textfiles/etext/FICTION/hhotl10.txt

**The Project Gutenberg Etext of The Haunted Hotel by Collins**

Please take a look at the important information in this header.
We encourage you to keep this file on your own disk, keeping an
electronic path open for the next readers.  Do not remove this.


**Welcome To The World of Free Plain Vanilla Electronic Texts**

**Etexts Readable By Both Humans and By Computers, Since 1971**

*These Etexts Prepared By Hundreds of Volunteers and Donations*

Information on contacting Project Gutenberg to get Etexts, and
further information is included below.  We need your donations.

October, 1994  Etext #170

The Haunted Hotel 
By Wilkie Collins


*******The Project Gutenberg Etext of The Haunted Hotel*******
*****This file should be named hhotl10.txt or hhotl10.zip*****

Corrected EDITIONS of our etexts get a new NUMBER, hhotl10.txt
VERSIONS based on separate sources get new LETTER, hhotl10a.txt


The official release date of all Project Gutenberg Etexts is at
Midnight, Central Time, of the last day of the stated month.  A
preliminary version may often be posted for suggestion, comment
and editing by those who wish to do so.  To be sure you have an
up to date first edition [xxxxx10x.xxx] please check file sizes
in the first week of the next month.  Since our ftp program has
a bug in it that scrambles the date [tried to fix and failed] a
look at the file size will have to do, but we will try to see a
new copy has at least one byte more or less.


Information about Project Gutenberg (one page)

We produce about two million dollars for each hour we work.  The
fifty hours is one conservative estimate for how long it we take
to get any etext selected, entered, proofread, edited, copyright
searched and analyzed, the copyright letters written, etc.  This
projected audience is one hundred million readers.  If our value
per text is nominally estimated at one dollar, then we produce 2
million dollars per hour this year we, will have to do four text
files per month:  thus upping our productivity from one million.
The Goal of Project Gutenberg is to Give Away One Trillion Etext
Files by the December 31, 2001.  [10,000 x 100,000,000=Trillion]
This is ten thousand titles each to one hundred million readers,
which is 10% of the expected number of computer users by the end
of the year 2001.

We need your donations more than ever!

All donations should be made to "Project Gutenberg/IBC", and are
tax deductible to the extent allowable by law ("IBC" is Illinois
Benedictine College).  (Subscriptions to our paper newsletter go
to IBC, too)

For these and other matters, please mail to:

Project Gutenberg
P. O. Box  2782
Champaign, IL 61825

When all other email fails try our Michael S. Hart, Executive Director:
hart@vmd.cso.uiuc.edu (internet)   hart@uiucvmd   (bitnet)

We would prefer to send you this information by email
(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).

******
If you have an FTP program (or emulator), please
FTP directly to the Project Gutenberg archives:
[Mac users, do NOT point and click. . .type]

ftp mrcnext.cso.uiuc.edu
login:  anonymous
password:  your@login
cd etext/etext91
or cd etext92
or cd etext93 [for new books]  [now also in cd etext/etext93]
or cd etext/articles [get suggest gut for more information]
dir [to see files]
get or mget [to get files. . .set bin for zip files]
GET 0INDEX.GUT
for a list of books
and
GET NEW GUT for general information
and
MGET GUT* for newsletters.

**Information prepared by the Project Gutenberg legal advisor**
(Three Pages)


***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
Why is this "Small Print!" statement here?  You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this etext, even if you got it for free from
someone other than us, and even if what's wrong is not our
fault.  So, among other things, this "Small Print!" statement
disclaims most of our liability to you.  It also tells you how
you can distribute copies of this etext if you want to.

*BEFORE!* YOU USE OR READ THIS ETEXT
By using or reading any part of this PROJECT GUTENBERG-tm
etext, you indicate that you understand, agree to and accept
this "Small Print!" statement.  If you do not, you can receive
a refund of the money (if any) you paid for this etext by
sending a request within 30 days of receiving it to the person
you got it from.  If you received this etext on a physical
medium (such as a disk), you must return it with your request.

ABOUT PROJECT GUTENBERG-TM ETEXTS
This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
tm etexts, is a "public domain" work distributed by Professor
Michael S. Hart through the Project Gutenberg Association at
Illinois Benedictine College (the "Project").  Among other
things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties.  Special rules, set forth
below, apply if you wish to copy and distribute this etext
under the Project's "PROJECT GUTENBERG" trademark.

To create these etexts, the Project expends considerable
efforts to identify, transcribe and proofread public domain
works.  Despite these efforts, the Project's etexts and any
medium they may be on may contain "Defects".  Among other
things, Defects may take the form of incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged
disk or other etext medium, a computer virus, or computer
codes that damage or cannot be read by your equipment.

LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the "Right of Replacement or Refund" described below,
[1] the Project (and any other party you may receive this
etext from as a PROJECT GUTENBERG-tm etext) disclaims all
liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.

If you discover a Defect in this etext within 90 days of
receiving it, you can receive a refund of the money (if any)
you paid for it by sending an explanatory note within that
time to the person you received it from.  If you received it
on a physical medium, you must return it with your note, and
such person may choose to alternatively give you a replacement
copy.  If you received it electronically, such person may
choose to alternatively give you a second opportunity to
receive it electronically.

THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS".  NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
PARTICULAR PURPOSE.

Some states do not allow disclaimers of implied warranties or
the exclusion or limitation of consequential damages, so the
above disclaimers and exclusions may not apply to you, and you
may have other legal rights.

INDEMNITY
You will indemnify and hold the Project, its directors,
officers, members and agents harmless from all liability, cost
and expense, including legal fees, that arise directly or
indirectly from any of the following that you do or cause:
[1] distribution of this etext, [2] alteration, modification,
or addition to the etext, or [3] any Defect.

DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by
disk, book or any other medium if you either delete this
"Small Print!" and all other references to Project Gutenberg,
or:

[1]  Only give exact copies of it.  Among other things, this
     requires that you do not remove, alter or modify the
     etext or this "small print!" statement.  You may however,
     if you wish, distribute this etext in machine readable
     binary, compressed, mark-up, or proprietary form,
     including any form resulting from conversion by word pro-
     cessing or hypertext software, but only so long as
     *EITHER*:

     [*]  The etext, when displayed, is clearly readable, and
          does *not* contain characters other than those
          intended by the author of the work, although tilde
          (~), asterisk (*) and underline (_) characters may
          be used to convey punctuation intended by the
          author, and additional characters may be used to
          indicate hypertext links; OR

     [*]  The etext may be readily converted by the reader at
          no expense into plain ASCII, EBCDIC or equivalent
          form by the program that displays the etext (as is
          the case, for instance, with most word processors);
          OR

     [*]  You provide, or agree to also provide on request at
          no additional cost, fee or expense, a copy of the
          etext in its original plain ASCII form (or in EBCDIC
          or other equivalent proprietary form).

[2]  Honor the etext refund and replacement provisions of this
     "Small Print!" statement.

[3]  Pay a trademark license fee to the Project of 20% of the
     net profits you derive calculated using the method you
     already use to calculate your applicable taxes.  If you
     don't derive profits, no royalty is due.  Royalties are
     payable to "Project Gutenberg Association / Illinois
     Benedictine College" within the 60 days following each
     date you prepare (or were legally required to prepare)
     your annual (or equivalent periodic) tax return.

WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time,
scanning machines, OCR software, public domain etexts, royalty
free copyright licenses, and every other sort of contribution
you can think of.  Money should be paid to "Project Gutenberg
Association / Illinois Benedictine College".

This "Small Print!" by Charles B. Kramer, Attorney
Internet (72600.2026@compuserve.com); TEL: (212-254-5093)
*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*






THE HAUNTED HOTEL
A Mystery of Modern Venice

by Wilkie Collins (1824-1889)

(after the edition of Chatto & Windus, London, 1879)






THE FIRST PART





CHAPTER I


In the year 1860, the reputation of Doctor Wybrow as a London
physician reached its highest point.  It was reported on good
authority that he was in receipt of one of the largest incomes
derived from the practice of medicine in modern times.

One afternoon, towards the close of the London season, the Doctor
had just taken his luncheon after a specially hard morning's work
in his consulting-room, and with a formidable list of visits
to patients at their own houses to fill up the rest of his day--
when the servant announced that a lady wished to speak to him.

'Who is she?' the Doctor asked.  'A stranger?'

'Yes, sir.'

'I see no strangers out of consulting-hours. Tell her what the hours are,
and send her away.'

'I have told her, sir.'

'Well?'

'And she won't go.'

'Won't go?'  The Doctor smiled as he repeated the words.  He was
a humourist in his way; and there was an absurd side to the situation
which rather amused him.  'Has this obstinate lady given you her name?'
he inquired.

'No, sir.  She refused to give any name--she said she wouldn't keep
you five minutes, and the matter was too important to wait till
to-morrow. There she is in the consulting-room; and how to get
her out again is more than I know.'

Doctor Wybrow considered for a moment.  His knowledge of women
(professionally speaking) rested on the ripe experience of more
than thirty years; he had met with them in all their varieties--
especially the variety which knows nothing of the value of time,
and never hesitates at sheltering itself behind the privileges of its sex.
A glance at his watch informed him that he must soon begin his rounds
among the patients who were waiting for him at their own houses.
He decided forthwith on taking the only wise course that was open
under the circumstances.  In other words, he decided on taking
to flight.

'Is the carriage at the door?' he asked.

'Yes, sir.'

'Very well.  Open the house-door for me without making any noise,
and leave the lady in undisturbed possession of the consulting-room.
When she gets tired of waiting, you know what to tell her.
If she asks when I am expected to return, say that I dine at my club,
and spend the evening at the theatre.  Now then, softly, Thomas!
If your shoes creak, I am a lost man.'

He noiselessly led the way into the hall, followed by the servant
on tip-toe.

Did the lady in the consulting-room suspect him? or did Thomas's
shoes creak, and was her sense of hearing unusually keen?
Whatever the explanation may be, the event that actually happened
was beyond all doubt.  Exactly as Doctor Wybrow passed his
consulting-room, the door opened--the lady appeared on the threshold--
and laid her hand on his arm.

'I entreat you, sir, not to go away without letting me speak
to you first.'

The accent was foreign; the tone was low and firm.  Her fingers
closed gently, and yet resolutely, on the Doctor's arm.

Neither her language nor her action had the slightest effect in inclining
him to grant her request.  The influence that instantly stopped him,
on the way to his carriage, was the silent influence of her face.
The startling contrast between the corpse-like pallor of her
complexion and the overpowering life and light, the glittering
metallic brightness in her large black eyes, held him literally
spell-bound. She was dressed in dark colours, with perfect taste;
she was of middle height, and (apparently) of middle age--say a year
or two over thirty.  Her lower features--the nose, mouth, and chin--
possessed the fineness and delicacy of form which is oftener seen
among women of foreign races than among women of English birth.
She was unquestionably a handsome person--with the one serious
drawback of her ghastly complexion, and with the less noticeable
defect of a total want of tenderness in the expression of her eyes.
Apart from his first emotion of surprise, the feeling she produced
in the Doctor may be described as an overpowering feeling of
professional curiosity.  The case might prove to be something entirely
new in his professional experience.  'It looks like it,' he thought;
'and it's worth waiting for.'

She perceived that she she had produced a strong impression
of some kind upon him, and dropped her hold on his arm.

'You have comforted many miserable women in your time,' she said.
'Comfort one more, to-day.'

Without waiting to be answered, she led the way back into the room.

The Doctor followed her, and closed the door.  He placed her
in the patients' chair, opposite the windows.  Even in London
the sun, on that summer afternoon, was dazzlingly bright.
The radiant light flowed in on her.  Her eyes met it unflinchingly,
with the steely steadiness of the eyes of an eagle.  The smooth
pallor of her unwrinkled skin looked more fearfully white than ever.
For the first time, for many a long year past, the Doctor felt his pulse
quicken its beat in the presence of a patient.

Having possessed herself of his attention, she appeared,
strangely enough, to have nothing to say to him.  A curious apathy
seemed to have taken possession of this resolute woman.  Forced to
speak first, the Doctor merely inquired, in the conventional phrase,
what he could do for her.

The sound of his voice seemed to rouse her.  Still looking straight
at the light, she said abruptly:  'I have a painful question to ask.'

'What is it?'

Her eyes travelled slowly from the window to the Doctor's face.
Without the slightest outward appearance of agitation, she put
the 'painful question' in these extraordinary words:

'I want to know, if you please, whether I am in danger of going mad?'

Some men might have been amused, and some might have been alarmed.
Doctor Wybrow was only conscious of a sense of disappointment.
Was this the rare case that he had anticipated, judging rashly
by appearances?  Was the new patient only a hypochondriacal woman,
whose malady was a disordered stomach and whose misfortune was a
weak brain?  'Why do you come to me?' he asked sharply.  'Why don't
you consult a doctor whose special employment is the treatment of
the insane?'

She had her answer ready on the instant.

'I don't go to a doctor of that sort,' she said, 'for the very
reason that he is a specialist:  he has the fatal habit of judging
everybody by lines and rules of his own laying down.  I come to you,
because my case is outside of all lines and rules, and because you are
famous in your profession for the discovery of mysteries in disease.
Are you satisfied?'

He was more than satisfied--his first idea had been the right idea,
after all.  Besides, she was correctly informed as to his
professional position.  The capacity which had raised him to fame
and fortune was his capacity (unrivalled among his brethren)
for the discovery of remote disease.

'I am at your disposal,' he answered.  'Let me try if I can find
out what is the matter with you.'

He put his medical questions.  They were promptly and plainly answered;
and they led to no other conclusion than that the strange lady was,
mentally and physically, in excellent health.  Not satisfied
with questions, he carefully examined the great organs of life.
Neither his hand nor his stethoscope could discover anything that
was amiss.  With the admirable patience and devotion to his art
which had distinguished him from the time when he was a student,
he still subjected her to one test after another.  The result was
always the same.  Not only was there no tendency to brain disease--
there was not even a perceptible derangement of the nervous system.
'I can find nothing the matter with you,' he said.  'I can't even
account for the extraordinary pallor of your complexion.  You completely
puzzle me.'

'The pallor of my complexion is nothing,' she answered a
little impatiently.  'In my early life I had a narrow escape from
death by poisoning.  I have never had a complexion since--and my skin
is so delicate, I cannot paint without producing a hideous rash.
But that is of no importance.  I wanted your opinion given positively.
I believed in you, and you have disappointed me.'  Her head dropped
on her breast.  'And so it ends!' she said to herself bitterly.

The Doctor's sympathies were touched.  Perhaps it might be more
correct to say that his professional pride was a little hurt.
'It may end in the right way yet,' he remarked, 'if you choose to
help me.'

She looked up again with flashing eyes, 'Speak plainly,' she said.
'How can I help you?'

'Plainly, madam, you come to me as an enigma, and you leave me
to make the right guess by the unaided efforts of my art.  My art
will do much, but not all.  For example, something must have occurred--
something quite unconnected with the state of your bodily health--
to frighten you about yourself, or you would never have come here
to consult me.  Is that true?'

She clasped her hands in her lap.  'That is true!' she said eagerly.
'I begin to believe in you again.'

'Very well.  You can't expect me to find out the moral cause which has
alarmed you.  I can positively discover that there is no physical
cause of alarm; and (unless you admit me to your confidence)
I can do no more.'

She rose, and took a turn in the room.  'Suppose I tell you?' she said.
'But, mind, I shall mention no names!'

'There is no need to mention names.  The facts are all I want.'

'The facts are nothing,' she rejoined.  'I have only my own impressions
to confess--and you will very likely think me a fanciful fool when you
hear what they are.  No matter.  I will do my best to content you--
I will begin with the facts that you want.  Take my word for it,
they won't do much to help you.'

She sat down again.  In the plainest possible words, she began
the strangest and wildest confession that had ever reached
the Doctor's ears.





CHAPTER II


'It is one fact, sir, that I am a widow,' she said.  'It is another fact,
that I am going to be married again.'

There she paused, and smiled at some thought that occurred to her.
Doctor Wybrow was not favourably impressed by her smile--
there was something at once sad and cruel in it.  It came slowly,
and it went away suddenly.  He began to doubt whether he had been wise
in acting on his first impression.  His mind reverted to the commonplace
patients and the discoverable maladies that were waiting for him,
with a certain tender regret.

The lady went on.

'My approaching marriage,' she said, 'has one embarrassing
circumstance connected with it.  The gentleman whose wife I am to be,
was engaged to another lady when he happened to meet with me, abroad:
that lady, mind, being of his own blood and family, related to
him as his cousin.  I have innocently robbed her of her lover,
and destroyed her prospects in life.  Innocently, I say--because he told
me nothing of his engagement until after I had accepted him.
When we next met in England--and when there was danger, no doubt,
of the affair coming to my knowledge--he told me the truth.
I was naturally indignant.  He had his excuse ready; he showed me
a letter from the lady herself, releasing him from his engagement.
A more noble, a more high-minded letter, I never read in my life.
I cried over it--I who have no tears in me for sorrows of my own!
If the letter had left him any hope of being forgiven, I would
have positively refused to marry him.  But the firmness of it--
without anger, without a word of reproach, with heartfelt wishes
even for his happiness--the firmness of it, I say, left him no hope.
He appealed to my compassion; he appealed to his love for me.
You know what women are.  I too was soft-hearted--I said,
Very well:  yes!  In a week more (I tremble as I think of it)
we are to be married.'

She did really tremble--she was obliged to pause and compose herself,
before she could go on.  The Doctor, waiting for more facts,
began to fear that he stood committed to a long story.  'Forgive me
for reminding you that I have suffering persons waiting to see me,'
he said.  'The sooner you can come to the point, the better for my
patients and for me.'

The strange smile--at once so sad and so cruel--showed itself again
on the lady's lips.  'Every word I have said is to the point,'
she answered.  'You will see it yourself in a moment more.'

She resumed her narrative.

'Yesterday--you need fear no long story, sir; only yesterday--
I was among the visitors at one of your English luncheon parties.
A lady, a perfect stranger to me, came in late--after we had left
the table, and had retired to the drawing-room. She happened
to take a chair near me; and we were presented to each other.
I knew her by name, as she knew me.  It was the woman whom I had
robbed of her lover, the woman who had written the noble letter.
Now listen!  You were impatient with me for not interesting
you in what I said just now.  I said it to satisfy your mind
that I had no enmity of feeling towards the lady, on my side.
I admired her, I felt for her--I had no cause to reproach myself.
This is very important, as you will presently see.  On her side,
I have reason to be assured that the circumstances had been truly
explained to her, and that she understood I was in no way to blame.
Now, knowing all these necessary things as you do, explain to me,
if you can, why, when I rose and met that woman's eyes looking at me,
I turned cold from head to foot, and shuddered, and shivered,
and knew what a deadly panic of fear was, for the first time in my
life.'

The Doctor began to feel interested at last.

'Was there anything remarkable in the lady's personal appearance?'
he asked.

'Nothing whatever!' was the vehement reply.  'Here is the true
description of her:--The ordinary English lady; the clear cold
blue eyes, the fine rosy complexion, the inanimately polite manner,
the large good-humoured mouth, the too plump cheeks and chin:
these, and nothing more.'

'Was there anything in her expression, when you first looked at her,
that took you by surprise?'

'There was natural curiosity to see the woman who had been
preferred to her; and perhaps some astonishment also, not to see
a more engaging and more beautiful person; both those feelings
restrained within the limits of good breeding, and both not lasting
for more than a few moments--so far as I could see.  I say, "so far,"
because the horrible agitation that she communicated to me disturbed
my judgment.  If I could have got to the door, I would have run out
of the room, she frightened me so!  I was not even able to stand up--
I sank back in my chair; I stared horror-struck at the calm
blue eyes that were only looking at me with a gentle surprise.
To say they affected me like the eyes of a serpent is to say nothing.
I felt her soul in them, looking into mine--looking, if such a thing
can be, unconsciously to her own mortal self.  I tell you my impression,
in all its horror and in all its folly!  That woman is destined
(without knowing it herself) to be the evil genius of my life.
Her innocent eyes saw hidden capabilities of wickedness in me that I
was not aware of myself, until I felt them stirring under her look.
If I commit faults in my life to come--if I am even guilty of crimes--
she will bring the retribution, without (as I firmly believe)
any conscious exercise of her own will.  In one indescribable
moment I felt all this--and I suppose my face showed it.
The good artless creature was inspired by a sort of gentle alarm
for me.  "I am afraid the heat of the room is too much for you;
will you try my smelling bottle?"  I heard her say those kind words;
and I remember nothing else--I fainted.  When I recovered my senses,
the company had all gone; only the lady of the house was with me.
For the moment I could say nothing to her; the dreadful impression
that I have tried to describe to you came back to me with the coming
back of my life.  As soon I could speak, I implored her to tell me
the whole truth about the woman whom I had supplanted.  You see,
I had a faint hope that her good character might not really be deserved,
that her noble letter was a skilful piece of hypocrisy--in short,
that she secretly hated me, and was cunning enough to hide it.
No! the lady had been her friend from her girlhood, was as familiar
with her as if they had been sisters--knew her positively to be as good,
as innocent, as incapable of hating anybody, as the greatest saint
that ever lived.  My one last hope, that I had only felt an ordinary
forewarning of danger in the presence of an ordinary enemy,
was a hope destroyed for ever.  There was one more effort I could make,
and I made it.  I went next to the man whom I am to marry.
I implored him to release me from my promise.  He refused.
I declared I would break my engagement.  He showed me letters
from his sisters, letters from his brothers, and his dear friends--
all entreating him to think again before he made me his wife;
all repeating reports of me in Paris, Vienna, and London,
which are so many vile lies.  "If you refuse to marry me," he said,
"you admit that these reports are true--you admit that you are afraid
to face society in the character of my wife."  What could I answer?
There was no contradicting him--he was plainly right:  if I persisted
in my refusal, the utter destruction of my reputation would be the result.
I consented to let the wedding take place as we had arranged it--
and left him.  The night has passed.  I am here, with my fixed conviction--
that innocent woman is ordained to have a fatal influence over my life.
I am here with my one question to put, to the one man who can answer it.
For the last time, sir, what am I--a demon who has seen the avenging
angel? or only a poor mad woman, misled by the delusion of a deranged
mind?'

Doctor Wybrow rose from his chair, determined to close the interview.

He was strongly and painfully impressed by what he had heard.
The longer he had listened to her, the more irresistibly
the conviction of the woman's wickedness had forced itself on him.
He tried vainly to think of her as a person to be pitied--a person
with a morbidly sensitive imagination, conscious of the capacities
for evil which lie dormant in us all, and striving earnestly to open
her heart to the counter-influence of her own better nature; the effort
was beyond him.  A perverse instinct in him said, as if in words,
Beware how you believe in her!

'I have already given you my opinion,' he said.  'There is no sign
of your intellect being deranged, or being likely to be deranged,
that medical science can discover--as I understand it.
As for the impressions you have confided to me, I can only say
that yours is a case (as I venture to think) for spiritual
rather than for medical advice.  Of one thing be assured:
what you have said to me in this room shall not pass out of it.
Your confession is safe in my keeping.'

She heard him, with a certain dogged resignation, to the end.

'Is that all?' she asked.

'That is all,' he answered.

She put a little paper packet of money on the table.
'Thank you, sir.  There is your fee.'

With those words she rose.  Her wild black eyes looked upward,
with an expression of despair so defiant and so horrible in its silent
agony that the Doctor turned away his head, unable to endure the sight
of it.  The bare idea of taking anything from her--not money only,
but anything even that she had touched--suddenly revolted him.
Still without looking at her, he said, 'Take it back; I don't want
my fee.'

She neither heeded nor heard him.  Still looking upward, she said
slowly to herself, 'Let the end come.  I have done with the struggle:
I submit.'

She drew her veil over her face, bowed to the Doctor, and left
the room.

He rang the bell, and followed her into the hall.  As the servant
closed the door on her, a sudden impulse of curiosity--
utterly unworthy of him, and at the same time utterly irresistible--
sprang up in the Doctor's mind.  Blushing like a boy, he said
to the servant, 'Follow her home, and find out her name.'
For one moment the man looked at his master, doubting if his own ears
had not deceived him.  Doctor Wybrow looked back at him in silence.
The submissive servant knew what that silence meant--he took his hat
and hurried into the street.

The Doctor went back to the consulting-room. A sudden revulsion
of feeling swept over his mind.  Had the woman left an infection
of wickedness in the house, and had he caught it?  What devil had
possessed him to degrade himself in the eyes of his own servant?
He had behaved infamously--he had asked an honest man, a man who had
served him faithfully for years, to turn spy!  Stung by the bare
thought of it, he ran out into the hall again, and opened the door.
The servant had disappeared; it was too late to call him back.
But one refuge from his contempt for himself was now open to him--
the refuge of work.  He got into his carriage and went his rounds among
his patients.

If the famous physician could have shaken his own reputation,
he would have done it that afternoon.  Never before had he made
himself so little welcome at the bedside.  Never before had he put off
until to-morrow the prescription which ought to have been written,
the opinion which ought to have been given, to-day. He went home
earlier than usual--unutterably dissatisfied with himself.

The servant had returned.  Dr. Wybrow was ashamed to question him.
The man reported the result of his errand, without waiting to
be asked.

'The lady's name is the Countess Narona.  She lives at--'

Without waiting to hear where she lived, the Doctor acknowledged
the all-important discovery of her name by a silent bend of the head,
and entered his consulting-room. The fee that he had vainly refused
still lay in its little white paper covering on the table.
He sealed it up in an envelope; addressed it to the 'Poor-box'
of the nearest police-court; and, calling the servant in,
directed him to take it to the magistrate the next morning.
Faithful to his duties, the servant waited to ask the customary question,
'Do you dine at home to-day, sir?'

After a moment's hesitation he said, 'No:  I shall dine at the club.'

The most easily deteriorated of all the moral qualities is
the quality called 'conscience.'  In one state of a man's mind,
his conscience is the severest judge that can pass sentence on him.
In another state, he and his conscience are on the best possible
terms with each other in the comfortable capacity of accomplices.
When Doctor Wybrow left his house for the second time, he did
not even attempt to conceal from himself that his sole object,
in dining at the club, was to hear what the world said of the
Countess Narona.





CHAPTER III


There was a time when a man in search of the pleasures of gossip
sought the society of ladies.  The man knows better now.
He goes to the smoking-room of his club.

Doctor Wybrow lit his cigar, and looked round him at his brethren
in social conclave assembled.  The room was well filled;
but the flow of talk was still languid.  The Doctor innocently
applied the stimulant that was wanted.  When he inquired if
anybody knew the Countess Narona, he was answered by something
like a shout of astonishment.  Never (the conclave agreed)
had such an absurd question been asked before!  Every human creature,
with the slightest claim to a place in society, knew the Countess Narona.
An adventuress with a European reputation of the blackest possible colour--
such was the general description of the woman with the deathlike
complexion and the glittering eyes.

Descending to particulars, each member of the club contributed
his own little stock of scandal to the memoirs of the Countess.
It was doubtful whether she was really, what she called herself,
a Dalmatian lady.  It was doubtful whether she had ever
been married to the Count whose widow she assumed to be.
It was doubtful whether the man who accompanied her in her travels
(under the name of Baron Rivar, and in the character of her brother)
was her brother at all.  Report pointed to the Baron as a gambler at
every 'table' on the Continent.  Report whispered that his so-called
sister had narrowly escaped being implicated in a famous trial
for poisoning at Vienna--that she had been known at Milan as a spy
in the interests of Austria--that her 'apartment' in Paris had been
denounced to the police as nothing less than a private gambling-house--
and that her present appearance in England was the natural result
of the discovery.  Only one member of the assembly in the smoking-room
took the part of this much-abused woman, and declared that her
character had been most cruelly and most unjustly assailed.
But as the man was a lawyer, his interference went for nothing:
it was naturally attributed to the spirit of contradiction inherent
in his profession.  He was asked derisively what he thought
of the circumstances under which the Countess had become
engaged to be married; and he made the characteristic answer,
that he thought the circumstances highly creditable to both parties,
and that he looked on the lady's future husband as a most
enviable man.

Hearing this, the Doctor raised another shout of astonishment by
inquiring the name of the gentleman whom the Countess was about to marry.

His friends in the smoking-room decided unanimously that the
celebrated physician must be a second 'Rip-van-Winkle,' and that
he had just awakened from a supernatural sleep of twenty years.
It was all very well to say that he was devoted to his profession,
and that he had neither time nor inclination to pick up fragments
of gossip at dinner-parties and balls.  A man who did not know
that the Countess Narona had borrowed money at Homburg of no less
a person than Lord Montbarry, and had then deluded him into making
her a proposal of marriage, was a man who had probably never heard
of Lord Montbarry himself.  The younger members of the club,
humouring the joke, sent a waiter for the 'Peerage'; and read aloud
the memoir of the nobleman in question, for the Doctor's benefit--
with illustrative morsels of information interpolated by themselves.

'Herbert John Westwick.  First Baron Montbarry, of Montbarry,
King's County, Ireland.  Created a Peer for distinguished military
services in India.  Born, 1812.  Forty-eight years old, Doctor,
at the present time.  Not married.  Will be married next week,
Doctor, to the delightful creature we have been talking about.
Heir presumptive, his lordship's next brother, Stephen Robert,
married to Ella, youngest daughter of the Reverend Silas Marden,
Rector of Runnigate, and has issue, three daughters.  Younger brothers
of his lordship, Francis and Henry, unmarried.  Sisters of his lordship,
Lady Barville, married to Sir Theodore Barville, Bart.; and Anne,
widow of the late Peter Norbury, Esq., of Norbury Cross.
Bear his lordship's relations well in mind, Doctor.  Three brothers
Westwick, Stephen, Francis, and Henry; and two sisters, Lady Barville
and Mrs. Norbury.  Not one of the five will be present at the marriage;
and not one of the five will leave a stone unturned to stop it,
if the Countess will only give them a chance.  Add to these hostile
members of the family another offended relative not mentioned in the
'Peerage,' a young lady--'

A sudden outburst of protest in more than one part of the room stopped
the coming disclosure, and released the Doctor from further persecution.

'Don't mention the poor girl's name; it's too bad to make a joke of that
part of the business; she has behaved nobly under shameful provocation;
there is but one excuse for Montbarry--he is either a madman or a fool.'
In these terms the protest expressed itself on all sides.
Speaking confidentially to his next neighbour, the Doctor
discovered that the lady referred to was already known to him
(through the Countess's confession) as the lady deserted by
Lord Montbarry.  Her name was Agnes Lockwood.  She was described
as being the superior of the Countess in personal attraction,
and as being also by some years the younger woman of the two.
Making all allowance for the follies that men committed every day
in their relations with women, Montbarry's delusion was still
the most monstrous delusion on record.  In this expression
of opinion every man present agreed--the lawyer even included.
Not one of them could call to mind the innumerable instances in
which the sexual influence has proved irresistible in the persons
of women without even the pretension to beauty.  The very members
of the club whom the Countess (in spite of her personal disadvantages)
could have most easily fascinated, if she had thought it worth her while,
were the members who wondered most loudly at Montbarry's choice of
a wife.

While the topic of the Countess's marriage was still the one topic
of conversation, a member of the club entered the smoking-room
whose appearance instantly produced a dead silence.
Doctor Wybrow's next neighbour whispered to him, 'Montbarry's brother--
Henry Westwick!'

The new-comer looked round him slowly, with a bitter smile.

'You are all talking of my brother,'he said.  'Don't mind me.
Not one of you can despise him more heartily than I do.
Go on, gentlemen--go on!'

But one man present took the speaker at his word.  That man was
the lawyer who had already undertaken the defence of the Countess.

'I stand alone in my opinion,' he said, 'and I am not ashamed of
repeating it in anybody's hearing.  I consider the Countess Narona to be
a cruelly-treated woman.  Why shouldn't she be Lord Montbarry's wife?
Who can say she has a mercenary motive in marrying him?'

Montbarry's brother turned sharply on the speaker.  'I say it!'
he answered.

The reply might have shaken some men.  The lawyer stood on his
ground as firmly as ever.

'I believe I am right,' he rejoined, 'in stating that his lordship's
income is not more than sufficient to support his station in life;
also that it is an income derived almost entirely from landed property
in Ireland, every acre of which is entailed.'

Montbarry's brother made a sign, admitting that he had no objection
to offer so far.

'If his lordship dies first,' the lawyer proceeded, 'I have been
informed that the only provision he can make for his widow consists
in a rent-charge on the property of no more than four hundred a year.
His retiring pension and allowances, it is well known, die with him.
Four hundred a year is therefore all that he can leave to the Countess,
if he leaves her a widow.'

'Four hundred a year is not all,' was the reply to this.
'My brother has insured his life for ten thousand pounds;
and he has settled the whole of it on the Countess, in the event
of his death.'

This announcement produced a strong sensation.  Men looked at each other,
and repeated the three startling words, 'Ten thousand pounds!'
Driven fairly to the wall, the lawyer made a last effort to defend
his position.

'May I ask who made that settlement a condition of the marriage?'
he said.  'Surely it was not the Countess herself?.'

Henry Westwick answered, 'it was the Countess's brother'; and added,
'which comes to the same thing.'

After that, there was no more to be said--so long, at least,
as Montbarry's brother was present.  The talk flowed into other channels;
and the Doctor went home.

But his morbid curiosity about the Countess was not set at rest yet.
In his leisure moments he found himself wondering whether Lord
Montbarry's family would succeed in stopping the marriage after all.
And more than this, he was conscious of a growing desire to see
the infatuated man himself.  Every day during the brief interval before
the wedding, he looked in at the club, on the chance of hearing some news.
Nothing had happened, so far as the club knew.  The Countess's position
was secure; Montbarry's resolution to be her husband was unshaken.
They were both Roman Catholics, and they were to be married at
the chapel in Spanish Place.  So much the Doctor discovered about them--
and no more.

On the day of the wedding, after a feeble struggle with himself,
he actually sacrificed his patients and their guineas, and slipped
away secretly to see the marriage.  To the end of his life,
he was angry with anybody who reminded him of what he had done on
that day!

The wedding was strictly private.  A close carriage stood at
the church door; a few people, mostly of the lower class, and mostly
old women, were scattered about the interior of the building.
Here and there Doctor Wybrow detected the faces of some of his
brethren of the club, attracted by curiosity, like himself.
Four persons only stood before the altar--the bride and bridegroom
and their two witnesses.  One of these last was an elderly woman,
who might have been the Countess's companion or maid; the other
was undoubtedly her brother, Baron Rivar.  The bridal party
(the bride herself included) wore their ordinary morning costume.
Lord Montbarry, personally viewed, was a middle-aged military man
of the ordinary type:  nothing in the least remarkable distinguished
him either in face or figure.  Baron Rivar, again, in his way was
another conventional representative of another well-known type.
One sees his finely-pointed moustache, his bold eyes,
his crisply-curling hair, and his dashing carriage of the head,
repeated hundreds of times over on the Boulevards of Paris.
The only noteworthy point about him was of the negative sort--
he was not in the least like his sister.  Even the officiating
priest was only a harmless, humble-looking old man, who went through
his duties resignedly, and felt visible rheumatic difficulties
every time he bent his knees.  The one remarkable person,
the Countess herself, only raised her veil at the beginning
of the ceremony, and presented nothing in her plain dress that was
worth a second look.  Never, on the face of it, was there a less
interesting and less romantic marriage than this.  From time to time
the Doctor glanced round at the door or up at the galleries,
vaguely anticipating the appearance of some protesting stranger,
in possession of some terrible secret, commissioned to forbid
the progress of the service.  Nothing in the shape of an event occurred--
nothing extraordinary, nothing dramatic.  Bound fast together as man
and wife, the two disappeared, followed by their witnesses, to sign
the registers; and still Doctor Wybrow waited, and still he cherished
the obstinate hope that something worth seeing must certainly
happen yet.

The interval passed, and the married couple, returning to the church,
walked together down the nave to the door.  Doctor Wybrow
drew back as they approached.  To his confusion and surprise,
the Countess discovered him.  He heard her say to her husband,
'One moment; I see a friend.'  Lord Montbarry bowed and waited.
She stepped up to the Doctor, took his hand, and wrung it hard.
He felt her overpowering black eyes looking at him through
her veil.  'One step more, you see, on the way to the end!'
She whispered those strange words, and returned to her husband.
Before the Doctor could recover himself and follow her,
Lord and Lady Montbarry had stepped into their carriage, and had
driven away.

Outside the church door stood the three or four members of the club who,
like Doctor Wybrow, had watched the ceremony out of curiosity.
Near them was the bride's brother, waiting alone.  He was evidently bent
on seeing the man whom his sister had spoken to, in broad daylight.
His bold eyes rested on the Doctor's face, with a momentary flash
of suspicion in them.  The cloud suddenly cleared away; the Baron
smiled with charming courtesy, lifted his hat to his sister's friend,
and walked off.

The members constituted themselves into a club conclave on the
church steps.  They began with the Baron.  'Damned ill-looking rascal!'
They went on with Montbarry.  'Is he going to take that horrid
woman with him to Ireland?'  'Not he! he can't face the tenantry;
they know about Agnes Lockwood.'  'Well, but where is he going?'
'To Scotland.'  'Does she like that?'  'It's only for a fortnight;
they come back to London, and go abroad.'  'And they will never return
to England, eh?'  'Who can tell?  Did you see how she looked at Montbarry,
when she had to lift her veil at the beginning of the service?
In his place, I should have bolted.  Did you see her, Doctor?'
By this time, Doctor Wybrow had remembered his patients, and had heard
enough of the club gossip.  He followed the example of Baron Rivar,
and walked off.

'One step more, you see, on the way to the end,' he repeated to himself,
on his way home.  'What end?'





CHAPTER IV


On the day of the marriage Agnes Lockwood sat alone in the little
drawing-room of her London lodgings, burning the letters which had
been written to her by Montbarry in the bygone time.

The Countess's maliciously smart description of her,
addressed to Doctor Wybrow, had not even hinted at the charm
that most distinguished Agnes--the artless expression of goodness
and purity which instantly attracted everyone who approached her.
She looked by many years younger than she really was.  With her fair
complexion and her shy manner, it seemed only natural to speak of her
as 'a girl,' although she was now really advancing towards thirty
years of age.  She lived alone with an old nurse devoted to her,
on a modest little income which was just enough to support the two.
There were none of the ordinary signs of grief in her face,
as she slowly tore the letters of her false lover in two, and threw
the pieces into the small fire which had been lit to consume them.
Unhappily for herself, she was one of those women who feel too deeply
to find relief in tears.  Pale and quiet, with cold trembling fingers,
she destroyed the letters one by one without daring to read them again.
She had torn the last of the series, and was still shrinking
from throwing it after the rest into the swiftly destroying flame,
when the old nurse came in, and asked if she would see 'Master Henry,'--
meaning that youngest member of the Westwick family, who had publicly
declared his contempt for his brother in the smoking-room of
the club.

Agnes hesitated.  A faint tinge of colour stole over her face.

There had been a long past time when Henry Westwick had owned
that he loved her.  She had made her confession to him,
acknowledging that her heart was given to his eldest brother.
He had submitted to his disappointment; and they had met
thenceforth as cousins and friends.  Never before had she
associated the idea of him with embarrassing recollections.
But now, on the very day when his brother's marriage to another
woman had consummated his brother's treason towards her, there was
something vaguely repellent in the prospect of seeing him.
The old nurse (who remembered them both in their cradles)
observed her hesitation; and sympathising of course with the man,
put in a timely word for Henry.  'He says, he's going away, my dear;
and he only wants to shake hands, and say good-bye.' This plain
statement of the case had its effect.  Agnes decided on receiving
her cousin.

He entered the room so rapidly that he surprised her in the act
of throwing the fragments of Montbarry's last letter into the fire.
She hurriedly spoke first.

'You are leaving London very suddenly, Henry.  Is it business?
or pleasure?'

Instead of answering her, he pointed to the flaming letter,
and to some black ashes of burnt paper lying lightly in the lower
part of the fireplace.

'Are you burning letters?'

'Yes.'

'His letters?'

'Yes.'

He took her hand gently.  'I had no idea I was intruding on you,
at a time when you must wish to be alone.  Forgive me, Agnes--I shall
see you when I return.'

She signed to him, with a faint smile, to take a chair.

'We have known one another since we were children,' she said.
'Why should I feel a foolish pride about myself in your presence? why
should I have any secrets from you?  I sent back all your brother's
gifts to me some time ago.  I have been advised to do more, to keep
nothing that can remind me of him--in short, to burn his letters.
I have taken the advice; but I own I shrank a little from destroying
the last of the letters.  No--not because it was the last,
but because it had this in it.'  She opened her hand, and showed
him a lock of Montbarry's hair, tied with a morsel of golden cord.
'Well! well! let it go with the rest.'

She dropped it into the flame.  For a while, she stood with her back
to Henry, leaning on the mantel-piece, and looking into the fire.
He took the chair to which she had pointed, with a strange
contradiction of expression in his face:  the tears were in his eyes,
while the brows above were knit close in an angry frown.
He muttered to himself, 'Damn him!'

She rallied her courage, and looked at him again when she spoke.
'Well, Henry, and why are you going away?'

'I am out of spirits, Agnes, and I want a change.'

She paused before she spoke again.  His face told her plainly
that he was thinking of her when he made that reply.  She was
grateful to him, but her mind was not with him:  her mind was still
with the man who had deserted her.  She turned round again to the fire.

'Is it true,' she asked, after a long silence, 'that they have been
married to-day?'

He answered ungraciously in the one necessary word:--'Yes.'

'Did you go to the church?'

He resented the question with an expression of indignant surprise.
'Go to the church?' he repeated.  'I would as soon go to--'
He checked himself there.  'How can you ask?' he added in lower tones.
'I have never spoken to Montbarry, I have not even seen him,
since he treated you like the scoundrel and the fool that
he is.'

She looked at him suddenly, without saying a word.
He understood her, and begged her pardon.  But he was still angry.
'The reckoning comes to some men,' he said, 'even in this world.
He will live to rue the day when he married that woman!'

Agnes took a chair by his side, and looked at him with a gentle surprise.

'Is it quite reasonable to be so angry with her, because your
brother preferred her to me?' she asked.

Henry turned on her sharply.  'Do you defend the Countess,
of all the people in the world?'

'Why not?'  Agnes answered.  'I know nothing against her.
On the only occasion when we met, she appeared to be a singularly timid,
nervous person, looking dreadfully ill; and being indeed so ill that she
fainted under the heat of my room.  Why should we not do her justice?
We know that she was innocent of any intention to wrong me; we know
that she was not aware of my engagement--'

Henry lifted his hand impatiently, and stopped her.
'There is such a thing as being too just and too forgiving!'
he interposed.  'I can't bear to hear you talk in that patient way,
after the scandalously cruel manner in which you have been treated.
Try to forget them both, Agnes.  I wish to God I could help you to
do it!'

Agnes laid her hand on his arm.  'You are very good to me, Henry;
but you don't quite understand me.  I was thinking of myself
and my trouble in quite a different way, when you came in.
I was wondering whether anything which has so entirely filled my heart,
and so absorbed all that is best and truest in me, as my feeling
for your brother, can really pass away as if it had never existed.
I have destroyed the last visible things that remind me of him.
In this world I shall see him no more.  But is the tie that once bound us,
completely broken?  Am I as entirely parted from the good and evil
fortune of his life as if we had never met and never loved?  What do
you think, Henry?  I can hardly believe it.'

'If you could bring the retribution on him that he has deserved,'
Henry Westwick answered sternly, 'I might be inclined to agree
with you.'

As that reply passed his lips, the old nurse appeared again at the door,
announcing another visitor.

'I'm sorry to disturb you, my dear.  But here is little Mrs. Ferrari
wanting to know when she may say a few words to you.'

Agnes turned to Henry, before she replied.  'You remember
Emily Bidwell, my favourite pupil years ago at the village school,
and afterwards my maid?  She left me, to marry an Italian courier,
named Ferrari--and I am afraid it has not turned out very well.
Do you mind my having her in here for a minute or two?'

Henry rose to take his leave.  'I should be glad to see Emily again
at any other time,' he said.  'But it is best that I should go now.
My mind is disturbed, Agnes; I might say things to you, if I
stayed here any longer, which--which are better not said now.
I shall cross the Channel by the mail to-night, and see
how a few weeks' change will help me.'  He took her hand.
'Is there anything in the world that I can do for you?' he asked
very earnestly.  She thanked him, and tried to release her hand.
He held it with a tremulous lingering grasp.  'God bless you, Agnes!'
he said in faltering tones, with his eyes on the ground.
Her face flushed again, and the next instant turned paler
than ever; she knew his heart as well as he knew it himself--
she was too distressed to speak.  He lifted her hand to his lips,
kissed it fervently, and, without looking at her again, left the room.
The nurse hobbled after him to the head of the stairs:  she had not
forgotten the time when the younger brother had been the unsuccessful
rival of the elder for the hand of Agnes.  'Don't be down-hearted,
Master Henry,' whispered the old woman, with the unscrupulous common
sense of persons in the lower rank of life.  'Try her again, when you
come back!'

Left alone for a few moments, Agnes took a turn in the room,
trying to compose herself.  She paused before a little water-colour
drawing on the wall, which had belonged to her mother:  it was her
own portrait when she was a child.  'How much happier we should be,'
she thought to herself sadly, 'if we never grew up!'

The courier's wife was shown in--a little meek melancholy woman,
with white eyelashes, and watery eyes, who curtseyed deferentially
and was troubled with a small chronic cough.  Agnes shook hands
with her kindly.  'Well, Emily, what can I do for you?'

The courier's wife made rather a strange answer:  'I'm afraid
to tell you, Miss.'

'Is it such a very difficult favour to grant?  Sit down, and let
me hear how you are going on.  Perhaps the petition will slip
out while we are talking.  How does your husband behave to you?'

Emily's light grey eyes looked more watery than ever.
She shook her head and sighed resignedly.  'I have no positive
complaint to make against him, Miss. But I'm afraid he doesn't
care about me; and he seems to take no interest in his home--
I may almost say he's tired of his home.  It might be better
for both of us, Miss, if he went travelling for a while--
not to mention the money, which is beginning to be wanted sadly.'
She put her handkerchief to her eyes, and sighed again more resignedly
than ever.

'I don't quite understand,' said Agnes.  'I thought your husband
had an engagement to take some ladies to Switzerland and Italy?'

'That was his ill-luck, Miss. One of the ladies fell ill--
and the others wouldn't go without her.  They paid him a month's salary
as compensation.  But they had engaged him for the autumn and winter--
and the loss is serious.'

'I am sorry to hear it, Emily.  Let us hope he will soon have
another chance.'

'It's not his turn, Miss, to be recommended when the next applications
come to the couriers' office.  You see, there are so many of them
out of employment just now.  If he could be privately recommended--'
She stopped, and left the unfinished sentence to speak for itself.

Agnes understood her directly.  'You want my recommendation,'
she rejoined.  'Why couldn't you say so at once?'

Emily blushed.  'It would be such a chance for my husband,'
she answered confusedly.  'A letter, inquiring for a good courier
(a six months' engagement, Miss!) came to the office this morning.
It's another man's turn to be chosen--and the secretary will
recommend him.  If my husband could only send his testimonials by the
same post--with just a word in your name, Miss--it might turn the scale,
as they say.  A private recommendation between gentlefolks goes so far.'
She stopped again, and sighed again, and looked down at the carpet,
as if she had some private reason for feeling a little ashamed
of herself.

Agnes began to be rather weary of the persistent tone of mystery
in which her visitor spoke.  'If you want my interest with any
friend of mine,' she said, 'why can't you tell me the name?'

The courier's wife began to cry.  'I'm ashamed to tell you, Miss.'

For the first time, Agnes spoke sharply.  'Nonsense, Emily!
Tell me the name directly--or drop the subject--whichever you
like best.'

Emily made a last desperate effort.  She wrung her handkerchief
hard in her lap, and let off the name as if she had been letting
off a loaded gun:--'Lord Montbarry!'

Agnes rose and looked at her.

'You have disappointed me,' she said very quietly, but with a look
which the courier's wife had never seen in her face before.
'Knowing what you know, you ought to be aware that it is impossible
for me to communicate with Lord Montbarry.  I always supposed you
had some delicacy of feeling.  I am sorry to find that I have
been mistaken.'

Weak as she was, Emily had spirit enough to feel the reproof.
She walked in her meek noiseless way to the door.  'I beg your pardon,
Miss. I am not quite so bad as you think me.  But I beg your pardon,
all the same.'

She opened the door.  Agnes called her back.  There was something
in the woman's apology that appealed irresistibly to her just and
generous nature.  'Come,' she said; 'we must not part in this way.
Let me not misunderstand you.  What is it that you expected me
to do?'

Emily was wise enough to answer this time without any reserve.
'My husband will send his testimonials, Miss, to Lord Montbarry
in Scotland.  I only wanted you to let him say in his letter
that his wife has been known to you since she was a child,
and that you feel some little interest in his welfare on that account.
I don't ask it now, Miss. You have made me understand that I
was wrong.'

Had she really been wrong?  Past remembrances, as well as present
troubles, pleaded powerfully with Agnes for the courier's wife.
'It seems only a small favour to ask,' she said, speaking under
the impulse of kindness which was the strongest impulse in her nature.
'But I am not sure that I ought to allow my name to be mentioned in your
husband's letter.  Let me hear again exactly what he wishes to say.'
Emily repeated the words--and then offered one of those suggestions,
which have a special value of their own to persons unaccustomed to the use
of their pens.  'Suppose you try, Miss, how it looks in writing?'
Childish as the idea was, Agnes tried the experiment.  'If I let you
mention me,' she said, 'we must at least decide what you are to say.'
She wrote the words in the briefest and plainest form:--'I venture to state
that my wife has been known from her childhood to Miss Agnes Lockwood,
who feels some little interest in my welfare on that account.'
Reduced to this one sentence, there was surely nothing in the reference
to her name which implied that Agnes had permitted it, or that she
was even aware of it.  After a last struggle with herself, she handed
the written paper to Emily.  'Your husband must copy it exactly,
without altering anything,' she stipulated.  'On that condition,
I grant your request.'  Emily was not only thankful--she was
really touched.  Agnes hurried the little woman out of the room.
'Don't give me time to repent and take it back again,' she said.
Emily vanished.

'Is the tie that once bound us completely broken?  Am I as entirely
parted from the good and evil fortune of his life as if we had never
met and never loved?'  Agnes looked at the clock on the mantel-piece.
Not ten minutes since, those serious questions had been on her lips.
It almost shocked her to think of the common-place manner in
which they had already met with their reply.  The mail of that
night would appeal once more to Montbarry's remembrance of her--
in the choice of a servant.

Two days later, the post brought a few grateful lines from Emily.
Her husband had got the place.  Ferrari was engaged, for six
months certain, as Lord Montbarry's courier.







THE SECOND PART





CHAPTER V


After only one week of travelling in Scotland, my lord and my lady
returned unexpectedly to London.  Introduced to the mountains and
lakes of the Highlands, her ladyship positively declined to improve
her acquaintance with them.  When she was asked for her reason,
she answered with a Roman brevity, 'I have seen Switzerland.'

For a week more, the newly-married couple remained in London,
in the strictest retirement.  On one day in that week the nurse
returned in a state of most uncustomary excitement from an errand on
which Agnes had sent her.  Passing the door of a fashionable dentist,
she had met Lord Montbarry himself just leaving the house.
The good woman's report described him, with malicious pleasure,
as looking wretchedly ill.  'His cheeks are getting hollow,
my dear, and his beard is turning grey.  I hope the dentist
hurt him!'

Knowing how heartily her faithful old servant hated the man who
had deserted her, Agnes made due allowance for a large infusion
of exaggeration in the picture presented to her.  The main impression
produced on her mind was an impression of nervous uneasiness.
If she trusted herself in the streets by daylight while Lord
Montbarry remained in London, how could she be sure that his next
chance-meeting might not be a meeting with herself?  She waited at home,
privately ashamed of her own undignified conduct, for the next two days.
On the third day the fashionable intelligence of the newspapers
announced the departure of Lord and Lady Montbarry for Paris,
on their way to Italy.

Mrs. Ferrari, calling the same evening, informed Agnes that her husband
had left her with all reasonable expression of conjugal kindness;
his temper being improved by the prospect of going abroad.
But one other servant accompanied the travellers--Lady Montbarry's maid,
rather a silent, unsociable woman, so far as Emily had heard.
Her ladyship's brother, Baron Rivar, was already on the Continent.
It had been arranged that he was to meet his sister and her husband
at Rome.

One by one the dull weeks succeeded each other in the life of Agnes.
She faced her position with admirable courage, seeing her friends,
keeping herself occupied in her leisure hours with reading and drawing,
leaving no means untried of diverting her mind from the melancholy
remembrance of the past.  But she had loved too faithfully,
she had been wounded too deeply, to feel in any adequate degree
the influence of the moral remedies which she employed.
Persons who met with her in the ordinary relations of life,
deceived by her outward serenity of manner, agreed that 'Miss
Lockwood seemed to be getting over her disappointment.'
But an old friend and school companion who happened to see her during
a brief visit to London, was inexpressibly distressed by the change
that she detected in Agnes.  This lady was Mrs. Westwick, the wife
of that brother of Lord Montbarry who came next to him in age,
and who was described in the 'Peerage' as presumptive heir to the title.
He was then away, looking after his interests in some mining property
which he possessed in America.  Mrs. Westwick insisted on taking Agnes
back with her to her home in Ireland.  'Come and keep me company
while my husband is away.  My three little girls will make you
their playfellow, and the only stranger you will meet is the governess,
whom I answer for your liking beforehand.  Pack up your things,
and I will call for you to-morrow on my way to the train.'
In those hearty terms the invitation was given.  Agnes thankfully
accepted it.  For three happy months she lived under the roof
of her friend.  The girls hung round her in tears at her departure;
the youngest of them wanted to go back with Agnes to London.
Half in jest, half in earnest, she said to her old friend at parting,
'If your governess leaves you, keep the place open for me.'
Mrs. Westwick laughed.  The wiser children took it seriously,
and promised to let Agnes know.



On the very day when Miss Lockwood returned to London, she was recalled
to those associations with the past which she was most anxious to forget.
After the first kissings and greetings were over, the old nurse
(who had been left in charge at the lodgings) had some startling
information to communicate, derived from the courier's wife.

'Here has been little Mrs. Ferrari, my dear, in a dreadful state
of mind, inquiring when you would be back.  Her husband has left
Lord Montbarry, without a word of warning--and nobody knows what has
become of him.'

Agnes looked at her in astonishment.  'Are you sure of what you
are saying?' she asked.

The nurse was quite sure.  'Why, Lord bless you! the news comes
from the couriers' office in Golden Square--from the secretary,
Miss Agnes, the secretary himself!'  Hearing this, Agnes began to feel
alarmed as well as surprised.  It was still early in the evening.
She at once sent a message to Mrs. Ferrari, to say that she
had returned.

In an hour more the courier's wife appeared, in a state of agitation
which it was not easy to control.  Her narrative, when she was at last
able to speak connectedly, entirely confirmed the nurse's report of it.

After hearing from her husband with tolerable regularity from Paris,
Rome, and Venice, Emily had twice written to him afterwards--
and had received no reply.  Feeling uneasy, she had gone to the office
in Golden Square, to inquire if he had been heard of there.
The post of the morning had brought a letter to the secretary from
a courier then at Venice.  It contained startling news of Ferrari.
His wife had been allowed to take a copy of it, which she now handed to
Agnes to read.

The writer stated that he had recently arrived in Venice.
He had previously heard that Ferrari was with Lord and Lady Montbarry,
at one of the old Venetian palaces which they had hired for a term.
Being a friend of Ferrari, he had gone to pay him a visit.
Ringing at the door that opened on the canal, and failing to make
anyone hear him, he had gone round to a side entrance opening
on one of the narrow lanes of Venice.  Here, standing at the door
(as if she was waiting for him to try that way next), he found a pale
woman with magnificent dark eyes, who proved to be no other than Lady
Montbarry herself.

She asked, in Italian, what he wanted.  He answered that he wanted
to see the courier Ferrari, if it was quite convenient.
She at once informed him that Ferrari had left the palace,
without assigning any reason, and without even leaving an address at
which his monthly salary (then due to him) could be paid.  Amazed at
this reply, the courier inquired if any person had offended Ferrari,
or quarrelled with him.  The lady answered, 'To my knowledge,
certainly not.  I am Lady Montbarry; and I can positively assure you
that Ferrari was treated with the greatest kindness in this house.
We are as much astonished as you are at his extraordinary disappearance.
If you should hear of him, pray let us know, so that we may at least
pay him the money which is due.'

After one or two more questions (quite readily answered) relating to
the date and the time of day at which Ferrari had left the palace,
the courier took his leave.

He at once entered on the necessary investigations--without the slightest
result so far as Ferrari was concerned.  Nobody had seen him.
Nobody appeared to have been taken into his confidence.
Nobody knew anything (that is to say, anything of the slightest importance)
even about persons so distinguished as Lord and Lady Montbarry.
It was reported that her ladyship's English maid had left her,
before the disappearance of Ferrari, to return to her relatives in her
own country, and that Lady Montbarry had taken no steps to supply
her place.  His lordship was described as being in delicate health.
He lived in the strictest retirement--nobody was admitted to him,
not even his own countrymen.  A stupid old woman was discovered
who did the housework at the palace, arriving in the morning and
going away again at night.  She had never seen the lost courier--
she had never even seen Lord Montbarry, who was then confined
to his room.  Her ladyship, 'a most gracious and adorable mistress,'
was in constant attendance on her noble husband.  There was no
other servant then in the house (so far as the old woman knew)
but herself.  The meals were sent in from a restaurant.  My lord,
it was said, disliked strangers.  My lord's brother-in-law, the Baron,
was generally shut up in a remote part of the palace, occupied
(the gracious mistress said) with experiments in chemistry.
The experiments sometimes made a nasty smell.  A doctor had latterly been
called in to his lordship--an Italian doctor, long resident in Venice.
Inquiries being addressed to this gentleman (a physician of undoubted
capacity and respectability), it turned out that he also had never
seen Ferrari, having been summoned to the palace (as his memorandum
book showed) at a date subsequent to the courier's disappearance.
The doctor described Lord Montbarry's malady as bronchitis.
So far, there was no reason to feel any anxiety, though the
attack was a sharp one.  If alarming symptoms should appear,
he had arranged with her ladyship to call in another physician.
For the rest, it was impossible to speak too highly of my lady;
night and day, she was at her lord's bedside.

With these particulars began and ended the discoveries made by Ferrari's
courier-friend. The police were on the look-out for the lost man--
and that was the only hope which could be held forth for the present,
to Ferrari's wife.

'What do you think of it, Miss?' the poor woman asked eagerly.
'What would you advise me to do?'

Agnes was at a loss how to answer her; it was an effort even to
listen to what Emily was saying.  The references in the courier's
letter to Montbarry--the report of his illness, the melancholy
picture of his secluded life--had reopened the old wound.
She was not even thinking of the lost Ferrari; her mind was at Venice,
by the sick man's bedside.

'I hardly know what to say,' she answered.  'I have had no experience
in serious matters of this kind.'

'Do you think it would help you, Miss, if you read my husband's
letters to me?  There are only three of them--they won't take long
to read.'

Agnes compassionately read the letters.

They were not written in a very tender tone.  'Dear Emily,'
and 'Yours affectionately'--these conventional phrases,
were the only phrases of endearment which they contained.
In the first letter, Lord Montbarry was not very favourably spoken
of:--'We leave Paris to-morrow. I don't much like my lord.
He is proud and cold, and, between ourselves, stingy in money matters.
I have had to dispute such trifles as a few centimes in the hotel bill;
and twice already, some sharp remarks have passed between
the newly-married couple, in consequence of her ladyship's freedom
in purchasing pretty tempting things at the shops in Paris.
"I can't afford it; you must keep to your allowance."  She has had to
hear those words already.  For my part, I like her.  She has the nice,
easy foreign manners--she talks to me as if I was a human being
like herself.'

The second letter was dated from Rome.

'My lord's caprices' (Ferrari wrote) 'have kept us perpetually
on the move.  He is becoming incurably restless.  I suspect he is
uneasy in his mind.  Painful recollections, I should say--I find him
constantly reading old letters, when her ladyship is not present.
We were to have stopped at Genoa, but he hurried us on.  The same
thing at Florence.  Here, at Rome, my lady insists on resting.
Her brother has met us at this place.  There has been a quarrel already
(the lady's maid tells me) between my lord and the Baron.  The latter
wanted to borrow money of the former.  His lordship refused in language
which offended Baron Rivar.  My lady pacified them, and made them
shake hands.'

The third, and last letter, was from Venice.

'More of my lord's economy!  Instead of staying at the hotel,
we have hired a damp, mouldy, rambling old palace.  My lady insists
on having the best suites of rooms wherever we go--and the palace
comes cheaper for a two months' term.  My lord tried to get it
for longer; he says the quiet of Venice is good for his nerves.
But a foreign speculator has secured the palace, and is going to turn
it into an hotel.  The Baron is still with us, and there have been
more disagreements about money matters.  I don't like the Baron--
and I don't find the attractions of my lady grow on me.  She was much
nicer before the Baron joined us.  My lord is a punctual paymaster;
it's a matter of honour with him; he hates parting with his money,
but he does it because he has given his word.  I receive my salary
regularly at the end of each month--not a franc extra, though I
have done many things which are not part of a courier's proper work.
Fancy the Baron trying to borrow money of me! he is an inveterate gambler.
I didn't believe it when my lady's maid first told me so--
but I have seen enough since to satisfy me that she was right.
I have seen other things besides, which--well! which don't increase
my respect for my lady and the Baron.  The maid says she means to give
warning to leave.  She is a respectable British female, and doesn't
take things quite so easily as I do.  It is a dull life here.
No going into company--no company at home--not a creature sees my lord--
not even the consul, or the banker.  When he goes out, he goes alone,
and generally towards nightfall.  Indoors, he shuts himself up
in his own room with his books, and sees as little of his wife and
the Baron as possible.  I fancy things are coming to a crisis here.
If my lord's suspicions are once awakened, the consequences will
be terrible.  Under certain provocations, the noble Montbarry
is a man who would stick at nothing.  However, the pay is good--
and I can't afford to talk of leaving the place, like my lady's
maid.'

Agnes handed back the letters--so suggestive of the penalty paid
already for his own infatuation by the man who had deserted her!--
with feelings of shame and distress, which made her no fit counsellor
for the helpless woman who depended on her advice.

'The one thing I can suggest,' she said, after first speaking some
kind words of comfort and hope, 'is that we should consult a person
of greater experience than ours.  Suppose I write and ask my lawyer
(who is also my friend and trustee) to come and advise us to-morrow
after his business hours?'

Emily eagerly and gratefully accepted the suggestion.  An hour
was arranged for the meeting on the next day; the correspondence
was left under the care of Agnes; and the courier's wife took her leave.

Weary and heartsick, Agnes lay down on the sofa, to rest and
compose herself.  The careful nurse brought in a reviving cup of tea.
Her quaint gossip about herself and her occupations while Agnes had
been away, acted as a relief to her mistress's overburdened mind.
They were still talking quietly, when they were startled by a loud
knock at the house door.  Hurried footsteps ascended the stairs.
The door of the sitting-room was thrown open violently;
the courier's wife rushed in like a mad woman.  'He's dead!
They've murdered him!'  Those wild words were all she could say.
She dropped on her knees at the foot of the sofa--held out her hand
with something clasped in it--and fell back in a swoon.

The nurse, signing to Agnes to open the window, took the necessary
measures to restore the fainting woman.  'What's this?' she exclaimed.
'Here's a letter in her hand.  See what it is, Miss.'

The open envelope was addressed (evidently in a feigned hand-writing)
to 'Mrs. Ferrari.'  The post-mark was 'Venice.'  The contents of the
envelope were a sheet of foreign note-paper, and a folded enclosure.

On the note-paper, one line only was written.  It was again
in a feigned handwriting, and it contained these words:

'To console you for the loss of your husband'

Agnes opened the enclosure next.

It was a Bank of England note for a thousand pounds.







CHAPTER VI


The next day, the friend and legal adviser of Agnes Lockwood,
Mr. Troy, called on her by appointment in the evening.

Mrs. Ferrari--still persisting in the conviction of her husband's death--
had sufficiently recovered to be present at the consultation.
Assisted by Agnes, she told the lawyer the little that was
known relating to Ferrari's disappearance, and then produced
the correspondence connected with that event.  Mr. Troy read
(first) the three letters addressed by Ferrari to his wife;
(secondly) the letter written by Ferrari's courier-friend,
describing his visit to the palace and his interview with
Lady Montbarry; and (thirdly) the one line of anonymous writing
which had accompanied the extraordinary gift of a thousand pounds
to Ferrari's wife.

Well known, at a later period, as the lawyer who acted for Lady Lydiard,
in the case of theft, generally described as the case of 'My Lady's Money,'
Mr. Troy was not only a man of learning and experience in his profession--
he was also a man who had seen something of society at home and abroad.
He possessed a keen eye for character, a quaint humour, and a kindly
nature which had not been deteriorated even by a lawyer's professional
experience of mankind.  With all these personal advantages, it is
a question, nevertheless, whether he was the fittest adviser whom
Agnes could have chosen under the circumstances.  Little Mrs. Ferrari,
with many domestic merits, was an essentially commonplace woman.
Mr. Troy was the last person living who was likely to attract
her sympathies--he was the exact opposite of a commonplace man.

'She looks very ill, poor thing!'  In these words the lawyer
opened the business of the evening, referring to Mrs. Ferrari
as unceremoniously as if she had been out of the room.

'She has suffered a terrible shock,' Agnes answered.

Mr. Troy turned to Mrs. Ferrari, and looked at her again,
with the interest due to the victim of a shock.  He drummed absently
with his fingers on the table.  At last he spoke to her.

'My good lady, you don't really believe that your husband is dead?'

Mrs. Ferrari put her handkerchief to her eyes.  The word 'dead' was
ineffectual to express her feelings.  'Murdered!' she said sternly,
behind her handkerchief.

'Why?  And by whom?'  Mr. Troy asked.

Mrs. Ferrari seemed to have some difficulty in answering.
'You have read my husband's letters, sir,' she began.  'I believe
he discovered--' She got as far as that, and there she stopped.

'What did he discover?'

There are limits to human patience--even the patience of a bereaved wife.
This cool question irritated Mrs. Ferrari into expressing herself
plainly at last.

'He discovered Lady Montbarry and the Baron!' she answered,
with a burst of hysterical vehemence.  'The Baron is no more
that vile woman's brother than I am.  The wickedness of those two
wretches came to my poor dear husband's knowledge.  The lady's maid
left her place on account of it.  If Ferrari had gone away too,
he would have been alive at this moment.  They have killed him.
I say they have killed him, to prevent it from getting to Lord
Montbarry's ears.'  So, in short sharp sentences, and in louder
and louder accents, Mrs. Ferrari stated her opinion of the case.

Still keeping his own view in reserve, Mr. Troy listened
with an expression of satirical approval.

'Very strongly stated, Mrs. Ferrari,' he said.  'You build up your
sentences well; you clinch your conclusions in a workmanlike manner.
If you had been a man, you would have made a good lawyer--
you would have taken juries by the scruff of their necks.
Complete the case, my good lady--complete the case.
Tell us next who sent you this letter, enclosing the bank-note.
The "two wretches" who murdered Mr. Ferrari would hardly put
their hands in their pockets and send you a thousand pounds.
Who is it--eh?  I see the post-mark on the letter is "Venice."
Have you any friend in that interesting city, with a large heart,
and a purse to correspond, who has been let into the secret and who wishes
to console you anonymously?'

It was not easy to reply to this.  Mrs. Ferrari began to feel
the first inward approaches of something like hatred towards Mr. Troy.
'I don't understand you, sir,' she answered.  'I don't think this is
a joking matter.'

Agnes interfered, for the first time.  She drew her chair a little
nearer to her legal counsellor and friend.

'What is the most probable explanation, in your opinion?'
she asked.

'I shall offend Mrs. Ferrari if I tell you,' Mr. Troy answered.

'No, sir, you won't!' cried Mrs. Ferrari, hating Mr. Troy
undisguisedly by this time.

The lawyer leaned back in his chair.  'Very well,' he said, in his
most good-humoured manner.  'Let's have it out.  Observe, madam,
I don't dispute your view of the position of affairs at the palace
in Venice.  You have your husband's letters to justify you;
and you have also the significant fact that Lady Montbarry's
maid did really leave the house.  We will say, then, that Lord
Montbarry has presumably been made the victim of a foul wrong--
that Mr. Ferrari was the first to find it out--and that the guilty
persons had reason to fear, not only that he would acquaint Lord
Montbarry with his discovery, but that he would be a principal witness
against them if the scandal was made public in a court of law.
Now mark!  Admitting all this, I draw a totally different
conclusion from the conclusion at which you have arrived.
Here is your husband left in this miserable household of three,
under very awkward circumstances for him.  What does he do?
But for the bank-note and the written message sent to you with it,
I should say that he had wisely withdrawn himself from association
with a disgraceful discovery and exposure, by taking secretly to flight.
The money modifies this view--unfavourably so far as Mr. Ferrari
is concerned.  I still believe he is keeping out of the way.  But I
now say he is paid for keeping out of the way--and that bank-note there
on the table is the price of his absence, sent by the guilty persons to
his wife.'

Mrs. Ferrari's watery grey eyes brightened suddenly; Mrs. Ferrari's
dull drab-coloured complexion became enlivened by a glow of brilliant red.

'It's false!' she cried.  'It's a burning shame to speak of my
husband in that way!'

'I told you I should offend you!' said Mr. Troy.

Agnes interposed once more--in the interests of peace.  She took
the offended wife's hand; she appealed to the lawyer to reconsider
that side of his theory which reflected harshly on Ferrari.
While she was still speaking, the servant interrupted her by entering
the room with a visiting-card. It was the card of Henry Westwick;
and there was an ominous request written on it in pencil.
'I bring bad news.  Let me see you for a minute downstairs.'
Agnes immediately left the room.

Alone with Mrs. Ferrari, Mr. Troy permitted his natural kindness
of heart to show itself on the surface at last.  He tried to make
his peace with the courier's wife.

'You have every claim, my good soul, to resent a reflection cast upon
your husband,' he began.  'I may even say that I respect you for speaking
so warmly in his defence.  At the same time, remember, that I am bound,
in such a serious matter as this, to tell you what is really in my mind.
I can have no intention of offending you, seeing that I am a total
stranger to you and to Mr. Ferrari.  A thousand pounds is a large
sum of money; and a poor man may excusably be tempted by it
to do nothing worse than to keep out of the way for a while.
My only interest, acting on your behalf, is to get at the truth.
If you will give me time, I see no reason to despair of finding your
husband yet.'

Ferrari's wife listened, without being convinced:  her narrow little mind,
filled to its extreme capacity by her unfavourable opinion of Mr. Troy,
had no room left for the process of correcting its first impression.
'I am much obliged to you, sir,' was all she said.  Her eyes were
more communicative--her eyes added, in their language, 'You may say
what you please; I will never forgive you to my dying day.'

Mr. Troy gave it up.  He composedly wheeled his chair around,
put his hands in his pockets, and looked out of window.

After an interval of silence, the drawing-room door was opened.

Mr. Troy wheeled round again briskly to the table, expecting to see Agnes.
To his surprise there appeared, in her place, a perfect stranger to him--
a gentleman, in the prime of life, with a marked expression of pain
and embarrassment on his handsome face.  He looked at Mr. Troy,
and bowed gravely.

'I am so unfortunate as to have brought news to Miss Agnes Lockwood
which has greatly distressed her,' he said.  'She has retired to her room.
I am requested to make her excuses, and to speak to you in her place.'

Having introduced himself in those terms, he noticed Mrs. Ferrari,
and held out his hand to her kindly.  'It is some years since we
last met, Emily,' he said.  'I am afraid you have almost forgotten
the "Master Henry" of old times.'  Emily, in some little confusion,
made her acknowledgments, and begged to know if she could be of any
use to Miss Lockwood.  'The old nurse is with her,' Henry answered;
'they will be better left together.'  He turned once more to Mr. Troy.
'I ought to tell you,' he said, 'that my name is Henry Westwick.  I am
the younger brother of the late Lord Montbarry.'

'The late Lord Montbarry!'  Mr. Troy exclaimed.

'My brother died at Venice yesterday evening.  There is the telegram.'
With that startling answer, he handed the paper to Mr. Troy.

The message was in these words:

'Lady Montbarry, Venice.  To Stephen Robert Westwick,
Newbury's Hotel, London.  It is useless to take the journey.
Lord Montbarry died of bronchitis, at 8.40 this evening.
All needful details by post.'

'Was this expected, sir?' the lawyer asked.

'I cannot say that it has taken us entirely by surprise, Henry answered.
'My brother Stephen (who is now the head of the family) received a
telegram three days since, informing him that alarming symptoms had
declared themselves, and that a second physician had been called in.
He telegraphed back to say that he had left Ireland for London,
on his way to Venice, and to direct that any further message
might be sent to his hotel.  The reply came in a second telegram.
It announced that Lord Montbarry was in a state of insensibility,
and that, in his brief intervals of consciousness, he recognised nobody.
My brother was advised to wait in London for later information.
The third telegram is now in your hands.  That is all I know, up to the
present time.'

Happening to look at the courier's wife, Mr. Troy was struck
by the expression of blank fear which showed itself in the woman's face.

'Mrs. Ferrari,' he said, 'have you heard what Mr. Westwick has
just told me?'

'Every word of it, sir.'

'Have you any questions to ask?'

'No, sir.'

'You seem to be alarmed,' the lawyer persisted.  'Is it still
about your husband?'

'I shall never see my husband again, sir.  I have thought so all along,
as you know.  I feel sure of it now.'

'Sure of it, after what you have just heard?'

'Yes, sir.'

'Can you tell me why?'

'No, sir.  It's a feeling I have.  I can't tell why.'

'Oh, a feeling?'  Mr. Troy repeated, in a tone of compassionate contempt.
'When it comes to feelings, my good soul--!' He left the sentence
unfinished, and rose to take his leave of Mr. Westwick.  The truth is,
he began to feel puzzled himself, and he did not choose to let
Mrs. Ferrari see it.  'Accept the expression of my sympathy, sir,'
he said to Mr. Westwick politely.  'I wish you good evening.'

Henry turned to Mrs. Ferrari as the lawyer closed the door.
'I have heard of your trouble, Emily, from Miss Lockwood.  Is there
anything I can do to help you?'

'Nothing, sir, thank you.  Perhaps, I had better go home after
what has happened?  I will call to-morrow, and see if I can be of
any use to Miss Agnes.  I am very sorry for her.'  She stole away,
with her formal curtsey, her noiseless step, and her obstinate
resolution to take the gloomiest view of her husband's case.

Henry Westwick looked round him in the solitude of the little drawing-room.
There was nothing to keep him in the house, and yet he lingered in it.
It was something to be even near Agnes--to see the things belonging
to her that were scattered about the room.  There, in the corner,
was her chair, with her embroidery on the work-table by its side.
On the little easel near the window was her last drawing, not quite
finished yet.  The book she had been reading lay on the sofa,
with her tiny pencil-case in it to mark the place at which she
had left off.  One after another, he looked at the objects that
reminded him of the woman whom he loved--took them up tenderly--
and laid them down again with a sigh.  Ah, how far, how unattainably
far from him, she was still!  'She will never forget Montbarry,'
he thought to himself as he took up his hat to go.  'Not one of us
feels his death as she feels it.  Miserable, miserable wretch--how she
loved him!'

In the street, as Henry closed the house-door, he was stopped
by a passing acquaintance--a wearisome inquisitive man--
doubly unwelcome to him, at that moment.  'Sad news, Westwick,
this about your brother.  Rather an unexpected death, wasn't it?
We never heard at the club that Montbarry's lungs were weak.
What will the insurance offices do?'

Henry started; he had never thought of his brother's life insurance.
What could the offices do but pay?  A death by bronchitis, certified by
two physicians, was surely the least disputable of all deaths.  'I wish
you hadn't put that question into my head!' he broke out irritably.
'Ah!' said his friend, 'you think the widow will get the money?
So do I! so do I!'





CHAPTER VII


Some days later, the insurance offices (two in number)
received the formal announcement of Lord Montbarry's death,
from her ladyship's London solicitors.  The sum insured in each
office was five thousand pounds--on which one year's premium only
had been paid.  In the face of such a pecuniary emergency as this,
the Directors thought it desirable to consider their position.
The medical advisers of the two offices, who had recommended
the insurance of Lord Montbarry's life, were called into council
over their own reports.  The result excited some interest
among persons connected with the business of life insurance.
Without absolutely declining to pay the money, the two offices
(acting in concert) decided on sending a commission of inquiry
to Venice, 'for the purpose of obtaining further information.'

Mr. Troy received the earliest intelligence of what was going on.
He wrote at once to communicate his news to Agnes; adding, what he
considered to be a valuable hint, in these words:

'You are intimately acquainted, I know, with Lady Barville, the late
Lord Montbarry's eldest sister.  The solicitors employed by her
husband are also the solicitors to one of the two insurance offices.
There may possibly be something in the report of the commission
of inquiry touching on Ferrari's disappearance.  Ordinary persons
would not be permitted, of course, to see such a document.
But a sister of the late lord is so near a relative as to be an exception
to general rules.  If Sir Theodore Barville puts it on that footing,
the lawyers, even if they do not allow his wife to look at the report,
will at least answer any discreet questions she may ask referring
to it.  Let me hear what you think of this suggestion, at your
earliest convenience.'

The reply was received by return of post.  Agnes declined to avail
herself of Mr. Troy's proposal.

'My interference, innocent as it was,' she wrote, 'has already
been productive of such deplorable results, that I cannot
and dare not stir any further in the case of Ferrari.
If I had not consented to let that unfortunate man refer to me
by name, the late Lord Montbarry would never have engaged him,
and his wife would have been spared the misery and suspense from
which she is suffering now.  I would not even look at the report
to which you allude if it was placed in my hands--I have heard more
than enough already of that hideous life in the palace at Venice.
If Mrs. Ferrari chooses to address herself to Lady Barville
(with your assistance), that is of course quite another thing.
But, even in this case, I must make it a positive condition
that my name shall not be mentioned.  Forgive me, dear Mr. Troy!
I am very unhappy, and very unreasonable--but I am only a woman,
and you must not expect too much from me.'

Foiled in this direction, the lawyer next advised making the attempt
to discover the present address of Lady Montbarry's English maid.
This excellent suggestion had one drawback:  it could only be
carried out by spending money--and there was no money to spend.
Mrs. Ferrari shrank from the bare idea of making any use
of the thousand-pound note.  It had been deposited in the safe
keeping of a bank.  If it was even mentioned in her hearing,
she shuddered and referred to it, with melodramatic fervour, as 'my
husband's blood-money!'

So, under stress of circumstances, the attempt to solve the mystery
of Ferrari's disappearance was suspended for a while.



It was the last month of the year 1860.  The commission of inquiry
was already at work; having begun its investigations on December 6.
On the 10th, the term for which the late Lord Montbarry had hired
the Venetian palace, expired.  News by telegram reached the insurance
offices that Lady Montbarry had been advised by her lawyers to leave
for London with as little delay as possible.  Baron Rivar, it was believed,
would accompany her to England, but would not remain in that country,
unless his services were absolutely required by her ladyship.
The Baron, 'well known as an enthusiastic student of chemistry,'
had heard of certain recent discoveries in connection with that
science in the United States, and was anxious to investigate
them personally.

These items of news, collected by Mr. Troy, were duly communicated
to Mrs. Ferrari, whose anxiety about her husband made her a frequent,
a too frequent, visitor at the lawyer's office.  She attempted
to relate what she had heard to her good friend and protectress.
Agnes steadily refused to listen, and positively forbade any further
conversation relating to Lord Montbarry's wife, now that Lord
Montbarry was no more.  'You have Mr. Troy to advise you,' she said;
'and you are welcome to what little money I can spare, if money
is wanted.  All I ask in return is that you will not distress me.
I am trying to separate myself from remembrances--'her voice faltered;
she paused to control herself--'from remembrances,' she resumed,
'which are sadder than ever since I have heard of Lord Montbarry's death.
Help me by your silence to recover my spirits, if I can.  Let me
hear nothing more, until I can rejoice with you that your husband
is found.'

Time advanced to the 13th of the month; and more information of the
interesting sort reached Mr. Troy.  The labours of the insurance commission
had come to an end--the report had been received from Venice on that day.





CHAPTER VIII


On the 14th the Directors and their legal advisers met for the
reading of the report, with closed doors.  These were the terms
in which the Commissioners related the results of their inquiry:
'Private and confidential.

'We have the honour to inform our Directors that we arrived in Venice
on December 6, 1860.  On the same day we proceeded to the palace
inhabited by Lord Montbarry at the time of his last illness and death.

'We were received with all possible courtesy by Lady Montbarry's brother,
Baron Rivar.  "My sister was her husband's only attendant throughout
his illness," the Baron informed us.  "She is overwhelmed by grief
and fatigue--or she would have been here to receive you personally.
What are your wishes, gentlemen? and what can I do for you in her
ladyship's place?"

'In accordance with our instructions, we answered that the death
and burial of Lord Montbarry abroad made it desirable to obtain more
complete information relating to his illness, and to the circumstances
which had attended it, than could be conveyed in writing.
We explained that the law provided for the lapse of a certain
interval of time before the payment of the sum assured, and we
expressed our wish to conduct the inquiry with the most respectful
consideration for her ladyship's feelings, and for the convenience
of any other members of the family inhabiting the house.

'To this the Baron replied, "I am the only member of the family
living here, and I and the palace are entirely at your disposal."
From first to last we found this gentleman perfectly straighforward,
and most amiably willing to assist us.

'With the one exception of her ladyship's room, we went over
the whole of the palace the same day.  It is an immense place
only partially furnished.  The first floor and part of the second
floor were the portions of it that had been inhabited by Lord
Montbarry and the members of the household.  We saw the bedchamber,
at one extremity of the palace, in which his lordship died,
and the small room communicating with it, which he used as a study.
Next to this was a large apartment or hall, the doors of which
he habitually kept locked, his object being (as we were informed)
to pursue his studies uninterruptedly in perfect solitude.
On the other side of the large hall were the bedchamber occupied
by her ladyship, and the dressing-room in which the maid slept
previous to her departure for England.  Beyond these were the dining
and reception rooms, opening into an antechamber, which gave access
to the grand staircase of the palace.

'The only inhabited rooms on the second floor were the sitting-room
and bedroom occupied by Baron Rivar, and another room at some
distance from it, which had been the bedroom of the courier Ferrari.

'The rooms on the third floor and on the basement were
completely unfurnished, and in a condition of great neglect.
We inquired if there was anything to be seen below the basement--
and we were at once informed that there were vaults beneath,
which we were at perfect liberty to visit.

'We went down, so as to leave no part of the palace unexplored.
The vaults were, it was believed, used as dungeons in the old times--
say, some centuries since.  Air and light were only partially admitted
to these dismal places by two long shafts of winding construction,
which communicated with the back yard of the palace, and the openings
of which, high above the ground, were protected by iron gratings.
The stone stairs leading down into the vaults could be closed at
will by a heavy trap-door in the back hall, which we found open.
The Baron himself led the way down the stairs.  We remarked that it might
be awkward if that trap-door fell down and closed the opening behind us.
The Baron smiled at the idea.  "Don't be alarmed, gentlemen," he said;
"the door is safe.  I had an interest in seeing to it myself,
when we first inhabited the palace.  My favourite study is the study
of experimental chemistry--and my workshop, since we have been in Venice,
is down here."

'These last words explained a curious smell in the vaults,
which we noticed the moment we entered them.  We can only describe
the smell by saying that it was of a twofold sort--faintly aromatic,
as it were, in its first effect, but with some after-odour very
sickening in our nostrils.  The Baron's furnaces and retorts,
and other things, were all there to speak for themselves,
together with some packages of chemicals, having the name and address
of the person who had supplied them plainly visible on their labels.
"Not a pleasant place for study," Baron Rivar observed, "but my sister
is timid.  She has a horror of chemical smells and explosions--
and she has banished me to these lower regions, so that my experiments
may neither be smelt nor heard."  He held out his hands, on which we
had noticed that he wore gloves in the house.  "Accidents will
happen sometimes," he said, "no matter how careful a man may be.
I burnt my hands severely in trying a new combination the other day,
and they are only recovering now."

'We mention these otherwise unimportant incidents, in order to show
that our exploration of the palace was not impeded by any attempt
at concealment.  We were even admitted to her ladyship's own room--
on a subsequent occasion, when she went out to take the air.
Our instructions recommended us to examine his lordship's residence,
because the extreme privacy of his life at Venice, and the
remarkable departure of the only two servants in the house,
might have some suspicious connection with the nature of his death.
We found nothing to justify suspicion.

'As to his lordship's retired way of life, we have conversed on
the subject with the consul and the banker--the only two strangers
who held any communication with him.  He called once at the bank
to obtain money on his letter of credit, and excused himself from
accepting an invitation to visit the banker at his private residence,
on the ground of delicate health.  His lordship wrote to the same
effect on sending his card to the consul, to excuse himself
from personally returning that gentleman's visit to the palace.
We have seen the letter, and we beg to offer the following copy of it.
"Many years passed in India have injured my constitution.
I have ceased to go into society; the one occupation of my life
now is the study of Oriental literature.  The air of Italy is better
for me than the air of England, or I should never have left home.
Pray accept the apologies of a student and an invalid.  The active
part of my life is at an end."  The self-seclusion of his lordship
seems to us to be explained in these brief lines.  We have not,
however, on that account spared our inquiries in other directions.
Nothing to excite a suspicion of anything wrong has come to
our knowledge.

'As to the departure of the lady's maid, we have seen the woman's
receipt for her wages, in which it is expressly stated that she
left Lady Montbarry's service because she disliked the Continent,
and wished to get back to her own country.  This is not an
uncommon result of taking English servants to foreign parts.
Lady Montbarry has informed us that she abstained from engaging
another maid in consequence of the extreme dislike which his lordship
expressed to having strangers in the house, in the state of his health
at that time.

'The disappearance of the courier Ferrari is, in itself,
unquestionably a suspicious circumstance.  Neither her ladyship nor
the Baron can explain it; and no investigation that we could make
has thrown the smallest light on this event, or has justified us in
associating it, directly or indirectly, with the object of our inquiry.
We have even gone the length of examining the portmanteau which
Ferrari left behind him.  It contains nothing but clothes and linen--
no money, and not even a scrap of paper in the pockets of the clothes.
The portmanteau remains in charge of the police.

'We have also found opportunities of speaking privately to the old
woman who attends to the rooms occupied by her ladyship and the Baron.
She was recommended to fill this situation by the keeper of the restaurant
who has supplied the meals to the family throughout the period
of their residence at the palace.  Her character is most favourably
spoken of.  Unfortunately, her limited intelligence makes her of no
value as a witness.  We were patient and careful in questioning her,
and we found her perfectly willing to answer us; but we could
elicit nothing which is worth including in the present report.

'On the second day of our inquiries, we had the honour of an interview
with Lady Montbarry.  Her ladyship looked miserably worn and ill,
and seemed to be quite at a loss to understand what we wanted with her.
Baron Rivar, who introduced us, explained the nature of our errand
in Venice, and took pains to assure her that it was a purely formal duty
on which we were engaged.  Having satisfied her ladyship on this point,
he discreetly left the room.

'The questions which we addressed to Lady Montbarry related mainly,
of course, to his lordship's illness.  The answers, given with great
nervousness of manner, but without the slightest appearance of reserve,
informed us of the facts that follow:

'Lord Montbarry had been out of order for some time past--
nervous and irritable.  He first complained of having taken cold on
November 13 last; he passed a wakeful and feverish night, and remained
in bed the next day.  Her ladyship proposed sending for medical advice.
He refused to allow her to do this, saying that he could quite easily
be his own doctor in such a trifling matter as a cold.  Some hot lemonade
was made at his request, with a view to producing perspiration.
Lady Montbarry's maid having left her at that time, the courier Ferrari
(then the only servant in the house) went out to buy the lemons.
Her ladyship made the drink with her own hands.  It was successful
in producing perspiration--and Lord Montbarry had some hours of
sleep afterwards.  Later in the day, having need of Ferrari's services,
Lady Montbarry rang for him.  The bell was not answered.
Baron Rivar searched for the man, in the palace and out of it, in vain.
From that time forth not a trace of Ferrari could be discovered.
This happened on November 14.

'On the night of the 14th, the feverish symptoms accompanying his
lordship's cold returned.  They were in part perhaps attributable to
the annoyance and alarm caused by Ferrari's mysterious disappearance.
It had been impossible to conceal the circumstance, as his lordship
rang repeatedly for the courier; insisting that the man should
relieve Lady Montbarry and the Baron by taking their places during
the night at his bedside.

'On the 15th (the day on which the old woman first came
to do the housework), his lordship complained of sore throat,
and of a feeling of oppression on the chest.  On this day,
and again on the 16th, her ladyship and the Baron entreated him
to see a doctor.  He still refused.  "I don't want strange faces
about me; my cold will run its course, in spite of the doctor,"--
that was his answer.  On the 17th he was so much worse that it
was decided to send for medical help whether he liked it or not.
Baron Rivar, after inquiry at the consul's, secured the services
of Doctor Bruno, well known as an eminent physician in Venice;
with the additional recommendation of having resided in England,
and having made himself acquainted with English forms of
medical practice.



'Thus far our account of his lordship's illness has been derived
from statements made by Lady Montbarry.  The narrative will now be
most fitly continued in the language of the doctor's own report,
herewith subjoined.

'"My medical diary informs me that I first saw the English Lord Montbarry,
on November 17.  He was suffering from a sharp attack of bronchitis.
Some precious time had been lost, through his obstinate objection
to the presence of a medical man at his bedside.  Generally speaking,
he appeared to be in a delicate state of health.  His nervous
system was out of order--he was at once timid and contradictory.
When I spoke to him in English, he answered in Italian;
and when I tried him in Italian, he went back to English.
It mattered little--the malady had already made such progress
that he could only speak a few words at a time, and those in
a whisper.

'"I at once applied the necessary remedies.  Copies of my prescriptions
(with translation into English) accompany the present statement,
and are left to speak for themselves.

'"For the next three days I was in constant attendance on my patient.
He answered to the remedies employed--improving slowly, but decidedly.
I could conscientiously assure Lady Montbarry that no danger was
to be apprehended thus far.  She was indeed a most devoted wife.
I vainly endeavoured to induce her to accept the services of a
competent nurse; she would allow nobody to attend on her husband
but herself.  Night and day this estimable woman was at his bedside.
In her brief intervals of repose, her brother watched the sick man
in her place.  This brother was, I must say, very good company,
in the intervals when we had time for a little talk.  He dabbled
in chemistry, down in the horrid under-water vaults of the palace;
and he wanted to show me some of his experiments.  I have enough of
chemistry in writing prescriptions--and I declined.  He took it quite
good-humouredly.

'"I am straying away from my subject.  Let me return to the sick lord.

'"Up to the 20th, then, things went well enough.  I was quite
unprepared for the disastrous change that showed itself,
when I paid Lord Montbarry my morning visit on the 21st.
He had relapsed, and seriously relapsed.  Examining him to discover
the cause, I found symptoms of pneumonia--that is to say,
in unmedical language, inflammation of the substance of the lungs.
He breathed with difficulty, and was only partially able to relieve
himself by coughing.  I made the strictest inquiries, and was assured
that his medicine had been administered as carefully as usual,
and that he had not been exposed to any changes of temperature.
It was with great reluctance that I added to Lady Montbarry's distress;
but I felt bound, when she suggested a consultation with
another physician, to own that I too thought there was really need
for it.

'"Her ladyship instructed me to spare no expense, and to get the best
medical opinion in Italy.  The best opinion was happily within our reach.
The first and foremost of Italian physicians is Torello of Padua.
I sent a special messenger for the great man.  He arrived on the evening
of the 21 st, and confirmed my opinion that pneumonia had set in,
and that our patient's life was in danger.  I told him what my treatment
of the case had been, and he approved of it in every particular.
He made some valuable suggestions, and (at Lady Montbarry's
express request) he consented to defer his return to Padua until
the following morning.

'"We both saw the patient at intervals in the course of the night.
The disease, steadily advancing, set our utmost resistance at defiance.
In the morning Doctor Torello took his leave.  'I can be of no
further use,' he said to me.  'The man is past all help--and he ought
to know it.'

'"Later in the day I warned my lord, as gently as I could,
that his time had come.  I am informed that there are serious reasons
for my stating what passed between us on this occasion, in detail,
and without any reserve.  I comply with the request.

'"Lord Montbarry received the intelligence of his approaching death
with becoming composure, but with a certain doubt.  He signed to me
to put my ear to his mouth.  He whispered faintly, 'Are you sure?'
It was no time to deceive him; I said, 'Positively sure.'
He waited a little, gasping for breath, and then he whispered again,
'Feel under my pillow.'  I found under his pillow a letter,
sealed and stamped, ready for the post.  His next words were just
audible and no more--'Post it yourself.'  I answered, of course,
that I would do so--and I did post the letter with my own hand.
I looked at the address.  It was directed to a lady in London.
The street I cannot remember.  The name I can perfectly recall:
it was an Italian name--'Mrs. Ferrari.'

'"That night my lord nearly died of asphyxia.  I got him through it
for the time; and his eyes showed that he understood me when I told him,
the next morning, that I had posted the letter.  This was his last
effort of consciousness.  When I saw him again he was sunk in apathy.
He lingered in a state of insensibility, supported by stimulants,
until the 25th, and died (unconscious to the last) on the evening of
that day.

'"As to the cause of his death, it seems (if I may be excused for
saying so) simply absurd to ask the question.  Bronchitis, terminating
in pneumonia--there is no more doubt that this, and this only,
was the malady of which he expired, than that two and two make four.
Doctor Torello's own note of the case is added here to a duplicate
of my certificate, in order (as I am informed) to satisfy
some English offices in which his lordship's life was insured.
The English offices must have been founded by that celebrated saint
and doubter, mentioned in the New Testament, whose name was Thomas!"



'Doctor Bruno's evidence ends here.

'Reverting for a moment to our inquiries addressed to Lady Montbarry,
we have to report that she can give us no information on the subject
of the letter which the doctor posted at Lord Montbarry's request.
When his lordship wrote it? what it contained? why he kept
it a secret from Lady Montbarry (and from the Baron also);
and why he should write at all to the wife of his courier? these
are questions to which we find it simply impossible to obtain
any replies.  It seems even useless to say that the matter is
open to suspicion.  Suspicion implies conjecture of some kind--
and the letter under my lord's pillow baffles all conjecture.
Application to Mrs. Ferrari may perhaps clear up the mystery.
Her residence in London will be easily discovered at the Italian Couriers'
Office, Golden Square.

'Having arrived at the close of the present report, we have now
to draw your attention to the conclusion which is justified
by the results of our investigation.

'The plain question before our Directors and ourselves appears
to be this:  Has the inquiry revealed any extraordinary circumstances
which render the death of Lord Montbarry open to suspicion?
The inquiry has revealed extraordinary circumstances beyond
all doubt--such as the disappearance of Ferrari, the remarkable
absence of the customary establishment of servants in the house,
and the mysterious letter which his lordship asked the doctor to post.
But where is the proof that any one of these circumstances
is associated--suspiciously and directly associated--with the only
event which concerns us, the event of Lord Montbarry's death?
In the absence of any such proof, and in the face of the evidence
of two eminent physicians, it is impossible to dispute the statement
on the certificate that his lordship died a natural death.
We are bound, therefore, to report, that there are no valid grounds for
refusing the payment of the sum for which the late Lord Montbarry's life
was assured.

'We shall send these lines to you by the post of to-morrow,
December 10; leaving time to receive your further instructions
(if any), in reply to our telegram of this evening announcing
the conclusion of the inquiry.'





CHAPTER IX


'Now, my good creature, whatever you have to say to me,
out with it at once!  I don't want to hurry you needlessly;
but these are business hours, and I have other people's affairs
to attend to besides yours.'

Addressing Ferrari's wife, with his usual blunt good-humour,
in these terms, Mr. Troy registered the lapse of time by a glance
at the watch on his desk, and then waited to hear what his client
had to say to him.

'It's something more, sir, about the letter with the thousand-pound note,'
Mrs. Ferrari began.  'I have found out who sent it to me.'

Mr. Troy started.  'This is news indeed!' he said.  'Who sent you
the letter?'

'Lord Montbarry sent it, sir.'

It was not easy to take Mr. Troy by surprise.  But Mrs. Ferrari
threw him completely off his balance.  For a while he could
only look at her in silent surprise.  'Nonsense!' he said,
as soon as he had recovered himself.  'There is some mistake--
it can't be!'

'There is no mistake,' Mrs. Ferrari rejoined, in her most positive manner.
'Two gentlemen from the insurance offices called on me this morning,
to see the letter.  They were completely puzzled--especially when they
heard of the bank-note inside.  But they know who sent the letter.
His lordship's doctor in Venice posted it at his lordship's request.
Go to the gentlemen yourself, sir, if you don't believe me.
They were polite enough to ask if I could account for Lord Montbarry's
writing to me and sending me the money.  I gave them my opinion directly--
I said it was like his lordship's kindness.'

'Like his lordship's kindness?'  Mr. Troy repeated, in blank amazement.

'Yes, sir!  Lord Montbarry knew me, like all the other members
of his family, when I was at school on the estate in Ireland.
If he could have done it, he would have protected my poor dear husband.
But he was helpless himself in the hands of my lady and the Baron--
and the only kind thing he could do was to provide for me in my widowhood,
like the true nobleman he was!'

'A very pretty explanation!' said Mr. Troy.  'What did your visitors
from the insurance offices think of it?'

'They asked if I had any proof of my husband's death.'

'And what did you say?'

'I said, "I give you better than proof, gentlemen; I give you
my positive opinion."'

'That satisfied them, of course?'

'They didn't say so in words, sir.  They looked at each other--
and wished me good-morning.'

'Well, Mrs. Ferrari, unless you have some more extraordinary
news for me, I think I shall wish you good-morning too.
I can take a note of your information (very startling information,
I own); and, in the absence of proof, I can do no more.'

'I can provide you with proof, sir--if that is all you want,'
said Mrs. Ferrari, with great dignity.  'I only wish
to know, first, whether the law justifies me in doing it.
You may have seen in the fashionable intelligence of the newspapers,
that Lady Montbarry has arrived in London, at Newbury's Hotel.
I propose to go and see her.'

'The deuce you do!  May I ask for what purpose?'

Mrs. Ferrari answered in a mysterious whisper.  'For the purpose
of catching her in a trap!  I shan't send in my name--I shall
announce myself as a person on business, and the first words I say
to her will be these:  "I come, my lady, to acknowledge the receipt
of the money sent to Ferrari's widow."  Ah! you may well start,
Mr. Troy!  It almost takes you off your guard, doesn't it?
Make your mind easy, sir; I shall find the proof that everybody
asks me for in her guilty face.  Let her only change colour by
the shadow of a shade--let her eyes only drop for half an instant--
I shall discover her!  The one thing I want to know is, does the law
permit it?'

'The law permits it,' Mr. Troy answered gravely; 'but whether her
ladyship will permit it, is quite another question.  Have you really
courage enough, Mrs. Ferrari, to carry out this notable scheme of yours?
You have been described to me, by Miss Lockwood, as rather a nervous,
timid sort of person--and, if I may trust my own observation,
I should say you justify the description.'

'If you had lived in the country, sir, instead of living in London,'
Mrs. Ferrari replied, 'you would sometimes have seen even a sheep
turn on a dog.  I am far from saying that I am a bold woman--
quite the reverse.  But when I stand in that wretch's presence, and think
of my murdered husband, the one of us two who is likely to be frightened
is not me.  I am going there now, sir.  You shall hear how it ends.
I wish you good-morning.'

With those brave words the courier's wife gathered her mantle about her,
and walked out of the room.

Mr. Troy smiled--not satirically, but compassionately.
'The little simpleton!' he thought to himself.  'If half of what
they say of Lady Montbarry is true, Mrs. Ferrari and her trap
have but a poor prospect before them.  I wonder how it will end?'

All Mr. Troy's experience failed to forewarn him of how it did end.





 CHAPTER X


In the mean time, Mrs. Ferrari held to her resolution.
She went straight from Mr. Troy's office to Newbury's Hotel.

Lady Montbarry was at home, and alone.  But the authorities
of the hotel hesitated to disturb her when they found that the
visitor declined to mention her name.  Her ladyship's new maid
happened to cross the hall while the matter was still in debate.
She was a Frenchwoman, and, on being appealed to, she settled
the question in the swift, easy, rational French way.
'Madame's appearance was perfectly respectable.  Madame might have
reasons for not mentioning her name which Miladi might approve.
In any case, there being no orders forbidding the introduction of a
strange lady, the matter clearly rested between Madame and Miladi.
Would Madame, therefore, be good enough to follow Miladi's maid up
the stairs?'

In spite of her resolution, Mrs. Ferrari's heart beat as if it
would burst out of her bosom, when her conductress led her into
an ante-room, and knocked at a door opening into a room beyond.
But it is remarkable that persons of sensitively-nervous organisation
are the very persons who are capable of forcing themselves
(apparently by the exercise of a spasmodic effort of will)
into the performance of acts of the most audacious courage.
A low, grave voice from the inner room said, 'Come in.'  The maid,
opening the door, announced, 'A person to see you, Miladi, on business,'
and immediately retired.  In the one instant while these events passed,
timid little Mrs. Ferrari mastered her own throbbing heart;
stepped over the threshold, conscious of her clammy hands, dry lips,
and burning head; and stood in the presence of Lord Montbarry's widow,
to all outward appearance as supremely self-possessed as her
ladyship herself.

It was still early in the afternoon, but the light in the room was dim.
The blinds were drawn down.  Lady Montbarry sat with her back to
the windows, as if even the subdued daylight were disagreeable to her.
She had altered sadly for the worse in her personal appearance,
since the memorable day when Doctor Wybrow had seen her in his
consulting-room. Her beauty was gone--her face had fallen away
to mere skin and bone; the contrast between her ghastly complexion
and her steely glittering black eyes was more startling than ever.
Robed in dismal black, relieved only by the brilliant whiteness
of her widow's cap--reclining in a panther-like suppleness of
attitude on a little green sofa--she looked at the stranger who had
intruded on her, with a moment's languid curiosity, then dropped
her eyes again to the hand-screen which she held between her face
and the fire.  'I don't know you,' she said.  'What do you want
with me?'

Mrs. Ferrari tried to answer.  Her first burst of courage had already
worn itself out.  The bold words that she had determined to speak
were living words still in her mind, but they died on her lips.

There was a moment of silence.  Lady Montbarry looked round
again at the speechless stranger.  'Are you deaf?' she asked.
There was another pause.  Lady Montbarry quietly looked back again
at the screen, and put another question.  'Do you want money?'

'Money!'  That one word roused the sinking spirit of the courier's wife.
She recovered her courage; she found her voice.  'Look at me, my lady,
if you please,' she said, with a sudden outbreak of audacity.

Lady Montbarry looked round for the third time.  The fatal words
passed Mrs. Ferrari's lips.

'I come, my lady, to acknowledge the receipt of the money sent
to Ferrari's widow.'

Lady Montbarry's glittering black eyes rested with steady
attention on the woman who had addressed her in those terms.
Not the faintest expression of confusion or alarm, not even a momentary
flutter of interest stirred the deadly stillness of her face.
She reposed as quietly, she held the screen as composedly, as ever.
The test had been tried, and had utterly failed.

There was another silence.  Lady Montbarry considered with herself.
The smile that came slowly and went away suddenly--the smile
at once so sad and so cruel--showed itself on her thin lips.
She lifted her screen, and pointed with it to a seat at the
farther end of the room.  'Be so good as to take that chair,'
she said.

Helpless under her first bewildering sense of failure--not knowing
what to say or what to do next--Mrs. Ferrari mechanically obeyed.
Lady Montbarry, rising on the sofa for the first time, watched her
with undisguised scrutiny as she crossed the room--then sank back
into a reclining position once more.  'No,' she said to herself,
'the woman walks steadily; she is not intoxicated--the only other
possibility is that she may be mad.'

She had spoken loud enough to be heard.  Stung by the insult,
Mrs. Ferrari instantly answered her:  'I am no more drunk or mad
than you are!'

'No?' said Lady Montbarry.  'Then you are only insolent?
The ignorant English mind (I have observed) is apt to be insolent in
the exercise of unrestrained English liberty.  This is very noticeable
to us foreigners among you people in the streets.  Of course I can't
be insolent to you, in return.  I hardly know what to say to you.
My maid was imprudent in admitting you so easily to my room.
I suppose your respectable appearance misled her.  I wonder who you are?
You mentioned the name of a courier who left us very strangely.
Was he married by any chance?  Are you his wife?  And do you know where
he is?'

Mrs. Ferrari's indignation burst its way through all restraints.
She advanced to the sofa; she feared nothing, in the fervour and rage
of her reply.

'I am his widow--and you know it, you wicked woman!
Ah! it was an evil hour when Miss Lockwood recommended my husband
to be his lordship's courier--!'

Before she could add another word, Lady Montbarry sprang from the sofa
with the stealthy suddenness of a cat--seized her by both shoulders--
and shook her with the strength and frenzy of a madwoman.  'You lie!
you lie! you lie!'  She dropped her hold at the third repetition of
the accusation, and threw up her hands wildly with a gesture of despair.
'Oh, Jesu Maria! is it possible?' she cried.  'Can the courier
have come to me through that woman?'  She turned like lightning
on Mrs. Ferrari, and stopped her as she was escaping from the room.
'Stay here, you fool--stay here, and answer me!  If you cry out, as sure
as the heavens are above you, I'll strangle you with my own hands.
Sit down again--and fear nothing.  Wretch!  It is I who am frightened--
frightened out of my senses.  Confess that you lied, when you used
Miss Lockwood's name just now!  No!  I don't believe you on your oath;
I will believe nobody but Miss Lockwood herself.  Where does she live?
Tell me that, you noxious stinging little insect--and you may go.'
Terrified as she was, Mrs. Ferrari hesitated.  Lady Montbarry lifted
her hands threateningly, with the long, lean, yellow-white fingers
outspread and crooked at the tips.  Mrs. Ferrari shrank at the sight
of them, and gave the address.  Lady Montbarry pointed contemptuously
to the door--then changed her mind.  'No! not yet! you will tell
Miss Lockwood what has happened, and she may refuse to see me.
I will go there at once, and you shall go with me.  As far as the house--
not inside of it.  Sit down again.  I am going to ring for my maid.
Turn your back to the door--your cowardly face is not fit to be
seen!'

She rang the bell.  The maid appeared.

'My cloak and bonnet--instantly!'

The maid produced the cloak and bonnet from the bedroom.

'A cab at the door--before I can count ten!'

The maid vanished.  Lady Montbarry surveyed herself in the glass,
and wheeled round again, with her cat-like suddenness, to Mrs. Ferrari.

'I look more than half dead already, don't I?' she said with a grim
outburst of irony.  'Give me your arm.'

She took Mrs. Ferrari's arm, and left the room.  'You have nothing
to fear, so long as you obey,' she whispered, on the way downstairs.
'You leave me at Miss Lockwood's door, and never see me again.'

In the hall they were met by the landlady of the hotel.
Lady Montbarry graciously presented her companion.
'My good friend Mrs. Ferrari; I am so glad to have seen her.'
The landlady accompanied them to the door.  The cab was waiting.
'Get in first, good Mrs. Ferrari,' said her ladyship; 'and tell the man
where to go.'

They were driven away.  Lady Montbarry's variable humour changed again.
With a low groan of misery, she threw herself back in the cab.
Lost in her own dark thoughts, as careless of the woman whom she
had bent to her iron will as if no such person sat by her side,
she preserved a sinister silence, until they reached the house where
Miss Lockwood lodged.  In an instant, she roused herself to action.
She opened the door of the cab, and closed it again on Mrs. Ferrari,
before the driver could get off his box.

'Take that lady a mile farther on her way home!' she said,
as she paid the man his fare.  The next moment she had knocked
at the house-door. 'Is Miss Lockwood at home?'  'Yes, ma'am.'
She stepped over the threshold--the door closed on her.

'Which way, ma'am?' asked the driver of the cab.

Mrs. Ferrari put her hand to her head, and tried to collect her thoughts.
Could she leave her friend and benefactress helpless at Lady
Montbarry's mercy?  She was still vainly endeavouring to decide on
the course that she ought to follow--when a gentleman, stopping at Miss
Lockwood's door, happened to look towards the cab-window, and saw her.

'Are you going to call on Miss Agnes too?'he asked.

It was Henry Westwick.  Mrs. Ferrari clasped her hands in gratitude
as she recognised him.

'Go in, sir!' she cried.  'Go in, directly.  That dreadful woman
is with Miss Agnes.  Go and protect her!'

'What woman?'  Henry asked.

The answer literally struck him speechless.  With amazement
and indignation in his face, he looked at Mrs. Ferrari as she
pronounced the hated name of 'Lady Montbarry.'  'I'll see to it,'
was all he said.  He knocked at the house-door; and he too, in his turn,
was let in.





CHAPTER XI


'Lady Montbarry, Miss.'

Agnes was writing a letter, when the servant astonished
her by announcing the visitor's name.  Her first impulse was
to refuse to see the woman who had intruded on her.  But Lady
Montbarry had taken care to follow close on the servant's heels.
Before Agnes could speak, she had entered the room.

'I beg to apologise for my intrusion, Miss Lockwood.
I have a question to ask you, in which I am very much interested.
No one can answer me but yourself.'  In low hesitating tones,
with her glittering black eyes bent modestly on the ground,
Lady Montbarry opened the interview in those words.

Without answering, Agnes pointed to a chair.  She could do this,
and, for the time, she could do no more.  All that she had read
of the hidden and sinister life in the palace at Venice; all that she
had heard of Montbarry's melancholy death and burial in a foreign land;
all that she knew of the mystery of Ferrari's disappearance,
rushed into her mind, when the black-robed figure confronted her,
standing just inside the door.  The strange conduct of Lady Montbarry
added a new perplexity to the doubts and misgivings that troubled her.
There stood the adventuress whose character had left its mark on
society all over Europe--the Fury who had terrified Mrs. Ferrari at
the hotel--inconceivably transformed into a timid, shrinking woman!
Lady Montbarry had not once ventured to look at Agnes, since she
had made her way into the room.  Advancing to take the chair
that had been pointed out to her, she hesitated, put her hand
on the rail to support herself, and still remained standing.
'Please give me a moment to compose myself,' she said faintly.  Her head
sank on her bosom:  she stood before Agnes like a conscious culprit
before a merciless judge.

The silence that followed was, literally, the silence of fear
on both sides.  In the midst of it, the door was opened once more--
and Henry Westwick appeared.

He looked at Lady Montbarry with a moment's steady attention--
bowed to her with formal politeness--and passed on in silence.
At the sight of her husband's brother, the sinking spirit of the woman
sprang to life again.  Her drooping figure became erect.  Her eyes met
Westwick's look, brightly defiant.  She returned his bow with an icy
smile of contempt.

Henry crossed the room to Agnes.

'Is Lady Montbarry here by your invitation?' he asked quietly.

'No.'

'Do you wish to see her?'

'It is very painful to me to see her.'

He turned and looked at his sister-in-law. 'Do you hear that?'
he asked coldly.

'I hear it,' she answered, more coldly still.

'Your visit is, to say the least of it, ill-timed.'

'Your interference is, to say the least of it, out of place.'

With that retort, Lady Montbarry approached Agnes.  The presence
of Henry Westwick seemed at once to relieve and embolden her.
'Permit me to ask my question, Miss Lockwood,' she said,
with graceful courtesy.  'It is nothing to embarrass you.
When the courier Ferrari applied to my late husband for employment,
did you--' Her resolution failed her, before she could say more.
She sank trembling into the nearest chair, and, after a moment's
struggle, composed herself again.  'Did you permit Ferrari,'
she resumed, 'to make sure of being chosen for our courier by using
your name?'

Agnes did not reply with her customary directness.  Trifling as it was,
the reference to Montbarry, proceeding from that woman of all others,
confused and agitated her.

'I have known Ferrari's wife for many years,' she began.
'And I take an interest--'

Lady Montbarry abruptly lifted her hands with a gesture of entreaty.
'Ah, Miss Lockwood, don't waste time by talking of his wife!
Answer my

plain question, plainly!'

'Let me answer her,' Henry whispered.  'I will undertake to speak
plainly enough.'

Agnes refused by a gesture.  Lady Montbarry's interruption
had roused her sense of what was due to herself.  She resumed
her reply in plainer terms.

'When Ferrari wrote to the late Lord Montbarry,' she said, 'he did
certainly mention my name.'

Even now, she had innocently failed to see the object which her visitor
had in view.  Lady Montbarry's impatience became ungovernable.
She started to her feet, and advanced to Agnes.

'Was it with your knowledge and permission that Ferrari used
your name?' she asked.  'The whole soul of my question is in that.
For God's sake answer me--Yes, or No!'

'Yes.'

That one word struck Lady Montbarry as a blow might have struck her.
The fierce life that had animated her face the instant before,
faded out of it suddenly, and left her like a woman turned to stone.
She stood, mechanically confronting Agnes, with a stillness so wrapt
and perfect that not even the breath she drew was perceptible to the two
persons who were looking at her.

Henry spoke to her roughly.  'Rouse yourself,' he said.
'You have received your answer.'

She looked round at him.  'I have received my Sentence,' she rejoined--
and turned slowly to leave the room.

To Henry's astonishment, Agnes stopped her.  'Wait a moment,
Lady Montbarry.  I have something to ask on my side.  You have spoken
of Ferrari.  I wish to speak of him too.'

Lady Montbarry bent her head in silence.  Her hand trembled as she
took out her handkerchief, and passed it over her forehead.
Agnes detected the trembling, and shrank back a step.  'Is the subject
painful to you?' she asked timidly.

Still silent, Lady Montbarry invited her by a wave of the hand to go on.
Henry approached, attentively watching his sister-in-law. Agnes
went on.

'No trace of Ferrari has been discovered in England,' she said.
'Have you any news of him?  And will you tell me (if you have heard
anything), in mercy to his wife?'

Lady Montbarry's thin lips suddenly relaxed into their sad
and cruel smile.

'Why do you ask me about the lost courier?' she said.
'You will know what has become of him, Miss Lockwood, when the time
is ripe for it.'

Agnes started.  'I don't understand you,' she said.  'How shall I know?
Will some one tell me?'

'Some one will tell you.'

Henry could keep silence no longer.  'Perhaps, your ladyship
may be the person?' he interrupted with ironical politeness.

She answered him with contemptuous ease.  'You may be right,
Mr. Westwick.  One day or another, I may be the person who tells
Miss Lockwood what has become of Ferrari, if--' She stopped;
with her eyes fixed on Agnes.

'If what?'  Henry asked.

'If Miss Lockwood forces me to it.'

Agnes listened in astonishment.  'Force you to it?' she repeated.
'How can I do that?  Do you mean to say my will is stronger
than yours?'

'Do you mean to say that the candle doesn't burn the moth,
when the moth flies into it?'  Lady Montbarry rejoined.  'Have you
ever heard of such a thing as the fascination of terror?  I am drawn
to you by a fascination of terror.  I have no right to visit you,
I have no wish to visit you:  you are my enemy.  For the first time
in my life, against my own will, I submit to my enemy.  See!  I am
waiting because you told me to wait--and the fear of you (I swear it!)
creeps through me while I stand here.  Oh, don't let me excite
your curiosity or your pity!  Follow the example of Mr. Westwick.
Be hard and brutal and unforgiving, like him.  Grant me my release.
Tell me to go.'

The frank and simple nature of Agnes could discover but one
intelligible meaning in this strange outbreak.

'You are mistaken in thinking me your enemy,' she said.
'The wrong you did me when you gave your hand to Lord Montbarry was
not intentionally done.  I forgave you my sufferings in his lifetime.
I forgive you even more freely now that he has gone.'

Henry heard her with mingled emotions of admiration and distress.
'Say no more!' he exclaimed.  'You are too good to her; she is not
worthy of it.'

The interruption passed unheeded by Lady Montbarry.  The simple
words in which Agnes had replied seemed to have absorbed the whole
attention of this strangely-changeable woman.  As she listened,
her face settled slowly into an expression of hard and tearless sorrow.
There was a marked change in her voice when she spoke next.
It expressed that last worst resignation which has done with hope.

'You good innocent creature,' she said, 'what does your
amiable forgiveness matter?  What are your poor little wrongs,
in the reckoning for greater wrongs which is demanded of me?
I am not trying to frighten you, I am only miserable about myself.
Do you know what it is to have a firm presentiment of calamity that
is coming to you--and yet to hope that your own positive conviction
will not prove true?  When I first met you, before my marriage,
and first felt your influence over me, I had that hope.
It was a starveling sort of hope that lived a lingering life in me
until to-day. You struck it dead, when you answered my question
about Ferrari.'

'How have I destroyed your hopes?'  Agnes asked.  'What connection is
there between my permitting Ferrari to use my name to Lord Montbarry,
and the strange and dreadful things you are saying to me now?'

'The time is near, Miss Lockwood, when you will discover that
for yourself.  In the mean while, you shall know what my fear of you is,
in the plainest words I can find.  On the day when I took your hero
from you and blighted your life--I am firmly persuaded of it!--
you were made the instrument of the retribution that my sins
of many years had deserved.  Oh, such things have happened before
to-day! One person has, before now, been the means of innocently
ripening the growth of evil in another.  You have done that already--
and you have more to do yet.  You have still to bring me to the day
of discovery, and to the punishment that is my doom.  We shall
meet again--here in England, or there in Venice where my husband died--
and meet for the last time.'

In spite of her better sense, in spite of her natural
superiority to superstitions of all kinds, Agnes was impressed
by the terrible earnestness with which those words were spoken.
She turned pale as she looked at Henry.  'Do you understand her?'
she asked.

'Nothing is easier than to understand her,' he replied contemptuously.
'She knows what has become of Ferrari; and she is confusing you
in a cloud of nonsense, because she daren't own the truth.
Let her go!'

If a dog had been under one of the chairs, and had barked,
Lady Montbarry could not have proceeded more impenetrably
with the last words she had to say to Agnes.

'Advise your interesting Mrs. Ferrari to wait a little longer,'
she said.  'You will know what has become of her husband, and you
will tell her.  There will be nothing to alarm you.  Some trifling
event will bring us together the next time--as trifling, I dare say,
as the engagement of Ferrari.  Sad nonsense, Mr. Westwick, is it not?
But you make allowances for women; we all talk nonsense.  Good morning,
Miss Lockwood.'

She opened the door--suddenly, as if she was afraid of being called
back for the second time--and left them.





CHAPTER XII


'Do you think she is mad?'  Agnes asked.

'I think she is simply wicked.  False, superstitious, inveterately cruel--
but not mad.  I believe her main motive in coming here was to enjoy
the luxury of frightening you.'

'She has frightened me.  I am ashamed to own it--but so it is.'

Henry looked at her, hesitated for a moment, and seated himself
on the sofa by her side.

'I am very anxious about you, Agnes,' he said.  'But for the fortunate
chance which led me to call here to-day--who knows what that vile
woman might not have said or done, if she had found you alone?
My dear, you are leading a sadly unprotected solitary life.
I don't like to think of it; I want to see it changed--especially after
what has happened to-day. No! no! it is useless to tell me that you
have your old nurse.  She is too old; she is not in your rank
of life--there is no sufficient protection in the companionship
of such a person for a lady in your position.  Don't mistake me,
Agnes! what I say, I say in the sincerity of my devotion to you.'
He paused, and took her hand.  She made a feeble effort to withdraw it--
and yielded.  'Will the day never come,' he pleaded, 'when the privilege
of protecting you may be mine? when you will be the pride and joy
of my life, as long as my life lasts?'  He pressed her hand gently.
She made no reply.  The colour came and went on her face; her eyes
were turned away from him.  'Have I been so unhappy as to offend you?'
he asked.

She answered that--she said, almost in a whisper, 'No.'

'Have I distressed you?'

'You have made me think of the sad days that are gone.'  She said no more;
she only tried to withdraw her hand from his for the second time.
He still held it; he lifted it to his lips.



'Can I never make you think of other days than those--of the happier
days to come?  Or, if you must think of the time that is passed,
can you not look back to the time when I first loved you?'

She sighed as he put the question.  'Spare me Henry,' she answered sadly.
'Say no more!'

The colour again rose in her cheeks; her hand trembled in his.
She looked lovely, with her eyes cast down and her bosom heaving gently.
At that moment he would have given everything he had in the world
to take her in his arms and kiss her.  Some mysterious sympathy,
passing from his hand to hers, seemed to tell her what was in his mind.
She snatched her hand away, and suddenly looked up at him.
The tears were in her eyes.  She said nothing; she let her eyes
speak for her.  They warned him--without anger, without unkindness--
but still they warned him to press her no further that day.

'Only tell me that I am forgiven,' he said, as he rose from the sofa.

'Yes,' she answered quietly, 'you are forgiven.'

'I have not lowered myself in your estimation, Agnes?'

'Oh, no!'

'Do you wish me to leave you?'

She rose, in her turn, from the sofa, and walked to her writing-table
before she replied.  The unfinished letter which she had been writing
when Lady Montbarry interrupted her, lay open on the blotting-book.
As she looked at the letter, and then looked at Henry, the smile
that charmed everybody showed itself in her face.

'You must not go just yet,' she said:  'I have something to tell you.
I hardly know how to express it.  The shortest way perhaps will be to let
you find it out for yourself.  You have been speaking of my lonely
unprotected life here.  It is not a very happy life, Henry--I own that.'
She paused, observing the growing anxiety of his expression
as he looked at her, with a shy satisfaction that perplexed him.
'Do you know that I have anticipated your idea?' she went on.
'I am going to make a great change in my life--if your brother
Stephen and his wife will only consent to it.'  She opened the desk
of the writing-table while she spoke, took a letter out, and handed it
to Henry.

He received it from her mechanically.  Vague doubts, which he hardly
understood himself, kept him silent.  It was impossible that the 'change
in her life' of which she had spoken could mean that she was about
to be married--and yet he was conscious of a perfectly unreasonable
reluctance to open the letter.  Their eyes met; she smiled again.
'Look at the address,' she said.  'You ought to know the handwriting--
but I dare say you don't.'

He looked at the address.  It was in the large, irregular,
uncertain writing of a child.  He opened the letter instantly.

'Dear Aunt Agnes,--Our governess is going away.  She has had money
left to her, and a house of her own.  We have had cake and wine
to drink her health.  You promised to be our governess if we
wanted another.  We want you.  Mamma knows nothing about this.
Please come before Mamma can get another governess.  Your loving Lucy,
who writes this.  Clara and Blanche have tried to write too.
But they are too young to do it.  They blot the paper.'

'Your eldest niece,' Agnes explained, as Henry looked at her in amazement.
'The children used to call me aunt when I was staying with their
mother in Ireland, in the autumn.  The three girls were my
inseparable companions--they are the most charming children I know.
It is quite true that I offered to be their governess, if they
ever wanted one, on the day when I left them to return to London.
I was writing to propose it to their mother, just before you came.'

'Not seriously!'  Henry exclaimed.

Agnes placed her unfinished letter in his hand.  Enough of it had been
written to show that she did seriously propose to enter the household
of Mr. and Mrs. Stephen Westwick as governess to their children!
Henry's bewilderment was not to be expressed in words.

'They won't believe you are in earnest,' he said.

'Why not?'  Agnes asked quietly.

'You are my brother Stephen's cousin; you are his wife's old friend.'

'All the more reason, Henry, for trusting me with the charge
of their children.'

'But you are their equal; you are not obliged to get your living
by teaching.  There is something absurd in your entering their
service as a governess!'

'What is there absurd in it?  The children love me; the mother loves me;
the father has shown me innumerable instances of his true friendship
and regard.  I am the very woman for the place--and, as to my education,
I must have completely forgotten it indeed, if I am not fit to teach
three children the eldest of whom is only eleven years old.
You say I am their equal.  Are there no other women who serve
as governesses, and who are the equals of the persons whom
they serve?  Besides, I don't know that I am their equal.
Have I not heard that your brother Stephen was the next heir to
the title?  Will he not be the new lord?  Never mind answering me!
We won't dispute whether I mn right or wrong in turning governess--
we will wait the event.  I am weary of my lonely useless existence here,
and eager to make my life more happy and more useful, in the household
of all others in which I should like most to have a place.
If you will look again, you will see that I have these personal
considerations still to urge before I finish my letter.
You don't know your brother and his wife as well as I do, if you doubt
their answer.  I believe they have courage enough and heart enough to
say Yes.'

Henry submitted without being convinced.

He was a man who disliked all eccentric departures from custom and routine;
and he felt especially suspicious of the change proposed in the life
of Agnes.  With new interests to occupy her mind, she might be less
favourably disposed to listen to him, on the next occasion when
he urged his suit.  The influence of the 'lonely useless existence'
of which she complained, was distinctly an influence in his favour.
While her heart was empty, her heart was accessible.
But with his nieces in full possession of it, the clouds of doubt
overshadowed his prospects.  He knew the sex well enough to keep
these purely selfish perplexities to himself.  The waiting policy was
especially the policy to pursue with a woman as sensitive as Agnes.
If he once offended her delicacy he was lost.  For the moment he wisely
controlled himself and changed the subject.

'My little niece's letter has had an effect,' he said,
'which the child never contemplated in writing it.  She has just
reminded me of one of the objects that I had in calling on you to-day.'

Agnes looked at the child's letter.  'How does Lucy do that?'
she asked.

'Lucy's governess is not the only lucky person who has had money
left her,' Henry answered.  'Is your old nurse in the house?'

'You don't mean to say that nurse has got a legacy?'

'She has got a hundred pounds.  Send for her, Agnes, while I show
you the letter.'

He took a handful of letters from his pocket, and looked through them,
while Agnes rang the bell.  Returning to him, she noticed a printed
letter among the rest, which lay open on the table.  It was a
'prospectus,' and the title of it was 'Palace Hotel Company of Venice
(Limited).' The two words, 'Palace' and 'Venice,' instantly recalled
her mind to the unwelcome visit of Lady Montbarry.  'What is that?'
she asked, pointing to the title.

Henry suspended his search, and glanced at the prospectus.
'A really promising speculation,' he said.  'Large hotels always
pay well, if they are well managed.  I know the man who is appointed
to be manager of this hotel when it is opened to the public;
and I have such entire confidence in him that I have become one of
the shareholders of the Company.'

The reply did not appear to satisfy Agnes.  'Why is the hotel
called the "Palace Hotel"?' she inquired.

Henry looked at her, and at once penetrated her motive for asking
the question.  'Yes,' he said, 'it is the palace that Montbarry
hired at Venice; and it has been purchased by the Company to be
changed into an hotel.'

Agnes turned away in silence, and took a chair at the farther
end of the room.  Henry had disappointed her.  His income as a
younger son stood in need, as she well knew, of all the additions
that he could make to it by successful speculation.  But she was
unreasonable enough, nevertheless, to disapprove of his attempting
to make money already out of the house in which his brother had died.
Incapable of understanding this purely sentimental view of a plain
matter of business, Henry returned to his papers, in some perplexity
at the sudden change in the manner of Agnes towards him.
Just as he found the letter of which he was in search, the nurse
made her appearance.  He glanced at Agnes, expecting that she would
speak first.  She never even looked up when the nurse came in.
It was left to Henry to tell the old woman why the bell had summoned her
to the drawing-room.

'Well, nurse,' he said, 'you have had a windfall of luck.
You have had a legacy left you of a hundred pounds.'

The nurse showed no outward signs of exultation.  She waited a little
to get the announcement of the legacy well settled in her mind--
and then she said quietly, 'Master Henry, who gives me that money,
if you please?'

'My late brother, Lord Montbarry, gives it to you.'  (Agnes instantly
looked up, interested in the matter for the first time.  Henry went on.)
'His will leaves legacies to the surviving old servants of the family.
There is a letter from his lawyers, authorising you to apply to them
for the money.'

In every class of society, gratitude is the rarest of all human virtues.
In the nurse's class it is extremely rare.  Her opinion of the man
who had deceived and deserted her mistress remained the same
opinion still, perfectly undisturbed by the passing circumstance
of the legacy.

'I wonder who reminded my lord of the old servants?' she said.
'He would never have heart enough to remember them himself!'

Agnes suddenly interposed.  Nature, always abhorring monotony,
institutes reserves of temper as elements in the composition of the
gentlest women living.  Even Agnes could, on rare occasions, be angry.
The nurse's view of Montbarry's character seemed to have provoked
her beyond endurance.

'If you have any sense of shame in you,' she broke out, 'you ought
to be ashamed of what you have just said!  Your ingratitude disgusts me.
I leave you to speak with her, Henry--you won't mind it!'
With this significant intimation that he too had dropped out of his
customary place in her good opinion, she left the room.

The nurse received the smart reproof administered to her with
every appearance of feeling rather amused by it than not.
When the door had closed, this female philosopher winked at Henry.

'There's a power of obstinacy in young women,' she remarked.
'Miss Agnes wouldn't give my lord up as a bad one, even when
he jilted her.  And now she's sweet on him after he's dead.
Say a word against him, and she fires up as you see.  All obstinacy!
It will wear out with time.  Stick to her, Master Henry--
stick to her!'

'She doesn't seem to have offended you,' said Henry.

'She?' the nurse repeated in amazement--'she offend me?
I like her in her tantrums; it reminds me of her when she was a baby.
Lord bless you! when I go to bid her good-night, she'll give
me a big kiss, poor dear--and say, Nurse, I didn't mean it!
About this money, Master Henry?  If I was younger I should
spend it in dress and jewellery.  But I'm too old for that.
What shall I do with my legacy when I have got it?'

'Put it out at interest,' Henry suggested.  'Get so much a year for it,
you know.'  'How much shall I get?' the nurse asked.

'If you put your hundred pounds into the Funds, you will get
between three and four pounds a year.'

The nurse shook her head.  'Three or four pounds a year?  That won't do!
I want more than that.  Look here, Master Henry.  I don't care about
this bit of money--I never did like the man who has left it to me,
though he was your brother.  If I lost it all to-morrow, I shouldn't
break my heart; I'm well enough off, as it is, for the rest of my days.
They say you're a speculator.  Put me in for a good thing,
there's a dear!  Neck-or-nothing--and that for the Funds!'
She snapped her fingers to express her contempt for security of
investment at three per cent.

Henry produced the prospectus of the Venetian Hotel Company.
'You're a funny old woman,' he said.  'There, you dashing speculator--
there is neck-or-nothing for you!  You must keep it a secret from
Miss Agnes, mind.  I'm not at all sure that she would approve of my
helping you to this investment.'

The nurse took out her spectacles.  'Six per cent.  guaranteed,' she read;
'and the Directors have every reason to believe that ten per cent.,
or more, will be ultimately realised to the shareholders by the hotel.'
'Put me into that, Master Henry!  And, wherever you go, for Heaven's
sake recommend the hotel to your friends!'

So the nurse, following Henry's mercenary example, had her
pecuniary interest, too, in the house in which Lord Montbarry had died.

Three days passed before Henry was able to visit Agnes again.
In that time, the little cloud between them had entirely passed away.
Agnes received him with even more than her customary kindness.
She was in better spirits than usual.  Her letter to Mrs. Stephen
Westwick had been answered by return of post; and her proposal had
been joyfully accepted, with one modification.  She was to visit
the Westwicks for a month--and, if she really liked teaching the children,
she was then to be governess, aunt, and cousin, all in one--
and was only to go away in an event which her friends in Ireland
persisted in contemplating, the event of her marriage.

'You see I was right,' she said to Henry.

He was still incredulous.  'Are you really going?' he asked.

'I am going next week.'

'When shall I see you again?'

'You know you are always welcome at your brother's house.
You can see me when you like.'  She held out her hand.  'Pardon me
for leaving you--I am beginning to pack up already.'

Henry tried to kiss her at parting.  She drew back directly.

'Why not?  I am your cousin,' he said.

'I don't like it,' she answered.

Henry looked at her, and submitted.  Her refusal to grant him his
privilege as a cousin was a good sign--it was indirectly an act
of encouragement to him in the character of her lover.

On the first day in the new week, Agnes left London on her way to Ireland.
As the event proved, this was not destined to be the end of her journey.
The way to Ireland was only the first stage on a roundabout road--
the road that led to the palace at Venice.







                     THE THIRD PART





                      CHAPTER XIII


In the spring of the year 1861, Agnes was established at the country-seat
of her two friends--now promoted (on the death of the first lord,
without offspring) to be the new Lord and Lady Montbarry.
The old nurse was not separated from her mistress.  A place,
suited to her time of life, had been found for her in the pleasant
Irish household.  She was perfectly happy in her new sphere;
and she spent her first half-year's dividend from the Venice
Hotel Company, with characteristic prodigality, in presents for
the children.

Early in the year, also, the Directors of the life insurance offices
submitted to circumstances, and paid the ten thousand pounds.
Immediately afterwards, the widow of the first Lord Montbarry
(otherwise, the dowager Lady Montbarry) left England, with Baron Rivar,
for the United States.  The Baron's object was announced, in the scientific
columns of the newspapers, to be investigation into the present
state of experimental chemistry in the great American republic.
His sister informed inquiring friends that she accompanied him,
in the hope of finding consolation in change of scene after the bereavement
that had fallen on her.  Hearing this news from Henry Westwick
(then paying a visit at his brother's house), Agnes was conscious
of a certain sense of relief.  'With the Atlantic between us,'
she said, 'surely I have done with that terrible woman now!'

Barely a week passed after those words had been spoken, before an
event happened which reminded Agnes of 'the terrible woman'
once more.

On that day, Henry's engagements had obliged him to return to London.
He had ventured, on the morning of his departure, to press his
suit once more on Agnes; and the children, as he had anticipated,
proved to be innocent obstacles in the way of his success.
On the other hand, he had privately secured a firm ally in his
sister-in-law. 'Have a little patience,' the new Lady Montbarry
had said, 'and leave me to turn the influence of the children
in the right direction.  If they can persuade her to listen to you--
they shall!'

The two ladies had accompanied Henry, and some other guests
who went away at the same time, to the railway station,
and had just driven back to the house, when the servant announced
that 'a person of the name of Rolland was waiting to see her ladyship.'

'Is it a woman?'

'Yes, my lady.'

Young Lady Montbarry turned to Agnes.

'This is the very person,' she said, 'whom your lawyer thought
likely to help him, when he was trying to trace the lost courier.'

'You don't mean the English maid who was with Lady Montbarry
at Venice?'

'My dear! don't speak of Montbarry's horrid widow by the name
which is my name now.  Stephen and I have arranged to call her by
her foreign title, before she was married.  I am "Lady Montbarry,"
and she is "the Countess."  In that way there will be no confusion.--
Yes, Mrs. Rolland was in my service before she became the Countess's maid.
She was a perfectly trustworthy person, with one defect that obliged
me to send her away--a sullen temper which led to perpetual complaints
of her in the servants' hall.  Would you like to see her?'

Agnes accepted the proposal, in the faint hope of getting some
information for the courier's wife.  The complete defeat of every attempt
to trace the lost man had been accepted as final by Mrs. Ferrari.
She had deliberately arrayed herself in widow's mourning;
and was earning her livelihood in an employment which the unwearied
kindness of Agnes had procured for her in London.  The last chance
of penetrating the mystery of Ferrari's disappearance seemed to rest
now on what Ferrari's former fellow-servant might be able to tell.
With highly-wrought expectations, Agnes followed her friend into the room
in which Mrs. Rolland was waiting.

A tall bony woman, in the autumn of life, with sunken eyes and
iron-grey hair, rose stiffly from her chair, and saluted the ladies
with stern submission as they opened the door.  A person of
unblemished character, evidently--but not without visible drawbacks.
Big bushy eyebrows, an awfully deep and solemn voice, a harsh
unbending manner, a complete absence in her figure of the undulating
lines characteristic of the sex, presented Virtue in this excellent
person under its least alluring aspect.  Strangers, on a first
introduction to her, were accustomed to wonder why she was not a man.

'Are you pretty well, Mrs. Rolland?'

'I am as well as I can expect to be, my lady, at my time of life.'

'Is there anything I can do for you?'

'Your ladyship can do me a great favour, if you will please
speak to my character while I was in your service.  I am offered
a place, to wait on an invalid lady who has lately come to live
in this neighbourhood.'

'Ah, yes--I have heard of her.  A Mrs. Carbury, with a very pretty niece
I am told.  But, Mrs. Rolland, you left my service some time ago.
Mrs. Carbury will surely expect you to refer to the last mistress
by whom you were employed.'

A flash of virtuous indignation irradiated Mrs. Rolland's sunken eyes.
She coughed before she answered, as if her 'last mistress'
stuck in her throat.

'I have explained to Mrs. Carbury, my lady, that the person I last served--
I really cannot give her her title in your ladyship's presence!--
has left England for America.  Mrs. Carbury knows that I quitted
the person of my own free will, and knows why, and approves of my
conduct so far.  A word from your ladyship will be amply sufficient
to get me the situation.'

'Very well, Mrs. Rolland, I have no objection to be your reference,
under the circumstances.  Mrs. Carbury will find me at home to-morrow
until two o'clock.'

'Mrs. Carbury is not well enough to leave the house, my lady.
Her niece, Miss Haldane, will call and make the inquiries, if your
ladyship has no objection.'

'I have not the least objection.  The pretty niece carries
her own welcome with her.  Wait a minute, Mrs. Rolland.
This lady is Miss Lockwood--my husband's cousin, and my friend.
She is anxious to speak to you about the courier who was in the late
Lord Montbarry's service at Venice.'

Mrs. Rolland's bushy eyebrows frowned in stern disapproval of
the new topic of conversation.  'I regret to hear it, my lady,'
was all she said.

'Perhaps you have not been informed of what happened after you
left Venice?'  Agnes ventured to add.  'Ferrari left the palace secretly;
and he has never been heard of since.'

Mrs. Rolland mysteriously closed her eyes--as if to exclude some vision
of the lost courier which was of a nature to disturb a respectable woman.
'Nothing that Mr. Ferrari could do would surprise me,' she replied
in her deepest bass tones.

'You speak rather harshly of him,' said Agnes.

Mrs. Rolland suddenly opened her eyes again.  'I speak harshly
of nobody without reason,' she said.  'Mr. Ferrari behaved to me,
Miss Lockwood, as no man living has ever behaved--before or since.'

'What did he do?'

Mrs. Rolland answered, with a stony stare of horror:--

'He took liberties with me.'

Young Lady Montbarry suddenly turned aside, and put her handkerchief
over her mouth in convulsions of suppressed laughter.

Mrs. Rolland went on, with a grim enjoyment of the bewilderment
which her reply had produced in Agnes:  'And when I insisted
on an apology, Miss, he had the audacity to say that the life
at the palace was dull, and he didn't know how else to amuse himself!'

'I am afraid I have hardly made myself understood,' said Agnes.
'I am not speaking to you out of any interest in Ferrari.
Are you aware that he is married?'

'I pity his wife,' said Mrs. Rolland.

'She is naturally in great grief about him,' Agnes proceeded.

'She ought to thank God she is rid of him,' Mrs. Rolland interposed.

Agnes still persisted.  'I have known Mrs. Ferrari from her childhood,
and I am sincerely anxious to help her in this matter.  Did you
notice anything, while you were at Venice, that would account for
her husband's extraordinary disappearance?  On what sort of terms,
for instance, did he live with his master and mistress?'

'On terms of familiarity with his mistress,' said Mrs. Rolland,
'which were simply sickening to a respectable English servant.
She used to encourage him to talk to her about all his affairs--
how he got on with his wife, and how pressed he was for money,
and such like--just as if they were equals.  Contemptible--that's what I
call it.'

'And his master?'  Agnes continued.  'How did Ferrari get
on with Lord Montbarry?'

'My lord used to live shut up with his studies and his sorrows,'
Mrs. Rolland answered, with a hard solemnity expressive of respect
for his lordship's memory.  Mr. Ferrari got his money when it was due;
and he cared for nothing else.  "If I could afford it, I would
leave the place too; but I can't afford it."  Those were the last
words he said to me, on the morning when I left the palace.
I made no reply.  After what had happened (on that other occasion)
I was naturally not on speaking terms with Mr. Ferrari.'

'Can you really tell me nothing which will throw any light
on this matter?'

'Nothing,' said Mrs. Rolland, with an undisguised relish
of the disappointment that she was inflicting.

'There was another member of the family at Venice,' Agnes resumed,
determined to sift the question to the bottom while she had the chance.
'There was Baron Rivar.'

Mrs. Rolland lifted her large hands, covered with rusty black gloves,
in mute protest against the introduction of Baron Rivar as a subject
of inquiry.  'Are you aware, Miss,' she began, 'that I left my place
in consequence of what I observed--?'

Agnes stopped her there.  'I only wanted to ask,' she explained,
'if anything was said or done by Baron Rivar which might account
for Ferrari's strange conduct.'

'Nothing that I know of,' said Mrs. Rolland.  'The Baron and Mr. Ferrari
(if I may use such an expression) were "birds of a feather,"
so far as I could see--I mean, one was as unprincipled as the other.
I am a just woman; and I will give you an example.  Only the day
before I left, I heard the Baron say (through the open door of his
room while I was passing along the corridor), "Ferrari, I want a
thousand pounds.  What would you do for a thousand pounds?"  And I heard
Mr. Ferrari answer, "Anything, sir, as long as I was not found out."
And then they both burst out laughing.  I heard no more than that.
Judge for yourself, Miss.'

Agnes reflected for a moment.  A thousand pounds was the sum
that had been sent to Mrs. Ferrari in the anonymous letter.
Was that enclosure in any way connected, as a result, with the
conversation between the Baron and Ferrari?  It was useless to press
any more inquiries on Mrs. Rolland.  She could give no further
information which was of the slightest importance to the object
in view.  There was no alternative but to grant her dismissal.
One more effort had been made to find a trace of the lost man,
and once again the effort had failed.



They were a family party at the dinner-table that day.  The only
guest left in the house was a nephew of the new Lord Montbarry--
the eldest son of his sister, Lady Barrville.  Lady Montbarry could
not resist telling the story of the first (and last) attack made
on the virtue of Mrs. Rolland, with a comically-exact imitation
of Mrs. Rolland's deep and dismal voice.  Being asked by her husband
what was the object which had brought that formidable person to the house,
she naturally mentioned the expected visit of Miss Haldane.
Arthur Barville, unusually silent and pre-occupied so far,
suddenly struck into the conversation with a burst of enthusiasm.
'Miss Haldane is the most charming girl in all Ireland!' he said.
'I caught sight of her yesterday, over the wall of her garden,
as I was riding by.  What time is she coming to-morrow? Before two?
I'll look into the drawing-room by accident--I am dying to be introduced
to her!'

Agnes was amused by his enthusiasm.  'Are you in love with Miss
Haldane already?' she asked.

Arthur answered gravely, 'It's no joking matter.  I have been all day
at the garden wall, waiting to see her again!  It depends on Miss
Haldane to make me the happiest or the wretchedest man living.'

'You foolish boy!  How can you talk such nonsense?'

He was talking nonsense undoubtedly.  But, if Agnes had only known it,
he was doing something more than that.  He was innocently leading
her another stage nearer on the way to Venice.





CHAPTER XIV


As the summer months advanced, the transformation of the Venetian
palace into the modern hotel proceeded rapidly towards completion.

The outside of the building, with its fine Palladian front looking
on the canal, was wisely left unaltered.  Inside, as a matter
of necessity, the rooms were almost rebuilt--so far at least
as the size and the arrangement of them were concerned.
The vast saloons were partitioned off into 'apartments' containing
three or four rooms each.  The broad corridors in the upper regions
afforded spare space enough for rows of little bedchambers,
devoted to servants and to travellers with limited means.
Nothing was spared but the solid floors and the finely-carved ceilings.
These last, in excellent preservation as to workmanship,
merely required cleaning, and regilding here and there, to add
greatly to the beauty and importance of the best rooms in the hotel.
The only exception to the complete re-organization of the interior
was at one extremity of the edifice, on the first and second floors.
Here there happened, in each case, to be rooms of such comparatively
moderate size, and so attractively decorated, that the architect
suggested leaving them as they were.  It was afterwards discovered
that these were no other than the apartments formerly occupied
by Lord Montbarry (on the first floor), and by Baron Rivar
(on the second). The room in which Montbarry had died was still fitted
up as a bedroom, and was now distinguished as Number Fourteen.
The room above it, in which the Baron had slept, took its place
on the hotel-register as Number Thirty-Eight. With the ornaments on
the walls and ceilings cleaned and brightened up, and with the heavy
old-fashioned beds, chairs, and tables replaced by bright, pretty,
and luxurious modern furniture, these two promised to be at once
the most attractive and the most comfortable bedchambers in the hotel.
As for the once-desolate and disused ground floor of the building,
it was now transformed, by means of splendid dining-rooms, reception-rooms,
billiard-rooms, and smoking-rooms, into a palace by itself.
Even the dungeon-like vaults beneath, now lighted and ventilated
on the most approved modern plan, had been turned as if by magic
into kitchens, servants' offices, ice-rooms, and wine cellars,
worthy of the splendour of the grandest hotel in Italy, in the now
bygone period of seventeen years since.

Passing from the lapse of the summer months at Venice, to the lapse of
the summer months in Ireland, it is next to be recorded that Mrs. Rolland
obtained the situation of attendant on the invalid Mrs. Carbury;
and that the fair Miss Haldane, like a female Caesar, came, saw,
and conquered, on her first day's visit to the new Lord Montbarry's house.

The ladies were as loud in her praises as Arthur Barville himself.
Lord Montbarry declared that she was the only perfectly pretty woman
he had ever seen, who was really unconscious of her own attractions.
The old nurse said she looked as if she had just stepped out of a picture,
and wanted nothing but a gilt frame round her to make her complete.
Miss Haldane, on her side, returned from her first visit to the
Montbarrys charmed with her new acquaintances.  Later on the same day,
Arthur called with an offering of fruit and flowers for Mrs. Carbury,
and with instructions to ask if she was well enough to receive
Lord and Lady Montbarry and Miss Lockwood on the morrow.
In a week's time, the two households were on the friendliest terms.
Mrs. Carbury, confined to the sofa by a spinal malady, had been
hitherto dependent on her niece for one of the few pleasures she
could enjoy, the pleasure of having the best new novels read
to her as they came out.  Discovering this, Arthur volunteered
to relieve Miss Haldane, at intervals, in the office of reader.
He was clever at mechanical contrivances of all sorts,
and he introduced improvements in Mrs. Carbury's couch, and in
the means of conveying her from the bedchamber to the drawing-room,
which alleviated the poor lady's sufferings and brightened her
gloomy life.  With these claims on the gratitude of the aunt,
aided by the personal advantages which he unquestionably possessed,
Arthur advanced rapidly in the favour of the charming niece.
She was, it is needless to say, perfectly well aware that he was in love
with her, while he was himself modestly reticent on the subject--
so far as words went.  But she was not equally quick in penetrating
the nature of her own feelings towards Arthur.  Watching the two young
people with keen powers of observation, necessarily concentrated
on them by the complete seclusion of her life, the invalid lady
discovered signs of roused sensibility in Miss Haldane, when Arthur
was present, which had never yet shown themselves in her social
relations with other admirers eager to pay their addresses to her.
Having drawn her own conclusions in private, Mrs. Carbury took the first
favourable opportunity (in Arthur's interests) of putting them to
the test.

'I don't know what I shall do,' she said one day, 'when Arthur
goes away.'

Miss Haldane looked up quickly from her work.  'Surely he is not
going to leave us!' she exclaimed.

'My dear! he has already stayed at his uncle's house a month longer
than he intended.  His father and mother naturally expect to see
him at home again.'

Miss Haldane met this difficulty with a suggestion, which could
only have proceeded from a judgment already disturbed by the ravages
of the tender passion.  'Why can't his father and mother go and see
him at Lord Montbarry's?' she asked.  'Sir Theodore's place is only
thirty miles away, and Lady Barville is Lord Montbarry's sister.
They needn't stand on ceremony.'

'They may have other engagements,' Mrs. Carbury remarked.

'My dear aunt, we don't know that!  Suppose you ask Arthur?'

'Suppose you ask him?'

Miss Haldane bent her head again over her work.  Suddenly as it
was done, her aunt had seen her face--and her face betrayed her.

When Arthur came the next day, Mrs. Carbury said a word to him
in private, while her niece was in the garden.  The last new
novel lay neglected on the table.  Arthur followed Miss Haldane
into the garden.  The next day he wrote home, enclosing in his
letter a photograph of Miss Haldane.  Before the end of the week,
Sir Theodore and Lady Barville arrived at Lord Montbarry's,
and formed their own judgment of the fidelity of the portrait.
They had themselves married early in life--and, strange to say,
they did not object on principle to the early marriages
of other people.  The question of age being thus disposed of,
the course of true love had no other obstacles to encounter.
Miss Haldane was an only child, and was possessed of an ample fortune.
Arthur's career at the university had been creditable, but certainly not
brilliant enough to present his withdrawal in the light of a disaster.
As Sir Theodore's eldest son, his position was already made for him.
He was two-and-twenty years of age; and the young lady was eighteen.
There was really no producible reason for keeping the lovers waiting,
and no excuse for deferring the wedding-day beyond the first week
in September.  In the interval, while the bride and bridegroom
would be necessarily absent on the inevitable tour abroad,
a sister of Mrs. Carbury volunteered to stay with her during
the temporary separation from her niece.  On the conclusion
of the honeymoon, the young couple were to return to Ireland,
and were to establish themselves in Mrs. Carbury's spacious and
comfortable house.

These arrangements were decided upon early in the month of August.
About the same date, the last alterations in the old palace at Venice
were completed.  The rooms were dried by steam; the cellars were stocked;
the manager collected round him his army of skilled servants;
and the new hotel was advertised all over Europe to open
in October.





CHAPTER XV


         (MISS AGNES LOCKWOOD TO MRS.  FERRARI)

'I promised to give you some account, dear Emily, of the marriage
of Mr. Arthur Barville and Miss Haldane.  It took place ten days since.
But I have had so many things to look after in the absence of the master
and mistress of this house, that I am only able to write to you
to-day.

'The invitations to the wedding were limited to members of the families
on either side, in consideration of the ill health of Miss Haldane's aunt.
On the side of the Montbarry family, there were present,
besides Lord and Lady Montbarry, Sir Theodore and Lady Barville;
Mrs. Norbury (whom you may remember as his lordship's second sister);
and Mr. Francis Westwick, and Mr. Henry Westwick.  The three children
and I attended the ceremony as bridesmaids.  We were joined by two
young ladies, cousins of the bride and very agreeable girls.
Our dresses were white, trimmed with green in honour of Ireland;
and we each had a handsome gold bracelet given to us as a present from
the bridegroom.  If you add to the persons whom I have already mentioned,
the elder members of Mrs. Carbury's family, and the old servants
in both houses--privileged to drink the healths of the married pair
at the lower end of the room--you will have the list of the company at
the wedding-breakfast complete.

'The weather was perfect, and the ceremony (with music)
was beautifully performed.  As for the bride, no words can describe
how lovely she looked, or how well she went through it all.
We were very merry at the breakfast, and the speeches went off
on the whole quite well enough.  The last speech, before the party
broke up, was made by Mr. Henry Westwick, and was the best of all.
He offered a happy suggestion, at the end, which has produced a very
unexpected change in my life here.

'As well as I remember, he concluded in these words:--"On one point,
we are all agreed--we are sorry that the parting hour is near,
and we should be glad to meet again.  Why should we not meet again?
This is the autumn time of the year; we are most of us leaving home
for the holidays.  What do you say (if you have no engagements
that will prevent it) to joining our young married friends before
the close of their tour, and renewing the social success of this
delightful breakfast by another festival in honour of the honeymoon?
The bride and bridegroom are going to Germany and the Tyrol, on their
way to Italy.  I propose that we allow them a month to themselves,
and that we arrange to meet them afterwards in the North of Italy--
say at Venice."

'This proposal was received with great applause, which was changed
into shouts of laughter by no less a person than my dear old nurse.
The moment Mr. Westwick pronounced the word "Venice," she
started up among the servants at the lower end of the room,
and called out at the top of her voice, "Go to our hotel,
ladies and gentlemen!  We get six per cent.  on our money already;
and if you will only crowd the place and call for the best
of everything, it will be ten per cent in our pockets in no time.
Ask Master Henry!"

'Appealed to in this irresistible manner, Mr. Westwick had no choice
but to explain that he was concerned as a shareholder in a new Hotel
Company at Venice, and that he had invested a small sum of money
for the nurse (not very considerately, as I think) in the speculation.
Hearing this, the company, by way of humouring the joke,
drank a new toast:--Success to the nurse's hotel, and a speedy rise
in the dividend!

'When the conversation returned in due time to the more serious
question of the proposed meeting at Venice, difficulties began
to present themselves, caused of course by invitations for the autumn
which many of the guests had already accepted.  Only two members of
Mrs. Carbury's family were at liberty to keep the proposed appointment.
On our side we were more at leisure to do as we pleased.
Mr. Henry Westwick decided to go to Venice in advance of the rest,
to test the accommodation of the new hotel on the opening day.
Mrs. Norbury and Mr. Francis Westwick volunteered to follow him;
and, after some persuasion, Lord and Lady Montbarry consented
to a species of compromise.  His lordship could not conveniently
spare time enough for the journey to Venice, but he and Lady
Montbarry arranged to accompany Mrs. Norbury and Mr. Francis
Westwick as far on their way to Italy as Paris.  Five days since,
they took their departure to meet their travelling companions
in London; leaving me here in charge of the three dear children.
They begged hard, of course, to be taken with papa and mamma.
But it was thought better not to interrupt the progress of their education,
and not to expose them (especially the two younger girls) to the fatigues
of travelling.

'I have had a charming letter from the bride, this morning,
dated Cologne.  You cannot think how artlessly and prettily she
assures me of her happiness.  Some people, as they say in Ireland,
are born to good luck--and I think Arthur Barville is one of them.

'When you next write, I hope to hear that you are in better health
and spirits, and that you continue to like your employment.
Believe me, sincerely your friend,--A. L.'

Agnes had just closed and directed her letter, when the eldest
of her three pupils entered the room with the startling announcement
that Lord Montbarry's travelling-servant had arrived from Paris!
Alarmed by the idea that some misfortune had happened, she ran out
to meet the man in the hall.  Her face told him how seriously he had
frightened her, before she could speak.  'There's nothing wrong, Miss,'
he hastened to say.  'My lord and my lady are enjoying themselves
at Paris.  They only want you and the young ladies to be with them.'
Saying these amazing words, he handed to Agnes a letter from
Lady Montbarry.

'Dearest Agnes,' (she read), 'I am so charmed with the delightful
change in my life--it is six years, remember, since I last travelled
on the Continent--that I have exerted all my fascinations to persuade
Lord Montbarry to go on to Venice.  And, what is more to the purpose,
I have actually succeeded!  He has just gone to his room to write
the necessary letters of excuse in time for the post to England.
May you have as good a husband, my dear, when your time comes!
In the mean while, the one thing wanting now to make my happiness
complete, is to have you and the darling children with us.
Montbarry is just as miserable without them as I am--though he doesn't
confess it so freely.  You will have no difficulties to trouble you.
Louis will deliver these hurried lines, and will take care of you
on the journey to Paris.  Kiss the children for me a thousand times--
and never mind their education for the present!  Pack up instantly,
my dear, and I will be fonder of you than ever.  Your affectionate friend,
Adela Montbarry.'

Agnes folded up the letter; and, feeling the need of composing herself,
took refuge for a few minutes in her own room.

Her first natural sensations of surprise and excitement at the prospect
of going to Venice were succeeded by impressions of a less agreeable kind.
With the recovery of her customary composure came the unwelcome
remembrance of the parting words spoken to her by Montbarry's
widow:--'We shall meet again--here in England, or there in Venice
where my husband died--and meet for the last time.'

It was an odd coincidence, to say the least of it, that the march
of events should be unexpectedly taking Agnes to Venice, after those
words had been spoken!  Was the woman of the mysterious warnings
and the wild black eyes still thousands of miles away in America?
Or was the march of events taking her unexpectedly, too, on the
journey to Venice?  Agnes started out of her chair, ashamed of
even the momentary concession to superstition which was implied
by the mere presence of such questions as these in her mind.

She rang the bell, and sent for her little pupils, and announced
their approaching departure to the household.  The noisy delight
of the children, the inspiriting effort of packing up in a hurry,
roused all her energies.  She dismissed her own absurd misgivings
from consideration, with the contempt that they deserved.  She worked
as only women can work, when their hearts are in what they do.
The travellers reached Dublin that day, in time for the boat
to England.  Two days later, they were with Lord and Lady Montbarry
at Paris.







THE FOURTH PART





CHAPTER XVI


It was only the twentieth of September, when Agnes and the children
reached Paris.  Mrs. Norbury and her brother Francis had then already
started on their journey to Italy--at least three weeks before the date
at which the new hotel was to open for the reception of travellers.

The person answerable for this premature departure was Francis Westwick.

Like his younger brother Henry, he had increased his pecuniary
resources by his own enterprise and ingenuity; with this difference,
that his speculations were connected with the Arts.
He had made money, in the first instance, by a weekly newspaper;
and he had then invested his profits in a London theatre.
This latter enterprise, admirably conducted, had been rewarded
by the public with steady and liberal encouragement.  Pondering over
a new form of theatrical attraction for the coming winter season,
Francis had determined to revive the languid public taste for the ballet
by means of an entertainment of his own invention, combining dramatic
interest with dancing.  He was now, accordingly, in search of the
best dancer (possessed of the indispensable personal attractions)
who was to be found in the theatres of the Continent.
Hearing from his foreign correspondents of two women who had made
successful first appearances, one at Milan and one at Florence,
he had arranged to visit those cities, and to judge of the merits
of the dancers for himself, before he joined the bride and bridegroom.
His widowed sister, having friends at Florence whom she was anxious
to see, readily accompanied him.  The Montbarrys remained at Paris,
until it was time to present themselves at the family meeting in Venice.
Henry found them still in the French capital, when he arrived from London
on his way to the opening of the new hotel.

Against Lady Montbarry's advice, he took the opportunity of
renewing his addresses to Agnes.  He could hardly have chosen
a more unpropitious time for pleading his cause with her.
The gaieties of Paris (quite incomprehensibly to herself as well
as to everyone about her) had a depressing effect on her spirits.
She had no illness to complain of; she shared willingly in the ever-varying
succession of amusements offered to strangers by the ingenuity
of the liveliest people in the world--but nothing roused her:
she remained persistently dull and weary through it all.
In this frame of mind and body, she was in no humour to receive
Henry's ill-timed addresses with favour, or even with patience:
she plainly and positively refused to listen to him.  'Why do you remind
me of what I have suffered?' she asked petulantly.  'Don't you see
that it has left its mark on me for life?'

'I thought I knew something of women by this time,' Henry said,
appealing privately to Lady Montbarry for consolation.  'But Agnes
completely puzzles me.  It is a year since Montbarry's death; and she
remains as devoted to his memory as if he had died faithful to her--
she still feels the loss of him, as none of us feel it!'

'She is the truest woman that ever breathed the breath of life,'
Lady Montbarry answered.  'Remember that, and you will understand her.
Can such a woman as Agnes give her love or refuse it,
according to circumstances?  Because the man was unworthy of her,
was he less the man of her choice?  The truest and best friend to him
(little as he deserved it) in his lifetime, she naturally
remains the truest and best friend to his memory now.
If you really love her, wait; and trust to your two best friends--
to time and to me.  There is my advice; let your own experience
decide whether it is not the best advice that I can offer.
Resume your journey to Venice to-morrow; and when you take leave of Agnes,
speak to her as cordially as if nothing had happened.'

Henry wisely followed this advice.  Thoroughly understanding him,
Agnes made the leave-taking friendly and pleasant on her side.
When he stopped at the door for a last look at her, she hurriedly turned
her head so that her face was hidden from him.  Was that a good sign?
Lady Montbarry, accompanying Henry down the stairs, said, 'Yes, decidedly!
Write when you get to Venice.  We shall wait here to receive letters
from Arthur and his wife, and we shall time our departure for
Italy accordingly.'

A week passed, and no letter came from Henry.  Some days later,
a telegram was received from him.  It was despatched from Milan,
instead of from Venice; and it brought this strange message:--'I have
left the hotel.  Will return on the arrival of Arthur and his wife.
Address, meanwhile, Albergo Reale, Milan.'

Preferring Venice before all other cities of Europe, and having
arranged to remain there until the family meeting took place,
what unexpected event had led Henry to alter his plans? and why
did he state the bare fact, without adding a word of explanation?
Let the narrative follow him--and find the answer to those questions
at Venice.





CHAPTER XVII


The Palace Hotel, appealing for encouragement mainly to English
and American travellers, celebrated the opening of its doors,
as a matter of course, by the giving of a grand banquet,
and the delivery of a long succession of speeches.

Delayed on his journey, Henry Westwick only reached Venice
in time to join the guests over their coffee and cigars.
Observing the splendour of the reception rooms, and taking
note especially of the artful mixture of comfort and luxury in
the bedchambers, he began to share the old nurse's view of the future,
and to contemplate seriously the coming dividend of ten per cent.
The hotel was beginning well, at all events.  So much interest
in the enterprise had been aroused, at home and abroad,
by profuse advertising, that the whole accommodation of the building
had been secured by travellers of all nations for the opening night.
Henry only obtained one of the small rooms on the upper floor,
by a lucky accident--the absence of the gentleman who had written
to engage it.  He was quite satisfied, and was on his way to bed,
when another accident altered his prospects for the night, and moved him
into another and a better room.

Ascending on his way to the higher regions as far as the first floor
of the hotel, Henry's attention was attracted by an angry voice protesting,
in a strong New England accent, against one of the greatest
hardships that can be inflicted on a citizen of the United States--
the hardship of sending him to bed without gas in his room.

The Americans are not only the most hospitable people to be found
on the face of the earth--they are (under certain conditions)
the most patient and good-tempered people as well.  But they are human;
and the limit of American endurance is found in the obsolete institution
of a bedroom candle.  The American traveller, in the present case,
declined to believe that his bedroom was in a complete finished state
without a gas-burner. The manager pointed to the fine antique decorations
(renewed and regilt) on the walls and the ceiling, and explained
that the emanations of burning gas-light would certainly spoil
them in the course of a few months.  To this the traveller replied
that it was possible, but that he did not understand decorations.
A bedroom with gas in it was what he was used to, was what he wanted,
and was what he was determined to have.  The compliant manager
volunteered to ask some other gentleman, housed on the inferior
upper storey (which was lit throughout with gas), to change rooms.
Hearing this, and being quite willing to exchange a small bedchamber
for a large one, Henry volunteered to be the other gentleman.
The excellent American shook hands with him on the spot.  'You are
a cultured person, sir,' he said; 'and you will no doubt understand
the decorations.'

Henry looked at the number of the room on the door as he opened it.
The number was Fourteen.

Tired and sleepy, he naturally anticipated a good night's rest.
In the thoroughly healthy state of his nervous system, he slept
as well in a bed abroad as in a bed at home.  Without the slightest
assignable reason, however, his just expectations were disappointed.
The luxurious bed, the well-ventilated room, the delicious tranquillity
of Venice by night, all were in favour of his sleeping well.
He never slept at all.  An indescribable sense of depression and
discomfort kept him waking through darkness and daylight alike.
He went down to the coffee-room as soon as the hotel was astir,
and ordered some breakfast.  Another unaccountable change
in himself appeared with the appearance of the meal.  He was
absolutely without appetite.  An excellent omelette, and cutlets
cooked to perfection, he sent away untasted--he, whose appetite
never failed him, whose digestion was still equal to any demands
on it!

The day was bright and fine.  He sent for a gondola, and was rowed
to the Lido.

Out on the airy Lagoon, he felt like a new man.  He had not left
the hotel ten minutes before he was fast asleep in the gondola.
Waking, on reaching the landing-place, he crossed the Lido,
and enjoyed a morning's swim in the Adriatic.  There was only a poor
restaurant on the island, in those days; but his appetite was now ready
for anything; he ate whatever was offered to him, like a famished man.
He could hardly believe, when he reflected on it, that he had sent
away untasted his excellent breakfast at the hotel.

Returning to Venice, he spent the rest of the day in the picture-galleries
and the churches.  Towards six o'clock his gondola took him back,
with another fine appetite, to meet some travelling acquaintances
with whom he had engaged to dine at the table d'hote.

The dinner was deservedly rewarded with the highest approval by every
guest in the hotel but one.  To Henry's astonishment, the appetite
with which he had entered the house mysteriously and completely left
him when he sat down to table.  He could drink some wine, but he could
literally eat nothing.  'What in the world is the matter with you?'
his travelling acquaintances asked.  He could honestly answer,
'I know no more than you do.'

When night came, he gave his comfortable and beautiful bedroom
another trial.  The result of the second experiment was a repetition
of the result of the first.  Again he felt the all-pervading sense
of depression and discomfort.  Again he passed a sleepless night.
And once more, when he tried to eat his breakfast, his appetite
completely failed him!

This personal experience of the new hotel was too extraordinary
to be passed over in silence.  Henry mentioned it to his friends
in the public room, in the hearing of the manager.  The manager,
naturally zealous in defence of the hotel, was a little hurt at the
implied reflection cast on Number Fourteen.  He invited the travellers
present to judge for themselves whether Mr. Westwick's bedroom
was to blame for Mr. Westwick's sleepless nights; and he especially
appealed to a grey-headed gentleman, a guest at the breakfast-table
of an English traveller, to take the lead in the investigation.
'This is Doctor Bruno, our first physician in Venice,' he explained.
'I appeal to him to say if there are any unhealthy influences in
Mr. Westwick's room.'

Introduced to Number Fourteen, the doctor looked round him with a certain
appearance of interest which was noticed by everyone present.  'The last
time I was in this room,' he said, 'was on a melancholy occasion.
It was before the palace was changed into an hotel.  I was in
professional attendance on an English nobleman who died here.'
One of the persons present inquired the name of the nobleman.
Doctor Bruno answered (without the slightest suspicion that he was
speaking before a brother of the dead man), 'Lord Montbarry.'

Henry quietly left the room, without saying a word to anybody.

He was not, in any sense of the term, a superstitious man.  But he felt,
nevertheless, an insurmountable reluctance to remaining in the hotel.
He decided on leaving Venice.  To ask for another room would be,
as he could plainly see, an offence in the eyes of the manager.
To remove to another hotel, would be to openly abandon an
establishment in the success of which he had a pecuniary interest.
Leaving a note for Arthur Barville, on his arrival in Venice,
in which he merely mentioned that he had gone to look at the
Italian lakes, and that a line addressed to his hotel at Milan
would bring him back again, he took the afternoon train to Padua--
and dined with his usual appetite, and slept as well as ever
that night.

The next day, a gentleman and his wife (perfect strangers
to the Montbarry family), returning to England by way of Venice,
arrived at the hotel and occupied Number Fourteen.

Still mindful of the slur that had been cast on one of his
best bedchambers, the manager took occasion to ask the travellers
the next morning how they liked their room.  They left him to judge
for himself how well they were satisfied, by remaining a day longer
in Venice than they had originally planned to do, solely for
the purpose of enjoying the excellent accommodation offered to them
by the new hotel.  'We have met with nothing like it in Italy,'
they said; 'you may rely on our recommending you to all our friends.'

On the day when Number Fourteen was again vacant, an English lady
travelling alone with her maid arrived at the hotel, saw the room,
and at once engaged it.

The lady was Mrs. Norbury.  She had left Francis Westwick at Milan,
occupied in negotiating for the appearance at his theatre of
the new dancer at the Scala.  Not having heard to the contrary,
Mrs. Norbury supposed that Arthur Barville and his wife had already
arrived at Venice.  She was more interested in meeting the young
married couple than in awaiting the result of the hard bargaining
which delayed the engagement of the new dancer; and she volunteered
to make her brother's apologies, if his theatrical business caused
him to be late in keeping his appointment at the honeymoon festival.

Mrs. Norbury's experience of Number Fourteen differed entirely
from her brother Henry's experience of the room.

Failing asleep as readily as usual, her repose was disturbed
by a succession of frightful dreams; the central figure in every
one of them being the figure of her dead brother, the first
Lord Montbarry.  She saw him starving in a loathsome prison;
she saw him pursued by assassins, and dying under their knives;
she saw him drowning in immeasurable depths of dark water; she saw him
in a bed on fire, burning to death in the flames; she saw him tempted
by a shadowy creature to drink, and dying of the poisonous draught.
The reiterated horror of these dreams had such an effect on her that she
rose with the dawn of day, afraid to trust herself again in bed.
In the old times, she had been noted in the family as the one
member of it who lived on affectionate terms with Montbarry.
His other sister and his brothers were constantly quarrelling with him.
Even his mother owned that her eldest son was of all her children
the child whom she least liked.  Sensible and resolute woman
as she was, Mrs. Norbury shuddered with terror as she sat at
the window of her room, watching the sunrise, and thinking of
her dreams.

She made the first excuse that occurred to her, when her maid
came in at the usual hour, and noticed how ill she looked.
The woman was of so superstitious a temperament that it would have
been in the last degree indiscreet to trust her with the truth.
Mrs. Norbury merely remarked that she had not found the bed
quite to her liking, on account of the large size of it.
She was accustomed at home, as her maid knew, to sleep in a small bed.
Informed of this objection later in the day, the manager regretted
that he could only offer to the lady the choice of one other bedchamber,
numbered Thirty-eight, and situated immediately over the bedchamber
which she desired to leave.  Mrs. Norbury accepted the proposed change
of quarters.  She was now about to pass her second night in the room
occupied in the old days of the palace by Baron Rivar.

Once more, she fell asleep as usual.  And, once more, the frightful
dreams of the first night terrified her, following each other
in the same succession.  This time her nerves, already shaken,
were not equal to the renewed torture of terror inflicted on them.
She threw on her dressing-gown, and rushed out of her room
in the middle of the night.  The porter, alarmed by the banging
of the door, met her hurrying headlong down the stairs, in search
of the first human being she could find to keep her company.
Considerably surprised at this last new manifestation of the famous
'English eccentricity,' the man looked at the hotel register,
and led the lady upstairs again to the room occupied by her maid.
The maid was not asleep, and, more wonderful still, was not
even undressed.  She received her mistress quietly.  When they
were alone, and when Mrs. Norbury had, as a matter of necessity,
taken her attendant into her confidence, the woman made a very
strange reply.

'I have been asking about the hotel, at the servants'
supper to-night,' she said.  'The valet of one of the gentlemen
staying here has heard that the late Lord Montbarry was the last
person who lived in the palace, before it was made into an hotel.
The room he died in, ma'am, was the room you slept in last night.
Your room tonight is the room just above it.  I said nothing for fear
of frightening you.  For my own part, I have passed the night as
you see, keeping my light on, and reading my Bible.  In my opinion,
no member of your family can hope to be happy or comfortable in
this house.'

'What do you mean?'

'Please to let me explain myself, ma'am. When Mr. Henry
Westwick was here (I have this from the valet, too) he occupied
the room his brother died in (without knowing it), like you.
For two nights he never closed his eyes.  Without any reason for it
(the valet heard him tell the gentlemen in the coffee-room)
he could not sleep; he felt so low and so wretched in himself.
And what is more, when daytime came, he couldn't even eat while he was
under this roof You may laugh at me, ma'am--but even a servant
may draw her own conclusions.  It's my conclusion that something
happened to my lord, which we none of us know about, when he died
in this house.  His ghost walks in torment until he can tell it--
and the living persons related to him are the persons who feel
he is near them.  Those persons may yet see him in the time to come.
Don't, pray don't stay any longer in this dreadful place!  I wouldn't
stay another night here myself--no, not for anything that could be
offered me!'

Mrs. Norbury at once set her servant's mind at ease on this last point.

'I don't think about it as you do,' she said gravely.
'But I should like to speak to my brother of what has happened.
We will go back to Milan.'

Some hours necessarily elapsed before they could leave the hotel,
by the first train in the forenoon.

In that interval, Mrs. Norbury's maid found an opportunity of
confidentially informing the valet of what had passed between her
mistress and herself.  The valet had other friends to whom he related
the circumstances in his turn.  In due course of time, the narrative,
passing from mouth to mouth, reached the ears of the manager.
He instantly saw that the credit of the hotel was in danger,
unless something was done to retrieve the character of the room
numbered Fourteen.  English travellers, well acquainted with the peerage
of their native country, informed him that Henry Westwick and
Mrs. Norbury were by no means the only members of the Montbarry family.
Curiosity might bring more of them to the hotel, after hearing
what had happened.  The manager's ingenuity easily hit on the obvious
means of misleading them, in this case.  The numbers of all the rooms
were enamelled in blue, on white china plates, screwed to the doors.
He ordered a new plate to be prepared, bearing the number, '13 A';
and he kept the room empty, after its tenant for the time being had
gone away, until the plate was ready.  He then re-numbered the room;
placing the removed Number Fourteen on the door of his own room
(on the second floor), which, not being to let, had not previously been
numbered at all.  By this device, Number Fourteen disappeared at once
and for ever from the books of the hotel, as the number of a bedroom
to let.

Having warned the servants to beware of gossiping with travellers,
on the subject of the changed numbers, under penalty of being dismissed,
the manager composed his mind with the reflection that he had done his
duty to his employers.  'Now,' he thought to himself, with an excusable
sense of triumph, 'let the whole family come here if they like!
The hotel is a match for them.'





                      CHAPTER XVIII


Before the end of the week, the manager found himself in relations
with 'the family' once more.  A telegram from Milan announced
that Mr. Francis Westwick would arrive in Venice on the next day;
and would be obliged if Number Fourteen, on the first floor,
could be reserved for him, in the event of its being vacant at
the time.

The manager paused to consider, before he issued his directions.

The re-numbered room had been last let to a French gentleman.
It would be occupied on the day of Mr. Francis Westwick's arrival,
but it would be empty again on the day after.  Would it be well to
reserve the room for the special occupation of Mr. Francis? and when
he had passed the night unsuspiciously and comfortably in 'No. 13 A,'
to ask him in the presence of witnesses how he liked his bedchamber?
In this case, if the reputation of the room happened to be called
in question again, the answer would vindicate it, on the evidence
of a member of the very family which had first given Number Fourteen
a bad name.  After a little reflection, the manager decided
on trying the experiment, and directed that '13 A' should be
reserved accordingly.

On the next day, Francis Westwick arrived in excellent spirits.

He had signed agreements with the most popular dancer in Italy;
he had transferred the charge of Mrs. Norbury to his brother Henry,
who had joined him in Milan; and he was now at full liberty to amuse
himself by testing in every possible way the extraordinary influence
exercised over his relatives by the new hotel.  When his brother
and sister first told him what their experience had been, he instantly
declared that he would go to Venice in the interest of his theatre.
The circumstances related to him contained invaluable hints
for a ghost-drama. The title occurred to him in the railway:
'The Haunted Hotel.'  Post that in red letters six feet high, on a
black ground, all over London--and trust the excitable public to crowd
into the theatre!

Received with the politest attention by the manager, Francis met
with a disappointment on entering the hotel.  'Some mistake, sir.
No such room on the first floor as Number Fourteen.  The room bearing
that number is on the second floor, and has been occupied by me,
from the day when the hotel opened.  Perhaps you meant number 13 A,
on the first floor?  It will be at your service to-morrow--
a charming room.  In the mean time, we will do the best we can
for you, to-night.'

A man who is the successful manager of a theatre is probably
the last man in the civilized universe who is capable of being
impressed with favourable opinions of his fellow-creatures.
Francis privately set the manager down as a humbug, and the story
about the numbering of the rooms as a lie.

On the day of his arrival, he dined by himself in the restaurant,
before the hour of the table d'hote, for the express purpose of questioning
the waiter, without being overheard by anybody.  The answer led him
to the conclusion that '13 A' occupied the situation in the hotel which
had been described by his brother and sister as the situation of '14.'
He asked next for the Visitors' List; and found that the French gentleman
who then occupied '13 A,' was the proprietor of a theatre in Paris,
personally well known to him.  Was the gentleman then in the hotel?
He had gone out, but would certainly return for the table d'hote.
When the public dinner was over, Francis entered the room, and was
welcomed by his Parisian colleague, literally, with open arms.
'Come and have a cigar in my room,' said the friendly Frenchman.
'I want to hear whether you have really engaged that woman at Milan
or not.'  In this easy way, Francis found his opportunity of comparing
the interior of the room with the description which he had heard of it
at Milan.

Arriving at the door, the Frenchman bethought himself of his
travelling companion.  'My scene-painter is here with me,' he said,
'on the look-out for materials.  An excellent fellow, who will take it
as a kindness if we ask him to join us.  I'll tell the porter to send
him up when he comes in.'  He handed the key of his room to Francis.
'I will be back in a minute.  It's at the end of the corridor--
13 A.'

Francis entered the room alone.  There were the decorations on
the walls and the ceiling, exactly as they had been described to him!
He had just time to perceive this at a glance, before his attention
was diverted to himself and his own sensations, by a grotesquely
disagreeable occurrence which took him completely by surprise.

He became conscious of a mysteriously offensive odour in the room,
entirely new in his experience of revolting smells.  It was composed
(if such a thing could be) of two mingling exhalations,
which were separately-discoverable exhalations nevertheless.
This strange blending of odours consisted of something faintly
and unpleasantly aromatic, mixed with another underlying smell,
so unutterably sickening that he threw open the window, and put his
head out into the fresh air, unable to endure the horribly infected
atmosphere for a moment longer.

The French proprietor joined his English friend, with his cigar
already lit.  He started back in dismay at a sight terrible to his
countrymen in general--the sight of an open window.  'You English
people are perfectly mad on the subject of fresh air!' he exclaimed.
'We shall catch our deaths of cold.'

Francis turned, and looked at him in astonishment.  'Are you really
not aware of the smell there is in the room?' he asked.

'Smell!' repeated his brother-manager. 'I smell my own good cigar.
Try one yourself.  And for Heaven's sake shut the window!'

Francis declined the cigar by a sign.  'Forgive me,' he said.
'I will leave you to close the window.  I feel faint and giddy--
I had better go out.'  He put his handkerchief over his nose and mouth,
and crossed the room to the door.

The Frenchman followed the movements of Francis, in such a state
of bewilderment that he actually forgot to seize the opportunity
of shutting out the fresh air.  'Is it so nasty as that?' he asked,
with a broad stare of amazement.

'Horrible!'  Francis muttered behind his handkerchief.
'I never smelt anything like it in my life!'

There was a knock at the door.  The scene-painter appeared.
His employer instantly asked him if he smelt anything.

'I smell your cigar.  Delicious!  Give me one directly!'

'Wait a minute.  Besides my cigar, do you smell anything else--vile,
abominable, overpowering, indescribable, never-never-never-smelt before?'

The scene-painter appeared to be puzzled by the vehement energy
of the language addressed to him.  'The room is as fresh and sweet
as a room can be,' he answered.  As he spoke, he looked back with
astonishment at Francis Westwick, standing outside in the corridor,
and eyeing the interior of the bedchamber with an expression
of undisguised disgust.

The Parisian director approached his English colleague, and looked
at him with grave and anxious scrutiny.

'You see, my friend, here are two of us, with as good noses as yours,
who smell nothing.  If you want evidence from more noses, look there!'
He pointed to two little English girls, at play in the corridor.
'The door of my room is wide open--and you know how fast a smell
can travel.  Now listen, while I appeal to these innocent noses,
in the language of their own dismal island.  My little loves,
do you sniff a nasty smell here--ha?'  The children burst out laughing,
and answered emphatically, 'No.' 'My good Westwick,' the Frenchman
resumed, in his own language, 'the conclusion is surely plain?
There is something wrong, very wrong, with your own nose.  I recommend you
to see a medical man.'

Having given that advice, he returned to his room, and shut
out the horrid fresh air with a loud exclamation of relief.
Francis left the hotel, by the lanes that led to the Square of St. Mark.
The night-breeze soon revived him.  He was able to light a cigar,
and to think quietly over what had happened.





CHAPTER XIX


Avoiding the crowd under the colonnades, Francis walked slowly up
and down the noble open space of the square, bathed in the light
of the rising moon.

Without being aware of it himself, he was a thorough materialist.
The strange effect produced on him by the room--following on the other
strange effects produced on the other relatives of his dead brother--
exercised no perplexing influence over the mind of this sensible man.
'Perhaps,' he reflected, 'my temperament is more imaginative than I
supposed it to be--and this is a trick played on me by my own fancy?
Or, perhaps, my friend is right; something is physically amiss with me?
I don't feel ill, certainly.  But that is no safe criterion sometimes.
I am not going to sleep in that abominable room to-night--
I can well wait till to-morrow to decide whether I shall speak
to a doctor or not.  In the mean time, the hotel doesn't seem likely
to supply me with the subject of a piece.  A terrible smell from an
invisible ghost is a perfectly new idea.  But it has one drawback.
If I realise it on the stage, I shall drive the audience out of
the theatre.'

As his strong common sense arrived at this facetious conclusion,
he became aware of a lady, dressed entirely in black, who was
observing him with marked attention.  'Am I right in supposing
you to be Mr. Francis Westwick?' the lady asked, at the moment
when he looked at her.

'That is my name, madam.  May I inquire to whom I have the honour
of speaking?'

'We have only met once,' she answered a little evasively, 'when your late
brother introduced me to the members of his family.  I wonder if you
have quite forgotten my big black eyes and my hideous complexion?'
She lifted her veil as she spoke, and turned so that the moonlight
rested on her face.

Francis recognised at a glance the woman of all others whom
he most cordially disliked--the widow of his dead brother,
the first Lord Montbarry.  He frowned as he looked at her.
His experience on the stage, gathered at innumerable rehearsals
with actresses who had sorely tried his temper, had accustomed
him to speak roughly to women who were distasteful to him.
'I remember you,' he said.  'I thought you were in America!'

She took no notice of his ungracious tone and manner; she simply
stopped him when he lifted his hat, and turned to leave her.

'Let me walk with you for a few minutes,' she quietly replied.
'I have something to say to you.'

He showed her his cigar.  'I am smoking,'he said.

'I don't mind smoking.'

After that, there was nothing to be done (short of downright brutality)
but to yield.  He did it with the worst possible grace.
'Well?' he resumed.  'What do you want of me?'

'You shall hear directly, Mr. Westwick.  Let me first
tell you what my position is.  I am alone in the world.
To the loss of my husband has now been added another bereavement,
the loss of my companion in America, my brother--Baron Rivar.'

The reputation of the Baron, and the doubt which scandal had thrown on
his assumed relationship to the Countess, were well known to Francis.
'Shot in a gambling-saloon?' he asked brutally.

'The question is a perfectly natural one on your part,' she said,
with the impenetrably ironical manner which she could assume on
certain occasions.  'As a native of horse-racing England, you belong
to a nation of gamblers.  My brother died no extraordinary death,
Mr. Westwick.  He sank, with many other unfortunate people,
under a fever prevalent in a Western city which we happened to visit.
The calamity of his loss made the United States unendurable to me.
I left by the first steamer that sailed from New York--a French vessel
which brought me to Havre.  I continued my lonely journey to the South
of France.  And then I went on to Venice.'

'What does all this matter to me?'  Francis thought to himself.
She paused, evidently expecting him to say something.  'So you have come
to Venice?' he said carelessly.  'Why?'

'Because I couldn't help it,' she answered.

Francis looked at her with cynical curiosity.  'That sounds odd,'
he remarked.  'Why couldn't you help it?'

'Women are accustomed to act on impulse,' she explained.
'Suppose we say that an impulse has directed my journey?  And yet,
this is the last place in the world that I wish to find myself in.
Associations that I detest are connected with it in my mind.
If I had a will of my own, I would never see it again.
I hate Venice.  As you see, however, I am here.  When did you
meet with such an unreasonable woman before?  Never, I am sure!'
She stopped, eyed him for a moment, and suddenly altered her tone.
'When is Miss Agnes Lockwood expected to be in Venice?'
she asked.

It was not easy to throw Francis off his balance,
but that extraordinary question did it.  'How the
devil did you know that Miss Lockwood was coming to Venice?' he exclaimed.

She laughed--a bitter mocking laugh.  'Say, I guessed it!'

Something in her tone, or perhaps something in the audacious
defiance of her eyes as they rested on him, roused the quick
temper that was in Francis Warwick.  'Lady Montbarry--!' he began.

'Stop there!' she interposed.  'Your brother Stephen's wife calls
herself Lady Montbarry now.  I share my title with no woman.
Call me by my name before I committed the fatal mistake of marrying
your brother.  Address me, if you please, as Countess Narona.'

'Countess Narona,' Francis resumed, 'if your object in claiming
my acquaintance is to mystify me, you have come to the wrong man.
Speak plainly, or permit me to wish you good evening.'

'If your object is to keep Miss Lockwood's arrival in Venice a secret,'
she retorted, 'speak plainly, Mr. Westwick, on your side,
and say so.'

Her intention was evidently to irritate him; and she succeeded.
'Nonsense!' he broke out petulantly.  'My brother's travelling
arrangements are secrets to nobody.  He brings Miss Lockwood here,
with Lady Montbarry and the children.  As you seem so well informed,
perhaps you know why she is coming to Venice?'

The Countess had suddenly become grave and thoughtful.  She made no reply.
The two strangely associated companions, having reached one extremity
of the square, were now standing before the church of St. Mark.
The moonlight was bright enough to show the architecture
of the grand cathedral in its wonderful variety of detail.
Even the pigeons of St. Mark were visible, in dark closely packed rows,
roosting in the archways of the great entrance doors.

'I never saw the old church look so beautiful by moonlight,'
the Countess said quietly; speaking, not to Francis, but to herself.
'Good-bye, St. Mark's by moonlight!  I shall not see you again.'

She turned away from the church, and saw Francis listening
to her with wondering looks.  'No,' she resumed, placidly picking
up the lost thread of the conversation, 'I don't know why Miss
Lockwood is coming here, I only know that we are to meet in Venice.'

'By previous appointment?'

'By Destiny,' she answered, with her head on her breast, and her
eyes on the ground.  Francis burst out laughing.  'Or, if you like
it better,' she instantly resumed, 'by what fools call Chance.'
Francis answered easily, out of the depths of his strong common sense.
'Chance seems to be taking a queer way of bringing the meeting about,'
he said.  'We have all arranged to meet at the Palace Hotel.
How is it that your name is not on the Visitors' List?  Destiny ought
to have brought you to the Palace Hotel too.'

She abruptly pulled down her veil.  'Destiny may do that yet!' she said.
'The Palace Hotel?' she repeated, speaking once more to herself.
'The old hell, transformed into the new purgatory.  The place itself!
Jesu Maria! the place itself!'  She paused and laid her hand on her
companion's arm.  'Perhaps Miss Lockwood is not going there with the rest
of you?' she burst out with sudden eagerness.  'Are you positively
sure she will be at the hotel?'

'Positively!  Haven't I told you that Miss Lockwood travels with Lord
and Lady Montbarry? and don't you know that she is a member of the family?
You will have to move, Countess, to our hotel.'

She was perfectly impenetrable to the bantering tone in which he spoke.
'Yes,' she said faintly, 'I shall have to move to your hotel.'
Her hand was still on his arm--he could feel her shivering from head
to foot while she spoke.  Heartily as he disliked and distrusted her,
the common instinct of humanity obliged him to ask if she
felt cold.

'Yes,' she said.  'Cold and faint.'

'Cold and faint, Countess, on such a night as this?'

'The night has nothing to do with it, Mr. Westwick.  How do you suppose
the criminal feels on the scaffold, while the hangman is putting
the rope around his neck?  Cold and faint, too, I should think.
Excuse my grim fancy.  You see, Destiny has got the rope round my neck--
and I feel it.'

She looked about her.  They were at that moment close to the famous
cafe known as 'Florian's.' 'Take me in there,' she said;
'I must have something to revive me.  You had better not hesitate.
You are interested in reviving me.  I have not said what I wanted to say
to you yet.  It's business, and it's connected with your theatre.'

Wondering inwardly what she could possibly want with his theatre,
Francis reluctantly yielded to the necessities of the situation,
and took her into the cafe.  He found a quiet corner in which they could
take their places without attracting notice.  'What will you have?'
he inquired resignedly.  She gave her own orders to the waiter,
without troubling him to speak for her.

'Maraschino.  And a pot of tea.'

The waiter stared; Francis stared.  The tea was a novelty
(in connection with maraschino) to both of them.  Careless whether
she surprised them or not, she instructed the waiter, when her
directions had been complied with, to pour a large wine-glass-full
of the liqueur into a tumbler, and to fill it up from the teapot.
'I can't do it for myself,' she remarked, 'my hand trembles so.'
She drank the strange mixture eagerly, hot as it was.  'Maraschino punch--
will you taste some of it?' she said.  'I inherit the discovery
of this drink.  When your English Queen Caroline was on the Continent,
my mother was attached to her Court.  That much injured Royal
Person invented, in her happier hours, maraschino punch.
Fondly attached to her gracious mistress, my mother shared her tastes.
And I, in my turn, learnt from my mother.  Now, Mr. Westwick,
suppose I tell you what my business is.  You are manager of a theatre.
Do you want a new play?'

'I always want a new play--provided it's a good one.'

'And you pay, if it's a good one?'

'I pay liberally--in my own interests.'

'If I write the play, will you read it?'

Francis hesitated.  'What has put writing a play into your head?'
he asked.

'Mere accident,' she answered.  'I had once occasion to tell my late
brother of a visit which I paid to Miss Lockwood, when I was last
in England.  He took no interest at what happened at the interview,
but something struck him in my way of relating it.  He said,
"You describe what passed between you and the lady with the point
and contrast of good stage dialogue.  You have the dramatic instinct--
try if you can write a play.  You might make money."  That put it into
my head.'

Those last words seemed to startle Francis.  'Surely you don't
want money!' he exclaimed.

'I always want money.  My tastes are expensive.  I have nothing
but my poor little four hundred a year--and the wreck that is left
of the other money:  about two hundred pounds in circular notes--
no more.'

Francis knew that she was referring to the ten thousand pounds paid
by the insurance offices.  'All those thousands gone already!'
he exclaimed.

She blew a little puff of air over her fingers.  'Gone like that!'
she answered coolly.

'Baron Rivar?'

She looked at him with a flash of anger in her hard black eyes.

'My affairs are my own secret, Mr. Westwick.  I have made you
a proposal--and you have not answered me yet.  Don't say No,
without thinking first.  Remember what a life mine has been.
I have seen more of the world than most people, playwrights included.
I have had strange adventures; I have heard remarkable stories;
I have observed; I have remembered.  Are there no materials, here in
my head, for writing a play--if the opportunity is granted to me?'
She waited a moment, and suddenly repeated her strange question
about Agnes.

'When is Miss Lockwood expected to be in Venice?'

'What has that to do with your new play, Countess?'

The Countess appeared to feel some difficulty in giving that question
its fit reply.  She mixed another tumbler full of maraschino punch,
and drank one good half of it before she spoke again.

'It has everything to do with my new play,' was all she said.
'Answer me.'  Francis answered her.

'Miss Lockwood may be here in a week.  Or, for all I know
to the contrary, sooner than that.'

'Very well.  If I am a living woman and a free woman in a week's time--
or if I am in possession of my senses in a week's time (don't interrupt me;
I know what I am talking about)--I shall have a sketch or outline
of my play ready, as a specimen of what I can do.  Once again,
will you read it?'

'I will certainly read it.  But, Countess, I don't understand--'

She held up her hand for silence, and finished the second tumbler
of maraschino punch.

'I am a living enigma--and you want to know the right reading of me,'
she said.  'Here is the reading, as your English phrase goes,
in a nutshell.  There is a foolish idea in the minds of many persons
that the natives of the warm climates are imaginative people.
There never was a greater mistake.  You will find no such
unimaginative people anywhere as you find in Italy, Spain, Greece,
and the other Southern countries.  To anything fanciful,
to anything spiritual, their minds are deaf and blind by nature.
Now and then, in the course of centuries, a great genius springs
up among them; and he is the exception which proves the rule.
Now see!  I, though I am no genius--I am, in my little way
(as I suppose), an exception too.  To my sorrow, I have some of that
imagination which is so common among the English and the Germans--
so rare among the Italians, the Spaniards, and the rest of them!
And what is the result?  I think it has become a disease in me.
I am filled with presentiments which make this wicked life of mine
one long terror to me.  It doesn't matter, just now, what they are.
Enough that they absolutely govern me--they drive me over land
and sea at their own horrible will; they are in me, and torturing me,
at this moment!  Why don't I resist them?  Ha! but I do resist them.
I am trying (with the help of the good punch) to resist them now.
At intervals I cultivate the difficult virtue of common sense.
Sometimes, sound sense makes a hopeful woman of me.  At one time,
I had the hope that what seemed reality to me was only mad delusion,
after all--I even asked the question of an English doctor!
At other times, other sensible doubts of myself beset me.
Never mind dwelling on them now--it always ends in the old terrors
and superstitions taking possession of me again.  In a week's time,
I shall know whether Destiny does indeed decide my future for me,
or whether I decide it for myself.  In the last case, my resolution
is to absorb this self-tormenting fancy of mine in the occupation
that I have told you of already.  Do you understand me a little
better now?  And, our business being settled, dear Mr. Westwick,
shall we get out of this hot room into the nice cool air
again?'

They rose to leave the cafe.  Francis privately concluded that
the maraschino punch offered the only discoverable explanation
of what the Countess had said to him.





CHAPTER XX


'Shall I see you again?' she asked, as she held out her hand
to take leave.  'It is quite understood between us, I suppose,
about the play?'

Francis recalled his extraordinary experience of that evening in
the re-numbered room.  'My stay in Venice is uncertain,' he replied.
'If you have anything more to say about this dramatic venture of yours,
it may be as well to say it now.  Have you decided on a subject already?
I know the public taste in England better than you do--I might save
you some waste of time and trouble, if you have not chosen your
subject wisely.'

'I don't care what subject I write about, so long as I write,'
she answered carelessly.  'If you have got a subject in your head,
give it to me.  I answer for the characters and the dialogue.'

'You answer for the characters and the dialogue,' Francis repeated.
'That's a bold way of speaking for a beginner!  I wonder if I
should shake your sublime confidence in yourself, if I suggested
the most ticklish subject to handle which is known to the stage?
What do you say, Countess, to entering the lists with Shakespeare,
and trying a drama with a ghost in it?  A true story, mind! founded
on events in this very city in which you and I are interested.'

She caught him by the arm, and drew him away from the crowded
colonnade into the solitary middle space of the square.
'Now tell me!' she said eagerly.  'Here, where nobody is near us.
How am I interested in it?  How? how?'

Still holding his arm, she shook him in her impatience to hear
the coming disclosure.  For a moment he hesitated.  Thus far,
amused by her ignorant belief in herself, he had merely spoken in jest.
Now, for the first time, impressed by her irresistible earnestness,
he began to consider what he was about from a more serious point of view.
With her knowledge of all that had passed in the old palace,
before its transformation into an hotel, it was surely possible that she
might suggest some explanation of what had happened to his brother,
and sister, and himself.  Or, failing to do this, she might accidentally
reveal some event in her own experience which, acting as a hint
to a competent dramatist, might prove to be the making of a play.
The prosperity of his theatre was his one serious object in life.
'I may be on the trace of another "Corsican Brothers,"' he thought.
'A new piece of that sort would be ten thousand pounds in my pocket,
at least.'

With these motives (worthy of the single-hearted devotion
to dramatic business which made Francis a successful manager)
he related, without further hesitation, what his own experience
had been, and what the experience of his relatives had been,
in the haunted hotel.  He even described the outbreak of superstitious
terror which had escaped Mrs. Norbury's ignorant maid.
'Sad stuff, if you look at it reasonably,' he remarked.
'But there is something dramatic in the notion of the ghostly influence
making itself felt by the relations in succession, as they one after
another enter the fatal room--until the one chosen relative comes
who will see the Unearthly Creature, and know the terrible truth.
Material for a play, Countess--first-rate material for a play!'

There he paused.  She neither moved nor spoke.  He stooped and looked
closer at her.

What impression had he produced?  It was an impression which his
utmost ingenuity had failed to anticipate.  She stood by his side--
just as she had stood before Agnes when her question about Ferrari
was plainly answered at last--like a woman turned to stone.
Her eyes were vacant and rigid; all the life in her face had faded
out of it.  Francis took her by the hand.  Her hand was as cold
as the pavement that they were standing on.  He asked her if she
was ill.

Not a muscle in her moved.  He might as well have spoken to the dead.

'Surely,' he said, 'you are not foolish enough to take what I
have been telling you seriously?'

Her lips moved slowly.  As it seemed, she was making an effort
to speak to him.

'Louder,' he said.  'I can't hear you.'

She struggled to recover possession of herself.  A faint light began
to soften the dull cold stare of her eyes.  In a moment more she
spoke so that he could hear her.

'I never thought of the other world,' she murmured, in low dull tones,
like a woman talking in her sleep.

Her mind had gone back to the day of her last memorable interview
with Agnes; she was slowly recalling the confession that had escaped her,
the warning words which she had spoken at that past time.
Necessarily incapable of understanding this, Francis looked
at her in perplexity.  She went on in the same dull vacant tone,
steadily following out her own train of thought, with her heedless
eyes on his face, and her wandering mind far away from him.

'I said some trifling event would bring us together the next time.
I was wrong.  No trifling event will bring us together.
I said I might be the person who told her what had become of Ferrari,
if she forced me to it.  Shall I feel some other influence than hers?
Will he force me to it?  When she sees him, shall I see
him too?'

Her head sank a little; her heavy eyelids dropped slowly;
she heaved a long low weary sigh.  Francis put her arm in his,
and made an attempt to rouse her.

'Come, Countess, you are weary and over-wrought. We have had
enough talking to-night. Let me see you safe back to your hotel.
Is it far from here?'

She started when he moved, and obliged her to move with him,
as if he had suddenly awakened her out of a deep sleep.

'Not far,' she said faintly.  'The old hotel on the quay.
My mind's in a strange state; I have forgotten the name.'

'Danieli's?'

'Yes!'

He led her on slowly.  She accompanied him in silence as far
as the end of the Piazzetta.  There, when the full view of
the moonlit Lagoon revealed itself, she stopped him as he turned
towards the Riva degli Schiavoni.  'I have something to ask you.
I want to wait and think.'

She recovered her lost idea, after a long pause.

'Are you going to sleep in the room to-night?' she asked.

He told her that another traveller was in possession of the room
that night.  'But the manager has reserved it for me to-morrow,'
he added, 'if I wish to have it.'

'No,' she said.  'You must give it up.'

'To whom?'

'To me!'

He started.  'After what I have told you, do you really wish
to sleep in that room to-morrow night?'

'I must sleep in it.'

'Are you not afraid?'

'I am horribly afraid.'

'So I should have thought, after what I have observed in you to-night.
Why should you take the room? you are not obliged to occupy it,
unless you like.'

'I was not obliged to go to Venice, when I left America,' she answered.
'And yet I came here.  I must take the room, and keep the room, until--'
She broke off at those words.  'Never mind the rest,' she said.
'It doesn't interest you.'

It was useless to dispute with her.  Francis changed the subject.
'We can do nothing to-night,' he said.  'I will call on you
to-morrow morning, and hear what you think of it then.'

They moved on again to the hotel.  As they approached the door,
Francis asked if she was staying in Venice under her own name.

She shook her head.  'As your brother's widow, I am known here.
As Countess Narona, I am known here.  I want to be unknown, this time,
to strangers in Venice; I am travelling under a common English name.'
She hesitated, and stood still.  'What has come to me?'
she muttered to herself.  'Some things I remember; and some I forget.
I forgot Danieli's--and now I forget my English name.'
She drew him hurriedly into the hall of the hotel, on the wall
of which hung a list of visitors' names.  Running her finger
slowly down the list, she pointed to the English name that she had
assumed:--'Mrs. James.'

'Remember that when you call to-morrow,' she said.  'My head is heavy.
Good night.'

Francis went back to his own hotel, wondering what the events
of the next day would bring forth.  A new turn in his affairs
had taken place in his absence.  As he crossed the hall, he was
requested by one of the servants to walk into the private office.
The manager was waiting there with a gravely pre-occupied manner,
as if he had something serious to say.  He regretted to hear
that Mr. Francis Westwick had, like other members of the family,
discovered serious sources of discomfort in the new hotel.
He had been informed in strict confidence of Mr. Westwick's
extraordinary objection to the atmosphere of the bedroom upstairs.
Without presuming to discuss the matter, he must beg to be excused
from reserving the room for Mr. Westwick after what had happened.

Francis answered sharply, a little ruffled by the tone in
which the manager had spoken to him.  'I might, very possibly,
have declined to sleep in the room, if you had reserved it,' he said.
'Do you wish me to leave the hotel?'

The manager saw the error that he had committed, and hastened
to repair it.  'Certainly not, sir!  We will do our best to make
you comfortable while you stay with us.  I beg your pardon,
if I have said anything to offend you.  The reputation of an
establishment like this is a matter of very serious importance.
May I hope that you will do us the great favour to say nothing about
what has happened upstairs?  The two French gentlemen have kindly
promised to keep it a secret.'

This apology left Francis no polite alternative but to grant
the manager's request.  'There is an end to the Countess's
wild scheme,' he thought to himself, as he retired for the night.
'So much the better for the Countess!'

He rose late the next morning.  Inquiring for his Parisian friends,
he was informed that both the French gentlemen had left for Milan.
As he crossed the hall, on his way to the restaurant,
he noticed the head porter chalking the numbers of the rooms
on some articles of luggage which were waiting to go upstairs.
One trunk attracted his attention by the extraordinary number
of old travelling labels left on it.  The porter was marking it
at the moment--and the number was, '13 A.' Francis instantly looked
at the card fastened on the lid.  It bore the common English name,
'Mrs. James'! He at once inquired about the lady.  She had arrived
early that morning, and she was then in the Reading Room.
Looking into the room, he discovered a lady in it alone.
Advancing a little nearer, he found himself face to face with
the Countess.

She was seated in a dark corner, with her head down and her arms crossed
over her bosom.  'Yes,' she said, in a tone of weary impatience,
before Francis could speak to her.  'I thought it best not to wait
for you--I determined to get here before anybody else could take
the room.'

'Have you taken it for long?'  Francis asked.

'You told me Miss Lockwood would be here in a week's time.
I have taken it for a week.'

'What has Miss Lockwood to do with it?'

'She has everything to do with it--she must sleep in the room.
I shall give the room up to her when she comes here.'

Francis began to understand the superstitious purpose that she
had in view.  'Are you (an educated woman) really of the same
opinion as my sister's maid!' he exclaimed.  'Assuming your absurd
superstition to be a serious thing, you are taking the wrong means
to prove it true.  If I and my brother and sister have seen nothing,
how should Agnes Lockwood discover what was not revealed to us?
She is only distantly related to the Montbarrys--she is only
our cousin.'

'She was nearer to the heart of the Montbarry who is dead than
any of you,' the Countess answered sternly.  'To the last day
of his life, my miserable husband repented his desertion of her.
She will see what none of you have seen--she shall have the room.'

Francis listened, utterly at a loss to account for the motives
that animated her.  'I don't see what interest you have in trying
this extraordinary experiment,' he said.

'It is my interest not to try it!  It is my interest to fly from Venice,
and never set eyes on Agnes Lockwood or any of your family again!'

'What prevents you from doing that?'

She started to her feet and looked at him wildly.  'I know no more what
prevents me than you do!' she burst out.  'Some will that is stronger
than mine drives me on to my destruction, in spite of my own self!'
She suddenly sat down again, and waved her hand for him to go.
'Leave me,' she said.  'Leave me to my thoughts.'

Francis left her, firmly persuaded by this time that she was out
of her senses.  For the rest of the day, he saw nothing of her.
The night, so far as he knew, passed quietly.  The next morning
he breakfasted early, determining to wait in the restaurant
for the appearance of the Countess.  She came in and ordered
her breakfast quietly, looking dull and worn and self-absorbed,
as she had looked when he last saw her.  He hastened to her table,
and asked if anything had happened in the night.

'Nothing,' she answered.

'You have rested as well as usual?'

'Quite as well as usual.  Have you had any letters this morning?
Have you heard when she is coming?'

'I have had no letters.  Are you really going to stay here?
Has your experience of last night not altered the opinion which you
expressed to me yesterday?'

'Not in the least.'

The momentary gleam of animation which had crossed her face when she
questioned him about Agnes, died out of it again when he answered her.
She looked, she spoke, she eat her breakfast, with a vacant resignation,
like a woman who had done with hopes, done with interests,
done with everything but the mechanical movements and instincts
of life.

Francis went out, on the customary travellers' pilgrimage to
the shrines of Titian and Tintoret.  After some hours of absence,
he found a letter waiting for him when he got back to the hotel.
It was written by his brother Henry, and it recommended him to
return to Milan immediately.  The proprietor of a French theatre,
recently arrived from Venice, was trying to induce the famous dancer
whom Francis had engaged to break faith with him and accept a
higher salary.

Having made this startling announcement, Henry proceeded to inform
his brother that Lord and Lady Montbarry, with Agnes and the children,
would arrive in Venice in three days more.  'They know nothing
of our adventures at the hotel,' Henry wrote; 'and they have
telegraphed to the manager for the accommodation that they want.
There would be something absurdly superstitious in our giving them
a warning which would frighten the ladies and children out of the best
hotel in Venice.  We shall be a strong party this time--too strong
a party for ghosts!  I shall meet the travellers on their arrival,
of course, and try my luck again at what you call the Haunted Hotel.
Arthur Barville and his wife have already got as far on their way as Trent;
and two of the lady's relations have arranged to accompany them on
the journey to Venice.'

Naturally indignant at the conduct of his Parisian colleague,
Francis made his preparations for returning to Milan by the train
of that day.

On his way out, he asked the manager if his brother's telegram had
been received.  The telegram had arrived, and, to the surprise of Francis,
the rooms were already reserved.  'I thought you would refuse to let
any more of the family into the house,' he said satirically.
The manager answered (with the due dash of respect) in the same tone.
'Number 13 A is safe, sir, in the occupation of a stranger.
I am the servant of the Company; and I dare not turn money out of
the hotel.'

Hearing this, Francis said good-bye--and said nothing more.
He was ashamed to acknowledge it to himself, but he felt an
irresistible curiosity to know what would happen when Agnes arrived
at the hotel.  Besides, 'Mrs. James' had reposed a confidence in him.
He got into his gondola, respecting the confidence of 'Mrs. James.'



Towards evening on the third day, Lord Montbarry and his travelling
companions arrived, punctual to their appointment.

'Mrs. James,' sitting at the window of her room watching for them,
saw the new Lord land from the gondola first.  He handed his wife
to the steps.  The three children were next committed to his care.
Last of all, Agnes appeared in the little black doorway of the
gondola cabin, and, taking Lord Montbarry's hand, passed in her
turn to the steps.  She wore no veil.  As she ascended to the door
of the hotel, the Countess (eyeing her through an opera-glass)
noticed that she paused to look at the outside of the building,
and that her face was very pale.





CHAPTER XXI


Lord and Lady Montbarry were received by the housekeeper;
the manager being absent for a day or two on business connected
with the affairs of the hotel.

The rooms reserved for the travellers on the first floor were
three in number; consisting of two bedrooms opening into each other,
and communicating on the left with a drawing-room. Complete so far,
the arrangements proved to be less satisfactory in reference
to the third bedroom required for Agnes and for the eldest daughter
of Lord Montbarry, who usually slept with her on their travels.
The bed-chamber on the right of the drawing-room was already occupied
by an English widow lady.  Other bedchambers at the other end
of the corridor were also let in every case.  There was accordingly
no alternative but to place at the disposal of Agnes a comfortable
room on the second floor.  Lady Montbarry vainly complained of this
separation of one of the members of her travelling party from the rest.
The housekeeper politely hinted that it was impossible for her
to ask other travellers to give up their rooms.  She could only
express her regret, and assure Miss Lockwood that her bed-chamber
on the second floor was one of the best rooms in that part of
the hotel.

On the retirement of the housekeeper, Lady Montbarry noticed
that Agnes had seated herself apart, feeling apparently no interest
in the question of the bedrooms.  Was she ill?  No; she felt
a little unnerved by the railway journey, and that was all.
Hearing this, Lord Montbarry proposed that she should go out with him,
and try the experiment of half an hour's walk in the cool evening air.
Agnes gladly accepted the suggestion.  They directed their steps
towards the square of St. Mark, so as to enjoy the breeze blowing
over the lagoon.  It was the first visit of Agnes to Venice.
The fascination of the wonderful city of the waters exerted its
full influence over her sensitive nature.  The proposed half-hour
of the walk had passed away, and was fast expanding to half
an hour more, before Lord Montbarry could persuade his companion
to remember that dinner was waiting for them.  As they returned,
passing under the colonnade, neither of them noticed a lady
in deep mourning, loitering in the open space of the square.
She started as she recognised Agnes walking with the new Lord Montbarry--
hesitated for a moment--and then followed them, at a discreet distance,
back to the hotel.

Lady Montbarry received Agnes in high spirits--with news of an event
which had happened in her absence.

She had not left the hotel more than ten minutes, before a little
note in pencil was brought to Lady Montbarry by the housekeeper.
The writer proved to be no less a person than the widow lady
who occupied the room on the other side of the drawing-room,
which her ladyship had vainly hoped to secure for Agnes.
Writing under the name of Mrs. James, the polite widow explained
that she had heard from the housekeeper of the disappointment
experienced by Lady Montbarry in the matter of the rooms.
Mrs. James was quite alone; and as long as her bed-chamber was airy
and comfortable, it mattered nothing to her whether she slept on
the first or the second floor of the house.  She had accordingly
much pleasure in proposing to change rooms with Miss Lockwood.
Her luggage had already been removed, and Miss Lockwood had only to
take possession of the room (Number 13 A), which was now entirely at
her disposal.

'I immediately proposed to see Mrs. James,' Lady Montbarry continued,
'and to thank her personally for her extreme kindness.
But I was informed that she had gone out, without leaving word
at what hour she might be expected to return.  I have written
a little note of thanks, saying that we hope to have the pleasure
of personally expressing our sense of Mrs. James's courtesy
to-morrow. In the mean time, Agnes, I have ordered your boxes
to be removed downstairs.  Go!--and judge for yourself, my dear,
if that good lady has not given up to you the prettiest room
in the house!'

With those words, Lady Montbarry left Miss Lockwood to make a hasty
toilet for dinner.

The new room at once produced a favourable impression on Agnes.
The large window, opening into a balcony, commanded an admirable
view of the canal.  The decorations on the walls and ceiling were
skilfully copied from the exquisitely graceful designs of Raphael
in the Vatican.  The massive wardrobe possessed compartments
of unusual size, in which double the number of dresses that Agnes
possessed might have been conveniently hung at full length.
In the inner corner of the room, near the head of the bedstead,
there was a recess which had been turned into a little dressing-room,
and which opened by a second door on the inferior staircase of
the hotel, commonly used by the servants.  Noticing these aspects
of the room at a glance, Agnes made the necessary change in her dress,
as quickly as possible.  On her way back to the drawing-room she was
addressed by a chambermaid in the corridor who asked for her key.
'I will put your room tidy for the night, Miss,' the woman said,
'and I will then bring the key back to you in the drawing-room.'

While the chambermaid was at her work, a solitary lady, loitering about
the corridor of the second storey, was watching her over the bannisters.
After a while, the maid appeared, with her pail in her hand,
leaving the room by way of the dressing-room and the back stairs.
As she passed out of sight, the lady on the second floor (no other,
it is needless to add, than the Countess herself) ran swiftly
down the stairs, entered the bed-chamber by the principal door,
and hid herself in the empty side compartment of the wardrobe.
The chambermaid returned, completed her work, locked the door
of the dressing-room on the inner side, locked the principal
entrance-door on leaving the room, and returned the key to Agnes in the
drawing-room.

The travellers were just sitting down to their late dinner,
when one of the children noticed that Agnes was not wearing her watch.
Had she left it in her bed-chamber in the hurry of changing her dress?
She rose from the table at once in search of her watch; Lady Montbarry
advising her, as she went out, to see to the security of her bed-chamber,
in the event of there being thieves in the house.  Agnes found
her watch, forgotten on the toilet table, as she had anticipated.
Before leaving the room again she acted on Lady Montbarry's advice,
and tried the key in the lock of the dressing-room door.  It was
properly secured.  She left the bed-chamber, locking the main door
behind her.

Immediately on her departure, the Countess, oppressed by the confined
air in the wardrobe, ventured on stepping out of her hiding place
into the empty room.

Entering the dressing-room, she listened at the door, until the silence
outside informed her that the corridor was empty.  Upon this,
she unlocked the door, and, passing out, closed it again softly;
leaving it to all appearance (when viewed on the inner side)
as carefully secured as Agnes had seen it when she tried the key in
the lock with her own hand.

While the Montbarrys were still at dinner, Henry Westwick joined them,
arriving from Milan.

When he entered the room, and again when he advanced to shake hands
with her, Agnes was conscious of a latent feeling which secretly
reciprocated Henry's unconcealed pleasure on meeting her again.
For a moment only, she returned his look; and in that moment her own
observation told her that she had silently encouraged him to hope.
She saw it in the sudden glow of happiness which overspread his face;
and she confusedly took refuge in the usual conventional inquiries relating
to the relatives whom he had left at Milan.

Taking his place at the table, Henry gave a most amusing account
of the position of his brother Francis between the mercenary
opera-dancer on one side, and the unscrupulous manager of the French
theatre on the other.  Matters had proceeded to such extremities,
that the law had been called on to interfere, and had decided the dispute
in favour of Francis.  On winning the victory the English manager had
at once left Milan, recalled to London by the affairs of his theatre.
He was accompanied on the journey back, as he had been accompanied
on the journey out, by his sister.  Resolved, after passing two
nights of terror in the Venetian hotel, never to enter it again,
Mrs. Norbury asked to be excused from appearing at the family festival,
on the ground of ill-health. At her age, travelling fatigued her,
and she was glad to take advantage of her brother's escort to return
to England.

While the talk at the dinner-table flowed easily onward,
the evening-time advanced to night--and it became necessary
to think of sending the children to bed.

As Agnes rose to leave the room, accompanied by the eldest girl,
she observed with surprise that Henry's manner suddenly changed.
He looked serious and pre-occupied; and when his niece wished him
good night, he abruptly said to her, 'Marian, I want to know what
part of the hotel you sleep in?'  Marian, puzzled by the question,
answered that she was going to sleep, as usual, with 'Aunt Agnes.'
Not satisfied with that reply, Henry next inquired whether the bedroom
was near the rooms occupied by the other members of the travelling party.
Answering for the child, and wondering what Henry's object could
possibly be, Agnes mentioned the polite sacrifice made to her
convenience by Mrs. James.  'Thanks to that lady's kindness,'
she said, 'Marian and I are only on the other side of the drawing-room.'
Henry made no remark; he looked incomprehensibly discontented
as he opened the door for Agnes and her companion to pass out.
After wishing them good night, he waited in the corridor
until he saw them enter the fatal corner-room--and then
he called abruptly to his brother, 'Come out, Stephen, and let
us smoke!'

As soon as the two brothers were at liberty to speak together privately,
Henry explained the motive which had led to his strange inquiries
about the bedrooms.  Francis had informed him of the meeting with
the Countess at Venice, and of all that had followed it; and Henry now
carefully repeated the narrative to his brother in all its details.
'I am not satisfied,' he added, 'about that woman's purpose in giving
up her room.  Without alarming the ladies by telling them what I
have just told you, can you not warn Agnes to be careful in securing
her door?'

Lord Montbarry replied, that the warning had been already
given by his wife, and that Agnes might be trusted to take
good care of herself and her little bed-fellow. For the rest,
he looked upon the story of the Countess and her superstitions
as a piece of theatrical exaggeration, amusing enough in itself,
but unworthy of a moment's serious attention.

While the gentlemen were absent from the hotel, the room which had
been already associated with so many startling circumstances,
became the scene of another strange event in which Lady Montbarry's
eldest child was concerned.

Little Marian had been got ready for bed as usual, and had
(so far) taken hardly any notice of the new room.  As she knelt
down to say her prayers, she happened to look up at that part
of the ceiling above her which was just over the head of the bed.
The next instant she alarmed Agnes, by starting to her feet
with a cry of terror, and pointing to a small brown spot
on one of the white panelled spaces of the carved ceiling.
'It's a spot of blood!' the child exclaimed.  'Take me away!
I won't sleep here!'

Seeing plainly that it would be useless to reason with her while she
was in the room, Agnes hurriedly wrapped Marian in a dressing-gown,
and carried her back to her mother in the drawing-room. Here,
the ladies did their best to soothe and reassure the trembling girl.
The effort proved to be useless; the impression that had been
produced on the young and sensitive mind was not to be removed
by persuasion.  Marian could give no explanation of the panic
of terror that had seized her.  She was quite unable to say why
the spot on the ceiling looked like the colour of a spot of blood.
She only knew that she should die of terror if she saw it again.
Under these circumstances, but one alternative was left.  It was
arranged that the child should pass the night in the room occupied
by her two younger sisters and the nurse.

In half an hour more, Marian was peacefully asleep with her arm
around her sister's neck.  Lady Montbarry went back with Agnes
to her room to see the spot on the ceiling which had so strangely
frightened the child.  It was so small as to be only just perceptible,
and it had in all probability been caused by the carelessness
of a workman, or by a dripping from water accidentally spilt
on the floor of the room above.

'I really cannot understand why Marian should place such a shocking
interpretation on such a trifling thing,' Lady Montbarry remarked.

'I suspect the nurse is in some way answerable for what has happened,'
Agnes suggested.  'She may quite possibly have been telling
Marian some tragic nursery story which has left its mischievous
impression behind it.  Persons in her position are sadly ignorant
of the danger of exciting a child's imagination.  You had better
caution the nurse to-morrow.'

Lady Montbarry looked round the room with admiration.  'Is it
not prettily decorated?' she said.  'I suppose, Agnes, you don't
mind sleeping here by yourself.?'

Agnes laughed.  'I feel so tired,' she replied, 'that I was thinking
of bidding you good-night, instead of going back to the drawing-room.'

Lady Montbarry turned towards the door.  'I see your jewel-case on
the table,' she resumed.  'Don't forget to lock the other door there,
in the dressing-room.'

'I have already seen to it, and tried the key myself,' said Agnes.
'Can I be of any use to you before I go to bed?'

'No, my dear, thank you; I feel sleepy enough to follow your example.
Good night, Agnes--and pleasant dreams on your first night
in Venice.'





CHAPTER XXII


Having closed and secured the door on Lady Montbarry's departure,
Agnes put on her dressing-gown, and, turning to her open boxes,
began the business of unpacking.  In the hurry of making her toilet
for dinner, she had taken the first dress that lay uppermost
in the trunk, and had thrown her travelling costume on the bed.
She now opened the doors of the wardrobe for the first time,
and began to hang her dresses on the hooks in the large compartment on
one side.

After a few minutes only of this occupation, she grew weary of it,
and decided on leaving the trunks as they were, until the next morning.
The oppressive south wind, which had blown throughout the day,
still prevailed at night.  The atmosphere of the room felt close;
Agnes threw a shawl over her head and shoulders, and, opening the window,
stepped into the balcony to look at the view.

The night was heavy and overcast:  nothing could be distinctly seen.
The canal beneath the window looked like a black gulf;
the opposite houses were barely visible as a row of shadows,
dimly relieved against the starless and moonless sky.
At long intervals, the warning cry of a belated gondolier was
just audible, as he turned the corner of a distant canal, and called
to invisible boats which might be approaching him in the darkness.
Now and then, the nearer dip of an oar in the water told of the viewless
passage of other gondolas bringing guests back to the hotel.
Excepting these rare sounds, the mysterious night-silence of Venice was
literally the silence of the grave.

Leaning on the parapet of the balcony, Agnes looked vacantly into
the black void beneath.  Her thoughts reverted to the miserable man
who had broken his pledged faith to her, and who had died in that house.
Some change seemed to have come over her since her arrival in Venice;
some new influence appeared to be at work.  For the first time
in her experience of herself, compassion and regret were not the only
emotions aroused in her by the remembrance of the dead Montbarry.
A keen sense of the wrong that she had suffered, never yet
felt by that gentle and forgiving nature, was felt by it now.
She found herself thinking of the bygone days of her humiliation
almost as harshly as Henry Westwick had thought of them--
she who had rebuked him the last time he had spoken slightingly
of his brother in her presence!  A sudden fear and doubt of herself,
startled her physically as well as morally.  She turned from the shadowy
abyss of the dark water as if the mystery and the gloom of it had
been answerable for the emotions which had taken her by surprise.
Abruptly closing the window, she threw aside her shawl, and lit
the candles on the mantelpiece, impelled by a sudden craving for light in
the solitude of her room.

The cheering brightness round her, contrasting with the black
gloom outside, restored her spirits.  She felt herself enjoying
the light like a child!

Would it be well (she asked herself) to get ready for bed?  No!  The sense
of drowsy fatigue that she had felt half an hour since was gone.
She returned to the dull employment of unpacking her boxes.
After a few minutes only, the occupation became irksome to her once more.
She sat down by the table, and took up a guide-book. 'Suppose I
inform myself,' she thought, 'on the subject of Venice?'

Her attention wandered from the book, before she had turned
the first page of it.

The image of Henry Westwick was the presiding image in her memory now.
Recalling the minutest incidents and details of the evening,
she could think of nothing which presented him under other than
a favourable and interesting aspect.  She smiled to herself softly,
her colour rose by fine gradations, as she felt the full luxury
of dwelling on the perfect truth and modesty of his devotion to her.
Was the depression of spirits from which she had suffered so
persistently on her travels attributable, by any chance, to their
long separation from each other--embittered perhaps by her own vain
regret when she remembered her harsh reception of him in Paris?
Suddenly conscious of this bold question, and of the self-abandonment
which it implied, she returned mechanically to her book,
distrusting the unrestrained liberty of her own thoughts.
What lurking temptations to forbidden tenderness find their hiding-places
in a woman's dressing-gown, when she is alone in her room at night!
With her heart in the tomb of the dead Montbarry, could Agnes even think
of another man, and think of love?  How shameful! how unworthy of her!
For the second time, she tried to interest herself in the guide-book--
and once more she tried in vain.  Throwing the book aside,
she turned desperately to the one resource that was left,
to her luggage--resolved to fatigue herself without mercy,
until she was weary enough and sleepy enough to find a safe refuge
in bed.

For some little time, she persisted in the monotonous occupation
of transferring her clothes from her trunk to the wardrobe.
The large clock in the hall, striking mid-night, reminded her that it
was getting late.  She sat down for a moment in an arm-chair by
the bedside, to rest.

The silence in the house now caught her attention, and held it--
held it disagreeably.  Was everybody in bed and asleep but herself?
Surely it was time for her to follow the general example?  With a
certain irritable nervous haste, she rose again and undressed herself.
'I have lost two hours of rest,' she thought, frowning at the reflection
of herself in the glass, as she arranged her hair for the night.
'I shall be good for nothing to-morrow!'

She lit the night-light, and extinguished the candles--
with one exception, which she removed to a little table, placed on
the side of the bed opposite to the side occupied by the arm-chair.
Having put her travelling-box of matches and the guide-book near
the candle, in case she might be sleepless and might want to read,
she blew out the light, and laid her head on the pillow.

The curtains of the bed were looped back to let the air pass
freely over her.  Lying on her left side, with her face turned
away from the table, she could see the arm-chair by the dim
night-light. It had a chintz covering--representing large
bunches of roses scattered over a pale green ground.  She tried
to weary herself into drowsiness by counting over and over again
the bunches of roses that were visible from her point of view.
Twice her attention was distracted from the counting, by sounds outside--
by the clock chiming the half-hour past twelve; and then again,
by the fall of a pair of boots on the upper floor, thrown out to
be cleaned, with that barbarous disregard of the comfort of others
which is observable in humanity when it inhabits an hotel.
In the silence that followed these passing disturbances, Agnes went on
counting the roses on the arm-chair, more and more slowly.  Before long,
she confused herself in the figures--tried to begin counting again--
thought she would wait a little first--felt her eyelids drooping,
and her head reclining lower and lower on the pillow--sighed faintly--
and sank into sleep.

How long that first sleep lasted, she never knew.  She could
only remember, in the after-time, that she woke instantly.

Every faculty and perception in her passed the boundary line
between insensibility and consciousness, so to speak, at a leap.
Without knowing why, she sat up suddenly in the bed,
listening for she knew not what.  Her head was in a whirl; her heart
beat furiously, without any assignable cause.  But one trivial
event had happened during the interval while she had been asleep.
The night-light had gone out; and the room, as a matter of course,
was in total darkness.

She felt for the match-box, and paused after finding it.
A vague sense of confusion was still in her mind.  She was in no hurry
to light the match.  The pause in the darkness was, for the moment,
agreeable to her.

In the quieter flow of her thoughts during this interval,
she could ask herself the natural question:--What cause had
awakened her so suddenly, and had so strangely shaken her nerves?
Had it been the influence of a dream?  She had not dreamed
at all--or, to speak more correctly, she had no waking remembrance
of having dreamed.  The mystery was beyond her fathoming:
the darkness began to oppress her.  She struck the match on the box,
and lit her candle.

As the welcome light diffused itself over the room, she turned
from the table and looked towards the other side of the bed.

In the moment when she turned, the chill of a sudden terror gripped
her round the heart, as with the clasp of an icy hand.

She was not alone in her room!

There--in the chair at the bedside--there, suddenly revealed under
the flow of light from the candle, was the figure of a woman, reclining.
Her head lay back over the chair.  Her face, turned up to the ceiling,
had the eyes closed, as if she was wrapped in a deep sleep.

The shock of the discovery held Agnes speechless and helpless.
Her first conscious action, when she was in some degree mistress of
herself again, was to lean over the bed, and to look closer at the woman
who had so incomprehensibly stolen into her room in the dead of night.
One glance was enough:  she started back with a cry of amazement.
The person in the chair was no other than the widow of the dead Montbarry--
the woman who had warned her that they were to meet again,
and that the place might be Venice!

Her courage returned to her, stung into action by the natural sense
of indignation which the presence of the Countess provoked.

'Wake up!' she called out.  'How dare you come here?  How did you get in?
Leave the room--or I will call for help!'

She raised her voice at the last words.  It produced no effect.
Leaning farther over the bed, she boldly took the Countess
by the shoulder and shook her.  Not even this effort succeeded
in rousing the sleeping woman.  She still lay back in the chair,
possessed by a torpor like the torpor of death--insensible to sound,
insensible to touch.  Was she really sleeping?  Or had she fainted?

Agnes looked closer at her.  She had not fainted.  Her breathing
was audible, rising and falling in deep heavy gasps.  At intervals
she ground her teeth savagely.  Beads of perspiration stood thickly
on her forehead.  Her clenched hands rose and fell slowly from time
to time on her lap.  Was she in the agony of a dream? or was she
spiritually conscious of something hidden in the room?

The doubt involved in that last question was unendurable.
Agnes determined to rouse the servants who kept watch in the hotel
at night.

The bell-handle was fixed to the wall, on the side of the bed
by which the table stood.

She raised herself from the crouching position which she had assumed
in looking close at the Countess; and, turning towards the other side
of the bed, stretched out her hand to the bell.  At the same instant,
she stopped and looked upward.  Her hand fell helplessly at her side.
She shuddered, and sank back on the pillow.

What had she seen?

She had seen another intruder in her room.

Midway between her face and the ceiling, there hovered a human head--
severed at the neck, like a head struck from the body by the guillotine.

Nothing visible, nothing audible, had given her any intelligible
warning of its appearance.  Silently and suddenly, the head had
taken its place above her.  No supernatural change had passed
over the room, or was perceptible in it now.  The dumbly-tortured
figure in the chair; the broad window opposite the foot of the bed,
with the black night beyond it; the candle burning on the table--
these, and all other objects in the room, remained unaltered.
One object more, unutterably horrid, had been added to the rest.
That was the only change--no more, no less.

By the yellow candlelight she saw the head distinctly,
hovering in mid-air above her.  She looked at it steadfastly,
spell-bound by the terror that held her.

The flesh of the face was gone.  The shrivelled skin was darkened
in hue, like the skin of an Egyptian mummy--except at the neck.
There it was of a lighter colour; there it showed spots and splashes
of the hue of that brown spot on the ceiling, which the child's
fanciful terror had distorted into the likeness of a spot of blood.
Thin remains of a discoloured moustache and whiskers, hanging over
the upper lip, and over the hollows where the cheeks had once been,
made the head just recognisable as the head of a man.  Over all
the features death and time had done their obliterating work.
The eyelids were closed.  The hair on the skull, discoloured like
the hair on the face, had been burnt away in places.  The bluish lips,
parted in a fixed grin, showed the double row of teeth.
By slow degrees, the hovering head (perfectly still when she
first saw it) began to descend towards Agnes as she lay beneath.
By slow degrees, that strange doubly-blended odour, which the
Commissioners had discovered in the vaults of the old palace--
which had sickened Francis Westwick in the bed-chamber of
the new hotel--spread its fetid exhalations over the room.
Downward and downward the hideous apparition made its slow progress,
until it stopped close over Agnes--stopped, and turned slowly,
so that the face of it confronted the upturned face of the woman in
the chair.

There was a pause.  Then, a supernatural movement disturbed the rigid
repose of the dead face.

The closed eyelids opened slowly.  The eyes revealed themselves,
bright with the glassy film of death--and fixed their dreadful look
on the woman in the chair.

Agnes saw that look; saw the eyelids of the living woman open slowly
like the eyelids of the dead; saw her rise, as if in obedience
to some silent command--and saw no more.



Her next conscious impression was of the sunlight pouring in at
the window; of the friendly presence of Lady Montbarry at the bedside;
and of the children's wondering faces peeping in at the door.





                      CHAPTER XXIII


'...You have some influence over Agnes.  Try what you
can do, Henry, to make her take a sensible view of the matter.
There is really nothing to make a fuss about.  My wife's maid knocked
at her door early in the morning, with the customary cup of tea.
Getting no answer, she went round to the dressing-room--found the door
on that side unlocked--and discovered Agnes on the bed in a fainting fit.
With my wife's help, they brought her to herself again; and she
told the extraordinary story which I have just repeated to you.
You must have seen for yourself that she has been over-fatigued,
poor thing, by our long railway journeys:  her nerves are out of order--
and she is just the person to be easily terrified by a dream.
She obstinately refuses, however, to accept this rational view.
Don't suppose that I have been severe with her!  All that a man
can do to humour her I have done.  I have written to the Countess
(in her assumed name) offering to restore the room to her.
She writes back, positively declining to return to it.
I have accordingly arranged (so as not to have the thing
known in the hotel) to occupy the room for one or two nights,
and to leave Agnes to recover her spirits under my wife's care.
Is there anything more that I can do?  Whatever questions Agnes has
asked of me I have answered to the best of my ability; she knows
all that you told me about Francis and the Countess last night.
But try as I may I can't quiet her mind.  I have given up the attempt
in despair, and left her in the drawing-room. Go, like a good fellow,
and try what you can do to compose her.'

In those words, Lord Montbarry stated the case to his brother
from the rational point of view.  Henry made no remark, he went
straight to the drawing-room.

He found Agnes walking rapidly backwards and forwards,
flushed and excited.  'If you come here to say what your brother
has been saying to me,' she broke out, before he could speak,
'spare yourself the trouble.  I don't want common sense--
I want a true friend who will believe in me.'

'I am that friend, Agnes,' Henry answered quietly, 'and you know it.'

'You really believe that I am not deluded by a dream?'

I know that you are not deluded--in one particular, at least.'

'In what particular?'

'In what you have said of the Countess.  It is perfectly true--'

Agnes stopped him there.  'Why do I only hear this morning
that the Countess and Mrs. James are one and the same person?'
she asked distrustfully.  'Why was I not told of it last night?'

'You forget that you had accepted the exchange of rooms before I
reached Venice,' Henry replied.  'I felt strongly tempted to tell you,
even then--but your sleeping arrangements for the night were
all made; I should only have inconvenienced and alarmed you.
I waited till the morning, after hearing from my brother that
you had yourself seen to your security from any intrusion.
How that intrusion was accomplished it is impossible to say.
I can only declare that the Countess's presence by your bedside
last night was no dream of yours.  On her own authority I can testify
that it was a reality.'

'On her own authority?'  Agnes repeated eagerly.  'Have you seen
her this morning?'

'I have seen her not ten minutes since.'

'What was she doing?'

She was busily engaged in writing.  I could not even get her to look
at me until I thought of mentioning your name.'

'She remembered me, of course?'

'She remembered you with some difficulty.  Finding that she wouldn't answer
me on any other terms, I questioned her as if I had come direct from you.
Then she spoke.  She not only admitted that she had the same superstitious
motive for placing you in that room which she had acknowledged
to Francis--she even owned that she had been by your bedside,
watching through the night, "to see what you saw," as she expressed it.
Hearing this, I tried to persuade her to tell me how she got into
the room.  Unluckily, her manuscript on the table caught her eye;
she returned to her writing.  "The Baron wants money," she said;
"I must get on with my play."  What she saw or dreamed while she was
in your room last night, it is at present impossible to discover.
But judging by my brother's account of her, as well as by what I
remember of her myself, some recent influence has been at work which
has produced a marked change in this wretched woman for the worse.
Her mind (since last night, perhaps) is partially deranged.
One proof of it is that she spoke to me of the Baron as if he were
still a living man.  When Francis saw her, she declared that the Baron
was dead, which is the truth.  The United States Consul at Milan
showed us the announcement of the death in an American newspaper.
So far as I can see, such sense as she still possesses seems to be
entirely absorbed in one absurd idea--the idea of writing a play
for Francis to bring out at his theatre.  He admits that he encouraged
her to hope she might get money in this way.  I think he did wrong.
Don't you agree with me?'

Without heeding the question, Agnes rose abruptly from her chair.

'Do me one more kindness, Henry,' she said.  'Take me to the Countess
at once.'

Henry hesitated.  'Are you composed enough to see her, after the shock
that you have suffered?' he asked.

She trembled, the flush on her face died away, and left it deadly pale.
But she held to her resolution.  'You have heard of what I saw last night?'
she said faintly.

'Don't speak of it!'  Henry interposed.  'Don't uselessly
agitate yourself.'

'I must speak!  My mind is full of horrid questions about it.
I know I can't identify it--and yet I ask myself over and over again,
in whose likeness did it appear?  Was it in the likeness of Ferrari?
or was it--?' she stopped, shuddering.  'The Countess knows, I must
see the Countess!' she resumed vehemently.  'Whether my courage fails
me or not, I must make the attempt.  Take me to her before I have time
to feel afraid of it!'

Henry looked at her anxiously.  'If you are really sure of your
own resolution,' he said, 'I agree with you--the sooner you see
her the better.  You remember how strangely she talked of your
influence over her, when she forced her way into your room in London?'

'I remember it perfectly.  Why do you ask?'

'For this reason.  In the present state of her mind, I doubt if she
will be much longer capable of realizing her wild idea of you as the
avenging angel who is to bring her to a reckoning for her evil deeds.
It may be well to try what your influence can do while she is still
capable of feeling it.'

He waited to hear what Agnes would say.  She took his arm and led
him in silence to the door.

They ascended to the second floor, and, after knocking,
entered the Countess's room.

She was still busily engaged in writing.  When she looked up from
the paper, and saw Agnes, a vacant expression of doubt was the only
expression in her wild black eyes.  After a few moments, the lost
remembrances and associations appeared to return slowly to her mind.
The pen dropped from her hand.  Haggard and trembling, she looked closer
at Agnes, and recognised her at last.  'Has the time come already?'
she said in low awe-struck tones.  'Give me a little longer respite,
I haven't done my writing yet!'

She dropped on her knees, and held out her clasped hands entreatingly.
Agnes was far from having recovered, after the shock that she had
suffered in the night:  her nerves were far from being equal to the
strain that was now laid on them.  She was so startled by the change
in the Countess, that she was at a loss what to say or to do next.
Henry was obliged to speak to her.  'Put your questions while you
have the chance,' he said, lowering his voice.  'See! the vacant look
is coming over her face again.'

Agnes tried to rally her courage.  'You were in my room last night--'

she began.  Before she could add a word more, the Countess lifted
her hands, and wrung them above her head with a low moan of horror.
Agnes shrank back, and turned as if to leave the room.  Henry stopped her,
and whispered to her to try again.  She obeyed him after an effort.
'I slept last night in the room that you gave up to me,' she resumed.
'I saw--'

The Countess suddenly rose to her feet.  'No more of that,' she cried.
'Oh, Jesu Maria! do you think I want to be told what you saw?
Do you think I don't know what it means for you and for me?
Decide for yourself, Miss. Examine your own mind.  Are you well
assured that the day of reckoning has come at last?  Are you ready
to follow me back, through the crimes of the past, to the secrets of
the dead?'

She returned again to the writing-table, without waiting to be answered.
Her eyes flashed; she looked like her old self once more as she spoke.
It was only for a moment.  The old ardour and impetuosity were
nearly worn out.  Her head sank; she sighed heavily as she unlocked
a desk which stood on the table.  Opening a drawer in the desk,
she took out a leaf of vellum, covered with faded writing.
Some ragged ends of silken thread were still attached to the leaf,
as if it had been torn out of a book.

'Can you read Italian?' she asked, handing the leaf to Agnes.

Agnes answered silently by an inclination of her head.

'The leaf,' the Countess proceeded, 'once belonged to a book in the old
library of the palace, while this building was still a palace.
By whom it was torn out you have no need to know.  For what purpose
it was torn out you may discover for yourself, if you will.
Read it first--at the fifth line from the top of the page.'

Agnes felt the serious necessity of composing herself.
'Give me a chair,' she said to Henry; 'and I will do my best.'
He placed himself behind her chair so that he could look over her
shoulder and help her to understand the writing on the leaf.
Rendered into English, it ran as follows:--

     I have now completed my literary survey of the first
floor of the palace.  At the desire of my noble and gracious patron,
the lord of this glorious edifice, I next ascend to the second floor,
and continue my catalogue or description of the pictures,
decorations, and other treasures of art therein contained.
Let me begin with the corner room at the western extremity of the palace,
called the Room of the Caryatides, from the statues which support
the mantel-piece. This work is of comparatively recent execution:
it dates from the eighteenth century only, and reveals the corrupt
taste of the period in every part of it.  Still, there is a certain
interest which attaches to the mantel-piece: it conceals a cleverly
constructed hiding-place, between the floor of the room and the ceiling
of the room beneath, which was made during the last evil days
of the Inquisition in Venice, and which is reported to have saved
an ancestor of my gracious lord pursued by that terrible tribunal.
The machinery of this curious place of concealment has been kept
in good order by the present lord, as a species of curiosity.
He condescended to show me the method of working it.
Approaching the two Caryatides, rest your hand on the forehead
(midway between the eyebrows) of the figure which is on your left
as you stand opposite to the fireplace, then press the head inwards
as if you were pushing it against the wall behind.  By doing this,
you set in motion the hidden machinery in the wall which turns
the hearthstone on a pivot, and discloses the hollow place below.
There is room enough in it for a man to lie easily at full length.
The method of closing the cavity again is equally simple.  Place both
your hands on the temples of the figures; pull as if you were pulling
it towards you--and the hearthstone will revolve into its proper
position again.

'You need read no farther,' said the Countess.  'Be careful
to remember what you have read.'

She put back the page of vellum in her writing-desk, locked it,
and led the way to the door.

'Come!' she said; 'and see what the mocking Frenchman called "The
beginning of the end."  '

Agnes was barely able to rise from her chair; she trembled from head
to foot.  Henry gave her his arm to support her.  'Fear nothing,'
he whispered; 'I shall be with you.'

The Countess proceeded along the westward corridor, and stopped
at the door numbered Thirty-eight. This was the room which had
been inhabited by Baron Rivar in the old days of the palace:
it was situated immediately over the bedchamber in which Agnes had
passed the night.  For the last two days the room had been empty.
The absence of luggage in it, when they opened the door, showed that it
had not yet been let.

'You see?' said the Countess, pointing to the carved figure at
the fire-place; 'and you know what to do.  Have I deserved that you
should temper justice with mercy?' she went on in lower tones.
'Give me a few hours more to myself.  The Baron wants money--
I must get on with my play.'

She smiled vacantly, and imitated the action of writing with her right
hand as she pronounced the last words.  The effort of concentrating
her weakened mind on other and less familiar topics than the constant
want of money in the Baron's lifetime, and the vague prospect
of gain from the still unfinished play, had evidently exhausted
her poor reserves of strength.  When her request had been granted,
she addressed no expressions of gratitude to Agnes; she only said,
'Feel no fear, miss, of my attempting to escape you.  Where you are,
there I must be till the end comes.'

Her eyes wandered round the room with a last weary and stupefied look.
She returned to her writing with slow and feeble steps, like the steps
of an old woman.





CHAPTER XXIV


Henry and Agnes were left alone in the Room of the Caryatides.

The person who had written the description of the palace--
probably a poor author or artist--had correctly pointed out
the defects of the mantel-piece. Bad taste, exhibiting itself
on the most costly and splendid scale, was visible in every part
of the work.  It was nevertheless greatly admired by ignorant
travellers of all classes; partly on account of its imposing size,
and partly on account of the number of variously-coloured marbles
which the sculptor had contrived to introduce into his design.
Photographs of the mantel-piece were exhibited in the public rooms,
and found a ready sale among English and American visitors to
the hotel.

Henry led Agnes to the figure on the left, as they stood facing the empty
fire-place. 'Shall I try the experiment,' he asked, 'or will you?'
She abruptly drew her arm away from him, and turned back to the door.
'I can't even look at it,' she said.  'That merciless marble face
frightens me!'

Henry put his hand on the forehead of the figure.  'What is there
to alarm you, my dear, in this conventionally classical face?'
he asked jestingly.  Before he could press the head inwards,
Agnes hurriedly opened the door.  'Wait till I am out of the room!'
she cried.  'The bare idea of what you may find there horrifies me!'
She looked back into the room as she crossed the threshold.
'I won't leave you altogether,' she said, 'I will wait outside.'

She closed the door.  Left by himself, Henry lifted his hand once
more to the marble forehead of the figure.

For the second time, he was checked on the point of setting
the machinery of the hiding-place in motion.  On this occasion,
the interruption came from an outbreak of friendly voices
in the corridor.  A woman's voice exclaimed, 'Dearest Agnes,
how glad I am to see you again!'  A man's voice followed,
offering to introduce some friend to 'Miss Lockwood.'  A third voice
(which Henry recognised as the voice of the manager of the hotel)
became audible next, directing the housekeeper to show the ladies
and gentlemen the vacant apartments at the other end of the corridor.
'If more accommodation is wanted,' the manager went on, 'I have a
charming room to let here.'  He opened the door as he spoke, and found
himself face to face with Henry Westwick.

'This is indeed an agreeable surprise, sir!' said the manager cheerfully.
'You are admiring our famous chimney-piece, I see.  May I ask,
Mr. Westwick, how you find yourself in the hotel, this time?
Have the supernatural influences affected your appetite again?'

'The supernatural influences have spared me, this time,' Henry answered.
'Perhaps you may yet find that they have affected some other member
of the family.'  He spoke gravely, resenting the familiar tone in
which the manager had referred to his previous visit to the hotel.
'Have you just returned?' he asked, by way of changing the topic.

'Just this minute, sir.  I had the honour of travelling in the same
train with friends of yours who have arrived at the hotel--
Mr. and Mrs. Arthur Barville, and their travelling companions.
Miss Lockwood is with them, looking at the rooms.  They will be here
before long, if they find it convenient to have an extra room at
their disposal.'

This announcement decided Henry on exploring the hiding-place,
before the interruption occurred.  It had crossed his mind,
when Agnes left him, that he ought perhaps to have a witness,
in the not very probable event of some alarming discovery taking place.
The too-familiar manager, suspecting nothing, was there at his disposal.
He turned again to the Caryan figure, maliciously resolving to make
the manager his witness.

'I am delighted to hear that our friends have arrived at last,' he said.
'Before I shake hands with them, let me ask you a question about
this queer work of art here.  I see photographs of it downstairs.
Are they for sale?'

'Certainly, Mr. Westwick!'

'Do you think the chimney-piece is as solid as it looks?'
Henry proceeded.  'When you came in, I was just wondering whether this
figure here had not accidentally got loosened from the wall behind it.'
He laid his hand on the marble forehead, for the third time.
'To my eye, it looks a little out of the perpendicular.
I almost fancied I could jog the head just now, when I touched it.'
He pressed the head inwards as he said those words.

A sound of jarring iron was instantly audible behind the wall.
The solid hearthstone in front of the fire-place turned slowly
at the feet of the two men, and disclosed a dark cavity below.
At the same moment, the strange and sickening combination of odours,
hitherto associated with the vaults of the old palace and with the
bed-chamber beneath, now floated up from the open recess, and filled
the room.

The manager started back.  'Good God, Mr. Westwick!' he exclaimed,
'what does this mean?'

Remembering, not only what his brother Francis had felt
in the room beneath, but what the experience of Agnes had been
on the previous night, Henry was determined to be on his guard.
'I am as much surprised as you are,' was his only reply.

'Wait for me one moment, sir,' said the manager.  'I must stop
the ladies and gentlemen outside from coming in.'

He hurried away--not forgetting to close the door after him.
Henry opened the window, and waited there breathing the purer air.
Vague apprehensions of the next discovery to come, filled his mind
for the first time.  He was doubly resolved, now, not to stir a step in
the investigation without a witness.

The manager returned with a wax taper in his hand, which he lighted
as soon as he entered the room.

'We need fear no interruption now,' he said.  'Be so kind,
Mr. Westwick, as to hold the light.  It is my business to find
out what this extraordinary discovery means.'

Henry held the taper.  Looking into the cavity, by the dim and
flickering light, they both detected a dark object at the bottom of it.
'I think I can reach the thing,' the manager remarked, 'if I lie down,
and put my hand into the hole.'

He knelt on the floor--and hesitated.  'Might I ask you, sir, to give
me my gloves?' he said.  'They are in my hat, on the chair behind you.'

Henry gave him the gloves.  'I don't know what I may be going
to take hold of,' the manager explained, smiling rather uneasily
as he put on his right glove.

He stretched himself at full length on the floor, and passed his right
arm into the cavity.  'I can't say exactly what I have got hold of,'
he said.  'But I have got it.'

Half raising himself, he drew his hand out.

The next instant, he started to his feet with a shriek of terror.
A human head dropped from his nerveless grasp on the floor,
and rolled to Henry's feet.  It was the hideous head that Agnes
had seen hovering above her, in the vision of the night!

The two men looked at each other, both struck speechless by the same
emotion of horror.  The manager was the first to control himself.
'See to the door, for God's sake!' he said.  'Some of the people
outside may have heard me.'

Henry moved mechanically to the door.

Even when he had his hand on the key, ready to turn it in the lock
in case of necessity, he still looked back at the appalling object
on the floor.  There was no possibility of identifying those decayed
and distorted features with any living creature whom he had seen--
and, yet, he was conscious of feeling a vague and awful doubt
which shook him to the soul.  The questions which had tortured
the mind of Agnes, were now his questions too.  He asked himself,
'In whose likeness might I have recognised it before the decay set in?
The likeness of Ferrari? or the likeness of--?' He paused trembling,
as Agnes had paused trembling before him.  Agnes!  The name,
of all women's names the dearest to him, was a terror to him now!
What was he to say to her?  What might be the consequence if he trusted her
with the terrible truth?

No footsteps approached the door; no voices were audible outside.
The travellers were still occupied in the rooms at the eastern end of
the corridor.

In the brief interval that had passed, the manager had sufficiently
recovered himself to be able to think once more of the first
and foremost interests of his life--the interests of the hotel.
He approached Henry anxiously.

'If this frightful discovery becomes known,' he said, 'the closing
of the hotel and the ruin of the Company will be the inevitable results.
I feel sure that I can trust your discretion, sir, so far?'

'You can certainly trust me,' Henry answered.  'But surely discretion
has its limits,' he added, 'after such a discovery as we have made?'

The manager understood that the duty which they owed to the community,
as honest and law-abiding men, was the duty to which Henry now referred.
'I will at once find the means,' he said, 'of conveying the remains
privately out of the house, and I will myself place them in the care
of the police authorities.  Will you leave the room with me? or do you
not object to keep watch here, and help me when I return?'

While he was speaking, the voices of the travellers made themselves
heard again at the end of the corridor.  Henry instantly consented
to wait in the room.  He shrank from facing the inevitable meeting
with Agnes if he showed himself in the corridor at that moment.

The manager hastened his departure, in the hope of escaping notice.
He was discovered by his guests before he could reach the head
of the stairs.  Henry heard the voices plainly as he turned the key.
While the terrible drama of discovery was in progress on one side
of the door, trivial questions about the amusements of Venice,
and facetious discussions on the relative merits of French and
Italian cookery, were proceeding on the other.  Little by little,
the sound of the talking grew fainter.  The visitors, having arranged
their plans of amusement for the day, were on their way out of the hotel.
In a minute or two, there was silence once more.

Henry turned to the window, thinking to relieve his mind by looking
at the bright view over the canal.  He soon grew wearied of the
familiar scene.  The morbid fascination which seems to be exercised by all
horrible sights, drew him back again to the ghastly object on the floor.

Dream or reality, how had Agnes survived the sight of it?
As the question passed through his mind, he noticed for the first
time something lying on the floor near the head.  Looking closer,
he perceived a thin little plate of gold, with three false teeth
attached to it, which had apparently dropped out (loosened by the shock)
when the manager let the head fall on the floor.

The importance of this discovery, and the necessity of not too
readily communicating it to others, instantly struck Henry.
Here surely was a chance--if any chance remained--of identifying
the shocking relic of humanity which lay before him, the dumb witness
of a crime!  Acting on this idea, he took possession of the teeth,
purposing to use them as a last means of inquiry when other attempts
at investigation had been tried and had failed.

He went back again to the window:  the solitude of the room began
to weigh on his spirits.  As he looked out again at the view,
there was a soft knock at the door.  He hastened to open it--
and checked himself in the act.  A doubt occurred to him.  Was it
the manager who had knocked?  He called out, 'Who is there?'

The voice of Agnes answered him.  'Have you anything to tell me, Henry?'

He was hardly able to reply.  'Not just now,' he said, confusedly.
'Forgive me if I don't open the door.  I will speak to you
a little later.'

The sweet voice made itself heard again, pleading with him piteously.
'Don't leave me alone, Henry!  I can't go back to the happy
people downstairs.'

How could he resist that appeal?  He heard her sigh--he heard the rustling
of her dress as she moved away in despair.  The very thing that he had
shrunk from doing but a few minutes since was the thing that he did now!
He joined Agnes in the corridor.  She turned as she heard him,
and pointed, trembling, in the direction of the closed room.
'Is it so terrible as that?' she asked faintly.

He put his arm round her to support her.  A thought came to him
as he looked at her, waiting in doubt and fear for his reply.
'You shall know what I have discovered,' he said, 'if you will first put
on your hat and cloak, and come out with me.'

She was naturally surprised.  'Can you tell me your object in going out?'
she asked.

He owned what his object was unreservedly.  'I want, before all things,'
he said, 'to satisfy your mind and mine, on the subject of
Montbarry's death.  I am going to take you to the doctor who attended
him in his illness, and to the consul who followed him to the grave.'

Her eyes rested on Henry gratefully.  'Oh, how well you understand me!'
she said.  The manager joined them at the same moment, on his way
up the stairs.  Henry gave him the key of the room, and then called
to the servants in the hall to have a gondola ready at the steps.
'Are you leaving the hotel?' the manager asked.  'In search of evidence,'
Henry whispered, pointing to the key.  'If the authorities want me,
I shall be back in an hour.'





CHAPTER XXV


The day had advanced to evening.  Lord Montbarry and the bridal
party had gone to the Opera.  Agnes alone, pleading the excuse
of fatigue, remained at the hotel.  Having kept up appearances
by accompanying his friends to the theatre, Henry Westwick slipped
away after the first act, and joined Agnes in the drawing-room.

'Have you thought of what I said to you earlier in the day?'
he asked, taking a chair at her side.  'Do you agree with me
that the one dreadful doubt which oppressed us both is at least set
at rest?'

Agnes shook her head sadly.  'I wish I could agree with you, Henry--
I wish I could honestly say that my mind is at ease.'

The answer would have discouraged most men.  Henry's patience
(where Agnes was concerned) was equal to any demands on it.

'If you will only look back at the events of the day,' he said,
'you must surely admit that we have not been completely baffled.
Remember how Dr. Bruno disposed of our doubts:--"After thirty years
of medical practice, do you think I am likely to mistake the symptoms
of death by bronchitis?"  If ever there was an unanswerable question,
there it is!  Was the consul's testimony doubtful in any part of it?
He called at the palace to offer his services, after hearing of Lord
Montbarry's death; he arrived at the time when the coffin was in the house;
he himself saw the corpse placed in it, and the lid screwed down.
The evidence of the priest is equally beyond dispute.  He remained
in the room with the coffin, reciting the prayers for the dead,
until the funeral left the palace.  Bear all these statements
in mind, Agnes; and how can you deny that the question of Montbarry's
death and burial is a question set at rest?  We have really
but one doubt left:  we have still to ask ourselves whether
the remains which I discovered are the remains of the lost courier,
or not.  There is the case, as I understand it.  Have I stated
it fairly?'

Agnes could not deny that he had stated it fairly.

"Then what prevents you from experiencing the same sense of relief
that I feel?'  Henry asked.

'What I saw last night prevents me,' Agnes answered.  'When we spoke
of this subject, after our inquiries were over, you reproached me
with taking what you called the superstitious view.  I don't quite
admit that--but I do acknowledge that I should find the superstitious
view intelligible if I heard it expressed by some other person.
Remembering what your brother and I once were to each other in the
bygone time, I can understand the apparition making itself visible
to me, to claim the mercy of Christian burial, and the vengeance due
to a crime.  I can even perceive some faint possibility of truth
in the explanation which you described as the mesmeric theory--
that what I saw might be the result of magnetic influence communicated
to me, as I lay between the remains of the murdered husband above me
and the guilty wife suffering the tortures of remorse at my bedside.
But what I do not understand is, that I should have passed through
that dreadful ordeal; having no previous knowledge of the murdered
man in his lifetime, or only knowing him (if you suppose that I saw
the apparition of Ferrari) through the interest which I took in his wife.
I can't dispute your reasoning, Henry.  But I feel in my heart
of hearts that you are deceived.  Nothing will shake my belief
that we are still as far from having discovered the dreadful truth
as ever.'

Henry made no further attempt to dispute with her.  She had
impressed him with a certain reluctant respect for her own opinion,
in spite of himself.

'Have you thought of any better way of arriving at the truth?'
he asked.  'Who is to help us?  No doubt there is the Countess,
who has the clue to the mystery in her own hands.  But, in the present
state of her mind, is her testimony to be trusted--even if she
were willing to speak?  Judging by my own experience, I should say
decidedly not.'

'You don't mean that you have seen her again?'  Agnes eagerly interposed.

'Yes.  I disturbed her once more over her endless writing;
and I insisted on her speaking out plainly.'

'Then you told her what you found when you opened the hiding-place?'

'Of course I did!'  Henry replied.  'I said that I held her responsible
for the discovery, though I had not mentioned her connection with it
to the authorities as yet.  She went on with her writing as if I had
spoken in an unknown tongue!  I was equally obstinate, on my side.
I told her plainly that the head had been placed under the care
of the police, and that the manager and I had signed our declarations
and given our evidence.  She paid not the slightest heed to me.
By way of tempting her to speak, I added that the whole investigation
was to be kept a secret, and that she might depend on my discretion.
For the moment I thought I had succeeded.  She looked up
from her writing with a passing flash of curiosity, and said,
"What are they going to do with it?"--meaning, I suppose, the head.
I answered that it was to be privately buried, after photographs
of it had first been taken.  I even went the length of communicating
the opinion of the surgeon consulted, that some chemical means of
arresting decomposition had been used and had only partially succeeded--
and I asked her point-blank if the surgeon was right?  The trap was not
a bad one--but it completely failed.  She said in the coolest manner,
"Now you are here, I should like to consult you about my play;
I am at a loss for some new incidents."  Mind! there was nothing
satirical in this.  She was really eager to read her wonderful
work to me--evidently supposing that I took a special interest
in such things, because my brother is the manager of a theatre!
I left her, making the first excuse that occurred to me.
So far as I am concerned, I can do nothing with her.
But it is possible that your influence may succeed with her again,
as it has succeeded already.  Will you make the attempt, to satisfy
your own mind?  She is still upstairs; and I am quite ready to
accompany you.'

Agnes shuddered at the bare suggestion of another interview
with the Countess.

'I can't! I daren't!' she exclaimed.  'After what has happened
in that horrible room, she is more repellent to me than ever.
Don't ask me to do it, Henry!  Feel my hand--you have turned me as cold
as death only with talking of it!'

She was not exaggerating the terror that possessed her.
Henry hastened to change the subject.

'Let us talk of something more interesting,' he said.  'I have
a question to ask you about yourself.  Am I right in believing
that the sooner you get away from Venice the happier you will be?'

'Right?' she repeated excitedly.  'You are more than right!
No words can say how I long to be away from this horrible place.
But you know how I am situated--you heard what Lord Montbarry said
at dinner-time?'

'Suppose he has altered his plans, since dinner-time?' Henry suggested.

Agnes looked surprised.  'I thought he had received letters from
England which obliged him to leave Venice to-morrow,' she said.

'Quite true,' Henry admitted.  'He had arranged to start
for England to-morrow, and to leave you and Lady Montbarry
and the children to enjoy your holiday in Venice, under my care.
Circumstances have occurred, however, which have forced him
to alter his plans.  He must take you all back with him to-morrow
because I am not able to assume the charge of you.  I am obliged
to give up my holiday in Italy, and return to England too.'

Agnes looked at him in some little perplexity:  she was not quite
sure whether she understood him or not.

'Are you really obliged to go back?' she asked.

Henry smiled as he answered her.  'Keep the secret,' he said,
'or Montbarry will never forgive me!'

She read the rest in his face.  'Oh!' she exclaimed, blushing brightly,
'you have not given up your pleasant holiday in Italy on my account?'

'I shall go back with you to England, Agnes.  That will be holiday
enough for me.'

She took his hand in an irrepressible outburst of gratitude.
'How good you are to me!' she murmured tenderly.  'What should I have
done in the troubles that have come to me, without your sympathy?
I can't tell you, Henry, how I feel your kindness.'

She tried impulsively to lift his hand to her lips.  He gently
stopped her.  'Agnes,' he said, 'are you beginning to understand
how truly I love you?'

That simple question found its own way to her heart.  She owned
the whole truth, without saying a word.  She looked at him--
and then looked away again.

He drew her nearer to him.  'My own darling!' he whispered--
and kissed her.  Softly and tremulously, the sweet lips lingered,
and touched his lips in return.  Then her head drooped.
She put her arms round his neck, and hid her face on his bosom.
They spoke no more.



The charmed silence had lasted but a little while, when it was
mercilessly broken by a knock at the door.

Agnes started to her feet.  She placed herself at the piano;
the instrument being opposite to the door, it was impossible,
when she seated herself on the music-stool, for any person
entering the room to see her face.  Henry called out irritably,
'Come in.'

The door was not opened.  The person on the other side of it asked
a strange question.

'Is Mr. Henry Westwick alone?'

Agnes instantly recognised the voice of the Countess.  She hurried
to a second door, which communicated with one of the bedrooms.
'Don't let her come near me!' she whispered nervously.  'Good night,
Henry! good night!'

If Henry could, by an effort of will, have transported the Countess
to the uttermost ends of the earth, he would have made the effort
without remorse.  As it was, he only repeated, more irritably than ever,
'Come in!'

She entered the room slowly with her everlasting manuscript in her hand.
Her step was unsteady; a dark flush appeared on her face, in place
of its customary pallor; her eyes were bloodshot and widely dilated.
In approaching Henry, she showed a strange incapability of calculating
her distances--she struck against the table near which he happened
to be sitting.  When she spoke, her articulation was confused, and her
pronunciation of some of the longer words was hardly intelligible.
Most men would have suspected her of being under the influence of some
intoxicating liquor.  Henry took a truer view--he said, as he placed
a chair for her, 'Countess, I am afraid you have been working too hard:
you look as if you wanted rest.'

She put her hand to her head.  'My invention has gone,' she said.
'I can't write my fourth act.  It's all a blank--all a blank!'

Henry advised her to wait till the next day.  'Go to bed,' he suggested;
and try to sleep.'

She waved her hand impatiently.  'I must finish the play,'
she answered.  'I only want a hint from you.  You must know
something about plays.  Your brother has got a theatre.
You must often have heard him talk about fourth and fifth acts--
you must have seen rehearsals, and all the rest of it.'
She abruptly thrust the manuscript into Henry's hand.  'I can't read
it to you,' she said; 'I feel giddy when I look at my own writing.
Just run your eye over it, there's a good fellow--and give me
a hint.'

Henry glanced at the manuscript.  He happened to look at the list
of the persons of the drama.  As he read the list he started and turned
abruptly to the Countess, intending to ask her for some explanation.
The words were suspended on his lips.  It was but too plainly useless
to speak to her.  Her head lay back on the rail of the chair.
She seemed to be half asleep already.  The flush on her face
had deepened:  she looked like a woman who was in danger of having
a fit.

He rang the bell, and directed the man who answered it to send
one of the chambermaids upstairs.  His voice seemed to partially
rouse the Countess; she opened her eyes in a slow drowsy way.
'Have you read it?' she asked.

It was necessary as a mere act of humanity to humour her.
'I will read it willingly,' said Henry, 'if you will go upstairs
to bed.  You shall hear what I think of it to-morrow morning.
Our heads will be clearer, we shall be better able to make the fourth
act in the morning.'

The chambermaid came in while he was speaking.  'I am afraid
the lady is ill,' Henry whispered.  'Take her up to her room.'
The woman looked at the Countess and whispered back, 'Shall we send
for a doctor, sir?'

Henry advised taking her upstairs first, and then asking
the manager's opinion.  There was great difficulty in persuading
her to rise, and accept the support of the chambermaid's arm.
It was only by reiterated promises to read the play that night,
and to make the fourth act in the morning, that Henry prevailed on
the Countess to return to her room.

Left to himself, he began to feel a certain languid curiosity
in relation to the manuscript.  He looked over the pages, reading a
line here and a line there.  Suddenly he changed colour as he read--
and looked up from the manuscript like a man bewildered.
'Good God! what does this mean?' he said to himself.

His eyes turned nervously to the door by which Agnes had left him.
She might return to the drawing-room, she might want to see what
the Countess had written.  He looked back again at the passage
which had startled him--considered with himself for a moment--
and, snatching up the unfinished play, suddenly and softly left
the room.





CHAPTER XXVI


Entering his own room on the upper floor, Henry placed the
manuscript on his table, open at the first leaf.  His nerves were
unquestionably shaken; his hand trembled as he turned the pages,
he started at chance noises on the staircase of the hotel.

The scenario, or outline, of the Countess's play began with no
formal prefatory phrases.  She presented herself and her work
with the easy familiarity of an old friend.



'Allow me, dear Mr. Francis Westwick, to introduce to you the persons
in my proposed Play.  Behold them, arranged symmetrically in a line.

'My Lord.  The Baron.  The Courier.  The Doctor.  The Countess.

'I don't trouble myself, you see, to invest fictitious family names.
My characters are sufficiently distinguished by their social titles,
and by the striking contrast which they present one with another.

The First Act opens--

'No!  Before I open the First Act, I must announce, injustice to myself,
that this Play is entirely the work of my own invention.  I scorn
to borrow from actual events; and, what is more extraordinary still,
I have not stolen one of my ideas from the Modern French drama.
As the manager of an English theatre, you will naturally refuse to
believe this.  It doesn't matter.  Nothing matters--except the opening
of my first act.

'We are at Homburg, in the famous Salon d'Or, at the height of the season.
The Countess (exquisitely dressed) is seated at the green table.
Strangers of all nations are standing behind the players, venturing
their money or only looking on.  My Lord is among the strangers.
He is struck by the Countess's personal appearance, in which beauties
and defects are fantastically mingled in the most attractive manner.
He watches the Countess's game, and places his money where he sees
her deposit her own little stake.  She looks round at him, and says,
"Don't trust to my colour; I have been unlucky the whole evening.
Place your stake on the other colour, and you may have a chance
of winning."  My Lord (a true Englishman) blushes, bows, and obeys.
The Countess proves to be a prophet.  She loses again.  My Lord wins twice
the sum that he has risked.

'The Countess rises from the table.  She has no more money,
and she offers my Lord her chair.

'Instead of taking it, he politely places his winnings in her hand,
and begs her to accept the loan as a favour to himself.
The Countess stakes again, and loses again.  My Lord smiles superbly,
and presses a second loan on her.  From that moment her luck turns.
She wins, and wins largely.  Her brother, the Baron, trying his fortune
in another room, hears of what is going on, and joins my Lord and
the Countess.

'Pay attention, if you please, to the Baron.  He is delineated
as a remarkable and interesting character.

'This noble person has begun life with a single-minded devotion
to the science of experimental chemistry, very surprising in a young
and handsome man with a brilliant future before him.  A profound
knowledge of the occult sciences has persuaded the Baron that it is
possible to solve the famous problem called the "Philosopher's Stone."
His own pecuniary resources have long since been exhausted by his
costly experiments.  His sister has next supplied him with the small
fortune at her disposal:  reserving only the family jewels,
placed in the charge of her banker and friend at Frankfort.
The Countess's fortune also being swallowed up, the Baron has
in a fatal moment sought for new supplies at the gaming table.
He proves, at starting on his perilous career, to be a favourite
of fortune; wins largely, and, alas! profanes his noble enthusiasm
for science by yielding his soul to the all-debasing passion of
the gamester.

'At the period of the Play, the Baron's good fortune has deserted him.
He sees his way to a crowning experiment in the fatal search
after the secret of transmuting the baser elements into gold.
But how is he to pay the preliminary expenses?  Destiny, like a
mocking echo, answers, How?

'Will his sister's winnings (with my Lord's money) prove large enough
to help him?  Eager for this result, he gives the Countess his advice
how to play.  From that disastrous moment the infection of his own
adverse fortune spreads to his sister.  She loses again, and again--
loses to the last farthing.

'The amiable and wealthy Lord offers a third loan;
but the scrupulous Countess positively refuses to take it.
On leaving the table, she presents her brother to my Lord.
The gentlemen fall into pleasant talk.  My Lord asks leave to pay
his respects to the Countess, the next morning, at her hotel.
The Baron hospitably invites him to breakfast.  My Lord accepts,
with a last admiring glance at the Countess which does not escape her
brother's observation, and takes his leave for the night.

'Alone with his sister, the Baron speaks out plainly.  "Our affairs,"
he says, "are in a desperate condition, and must find a desperate remedy.
Wait for me here, while I make inquiries about my Lord.
You have evidently produced a strong impression on him.  If we
can turn that impression into money, no matter at what sacrifice,
the thing must be done."

'The Countess now occupies the stage alone, and indulges
in a soliloquy which develops her character.

'It is at once a dangerous and attractive character.
Immense capacities for good are implanted in her nature,
side by side with equally remarkable capacities for evil.
It rests with circumstances to develop either the one or the other.
Being a person who produces a sensation wherever she goes, this noble
lady is naturally made the subject of all sorts of scandalous reports.
To one of these reports (which falsely and abominably points to the Baron
as her lover instead of her brother) she now refers with just indignation.
She has just expressed her desire to leave Homburg, as the place
in which the vile calumny first took its rise, when the Baron returns,
overhears her last words, and says to her, "Yes, leave Homburg
by all means; provided you leave it in the character of my Lord's
betrothed wife!"

'The Countess is startled and shocked.  She protests that she
does not reciprocate my Lord's admiration for her.  She even goes
the length of refusing to see him again.  The Baron answers,
"I must positively have command of money.  Take your choice,
between marrying my Lord's income, in the interest of my grand discovery--
or leave me to sell myself and my title to the first rich woman
of low degree who is ready to buy me."

'The Countess listens in surprise and dismay.  Is it possible
that the Baron is in earnest?  He is horribly in earnest.
"The woman who will buy me," he says, "is in the next room to us
at this moment.  She is the wealthy widow of a Jewish usurer.
She has the money I want to reach the solution of the great problem.
I have only to be that woman's husband, and to make myself master of untold
millions of gold.  Take five minutes to consider what I have said to you,
and tell me on my return which of us is to marry for the money I want,
you or I."

'As he turns away, the Countess stops him.

'All the noblest sentiments in her nature are exalted to
the highest pitch.  "Where is the true woman," she exclaims,
"who wants time to consummate the sacrifice of herself, when the man
to whom she is devoted demands it?  She does not want five minutes--
she does not want five seconds--she holds out her hand to him,
and she says, Sacrifice me on the altar of your glory!  Take as
stepping-stones on the way to your triumph, my love, my liberty,
and my life!"

'On this grand situation the curtain falls.  Judging by my first act,
Mr. Westwick, tell me truly, and don't be afraid of turning my head:--
Am I not capable of writing a good play?'



Henry paused between the First and Second Acts; reflecting, not on
the merits of the play, but on the strange resemblance which
the incidents so far presented to the incidents that had attended
the disastrous marriage of the first Lord Montbarry.

Was it possible that the Countess, in the present condition of her mind,
supposed herself to be exercising her invention when she was only
exercising her memory?

The question involved considerations too serious to be made
the subject of a hasty decision.  Reserving his opinion, Henry turned
the page, and devoted himself to the reading of the next act.
The manuscript proceeded as follows:--



'The Second Act opens at Venice.  An interval of four months
has elapsed since the date of the scene at the gambling table.
The action now takes place in the reception-room of one of the
Venetian palaces.

'The Baron is discovered, alone, on the stage.  He reverts to
the events which have happened since the close of the First Act.
The Countess has sacrificed herself; the mercenary marriage has
taken place--but not without obstacles, caused by difference of opinion
on the question of marriage settlements.

'Private inquiries, instituted in England, have informed the Baron that my
Lord's income is derived chiefly from what is called entailed property.
In case of accidents, he is surely bound to do something for his bride?
Let him, for example, insure his life, for a sum proposed by the Baron,
and let him so settle the money that his widow shall have it,
if he dies first.

'My Lord hesitates.  The Baron wastes no time in useless discussion.
"Let us by all means" (he says) "consider the marriage as broken off."
My Lord shifts his ground, and pleads for a smaller sum than
the sum proposed.  The Baron briefly replies, "I never bargain."
My lord is in love; the natural result follows--he gives way.

'So far, the Baron has no cause to complain.  But my Lord's turn comes,
when the marriage has been celebrated, and when the honeymoon is over.
The Baron has joined the married pair at a palace which they
have hired in Venice.  He is still bent on solving the problem
of the "Philosopher's Stone."  His laboratory is set up in the vaults
beneath the palace--so that smells from chemical experiments may
not incommode the Countess, in the higher regions of the house.
The one obstacle in the way of his grand discovery is, as usual,
the want of money.  His position at the present time has become
truly critical.  He owes debts of honour to gentlemen in his own
rank of life, which must positively be paid; and he proposes,
in his own friendly manner, to borrow the money of my Lord.
My Lord positively refuses, in the rudest terms.  The Baron applies
to his sister to exercise her conjugal influence.  She can only answer
that her noble husband (being no longer distractedly in love with her)
now appears in his true character, as one of the meanest men living.
The sacrifice of the marriage has been made, and has already
proved useless.

'Such is the state of affairs at the opening of the Second Act.

'The entrance of the Countess suddenly disturbs the Baron's reflections.
She is in a state bordering on frenzy.  Incoherent expressions of rage
burst from her lips:  it is some time before she can sufficiently
control herself to speak plainly.  She has been doubly insulted--
first, by a menial person in her employment; secondly, by her husband.
Her maid, an Englishwoman, has declared that she will serve
the Countess no longer.  She will give up her wages, and return at
once to England.  Being asked her reason for this strange proceeding,
she insolently hints that the Countess's service is no service
for an honest woman, since the Baron has entered the house.
The Countess does, what any lady in her position would do;
she indignantly dismisses the wretch on the spot.

'My Lord, hearing his wife's voice raised in anger, leaves the study
in which he is accustomed to shut himself up over his books,
and asks what this disturbance means.  The Countess informs
him of the outrageous language and conduct of her maid.
My Lord not only declares his entire approval of the woman's conduct,
but expresses his own abominable doubts of his wife's fidelity
in language of such horrible brutality that no lady could pollute
her lips by repeating it.  "If I had been a man," the Countess says,
"and if I had had a weapon in my hand, I would have struck him dead
at my feet!"

'The Baron, listening silently so far, now speaks.  "Permit me
to finish the sentence for you," he says.  "You would have struck
your husband dead at your feet; and by that rash act, you would
have deprived yourself of the insurance money settled on the widow--
the very money which is wanted to relieve your brother from
the unendurable pecuniary position which he now occupies!"

'The Countess gravely reminds the Baron that this is no joking matter.
After what my Lord has said to her, she has little doubt that he will
communicate his infamous suspicions to his lawyers in England.
If nothing is done to prevent it, she may be divorced and disgraced,
and thrown on the world, with no resource but the sale of her jewels to
keep her from starving.

'At this moment, the Courier who has been engaged to travel with my Lord
from England crosses the stage with a letter to take to the post.
The Countess stops him, and asks to look at the address on the letter.
She takes it from him for a moment, and shows it to her brother.
The handwriting is my Lord's; and the letter is directed to his lawyers
in London.

'The Courier proceeds to the post-office. The Baron and the
Countess look at each other in silence.  No words are needed.
They thoroughly understand the position in which they are placed;
they clearly see the terrible remedy for it.  What is the plain
alternative before them?  Disgrace and ruin--or, my Lord's death
and the insurance money!

'The Baron walks backwards and forwards in great agitation,
talking to himself.  The Countess hears fragments of what he is saying.
He speaks of my Lord's constitution, probably weakened in India--
of a cold which my Lord has caught two or three days since--
of the remarkable manner in which such slight things as colds
sometimes end in serious illness and death.

'He observes that the Countess is listening to him, and asks if she
has anything to propose.  She is a woman who, with many defects,
has the great merit of speaking out.  "Is there no such thing
as a serious illness," she asks, "corked up in one of those bottles
of yours in the vaults downstairs?"

'The Baron answers by gravely shaking his head.  What is he afraid of?--
a possible examination of the body after death?  No:  he can
set any post-mortem examination at defiance.  It is the process
of administering the poison that he dreads.  A man so distinguished
as my Lord cannot be taken seriously ill without medical attendance.
Where there is a Doctor, there is always danger of discovery.
Then, again, there is the Courier, faithful to my Lord as long
as my Lord pays him.  Even if the Doctor sees nothing suspicious,
the Courier may discover something.  The poison, to do its work with
the necessary secrecy, must be repeatedly administered in graduated doses.
One trifling miscalculation or mistake may rouse suspicion.
The insurance offices may hear of it, and may refuse to pay the money.
As things are, the Baron will not risk it, and will not allow his sister to
risk it in his place.

'My Lord himself is the next character who appears.  He has
repeatedly rung for the Courier, and the bell has not been answered.
"What does this insolence mean?"

'The Countess (speaking with quiet dignity--for why should her
infamous husband have the satisfaction of knowing how deeply he has
wounded her?) reminds my Lord that the Courier has gone to the post.
My Lord asks suspiciously if she has looked at the letter.
The Countess informs him coldly that she has no curiosity about
his letters.  Referring to the cold from which he is suffering,
she inquires if he thinks of consulting a medical man.
My Lord answers roughly that he is quite old enough to be capable of
doctoring himself.

'As he makes this reply, the Courier appears, returning from the post.
My Lord gives him orders to go out again and buy some lemons.
He proposes to try hot lemonade as a means of inducing perspiration
in bed.  In that way he has formerly cured colds, and in that way
he will cure the cold from which he is suffering now.

'The Courier obeys in silence.  Judging by appearances, he goes
very reluctantly on this second errand.

'My Lord turns to the Baron (who has thus far taken no part
in the conversation) and asks him, in a sneering tone, how much
longer he proposes to prolong his stay in Venice.  The Baron
answers quietly, "Let us speak plainly to one another, my Lord.
If you wish me to leave your house, you have only to say the word,
and I go."  My Lord turns to his wife, and asks if she can support
the calamity of her brother's absence--laying a grossly insulting
emphasis on the word "brother."  The Countess preserves her
impenetrable composure; nothing in her betrays the deadly hatred
with which she regards the titled ruffian who has insulted her.
"You are master in this house, my Lord," is all she says.  "Do as
you please."

'My Lord looks at his wife; looks at the Baron--and suddenly alters
his tone.  Does he perceive in the composure of the Countess and her
brother something lurking under the surface that threatens him?
This is at least certain, he makes a clumsy apology for the language
that he has used.  (Abject wretch!)

'My Lord's excuses are interrupted by the return of the Courier
with the lemons and hot water.

'The Countess observes for the first time that the man looks ill.
His hands tremble as he places the tray on the table.  My Lord orders
his Courier to follow him, and make the lemonade in the bedroom.
The Countess remarks that the Courier seems hardly capable of obeying
his orders.  Hearing this, the man admits that he is ill.  He, too,
is suffering from a cold; he has been kept waiting in a draught
at the shop where he bought the lemons; he feels alternately hot
and cold, and he begs permission to lie down for a little while on
his bed.

'Feeling her humanity appealed to, the Countess volunteers
to make the lemonade herself.  My Lord takes the Courier
by the arm, leads him aside, and whispers these words to him:
"Watch her, and see that she puts nothing into the lemonade;
then bring it to me with your own hands; and, then, go to bed,
if you like."

'Without a word more to his wife, or to the Baron, my Lord leaves
the room.

'The Countess makes the lemonade, and the Courier takes it to his master.

'Returning, on the way to his own room, he is so weak, and feels,
he says, so giddy, that he is obliged to support himself
by the backs of the chairs as he passes them.  The Baron,
always considerate to persons of low degree, offers his arm.
"I am afraid, my poor fellow," he says, "that you are really ill."
The Courier makes this extraordinary answer:  "It's all over with me, Sir:
I have caught my death."

'The Countess is naturally startled.  "You are not an old man,"
she says, trying to rouse the Courier's spirits.  "At your age,
catching cold doesn't surely mean catching your death?"  The Courier
fixes his eyes despairingly on the Countess.

"My lungs are weak, my Lady," he says; "I have already had two attacks
of bronchitis.  The second time, a great physician joined my own doctor
in attendance on me.  He considered my recovery almost in the light
of a miracle.  Take care of yourself," he said.  "If you have a
third attack of bronchitis, as certainly as two and two make four,
you will be a dead man.  I feel the same inward shivering, my Lady,
that I felt on those two former occasions--and I tell you again,
I have caught my death in Venice."

'Speaking some comforting words, the Baron leads him to his room.
The Countess is left alone on the stage.

'She seats herself, and looks towards the door by which the Courier
has been led out.  "Ah! my poor fellow," she says, "if you could
only change constitutions with my Lord, what a happy result would
follow for the Baron and for me!  If you could only get cured
of a trumpery cold with a little hot lemonade, and if he could
only catch his death in your place--!"

'She suddenly pauses--considers for a while--and springs
to her feet, with a cry of triumphant surprise:  the wonderful,
the unparalleled idea has crossed her mind like a flash of lightning.
Make the two men change names and places--and the deed is done!
Where are the obstacles?  Remove my Lord (by fair means or foul)
from his room; and keep him secretly prisoner in the palace,
to live or die as future necessity may determine.  Place the Courier
in the vacant bed, and call in the doctor to see him--ill, in my
Lord's character, and (if he dies) dying under my Lord's name!'



The manuscript dropped from Henry's hands.  A sickening sense of
horror overpowered him.  The question which had occurred to his mind
at the close of the First Act of the Play assumed a new and terrible
interest now.  As far as the scene of the Countess's soliloquy,
the incidents of the Second Act had reflected the events of his late
brother's life as faithfully as the incidents of the First Act.
Was the monstrous plot, revealed in the lines which he had just read,
the offspring of the Countess's morbid imagination? or had she,
in this case also, deluded herself with the idea that she was
inventing when she was really writing under the influence of her own
guilty remembrances of the past?  If the latter interpretation were
the true one, he had just read the narrative of the contemplated
murder of his brother, planned in cold blood by a woman who was at
that moment inhabiting the same house with him.  While, to make
the fatality complete, Agnes herself had innocently provided
the conspirators with the one man who was fitted to be the passive
agent of their crime.

Even the bare doubt that it might be so was more than he could endure.
He left his room; resolved to force the truth out of the Countess,
or to denounce her before the authorities as a murderess at large.

Arrived at her door, he was met by a person just leaving the room.
The person was the manager.  He was hardly recognisable; he looked
and spoke like a man in a state of desperation.

'Oh, go in, if you like!' he said to Henry.  'Mark this, sir!
I am not a superstitious man; but I do begin to believe that crimes
carry their own curse with them.  This hotel is under a curse.
What happens in the morning?  We discover a crime committed in the old
days of the palace.  The night comes, and brings another dreadful
event with it--a death; a sudden and shocking death, in the house.
Go in, and see for yourself!  I shall resign my situation,
Mr. Westwick:  I can't contend with the fatalities that pursue
me here!'

Henry entered the room.

The Countess was stretched on her bed.  The doctor on one side,
and the chambermaid on the other, were standing looking at her.
From time to time, she drew a heavy stertorous breath,
like a person oppressed in sleeping.  'Is she likely to die?'
Henry asked.

'She is dead,' the doctor answered.  'Dead of the rupture of a blood-vessel
on the brain.  Those sounds that you hear are purely mechanical--
they may go on for hours.'

Henry looked at the chambermaid.  She had little to tell.
The Countess had refused to go to bed, and had placed herself at her
desk to proceed with her writing.  Finding it useless to remonstrate
with her, the maid had left the room to speak to the manager.
In the shortest possible time, the doctor was summoned to the hotel,
and found the Countess dead on the floor.  There was this to tell--
and no more.

Looking at the writing-table as he went out, Henry saw the sheet
of paper on which the Countess had traced her last lines of writing.
The characters were almost illegible.  Henry could just distinguish
the words, 'First Act,' and 'Persons of the Drama.'  The lost wretch
had been thinking of her Play to the last, and had begun it all
over again!





CHAPTER XXVII


Henry returned to his room.

His first impulse was to throw aside the manuscript, and never to look
at it again.  The one chance of relieving his mind from the dreadful
uncertainty that oppressed it, by obtaining positive evidence
of the truth, was a chance annihilated by the Countess's death.
What good purpose could be served, what relief could he anticipate,
if he read more?

He walked up and down the room.  After an interval, his thoughts
took a new direction; the question of the manuscript presented
itself under another point of view.  Thus far, his reading
had only informed him that the conspiracy had been planned.
How did he know that the plan had been put in execution?

The manuscript lay just before him on the floor.  He hesitated;
then picked it up; and, returning to the table, read on as follows,
from the point at which he had left off.



'While the Countess is still absorbed in the bold yet simple combination
of circumstances which she has discovered, the Baron returns.
He takes a serious view of the case of the Courier; it may be necessary,
he thinks, to send for medical advice.  No servant is left in the palace,
now the English maid has taken her departure.  The Baron himself
must fetch the doctor, if the doctor is really needed.

' "Let us have medical help, by all means," his sister replies.
"But wait and hear something that I have to say to you first."
She then electrifies the Baron by communicating her idea
to him.  What danger of discovery have they to dread?
My Lord's life in Venice has been a life of absolute seclusion:
nobody but his banker knows him, even by personal appearance.
He has presented his letter of credit as a perfect stranger;
and he and his banker have never seen each other since that
first visit.  He has given no parties, and gone to no parties.
On the few occasions when he has hired a gondola or taken a walk,
he has always been alone.  Thanks to the atrocious suspicion
which makes him ashamed of being seen with his wife, he has
led the very life which makes the proposed enterprise easy
of accomplishment.

'The cautious Baron listens--but gives no positive opinion, as yet.
"See what you can do with the Courier," he says; "and I will decide
when I hear the result.  One valuable hint I may give you before you go.
Your man is easily tempted by money--if you only offer him enough.
The other day, I asked him, in jest, what he would do for a
thousand pounds.  He answered, 'Anything.'  Bear that in mind; and offer
your highest bid without bargaining."

'The scene changes to the Courier's room, and shows the poor wretch
with a photographic portrait of his wife in his hand, crying.
The Countess enters.

'She wisely begins by sympathising with her contemplated accomplice.
He is duly grateful; he confides his sorrows to his gracious mistress.
Now that he believes himself to be on his death-bed, he feels remorse
for his neglectful treatment of his wife.  He could resign himself to die;
but despair overpowers him when he remembers that he has saved no money,
and that he will leave his widow, without resources, to the mercy of
the world.

'On this hint, the Countess speaks.  "Suppose you were asked to do
a perfectly easy thing," she says; "and suppose you were rewarded for
doing it by a present of a thousand pounds, as a legacy for your widow?"

'The Courier raises himself on his pillow, and looks at the Countess
with an expression of incredulous surprise.  She can hardly be
cruel enough (he thinks) to joke with a man in his miserable plight.
Will she say plainly what this perfectly easy thing is, the doing
of which will meet with such a magnificent reward?

'The Countess answers that question by confiding her project
to the Courier, without the slightest reserve.

'Some minutes of silence follow when she has done.  The Courier
is not weak enough yet to speak without stopping to think first.
Still keeping his eyes on the Countess, he makes a quaintly
insolent remark on what he has just heard.  "I have not hitherto
been a religious man; but I feel myself on the way to it.
Since your ladyship has spoken to me, I believe in the Devil."
It is the Countess's interest to see the humorous side of this
confession of faith.  She takes no offence.  She only says,
"I will give you half an hour by yourself, to think over my proposal.
You are in danger of death.  Decide, in your wife's interests, whether you
will die worth nothing, or die worth a thousand pounds."

'Left alone, the Courier seriously considers his position--
and decides.  He rises with difficulty; writes a few lines on a leaf
taken from his pocket-book; and, with slow and faltering steps,
leaves the room.

'The Countess, returning at the expiration of the half-hour's interval,
finds the room empty.  While she is wondering, the Courier opens
the door.  What has he been doing out of his bed?  He answers,
"I have been protecting my own life, my lady, on the bare chance
that I may recover from the bronchitis for the third time.
If you or the Baron attempts to hurry me out of this world,
or to deprive me of my thousand pounds reward, I shall tell the doctor
where he will find a few lines of writing, which describe your
ladyship's plot.  I may not have strength enough, in the case supposed,
to betray you by making a complete confession with my own lips;
but I can employ my last breath to speak the half-dozen words
which will tell the doctor where he is to look.  Those words,
it is needless to add, will be addressed to your Ladyship, if I find
your engagements towards me faithfully kept."

'With this audacious preface, he proceeds to state the conditions on
which he will play his part in the conspiracy, and die (if he does die)
worth a thousand pounds.

'Either the Countess or the Baron are to taste the food and drink
brought to his bedside, in his presence, and even the medicines which
the doctor may prescribe for him.  As for the promised sum of money,
it is to be produced in one bank-note, folded in a sheet of paper,
on which a line is to be written, dictated by the Courier.
The two enclosures are then to be sealed up in an envelope,
addressed to his wife, and stamped ready for the post.  This done,
the letter is to be placed under his pillow; the Baron or the Countess
being at liberty to satisfy themselves, day by day, at their own time,
that the letter remains in its place, with the seal unbroken,
as long as the doctor has any hope of his patient's recovery.
The last stipulation follows.  The Courier has a conscience; and with
a view to keeping it easy, insists that he shall be left in ignorance
of that part of the plot which relates to the sequestration of my Lord.
Not that he cares particularly what becomes of his miserly master--
but he does dislike taking other people's responsibilities on his
own shoulders.

'These conditions being agreed to, the Countess calls in the Baron,
who has been waiting events in the next room.

'He is informed that the Courier has yielded to temptation;
but he is still too cautious to make any compromising remarks.
Keeping his back turned on the bed, he shows a bottle to the Countess.
It is labelled "Chloroform."  She understands that my Lord is to be
removed from his room in a convenient state of insensibility.
In what part of the palace is he to be hidden?  As they open
the door to go out, the Countess whispers that question
to the Baron.  The Baron whispers back, "In the vaults!"
The curtain falls.'





CHAPTER XXVIII


So the Second Act ended.

Turning to the Third Act, Henry looked wearily at the pages
as he let them slip through his fingers.  Both in mind and body,
he began to feel the need of repose.

In one important respect, the later portion of the manuscript
differed from the pages which he had just been reading.
Signs of an overwrought brain showed themselves, here and there,
as the outline of the play approached its end.  The handwriting grew
worse and worse.  Some of the longer sentences were left unfinished.
In the exchange of dialogue, questions and answers were not always
attributed respectively to the right speaker.  At certain intervals
the writer's failing intelligence seemed to recover itself for a while;
only to relapse again, and to lose the thread of the narrative more
hopelessly than ever.

After reading one or two of the more coherent passages Henry recoiled
from the ever-darkening horror of the story.  He closed the manuscript,
heartsick and exhausted, and threw himself on his bed to rest.
The door opened almost at the same moment.  Lord Montbarry entered
the room.

'We have just returned from the Opera,' he said; 'and we have heard
the news of that miserable woman's death.  They say you spoke
to her in her last moments; and I want to hear how it happened.'

'You shall hear how it happened,' Henry answered; 'and more than that.
You are now the head of the family, Stephen; and I feel bound,
in the position which oppresses me, to leave you to decide what ought
to be done.'

With those introductory words, he told his brother how the Countess's
play had come into his hands.  'Read the first few pages,' he said.
'I am anxious to know whether the same impression is produced on both
of us.'

Before Lord Montbarry had got half-way through the First Act,
he stopped, and looked at his brother.  'What does she mean
by boasting of this as her own invention?' he asked.  'Was she
too crazy to remember that these things really happened?'

This was enough for Henry:  the same impression had been produced
on both of them.  'You will do as you please,' he said.
'But if you will be guided by me, spare yourself the reading
of those pages to come, which describe our brother's terrible
expiation of his heartless marriage.'

'Have you read it all, Henry?'

'Not all.  I shrank from reading some of the latter part of it.
Neither you nor I saw much of our elder brother after we left school;
and, for my part, I felt, and never scrupled to express my feeling,
that he behaved infamously to Agnes.  But when I read that unconscious
confession of the murderous conspiracy to which he fell a victim,
I remembered, with something like remorse, that the same mother bore us.
I have felt for him to-night, what I am ashamed to think I never felt for
him before.'

Lord Montbarry took his brother's hand.

'You are a good fellow, Henry,' he said; 'but are you quite
sure that you have not been needlessly distressing yourself?
Because some of this crazy creature's writing accidentally tells
what we know to be the truth, does it follow that all the rest is
to be relied on to the end?'

'There is no possible doubt of it,' Henry replied.

'No possible doubt?' his brother repeated.  'I shall go
on with my reading, Henry--and see what justification
there may be for that confident conclusion of yours.'

He read on steadily, until he had reached the end of the Second Act.
Then he looked up.

'Do you really believe that the mutilated remains which you
discovered this morning are the remains of our brother?' he asked.
'And do you believe it on such evidence as this?'

Henry answered silently by a sign in the affirmative.

Lord Montbarry checked himself--evidently on the point of entering
an indignant protest.

'You acknowledge that you have not read the later scenes
of the piece,' he said.  'Don't be childish, Henry!  If you
persist in pinning your faith on such stuff as this, the least
you can do is to make yourself thoroughly acquainted with it.
Will you read the Third Act?  No?  Then I shall read it to you.'

He turned to the Third Act, and ran over those fragmentary passages
which were clearly enough written and expressed to be intelligible
to the mind of a stranger.

'Here is a scene in the vaults of the palace,' he began.  'The victim
of the conspiracy is sleeping on his miserable bed; and the Baron
and the Countess are considering the position in which they stand.
The Countess (as well as I can make it out) has raised the money
that is wanted by borrowing on the security of her jewels at Frankfort;
and the Courier upstairs is still declared by the Doctor to have
a chance of recovery.  What are the conspirators to do, if the man
does recover?  The cautious Baron suggests setting the prisoner free.
If he ventures to appeal to the law, it is easy to declare that he is
subject to insane delusion, and to call his own wife as witness.
On the other hand, if the Courier dies, how is the sequestrated
and unknown nobleman to be put out of the way?  Passively, by letting
him starve in his prison?  No:  the Baron is a man of refined tastes;
he dislikes needless cruelty.  The active policy remains--
say, assassination by the knife of a hired bravo?  The Baron
objects to trusting an accomplice; also to spending money on anyone
but himself.  Shall they drop their prisoner into the canal?
The Baron declines to trust water; water will show him on the surface.
Shall they set his bed on fire?  An excellent idea; but the smoke
might be seen.  No:  the circumstances being now entirely altered,
poisoning him presents the easiest way out of it.  He has simply
become a superfluous person.  The cheapest poison will do.--
Is it possible, Henry, that you believe this consultation really
took place?'

Henry made no reply.  The succession of the questions that had just
been read to him, exactly followed the succession of the dreams
that had terrified Mrs. Norbury, on the two nights which she had
passed in the hotel.  It was useless to point out this coincidence
to his brother.  He only said, 'Go on.'

Lord Montbarry turned the pages until he came to the next
intelligible passage.

'Here,' he proceeded, 'is a double scene on the stage--so far as I can
understand the sketch of it.  The Doctor is upstairs, innocently writing
his certificate of my Lord's decease, by the dead Courier's bedside.
Down in the vaults, the Baron stands by the corpse of the poisoned lord,
preparing the strong chemical acids which are to reduce it
to a heap of ashes--Surely, it is not worth while to trouble
ourselves with deciphering such melodramatic horrors as these?
Let us get on! let us get on!'

He turned the leaves again; attempting vainly to discover the meaning
of the confused scenes that followed.  On the last page but one,
he found the last intelligible sentences.

'The Third Act seems to be divided,' he said, 'into two Parts
or Tableaux.  I think I can read the writing at the beginning
of the Second Part.  The Baron and the Countess open the scene.
The Baron's hands are mysteriously concealed by gloves.
He has reduced the body to ashes by his own system of cremation,
with the exception of the head--'

Henry interrupted his brother there.  'Don't read any more!'
he exclaimed.

'Let us do the Countess justice,' Lord Montbarry persisted.
'There are not half a dozen lines more that I can make out!
The accidental breaking of his jar of acid has burnt the Baron's
hands severely.  He is still unable to proceed to the destruction
of the head--and the Countess is woman enough (with all her wickedness)
to shrink from attempting to take his place--when the first news
is received of the coming arrival of the commission of inquiry
despatched by the insurance offices.  The Baron feels no alarm.
Inquire as the commission may, it is the natural death of the Courier
(in my Lord's character) that they are blindly investigating.
The head not being destroyed, the obvious alternative is to hide it--
and the Baron is equal to the occasion.  His studies in the old library
have informed him of a safe place of concealment in the palace.
The Countess may recoil from handling the acids and watching the process
of cremation; but she can surely sprinkle a little disinfecting
powder--'

'No more!'  Henry reiterated.  'No more!'

'There is no more that can be read, my dear fellow.  The last page
looks like sheer delirium.  She may well have told you that her
invention had failed her!'

'Face the truth honestly, Stephen, and say her memory.'

Lord Montbarry rose from the table at which he had been sitting,
and looked at his brother with pitying eyes.

'Your nerves are out of order, Henry,' he said.  'And no wonder,
after that frightful discovery under the hearth-stone. We won't dispute
about it; we will wait a day or two until you are quite yourself again.
In the meantime, let us understand each other on one point at least.
You leave the question of what is to be done with these pages of writing
to me, as the head of the family?'

'I do.'

Lord Montbarry quietly took up the manuscript, and threw it
into the fire.  'Let this rubbish be of some use,' he said,
holding the pages down with the poker.  'The room is getting chilly--
the Countess's play will set some of these charred logs flaming again.'
He waited a little at the fire-place, and returned to his brother.
'Now, Henry, I have a last word to say, and then I have done.
I am ready to admit that you have stumbled, by an unlucky chance,
on the proof of a crime committed in the old days of the palace,
nobody knows how long ago.  With that one concession, I dispute
everything else.  Rather than agree in the opinion you have formed,
I won't believe anything that has happened.  The supernatural
influences that some of us felt when we first slept in this hotel--
your loss of appetite, our sister's dreadful dreams, the smell that
overpowered Francis, and the head that appeared to Agnes--I declare them
all to be sheer delusions!  I believe in nothing, nothing, nothing!'
He opened the door to go out, and looked back into the room.
'Yes,' he resumed, 'there is one thing I believe in.  My wife has
committed a breach of confidence--I believe Agnes will marry you.
Good night, Henry.  We leave Venice the first thing to-morrow
morning.

So Lord Montbarry disposed of the mystery of The Haunted Hotel.





POSTSCRIPT


A last chance of deciding the difference of opinion between
the two brothers remained in Henry's possession.  He had his own
idea of the use to which he might put the false teeth as a means
of inquiry when he and Ms fellow-travellers returned to England.

The only surviving depositary of the domestic history of
the family in past years, was Agnes Lockwood's old nurse.
Henry took his first opportunity of trying to revive her personal
recollections of the deceased Lord Montbarry.  But the nurse had never
forgiven the great man of the family for his desertion of Agnes;
she flatly refused to consult her memory.  'Even the bare sight
of my lord, when I last saw him in London,' said the old woman,
'made my finger-nails itch to set their mark on his face.
I was sent on an errand by Miss Agnes; and I met him coming out
of his dentist's door--and, thank God, that's the last I ever saw
of him!'

Thanks to the nurse's quick temper and quaint way of expressing
herself, the object of Henry's inquiries was gained already!
He ventured on asking if she had noticed the situation of the house.
She had noticed, and still remembered the situation--
did Master Henry suppose she had lost the use of her senses,
because she happened to be nigh on eighty years old?  The same day,
he took the false teeth to the dentist, and set all further doubt
(if doubt had still been possible) at rest for ever.  The teeth had
been made for the first Lord Montbarry.

Henry never revealed the existence of this last link in the chain
of discovery to any living creature, his brother Stephen included.
He carried his terrible secret with him to the grave.

There was one other event in the memorable past on which he preserved
the same compassionate silence.  Little Mrs. Ferrari never knew that
her husband had been--not, as she supposed, the Countess's victim--
but the Countess's accomplice.  She still believed that the late Lord
Montbarry had sent her the thousand-pound note, and still recoiled
from making use of a present which she persisted in declaring had
'the stain of her husband's blood on it.'  Agnes, with the widow's
entire approval, took the money to the Children's Hospital;
and spent it in adding to the number of the beds.

In the spring of the new year, the marriage took place.
At the special request of Agnes, the members of the family were the only
persons present at the ceremony.  There was no wedding breakfast--
and the honeymoon was spent in the retirement of a cottage on
the banks of the Thames.

During the last few days of the residence of the newly married
couple by the riverside, Lady Montbarry's children were invited
to enjoy a day's play in the garden.  The eldest girl overheard
(and reported to her mother) a little conjugal dialogue which touched
on the topic of The Haunted Hotel.

'Henry, I want you to give me a kiss.'

'There it is, my dear.'

'Now I am your wife, may I speak to you about something?'

'What is it?'

'Something that happened the day before we left Venice.
You saw the Countess, during the last hours of her life.
Won't you tell me whether she made any confession to you?'

'No conscious confession, Agnes--and therefore no confession that I
need distress you by repeating.'

'Did she say nothing about what she saw or heard, on that dreadful
night in my room?'

'Nothing.  We only know that her mind never recovered the terror
of it.'

Agnes was not quite satisfied.  The subject troubled her.
Even her own brief intercourse with her miserable rival
of other days suggested questions that perplexed her.
She remembered the Countess's prediction.  'You have to bring me
to the day of discovery, and to the punishment that is my doom.'
Had the prediction simply faded, like other mortal prophecies?--
or had it been fulfilled on the terrible night when she had seen
the apparition, and when she had innocently tempted the Countess
to watch her in her room?

Let it, however, be recorded, among the other virtues of Mrs. Henry
Westwick, that she never again attempted to persuade her husband
into betraying his secrets.  Other men's wives, hearing of this
extraordinary conduct (and being trained in the modern school of morals
and manners), naturally regarded her with compassionate contempt.  They
spoke of Agnes, from that time forth, as 'rather an old-fashioned person.'



Is that all?

That is all.

Is there no explanation of the mystery of The Haunted Hotel?

Ask yourself if there is any explanation of the mystery of your own
life and death.--Farewell.



End of The Project Gutenberg Etext of The Haunted Hotel