrutinizing them narrowly
|
|
from the rear she noticed that Jude's hand sought Sue's as they stood,
|
|
the two standing close together so as to conceal, as they supposed,
|
|
this tacit expression of their mutual responsiveness.
|
|
|
|
"Silly fools--like two children!" Arabella whispered to herself morosely,
|
|
as she rejoined her companions, with whom she preserved a preoccupied silence.
|
|
|
|
Anny meanwhile had jokingly remarked to Vilbert on Arabella's hankering
|
|
interest in her first husband.
|
|
|
|
"Now," said the physician to Arabella, apart; "do you want
|
|
anything such as this, Mrs. Cartlett? It is not compounded
|
|
out of my regular pharmacopoeia, but I am sometimes asked
|
|
for such a thing." He produced a small phial of clear liquid.
|
|
"A love-philtre, such as was used by the ancients with great effect.
|
|
I found it out by study of their writings, and have never known it
|
|
to fail."
|
|
|
|
"What is it made of?" asked Arabella curiously.
|
|
|
|
"Well--a distillation of the juices of doves' hearts--otherwise pigeons'--
|
|
is one of the ingredients. It took nearly a hundred hearts to produce that
|
|
small bottle full."
|
|
|
|
"How do you get pigeons enough?"
|
|
|
|
"To tell a secret, I get a piece of rock-salt, of which pigeons
|
|
are inordinately fond, and place it in a dovecot on my roof.
|
|
In a few hours the birds come to it from all points of the compass--
|
|
east, west, north, and south--and thus I secure as many as I require.
|
|
You use the liquid by contriving that the desired man shall take
|
|
about ten drops of it in his drink. But remember, all this is told you
|
|
because I gather from your questions that you mean to be a purchaser.
|
|
You must keep faith with me?"
|
|
|
|
"Very well--I don't mind a bottle--to give some friend or other to try
|
|
it on her young man." She produced five shillings, the price asked,
|
|
and slipped the phial in her capacious bosom. Saying presently that she
|
|
was due at an appointment with her husband she sauntered away towards
|
|
the refreshment bar, Jude, his companion, and the child having gone
|
|
on to the horticultural tent, where Arabella caught a glimpse of them
|
|
standing before a group of roses in bloom.
|
|
|
|
She waited a few minutes observing them, and then proceeded to join her spouse
|
|
with no very amiable sentiments. She found him seated on a stool by the bar,
|
|
talking to one of the gaily dressed maids who had served him with spirits.
|
|
|
|
"I should think you had enough of this business at home!"
|
|
Arabella remarked gloomily. "Surely you didn't come fifty
|
|
miles from your own bar to stick in another? Come, take me
|
|
round the show, as other men do their wives! Dammy, one would
|
|
think you were a young bachelor, with nobody to look after
|
|
but yourself!"
|
|
|
|
"But we agreed to meet here; and what could I do but wait?"
|
|
|
|
"Well, now we have met, come along," she returned, ready to quarrel
|
|
with the sun for shining on her. And they left the tent together,
|
|
this pot-bellied man and florid woman, in the antipathetic,
|
|
recriminatory mood of the average husband and wife of Christendom.
|
|
|
|
In the meantime the more exceptional couple and the boy still
|
|
lingered in the pavilion of flowers--an enchanted palace to their
|
|
appreciative taste--Sue's usually pale cheeks reflecting the pink
|
|
of the tinted roses at which she gazed; for the gay sights,
|
|
the air, the music, and the excitement of a day's outing with Jude
|
|
had quickened her blood and made her eyes sparkle with vivacity.
|
|
She adored roses, and what Arabella had witnessed was Sue detaining
|
|
Jude almost against his will while she learnt the names of this
|
|
variety and that, and put her face within an inch of their blooms
|
|
to smell them.
|
|
|
|
"I should like to push my face quite into them--the dears!" she had said.
|
|
"But I suppose it is against the rules to touch them--isn't it, Jude?"
|
|
|
|
"Yes, you baby," said he: and then playfully gave her a little push,
|
|
so that her nose went among the petals.
|
|
|
|
"The policeman will be down on us, and I shall say it was my husband's fault!"
|
|
|
|
Then she looked up at him, and smiled in a way that told so much to Arabella.
|
|
|
|
"Happy?" he murmured.
|
|
|
|
She nodded.
|
|
|
|
"Why? Because you have come to the great Wessex Agricultural Show--
|
|
or because we have come?"
|
|
|
|
"You are always trying to make me confess to all sorts of absurdities.
|
|
Because I am improving my mind, of course, by seeing all these steam-ploughs,
|
|
and threshing-machines, and chaff-cutters, and cows, and pigs, and sheep."
|
|
|
|
Jude was quite content with a baffle from his ever evasive companion.
|
|
But when he had forgotten that he had put the question,
|
|
and because he no longer wished for an answer, she went on:
|
|
"I feel that we have returned to Greek joyousness,
|
|
and have blinded ourselves to sickness and sorrow, and have
|
|
forgotten what twenty-five centuries have taught the race
|
|
since their time, as one of your Christminster luminaries
|
|
says.... There is one immediate shadow, however--only one."
|
|
And she looked at the aged child, whom, though they had taken
|
|
him to everything likely to attract a young intelligence,
|
|
they had utterly failed to interest.
|
|
|
|
He knew what they were saying and thinking. "I am very, very sorry,
|
|
Father and Mother," he said. "But please don't mind!--I can't help it.
|
|
I should like the flowers very very much, if I didn't keep on thinking they'd
|
|
be all withered in a few days!"
|
|
|
|
|
|
|
|
VI
|
|
|
|
|
|
THE unnoticed lives that the pair had hitherto led began,
|
|
from the day of the suspended wedding onwards, to be observed
|
|
and discussed by other persons than Arabella. The society of
|
|
Spring Street and the neighbourhood generally did not understand,
|
|
and probably could not have been made to understand,
|
|
Sue and Jude's private minds, emotions, positions, and fears.
|
|
The curious facts of a child coming to them unexpectedly,
|
|
who called Jude "Father," and Sue "Mother," and a hitch in a
|
|
marriage ceremony intended for quietness to be performed at a
|
|
registrar's office, together with rumours of the undefended cases
|
|
in the law-courts, bore only one translation to plain minds.
|
|
|
|
Little Time--for though he was formally turned into "Jude," the apt
|
|
nickname stuck to him--would come home from school in the evening,
|
|
and repeat inquiries and remarks that had been made to him
|
|
by the other boys; and cause Sue, and Jude when he heard them,
|
|
a great deal of pain and sadness.
|
|
|
|
The result was that shortly after the attempt at the registrar's
|
|
the pair went off--to London it was believed--for several days,
|
|
hiring somebody to look to the boy. When they came back they let it be
|
|
understood indirectly, and with total indifference and weariness of mien,
|
|
that they were legally married at last. Sue, who had previously been
|
|
called Mrs. Bridehead now openly adopted the name of Mrs. Fawley.
|
|
Her dull, cowed, and listless manner for days seemed to substantiate
|
|
all this.
|
|
|
|
But the mistake (as it was called) of their going away so secretly
|
|
to do the business, kept up much of the mystery of their lives;
|
|
and they found that they made not such advances with their neighbours
|
|
as they had expected to do thereby. A living mystery was not much
|
|
less interesting than a dead scandal.
|
|
|
|
The baker's lad and the grocer's boy, who at first had used to lift
|
|
their hats gallantly to Sue when they came to execute their errands,
|
|
in these days no longer took the trouble to render her that homage,
|
|
and the neighbouring artizans' wives looked straight along the pavement
|
|
when they encountered her.
|
|
|
|
Nobody molested them, it is true; but an oppressive atmosphere began
|
|
to encircle their souls, particularly after their excursion to the show,
|
|
as if that visit had brought some evil influence to bear on them.
|
|
And their temperaments were precisely of a kind to suffer from
|
|
this atmosphere, and to be indisposed to lighten it by vigorous
|
|
and open statements. Their apparent attempt at reparation had come
|
|
too late to be effective.
|
|
|
|
The headstone and epitaph orders fell off: and two or three months later,
|
|
when autumn came, Jude perceived that he would have to return
|
|
to journey-work again, a course all the more unfortunate just now,
|
|
in that he had not as yet cleared off the debt he had unavoidably
|
|
incurred in the payment of the law-costs of the previous year.
|
|
|
|
One evening he sat down to share the common meal with Sue
|
|
and the child as usual. "I am thinking," he said to her,
|
|
"that I'll hold on here no longer. The life suits us, certainly;
|
|
but if we could get away to a place where we are unknown,
|
|
we should be lighter hearted, and have a better chance.
|
|
And so I am afraid we must break it up here, however awkward for you,
|
|
poor dear!"
|
|
|
|
Sue was always much affected at a picture of herself as an object of pity,
|
|
and she saddened.
|
|
|
|
"Well--I am not sorry," said she presently. "I am much depressed
|
|
by the way they look at me here. And you have been keeping
|
|
on this house and furniture entirely for me and the boy!
|
|
You don't want it yourself, and the expense is unnecessary.
|
|
But whatever we do, wherever we go, you won't take him
|
|
away from me, Jude dear? I could not let him go now!
|
|
The cloud upon his young mind makes him so pathetic to me;
|
|
I do hope to lift it some day! And he loves me so.
|
|
You won't take him away from me?"
|
|
|
|
"Certainly I won't, dear little girl! We'll get nice lodgings,
|
|
wherever we go. I shall be moving about probably--getting a job
|
|
here and a job there."
|
|
|
|
"I shall do something too, of course, till--till Well, now I can't be useful
|
|
in the lettering it behoves me to turn my hand to something else."
|
|
|
|
"Don't hurry about getting employment," he said regretfully.
|
|
"I don't want you to do that. I wish you wouldn't, Sue.
|
|
The boy and yourself are enough for you to attend to."
|
|
|
|
There was a knock at the door, and Jude answered it.
|
|
Sue could hear the conversation:
|
|
|
|
"Is Mr. Fawley at home? ... Biles and Willis the building contractors sent
|
|
me to know if you'll undertake the relettering of the ten commandments
|
|
in a little church they've been restoring lately in the country near here."
|
|
|
|
Jude reflected, and said he could undertake it.
|
|
|
|
"It is not a very artistic job," continued the messenger.
|
|
"The clergyman is a very old-fashioned chap, and he has refused
|
|
to let anything more be done to the church than cleaning
|
|
and repairing."
|
|
|
|
"Excellent old man!" said Sue to herself, who was sentimentally
|
|
opposed to the horrors of over-restoration.
|
|
|
|
"The Ten Commandments are fixed to the east end," the messenger went on,
|
|
"and they want doing up with the rest of the wall there, since he won't
|
|
have them carted off as old materials belonging to the contractor
|
|
in the usual way of the trade."
|
|
|
|
A bargain as to terms was struck, and Jude came indoors.
|
|
"There, you see," he said cheerfully. "One more job yet,
|
|
at any rate, and you can help in it--at least you can try.
|
|
We shall have all the church to ourselves, as the rest of the work
|
|
is finished."
|
|
|
|
Next day Jude went out to the church, which was only two miles off.
|
|
He found that what the contractor's clerk had said was true.
|
|
The tables of the Jewish law towered sternly over the utensils
|
|
of Christian grace, as the chief ornament of the chancel end,
|
|
in the fine dry style of the last century. And as their framework
|
|
was constructed of ornamental plaster they could not be taken
|
|
down for repair. A portion, crumbled by damp, required renewal;
|
|
and when this had been done, and the whole cleansed, he began
|
|
to renew the lettering. On the second morning Sue came to see
|
|
what assistance she could render, and also because they liked to
|
|
be together.
|
|
|
|
The silence and emptiness of the building gave her confidence,
|
|
and, standing on a safe low platform erected by Jude,
|
|
which she was nevertheless timid at mounting, she began painting
|
|
in the letters of the first Table while he set about mending
|
|
a portion of the second. She was quite pleased at her powers;
|
|
she had acquired them in the days she painted illumined texts
|
|
for the church-fitting shop at Christminster. Nobody seemed
|
|
likely to disturb them; and the pleasant twitter of birds,
|
|
and rustle of October leafage, came in through an open window,
|
|
and mingled with their talk.
|
|
|
|
They were not, however, to be left thus snug and peaceful for long.
|
|
About half-past twelve there came footsteps on the gravel without.
|
|
The old vicar and his churchwarden entered, and, coming up to see what was
|
|
being done, seemed surprised to discover that a young woman was assisting.
|
|
They passed on into an aisle, at which time the door again opened,
|
|
and another figure entered--a small one, that of little Time, who was crying.
|
|
Sue had told him where he might find her between school-hours, if
|
|
he wished. She came down from her perch, and said, "What's the matter,
|
|
my dear?"
|
|
|
|
"I couldn't stay to eat my dinner in school, because they said----"
|
|
He described how some boys had taunted him about his nominal mother,
|
|
and Sue, grieved, expressed her indignation to Jude aloft.
|
|
The child went into the churchyard, and Sue returned to her work.
|
|
Meanwhile the door had opened again, and there shuffled in with a
|
|
businesslike air the white-aproned woman who cleaned the church.
|
|
Sue recognized her as one who had friends in Spring Street,
|
|
whom she visited. The church-cleaner looked at Sue, gaped, and lifted
|
|
her hands; she had evidently recognized Jude's companion as the latter
|
|
had recognized her. Next came two ladies, and after talking to the
|
|
charwoman they also moved forward, and as Sue stood reaching upward,
|
|
watched her hand tracing the letters, and critically regarded her person
|
|
in relief against the white wall, till she grew so nervous that she
|
|
trembled visibly.
|
|
|
|
They went back to where the others were standing, talking in undertones:
|
|
and one said--Sue could not hear which--"She's his wife, I suppose?"
|
|
|
|
"Some say Yes: some say No," was the reply from the charwoman.
|
|
|
|
"Not? Then she ought to be, or somebody's--that's very clear!"
|
|
|
|
"They've only been married a very few weeks, whether or no."
|
|
|
|
"A strange pair to be painting the Two Tables! I wonder Biles and Willis
|
|
could think of such a thing as hiring those!"
|
|
|
|
The churchwarden supposed that Biles and Willis knew of nothing wrong,
|
|
and then the other, who had been talking to the old woman, explained what
|
|
she meant by calling them strange people.
|
|
|
|
The probable drift of the subdued conversation which followed was made plain
|
|
by the churchwarden breaking into an anecdote, in a voice that everybody
|
|
in the church could hear, though obviously suggested by the present situation:
|
|
|
|
"Well, now, it is a curious thing, but my grandfather told
|
|
me a strange tale of a most immoral case that happened at
|
|
the painting of the Commandments in a church out by Gaymead--
|
|
which is quite within a walk of this one. In them days
|
|
Commandments were mostly done in gilt letters on a black ground,
|
|
and that's how they were out where I say, before the owld church
|
|
was rebuilded. It must have been somewhere about a hundred
|
|
years ago that them Commandments wanted doing up just as ours
|
|
do here, and they had to get men from Aldbrickham to do 'em.
|
|
Now they wished to get the job finished by a particular Sunday,
|
|
so the men had to work late Saturday night, against their will,
|
|
for overtime was not paid then as 'tis now. There was no true
|
|
religion in the country at that date, neither among pa'sons, clerks,
|
|
nor people, and to keep the men up to their work the vicar had
|
|
to let 'em have plenty of drink during the afternoon. As evening
|
|
drawed on they sent for some more themselves; rum, by all account.
|
|
It got later and later, and they got more and more fuddled,
|
|
till at last they went a-putting their rum-bottle and rummers upon
|
|
the communion table, and drawed up a trestle or two, and sate
|
|
round comfortable and poured out again right hearty bumpers.
|
|
No sooner had they tossed off their glasses than, so the story
|
|
goes they fell down senseless, one and all. How long they bode
|
|
so they didn't know, but when they came to themselves there
|
|
was a terrible thunder-storm a-raging, and they seemed to see
|
|
in the gloom a dark figure with very thin legs and a curious voot,
|
|
a-standing on the ladder, and finishing their work.
|
|
When it got daylight they could see that the work was really
|
|
finished, and couldn't at all mind finishing it themselves.
|
|
They went home, and the next thing they heard was that a great
|
|
scandal had been caused in the church that Sunday morning,
|
|
for when the people came and service began, all saw that
|
|
the Ten Commandments wez painted with the "nots" left out.
|
|
Decent people wouldn't attend service there for a long time,
|
|
and the Bishop had to be sent for to reconsecrate the church.
|
|
That's the tradition as I used to hear it as a child. You must take
|
|
it for what it is wo'th, but this case to-day has reminded me o't, as
|
|
I say."
|
|
|
|
The visitors gave one more glance, as if to see whether Jude
|
|
and Sue had left the "nots" out likewise, and then severally
|
|
left the church, even the old woman at last. Sue and Jude,
|
|
who had not stopped working, sent back the child to school,
|
|
and remained without speaking; till, looking at her narrowly,
|
|
he found she had been crying silently.
|
|
|
|
"Never mind, comrade!" he said. "I know what it is!"
|
|
|
|
"I can't BEAR that they, and everybody, should think people
|
|
wicked because they may have chosen to live their own way!
|
|
It is really these opinions that make the best intentioned
|
|
people reckless, and actually become immoral!"
|
|
|
|
"Never be cast down! It was only a funny story."
|
|
|
|
"Ah, but we suggested it! I am afraid I have done you mischief,
|
|
Jude, instead of helping you by coming!"
|
|
|
|
To have suggested such a story was certainly not very exhilarating,
|
|
in a serious view of their position. However, in a few minutes Sue
|
|
seemed to see that their position this morning had a ludicrous side,
|
|
and wiping her eyes she laughed.
|
|
|
|
"It is droll, after all," she said, "that we two, of all people, with our
|
|
queer history, should happen to be here painting the Ten Commandments!
|
|
You a reprobate, and I--in my condition.... O dear!" ... And with her
|
|
hand over her eyes she laughed again silently and intermittently,
|
|
till she was quite weak.
|
|
|
|
"That's better," said Jude gaily. "Now we are right again, aren't we,
|
|
little girl!"
|
|
|
|
"Oh but it is serious, all the same!" she sighed as she took up the brush
|
|
and righted herself. "But do you see they don't think we are married?
|
|
They WON'T believe it! It is extraordinary!"
|
|
|
|
"I don't care whether they think so or not," said Jude.
|
|
"I shan't take any more trouble to make them."
|
|
|
|
They sat down to lunch--which they had brought with them not to hinder time--
|
|
and having eaten it were about to set to work anew when a man entered
|
|
the church, and Jude recognized in him the contractor Willis. He beckoned
|
|
to Jude, and spoke to him apart.
|
|
|
|
"Here--I've just had a complaint about this," he said, with rather
|
|
breathless awkwardness. "I don't wish to go into the matter--
|
|
as of course I didn't know what was going on--but I am afraid I must
|
|
ask you and her to leave off, and let somebody else finish this!
|
|
It is best, to avoid all unpleasantness. I'll pay you for the week,
|
|
all the same."
|
|
|
|
Jude was too independent to make any fuss; and the contractor paid him,
|
|
and left. Jude picked up his tools, and Sue cleansed her brush.
|
|
Then their eyes met.
|
|
|
|
"How could we be so simple as to suppose we might do this!"
|
|
said she, dropping to her tragic note. "Of course we ought not--
|
|
I ought not--to have come!"
|
|
|
|
"I had no idea that anybody was going to intrude into such a lonely place
|
|
and see us!" Jude returned. "Well, it can't be helped, dear; and of
|
|
course I wouldn't wish to injure Willis's trade-connection by staying."
|
|
They sat down passively for a few minutes, proceeded out of the church,
|
|
and overtaking the boy pursued their thoughtful way to Aldbrickham.
|
|
|
|
Fawley had still a pretty zeal in the cause of education, and,
|
|
as was natural with his experiences, he was active in furthering
|
|
"equality of opportunity" by any humble means open to him.
|
|
He had joined an Artizans' Mutual Improvement Society established
|
|
in the town about the time of his arrival there; its members being
|
|
young men of all creeds and denominations, including Churchmen,
|
|
Congregationalists, Baptists, Unitarians, Positivists, and others--
|
|
agnostics had scarcely been heard of at this time--their one
|
|
common wish to enlarge their minds forming a sufficiently close
|
|
bond of union. The subscription was small, and the room homely;
|
|
and Jude's activity, uncustomary acquirements, and above all,
|
|
singular intuition on what to read and how to set about it--
|
|
begotten of his years of struggle against malignant stars--had led
|
|
to his being placed on the committee.
|
|
|
|
A few evenings after his dismissal from the church repairs,
|
|
and before he had obtained any more work to do, he went to attend
|
|
a meeting of the aforesaid committee. It was late when he arrived:
|
|
all the others had come, and as he entered they looked
|
|
dubiously at him, and hardly uttered a word of greeting.
|
|
He guessed that something bearing on himself had been either
|
|
discussed or mooted. Some ordinary business was transacted,
|
|
and it was disclosed that the number of subscriptions
|
|
had shown a sudden falling off for that quarter.
|
|
One member--a really well-meaning and upright man--
|
|
began speaking in enigmas about certain possible causes:
|
|
that it behoved them to look well into their constitution;
|
|
for if the committee were not respected, and had not at least,
|
|
in their differences, a common standard of CONDUCT,
|
|
they would bring the institution to the ground. Nothing further
|
|
was said in Jude's presence, but he knew what this meant;
|
|
and turning to the table wrote a note resigning his office there
|
|
and then.
|
|
|
|
Thus the supersensitive couple were more and more impelled to go away.
|
|
And then bills were sent in, and the question arose, what could Jude
|
|
do with his great-aunt's heavy old furniture, if he left the town
|
|
to travel he knew not whither? This, and the necessity of ready money,
|
|
compelled him to decide on an auction, much as he would have preferred
|
|
to keep the venerable goods.
|
|
|
|
The day of the sale came on; and Sue for the last time cooked her own,
|
|
the child's, and Jude's breakfast in the little house he had furnished.
|
|
It chanced to be a wet day; moreover Sue was unwell, and not wishing
|
|
to desert her poor Jude in such gloomy circumstances, for he was compelled
|
|
to stay awhile, she acted on the suggestion of the auctioneer's man,
|
|
and ensconced herself in an upper room, which could be emptied of
|
|
its effects, and so kept closed to the bidders. Here Jude discovered her;
|
|
and with the child, and their few trunks, baskets, and bundles,
|
|
and two chairs and a table that were not in the sale, the two sat in
|
|
meditative talk.
|
|
|
|
Footsteps began stamping up and down the bare stairs,
|
|
the comers inspecting the goods, some of which were of so quaint
|
|
and ancient a make as to acquire an adventitious value as art.
|
|
Their door was tried once or twice, and to guard themselves
|
|
against intrusion Jude wrote "Private" on a scrap of paper,
|
|
and stuck it upon the panel.
|
|
|
|
They soon found that, instead of the furniture, their own
|
|
personal histories and past conduct began to be discussed to an
|
|
unexpected and intolerable extent by the intending bidders.
|
|
It was not till now that they really discovered what a fools'
|
|
paradise of supposed unrecognition they had been living
|
|
in of late. Sue silently took her companion's hand,
|
|
and with eyes on each other they heard these passing remarks--
|
|
the quaint and mysterious personality of Father Time being
|
|
a subject which formed a large ingredient in the hints
|
|
and innuendoes. At length the auction began in the room below,
|
|
whence they could hear each familiar article knocked down,
|
|
the highly prized ones cheaply, the unconsidered at an
|
|
unexpected price.
|
|
|
|
"People don't understand us," he sighed heavily. "I am glad
|
|
we have decided to go."
|
|
|
|
"The question is, where to?"
|
|
|
|
"It ought to be to London. There one can live as one chooses."
|
|
|
|
"No--not London, dear! I know it well. We should be unhappy there."
|
|
|
|
"Why?"
|
|
|
|
"Can't you think?"
|
|
|
|
"Because Arabella is there?"
|
|
|
|
"That's the chief reason."
|
|
|
|
"But in the country I shall always be uneasy lest there should
|
|
be some more of our late experience. And I don't care to lessen
|
|
it by explaining, for one thing, all about the boy's history.
|
|
To cut him off from his past I have determined to keep silence.
|
|
I am sickened of ecclesiastical work now; and I shouldn't like to
|
|
accept it, if offered me!"
|
|
|
|
"You ought to have learnt classic. Gothic is barbaric art, after all.
|
|
Pugin was wrong, and Wren was right. Remember the interior of Christminster
|
|
Cathedral--almost the first place in which we looked in each other's faces.
|
|
Under the picturesqueness of those Norman details one can see the grotesque
|
|
childishness of uncouth people trying to imitate the vanished Roman forms,
|
|
remembered by dim tradition only."
|
|
|
|
"Yes--you have half-converted me to that view by what you have said before.
|
|
But one can work, and despise what one does. I must do something, if not
|
|
church gothic."
|
|
|
|
"I wish we could both follow an occupation in which personal
|
|
circumstances don't count," she said, smiling up wistfully.
|
|
"I am as disqualified for teaching as you are for ecclesiastical art.
|
|
You must fall back upon railway stations, bridges, theatres,
|
|
music-halls, hotels--everything that has no connection
|
|
with conduct."
|
|
|
|
"I am not skilled in those.... I ought to take to bread-baking.
|
|
I grew up in the baking business with aunt, you know.
|
|
But even a baker must be conventional, to get customers."
|
|
|
|
"Unless he keeps a cake and gingerbread stall at markets and fairs,
|
|
where people are gloriously indifferent to everything except the quality
|
|
of the goods."
|
|
|
|
Their thoughts were diverted by the voice of the auctioneer:
|
|
"Now this antique oak settle--a unique example of old
|
|
English furniture, worthy the attention of all collectors!"
|
|
|
|
"That was my great-grandfather's," said Jude. "I wish we could
|
|
have kept the poor old thing!"
|
|
|
|
One by one the articles went, and the afternoon passed away.
|
|
Jude and the other two were getting tired and hungry,
|
|
but after the conversation they had heard they were shy of going
|
|
out while the purchasers were in their line of retreat.
|
|
However, the later lots drew on, and it became necessary
|
|
to emerge into the rain soon, to take on Sue's things to their
|
|
temporary lodging.
|
|
|
|
"Now the next lot: two pairs of pigeons, all alive and plump--
|
|
a nice pie for somebody for next Sunday's dinner!"
|
|
|
|
The impending sale of these birds had been the most trying
|
|
suspense of the whole afternoon. They were Sue's pets,
|
|
and when it was found that they could not possibly be kept,
|
|
more sadness was caused than by parting from all the furniture.
|
|
Sue tried to think away her tears as she heard the trifling
|
|
sum that her dears were deemed to be worth advanced by small
|
|
stages to the price at which they were finally knocked down.
|
|
The purchaser was a neighbouring poulterer, and they were
|
|
unquestionably doomed to die before the next market day.
|
|
|
|
Noting her dissembled distress Jude kissed her, and said it was time
|
|
to go and see if the lodgings were ready. He would go on with the boy,
|
|
and fetch her soon.
|
|
|
|
When she was left alone she waited patiently, but Jude did not come back.
|
|
At last she started, the coast being clear, and on passing the poulterer's
|
|
shop, not far off, she saw her pigeons in a hamper by the door.
|
|
An emotion at sight of them, assisted by the growing dusk of evening,
|
|
caused her to act on impulse, and first looking around her quickly,
|
|
she pulled out the peg which fastened down the cover, and went on.
|
|
The cover was lifted from within, and the pigeons flew away with a
|
|
clatter that brought the chagrined poulterer cursing and swearing to
|
|
the door.
|
|
|
|
Sue reached the lodging trembling, and found Jude and the boy making it
|
|
comfortable for her. "Do the buyers pay before they bring away the things?"
|
|
she asked breathlessly.
|
|
|
|
"Yes, I think. Why?"
|
|
|
|
"Because, then, I've done such a wicked thing!" And she explained,
|
|
in bitter contrition.
|
|
|
|
"I shall have to pay the poulterer for them, if he doesn't catch them,"
|
|
said Jude. "But never mind. Don't fret about it, dear."
|
|
|
|
"It was so foolish of me! Oh why should Nature's law be mutual butchery!"
|
|
|
|
"Is it so, Mother?" asked the boy intently.
|
|
|
|
"Yes!" said Sue vehemently.
|
|
|
|
"Well, they must take their chance, now, poor things," said Jude.
|
|
"As soon as the sale-account is wound up, and our bills paid,
|
|
we go."
|
|
|
|
"Where do we go to?" asked Time, in suspense.
|
|
|
|
"We must sail under sealed orders, that nobody may trace us.... We mustn't
|
|
go to Alfredston, or to Melchester, or to Shaston, or to Christminster.
|
|
Apart from those we may go anywhere."
|
|
|
|
"Why mustn't we go there, Father?"
|
|
|
|
"Because of a cloud that has gathered over us; though 'we
|
|
have wronged no man, corrupted no man, defrauded no man!'
|
|
Though perhaps we have 'done that which was right in our
|
|
own eyes.'"
|
|
|
|
|
|
|
|
VII
|
|
|
|
|
|
FROM that week Jude Fawley and Sue walked no more in the town of Aldbrickham.
|
|
|
|
Whither they had gone nobody knew, chiefly because nobody cared to know.
|
|
Any one sufficiently curious to trace the steps of such an obscure pair
|
|
might have discovered without great trouble that they had taken advantage
|
|
of his adaptive craftsmanship to enter on a shifting, almost nomadic,
|
|
life, which was not without its pleasantness for a time.
|
|
|
|
Wherever Jude heard of free-stone work to be done, thither he went,
|
|
choosing by preference places remote from his old haunts and Sue's.
|
|
He laboured at a job, long or briefly, till it was finished;
|
|
and then moved on.
|
|
|
|
Two whole years and a half passed thus. Sometimes he might have been
|
|
found shaping the mullions of a country mansion, sometimes setting
|
|
the parapet of a town-hall, sometimes ashlaring an hotel at Sandbourne,
|
|
sometimes a museum at Casterbridge, sometimes as far down as Exonbury,
|
|
sometimes at Stoke-Barehills. Later still he was at Kennetbridge,
|
|
a thriving town not more than a dozen miles south of Marygreen,
|
|
this being his nearest approach to the village where he was known;
|
|
for he had a sensitive dread of being questioned as to his life and
|
|
fortunes by those who had been acquainted with him during his ardent young
|
|
manhood of study and promise, and his brief and unhappy married life at
|
|
that time.
|
|
|
|
At some of these places he would be detained for months, at others only
|
|
a few weeks. His curious and sudden antipathy to ecclesiastical work,
|
|
both episcopal and noncomformist, which had risen in him when suffering
|
|
under a smarting sense of misconception, remained with him in cold blood,
|
|
less from any fear of renewed censure than from an ultra-conscientiousness
|
|
which would not allow him to seek a living out of those who would
|
|
disapprove of his ways; also, too, from a sense of inconsistency between
|
|
his former dogmas and his present practice, hardly a shred of the beliefs
|
|
with which he had first gone up to Christminster now remaining with him.
|
|
He was mentally approaching the position which Sue had occupied when
|
|
he first met her.
|
|
|
|
On a Saturday evening in May, nearly three years after Arabella's
|
|
recognition of Sue and himself at the agricultural show,
|
|
some of those who there encountered each other met again.
|
|
|
|
It was the spring fair at Kennetbridge, and, though this ancient
|
|
trade-meeting had much dwindled from its dimensions of former times,
|
|
the long straight street of the borough presented a lively scene
|
|
about midday. At this hour a light trap, among other vehicles,
|
|
was driven into the town by the north road, and up to the door
|
|
of a temperance inn. There alighted two women, one the driver,
|
|
an ordinary country person, the other a finely built figure in
|
|
the deep mourning of a widow. Her sombre suit, of pronounced cut,
|
|
caused her to appear a little out of place in the medley and bustle
|
|
of a provincial fair.
|
|
|
|
"I will just find out where it is, Anny," said the widow-lady
|
|
to her companion, when the horse and cart had been taken by a man
|
|
who came forward: "and then I'll come back, and meet you here;
|
|
and we'll go in and have something to eat and drink. I begin to feel
|
|
quite a sinking."
|
|
|
|
"With all my heart," said the other. "Though I would sooner
|
|
have put up at the Chequers or The Jack. You can't get much
|
|
at these temperance houses."
|
|
|
|
"Now, don't you give way to gluttonous desires, my child,"
|
|
said the woman in weeds reprovingly. "This is the proper place.
|
|
Very well: we'll meet in half an hour, unless you come with me to
|
|
find out where the site of the new chapel is?"
|
|
|
|
"I don't care to. You can tell me."
|
|
|
|
The companions then went their several ways, the one in crape walking firmly
|
|
along with a mien of disconnection from her miscellaneous surroundings.
|
|
Making inquiries she came to a hoarding, within which were excavations
|
|
denoting the foundations of a building; and on the boards without one or two
|
|
large posters announcing that the foundation-stone of the chapel about to be
|
|
erected would be laid that afternoon at three o'clock by a London preacher
|
|
of great popularity among his body.
|
|
|
|
Having ascertained thus much the immensely weeded widow retraced her steps,
|
|
and gave herself leisure to observe the movements of the fair.
|
|
By and by her attention was arrested by a little stall of cakes
|
|
and ginger-breads, standing between the more pretentious erections
|
|
of trestles and canvas. It was covered with an immaculate cloth,
|
|
and tended by a young woman apparently unused to the business,
|
|
she being accompanied by a boy with an octogenarian face,
|
|
who assisted her.
|
|
|
|
"Upon my--senses!" murmured the widow to herself. "His wife Sue--
|
|
if she is so!" She drew nearer to the stall. "How do you do,
|
|
Mrs. Fawley?" she said blandly.
|
|
|
|
Sue changed colour and recognized Arabella through the crape veil.
|
|
|
|
"How are you, Mrs. Cartlett?" she said stiffly. And then perceiving
|
|
Arabella's garb her voice grew sympathetic in spite of herself.
|
|
"What?--you have lost----"
|
|
|
|
"My poor husband. Yes. He died suddenly, six weeks ago,
|
|
leaving me none too well off, though he was a kind husband to me.
|
|
But whatever profit there is in public-house keeping goes
|
|
to them that brew the liquors, and not to them that retail
|
|
'em.... And you, my little old man! You don't know me,
|
|
I expect?"
|
|
|
|
"Yes, I do. You be the woman I thought wer my mother for a bit,
|
|
till I found you wasn't," replied Father Time, who had learned to use
|
|
the Wessex tongue quite naturally by now.
|
|
|
|
"All right. Never mind. I am a friend."
|
|
|
|
"Juey," said Sue suddenly, "go down to the station platform with this tray--
|
|
there's another train coming in, I think."
|
|
|
|
When he was gone Arabella continued: "He'll never be a beauty,
|
|
will he, poor chap! Does he know I am his mother really?"
|
|
|
|
"No. He thinks there is some mystery about his parentage--that's all.
|
|
Jude is going to tell him when he is a little older."
|
|
|
|
"But how do you come to be doing this? I am surprised."
|
|
|
|
"It is only a temporary occupation--a fancy of ours while we
|
|
are in a difficulty."
|
|
|
|
"Then you are living with him still?"
|
|
|
|
"Yes."
|
|
|
|
"Married?"
|
|
|
|
"Of course."
|
|
|
|
"Any children?"
|
|
|
|
"Two."
|
|
|
|
"And another coming soon, I see."
|
|
|
|
Sue writhed under the hard and direct questioning, and her tender
|
|
little mouth began to quiver.
|
|
|
|
"Lord--I mean goodness gracious--what is there to cry about?
|
|
Some folks would be proud enough!"
|
|
|
|
"It is not that I am ashamed--not as you think! But it seems
|
|
such a terribly tragic thing to bring beings into the world--
|
|
so presumptuous--that I question my right to do it sometimes!"
|
|
|
|
"Take it easy, my dear.... But you don't tell me why you do
|
|
such a thing as this? Jude used to be a proud sort of chap--
|
|
above any business almost, leave alone keeping a standing."
|
|
|
|
"Perhaps my husband has altered a little since then.
|
|
I am sure he is not proud now!" And Sue's lips quivered again.
|
|
"I am doing this because he caught a chill early in the year while
|
|
putting up some stonework of a music-hall, at Quartershot, which he had
|
|
to do in the rain, the work having to be executed by a fixed day.
|
|
He is better than he was; but it has been a long, weary time!
|
|
We have had an old widow friend with us to help us through it; but she's
|
|
leaving soon."
|
|
|
|
"Well, I am respectable too, thank God, and of a serious way
|
|
of thinking since my loss. Why did you choose to sell gingerbreads?"
|
|
|
|
"That's a pure accident. He was brought up to the baking business,
|
|
and it occurred to him to try his hand at these, which he can make
|
|
without coming out of doors. We call them Christminster cakes.
|
|
They are a great success."
|
|
|
|
"I never saw any like 'em. Why, they are windows and towers,
|
|
and pinnacles! And upon my word they are very nice."
|
|
She had helped herself, and was unceremoniously munching one of
|
|
the cakes.
|
|
|
|
"Yes. They are reminiscences of the Christminster Colleges.
|
|
Traceried windows, and cloisters, you see. It was a whim of his
|
|
to do them in pastry."
|
|
|
|
"Still harping on Christminster--even in his cakes!" laughed Arabella.
|
|
"Just like Jude. A ruling passion. What a queer fellow he is, and always
|
|
will be!"
|
|
|
|
Sue sighed, and she looked her distress at hearing him criticized.
|
|
|
|
"Don't you think he is? Come now; you do, though you are so fond of him!"
|
|
|
|
"Of course Christminster is a sort of fixed vision with him,
|
|
which I suppose he'll never be cured of believing in.
|
|
He still thinks it a great centre of high and fearless thought,
|
|
instead of what it is, a nest of commonplace schoolmasters whose
|
|
characteristic is timid obsequiousness to tradition."
|
|
|
|
Arabella was quizzing Sue with more regard of how she was speaking than of
|
|
what she was saying. "How odd to hear a woman selling cakes talk like that!"
|
|
she said. "Why don't you go back to school-keeping?"
|
|
|
|
She shook her head. "They won't have me."
|
|
|
|
"Because of the divorce, I suppose?"
|
|
|
|
"That and other things. And there is no reason to wish it.
|
|
We gave up all ambition, and were never so happy in our lives till
|
|
his illness came."
|
|
|
|
"Where are you living?"
|
|
|
|
"I don't care to say."
|
|
|
|
"Here in Kennetbridge?"
|
|
|
|
Sue's manner showed Arabella that her random guess was right.
|
|
|
|
"Here comes the boy back again," continued Arabella.
|
|
"My boy and Jude's!"
|
|
|
|
Sue's eyes darted a spark. "You needn't throw that in my face!"
|
|
she cried.
|
|
|
|
"Very well--though I half-feel as if I should like to have him
|
|
with me! ... But Lord, I don't want to take him from 'ee--ever I
|
|
should sin to speak so profane--though I should think you must
|
|
have enough of your own! He's in very good hands, that I know;
|
|
and I am not the woman to find fault with what the Lord has ordained.
|
|
I've reached a more resigned frame of mind."
|
|
|
|
"Indeed! I wish I had been able to do so."
|
|
|
|
"You should try," replied the widow, from the serene heights of a
|
|
soul conscious not only of spiritual but of social superiority.
|
|
"I make no boast of my awakening, but I'm not what I was.
|
|
After Cartlett's death I was passing the chapel in the street
|
|
next ours, and went into it for shelter from a shower of rain.
|
|
I felt a need of some sort of support under my loss, and,
|
|
as 'twas righter than gin, I took to going there regular,
|
|
and found it a great comfort. But I've left London now, you know,
|
|
and at present I am living at Alfredston, with my friend Anny,
|
|
to be near my own old country. I'm not come here to the fair
|
|
to-day. There's to be the foundation-stone of a new chapel laid this
|
|
afternoon by a popular London preacher, and I drove over with Anny.
|
|
Now I must go back to meet her."
|
|
|
|
Then Arabella wished Sue good-bye, and went on.
|
|
|
|
|
|
|
|
VIII
|
|
|
|
|
|
IN the afternoon Sue and the other people bustling about Kennetbridge fair
|
|
could hear singing inside the placarded hoarding farther down the street.
|
|
Those who peeped through the opening saw a crowd of persons in broadcloth,
|
|
with hymn-books in their hands, standing round the excavations for
|
|
the new chapel-walls. Arabella Cartlett and her weeds stood among them.
|
|
She had a clear, powerful voice, which could be distinctly heard with
|
|
the rest, rising and falling to the tune, her inflated bosom being also seen
|
|
doing likewise.
|
|
|
|
It was two hours later on the same day that Anny and Mrs. Cartlett,
|
|
having had tea at the Temperance Hotel, started on their return
|
|
journey across the high and open country which stretches between
|
|
Kennetbridge and Alfredston. Arabella was in a thoughtful mood;
|
|
but her thoughts were not of the new chapel, as Anny at first surmised.
|
|
|
|
"No--it is something else," at last said Arabella sullenly.
|
|
"I came here to-day never thinking of anybody but poor Cartlett,
|
|
or of anything but spreading the Gospel by means of this new tabernacle
|
|
they've begun this afternoon. But something has happened to turn
|
|
my mind another way quite. Anny, I've heard of un again, and I've
|
|
seen HER!"
|
|
|
|
"Who?"
|
|
|
|
"I've heard of Jude, and I've seen his wife. And ever since,
|
|
do what I will, and though I sung the hymns wi' all my strength,
|
|
I have not been able to help thinking about 'n; which I've no
|
|
right to do as a chapel member."
|
|
|
|
"Can't ye fix your mind upon what was said by the London preacher
|
|
to-day, and try to get rid of your wandering fancies that way?"
|
|
|
|
"I do. But my wicked heart will ramble off in spite of myself!"
|
|
|
|
"Well--I know what it is to have a wanton mind o'
|
|
my own, too! If you on'y knew what I do dream sometimes o'
|
|
nights quite against my wishes, you'd say I had my struggles!"
|
|
(Anny, too, had grown rather serious of late, her lover having
|
|
jilted her.)
|
|
|
|
"What shall I do about it?" urged Arabella morbidly.
|
|
|
|
"You could take a lock of your late-lost husband's hair,
|
|
and have it made into a mourning brooch, and look at it every
|
|
hour of the day."
|
|
|
|
"I haven't a morsel!--and if I had 'twould be no good....
|
|
After all that's said about the comforts of this religion,
|
|
I wish I had Jude back again!"
|
|
|
|
"You must fight valiant against the feeling, since he's another's. And I've
|
|
heard that another good thing for it, when it afflicts volupshious widows,
|
|
is to go to your husband's grave in the dusk of evening, and stand a long
|
|
while a-bowed down."
|
|
|
|
"Pooh! I know as well as you what I should do; only I don't do it!"
|
|
|
|
They drove in silence along the straight road till they were within
|
|
the horizon of Marygreen, which lay not far to the left of their route.
|
|
They came to the junction of the highway and the cross-lane leading
|
|
to that village, whose church-tower could be seen athwart the hollow.
|
|
When they got yet farther on, and were passing the lonely house in which
|
|
Arabella and Jude had lived during the first months of their marriage,
|
|
and where the pig-killing had taken place, she could control herself
|
|
no longer.
|
|
|
|
"He's more mine than hers!" she burst out. "What right has she to him,
|
|
I should like to know! I'd take him from her if I could!"
|
|
|
|
"Fie, Abby! And your husband only six weeks gone! Pray against it!"
|
|
|
|
"Be damned if I do! Feelings are feelings! I won't be a creeping
|
|
hypocrite any longer--so there!"
|
|
|
|
Arabella had hastily drawn from her pocket a bundle of tracts
|
|
which she had brought with her to distribute at the fair,
|
|
and of which she had given away several. As she spoke she flung
|
|
the whole remainder of the packet into the hedge "I've tried
|
|
that sort o' physic and have failed wi' it. I must be as I
|
|
was born!"
|
|
|
|
"Hush! You be excited, dear! Now you come along home quiet,
|
|
and have a cup of tea, and don't let us talk about un no more.
|
|
We won't come out this road again, as it leads to where he is,
|
|
because it inflames 'ee so. You'll be all right again soon."
|
|
|
|
Arabella did calm herself down by degrees; and they crossed
|
|
the Ridge-way. When they began to descend the long, straight hill,
|
|
they saw plodding along in front of them an elderly man of spare
|
|
stature and thoughtful gait. In his hand he carried a basket;
|
|
and there was a touch of slovenliness in his attire, together with
|
|
that indefinable something in his whole appearance which suggested
|
|
one who was his own housekeeper, purveyor, confidant, and friend,
|
|
through possessing nobody else at all in the world to act in those
|
|
capacities for him. The remainder of the journey was down-hill,
|
|
and guessing him to be going to Alfredston they offered him a lift,
|
|
which he accepted.
|
|
|
|
Arabella looked at him, and looked again, till at length she spoke.
|
|
"If I don't mistake I am talking to Mr. Phillotson?"
|
|
|
|
The wayfarer faced round and regarded her in turn. "Yes; my name
|
|
is Phillotson," he said. "But I don't recognize you, ma'am."
|
|
|
|
"I remember you well enough when you used to be schoolmaster out at Marygreen,
|
|
and I one of your scholars. I used to walk up there from Cresscombe every
|
|
day, because we had only a mistress down at our place, and you taught better.
|
|
But you wouldn't remember me as I should you?--Arabella Donn."
|
|
|
|
He shook his head. "No," he said politely, "I don't recall the name.
|
|
And I should hardly recognize in your present portly self the slim school
|
|
child no doubt you were then."
|
|
|
|
"Well, I always had plenty of flesh on my bones. However, I am
|
|
staying down here with some friends at present. You know,
|
|
I suppose, who I married?"
|
|
|
|
"No."
|
|
|
|
"Jude Fawley--also a scholar of yours--at least a night scholar--
|
|
for some little time I think? And known to you afterwards, if I am
|
|
not mistaken."
|
|
|
|
"Dear me, dear me," said Phillotson, starting out of his stiffness.
|
|
"You Fawley's wife? To be sure--he had a wife! And he--
|
|
I understood--"
|
|
|
|
"Divorced her--as you did yours--perhaps for better reasons."
|
|
|
|
"Indeed?"
|
|
|
|
"Well--he med have been right in doing it--right for both;
|
|
for I soon married again, and all went pretty straight till my
|
|
husband died lately. But you--you were decidedly wrong!"
|
|
|
|
"No," said Phillotson, with sudden testiness. "I would rather
|
|
not talk of this, but--I am convinced I did only what was right,
|
|
and just, and moral. I have suffered for my act and opinions,
|
|
but I hold to them; though her loss was a loss to me in more ways
|
|
than one!"
|
|
|
|
"You lost your school and good income through her, did you not?"
|
|
|
|
"I don't care to talk of it. I have recently come back here--to Marygreen.
|
|
I mean."
|
|
|
|
"You are keeping the school there again, just as formerly?"
|
|
|
|
The pressure of a sadness that would out unsealed him. "I am there,"
|
|
he replied. "Just as formerly, no. Merely on sufferance.
|
|
It was a last resource--a small thing to return to after my move upwards,
|
|
and my long indulged hopes a returning to zero, with all its humiliations.
|
|
But it is a refuge. I like the seclusion of the place, and the vicar
|
|
having known me before my so-called eccentric conduct towards my wife
|
|
had ruined my reputation as a schoolmaster, he accepted my services
|
|
when all other schools were closed against me. However, although I
|
|
take fifty pounds a year here after taking above two hundred elsewhere,
|
|
I prefer it to running the risk of having my old domestic experiences raked
|
|
up against me, as I should do if I tried to make a move."
|
|
|
|
"Right you are. A contented mind is a continual feast.
|
|
She has done no better."
|
|
|
|
"She is not doing well, you mean?"
|
|
|
|
"I met her by accident at Kennetbridge this very day, and she
|
|
is anything but thriving. Her husband is ill, and she anxious.
|
|
You made a fool of a mistake about her, I tell 'ee again,
|
|
and the harm you did yourself by dirting your own nest serves
|
|
you right, excusing the liberty."
|
|
|
|
"How?"
|
|
|
|
"She was innocent."
|
|
|
|
"But nonsense! They did not even defend the case!"
|
|
|
|
"That was because they didn't care to. She was quite innocent
|
|
of what obtained you your freedom, at the time you obtained it.
|
|
I saw her just afterwards, and proved it to myself completely
|
|
by talking to her."
|
|
|
|
Phillotson grasped the edge of the spring-cart, and appeared to be much
|
|
stressed and worried by the information. "Still--she wanted to go,"
|
|
he said.
|
|
|
|
"Yes. But you shouldn't have let her. That's the only way
|
|
with these fanciful women that chaw high--innocent or guilty.
|
|
She'd have come round in time. We all do! Custom does it!
|
|
It's all the same in the end! However, I think she's fond of her
|
|
man still--whatever he med be of her. You were too quick about her.
|
|
I shouldn't have let her go! I should have kept her chained on--
|
|
her spirit for kicking would have been broke soon enough!
|
|
There's nothing like bondage and a stone-deaf taskmaster for
|
|
taming us women. Besides, you've got the laws on your side.
|
|
Moses knew. Don't you call to mind what he says?"
|
|
|
|
"Not for the moment, ma'am, I regret to say."
|
|
|
|
"Call yourself a schoolmaster! I used to think o't when they read it
|
|
in church, and I was carrying on a bit. 'Then shall the man be guiltless;
|
|
but the woman shall bear her iniquity.' Damn rough on us women;
|
|
but we must grin and put up wi' it! Haw haw! Well; she's got her
|
|
deserts now."
|
|
|
|
"Yes," said Phillotson, with biting sadness. "Cruelty is the law pervading
|
|
all nature and society; and we can't get out of it if we would!"
|
|
|
|
"Well--don't you forget to try it next time, old man."
|
|
|
|
"I cannot answer you, madam. I have never known much of womankind."
|
|
|
|
They had now reached the low levels bordering Alfredston,
|
|
and passing through the outskirts approached a mill, to which
|
|
Phillotson said his errand led him; whereupon they drew up,
|
|
and he alighted, bidding them good-night in a preoccupied mood.
|
|
|
|
In the meantime Sue, though remarkably successful in her cake-selling
|
|
experiment at Kennetbridge fair, had lost the temporary brightness
|
|
which had begun to sit upon her sadness on account of that success.
|
|
When all her "Christminster" cakes had been disposed of she took upon
|
|
her arm the empty basket, and the cloth which had covered the standing she
|
|
had hired, and giving the other things to the boy left the street with him.
|
|
They followed a lane to a distance of half a mile, till they met an old
|
|
woman carrying a child in short clothes, and leading a toddler in the
|
|
other hand.
|
|
|
|
Sue kissed the children, and said, "How is he now?"
|
|
|
|
"Still better!" returned Mrs. Edlin cheerfully. "Before you are upstairs
|
|
again your husband will be well enough--don't 'ee trouble."
|
|
|
|
They turned, and came to some old, dun-tiled cottages with gardens
|
|
and fruit-trees. Into one of these they entered by lifting the latch
|
|
without knocking, and were at once in the general living-room. Here they
|
|
greeted Jude, who was sitting in an arm-chair, the increased delicacy
|
|
of his normally delicate features, and the childishly expectant look
|
|
in his eyes, being alone sufficient to show that he had been passing
|
|
through a severe illness.
|
|
|
|
"What--you have sold them all?" he said, a gleam of interest lighting
|
|
up his face.
|
|
|
|
"Yes. Arcades, gables, east windows and all." She told
|
|
him the pecuniary results, and then hesitated. At last,
|
|
when they were left alone, she informed him of the unexpected
|
|
meeting with Arabella, and the latter's widowhood.
|
|
|
|
Jude was discomposed. "What--is she living here?" he said.
|
|
|
|
"No; at Alfredston," said Sue.
|
|
|
|
Jude's countenance remained clouded. "I thought I had better tell you?"
|
|
she continued, kissing him anxiously.
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"Yes.... Dear me! Arabella not in the depths of London, but down here!
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It is only a little over a dozen miles across the country to Alfredston.
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What is she doing there?"
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She told him all she knew. "She has taken to chapel-going,"
|
|
Sue added; "and talks accordingly."
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|
"Well," said Jude, "perhaps it is for the best that we have almost decided
|
|
to move on. I feel much better to-day, and shall be well enough to leave
|
|
in a week or two. Then Mrs. Edlin can go home again--dear faithful old soul--
|
|
the only friend we have in the world!"
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|
"Where do you think to go to?" Sue asked, a troublousness in her tones.
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Then Jude confessed what was in his mind. He said it would surprise her,
|
|
perhaps, after his having resolutely avoided all the old places for so long.
|
|
But one thing and another had made him think a great deal of Christminster
|
|
lately, and, if she didn't mind, he would like to go back there. Why should
|
|
they care if they were known? It was oversensitive of them to mind so much.
|
|
They could go on selling cakes there, for that matter, if he couldn't work.
|
|
He had no sense of shame at mere poverty; and perhaps he would be as strong as
|
|
ever soon, and able to set up stone-cutting for himself there.
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|
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"Why should you care so much for Christminster?" she said pensively.
|
|
"Christminster cares nothing for you, poor dear!"
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|
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|
"Well, I do, I can't help it. I love the place--although I know how it
|
|
hates all men like me--the so-called self-taught,--how it scorns our
|
|
laboured acquisitions, when it should be the first to respect them;
|
|
how it sneers at our false quantities and mispronunciations, when it
|
|
should say, I see you want help, my poor friend! ... Nevertheless,
|
|
it is the centre of the universe to me, because of my early dream:
|
|
and nothing can alter it. Perhaps it will soon wake up, and be generous.
|
|
I pray so! ... I should like to go back to live there--perhaps to die there!
|
|
In two or three weeks I might, I think. It will then be June, and I should
|
|
like to be there by a particular day."
|
|
|
|
His hope that he was recovering proved so far well grounded
|
|
that in three weeks they had arrived in the city of many memories;
|
|
were actually treading its pavements, receiving the reflection
|
|
of the sunshine from its wasting walls.
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Part Sixth
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AT CHRISTMINSTER AGAIN
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"... And she humbled her body greatly, and all the
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places of her joy she filled with her torn hair."--
|
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ESTHER (Apoc.).
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"There are two who decline, a woman and I,
|
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And enjoy our death in the darkness here."
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--R. BROWNING.
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ON their arrival the station was lively with straw-hatted young men,
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welcoming young girls who bore a remarkable family likeness
|
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to their welcomers, and who were dressed up in the brightest
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and lightest of raiment.
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"The place seems gay," said Sue. "Why--it is Remembrance Day!--Jude--how sly
|
|
of you--you came to-day on purpose!"
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"Yes," said Jude quietly, as he took charge of the small child,
|
|
and told Arabella's boy to keep close to them, Sue attending
|
|
to their own eldest. "I thought we might as well come to-day
|
|
as on any other."
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"But I am afraid it will depress you!" she said, looking anxiously
|
|
at him up and down.
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"Oh, I mustn't let it interfere with our business; and we
|
|
have a good deal to do before we shall be settled here.
|
|
The first thing is lodgings."
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|
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Having left their luggage and his tools at the station they
|
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proceeded on foot up the familiar street, the holiday people
|
|
all drifting in the same direction. Reaching the Fourways
|
|
they were about to turn off to where accommodation was likely
|
|
to be found when, looking at the clock and the hurrying crowd,
|
|
Jude said: "Let us go and see the procession, and never mind
|
|
the lodgings just now? We can get them afterwards."
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"Oughtn't we to get a house over our heads first?" she asked.
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|
|
But his soul seemed full of the anniversary, and together they
|
|
went down Chief Street, their smallest child in Jude's arms,
|
|
Sue leading her little girl, and Arabella's boy walking thoughtfully
|
|
and silently beside them. Crowds of pretty sisters in airy costumes,
|
|
and meekly ignorant parents who had known no college in their youth,
|
|
were under convoy in the same direction by brothers and sons bearing
|
|
the opinion written large on them that no properly qualified human
|
|
beings had lived on earth till they came to grace it here and now.
|
|
|
|
"My failure is reflected on me by every one of those young fellows,"
|
|
said Jude. "A lesson on presumption is awaiting me to-day!--
|
|
Humiliation Day for me! ... If you, my dear darling, hadn't come to
|
|
my rescue, I should have gone to the dogs with despair!"
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|
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She saw from his face that he was getting into one of his tempestuous,
|
|
self-harrowing moods. "It would have been better if we had gone at once
|
|
about our own affairs, dear," she answered. "I am sure this sight will
|
|
awaken old sorrows in you, and do no good!"
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|
"Well--we are near; we will see it now," said he.
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|
|
They turned in on the left by the church with the Italian porch,
|
|
whose helical columns were heavily draped with creepers,
|
|
and pursued the lane till there arose on Jude's sight
|
|
the circular theatre with that well-known lantern above it,
|
|
which stood in his mind as the sad symbol of his abandoned hopes,
|
|
for it was from that outlook that he had finally surveyed
|
|
the City of Colleges on the afternoon of his great meditation,
|
|
which convinced him at last of the futility of his attempt
|
|
to be a son of the university.
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|
|
|
To-day, in the open space stretching between this building
|
|
and the nearest college, stood a crowd of expectant people.
|
|
A passage was kept clear through their midst by two barriers
|
|
of timber, extending from the door of the college to the door of
|
|
the large building between it and the theatre.
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|
|
"Here is the place--they are just going to pass!" cried Jude
|
|
in sudden excitement. And pushing his way to the front
|
|
he took up a position close to the barrier, still hugging
|
|
the youngest child in his arms, while Sue and the others kept
|
|
immediately behind him. The crowd filled in at their back,
|
|
and fell to talking, joking, and laughing as carriage
|
|
after carriage drew up at the lower door of the college,
|
|
and solemn stately figures in blood-red robes began to alight.
|
|
The sky had grown overcast and livid, and thunder rumbled now
|
|
and then.
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|
|
Father Time shuddered. "It do seem like the Judgment Day!"
|
|
he whispered.
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|
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"They are only learned doctors," said Sue.
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|
|
While they waited big drops of rain fell on their heads and shoulders,
|
|
and the delay grew tedious. Sue again wished not to stay.
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|
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"They won't be long now," said Jude, without turning his head.
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|
|
But the procession did not come forth, and somebody in the crowd,
|
|
to pass the time, looked at the facade of the nearest college,
|
|
and said he wondered what was meant by the Latin inscription
|
|
in its midst. Jude, who stood near the inquirer, explained it,
|
|
and finding that the people all round him were listening
|
|
with interest, went on to describe the carving of the frieze
|
|
(which he had studied years before), and to criticize some details
|
|
of masonry in other college fronts about the city.
|
|
|
|
The idle crowd, including the two policemen at the doors,
|
|
stared like the Lycaonians at Paul, for Jude was apt to get
|
|
too enthusiastic over any subject in hand, and they seemed
|
|
to wonder how the stranger should know more about the buildings
|
|
of their town than they themselves did; till one of them said:
|
|
"Why, I know that man; he used to work here years ago--
|
|
Jude Fawley, that's his name! Don't you mind he used to be
|
|
nicknamed Tutor of St. Slums, d'ye mind?--because he aimed
|
|
at that line o' business? He's married, I suppose, then,
|
|
and that's his child he's carrying. Taylor would know him,
|
|
as he knows everybody."
|
|
|
|
The speaker was a man named Jack Stagg, with whom Jude had formerly worked in
|
|
repairing the college masonries; Tinker Taylor was seen to be standing near.
|
|
Having his attention called the latter cried across the barriers to Jude:
|
|
"You've honoured us by coming back again, my friend!"
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|
|
|
"An' you don't seem to have done any great things for yourself by going away?"
|
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|
|
Jude assented to this also.
|
|
|
|
"Except found more mouths to fill!" This came in a new voice,
|
|
and Jude recognized its owner to be Uncle Joe, another mason
|
|
whom he had known.
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|
|
|
Jude replied good-humouredly that he could not dispute it;
|
|
and from remark to remark something like a general conversation arose
|
|
between him and the crowd of idlers, during which Tinker Taylor
|
|
asked Jude if he remembered the Apostles' Creed in Latin still,
|
|
and the night of the challenge in the public house.
|
|
|
|
"But Fortune didn't lie that way?" threw in Joe. "Yer powers wasn't enough
|
|
to carry 'ee through?"
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|
|
"Don't answer them any more!" entreated Sue.
|
|
|
|
"I don't think I like Christminster!" murmured little Time mournfully,
|
|
as he stood submerged and invisible in the crowd.
|
|
|
|
But finding himself the centre of curiosity, quizzing, and comment,
|
|
Jude was not inclined to shrink from open declarations of what he had
|
|
no great reason to be ashamed of; and in a little while was stimulated
|
|
to say in a loud voice to the listening throng generally:
|
|
|
|
"It is a difficult question, my friends, for any young man--
|
|
that question I had to grapple with, and which thousands
|
|
are weighing at the present moment in these uprising times--
|
|
whether to follow uncritically the track he finds himself in,
|
|
without considering his aptness for it, or to consider what his
|
|
aptness or bent may be, and re-shape his course accordingly.
|
|
I tried to do the latter, and I failed. But I don't
|
|
admit that my failure proved my view to be a wrong one,
|
|
or that my success would have made it a right one;
|
|
though that's how we appraise such attempts nowadays--I mean,
|
|
not by their essential soundness, but by their accidental outcomes.
|
|
If I had ended by becoming like one of these gentlemen in red
|
|
and black that we saw dropping in here by now, everybody would
|
|
have said: 'See how wise that young man was, to follow the bent
|
|
of his nature!' But having ended no better than I began they say:
|
|
'See what a fool that fellow was in following a freak of
|
|
his fancy!'
|
|
|
|
"However it was my poverty and not my will that consented to be beaten.
|
|
It takes two or three generations to do what I tried to do in one;
|
|
and my impulses--affections--vices perhaps they should be called--
|
|
were too strong not to hamper a man without advantages;
|
|
who should be as cold-blooded as a fish and as selfish as a pig
|
|
to have a really good chance of being one of his country's worthies.
|
|
You may ridicule me--I am quite willing that you should--
|
|
I am a fit subject, no doubt. But I think if you knew what I
|
|
have gone through these last few years you would rather pity me.
|
|
And if they knew"--he nodded towards the college at which the dons
|
|
were severally arriving--"it is just possible they would do
|
|
the same."
|
|
|
|
"He do look ill and worn-out, it is true!" said a woman.
|
|
|
|
Sue's face grew more emotional; but though she stood close to Jude she
|
|
was screened.
|
|
|
|
"I may do some good before I am dead--be a sort of success
|
|
as a frightful example of what not to do; and so illustrate
|
|
a moral story," continued Jude, beginning to grow bitter,
|
|
though he had opened serenely enough. "I was, perhaps, after all,
|
|
a paltry victim to the spirit of mental and social restlessness
|
|
that makes so many unhappy in these days!"
|
|
|
|
"Don't tell them that!" whispered Sue with tears, at perceiving Jude's state
|
|
of mind. "You weren't that. You struggled nobly to acquire knowledge,
|
|
and only the meanest souls in the world would blame you!"
|
|
|
|
Jude shifted the child into a more easy position on his arm,
|
|
and concluded: "And what I appear, a sick and poor man,
|
|
is not the worst of me. I am in a chaos of principles--
|
|
groping in the dark--acting by instinct and not after example.
|
|
Eight or nine years ago when I came here first, I had a neat
|
|
stock of fixed opinions, but they dropped away one by one;
|
|
and the further I get the less sure I am. I doubt if I
|
|
have anything more for my present rule of life than following
|
|
inclinations which do me and nobody else any harm, and actually
|
|
give pleasure to those I love best. There, gentlemen, since you
|
|
wanted to know how I was getting on, I have told you.
|
|
Much good may it do you! I cannot explain further here.
|
|
I perceive there is something wrong somewhere in our social formulas:
|
|
what it is can only be discovered by men or women with greater
|
|
insight than mine--if, indeed, they ever discover it--
|
|
at least in our time. 'For who knoweth what is good for man
|
|
in this life?--and who can tell a man what shall be after him under
|
|
the sun?'"
|
|
|
|
"Hear, hear," said the populace.
|
|
|
|
"Well preached!" said Tinker Taylor. And privately to his neighbours:
|
|
"Why, one of them jobbing pa'sons swarming about here, that takes
|
|
the services when our head reverends want a holiday, wouldn't ha'
|
|
discoursed such doctrine for less than a guinea down? Hey? I'll take my
|
|
oath not one o' 'em would! And then he must have had it wrote down for 'n.
|
|
And this only a working-man!"
|
|
|
|
As a sort of objective commentary on Jude's remarks there drove
|
|
up at this moment with a belated doctor, robed and panting,
|
|
a cab whose horse failed to stop at the exact point required
|
|
for setting down the hirer, who jumped out and entered the door.
|
|
The driver, alighting, began to kick the animal in the belly.
|
|
|
|
"If that can be done," said Jude, "at college gates in the most religious
|
|
and educational city in the world, what shall we say as to how far we've got?"
|
|
|
|
"Order!" said one of the policemen, who had been engaged with
|
|
a comrade in opening the large doors opposite the college.
|
|
"Keep yer tongue quiet, my man, while the procession passes."
|
|
The rain came on more heavily, and all who had umbrellas opened them.
|
|
Jude was not one of these, and Sue only possessed a small one,
|
|
half sunshade. She had grown pale, though Jude did not notice
|
|
it then.
|
|
|
|
"Let us go on, dear," she whispered, endeavouring to shelter him.
|
|
"We haven't any lodgings yet, remember, and all our things are at
|
|
the station; and you are by no means well yet. I am afraid this wet
|
|
will hurt you!"
|
|
|
|
"They are coming now. Just a moment, and I'll go!" said he.
|
|
|
|
A peal of six bells struck out, human faces began to crowd the windows around,
|
|
and the procession of heads of houses and new doctors emerged, their red and
|
|
black gowned forms passing across the field of Jude's vision like inaccessible
|
|
planets across an object glass.
|
|
|
|
As they went their names were called by knowing informants,
|
|
and when they reached the old round theatre of Wren a cheer
|
|
rose high.
|
|
|
|
"Let's go that way!" cried Jude, and though it now rained steadily
|
|
he seemed not to know it, and took them round to the theatre.
|
|
Here they stood upon the straw that was laid to drown the discordant
|
|
noise of wheels, where the quaint and frost-eaten stone busts
|
|
encircling the building looked with pallid grimness on the proceedings,
|
|
and in particular at the bedraggled Jude, Sue, and their children,
|
|
as at ludicrous persons who had no business there.
|
|
|
|
"I wish I could get in!" he said to her fervidly. "Listen--I
|
|
may catch a few words of the Latin speech by staying here;
|
|
the windows are open."
|
|
|
|
However, beyond the peals of the organ, and the shouts and hurrahs
|
|
between each piece of oratory, Jude's standing in the wet did
|
|
not bring much Latin to his intelligence more than, now and then,
|
|
a sonorous word in UM or IBUS.
|
|
|
|
"Well--I'm an outsider to the end of my days!" he sighed after a while.
|
|
"Now I'll go, my patient Sue. How good of you to wait in the rain all
|
|
this time--to gratify my infatuation! I'll never care any more about
|
|
the infernal cursed place, upon my soul I won't! But what made you tremble
|
|
so when we were at the barrier? And how pale you are, Sue!"
|
|
|
|
"I saw Richard amongst the people on the other side."
|
|
|
|
"Ah--did you!"
|
|
|
|
"He is evidently come up to Jerusalem to see the festival like the rest
|
|
of us: and on that account is probably living not so very far away.
|
|
He had the same hankering for the university that you had, in a milder form.
|
|
I don't think he saw me, though he must have heard you speaking to the crowd.
|
|
But he seemed not to notice."
|
|
|
|
"Well--suppose he did. Your mind is free from worries about him now,
|
|
my Sue?"
|
|
|
|
"Yes, I suppose so. But I am weak. Although I know it
|
|
is all right with our plans, I felt a curious dread of him;
|
|
an awe, or terror, of conventions I don't believe in.
|
|
It comes over me at times like a sort of creeping paralysis,
|
|
and makes me so sad!"
|
|
|
|
"You are getting tired, Sue. Oh--I forgot, darling! Yes, we'll go
|
|
on at once."
|
|
|
|
They started in quest of the lodging, and at last found
|
|
something that seemed to promise well, in Mildew Lane--
|
|
a spot which to Jude was irresistible--though to Sue it was not
|
|
so fascinating--a narrow lane close to the back of a college,
|
|
but having no communication with it. The little houses
|
|
were darkened to gloom by the high collegiate buildings,
|
|
within which life was so far removed from that of the people
|
|
in the lane as if it had been on opposite sides of the globe;
|
|
yet only a thickness of wall divided them. Two or three of
|
|
the houses had notices of rooms to let, and the newcomers
|
|
knocked at the door of one, which a woman opened.
|
|
|
|
"Ah--listen!" said Jude suddenly, instead of addressing her.
|
|
|
|
"What?"
|
|
|
|
"Why the bells--what church can that be? The tones are familiar."
|
|
|
|
Another peal of bells had begun to sound out at some distance off.
|
|
|
|
"I don't know!" said the landlady tartly. "Did you knock to ask that?"
|
|
|
|
"No; for lodgings," said Jude, coming to himself.
|
|
|
|
The householder scrutinized Sue's figure a moment. "We haven't any to let,"
|
|
said she, shutting the door.
|
|
|
|
Jude looked discomfited, and the boy distressed. "Now, Jude,"
|
|
said Sue, "let me try. You don't know the way."
|
|
|
|
They found a second place hard by; but here the occupier,
|
|
observing not only Sue, but the boy and the small children,
|
|
said civilly, "I am sorry to say we don't let where there
|
|
are children"; and also closed the door.
|
|
|
|
The small child squared its mouth and cried silently,
|
|
with an instinct that trouble loomed. The boy sighed.
|
|
"I don't like Christminster!" he said. "Are the great old
|
|
houses gaols?"
|
|
|
|
"No; colleges," said Jude; "which perhaps you'll study in some day."
|
|
|
|
"I'd rather not!" the boy rejoined.
|
|
|
|
"Now we'll try again," said Sue. "I'll pull my cloak more round
|
|
me.... Leaving Kennetbridge for this place is like coming from
|
|
Caiaphas to Pilate! ... How do I look now, dear?"
|
|
|
|
"Nobody would notice it now," said Jude.
|
|
|
|
There was one other house, and they tried a third time.
|
|
The woman here was more amiable; but she had little room to spare,
|
|
and could only agree to take in Sue and the children if her husband
|
|
could go elsewhere. This arrangement they perforce adopted,
|
|
in the stress from delaying their search till so late.
|
|
They came to terms with her, though her price was rather
|
|
high for their pockets. But they could not afford to be
|
|
critical till Jude had time to get a more permanent abode;
|
|
and in this house Sue took possession of a back room on
|
|
the second floor with an inner closet-room for the children.
|
|
Jude stayed and had a cup of tea; and was pleased to find
|
|
that the window commanded the back of another of the colleges.
|
|
Kissing all four he went to get a few necessaries and look for
|
|
lodgings for himself.
|
|
|
|
When he was gone the landlady came up to talk a little with Sue,
|
|
and gather something of the circumstances of the family she had taken in.
|
|
Sue had not the art of prevarication, and, after admitting several
|
|
facts as to their late difficulties and wanderings, she was startled
|
|
by the landlady saying suddenly:
|
|
|
|
"Are you really a married woman?"
|
|
|
|
Sue hesitated; and then impulsively told the woman that her husband
|
|
and herself had each been unhappy in their first marriages,
|
|
after which, terrified at the thought of a second irrevocable union,
|
|
and lest the conditions of the contract should kill their love,
|
|
yet wishing to be together, they had literally not found the courage
|
|
to repeat it, though they had attempted it two or three times.
|
|
Therefore, though in her own sense of the words she was a married woman,
|
|
in the landlady's sense she was not.
|
|
|
|
The housewife looked embarrassed, and went down-stairs.
|
|
Sue sat by the window in a reverie, watching the rain.
|
|
Her quiet was broken by the noise of someone entering the house,
|
|
and then the voices of a man and woman in conversation
|
|
in the passage below. The land-lady's husband had arrived,
|
|
and she was explaining to him the incoming of the lodgers during
|
|
his absence.
|
|
|
|
His voice rose in sudden anger. "Now who wants such a woman here? and
|
|
perhaps a confinement! ... Besides, didn't I say I wouldn't have children?
|
|
The hall and stairs fresh painted, to be kicked about by them!
|
|
You must have known all was not straight with 'em--coming like that.
|
|
Taking in a family when I said a single man."
|
|
|
|
The wife expostulated, but, as it seemed, the husband insisted on his point;
|
|
for presently a tap came to Sue's door, and the woman appeared.
|
|
|
|
"I am sorry to tell you, ma'am," she said, "that I can't let
|
|
you have the room for the week after all. My husband objects;
|
|
and therefore I must ask you to go. I don't mind your staying
|
|
over to-night, as it is getting late in the afternoon; but I
|
|
shall be glad if you can leave early in the morning.
|
|
|
|
Though she knew that she was entitled to the lodging for a week,
|
|
Sue did not wish to create a disturbance between the wife
|
|
and husband, and she said she would leave as requested.
|
|
When the landlady had gone Sue looked out of the window again.
|
|
Finding that the rain had ceased she proposed to the boy that,
|
|
after putting the little ones to bed, they should go out and
|
|
search about for another place, and bespeak it for the morrow,
|
|
so as not to be so hard-driven then as they had been
|
|
that day.
|
|
|
|
Therefore, instead of unpacking her boxes, which had just
|
|
been sent on from the station by Jude, they sallied out into
|
|
the damp though not unpleasant streets, Sue resolving not
|
|
to disturb her husband with the news of her notice to quit
|
|
while he was perhaps worried in obtaining a lodging for himself.
|
|
In the company of the boy she wandered into this street and
|
|
into that; but though she tried a dozen different houses she
|
|
fared far worse alone than she had fared in Jude's company,
|
|
and could get nobody to promise her a room for the following day.
|
|
Every householder looked askance at such a woman and child
|
|
inquiring for accommodation in the gloom.
|
|
|
|
"I ought not to be born, ought I?" said the boy with misgiving.
|
|
|
|
Thoroughly tired at last Sue returned to the place where she
|
|
was not welcome, but where at least she had temporary shelter.
|
|
In her absence Jude had left his address; but knowing how weak
|
|
he still was she adhered to her determination not to disturb him
|
|
till the next day.
|
|
|
|
|
|
|
|
II
|
|
|
|
|
|
SUE sat looking at the bare floor of the room, the house
|
|
being little more than an old intramural cottage, and then
|
|
she regarded the scene outside the uncurtained window.
|
|
At some distance opposite, the outer walls of Sarcophagus College--
|
|
silent, black, and windowless--threw their four centuries
|
|
of gloom, bigotry, and decay into the little room she occupied,
|
|
shutting out the moonlight by night and the sun by day.
|
|
The outlines of Rubric College also were discernible beyond
|
|
the other, and the tower of a third farther off still.
|
|
She thought of the strange operation of a simple-minded man's
|
|
ruling passion, that it should have led Jude, who loved
|
|
her and the children so tenderly, to place them here in this
|
|
depressing purlieu, because he was still haunted by his dream.
|
|
Even now he did not distinctly hear the freezing negative that
|
|
those scholared walls had echoed to his desire.
|
|
|
|
The failure to find another lodging, and the lack of room in this
|
|
house for his father, had made a deep impression on the boy--
|
|
a brooding undemonstrative horror seemed to have seized him.
|
|
The silence was broken by his saying: "Mother, WHAT shall we
|
|
do to-morrow!"
|
|
|
|
|
|
"I don't know!" said Sue despondently. "I am afraid this will trouble
|
|
your father."
|
|
|
|
"I wish Father was quite well, and there had been room for him!
|
|
Then it wouldn't matter so much! Poor Father!"
|
|
|
|
"It wouldn't!"
|
|
|
|
"Can I do anything?"
|
|
|
|
"No! All is trouble, adversity, and suffering!"
|
|
|
|
"Father went away to give us children room, didn't he?"
|
|
|
|
"Partly."
|
|
|
|
"It would be better to be out o' the world than in it, wouldn't it?"
|
|
|
|
"It would almost, dear."
|
|
|
|
"'Tis because of us children, too, isn't it, that you can't
|
|
get a good lodging?"
|
|
|
|
"Well--people do object to children sometimes."
|
|
|
|
"Then if children make so much trouble, why do people have 'em?"
|
|
|
|
"Oh--because it is a law of nature."
|
|
|
|
"But we don't ask to be born?"
|
|
|
|
"No indeed."
|
|
|
|
"And what makes it worse with me is that you are not my
|
|
real mother, and you needn't have had me unless you liked.
|
|
I oughtn't to have come to 'ee--that's the real truth!
|
|
I troubled 'em in Australia, and I trouble folk here. I wish I
|
|
hadn't been born!"
|
|
|
|
"You couldn't help it, my dear."
|
|
|
|
"I think that whenever children be born that are not wanted they
|
|
should be killed directly, before their souls come to 'em, and not
|
|
allowed to grow big and walk about!"
|
|
|
|
Sue did not reply. She was doubtfully pondering how to treat this
|
|
too reflective child.
|
|
|
|
She at last concluded that, so far as circumstances permitted,
|
|
she would be honest and candid with one who entered into her
|
|
difficulties like an aged friend.
|
|
|
|
"There is going to be another in our family soon," she hesitatingly remarked.
|
|
|
|
"How?"
|
|
|
|
"There is going to be another baby."
|
|
|
|
"What!" The boy jumped up wildly. "Oh God, Mother, you've never a-sent
|
|
for another; and such trouble with what you've got!"
|
|
|
|
"Yes, I have, I am sorry to say!" murmured Sue, her eyes glistening
|
|
with suspended tears.
|
|
|
|
The boy burst out weeping. "Oh you don't care, you don't care!"
|
|
he cried in bitter reproach. "How EVER could you, Mother, be so
|
|
wicked and cruel as this, when you needn't have done it till we was
|
|
better off, and Father well! To bring us all into MORE trouble!
|
|
No room for us, and Father a-forced to go away, and we turned
|
|
out to-morrow; and yet you be going to have another of us soon! ...
|
|
'Tis done o' purpose!--'tis--'tis!" He walked up and down sobbing.
|
|
|
|
"Y-you must forgive me, little Jude!" she pleaded, her bosom heaving now as
|
|
much as the boy's. "I can't explain--I will when you are older. It does seem--
|
|
as if I had done it on purpose, now we are in these difficulties!
|
|
I can't explain, dear! But it--is not quite on purpose--I can't help it!"
|
|
|
|
"Yes it is--it must be! For nobody would interfere with us,
|
|
like that, unless you agreed! I won't forgive you, ever, ever!
|
|
I'll never believe you care for me, or Father, or any of us
|
|
any more!"
|
|
|
|
He got up, and went away into the closet adjoining her room,
|
|
in which a bed had been spread on the floor. There she heard
|
|
him say: "If we children was gone there'd be no trouble
|
|
at all!"
|
|
|
|
"Don't think that, dear," she cried, rather peremptorily.
|
|
"But go to sleep!"
|
|
|
|
The following morning she awoke at a little past six, and decided to get
|
|
up and run across before breakfast to the inn which Jude had informed
|
|
her to be his quarters, to tell him what had happened before he went out.
|
|
She arose softly, to avoid disturbing the children, who, as she knew,
|
|
must be fatigued by their exertions of yesterday.
|
|
|
|
She found Jude at breakfast in the obscure tavern he had
|
|
chosen as a counterpoise to the expense of her lodging:
|
|
and she explained to him her homelessness. He had been so anxious
|
|
about her all night, he said. Somehow, now it was morning,
|
|
the request to leave the lodgings did not seem such a depressing
|
|
incident as it had seemed the night before, nor did even her
|
|
failure to find another place affect her so deeply as at first.
|
|
Jude agreed with her that it would not be worth while to insist
|
|
upon her right to stay a week, but to take immediate steps
|
|
for removal.
|
|
|
|
"You must all come to this inn for a day or two," he said.
|
|
"It is a rough place, and it will not be so nice for the children,
|
|
but we shall have more time to look round. There are plenty
|
|
of lodgings in the suburbs--in my old quarter of Beersheba.
|
|
Have breakfast with me now you are here, my bird. You are sure
|
|
you are well? There will be plenty of time to get back and
|
|
prepare the children's meal before they wake. In fact, I'll go
|
|
with you."
|
|
|
|
She joined Jude in a hasty meal, and in a quarter of an hour
|
|
they started together, resolving to clear out from Sue's too
|
|
respectable lodging immediately. On reaching the place and going
|
|
upstairs she found that all was quiet in the children's room,
|
|
and called to the landlady in timorous tones to please
|
|
bring up the tea-kettle and something for their breakfast.
|
|
This was perfunctorily done, and producing a couple of eggs which
|
|
she had brought with her she put them into the boiling kettle,
|
|
and summoned Jude to watch them for the youngsters, while she
|
|
went to call them, it being now about half-past eight o'clock.
|
|
|
|
Jude stood bending over the kettle, with his watch in his hand,
|
|
timing the eggs, so that his back was turned to the little inner
|
|
chamber where the children lay. A shriek from Sue suddenly caused him
|
|
to start round. He saw that the door of the room, or rather closet--
|
|
which had seemed to go heavily upon its hinges as she pushed it back--
|
|
was open, and that Sue had sunk to the floor just within it.
|
|
Hastening forward to pick her up he turned his eyes to the little
|
|
bed spread on the boards; no children were there. He looked
|
|
in bewilderment round the room. At the back of the door were
|
|
fixed two hooks for hanging garments, and from these the forms
|
|
of the two youngest children were suspended, by a piece of box-cord
|
|
round each of their necks, while from a nail a few yards off
|
|
the body of little Jude was hanging in a similar manner.
|
|
An overturned chair was near the elder boy, and his glazed eyes
|
|
were slanted into the room; but those of the girl and the baby boy
|
|
were closed.
|
|
|
|
Half-paralyzed by the strange and consummate horror of the scene
|
|
he let Sue lie, cut the cords with his pocket-knife and threw
|
|
the three children on the bed; but the feel of their bodies
|
|
in the momentary handling seemed to say that they were dead.
|
|
He caught up Sue, who was in fainting fits, and put her on
|
|
the bed in the other room, after which he breathlessly summoned
|
|
the landlady and ran out for a doctor.
|
|
|
|
When he got back Sue had come to herself, and the two helpless women,
|
|
bending over the children in wild efforts to restore them, and the triplet of
|
|
little corpses, formed a sight which overthrew his self-command. The nearest
|
|
surgeon came in, but, as Jude had inferred, his presence was superfluous.
|
|
The children were past saving, for though their bodies were still barely
|
|
cold it was conjectured that they had been hanging more than an hour.
|
|
The probability held by the parents later on, when they were able to reason
|
|
on the case, was that the elder boy, on waking, looked into the outer room
|
|
for Sue, and, finding her absent, was thrown into a fit of aggravated
|
|
despondency that the events and information of the evening before had
|
|
induced in his morbid temperament. Moreover a piece of paper was found upon
|
|
the floor, on which was written, in the boy's hand, with the bit of lead
|
|
pencil that he carried:
|
|
|
|
|
|
DONE BECAUSE WE ARE TOO MENNY.
|
|
|
|
|
|
At sight of this Sue's nerves utterly gave way, an awful conviction
|
|
that her discourse with the boy had been the main cause of the tragedy,
|
|
throwing her into a convulsive agony which knew no abatement.
|
|
They carried her away against her wish to a room on the lower floor;
|
|
and there she lay, her slight figure shaken with her gasps, and her
|
|
eyes staring at the ceiling, the woman of the house vainly trying to
|
|
soothe her.
|
|
|
|
They could hear from this chamber the people moving about above,
|
|
and she implored to be allowed to go back, and was only kept
|
|
from doing so by the assurance that, if there were any hope,
|
|
her presence might do harm, and the reminder that it was necessary
|
|
to take care of herself lest she should endanger a coming life.
|
|
Her inquiries were incessant, and at last Jude came down and told
|
|
her there was no hope. As soon as she could speak she informed him
|
|
what she had said to the boy, and how she thought herself the cause
|
|
of this.
|
|
|
|
"No," said Jude. "It was in his nature to do it.
|
|
The doctor says there are such boys springing up amongst us--
|
|
boys of a sort unknown in the last generation--the outcome
|
|
of new views of life. They seem to see all its terrors before
|
|
they are old enough to have staying power to resist them.
|
|
He says it is the beginning of the coming universal wish not
|
|
to live. He's an advanced man, the doctor: but he can give no
|
|
consolation to----"
|
|
|
|
Jude had kept back his own grief on account of her; but he now broke down;
|
|
and this stimulated Sue to efforts of sympathy which in some degree distracted
|
|
her from her poignant self-reproach. When everybody was gone, she was allowed
|
|
to see the children.
|
|
|
|
The boy's face expressed the whole tale of their situation.
|
|
On that little shape had converged all the inauspiciousness
|
|
and shadow which had darkened the first union of Jude,
|
|
and all the accidents, mistakes, fears, errors of the last.
|
|
He was their nodal point, their focus, their expression in a
|
|
single term. For the rashness of those parents he had groaned,
|
|
for their ill assortment he had quaked, and for the misfortunes
|
|
of these he had died.
|
|
|
|
When the house was silent, and they could do nothing but await
|
|
the coroner's inquest, a subdued, large, low voice spread into
|
|
the air of the room from behind the heavy walls at the back.
|
|
|
|
"What is it?" said Sue, her spasmodic breathing suspended.
|
|
|
|
"The organ of the college chapel. The organist practising I suppose.
|
|
It's the anthem from the seventy-third Psalm; 'Truly God is loving
|
|
unto Israel.'"
|
|
|
|
She sobbed again. "Oh, Oh my babies! They had done no harm!
|
|
Why should they have been taken away, and not I!"
|
|
|
|
There was another stillness--broken at last by two persons in conversation
|
|
somewhere without.
|
|
|
|
"They are talking about us, no doubt!" moaned Sue. "'We are made
|
|
a spectacle unto the world, and to angels, and to men!'"
|
|
|
|
Jude listened--"No--they are not talking of us," he said.
|
|
"They are two clergymen of different views, arguing about
|
|
the eastward position. Good God--the eastward position,
|
|
and all creation groaning!"
|
|
|
|
Then another silence, till she was seized with another uncontrollable fit
|
|
of grief. "There is something external to us which says, 'You shan't!'
|
|
First it said, 'You shan't learn!' Then it said, 'You shan't labour!'
|
|
Now it says, 'You shan't love!'"
|
|
|
|
He tried to soothe her by saying, "That's bitter of you, darling."
|
|
|
|
"But it's true!"
|
|
|
|
Thus they waited, and she went back again to her room.
|
|
The baby's frock, shoes, and socks, which had been lying on a
|
|
chair at the time of his death, she would not now have removed,
|
|
though Jude would fain have got them out of her sight.
|
|
But whenever he touched them she implored him to let them lie,
|
|
and burst out almost savagely at the woman of the house when she also
|
|
attempted to put them away.
|
|
|
|
Jude dreaded her dull apathetic silences almost more than her paroxysms.
|
|
"Why don't you speak to me, Jude?" she cried out, after one of these.
|
|
"Don't turn away from me! I can't BEAR the loneliness of being out of
|
|
your looks!"
|
|
|
|
"There, dear; here I am," he said, putting his face close to hers.
|
|
|
|
"Yes.... Oh, my comrade, our perfect union--our two-in-oneness--
|
|
is now stained with blood!"
|
|
|
|
"Shadowed by death--that's all."
|
|
|
|
"Ah; but it was I who incited him really, though I didn't know
|
|
I was doing it! I talked to the child as one should only talk
|
|
to people of mature age. I said the world was against us,
|
|
that it was better to be out of life than in it at this price;
|
|
and he took it literally. And I told him I was going to have
|
|
another child. It upset him. Oh how bitterly he upbraided me!"
|
|
|
|
"Why did you do it, Sue?"
|
|
|
|
"I can't tell. It was that I wanted to be truthful.
|
|
I couldn't bear deceiving him as to the facts of life.
|
|
And yet I wasn't truthful, for with a false delicacy I told him
|
|
too obscurely.--Why was I half-wiser than my fellow-women? And
|
|
not entirely wiser! Why didn't I tell him pleasant untruths,
|
|
instead of half-realities? It was my want of self-control, so that I
|
|
could neither conceal things nor reveal them!"
|
|
|
|
"Your plan might have been a good one for the majority of cases;
|
|
only in our peculiar case it chanced to work badly perhaps.
|
|
He must have known sooner or later."
|
|
|
|
"And I was just making my baby darling a new frock;
|
|
and now I shall never see him in it, and never talk to him
|
|
any more! ... My eyes are so swollen that I can scarcely see;
|
|
and yet little more than a year ago I called myself happy!
|
|
We went about loving each other too much--indulging ourselves
|
|
to utter selfishness with each other! We said--
|
|
do you remember?--that we would make a virtue of joy.
|
|
I said it was Nature's intention, Nature's law and RAISON D'ETRE
|
|
that we should be joyful in what instincts she afforded us--
|
|
instincts which civilization had taken upon itself to thwart.
|
|
What dreadful things I said! And now Fate has given us this
|
|
stab in the back for being such fools as to take Nature at
|
|
her word!"
|
|
|
|
She sank into a quiet contemplation, till she said,
|
|
"It is best, perhaps, that they should be gone.--Yes--I see it is!
|
|
Better that they should be plucked fresh than stay to wither
|
|
away miserably!"
|
|
|
|
"Yes," replied Jude. "Some say that the elders should rejoice
|
|
when their children die in infancy."
|
|
|
|
"But they don't know! ... Oh my babies, my babies, could you be alive now!
|
|
You may say the boy wished to be out of life, or he wouldn't have done it.
|
|
It was not unreasonable for him to die: it was part of his incurably
|
|
sad nature, poor little fellow! But then the others--my OWN children
|
|
and yours!"
|
|
|
|
Again Sue looked at the hanging little frock and at the socks and shoes;
|
|
and her figure quivered like a string. "I am a pitiable creature,"
|
|
she said, "good neither for earth nor heaven any more! I am driven
|
|
out of my mind by things! What ought to be done?" She stared at Jude,
|
|
and tightly held his hand.
|
|
|
|
"Nothing can be done," he replied. "Things are as they are,
|
|
and will be brought to their destined issue."
|
|
|
|
She paused. "Yes! Who said that?" she asked heavily.
|
|
|
|
"It comes in the chorus of the AGAMEMNON. It has been in my mind
|
|
continually since this happened."
|
|
|
|
"My poor Jude--how you've missed everything!--you more than I,
|
|
for I did get you! To think you should know that by your
|
|
unassisted reading, and yet be in poverty and despair!"
|
|
|
|
After such momentary diversions her grief would return in a wave.
|
|
|
|
The jury duly came and viewed the bodies, the inquest was held;
|
|
and next arrived the melancholy morning of the funeral.
|
|
Accounts in the newspapers had brought to the spot curious idlers,
|
|
who stood apparently counting the window-panes and the stones
|
|
of the walls. Doubt of the real relations of the couple added
|
|
zest to their curiosity. Sue had declared that she would
|
|
follow the two little ones to the grave, but at the last moment
|
|
she gave way, and the coffins were quietly carried out of
|
|
the house while she was lying down. Jude got into the vehicle,
|
|
and it drove away, much to the relief of the landlord,
|
|
who now had only Sue and her luggage remaining on his hands,
|
|
which he hoped to be also clear of later on in the day,
|
|
and so to have freed his house from the exasperating notoriety
|
|
it had acquired during the week through his wife's unlucky
|
|
admission of these strangers. In the afternoon he privately
|
|
consulted with the owner of the house, and they agreed that if
|
|
any objection to it arose from the tragedy which had occurred
|
|
there they would try to get its number changed.
|
|
|
|
When Jude had seen the two little boxes--one containing little Jude,
|
|
and the other the two smallest--deposited in the earth he hastened
|
|
back to Sue, who was still in her room, and he therefore did not
|
|
disturb her just then. Feeling anxious, however, he went again
|
|
about four o'clock. The woman thought she was still lying down,
|
|
but returned to him to say that she was not in her bedroom after all.
|
|
Her hat and jacket, too, were missing: she had gone out.
|
|
Jude hurried off to the public house where he was sleeping.
|
|
She had not been there. Then bethinking himself of possibilities
|
|
he went along the road to the cemetery, which he entered,
|
|
and crossed to where the interments had recently taken place.
|
|
The idlers who had followed to the spot by reason of the tragedy
|
|
were all gone now. A man with a shovel in his hands was attempting
|
|
to earth in the common grave of the three children, but his arm was held
|
|
back by an expostulating woman who stood in the half-filled hole.
|
|
It was Sue, whose coloured clothing, which she had never thought
|
|
of changing for the mourning he had bought, suggested to the eye
|
|
a deeper grief than the conventional garb of bereavement could
|
|
express.
|
|
|
|
"He's filling them in, and he shan't till I've seen my little ones again!"
|
|
she cried wildly when she saw Jude. "I want to see them once more. Oh Jude--
|
|
please Jude--I want to see them! I didn't know you would let them be taken
|
|
away while I was asleep! You said perhaps I should see them once more before
|
|
they were screwed down; and then you didn't, but took them away! Oh Jude,
|
|
you are cruel to me too!"
|
|
|
|
"She's been wanting me to dig out the grave again, and let her get to
|
|
the coffins," said the man with the spade. "She ought to be took home,
|
|
by the look o' her. She is hardly responsible, poor thing, seemingly.
|
|
Can't dig 'em up again now, ma'am. Do ye go home with your husband,
|
|
and take it quiet, and thank God that there'll be another soon to swage
|
|
yer grief."
|
|
|
|
But Sue kept asking piteously: "Can't I see them once more--just once!
|
|
Can't I? Only just one little minute, Jude? It would not take long!
|
|
And I should be so glad, Jude! I will be so good, and not disobey
|
|
you ever any more, Jude, if you will let me? I would go home
|
|
quietly afterwards, and not want to see them any more! Can't I?
|
|
Why can't I?"
|
|
|
|
Thus she went on. Jude was thrown into such acute sorrow
|
|
that he almost felt he would try to get the man to accede.
|
|
But it could do no good, and might make her still worse;
|
|
and he saw that it was imperative to get her home at once.
|
|
So he coaxed her, and whispered tenderly, and put his arm round
|
|
her to support her; till she helplessly gave in, and was induced
|
|
to leave the cemetery.
|
|
|
|
He wished to obtain a fly to take her back in, but economy being
|
|
so imperative she deprecated his doing so, and they walked
|
|
along slowly, Jude in black crape, she in brown and red clothing.
|
|
They were to have gone to a new lodging that afternoon,
|
|
but Jude saw that it was not practicable, and in course of time
|
|
they entered the now hated house. Sue was at once got to bed,
|
|
and the doctor sent for.
|
|
|
|
Jude waited all the evening downstairs. At a very late hour the intelligence
|
|
was brought to him that a child had been prematurely born, and that it,
|
|
like the others, was a corpse.
|
|
|
|
|
|
|
|
III
|
|
|
|
|
|
SUE was convalescent, though she had hoped for death, and Jude had again
|
|
obtained work at his old trade. They were in other lodgings now,
|
|
in the direction of Beersheba, and not far from the Church of Ceremonies--
|
|
Saint Silas.
|
|
|
|
They would sit silent, more bodeful of the direct antagonism
|
|
of things than of their insensate and stolid obstructiveness.
|
|
Vague and quaint imaginings had haunted Sue in the days
|
|
when her intellect scintillated like a star, that the world
|
|
resembled a stanza or melody composed in a dream;
|
|
it was wonderfully excellent to the half-aroused intelligence,
|
|
but hopelessly absurd at the full waking; that the first cause
|
|
worked automatically like a somnambulist, and not reflectively
|
|
like a sage; that at the framing of the terrestrial conditions
|
|
there seemed never to have been contemplated such a development
|
|
of emotional perceptiveness among the creatures subject to those
|
|
conditions as that reached by thinking and educated humanity.
|
|
But affliction makes opposing forces loom anthropomorphous;
|
|
and those ideas were now exchanged for a sense of Jude and herself
|
|
fleeing from a persecutor.
|
|
|
|
"We must conform!" she said mournfully. "All the ancient
|
|
wrath of the Power above us has been vented upon us.
|
|
His poor creatures, and we must submit. There is no choice.
|
|
We must. It is no use fighting against God!"
|
|
|
|
"It is only against man and senseless circumstance," said Jude.
|
|
|
|
"True!" she murmured. "What have I been thinking of!
|
|
I am getting as superstitious as a savage! ... But whoever
|
|
or whatever our foe may be, I am cowed into submission.
|
|
I have no more fighting strength left; no more enterprise.
|
|
I am beaten, beaten! ... 'We are made a spectacle unto
|
|
the world, and to angels, and to men!' I am always saying
|
|
that now."
|
|
|
|
"I feel the same!"
|
|
|
|
"What shall we do? You are in work now; but remember, it may only be
|
|
because our history and relations are not absolutely known.... Possibly,
|
|
if they knew our marriage had not been formalized they would turn you
|
|
out of your job as they did at Aldbrickham!"
|
|
|
|
"I hardly know. Perhaps they would hardly do that. However, I think
|
|
that we ought to make it legal now--as soon as you are able to go out."
|
|
|
|
"You think we ought?"
|
|
|
|
"Certainly."
|
|
|
|
And Jude fell into thought. "I have seemed to myself lately,"
|
|
he said, "to belong to that vast band of men shunned by the virtuous--
|
|
the men called seducers. It amazes me when I think of it!
|
|
I have not been conscious of it, or of any wrongdoing towards you,
|
|
whom I love more than myself. Yet I am one of those men!
|
|
I wonder if any other of them are the same purblind,
|
|
simple creatures as I? ... Yes, Sue--that's what I am.
|
|
I seduced you.... You were a distinct type--a refined creature,
|
|
intended by Nature to be left intact. But I couldn't leave
|
|
you alone!"
|
|
|
|
"No, no, Jude!" she said quickly. "Don't reproach yourself with being
|
|
what you are not. If anybody is to blame it is I."
|
|
|
|
"I supported you in your resolve to leave Phillotson;
|
|
and without me perhaps you wouldn't have urged him to let
|
|
you go."
|
|
|
|
"I should have, just the same. As to ourselves, the fact of our not
|
|
having entered into a legal contract is the saving feature in our union.
|
|
We have thereby avoided insulting, as it were, the solemnity of our
|
|
first marriages."
|
|
|
|
"Solemnity?" Jude looked at her with some surprise, and grew conscious
|
|
that she was not the Sue of their earlier time.
|
|
|
|
"Yes," she said, with a little quiver in her words, "I have had
|
|
dreadful fears, a dreadful sense of my own insolence of action.
|
|
I have thought--that I am still his wife!"
|
|
|
|
"Whose?"
|
|
|
|
"Richard's."
|
|
|
|
"Good God, dearest!--why?"
|
|
|
|
"Oh I can't explain! Only the thought comes to me."
|
|
|
|
"It is your weakness--a sick fancy, without reason or meaning!
|
|
Don't let it trouble you."
|
|
|
|
Sue sighed uneasily.
|
|
|
|
As a set-off against such discussions as these there had come
|
|
an improvement in their pecuniary position, which earlier in
|
|
their experience would have made them cheerful. Jude had quite
|
|
unexpectedly found good employment at his old trade almost directly
|
|
he arrived, the summer weather suiting his fragile constitution;
|
|
and outwardly his days went on with that monotonous uniformity
|
|
which is in itself so grateful after vicissitude. People seemed
|
|
to have forgotten that he had ever shown any awkward aberrancies:
|
|
and he daily mounted to the parapets and copings of colleges he could
|
|
never enter, and renewed the crumbling freestones of mullioned
|
|
windows he would never look from, as if he had known no wish to
|
|
do otherwise.
|
|
|
|
There was this change in him; that he did not often go to any service
|
|
at the churches now. One thing troubled him more than any other; that Sue
|
|
and himself had mentally travelled in opposite directions since the tragedy:
|
|
events which had enlarged his own views of life, laws, customs, and dogmas,
|
|
had not operated in the same manner on Sue's. She was no longer the same as in
|
|
the independent days, when her intellect played like lambent lightning over
|
|
conventions and formalities which he at that time respected, though he did
|
|
not now.
|
|
|
|
On a particular Sunday evening he came in rather late.
|
|
She was not at home, but she soon returned, when he found her
|
|
silent and meditative.
|
|
|
|
"What are you thinking of, little woman?" he asked curiously.
|
|
|
|
"Oh I can't tell clearly! I have thought that we have been selfish,
|
|
careless, even impious, in our courses, you and I. Our life has been
|
|
a vain attempt at self-delight. But self-abnegation is the higher road.
|
|
We should mortify the flesh--the terrible flesh--the curse of Adam!"
|
|
|
|
"Sue!" he murmured. "What has come over you?"
|
|
|
|
"We ought to be continually sacrificing ourselves on the altar of duty!
|
|
But I have always striven to do what has pleased me. I well deserved
|
|
the scourging I have got! I wish something would take the evil right
|
|
out of me, and all my monstrous errors, and all my sinful ways!"
|
|
|
|
"Sue--my own too suffering dear!--there's no evil woman in you.
|
|
Your natural instincts are perfectly healthy; not quite
|
|
so impassioned, perhaps, as I could wish; but good, and dear, and pure.
|
|
And as I have often said, you are absolutely the most ethereal,
|
|
least sensual woman I ever knew to exist without inhuman sexlessness.
|
|
Why do you talk in such a changed way? We have not been selfish,
|
|
except when no one could profit by our being otherwise.
|
|
You used to say that human nature was noble and long-suffering,
|
|
not vile and corrupt, and at last I thought you spoke truly.
|
|
And now you seem to take such a much lower view!"
|
|
|
|
"I want a humble heart; and a chastened mind; and I have never had them yet!"
|
|
|
|
"You have been fearless, both as a thinker and as a feeler,
|
|
and you deserved more admiration than I gave. I was too full
|
|
of narrow dogmas at that time to see it."
|
|
|
|
"Don't say that, Jude! I wish my every fearless word and thought could
|
|
be rooted out of my history. Self-renunciation--that's everything!
|
|
I cannot humiliate myself too much. I should like to prick myself all over
|
|
with pins and bleed out the badness that's in me!"
|
|
|
|
"Hush!" he said, pressing her little face against his breast as if she
|
|
were an infant. "It is bereavement that has brought you to this!
|
|
Such remorse is not for you, my sensitive plant, but for the wicked ones
|
|
of the earth--who never feel it!"
|
|
|
|
"I ought not to stay like this," she murmured, when she had remained
|
|
in the position a long while.
|
|
|
|
"Why not?"
|
|
|
|
"It is indulgence."
|
|
|
|
"Still on the same tack! But is there anything better on earth
|
|
than that we should love one another?"
|
|
|
|
"Yes. It depends on the sort of love; and yours--ours is the wrong."
|
|
|
|
"I won't have it, Sue! Come, when do you wish our marriage
|
|
to be signed in a vestry?"
|
|
|
|
She paused, and looked up uneasily. "Never," she whispered.
|
|
|
|
Not knowing the whole of her meaning he took the objection serenely,
|
|
and said nothing. Several minutes elapsed, and he thought she
|
|
had fallen asleep; but he spoke softly, and found that she was wide
|
|
awake all the time. She sat upright and sighed.
|
|
|
|
"There is a strange, indescribable perfume or atmosphere
|
|
about you to-night, Sue," he said. "I mean not only mentally,
|
|
but about your clothes, also. A sort of vegetable scent,
|
|
which I seem to know, yet cannot remember."
|
|
|
|
"It is incense."
|
|
|
|
"Incense?"
|
|
|
|
"I have been to the service at St. Silas', and I was in the fumes of it."
|
|
|
|
"Oh--St. Silas'."
|
|
|
|
"Yes. I go there sometimes."
|
|
|
|
"Indeed. You go there!"
|
|
|
|
"You see, Jude, it is lonely here in the weekday mornings,
|
|
when you are at work, and I think and think of--of my--"
|
|
She stopped till she could control the lumpiness of her throat.
|
|
"And I have taken to go in there, as it is so near."
|
|
|
|
"Oh well--of course, I say nothing against it. Only it is odd, for you.
|
|
They little think what sort of chiel is amang them!"
|
|
|
|
"What do you mean, Jude?"
|
|
|
|
"Well--a sceptic, to be plain."
|
|
|
|
"How can you pain me so, dear Jude, in my trouble! Yet I know you
|
|
didn't mean it. But you ought not to say that."
|
|
|
|
"I won't. But I am much surprised!"
|
|
|
|
"Well--I want to tell you something else, Jude. You won't be angry,
|
|
will you? I have thought of it a good deal since my babies died.
|
|
I don't think I ought to be your wife--or as your wife--
|
|
any longer."
|
|
|
|
"What? ... But you ARE!"
|
|
|
|
"From your point of view; but--"
|
|
|
|
"Of course we were afraid of the ceremony, and a good many others
|
|
would have been in our places, with such strong reasons for fears.
|
|
But experience has proved how we misjudged ourselves, and overrated
|
|
our infirmities; and if you are beginning to respect rites and ceremonies,
|
|
as you seem to be, I wonder you don't say it shall be carried out instantly?
|
|
You certainly ARE my wife, Sue, in all but law. What do you mean by what
|
|
you said?"
|
|
|
|
"I don't think I am!"
|
|
|
|
"Not? But suppose we HAD gone through the ceremony?
|
|
Would you feel that you were then?"
|
|
|
|
"No. I should not feel even then that I was. I should feel worse
|
|
than I do now."
|
|
|
|
"Why so--in the name of all that's perverse, my dear?"
|
|
|
|
"Because I am Richard's."
|
|
|
|
"Ah--you hinted that absurd fancy to me before!"
|
|
|
|
"It was only an impression with me then; I feel more and more convinced
|
|
as time goes on that--I belong to him, or to nobody."
|
|
|
|
"My good heavens--how we are changing places!"
|
|
|
|
"Yes. Perhaps so."
|
|
|
|
Some few days later, in the dusk of the summer evening, they were
|
|
sitting in the same small room down-stairs, when a knock came
|
|
to the front door of the carpenter's house where they were lodging,
|
|
and in a few moments there was a tap at the door of their room.
|
|
Before they could open it the comer did so, and a woman's
|
|
form appeared.
|
|
|
|
"Is Mr. Fawley here?"
|
|
|
|
Jude and Sue started as he mechanically replied in the affirmative,
|
|
for the voice was Arabella's.
|
|
|
|
He formally requested her to come in, and she sat down in the window bench,
|
|
where they could distinctly see her outline against the light;
|
|
but no characteristic that enabled them to estimate her general aspect
|
|
and air. Yet something seemed to denote that she was not quite so
|
|
comfortably circumstanced, nor so bouncingly attired, as she had been
|
|
during Cartlett's lifetime.
|
|
|
|
The three attempted an awkward conversation about the tragedy,
|
|
of which Jude had felt it to be his duty to inform her immediately,
|
|
though she had never replied to his letter.
|
|
|
|
"I have just come from the cemetery," she said. "I inquired
|
|
and found the child's grave. I couldn't come to the funeral--
|
|
thank you for inviting me all the same. I read all about it
|
|
in the papers, and I felt I wasn't wanted.... No--I couldn't
|
|
come to the funeral," repeated Arabella, who, seeming utterly
|
|
unable to reach the ideal of a catastrophic manner,
|
|
fumbled with iterations. "But I am glad I found the grave.
|
|
As 'tis your trade, Jude, you'll be able to put up a handsome stone
|
|
to 'em."
|
|
|
|
"I shall put up a headstone," said Jude drearily.
|
|
|
|
"He was my child, and naturally I feel for him."
|
|
|
|
"I hope so. We all did."
|
|
|
|
"The others that weren't mine I didn't feel so much for,
|
|
as was natural."
|
|
|
|
"Of course."
|
|
|
|
A sigh came from the dark corner where Sue sat.
|
|
|
|
"I had often wished I had mine with me," continued Mrs. Cartlett.
|
|
"Perhaps 'twouldn't have happened then! But of course I didn't wish
|
|
to take him away from your wife."
|
|
|
|
"I am not his wife," came from Sue.
|
|
|
|
The unexpectedness of her words struck Jude silent.
|
|
|
|
"Oh, I beg your pardon, I'm sure," said Arabella. "I thought you were!"
|
|
|
|
Jude had known from the quality of Sue's tone that her new
|
|
and transcendental views lurked in her words; but all except
|
|
their obvious meaning was, naturally, missed by Arabella.
|
|
The latter, after evincing that she was struck by Sue's avowal,
|
|
recovered herself, and went on to talk with placid bluntness
|
|
about "her" boy, for whom, though in his lifetime she
|
|
had shown no care at all, she now exhibited a ceremonial
|
|
mournfulness that was apparently sustaining to the conscience.
|
|
She alluded to the past, and in making some remark appealed
|
|
again to Sue. There was no answer: Sue had invisibly left
|
|
the room.
|
|
|
|
"She said she was not your wife?" resumed Arabella in another voice.
|
|
"Why should she do that?"
|
|
|
|
"I cannot inform you," said Jude shortly.
|
|
|
|
"She is, isn't she? She once told me so."
|
|
|
|
"I don't criticize what she says."
|
|
|
|
"Ah--I see! Well, my time is up. I am staying here to-night, and
|
|
thought I could do no less than call, after our mutual affliction.
|
|
I am sleeping at the place where I used to be barmaid, and to-morrow
|
|
I go back to Alfredston. Father is come home again, and I am living
|
|
with him."
|
|
|
|
"He has returned from Australia?" said Jude with languid curiosity.
|
|
|
|
"Yes. Couldn't get on there. Had a rough time of it.
|
|
Mother died of dys--what do you call it--in the hot weather,
|
|
and Father and two of the young ones have just got back.
|
|
He has got a cottage near the old place, and for the present I am
|
|
keeping house for him."
|
|
|
|
Jude's former wife had maintained a stereotyped manner of strict good
|
|
breeding even now that Sue was gone, and limited her stay to a number
|
|
of minutes that should accord with the highest respectability.
|
|
When she had departed Jude, much relieved, went to the stairs and
|
|
called Sue--feeling anxious as to what had become of her.
|
|
|
|
There was no answer, and the carpenter who kept the lodgings
|
|
said she had not come in. Jude was puzzled, and became quite
|
|
alarmed at her absence, for the hour was growing late.
|
|
The carpenter called his wife, who conjectured that Sue might
|
|
have gone to St. Silas' church, as she often went there.
|
|
|
|
"Surely not at this time o' night?" said Jude. "It is shut."
|
|
|
|
"She knows somebody who keeps the key, and she has it whenever she wants it."
|
|
|
|
"How long has she been going on with this?"
|
|
|
|
"Oh, some few weeks, I think."
|
|
|
|
Jude went vaguely in the direction of the church, which he had
|
|
never once approached since he lived out that way years before,
|
|
when his young opinions were more mystical than they were now.
|
|
The spot was deserted, but the door was certainly unfastened;
|
|
he lifted the latch without noise, and pushing to the door
|
|
behind him, stood absolutely still inside. The prevalent silence
|
|
seemed to contain a faint sound, explicable as a breathing,
|
|
or a sobbing, which came from the other end of the building.
|
|
The floor-cloth deadened his footsteps as he moved in that direction
|
|
through the obscurity, which was broken only by the faintest
|
|
reflected night-light from without.
|
|
|
|
High overhead, above the chancel steps, Jude could discern a huge,
|
|
solidly constructed Latin cross--as large, probably, as the original
|
|
it was designed to commemorate. It seemed to be suspended in the air
|
|
by invisible wires; it was set with large jewels, which faintly glimmered
|
|
in some weak ray caught from outside, as the cross swayed to and fro
|
|
in a silent and scarcely perceptible motion. Underneath, upon the floor,
|
|
lay what appeared to be a heap of black clothes, and from this was
|
|
repeated the sobbing that he had heard before. It was his Sue's form,
|
|
prostrate on the paving.
|
|
|
|
"Sue!" he whispered.
|
|
|
|
Something white disclosed itself; she had turned up her face.
|
|
|
|
"What--do you want with me here, Jude?" she said almost sharply.
|
|
"You shouldn't come! I wanted to be alone! Why did you
|
|
intrude here?"
|
|
|
|
"How can you ask!" he retorted in quick reproach, for his full heart
|
|
was wounded to its centre at this attitude of hers towards him.
|
|
"Why do I come? Who has a right to come, I should like to know,
|
|
if I have not! I, who love you better than my own self--better--
|
|
far better--than you have loved me! What made you leave me to come
|
|
here alone?"
|
|
|
|
"Don't criticize me, Jude--I can't bear it!--I have often told you so.
|
|
You must take me as I am. I am a wretch--broken by my distractions!
|
|
I couldn't BEAR it when Arabella came--I felt so utterly miserable I
|
|
had to come away. She seems to be your wife still, and Richard to be
|
|
my husband!"
|
|
|
|
"But they are nothing to us!"
|
|
|
|
"Yes, dear friend, they are. I see marriage differently now.
|
|
My babies have been taken from me to show me this!
|
|
Arabella's child killing mine was a judgement--the right slaying
|
|
the wrong. What, WHAT shall I do! I am such a vile creature--
|
|
too worthless to mix with ordinary human beings!"
|
|
|
|
"This is terrible!" said Jude, verging on tears. "It is monstrous
|
|
and unnatural for you to be so remorseful when you have done no wrong!"
|
|
|
|
"Ah--you don't know my badness!"
|
|
|
|
He returned vehemently: "I do! Every atom and dreg of it!
|
|
You make me hate Christianity, or mysticism, or Sacerdotalism,
|
|
or whatever it may be called, if it's that which has caused
|
|
this deterioration in you. That a woman-poet, a woman-seer,
|
|
a woman whose soul shone like a diamond--whom all the wise of
|
|
the world would have been proud of, if they could have known you--
|
|
should degrade herself like this! I am glad I had nothing
|
|
to do with Divinity--damn glad--if it's going to ruin you in
|
|
this way!"
|
|
|
|
"You are angry, Jude, and unkind to me, and don't see how things are."
|
|
|
|
"Then come along home with me, dearest, and perhaps I shall.
|
|
I am overburdened--and you, too, are unhinged just now."
|
|
He put his arm round her and lifted her; but though she came,
|
|
she preferred to walk without his support.
|
|
|
|
"I don't dislike you, Jude," she said in a sweet and imploring voice.
|
|
"I love you as much as ever! Only--I ought not to love you--any more.
|
|
Oh I must not any more!"
|
|
|
|
"I can't own it."
|
|
|
|
"But I have made up my mind that I am not your wife!
|
|
I belong to him--I sacramentally joined myself to him for life.
|
|
Nothing can alter it!"
|
|
|
|
"But surely we are man and wife, if ever two people were in this world?
|
|
Nature's own marriage it is, unquestionably!"
|
|
|
|
"But not Heaven's. Another was made for me there, and ratified
|
|
eternally in the church at Melchester."
|
|
|
|
"Sue, Sue--affliction has brought you to this unreasonable state!
|
|
After converting me to your views on so many things, to find you
|
|
suddenly turn to the right-about like this--for no reason whatever,
|
|
confounding all you have formerly said through sentiment merely!
|
|
You root out of me what little affection and reverence I had left in me
|
|
for the Church as an old acquaintance.... What I can't understand
|
|
in you is your extraordinary blindness now to your old logic.
|
|
Is it peculiar to you, or is it common to woman? Is a woman
|
|
a thinking unit at all, or a fraction always wanting its integer?
|
|
How you argued that marriage was only a clumsy contract--
|
|
which it is--how you showed all the objections to it--
|
|
all the absurdities! If two and two made four when we were
|
|
happy together, surely they make four now? I can't understand it,
|
|
I repeat!"
|
|
|
|
"Ah, dear Jude; that's because you are like a totally deaf man observing
|
|
people listening to music. You say 'What are they regarding?
|
|
Nothing is there.' But something is."
|
|
|
|
"That is a hard saying from you; and not a true parallel!
|
|
You threw off old husks of prejudices, and taught me to do it;
|
|
and now you go back upon yourself. I confess I am utterly stultified
|
|
in my estimate of you."
|
|
|
|
"Dear friend, my only friend, don't be hard with me!
|
|
I can't help being as I am, I am convinced I am right--
|
|
that I see the light at last. But oh, how to profit by it!"
|
|
|
|
They walked along a few more steps till they were outside the building and she
|
|
had returned the key. "Can this be the girl," said Jude when she came back,
|
|
feeling a slight renewal of elasticity now that he was in the open street;
|
|
"can this be the girl who brought the pagan deities into this most
|
|
Christian city?--who mimicked Miss Fontover when she crushed them with
|
|
her heel?--quoted Gibbon, and Shelley, and Mill? Where are dear Apollo,
|
|
and dear Venus now!"
|
|
|
|
"Oh don't, don't be so cruel to me, Jude, and I so unhappy!"
|
|
she sobbed. "I can't bear it! I was in error--I cannot
|
|
reason with you. I was wrong--proud in my own conceit!
|
|
Arabella's coming was the finish. Don't satirize me: it cuts
|
|
like a knife!"
|
|
|
|
He flung his arms round her and kissed her passionately
|
|
there in the silent street, before she could hinder him.
|
|
They went on till they came to a little coffee-house. "Jude,"
|
|
she said with suppressed tears, "would you mind getting a
|
|
lodging here?"
|
|
|
|
"I will--if, if you really wish? But do you? Let me go to our door
|
|
and understand you."
|
|
|
|
He went and conducted her in. She said she wanted no supper,
|
|
and went in the dark upstairs and struck a light. Turning she found
|
|
that Jude had followed her, and was standing at the chamber door.
|
|
She went to him, put her hand in his, and said "Good-night."
|
|
|
|
"But Sue! Don't we live here?"
|
|
|
|
"You said you would do as I wished!"
|
|
|
|
"Yes. Very well! ... Perhaps it was wrong of me to argue distastefully
|
|
as I have done! Perhaps as we couldn't conscientiously marry at first
|
|
in the old-fashioned way, we ought to have parted. Perhaps the world
|
|
is not illuminated enough for such experiments as ours! Who were we,
|
|
to think we could act as pioneers!"
|
|
|
|
"I am so glad you see that much, at any rate. I never deliberately
|
|
meant to do as I did. I slipped into my false position through jealousy
|
|
and agitation!"
|
|
|
|
"But surely through love--you loved me?"
|
|
|
|
"Yes. But I wanted to let it stop there, and go on always
|
|
as mere lovers; until----"
|
|
|
|
"But people in love couldn't live for ever like that!"
|
|
|
|
"Women could: men can't, because they--won't. An average woman
|
|
is in this superior to an average man--that she never instigates,
|
|
only responds. We ought to have lived in mental communion,
|
|
and no more."
|
|
|
|
"I was the unhappy cause of the change, as I have said before! ... Well,
|
|
as you will! ... But human nature can't help being itself."
|
|
|
|
"Oh yes--that's just what it has to learn--self-mastery."
|
|
|
|
"I repeat--if either were to blame it was not you but I."
|
|
|
|
"No--it was I. Your wickedness was only the natural man's desire to possess
|
|
the woman. Mine was not the reciprocal wish till envy stimulated me
|
|
to oust Arabella. I had thought I ought in charity to let you approach me--
|
|
that it was damnably selfish to torture you as I did my other friend.
|
|
But I shouldn't have given way if you hadn't broken me down by making me
|
|
fear you would go back to her.... But don't let us say any more about it!
|
|
Jude, will you leave me to myself now?"
|
|
|
|
"Yes.... But Sue--my wife, as you are!" he burst out;
|
|
"my old reproach to you was, after all, a true one.
|
|
You have never loved me as I love you--never--never! Yours is
|
|
not a passionate heart--your heart does not burn in a flame!
|
|
You are, upon the whole, a sort of fay, or sprite--
|
|
not a woman!"
|
|
|
|
"At first I did not love you, Jude; that I own. When I first knew you
|
|
I merely wanted you to love me. I did not exactly flirt with you;
|
|
but that inborn craving which undermines some women's morals almost
|
|
more than unbridled passion--the craving to attract and captivate,
|
|
regardless of the injury it may do the man--was in me; and when I found
|
|
I had caught you, I was frightened. And then--I don't know how it was--
|
|
I couldn't bear to let you go--possibly to Arabella again--and so I got
|
|
to love you, Jude. But you see, however fondly it ended, it began in
|
|
the selfish and cruel wish to make your heart ache for me without letting
|
|
mine ache for you."
|
|
|
|
"And now you add to your cruelty by leaving me!"
|
|
|
|
"Ah--yes! The further I flounder, the more harm I do!"
|
|
|
|
"O Sue!" said he with a sudden sense of his own danger.
|
|
"Do not do an immoral thing for moral reasons! You have been
|
|
my social salvation. Stay with me for humanity's sake!
|
|
You know what a weak fellow I am. My two arch-enemies you know--
|
|
my weakness for womankind and my impulse to strong liquor.
|
|
Don't abandon me to them, Sue, to save your own soul only!
|
|
They have been kept entirely at a distance since you became
|
|
my guardian-angel! Since I have had you I have been able
|
|
to go into any temptations of the sort, without risk.
|
|
Isn't my safety worth a little sacrifice of dogmatic principle?
|
|
I am in terror lest, if you leave me, it will be with me another
|
|
case of the pig that was washed turning back to his wallowing in
|
|
the mire!"
|
|
|
|
Sue burst out weeping. "Oh, but you must not, Jude! You won't!
|
|
I'll pray for you night and day!"
|
|
|
|
"Well--never mind; don't grieve," said Jude generously.
|
|
"I did suffer, God knows, about you at that time; and now I
|
|
suffer again. But perhaps not so much as you. The woman mostly
|
|
gets the worst of it in the long run!"
|
|
|
|
"She does."
|
|
|
|
"Unless she is absolutely worthless and contemptible.
|
|
And this one is not that, anyhow!"
|
|
|
|
Sue drew a nervous breath or two. "She is--I fear! ...
|
|
Now Jude--good-night,--please!"
|
|
|
|
"I mustn't stay?--Not just once more? As it has been so many times--
|
|
O Sue, my wife, why not!"
|
|
|
|
"No--no--not wife! ... I am in your hands, Jude--don't tempt
|
|
me back now I have advanced so far!"
|
|
|
|
"Very well. I do your bidding. I owe that to you, darling,
|
|
in penance for how I overruled it at the first time. My God,
|
|
how selfish I was! Perhaps--perhaps I spoilt one of the highest
|
|
and purest loves that ever existed between man and woman! ...
|
|
Then let the veil of our temple be rent in two from this hour!"
|
|
|
|
He went to the bed, removed one of the pair of pillows thereon,
|
|
and flung it to the floor.
|
|
|
|
Sue looked at him, and bending over the bed-rail wept silently.
|
|
"You don't see that it is a matter of conscience with me, and not
|
|
of dislike to you!" she brokenly murmured. "Dislike to you!
|
|
But I can't say any more--it breaks my heart--it will be undoing all I
|
|
have begun! Jude--good-night!"
|
|
|
|
"Good-night," he said, and turned to go.
|
|
|
|
"Oh but you shall kiss me!" said she, starting up. "I can't--bear!"
|
|
|
|
He clasped her, and kissed her weeping face as he had scarcely
|
|
ever done before, and they remained in silence till she said,
|
|
"Good-bye, good-bye!" And then gently pressing him away
|
|
she got free, trying to mitigate the sadness by saying:
|
|
"We'll be dear friends just the same, Jude, won't we?
|
|
And we'll see each other sometimes--yes!--and forget all this,
|
|
and try to be as we were long ago?"
|
|
|
|
Jude did not permit himself to speak, but turned and descended the stairs.
|
|
|
|
|
|
|
|
IV
|
|
|
|
|
|
THE man whom Sue, in her mental VOLTE-FACE, was now regarding
|
|
as her inseparable husband, lived still at Marygreen.
|
|
|
|
On the day before the tragedy of the children, Phillotson had seen
|
|
both her and Jude as they stood in the rain at Christminster
|
|
watching the procession to the theatre. But he had said nothing
|
|
of it at the moment to his companion Gillingham, who, being an
|
|
old friend, was staying with him at the village aforesaid,
|
|
and had, indeed, suggested the day's trip to Christminster.
|
|
|
|
"What are you thinking of?" said Gillingham, as they went home.
|
|
"The university degree you never obtained?"
|
|
|
|
"No, no," said Phillotson gruffly. "Of somebody I saw to-day."
|
|
In a moment he added, "Susanna."
|
|
|
|
"I saw her, too."
|
|
|
|
"You said nothing."
|
|
|
|
"I didn't wish to draw your attention to her. But, as you did see her,
|
|
you should have said: 'How d'ye do, my dear-that-was?'"
|
|
|
|
"Ah, well. I might have. But what do you think of this: I have
|
|
good reason for supposing that she was innocent when I divorced her--
|
|
that I was all wrong. Yes, indeed! Awkward, isn't it?"
|
|
|
|
"She has taken care to set you right since, anyhow, apparently."
|
|
|
|
"H'm. That's a cheap sneer. I ought to have waited, unquestionably."
|
|
|
|
At the end of the week, when Gillingham had gone back to his school
|
|
near Shaston, Phillotson, as was his custom, went to Alfredston market;
|
|
ruminating again on Arabella's intelligence as he walked
|
|
down the long hill which he had known before Jude knew it,
|
|
though his history had not beaten so intensely upon its incline.
|
|
Arrived in the town he bought his usual weekly local paper;
|
|
and when he had sat down in an inn to refresh himself for the five miles'
|
|
walk back, he pulled the paper from his pocket and read awhile.
|
|
The account of the "strange suicide of a stone-mason's children"
|
|
met his eye.
|
|
|
|
Unimpassioned as he was, it impressed him painfully, and puzzled
|
|
him not a little, for he could not understand the age of the elder
|
|
child being what it was stated to be. However, there was no doubt
|
|
that the newspaper report was in some way true.
|
|
|
|
"Their cup of sorrow is now full!" he said: and thought and thought of Sue,
|
|
and what she had gained by leaving him.
|
|
|
|
Arabella having made her home at Alfredston, and the schoolmaster coming
|
|
to market there every Saturday, it was not wonderful that in a few weeks they
|
|
met again--the precise time being just alter her return from Christminster,
|
|
where she had stayed much longer than she had at first intended,
|
|
keeping an interested eye on Jude, though Jude had seen no more of her.
|
|
Phillotson was on his way homeward when he encountered Arabella, and she was
|
|
approaching the town.
|
|
|
|
"You like walking out this way, Mrs. Cartlett?" he said.
|
|
|
|
"I've just begun to again," she replied. "It is where I lived
|
|
as maid and wife, and all the past things of my life that are
|
|
interesting to my feelings are mixed up with this road.
|
|
And they have been stirred up in me too, lately; for I've been
|
|
visiting at Christminster. Yes; I've seen Jude."
|
|
|
|
"Ah! How do they bear their terrible affliction?"
|
|
|
|
"In a ve-ry strange way--ve-ry strange! She don't live with him any longer.
|
|
I only heard of it as a certainty just before I left; though I had thought
|
|
things were drifting that way from their manner when I called on them."
|
|
|
|
"Not live with her husband? Why, I should have thought 'twould have united
|
|
them more."
|
|
|
|
"He's not her husband, after all. She has never really married
|
|
him although they have passed as man and wife so long.
|
|
And now, instead of this sad event making 'em hurry up, and get
|
|
the thing done legally, she's took in a queer religious way,
|
|
just as I was in my affliction at losing Cartlett, only hers is
|
|
of a more 'sterical sort than mine. And she says, so I was told,
|
|
that she's your wife in the eye of Heaven and the Church--
|
|
yours only; and can't be anybody else's by any act of man."
|
|
|
|
"Ah--indeed? ... Separated, have they!"
|
|
|
|
"You see, the eldest boy was mine--"
|
|
|
|
"Oh--yours!"
|
|
|
|
"Yes, poor little fellow--born in lawful wedlock, thank God.
|
|
And perhaps she feels, over and above other things, that I ought
|
|
to have been in her place. I can't say. However, as for me,
|
|
I am soon off from here. I've got Father to look after now,
|
|
and we can't live in such a hum-drum place as this.
|
|
I hope soon to be in a bar again at Christminster, or some other
|
|
big town."
|
|
|
|
They parted. When Phillotson had ascended the hill a few steps he stopped,
|
|
hastened back, and called her.
|
|
|
|
"What is, or was, their address?"
|
|
|
|
Arabella gave it.
|
|
|
|
"Thank you. Good afternoon."
|
|
|
|
Arabella smiled grimly as she resumed her way, and practised dimple-making
|
|
all along the road from where the pollard willows begin to the old almshouses
|
|
in the first street of the town.
|
|
|
|
Meanwhile Phillotson ascended to Marygreen, and for the first
|
|
time during a lengthened period he lived with a forward eye.
|
|
On crossing under the large trees of the green to the humble
|
|
schoolhouse to which he had been reduced he stood a moment,
|
|
and pictured Sue coming out of the door to meet him.
|
|
No man had ever suffered more inconvenience from his own charity,
|
|
Christian or heathen, than Phillotson had done in letting Sue go.
|
|
He had been knocked about from pillar to post at the hands of
|
|
the virtuous almost beyond endurance; he had been nearly starved,
|
|
and was now dependent entirely upon the very small stipened
|
|
from the school of this village (where the parson had got
|
|
ill-spoken of for befriending him ). He had often thought of
|
|
Arabella's remarks that he should have been more severe with Sue,
|
|
that her recalcitrant spirit would soon have been broken.
|
|
Yet such was his obstinate and illogical disregard of opinion,
|
|
and of the principles in which he had been trained, that his
|
|
convictions on the rightness of his course with his wife had not
|
|
been disturbed.
|
|
|
|
Principles which could be subverted by feeling in one direction
|
|
were liable to the same catastrophe in another. The instincts
|
|
which had allowed him to give Sue her liberty now enabled
|
|
him to regard her as none the worse for her life with Jude.
|
|
He wished for her still, in his curious way, if he did not
|
|
love her, and, apart from policy, soon felt that he would be
|
|
gratified to have her again as his, always provided that she
|
|
came willingly.
|
|
|
|
But artifice was necessary, he had found, for stemming the cold and inhumane
|
|
blast of the world's contempt. And here were the materials ready made.
|
|
By getting Sue back and remarrying her on the respectable plea of having
|
|
entertained erroneous views of her, and gained his divorce wrongfully,
|
|
he might acquire some comfort, resume his old courses, perhaps return to the
|
|
Shaston school, if not even to the Church as a licentiate.
|
|
|
|
He thought he would write to Gillingham to inquire his views,
|
|
and what he thought of his, Phillotson's, sending a letter to her.
|
|
Gillingham replied, naturally, that now she was gone it were best
|
|
to let her be, and considered that if she were anybody's wife
|
|
she was the wife of the man to whom she had borne three children
|
|
and owed such tragical adventures. Probably, as his attachment
|
|
to her seemed unusually strong, the singular pair would make their
|
|
union legal in course of time, and all would be well, and decent,
|
|
and in order.
|
|
|
|
"But they won't--Sue won't!" exclaimed Phillotson to himself.
|
|
"Gillingham is so matter of fact. She's affected by Christminster
|
|
sentiment and teaching. I can see her views on the indissolubility of
|
|
marriage well enough, and I know where she got them. They are not mine;
|
|
but I shall make use of them to further mine."
|
|
|
|
He wrote a brief reply to Gillingham. "I know I am entirely wrong, but I
|
|
don't agree with you. As to her having lived with and had three children
|
|
by him, my feeling is (though I can advance no logical or moral defence of it,
|
|
on the old lines) that it has done little more than finish her education.
|
|
I shall write to her, and learn whether what that woman said is true
|
|
or no."
|
|
|
|
As he had made up his mind to do this before he had written to his friend,
|
|
there had not been much reason for writing to the latter at all.
|
|
However, it was Phillotson's way to act thus.
|
|
|
|
He accordingly addressed a carefully considered epistle to Sue, and,
|
|
knowing her emotional temperament, threw a Rhadamanthine strictness
|
|
into the lines here and there, carefully hiding his heterodox feelings,
|
|
not to frighten her. He stated that, it having come to his knowledge
|
|
that her views had considerably changed, he felt compelled to say that
|
|
his own, too, were largely modified by events subsequent to their parting.
|
|
He would not conceal from her that passionate love had little to do
|
|
with his communication. It arose from a wish to make their lives,
|
|
if not a success, at least no such disastrous failure as they threatened
|
|
to become, through his acting on what he had considered at the time
|
|
a principle of justice, charity, and reason.
|
|
|
|
To indulge one's instinctive and uncontrolled sense of justice and right,
|
|
was not, he had found, permitted with impunity in an old civilization
|
|
like ours. It was necessary to act under an acquired and cultivated sense
|
|
of the same, if you wished to enjoy an average share of comfort and honour;
|
|
and to let crude loving kindness take care of itself.
|
|
|
|
He suggested that she should come to him there at Marygreen.
|
|
|
|
On second thoughts he took out the last paragraph but one;
|
|
and having rewritten the letter he dispatched it immediately,
|
|
and in some excitement awaited the issue.
|
|
|
|
|
|
A few days after a figure moved through the white fog which enveloped
|
|
the Beersheba suburb of Christminster, towards the quarter in which
|
|
Jude Fawley had taken up his lodging since his division from Sue.
|
|
A timid knock sounded upon the door of his abode.
|
|
|
|
It was evening--so he was at home; and by a species of divination
|
|
he jumped up and rushed to the door himself.
|
|
|
|
"Will you come out with me? I would rather not come in.
|
|
I want to--to talk with you--and to go with you to the cemetery."
|
|
|
|
It had been in the trembling accents of Sue that these words came.
|
|
Jude put on his hat. "It is dreary for you to be out," he said.
|
|
"But if you prefer not to come in, I don't mind."
|
|
|
|
"Yes--I do. I shall not keep you long."
|
|
|
|
Jude was too much affected to go on talking at first; she, too, was now such
|
|
a mere cluster of nerves that all initiatory power seemed to have left her,
|
|
and they proceeded through the fog like Acherontic shades for a long while,
|
|
without sound or gesture.
|
|
|
|
"I want to tell you," she presently said, her voice now quick,
|
|
now slow, "so that you may not hear of it by chance.
|
|
I am going back to Richard. He has--so magnanimously--
|
|
agreed to forgive all."
|
|
|
|
"Going back? How can you go----"
|
|
|
|
"He is going to marry me again. That is for form's sake,
|
|
and to satisfy the world, which does not see things as they are.
|
|
But of course I AM his wife already. Nothing has changed that."
|
|
|
|
He turned upon her with an anguish that was well-nigh fierce.
|
|
|
|
"But you are my wife! Yes, you are. You know it.
|
|
I have always regretted that feint of ours in going away and
|
|
pretending to come back legally married, to save appearances.
|
|
I loved you, and you loved me; and we closed with each other;
|
|
and that made the marriage. We still love--you as well as I--
|
|
KNOW it, Sue! Therefore our marriage is not cancelled."
|
|
|
|
"Yes; I know how you see it," she answered with despairing self-suppression.
|
|
"But I am going to marry him again, as it would be called by you.
|
|
Strictly speaking you, too--don't mind my saying it, Jude!--you should
|
|
take back--Arabella."
|
|
|
|
"I should? Good God--what next! But how if you and I had married legally,
|
|
as we were on the point of doing?"
|
|
|
|
"I should have felt just the same--that ours was not a marriage.
|
|
And I would go back to Richard without repeating the sacrament,
|
|
if he asked me. But 'the world and its ways have a certain worth'
|
|
(I suppose): therefore I concede a repetition of the ceremony.... Don't
|
|
crush all the life out of me by satire and argument, I implore you!
|
|
I was strongest once, I know, and perhaps I treated you cruelly.
|
|
But Jude, return good for evil! I am the weaker now. Don't retaliate
|
|
upon me, but be kind. Oh be kind to me--a poor wicked woman who is trying
|
|
to mend!"
|
|
|
|
He shook his head hopelessly, his eyes wet. The blow of her
|
|
bereavement seemed to have destroyed her reasoning faculty.
|
|
The once keen vision was dimmed. "All wrong, all wrong!"
|
|
he said huskily. "Error--perversity! It drives me out
|
|
of my senses. Do you care for him? Do you love him?
|
|
You know you don't! It will be a fanatic prostitution--
|
|
God forgive me, yes--that's what it will be!"
|
|
|
|
"I don't love him--I must, must, own it, in deepest remorse!
|
|
But I shall try to learn to love him by obeying him."
|
|
|
|
Jude argued, urged, implored; but her conviction was proof against all.
|
|
It seemed to be the one thing on earth on which she was firm, and that her
|
|
firmness in this had left her tottering in every other impulse and wish
|
|
she possessed.
|
|
|
|
"I have been considerate enough to let you know the whole truth,
|
|
and to tell it you myself," she said in cut tones; "that you might
|
|
not consider yourself slighted by hearing of it at second hand.
|
|
I have even owned the extreme fact that I do not love him.
|
|
I did not think you would be so rough with me for doing so! I was
|
|
going to ask you ..."
|
|
|
|
"To give you away?"
|
|
|
|
"No. To send--my boxes to me--if you would. But I suppose you won't."
|
|
|
|
"Why, of course I will. What--isn't he coming to fetch you--
|
|
to marry you from here? He won't condescend to do that?"
|
|
|
|
"No--I won't let him. I go to him voluntarily, just as I went away from him.
|
|
We are to be married at his little church at Marygreen."
|
|
|
|
She was so sadly sweet in what he called her wrong-headedness that Jude
|
|
could not help being moved to tears more than once for pity of her.
|
|
"I never knew such a woman for doing impulsive penances, as you, Sue!
|
|
No sooner does one expect you to go straight on, as the one rational
|
|
proceeding, than you double round the corner!"
|
|
|
|
"Ah, well; let that go! ... Jude, I must say good-bye! But I wanted
|
|
you to go to the cemetery with me. Let our farewell be there--
|
|
beside the graves of those who died to bring home to me the error
|
|
of my views."
|
|
|
|
They turned in the direction of the place, and the gate was
|
|
opened to them on application. Sue had been there often,
|
|
and she knew the way to the spot in the dark. They reached it,
|
|
and stood still.
|
|
|
|
"It is here--I should like to part," said she.
|
|
|
|
"So be it!"
|
|
|
|
"Don't think me hard because I have acted on conviction.
|
|
Your generous devotion to me is unparalleled, Jude!
|
|
Your worldly failure, if you have failed, is to your credit
|
|
rather than to your blame. Remember that the best and greatest
|
|
among mankind are those who do themselves no worldly good.
|
|
Every successful man is more or less a selfish man. The devoted
|
|
fail.... 'Charity seeketh not her own.'"
|
|
|
|
"In that chapter we are at one, ever beloved darling, and on it we'll
|
|
part friends. Its verses will stand fast when all the rest that you
|
|
call religion has passed away!"
|
|
|
|
"Well--don't discuss it. Good-bye, Jude; my fellow-sinner,
|
|
and kindest friend!"
|
|
|
|
"Good-bye, my mistaken wife. Good-bye!"
|
|
|
|
|
|
|
|
V
|
|
|
|
|
|
THE next afternoon the familiar Christminster fog still hung over all things.
|
|
Sue's slim shape was only just discernible going towards the station.
|
|
|
|
Jude had no heart to go to his work that day. Neither could he go
|
|
anywhere in the direction by which she would be likely to pass.
|
|
He went in an opposite one, to a dreary, strange, flat scene,
|
|
where boughs dripped, and coughs and consumption lurked, and where he had
|
|
never been before.
|
|
|
|
"Sue's gone from me--gone!" he murmured miserably.
|
|
|
|
She in the meantime had left by the train, and reached Alfredston Road,
|
|
where she entered the steam-tram and was conveyed into the town.
|
|
It had been her request to Phillotson that he should not meet her.
|
|
She wished, she said, to come to him voluntarily, to his very house
|
|
and hearthstone.
|
|
|
|
It was Friday evening, which had been chosen because the schoolmaster was
|
|
disengaged at four o'clock that day till the Monday morning following.
|
|
The little car she hired at the Bear to drive her to Marygreen set her down at
|
|
the end of the lane, half a mile from the village, by her desire, and preceded
|
|
her to the schoolhouse with such portion of her luggage as she had brought.
|
|
On its return she encountered it, and asked the driver if he had found the
|
|
master's house open. The man informed her that he had, and that her things
|
|
had been taken in by the schoolmaster himself.
|
|
|
|
She could now enter Marygreen without exciting much observation.
|
|
She crossed by the well and under the trees to the pretty new school on
|
|
the other side, and lifted the latch of the dwelling without knocking.
|
|
Phillotson stood in the middle of the room, awaiting her, as requested.
|
|
|
|
"I've come, Richard," said she, looking pale and shaken, and sinking
|
|
into a chair. "I cannot believe--you forgive your--wife!"
|
|
|
|
"Everything, darling Susanna," said Phillotson.
|
|
|
|
She started at the endearment, though it had been spoken advisedly
|
|
without fervour. Then she nerved herself again.
|
|
|
|
"My children--are dead--and it is right that they should be!
|
|
I am glad--almost. They were sin-begotten. They were sacrificed
|
|
to teach me how to live! Their death was the first stage of
|
|
my purification. That's why they have not died in vain! ... You
|
|
will take me back?"
|
|
|
|
He was so stirred by her pitiful words and tone that he did
|
|
more than he had meant to do. He bent and kissed her cheek.
|
|
|
|
Sue imperceptibly shrank away, her flesh quivering under the touch
|
|
of his lips.
|
|
|
|
Phillotson's heart sank, for desire was renascent in him.
|
|
"You still have an aversion to me!"
|
|
|
|
"Oh no, dear--I have been driving through the damp, and I
|
|
was chilly!" she said, with a hurried smile of apprehension.
|
|
"When are we going to have the marriage? Soon?"
|
|
|
|
"To-morrow morning, early, I thought--if you really wish.
|
|
I am sending round to the vicar to let him know you are come.
|
|
I have told him all, and he highly approves--he says it will bring
|
|
our lives to a triumphant and satisfactory issue. But--are you
|
|
sure of yourself? It is not too late to refuse now if--
|
|
you think you can't bring yourself to it, you know?"
|
|
|
|
"Yes, yes, I can! I want it done quick. Tell him, tell him at once!
|
|
My strength is tried by the undertaking--I can't wait long!"
|
|
|
|
"Have something to eat and drink then, and go over to your room
|
|
at Mrs. Edlin's. I'll tell the vicar half-past eight to-morrow,
|
|
before anybody is about--if that's not too soon for you?
|
|
My friend Gillingham is here to help us in the ceremony.
|
|
He's been good enough to come all the way from Shaston at great
|
|
inconvenience to himself."
|
|
|
|
Unlike a woman in ordinary, whose eye is so keen for material things,
|
|
Sue seemed to see nothing of the room they were in, or any detail
|
|
of her environment. But on moving across the parlour to put down
|
|
her muff she uttered a little "Oh!" and grew paler than before.
|
|
Her look was that of the condemned criminal who catches sight of
|
|
his coffin.
|
|
|
|
"What?" said Phillotson.
|
|
|
|
The flap of the bureau chanced to be open, and in placing her
|
|
muff upon it her eye had caught a document which lay there.
|
|
"Oh--only a--funny surprise!" she said, trying to laugh away her
|
|
cry as she came back to the table.
|
|
|
|
"Ah! Yes," said Phillotson. "The licence.... It has just come."
|
|
|
|
Gillingham now joined them from his room above, and Sue nervously made
|
|
herself agreeable to him by talking on whatever she thought likely
|
|
to interest him, except herself, though that interested him most of all.
|
|
She obediently ate some supper, and prepared to leave for her lodging
|
|
hard by. Phillotson crossed the green with her, bidding her good-night at
|
|
Mrs. Edlin's door.
|
|
|
|
The old woman accompanied Sue to her temporary quarters,
|
|
and helped her to unpack. Among other things she laid out
|
|
a night-gown tastefully embroidered.
|
|
|
|
"Oh--I didn't know THAT was put in!" said Sue quickly.
|
|
"I didn't mean it to be. Here is a different one."
|
|
She handed a new and absolutely plain garment, of coarse and
|
|
unbleached calico.
|
|
|
|
"But this is the prettiest," said Mrs. Edlin. "That one is no better
|
|
than very sackcloth o' Scripture!"
|
|
|
|
"Yes--I meant it to be. Give me the other."
|
|
|
|
She took it, and began rending it with all her might, the tears resounding
|
|
through the house like a screech-owl.
|
|
|
|
"But my dear, dear!--whatever ..."
|
|
|
|
"It is adulterous! It signifies what I don't feel--I bought it long ago--
|
|
to please Jude. It must be destroyed!"
|
|
|
|
Mrs. Edlin lifted her hands, and Sue excitedly continued to tear
|
|
the linen into strips, laying the pieces in the fire.
|
|
|
|
"You med ha' give it to me!" said the widow. "It do make my heart
|
|
ache to see such pretty open-work as that a-burned by the flames--
|
|
not that ornamental night-rails can be much use to a' ould 'ooman
|
|
like I. My days for such be all past and gone!"
|
|
|
|
"It is an accursed thing--it reminds me of what I want to forget!"
|
|
Sue repeated. "It is only fit for the fire."
|
|
|
|
"Lord, you be too strict! What do ye use such words for,
|
|
and condemn to hell your dear little innocent children that's
|
|
lost to 'ee! Upon my life I don't call that religion!"
|
|
|
|
Sue flung her face upon the bed, sobbing. "Oh, don't, don't! That kills me!"
|
|
She remained shaken with her grief, and slipped down upon her knees.
|
|
|
|
"I'll tell 'ee what--you ought not to marry this man again!"
|
|
said Mrs. Edlin indignantly. "You are in love wi' t' other still!"
|
|
|
|
"Yes I must--I am his already!"
|
|
|
|
"Pshoo! You be t' other man's. If you didn't like to commit
|
|
yourselves to the binding vow again, just at first, 'twas all
|
|
the more credit to your consciences, considering your reasons,
|
|
and you med ha' lived on, and made it all right at last.
|
|
After all, it concerned nobody but your own two selves."
|
|
|
|
"Richard says he'll have me back, and I'm bound to go!
|
|
If he had refused, it might not have been so much my duty to--
|
|
give up Jude. But--" She remained with her face in the bed-clothes,
|
|
and Mrs. Edlin left the room.
|
|
|
|
Phillotson in the interval had gone back to his friend Gillingham,
|
|
who still sat over the supper-table. They soon rose, and walked out
|
|
on the green to smoke awhile. A light was burning in Sue's room,
|
|
a shadow moving now and then across the blind.
|
|
|
|
Gillingham had evidently been impressed with the indefinable charm of Sue,
|
|
and after a silence he said, "Well: you've all but got her again at last.
|
|
She can't very well go a second time. The pear has dropped into your hand."
|
|
|
|
"Yes! ... I suppose I am right in taking her at her word.
|
|
I confess there seems a touch of selfishness in it. Apart from
|
|
her being what she is, of course, a luxury for a fogy like me,
|
|
it will set me right in the eyes of the clergy and orthodox laity,
|
|
who have never forgiven me for letting her go. So I may get back
|
|
in some degree into my old track."
|
|
|
|
"Well--if you've got any sound reason for marrying her again,
|
|
do it now in God's name! I was always against your opening
|
|
the cage-door and letting the bird go in such an obviously
|
|
suicidal way. You might have been a school inspector by this time,
|
|
or a reverend, if you hadn't been so weak about her."
|
|
|
|
"I did myself irreparable damage--I know it."
|
|
|
|
"Once you've got her housed again, stick to her."
|
|
|
|
Phillotson was more evasive to-night. He did not care to admit
|
|
clearly that his taking Sue to him again had at bottom nothing
|
|
to do with repentance of letting her go, but was, primarily,
|
|
a human instinct flying in the face of custom and profession.
|
|
He said, "Yes--I shall do that. I know woman better now.
|
|
Whatever justice there was in releasing her, there was little logic,
|
|
for one holding my views on other subjects."
|
|
|
|
Gillingham looked at him, and wondered whether it would ever happen
|
|
that the reactionary spirit induced by the world's sneers and his
|
|
own physical wishes would make Phillotson more orthodoxly cruel
|
|
to her than he had erstwhile been informally and perversely kind.
|
|
|
|
"I perceive it won't do to give way to impulse," Phillotson resumed,
|
|
feeling more and more every minute the necessity of acting up
|
|
to his position. "I flew in the face of the Church's teaching;
|
|
but I did it without malice prepense. Women are so strange in their
|
|
influence that they tempt you to misplaced kindness. However, I know
|
|
myself better now. A little judicious severity, perhaps...."
|
|
|
|
"Yes; but you must tighten the reins by degrees only.
|
|
Don't be too strenuous at first. She'll come to any terms
|
|
in time."
|
|
|
|
The caution was unnecessary, though Phillotson did not say so.
|
|
"I remember what my vicar at Shaston said, when I left after
|
|
the row that was made about my agreeing to her elopement.
|
|
'The only thing you can do to retrieve your position and hers is to
|
|
admit your error in not restraining her with a wise and strong hand,
|
|
and to get her back again if she'll come, and be firm in the future.'
|
|
But I was so headstrong at that time that I paid no heed.
|
|
And that after the divorce she should have thought of doing so I did
|
|
not dream."
|
|
|
|
The gate of Mrs. Edlin's cottage clicked, and somebody began crossing
|
|
in the direction of the school. Phillotson said "Good-night."
|
|
|
|
"Oh, is that Mr. Phillotson," said Mrs. Edlin. "I was going over to see 'ee.
|
|
I've been upstairs with her, helping her to unpack her things; and upon
|
|
my word, sir, I don't think this ought to be!"
|
|
|
|
"What--the wedding?"
|
|
|
|
"Yes. She's forcing herself to it, poor dear little thing;
|
|
and you've no notion what she's suffering. I was never much
|
|
for religion nor against it, but it can't be right to let
|
|
her do this, and you ought to persuade her out of it.
|
|
Of course everybody will say it was very good and forgiving of 'ee
|
|
to take her to 'ee again. But for my part I don't."
|
|
|
|
"It's her wish, and I am willing," said Phillotson with grave reserve,
|
|
opposition making him illogically tenacious now. "A great piece of laxity
|
|
will be rectified."
|
|
|
|
"I don't believe it. She's his wife if anybody's. She's had
|
|
three children by him, and he loves her dearly; and it's a wicked
|
|
shame to egg her on to this, poor little quivering thing!
|
|
She's got nobody on her side. The one man who'd be her
|
|
friend the obstinate creature won't allow to come near her.
|
|
What first put her into this mood o' mind, I wonder!"
|
|
|
|
"I can't tell. Not I certainly. It is all voluntary on her part.
|
|
Now that's all I have to say." Phillotson spoke stiffly.
|
|
"You've turned round, Mrs. Edlin. It is unseemly of you!"
|
|
|
|
"Well. I knowed you'd be affronted at what I had to say;
|
|
but I don't mind that. The truth's the truth."
|
|
|
|
"I'm not affronted, Mrs. Edlin. You've been too kind a neighbour for that.
|
|
But I must be allowed to know what's best for myself and Susanna. I suppose
|
|
you won't go to church with us, then?"
|
|
|
|
"No. Be hanged if I can.... I don't know what the times be coming to!
|
|
Matrimony have growed to be that serious in these days that one really
|
|
do feel afeard to move in it at all. In my time we took it more careless;
|
|
and I don't know that we was any the worse for it! When I and my poor
|
|
man were jined in it we kept up the junketing all the week, and drunk
|
|
the parish dry, and had to borrow half a crown to begin housekeeping!"
|
|
|
|
When Mrs. Edlin had gone back to her cottage Phillotson spoke moodily.
|
|
"I don't know whether I ought to do it--at any rate quite so rapidly."
|
|
|
|
"Why?"
|
|
|
|
"If she is really compelling herself to this against her instincts--
|
|
merely from this new sense of duty or religion--I ought perhaps to let her
|
|
wait a bit."
|
|
|
|
"Now you've got so far you ought not to back out of it.
|
|
That's my opinion."
|
|
|
|
"I can't very well put it off now; that's true. But I had a qualm when she
|
|
gave that little cry at sight of the licence."
|
|
|
|
"Now, never you have qualms, old boy. I mean to give her away
|
|
to-morrow morning, and you mean to take her. It has always been
|
|
on my conscience that I didn't urge more objections to your letting
|
|
her go, and now we've got to this stage I shan't be content if I
|
|
don't help you to set the matter right."
|
|
|
|
Phillotson nodded, and seeing how staunch his friend was, became more frank.
|
|
"No doubt when it gets known what I've done I shall be thought a soft fool
|
|
by many. But they don't know Sue as I do. Though so elusive, hers is such an
|
|
honest nature at bottom that I don't think she has ever done anything against
|
|
her conscience. The fact of her having lived with Fawley goes for nothing.
|
|
At the time she left me for him she thought she was quite within her right.
|
|
Now she thinks otherwise."
|
|
|
|
The next morning came, and the self-sacrifice of the woman
|
|
on the altar of what she was pleased to call her principles was
|
|
acquiesced in by these two friends, each from his own point of view.
|
|
Phillotson went across to the Widow Edlin's to fetch Sue a few
|
|
minutes after eight o'clock. The fog of the previous day or two
|
|
on the low-lands had travelled up here by now, and the trees on
|
|
the green caught armfuls, and turned them into showers of big drops.
|
|
The bride was waiting, ready; bonnet and all on. She had never in
|
|
her life looked so much like the lily her name connoted as she did
|
|
in that pallid morning light. Chastened, world-weary, remorseful,
|
|
the strain on her nerves had preyed upon her flesh and bones,
|
|
and she appeared smaller in outline than she had formerly done,
|
|
though Sue had not been a large woman in her days of rudest health.
|
|
|
|
"Prompt," said the schoolmaster, magnanimously taking her hand.
|
|
But he checked his impulse to kiss her, remembering her start
|
|
of yesterday, which unpleasantly lingered in his mind.
|
|
|
|
Gillingham joined them, and they left the house, Widow Edlin
|
|
continuing steadfast in her refusal to assist in the ceremony.
|
|
|
|
"Where is the church?" said Sue. She had not lived there
|
|
for any length of time since the old church was pulled down,
|
|
and in her preoccupation forgot the new one.
|
|
|
|
"Up here," said Phillotson; and presently the tower loomed
|
|
large and solemn in the fog. The vicar had already crossed
|
|
to the building, and when they entered he said pleasantly:
|
|
"We almost want candles."
|
|
|
|
"You do--wish me to be yours, Richard?" gasped Sue in a whisper.
|
|
|
|
"Certainly, dear: above all things in the world."
|
|
|
|
Sue said no more; and for the second or third time he felt he was not quite
|
|
following out the humane instinct which had induced him to let her go.
|
|
|
|
There they stood, five altogether: the parson, the clerk, the couple,
|
|
and Gillingham; and the holy ordinance was resolemnized forthwith.
|
|
In the nave of the edifice were two or three villagers, and when
|
|
the clergyman came to the words, "What God hath joined," a woman's
|
|
voice from among these was heard to utter audibly:
|
|
|
|
"God hath jined indeed!"
|
|
|
|
It was like a re-enactment by the ghosts of their former selves of
|
|
the similar scene which had taken place at Melchester years before.
|
|
When the books were signed the vicar congratulated the husband
|
|
and wife on having performed a noble, and righteous, and mutually
|
|
forgiving act. "All's well that ends well," he said smiling.
|
|
"May you long be happy together, after thus having been 'saved as
|
|
by fire.'"
|
|
|
|
They came down the nearly empty building, and crossed to the schoolhouse.
|
|
Gillingham wanted to get home that night, and left early. He, too,
|
|
congratulated the couple. "Now," he said in parting from Phillotson,
|
|
who walked out a little way, "I shall be able to tell the people in
|
|
your native place a good round tale; and they'll all say 'Well done,'
|
|
depend on it."
|
|
|
|
When the schoolmaster got back Sue was making a pretence of doing some
|
|
housewifery as if she lived there. But she seemed timid at his approach,
|
|
and compunction wrought on him at sight of it.
|
|
|
|
"Of course, my dear, I shan't expect to intrude upon your personal privacy
|
|
any more than I did before," he said gravely. "It is for our good socially
|
|
to do this, and that's its justification, if it was not my reason."
|
|
Sue brightened a little.
|
|
|
|
|
|
|
|
VI
|
|
|
|
|
|
THE place was the door of Jude's lodging in the out-skirts
|
|
of Christminster--far from the precincts of St. Silas'
|
|
where he had formerly lived, which saddened him to sickness.
|
|
The rain was coming down. A woman in shabby black stood on
|
|
the doorstep talking to Jude, who held the door in his hand.
|
|
|
|
"I am lonely, destitute, and houseless--that's what I am!
|
|
Father has turned me out of doors after borrowing every penny
|
|
I'd got, to put it into his business, and then accusing
|
|
me of laziness when I was only waiting for a situation.
|
|
I am at the mercy of the world! If you can't take me and
|
|
help me, Jude, I must go to the workhouse, or to something worse.
|
|
Only just now two undergraduates winked at me as I came along.
|
|
'Tis hard for a woman to keep virtuous where there's so many
|
|
young men!"
|
|
|
|
The woman in the rain who spoke thus was Arabella, the evening being
|
|
that of the day after Sue's remarriage with Phillotson.
|
|
|
|
"I am sorry for you, but I am only in lodgings," said Jude coldly.
|
|
|
|
"Then you turn me away?"
|
|
|
|
"I'll give you enough to get food and lodging for a few days."
|
|
|
|
"Oh, but can't you have the kindness to take me in?
|
|
I cannot endure going to a public house to lodge; and I am
|
|
so lonely. Please, Jude, for old times' sake!"
|
|
|
|
"No, no," said Jude hastily. "I don't want to be reminded of those things;
|
|
and if you talk about them I shall not help you."
|
|
|
|
"Then I suppose I must go!" said Arabella. She bent her head
|
|
against the doorpost and began sobbing.
|
|
|
|
"The house is full," said Jude. "And I have only a little extra
|
|
room to my own--not much more than a closet--where I keep my tools,
|
|
and templates, and the few books I have left!"
|
|
|
|
"That would be a palace for me!"
|
|
|
|
"There is no bedstead in it."
|
|
|
|
"A bit of a bed could be made on the floor. It would be good enough for me."
|
|
|
|
Unable to be harsh with her, and not knowing what to do,
|
|
Jude called the man who let the lodgings, and said this was an
|
|
acquaintance of his in great distress for want of temporary shelter.
|
|
|
|
"You may remember me as barmaid at the Lamb and Flag formerly?"
|
|
spoke up Arabella. "My father has insulted me this afternoon,
|
|
and I've left him, though without a penny!"
|
|
|
|
The householder said he could not recall her features.
|
|
"But still, if you are a friend of Mr. Fawley's we'll do what we
|
|
can for a day or two--if he'll make himself answerable?"
|
|
|
|
"Yes, yes," said Jude. "She has really taken me quite unawares;
|
|
but I should wish to help her out of her difficulty."
|
|
And an arrangement was ultimately come to under which a bed was
|
|
to be thrown down in Jude's lumber-room, to make it comfortable
|
|
for Arabella till she could get out of the strait she was in--
|
|
not by her own fault, as she declared--and return to her
|
|
father's again.
|
|
|
|
While they were waiting for this to be done Arabella said:
|
|
"You know the news, I suppose?"
|
|
|
|
"I guess what you mean; but I know nothing."
|
|
|
|
"I had a letter from Anny at Alfredston to-day. She had just heard
|
|
that the wedding was to be yesterday: but she didn't know if it
|
|
had come off."
|
|
|
|
"I don't wish to talk of it."
|
|
|
|
"No, no: of course you don't. Only it shows what kind of woman----"
|
|
|
|
"Don't speak of her I say! She's a fool! And she's an angel,
|
|
too, poor dear!"
|
|
|
|
"If it's done, he'll have a chance of getting back to his old position,
|
|
by everybody's account, so Anny says. All his well-wishers will be pleased,
|
|
including the bishop himself."
|
|
|
|
"Do spare me, Arabella."
|
|
|
|
Arabella was duly installed in the little attic, and at first she did not
|
|
come near Jude at all. She went to and fro about her own business, which,
|
|
when they met for a moment on the stairs or in the passage, she informed him
|
|
was that of obtaining another place in the occupation she understood best.
|
|
When Jude suggested London as affording the most likely opening in the liquor
|
|
trade, she shook her head. "No--the temptations are too many," she said.
|
|
"Any humble tavern in the country before that for me."
|
|
|
|
On the Sunday morning following, when he breakfasted later than on other days,
|
|
she meekly asked him if she might come in to breakfast with him, as she had
|
|
broken her teapot, and could not replace it immediately, the shops being shut.
|
|
|
|
"Yes, if you like," he said indifferently.
|
|
|
|
While they sat without speaking she suddenly observed:
|
|
"You seem all in a brood, old man. I'm sorry for you."
|
|
|
|
"I am all in a brood."
|
|
|
|
"It is about her, I know. It's no business of mine, but I could
|
|
find out all about the wedding--if it really did take place--
|
|
if you wanted to know."
|
|
|
|
"How could you?"
|
|
|
|
"I wanted to go to Alfredston to get a few things I left there.
|
|
And I could see Anny, who'll be sure to have heard all about it,
|
|
as she has friends at Marygreen."
|
|
|
|
Jude could not bear to acquiesce in this proposal; but his suspense
|
|
pitted itself against his discretion, and won in the struggle.
|
|
"You can ask about it if you like," he said. "I've not heard a sound
|
|
from there. It must have been very private, if--they have married."
|
|
|
|
"I am afraid I haven't enough cash to take me there and back,
|
|
or I should have gone before. I must wait till I have earned some."
|
|
|
|
"Oh--I can pay the journey for you," he said impatiently.
|
|
And thus his suspense as to Sue's welfare, and the possible marriage,
|
|
moved him to dispatch for intelligence the last emissary he would have
|
|
thought of choosing deliberately.
|
|
|
|
Arabella went, Jude requesting her to be home not later
|
|
than by the seven o'clock train. When she had gone he said:
|
|
"Why should I have charged her to be back by a particular time!
|
|
She's nothing to me--nor the other neither!"
|
|
|
|
But having finished work he could not help going to
|
|
the station to meet Arabella, dragged thither by feverish
|
|
haste to get the news she might bring, and know the worst.
|
|
Arabella had made dimples most successfully all the way home,
|
|
and when she stepped out of the railway carriage she smiled.
|
|
He merely said "Well?" with the very reverse of a smile.
|
|
|
|
"They are married."
|
|
|
|
"Yes--of course they are!" he returned. She observed, however, the hard
|
|
strain upon his lip as he spoke.
|
|
|
|
"Anny says she has heard from Belinda, her relation out at Marygreen,
|
|
that it was very sad, and curious!"
|
|
|
|
"How do you mean sad? She wanted to marry him again, didn't she?
|
|
And he her!"
|
|
|
|
"Yes--that was it. She wanted to in one sense, but not in the other.
|
|
Mrs. Edlin was much upset by it all, and spoke out her mind at Phillotson.
|
|
But Sue was that excited about it that she burnt her best embroidery
|
|
that she'd worn with you, to blot you out entirely. Well--if a woman feels
|
|
like it, she ought to do it. I commend her for it, though others don't."
|
|
Arabella sighed. "She felt he was her only husband, and that she
|
|
belonged to nobody else in the sight of God A'mighty while he lived.
|
|
Perhaps another woman feels the same about herself, too!"
|
|
Arabella sighed again.
|
|
|
|
"I don't want any cant!" exclaimed Jude.
|
|
|
|
"It isn't cant," said Arabella. "I feel exactly the same as she!"
|
|
|
|
He closed that issue by remarking abruptly: "Well--now I know
|
|
all I wanted to know. Many thanks for your information.
|
|
I am not going back to my lodgings just yet." And he left
|
|
her straightway.
|
|
|
|
In his misery and depression Jude walked to well-nigh every spot in
|
|
the city that he had visited with Sue; thence he did not know whither,
|
|
and then thought of going home to his usual evening meal.
|
|
But having all the vices of his virtues, and some to spare,
|
|
he turned into a public house, for the first time during many months.
|
|
Among the possible consequences of her marriage Sue had not dwelt
|
|
on this.
|
|
|
|
Arabella, meanwhile, had gone back. The evening passed, and Jude
|
|
did not return. At half-past nine Arabella herself went out,
|
|
first proceeding to an outlying district near the river where her
|
|
father lived, and had opened a small and precarious pork-shop lately.
|
|
|
|
"Well," she said to him, "for all your rowing me that night,
|
|
I've called in, for I have something to tell you. I think I
|
|
shall get married and settled again. Only you must help me:
|
|
and you can do no less, after what I've stood 'ee."
|
|
|
|
"I'll do anything to get thee off my hands!"
|
|
|
|
"Very well. I am now going to look for my young man.
|
|
He's on the loose I'm afraid, and I must get him home.
|
|
All I want you to do to-night is not to fasten the door, in case I
|
|
should want to sleep here, and should be late."
|
|
|
|
"I thought you'd soon get tired of giving yourself airs and keeping away!"
|
|
|
|
"Well--don't do the door. That's all I say."
|
|
|
|
She then sallied out again, and first hastening back to Jude's
|
|
to make sure that he had not returned, began her search for him.
|
|
A shrewd guess as to his probable course took her straight
|
|
to the tavern which Jude had formerly frequented, and where she
|
|
had been barmaid for a brief term. She had no sooner opened
|
|
the door of the "Private Bar" than her eyes fell upon him--
|
|
sitting in the shade at the back of the compartment,
|
|
with his eyes fixed on the floor in a blank stare.
|
|
He was drinking nothing stronger than ale just then.
|
|
He did not observe her, and she entered and sat beside him.
|
|
|
|
Jude looked up, and said without surprise: "You've come to have something,
|
|
Arabella? ... I'm trying to forget her: that's all! But I can't;
|
|
and I am going home." She saw that he was a little way on in liquor,
|
|
but only a little as yet.
|
|
|
|
"I've come entirely to look for you, dear boy. You are not well.
|
|
Now you must have something better than that." Arabella held
|
|
up her finger to the barmaid. "You shall have a liqueur--
|
|
that's better fit for a man of education than beer. You shall
|
|
have maraschino, or curacao dry or sweet, or cherry brandy.
|
|
I'll treat you, poor chap!"
|
|
|
|
"I don't care which! Say cherry brandy.... Sue has served me badly,
|
|
very badly. I didn't expect it of Sue! I stuck to her, and she
|
|
ought to have stuck to me. I'd have sold my soul for her sake,
|
|
but she wouldn't risk hers a jot for me. To save her own soul she
|
|
lets mine go damn! ... But it isn't her fault, poor little girl--
|
|
I am sure it isn't!"
|
|
|
|
How Arabella had obtained money did not appear, but she ordered
|
|
a liqueur each, and paid for them. When they had drunk these
|
|
Arabella suggested another; and Jude had the pleasure of being,
|
|
as it were, personally conducted through the varieties of
|
|
spirituous delectation by one who knew the landmarks well.
|
|
Arabella kept very considerably in the rear of Jude; but though
|
|
she only sipped where he drank, she took as much as she could
|
|
safely take without losing her head--which was not a little,
|
|
as the crimson upon her countenance showed.
|
|
|
|
Her tone towards him to-night was uniformly soothing and cajoling;
|
|
and whenever he said "I don't care what happens to me,"
|
|
a thing he did continually, she replied, "But I do very much!"
|
|
The closing hour came, and they were compelled to turn out;
|
|
whereupon Arabella put her arm round his waist, and guided his
|
|
unsteady footsteps.
|
|
|
|
When they were in the streets she said: "I don't know what
|
|
our landlord will say to my bringing you home in this state.
|
|
I expect we are fastened out, so that he'll have to come down
|
|
and let us in."
|
|
|
|
"I don't know--I don't know."
|
|
|
|
"That's the worst of not having a home of your own.
|
|
I tell you, Jude, what we had best do. Come round to my father's--
|
|
I made it up with him a bit to-day. I can let you in,
|
|
and nobody will see you at all; and by to-morrow morning you'll
|
|
be all right."
|
|
|
|
"Anything--anywhere," replied Jude. "What the devil does it matter to me?"
|
|
|
|
They went along together, like any other fuddling couple,
|
|
her arm still round his waist, and his, at last, round hers;
|
|
though with no amatory intent; but merely because he was weary,
|
|
unstable, and in need of support.
|
|
|
|
"This--is th' Martyrs'--burning-place," he stammered as they dragged
|
|
across a broad street. "I remember--in old Fuller's HOLY STATE--
|
|
and I am reminded of it--by our passing by here--old Fuller in his
|
|
HOLY STATE says, that at the burning of Ridley, Doctor Smith--
|
|
preached sermon, and took as his text 'THOUGH I GIVE MY BODY
|
|
TO BE BURNED, AND HAVE NOT CHARITY, IT PROFITETH ME NOTHING.'--
|
|
Often think of it as I pass here. Ridley was a----"
|
|
|
|
"Yes. Exactly. Very thoughtful of you, deary, even though it hasn't
|
|
much to do with our present business."
|
|
|
|
"Why, yes it has! I'm giving my body to be burned! But--ah you
|
|
don't understand!--it wants Sue to understand such things!
|
|
And I was her seducer--poor little girl! And she's gone--
|
|
and I don't care about myself! Do what you like with me! ...
|
|
And yet she did it for conscience' sake, poor little Sue!"
|
|
|
|
"Hang her!--I mean, I think she was right," hiccuped Arabella.
|
|
"I've my feelings too, like her; and I feel I belong to you
|
|
in Heaven's eye, and to nobody else, till death us do part!
|
|
It is--hic--never too late--hic to mend!"
|
|
|
|
They had reached her father's house, and she softly unfastened the door,
|
|
groping about for a light within.
|
|
|
|
The circumstances were not altogether unlike those of their
|
|
entry into the cottage at Cresscombe, such a long time before.
|
|
Nor were perhaps Arabella's motives. But Jude did not think of that,
|
|
though she did.
|
|
|
|
"I can't find the matches, dear," she said when she had fastened up the door.
|
|
"But never mind--this way. As quiet as you can, please."
|
|
|
|
"It is as dark as pitch," said Jude.
|
|
|
|
"Give me your hand, and I'll lead you. That's it. Just sit down here,
|
|
and I'll pull off your boots. I don't want to wake him."
|
|
|
|
"Who?"
|
|
|
|
"Father. He'd make a row, perhaps."
|
|
|
|
She pulled off his boots. "Now," she whispered, "take hold of me--
|
|
never mind your weight. Now--first stair, second stair"
|
|
|
|
"But,--are we out in our old house by Marygreen?" asked the stupefied Jude.
|
|
"I haven't been inside it for years till now! Hey? And where are my books?
|
|
That's what I want to know?"
|
|
|
|
"We are at my house, dear, where there's nobody to spy out
|
|
how ill you are. Now--third stair, fourth stair--that's it.
|
|
Now we shall get on."
|
|
|
|
|
|
|
|
VII
|
|
|
|
|
|
ARABELLA was preparing breakfast in the downstairs back room of this small,
|
|
recently hired tenement of her father's. She put her head into the little
|
|
pork-shop in front, and told Mr. Donn it was ready. Donn, endeavouring to
|
|
look like a master pork-butcher, in a greasy blue blouse, and with a strap
|
|
round his waist from which a steel dangled, came in promptly.
|
|
|
|
"You must mind the shop this morning," he said casually.
|
|
"I've to go and get some inwards and half a pig from Lumsdon,
|
|
and to call elsewhere. If you live here you must put your shoulder
|
|
to the wheel, at least till I get the business started!"
|
|
|
|
"Well, for to-day I can't say." She looked deedily into his face.
|
|
"I've got a prize upstairs."
|
|
|
|
"Oh? What's that?"
|
|
|
|
"A husband--almost."
|
|
|
|
"No!"
|
|
|
|
"Yes. It's Jude. He's come back to me."
|
|
|
|
"Your old original one? Well, I'm damned!"
|
|
|
|
"Well, I always did like him, that I will say."
|
|
|
|
"But how does he come to be up there?" said Donn, humour-struck, and nodding
|
|
to the ceiling.
|
|
|
|
"Don't ask inconvenient questions, Father. What we've to do is to keep him
|
|
here till he and I are--as we were."
|
|
|
|
"How was that?"
|
|
|
|
"Married."
|
|
|
|
"Ah.... Well it is the rummest thing I ever heard of--
|
|
marrying an old husband again, and so much new blood in the world!
|
|
He's no catch, to my thinking. I'd have had a new one while I
|
|
was about it."
|
|
|
|
"It isn't rum for a woman to want her old husband back for respectability,
|
|
though for a man to want his old wife back--well, perhaps it is funny,
|
|
rather!" And Arabella was suddenly seized with a fit of loud laughter,
|
|
in which her father joined more moderately.
|
|
|
|
"Be civil to him, and I'll do the rest," she said when she had
|
|
recovered seriousness. "He told me this morning that his head
|
|
ached fit to burst, and he hardly seemed to know where he was.
|
|
And no wonder, considering how he mixed his drink last night.
|
|
We must keep him jolly and cheerful here for a day or two,
|
|
and not let him go back to his lodging. Whatever you advance I'll
|
|
pay back to you again. But I must go up and see how he is now,
|
|
poor deary."
|
|
|
|
Arabella ascended the stairs, softly opened the door of the
|
|
first bedroom, and peeped in. Finding that her shorn Samson
|
|
was asleep she entered to the bedside and stood regarding him.
|
|
The fevered flush on his face from the debauch of the previous
|
|
evening lessened the fragility of his ordinary appearance,
|
|
and his long lashes, dark brows, and curly back hair and beard
|
|
against the white pillow completed the physiognomy of one
|
|
whom Arabella, as a woman of rank passions, still felt it worth
|
|
while to recapture, highly important to recapture as a woman
|
|
straitened both in means and in reputation. Her ardent gaze
|
|
seemed to affect him; his quick breathing became suspended,
|
|
and he opened his eyes.
|
|
|
|
"How are you now, dear?" said she. "It is I--Arabella."
|
|
|
|
"Ah!--where--oh yes, I remember! You gave me shelter.... I
|
|
am stranded--ill--demoralized--damn bad! That's what I am!"
|
|
|
|
"Then do stay here. There's nobody in the house but father and me,
|
|
and you can rest till you are thoroughly well. I'll tell them at
|
|
the stoneworks that you are knocked up."
|
|
|
|
"I wonder what they are thinking at the lodgings!"
|
|
|
|
"I'll go round and explain. Perhaps you had better let me pay up,
|
|
or they'll think we've run away?"
|
|
|
|
"Yes. You'll find enough money in my pocket there."
|
|
|
|
Quite indifferent, and shutting his eyes because he could not bear
|
|
the daylight in his throbbing eye-balls, Jude seemed to doze again.
|
|
Arabella took his purse, softly left the room, and putting on her
|
|
outdoor things went off to the lodgings she and he had quitted
|
|
the evening before.
|
|
|
|
Scarcely half an hour had elapsed ere she reappeared round the corner,
|
|
walking beside a lad wheeling a truck on which were piled all Jude's
|
|
household possessions, and also the few of Arabella's things
|
|
which she had taken to the lodging for her short sojourn there.
|
|
Jude was in such physical pain from his unfortunate break-down
|
|
of the previous night, and in such mental pain from the loss of Sue
|
|
and from having yielded in his half-somnolent state to Arabella,
|
|
that when he saw his few chattels unpacked and standing before his
|
|
eyes in this strange bedroom, intermixed with woman's apparel,
|
|
he scarcely considered how they had come there, or what their
|
|
coming signalized.
|
|
|
|
"Now," said Arabella to her father downstairs, "we must keep
|
|
plenty of good liquor going in the house these next few days.
|
|
I know his nature, and if he once gets into that fearfully low state
|
|
that he does get into sometimes, he'll never do the honourable
|
|
thing by me in this world, and I shall be left in the lurch.
|
|
He must be kept cheerful. He has a little money in the savings bank,
|
|
and he has given me his purse to pay for anything necessary.
|
|
Well, that will be the licence; for I must have that ready at hand,
|
|
to catch him the moment he's in the humour. You must pay for the liquor.
|
|
A few friends, and a quiet convivial party would be the thing,
|
|
if we could get it up. It would advertise the shop, and help
|
|
me too."
|
|
|
|
"That can be got up easy enough by anybody who'll afford
|
|
victuals and drink.... Well yes--it would advertise the shop--
|
|
that's true."
|
|
|
|
Three days later, when Jude had recovered somewhat from the fearful
|
|
throbbing of his eyes and brain, but was still considerably confused in his
|
|
mind by what had been supplied to him by Arabella during the interval--
|
|
to keep him, jolly, as she expressed it--the quiet convivial gathering,
|
|
suggested by her, to wind Jude up to the striking point, took place.
|
|
|
|
Donn had only just opened his miserable little pork and sausage shop,
|
|
which had as yet scarce any customers; nevertheless that party advertised
|
|
it well, and the Donns acquired a real notoriety among a certain class
|
|
in Christminster who knew not the colleges, nor their works, nor their ways.
|
|
Jude was asked if he could suggest any guest in addition to those named
|
|
by Arabella and her father, and in a saturnine humour of perfect
|
|
recklessness mentioned Uncle Joe, and Stagg, and the decayed auctioneer,
|
|
and others whom he remembered as having been frequenters of the well-known
|
|
tavern during his bout therein years before. He also suggested Freckles
|
|
and Bower o' Bliss. Arabella took him at his word so far as the men went,
|
|
but drew the line at the ladies.
|
|
|
|
Another man they knew, Tinker Taylor, though he lived in the same street,
|
|
was not invited; but as he went homeward from a late job on the evening
|
|
of the party, he had occasion to call at the shop for trotters.
|
|
There were none in, but he was promised some the next morning.
|
|
While making his inquiry Taylor glanced into the back room, and saw
|
|
the guests sitting round, card-playing, and drinking, and otherwise
|
|
enjoying themselves at Donn's expense. He went home to bed,
|
|
and on his way out next morning wondered how the party went off.
|
|
He thought it hardly worth while to call at the shop for his
|
|
provisions at that hour, Donn and his daughter being probably not up,
|
|
if they caroused late the night before. However, he found in
|
|
passing that the door was open, and he could hear voices within,
|
|
though the shutters of the meat-stall were not down. He went and tapped
|
|
at the sitting-room door, and opened it.
|
|
|
|
"Well--to be sure!" he said, astonished.
|
|
|
|
Hosts and guests were sitting card-playing, smoking, and talking,
|
|
precisely as he had left them eleven hours earlier; the gas was
|
|
burning and the curtains drawn, though it had been broad daylight
|
|
for two hours out of doors.
|
|
|
|
"Yes!" cried Arabella, laughing. "Here we are, just the same.
|
|
We ought to be ashamed of ourselves, oughtn't we! But it is a sort
|
|
of housewarming, you see; and our friends are in no hurry. Come in,
|
|
Mr. Taylor, and sit down."
|
|
|
|
The tinker, or rather reduced ironmonger, was nothing loath, and entered
|
|
and took a seat. "I shall lose a quarter, but never mind," he said.
|
|
"Well, really, I could hardly believe my eyes when I looked in!
|
|
It seemed as if I was flung back again into last night, all of a sudden."
|
|
|
|
"So you are. Pour out for Mr. Taylor."
|
|
|
|
He now perceived that she was sitting beside Jude, her arm
|
|
being round his waist. Jude, like the rest of the company,
|
|
bore on his face the signs of how deeply he had been indulging.
|
|
|
|
"Well, we've been waiting for certain legal hours to arrive,
|
|
to tell the truth," she continued bashfully, and making her
|
|
spirituous crimson look as much like a maiden blush as possible.
|
|
"Jude and I have decided to make up matters between us by tying
|
|
the knot again, as we find we can't do without one another
|
|
after all. So, as a bright notion, we agreed to sit on till it
|
|
was late enough, and go and do it off-hand."
|
|
|
|
Jude seemed to pay no great heed to what she was announcing,
|
|
or indeed to anything whatever. The entrance of Taylor infused
|
|
fresh spirit into the company, and they remained sitting,
|
|
till Arabella whispered to her father: "Now we may as well go."
|
|
|
|
"But the parson don't know?"
|
|
|
|
"Yes, I told him last night that we might come between eight and nine,
|
|
as there were reasons of decency for doing it as early and quiet as possible;
|
|
on account of it being our second marriage, which might make people curious to
|
|
look on if they knew. He highly approved."
|
|
|
|
"Oh very well: I'm ready," said her father, getting up and shaking himself.
|
|
|
|
"Now, old darling," she said to Jude. "Come along, as you promised."
|
|
|
|
"When did I promise anything?" asked he, whom she had made so tipsy
|
|
by her special knowledge of that line of business as almost to have made
|
|
him sober again--or to seem so to those who did not know him.
|
|
|
|
"Why!" said Arabella, affecting dismay. "You've promised to marry me
|
|
several times as we've sat here to-night. These gentlemen have heard you."
|
|
|
|
"I don't remember it," said Jude doggedly. "There's only one woman--
|
|
but I won't mention her in this Capharnaum!"
|
|
|
|
Arabella looked towards her father. "Now, Mr. Fawley be honourable,"
|
|
said Donn. "You and my daughter have been living here together these three
|
|
or four days, quite on the understanding that you were going to marry her.
|
|
Of course I shouldn't have had such goings on in my house if I hadn't
|
|
understood that. As a point of honour you must do it now."
|
|
|
|
"Don't say anything against my honour!" enjoined Jude hotly, standing up.
|
|
"I'd marry the W---- of Babylon rather than do anything dishonourable!
|
|
No reflection on you, my dear. It is a mere rhetorical figure--what they call
|
|
in the books, hyperbole."
|
|
|
|
"Keep your figures for your debts to friends who shelter you,"
|
|
said Donn.
|
|
|
|
"If I am bound in honour to marry her--as I suppose I am--
|
|
though how I came to be here with her I know no more than
|
|
a dead man--marry her I will, so help me God! I have never
|
|
behaved dishonourably to a woman or to any living thing.
|
|
I am not a man who wants to save himself at the expense of
|
|
the weaker among us!"
|
|
|
|
"There--never mind him, deary," said she, putting her cheek against Jude's.
|
|
"Come up and wash your face, and just put yourself tidy, and off we'll go.
|
|
Make it up with Father."
|
|
|
|
They shook hands. Jude went upstairs with her, and soon came down looking
|
|
tidy and calm. Arabella, too, had hastily arranged herself, and accompanied
|
|
by Donn away they went.
|
|
|
|
"Don't go," she said to the guests at parting. I've told
|
|
the little maid to get the breakfast while we are gone;
|
|
and when we come back we'll all have some. A good strong cup
|
|
of tea will set everybody right for going home."
|
|
|
|
|
|
When Arabella, Jude, and Donn had disappeared on their matrimonial
|
|
errand the assembled guests yawned themselves wider awake,
|
|
and discussed the situation with great interest. Tinker Taylor,
|
|
being the most sober, reasoned the most lucidly.
|
|
|
|
"I don't wish to speak against friends," he said. "But it
|
|
do seem a rare curiosity for a couple to marry over again!
|
|
If they couldn't get on the first time when their minds were limp,
|
|
they won't the second, by my reckoning."
|
|
|
|
"Do you think he'll do it?"
|
|
|
|
"He's been put upon his honour by the woman, so he med."
|
|
|
|
"He'd hardly do it straight off like this. He's got no licence nor anything."
|
|
|
|
"She's got that, bless you. Didn't you hear her say so to her father?"
|
|
|
|
"Well," said Tinker Taylor, relighting his pipe at the gas-jet. "Take
|
|
her all together, limb by limb, she's not such a bad-looking piece--
|
|
particular by candlelight. To be sure, halfpence that have been
|
|
in circulation can't be expected to look like new ones from the mint.
|
|
But for a woman that's been knocking about the four hemispheres
|
|
for some time, she's passable enough. A little bit thick in
|
|
the flitch perhaps: but I like a woman that a puff o' wind won't
|
|
blow down."
|
|
|
|
Their eyes followed the movements of the little girl as she
|
|
spread the breakfast-cloth on the table they had been using,
|
|
without wiping up the slops of the liquor. The curtains were undrawn,
|
|
and the expression of the house made to look like morning.
|
|
Some of the guests, however, fell asleep in their chairs.
|
|
One or two went to the door, and gazed along the street more
|
|
than once. Tinker Taylor was the chief of these, and after a time
|
|
he came in with a leer on his face.
|
|
|
|
"By Gad, they are coming! I think the deed's done!"
|
|
|
|
"No," said Uncle Joe, following him in. "Take my word, he turned
|
|
rusty at the last minute. They are walking in a very unusual way;
|
|
and that's the meaning of it!"
|
|
|
|
They waited in silence till the wedding-party could be heard entering
|
|
the house. First into the room came Arabella boisterously; and her face
|
|
was enough to show that her strategy had succeeded.
|
|
|
|
"Mrs. Fawley, I presume?" said Tinker Taylor with mock courtesy.
|
|
|
|
"Certainly. Mrs. Fawley again," replied Arabella blandly,
|
|
pulling off her glove and holding out her left hand.
|
|
"There's the padlock, see.... Well, he was a very nice,
|
|
gentlemanly man indeed. I mean the clergyman.
|
|
He said to me as gentle as a babe when all was done:
|
|
'Mrs. Fawley, I congratulate you heartily,' he says.
|
|
'For having heard your history, and that of your husband,
|
|
I think you have both done the right and proper thing.
|
|
And for your past errors as a wife, and his as a husband,
|
|
I think you ought now to be forgiven by the world, as you
|
|
have forgiven each other,' says he. Yes: he was a very nice,
|
|
gentlemanly man. 'The Church don't recognize divorce in her dogma,
|
|
strictly speaking,' he says: 'and bear in mind the words
|
|
of the service in your goings out and your comings in:
|
|
What God hath joined together let no man put asunder.' Yes:
|
|
he was a very nice, gentlemanly man.... But, Jude, my dear,
|
|
you were enough to make a cat laugh! You walked that straight,
|
|
and held yourself that steady, that one would have thought
|
|
you were going 'prentice to a judge; though I knew you were
|
|
seeing double all the time, from the way you fumbled with
|
|
my finger."
|
|
|
|
"I said I'd do anything to--save a woman's honour," muttered Jude.
|
|
"And I've done it!"
|
|
|
|
"Well now, old deary, come along and have some breakfast."
|
|
|
|
"I want--some--more whisky," said Jude stolidly.
|
|
|
|
"Nonsense, dear. Not now! There's no more left. The tea will take
|
|
the muddle out of our heads, and we shall be as fresh as larks."
|
|
|
|
"All right. I've--married you. She said I ought to marry you again,
|
|
and I have straightway. It is true religion! Ha--ha--ha!"
|
|
|
|
|
|
|
|
VIII
|
|
|
|
|
|
MICHAELMAS came and passed, and Jude and his wife, who had lived
|
|
but a short time in her father's house after their remarriage,
|
|
were in lodgings on the top floor of a dwelling nearer to the centre
|
|
of the city.
|
|
|
|
He had done a few days' work during the two or three months since the event,
|
|
but his health had been indifferent, and it was now precarious.
|
|
He was sitting in an arm-chair before the fire, and coughed a good deal.
|
|
|
|
"I've got a bargain for my trouble in marrying thee over again!"
|
|
Arabella was saying to him. "I shall have to keep 'ee entirely--
|
|
that's what 'twill come to! I shall have to make black-pot
|
|
and sausages, and hawk 'em about the street, all to support
|
|
an invalid husband I'd no business to be saddled with at all.
|
|
Why didn't you keep your health, deceiving one like this? You were
|
|
well enough when the wedding was!"
|
|
|
|
"Ah, yes!" said he, laughing acridly. "I have been thinking of my foolish
|
|
feeling about the pig you and I killed during our first marriage.
|
|
I feel now that the greatest mercy that could be vouchsafed to me would be
|
|
that something should serve me as I served that animal."
|
|
|
|
This was the sort of discourse that went on between them every day now.
|
|
The landlord of the lodging, who had heard that they were a queer couple,
|
|
had doubted if they were married at all, especially as he had seen
|
|
Arabella kiss Jude one evening when she had taken a little cordial;
|
|
and he was about to give them notice to quit, till by chance overhearing
|
|
her one night haranguing Jude in rattling terms, and ultimately flinging
|
|
a shoe at his head, he recognized the note of genuine wedlock; and concluding
|
|
that they must be respectable, said no more.
|
|
|
|
Jude did not get any better, and one day he requested Arabella,
|
|
with considerable hesitation, to execute a commission for him.
|
|
She asked him indifferently what it was.
|
|
|
|
"To write to Sue."
|
|
|
|
"What in the name--do you want me to write to her for?"
|
|
|
|
"To ask how she is, and if she'll come to see me, because I'm ill,
|
|
and should like to see her--once again."
|
|
|
|
"It is like you to insult a lawful wife by asking such a thing!"
|
|
|
|
"It is just in order not to insult you that I ask you to do it.
|
|
You know I love Sue. I don't wish to mince the matter--
|
|
there stands the fact: I love her. I could find a dozen
|
|
ways of sending a letter to her without your knowledge.
|
|
But I wish to be quite above-board with you, and with her husband.
|
|
A message through you asking her to come is at least free from any
|
|
odour of intrigue. If she retains any of her old nature at all,
|
|
she'll come."
|
|
|
|
"You've no respect for marriage whatever, or its rights and duties!"
|
|
|
|
"What DOES it matter what my opinions are--a wretch like me!
|
|
Can it matter to anybody in the world who comes to see me
|
|
for half an hour--here with one foot in the grave! ... Come,
|
|
please write, Arabella!" he pleaded. "Repay my candour by a
|
|
little generosity!"
|
|
|
|
"I should think NOT!"
|
|
|
|
"Not just once?--Oh do!" He felt that his physical weakness had taken
|
|
away all his dignity.
|
|
|
|
"What do you want HER to know how you are for? She don't want to see 'ee.
|
|
She's the rat that forsook the sinking ship!"
|
|
|
|
"Don't, don't!"
|
|
|
|
"And I stuck to un--the more fool I! Have that strumpet in the house indeed!"
|
|
|
|
Almost as soon as the words were spoken Jude sprang from the chair,
|
|
and before Arabella knew where she was he had her on her back upon
|
|
a little couch which stood there, he kneeling above her.
|
|
|
|
"Say another word of that sort," he whispered, "and I'll kill you--
|
|
here and now! I've everything to gain by it--my own death not being
|
|
the least part. So don't think there's no meaning in what I say!"
|
|
|
|
"What do you want me to do?" gasped Arabella.
|
|
|
|
"Promise never to speak of her."
|
|
|
|
"Very well. I do."
|
|
|
|
"I take your word," he said scornfully as he loosened her.
|
|
"But what it is worth I can't say."
|
|
|
|
"You couldn't kill the pig, but you could kill me!"
|
|
|
|
"Ah--there you have me! No--I couldn't kill you--even in a passion.
|
|
Taunt away!"
|
|
|
|
He then began coughing very much, and she estimated his life
|
|
with an appraiser's eye as he sank back ghastly pale.
|
|
"I'll send for her," Arabella murmured, "if you'll agree to my
|
|
being in the room with you all the time she's here."
|
|
|
|
The softer side of his nature, the desire to see Sue, made him
|
|
unable to resist the offer even now, provoked as he had been;
|
|
and he replied breathlessly: "Yes, I agree. Only send
|
|
for her!"
|
|
|
|
In the evening he inquired if she had written.
|
|
|
|
"Yes," she said; "I wrote a note telling her you were ill,
|
|
and asking her to come to-morrow or the day after. I haven't
|
|
posted it yet."
|
|
|
|
The next day Jude wondered if she really did post it, but would not ask her;
|
|
and foolish Hope, that lives on a drop and a crumb, made him restless
|
|
with expectation. He knew the times of the possible trains, and listened on
|
|
each occasion for sounds of her.
|
|
|
|
She did not come; but Jude would not address Arabella again thereon.
|
|
He hoped and expected all the next day; but no Sue appeared;
|
|
neither was there any note of reply. Then Jude decided in the privacy
|
|
of his mind that Arabella had never posted hers, although she
|
|
had written it. There was something in her manner which told it.
|
|
His physical weakness was such that he shed tears at the disappointment
|
|
when she was not there to see. His suspicions were, in fact,
|
|
well founded. Arabella, like some other nurses, thought that your duty
|
|
towards your invalid was to pacify him by any means short of really
|
|
acting upon his fancies.
|
|
|
|
He never said another word to her about his wish or his conjecture.
|
|
A silent, undiscerned resolve grew up in him, which gave him, if not strength,
|
|
stability and calm. One midday when, after an absence of two hours,
|
|
she came into the room, she beheld the chair empty.
|
|
|
|
Down she flopped on the bed, and sitting, meditated. "Now where the devil
|
|
is my man gone to!" she said.
|
|
|
|
A driving rain from the north-east had been falling with more
|
|
or less intermission all the morning, and looking from the window
|
|
at the dripping spouts it seemed impossible to believe that any
|
|
sick man would have ventured out to almost certain death.
|
|
Yet a conviction possessed Arabella that he had gone out,
|
|
and it became a certainty when she had searched the house.
|
|
"If he's such a fool, let him be!" she said. "I can do
|
|
no more."
|
|
|
|
Jude was at that moment in a railway train that was drawing
|
|
near to Alfredston, oddly swathed, pale as a monumental
|
|
figure in alabaster, and much stared at by other passengers.
|
|
An hour later his thin form, in the long great-coat and blanket
|
|
he had come with, but without an umbrella, could have been
|
|
seen walking along the five-mile road to Marygreen.
|
|
On his face showed the determined purpose that alone sustained him,
|
|
but to which has weakness afforded a sorry foundation.
|
|
By the up-hill walk he was quite blown, but he pressed on; and at
|
|
half-past three o'clock stood by the familiar well at Marygreen.
|
|
The rain was keeping everybody indoors; Jude crossed the green
|
|
to the church without observation, and found the building open.
|
|
Here he stood, looking forth at the school, whence he could hear
|
|
the usual sing-song tones of the little voices that had not learnt
|
|
Creation's groan.
|
|
|
|
He waited till a small boy came from the school--one evidently allowed
|
|
out before hours for some reason or other. Jude held up his hand,
|
|
and the child came.
|
|
|
|
"Please call at the schoolhouse and ask Mrs. Phillotson if she will be kind
|
|
enough to come to the church for a few minutes."
|
|
|
|
The child departed, and Jude heard him knock at the door
|
|
of the dwelling. He himself went further into the church.
|
|
Everything was new, except a few pieces of carving preserved
|
|
from the wrecked old fabric, now fixed against the new walls.
|
|
He stood by these: they seemed akin to the perished people of that
|
|
place who were his ancestors and Sue's.
|
|
|
|
A light footstep, which might have been accounted no more than an added
|
|
drip to the rainfall, sounded in the porch, and he looked round.
|
|
|
|
"Oh--I didn't think it was you! I didn't--Oh, Jude!" A hysterical
|
|
catch in her breath ended in a succession of them. He advanced,
|
|
but she quickly recovered and went back.
|
|
|
|
"Don't go--don't go!" he implored. "This is my last time!
|
|
I thought it would be less intrusive than to enter your house.
|
|
And I shall never come again. Don't then be unmerciful. Sue, Sue!
|
|
We are acting by the letter; and 'the letter killeth'!"
|
|
|
|
"I'll stay--I won't be unkind!" she said, her mouth quivering
|
|
and her tears flowing as she allowed him to come closer.
|
|
"But why did you come, and do this wrong thing, after doing such
|
|
a right thing as you have done?"
|
|
|
|
"What right thing?"
|
|
|
|
"Marrying Arabella again. It was in the Alfredston paper.
|
|
She has never been other than yours, Jude--in a proper sense.
|
|
And therefore you did so well--Oh so well!--in recognizing it--
|
|
and taking her to you again."
|
|
|
|
"God above--and is that all I've come to hear? If there is anything
|
|
more degrading, immoral, unnatural, than another in my life, it is
|
|
this meretricious contract with Arabella which has been called doing
|
|
the right thing! And you too--you call yourself Phillotson's wife!
|
|
HIS wife! You are mine."
|
|
|
|
"Don't make me rush away from you--I can't bear much!
|
|
But on this point I am decided."
|
|
|
|
"I cannot understand how you did it--how you think it--
|
|
I cannot!"
|
|
|
|
"Never mind that. He is a kind husband to me--And I--
|
|
I've wrestled and struggled, and fasted, and prayed.
|
|
I have nearly brought my body into complete subjection.
|
|
And you mustn't--will you--wake--"
|
|
|
|
"Oh you darling little fool; where is your reason?
|
|
You seem to have suffered the loss of your faculties!
|
|
I would argue with you if I didn't know that a woman in your
|
|
state of feeling is quite beyond all appeals to her brains.
|
|
Or is it that you are humbugging yourself, as so many women do
|
|
about these things; and don't actually believe what you pretend to,
|
|
and only are indulging in the luxury of the emotion raised by an
|
|
affected belief?"
|
|
|
|
"Luxury! How can you be so cruel!"
|
|
|
|
"You dear, sad, soft, most melancholy wreck of a promising
|
|
human intellect that it has ever been my lot to behold!
|
|
Where is your scorn of convention gone? I WOULD have died game!"
|
|
|
|
"You crush, almost insult me, Jude! Go away from me!"
|
|
She turned off quickly.
|
|
|
|
"I will. I would never come to see you again, even if I
|
|
had the strength to come, which I shall not have any more.
|
|
Sue, Sue, you are not worth a man's love!"
|
|
|
|
Her bosom began to go up and down. "I can't endure you to say that!"
|
|
she burst out, and her eye resting on him a moment, she turned
|
|
back impulsively. "Don't, don't scorn me! Kiss me, oh kiss me
|
|
lots of times, and say I am not a coward and a contemptible humbug--
|
|
I can't bear it!" She rushed up to him and, with her mouth
|
|
on his, continued: "I must tell you--oh I must--my darling Love!
|
|
It has been--only a church marriage--an apparent marriage I mean!
|
|
He suggested it at the very first!"
|
|
|
|
"How?"
|
|
|
|
"I mean it is a nominal marriage only. It hasn't been more than
|
|
that at all since I came back to him!"
|
|
|
|
"Sue!" he said. Pressing her to him in his arms he bruised
|
|
her lips with kisses: "If misery can know happiness, I have
|
|
a moment's happiness now! Now, in the name of all you hold holy,
|
|
tell me the truth, and no lie. You do love me still?"
|
|
|
|
"I do! You know it too well! ... But I MUSTN'T do this!
|
|
I mustn't kiss you back as I would!"
|
|
|
|
"But do!"
|
|
|
|
"And yet you are so dear!--and you look so ill----"
|
|
|
|
"And so do you! There's one more, in memory of our dead little children--
|
|
yours and mine!"
|
|
|
|
The words struck her like a blow, and she bent her head.
|
|
"I MUSTN'T--I CAN'T go on with this!" she gasped presently.
|
|
"But there, there, darling; I give you back your kisses;
|
|
I do, I do! ... And now I'll HATE myself for ever for
|
|
my sin!"
|
|
|
|
"No--let me make my last appeal. Listen to this! We've both remarried
|
|
out of our senses. I was made drunk to do it. You were the same.
|
|
I was gin-drunk; you were creed-drunk. Either form of intoxication takes
|
|
away the nobler vision.... Let us then shake off our mistakes, and run
|
|
away together!"
|
|
|
|
"No; again no! ... Why do you tempt me so far, Jude! It is too merciless!
|
|
... But I've got over myself now. Don't follow me--don't look at me.
|
|
Leave me, for pity's sake!"
|
|
|
|
She ran up the church to the east end, and Jude did as she requested.
|
|
He did not turn his head, but took up his blanket, which she had not seen,
|
|
and went straight out. As he passed the end of the church she heard
|
|
his coughs mingling with the rain on the windows, and in a last
|
|
instinct of human affection, even now unsubdued by her fetters,
|
|
she sprang up as if to go and succour him. But she knelt down again,
|
|
and stopped her ears with her hands till all possible sound of him had
|
|
passed away.
|
|
|
|
He was by this time at the corner of the green, from which the path
|
|
ran across the fields in which he had scared rooks as a boy.
|
|
He turned and looked back, once, at the building which still contained Sue;
|
|
and then went on, knowing that his eyes would light on that scene
|
|
no more.
|
|
|
|
There are cold spots up and down Wessex in autumn and winter weather;
|
|
but the coldest of all when a north or east wind is blowing is
|
|
the crest of the down by the Brown House, where the road to Alfredston
|
|
crosses the old Ridgeway. Here the first winter sleets and snows
|
|
fall and lie, and here the spring frost lingers last unthawed.
|
|
Here in the teeth of the north-east wind and rain Jude now pursued
|
|
his way, wet through, the necessary slowness of his walk from lack
|
|
of his former strength being insufficent to maintain his heat.
|
|
He came to the milestone, and, raining as it was, spread his blanket
|
|
and lay down there to rest. Before moving on he went and felt
|
|
at the back of the stone for his own carving. It was still there;
|
|
but nearly obliterated by moss. He passed the spot where
|
|
the gibbet of his ancestor and Sue's had stood, and descended
|
|
the hill.
|
|
|
|
It was dark when he reached Alfredston, where he had a cup of tea,
|
|
the deadly chill that began to creep into his bones being too much
|
|
for him to endure fasting. To get home he had to travel by a steam
|
|
tram-car, and two branches of railway, with much waiting at a junction.
|
|
He did not reach Christminster till ten o'clock.
|
|
|
|
|
|
|
|
IX
|
|
|
|
|
|
ON the platform stood Arabella. She looked him up and down.
|
|
|
|
"You've been to see her?" she asked.
|
|
|
|
"I have," said Jude, literally tottering with cold and lassitude.
|
|
|
|
"Well, now you'd best march along home."
|
|
|
|
The water ran out of him as he went, and he was compelled to lean
|
|
against the wall to support himself while coughing.
|
|
|
|
"You've done for yourself by this, young man," said she.
|
|
"I don't know whether you know it."
|
|
|
|
"Of course I do. I meant to do for myself."
|
|
|
|
"What--to commit suicide?"
|
|
|
|
"Certainly."
|
|
|
|
"Well, I'm blest! Kill yourself for a woman."
|
|
|
|
"Listen to me, Arabella. You think you are the stronger; and so you are,
|
|
in a physical sense, now. You could push me over like a nine-pin. You did
|
|
not send that letter the other day, and I could not resent your conduct.
|
|
But I am not so weak in another way as you think. I made up my mind that a
|
|
man confined to his room by inflammation of the lungs, a fellow who had only
|
|
two wishes left in the world, to see a particular woman, and then to die,
|
|
could neatly accomplish those two wishes at one stroke by taking this journey
|
|
in the rain. That I've done. I have seen her for the last time, and I've
|
|
finished myself--put an end to a feverish life which ought never to have
|
|
been begun!"
|
|
|
|
"Lord--you do talk lofty! Won't you have something warm to drink?"
|
|
|
|
"No thank you. Let's get home."
|
|
|
|
They went along by the silent colleges, and Jude kept stopping.
|
|
|
|
"What are you looking at?"
|
|
|
|
"Stupid fancies. I see, in a way, those spirits of the dead again,
|
|
on this my last walk, that I saw when I first walked here!"
|
|
|
|
"What a curious chap you are!"
|
|
|
|
"I seem to see them, and almost hear them rustling. But I don't
|
|
revere all of them as I did then. I don't believe in half of them.
|
|
The theologians, the apologists, and their kin the metaphysicians,
|
|
the high-handed statesmen, and others, no longer interest me.
|
|
All that has been spoilt for me by the grind of stern reality!"
|
|
|
|
The expression of Jude's corpselike face in the watery lamplight
|
|
was indeed as if he saw people where there was nobody. At moments
|
|
he stood still by an archway, like one watching a figure walk out;
|
|
then he would look at a window like one discerning a familiar face
|
|
behind it. He seemed to hear voices, whose words he repeated as if
|
|
to gather their meaning.
|
|
|
|
"They seem laughing at me!"
|
|
|
|
"Who?"
|
|
|
|
"Oh--I was talking to myself! The phantoms all about here,
|
|
in the college archways, and windows. They used to look friendly
|
|
in the old days, particularly Addison, and Gibbon, and Johnson,
|
|
and Dr. Browne, and Bishop Ken"
|
|
|
|
"Come along do! Phantoms! There's neither living nor dead hereabouts
|
|
except a damn policeman! I never saw the streets emptier."
|
|
|
|
"Fancy! The Poet of Liberty used to walk here, and the great Dissector
|
|
of Melancholy there!"
|
|
|
|
"I don't want to hear about 'em! They bore me."
|
|
|
|
"Walter Raleigh is beckoning to me from that lane--Wycliffe--
|
|
Harvey--Hooker--Arnold--and a whole crowd of Tractarian Shades"
|
|
|
|
"I DON'T WANT to know their names, I tell you! What do I care about folk
|
|
dead and gone? Upon my soul you are more sober when you've been drinking
|
|
than when you have not!"
|
|
|
|
"I must rest a moment," he said; and as he paused, holding to the railings,
|
|
he measured with his eye the height of a college front. "This is old Rubric.
|
|
And that Sarcophagus; and Up that lane Crozier and Tudor: and all down there
|
|
is Cardinal with its long front, and its windows with lifted eyebrows,
|
|
representing the polite surprise of the university at the efforts of such
|
|
as I."
|
|
|
|
"Come along, and I'll treat you!"
|
|
|
|
"Very well. It will help me home, for I feel the chilly fog from the meadows
|
|
of Cardinal as if death-claws were grabbing me through and through.
|
|
As Antigone said, I am neither a dweller among men nor ghosts. But, Arabella,
|
|
when I am dead, you'll see my spirit flitting up and down here among these!"
|
|
|
|
"Pooh! You mayn't die after all. You are tough enough yet,
|
|
old man."
|
|
|
|
|
|
It was night at Marygreen, and the rain of the afternoon showed no sign
|
|
of abatement. About the time at which Jude and Arabella were walking
|
|
the streets of Christminster homeward, the Widow Edlin crossed the green,
|
|
and opened the back door of the schoolmaster's dwelling, which she often
|
|
did now before bedtime, to assist Sue in putting things away.
|
|
|
|
Sue was muddling helplessly in the kitchen, for she was not a good housewife,
|
|
though she tried to be, and grew impatient of domestic details.
|
|
|
|
"Lord love 'ee, what do ye do that yourself for, when I've
|
|
come o' purpose! You knew I should come."
|
|
|
|
"Oh--I don't know--I forgot! No, I didn't forget. I did it
|
|
to discipline myself. I have scrubbed the stairs since eight
|
|
o'clock. I MUST practise myself in my household duties.
|
|
I've shamefully neglected them!"
|
|
|
|
"Why should ye? He'll get a better school, perhaps be a parson,
|
|
in time, and you'll keep two servants. 'Tis a pity to spoil them
|
|
pretty hands."
|
|
|
|
"Don't talk of my pretty hands, Mrs. Edlin. This pretty body of mine
|
|
has been the ruin of me already!"
|
|
|
|
"Pshoo--you've got no body to speak of! You put me more in mind
|
|
of a sperrit. But there seems something wrong to-night, my dear.
|
|
Husband cross?"
|
|
|
|
"No. He never is. He's gone to bed early."
|
|
|
|
"Then what is it?"
|
|
|
|
"I cannot tell you. I have done wrong to-day. And I want to eradicate
|
|
it.... Well--I will tell you this--Jude has been here this afternoon,
|
|
and I find I still love him--oh, grossly! I cannot tell you more."
|
|
|
|
"Ah!" said the widow. "I told 'ee how 'twould be!"
|
|
|
|
"But it shan't be! I have not told my husband of his visit;
|
|
it is not necessary to trouble him about it, as I never mean
|
|
to see Jude any more. But I am going to make my conscience right
|
|
on my duty to Richard--by doing a penance--the ultimate thing.
|
|
I must!"
|
|
|
|
"I wouldn't--since he agrees to it being otherwise, and it
|
|
has gone on three months very well as it is."
|
|
|
|
"Yes--he agrees to my living as I choose; but I feel it is an indulgence I
|
|
ought not to exact from him. It ought not to have been accepted by me.
|
|
To reverse it will be terrible--but I must be more just to him. O why was I
|
|
so unheroic!"
|
|
|
|
"What is it you don't like in him?" asked Mrs. Edlin curiously.
|
|
|
|
"I cannot tell you. It is something ... I cannot say.
|
|
The mournful thing is, that nobody would admit it as a reason
|
|
for feeling as I do; so that no excuse is left me."
|
|
|
|
"Did you ever tell Jude what it was?"
|
|
|
|
"Never."
|
|
|
|
"I've heard strange tales o' husbands in my time," observed the widow
|
|
in a lowered voice. "They say that when the saints were upon the earth
|
|
devils used to take husbands' forms o' nights, and get poor women into all
|
|
sorts of trouble. But I don't know why that should come into my head,
|
|
for it is only a tale.... What a wind and rain it is to-night! Well--
|
|
don't be in a hurry to alter things, my dear. Think it over."
|
|
|
|
"No, no! I've screwed my weak soul up to treating him more courteously--
|
|
and it must be now--at once--before I break down!"
|
|
|
|
"I don't think you ought to force your nature. No woman ought
|
|
to be expected to."
|
|
|
|
"It is my duty. I will drink my cup to the dregs!"
|
|
|
|
Half an hour later when Mrs. Edlin put on her bonnet and shawl to leave,
|
|
Sue seemed to be seized with vague terror.
|
|
|
|
"No--no--don't go, Mrs. Edlin," she implored, her eyes enlarged,
|
|
and with a quick nervous look over her shoulder.
|
|
|
|
"But it is bedtime, child."
|
|
|
|
"Yes, but--there's the little spare room--my room that was.
|
|
It is quite ready. Please stay, Mrs. Edlin!--I shall want you
|
|
in the morning."
|
|
|
|
"Oh well--I don't mind, if you wish. Nothing will happen to my four
|
|
old walls, whether I be there or no."
|
|
|
|
She then fastened up the doors, and they ascended the stairs together.
|
|
|
|
"Wait here, Mrs. Edlin," said Sue. "I'll go into my old room a moment
|
|
by myself."
|
|
|
|
Leaving the widow on the landing Sue turned to the chamber
|
|
which had been hers exclusively since her arrival at Marygreen,
|
|
and pushing to the door knelt down by the bed for a minute or two.
|
|
She then arose, and taking her night-gown from the pillow
|
|
undressed and came out to Mrs. Edlin. A man could be heard
|
|
snoring in the room opposite. She wished Mrs. Edlin good-night,
|
|
and the widow entered the room that Sue had just vacated.
|
|
|
|
Sue unlatched the other chamber door, and, as if seized with faintness,
|
|
sank down outside it. Getting up again she half opened the door,
|
|
and said "Richard." As the word came out of her mouth she visibly shuddered.
|
|
|
|
The snoring had quite ceased for some time, but he did not reply.
|
|
Sue seemed relieved, and hurried back to Mrs. Edlin's chamber.
|
|
"Are you in bed, Mrs. Edlin?" she asked.
|
|
|
|
"No, dear," said the widow, opening the door. "I be old and slow,
|
|
and it takes me a long while to un-ray. I han't unlaced my jumps yet."
|
|
|
|
"I--don't hear him! And perhaps--perhaps --"
|
|
|
|
"What, child?"
|
|
|
|
"Perhaps he's dead!" she gasped. "And then--I should be FREE,
|
|
and I could go to Jude! ... Ah--no--I forgot HER--and God!"
|
|
|
|
"Let's go and hearken. No--he's snoring again. But the rain and the wind
|
|
is so loud that you can hardly hear anything but between whiles."
|
|
|
|
Sue had dragged herself back. "Mrs. Edlin, good-night again!
|
|
I am sorry I called you out." The widow retreated a second time.
|
|
|
|
The strained, resigned look returned to Sue's face when she was alone.
|
|
"I must do it--I must! I must drink to the dregs!" she whispered.
|
|
"Richard!" she said again.
|
|
|
|
"Hey--what? Is that you, Susanna?"
|
|
|
|
"Yes."
|
|
|
|
"What do you want? Anything the matter? Wait a moment."
|
|
He pulled on some articles of clothing, and came to the door. "Yes?"
|
|
|
|
"When we were at Shaston I jumped out of the window rather than that you
|
|
should come near me. I have never reversed that treatment till now--
|
|
when I have come to beg your pardon for it, and ask you to let me in."
|
|
|
|
"Perhaps you only think you ought to do this? I don't wish
|
|
you to come against your impulses, as I have said."
|
|
|
|
"But I beg to be admitted." She waited a moment, and repeated,
|
|
"I beg to be admitted! I have been in error--even to-day. I have
|
|
exceeded my rights. I did not mean to tell you, but perhaps I ought.
|
|
I sinned against you this afternoon."
|
|
|
|
"How?"
|
|
|
|
"I met Jude! I didn't know he was coming. And----"
|
|
|
|
"Well?"
|
|
|
|
"I kissed him, and let him kiss me."
|
|
|
|
"Oh--the old story!"
|
|
|
|
"Richard, I didn't know we were going to kiss each other till we did!"
|
|
|
|
"How many times?"
|
|
|
|
"A good many. I don't know. I am horrified to look back on it,
|
|
and the least I can do after it is to come to you like this."
|
|
|
|
"Come--this is pretty bad, after what I've done! Anything else to confess?"
|
|
|
|
"No." She had been intending to say: "I called him
|
|
my darling love." But, as a contrite woman always keeps
|
|
back a little, that portion of the scene remained untold.
|
|
She went on: "I am never going to see him any more.
|
|
He spoke of some things of the past: and it overcame me.
|
|
He spoke of--the children. But, as I have said, I am glad--
|
|
almost glad I mean--that they are dead, Richard. It blots out
|
|
all that life of mine!"
|
|
|
|
"Well--about not seeing him again any more. Come--you really mean this?"
|
|
There was something in Phillotson's tone now which seemed to show that his
|
|
three months of remarriage with Sue had somehow not been so satisfactory as
|
|
his magnanimity or amative patience had anticipated.
|
|
|
|
"Yes, yes!"
|
|
|
|
"Perhaps you'll swear it on the New Testament?"
|
|
|
|
"I will."
|
|
|
|
He went back to the room and brought out a little brown Testament.
|
|
"Now then: So help you God!"
|
|
|
|
She swore.
|
|
|
|
"Very good!"
|
|
|
|
"Now I supplicate you, Richard, to whom I belong, and whom I wish
|
|
to honour and obey, as I vowed, to let me in."
|
|
|
|
"Think it over well. You know what it means. Having you back in the house
|
|
was one thing--this another. So think again."
|
|
|
|
"I have thought--I wish this!"
|
|
|
|
"That's a complaisant spirit--and perhaps you are right.
|
|
With a lover hanging about, a half-marriage should be completed.
|
|
But I repeat my reminder this third and last time."
|
|
|
|
"It is my wish! ... O God!"
|
|
|
|
"What did you say 'O God' for?"
|
|
|
|
"I don't know!"
|
|
|
|
"Yes you do! But ..." He gloomily considered her thin
|
|
and fragile form a moment longer as she crouched before him
|
|
in her night-clothes. "Well, I thought it might end like this,"
|
|
he said presently. "I owe you nothing, after these signs;
|
|
but I'll take you in at your word, and forgive you."
|
|
|
|
He put his arm round her to lift her up. Sue started back.
|
|
|
|
"What's the matter?" he asked, speaking for the first time sternly.
|
|
"You shrink from me again?--just as formerly!"
|
|
|
|
"No, Richard--I I--was not thinking----"
|
|
|
|
"You wish to come in here?"
|
|
|
|
"Yes."
|
|
|
|
"You still bear in mind what it means?"
|
|
|
|
"Yes. It is my duty!"
|
|
|
|
Placing the candlestick on the chest of drawers he led her
|
|
through the doorway, and lifting her bodily, kissed her.
|
|
A quick look of aversion passed over her face, but clenching her
|
|
teeth she uttered no cry.
|
|
|
|
Mrs. Edlin had by this time undressed, and was about to get
|
|
into bed when she said to herself: "Ah--perhaps I'd better
|
|
go and see if the little thing is all right. How it do blow
|
|
and rain!"
|
|
|
|
The widow went out on the landing, and saw that Sue had disappeared. "Ah!
|
|
Poor soul! Weddings be funerals 'a b'lieve nowadays. Fifty-five years ago,
|
|
come Fall, since my man and I married! Times have changed since then!"
|
|
|
|
|
|
|
|
X
|
|
|
|
|
|
DESPITE himself Jude recovered somewhat, and worked at his trade
|
|
for several weeks. After Christmas, however, he broke down again.
|
|
|
|
With the money he had earned he shifted his lodgings to a yet
|
|
more central part of the town. But Arabella saw that he was not
|
|
likely to do much work for a long while, and was cross enough
|
|
at the turn affairs had taken since her remarriage to him.
|
|
"I'm hanged if you haven't been clever in this last stroke!"
|
|
she would say, "to get a nurse for nothing by marrying me!"
|
|
|
|
Jude was absolutely indifferent to what she said, and indeed,
|
|
often regarded her abuse in a humorous light. Sometimes his
|
|
mood was more earnest, and as he lay he often rambled on upon
|
|
the defeat of his early aims.
|
|
|
|
"Every man has some little power in some one direction,"
|
|
he would say. "I was never really stout enough for the stone trade,
|
|
particularly the fixing. Moving the blocks always used to strain me,
|
|
and standing the trying draughts in buildings before the windows are
|
|
in always gave me colds, and I think that began the mischief inside.
|
|
But I felt I could do one thing if I had the opportunity.
|
|
I could accumulate ideas, and impart them to others. I wonder
|
|
if the founders had such as I in their minds--a fellow good for
|
|
nothing else but that particular thing? ... I hear that soon there
|
|
is going to be a better chance for such helpless students as I was.
|
|
There are schemes afoot for making the university less exclusive,
|
|
and extending its influence. I don't know much about it.
|
|
And it is too late, too late for me! Ah--and for how many worthier ones
|
|
before me!"
|
|
|
|
"How you keep a-mumbling!" said Arabella. "I should have thought
|
|
you'd have got over all that craze about books by this time.
|
|
And so you would, if you'd had any sense to begin with.
|
|
You are as bad now as when we were first married."
|
|
|
|
On one occasion while soliloquizing thus he called her "Sue" unconsciously.
|
|
|
|
"I wish you'd mind who you are talking to!" said Arabella indignantly.
|
|
"Calling a respectable married woman by the name of that--" She remembered
|
|
herself and he did not catch the word.
|
|
|
|
But in the course of time, when she saw how things were going,
|
|
and how very little she had to fear from Sue's rivalry, she had a fit
|
|
of generosity. "I suppose you want to see your--Sue?" she said.
|
|
"Well, I don't mind her coming. You can have her here if you like."
|
|
|
|
"I don't wish to see her again."
|
|
|
|
"Oh--that's a change!"
|
|
|
|
"And don't tell her anything about me--that I'm ill, or anything.
|
|
She has chosen her course. Let her go!"
|
|
|
|
One day he received a surprise. Mrs. Edlin came to see him,
|
|
quite on her own account. Jude's wife, whose feelings as to where
|
|
his affections were centred had reached absolute indifference
|
|
by this time, went out, leaving the old woman alone with Jude.
|
|
He impulsively asked how Sue was, and then said bluntly,
|
|
remembering what Sue had told him: "I suppose they are still only
|
|
husband and wife in name?"
|
|
|
|
Mrs. Edlin hesitated. "Well, no--it's different now.
|
|
She's begun it quite lately--all of her own free will."
|
|
|
|
"When did she begin?" he asked quickly.
|
|
|
|
"The night after you came. But as a punishment to her poor self.
|
|
He didn't wish it, but she insisted."
|
|
|
|
"Sue, my Sue--you darling fool--this is almost more than I can
|
|
endure! ... Mrs. Edlin--don't be frightened at my rambling--
|
|
I've got to talk to myself lying here so many hours alone--
|
|
she was once a woman whose intellect was to mine like a
|
|
star to a benzoline lamp: who saw all MY superstitions
|
|
as cobwebs that she could brush away with a word.
|
|
Then bitter affliction came to us, and her intellect broke,
|
|
and she veered round to darkness. Strange difference of sex,
|
|
that time and circumstance, which enlarge the views
|
|
of most men, narrow the views of women almost invariably.
|
|
And now the ultimate horror has come--her giving herself
|
|
like this to what she loathes, in her enslavement to forms!
|
|
She, so sensitive, so shrinking, that the very wind seemed to blow
|
|
on her with a touch of deference.... As for Sue and me when we
|
|
were at our own best, long ago--when our minds were clear,
|
|
and our love of truth fearless--the time was not ripe for us!
|
|
Our ideas were fifty years too soon to be any good to us.
|
|
And so the resistance they met with brought reaction in her,
|
|
and recklessness and ruin on me! ... There--this, Mrs. Edlin,
|
|
is how I go on to myself continually, as I lie here. I must be boring
|
|
you awfully."
|
|
|
|
"Not at all, my dear boy. I could hearken to 'ee all day."
|
|
|
|
As Jude reflected more and more on her news, and grew more restless,
|
|
he began in his mental agony to use terribly profane language
|
|
about social conventions, which started a fit of coughing.
|
|
Presently there came a knock at the door downstairs. As nobody
|
|
answered it Mrs. Edlin herself went down.
|
|
|
|
The visitor said blandly: "The doctor." The lanky form was
|
|
that of Physician Vilbert, who had been called in by Arabella.
|
|
|
|
"How is my patient at present?" asked the physician.
|
|
|
|
"Oh bad--very bad! Poor chap, he got excited, and do blaspeam terribly,
|
|
since I let out some gossip by accident--the more to my blame. But there--
|
|
you must excuse a man in suffering for what he says, and I hope God will
|
|
forgive him."
|
|
|
|
"Ah. I'll go up and see him. Mrs. Fawley at home?"
|
|
|
|
"She's not in at present, but she'll be here soon."
|
|
|
|
Vilbert went; but though Jude had hitherto taken the medicines
|
|
of that skilful practitioner with the greatest indifference
|
|
whenever poured down his throat by Arabella, he was now so
|
|
brought to bay by events that he vented his opinion of Vilbert
|
|
in the physician's face, and so forcibly, and with such
|
|
striking epithets, that Vilbert soon scurried downstairs again.
|
|
At the door he met Arabella, Mrs. Edlin having left.
|
|
Arabella inquired how he thought her husband was now, and seeing
|
|
that the doctor looked ruffled, asked him to take something.
|
|
He assented.
|
|
|
|
"I'll bring it to you here in the passage," she said.
|
|
"There's nobody but me about the house to-day."
|
|
|
|
She brought him a bottle and a glass, and he drank.
|
|
|
|
Arabella began shaking with suppressed laughter. "What is this, my dear?"
|
|
he asked, smacking his lips.
|
|
|
|
"Oh--a drop of wine--and something in it." Laughing again she said:
|
|
"I poured your own love-philtre into it, that you sold me at the
|
|
agricultural show, don't you re-member?"
|
|
|
|
"I do, I do! Clever woman! But you must be prepared for the consequences."
|
|
Putting his arm round her shoulders he kissed her there and then.
|
|
|
|
"Don't don't," she whispered, laughing good-humouredly. "My man will hear."
|
|
|
|
She let him out of the house, and as she went back she said
|
|
to herself: "Well! Weak women must provide for a rainy day.
|
|
And if my poor fellow upstairs do go off--as I suppose he will soon--
|
|
it's well to keep chances open. And I can't pick and choose
|
|
now as I could when I was younger. And one must take the old
|
|
if one can't get the young."
|
|
|
|
|
|
|
|
XI
|
|
|
|
THE last pages to which the chronicler of these lives would ask the reader's
|
|
attention are concerned with the scene in and out of Jude's bedroom when leafy
|
|
summer came round again.
|
|
|
|
His face was now so thin that his old friends would hardly have known him.
|
|
It was afternoon, and Arabella was at the looking-glass curling her hair,
|
|
which operation she performed by heating an umbrella-stay in the flame
|
|
of a candle she had lighted, and using it upon the flowing lock.
|
|
When she had finished this, practised a dimple, and put on her things,
|
|
she cast her eyes round upon Jude. He seemed to be sleeping,
|
|
though his position was an elevated one, his malady preventing him
|
|
lying down.
|
|
|
|
Arabella, hatted, gloved, and ready, sat down and waited,
|
|
as if expecting some one to come and take her place as nurse.
|
|
|
|
Certain sounds from without revealed that the town was in festivity,
|
|
though little of the festival, whatever it might have been, could be
|
|
seen here. Bells began to ring, and the notes came into the room
|
|
through the open window, and travelled round Jude's head in a hum.
|
|
They made her restless, and at last she said to herself: "Why ever
|
|
doesn't Father come!"
|
|
|
|
She looked again at Jude, critically gauged his ebbing life,
|
|
as she had done so many times during the late months, and glancing
|
|
at his watch, which was hung up by way of timepiece, rose impatiently.
|
|
Still he slept, and coming to a resolution she slipped from the room,
|
|
closed the door noiselessly, and descended the stairs. The house
|
|
was empty. The attraction which moved Arabella to go abroad had
|
|
evidently drawn away the other inmates long before.
|
|
|
|
It was a warm, cloudless, enticing day. She shut the front door,
|
|
and hastened round into Chief Street, and when near the theatre could hear
|
|
the notes of the organ, a rehearsal for a coming concert being in progress.
|
|
She entered under the archway of Oldgate College, where men were putting
|
|
up awnings round the quadrangle for a ball in the hall that evening.
|
|
People who had come up from the country for the day were picnicking
|
|
on the grass, and Arabella walked along the gravel paths and under
|
|
the aged limes. But finding this place rather dull she returned
|
|
to the streets, and watched the carriages drawing up for the concert,
|
|
numerous dons and their wives, and undergraduates with gay female companions,
|
|
crowding up likewise. When the doors were closed, and the concert began,
|
|
she moved on.
|
|
|
|
The powerful notes of that concert rolled forth through the swinging
|
|
yellow blinds of the open windows, over the housetops, and into the still
|
|
air of the lanes. They reached so far as to the room in which Jude lay;
|
|
and it was about this time that his cough began again and awakened him.
|
|
|
|
As soon as he could speak he murmured, his eyes still closed:
|
|
"A little water, please."
|
|
|
|
Nothing but the deserted room received his appeal,
|
|
and he coughed to exhaustion again--saying still more feebly:
|
|
"Water--some water--Sue--Arabella!"
|
|
|
|
The room remained still as before. Presently he gasped again:
|
|
"Throat--water--Sue--darling--drop of water--please--oh please!"
|
|
|
|
No water came, and the organ notes, faint as a bee's hum,
|
|
rolled in as before.
|
|
|
|
While he remained, his face changing, shouts and hurrahs came
|
|
from somewhere in the direction of the river.
|
|
|
|
"Ah--yes! The Remembrance games," he murmured. "And I here.
|
|
And Sue defiled!"
|
|
|
|
The hurrahs were repeated, drowning the faint organ notes.
|
|
Jude's face changed more: he whispered slowly, his parched lips
|
|
scarcely moving:
|
|
|
|
"LET THE DAY PERISH WHEREIN I WAS BORN, AND THE NIGHT IN WHICH IT WAS SAID,
|
|
THERE IS A MAN-CHILD CONCEIVED."
|
|
|
|
("Hurrah!")
|
|
|
|
"LET THAT DAY BE DARKNESS; LET NOT GOD REGARD IT FROM ABOVE,
|
|
NEITHER LET THE LIGHT SHINE UPON IT. LO, LET THAT NIGHT
|
|
BE SOLITARY, LET NO JOYFUL VOICE COME THEREIN."
|
|
|
|
("Hurrah!")
|
|
|
|
"WHY DIED I NOT FROM THE WOMB? WHY DID I NOT GIVE UP THE GHOST WHEN I CAME
|
|
OUT OF THE BELLY? ... FOR NOW SHOULD I HAVE LAIN STILL AND BEEN QUIET.
|
|
I SHOULD HAVE SLEPT: THEN HAD I BEEN AT REST!"
|
|
|
|
("Hurrah!")
|
|
|
|
"THERE THE PRISONERS REST TOGETHER; THEY HEAR NOT THE VOICE
|
|
OF THE OPPRESSOR.... THE SMALL AND THE GREAT ARE THERE;
|
|
AND THE SERVANT IS FREE FROM HIS MASTER. WHEREFORE IS LIGHT
|
|
GIVEN TO HIM THAT IS IN MISERY, AND LIFE UNTO THE BITTER
|
|
IN SOUL?"
|
|
|
|
|
|
Meanwhile Arabella, in her journey to discover what was going on,
|
|
took a short cut down a narrow street and through an obscure nook
|
|
into the quad of Cardinal. It was full of bustle, and brilliant
|
|
in the sunlight with flowers and other preparations for a ball
|
|
here also. A carpenter nodded to her, one who had formerly been
|
|
a fellow-workman of Jude's. A corridor was in course of erection
|
|
from the entrance to the hall staircase, of gay red and buff bunting.
|
|
Waggon-loads of boxes containing bright plants in full bloom were being
|
|
placed about, and the great staircase was covered with red cloth.
|
|
She nodded to one workman and another, and ascended to the hall on
|
|
the strength of their acquaintance, where they were putting down a new
|
|
floor and decorating for the dance.
|
|
|
|
The cathedral bell close at hand was sounding for five o'clock service.
|
|
|
|
"I should not mind having a spin there with a fellow's arm round my waist,"
|
|
she said to one of the men. "But Lord, I must be getting home again--
|
|
there's a lot to do. No dancing for me!"
|
|
|
|
When she reached home she was met at the door by Stagg,
|
|
and one or two other of Jude's fellow stoneworkers.
|
|
"We are just going down to the river," said the former, "to see
|
|
the boat-bumping. But we've called round on our way to ask
|
|
how your husband is."
|
|
|
|
"He's sleeping nicely, thank you," said Arabella.
|
|
|
|
"That's right. Well now, can't you give yourself half an hour's relaxation,
|
|
Mrs. Fawley, and come along with us? 'Twould do you good."
|
|
|
|
"I should like to go," said she. "I've never seen the boat-racing, and I
|
|
hear it is good fun."
|
|
|
|
"Come along!"
|
|
|
|
"How I WISH I could!" She looked longingly down the street.
|
|
"Wait a minute, then. I'll just run up and see how he is now.
|
|
Father is with him, I believe; so I can most likely come."
|
|
|
|
They waited, and she entered. Downstairs the inmates were
|
|
absent as before, having, in fact, gone in a body to the river
|
|
where the procession of boats was to pass. When she reached
|
|
the bedroom she found that her father had not even now come.
|
|
|
|
"Why couldn't he have been here!" she said impatiently.
|
|
"He wants to see the boats himself--that's what it is!"
|
|
|
|
However, on looking round to the bed she brightened, for she
|
|
saw that Jude was apparently sleeping, though he was not in
|
|
the usual half-elevated posture necessitated by his cough.
|
|
He had slipped down, and lay flat. A second glance caused her
|
|
to start, and she went to the bed. His face was quite white,
|
|
and gradually becoming rigid. She touched his fingers;
|
|
they were cold, though his body was still warm. She listened
|
|
at his chest. All was still within. The bumping of near
|
|
thirty years had ceased.
|
|
|
|
After her first appalled sense of what had happened the faint notes
|
|
of a military or other brass band from the river reached her ears;
|
|
and in a provoked tone she exclaimed, "To think he should die just now!
|
|
Why did he die just now!" Then meditating another moment or two she
|
|
went to the door, softly closed it as before, and again descended
|
|
the stairs.
|
|
|
|
"Here she is!" said one of the workmen. "We wondered if you
|
|
were coming after all. Come along; we must be quick to get
|
|
a good place.... Well, how is he? Sleeping well still?
|
|
Of course, we don't want to drag 'ee away if--"
|
|
|
|
"Oh yes--sleeping quite sound. He won't wake yet," she said hurriedly.
|
|
|
|
They went with the crowd down Cardinal Street, where they presently
|
|
reached the bridge, and the gay barges burst upon their view.
|
|
Thence they passed by a narrow slit down to the riverside path--
|
|
now dusty, hot, and thronged. Almost as soon as they had arrived
|
|
the grand procession of boats began; the oars smacking with a
|
|
loud kiss on the face of the stream, as they were lowered from
|
|
the perpendicular.
|
|
|
|
"Oh, I say--how jolly! I'm glad I've come," said Arabella.
|
|
"And--it can't hurt my husband--my being away."
|
|
|
|
On the opposite side of the river, on the crowded barges,
|
|
were gorgeous nosegays of feminine beauty, fashionably arrayed
|
|
in green, pink, blue, and white. The blue flag of the boat
|
|
club denoted the centre of interest, beneath which a band
|
|
in red uniform gave out the notes she had already heard
|
|
in the death-chamber. Collegians of all sorts, in canoes
|
|
with ladies, watching keenly for "our" boat, darted up and down.
|
|
While she regarded the lively scene somebody touched Arabella
|
|
in the ribs, and looking round she saw Vilbert.
|
|
|
|
"That philtre is operating, you know!" he said with a leer.
|
|
"Shame on 'ee to wreck a heart so!"
|
|
|
|
"I shan't talk of love to-day."
|
|
|
|
"Why not? It is a general holiday."
|
|
|
|
She did not reply. Vilbert's arm stole round her waist,
|
|
which act could be performed unobserved in the crowd.
|
|
An arch expression overspread Arabella's face at the feel
|
|
of the arm, but she kept her eyes on the river as if she did
|
|
not know of the embrace.
|
|
|
|
The crowd surged, pushing Arabella and her friends sometimes
|
|
nearly into the river, and she would have laughed heartily
|
|
at the horse-play that succeeded, if the imprint on her mind's
|
|
eye of a pale, statuesque countenance she had lately gazed
|
|
upon had not sobered her a little.
|
|
|
|
The fun on the water reached the acme of excitement; there were immersions,
|
|
there were shouts: the race was lost and won, the pink and blue and yellow
|
|
ladies retired from the barges, and the people who had watched began to move.
|
|
|
|
"Well--it's been awfully good," cried Arabella. "But I think I
|
|
must get back to my poor man. Father is there, so far as I know;
|
|
but I had better get back."
|
|
|
|
"What's your hurry?"
|
|
|
|
"Well, I must go.... Dear, dear, this is awkward!"
|
|
|
|
At the narrow gangway where the people ascended from the riverside
|
|
path to the bridge the crowd was literally jammed into one hot mass--
|
|
Arabella and Vilbert with the rest; and here they remained motionless,
|
|
Arabella exclaiming, "Dear, dear!" more and more impatiently;
|
|
for it had just occurred to her mind that if Jude were discovered to
|
|
have died alone an inquest might be deemed necessary.
|
|
|
|
"What a fidget you are, my love," said the physician, who, being pressed
|
|
close against her by the throng, had no need of personal effort for contact.
|
|
"Just as well have patience: there's no getting away yet!"
|
|
|
|
It was nearly ten minutes before the wedged multitude moved sufficiently
|
|
to let them pass through. As soon as she got up into the street Arabella
|
|
hastened on, forbidding the physician to accompany her further that day.
|
|
She did not go straight to her house; but to the abode of a woman
|
|
who performed the last necessary offices for the poorer dead;
|
|
where she knocked.
|
|
|
|
"My husband has just gone, poor soul," she said. "Can you come
|
|
and lay him out?"
|
|
|
|
Arabella waited a few minutes; and the two women went along,
|
|
elbowing their way through the stream of fashionable people
|
|
pouring out of Cardinal meadow, and being nearly knocked down
|
|
by the carriages.
|
|
|
|
"I must call at the sexton's about the bell, too," said Arabella.
|
|
"It is just round here, isn't it? I'll meet you at my door."
|
|
|
|
By ten o'clock that night Jude was lying on the bedstead at
|
|
his lodging covered with a sheet, and straight as an arrow.
|
|
Through the partly opened window the joyous throb of a waltz
|
|
entered from the ball-room at Cardinal.
|
|
|
|
|
|
Two days later, when the sky was equally cloudless, and the air equally still,
|
|
two persons stood beside Jude's open coffin in the same little bedroom.
|
|
On one side was Arabella, on the other the Widow Edlin. They were both
|
|
looking at Jude's face, the worn old eyelids of Mrs. Edlin being red.
|
|
|
|
"How beautiful he is!" said she.
|
|
|
|
"Yes. He's a 'andsome corpse," said Arabella.
|
|
|
|
The window was still open to ventilate the room, and it being
|
|
about noontide the clear air was motionless and quiet without.
|
|
From a distance came voices; and an apparent noise of
|
|
persons stamping.
|
|
|
|
"What's that?" murmured the old woman.
|
|
|
|
"Oh, that's the doctors in the theatre, conferring honorary degrees on
|
|
the Duke of Hamptonshire and a lot more illustrious gents of that sort.
|
|
It's Remembrance Week, you know. The cheers come from the young men."
|
|
|
|
"Aye; young and strong-lunged! Not like our poor boy here."
|
|
|
|
An occasional word, as from some one making a speech, floated from the open
|
|
windows of the theatre across to this quiet corner, at which there
|
|
seemed to be a smile of some sort upon the marble features of Jude;
|
|
while the old, superseded, Delphin editions of Virgil and Horace,
|
|
and the dog-eared Greek Testament on the neighbouring shelf, and the few
|
|
other volumes of the sort that he had not parted with, roughened with
|
|
stone-dust where he had been in the habit of catching them up for a few
|
|
minutes between his labours, seemed to pale to a sickly cast at the sounds.
|
|
The bells struck out joyously; and their reverberations travelled round
|
|
the bed-room.
|
|
|
|
Arabella's eyes removed from Jude to Mrs. Edlin. "D'ye think she will come?"
|
|
she asked.
|
|
|
|
"I could not say. She swore not to see him again."
|
|
|
|
"How is she looking?"
|
|
|
|
"Tired and miserable, poor heart. Years and years older
|
|
than when you saw her last. Quite a staid, worn woman now.
|
|
'Tis the man--she can't stomach un, even now!"
|
|
|
|
"If Jude had been alive to see her, he would hardly have cared
|
|
for her any more, perhaps."
|
|
|
|
"That's what we don't know.... Didn't he ever ask you to send for her,
|
|
since he came to see her in that strange way?"
|
|
|
|
"No. Quite the contrary. I offered to send, and he said I
|
|
was not to let her know how ill he was."
|
|
|
|
"Did he forgive her?"
|
|
|
|
"Not as I know."
|
|
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"Well--poor little thing, 'tis to be believed she's found
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forgiveness somewhere! She said she had found peace!
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"She may swear that on her knees to the holy cross upon her
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necklace till she's hoarse, but it won't be true!" said Arabella.
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"She's never found peace since she left his arms, and never will
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again till she's as he is now!
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End of The Project Gutenberg Etext of Jude the Obscure
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