18082 lines
729 KiB
Plaintext
18082 lines
729 KiB
Plaintext
1821
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DON JUAN
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by George Byron
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DEDICATION
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DEDICATION.
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BOB SOUTHEY! You 're a poet- Poet-laureate,
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And representative of all the race,
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Although 't is true that you turn'd out a Tory at
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Last,- yours has lately been a common case;
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And now, my Epic Renegade! what are ye at?
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With all the Lakers, in and out of place?
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A nest of tuneful persons, to my eye
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Like 'four and twenty Blackbirds in a pye;'
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'Which pye being open'd they began to sing'
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(This old song and new simile holds good),
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'A dainty dish to set before the King,'
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Or Regent, who admires such kind of food;-
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And Coleridge, too, has lately taken wing,
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But like a hawk encumber'd with his hood,-
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Explaining metaphysics to the nation-
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I wish he would explain his Explanation.
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You, Bob! are rather insolent, you know,
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At being disappointed in your wish
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To supersede all warblers here below,
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And be the only Blackbird in the dish;
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And then you overstrain yourself, or so,
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And tumble downward like the flying fish
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Gasping on deck, because you soar too high, Bob,
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And fall, for lack of moisture, quite a-dry, Bob!
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And Wordsworth, in a rather long Excursion
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(I think the quarto holds five hundred pages),
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Has given a sample from the vasty version
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Of his new system to perplex the sages;
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'T is poetry- at least by his assertion,
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And may appear so when the dog-star rages-
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And he who understands it would be able
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To add a story to the Tower of Babel.
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You- Gentlemen! by dint of long seclusion
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From better company, have kept your own
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At Keswick, and, through still continued fusion
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Of one another's minds, at last have grown
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To deem as a most logical conclusion,
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That Poesy has wreaths for you alone:
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There is a narrowness in such a notion,
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Which makes me wish you'd change your lakes for ocean.
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I would not imitate the petty thought,
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Nor coin my self-love to so base a vice,
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For all the glory your conversion brought,
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Since gold alone should not have been its price.
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You have your salary; was 't for that you wrought?
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And Wordsworth has his place in the Excise.
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You're shabby fellows- true- but poets still,
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And duly seated on the immortal hill.
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Your bays may hide the baldness of your brows-
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Perhaps some virtuous blushes;- let them go-
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To you I envy neither fruit nor boughs-
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And for the fame you would engross below,
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The field is universal, and allows
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Scope to all such as feel the inherent glow:
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Scott, Rogers, Campbell, Moore, and Crabbe will try
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'Gainst you the question with posterity.
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For me, who, wandering with pedestrian Muses,
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Contend not with you on the winged steed,
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I wish your fate may yield ye, when she chooses,
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The fame you envy and the skill you need;
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And recollect a poet nothing loses
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In giving to his brethren their full meed
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Of merit, and complaint of present days
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Is not the certain path to future praise.
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He that reserves his laurels for posterity
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(Who does not often claim the bright reversion)
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Has generally no great crop to spare it, he
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Being only injured by his own assertion;
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And although here and there some glorious rarity
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Arise like Titan from the sea's immersion,
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The major part of such appelants go
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To- God knows where- for no one else can know.
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If, fallen in evil days on evil tongues,
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Milton appeal'd to the Avenger, Time,
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If Time, the Avenger, execrates his wrongs,
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And makes the word Miltonic' mean 'sublime,'
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He deign'd not to belie his soul in songs,
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Nor turn his very talent to a crime;
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He did not loathe the Sire to laud the Son,
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But closed the tyrant-hater he begun.
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Think'st thou, could he- the blind Old Man- arise
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Like Samuel from the grave, to freeze once more
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The blood of monarchs with his prophecies,
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Or be alive again- again all hoar
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With time and trials, and those helpless eyes,
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And heartless daughters- worn- and pale- and poor;
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Would he adore a sultan? he obey
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The intellectual eunuch Castlereagh?
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Cold-blooded, smooth-faced, placid miscreant!
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Dabbling its sleek young hands in Erin's gore,
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And thus for wider carnage taught to pant,
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Transferr'd to gorge upon a sister shore,
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The vulgarest tool that Tyranny could want,
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With just enough of talent, and no more,
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To lengthen fetters by another fix'd,
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And offer poison long already mix'd.
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An orator of such set trash of phrase
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Ineffably- legitimately vile,
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That even its grossest flatterers dare not praise,
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Nor foes- all nations- condescend to smile,-
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Not even a sprightly blunder's spark can blaze
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From that Ixion grindstone's ceaseless toil,
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That turns and turns to give the world a notion
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Of endless torments and perpetual motion.
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A bungler even in its disgusting trade,
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And botching, patching, leaving still behind
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Something of which its masters are afraid,
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States to be curb'd and thoughts to be confined,
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Conspiracy or Congress to be made-
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Cobbling at manacles for all mankind-
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A tinkering slave-maker, who mends old chains,
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With God and man's abhorrence for its gains.
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If we may judge of matter by the mind,
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Emasculated to the marrow It
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Hath but two objects, how to serve and bind,
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Deeming the chain it wears even men may fit,
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Eutropius of its many masters,- blind
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To worth as freedom, wisdom as to wit,
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Fearless- because no feeling dwells in ice,
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Its very courage stagnates to a vice.
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Where shall I turn me not to view its bonds,
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For I will never feel them?- Italy!
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Thy late reviving Roman soul desponds
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Beneath the lie this State-thing breathed o'er thee-
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Thy clanking chain, and Erin's yet green wounds,
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Have voices, tongues to cry aloud for me.
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Europe has slaves, allies, kings, armies still,
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And Southey lives to sing them very ill.
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Meantime, Sir Laureate, I proceed to dedicate,
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In honest simple verse, this song to you.
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And, if in flattering strains I do not predicate,
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'T is that I still retain my 'buff and blue;'
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My politics as yet are all to educate:
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Apostasy 's so fashionable, too,
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To keep one creed 's a task grown quite Herculean;
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Is it not so, my Tory, ultra-Julian?
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VENICE, September 16, 1818.
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CANTO THE FIRST.
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I WANT a hero: an uncommon want,
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When every year and month sends forth a new one,
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Till, after cloying the gazettes with cant,
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The age discovers he is not the true one;
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Of such as these I should not care to vaunt,
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I 'll therefore take our ancient friend Don Juan-
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We all have seen him, in the pantomime,
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Sent to the devil somewhat ere his time.
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Vernon, the butcher Cumberland, Wolfe, Hawke,
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Prince Ferdinand, Granby, Burgoyne, Keppel, Howe,
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Evil and good, have had their tithe of talk,
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And fill'd their sign posts then, like Wellesley now;
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Each in their turn like Banquo's monarchs stalk,
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Followers of fame, 'nine farrow' of that sow:
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France, too, had Buonaparte and Dumourier
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Recorded in the Moniteur and Courier.
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Barnave, Brissot, Condorcet, Mirabeau,
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Petion, Clootz, Danton, Marat, La Fayette,
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Were French, and famous people, as we know:
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And there were others, scarce forgotten yet,
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Joubert, Hoche, Marceau, Lannes, Desaix, Moreau,
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With many of the military set,
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Exceedingly remarkable at times,
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But not at all adapted to my rhymes.
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Nelson was once Britannia's god of war,
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And still should be so, but the tide is turn'd;
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There 's no more to be said of Trafalgar,
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'T is with our hero quietly inurn'd;
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Because the army 's grown more popular,
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At which the naval people are concern'd;
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Besides, the prince is all for the land-service,
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Forgetting Duncan, Nelson, Howe, and Jervis.
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Brave men were living before Agamemnon
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And since, exceeding valorous and sage,
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A good deal like him too, though quite the same none;
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But then they shone not on the poet's page,
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And so have been forgotten:- I condemn none,
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But can't find any in the present age
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Fit for my poem (that is, for my new one);
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So, as I said, I 'll take my friend Don Juan.
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Most epic poets plunge 'in medias res'
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(Horace makes this the heroic turnpike road),
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And then your hero tells, whene'er you please,
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What went before- by way of episode,
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While seated after dinner at his ease,
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Beside his mistress in some soft abode,
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Palace, or garden, paradise, or cavern,
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Which serves the happy couple for a tavern.
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That is the usual method, but not mine-
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My way is to begin with the beginning;
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The regularity of my design
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Forbids all wandering as the worst of sinning,
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And therefore I shall open with a line
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(Although it cost me half an hour in spinning)
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Narrating somewhat of Don Juan's father,
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And also of his mother, if you 'd rather.
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In Seville was he born, a pleasant city,
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Famous for oranges and women- he
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Who has not seen it will be much to pity,
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So says the proverb- and I quite agree;
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Of all the Spanish towns is none more pretty,
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Cadiz perhaps- but that you soon may see;
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Don Juan's parents lived beside the river,
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A noble stream, and call'd the Guadalquivir.
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His father's name was Jose- Don, of course,-
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A true Hidalgo, free from every stain
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Of Moor or Hebrew blood, he traced his source
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Through the most Gothic gentlemen of Spain;
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A better cavalier ne'er mounted horse,
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Or, being mounted, e'er got down again,
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Than Jose, who begot our hero, who
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Begot- but that 's to come- Well, to renew:
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His mother was a learned lady, famed
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For every branch of every science known
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In every Christian language ever named,
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With virtues equall'd by her wit alone,
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She made the cleverest people quite ashamed,
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And even the good with inward envy groan,
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Finding themselves so very much exceeded
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In their own way by all the things that she did.
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Her memory was a mine: she knew by heart
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All Calderon and greater part of Lope,
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So that if any actor miss'd his part
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She could have served him for the prompter's copy;
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For her Feinagle's were an useless art,
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And he himself obliged to shut up shop- he
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Could never make a memory so fine as
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That which adorn'd the brain of Donna Inez.
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Her favourite science was the mathematical,
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Her noblest virtue was her magnanimity,
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Her wit (she sometimes tried at wit) was Attic all,
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Her serious sayings darken'd to sublimity;
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In short, in all things she was fairly what I call
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A prodigy- her morning dress was dimity,
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Her evening silk, or, in the summer, muslin,
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And other stuffs, with which I won't stay puzzling.
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She knew the Latin- that is, 'the Lord's prayer,'
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And Greek- the alphabet- I 'm nearly sure;
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She read some French romances here and there,
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Although her mode of speaking was not pure;
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For native Spanish she had no great care,
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At least her conversation was obscure;
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Her thoughts were theorems, her words a problem,
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As if she deem'd that mystery would ennoble 'em.
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She liked the English and the Hebrew tongue,
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And said there was analogy between 'em;
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She proved it somehow out of sacred song,
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But I must leave the proofs to those who 've seen 'em;
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But this I heard her say, and can't be wrong
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And all may think which way their judgments lean 'em,
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''T is strange- the Hebrew noun which means "I am,"
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Some women use their tongues- she look'd a lecture,
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Each eye a sermon, and her brow a homily,
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An all-in-all sufficient self-director,
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Like the lamented late Sir Samuel Romilly,
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The Law's expounder, and the State's corrector,
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Whose suicide was almost an anomaly-
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One sad example more, that 'All is vanity'
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(The jury brought their verdict in 'Insanity').
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In short, she was a walking calculation,
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Miss Edgeworth's novels stepping from their covers,
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Or Mrs. Trimmer's books on education,
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Or 'Coelebs' Wife' set out in quest of lovers,
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Morality's prim personification,
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In which not Envy's self a flaw discovers;
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To others' share let 'female errors fall,'
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For she had not even one- the worst of all.
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Oh! she was perfect past all parallel-
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Of any modern female saint's comparison;
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So far above the cunning powers of hell,
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Her guardian angel had given up his garrison;
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Even her minutest motions went as well
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As those of the best time-piece made by Harrison:
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In virtues nothing earthly could surpass her,
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Save thine 'incomparable oil,' Macassar!
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Perfect she was, but as perfection is
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Insipid in this naughty world of ours,
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Where our first parents never learn'd to kiss
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Till they were exiled from their earlier bowers,
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Where all was peace, and innocence, and bliss
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(I wonder how they got through the twelve hours),
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Don Jose, like a lineal son of Eve,
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Went plucking various fruit without her leave.
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He was a mortal of the careless kind,
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With no great love for learning, or the learn'd,
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Who chose to go where'er he had a mind,
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And never dream'd his lady was concern'd;
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The world, as usual, wickedly inclined
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To see a kingdom or a house o'erturn'd,
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Whisper'd he had a mistress, some said two-
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But for domestic quarrels one will do.
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Now Donna Inez had, with all her merit,
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A great opinion of her own good qualities;
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Neglect, indeed, requires a saint to bear it,
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And such, indeed, she was in her moralities;
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But then she had a devil of a spirit,
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And sometimes mix'd up fancies with realities,
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And let few opportunities escape
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Of getting her liege lord into a scrape.
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This was an easy matter with a man
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Oft in the wrong, and never on his guard;
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And even the wisest, do the best they can,
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Have moments, hours, and days, so unprepared,
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That you might 'brain them with their lady's fan;'
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And sometimes ladies hit exceeding hard,
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And fans turn into falchions in fair hands,
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And why and wherefore no one understands.
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'T is pity learned virgins ever wed
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With persons of no sort of education,
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Or gentlemen, who, though well born and bred,
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Grow tired of scientific conversation:
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I don't choose to say much upon this head,
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I 'm a plain man, and in a single station,
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But- Oh! ye lords of ladies intellectual,
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Inform us truly, have they not hen-peck'd you all?
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Don Jose and his lady quarrell'd- why,
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Not any of the many could divine,
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Though several thousand people chose to try,
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'T was surely no concern of theirs nor mine;
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I loathe that low vice- curiosity;
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But if there 's anything in which I shine,
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'T is in arranging all my friends' affairs,
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Not having of my own domestic cares.
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And so I interfered, and with the best
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Intentions, but their treatment was not kind;
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I think the foolish people were possess'd,
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For neither of them could I ever find,
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Although their porter afterwards confess'd-
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But that 's no matter, and the worst 's behind,
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For little Juan o'er me threw, down stairs,
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A pail of housemaid's water unawares.
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A little curly-headed, good-for-nothing,
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And mischief-making monkey from his birth;
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His parents ne'er agreed except in doting
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Upon the most unquiet imp on earth;
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Instead of quarrelling, had they been but both in
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Their senses, they 'd have sent young master forth
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To school, or had him soundly whipp'd at home,
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To teach him manners for the time to come.
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Don Jose and the Donna Inez led
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For some time an unhappy sort of life,
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Wishing each other, not divorced, but dead;
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They lived respectably as man and wife,
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Their conduct was exceedingly well-bred,
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And gave no outward signs of inward strife,
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Until at length the smother'd fire broke out,
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And put the business past all kind of doubt.
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For Inez call'd some druggists and physicians,
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And tried to prove her loving lord was mad;
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But as he had some lucid intermissions,
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She next decided he was only bad;
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Yet when they ask'd her for her depositions,
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No sort of explanation could be had,
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Save that her duty both to man and God
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Required this conduct- which seem'd very odd.
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She kept a journal, where his faults were noted,
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And open'd certain trunks of books and letters,
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All which might, if occasion served, be quoted;
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And then she had all Seville for abettors,
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Besides her good old grandmother (who doted);
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The hearers of her case became repeaters,
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Then advocates, inquisitors, and judges,
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Some for amusement, others for old grudges.
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And then this best and weakest woman bore
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With such serenity her husband's woes,
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Just as the Spartan ladies did of yore,
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Who saw their spouses kill'd, and nobly chose
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Never to say a word about them more-
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Calmly she heard each calumny that rose,
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And saw his agonies with such sublimity,
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That all the world exclaim'd, 'What magnanimity!'
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No doubt this patience, when the world is damning us,
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Is philosophic in our former friends;
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'T is also pleasant to be deem'd magnanimous,
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The more so in obtaining our own ends;
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And what the lawyers call a 'malus animus'
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Conduct like this by no means comprehends;
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Revenge in person 's certainly no virtue,
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But then 't is not my fault, if others hurt you.
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And if your quarrels should rip up old stories,
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And help them with a lie or two additional,
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I 'm not to blame, as you well know- no more is
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Any one else- they were become traditional;
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Besides, their resurrection aids our glories
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By contrast, which is what we just were wishing all:
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And science profits by this resurrection-
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Dead scandals form good subjects for dissection.
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Their friends had tried at reconciliation,
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Then their relations, who made matters worse.
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('T were hard to tell upon a like occasion
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To whom it may be best to have recourse-
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I can't say much for friend or yet relation):
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The lawyers did their utmost for divorce,
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But scarce a fee was paid on either side
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Before, unluckily, Don Jose died.
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He died: and most unluckily, because,
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According to all hints I could collect
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From counsel learned in those kinds of laws
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(Although their talk 's obscure and circumspect),
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His death contrived to spoil a charming cause;
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A thousand pities also with respect
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To public feeling, which on this occasion
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Was manifested in a great sensation.
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But, ah! he died; and buried with him lay
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The public feeling and the lawyers' fees:
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His house was sold, his servants sent away,
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A Jew took one of his two mistresses,
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A priest the other- at least so they say:
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I ask'd the doctors after his disease-
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He died of the slow fever call'd the tertian,
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And left his widow to her own aversion.
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Yet Jose was an honourable man,
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That I must say who knew him very well;
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Therefore his frailties I 'll no further scan
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Indeed there were not many more to tell;
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And if his passions now and then outran
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Discretion, and were not so peaceable
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As Numa's (who was also named Pompilius),
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He had been ill brought up, and was born bilious.
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Whate'er might be his worthlessness or worth,
|
|
Poor fellow! he had many things to wound him.
|
|
Let 's own- since it can do no good on earth-
|
|
It was a trying moment that which found him
|
|
Standing alone beside his desolate hearth,
|
|
Where all his household gods lay shiver'd round him:
|
|
No choice was left his feelings or his pride,
|
|
Save death or Doctors' Commons- so he died.
|
|
|
|
Dying intestate, Juan was sole heir
|
|
To a chancery suit, and messuages, and lands,
|
|
Which, with a long minority and care,
|
|
Promised to turn out well in proper hands:
|
|
Inez became sole guardian, which was fair,
|
|
And answer'd but to nature's just demands;
|
|
An only son left with an only mother
|
|
Is brought up much more wisely than another.
|
|
|
|
Sagest of women, even of widows, she
|
|
Resolved that Juan should be quite a paragon,
|
|
And worthy of the noblest pedigree
|
|
(His sire was of Castile, his dam from Aragon):
|
|
Then for accomplishments of chivalry,
|
|
In case our lord the king should go to war again,
|
|
He learn'd the arts of riding, fencing, gunnery,
|
|
And how to scale a fortress- or a nunnery.
|
|
|
|
But that which Donna Inez most desired,
|
|
And saw into herself each day before all
|
|
The learned tutors whom for him she hired,
|
|
Was, that his breeding should be strictly moral;
|
|
Much into all his studies she inquired,
|
|
And so they were submitted first to her, all,
|
|
Arts, sciences, no branch was made a mystery
|
|
To Juan's eyes, excepting natural history.
|
|
|
|
The languages, especially the dead,
|
|
The sciences, and most of all the abstruse,
|
|
The arts, at least all such as could be said
|
|
To be the most remote from common use,
|
|
In all these he was much and deeply read;
|
|
But not a page of any thing that 's loose,
|
|
Or hints continuation of the species,
|
|
Was ever suffer'd, lest he should grow vicious.
|
|
|
|
His classic studies made a little puzzle,
|
|
Because of filthy loves of gods and goddesses,
|
|
Who in the earlier ages raised a bustle,
|
|
But never put on pantaloons or bodices;
|
|
His reverend tutors had at times a tussle,
|
|
And for their AEneids, Iliads, and Odysseys,
|
|
Were forced to make an odd sort! of apology,
|
|
For Donna Inez dreaded the Mythology.
|
|
|
|
Ovid 's a rake, as half his verses show him,
|
|
Anacreon's morals are a still worse sample,
|
|
Catullus scarcely has a decent poem,
|
|
I don't think Sappho's Ode a good example,
|
|
Although Longinus tells us there is no hymn
|
|
Where the sublime soars forth on wings more ample:
|
|
But Virgil's songs are pure, except that horrid one
|
|
Beginning with 'Formosum Pastor Corydon.'
|
|
|
|
Lucretius' irreligion is too strong,
|
|
For early stomachs, to prove wholesome food;
|
|
I can't help thinking Juvenal was wrong,
|
|
Although no doubt his real intent was good,
|
|
For speaking out so plainly in his song,
|
|
So much indeed as to be downright rude;
|
|
And then what proper person can be partial
|
|
To all those nauseous epigrams of Martial?
|
|
|
|
Juan was taught from out the best edition,
|
|
Expurgated by learned men, who place
|
|
Judiciously, from out the schoolboy's vision,
|
|
The grosser parts; but, fearful to deface
|
|
Too much their modest bard by this omission,
|
|
And pitying sore his mutilated case,
|
|
They only add them all in an appendix,
|
|
Which saves, in fact, the trouble of an index;
|
|
|
|
For there we have them all 'at one fell swoop,'
|
|
Instead of being scatter'd through the Pages;
|
|
They stand forth marshall'd in a handsome troop,
|
|
To meet the ingenuous youth of future ages,
|
|
Till some less rigid editor shall stoop
|
|
To call them back into their separate cages,
|
|
Instead of standing staring all together,
|
|
Like garden gods- and not so decent either.
|
|
|
|
The Missal too (it was the family Missal)
|
|
Was ornamented in a sort of way
|
|
Which ancient mass-books often are, and this all
|
|
Kinds of grotesques illumined; and how they,
|
|
Who saw those figures on the margin kiss all,
|
|
Could turn their optics to the text and pray,
|
|
Is more than I know- But Don Juan's mother
|
|
Kept this herself, and gave her son another.
|
|
|
|
Sermons he read, and lectures he endured,
|
|
And homilies, and lives of all the saints;
|
|
To Jerome and to Chrysostom inured,
|
|
He did not take such studies for restraints;
|
|
But how faith is acquired, and then ensured,
|
|
So well not one of the aforesaid paints
|
|
As Saint Augustine in his fine Confessions,
|
|
Which make the reader envy his transgressions.
|
|
|
|
This, too, was a seal'd book to little Juan-
|
|
I can't but say that his mamma was right,
|
|
If such an education was the true one.
|
|
She scarcely trusted him from out her sight;
|
|
Her maids were old, and if she took a new one,
|
|
You might be sure she was a perfect fright;
|
|
She did this during even her husband's life-
|
|
I recommend as much to every wife.
|
|
|
|
Young Juan wax'd in goodliness and grace;
|
|
At six a charming child, and at eleven
|
|
With all the promise of as fine a face
|
|
As e'er to man's maturer growth was given:
|
|
He studied steadily, and grew apace,
|
|
And seem'd, at least, in the right road to heaven,
|
|
For half his days were pass'd at church, the other
|
|
Between his tutors, confessor, and mother.
|
|
|
|
At six, I said, he was a charming child,
|
|
At twelve he was a fine, but quiet boy;
|
|
Although in infancy a little wild,
|
|
They tamed him down amongst them: to destroy
|
|
His natural spirit not in vain they toil'd,
|
|
At least it seem'd so; and his mother's joy
|
|
Was to declare how sage, and still, and steady,
|
|
Her young philosopher was grown already.
|
|
|
|
I had my doubts, perhaps I have them still,
|
|
But what I say is neither here nor there:
|
|
I knew his father well, and have some skill
|
|
In character- but it would not be fair
|
|
From sire to son to augur good or ill:
|
|
He and his wife were an ill-sorted pair-
|
|
But scandal 's my aversion- I protest
|
|
Against all evil speaking, even in jest.
|
|
|
|
For my part I say nothing- nothing- but
|
|
This I will say- my reasons are my own-
|
|
That if I had an only son to put
|
|
To school (as God be praised that I have none),
|
|
'T is not with Donna Inez I would shut
|
|
Him up to learn his catechism alone,
|
|
No- no- I 'd send him out betimes to college,
|
|
For there it was I pick'd up my own knowledge.
|
|
|
|
For there one learns- 't is not for me to boast,
|
|
Though I acquired- but I pass over that,
|
|
As well as all the Greek I since have lost:
|
|
I say that there 's the place- but 'Verbum sat.'
|
|
I think I pick'd up too, as well as most,
|
|
Knowledge of matters- but no matter what-
|
|
I never married- but, I think, I know
|
|
That sons should not be educated so.
|
|
|
|
Young Juan now was sixteen years of age,
|
|
Tall, handsome, slender, but well knit: he seem'd
|
|
Active, though not so sprightly, as a page;
|
|
And everybody but his mother deem'd
|
|
Him almost man; but she flew in a rage
|
|
And bit her lips (for else she might have scream'd)
|
|
If any said so, for to be precocious
|
|
Was in her eyes a thing the most atrocious.
|
|
|
|
Amongst her numerous acquaintance, all
|
|
Selected for discretion and devotion,
|
|
There was the Donna Julia, whom to call
|
|
Pretty were but to give a feeble notion
|
|
Of many charms in her as natural
|
|
As sweetness to the flower, or salt to ocean,
|
|
Her zone to Venus, or his bow to Cupid
|
|
(But this last simile is trite and stupid).
|
|
|
|
The darkness of her Oriental eye
|
|
Accorded with her Moorish origin
|
|
(Her blood was not all Spanish, by the by;
|
|
In Spain, you know, this is a sort of sin);
|
|
When proud Granada fell, and, forced to fly,
|
|
Boabdil wept, of Donna Julia's kin
|
|
Some went to Africa, some stay'd in Spain,
|
|
Her great-great-grandmamma chose to remain.
|
|
|
|
She married (I forget the pedigree)
|
|
With an Hidalgo, who transmitted down
|
|
His blood less noble than such blood should be;
|
|
At such alliances his sires would frown,
|
|
In that point so precise in each degree
|
|
That they bred in and in, as might be shown,
|
|
Marrying their cousins- nay, their aunts, and nieces,
|
|
Which always spoils the breed, if it increases.
|
|
|
|
This heathenish cross restored the breed again,
|
|
Ruin'd its blood, but much improved its flesh;
|
|
For from a root the ugliest in Old Spain
|
|
Sprung up a branch as beautiful as fresh;
|
|
The sons no more were short, the daughters plain:
|
|
But there 's a rumour which I fain would hush,
|
|
'T is said that Donna Julia's grandmamma
|
|
Produced her Don more heirs at love than law.
|
|
|
|
However this might be, the race went on
|
|
Improving still through every generation,
|
|
Until it centred in an only son,
|
|
Who left an only daughter; my narration
|
|
May have suggested that this single one
|
|
Could be but Julia (whom on this occasion
|
|
I shall have much to speak about), and she
|
|
Was married, charming, chaste, and twenty-three.
|
|
|
|
Her eye (I 'm very fond of handsome eyes)
|
|
Was large and dark, suppressing half its fire
|
|
Until she spoke, then through its soft disguise
|
|
Flash'd an expression more of pride than ire,
|
|
And love than either; and there would arise
|
|
A something in them which was not desire,
|
|
But would have been, perhaps, but for the soul
|
|
Which struggled through and chasten'd down the whole.
|
|
|
|
Her glossy hair was cluster'd o'er a brow
|
|
Bright with intelligence, and fair, and smooth;
|
|
Her eyebrow's shape was like th' aerial bow,
|
|
Her cheek all purple with the beam of youth,
|
|
Mounting at times to a transparent glow,
|
|
As if her veins ran lightning; she, in sooth,
|
|
Possess'd an air and grace by no means common:
|
|
Her stature tall- I hate a dumpy woman.
|
|
|
|
Wedded she was some years, and to a man
|
|
Of fifty, and such husbands are in plenty;
|
|
And yet, I think, instead of such a ONE
|
|
'T were better to have TWO of five-and-twenty,
|
|
Especially in countries near the sun:
|
|
And now I think on 't, 'mi vien in mente,'
|
|
Ladies even of the most uneasy virtue
|
|
Prefer a spouse whose age is short of thirty.
|
|
|
|
'T is a sad thing, I cannot choose but say,
|
|
And all the fault of that indecent sun,
|
|
Who cannot leave alone our helpless clay,
|
|
But will keep baking, broiling, burning on,
|
|
That howsoever people fast and pray,
|
|
The flesh is frail, and so the soul undone:
|
|
What men call gallantry, and gods adultery,
|
|
Is much more common where the climate 's sultry.
|
|
|
|
Happy the nations of the moral North!
|
|
Where all is virtue, and the winter season
|
|
Sends sin, without a rag on, shivering forth
|
|
('T was snow that brought St. Anthony to reason);
|
|
Where juries cast up what a wife is worth,
|
|
By laying whate'er sum in mulct they please on
|
|
The lover, who must pay a handsome price,
|
|
Because it is a marketable vice.
|
|
|
|
Alfonso was the name of Julia's lord,
|
|
A man well looking for his years, and who
|
|
Was neither much beloved nor yet abhorr'd:
|
|
They lived together, as most people do,
|
|
Suffering each other's foibles by accord,
|
|
And not exactly either one or two;
|
|
Yet he was jealous, though he did not show it,
|
|
For jealousy dislikes the world to know it.
|
|
|
|
Julia was- yet I never could see why-
|
|
With Donna Inez quite a favourite friend;
|
|
Between their tastes there was small sympathy,
|
|
For not a line had Julia ever penn'd:
|
|
Some people whisper but no doubt they lie,
|
|
For malice still imputes some private end)
|
|
That Inez had, ere Don Alfonso's marriage,
|
|
Forgot with him her very prudent carriage;
|
|
|
|
And that still keeping up the old connection,
|
|
Which time had lately render'd much more chaste,
|
|
She took his lady also in affection,
|
|
And certainly this course was much the best:
|
|
She flatter'd Julia with her sage protection,
|
|
And complimented Don Alfonso's taste;
|
|
And if she could not (who can?) silence scandal,
|
|
At least she left it a more slender handle.
|
|
|
|
I can't tell whether Julia saw the affair
|
|
With other people's eyes, or if her own
|
|
Discoveries made, but none could be aware
|
|
Of this, at least no symptom e'er was shown;
|
|
Perhaps she did not know, or did not care,
|
|
Indifferent from the first or callous grown:
|
|
I 'm really puzzled what to think or say,
|
|
She kept her counsel in so close a way.
|
|
|
|
Juan she saw, and, as a pretty child,
|
|
Caress'd him often- such a thing might be
|
|
Quite innocently done, and harmless styled,
|
|
When she had twenty years, and thirteen he;
|
|
But I am not so sure I should have smiled
|
|
When he was sixteen, Julia twenty-three;
|
|
These few short years make wondrous alterations,
|
|
Particularly amongst sun-burnt nations.
|
|
|
|
Whate'er the cause might be, they had become
|
|
Changed; for the dame grew distant, the youth shy,
|
|
Their looks cast down, their greetings almost dumb,
|
|
And much embarrassment in either eye;
|
|
There surely will be little doubt with some
|
|
That Donna Julia knew the reason why,
|
|
But as for Juan, he had no more notion
|
|
Than he who never saw the sea of ocean.
|
|
|
|
Yet Julia's very coldness still was kind,
|
|
And tremulously gentle her small hand
|
|
Withdrew itself from his, but left behind
|
|
A little pressure, thrilling, and so bland
|
|
And slight, so very slight, that to the mind
|
|
'T was but a doubt; but ne'er magician's wand
|
|
Wrought change with all Armida's fairy art
|
|
Like what this light touch left on Juan's heart.
|
|
|
|
And if she met him, though she smiled no more,
|
|
She look'd a sadness sweeter than her smile,
|
|
As if her heart had deeper thoughts in store
|
|
She must not own, but cherish'd more the while
|
|
For that compression in its burning core;
|
|
Even innocence itself has many a wile,
|
|
And will not dare to trust itself with truth,
|
|
And love is taught hypocrisy from youth.
|
|
|
|
But passion most dissembles, yet betrays
|
|
Even by its darkness; as the blackest sky
|
|
Foretells the heaviest tempest, it displays
|
|
Its workings through the vainly guarded eye,
|
|
And in whatever aspect it arrays
|
|
Itself, 't is still the same hypocrisy;
|
|
Coldness or anger, even disdain or hate,
|
|
Are masks it often wears, and still too late.
|
|
|
|
Then there were sighs, the deeper for suppression,
|
|
And stolen glances, sweeter for the theft,
|
|
And burning blushes, though for no transgression,
|
|
Tremblings when met, and restlessness when left;
|
|
All these are little preludes to possession,
|
|
Of which young passion cannot be bereft,
|
|
And merely tend to show how greatly love is
|
|
Embarrass'd at first starting with a novice.
|
|
|
|
Poor Julia's heart was in an awkward state;
|
|
She felt it going, and resolved to make
|
|
The noblest efforts for herself and mate,
|
|
For honour's, pride's, religion's, virtue's sake;
|
|
Her resolutions were most truly great,
|
|
And almost might have made a Tarquin quake:
|
|
She pray'd the Virgin Mary for her grace,
|
|
As being the best judge of a lady's case.
|
|
|
|
She vow'd she never would see Juan more,
|
|
And next day paid a visit to his mother,
|
|
And look'd extremely at the opening door,
|
|
Which, by the Virgin's grace, let in another;
|
|
Grateful she was, and yet a little sore-
|
|
Again it opens, it can be no other,
|
|
'T is surely Juan now- No! I 'm afraid
|
|
That night the Virgin was no further pray'd.
|
|
|
|
She now determined that a virtuous woman
|
|
Should rather face and overcome temptation,
|
|
That flight was base and dastardly, and no man
|
|
Should ever give her heart the least sensation;
|
|
That is to say, a thought beyond the common
|
|
Preference, that we must feel upon occasion
|
|
For people who are pleasanter than others,
|
|
But then they only seem so many brothers.
|
|
|
|
And even if by chance- and who can tell?
|
|
The devil 's so very sly- she should discover
|
|
That all within was not so very well,
|
|
And, if still free, that such or such a lover
|
|
Might please perhaps, a virtuous wife can quell
|
|
Such thoughts, and be the better when they 're over;
|
|
And if the man should ask, 't is but denial:
|
|
I recommend young ladies to make trial.
|
|
|
|
And then there are such things as love divine,
|
|
Bright and immaculate, unmix'd and pure,
|
|
Such as the angels think so very fine,
|
|
And matrons who would be no less secure,
|
|
Platonic, perfect, 'just such love as mine;'
|
|
Thus Julia said- and thought so, to be sure;
|
|
And so I 'd have her think, were I the man
|
|
On whom her reveries celestial ran.
|
|
|
|
Such love is innocent, and may exist
|
|
Between young persons without any danger.
|
|
A hand may first, and then a lip be kist;
|
|
For my part, to such doings I 'm a stranger,
|
|
But hear these freedoms form the utmost list
|
|
Of all o'er which such love may be a ranger:
|
|
If people go beyond, 't is quite a crime,
|
|
But not my fault- I tell them all in time.
|
|
|
|
Love, then, but love within its proper limits,
|
|
Was Julia's innocent determination
|
|
In young Don Juan's favour, and to him its
|
|
Exertion might be useful on occasion;
|
|
And, lighted at too pure a shrine to dim its
|
|
Ethereal lustre, with what sweet persuasion
|
|
He might be taught, by love and her together-
|
|
I really don't know what, nor Julia either.
|
|
|
|
Fraught with this fine intention, and well fenced
|
|
In mail of proof- her purity of soul-
|
|
She, for the future of her strength convinced.
|
|
And that her honour was a rock, or mole,
|
|
Exceeding sagely from that hour dispensed
|
|
With any kind of troublesome control;
|
|
But whether Julia to the task was equal
|
|
Is that which must be mention'd in the sequel.
|
|
|
|
Her plan she deem'd both innocent and feasible,
|
|
And, surely, with a stripling of sixteen
|
|
Not scandal's fangs could fix on much that 's seizable,
|
|
Or if they did so, satisfied to mean
|
|
Nothing but what was good, her breast was peaceable-
|
|
A quiet conscience makes one so serene!
|
|
Christians have burnt each other, quite persuaded
|
|
That all the Apostles would have done as they did.
|
|
|
|
And if in the mean time her husband died,
|
|
But Heaven forbid that such a thought should cross
|
|
Her brain, though in a dream! (and then she sigh'd)
|
|
Never could she survive that common loss;
|
|
But just suppose that moment should betide,
|
|
I only say suppose it- inter nos.
|
|
(This should be entre nous, for Julia thought
|
|
In French, but then the rhyme would go for naught.)
|
|
|
|
I only say suppose this supposition:
|
|
Juan being then grown up to man's estate
|
|
Would fully suit a widow of condition,
|
|
Even seven years hence it would not be too late;
|
|
And in the interim (to pursue this vision)
|
|
The mischief, after all, could not be great,
|
|
For he would learn the rudiments of love,
|
|
I mean the seraph way of those above.
|
|
|
|
So much for Julia. Now we 'll turn to Juan.
|
|
Poor little fellow! he had no idea
|
|
Of his own case, and never hit the true one;
|
|
In feelings quick as Ovid's Miss Medea,
|
|
He puzzled over what he found a new one,
|
|
But not as yet imagined it could be
|
|
Thing quite in course, and not at all alarming,
|
|
Which, with a little patience, might grow charming.
|
|
|
|
Silent and pensive, idle, restless, slow,
|
|
His home deserted for the lonely wood,
|
|
Tormented with a wound he could not know,
|
|
His, like all deep grief, plunged in solitude:
|
|
I 'm fond myself of solitude or so,
|
|
But then, I beg it may be understood,
|
|
By solitude I mean a sultan's, not
|
|
A hermit's, with a haram for a grot.
|
|
|
|
'Oh Love! in such a wilderness as this,
|
|
Where transport and security entwine,
|
|
Here is the empire of thy perfect bliss,
|
|
And here thou art a god indeed divine.'
|
|
The bard I quote from does not sing amiss,
|
|
With the exception of the second line,
|
|
For that same twining 'transport and security'
|
|
Are twisted to a phrase of some obscurity.
|
|
|
|
The poet meant, no doubt, and thus appeals
|
|
To the good sense and senses of mankind,
|
|
The very thing which every body feels,
|
|
As all have found on trial, or may find,
|
|
That no one likes to be disturb'd at meals
|
|
Or love.- I won't say more about 'entwined'
|
|
Or 'transport,' as we knew all that before,
|
|
But beg 'Security' will bolt the door.
|
|
|
|
Young Juan wander'd by the glassy brooks,
|
|
Thinking unutterable things; he threw
|
|
Himself at length within the leafy nooks
|
|
Where the wild branch of the cork forest grew;
|
|
There poets find materials for their books,
|
|
And every now and then we read them through,
|
|
So that their plan and prosody are eligible,
|
|
Unless, like Wordsworth, they prove unintelligible.
|
|
|
|
He, Juan (and not Wordsworth), so pursued
|
|
His self-communion with his own high soul,
|
|
Until his mighty heart, in its great mood,
|
|
Had mitigated part, though not the whole
|
|
Of its disease; he did the best he could
|
|
With things not very subject to control,
|
|
And turn'd, without perceiving his condition,
|
|
Like Coleridge, into a metaphysician.
|
|
|
|
He thought about himself, and the whole earth
|
|
Of man the wonderful, and of the stars,
|
|
And how the deuce they ever could have birth;
|
|
And then he thought of earthquakes, and of wars,
|
|
How many miles the moon might have in girth,
|
|
Of air-balloons, and of the many bars
|
|
To perfect knowledge of the boundless skies;-
|
|
And then he thought of Donna Julia's eyes.
|
|
|
|
In thoughts like these true wisdom may discern
|
|
Longings sublime, and aspirations high,
|
|
Which some are born with, but the most part learn
|
|
To plague themselves withal, they know not why:
|
|
'T was strange that one so young should thus concern
|
|
His brain about the action of the sky;
|
|
If you think 't was philosophy that this did,
|
|
I can't help thinking puberty assisted.
|
|
|
|
He pored upon the leaves, and on the flowers,
|
|
And heard a voice in all the winds; and then
|
|
He thought of wood-nymphs and immortal bowers,
|
|
And how the goddesses came down to men:
|
|
He miss'd the pathway, he forgot the hours,
|
|
And when he look'd upon his watch again,
|
|
He found how much old Time had been a winner-
|
|
He also found that he had lost his dinner.
|
|
|
|
Sometimes he turn'd to gaze upon his book,
|
|
Boscan, or Garcilasso;- by the wind
|
|
Even as the page is rustled while we look,
|
|
So by the poesy of his own mind
|
|
Over the mystic leaf his soul was shook,
|
|
As if 't were one whereon magicians bind
|
|
Their spells, and give them to the passing gale,
|
|
According to some good old woman's tale.
|
|
|
|
Thus would he while his lonely hours away
|
|
Dissatisfied, nor knowing what he wanted;
|
|
Nor glowing reverie, nor poet's lay,
|
|
Could yield his spirit that for which it panted,
|
|
A bosom whereon he his head might lay,
|
|
And hear the heart beat with the love it granted,
|
|
With- several other things, which I forget,
|
|
Or which, at least, I need not mention yet.
|
|
|
|
Those lonely walks, and lengthening reveries,
|
|
Could not escape the gentle Julia's eyes;
|
|
She saw that Juan was not at his ease;
|
|
But that which chiefly may, and must surprise,
|
|
Is, that the Donna Inez did not tease
|
|
Her only son with question or surmise:
|
|
Whether it was she did not see, or would not,
|
|
Or, like all very clever people, could not.
|
|
|
|
This may seem strange, but yet 't is very common;
|
|
For instance- gentlemen, whose ladies take
|
|
Leave to o'erstep the written rights of woman,
|
|
And break the- Which commandment is 't they break?
|
|
(I have forgot the number, and think no man
|
|
Should rashly quote, for fear of a mistake.)
|
|
I say, when these same gentlemen are jealous,
|
|
They make some blunder, which their ladies tell us.
|
|
|
|
A real husband always is suspicious,
|
|
But still no less suspects in the wrong place,
|
|
Jealous of some one who had no such wishes,
|
|
Or pandering blindly to his own disgrace,
|
|
By harbouring some dear friend extremely vicious;
|
|
The last indeed 's infallibly the case:
|
|
And when the spouse and friend are gone off wholly,
|
|
He wonders at their vice, and not his folly.
|
|
|
|
Thus parents also are at times short-sighted;
|
|
Though watchful as the lynx, they ne'er discover,
|
|
The while the wicked world beholds delighted,
|
|
Young Hopeful's mistress, or Miss Fanny's lover,
|
|
Till some confounded escapade has blighted
|
|
The plan of twenty years, and all is over;
|
|
And then the mother cries, the father swears,
|
|
And wonders why the devil he got heirs.
|
|
|
|
But Inez was so anxious, and so clear
|
|
Of sight, that I must think, on this occasion,
|
|
She had some other motive much more near
|
|
For leaving Juan to this new temptation;
|
|
But what that motive was, I sha'n't say here;
|
|
Perhaps to finish Juan's education,
|
|
Perhaps to open Don Alfonso's eyes,
|
|
In case he thought his wife too great a prize.
|
|
|
|
It was upon a day, a summer's day;-
|
|
Summer's indeed a very dangerous season,
|
|
And so is spring about the end of May;
|
|
The sun, no doubt, is the prevailing reason;
|
|
But whatsoe'er the cause is, one may say,
|
|
And stand convicted of more truth than treason,
|
|
That there are months which nature grows more merry in,-
|
|
March has its hares, and May must have its heroine.
|
|
|
|
'T was on a summer's day- the sixth of June:-
|
|
I like to be particular in dates,
|
|
Not only of the age, and year, but moon;
|
|
They are a sort of post-house, where the Fates
|
|
Change horses, making history change its tune,
|
|
Then spur away o'er empires and o'er states,
|
|
Leaving at last not much besides chronology,
|
|
Excepting the post-obits of theology.
|
|
|
|
'T was on the sixth of June, about the hour
|
|
Of half-past six- perhaps still nearer seven-
|
|
When Julia sate within as pretty a bower
|
|
As e'er held houri in that heathenish heaven
|
|
Described by Mahomet, and Anacreon Moore,
|
|
To whom the lyre and laurels have been given,
|
|
With all the trophies of triumphant song-
|
|
He won them well, and may he wear them long!
|
|
|
|
She sate, but not alone; I know not well
|
|
How this same interview had taken place,
|
|
And even if I knew, I should not tell-
|
|
People should hold their tongues in any case;
|
|
No matter how or why the thing befell,
|
|
But there were she and Juan, face to face-
|
|
When two such faces are so, 't would be wise,
|
|
But very difficult, to shut their eyes.
|
|
|
|
How beautiful she look'd! her conscious heart
|
|
Glow'd in her cheek, and yet she felt no wrong.
|
|
Oh Love! how perfect is thy mystic art,
|
|
Strengthening the weak, and trampling on the strong,
|
|
How self-deceitful is the sagest part
|
|
Of mortals whom thy lure hath led along-
|
|
The precipice she stood on was immense,
|
|
So was her creed in her own innocence.
|
|
|
|
She thought of her own strength, and Juan's youth,
|
|
And of the folly of all prudish fears,
|
|
Victorious virtue, and domestic truth,
|
|
And then of Don Alfonso's fifty years:
|
|
I wish these last had not occurr'd, in sooth,
|
|
Because that number rarely much endears,
|
|
And through all climes, the snowy and the sunny,
|
|
Sounds ill in love, whate'er it may in money.
|
|
|
|
When people say, 'I've told you fifty times,'
|
|
They mean to scold, and very often do;
|
|
When poets say, 'I've written fifty rhymes,'
|
|
They make you dread that they 'll recite them too;
|
|
In gangs of fifty, thieves commit their crimes;
|
|
At fifty love for love is rare, 't is true,
|
|
But then, no doubt, it equally as true is,
|
|
A good deal may be bought for fifty Louis.
|
|
|
|
Julia had honour, virtue, truth, and love,
|
|
For Don Alfonso; and she inly swore,
|
|
By all the vows below to powers above,
|
|
She never would disgrace the ring she wore,
|
|
Nor leave a wish which wisdom might reprove;
|
|
And while she ponder'd this, besides much more,
|
|
One hand on Juan's carelessly was thrown,
|
|
Quite by mistake- she thought it was her own;
|
|
|
|
Unconsciously she lean'd upon the other,
|
|
Which play'd within the tangles of her hair:
|
|
And to contend with thoughts she could not smother
|
|
She seem'd by the distraction of her air.
|
|
'T was surely very wrong in Juan's mother
|
|
To leave together this imprudent pair,
|
|
She who for many years had watch'd her son so-
|
|
I 'm very certain mine would not have done so.
|
|
|
|
The hand which still held Juan's, by degrees
|
|
Gently, but palpably confirm'd its grasp,
|
|
As if it said, 'Detain me, if you please;'
|
|
Yet there 's no doubt she only meant to clasp
|
|
His fingers with a pure Platonic squeeze:
|
|
She would have shrunk as from a toad, or asp,
|
|
Had she imagined such a thing could rouse
|
|
A feeling dangerous to a prudent spouse.
|
|
|
|
I cannot know what Juan thought of this,
|
|
But what he did, is much what you would do;
|
|
His young lip thank'd it with a grateful kiss,
|
|
And then, abash'd at its own joy, withdrew
|
|
In deep despair, lest he had done amiss,-
|
|
Love is so very timid when 't is new:
|
|
She blush'd, and frown'd not, but she strove to speak,
|
|
And held her tongue, her voice was grown so weak.
|
|
|
|
The sun set, and up rose the yellow moon:
|
|
The devil 's in the moon for mischief; they
|
|
Who call'd her CHASTE, methinks, began too soon
|
|
Their nomenclature; there is not a day,
|
|
The longest, not the twenty-first of June,
|
|
Sees half the business in a wicked way
|
|
On which three single hours of moonshine smile-
|
|
And then she looks so modest all the while.
|
|
|
|
There is a dangerous silence in that hour,
|
|
A stillness, which leaves room for the full soul
|
|
To open all itself, without the power
|
|
Of calling wholly back its self-control;
|
|
The silver light which, hallowing tree and tower,
|
|
Sheds beauty and deep softness o'er the whole,
|
|
Breathes also to the heart, and o'er it throws
|
|
A loving languor, which is not repose.
|
|
|
|
And Julia sate with Juan, half embraced
|
|
And half retiring from the glowing arm,
|
|
Which trembled like the bosom where 't was placed;
|
|
Yet still she must have thought there was no harm,
|
|
Or else 't were easy to withdraw her waist;
|
|
But then the situation had its charm,
|
|
And then- God knows what next- I can't go on;
|
|
I 'm almost sorry that I e'er begun.
|
|
|
|
Oh Plato! Plato! you have paved the way,
|
|
With your confounded fantasies, to more
|
|
Immoral conduct by the fancied sway
|
|
Your system feigns o'er the controulless core
|
|
Of human hearts, than all the long array
|
|
Of poets and romancers:- You 're a bore,
|
|
A charlatan, a coxcomb- and have been,
|
|
At best, no better than a go-between.
|
|
|
|
And Julia's voice was lost, except in sighs,
|
|
Until too late for useful conversation;
|
|
The tears were gushing from her gentle eyes,
|
|
I wish indeed they had not had occasion,
|
|
But who, alas! can love, and then be wise?
|
|
Not that remorse did not oppose temptation;
|
|
A little still she strove, and much repented
|
|
And whispering 'I will ne'er consent'- consented.
|
|
|
|
'T is said that Xerxes offer'd a reward
|
|
To those who could invent him a new pleasure:
|
|
Methinks the requisition 's rather hard,
|
|
And must have cost his majesty a treasure:
|
|
For my part, I 'm a moderate-minded bard,
|
|
Fond of a little love (which I call leisure);
|
|
I care not for new pleasures, as the old
|
|
Are quite enough for me, so they but hold.
|
|
|
|
Oh Pleasure! you are indeed a pleasant thing,
|
|
Although one must be damn'd for you, no doubt:
|
|
I make a resolution every spring
|
|
Of reformation, ere the year run out,
|
|
But somehow, this my vestal vow takes wing,
|
|
Yet still, I trust it may be kept throughout:
|
|
I 'm very sorry, very much ashamed,
|
|
And mean, next winter, to be quite reclaim'd.
|
|
|
|
Here my chaste Muse a liberty must take-
|
|
Start not! still chaster reader- she 'll be nice hence-
|
|
Forward, and there is no great cause to quake;
|
|
This liberty is a poetic licence,
|
|
Which some irregularity may make
|
|
In the design, and as I have a high sense
|
|
Of Aristotle and the Rules, 't is fit
|
|
To beg his pardon when I err a bit.
|
|
|
|
This licence is to hope the reader will
|
|
Suppose from June the sixth (the fatal day,
|
|
Without whose epoch my poetic skill
|
|
For want of facts would all be thrown away),
|
|
But keeping Julia and Don Juan still
|
|
In sight, that several months have pass'd; we 'll say
|
|
'T was in November, but I 'm not so sure
|
|
About the day- the era 's more obscure.
|
|
|
|
We 'll talk of that anon.- 'T is sweet to hear
|
|
At midnight on the blue and moonlit deep
|
|
The song and oar of Adria's gondolier,
|
|
By distance mellow'd, o'er the waters sweep;
|
|
'T is sweet to see the evening star appear;
|
|
'T is sweet to listen as the night-winds creep
|
|
From leaf to leaf; 't is sweet to view on high
|
|
The rainbow, based on ocean, span the sky.
|
|
|
|
'T is sweet to hear the watch-dog's honest bark
|
|
Bay deep-mouth'd welcome as we draw near home;
|
|
'T is sweet to know there is an eye will mark
|
|
Our coming, and look brighter when we come;
|
|
'T is sweet to be awaken'd by the lark,
|
|
Or lull'd by falling waters; sweet the hum
|
|
Of bees, the voice of girls, the song of birds,
|
|
The lisp of children, and their earliest words.
|
|
|
|
Sweet is the vintage, when the showering grapes
|
|
In Bacchanal profusion reel to earth,
|
|
Purple and gushing: sweet are our escapes
|
|
From civic revelry to rural mirth;
|
|
Sweet to the miser are his glittering heaps,
|
|
Sweet to the father is his first-born's birth,
|
|
Sweet is revenge- especially to women,
|
|
Pillage to soldiers, prize-money to seamen.
|
|
|
|
Sweet is a legacy, and passing sweet
|
|
The unexpected death of some old lady
|
|
Or gentleman of seventy years complete,
|
|
Who 've made 'us youth' wait too- too long already
|
|
For an estate, or cash, or country seat,
|
|
Still breaking, but with stamina so steady
|
|
That all the Israelites are fit to mob its
|
|
Next owner for their double-damn'd post-obits.
|
|
|
|
'T is sweet to win, no matter how, one's laurels,
|
|
By blood or ink; 't is sweet to put an end
|
|
To strife; 't is sometimes sweet to have our quarrels,
|
|
Particularly with a tiresome friend:
|
|
Sweet is old wine in bottles, ale in barrels;
|
|
Dear is the helpless creature we defend
|
|
Against the world; and dear the schoolboy spot
|
|
We ne'er forget, though there we are forgot.
|
|
|
|
But sweeter still than this, than these, than all,
|
|
Is first and passionate love- it stands alone,
|
|
Like Adam's recollection of his fall;
|
|
The tree of knowledge has been pluck'd- all 's known-
|
|
And life yields nothing further to recall
|
|
Worthy of this ambrosial sin, so shown,
|
|
No doubt in fable, as the unforgiven
|
|
Fire which Prometheus filch'd for us from heaven.
|
|
|
|
Man 's a strange animal, and makes strange use
|
|
Of his own nature, and the various arts,
|
|
And likes particularly to produce
|
|
Some new experiment to show his parts;
|
|
This is the age of oddities let loose,
|
|
Where different talents find their different marts;
|
|
You 'd best begin with truth, and when you 've lost your
|
|
Labour, there 's a sure market for imposture.
|
|
|
|
What opposite discoveries we have seen!
|
|
(Signs of true genius, and of empty pockets.)
|
|
One makes new noses, one a guillotine,
|
|
One breaks your bones, one sets them in their sockets;
|
|
But vaccination certainly has been
|
|
A kind antithesis to Congreve's rockets,
|
|
With which the Doctor paid off an old pox,
|
|
By borrowing a new one from an ox.
|
|
|
|
Bread has been made (indifferent) from potatoes;
|
|
And galvanism has set some corpses grinning,
|
|
But has not answer'd like the apparatus
|
|
Of the Humane Society's beginning
|
|
By which men are unsuffocated gratis:
|
|
What wondrous new machines have late been spinning!
|
|
I said the small-pox has gone out of late;
|
|
Perhaps it may be follow'd by the great.
|
|
|
|
'T is said the great came from America;
|
|
Perhaps it may set out on its return,-
|
|
The population there so spreads, they say
|
|
'T is grown high time to thin it in its turn,
|
|
With war, or plague, or famine, any way,
|
|
So that civilisation they may learn;
|
|
And which in ravage the more loathsome evil is-
|
|
Their real lues, or our pseudo-syphilis?
|
|
|
|
This is the patent-age of new inventions
|
|
For killing bodies, and for saving souls,
|
|
All propagated with the best intentions;
|
|
Sir Humphry Davy's lantern, by which coals
|
|
Are safely mined for in the mode he mentions,
|
|
Tombuctoo travels, voyages to the Poles,
|
|
Are ways to benefit mankind, as true,
|
|
Perhaps, as shooting them at Waterloo.
|
|
|
|
Man 's a phenomenon, one knows not what,
|
|
And wonderful beyond all wondrous measure;
|
|
'T is pity though, in this sublime world, that
|
|
Pleasure 's a sin, and sometimes sin 's a pleasure;
|
|
Few mortals know what end they would be at,
|
|
But whether glory, power, or love, or treasure,
|
|
The path is through perplexing ways, and when
|
|
The goal is gain'd, we die, you know- and then-
|
|
|
|
What then?- I do not know, no more do you-
|
|
And so good night.- Return we to our story:
|
|
'T was in November, when fine days are few,
|
|
And the far mountains wax a little hoary,
|
|
And clap a white cape on their mantles blue;
|
|
And the sea dashes round the promontory,
|
|
And the loud breaker boils against the rock,
|
|
And sober suns must set at five o'clock.
|
|
|
|
'T was, as the watchmen say, a cloudy night;
|
|
No moon, no stars, the wind was low or loud
|
|
By gusts, and many a sparkling hearth was bright
|
|
With the piled wood, round which the family crowd;
|
|
There 's something cheerful in that sort of light,
|
|
Even as a summer sky 's without a cloud:
|
|
I 'm fond of fire, and crickets, and all that,
|
|
A lobster salad, and champagne, and chat.
|
|
|
|
'T was midnight- Donna Julia was in bed,
|
|
Sleeping, most probably,- when at her door
|
|
Arose a clatter might awake the dead,
|
|
If they had never been awoke before,
|
|
And that they have been so we all have read,
|
|
And are to be so, at the least, once more;-
|
|
The door was fasten'd, but with voice and fist
|
|
First knocks were heard, then 'Madam- Madam- hist!
|
|
|
|
'For God's sake, Madam- Madam- here 's my master,
|
|
With more than half the city at his back-
|
|
Was ever heard of such a curst disaster!
|
|
'T is not my fault- I kept good watch- Alack!
|
|
Do pray undo the bolt a little faster-
|
|
They 're on the stair just now, and in a crack
|
|
Will all be here; perhaps he yet may fly-
|
|
Surely the window 's not so very high!'
|
|
|
|
By this time Don Alfonso was arrived,
|
|
With torches, friends, and servants in great number;
|
|
The major part of them had long been wived,
|
|
And therefore paused not to disturb the slumber
|
|
Of any wicked woman, who contrived
|
|
By stealth her husband's temples to encumber:
|
|
Examples of this kind are so contagious,
|
|
Were one not punish'd, all would be outrageous.
|
|
|
|
I can't tell how, or why, or what suspicion
|
|
Could enter into Don Alfonso's head;
|
|
But for a cavalier of his condition
|
|
It surely was exceedingly ill-bred,
|
|
Without a word of previous admonition,
|
|
To hold a levee round his lady's bed,
|
|
And summon lackeys, arm'd with fire and sword,
|
|
To prove himself the thing he most abhorr'd.
|
|
|
|
Poor Donna Julia, starting as from sleep
|
|
(Mind- that I do not say- she had not slept),
|
|
Began at once to scream, and yawn, and weep;
|
|
Her maid Antonia, who was an adept,
|
|
Contrived to fling the bed-clothes in a heap,
|
|
As if she had just now from out them crept:
|
|
I can't tell why she should take all this trouble
|
|
To prove her mistress had been sleeping double.
|
|
|
|
But Julia mistress, and Antonia maid,
|
|
Appear'd like two poor harmless women, who
|
|
Of goblins, but still more of men afraid,
|
|
Had thought one man might be deterr'd by two,
|
|
And therefore side by side were gently laid,
|
|
Until the hours of absence should run through,
|
|
And truant husband should return, and say,
|
|
'My dear, I was the first who came away.'
|
|
|
|
Now Julia found at length a voice, and cried,
|
|
'In heaven's name, Don Alfonso, what d' ye mean?
|
|
Has madness seized you? would that I had died
|
|
Ere such a monster's victim I had been!
|
|
What may this midnight violence betide,
|
|
A sudden fit of drunkenness or spleen?
|
|
Dare you suspect me, whom the thought would kill?
|
|
Search, then, the room!'- Alfonso said, 'I will.'
|
|
|
|
He search'd, they search'd, and rummaged everywhere,
|
|
Closet and clothes' press, chest and window-seat,
|
|
And found much linen, lace, and several pair
|
|
Of stockings, slippers, brushes, combs, complete,
|
|
With other articles of ladies fair,
|
|
To keep them beautiful, or leave them neat:
|
|
Arras they prick'd and curtains with their swords,
|
|
And wounded several shutters, and some boards.
|
|
|
|
Under the bed they search'd, and there they found-
|
|
No matter what- it was not that they sought;
|
|
They open'd windows, gazing if the ground
|
|
Had signs or footmarks, but the earth said nought;
|
|
And then they stared each other's faces round:
|
|
'T is odd, not one of all these seekers thought,
|
|
And seems to me almost a sort of blunder,
|
|
Of looking in the bed as well as under.
|
|
|
|
During this inquisition, Julia's tongue
|
|
Was not asleep- 'Yes, search and search,' she cried,
|
|
'Insult on insult heap, and wrong on wrong!
|
|
It was for this that I became a bride!
|
|
For this in silence I have suffer'd long
|
|
A husband like Alfonso at my side;
|
|
But now I 'll bear no more, nor here remain,
|
|
If there be law or lawyers in all Spain.
|
|
|
|
'Yes, Don Alfonso! husband now no more,
|
|
If ever you indeed deserved the name,
|
|
Is 't worthy of your years?- you have threescore-
|
|
Fifty, or sixty, it is all the same-
|
|
Is 't wise or fitting, causeless to explore
|
|
For facts against a virtuous woman's fame?
|
|
Ungrateful, perjured, barbarous Don Alfonso,
|
|
How dare you think your lady would go on so?
|
|
|
|
'Is it for this I have disdain'd to hold
|
|
The common privileges of my sex?
|
|
That I have chosen a confessor so old
|
|
And deaf, that any other it would vex,
|
|
And never once he has had cause to scold,
|
|
But found my very innocence perplex
|
|
So much, he always doubted I was married-
|
|
How sorry you will be when I 've miscarried!
|
|
|
|
'Was it for this that no Cortejo e'er
|
|
I yet have chosen from out the youth of Seville?
|
|
Is it for this I scarce went anywhere,
|
|
Except to bull-fights, mass, play, rout, and revel?
|
|
Is it for this, whate'er my suitors were,
|
|
I favor'd none- nay, was almost uncivil?
|
|
Is it for this that General Count O'Reilly,
|
|
Who took Algiers, declares I used him vilely?
|
|
|
|
'Did not the Italian Musico Cazzani
|
|
Sing at my heart six months at least in vain?
|
|
Did not his countryman, Count Corniani,
|
|
Call me the only virtuous wife in Spain?
|
|
Were there not also Russians, English, many?
|
|
The Count Strongstroganoff I put in pain,
|
|
And Lord Mount Coffeehouse, the Irish peer,
|
|
Who kill'd himself for love (with wine) last year.
|
|
|
|
'Have I not had two bishops at my feet,
|
|
The Duke of Ichar, and Don Fernan Nunez?
|
|
And is it thus a faithful wife you treat?
|
|
I wonder in what quarter now the moon is:
|
|
I praise your vast forbearance not to beat
|
|
Me also, since the time so opportune is-
|
|
Oh, valiant man! with sword drawn and cock'd trigger,
|
|
Now, tell me, don't you cut a pretty figure?
|
|
|
|
'Was it for this you took your sudden journey.
|
|
Under pretence of business indispensable
|
|
With that sublime of rascals your attorney,
|
|
Whom I see standing there, and looking sensible
|
|
Of having play'd the fool? though both I spurn, he
|
|
Deserves the worst, his conduct 's less defensible,
|
|
Because, no doubt, 't was for his dirty fee,
|
|
And not from any love to you nor me.
|
|
|
|
'If he comes here to take a deposition,
|
|
By all means let the gentleman proceed;
|
|
You 've made the apartment in a fit condition:
|
|
There 's pen and ink for you, sir, when you need-
|
|
Let every thing be noted with precision,
|
|
I would not you for nothing should be fee'd-
|
|
But, as my maid 's undrest, pray turn your spies out.'
|
|
'Oh!' sobb'd Antonia, 'I could tear their eyes out.'
|
|
|
|
'There is the closet, there the toilet, there
|
|
The antechamber- search them under, over;
|
|
There is the sofa, there the great arm-chair,
|
|
The chimney- which would really hold a lover.
|
|
I wish to sleep, and beg you will take care
|
|
And make no further noise, till you discover
|
|
The secret cavern of this lurking treasure-
|
|
And when 't is found, let me, too, have that pleasure.
|
|
|
|
'And now, Hidalgo! now that you have thrown
|
|
Doubt upon me, confusion over all,
|
|
Pray have the courtesy to make it known
|
|
Who is the man you search for? how d' ye cal
|
|
Him? what 's his lineage? let him but be shown-
|
|
I hope he 's young and handsome- is he tall?
|
|
Tell me- and be assured, that since you stain
|
|
My honour thus, it shall not be in vain.
|
|
|
|
'At least, perhaps, he has not sixty years,
|
|
At that age he would be too old for slaughter,
|
|
Or for so young a husband's jealous fears
|
|
(Antonia! let me have a glass of water).
|
|
I am ashamed of having shed these tears,
|
|
They are unworthy of my father's daughter;
|
|
My mother dream'd not in my natal hour
|
|
That I should fall into a monster's power.
|
|
|
|
'Perhaps 't is of Antonia you are jealous,
|
|
You saw that she was sleeping by my side
|
|
When you broke in upon us with your fellows:
|
|
Look where you please- we 've nothing, sir, to hide;
|
|
Only another time, I trust, you 'll tell us,
|
|
Or for the sake of decency abide
|
|
A moment at the door, that we may be
|
|
Drest to receive so much good company.
|
|
|
|
'And now, sir, I have done, and say no more;
|
|
The little I have said may serve to show
|
|
The guileless heart in silence may grieve o'er
|
|
The wrongs to whose exposure it is slow:
|
|
I leave you to your conscience as before,
|
|
'T will one day ask you why you used me so?
|
|
God grant you feel not then the bitterest grief!-
|
|
Antonia! where 's my pocket-handkerchief?'
|
|
|
|
She ceased, and turn'd upon her pillow; pale
|
|
She lay, her dark eyes flashing through their tears,
|
|
Like skies that rain and lighten; as a veil,
|
|
Waved and o'ershading her wan cheek, appears
|
|
Her streaming hair; the black curls strive, but fail,
|
|
To hide the glossy shoulder, which uprears
|
|
Its snow through all;- her soft lips lie apart,
|
|
And louder than her breathing beats her heart.
|
|
|
|
The Senhor Don Alfonso stood confused;
|
|
Antonia bustled round the ransack'd room,
|
|
And, turning up her nose, with looks abused
|
|
Her master and his myrmidons, of whom
|
|
Not one, except the attorney, was amused;
|
|
He, like Achates, faithful to the tomb,
|
|
So there were quarrels, cared not for the cause,
|
|
Knowing they must be settled by the laws.
|
|
|
|
With prying snub-nose, and small eyes, he stood,
|
|
Following Antonia's motions here and there,
|
|
With much suspicion in his attitude;
|
|
For reputations he had little care;
|
|
So that a suit or action were made good,
|
|
Small pity had he for the young and fair,
|
|
And ne'er believed in negatives, till these
|
|
Were proved by competent false witnesses.
|
|
|
|
But Don Alfonso stood with downcast looks,
|
|
And, truth to say, he made a foolish figure;
|
|
When, after searching in five hundred nooks,
|
|
And treating a young wife with so much rigour,
|
|
He gain'd no point, except some self-rebukes,
|
|
Added to those his lady with such vigour
|
|
Had pour'd upon him for the last half-hour,
|
|
Quick, thick, and heavy- as a thunder-shower.
|
|
|
|
At first he tried to hammer an excuse,
|
|
To which the sole reply was tears and sobs,
|
|
And indications of hysterics, whose
|
|
Prologue is always certain throes, and throbs,
|
|
Gasps, and whatever else the owners choose:
|
|
Alfonso saw his wife, and thought of Job's;
|
|
He saw too, in perspective, her relations,
|
|
And then he tried to muster all his patience.
|
|
|
|
He stood in act to speak, or rather stammer,
|
|
But sage Antonia cut him short before
|
|
The anvil of his speech received the hammer,
|
|
With 'Pray, sir, leave the room, and say no more,
|
|
Or madam dies.'- Alfonso mutter'd, 'D- n her,'
|
|
But nothing else, the time of words was o'er;
|
|
He cast a rueful look or two, and did,
|
|
He knew not wherefore, that which he was bid.
|
|
|
|
With him retired his 'posse comitatus,'
|
|
The attorney last, who linger'd near the door
|
|
Reluctantly, still tarrying there as late as
|
|
Antonia let him- not a little sore
|
|
At this most strange and unexplain'd 'hiatus'
|
|
In Don Alfonso's facts, which just now wore
|
|
An awkward look; as he revolved the case,
|
|
The door was fasten'd in his legal face.
|
|
|
|
No sooner was it bolted, than- Oh shame!
|
|
Oh sin! Oh sorrow! and oh womankind!
|
|
How can you do such things and keep your fame,
|
|
Unless this world, and t' other too, be blind?
|
|
Nothing so dear as an unfilch'd good name!
|
|
But to proceed- for there is more behind:
|
|
With much heartfelt reluctance be it said,
|
|
Young Juan slipp'd half-smother'd, from the bed.
|
|
|
|
He had been hid- I don't pretend to say
|
|
How, nor can I indeed describe the where-
|
|
Young, slender, and pack'd easily, he lay,
|
|
No doubt, in little compass, round or square;
|
|
But pity him I neither must nor may
|
|
His suffocation by that pretty pair;
|
|
'T were better, sure, to die so, than be shut
|
|
With maudlin Clarence in his Malmsey butt.
|
|
|
|
And, secondly, I pity not, because
|
|
He had no business to commit a sin,
|
|
Forbid by heavenly, fined by human laws,
|
|
At least 't was rather early to begin;
|
|
But at sixteen the conscience rarely gnaws
|
|
So much as when we call our old debts in
|
|
At sixty years, and draw the accompts of evil,
|
|
And find a deuced balance with the devil.
|
|
|
|
Of his position I can give no notion:
|
|
'T is written in the Hebrew Chronicle,
|
|
How the physicians, leaving pill and potion,
|
|
Prescribed, by way of blister, a young belle,
|
|
When old King David's blood grew dull in motion,
|
|
And that the medicine answer'd very well;
|
|
Perhaps 't was in a different way applied,
|
|
For David lived, but Juan nearly died.
|
|
|
|
What 's to be done? Alfonso will be back
|
|
The moment he has sent his fools away.
|
|
Antonia's skill was put upon the rack,
|
|
But no device could be brought into play-
|
|
And how to parry the renew'd attack?
|
|
Besides, it wanted but few hours of day:
|
|
Antonia puzzled; Julia did not speak,
|
|
But press'd her bloodless lip to Juan's cheek.
|
|
|
|
He turn'd his lip to hers, and with his hand
|
|
Call'd back the tangles of her wandering hair;
|
|
Even then their love they could not all command,
|
|
And half forgot their danger and despair:
|
|
Antonia's patience now was at a stand-
|
|
'Come, come, 't is no time now for fooling there,'
|
|
She whisper'd, in great wrath- 'I must deposit
|
|
This pretty gentleman within the closet:
|
|
|
|
'Pray, keep your nonsense for some luckier night-
|
|
Who can have put my master in this mood?
|
|
What will become on 't- I 'm in such a fright,
|
|
The devil 's in the urchin, and no good-
|
|
Is this a time for giggling? this a plight?
|
|
Why, don't you know that it may end in blood?
|
|
You 'll lose your life, and I shall lose my place,
|
|
My mistress all, for that half-girlish face.
|
|
|
|
'Had it but been for a stout cavalier
|
|
Of twenty-five or thirty (come, make haste)-
|
|
But for a child, what piece of work is here!
|
|
I really, madam, wonder at your taste
|
|
(Come, sir, get in)- my master must be near:
|
|
There, for the present, at the least, he's fast,
|
|
And if we can but till the morning keep
|
|
Our counsel- (Juan, mind, you must not sleep).'
|
|
|
|
Now, Don Alfonso entering, but alone,
|
|
Closed the oration of the trusty maid:
|
|
She loiter'd, and he told her to be gone,
|
|
An order somewhat sullenly obey'd;
|
|
However, present remedy was none,
|
|
And no great good seem'd answer'd if she stay'd:
|
|
Regarding both with slow and sidelong view,
|
|
She snuff'd the candle, curtsied, and withdrew.
|
|
|
|
Alfonso paused a minute- then begun
|
|
Some strange excuses for his late proceeding;
|
|
He would not justify what he had done,
|
|
To say the best, it was extreme ill-breeding;
|
|
But there were ample reasons for it, none
|
|
Of which he specified in this his pleading:
|
|
His speech was a fine sample, on the whole,
|
|
Of rhetoric, which the learn'd call 'rigmarole.'
|
|
|
|
Julia said nought; though all the while there rose
|
|
A ready answer, which at once enables
|
|
A matron, who her husband's foible knows,
|
|
By a few timely words to turn the tables,
|
|
Which, if it does not silence, still must pose,-
|
|
Even if it should comprise a pack of fables;
|
|
'T is to retort with firmness, and when he
|
|
Suspects with one, do you reproach with three.
|
|
|
|
Julia, in fact, had tolerable grounds,-
|
|
Alfonso's loves with Inez were well known,
|
|
But whether 't was that one's own guilt confounds-
|
|
But that can't be, as has been often shown,
|
|
A lady with apologies abounds;-
|
|
It might be that her silence sprang alone
|
|
From delicacy to Don Juan's ear,
|
|
To whom she knew his mother's fame was dear.
|
|
|
|
There might be one more motive, which makes two;
|
|
Alfonso ne'er to Juan had alluded,-
|
|
Mention'd his jealousy but never who
|
|
Had been the happy lover, he concluded,
|
|
Conceal'd amongst his premises; 't is true,
|
|
His mind the more o'er this its mystery brooded;
|
|
To speak of Inez now were, one may say,
|
|
Like throwing Juan in Alfonso's way.
|
|
|
|
A hint, in tender cases, is enough;
|
|
Silence is best, besides there is a tact
|
|
(That modern phrase appears to me sad stuff,
|
|
But it will serve to keep my verse compact)-
|
|
Which keeps, when push'd by questions rather rough,
|
|
A lady always distant from the fact:
|
|
The charming creatures lie with such a grace,
|
|
There 's nothing so becoming to the face.
|
|
|
|
They blush, and we believe them; at least I
|
|
Have always done so; 't is of no great use,
|
|
In any case, attempting a reply,
|
|
For then their eloquence grows quite profuse;
|
|
And when at length they 're out of breath, they sigh,
|
|
And cast their languid eyes down, and let loose
|
|
A tear or two, and then we make it up;
|
|
And then- and then- and then- sit down and sup.
|
|
|
|
Alfonso closed his speech, and begg'd her pardon,
|
|
Which Julia half withheld, and then half granted,
|
|
And laid conditions he thought very hard on,
|
|
Denying several little things he wanted:
|
|
He stood like Adam lingering near his garden,
|
|
With useless penitence perplex'd and haunted,
|
|
Beseeching she no further would refuse,
|
|
When, lo! he stumbled o'er a pair of shoes.
|
|
|
|
A pair of shoes!- what then? not much, if they
|
|
Are such as fit with ladies' feet, but these
|
|
(No one can tell how much I grieve to say)
|
|
Were masculine; to see them, and to seize,
|
|
Was but a moment's act.- Ah! well-a-day!
|
|
My teeth begin to chatter, my veins freeze-
|
|
Alfonso first examined well their fashion,
|
|
And then flew out into another passion.
|
|
|
|
He left the room for his relinquish'd sword,
|
|
And Julia instant to the closet flew.
|
|
'Fly, Juan, fly! for heaven's sake- not a word-
|
|
The door is open- you may yet slip through
|
|
The passage you so often have explored-
|
|
Here is the garden-key- Fly- fly- Adieu!
|
|
Haste- haste! I hear Alfonso's hurrying feet-
|
|
Day has not broke- there 's no one in the street:
|
|
|
|
None can say that this was not good advice,
|
|
The only mischief was, it came too late;
|
|
Of all experience 't is the usual price,
|
|
A sort of income-tax laid on by fate:
|
|
Juan had reach'd the room-door in a. trice,
|
|
And might have done so by the garden-gate,
|
|
But met Alfonso in his dressing-gown,
|
|
Who threaten'd death- so Juan knock'd him down.
|
|
|
|
Dire was the scuffle, and out went the light;
|
|
Antonia cried out 'Rape!' and Julia 'Fire!'
|
|
But not a servant stirr'd to aid the fight.
|
|
Alfonso, pommell'd to his heart's desire,
|
|
Swore lustily he'd be revenged this night;
|
|
And Juan, too, blasphemed an octave higher;
|
|
His blood was up: though young, he was a Tartar,
|
|
And not at all disposed to prove a martyr.
|
|
|
|
Alfonso's sword had dropp'd ere he could draw it,
|
|
And they continued battling hand to hand,
|
|
For Juan very luckily ne'er saw it;
|
|
His temper not being under great command,
|
|
If at that moment he had chanced to claw it,
|
|
Alfonso's days had not been in the land
|
|
Much longer.- Think of husbands', lovers' lives!
|
|
And how ye may be doubly widows- wives!
|
|
|
|
Alfonso grappled to detain the foe,
|
|
And Juan throttled him to get away,
|
|
And blood ('t was from the nose) began to flow;
|
|
At last, as they more faintly wrestling lay,
|
|
Juan contrived to give an awkward blow,
|
|
And then his only garment quite gave way;
|
|
He fled, like Joseph, leaving it; but there,
|
|
I doubt, all likeness ends between the pair.
|
|
|
|
Lights came at length, and men, and maids, who found
|
|
An awkward spectacle their eyes before;
|
|
Antonia in hysterics, Julia swoon'd,
|
|
Alfonso leaning, breathless, by the door;
|
|
Some half-torn drapery scatter'd on the ground,
|
|
Some blood, and several footsteps, but no more:
|
|
Juan the gate gain'd, turn'd the key about,
|
|
And liking not the inside, lock'd the out.
|
|
|
|
Here ends this canto.- Need I sing, or say,
|
|
How Juan naked, favour'd by the night,
|
|
Who favours what she should not, found his way,
|
|
And reach'd his home in an unseemly plight?
|
|
The pleasant scandal which arose next day,
|
|
The nine days' wonder which was brought to light,
|
|
And how Alfonso sued for a divorce,
|
|
Were in the English newspapers, of course.
|
|
|
|
If you would like to see the whole proceedings,
|
|
The depositions, and the cause at full,
|
|
The names of all the witnesses, the pleadings
|
|
Of counsel to nonsuit, or to annul,
|
|
There 's more than one edition, and the readings
|
|
Are various, but they none of them are dull;
|
|
The best is that in short-hand ta'en by Gurney,
|
|
Who to Madrid on purpose made a journey.
|
|
|
|
But Donna Inez, to divert the train
|
|
Of one of the most circulating scandals
|
|
That had for centuries been known in Spain,
|
|
At least since the retirement of the Vandals,
|
|
First vow'd (and never had she vow'd in vain)
|
|
To Virgin Mary several pounds of candles;
|
|
And then, by the advice of some old ladies,
|
|
She sent her son to be shipp'd off from Cadiz.
|
|
|
|
She had resolved that he should travel through
|
|
All European climes, by land or sea,
|
|
To mend his former morals, and get new,
|
|
Especially in France and Italy
|
|
(At least this is the thing most people do).
|
|
Julia was sent into a convent: she
|
|
Grieved, but, perhaps, her feelings may be better
|
|
Shown in the following copy of her Letter:-
|
|
|
|
'They tell me 't is decided; you depart:
|
|
'T is wise- 't is well, but not the less a pain;
|
|
I have no further claim on your young heart,
|
|
Mine is the victim, and would be again;
|
|
To love too much has been the only art
|
|
I used;- I write in haste, and if a stain
|
|
Be on this sheet, 't is not what it appears;
|
|
My eyeballs burn and throb, but have no tears.
|
|
|
|
'I loved, I love you, for this love have lost
|
|
State, station, heaven, mankind's, my own esteem,
|
|
And yet can not regret what it hath cost,
|
|
So dear is still the memory of that dream;
|
|
Yet, if I name my guilt, 't is not to boast,
|
|
None can deem harshlier of me than I deem:
|
|
I trace this scrawl because I cannot rest-
|
|
I 've nothing to reproach, or to request.
|
|
|
|
'Man's love is of man's life a thing apart,
|
|
'T is woman's whole existence; man may range
|
|
The court, camp, church, the vessel, and the mart;
|
|
Sword, gown, gain, glory, offer in exchange
|
|
Pride, fame, ambition, to fill up his heart,
|
|
And few there are whom these cannot estrange;
|
|
Men have all these resources, we but one,
|
|
To love again, and be again undone.
|
|
|
|
'You will proceed in pleasure, and in pride,
|
|
Beloved and loving many; all is o'er
|
|
For me on earth, except some years to hide
|
|
My shame and sorrow deep in my heart's core;
|
|
These I could bear, but cannot cast aside
|
|
The passion which still rages as before-
|
|
And so farewell- forgive me, love me- No,
|
|
That word is idle now- but let it go.
|
|
|
|
'My breast has been all weakness, is so yet;
|
|
But still I think I can collect my mind;
|
|
My blood still rushes where my spirit 's set,
|
|
As roll the waves before the settled wind;
|
|
My heart is feminine, nor can forget-
|
|
To all, except one image, madly blind;
|
|
So shakes the needle, and so stands the pole,
|
|
As vibrates my fond heart to my fix'd soul.
|
|
|
|
'I have no more to say, but linger still,
|
|
And dare not set my seal upon this sheet,
|
|
And yet I may as well the task fulfil,
|
|
My misery can scarce be more complete:
|
|
I had not lived till now, could sorrow kill;
|
|
Death shuns the wretch who fain the blow would meet,
|
|
And I must even survive this last adieu,
|
|
And bear with life, to love and pray for you!'
|
|
|
|
This note was written upon gilt-edged paper
|
|
With a neat little crow-quill, slight and new:
|
|
Her small white hand could hardly reach the taper,
|
|
It trembled as magnetic needles do,
|
|
And yet she did not let one tear escape her;
|
|
The seal a sun-flower; 'Elle vous suit partout,'
|
|
The motto cut upon a white cornelian;
|
|
The wax was superfine, its hue vermilion.
|
|
|
|
This was Don Juan's earliest scrape; but whether
|
|
I shall proceed with his adventures is
|
|
Dependent on the public altogether;
|
|
We 'll see, however, what they say to this:
|
|
Their favour in an author's cap 's a feather,
|
|
And no great mischief 's done by their caprice;
|
|
And if their approbation we experience,
|
|
Perhaps they 'll have some more about a year hence.
|
|
|
|
My poem 's epic, and is meant to be
|
|
Divided in twelve books; each book containing,
|
|
With love, and war, a heavy gale at sea,
|
|
A list of ships, and captains, and kings reigning,
|
|
New characters; the episodes are three:
|
|
A panoramic view of hell 's in training,
|
|
After the style of Virgil and of Homer,
|
|
So that my name of Epic 's no misnomer.
|
|
|
|
All these things will be specified in time,
|
|
With strict regard to Aristotle's rules,
|
|
The Vade Mecum of the true sublime,
|
|
Which makes so many poets, and some fools:
|
|
Prose poets like blank-verse, I 'm fond of rhyme,
|
|
Good workmen never quarrel with their tools;
|
|
I 've got new mythological machinery,
|
|
And very handsome supernatural scenery.
|
|
|
|
There 's only one slight difference between
|
|
Me and my epic brethren gone before,
|
|
And here the advantage is my own, I ween
|
|
(Not that I have not several merits more,
|
|
But this will more peculiarly be seen);
|
|
They so embellish, that 't is quite a bore
|
|
Their labyrinth of fables to thread through,
|
|
Whereas this story 's actually true.
|
|
|
|
If any person doubt it, I appeal
|
|
To history, tradition, and to facts,
|
|
To newspapers, whose truth all know and feel,
|
|
To plays in five, and operas in three acts;
|
|
All these confirm my statement a good deal,
|
|
But that which more completely faith exacts
|
|
Is that myself, and several now in Seville,
|
|
Saw Juan's last elopement with the devil.
|
|
|
|
If ever I should condescend to prose,
|
|
I 'll write poetical commandments, which
|
|
Shall supersede beyond all doubt all those
|
|
That went before; in these I shall enrich
|
|
My text with many things that no one knows,
|
|
And carry precept to the highest pitch:
|
|
I 'll call the work 'Longinus o'er a Bottle,
|
|
Or, Every Poet his own Aristotle.'
|
|
|
|
Thou shalt believe in Milton, Dryden, Pope;
|
|
Thou shalt not set up Wordsworth, Coleridge, Southey;
|
|
Because the first is crazed beyond all hope,
|
|
The second drunk, the third so quaint and mouthy:
|
|
With Crabbe it may be difficult to cope,
|
|
And Campbell's Hippocrene is somewhat drouthy:
|
|
Thou shalt not steal from Samuel Rogers, nor
|
|
Commit- flirtation with the muse of Moore.
|
|
|
|
Thou shalt not covet Mr. Sotheby's Muse,
|
|
His Pegasus, nor anything that 's his;
|
|
Thou shalt not bear false witness like 'the Blues'
|
|
(There 's one, at least, is very fond of this);
|
|
Thou shalt not write, in short, but what I choose:
|
|
This is true criticism, and you may kiss-
|
|
Exactly as you please, or not,- the rod;
|
|
|
|
If any person should presume to assert
|
|
This story is not moral, first, I pray,
|
|
That they will not cry out before they 're hurt,
|
|
Then that they 'll read it o'er again, and say
|
|
(But, doubtless, nobody will be so pert)
|
|
That this is not a moral tale, though gay;
|
|
Besides, in Canto Twelfth, I mean to show
|
|
The very place where wicked people go.
|
|
|
|
If, after all, there should be some so blind
|
|
To their own good this warning to despise,
|
|
Led by some tortuosity of mind,
|
|
Not to believe my verse and their own eyes,
|
|
And cry that they 'the moral cannot find,'
|
|
I tell him, if a clergyman, he lies;
|
|
Should captains the remark, or critics, make,
|
|
They also lie too- under a mistake.
|
|
|
|
The public approbation I expect,
|
|
And beg they 'll take my word about the moral,
|
|
Which I with their amusement will connect
|
|
(So children cutting teeth receive a coral);
|
|
Meantime, they 'll doubtless please to recollect
|
|
My epical pretensions to the laurel:
|
|
For fear some prudish readers should grow skittish,
|
|
I 've bribed my grandmother's review- the British.
|
|
|
|
I sent it in a letter to the Editor,
|
|
Who thank'd me duly by return of post-
|
|
I 'm for a handsome article his creditor;
|
|
Yet, if my gentle Muse he please to roast,
|
|
And break a promise after having made it her,
|
|
Denying the receipt of what it cost,
|
|
And smear his page with gall instead of honey,
|
|
All I can say is- that he had the money.
|
|
|
|
I think that with this holy new alliance
|
|
I may ensure the public, and defy
|
|
All other magazines of art or science,
|
|
Daily, or monthly, or three monthly; I
|
|
Have not essay'd to multiply their clients,
|
|
Because they tell me 't were in vain to try,
|
|
And that the Edinburgh Review and Quarterly
|
|
Treat a dissenting author very martyrly.
|
|
|
|
'Non ego hoc ferrem calida juventa
|
|
Consule Planco,' Horace said, and so
|
|
Say I; by which quotation there is meant a
|
|
Hint that some six or seven good years ago
|
|
(Long ere I dreamt of dating from the Brenta)
|
|
I was most ready to return a blow,
|
|
And would not brook at all this sort of thing
|
|
In my hot youth- when George the Third was King.
|
|
|
|
But now at thirty years my hair is grey
|
|
(I wonder what it will be like at forty?
|
|
I thought of a peruke the other day)-
|
|
My heart is not much greener; and, in short, I
|
|
Have squander'd my whole summer while 't was May,
|
|
And feel no more the spirit to retort; I
|
|
Have spent my life, both interest and principal,
|
|
And deem not, what I deem'd, my soul invincible.
|
|
|
|
No more- no more- Oh! never more on me
|
|
The freshness of the heart can fall like dew,
|
|
Which out of all the lovely things we see
|
|
Extracts emotions beautiful and new,
|
|
Hived in our bosoms like the bag o' the bee:
|
|
Think'st thou the honey with those objects grew?
|
|
Alas! 't was not in them, but in thy power
|
|
To double even the sweetness of a flower.
|
|
|
|
No more- no more- Oh! never more, my heart,
|
|
Canst thou be my sole world, my universe!
|
|
Once all in all, but now a thing apart,
|
|
Thou canst not be my blessing or my curse:
|
|
The illusion 's gone for ever, and thou art
|
|
Insensible, I trust, but none the worse,
|
|
And in thy stead I 've got a deal of judgment,
|
|
Though heaven knows how it ever found a lodgment.
|
|
|
|
My days of love are over; me no more
|
|
The charms of maid, wife, and still less of widow,
|
|
Can make the fool of which they made before,-
|
|
In short, I must not lead the life I did do;
|
|
The credulous hope of mutual minds is o'er,
|
|
The copious use of claret is forbid too,
|
|
So for a good old-gentlemanly vice,
|
|
I think I must take up with avarice.
|
|
|
|
Ambition was my idol, which was broken
|
|
Before the shrines of Sorrow, and of Pleasure;
|
|
And the two last have left me many a token
|
|
O'er which reflection may be made at leisure:
|
|
Now, like Friar Bacon's brazen head, I 've spoken,
|
|
'Time is, Time was, Time 's past:'- a chymic treasure
|
|
Is glittering youth, which I have spent betimes-
|
|
My heart in passion, and my head on rhymes.
|
|
|
|
What is the end of Fame? 't is but to fill
|
|
A certain portion of uncertain paper:
|
|
Some liken it to climbing up a hill,
|
|
Whose summit, like all hills, is lost in vapour;
|
|
For this men write, speak, preach, and heroes kill,
|
|
And bards burn what they call their 'midnight taper,'
|
|
To have, when the original is dust,
|
|
A name, a wretched picture, and worse bust.
|
|
|
|
What are the hopes of man? Old Egypt's King
|
|
Cheops erected the first pyramid
|
|
And largest, thinking it was just the thing
|
|
To keep his memory whole, and mummy hid;
|
|
But somebody or other rummaging,
|
|
Burglariously broke his coffin's lid:
|
|
Let not a monument give you or me hopes,
|
|
Since not a pinch of dust remains of Cheops.
|
|
|
|
But I being fond of true philosophy,
|
|
Say very often to myself, 'Alas!
|
|
All things that have been born were born to die,
|
|
And flesh (which Death mows down to hay) is grass;
|
|
You 've pass'd your youth not so unpleasantly,
|
|
And if you had it o'er again- 't would pass-
|
|
So thank your stars that matters are no worse,
|
|
And read your Bible, sir, and mind your purse.'
|
|
|
|
But for the present, gentle reader! and
|
|
Still gentler purchaser! the bard- that 's I-
|
|
Must, with permission, shake you by the hand,
|
|
And so 'Your humble servant, and good-b'ye!'
|
|
We meet again, if we should understand
|
|
Each other; and if not, I shall not try
|
|
Your patience further than by this short sample-
|
|
'T were well if others follow'd my example.
|
|
|
|
'Go, little book, from this my solitude!
|
|
I cast thee on the waters- go thy ways!
|
|
And if, as I believe, thy vein be good,
|
|
The world will find thee after many days.'
|
|
When Southey 's read, and Wordsworth understood,
|
|
I can't help putting in my claim to praise-
|
|
The four first rhymes are Southey's every line:
|
|
For God's sake, reader! take them not for mine.
|
|
CANTO THE SECOND.
|
|
|
|
OH ye! who teach the ingenuous youth of nations,
|
|
Holland, France, England, Germany, or Spain,
|
|
I pray ye flog them upon all occasions,
|
|
It mends their morals, never mind the pain:
|
|
The best of mothers and of educations
|
|
In Juan's case were but employ'd in vain,
|
|
Since, in a way that 's rather of the oddest, he
|
|
Became divested of his native modesty.
|
|
|
|
Had he but been placed at a public school,
|
|
In the third form, or even in the fourth,
|
|
His daily task had kept his fancy cool,
|
|
At least, had he been nurtured in the north;
|
|
Spain may prove an exception to the rule,
|
|
But then exceptions always prove its worth-
|
|
A lad of sixteen causing a divorce
|
|
Puzzled his tutors very much, of course.
|
|
|
|
I can't say that it puzzles me at all,
|
|
If all things be consider'd: first, there was
|
|
His lady-mother, mathematical,
|
|
A- never mind; his tutor, an old ass;
|
|
A pretty woman (that 's quite natural,
|
|
Or else the thing had hardly come to pass);
|
|
A husband rather old, not much in unity
|
|
With his young wife- a time, and opportunity.
|
|
|
|
Well- well, the world must turn upon its axis,
|
|
And all mankind turn with it, heads or tails,
|
|
And live and die, make love and pay our taxes,
|
|
And as the veering wind shifts, shift our sails;
|
|
The king commands us, and the doctor quacks us,
|
|
The priest instructs, and so our life exhales,
|
|
A little breath, love, wine, ambition, fame,
|
|
Fighting, devotion, dust,- perhaps a name.
|
|
|
|
I said that Juan had been sent to Cadiz-
|
|
A pretty town, I recollect it well-
|
|
'T is there the mart of the colonial trade is
|
|
(Or was, before Peru learn'd to rebel),
|
|
And such sweet girls- I mean, such graceful ladies,
|
|
Their very walk would make your bosom swell;
|
|
I can't describe it, though so much it strike,
|
|
Nor liken it- I never saw the like:
|
|
|
|
An Arab horse, a stately stag, a barb
|
|
New broke, a cameleopard, a gazelle,
|
|
No- none of these will do;- and then their garb!
|
|
Their veil and petticoat- Alas! to dwell
|
|
Upon such things would very near absorb
|
|
A canto- then their feet and ankles,- well,
|
|
Thank Heaven I 've got no metaphor quite ready
|
|
(And so, my sober Muse- come, let 's be steady-
|
|
|
|
Chaste Muse!- well, if you must, you must)- the veil
|
|
Thrown back a moment with the glancing hand,
|
|
While the o'erpowering eye, that turns you pale,
|
|
Flashes into the heart:- All sunny land
|
|
Of love! when I forget you, may I fail
|
|
To- say my prayers- but never was there plann'd
|
|
A dress through which the eyes give such a volley,
|
|
Excepting the Venetian Fazzioli.
|
|
|
|
But to our tale: the Donna Inez sent
|
|
Her son to Cadiz only to embark;
|
|
To stay there had not answer'd her intent,
|
|
But why?- we leave the reader in the dark-
|
|
'T was for a voyage that the young man was meant,
|
|
As if a Spanish ship were Noah's ark,
|
|
To wean him from the wickedness of earth,
|
|
And send him like a dove of promise forth.
|
|
|
|
Don Juan bade his valet pack his things
|
|
According to direction, then received
|
|
A lecture and some money: for four springs
|
|
He was to travel; and though Inez grieved
|
|
(As every kind of parting has its stings),
|
|
She hoped he would improve- perhaps believed:
|
|
A letter, too, she gave (he never read it)
|
|
Of good advice- and two or three of credit.
|
|
|
|
In the mean time, to pass her hours away,
|
|
Brave Inez now set up a Sunday school
|
|
For naughty children, who would rather play
|
|
(Like truant rogues) the devil, or the fool;
|
|
Infants of three years old were taught that day,
|
|
Dunces were whipt, or set upon a stool:
|
|
The great success of Juan's education,
|
|
Spurr'd her to teach another generation.
|
|
|
|
Juan embark'd- the ship got under way,
|
|
The wind was fair, the water passing rough:
|
|
A devil of a sea rolls in that bay,
|
|
As I, who 've cross'd it oft, know well enough;
|
|
And, standing upon deck, the dashing spray
|
|
Flies in one's face, and makes it weather-tough:
|
|
And there he stood to take, and take again,
|
|
His first- perhaps his last- farewell of Spain.
|
|
|
|
I can't but say it is an awkward sight
|
|
To see one's native land receding through
|
|
The growing waters; it unmans one quite,
|
|
Especially when life is rather new:
|
|
I recollect Great Britain's coast looks white,
|
|
But almost every other country 's blue,
|
|
When gazing on them, mystified by distance,
|
|
We enter on our nautical existence.
|
|
|
|
So Juan stood, bewilder'd on the deck:
|
|
The wind sung, cordage strain'd, and sailors swore,
|
|
And the ship creak'd, the town became a speck,
|
|
From which away so fair and fast they bore.
|
|
The best of remedies is a beef-steak
|
|
Against sea-sickness: try it, sir, before
|
|
You sneer, and I assure you this is true,
|
|
For I have found it answer- so may you.
|
|
|
|
Don Juan stood, and, gazing from the stern,
|
|
Beheld his native Spain receding far:
|
|
First partings form a lesson hard to learn,
|
|
Even nations feel this when they go to war;
|
|
There is a sort of unexprest concern,
|
|
A kind of shock that sets one's heart ajar:
|
|
At leaving even the most unpleasant people
|
|
And places, one keeps looking at the steeple.
|
|
|
|
But Juan had got many things to leave,
|
|
His mother, and a mistress, and no wife,
|
|
So that he had much better cause to grieve
|
|
Than many persons more advanced in life;
|
|
And if we now and then a sigh must heave
|
|
At quitting even those we quit in strife,
|
|
No doubt we weep for those the heart endears-
|
|
That is, till deeper griefs congeal our tears.
|
|
|
|
So Juan wept, as wept the captive Jews
|
|
By Babel's waters, still remembering Sion:
|
|
I 'd weep,- but mine is not a weeping Muse,
|
|
And such light griefs are not a thing to die on;
|
|
Young men should travel, if but to amuse
|
|
Themselves; and the next time their servants tie on
|
|
Behind their carriages their new portmanteau,
|
|
Perhaps it may be lined with this my canto.
|
|
|
|
And Juan wept, and much he sigh'd and thought,
|
|
While his salt tears dropp'd into the salt sea,
|
|
'Sweets to the sweet' (I like so much to quote;
|
|
You must excuse this extract, 't is where she,
|
|
The Queen of Denmark, for Ophelia brought
|
|
Flowers to the grave); and, sobbing often, he
|
|
Reflected on his present situation,
|
|
And seriously resolved on reformation.
|
|
|
|
'Farewell, my Spain! a long farewell!' he cried,
|
|
'Perhaps I may revisit thee no more,
|
|
But die, as many an exiled heart hath died,
|
|
Of its own thirst to see again thy shore:
|
|
Farewell, where Guadalquivir's waters glide!
|
|
Farewell, my mother! and, since all is o'er,
|
|
Farewell, too, dearest Julia!- (Here he drew
|
|
Her letter out again, and read it through.)
|
|
|
|
'And, oh! if e'er I should forget, I swear-
|
|
But that 's impossible, and cannot be-
|
|
Sooner shall this blue ocean melt to air,
|
|
Sooner shall earth resolve itself to sea,
|
|
Than I resign thine image, oh, my fair!
|
|
Or think of any thing excepting thee;
|
|
A mind diseased no remedy can physic
|
|
(Here the ship gave a lurch, and he grew sea-sick).
|
|
|
|
'Sooner shall heaven kiss earth (here he fell sicker),
|
|
Oh, Julia! what is every other wo?
|
|
(For God's sake let me have a glass of liquor;
|
|
Pedro, Battista, help me down below.)
|
|
Julia, my love! (you rascal, Pedro, quicker)-
|
|
Oh, Julia! (this curst vessel pitches so)-
|
|
Beloved Julia, hear me still beseeching!'
|
|
(Here he grew inarticulate with retching.)
|
|
|
|
He felt that chilling heaviness of heart,
|
|
Or rather stomach, which, alas! attends,
|
|
Beyond the best apothecary's art,
|
|
The loss of love, the treachery of friends,
|
|
Or death of those we dote on, when a part
|
|
Of us dies with them as each fond hope ends:
|
|
No doubt he would have been much more pathetic,
|
|
But the sea acted as a strong emetic. I
|
|
|
|
Love 's a capricious power: I 've known it hold
|
|
Out through a fever caused by its own heat,
|
|
But be much puzzled by a cough and cold,
|
|
And find a quincy very hard to treat;
|
|
Against all noble maladies he 's bold,
|
|
But vulgar illnesses don't like to meet,
|
|
Nor that a sneeze should interrupt his sigh,
|
|
Nor inflammations redden his blind eye.
|
|
|
|
But worst of all is nausea, or a pain
|
|
About the lower region of the bowels;
|
|
Love, who heroically breathes a vein,
|
|
Shrinks from the application of hot towels,
|
|
And purgatives are dangerous to his reign,
|
|
Sea-sickness death: his love was perfect, how else
|
|
Could Juan's passion, while the billows roar,
|
|
Resist his stomach, ne'er at sea before?
|
|
|
|
The ship, call'd the most holy 'Trinidada,'
|
|
Was steering duly for the port Leghorn;
|
|
For there the Spanish family Moncada
|
|
Were settled long ere Juan's sire was born:
|
|
They were relations, and for them he had a
|
|
Letter of introduction, which the morn
|
|
Of his departure had been sent him by
|
|
His Spanish friends for those in Italy.
|
|
|
|
His suite consisted of three servants and
|
|
A tutor, the licentiate Pedrillo,
|
|
Who several languages did understand,
|
|
But now lay sick and speechless on his pillow,
|
|
And rocking in his hammock, long'd for land,
|
|
His headache being increased by every billow;
|
|
And the waves oozing through the port-hole made
|
|
His berth a little damp, and him afraid.
|
|
|
|
'T was not without some reason, for the wind
|
|
Increased at night, until it blew a gale;
|
|
And though 't was not much to a naval mind,
|
|
Some landsmen would have look'd a little pale,
|
|
For sailors are, in fact, a different kind:
|
|
At sunset they began to take in sail,
|
|
For the sky show'd it would come on to blow,
|
|
And carry away, perhaps, a mast or so.
|
|
|
|
At one o'clock the wind with sudden shift
|
|
Threw the ship right into the trough of the sea,
|
|
Which struck her aft, and made an awkward rift,
|
|
Started the stern-post, also shatter'd the
|
|
Whole of her stern-frame, and, ere she could lift
|
|
Herself from out her present jeopardy,
|
|
The rudder tore away: 't was time to sound
|
|
The pumps, and there were four feet water found.
|
|
|
|
One gang of people instantly was put
|
|
Upon the pumps and the remainder set
|
|
To get up part of the cargo, and what not;
|
|
But they could not come at the leak as yet;
|
|
At last they did get at it really, but
|
|
Still their salvation was an even bet:
|
|
The water rush'd through in a way quite puzzling,
|
|
While they thrust sheets, shirts, jackets, bales of muslin,
|
|
|
|
Into the opening; but all such ingredients
|
|
Would have been vain, and they must have gone down,
|
|
Despite of all their efforts and expedients,
|
|
But for the pumps: I 'm glad to make them known
|
|
To all the brother tars who may have need hence,
|
|
For fifty tons of water were upthrown
|
|
By them per hour, and they had all been undone,
|
|
But for the maker, Mr. Mann, of London.
|
|
|
|
As day advanced the weather seem'd to abate,
|
|
And then the leak they reckon'd to reduce,
|
|
And keep the ship afloat, though three feet yet
|
|
Kept two hand and one chain-pump still in use.
|
|
The wind blew fresh again: as it grew late
|
|
A squall came on, and while some guns broke loose,
|
|
A gust- which all descriptive power transcends-
|
|
Laid with one blast the ship on her beam ends.
|
|
|
|
There she lay motionless, and seem'd upset;
|
|
The water left the hold, and wash'd the decks,
|
|
And made a scene men do not soon forget;
|
|
For they remember battles, fires, and wrecks,
|
|
Or any other thing that brings regret,
|
|
Or breaks their hopes, or hearts, or heads, or necks:
|
|
Thus drownings are much talk'd of by the divers,
|
|
And swimmers, who may chance to be survivors.
|
|
|
|
Immediately the masts were cut away,
|
|
Both main and mizen; first the mizen went,
|
|
The main-mast follow'd: but the ship still lay
|
|
Like a mere log, and baffled our intent.
|
|
Foremast and bowsprit were cut down, and they
|
|
Eased her at last (although we never meant
|
|
To part with all till every hope was blighted),
|
|
And then with violence the old ship righted.
|
|
|
|
It may be easily supposed, while this
|
|
Was going on, some people were unquiet,
|
|
That passengers would find it much amiss
|
|
To lose their lives, as well as spoil their diet;
|
|
That even the able seaman, deeming his
|
|
Days nearly o'er, might be disposed to riot,
|
|
As upon such occasions tars will ask
|
|
For grog, and sometimes drink rum from the cask.
|
|
|
|
There 's nought, no doubt, so much the spirit calms
|
|
As rum and true religion: thus it was,
|
|
Some plunder'd, some drank spirits, some sung psalms,
|
|
The high wind made the treble, and as bas
|
|
The hoarse harsh waves kept time; fright cured the qualms
|
|
Of all the luckless landsmen's sea-sick maws:
|
|
Strange sounds of wailing, blasphemy, devotion,
|
|
Clamour'd in chorus to the roaring ocean.
|
|
|
|
Perhaps more mischief had been done, but for
|
|
Our Juan, who, with sense beyond his years,
|
|
Got to the spirit-room, and stood before
|
|
It with a pair of pistols; and their fears,
|
|
As if Death were more dreadful by his door
|
|
Of fire than water, spite of oaths and tears,
|
|
Kept still aloof the crew, who, ere they sunk,
|
|
Thought it would be becoming to die drunk.
|
|
|
|
'Give us more grog,' they cried, 'for it will be
|
|
All one an hour hence.' Juan answer'd, 'No!
|
|
'T is true that death awaits both you and me,
|
|
But let us die like men, not sink below
|
|
Like brutes;'- and thus his dangerous post kept he,
|
|
And none liked to anticipate the blow;
|
|
And even Pedrillo, his most reverend tutor,
|
|
Was for some rum a disappointed suitor.
|
|
|
|
The good old gentleman was quite aghast,
|
|
And made a loud and pious lamentation;
|
|
Repented all his sins, and made a last
|
|
Irrevocable vow of reformation;
|
|
Nothing should tempt him more (this peril past)
|
|
To quit his academic occupation,
|
|
In cloisters of the classic Salamanca,
|
|
To follow Juan's wake, like Sancho Panca.
|
|
|
|
But now there came a flash of hope once more;
|
|
Day broke, and the wind lull'd: the masts were gone,
|
|
The leak increased; shoals round her, but no shore,
|
|
The vessel swam, yet still she held her own.
|
|
They tried the pumps again, and though before
|
|
Their desperate efforts seem'd all useless grown,
|
|
A glimpse of sunshine set some hands to bale-
|
|
The stronger pump'd, the weaker thrumm'd a sail.
|
|
|
|
Under the vessel's keel the sail was past,
|
|
And for the moment it had some effect;
|
|
But with a leak, and not a stick of mast,
|
|
Nor rag of canvas, what could they expect?
|
|
But still 't is best to struggle to the last,
|
|
'T is never too late to be wholly wreck'd:
|
|
And though 't is true that man can only die once,
|
|
'T is not so pleasant in the Gulf of Lyons.
|
|
|
|
There winds and waves had hurl'd them, and from thence,
|
|
Without their will, they carried them away;
|
|
For they were forced with steering to dispense,
|
|
And never had as yet a quiet day
|
|
On which they might repose, or even commence
|
|
A jurymast or rudder, or could say
|
|
The ship would swim an hour, which, by good luck,
|
|
Still swam- though not exactly like a duck.
|
|
|
|
The wind, in fact, perhaps was rather less,
|
|
But the ship labour'd so, they scarce could hope
|
|
To weather out much longer; the distress
|
|
Was also great with which they had to cope
|
|
For want of water, and their solid mess
|
|
Was scant enough: in vain the telescope
|
|
Was used- nor sail nor shore appear'd in sight,
|
|
Nought but the heavy sea, and coming night.
|
|
|
|
Again the weather threaten'd,- again blew
|
|
A gale, and in the fore and after hold
|
|
Water appear'd; yet, though the people knew
|
|
All this, the most were patient, and some bold,
|
|
Until the chains and leathers were worn through
|
|
Of all our pumps:- a wreck complete she roll'd,
|
|
At mercy of the waves, whose mercies are
|
|
Like human beings during civil war.
|
|
|
|
Then came the carpenter, at last, with tears
|
|
In his rough eyes, and told the captain he
|
|
Could do no more: he was a man in years,
|
|
And long had voyaged through many a stormy sea,
|
|
And if he wept at length, they were not fears
|
|
That made his eyelids as a woman's be,
|
|
But he, poor fellow, had a wife and children,-
|
|
Two things for dying people quite bewildering.
|
|
|
|
The ship was evidently settling now
|
|
Fast by the head; and, all distinction gone,
|
|
Some went to prayers again, and made a vow
|
|
Of candles to their saints- but there were none
|
|
To pay them with; and some look'd o'er the bow;
|
|
Some hoisted out the boats; and there was one
|
|
That begg'd Pedrillo for an absolution,
|
|
Who told him to be damn'd- in his confusion.
|
|
|
|
Some lash'd them in their hammocks; some put on
|
|
Their best clothes, as if going to a fair;
|
|
Some cursed the day on which they saw the sun,
|
|
And gnash'd their teeth, and, howling, tore their hair;
|
|
And others went on as they had begun,
|
|
Getting the boats out, being well aware
|
|
That a tight boat will live in a rough sea,
|
|
Unless with breakers close beneath her lee.
|
|
|
|
The worst of all was, that in their condition,
|
|
Having been several days in great distress,
|
|
'T was difficult to get out such provision
|
|
As now might render their long suffering less:
|
|
Men, even when dying, dislike inanition;
|
|
Their stock was damaged by the weather's stress:
|
|
Two casks of biscuit and a keg of butter
|
|
Were all that could be thrown into the cutter.
|
|
|
|
But in the long-boat they contrived to stow
|
|
Some pounds of bread, though injured by the wet;
|
|
Water, a twenty-gallon cask or so;
|
|
Six flasks of wine; and they contrived to get
|
|
A portion of their beef up from below,
|
|
And with a piece of pork, moreover, met,
|
|
But scarce enough to serve them for a luncheon-
|
|
Then there was rum, eight gallons in a puncheon.
|
|
|
|
The other boats, the yawl and pinnace, had
|
|
Been stove in the beginning of the gale;
|
|
And the long-boat's condition was but bad,
|
|
As there were but two blankets for a sail,
|
|
And one oar for a mast, which a young lad
|
|
Threw in by good luck over the ship's rail;
|
|
And two boats could not hold, far less be stored,
|
|
To save one half the people then on board.
|
|
|
|
'T was twilight, and the sunless day went down
|
|
Over the waste of waters; like a veil,
|
|
Which, if withdrawn, would but disclose the frown
|
|
Of one whose hate is mask'd but to assail,
|
|
Thus to their hopeless eyes the night was shown,
|
|
And grimly darkled o'er the faces pale,
|
|
And the dim desolate deep: twelve days had Fear
|
|
Been their familiar, and now Death was here.
|
|
|
|
Some trial had been making at a raft,
|
|
With little hope in such a rolling sea,
|
|
A sort of thing at which one would have laugh'd,
|
|
If any laughter at such times could be,
|
|
Unless with people who too much have quaff'd,
|
|
And have a kind of wild and horrid glee,
|
|
Half epileptical and half hysterical:-
|
|
Their preservation would have been a miracle.
|
|
|
|
At half-past eight o'clock, booms, hencoops, spars,
|
|
And all things, for a chance, had been cast loose,
|
|
That still could keep afloat the struggling tars,
|
|
For yet they strove, although of no great use:
|
|
There was no light in heaven but a few stars,
|
|
The boats put off o'ercrowded with their crews;
|
|
She gave a heel, and then a lurch to port,
|
|
And, going down head foremost- sunk, in short.
|
|
|
|
Then rose from sea to sky the wild farewell-
|
|
Then shriek'd the timid, and stood still the brave,
|
|
Then some leap'd overboard with dreadful yell,
|
|
As eager to anticipate their grave;
|
|
And the sea yawn'd around her like a hell,
|
|
And down she suck'd with her the whirling wave,
|
|
Like one who grapples with his enemy,
|
|
And strives to strangle him before he die.
|
|
|
|
And first one universal shriek there rush'd,
|
|
Louder than the loud ocean, like a crash
|
|
Of echoing thunder; and then all was hush'd,
|
|
Save the wild wind and the remorseless dash
|
|
Of billows; but at intervals there gush'd,
|
|
Accompanied with a convulsive splash,
|
|
A solitary shriek, the bubbling cry
|
|
Of some strong swimmer in his agony.
|
|
|
|
The boats, as stated, had got off before,
|
|
And in them crowded several of the crew;
|
|
And yet their present hope was hardly more
|
|
Than what it had been, for so strong it blew
|
|
There was slight chance of reaching any shore;
|
|
And then they were too many, though so few-
|
|
Nine in the cutter, thirty in the boat,
|
|
Were counted in them when they got afloat.
|
|
|
|
All the rest perish'd; near two hundred souls
|
|
Had left their bodies; and what 's worse, alas!
|
|
When over Catholics the ocean rolls,
|
|
They must wait several weeks before a mass
|
|
Takes off one peck of purgatorial coals,
|
|
Because, till people know what 's come to pass,
|
|
They won't lay out their money on the dead-
|
|
It costs three francs for every mass that 's said.
|
|
|
|
Juan got into the long-boat, and there
|
|
Contrived to help Pedrillo to a place;
|
|
It seem'd as if they had exchanged their care,
|
|
For Juan wore the magisterial face
|
|
Which courage gives, while poor Pedrillo's pair
|
|
Of eyes were crying for their owner's case:
|
|
Battista; though (a name call'd shortly Tita),
|
|
Was lost by getting at some aqua-vita.
|
|
|
|
Pedro, his valet, too, he tried to save,
|
|
But the same cause, conducive to his loss,
|
|
Left him so drunk, he jump'd into the wave
|
|
As o'er the cutter's edge he tried to cross,
|
|
And so he found a wine-and-watery grave;
|
|
They could not rescue him although so close,
|
|
Because the sea ran higher every minute,
|
|
And for the boat- the crew kept crowding in it.
|
|
|
|
A small old spaniel,- which had been Don Jose's,
|
|
His father's, whom he loved, as ye may think,
|
|
For on such things the memory reposes
|
|
With tenderness- stood howling on the brink,
|
|
Knowing (dogs have such intellectual noses!),
|
|
No doubt, the vessel was about to sink;
|
|
And Juan caught him up, and ere he stepp'd
|
|
Off, threw him in, then after him he leap'd.
|
|
|
|
He also stuff'd his money where he could
|
|
About his person, and Pedrillo's too,
|
|
Who let him do, in fact, whate'er he would,
|
|
Not knowing what himself to say, or do,
|
|
As every rising wave his dread renew'd;
|
|
But Juan, trusting they might still get through,
|
|
And deeming there were remedies for any ill,
|
|
Thus re-embark'd his tutor and his spaniel.
|
|
|
|
'T was a rough night, and blew so stiffly yet,
|
|
That the sail was becalm'd between the seas,
|
|
Though on the wave's high top too much to set,
|
|
They dared not take it in for all the breeze:
|
|
Each sea curl'd o'er the stern, and kept them wet,
|
|
And made them bale without a moment's ease,
|
|
So that themselves as well as hopes were damp'd,
|
|
And the poor little cutter quickly swamp'd.
|
|
|
|
Nine souls more went in her: the long-boat still
|
|
Kept above water, with an oar for mast,
|
|
Two blankets stitch'd together, answering ill
|
|
Instead of sail, were to the oar made fast:
|
|
Though every wave roll'd menacing to fill,
|
|
And present peril all before surpass'd,
|
|
They grieved for those who perish'd with the cutter,
|
|
And also for the biscuit-casks and butter.
|
|
|
|
The sun rose red and fiery, a sure sign
|
|
Of the continuance of the gale: to run
|
|
Before the sea until it should grow fine,
|
|
Was all that for the present could be done:
|
|
A few tea-spoonfuls of their rum and wine
|
|
Were served out to the people, who begun
|
|
To faint, and damaged bread wet through the bags,
|
|
And most of them had little clothes but rags.
|
|
|
|
They counted thirty, crowded in a space
|
|
Which left scarce room for motion or exertion;
|
|
They did their best to modify their case,
|
|
One half sate up, though numb'd with the immersion,
|
|
While t'other half were laid down in their place
|
|
At watch and watch; thus, shivering like the tertian
|
|
Ague in its cold fit, they fill'd their boat,
|
|
With nothing but the sky for a great coat.
|
|
|
|
'T is very certain the desire of life
|
|
Prolongs it: this is obvious to physicians,
|
|
When patients, neither plagued with friends nor wife,
|
|
Survive through very desperate conditions,
|
|
Because they still can hope, nor shines the knife
|
|
Nor shears of Atropos before their visions:
|
|
Despair of all recovery spoils longevity,
|
|
And makes men miseries miseries of alarming brevity.
|
|
|
|
'T is said that persons living on annuities
|
|
Are longer lived than others,- God knows why,
|
|
Unless to plague the grantors,- yet so true it is,
|
|
That some, I really think, do never die;
|
|
Of any creditors the worst a Jew it is,
|
|
And that 's their mode of furnishing supply:
|
|
In my young days they lent me cash that way,
|
|
Which I found very troublesome to pay.
|
|
|
|
'T is thus with people in an open boat,
|
|
They live upon the love of life, and bear
|
|
More than can be believed, or even thought,
|
|
And stand like rocks the tempest's wear and tear;
|
|
And hardship still has been the sailor's lot,
|
|
Since Noah's ark went cruising here and there;
|
|
She had a curious crew as well as cargo,
|
|
Like the first old Greek privateer, the Argo.
|
|
|
|
But man is a carnivorous production,
|
|
And must have meals, at least one meal a day;
|
|
He cannot live, like woodcocks, upon suction,
|
|
But, like the shark and tiger, must have prey;
|
|
Although his anatomical construction
|
|
Bears vegetables, in a grumbling way,
|
|
Your labouring people think beyond all question,
|
|
Beef, veal, and mutton, better for digestion.
|
|
|
|
And thus it was with this our hapless crew;
|
|
For on the third day there came on a calm,
|
|
And though at first their strength it might renew,
|
|
And lying on their weariness like balm,
|
|
Lull'd them like turtles sleeping on the blue
|
|
Of ocean, when they woke they felt a qualm,
|
|
And fell all ravenously on their provision,
|
|
Instead of hoarding it with due precision.
|
|
|
|
The consequence was easily foreseen-
|
|
They ate up all they had, and drank their wine,
|
|
In spite of all remonstrances, and then
|
|
On what, in fact, next day were they to dine?
|
|
They hoped the wind would rise, these foolish men!
|
|
And carry them to shore; these hopes were fine,
|
|
But as they had but one oar, and that brittle,
|
|
It would have been more wise to save their victual.
|
|
|
|
The fourth day came, but not a breath of air,
|
|
And Ocean slumber'd like an unwean'd child:
|
|
The fifth day, and their boat lay floating there,
|
|
The sea and sky were blue, and clear, and mild-
|
|
With their one oar (I wish they had had a pair)
|
|
What could they do? and hunger's rage grew wild:
|
|
So Juan's spaniel, spite of his entreating,
|
|
Was kill'd and portion'd out for present eating.
|
|
|
|
On the sixth day they fed upon his hide,
|
|
And Juan, who had still refused, because
|
|
The creature was his father's dog that died,
|
|
Now feeling all the vulture in his jaws,
|
|
With some remorse received (though first denied)
|
|
As a great favour one of the fore-paws,
|
|
Which he divided with Pedrillo, who
|
|
Devour'd it, longing for the other too.
|
|
|
|
The seventh day, and no wind- the burning sun
|
|
Blister'd and scorch'd, and, stagnant on the sea,
|
|
They lay like carcasses; and hope was none,
|
|
Save in the breeze that came not; savagely
|
|
They glared upon each other- all was done,
|
|
Water, and wine, and food,- and you might see
|
|
The longings of the cannibal arise
|
|
(Although they spoke not) in their wolfish eyes.
|
|
|
|
At length one whisper'd his companion, who
|
|
Whisper'd another, and thus it went round,
|
|
And then into a hoarser murmur grew,
|
|
An ominous, and wild, and desperate sound;
|
|
And when his comrade's thought each sufferer knew,
|
|
'T was but his own, suppress'd till now, he found:
|
|
And out they spoke of lots for flesh and blood,
|
|
And who should die to be his fellow's food.
|
|
|
|
But ere they came to this, they that day shared
|
|
Some leathern caps, and what remain'd of shoes;
|
|
And then they look'd around them and despair'd,
|
|
And none to be the sacrifice would choose;
|
|
At length the lots were torn up, and prepared,
|
|
But of materials that much shock the Muse-
|
|
Having no paper, for the want of better,
|
|
They took by force from Juan Julia's letter.
|
|
|
|
The lots were made, and mark'd, and mix'd, and handed,
|
|
In silent horror, and their distribution
|
|
Lull'd even the savage hunger which demanded,
|
|
Like the Promethean vulture, this pollution;
|
|
None in particular had sought or plann'd it,
|
|
'T was nature gnaw'd them to this resolution,
|
|
By which none were permitted to be neuter-
|
|
And the lot fell on Juan's luckless tutor.
|
|
|
|
He but requested to be bled to death:
|
|
The surgeon had his instruments, and bled
|
|
Pedrillo, and so gently ebb'd his breath,
|
|
You hardly could perceive when he was dead.
|
|
He died as born, a Catholic in faith,
|
|
Like most in the belief in which they 're bred,
|
|
And first a little crucifix he kiss'd,
|
|
And then held out his jugular and wrist.
|
|
|
|
The surgeon, as there was no other fee,
|
|
Had his first choice of morsels for his pains;
|
|
But being thirstiest at the moment, he
|
|
Preferr'd a draught from the fast-flowing veins:
|
|
Part was divided, part thrown in the sea,
|
|
And such things as the entrails and the brains
|
|
Regaled two sharks, who follow'd o'er the billow-
|
|
The sailors ate the rest of poor Pedrillo.
|
|
|
|
The sailors ate him, all save three or four,
|
|
Who were not quite so fond of animal food;
|
|
To these was added Juan, who, before
|
|
Refusing his own spaniel, hardly could
|
|
Feel now his appetite increased much more;
|
|
'T was not to be expected that he should,
|
|
Even in extremity of their disaster,
|
|
Dine with them on his pastor and his master.
|
|
|
|
'T was better that he did not; for, in fact,
|
|
The consequence was awful in the extreme;
|
|
For they, who were most ravenous in the act,
|
|
Went raging mad- Lord! how they did blaspheme!
|
|
And foam and roll, with strange convulsions rack'd,
|
|
Drinking salt water like a mountain-stream,
|
|
Tearing, and grinning, howling, screeching, swearing,
|
|
And, with hyaena-laughter, died despairing.
|
|
|
|
Their numbers were much thinn'd by this infliction,
|
|
And all the rest were thin enough, Heaven knows;
|
|
And some of them had lost their recollection,
|
|
Happier than they who still perceived their woes;
|
|
But others ponder'd on a new dissection,
|
|
As if not warn'd sufficiently by those
|
|
Who had already perish'd, suffering madly,
|
|
For having used their appetites so sadly.
|
|
|
|
And next they thought upon the master's mate,
|
|
As fattest; but he saved himself, because,
|
|
Besides being much averse from such a fate,
|
|
There were some other reasons: the first was,
|
|
He had been rather indisposed of late;
|
|
And that which chiefly proved his saving clause
|
|
Was a small present made to him at Cadiz,
|
|
By general subscription of the ladies.
|
|
|
|
Of poor Pedrillo something still remain'd,
|
|
But was used sparingly,- some were afraid,
|
|
And others still their appetites constrain'd,
|
|
Or but at times a little supper made;
|
|
All except Juan, who throughout abstain'd,
|
|
Chewing a piece of bamboo and some lead:
|
|
At length they caught two boobies and a noddy,
|
|
And then they left off eating the dead body.
|
|
|
|
And if Pedrillo's fate should shocking be,
|
|
Remember Ugolino condescends
|
|
To eat the head of his arch-enemy
|
|
The moment after he politely ends
|
|
His tale: if foes be food in hell, at sea
|
|
'T is surely fair to dine upon our friends,
|
|
When shipwreck's short allowance grows too scanty,
|
|
Without being much more horrible than Dante.
|
|
|
|
And the same night there fell a shower of rain,
|
|
For which their mouths gaped, like the cracks of earth
|
|
When dried to summer dust; till taught by pain
|
|
Men really know not what good water 's worth;
|
|
If you had been in Turkey or in Spain,
|
|
Or with a famish'd boat's-crew had your berth,
|
|
Or in the desert heard the camel's bell,
|
|
You 'd wish yourself where Truth is- in a well.
|
|
|
|
It pour'd down torrents, but they were no richer
|
|
Until they found a ragged piece of sheet,
|
|
Which served them as a sort of spongy pitcher,
|
|
And when they deem'd its moisture was complete
|
|
They wrung it out, and though a thirsty ditcher
|
|
Might not have thought the scanty draught so sweet
|
|
As a full pot of porter, to their thinking
|
|
They ne'er till now had known the joys of drinking.
|
|
|
|
And their baked lips, with many a bloody crack,
|
|
Suck'd in the moisture, which like nectar stream'd;
|
|
Their throats were ovens, their swoln tongues were black,
|
|
As the rich man's in hell, who vainly scream'd
|
|
To beg the beggar, who could not rain back
|
|
A drop of dew, when every drop had seem'd
|
|
To taste of heaven- If this be true, indeed
|
|
Some Christians have a comfortable creed.
|
|
|
|
There were two fathers in this ghastly crew,
|
|
And with them their two sons, of whom the one
|
|
Was more robust and hardy to the view,
|
|
But he died early; and when he was gone,
|
|
His nearest messmate told his sire, who threw
|
|
One glance at him, and said, 'Heaven's will be done!
|
|
I can do nothing,' and he saw him thrown
|
|
Into the deep without a tear or groan.
|
|
|
|
The other father had a weaklier child,
|
|
Of a soft cheek and aspect delicate;
|
|
But the boy bore up long, and with a mild
|
|
And patient spirit held aloof his fate;
|
|
Little he said, and now and then he smiled,
|
|
As if to win a part from off the weight
|
|
He saw increasing on his father's heart,
|
|
With the deep deadly thought that they must part.
|
|
|
|
And o'er him bent his sire, and never raised
|
|
His eyes from off his face, but wiped the foam
|
|
From his pale lips, and ever on him gazed,
|
|
And when the wish'd-for shower at length was come,
|
|
And the boy's eyes, which the dull film half glazed,
|
|
Brighten'd, and for a moment seem'd to roam,
|
|
He squeezed from out a rag some drops of rain
|
|
Into his dying child's mouth- but in vain.
|
|
|
|
The boy expired- the father held the clay,
|
|
And look'd upon it long, and when at last
|
|
Death left no doubt, and the dead burthen lay
|
|
Stiff on his heart, and pulse and hope were past,
|
|
He watch'd it wistfully, until away
|
|
'T was borne by the rude wave wherein 't was cast;
|
|
Then he himself sunk down all dumb and shivering,
|
|
And gave no sign of life, save his limbs quivering.
|
|
|
|
Now overhead a rainbow, bursting through
|
|
The scattering clouds, shone, spanning the dark sea,
|
|
Resting its bright base on the quivering blue;
|
|
And all within its arch appear'd to be
|
|
Clearer than that without, and its wide hue
|
|
Wax'd broad and waving, like a banner free,
|
|
Then changed like to a bow that 's bent, and then
|
|
Forsook the dim eyes of these shipwreck'd men.
|
|
|
|
It changed, of course; a heavenly chameleon,
|
|
The airy child of vapour and the sun,
|
|
Brought forth in purple, cradled in vermilion,
|
|
Baptized in molten gold, and swathed in dun,
|
|
Glittering like crescents o'er a Turk's pavilion,
|
|
And blending every colour into one,
|
|
Just like a black eye in a recent scuffle
|
|
(For sometimes we must box without the muffle).
|
|
|
|
Our shipwreck'd seamen thought it a good omen-
|
|
It is as well to think so, now and then;
|
|
'T was an old custom of the Greek and Roman,
|
|
And may become of great advantage when
|
|
Folks are discouraged; and most surely no men
|
|
Had greater need to nerve themselves again
|
|
Than these, and so this rainbow look'd like hope-
|
|
Quite a celestial kaleidoscope.
|
|
|
|
About this time a beautiful white bird,
|
|
Webfooted, not unlike a dove in size
|
|
And plumage (probably it might have err'd
|
|
Upon its course), pass'd oft before their eyes,
|
|
And tried to perch, although it saw and heard
|
|
The men within the boat, and in this guise
|
|
It came and went, and flutter'd round them till
|
|
Night fell: this seem'd a better omen still.
|
|
|
|
But in this case I also must remark,
|
|
'T was well this bird of promise did not perch,
|
|
Because the tackle of our shatter'd bark
|
|
Was not so safe for roosting as a church;
|
|
And had it been the dove from Noah's ark,
|
|
Returning there from her successful search,
|
|
Which in their way that moment chanced to fall,
|
|
They would have eat her, olive-branch and all.
|
|
|
|
With twilight it again came on to blow,
|
|
But not with violence; the stars shone out,
|
|
The boat made way; yet now they were so low,
|
|
They knew not where nor what they were about;
|
|
Some fancied they saw land, and some said 'No!'
|
|
The frequent fog-banks gave them cause to doubt-
|
|
Some swore that they heard breakers, others guns,
|
|
And all mistook about the latter once.
|
|
|
|
As morning broke, the light wind died away,
|
|
When he who had the watch sung out and swore,
|
|
If 't was not land that rose with the sun's ray,
|
|
He wish'd that land he never might see more;
|
|
And the rest rubb'd their eyes and saw a bay,
|
|
Or thought they saw, and shaped their course for shore;
|
|
For shore it was, and gradually grew
|
|
Distinct, and high, and palpable to view.
|
|
|
|
And then of these some part burst into tears,
|
|
And others, looking with a stupid stare,
|
|
Could not yet separate their hopes from fears,
|
|
And seem'd as if they had no further care;
|
|
While a few pray'd (the first time for some years)-
|
|
And at the bottom of the boat three were
|
|
Asleep: they shook them by the hand and head,
|
|
And tried to awaken them, but found them dead.
|
|
|
|
The day before, fast sleeping on the water,
|
|
They found a turtle of the hawk's-bill kind,
|
|
And by good fortune, gliding softly, caught her,
|
|
Which yielded a day's life, and to their mind
|
|
Proved even still a more nutritious matter,
|
|
Because it left encouragement behind:
|
|
They thought that in such perils, more than chance
|
|
Had sent them this for their deliverance.
|
|
|
|
The land appear'd a high and rocky coast,
|
|
And higher grew the mountains as they drew,
|
|
Set by a current, toward it: they were lost
|
|
In various conjectures, for none knew
|
|
To what part of the earth they had been tost,
|
|
So changeable had been the winds that blew;
|
|
Some thought it was Mount AEtna, some the highlands,
|
|
Of Candia, Cyprus, Rhodes, or other islands.
|
|
|
|
Meantime the current, with a rising gale,
|
|
Still set them onwards to the welcome shore,
|
|
Like Charon's bark of spectres, dull and pale:
|
|
Their living freight was now reduced to four,
|
|
And three dead, whom their strength could not avail
|
|
To heave into the deep with those before,
|
|
Though the two sharks still follow'd them, and dash'd
|
|
The spray into their faces as they splash'd.
|
|
|
|
Famine, despair, cold, thirst, and heat, had done
|
|
Their work on them by turns, and thinn'd them to
|
|
Such things a mother had not known her son
|
|
Amidst the skeletons of that gaunt crew;
|
|
By night chill'd, by day scorch'd, thus one by one
|
|
They perish'd, until wither'd to these few,
|
|
But chiefly by a species of self-slaughter,
|
|
In washing down Pedrillo with salt water.
|
|
|
|
As they drew nigh the land, which now was seen
|
|
Unequal in its aspect here and there,
|
|
They felt the freshness of its growing green,
|
|
That waved in forest-tops, and smooth'd the air,
|
|
And fell upon their glazed eyes like a screen
|
|
From glistening waves, and skies so hot and bare-
|
|
Lovely seem'd any object that should sweep
|
|
Away the vast, salt, dread, eternal deep.
|
|
|
|
The shore look'd wild, without a trace of man,
|
|
And girt by formidable waves; but they
|
|
Were mad for land, and thus their course they ran,
|
|
Though right ahead the roaring breakers lay:
|
|
A reef between them also now began
|
|
To show its boiling surf and bounding spray,
|
|
But finding no place for their landing better,
|
|
They ran the boat for shore,- and overset her.
|
|
|
|
But in his native stream, the Guadalquivir,
|
|
Juan to lave his youthful limbs was wont;
|
|
And having learnt to swim in that sweet river,
|
|
Had often turn'd the art to some account:
|
|
A better swimmer you could scarce see ever,
|
|
He could, perhaps, have pass'd the Hellespont,
|
|
As once (a feat on which ourselves we prided)
|
|
Leander, Mr. Ekenhead, and I did.
|
|
|
|
So here, though faint, emaciated, and stark,
|
|
He buoy'd his boyish limbs, and strove to ply
|
|
With the quick wave, and gain, ere it was dark,
|
|
The beach which lay before him, high and dry:
|
|
The greatest danger here was from a shark,
|
|
That carried off his neighbour by the thigh;
|
|
As for the other two, they could not swim,
|
|
So nobody arrived on shore but him.
|
|
|
|
Nor yet had he arrived but for the oar,
|
|
Which, providentially for him, was wash'd
|
|
Just as his feeble arms could strike no more,
|
|
And the hard wave o'erwhelm'd him as 't was dash'd
|
|
Within his grasp; he clung to it, and sore
|
|
The waters beat while he thereto was lash'd;
|
|
At last, with swimming, wading, scrambling, he
|
|
Roll'd on the beach, half-senseless, from the sea:
|
|
|
|
There, breathless, with his digging nails he clung
|
|
Fast to the sand, lest the returning wave,
|
|
From whose reluctant roar his life he wrung,
|
|
Should suck him back to her insatiate grave:
|
|
And there he lay, full length, where he was flung,
|
|
Before the entrance of a cliff-worn cave,
|
|
With just enough of life to feel its pain,
|
|
And deem that it was saved, perhaps in vain.
|
|
|
|
With slow and staggering effort he arose,
|
|
But sunk again upon his bleeding knee
|
|
And quivering hand; and then he look'd for those
|
|
Who long had been his mates upon the sea;
|
|
But none of them appear'd to share his woes,
|
|
Save one, a corpse, from out the famish'd three,
|
|
Who died two days before, and now had found
|
|
An unknown barren beach for burial ground.
|
|
|
|
And as he gazed, his dizzy brain spun fast,
|
|
And down he sunk; and as he sunk, the sand
|
|
Swam round and round, and all his senses pass'd:
|
|
He fell upon his side, and his stretch'd hand
|
|
Droop'd dripping on the oar (their jurymast),
|
|
And, like a wither'd lily, on the land
|
|
His slender frame and pallid aspect lay,
|
|
As fair a thing as e'er was form'd of clay.
|
|
|
|
How long in his damp trance young Juan lay
|
|
He knew not, for the earth was gone for him,
|
|
And Time had nothing more of night nor day
|
|
For his congealing blood, and senses dim;
|
|
And how this heavy faintness pass'd away
|
|
He knew not, till each painful pulse and limb,
|
|
And tingling vein, seem'd throbbing back to life,
|
|
For Death, though vanquish'd, still retired with strife.
|
|
|
|
His eyes he open'd, shut, again unclosed,
|
|
For all was doubt and dizziness; he thought
|
|
He still was in the boat and had but dozed,
|
|
And felt again with his despair o'erwrought,
|
|
And wish'd it death in which he had reposed;
|
|
And then once more his feelings back were brought,
|
|
And slowly by his swimming eyes was seen
|
|
A lovely female face of seventeen.
|
|
|
|
'T was bending dose o'er his, and the small mouth
|
|
Seem'd almost prying into his for breath;
|
|
And chafing him, the soft warm hand of youth
|
|
Recall'd his answering spirits back from death;
|
|
And, bathing his chill temples, tried to soothe
|
|
Each pulse to animation, till beneath
|
|
Its gentle touch and trembling care, a sigh
|
|
To these kind efforts made a low reply.
|
|
|
|
Then was the cordial pour'd, and mantle flung
|
|
Around his scarce-clad limbs; and the fair arm
|
|
Raised higher the faint head which o'er it hung;
|
|
And her transparent cheek, all pure and warm,
|
|
Pillow'd his death-like forehead; then she wrung
|
|
His dewy curls, long drench'd by every storm;
|
|
And watch'd with eagerness each throb that drew
|
|
A sigh from his heaved bosom- and hers, too.
|
|
|
|
And lifting him with care into the cave,
|
|
The gentle girl and her attendant,- one
|
|
Young, yet her elder, and of brow less grave,
|
|
And more robust of figure,- then begun
|
|
To kindle fire, and as the new flames gave
|
|
Light to the rocks that roof'd them, which the sun
|
|
Had never seen, the maid, or whatsoe'er
|
|
She was, appear'd distinct, and tall, and fair.
|
|
|
|
Her brow was overhung with coins of gold,
|
|
That sparkled o'er the auburn of her hair-
|
|
Her clustering hair, whose longer locks were roll'd
|
|
In braids behind; and though her stature were
|
|
Even of the highest for a female mould,
|
|
They nearly reach'd her heel; and in her air
|
|
There was a something which bespoke command,
|
|
As one who was a lady in the land.
|
|
|
|
Her hair, I said, was auburn; but her eyes
|
|
Were black as death, their lashes the same hue,
|
|
Of downcast length, in whose silk shadow lies
|
|
Deepest attraction; for when to the view
|
|
Forth from its raven fringe the full glance flies,
|
|
Ne'er with such force the swiftest arrow flew;
|
|
'T is as the snake late coil'd, who pours his length,
|
|
And hurls at once his venom and his strength.
|
|
|
|
Her brow was white and low, her cheek's pure dye
|
|
Like twilight rosy still with the set sun;
|
|
Short upper lip- sweet lips! that make us sigh
|
|
Ever to have seen such; for she was one
|
|
Fit for the model of a statuary
|
|
(A race of mere impostors, when all 's done-
|
|
I 've seen much finer women, ripe and real,
|
|
Than all the nonsense of their stone ideal).
|
|
|
|
I 'll tell you why I say so, for 't is just
|
|
One should not rail without a decent cause:
|
|
There was an Irish lady, to whose bust
|
|
I ne'er saw justice done, and yet she was
|
|
A frequent model; and if e'er she must
|
|
Yield to stern Time and Nature's wrinkling laws,
|
|
They will destroy a face which mortal thought
|
|
Ne'er compass'd, nor less mortal chisel wrought.
|
|
|
|
And such was she, the lady of the cave:
|
|
Her dress was very different from the Spanish,
|
|
Simpler, and yet of colours not so grave;
|
|
For, as you know, the Spanish women banish
|
|
Bright hues when out of doors, and yet, while wave
|
|
Around them (what I hope will never vanish)
|
|
The basquina and the mantilla, they
|
|
Seem at the same time mystical and gay.
|
|
|
|
But with our damsel this was not the case:
|
|
Her dress was many-colour'd, finely spun;
|
|
Her locks curl'd negligently round her face,
|
|
But through them gold and gems profusely shone:
|
|
Her girdle sparkled, and the richest lace
|
|
Flow'd in her veil, and many a precious stone
|
|
Flash'd on her little hand; but, what was shocking,
|
|
Her small snow feet had slippers, but no stocking.
|
|
|
|
The other female's dress was not unlike,
|
|
But of inferior materials: she
|
|
Had not so many ornaments to strike,
|
|
Her hair had silver only, bound to be
|
|
Her dowry; and her veil, in form alike,
|
|
Was coarser; and her air, though firm, less free;
|
|
Her hair was thicker, but less long; her eyes
|
|
As black, but quicker, and of smaller size.
|
|
|
|
And these two tended him, and cheer'd him both
|
|
With food and raiment, and those soft attentions,
|
|
Which are (as I must own) of female growth,
|
|
And have ten thousand delicate inventions:
|
|
They made a most superior mess of broth,
|
|
A thing which poesy but seldom mentions,
|
|
But the best dish that e'er was cook'd since Homer's
|
|
Achilles ordered dinner for new comers.
|
|
|
|
I 'll tell you who they were, this female pair,
|
|
Lest they should seem princesses in disguise;
|
|
Besides, I hate all mystery, and that air
|
|
Of clap-trap which your recent poets prize;
|
|
And so, in short, the girls they really were
|
|
They shall appear before your curious eyes,
|
|
Mistress and maid; the first was only daughter
|
|
Of an old man who lived upon the water.
|
|
|
|
A fisherman he had been in his youth,
|
|
And still a sort of fisherman was he;
|
|
But other speculations were, in sooth,
|
|
Added to his connection with the sea,
|
|
Perhaps not so respectable, in truth:
|
|
A little smuggling, and some piracy,
|
|
Left him, at last, the sole of many masters
|
|
Of an ill-gotten million of piastres.
|
|
|
|
A fisher, therefore, was he,- though of men,
|
|
Like Peter the Apostle,- and he fish'd
|
|
For wandering merchant-vessels, now and then,
|
|
And sometimes caught as many as he wish'd;
|
|
The cargoes he confiscated, and gain
|
|
He sought in the slave-market too, and dish'd
|
|
Full many a morsel for that Turkish trade,
|
|
By which, no doubt, a good deal may be made.
|
|
|
|
He was a Greek, and on his isle had built
|
|
(One of the wild and smaller Cyclades)
|
|
A very handsome house from out his guilt,
|
|
And there he lived exceedingly at ease;
|
|
Heaven knows what cash he got or blood he spilt,
|
|
A sad old fellow was he, if you please;
|
|
But this I know, it was a spacious building,
|
|
Full of barbaric carving, paint, and gilding.
|
|
|
|
He had an only daughter, call'd Haidee,
|
|
The greatest heiress of the Eastern Isles;
|
|
Besides, so very beautiful was she,
|
|
Her dowry was as nothing to her smiles:
|
|
Still in her teens, and like a lovely tree
|
|
She grew to womanhood, and between whiles
|
|
Rejected several suitors, just to learn
|
|
How to accept a better in his turn.
|
|
|
|
And walking out upon the beach, below
|
|
The cliff, towards sunset, on that day she found,
|
|
Insensible,- not dead, but nearly so,-
|
|
Don Juan, almost famish'd, and half drown'd;
|
|
But being naked, she was shock'd, you know,
|
|
Yet deem'd herself in common pity bound,
|
|
As far as in her lay, 'to take him in,
|
|
A stranger' dying, with so white a skin.
|
|
|
|
But taking him into her father's house
|
|
Was not exactly the best way to save,
|
|
But like conveying to the cat the mouse,
|
|
Or people in a trance into their grave;
|
|
Because the good old man had so much 'nous,'
|
|
Unlike the honest Arab thieves so brave,
|
|
He would have hospitably cured the stranger,
|
|
And sold him instantly when out of danger.
|
|
|
|
And therefore, with her maid, she thought it best
|
|
(A virgin always on her maid relies)
|
|
To place him in the cave for present rest:
|
|
And when, at last, he open'd his black eyes,
|
|
Their charity increased about their guest;
|
|
And their compassion grew to such a size,
|
|
It open'd half the turnpike-gates to heaven
|
|
(St. Paul says, 't is the toll which must be given).
|
|
|
|
They made a fire,- but such a fire as they
|
|
Upon the moment could contrive with such
|
|
Materials as were cast up round the bay,-
|
|
Some broken planks, and oars, that to the touch
|
|
Were nearly tinder, since so long they lay
|
|
A mast was almost crumbled to a crutch;
|
|
But, by God's grace, here wrecks were in such plenty,
|
|
That there was fuel to have furnish'd twenty.
|
|
|
|
He had a bed of furs, and a pelisse,
|
|
For Haidee stripped her sables off to make
|
|
His couch; and, that he might be more at ease,
|
|
And warm, in case by chance he should awake,
|
|
They also gave a petticoat apiece,
|
|
She and her maid- and promised by daybreak
|
|
To pay him a fresh visit, with a dish
|
|
For breakfast, of eggs, coffee, bread, and fish.
|
|
|
|
And thus they left him to his lone repose:
|
|
Juan slept like a top, or like the dead,
|
|
Who sleep at last, perhaps (God only knows),
|
|
Just for the present; and in his lull'd head
|
|
Not even a vision of his former woes
|
|
Throbb'd in accursed dreams, which sometimes spread
|
|
Unwelcome visions of our former years,
|
|
Till the eye, cheated, opens thick with tears.
|
|
|
|
Young Juan slept all dreamless:- but the maid,
|
|
Who smooth'd his pillow, as she left the den
|
|
Look'd back upon him, and a moment stay'd,
|
|
And turn'd, believing that he call'd again.
|
|
He slumber'd; yet she thought, at least she said
|
|
(The heart will slip, even as the tongue and pen),
|
|
He had pronounced her name- but she forgot
|
|
That at this moment Juan knew it not.
|
|
|
|
And pensive to her father's house she went,
|
|
Enjoining silence strict to Zoe, who
|
|
Better than her knew what, in fact, she meant,
|
|
She being wiser by a year or two:
|
|
A year or two 's an age when rightly spent,
|
|
And Zoe spent hers, as most women do,
|
|
In gaining all that useful sort of knowledge
|
|
Which is acquired in Nature's good old college.
|
|
|
|
The morn broke, and found Juan slumbering still
|
|
Fast in his cave, and nothing clash'd upon
|
|
His rest; the rushing of the neighbouring rill,
|
|
And the young beams of the excluded sun,
|
|
Troubled him not, and he might sleep his fill;
|
|
And need he had of slumber yet, for none
|
|
Had suffer'd more- his hardships were comparative
|
|
To those related in my grand-dad's 'Narrative.'
|
|
|
|
Not so Haidee: she sadly toss'd and tumbled,
|
|
And started from her sleep, and, turning o'er
|
|
Dream'd of a thousand wrecks, o'er which she stumbled,
|
|
And handsome corpses strew'd upon the shore;
|
|
And woke her maid so early that she grumbled,
|
|
And call'd her father's old slaves up, who swore
|
|
In several oaths- Armenian, Turk, and Greek-
|
|
They knew not what to think of such a freak.
|
|
|
|
But up she got, and up she made them get,
|
|
With some pretence about the sun, that makes
|
|
Sweet skies just when he rises, or is set;
|
|
And 't is, no doubt, a sight to see when breaks
|
|
Bright Phoebus, while the mountains still are wet
|
|
With mist, and every bird with him awakes,
|
|
And night is flung off like a mourning suit
|
|
Worn for a husband,- or some other brute.
|
|
|
|
I say, the sun is a most glorious sight,
|
|
I 've seen him rise full oft, indeed of late
|
|
I have sat up on purpose all the night,
|
|
Which hastens, as physicians say, one's fate;
|
|
And so all ye, who would be in the right
|
|
In health and purse, begin your day to date
|
|
From daybreak, and when coffin'd at fourscore,
|
|
Engrave upon the plate, you rose at four.
|
|
|
|
And Haidee met the morning face to face;
|
|
Her own was freshest, though a feverish flush
|
|
Had dyed it with the headlong blood, whose race
|
|
From heart to cheek is curb'd into a blush,
|
|
Like to a torrent which a mountain's base,
|
|
That overpowers some Alpine river's rush,
|
|
Checks to a lake, whose waves in circles spread;
|
|
Or the Red Sea- but the sea is not red.
|
|
|
|
And down the cliff the island virgin came,
|
|
And near the cave her quick light footsteps drew,
|
|
While the sun smiled on her with his first flame,
|
|
And young Aurora kiss'd her lips with dew,
|
|
Taking her for a sister; just the same
|
|
Mistake you would have made on seeing the two,
|
|
Although the mortal, quite as fresh and fair,
|
|
Had all the advantage, too, of not being air.
|
|
|
|
And when into the cavern Haidee stepp'd
|
|
All timidly, yet rapidly, she saw
|
|
That like an infant Juan sweetly slept;
|
|
And then she stopp'd, and stood as if in awe
|
|
(For sleep is awful), and on tiptoe crept
|
|
And wrapt him closer, lest the air, too raw,
|
|
Should reach his blood, then o'er him still as death
|
|
Bent with hush'd lips, that drank his scarce-drawn breath.
|
|
|
|
And thus like to an angel o'er the dying
|
|
Who die in righteousness, she lean'd; and there
|
|
All tranquilly the shipwreck'd boy was lying,
|
|
As o'er him the calm and stirless air:
|
|
But Zoe the meantime some eggs was frying,
|
|
Since, after all, no doubt the youthful pair
|
|
Must breakfast- and betimes, lest they should ask it,
|
|
She drew out her provision from the basket.
|
|
|
|
She knew that the best feelings must have victual,
|
|
And that a shipwreck'd youth would hungry be;
|
|
Besides, being less in love, she yawn'd a little,
|
|
And felt her veins chill'd by the neighbouring sea;
|
|
And so, she cook'd their breakfast to a tittle;
|
|
I can't say that she gave them any tea,
|
|
But there were eggs, fruit, coffee, bread, fish, honey,
|
|
With Scio wine,- and all for love, not money.
|
|
|
|
And Zoe, when the eggs were ready, and
|
|
The coffee made, would fain have waken'd Juan;
|
|
But Haidee stopp'd her with her quick small hand,
|
|
And without word, a sign her finger drew on
|
|
Her lip, which Zoe needs must understand;
|
|
And, the first breakfast spoilt, prepared a new one,
|
|
Because her mistress would not let her break
|
|
That sleep which seem'd as it would ne'er awake.
|
|
|
|
For still he lay, and on his thin worn cheek
|
|
A purple hectic play'd like dying day
|
|
On the snow-tops of distant hills; the streak
|
|
Of sufferance yet upon his forehead lay,
|
|
Where the blue veins look'd shadowy, shrunk, and weak;
|
|
And his black curls were dewy with the spray,
|
|
Which weigh'd upon them yet, all damp and salt,
|
|
Mix'd with the stony vapours of the vault.
|
|
|
|
And she bent o'er him, and he lay beneath,
|
|
Hush'd as the babe upon its mother's breast,
|
|
Droop'd as the willow when no winds can breathe,
|
|
Lull'd like the depth of ocean when at rest,
|
|
Fair as the crowning rose of the whole wreath,
|
|
Soft as the callow cygnet in its nest;
|
|
In short, he was a very pretty fellow,
|
|
Although his woes had turn'd him rather yellow.
|
|
|
|
He woke and gazed, and would have slept again,
|
|
But the fair face which met his eyes forbade
|
|
Those eyes to close, though weariness and pain
|
|
Had further sleep a further pleasure made;
|
|
For woman's face was never form'd in vain
|
|
For Juan, so that even when he pray'd
|
|
He turn'd from grisly saints, and martyrs hairy,
|
|
To the sweet portraits of the Virgin Mary.
|
|
|
|
And thus upon his elbow he arose,
|
|
And look'd upon the lady, in whose cheek
|
|
The pale contended with the purple rose,
|
|
As with an effort she began to speak;
|
|
Her eyes were eloquent, her words would pose,
|
|
Although she told him, in good modern Greek,
|
|
With an Ionian accent, low and sweet,
|
|
That he was faint, and must not talk, but eat.
|
|
|
|
Now Juan could not understand a word,
|
|
Being no Grecian; but he had an ear,
|
|
And her voice was the warble of a bird,
|
|
So soft, so sweet, so delicately clear,
|
|
That finer, simpler music ne'er was heard;
|
|
The sort of sound we echo with a tear,
|
|
Without knowing why- an overpowering tone,
|
|
Whence Melody descends as from a throne.
|
|
|
|
And Juan gazed as one who is awoke
|
|
By a distant organ, doubting if he be
|
|
Not yet a dreamer, till the spell is broke
|
|
By the watchman, or some such reality,
|
|
Or by one's early valet's cursed knock;
|
|
At least it is a heavy sound to me,
|
|
Who like a morning slumber- for the night
|
|
Shows stars and women in a better light.
|
|
|
|
And Juan, too, was help'd out from his dream,
|
|
Or sleep, or whatso'er it was, by feeling
|
|
A most prodigious appetite: the steam
|
|
Of Zoe's cookery no doubt was stealing
|
|
Upon his senses, and the kindling beam
|
|
Of the new fire, which Zoe kept up, kneeling
|
|
To stir her viands, made him quite awake
|
|
And long for food, but chiefly a beef-steak.
|
|
|
|
But beef is rare within these oxless isles;
|
|
Goat's flesh there is, no doubt, and kid, and mutton;
|
|
And, when a holiday upon them smiles,
|
|
A joint upon their barbarous spits they put on:
|
|
But this occurs but seldom, between whiles,
|
|
For some of these are rocks with scarce a hut on;
|
|
Others are fair and fertile, among which
|
|
This, though not large, was one of the most rich.
|
|
|
|
I say that beef is rare, and can't help thinking
|
|
That the old fable of the Minotaur-
|
|
From which our modern morals rightly shrinking
|
|
Condemn the royal lady's taste who wore
|
|
A cow's shape for a mask- was only (sinking
|
|
The allegory) a mere type, no more,
|
|
That Pasiphae promoted breeding cattle,
|
|
To make the Cretans bloodier in battle.
|
|
|
|
For we all know that English people are
|
|
Fed upon beef- I won't say much of beer,
|
|
Because 't is liquor only, and being far
|
|
From this my subject, has no business here;
|
|
We know, too, they very fond of war,
|
|
A pleasure- like all pleasures- rather dear;
|
|
So were the Cretans- from which I infer
|
|
That beef and battles both were owing to her.
|
|
|
|
But to resume. The languid Juan raised
|
|
His head upon his elbow, and he saw
|
|
A sight on which he had not lately gazed,
|
|
As all his latter meals had been quite raw,
|
|
Three or four things, for which the Lord he praised,
|
|
And, feeling still the famish'd vulture gnaw,
|
|
He fell upon whate'er was offer'd, like
|
|
A priest, a shark, an alderman, or pike.
|
|
|
|
He ate, and he was well supplied: and she,
|
|
Who watch'd him like a mother, would have fed
|
|
Him past all bounds, because she smiled to see
|
|
Such appetite in one she had deem'd dead;
|
|
But Zoe, being older than Haidee,
|
|
Knew (by tradition, for she ne'er had read)
|
|
That famish'd people must be slowly nurst,
|
|
And fed by spoonfuls, else they always burst.
|
|
|
|
And so she took the liberty to state,
|
|
Rather by deeds than words, because the case
|
|
Was urgent, that the gentleman, whose fate
|
|
Had made her mistress quit her bed to trace
|
|
The sea-shore at this hour, must leave his plate,
|
|
Unless he wish'd to die upon the place-
|
|
She snatch'd it, and refused another morsel,
|
|
Saying, he had gorged enough to make a horse ill.
|
|
|
|
Next they- he being naked, save a tatter'd
|
|
Pair of scarce decent trowsers- went to work,
|
|
And in the fire his recent rags they scatterd,
|
|
And dress'd him, for the present, like a Turk,
|
|
Or Greek- that is, although it not much matter'd,
|
|
Omitting turban, slippers, pistols, dirk,-
|
|
They furnish'd him, entire, except some stitches,
|
|
With a clean shirt, and very spacious breeches.
|
|
|
|
And then fair Haidee tried her tongue at speaking,
|
|
But not a word could Juan comprehend,
|
|
Although he listen'd so that the young Greek in
|
|
Her earnestness would ne'er have made an end;
|
|
And, as he interrupted not, went eking
|
|
Her speech out to her protege and friend,
|
|
Till pausing at the last her breath to take,
|
|
She saw he did not understand Romaic.
|
|
|
|
And then she had recourse to nods, and signs,
|
|
And smiles, and sparkles of the speaking eye,
|
|
And read (the only book she could) the lines
|
|
Of his fair face, and found, by sympathy,
|
|
The answer eloquent, where soul shines
|
|
And darts in one quick glance a long reply;
|
|
And thus in every look she saw exprest
|
|
A world of words, and things at which she guess'd.
|
|
|
|
And now, by dint of fingers and of eyes,
|
|
And words repeated after her, he took
|
|
A lesson in her tongue; but by surmise,
|
|
No doubt, less of her language than her look:
|
|
As he who studies fervently the skies
|
|
Turns oftener to the stars than to his book,
|
|
Thus Juan learn'd his alpha beta better
|
|
From Haidee's glance than any graven letter.
|
|
|
|
'T is pleasing to be school'd in a strange tongue
|
|
By female lips and eyes- that is, I mean,
|
|
When both the teacher and the taught are young,
|
|
As was the case, at least, where I have been;
|
|
They smile so when one 's right, and when one 's wrong
|
|
They smile still more, and then there intervene
|
|
Pressure of hands, perhaps even a chaste kiss;-
|
|
I learn'd the little that I know by this:
|
|
|
|
That is, some words of Spanish, Turk, and Greek,
|
|
Italian not at all, having no teachers;
|
|
Much English I cannot pretend to speak,
|
|
Learning that language chiefly from its preachers,
|
|
Barrow, South, Tillotson, whom every week
|
|
I study, also Blair, the highest reachers
|
|
Of eloquence in piety and prose-
|
|
I hate your poets, so read none of those.
|
|
|
|
As for the ladies, I have nought to say,
|
|
A wanderer from the British world of fashion,
|
|
Where I, like other 'dogs, have had my day,'
|
|
Like other men, too, may have had my passion-
|
|
But that, like other things, has pass'd away,
|
|
And all her fools whom I could lay the lash on:
|
|
Foes, friends, men, women, now are nought to me
|
|
But dreams of what has been, no more to be.
|
|
|
|
Return we to Don Juan. He begun
|
|
To hear new words, and to repeat them; but
|
|
Some feelings, universal as the sun,
|
|
Were such as could not in his breast be shut
|
|
More than within the bosom of a nun:
|
|
He was in love,- as you would be, no doubt,
|
|
With a young benefactress,- so was she,
|
|
Just in the way we very often see.
|
|
|
|
And every day by daybreak- rather early
|
|
For Juan, who was somewhat fond of rest-
|
|
She came into the cave, but it was merely
|
|
To see her bird reposing in his nest;
|
|
And she would softly stir his locks so curly,
|
|
Without disturbing her yet slumbering guest,
|
|
Breathing all gently o'er his cheek and mouth,
|
|
As o'er a bed of roses the sweet south.
|
|
|
|
And every morn his colour freshlier came,
|
|
And every day help'd on his convalescence;
|
|
'T was well, because health in the human frame
|
|
Is pleasant, besides being true love's essence,
|
|
For health and idleness to passion's flame
|
|
Are oil and gunpowder; and some good lessons
|
|
Are also learnt from Ceres and from Bacchus,
|
|
Without whom Venus will not long attack us.
|
|
|
|
While Venus fills the heart (without heart really
|
|
Love, though good always, is not quite so good),
|
|
Ceres presents a plate of vermicelli,-
|
|
For love must be sustain'd like flesh and blood,-
|
|
While Bacchus pours out wine, or hands a jelly:
|
|
Eggs, oysters, too, are amatory food;
|
|
But who is their purveyor from above
|
|
Heaven knows,- it may be Neptune, Pan, or Jove.
|
|
|
|
When Juan woke he found some good things ready,
|
|
A bath, a breakfast, and the finest eyes
|
|
That ever made a youthful heart less steady,
|
|
Besides her maid's as pretty for their size;
|
|
But I have spoken of all this already-
|
|
And repetition 's tiresome and unwise,-
|
|
Well- Juan, after bathing in the sea,
|
|
Came always back to coffee and Haidee.
|
|
|
|
Both were so young, and one so innocent,
|
|
That bathing pass'd for nothing; Juan seem'd
|
|
To her, as 'twere, the kind of being sent,
|
|
Of whom these two years she had nightly dream'd,
|
|
A something to be loved, a creature meant
|
|
To be her happiness, and whom she deem'd
|
|
To render happy; all who joy would win
|
|
Must share it,- Happiness was born a twin.
|
|
|
|
It was such pleasure to behold him, such
|
|
Enlargement of existence to partake
|
|
Nature with him, to thrill beneath his touch,
|
|
To watch him slumbering, and to see him wake:
|
|
To live with him forever were too much;
|
|
But then the thought of parting made her quake;
|
|
He was her own, her ocean-treasure, cast
|
|
Like a rich wreck- her first love, and her last.
|
|
|
|
And thus a moon roll'd on, and fair Haidee
|
|
Paid daily visits to her boy, and took
|
|
Such plentiful precautions, that still he
|
|
Remain'd unknown within his craggy nook;
|
|
At last her father's prows put out to sea
|
|
For certain merchantmen upon the look,
|
|
Not as of yore to carry off an Io,
|
|
But three Ragusan vessels, bound for Scio.
|
|
|
|
Then came her freedom, for she had no mother,
|
|
So that, her father being at sea, she was
|
|
Free as a married woman, or such other
|
|
Female, as where she likes may freely pass,
|
|
Without even the incumbrance of a brother,
|
|
The freest she that ever gazed on glass;
|
|
I speak of Christian lands in this comparison,
|
|
Where wives, at least, are seldom kept in garrison.
|
|
|
|
Now she prolong'd her visits and her talk
|
|
(For they must talk), and he had learnt to say
|
|
So much as to propose to take a walk,-
|
|
For little had he wander'd since the day
|
|
On which, like a young flower snapp'd from the stalk,
|
|
Drooping and dewy on the beach he lay,-
|
|
And thus they walk'd out in the afternoon,
|
|
And saw the sun set opposite the moon.
|
|
|
|
It was a wild and breaker-beaten coast,
|
|
With cliffs above, and a broad sandy shore,
|
|
Guarded by shoals and rocks as by an host,
|
|
With here and there a creek, whose aspect wore
|
|
A better welcome to the tempest-tost;
|
|
And rarely ceased the haughty billow's roar,
|
|
Save on the dead long summer days, which make
|
|
The outstretch'd ocean glitter like a lake.
|
|
|
|
And the small ripple spilt upon the beach
|
|
Scarcely o'erpass'd the cream of your champagne,
|
|
When o'er the brim the sparkling bumpers reach,
|
|
That spring-dew of the spirit! the heart's rain!
|
|
Few things surpass old wine; and they may preach
|
|
Who please,- the more because they preach in vain,-
|
|
Let us have wine and women, mirth and laughter,
|
|
Sermons and soda-water the day after.
|
|
|
|
Man, being reasonable, must get drunk;
|
|
The best of life is but intoxication:
|
|
Glory, the grape, love, gold, in these are sunk
|
|
The hopes of all men, and of every nation;
|
|
Without their sap, how branchless were the trunk
|
|
Of life's strange tree, so fruitful on occasion:
|
|
But to return,- Get very drunk; and when
|
|
You wake with headache, you shall see what then.
|
|
|
|
Ring for your valet- bid him quickly bring
|
|
Some hock and soda-water, then you 'll know
|
|
A pleasure worthy Xerxes the great king;
|
|
For not the bless'd sherbet, sublimed with snow,
|
|
Nor the first sparkle of the desert-spring,
|
|
Nor Burgundy in all its sunset glow,
|
|
After long travel, ennui, love, or slaughter,
|
|
Vie with that draught of hock and soda-water.
|
|
|
|
The coast- I think it was the coast that
|
|
Was just describing- Yes, it was the coast-
|
|
Lay at this period quiet as the sky,
|
|
The sands untumbled, the blue waves untost,
|
|
And all was stillness, save the sea-bird's cry,
|
|
And dolphin's leap, and little billow crost
|
|
By some low rock or shelve, that made it fret
|
|
Against the boundary it scarcely wet.
|
|
|
|
And forth they wander'd, her sire being gone,
|
|
As I have said, upon an expedition;
|
|
And mother, brother, guardian, she had none,
|
|
Save Zoe, who, although with due precision
|
|
She waited on her lady with the sun,
|
|
Thought daily service was her only mission,
|
|
Bringing warm water, wreathing her long tresses,
|
|
And asking now and then for cast-off dresses.
|
|
|
|
It was the cooling hour, just when the rounded
|
|
Red sun sinks down behind the azure hill,
|
|
Which then seems as if the whole earth it bounded,
|
|
Circling all nature, hush'd, and dim, and still,
|
|
With the far mountain-crescent half surrounded
|
|
On one side, and the deep sea calm and chill
|
|
Upon the other, and the rosy sky,
|
|
With one star sparkling through it like an eye.
|
|
|
|
And thus they wander'd forth, and hand in hand,
|
|
Over the shining pebbles and the shells,
|
|
Glided along the smooth and harden'd sand,
|
|
And in the worn and wild receptacles
|
|
Work'd by the storms, yet work'd as it were plann'd,
|
|
In hollow halls, with sparry roofs and cells,
|
|
They turn'd to rest; and, each clasp'd by an arm,
|
|
Yielded to the deep twilight's purple charm.
|
|
|
|
They look'd up to the sky, whose floating glow
|
|
Spread like a rosy ocean, vast and bright;
|
|
They gazed upon the glittering sea below,
|
|
Whence the broad moon rose circling into sight;
|
|
They heard the wave's splash, and the wind so low,
|
|
And saw each other's dark eyes darting light
|
|
Into each other- and, beholding this,
|
|
Their lips drew near, and clung into a kiss;
|
|
|
|
A long, long kiss, a kiss of youth, and love,
|
|
And beauty, all concentrating like rays
|
|
Into one focus, kindled from above;
|
|
Such kisses as belong to early days,
|
|
Where heart, and soul, and sense, in concert move,
|
|
And the blood 's lava, and the pulse a blaze,
|
|
Each kiss a heart-quake,- for a kiss's strength,
|
|
I think, it must be reckon'd by its length.
|
|
|
|
By length I mean duration; theirs endured
|
|
Heaven knows how long- no doubt they never reckon'd;
|
|
And if they had, they could not have secured
|
|
The sum of their sensations to a second:
|
|
They had not spoken; but they felt allured,
|
|
As if their souls and lips each other beckon'd,
|
|
Which, being join'd, like swarming bees they clung-
|
|
Their hearts the flowers from whence the honey sprung.
|
|
|
|
They were alone, but not alone as they
|
|
Who shut in chambers think it loneliness;
|
|
The silent ocean, and the starlight bay,
|
|
The twilight glow which momently grew less,
|
|
The voiceless sands and dropping caves, that lay
|
|
Around them, made them to each other press,
|
|
As if there were no life beneath the sky
|
|
Save theirs, and that their life could never die.
|
|
|
|
They fear'd no eyes nor ears on that lone beach,
|
|
They felt no terrors from the night, they were
|
|
All in all to each other: though their speech
|
|
Was broken words, they thought a language there,-
|
|
And all the burning tongues the passions teach
|
|
Found in one sigh the best interpreter
|
|
Of nature's oracle- first love,- that all
|
|
Which Eve has left her daughters since her fall.
|
|
|
|
Haidde spoke not of scruples, ask'd no vows,
|
|
Nor offer'd any; she had never heard
|
|
Of plight and promises to be a spouse,
|
|
Or perils by a loving maid incurr'd;
|
|
She was all which pure ignorance allows,
|
|
And flew to her young mate like a young bird;
|
|
And, never having dreamt of falsehood, she
|
|
Had not one word to say of constancy.
|
|
|
|
She loved, and was beloved- she adored,
|
|
And she was worshipp'd; after nature's fashion,
|
|
Their intense souls, into each other pour'd,
|
|
If souls could die, had perish'd in that passion,-
|
|
But by degrees their senses were restored,
|
|
Again to be o'ercome, again to dash on;
|
|
And, beating 'gainst his bosom, Haidee's heart
|
|
Felt as if never more to beat apart.
|
|
|
|
Alas! they were so young, so beautiful,
|
|
So lonely, loving, helpless, and the hour
|
|
Was that in which the heart is always full,
|
|
And, having o'er itself no further power,
|
|
Prompts deeds eternity can not annul,
|
|
But pays off moments in an endless shower
|
|
Of hell-fire- all prepared for people giving
|
|
Pleasure or pain to one another living.
|
|
|
|
Alas! for Juan and Haidee! they were
|
|
So loving and so lovely- till then never,
|
|
Excepting our first parents, such a pair
|
|
Had run the risk of being damn'd for ever;
|
|
And Haidee, being devout as well as fair,
|
|
Had, doubtless, heard about the Stygian river,
|
|
And hell and purgatory- but forgot
|
|
Just in the very crisis she should not.
|
|
|
|
They look upon each other, and their eyes
|
|
Gleam in the moonlight; and her white arm clasps
|
|
Round Juan's head, and his around her lies
|
|
Half buried in the tresses which it grasps;
|
|
She sits upon his knee, and drinks his sighs,
|
|
He hers, until they end in broken gasps;
|
|
And thus they form a group that 's quite antique,
|
|
Half naked, loving, natural, and Greek.
|
|
|
|
And when those deep and burning moments pass'd,
|
|
And Juan sunk to sleep within her arms,
|
|
She slept not, but all tenderly, though fast,
|
|
Sustain'd his head upon her bosom's charms;
|
|
And now and then her eye to heaven is cast,
|
|
And then on the pale cheek her breast now warms,
|
|
Pillow'd on her o'erflowing heart, which pants
|
|
With all it granted, and with all it grants.
|
|
|
|
An infant when it gazes on a light,
|
|
A child the moment when it drains the breast,
|
|
A devotee when soars the Host in sight,
|
|
An Arab with a stranger for a guest,
|
|
A sailor when the prize has struck in fight,
|
|
A miser filling his most hoarded chest,
|
|
Feel rapture; but not such true joy are reaping
|
|
As they who watch o'er what they love while sleeping.
|
|
|
|
For there it lies so tranquil, so beloved,
|
|
All that it hath of life with us is living;
|
|
So gentle, stirless, helpless, and unmoved,
|
|
And all unconscious of the joy 't is giving;
|
|
All it hath felt, inflicted, pass'd, and proved,
|
|
Hush'd into depths beyond the watcher's diving:
|
|
There lies the thing we love with all its errors
|
|
And all its charms, like death without its terrors.
|
|
|
|
The lady watch'd her lover- and that hour
|
|
Of Love's, and Night's, and Ocean's solitude,
|
|
O'erflow'd her soul with their united power;
|
|
Amidst the barren sand and rocks so rude
|
|
She and her wave-worn love had made their bower,
|
|
Where nought upon their passion could intrude,
|
|
And all the stars that crowded the blue space
|
|
Saw nothing happier than her glowing face.
|
|
|
|
Alas! the love of women! it is known
|
|
To be a lovely and a fearful thing;
|
|
For all of theirs upon that die is thrown,
|
|
And if 't is lost, life hath no more to bring
|
|
To them but mockeries of the past alone,
|
|
And their revenge is as the tiger's spring,
|
|
Deadly, and quick, and crushing; yet, as real
|
|
Torture is theirs, what they inflict they feel.
|
|
|
|
They are right; for man, to man so oft unjust,
|
|
Is always so to women; one sole bond
|
|
Awaits them, treachery is all their trust;
|
|
Taught to conceal, their bursting hearts despond
|
|
Over their idol, till some wealthier lust
|
|
Buys them in marriage- and what rests beyond?
|
|
A thankless husband, next a faithless lover,
|
|
Then dressing, nursing, praying, and all 's over.
|
|
|
|
Some take a lover, some take drams or prayers,
|
|
Some mind their household, others dissipation,
|
|
Some run away, and but exchange their cares,
|
|
Losing the advantage of a virtuous station;
|
|
Few changes e'er can better their affairs,
|
|
Theirs being an unnatural situation,
|
|
From the dull palace to the dirty hovel:
|
|
Some play the devil, and then write a novel.
|
|
|
|
Haidee was Nature's bride, and knew not this;
|
|
Haidee was Passion's child, born where the sun
|
|
Showers triple light, and scorches even the kiss
|
|
Of his gazelle-eyed daughters; she was one
|
|
Made but to love, to feel that she was his
|
|
Who was her chosen: what was said or done
|
|
Elsewhere was nothing. She had naught to fear,
|
|
Hope, care, nor love, beyond, her heart beat here.
|
|
|
|
And oh! that quickening of the heart, that beat!
|
|
How much it costs us! yet each rising throb
|
|
Is in its cause as its effect so sweet,
|
|
That Wisdom, ever on the watch to rob
|
|
Joy of its alchymy, and to repeat
|
|
Fine truths; even Conscience, too, has a tough job
|
|
To make us understand each good old maxim,
|
|
So good- I wonder Castlereagh don't tax 'em.
|
|
|
|
And now 't was done- on the lone shore were plighted
|
|
Their hearts; the stars, their nuptial torches, shed
|
|
Beauty upon the beautiful they lighted:
|
|
Ocean their witness, and the cave their bed,
|
|
By their own feelings hallow'd and united,
|
|
Their priest was Solitude, and they were wed:
|
|
And they were happy, for to their young eyes
|
|
Each was an angel, and earth paradise.
|
|
|
|
Oh, Love! of whom great Caesar was the suitor,
|
|
Titus the master, Antony the slave,
|
|
Horace, Catullus, scholars, Ovid tutor,
|
|
Sappho the sage blue-stocking, in whose grave
|
|
All those may leap who rather would be neuter
|
|
(Leucadia's rock still overlooks the wave)-
|
|
Oh, Love! thou art the very god of evil,
|
|
For, after all, we cannot call thee devil.
|
|
|
|
Thou mak'st the chaste connubial state precarious,
|
|
And jestest with the brows of mightiest men:
|
|
Caesar and Pompey, Mahomet, Belisarius,
|
|
Have much employ'd the muse of history's pen;
|
|
Their lives and fortunes were extremely various,
|
|
Such worthies Time will never see again;
|
|
Yet to these four in three things the same luck holds,
|
|
They all were heroes, conquerors, and cuckolds.
|
|
|
|
Thou mak'st philosophers; there 's Epicurus
|
|
And Aristippus, a material crew!
|
|
Who to immoral courses would allure us
|
|
By theories quite practicable too;
|
|
If only from the devil they would insure us,
|
|
How pleasant were the maxim (not quite new),
|
|
'Eat, drink, and love, what can the rest avail us?'
|
|
So said the royal sage Sardanapalus.
|
|
|
|
But Juan! had he quite forgotten Julia?
|
|
And should he have forgotten her so soon?
|
|
I can't but say it seems to me most truly
|
|
Perplexing question; but, no doubt, the moon
|
|
Does these things for us, and whenever newly
|
|
Strong palpitation rises, 't is her boon,
|
|
Else how the devil is it that fresh features
|
|
Have such a charm for us poor human creatures?
|
|
|
|
I hate inconstancy- I loathe, detest,
|
|
Abhor, condemn, abjure the mortal made
|
|
Of such quicksilver clay that in his breast
|
|
No permanent foundation can be laid;
|
|
Love, constant love, has been my constant guest,
|
|
And yet last night, being at a masquerade,
|
|
I saw the prettiest creature, fresh from Milan,
|
|
Which gave me some sensations like a villain.
|
|
|
|
But soon Philosophy came to my aid,
|
|
And whisper'd, 'Think of every sacred tie!'
|
|
'I will, my dear Philosophy!' I said,
|
|
'But then her teeth, and then, oh, Heaven! her eye!
|
|
I'll just inquire if she be wife or maid,
|
|
Or neither- out of curiosity.'
|
|
'Stop!' cried Philosophy, with air so Grecian
|
|
(Though she was masqued then as a fair Venetian);
|
|
|
|
'Stop!' so I stopp'd.- But to return: that which
|
|
Men call inconstancy is nothing more
|
|
Than admiration due where nature's rich
|
|
Profusion with young beauty covers o'er
|
|
Some favour'd object; and as in the niche
|
|
A lovely statue we almost adore,
|
|
This sort of adoration of the real
|
|
Is but a heightening of the 'beau ideal.'
|
|
|
|
'T is the perception of the beautiful,
|
|
A fine extension of the faculties,
|
|
Platonic, universal, wonderful,
|
|
Drawn from the stars, and filter'd through the skies,
|
|
Without which life would be extremely dull;
|
|
In short, it is the use of our own eyes,
|
|
With one or two small senses added, just
|
|
To hint that flesh is form'd of fiery dust.
|
|
|
|
Yet 't is a painful feeling, and unwilling,
|
|
For surely if we always could perceive
|
|
In the same object graces quite as killing
|
|
As when she rose upon us like an Eve,
|
|
'T would save us many a heartache, many a shilling
|
|
(For we must get them any how or grieve),
|
|
Whereas if one sole lady pleased for ever,
|
|
How pleasant for the heart as well as liver!
|
|
|
|
The heart is like the sky, a part of heaven,
|
|
But changes night and day, too, like the sky;
|
|
Now o'er it clouds and thunder must be driven,
|
|
And darkness and destruction as on high:
|
|
But when it hath been scorch'd, and pierced, and riven,
|
|
Its storms expire in water-drops; the eye
|
|
Pours forth at last the heart's blood turn'd to tears,
|
|
Which make the English climate of our years.
|
|
|
|
The liver is the lazaret of bile,
|
|
But very rarely executes its function,
|
|
For the first passion stays there such a while,
|
|
That all the rest creep in and form a junction,
|
|
Life knots of vipers on a dunghill's soil,-
|
|
Rage, fear, hate, jealousy, revenge, compunction,-
|
|
So that all mischiefs spring up from this entrail,
|
|
Like earthquakes from the hidden fire call'd 'central,'
|
|
|
|
In the mean time, without proceeding more
|
|
In this anatomy, I 've finish'd now
|
|
Two hundred and odd stanzas as before,
|
|
That being about the number I 'll allow
|
|
Each canto of the twelve, or twenty-four;
|
|
And, laying down my pen, I make my bow,
|
|
Leaving Don Juan and Haidee to plead
|
|
For them and theirs with all who deign to read.
|
|
CANTO THE THIRD.
|
|
|
|
HAIL, Muse! et cetera.- We left Juan sleeping,
|
|
Pillow'd upon a fair and happy breast,
|
|
And watch'd by eyes that never yet knew weeping,
|
|
And loved by a young heart, too deeply blest
|
|
To feel the poison through her spirit creeping,
|
|
Or know who rested there, a foe to rest,
|
|
Had soil'd the current of her sinless years,
|
|
And turn'd her pure heart's purest blood to tears!
|
|
|
|
Oh, Love! what is it in this world of ours
|
|
Which makes it fatal to be loved? Ah, why
|
|
With cypress branches hast thou Wreathed thy bowers,
|
|
And made thy best interpreter a sigh?
|
|
As those who dote on odours pluck the flowers,
|
|
And place them on their breast- but place to die-
|
|
Thus the frail beings we would fondly cherish
|
|
Are laid within our bosoms but to perish.
|
|
|
|
In her first passion woman loves her lover,
|
|
In all the others all she loves is love,
|
|
Which grows a habit she can ne'er get over,
|
|
And fits her loosely- like an easy glove,
|
|
As you may find, whene'er you like to prove her:
|
|
One man alone at first her heart can move;
|
|
She then prefers him in the plural number,
|
|
Not finding that the additions much encumber.
|
|
|
|
I know not if the fault be men's or theirs;
|
|
But one thing 's pretty sure; a woman planted
|
|
(Unless at once she plunge for life in prayers)
|
|
After a decent time must be gallanted;
|
|
Although, no doubt, her first of love affairs
|
|
Is that to which her heart is wholly granted;
|
|
Yet there are some, they say, who have had none,
|
|
But those who have ne'er end with only one.
|
|
|
|
'T is melancholy, and a fearful sign
|
|
Of human frailty, folly, also crime,
|
|
That love and marriage rarely can combine,
|
|
Although they both are born in the same clime;
|
|
Marriage from love, like vinegar from wine-
|
|
A sad, sour, sober beverage- by time
|
|
Is sharpen'd from its high celestial flavour
|
|
Down to a very homely household savour.
|
|
|
|
There 's something of antipathy, as 't were,
|
|
Between their present and their future state;
|
|
A kind of flattery that 's hardly fair
|
|
Is used until the truth arrives too late-
|
|
Yet what can people do, except despair?
|
|
The same things change their names at such a rate;
|
|
For instance- passion in a lover 's glorious,
|
|
But in a husband is pronounced uxorious.
|
|
|
|
Men grow ashamed of being so very fond;
|
|
They sometimes also get a little tired
|
|
(But that, of course, is rare), and then despond:
|
|
The same things cannot always be admired,
|
|
Yet 't is 'so nominated in the bond,'
|
|
That both are tied till one shall have expired.
|
|
Sad thought! to lose the spouse that was adorning
|
|
Our days, and put one's servants into mourning.
|
|
|
|
There 's doubtless something in domestic doings
|
|
Which forms, in fact, true love's antithesis;
|
|
Romances paint at full length people's wooings,
|
|
But only give a bust of marriages;
|
|
For no one cares for matrimonial cooings,
|
|
There 's nothing wrong in a connubial kiss:
|
|
Think you, if Laura had been Petrarch's wife,
|
|
He would have written sonnets all his life?
|
|
|
|
All tragedies are finish'd by a death,
|
|
All comedies are ended by a marriage;
|
|
The future states of both are left to faith,
|
|
For authors fear description might disparage
|
|
The worlds to come of both, or fall beneath,
|
|
And then both worlds would punish their miscarriage;
|
|
So leaving each their priest and prayer-book ready,
|
|
They say no more of Death or of the Lady.
|
|
|
|
The only two that in my recollection
|
|
Have sung of heaven and hell, or marriage, are
|
|
Dante and Milton, and of both the affection
|
|
Was hapless in their nuptials, for some bar
|
|
Of fault or temper ruin'd the connection
|
|
(Such things, in fact, it don't ask much to mar):
|
|
But Dante's Beatrice and Milton's Eve
|
|
Were not drawn from their spouses, you conceive.
|
|
|
|
Some persons say that Dante meant theology
|
|
By Beatrice, and not a mistress- I,
|
|
Although my opinion may require apology,
|
|
Deem this a commentator's fantasy,
|
|
Unless indeed it was from his own knowledge he
|
|
Decided thus, and show'd good reason why;
|
|
I think that Dante's more abstruse ecstatics
|
|
Meant to personify the mathematics.
|
|
|
|
Haidee and Juan were not married, but
|
|
The fault was theirs, not mine; it is not fair,
|
|
Chaste reader, then, in any way to put
|
|
The blame on me, unless you wish they were;
|
|
Then if you 'd have them wedded, please to shut
|
|
The book which treats of this erroneous pair,
|
|
Before the consequences grow too awful;
|
|
'T is dangerous to read of loves unlawful.
|
|
|
|
Yet they were happy,- happy in the illicit
|
|
Indulgence of their innocent desires;
|
|
But more imprudent grown with every visit,
|
|
Haidee forgot the island was her sire's;
|
|
When we have what we like, 't is hard to miss it,
|
|
At least in the beginning, ere one tires;
|
|
Thus she came often, not a moment losing,
|
|
Whilst her piratical papa was cruising.
|
|
|
|
Let not his mode of raising cash seem strange,
|
|
Although he fleeced the flags of every nation,
|
|
For into a prime minister but change
|
|
His title, and 't is nothing but taxation;
|
|
But he, more modest, took an humbler range
|
|
Of life, and in an honester vocation
|
|
Pursued o'er the high seas his watery journey,
|
|
And merely practised as a sea-attorney.
|
|
|
|
The good old gentleman had been detain'd
|
|
By winds and waves, and some important captures;
|
|
And, in the hope of more, at sea remain'd,
|
|
Although a squall or two had damp'd his raptures,
|
|
By swamping one of the prizes; he had chain'd
|
|
His prisoners, dividing them like chapters
|
|
In number'd lots; they all had cuffs and collars,
|
|
And averaged each from ten to a hundred dollars.
|
|
|
|
Some he disposed of off Cape Matapan,
|
|
Among his friends the Mainots; some he sold
|
|
To his Tunis correspondents, save one man
|
|
Toss'd overboard unsaleable (being old);
|
|
The rest- save here and there some richer one,
|
|
Reserved for future ransom- in the hold
|
|
Were link'd alike, as for the common people he
|
|
Had a large order from the Dey of Tripoli.
|
|
|
|
The merchandise was served in the same way,
|
|
Pieced out for different marts in the Levant;
|
|
Except some certain portions of the prey,
|
|
Light classic articles of female want,
|
|
French stuffs, lace, tweezers, toothpicks, teapot, tray,
|
|
Guitars and castanets from Alicant,
|
|
All which selected from the spoil he gathers,
|
|
Robb'd for his daughter by the best of fathers.
|
|
|
|
A monkey, a Dutch mastiff, a mackaw,
|
|
Two parrots, with a Persian cat and kittens,
|
|
He chose from several animals he saw-
|
|
A terrier, too, which once had been a Briton's,
|
|
Who dying on the coast of Ithaca,
|
|
The peasants gave the poor dumb thing a pittance;
|
|
These to secure in this strong blowing weather,
|
|
He caged in one huge hamper altogether.
|
|
|
|
Then having settled his marine affairs,
|
|
Despatching single cruisers here and there,
|
|
His vessel having need of some repairs,
|
|
He shaped his course to where his daughter fair
|
|
Continued still her hospitable cares;
|
|
But that part of the coast being shoal and bare,
|
|
And rough with reefs which ran out many a mile,
|
|
His port lay on the other side o' the isle.
|
|
|
|
And there he went ashore without delay,
|
|
Having no custom-house nor quarantine
|
|
To ask him awkward questions on the way
|
|
About the time and place where he had been:
|
|
He left his ship to be hove down next day,
|
|
With orders to the people to careen;
|
|
So that all hands were busy beyond measure,
|
|
In getting out goods, ballast, guns, and treasure.
|
|
|
|
Arriving at the summit of a hill
|
|
Which overlook'd the white walls of his home,
|
|
He stopp'd.- What singular emotions fill
|
|
Their bosoms who have been induced to roam!
|
|
With fluttering doubts if all be well or ill-
|
|
With love for many, and with fears for some;
|
|
All feelings which o'erleap the years long lost,
|
|
And bring our hearts back to their starting-post.
|
|
|
|
The approach of home to husbands and to sires,
|
|
After long travelling by land or water,
|
|
Most naturally some small doubt inspires-
|
|
A female family 's a serious matter
|
|
(None trusts the sex more, or so much admires-
|
|
But they hate flattery, so I never flatter);
|
|
Wives in their husbands' absences grow subtler,
|
|
And daughters sometimes run off with the butler.
|
|
|
|
An honest gentleman at his return
|
|
May not have the good fortune of Ulysses;
|
|
Not all lone matrons for their husbands mourn,
|
|
Or show the same dislike to suitors' kisses;
|
|
The odds are that he finds a handsome urn
|
|
To his memory- and two or three young misses
|
|
Born to some friend, who holds his wife and riches,-
|
|
And that his Argus- bites him by the breeches.
|
|
|
|
If single, probably his plighted fair
|
|
Has in his absence wedded some rich miser;
|
|
But all the better, for the happy pair
|
|
May quarrel, and the lady growing wiser,
|
|
He may resume his amatory care
|
|
As cavalier servente, or despise her;
|
|
And that his sorrow may not be a dumb one,
|
|
Write odes on the Inconstancy of Woman.
|
|
|
|
And oh! ye gentlemen who have already
|
|
Some chaste liaison of the kind- I mean
|
|
An honest friendship with a married lady-
|
|
The only thing of this sort ever seen
|
|
To last- of all connections the most steady,
|
|
And the true Hymen (the first 's but a screen)-
|
|
Yet for all that keep not too long away,
|
|
I 've known the absent wrong'd four times a day.
|
|
|
|
Lambro, our sea-solicitor, who had
|
|
Much less experience of dry land than ocean,
|
|
On seeing his own chimney-smoke, felt glad;
|
|
But not knowing metaphysics, had no notion
|
|
Of the true reason of his not being sad,
|
|
Or that of any other strong emotion;
|
|
He loved his child, and would have wept the loss of her,
|
|
But knew the cause no more than a philosopher.
|
|
|
|
He saw his white walls shining in the sun,
|
|
His garden trees all shadowy and green;
|
|
He heard his rivulet's light bubbling run,
|
|
The distant dog-bark; and perceived between
|
|
The umbrage of the wood so cool and dun
|
|
The moving figures, and the sparkling sheen
|
|
Of arms (in the East all arm)- and various dyes
|
|
Of colour'd garbs, as bright as butterflies.
|
|
|
|
And as the spot where they appear he nears,
|
|
Surprised at these unwonted signs of idling,
|
|
He hears- alas! no music of the spheres,
|
|
But an unhallow'd, earthly sound of fiddling!
|
|
A melody which made him doubt his ears,
|
|
The cause being past his guessing or unriddling;
|
|
A pipe, too, and a drum, and shortly after,
|
|
A most unoriental roar of laughter.
|
|
|
|
And still more nearly to the place advancing,
|
|
Descending rather quickly the declivity,
|
|
Through the waved branches o'er the greensward glancing,
|
|
'Midst other indications of festivity,
|
|
Seeing a troop of his domestics dancing
|
|
Like dervises, who turn as on a pivot, he
|
|
Perceived it was the Pyrrhic dance so martial,
|
|
To which the Levantines are very partial.
|
|
|
|
And further on a group of Grecian girls,
|
|
The first and tallest her white kerchief waving,
|
|
Were strung together like a row of pearls,
|
|
Link'd hand in hand, and dancing; each too having
|
|
Down her white neck long floating auburn curls
|
|
(The least of which would set ten poets raving);
|
|
Their leader sang- and bounded to her song,
|
|
With choral step and voice, the virgin throng.
|
|
|
|
And here, assembled cross-legg'd round their trays,
|
|
Small social parties just begun to dine;
|
|
Pilaus and meats of all sorts met the gaze,
|
|
And flasks of Samian and of Chian wine,
|
|
And sherbet cooling in the porous vase;
|
|
Above them their dessert grew on its vine,
|
|
The orange and pomegranate nodding o'er
|
|
Dropp'd in their laps, scarce pluck'd, their mellow store.
|
|
|
|
A band of children, round a snow-white ram,
|
|
There wreathe his venerable horns with flowers;
|
|
While peaceful as if still an unwean'd lamb,
|
|
The patriarch of the flock all gently cowers
|
|
His sober head, majestically tame,
|
|
Or eats from out the palm, or playful lowers
|
|
His brow, as if in act to butt, and then
|
|
Yielding to their small hands, draws back again.
|
|
|
|
Their classical profiles, and glittering dresses,
|
|
Their large black eyes, and soft seraphic cheeks,
|
|
Crimson as cleft pomegranates, their long tresses,
|
|
The gesture which enchants, the eye that speaks,
|
|
The innocence which happy childhood blesses,
|
|
Made quite a picture of these little Greeks;
|
|
So that the philosophical beholder
|
|
Sigh'd for their sakes- that they should e'er grow older.
|
|
|
|
Afar, a dwarf buffoon stood telling tales
|
|
To a sedate grey circle of old smokers,
|
|
Of secret treasures found in hidden vales,
|
|
Of wonderful replies from Arab jokers,
|
|
Of charms to make good gold and cure bad ails,
|
|
Of rocks bewitch'd that open to the knockers,
|
|
Of magic ladies who, by one sole act,
|
|
Transform'd their lords to beasts (but that 's a fact).
|
|
|
|
Here was no lack of innocent diversion
|
|
For the imagination or the senses,
|
|
Song, dance, wine, music, stories from the Persian,
|
|
All pretty pastimes in which no offence is;
|
|
But Lambro saw all these things with aversion,
|
|
Perceiving in his absence such expenses,
|
|
Dreading that climax of all human ills,
|
|
The inflammation of his weekly bills.
|
|
|
|
Ah! what is man? what perils still environ
|
|
The happiest mortals even after dinner-
|
|
A day of gold from out an age of iron
|
|
Is all that life allows the luckiest sinner;
|
|
Pleasure (whene'er she sings, at least) 's a siren,
|
|
That lures, to flay alive, the young beginner;
|
|
Lambro's reception at his people's banquet
|
|
Was such as fire accords to a wet blanket.
|
|
|
|
He- being a man who seldom used a word
|
|
Too much, and wishing gladly to surprise
|
|
(In general he surprised men with the sword)
|
|
His daughter- had not sent before to advise
|
|
Of his arrival, so that no one stirr'd;
|
|
And long he paused to re-assure his eyes
|
|
In fact much more astonish'd than delighted,
|
|
To find so much good company invited.
|
|
|
|
He did not know (alas! how men will lie)
|
|
That a report (especially the Greeks)
|
|
Avouch'd his death (such people never die),
|
|
And put his house in mourning several weeks,-
|
|
But now their eyes and also lips were dry;
|
|
The bloom, too, had return'd to Haidee's cheeks,
|
|
Her tears, too, being return'd into their fount,
|
|
She now kept house upon her own account.
|
|
|
|
Hence all this rice, meat, dancing, wine, and fiddling,
|
|
Which turn'd the isle into a place of pleasure;
|
|
The servants all were getting drunk or idling,
|
|
A life which made them happy beyond measure.
|
|
Her father's hospitality seem'd middling,
|
|
Compared with what Haidee did with his treasure;
|
|
'T was wonderful how things went on improving,
|
|
While she had not one hour to spare from loving.
|
|
|
|
Perhaps you think in stumbling on this feast
|
|
He flew into a passion, and in fact
|
|
There was no mighty reason to be pleased;
|
|
Perhaps you prophesy some sudden act,
|
|
The whip, the rack, or dungeon at the least,
|
|
To teach his people to be more exact,
|
|
And that, proceeding at a very high rate,
|
|
He show'd the royal penchants of a pirate.
|
|
|
|
You 're wrong.- He was the mildest manner'd man
|
|
That ever scuttled ship or cut a throat:
|
|
With such true breeding of a gentleman,
|
|
You never could divine his real thought;
|
|
No courtier could, and scarcely woman can
|
|
Gird more deceit within a petticoat;
|
|
Pity he loved adventurous life's variety,
|
|
He was so great a loss to good society.
|
|
|
|
Advancing to the nearest dinner tray,
|
|
Tapping the shoulder of the nighest guest,
|
|
With a peculiar smile, which, by the way,
|
|
Boded no good, whatever it express'd,
|
|
He ask'd the meaning of this holiday;
|
|
The vinous Greek to whom he had address'd
|
|
His question, much too merry to divine
|
|
The questioner, fill'd up a glass of wine,
|
|
|
|
And without turning his facetious head,
|
|
Over his shoulder, with a Bacchant air,
|
|
Presented the o'erflowing cup, and said,
|
|
'Talking 's dry work, I have no time to spare.'
|
|
A second hiccup'd, 'Our old master 's dead,
|
|
You 'd better ask our mistress who 's his heir.'
|
|
'Our mistress!' quoth a third: 'Our mistress!- pooh!-
|
|
You mean our master- not the old, but new.'
|
|
|
|
These rascals, being new comers, knew not whom
|
|
They thus address'd- and Lambro's visage fell-
|
|
And o'er his eye a momentary gloom
|
|
Pass'd, but he strove quite courteously to quell
|
|
The expression, and endeavouring to resume
|
|
His smile, requested one of them to tell
|
|
The name and quality of his new patron,
|
|
Who seem'd to have turn'd Haidee into a matron.
|
|
|
|
'I know not,' quoth the fellow, 'who or what
|
|
He is, nor whence he came- and little care;
|
|
But this I know, that this roast capon 's fat,
|
|
And that good wine ne'er wash'd down better fare;
|
|
And if you are not satisfied with that,
|
|
Direct your questions to my neighbour there;
|
|
He 'll answer all for better or for worse,
|
|
For none likes more to hear himself converse.'
|
|
|
|
I said that Lambro was a man of patience,
|
|
And certainly he show'd the best of breeding,
|
|
Which scarce even France, the paragon of nations,
|
|
E'er saw her most polite of sons exceeding;
|
|
He bore these sneers against his near relations,
|
|
His own anxiety, his heart, too, bleeding,
|
|
The insults, too, of every servile glutton,
|
|
Who all the time was eating up his mutton.
|
|
|
|
Now in a person used to much command-
|
|
To bid men come, and go, and come again-
|
|
To see his orders done, too, out of hand-
|
|
Whether the word was death, or but the chain-
|
|
It may seem strange to find his manners bland;
|
|
Yet such things are, which I can not explain,
|
|
Though doubtless he who can command himself
|
|
Is good to govern- almost as a Guelf.
|
|
|
|
Not that he was not sometimes rash or so,
|
|
But never in his real and serious mood;
|
|
Then calm, concentrated, and still, and slow,
|
|
He lay coil'd like the boa in the wood;
|
|
With him it never was a word and blow,
|
|
His angry word once o'er, he shed no blood,
|
|
But in his silence there was much to rue,
|
|
And his one blow left little work for two.
|
|
|
|
He ask'd no further questions, and proceeded
|
|
On to the house, but by a private way,
|
|
So that the few who met him hardly heeded,
|
|
So little they expected him that day;
|
|
If love paternal in his bosom pleaded
|
|
For Haidee's sake, is more than I can say,
|
|
But certainly to one deem'd dead, returning,
|
|
This revel seem'd a curious mode of mourning.
|
|
|
|
If all the dead could now return to life
|
|
(Which God forbid!) or some, or a great many,
|
|
For instance, if a husband or his wife
|
|
(Nuptial examples are as good as any),
|
|
No doubt whate'er might be their former strife,
|
|
The present weather would be much more rainy-
|
|
Tears shed into the grave of the connection
|
|
Would share most probably its resurrection.
|
|
|
|
He enter'd in the house no more his home,
|
|
A thing to human feelings the most trying,
|
|
And harder for the heart to overcome,
|
|
Perhaps, than even the mental pangs of dying;
|
|
To find our hearthstone turn'd into a tomb,
|
|
And round its once warm precincts palely lying
|
|
The ashes of our hopes, is a deep grief,
|
|
Beyond a single gentleman's belief.
|
|
|
|
He enter'd in the house- his home no more,
|
|
For without hearts there is no home; and felt
|
|
The solitude of passing his own door
|
|
Without a welcome; there he long had dwelt,
|
|
There his few peaceful days Time had swept o'er,
|
|
There his worn bosom and keen eye would melt
|
|
Over the innocence of that sweet child,
|
|
His only shrine of feelings undefiled.
|
|
|
|
He was a man of a strange temperament,
|
|
Of mild demeanour though of savage mood,
|
|
Moderate in all his habits, and content
|
|
With temperance in pleasure, as in food,
|
|
Quick to perceive, and strong to bear, and meant
|
|
For something better, if not wholly good;
|
|
His country's wrongs and his despair to save her
|
|
Had stung him from a slave to an enslaver.
|
|
|
|
The love of power, and rapid gain of gold,
|
|
The hardness by long habitude produced,
|
|
The dangerous life in which he had grown old,
|
|
The mercy he had granted oft abused,
|
|
The sights he was accustom'd to behold,
|
|
The wild seas, and wild men with whom he cruised,
|
|
Had cost his enemies a long repentance,
|
|
And made him a good friend, but bad acquaintance.
|
|
|
|
But something of the spirit of old Greece
|
|
Flash'd o'er his soul a few heroic rays,
|
|
Such as lit onward to the Golden Fleece
|
|
His predecessors in the Colchian days;
|
|
T is true he had no ardent love for peace-
|
|
Alas! his country show'd no path to praise:
|
|
Hate to the world and war with every nation
|
|
He waged, in vengeance of her degradation.
|
|
|
|
Still o'er his mind the influence of the clime
|
|
Shed its Ionian elegance, which show'd
|
|
Its power unconsciously full many a time,-
|
|
A taste seen in the choice of his abode,
|
|
A love of music and of scenes sublime,
|
|
A pleasure in the gentle stream that flow'd
|
|
Past him in crystal, and a joy in flowers,
|
|
Bedew'd his spirit in his calmer hours.
|
|
|
|
But whatsoe'er he had of love reposed
|
|
On that beloved daughter; she had been
|
|
The only thing which kept his heart unclosed
|
|
Amidst the savage deeds he had done and seen;
|
|
A lonely pure affection unopposed:
|
|
There wanted but the loss of this to wean
|
|
His feelings from all milk of human kindness,
|
|
And turn him like the Cyclops mad with blindness.
|
|
|
|
The cubless tigress in her jungle raging
|
|
Is dreadful to the shepherd and the flock;
|
|
The ocean when its yeasty war is waging
|
|
Is awful to the vessel near the rock;
|
|
But violent things will sooner bear assuaging,
|
|
Their fury being spent by its own shock,
|
|
Than the stern, single, deep, and wordless ire
|
|
Of a strong human heart, and in a sire.
|
|
|
|
It is a hard although a common case
|
|
To find our children running restive- they
|
|
In whom our brightest days we would retrace,
|
|
Our little selves re-form'd in finer clay,
|
|
Just as old age is creeping on apace,
|
|
And clouds come o'er the sunset of our day,
|
|
They kindly leave us, though not quite alone,
|
|
But in good company- the gout or stone.
|
|
|
|
Yet a fine family is a fine thing
|
|
(Provided they don't come in after dinner);
|
|
'T is beautiful to see a matron bring
|
|
Her children up (if nursing them don't thin her);
|
|
Like cherubs round an altar-piece they cling
|
|
To the fire-side (a sight to touch a sinner).
|
|
A lady with her daughters or her nieces
|
|
Shines like a guinea and seven-shilling pieces.
|
|
|
|
Old Lambro pass'd unseen a private gate,
|
|
And stood within his hall at eventide;
|
|
Meantime the lady and her lover sate
|
|
At wassail in their beauty and their pride:
|
|
An ivory inlaid table spread with state
|
|
Before them, and fair slaves on every side;
|
|
Gems, gold, and silver, form'd the service mostly,
|
|
Mother of pearl and coral the less costly.
|
|
|
|
The dinner made about a hundred dishes;
|
|
Lamb and pistachio nuts- in short, all meats,
|
|
And saffron soups, and sweetbreads; and the fishes
|
|
Were of the finest that e'er flounced in nets,
|
|
Drest to a Sybarite's most pamper'd wishes;
|
|
The beverage was various sherbets
|
|
Of raisin, orange, and pomegranate juice,
|
|
Squeezed through the rind, which makes it best for use.
|
|
|
|
These were ranged round, each in its crystal ewer,
|
|
And fruits, and date-bread loaves closed the repast,
|
|
And Mocha's berry, from Arabia pure,
|
|
In small fine China cups, came in at last;
|
|
Gold cups of filigree made to secure
|
|
The hand from burning underneath them placed,
|
|
Cloves, cinnamon, and saffron too were boil'd
|
|
Up with the coffee, which (I think) they spoil'd.
|
|
|
|
The hangings of the room were tapestry, made
|
|
Of velvet panels, each of different hue,
|
|
And thick with damask flowers of silk inlaid;
|
|
And round them ran a yellow border too;
|
|
The upper border, richly wrought, display'd,
|
|
Embroider'd delicately o'er with blue,
|
|
Soft Persian sentences, in lilac letters,
|
|
From poets, or the moralists their betters.
|
|
|
|
These Oriental writings on the wall,
|
|
Quite common in those countries, are a kind
|
|
Of monitors adapted to recall,
|
|
Like skulls at Memphian banquets, to the mind
|
|
The words which shook Belshazzar in his hall,
|
|
And took his kingdom from him: You will find,
|
|
Though sages may pour out their wisdom's treasure,
|
|
There is no sterner moralist than Pleasure.
|
|
|
|
A beauty at the season's close grown hectic,
|
|
A genius who has drunk himself to death,
|
|
A rake turn'd methodistic, or Eclectic
|
|
(For that 's the name they like to pray beneath)-
|
|
But most, an alderman struck apoplectic,
|
|
Are things that really take away the breath,-
|
|
And show that late hours, wine, and love are able
|
|
To do not much less damage than the table.
|
|
|
|
Haidee and Juan carpeted their feet
|
|
On crimson satin, border'd with pale blue;
|
|
Their sofa occupied three parts complete
|
|
Of the apartment- and appear'd quite new;
|
|
The velvet cushions (for a throne more meet)
|
|
Were scarlet, from whose glowing centre grew
|
|
A sun emboss'd in gold, whose rays of tissue,
|
|
Meridian-like, were seen all light to issue.
|
|
|
|
Crystal and marble, plate and porcelain,
|
|
Had done their work of splendour; Indian mats
|
|
And Persian carpets, which the heart bled to stain,
|
|
Over the floors were spread; gazelles and cats,
|
|
And dwarfs and blacks, and such like things, that gain
|
|
Their bread as ministers and favourites (that 's
|
|
To say, by degradation) mingled there
|
|
As plentiful as in a court, or fair.
|
|
|
|
There was no want of lofty mirrors, and
|
|
The tables, most of ebony inlaid
|
|
With mother of pearl or ivory, stood at hand,
|
|
Or were of tortoise-shell or rare woods made,
|
|
Fretted with gold or silver:- by command,
|
|
The greater part of these were ready spread
|
|
With viands and sherbets in ice- and wine-
|
|
Kept for all comers at all hours to dine.
|
|
|
|
Of all the dresses I select Haidee's:
|
|
She wore two jelicks- one was of pale yellow;
|
|
Of azure, pink, and white was her chemise-
|
|
'Neath which her breast heaved like a little billow;
|
|
With buttons form'd of pearls as large as peas,
|
|
All gold and crimson shone her jelick's fellow,
|
|
And the striped white gauze baracan that bound her,
|
|
Like fleecy clouds about the moon, flow'd round her.
|
|
|
|
One large gold bracelet clasp'd each lovely arm,
|
|
Lockless- so pliable from the pure gold
|
|
That the hand stretch'd and shut it without harm,
|
|
The limb which it adorn'd its only mould;
|
|
So beautiful- its very shape would charm;
|
|
And, clinging as if loath to lose its hold,
|
|
The purest ore enclosed the whitest skin
|
|
That e'er by precious metal was held in.
|
|
|
|
Around, as princess of her father's land,
|
|
A like gold bar above her instep roll'd
|
|
Announced her rank; twelve rings were on her hand;
|
|
Her hair was starr'd with gems; her veil's fine fold
|
|
Below her breast was fasten'd with a band
|
|
Of lavish pearls, whose worth could scarce be told;
|
|
Her orange silk full Turkish trousers furl'd
|
|
About the prettiest ankle in the world.
|
|
|
|
Her hair's long auburn waves down to her heel
|
|
Flow'd like an Alpine torrent which the sun
|
|
Dyes with his morning light,- and would conceal
|
|
Her person if allow'd at large to run,
|
|
And still they seem resentfully to feel
|
|
The silken fillet's curb, and sought to shun
|
|
Their bonds whene'er some Zephyr caught began
|
|
To offer his young pinion as her fan.
|
|
|
|
Round her she made an atmosphere of life,
|
|
The very air seem'd lighter from her eyes,
|
|
They were so soft and beautiful, and rife
|
|
With all we can imagine of the skies,
|
|
And pure as Psyche ere she grew a wife-
|
|
Too pure even for the purest human ties;
|
|
Her overpowering presence made you feel
|
|
It would not be idolatry to kneel.
|
|
|
|
Her eyelashes, though dark as night, were tinged
|
|
(It is the country's custom), but in vain;
|
|
For those large black eyes were so blackly fringed,
|
|
The glossy rebels mock'd the jetty stain,
|
|
And in their native beauty stood avenged:
|
|
Her nails were touch'd with henna; but again
|
|
The power of art was turn'd to nothing, for
|
|
They could not look more rosy than before.
|
|
|
|
The henna should be deeply dyed to make
|
|
The skin relieved appear more fairly fair;
|
|
She had no need of this, day ne'er will break
|
|
On mountain tops more heavenly white than her:
|
|
The eye might doubt if it were well awake,
|
|
She was so like a vision; I might err,
|
|
But Shakspeare also says, 't is very silly
|
|
'To gild refined gold, or paint the lily'
|
|
|
|
Juan had on a shawl of black and gold,
|
|
But a white baracan, and so transparent
|
|
The sparkling gems beneath you might behold,
|
|
Like small stars through the milky way apparent;
|
|
His turban, furl'd in many a graceful fold,
|
|
An emerald aigrette with Haidee's hair in 't
|
|
Surmounted as its clasp- a glowing crescent,
|
|
Whose rays shone ever trembling, but incessant.
|
|
|
|
And now they were diverted by their suite,
|
|
Dwarfs, dancing girls, black eunuchs, and a poet,
|
|
Which made their new establishment complete;
|
|
The last was of great fame, and liked to show it:
|
|
His verses rarely wanted their due feet;
|
|
And for his theme- he seldom sung below it,
|
|
He being paid to satirize or flatter,
|
|
As the psalm says, 'inditing a good matter.'
|
|
|
|
He praised the present, and abused the past,
|
|
Reversing the good custom of old days,
|
|
An Eastern anti-jacobin at last
|
|
He turn'd, preferring pudding to no praise-
|
|
For some few years his lot had been o'ercast
|
|
By his seeming independent in his lays,
|
|
But now he sung the Sultan and the Pacha
|
|
With truth like Southey, and with verse like Crashaw.
|
|
|
|
He was a man who had seen many changes,
|
|
And always changed as true as any needle;
|
|
His polar star being one which rather ranges,
|
|
And not the fix'd- he knew the way to wheedle:
|
|
So vile he 'scaped the doom which oft avenges;
|
|
And being fluent (save indeed when fee'd ill),
|
|
He lied with such a fervour of intention-
|
|
There was no doubt he earn'd his laureate pension.
|
|
|
|
But he had genius,- when a turncoat has it,
|
|
The 'Vates irritabilis' takes care
|
|
That without notice few full moons shall pass it;
|
|
Even good men like to make the public stare:-
|
|
But to my subject- let me see- what was it?-
|
|
Oh!- the third canto- and the pretty pair-
|
|
Their loves, and feasts, and house, and dress, and mode
|
|
Of living in their insular abode.
|
|
|
|
Their poet, a sad trimmer, but no less
|
|
In company a very pleasant fellow,
|
|
Had been the favourite of full many a mess
|
|
Of men, and made them speeches when half mellow;
|
|
And though his meaning they could rarely guess,
|
|
Yet still they deign'd to hiccup or to bellow
|
|
The glorious meed of popular applause,
|
|
Of which the first ne'er knows the second cause.
|
|
|
|
But now being lifted into high society,
|
|
And having pick'd up several odds and ends
|
|
Of free thoughts in his travels for variety,
|
|
He deem'd, being in a lone isle, among friends,
|
|
That, without any danger of a riot, he
|
|
Might for long lying make himself amends;
|
|
And, singing as he sung in his warm youth,
|
|
Agree to a short armistice with truth.
|
|
|
|
He had travell'd 'mongst the Arabs, Turks, and Franks,
|
|
And knew the self-loves of the different nations;
|
|
And having lived with people of all ranks,
|
|
Had something ready upon most occasions-
|
|
Which got him a few presents and some thanks.
|
|
He varied with some skill his adulations;
|
|
To 'do at Rome as Romans do,' a piece
|
|
Of conduct was which he observed in Greece.
|
|
|
|
Thus, usually, when he was ask'd to sing,
|
|
He gave the different nations something national;
|
|
'T was all the same to him- 'God save the king,'
|
|
Or 'Ca ira,' according to the fashion all:
|
|
His muse made increment of any thing,
|
|
From the high lyric down to the low rational:
|
|
If Pindar sang horse-races, what should hinder
|
|
Himself from being as pliable as Pindar?
|
|
|
|
In France, for instance, he would write a chanson;
|
|
In England a six canto quarto tale;
|
|
In Spain, he'd make a ballad or romance on
|
|
The last war- much the same in Portugal;
|
|
In Germany, the Pegasus he 'd prance on
|
|
Would be old Goethe's (see what says De Stael);
|
|
In Italy he 'd ape the 'Trecentisti;'
|
|
In Greece, he sing some sort of hymn like this t' ye:
|
|
|
|
THE ISLES OF GREECE.
|
|
|
|
The isles of Greece, the Isles of Greece!
|
|
Where burning Sappho loved and sung,
|
|
Where grew the arts of war and peace,
|
|
Where Delos rose, and Phoebus sprung!
|
|
Eternal summer gilds them yet,
|
|
But all, except their sun, is set.
|
|
|
|
The Scian and the Teian muse,
|
|
The hero's harp, the lover's lute,
|
|
Have found the fame your shores refuse;
|
|
Their place of birth alone is mute
|
|
To sounds which echo further west
|
|
Than your sires' 'Islands of the Blest.'
|
|
|
|
The mountains look on Marathon-
|
|
And Marathon looks on the sea;
|
|
And musing there an hour alone,
|
|
I dream'd that Greece might still be free;
|
|
For standing on the Persians' grave,
|
|
I could not deem myself a slave.
|
|
|
|
A king sate on the rocky brow
|
|
Which looks o'er sea-born Salamis;
|
|
And ships, by thousands, lay below,
|
|
And men in nations;- all were his!
|
|
He counted them at break of day-
|
|
And when the sun set where were they?
|
|
|
|
And where are they? and where art thou,
|
|
My country? On thy voiceless shore
|
|
The heroic lay is tuneless now-
|
|
The heroic bosom beats no more!
|
|
And must thy lyre, so long divine,
|
|
Degenerate into hands like mine?
|
|
|
|
'T is something, in the dearth of fame,
|
|
Though link'd among a fetter'd race,
|
|
To feel at least a patriot's shame,
|
|
Even as I sing, suffuse my face;
|
|
For what is left the poet here?
|
|
For Greeks a blush- for Greece a tear.
|
|
|
|
Must we but weep o'er days more blest?
|
|
Must we but blush?- Our fathers bled.
|
|
Earth! render back from out thy breast
|
|
A remnant of our Spartan dead!
|
|
Of the three hundred grant but three,
|
|
To make a new Thermopylae!
|
|
|
|
What, silent still? and silent all?
|
|
Ah! no;- the voices of the dead
|
|
Sound like a distant torrent's fall,
|
|
And answer, 'Let one living head,
|
|
But one arise,- we come, we come!'
|
|
'T is but the living who are dumb.
|
|
|
|
In vain- in vain: strike other chords;
|
|
Fill high the cup with Samian wine!
|
|
Leave battles to the Turkish hordes,
|
|
And shed the blood of Scio's vine!
|
|
Hark! rising to the ignoble call-
|
|
How answers each bold Bacchanal!
|
|
|
|
You have the Pyrrhic dance as yet,
|
|
Where is the Pyrrhic phalanx gone?
|
|
Of two such lessons, why forget
|
|
The nobler and the manlier one?
|
|
You have the letters Cadmus gave-
|
|
Think ye he meant them for a slave?
|
|
|
|
Fill high the bowl with Samian wine!
|
|
We will not think of themes like these!
|
|
It made Anacreon's song divine:
|
|
He served- but served Polycrates-
|
|
A tyrant; but our masters then
|
|
Were still, at least, our countrymen.
|
|
|
|
The tyrant of the Chersonese
|
|
Was freedom's best and bravest friend;
|
|
That tyrant was Miltiades!
|
|
Oh! that the present hour would lend
|
|
Another despot of the kind!
|
|
Such chains as his were sure to bind.
|
|
|
|
Fill high the bowl with Samian wine!
|
|
On Suli's rock, and Parga's shore,
|
|
Exists the remnant of a line
|
|
Such as the Doric mothers bore;
|
|
And there, perhaps, some seed is sown,
|
|
The Heracleidan blood might own.
|
|
|
|
Trust not for freedom to the Franks-
|
|
They have a king who buys and sells;
|
|
In native swords, and native ranks,
|
|
The only hope of courage dwells;
|
|
But Turkish force, and Latin fraud,
|
|
Would break your shield, however broad.
|
|
|
|
Fill high the bowl with Samian wine!
|
|
Our virgins dance beneath the shade-
|
|
I see their glorious black eyes shine;
|
|
But gazing on each glowing maid,
|
|
My own the burning tear-drop laves,
|
|
To think such breasts must suckle slaves
|
|
|
|
Place me on Sunium's marbled steep,
|
|
Where nothing, save the waves and I,
|
|
May hear our mutual murmurs sweep;
|
|
There, swan-like, let me sing and die:
|
|
A land of slaves shall ne'er be mine-
|
|
Dash down yon cup of Samian wine!
|
|
|
|
Thus sung, or would, or could, or should have sung,
|
|
The modern Greek, in tolerable verse;
|
|
If not like Orpheus quite, when Greece was young,
|
|
Yet in these times he might have done much worse:
|
|
His strain display'd some feeling- right or wrong;
|
|
And feeling, in a poet, is the source
|
|
Of others' feeling; but they are such liars,
|
|
And take all colours- like the hands of dyers.
|
|
|
|
But words are things, and a small drop of ink,
|
|
Falling like dew, upon a thought, produces
|
|
That which makes thousands, perhaps millions, think;
|
|
'T is strange, the shortest letter which man uses
|
|
Instead of speech, may form a lasting link
|
|
Of ages; to what straits old Time reduces
|
|
Frail man, when paper- even a rag like this,
|
|
Survives himself, his tomb, and all that 's his.
|
|
|
|
And when his bones are dust, his grave a blank,
|
|
His station, generation, even his nation,
|
|
Become a thing, or nothing, save to rank
|
|
In chronological commemoration,
|
|
Some dull MS. oblivion long has sank,
|
|
Or graven stone found in a barrack's station
|
|
In digging the foundation of a closet,
|
|
May turn his name up, as a rare deposit.
|
|
|
|
And glory long has made the sages smile;
|
|
'T is something, nothing, words, illusion, wind-
|
|
Depending more upon the historian's style
|
|
Than on the name a person leaves behind:
|
|
Troy owes to Homer what whist owes to Hoyle:
|
|
The present century was growing blind
|
|
To the great Marlborough's skill in giving knocks,
|
|
Until his late life by Archdeacon Coxe.
|
|
|
|
Milton 's the prince of poets- so we say;
|
|
A little heavy, but no less divine:
|
|
An independent being in his day-
|
|
Learn'd, pious, temperate in love and wine;
|
|
But, his life falling into Johnson's way,
|
|
We 're told this great high priest of all the Nine
|
|
Was whipt at college- a harsh sire- odd spouse,
|
|
For the first Mrs. Milton left his house.
|
|
|
|
All these are, certes, entertaining facts,
|
|
Like Shakspeare's stealing deer, Lord Bacon's bribes;
|
|
Like Titus' youth, and Caesar's earliest acts;
|
|
Like Burns (whom Doctor Currie well describes);
|
|
Like Cromwell's pranks;- but although truth exacts
|
|
These amiable descriptions from the scribes,
|
|
As most essential to their hero's story,
|
|
They do not much contribute to his glory.
|
|
|
|
All are not moralists, like Southey, when
|
|
He prated to the world of 'Pantisocracy;'
|
|
Or Wordsworth unexcised, unhired, who then
|
|
Season'd his pedlar poems with democracy;
|
|
Or Coleridge, long before his flighty pen
|
|
Let to the Morning Post its aristocracy;
|
|
When he and Southey, following the same path,
|
|
Espoused two partners (milliners of Bath).
|
|
|
|
Such names at present cut a convict figure,
|
|
The very Botany Bay in moral geography;
|
|
Their loyal treason, renegado rigour,
|
|
Are good manure for their more bare biography.
|
|
Wordsworth's last quarto, by the way, is bigger
|
|
Than any since the birthday of typography;
|
|
A drowsy frowzy poem, call'd the 'Excursion.'
|
|
Writ in a manner which is my aversion.
|
|
|
|
He there builds up a formidable dyke
|
|
Between his own and others' intellect;
|
|
But Wordsworth's poem, and his followers, like
|
|
Joanna Southcote's Shiloh, and her sect,
|
|
Are things which in this century don't strike
|
|
The public mind,- so few are the elect;
|
|
And the new births of both their stale virginities
|
|
Have proved but dropsies, taken for divinities.
|
|
|
|
But let me to my story: I must own,
|
|
If I have any fault, it is digression-
|
|
Leaving my people to proceed alone,
|
|
While I soliloquize beyond expression;
|
|
But these are my addresses from the throne,
|
|
Which put off business to the ensuing session:
|
|
Forgetting each omission is a loss to
|
|
The world, not quite so great as Ariosto.
|
|
|
|
I know that what our neighbours call 'longueurs'
|
|
(We 've not so good a word, but have the thing
|
|
In that complete perfection which ensures
|
|
An epic from Bob Southey every spring),
|
|
Form not the true temptation which allures
|
|
The reader; but 't would not be hard to bring
|
|
Some fine examples of the epopee,
|
|
To prove its grand ingredient is ennui.
|
|
|
|
We learn from Horace, 'Homer sometimes sleeps;'
|
|
We feel without him, Wordsworth sometimes wakes,-
|
|
To show with what complacency he creeps,
|
|
With his dear 'Waggoners,' around his lakes.
|
|
He wishes for 'a boat' to sail the deeps-
|
|
Of ocean?- No, of air; and then he makes
|
|
Another outcry for 'a little boat,'
|
|
And drivels seas to set it well afloat.
|
|
|
|
If he must fain sweep o'er the ethereal plain,
|
|
And Pegasus runs restive in his 'Waggon,'
|
|
Could he not beg the loan of Charles's Wain?
|
|
Or pray Medea for a single dragon?
|
|
Or if, too classic for his vulgar brain,
|
|
He fear'd his neck to venture such a nag on,
|
|
And he must needs mount nearer to the moon,
|
|
Could not the blockhead ask for a balloon?
|
|
|
|
'Pedlars,' and 'Boats,' and 'Waggons!' Oh! ye shades
|
|
Of Pope and Dryden, are we come to this?
|
|
That trash of such sort not alone evades
|
|
Contempt, but from the bathos' vast abyss
|
|
Floats scumlike uppermost, and these Jack Cades
|
|
Of sense and song above your graves may hiss-
|
|
The 'little boatman' and his 'Peter Bell'
|
|
Can sneer at him who drew 'Achitophel'!
|
|
|
|
T' our tale.- The feast was over, the slaves gone,
|
|
The dwarfs and dancing girls had all retired;
|
|
The Arab lore and poet's song were done,
|
|
And every sound of revelry expired;
|
|
The lady and her lover, left alone,
|
|
The rosy flood of twilight's sky admired;-
|
|
Ave Maria! o'er the earth and sea,
|
|
That heavenliest hour of Heaven is worthiest thee!
|
|
|
|
Ave Maria! blessed be the hour!
|
|
The time, the clime, the spot, where I so oft
|
|
Have felt that moment in its fullest power
|
|
Sink o'er the earth so beautiful and soft,
|
|
While swung the deep bell in the distant tower,
|
|
Or the faint dying day-hymn stole aloft,
|
|
And not a breath crept through the rosy air,
|
|
And yet the forest leaves seem'd stirr'd with prayer.
|
|
|
|
Ave Maria! 't is the hour of prayer!
|
|
Ave Maria! 't is the hour of love!
|
|
Ave Maria! may our spirits dare
|
|
Look up to thine and to thy Son's above!
|
|
Ave Maria! oh that face so fair!
|
|
Those downcast eyes beneath the Almighty dove-
|
|
What though 't is but a pictured image?- strike-
|
|
That painting is no idol,- 't is too like.
|
|
|
|
Some kinder casuists are pleased to say,
|
|
In nameless print- that I have no devotion;
|
|
But set those persons down with me to pray,
|
|
And you shall see who has the properest notion
|
|
Of getting into heaven the shortest way;
|
|
My altars are the mountains and the ocean,
|
|
Earth, air, stars,- all that springs from the great Whole,
|
|
Who hath produced, and will receive the soul.
|
|
|
|
Sweet hour of twilight!- in the solitude
|
|
Of the pine forest, and the silent shore
|
|
Which bounds Ravenna's immemorial wood,
|
|
Rooted where once the Adrian wave flow'd o'er,
|
|
To where the last Caesarean fortress stood,
|
|
Evergreen forest! which Boccaccio's lore
|
|
And Dryden's lay made haunted ground to me,
|
|
How have I loved the twilight hour and thee!
|
|
|
|
The shrill cicadas, people of the pine,
|
|
Making their summer lives one ceaseless song,
|
|
Were the sole echoes, save my steed's and mine,
|
|
And vesper bell's that rose the boughs along;
|
|
The spectre huntsman of Onesti's line,
|
|
His hell-dogs, and their chase, and the fair throng
|
|
Which learn'd from this example not to fly
|
|
From a true lover,- shadow'd my mind's eye.
|
|
|
|
Oh, Hesperus! thou bringest all good things-
|
|
Home to the weary, to the hungry cheer,
|
|
To the young bird the parent's brooding wings,
|
|
The welcome stall to the o'erlabour'd steer;
|
|
Whate'er of peace about our hearthstone clings,
|
|
Whate'er our household gods protect of dear,
|
|
Are gather'd round us by thy look of rest;
|
|
Thou bring'st the child, too, to the mother's breast.
|
|
|
|
Soft hour! which wakes the wish and melts the heart
|
|
Of those who sail the seas, on the first day
|
|
When they from their sweet friends are torn apart;
|
|
Or fills with love the pilgrim on his way
|
|
As the far bell of vesper makes him start,
|
|
Seeming to weep the dying day's decay;
|
|
Is this a fancy which our reason scorns?
|
|
Ah! surely nothing dies but something mourns!
|
|
|
|
When Nero perish'd by the justest doom
|
|
Which ever the destroyer yet destroy'd,
|
|
Amidst the roar of liberated Rome,
|
|
Of nations freed, and the world overjoy'd,
|
|
Some hands unseen strew'd flowers upon his tomb:
|
|
Perhaps the weakness of a heart not void
|
|
Of feeling for some kindness done, when power
|
|
Had left the wretch an uncorrupted hour.
|
|
|
|
But I 'm digressing; what on earth has Nero,
|
|
Or any such like sovereign buffoons,
|
|
To do with the transactions of my hero,
|
|
More than such madmen's fellow man- the moon's?
|
|
Sure my invention must be down at zero,
|
|
And I grown one of many 'wooden spoons'
|
|
Of verse (the name with which we Cantabs please
|
|
To dub the last of honours in degrees).
|
|
|
|
I feel this tediousness will never do-
|
|
'T is being too epic, and I must cut down
|
|
(In copying) this long canto into two;
|
|
They 'll never find it out, unless I own
|
|
The fact, excepting some experienced few;
|
|
And then as an improvement 't will be shown:
|
|
I 'll prove that such the opinion of the critic is
|
|
From Aristotle passim.- See poietikes.
|
|
CANTO THE FOURTH.
|
|
|
|
NOTHING so difficult as a beginning
|
|
In poesy, unless perhaps the end;
|
|
For oftentimes when Pegasus seems winning
|
|
The race, he sprains a wing, and down we tend,
|
|
Like Lucifer when hurl'd from heaven for sinning;
|
|
Our sin the same, and hard as his to mend,
|
|
Being pride, which leads the mind to soar too far,
|
|
Till our own weakness shows us what we are.
|
|
|
|
But Time, which brings all beings to their level,
|
|
And sharp Adversity, will teach at last
|
|
Man,- and, as we would hope,- perhaps the devil,
|
|
That neither of their intellects are vast:
|
|
While youth's hot wishes in our red veins revel,
|
|
We know not this- the blood flows on too fast;
|
|
But as the torrent widens towards the ocean,
|
|
We ponder deeply on each past emotion.
|
|
|
|
As boy, I thought myself a clever fellow,
|
|
And wish'd that others held the same opinion;
|
|
They took it up when my days grew more mellow,
|
|
And other minds acknowledged my dominion:
|
|
Now my sere fancy 'falls into the yellow
|
|
Leaf,' and Imagination droops her pinion,
|
|
And the sad truth which hovers o'er my desk
|
|
Turns what was once romantic to burlesque.
|
|
|
|
And if I laugh at any mortal thing,
|
|
'T is that I may not weep; and if I weep,
|
|
'T is that our nature cannot always bring
|
|
Itself to apathy, for we must steep
|
|
Our hearts first in the depths of Lethe's spring,
|
|
Ere what we least wish to behold will sleep:
|
|
Thetis baptized her mortal son in Styx;
|
|
A mortal mother would on Lethe fix.
|
|
|
|
Some have accused me of a strange design
|
|
Against the creed and morals of the land,
|
|
And trace it in this poem every line:
|
|
I don't pretend that I quite understand
|
|
My own meaning when I would be very fine;
|
|
But the fact is that I have nothing plann'd,
|
|
Unless it were to be a moment merry,
|
|
A novel word in my vocabulary.
|
|
|
|
To the kind reader of our sober clime
|
|
This way of writing will appear exotic;
|
|
Pulci was sire of the half-serious rhyme,
|
|
Who sang when chivalry was more Quixotic,
|
|
And revell'd in the fancies of the time,
|
|
True knights, chaste dames, huge giants, kings despotic:
|
|
But all these, save the last, being obsolete,
|
|
I chose a modern subject as more meet.
|
|
|
|
How I have treated it, I do not know;
|
|
Perhaps no better than they have treated me
|
|
Who have imputed such designs as show
|
|
Not what they saw, but what they wish'd to see:
|
|
But if it gives them pleasure, be it so;
|
|
This is a liberal age, and thoughts are free:
|
|
Meantime Apollo plucks me by the ear,
|
|
And tells me to resume my story here.
|
|
|
|
Young Juan and his lady-love were left
|
|
To their own hearts' most sweet society;
|
|
Even Time the pitiless in sorrow cleft
|
|
With his rude scythe such gentle bosoms; he
|
|
Sigh'd to behold them of their hours bereft,
|
|
Though foe to love; and yet they could not be
|
|
Meant to grow old, but die in happy spring,
|
|
Before one charm or hope had taken wing.
|
|
|
|
Their faces were not made for wrinkles, their
|
|
Pure blood to stagnate, their great hearts to fail;
|
|
The blank grey was not made to blast their hair,
|
|
But like the climes that know nor snow nor hail
|
|
They were all summer: lightning might assail
|
|
And shiver them to ashes, but to trail
|
|
A long and snake-like life of dull decay
|
|
Was not for them- they had too little day.
|
|
|
|
They were alone once more; for them to be
|
|
Thus was another Eden; they were never
|
|
Weary, unless when separate: the tree
|
|
Cut from its forest root of years- the river
|
|
Damm'd from its fountain- the child from the knee
|
|
And breast maternal wean'd at once for ever,-
|
|
Would wither less than these two torn apart;
|
|
Alas! there is no instinct like the heart-
|
|
|
|
The heart- which may be broken: happy they!
|
|
Thrice fortunate! who of that fragile mould,
|
|
The precious porcelain of human clay,
|
|
Break with the first fall: they can ne'er behold
|
|
The long year link'd with heavy day on day,
|
|
And all which must be borne, and never told;
|
|
While life's strange principle will often lie
|
|
Deepest in those who long the most to die.
|
|
|
|
'Whom the gods love die young,' was said of yore,
|
|
And many deaths do they escape by this:
|
|
The death of friends, and that which slays even more-
|
|
The death of friendship, love, youth, all that is,
|
|
Except mere breath; and since the silent shore
|
|
Awaits at last even those who longest miss
|
|
The old archer's shafts, perhaps the early grave
|
|
Which men weep over may be meant to save.
|
|
|
|
Haidee and Juan thought not of the dead-
|
|
The heavens, and earth, and air, seem'd made for them:
|
|
They found no fault with Time, save that he fled;
|
|
They saw not in themselves aught to condemn:
|
|
Each was the other's mirror, and but read
|
|
Joy sparkling in their dark eyes like a gem,
|
|
And knew such brightness was but the reflection
|
|
Of their exchanging glances of affection.
|
|
|
|
The gentle pressure, and the thrilling touch,
|
|
The least glance better understood than words,
|
|
Which still said all, and ne'er could say too much;
|
|
A language, too, but like to that of birds,
|
|
Known but to them, at least appearing such
|
|
As but to lovers a true sense affords;
|
|
Sweet playful phrases, which would seem absurd
|
|
To those who have ceased to hear such, or ne'er heard,-
|
|
|
|
All these were theirs, for they were children still,
|
|
And children still they should have ever been;
|
|
They were not made in the real world to fill
|
|
A busy character in the dull scene,
|
|
But like two beings born from out a rill,
|
|
A nymph and her beloved, all unseen
|
|
To pass their lives in fountains and on flowers,
|
|
And never know the weight of human hours.
|
|
|
|
Moons changing had roll'd on, and changeless found
|
|
Those their bright rise had lighted to such joys
|
|
As rarely they beheld throughout their round;
|
|
And these were not of the vain kind which cloys,
|
|
For theirs were buoyant spirits, never bound
|
|
By the mere senses; and that which destroys
|
|
Most love, possession, unto them appear'd
|
|
A thing which each endearment more endear'd.
|
|
|
|
Oh beautiful! and rare as beautiful
|
|
But theirs was love in which the mind delights
|
|
To lose itself when the old world grows dull,
|
|
And we are sick of its hack sounds and sights,
|
|
Intrigues, adventures of the common school,
|
|
Its petty passions, marriages, and flights,
|
|
Where Hymen's torch but brands one strumpet more,
|
|
Whose husband only knows her not a wh- re.
|
|
|
|
Hard words; harsh truth; a truth which many know.
|
|
Enough.- The faithful and the fairy pair,
|
|
Who never found a single hour too slow,
|
|
What was it made them thus exempt from care?
|
|
Young innate feelings all have felt below,
|
|
Which perish in the rest, but in them were
|
|
Inherent- what we mortals call romantic,
|
|
And always envy, though we deem it frantic.
|
|
|
|
This is in others a factitious state,
|
|
An opium dream of too much youth and reading,
|
|
But was in them their nature or their fate:
|
|
No novels e'er had set their young hearts bleeding,
|
|
For Haidee's knowledge was by no means great,
|
|
And Juan was a boy of saintly breeding;
|
|
So that there was no reason for their loves
|
|
More than for those of nightingales or doves.
|
|
|
|
They gazed upon the sunset; 't is an hour
|
|
Dear unto all, but dearest to their eyes,
|
|
For it had made them what they were: the power
|
|
Of love had first o'erwhelm'd them from such skies,
|
|
When happiness had been their only dower,
|
|
And twilight saw them link'd in passion's ties;
|
|
Charm'd with each other, all things charm'd that brought
|
|
The past still welcome as the present thought.
|
|
|
|
I know not why, but in that hour to-night,
|
|
Even as they gazed, a sudden tremor came,
|
|
And swept, as 't were, across their hearts' delight,
|
|
Like the wind o'er a harp-string, or a flame,
|
|
When one is shook in sound, and one in sight;
|
|
And thus some boding flash'd through either frame,
|
|
And call'd from Juan's breast a faint low sigh,
|
|
While one new tear arose in Haidee's eye.
|
|
|
|
That large black prophet eye seem'd to dilate
|
|
And follow far the disappearing sun,
|
|
As if their last day! of a happy date
|
|
With his broad, bright, and dropping orb were gone;
|
|
Juan gazed on her as to ask his fate-
|
|
He felt a grief, but knowing cause for none,
|
|
His glance inquired of hers for some excuse
|
|
For feelings causeless, or at least abstruse.
|
|
|
|
She turn'd to him, and smiled, but in that sort
|
|
Which makes not others smile; then turn'd aside:
|
|
Whatever feeling shook her, it seem'd short,
|
|
And master'd by her wisdom or her pride;
|
|
When Juan spoke, too- it might be in sport-
|
|
Of this their mutual feeling, she replied-
|
|
'If it should be so,- but- it cannot be-
|
|
Or I at least shall not survive to see.'
|
|
|
|
Juan would question further, but she press'd
|
|
His lip to hers, and silenced him with this,
|
|
And then dismiss'd the omen from her breast,
|
|
Defying augury with that fond kiss;
|
|
And no doubt of all methods 't is the best:
|
|
Some people prefer wine- 't is not amiss;
|
|
I have tried both; so those who would a part take
|
|
May choose between the headache and the heartache.
|
|
|
|
One of the two, according to your choice,
|
|
Woman or wine, you 'll have to undergo;
|
|
Both maladies are taxes on our joys:
|
|
But which to choose, I really hardly know;
|
|
And if I had to give a casting voice,
|
|
For both sides I could many reasons show,
|
|
And then decide, without great wrong to either,
|
|
It were much better to have both than neither.
|
|
|
|
Juan and Haidee gazed upon each other
|
|
With swimming looks of speechless tenderness,
|
|
Which mix'd all feelings, friend, child, lover, brother,
|
|
All that the best can mingle and express
|
|
When two pure hearts are pour'd in one another,
|
|
And love too much, and yet can not love less;
|
|
But almost sanctify the sweet excess
|
|
By the immortal wish and power to bless.
|
|
|
|
Mix'd in each other's arms, and heart in heart,
|
|
Why did they not then die?- they had lived too long
|
|
Should an hour come to bid them breathe apart;
|
|
Years could but bring them cruel things or wrong;
|
|
The world was not for them, nor the world's art
|
|
For beings passionate as Sappho's song;
|
|
Love was born with them, in them, so intense,
|
|
It was their very spirit- not a sense.
|
|
|
|
They should have lived together deep in woods,
|
|
Unseen as sings the nightingale; they were
|
|
Unfit to mix in these thick solitudes
|
|
Call'd social, haunts of Hate, and Vice, and Care:
|
|
How lonely every freeborn creature broods!
|
|
The sweetest song-birds nestle in a pair;
|
|
The eagle soars alone; the gull and crow
|
|
Flock o'er their carrion, just like men below.
|
|
|
|
Now pillow'd cheek to cheek, in loving sleep,
|
|
Haidee and Juan their siesta took,
|
|
A gentle slumber, but it was not deep,
|
|
For ever and anon a something shook
|
|
Juan, and shuddering o'er his frame would creep;
|
|
And Haidee's sweet lips murmur'd like a brook
|
|
A wordless music, and her face so fair
|
|
Stirr'd with her dream, as rose-leaves with the air.
|
|
|
|
Or as the stirring of a deep dear stream
|
|
Within an Alpine hollow, when the wind
|
|
Walks o'er it, was she shaken by the dream,
|
|
The mystical usurper of the mind-
|
|
O'erpowering us to be whate'er may seem
|
|
Good to the soul which we no more can bind;
|
|
Strange state of being! (for 't is still to be)
|
|
Senseless to feel, and with seal'd eyes to see.
|
|
|
|
She dream'd of being alone on the sea-shore,
|
|
Chain'd to a rock; she knew not how, but stir
|
|
She could not from the spot, and the loud roar
|
|
Grew, and each wave rose roughly, threatening her;
|
|
And o'er her upper lip they seem'd to pour,
|
|
Until she sobb'd for breath, and soon they were
|
|
Foaming o'er her lone head, so fierce and high-
|
|
Each broke to drown her, yet she could not die.
|
|
|
|
Anon- she was released, and then she stray'd
|
|
O'er the sharp shingles with her bleeding feet,
|
|
And stumbled almost every step she made;
|
|
And something roll'd before her in a sheet,
|
|
Which she must still pursue howe'er afraid:
|
|
'T was white and indistinct, nor stopp'd to meet
|
|
Her glance nor grasp, for still she gazed, and grasp'd,
|
|
And ran, but it escaped her as she clasp'd.
|
|
|
|
The dream changed:- in a cave she stood, its walls
|
|
Were hung with marble icicles, the work
|
|
Of ages on its water-fretted halls,
|
|
Where waves might wash, and seals might breed and lurk;
|
|
Her hair was dripping, and the very balls
|
|
Of her black eyes seem'd turn'd to tears, and mirk
|
|
The sharp rocks look'd below each drop they caught,
|
|
Which froze to marble as it fell,- she thought.
|
|
|
|
And wet, and cold, and lifeless at her feet,
|
|
Pale as the foam that froth'd on his dead brow,
|
|
Which she essay'd in vain to clear (how sweet
|
|
Were once her cares, how idle seem'd they now!),
|
|
Lay Juan, nor could aught renew the beat
|
|
Of his quench'd heart; and the sea dirges low
|
|
Rang in her sad ears like a mermaid's song,
|
|
And that brief dream appear'd a life too long.
|
|
|
|
And gazing on the dead, she thought his face
|
|
Faded, or alter'd into something new-
|
|
Like to her father's features, till each trace-
|
|
More like and like to Lambro's aspect grew-
|
|
With all his keen worn look and Grecian grace;
|
|
And starting, she awoke, and what to view?
|
|
Oh! Powers of Heaven! what dark eye meets she there?
|
|
'T is- 't is her father's- fix'd upon the pair!
|
|
|
|
Then shrieking, she arose, and shrieking fell,
|
|
With joy and sorrow, hope and fear, to see
|
|
Him whom she deem'd a habitant where dwell
|
|
The ocean-buried, risen from death, to be
|
|
Perchance the death of one she loved too well:
|
|
Dear as her father had been to Haidee,
|
|
It was a moment of that awful kind-
|
|
I have seen such- but must not call to mind.
|
|
|
|
Up Juan sprung to Haidee's bitter shriek,
|
|
And caught her falling, and from off the wall
|
|
Snatch'd down his sabre, in hot haste to wreak
|
|
Vengeance on him who was the cause of all:
|
|
Then Lambro, who till now forbore to speak,
|
|
Smiled scornfully, and said, 'Within my call,
|
|
A thousand scimitars await the word;
|
|
Put up, young man, put up your silly sword.'
|
|
|
|
And Haidee clung around him; 'Juan, 't is-
|
|
'T is Lambro- 't is my father! Kneel with me-
|
|
He will forgive us- yes- it must be- yes.
|
|
Oh! dearest father, in this agony
|
|
Of pleasure and of pain- even while I kiss
|
|
Thy garment's hem with transport, can it be
|
|
That doubt should mingle with my filial joy?
|
|
Deal with me as thou wilt, but spare this boy.'
|
|
|
|
High and inscrutable the old man stood,
|
|
Calm in his voice, and calm within his eye-
|
|
Not always signs with him of calmest mood:
|
|
He look'd upon her, but gave no reply;
|
|
Then turn'd to Juan, in whose cheek the blood
|
|
Oft came and went, as there resolved to die;
|
|
In arms, at least, he stood, in act to spring
|
|
On the first foe whom Lambro's call might bring.
|
|
|
|
'Young man, your sword;' so Lambro once more said:
|
|
Juan replied, 'Not while this arm is free.'
|
|
The old man's cheek grew pale, but not with dread,
|
|
And drawing from his belt a pistol, he
|
|
Replied, 'Your blood be then on your own head.'
|
|
Then look'd dose at the flint, as if to see
|
|
'T was fresh- for he had lately used the lock-
|
|
And next proceeded quietly to cock.
|
|
|
|
It has a strange quick jar upon the ear,
|
|
That cocking of a pistol, when you know
|
|
A moment more will bring the sight to bear
|
|
Upon your person, twelve yards off, or so;
|
|
A gentlemanly distance, not too near,
|
|
If you have got a former friend for foe;
|
|
But after being fired at once or twice,
|
|
The ear becomes more Irish, and less nice.
|
|
|
|
Lambro presented, and one instant more
|
|
Had stopp'd this Canto, and Don Juan's breath,
|
|
When Haidee threw herself her boy before;
|
|
Stern as her sire: 'On me,' she cried, 'let death
|
|
Descend- the fault is mine; this fatal shore
|
|
He found- but sought not. I have pledged my faith;
|
|
I love him- I will die with him: I knew
|
|
Your nature's firmness- know your daughter's too.'
|
|
|
|
A minute past, and she had been all tears,
|
|
And tenderness, and infancy; but now
|
|
She stood as one who champion'd human fears-
|
|
Pale, statue-like, and stern, she woo'd the blow;
|
|
And tall beyond her sex, and their compeers,
|
|
She drew up to her height, as if to show
|
|
A fairer mark; and with a fix'd eye scann'd
|
|
Her father's face- but never stopp'd his hand.
|
|
|
|
He gazed on her, and she on him; 't was strange
|
|
How like they look'd! the expression was the same;
|
|
Serenely savage, with a little change
|
|
In the large dark eye's mutual-darted flame;
|
|
For she, too, was as one who could avenge,
|
|
If cause should be- a lioness, though tame.
|
|
Her father's blood before her father's face
|
|
Boil'd up, and proved her truly of his race.
|
|
|
|
I said they were alike, their features and
|
|
Their stature, differing but in sex and years;
|
|
Even to the delicacy of their hand
|
|
There was resemblance, such as true blood wears;
|
|
And now to see them, thus divided, stand
|
|
In fix'd ferocity, when joyous tears
|
|
And sweet sensations should have welcomed both,
|
|
Show what the passions are in their full growth.
|
|
|
|
The father paused a moment, then withdrew
|
|
His weapon, and replaced it; but stood still,
|
|
And looking on her, as to look her through,
|
|
'Not I,' he said, 'have sought this stranger's ill;
|
|
Not I have made this desolation: few
|
|
Would bear such outrage, and forbear to kill;
|
|
But I must do my duty- how thou hast
|
|
Done thine, the present vouches for the past.
|
|
|
|
'Let him disarm; or, by my father's head,
|
|
His own shall roll before you like a ball!'
|
|
He raised his whistle, as the word he said,
|
|
And blew; another answer'd to the call,
|
|
And rushing in disorderly, though led,
|
|
And arm'd from boot to turban, one and all,
|
|
Some twenty of his train came, rank on rank;
|
|
He gave the word,- 'Arrest or slay the Frank.'
|
|
|
|
Then, with a sudden movement, he withdrew
|
|
His daughter; while compress'd within his clasp,
|
|
'Twixt her and Juan interposed the crew;
|
|
In vain she struggled in her father's grasp-
|
|
His arms were like a serpent's coil: then flew
|
|
Upon their prey, as darts an angry asp,
|
|
The file of pirates; save the foremost, who
|
|
Had fallen, with his right shoulder half cut through.
|
|
|
|
The second had his cheek laid open; but
|
|
The third, a wary, cool old sworder, took
|
|
The blows upon his cutlass, and then put
|
|
His own well in; so well, ere you could look,
|
|
His man was floor'd, and helpless at his foot,
|
|
With the blood running like a little brook
|
|
From two smart sabre gashes, deep and red-
|
|
One on the arm, the other on the head.
|
|
|
|
And then they bound him where he fell, and bore
|
|
Juan from the apartment: with a sign
|
|
Old Lambro bade them take him to the shore,
|
|
Where lay some ships which were to sail at nine.
|
|
They laid him in a boat, and plied the oar
|
|
Until they reach'd some galliots, placed in line;
|
|
On board of one of these, and under hatches,
|
|
They stow'd him, with strict orders to the watches.
|
|
|
|
The world is full of strange vicissitudes,
|
|
And here was one exceedingly unpleasant:
|
|
A gentleman so rich in the world's goods,
|
|
Handsome and young, enjoying all the present,
|
|
Just at the very time when he least broods
|
|
On such a thing is suddenly to sea sent,
|
|
Wounded and chain'd, so that he cannot move,
|
|
And all because a lady fell in love.
|
|
|
|
Here I must leave him, for I grow pathetic,
|
|
Moved by the Chinese nymph of tears, green tea!
|
|
Than whom Cassandra was not more prophetic;
|
|
For if my pure libations exceed three,
|
|
I feel my heart become so sympathetic,
|
|
That I must have recourse to black Bohea:
|
|
'T is pity wine should be so deleterious,
|
|
For tea and coffee leave us much more serious,
|
|
|
|
Unless when qualified with thee, Cogniac!
|
|
Sweet Naiad of the Phlegethontic rill!
|
|
Ah! why the liver wilt thou thus attack,
|
|
And make, like other nymphs, thy lovers ill?
|
|
I would take refuge in weak punch, but rack
|
|
(In each sense of the word), whene'er I fill
|
|
My mild and midnight beakers to the brim,
|
|
Wakes me next morning with its synonym.
|
|
|
|
I leave Don Juan for the present, safe-
|
|
Not sound, poor fellow, but severely wounded;
|
|
Yet could his corporal pangs amount to half
|
|
Of those with which his Haidee's bosom bounded?
|
|
She was not one to weep, and rave, and chafe,
|
|
And then give way, subdued because surrounded;
|
|
Her mother was a Moorish maid, from Fez,
|
|
Where all is Eden, or a wilderness.
|
|
|
|
There the large olive rains its amber store
|
|
In marble fonts; there grain, and flower, and fruit,
|
|
Gush from the earth until the land runs o'er;
|
|
But there, too, many a poison-tree has root,
|
|
And midnight listens to the lion's roar,
|
|
And long, long deserts scorch the camel's foot,
|
|
Or heaving whelm the helpless caravan;
|
|
And as the soil is, so the heart of man.
|
|
|
|
Afric is all the sun's, and as her earth
|
|
Her human day is kindled; full of power
|
|
For good or evil, burning from its birth,
|
|
The Moorish blood partakes the planet's hour,
|
|
And like the soil beneath it will bring forth:
|
|
Beauty and love were Haidee's mother's dower;
|
|
But her large dark eye show'd deep Passion's force,
|
|
Though sleeping like a lion near a source.
|
|
|
|
Her daughter, temper'd with a milder ray,
|
|
Like summer clouds all silvery, smooth, and fair,
|
|
Till slowly charged with thunder they display
|
|
Terror to earth, and tempest to the air,
|
|
Had held till now her soft and milky way;
|
|
But overwrought with passion and despair,
|
|
The fire burst forth from her Numidian veins,
|
|
Even as the Simoom sweeps the blasted plains.
|
|
|
|
The last sight which she saw was Juan's gore,
|
|
And he himself o'ermaster'd and cut down;
|
|
His blood was running on the very floor
|
|
Where late he trod, her beautiful, her own;
|
|
Thus much she view'd an instant and no more,-
|
|
Her struggles ceased with one convulsive groan;
|
|
On her sire's arm, which until now scarce held
|
|
Her writhing, fell she like a cedar fell'd.
|
|
|
|
A vein had burst, and her sweet lips' pure dyes
|
|
Were dabbled with the deep blood which ran o'er;
|
|
And her head droop'd as when the lily lies
|
|
O'ercharged with rain: her summon'd handmaids bore
|
|
Their lady to her couch with gushing eyes;
|
|
Of herbs and cordials they produced their store,
|
|
But she defied all means they could employ,
|
|
Like one life could not hold, nor death destroy.
|
|
|
|
Days lay she in that state unchanged, though chill-
|
|
With nothing livid, still her lips were red;
|
|
She had no pulse, but death seem'd absent still;
|
|
No hideous sign proclaim'd her surely dead;
|
|
Corruption came not in each mind to kill
|
|
All hope; to look upon her sweet face bred
|
|
New thoughts of life, for it seem'd full of soul-
|
|
She had so much, earth could not claim the whole.
|
|
|
|
The ruling passion, such as marble shows
|
|
When exquisitely chisell'd, still lay there,
|
|
But fix'd as marble's unchanged aspect throws
|
|
O'er the fair Venus, but for ever fair;
|
|
O'er the Laocoon's all eternal throes,
|
|
And ever-dying Gladiator's air,
|
|
Their energy like life forms all their fame,
|
|
Yet looks not life, for they are still the same.
|
|
|
|
She woke at length, but not as sleepers wake,
|
|
Rather the dead, for life seem'd something new,
|
|
A strange sensation which she must partake
|
|
Perforce, since whatsoever met her view
|
|
Struck not on memory, though a heavy ache
|
|
Lay at her heart, whose earliest beat still true
|
|
Brought back the sense of pain without the cause,
|
|
For, for a while, the furies made a pause.
|
|
|
|
She look'd on many a face with vacant eye,
|
|
On many a token without knowing what;
|
|
She saw them watch her without asking why,
|
|
And reck'd not who around her pillow sat;
|
|
Not speechless, though she spoke not; not a sigh
|
|
Relieved her thoughts; dull silence and quick chat
|
|
Were tried in vain by those who served; she gave
|
|
No sign, save breath, of having left the grave.
|
|
|
|
Her handmaids tended, but she heeded not;
|
|
Her father watch'd, she turn'd her eyes away;
|
|
She recognized no being, and no spot,
|
|
However dear or cherish'd in their day;
|
|
They changed from room to room- but all forgot-
|
|
Gentle, but without memory she lay;
|
|
At length those eyes, which they would fain be weaning
|
|
Back to old thoughts, wax'd full of fearful meaning.
|
|
|
|
And then a slave bethought her of a harp;
|
|
The harper came, and tuned his instrument;
|
|
At the first notes, irregular and sharp,
|
|
On him her flashing eyes a moment bent,
|
|
Then to the wall she turn'd as if to warp
|
|
Her thoughts from sorrow through her heart re-sent;
|
|
And he begun a long low island song
|
|
Of ancient days, ere tyranny grew strong.
|
|
|
|
Anon her thin wan fingers beat the wall
|
|
In time to his old tune; he changed the theme,
|
|
And sung of love; the fierce name struck through all
|
|
Her recollection; on her flash'd the dream
|
|
Of what she was, and is, if ye could call
|
|
To be so being; in a gushing stream
|
|
The tears rush'd forth from her o'erclouded brain,
|
|
Like mountain mists at length dissolved in rain.
|
|
|
|
Short solace, vain relief!- thought came too quick,
|
|
And whirl'd her brain to madness; she arose
|
|
As one who ne'er had dwelt among the sick,
|
|
And flew at all she met, as on her foes;
|
|
But no one ever heard her speak or shriek,
|
|
Although her paroxysm drew towards its dose;-
|
|
Hers was a phrensy which disdain'd to rave,
|
|
Even when they smote her, in the hope to save.
|
|
|
|
Yet she betray'd at times a gleam of sense;
|
|
Nothing could make her meet her father's face,
|
|
Though on all other things with looks intense
|
|
She gazed, but none she ever could retrace;
|
|
Food she refused, and raiment; no pretence
|
|
Avail'd for either; neither change of place,
|
|
Nor time, nor skill, nor remedy, could give her
|
|
Senses to sleep- the power seem'd gone for ever.
|
|
|
|
Twelve days and nights she wither'd thus; at last,
|
|
Without a groan, or sigh, or glance, to show
|
|
A parting pang, the spirit from her past:
|
|
And they who watch'd her nearest could not know
|
|
The very instant, till the change that cast
|
|
Her sweet face into shadow, dull and slow,
|
|
Glazed o'er her eyes- the beautiful, the black-
|
|
Oh! to possess such lustre- and then lack!
|
|
|
|
She died, but not alone; she held within
|
|
A second principle of life, which might
|
|
Have dawn'd a fair and sinless child of sin;
|
|
But closed its little being without light,
|
|
And went down to the grave unborn, wherein
|
|
Blossom and bough lie wither'd with one blight;
|
|
In vain the dews of Heaven descend above
|
|
The bleeding flower and blasted fruit of love.
|
|
|
|
Thus lived- thus died she; never more on her
|
|
Shall sorrow light, or shame. She was not made
|
|
Through years or moons the inner weight to bear,
|
|
Which colder hearts endure till they are laid
|
|
By age in earth: her days and pleasures were
|
|
Brief, but delightful- such as had not staid
|
|
Long with her destiny; but she sleeps well
|
|
By the sea-shore, whereon she loved to dwell.
|
|
|
|
That isle is now all desolate and bare,
|
|
Its dwellings down, its tenants pass'd away;
|
|
None but her own and father's grave is there,
|
|
And nothing outward tells of human clay;
|
|
Ye could not know where lies a thing so fair,
|
|
No stone is there to show, no tongue to say
|
|
What was; no dirge, except the hollow sea's,
|
|
Mourns o'er the beauty of the Cyclades.
|
|
|
|
But many a Greek maid in a loving song
|
|
Sighs o'er her name; and many an islander
|
|
With her sire's story makes the night less long;
|
|
Valour was his, and beauty dwelt with her:
|
|
If she loved rashly, her life paid for wrong-
|
|
A heavy price must all pay who thus err,
|
|
In some shape; let none think to fly the danger,
|
|
For soon or late Love is his own avenger.
|
|
|
|
But let me change this theme which grows too sad,
|
|
And lay this sheet of sorrows on the shelf;
|
|
I don't much like describing people mad,
|
|
For fear of seeming rather touch'd myself-
|
|
Besides, I 've no more on this head to add;
|
|
And as my Muse is a capricious elf,
|
|
We 'll put about, and try another tack
|
|
With Juan, left half-kill'd some stanzas back.
|
|
|
|
Wounded and fetter'd, 'cabin'd, cribb'd, confined,'
|
|
Some days and nights elapsed before that he
|
|
Could altogether call the past to mind;
|
|
And when he did, he found himself at sea,
|
|
Sailing six knots an hour before the wind;
|
|
The shores of Ilion lay beneath their lee-
|
|
Another time he might have liked to see 'em,
|
|
But now was not much pleased with Cape Sigaeum.
|
|
|
|
There, on the green and village-cotted hill, is
|
|
(Flank'd by the Hellespont and by the sea)
|
|
Entomb'd the bravest of the brave, Achilles;
|
|
They say so (Bryant says the contrary):
|
|
And further downward, tall and towering still, is
|
|
The tumulus- of whom? Heaven knows! 't may be
|
|
Patroclus, Ajax, or Protesilaus-
|
|
All heroes, who if living still would slay us.
|
|
|
|
High barrows, without marble or a name,
|
|
A vast, untill'd, and mountain-skirted plain,
|
|
And Ida in the distance, still the same,
|
|
And old Scamander (if 't is he) remain;
|
|
The situation seems still form'd for fame-
|
|
A hundred thousand men might fight again
|
|
With case; but where I sought for Ilion's walls,
|
|
The quiet sheep feeds, and the tortoise crawls;
|
|
|
|
Troops of untended horses; here and there
|
|
Some little hamlets, with new names uncouth;
|
|
Some shepherds (unlike Paris) led to stare
|
|
A moment at the European youth
|
|
Whom to the spot their school-boy feelings bear;
|
|
A turk, with beads in hand and pipe in mouth,
|
|
Extremely taken with his own religion,
|
|
Are what I found there- but the devil a Phrygian.
|
|
|
|
Don Juan, here permitted to emerge
|
|
From his dull cabin, found himself a slave;
|
|
Forlorn, and gazing on the deep blue surge,
|
|
O'ershadow'd there by many a hero's grave;
|
|
Weak still with loss of blood, he scarce could urge
|
|
A few brief questions; and the answers gave
|
|
No very satisfactory information
|
|
About his past or present situation.
|
|
|
|
He saw some fellow captives, who appear'd
|
|
To be Italians, as they were in fact;
|
|
From them, at least, their destiny he heard,
|
|
Which was an odd one; a troop going to act
|
|
In Sicily (all singers, duly rear'd
|
|
In their vocation) had not been attack'd
|
|
In sailing from Livorno by the pirate,
|
|
But sold by the impresario at no high rate.
|
|
|
|
By one of these, the buffo of the party,
|
|
Juan was told about their curious case;
|
|
For although destined to the Turkish mart, he
|
|
Still kept his spirits up- at least his face;
|
|
The little fellow really look'd quite hearty,
|
|
And bore him with some gaiety and grace,
|
|
Showing a much more reconciled demeanour,
|
|
Than did the prima donna and the tenor.
|
|
|
|
In a few words he told their hapless story,
|
|
Saying, 'Our Machiavellian impresario,
|
|
Making a signal off some promontory,
|
|
Hail'd a strange brig- Corpo di Caio Mario!
|
|
We were transferr'd on board her in a hurry,
|
|
Without a Single scudo of salario;
|
|
But if the Sultan has a taste for song,
|
|
We will revive our fortunes before long.
|
|
|
|
'The prima donna, though a little old,
|
|
And haggard with a dissipated life,
|
|
And subject, when the house is thin, to cold,
|
|
Has some good notes; and then the tenor's wife,
|
|
With no great voice, is pleasing to behold;
|
|
Last carnival she made a deal of strife
|
|
By carrying off Count Cesare Cicogna
|
|
From an old Roman princess at Bologna.
|
|
|
|
'And then there are the dancers; there 's the Nini,
|
|
With more than one profession, gains by all;
|
|
Then there 's that laughing slut the Pelegrini,
|
|
She, too, was fortunate last carnival,
|
|
And made at least five hundred good zecchini,
|
|
But spends so fast, she has not now a paul;
|
|
And then there 's the Grotesca- such a dancer!
|
|
Where men have souls or bodies she must answer.
|
|
|
|
'As for the figuranti, they are like
|
|
The rest of all that tribe; with here and there
|
|
A pretty person, which perhaps may strike,
|
|
The rest are hardly fitted for a fair;
|
|
There 's one, though tall and stiffer than a pike,
|
|
Yet has a sentimental kind of air
|
|
Which might go far, but she don't dance with vigour;
|
|
The more 's the pity, with her face and figure.
|
|
|
|
'As for the men, they are a middling set;
|
|
The musico is but a crack'd old basin,
|
|
But being qualified in one way yet,
|
|
May the seraglio do to set his face in,
|
|
And as a servant some preferment get;
|
|
His singing I no further trust can place in:
|
|
From all the Pope makes yearly 't would perplex
|
|
To find three perfect pipes of the third sex.
|
|
|
|
'The tenor's voice is spoilt by affectation,
|
|
And for the bass, the beast can only bellow;
|
|
In fact, he had no singing education,
|
|
An ignorant, noteless, timeless, tuneless fellow;
|
|
But being the prima donna's near relation,
|
|
Who swore his voice was very rich and mellow,
|
|
They hired him, though to hear him you 'd believe
|
|
An ass was practising recitative.
|
|
|
|
''T would not become myself to dwell upon
|
|
My own merits, and though young- I see, Sir- you
|
|
Have got a travell'd air, which speaks you one
|
|
To whom the opera is by no means new:
|
|
You 've heard of Raucocanti?- I 'm the man;
|
|
The time may come when you may hear me too;
|
|
You was not last year at the fair of Lugo,
|
|
But next, when I 'm engaged to sing there- do go.
|
|
|
|
'Our baritone I almost had forgot,
|
|
A pretty lad, but bursting with conceit;
|
|
With graceful action, science not a jot,
|
|
A voice of no great compass, and not sweet,
|
|
He always is complaining of his lot,
|
|
Forsooth, scarce fit for ballads in the street;
|
|
In lovers' parts his passion more to breathe,
|
|
Having no heart to show, he shows his teeth.'
|
|
|
|
Here Raucocanti's eloquent recital
|
|
Was interrupted by the pirate crew,
|
|
Who came at stated moments to invite all
|
|
The captives back to their sad berths; each threw
|
|
A rueful glance upon the waves (which bright all
|
|
From the blue skies derived a double blue,
|
|
Dancing all free and happy in the sun),
|
|
And then went down the hatchway one by one.
|
|
|
|
They heard next day- that in the Dardanelles,
|
|
Waiting for his Sublimity's firman,
|
|
The most imperative of sovereign spells,
|
|
Which every body does without who can,
|
|
More to secure them in their naval cells,
|
|
Lady to lady, well as man to man,
|
|
Were to be chain'd and lotted out per couple,
|
|
For the slave market of Constantinople.
|
|
|
|
It seems when this allotment was made out,
|
|
There chanced to be an odd male, and odd female,
|
|
Who (after some discussion and some doubt,
|
|
If the soprano might be deem'd to be male,
|
|
They placed him o'er the women as a scout)
|
|
Were link'd together, and it happen'd the male
|
|
Was Juan,- who, an awkward thing at his age,
|
|
Pair'd off with a Bacchante blooming visage.
|
|
|
|
With Raucocanti lucklessly was chain'd
|
|
The tenor; these two hated with a hate
|
|
Found only on the stage, and each more pain'd
|
|
With this his tuneful neighbour than his fate;
|
|
Sad strife arose, for they were so cross-grain'd,
|
|
Instead of bearing up without debate,
|
|
That each pull'd different ways with many an oath,
|
|
'Arcades ambo,' id est- blackguards both.
|
|
|
|
Juan's companion was a Romagnole,
|
|
But bred within the March of old Ancona,
|
|
With eyes that look'd into the very soul
|
|
(And other chief points of a 'bella donna'),
|
|
Bright- and as black and burning as a coal;
|
|
And through her dear brunette complexion shone
|
|
Great wish to please- a most attractive dower,
|
|
Especially when added to the power.
|
|
|
|
But all that power was wasted upon him,
|
|
For sorrow o'er each sense held stern command;
|
|
Her eye might flash on his, but found it dim;
|
|
And though thus chain'd, as natural her hand
|
|
Touch'd his, nor that- nor any handsome limb
|
|
(And she had some not easy to withstand)
|
|
Could stir his pulse, or make his faith feel brittle;
|
|
Perhaps his recent wounds might help a little.
|
|
|
|
No matter; we should ne'er too much enquire,
|
|
But facts are facts: no knight could be more true,
|
|
And firmer faith no ladye-love desire;
|
|
We will omit the proofs, save one or two:
|
|
'T is said no one in hand 'can hold a fire
|
|
By thought of frosty Caucasus;' but few,
|
|
I really think; yet Juan's then ordeal
|
|
Was more triumphant, and not much less real.
|
|
|
|
Here I might enter on a chaste description,
|
|
Having withstood temptation in my youth,
|
|
But hear that several people take exception
|
|
At the first two books having too much truth;
|
|
Therefore I 'll make Don Juan leave the ship soon,
|
|
Because the publisher declares, in sooth,
|
|
Through needles' eyes it easier for the camel is
|
|
To pass, than those two cantos into families.
|
|
|
|
'T is all the same to me; I 'm fond of yielding,
|
|
And therefore leave them to the purer page
|
|
Of Smollett, Prior, Ariosto, Fielding,
|
|
Who say strange things for so correct an age;
|
|
I once had great alacrity in wielding
|
|
My pen, and liked poetic war to wage,
|
|
And recollect the time when all this cant
|
|
Would have provoked remarks which now it shan't.
|
|
|
|
As boys love rows, my boyhood liked a squabble;
|
|
But at this hour I wish to part in peace,
|
|
Leaving such to the literary rabble:
|
|
Whether my verse's fame be doom'd to cease
|
|
While the right hand which wrote it still is able,
|
|
Or of some centuries to take a lease,
|
|
The grass upon my grave will grow as long,
|
|
And sigh to midnight winds, but not to song.
|
|
|
|
Of poets who come down to us through distance
|
|
Of time and tongues, the foster-babes of Fame,
|
|
Life seems the smallest portion of existence;
|
|
Where twenty ages gather o'er a name,
|
|
'T is as a snowball which derives assistance
|
|
From every flake, and yet rolls on the same,
|
|
Even till an iceberg it may chance to grow;
|
|
But, after all, 't is nothing but cold snow.
|
|
|
|
And so great names are nothing more than nominal,
|
|
And love of glory 's but an airy lust,
|
|
Too often in its fury overcoming all
|
|
Who would as 't were identify their dust
|
|
From out the wide destruction, which, entombing all,
|
|
Leaves nothing till 'the coming of the just'-
|
|
Save change: I 've stood upon Achilles' tomb,
|
|
And heard Troy doubted; time will doubt of Rome.
|
|
|
|
The very generations of the dead
|
|
Are swept away, and tomb inherits tomb,
|
|
Until the memory of an age is fled,
|
|
And, buried, sinks beneath its offspring's doom:
|
|
Where are the epitaphs our fathers read?
|
|
Save a few glean'd from the sepulchral gloom
|
|
Which once-named myriads nameless lie beneath,
|
|
And lose their own in universal death.
|
|
|
|
I canter by the spot each afternoon
|
|
Where perish'd in his fame the hero-boy,
|
|
Who lived too long for men, but died too soon
|
|
For human vanity, the young De Foix!
|
|
A broken pillar, not uncouthly hewn,
|
|
But which neglect is hastening to destroy,
|
|
Records Ravenna's carnage on its face,
|
|
While weeds and ordure rankle round the base.
|
|
|
|
I pass each day where Dante's bones are laid:
|
|
A little cupola, more neat than solemn,
|
|
Protects his dust, but reverence here is paid
|
|
To the bard's tomb, and not the warrior's column.
|
|
The time must come, when both alike decay'd,
|
|
The chieftain's trophy, and the poet's volume,
|
|
Will sink where lie the songs and wars of earth,
|
|
Before Pelides' death, or Homer's birth.
|
|
|
|
With human blood that column was cemented,
|
|
With human filth that column is defiled,
|
|
As if the peasant's coarse contempt were vented
|
|
To show his loathing of the spot he soil'd:
|
|
Thus is the trophy used, and thus lamented
|
|
Should ever be those blood-hounds, from whose wild
|
|
Instinct of gore and glory earth has known
|
|
Those sufferings Dante saw in hell alone.
|
|
|
|
Yet there will still be bards: though fame is smoke,
|
|
Its fumes are frankincense to human thought;
|
|
And the unquiet feelings, which first woke
|
|
Song in the world, will seek what then they sought;
|
|
As on the beach the waves at last are broke,
|
|
Thus to their extreme verge the passions brought
|
|
Dash into poetry, which is but passion,
|
|
Or at least was so ere it grew a fashion.
|
|
|
|
If in the course of such a life as was
|
|
At once adventurous and contemplative,
|
|
Men, who partake all passions as they pass,
|
|
Acquire the deep and bitter power to give
|
|
Their images again as in a glass,
|
|
And in such colours that they seem to live;
|
|
You may do right forbidding them to show 'em,
|
|
But spoil (I think) a very pretty poem.
|
|
|
|
Oh! ye, who make the fortunes of all books!
|
|
Benign Ceruleans of the second sex!
|
|
Who advertise new poems by your looks,
|
|
Your 'imprimatur' will ye not annex?
|
|
What! must I go to the oblivious cooks,
|
|
Those Cornish plunderers of Parnassian wrecks?
|
|
Ah! must I then the only minstrel be,
|
|
Proscribed from tasting your Castalian tea!
|
|
|
|
What! can I prove 'a lion' then no more?
|
|
A ball-room bard, a foolscap, hot-press darling?
|
|
To bear the compliments of many a bore,
|
|
And sigh, 'I can't get out,' like Yorick's starling;
|
|
Why then I 'll swear, as poet Wordy swore
|
|
(Because the world won't read him, always snarling),
|
|
That taste is gone, that fame is but a lottery,
|
|
Drawn by the blue-coat misses of a coterie.
|
|
|
|
Oh! 'darkly, deeply, beautifully blue,'
|
|
As some one somewhere sings about the sky,
|
|
And I, ye learned ladies, say of you;
|
|
They say your stockings are so (Heaven knows why,
|
|
I have examined few pair of that hue);
|
|
Blue as the garters which serenely lie
|
|
Round the Patrician left-legs, which adorn
|
|
The festal midnight, and the levee morn.
|
|
|
|
Yet some of you are most seraphic creatures-
|
|
But times are alter'd since, a rhyming lover,
|
|
You read my stanzas, and I read your features:
|
|
And- but no matter, all those things are over;
|
|
Still I have no dislike to learned natures,
|
|
For sometimes such a world of virtues cover;
|
|
I knew one woman of that purple school,
|
|
The loveliest, chastest, best, but- quite a fool.
|
|
|
|
Humboldt, 'the first of travellers,' but not
|
|
The last, if late accounts be accurate,
|
|
Invented, by some name I have forgot,
|
|
As well as the sublime discovery's date,
|
|
An airy instrument, with which he sought
|
|
To ascertain the atmospheric state,
|
|
By measuring 'the intensity of blue:'
|
|
Oh, Lady Daphne! let me measure you!
|
|
|
|
But to the narrative:- The vessel bound
|
|
With slaves to sell off in the capital,
|
|
After the usual process, might be found
|
|
At anchor under the seraglio wall;
|
|
Her cargo, from the plague being safe and sound,
|
|
Were landed in the market, one and all,
|
|
And there with Georgians, Russians, and Circassians,
|
|
Bought up for different purposes and passions.
|
|
|
|
Some went off dearly; fifteen hundred dollars
|
|
For one Circassian, a sweet girl, were given,
|
|
Warranted virgin; beauty's brightest colours
|
|
Had deck'd her out in all the hues of heaven:
|
|
Her sale sent home some disappointed bawlers,
|
|
Who bade on till the hundreds reach'd eleven;
|
|
But when the offer went beyond, they knew
|
|
'T was for the Sultan, and at once withdrew.
|
|
|
|
Twelve negresses from Nubia brought a price
|
|
Which the West Indian market scarce would bring;
|
|
Though Wilberforce, at last, has made it twice
|
|
What 't was ere Abolition; and the thing
|
|
Need not seem very wonderful, for vice
|
|
Is always much more splendid than a king:
|
|
The virtues, even the most exalted, Charity,
|
|
Are saving- vice spares nothing for a rarity.
|
|
|
|
But for the destiny of this young troop,
|
|
How some were bought by pachas, some by Jews,
|
|
How some to burdens were obliged to stoop,
|
|
And others rose to the command of crews
|
|
As renegadoes; while in hapless group,
|
|
Hoping no very old vizier might choose,
|
|
The females stood, as one by one they pick'd 'em,
|
|
To make a mistress, or fourth wife, or victim:
|
|
|
|
All this must be reserved for further song;
|
|
Also our hero's lot, howe'er unpleasant
|
|
(Because this Canto has become too long),
|
|
Must be postponed discreetly for the present;
|
|
I 'm sensible redundancy is wrong,
|
|
But could not for the muse of me put less in 't:
|
|
And now delay the progress of Don Juan,
|
|
Till what is call'd in Ossian the fifth Juan.
|
|
CANTO THE FIFTH.
|
|
|
|
WHEN amatory poets sing their loves
|
|
In liquid lines mellifluously bland,
|
|
And pair their rhymes as Venus yokes her doves,
|
|
They little think what mischief is in hand;
|
|
The greater their success the worse it proves,
|
|
As Ovid's verse may give to understand;
|
|
Even Petrarch's self, if judged with due severity,
|
|
Is the Platonic pimp of all posterity.
|
|
|
|
I therefore do denounce all amorous writing,
|
|
Except in such a way as not to attract;
|
|
Plain- simple- short, and by no means inviting,
|
|
But with a moral to each error tack'd,
|
|
Form'd rather for instructing than delighting,
|
|
And with all passions in their turn attack'd;
|
|
Now, if my Pegasus should not be shod ill,
|
|
This poem will become a moral model.
|
|
|
|
The European with the Asian shore
|
|
Sprinkled with palaces; the ocean stream
|
|
Here and there studded with a seventy-four;
|
|
Sophia's cupola with golden gleam;
|
|
The cypress groves; Olympus high and hoar;
|
|
The twelve isles, and the more than I could dream,
|
|
Far less describe, present the very view
|
|
Which charm'd the charming Mary Montagu.
|
|
|
|
I have a passion for the name of 'Mary,'
|
|
For once it was a magic sound to me;
|
|
And still it half calls up the realms of fairy,
|
|
Where I beheld what never was to be;
|
|
All feelings changed, but this was last to vary,
|
|
A spell from which even yet I am not quite free:
|
|
But I grow sad- and let a tale grow cold,
|
|
Which must not be pathetically told.
|
|
|
|
The wind swept down the Euxine, and the wave
|
|
Broke foaming o'er the blue Symplegades;
|
|
'T is a grand sight from off 'the Giant's Grave
|
|
To watch the progress of those rolling seas
|
|
Between the Bosphorus, as they lash and lave
|
|
Europe and Asia, you being quite at ease;
|
|
There 's not a sea the passenger e'er pukes in,
|
|
Turns up more dangerous breakers than the Euxine.
|
|
|
|
'T was a raw day of Autumn's bleak beginning,
|
|
When nights are equal, but not so the days;
|
|
The Parcae then cut short the further spinning
|
|
Of seamen's fates, and the loud tempests raise
|
|
The waters, and repentance for past sinning
|
|
In all, who o'er the great deep take their ways:
|
|
They vow to amend their lives, and yet they don't;
|
|
Because if drown'd, they can't- if spared, they won't.
|
|
|
|
A crowd of shivering slaves of every nation,
|
|
And age, and sex, were in the market ranged;
|
|
Each bevy with the merchant in his station:
|
|
Poor creatures! their good looks were sadly changed.
|
|
All save the blacks seem'd jaded with vexation,
|
|
From friends, and home, and freedom far estranged;
|
|
The negroes more philosophy display'd,-
|
|
Used to it, no doubt, as eels are to be flay'd.
|
|
|
|
Juan was juvenile, and thus was full,
|
|
As most at his age are, of hope and health;
|
|
Yet I must own he looked a little dull,
|
|
And now and then a tear stole down by stealth;
|
|
Perhaps his recent loss of blood might pull
|
|
His spirit down; and then the loss of wealth,
|
|
A mistress, and such comfortable quarters,
|
|
To be put up for auction amongst Tartars,
|
|
|
|
Were things to shake a stoic; ne'ertheless,
|
|
Upon the whole his carriage was serene:
|
|
His figure, and the splendour of his dress,
|
|
Of which some gilded remnants still were seen,
|
|
Drew all eyes on him, giving them to guess
|
|
He was above the vulgar by his mien;
|
|
And then, though pale, he was so very handsome;
|
|
And then- they calculated on his ransom.
|
|
|
|
Like a backgammon board the place was dotted
|
|
With whites and blacks, in groups on show for sale,
|
|
Though rather more irregularly spotted:
|
|
Some bought the jet, while others chose the pale.
|
|
It chanced amongst the other people lotted,
|
|
A man of thirty rather stout and hale,
|
|
With resolution in his dark grey eye,
|
|
Next Juan stood, till some might choose to buy.
|
|
|
|
He had an English look; that is, was square
|
|
In make, of a complexion white and ruddy,
|
|
Good teeth, with curling rather dark brown hair,
|
|
And, it might be from thought or toil or study,
|
|
An open brow a little mark'd with care:
|
|
One arm had on a bandage rather bloody;
|
|
And there he stood with such sang-froid, that greater
|
|
Could scarce be shown even by a mere spectator.
|
|
|
|
But seeing at his elbow a mere lad,
|
|
Of a high spirit evidently, though
|
|
At present weigh'd down by a doom which had
|
|
O'erthrown even men, he soon began to show
|
|
A kind of blunt compassion for the sad
|
|
Lot of so young a partner in the woe,
|
|
Which for himself he seem'd to deem no worse
|
|
Than any other scrape, a thing of course.
|
|
|
|
'My boy!' said he, 'amidst this motley crew
|
|
Of Georgians, Russians, Nubians, and what not,
|
|
All ragamuffins differing but in hue,
|
|
With whom it is our luck to cast our lot,
|
|
The only gentlemen seem I and you;
|
|
So let us be acquainted, as we ought:
|
|
If I could yield you any consolation,
|
|
'T would give me pleasure.- Pray, what is your nation?'
|
|
|
|
When Juan answer'd- 'Spanish!' he replied,
|
|
'I thought, in fact, you could not be a Greek;
|
|
Those servile dogs are not so proudly eyed:
|
|
Fortune has play'd you here a pretty freak,
|
|
But that 's her way with all men, till they 're tried;
|
|
But never mind,- she 'll turn, perhaps, next week;
|
|
She has served me also much the same as you,
|
|
Except that I have found it nothing new.'
|
|
|
|
'Pray, sir,' said Juan, 'if I may presume,
|
|
What brought you here?'- 'Oh! nothing very rare-
|
|
Six Tartars and a drag-chain.'- 'To this doom
|
|
But what conducted, if the question's fair,
|
|
Is that which I would learn.'- 'I served for some
|
|
Months with the Russian army here and there,
|
|
And taking lately, by Suwarrow's bidding,
|
|
A town, was ta'en myself instead of Widdin.'
|
|
|
|
'Have you no friends?'- 'I had- but, by God's blessing,
|
|
Have not been troubled with them lately. Now
|
|
I have answer'd all your questions without pressing,
|
|
And you an equal courtesy should show.'
|
|
'Alas!' said Juan, ''t were a tale distressing,
|
|
And long besides.'- 'Oh! if 't is really so,
|
|
You 're right on both accounts to hold your tongue;
|
|
A sad tale saddens doubly, when 't is long.
|
|
|
|
'But droop not: Fortune at your time of life,
|
|
Although a female moderately fickle,
|
|
Will hardly leave you (as she 's not your wife)
|
|
For any length of days in such a pickle.
|
|
To strive, too, with our fate were such a strife
|
|
As if the corn-sheaf should oppose the sickle:
|
|
Men are the sport of circumstances, when
|
|
The circumstances seem the sport of men.'
|
|
|
|
''T is not,' said Juan, 'for my present doom
|
|
I mourn, but for the past;- I loved a maid:'-
|
|
He paused, and his dark eye grew full of gloom;
|
|
A single tear upon his eyelash staid
|
|
A moment, and then dropp'd; 'but to resume,
|
|
'T is not my present lot, as I have said,
|
|
Which I deplore so much; for I have borne
|
|
Hardships which have the hardiest overworn,
|
|
|
|
'On the rough deep. But this last blow-' and here
|
|
He stopp'd again, and turn'd away his face.
|
|
'Ay,' quoth his friend, 'I thought it would appear
|
|
That there had been a lady in the case;
|
|
And these are things which ask a tender tear,
|
|
Such as I, too, would shed if in your place:
|
|
I cried upon my first wife's dying day,
|
|
And also when my second ran away:
|
|
|
|
'My third-'- 'Your third!' quoth Juan, turning round;
|
|
'You scarcely can be thirty: have you three?'
|
|
'No- only two at present above ground:
|
|
Surely 't is nothing wonderful to see
|
|
One person thrice in holy wedlock bound!'
|
|
'Well, then, your third,' said Juan; 'what did she?
|
|
She did not run away, too,- did she, sir?'
|
|
'No, faith.'- 'What then?'- 'I ran away from her.'
|
|
|
|
'You take things coolly, sir,' said Juan. 'Why,'
|
|
Replied the other, 'what can a man do?
|
|
There still are many rainbows in your sky,
|
|
But mine have vanish'd. All, when life is new,
|
|
Commence with feelings warm, and prospects high;
|
|
But time strips our illusions of their hue,
|
|
And one by one in turn, some grand mistake
|
|
Casts off its bright skin yearly like the snake.
|
|
|
|
''T is true, it gets another bright and fresh,
|
|
Or fresher, brighter; but the year gone through,
|
|
This skin must go the way, too, of all flesh,
|
|
Or sometimes only wear a week or two;-
|
|
Love 's the first net which spreads its deadly mesh;
|
|
Ambition, Avarice, Vengeance, Glory, glue
|
|
The glittering lime-twigs of our latter days,
|
|
Where still we flutter on for pence or praise.'
|
|
|
|
'All this is very fine, and may be true,'
|
|
Said Juan; 'but I really don't see how
|
|
It betters present times with me or you.'
|
|
'No?' quoth the other; 'yet you will allow
|
|
By setting things in their right point of view,
|
|
Knowledge, at least, is gain'd; for instance, now,
|
|
We know what slavery is, and our disasters
|
|
May teach us better to behave when masters.'
|
|
|
|
'Would we were masters now, if but to try
|
|
Their present lessons on our Pagan friends here,'
|
|
Said Juan,- swallowing a heart-burning sigh:
|
|
'Heaven help the scholar whom his fortune sends here!'
|
|
'Perhaps we shall be one day, by and by,'
|
|
Rejoin'd the other, when our bad luck mends here;
|
|
Meantime (yon old black eunuch seems to eye us)
|
|
|
|
'But after all, what is our present state?
|
|
'T is bad, and may be better- all men's lot:
|
|
Most men are slaves, none more so than the great,
|
|
To their own whims and passions, and what not;
|
|
Society itself, which should create
|
|
Kindness, destroys what little we had got:
|
|
To feel for none is the true social art
|
|
Of the world's stoics- men without a heart.'
|
|
|
|
Just now a black old neutral personage
|
|
Of the third sex stept up, and peering over
|
|
The captives, seem'd to mark their looks and age,
|
|
And capabilities, as to discover
|
|
If they were fitted for the purposed cage:
|
|
No lady e'er is ogled by a lover,
|
|
Horse by a blackleg, broadcloth by a tailor,
|
|
Fee by a counsel, felon by a jailor,
|
|
|
|
As is a slave by his intended bidder.
|
|
'T is pleasant purchasing our fellow-creatures;
|
|
And all are to be sold, if you consider
|
|
Their passions, and are dext'rous; some by features
|
|
Are bought up, others by a warlike leader,
|
|
Some by a place- as tend their years or natures;
|
|
The most by ready cash- but all have prices,
|
|
From crowns to kicks, according to their vices.
|
|
|
|
The eunuch, having eyed them o'er with care,
|
|
Turn'd to the merchant, and begun to bid
|
|
First but for one, and after for the pair;
|
|
They haggled, wrangled, swore, too- so they did!
|
|
As though they were in a mere Christian fair
|
|
Cheapening an ox, an ass, a lamb, or kid;
|
|
So that their bargain sounded like a battle
|
|
For this superior yoke of human cattle.
|
|
|
|
At last they settled into simple grumbling,
|
|
And pulling out reluctant purses, and
|
|
Turning each piece of silver o'er, and tumbling
|
|
Some down, and weighing others in their hand,
|
|
And by mistake sequins with paras jumbling,
|
|
Until the sum was accurately scann'd,
|
|
And then the merchant giving change, and signing
|
|
Receipts in full, began to think of dining.
|
|
|
|
I wonder if his appetite was good?
|
|
Or, if it were, if also his digestion?
|
|
Methinks at meals some odd thoughts might intrude,
|
|
And conscience ask a curious sort of question,
|
|
About the right divine how far we should
|
|
Sell flesh and blood. When dinner has opprest one,
|
|
I think it is perhaps the gloomiest hour
|
|
Which turns up out of the sad twenty-four.
|
|
|
|
Voltaire says 'No:' he tells you that Candide
|
|
Found life most tolerable after meals;
|
|
He 's wrong- unless man were a pig, indeed,
|
|
Repletion rather adds to what he feels,
|
|
Unless he 's drunk, and then no doubt he 's freed
|
|
From his own brain's oppression while it reels.
|
|
Of food I think with Philip's son, or rather
|
|
Ammon's (ill pleased with one world and one father);
|
|
|
|
I think with Alexander, that the act
|
|
Of eating, with another act or two,
|
|
Makes us feel our mortality in fact
|
|
Redoubled; when a roast and a ragout,
|
|
And fish, and soup, by some side dishes back'd,
|
|
Can give us either pain or pleasure, who
|
|
Would pique himself on intellects, whose use
|
|
Depends so much upon the gastric juice?
|
|
|
|
The other evening ('t was on Friday last)-
|
|
This is a fact and no poetic fable-
|
|
Just as my great coat was about me cast,
|
|
My hat and gloves still lying on the table,
|
|
I heard a shot- 't was eight o'clock scarce past-
|
|
And, running out as fast as I was able,
|
|
I found the military commandant
|
|
Stretch'd in the street, and able scarce to pant.
|
|
|
|
Poor fellow! for some reason, surely bad,
|
|
They had slain him with five slugs; and left him there
|
|
To perish on the pavement: so I had
|
|
Him borne into the house and up the stair,
|
|
And stripp'd and look'd to- But why should I ad
|
|
More circumstances? vain was every care;
|
|
The man was gone: in some Italian quarrel
|
|
Kill'd by five bullets from an old gun-barrel.
|
|
|
|
I gazed upon him, for I knew him well;
|
|
And though I have seen many corpses, never
|
|
Saw one, whom such an accident befell,
|
|
So calm; though pierced through stomach, heart, and liver,
|
|
He seem'd to sleep,- for you could scarcely tell
|
|
(As he bled inwardly, no hideous river
|
|
Of gore divulged the cause) that he was dead:
|
|
So as I gazed on him, I thought or said-
|
|
|
|
'Can this be death? then what is life or death?
|
|
Speak!' but he spoke not: 'Wake!' but still he slept:-
|
|
'But yesterday and who had mightier breath?
|
|
A thousand warriors by his word were kept
|
|
In awe: he said, as the centurion saith,
|
|
"Go," and he goeth; "come," and forth he stepp'd.
|
|
The trump and bugle till he spake were dumb-
|
|
And now nought left him but the muffled drum.'
|
|
|
|
And they who waited once and worshipp'd- they
|
|
With their rough faces throng'd about the bed
|
|
To gaze once more on the commanding clay
|
|
Which for the last, though not the first, time bled:
|
|
And such an end! that he who many a day
|
|
Had faced Napoleon's foes until they fled,-
|
|
The foremost in the charge or in the sally,
|
|
Should now be butcher'd in a civic alley.
|
|
|
|
The scars of his old wounds were near his new,
|
|
Those honourable scars which brought him fame;
|
|
And horrid was the contrast to the view-
|
|
But let me quit the theme; as such things claim
|
|
Perhaps even more attention than is due
|
|
From me: I gazed (as oft I have gazed the same)
|
|
To try if I could wrench aught out of death
|
|
Which should confirm, or shake, or make a faith;
|
|
|
|
But it was all a mystery. Here we are,
|
|
And there we go:- but where? five bits of lead,
|
|
Or three, or two, or one, send very far!
|
|
And is this blood, then, form'd but to be shed?
|
|
Can every element our elements mar?
|
|
And air- earth- water- fire live- and we dead?
|
|
We whose minds comprehend all things? No more;
|
|
But let us to the story as before.
|
|
|
|
The purchaser of Juan and acquaintance
|
|
Bore off his bargains to a gilded boat,
|
|
Embark'd himself and them, and off they went thence
|
|
As fast as oars could pull and water float;
|
|
They look'd like persons being led to sentence,
|
|
Wondering what next, till the caique was brought
|
|
Up in a little creek below a wall
|
|
O'ertopp'd with cypresses, dark-green and tall.
|
|
|
|
Here their conductor tapping at the wicket
|
|
Of a small iron door, 't was open'd, and
|
|
He led them onward, first through a low thicket
|
|
Flank'd by large groves, which tower'd on either hand:
|
|
They almost lost their way, and had to pick it-
|
|
For night was dosing ere they came to land.
|
|
The eunuch made a sign to those on board,
|
|
Who row'd off, leaving them without a word.
|
|
|
|
As they were plodding on their winding way
|
|
Through orange bowers, and jasmine, and so forth
|
|
(Of which I might have a good deal to say,
|
|
There being no such profusion in the North
|
|
Of oriental plants, 'et cetera,'
|
|
But that of late your scribblers think it worth
|
|
Their while to rear whole hotbeds in their works
|
|
Because one poet travell'd 'mongst the Turks)-
|
|
|
|
As they were threading on their way, there came
|
|
Into Don Juan's head a thought, which he
|
|
Whisper'd to his companion:- 't was the same
|
|
Which might have then occurr'd to you or me.
|
|
'Methinks,' said he, 'it would be no great shame
|
|
If we should strike a stroke to set us free;
|
|
Let 's knock that old black fellow on the head,
|
|
And march away- 't were easier done than said.'
|
|
|
|
'Yes,' said the other, 'and when done, what then?
|
|
How get out? how the devil got we in?
|
|
And when we once were fairly out, and when
|
|
From Saint Bartholomew we have saved our skin,
|
|
To-morrow 'd see us in some other den,
|
|
And worse off than we hitherto have been;
|
|
Besides, I 'm hungry, and just now would take,
|
|
Like Esau, for my birthright a beef-steak.
|
|
|
|
'We must be near some place of man's abode;-
|
|
For the old negro's confidence in creeping,
|
|
With his two captives, by so queer a road,
|
|
Shows that he thinks his friends have not been sleeping;
|
|
A single cry would bring them all abroad:
|
|
'T is therefore better looking before leaping-
|
|
And there, you see, this turn has brought us through,
|
|
By Jove, a noble palace!- lighted too.'
|
|
|
|
It was indeed a wide extensive building
|
|
Which open'd on their view, and o'er the front
|
|
There seem'd to be besprent a deal of gilding
|
|
And various hues, as is the Turkish wont,-
|
|
A gaudy taste; for they are little skill'd in
|
|
The arts of which these lands were once the font:
|
|
Each villa on the Bosphorus looks a screen
|
|
New painted, or a pretty opera-scene.
|
|
|
|
And nearer as they came, a genial savour
|
|
Of certain stews, and roast-meats, and pilaus,
|
|
Things which in hungry mortals' eyes find favour,
|
|
Made Juan in his harsh intentions pause,
|
|
And put himself upon his good behaviour:
|
|
His friend, too, adding a new saving clause,
|
|
Said, 'In Heaven's name let's get some supper now,
|
|
And then I 'm with you, if you 're for a row.'
|
|
|
|
Some talk of an appeal unto some passion,
|
|
Some to men's feelings, others to their reason;
|
|
The last of these was never much the fashion,
|
|
For reason thinks all reasoning out of season.
|
|
Some speakers whine, and others lay the lash on,
|
|
But more or less continue still to tease on,
|
|
With arguments according to their 'forte;'
|
|
But no one dreams of ever being short.-
|
|
|
|
But I digress: of all appeals,- although
|
|
I grant the power of pathos, and of gold,
|
|
Of beauty, flattery, threats, a shilling,- no
|
|
Method 's more sure at moments to take hold
|
|
Of the best feelings of mankind, which grow
|
|
More tender, as we every day behold,
|
|
Than that all-softening, overpowering knell,
|
|
The tocsin of the soul- the dinner-bell.
|
|
|
|
Turkey contains no bells, and yet men dine;
|
|
And Juan and his friend, albeit they heard
|
|
No Christian knoll to table, saw no line
|
|
Of lackeys usher to the feast prepared,
|
|
Yet smelt roast-meat, beheld a huge fire shine,
|
|
And cooks in motion with their clean arms bared,
|
|
And gazed around them to the left and right
|
|
With the prophetic eye of appetite.
|
|
|
|
And giving up all notions of resistance,
|
|
They follow'd close behind their sable guide,
|
|
Who little thought that his own crack'd existence
|
|
Was on the point of being set aside:
|
|
He motion'd them to stop at some small distance,
|
|
And knocking at the gate, 't was open'd wide,
|
|
And a magnificent large hall display'd
|
|
The Asian pomp of Ottoman parade.
|
|
|
|
I won't describe; description is my forte,
|
|
But every fool describes in these bright days
|
|
His wondrous journey to some foreign court,
|
|
And spawns his quarto, and demands your praise-
|
|
Death to his publisher, to him 't is sport;
|
|
While Nature, tortured twenty thousand ways,
|
|
Resigns herself with exemplary patience
|
|
To guide-books, rhymes, tours, sketches, illustrations.
|
|
|
|
Along this hall, and up and down, some, squatted
|
|
Upon their hams, were occupied at chess;
|
|
Others in monosyllable talk chatted,
|
|
And some seem'd much in love with their own dress.
|
|
And divers smoked superb pipes decorated
|
|
With amber mouths of greater price or less;
|
|
And several strutted, others slept, and some
|
|
Prepared for supper with a glass of rum.
|
|
|
|
As the black eunuch enter'd with his brace
|
|
Of purchased Infidels, some raised their eyes
|
|
A moment without slackening from their pace;
|
|
But those who sate ne'er stirr'd in anywise:
|
|
One or two stared the captives in the face,
|
|
Just as one views a horse to guess his price;
|
|
Some nodded to the negro from their station,
|
|
But no one troubled him with conversation.
|
|
|
|
He leads them through the hall, and, without stopping,
|
|
On through a farther range of goodly rooms,
|
|
Splendid but silent, save in one, where, dropping,
|
|
A marble fountain echoes through the glooms
|
|
Of night which robe the chamber, or where popping
|
|
Some female head most curiously presumes
|
|
To thrust its black eyes through the door or lattice,
|
|
As wondering what the devil a noise that is.
|
|
|
|
Some faint lamps gleaming from the lofty walls
|
|
Gave light enough to hint their farther way,
|
|
But not enough to show the imperial halls,
|
|
In all the flashing of their full array;
|
|
Perhaps there 's nothing- I 'll not say appals,
|
|
But saddens more by night as well as day,
|
|
Than an enormous room without a soul
|
|
To break the lifeless splendour of the whole.
|
|
|
|
Two or three seem so little, one seems nothing:
|
|
In deserts, forests, crowds, or by the shore,
|
|
There solitude, we know, has her full growth in
|
|
The spots which were her realms for evermore;
|
|
But in a mighty hall or gallery, both in
|
|
More modern buildings and those built of yore,
|
|
A kind of death comes o'er us all alone,
|
|
Seeing what 's meant for many with but one.
|
|
|
|
A neat, snug study on a winter's night,
|
|
A book, friend, single lady, or a glass
|
|
Of claret, sandwich, and an appetite,
|
|
Are things which make an English evening pass;
|
|
Though certes by no means so grand a sight
|
|
As is a theatre lit up by gas.
|
|
I pass my evenings in long galleries solely,
|
|
And that 's the reason I 'm so melancholy.
|
|
|
|
Alas! man makes that great which makes him little:
|
|
I grant you in a church 't is very well:
|
|
What speaks of Heaven should by no means be brittle,
|
|
But strong and lasting, till no tongue can tell
|
|
Their names who rear'd it; but huge houses fit ill-
|
|
And huge tombs worse- mankind, since Adam fell:
|
|
Methinks the story of the tower of Babel
|
|
Might teach them this much better than I 'm able.
|
|
|
|
Babel was Nimrod's hunting-box, and then
|
|
A town of gardens, walls, and wealth amazing,
|
|
Where Nabuchadonosor, king of men,
|
|
Reign'd, till one summer's day he took to grazing,
|
|
And Daniel tamed the lions in their den,
|
|
The people's awe and admiration raising;
|
|
'T was famous, too, for Thisbe and for Pyramus,
|
|
And the calumniated queen Semiramis.
|
|
|
|
That injured Queen by chroniclers so coarse
|
|
Has been accused (I doubt not by conspiracy)
|
|
Of an improper friendship for her horse
|
|
(Love, like religion, sometimes runs to heresy):
|
|
This monstrous tale had probably its source
|
|
(For such exaggerations here and there I see)
|
|
In writing 'Courser' by mistake for 'Courier:'
|
|
I wish the case could come before a jury here.
|
|
|
|
But to resume,- should there be (what may not
|
|
Be in these days?) some infidels, who don't,
|
|
Because they can't find out the very spot
|
|
Of that same Babel, or because they won't
|
|
(Though Claudius Rich, Esquire, some bricks has got,
|
|
And written lately two memoirs upon't),
|
|
Believe the Jews, those unbelievers, who
|
|
Must be believed, though they believe not you,
|
|
|
|
Yet let them think that Horace has exprest
|
|
Shortly and sweetly the masonic folly
|
|
Of those, forgetting the great place of rest,
|
|
Who give themselves to architecture wholly;
|
|
We know where things and men must end at best:
|
|
A moral (like all morals) melancholy,
|
|
And 'Et sepulchri immemor struis domos'
|
|
Shows that we build when we should but entomb us.
|
|
|
|
At last they reach'd a quarter most retired,
|
|
Where echo woke as if from a long slumber;
|
|
Though full of all things which could be desired,
|
|
One wonder'd what to do with such a number
|
|
Of articles which nobody required;
|
|
Here wealth had done its utmost to encumber
|
|
With furniture an exquisite apartment,
|
|
Which puzzled Nature much to know what Art meant.
|
|
|
|
It seem'd, however, but to open on
|
|
A range or suite of further chambers, which
|
|
Might lead to heaven knows where; but in this one
|
|
The movables were prodigally rich:
|
|
Sofas 't was half a sin to sit upon,
|
|
So costly were they; carpets every stitch
|
|
Of workmanship so rare, they made you wish
|
|
You could glide o'er them like a golden fish.
|
|
|
|
The black, however, without hardly deigning
|
|
A glance at that which wrapt the slaves in wonder,
|
|
Trampled what they scarce trod for fear of staining,
|
|
As if the milky way their feet was under
|
|
With all its stars; and with a stretch attaining
|
|
A certain press or cupboard niched in yonder-
|
|
In that remote recess which you may see-
|
|
Or if you don't the fault is not in me,-
|
|
|
|
I wish to be perspicuous; and the black,
|
|
I say, unlocking the recess, pull'd forth
|
|
A quantity of clothes fit for the back
|
|
Of any Mussulman, whate'er his worth;
|
|
And of variety there was no lack-
|
|
And yet, though I have said there was no dearth,
|
|
He chose himself to point out what he thought
|
|
Most proper for the Christians he had bought.
|
|
|
|
The suit he thought most suitable to each
|
|
Was, for the elder and the stouter, first
|
|
A Candiote cloak, which to the knee might reach,
|
|
And trousers not so tight that they would burst,
|
|
But such as fit an Asiatic breech;
|
|
A shawl, whose folds in Cashmire had been nurst,
|
|
Slippers of saffron, dagger rich and handy;
|
|
In short, all things which form a Turkish Dandy.
|
|
|
|
While he was dressing, Baba, their black friend,
|
|
Hinted the vast advantages which they
|
|
Might probably attain both in the end,
|
|
If they would but pursue the proper way
|
|
Which fortune plainly seem'd to recommend;
|
|
And then he added, that he needs must say,
|
|
''T would greatly tend to better their condition,
|
|
If they would condescend to circumcision.
|
|
|
|
'For his own part, he really should rejoice
|
|
To see them true believers, but no less
|
|
Would leave his proposition to their choice.'
|
|
The other, thanking him for this excess
|
|
Of goodness, in thus leaving them a voice
|
|
In such a trifle, scarcely could express
|
|
'Sufficiently' (he said) 'his approbation
|
|
Of all the customs of this polish'd nation.
|
|
|
|
'For his own share- he saw but small objection
|
|
To so respectable an ancient rite;
|
|
And, after swallowing down a slight refection,
|
|
For which he own'd a present appetite,
|
|
He doubted not a few hours of reflection
|
|
Would reconcile him to the business quite.'
|
|
'Will it?' said Juan, sharply: 'Strike me dead,
|
|
But they as soon shall circumcise my head!
|
|
|
|
'Cut off a thousand heads, before-'- 'Now, pray,'
|
|
Replied the other, 'do not interrupt:
|
|
You put me out in what I had to say.
|
|
Sir!- as I said, as soon as I have supt,
|
|
I shall perpend if your proposal may
|
|
Be such as I can properly accept;
|
|
Provided always your great goodness still
|
|
Remits the matter to our own free-will.'
|
|
|
|
Baba eyed Juan, and said, 'Be so good
|
|
As dress yourself-' and pointed out a suit
|
|
In which a Princess with great pleasure would
|
|
Array her limbs; but Juan standing mute,
|
|
As not being in a masquerading mood,
|
|
Gave it a slight kick with his Christian foot;
|
|
And when the old negro told him to 'Get ready,'
|
|
Replied, 'Old gentleman, I 'm not a lady.'
|
|
|
|
'What you may be, I neither know nor care,'
|
|
Said Baba; 'but pray do as I desire:
|
|
I have no more time nor many words to spare.'
|
|
'At least,' said Juan, 'sure I may enquire
|
|
The cause of this odd travesty?'- 'Forbear,'
|
|
Said Baba, 'to be curious; 't will transpire,
|
|
No doubt, in proper place, and time, and season:
|
|
I have no authority to tell the reason.'
|
|
|
|
'Then if I do,' said Juan, 'I 'll be-'- 'Hold!'
|
|
Rejoin'd the negro, 'pray be not provoking;
|
|
This spirit 's well, but it may wax too bold,
|
|
And you will find us not top fond of joking.'
|
|
'What, sir!' said Juan, 'shall it e'er be told
|
|
That I unsex'd my dress?' But Baba, stroking
|
|
The things down, said, 'Incense me, and I call
|
|
Those who will leave you of no sex at all.
|
|
|
|
'I offer you a handsome suit of clothes:
|
|
A woman's, true; but then there is a cause
|
|
Why you should wear them.'- 'What, though my soul loathes
|
|
The effeminate garb?'- thus, after a short pause,
|
|
Sigh'd Juan, muttering also some slight oaths,
|
|
'What the devil shall I do with all this gauze?'
|
|
Thus he profanely term'd the finest lace
|
|
Which e'er set off a marriage-morning face.
|
|
|
|
And then he swore; and, sighing, on he slipp'd
|
|
A pair of trousers of flesh-colour'd silk;
|
|
Next with a virgin zone he was equipp'd,
|
|
Which girt a slight chemise as white as milk;
|
|
But tugging on his petticoat, he tripp'd,
|
|
Which- as we say- or, as the Scotch say, whilk
|
|
(The rhyme obliges me to this; sometimes
|
|
Monarchs are less imperative than rhymes)-
|
|
|
|
Whilk, which (or what you please), was owing to
|
|
His garment's novelty, and his being awkward:
|
|
And yet at last he managed to get through
|
|
His toilet, though no doubt a little backward:
|
|
The negro Baba help'd a little too,
|
|
When some untoward part of raiment stuck hard;
|
|
And, wrestling both his arms into a gown,
|
|
He paused, and took a survey up and down.
|
|
|
|
One difficulty still remain'd- his hair
|
|
Was hardly long enough; but Baba found
|
|
So many false long tresses all to spare,
|
|
That soon his head was most completely crown'd,
|
|
After the manner then in fashion there;
|
|
And this addition with such gems was bound
|
|
As suited the ensemble of his toilet,
|
|
While Baba made him comb his head and oil it.
|
|
|
|
And now being femininely all array'd,
|
|
With some small aid from scissors, paint, and tweezers,
|
|
He look'd in almost all respects a maid,
|
|
And Baba smilingly exclaim'd, 'You see, sirs,
|
|
A perfect transformation here display'd;
|
|
And now, then, you must come along with me, sirs,
|
|
That is- the Lady:' clapping his hands twice,
|
|
Four blacks were at his elbow in a trice.
|
|
|
|
'You, sir,' said Baba, nodding to the one,
|
|
'Will please to accompany those gentlemen
|
|
To supper; but you, worthy Christian nun,
|
|
Will follow me: no trifling, sir; for when
|
|
I say a thing, it must at once be done.
|
|
What fear you? think you this a lion's den?
|
|
Why, 't is a palace; where the truly wise
|
|
Anticipate the Prophet's paradise.
|
|
|
|
'You fool! I tell you no one means you harm.'
|
|
'So much the better,' Juan said, 'for them;
|
|
Else they shall feel the weight of this my arm,
|
|
Which is not quite so light as you may deem.
|
|
I yield thus far; but soon will break the charm
|
|
If any take me for that which I seem:
|
|
So that I trust for everybody's sake,
|
|
That this disguise may lead to no mistake.'
|
|
|
|
'Blockhead! come on, and see,' quoth Baba; while
|
|
Don Juan, turning to his comrade, who
|
|
Though somewhat grieved, could scarce forbear a smile
|
|
Upon the metamorphosis in view,-
|
|
'Farewell!' they mutually exclaim'd: 'this soil
|
|
Seems fertile in adventures strange and new;
|
|
One 's turn'd half Mussulman, and one a maid,
|
|
By this old black enchanter's unsought aid.'
|
|
|
|
'Farewell!' said Juan: 'should we meet no more,
|
|
I wish you a good appetite.'- 'Farewell!'
|
|
Replied the other; 'though it grieves me sore;
|
|
When we next meet we 'll have a tale to tell:
|
|
We needs must follow when Fate puts from shore.
|
|
Keep your good name; though Eve herself once fell.'
|
|
'Nay,' quoth the maid, 'the Sultan's self shan't carry me,
|
|
Unless his highness promises to marry me.
|
|
|
|
And thus they parted, each by separate doors;
|
|
Baba led Juan onward room by room
|
|
Through glittering galleries and o'er marble floors,
|
|
Till a gigantic portal through the gloom,
|
|
Haughty and huge, along the distance lowers;
|
|
And wafted far arose a rich perfume:
|
|
It seem'd as though they came upon a shrine,
|
|
For all was vast, still, fragrant, and divine.
|
|
|
|
The giant door was broad, and bright, and high,
|
|
Of gilded bronze, and carved in curious guise;
|
|
Warriors thereon were battling furiously;
|
|
Here stalks the victor, there the vanquish'd lies;
|
|
There captives led in triumph droop the eye,
|
|
And in perspective many a squadron flies:
|
|
It seems the work of times before the line
|
|
Of Rome transplanted fell with Constantine.
|
|
|
|
This massy portal stood at the wide close
|
|
Of a huge hall, and on its either side
|
|
Two little dwarfs, the least you could suppose,
|
|
Were sate, like ugly imps, as if allied
|
|
In mockery to the enormous gate which rose
|
|
O'er them in almost pyramidic pride:
|
|
The gate so splendid was in all its features,
|
|
You never thought about those little creatures,
|
|
|
|
Until you nearly trod on them, and then
|
|
You started back in horror to survey
|
|
The wondrous hideousness of those small men,
|
|
Whose colour was not black, nor white, nor grey,
|
|
But an extraneous mixture, which no pen
|
|
Can trace, although perhaps the pencil may;
|
|
They were mis-shapen pigmies, deaf and dumb-
|
|
Monsters, who cost a no less monstrous sum.
|
|
|
|
Their duty was- for they were strong, and though
|
|
They look'd so little, did strong things at times-
|
|
To ope this door, which they could really do,
|
|
The hinges being as smooth as Rogers' rhymes;
|
|
And now and then, with tough strings of the bow,
|
|
As is the custom of those Eastern climes,
|
|
To give some rebel Pacha a cravat;
|
|
For mutes are generally used for that.
|
|
|
|
They spoke by signs- that is, not spoke at all;
|
|
And looking like two incubi, they glared
|
|
As Baba with his fingers made them fall
|
|
To heaving back the portal folds: it scared
|
|
Juan a moment, as this pair so small
|
|
With shrinking serpent optics on him stared;
|
|
It was as if their little looks could poison
|
|
Or fascinate whome'er they fix'd their eyes on.
|
|
|
|
Before they enter'd, Baba paused to hint
|
|
To Juan some slight lessons as his guide:
|
|
'If you could just contrive,' he said, 'to stint
|
|
That somewhat manly majesty of stride,
|
|
'T would be as well, and (though there 's not much in 't)
|
|
To swing a little less from side to side,
|
|
Which has at times an aspect of the oddest;-
|
|
And also could you look a little modest,
|
|
|
|
''T would be convenient; for these mutes have eyes
|
|
Like needles, which may pierce those petticoats;
|
|
And if they should discover your disguise,
|
|
You know how near us the deep Bosphorus floats;
|
|
And you and I may chance, ere morning rise,
|
|
To find our way to Marmora without boats,
|
|
Stitch'd up in sacks- a mode of navigation
|
|
A good deal practised here upon occasion.'
|
|
|
|
With this encouragement, he led the way
|
|
Into a room still nobler than the last;
|
|
A rich confusion form'd a disarray
|
|
In such sort, that the eye along it cast
|
|
Could hardly carry anything away,
|
|
Object on object flash'd so bright and fast;
|
|
A dazzling mass of gems, and gold, and glitter,
|
|
Magnificently mingled in a litter.
|
|
|
|
Wealth had done wonders- taste not much; such things
|
|
Occur in Orient palaces, and even
|
|
In the more chasten'd domes of Western kings
|
|
(Of which I have also seen some six or seven),
|
|
Where I can't say or gold or diamond flings
|
|
Great lustre, there is much to be forgiven;
|
|
Groups of bad statues, tables, chairs, and pictures,
|
|
On which I cannot pause to make my strictures.
|
|
|
|
In this imperial hall, at distance lay
|
|
Under a canopy, and there reclined
|
|
Quite in a confidential queenly way,
|
|
A lady; Baba stopp'd, and kneeling sign'd
|
|
To Juan, who though not much used to pray,
|
|
Knelt down by instinct, wondering in his mind,
|
|
What all this meant: while Baba bow'd and bended
|
|
His head, until the ceremony ended.
|
|
|
|
The lady rising up with such an air
|
|
As Venus rose with from the wave, on them
|
|
Bent like an antelope a Paphian pair
|
|
Of eyes, which put out each surrounding gem;
|
|
And raising up an arm as moonlight fair,
|
|
She sign'd to Baba, who first kiss'd the hem
|
|
Of her deep purple robe, and speaking low,
|
|
Pointed to Juan who remain'd below.
|
|
|
|
Her presence was as lofty as her state;
|
|
Her beauty of that overpowering kind,
|
|
Whose force description only would abate:
|
|
I 'd rather leave it much to your own mind,
|
|
Than lessen it by what I could relate
|
|
Of forms and features; it would strike you blind
|
|
Could I do justice to the full detail;
|
|
So, luckily for both, my phrases fail.
|
|
|
|
Thus much however I may add,- her years
|
|
Were ripe, they might make six-and-twenty springs;
|
|
But there are forms which Time to touch forbears,
|
|
And turns aside his scythe to vulgar things,
|
|
Such as was Mary's Queen of Scots; true- tears
|
|
And love destroy; and sapping sorrow wrings
|
|
Charms from the charmer, yet some never grow
|
|
Ugly; for instance- Ninon de l'Enclos.
|
|
|
|
She spake some words to her attendants, who
|
|
Composed a choir of girls, ten or a dozen,
|
|
And were all clad alike; like Juan, too,
|
|
Who wore their uniform, by Baba chosen;
|
|
They form'd a very nymph-like looking crew,
|
|
Which might have call'd Diana's chorus 'cousin,'
|
|
As far as outward show may correspond;
|
|
I won't be bail for anything beyond.
|
|
|
|
They bow'd obeisance and withdrew, retiring,
|
|
But not by the same door through which came in
|
|
Baba and Juan, which last stood admiring,
|
|
At some small distance, all he saw within
|
|
This strange saloon, much fitted for inspiring
|
|
Marvel and praise; for both or none things win;
|
|
And I must say, I ne'er could see the very
|
|
Great happiness of the 'Nil Admirari.'
|
|
|
|
'Not to admire is all the art I know
|
|
(Plain truth, dear Murray, needs few flowers of speech)
|
|
To make men happy, or to keep them so'
|
|
(So take it in the very words of Creech)-
|
|
Thus Horace wrote we all know long ago;
|
|
And thus Pope quotes the precept to re-teach
|
|
From his translation; but had none admired,
|
|
Would Pope have sung, or Horace been inspired?
|
|
|
|
Baba, when all the damsels were withdrawn,
|
|
Motion'd to Juan to approach, and then
|
|
A second time desired him to kneel down,
|
|
And kiss the lady's foot; which maxim when
|
|
He heard repeated, Juan with a frown
|
|
Drew himself up to his full height again,
|
|
And said, 'It grieved him, but he could not stoop
|
|
To any shoe, unless it shod the Pope.'
|
|
|
|
Baba, indignant at this ill-timed pride,
|
|
Made fierce remonstrances, and then a threat
|
|
He mutter'd (but the last was given aside)
|
|
About a bow-string- quite in vain; not yet
|
|
Would Juan bend, though 't were to Mahomet's bride:
|
|
There 's nothing in the world like etiquette
|
|
In kingly chambers or imperial halls,
|
|
As also at the race and county balls.
|
|
|
|
He stood like Atlas, with a world of words
|
|
About his ears, and nathless would not bend:
|
|
The blood of all his line 's Castilian lords
|
|
Boil'd in his veins, and rather than descend
|
|
To stain his pedigree a thousand swords
|
|
A thousand times of him had made an end;
|
|
At length perceiving the 'foot' could not stand,
|
|
Baba proposed that he should kiss the hand.
|
|
|
|
Here was an honourable compromise,
|
|
A half-way house of diplomatic rest,
|
|
Where they might meet in much more peaceful guise;
|
|
And Juan now his willingness exprest
|
|
To use all fit and proper courtesies,
|
|
Adding, that this was commonest and best,
|
|
For through the South the custom still commands
|
|
The gentleman to kiss the lady's hands.
|
|
|
|
And he advanced, though with but a bad grace,
|
|
Though on more thorough-bred or fairer fingers
|
|
No lips e'er left their transitory trace;
|
|
On such as these the lip too fondly lingers,
|
|
And for one kiss would fain imprint a brace,
|
|
As you will see, if she you love shall bring hers
|
|
In contact; and sometimes even a fair stranger's
|
|
An almost twelvemonth's constancy endangers.
|
|
|
|
The lady eyed him o'er and o'er, and bade
|
|
Baba retire, which he obey'd in style,
|
|
As if well used to the retreating trade;
|
|
And taking hints in good part all the while,
|
|
He whisper'd Juan not to be afraid,
|
|
And looking on him with a sort of smile,
|
|
Took leave, with such a face of satisfaction
|
|
As good men wear who have done a virtuous action.
|
|
|
|
When he was gone, there was a sudden change:
|
|
I know not what might be the lady's thought,
|
|
But o'er her bright brow flash'd a tumult strange,
|
|
And into her dear cheek the blood was brought,
|
|
Blood-red as sunset summer clouds which range
|
|
The verge of Heaven; and in her large eyes wrought,
|
|
A mixture of sensations might be scann'd,
|
|
Of half voluptuousness and half command.
|
|
|
|
Her form had all the softness of her sex,
|
|
Her features all the sweetness of the devil,
|
|
When he put on the cherub to perplex
|
|
Eve, and paved (God knows how) the road to evil;
|
|
The sun himself was scarce more free from specks
|
|
Than she from aught at which the eye could cavil;
|
|
Yet, somehow, there was something somewhere wanting,
|
|
As if she rather order'd than was granting.
|
|
|
|
Something imperial, or imperious, threw
|
|
A chain o'er all she did; that is, a chain
|
|
Was thrown as 't were about the neck of you,-
|
|
And rapture's self will seem almost a pain
|
|
With aught which looks like despotism in view:
|
|
Our souls at least are free, and 't is in vain
|
|
We would against them make the flesh obey-
|
|
The spirit in the end will have its way.
|
|
|
|
Her very smile was haughty, though so sweet;
|
|
Her very nod was not an inclination;
|
|
There was a self-will even in her small feet,
|
|
As though they were quite conscious of her station-
|
|
They trod as upon necks; and to complete
|
|
Her state (it is the custom of her nation),
|
|
A poniard deck'd her girdle, as the sign
|
|
She was a sultan's bride (thank Heaven, not mine!).
|
|
|
|
'To hear and to obey' had been from birth
|
|
The law of all around her; to fulfill
|
|
All phantasies which yielded joy or mirth,
|
|
Had been her slaves' chief pleasure, as her will;
|
|
Her blood was high, her beauty scarce of earth:
|
|
Judge, then, if her caprices e'er stood still;
|
|
Had she but been a Christian, I 've a notion
|
|
We should have found out the 'perpetual motion.'
|
|
|
|
Whate'er she saw and coveted was brought;
|
|
Whate'er she did not see, if she supposed
|
|
It might be seen, with diligence was sought,
|
|
And when 't was found straightway the bargain closed;
|
|
There was no end unto the things she bought,
|
|
Nor to the trouble which her fancies caused;
|
|
Yet even her tyranny had such a grace,
|
|
The women pardon'd all except her face.
|
|
|
|
Juan, the latest of her whims, had caught
|
|
Her eye in passing on his way to sale;
|
|
She order'd him directly to be bought,
|
|
And Baba, who had ne'er been known to fail
|
|
In any kind of mischief to be wrought,
|
|
At all such auctions knew how to prevail:
|
|
She had no prudence, but he had; and this
|
|
Explains the garb which Juan took amiss.
|
|
|
|
His youth and features favour'd the disguise,
|
|
And, should you ask how she, a sultan's bride,
|
|
Could risk or compass such strange phantasies,
|
|
This I must leave sultanas to decide:
|
|
Emperors are only husbands in wives' eyes,
|
|
And kings and consorts oft are mystified,
|
|
As we may ascertain with due precision,
|
|
Some by experience, others by tradition.
|
|
|
|
But to the main point, where we have been tending:-
|
|
She now conceived all difficulties past,
|
|
And deem'd herself extremely condescending
|
|
When, being made her property at last,
|
|
Without more preface, in her blue eyes blending
|
|
Passion and power, a glance on him she cast,
|
|
And merely saying, 'Christian, canst thou love?'
|
|
Conceived that phrase was quite enough to move
|
|
|
|
And so it was, in proper time and place;
|
|
But Juan, who had still his mind o'erflowing
|
|
With Haidee's isle and soft Ionian face,
|
|
Felt the warm blood, which in his face was glowing,
|
|
Rush back upon his heart, which fill'd apace,
|
|
And left his cheeks as pale as snowdrops blowing;
|
|
These words went through his soul like Arab-spears,
|
|
So that he spoke not, but burst into tears.
|
|
|
|
She was a good deal shock'd; not shock'd at tears,
|
|
For women shed and use them at their liking;
|
|
But there is something when man's eye appears
|
|
Wet, still more disagreeable and striking;
|
|
A woman's tear-drop melts, a man's half sears,
|
|
Like molten lead, as if you thrust a pike in
|
|
His heart to force it out, for (to be shorter)
|
|
To them 't is a relief, to us a torture.
|
|
|
|
And she would have consoled, but knew not how:
|
|
Having no equals, nothing which had e'er
|
|
Infected her with sympathy till now,
|
|
And never having dreamt what 't was to bear
|
|
Aught of a serious, sorrowing kind, although
|
|
There might arise some pouting petty care
|
|
To cross her brow, she wonder'd how so near
|
|
Her eyes another's eye could shed a tear.
|
|
|
|
But nature teaches more than power can spoil,
|
|
And, when a strong although a strange sensation
|
|
Moves- female hearts are such a genial soil
|
|
For kinder feelings, whatsoe'er their nation,
|
|
They naturally pour the 'wine and oil,'
|
|
Samaritans in every situation;
|
|
And thus Gulbeyaz, though she knew not why,
|
|
Felt an odd glistening moisture in her eye.
|
|
|
|
But tears must stop like all things else; and soon
|
|
Juan, who for an instant had been moved
|
|
To such a sorrow by the intrusive tone
|
|
Of one who dared to ask if 'he had loved,'
|
|
Call'd back the stoic to his eyes, which shone
|
|
Bright with the very weakness he reproved;
|
|
And although sensitive to beauty, he
|
|
Felt most indignant still at not being free.
|
|
|
|
Gulbeyaz, for the first time in her days,
|
|
Was much embarrass'd, never having met
|
|
In all her life with aught save prayers and praise;
|
|
And as she also risk'd her life to get
|
|
Him whom she meant to tutor in love's ways
|
|
Into a comfortable tete-a-tete,
|
|
To lose the hour would make her quite a martyr,
|
|
And they had wasted now almost a quarter.
|
|
|
|
I also would suggest the fitting time
|
|
To gentlemen in any such like case,
|
|
That is to say in a meridian clime-
|
|
With us there is more law given to the chase,
|
|
But here a small delay forms a great crime:
|
|
So recollect that the extremest grace
|
|
Is just two minutes for your declaration-
|
|
A moment more would hurt your reputation.
|
|
|
|
Juan's was good; and might have been still better,
|
|
But he had got Haidee into his head:
|
|
However strange, he could not yet forget her,
|
|
Which made him seem exceedingly ill-bred.
|
|
Gulbeyaz, who look'd on him as her debtor
|
|
For having had him to her palace led,
|
|
Began to blush up to the eyes, and then
|
|
Grow deadly pale, and then blush back again.
|
|
|
|
At length, in an imperial way, she laid
|
|
Her hand on his, and bending on him eyes
|
|
Which needed not an empire to persuade,
|
|
Look'd into his for love, where none replies:
|
|
Her brow grew black, but she would not upbraid,
|
|
That being the last thing a proud woman tries;
|
|
She rose, and pausing one chaste moment, threw
|
|
Herself upon his breast, and there she grew.
|
|
|
|
This was an awkward test, as Juan found,
|
|
But he was steel'd by sorrow, wrath, and pride:
|
|
With gentle force her white arms he unwound,
|
|
And seated her all drooping by his side,
|
|
Then rising haughtily he glanced around,
|
|
And looking coldly in her face, he cried,
|
|
'The prison'd eagle will not pair, nor
|
|
Serve a Sultana's sensual phantasy.
|
|
|
|
'Thou ask'st if I can love? be this the proof
|
|
How much I have loved- that I love not thee!
|
|
In this vile garb, the distaff, web, and woof,
|
|
Were fitter for me: Love is for the free!
|
|
I am not dazzled by this splendid roof,
|
|
Whate'er thy power, and great it seems to be;
|
|
Heads bow, knees bend, eyes watch around a throne,
|
|
And hands obey- our hearts are still our own.'
|
|
|
|
This was a truth to us extremely trite;
|
|
Not so to her, who ne'er had heard such things:
|
|
She deem'd her least command must yield delight,
|
|
Earth being only made for queens and kings.
|
|
If hearts lay on the left side or the right
|
|
She hardly knew, to such perfection brings
|
|
Legitimacy its born votaries, when
|
|
Aware of their due royal rights o'er men.
|
|
|
|
Besides, as has been said, she was so fair
|
|
As even in a much humbler lot had made
|
|
A kingdom or confusion anywhere,
|
|
And also, as may be presumed, she laid
|
|
Some stress on charms, which seldom are, if e'er,
|
|
By their possessors thrown into the shade:
|
|
She thought hers gave a double 'right divine;'
|
|
And half of that opinion 's also mine.
|
|
|
|
Remember, or (if you can not) imagine,
|
|
Ye, who have kept your chastity when young,
|
|
While some more desperate dowager has been waging
|
|
Love with you, and been in the dog-days stung
|
|
By your refusal, recollect her raging!
|
|
Or recollect all that was said or sung
|
|
On such a subject; then suppose the face
|
|
Of a young downright beauty in this case.
|
|
|
|
Suppose,- but you already have supposed,
|
|
The spouse of Potiphar, the Lady Booby,
|
|
Phaedra, and all which story has disclosed
|
|
Of good examples; pity that so few by
|
|
Poets and private tutors are exposed,
|
|
To educate- ye youth of Europe- you by!
|
|
But when you have supposed the few we know,
|
|
You can't suppose Gulbeyaz' angry brow.
|
|
|
|
A tigress robb'd of young, a lioness,
|
|
Or any interesting beast of prey,
|
|
Are similes at hand for the distress
|
|
Of ladies who can not have their own way;
|
|
But though my turn will not be served with less,
|
|
These don't express one half what I should say:
|
|
For what is stealing young ones, few or many,
|
|
To cutting short their hopes of having any?
|
|
|
|
The love of offspring 's nature's general law,
|
|
From tigresses and cubs to ducks and ducklings;
|
|
There 's nothing whets the beak, or arms the claw
|
|
Like an invasion of their babes and sucklings;
|
|
And all who have seen a human nursery, saw
|
|
How mothers love their children's squalls and chucklings;
|
|
This strong extreme effect (to tire no longer
|
|
Your patience) shows the cause must still be stronger.
|
|
|
|
If I said fire flash'd from Gulbeyaz' eyes,
|
|
'T were nothing- for her eyes flash'd always fire;
|
|
Or said her cheeks assumed the deepest dyes,
|
|
I should but bring disgrace upon the dyer,
|
|
So supernatural was her passion's rise;
|
|
For ne'er till now she knew a check'd desire:
|
|
Even ye who know what a check'd woman is
|
|
(Enough, God knows!) would much fall short of this.
|
|
|
|
Her rage was but a minute's, and 't was well-
|
|
A moment's more had slain her; but the while
|
|
It lasted 't was like a short glimpse of hell:
|
|
Nought 's more sublime than energetic bile,
|
|
Though horrible to see yet grand to tell,
|
|
Like ocean warring 'gainst a rocky isle;
|
|
And the deep passions flashing through her form
|
|
Made her a beautiful embodied storm.
|
|
|
|
A vulgar tempest 't were to a typhoon
|
|
To match a common fury with her rage,
|
|
And yet she did not want to reach the moon,
|
|
Like moderate Hotspur on the immortal page;
|
|
Her anger pitch'd into a lower tune,
|
|
Perhaps the fault of her soft sex and age-
|
|
Her wish was but to 'kill, kill, kill,' like Lear's,
|
|
And then her thirst of blood was quench'd in tears.
|
|
|
|
A storm it raged, and like the storm it pass'd,
|
|
Pass'd without words- in fact she could not speak;
|
|
And then her sex's shame broke in at last,
|
|
A sentiment till then in her but weak,
|
|
But now it flow'd in natural and fast,
|
|
As water through an unexpected leak;
|
|
For she felt humbled- and humiliation
|
|
Is sometimes good for people in her station
|
|
|
|
It teaches them that they are flesh and blood,
|
|
It also gently hints to them that others,
|
|
Although of clay, are yet not quite of mud;
|
|
That urns and pipkins are but fragile brothers,
|
|
And works of the same pottery, bad or good,
|
|
Though not all born of the same sires and mothers:
|
|
It teaches- Heaven knows only what it teaches,
|
|
But sometimes it may mend, and often reaches.
|
|
|
|
Her first thought was to cut off Juan's head;
|
|
Her second, to cut only his- acquaintance;
|
|
Her third, to ask him where he had been bred;
|
|
Her fourth, to rally him into repentance;
|
|
Her fifth, to call her maids and go to bed;
|
|
Her sixth, to stab herself; her seventh, to sentence
|
|
The lash to Baba:- but her grand resource
|
|
Was to sit down again, and cry of course.
|
|
|
|
She thought to stab herself, but then she had
|
|
The dagger close at hand, which made it awkward;
|
|
For Eastern stays are little made to pad,
|
|
So that a poniard pierces if 't is stuck hard:
|
|
She thought of killing Juan- but, poor lad!
|
|
Though he deserved it well for being so backward,
|
|
The cutting off his head was not the art
|
|
Most likely to attain her aim- his heart.
|
|
|
|
Juan was moved; he had made up his mind
|
|
To be impaled, or quarter'd as a dish
|
|
For dogs, or to be slain with pangs refined,
|
|
Or thrown to lions, or made baits for fish,
|
|
And thus heroically stood resign'd,
|
|
Rather than sin- except to his own wish:
|
|
But all his great preparatives for dying
|
|
Dissolved like snow before a woman crying.
|
|
|
|
As through his palms Bob Acres' valour oozed,
|
|
So Juan's virtue ebb'd, I know not how;
|
|
And first he wonder'd why he had refused;
|
|
And then, if matters could be made up now;
|
|
And next his savage virtue he accused,
|
|
Just as a friar may accuse his vow,
|
|
Or as a dame repents her of her oath,
|
|
Which mostly ends in some small breach of both.
|
|
|
|
So he began to stammer some excuses;
|
|
But words are not enough in such a matter,
|
|
Although you borrow'd all that e'er the muses
|
|
Have sung, or even a Dandy's dandiest chatter,
|
|
Or all the figures Castlereagh abuses;
|
|
Just as a languid smile began to flatter
|
|
His peace was making, but before he ventured
|
|
Further, old Baba rather briskly enter'd.
|
|
|
|
'Bride of the Sun! and Sister of the Moon!'
|
|
('T was thus he spake) 'and Empress of the Earth!
|
|
Whose frown would put the spheres all out of tune,
|
|
Whose smile makes all the planets dance with mirth,
|
|
Your slave brings tidings- he hopes not too soon-
|
|
Which your sublime attention may be worth:
|
|
The Sun himself has sent me like a ray,
|
|
To hint that he is coming up this way.'
|
|
|
|
'Is it,' exclaim'd Gulbeyaz, 'as you say?
|
|
I wish to heaven he would not shine till morning!
|
|
But bid my women form the milky way.
|
|
Hence, my old comet! give the stars due warning-
|
|
And, Christian! mingle with them as you may,
|
|
And as you 'd have me pardon your past scorning-'
|
|
Here they were interrupted by a humming
|
|
Sound, and then by a cry, 'The Sultan 's coming!'
|
|
|
|
First came her damsels, a decorous file,
|
|
And then his Highness' eunuchs, black and white;
|
|
The train might reach a quarter of a mile:
|
|
His majesty was always so polite
|
|
As to announce his visits a long while
|
|
Before he came, especially at night;
|
|
For being the last wife of the Emperour,
|
|
She was of course the favorite of the four.
|
|
|
|
His Highness was a man of solemn port,
|
|
Shawl'd to the nose, and bearded to the eyes,
|
|
Snatch'd from a prison to preside at court,
|
|
His lately bowstrung brother caused his rise;
|
|
He was as good a sovereign of the sort
|
|
As any mention'd in the histories
|
|
Of Cantemir, or Knolles, where few shine
|
|
Save Solyman, the glory of their line.
|
|
|
|
He went to mosque in state, and said his prayers
|
|
With more than 'Oriental scrupulosity;'
|
|
He left to his vizier all state affairs,
|
|
And show'd but little royal curiosity:
|
|
I know not if he had domestic cares-
|
|
No process proved connubial animosity;
|
|
Four wives and twice five hundred maids, unseen,
|
|
Were ruled as calmly as a Christian queen.
|
|
|
|
If now and then there happen'd a slight slip,
|
|
Little was heard of criminal or crime;
|
|
The story scarcely pass'd a single lip-
|
|
The sack and sea had settled all in time,
|
|
From which the secret nobody could rip:
|
|
The Public knew no more than does this rhyme;
|
|
No scandals made the daily press a curse-
|
|
Morals were better, and the fish no worse.
|
|
|
|
He saw with his own eyes the moon was round,
|
|
Was also certain that the earth was square,
|
|
Because he had journey'd fifty miles, and found
|
|
No sign that it was circular anywhere;
|
|
His empire also was without a bound:
|
|
'T is true, a little troubled here and there,
|
|
By rebel pachas, and encroaching giaours,
|
|
But then they never came to 'the Seven Towers;'
|
|
|
|
Except in shape of envoys, who were sent
|
|
To lodge there when a war broke out, according
|
|
To the true law of nations, which ne'er meant
|
|
Those scoundrels, who have never had a sword in
|
|
Their dirty diplomatic hands, to vent
|
|
Their spleen in making strife, and safely wording
|
|
Their lies, yclep'd despatches, without risk or
|
|
The singeing of a single inky whisker.
|
|
|
|
He had fifty daughters and four dozen sons,
|
|
Of whom all such as came of age were stow'd,
|
|
The former in a palace, where like nuns
|
|
They lived till some Bashaw was sent abroad,
|
|
When she, whose turn it was, was wed at once,
|
|
Sometimes at six years old- though it seems odd,
|
|
'T is true; the reason is, that the Bashaw
|
|
Must make a present to his sire in law.
|
|
|
|
His sons were kept in prison, till they grew
|
|
Of years to fill a bowstring or the throne,
|
|
One or the other, but which of the two
|
|
Could yet be known unto the fates alone;
|
|
Meantime the education they went through
|
|
Was princely, as the proofs have always shown:
|
|
So that the heir apparent still was found
|
|
No less deserving to be hang'd than crown'd.
|
|
|
|
His majesty saluted his fourth spouse
|
|
With all the ceremonies of his rank,
|
|
Who clear'd her sparkling eyes and smooth'd her brows,
|
|
As suits a matron who has play'd a prank;
|
|
These must seem doubly mindful of their vows,
|
|
To save the credit of their breaking bank:
|
|
To no men are such cordial greetings given
|
|
As those whose wives have made them fit for heaven.
|
|
|
|
His Highness cast around his great black eyes,
|
|
And looking, as he always look'd, perceived
|
|
Juan amongst the damsels in disguise,
|
|
At which he seem'd no whit surprised nor grieved,
|
|
But just remark'd with air sedate and wise,
|
|
While still a fluttering sigh Gulbeyaz heaved,
|
|
'I see you 've bought another girl; 't is pity
|
|
That a mere Christian should be half so pretty.'
|
|
|
|
This compliment, which drew all eyes upon
|
|
The new-bought virgin, made her blush and shake.
|
|
Her comrades, also, thought themselves undone:
|
|
Oh! Mahomet! that his majesty should take
|
|
Such notice of a giaour, while scarce to one
|
|
Of them his lips imperial ever spake!
|
|
There was a general whisper, toss, and wriggle,
|
|
But etiquette forbade them all to giggle.
|
|
|
|
The Turks do well to shut- at least, sometimes-
|
|
The women up, because, in sad reality,
|
|
Their chastity in these unhappy climes
|
|
Is not a thing of that astringent quality
|
|
Which in the North prevents precocious crimes,
|
|
And makes our snow less pure than our morality;
|
|
The sun, which yearly melts the polar ice,
|
|
Has quite the contrary effect on vice.
|
|
|
|
Thus in the East they are extremely strict,
|
|
And Wedlock and a Padlock mean the same;
|
|
Excepting only when the former 's pick'd
|
|
It ne'er can be replaced in proper frame;
|
|
Spoilt, as a pipe of claret is when prick'd:
|
|
But then their own Polygamy 's to blame;
|
|
Why don't they knead two virtuous souls for life
|
|
Into that moral centaur, man and wife?
|
|
|
|
Thus far our chronicle; and now we pause,
|
|
Though not for want of matter; but 't is time
|
|
According to the ancient epic laws,
|
|
To slacken sail, and anchor with our rhyme.
|
|
Let this fifth canto meet with due applause,
|
|
The sixth shall have a touch of the sublime;
|
|
Meanwhile, as Homer sometimes sleeps, perhaps
|
|
You 'll pardon to my muse a few short naps.
|
|
CANTO THE SIXTH.
|
|
|
|
'THERE is a tide in the affairs of men
|
|
Which,- taken at the flood,'- you know the rest,
|
|
And most of us have found it now and then;
|
|
At least we think so, though but few have guess'd
|
|
The moment, till too late to come again.
|
|
But no doubt every thing is for the best-
|
|
Of which the surest sign is in the end:
|
|
When things are at the worst they sometimes mend.
|
|
|
|
There is a tide in the affairs of women
|
|
Which, taken at the flood, leads- God knows where:
|
|
Those navigators must be able seamen
|
|
Whose charts lay down its current to a hair;
|
|
Not all the reveries of Jacob Behmen
|
|
With its strange whirls and eddies can compare:
|
|
Men with their heads reflect on this and that-
|
|
But women with their hearts on heaven knows what!
|
|
|
|
And yet a headlong, headstrong, downright she,
|
|
Young, beautiful, and daring- who would risk
|
|
A throne, the world, the universe, to be
|
|
Beloved in her own way, and rather whisk
|
|
The stars from out the sky, than not be free
|
|
As are the billows when the breeze is brisk-
|
|
Though such a she 's a devil (if that there be one),
|
|
Yet she would make full many a Manichean.
|
|
|
|
Thrones, worlds, et cetera, are so oft upset
|
|
By commonest ambition, that when passion
|
|
O'erthrows the same, we readily forget,
|
|
Or at the least forgive, the loving rash one.
|
|
If Antony be well remember'd yet,
|
|
'T is not his conquests keep his name in fashion,
|
|
But Actium, lost for Cleopatra's eyes,
|
|
Outbalances all Caesar's victories.
|
|
|
|
He died at fifty for a queen of forty;
|
|
I wish their years had been fifteen and twenty,
|
|
For then wealth, kingdoms, worlds are but a sport- I
|
|
Remember when, though I had no great plenty
|
|
Of worlds to lose, yet still, to pay my court, I
|
|
Gave what I had- a heart: as the world went, I
|
|
Gave what was worth a world; for worlds could never
|
|
Restore me those pure feelings, gone forever.
|
|
|
|
'T was the boy's 'mite,' and, like the 'widow's,' may
|
|
Perhaps be weigh'd hereafter, if not now;
|
|
But whether such things do or do not weigh,
|
|
All who have loved, or love, will still allow
|
|
Life has nought like it. God is love, they say,
|
|
And Love 's a god, or was before the brow
|
|
Of earth was wrinkled by the sins and tears
|
|
Of- but Chronology best knows the years.
|
|
|
|
We left our hero and third heroine in
|
|
A kind of state more awkward than uncommon,
|
|
For gentlemen must sometimes risk their skin
|
|
For that sad tempter, a forbidden woman:
|
|
Sultans too much abhor this sort of sin,
|
|
And don't agree at all with the wise Roman,
|
|
Heroic, stoic Cato, the sententious,
|
|
Who lent his lady to his friend Hortensius.
|
|
|
|
I know Gulbeyaz was extremely wrong;
|
|
I own it, I deplore it, I condemn it;
|
|
But I detest all fiction even in song,
|
|
And so must tell the truth, howe'er you blame it.
|
|
Her reason being weak, her passions strong,
|
|
She thought that her lord's heart (even could she claim it)
|
|
Was scarce enough; for he had fifty-nine
|
|
Years, and a fifteen-hundredth concubine.
|
|
|
|
I am not, like Cassio, 'an arithmetician,'
|
|
But by 'the bookish theoric' it appears,
|
|
If 't is summ'd up with feminine precision,
|
|
That, adding to the account his Highness' years,
|
|
The fair Sultana err'd from inanition;
|
|
For, were the Sultan just to all his dears,
|
|
She could but claim the fifteen-hundredth part
|
|
Of what should be monopoly- the heart.
|
|
|
|
It is observed that ladies are litigious
|
|
Upon all legal objects of possession,
|
|
And not the least so when they are religious,
|
|
Which doubles what they think of the transgression:
|
|
With suits and prosecutions they besiege us,
|
|
As the tribunals show through many a session,
|
|
When they suspect that any one goes shares
|
|
In that to which the law makes them sole heirs.
|
|
|
|
Now, if this holds good in a Christian land,
|
|
The heathen also, though with lesser latitude,
|
|
Are apt to carry things with a high hand,
|
|
And take what kings call 'an imposing attitude,'
|
|
And for their rights connubial make a stand,
|
|
When their liege husbands treat them with ingratitude:
|
|
And as four wives must have quadruple claims,
|
|
The Tigris hath its jealousies like Thames.
|
|
|
|
Gulbeyaz was the fourth, and (as I said)
|
|
The favourite; but what 's favour amongst four?
|
|
Polygamy may well be held in dread,
|
|
Not only as a sin, but as a bore:
|
|
Most wise men, with one moderate woman wed,
|
|
Will scarcely find philosophy for more;
|
|
And all (except Mahometans) forbear
|
|
To make the nuptial couch a 'Bed of Ware.'
|
|
|
|
His Highness, the sublimest of mankind,-
|
|
So styled according to the usual forms
|
|
Of every monarch, till they are consign'd
|
|
To those sad hungry jacobins the worms,
|
|
Who on the very loftiest kings have dined,-
|
|
His Highness gazed upon Gulbeyaz' charms,
|
|
Expecting all the welcome of a lover
|
|
(A 'Highland welcome' all the wide world over).
|
|
|
|
Now here we should distinguish; for howe'er
|
|
Kisses, sweet words, embraces, and all that,
|
|
May look like what is- neither here nor there,
|
|
They are put on as easily as a hat,
|
|
Or rather bonnet, which the fair sex wear,
|
|
Trimm'd either heads or hearts to decorate,
|
|
Which form an ornament, but no more part
|
|
Of heads, than their caresses of the heart.
|
|
|
|
A slight blush, a soft tremor, a calm kind
|
|
Of gentle feminine delight, and shown
|
|
More in the eyelids than the eyes, resign'd
|
|
Rather to hide what pleases most unknown,
|
|
Are the best tokens (to a modest mind)
|
|
Of love, when seated on his loveliest throne,
|
|
A sincere woman's breast,- for over-warm
|
|
Or over-cold annihilates the charm.
|
|
|
|
For over-warmth, if false, is worse than truth;
|
|
If true, 't is no great lease of its own fire;
|
|
For no one, save in very early youth,
|
|
Would like (I think) to trust all to desire,
|
|
Which is but a precarious bond, in sooth,
|
|
And apt to be transferr'd to the first buyer
|
|
At a sad discount: while your over chilly
|
|
Women, on t' other hand, seem somewhat silly.
|
|
|
|
That is, we cannot pardon their bad taste,
|
|
For so it seems to lovers swift or slow,
|
|
Who fain would have a mutual flame confess'd,
|
|
And see a sentimental passion glow,
|
|
Even were St. Francis' paramour their guest,
|
|
In his monastic concubine of snow;-
|
|
In short, the maxim for the amorous tribe is
|
|
Horatian, 'Medio tu tutissimus ibis.'
|
|
|
|
The 'tu' 's too much,- but let it stand,- the verse
|
|
Requires it, that 's to say, the English rhyme,
|
|
And not the pink of old hexameters;
|
|
But, after all, there 's neither tune nor time
|
|
In the last line, which cannot well be worse,
|
|
And was thrust in to close the octave's chime:
|
|
I own no prosody can ever rate it
|
|
As a rule, but truth may, if you translate it.
|
|
|
|
If fair Gulbeyaz overdid her part,
|
|
I know not- it succeeded, and success
|
|
Is much in most things, not less in the heart
|
|
Than other articles of female dress.
|
|
Self-love in man, too, beats all female art;
|
|
They lie, we lie, all lie, but love no less;
|
|
And no one virtue yet, except starvation,
|
|
Could stop that worst of vices- propagation.
|
|
|
|
We leave this royal couple to repose:
|
|
A bed is not a throne, and they may sleep,
|
|
Whate'er their dreams be, if of joys or woes:
|
|
Yet disappointed joys are woes as deep
|
|
As any man's day mixture undergoes.
|
|
Our least of sorrows are such as we weep;
|
|
'T is the vile daily drop on drop which wears
|
|
The soul out (like the stone) with petty cares.
|
|
|
|
A scolding wife, a sullen son, a bill
|
|
To pay, unpaid, protested, or discounted
|
|
At a per-centage; a child cross, dog ill,
|
|
A favourite horse fallen lame just as he 's mounted,
|
|
A bad old woman making a worse will,
|
|
Which leaves you minus of the cash you counted
|
|
As certain;- these are paltry things, and yet
|
|
I 've rarely seen the man they did not fret.
|
|
|
|
I 'm a philosopher; confound them all!
|
|
Bills, beasts, and men, and- no! not womankind!
|
|
With one good hearty curse I vent my gall,
|
|
And then my stoicism leaves nought behind
|
|
Which it can either pain or evil call,
|
|
And I can give my whole soul up to mind;
|
|
Though what is soul or mind, their birth or growth,
|
|
Is more than I know- the deuce take them both!
|
|
|
|
As after reading Athanasius' curse,
|
|
Which doth your true believer so much please:
|
|
I doubt if any now could make it worse
|
|
O'er his worst enemy when at his knees,
|
|
'T is so sententious, positive, and terse,
|
|
And decorates the book of Common Prayer,
|
|
As doth a rainbow the just clearing air.
|
|
|
|
Gulbeyaz and her lord were sleeping, or
|
|
At least one of them!- Oh, the heavy night,
|
|
When wicked wives, who love some bachelor,
|
|
Lie down in dudgeon to sigh for the light
|
|
Of the gray morning, and look vainly for
|
|
Its twinkle through the lattice dusky quite-
|
|
To toss, to tumble, doze, revive, and quake
|
|
Lest their too lawful bed-fellow should wake!
|
|
|
|
These are beneath the canopy of heaven,
|
|
Also beneath the canopy of beds
|
|
Four-posted and silk curtain'd, which are given
|
|
For rich men and their brides to lay their heads
|
|
Upon, in sheets white as what bards call 'driven
|
|
Snow.' Well! 't is all hap-hazard when one weds.
|
|
Gulbeyaz was an empress, but had been
|
|
Perhaps as wretched if a peasant's quean.
|
|
|
|
Don Juan in his feminine disguise,
|
|
With all the damsels in their long array,
|
|
Had bow'd themselves before th' imperial eyes,
|
|
And at the usual signal ta'en their way
|
|
Back to their chambers, those long galleries
|
|
In the seraglio, where the ladies lay
|
|
Their delicate limbs; a thousand bosoms there
|
|
Beating for love, as the caged bird's for air.
|
|
|
|
I love the sex, and sometimes would reverse
|
|
The tyrant's wish, 'that mankind only had
|
|
One neck, which he with one fell stroke might pierce:'
|
|
My wish is quite as wide, but not so bad,
|
|
And much more tender on the whole than fierce;
|
|
It being (not now, but only while a lad)
|
|
That womankind had but one rosy mouth,
|
|
To kiss them all at once from North to South.
|
|
|
|
Oh, enviable Briareus! with thy hands
|
|
And heads, if thou hadst all things multiplied
|
|
In such proportion!- But my Muse withstands
|
|
The giant thought of being a Titan's bride,
|
|
Or travelling in Patagonian lands;
|
|
So let us back to Lilliput, and guide
|
|
Our hero through the labyrinth of love
|
|
In which we left him several lines above.
|
|
|
|
He went forth with the lovely Odalisques,
|
|
At the given signal join'd to their array;
|
|
And though he certainly ran many risks,
|
|
Yet he could not at times keep, by the way
|
|
(Although the consequences of such frisks
|
|
Are worse than the worst damages men pay
|
|
In moral England, where the thing 's a tax),
|
|
From ogling all their charms from breasts to backs.
|
|
|
|
Still he forgot not his disguise:- along
|
|
The galleries from room to room they walk'd,
|
|
A virgin-like and edifying throng,
|
|
By eunuchs flank'd; while at their head there stalk'd
|
|
A dame who kept up discipline among
|
|
The female ranks, so that none stirr'd or talk'd
|
|
Without her sanction on their she-parades:
|
|
Her title was 'the Mother of the Maids.'
|
|
|
|
Whether she was a 'mother,' I know not,
|
|
Or whether they were 'maids' who call'd her mother;
|
|
But this is her seraglio title, got
|
|
I know not how, but good as any other;
|
|
So Cantemir can tell you, or De Tott:
|
|
Her office was to keep aloof or smother
|
|
All bad propensities in fifteen hundred
|
|
Young women, and correct them when they blunder'd.
|
|
|
|
A goodly sinecure, no doubt! but made
|
|
More easy by the absence of all men-
|
|
Except his majesty, who, with her aid,
|
|
And guards, and bolts, and walls, and now and then
|
|
A slight example, just to cast a shade
|
|
Along the rest, contrived to keep this den
|
|
Of beauties cool as an Italian convent,
|
|
Where all the passions have, alas! but one vent.
|
|
|
|
And what is that? Devotion, doubtless- how
|
|
Could you ask such a question?- but we will
|
|
Continue. As I said, this goodly row
|
|
Of ladies of all countries at the will
|
|
Of one good man, with stately march and slow,
|
|
Like water-lilies floating down a rill-
|
|
Or rather lake, for rills do not run slowly-
|
|
Paced on most maiden-like and melancholy.
|
|
|
|
But when they reach'd their own apartments, there,
|
|
Like birds, or boys, or bedlamites broke loose,
|
|
Waves at spring-tide, or women anywhere
|
|
When freed from bonds (which are of no great use
|
|
After all), or like Irish at a fair,
|
|
Their guards being gone, and as it were a truce
|
|
Establish'd between them and bondage, they
|
|
Began to sing, dance, chatter, smile, and play.
|
|
|
|
Their talk, of course, ran most on the new comer;
|
|
Her shape, her hair, her air, her everything:
|
|
Some thought her dress did not so much become her,
|
|
Or wonder'd at her ears without a ring;
|
|
Some said her years were getting nigh their summer,
|
|
Others contended they were but in spring;
|
|
Some thought her rather masculine in height,
|
|
While others wish'd that she had been so quite.
|
|
|
|
But no one doubted on the whole, that she
|
|
Was what her dress bespoke, a damsel fair,
|
|
And fresh, and 'beautiful exceedingly,'
|
|
Who with the brightest Georgians might compare:
|
|
They wonder'd how Gulbeyaz, too, could be
|
|
So silly as to buy slaves who might share
|
|
(If that his Highness wearied of his bride)
|
|
Her throne and power, and every thing beside.
|
|
|
|
But what was strangest in this virgin crew,
|
|
Although her beauty was enough to vex,
|
|
After the first investigating view,
|
|
They all found out as few, or fewer, specks
|
|
In the fair form of their companion new,
|
|
Than is the custom of the gentle sex,
|
|
When they survey, with Christian eyes or Heathen,
|
|
In a new face 'the ugliest creature breathing.'
|
|
|
|
And yet they had their little jealousies,
|
|
Like all the rest; but upon this occasion,
|
|
Whether there are such things as sympathies
|
|
Without our knowledge or our approbation,
|
|
Although they could not see through his disguise,
|
|
All felt a soft kind of concatenation,
|
|
Like magnetism, or devilism, or what
|
|
You please- we will not quarrel about that:
|
|
|
|
But certain 't is they all felt for their new
|
|
Companion something newer still, as 't were
|
|
A sentimental friendship through and through,
|
|
Extremely pure, which made them all concur
|
|
In wishing her their sister, save a few
|
|
Who wish'd they had a brother just like her,
|
|
Whom, if they were at home in sweet Circassia,
|
|
They would prefer to Padisha or Pacha.
|
|
|
|
Of those who had most genius for this sort
|
|
Of sentimental friendship, there were three,
|
|
Lolah, Katinka, and Dudu; in short
|
|
(To save description), fair as fair can be
|
|
Were they, according to the best report,
|
|
Though differing in stature and degree,
|
|
And clime and time, and country and complexion;
|
|
They all alike admired their new connection.
|
|
|
|
Lolah was dusk as India and as warm;
|
|
Katinka was a Georgian, white and red,
|
|
With great blue eyes, a lovely hand and arm,
|
|
And feet so small they scarce seem'd made to tread,
|
|
But rather skim the earth; while Dudu's form
|
|
Look'd more adapted to be put to bed,
|
|
Being somewhat large, and languishing, and lazy,
|
|
Yet of a beauty that would drive you crazy.
|
|
|
|
A kind of sleepy Venus seem'd Dudu,
|
|
Yet very fit to 'murder sleep' in those
|
|
Who gazed upon her cheek's transcendent hue,
|
|
Her Attic forehead, and her Phidian nose:
|
|
Few angles were there in her form, 't is true,
|
|
Thinner she might have been, and yet scarce lose;
|
|
Yet, after all, 't would puzzle to say where
|
|
It would not spoil some separate charm to pare.
|
|
|
|
She was not violently lively, but
|
|
Stole on your spirit like a May-day breaking;
|
|
Her eyes were not too sparkling, yet, half-shut,
|
|
They put beholders in a tender taking;
|
|
She look'd (this simile 's quite new) just cut
|
|
From marble, like Pygmalion's statue waking,
|
|
The mortal and the marble still at strife,
|
|
And timidly expanding into life.
|
|
|
|
Lolah demanded the new damsel's name-
|
|
'Juanna.'- Well, a pretty name enough.
|
|
Katinka ask'd her also whence she came-
|
|
'From Spain.'- 'But where is Spain?'- 'Don't ask such stuff,
|
|
Nor show your Georgian ignorance- for shame!'
|
|
Said Lolah, with an accent rather rough,
|
|
To poor Katinka: 'Spain 's an island near
|
|
Morocco, betwixt Egypt and Tangier.'
|
|
|
|
Dudu said nothing, but sat down beside
|
|
Juanna, playing with her veil or hair;
|
|
And looking at her steadfastly, she sigh'd,
|
|
As if she pitied her for being there,
|
|
A pretty stranger without friend or guide,
|
|
And all abash'd, too, at the general stare
|
|
Which welcomes hapless strangers in all places,
|
|
With kind remarks upon their mien and faces.
|
|
|
|
But here the Mother of the Maids drew near,
|
|
With, 'Ladies, it is time to go to rest.
|
|
I 'm puzzled what to do with you, my dear,'
|
|
She added to Juanna, their new guest:
|
|
'Your coming has been unexpected here,
|
|
And every couch is occupied; you had best
|
|
Partake of mine; but by to-morrow early
|
|
We will have all things settled for you fairly.'
|
|
|
|
Here Lolah interposed- 'Mamma, you know
|
|
You don't sleep soundly, and I cannot bear
|
|
That anybody should disturb you so;
|
|
I 'll take Juanna; we 're a slenderer pair
|
|
Than you would make the half of;- don't say no;
|
|
And I of your young charge will take due care.'
|
|
But here Katinka interfered, and said,
|
|
'She also had compassion and a bed.
|
|
|
|
'Besides, I hate to sleep alone,' quoth she.
|
|
The matron frown'd: 'Why so?'- 'For fear of ghosts,'
|
|
Replied Katinka; 'I am sure I see
|
|
A phantom upon each of the four posts;
|
|
And then I have the worst dreams that can be,
|
|
Of Guebres, Giaours, and Ginns, and Gouls in hosts.'
|
|
The dame replied, 'Between your dreams and you,
|
|
I fear Juanna's dreams would be but few.
|
|
|
|
'You, Lolah, must continue still to lie
|
|
Alone, for reasons which don't matter; you
|
|
The same, Katinka, until by and by;
|
|
And I shall place Juanna with Dudu,
|
|
Who 's quiet, inoffensive, silent, shy,
|
|
And will not toss and chatter the night through.
|
|
What say you, child?'- Dudu said nothing, as
|
|
Her talents were of the more silent class;
|
|
|
|
But she rose up, and kiss'd the matron's brow
|
|
Between the eyes, and Lolah on both cheeks,
|
|
Katinka, too; and with a gentle bow
|
|
(Curt'sies are neither used by Turks nor Greeks)
|
|
She took Juanna by the hand to show
|
|
Their place of rest, and left to both their piques,
|
|
The others pouting at the matron's preference
|
|
Of Dudu, though they held their tongues from deference.
|
|
|
|
It was a spacious chamber (Oda is
|
|
The Turkish title), and ranged round the wall
|
|
Were couches, toilets- and much more than this
|
|
I might describe, as I have seen it all,
|
|
But it suffices- little was amiss;
|
|
'T was on the whole a nobly furnish'd hall,
|
|
With all things ladies want, save one or two,
|
|
And even those were nearer than they knew.
|
|
|
|
Dudu, as has been said, was a sweet creature,
|
|
Not very dashing, but extremely winning,
|
|
With the most regulated charms of feature,
|
|
Which painters cannot catch like faces sinning
|
|
Against proportion- the wild strokes of nature
|
|
Which they hit off at once in the beginning,
|
|
Full of expression, right or wrong, that strike,
|
|
And pleasing or unpleasing, still are like.
|
|
|
|
But she was a soft landscape of mild earth,
|
|
Where all was harmony, and calm, and quiet,
|
|
Luxuriant, budding; cheerful without mirth,
|
|
Which, if not happiness, is much more nigh it
|
|
Than are your mighty passions and so forth,
|
|
Which some call 'the sublime:' I wish they 'd try it:
|
|
I 've seen your stormy seas and stormy women,
|
|
And pity lovers rather more than seamen.
|
|
|
|
But she was pensive more than melancholy,
|
|
And serious more than pensive, and serene,
|
|
It may be, more than either- not unholy
|
|
Her thoughts, at least till now, appear to have been.
|
|
The strangest thing was, beauteous, she was wholly
|
|
Unconscious, albeit turn'd of quick seventeen,
|
|
That she was fair, or dark, or short, or tall;
|
|
She never thought about herself at all.
|
|
|
|
And therefore was she kind and gentle as
|
|
The Age of Gold (when gold was yet unknown,
|
|
By which its nomenclature came to pass;
|
|
Thus most appropriately has been shown
|
|
'Lucus a non lucendo,' not what was,
|
|
But what was not; a sort of style that 's grown
|
|
Extremely common in this age, whose metal
|
|
The devil may decompose, but never settle:
|
|
|
|
I think it may be of 'Corinthian Brass,'
|
|
Which was a mixture of all metals, but
|
|
The brazen uppermost). Kind reader! pass
|
|
This long parenthesis: I could not shut
|
|
It sooner for the soul of me, and class
|
|
My faults even with your own! which meaneth, Put
|
|
A kind construction upon them and me:
|
|
But that you won't- then don't- I am not less free.
|
|
|
|
'T is time we should return to plain narration,
|
|
And thus my narrative proceeds:- Dudu,
|
|
With every kindness short of ostentation,
|
|
Show'd Juan, or Juanna, through and through
|
|
This labyrinth of females, and each station
|
|
Described- what 's strange- in words extremely few:
|
|
I have but one simile, and that 's a blunder,
|
|
For wordless woman, which is silent thunder.
|
|
|
|
And next she gave her (I say her, because
|
|
The gender still was epicene, at least
|
|
In outward show, which is a saving clause)
|
|
An outline of the customs of the East,
|
|
With all their chaste integrity of laws,
|
|
By which the more a haram is increased,
|
|
The stricter doubtless grow the vestal duties
|
|
Of any supernumerary beauties.
|
|
|
|
And then she gave Juanna a chaste kiss:
|
|
Dudu was fond of kissing- which I 'm sure
|
|
That nobody can ever take amiss,
|
|
Because 't is pleasant, so that it be pure,
|
|
And between females means no more than this-
|
|
That they have nothing better near, or newer.
|
|
'Kiss' rhymes to 'bliss' in fact as well as verse-
|
|
I wish it never led to something worse.
|
|
|
|
In perfect innocence she then unmade
|
|
Her toilet, which cost little, for she was
|
|
A child of Nature, carelessly array'd:
|
|
If fond of a chance ogle at her glass,
|
|
'T was like the fawn, which, in the lake display'd,
|
|
Beholds her own shy, shadowy image pass,
|
|
When first she starts, and then returns to peep,
|
|
Admiring this new native of the deep.
|
|
|
|
And one by one her articles of dress
|
|
Were laid aside; but not before she offer'd
|
|
Her aid to fair Juanna, whose excess
|
|
Of modesty declined the assistance proffer'd:
|
|
Which pass'd well off- as she could do no less;
|
|
Though by this politesse she rather suffer'd,
|
|
Pricking her fingers with those cursed pins,
|
|
Which surely were invented for our sins,-
|
|
|
|
Making a woman like a porcupine,
|
|
Not to be rashly touch'd. But still more dread,
|
|
Oh ye! whose fate it is, as once 't was mine,
|
|
In early youth, to turn a lady's maid;-
|
|
I did my very boyish best to shine
|
|
In tricking her out for a masquerade;
|
|
The pins were placed sufficiently, but not
|
|
Stuck all exactly in the proper spot.
|
|
|
|
But these are foolish things to all the wise,
|
|
And I love wisdom more than she loves me;
|
|
My tendency is to philosophise
|
|
On most things, from a tyrant to a tree;
|
|
But still the spouseless virgin Knowledge flies.
|
|
What are we? and whence came we? what shall be
|
|
Our ultimate existence? what 's our present?
|
|
Are questions answerless, and yet incessant.
|
|
|
|
There was deep silence in the chamber: dim
|
|
And distant from each other burn'd the lights,
|
|
And slumber hover'd o'er each lovely limb
|
|
Of the fair occupants: if there be sprites,
|
|
They should have walk'd there in their sprightliest trim,
|
|
By way of change from their sepulchral sites,
|
|
And shown themselves as ghosts of better taste
|
|
Than haunting some old ruin or wild waste.
|
|
|
|
Many and beautiful lay those around,
|
|
Like flowers of different hue, and dime, and root,
|
|
In some exotic garden sometimes found,
|
|
With cost, and care, and warmth induced to shoot.
|
|
One with her auburn tresses lightly bound,
|
|
And fair brows gently drooping, as the fruit
|
|
Nods from the tree, was slumbering with soft breath,
|
|
And lips apart, which show'd the pearls beneath.
|
|
|
|
One with her flush'd cheek laid on her white arm,
|
|
And raven ringlets gather'd in dark crowd
|
|
Above her brow, lay dreaming soft and warm;
|
|
And smiling through her dream, as through a cloud
|
|
The moon breaks, half unveil'd each further charm,
|
|
As, slightly stirring in her snowy shroud,
|
|
Her beauties seized the unconscious hour of night
|
|
All bashfully to struggle into light.
|
|
|
|
This is no bull, although it sounds so; for
|
|
'T was night, but there were lamps, as hath been said.
|
|
A third's all pallid aspect offer'd more
|
|
The traits of sleeping sorrow, and betray'd
|
|
Through the heaved breast the dream of some far shore
|
|
Beloved and deplored; while slowly stray'd
|
|
(As night-dew, on a cypress glittering, tinges
|
|
The black bough) tear-drops through her eyes' dark fringes.
|
|
|
|
A fourth as marble, statue-like and still,
|
|
Lay in a breathless, hush'd, and stony sleep;
|
|
White, cold, and pure, as looks a frozen rill,
|
|
Or the snow minaret on an Alpine steep,
|
|
Or Lot's wife done in salt,- or what you will;-
|
|
My similes are gather'd in a heap,
|
|
So pick and choose- perhaps you 'll be content
|
|
With a carved lady on a monument.
|
|
|
|
And lo! a fifth appears;- and what is she?
|
|
A lady of a 'certain age,' which means
|
|
Certainly aged- what her years might be
|
|
I know not, never counting past their teens;
|
|
But there she slept, not quite so fair to see,
|
|
As ere that awful period intervenes
|
|
Which lays both men and women on the shelf,
|
|
To meditate upon their sins and self.
|
|
|
|
But all this time how slept, or dream'd, Dudu?
|
|
With strict inquiry I could ne'er discover,
|
|
And scorn to add a syllable untrue;
|
|
But ere the middle watch was hardly over,
|
|
Just when the fading lamps waned dim and blue,
|
|
And phantoms hover'd, or might seem to hover,
|
|
To those who like their company, about
|
|
The apartment, on a sudden she scream'd out:
|
|
|
|
And that so loudly, that upstarted all
|
|
The Oda, in a general commotion:
|
|
Matron and maids, and those whom you may call
|
|
Neither, came crowding like the waves of ocean,
|
|
One on the other, throughout the whole hall,
|
|
All trembling, wondering, without the least notion
|
|
More than I have myself of what could make
|
|
The calm Dudu so turbulently wake.
|
|
|
|
But wide awake she was, and round her bed,
|
|
With floating draperies and with flying hair,
|
|
With eager eyes, and light but hurried tread,
|
|
And bosoms, arms, and ankles glancing bare,
|
|
And bright as any meteor ever bred
|
|
By the North Pole,- they sought her cause of care,
|
|
For she seem'd agitated, flush'd, and frighten'd,
|
|
Her eye dilated and her colour heighten'd.
|
|
|
|
But what was strange- and a strong proof how great
|
|
A blessing is sound sleep- Juanna lay
|
|
As fast as ever husband by his mate
|
|
In holy matrimony snores away.
|
|
Not all the clamour broke her happy state
|
|
Of slumber, ere they shook her,- so they say
|
|
At least,- and then she, too, unclosed her eyes,
|
|
And yawn'd a good deal with discreet surprise.
|
|
|
|
And now commenced a strict investigation,
|
|
Which, as all spoke at once and more than once,
|
|
Conjecturing, wondering, asking a narration,
|
|
Alike might puzzle either wit or dunce
|
|
To answer in a very clear oration.
|
|
Dudu had never pass'd for wanting sense,
|
|
But, being 'no orator as Brutus is,'
|
|
Could not at first expound what was amiss.
|
|
|
|
At length she said, that in a slumber sound
|
|
She dream'd a dream, of walking in a wood-
|
|
A 'wood obscure,' like that where Dante found
|
|
Himself in at the age when all grow good;
|
|
Life's half-way house, where dames with virtue crown'd
|
|
Run much less risk of lovers turning rude;
|
|
And that this wood was full of pleasant fruits,
|
|
And trees of goodly growth and spreading roots;
|
|
|
|
And in the midst a golden apple grew,-
|
|
A most prodigious pippin,- but it hung
|
|
Rather too high and distant; that she threw
|
|
Her glances on it, and then, longing, flung
|
|
Stones and whatever she could pick up, to
|
|
Bring down the fruit, which still perversely clung
|
|
To its own bough, and dangled yet in sight,
|
|
But always at a most provoking height;-
|
|
|
|
That on a sudden, when she least had hope,
|
|
It fell down of its own accord before
|
|
Her feet; that her first movement was to stoop
|
|
And pick it up, and bite it to the core;
|
|
That just as her young lip began to ope
|
|
Upon the golden fruit the vision bore,
|
|
A bee flew out and stung her to the heart,
|
|
And so- she awoke with a great scream and start.
|
|
|
|
All this she told with some confusion and
|
|
Dismay, the usual consequence of dreams
|
|
Of the unpleasant kind, with none at hand
|
|
To expound their vain and visionary gleams.
|
|
I 've known some odd ones which seem'd really plann'd
|
|
Prophetically, or that which one deems
|
|
A 'strange coincidence,' to use a phrase
|
|
By which such things are settled now-a-days.
|
|
|
|
The damsels, who had thoughts of some great harm,
|
|
Began, as is the consequence of fear,
|
|
To scold a little at the false alarm
|
|
That broke for nothing on their sleeping car.
|
|
The matron, too, was wroth to leave her warm
|
|
Bed for the dream she had been obliged to hear,
|
|
And chafed at poor Dudu, who only sigh'd,
|
|
And said that she was sorry she had cried.
|
|
|
|
'I 've heard of stories of a cock and bull;
|
|
But visions of an apple and a bee,
|
|
To take us from our natural rest, and pull
|
|
The whole Oda from their beds at half-past three,
|
|
Would make us think the moon is at its full.
|
|
You surely are unwell, child! we must see,
|
|
To-morrow, what his Highness's physician
|
|
Will say to this hysteric of a vision.
|
|
|
|
'And poor Juanna, too- the child's first night
|
|
Within these walls to be broke in upon
|
|
With such a clamour! I had thought it right
|
|
That the young stranger should not lie alone,
|
|
And, as the quietest of all, she might
|
|
With you, Dudu, a good night's rest have known;
|
|
But now I must transfer her to the charge
|
|
Of Lolah- though her couch is not so large.'
|
|
|
|
Lolah's eyes sparkled at the proposition;
|
|
But poor Dudu, with large drops in her own,
|
|
Resulting from the scolding or the vision,
|
|
Implored that present pardon might be shown
|
|
For this first fault, and that on no condition
|
|
(She added in a soft and piteous tone)
|
|
Juanna should be taken from her, and
|
|
Her future dreams should all be kept in hand.
|
|
|
|
She promised never more to have a dream,
|
|
At least to dream so loudly as just now;
|
|
She wonder'd at herself how she could scream-
|
|
'T was foolish, nervous, as she must allow,
|
|
A fond hallucination, and a theme
|
|
For laughter- but she felt her spirits low,
|
|
And begg'd they would excuse her; she 'd get over
|
|
This weakness in a few hours, and recover.
|
|
|
|
And here Juanna kindly interposed,
|
|
And said she felt herself extremely well
|
|
Where she then was, as her sound sleep disclosed
|
|
When all around rang like a tocsin bell:
|
|
She did not find herself the least disposed
|
|
To quit her gentle partner, and to dwell
|
|
Apart from one who had no sin to show,
|
|
Save that of dreaming once 'mal-a-propos.'
|
|
|
|
As thus Juanna spoke, Dudu turn'd round
|
|
And hid her face within Juanna's breast:
|
|
Her neck alone was seen, but that was found
|
|
The colour of a budding rose's crest.
|
|
I can't tell why she blush'd, nor can expound
|
|
The mystery of this rupture of their rest;
|
|
All that I know is, that the facts I state
|
|
Are true as truth has ever been of late.
|
|
|
|
And so good night to them,- or, if you will,
|
|
Good morrow- for the cock had crown, and light
|
|
Began to clothe each Asiatic hill,
|
|
And the mosque crescent struggled into sight
|
|
Of the long caravan, which in the chill
|
|
Of dewy dawn wound slowly round each height
|
|
That stretches to the stony belt, which girds
|
|
Asia, where Kaff looks down upon the Kurds.
|
|
|
|
With the first ray, or rather grey of morn,
|
|
Gulbeyaz rose from restlessness; and pale
|
|
As passion rises, with its bosom worn,
|
|
Array'd herself with mantle, gem, and veil.
|
|
The nightingale that sings with the deep thorn,
|
|
Which fable places in her breast of wail,
|
|
Is lighter far of heart and voice than those
|
|
Whose headlong passions form their proper woes.
|
|
|
|
And that 's the moral of this composition,
|
|
If people would but see its real drift;-
|
|
But that they will not do without suspicion,
|
|
Because all gentle readers have the gift
|
|
Of closing 'gainst the light their orbs of vision;
|
|
While gentle writers also love to lift
|
|
Their voices 'gainst each other, which is natural,
|
|
The numbers are too great for them to flatter all.
|
|
|
|
Rose the sultana from a bed of splendour,
|
|
Softer than the soft Sybarite's, who cried
|
|
Aloud because his feelings were too tender
|
|
To brook a ruffled rose-leaf by his side,-
|
|
So beautiful that art could little mend her,
|
|
Though pale with conflicts between love and pride;-
|
|
So agitated was she with her error,
|
|
She did not even look into the mirror.
|
|
|
|
Also arose about the self-same time,
|
|
Perhaps a little later, her great lord,
|
|
Master of thirty kingdoms so sublime,
|
|
And of a wife by whom he was abhorr'd;
|
|
A thing of much less import in that clime-
|
|
At least to those of incomes which afford
|
|
The filling up their whole connubial cargo-
|
|
Than where two wives are under an embargo.
|
|
|
|
He did not think much on the matter, nor
|
|
Indeed on any other: as a man
|
|
He liked to have a handsome paramour
|
|
At hand, as one may like to have a fan,
|
|
And therefore of Circassians had good store,
|
|
As an amusement after the Divan;
|
|
Though an unusual fit of love, or duty,
|
|
Had made him lately bask in his bride's beauty.
|
|
|
|
And now he rose; and after due ablutions
|
|
Exacted by the customs of the East,
|
|
And prayers and other pious evolutions,
|
|
He drank six cups of coffee at the least,
|
|
And then withdrew to hear about the Russians,
|
|
Whose victories had recently increased
|
|
In Catherine's reign, whom glory still adores,
|
|
|
|
But oh, thou grand legitimate Alexander!
|
|
Her son's son, let not this last phrase offend
|
|
Thine ear, if it should reach- and now rhymes wander
|
|
Almost as far as Petersburgh and lend
|
|
A dreadful impulse to each loud meander
|
|
Of murmuring Liberty's wide waves, which blend
|
|
Their roar even with the Baltic's- so you be
|
|
Your father's son, 't is quite enough for me.
|
|
|
|
To call men love-begotten or proclaim
|
|
Their mothers as the antipodes of Timon,
|
|
That hater of mankind, would be a shame,
|
|
A libel, or whate'er you please to rhyme on:
|
|
But people's ancestors are history's game;
|
|
And if one lady's slip could leave a crime on
|
|
All generations, I should like to know
|
|
What pedigree the best would have to show?
|
|
|
|
Had Catherine and the sultan understood
|
|
Their own true interests, which kings rarely know
|
|
Until 't is taught by lessons rather rude,
|
|
There was a way to end their strife, although
|
|
Perhaps precarious, had they but thought good,
|
|
Without the aid of prince or plenipo:
|
|
She to dismiss her guards and he his haram,
|
|
And for their other matters, meet and share 'em.
|
|
|
|
But as it was, his Highness had to hold
|
|
His daily council upon ways and means
|
|
How to encounter with this martial scold,
|
|
This modern Amazon and queen of queans;
|
|
And the perplexity could not be told
|
|
Of all the pillars of the state, which leans
|
|
Sometimes a little heavy on the backs
|
|
Of those who cannot lay on a new tax.
|
|
|
|
Meantime Gulbeyaz, when her king was gone,
|
|
Retired into her boudoir, a sweet place
|
|
For love or breakfast; private, pleasing, lone,
|
|
And rich with all contrivances which grace
|
|
Those gay recesses:- many a precious stone
|
|
Sparkled along its roof, and many a vase
|
|
Of porcelain held in the fetter'd flowers,
|
|
Those captive soothers of a captive's hours.
|
|
|
|
Mother of pearl, and porphyry, and marble,
|
|
Vied with each other on this costly spot;
|
|
And singing birds without were heard to warble;
|
|
And the stain'd glass which lighted this fair grot
|
|
Varied each ray;- but all descriptions garble
|
|
The true effect, and so we had better not
|
|
Be too minute; an outline is the best,-
|
|
A lively reader's fancy does the rest.
|
|
|
|
And here she summon'd Baba, and required
|
|
Don Juan at his hands, and information
|
|
Of what had pass'd since all the slaves retired,
|
|
And whether he had occupied their station;
|
|
If matters had been managed as desired,
|
|
And his disguise with due consideration
|
|
Kept up; and above all, the where and how
|
|
He had pass'd the night, was what she wish'd to know.
|
|
|
|
Baba, with some embarrassment, replied
|
|
To this long catechism of questions, ask'd
|
|
More easily than answer'd,- that he had tried
|
|
His best to obey in what he had been task'd;
|
|
But there seem'd something that he wish'd to hide,
|
|
Which hesitation more betray'd than mask'd;
|
|
He scratch'd his ear, the infallible resource
|
|
To which embarrass'd people have recourse.
|
|
|
|
Gulbeyaz was no model of true patience,
|
|
Nor much disposed to wait in word or deed;
|
|
She liked quick answers in all conversations;
|
|
And when she saw him stumbling like a steed
|
|
In his replies, she puzzled him for fresh ones;
|
|
And as his speech grew still more broken-kneed,
|
|
Her cheek began to flush, her eyes to sparkle,
|
|
And her proud brow's blue veins to swell and darkle.
|
|
|
|
When Baba saw these symptoms, which he knew
|
|
To bode him no great good, he deprecated
|
|
Her anger, and beseech'd she 'd hear him through-
|
|
He could not help the thing which he related:
|
|
Then out it came at length, that to Dudu
|
|
Juan was given in charge, as hath been stated;
|
|
But not by Baba's fault, he said, and swore on
|
|
The holy camel's hump, besides the Koran.
|
|
|
|
The chief dame of the Oda, upon whom
|
|
The discipline of the whole haram bore,
|
|
As soon as they re-enter'd their own room,
|
|
For Baba's function stopt short at the door,
|
|
Had settled all; nor could he then presume
|
|
(The aforesaid Baba) just then to do more,
|
|
Without exciting such suspicion as
|
|
Might make the matter still worse than it was.
|
|
|
|
He hoped, indeed he thought, he could be sure
|
|
Juan had not betray'd himself; in fact
|
|
'T was certain that his conduct had been pure,
|
|
Because a foolish or imprudent act
|
|
Would not alone have made him insecure,
|
|
But ended in his being found out and sack'd,
|
|
And thrown into the sea.- Thus Baba spoke
|
|
Of all save Dudu's dream, which was no joke.
|
|
|
|
This he discreetly kept in the background,
|
|
And talk'd away- and might have talk'd till now,
|
|
For any further answer that he found,
|
|
So deep an anguish wrung Gulbeyaz' brow:
|
|
Her cheek turn'd ashes, ears rung, brain whirl'd round,
|
|
As if she had received a sudden blow,
|
|
And the heart's dew of pain sprang fast and chilly
|
|
O'er her fair front, like Morning's on a lily.
|
|
|
|
Although she was not of the fainting sort,
|
|
Baba thought she would faint, but there he err'd-
|
|
It was but a convulsion, which though short
|
|
Can never be described; we all have heard,
|
|
And some of us have felt thus 'all amort,'
|
|
When things beyond the common have occurr'd;-
|
|
Gulbeyaz proved in that brief agony
|
|
What she could ne'er express- then how should I?
|
|
|
|
She stood a moment as a Pythones
|
|
Stands on her tripod, agonised, and full
|
|
Of inspiration gather'd from distress,
|
|
When all the heart-strings like wild horses pull
|
|
The heart asunder;- then, as more or lees
|
|
Their speed abated or their strength grew dull,
|
|
She sunk down on her seat by slow degrees,
|
|
And bow'd her throbbing head o'er trembling knees.
|
|
|
|
Her face declined and was unseen; her hair
|
|
Fell in long tresses like the weeping willow,
|
|
Sweeping the marble underneath her chair,
|
|
Or rather sofa (for it was all pillow,
|
|
A low soft ottoman), and black despair
|
|
Stirr'd up and down her bosom like a billow,
|
|
Which rushes to some shore whose shingles check
|
|
Its farther course, but must receive its wreck.
|
|
|
|
Her head hung down, and her long hair in stooping
|
|
Conceal'd her features better than a veil;
|
|
And one hand o'er the ottoman lay drooping,
|
|
White, waxen, and as alabaster pale:
|
|
Would that I were a painter! to be grouping
|
|
All that a poet drags into detail
|
|
Oh that my words were colours! but their tints
|
|
May serve perhaps as outlines or slight hints.
|
|
|
|
Baba, who knew by experience when to talk
|
|
And when to hold his tongue, now held it till
|
|
This passion might blow o'er, nor dared to balk
|
|
Gulbeyaz' taciturn or speaking will.
|
|
At length she rose up, and began to walk
|
|
Slowly along the room, but silent still,
|
|
And her brow clear'd, but not her troubled eye;
|
|
The wind was down, but still the sea ran high.
|
|
|
|
She stopp'd, and raised her head to speak- but paused,
|
|
And then moved on again with rapid pace;
|
|
Then slacken'd it, which is the march most caused
|
|
By deep emotion:- you may sometimes trace
|
|
A feeling in each footstep, as disclosed
|
|
By Sallust in his Catiline, who, chased
|
|
By all the demons of all passions, show'd
|
|
Their work even by the way in which he trode.
|
|
|
|
Gulbeyaz stopp'd and beckon'd Baba:- 'Slave!
|
|
Bring the two slaves!' she said in a low tone,
|
|
But one which Baba did not like to brave,
|
|
And yet he shudder'd, and seem'd rather prone
|
|
To prove reluctant, and begg'd leave to crave
|
|
(Though he well knew the meaning) to be shown
|
|
What slaves her highness wish'd to indicate,
|
|
For fear of any error, like the late.
|
|
|
|
'The Georgian and her paramour,' replied
|
|
The imperial bride- and added, 'Let the boat
|
|
Be ready by the secret portal's side:
|
|
You know the rest.' The words stuck in her throat,
|
|
Despite her injured love and fiery pride;
|
|
And of this Baba willingly took note,
|
|
And begg'd by every hair of Mahomet's beard,
|
|
She would revoke the order he had heard.
|
|
|
|
'To hear is to obey,' he said; 'but still,
|
|
Sultana, think upon the consequence:
|
|
It is not that I shall not all fulfil
|
|
Your orders, even in their severest sense;
|
|
But such precipitation may end ill,
|
|
Even at your own imperative expense:
|
|
I do not mean destruction and exposure,
|
|
In case of any premature disclosure;
|
|
|
|
'But your own feelings. Even should all the rest
|
|
Be hidden by the rolling waves, which hide
|
|
Already many a once love-beaten breast
|
|
Deep in the caverns of the deadly tide-
|
|
You love this boyish, new, seraglio guest,
|
|
And if this violent remedy be tried-
|
|
Excuse my freedom, when I here assure you,
|
|
That killing him is not the way to cure you.'
|
|
|
|
'What dost thou know of love or feeling?- Wretch!
|
|
Begone!' she cried, with kindling eyes- 'and do
|
|
My bidding!' Baba vanish'd, for to stretch
|
|
His own remonstrance further he well knew
|
|
Might end in acting as his own 'Jack Ketch;'
|
|
And though he wish'd extremely to get through
|
|
This awkward business without harm to others,
|
|
He still preferr'd his own neck to another's.
|
|
|
|
Away he went then upon his commission,
|
|
Growling and grumbling in good Turkish phrase
|
|
Against all women of whate'er condition,
|
|
Especially sultanas and their ways;
|
|
Their obstinacy, pride, and indecision,
|
|
Their never knowing their own mind two days,
|
|
The trouble that they gave, their immorality,
|
|
Which made him daily bless his own neutrality.
|
|
|
|
And then he call'd his brethren to his aid,
|
|
And sent one on a summons to the pair,
|
|
That they must instantly be well array'd,
|
|
And above all be comb'd even to a hair,
|
|
And brought before the empress, who had made
|
|
Inquiries after them with kindest care:
|
|
At which Dudu look'd strange, and Juan silly;
|
|
But go they must at once, and will I- nill I.
|
|
|
|
And here I leave them at their preparation
|
|
For the imperial presence, wherein whether
|
|
Gulbeyaz show'd them both commiseration,
|
|
Or got rid of the parties altogether,
|
|
Like other angry ladies of her nation,-
|
|
Are things the turning of a hair or feather
|
|
May settle; but far be 't from me to anticipate
|
|
In what way feminine caprice may dissipate.
|
|
|
|
I leave them for the present with good wishes,
|
|
Though doubts of their well doing, to arrange
|
|
Another part of history; for the dishes
|
|
Of this our banquet we must sometimes change;
|
|
And trusting Juan may escape the fishes,
|
|
Although his situation now seems strange
|
|
And scarce secure, as such digressions are fair,
|
|
The Muse will take a little touch at warfare.
|
|
CANTO THE SEVENTH.
|
|
|
|
O LOVE! O Glory! what are ye who fly
|
|
Around us ever, rarely to alight?
|
|
There 's not a meteor in the polar sky
|
|
Of such transcendent and more fleeting flight.
|
|
Chill, and chain'd to cold earth, we lift on high
|
|
Our eyes in search of either lovely light;
|
|
A thousand and a thousand colours they
|
|
Assume, then leave us on our freezing way.
|
|
|
|
And such as they are, such my present tale is,
|
|
A non-descript and ever-varying rhyme,
|
|
A versified Aurora Borealis,
|
|
Which flashes o'er a waste and icy clime.
|
|
When we know what all are, we must bewail us,
|
|
But ne'ertheless I hope it is no crime
|
|
To laugh at all things- for I wish to know
|
|
What, after all, are all things- but a show?
|
|
|
|
They accuse me- Me- the present writer of
|
|
The present poem- of- I know not what-
|
|
A tendency to under-rate and scoff
|
|
At human power and virtue, and all that;
|
|
And this they say in language rather rough.
|
|
Good God! I wonder what they would be at!
|
|
I say no more than hath been said in Dante's
|
|
Verse, and by Solomon and by Cervantes;
|
|
|
|
By Swift, by Machiavel, by Rochefoucault,
|
|
By Fenelon, by Luther, and by Plato;
|
|
By Tillotson, and Wesley, and Rousseau,
|
|
Who knew this life was not worth a potato.
|
|
'T is not their fault, nor mine, if this be so-
|
|
For my part, I pretend not to be Cato,
|
|
Nor even Diogenes.- We live and die,
|
|
But which is best, you know no more than I.
|
|
|
|
Socrates said, our only knowledge was
|
|
'To know that nothing could be known;' a pleasant
|
|
Science enough, which levels to an ass
|
|
Each man of wisdom, future, past, or present.
|
|
Newton (that proverb of the mind), alas!
|
|
Declared, with all his grand discoveries recent,
|
|
That he himself felt only 'like a youth
|
|
Picking up shells by the great ocean- Truth.'
|
|
|
|
Ecclesiastes said, 'that all is vanity'-
|
|
Most modern preachers say the same, or show it
|
|
By their examples of true Christianity:
|
|
In short, all know, or very soon may know it;
|
|
And in this scene of all-confess'd inanity,
|
|
By saint, by sage, by preacher, and by poet,
|
|
Must I restrain me, through the fear of strife,
|
|
From holding up the nothingness of life?
|
|
|
|
Dogs, or men!- for I flatter you in saying
|
|
That ye are dogs- your betters far- ye may
|
|
Read, or read not, what I am now essaying
|
|
To show ye what ye are in every way.
|
|
As little as the moon stops for the baying
|
|
Of wolves, will the bright muse withdraw one ray
|
|
From out her skies- then howl your idle wrath!
|
|
While she still silvers o'er your gloomy path.
|
|
|
|
'Fierce loves and faithless wars'- I am not sure
|
|
If this be the right reading- 't is no matter;
|
|
The fact 's about the same, I am secure;
|
|
I sing them both, and am about to batter
|
|
A town which did a famous siege endure,
|
|
And was beleaguer'd both by land and water
|
|
By Souvaroff, or Anglice Suwarrow,
|
|
Who loved blood as an alderman loves marrow.
|
|
|
|
The fortress is call'd Ismail, and is placed
|
|
Upon the Danube's left branch and left bank,
|
|
With buildings in the Oriental taste,
|
|
But still a fortress of the foremost rank,
|
|
Or was at least, unless 't is since defaced,
|
|
Which with your conquerors is a common prank:
|
|
It stands some eighty versts from the high sea,
|
|
And measures round of toises thousands three.
|
|
|
|
Within the extent of this fortification
|
|
A borough is comprised along the height
|
|
Upon the left, which from its loftier station
|
|
Commands the city, and upon its site
|
|
A Greek had raised around this elevation
|
|
A quantity of palisades upright,
|
|
So placed as to impede the fire of those
|
|
Who held the place, and to assist the foe's.
|
|
|
|
This circumstance may serve to give a notion
|
|
Of the high talents of this new Vauban:
|
|
But the town ditch below was deep as ocean,
|
|
The rampart higher than you 'd wish to hang:
|
|
But then there was a great want of precaution
|
|
(Prithee, excuse this engineering slang),
|
|
Nor work advanced, nor cover'd way was there,
|
|
To hint at least 'Here is no thoroughfare.'
|
|
|
|
But a stone bastion, with a narrow gorge,
|
|
And walls as thick as most skulls born as yet;
|
|
Two batteries, cap-a-pie, as our St. George,
|
|
Case-mated one, and t' other 'a barbette,'
|
|
Of Danube's bank took formidable charge;
|
|
While two and twenty cannon duly set
|
|
Rose over the town's right side, in bristling tier,
|
|
Forty feet high, upon a cavalier.
|
|
|
|
But from the river the town 's open quite,
|
|
Because the Turks could never be persuaded
|
|
A Russian vessel e'er would heave in sight;
|
|
And such their creed was, till they were invaded,
|
|
When it grew rather late to set things right.
|
|
But as the Danube could not well be waded,
|
|
They look'd upon the Muscovite flotilla,
|
|
And only shouted, 'Allah!' and 'Bis Millah!'
|
|
|
|
The Russians now were ready to attack:
|
|
But oh, ye goddesses of war and glory!
|
|
How shall I spell the name of each Cossacque
|
|
Who were immortal, could one tell their story?
|
|
Alas! what to their memory can lack?
|
|
Achilles' self was not more grim and gory
|
|
Than thousands of this new and polish'd nation,
|
|
Whose names want nothing but- pronunciation.
|
|
|
|
Still I 'll record a few, if but to increase
|
|
Our euphony: there was Strongenoff, and Strokonoff,
|
|
Meknop, Serge Lwow, Arsniew of modern Greece,
|
|
And Tschitsshakoff, and Roguenoff, and Chokenoff,
|
|
And others of twelve consonants apiece;
|
|
And more might be found out, if I could poke enough
|
|
Into gazettes; but Fame (capricious strumpet),
|
|
It seems, has got an ear as well as trumpet,
|
|
|
|
And cannot tune those discords of narration,
|
|
Which may be names at Moscow, into rhyme;
|
|
Yet there were several worth commemoration,
|
|
As e'er was virgin of a nuptial chime;
|
|
Soft words, too, fitted for the peroration
|
|
Of Londonderry drawling against time,
|
|
Ending in 'ischskin,' 'ousckin,' 'iffskchy,' 'ouski:
|
|
Of whom we can insert but Rousamouski,
|
|
|
|
Scherematoff and Chrematoff, Koklophti,
|
|
Koclobski, Kourakin, and Mouskin Pouskin,
|
|
All proper men of weapons, as e'er scoff'd high
|
|
Against a foe, or ran a sabre through skin:
|
|
Little cared they for Mahomet or Mufti,
|
|
Unless to make their kettle-drums a new skin
|
|
Out of their hides, if parchment had grown dear,
|
|
And no more handy substitute been near.
|
|
|
|
Then there were foreigners of much renown,
|
|
Of various nations, and all volunteers;
|
|
Not fighting for their country or its crown,
|
|
But wishing to be one day brigadiers;
|
|
Also to have the sacking of a town,-
|
|
A pleasant thing to young men at their years.
|
|
'Mongst them were several Englishmen of pith,
|
|
Sixteen call'd Thomson, and nineteen named Smith.
|
|
|
|
Jack Thomson and Bill Thomson; all the rest
|
|
Had been call'd 'Jemmy,' after the great bard;
|
|
I don't know whether they had arms or crest,
|
|
But such a godfather 's as good a card.
|
|
Three of the Smiths were Peters; but the best
|
|
Amongst them all, hard blows to inflict or ward,
|
|
Was he, since so renown'd 'in country quarters
|
|
At Halifax;' but now he served the Tartars.
|
|
|
|
The rest were jacks and Gills and Wills and Bills;
|
|
But when I 've added that the elder jack Smith
|
|
Was born in Cumberland among the hills,
|
|
And that his father was an honest blacksmith,
|
|
I 've said all I know of a name that fills
|
|
Three lines of the despatch in taking 'Schmacksmith,'
|
|
A village of Moldavia's waste, wherein
|
|
He fell, immortal in a bulletin.
|
|
|
|
I wonder (although Mars no doubt 's a god
|
|
Praise) if a man's name in a bulletin
|
|
May make up for a bullet in his body?
|
|
I hope this little question is no sin,
|
|
Because, though I am but a simple noddy,
|
|
I think one Shakspeare puts the same thought in
|
|
The mouth of some one in his plays so doting,
|
|
Which many people pass for wits by quoting.
|
|
|
|
Then there were Frenchmen, gallant, young, and gay:
|
|
But I 'm too great a patriot to record
|
|
Their Gallic names upon a glorious day;
|
|
I 'd rather tell ten lies than say a word
|
|
Of truth;- such truths are treason; they betray
|
|
Their country; and as traitors are abhorr'd
|
|
Who name the French in English, save to show
|
|
How Peace should make John Bull the Frenchman's foe.
|
|
|
|
The Russians, having built two batteries on
|
|
An isle near Ismail, had two ends in view;
|
|
The first was to bombard it, and knock down
|
|
The public buildings and the private too,
|
|
No matter what poor souls might be undone.
|
|
The city's shape suggested this, 't is true;
|
|
Form'd like an amphitheatre, each dwelling
|
|
Presented a fine mark to throw a shell in.
|
|
|
|
The second object was to profit by
|
|
The moment of the general consternation,
|
|
To attack the Turk's flotilla, which lay nigh
|
|
Extremely tranquil, anchor'd at its station:
|
|
But a third motive was as probably
|
|
To frighten them into capitulation;
|
|
A phantasy which sometimes seizes warriors,
|
|
Unless they are game as bull-dogs and fox-terriers.
|
|
|
|
A habit rather blamable, which is
|
|
That of despising those we combat with,
|
|
Common in many cases, was in this
|
|
The cause of killing Tchitchitzkoff and Smith;
|
|
One of the valorous 'Smiths' whom we shall miss
|
|
Out of those nineteen who late rhymed to 'pith;'
|
|
But 't is a name so spread o'er 'Sir' and 'Madam,'
|
|
That one would think the first who bore it 'Adam.'
|
|
|
|
The Russian batteries were incomplete,
|
|
Because they were constructed in a hurry;
|
|
Thus the same cause which makes a verse want feet,
|
|
And throws a cloud o'er Longman and John Murray,
|
|
When the sale of new books is not so fleet
|
|
As they who print them think is necessary,
|
|
May likewise put off for a time what story
|
|
Sometimes calls 'murder,' and at others 'glory.'
|
|
|
|
Whether it was their engineer's stupidity,
|
|
Their haste, or waste, I neither know nor care,
|
|
Or some contractor's personal cupidity,
|
|
Saving his soul by cheating in the ware
|
|
Of homicide, but there was no solidity
|
|
In the new batteries erected there;
|
|
They either miss'd, or they were never miss'd,
|
|
And added greatly to the missing list.
|
|
|
|
A sad miscalculation about distance
|
|
Made all their naval matters incorrect;
|
|
Three fireships lost their amiable existence
|
|
Before they reach'd a spot to take effect:
|
|
The match was lit too soon, and no assistance
|
|
Could remedy this lubberly defect;
|
|
They blew up in the middle of the river,
|
|
While, though 't was dawn, the Turks slept fast as ever.
|
|
|
|
At seven they rose, however, and survey'd
|
|
The Russ flotilla getting under way;
|
|
'T was nine, when still advancing undismay'd,
|
|
Within a cable's length their vessels lay
|
|
Off Ismail, and commenced a cannonade,
|
|
Which was return'd with interest, I may say,
|
|
And by a fire of musketry and grape,
|
|
And shells and shot of every size and shape.
|
|
|
|
For six hours bore they without intermission
|
|
The Turkish fire, and aided by their own
|
|
Land batteries, work'd their guns with great precision:
|
|
At length they found mere cannonade alone
|
|
By no means would produce the town's submission,
|
|
And made a signal to retreat at one.
|
|
One bark blew up, a second near the works
|
|
Running aground, was taken by the Turks.
|
|
|
|
The Moslem, too, had lost both ships and men;
|
|
But when they saw the enemy retire,
|
|
Their Delhis mann'd some boats, and sail'd again,
|
|
And gall'd the Russians with a heavy fire,
|
|
And tried to make a landing on the main;
|
|
But here the effect fell short of their desire:
|
|
Count Damas drove them back into the water
|
|
Pell-mell, and with a whole gazette of slaughter.
|
|
|
|
'If' (says the historian here) 'I could report
|
|
All that the Russians did upon this day,
|
|
I think that several volumes would fall short,
|
|
And I should still have many things to say;'
|
|
And so he says no more- but pays his court
|
|
To some distinguish'd strangers in that fray;
|
|
The Prince de Ligne, and Langeron, and Damas,
|
|
Names great as any that the roll of Fame has.
|
|
|
|
This being the case, may show us what Fame is:
|
|
For out of these three 'preux Chevaliers,' how
|
|
Many of common readers give a guess
|
|
That such existed? (and they may live now
|
|
For aught we know.) Renown 's all hit or miss;
|
|
There 's fortune even in fame, we must allow.
|
|
'T is true the Memoirs of the Prince de Ligne
|
|
Have half withdrawn from him oblivion's screen.
|
|
|
|
But here are men who fought in gallant actions
|
|
As gallantly as ever heroes fought,
|
|
But buried in the heap of such transactions
|
|
Their names are rarely found, nor often sought.
|
|
Thus even good fame may suffer sad contractions,
|
|
And is extinguish'd sooner than she ought:
|
|
Of all our modern battles, I will bet
|
|
You can't repeat nine names from each Gazette.
|
|
|
|
In short, this last attack, though rich in glory,
|
|
Show'd that somewhere, somehow, there was a fault,
|
|
And Admiral Ribas (known in Russian story)
|
|
Most strongly recommended an assault;
|
|
In which he was opposed by young and hoary,
|
|
Which made a long debate; but I must halt,
|
|
For if I wrote down every warrior's speech,
|
|
I doubt few readers e'er would mount the breach.
|
|
|
|
There was a man, if that he was a man,
|
|
Not that his manhood could be call'd in question,
|
|
For had he not been Hercules, his span
|
|
Had been as short in youth as indigestion
|
|
Made his last illness, when, all worn and wan,
|
|
He died beneath a tree, as much unblest on
|
|
The soil of the green province he had wasted,
|
|
As e'er was locust on the land it blasted.
|
|
|
|
This was Potemkin- a great thing in days
|
|
When homicide and harlotry made great;
|
|
If stars and titles could entail long praise,
|
|
His glory might half equal his estate.
|
|
This fellow, being six foot high, could raise
|
|
A kind of phantasy proportionate
|
|
In the then sovereign of the Russian people,
|
|
Who measured men as you would do a steeple.
|
|
|
|
While things were in abeyance, Ribas sent
|
|
A courier to the prince, and he succeeded
|
|
In ordering matters after his own bent;
|
|
I cannot tell the way in which he pleaded,
|
|
But shortly he had cause to be content.
|
|
In the mean time, the batteries proceeded,
|
|
And fourscore cannon on the Danube's border
|
|
Were briskly fired and answer'd in due order.
|
|
|
|
But on the thirteenth, when already part
|
|
Of the troops were embark'd, the siege to raise,
|
|
A courier on the spur inspired new heart
|
|
Into all panters for newspaper praise,
|
|
As well as dilettanti in war's art,
|
|
By his despatches couch'd in pithy phrase;
|
|
Announcing the appointment of that lover of
|
|
Battles to the command, Field-Marshal Souvaroff.
|
|
|
|
The letter of the prince to the same marshal
|
|
Was worthy of a Spartan, had the cause
|
|
Been one to which a good heart could be partial-
|
|
Defence of freedom, country, or of laws;
|
|
But as it was mere lust of power to o'er-arch all
|
|
With its proud brow, it merits slight applause,
|
|
Save for its style, which said, all in a trice,
|
|
'You will take Ismail at whatever price.'
|
|
|
|
'Let there be light! said God, and there was light!'
|
|
'Let there be blood!' says man, and there 's a seal
|
|
The fiat of this spoil'd child of the Night
|
|
(For Day ne'er saw his merits) could decree
|
|
More evil in an hour, than thirty bright
|
|
Summers could renovate, though they should be
|
|
Lovely as those which ripen'd Eden's fruit;
|
|
For war cuts up not only branch, but root.
|
|
|
|
Our friends the Turks, who with loud 'Allahs' now
|
|
Began to signalise the Russ retreat,
|
|
Were damnably mistaken; few are slow
|
|
In thinking that their enemy is beat
|
|
(Or beaten, if you insist on grammar, though
|
|
I never think about it in a heat),
|
|
But here I say the Turks were much mistaken,
|
|
Who hating hogs, yet wish'd to save their bacon.
|
|
|
|
For, on the sixteenth, at full gallop, drew
|
|
In sight two horsemen, who were deem'd Cossacques
|
|
For some time, till they came in nearer view.
|
|
They had but little baggage at their backs,
|
|
For there were but three shirts between the two;
|
|
But on they rode upon two Ukraine hacks,
|
|
Till, in approaching, were at length descried
|
|
In this plain pair, Suwarrow and his guide.
|
|
|
|
'Great joy to London now!' says some great fool,
|
|
When London had a grand illumination,
|
|
Which to that bottle-conjurer, John Bull,
|
|
Is of all dreams the first hallucination;
|
|
So that the streets of colour'd lamps are full,
|
|
That Sage (said john) surrenders at discretion
|
|
His purse, his soul, his sense, and even his nonsense,
|
|
To gratify, like a huge moth, this one sense.
|
|
|
|
'T is strange that he should farther 'damn his eyes,'
|
|
For they are damn'd; that once all-famous oath
|
|
Is to the devil now no farther prize,
|
|
Since John has lately lost the use of both.
|
|
Debt he calls wealth, and taxes Paradise;
|
|
And Famine, with her gaunt and bony growth,
|
|
Which stare him in the face, he won't examine,
|
|
Or swears that Ceres hath begotten Famine.
|
|
|
|
But to the tale:- great joy unto the camp!
|
|
To Russian, Tartar, English, French, Cossacque,
|
|
O'er whom Suwarrow shone like a gas lamp,
|
|
Presaging a most luminous attack;
|
|
Or like a wisp along the marsh so damp,
|
|
Which leads beholders on a boggy walk,
|
|
He flitted to and fro a dancing light,
|
|
Which all who saw it follow'd, wrong or right.
|
|
|
|
But certes matters took a different face;
|
|
There was enthusiasm and much applause,
|
|
The fleet and camp saluted with great grace,
|
|
And all presaged good fortune to their cause.
|
|
Within a cannon-shot length of the place
|
|
They drew, constructed ladders, repair'd flaws
|
|
In former works, made new, prepared fascines,
|
|
And all kinds of benevolent machines.
|
|
|
|
'T is thus the spirit of a single mind
|
|
Makes that of multitudes take one direction,
|
|
As roll the waters to the breathing wind,
|
|
Or roams the herd beneath the bull's protection;
|
|
Or as a little dog will lead the blind,
|
|
Or a bell-wether form the flock's connection
|
|
By tinkling sounds, when they go forth to victual;
|
|
Such is the sway of your great men o'er little.
|
|
|
|
The whole camp rung with joy; you would have thought
|
|
That they were going to a marriage feast
|
|
(This metaphor, I think, holds good as aught,
|
|
Since there is discord after both at least):
|
|
There was not now a luggage boy but sought
|
|
Danger and spoil with ardour much increased;
|
|
And why? because a little- odd- old man,
|
|
Stript to his shirt, was come to lead the van.
|
|
|
|
But so it was; and every preparation
|
|
Was made with all alacrity: the first
|
|
Detachment of three columns took its station,
|
|
And waited but the signal's voice to burst
|
|
Upon the foe: the second's ordination
|
|
Was also in three columns, with a thirst
|
|
For glory gaping o'er a sea of slaughter:
|
|
The third, in columns two, attack'd by water.
|
|
|
|
New batteries were erected, and was held
|
|
A general council, in which unanimity,
|
|
That stranger to most councils, here prevail'd,
|
|
As sometimes happens in a great extremity;
|
|
And every difficulty being dispell'd,
|
|
Glory began to dawn with due sublimity,
|
|
While Souvaroff, determined to obtain it,
|
|
Was teaching his recruits to use the bayonet
|
|
|
|
It is an actual fact, that he, commander
|
|
In chief, in proper person deign'd to drill
|
|
The awkward squad, and could afford to squander
|
|
His time, a corporal's duty to fulfil:
|
|
Just as you 'd break a sucking salamander
|
|
To swallow flame, and never take it ill:
|
|
He show'd them how to mount a ladder (which
|
|
Was not like Jacob's) or to cross a ditch.
|
|
|
|
Also he dress'd up, for the nonce, fascines
|
|
Like men with turbans, scimitars, and dirks,
|
|
And made them charge with bayonet these machines,
|
|
By way of lesson against actual Turks:
|
|
And when well practised in these mimic scenes,
|
|
He judged them proper to assail the works;
|
|
At which your wise men sneer'd in phrases witty:
|
|
He made no answer; but he took the city.
|
|
|
|
Most things were in this posture on the eve
|
|
Of the assault, and all the camp was in
|
|
A stern repose; which you would scarce conceive;
|
|
Yet men resolved to dash through thick and thin
|
|
Are very silent when they once believe
|
|
That all is settled:- there was little din,
|
|
For some were thinking of their home and friends,
|
|
And others of themselves and latter ends.
|
|
|
|
Suwarrow chiefly was on the alert,
|
|
Surveying, drilling, ordering, jesting, pondering;
|
|
For the man was, we safely may assert,
|
|
A thing to wonder at beyond most wondering;
|
|
Hero, buffoon, half-demon, and half-dirt,
|
|
Praying, instructing, desolating, plundering;
|
|
Now Mars, now Momus; and when bent to storm
|
|
A fortress, Harlequin in uniform.
|
|
|
|
The day before the assault, while upon drill-
|
|
For this great conqueror play'd the corporal-
|
|
Some Cossacques, hovering like hawks round a hill,
|
|
Had met a party towards the twilight's fall,
|
|
One of whom spoke their tongue- or well or ill,
|
|
'T was much that he was understood at all;
|
|
But whether from his voice, or speech, or manner,
|
|
They found that he had fought beneath their banner.
|
|
|
|
Whereon immediately at his request
|
|
They brought him and his comrades to head-quarters;
|
|
Their dress was Moslem, but you might have guess'd
|
|
That these were merely masquerading Tartars,
|
|
And that beneath each Turkish-fashion'd vest
|
|
Lurk'd Christianity; which sometimes barters
|
|
Her inward grace for outward show, and makes
|
|
It difficult to shun some strange mistakes.
|
|
|
|
Suwarrow, who was standing in his shirt
|
|
Before a company of Calmucks, drilling,
|
|
Exclaiming, fooling, swearing at the inert,
|
|
And lecturing on the noble art of killing,-
|
|
For deeming human clay but common dirt,
|
|
This great philosopher was thus instilling
|
|
His maxims, which to martial comprehension
|
|
Proved death in battle equal to a pension;-
|
|
|
|
Suwarrow, when he saw this company
|
|
Of Cossacques and their prey, turn'd round and cast
|
|
Upon them his slow brow and piercing eye:-
|
|
'Whence come ye?'- 'From Constantinople last,
|
|
Captives just now escaped,' was the reply.
|
|
'What are ye?'- 'What you see us.' Briefly pass'd
|
|
This dialogue; for he who answer'd knew
|
|
To whom he spoke, and made his words but few.
|
|
|
|
'Your names?'- 'Mine 's Johnson, and my comrade 's Juan;
|
|
The other two are women, and the third
|
|
Is neither man nor woman.' The chief threw on
|
|
The party a slight glance, then said, 'I have heard
|
|
Your name before, the second is a new one:
|
|
To bring the other three here was absurd:
|
|
But let that pass:- I think I have heard your name
|
|
In the Nikolaiew regiment?'- 'The same.'
|
|
|
|
'You served at Widdin?'- 'Yes.'- 'You led the attack?'
|
|
'I did.'- 'What next?'- 'I really hardly know.'
|
|
'You were the first i' the breach?'- 'I was not slack
|
|
At least to follow those who might be so.'
|
|
'What follow'd?'- 'A shot laid me on my back,
|
|
And I became a prisoner to the foe.'
|
|
'You shall have vengeance, for the town surrounded
|
|
Is twice as strong as that where you were wounded.
|
|
|
|
'Where will you serve?'- 'Where'er you please.'- 'I know
|
|
You like to be the hope of the forlorn,
|
|
And doubtless would be foremost on the foe
|
|
After the hardships you 've already borne.
|
|
And this young fellow- say what can he do?
|
|
He with the beardless chin and garments torn?'
|
|
'Why, general, if he hath no greater fault
|
|
In war than love, he had better lead the assault.'
|
|
|
|
'He shall if that he dare.' Here Juan bow'd
|
|
Low as the compliment deserved. Suwarrow
|
|
Continued: 'Your old regiment's allow'd,
|
|
By special providence, to lead to-morrow,
|
|
Or it may be to-night, the assault: I have vow'd
|
|
To several saints, that shortly plough or harrow
|
|
Shall pass o'er what was Ismail, and its tusk
|
|
Be unimpeded by the proudest mosque.
|
|
|
|
'So now, my lads, for glory!'- Here he turn'd
|
|
And drill'd away in the most classic Russian,
|
|
Until each high, heroic bosom burn'd
|
|
For cash and conquest, as if from a cushion
|
|
A preacher had held forth (who nobly spurn'd
|
|
All earthly goods save tithes) and bade them push on
|
|
To slay the Pagans who resisted, battering
|
|
The armies of the Christian Empress Catherine.
|
|
|
|
Johnson, who knew by this long colloquy
|
|
Himself a favourite, ventured to address
|
|
Suwarrow, though engaged with accents high
|
|
In his resumed amusement. 'I confess
|
|
My debt in being thus allow'd to die
|
|
Among the foremost; but if you 'd express
|
|
Explicitly our several posts, my friend
|
|
And self would know what duty to attend.'
|
|
|
|
'Right! I was busy, and forgot. Why, you
|
|
Will join your former regiment, which should be
|
|
Now under arms. Ho! Katskoff, take him to
|
|
(Here he call'd up a Polish orderly)
|
|
His post, I mean the regiment Nikolaiew:
|
|
The stranger stripling may remain with me;
|
|
He 's a fine boy. The women may be sent
|
|
To the other baggage, or to the sick tent.'
|
|
|
|
But here a sort of scene began to ensue:
|
|
The ladies,- who by no means had been bred
|
|
To be disposed of in a way so new,
|
|
Although their haram education led
|
|
Doubtless to that of doctrines the most true,
|
|
Passive obedience,- now raised up the head,
|
|
With flashing eyes and starting tears, and flung
|
|
Their arms, as hens their wings about their young,
|
|
|
|
O'er the promoted couple of brave men
|
|
Who were thus honour'd by the greatest chief
|
|
That ever peopled hell with heroes slain,
|
|
Or plunged a province or a realm in grief.
|
|
Oh, foolish mortals! Always taught in vain!
|
|
Oh, glorious laurel! since for one sole leaf
|
|
Of thine imaginary deathless tree,
|
|
Of blood and tears must flow the unebbing sea.
|
|
|
|
Suwarrow, who had small regard for tears,
|
|
And not much sympathy for blood, survey'd
|
|
The women with their hair about their ears
|
|
And natural agonies, with a slight shade
|
|
Of feeling: for however habit sears
|
|
Men's hearts against whole millions, when their trade
|
|
Is butchery, sometimes a single sorrow
|
|
Will touch even heroes- and such was Suwarrow.
|
|
|
|
He said,- and in the kindest Calmuck tone,-
|
|
'Why, Johnson, what the devil do you mean
|
|
By bringing women here? They shall be shown
|
|
All the attention possible, and seen
|
|
In safety to the waggons, where alone
|
|
In fact they can be safe. You should have been
|
|
Aware this kind of baggage never thrives:
|
|
Save wed a year, I hate recruits with wives.'
|
|
|
|
'May it please your excellency,' thus replied
|
|
Our British friend, 'these are the wives of others,
|
|
And not our own. I am too qualified
|
|
By service with my military brothers
|
|
To break the rules by bringing one's own bride
|
|
Into a camp: I know that nought so bothers
|
|
The hearts of the heroic on a charge,
|
|
As leaving a small family at large.
|
|
|
|
'But these are but two Turkish ladies, who
|
|
With their attendant aided our escape,
|
|
And afterwards accompanied us through
|
|
A thousand perils in this dubious shape.
|
|
To me this kind of life is not so new;
|
|
To them, poor things, it is an awkward scrape.
|
|
I therefore, if you wish me to fight freely,
|
|
Request that they may both be used genteelly.'
|
|
|
|
Meantime these two poor girls, with swimming eyes,
|
|
Look'd on as if in doubt if they could trust
|
|
Their own protectors; nor was their surprise
|
|
Less than their grief (and truly not less just)
|
|
To see an old man, rather wild than wise
|
|
In aspect, plainly clad, besmear'd with dust,
|
|
Stript to his waistcoat, and that not too clean,
|
|
More fear'd than all the sultans ever seen.
|
|
|
|
For every thing seem'd resting on his nod,
|
|
As they could read in all eyes. Now to them,
|
|
Who were accustom'd, as a sort of god,
|
|
To see the sultan, rich in many a gem,
|
|
Like an imperial peacock stalk abroad
|
|
(That royal bird, whose tail 's a diadem),
|
|
With all the pomp of power, it was a doubt
|
|
How power could condescend to do without.
|
|
|
|
John Johnson, seeing their extreme dismay,
|
|
Though little versed in feelings oriental,
|
|
Suggested some slight comfort in his way:
|
|
Don Juan, who was much more sentimental,
|
|
Swore they should see him by the dawn of day,
|
|
Or that the Russian army should repent all:
|
|
And, strange to say, they found some consolation
|
|
In this- for females like exaggeration.
|
|
|
|
And then with tears, and sighs, and some slight kisses,
|
|
They parted for the present- these to await,
|
|
According to the artillery's hits or misses,
|
|
What sages call Chance, Providence, or Fate
|
|
(Uncertainty is one of many blisses,
|
|
A mortgage on Humanity's estate)-
|
|
While their beloved friends began to arm,
|
|
To burn a town which never did them harm.
|
|
|
|
Suwarrow,- who but saw things in the gross,
|
|
Being much too gross to see them in detail,
|
|
Who calculated life as so much dross,
|
|
And as the wind a widow'd nation's wail,
|
|
And cared as little for his army's loss
|
|
(So that their efforts should at length prevail)
|
|
As wife and friends did for the boils of job,-
|
|
What was 't to him to hear two women sob?
|
|
|
|
Nothing.- The work of glory still went on
|
|
In preparations for a cannonade
|
|
As terrible as that of Ilion,
|
|
If Homer had found mortars ready made;
|
|
But now, instead of slaying Priam's son,
|
|
We only can but talk of escalade,
|
|
Bombs, drums, guns, bastions, batteries, bayonets, bullets,-
|
|
Hard words, which stick in the soft Muses' gullets.
|
|
|
|
Oh, thou eternal Homer! who couldst charm
|
|
All cars, though long; all ages, though so short,
|
|
By merely wielding with poetic arm
|
|
Arms to which men will never more resort,
|
|
Unless gunpowder should be found to harm
|
|
Much less than is the hope of every court,
|
|
Which now is leagued young Freedom to annoy;
|
|
But they will not find Liberty a Troy:-
|
|
|
|
Oh, thou eternal Homer! I have now
|
|
To paint a siege, wherein more men were slain,
|
|
With deadlier engines and a speedier blow,
|
|
Than in thy Greek gazette of that campaign;
|
|
And yet, like all men else, I must allow,
|
|
To vie with thee would be about as vain
|
|
As for a brook to cope with ocean's flood;
|
|
But still we moderns equal you in blood;
|
|
|
|
If not in poetry, at least in fact;
|
|
And fact is truth, the grand desideratum!
|
|
Of which, howe'er the Muse describes each act,
|
|
There should be ne'ertheless a slight substratum.
|
|
But now the town is going to be attack'd;
|
|
Great deeds are doing- how shall I relate 'em?
|
|
Souls of immortal generals! Phoebus watches
|
|
To colour up his rays from your despatches.
|
|
|
|
Oh, ye great bulletins of Bonaparte!
|
|
Oh, ye less grand long lists of kill'd and wounded!
|
|
Shade of Leonidas, who fought so hearty,
|
|
When my poor Greece was once, as now, surrounded!
|
|
Oh, Caesar's Commentaries! now impart, ye
|
|
Shadows of glory! (lest I be confounded)
|
|
A portion of your fading twilight hues,
|
|
So beautiful, so fleeting, to the Muse.
|
|
|
|
When I call 'fading' martial immortality,
|
|
I mean, that every age and every year,
|
|
And almost every day, in sad reality,
|
|
Some sucking hero is compell'd to rear,
|
|
Who, when we come to sum up the totality
|
|
Of deeds to human happiness most dear,
|
|
Turns out to be a butcher in great business,
|
|
Afflicting young folks with a sort of dizziness.
|
|
|
|
Medals, rank, ribands, lace, embroidery, scarlet,
|
|
Are things immortal to immortal man,
|
|
As purple to the Babylonian harlot:
|
|
An uniform to boys is like a fan
|
|
To women; there is scarce a crimson varlet
|
|
But deems himself the first in Glory's van.
|
|
But Glory's glory; and if you would find
|
|
What that is- ask the pig who sees the wind!
|
|
|
|
At least he feels it, and some say he sees,
|
|
Because he runs before it like a pig;
|
|
Or, if that simple sentence should displease,
|
|
Say, that he scuds before it like a brig,
|
|
A schooner, or- but it is time to ease
|
|
This Canto, ere my Muse perceives fatigue.
|
|
The next shall ring a peal to shake all people,
|
|
Like a bob-major from a village steeple.
|
|
|
|
Hark! through the silence of the cold, dull night,
|
|
The hum of armies gathering rank on rank!
|
|
Lo! dusky masses steal in dubious sight
|
|
Along the leaguer'd wall and bristling bank
|
|
Of the arm'd river, while with straggling light
|
|
The stars peep through the vapours dim and dank,
|
|
Which curl in curious wreaths:- how soon the smoke
|
|
Of Hell shall pall them in a deeper cloak!
|
|
|
|
Here pause we for the present- as even then
|
|
That awful pause, dividing life from death,
|
|
Struck for an instant on the hearts of men,
|
|
Thousands of whom were drawing their last breath!
|
|
A moment- and all will be life again!
|
|
The march! the charge! the shouts of either faith!
|
|
Hurra! and Allah! and- one moment more,
|
|
The death-cry drowning in the battle's roar.
|
|
CANTO THE EIGHTH.
|
|
|
|
OH blood and thunder! and oh blood and wounds!
|
|
These are but vulgar oaths, as you may deem,
|
|
Too gentle reader! and most shocking sounds:
|
|
And so they are; yet thus is Glory's dream
|
|
Unriddled, and as my true Muse expounds
|
|
At present such things, since they are her theme,
|
|
So be they her inspirers! Call them Mars,
|
|
Bellona, what you will- they mean but wars.
|
|
|
|
All was prepared- the fire, the sword, the men
|
|
To wield them in their terrible array.
|
|
The army, like a lion from his den,
|
|
March'd forth with nerve and sinews bent to slay,-
|
|
A human Hydra, issuing from its fen
|
|
To breathe destruction on its winding way,
|
|
Whose heads were heroes, which cut off in vain
|
|
Immediately in others grew again.
|
|
|
|
History can only take things in the gross;
|
|
But could we know them in detail, perchance
|
|
In balancing the profit and the loss,
|
|
War's merit it by no means might enhance,
|
|
To waste so much gold for a little dross,
|
|
As hath been done, mere conquest to advance.
|
|
The drying up a single tear has more
|
|
Of honest fame, than shedding seas of gore.
|
|
|
|
And why?- because it brings self-approbation;
|
|
Whereas the other, after all its glare,
|
|
Shouts, bridges, arches, pensions from a nation,
|
|
Which (it may be) has not much left to spare,
|
|
A higher title, or a loftier station,
|
|
Though they may make Corruption gape or stare,
|
|
Yet, in the end, except in Freedom's battles,
|
|
Are nothing but a child of Murder's rattles.
|
|
|
|
And such they are- and such they will be found:
|
|
Not so Leonidas and Washington,
|
|
Whose every battle-field is holy ground,
|
|
Which breathes of nations saved, not worlds undone.
|
|
How sweetly on the ear such echoes sound!
|
|
While the mere victor's may appal or stun
|
|
The servile and the vain, such names will be
|
|
A watchword till the future shall be free.
|
|
|
|
The night was dark, and the thick mist allow'd
|
|
Nought to be seen save the artillery's flame,
|
|
Which arch'd the horizon like a fiery cloud,
|
|
And in the Danube's waters shone the same-
|
|
A mirror'd hell! the volleying roar, and loud
|
|
Long booming of each peal on peal, o'ercame
|
|
The ear far more than thunder; for Heaven's flashes
|
|
Spare, or smite rarely- man's make millions ashes!
|
|
|
|
The column order'd on the assault scarce pass'd
|
|
Beyond the Russian batteries a few toises,
|
|
When up the bristling Moslem rose at last,
|
|
Answering the Christian thunders with like voices:
|
|
Then one vast fire, air, earth, and stream embraced,
|
|
Which rock'd as 't were beneath the mighty noises;
|
|
While the whole rampart blazed like Etna, when
|
|
The restless Titan hiccups in his den.
|
|
|
|
And one enormous shout of 'Allah!' rose
|
|
In the same moment, loud as even the roar
|
|
Of war's most mortal engines, to their foes
|
|
Hurling defiance: city, stream, and shore
|
|
Resounded 'Allah!' and the clouds which close
|
|
With thick'ning canopy the conflict o'er,
|
|
Vibrate to the Eternal name. Hark! through
|
|
All sounds it pierceth 'Allah! Allah! Hu!'
|
|
|
|
The columns were in movement one and all,
|
|
But of the portion which attack'd by water,
|
|
Thicker than leaves the lives began to fall,
|
|
Though led by Arseniew, that great son of slaughter,
|
|
As brave as ever faced both bomb and ball.
|
|
'Carnage' (so Wordsworth tells you) 'is God's daughter:'
|
|
If he speak truth, she is Christ's sister, and
|
|
Just now behaved as in the Holy Land.
|
|
|
|
The Prince de Ligne was wounded in the knee;
|
|
Count Chapeau-Bras, too, had a ball between
|
|
His cap and head, which proves the head to be
|
|
Aristocratic as was ever seen,
|
|
Because it then received no injury
|
|
More than the cap; in fact, the ball could mean
|
|
No harm unto a right legitimate head:
|
|
'Ashes to ashes'- why not lead to lead?
|
|
|
|
Also the General Markow, Brigadier,
|
|
Insisting on removal of the prince
|
|
Amidst some groaning thousands dying near,-
|
|
All common fellows, who might writhe and wince,
|
|
And shriek for water into a deaf ear,-
|
|
The General Markow, who could thus evince
|
|
His sympathy for rank, by the same token,
|
|
To teach him greater, had his own leg broken.
|
|
|
|
Three hundred cannon threw up their emetic,
|
|
And thirty thousand muskets flung their pills
|
|
Like hail, to make a bloody diuretic.
|
|
Mortality! thou hast thy monthly bills;
|
|
Thy plagues, thy famines, thy physicians, yet tick,
|
|
Like the death-watch, within our ears the ills
|
|
Past, present, and to come;- but all may yield
|
|
To the true portrait of one battle-field.
|
|
|
|
There the still varying pangs, which multiply
|
|
Until their very number makes men hard
|
|
By the infinities of agony,
|
|
Which meet the gaze whate'er it may regard-
|
|
The groan, the roll in dust, the all-white eye
|
|
Turn'd back within its socket,- these reward
|
|
Your rank and file by thousands, while the rest
|
|
May win perhaps a riband at the breast!
|
|
|
|
Yet I love glory;- glory 's a great thing:-
|
|
Think what it is to be in your old age
|
|
Maintain'd at the expense of your good king:
|
|
A moderate pension shakes full many a sage,
|
|
And heroes are but made for bards to sing,
|
|
Which is still better; thus in verse to wage
|
|
Your wars eternally, besides enjoying
|
|
Half-pay for life, make mankind worth destroying.
|
|
|
|
The troops, already disembark'd, push'd on
|
|
To take a battery on the right; the others,
|
|
Who landed lower down, their landing done,
|
|
Had set to work as briskly as their brothers:
|
|
Being grenadiers, they mounted one by one,
|
|
Cheerful as children climb the breasts of mothers,
|
|
O'er the entrenchment and the palisade,
|
|
Quite orderly, as if upon parade.
|
|
|
|
And this was admirable; for so hot
|
|
The fire was, that were red Vesuvius loaded,
|
|
Besides its lava, with all sorts of shot
|
|
And shells or hells, it could not more have goaded.
|
|
Of officers a third fell on the spot,
|
|
A thing which victory by no means boded
|
|
To gentlemen engaged in the assault:
|
|
Hounds, when the huntsman tumbles, are at fault.
|
|
|
|
But here I leave the general concern,
|
|
To track our hero on his path of fame:
|
|
He must his laurels separately earn;
|
|
For fifty thousand heroes, name by name,
|
|
Though all deserving equally to turn
|
|
A couplet, or an elegy to claim,
|
|
Would form a lengthy lexicon of glory,
|
|
And what is worse still, a much longer story:
|
|
|
|
And therefore we must give the greater number
|
|
To the Gazette- which doubtless fairly dealt
|
|
By the deceased, who lie in famous slumber
|
|
In ditches, fields, or wheresoe'er they felt
|
|
Their clay for the last time their souls encumber;-
|
|
Thrice happy he whose name has been well spelt
|
|
In the despatch: I knew a man whose loss
|
|
Was printed Grove, although his name was Grose.
|
|
|
|
Juan and Johnson join'd a certain corps,
|
|
And fought away with might and main, not knowing
|
|
The way which they had never trod before,
|
|
And still less guessing where they might be going;
|
|
But on they march'd, dead bodies trampling o'er,
|
|
Firing, and thrusting, slashing, sweating, glowing,
|
|
But fighting thoughtlessly enough to win,
|
|
To their two selves, one whole bright bulletin.
|
|
|
|
Thus on they wallow'd in the bloody mire
|
|
Of dead and dying thousands,- sometimes gaining
|
|
A yard or two of ground, which brought them nigher
|
|
To some odd angle for which all were straining;
|
|
At other times, repulsed by the close fire,
|
|
Which really pour'd as if all hell were raining
|
|
Instead of heaven, they stumbled backwards o'er
|
|
A wounded comrade, sprawling in his gore.
|
|
|
|
Though 't was Don Juan's first of fields, and though
|
|
The nightly muster and the silent march
|
|
In the chill dark, when courage does not glow
|
|
So much as under a triumphal arch,
|
|
Perhaps might make him shiver, yawn, or throw
|
|
A glance on the dull clouds (as thick as starch,
|
|
Which stiffen'd heaven) as if he wish'd for day;-
|
|
Yet for all this he did not run away.
|
|
|
|
Indeed he could not. But what if he had?
|
|
There have been and are heroes who begun
|
|
With something not much better, or as bad:
|
|
Frederic the Great from Molwitz deign'd to run,
|
|
For the first and last time; for, like a pad,
|
|
Or hawk, or bride, most mortals after one
|
|
Warm bout are broken into their new tricks,
|
|
And fight like fiends for pay or politics.
|
|
|
|
He was what Erin calls, in her sublime
|
|
Old Erse or Irish, or it may be Punic
|
|
(The antiquarians who can settle time,
|
|
Which settles all things, Roman, Greek, or Runic,
|
|
Swear that Pat's language sprung from the same clime
|
|
With Hannibal, and wears the Tyrian tunic
|
|
Of Dido's alphabet; and this is rational
|
|
As any other notion, and not national);-
|
|
|
|
But Juan was quite 'a broth of a boy,'
|
|
A thing of impulse and a child of song;
|
|
Now swimming in the sentiment of joy,
|
|
Or the sensation (if that phrase seem wrong),
|
|
And afterward, if he must needs destroy,
|
|
In such good company as always throng
|
|
To battles, sieges, and that kind of pleasure,
|
|
No less delighted to employ his leisure;
|
|
|
|
But always without malice: if he warr'd
|
|
Or loved, it was with what we call 'the best
|
|
Intentions,' which form all mankind's trump card,
|
|
To be produced when brought up to the test.
|
|
The statesman, hero, harlot, lawyer- ward
|
|
Off each attack, when people are in quest
|
|
Of their designs, by saying they meant well;
|
|
'T is pity 'that such meaning should pave hell.'
|
|
|
|
I almost lately have begun to doubt
|
|
Whether hell's pavement- if it be so paved-
|
|
Must not have latterly been quite worn out,
|
|
Not by the numbers good intent hath saved,
|
|
But by the mass who go below without
|
|
Those ancient good intentions, which once shaved
|
|
And smooth'd the brimstone of that street of hell
|
|
Which bears the greatest likeness to Pall Mall.
|
|
|
|
Juan, by some strange chance, which oft divides
|
|
Warrior from warrior in their grim career,
|
|
Like chastest wives from constant husbands' sides
|
|
Just at the close of the first bridal year,
|
|
By one of those odd turns of Fortune's tides,
|
|
Was on a sudden rather puzzled here,
|
|
When, after a good deal of heavy firing,
|
|
He found himself alone, and friends retiring.
|
|
|
|
I don't know how the thing occurr'd- it might
|
|
Be that the greater part were kill'd or wounded,
|
|
And that the rest had faced unto the right
|
|
About; a circumstance which has confounded
|
|
Caesar himself, who, in the very sight
|
|
Of his whole army, which so much abounded
|
|
In courage, was obliged to snatch a shield,
|
|
And rally back his Romans to the field.
|
|
|
|
Juan, who had no shield to snatch, and was
|
|
No Caesar, but a fine young lad, who fought
|
|
He knew not why, arriving at this pass,
|
|
Stopp'd for a minute, as perhaps he ought
|
|
For a much longer time; then, like an as
|
|
(Start not, kind reader; since great Homer thought
|
|
This simile enough for Ajax, Juan
|
|
Perhaps may find it better than a new one)-
|
|
|
|
Then, like an ass, he went upon his way,
|
|
And, what was stranger, never look'd behind;
|
|
But seeing, flashing forward, like the day
|
|
Over the hills, a fire enough to blind
|
|
Those who dislike to look upon a fray,
|
|
He stumbled on, to try if he could find
|
|
A path, to add his own slight arm and forces
|
|
To corps, the greater part of which were corses.
|
|
|
|
Perceiving then no more the commandant
|
|
Of his own corps, nor even the corps, which had
|
|
Quite disappear'd- the gods know howl (I can't
|
|
Account for every thing which may look bad
|
|
In history; but we at least may grant
|
|
It was not marvellous that a mere lad,
|
|
In search of glory, should look on before,
|
|
Nor care a pinch of snuff about his corps):-
|
|
|
|
Perceiving nor commander nor commanded,
|
|
And left at large, like a young heir, to make
|
|
His way to- where he knew not- single handed;
|
|
As travellers follow over bog and brake
|
|
An 'ignis fatuus;' or as sailors stranded
|
|
Unto the nearest hut themselves betake;
|
|
So Juan, following honour and his nose,
|
|
Rush'd where the thickest fire announced most foes.
|
|
|
|
He knew not where he was, nor greatly cared,
|
|
For he was dizzy, busy, and his veins
|
|
Fill'd as with lightning- for his spirit shared
|
|
The hour, as is the case with lively brains;
|
|
And where the hottest fire was seen and heard,
|
|
And the loud cannon peal'd his hoarsest strains,
|
|
He rush'd, while earth and air were sadly shaken
|
|
By thy humane discovery, Friar Bacon!
|
|
|
|
And as he rush'd along, it came to pass he
|
|
Fell in with what was late the second column,
|
|
Under the orders of the General Lascy,
|
|
But now reduced, as is a bulky volume
|
|
Into an elegant extract (much less massy)
|
|
Of heroism, and took his place with solemn
|
|
Air 'midst the rest, who kept their valiant faces
|
|
And levell'd weapons still against the glacis.
|
|
|
|
Just at this crisis up came Johnson too,
|
|
Who had 'retreated,' as the phrase is when
|
|
Men run away much rather than go through
|
|
Destruction's jaws into the devil's den;
|
|
But Johnson was a clever fellow, who
|
|
Knew when and how 'to cut and come again,'
|
|
And never ran away, except when running
|
|
Was nothing but a valorous kind of cunning.
|
|
|
|
And so, when all his corps were dead or dying,
|
|
Except Don Juan, a mere novice, whose
|
|
More virgin valour never dreamt of flying
|
|
From ignorance of danger, which indues
|
|
Its votaries, like innocence relying
|
|
On its own strength, with careless nerves and thews,-
|
|
Johnson retired a little, just to rally
|
|
Those who catch cold in 'shadows of Death's valley.'
|
|
|
|
And there, a little shelter'd from the shot,
|
|
Which rain'd from bastion, battery, parapet,
|
|
Rampart, wall, casement, house,- for there was not
|
|
In this extensive city, sore beset
|
|
By Christian soldiery, a single spot
|
|
Which did not combat like the devil, as yet,
|
|
He found a number of Chasseurs, all scatter'd
|
|
By the resistance of the chase they batter'd.
|
|
|
|
And these he call'd on; and, what 's strange, they came
|
|
Unto his call, unlike 'the spirits from
|
|
The vasty deep,' to whom you may exclaim,
|
|
Says Hotspur, long ere they will leave their home.
|
|
Their reasons were uncertainty, or shame
|
|
At shrinking from a bullet or a bomb,
|
|
And that odd impulse, which in wars or creeds
|
|
Makes men, like cattle, follow him who leads.
|
|
|
|
By Jove! he was a noble fellow, Johnson,
|
|
And though his name, than Ajax or Achilles,
|
|
Sounds less harmonious, underneath the sun soon
|
|
We shall not see his likeness: he could kill his
|
|
Man quite as quietly as blows the monsoon
|
|
Her steady breath (which some months the same still is):
|
|
Seldom he varied feature, hue, or muscle,
|
|
And could be very busy without bustle;
|
|
|
|
And therefore, when he ran away, he did so
|
|
Upon reflection, knowing that behind
|
|
He would find others who would fain be rid so
|
|
Of idle apprehensions, which like wind
|
|
Trouble heroic stomachs. Though their lids so
|
|
Oft are soon closed, all heroes are not blind,
|
|
But when they light upon immediate death,
|
|
Retire a little, merely to take breath.
|
|
|
|
But Johnson only ran off, to return
|
|
With many other warriors, as we said,
|
|
Unto that rather somewhat misty bourn,
|
|
Which Hamlet tells us is a pass of dread.
|
|
To Jack howe'er this gave but slight concern:
|
|
His soul (like galvanism upon the dead)
|
|
Acted upon the living as on wire,
|
|
And led them back into the heaviest fire.
|
|
|
|
Egad! they found the second time what they
|
|
The first time thought quite terrible enough
|
|
To fly from, malgre all which people say
|
|
Of glory, and all that immortal stuff
|
|
Which fills a regiment (besides their pay,
|
|
That daily shilling which makes warriors tough)-
|
|
They found on their return the self-same welcome,
|
|
Which made some think, and others know, a hell come.
|
|
|
|
They fell as thick as harvests beneath hail,
|
|
Grass before scythes, or corn below the sickle,
|
|
Proving that trite old truth, that life 's as frail
|
|
As any other boon for which men stickle.
|
|
The Turkish batteries thrash'd them like a flail,
|
|
Or a good boxer, into a sad pickle
|
|
Putting the very bravest, who were knock'd
|
|
Upon the head, before their guns were cock'd.
|
|
|
|
The Turks, behind the traverses and flanks
|
|
Of the next bastion, fired away like devils,
|
|
And swept, as gales sweep foam away, whole ranks:
|
|
However, Heaven knows how, the Fate who levels
|
|
Towns, nations, worlds, in her revolving pranks,
|
|
So order'd it, amidst these sulphury revels,
|
|
That Johnson and some few who had not scamper'd,
|
|
Reach'd the interior talus of the rampart.
|
|
|
|
First one or two, then five, six, and a dozen,
|
|
Came mounting quickly up, for it was now
|
|
All neck or nothing, as, like pitch or rosin,
|
|
Flame was shower'd forth above, as well 's below,
|
|
So that you scarce could say who best had chosen,
|
|
The gentlemen that were the first to show
|
|
Their martial faces on the parapet,
|
|
Or those who thought it brave to wait as yet.
|
|
|
|
But those who scaled, found out that their advance
|
|
Was favour'd by an accident or blunder:
|
|
The Greek or Turkish Cohorn's ignorance
|
|
Had palisado'd in a way you 'd wonder
|
|
To see in forts of Netherlands or France
|
|
(Though these to our Gibraltar must knock under)-
|
|
Right in the middle of the parapet
|
|
Just named, these palisades were primly set:
|
|
|
|
So that on either side some nine or ten
|
|
Paces were left, whereon you could contrive
|
|
To march; a great convenience to our men,
|
|
At least to all those who were left alive,
|
|
Who thus could form a line and fight again;
|
|
And that which farther aided them to strive
|
|
Was, that they could kick down the palisades,
|
|
Which scarcely rose much higher than grass blades.
|
|
|
|
Among the first,- I will not say the first,
|
|
For such precedence upon such occasions
|
|
Will oftentimes make deadly quarrels burst
|
|
Out between friends as well as allied nations:
|
|
The Briton must be bold who really durst
|
|
Put to such trial John Bull's partial patience,
|
|
As say that Wellington at Waterloo
|
|
Was beaten- though the Prussians say so too;-
|
|
|
|
And that if Blucher, Bulow, Gneisenau,
|
|
And God knows who besides in 'au' and 'ow,'
|
|
Had not come up in time to cast an awe
|
|
Into the hearts of those who fought till now
|
|
As tigers combat with an empty craw,
|
|
The Duke of Wellington had ceased to show
|
|
His orders, also to receive his pensions,
|
|
Which are the heaviest that our history mentions.
|
|
|
|
But never mind;- 'God save the king!' and kings!
|
|
For if he don't, I doubt if men will longer-
|
|
I think I hear a little bird, who sings
|
|
The people by and by will be the stronger:
|
|
The veriest jade will wince whose harness wrings
|
|
So much into the raw as quite to wrong her
|
|
Beyond the rules of posting,- and the mob
|
|
At last fall sick of imitating Job.
|
|
|
|
At first it grumbles, then it swears, and then,
|
|
Like David, flings smooth pebbles 'gainst a giant;
|
|
At last it takes to weapons such as men
|
|
Snatch when despair makes human hearts less pliant.
|
|
Then comes 'the tug of war;'- 't will come again,
|
|
I rather doubt; and I would fain say 'fie on 't,'
|
|
If I had not perceived that revolution
|
|
Alone can save the earth from hell's pollution.
|
|
|
|
But to continue:- I say not the first,
|
|
But of the first, our little friend Don Juan
|
|
Walk'd o'er the walls of Ismail, as if nursed
|
|
Amidst such scenes- though this was quite a new one
|
|
To him, and I should hope to most. The thirst
|
|
Of glory, which so pierces through and through one,
|
|
Pervaded him- although a generous creature,
|
|
As warm in heart as feminine in feature.
|
|
|
|
And here he was- who upon woman's breast,
|
|
Even from a child, felt like a child; howe'er
|
|
The man in all the rest might be confest,
|
|
To him it was Elysium to be there;
|
|
And he could even withstand that awkward test
|
|
Which Rousseau points out to the dubious fair,
|
|
'Observe your lover when he leaves your arms;'
|
|
But Juan never left them, while they had charms,
|
|
|
|
Unless compell'd by fate, or wave, or wind,
|
|
Or near relations, who are much the same.
|
|
But here he was!- where each tie that can bind
|
|
Humanity must yield to steel and flame:
|
|
And he whose very body was all mind,
|
|
Flung here by fate or circumstance, which tame
|
|
The loftiest, hurried by the time and place,
|
|
Dash'd on like a spurr'd blood-horse in a race.
|
|
|
|
So was his blood stirr'd while he found resistance,
|
|
As is the hunter's at the five-bar gate,
|
|
Or double post and rail, where the existence
|
|
Of Britain's youth depends upon their weight,
|
|
The lightest being the safest: at a distance
|
|
He hated cruelty, as all men hate
|
|
Blood, until heated- and even then his own
|
|
At times would curdle o'er some heavy groan.
|
|
|
|
The General Lascy, who had been hard press'd,
|
|
Seeing arrive an aid so opportune
|
|
As were some hundred youngsters all abreast,
|
|
Who came as if just dropp'd down from the moon,
|
|
To Juan, who was nearest him, address'd
|
|
His thanks, and hopes to take the city soon,
|
|
Not reckoning him to be a 'base Bezonian'
|
|
(As Pistol calls it), but a young Livonian.
|
|
|
|
Juan, to whom he spoke in German, knew
|
|
As much of German as of Sanscrit, and
|
|
In answer made an inclination to
|
|
The general who held him in command;
|
|
For seeing one with ribands, black and blue,
|
|
Stars, medals, and a bloody sword in hand,
|
|
Addressing him in tones which seem'd to thank,
|
|
He recognised an officer of rank.
|
|
|
|
Short speeches pass between two men who speak
|
|
No common language; and besides, in time
|
|
Of war and taking towns, when many a shriek
|
|
Rings o'er the dialogue, and many a crime
|
|
Is perpetrated ere a word can break
|
|
Upon the ear, and sounds of horror chime
|
|
In like church-bells, with sigh, howl, groan, yell, prayer,
|
|
There cannot be much conversation there.
|
|
|
|
And therefore all we have related in
|
|
Two long octaves, pass'd in a little minute;
|
|
But in the same small minute, every sin
|
|
Contrived to get itself comprised within it.
|
|
The very cannon, deafen'd by the din,
|
|
Grew dumb, for you might almost hear a linnet,
|
|
As soon as thunder, 'midst the general noise
|
|
Of human nature's agonising voice!
|
|
|
|
The town was enter'd. Oh eternity!-
|
|
'God made the country and man made the town,'
|
|
So Cowper says- and I begin to be
|
|
Of his opinion, when I see cast down
|
|
Rome, Babylon, Tyre, Carthage, Nineveh,
|
|
All walls men know, and many never known;
|
|
And pondering on the present and the past,
|
|
To deem the woods shall be our home at last
|
|
|
|
Of all men, saving Sylla the man-slayer,
|
|
Who passes for in life and death most lucky,
|
|
Of the great names which in our faces stare,
|
|
The General Boon, back-woodsman of Kentucky,
|
|
Was happiest amongst mortals anywhere;
|
|
For killing nothing but a bear or buck, he
|
|
Enjoy'd the lonely, vigorous, harmless days
|
|
Of his old age in wilds of deepest maze.
|
|
|
|
Crime came not near him- she is not the child
|
|
Of solitude; Health shrank not from him- for
|
|
Her home is in the rarely trodden wild,
|
|
Where if men seek her not, and death be more
|
|
Their choice than life, forgive them, as beguiled
|
|
By habit to what their own hearts abhor-
|
|
In cities caged. The present case in point I
|
|
Cite is, that Boon lived hunting up to ninety;
|
|
|
|
And what 's still stranger, left behind a name
|
|
For which men vainly decimate the throng,
|
|
Not only famous, but of that good fame,
|
|
Without which glory 's but a tavern song-
|
|
Simple, serene, the antipodes of shame,
|
|
Which hate nor envy e'er could tinge with wrong;
|
|
An active hermit, even in age the child
|
|
Of Nature, or the man of Ross run wild.
|
|
|
|
'T is true he shrank from men even of his nation,
|
|
When they built up unto his darling trees,-
|
|
He moved some hundred miles off, for a station
|
|
Where there were fewer houses and more ease;
|
|
The inconvenience of civilisation
|
|
Is, that you neither can be pleased nor please;
|
|
But where he met the individual man,
|
|
He show'd himself as kind as mortal can.
|
|
|
|
He was not all alone: around him grew
|
|
A sylvan tribe of children of the chase,
|
|
Whose young, unwaken'd world was ever new,
|
|
Nor sword nor sorrow yet had left a trace
|
|
On her unwrinkled brow, nor could you view
|
|
A frown on Nature's or on human face;
|
|
The free-born forest found and kept them free,
|
|
And fresh as is a torrent or a tree.
|
|
|
|
And tall, and strong, and swift of foot were they,
|
|
Beyond the dwarfing city's pale abortions,
|
|
Because their thoughts had never been the prey
|
|
Of care or gain: the green woods were their portions;
|
|
No sinking spirits told them they grew grey,
|
|
No fashion made them apes of her distortions;
|
|
Simple they were, not savage; and their rifles,
|
|
Though very true, were not yet used for trifles.
|
|
|
|
Motion was in their days, rest in their slumbers,
|
|
And cheerfulness the handmaid of their toil;
|
|
Nor yet too many nor too few their numbers;
|
|
Corruption could not make their hearts her soil;
|
|
The lust which stings, the splendour which encumbers,
|
|
With the free foresters divide no spoil;
|
|
Serene, not sullen, were the solitudes
|
|
Of this unsighing people of the woods.
|
|
|
|
So much for Nature:- by way of variety,
|
|
Now back to thy great joys, Civilisation!
|
|
And the sweet consequence of large society,
|
|
War, pestilence, the despot's desolation,
|
|
The kingly scourge, the lust of notoriety,
|
|
The millions slain by soldiers for their ration,
|
|
The scenes like Catherine's boudoir at threescore,
|
|
With Ismail's storm to soften it the more.
|
|
|
|
The town was enter'd: first one column made
|
|
Its sanguinary way good- then another;
|
|
The reeking bayonet and the flashing blade
|
|
Clash'd 'gainst the scimitar, and babe and mother
|
|
With distant shrieks were heard Heaven to upbraid:
|
|
Still closer sulphury clouds began to smother
|
|
The breath of morn and man, where foot by foot
|
|
The madden'd Turks their city still dispute.
|
|
|
|
Koutousow, he who afterward beat back
|
|
(With some assistance from the frost and snow)
|
|
Napoleon on his bold and bloody track,
|
|
It happen'd was himself beat back just now;
|
|
He was a jolly fellow, and could crack
|
|
His jest alike in face of friend or foe,
|
|
Though life, and death, and victory were at stake;
|
|
But here it seem'd his jokes had ceased to take:
|
|
|
|
For having thrown himself into a ditch,
|
|
Follow'd in haste by various grenadiers,
|
|
Whose blood the puddle greatly did enrich,
|
|
He climb'd to where the parapet appears;
|
|
But there his project reach'd its utmost pitch
|
|
('Mongst other deaths the General Ribaupierre's
|
|
Was much regretted), for the Moslem men
|
|
Threw them all down into the ditch again.
|
|
|
|
And had it not been for some stray troops landing
|
|
They knew not where, being carried by the stream
|
|
To some spot, where they lost their understanding,
|
|
And wander'd up and down as in a dream,
|
|
Until they reach'd, as daybreak was expanding,
|
|
That which a portal to their eyes did seem,-
|
|
The great and gay Koutousow might have lain
|
|
Where three parts of his column yet remain.
|
|
|
|
And scrambling round the rampart, these same troops,
|
|
After the taking of the 'Cavalier,'
|
|
Just as Koutousow's most 'forlorn' of 'hopes'
|
|
Took like chameleons some slight tinge of fear,
|
|
Open'd the gate call'd 'Kilia,' to the groups
|
|
Of baffled heroes, who stood shyly near,
|
|
Sliding knee-deep in lately frozen mud,
|
|
Now thaw'd into a marsh of human blood.
|
|
|
|
The Kozacks, or, if so you please, Cossacques
|
|
(I don't much pique myself upon orthography,
|
|
So that I do not grossly err in facts,
|
|
Statistics, tactics, politics, and geography)-
|
|
Having been used to serve on horses' backs,
|
|
And no great dilettanti in topography
|
|
Of fortresses, but fighting where it pleases
|
|
Their chiefs to order,- were all cut to pieces.
|
|
|
|
Their column, though the Turkish batteries thunder'd
|
|
Upon them, ne'ertheless had reach'd the rampart,
|
|
And naturally thought they could have plunder'd
|
|
The city, without being farther hamper'd;
|
|
But as it happens to brave men, they blunder'd-
|
|
The Turks at first pretended to have scamper'd,
|
|
Only to draw them 'twixt two bastion corners,
|
|
From whence they sallied on those Christian scorners.
|
|
|
|
Then being taken by the tail- a taking
|
|
Fatal to bishops as to soldiers- these
|
|
Cossacques were all cut off as day was breaking,
|
|
And found their lives were let at a short lease-
|
|
But perish'd without shivering or shaking,
|
|
Leaving as ladders their heap'd carcasses,
|
|
O'er which Lieutenant-Colonel Yesouskoi
|
|
March'd with the brave battalion of Polouzki:-
|
|
|
|
This valiant man kill'd all the Turks he met,
|
|
But could not eat them, being in his turn
|
|
Slain by some Mussulmans, who would not yet,
|
|
Without resistance, see their city burn.
|
|
The walls were won, but 't was an even bet
|
|
Which of the armies would have cause to mourn:
|
|
'T was blow for blow, disputing inch by inch,
|
|
For one would not retreat, nor t' other flinch.
|
|
|
|
Another column also suffer'd much:-
|
|
And here we may remark with the historian,
|
|
You should but give few cartridges to such
|
|
Troops as are meant to march with greatest glory on:
|
|
When matters must be carried by the touch
|
|
Of the bright bayonet, and they all should hurry on,
|
|
They sometimes, with a hankering for existence,
|
|
Keep merely firing at a foolish distance.
|
|
|
|
A junction of the General Meknop's men
|
|
(Without the General, who had fallen some time
|
|
Before, being badly seconded just then)
|
|
Was made at length with those who dared to climb
|
|
The death-disgorging rampart once again;
|
|
And though the Turk's resistance was sublime,
|
|
They took the bastion, which the Seraskier
|
|
Defended at a price extremely dear.
|
|
|
|
Juan and Johnson, and some volunteers,
|
|
Among the foremost, offer'd him good quarter,
|
|
A word which little suits with Seraskiers,
|
|
Or at least suited not this valiant Tartar.
|
|
He died, deserving well his country's tears,
|
|
A savage sort of military martyr.
|
|
An English naval officer, who wish'd
|
|
To make him prisoner, was also dish'd:
|
|
|
|
For all the answer to his proposition
|
|
Was from a pistol-shot that laid him dead;
|
|
On which the rest, without more intermission,
|
|
Began to lay about with steel and lead-
|
|
The pious metals most in requisition
|
|
On such occasions: not a single head
|
|
Was spared;- three thousand Moslems perish'd here,
|
|
And sixteen bayonets pierced the Seraskier.
|
|
|
|
The city 's taken- only part by part-
|
|
And death is drunk with gore: there 's not a street
|
|
Where fights not to the last some desperate heart
|
|
For those for whom it soon shall cease to beat.
|
|
Here War forgot his own destructive art
|
|
In more destroying Nature; and the heat
|
|
Of carnage, like the Nile's sun-sodden slime,
|
|
Engender'd monstrous shapes of every crime.
|
|
|
|
A Russian officer, in martial tread
|
|
Over a heap of bodies, felt his heel
|
|
Seized fast, as if 't were by the serpent's head
|
|
Whose fangs Eve taught her human seed to feel:
|
|
In vain he kick'd, and swore, and writhed, and bled,
|
|
And howl'd for help as wolves do for a meal-
|
|
The teeth still kept their gratifying hold,
|
|
As do the subtle snakes described of old.
|
|
|
|
A dying Moslem, who had felt the foot
|
|
Of a foe o'er him, snatch'd at it, and bit
|
|
The very tendon which is most acute
|
|
(That which some ancient Muse or modern wit
|
|
Named after thee, Achilles), and quite through 't
|
|
He made the teeth meet, nor relinquish'd it
|
|
Even with his life- for (but they lie) 't is said
|
|
To the live leg still clung the sever'd head.
|
|
|
|
However this may be, 't is pretty sure
|
|
The Russian officer for life was lamed,
|
|
For the Turk's teeth stuck faster than a skewer,
|
|
And left him 'midst the invalid and maim'd:
|
|
The regimental surgeon could not cure
|
|
His patient, and perhaps was to be blamed
|
|
More than the head of the inveterate foe,
|
|
Which was cut off, and scarce even then let go.
|
|
|
|
But then the fact 's a fact- and 't is the part
|
|
Of a true poet to escape from fiction
|
|
Whene'er he can; for there is little art
|
|
In leaving verse more free from the restriction
|
|
Of truth than prose, unless to suit the mart
|
|
For what is sometimes called poetic diction,
|
|
And that outrageous appetite for lies
|
|
Which Satan angles with for souls, like flies.
|
|
|
|
The city 's taken, but not render'd!- No!
|
|
There 's not a Moslem that hath yielded sword:
|
|
The blood may gush out, as the Danube's flow
|
|
Rolls by the city wall; but deed nor word
|
|
Acknowledge aught of dread of death or foe:
|
|
In vain the yell of victory is roar'd
|
|
By the advancing Muscovite- the groan
|
|
Of the last foe is echoed by his own.
|
|
|
|
The bayonet pierces and the sabre cleaves,
|
|
And human lives are lavish'd everywhere,
|
|
As the year closing whirls the scarlet leaves
|
|
When the stripp'd forest bows to the bleak air,
|
|
And groans; and thus the peopled city grieves,
|
|
Shorn of its best and loveliest, and left bare;
|
|
But still it falls in vast and awful splinters,
|
|
As oaks blown down with all their thousand winters.
|
|
|
|
It is an awful topic- but 't is not
|
|
My cue for any time to be terrific:
|
|
For checker'd as is seen our human lot
|
|
With good, and bad, and worse, alike prolific
|
|
Of melancholy merriment, to quote
|
|
Too much of one sort would be soporific;-
|
|
Without, or with, offence to friends or foes,
|
|
I sketch your world exactly as it goes.
|
|
|
|
And one good action in the midst of crimes
|
|
Is 'quite refreshing,' in the affected phrase
|
|
Of these ambrosial, Pharisaic times,
|
|
With all their pretty milk-and-water ways,
|
|
And may serve therefore to bedew these rhymes,
|
|
A little scorch'd at present with the blaze
|
|
Of conquest and its consequences, which
|
|
Make epic poesy so rare and rich.
|
|
|
|
Upon a taken bastion, where there lay
|
|
Thousands of slaughter'd men, a yet warm group
|
|
Of murder'd women, who had found their way
|
|
To this vain refuge, made the good heart droop
|
|
And shudder;- while, as beautiful as May,
|
|
A female child of ten years tried to stoop
|
|
And hide her little palpitating breast
|
|
Amidst the bodies lull'd in bloody rest.
|
|
|
|
Two villainous Cossacques pursued the child
|
|
With flashing eyes and weapons: match'd with them,
|
|
The rudest brute that roams Siberia's wild
|
|
Has feelings pure and polish'd as a gem,-
|
|
The bear is civilised, the wolf is mild;
|
|
And whom for this at last must we condemn?
|
|
Their natures? or their sovereigns, who employ
|
|
All arts to teach their subjects to destroy?
|
|
|
|
Their sabres glitter'd o'er her little head,
|
|
Whence her fair hair rose twining with affright,
|
|
Her hidden face was plunged amidst the dead:
|
|
When Juan caught a glimpse of this sad sight,
|
|
I shall not say exactly what he said,
|
|
Because it might not solace 'ears polite;'
|
|
But what he did, was to lay on their backs,
|
|
The readiest way of reasoning with Cossacques.
|
|
|
|
One's hip he slash'd, and split the other's shoulder,
|
|
And drove them with their brutal yells to seek
|
|
If there might be chirurgeons who could solder
|
|
The wounds they richly merited, and shriek
|
|
Their baffled rage and pain; while waxing colder
|
|
As he turn'd o'er each pale and gory cheek,
|
|
Don Juan raised his little captive from
|
|
The heap a moment more had made her tomb.
|
|
|
|
And she was chill as they, and on her face
|
|
A slender streak of blood announced how near
|
|
Her fate had been to that of all her race;
|
|
For the same blow which laid her mother here
|
|
Had scarr'd her brow, and left its crimson trace,
|
|
As the last link with all she had held dear;
|
|
But else unhurt, she open'd her large eyes,
|
|
And gazed on Juan with a wild surprise.
|
|
|
|
Just at this instant, while their eyes were fix'd
|
|
Upon each other, with dilated glance,
|
|
In Juan's look, pain, pleasure, hope, fear, mix'd
|
|
With joy to save, and dread of some mischance
|
|
Unto his protege; while hers, transfix'd
|
|
With infant terrors, glared as from a trance,
|
|
A pure, transparent, pale, yet radiant face,
|
|
Like to a lighted alabaster vase;-
|
|
|
|
Up came John Johnson (I will not say 'Jack,'
|
|
For that were vulgar, cold, and commonplace
|
|
On great occasions, such as an attack
|
|
On cities, as hath been the present case):
|
|
Up Johnson came, with hundreds at his back,
|
|
Exclaiming;- 'Juan! Juan! On, boy! brace
|
|
Your arm, and I 'll bet Moscow to a dollar
|
|
That you and I will win St. George's collar.
|
|
|
|
'The Seraskier is knock'd upon the head,
|
|
But the stone bastion still remains, wherein
|
|
The old Pacha sits among some hundreds dead,
|
|
Smoking his pipe quite calmly 'midst the din
|
|
Of our artillery and his own: 't is said
|
|
Our kill'd, already piled up to the chin,
|
|
Lie round the battery; but still it batters,
|
|
And grape in volleys, like a vineyard, scatters.
|
|
|
|
'Then up with me!'- But Juan answer'd, 'Look
|
|
Upon this child- I saved her- must not leave
|
|
Her life to chance; but point me out some nook
|
|
Of safety, where she less may shrink and grieve,
|
|
And I am with you.'- Whereon Johnson took
|
|
A glance around- and shrugg'd- and twitch'd his sleeve
|
|
And black silk neckcloth- and replied, 'You 're right;
|
|
Poor thing! what 's to be done? I 'm puzzled quite.'
|
|
|
|
Said Juan: 'Whatsoever is to be
|
|
Done, I 'll not quit her till she seems secure
|
|
Of present life a good deal more than we.'
|
|
Quoth Johnson: 'Neither will I quite ensure;
|
|
But at the least you may die gloriously.'
|
|
Juan replied: 'At least I will endure
|
|
Whate'er is to be borne- but not resign
|
|
This child, who is parentless, and therefore mine.'
|
|
|
|
Johnson said: 'Juan, we 've no time to lose;
|
|
The child 's a pretty child- a very pretty-
|
|
I never saw such eyes- but hark! now choose
|
|
Between your fame and feelings, pride and pity;-
|
|
Hark! how the roar increases!- no excuse
|
|
Will serve when there is plunder in a city;-
|
|
I should be loth to march without you, but,
|
|
By God! we 'll be too late for the first cut.'
|
|
|
|
But Juan was immovable; until
|
|
Johnson, who really loved him in his way,
|
|
Pick'd out amongst his followers with some skill
|
|
Such as he thought the least given up to prey;
|
|
And swearing if the infant came to ill
|
|
That they should all be shot on the next day;
|
|
But if she were deliver'd safe and sound,
|
|
They should at least have fifty rubles round,
|
|
|
|
And all allowances besides of plunder
|
|
In fair proportion with their comrades;- then
|
|
Juan consented to march on through thunder,
|
|
Which thinn'd at every step their ranks of men:
|
|
And yet the rest rush'd eagerly- no wonder,
|
|
For they were heated by the hope of gain,
|
|
A thing which happens everywhere each day-
|
|
No hero trusteth wholly to half pay.
|
|
|
|
And such is victory, and such is man!
|
|
At least nine tenths of what we call so;- God
|
|
May have another name for half we scan
|
|
As human beings, or his ways are odd.
|
|
But to our subject: a brave Tartar khan-
|
|
Or 'sultan,' as the author (to whose nod
|
|
In prose I bend my humble verse) doth call
|
|
This chieftain- somehow would not yield at all:
|
|
|
|
But flank'd by five brave sons (such is polygamy,
|
|
That she spawns warriors by the score, where none
|
|
Are prosecuted for that false crime bigamy),
|
|
He never would believe the city won
|
|
While courage clung but to a single twig.- Am I
|
|
Describing Priam's, Peleus', or Jove's son?
|
|
Neither- but a good, plain, old, temperate man,
|
|
Who fought with his five children in the van.
|
|
|
|
To take him was the point. The truly brave,
|
|
When they behold the brave oppress'd with odds,
|
|
Are touch'd with a desire to shield and save;-
|
|
A mixture of wild beasts and demigods
|
|
Are they- now furious as the sweeping wave,
|
|
Now moved with pity: even as sometimes nods
|
|
The rugged tree unto the summer wind,
|
|
Compassion breathes along the savage mind.
|
|
|
|
But he would not be taken, and replied
|
|
To all the propositions of surrender
|
|
By mowing Christians down on every side,
|
|
As obstinate as Swedish Charles at Bender.
|
|
His five brave boys no less the foe defied;
|
|
Whereon the Russian pathos grew less tender,
|
|
As being a virtue, like terrestrial patience,
|
|
Apt to wear out on trifling provocations.
|
|
|
|
And spite of Johnson and of Juan, who
|
|
Expended all their Eastern phraseology
|
|
In begging him, for God's sake, just to show
|
|
So much less fight as might form an apology
|
|
For them in saving such a desperate foe-
|
|
He hew'd away, like doctors of theology
|
|
When they dispute with sceptics; and with curses
|
|
Struck at his friends, as babies beat their nurses.
|
|
|
|
Nay, he had wounded, though but slightly, both
|
|
Juan and Johnson; whereupon they fell,
|
|
The first with sighs, the second with an oath,
|
|
Upon his angry sultanship, pell-mell,
|
|
And all around were grown exceeding wroth
|
|
At such a pertinacious infidel,
|
|
And pour'd upon him and his sons like rain,
|
|
Which they resisted like a sandy plain
|
|
|
|
That drinks and still is dry. At last they perish'd-
|
|
His second son was levell'd by a shot;
|
|
His third was sabred; and the fourth, most cherish'd
|
|
Of all the five, on bayonets met his lot;
|
|
The fifth, who, by a Christian mother nourish'd,
|
|
Had been neglected, ill-used, and what not,
|
|
Because deform'd, yet died all game and bottom,
|
|
To save a sire who blush'd that he begot him.
|
|
|
|
The eldest was a true and tameless Tartar,
|
|
As great a scorner of the Nazarene
|
|
As ever Mahomet pick'd out for a martyr,
|
|
Who only saw the black-eyed girls in green,
|
|
Who make the beds of those who won't take quarter
|
|
On earth, in Paradise; and when once seen,
|
|
Those houris, like all other pretty creatures,
|
|
Do just whate'er they please, by dint of features.
|
|
|
|
And what they pleased to do with the young khan
|
|
In heaven I know not, nor pretend to guess;
|
|
But doubtless they prefer a fine young man
|
|
To tough old heroes, and can do no less;
|
|
And that 's the cause no doubt why, if we scan
|
|
A field of battle's ghastly wilderness,
|
|
For one rough, weather-beaten, veteran body,
|
|
You 'll find ten thousand handsome coxcombs bloody.
|
|
|
|
Your houris also have a natural pleasure
|
|
In lopping off your lately married men,
|
|
Before the bridal hours have danced their measure
|
|
And the sad, second moon grows dim again,
|
|
Or dull repentance hath had dreary leisure
|
|
To wish him back a bachelor now and then.
|
|
And thus your houri (it may be) disputes
|
|
Of these brief blossoms the immediate fruits.
|
|
|
|
Thus the young khan, with houris in his sight,
|
|
Thought not upon the charms of four young brides,
|
|
But bravely rush'd on his first heavenly night.
|
|
In short, howe'er our better faith derides,
|
|
These black-eyed virgins make the Moslems fight,
|
|
As though there were one heaven and none besides,-
|
|
Whereas, if all be true we hear of heaven
|
|
And hell, there must at least be six or seven.
|
|
|
|
So fully flash'd the phantom on his eyes,
|
|
That when the very lance was in his heart,
|
|
He shouted 'Allah!' and saw Paradise
|
|
With all its veil of mystery drawn apart,
|
|
And bright eternity without disguise
|
|
On his soul, like a ceaseless sunrise, dart:-
|
|
With prophets, houris, angels, saints, descried
|
|
In one voluptuous blaze,- and then he died,
|
|
|
|
But with a heavenly rapture on his face.
|
|
The good old khan, who long had ceased to see
|
|
Houris, or aught except his florid race
|
|
Who grew like cedars round him gloriously-
|
|
When he beheld his latest hero grace
|
|
The earth, which he became like a fell'd tree,
|
|
Paused for a moment, from the fight, and cast
|
|
A glance on that slain son, his first and last.
|
|
|
|
The soldiers, who beheld him drop his point,
|
|
Stopp'd as if once more willing to concede
|
|
Quarter, in case he bade them not 'aroynt!'
|
|
As he before had done. He did not heed
|
|
Their pause nor signs: his heart was out of joint,
|
|
And shook (till now unshaken) like a reed,
|
|
As he look'd down upon his children gone,
|
|
And felt- though done with life- he was alone
|
|
|
|
But 't was a transient tremor;- with a spring
|
|
Upon the Russian steel his breast he flung,
|
|
As carelessly as hurls the moth her wing
|
|
Against the light wherein she dies: he clung
|
|
Closer, that all the deadlier they might wring,
|
|
Unto the bayonets which had pierced his young;
|
|
And throwing back a dim look on his sons,
|
|
In one wide wound pour'd forth his soul at once.
|
|
|
|
'T is strange enough- the rough, tough soldiers, who
|
|
Spared neither sex nor age in their career
|
|
Of carnage, when this old man was pierced through,
|
|
And lay before them with his children near,
|
|
Touch'd by the heroism of him they slew,
|
|
Were melted for a moment: though no tear
|
|
Flow'd from their bloodshot eyes, all red with strife,
|
|
They honour'd such determined scorn of life.
|
|
|
|
But the stone bastion still kept up its fire,
|
|
Where the chief pacha calmly held his post:
|
|
Some twenty times he made the Russ retire,
|
|
And baffled the assaults of all their host;
|
|
At length he condescended to inquire
|
|
If yet the city's rest were won or lost;
|
|
And being told the latter, sent a bey
|
|
To answer Ribas' summons to give way.
|
|
|
|
In the mean time, cross-legg'd, with great sang-froid,
|
|
Among the scorching ruins he sat smoking
|
|
Tobacco on a little carpet;- Troy
|
|
Saw nothing like the scene around:- yet looking
|
|
With martial stoicism, nought seem'd to annoy
|
|
His stern philosophy; but gently stroking
|
|
His beard, he puff'd his pipe's ambrosial gales,
|
|
As if he had three lives, as well as tails.
|
|
|
|
The town was taken- whether he might yield
|
|
Himself or bastion, little matter'd now:
|
|
His stubborn valour was no future shield.
|
|
Ismail 's no more! The crescent's silver bow
|
|
Sunk, and the crimson cross glared o'er the field,
|
|
But red with no redeeming gore: the glow
|
|
Of burning streets, like moonlight on the water,
|
|
Was imaged back in blood, the sea of slaughter.
|
|
|
|
All that the mind would shrink from of excesses;
|
|
All that the body perpetrates of bad;
|
|
All that we read, hear, dream, of man's distresses;
|
|
All that the devil would do if run stark mad;
|
|
All that defies the worst which pen expresses;
|
|
All by which hell is peopled, or as sad
|
|
As hell- mere mortals who their power abuse-
|
|
Was here (as heretofore and since) let loose.
|
|
|
|
If here and there some transient trait of pity
|
|
Was shown, and some more noble heart broke through
|
|
Its bloody bond, and saved perhaps some pretty
|
|
Child, or an aged, helpless man or two-
|
|
What 's this in one annihilated city,
|
|
Where thousand loves, and ties, and duties grew?
|
|
Cockneys of London! Muscadins of Paris!
|
|
Just ponder what a pious pastime war is.
|
|
|
|
Think how the joys of reading a Gazette
|
|
Are purchased by all agonies and crimes:
|
|
Or if these do not move you, don't forget
|
|
Such doom may be your own in aftertimes.
|
|
Meantime the Taxes, Castlereagh, and Debt,
|
|
Are hints as good as sermons, or as rhymes.
|
|
Read your own hearts and Ireland's present story,
|
|
Then feed her famine fat with Wellesley's glory.
|
|
|
|
But still there is unto a patriot nation,
|
|
Which loves so well its country and its king,
|
|
A subject of sublimest exultation-
|
|
Bear it, ye Muses, on your brightest wing!
|
|
Howe'er the mighty locust, Desolation,
|
|
Strip your green fields, and to your harvests cling,
|
|
Gaunt famine never shall approach the throne-
|
|
Though Ireland starve, great George weighs twenty stone.
|
|
|
|
But let me put an end unto my theme:
|
|
There was an end of Ismail- hapless town!
|
|
Far flash'd her burning towers o'er Danube's stream,
|
|
And redly ran his blushing waters down.
|
|
The horrid war-whoop and the shriller scream
|
|
Rose still; but fainter were the thunders grown:
|
|
Of forty thousand who had mann'd the wall,
|
|
Some hundreds breathed- the rest were silent all!
|
|
|
|
In one thing ne'ertheless 't is fit to praise
|
|
The Russian army upon this occasion,
|
|
A virtue much in fashion now-a-days,
|
|
And therefore worthy of commemoration:
|
|
The topic 's tender, so shall be my phrase-
|
|
Perhaps the season's chill, and their long station
|
|
In winter's depth, or want of rest and victual,
|
|
Had made them chaste;- they ravish'd very little.
|
|
|
|
Much did they slay, more plunder, and no less
|
|
Might here and there occur some violation
|
|
In the other line;- but not to such excess
|
|
As when the French, that dissipated nation,
|
|
Take towns by storm: no causes can I guess,
|
|
Except cold weather and commiseration;
|
|
But all the ladies, save some twenty score,
|
|
Were almost as much virgins as before.
|
|
|
|
Some odd mistakes, too, happen'd in the dark,
|
|
Which show'd a want of lanterns, or of taste-
|
|
Indeed the smoke was such they scarce could mark
|
|
Their friends from foes,- besides such things from haste
|
|
Occur, though rarely, when there is a spark
|
|
Of light to save the venerably chaste:
|
|
But six old damsels, each of seventy years,
|
|
Were all deflower'd by different grenadiers.
|
|
|
|
But on the whole their continence was great;
|
|
So that some disappointment there ensued
|
|
To those who had felt the inconvenient state
|
|
Of 'single blessedness,' and thought it good
|
|
(Since it was not their fault, but only fate,
|
|
To bear these crosses) for each waning prude
|
|
To make a Roman sort of Sabine wedding,
|
|
Without the expense and the suspense of bedding.
|
|
|
|
Some voices of the buxom middle-aged
|
|
Were also heard to wonder in the din
|
|
(Widows of forty were these birds long caged)
|
|
'Wherefore the ravishing did not begin!'
|
|
But while the thirst for gore and plunder raged,
|
|
There was small leisure for superfluous sin;
|
|
But whether they escaped or no, lies hid
|
|
In darkness- I can only hope they did.
|
|
|
|
Suwarrow now was conqueror- a match
|
|
For Timour or for Zinghis in his trade.
|
|
While mosques and streets, beneath his eyes, like thatch
|
|
Blazed, and the cannon's roar was scarce allay'd,
|
|
With bloody hands he wrote his first despatch;
|
|
And here exactly follows what he said:-
|
|
'Glory to God and to the Empress!' (Powers
|
|
Eternal! such names mingled!) 'Ismail 's ours.'
|
|
|
|
Methinks these are the most tremendous words,
|
|
Since 'Mene, Mene, Tekel,' and 'Upharsin,'
|
|
Which hands or pens have ever traced of swords.
|
|
Heaven help me! I 'm but little of a parson:
|
|
What Daniel read was short-hand of the Lord's,
|
|
Severe, sublime; the prophet wrote no farce on
|
|
The fate of nations;- but this Russ so witty
|
|
Could rhyme, like Nero, o'er a burning city.
|
|
|
|
He wrote this Polar melody, and set it,
|
|
Duly accompanied by shrieks and groans,
|
|
Which few will sing, I trust, but none forget it-
|
|
For I will teach, if possible, the stones
|
|
To rise against earth's tyrants. Never let it
|
|
Be said that we still truckle unto thrones;-
|
|
But ye- our children's children! think how we
|
|
Show'd what things were before the world was free!
|
|
|
|
That hour is not for us, but 't is for you:
|
|
And as, in the great joy of your millennium,
|
|
You hardly will believe such things were true
|
|
As now occur, I thought that I would pen you 'em;
|
|
But may their very memory perish too!-
|
|
Yet if perchance remember'd, still disdain you 'em
|
|
More than you scorn the savages of yore,
|
|
Who painted their bare limbs, but not with gore.
|
|
|
|
And when you hear historians talk of thrones,
|
|
And those that sate upon them, let it be
|
|
As we now gaze upon the mammoth's bones,
|
|
'And wonder what old world such things could see,
|
|
Or hieroglyphics on Egyptian stones,
|
|
The pleasant riddles of futurity-
|
|
Guessing at what shall happily be hid,
|
|
As the real purpose of a pyramid.
|
|
|
|
Reader! I have kept my word,- at least so far
|
|
As the first Canto promised. You have now
|
|
Had sketches of love, tempest, travel, war-
|
|
All very accurate, you must allow,
|
|
And epic, if plain truth should prove no bar;
|
|
For I have drawn much less with a long bow
|
|
Than my forerunners. Carelessly I sing,
|
|
But Phoebus lends me now and then a string,
|
|
|
|
With which I still can harp, and carp, and fiddle.
|
|
What farther hath befallen or may befall
|
|
The hero of this grand poetic riddle,
|
|
I by and by may tell you, if at all:
|
|
But now I choose to break off in the middle,
|
|
Worn out with battering Ismail's stubborn wall,
|
|
While Juan is sent off with the despatch,
|
|
For which all Petersburgh is on the watch.
|
|
|
|
This special honour was conferr'd, because
|
|
He had behaved with courage and humanity-
|
|
Which last men like, when they have time to pause
|
|
From their ferocities produced by vanity.
|
|
His little captive gain'd him some applause
|
|
For saving her amidst the wild insanity
|
|
Of carnage,- and I think he was more glad in her
|
|
Safety, than his new order of St. Vladimir.
|
|
|
|
The Moslem orphan went with her protector,
|
|
For she was homeless, houseless, helpless; all
|
|
Her friends, like the sad family of Hector,
|
|
Had perish'd in the field or by the wall:
|
|
Her very place of birth was but a spectre
|
|
Of what it had been; there the Muezzin's cal
|
|
To prayer was heard no more!- and Juan wept,
|
|
And made a vow to shield her, which he kept.
|
|
CANTO THE NINTH.
|
|
|
|
OH, Wellington! (or 'Villainton'- for Fame
|
|
Sounds the heroic syllables both ways;
|
|
France could not even conquer your great name,
|
|
But punn'd it down to this facetious phrase-
|
|
Beating or beaten she will laugh the same),
|
|
You have obtain'd great pensions and much praise:
|
|
Glory like yours should any dare gainsay,
|
|
Humanity would rise, and thunder 'Nay!'
|
|
|
|
I don't think that you used Kinnaird quite well
|
|
In Marinet's affair- in fact, 't was shabby,
|
|
And like some other things won't do to tell
|
|
Upon your tomb in Westminster's old abbey.
|
|
Upon the rest 't is not worth while to dwell,
|
|
Such tales being for the tea-hours of some tabby;
|
|
But though your years as man tend fast to zero,
|
|
In fact your grace is still but a young hero.
|
|
|
|
Though Britain owes (and pays you too) so much,
|
|
Yet Europe doubtless owes you greatly more:
|
|
You have repair'd Legitimacy's crutch,
|
|
A prop not quite so certain as before:
|
|
The Spanish, and the French, as well as Dutch,
|
|
Have seen, and felt, how strongly you restore;
|
|
And Waterloo has made the world your debtor
|
|
(I wish your bards would sing it rather better).
|
|
|
|
You are 'the best of cut-throats:'- do not start;
|
|
The phrase is Shakspeare's, and not misapplied:
|
|
War 's a brain-spattering, windpipe-slitting art,
|
|
Unless her cause by right be sanctified.
|
|
If you have acted once a generous part,
|
|
The world, not the world's masters, will decide,
|
|
And I shall be delighted to learn who,
|
|
Save you and yours, have gain'd by Waterloo?
|
|
|
|
I am no flatterer- you 've supp'd full of flattery:
|
|
They say you like it too- 't is no great wonder.
|
|
He whose whole life has been assault and battery,
|
|
At last may get a little tired of thunder;
|
|
And swallowing eulogy much more than satire, he
|
|
May like being praised for every lucky blunder,
|
|
Call'd 'Saviour of the Nations'- not yet saved,
|
|
And 'Europe's Liberator'- still enslaved.
|
|
|
|
I 've done. Now go and dine from off the plate
|
|
Presented by the Prince of the Brazils,
|
|
And send the sentinel before your gate
|
|
A slice or two from your luxurious meals:
|
|
He fought, but has not fed so well of late.
|
|
Some hunger, too, they say the people feels:-
|
|
There is no doubt that you deserve your ration,
|
|
But pray give back a little to the nation.
|
|
|
|
I don't mean to reflect- a man so great as
|
|
You, my lord duke! is far above reflection:
|
|
The high Roman fashion, too, of Cincinnatus,
|
|
With modern history has but small connection:
|
|
Though as an Irishman you love potatoes,
|
|
You need not take them under your direction;
|
|
And half a million for your Sabine farm
|
|
Is rather dear!- I 'm sure I mean no harm.
|
|
|
|
Great men have always scorn'd great recompenses:
|
|
Epaminondas saved his Thebes, and died,
|
|
Not leaving even his funeral expenses:
|
|
George Washington had thanks and nought beside,
|
|
Except the all-cloudless glory (which few men's is
|
|
To free his country: Pitt too had his pride,
|
|
And as a high-soul'd minister of state is
|
|
Renown'd for ruining Great Britain gratis.
|
|
|
|
Never had mortal man such opportunity,
|
|
Except Napoleon, or abused it more:
|
|
You might have freed fallen Europe from the unity
|
|
Of tyrants, and been blest from shore to shore:
|
|
And now- what is your fame? Shall the Muse tune it ye?
|
|
Now- that the rabble's first vain shouts are o'er?
|
|
Go! hear it in your famish'd country's cries!
|
|
Behold the world! and curse your victories!
|
|
|
|
As these new cantos touch on warlike feats,
|
|
To you the unflattering Muse deigns to inscribe
|
|
Truths, that you will not read in the Gazettes,
|
|
But which 't is time to teach the hireling tribe
|
|
Who fatten on their country's gore, and debts,
|
|
Must be recited, and- without a bribe.
|
|
You did great things; but not being great in mind,
|
|
Have left undone the greatest- and mankind.
|
|
|
|
Death laughs- Go ponder o'er the skeleton
|
|
With which men image out the unknown thing
|
|
That hides the past world, like to a set sun
|
|
Which still elsewhere may rouse a brighter spring-
|
|
Death laughs at all you weep for:- look upon
|
|
This hourly dread of all! whose threaten'd sting
|
|
Turns life to terror, even though in its sheath:
|
|
Mark how its lipless mouth grins without breath!
|
|
|
|
Mark how it laughs and scorns at all you are!
|
|
And yet was what you are: from ear to ear
|
|
It laughs not- there is now no fleshy bar
|
|
So call'd; the Antic long hath ceased to hear,
|
|
But still he smiles; and whether near or far,
|
|
He strips from man that mantle (far more dear
|
|
Than even the tailor's), his incarnate skin,
|
|
White, black, or copper- the dead bones will grin.
|
|
|
|
And thus Death laughs,- it is sad merriment,
|
|
But still it is so; and with such example
|
|
Why should not Life be equally content
|
|
With his superior, in a smile to trample
|
|
Upon the nothings which are daily spent
|
|
Like bubbles on an ocean much less ample
|
|
Than the eternal deluge, which devours
|
|
Suns as rays- worlds like atoms- years like hours?
|
|
|
|
'To be, or not to be? that is the question,'
|
|
Says Shakspeare, who just now is much in fashion.
|
|
I am neither Alexander nor Hephaestion,
|
|
Nor ever had for abstract fame much passion;
|
|
But would much rather have a sound digestion
|
|
Than Buonaparte's cancer: could I dash on
|
|
Through fifty victories to shame or fame-
|
|
Without a stomach what were a good name?
|
|
|
|
'O dura ilia messorum!'- 'Oh
|
|
Ye rigid guts of reapers!' I translate
|
|
For the great benefit of those who know
|
|
What indigestion is- that inward fate
|
|
Which makes all Styx through one small liver flow.
|
|
A peasant's sweat is worth his lord's estate:
|
|
Let this one toil for bread- that rack for rent,
|
|
He who sleeps best may be the most content.
|
|
|
|
'To be, or not to be?'- Ere I decide,
|
|
I should be glad to know that which is being?
|
|
'T is true we speculate both far and wide,
|
|
And deem, because we see, we are all-seeing:
|
|
For my part, I 'll enlist on neither side,
|
|
Until I see both sides for once agreeing.
|
|
For me, I sometimes think that life is death,
|
|
Rather than life a mere affair of breath.
|
|
|
|
'Que scais-je?' was the motto of Montaigne,
|
|
As also of the first academicians:
|
|
That all is dubious which man may attain,
|
|
Was one of their most favourite positions.
|
|
There 's no such thing as certainty, that 's plain
|
|
As any of Mortality's conditions;
|
|
So little do we know what we 're about in
|
|
This world, I doubt if doubt itself be doubting.
|
|
|
|
It is a pleasant voyage perhaps to float,
|
|
Like Pyrrho, on a sea of speculation;
|
|
But what if carrying sail capsize the boat?
|
|
Your wise men don't know much of navigation;
|
|
And swimming long in the abyss of thought
|
|
Is apt to tire: a calm and shallow station
|
|
Well nigh the shore, where one stoops down and gathers
|
|
Some pretty shell, is best for moderate bathers.
|
|
|
|
'But heaven,' as Cassio says, 'is above all-
|
|
No more of this, then,- let us pray!' We have
|
|
Souls to save, since Eve's slip and Adam's fall,
|
|
Which tumbled all mankind into the grave,
|
|
Besides fish, beasts, and birds. 'The sparrow's fall
|
|
Is special providence,' though how it gave
|
|
Offence, we know not; probably it perch'd
|
|
Upon the tree which Eve so fondly search'd.
|
|
|
|
Oh, ye immortal gods! what is theogony?
|
|
Oh, thou too, mortal man! what is philanthropy?
|
|
Oh, world! which was and is, what is cosmogony?
|
|
Some people have accused me of misanthropy;
|
|
And yet I know no more than the mahogany
|
|
That forms this desk, of what they mean; lykanthropy
|
|
I comprehend, for without transformation
|
|
Men become wolves on any slight occasion.
|
|
|
|
But I, the mildest, meekest of mankind,
|
|
Like Moses, or Melancthon, who have ne'er
|
|
Done anything exceedingly unkind,-
|
|
And (though I could not now and then forbear
|
|
Following the bent of body or of mind)
|
|
Have always had a tendency to spare,-
|
|
Why do they call me misanthrope? Because
|
|
They hate me, not I them.- and here we 'll pause.
|
|
|
|
'T is time we should proceed with our good poem,-
|
|
For I maintain that it is really good,
|
|
Not only in the body but the proem,
|
|
However little both are understood
|
|
Just now,- but by and by the Truth will show 'em
|
|
Herself in her sublimest attitude:
|
|
And till she doth, I fain must be content
|
|
To share her beauty and her banishment.
|
|
|
|
Our hero (and, I trust, kind reader, yours)
|
|
Was left upon his way to the chief city
|
|
Of the immortal Peter's polish'd boors
|
|
Who still have shown themselves more brave than witty.
|
|
I know its mighty empire now allures
|
|
Much flattery- even Voltaire's, and that 's a pity.
|
|
For me, I deem an absolute autocrat
|
|
Not a barbarian, but much worse than that.
|
|
|
|
And I will war, at least in words (and- should
|
|
My chance so happen- deeds), with all who war
|
|
With Thought;- and of Thought's foes by far most rude,
|
|
Tyrants and sycophants have been and are.
|
|
I know not who may conquer: if I could
|
|
Have such a prescience, it should be no bar
|
|
To this my plain, sworn, downright detestation
|
|
Of every depotism in every nation.
|
|
|
|
It is not that I adulate the people:
|
|
Without me, there are demagogues enough,
|
|
And infidels, to pull down every steeple,
|
|
And set up in their stead some proper stuff.
|
|
Whether they may sow scepticism to reap hell,
|
|
As is the Christian dogma rather rough,
|
|
I do not know;- I wish men to be free
|
|
As much from mobs as kings- from you as me.
|
|
|
|
The consequence is, being of no party,
|
|
I shall offend all parties: never mind!
|
|
My words, at least, are more sincere and hearty
|
|
Than if I sought to sail before the wind.
|
|
He who has nought to gain can have small art: he
|
|
Who neither wishes to be bound nor bind,
|
|
May still expatiate freely, as will I,
|
|
Nor give my voice to slavery's jackal cry.
|
|
|
|
That 's an appropriate simile, that jackal;-
|
|
I 've heard them in the Ephesian ruins howl
|
|
By night, as do that mercenary pack all,
|
|
Power's base purveyors, who for pickings prowl,
|
|
And scent the prey their masters would attack all.
|
|
However, the poor jackals are less foul
|
|
(As being the brave lions' keen providers)
|
|
Than human insects, catering for spiders.
|
|
|
|
Raise but an arm! 't will brush their web away,
|
|
And without that, their poison and their claws
|
|
Are useless. Mind, good people! what I say
|
|
(Or rather peoples)- go on without pause!
|
|
The web of these tarantulas each day
|
|
Increases, till you shall make common cause:
|
|
None, save the Spanish fly and Attic bee,
|
|
As yet are strongly stinging to be free.
|
|
|
|
Don Juan, who had shone in the late slaughter,
|
|
Was left upon his way with the despatch,
|
|
Where blood was talk'd of as we would of water;
|
|
And carcasses that lay as thick as thatch
|
|
O'er silenced cities, merely served to flatter
|
|
Fair Catherine's pastime- who look'd on the match
|
|
Between these nations as a main of cocks,
|
|
Wherein she liked her own to stand like rocks.
|
|
|
|
And there in a kibitka he roll'd on
|
|
(A cursed sort of carriage without springs,
|
|
Which on rough roads leaves scarcely a whole bone),
|
|
Pondering on glory, chivalry, and kings,
|
|
And orders, and on all that he had done-
|
|
And wishing that post-horses had the wings
|
|
Of Pegasus, or at the least post-chaises
|
|
Had feathers, when a traveller on deep ways is.
|
|
|
|
At every jolt- and they were many- still
|
|
He turn'd his eyes upon his little charge,
|
|
As if he wish'd that she should fare less ill
|
|
Than he, in these sad highways left at large
|
|
To ruts, and flints, and lovely Nature's skill,
|
|
Who is no paviour, nor admits a barge
|
|
On her canals, where God takes sea and land,
|
|
Fishery and farm, both into his own hand.
|
|
|
|
At least he pays no rent, and has best right
|
|
To be the first of what we used to call
|
|
'Gentlemen farmer'- a race worn out quite,
|
|
Since lately there have been no rents at all,
|
|
And 'gentlemen' are in a piteous plight,
|
|
And 'farmers' can't raise Ceres from her fall:
|
|
She fell with Buonaparte- What strange thoughts
|
|
Arise, when we see emperors fall with oats!
|
|
|
|
But Juan turn'd his eyes on the sweet child
|
|
Whom he had saved from slaughter- what a trophy
|
|
Oh! ye who build up monuments, defiled
|
|
With gore, like Nadir Shah, that costive sophy,
|
|
Who, after leaving Hindostan a wild,
|
|
And scarce to the Mogul a cup of coffee
|
|
To soothe his woes withal, was slain, the sinner!
|
|
Because he could no more digest his dinner;-
|
|
|
|
Oh ye! or we! or he! or she! reflect,
|
|
That one life saved, especially if young
|
|
Or pretty, is a thing to recollect
|
|
Far sweeter than the greenest laurels sprung
|
|
From the manure of human clay, though deck'd
|
|
With all the praises ever said or sung:
|
|
Though hymn'd by every harp, unless within
|
|
Your heart joins chorus, Fame is but a din.
|
|
|
|
Oh! ye great authors luminous, voluminous!
|
|
Ye twice ten hundred thousand daily scribes!
|
|
Whose pamphlets, volumes, newspapers, illumine us!
|
|
Whether you 're paid by government in bribes,
|
|
To prove the public debt is not consuming us-
|
|
Or, roughly treading on the 'courtier's kibes'
|
|
With clownish heel, your popular circulation
|
|
Feeds you by printing half the realm's starvation;-
|
|
|
|
Oh, ye great authors!- 'Apropos des bottes,'-
|
|
I have forgotten what I meant to say,
|
|
As sometimes have been greater sages' lots;
|
|
'T was something calculated to allay
|
|
All wrath in barracks, palaces, or cots:
|
|
Certes it would have been but thrown away,
|
|
And that 's one comfort for my lost advice,
|
|
Although no doubt it was beyond all price.
|
|
|
|
But let it go:- it will one day be found
|
|
With other relics of 'a former world,'
|
|
When this world shall be former, underground,
|
|
Thrown topsy-turvy, twisted, crisp'd, and curl'd,
|
|
Baked, fried, or burnt, turn'd inside-out, or drown'd,
|
|
Like all the worlds before, which have been hurl'd
|
|
First out of, and then back again to chaos,
|
|
The superstratum which will overlay us.
|
|
|
|
So Cuvier says;- and then shall come again
|
|
Unto the new creation, rising out
|
|
From our old crash, some mystic, ancient strain
|
|
Of things destroy'd and left in airy doubt:
|
|
Like to the notions we now entertain
|
|
Of Titans, giants, fellows of about
|
|
Some hundred feet in height, not to say miles,
|
|
And mammoths, and your winged crocodiles.
|
|
|
|
Think if then George the Fourth should be dug up!
|
|
How the new worldlings of the then new East
|
|
Will wonder where such animals could sup!
|
|
(For they themselves will be but of the least:
|
|
Even worlds miscarry, when too oft they pup,
|
|
And every new creation hath decreased
|
|
In size, from overworking the material-
|
|
Men are but maggots of some huge Earth's burial.)
|
|
|
|
How will- to these young people, just thrust out
|
|
From some fresh Paradise, and set to plough,
|
|
And dig, and sweat, and turn themselves about,
|
|
And plant, and reap, and spin, and grind, and sow,
|
|
Till all the arts at length are brought about,
|
|
Especially of war and taxing,- how,
|
|
I say, will these great relics, when they see 'em,
|
|
Look like the monsters of a new museum?
|
|
|
|
But I am apt to grow too metaphysical:
|
|
'The time is out of joint,'- and so am I;
|
|
I quite forget this poem 's merely quizzical,
|
|
And deviate into matters rather dry.
|
|
I ne'er decide what I shall say, and this I cal
|
|
Much too poetical: men should know why
|
|
They write, and for what end; but, note or text,
|
|
I never know the word which will come next.
|
|
|
|
So on I ramble, now and then narrating,
|
|
Now pondering:- it is time we should narrate.
|
|
I left Don Juan with his horses baiting-
|
|
Now we 'll get o'er the ground at a great rate.
|
|
I shall not be particular in stating
|
|
His journey, we 've so many tours of late:
|
|
Suppose him then at Petersburgh; suppose
|
|
That pleasant capital of painted snows;
|
|
|
|
Suppose him in a handsome uniform,-
|
|
A scarlet coat, black facings, a long plume,
|
|
Waving, like sails new shiver'd in a storm,
|
|
Over a cock'd hat in a crowded room,
|
|
And brilliant breeches, bright as a Cairn Gorme,
|
|
Of yellow casimere we may presume,
|
|
White stocking drawn uncurdled as new milk
|
|
O'er limbs whose symmetry set off the silk;
|
|
|
|
Suppose him sword by side, and hat in hand,
|
|
Made up by youth, fame, and an army tailor-
|
|
That great enchanter, at whose rod's command
|
|
Beauty springs forth, and Nature's self turns paler,
|
|
Seeing how Art can make her work more grand
|
|
(When she don't pin men's limbs in like a gaoler),-
|
|
Behold him placed as if upon a pillar! He
|
|
Seems Love turn'd a lieutenant of artillery:-
|
|
|
|
His bandage slipp'd down into a cravat;
|
|
His wings subdued to epaulettes; his quiver
|
|
Shrunk to a scabbard, with his arrows at
|
|
His side as a small sword, but sharp as ever;
|
|
His bow converted into a cock'd hat;
|
|
But still so like, that Psyche were more clever
|
|
Than some wives (who make blunders no less stupid),
|
|
If she had not mistaken him for Cupid.
|
|
|
|
The courtiers stared, the ladies whisper'd, and
|
|
The empress smiled: the reigning favourite frown'd-
|
|
I quite forget which of them was in hand
|
|
Just then; as they are rather numerous found,
|
|
Who took by turns that difficult command
|
|
Since first her majesty was singly crown'd:
|
|
But they were mostly nervous six-foot fellows,
|
|
All fit to make a Patagonian jealous.
|
|
|
|
Juan was none of these, but slight and slim,
|
|
Blushing and beardless; and yet ne'ertheless
|
|
There was a something in his turn of limb,
|
|
And still more in his eye, which seem'd to express,
|
|
That though he look'd one of the seraphim,
|
|
There lurk'd a man beneath the spirit's dress.
|
|
Besides, the empress sometimes liked a boy,
|
|
And had just buried the fair-faced Lanskoi.
|
|
|
|
No wonder then that Yermoloff, or Momonoff,
|
|
Or Scherbatoff, or any other off
|
|
Or on, might dread her majesty had not room enough
|
|
Within her bosom (which was not too tough)
|
|
For a new flame; a thought to cast of gloom enough
|
|
Along the aspect, whether smooth or rough,
|
|
Of him who, in the language of his station,
|
|
Then held that 'high official situation.'
|
|
|
|
O, gentle ladies! should you seek to know
|
|
The import of this diplomatic phrase,
|
|
Bid Ireland's Londonderry's Marquess show
|
|
His parts of speech; and in the strange displays
|
|
Of that odd string of words, all in a row,
|
|
Which none divine, and every one obeys,
|
|
Perhaps you may pick out some queer no meaning,
|
|
Of that weak wordy harvest the sole gleaning.
|
|
|
|
I think I can explain myself without
|
|
That sad inexplicable beast of prey-
|
|
That Sphinx, whose words would ever be a doubt,
|
|
Did not his deeds unriddle them each day-
|
|
That monstrous hieroglyphic- that long spout
|
|
Of blood and water, leaden Castlereagh!
|
|
And here I must an anecdote relate,
|
|
But luckily of no great length or weight.
|
|
|
|
An English lady ask'd of an Italian,
|
|
What were the actual and official duties
|
|
Of the strange thing some women set a value on,
|
|
Which hovers oft about some married beauties,
|
|
Called 'Cavalier servente?'- a Pygmalion
|
|
Whose statues warm (I fear, alas! too true 't is)
|
|
Beneath his art. The dame, press'd to disclose them,
|
|
Said- 'Lady, I beseech you to suppose them.'
|
|
|
|
And thus I supplicate your supposition,
|
|
And mildest, matron-like interpretation,
|
|
Of the imperial favourite's condition.
|
|
'T was a high place, the highest in the nation
|
|
In fact, if not in rank; and the suspicion
|
|
Of any one's attaining to his station,
|
|
No doubt gave pain, where each new pair of shoulders,
|
|
If rather broad, made stocks rise and their holders.
|
|
|
|
Juan, I said, was a most beauteous boy,
|
|
And had retain'd his boyish look beyond
|
|
The usual hirsute seasons which destroy,
|
|
With beards and whiskers, and the like, the fond
|
|
Parisian aspect which upset old Troy
|
|
And founded Doctors' Commons:- I have conn'd
|
|
The history of divorces, which, though chequer'd,
|
|
Calls Ilion's the first damages on record.
|
|
|
|
And Catherine, who loved all things (save her lord,
|
|
Who was gone to his place), and pass'd for much
|
|
Admiring those (by dainty dames abhorr'd)
|
|
Gigantic gentlemen, yet had a touch
|
|
Of sentiment; and he she most adored
|
|
Was the lamented Lanskoi, who was such
|
|
A lover as had cost her many a tear,
|
|
And yet but made a middling grenadier.
|
|
|
|
Oh thou 'teterrima causa' of all 'belli'-
|
|
Thou gate of life and death- thou nondescript!
|
|
Whence is our exit and our entrance,- well I
|
|
May pause in pondering how all souls are dipt
|
|
In thy perennial fountain:- how man fell I
|
|
Know not, since knowledge saw her branches stript
|
|
Of her first fruit; but how he falls and rises
|
|
Since, thou hast settled beyond all surmises.
|
|
|
|
Some call thee 'the worst cause of war,' but I
|
|
Maintain thou art the best: for after all
|
|
From thee we come, to thee we go, and why
|
|
To get at thee not batter down a wall,
|
|
Or waste a world? since no one can deny
|
|
Thou dost replenish worlds both great and small:
|
|
With, or without thee, all things at a stand
|
|
Are, or would be, thou sea of life's dry land!
|
|
|
|
Catherine, who was the grand epitome
|
|
Of that great cause of war, or peace, or what
|
|
You please (it causes all the things which be,
|
|
So you may take your choice of this or that)-
|
|
Catherine, I say. was very glad to see
|
|
The handsome herald, on whose plumage sat
|
|
Victory; and pausing as she saw him kneel
|
|
With his despatch, forgot to break the seal.
|
|
|
|
Then recollecting the whole empress, nor
|
|
forgetting quite the woman (which composed
|
|
At least three parts of this great whole), she tore
|
|
The letter open with an air which posed
|
|
The court, that watch'd each look her visage wore,
|
|
Until a royal smile at length disclosed
|
|
Fair weather for the day. Though rather spacious,
|
|
Her face was noble, her eyes fine, mouth gracious.
|
|
|
|
Great joy was hers, or rather joys: the first
|
|
Was a ta'en city, thirty thousand slain.
|
|
Glory and triumph o'er her aspect burst,
|
|
As an East Indian sunrise on the main.
|
|
These quench'd a moment her ambition's thirst-
|
|
So Arab deserts drink in summer's rain:
|
|
In vain!- As fall the dews on quenchless sands,
|
|
Blood only serves to wash Ambition's hands!
|
|
|
|
Her next amusement was more fanciful;
|
|
She smiled at mad Suwarrow's rhymes, who threw
|
|
Into a Russian couplet rather dull
|
|
The whole gazette of thousands whom he slew.
|
|
Her third was feminine enough to annul
|
|
The shudder which runs naturally through
|
|
Our veins, when things call'd sovereigns think it best
|
|
To kill, and generals turn it into jest.
|
|
|
|
The two first feelings ran their course complete,
|
|
And lighted first her eye, and then her mouth:
|
|
The whole court look'd immediately most sweet,
|
|
Like flowers well water'd after a long drouth.
|
|
But when on the lieutenant at her feet
|
|
Her majesty, who liked to gaze on youth
|
|
Almost as much as on a new despatch,
|
|
Glanced mildly, all the world was on the watch.
|
|
|
|
Though somewhat large, exuberant, and truculent,
|
|
When wroth- while pleased, she was as fine a figure
|
|
As those who like things rosy, ripe, and succulent,
|
|
Would wish to look on, while they are in vigour.
|
|
She could repay each amatory look you lent
|
|
With interest, and in turn was wont with rigour
|
|
To exact of Cupid's bills the full amount
|
|
At sight, nor would permit you to discount.
|
|
|
|
With her the latter, though at times convenient,
|
|
Was not so necessary; for they tell
|
|
That she was handsome, and though fierce look'd lenient,
|
|
And always used her favourites too well.
|
|
If once beyond her boudoir's precincts in ye went,
|
|
Your 'fortune' was in a fair way 'to swell
|
|
A man' (as Giles says); for though she would widow all
|
|
Nations, she liked man as an individual.
|
|
|
|
What a strange thing is man? and what a stranger
|
|
Is woman! What a whirlwind is her head,
|
|
And what a whirlpool full of depth and danger
|
|
Is all the rest about her! Whether wed
|
|
Or widow, maid or mother, she can change her
|
|
Mind like the wind: whatever she has said
|
|
Or done, is light to what she 'll say or do;-
|
|
The oldest thing on record, and yet new!
|
|
|
|
Oh Catherine! (for of all interjections,
|
|
To thee both oh! and ah! belong of right
|
|
In love and war) how odd are the connections
|
|
Of human thoughts, which jostle in their flight!
|
|
Just now yours were cut out in different sections:
|
|
First Ismail's capture caught your fancy quite;
|
|
Next of new knights, the fresh and glorious batch;
|
|
And thirdly he who brought you the despatch!
|
|
|
|
Shakspeare talks of 'the herald Mercury
|
|
New lighted on a heaven-kissing hill;'
|
|
And some such visions cross'd her majesty,
|
|
While her young herald knelt before her still.
|
|
'T is very true the hill seem'd rather high,
|
|
For a lieutenant to climb up; but skill
|
|
Smooth'd even the Simplon's steep, and by God's blessing
|
|
With youth and health all kisses are 'heaven-kissing.'
|
|
|
|
Her majesty look'd down, the youth look'd up-
|
|
And so they fell in love;- she with his face,
|
|
His grace, his God-knows-what: for Cupid's cup
|
|
With the first draught intoxicates apace,
|
|
A quintessential laudanum or 'black drop,'
|
|
Which makes one drunk at once, without the base
|
|
Expedient of full bumpers; for the eye
|
|
In love drinks all life's fountains (save tears) dry.
|
|
|
|
He, on the other hand, if not in love,
|
|
Fell into that no less imperious passion,
|
|
Self-love- which, when some sort of thing above
|
|
Ourselves, a singer, dancer, much in fashion,
|
|
Or duchess, princess, empress, 'deigns to prove'
|
|
('T is Pope's phrase) a great longing, though a rash one,
|
|
For one especial person out of many,
|
|
Makes us believe ourselves as good as any.
|
|
|
|
Besides, he was of that delighted age
|
|
Which makes all female ages equal- when
|
|
We don't much care with whom we may engage,
|
|
As bold as Daniel in the lion's den,
|
|
So that we can our native sun assuage
|
|
In the next ocean, which may flow just then,
|
|
To make a twilight in, just as Sol's heat is
|
|
Quench'd in the lap of the salt sea, or Thetis.
|
|
|
|
And Catherine (we must say thus much for Catherine),
|
|
Though bold and bloody, was the kind of thing
|
|
Whose temporary passion was quite flattering,
|
|
Because each lover look'd a sort of king,
|
|
Made up upon an amatory pattern,
|
|
A royal husband in all save the ring-
|
|
Which, being the damn'dest part of matrimony,
|
|
Seem'd taking out the sting to leave the honey.
|
|
|
|
And when you add to this, her womanhood
|
|
In its meridian, her blue eyes or gray
|
|
(The last, if they have soul, are quite as good,
|
|
Or better, as the best examples say:
|
|
Napoleon's, Mary's (queen of Scotland), should
|
|
Lend to that colour a transcendent ray;
|
|
And Pallas also sanctions the same hue,
|
|
Too wise to look through optics black or blue)-
|
|
|
|
Her sweet smile, and her then majestic figure,
|
|
Her plumpness, her imperial condescension,
|
|
Her preference of a boy to men much bigger
|
|
(Fellows whom Messalina's self would pension),
|
|
Her prime of life, just now in juicy vigour,
|
|
With other extras, which we need not mention,-
|
|
All these, or any one of these, explain
|
|
Enough to make a stripling very vain.
|
|
|
|
And that 's enough, for love is vanity,
|
|
Selfish in its beginning as its end,
|
|
Except where 't is a mere insanity,
|
|
A maddening spirit which would strive to blend
|
|
Itself with beauty's frail inanity,
|
|
On which the passion's self seems to depend:
|
|
And hence some heathenish philosophers
|
|
Make love the main spring of the universe.
|
|
|
|
Besides Platonic love, besides the love
|
|
Of God, the love of sentiment, the loving
|
|
Of faithful pairs (I needs must rhyme with dove,
|
|
That good old steam-boat which keeps verses moving
|
|
'Gainst reason- Reason ne'er was hand-and-glove
|
|
With rhyme, but always leant less to improving
|
|
The sound than sense)- beside all these pretences
|
|
To love, there are those things which words name senses;
|
|
|
|
Those movements, those improvements in our bodies
|
|
Which make all bodies anxious to get out
|
|
Of their own sand-pits, to mix with a goddess,
|
|
For such all women are at first no doubt.
|
|
How beautiful that moment! and how odd is
|
|
That fever which precedes the languid rout
|
|
Of our sensations! What a curious way
|
|
The whole thing is of clothing souls in clay!
|
|
|
|
The noblest kind of love is love Platonical,
|
|
To end or to begin with; the next grand
|
|
Is that which may be christen'd love canonical,
|
|
Because the clergy take the thing in hand;
|
|
The third sort to be noted in our chronicle
|
|
As flourishing in every Christian land,
|
|
Is when chaste matrons to their other ties
|
|
Add what may be call'd marriage in disguise.
|
|
|
|
Well, we won't analyse- our story must
|
|
Tell for itself: the sovereign was smitten,
|
|
Juan much flatter'd by her love, or lust;-
|
|
I cannot stop to alter words once written,
|
|
And the two are so mix'd with human dust,
|
|
That he who names one, both perchance may hit on:
|
|
But in such matters Russia's mighty empress
|
|
Behaved no better than a common sempstress.
|
|
|
|
The whole court melted into one wide whisper,
|
|
And all lips were applied unto all ears!
|
|
The elder ladies' wrinkles curl'd much crisper
|
|
As they beheld; the younger cast some leers
|
|
On one another, and each lovely lisper
|
|
Smiled as she talk'd the matter o'er; but tears
|
|
Of rivalship rose in each clouded eye
|
|
Of all the standing army who stood by.
|
|
|
|
All the ambassadors of all the powers
|
|
Enquired, Who was this very new young man,
|
|
Who promised to be great in some few hours?
|
|
Which is full soon- though life is but a span.
|
|
Already they beheld the silver showers
|
|
Of rubles rain, as fast as specie can,
|
|
Upon his cabinet, besides the presents
|
|
Of several ribands, and some thousand peasants.
|
|
|
|
Catherine was generous,- all such ladies are:
|
|
Love, that great opener of the heart and all
|
|
The ways that lead there, be they near or far,
|
|
Above, below, by turnpikes great or small,-
|
|
Love (though she had a cursed taste for war,
|
|
And was not the best wife, unless we call
|
|
Such Clytemnestra, though perhaps 't is better
|
|
That one should die, than two drag on the fetter)-
|
|
|
|
Love had made Catherine make each lover's fortune,
|
|
Unlike our own half-chaste Elizabeth,
|
|
Whose avarice all disbursements did importune,
|
|
If history, the grand liar, ever saith
|
|
The truth; and though grief her old age might shorten,
|
|
Because she put a favourite to death,
|
|
Her vile, ambiguous method of flirtation,
|
|
And stinginess, disgrace her sex and station.
|
|
|
|
But when the levee rose, and all was bustle
|
|
In the dissolving circle, all the nations'
|
|
Ambassadors began as 't were to hustle
|
|
Round the young man with their congratulations.
|
|
Also the softer silks were heard to rustle
|
|
Of gentle dames, among whose recreations
|
|
It is to speculate on handsome faces,
|
|
Especially when such lead to high places.
|
|
|
|
Juan, who found himself, he knew not how,
|
|
A general object of attention, made
|
|
His answers with a very graceful bow,
|
|
As if born for the ministerial trade.
|
|
Though modest, on his unembarrass'd brow
|
|
Nature had written 'gentleman.' He said
|
|
Little, but to the purpose; and his manner
|
|
Flung hovering graces o'er him like a banner.
|
|
|
|
An order from her majesty consign'd
|
|
Our young lieutenant to the genial care
|
|
Of those in office: all the world look'd kind
|
|
(As it will look sometimes with the first stare,
|
|
Which youth would not act ill to keep in mind),
|
|
As also did Miss Protasoff then there,
|
|
Named from her mystic office 'l'Eprouveuse,'
|
|
A term inexplicable to the Muse.
|
|
|
|
With her then, as in humble duty bound,
|
|
Juan retired,- and so will I, until
|
|
My Pegasus shall tire of touching ground.
|
|
We have just lit on a 'heaven-kissing hill,'
|
|
So lofty that I feel my brain turn round,
|
|
And all my fancies whirling like a mill;
|
|
Which is a signal to my nerves and brain,
|
|
To take a quiet ride in some green Lane.
|
|
CANTO THE TENTH.
|
|
|
|
WHEN Newton saw an apple fall, he found
|
|
In that slight startle from his contemplation-
|
|
'T is said (for I 'll not answer above ground
|
|
For any sage's creed or calculation)-
|
|
A mode of proving that the earth turn'd round
|
|
In a most natural whirl, called 'gravitation;'
|
|
And this is the sole mortal who could grapple,
|
|
Since Adam, with a fall or with an apple.
|
|
|
|
Man fell with apples, and with apples rose,
|
|
If this be true; for we must deem the mode
|
|
In which Sir Isaac Newton could disclose
|
|
Through the then unpaved stars the turnpike road,
|
|
A thing to counterbalance human woes:
|
|
For ever since immortal man hath glow'd
|
|
With all kinds of mechanics, and full soon
|
|
Steam-engines will conduct him to the moon.
|
|
|
|
And wherefore this exordium?- Why, just now,
|
|
In taking up this paltry sheet of paper,
|
|
My bosom underwent a glorious glow,
|
|
And my internal spirit cut a caper:
|
|
And though so much inferior, as I know,
|
|
To those who, by the dint of glass and vapour,
|
|
Discover stars and sail in the wind's eye,
|
|
I wish to do as much by poesy.
|
|
|
|
In the wind's eye I have sail'd, and sail; but for
|
|
The stars, I own my telescope is dim:
|
|
But at least I have shunn'd the common shore,
|
|
And leaving land far out of sight, would skim
|
|
The ocean of eternity: the roar
|
|
Of breakers has not daunted my slight, trim,
|
|
But still sea-worthy skiff; and she may float
|
|
Where ships have founder'd, as doth many a boat.
|
|
|
|
We left our hero, Juan, in the bloom
|
|
Of favouritism, but not yet in the blush;
|
|
And far be it from my Muses to presume
|
|
(For I have more than one Muse at a push)
|
|
To follow him beyond the drawing-room:
|
|
It is enough that Fortune found him flush
|
|
Of youth, and vigour, beauty, and those things
|
|
Which for an instant clip enjoyment's wings.
|
|
|
|
But soon they grow again and leave their nest.
|
|
'Oh!' saith the Psalmist, 'that I had a dove's
|
|
Pinions to flee away, and be at rest!'
|
|
And who that recollects young years and loves,-
|
|
Though hoary now, and with a withering breast,
|
|
And palsied fancy, which no longer roves
|
|
Beyond its dimm'd eye's sphere,- but would much rather
|
|
Sigh like his son, than cough like his grandfather?
|
|
|
|
But sighs subside, and tears (even widows') shrink,
|
|
Like Arno in the summer, to a shallow,
|
|
So narrow as to shame their wintry brink,
|
|
Which threatens inundations deep and yellow!
|
|
Such difference doth a few months make. You 'd think
|
|
Grief a rich field which never would lie fallow;
|
|
No more it doth, its ploughs but change their boys,
|
|
Who furrow some new soil to sow for joys.
|
|
|
|
But coughs will come when sighs depart- and now
|
|
And then before sighs cease; for oft the one
|
|
Will bring the other, ere the lake-like brow
|
|
Is ruffled by a wrinkle, or the sun
|
|
Of life reach'd ten o'clock: and while a glow,
|
|
Hectic and brief as summer's day nigh done,
|
|
O'erspreads the cheek which seems too pure for clay,
|
|
Thousands blaze, love, hope, die,- how happy they!
|
|
|
|
But Juan was not meant to die so soon.
|
|
We left him in the focus of such glory
|
|
As may be won by favour of the moon
|
|
Or ladies' fancies- rather transitory
|
|
Perhaps; but who would scorn the month of June,
|
|
Because December, with his breath so hoary,
|
|
Must come? Much rather should he court the ray,
|
|
To hoard up warmth against a wintry day.
|
|
|
|
Besides, he had some qualities which fix
|
|
Middle-aged ladies even more than young:
|
|
The former know what 's what; while new-fledged chicks
|
|
Know little more of love than what is sung
|
|
In rhymes, or dreamt (for fancy will play tricks)
|
|
In visions of those skies from whence Love sprung.
|
|
Some reckon women by their suns or years,
|
|
I rather think the moon should date the dears.
|
|
|
|
And why? because she 's changeable and chaste.
|
|
I know no other reason, whatsoe'er
|
|
Suspicious people, who find fault in haste,
|
|
May choose to tax me with; which is not fair,
|
|
Nor flattering to 'their temper or their taste,'
|
|
As my friend Jeffrey writes with such an air:
|
|
However, I forgive him, and I trust
|
|
He will forgive himself;- if not, I must.
|
|
|
|
Old enemies who have become new friends
|
|
Should so continue- 't is a point of honour;
|
|
And I know nothing which could make amends
|
|
For a return to hatred: I would shun her
|
|
Like garlic, howsoever she extends
|
|
Her hundred arms and legs, and fain outrun her.
|
|
Old flames, new wives, become our bitterest foes-
|
|
Converted foes should scorn to join with those.
|
|
|
|
This were the worst desertion:- renegadoes,
|
|
Even shuffling Southey, that incarnate lie,
|
|
Would scarcely join again the 'reformadoes,'
|
|
Whom he forsook to fill the laureate's sty:
|
|
And honest men from Iceland to Barbadoes,
|
|
Whether in Caledon or Italy,
|
|
Should not veer round with every breath, nor seize
|
|
To pain, the moment when you cease to please.
|
|
|
|
The lawyer and the critic but behold
|
|
The baser sides of literature and life,
|
|
And nought remains unseen, but much untold,
|
|
By those who scour those double vales of strife.
|
|
While common men grow ignorantly old,
|
|
The lawyer's brief is like the surgeon's knife,
|
|
Dissecting the whole inside of a question,
|
|
And with it all the process of digestion.
|
|
|
|
A legal broom 's a moral chimney-sweeper,
|
|
And that 's the reason he himself 's so dirty;
|
|
The endless soot bestows a tint far deeper
|
|
Than can be hid by altering his shirt; he
|
|
Retains the sable stains of the dark creeper,
|
|
At least some twenty-nine do out of thirty,
|
|
In all their habits;- not so you, I own;
|
|
As Caesar wore his robe you wear your gown.
|
|
|
|
And all our little feuds, at least all mine,
|
|
Dear Jefferson, once my most redoubted foe
|
|
(As far as rhyme and criticism combine
|
|
To make such puppets of us things below),
|
|
Are over: Here 's a health to 'Auld Lang Syne!'
|
|
I do not know you, and may never know
|
|
Your face- but you have acted on the whole
|
|
Most nobly, and I own it from my soul.
|
|
|
|
And when I use the phrase of 'Auld Lang Syne!'
|
|
'T is not address'd to you- the more 's the pity
|
|
For me, for I would rather take my wine
|
|
With you, than aught (save Scott) in your proud city.
|
|
But somehow,- it may seem a schoolboy's whine,
|
|
And yet I seek not to be grand nor witty,
|
|
But I am half a Scot by birth, and bred
|
|
A whole one, and my heart flies to my head,-
|
|
|
|
As 'Auld Lang Syne' brings Scotland, one and all,
|
|
Scotch plaids, Scotch snoods, the blue hills, and clear streams,
|
|
The Dee, the Don, Balgounie's brig's black wall,
|
|
All my boy feelings, all my gentler dreams
|
|
Of what I then dreamt, clothed in their own pall,
|
|
Like Banquo's offspring;- floating past me seems
|
|
My childhood in this childishness of mine:
|
|
I care not- 't is a glimpse of 'Auld Lang Syne.'
|
|
|
|
And though, as you remember, in a fit
|
|
Of wrath and rhyme, when juvenile and curly,
|
|
I rail'd at Scots to show my wrath and wit,
|
|
Which must be own'd was sensitive and surly,
|
|
Yet 't is in vain such sallies to permit,
|
|
They cannot quench young feelings fresh and early:
|
|
I 'scotch'd not kill'd' the Scotchman in my blood,
|
|
And love the land of 'mountain and of flood.'
|
|
|
|
Don Juan, who was real, or ideal,-
|
|
For both are much the same, since what men think
|
|
Exists when the once thinkers are less real
|
|
Than what they thought, for mind can never sink,
|
|
And 'gainst the body makes a strong appeal;
|
|
And yet 't is very puzzling on the brink
|
|
Of what is call'd eternity, to stare,
|
|
And know no more of what is here, than there;-
|
|
|
|
Don Juan grew a very polish'd Russian-
|
|
How we won't mention, why we need not say:
|
|
Few youthful minds can stand the strong concussion
|
|
Of any slight temptation in their way;
|
|
But his just now were spread as is a cushion
|
|
Smooth'd for a monarch's seat of honour; gay
|
|
Damsels, and dances, revels, ready money,
|
|
Made ice seem paradise, and winter sunny.
|
|
|
|
The favour of the empress was agreeable;
|
|
And though the duty wax'd a little hard,
|
|
Young people at his time of life should be able
|
|
To come off handsomely in that regard.
|
|
He was now growing up like a green tree, able
|
|
For love, war, or ambition, which reward
|
|
Their luckier votaries, till old age's tedium
|
|
Make some prefer the circulating medium.
|
|
|
|
About this time, as might have been anticipated,
|
|
Seduced by youth and dangerous examples,
|
|
Don Juan grew, I fear, a little dissipated;
|
|
Which is a sad thing, and not only tramples
|
|
On our fresh feelings, but- as being participated
|
|
With all kinds of incorrigible samples
|
|
Of frail humanity- must make us selfish,
|
|
And shut our souls up in us like a shell-fish.
|
|
|
|
This we pass over. We will also pass
|
|
The usual progress of intrigues between
|
|
Unequal matches, such as are, alas!
|
|
A young lieutenant's with a not old queen,
|
|
But one who is not so youthful as she was
|
|
In all the royalty of sweet seventeen.
|
|
Sovereigns may sway materials, but not matter,
|
|
|
|
And Death, the sovereign's sovereign, though the great
|
|
Gracchus of all mortality, who levels
|
|
With his Agrarian laws the high estate
|
|
Of him who feasts, and fights, and roars, and revels,
|
|
To one small grass-grown patch (which must await
|
|
Corruption for its crop) with the poor devils
|
|
Who never had a foot of land till now,-
|
|
Death 's a reformer, all men must allow.
|
|
|
|
He lived (not Death, but Juan) in a hurry
|
|
Of waste, and haste, and glare, and gloss, and glitter,
|
|
In this gay clime of bear-skins black and furry-
|
|
Which (though I hate to say a thing that 's bitter)
|
|
Peep out sometimes, when things are in a flurry,
|
|
Through all the 'purple and fine linen,' fitter
|
|
For Babylon's than Russia's royal harlot-
|
|
And neutralize her outward show of scarlet.
|
|
|
|
And this same state we won't describe: we would
|
|
Perhaps from hearsay, or from recollection;
|
|
But getting nigh grim Dante's 'obscure wood,'
|
|
That horrid equinox, that hateful section
|
|
Of human years, that half-way house, that rude
|
|
Hut, whence wise travellers drive with circumspection
|
|
Life's sad post-horses o'er the dreary frontier
|
|
Of age, and looking back to youth, give one tear;-
|
|
|
|
I won't describe,- that is, if I can help
|
|
Description; and I won't reflect,- that is,
|
|
If I can stave off thought, which- as a whelp
|
|
Clings to its teat- sticks to me through the abyss
|
|
Of this odd labyrinth; or as the kelp
|
|
Holds by the rock; or as a lover's kiss
|
|
Drains its first draught of lips:- but, as I said,
|
|
I won't philosophise, and will be read.
|
|
|
|
Juan, instead of courting courts, was courted,-
|
|
A thing which happens rarely: this he owed
|
|
Much to his youth, and much to his reported
|
|
Valour; much also to the blood he show'd,
|
|
Like a race-horse; much to each dress he sported,
|
|
Which set the beauty off in which he glow'd,
|
|
As purple clouds befringe the sun; but most
|
|
He owed to an old woman and his post.
|
|
|
|
He wrote to Spain:- and all his near relations,
|
|
Perceiving fie was in a handsome way
|
|
Of getting on himself, and finding stations
|
|
For cousins also, answer'd the same day.
|
|
Several prepared themselves for emigrations;
|
|
And eating ices, were o'erheard to say,
|
|
That with the addition of a slight pelisse,
|
|
Madrid's and Moscow's climes were of a piece.
|
|
|
|
His mother, Donna Inez, finding, too,
|
|
That in the lieu of drawing on his banker,
|
|
Where his assets were waxing rather few,
|
|
He had brought his spending to a handsome anchor,-
|
|
Replied, 'that she was glad to see him through
|
|
Those pleasures after which wild youth will hanker;
|
|
As the sole sign of man's being in his senses
|
|
Is, learning to reduce his past expenses.
|
|
|
|
'She also recommended him to God,
|
|
And no less to God's Son, as well as Mother,
|
|
Warn'd him against Greek worship, which looks odd
|
|
In Catholic eyes; but told him, too, to smother
|
|
Outward dislike, which don't look well abroad;
|
|
Inform'd him that he had a little brother
|
|
Born in a second wedlock; and above
|
|
All, praised the empress's maternal love.
|
|
|
|
'She could not too much give her approbation
|
|
Unto an empress, who preferr'd young men
|
|
Whose age, and what was better still, whose nation
|
|
And climate, stopp'd all scandal (now and then):-
|
|
At home it might have given her some vexation;
|
|
But where thermometers sunk down to ten,
|
|
Or five, or one, or zero, she could never
|
|
Believe that virtue thaw'd before the river.'
|
|
|
|
Oh for a forty-parson power to chant
|
|
Thy praise, Hypocrisy! Oh for a hymn
|
|
Loud as the virtues thou dost loudly vaunt,
|
|
Not practise! Oh for trumps of cherubim!
|
|
Or the ear-trumpet of my good old aunt,
|
|
Who, though her spectacles at last grew dim,
|
|
Drew quiet consolation through its hint,
|
|
When she no more could read the pious print.
|
|
|
|
She was no hypocrite at least, poor soul,
|
|
But went to heaven in as sincere a way
|
|
As any body on the elected roll,
|
|
Which portions out upon the judgment day
|
|
Heaven's freeholds, in a sort of doomsday scroll,
|
|
Such as the conqueror William did repay
|
|
His knights with, lotting others' properties
|
|
Into some sixty thousand new knights' fees.
|
|
|
|
I can't complain, whose ancestors are there,
|
|
Erneis, Radulphus- eight-and-forty manors
|
|
(If that my memory doth not greatly err)
|
|
Were their reward for following Billy's banners:
|
|
And though I can't help thinking 't was scarce fair
|
|
To strip the Saxons of their hydes, like tanners;
|
|
Yet as they founded churches with the produce,
|
|
You 'll deem, no doubt, they put it to a good use.
|
|
|
|
The gentle Juan flourish'd, though at times
|
|
He felt like other plants called sensitive,
|
|
Which shrink from touch, as monarchs do from rhymes,
|
|
Save such as Southey can afford to give.
|
|
Perhaps he long'd in bitter frosts for climes
|
|
In which the Neva's ice would cease to live
|
|
Before May-day: perhaps, despite his duty,
|
|
In royalty's vast arms he sigh d for beauty:
|
|
|
|
Perhaps- but, sans perhaps, we need not seek
|
|
For causes young or old: the canker-worm
|
|
Will feed upon the fairest, freshest cheek,
|
|
As well as further drain the wither'd form:
|
|
Care, like a housekeeper, brings every week
|
|
His bills in, and however we may storm,
|
|
They must be paid: though six days smoothly run,
|
|
The seventh will bring blue devils or a dun.
|
|
|
|
I don't know how it was, but he grew sick:
|
|
The empress was alarm'd, and her physician
|
|
(The same who physick'd Peter) found the tick
|
|
Of his fierce pulse betoken a condition
|
|
Which augur'd of the dead, however quick
|
|
Itself, and show'd a feverish disposition;
|
|
At which the whole court was extremely troubled,
|
|
The sovereign shock'd, and all his medicines doubled.
|
|
|
|
Low were the whispers, manifold the rumours:
|
|
Some said he had been poison'd by Potemkin;
|
|
Others talk'd learnedly of certain tumours,
|
|
Exhaustion, or disorders of the same kin;
|
|
Some said 't was a concoction of the humours,
|
|
Which with the blood too readily will claim kin;
|
|
Others again were ready to maintain,
|
|
''T was only the fatigue of last campaign.'
|
|
|
|
But here is one prescription out of many:
|
|
'Sodae sulphat. 3vj. 3fs. Mannae optim.
|
|
Aq. fervent. f. 3ifs. 3ij. tinct. Sennae
|
|
Haustus' (And here the surgeon came and cupp'd him)
|
|
'Rx Pulv Com gr. iij. Ipecacuanhae'
|
|
(With more beside if Juan had not stopp'd 'em).
|
|
'Bolus Potassae Sulphuret. sumendus,
|
|
Et haustus ter in die capiendus.'
|
|
|
|
This is the way physicians mend or end us,
|
|
Secundum artem: but although we sneer
|
|
In health- when ill, we call them to attend us,
|
|
Without the least propensity to jeer:
|
|
While that 'hiatus maxime deflendus'
|
|
To be fill'd up by spade or mattock's near,
|
|
Instead of gliding graciously down Lethe,
|
|
We tease mild Baillie, or soft Abernethy.
|
|
|
|
Juan demurr'd at this first notice to
|
|
Quit; and though death had threaten'd an ejection,
|
|
His youth and constitution bore him through,
|
|
And sent the doctors in a new direction.
|
|
But still his state was delicate: the hue
|
|
Of health but flicker'd with a faint reflection
|
|
Along his wasted cheek, and seem'd to gravel
|
|
The faculty- who said that he must travel.
|
|
|
|
The climate was too cold, they said, for him,
|
|
Meridian-born, to bloom in. This opinion
|
|
Made the chaste Catherine look a little grim,
|
|
Who did not like at first to lose her minion:
|
|
But when she saw his dazzling eye wax dim,
|
|
And drooping like an eagle's with clipt pinion,
|
|
She then resolved to send him on a mission,
|
|
But in a style becoming his condition.
|
|
|
|
There was just then a kind of a discussion,
|
|
A sort of treaty or negotiation
|
|
Between the British cabinet and Russian,
|
|
Maintain'd with all the due prevarication
|
|
With which great states such things are apt to push on;
|
|
Something about the Baltic's navigation,
|
|
Hides, train-oil, tallow, and the rights of Thetis,
|
|
Which Britons deem their 'uti possidetis.'
|
|
|
|
So Catherine, who had a handsome way
|
|
Of fitting out her favourites, conferr'd
|
|
This secret charge on Juan, to display
|
|
At once her royal splendour, and reward
|
|
His services. He kiss'd hands the next day,
|
|
Received instructions how to play his card,
|
|
Was laden with all kinds of gifts and honours,
|
|
Which show'd what great discernment was the donor's.
|
|
|
|
But she was lucky, and luck 's all. Your queens
|
|
Are generally prosperous in reigning;
|
|
Which puzzles us to know what Fortune means.
|
|
But to continue: though her years were waning
|
|
Her climacteric teased her like her teens;
|
|
And though her dignity brook'd no complaining,
|
|
So much did Juan's setting off distress her,
|
|
She could not find at first a fit successor.
|
|
|
|
But time, the comforter, will come at last;
|
|
And four-and-twenty hours, and twice that number
|
|
Of candidates requesting to be placed,
|
|
Made Catherine taste next night a quiet slumber:-
|
|
Not that she meant to fix again in haste,
|
|
Nor did she find the quantity encumber,
|
|
But always choosing with deliberation,
|
|
Kept the place open for their emulation.
|
|
|
|
While this high post of honour 's in abeyance,
|
|
For one or two days, reader, we request
|
|
You 'll mount with our young hero the conveyance
|
|
Which wafted him from Petersburgh: the best
|
|
Barouche, which had the glory to display once
|
|
The fair czarina's autocratic crest,
|
|
When, a new lphigene, she went to Tauris,
|
|
Was given to her favourite, and now bore his.
|
|
|
|
A bull-dog, and a bullfinch, and an ermine,
|
|
All private favourites of Don Juan;- for
|
|
(Let deeper sages the true cause determine)
|
|
He had a kind of inclination, or
|
|
Weakness, for what most people deem mere vermin,
|
|
Live animals: an old maid of threescore
|
|
For cats and birds more penchant ne'er display'd,
|
|
Although he was not old, nor even a maid;-
|
|
|
|
The animals aforesaid occupied
|
|
Their station: there were valets, secretaries,
|
|
In other vehicles; but at his side
|
|
Sat little Leila, who survived the parries
|
|
He made 'gainst Cossacque sabres, in the wide
|
|
Slaughter of Ismail. Though my wild Muse varies
|
|
Her note, she don't forget the infant girl
|
|
Whom he preserved, a pure and living pearl
|
|
|
|
Poor little thing! She was as fair as docile,
|
|
And with that gentle, serious character,
|
|
As rare in living beings as a fossile
|
|
Man, 'midst thy mouldy mammoths, 'grand Cuvier!'
|
|
Ill fitted was her ignorance to jostle
|
|
With this o'erwhelming world, where all must err:
|
|
But she was yet but ten years old, and therefore
|
|
Was tranquil, though she knew not why or wherefore.
|
|
|
|
Don Juan loved her, and she loved him, as
|
|
Nor brother, father, sister, daughter love.
|
|
I cannot tell exactly what it was;
|
|
He was not yet quite old enough to prove
|
|
Parental feelings, and the other class,
|
|
Call'd brotherly affection, could not move
|
|
His bosom,- for he never had a sister:
|
|
Ah! if he had, how much he would have miss'd her!
|
|
|
|
And still less was it sensual; for besides
|
|
That he was not an ancient debauchee
|
|
(Who like sour fruit, to stir their veins' salt tides,
|
|
As acids rouse a dormant alkali),
|
|
Although ('t will happen as our planet guides)
|
|
His youth was not the chastest that might be,
|
|
There was the purest Platonism at bottom
|
|
Of all his feelings- only he forgot 'em.
|
|
|
|
Just now there was no peril of temptation;
|
|
He loved the infant orphan he had saved,
|
|
As patriots (now and then) may love a nation;
|
|
His pride, too, felt that she was not enslaved
|
|
Owing to him;- as also her salvation
|
|
Through his means and the church's might be paved.
|
|
But one thing 's odd, which here must be inserted,
|
|
The little Turk refused to be converted.
|
|
|
|
'T was strange enough she should retain the impression
|
|
Through such a scene of change, and dread, and slaughter;
|
|
But though three bishops told her the transgression,
|
|
She show'd a great dislike to holy water:
|
|
She also had no passion for confession;
|
|
Perhaps she had nothing to confess:- no matter,
|
|
Whate'er the cause, the church made little of it-
|
|
She still held out that Mahomet was a prophet.
|
|
|
|
In fact, the only Christian she could bear
|
|
Was Juan; whom she seem'd to have selected
|
|
In place of what her home and friends once were.
|
|
He naturally loved what he protected:
|
|
And thus they form'd a rather curious pair,
|
|
A guardian green in years, a ward connected
|
|
In neither clime, time, blood, with her defender;
|
|
And yet this want of ties made theirs more tender.
|
|
|
|
They journey'd on through Poland and through Warsaw,
|
|
Famous for mines of salt and yokes of iron:
|
|
Through Courland also, which that famous farce saw
|
|
Which gave her dukes the graceless name of 'Biron.'
|
|
'T is the same landscape which the modern Mars saw,
|
|
Who march'd to Moscow, led by Fame, the siren!
|
|
To lose by one month's frost some twenty years
|
|
Of conquest, and his guard of grenadiers.
|
|
|
|
Let this not seem an anti-climax:- 'Oh!
|
|
My guard! my old guard exclaim'd!' exclaim'd that god of day.
|
|
Think of the Thunderer's falling down below
|
|
Carotid-artery-cutting Castlereagh!
|
|
Alas, that glory should be chill'd by snow!
|
|
But should we wish to warm us on our way
|
|
Through Poland, there is Kosciusko's name
|
|
Might scatter fire through ice, like Hecla's flame.
|
|
|
|
From Poland they came on through Prussia Proper,
|
|
And Konigsberg the capital, whose vaunt,
|
|
Besides some veins of iron, lead, or copper,
|
|
Has lately been the great Professor Kant.
|
|
Juan, who cared not a tobacco-stopper
|
|
About philosophy, pursued his jaunt
|
|
To Germany, whose somewhat tardy millions
|
|
Have princes who spur more than their postilions.
|
|
|
|
And thence through Berlin, Dresden, and the like,
|
|
Until he reach'd the castellated Rhine:-
|
|
Ye glorious Gothic scenes! how much ye strike
|
|
All phantasies, not even excepting mine;
|
|
A grey wall, a green ruin, rusty pike,
|
|
Make my soul pass the equinoctial line
|
|
Between the present and past worlds, and hover
|
|
Upon their airy confine, half-seas-over.
|
|
|
|
But Juan posted on through Manheim, Bonn,
|
|
Which Drachenfels frowns over like a spectre
|
|
Of the good feudal times forever gone,
|
|
On which I have not time just now to lecture.
|
|
From thence he was drawn onwards to Cologne,
|
|
A city which presents to the inspector
|
|
Eleven thousand maidenheads of bone,
|
|
The greatest number flesh hath ever known.
|
|
|
|
From thence to Holland's Hague and Helvoetsluys,
|
|
That water-land of Dutchmen and of ditches,
|
|
Where juniper expresses its best juice,
|
|
The poor man's sparkling substitute for riches.
|
|
Senates and sages have condemn'd its use-
|
|
But to deny the mob a cordial, which is
|
|
Too often all the clothing, meat, or fuel,
|
|
Good government has left them, seems but cruel.
|
|
|
|
Here he embark'd, and with a flowing sail
|
|
Went bounding for the island of the free,
|
|
Towards which the impatient wind blew half a gale;
|
|
High dash'd the spray, the bows dipp'd in the sea,
|
|
And sea-sick passengers turn'd somewhat pale;
|
|
But Juan, season'd, as he well might be,
|
|
By former voyages, stood to watch the skiffs
|
|
Which pass'd, or catch the first glimpse of the cliffs.
|
|
|
|
At length they rose, like a white wall along
|
|
The blue sea's border; and I Don Juan felt-
|
|
What even young strangers feel a little strong
|
|
At the first sight of Albion's chalky belt-
|
|
A kind of pride that he should be among
|
|
Those haughty shopkeepers, who sternly dealt
|
|
Their goods and edicts out from pole to pole,
|
|
And made the very billows pay them toll.
|
|
|
|
I 've no great cause to love that spot of earth,
|
|
Which holds what might have been the noblest nation;
|
|
But though I owe it little but my birth,
|
|
I feel a mix'd regret and veneration
|
|
For its decaying fame and former worth.
|
|
Seven years (the usual term of transportation)
|
|
Of absence lay one's old resentments level,
|
|
When a man's country 's going to the devil.
|
|
|
|
Alas! could she but fully, truly, know
|
|
How her great name is now throughout abhorr'd:
|
|
How eager all the earth is for the blow
|
|
Which shall lay bare her bosom to the sword;
|
|
How all the nations deem her their worst foe,
|
|
That worse than worst of foes, the once adored
|
|
False friend, who held out freedom to mankind,
|
|
And now would chain them, to the very mind:-
|
|
|
|
Would she be proud, or boast herself the free,
|
|
Who is but first of slaves? The nations are
|
|
In prison,- but the gaoler, what is he?
|
|
No less a victim to the bolt and bar.
|
|
Is the poor privilege to turn the key
|
|
Upon the captive, freedom? He 's as far
|
|
From the enjoyment of the earth and air
|
|
Who watches o'er the chain, as they who wear.
|
|
|
|
Don Juan now saw Albion's earliest beauties,
|
|
Thy cliffs, dear Dover! harbour, and hotel;
|
|
Thy custom-house, with all its delicate duties;
|
|
Thy waiters running mucks at every bell;
|
|
Thy packets, all whose passengers are booties
|
|
To those who upon land or water dwell;
|
|
And last, not least, to strangers uninstructed,
|
|
Thy long, long bills, whence nothing is deducted.
|
|
|
|
Juan, though careless, young, and magnifique,
|
|
And rich in rubles, diamonds, cash, and credit,
|
|
Who did not limit much his bills per week,
|
|
Yet stared at this a little, though he paid it
|
|
(His Maggior Duomo, a smart, subtle Greek,
|
|
Before him summ'd the awful scroll and read it);
|
|
But doubtless as the air, though seldom sunny,
|
|
Is free, the respiration's worth the money.
|
|
|
|
On with the horses! Off to Canterbury!
|
|
Tramp, tramp o'er pebble, and splash, splash through puddle;
|
|
Hurrah! how swiftly speeds the post so merry!
|
|
Not like slow Germany, wherein they muddle
|
|
Along the road, as if they went to bury
|
|
Their fare; and also pause besides, to fuddle
|
|
With 'schnapps'- sad dogs! whom 'Hundsfot,' or 'Verflucter,'
|
|
Affect no more than lightning a conductor.
|
|
|
|
Now there is nothing gives a man such spirits,
|
|
Leavening his blood as cayenne doth a curry,
|
|
As going at full speed- no matter where its
|
|
Direction be, so 't is but in a hurry,
|
|
And merely for the sake of its own merits;
|
|
For the less cause there is for all this flurry,
|
|
The greater is the pleasure in arriving
|
|
At the great end of travel- which is driving.
|
|
|
|
They saw at Canterbury the cathedral;
|
|
Black Edward's helm, and Becket's bloody stone,
|
|
Were pointed out as usual by the bedral,
|
|
In the same quaint, uninterested tone:-
|
|
There 's glory again for you, gentle reader! All
|
|
Ends in a rusty casque and dubious bone,
|
|
Half-solved into these sodas or magnesias;
|
|
Which form that bitter draught, the human species.
|
|
|
|
The effect on Juan was of course sublime:
|
|
He breathed a thousand Cressys, as he saw
|
|
That casque, which never stoop'd except to Time.
|
|
Even the bold Churchman's tomb excited awe,
|
|
Who died in the then great attempt to climb
|
|
O'er kings, who now at least must talk of law
|
|
Before they butcher. Little Leila gazed,
|
|
And ask'd why such a structure had been raised:
|
|
|
|
And being told it was 'God's house,' she said
|
|
He was well lodged, but only wonder'd how
|
|
He suffer'd Infidels in his homestead,
|
|
The cruel Nazarenes, who had laid low
|
|
His holy temples in the lands which bred
|
|
The True Believers:- and her infant brow
|
|
Was bent with grief that Mahomet should resign
|
|
A mosque so noble, flung like pearls to swine.
|
|
|
|
Oh! oh! through meadows managed like a garden,
|
|
A paradise of hops and high production;
|
|
For after years of travel by a bard in
|
|
Countries of greater heat, but lesser suction,
|
|
A green field is a sight which makes him pardon
|
|
The absence of that more sublime construction,
|
|
Which mixes up vines, olives, precipices,
|
|
Glaciers, volcanos, oranges, and ices.
|
|
|
|
And when I think upon a pot of beer-
|
|
But I won't weep!- and so drive on, postilions!
|
|
As the smart boys spurr'd fast in their career,
|
|
Juan admired these highways of free millions;
|
|
A country in all senses the most dear
|
|
To foreigner or native, save some silly ones,
|
|
Who 'kick against the pricks' just at this juncture,
|
|
And for their pains get only a fresh puncture.
|
|
|
|
What a delightful thing 's a turnpike road!
|
|
So smooth, so level, such a mode of shaving
|
|
The earth, as scarce the eagle in the broad
|
|
Air can accomplish, with his wide wings waving.
|
|
Had such been cut in Phaeton's time, the god
|
|
Had told his son to satisfy his craving
|
|
With the York mail;- but onward as we roll,
|
|
'Surgit amari aliquid'- the toll
|
|
|
|
Alas, how deeply painful is all payment!
|
|
Take lives, take wives, take aught except men's purses:
|
|
As Machiavel shows those in purple raiment,
|
|
Such is the shortest way to general curses.
|
|
They hate a murderer much less than a claimant
|
|
On that sweet ore which every body nurses;-
|
|
Kill a man's family, and he may brook it,
|
|
But keep your hands out of his breeches' pocket.
|
|
|
|
So said the Florentine: ye monarchs, hearken
|
|
To your instructor. Juan now was borne,
|
|
Just as the day began to wane and darken,
|
|
O'er the high hill, which looks with pride or scorn
|
|
Toward the great city.- Ye who have a spark in
|
|
Your veins of Cockney spirit, smile or mourn
|
|
According as you take things well or ill;-
|
|
Bold Britons, we are now on Shooter's Hill!
|
|
|
|
The sun went down, the smoke rose up, as from
|
|
A half-unquench'd volcano, o'er a space
|
|
Which well beseem'd the 'Devil's drawing-room,'
|
|
As some have qualified that wondrous place:
|
|
But Juan felt, though not approaching home,
|
|
As one who, though he were not of the race,
|
|
Revered the soil, of those true sons the mother,
|
|
Who butcher'd half the earth, and bullied t' other.
|
|
|
|
A mighty mass of brick, and smoke, and shipping,
|
|
Dirty and dusky, but as wide as eye
|
|
Could reach, with here and there a sail just skipping
|
|
In sight, then lost amidst the forestry
|
|
Of masts; a wilderness of steeples peeping
|
|
On tiptoe through their sea-coal canopy;
|
|
A huge, dun cupola, like a foolscap crown
|
|
On a fool's head- and there is London Town!
|
|
|
|
But Juan saw not this: each wreath of smoke
|
|
Appear'd to him but as the magic vapour
|
|
Of some alchymic furnace, from whence broke
|
|
The wealth of worlds (a wealth of tax and paper):
|
|
The gloomy clouds, which o'er it as a yoke
|
|
Are bow'd, and put the sun out like a taper,
|
|
Were nothing but the natural atmosphere,
|
|
Extremely wholesome, though but rarely clear.
|
|
|
|
He paused- and so will I; as doth a crew
|
|
Before they give their broadside. By and by,
|
|
My gentle countrymen, we will renew
|
|
Our old acquaintance; and at least I 'll try
|
|
To tell you truths you will not take as true,
|
|
Because they are so;- a male Mrs. Fry,
|
|
With a soft besom will I sweep your halls,
|
|
And brush a web or two from off the walls.
|
|
|
|
Oh Mrs. Fry! Why go to Newgate? Why
|
|
Preach to poor rogues? And wherefore not begin
|
|
With Carlton, or with other houses? Try
|
|
Your head at harden'd and imperial sin.
|
|
To mend the people 's an absurdity,
|
|
A jargon, a mere philanthropic din,
|
|
Unless you make their betters better:- Fy!
|
|
I thought you had more religion, Mrs. Fry.
|
|
|
|
Teach them the decencies of good threescore;
|
|
Cure them of tours, hussar and highland dresses;
|
|
Tell them that youth once gone returns no more,
|
|
That hired huzzas redeem no land's distresses;
|
|
Tell them Sir William Curtis is a bore,
|
|
Too dull even for the dullest of excesses,
|
|
The witless Falstaff of a hoary Hal,
|
|
A fool whose bells have ceased to ring at all.
|
|
|
|
Tell them, though it may be perhaps too late,
|
|
On life's worn confine, jaded, bloated, sated,
|
|
To set up vain pretence of being great,
|
|
'T is not so to be good; and be it stated,
|
|
The worthiest kings have ever loved least state;
|
|
And tell them- But you won't, and I have prated
|
|
Just now enough; but by and by I 'll prattle
|
|
Like Roland's horn in Roncesvalles' battle.
|
|
CANTO THE ELEVENTH.
|
|
|
|
WHEN Bishop Berkeley said 'there was no matter,'
|
|
And proved it- 't was no matter what he said:
|
|
They say his system 't is in vain to batter,
|
|
Too subtle for the airiest human head;
|
|
And yet who can believe it? I would shatter
|
|
Gladly all matters down to stone or lead,
|
|
Or adamant, to find the world a spirit,
|
|
And wear my head, denying that I wear it.
|
|
|
|
What a sublime discovery 't was to make the
|
|
Universe universal egotism,
|
|
That all 's ideal- all ourselves: I 'll stake the
|
|
World (be it what you will) that that 's no schism.
|
|
Oh Doubt!- if thou be'st Doubt, for which some take thee;
|
|
But which I doubt extremely- thou sole prism
|
|
Of the Truth's rays, spoil not my draught of spirit!
|
|
Heaven's brandy, though our brain can hardly bear it.
|
|
|
|
For ever and anon comes Indigestion,
|
|
(Not the most 'dainty Ariel') and perplexes
|
|
Our soarings with another sort of question:
|
|
And that which after all my spirit vexes,
|
|
Is, that I find no spot where man can rest eye on,
|
|
Without confusion of the sorts and sexes,
|
|
Of beings, stars, and this unriddled wonder,
|
|
The world, which at the worst 's a glorious blunder-
|
|
|
|
If it be chance; or if it be according
|
|
To the old text, still better:- lest it should
|
|
Turn out so, we 'll say nothing 'gainst the wording,
|
|
As several people think such hazards rude.
|
|
They 're right; our days are too brief for affording
|
|
Space to dispute what no one ever could
|
|
Decide, and every body one day will
|
|
Know very clearly- or at least lie still.
|
|
|
|
And therefore will I leave off metaphysical
|
|
Discussion, which is neither here nor there:
|
|
If I agree that what is, is; then this I call
|
|
Being quite perspicuous and extremely fair;
|
|
The truth is, I 've grown lately rather phthisical:
|
|
I don't know what the reason is- the air
|
|
Perhaps; but as I suffer from the shocks
|
|
Of illness, I grow much more orthodox.
|
|
|
|
The first attack at once proved the Divinity
|
|
(But that I never doubted, nor the Devil);
|
|
The next, the Virgin's mystical virginity;
|
|
The third, the usual Origin of Evil;
|
|
The fourth at once establish'd the whole Trinity
|
|
On so uncontrovertible a level,
|
|
That I devoutly wish'd the three were four,
|
|
On purpose to believe so much the more.
|
|
|
|
To our Theme.- The man who has stood on the Acropolis,
|
|
And look'd down over Attica; or he
|
|
Who has sail'd where picturesque Constantinople is,
|
|
Or seen Timbuctoo, or hath taken tea
|
|
In small-eyed China's crockery-ware metropolis,
|
|
Or sat amidst the bricks of Nineveh,
|
|
May not think much of London's first appearance-
|
|
But ask him what he thinks of it a year hence?
|
|
|
|
Don Juan had got out on Shooter's Hill;
|
|
Sunset the time, the place the same declivity
|
|
Which looks along that vale of good and ill
|
|
Where London streets ferment in full activity;
|
|
While every thing around was calm and still,
|
|
Except the creak of wheels, which on their pivot he
|
|
Heard,- and that bee-like, bubbling, busy hum
|
|
Of cities, that boil over with their scum:-
|
|
|
|
I say, Don Juan, wrapt in contemplation,
|
|
Walk'd on behind his carriage, o'er the summit,
|
|
And lost in wonder of so great a nation,
|
|
Gave way to 't, since he could not overcome it.
|
|
'And here,' he cried, 'is Freedom's chosen station;
|
|
Here peals the people's voice, nor can entomb it
|
|
Racks, prisons, inquisitions; resurrection
|
|
Awaits it, each new meeting or election.
|
|
|
|
'Here are chaste wives, pure lives; here people pay
|
|
But what they please; and if that things be dear,
|
|
'T is only that they love to throw away
|
|
Their cash, to show how much they have a-year.
|
|
Here laws are all inviolate; none lay
|
|
Traps for the traveller; every highway 's clear:
|
|
Here-' he was interrupted by a knife,
|
|
With,- 'Damn your eyes! your money or your life!'
|
|
|
|
These freeborn sounds proceeded from four pads
|
|
In ambush laid, who had perceived him loiter
|
|
Behind his carriage; and, like handy lads,
|
|
Had seized the lucky hour to reconnoitre,
|
|
In which the heedless gentleman who gads
|
|
Upon the road, unless he prove a fighter,
|
|
May find himself within that isle of riches
|
|
Exposed to lose his life as well as breeches.
|
|
|
|
Juan, who did not understand a word
|
|
Of English, save their shibboleth, 'God damn!'
|
|
And even that he had so rarely heard,
|
|
He sometimes thought 't was only their 'Salam,'
|
|
Or 'God be with you!'- and 't is not absurd
|
|
To think so: for half English as I am
|
|
(To my misfortune), never can I say
|
|
I heard them wish 'God with you,' save that way;-
|
|
|
|
Juan yet quickly understood their gesture,
|
|
And being somewhat choleric and sudden,
|
|
Drew forth a pocket pistol from his vesture,
|
|
And fired it into one assailant's pudding-
|
|
Who fell, as rolls an ox o'er in his pasture,
|
|
And roar'd out, as he writhed his native mud in,
|
|
Unto his nearest follower or henchman,
|
|
'Oh Jack! I 'm floor'd by that 'ere bloody Frenchman!'
|
|
|
|
On which Jack and his train set off at speed,
|
|
And Juan's suite, late scatter'd at a distance,
|
|
Came up, all marvelling at such a deed,
|
|
And offering, as usual, late assistance.
|
|
Juan, who saw the moon's late minion bleed
|
|
As if his veins would pour out his existence,
|
|
Stood calling out for bandages and lint,
|
|
And wish'd he had been less hasty with his flint.
|
|
|
|
'Perhaps,' thought he, 'it is the country's wont
|
|
To welcome foreigners in this way: now
|
|
I recollect some innkeepers who don't
|
|
Differ, except in robbing with a bow,
|
|
In lieu of a bare blade and brazen front.
|
|
But what is to be done? I can't allow
|
|
The fellow to lie groaning on the road:
|
|
So take him up; I 'll help you with the load.'
|
|
|
|
But ere they could perform this pious duty,
|
|
The dying man cried, 'Hold! I 've got my gruel!
|
|
Oh for a glass of max! We 've miss'd our booty;
|
|
Let me die where I am!' And as the fuel
|
|
Of life shrunk in his heart, and thick and sooty
|
|
The drops fell from his death-wound, and he drew ill
|
|
His breath,- he from his swelling throat untied
|
|
A kerchief, crying, 'Give Sal that!'- and died.
|
|
|
|
The cravat stain'd with bloody drops fell down
|
|
Before Don Juan's feet: he could not tell
|
|
Exactly why it was before him thrown,
|
|
Nor what the meaning of the man's farewell.
|
|
Poor Tom was once a kiddy upon town,
|
|
A thorough varmint, and a real swell,
|
|
Full flash, all fancy, until fairly diddled,
|
|
His pockets first and then his body riddled.
|
|
|
|
Don Juan, having done the best he could
|
|
In all the circumstances of the case,
|
|
As soon as 'Crowner's quest' allow'd, pursued
|
|
His travels to the capital apace;-
|
|
Esteeming it a little hard he should
|
|
In twelve hours' time, and very little space,
|
|
Have been obliged to slay a freeborn native
|
|
In self-defence: this made him meditative.
|
|
|
|
He from the world had cut off a great man,
|
|
Who in his time had made heroic bustle.
|
|
Who in a row like Tom could lead the van,
|
|
Booze in the ken, or at the spellken hustle?
|
|
Who queer a flat? Who (spite of Bow Street's ban)
|
|
On the high toby-spice so flash the muzzle?
|
|
Who on a lark, with black-eyed Sal (his blowing),
|
|
So prime, so swell, so nutty, and so knowing?
|
|
|
|
But Tom's no more- and so no more of Tom.
|
|
Heroes must die; and by God's blessing 't is
|
|
Not long before the most of them go home.
|
|
Hail! Thamis, Hail! Upon thy verge it is
|
|
That Juan's chariot, rolling like a drum
|
|
In thunder, holds the way it can't well miss,
|
|
Through Kennington and all the other 'tons,'
|
|
Which makes us wish ourselves in town at once;-
|
|
|
|
Through Groves, so call'd as being void of trees
|
|
(Like lucus from no light); through prospects named
|
|
Mount Pleasant, as containing nought to please,
|
|
Nor much to climb; through little boxes framed
|
|
Of bricks, to let the dust in at your ease,
|
|
With 'To be let' upon their doors proclaim'd;
|
|
Through 'Rows' most modestly call'd 'Paradise,'
|
|
Which Eve might quit without much sacrifice;-
|
|
|
|
Through coaches, drays, choked turnpikes, and a whirl
|
|
Of wheels, and roar of voices, and confusion;
|
|
Here taverns wooing to a pint of 'purl,'
|
|
There mails fast flying off like a delusion;
|
|
There barbers' blocks with periwigs in curl
|
|
In windows; here the lamplighter's infusion
|
|
Slowly distill'd into the glimmering glass
|
|
(For in those days we had not got to gas);-
|
|
|
|
Through this, and much, and more, is the approach
|
|
Of travellers to mighty Babylon:
|
|
Whether they come by horse, or chaise, or coach,
|
|
With slight exceptions, all the ways seem one.
|
|
I could say more, but do not choose to encroach
|
|
Upon the Guide-book's privilege. The sun
|
|
Had set some time, and night was on the ridge
|
|
Of twilight, as the party cross'd the bridge,-
|
|
|
|
That 's rather fine. The gentle sound of Thamis-
|
|
Who vindicates a moment, too, his stream,
|
|
Though hardly heard through multifarious 'damme's'-
|
|
The lamps of Westminster's more regular gleam,
|
|
The breadth of pavement, and yon shrine where fame is
|
|
A spectral resident- whose pallid beam
|
|
In shape of moonshine hovers o'er the pile-
|
|
Make this a sacred part of Albion's isle.
|
|
|
|
The Druids' groves are gone- so much the better:
|
|
Stone-Henge is not- but what the devil is it?-
|
|
But Bedlam still exists with its sage fetter,
|
|
That madmen may not bite you on a visit;
|
|
The Bench too seats or suits full many a debtor;
|
|
The Mansion House too (though some people quiz it)
|
|
To me appears a stiff yet grand erection;
|
|
But then the Abbey 's worth the whole collection.
|
|
|
|
The line of lights, too, up to Charing Cross,
|
|
Pall Mall, and so forth, have a coruscation
|
|
Like gold as in comparison to dross,
|
|
Match'd with the Continent's illumination,
|
|
Whose cities Night by no means deigns to gloss.
|
|
The French were not yet a lamp-lighting nation,
|
|
And when they grew so- on their new-found lantern,
|
|
Instead of wicks, they made a wicked man turn.
|
|
|
|
A row of gentlemen along the streets
|
|
Suspended may illuminate mankind,
|
|
As also bonfires made of country seats;
|
|
But the old way is best for the purblind:
|
|
The other looks like phosphorus on sheets,
|
|
A sort of ignis fatuus to the mind,
|
|
Which, though 't is certain to perplex and frighten,
|
|
Must burn more mildly ere it can enlighten.
|
|
|
|
But London 's so well lit, that if Diogenes
|
|
Could recommence to hunt his honest man,
|
|
And found him not amidst the various progenies
|
|
Of this enormous city's spreading span,
|
|
'T were not for want of lamps to aid his dodging his
|
|
Yet undiscover'd treasure. What I can,
|
|
I 've done to find the same throughout life's journey,
|
|
But see the world is only one attorney.
|
|
|
|
Over the stones still rattling up Pall Mall,
|
|
Through crowds and carriages, but waxing thinner
|
|
As thunder'd knockers broke the long seal'd spell
|
|
Of doors 'gainst duns, and to an early dinner
|
|
Admitted a small party as night fell,-
|
|
Don Juan, our young diplomatic sinner,
|
|
Pursued his path, and drove past some hotels,
|
|
St. James's Palace and St. James's 'Hells.'
|
|
|
|
They reach'd the hotel: forth stream'd from the front door
|
|
A tide of well-clad waiters, and around
|
|
The mob stood, and as usual several score
|
|
Of those pedestrian Paphians who abound
|
|
In decent London when the daylight 's o'er;
|
|
Commodious but immoral, they are found
|
|
Useful, like Malthus, in promoting marriage.-
|
|
But Juan now is stepping from his carriage
|
|
|
|
Into one of the sweetest of hotels,
|
|
Especially for foreigners- and mostly
|
|
For those whom favour or whom fortune swells,
|
|
And cannot find a bill's small items costly.
|
|
There many an envoy either dwelt or dwells
|
|
(The den of many a diplomatic lost lie),
|
|
Until to some conspicuous square they pass,
|
|
And blazon o'er the door their names in brass.
|
|
|
|
Juan, whose was a delicate commission,
|
|
Private, though publicly important, bore
|
|
No title to point out with due precision
|
|
The exact affair on which he was sent o'er.
|
|
'T was merely known, that on a secret mission
|
|
A foreigner of rank had graced our shore,
|
|
Young, handsome, and accomplish'd, who was said
|
|
(In whispers) to have turn'd his sovereign's head.
|
|
|
|
Some rumour also of some strange adventures
|
|
Had gone before him, and his wars and loves;
|
|
And as romantic heads are pretty painters,
|
|
And, above all, an Englishwoman's roves
|
|
Into the excursive, breaking the indentures
|
|
Of sober reason wheresoe'er it moves,
|
|
He found himself extremely in the fashion,
|
|
Which serves our thinking people for a passion.
|
|
|
|
I don't mean that they are passionless, but quite
|
|
The contrary; but then 't is in the head;
|
|
Yet as the consequences are as bright
|
|
As if they acted with the heart instead,
|
|
What after all can signify the site
|
|
Of ladies' lucubrations? So they lead
|
|
In safety to the place for which you start,
|
|
What matters if the road be head or heart?
|
|
|
|
Juan presented in the proper place,
|
|
To proper placemen, every Russ credential;
|
|
And was received with all the due grimace
|
|
By those who govern in the mood potential,
|
|
Who, seeing a handsome stripling with smooth face,
|
|
Thought (what in state affairs is most essential)
|
|
That they as easily might do the youngster,
|
|
As hawks may pounce upon a woodland songster.
|
|
|
|
They err'd, as aged men will do; but by
|
|
And by we 'll talk of that; and if we don't,
|
|
'T will be because our notion is not high
|
|
Of politicians and their double front,
|
|
Who live by lies, yet dare not boldly lie:-
|
|
Now what I love in women is, they won't
|
|
Or can't do otherwise than lie, but do it
|
|
So well, the very truth seems falsehood to it.
|
|
|
|
And, after all, what is a lie? 'T is but
|
|
The truth in masquerade; and I defy
|
|
Historians, heroes, lawyers. priests, to put
|
|
A fact without some leaven of a lie.
|
|
The very shadow of true Truth would shut
|
|
Up annals, revelations, poesy,
|
|
And prophecy- except it should be dated
|
|
Some years before the incidents related.
|
|
|
|
Praised be all liars and all lies! Who now
|
|
Can tax my mild Muse with misanthropy?
|
|
She rings the world's 'Te Deum,' and her brow
|
|
Blushes for those who will not:- but to sigh
|
|
Is idle; let us like most others bow,
|
|
Kiss hands, feet, any part of majesty,
|
|
After the good example of 'Green Erin,'
|
|
Whose shamrock now seems rather worse for wearing.
|
|
|
|
Don Juan was presented, and his dress
|
|
And mien excited general admiration-
|
|
I don't know which was more admired or less:
|
|
One monstrous diamond drew much observation,
|
|
Which Catherine in a moment of 'ivresse'
|
|
(In love or brandy's fervent fermentation)
|
|
Bestow'd upon him, as the public learn'd;
|
|
And, to say truth, it had been fairly earn'd.
|
|
|
|
Besides the ministers and underlings,
|
|
Who must be courteous to the accredited
|
|
Diplomatists of rather wavering kings,
|
|
Until their royal riddle 's fully read,
|
|
The very clerks,- those somewhat dirty springs
|
|
Of office, or the house of office, fed
|
|
By foul corruption into streams,- even they
|
|
Were hardly rude enough to earn their pay:
|
|
|
|
And insolence no doubt is what they are
|
|
Employ'd for, since it is their daily labour,
|
|
In the dear offices of peace or war;
|
|
And should you doubt, pray ask of your next neighbour,
|
|
When for a passport, or some other bar
|
|
To freedom, he applied (a grief and a bore),
|
|
If he found not his spawn of taxborn riches,
|
|
|
|
But Juan was received with much 'empressement:'-
|
|
These phrases of refinement I must borrow
|
|
From our next neighbours' land, where, like a chessman,
|
|
There is a move set down for joy or sorrow
|
|
Not only in mere talking, but the press. Man
|
|
In islands is, it seems, downright and thorough,
|
|
More than on continents- as if the sea
|
|
(See Billingsgate) made even the tongue more free.
|
|
|
|
And yet the British 'Damme' 's rather Attic:
|
|
Your continental oaths are but incontinent,
|
|
And turn on things which no aristocratic
|
|
Spirit would name, and therefore even I won't anent
|
|
This subject quote; as it would be schismatic
|
|
In politesse, and have a sound affronting in 't:-
|
|
But 'Damme' 's quite ethereal, though too daring-
|
|
Platonic blasphemy, the soul of swearing.
|
|
|
|
For downright rudeness, ye may stay at home;
|
|
For true or false politeness (and scarce that
|
|
Now) you may cross the blue deep and white foam-
|
|
The first the emblem (rarely though) of what
|
|
You leave behind, the next of much you come
|
|
To meet. However, 't is no time to chat
|
|
On general topics: poems must confine
|
|
Themselves to unity, like this of mine.
|
|
|
|
In the great world,- which, being interpreted,
|
|
Meaneth the west or worst end of a city,
|
|
And about twice two thousand people bred
|
|
By no means to be very wise or witty,
|
|
But to sit up while others lie in bed,
|
|
And look down on the universe with pity,-
|
|
Juan, as an inveterate patrician,
|
|
Was well received by persons of condition.
|
|
|
|
He was a bachelor, which is a matter
|
|
Of import both to virgin and to bride,
|
|
The former's hymeneal hopes to flatter;
|
|
And (should she not hold fast by love or pride)
|
|
'T is also of some moment to the latter:
|
|
A rib 's a thorn in a wed gallant's side,
|
|
Requires decorum, and is apt to double
|
|
The horrid sin- and what 's still worse, the trouble.
|
|
|
|
But Juan was a bachelor- of arts,
|
|
And parts, and hearts: he danced and sung, and had
|
|
An air as sentimental as Mozart's
|
|
Softest of melodies; and could be sad
|
|
Or cheerful, without any 'flaws or starts,'
|
|
Just at the proper time; and though a lad,
|
|
Had seen the world- which is a curious sight,
|
|
And very much unlike what people write.
|
|
|
|
Fair virgins blush'd upon him; wedded dames
|
|
Bloom'd also in less transitory hues;
|
|
For both commodities dwell by the Thames,
|
|
The painting and the painted; youth, ceruse,
|
|
Against his heart preferr'd their usual claims,
|
|
Such as no gentleman can quite refuse:
|
|
Daughters admired his dress, and pious mothers
|
|
Inquired his income, and if he had brothers.
|
|
|
|
The milliners who furnish 'drapery Misses'
|
|
Throughout the season, upon speculation
|
|
Of payment ere the honey-moon's last kisses
|
|
Have waned into a crescent's coruscation,
|
|
Thought such an opportunity as this is,
|
|
Of a rich foreigner's initiation,
|
|
Not to be overlook'd- and gave such credit,
|
|
That future bridegrooms swore, and sigh'd, and paid it.
|
|
|
|
The Blues, that tender tribe who sigh o'er sonnets,
|
|
And with the pages of the last Review
|
|
Line the interior of their heads or bonnets,
|
|
Advanced in all their azure's highest hue:
|
|
They talk'd bad French or Spanish, and upon its
|
|
Late authors ask'd him for a hint or two;
|
|
And which was softest, Russian or Castilian?
|
|
And whether in his travels he saw Ilion?
|
|
|
|
Juan, who was a little superficial,
|
|
And not in literature a great Drawcansir,
|
|
Examined by this learned and especial
|
|
Jury of matrons, scarce knew what to answer:
|
|
His duties warlike, loving or official,
|
|
His steady application as a dancer,
|
|
Had kept him from the brink of Hippocrene,
|
|
Which now he found was blue instead of green.
|
|
|
|
However, he replied at hazard, with
|
|
A modest confidence and calm assurance,
|
|
Which lent his learned lucubrations pith,
|
|
And pass'd for arguments of good endurance.
|
|
That prodigy, Miss Araminta Smith
|
|
(Who at sixteen translated 'Hercules Furens'
|
|
Into as furious English), with her best look,
|
|
Set down his sayings in her common-place book.
|
|
|
|
Juan knew several languages- as well
|
|
He might- and brought them up with skill, in time
|
|
To save his fame with each accomplish'd belle,
|
|
Who still regretted that he did not rhyme.
|
|
There wanted but this requisite to swell
|
|
His qualities (with them) into sublime:
|
|
Lady Fitz-Frisky, and Miss Maevia Mannish,
|
|
Both long'd extremely to be sung in Spanish.
|
|
|
|
However, he did pretty well, and was
|
|
Admitted as an aspirant to all
|
|
The coteries, and, as in Banquo's glass,
|
|
At great assemblies or in parties small,
|
|
He saw ten thousand living authors pass,
|
|
That being about their average numeral;
|
|
Also the eighty 'greatest living poets,'
|
|
As every paltry magazine can show its.
|
|
|
|
In twice five years the 'greatest living poet,'
|
|
Like to the champion in the fisty ring,
|
|
Is call'd on to support his claim, or show it,
|
|
Although 't is an imaginary thing.
|
|
Even I- albeit I 'm sure I did not know it,
|
|
Nor sought of foolscap subjects to be king-
|
|
Was reckon'd a considerable time,
|
|
The grand Napoleon of the realms of rhyme.
|
|
|
|
But Juan was my Moscow, and Faliero
|
|
My Leipsic, and my Mount Saint Jean seems Cain:
|
|
'La Belle Alliance' of dunces down at zero,
|
|
Now that the Lion 's fall'n, may rise again:
|
|
But I will fall at least as fell my hero;
|
|
Nor reign at all, or as a monarch reign;
|
|
Or to some lonely isle of gaolers go,
|
|
With turncoat Southey for my turnkey Lowe.
|
|
|
|
Sir Walter reign'd before me; Moore and Campbell
|
|
Before and after; but now grown more holy,
|
|
The Muses upon Sion's hill must ramble
|
|
With poets almost clergymen, or wholly;
|
|
And Pegasus hath a psalmodic amble
|
|
Beneath the very Reverend Rowley Powley,
|
|
Who shoes the glorious animal with stilts,
|
|
A modern Ancient Pistol- by the hilts?
|
|
|
|
Then there 's my gentle Euphues, who, they say,
|
|
Sets up for being a sort of moral me;
|
|
He 'll find it rather difficult some day
|
|
To turn out both, or either, it may be.
|
|
Some persons think that Coleridge hath the sway;
|
|
And Wordsworth has supporters, two or three;
|
|
And that deep-mouth'd Boeotian 'Savage Landor'
|
|
Has taken for a swan rogue Southey's gander.
|
|
|
|
John Keats, who was kill'd off by one critique,
|
|
Just as he really promised something great,
|
|
If not intelligible, without Greek
|
|
Contrived to talk about the gods of late,
|
|
Much as they might have been supposed to speak.
|
|
Poor fellow! His was an untoward fate;
|
|
'T is strange the mind, that very fiery particle,
|
|
Should let itself be snuff'd out by an article.
|
|
|
|
The list grows long of live and dead pretenders
|
|
To that which none will gain- or none will know
|
|
The conqueror at least; who, ere Time renders
|
|
His last award, will have the long grass grow
|
|
Above his burnt-out brain, and sapless cinders.
|
|
If I might augur, I should rate but low
|
|
Their chances; they 're too numerous, like the thirty
|
|
Mock tyrants, when Rome's annals wax'd but dirty.
|
|
|
|
This is the literary lower empire,
|
|
Where the praetorian bands take up the matter;-
|
|
A 'dreadful trade,' like his who 'gathers samphire,'
|
|
The insolent soldiery to soothe and flatter,
|
|
With the same feelings as you 'd coax a vampire.
|
|
Now, were I once at home, and in good satire,
|
|
I 'd try conclusions with those Janizaries,
|
|
And show them what an intellectual war is.
|
|
|
|
I think I know a trick or two, would turn
|
|
Their flanks;- but it is hardly worth my while
|
|
With such small gear to give myself concern:
|
|
Indeed I 've not the necessary bile;
|
|
My natural temper 's really aught but stern,
|
|
And even my Muse's worst reproof 's a smile;
|
|
And then she drops a brief and modern curtsy,
|
|
And glides away, assured she never hurts ye.
|
|
|
|
My Juan, whom I left in deadly peril
|
|
Amongst live poets and blue ladies, past
|
|
With some small profit through that field so sterile,
|
|
Being tired in time, and, neither least nor last,
|
|
Left it before he had been treated very ill;
|
|
And henceforth found himself more gaily class'd
|
|
Amongst the higher spirits of the day,
|
|
The sun's true son, no vapour, but a ray.
|
|
|
|
His morns he pass'd in business- which, dissected,
|
|
Was like all business a laborious nothing
|
|
That leads to lassitude, the most infected
|
|
And Centaur Nessus garb of mortal clothing,
|
|
And on our sofas makes us lie dejected,
|
|
And talk in tender horrors of our loathing
|
|
All kinds of toil, save for our country's good-
|
|
Which grows no better, though 't is time it should.
|
|
|
|
His afternoons he pass'd in visits, luncheons,
|
|
Lounging and boxing; and the twilight hour
|
|
In riding round those vegetable puncheons
|
|
Call'd 'Parks,' where there is neither fruit nor flower
|
|
Enough to gratify a bee's slight munchings;
|
|
But after all it is the only 'bower'
|
|
(In Moore's phrase), where the fashionable fair
|
|
Can form a slight acquaintance with fresh air.
|
|
|
|
Then dress, then dinner, then awakes the world!
|
|
Then glare the lamps, then whirl the wheels, then roar
|
|
Through street and square fast flashing chariots hurl'd
|
|
Like harness'd meteors; then along the floor
|
|
Chalk mimics painting; then festoons are twirl'd;
|
|
Then roll the brazen thunders of the door,
|
|
Which opens to the thousand happy few
|
|
An earthly paradise of 'Or Molu.'
|
|
|
|
There stands the noble hostess, nor shall sink
|
|
With the three-thousandth curtsy; there the waltz,
|
|
The only dance which teaches girls to think,
|
|
Makes one in love even with its very faults.
|
|
Saloon, room, hall, o'erflow beyond their brink,
|
|
And long the latest of arrivals halts,
|
|
'Midst royal dukes and dames condemn'd to climb,
|
|
And gain an inch of staircase at a time.
|
|
|
|
Thrice happy he who, after a survey
|
|
Of the good company, can win a corner,
|
|
A door that's in or boudoir out of the way,
|
|
Where he may fix himself like small 'Jack Horner,'
|
|
And let the Babel round run as it may,
|
|
And look on as a mourner, or a scorner,
|
|
Or an approver, or a mere spectator,
|
|
Yawning a little as the night grows later.
|
|
|
|
But this won't do, save by and by; and he
|
|
Who, like Don Juan, takes an active share,
|
|
Must steer with care through all that glittering sea
|
|
Of gems and plumes and pearls and silks, to where
|
|
He deems it is his proper place to be;
|
|
Dissolving in the waltz to some soft air,
|
|
Or proudlier prancing with mercurial skill
|
|
Where Science marshals forth her own quadrille.
|
|
|
|
Or, if he dance not, but hath higher views
|
|
Upon an heiress or his neighbour's bride,
|
|
Let him take care that that which he pursues
|
|
Is not at once too palpably descried.
|
|
Full many an eager gentleman oft rues
|
|
His haste: impatience is a blundering guide,
|
|
Amongst a people famous for reflection,
|
|
Who like to play the fool with circumspection.
|
|
|
|
But, if you can contrive, get next at supper;
|
|
Or, if forestalled, get opposite and ogle:-
|
|
Oh, ye ambrosial moments! always upper
|
|
In mind, a sort of sentimental bogle,
|
|
Which sits for ever upon memory's crupper,
|
|
The ghost of vanish'd pleasures once in vogue! Ill
|
|
Can tender souls relate the rise and fall
|
|
Of hopes and fears which shake a single ball.
|
|
|
|
But these precautionary hints can touch
|
|
Only the common run, who must pursue,
|
|
And watch, and ward; whose plans a word too much
|
|
Or little overturns; and not the few
|
|
Or many (for the number's sometimes such)
|
|
Whom a good mien, especially if new,
|
|
Or fame, or name, for wit, war, sense, or nonsense,
|
|
Permits whate'er they please, or did not long since.
|
|
|
|
Our hero, as a hero, young and handsome,
|
|
Noble, rich, celebrated, and a stranger,
|
|
Like other slaves of course must pay his ransom,
|
|
Before he can escape from so much danger
|
|
As will environ a conspicuous man. Some
|
|
Talk about poetry, and 'rack and manger,'
|
|
And ugliness, disease, as toil and trouble;-
|
|
I wish they knew the life of a young noble.
|
|
|
|
They are young, but know not youth- it is anticipated;
|
|
Handsome but wasted, rich without a sou;
|
|
Their vigour in a thousand arms is dissipated;
|
|
Their cash comes from, their wealth goes to a Jew;
|
|
Both senates see their nightly votes participated
|
|
Between the tyrant's and the tribunes' crew;
|
|
And having voted, dined, drunk, gamed, and whored,
|
|
The family vault receives another lord.
|
|
|
|
'Where is the world?' cries Young, at eighty- 'Where
|
|
The world in which a man was born? 'Alas!
|
|
Where is the world of eight years past? 'T was there-
|
|
I look for it- 't is gone, a globe of glass!
|
|
Crack'd, shiver'd, vanish'd, scarcely gazed on, ere
|
|
A silent change dissolves the glittering mass.
|
|
Statesmen, chiefs, orators, queens, patriots, kings,
|
|
And dandies, all are gone on the wind's wings.
|
|
|
|
Where is Napoleon the Grand? God knows.
|
|
Where little Castlereagh? The devil can tell:
|
|
Where Grattan, Curran, Sheridan, all those
|
|
Who bound the bar or senate in their spell?
|
|
Where is the unhappy Queen, with all her woes?
|
|
And where the Daughter, whom the Isles loved well?
|
|
Where are those martyr'd saints the Five per Cents?
|
|
And where- oh, where the devil are the rents?
|
|
|
|
Where 's Brummel? Dish'd. Where 's Long Pole Wellesley? Diddled.
|
|
Where 's Whitbread? Romilly? Where 's George the Third?
|
|
Where is his will? (That 's not so soon unriddled.)
|
|
And where is 'Fum' the Fourth, our 'royal bird?'
|
|
Gone down, it seems, to Scotland to be fiddled
|
|
Unto by Sawney's violin, we have heard:
|
|
'Caw me, caw thee'- for six months hath been hatching
|
|
This scene of royal itch and loyal scratching.
|
|
|
|
Where is Lord This? And where my Lady That?
|
|
The Honourable Mistresses and Misses?
|
|
Some laid aside like an old Opera hat,
|
|
Married, unmarried, and remarried (this is
|
|
An evolution oft performed of late).
|
|
Where are the Dublin shouts- and London hisses?
|
|
Where are the Grenvilles? Turn'd as usual. Where
|
|
My friends the Whigs? Exactly where they were.
|
|
|
|
Where are the Lady Carolines and Franceses?
|
|
Divorced or doing thereanent. Ye annals
|
|
So brilliant, where the list of routs and dances is,-
|
|
Thou Morning Post, sole record of the panels
|
|
Broken in carriages, and all the phantasies
|
|
Of fashion,- say what streams now fill those channels?
|
|
Some die, some fly, some languish on the Continent,
|
|
Because the times have hardly left them one tenant.
|
|
|
|
Some who once set their caps at cautious dukes,
|
|
Have taken up at length with younger brothers:
|
|
Some heiresses have bit at sharpers' hooks:
|
|
Some maids have been made wives, some merely mothers;
|
|
Others have lost their fresh and fairy looks:
|
|
In short, the list of alterations bothers.
|
|
There 's little strange in this, but something strange is
|
|
The unusual quickness of these common changes.
|
|
|
|
Talk not of seventy years as age; in seven
|
|
I have seen more changes, down from monarchs to
|
|
The humblest individual under heaven,
|
|
Than might suffice a moderate century through.
|
|
I knew that nought was lasting, but now even
|
|
Change grows too changeable, without being new:
|
|
Nought 's permanent among the human race,
|
|
Except the Whigs not getting into place.
|
|
|
|
I have seen Napoleon, who seem'd quite a Jupiter,
|
|
Shrink to a Saturn. I have seen a Duke
|
|
(No matter which) turn politician stupider,
|
|
If that can well be, than his wooden look.
|
|
But it is time that I should hoist my 'blue Peter,'
|
|
And sail for a new theme:- I have seen- and shook
|
|
To see it- the king hiss'd, and then caress'd;
|
|
But don't pretend to settle which was best.
|
|
|
|
I have seen the Landholders without a rap-
|
|
I have seen Joanna Southcote- I have seen-
|
|
The House of Commons turn'd to a tax-trap-
|
|
I have seen that sad affair of the late Queen-
|
|
I have seen crowns worn instead of a fool's cap-
|
|
I have seen a Congress doing all that 's mean-
|
|
I have seen some nations like o'erloaded asses
|
|
Kick off their burthens, meaning the high classes.
|
|
|
|
I have seen small poets, and great prosers, and
|
|
Interminable- not eternal- speakers-
|
|
I have seen the funds at war with house and land-
|
|
I have seen the country gentlemen turn squeakers-
|
|
I have seen the people ridden o'er like sand
|
|
By slaves on horseback- I have seen malt liquors
|
|
Exchanged for 'thin potations' by John Bull-
|
|
I have seen john half detect himself a fool.-
|
|
|
|
But 'carpe diem,' Juan, 'carpe, carpe!'
|
|
To-morrow sees another race as gay
|
|
And transient, and devour'd by the same harpy.
|
|
'Life 's a poor player,'- then 'play out the play,
|
|
Ye villains!' above all keep a sharp eye
|
|
Much less on what you do than what you say:
|
|
Be hypocritical, be cautious, be
|
|
Not what you seem, but always what you see.
|
|
|
|
But how shall I relate in other cantos
|
|
Of what befell our hero in the land,
|
|
Which 't is the common cry and lie to vaunt as
|
|
A moral country? But I hold my hand-
|
|
For I disdain to write an Atalantis;
|
|
But 't is as well at once to understand,
|
|
You are not a moral people, and you know it
|
|
Without the aid of too sincere a poet.
|
|
|
|
What Juan saw and underwent shall be
|
|
My topic, with of course the due restriction
|
|
Which is required by proper courtesy;
|
|
And recollect the work is only fiction,
|
|
And that I sing of neither mine nor me,
|
|
Though every scribe, in some slight turn of diction,
|
|
Will hint allusions never meant. Ne'er doubt
|
|
This- when I speak, I don't hint, but speak out.
|
|
|
|
Whether he married with the third or fourth
|
|
Offspring of some sage husband-hunting countess,
|
|
Or whether with some virgin of more worth
|
|
(I mean in Fortune's matrimonial bounties)
|
|
He took to regularly peopling Earth,
|
|
Of which your lawful awful wedlock fount is,-
|
|
Or whether he was taken in for damages,
|
|
For being too excursive in his homages,-
|
|
|
|
Is yet within the unread events of time.
|
|
Thus far, go forth, thou lay, which I will back
|
|
Against the same given quantity of rhyme,
|
|
For being as much the subject of attack
|
|
As ever yet was any work sublime,
|
|
By those who love to say that white is black.
|
|
So much the better!- I may stand alone,
|
|
But would not change my free thoughts for a throne.
|
|
CANTO THE TWELFTH.
|
|
|
|
OF all the barbarous middle ages, that
|
|
Which is most barbarous is the middle age
|
|
Of man; it is- I really scarce know what;
|
|
But when we hover between fool and sage,
|
|
And don't know justly what we would be at-
|
|
A period something like a printed page,
|
|
Black letter upon foolscap, while our hair
|
|
Grows grizzled, and we are not what we were;-
|
|
|
|
Too old for youth,- too young, at thirty-five,
|
|
To herd with boys, or hoard with good threescore,-
|
|
I wonder people should be left alive;
|
|
But since they are, that epoch is a bore:
|
|
Love lingers still, although 't were late to wive;
|
|
And as for other love, the illusion 's o'er;
|
|
And money, that most pure imagination,
|
|
Gleams only through the dawn of its creation.
|
|
|
|
O Gold! Why call we misers miserable?
|
|
Theirs is the pleasure that can never pall;
|
|
Theirs is the best bower anchor, the chain cable
|
|
Which holds fast other pleasures great and small.
|
|
Ye who but see the saving man at table,
|
|
And scorn his temperate board, as none at all,
|
|
And wonder how the wealthy can be sparing,
|
|
Know not what visions spring from each cheese-paring.
|
|
|
|
Love or lust makes man sick, and wine much sicker;
|
|
Ambition rends, and gaming gains a loss;
|
|
But making money, slowly first, then quicker,
|
|
And adding still a little through each cross
|
|
(Which will come over things), beats love or liquor,
|
|
The gamester's counter, or the statesman's dross.
|
|
O Gold! I still prefer thee unto paper,
|
|
Which makes bank credit like a bank of vapour.
|
|
|
|
Who hold the balance of the world? Who reign
|
|
O'er congress, whether royalist or liberal?
|
|
Who rouse the shirtless patriots of Spain?
|
|
(That make old Europe's journals squeak and gibber all.)
|
|
Who keep the world, both old and new, in pain
|
|
Or pleasure? Who make politics run glibber all?
|
|
The shade of Buonaparte's noble daring?-
|
|
Jew Rothschild, and his fellow-Christian, Baring.
|
|
|
|
Those, and the truly liberal Lafitte,
|
|
Are the true lords of Europe. Every loan
|
|
Is not a merely speculative hit,
|
|
But seats a nation or upsets a throne.
|
|
Republics also get involved a bit;
|
|
Columbia's stock hath holders not unknown
|
|
On 'Change; and even thy silver soil, Peru,
|
|
Must get itself discounted by a Jew.
|
|
|
|
Why call the miser miserable? as
|
|
I said before: the frugal life is his,
|
|
Which in a saint or cynic ever was
|
|
The theme of praise: a hermit would not miss
|
|
Canonization for the self-same cause,
|
|
And wherefore blame gaunt wealth's austerities?
|
|
Because, you 'll say, nought calls for such a trial;-
|
|
Then there 's more merit in his self-denial.
|
|
|
|
He is your only poet;- passion, pure
|
|
And sparkling on from heap to heap, displays,
|
|
Possess'd, the ore, of which mere hopes allure
|
|
Nations athwart the deep: the golden rays
|
|
Flash up in ingots from the mine obscure;
|
|
On him the diamond pours its brilliant blaze,
|
|
While the mild emerald's beam shades down the dies
|
|
Of other stones, to soothe the miser's eyes.
|
|
|
|
The lands on either side are his; the ship
|
|
From Ceylon, Inde, or far Cathay, unloads
|
|
For him the fragrant produce of each trip;
|
|
Beneath his cars of Ceres groan the roads,
|
|
And the vine blushes like Aurora's lip;
|
|
His very cellars might be kings' abodes;
|
|
While he, despising every sensual call,
|
|
Commands- the intellectual lord of all.
|
|
|
|
Perhaps he hath great projects in his mind,
|
|
To build a college, or to found a race,
|
|
A hospital, a church,- and leave behind
|
|
Some dome surmounted by his meagre face:
|
|
Perhaps he fain would liberate mankind
|
|
Even with the very ore which makes them base;
|
|
Perhaps he would be wealthiest of his nation,
|
|
Or revel in the joys of calculation.
|
|
|
|
But whether all, or each, or none of these
|
|
May be the hoarder's principle of action,
|
|
The fool will call such mania a disease:-
|
|
What is his own? Go- look at each transaction,
|
|
Wars, revels, loves- do these bring men more ease
|
|
Than the mere plodding through each 'vulgar fraction'?
|
|
Or do they benefit mankind? Lean miser!
|
|
Let spendthrifts' heirs enquire of yours- who 's wiser?
|
|
|
|
How beauteous are rouleaus! how charming chests
|
|
Containing ingots, bags of dollars, coins
|
|
(Not of old victors, all whose heads and crests
|
|
Weigh not the thin ore where their visage shines,
|
|
But) of fine unclipt gold, where dully rests
|
|
Some likeness, which the glittering cirque confines,
|
|
Of modern, reigning, sterling, stupid stamp:-
|
|
Yes! ready money is Aladdin's lamp.
|
|
|
|
'Love rules the camp, the court, the grove,'- 'for love
|
|
Is heaven, and heaven is love:'- so sings the bard;
|
|
Which it were rather difficult to prove
|
|
(A thing with poetry in general hard).
|
|
Perhaps there may be something in 'the grove,'
|
|
At least it rhymes to 'love;' but I 'm prepared
|
|
To doubt (no less than landlords of their rental)
|
|
If 'courts' and 'camps' be quite so sentimental.
|
|
|
|
But if Love don't, Cash does, and Cash alone:
|
|
Cash rules the grove, and fells it too besides;
|
|
Without cash, camps were thin, and courts were none;
|
|
Without cash, Malthus tells you- 'take no brides.'
|
|
So Cash rules Love the ruler, on his own
|
|
High ground, as virgin Cynthia sways the tides:
|
|
And as for Heaven 'Heaven being Love,' why not say honey
|
|
Is wax? Heaven is not Love, 't is Matrimony.
|
|
|
|
Is not all love prohibited whatever,
|
|
Excepting marriage? which is love, no doubt,
|
|
After a sort; but somehow people never
|
|
With the same thought the two words have help'd out:
|
|
Love may exist with marriage, and should ever,
|
|
And marriage also may exist without;
|
|
But love sans bans is both a sin and shame,
|
|
And ought to go by quite another name.
|
|
|
|
Now if the 'court,' and 'camp,' and 'grove,' be not
|
|
Recruited all with constant married men,
|
|
Who never coveted their neighbour's lot,
|
|
I say that line 's a lapsus of the pen;-
|
|
Strange too in my 'buon camerado' Scott,
|
|
So celebrated for his morals, when
|
|
My Jeffrey held him up as an example
|
|
To me;- of whom these morals are a sample.
|
|
|
|
Well, if I don't succeed, I have succeeded,
|
|
And that 's enough; succeeded in my youth,
|
|
The only time when much success is needed:
|
|
And my success produced what I, in sooth,
|
|
Cared most about; it need not now be pleaded-
|
|
Whate'er it was, 't was mine; I 've paid, in truth,
|
|
Of late the penalty of such success,
|
|
But have not learn'd to wish it any less.
|
|
|
|
That suit in Chancery,- which some persons plead
|
|
In an appeal to the unborn, whom they,
|
|
In the faith of their procreative creed,
|
|
Baptize posterity, or future clay,-
|
|
To me seems but a dubious kind of reed
|
|
To lean on for support in any way;
|
|
Since odds are that posterity will know
|
|
No more of them, than they of her, I trow.
|
|
|
|
Why, I 'm posterity- and so are you;
|
|
And whom do we remember? Not a hundred.
|
|
Were every memory written down all true,
|
|
The tenth or twentieth name would be but blunder'd;
|
|
Even Plutarch's Lives have but pick'd out a few,
|
|
And 'gainst those few your annalists have thunder'd;
|
|
And Mitford in the nineteenth century
|
|
Gives, with Greek truth, the good old Greek the lie.
|
|
|
|
Good people all, of every degree,
|
|
Ye gentle readers and ungentle writers,
|
|
In this twelfth Canto 't is my wish to be
|
|
As serious as if I had for inditers
|
|
Malthus and Wilberforce:- the last set free
|
|
The Negroes and is worth a million fighters;
|
|
While Wellington has but enslaved the Whites,
|
|
And Malthus does the thing 'gainst which he writes.
|
|
|
|
I 'm serious- so are all men upon paper;
|
|
And why should I not form my speculation,
|
|
And hold up to the sun my little taper?
|
|
Mankind just now seem wrapt in mediation
|
|
On constitutions and steam-boats of vapour;
|
|
While sages write against all procreation,
|
|
Unless a man can calculate his means
|
|
Of feeding brats the moment his wife weans.
|
|
|
|
That 's noble! That 's romantic! For my part,
|
|
I think that 'Philo-genitiveness' is
|
|
(Now here 's a word quite after my own heart,
|
|
Though there 's a shorter a good deal than this,
|
|
If that politeness set it not apart;
|
|
But I 'm resolved to say nought that 's amiss)-
|
|
I say, methinks that 'Philo-genitiveness'
|
|
Might meet from men a little more forgiveness.
|
|
|
|
And now to business.- O my gentle Juan,
|
|
Thou art in London- in that pleasant place,
|
|
Where every kind of mischief 's daily brewing,
|
|
Which can await warm youth in its wild race.
|
|
'T is true, that thy career is not a new one;
|
|
Thou art no novice in the headlong chase
|
|
Of early life; but this is a new land,
|
|
Which foreigners can never understand.
|
|
|
|
What with a small diversity of climate,
|
|
Of hot or cold, mercurial or sedate,
|
|
I could send forth my mandate like a primate
|
|
Upon the rest of Europe's social state;
|
|
But thou art the most difficult to rhyme at,
|
|
Great Britain, which the Muse may penetrate.
|
|
All countries have their 'Lions,' but in the
|
|
There is but one superb menagerie.
|
|
|
|
But I am sick of politics. Begin,
|
|
'Paulo Majora.' Juan, undecided
|
|
Amongst the paths of being 'taken in,'
|
|
Above the ice had like a skater glided:
|
|
When tired of play, he flirted without sin
|
|
With some of those fair creatures who have prided
|
|
Themselves on innocent tantalisation,
|
|
And hate all vice except its reputation.
|
|
|
|
But these are few, and in the end they make
|
|
Some devilish escapade or stir, which shows
|
|
That even the purest people may mistake
|
|
Their way through virtue's primrose paths of snows;
|
|
And then men stare, as if a new ass spake
|
|
To Balaam, and from tongue to ear o'erflows
|
|
Quicksilver small talk, ending (if you note it)
|
|
With the kind world's amen- 'Who would have thought it?'
|
|
|
|
The little Leila, with her orient eyes,
|
|
And taciturn Asiatic disposition
|
|
(Which saw all western things with small surprise,
|
|
To the surprise of people of condition,
|
|
Who think that novelties are butterflies
|
|
To be pursued as food for inanition),
|
|
Her charming figure and romantic history
|
|
Became a kind of fashionable mystery.
|
|
|
|
The women much divided- as is usual
|
|
Amongst the sex in little things or great.
|
|
Think not, fair creatures, that I mean to abuse you all-
|
|
I have always liked you better than I state:
|
|
Since I 've grown moral, still I must accuse you all
|
|
Of being apt to talk at a great rate;
|
|
And now there was a general sensation
|
|
Amongst you, about Leila's education.
|
|
|
|
In one point only were you settled- and
|
|
You had reason; 't was that a young child of grace,
|
|
As beautiful as her own native land,
|
|
And far away, the last bud of her race,
|
|
Howe'er our friend Don Juan might command
|
|
Himself for five, four, three, or two years' space,
|
|
Would be much better taught beneath the eye
|
|
Of peeresses whose follies had run dry.
|
|
|
|
So first there was a generous emulation,
|
|
And then there was a general competition,
|
|
To undertake the orphan's education.
|
|
As Juan was a person of condition,
|
|
It had been an affront on this occasion
|
|
To talk of a subscription or petition;
|
|
But sixteen dowagers, ten unwed she sages,
|
|
Whose tale belongs to 'Hallam's Middle Ages,'
|
|
|
|
And one or two sad, separate wives, without
|
|
A fruit to bloom upon their withering bough-
|
|
Begg'd to bring up the little girl and 'out,'-
|
|
For that 's the phrase that settles all things now,
|
|
Meaning a virgin's first blush at a rout,
|
|
And all her points as thorough-bred to show:
|
|
And I assure you, that like virgin honey
|
|
Tastes their first season (mostly if they have money).
|
|
|
|
How all the needy honourable misters,
|
|
Each out-at-elbow peer, or desperate dandy,
|
|
The watchful mothers, and the careful sisters
|
|
(Who, by the by, when clever, are more handy
|
|
At making matches, where ''t is gold that glisters,'
|
|
Than their he relatives), like flies o'er candy
|
|
Buzz round 'the Fortune' with their busy battery,
|
|
To turn her head with waltzing and with flattery!
|
|
|
|
Each aunt, each cousin, hath her speculation;
|
|
Nay, married dames will now and then discover
|
|
Such pure disinterestedness of passion,
|
|
I 've known them court an heiress for their lover.
|
|
'Tantaene!' Such the virtues of high station,
|
|
Even in the hopeful Isle, whose outlet 's 'Dover!'
|
|
While the poor rich wretch, object of these cares,
|
|
Has cause to wish her sire had had male heirs.
|
|
|
|
Some are soon bagg'd, and some reject three dozen.
|
|
'T is fine to see them scattering refusals
|
|
And wild dismay o'er every angry cousin
|
|
(Friends of the party), who begin accusals,
|
|
Such as- 'Unless Miss (Blank) meant to have chosen
|
|
Poor Frederick, why did she accord perusals
|
|
To his billets? Why waltz with him? Why, I pray,
|
|
Look yes last night, and yet say no to-day?
|
|
|
|
'Why?- Why?- Besides, Fred really was attach'd;
|
|
'T was not her fortune- he has enough without:
|
|
The time will come she 'll wish that she had snatch'd
|
|
So good an opportunity, no doubt:-
|
|
But the old marchioness some plan had hatch'd,
|
|
As I 'll tell Aurea at to-morrow's rout:
|
|
And after all poor Frederick may do better-
|
|
Pray did you see her answer to his letter?'
|
|
|
|
Smart uniforms and sparkling coronets
|
|
Are spurn'd in turn, until her turn arrives,
|
|
After male loss of time, and hearts, and bets
|
|
Upon the sweepstakes for substantial wives;
|
|
And when at last the pretty creature gets
|
|
Some gentleman, who fights, or writes, or drives,
|
|
It soothes the awkward squad of the rejected
|
|
To find how very badly she selected.
|
|
|
|
For sometimes they accept some long pursuer,
|
|
Worn out with importunity; or fall
|
|
(But here perhaps the instances are fewer)
|
|
To the lot of him who scarce pursued at all.
|
|
A hazy widower turn'd of forty 's sure
|
|
(If 't is not vain examples to recall)
|
|
To draw a high prize: now, howe'er he got her, I
|
|
See nought more strange in this than t' other lottery.
|
|
|
|
I, for my part (one 'modern instance' more,
|
|
'True, 't is a pity- pity 't is, 't is true'),
|
|
Was chosen from out an amatory score,
|
|
Albeit my years were less discreet than few;
|
|
But though I also had reform'd before
|
|
Those became one who soon were to be two,
|
|
I 'll not gainsay the generous public's voice,
|
|
That the young lady made a monstrous choice.
|
|
|
|
Oh, pardon my digression- or at least
|
|
Peruse! 'T is always with a moral end
|
|
That I dissert, like grace before a feast:
|
|
For like an aged aunt, or tiresome friend,
|
|
A rigid guardian, or a zealous priest,
|
|
My Muse by exhortation means to mend
|
|
All people, at all times, and in most places,
|
|
Which puts my Pegasus to these grave paces.
|
|
|
|
But now I 'm going to be immoral; now
|
|
I mean to show things really as they are,
|
|
Not as they ought to be: for I avow,
|
|
That till we see what 's what in fact, we 're far
|
|
From much improvement with that virtuous plough
|
|
Which skims the surface, leaving scarce a scar
|
|
Upon the black loam long manured by Vice,
|
|
Only to keep its corn at the old price.
|
|
|
|
But first of little Leila we 'll dispose;
|
|
For like a day-dawn she was young and pure,
|
|
Or like the old comparison of snows,
|
|
Which are more pure than pleasant to be sure.
|
|
Like many people everybody knows,
|
|
Don Juan was delighted to secure
|
|
A goodly guardian for his infant charge,
|
|
Who might not profit much by being at large.
|
|
|
|
Besides, he had found out he was no tutor
|
|
(I wish that others would find out the same);
|
|
And rather wish'd in such things to stand neuter,
|
|
For silly wards will bring their guardians blame:
|
|
So when he saw each ancient dame a suitor
|
|
To make his little wild Asiatic tame,
|
|
Consulting 'the Society for Vice
|
|
Suppression,' Lady Pinchbeck was his choice.
|
|
|
|
Olden she was- but had been very young;
|
|
Virtuous she was- and had been, I believe;
|
|
Although the world has such an evil tongue
|
|
That- but my chaster ear will not receive
|
|
An echo of a syllable that 's wrong:
|
|
In fact, there 's nothing makes me so much grieve,
|
|
As that abominable tittle-tattle,
|
|
Which is the cud eschew'd by human cattle.
|
|
|
|
Moreover I 've remark'd (and I was once
|
|
A slight observer in a modest way),
|
|
And so may every one except a dunce,
|
|
That ladies in their youth a little gay,
|
|
Besides their knowledge of the world, and sense
|
|
Of the sad consequence of going astray,
|
|
Are wiser in their warnings 'gainst the woe
|
|
Which the mere passionless can never know.
|
|
|
|
While the harsh prude indemnifies her virtue
|
|
By railing at the unknown and envied passion,
|
|
Seeking far less to save you than to hurt you,
|
|
Or, what 's still worse, to put you out of fashion,-
|
|
The kinder veteran with calm words will court you,
|
|
Entreating you to pause before you dash on;
|
|
Expounding and illustrating the riddle
|
|
Of epic Love's beginning, end, and middle.
|
|
|
|
Now whether it be thus, or that they are stricter,
|
|
As better knowing why they should be so,
|
|
I think you 'll find from many a family picture,
|
|
That daughters of such mothers as may know
|
|
The world by experience rather than by lecture,
|
|
Turn out much better for the Smithfield Show
|
|
Of vestals brought into the marriage mart,
|
|
Than those bred up by prudes without a heart.
|
|
|
|
I said that Lady Pinchbeck had been talk'd about-
|
|
As who has not, if female, young, and pretty?
|
|
But now no more the ghost of Scandal stalk'd about;
|
|
She merely was deem'd amiable and witty,
|
|
And several of her best bon-mots were hawk'd about:
|
|
Then she was given to charity and pity,
|
|
And pass'd (at least the latter years of life)
|
|
For being a most exemplary wife.
|
|
|
|
High in high circles, gentle in her own,
|
|
She was the mild reprover of the young,
|
|
Whenever- which means every day- they 'd shown
|
|
An awkward inclination to go wrong.
|
|
The quantity of good she did 's unknown,
|
|
Or at the least would lengthen out my song:
|
|
In brief, the little orphan of the East
|
|
Had raised an interest in her, which increased.
|
|
|
|
Juan, too, was a sort of favourite with her,
|
|
Because she thought him a good heart at bottom,
|
|
A little spoil'd, but not so altogether;
|
|
Which was a wonder, if you think who got him,
|
|
And how he had been toss'd, he scarce knew whither:
|
|
Though this might ruin others, it did not him,
|
|
At least entirely- for he had seen too many
|
|
Changes in youth, to be surprised at any.
|
|
|
|
And these vicissitudes tell best in youth;
|
|
For when they happen at a riper age,
|
|
People are apt to blame the Fates, forsooth,
|
|
And wonder Providence is not more sage.
|
|
Adversity is the first path to truth:
|
|
He who hath proved war, storm, or woman's rage,
|
|
Whether his winters be eighteen or eighty,
|
|
Hath won the experience which is deem'd so weighty.
|
|
|
|
How far it profits is another matter.-
|
|
Our hero gladly saw his little charge
|
|
Safe with a lady, whose last grown-up daughter
|
|
Being long married, and thus set at large,
|
|
Had left all the accomplishments she taught her
|
|
To be transmitted, like the Lord Mayor's barge,
|
|
To the next comer; or- as it will tell
|
|
More Muse-like- like to Cytherea's shell.
|
|
|
|
I call such things transmission; for there is
|
|
A floating balance of accomplishment
|
|
Which forms a pedigree from Miss to Miss,
|
|
According as their minds or backs are bent.
|
|
Some waltz; some draw; some fathom the abyss
|
|
Of metaphysics; others are content
|
|
With music; the most moderate shine as wits;
|
|
While others have a genius turn'd for fits.
|
|
|
|
But whether fits, or wits, or harpsichords,
|
|
Theology, fine arts, or finer stays,
|
|
May be the baits for gentlemen or lords
|
|
With regular descent, in these our days,
|
|
The last year to the new transfers its hoards;
|
|
New vestals claim men's eyes with the same praise
|
|
Of 'elegant' et caetera, in fresh batches-
|
|
All matchless creatures, and yet bent on matches.
|
|
|
|
But now I will begin my poem. 'T is
|
|
Perhaps a little strange, if not quite new,
|
|
That from the first of Cantos up to this
|
|
I 've not begun what we have to go through.
|
|
These first twelve books are merely flourishes,
|
|
Preludios, trying just a string or two
|
|
Upon my lyre, or making the pegs sure;
|
|
And when so, you shall have the overture.
|
|
|
|
My Muses do not care a pinch of rosin
|
|
About what 's call'd success, or not succeeding:
|
|
Such thoughts are quite below the strain they have chosen;
|
|
'T is a 'great moral lesson' they are reading.
|
|
I thought, at setting off, about two dozen
|
|
Cantos would do; but at Apollo's pleading,
|
|
If that my Pegasus should not be founder'd,
|
|
I think to canter gently through a hundred.
|
|
|
|
Don Juan saw that microcosm on stilts,
|
|
Yclept the Great World; for it is the least,
|
|
Although the highest: but as swords have hilts
|
|
By which their power of mischief is increased,
|
|
When man in battle or in quarrel tilts,
|
|
Thus the low world, north, south, or west, or east,
|
|
Must still obey the high- which is their handle,
|
|
Their moon, their sun, their gas, their farthing candle.
|
|
|
|
He had many friends who had many wives, and was
|
|
Well look'd upon by both, to that extent
|
|
Of friendship which you may accept or pass,
|
|
It does nor good nor harm being merely meant
|
|
To keep the wheels going of the higher class,
|
|
And draw them nightly when a ticket 's sent:
|
|
And what with masquerades, and fetes, and balls,
|
|
For the first season such a life scarce palls.
|
|
|
|
A young unmarried man, with a good name
|
|
And fortune, has an awkward part to play;
|
|
For good society is but a game,
|
|
'The royal game of Goose,' as I may say,
|
|
Where every body has some separate aim,
|
|
An end to answer, or a plan to lay-
|
|
The single ladies wishing to be double,
|
|
The married ones to save the virgins trouble.
|
|
|
|
I don't mean this as general, but particular
|
|
Examples may be found of such pursuits:
|
|
Though several also keep their perpendicular
|
|
Like poplars, with good principles for roots;
|
|
Yet many have a method more reticular-
|
|
'Fishers for men,' like sirens with soft lutes:
|
|
For talk six times with the same single lady,
|
|
And you may get the wedding dresses ready.
|
|
|
|
Perhaps you 'll have a letter from the mother,
|
|
To say her daughter's feelings are trepann'd;
|
|
Perhaps you 'll have a visit from the brother,
|
|
All strut, and stays, and whiskers, to demand
|
|
What 'your intentions are?'- One way or other
|
|
It seems the virgin's heart expects your hand:
|
|
And between pity for her case and yours,
|
|
You 'll add to Matrimony's list of cures.
|
|
|
|
I 've known a dozen weddings made even thus,
|
|
And some of them high names: I have also known
|
|
Young men who- though they hated to discuss
|
|
Pretensions which they never dream'd to have shown-
|
|
Yet neither frighten'd by a female fuss,
|
|
Nor by mustachios moved, were let alone,
|
|
And lived, as did the broken-hearted fair,
|
|
In happier plight than if they form'd a pair.
|
|
|
|
There 's also nightly, to the uninitiated,
|
|
A peril- not indeed like love or marriage,
|
|
But not the less for this to be depreciated:
|
|
It is- I meant and mean not to disparage
|
|
The show of virtue even in the vitiated-
|
|
It adds an outward grace unto their carriage-
|
|
But to denounce the amphibious sort of harlot,
|
|
'Couleur de rose,' who 's neither white nor scarlet.
|
|
|
|
Such is your cold coquette, who can't say 'No,'
|
|
And won't say 'Yes,' and keeps you on and off-ing
|
|
On a lee-shore, till it begins to blow-
|
|
Then sees your heart wreck'd, with an inward scoffing.
|
|
This works a world of sentimental woe,
|
|
And sends new Werters yearly to their coffin;
|
|
But yet is merely innocent flirtation,
|
|
Not quite adultery, but adulteration.
|
|
|
|
'Ye gods, I grow a talker!' Let us prate.
|
|
The next of perils, though I place it sternest,
|
|
Is when, without regard to 'church or state,'
|
|
A wife makes or takes love in upright earnest.
|
|
Abroad, such things decide few women's fate-
|
|
(Such, early traveller! is the truth thou learnest)-
|
|
But in old England, when a young bride errs,
|
|
Poor thing! Eve's was a trifling case to hers.
|
|
|
|
For 't is a low, newspaper, humdrum, lawsuit
|
|
Country, where a young couple of the same ages
|
|
Can't form a friendship, but the world o'erawes it.
|
|
A verdict- grievous foe to those who cause it!-
|
|
Forms a sad climax to romantic homages;
|
|
Besides those soothing speeches of the pleaders,
|
|
And evidences which regale all readers.
|
|
|
|
But they who blunder thus are raw beginners;
|
|
A little genial sprinkling of hypocrisy
|
|
Has saved the fame of thousand splendid sinners,
|
|
The loveliest oligarchs of our gynocracy;
|
|
You may see such at all the balls and dinners,
|
|
Among the proudest of our aristocracy,
|
|
So gentle, charming, charitable, chaste-
|
|
And all by having tact as well as taste.
|
|
|
|
Juan, who did not stand in the predicament
|
|
Of a mere novice, had one safeguard more;
|
|
For he was sick- no, 't was not the word sick I meant-
|
|
But he had seen so much love before,
|
|
That he was not in heart so very weak;- I meant
|
|
But thus much, and no sneer against the shore
|
|
Of white cliffs, white necks, blue eyes, bluer stockings,
|
|
Tithes, taxes, duns, and doors with double knockings.
|
|
|
|
But coming young from lands and scenes romantic,
|
|
Where lives, not lawsuits, must be risk'd for Passion,
|
|
And Passion's self must have a spice of frantic,
|
|
Into a country where 't is half a fashion,
|
|
Seem'd to him half commercial, half pedantic,
|
|
Howe'er he might esteem this moral nation:
|
|
Besides (alas! his taste- forgive and pity!)
|
|
At first he did not think the women pretty.
|
|
|
|
I say at first- for he found out at last,
|
|
But by degrees, that they were fairer far
|
|
Than the more glowing dames whose lot is cast
|
|
Beneath the influence of the eastern star.
|
|
A further proof we should not judge in haste;
|
|
Yet inexperience could not be his bar
|
|
To taste:- the truth is, if men would confess,
|
|
That novelties please less than they impress.
|
|
|
|
Though travell'd, I have never had the luck to
|
|
Trace up those shuffling negroes, Nile or Niger,
|
|
To that impracticable place, Timbuctoo,
|
|
Where Geography finds no one to oblige her
|
|
With such a chart as may be safely stuck to-
|
|
For Europe ploughs in Afric like 'bos piger:'
|
|
But if I had been at Timbuctoo, there
|
|
No doubt I should be told that black is fair.
|
|
|
|
It is. I will not swear that black is white;
|
|
But I suspect in fact that white is black,
|
|
And the whole matter rests upon eyesight.
|
|
Ask a blind man, the best judge. You 'll attack
|
|
Perhaps this new position- but I 'm right;
|
|
Or if I 'm wrong, I 'll not be ta'en aback:-
|
|
He hath no morn nor night, but all is dark
|
|
Within; and what seest thou? A dubious spark.
|
|
|
|
But I 'm relapsing into metaphysics,
|
|
That labyrinth, whose clue is of the same
|
|
Construction as your cures for hectic phthisics,
|
|
Those bright moths fluttering round a dying flame;
|
|
And this reflection brings me to plain physics,
|
|
And to the beauties of a foreign dame,
|
|
Compared with those of our pure pearls of price,
|
|
Those polar summers, all sun, and some ice.
|
|
|
|
Or say they are like virtuous mermaids, whose
|
|
Beginnings are fair faces, ends mere fishes;-
|
|
Not that there 's not a quantity of those
|
|
Who have a due respect for their own wishes.
|
|
Like Russians rushing from hot baths to snows
|
|
Are they, at bottom virtuous even when vicious:
|
|
They warm into a scrape, but keep of course,
|
|
As a reserve, a plunge into remorse.
|
|
|
|
But this has nought to do with their outsides.
|
|
I said that Juan did not think them pretty
|
|
At the first blush; for a fair Briton hides
|
|
Half her attractions- probably from pity-
|
|
And rather calmly into the heart glides,
|
|
Than storms it as a foe would take a city;
|
|
But once there (if you doubt this, prithee try)
|
|
She keeps it for you like a true ally.
|
|
|
|
She cannot step as does an Arab barb,
|
|
Or Andalusian girl from mass returning,
|
|
Nor wear as gracefully as Gauls her garb,
|
|
Nor in her eye Ausonia's glance is burning;
|
|
Her voice, though sweet, is not so fit to warb-
|
|
le those bravuras (which I still am learning
|
|
To like, though I have been seven years in Italy,
|
|
And have, or had, an ear that served me prettily);-
|
|
|
|
She cannot do these things, nor one or two
|
|
Others, in that off-hand and dashing style
|
|
Which takes so much- to give the devil his due;
|
|
Nor is she quite so ready with her smile,
|
|
Nor settles all things in one interview
|
|
(A thing approved as saving time and toil);-
|
|
But though the soil may give you time and trouble,
|
|
Well cultivated, it will render double.
|
|
|
|
And if in fact she takes to a 'grande passion,'
|
|
It is a very serious thing indeed:
|
|
Nine times in ten 't is but caprice or fashion,
|
|
Coquetry, or a wish to take the lead,
|
|
The pride of a mere child with a new sash on,
|
|
Or wish to make a rival's bosom bleed:
|
|
But the tenth instance will be a tornado,
|
|
For there 's no saying what they will or may do.
|
|
|
|
The reason 's obvious; if there 's an eclat,
|
|
They lose their caste at once, as do the Parias;
|
|
And when the delicacies of the law
|
|
Have fill'd their papers with their comments various,
|
|
Society, that china without flaw
|
|
(The hypocrite!), will banish them like Marius,
|
|
To sit amidst the ruins of their guilt:
|
|
For Fame 's a Carthage not so soon rebuilt.
|
|
|
|
Perhaps this is as it should be;- it is
|
|
A comment on the Gospel's 'Sin no more,
|
|
And be thy sins forgiven:'- but upon this
|
|
I leave the saints to settle their own score.
|
|
Abroad, though doubtless they do much amiss,
|
|
An erring woman finds an opener door
|
|
For her return to Virtue- as they cal
|
|
That lady, who should be at home to all.
|
|
|
|
For me, I leave the matter where I find it,
|
|
Knowing that such uneasy virtue leads
|
|
People some ten times less in fact to mind it,
|
|
And care but for discoveries and not deeds.
|
|
And as for chastity, you 'll never bind it
|
|
By all the laws the strictest lawyer pleads,
|
|
But aggravate the crime you have not prevented,
|
|
By rendering desperate those who had else repented.
|
|
|
|
But Juan was no casuist, nor had ponder'd
|
|
Upon the moral lessons of mankind:
|
|
Besides, he had not seen of several hundred
|
|
A lady altogether to his mind.
|
|
A little 'blase'- 't is not to be wonder'd
|
|
At, that his heart had got a tougher rind:
|
|
And though not vainer from his past success,
|
|
No doubt his sensibilities were less.
|
|
|
|
He also had been busy seeing sights-
|
|
The Parliament and all the other houses;
|
|
Had sat beneath the gallery at nights,
|
|
To hear debates whose thunder roused (not rouses)
|
|
The world to gaze upon those northern lights
|
|
Which flash'd as far as where the musk-bull browses;
|
|
He had also stood at times behind the throne-
|
|
But Grey was not arrived, and Chatham gone.
|
|
|
|
He saw, however, at the closing session,
|
|
That noble sight, when really free the nation,
|
|
A king in constitutional possession
|
|
Of such a throne as is the proudest station,
|
|
Though despots know it not- till the progression
|
|
Of freedom shall complete their education.
|
|
'T is not mere splendour makes the show august
|
|
To eye or heart- it is the people's trust.
|
|
|
|
There, too, he saw (whate'er he may be now)
|
|
A Prince, the prince of princes at the time,
|
|
With fascination in his very bow,
|
|
And full of promise, as the spring of prime.
|
|
Though royalty was written on his brow,
|
|
He had then the grace, too, rare in every clime,
|
|
Of being, without alloy of fop or beau,
|
|
A finish'd gentleman from top to toe.
|
|
|
|
And Juan was received, as hath been said,
|
|
Into the best society: and there
|
|
Occurr'd what often happens, I 'm afraid,
|
|
However disciplined and debonnaire:-
|
|
The talent and good humour he display'd,
|
|
Besides the mark'd distinction of his air,
|
|
Exposed him, as was natural, to temptation,
|
|
Even though himself avoided the occasion.
|
|
|
|
But what, and where, with whom, and when, and why,
|
|
Is not to be put hastily together;
|
|
And as my object is morality
|
|
(Whatever people say), I don't know whether
|
|
I 'll leave a single reader's eyelid dry,
|
|
But harrow up his feelings till they wither,
|
|
And hew out a huge monument of pathos,
|
|
As Philip's son proposed to do with Athos.
|
|
|
|
Here the twelfth Canto of our introduction
|
|
Ends. When the body of the book 's begun,
|
|
You 'll find it of a different construction
|
|
From what some people say 't will be when done:
|
|
The plan at present 's simply in concoction,
|
|
I can't oblige you, reader, to read on;
|
|
That 's your affair, not mine: a real spirit
|
|
Should neither court neglect, nor dread to bear it.
|
|
|
|
And if my thunderbolt not always rattles,
|
|
Remember, reader! you have had before
|
|
The worst of tempests and the best of battles
|
|
That e'er were brew'd from elements or gore,
|
|
Besides the most sublime of- Heaven knows what else:
|
|
An usurer could scarce expect much more-
|
|
But my best canto, save one on astronomy,
|
|
Will turn upon 'political economy.'
|
|
|
|
That is your present theme for popularity:
|
|
Now that the public hedge hath scarce a stake,
|
|
It grows an act of patriotic charity,
|
|
To show the people the best way to break.
|
|
My plan (but I, if but for singularity,
|
|
Reserve it) will be very sure to take.
|
|
Meantime, read all the national debt-sinkers,
|
|
And tell me what you think of your great thinkers.
|
|
CANTO THE THIRTEENTH.
|
|
|
|
I NOW mean to be serious;- it is time,
|
|
Since laughter now-a-days is deem'd too serious.
|
|
A jest at Vice by Virtue 's call'd a crime,
|
|
And critically held as deleterious:
|
|
Besides, the sad 's a source of the sublime,
|
|
Although when long a little apt to weary us;
|
|
And therefore shall my lay soar high and solemn,
|
|
As an old temple dwindled to a column.
|
|
|
|
The Lady Adeline Amundeville
|
|
('T is an old Norman name, and to be found
|
|
In pedigrees, by those who wander still
|
|
Along the last fields of that Gothic ground)
|
|
Was high-born, wealthy by her father's will,
|
|
And beauteous, even where beauties most abound,
|
|
In Britain- which of course true patriots find
|
|
The goodliest soil of body and of mind.
|
|
|
|
I 'll not gainsay them; it is not my cue;
|
|
I 'll leave them to their taste, no doubt the best:
|
|
An eye 's an eye, and whether black or blue,
|
|
Is no great matter, so 't is in request,
|
|
'T is nonsense to dispute about a hue-
|
|
The kindest may be taken as a test.
|
|
The fair sex should be always fair; and no man,
|
|
Till thirty, should perceive there 's a plain woman.
|
|
|
|
And after that serene and somewhat dull
|
|
Epoch, that awkward corner turn'd for days
|
|
More quiet, when our moon 's no more at full,
|
|
We may presume to criticise or praise;
|
|
Because indifference begins to lull
|
|
Our passions, and we walk in wisdom's ways;
|
|
Also because the figure and the face
|
|
Hint, that 't is time to give the younger place.
|
|
|
|
I know that some would fain postpone this era,
|
|
Reluctant as all placemen to resign
|
|
Their post; but theirs is merely a chimera,
|
|
For they have pass'd life's equinoctial line:
|
|
But then they have their claret and Madeira
|
|
To irrigate the dryness of decline;
|
|
And county meetings, and the parliament,
|
|
And debt, and what not, for their solace sent.
|
|
|
|
And is there not religion, and reform,
|
|
Peace, war, the taxes, and what 's call'd the 'Nation'?
|
|
The struggle to be pilots in a storm?
|
|
The landed and the monied speculation?
|
|
The joys of mutual hate to keep them warm,
|
|
Instead of love, that mere hallucination?
|
|
Now hatred is by far the longest pleasure;
|
|
Men love in haste, but they detest at leisure.
|
|
|
|
Rough Johnson, the great moralist, profess'd,
|
|
Right honestly, 'he liked an honest hater!'-
|
|
The only truth that yet has been confest
|
|
Within these latest thousand years or later.
|
|
Perhaps the fine old fellow spoke in jest:-
|
|
For my part, I am but a mere spectator,
|
|
And gaze where'er the palace or the hovel is,
|
|
Much in the mode of Goethe's Mephistopheles;
|
|
|
|
But neither love nor hate in much excess;
|
|
Though 't was not once so. If I sneer sometimes,
|
|
It is because I cannot well do less,
|
|
And now and then it also suits my rhymes.
|
|
I should be very willing to redress
|
|
Men's wrongs, and rather check than punish crimes,
|
|
Had not Cervantes, in that too true tale
|
|
Of Quixote, shown how all such efforts fail.
|
|
|
|
Of all tales 't is the saddest- and more sad,
|
|
Because it makes us smile: his hero 's right,
|
|
And still pursues the right;- to curb the bad
|
|
His only object, and 'gainst odds to fight
|
|
His guerdon: 't is his virtue makes him mad!
|
|
But his adventures form a sorry sight;
|
|
A sorrier still is the great moral taught
|
|
By that real epic unto all who have thought.
|
|
|
|
Redressing injury, revenging wrong,
|
|
To aid the damsel and destroy the caitiff;
|
|
Opposing singly the united strong,
|
|
From foreign yoke to free the helpless native:-
|
|
Alas! must noblest views, like an old song,
|
|
Be for mere fancy's sport a theme creative,
|
|
A jest, a riddle, Fame through thin and thick sought!
|
|
And Socrates himself but Wisdom's Quixote?
|
|
|
|
Cervantes smiled Spain's chivalry away;
|
|
A single laugh demolish'd the right arm
|
|
Of his own country;- seldom since that day
|
|
Has Spain had heroes. While Romance could charm,
|
|
The world gave ground before her bright array;
|
|
And therefore have his volumes done such harm,
|
|
That all their glory, as a composition,
|
|
Was dearly purchased by his land's perdition.
|
|
|
|
I 'm 'at my old lunes'- digression, and forget
|
|
The Lady Adeline Amundeville;
|
|
The fair most fatal Juan ever met,
|
|
Although she was not evil nor meant ill;
|
|
But Destiny and Passion spread the net
|
|
(Fate is a good excuse for our own will),
|
|
And caught them;- what do they not catch, methinks?
|
|
But I 'm not OEdipus, and life 's a Sphinx.
|
|
|
|
I tell the tale as it is told, nor dare
|
|
To venture a solution: 'Davus sum!'
|
|
And now I will proceed upon the pair.
|
|
Sweet Adeline, amidst the gay world's hum,
|
|
Was the Queen-Bee, the glass of all that 's fair;
|
|
Whose charms made all men speak, and women dumb.
|
|
The last 's a miracle, and such was reckon'd,
|
|
And since that time there has not been a second.
|
|
|
|
Chaste was she, to detraction's desperation,
|
|
And wedded unto one she had loved well-
|
|
A man known in the councils of the nation,
|
|
Cool, and quite English, imperturbable,
|
|
Though apt to act with fire upon occasion,
|
|
Proud of himself and her: the world could tell
|
|
Nought against either, and both seem'd secure-
|
|
She in her virtue, he in his hauteur.
|
|
|
|
It chanced some diplomatical relations,
|
|
Arising out of business, often brought
|
|
Himself and Juan in their mutual stations
|
|
Into close contact. Though reserved, nor caught
|
|
By specious seeming, Juan's youth, and patience,
|
|
And talent, on his haughty spirit wrought,
|
|
And form'd a basis of esteem, which ends
|
|
In making men what courtesy calls friends.
|
|
|
|
And thus Lord Henry, who was cautious as
|
|
Reserve and pride could make him, and full slow
|
|
In judging men- when once his judgment was
|
|
Determined, right or wrong, on friend or foe,
|
|
Had all the pertinacity pride has,
|
|
Which knows no ebb to its imperious flow,
|
|
And loves or hates, disdaining to be guided,
|
|
Because its own good pleasure hath decided.
|
|
|
|
His friendships, therefore, and no less aversions,
|
|
Though oft well founded, which confirm'd but more
|
|
His prepossessions, like the laws of Persians
|
|
And Medes, would ne'er revoke what went before.
|
|
His feelings had not those strange fits, like tertians,
|
|
Of common likings, which make some deplore
|
|
What they should laugh at- the mere ague still
|
|
Of men's regard, the fever or the chill.
|
|
|
|
''T is not in mortals to command success:
|
|
But do you more, Sempronius- don't deserve it,'
|
|
And take my word, you won't have any less.
|
|
Be wary, watch the time, and always serve it;
|
|
Give gently way, when there 's too great a press;
|
|
And for your conscience, only learn to nerve it,
|
|
For, like a racer, or a boxer training,
|
|
'T will make, if proved, vast efforts without paining.
|
|
|
|
Lord Henry also liked to be superior,
|
|
As most men do, the little or the great;
|
|
The very lowest find out an inferior,
|
|
At least they think so, to exert their state
|
|
Upon: for there are very few things wearier
|
|
Than solitary Pride's oppressive weight,
|
|
Which mortals generously would divide,
|
|
By bidding others carry while they ride.
|
|
|
|
In birth, in rank, in fortune likewise equal,
|
|
O'er Juan he could no distinction claim;
|
|
In years he had the advantage of time's sequel;
|
|
And, as he thought, in country much the same-
|
|
Because bold Britons have a tongue and free quill,
|
|
At which all modern nations vainly aim;
|
|
And the Lord Henry was a great debater,
|
|
So that few members kept the house up later.
|
|
|
|
These were advantages: and then he thought-
|
|
It was his foible, but by no means sinister-
|
|
That few or none more than himself had caught
|
|
Court mysteries, having been himself a minister:
|
|
He liked to teach that which he had been taught,
|
|
And greatly shone whenever there had been a stir;
|
|
And reconciled all qualities which grace man,
|
|
Always a patriot, and sometimes a placeman.
|
|
|
|
He liked the gentle Spaniard for his gravity;
|
|
He almost honour'd him for his docility;
|
|
Because, though young, he acquiesced with suavity,
|
|
Or contradicted but with proud humility.
|
|
He knew the world, and would not see depravity
|
|
In faults which sometimes show the soil's fertility,
|
|
If that the weeds o'erlive not the first crop-
|
|
For then they are very difficult to stop.
|
|
|
|
And then he talk'd with him about Madrid,
|
|
Constantinople, and such distant places;
|
|
Where people always did as they were bid,
|
|
Or did what they should not with foreign graces.
|
|
Of coursers also spake they: Henry rid
|
|
Well, like most Englishmen, and loved the races;
|
|
And Juan, like a true-born Andalusian,
|
|
Could back a horse, as despots ride a Russian.
|
|
|
|
And thus acquaintance grew, at noble routs,
|
|
And diplomatic dinners, or at other-
|
|
For Juan stood well both with Ins and Outs,
|
|
As in freemasonry a higher brother.
|
|
Upon his talent Henry had no doubts;
|
|
His manner show'd him sprung from a high mother;
|
|
And all men like to show their hospitality
|
|
To him whose breeding matches with his quality.
|
|
|
|
At Blank-Blank Square;- for we will break no squares
|
|
By naming streets: since men are so censorious,
|
|
And apt to sow an author's wheat with tares,
|
|
Reaping allusions private and inglorious,
|
|
Where none were dreamt of, unto love's affairs,
|
|
Which were, or are, or are to be notorious,
|
|
That therefore do I previously declare,
|
|
Lord Henry's mansion was in Blank-Blank Square.
|
|
|
|
Also there bin another pious reason
|
|
For making squares and streets anonymous;
|
|
Which is, that there is scarce a single season
|
|
Which doth not shake some very splendid house
|
|
With some slight heart-quake of domestic treason-
|
|
A topic scandal doth delight to rouse:
|
|
Such I might stumble over unawares,
|
|
Unless I knew the very chastest squares.
|
|
|
|
'T is true, I might have chosen Piccadilly,
|
|
A place where peccadillos are unknown;
|
|
But I have motives, whether wise or silly,
|
|
For letting that pure sanctuary alone.
|
|
Therefore I name not square, street, place, until I
|
|
Find one where nothing naughty can be shown,
|
|
A vestal shrine of innocence of heart:
|
|
|
|
At Henry's mansion then, in Blank-Blank Square,
|
|
Was Juan a recherche, welcome guest,
|
|
As many other noble scions were;
|
|
And some who had but talent for their crest;
|
|
Or wealth, which is a passport every where;
|
|
Or even mere fashion, which indeed 's the best
|
|
Recommendation; and to be well drest
|
|
Will very often supersede the rest.
|
|
|
|
And since 'there 's safety in a multitude
|
|
Of counsellors,' as Solomon has said,
|
|
Or some one for him, in some sage, grave mood;-
|
|
Indeed we see the daily proof display'd
|
|
In senates, at the bar, in wordy feud,
|
|
Where'er collective wisdom can parade,
|
|
Which is the only cause that we can guess
|
|
Of Britain's present wealth and happiness;-
|
|
|
|
But as 'there 's safety' grafted in the number
|
|
'Of counsellors' for men, thus for the sex
|
|
A large acquaintance lets not Virtue slumber;
|
|
Or should it shake, the choice will more perplex-
|
|
Variety itself will more encumber.
|
|
'Midst many rocks we guard more against wrecks;
|
|
And thus with women: howsoe'er it shocks some's
|
|
Self-love, there 's safety in a crowd of coxcombs.
|
|
|
|
But Adeline had not the least occasion
|
|
For such a shield, which leaves but little merit
|
|
To virtue proper, or good education.
|
|
Her chief resource was in her own high spirit,
|
|
Which judged mankind at their due estimation;
|
|
And for coquetry, she disdain'd to wear it:
|
|
Secure of admiration, its impression
|
|
Was faint, as of an every-day possession.
|
|
|
|
To all she was polite without parade;
|
|
To some she show'd attention of that kind
|
|
Which flatters, but is flattery convey'd
|
|
In such a sort as cannot leave behind
|
|
A trace unworthy either wife or maid;-
|
|
A gentle, genial courtesy of mind,
|
|
To those who were, or pass'd for meritorious,
|
|
Just to console sad glory for being glorious;
|
|
|
|
Which is in all respects, save now and then,
|
|
A dull and desolate appendage. Gaze
|
|
Upon the shades of those distinguish'd men
|
|
Who were or are the puppet-shows of praise,
|
|
The praise of persecution; gaze again
|
|
On the most favour'd; and amidst the blaze
|
|
Of sunset halos o'er the laurel-brow'd,
|
|
What can ye recognise?- a gilded cloud.
|
|
|
|
There also was of course in Adeline
|
|
That calm patrician polish in the address,
|
|
Which ne'er can pass the equinoctial line
|
|
Of any thing which nature would express;
|
|
Just as a mandarin finds nothing fine,-
|
|
At least his manner suffers not to guess
|
|
That any thing he views can greatly please.
|
|
Perhaps we have borrow'd this from the Chinese-
|
|
|
|
Perhaps from Horace: his 'Nil admirari'
|
|
Was what he call'd the 'Art of Happiness;'
|
|
An art on which the artists greatly vary,
|
|
And have not yet attain'd to much success.
|
|
However, 't is expedient to be wary:
|
|
Indifference certes don't produce distress;
|
|
And rash enthusiasm in good society
|
|
Were nothing but a moral inebriety.
|
|
|
|
But Adeline was not indifferent: for
|
|
(Now for a common-place!) beneath the snow,
|
|
As a volcano holds the lava more
|
|
Within- et caetera. Shall I go on?- No!
|
|
I hate to hunt down a tired metaphor,
|
|
So let the often-used volcano go.
|
|
Poor thing! How frequently, by me and others,
|
|
It hath been stirr'd up till its smoke quite smothers!
|
|
|
|
I 'll have another figure in a trice:-
|
|
What say you to a bottle of champagne?
|
|
Frozen into a very vinous ice,
|
|
Which leaves few drops of that immortal rain,
|
|
Yet in the very centre, past all price,
|
|
About a liquid glassful will remain;
|
|
And this is stronger than the strongest grape
|
|
Could e'er express in its expanded shape:
|
|
|
|
'T is the whole spirit brought to a quintessence;
|
|
And thus the chilliest aspects may concentre
|
|
A hidden nectar under a cold presence.
|
|
And such are many- though I only meant her
|
|
From whom I now deduce these moral lessons,
|
|
On which the Muse has always sought to enter.
|
|
And your cold people are beyond all price,
|
|
When once you have broken their confounded ice.
|
|
|
|
But after all they are a North-West Passage
|
|
Unto the glowing India of the soul;
|
|
And as the good ships sent upon that message
|
|
Have not exactly ascertain'd the Pole
|
|
(Though Parry's efforts look a lucky presage),
|
|
Thus gentlemen may run upon a shoal;
|
|
For if the Pole 's not open, but all frost
|
|
(A chance still), 't is a voyage or vessel lost.
|
|
|
|
And young beginners may as well commence
|
|
With quiet cruising o'er the ocean woman;
|
|
While those who are not beginners should have sense
|
|
Enough to make for port, ere time shall summon
|
|
With his grey signal-flag; and the past tense,
|
|
The dreary 'Fuimus' of all things human,
|
|
Must be declined, while life's thin thread 's spun out
|
|
Between the gaping heir and gnawing gout.
|
|
|
|
But heaven must be diverted; its diversion
|
|
Is sometimes truculent- but never mind:
|
|
The world upon the whole is worth the assertion
|
|
(If but for comfort) that all things are kind:
|
|
And that same devilish doctrine of the Persian,
|
|
Of the two principles, but leaves behind
|
|
As many doubts as any other doctrine
|
|
Has ever puzzled Faith withal, or yoked her in.
|
|
|
|
The English winter- ending in July,
|
|
To recommence in August- now was done.
|
|
'T is the postilion's paradise: wheels fly;
|
|
On roads, east, south, north, west, there is a run.
|
|
But for post-horses who finds sympathy?
|
|
Man's pity 's for himself, or for his son,
|
|
Always premising that said son at college
|
|
Has not contracted much more debt than knowledge.
|
|
|
|
The London winter 's ended in July-
|
|
Sometimes a little later. I don't err
|
|
In this: whatever other blunders lie
|
|
Upon my shoulders, here I must aver
|
|
My Muse a glass of weatherology;
|
|
For parliament is our barometer:
|
|
Let radicals its other acts attack,
|
|
Its sessions form our only almanack.
|
|
|
|
When its quicksilver 's down at zero,- lo
|
|
Coach, chariot, luggage, baggage, equipage!
|
|
Wheels whirl from Carlton palace to Soho,
|
|
And happiest they who horses can engage;
|
|
The turnpikes glow with dust; and Rotten Row
|
|
Sleeps from the chivalry of this bright age;
|
|
And tradesmen, with long bills and longer faces,
|
|
Sigh- as the postboys fasten on the traces.
|
|
|
|
They and their bills, 'Arcadians both,' are left
|
|
To the Greek kalends of another session.
|
|
Alas! to them of ready cash bereft,
|
|
What hope remains? Of hope the full possession,
|
|
Or generous draft, conceded as a gift,
|
|
At a long date- till they can get a fresh one-
|
|
Hawk'd about at a discount, small or large;
|
|
Also the solace of an overcharge.
|
|
|
|
But these are trifles. Downward flies my lord,
|
|
Nodding beside my lady in his carriage.
|
|
Away! away! 'Fresh horses!' are the word,
|
|
And changed as quickly as hearts after marriage;
|
|
The obsequious landlord hath the change restored;
|
|
The postboys have no reason to disparage
|
|
Their fee; but ere the water'd wheels may hiss hence,
|
|
The ostler pleads too for a reminiscence.
|
|
|
|
'T is granted; and the valet mounts the dickey-
|
|
That gentleman of lords and gentlemen;
|
|
Also my lady's gentlewoman, tricky,
|
|
Trick'd out, but modest more than poet's pen
|
|
Can paint,- 'Cosi viaggino i Ricchi!'
|
|
(Excuse a foreign slipslop now and then,
|
|
If but to show I 've travell'd; and what 's travel,
|
|
Unless it teaches one to quote and cavil?)
|
|
|
|
The London winter and the country summer
|
|
Were well nigh over. 'T is perhaps a pity,
|
|
When nature wears the gown that doth become her,
|
|
To lose those best months in a sweaty city,
|
|
And wait until the nightingale grows dumber,
|
|
Listening debates not very wise or witty,
|
|
Ere patriots their true country can remember;-
|
|
But there 's no shooting (save grouse) till September.
|
|
|
|
I 've done with my tirade. The world was gone;
|
|
The twice two thousand, for whom earth was made,
|
|
Were vanish'd to be what they call alone-
|
|
That is, with thirty servants for parade,
|
|
As many guests, or more; before whom groan
|
|
As many covers, duly, daily, laid.
|
|
Let none accuse Old England's hospitality-
|
|
Its quantity is but condensed to quality.
|
|
|
|
Lord Henry and the Lady Adeline
|
|
Departed like the rest of their compeers,
|
|
The peerage, to a mansion very fine;
|
|
The Gothic Babel of a thousand years.
|
|
None than themselves could boast a longer line,
|
|
Where time through heroes and through beauties steers;
|
|
And oaks as olden as their pedigree
|
|
Told of their sires, a tomb in every tree.
|
|
|
|
A paragraph in every paper told
|
|
Of their departure: such is modern fame:
|
|
'T is pity that it takes no farther hold
|
|
Than an advertisement, or much the same;
|
|
When, ere the ink be dry, the sound grows cold.
|
|
The Morning Post was foremost to proclaim-
|
|
'Departure, for his country seat, to-day,
|
|
Lord H. Amundeville and Lady A.
|
|
|
|
'We understand the splendid host intends
|
|
To entertain, this autumn, a select
|
|
And numerous party of his noble friends;
|
|
'Midst whom we have heard, from sources quite correct,
|
|
With many more by rank and fashion deck'd;
|
|
Also a foreigner of high condition,
|
|
The envoy of the secret Russian mission.'
|
|
|
|
And thus we see- who doubts the Morning Post?
|
|
(Whose articles are like the 'Thirty-nine,'
|
|
Which those most swear to who believe them most)-
|
|
Our gay Russ Spaniard was ordain'd to shine,
|
|
Deck'd by the rays reflected from his host,
|
|
With those who, Pope says, 'greatly daring dine.'
|
|
'T is odd, but true,- last war the News abounded
|
|
More with these dinners than the kill'd or wounded;-
|
|
|
|
As thus: 'On Thursday there was a grand dinner;
|
|
Present, Lords A. B. C.'- Earls, dukes, by name
|
|
Announced with no less pomp than victory's winner:
|
|
Then underneath, and in the very same
|
|
Column; date, 'Falmouth. There has lately been here
|
|
The Slap-dash regiment, so well known to fame,
|
|
Whose loss in the late action we regret:
|
|
The vacancies are fill'd up- see Gazette.'
|
|
|
|
To Norman Abbey whirl'd the noble pair,-
|
|
An old, old monastery once, and now
|
|
Still older mansion; of a rich and rare
|
|
Mix'd Gothic, such as artists all allow
|
|
Few specimens yet left us can compare
|
|
Withal: it lies perhaps a little low,
|
|
Because the monks preferr'd a hill behind,
|
|
To shelter their devotion from the wind.
|
|
|
|
It stood embosom'd in a happy valley,
|
|
Crown'd by high woodlands, where the Druid oak
|
|
Stood like Caractacus in act to rally
|
|
His host, with broad arms 'gainst the thunderstroke;
|
|
And from beneath his boughs were seen to sally
|
|
The dappled foresters- as day awoke,
|
|
The branching stag swept down with all his herd,
|
|
To quaff a brook which murmur'd like a bird.
|
|
|
|
Before the mansion lay a lucid lake,
|
|
Broad as transparent, deep, and freshly fed
|
|
By a river, which its soften'd way did take
|
|
In currents through the calmer water spread
|
|
Around: the wildfowl nestled in the brake
|
|
And sedges, brooding in their liquid bed:
|
|
The woods sloped downwards to its brink, and stood
|
|
With their green faces fix'd upon the flood.
|
|
|
|
Its outlet dash'd into a deep cascade,
|
|
Sparkling with foam, until again subsiding,
|
|
Its shriller echoes- like an infant made
|
|
Quiet- sank into softer ripples, gliding
|
|
Into a rivulet; and thus allay'd,
|
|
Pursued its course, now gleaming, and now hiding
|
|
Its windings through the woods; now clear, now blue,
|
|
According as the skies their shadows threw.
|
|
|
|
A glorious remnant of the Gothic pile
|
|
(While yet the church was Rome's) stood half apart
|
|
In a grand arch, which once screen'd many an aisle.
|
|
These last had disappear'd- a loss to art:
|
|
The first yet frown'd superbly o'er the soil,
|
|
And kindled feelings in the roughest heart,
|
|
Which mourn'd the power of time's or tempest's march,
|
|
In gazing on that venerable arch.
|
|
|
|
Within a niche, nigh to its pinnacle,
|
|
Twelve saints had once stood sanctified in stone;
|
|
But these had fallen, not when the friars fell,
|
|
But in the war which struck Charles from his throne,
|
|
When each house was a fortalice, as tell
|
|
The annals of full many a line undone,-
|
|
The gallant cavaliers, who fought in vain
|
|
For those who knew not to resign or reign.
|
|
|
|
But in a higher niche, alone, but crowned,
|
|
The Virgin Mother of the God-born Child,
|
|
With her Son in her blessed arms, look'd round,
|
|
Spared by some chance when all beside was spoil'd;
|
|
She made the earth below seem holy ground.
|
|
This may be superstition, weak or wild,
|
|
But even the faintest relics of a shrine
|
|
Of any worship wake some thoughts divine.
|
|
|
|
A mighty window, hollow in the centre,
|
|
Shorn of its glass of thousand colourings,
|
|
Through which the deepen'd glories once could enter,
|
|
Streaming from off the sun like seraph's wings,
|
|
Now yawns all desolate: now loud, now fainter,
|
|
The gale sweeps through its fretwork, and oft sings
|
|
The owl his anthem, where the silenced quire
|
|
Lie with their hallelujahs quench'd like fire.
|
|
|
|
But in the noontide of the moon, and when
|
|
The wind is winged from one point of heaven,
|
|
There moans a strange unearthly sound, which then
|
|
Is musical- a dying accent driven
|
|
Through the huge arch, which soars and sinks again.
|
|
Some deem it but the distant echo given
|
|
Back to the night wind by the waterfall,
|
|
And harmonised by the old choral wall:
|
|
|
|
Others, that some original shape, or form
|
|
Shaped by decay perchance, hath given the power
|
|
(Though less than that of Memnon's statue, warm
|
|
In Egypt's rays, to harp at a fix'd hour)
|
|
To this grey ruin, with a voice to charm.
|
|
Sad, but serene, it sweeps o'er tree or tower;
|
|
The cause I know not, nor can solve; but such
|
|
The fact:- I 've heard it- once perhaps too much.
|
|
|
|
Amidst the court a Gothic fountain play'd,
|
|
Symmetrical, but deck'd with carvings quaint-
|
|
Strange faces, like to men in masquerade,
|
|
And here perhaps a monster, there a saint:
|
|
The spring gush'd through grim mouths of granite made,
|
|
And sparkled into basins, where it spent
|
|
Its little torrent in a thousand bubbles,
|
|
Like man's vain glory, and his vainer troubles.
|
|
|
|
The mansion's self was vast and venerable,
|
|
With more of the monastic than has been
|
|
Elsewhere preserved: the cloisters still were stable,
|
|
The cells, too, and refectory, I ween:
|
|
An exquisite small chapel had been able,
|
|
Still unimpair'd, to decorate the scene;
|
|
The rest had been reform'd, replaced, or sunk,
|
|
And spoke more of the baron than the monk.
|
|
|
|
Huge halls, long galleries, spacious chambers, join'd
|
|
By no quite lawful marriage of the arts,
|
|
Might shock a connoisseur; but when combined,
|
|
Form'd a whole which, irregular in parts,
|
|
Yet left a grand impression on the mind,
|
|
At least of those whose eyes are in their hearts:
|
|
We gaze upon a giant for his stature,
|
|
Nor judge at first if all be true to nature.
|
|
|
|
Steel barons, molten the next generation
|
|
To silken rows of gay and garter'd earls,
|
|
Glanced from the walls in goodly preservation;
|
|
And Lady Marys blooming into girls,
|
|
With fair long locks, had also kept their station;
|
|
And countesses mature in robes and pearls:
|
|
Also some beauties of Sir Peter Lely,
|
|
Whose drapery hints we may admire them freely.
|
|
|
|
Judges in very formidable ermine
|
|
Were there, with brows that did not much invite
|
|
The accused to think their lordships would determine
|
|
His cause by leaning much from might to right:
|
|
Bishops, who had not left a single sermon:
|
|
Attorneys-general, awful to the sight,
|
|
As hinting more (unless our judgments warp us)
|
|
Of the 'Star Chamber' than of 'Habeas Corpus.'
|
|
|
|
Generals, some all in armour, of the old
|
|
And iron time, ere lead had ta'en the lead;
|
|
Others in wigs of Marlborough's martial fold,
|
|
Huger than twelve of our degenerate breed:
|
|
Lordlings, with staves of white or keys of gold:
|
|
Nimrods, whose canvass scarce contain'd the steed;
|
|
And here and there some stern high patriot stood,
|
|
Who could not get the place for which he sued.
|
|
|
|
But ever and anon, to soothe your vision,
|
|
Fatigued with these hereditary glories,
|
|
There rose a Carlo Dolce or a Titian,
|
|
Or wilder group of savage Salvatore's;
|
|
Here danced Albano's boys, and here the sea shone
|
|
In Vernet's ocean lights; and there the stories
|
|
Of martyrs awed, as Spagnoletto tainted
|
|
His brush with all the blood of all the sainted.
|
|
|
|
Here sweetly spread a landscape of Lorraine;
|
|
There Rembrandt made his darkness equal light,
|
|
Or gloomy Caravaggio's gloomier stain
|
|
Bronzed o'er some lean and stoic anchorite:-
|
|
But, lo! a Teniers woos, and not in vain,
|
|
Your eyes to revel in a livelier sight:
|
|
His bell-mouth'd goblet makes me feel quite Danish
|
|
Or Dutch with thirst- What, ho! a flask of Rhenish.
|
|
|
|
O reader! if that thou canst read,- and know,
|
|
'T is not enough to spell, or even to read,
|
|
To constitute a reader; there must go
|
|
Virtues of which both you and I have need;-
|
|
Firstly, begin with the beginning (though
|
|
That clause is hard); and secondly, proceed;
|
|
Thirdly, commence not with the end- or, sinning
|
|
In this sort, end at least with the beginning.
|
|
|
|
But, reader, thou hast patient been of late,
|
|
While I, without remorse of rhyme, or fear,
|
|
Have built and laid out ground at such a rate,
|
|
Dan Phoebus takes me for an auctioneer.
|
|
That poets were so from their earliest date,
|
|
By Homer's 'Catalogue of ships' is clear;
|
|
But a mere modern must be moderate-
|
|
I spare you then the furniture and plate.
|
|
|
|
The mellow autumn came, and with it came
|
|
The promised party, to enjoy its sweets.
|
|
The corn is cut, the manor full of game;
|
|
The pointer ranges, and the sportsman beats
|
|
In russet jacket:- lynx-like is his aim;
|
|
Full grows his bag, and wonderful his feats.
|
|
Ah, nut-brown partridges! Ah, brilliant pheasants!
|
|
And ah, ye poachers!- 'T is no sport for peasants.
|
|
|
|
An English autumn, though it hath no vines,
|
|
Blushing with Bacchant coronals along
|
|
The paths, o'er which the far festoon entwines
|
|
The red grape in the sunny lands of song,
|
|
Hath yet a purchased choice of choicest wines;
|
|
The claret light, and the Madeira strong.
|
|
If Britain mourn her bleakness, we can tell her,
|
|
The very best of vineyards is the cellar.
|
|
|
|
Then, if she hath not that serene decline
|
|
Which makes the southern autumn's day appear
|
|
As if 't would to a second spring resign
|
|
The season, rather than to winter drear,
|
|
Of in-door comforts still she hath a mine,-
|
|
The sea-coal fires the 'earliest of the year;'
|
|
Without doors, too, she may compete in mellow,
|
|
As what is lost in green is gain'd in yellow.
|
|
|
|
And for the effeminate villeggiatura-
|
|
Rife with more horns than hounds- she hath the chase,
|
|
So animated that it might allure
|
|
Saint from his beads to join the jocund race;
|
|
Even Nimrod's self might leave the plains of Dura,
|
|
And wear the Melton jacket for a space:
|
|
If she hath no wild boars, she hath a tame
|
|
Preserve of bores, who ought to be made game.
|
|
|
|
The noble guests, assembled at the Abbey,
|
|
Consisted of- we give the sex the pas-
|
|
The Duchess of Fitz-Fulke; the Countess Crabby;
|
|
The Ladies Scilly, Busey;- Miss Eclat,
|
|
Miss Bombazeen, Miss Mackstay, Miss O'Tabby,
|
|
And Mrs. Rabbi, the rich banker's squaw;
|
|
Also the honourable Mrs. Sleep,
|
|
Who look'd a white lamb, yet was a black sheep:
|
|
|
|
With other Countesses of Blank- but rank;
|
|
At once the 'lie' and the 'elite' of crowds;
|
|
Who pass like water filter'd in a tank,
|
|
All purged and pious from their native clouds;
|
|
Or paper turn'd to money by the Bank:
|
|
No matter how or why, the passport shrouds
|
|
The 'passee' and the past; for good society
|
|
Is no less famed for tolerance than piety,-
|
|
|
|
That is, up to a certain point; which point
|
|
Forms the most difficult in punctuation.
|
|
Appearances appear to form the joint
|
|
On which it hinges in a higher station;
|
|
And so that no explosion cry 'Aroint
|
|
Thee, witch!' or each Medea has her Jason;
|
|
Or (to the point with Horace and with Pulci)
|
|
'Omne tulit punctum, quae miscuit utile dulci.'
|
|
|
|
I can't exactly trace their rule of right,
|
|
Which hath a little leaning to a lottery.
|
|
I 've seen a virtuous woman put down quite
|
|
By the mere combination of a coterie;
|
|
Also a so-so matron boldly fight
|
|
Her way back to the world by dint of plottery,
|
|
And shine the very Siria of the spheres,
|
|
Escaping with a few slight, scarless sneers.
|
|
|
|
I have seen more than I 'll say:- but we will see
|
|
How our villeggiatura will get on.
|
|
The party might consist of thirty-three
|
|
Of highest caste- the Brahmins of the ton.
|
|
I have named a few, not foremost in degree,
|
|
But ta'en at hazard as the rhyme may run.
|
|
By way of sprinkling, scatter'd amongst these,
|
|
There also were some Irish absentees.
|
|
|
|
There was Parolles, too, the legal bully,
|
|
Who limits all his battles to the bar
|
|
And senate: when invited elsewhere, truly,
|
|
He shows more appetite for words than war.
|
|
There was the young bard Rackrhyme, who had newly
|
|
Come out and glimmer'd as a six weeks' star.
|
|
There was Lord Pyrrho, too, the great freethinker;
|
|
And Sir John Pottledeep, the mighty drinker.
|
|
|
|
There was the Duke of Dash, who was a- duke,
|
|
'Ay, every inch a' duke; there were twelve peers
|
|
Like Charlemagne's- and all such peers in look
|
|
And intellect, that neither eyes nor ears
|
|
For commoners had ever them mistook.
|
|
There were the six Miss Rawbolds- pretty dears!
|
|
All song and sentiment; whose hearts were set
|
|
Less on a convent than a coronet.
|
|
|
|
There were four Honourable Misters, whose
|
|
Honour was more before their names than after;
|
|
There was the preux Chevalier de la Ruse,
|
|
Whom France and Fortune lately deign'd to waft here,
|
|
Whose chiefly harmless talent was to amuse;
|
|
But the clubs found it rather serious laughter,
|
|
Because- such was his magic power to please-
|
|
The dice seem'd charm'd, too, with his repartees.
|
|
|
|
There was Dick Dubious, the metaphysician,
|
|
Who loved philosophy and a good dinner;
|
|
Angle, the soi-disant mathematician;
|
|
Sir Henry Silvercup, the great race-winner.
|
|
There was the Reverend Rodomont Precisian,
|
|
Who did not hate so much the sin as sinner;
|
|
And Lord Augustus Fitz-Plantagenet,
|
|
Good at all things, but better at a bet.
|
|
|
|
There was jack jargon, the gigantic guardsman;
|
|
And General Fireface, famous in the field,
|
|
A great tactician, and no less a swordsman,
|
|
Who ate, last war, more Yankees than he kill'd.
|
|
There was the waggish Welsh Judge, Jefferies Hardsman,
|
|
In his grave office so completely skill'd,
|
|
That when a culprit came far condemnation,
|
|
He had his judge's joke for consolation.
|
|
|
|
Good company 's a chess-board- there are kings,
|
|
Queens, bishops, knights, rooks, pawns; the world 's a game;
|
|
Save that the puppets pull at their own strings,
|
|
Methinks gay Punch hath something of the same.
|
|
My Muse, the butterfly hath but her wings,
|
|
Not stings, and flits through ether without aim,
|
|
Alighting rarely:- were she but a hornet,
|
|
Perhaps there might be vices which would mourn it.
|
|
|
|
I had forgotten- but must not forget-
|
|
An orator, the latest of the session,
|
|
Who had deliver'd well a very set
|
|
Smooth speech, his first and maidenly transgression
|
|
Upon debate: the papers echoed yet
|
|
With his debut, which made a strong impression,
|
|
And rank'd with what is every day display'd-
|
|
'The best first speech that ever yet was made.'
|
|
|
|
Proud of his 'Hear hims!' proud, too, of his vote
|
|
And lost virginity of oratory,
|
|
Proud of his learning (just enough to quote),
|
|
He revell'd in his Ciceronian glory:
|
|
With memory excellent to get by rote,
|
|
With wit to hatch a pun or tell a story,
|
|
Graced with some merit, and with more effrontery,
|
|
'His country's pride,' he came down to the country.
|
|
|
|
There also were two wits by acclamation,
|
|
Longbow from Ireland, Strongbow from the Tweed,
|
|
Both lawyers and both men of education;
|
|
But Strongbow's wit was of more polish'd breed:
|
|
Longbow was rich in an imagination
|
|
As beautiful and bounding as a steed,
|
|
But sometimes stumbling over a potato,-
|
|
While Strongbow's best things might have come from Cato.
|
|
|
|
Strongbow was like a new-tuned harpsichord;
|
|
But Longbow wild as an AEolian harp,
|
|
With which the winds of heaven can claim accord,
|
|
And make a music, whether flat or sharp.
|
|
Of Strongbow's talk you would not change a word:
|
|
At Longbow's phrases you might sometimes carp:
|
|
Both wits- one born so, and the other bred-
|
|
This by his heart, his rival by his head.
|
|
|
|
If all these seem a heterogeneous mas
|
|
To be assembled at a country seat,
|
|
Yet think, a specimen of every class
|
|
Is better than a humdrum tete-a-tete.
|
|
The days of Comedy are gone, alas!
|
|
When Congreve's fool could vie with Moliere's bete:
|
|
Society is smooth'd to that excess,
|
|
That manners hardly differ more than dress.
|
|
|
|
Our ridicules are kept in the back-ground-
|
|
Ridiculous enough, but also dull;
|
|
Professions, too, are no more to be found
|
|
Professional; and there is nought to cull
|
|
Of folly's fruit; for though your fools abound,
|
|
They're barren, and not worth the pains to pull.
|
|
Society is now one polish'd horde,
|
|
Form'd of two mighty tribes, the Bores and Bored.
|
|
|
|
But from being farmers, we turn gleaners, gleaning
|
|
The scanty but right-well thresh'd ears of truth;
|
|
And, gentle reader! when you gather meaning,
|
|
You may be Boaz, and I- modest Ruth.
|
|
Farther I 'd quote, but Scripture intervening
|
|
Forbids. it great impression in my youth
|
|
Was made by Mrs. Adams, where she cries,
|
|
'That Scriptures out of church are blasphemies.'
|
|
|
|
But what we can we glean in this vile age
|
|
Of chaff, although our gleanings be not grist.
|
|
I must not quite omit the talking sage,
|
|
Kit-Cat, the famous Conversationist,
|
|
Who, in his common-place book, had a page
|
|
Prepared each morn for evenings. 'List, oh, list!'-
|
|
'Alas, poor ghost!'- What unexpected woes
|
|
Await those who have studied their bon-mots!
|
|
|
|
Firstly, they must allure the conversation
|
|
By many windings to their clever clinch;
|
|
And secondly, must let slip no occasion,
|
|
Nor bate (abate) their hearers of an inch,
|
|
But take an ell- and make a great sensation,
|
|
If possible; and thirdly, never flinch
|
|
When some smart talker puts them to the test,
|
|
But seize the last word, which no doubt 's the best.
|
|
|
|
Lord Henry and his lady were the hosts;
|
|
The party we have touch'd on were the guests:
|
|
Their table was a board to tempt even ghosts
|
|
To pass the Styx for more substantial feasts.
|
|
I will not dwell upon ragouts or roasts,
|
|
Albeit all human history attests
|
|
That happiness for man- the hungry sinner!-
|
|
Since Eve ate apples, much depends on dinner.
|
|
|
|
Witness the lands which 'flow'd with milk and honey,'
|
|
Held out unto the hungry Israelites;
|
|
To this we have added since, the love of money,
|
|
The only sort of pleasure which requites.
|
|
Youth fades, and leaves our days no longer sunny;
|
|
We tire of mistresses and parasites;
|
|
But oh, ambrosial cash! Ah! who would lose thee?
|
|
When we no more can use, or even abuse thee!
|
|
|
|
The gentlemen got up betimes to shoot,
|
|
Or hunt: the young, because they liked the sport-
|
|
The first thing boys like after play and fruit;
|
|
The middle-aged to make the day more short;
|
|
For ennui is a growth of English root,
|
|
Though nameless in our language:- we retort
|
|
The fact for words, and let the French translate
|
|
That awful yawn which sleep can not abate.
|
|
|
|
The elderly walk'd through the library,
|
|
And tumbled books, or criticised the pictures,
|
|
Or saunter'd through the gardens piteously,
|
|
And made upon the hot-house several strictures,
|
|
Or rode a nag which trotted not too high,
|
|
Or on the morning papers read their lectures,
|
|
Or on the watch their longing eyes would fix,
|
|
Longing at sixty for the hour of six.
|
|
|
|
But none were 'gene:' the great hour of union
|
|
Was rung by dinner's knell; till then all were
|
|
Masters of their own time- or in communion,
|
|
Or solitary, as they chose to bear
|
|
The hours, which how to pass is but to few known.
|
|
Each rose up at his own, and had to spare
|
|
What time he chose for dress, and broke his fast
|
|
When, where, and how he chose for that repast.
|
|
|
|
The ladies- some rouged, some a little pale-
|
|
Met the morn as they might. If fine, they rode,
|
|
Or walk'd; if foul, they read, or told a tale,
|
|
Sung, or rehearsed the last dance from abroad;
|
|
Discuss'd the fashion which might next prevail,
|
|
And settled bonnets by the newest code,
|
|
Or cramm'd twelve sheets into one little letter,
|
|
To make each correspondent a new debtor.
|
|
|
|
For some had absent lovers, all had friends.
|
|
The earth has nothing like a she epistle,
|
|
And hardly heaven- because it never ends.
|
|
I love the mystery of a female missal,
|
|
Which, like a creed, ne'er says all it intends,
|
|
But full of cunning as Ulysses' whistle,
|
|
When he allured poor Dolon:- you had better
|
|
Take care what you reply to such a letter.
|
|
|
|
Then there were billiards; cards, too, but no dice;-
|
|
Save in the clubs no man of honour plays;-
|
|
Boats when 't was water, skating when 't was ice,
|
|
And the hard frost destroy'd the scenting days:
|
|
And angling, too, that solitary vice,
|
|
Whatever Izaak Walton sings or says;
|
|
The quaint, old, cruel coxcomb, in his gullet
|
|
Should have a hook, and a small trout to pull it.
|
|
|
|
With evening came the banquet and the wine;
|
|
The conversazione; the duet,
|
|
Attuned by voices more or less divine
|
|
(My heart or head aches with the memory yet).
|
|
The four Miss Rawbolds in a glee would shine;
|
|
But the two youngest loved more to be set
|
|
Down to the harp- because to music's charms
|
|
They added graceful necks, white hands and arms.
|
|
|
|
Sometimes a dance (though rarely on field days,
|
|
For then the gentlemen were rather tired)
|
|
Display'd some sylph-like figures in its maze;
|
|
Then there was small-talk ready when required;
|
|
Flirtation- but decorous; the mere praise
|
|
Of charms that should or should not be admired.
|
|
The hunters fought their fox-hunt o'er again,
|
|
And then retreated soberly- at ten.
|
|
|
|
The politicians, in a nook apart,
|
|
Discuss'd the world, and settled all the spheres;
|
|
The wits watch'd every loophole for their art,
|
|
To introduce a bon-mot head and ears;
|
|
Small is the rest of those who would be smart,
|
|
A moment's good thing may have cost them years
|
|
Before they find an hour to introduce it;
|
|
And then, even then, some bore may make them lose it.
|
|
|
|
But all was gentle and aristocratic
|
|
In this our party; polish'd, smooth, and cold,
|
|
As Phidian forms cut out of marble Attic.
|
|
There now are no Squire Westerns as of old;
|
|
And our Sophias are not so emphatic,
|
|
But fair as then, or fairer to behold.
|
|
We have no accomplish'd blackguards, like Tom Jones,
|
|
But gentlemen in stays, as stiff as stones.
|
|
|
|
They separated at an early hour;
|
|
That is, ere midnight- which is London's noon:
|
|
But in the country ladies seek their bower
|
|
A little earlier than the waning moon.
|
|
Peace to the slumbers of each folded flower-
|
|
May the rose call back its true colour soon!
|
|
Good hours of fair cheeks are the fairest tinters,
|
|
And lower the price of rouge- at least some winters.
|
|
CANTO THE FOURTEENTH.
|
|
|
|
IF from great nature's or our own abyss
|
|
Of thought we could but snatch a certainty,
|
|
Perhaps mankind might find the path they miss-
|
|
But then 't would spoil much good philosophy.
|
|
One system eats another up, and this
|
|
Much as old Saturn ate his progeny;
|
|
For when his pious consort gave him stones
|
|
In lieu of sons, of these he made no bones.
|
|
|
|
But System doth reverse the Titan's breakfast,
|
|
And eats her parents, albeit the digestion
|
|
Is difficult. Pray tell me, can you make fast,
|
|
After due search, your faith to any question?
|
|
Look back o'er ages, ere unto the stake fast
|
|
You bind yourself, and call some mode the best one.
|
|
Nothing more true than not to trust your senses;
|
|
And yet what are your other evidences?
|
|
|
|
For me, I know nought; nothing I deny,
|
|
Admit, reject, contemn; and what know you,
|
|
Except perhaps that you were born to die?
|
|
And both may after all turn out untrue.
|
|
An age may come, Font of Eternity,
|
|
When nothing shall be either old or new.
|
|
Death, so call'd, is a thing which makes men weep,
|
|
And yet a third of life is pass'd in sleep.
|
|
|
|
A sleep without dreams, after a rough day
|
|
Of toil, is what we covet most; and yet
|
|
How clay shrinks back from more quiescent clay!
|
|
The very Suicide that pays his debt
|
|
At once without instalments (an old way
|
|
Of paying debts, which creditors regret)
|
|
Lets out impatiently his rushing breath,
|
|
Less from disgust of life than dread of death.
|
|
|
|
'T is round him, near him, here, there, every where;
|
|
And there 's a courage which grows out of fear,
|
|
Perhaps of all most desperate, which will dare
|
|
The worst to know it:- when the mountains rear
|
|
Their peaks beneath your human foot, and there
|
|
You look down o'er the precipice, and drear
|
|
The gulf of rock yawns,- you can't gaze a minute
|
|
Without an awful wish to plunge within it.
|
|
|
|
'T is true, you don't- but, pale and struck with terror,
|
|
Retire: but look into your past impression!
|
|
And you will find, though shuddering at the mirror
|
|
Of your own thoughts, in all their self-confession,
|
|
The lurking bias, be it truth or error,
|
|
To the unknown; a secret prepossession,
|
|
To plunge with all your fears- but where? You know not,
|
|
And that's the reason why you do- or do not.
|
|
|
|
But what 's this to the purpose? you will say.
|
|
Gent. reader, nothing; a mere speculation,
|
|
For which my sole excuse is- 't is my way;
|
|
Sometimes with and sometimes without occasion
|
|
I write what 's uppermost, without delay:
|
|
This narrative is not meant for narration,
|
|
But a mere airy and fantastic basis,
|
|
To build up common things with common places.
|
|
|
|
You know, or don't know, that great Bacon saith,
|
|
'Fling up a straw, 't will show the way the wind blows;'
|
|
And such a straw, borne on by human breath,
|
|
Is poesy, according as the mind glows;
|
|
A paper kite which flies 'twixt life and death,
|
|
A shadow which the onward soul behind throws:
|
|
And mine 's a bubble, not blown up for praise,
|
|
But just to play with, as an infant plays.
|
|
|
|
The world is all before me- or behind;
|
|
For I have seen a portion of that same,
|
|
And quite enough for me to keep in mind;-
|
|
Of passions, too, I have proved enough to blame,
|
|
To the great pleasure of our friends, mankind,
|
|
Who like to mix some slight alloy with fame;
|
|
For I was rather famous in my time,
|
|
Until I fairly knock'd it up with rhyme.
|
|
|
|
I have brought this world about my ears, and eke
|
|
The other; that 's to say, the clergy, who
|
|
Upon my head have bid their thunders break
|
|
In pious libels by no means a few.
|
|
And yet I can't help scribbling once a week,
|
|
Tiring old readers, nor discovering new.
|
|
In youth I wrote because my mind was full,
|
|
And now because I feel it growing dull.
|
|
|
|
But 'why then publish?'- There are no rewards
|
|
Of fame or profit when the world grows weary.
|
|
I ask in turn,- Why do you play at cards?
|
|
Why drink? Why read?- To make some hour less dreary.
|
|
It occupies me to turn back regards
|
|
On what I 've seen or ponder'd, sad or cheery;
|
|
And what I write I cast upon the stream,
|
|
To swim or sink- I have had at least my dream.
|
|
|
|
I think that were I certain of success,
|
|
I hardly could compose another line:
|
|
So long I 've battled either more or less,
|
|
That no defeat can drive me from the Nine.
|
|
This feeling 't is not easy to express,
|
|
And yet 't is not affected, I opine.
|
|
In play, there are two pleasures for your choosing-
|
|
The one is winning, and the other losing.
|
|
|
|
Besides, my Muse by no means deals in fiction:
|
|
She gathers a repertory of facts,
|
|
Of course with some reserve and slight restriction,
|
|
But mostly sings of human things and acts-
|
|
And that 's one cause she meets with contradiction;
|
|
For too much truth, at first sight, ne'er attracts;
|
|
And were her object only what 's call'd glory,
|
|
With more ease too she 'd tell a different story.
|
|
|
|
Love, war, a tempest- surely there 's variety;
|
|
Also a seasoning slight of lucubration;
|
|
A bird's-eye view, too, of that wild, Society;
|
|
A slight glance thrown on men of every station.
|
|
If you have nought else, here 's at least satiety
|
|
Both in performance and in preparation;
|
|
And though these lines should only line portmanteaus,
|
|
Trade will be all the better for these Cantos.
|
|
|
|
The portion of this world which I at present
|
|
Have taken up to fill the following sermon,
|
|
Is one of which there 's no description recent.
|
|
The reason why is easy to determine:
|
|
Although it seems both prominent and pleasant,
|
|
There is a sameness in its gems and ermine,
|
|
A dull and family likeness through all ages,
|
|
Of no great promise for poetic pages.
|
|
|
|
With much to excite, there 's little to exalt;
|
|
Nothing that speaks to all men and all times;
|
|
A sort of varnish over every fault;
|
|
A kind of common-place, even in their crimes;
|
|
Factitious passions, wit without much salt,
|
|
A want of that true nature which sublimes
|
|
Whate'er it shows with truth; a smooth monotony
|
|
Of character, in those at least who have got any.
|
|
|
|
Sometimes, indeed, like soldiers off parade,
|
|
They break their ranks and gladly leave the drill;
|
|
But then the roll-call draws them back afraid,
|
|
And they must be or seem what they were: still
|
|
Doubtless it is a brilliant masquerade;
|
|
But when of the first sight you have had your fill,
|
|
It palls- at least it did so upon me,
|
|
This paradise of pleasure and ennui.
|
|
|
|
When we have made our love, and gamed our gaming,
|
|
Drest, voted, shone, and, may be, something more;
|
|
With dandies dined; heard senators declaiming;
|
|
Seen beauties brought to market by the score,
|
|
Sad rakes to sadder husbands chastely taming;
|
|
There 's little left but to be bored or bore.
|
|
Witness those 'ci-devant jeunes hommes' who stem
|
|
The stream, nor leave the world which leaveth them.
|
|
|
|
'T is said- indeed a general complaint-
|
|
That no one has succeeded in describing
|
|
The monde, exactly as they ought to paint:
|
|
Some say, that authors only snatch, by bribing
|
|
The porter, some slight scandals strange and quaint,
|
|
To furnish matter for their moral gibing;
|
|
And that their books have but one style in common-
|
|
My lady's prattle, filter'd through her woman.
|
|
|
|
But this can't well be true, just now; for writers
|
|
Are grown of the beau monde a part potential:
|
|
I 've seen them balance even the scale with fighters,
|
|
Especially when young, for that 's essential.
|
|
Why do their sketches fail them as inditers
|
|
Of what they deem themselves most consequential,
|
|
The real portrait of the highest tribe?
|
|
'T is that, in fact, there 's little to describe.
|
|
|
|
'Haud ignara loquor;' these are Nugae, 'quarum
|
|
Pars parva fui,' but still art and part.
|
|
Now I could much more easily sketch a harem,
|
|
A battle, wreck, or history of the heart,
|
|
Than these things; and besides, I wish to spare 'em,
|
|
For reasons which I choose to keep apart.
|
|
'Vetabo Cereris sacrum qui vulgarit-'
|
|
Which means that vulgar people must not share it.
|
|
|
|
And therefore what I throw off is ideal-
|
|
Lower'd, leaven'd, like a history of freemasons;
|
|
Which bears the same relation to the real,
|
|
As Captain Parry's voyage may do to Jason's.
|
|
The grand arcanum 's not for men to see all;
|
|
My music has some mystic diapasons;
|
|
And there is much which could not be appreciated
|
|
In any manner by the uninitiated.
|
|
|
|
Alas! worlds fall- and woman, since she fell'd
|
|
The world (as, since that history less polite
|
|
Than true, hath been a creed so strictly held)
|
|
Has not yet given up the practice quite.
|
|
Poor thing of usages! coerced, compell'd,
|
|
Victim when wrong, and martyr oft when right,
|
|
Condemn'd to child-bed, as men for their sins
|
|
Have shaving too entail'd upon their chins,-
|
|
|
|
A daily plague, which in the aggregate
|
|
May average on the whole with parturition.
|
|
But as to women, who can penetrate
|
|
The real sufferings of their she condition?
|
|
Man's very sympathy with their estate
|
|
Has much of selfishness, and more suspicion.
|
|
Their love, their virtue, beauty, education,
|
|
But form good housekeepers, to breed a nation.
|
|
|
|
All this were very well, and can't be better;
|
|
But even this is difficult, Heaven knows,
|
|
So many troubles from her birth beset her,
|
|
Such small distinction between friends and foes,
|
|
The gilding wears so soon from off her fetter,
|
|
That- but ask any woman if she'd choose
|
|
(Take her at thirty, that is) to have been
|
|
Female or male? a schoolboy or a queen?
|
|
|
|
'Petticoat influence' is a great reproach,
|
|
Which even those who obey would fain be thought
|
|
To fly from, as from hungry pikes a roach;
|
|
But since beneath it upon earth we are brought,
|
|
By various joltings of life's hackney coach,
|
|
I for one venerate a petticoat-
|
|
A garment of a mystical sublimity,
|
|
No matter whether russet, silk, or dimity.
|
|
|
|
Much I respect, and much I have adored,
|
|
In my young days, that chaste and goodly veil,
|
|
Which holds a treasure, like a miser's hoard,
|
|
And more attracts by all it doth conceal-
|
|
A golden scabbard on a Damasque sword,
|
|
A loving letter with a mystic seal,
|
|
A cure for grief- for what can ever rankle
|
|
Before a petticoat and peeping ankle?
|
|
|
|
And when upon a silent, sullen day,
|
|
With a sirocco, for example, blowing,
|
|
When even the sea looks dim with all its spray,
|
|
And sulkily the river's ripple 's flowing,
|
|
And the sky shows that very ancient gray,
|
|
The sober, sad antithesis to glowing,-
|
|
'T is pleasant, if then any thing is pleasant,
|
|
To catch a glimpse even of a pretty peasant.
|
|
|
|
We left our heroes and our heroines
|
|
In that fair clime which don't depend on climate,
|
|
Quite independent of the Zodiac's signs,
|
|
Though certainly more difficult to rhyme at,
|
|
Because the sun, and stars, and aught that shines,
|
|
Mountains, and all we can be most sublime at,
|
|
Are there oft dull and dreary as a dun-
|
|
Whether a sky's or tradesman's is all one.
|
|
|
|
An in-door life is less poetical;
|
|
And out of door hath showers, and mists, and sleet,
|
|
With which I could not brew a pastoral.
|
|
But be it as it may, a bard must meet
|
|
All difficulties, whether great or small,
|
|
To spoil his undertaking or complete,
|
|
And work away like spirit upon matter,
|
|
Embarrass'd somewhat both with fire and water.
|
|
|
|
Juan- in this respect, at least, like saints-
|
|
Was all things unto people of all sorts,
|
|
And lived contentedly, without complaints,
|
|
In camps, in ships, in cottages, or courts-
|
|
Born with that happy soul which seldom faints,
|
|
And mingling modestly in toils or sports.
|
|
He likewise could be most things to all women,
|
|
Without the coxcombry of certain she men.
|
|
|
|
A fox-hunt to a foreigner is strange;
|
|
'T is also subject to the double danger
|
|
Of tumbling first, and having in exchange
|
|
Some pleasant jesting at the awkward stranger:
|
|
But Juan had been early taught to range
|
|
The wilds, as doth an Arab turn'd avenger,
|
|
So that his horse, or charger, hunter, hack,
|
|
Knew that he had a rider on his back.
|
|
|
|
And now in this new field, with some applause,
|
|
He clear'd hedge, ditch, and double post, and rail,
|
|
And never craned, and made but few 'faux pas,'
|
|
And only fretted when the scent 'gan fail.
|
|
He broke, 't is true, some statutes of the laws
|
|
Of hunting- for the sagest youth is frail;
|
|
Rode o'er the hounds, it may be, now and then,
|
|
And once o'er several country gentlemen.
|
|
|
|
But on the whole, to general admiration
|
|
He acquitted both himself and horse: the squires
|
|
Marvell'd at merit of another nation;
|
|
The boors cried 'Dang it? who 'd have thought it?'- Sires,
|
|
The Nestors of the sporting generation,
|
|
Swore praises, and recall'd their former fires;
|
|
The huntsman's self relented to a grin,
|
|
And rated him almost a whipper-in.
|
|
|
|
Such were his trophies- not of spear and shield,
|
|
But leaps, and bursts, and sometimes foxes' brushes;
|
|
Yet I must own,- although in this I yield
|
|
To patriot sympathy a Briton's blushes,-
|
|
He thought at heart like courtly Chesterfield,
|
|
Who, after a long chase o'er hills, dales, bushes,
|
|
And what not, though he rode beyond all price,
|
|
Ask'd next day, 'If men ever hunted twice?'
|
|
|
|
He also had a quality uncommon
|
|
To early risers after a long chase,
|
|
Who wake in winter ere the cock can summon
|
|
December's drowsy day to his dull race,-
|
|
A quality agreeable to woman,
|
|
When her soft, liquid words run on apace,
|
|
Who likes a listener, whether saint or sinner,-
|
|
He did not fall asleep just after dinner;
|
|
|
|
But, light and airy, stood on the alert,
|
|
And shone in the best part of dialogue,
|
|
By humouring always what they might assert,
|
|
And listening to the topics most in vogue;
|
|
Now grave, now gay, but never dull or pert;
|
|
And smiling but in secret- cunning rogue!
|
|
He ne'er presumed to make an error clearer;-
|
|
In short, there never was a better hearer.
|
|
|
|
And then he danced;- all foreigners excel
|
|
The serious Angles in the eloquence
|
|
Of pantomime;- he danced, I say, right well,
|
|
With emphasis, and also with good sense-
|
|
A thing in footing indispensable;
|
|
He danced without theatrical pretence,
|
|
Not like a ballet-master in the van
|
|
Of his drill'd nymphs, but like a gentleman.
|
|
|
|
Chaste were his steps, each kept within due bound,
|
|
And elegance was sprinkled o'er his figure;
|
|
Like swift Camilla, he scarce skimm'd the ground,
|
|
And rather held in than put forth his vigour;
|
|
And then he had an ear for music's sound,
|
|
Which might defy a crotchet critic's rigour.
|
|
Such classic pas- sans flaws- set off our hero,
|
|
He glanced like a personified Bolero;
|
|
|
|
Or, like a flying Hour before Aurora,
|
|
In Guido's famous fresco which alone
|
|
Is worth a tour to Rome, although no more a
|
|
Remnant were there of the old world's sole throne.
|
|
The 'tout ensemble' of his movements wore a
|
|
Grace of the soft ideal, seldom shown,
|
|
And ne'er to be described; for to the dolour
|
|
Of bards and prosers, words are void of colour.
|
|
|
|
No marvel then he was a favourite;
|
|
A full-grown Cupid, very much admired;
|
|
A little spoilt, but by no means so quite;
|
|
At least he kept his vanity retired.
|
|
Such was his tact, he could alike delight
|
|
The chaste, and those who are not so much inspired.
|
|
The Duchess of Fitz-Fulke, who loved 'tracasserie,'
|
|
Began to treat him with some small 'agacerie.'
|
|
|
|
She was a fine and somewhat full-blown blonde,
|
|
Desirable, distinguish'd, celebrated
|
|
For several winters in the grand, grand monde.
|
|
I 'd rather not say what might be related
|
|
Of her exploits, for this were ticklish ground;
|
|
Besides there might be falsehood in what 's stated:
|
|
Her late performance had been a dead set
|
|
At Lord Augustus Fitz-Plantagenet.
|
|
|
|
This noble personage began to look
|
|
A little black upon this new flirtation;
|
|
But such small licences must lovers brook,
|
|
Mere freedoms of the female corporation.
|
|
Woe to the man who ventures a rebuke!
|
|
'T will but precipitate a situation
|
|
Extremely disagreeable, but common
|
|
To calculators when they count on woman.
|
|
|
|
The circle smiled, then whisper'd, and then sneer'd;
|
|
The Misses bridled, and the matrons frown'd;
|
|
Some hoped things might not turn out as they fear'd;
|
|
Some would not deem such women could be found;
|
|
Some ne'er believed one half of what they heard;
|
|
Some look'd perplex'd, and others look'd profound;
|
|
And several pitied with sincere regret
|
|
Poor Lord Augustus Fitz-Plantagenet.
|
|
|
|
But what is odd, none ever named the duke,
|
|
Who, one might think, was something in the affair;
|
|
True, he was absent, and, 't was rumour'd, took
|
|
But small concern about the when, or where,
|
|
Or what his consort did: if he could brook
|
|
Her gaieties, none had a right to stare:
|
|
Theirs was that best of unions, past all doubt,
|
|
Which never meets, and therefore can't fall out.
|
|
|
|
But, oh! that I should ever pen so sad a line!
|
|
Fired with an abstract love of virtue, she,
|
|
My Dian of the Ephesians, Lady Adeline,
|
|
Began to think the duchess' conduct free;
|
|
Regretting much that she had chosen so bad a line,
|
|
And waxing chiller in her courtesy,
|
|
Look'd grave and pale to see her friend's fragility,
|
|
For which most friends reserve their sensibility.
|
|
|
|
There 's nought in this bad world like sympathy:
|
|
'T is so becoming to the soul and face,
|
|
Sets to soft music the harmonious sigh,
|
|
And robes sweet friendship in a Brussels lace.
|
|
Without a friend, what were humanity,
|
|
To hunt our errors up with a good grace?
|
|
Consoling us with- 'Would you had thought twice!
|
|
Ah, if you had but follow'd my advice!'
|
|
|
|
O job! you had two friends: one 's quite enough,
|
|
Especially when we are ill at ease;
|
|
They are but bad pilots when the weather 's rough,
|
|
Doctors less famous for their cures than fees.
|
|
Let no man grumble when his friends fall off,
|
|
As they will do like leaves at the first breeze:
|
|
When your affairs come round, one way or t' other,
|
|
Go to the coffee-house, and take another.
|
|
|
|
But this is not my maxim: had it been,
|
|
Some heart-aches had been spared me: yet I care not-
|
|
I would not be a tortoise in his screen
|
|
Of stubborn shell, which waves and weather wear not.
|
|
'T is better on the whole to have felt and seen
|
|
That which humanity may bear, or bear not:
|
|
'T will teach discernment to the sensitive,
|
|
And not to pour their ocean in a sieve.
|
|
|
|
Of all the horrid, hideous notes of woe,
|
|
Sadder than owl-songs or the midnight blast,
|
|
Is that portentous phrase, 'I told you so,'
|
|
Utter'd by friends, those prophets of the past,
|
|
Who, 'stead of saying what you now should do,
|
|
Own they foresaw that you would fall at last,
|
|
And solace your slight lapse 'gainst 'bonos mores,'
|
|
With a long memorandum of old stories.
|
|
|
|
The Lady Adeline's serene severity
|
|
Was not confined to feeling for her friend,
|
|
Whose fame she rather doubted with posterity,
|
|
Unless her habits should begin to mend:
|
|
But Juan also shared in her austerity,
|
|
But mix'd with pity, pure as e'er was penn'd:
|
|
His inexperience moved her gentle ruth,
|
|
And (as her junior by six weeks) his youth.
|
|
|
|
These forty days' advantage of her years-
|
|
And hers were those which can face calculation,
|
|
Boldly referring to the list of peers
|
|
And noble births, nor dread the enumeration-
|
|
Gave her a right to have maternal fears
|
|
For a young gentleman's fit education,
|
|
Though she was far from that leap year, whose leap,
|
|
In female dates, strikes Time all of a heap.
|
|
|
|
This may be fix'd at somewhere before thirty-
|
|
Say seven-and-twenty; for I never knew
|
|
The strictest in chronology and virtue
|
|
Advance beyond, while they could pass for new.
|
|
O Time! why dost not pause? Thy scythe, so dirty
|
|
With rust, should surely cease to hack and hew.
|
|
Reset it; shave more smoothly, also slower,
|
|
If but to keep thy credit as a mower.
|
|
|
|
But Adeline was far from that ripe age,
|
|
Whose ripeness is but bitter at the best:
|
|
'T was rather her experience made her sage,
|
|
For she had seen the world and stood its test,
|
|
As I have said in- I forget what page;
|
|
My Muse despises reference, as you have guess'd
|
|
By this time;- but strike six from seven-and-twenty,
|
|
And you will find her sum of years in plenty.
|
|
|
|
At sixteen she came out; presented, vaunted,
|
|
She put all coronets into commotion:
|
|
At seventeen, too, the world was still enchanted
|
|
With the new Venus of their brilliant ocean:
|
|
At eighteen, though below her feet still panted
|
|
A hecatomb of suitors with devotion,
|
|
She had consented to create again
|
|
That Adam, call'd 'The happiest of men.'
|
|
|
|
Since then she had sparkled through three glowing winters,
|
|
Admired, adored; but also so correct,
|
|
That she had puzzled all the acutest hinters,
|
|
Without the apparel of being circumspect:
|
|
They could not even glean the slightest splinters
|
|
From off the marble, which had no defect.
|
|
She had also snatch'd a moment since her marriage
|
|
To bear a son and heir- and one miscarriage.
|
|
|
|
Fondly the wheeling fire-flies flew around her,
|
|
Those little glitterers of the London night;
|
|
But none of these possess'd a sting to wound her-
|
|
She was a pitch beyond a coxcomb's flight.
|
|
Perhaps she wish'd an aspirant profounder;
|
|
But whatsoe'er she wish'd, she acted right;
|
|
And whether coldness, pride, or virtue dignify
|
|
A woman, so she 's good, what does it signify?
|
|
|
|
I hate a motive, like a lingering bottle
|
|
Which with the landlord makes too long a stand,
|
|
Leaving all-claretless the unmoisten'd throttle,
|
|
Especially with politics on hand;
|
|
I hate it, as I hate a drove of cattle,
|
|
Who whirl the dust as simooms whirl the sand;
|
|
I hate it, as I hate an argument,
|
|
A laureate's ode, or servile peer's 'content.'
|
|
|
|
'T is sad to hack into the roots of things,
|
|
They are so much intertwisted with the earth;
|
|
So that the branch a goodly verdure flings,
|
|
I reck not if an acorn gave it birth.
|
|
To trace all actions to their secret springs
|
|
Would make indeed some melancholy mirth;
|
|
But this is not at present my concern,
|
|
And I refer you to wise Oxenstiern.
|
|
|
|
With the kind view of saving an eclat,
|
|
Both to the duchess and diplomatist,
|
|
The Lady Adeline, as soon 's she saw
|
|
That Juan was unlikely to resist
|
|
(For foreigners don't know that a faux pas
|
|
In England ranks quite on a different list
|
|
From those of other lands unblest with juries,
|
|
Whose verdict for such sin a certain cure is);-
|
|
|
|
The Lady Adeline resolved to take
|
|
Such measures as she thought might best impede
|
|
The farther progress of this sad mistake.
|
|
She thought with some simplicity indeed;
|
|
But innocence is bold even at the stake,
|
|
And simple in the world, and doth not need
|
|
Nor use those palisades by dames erected,
|
|
Whose virtue lies in never being detected.
|
|
|
|
It was not that she fear'd the very worst:
|
|
His Grace was an enduring, married man,
|
|
And was not likely all at once to burst
|
|
Into a scene, and swell the clients' clan
|
|
Of Doctors' Commons: but she dreaded first
|
|
The magic of her Grace's talisman,
|
|
And next a quarrel (as he seem'd to fret)
|
|
With Lord Augustus Fitz-Plantagenet.
|
|
|
|
Her Grace, too, pass'd for being an intrigante,
|
|
And somewhat mechante in her amorous sphere;
|
|
One of those pretty, precious plagues, which haunt
|
|
A lover with caprices soft and dear,
|
|
That like to make a quarrel, when they can't
|
|
Find one, each day of the delightful year;
|
|
Bewitching, torturing, as they freeze or glow,
|
|
And- what is worst of all- won't let you go:
|
|
|
|
The sort of thing to turn a young man's head,
|
|
Or make a Werter of him in the end.
|
|
No wonder then a purer soul should dread
|
|
This sort of chaste liaison for a friend;
|
|
It were much better to be wed or dead,
|
|
Than wear a heart a woman loves to rend.
|
|
'T is best to pause, and think, ere you rush on,
|
|
If that a 'bonne fortune' be really 'bonne.'
|
|
|
|
And first, in the o'erflowing of her heart,
|
|
Which really knew or thought it knew no guile,
|
|
She call'd her husband now and then apart,
|
|
And bade him counsel Juan. With a smile
|
|
Lord Henry heard her plans of artless art
|
|
To wean Don Juan from the siren's wile;
|
|
And answer'd, like a statesman or a prophet,
|
|
In such guise that she could make nothing of it.
|
|
|
|
Firstly, he said, 'he never interfered
|
|
In any body's business but the king's:'
|
|
Next, that 'he never judged from what appear'd,
|
|
Without strong reason, of those sort of things:'
|
|
Thirdly, that 'Juan had more brain than beard,
|
|
And was not to be held in leading strings;'
|
|
And fourthly, what need hardly be said twice,
|
|
'That good but rarely came from good advice.'
|
|
|
|
And, therefore, doubtless to approve the truth
|
|
Of the last axiom, he advised his spouse
|
|
To leave the parties to themselves, forsooth-
|
|
At least as far as bienseance allows:
|
|
That time would temper Juan's faults of youth;
|
|
That young men rarely made monastic vows;
|
|
That opposition only more attaches-
|
|
But here a messenger brought in despatches:
|
|
|
|
And being of the council call'd 'the Privy,'
|
|
Lord Henry walk'd into his cabinet,
|
|
To furnish matter for some future Livy
|
|
To tell how he reduced the nation's debt;
|
|
And if their full contents I do not give ye,
|
|
It is because I do not know them yet;
|
|
But I shall add them in a brief appendix,
|
|
To come between mine epic and its index.
|
|
|
|
But ere he went, he added a slight hint,
|
|
Another gentle common-place or two,
|
|
Such as are coin'd in conversation's mint,
|
|
And pass, for want of better, though not new:
|
|
Then broke his packet, to see what was in 't,
|
|
And having casually glanced it through,
|
|
Retired; and, as went out, calmly kiss'd her,
|
|
Less like a young wife than an aged sister.
|
|
|
|
He was a cold, good, honourable man,
|
|
Proud of his birth, and proud of every thing;
|
|
A goodly spirit for a state divan,
|
|
A figure fit to walk before a king;
|
|
Tall, stately, form'd to lead the courtly van
|
|
On birthdays, glorious with a star and string;
|
|
The very model of a chamberlain-
|
|
And such I mean to make him when I reign.
|
|
|
|
But there was something wanting on the whole-
|
|
I don't know what, and therefore cannot tell-
|
|
Which pretty women- the sweet souls!- call soul.
|
|
Certes it was not body; he was well
|
|
Proportion'd, as a poplar or a pole,
|
|
A handsome man, that human miracle;
|
|
And in each circumstance of love or war
|
|
Had still preserved his perpendicular.
|
|
|
|
Still there was something wanting, as I 've said-
|
|
That undefinable 'Je ne scais quoi,'
|
|
Which, for what I know, may of yore have led
|
|
To Homer's Iliad, since it drew to Troy
|
|
The Greek Eve, Helen, from the Spartan's bed;
|
|
Though on the whole, no doubt, the Dardan boy
|
|
Was much inferior to King Menelaus:-
|
|
But thus it is some women will betray us.
|
|
|
|
There is an awkward thing which much perplexes,
|
|
Unless like wise Tiresias we had proved
|
|
By turns the difference of the several sexes;
|
|
Neither can show quite how they would be loved.
|
|
The sensual for a short time but connects us,
|
|
The sentimental boasts to be unmoved;
|
|
But both together form a kind of centaur,
|
|
Upon whose back 't is better not to venture.
|
|
|
|
A something all-sufficient for the heart
|
|
Is that for which the sex are always seeking:
|
|
But how to fill up that same vacant part?
|
|
There lies the rub- and this they are but weak in.
|
|
Frail mariners afloat without a chart,
|
|
They run before the wind through high seas breaking;
|
|
And when they have made the shore through every shock,
|
|
'T is odd, or odds, it may turn out a rock.
|
|
|
|
There is a flower call'd 'Love in Idleness,'
|
|
For which see Shakspeare's everblooming garden;-
|
|
I will not make his great description less,
|
|
And beg his British godship's humble pardon,
|
|
If in my extremity of rhyme's distress,
|
|
I touch a single leaf where he is warden;-
|
|
But though the flower is different, with the French
|
|
Or Swiss Rousseau, cry 'Voila la Pervenche!'
|
|
|
|
Eureka! I have found it! What I mean
|
|
To say is, not that love is idleness,
|
|
But that in love such idleness has been
|
|
An accessory, as I have cause to guess.
|
|
Hard labour's an indifferent go-between;
|
|
Your men of business are not apt to express
|
|
Much passion, since the merchant-ship, the Argo,
|
|
Convey'd Medea as her supercargo.
|
|
|
|
'Beatus ille procul!' from 'negotiis,'
|
|
Saith Horace; the great little poet 's wrong;
|
|
His other maxim, 'Noscitur a sociis,'
|
|
Is much more to the purpose of his song;
|
|
Though even that were sometimes too ferocious,
|
|
Unless good company be kept too long;
|
|
But, in his teeth, whate'er their state or station,
|
|
Thrice happy they who have an occupation!
|
|
|
|
Adam exchanged his Paradise for ploughing,
|
|
Eve made up millinery with fig leaves-
|
|
The earliest knowledge from the tree so knowing,
|
|
As far as I know, that the church receives:
|
|
And since that time it need not cost much showing,
|
|
That many of the ills o'er which man grieves,
|
|
And still more women, spring from not employing
|
|
Some hours to make the remnant worth enjoying.
|
|
|
|
And hence high life is oft a dreary void,
|
|
A rack of pleasures, where we must invent
|
|
A something wherewithal to be annoy'd.
|
|
Bards may sing what they please about Content;
|
|
Contented, when translated, means but cloy'd;
|
|
And hence arise the woes of sentiment,
|
|
Blue devils, and blue-stockings, and romances
|
|
Reduced to practice, and perform'd like dances.
|
|
|
|
I do declare, upon an affidavit,
|
|
Romances I ne'er read like those I have seen;
|
|
Nor, if unto the world I ever gave it,
|
|
Would some believe that such a tale had been:
|
|
But such intent I never had, nor have it;
|
|
Some truths are better kept behind a screen,
|
|
Especially when they would look like lies;
|
|
I therefore deal in generalities.
|
|
|
|
'An oyster may be cross'd in love,'- and why?
|
|
Because he mopeth idly in his shell,
|
|
And heaves a lonely subterraqueous sigh,
|
|
Much as a monk may do within his cell:
|
|
And a-propos of monks, their piety
|
|
With sloth hath found it difficult to dwell;
|
|
Those vegetables of the Catholic creed
|
|
Are apt exceedingly to run to seed.
|
|
|
|
O Wilberforce! thou man of black renown,
|
|
Whose merit none enough can sing or say,
|
|
Thou hast struck one immense Colossus down,
|
|
Thou moral Washington of Africa!
|
|
But there 's another little thing, I own,
|
|
Which you should perpetrate some summer's day,
|
|
And set the other halt of earth to rights;
|
|
You have freed the blacks- now pray shut up the whites.
|
|
|
|
Shut up the bald-coot bully Alexander!
|
|
Ship off the Holy Three to Senegal;
|
|
Teach them that 'sauce for goose is sauce for gander,'
|
|
And ask them how they like to be in thrall?
|
|
Shut up each high heroic salamander,
|
|
Who eats fire gratis (since the pay 's but small);
|
|
Shut up- no, not the King, but the Pavilion,
|
|
Or else 't will cost us all another million.
|
|
|
|
Shut up the world at large, let Bedlam out;
|
|
And you will be perhaps surprised to find
|
|
All things pursue exactly the same route,
|
|
As now with those of soi-disant sound mind.
|
|
This I could prove beyond a single doubt,
|
|
Were there a jot of sense among mankind;
|
|
But till that point d'appui is found, alas!
|
|
Like Archimedes, I leave earth as 't was.
|
|
|
|
Our gentle Adeline had one defect-
|
|
Her heart was vacant, though a splendid mansion;
|
|
Her conduct had been perfectly correct,
|
|
As she had seen nought claiming its expansion.
|
|
A wavering spirit may be easier wreck'd,
|
|
Because 't is frailer, doubtless, than a stanch one;
|
|
But when the latter works its own undoing,
|
|
Its inner crash is like an earthquake's ruin.
|
|
|
|
She loved her lord, or thought so; but that love
|
|
Cost her an effort, which is a sad toil,
|
|
The stone of Sisyphus, if once we move
|
|
Our feelings 'gainst the nature of the soil.
|
|
She had nothing to complain of, or reprove,
|
|
No bickerings, no connubial turmoil:
|
|
Their union was a model to behold,
|
|
Serene and noble,- conjugal, but cold.
|
|
|
|
There was no great disparity of years,
|
|
Though much in temper; but they never clash'd:
|
|
They moved like stars united in their spheres,
|
|
Or like the Rhone by Leman's waters wash'd,
|
|
Where mingled and yet separate appears
|
|
The river from the lake, all bluely dash'd
|
|
Through the serene and placid glassy deep,
|
|
Which fain would lull its river-child to sleep.
|
|
|
|
Now when she once had ta'en an interest
|
|
In any thing, however she might flatter
|
|
Herself that her intentions were the best,
|
|
Intense intentions are a dangerous matter:
|
|
Impressions were much stronger than she guess'd,
|
|
And gather'd as they run like growing water
|
|
Upon her mind; the more so, as her breast
|
|
Was not at first too readily impress'd.
|
|
|
|
But when it was, she had that lurking demon
|
|
Of double nature, and thus doubly named-
|
|
Firmness yclept in heroes, kings, and seamen,
|
|
That is, when they succeed; but greatly blamed
|
|
As obstinacy, both in men and women,
|
|
Whene'er their triumph pales, or star is tamed:-
|
|
And 't will perplex the casuist in morality
|
|
To fix the due bounds of this dangerous quality.
|
|
|
|
Had Buonaparte won at Waterloo,
|
|
It had been firmness; now 't is pertinacity:
|
|
Must the event decide between the two?
|
|
I leave it to your people of sagacity
|
|
To draw the line between the false and true,
|
|
If such can e'er be drawn by man's capacity:
|
|
My business is with Lady Adeline,
|
|
Who in her way too was a heroine.
|
|
|
|
She knew not her own heart; then how should I?
|
|
I think not she was then in love with Juan:
|
|
If so, she would have had the strength to fly
|
|
The wild sensation, unto her a new one:
|
|
She merely felt a common sympathy
|
|
(I will not say it was a false or true one)
|
|
In him, because she thought he was in danger,-
|
|
Her husband's friend, her own, young, and a stranger,
|
|
|
|
She was, or thought she was, his friend- and this
|
|
Without the farce of friendship, or romance
|
|
Of Platonism, which leads so oft amiss
|
|
Ladies who have studied friendship but in France,
|
|
Or Germany, where people purely kiss.
|
|
To thus much Adeline would not advance;
|
|
But of such friendship as man's may to man be
|
|
She was as capable as woman can be.
|
|
|
|
No doubt the secret influence of the sex
|
|
Will there, as also in the ties of blood,
|
|
An innocent predominance annex,
|
|
And tune the concord to a finer mood.
|
|
If free from passion, which all friendship checks,
|
|
And your true feelings fully understood,
|
|
No friend like to a woman earth discovers,
|
|
So that you have not been nor will be lovers.
|
|
|
|
Love bears within its breast the very germ
|
|
Of change; and how should this be otherwise?
|
|
That violent things more quickly find a term
|
|
Is shown through nature's whole analogies;
|
|
And how should the most fierce of all be firm?
|
|
Would you have endless lightning in the skies?
|
|
Methinks Love's very title says enough:
|
|
How should 'the tender passion' e'er be tough?
|
|
|
|
Alas! by all experience, seldom yet
|
|
(I merely quote what I have heard from many)
|
|
Had lovers not some reason to regret
|
|
The passion which made Solomon a zany.
|
|
I 've also seen some wives (not to forget
|
|
The marriage state, the best or worst of any)
|
|
Who were the very paragons of wives,
|
|
Yet made the misery of at least two lives.
|
|
|
|
I 've also seen some female friends ( 't is odd,
|
|
But true- as, if expedient, I could prove)
|
|
That faithful were through thick and thin, abroad,
|
|
At home, far more than ever yet was Love-
|
|
Who did not quit me when Oppression trod
|
|
Upon me; whom no scandal could remove;
|
|
Who fought, and fight, in absence, too, my battles,
|
|
Despite the snake Society's loud rattles.
|
|
|
|
Whether Don Juan and chaste Adeline
|
|
Grew friends in this or any other sense,
|
|
Will be discuss'd hereafter, I opine:
|
|
At present I am glad of a pretence
|
|
To leave them hovering, as the effect is fine,
|
|
And keeps the atrocious reader in suspense;
|
|
The surest way for ladies and for books
|
|
To bait their tender, or their tenter, hooks.
|
|
|
|
Whether they rode, or walk'd, or studied Spanish
|
|
To read Don Quixote in the original,
|
|
A pleasure before which all others vanish;
|
|
Whether their talk was of the kind call'd 'small,'
|
|
Or serious, are the topics I must banish
|
|
To the next Canto; where perhaps I shall
|
|
Say something to the purpose, and display
|
|
Considerable talent in my way.
|
|
|
|
Above all, I beg all men to forbear
|
|
Anticipating aught about the matter:
|
|
They 'll only make mistakes about the fair,
|
|
And Juan too, especially the latter.
|
|
And I shall take a much more serious air
|
|
Than I have yet done, in this epic satire.
|
|
It is not clear that Adeline and Juan
|
|
Will fall; but if they do, 't will be their ruin.
|
|
|
|
But great things spring from little:- Would you think,
|
|
That in our youth, as dangerous a passion
|
|
As e'er brought man and woman to the brink
|
|
Of ruin, rose from such a slight occasion,
|
|
As few would ever dream could form the link
|
|
Of such a sentimental situation?
|
|
You 'll never guess, I 'll bet you millions, milliards-
|
|
It all sprung from a harmless game at billiards.
|
|
|
|
'T is strange,- but true; for truth is always strange;
|
|
Stranger than fiction; if it could be told,
|
|
How much would novels gain by the exchange!
|
|
How differently the world would men behold!
|
|
How oft would vice and virtue places change!
|
|
The new world would be nothing to the old,
|
|
If some Columbus of the moral seas
|
|
Would show mankind their souls' antipodes.
|
|
|
|
What 'antres vast and deserts idle' then
|
|
Would be discover'd in the human soul!
|
|
What icebergs in the hearts of mighty men,
|
|
With self-love in the centre as their pole!
|
|
What Anthropophagi are nine of ten
|
|
Of those who hold the kingdoms in control
|
|
Were things but only call'd by their right name,
|
|
Caesar himself would be ashamed of fame.
|
|
CANTO THE FIFTEENTH.
|
|
|
|
AH!- What should follow slips from my reflection;
|
|
Whatever follows ne'ertheless may be
|
|
As a-propos of hope or retrospection,
|
|
As though the lurking thought had follow'd free.
|
|
All present life is but an interjection,
|
|
An 'Oh!' or 'Ah!' of joy or misery,
|
|
Or a 'Ha! ha!' or 'Bah!'- a yawn, or 'Pooh!'
|
|
Of which perhaps the latter is most true.
|
|
|
|
But, more or less, the whole 's a syncope
|
|
Or a singultus- emblems of emotion,
|
|
The grand antithesis to great ennui,
|
|
Wherewith we break our bubbles on the ocean,-
|
|
That watery outline of eternity,
|
|
Or miniature at least, as is my notion,
|
|
Which ministers unto the soul's delight,
|
|
In seeing matters which are out of sight.
|
|
|
|
But all are better than the sigh supprest,
|
|
Corroding in the cavern of the heart,
|
|
Making the countenance a masque of rest,
|
|
And turning human nature to an art.
|
|
Few men dare show their thoughts of worst or best;
|
|
Dissimulation always sets apart
|
|
A corner for herself; and therefore fiction
|
|
Is that which passes with least contradiction.
|
|
|
|
Ah! who can tell? Or rather, who can not
|
|
Remember, without telling, passion's errors?
|
|
The drainer of oblivion, even the sot,
|
|
Hath got blue devils for his morning mirrors:
|
|
What though on Lethe's stream he seem to float,
|
|
He cannot sink his tremors or his terrors;
|
|
The ruby glass that shakes within his hand
|
|
Leaves a sad sediment of Time's worst sand.
|
|
|
|
And as for love- O love!- We will proceed.
|
|
The Lady Adeline Amundeville,
|
|
A pretty name as one would wish to read,
|
|
Must perch harmonious on my tuneful quill.
|
|
There 's music in the sighing of a reed;
|
|
There 's music in the gushing of a rill;
|
|
There 's music in all things, if men had ears:
|
|
Their earth is but an echo of the spheres.
|
|
|
|
The Lady Adeline, right honourable;
|
|
And honour'd, ran a risk of growing less so;
|
|
For few of the soft sex are very stable
|
|
In their resolves- alas! that I should say so!
|
|
They differ as wine differs from its label,
|
|
When once decanted;- I presume to guess so,
|
|
But will not swear: yet both upon occasion,
|
|
Till old, may undergo adulteration.
|
|
|
|
But Adeline was of the purest vintage,
|
|
The unmingled essence of the grape; and yet
|
|
Bright as a new Napoleon from its mintage,
|
|
Or glorious as a diamond richly set;
|
|
A page where Time should hesitate to print age,
|
|
And for which Nature might forego her debt-
|
|
Sole creditor whose process doth involve in 't
|
|
The luck of finding every body solvent.
|
|
|
|
O Death! thou dunnest of all duns! thou daily
|
|
Knockest at doors, at first with modest tap,
|
|
Like a meek tradesman when, approaching palely,
|
|
Some splendid debtor he would take by sap:
|
|
But oft denied, as patience 'gins to fail, he
|
|
Advances with exasperated rap,
|
|
And (if let in) insists, in terms unhandsome,
|
|
On ready money, or 'a draft on Ransom.'
|
|
|
|
Whate'er thou takest, spare a while poor Beauty!
|
|
She is so rare, and thou hast so much prey.
|
|
What though she now and then may slip from duty,
|
|
The more 's the reason why you ought to stay.
|
|
Gaunt Gourmand! with whole nations for your booty,
|
|
You should be civil in a modest way:
|
|
Suppress, then, some slight feminine diseases,
|
|
And take as many heroes as Heaven pleases.
|
|
|
|
Fair Adeline, the more ingenuous
|
|
Where she was interested (as was said),
|
|
Because she was not apt, like some of us,
|
|
To like too readily, or too high bred
|
|
To show it (points we need not now discuss)-
|
|
Would give up artlessly both heart and head
|
|
Unto such feelings as seem'd innocent,
|
|
For objects worthy of the sentiment.
|
|
|
|
Some parts of Juan's history, which Rumour,
|
|
That live gazette, had scatter'd to disfigure,
|
|
She had heard; but women hear with more good humour
|
|
Such aberrations than we men of rigour:
|
|
Besides, his conduct, since in England, grew more
|
|
Strict, and his mind assumed a manlier vigour;
|
|
Because he had, like Alcibiades,
|
|
The art of living in all climes with ease.
|
|
|
|
His manner was perhaps the more seductive,
|
|
Because he ne'er seem'd anxious to seduce;
|
|
Nothing affected, studied, or constructive
|
|
Of coxcombry or conquest: no abuse
|
|
Of his attractions marr'd the fair perspective,
|
|
To indicate a Cupidon broke loose,
|
|
And seem to say, 'Resist us if you can'-
|
|
Which makes a dandy while it spoils a man.
|
|
|
|
They are wrong- that 's not the way to set about it;
|
|
As, if they told the truth, could well be shown.
|
|
But, right or wrong, Don Juan was without it;
|
|
In fact, his manner was his own alone;
|
|
Sincere he was- at least you could not doubt it,
|
|
In listening merely to his voice's tone.
|
|
The devil hath not in all his quiver's choice
|
|
An arrow for the heart like a sweet voice.
|
|
|
|
By nature soft, his whole address held off
|
|
Suspicion: though not timid, his regard
|
|
Was such as rather seem'd to keep aloof,
|
|
To shield himself than put you on your guard:
|
|
Perhaps 't was hardly quite assured enough,
|
|
But modesty 's at times its own reward,
|
|
Like virtue; and the absence of pretension
|
|
Will go much farther than there 's need to mention.
|
|
|
|
Serene, accomplish'd, cheerful but not loud;
|
|
Insinuating without insinuation;
|
|
Observant of the foibles of the crowd,
|
|
Yet ne'er betraying this in conversation;
|
|
Proud with the proud, yet courteously proud,
|
|
So as to make them feel he knew his station
|
|
And theirs:- without a struggle for priority,
|
|
He neither brook'd nor claim'd superiority.
|
|
|
|
That is, with men: with women he was what
|
|
They pleased to make or take him for; and their
|
|
Imagination 's quite enough for that:
|
|
So that the outline 's tolerably fair,
|
|
They fill the canvas up- and 'verbum sat.'
|
|
If once their phantasies be brought to bear
|
|
Upon an object, whether sad or playful,
|
|
They can transfigure brighter than a Raphael.
|
|
|
|
Adeline, no deep judge of character,
|
|
Was apt to add a colouring from her own:
|
|
'T is thus the good will amiably err,
|
|
And eke the wise, as has been often shown.
|
|
Experience is the chief philosopher,
|
|
But saddest when his science is well known:
|
|
And persecuted sages teach the schools
|
|
Their folly in forgetting there are fools.
|
|
|
|
Was it not so, great Locke? and greater Bacon?
|
|
Great Socrates? And thou, Diviner still,
|
|
Whose lot it is by man to be mistaken,
|
|
And thy pure creed made sanction of all ill?
|
|
Redeeming worlds to be by bigots shaken,
|
|
How was thy toil rewarded? We might fill
|
|
Volumes with similar sad illustrations,
|
|
But leave them to the conscience of the nations.
|
|
|
|
I perch upon an humbler promontory,
|
|
Amidst life's infinite variety:
|
|
With no great care for what is nicknamed glory,
|
|
But speculating as I cast mine eye
|
|
On what may suit or may not suit my story,
|
|
And never straining hard to versify,
|
|
I rattle on exactly as I 'd talk
|
|
With any body in a ride or walk.
|
|
|
|
I don't know that there may be much ability
|
|
Shown in this sort of desultory rhyme;
|
|
But there 's a conversational facility,
|
|
Which may round off an hour upon a time.
|
|
Of this I 'm sure at least, there 's no servility
|
|
In mine irregularity of chime,
|
|
Which rings what 's uppermost of new or hoary,
|
|
Just as I feel the 'Improvvisatore.'
|
|
|
|
'Omnia vult belle Matho dicere- dic aliquando
|
|
Et bene, dic neutrum, dic aliquando male.'
|
|
The first is rather more than mortal can do;
|
|
The second may be sadly done or gaily;
|
|
The third is still more difficult to stand to;
|
|
The fourth we hear, and see, and say too, daily.
|
|
The whole together is what I could wish
|
|
To serve in this conundrum of a dish.
|
|
|
|
A modest hope- but modesty 's my forte,
|
|
And pride my feeble:- let us ramble on.
|
|
I meant to make this poem very short,
|
|
But now I can't tell where it may not run.
|
|
No doubt, if I had wish' to pay my court
|
|
To critics, or to hail the setting sun
|
|
Of tyranny of all kinds, my concision
|
|
Were more;- but I was born for opposition.
|
|
|
|
But then 't is mostly on the weaker side;
|
|
So that I verily believe if they
|
|
Who now are basking in their full-blown pride
|
|
Were shaken down, and 'dogs had had their day,'
|
|
Though at the first I might perchance deride
|
|
Their tumble, I should turn the other way,
|
|
And wax an ultra-royalist in loyalty,
|
|
Because I hate even democratic royalty.
|
|
|
|
I think I should have made a decent spouse,
|
|
If I had never proved the soft condition;
|
|
I think I should have made monastic vows,
|
|
But for my own peculiar superstition:
|
|
'Gainst rhyme I never should have knock'd my brows,
|
|
Nor broken my own head, nor that of Priscian,
|
|
Nor worn the motley mantle of a poet,
|
|
If some one had not told me to forego it.
|
|
|
|
But 'laissez aller'- knights and dames I sing,
|
|
Such as the times may furnish. 'T is a flight
|
|
Which seems at first to need no lofty wing,
|
|
Plumed by Longinus or the Stagyrite:
|
|
The difficultly lies in colouring
|
|
(Keeping the due proportions still in sight)
|
|
With nature manners which are artificial,
|
|
And rend'ring general that which is especial.
|
|
|
|
The difference is, that in the days of old
|
|
Men made the manners; manners now make men-
|
|
Pinn'd like a flock, and fleeced too in their fold,
|
|
At least nine, and a ninth beside of ten.
|
|
Now this at all events must render cold
|
|
Your writers, who must either draw again
|
|
Days better drawn before, or else assume
|
|
The present, with their common-place costume.
|
|
|
|
We 'll do our best to make the best on 't:- March!
|
|
March, my Muse! If you cannot fly, yet flutter;
|
|
And when you may not be sublime, be arch,
|
|
Or starch, as are the edicts statesmen utter.
|
|
We surely may find something worth research:
|
|
Columbus found a new world in a cutter,
|
|
Or brigantine, or pink, of no great tonnage,
|
|
While yet America was in her non-age.
|
|
|
|
When Adeline, in all her growing sense
|
|
Of Juan's merits and his situation,
|
|
Felt on the whole an interest intense,-
|
|
Partly perhaps because a fresh sensation,
|
|
Or that he had an air of innocence,
|
|
Which is for innocence a sad temptation,-
|
|
As women hate half measures, on the whole,
|
|
She 'gan to ponder how to save his soul.
|
|
|
|
She had a good opinion of advice,
|
|
Like all who give and eke receive it gratis,
|
|
For which small thanks are still the market price,
|
|
Even where the article at highest rate is:
|
|
She thought upon the subject twice or thrice,
|
|
And morally decided, the best state is
|
|
For morals, marriage; and this question carried,
|
|
She seriously advised him to get married.
|
|
|
|
Juan replied, with all becoming deference,
|
|
He had a predilection for that tie;
|
|
But that, at present, with immediate reference
|
|
To his own circumstances, there might lie
|
|
Some difficulties, as in his own preference,
|
|
Or that of her to whom he might apply:
|
|
That still he 'd wed with such or such a lady,
|
|
If that they were not married all already.
|
|
|
|
Next to the making matches for herself,
|
|
And daughters, brothers, sisters, kith or kin,
|
|
Arranging them like books on the same shelf,
|
|
There 's nothing women love to dabble in
|
|
More (like a stock-holder in growing pelf)
|
|
Than match-making in general: 't is no sin
|
|
Certes, but a preventative, and therefore
|
|
That is, no doubt, the only reason wherefore.
|
|
|
|
But never yet (except of course a miss
|
|
Unwed, or mistress never to be wed,
|
|
Or wed already, who object to this)
|
|
Was there chaste dame who had not in her head
|
|
Some drama of the marriage unities,
|
|
Observed as strictly both at board and bed
|
|
As those of Aristotle, though sometimes
|
|
They turn out melodrames or pantomimes.
|
|
|
|
They generally have some only son,
|
|
Some heir to a large property, some friend
|
|
Of an old family, some gay Sir john,
|
|
Or grave Lord George, with whom perhaps might end
|
|
A line, and leave posterity undone,
|
|
Unless a marriage was applied to mend
|
|
The prospect and their morals: and besides,
|
|
They have at hand a blooming glut of brides.
|
|
|
|
From these they will be careful to select,
|
|
For this an heiress, and for that a beauty;
|
|
For one a songstress who hath no defect,
|
|
For t' other one who promises much duty;
|
|
For this a lady no one can reject,
|
|
Whose sole accomplishments were quite a booty;
|
|
A second for her excellent connections;
|
|
A third, because there can be no objections.
|
|
|
|
When Rapp the Harmonist embargo'd marriage
|
|
In his harmonious settlement (which flourishes
|
|
Strangely enough as yet without miscarriage,
|
|
Because it breeds no more mouths than it nourishes,
|
|
Without those sad expenses which disparage
|
|
What Nature naturally most encourages)-
|
|
Why call'd he 'Harmony' a state sans wedlock?
|
|
Now here I 've got the preacher at a dead lock.
|
|
|
|
Because he either meant to sneer at harmony
|
|
Or marriage, by divorcing them thus oddly.
|
|
But whether reverend Rapp learn'd this in Germany
|
|
Or no, 't is said his sect is rich and godly,
|
|
Pious and pure, beyond what I can term any
|
|
Of ours, although they propagate more broadly.
|
|
My objection 's to his title, not his ritual,
|
|
Although I wonder how it grew habitual.
|
|
|
|
But Rapp is the reverse of zealous matrons,
|
|
Who favour, malgre Malthus, generation-
|
|
Professors of that genial art, and patrons
|
|
Of all the modest part of propagation;
|
|
Which after all at such a desperate rate runs,
|
|
That half its produce tends to emigration,
|
|
That sad result of passions and potatoes-
|
|
Two weeds which pose our economic Catos.
|
|
|
|
Had Adeline read Malthus? I can't tell;
|
|
I wish she had: his book 's the eleventh commandment,
|
|
Which says, 'Thou shalt not marry,' unless well:
|
|
This he (as far as I can understand) meant.
|
|
'T is not my purpose on his views to dwell
|
|
Nor canvass what so 'eminent a hand' meant;
|
|
But certes it conducts to lives ascetic,
|
|
Or turning marriage into arithmetic.
|
|
|
|
But Adeline, who probably presumed
|
|
That Juan had enough of maintenance,
|
|
Or separate maintenance, in case 't was doom'd-
|
|
As on the whole it is an even chance
|
|
That bridegrooms, after they are fairly groom'd,
|
|
May retrograde a little in the dance
|
|
Of marriage (which might form a painter's fame,
|
|
Like Holbein's 'Dance of Death'- but 't is the same);-
|
|
|
|
But Adeline determined Juan's wedding
|
|
In her own mind, and that 's enough for woman:
|
|
But then, with whom? There was the sage Miss Reading,
|
|
Miss Raw, Miss Flaw, Miss Showman, and Miss Knowman.
|
|
And the two fair co-heiresses Giltbedding.
|
|
She deem'd his merits something more than common:
|
|
All these were unobjectionable matches,
|
|
And might go on, if well wound up, like watches.
|
|
|
|
There was Miss Millpond, smooth as summer's sea,
|
|
That usual paragon, an only daughter,
|
|
Who seem'd the cream of equanimity
|
|
Till skimm'd- and then there was some milk and water,
|
|
With a slight shade of blue too, it might be,
|
|
Beneath the surface; but what did it matter?
|
|
Love 's riotous, but marriage should have quiet,
|
|
And being consumptive, live on a milk diet.
|
|
|
|
And then there was the Miss Audacia Shoestring,
|
|
A dashing demoiselle of good estate,
|
|
Whose heart was fix'd upon a star or blue string;
|
|
But whether English dukes grew rare of late,
|
|
Or that she had not harp'd upon the true string,
|
|
By which such sirens can attract our great,
|
|
She took up with some foreign younger brother,
|
|
A Russ or Turk- the one 's as good as t' other.
|
|
|
|
And then there was- but why should I go on,
|
|
Unless the ladies should go off?- there was
|
|
Indeed a certain fair and fairy one,
|
|
Of the best class, and better than her class,-
|
|
Aurora Raby, a young star who shone
|
|
O'er life, too sweet an image for such glass,
|
|
A lovely being, scarcely form'd or moulded,
|
|
A rose with all its sweetest leaves yet folded;
|
|
|
|
Rich, noble, but an orphan; left an only
|
|
Child to the care of guardians good and kind;
|
|
But still her aspect had an air so lonely!
|
|
Blood is not water; and where shall we find
|
|
Feelings of youth like those which overthrown lie
|
|
By death, when we are left, alas! behind,
|
|
To feel, in friendless palaces, a home
|
|
Is wanting, and our best ties in the tomb?
|
|
|
|
Early in years, and yet more infantine
|
|
In figure, she had something of sublime
|
|
In eyes which sadly shone, as seraphs' shine.
|
|
All youth- but with an aspect beyond time;
|
|
Radiant and grave- as pitying man's decline;
|
|
Mournful- but mournful of another's crime,
|
|
She look'd as if she sat by Eden's door.
|
|
And grieved for those who could return no more.
|
|
|
|
She was a Catholic, too, sincere, austere,
|
|
As far as her own gentle heart allow'd,
|
|
And deem'd that fallen worship far more dear
|
|
Perhaps because 't was fallen: her sires were proud
|
|
Of deeds and days when they had fill'd the ear
|
|
Of nations, and had never bent or bow'd
|
|
To novel power; and as she was the last,
|
|
She held their old faith and old feelings fast.
|
|
|
|
She gazed upon a world she scarcely knew,
|
|
As seeking not to know it; silent, lone,
|
|
As grows a flower, thus quietly she grew,
|
|
And kept her heart serene within its zone.
|
|
There was awe in the homage which she drew;
|
|
Her spirit seem'd as seated on a throne
|
|
Apart from the surrounding world, and strong
|
|
In its own strength- most strange in one so young!
|
|
|
|
Now it so happen'd, in the catalogue
|
|
Of Adeline, Aurora was omitted,
|
|
Although her birth and wealth had given her vogue
|
|
Beyond the charmers we have already cited;
|
|
Her beauty also seem'd to form no clog
|
|
Against her being mention'd as well fitted,
|
|
By many virtues, to be worth the trouble
|
|
Of single gentlemen who would be double.
|
|
|
|
And this omission, like that of the bust
|
|
Of Brutus at the pageant of Tiberius,
|
|
Made Juan wonder, as no doubt he must.
|
|
This he express'd half smiling and half serious;
|
|
When Adeline replied with some disgust,
|
|
And with an air, to say the least, imperious,
|
|
She marvell'd 'what he saw in such a baby
|
|
As that prim, silent, cold Aurora Raby?'
|
|
|
|
Juan rejoin'd- 'She was a Catholic,
|
|
And therefore fittest, as of his persuasion;
|
|
Since he was sure his mother would fall sick,
|
|
And the Pope thunder excommunication,
|
|
If-' But here Adeline, who seem'd to pique
|
|
Herself extremely on the inoculation
|
|
Of others with her own opinions, stated-
|
|
As usual- the same reason which she late did.
|
|
|
|
And wherefore not? A reasonable reason,
|
|
If good, is none the worse for repetition;
|
|
If bad, the best way 's certainly to tease on,
|
|
And amplify: you lose much by concision,
|
|
Whereas insisting in or out of season
|
|
Convinces all men, even a politician;
|
|
Or- what is just the same- it wearies out.
|
|
So the end 's gain'd, what signifies the route?
|
|
|
|
Why Adeline had this slight prejudice-
|
|
For prejudice it was- against a creature
|
|
As pure as sanctity itself from vice,
|
|
With all the added charm of form and feature,
|
|
For me appears a question far too nice,
|
|
Since Adeline was liberal by nature;
|
|
But nature 's nature, and has more caprices
|
|
Than I have time, or will, to take to pieces.
|
|
|
|
Perhaps she did not like the quiet way
|
|
With which Aurora on those baubles look'd,
|
|
Which charm most people in their earlier day:
|
|
For there are few things by mankind less brook'd,
|
|
And womankind too, if we so may say,
|
|
Than finding thus their genius stand rebuked,
|
|
Like 'Anthony's by Caesar,' by the few
|
|
Who look upon them as they ought to do.
|
|
|
|
It was not envy- Adeline had none;
|
|
Her place was far beyond it, and her mind.
|
|
It was not scorn- which could not light on one
|
|
Whose greatest fault was leaving few to find.
|
|
It was not jealousy, I think: but shun
|
|
Following the 'ignes fatui' of mankind.
|
|
It was not- but 't is easier far, alas!
|
|
To say what it was not than what it was.
|
|
|
|
Little Aurora deem'd she was the theme
|
|
Of such discussion. She was there a guest;
|
|
A beauteous ripple of the brilliant stream
|
|
Of rank and youth, though purer than the rest,
|
|
Which flow'd on for a moment in the beam
|
|
Time sheds a moment o'er each sparkling crest.
|
|
Had she known this, she would have calmly smiled-
|
|
She had so much, or little, of the child.
|
|
|
|
The dashing and proud air of Adeline
|
|
Imposed not upon her: she saw her blaze
|
|
Much as she would have seen a glow-worm shine,
|
|
Then turn'd unto the stars for loftier rays.
|
|
Juan was something she could not divine,
|
|
Being no sibyl in the new world's ways;
|
|
Yet she was nothing dazzled by the meteor,
|
|
Because she did not pin her faith on feature.
|
|
|
|
His fame too,- for he had that kind of fame
|
|
Which sometimes plays the deuce with womankind,
|
|
A heterogeneous mass of glorious blame,
|
|
Half virtues and whole vices being combined;
|
|
Faults which attract because they are not tame;
|
|
Follies trick'd out so brightly that they blind:-
|
|
These seals upon her wax made no impression,
|
|
Such was her coldness or her self-possession.
|
|
|
|
Juan knew nought of such a character-
|
|
High, yet resembling not his lost Haidee;
|
|
Yet each was radiant in her proper sphere:
|
|
The island girl, bred up by the lone sea,
|
|
More warm, as lovely, and not less sincere,
|
|
Was Nature's all: Aurora could not be,
|
|
Nor would be thus:- the difference in them
|
|
Was such as lies between a flower and gem.
|
|
|
|
Having wound up with this sublime comparison,
|
|
Methinks we may proceed upon our narrative,
|
|
And, as my friend Scott says, 'I sound my warison;'
|
|
Scott, the superlative of my comparative-
|
|
Scott, who can paint your Christian knight or Saracen,
|
|
Serf, lord, man, with such skill as none would share it, if
|
|
There had not been one Shakspeare and Voltaire,
|
|
Of one or both of whom he seems the heir.
|
|
|
|
I say, in my slight way I may proceed
|
|
To play upon the surface of humanity.
|
|
I write the world, nor care if the world read,
|
|
At least for this I cannot spare its vanity.
|
|
My Muse hath bred, and still perhaps may breed
|
|
More foes by this same scroll: when I began it, I
|
|
Thought that it might turn out so- now I know it,
|
|
But still I am, or was, a pretty poet.
|
|
|
|
The conference or congress (for it ended
|
|
As congresses of late do) of the Lady
|
|
Adeline and Don Juan rather blended
|
|
Some acids with the sweets- for she was heady;
|
|
But, ere the matter could be marr'd or mended,
|
|
The silvery bell rang, not for 'dinner ready,
|
|
But for that hour, call'd half-hour, given to dress,
|
|
Though ladies' robes seem scant enough for less.
|
|
|
|
Great things were now to be achieved at table,
|
|
With massy plate for armour, knives and forks
|
|
For weapons; but what Muse since Homer 's able
|
|
(His feasts are not the worst part of his works)
|
|
To draw up in array a single day-bill
|
|
Of modern dinners? where more mystery lurks,
|
|
In soups or sauces, or a sole ragout,
|
|
|
|
There was a goodly 'soupe a la bonne femme,'
|
|
Though God knows whence it came from; there was, too,
|
|
A turbot for relief of those who cram,
|
|
Relieved with 'dindon a la Parigeux;'
|
|
How shall I get this gourmand stanza through?-
|
|
'Soupe a la Beauveau,' whose relief was dory,
|
|
Relieved itself by pork, for greater glory.
|
|
|
|
But I must crowd all into one grand mess
|
|
Or mass; for should I stretch into detail,
|
|
My Muse would run much more into excess,
|
|
Than when some squeamish people deem her frail.
|
|
But though a 'bonne vivante,' I must confess
|
|
Her stomach 's not her peccant part; this tale
|
|
However doth require some slight refection,
|
|
Just to relieve her spirits from dejection.
|
|
|
|
Fowls 'a la Conde,' slices eke of salmon,
|
|
With 'sauces Genevoises,' and haunch of venison;
|
|
Wines too, which might again have slain young Ammon-
|
|
A man like whom I hope we shan't see many soon;
|
|
They also set a glazed Westphalian ham on,
|
|
Whereon Apicius would bestow his benison;
|
|
And then there was champagne with foaming whirls,
|
|
As white as Cleopatra's melted pearls.
|
|
|
|
Then there was God knows what 'a l'Allemande,'
|
|
'A l'Espagnole,' 'timballe,' and 'salpicon'-
|
|
With things I can't withstand or understand,
|
|
Though swallow'd with much zest upon the whole;
|
|
And 'entremets' to piddle with at hand,
|
|
Gently to lull down the subsiding soul;
|
|
While great Lucullus' Robe triumphal muffles
|
|
(There 's fame) young partridge fillets, deck'd with truffles.
|
|
|
|
What are the fillets on the victor's brow
|
|
To these? They are rags or dust. Where is the arch
|
|
Which nodded to the nation's spoils below?
|
|
Where the triumphal chariots' haughty march?
|
|
Gone to where victories must like dinners go.
|
|
Farther I shall not follow the research:
|
|
But oh! ye modern heroes with your cartridges,
|
|
When will your names lend lustre e'en to partridges?
|
|
|
|
Those truffles too are no bad accessaries,
|
|
Follow'd by 'petits puits d'amour'- a dish
|
|
Of which perhaps the cookery rather varies,
|
|
So every one may dress it to his wish,
|
|
According to the best of dictionaries,
|
|
Which encyclopedize both flesh and fish;
|
|
But even sans 'confitures,' it no less true is,
|
|
There 's pretty picking in those 'petits puits.'
|
|
|
|
The mind is lost in mighty contemplation
|
|
Of intellect expanded on two courses;
|
|
And indigestion's grand multiplication
|
|
Requires arithmetic beyond my forces.
|
|
Who would suppose, from Adam's simple ration,
|
|
That cookery could have call'd forth such resources,
|
|
As form a science and a nomenclature
|
|
From out the commonest demands of nature?
|
|
|
|
The glasses jingled, and the palates tingled;
|
|
The diners of celebrity dined well;
|
|
The ladies with more moderation mingled
|
|
In the feast, pecking less than I can tell;
|
|
Also the younger men too: for a springald
|
|
Can't, like ripe age, in gormandize excel,
|
|
But thinks less of good eating than the whisper
|
|
(When seated next him) of some pretty lisper.
|
|
|
|
Alas! I must leave undescribed the gibier,
|
|
The salmi, the consomme, the puree,
|
|
All which I use to make my rhymes run glibber
|
|
Than could roast beef in our rough John Bull way:
|
|
I must not introduce even a spare rib here,
|
|
'Bubble and squeak' would spoil my liquid lay:
|
|
But I have dined, and must forego, Alas!
|
|
The chaste description even of a 'becasse;'
|
|
|
|
And fruits, and ice, and all that art refines
|
|
From nature for the service of the gout-
|
|
Taste or the gout,- pronounce it as inclines
|
|
Your stomach! Ere you dine, the French will do;
|
|
But after, there are sometimes certain signs
|
|
Which prove plain English truer of the two.
|
|
Hast ever had the gout? I have not had it-
|
|
But I may have, and you too, reader, dread it.
|
|
|
|
The simple olives, best allies of wine,
|
|
Must I pass over in my bill of fare?
|
|
I must, although a favourite 'plat' of mine
|
|
In Spain, and Lucca, Athens, every where:
|
|
On them and bread 't was oft my luck to dine,
|
|
The grass my table-cloth, in open-air,
|
|
On Sunium or Hymettus, like Diogenes,
|
|
Of whom half my philosophy the progeny is.
|
|
|
|
Amidst this tumult of fish, flesh, and 'fowl,
|
|
And vegetables, all in masquerade,
|
|
The guests were placed according to their roll,
|
|
But various as the various meats display'd:
|
|
Don Juan sat next 'an l'Espagnole'-
|
|
No damsel, but a dish, as hath been said;
|
|
But so far like a lady, that 't was drest
|
|
Superbly, and contain'd a world of zest.
|
|
|
|
By some odd chance too, he was placed between
|
|
Aurora and the Lady Adeline-
|
|
A situation difficult, I ween,
|
|
For man therein, with eyes and heart, to dine.
|
|
Also the conference which we have seen
|
|
Was not such as to encourage him to shine;
|
|
For Adeline, addressing few words to him,
|
|
With two transcendent eyes seem'd to look through him.
|
|
|
|
I sometimes almost think that eyes have ears:
|
|
This much is sure, that, out of earshot, things
|
|
Are somehow echoed to the pretty dears,
|
|
Of which I can't tell whence their knowledge springs.
|
|
Like that same mystic music of the spheres,
|
|
Which no one bears, so loudly though it rings,
|
|
'T is wonderful how oft the sex have heard
|
|
Long dialogues- which pass'd without a word!
|
|
|
|
Aurora sat with that indifference
|
|
Which piques a preux chevalier- as it ought:
|
|
Of all offences that 's the worst offence,
|
|
Which seems to hint you are not worth a thought.
|
|
Now Juan, though no coxcomb in pretence,
|
|
Was not exactly pleased to be so caught;
|
|
Like a good ship entangled among ice,
|
|
And after so much excellent advice.
|
|
|
|
To his gay nothings, nothing was replied,
|
|
Or something which was nothing, as urbanity
|
|
Required. Aurora scarcely look'd aside,
|
|
Nor even smiled enough for any vanity.
|
|
The devil was in the girl! Could it be pride?
|
|
Or modesty, or absence, or inanity?
|
|
Heaven knows? But Adeline's malicious eyes
|
|
Sparkled with her successful prophecies,
|
|
|
|
And look'd as much as if to say, 'I said it;'
|
|
A kind of triumph I 'll not recommend,
|
|
Because it sometimes, as I have seen or read it,
|
|
Both in the case of lover and of friend,
|
|
Will pique a gentleman, for his own credit,
|
|
To bring what was a jest to a serious end:
|
|
For all men prophesy what is or was,
|
|
And hate those who won't let them come to pass.
|
|
|
|
Juan was drawn thus into some attentions,
|
|
Slight but select, and just enough to express,
|
|
To females of perspicuous comprehensions,
|
|
That he would rather make them more than less.
|
|
Aurora at the last (so history mentions,
|
|
Though probably much less a fact than guess)
|
|
So far relax'd her thoughts from their sweet prison,
|
|
As once or twice to smile, if not to listen.
|
|
|
|
From answering she began to question; this
|
|
With her was rare: and Adeline, who as yet
|
|
Thought her predictions went not much amiss,
|
|
Began to dread she'd thaw to a coquette-
|
|
So very difficult, they say, it is
|
|
To keep extremes from meeting, when once set
|
|
In motion; but she here too much refined-
|
|
Aurora's spirit was not of that kind.
|
|
|
|
But Juan had a sort of winning way,
|
|
A proud humility, if such there be,
|
|
Which show'd such deference to what females say,
|
|
As if each charming word were a decree.
|
|
His tact, too, temper'd him from grave to gay,
|
|
And taught him when to be reserved or free:
|
|
He had the art of drawing people out,
|
|
Without their seeing what he was about.
|
|
|
|
Aurora, who in her indifference
|
|
Confounded him in common with the crowd
|
|
Of flatterers, though she deem'd he had more sense
|
|
Than whispering foplings, or than witlings loud-
|
|
Commenced (from such slight things will great commence)
|
|
To feel that flattery which attracts the proud
|
|
Rather by deference than compliment,
|
|
And wins even by a delicate dissent.
|
|
|
|
And then he had good looks;- that point was carried
|
|
Nem. con. amongst the women, which I grieve
|
|
To say leads oft to crim. con. with the married-
|
|
A case which to the juries we may leave,
|
|
Since with digressions we too long have tarried.
|
|
Now though we know of old that looks deceive,
|
|
And always have done, somehow these good looks
|
|
Make more impression than the best of books.
|
|
|
|
Aurora, who look'd more on books than faces,
|
|
Was very young, although so very sage,
|
|
Admiring more Minerva than the Graces,
|
|
Especially upon a printed page.
|
|
But Virtue's self, with all her tightest laces,
|
|
Has not the natural stays of strict old age;
|
|
And Socrates, that model of all duty,
|
|
Own'd to a penchant, though discreet, for beauty.
|
|
|
|
And girls of sixteen are thus far Socratic,
|
|
But innocently so, as Socrates;
|
|
And really, if the sage sublime and Attic
|
|
At seventy years had phantasies like these,
|
|
Which Plato in his dialogues dramatic
|
|
Has shown, I know not why they should displease
|
|
In virgins- always in a modest way,
|
|
Observe; for that with me 's a 'sine qua.'
|
|
|
|
Also observe, that, like the great Lord Coke
|
|
(See Littleton), whene'er I have express'd
|
|
Opinions two, which at first sight may look
|
|
Twin opposites, the second is the best.
|
|
Perhaps I have a third, too, in a nook,
|
|
Or none at all- which seems a sorry jest:
|
|
But if a writer should be quite consistent,
|
|
How could he possibly show things existent?
|
|
|
|
If people contradict themselves, can
|
|
Help contradicting them, and every body,
|
|
Even my veracious self?- But that 's a lie:
|
|
I never did so, never will- how should I?
|
|
He who doubts all things nothing can deny:
|
|
Truth's fountains may be clear- her streams are muddy,
|
|
And cut through such canals of contradiction,
|
|
That she must often navigate o'er fiction.
|
|
|
|
Apologue, fable, poesy, and parable,
|
|
Are false, but may he render'd also true,
|
|
By those who sow them in a land that 's arable.
|
|
'T is wonderful what fable will not do!
|
|
'T is said it makes reality more bearable:
|
|
But what 's reality? Who has its clue?
|
|
Philosophy? No: she too much rejects.
|
|
Religion? Yes; but which of all her sects?
|
|
|
|
Some millions must be wrong, that 's pretty dear;
|
|
Perhaps it may turn out that all were right.
|
|
God help us! Since we have need on our career
|
|
To keep our holy beacons always bright,
|
|
'T is time that some new prophet should appear,
|
|
Or old indulge man with a second sight.
|
|
Opinions wear out in some thousand years,
|
|
Without a small refreshment from the spheres.
|
|
|
|
But here again, why will I thus entangle
|
|
Myself with metaphysics? None can hate
|
|
So much as I do any kind of wrangle;
|
|
And yet, such is my folly, or my fate,
|
|
I always knock my head against some angle
|
|
About the present, past, or future state.
|
|
Yet I wish well to Trojan and to Tyrian,
|
|
For I was bred a moderate Presbyterian.
|
|
|
|
But though I am a temperate theologian,
|
|
And also meek as a metaphysician,
|
|
Impartial between Tyrian and Trojan,
|
|
As Eldon on a lunatic commission-
|
|
In politics my duty is to show John
|
|
Bull something of the lower world's condition.
|
|
It makes my blood boil like the springs of Hecla,
|
|
To see men let these scoundrel sovereigns break law.
|
|
|
|
But politics, and policy, and piety,
|
|
Are topics which I sometimes introduce,
|
|
Not only for the sake of their variety,
|
|
But as subservient to a moral use;
|
|
Because my business is to dress society,
|
|
And stuff with sage that very verdant goose.
|
|
And now, that we may furnish with some matter all
|
|
Tastes, we are going to try the supernatural.
|
|
|
|
And now I will give up all argument;
|
|
And positively henceforth no temptation
|
|
Shall 'fool me to the top up of my bent:'-
|
|
Yes, I' ll begin a thorough reformation.
|
|
Indeed, I never knew what people meant
|
|
By deeming that my Muse's conversation
|
|
Was dangerous;- I think she is as harmless
|
|
As some who labour more and yet may charm less.
|
|
|
|
Grim reader! did you ever see a ghost?
|
|
No; but you have heard- I understand- be dumb!
|
|
And don't regret the time you may have lost,
|
|
For you have got that pleasure still to come:
|
|
And do not think I mean to sneer at most
|
|
Of these things, or by ridicule benumb
|
|
That source of the sublime and the mysterious:-
|
|
For certain reasons my belief is serious.
|
|
|
|
Serious? You laugh;- you may: that will I not;
|
|
My smiles must be sincere or not at all.
|
|
I say I do believe a haunted spot
|
|
Exists- and where? That shall I not recall,
|
|
Because I 'd rather it should be forgot,
|
|
'Shadows the soul of Richard' may appal.
|
|
In short, upon that subject I 've some qualms very
|
|
Like those of the philosopher of Malmsbury.
|
|
|
|
The night (I sing by night- sometimes an owl,
|
|
And now and then a nightingale) is dim,
|
|
And the loud shriek of sage Minerva's fowl
|
|
Rattles around me her discordant hymn:
|
|
Old portraits from old walls upon me scowl-
|
|
I wish to heaven they would not look so grim;
|
|
The dying embers dwindle in the grate-
|
|
I think too that I have sate up too late:
|
|
|
|
And therefore, though 't is by no means my way
|
|
To rhyme at noon- when I have other things
|
|
To think of, if I ever think- I say
|
|
I feel some chilly midnight shudderings,
|
|
And prudently postpone, until mid-day,
|
|
Treating a topic which, alas! but brings
|
|
Shadows;- but you must be in my condition
|
|
Before you learn to call this superstition.
|
|
|
|
Between two worlds life hovers like a star,
|
|
'Twixt night and morn, upon the horizon's verge.
|
|
How little do we know that which we are!
|
|
How less what we may be! The eternal surge
|
|
Of time and tide rolls on, and bears afar
|
|
Our bubbles; as the old burst, new emerge,
|
|
Lash'd from the foam of ages; while the graves
|
|
Of empires heave but like some passing waves.
|
|
CANTO THE SIXTEENTH.
|
|
|
|
THE antique Persians taught three useful things,
|
|
To draw the bow, to ride, and speak the truth.
|
|
This was the mode of Cyrus, best of kings-
|
|
A mode adopted since by modern youth.
|
|
Bows have they, generally with two strings;
|
|
Horses they ride without remorse or ruth;
|
|
At speaking truth perhaps they are less clever,
|
|
But draw the long bow better now than ever.
|
|
|
|
The cause of this effect, or this defect,-
|
|
'For this effect defective comes by cause,'-
|
|
Is what I have not leisure to inspect;
|
|
But this I must say in my own applause,
|
|
Of all the Muses that I recollect,
|
|
Whate'er may be her follies or her flaws
|
|
In some things, mine 's beyond all contradiction
|
|
The most sincere that ever dealt in fiction.
|
|
|
|
And as she treats all things, and ne'er retreats
|
|
From any thing, this epic will contain
|
|
A wilderness of the most rare conceits,
|
|
Which you might elsewhere hope to find in vain.
|
|
'T is true there be some bitters with the sweets,
|
|
Yet mix'd so slightly, that you can't complain,
|
|
But wonder they so few are, since my tale is
|
|
'De rebus cunctis et quibusdam aliis.'
|
|
|
|
But of all truths which she has told, the most
|
|
True is that which she is about to tell.
|
|
I said it was a story of a ghost-
|
|
What then? I only know it so befell.
|
|
Have you explored the limits of the coast,
|
|
Where all the dwellers of the earth must dwell?
|
|
'T is time to strike such puny doubters dumb as
|
|
The sceptics who would not believe Columbus.
|
|
|
|
Some people would impose now with authority,
|
|
Turpin's or Monmouth Geoffry's Chronicle;
|
|
Men whose historical superiority
|
|
Is always greatest at a miracle.
|
|
But Saint Augustine has the great priority,
|
|
Who bids all men believe the impossible,
|
|
Because 't is so. Who nibble, scribble, quibble, he
|
|
Quiets at once with 'quia impossibile.'
|
|
|
|
And therefore, mortals, cavil not at all;
|
|
Believe:- if 't is improbable you must,
|
|
And if it is impossible, you shall:
|
|
'T is always best to take things upon trust.
|
|
I do not speak profanely, to recall
|
|
Those holier mysteries which the wise and just
|
|
Receive as gospel, and which grow more rooted,
|
|
As all truths must, the more they are disputed:
|
|
|
|
I merely mean to say what Johnson said,
|
|
That in the course of some six thousand years,
|
|
All nations have believed that from the dead
|
|
A visitant at intervals appears;
|
|
And what is strangest upon this strange head,
|
|
Is, that whatever bar the reason rears
|
|
'Gainst such belief, there 's something stronger still
|
|
In its behalf, let those deny who will.
|
|
|
|
The dinner and the soiree too were done,
|
|
The supper too discuss'd, the dames admired,
|
|
The banqueteers had dropp'd off one by one-
|
|
The song was silent, and the dance expired:
|
|
The last thin petticoats were vanish'd, gone
|
|
Like fleecy Clouds into the sky retired,
|
|
And nothing brighter gleam'd through the saloon
|
|
Than dying tapers- and the peeping moon.
|
|
|
|
The evaporation of a joyous day
|
|
Is like the last glass of champagne, without
|
|
The foam which made its virgin bumper gay;
|
|
Or like a system coupled with a doubt;
|
|
Or like a soda bottle when its spray
|
|
Has sparkled and let half its spirit out;
|
|
Or like a billow left by storms behind,
|
|
Without the animation of the wind;
|
|
|
|
Or like an opiate, which brings troubled rest,
|
|
Or none; or like- like nothing that I know
|
|
Except itself;- such is the human breast;
|
|
A thing, of which similitudes can show
|
|
No real likeness,- like the old Tyrian vest
|
|
Dyed purple, none at present can tell how,
|
|
If from a shell-fish or from cochineal.
|
|
So perish every tyrant's robe piece-meal!
|
|
|
|
But next to dressing for a rout or ball,
|
|
Undressing is a woe; our robe de chambre
|
|
May sit like that of Nessus, and recall
|
|
Thoughts quite as yellow, but less clear than amber.
|
|
Titus exclaim'd, 'I 've lost a day!' Of all
|
|
The nights and days most people can remember
|
|
(I have had of both, some not to be disdain'd),
|
|
I wish they 'd state how many they have gain'd.
|
|
|
|
And Juan, on retiring for the night,
|
|
Felt restless, and perplex'd, and compromised:
|
|
He thought Aurora Raby's eyes more bright
|
|
Than Adeline (such is advice) advised;
|
|
If he had known exactly his own plight,
|
|
He probably would have philosophised:
|
|
A great resource to all, and ne'er denied
|
|
Till wanted; therefore Juan only sigh'd.
|
|
|
|
He sigh'd;- the next resource is the full moon,
|
|
Where all sighs are deposited; and now
|
|
It happen'd luckily, the chaste orb shone
|
|
As clear as such a climate will allow;
|
|
And Juan's mind was in the proper tone
|
|
To hail her with the apostrophe- 'O thou!'
|
|
Of amatory egotism the Tuism,
|
|
Which further to explain would be a truism.
|
|
|
|
But lover, poet, or astronomer,
|
|
Shepherd, or swain, whoever may behold,
|
|
Feel some abstraction when they gaze on her:
|
|
Great thoughts we catch from thence (besides a cold
|
|
Sometimes, unless my feelings rather err);
|
|
Deep secrets to her rolling light are told;
|
|
The ocean's tides and mortals' brains she sways,
|
|
And also hearts, if there be truth in lays.
|
|
|
|
Juan felt somewhat pensive, and disposed
|
|
For contemplation rather than his pillow:
|
|
The Gothic chamber, where he was enclosed,
|
|
Let in the rippling sound of the lake's billow,
|
|
With all the mystery by midnight caused;
|
|
Below his window waved (of course) a willow;
|
|
And he stood gazing out on the cascade
|
|
That flash'd and after darken'd in the shade.
|
|
|
|
Upon his table or his toilet,- which
|
|
Of these is not exactly ascertain'd
|
|
(I state this, for I am cautious to a pitch
|
|
Of nicety, where a fact is to be gain'd),-
|
|
A lamp burn'd high, while he leant from a niche,
|
|
Where many a Gothic ornament remain'd,
|
|
In chisell'd stone and painted glass, and all
|
|
That time has left our fathers of their hall.
|
|
|
|
Then, as the night was clear though cold, he threw
|
|
His chamber door wide open- and went forth
|
|
Into a gallery, of a sombre hue,
|
|
Long, furnish'd with old pictures of great worth,
|
|
Of knights and dames heroic and chaste too,
|
|
As doubtless should be people of high birth.
|
|
But by dim lights the portraits of the dead
|
|
Have something ghastly, desolate, and dread.
|
|
|
|
The forms of the grim knight and pictured saint
|
|
Look living in the moon; and as you turn
|
|
Backward and forward to the echoes faint
|
|
Of your own footsteps- voices from the urn
|
|
Appear to wake, and shadows wild and quaint
|
|
Start from the frames which fence their aspects stern,
|
|
As if to ask how you can dare to keep
|
|
A vigil there, where all but death should sleep.
|
|
|
|
And the pale smile of beauties in the grave,
|
|
The charms of other days, in starlight gleams,
|
|
Glimmer on high; their buried locks still wave
|
|
Along the canvas; their eyes glance like dreams
|
|
On ours, or spars within some dusky cave,
|
|
But death is imaged in their shadowy beams.
|
|
A picture is the past; even ere its frame
|
|
Be gilt, who sate hath ceased to be the same.
|
|
|
|
As Juan mused on mutability,
|
|
Or on his mistress- terms synonymous-
|
|
No sound except the echo of his sigh
|
|
Or step ran sadly through that antique house;
|
|
When suddenly he heard, or thought so, nigh,
|
|
A supernatural agent- or a mouse,
|
|
Whose little nibbling rustle will embarrass
|
|
Most people as it plays along the arras.
|
|
|
|
It was no mouse, but lo! a monk, array'd
|
|
In cowl and beads and dusky garb, appear'd,
|
|
Now in the moonlight, and now lapsed in shade,
|
|
With steps that trod as heavy, yet unheard;
|
|
His garments only a slight murmur made;
|
|
He moved as shadowy as the sisters weird,
|
|
But slowly; and as he pass'd Juan by,
|
|
Glanced, without pausing, on him a bright eye.
|
|
|
|
Juan was petrified; he had heard a hint
|
|
Of such a spirit in these halls of old,
|
|
But thought, like most men, there was nothing in 't
|
|
Beyond the rumour which such spots unfold,
|
|
Coin'd from surviving superstition's mint,
|
|
Which passes ghosts in currency like gold,
|
|
But rarely seen, like gold compared with paper.
|
|
And did he see this? or was it a vapour?
|
|
|
|
Once, twice, thrice pass'd, repass'd- the thing of air,
|
|
Or earth beneath, or heaven, or t' other place;
|
|
And Juan gazed upon it with a stare,
|
|
Yet could not speak or move; but, on its base
|
|
As stands a statue, stood: he felt his hair
|
|
Twine like a knot of snakes around his face;
|
|
He tax'd his tongue for words, which were not granted,
|
|
To ask the reverend person what he wanted.
|
|
|
|
The third time, after a still longer pause,
|
|
The shadow pass'd away- but where? the hall
|
|
Was long, and thus far there was no great cause
|
|
To think his vanishing unnatural:
|
|
Doors there were many, through which, by the laws
|
|
Of physics, bodies whether short or tall
|
|
Might come or go; but Juan could not state
|
|
Through which the spectre seem'd to evaporate.
|
|
|
|
He stood- how long he knew not, but it seem'd
|
|
An age- expectant, powerless, with his eyes
|
|
Strain'd on the spot where first the figure gleam'd;
|
|
Then by degrees recall'd his energies,
|
|
And would have pass'd the whole off as a dream,
|
|
But could not wake; he was, he did surmise,
|
|
Waking already, and return'd at length
|
|
Back to his chamber, shorn of half his strength.
|
|
|
|
All there was as he left it: still his taper
|
|
Burnt, and not blue, as modest tapers use,
|
|
Receiving sprites with sympathetic vapour;
|
|
He rubb'd his eyes, and they did not refuse
|
|
Their office; he took up an old newspaper;
|
|
The paper was right easy to peruse;
|
|
He read an article the king attacking,
|
|
And a long eulogy of 'patent blacking.'
|
|
|
|
This savour'd of this world; but his hand shook-
|
|
He shut his door, and after having read
|
|
A paragraph, I think about Horne Tooke,
|
|
Undrest, and rather slowly went to bed.
|
|
There, couch'd all snugly on his pillow's nook,
|
|
With what he had seen his phantasy he fed;
|
|
And though it was no opiate, slumber crept
|
|
Upon him by degrees, and so he slept.
|
|
|
|
He woke betimes; and, as may be supposed,
|
|
Ponder'd upon his visitant or vision,
|
|
And whether it ought not to be disclosed,
|
|
At risk of being quizz'd for superstition.
|
|
The more he thought, the more his mind was posed:
|
|
In the mean time, his valet, whose precision
|
|
Was great, because his master brook'd no less,
|
|
Knock'd to inform him it was time to dress.
|
|
|
|
He dress'd; and like young people he was wont
|
|
To take some trouble with his toilet, but
|
|
This morning rather spent less time upon 't;
|
|
Aside his very mirror soon was put;
|
|
His curls fell negligently o'er his front,
|
|
His clothes were not curb'd to their usual cut,
|
|
His very neckcloth's Gordian knot was tied
|
|
Almost an hair's breadth too much on one side.
|
|
|
|
And when he walk'd down into the saloon,
|
|
He sate him pensive o'er a dish of tea,
|
|
Which he perhaps had not discover'd soon,
|
|
Had it not happen'd scalding hot to be,
|
|
Which made him have recourse unto his spoon;
|
|
So much distrait he was, that all could see
|
|
That something was the matter- Adeline
|
|
The first- but what she could not well divine.
|
|
|
|
She look'd, and saw him pale, and turn'd as pale
|
|
Herself; then hastily look'd down, and mutter'd
|
|
Something, but what 's not stated in my tale.
|
|
Lord Henry said his muffin was ill butter'd;
|
|
The Duchess of Fitz-Fulke play'd with her veil,
|
|
And look'd at Juan hard, but nothing utter'd.
|
|
Aurora Raby with her large dark eyes
|
|
Survey'd him with a kind of calm surprise.
|
|
|
|
But seeing him all cold and silent still,
|
|
And everybody wondering more or less,
|
|
Fair Adeline enquired, 'If he were ill?'
|
|
He started, and said, 'Yes- no- rather- yes.'
|
|
The family physician had great skill,
|
|
And being present, now began to express
|
|
His readiness to feel his pulse and tell
|
|
The cause, but Juan said, 'He was quite well.'
|
|
|
|
'Quite well; yes,- no.'- These answers were mysterious,
|
|
And yet his looks appear'd to sanction both,
|
|
However they might savour of delirious;
|
|
Something like illness of a sudden growth
|
|
Weigh'd on his spirit, though by no means serious:
|
|
But for the rest, as he himself seem'd loth
|
|
To state the case, it might be ta'en for granted
|
|
It was not the physician that he wanted.
|
|
|
|
Lord Henry, who had now discuss'd his chocolate,
|
|
Also the muffin whereof he complain'd,
|
|
Said, Juan had not got his usual look elate,
|
|
At which he marvell'd, since it had not rain'd;
|
|
Then ask'd her Grace what news were of the duke of late?
|
|
Her Grace replied, his Grace was rather pain'd
|
|
With some slight, light, hereditary twinges
|
|
Of gout, which rusts aristocratic hinges.
|
|
|
|
Then Henry turn'd to Juan, and address'd
|
|
A few words of condolence on his state:
|
|
'You look,' quoth he, 'as if you had had your rest
|
|
Broke in upon by the Black Friar of late.'
|
|
'What friar?' said Juan; and he did his best
|
|
To put the question with an air sedate,
|
|
Or careless; but the effort was not valid
|
|
To hinder him from growing still more pallid.
|
|
|
|
'Oh! have you never heard of the Black Friar?
|
|
The spirit of these walls?'- 'In truth not I.'
|
|
'Why Fame- but Fame you know 's sometimes a liar-
|
|
Tells an odd story, of which by and by:
|
|
Whether with time the spectre has grown shyer,
|
|
Or that our sires had a more gifted eye
|
|
For such sights, though the tale is half believed,
|
|
The friar of late has not been oft perceived.
|
|
|
|
(Who watch'd the changes of Don Juan's brow,
|
|
And from its context thought she could divine
|
|
Connexions stronger then he chose to avow
|
|
With this same legend)- 'if you but design
|
|
To jest, you 'll choose some other theme just now,
|
|
Because the present tale has oft been told,
|
|
And is not much improved by growing old.'
|
|
|
|
'Jest!' quoth Milor; 'why, Adeline, you know
|
|
That we ourselves- 't was in the honey-moon-
|
|
But, come, I 'll set your story to a tune.'
|
|
Graceful as Dian, when she draws her bow,
|
|
She seized her harp, whose strings were kindled soon
|
|
As touch'd, and plaintively began to play
|
|
The air of ''T was a Friar of Orders Gray.'
|
|
|
|
'But add the words,' cried Henry, 'which you made;
|
|
For Adeline is half a poetess,'
|
|
Turning round to the rest, he smiling said.
|
|
Of course the others could not but express
|
|
In courtesy their wish to see display'd
|
|
By one three talents, for there were no less-
|
|
The voice, the words, the harper's skill, at once
|
|
Could hardly be united by a dunce.
|
|
|
|
After some fascinating hesitation,-
|
|
The charming of these charmers, who seem bound,
|
|
I can't tell why, to this dissimulation,-
|
|
Fair Adeline, with eyes fix'd on the ground
|
|
At first, then kindling into animation,
|
|
Added her sweet voice to the lyric sound,
|
|
And sang with much simplicity,- a merit
|
|
Not the less precious, that we seldom hear it.
|
|
|
|
Beware! beware! of the Black Friar,
|
|
Who sitteth by Norman stone,
|
|
For he mutters his prayer in the midnight air,
|
|
And his mass of the days that are gone.
|
|
When the Lord of the Hill, Amundeville,
|
|
Made Norman Church his prey,
|
|
And expell'd the friars, one friar still
|
|
Would not be driven away.
|
|
|
|
Though he came in his might, with King Henry's right,
|
|
To turn church lands to lay,
|
|
With sword in hand, and torch to light
|
|
Their walls, if they said nay;
|
|
A monk remain'd, unchased, unchain'd,
|
|
And he did not seem form'd of clay,
|
|
For he 's seen in the porch, and he 's seen in the church,
|
|
Though he is not seen by day.
|
|
|
|
And whether for good, or whether for ill,
|
|
It is not mine to say;
|
|
But still with the house of Amundeville
|
|
He abideth night and day.
|
|
By the marriage-bed of their lords, 't is said,
|
|
He flits on the bridal eve;
|
|
And 't is held as faith, to their bed of death
|
|
He comes- but not to grieve.
|
|
|
|
When an heir is born, he 's heard to mourn,
|
|
And when aught is to befall
|
|
That ancient line, in the "we moonshine
|
|
He walks from hall to hall.
|
|
His form you may trace, but not his face,
|
|
'T is shadow'd by his cowl;
|
|
But his eyes may be seen from the folds between,
|
|
And they seem of a parted soul.
|
|
|
|
But beware! beware! of the Black Friar,
|
|
He still retains his sway,
|
|
For he is yet the church's heir
|
|
Whoever may be the lay.
|
|
Amundeville is lord by day,
|
|
But the monk is lord by night;
|
|
Nor wine nor wassail could raise a vassal
|
|
To question that friar's right.
|
|
|
|
Say nought to him as he walks the hall,
|
|
And he 'll say nought to you;
|
|
He sweeps along in his dusky pall,
|
|
As o'er the grass the dew.
|
|
Then grammercy! for the Black Friar;
|
|
Heaven sain him, fair or foul!
|
|
And whatsoe'er may be his prayer,
|
|
Let ours be for his soul.
|
|
|
|
The lady's voice ceased, and the thrilling wires
|
|
Died from the touch that kindled them to sound;
|
|
And the pause follow'd, which when song expires
|
|
Pervades a moment those who listen round;
|
|
And then of course the circle much admires,
|
|
Nor less applauds, as in politeness bound,
|
|
The tones, the feeling, and the execution,
|
|
To the performer's diffident confusion.
|
|
|
|
Fair Adeline, though in a careless way,
|
|
As if she rated such accomplishment
|
|
As the mere pastime of an idle day,
|
|
Pursued an instant for her own content,
|
|
Would now and then as 't were without display,
|
|
Yet with display in fact, at times relent
|
|
To such performances with haughty smile,
|
|
To show she could, if it were worth her while.
|
|
|
|
Now this (but we will whisper it aside)
|
|
Was- pardon the pedantic illustration-
|
|
Trampling on Plato's pride with greater pride,
|
|
As did the Cynic on some like occasion;
|
|
Deeming the sage would be much mortified,
|
|
Or thrown into a philosophic passion,
|
|
For a spoil'd carpet- but the 'Attic Bee'
|
|
Was much consoled by his own repartee.
|
|
|
|
Thus Adeline would throw into the shade
|
|
(By doing easily, whene'er she chose,
|
|
What dilettanti do with vast parade)
|
|
Their sort of half profession; for it grows
|
|
To something like this when too oft display'd;
|
|
And that it is so everybody knows
|
|
Who have heard Miss That or This, or Lady T'other,
|
|
Show off- to please their company or mother.
|
|
|
|
Oh! the long evenings of duets and trios!
|
|
The admirations and the speculations;
|
|
The 'Mamma Mia's!' and the 'Amor Mio's!'
|
|
The 'Tanti palpiti's' on such occasions:
|
|
The 'Lasciami's,' and quavering 'Addio's!'
|
|
Amongst our own most musical of nations;
|
|
With 'Tu mi chamas's' from Portingale,
|
|
To soothe our ears, lest Italy should fail.
|
|
|
|
In Babylon's bravuras- as the home
|
|
Heart-ballads of Green Erin or Gray Highlands,
|
|
That bring Lochaber back to eyes that roam
|
|
O'er far Atlantic continents or islands,
|
|
The calentures of music which o'ercome
|
|
All mountaineers with dreams that they are nigh lands,
|
|
No more to be beheld but in such visions-
|
|
Was Adeline well versed, as compositions.
|
|
|
|
She also had a twilight tinge of 'Blue,'
|
|
Could write rhymes, and compose more than she wrote,
|
|
Made epigrams occasionally too
|
|
Upon her friends, as everybody ought.
|
|
But still from that sublimer azure hue,
|
|
So much the present dye, she was remote;
|
|
Was weak enough to deem Pope a great poet,
|
|
And what was worse, was not ashamed to show it.
|
|
|
|
Aurora- since we are touching upon taste,
|
|
Which now-a-days is the thermometer
|
|
By whose degrees all characters are class'd-
|
|
Was more Shakspearian, if I do not err.
|
|
The worlds beyond this world's perplexing waste
|
|
Had more of her existence, for in her
|
|
There was a depth of feeling to embrace
|
|
Thoughts, boundless, deep, but silent too as Space.
|
|
|
|
Not so her gracious, graceful, graceless Grace,
|
|
The full-grown Hebe of Fitz-Fulke, whose mind,
|
|
If she had any, was upon her face,
|
|
And that was of a fascinating kind.
|
|
A little turn for mischief you might trace
|
|
Also thereon,- but that 's not much; we find
|
|
Few females without some such gentle leaven,
|
|
For fear we should suppose us quite in heaven.
|
|
|
|
I have not heard she was at all poetic,
|
|
Though once she was seen reading the 'Bath Guide,'
|
|
And 'Hayley's Triumphs,' which she deem'd pathetic,
|
|
Because she said her temper had been tried
|
|
So much, the bard had really been prophetic
|
|
Of what she had gone through with- since a bride.
|
|
But of all verse, what most ensured her praise
|
|
Were sonnets to herself, or 'bouts rimes.'
|
|
|
|
'T were difficult to say what was the object
|
|
Of Adeline, in bringing this same lay
|
|
To bear on what appear'd to her the subject
|
|
Of Juan's nervous feelings on that day.
|
|
Perhaps she merely had the simple project
|
|
To laugh him out of his supposed dismay;
|
|
Perhaps she might wish to confirm him in it,
|
|
Though why I cannot say- at least this minute.
|
|
|
|
But so far the immediate effect
|
|
Was to restore him to his self-propriety,
|
|
A thing quite necessary to the elect,
|
|
Who wish to take the tone of their society:
|
|
In which you cannot be too circumspect,
|
|
Whether the mode be persiflage or piety,
|
|
But wear the newest mantle of hypocrisy,
|
|
On pain of much displeasing the gynocracy.
|
|
|
|
And therefore Juan now began to rally
|
|
His spirits, and without more explanation
|
|
To jest upon such themes in many a sally.
|
|
Her Grace, too, also seized the same occasion,
|
|
With various similar remarks to tally,
|
|
But wish'd for a still more detail'd narration
|
|
Of this same mystic friar's curious doings,
|
|
About the present family's deaths and wooings.
|
|
|
|
Of these few could say more than has been said;
|
|
They pass'd as such things do, for superstition
|
|
With some, while others, who had more in dread
|
|
The theme, half credited the strange tradition;
|
|
And much was talk'd on all sides on that head:
|
|
But Juan, when cross-question'd on the vision,
|
|
Which some supposed (though he had not avow'd it)
|
|
Had stirr'd him, answer'd in a way to cloud it.
|
|
|
|
And then, the mid-day having worn to one,
|
|
The company prepared to separate;
|
|
Some to their several pastimes, or to none,
|
|
Some wondering 't was so early, some so late.
|
|
There was a goodly match too, to be run
|
|
Between some greyhounds on my lord's estate,
|
|
And a young race-horse of old pedigree
|
|
Match'd for the spring, whom several went to see.
|
|
|
|
There was a picture-dealer who had brought
|
|
A special Titian, warranted original,
|
|
So precious that it was not to be bought,
|
|
Though princes the possessor were besieging all.
|
|
The king himself had cheapen'd it, but thought
|
|
The civil list he deigns to accept (obliging all
|
|
His subjects by his gracious acceptation)
|
|
Too scanty, in these times of low taxation.
|
|
|
|
But as Lord Henry was a connoisseur,-
|
|
The friend of artists, if not arts,- the owner,
|
|
With motives the most classical and pure,
|
|
So that he would have been the very donor,
|
|
Rather than seller, had his wants been fewer,
|
|
So much he deem'd his patronage an honour,
|
|
Had brought the capo d'opera, not for sale,
|
|
But for his judgment- never known to fail.
|
|
|
|
There was a modern Goth, I mean a Gothic
|
|
Bricklayer of Babel, call'd an architect,
|
|
Brought to survey these grey walls, which though so thick,
|
|
Might have from time acquired some slight defect;
|
|
Who after rummaging the Abbey through thick
|
|
And thin, produced a plan whereby to erect
|
|
New buildings of correctest conformation,
|
|
And throw down old- which he call'd restoration.
|
|
|
|
The cost would be a trifle- an 'old song,'
|
|
Set to some thousands ('t is the usual burden
|
|
Of that same tune, when people hum it long)-
|
|
The price would speedily repay its worth in
|
|
An edifice no less sublime than strong,
|
|
By which Lord Henry's good taste would go forth in
|
|
Its glory, through all ages shining sunny,
|
|
For Gothic daring shown in English money.
|
|
|
|
There were two lawyers busy on a mortgage
|
|
Lord Henry wish'd to raise for a new purchase;
|
|
Also a lawsuit upon tenures burgage,
|
|
And one on tithes, which sure are Discord's torches,
|
|
Kindling Religion till she throws down her gage,
|
|
'Untying' squires 'to fight against the churches;'
|
|
There was a prize ox, a prize pig, and ploughman,
|
|
For Henry was a sort of Sabine showman.
|
|
|
|
There were two poachers caught in a steel trap,
|
|
Ready for gaol, their place of convalescence;
|
|
There was a country girl in a close cap
|
|
And scarlet cloak (I hate the sight to see, since-
|
|
Since- since- in youth, I had the sad mishap-
|
|
But luckily I have paid few parish fees since):
|
|
That scarlet cloak, alas! unclosed with rigour,
|
|
Presents the problem of a double figure.
|
|
|
|
A reel within a bottle is a mystery,
|
|
One can't tell how it e'er got in or out;
|
|
Therefore the present piece of natural history
|
|
I leave to those who are fond of solving doubt;
|
|
And merely state, though not for the consistory,
|
|
Lord Henry was a justice, and that Scout
|
|
The constable, beneath a warrant's banner,
|
|
Had bagg'd this poacher upon Nature's manor.
|
|
|
|
Now justices of peace must judge all pieces
|
|
Of mischief of all kinds, and keep the game
|
|
And morals of the country from caprices
|
|
Of those who have not a license for the same;
|
|
And of all things, excepting tithes and leases,
|
|
Perhaps these are most difficult to tame:
|
|
Preserving partridges and pretty wenches
|
|
Are puzzles to the most precautious benches.
|
|
|
|
The present culprit was extremely pale,
|
|
Pale as if painted so; her cheek being red
|
|
By nature, as in higher dames less hale
|
|
'T is white, at least when they just rise from bed.
|
|
Perhaps she was ashamed of seeming frail,
|
|
Poor soul! for she was country born and bred,
|
|
And knew no better in her immorality
|
|
Than to wax white- for blushes are for quality.
|
|
|
|
Her black, bright, downcast, yet espiegle eye,
|
|
Had gather'd a large tear into its corner,
|
|
Which the poor thing at times essay'd to dry,
|
|
For she was not a sentimental mourner
|
|
Parading all her sensibility,
|
|
Nor insolent enough to scorn the scorner,
|
|
But stood in trembling, patient tribulation,
|
|
To be call'd up for her examination.
|
|
|
|
Of course these groups were scatter'd here and there,
|
|
Not nigh the gay saloon of ladies gent.
|
|
The lawyers in the study; and in air
|
|
The prize pig, ploughman, poachers; the men sent
|
|
From town, viz., architect and dealer, were
|
|
Both busy (as a general in his tent
|
|
Writing despatches) in their several stations,
|
|
Exulting in their brilliant lucubrations.
|
|
|
|
But this poor girl was left in the great hall,
|
|
While Scout, the parish guardian of the frail,
|
|
Discuss'd (he hated beer yclept the 'small')
|
|
A mighty mug of moral double ale.
|
|
She waited until justice could recall
|
|
Its kind attentions to their proper pale,
|
|
To name a thing in nomenclature rather
|
|
Perplexing for most virgins- a child's father.
|
|
|
|
You see here was enough of occupation
|
|
For the Lord Henry, link'd with dogs and horses.
|
|
There was much bustle too, and preparation
|
|
Below stairs on the score of second courses;
|
|
Because, as suits their rank and situation,
|
|
Those who in counties have great land resources
|
|
Have 'Public days,' when all men may carouse,
|
|
Though not exactly what 's call'd 'open house.'
|
|
|
|
But once a week or fortnight, uninvited
|
|
(Thus we translate a general invitation),
|
|
All country gentlemen, esquired or knighted,
|
|
May drop in without cards, and take their station
|
|
At the full board, and sit alike delighted
|
|
With fashionable wines and conversation;
|
|
And, as the isthmus of the grand connection,
|
|
Talk o'er themselves the past and next election.
|
|
|
|
Lord Henry was a great electioneerer,
|
|
Burrowing for boroughs like a rat or rabbit;
|
|
But county contests cost him rather dearer,
|
|
Because the neighbouring Scotch Earl of Giftgabbit
|
|
Had English influence in the self-same sphere here;
|
|
His son, the Honourable Dick Dicedrabbit,
|
|
Was member for the 'other interest' (meaning
|
|
The same self-interest, with a different leaning).
|
|
|
|
Courteous and cautious therefore in his county,
|
|
He was all things to all men, and dispensed
|
|
To some civility, to others bounty,
|
|
And promises to all- which last commenced
|
|
To gather to a somewhat large amount, he
|
|
Not calculating how much they condensed;
|
|
But what with keeping some, and breaking others,
|
|
His word had the same value as another's.
|
|
|
|
A friend to freedom and freeholders- yet
|
|
No less a friend to government- he held,
|
|
That he exactly the just medium hit
|
|
'Twixt place and patriotism- albeit compell'd,
|
|
Such was his sovereign's pleasure (though unfit,
|
|
He added modestly, when rebels rail'd),
|
|
To hold some sinecures he wish'd abolish'd,
|
|
But that with them all law would be demolish'd.
|
|
|
|
He was 'free to confess' (whence comes this phrase?
|
|
Is 't English? No- 't is only parliamentary)
|
|
That innovation's spirit now-a-days
|
|
Had made more progress than for the last century.
|
|
He would not tread a factious path to praise,
|
|
Though for the public weal disposed to venture high;
|
|
As for his place, he could but say this of it,
|
|
That the fatigue was greater than the profit.
|
|
|
|
Heaven, and his friends, knew that a private life
|
|
Had ever been his sole and whole ambition;
|
|
But could he quit his king in times of strife,
|
|
Which threaten'd the whole country with perdition?
|
|
When demagogues would with a butcher's knife
|
|
Cut through and through (oh! damnable incision!)
|
|
The Gordian or the Geordi-an knot, whose strings
|
|
Have tied together commons, lords, and kings.
|
|
|
|
Sooner 'come lace into the civil list
|
|
And champion him to the utmost'- he would keep it,
|
|
Till duly disappointed or dismiss'd:
|
|
Profit he care not for, let others reap it;
|
|
But should the day come when place ceased to exist,
|
|
The country would have far more cause to weep it:
|
|
For how could it go on? Explain who can!
|
|
He gloried in the name of Englishman.
|
|
|
|
He was as independent- ay, much more-
|
|
Than those who were not paid for independence,
|
|
As common soldiers, or a common- shore,
|
|
Have in their several arts or parts ascendance
|
|
O'er the irregulars in lust or gore,
|
|
Who do not give professional attendance.
|
|
Thus on the mob all statesmen are as eager
|
|
To prove their pride, as footmen to a beggar.
|
|
|
|
All this (save the last stanza) Henry said,
|
|
And thought. I say no more- I 've said too much;
|
|
For all of us have either heard or read-
|
|
Off- or upon the hustings- some slight such
|
|
Hints from the independent heart or head
|
|
Of the official candidate. I 'll touch
|
|
No more on this- the dinner-bell hath rung,
|
|
And grace is said; the grace I should have sung-
|
|
|
|
But I 'm too late, and therefore must make play.
|
|
'T was a great banquet, such as Albion old
|
|
Was wont to boast- as if a glutton's tray
|
|
Were something very glorious to behold.
|
|
But 't was a public feast and public day,-
|
|
Quite full, right dull, guests hot, and dishes cold,
|
|
Great plenty, much formality, small cheer,
|
|
And every body out of their own sphere.
|
|
|
|
The squires familiarly formal, and
|
|
My lords and ladies proudly condescending;
|
|
The very servants puzzling how to hand
|
|
Their plates- without it might be too much bending
|
|
From their high places by the sideboard's stand-
|
|
Yet, like their masters, fearful of offending.
|
|
For any deviation from the graces
|
|
Might cost both man and master too- their places.
|
|
|
|
There were some hunters bold, and coursers keen,
|
|
Whose hounds ne'er err'd, nor greyhounds deign'd to lurch;
|
|
Some deadly shots too, Septembrizers, seen
|
|
Earliest to rise, and last to quit the search
|
|
Of the poor partridge through his stubble screen.
|
|
There were some massy members of the church,
|
|
Takers of tithes, and makers of good matches,
|
|
And several who sung fewer psalms than catches.
|
|
|
|
There were some country wags too- and, alas!
|
|
Some exiles from the town, who had been driven
|
|
To gaze, instead of pavement, upon grass,
|
|
And rise at nine in lieu of long eleven.
|
|
And lo! upon that day it came to pass,
|
|
I sate next that o'erwhelming son of heaven,
|
|
The very powerful parson, Peter Pith,
|
|
The loudest wit I e'er was deafen'd with.
|
|
|
|
I knew him in his livelier London days,
|
|
A brilliant diner out, though but a curate;
|
|
And not a joke he cut but earn'd its praise,
|
|
Until preferment, coming at a sure rate
|
|
(O Providence! how wondrous are thy ways!
|
|
Who would suppose thy gifts sometimes obdurate?),
|
|
Gave him, to lay the devil who looks o'er Lincoln,
|
|
A fat fen vicarage, and nought to think on.
|
|
|
|
His jokes were sermons, and his sermons jokes;
|
|
But both were thrown away amongst the fens;
|
|
For wit hath no great friend in aguish folks.
|
|
No longer ready ears and short-hand pens
|
|
Imbibed the gay bon-mot, or happy hoax:
|
|
The poor priest was reduced to common sense,
|
|
Or to coarse efforts very loud and long,
|
|
To hammer a horse laugh from the thick throng.
|
|
|
|
There is a difference, says the song, 'between
|
|
A beggar and a queen,' or was (of late
|
|
The latter worse used of the two we 've seen-
|
|
But we 'll say nothing of affairs of state);
|
|
A difference ''twixt a bishop and a dean,'
|
|
A difference between crockery ware and plate,
|
|
As between English beef and Spartan broth-
|
|
And yet great heroes have been bred by both.
|
|
|
|
But of all nature's discrepancies, none
|
|
Upon the whole is greater than the difference
|
|
Beheld between the country and the town,
|
|
Of which the latter merits every preference
|
|
From those who have few resources of their own,
|
|
And only think, or act, or feel, with reference
|
|
To some small plan of interest or ambition-
|
|
Both which are limited to no condition.
|
|
|
|
But 'en avant!' The light loves languish o'er
|
|
Long banquets and too many guests, although
|
|
A slight repast makes people love much more,
|
|
Bacchus and Ceres being, as we know
|
|
Even from our grammar upwards, friends of yore
|
|
With vivifying Venus, who doth owe
|
|
To these the invention of champagne and truffles:
|
|
Temperance delights her, but long fasting ruffles.
|
|
|
|
Dully past o'er the dinner of the day;
|
|
And Juan took his place, he knew not where,
|
|
Confused, in the confusion, and distrait,
|
|
And sitting as if nail'd upon his chair:
|
|
Though knives and forks clank'd round as in a fray,
|
|
He seem'd unconscious of all passing there,
|
|
Till some one, with a groan, exprest a wish
|
|
(Unheeded twice) to have a fin of fish.
|
|
|
|
On which, at the third asking of the bans,
|
|
He started; and perceiving smiles around
|
|
Broadening to grins, he colour'd more than once,
|
|
And hastily- as nothing can confound
|
|
A wise man more than laughter from a dunce-
|
|
Inflicted on the dish a deadly wound,
|
|
And with such hurry, that ere he could curb it
|
|
He had paid his neighbour's prayer with half a turbot.
|
|
|
|
This was no bad mistake, as it occurr'd,
|
|
The supplicator being an amateur;
|
|
But others, who were left with scarce a third,
|
|
Were angry- as they well might, to be sure.
|
|
They wonder'd how a young man so absurd
|
|
Lord Henry at his table should endure;
|
|
And this, and his not knowing how much oats
|
|
Had fallen last market, cost his host three votes.
|
|
|
|
They little knew, or might have sympathised,
|
|
That he the night before had seen a ghost,
|
|
A prologue which but slightly harmonised
|
|
With the substantial company engross'd
|
|
By matter, and so much materialised,
|
|
That one scarce knew at what to marvel most
|
|
Of two things- how (the question rather odd is)
|
|
Such bodies could have souls, or souls such bodies.
|
|
|
|
But what confused him more than smile or stare
|
|
From all the 'squires and 'squiresses around,
|
|
Who wonder'd at the abstraction of his air,
|
|
Especially as he had been renown'd
|
|
For some vivacity among the fair,
|
|
Even in the country circle's narrow bound
|
|
(For little things upon my lord's estate
|
|
Were good small talk for others still less great)-
|
|
|
|
Was, that he caught Aurora's eye on his,
|
|
And something like a smile upon her cheek.
|
|
Now this he really rather took amiss:
|
|
In those who rarely smile, their smiles bespeak
|
|
A strong external motive; and in this
|
|
Smile of Aurora's there was nought to pique
|
|
Or hope, or love, with any of the wiles
|
|
Which some pretend to trace in ladies' smiles.
|
|
|
|
'T was a mere quiet smile of contemplation,
|
|
Indicative of some surprise and pity;
|
|
And Juan grew carnation with vexation,
|
|
Which was not very wise, and still less witty,
|
|
Since he had gain'd at least her observation,
|
|
A most important outwork of the city-
|
|
As Juan should have known, had not his senses
|
|
By last night's ghost been driven from their defences.
|
|
|
|
But what was bad, she did not blush in turn,
|
|
Nor seem embarrass'd- quite the contrary;
|
|
Her aspect was as usual, still- not stern-
|
|
And she withdrew, but cast not down, her eye,
|
|
Yet grew a little pale- with what? concern?
|
|
I know not; but her colour ne'er was high-
|
|
Though sometimes faintly flush'd- and always clear,
|
|
As deep seas in a sunny atmosphere.
|
|
|
|
But Adeline was occupied by fame
|
|
This day; and watching, witching, condescending
|
|
To the consumers of fish, fowl, and game,
|
|
And dignity with courtesy so blending,
|
|
As all must blend whose part it is to aim
|
|
(Especially as the sixth year is ending)
|
|
At their lord's, son's, or similar connection's
|
|
Safe conduct through the rocks of re-elections.
|
|
|
|
Though this was most expedient on the whole,
|
|
And usual- Juan, when he cast a glance
|
|
On Adeline while playing her grand role,
|
|
Which she went through as though it were a dance,
|
|
Betraying only now and then her soul
|
|
By a look scarce perceptibly askance
|
|
(Of weariness or scorn), began to feel
|
|
Some doubt how much of Adeline was real;
|
|
|
|
So well she acted all and every part
|
|
By turns- with that vivacious versatility,
|
|
Which many people take for want of heart.
|
|
They err- 't is merely what is call'd mobility,
|
|
A thing of temperament and not of art,
|
|
Though seeming so, from its supposed facility;
|
|
And false- though true; for surely they 're sincerest
|
|
Who are strongly acted on by what is nearest.
|
|
|
|
This makes your actors, artists, and romancers,
|
|
Heroes sometimes, though seldom- sages never;
|
|
But speakers, bards, diplomatists, and dancers,
|
|
Little that 's great, but much of what is clever;
|
|
Most orators, but very few financiers,
|
|
Though all Exchequer chancellors endeavour,
|
|
Of late years, to dispense with Cocker's rigours,
|
|
And grow quite figurative with their figures.
|
|
|
|
The poets of arithmetic are they
|
|
Who, though they prove not two and two to be
|
|
Five, as they might do in a modest way,
|
|
Have plainly made it out that four are three,
|
|
Judging by what they take, and what they pay.
|
|
The Sinking Fund's unfathomable sea,
|
|
That most unliquidating liquid, leaves
|
|
The debt unsunk, yet sinks all it receives.
|
|
|
|
While Adeline dispensed her airs and graces,
|
|
The fair Fitz-Fulke seem'd very much at ease;
|
|
Though too well bred to quiz men to their faces,
|
|
Her laughing blue eyes with a glance could seize
|
|
The ridicules of people in all places-
|
|
That honey of your fashionable bees-
|
|
And store it up for mischievous enjoyment;
|
|
And this at present was her kind employment.
|
|
|
|
However, the day closed, as days must close;
|
|
The evening also waned- and coffee came.
|
|
Each carriage was announced, and ladies rose,
|
|
And curtsying off, as curtsies country dame,
|
|
Retired: with most unfashionable bows
|
|
Their docile esquires also did the same,
|
|
Delighted with their dinner and their host,
|
|
But with the Lady Adeline the most.
|
|
|
|
Some praised her beauty; others her great grace;
|
|
The warmth of her politeness, whose sincerity
|
|
Was obvious in each feature of her face,
|
|
Whose traits were radiant with the rays of verity.
|
|
Yes; she was truly worthy her high place!
|
|
No one could envy her deserved prosperity.
|
|
And then her dress- what beautiful simplicity
|
|
Draperied her form with curious felicity!
|
|
|
|
Meanwhile Sweet Adeline deserved their praises,
|
|
By an impartial indemnification
|
|
For all her past exertion and soft phrases,
|
|
In a most edifying conversation,
|
|
Which turn'd upon their late guests' miens and faces,
|
|
And families, even to the last relation;
|
|
Their hideous wives, their horrid selves and dresses,
|
|
And truculent distortion of their tresses.
|
|
|
|
True, she said little- 't was the rest that broke
|
|
Forth into universal epigram;
|
|
But then 't was to the purpose what she spoke:
|
|
Like Addison's 'faint praise,' so wont to damn,
|
|
Her own but served to set off every joke,
|
|
As music chimes in with a melodrame.
|
|
How sweet the task to shield an absent friend!
|
|
I ask but this of mine, to- not defend.
|
|
|
|
There were but two exceptions to this keen
|
|
Skirmish of wits o'er the departed; one
|
|
Aurora, with her pure and placid mien;
|
|
And Juan, too, in general behind none
|
|
In gay remark on what he had heard or seen,
|
|
Sate silent now, his usual spirits gone:
|
|
In vain he heard the others rail or rally,
|
|
He would not join them in a single sally.
|
|
|
|
'T is true he saw Aurora look as though
|
|
She approved his silence; she perhaps mistook
|
|
Its motive for that charity we owe
|
|
But seldom pay the absent, nor would look
|
|
Farther- it might or might not be so.
|
|
But Juan, sitting silent in his nook,
|
|
Observing little in his reverie,
|
|
Yet saw this much, which he was glad to see.
|
|
|
|
The ghost at least had done him this much good,
|
|
In making him as silent as a ghost,
|
|
If in the circumstances which ensued
|
|
He gain'd esteem where it was worth the most.
|
|
And certainly Aurora had renew'd
|
|
In him some feelings he had lately lost,
|
|
Or harden'd; feelings which, perhaps ideal,
|
|
Are so divine, that I must deem them real:-
|
|
|
|
The love of higher things and better days;
|
|
The unbounded hope, and heavenly ignorance
|
|
Of what is call'd the world, and the world's ways;
|
|
The moments when we gather from a glance
|
|
More joy than from all future pride or praise,
|
|
Which kindle manhood, but can ne'er entrance
|
|
The heart in an existence of its own,
|
|
Of which another's bosom is the zone.
|
|
|
|
Who would not sigh Ai ai Tan Kuuerheian
|
|
That hath a memory, or that had a heart?
|
|
Alas! her star must fade like that of Dian:
|
|
Ray fades on ray, as years on years depart.
|
|
Anacreon only had the soul to tie an
|
|
Unwithering myrtle round the unblunted dart
|
|
Of Eros: but though thou hast play'd us many tricks,
|
|
Still we respect thee, 'Alma Venus Genetrix!'
|
|
|
|
And full of sentiments, sublime as billows
|
|
Heaving between this world and worlds beyond,
|
|
Don Juan, when the midnight hour of pillows
|
|
Arrived, retired to his; but to despond
|
|
Rather than rest. Instead of poppies, willows
|
|
Waved o'er his couch; he meditated, fond
|
|
Of those sweet bitter thoughts which banish sleep,
|
|
And make the worldling sneer, the youngling weep.
|
|
|
|
The night was as before: he was undrest,
|
|
Saving his night-gown, which is an undress;
|
|
Completely 'sans culotte,' and without vest;
|
|
In short, he hardly could be clothed with less:
|
|
But apprehensive of his spectral guest,
|
|
He sate with feelings awkward to express
|
|
(By those who have not had such visitations),
|
|
Expectant of the ghost's fresh operations.
|
|
|
|
And not in vain he listen'd;- Hush! what 's that?
|
|
I see- I see- Ah, no!- 't is not- yet 't is-
|
|
Ye powers! it is the- the- the- Pooh! the cat!
|
|
The devil may take that stealthy pace of his!
|
|
So like a spiritual pit-a-pat,
|
|
Or tiptoe of an amatory Miss,
|
|
Gliding the first time to a rendezvous,
|
|
And dreading the chaste echoes of her shoe.
|
|
|
|
Again- what is 't? The wind? No, no- this time
|
|
It is the sable friar as before,
|
|
With awful footsteps regular as rhyme,
|
|
Or (as rhymes may be in these days) much more.
|
|
Again through shadows of the night sublime,
|
|
When deep sleep fell on men, and the world wore
|
|
The starry darkness round her like a girdle
|
|
Spangled with gems- the monk made his blood curdle.
|
|
|
|
A noise like to wet fingers drawn on glass,
|
|
Which sets the teeth on edge; and a slight clatter,
|
|
Like showers which on the midnight gusts will pass,
|
|
Sounding like very supernatural water,
|
|
Came over Juan's ear, which throbb'd, alas!
|
|
For immaterialism 's a serious matter;
|
|
So that even those whose faith is the most great
|
|
In souls immortal, shun them tete-a-tete.
|
|
|
|
Were his eyes open?- Yes! and his mouth too.
|
|
Surprise has this effect- to make one dumb,
|
|
Yet leave the gate which eloquence slips through
|
|
As wide as if a long speech were to come.
|
|
Nigh and more nigh the awful echoes drew,
|
|
Tremendous to a mortal tympanum:
|
|
His eyes were open, and (as was before
|
|
Stated) his mouth. What open'd next?- the door.
|
|
|
|
It open'd with a most infernal creak,
|
|
Like that of hell. 'Lasciate ogni speranza
|
|
Voi che entrate!' The hinge seem'd to speak,
|
|
Dreadful as Dante's rhima, or this stanza;
|
|
Or- but all words upon such themes are weak:
|
|
A single shade 's sufficient to entrance
|
|
Hero- for what is substance to a spirit?
|
|
Or how is 't matter trembles to come near it?
|
|
|
|
The door flew wide,- not swiftly, but, as fly
|
|
The sea-gulls, with a steady, sober flight,-
|
|
And then swung back; nor close- but stood awry,
|
|
Half letting in long shadows on the light,
|
|
Which still in Juan's candlesticks burn'd high,
|
|
For he had two, both tolerably bright,
|
|
And in the door-way, darkening darkness, stood
|
|
The sable friar in his solemn hood.
|
|
|
|
Don Juan shook, as erst he had been shaken
|
|
The night before; but being sick of shaking,
|
|
He first inclined to think he had been mistaken;
|
|
And then to be ashamed of such mistaking;
|
|
His own internal ghost began to awaken
|
|
Within him, and to quell his corporal quaking-
|
|
Hinting that soul and body on the whole
|
|
Were odds against a disembodied soul.
|
|
|
|
And then his dread grew wrath, and his wrath fierce,
|
|
And he arose, advanced- the shade retreated;
|
|
But Juan, eager now the truth to pierce,
|
|
Follow'd, his veins no longer cold, but heated,
|
|
Resolved to thrust the mystery carte and tierce,
|
|
At whatsoever risk of being defeated:
|
|
The ghost stopp'd, menaced, then retired, until
|
|
He reach'd the ancient wall, then stood stone still.
|
|
|
|
Juan put forth one arm- Eternal powers!
|
|
It touched no soul, nor body, but the wall,
|
|
On which the moonbeams fell in silvery showers,
|
|
Chequer'd with all the tracery of the hall;
|
|
He shudder'd, as no doubt the bravest cowers
|
|
When he can't tell what 't is that doth appal.
|
|
How odd, a single hobgoblin's non-entity
|
|
Should cause more fear than a whole host's identity.
|
|
|
|
But still the shade remain'd: the blue eyes glared,
|
|
And rather variably for stony death:
|
|
Yet one thing rather good the grave had spared,
|
|
The ghost had a remarkably sweet breath.
|
|
A straggling curl show'd he had been fair-hair'd;
|
|
A red lip, with two rows of pearls beneath,
|
|
Gleam'd forth, as through the casement's ivy shroud
|
|
The moon peep'd, just escaped from a grey cloud.
|
|
|
|
And Juan, puzzled, but still curious, thrust
|
|
His other arm forth- Wonder upon wonder!
|
|
It press'd upon a hard but glowing bust,
|
|
Which beat as if there was a warm heart under.
|
|
He found, as people on most trials must,
|
|
That he had made at first a silly blunder,
|
|
And that in his confusion he had caught
|
|
Only the wall, instead of what he sought.
|
|
|
|
The ghost, if ghost it were, seem'd a sweet soul
|
|
As ever lurk'd beneath a holy hood:
|
|
A dimpled chin, a neck of ivory, stole
|
|
Forth into something much like flesh and blood;
|
|
Back fell the sable frock and dreary cowl,
|
|
And they reveal'd- alas! that e'er they should!
|
|
In full, voluptuous, but not o'ergrown bulk,
|
|
The phantom of her frolic Grace- Fitz-Fulke!
|
|
CANTO THE SEVENTEENTH.
|
|
|
|
THE world is full of orphans: firstly, those
|
|
Who are so in the strict sense of the phrase;
|
|
But many a lonely tree the loftier grows
|
|
Than others crowded in the Forest's maze.-
|
|
The next are such as are not doomed to lose
|
|
Their tender parents in their budding days,
|
|
But, merely, their parental tenderness,
|
|
Which leaves them orphans of the heart no less.
|
|
|
|
The next are 'only Children,' as they are styled,
|
|
Who grow up Children only, since th' old saw
|
|
Pronounces that an 'only 's' a spoilt child-
|
|
But not to go too far, I hold it law,
|
|
That where their education, harsh or mild,
|
|
Transgresses the great bounds of love or awe,
|
|
The sufferers- be 't in heart or intellect-
|
|
Whate'er the cause, are orphans in effect.
|
|
|
|
But to return unto the stricter rule-
|
|
As far as words make rules- our common notion
|
|
Of orphan paints at once a parish school,
|
|
A half-starved babe, a wreck upon Life's ocean,
|
|
A human (what the Italians nickname) 'Mule'!
|
|
A theme for Pity or some worse emotion;
|
|
Yet, if examined, it might be admitted
|
|
The wealthiest orphans are to be more pitied.
|
|
|
|
Too soon they are Parents to themselves: for what
|
|
Are Tutors, Guardians, and so forth, compared
|
|
With Nature's genial Genitors? so that
|
|
A child of Chancery, that Star-Chamber ward
|
|
(I 'll take the likeness I can first come at),
|
|
Is like- a duckling by Dame Partlett rear'd,
|
|
And frights- especially if 't is a daughter,
|
|
Th' old Hen- by running headlong to the water.
|
|
|
|
There is a common-place book argument,
|
|
Which glibly glides from every tongue;
|
|
When any dare a new light to present,
|
|
'If you are right, then everybody 's wrong'!
|
|
Suppose the converse of this precedent
|
|
So often urged, so loudly and so long;
|
|
'If you are wrong, then everybody 's right'!
|
|
Was ever everybody yet so quite?
|
|
|
|
Therefore I would solicit free discussion
|
|
Upon all points- no matter what, or whose-
|
|
Because as Ages upon Ages push on,
|
|
The last is apt the former to accuse
|
|
Of pillowing its head on a pin-cushion,
|
|
Heedless of pricks because it was obtuse:
|
|
What was a paradox becomes a truth or
|
|
A something like it- witness Luther!
|
|
|
|
The Sacraments have been reduced to two,
|
|
And Witches unto none, though somewhat late
|
|
Since burning aged women (save a few-
|
|
Mischief in families, as some know or knew,
|
|
Should still be singed, but lightly, let me state)
|
|
Has been declared an act of inurbanity
|
|
Malgre Sir Matthew Hales's great humanity.
|
|
|
|
Great Galileo was debarr'd the Sun,
|
|
Because he fix'd it; and, to stop his talking,
|
|
How Earth could round the solar orbit run,
|
|
Found his own legs embargo'd from mere walking:
|
|
The man was well-nigh dead, ere men begun
|
|
To think his skull had not some need of caulking;
|
|
But now, it seems, he 's right- his notion just:
|
|
No doubt a consolation to his dust
|
|
|
|
Pythagoras, Locke, Socrates- but pages
|
|
Might be fill'd up, as vainly as before,
|
|
With the sad usage of all sorts of sages,
|
|
Who, in his life-time, each, was deem'd a Bore!
|
|
The loftiest minds outrun their tardy ages:
|
|
This they must bear with and, perhaps, much more;
|
|
The wise man 's sure when he no more can share it, he
|
|
Will have a firm Post Obit on posterity.
|
|
|
|
If such doom waits each Intellectual Giant,
|
|
We little people in our lesser way,
|
|
In Life's small rubs should surely be more pliant,
|
|
And so for one will I- as well I may-
|
|
Would that I were less bilious- but, oh, fie on 't!
|
|
Just as I make my mind up every day,
|
|
To be a 'totus, teres,' Stoic, Sage,
|
|
The wind shifts and I fly into a rage.
|
|
|
|
Temperate I am- yet never had a temper;
|
|
Modest I am- yet with some slight assurance;
|
|
Changeable too- yet somehow 'Idem semper;'
|
|
Patient- but not enamour'd of endurance;
|
|
Cheerful- but, sometimes, rather apt to whimper;
|
|
Mild- but at times a sort of 'Hercules furens;'
|
|
So that I almost think that the same skin
|
|
For one without- has two or three within.
|
|
|
|
Our Hero was, in Canto the Sixteenth,
|
|
Left in a tender moonlight situation,
|
|
Such as enables Man to show his strength
|
|
Moral or physical: on this occasion
|
|
Whether his virtue triumph'd- or, at length,
|
|
His vice- for he was of a kindling nation-
|
|
Is more than I shall venture to describe;-
|
|
Unless some Beauty with a kiss should bribe.
|
|
|
|
I leave the thing a problem, like all things:-
|
|
The morning came- and breakfast, tea and toast,
|
|
Of which most men partake, but no one sings.
|
|
The company whose birth, wealth, worth, has cost
|
|
My trembling Lyre already several strings,
|
|
Assembled with our hostess, and mine host;
|
|
The guests dropp'd in- the last but one, Her Grace,
|
|
The latest, Juan, with his virgin face.
|
|
|
|
Which best it is to encounter- Ghost, or none,
|
|
'T were difficult to say; but Juan look'd
|
|
As if he had combated with more than one,
|
|
Being wan and worn, with eyes that hardly brook'd
|
|
The light that through the Gothic window shone:
|
|
Her Grace, too, had a sort of air rebuked-
|
|
Seem'd pale and shiver'd, as if she had kept
|
|
A vigil, or dreamt rather more than slept.
|
|
|
|
THE END
|
|
.
|