13408 lines
613 KiB
Plaintext
13408 lines
613 KiB
Plaintext
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The Return of Sherlock Holmes, A Collection of Holmes Adventures
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by
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SIR ARTHUR CONAN DOYLE
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THE ADVENTURE OF THE EMPTY HOUSE
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It was in the spring of the year 1894 that all London was interested,
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and the fashionable world dismayed, by the murder of the Honourable
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Ronald Adair under most unusual and inexplicable circumstances.
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The public has already learned those particulars of the crime which
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came out in the police investigation, but a good deal was suppressed
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upon that occasion, since the case for the prosecution was so overwhelmingly
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strong that it was not necessary to bring forward all the facts. Only now,
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at the end of nearly ten years, am I allowed to supply those missing
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links which make up the whole of that remarkable chain. The crime
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was of interest in itself, but that interest was as nothing to me
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compared to the inconceivable sequel, which afforded me the
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greatest shock and surprise of any event in my adventurous life.
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Even now, after this long interval, I find myself thrilling as
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I think of it, and feeling once more that sudden flood of joy,
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amazement, and incredulity which utterly submerged my mind.
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Let me say to that public, which has shown some interest in those
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glimpses which I have occasionally given them of the thoughts
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and actions of a very remarkable man, that they are not to blame
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me if I have not shared my knowledge with them, for I should
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have considered it my first duty to do so, had I not been barred
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by a positive prohibition from his own lips, which was only
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withdrawn upon the third of last month.
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It can be imagined that my close intimacy with Sherlock Holmes
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had interested me deeply in crime, and that after his
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disappearance I never failed to read with care the various
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problems which came before the public. And I even attempted,
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more than once, for my own private satisfaction, to employ his
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methods in their solution, though with indifferent success.
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There was none, however, which appealed to me like this tragedy
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of Ronald Adair. As I read the evidence at the inquest, which
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led up to a verdict of willful murder against some person or
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persons unknown, I realized more clearly than I had ever done
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the loss which the community had sustained by the death of
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Sherlock Holmes. There were points about this strange business
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which would, I was sure, have specially appealed to him, and the
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efforts of the police would have been supplemented, or more
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probably anticipated, by the trained observation and the alert
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mind of the first criminal agent in Europe. All day, as I drove
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upon my round, I turned over the case in my mind and found no
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explanation which appeared to me to be adequate. At the risk of
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telling a twice-told tale, I will recapitulate the facts as they
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were known to the public at the conclusion of the inquest.
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The Honourable Ronald Adair was the second son of the Earl of
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Maynooth, at that time governor of one of the Australian
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colonies. Adair's mother had returned from Australia to undergo
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the operation for cataract, and she, her son Ronald, and her
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daughter Hilda were living together at 427 Park Lane. The youth
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moved in the best society--had, so far as was known, no enemies
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and no particular vices. He had been engaged to Miss Edith
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Woodley, of Carstairs, but the engagement had been broken off by
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mutual consent some months before, and there was no sign that it
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had left any very profound feeling behind it. For the rest {sic}
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the man's life moved in a narrow and conventional circle, for
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his habits were quiet and his nature unemotional. Yet it was
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upon this easy-going young aristocrat that death came, in most
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strange and unexpected form, between the hours of ten and
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eleven-twenty on the night of March 30, 1894.
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Ronald Adair was fond of cards--playing continually, but never
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for such stakes as would hurt him. He was a member of the
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Baldwin, the Cavendish, and the Bagatelle card clubs. It was
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shown that, after dinner on the day of his death, he had played
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a rubber of whist at the latter club. He had also played there
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in the afternoon. The evidence of those who had played with him--
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Mr. Murray, Sir John Hardy, and Colonel Moran--showed that the
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game was whist, and that there was a fairly equal fall of the
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cards. Adair might have lost five pounds, but not more. His
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fortune was a considerable one, and such a loss could not in any
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way affect him. He had played nearly every day at one club or
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other, but he was a cautious player, and usually rose a winner.
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It came out in evidence that, in partnership with Colonel Moran,
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he had actually won as much as four hundred and twenty pounds in
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a sitting, some weeks before, from Godfrey Milner and Lord Balmoral.
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So much for his recent history as it came out at the inquest.
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On the evening of the crime, he returned from the club exactly
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at ten. His mother and sister were out spending the evening with
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a relation. The servant deposed that she heard him enter the
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front room on the second floor, generally used as his
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sitting-room. She had lit a fire there, and as it smoked she had
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opened the window. No sound was heard from the room until
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eleven-twenty, the hour of the return of Lady Maynooth and her
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daughter. Desiring to say good-night, she attempted to enter her
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son's room. The door was locked on the inside, and no answer
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could be got to their cries and knocking. Help was obtained, and
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the door forced. The unfortunate young man was found lying near
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the table. His head had been horribly mutilated by an expanding
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revolver bullet, but no weapon of any sort was to be found in
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the room. On the table lay two banknotes for ten pounds each and
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seventeen pounds ten in silver and gold, the money arranged in
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little piles of varying amount. There were some figures also
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upon a sheet of paper, with the names of some club friends
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opposite to them, from which it was conjectured that before his
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death he was endeavouring to make out his losses or winnings at cards.
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A minute examination of the circumstances served only to make
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the case more complex. In the first place, no reason could be
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given why the young man should have fastened the door upon the
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inside. There was the possibility that the murderer had done
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this, and had afterwards escaped by the window. The drop was at
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least twenty feet, however, and a bed of crocuses in full bloom
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lay beneath. Neither the flowers nor the earth showed any sign
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of having been disturbed, nor were there any marks upon the
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narrow strip of grass which separated the house from the road.
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Apparently, therefore, it was the young man himself who had
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fastened the door. But how did he come by his death? No one
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could have climbed up to the window without leaving traces.
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Suppose a man had fired through the window, he would indeed be
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a remarkable shot who could with a revolver inflict so deadly a
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wound. Again, Park Lane is a frequented thoroughfare; there is
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a cab stand within a hundred yards of the house. No one had
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heard a shot. And yet there was the dead man and there the
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revolver bullet, which had mushroomed out, as soft-nosed bullets
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will, and so inflicted a wound which must have caused
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instantaneous death. Such were the circumstances of the Park
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Lane Mystery, which were further complicated by entire absence
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of motive, since, as I have said, young Adair was not known to
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have any enemy, and no attempt had been made to remove the money
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or valuables in the room.
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All day I turned these facts over in my mind, endeavouring to
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hit upon some theory which could reconcile them all, and to find
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that line of least resistance which my poor friend had declared
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to be the starting-point of every investigation. I confess that
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I made little progress. In the evening I strolled across the
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Park, and found myself about six o'clock at the Oxford Street
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end of Park Lane. A group of loafers upon the pavements, all
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staring up at a particular window, directed me to the house
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which I had come to see. A tall, thin man with coloured glasses,
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whom I strongly suspected of being a plain-clothes detective,
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was pointing out some theory of his own, while the others
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crowded round to listen to what he said. I got as near him as I
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could, but his observations seemed to me to be absurd, so I
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withdrew again in some disgust. As I did so I struck against an
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elderly, deformed man, who had been behind me, and I knocked
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down several books which he was carrying. I remember that as I
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picked them up, I observed the title of one of them, THE ORIGIN
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OF TREE WORSHIP, and it struck me that the fellow must be some
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poor bibliophile, who, either as a trade or as a hobby, was a
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collector of obscure volumes. I endeavoured to apologize for the
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accident, but it was evident that these books which I had so
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unfortunately maltreated were very precious objects in the eyes
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of their owner. With a snarl of contempt he turned upon his
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heel, and I saw his curved back and white side-whiskers
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disappear among the throng.
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My observations of No. 427 Park Lane did little to clear up the
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problem in which I was interested. The house was separated from
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the street by a low wall and railing, the whole not more than
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five feet high. It was perfectly easy, therefore, for anyone to
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get into the garden, but the window was entirely inaccessible,
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since there was no waterpipe or anything which could help the
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most active man to climb it. More puzzled than ever, I retraced
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my steps to Kensington. I had not been in my study five minutes
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when the maid entered to say that a person desired to see me. To
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my astonishment it was none other than my strange old book
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collector, his sharp, wizened face peering out from a frame of
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white hair, and his precious volumes, a dozen of them at least,
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wedged under his right arm.
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"You're surprised to see me, sir," said he, in a strange,
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croaking voice.
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I acknowledged that I was.
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"Well, I've a conscience, sir, and when I chanced to see you go
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into this house, as I came hobbling after you, I thought to
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myself, I'll just step in and see that kind gentleman, and tell
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him that if I was a bit gruff in my manner there was not any harm
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meant, and that I am much obliged to him for picking up my books."
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"You make too much of a trifle," said I. "May I ask how you knew
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who I was?"
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"Well, sir, if it isn't too great a liberty, I am a neighbour of
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yours, for you'll find my little bookshop at the corner of
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Church Street, and very happy to see you, I am sure. Maybe you
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collect yourself, sir. Here's BRITISH BIRDS, and CATULLUS, and
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THE HOLY WAR--a bargain, every one of them. With five volumes
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you could just fill that gap on that second shelf. It looks
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untidy, does it not, sir?"
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I moved my head to look at the cabinet behind me. When I turned
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again, Sherlock Holmes was standing smiling at me across my
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study table. I rose to my feet, stared at him for some seconds
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in utter amazement, and then it appears that I must have fainted
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for the first and the last time in my life. Certainly a gray
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mist swirled before my eyes, and when it cleared I found my
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collar-ends undone and the tingling after-taste of brandy upon
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my lips. Holmes was bending over my chair, his flask in his hand.
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"My dear Watson," said the well-remembered voice, "I owe you a
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thousand apologies. I had no idea that you would be so affected."
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I gripped him by the arms.
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"Holmes!" I cried. "Is it really you? Can it indeed be that you
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are alive? Is it possible that you succeeded in climbing out of
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that awful abyss?"
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"Wait a moment," said he. "Are you sure that you are really fit
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to discuss things? I have given you a serious shock by my
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unnecessarily dramatic reappearance."
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"I am all right, but indeed, Holmes, I can hardly believe my
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eyes. Good heavens! to think that you--you of all men--should be
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standing in my study." Again I gripped him by the sleeve, and
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felt the thin, sinewy arm beneath it. "Well, you're not a spirit
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anyhow," said I. "My dear chap, I'm overjoyed to see you. Sit
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down, and tell me how you came alive out of that dreadful chasm."
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He sat opposite to me, and lit a cigarette in his old,
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nonchalant manner. He was dressed in the seedy frockcoat of the
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book merchant, but the rest of that individual lay in a pile of
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white hair and old books upon the table. Holmes looked even
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thinner and keener than of old, but there was a dead-white tinge
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in his aquiline face which told me that his life recently had
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not been a healthy one.
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"I am glad to stretch myself, Watson," said he. "It is no joke
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when a tall man has to take a foot off his stature for several
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hours on end. Now, my dear fellow, in the matter of these
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explanations, we have, if I may ask for your cooperation, a hard
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and dangerous night's work in front of us. Perhaps it would be
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better if I gave you an account of the whole situation when that
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work is finished."
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"I am full of curiosity. I should much prefer to hear now."
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"You'll come with me to-night?"
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"When you like and where you like."
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"This is, indeed, like the old days. We shall have time for a
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mouthful of dinner before we need go. Well, then, about that
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chasm. I had no serious difficulty in getting out of it, for the
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very simple reason that I never was in it."
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"You never were in it?"
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"No, Watson, I never was in it. My note to you was absolutely
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genuine. I had little doubt that I had come to the end of my
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career when I perceived the somewhat sinister figure of the late
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Professor Moriarty standing upon the narrow pathway which led to
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safety. I read an inexorable purpose in his gray eyes. I
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exchanged some remarks with him, therefore, and obtained his
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courteous permission to write the short note which you
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afterwards received. I left it with my cigarette-box and my
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stick, and I walked along the pathway, Moriarty still at my
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heels. When I reached the end I stood at bay. He drew no weapon,
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but he rushed at me and threw his long arms around me. He knew
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that his own game was up, and was only anxious to revenge
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himself upon me. We tottered together upon the brink of the
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fall. I have some knowledge, however, of baritsu, or the
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Japanese system of wrestling, which has more than once been very
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useful to me. I slipped through his grip, and he with a horrible
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scream kicked madly for a few seconds, and clawed the air with
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both his hands. But for all his efforts he could not get his
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balance, and over he went. With my face over the brink, I saw
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him fall for a long way. Then he struck a rock, bounded off, and
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splashed into the water."
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I listened with amazement to this explanation, which Holmes
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delivered between the puffs of his cigarette.
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"But the tracks!" I cried. "I saw, with my own eyes, that two
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went down the path and none returned."
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"It came about in this way. The instant that the Professor had
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disappeared, it struck me what a really extraordinarily lucky
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chance Fate had placed in my way. I knew that Moriarty was not
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the only man who had sworn my death. There were at least three
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others whose desire for vengeance upon me would only be
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increased by the death of their leader. They were all most
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dangerous men. One or other would certainly get me. On the other
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hand, if all the world was convinced that I was dead they would
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take liberties, these men, they would soon lay themselves open,
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and sooner or later I could destroy them. Then it would be time
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for me to announce that I was still in the land of the living.
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So rapidly does the brain act that I believe I had thought this
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all out before Professor Moriarty had reached the bottom of the
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Reichenbach Fall.
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"I stood up and examined the rocky wall behind me. In your
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picturesque account of the matter, which I read with great
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interest some months later, you assert that the wall was sheer.
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That was not literally true. A few small footholds presented
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themselves, and there was some indication of a ledge. The cliff
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is so high that to climb it all was an obvious impossibility,
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and it was equally impossible to make my way along the wet path
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without leaving some tracks. I might, it is true, have reversed
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my boots, as I have done on similar occasions, but the sight of
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three sets of tracks in one direction would certainly have
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suggested a deception. On the whole, then, it was best that I
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should risk the climb. It was not a pleasant business, Watson.
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The fall roared beneath me. I am not a fanciful person, but I
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give you my word that I seemed to hear Moriarty's voice
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screaming at me out of the abyss. A mistake would have been
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fatal. More than once, as tufts of grass came out in my hand or
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my foot slipped in the wet notches of the rock, I thought that
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I was gone. But I struggled upward, and at last I reached a
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ledge several feet deep and covered with soft green moss, where
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I could lie unseen, in the most perfect comfort. There I was
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stretched, when you, my dear Watson, and all your following were
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investigating in the most sympathetic and inefficient manner the
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circumstances of my death.
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"At last, when you had all formed your inevitable and totally
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erroneous conclusions, you departed for the hotel, and I was
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left alone. I had imagined that I had reached the end of my
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adventures, but a very unexpected occurrence showed me that
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there were surprises still in store for me. A huge rock, falling
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from above, boomed past me, struck the path, and bounded over
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into the chasm. For an instant I thought that it was an
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accident, but a moment later, looking up, I saw a man's head
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against the darkening sky, and another stone struck the very
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ledge upon which I was stretched, within a foot of my head. Of
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course, the meaning of this was obvious. Moriarty had not been
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alone. A confederate--and even that one glance had told me how
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dangerous a man that confederate was--had kept guard while the
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Professor had attacked me. From a distance, unseen by me, he had
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been a witness of his friend's death and of my escape. He had
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waited, and then making his way round to the top of the cliff,
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he had endeavoured to succeed where his comrade had failed.
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"I did not take long to think about it, Watson. Again I saw that
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grim face look over the cliff, and I knew that it was the
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precursor of another stone. I scrambled down on to the path. I
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don't think I could have done it in cold blood. It was a hundred
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times more difficult than getting up. But I had no time to think
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of the danger, for another stone sang past me as I hung by my
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hands from the edge of the ledge. Halfway down I slipped, but,
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by the blessing of God, I landed, torn and bleeding, upon the
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path. I took to my heels, did ten miles over the mountains in
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the darkness, and a week later I found myself in Florence, with
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the certainty that no one in the world knew what had become of me.
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"I had only one confidant--my brother Mycroft. I owe you many
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apologies, my dear Watson, but it was all-important that it
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should be thought I was dead, and it is quite certain that you
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would not have written so convincing an account of my unhappy
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end had you not yourself thought that it was true. Several times
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during the last three years I have taken up my pen to write to
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you, but always I feared lest your affectionate regard for me
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should tempt you to some indiscretion which would betray my
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secret. For that reason I turned away from you this evening when
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you upset my books, for I was in danger at the time, and any
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show of surprise and emotion upon your part might have drawn
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attention to my identity and led to the most deplorable and
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irreparable results. As to Mycroft, I had to confide in him in
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order to obtain the money which I needed. The course of events
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in London did not run so well as I had hoped, for the trial of
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the Moriarty gang left two of its most dangerous members, my own
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most vindictive enemies, at liberty. I travelled for two years
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in Tibet, therefore, and amused myself by visiting Lhassa, and
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spending some days with the head lama. You may have read of the
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remarkable explorations of a Norwegian named Sigerson, but I am
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sure that it never occurred to you that you were receiving news
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of your friend. I then passed through Persia, looked in at
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Mecca, and paid a short but interesting visit to the Khalifa at
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Khartoum the results of which I have communicated to the Foreign
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Office. Returning to France, I spent some months in a research
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into the coal-tar derivatives, which I conducted in a laboratory
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at Montpellier, in the south of France. Having concluded this to
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my satisfaction and learning that only one of my enemies was now
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left in London, I was about to return when my movements were
|
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hastened by the news of this very remarkable Park Lane Mystery,
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which not only appealed to me by its own merits, but which
|
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seemed to offer some most peculiar personal opportunities. I
|
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came over at once to London, called in my own person at Baker
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Street, threw Mrs. Hudson into violent hysterics, and found that
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Mycroft had preserved my rooms and my papers exactly as they had
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always been. So it was, my dear Watson, that at two o'clock
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to-day I found myself in my old armchair in my own old room, and
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only wishing that I could have seen my old friend Watson in the
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other chair which he has so often adorned."
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Such was the remarkable narrative to which I listened on that
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April evening--a narrative which would have been utterly
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||
incredible to me had it not been confirmed by the actual sight
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of the tall, spare figure and the keen, eager face, which I had
|
||
never thought to see again. In some manner he had learned of my
|
||
own sad bereavement, and his sympathy was shown in his manner
|
||
rather than in his words. "Work is the best antidote to sorrow,
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my dear Watson," said he; "and I have a piece of work for us
|
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both to-night which, if we can bring it to a successful
|
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conclusion, will in itself justify a man's life on this planet."
|
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In vain I begged him to tell me more. "You will hear and see
|
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enough before morning," he answered. "We have three years of the
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past to discuss. Let that suffice until half-past nine, when we
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||
start upon the notable adventure of the empty house."
|
||
|
||
It was indeed like old times when, at that hour, I found myself
|
||
seated beside him in a hansom, my revolver in my pocket, and the
|
||
thrill of adventure in my heart. Holmes was cold and stern and
|
||
silent. As the gleam of the street-lamps flashed upon his
|
||
austere features, I saw that his brows were drawn down in
|
||
thought and his thin lips compressed. I knew not what wild beast
|
||
we were about to hunt down in the dark jungle of criminal
|
||
London, but I was well assured, from the bearing of this master
|
||
huntsman, that the adventure was a most grave one--while the
|
||
sardonic smile which occasionally broke through his ascetic
|
||
gloom boded little good for the object of our quest.
|
||
|
||
I had imagined that we were bound for Baker Street, but Holmes
|
||
stopped the cab at the corner of Cavendish Square. I observed
|
||
that as he stepped out he gave a most searching glance to right
|
||
and left, and at every subsequent street corner he took the
|
||
utmost pains to assure that he was not followed. Our route was
|
||
certainly a singular one. Holmes's knowledge of the byways of
|
||
London was extraordinary, and on this occasion he passed rapidly
|
||
and with an assured step through a network of mews and stables,
|
||
the very existence of which I had never known. We emerged at
|
||
last into a small road, lined with old, gloomy houses, which led
|
||
us into Manchester Street, and so to Blandford Street. Here he
|
||
turned swiftly down a narrow passage, passed through a wooden
|
||
gate into a deserted yard, and then opened with a key the back
|
||
door of a house. We entered together, and he closed it behind us.
|
||
|
||
The place was pitch dark, but it was evident to me that it was
|
||
an empty house. Our feet creaked and crackled over the bare
|
||
planking, and my outstretched hand touched a wall from which the
|
||
paper was hanging in ribbons. Holmes's cold, thin fingers closed
|
||
round my wrist and led me forward down a long hall, until I
|
||
dimly saw the murky fanlight over the door. Here Holmes turned
|
||
suddenly to the right and we found ourselves in a large, square,
|
||
empty room, heavily shadowed in the corners, but faintly lit in
|
||
the centre from the lights of the street beyond. There was no
|
||
lamp near, and the window was thick with dust, so that we could
|
||
only just discern each other's figures within. My companion put
|
||
his hand upon my shoulder and his lips close to my ear.
|
||
|
||
"Do you know where we are?" he whispered.
|
||
|
||
"Surely that is Baker Street" I answered, staring through the
|
||
dim window.
|
||
|
||
"Exactly. We are in Camden House, which stands opposite to our
|
||
own old quarters."
|
||
|
||
"But why are we here?"
|
||
|
||
"Because it commands so excellent a view of that picturesque
|
||
pile. Might I trouble you, my dear Watson, to draw a little
|
||
nearer to the window, taking every precaution not to show
|
||
yourself, and then to look up at our old rooms--the starting-
|
||
point of so many of your little fairy-tales? We will see if my
|
||
three years of absence have entirely taken away my power to
|
||
surprise you."
|
||
|
||
I crept forward and looked across at the familiar window. As my
|
||
eyes fell upon it, I gave a gasp and a cry of amazement. The
|
||
blind was down, and a strong light was burning in the room. The
|
||
shadow of a man who was seated in a chair within was thrown in
|
||
hard, black outline upon the luminous screen of the window.
|
||
There was no mistaking the poise of the head, the squareness of
|
||
the shoulders, the sharpness of the features. The face was
|
||
turned half-round, and the effect was that of one of those black
|
||
silhouettes which our grandparents loved to frame. It was a
|
||
perfect reproduction of Holmes. So amazed was I that I threw out
|
||
my hand to make sure that the man himself was standing beside
|
||
me. He was quivering with silent laughter.
|
||
|
||
"Well?" said he.
|
||
|
||
"Good heavens!" I cried. "It is marvellous."
|
||
|
||
"I trust that age doth not wither nor custom stale my infinite
|
||
variety," said he, and I recognized in his voice the joy and
|
||
pride which the artist takes in his own creation. "It really is
|
||
rather like me, is it not?"
|
||
|
||
"I should be prepared to swear that it was you."
|
||
|
||
"The credit of the execution is due to Monsieur Oscar Meunier,
|
||
of Grenoble, who spent some days in doing the moulding. It is a
|
||
bust in wax. The rest I arranged myself during my visit to Baker
|
||
Street this afternoon."
|
||
|
||
"But why?"
|
||
|
||
"Because, my dear Watson, I had the strongest possible reason
|
||
for wishing certain people to think that I was there when I was
|
||
really elsewhere."
|
||
|
||
"And you thought the rooms were watched?"
|
||
|
||
"I KNEW that they were watched."
|
||
|
||
"By whom?"
|
||
|
||
"By my old enemies, Watson. By the charming society whose leader
|
||
lies in the Reichenbach Fall. You must remember that they knew,
|
||
and only they knew, that I was still alive. Sooner or later they
|
||
believed that I should come back to my rooms. They watched them
|
||
continuously, and this morning they saw me arrive."
|
||
|
||
"How do you know?"
|
||
|
||
"Because I recognized their sentinel when I glanced out of my
|
||
window. He is a harmless enough fellow, Parker by name, a
|
||
garroter by trade, and a remarkable performer upon the
|
||
jew's-harp. I cared nothing for him. But I cared a great deal
|
||
for the much more formidable person who was behind him, the
|
||
bosom friend of Moriarty, the man who dropped the rocks over the
|
||
cliff, the most cunning and dangerous criminal in London. That
|
||
is the man who is after me to-night Watson, and that is the man
|
||
who is quite unaware that we are after him."
|
||
|
||
My friend's plans were gradually revealing themselves. From this
|
||
convenient retreat, the watchers were being watched and the
|
||
trackers tracked. That angular shadow up yonder was the bait,
|
||
and we were the hunters. In silence we stood together in the
|
||
darkness and watched the hurrying figures who passed and
|
||
repassed in front of us. Holmes was silent and motionless; but
|
||
I could tell that he was keenly alert, and that his eyes were
|
||
fixed intently upon the stream of passers-by. It was a bleak and
|
||
boisterous night and the wind whistled shrilly down the long
|
||
street. Many people were moving to and fro, most of them muffled
|
||
in their coats and cravats. Once or twice it seemed to me that
|
||
I had seen the same figure before, and I especially noticed two
|
||
men who appeared to be sheltering themselves from the wind in
|
||
the doorway of a house some distance up the street. I tried to
|
||
draw my companion's attention to them; but he gave a little
|
||
ejaculation of impatience, and continued to stare into the
|
||
street. More than once he fidgeted with his feet and tapped
|
||
rapidly with his fingers upon the wall. It was evident to me
|
||
that he was becoming uneasy, and that his plans were not working
|
||
out altogether as he had hoped. At last, as midnight approached
|
||
and the street gradually cleared, he paced up and down the room
|
||
in uncontrollable agitation. I was about to make some remark to
|
||
him, when I raised my eyes to the lighted window, and again
|
||
experienced almost as great a surprise as before. I clutched
|
||
Holmes's arm, and pointed upward.
|
||
|
||
"The shadow has moved!" I cried.
|
||
|
||
It was indeed no longer the profile, but the back, which was
|
||
turned towards us.
|
||
|
||
Three years had certainly not smoothed the asperities of his
|
||
temper or his impatience with a less active intelligence than
|
||
his own.
|
||
|
||
"Of course it has moved," said he. "Am I such a farcical
|
||
bungler, Watson, that I should erect an obvious dummy, and
|
||
expect that some of the sharpest men in Europe would be deceived
|
||
by it? We have been in this room two hours, and Mrs. Hudson has
|
||
made some change in that figure eight times, or once in every
|
||
quarter of an hour. She works it from the front, so that her
|
||
shadow may never be seen. Ah!" He drew in his breath with a
|
||
shrill, excited intake. In the dim light I saw his head thrown
|
||
forward, his whole attitude rigid with attention. Outside the
|
||
street was absolutely deserted. Those two men might still be
|
||
crouching in the doorway, but I could no longer see them. All
|
||
was still and dark, save only that brilliant yellow screen in
|
||
front of us with the black figure outlined upon its centre.
|
||
Again in the utter silence I heard that thin, sibilant note
|
||
which spoke of intense suppressed excitement. An instant later
|
||
he pulled me back into the blackest corner of the room, and I
|
||
felt his warning hand upon my lips. The fingers which clutched
|
||
me were quivering. Never had I known my friend more moved, and
|
||
yet the dark street still stretched lonely and motionless before us.
|
||
|
||
But suddenly I was aware of that which his keener senses had
|
||
already distinguished. A low, stealthy sound came to my ears,
|
||
not from the direction of Baker Street, but from the back of the
|
||
very house in which we lay concealed. A door opened and shut. An
|
||
instant later steps crept down the passage--steps which were
|
||
meant to be silent, but which reverberated harshly through the
|
||
empty house. Holmes crouched back against the wall, and I did
|
||
the same, my hand closing upon the handle of my revolver.
|
||
Peering through the gloom, I saw the vague outline of a man, a
|
||
shade blacker than the blackness of the open door. He stood for
|
||
an instant, and then he crept forward, crouching, menacing, into
|
||
the room. He was within three yards of us, this sinister figure,
|
||
and I had braced myself to meet his spring, before I realized
|
||
that he had no idea of our presence. He passed close beside us,
|
||
stole over to the window, and very softly and noiselessly raised
|
||
it for half a foot. As he sank to the level of this opening, the
|
||
light of the street, no longer dimmed by the dusty glass, fell
|
||
full upon his face. The man seemed to be beside himself with
|
||
excitement. His two eyes shone like stars, and his features were
|
||
working convulsively. He was an elderly man, with a thin,
|
||
projecting nose, a high, bald forehead, and a huge grizzled
|
||
moustache. An opera hat was pushed to the back of his head, and
|
||
an evening dress shirt-front gleamed out through his open
|
||
overcoat. His face was gaunt and swarthy, scored with deep,
|
||
savage lines. In his hand he carried what appeared to be a
|
||
stick, but as he laid it down upon the floor it gave a metallic
|
||
clang. Then from the pocket of his overcoat he drew a bulky
|
||
object, and he busied himself in some task which ended with a
|
||
loud, sharp click, as if a spring or bolt had fallen into its
|
||
place. Still kneeling upon the floor he bent forward and threw
|
||
all his weight and strength upon some lever, with the result
|
||
that there came a long, whirling, grinding noise, ending once
|
||
more in a powerful click. He straightened himself then, and I
|
||
saw that what he held in his hand was a sort of gun, with a
|
||
curiously misshapen butt. He opened it at the breech, put
|
||
something in, and snapped the breech-lock. Then, crouching down,
|
||
he rested the end of the barrel upon the ledge of the open
|
||
window, and I saw his long moustache droop over the stock and
|
||
his eye gleam as it peered along the sights. I heard a little
|
||
sigh of satisfaction as he cuddled the butt into his shoulder;
|
||
and saw that amazing target, the black man on the yellow ground,
|
||
standing clear at the end of his foresight. For an instant he
|
||
was rigid and motionless. Then his finger tightened on the
|
||
trigger. There was a strange, loud whiz and a long, silvery
|
||
tinkle of broken glass. At that instant Holmes sprang like a
|
||
tiger on to the marksman's back, and hurled him flat upon his
|
||
face. He was up again in a moment, and with convulsive strength
|
||
he seized Holmes by the throat, but I struck him on the head
|
||
with the butt of my revolver, and he dropped again upon the
|
||
floor. I fell upon him, and as I held him my comrade blew a
|
||
shrill call upon a whistle. There was the clatter of running
|
||
feet upon the pavement, and two policemen in uniform, with one
|
||
plain-clothes detective, rushed through the front entrance and
|
||
into the room.
|
||
|
||
"That you, Lestrade?" said Holmes.
|
||
|
||
"Yes, Mr. Holmes. I took the job myself. It's good to see you
|
||
back in London, sir."
|
||
|
||
"I think you want a little unofficial help. Three undetected
|
||
murders in one year won't do, Lestrade. But you handled the
|
||
Molesey Mystery with less than your usual--that's to say, you
|
||
handled it fairly well."
|
||
|
||
We had all risen to our feet, our prisoner breathing hard, with
|
||
a stalwart constable on each side of him. Already a few
|
||
loiterers had begun to collect in the street. Holmes stepped up
|
||
to the window, closed it, and dropped the blinds. Lestrade had
|
||
produced two candles, and the policemen had uncovered their
|
||
lanterns. I was able at last to have a good look at our prisoner.
|
||
|
||
It was a tremendously virile and yet sinister face which was
|
||
turned towards us. With the brow of a philosopher above and the
|
||
jaw of a sensualist below, the man must have started with great
|
||
capacities for good or for evil. But one could not look upon his
|
||
cruel blue eyes, with their drooping, cynical lids, or upon the
|
||
fierce, aggressive nose and the threatening, deep-lined brow,
|
||
without reading Nature's plainest danger-signals. He took no
|
||
heed of any of us, but his eyes were fixed upon Holmes's face with
|
||
an expression in which hatred and amazement were equally blended.
|
||
"You fiend!" he kept on muttering. "You clever, clever fiend!"
|
||
|
||
"Ah, Colonel!" said Holmes, arranging his rumpled collar.
|
||
"`Journeys end in lovers' meetings,' as the old play says. I
|
||
don't think I have had the pleasure of seeing you since you
|
||
favoured me with those attentions as I lay on the ledge above
|
||
the Reichenbach Fall."
|
||
|
||
The colonel still stared at my friend like a man in a trance.
|
||
"You cunning, cunning fiend!" was all that he could say.
|
||
|
||
"I have not introduced you yet," said Holmes. "This, gentlemen,
|
||
is Colonel Sebastian Moran, once of Her Majesty's Indian Army,
|
||
and the best heavy-game shot that our Eastern Empire has ever
|
||
produced. I believe I am correct Colonel, in saying that your
|
||
bag of tigers still remains unrivalled?"
|
||
|
||
The fierce old man said nothing, but still glared at my
|
||
companion. With his savage eyes and bristling moustache he was
|
||
wonderfully like a tiger himself.
|
||
|
||
"I wonder that my very simple stratagem could deceive so old a
|
||
SHIKARI," said Holmes. "It must be very familiar to you. Have
|
||
you not tethered a young kid under a tree, lain above it with
|
||
your rifle, and waited for the bait to bring up your tiger? This
|
||
empty house is my tree, and you are my tiger. You have possibly
|
||
had other guns in reserve in case there should be several
|
||
tigers, or in the unlikely supposition of your own aim failing
|
||
you. These," he pointed around, "are my other guns. The parallel
|
||
is exact."
|
||
|
||
Colonel Moran sprang forward with a snarl of rage, but the
|
||
constables dragged him back. The fury upon his face was terrible
|
||
to look at.
|
||
|
||
"I confess that you had one small surprise for me," said Holmes.
|
||
"I did not anticipate that you would yourself make use of this
|
||
empty house and this convenient front window. I had imagined you
|
||
as operating from the street, where my friend, Lestrade and his
|
||
merry men were awaiting you. With that exception, all has gone
|
||
as I expected."
|
||
|
||
Colonel Moran turned to the official detective.
|
||
|
||
"You may or may not have just cause for arresting me," said he,
|
||
"but at least there can be no reason why I should submit to the
|
||
gibes of this person. If I am in the hands of the law, let
|
||
things be done in a legal way."
|
||
|
||
"Well, that's reasonable enough," said Lestrade. "Nothing
|
||
further you have to say, Mr. Holmes, before we go?"
|
||
|
||
Holmes had picked up the powerful air-gun from the floor, and
|
||
was examining its mechanism.
|
||
|
||
"An admirable and unique weapon," said he, "noiseless and of
|
||
tremendous power: I knew Von Herder, the blind German mechanic,
|
||
who constructed it to the order of the late Professor Moriarty.
|
||
For years I have been aware of its existance though I have never
|
||
before had the opportunity of handling it. I commend it very
|
||
specially to your attention, Lestrade and also the bullets which
|
||
fit it."
|
||
|
||
"You can trust us to look after that, Mr. Holmes," said
|
||
Lestrade, as the whole party moved towards the door. "Anything
|
||
further to say?"
|
||
|
||
"Only to ask what charge you intend to prefer?"
|
||
|
||
"What charge, sir? Why, of course, the attempted murder of Mr.
|
||
Sherlock Holmes."
|
||
|
||
"Not so, Lestrade. I do not propose to appear in the matter at
|
||
all. To you, and to you only, belongs the credit of the
|
||
remarkable arrest which you have effected. Yes, Lestrade, I
|
||
congratulate you! With your usual happy mixture of cunning and
|
||
audacity, you have got him."
|
||
|
||
"Got him! Got whom, Mr. Holmes?"
|
||
|
||
"The man that the whole force has been seeking in vain--Colonel
|
||
Sebastian Moran, who shot the Honourable Ronald Adair with an
|
||
expanding bullet from an air-gun through the open window of the
|
||
second-floor front of No. 427 Park Lane, upon the thirtieth of
|
||
last month. That's the charge, Lestrade. And now, Watson, if you
|
||
can endure the draught from a broken window, I think that half
|
||
an hour in my study over a cigar may afford you some profitable
|
||
amusement."
|
||
|
||
Our old chambers had been left unchanged through the supervision
|
||
of Mycroft Holmes and the immediate care of Mrs. Hudson. As I
|
||
entered I saw, it is true, an unwonted tidiness, but the old
|
||
landmarks were all in their place. There were the chemical
|
||
corner and the acid-stained, deal-topped table. There upon a
|
||
shelf was the row of formidable scrap-books and books of
|
||
reference which many of our fellow-citizens would have been so
|
||
glad to burn. The diagrams, the violin-case, and the pipe-rack--
|
||
even the Persian slipper which contained the tobacco--all met my
|
||
eyes as I glanced round me. There were two occupants of the
|
||
room--one, Mrs. Hudson, who beamed upon us both as we entered--
|
||
the other, the strange dummy which had played so important a
|
||
part in the evening's adventures. It was a wax-coloured model of
|
||
my friend, so admirably done that it was a perfect facsimile. It
|
||
stood on a small pedestal table with an old dressing-gown of
|
||
Holmes's so draped round it that the illusion from the street
|
||
was absolutely perfect.
|
||
|
||
"I hope you observed all precautions, Mrs. Hudson?" said Holmes.
|
||
|
||
"I went to it on my knees, sir, just as you told me."
|
||
|
||
"Excellent. You carried the thing out very well. Did you observe
|
||
where the bullet went?"
|
||
|
||
"Yes, sir. I'm afraid it has spoilt your beautiful bust, for it
|
||
passed right through the head and flattened itself on the wall.
|
||
I picked it up from the carpet. Here it is!"
|
||
|
||
Holmes held it out to me. "A soft revolver bullet, as you
|
||
perceive, Watson. There's genius in that, for who would expect
|
||
to find such a thing fired from an airgun? All right, Mrs.
|
||
Hudson. I am much obliged for your assistance. And now, Watson,
|
||
let me see you in your old seat once more, for there are several
|
||
points which I should like to discuss with you."
|
||
|
||
He had thrown off the seedy frockcoat, and now he was the Holmes
|
||
of old in the mouse-coloured dressing-gown which he took from
|
||
his effigy.
|
||
|
||
"The old SHIKARI'S nerves have not lost their steadiness, nor
|
||
his eyes their keenness," said he, with a laugh, as he inspected
|
||
the shattered forehead of his bust.
|
||
|
||
"Plumb in the middle of the back of the head and smack through
|
||
the brain. He was the best shot in India, and I expect that
|
||
there are few better in London. Have you heard the name?"
|
||
|
||
"No, I have not."
|
||
|
||
"Well, well, such is fame! But, then, if I remember right, you
|
||
had not heard the name of Professor James Moriarty, who had one
|
||
of the great brains of the century. Just give me down my index
|
||
of biographies from the shelf."
|
||
|
||
He turned over the pages lazily, leaning back in his chair and
|
||
blowing great clouds from his cigar.
|
||
|
||
"My collection of M's is a fine one," said he. "Moriarty himself
|
||
is enough to make any letter illustrious, and here is Morgan the
|
||
poisoner, and Merridew of abominable memory, and Mathews, who
|
||
knocked out my left canine in the waiting-room at Charing Cross,
|
||
and, finally, here is our friend of to-night."
|
||
|
||
He handed over the book, and I read:
|
||
|
||
MORAN, SEBASTIAN, COLONEL. Unemployed. Formerly 1st Bangalore
|
||
Pioneers. Born London, 1840. Son of Sir Augustus Moran, C. B.,
|
||
once British Minister to Persia. Educated Eton and Oxford.
|
||
Served in Jowaki Campaign, Afghan Campaign, Charasiab
|
||
(despatches), Sherpur, and Cabul. Author of HEAVY GAME OF THE
|
||
WESTERN HIMALAYAS (1881); THREE MONTHS IN THE JUNGLE (1884).
|
||
Address: Conduit Street. Clubs: The Anglo-Indian, the
|
||
Tankerville, the Bagatelle Card Club.
|
||
|
||
|
||
On the margin was written, in Holmes's precise hand:
|
||
|
||
|
||
The second most dangerous man in London.
|
||
|
||
|
||
"This is astonishing," said I, as I handed back the volume.
|
||
"The man's career is that of an honourable soldier."
|
||
|
||
"It is true," Holmes answered. "Up to a certain point he did
|
||
well. He was always a man of iron nerve, and the story is still
|
||
told in India how he crawled down a drain after a wounded
|
||
man-eating tiger. There are some trees, Watson, which grow to a
|
||
certain height, and then suddenly develop some unsightly
|
||
eccentricity. You will see it often in humans. I have a theory
|
||
that the individual represents in his development the whole
|
||
procession of his ancestors, and that such a sudden turn to good
|
||
or evil stands for some strong influence which came into the
|
||
line of his pedigree. The person becomes, as it were, the
|
||
epitome of the history of his own family."
|
||
|
||
"It is surely rather fanciful."
|
||
|
||
"Well, I don't insist upon it. Whatever the cause, Colonel Moran
|
||
began hot to hold him. He retired, came to London, and again
|
||
acquired an evil name. It was at this time that he was sought
|
||
out by Professor Moriarty, to whom for a time he was chief of
|
||
the staff. Moriarty supplied him liberally with money, and used
|
||
him only in one or two very high-class jobs, which no ordinary
|
||
criminal could have undertaken. You may have some recollection
|
||
of the death of Mrs. Stewart, of Lauder, in 1887. Not? Well, I
|
||
am sure Moran was at the bottom of it, but nothing could be
|
||
proved. So cleverly was the colonel concealed that, even when
|
||
the Moriarty gang was broken up, we could not incriminate him.
|
||
You remember at that date, when I called upon you in your rooms,
|
||
how I put up the shutters for fear of air-guns? No doubt you
|
||
thought me fanciful. I knew exactly what I was doing, for I knew
|
||
of the existence of this remarkable gun, and I knew also that
|
||
one of the best shots in the world would be behind it. When we
|
||
were in Switzerland he followed us with Moriarty, and it was
|
||
undoubtedly he who gave me that evil five minutes on the
|
||
Reichenbach ledge.
|
||
|
||
"You may think that I read the papers with some attention during
|
||
my sojourn in France, on the look-out for any chance of laying
|
||
him by the heels. So long as he was free in London, my life
|
||
would really not have been worth living. Night and day the
|
||
shadow would have been over me, and sooner or later his chance
|
||
must have come. What could I do? I could not shoot him at sight,
|
||
or I should myself be in the dock. There was no use appealing to
|
||
a magistrate. They cannot interfere on the strength of what
|
||
would appear to them to be a wild suspicion. So I could do
|
||
nothing. But I watched the criminal news, knowing that sooner or
|
||
later I should get him. Then came the death of this Ronald
|
||
Adair. My chance had come at last. Knowing what I did, was it
|
||
not certain that Colonel Moran had done it? He had played cards
|
||
with the lad, he had followed him home from the club, he had
|
||
shot him through the open window. There was not a doubt of it.
|
||
The bullets alone are enough to put his head in a noose. I came
|
||
over at once. I was seen by the sentinel, who would, I knew,
|
||
direct the colonel's attention to my presence. He could not fail
|
||
to connect my sudden return with his crime, and to be terribly
|
||
alarmed. I was sure that he would make an attempt to get me out
|
||
of the way AT once, and would bring round his murderous weapon
|
||
for that purpose. I left him an excellent mark in the window,
|
||
and, having warned the police that they might be needed--by the
|
||
way, Watson, you spotted their presence in that doorway with
|
||
unerring accuracy--I took up what seemed to me to be a judicious
|
||
post for observation, never dreaming that he would choose the
|
||
same spot for his attack. Now, my dear Watson, does anything
|
||
remain for me to explain?"
|
||
|
||
"Yes," said I. "You have not made it clear what was Colonel
|
||
Moran's motive in murdering the Honourable Ronald Adair?"
|
||
|
||
"Ah! my dear Watson, there we come into those realms of
|
||
conjecture, where the most logical mind may be at fault. Each
|
||
may form his own hypothesis upon the present evidence, and yours
|
||
is as likely to be correct as mine."
|
||
|
||
"You have formed one, then?"
|
||
|
||
"I think that it is not difficult to explain the facts. It came
|
||
out in evidence that Colonel Moran and young Adair had, between
|
||
them, won a considerable amount of money. Now, undoubtedly
|
||
played foul--of that I have long been aware. I believe that on
|
||
the day of the murder Adair had discovered that Moran was
|
||
cheating. Very likely he had spoken to him privately, and had
|
||
threatened to expose him unless he voluntarily resigned his
|
||
membership of the club, and promised not to play cards again. It
|
||
is unlikely that a youngster like Adair would at once make a
|
||
hideous scandal by exposing a well known man so much older than
|
||
himself. Probably he acted as I suggest. The exclusion from his
|
||
clubs would mean ruin to Moran, who lived by his ill-gotten
|
||
card-gains. He therefore murdered Adair, who at the time was
|
||
endeavouring to work out how much money he should himself
|
||
return, since he could not profit by his partner's foul play. He
|
||
locked the door lest the ladies should surprise him and insist
|
||
upon knowing what he was doing with these names and coins. Will
|
||
it pass?"
|
||
|
||
"I have no doubt that you have hit upon the truth."
|
||
|
||
"It will be verified or disproved at the trial. Meanwhile, come
|
||
what may, Colonel Moran will trouble us no more. The famous
|
||
air-gun of Von Herder will embellish the Scotland Yard Museum,
|
||
and once again Mr. Sherlock Holmes is free to devote his life to
|
||
examining those interesting little problems which the complex
|
||
life of London so plentifully presents."
|
||
|
||
|
||
|
||
THE ADVENTURE OF THE NORWOOD BUILDER
|
||
|
||
|
||
"From the point of view of the criminal expert," said Mr. Sherlock
|
||
Holmes, "London has become a singularly uninteresting city since
|
||
the death of the late lamented Professor Moriarty."
|
||
|
||
"I can hardly think that you would find many decent citizens to
|
||
agree with you," I answered.
|
||
|
||
"Well, well, I must not be selfish," said he, with a smile, as
|
||
be pushed back his chair from the breakfast-table. "The
|
||
community is certainly the gainer, and no one the loser, save
|
||
the poor out-of-work specialist, whose occupation has gone. With
|
||
that man in the field, one's morning paper presented infinite
|
||
possibilities. Often it was only the smallest trace, Watson, the
|
||
faintest indication, and yet it was enough to tell me that the
|
||
great malignant brain was there, as the gentlest tremors of the
|
||
edges of the web remind one of the foul spider which lurks in
|
||
the centre. Petty thefts, wanton assaults, purposeless outrage--
|
||
to the man who held the clue all could be worked into one
|
||
connected whole. To the scientific student of the higher
|
||
criminal world, no capital in Europe offered the advantages
|
||
which London then possessed. But now----" He shrugged his
|
||
shoulders in humorous deprecation of the state of things which
|
||
he had himself done so much to produce.
|
||
|
||
At the time of which I speak, Holmes had been back for some
|
||
months, and I at his request had sold my practice and returned
|
||
to share the old quarters in Baker Street. A young doctor, named
|
||
Verner, had purchased my small Kensington practice, and given
|
||
with astonishingly little demur the highest price that I
|
||
ventured to ask--an incident which only explained itself some
|
||
years later, when I found that Verner was a distant relation of
|
||
Holmes, and that it was my friend who had really found the money.
|
||
|
||
Our months of partnership had not been so uneventful as he had
|
||
stated, for I find, on looking over my notes, that this period
|
||
includes the case of the papers of ex-President Murillo, and
|
||
also the shocking affair of the Dutch steamship FRIESLAND, which
|
||
so nearly cost us both our lives. His cold and proud nature was
|
||
always averse, however, from anything in the shape of public
|
||
applause, and he bound me in the most stringent terms to say no
|
||
further word of himself, his methods, or his successes--a
|
||
prohibition which, as I have explained, has only now been removed.
|
||
|
||
Mr. Sherlock Holmes was leaning back in his chair after his
|
||
whimsical protest, and was unfolding his morning paper in a
|
||
leisurely fashion, when our attention was arrested by a
|
||
tremendous ring at the bell, followed immediately by a hollow
|
||
drumming sound, as if someone were beating on the outer door
|
||
with his fist. As it opened there came a tumultuous rush into
|
||
the hall, rapid feet clattered up the stair, and an instant
|
||
later a wild-eyed and frantic young man, pale, disheveled, and
|
||
palpitating, burst into the room. He looked from one to the
|
||
other of us, and under our gaze of inquiry he became conscious
|
||
that some apology was needed for this unceremonious entry.
|
||
|
||
"I'm sorry, Mr. Holmes," he cried. "You mustn't blame me. I am
|
||
nearly mad. Mr. Holmes, I am the unhappy John Hector McFarlane."
|
||
|
||
He made the announcement as if the name alone would explain both
|
||
his visit and its manner, but I could see, by my companion's
|
||
unresponsive face, that it meant no more to him than to me.
|
||
|
||
"Have a cigarette, Mr. McFarlane," said he, pushing his case
|
||
across. "I am sure that, with your symptoms, my friend Dr.
|
||
Watson here would prescribe a sedative. The weather has been so
|
||
very warm these last few days. Now, if you feel a little more
|
||
composed, I should be glad if you would sit down in that chair,
|
||
and tell us very slowly and quietly who you are, and what it is
|
||
that you want. You mentioned your name, as if I should recognize
|
||
it, but I assure you that, beyond the obvious facts that you are
|
||
a bachelor, a solicitor, a Freemason, and an asthmatic, I know
|
||
nothing whatever about you."
|
||
|
||
Familiar as I was with my friend's methods, it was not difficult
|
||
for me to follow his deductions, and to observe the untidiness
|
||
of attire, the sheaf of legal papers, the watch-charm, and the
|
||
breathing which had prompted them. Our client, however, stared
|
||
in amazement.
|
||
|
||
"Yes, I am all that, Mr. Holmes; and, in addition, I am the most
|
||
unfortunate man at this moment in London. For heaven's sake,
|
||
don't abandon me, Mr. Holmes! If they come to arrest me before
|
||
I have finished my story, make them give me time, so that I may
|
||
tell you the whole truth. I could go to jail happy if I knew
|
||
that you were working for me outside."
|
||
|
||
"Arrest you!" said Holmes. "This is really most grati--most
|
||
interesting. On what charge do you expect to be arrested?"
|
||
|
||
"Upon the charge of murdering Mr. Jonas Oldacre, of Lower Norwood."
|
||
|
||
My companion's expressive face showed a sympathy which was not,
|
||
I am afraid, entirely unmixed with satisfaction.
|
||
|
||
"Dear me," said he, "it was only this moment at breakfast that
|
||
I was saying to my friend, Dr. Watson, that sensational cases
|
||
had disappeared out of our papers."
|
||
|
||
Our visitor stretched forward a quivering hand and picked up the
|
||
DAILY TELEGRAPH, which still lay upon Holmes's knee.
|
||
|
||
"If you had looked at it, sir, you would have seen at a glance
|
||
what the errand is on which I have come to you this morning.
|
||
I feel as if my name and my misfortune must be in every man's
|
||
mouth." He turned it over to expose the central page. "Here it
|
||
is, and with your permission I will read it to you. Listen to
|
||
this, Mr. Holmes. The headlines are: `Mysterious Affair at Lower
|
||
Norwood. Disappearance of a Well Known Builder. Suspicion of
|
||
Murder and Arson. A Clue to the Criminal.' That is the clue
|
||
which they are already following, Mr. Holmes, and I know that it
|
||
leads infallibly to me. I have been followed from London Bridge
|
||
Station, and I am sure that they are only waiting for the
|
||
warrant to arrest me. It will break my mother's heart--it will
|
||
break her heart!" He wrung his hands in an agony of
|
||
apprehension, and swayed backward and forward in his chair.
|
||
|
||
I looked with interest upon this man, who was accused of being
|
||
the perpetrator of a crime of violence. He was flaxen-haired and
|
||
handsome, in a washed-out negative fashion, with frightened blue
|
||
eyes, and a clean-shaven face, with a weak, sensitive mouth. His
|
||
age may have been about twenty-seven, his dress and bearing that
|
||
of a gentleman. From the pocket of his light summer overcoat
|
||
protruded the bundle of indorsed papers which proclaimed his
|
||
profession.
|
||
|
||
"We must use what time we have," said Holmes. "Watson, would you have
|
||
the kindness to take the paper and to read the paragraph in question?"
|
||
|
||
Underneath the vigorous headlines which our client had quoted,
|
||
I read the following suggestive narrative:
|
||
|
||
"Late last night, or early this morning, an incident occurred at
|
||
Lower Norwood which points, it is feared, to a serious crime.
|
||
Mr. Jonas Oldacre is a well known resident of that suburb, where
|
||
he has carried on his business as a builder for many years. Mr.
|
||
Oldacre is a bachelor, fifty-two years of age, and lives in Deep
|
||
Dene House, at the Sydenham end of the road of that name. He has
|
||
had the reputation of being a man of eccentric habits, secretive
|
||
and retiring. For some years he has practically withdrawn from
|
||
the business, in which he is said to have massed considerable
|
||
wealth. A small timber-yard still exists, however, at the back
|
||
of the house, and last night, about twelve o'clock, an alarm was
|
||
given that one of the stacks was on fire. The engines were soon
|
||
upon the spot, but the dry wood burned with great fury, and it
|
||
was impossible to arrest the conflagration until the stack had
|
||
been entirely consumed. Up to this point the incident bore the
|
||
appearance of an ordinary accident, but fresh indications seem
|
||
to point to serious crime. Surprise was expressed at the absence
|
||
of the master of the establishment from the scene of the fire,
|
||
and an inquiry followed, which showed that he had disappeared
|
||
from the house. An examination of his room revealed that the bed
|
||
had not been slept in, that a safe which stood in it was open,
|
||
that a number of important papers were scattered about the room,
|
||
and finally, that there were signs of a murderous struggle,
|
||
slight traces of blood being found within the room, and an oaken
|
||
walking-stick, which also showed stains of blood upon the
|
||
handle. It is known that Mr. Jonas Oldacre had received a late
|
||
visitor in his bedroom upon that night, and the stick found has
|
||
been identified as the property of this person, who is a young
|
||
London solicitor named John Hector McFarlane, junior partner of
|
||
Graham and McFarlane, of 426 Gresham Buildings, E. C. The police
|
||
believe that they have evidence in their possession which
|
||
supplies a very convincing motive for the crime, and altogether
|
||
it cannot be doubted that sensational developments will follow.
|
||
|
||
"LATER.--It is rumoured as we go to press that Mr. John Hector
|
||
McFarlane has actually been arrested on the charge of the murder
|
||
of Mr. Jonas Oldacre. It is at least certain that a warrant has
|
||
been issued. There have been further and sinister developments
|
||
in the investigation at Norwood. Besides the signs of a struggle
|
||
in the room of the unfortunate builder it is now known that the
|
||
French windows of his bedroom (which is on the ground floor)
|
||
were found to be open, that there were marks as if some bulky
|
||
object had been dragged across to the wood-pile, and, finally,
|
||
it is asserted that charred remains have been found among the
|
||
charcoal ashes of the fire. The police theory is that a most
|
||
sensational crime has been committed, that the victim was
|
||
clubbed to death in his own bedroom, his papers rifled, and his
|
||
dead body dragged across to the wood-stack, which was then
|
||
ignited so as to hide all traces of the crime. The conduct of
|
||
the criminal investigation has been left in the experienced
|
||
hands of Inspector Lestrade, of Scotland Yard, who is following
|
||
up the clues with his accustomed energy and sagacity."
|
||
|
||
Sherlock Holmes listened with closed eyes and fingertips
|
||
together to this remarkable account.
|
||
|
||
"The case has certainly some points of interest," said he, in
|
||
his languid fashion. "May I ask, in the first place, Mr.
|
||
McFarlane, how it is that you are still at liberty, since there
|
||
appears to be enough evidence to justify your arrest?"
|
||
|
||
"I live at Torrington Lodge, Blackheath, with my parents, Mr.
|
||
Holmes, but last night, having to do business very late with Mr.
|
||
Jonas Oldacre, I stayed at an hotel in Norwood, and came to my
|
||
business from there. I knew nothing of this affair until I was
|
||
in the train, when I read what you have just heard. I at once
|
||
saw the horrible danger of my position, and I hurried to put the
|
||
case into your hands. I have no doubt that I should have been
|
||
arrested either at my city office or at my home. A man followed
|
||
me from London Bridge Station, and I have no doubt--Great
|
||
heaven! what is that?"
|
||
|
||
It was a clang of the bell, followed instantly by heavy steps
|
||
upon the stair. A moment later, our old friend Lestrade appeared
|
||
in the doorway. Over his shoulder I caught a glimpse of one or
|
||
two uniformed policemen outside.
|
||
|
||
"Mr. John Hector McFarlane?" said Lestrade.
|
||
|
||
Our unfortunate client rose with a ghastly face.
|
||
|
||
"I arrest you for the wilful murder of Mr. Jonas Oldacre, of
|
||
Lower Norwood."
|
||
|
||
McFarlane turned to us with a gesture of despair, and sank into
|
||
his chair once more like one who is crushed.
|
||
|
||
"One moment, Lestrade," said Holmes. "Half an hour more or less
|
||
can make no difference to you, and the gentleman was about to
|
||
give us an account of this very interesting affair, which might
|
||
aid us in clearing it up."
|
||
|
||
"I think there will be no difficulty in clearing it up," said
|
||
Lestrade, grimly.
|
||
|
||
"None the less, with your permission, I should be much
|
||
interested to hear his account."
|
||
|
||
"Well, Mr. Holmes, it is difficult for me to refuse you
|
||
anything, for you have been of use to the force once or twice in
|
||
the past, and we owe you a good turn at Scotland Yard," said
|
||
Lestrade. "At the same time I must remain with my prisoner, and
|
||
I am bound to warn him that anything he may say will appear in
|
||
evidence against him."
|
||
|
||
"I wish nothing better," said our client. "All I ask is that you
|
||
should hear and recognize the absolute truth."
|
||
|
||
Lestrade looked at his watch. "I'll give you half an hour," said he.
|
||
|
||
"I must explain first," said McFarlane, "that I knew nothing of
|
||
Mr. Jonas Oldacre. His name was familiar to me, for many years
|
||
ago my parents were acquainted with him, but they drifted apart.
|
||
I was very much surprised therefore, when yesterday, about three
|
||
o'clock in the afternoon, he walked into my office in the city.
|
||
But I was still more astonished when he told me the object of
|
||
his visit. He had in his hand several sheets of a notebook,
|
||
covered with scribbled writing--here they are--and he laid them
|
||
on my table.
|
||
|
||
"`Here is my will,' said he. `I want you, Mr. McFarlane, to cast
|
||
it into proper legal shape. I will sit here while you do so.'
|
||
|
||
"I set myself to copy it, and you can imagine my astonishment
|
||
when I found that, with some reservations, he had left all his
|
||
property to me. He was a strange little ferret-like man, with
|
||
white eyelashes, and when I looked up at him I found his keen
|
||
gray eyes fixed upon me with an amused expression. I could
|
||
hardly believe my own as I read the terms of the will; but he
|
||
explained that he was a bachelor with hardly any living
|
||
relation, that he had known my parents in his youth, and that he
|
||
had always heard of me as a very deserving young man, and was
|
||
assured that his money would be in worthy hands. Of course, I
|
||
could only stammer out my thanks. The will was duly finished,
|
||
signed, and witnessed by my clerk. This is it on the blue paper,
|
||
and these slips, as I have explained, are the rough draft. Mr.
|
||
Jonas Oldacre then informed me that there were a number of
|
||
documents--building leases, title-deeds, mortgages, scrip, and
|
||
so forth--which it was necessary that I should see and
|
||
understand. He said that his mind would not be easy until the
|
||
whole thing was settled, and he begged me to come out to his
|
||
house at Norwood that night, bringing the will with me, and to
|
||
arrange matters. `Remember, my boy, not one word to your parents
|
||
about the affair until everything is settled. We will keep it as
|
||
a little surprise for them.' He was very insistent upon this
|
||
point, and made me promise it faithfully.
|
||
|
||
"You can imagine, Mr. Holmes, that I was not in a humour to
|
||
refuse him anything that he might ask. He was my benefactor, and
|
||
all my desire was to carry out his wishes in every particular.
|
||
I sent a telegram home, therefore, to say that I had important
|
||
business on hand, and that it was impossible for me to say how
|
||
late I might be. Mr. Oldacre had told me that he would like me
|
||
to have supper with him at nine, as he might not be home before
|
||
that hour. I had some difficulty in finding his house, however,
|
||
and it was nearly half-past before I reached it. I found him----"
|
||
|
||
"One moment!" said Holmes. "Who opened the door?"
|
||
|
||
"A middle-aged woman, who was, I suppose, his housekeeper."
|
||
|
||
"And it was she, I presume, who mentioned your name?"
|
||
|
||
"Exactly," said McFarlane.
|
||
|
||
"Pray proceed."
|
||
|
||
McFarlane wiped his damp brow, and then continued his narrative:
|
||
|
||
"I was shown by this woman into a sitting-room, where a frugal
|
||
supper was laid out. Afterwards, Mr. Jonas Oldacre led me into
|
||
his bedroom, in which there stood a heavy safe. This he opened
|
||
and took out a mass of documents, which we went over together.
|
||
It was between eleven and twelve when we finished. He remarked
|
||
that we must not disturb the housekeeper. He showed me out
|
||
through his own French window, which had been open all this time."
|
||
|
||
"Was the blind down?" asked Holmes.
|
||
|
||
"I will not be sure, but I believe that it was only half down.
|
||
Yes, I remember how he pulled it up in order to swing open the
|
||
window. I could not find my stick, and he said, `Never mind, my
|
||
boy, I shall see a good deal of you now, I hope, and I will keep
|
||
your stick until you come back to claim it.' I left him there,
|
||
the safe open, and the papers made up in packets upon the table.
|
||
It was so late that I could not get back to Blackheath, so I
|
||
spent the night at the Anerley Arms, and I knew nothing more
|
||
until I read of this horrible affair in the morning."
|
||
|
||
"Anything more that you would like to ask, Mr. Holmes?" said
|
||
Lestrade, whose eyebrows had gone up once or twice during this
|
||
remarkable explanation.
|
||
|
||
"Not until I have been to Blackheath."
|
||
|
||
"You mean to Norwood," said Lestrade.
|
||
|
||
"Oh, yes, no doubt that is what I must have meant," said Holmes,
|
||
with his enigmatical smile. Lestrade had learned by more
|
||
experiences than he would care to acknowledge that that brain
|
||
could cut through that which was impenetrable to him. I saw him
|
||
look curiously at my companion.
|
||
|
||
"I think I should like to have a word with you presently, Mr.
|
||
Sherlock Holmes," said he. "Now, Mr. McFarlane, two of my
|
||
constables are at the door, and there is a four-wheeler
|
||
waiting." The wretched young man arose, and with a last
|
||
beseeching glance at us walked from the room. The officers
|
||
conducted him to the cab, but Lestrade remained.
|
||
|
||
Holmes had picked up the pages which formed the rough draft of
|
||
the will, and was looking at them with the keenest interest upon
|
||
his face.
|
||
|
||
"There are some points about that document, Lestrade, are there
|
||
not?" said he, pushing them over.
|
||
|
||
The official looked at them with a puzzled expression.
|
||
|
||
"I can read the first few lines and these in the middle of the
|
||
second page, and one or two at the end. Those are as clear as
|
||
print," said he, "but the writing in between is very bad, and
|
||
there are three places where I cannot read it at all."
|
||
|
||
"What do you make of that?" said Holmes.
|
||
|
||
"Well, what do YOU make of it?"
|
||
|
||
"That it was written in a train. The good writing represents
|
||
stations, the bad writing movement, and the very bad writing
|
||
passing over points. A scientific expert would pronounce at once
|
||
that this was drawn up on a suburban line, since nowhere save in
|
||
the immediate vicinity of a great city could there be so quick
|
||
a succession of points. Granting that his whole journey was
|
||
occupied in drawing up the will, then the train was an express,
|
||
only stopping once between Norwood and London Bridge."
|
||
|
||
Lestrade began to laugh.
|
||
|
||
"You are too many for me when you begin to get on your theories,
|
||
Mr. Holmes," said he. "How does this bear on the case?"
|
||
|
||
"Well, it corroborates the young man's story to the extent that
|
||
the will was drawn up by Jonas Oldacre in his journey yesterday.
|
||
It is curious--is it not?--that a man should draw up so
|
||
important a document in so haphazard a fashion. It suggests that
|
||
he did not think it was going to be of much practical
|
||
importance. If a man drew up a will which he did not intend ever
|
||
to be effective, he might do it so."
|
||
|
||
"Well, he drew up his own death warrant at the same time," said
|
||
Lestrade.
|
||
|
||
"Oh, you think so?"
|
||
|
||
"Don't you?"
|
||
|
||
"Well, it is quite possible, but the case is not clear to me yet."
|
||
|
||
"Not clear? Well, if that isn't clear, what COULD be clear? Here
|
||
is a young man who learns suddenly that, if a certain older man
|
||
dies, he will succeed to a fortune. What does he do? He says
|
||
nothing to anyone, but he arranges that he shall go out on some
|
||
pretext to see his client that night. He waits until the only
|
||
other person in the house is in bed, and then in the solitude of
|
||
a man's room he murders him, burns his body in the wood-pile,
|
||
and departs to a neighbouring hotel. The blood-stains in the
|
||
room and also on the stick are very slight. It is probable that
|
||
he imagined his crime to be a bloodless one, and hoped that if
|
||
the body were consumed it would hide all traces of the method of
|
||
his death--traces which, for some reason, must have pointed to
|
||
him. Is not all this obvious?"
|
||
|
||
"It strikes me, my good Lestrade, as being just a trifle too
|
||
obvious," said Holmes. "You do not add imagination to your other
|
||
great qualities, but if you could for one moment put yourself in
|
||
the place of this young man, would you choose the very night
|
||
after the will had been made to commit your crime? Would it not
|
||
seem dangerous to you to make so very close a relation between
|
||
the two incidents? Again, would you choose an occasion when you
|
||
are known to be in the house, when a servant has let you in?
|
||
And, finally, would you take the great pains to conceal the
|
||
body, and yet leave your own stick as a sign that you were the
|
||
criminal? Confess, Lestrade, that all this is very unlikely."
|
||
|
||
"As to the stick, Mr. Holmes, you know as well as I do that a
|
||
criminal is often flurried, and does such things, which a cool
|
||
man would avoid. He was very likely afraid to go back to the
|
||
room. Give me another theory that would fit the facts."
|
||
|
||
"I could very easily give you half a dozen," said Holmes. "Here
|
||
for example, is a very possible and even probable one. I make
|
||
you a free present of it. The older man is showing documents
|
||
which are of evident value. A passing tramp sees them through
|
||
the window, the blind of which is only half down. Exit the
|
||
solicitor. Enter the tramp! He seizes a stick, which he observes
|
||
there, kills Oldacre, and departs after burning the body."
|
||
|
||
"Why should the tramp burn the body?"
|
||
|
||
"For the matter of that, why should McFarlane?"
|
||
|
||
"To hide some evidence."
|
||
|
||
"Possibly the tramp wanted to hide that any murder at all had
|
||
been committed."
|
||
|
||
"And why did the tramp take nothing?"
|
||
|
||
"Because they were papers that he could not negotiate."
|
||
|
||
Lestrade shook his head, though it seemed to me that his manner
|
||
was less absolutely assured than before.
|
||
|
||
"Well, Mr. Sherlock Holmes, you may look for your tramp, and
|
||
while you are finding him we will hold on to our man. The future
|
||
will show which is right. Just notice this point, Mr. Holmes:
|
||
that so far as we know, none of the papers were removed, and
|
||
that the prisoner is the one man in the world who had no reason
|
||
for removing them, since he was heir-at-law, and would come into
|
||
them in any case."
|
||
|
||
My friend seemed struck by this remark.
|
||
|
||
"I don't mean to deny that the evidence is in some ways very
|
||
strongly in favour of your theory," said he. "I only wish to
|
||
point out that there are other theories possible. As you say,
|
||
the future will decide. Good-morning! I dare say that in the
|
||
course of the day I shall drop in at Norwood and see how you are
|
||
getting on."
|
||
|
||
When the detective departed, my friend rose and made his
|
||
preparations for the day's work with the alert air of a man who
|
||
has a congenial task before him.
|
||
|
||
"My first movement Watson," said he, as he bustled into his
|
||
frockcoat, "must, as I said, be in the direction of Blackheath."
|
||
|
||
"And why not Norwood?"
|
||
|
||
"Because we have in this case one singular incident coming close
|
||
to the heels of another singular incident. The police are making
|
||
the mistake of concentrating their attention upon the second,
|
||
because it happens to be the one which is actually criminal. But
|
||
it is evident to me that the logical way to approach the case is
|
||
to begin by trying to throw some light upon the first incident--
|
||
the curious will, so suddenly made, and to so unexpected an
|
||
heir. It may do something to simplify what followed. No, my dear
|
||
fellow, I don't think you can help me. There is no prospect of
|
||
danger, or I should not dream of stirring out without you. I
|
||
trust that when I see you in the evening, I will be able to
|
||
report that I have been able to do something for this
|
||
unfortunate youngster, who has thrown himself upon my protection."
|
||
|
||
It was late when my friend returned, and I could see, by a
|
||
glance at his haggard and anxious face, that the high hopes with
|
||
which be had started had not been fulfilled. For an hour he
|
||
droned away upon his violin, endeavouring to soothe his own
|
||
ruffled spirits. At last he flung down the instrument, and
|
||
plunged into a detailed account of his misadventures.
|
||
|
||
"It's all going wrong, Watson--all as wrong as it can go. I kept
|
||
a bold face before Lestrade, but, upon my soul, I believe that
|
||
for once the fellow is on the right track and we are on the
|
||
wrong. All my instincts are one way, and all the facts are the
|
||
other, and I much fear that British juries have not yet attained
|
||
that pitch of intelligence when they will give the preference to
|
||
my theories over Lestrade's facts."
|
||
|
||
"Did you go to Blackheath?"
|
||
|
||
"Yes, Watson, I went there, and I found very quickly that the
|
||
late lamented Oldacre was a pretty considerable blackguard. The
|
||
father was away in search of his son. The mother was at home--a
|
||
little, fluffy, blue-eyed person, in a tremor of fear and
|
||
indignation. Of course, she would not admit even the possibility
|
||
of his guilt. But she would not express either surprise or
|
||
regret over the fate of Oldacre. On the contrary, she spoke of
|
||
him with such bitterness that she was unconsciously considerably
|
||
strengthening the case of the police for, of course, if her son
|
||
had heard her speak of the man in this fashion, it would
|
||
predispose him towards hatred and violence. `He was more like a
|
||
malignant and cunning ape than a human being,' said she, `and he
|
||
always was, ever since he was a young man.'
|
||
|
||
"`You knew him at that time?' said I.
|
||
|
||
"`Yes, I knew him well, in fact, he was an old suitor of mine.
|
||
Thank heaven that I had the sense to turn away from him and to
|
||
marry a better, if poorer, man. I was engaged to him, Mr.
|
||
Holmes, when I heard a shocking story of how he had turned a cat
|
||
loose in an aviary, and I was so horrified at his brutal cruelty
|
||
that I would have nothing more to do with him.' She rummaged in
|
||
a bureau, and presently she produced a photograph of a woman,
|
||
shamefully defaced and mutilated with a knife. `That is my own
|
||
photograph,' she said. `He sent it to me in that state, with his
|
||
curse, upon my wedding morning.'
|
||
|
||
"`Well,' said I, `at least he has forgiven you now, since he has
|
||
left all his property to your son.'
|
||
|
||
"`Neither my son nor I want anything from Jonas Oldacre, dead or
|
||
alive!' she cried, with a proper spirit. `There is a God in
|
||
heaven, Mr. Holmes, and that same God who has punished that
|
||
wicked man will show, in His own good time, that my son's hands
|
||
are guiltless of his blood.'
|
||
|
||
"Well, I tried one or two leads, but could get at nothing which
|
||
would help our hypothesis, and several points which would make
|
||
against it. I gave it up at last and off I went to Norwood.
|
||
|
||
"This place, Deep Dene House, is a big modern villa of staring
|
||
brick, standing back in its own grounds, with a laurel-clumped
|
||
lawn in front of it. To the right and some distance back from
|
||
the road was the timber-yard which had been the scene of the
|
||
fire. Here's a rough plan on a leaf of my notebook. This window
|
||
on the left is the one which opens into Oldacre's room. You can
|
||
look into it from the road, you see. That is about the only bit
|
||
of consolation I have had to-day. Lestrade was not there, but
|
||
his head constable did the honours. They had just found a great
|
||
treasure-trove. They had spent the morning raking among the
|
||
ashes of the burned wood-pile, and besides the charred organic
|
||
remains they had secured several discoloured metal discs. I
|
||
examined them with care, and there was no doubt that they were
|
||
trouser buttons. I even distinguished that one of them was
|
||
marked with the name of `Hyams,' who was Oldacres tailor. I then
|
||
worked the lawn very carefully for signs and traces, but this
|
||
drought has made everything as hard as iron. Nothing was to be
|
||
seen save that some body or bundle had been dragged through a
|
||
low privet hedge which is in a line with the wood-pile. All
|
||
that, of course, fits in with the official theory. I crawled
|
||
about the lawn with an August sun on my back, but I got up at
|
||
the end of an hour no wiser than before.
|
||
|
||
"Well, after this fiasco I went into the bedroom and examined
|
||
that also. The blood-stains were very slight, mere smears and
|
||
discolourations, but undoubtedly fresh. The stick had been
|
||
removed, but there also the marks were slight. There is no doubt
|
||
about the stick belonging to our client. He admits it. Footmarks
|
||
of both men could be made out on the carpet, but none of any
|
||
third person, which again is a trick for the other side. They
|
||
were piling up their score all the time and we were at a
|
||
standstill.
|
||
|
||
"Only one little gleam of hope did I get--and yet it amounted to
|
||
nothing. I examined the contents of the safe, most of which had
|
||
been taken out and left on the table. The papers had been made
|
||
up into sealed envelopes, one or two of which had been opened by
|
||
the police. They were not, so far as I could judge, of any great
|
||
value, nor did the bank-book show that Mr. Oldacre was in such
|
||
very affluent circumstances. But it seemed to me that all the
|
||
papers were not there. There were allusions to some deeds--
|
||
possibly the more valuable--which I could not find. This, of
|
||
course, if we could definitely prove it, would turn Lestrade's
|
||
argument against himself, for who would steal a thing if he knew
|
||
that he would shortly inherit it?
|
||
|
||
"Finally, having drawn every other cover and picked up no scent,
|
||
I tried my luck with the housekeeper. Mrs. Lexington is her
|
||
name--a little, dark, silent person, with suspicious and
|
||
sidelong eyes. She could tell us something if she would--I am
|
||
convinced of it. But she was as close as wax. Yes, she had let
|
||
Mr. McFarlane in at half-past nine. She wished her hand had
|
||
withered before she had done so. She had gone to bed at
|
||
half-past ten. Her room was at the other end of the house, and
|
||
she could hear nothing of what had passed. Mr. McFarlane had
|
||
left his hat, and to the best of her had been awakened by the
|
||
alarm of fire. Her poor, dear master had certainly been
|
||
murdered. Had he any enemies? Well, every man had enemies, but
|
||
Mr. Oldacre kept himself very much to himself, and only met
|
||
people in the way of business. She had seen the buttons, and was
|
||
sure that they belonged to the clothes which he had worn last
|
||
night. The wood-pile was very dry, for it had not rained
|
||
for a month. It burned like tinder, and by the time she reached
|
||
the spot, nothing could be seen but flames. She and all the
|
||
firemen smelled the burned flesh from inside it. She knew
|
||
nothing of the papers, nor of Mr. Oldacre's private affairs.
|
||
|
||
"So, my dear Watson, there's my report of a failure. And yet--
|
||
and yet--" he clenched his thin hands in a paroxysm of
|
||
conviction--"I KNOW it's all wrong. I feel it in my bones. There
|
||
is something that has not come out, and that housekeeper knows
|
||
it. There was a sort of sulky defiance in her eyes, which only
|
||
goes with guilty knowledge. However, there's no good talking any
|
||
more about it, Watson; but unless some lucky chance comes our
|
||
way I fear that the Norwood Disappearance Case will not figure
|
||
in that chronicle of our successes which I foresee that a
|
||
patient public will sooner or later have to endure."
|
||
|
||
"Surely," said I, "the man's appearance would go far with any jury?"
|
||
|
||
"That is a dangerous argument my dear Watson. You remember that
|
||
terrible murderer, Bert Stevens, who wanted us to get him off in
|
||
'87? Was there ever a more mild-mannered, Sunday-school young man?"
|
||
|
||
"It is true."
|
||
|
||
"Unless we succeed in establishing an alternative theory, this
|
||
man is lost. You can hardly find a flaw in the case which can
|
||
now be presented against him, and all further investigation has
|
||
served to strengthen it. By the way, there is one curious little
|
||
point about those papers which may serve us as the
|
||
starting-point for an inquiry. On looking over the bank-book I
|
||
found that the low state of the balance was principally due to
|
||
large checks which have been made out during the last year to
|
||
Mr. Cornelius. I confess that I should be interested to know who
|
||
this Mr. Cornelius may be with whom a retired builder has such
|
||
very large transactions. Is it possible that he has had a
|
||
hand in the affair? Cornelius might be a broker, but we have
|
||
found no scrip to correspond with these large payments. Failing
|
||
any other indication, my researches must now take the direction
|
||
of an inquiry at the bank for the gentleman who has cashed these
|
||
checks. But I fear, my dear fellow, that our case will end
|
||
ingloriously by Lestrade hanging our client, which will
|
||
certainly be a triumph for Scotland Yard."
|
||
|
||
I do not know how far Sherlock Holmes took any sleep that night,
|
||
but when I came down to breakfast I found him pale and harassed,
|
||
his bright eyes the brighter for the dark shadows round them.
|
||
The carpet round his chair was littered with cigarette-ends and
|
||
with the early editions of the morning papers. An open telegram
|
||
lay upon the table.
|
||
|
||
"What do you think of this, Watson?" he asked, tossing it across.
|
||
|
||
It was from Norwood, and ran as follows:
|
||
|
||
|
||
Important fresh evidence to hand. McFarlane's guilt definitely
|
||
established. Advise you to abandon case.
|
||
LESTRADE.
|
||
|
||
|
||
"This sounds serious," said I.
|
||
|
||
"It is Lestrade's little cock-a-doodle of victory," Holmes
|
||
answered, with a bitter smile. "And yet it may be premature to
|
||
abandon the case. After all, important fresh evidence is a
|
||
two-edged thing, and may possibly cut in a very different
|
||
direction to that which Lestrade imagines. Take your breakfast,
|
||
Watson, and we will go out together and see what we can do. I
|
||
feel as if I shall need your company and your moral support today."
|
||
|
||
My friend had no breakfast himself, for it was one of his
|
||
peculiarities that in his more intense moments he would permit
|
||
himself no food, and I have known him presume upon his iron
|
||
strength until he has fainted from pure inanition. "At present
|
||
I cannot spare energy and nerve force for digestion," he would
|
||
say in answer to my medical remonstrances. I was not surprised,
|
||
therefore, when this morning he left his untouched meal behind
|
||
him, and started with me for Norwood. A crowd of morbid
|
||
sightseers were still gathered round Deep Dene House, which was
|
||
just such a suburban villa as I had pictured. Within the gates
|
||
Lestrade met us, his face flushed with victory, his manner
|
||
grossly triumphant.
|
||
|
||
"Well, Mr. Holmes, have you proved us to be wrong yet? Have you
|
||
found your tramp?" he cried.
|
||
|
||
"I have formed no conclusion whatever," my companion answered.
|
||
|
||
"But we formed ours yesterday, and now it proves to be correct,
|
||
so you must acknowledge that we have been a little in front of
|
||
you this time, Mr. Holmes."
|
||
|
||
"You certainly have the air of something unusual having
|
||
occurred," said Holmes.
|
||
|
||
Lestrade laughed loudly.
|
||
|
||
"You don't like being beaten any more than the rest of us do,"
|
||
said he. "A man can't expect always to have it his own way, can
|
||
he, Dr. Watson? Step this way, if you please, gentlemen, and I
|
||
think I can convince you once for all that it was John McFarlane
|
||
who did this crime."
|
||
|
||
He led us through the passage and out into a dark hall beyond.
|
||
|
||
"This is where young McFarlane must have come out to get his hat
|
||
after the crime was done," said he. "Now look at this." With
|
||
dramatic suddenness he struck a match, and by its light exposed
|
||
a stain of blood upon the whitewashed wall. As he held the match
|
||
nearer, I saw that it was more than a stain. It was the
|
||
well-marked print of a thumb.
|
||
|
||
"Look at that with your magnifying glass, Mr. Holmes."
|
||
|
||
"Yes, I am doing so."
|
||
|
||
"You are aware that no two thumb-marks are alike?"
|
||
|
||
"I have heard something of the kind."
|
||
|
||
"Well, then, will you please compare that print with this wax
|
||
impression of young McFarlane's right thumb, taken by my orders
|
||
this morning?"
|
||
|
||
As he held the waxen print close to the blood-stain, it did not
|
||
take a magnifying glass to see that the two were undoubtedly
|
||
from the same thumb. It was evident to me that our unfortunate
|
||
client was lost.
|
||
|
||
"That is final," said Lestrade.
|
||
|
||
"Yes, that is final," I involuntarily echoed.
|
||
|
||
"It is final," said Holmes.
|
||
|
||
Something in his tone caught my ear, and I turned to look at
|
||
him. An extraordinary change had come over his face. It was
|
||
writhing with inward merriment. His two eyes were shining like
|
||
stars. It seemed to me that he was making desperate efforts to
|
||
restrain a convulsive attack of laughter.
|
||
|
||
"Dear me! Dear me!" he said at last. "Well, now, who would have
|
||
thought it? And how deceptive appearances may be, to be sure!
|
||
Such a nice young man to look at! It is a lesson to us not to
|
||
trust our own judgment, is it not, Lestrade?"
|
||
|
||
"Yes, some of us are a little too much inclined to be cock-sure,
|
||
Mr. Holmes," said Lestrade. The man's insolence was maddening,
|
||
but we could not resent it.
|
||
|
||
"What a providential thing that this young man should press his
|
||
right thumb against the wall in taking his hat from the peg!
|
||
Such a very natural action, too, if you come to think of it."
|
||
Holmes was outwardly calm, but his whole body gave a wriggle of
|
||
suppressed excitement as he spoke.
|
||
|
||
"By the way, Lestrade, who made this remarkable discovery?"
|
||
|
||
"It was the housekeeper, Mrs. Lexington, who drew the night
|
||
constable's attention to it."
|
||
|
||
"Where was the night constable?"
|
||
|
||
"He remained on guard in the bedroom where the crime was
|
||
committed, so as to see that nothing was touched."
|
||
|
||
"But why didn't the police see this mark yesterday?"
|
||
|
||
"Well, we had no particular reason to make a careful examination of
|
||
the hall. Besides, it's not in a very prominent place, as you see."
|
||
|
||
"No, no--of course not. I suppose there is no doubt that the
|
||
mark was there yesterday?"
|
||
|
||
Lestrade looked at Holmes as if he thought he was going out of
|
||
his mind. I confess that I was myself surprised both at his
|
||
hilarious manner and at his rather wild observation.
|
||
|
||
"I don't know whether you think that McFarlane came out of jail
|
||
in the dead of the night in order to strengthen the evidence
|
||
against himself," said Lestrade. "I leave it to any expert in
|
||
the world whether that is not the mark of his thumb."
|
||
|
||
"It is unquestionably the mark of his thumb."
|
||
|
||
"There, that's enough," said Lestrade. "I am a practical man,
|
||
Mr. Holmes, and when I have got my evidence I come to my
|
||
conclusions. If you have anything to say, you will find me
|
||
writing my report in the sitting-room."
|
||
|
||
Holmes had recovered his equanimity, though I still seemed to
|
||
detect gleams of amusement in his expression.
|
||
|
||
"Dear me, this is a very sad development, Watson, is it not?"
|
||
said he. "And yet there are singular points about it which hold
|
||
out some hopes for our client."
|
||
|
||
"I am delighted to hear it," said I, heartily. "I was afraid it
|
||
was all up with him."
|
||
|
||
"I would hardly go so far as to say that, my dear Watson. The
|
||
fact is that there is one really serious flaw in this evidence
|
||
to which our friend attaches so much importance."
|
||
|
||
"Indeed, Holmes! What is it?"
|
||
|
||
"Only this: that I KNOW that that mark was not there when I examined
|
||
the hall yesterday. And now, Watson, let us have a little stroll
|
||
round in the sunshine."
|
||
|
||
With a confused brain, but with a heart into which some warmth
|
||
of hope was returning, I accompanied my friend in a walk round
|
||
the garden. Holmes took each face of the house in turn, and
|
||
examined it with great interest. He then led the way inside, and
|
||
went over the whole building from basement to attic. Most of the
|
||
rooms were unfurnished, but none the less Holmes inspected them
|
||
all minutely. Finally, on the top corridor, which ran outside
|
||
three untenanted bedrooms, he again was seized with a spasm of
|
||
merriment.
|
||
|
||
"There are really some very unique features about this case,
|
||
Watson," said he. "I think it is time now that we took our
|
||
friend Lestrade into our confidence. He has had his little smile
|
||
at our expense, and perhaps we may do as much by him, if my
|
||
reading of this problem proves to be correct. Yes, yes, I think
|
||
I see how we should approach it."
|
||
|
||
The Scotland Yard inspector was still writing in the parlour
|
||
when Holmes interrupted him.
|
||
|
||
"I understood that you were writing a report of this case," said he.
|
||
|
||
"So I am."
|
||
|
||
"Don't you think it may be a little premature? I can't help
|
||
thinking that your evidence is not complete."
|
||
|
||
Lestrade knew my friend too well to disregard his words. He laid
|
||
down his pen and looked curiously at him.
|
||
|
||
"What do you mean, Mr. Holmes?"
|
||
|
||
"Only that there is an important witness whom you have not seen."
|
||
|
||
"Can you produce him?"
|
||
|
||
"I think I can."
|
||
|
||
"Then do so."
|
||
|
||
"I will do my best. How many constables have you?"
|
||
|
||
"There are three within call."
|
||
|
||
"Excellent!" said Holmes. "May I ask if they are all large,
|
||
able-bodied men with powerful voices?"
|
||
|
||
"I have no doubt they are, though I fail to see what their
|
||
voices have to do with it."
|
||
|
||
"Perhaps I can help you to see that and one or two other things
|
||
as well," said Holmes. "Kindly summon your men, and I will try."
|
||
|
||
Five minutes later, three policemen had assembled in the hall.
|
||
|
||
"In the outhouse you will find a considerable quantity of
|
||
straw," said Holmes. "I will ask you to carry in two bundles of
|
||
it. I think it will be of the greatest assistance in producing
|
||
the witness whom I require. Thank you very much. I believe you
|
||
have some matches in your pocket Watson. Now, Mr. Lestrade, I
|
||
will ask you all to accompany me to the top landing."
|
||
|
||
As I have said, there was a broad corridor there, which ran
|
||
outside three empty bedrooms. At one end of the corridor we were
|
||
all marshalled by Sherlock Holmes, the constables grinning and
|
||
Lestrade staring at my friend with amazement, expectation, and
|
||
derision chasing each other across his features. Holmes stood
|
||
before us with the air of a conjurer who is performing a trick.
|
||
|
||
"Would you kindly send one of your constables for two buckets of
|
||
water? Put the straw on the floor here, free from the wall on
|
||
either side. Now I think that we are all ready."
|
||
|
||
Lestrade's face had begun to grow red and angry. "I don't know
|
||
whether you are playing a game with us, Mr. Sherlock Holmes,"
|
||
said he. "If you know anything, you can surely say it without
|
||
all this tomfoolery."
|
||
|
||
"I assure you, my good Lestrade, that I have an excellent reason
|
||
for everything that I do. You may possibly remember that you
|
||
chaffed me a little, some hours ago, when the sun seemed on your
|
||
side of the hedge, so you must not grudge me a little pomp and
|
||
ceremony now. Might I ask you, Watson, to open that window, and
|
||
then to put a match to the edge of the straw?"
|
||
|
||
I did so, and driven by the draught a coil of gray smoke swirled
|
||
down the corridor, while the dry straw crackled and flamed.
|
||
|
||
"Now we must see if we can find this witness for you, Lestrade.
|
||
Might I ask you all to join in the cry of `Fire!'? Now then;
|
||
one, two, three----"
|
||
|
||
"Fire!" we all yelled.
|
||
|
||
"Thank you. I will trouble you once again."
|
||
|
||
"Fire!"
|
||
|
||
"Just once more, gentlemen, and all together."
|
||
|
||
"Fire!" The shout must have rung over Norwood.
|
||
|
||
It had hardly died away when an amazing thing happened. A door
|
||
suddenly flew open out of what appeared to be solid wall at the
|
||
end of the corridor, and a little, wizened man darted out of it,
|
||
like a rabbit out of its burrow.
|
||
|
||
"Capital!" said Holmes, calmly. "Watson, a bucket of water over
|
||
the straw. That will do! Lestrade, allow me to present you with
|
||
your principal missing witness, Mr. Jonas Oldacre."
|
||
|
||
The detective stared at the newcomer with blank amazement. The
|
||
latter was blinking in the bright light of the corridor, and
|
||
peering at us and at the smouldering fire. It was an odious
|
||
face--crafty, vicious, malignant, with shifty, light-gray eyes
|
||
and white lashes.
|
||
|
||
"What's this, then?" said Lestrade, at last. "What have you been
|
||
doing all this time, eh?"
|
||
|
||
Oldacre gave an uneasy laugh, shrinking back from the furious
|
||
red face of the angry detective.
|
||
|
||
"I have done no harm."
|
||
|
||
"No harm? You have done your best to get an innocent man hanged.
|
||
If it wasn't for this gentleman here, I am not sure that you would
|
||
not have succeeded."
|
||
|
||
The wretched creature began to whimper.
|
||
|
||
"I am sure, sir, it was only my practical joke."
|
||
|
||
"Oh! a joke, was it? You won't find the laugh on your side,
|
||
I promise you. Take him down, and keep him in the sitting-room
|
||
until I come. Mr. Holmes," he continued, when they had gone,
|
||
"I could not speak before the constables, but I don't mind saying,
|
||
in the presence of Dr. Watson, that this is the brightest thing that
|
||
you have done yet, though it is a mystery to me how you did it.
|
||
You have saved an innocent man's life, and you have prevented a very
|
||
grave scandal, which would have ruined my reputation in the Force."
|
||
|
||
Holmes smiled, and clapped Lestrade upon the shoulder.
|
||
|
||
"Instead of being ruined, my good sir, you will find that your
|
||
reputation has been enormously enhanced. Just make a few
|
||
alterations in that report which you were writing, and they will
|
||
understand how hard it is to throw dust in the eyes of Inspector
|
||
Lestrade."
|
||
|
||
"And you don't want your name to appear?"
|
||
|
||
"Not at all. The work is its own reward. Perhaps I shall get the
|
||
credit also at some distant day, when I permit my zealous
|
||
historian to lay out his foolscap once more--eh, Watson? Well,
|
||
now, let us see where this rat has been lurking."
|
||
|
||
A lath-and-plaster partition had been run across the passage six
|
||
feet from the end, with a door cunningly concealed in it. It was
|
||
lit within by slits under the eaves. A few articles of furniture
|
||
and a supply of food and water were within, together with a
|
||
number of books and papers.
|
||
|
||
"There's the advantage of being a builder," said Holmes, as we
|
||
came out. "He was able to fix up his own little hiding-place
|
||
without any confederate--save, of course, that precious
|
||
housekeeper of his, whom I should lose no time in adding to your
|
||
bag, Lestrade."
|
||
|
||
"I'll take your advice. But how did you know of this place, Mr. Holmes?"
|
||
|
||
"I made up my mind that the fellow was in hiding in the house.
|
||
When I paced one corridor and found it six feet shorter than the
|
||
corresponding one below, it was pretty clear where he was. I
|
||
thought he had not the nerve to lie quiet before an alarm of
|
||
fire. We could, of course, have gone in and taken him, but it
|
||
amused me to make him reveal himself. Besides, I owed you a
|
||
little mystification, Lestrade, for your chaff in the morning."
|
||
|
||
"Well, sir, you certainly got equal with me on that. But how in
|
||
the world did you know that he was in the house at all?"
|
||
|
||
"The thumb-mark, Lestrade. You said it was final; and so it was,
|
||
in a very different sense. I knew it had not been there the day
|
||
before. I pay a good deal of attention to matters of detail, as
|
||
you may have observed, and I had examined the hall, and was sure
|
||
that the wall was clear. Therefore, it had been put on during
|
||
the night."
|
||
|
||
"But how?"
|
||
|
||
"Very simply. When those packets were sealed up, Jonas Oldacre
|
||
got McFarlane to secure one of the seals by putting his thumb
|
||
upon the soft wax. It would be done so quickly and so naturally,
|
||
that I daresay the young man himself has no recollection of it.
|
||
Very likely it just so happened, and Oldacre had himself no
|
||
notion of the use he would put it to. Brooding over the case in
|
||
that den of his, it suddenly struck him what absolutely damning
|
||
evidence he could make against McFarlane by using that
|
||
thumb-mark. It was the simplest thing in the world for him to
|
||
take a wax impression from the seal, to moisten it in as much
|
||
blood as he could get from a pin-prick, and to put the mark upon
|
||
the wall during the night, either with his own hand or with that
|
||
of his housekeeper. If you examine among those documents which
|
||
he took with him into his retreat, I will lay you a wager that
|
||
you find the seal with the thumb-mark upon it."
|
||
|
||
"Wonderful!" said Lestrade. "Wonderful! It's all as clear as
|
||
crystal, as you put it. But what is the object of this deep
|
||
deception, Mr. Holmes?"
|
||
|
||
It was amusing to me to see how the detective's overbearing
|
||
manner had changed suddenly to that of a child asking questions
|
||
of its teacher.
|
||
|
||
"Well, I don't think that is very hard to explain. A very deep,
|
||
malicious, vindictive person is the gentleman who is now waiting
|
||
us downstairs. You know that he was once refused by McFarlane's
|
||
mother? You don't! I told you that you should go to Blackheath
|
||
first and Norwood afterwards. Well, this injury, as he would
|
||
consider it, has rankled in his wicked, scheming brain, and all
|
||
his life he has longed for vengeance, but never seen his chance.
|
||
During the last year or two, things have gone against him--
|
||
secret speculation, I think--and he finds himself in a bad way.
|
||
He determines to swindle his creditors, and for this purpose he
|
||
pays large checks to a certain Mr. Cornelius, who is, I imagine,
|
||
himself under another name. I have not traced these checks yet,
|
||
but I have no doubt that they were banked under that name at
|
||
some provincial town where Oldacre from time to time led a
|
||
double existence. He intended to change his name altogether,
|
||
draw this money, and vanish, starting life again elsewhere."
|
||
|
||
"Well, that's likely enough."
|
||
|
||
"It would strike him that in disappearing he might throw all
|
||
pursuit off his track, and at the same time have an ample and
|
||
crushing revenge upon his old sweetheart, if he could give the
|
||
impression that he had been murdered by her only child. It was
|
||
a masterpiece of villainy, and he carried it out like a master.
|
||
The idea of the will, which would give an obvious motive for the
|
||
crime, the secret visit unknown to his own parents, the
|
||
retention of the stick, the blood, and the animal remains and
|
||
buttons in the wood-pile, all were admirable. It was a net from
|
||
which it seemed to me, a few hours ago, that there was no
|
||
possible escape. But he had not that supreme gift of the artist,
|
||
the knowledge of when to stop. He wished to improve that which
|
||
was already perfect--to draw the rope tighter yet round the neck
|
||
of his unfortunate victim--and so he ruined all. Let us descend,
|
||
Lestrade. There are just one or two questions that I would ask him."
|
||
|
||
The malignant creature was seated in his own parlour, with a
|
||
policeman upon each side of him.
|
||
|
||
"It was a joke, my good sir--a practical joke, nothing more," he
|
||
whined incessantly. "I assure you, sir, that I simply concealed
|
||
myself in order to see the effect of my disappearance, and I am
|
||
sure that you would not be so unjust as to imagine that I would
|
||
have allowed any harm to befall poor young Mr. McFarlane."
|
||
|
||
"That's for a jury to decide," said Lestrade. "Anyhow, we shall
|
||
have you on a charge of conspiracy, if not for attempted murder."
|
||
|
||
"And you'll probably find that your creditors will impound the
|
||
banking account of Mr. Cornelius," said Holmes.
|
||
|
||
The little man started, and turned his malignant eyes upon my friend.
|
||
|
||
"I have to thank you for a good deal," said he. "Perhaps I'll
|
||
pay my debt some day."
|
||
|
||
Holmes smiled indulgently.
|
||
|
||
"I fancy that, for some few years, you will find your time very
|
||
fully occupied," said he. "By the way, what was it you put into
|
||
the wood-pile besides your old trousers? A dead dog, or rabbits,
|
||
or what? You won't tell? Dear me, how very unkind of you! Well,
|
||
well, I daresay that a couple of rabbits would account both for
|
||
the blood and for the charred ashes. If ever you write an
|
||
account, Watson, you can make rabbits serve your turn."THE ADVENTURE OF THE DANCING MEN
|
||
|
||
|
||
|
||
Holmes had been seated for some hours in silence with his long,
|
||
thin back curved over a chemical vessel in which he was brewing
|
||
a particularly malodorous product. His head was sunk upon his
|
||
breast, and he looked from my point of view like a strange, lank
|
||
bird, with dull gray plumage and a black top-knot.
|
||
|
||
"So, Watson," said he, suddenly, "you do not propose to invest
|
||
in South African securities?"
|
||
|
||
I gave a start of astonishment. Accustomed as I was to Holmes's
|
||
curious faculties, this sudden intrusion into my most intimate
|
||
thoughts was utterly inexplicable.
|
||
|
||
"How on earth do you know that?" I asked.
|
||
|
||
He wheeled round upon his stool, with a steaming test-tube in
|
||
his hand, and a gleam of amusement in his deep-set eyes.
|
||
|
||
"Now, Watson, confess yourself utterly taken aback," said he.
|
||
|
||
"I am."
|
||
|
||
"I ought to make you sign a paper to that effect."
|
||
|
||
"Why?"
|
||
|
||
"Because in five minutes you will say that it is all so
|
||
absurdly simple."
|
||
|
||
"I am sure that I shall say nothing of the kind."
|
||
|
||
"You see, my dear Watson"--he propped his test-tube in the rack,
|
||
and began to lecture with the air of a professor addressing his
|
||
class--"it is not really difficult to construct a series of
|
||
inferences, each dependent upon its predecessor and each simple
|
||
in itself. If, after doing so, one simply knocks out all the
|
||
central inferences and presents one's audience with the
|
||
starting-point and the conclusion, one may produce a startling,
|
||
though possibly a meretricious, effect. Now, it was not really
|
||
difficult, by an inspection of the groove between your left
|
||
forefinger and thumb, to feel sure that you did NOT propose to
|
||
invest your small capital in the gold fields."
|
||
|
||
"I see no connection."
|
||
|
||
"Very likely not; but I can quickly show you a close connection.
|
||
Here are the missing links of the very simple chain: 1. You had
|
||
chalk between your left finger and thumb when you returned from
|
||
the club last night. 2. You put chalk there when you play
|
||
billiards, to steady the cue. 3. You never play billiards except
|
||
with Thurston. 4. You told me, four weeks ago, that Thurston had
|
||
an option on some South African property which would expire in
|
||
a month, and which he desired you to share with him. 5. Your
|
||
check book is locked in my drawer, and you have not asked for the
|
||
key. 6. You do not propose to invest your money in this manner."
|
||
|
||
"How absurdly simple!" I cried.
|
||
|
||
"Quite so!" said he, a little nettled. "Every problem becomes
|
||
very childish when once it is explained to you. Here is an
|
||
unexplained one. See what you can make of that, friend Watson."
|
||
He tossed a sheet of paper upon the table, and turned once more
|
||
to his chemical analysis.
|
||
|
||
I looked with amazement at the absurd hieroglyphics upon the paper.
|
||
|
||
"Why, Holmes, it is a child's drawing," I cried.
|
||
|
||
"Oh, that's your idea!"
|
||
|
||
"What else should it be?"
|
||
|
||
"That is what Mr. Hilton Cubitt, of Riding Thorpe Manor,
|
||
Norfolk, is very anxious to know. This little conundrum came by
|
||
the first post, and he was to follow by the next train. There's
|
||
a ring at the bell, Watson. I should not be very much surprised
|
||
if this were he."
|
||
|
||
A heavy step was heard upon the stairs, and an instant later
|
||
there entered a tall, ruddy, clean-shaven gentleman, whose clear
|
||
eyes and florid cheeks told of a life led far from the fogs of
|
||
Baker Street. He seemed to bring a whiff of his strong, fresh,
|
||
bracing, east-coast air with him as he entered. Having shaken
|
||
hands with each of us, he was about to sit down, when his eye
|
||
rested upon the paper with the curious markings, which I had
|
||
just examined and left upon the table.
|
||
|
||
"Well, Mr. Holmes, what do you make of these?" he cried. "They
|
||
told me that you were fond of queer mysteries, and I don't think
|
||
you can find a queerer one than that. I sent the paper on ahead,
|
||
so that you might have time to study it before I came."
|
||
|
||
"It is certainly rather a curious production," said Holmes. "At
|
||
first sight it would appear to be some childish prank. It
|
||
consists of a number of absurd little figures dancing across the
|
||
paper upon which they are drawn. Why should you attribute any
|
||
importance to so grotesque an object?"
|
||
|
||
"I never should, Mr. Holmes. But my wife does. It is frightening
|
||
her to death. She says nothing, but I can see terror in her
|
||
eyes. That's why I want to sift the matter to the bottom."
|
||
|
||
Holmes held up the paper so that the sunlight shone full upon
|
||
it. It was a page torn from a notebook. The markings were done
|
||
in pencil, and ran in this way:
|
||
|
||
|
||
GRAPHIC
|
||
|
||
|
||
Holmes examined it for some time, and then, folding it carefully
|
||
up, he placed it in his pocketbook.
|
||
|
||
"This promises to be a most interesting and unusual case," said
|
||
he. "You gave me a few particulars in your letter, Mr. Hilton
|
||
Cubitt, but I should be very much obliged if you would kindly go
|
||
over it all again for the benefit of my friend, Dr. Watson."
|
||
|
||
"I'm not much of a story-teller," said our visitor, nervously
|
||
clasping and unclasping his great, strong hands. "You'll just
|
||
ask me anything that I don't make clear. I'll begin at the time
|
||
of my marriage last year, but I want to say first of all that,
|
||
though I'm not a rich man, my people have been at Riding Thorpe
|
||
for a matter of five centuries, and there is no better known
|
||
family in the County of Norfolk. Last year I came up to London
|
||
for the Jubilee, and I stopped at a boarding-house in Russell
|
||
Square, because Parker, the vicar of our parish, was staying in
|
||
it. There was an American young lady there--Patrick was the
|
||
name--Elsie Patrick. In some way we became friends, until before
|
||
my month was up I was as much in love as man could be. We were
|
||
quietly married at a registry office, and we returned to Norfolk
|
||
a wedded couple. You'll think it very mad, Mr. Holmes, that a
|
||
man of a good old family should marry a wife in this fashion,
|
||
knowing nothing of her past or of her people, but if you saw her
|
||
and knew her, it would help you to understand.
|
||
|
||
"She was very straight about it, was Elsie. I can't say that she
|
||
did not give me every chance of getting out of it if I wished to
|
||
do so. `I have had some very disagreeable associations in my
|
||
life,' said she, `I wish to forget all about them. I would
|
||
rather never allude to the past, for it is very painful to me.
|
||
If you take me, Hilton, you will take a woman who has nothing
|
||
that she need be personally ashamed of, but you will have to be
|
||
content with my word for it, and to allow me to be silent as to
|
||
all that passed up to the time when I became yours. If these
|
||
conditions are too hard, then go back to Norfolk, and leave me
|
||
to the lonely life in which you found me.' It was only the day
|
||
before our wedding that she said those very words to me. I told
|
||
her that I was content to take her on her own terms, and I have
|
||
been as good as my word.
|
||
|
||
"Well we have been married now for a year, and very happy we
|
||
have been. But about a month ago, at the end of June, I saw for
|
||
the first time signs of trouble. One day my wife received a
|
||
letter from America. I saw the American stamp. She turned deadly
|
||
white, read the letter, and threw it into the fire. She made no
|
||
allusion to it afterwards, and I made none, for a promise is a
|
||
promise, but she has never known an easy hour from that moment.
|
||
There is always a look of fear upon her face--a look as if she
|
||
were waiting and expecting. She would do better to trust me. She
|
||
would find that I was her best friend. But until she speaks, I
|
||
can say nothing. Mind you, she is a truthful woman, Mr. Holmes,
|
||
and whatever trouble there may have been in her past life it has
|
||
been no fault of hers. I am only a simple Norfolk squire, but
|
||
there is not a man in England who ranks his family honour more
|
||
highly than I do. She knows it well, and she knew it well before
|
||
she married me. She would never bring any stain upon it--of that
|
||
I am sure.
|
||
|
||
"Well, now I come to the queer part of my story. About a week
|
||
ago--it was the Tuesday of last week--I found on one of the
|
||
window-sills a number of absurd little dancing figures like
|
||
these upon the paper. They were scrawled with chalk. I thought
|
||
that it was the stable-boy who had drawn them, but the lad swore
|
||
he knew nothing about it. Anyhow, they had come there during the
|
||
night. I had them washed out, and I only mentioned the matter to
|
||
my wife afterwards. To my surprise, she took it very seriously,
|
||
and begged me if any more came to let her see them. None did
|
||
come for a week, and then yesterday morning I found this paper
|
||
lying on the sundial in the garden. I showed it to Elsie, and
|
||
down she dropped in a dead faint. Since then she has looked like
|
||
a woman in a dream, half dazed, and with terror always lurking
|
||
in her eyes. It was then that I wrote and sent the paper to you,
|
||
Mr. Holmes. It was not a thing that I could take to the police,
|
||
for they would have laughed at me, but you will tell me what to
|
||
do. I am not a rich man, but if there is any danger threatening
|
||
my little woman, I would spend my last copper to shield her."
|
||
|
||
He was a fine creature, this man of the old English soil--simple,
|
||
straight, and gentle, with his great, earnest blue eyes and
|
||
broad, comely face. His love for his wife and his trust in her
|
||
shone in his features. Holmes had listened to his story with the
|
||
utmost attention, and now he sat for some time in silent thought.
|
||
|
||
"Don't you think, Mr. Cubitt," said he, at last, "that your best
|
||
plan would be to make a direct appeal to your wife, and to ask
|
||
her to share her secret with you?"
|
||
|
||
Hilton Cubitt shook his massive head.
|
||
|
||
"A promise is a promise, Mr. Holmes. If Elsie wished to tell me
|
||
she would. If not, it is not for me to force her confidence. But
|
||
I am justified in taking my own line--and I will."
|
||
|
||
"Then I will help you with all my heart. In the first place,
|
||
have you heard of any strangers being seen in your neighbourhood?"
|
||
|
||
"No."
|
||
|
||
"I presume that it is a very quiet place. Any fresh face would
|
||
cause comment?"
|
||
|
||
"In the immediate neighbourhood, yes. But we have several small
|
||
watering-places not very far away. And the farmers take in lodgers."
|
||
|
||
"These hieroglyphics have evidently a meaning. If it is a purely
|
||
arbitrary one, it may be impossible for us to solve it. If, on
|
||
the other hand, it is systematic, I have no doubt that we shall
|
||
get to the bottom of it. But this particular sample is so short
|
||
that I can do nothing, and the facts which you have brought me
|
||
are so indefinite that we have no basis for an investigation. I
|
||
would suggest that you return to Norfolk, that you keep a keen
|
||
lookout, and that you take an exact copy of any fresh dancing
|
||
men which may appear. It is a thousand pities that we have not
|
||
a reproduction of those which were done in chalk upon the
|
||
window-sill. Make a discreet inquiry also as to any strangers in
|
||
the neighbourhood. When you have collected some fresh evidence,
|
||
come to me again. That is the best advice which I can give you,
|
||
Mr. Hilton Cubitt. If there are any pressing fresh developments,
|
||
I shall be always ready to run down and see you in your Norfolk home."
|
||
|
||
The interview left Sherlock Holmes very thoughtful, and several
|
||
times in the next few days I saw him take his slip of paper from
|
||
his notebook and look long and earnestly at the curious figures
|
||
inscribed upon it. He made no allusion to the affair, however,
|
||
until one afternoon a fortnight or so later. I was going out
|
||
when he called me back.
|
||
|
||
"You had better stay here, Watson."
|
||
|
||
"Why?"
|
||
|
||
"Because I had a wire from Hilton Cubitt this morning. You
|
||
remember Hilton Cubitt, of the dancing men? He was to reach
|
||
Liverpool Street at one-twenty. He may be here at any moment. I
|
||
gather from his wire that there have been some new incidents of
|
||
importance."
|
||
|
||
We had not long to wait, for our Norfolk squire came straight
|
||
from the station as fast as a hansom could bring him. He was
|
||
looking worried and depressed, with tired eyes and a lined
|
||
forehead.
|
||
|
||
"It's getting on my nerves, this business, Mr. Holmes," said he,
|
||
as he sank, like a wearied man, into an armchair. "It's bad
|
||
enough to feel that you are surrounded by unseen, unknown folk,
|
||
who have some kind of design upon you, but when, in addition to
|
||
that, you know that it is just killing your wife by inches, then
|
||
it becomes as much as flesh and blood can endure. She's wearing
|
||
away under it--just wearing away before my eyes."
|
||
|
||
"Has she said anything yet?"
|
||
|
||
"No, Mr. Holmes, she has not. And yet there have been times when
|
||
the poor girl has wanted to speak, and yet could not quite bring
|
||
herself to take the plunge. I have tried to help her, but I
|
||
daresay I did it clumsily, and scared her from it. She has
|
||
spoken about my old family, and our reputation in the county,
|
||
and our pride in our unsullied honour, and I always felt it was
|
||
leading to the point, but somehow it turned off before we got there."
|
||
|
||
"But you have found out something for yourself?"
|
||
|
||
"A good deal, Mr. Holmes. I have several fresh dancing-men
|
||
pictures for you to examine, and, what is more important, I have
|
||
seen the fellow."
|
||
|
||
"What, the man who draws them?"
|
||
|
||
"Yes, I saw him at his work. But I will tell you everything in
|
||
order. When I got back after my visit to you, the very first
|
||
thing I saw next morning was a fresh crop of dancing men. They
|
||
had been drawn in chalk upon the black wooden door of the
|
||
tool-house, which stands beside the lawn in full view of the
|
||
front windows. I took an exact copy, and here it is." He
|
||
unfolded a paper and laid it upon the table. Here is a copy of
|
||
the hieroglyphics:
|
||
|
||
|
||
GRAPHIC
|
||
|
||
|
||
"Excellent!" said Holmes. "Excellent! Pray continue."
|
||
|
||
"When I had taken the copy, I rubbed out the marks, but, two
|
||
mornings later, a fresh inscription had appeared. I have a copy
|
||
of it here":
|
||
|
||
|
||
GRAPHIC
|
||
|
||
|
||
Holmes rubbed his hands and chuckled with delight.
|
||
|
||
"Our material is rapidly accumulating," said he.
|
||
|
||
"Three days later a message was left scrawled upon paper,
|
||
and placed under a pebble upon the sundial. Here it is. The
|
||
characters are, as you see, exactly the same as the last one.
|
||
After that I determined to lie in wait, so I got out my revolver
|
||
and I sat up in my study, which overlooks the lawn and garden.
|
||
About two in the morning I was seated by the window, all being
|
||
dark save for the moonlight outside, when I heard steps behind
|
||
me, and there was my wife in her dressing-gown. She implored me
|
||
to come to bed. I told her frankly that I wished to see who it
|
||
was who played such absurd tricks upon us. She answered that it
|
||
was some senseless practical joke, and that I should not take
|
||
any notice of it.
|
||
|
||
"`If it really annoys you, Hilton, we might go and travel, you
|
||
and I, and so avoid this nuisance.'
|
||
|
||
"`What, be driven out of our own house by a practical joker?'
|
||
said I. `Why, we should have the whole county laughing at us.'
|
||
|
||
"`Well, come to bed,' said she, `and we can discuss it in the morning.'
|
||
|
||
"Suddenly, as she spoke, I saw her white face grow whiter yet in
|
||
the moonlight, and her hand tightened upon my shoulder.
|
||
Something was moving in the shadow of the tool-house. I saw a
|
||
dark, creeping figure which crawled round the corner and
|
||
squatted in front of the door. Seizing my pistol, I was rushing
|
||
out, when my wife threw her arms round me and held me with
|
||
convulsive strength. I tried to throw her off, but she clung to
|
||
me most desperately. At last I got clear, but by the time I had
|
||
opened the door and reached the house the creature was gone. He
|
||
had left a trace of his presence, however, for there on the door
|
||
was the very same arrangement of dancing men which had already
|
||
twice appeared, and which I have copied on that paper. There was
|
||
no other sign of the fellow anywhere, though I ran all over the
|
||
grounds. And yet the amazing thing is that he must have been
|
||
there all the time, for when I examined the door again in the
|
||
morning, he had scrawled some more of his pictures under the
|
||
line which I had already seen."
|
||
|
||
"Have you that fresh drawing?"
|
||
|
||
"Yes, it is very short, but I made a copy of it, and here it is."
|
||
|
||
Again he produced a paper. The new dance was in this form:
|
||
|
||
|
||
GRAPHIC
|
||
|
||
|
||
"Tell me," said Holmes--and I could see by his eyes that he was
|
||
much excited--"was this a mere addition to the first or did it
|
||
appear to be entirely separate?"
|
||
|
||
"It was on a different panel of the door."
|
||
|
||
"Excellent! This is far the most important of all for our
|
||
purpose. It fills me with hopes. Now, Mr. Hilton Cubitt, please
|
||
continue your most interesting statement."
|
||
|
||
"I have nothing more to say, Mr. Holmes, except that I was angry
|
||
with my wife that night for having held me back when I might
|
||
have caught the skulking rascal. She said that she feared that
|
||
I might come to harm. For an instant it had crossed my mind that
|
||
perhaps what she really feared was that HE might come to harm,
|
||
for I could not doubt that she knew who this man was, and what
|
||
he meant by these strange signals. But there is a tone in my
|
||
wife's voice, Mr. Holmes, and a look in her eyes which forbid
|
||
doubt, and I am sure that it was indeed my own safety that was
|
||
in her mind. There's the whole case, and now I want your advice
|
||
as to what I ought to do. My own inclination is to put half a
|
||
dozen of my farm lads in the shrubbery, and when this fellow
|
||
comes again to give him such a hiding that he will leave us in
|
||
peace for the future."
|
||
|
||
"I fear it is too deep a case for such simple remedies," said
|
||
Holmes. "How long can you stay in London?"
|
||
|
||
"I must go back to-day. I would not leave my wife alone all night
|
||
for anything. She is very nervous, and begged me to come back."
|
||
|
||
"I daresay you are right. But if you could have stopped, I might
|
||
possibly have been able to return with you in a day or two.
|
||
Meanwhile you will leave me these papers, and I think that it is
|
||
very likely that I shall be able to pay you a visit shortly and
|
||
to throw some light upon your case."
|
||
|
||
Sherlock Holmes preserved his calm professional manner until our
|
||
visitor had left us, although it was easy for me, who knew him
|
||
so well, to see that he was profoundly excited. The moment that
|
||
Hilton Cubitt's broad back had disappeared through the door my
|
||
comrade rushed to the table, laid out all the slips of paper
|
||
containing dancing men in front of him, and threw himself into
|
||
an intricate and elaborate calculation. For two hours I watched
|
||
him as he covered sheet after sheet of paper with figures and
|
||
letters, so completely absorbed in his task that he had
|
||
evidently forgotten my presence. Sometimes he was making
|
||
progress and whistled and sang at his work; sometimes he was
|
||
puzzled, and would sit for long spells with a furrowed brow and
|
||
a vacant eye. Finally he sprang from his chair with a cry of
|
||
satisfaction, and walked up and down the room rubbing his hands
|
||
together. Then he wrote a long telegram upon a cable form. "If
|
||
my answer to this is as I hope, you will have a very pretty case
|
||
to add to your collection, Watson," said he. "I expect that we
|
||
shall be able to go down to Norfolk tomorrow, and to take our
|
||
friend some very definite news as to the secret of his annoyance."
|
||
|
||
I confess that I was filled with curiosity, but I was aware that
|
||
Holmes liked to make his disclosures at his own time and in his
|
||
own way, so I waited until it should suit him to take me into
|
||
his confidence.
|
||
|
||
But there was a delay in that answering telegram, and two days
|
||
of impatience followed, during which Holmes pricked up his ears
|
||
at every ring of the bell. On the evening of the second there came
|
||
a letter from Hilton Cubitt. All was quiet with him, save that
|
||
a long inscription had appeared that morning upon the pedestal
|
||
of the sundial. He inclosed a copy of it, which is here reproduced:
|
||
|
||
|
||
GRAPHIC
|
||
|
||
|
||
Holmes bent over this grotesque frieze for some minutes, and
|
||
then suddenly sprang to his feet with an exclamation of surprise
|
||
and dismay. His face was haggard with anxiety.
|
||
|
||
"We have let this affair go far enough," said he. "Is there a
|
||
train to North Walsham to-night?"
|
||
|
||
I turned up the time-table. The last had just gone.
|
||
|
||
"Then we shall breakfast early and take the very first in the
|
||
morning," said Holmes. "Our presence is most urgently needed.
|
||
Ah! here is our expected cablegram. One moment, Mrs. Hudson,
|
||
there may be an answer. No, that is quite as I expected. This
|
||
message makes it even more essential that we should not lose an
|
||
hour in letting Hilton Cubitt know how matters stand, for it is
|
||
a singular and a dangerous web in which our simple Norfolk
|
||
squire is entangled."
|
||
|
||
So, indeed, it proved, and as I come to the dark conclusion of
|
||
a story which had seemed to me to be only childish and bizarre,
|
||
I experience once again the dismay and horror with which I was
|
||
filled. Would that I had some brighter ending to communicate to
|
||
my readers, but these are the chronicles of fact, and I must
|
||
follow to their dark crisis the strange chain of events which
|
||
for some days made Riding Thorpe Manor a household word through
|
||
the length and breadth of England.
|
||
|
||
We had hardly alighted at North Walsham, and mentioned the name
|
||
of our destination, when the station-master hurried towards us.
|
||
"I suppose that you are the detectives from London?" said he.
|
||
|
||
A look of annoyance passed over Holmes's face.
|
||
|
||
"What makes you think such a thing?"
|
||
|
||
"Because Inspector Martin from Norwich has just passed through.
|
||
But maybe you are the surgeons. She's not dead--or wasn't by
|
||
last accounts. You may be in time to save her yet--though it be
|
||
for the gallows."
|
||
|
||
Holmes's brow was dark with anxiety.
|
||
|
||
"We are going to Riding Thorpe Manor," said he, "but we have
|
||
heard nothing of what has passed there."
|
||
|
||
"It's a terrible business," said the stationmaster. "They are
|
||
shot, both Mr. Hilton Cubitt and his wife. She shot him and then
|
||
herself--so the servants say. He's dead and her life is
|
||
despaired of. Dear, dear, one of the oldest families in the
|
||
county of Norfolk, and one of the most honoured."
|
||
|
||
Without a word Holmes hurried to a carriage, and during the long
|
||
seven miles' drive he never opened his mouth. Seldom have I seen
|
||
him so utterly despondent. He had been uneasy during all our
|
||
journey from town, and I had observed that he had turned over
|
||
the morning papers with anxious attention, but now this sudden
|
||
realization of his worst fears left him in a blank melancholy.
|
||
He leaned back in his seat, lost in gloomy speculation. Yet
|
||
there was much around to interest us, for we were passing
|
||
through as singular a countryside as any in England, where a few
|
||
scattered cottages represented the population of to-day, while
|
||
on every hand enormous square-towered churches bristled up from
|
||
the flat green landscape and told of the glory and prosperity of
|
||
old East Anglia. At last the violet rim of the German Ocean
|
||
appeared over the green edge of the Norfolk coast, and the
|
||
driver pointed with his whip to two old brick and timber gables
|
||
which projected from a grove of trees. "That's Riding Thorpe
|
||
Manor," said he.
|
||
|
||
As we drove up to the porticoed front door, I observed in front
|
||
of it, beside the tennis lawn, the black tool-house and the
|
||
pedestalled sundial with which we had such strange associations.
|
||
A dapper little man, with a quick, alert manner and a waxed
|
||
moustache, had just descended from a high dog-cart. He
|
||
introduced himself as Inspector Martin, of the Norfolk
|
||
Constabulary, and he was considerably astonished when he heard
|
||
the name of my companion.
|
||
|
||
"Why, Mr. Holmes, the crime was only committed at three this
|
||
morning. How could you hear of it in London and get to the spot
|
||
as soon as I?"
|
||
|
||
"I anticipated it. I came in the hope of preventing it."
|
||
|
||
"Then you must have important evidence, of which we are
|
||
ignorant, for they were said to be a most united couple."
|
||
|
||
"I have only the evidence of the dancing men," said Holmes. "I
|
||
will explain the matter to you later. Meanwhile, since it is too
|
||
late to prevent this tragedy, I am very anxious that I should
|
||
use the knowledge which I possess in order to insure that
|
||
justice be done. Will you associate me in your investigation, or
|
||
will you prefer that I should act independently?"
|
||
|
||
"I should be proud to feel that we were acting together, Mr.
|
||
Holmes," said the inspector, earnestly.
|
||
|
||
"In that case I should be glad to hear the evidence and to
|
||
examine the premises without an instant of unnecessary delay."
|
||
|
||
Inspector Martin had the good sense to allow my friend to do
|
||
things in his own fashion, and contented himself with carefully
|
||
noting the results. The local surgeon, an old, white-haired man,
|
||
had just come down from Mrs. Hilton Cubitt's room, and he
|
||
reported that her injuries were serious, but not necessarily
|
||
fatal. The bullet had passed through the front of her brain, and
|
||
it would probably be some time before she could regain
|
||
consciousness. On the question of whether she had been shot or
|
||
had shot herself, he would not venture to express any decided
|
||
opinion. Certainly the bullet had been discharged at very close
|
||
quarters. There was only the one pistol found in the room, two
|
||
barrels of which had been emptied. Mr. Hilton Cubitt had been
|
||
shot through the heart. It was equally conceivable that he had
|
||
shot her and then himself, or that she had been the criminal,
|
||
for the revolver lay upon the floor midway between them.
|
||
|
||
"Has he been moved?" asked Holmes.
|
||
|
||
"We have moved nothing except the lady. We could not leave her
|
||
lying wounded upon the floor."
|
||
|
||
"How long have you been here, Doctor?"
|
||
|
||
"Since four o'clock."
|
||
|
||
"Anyone else?"
|
||
|
||
"Yes, the constable here."
|
||
|
||
"And you have touched nothing?"
|
||
|
||
"Nothing."
|
||
|
||
"You have acted with great discretion. Who sent for you?"
|
||
|
||
"The housemaid, Saunders."
|
||
|
||
"Was it she who gave the alarm?"
|
||
|
||
"She and Mrs. King, the cook."
|
||
|
||
"Where are they now?"
|
||
|
||
"In the kitchen, I believe."
|
||
|
||
"Then I think we had better hear their story at once."
|
||
|
||
The old hall, oak-panelled and high-windowed, had been turned
|
||
into a court of investigation. Holmes sat in a great,
|
||
old-fashioned chair, his inexorable eyes gleaming out of his
|
||
haggard face. I could read in them a set purpose to devote his
|
||
life to this quest until the client whom he had failed to save
|
||
should at last be avenged. The trim Inspector Martin, the old,
|
||
gray-headed country doctor, myself, and a stolid village
|
||
policeman made up the rest of that strange company.
|
||
|
||
The two women told their story clearly enough. They had been
|
||
aroused from their sleep by the sound of an explosion, which had
|
||
been followed a minute later by a second one. They slept in
|
||
adjoining rooms, and Mrs. King had rushed in to Saunders.
|
||
Together they had descended the stairs. The door of the study
|
||
was open, and a candle was burning upon the table. Their master
|
||
lay upon his face in the centre of the room. He was quite dead.
|
||
Near the window his wife was crouching, her head leaning against
|
||
the wall. She was horribly wounded, and the side of her face was
|
||
red with blood. She breathed heavily, but was incapable of
|
||
saying anything. The passage, as well as the room, was full of
|
||
smoke and the smell of powder. The window was certainly shut and
|
||
fastened upon the inside. Both women were positive upon the
|
||
point. They had at once sent for the doctor and for the
|
||
constable. Then, with the aid of the groom and the stable-boy,
|
||
they had conveyed their injured mistress to her room. Both she
|
||
and her husband had occupied the bed. She was clad in her dress--
|
||
he in his dressing-gown, over his night-clothes. Nothing had
|
||
been moved in the study. So far as they knew, there had never
|
||
been any quarrel between husband and wife. They had always
|
||
looked upon them as a very united couple.
|
||
|
||
These were the main points of the servants' evidence. In answer
|
||
to Inspector Martin, they were clear that every door was
|
||
fastened upon the inside, and that no one could have escaped
|
||
from the house. In answer to Holmes, they both remembered that
|
||
they were conscious of the smell of powder from the moment that
|
||
they ran out of their rooms upon the top floor. "I commend that
|
||
fact very carefully to your attention," said Holmes to his
|
||
professional colleague. "And now I think that we are in a
|
||
position to undertake a thorough examination of the room."
|
||
|
||
The study proved to be a small chamber, lined on three sides
|
||
with books, and with a writing-table facing an ordinary window,
|
||
which looked out upon the garden. Our first attention was given
|
||
to the body of the unfortunate squire, whose huge frame lay
|
||
stretched across the room. His disordered dress showed that he
|
||
had been hastily aroused from sleep. The bullet had been fired
|
||
at him from the front, and had remained in his body, after
|
||
penetrating the heart. His death had certainly been
|
||
instantaneous and painless. There was no powder-marking either
|
||
upon his dressing-gown or on his hands. According to the country
|
||
surgeon, the lady had stains upon her face, but none upon her hand.
|
||
|
||
"The absence of the latter means nothing, though its presence
|
||
may mean everything," said Holmes. "Unless the powder from a
|
||
badly fitting cartridge happens to spurt backward, one may fire
|
||
many shots without leaving a sign. I would suggest that Mr.
|
||
Cubitt's body may now be removed. I suppose, Doctor, you have
|
||
not recovered the bullet which wounded the lady?"
|
||
|
||
"A serious operation will be necessary before that can be done.
|
||
But there are still four cartridges in the revolver. Two have
|
||
been fired and two wounds inflicted, so that each bullet can be
|
||
accounted for."
|
||
|
||
"So it would seem," said Holmes. "Perhaps you can account also for
|
||
the bullet which has so obviously struck the edge of the window?"
|
||
|
||
He had turned suddenly, and his long, thin finger was pointing
|
||
to a hole which had been drilled right through the lower
|
||
window-sash, about an inch above the bottom.
|
||
|
||
"By George!" cried the inspector. "How ever did you see that?"
|
||
|
||
"Because I looked for it."
|
||
|
||
"Wonderful!" said the country doctor. "You are certainly right,
|
||
sir. Then a third shot has been fired, and therefore a third
|
||
person must have been present. But who could that have been, and
|
||
how could he have got away?"
|
||
|
||
"That is the problem which we are now about to solve," said
|
||
Sherlock Holmes. "You remember, Inspector Martin, when the
|
||
servants said that on leaving their room they were at once
|
||
conscious of a smell of powder, I remarked that the point was an
|
||
extremely important one?"
|
||
|
||
"Yes, sir; but I confess I did not quite follow you."
|
||
|
||
"It suggested that at the time of the firing, the window as well
|
||
as the door of the room had been open. Otherwise the fumes of
|
||
powder could not have been blown so rapidly through the house.
|
||
A draught in the room was necessary for that. Both door and
|
||
window were only open for a very short time, however."
|
||
|
||
"How do you prove that?"
|
||
|
||
"Because the candle was not guttered."
|
||
|
||
"Capital!" cried the inspector. "Capital!
|
||
|
||
"Feeling sure that the window had been open at the time of the
|
||
tragedy, I conceived that there might have been a third person
|
||
in the affair, who stood outside this opening and fired through
|
||
it. Any shot directed at this person might hit the sash. I
|
||
looked, and there, sure enough, was the bullet mark!"
|
||
|
||
"But how came the window to be shut and fastened?"
|
||
|
||
"The woman's first instinct would be to shut and fasten the
|
||
window. But, halloa! What is this?"
|
||
|
||
It was a lady's hand-bag which stood upon the study table--a
|
||
trim little handbag of crocodile-skin and silver. Holmes opened
|
||
it and turned the contents out. There were twenty fifty-pound
|
||
notes of the Bank of England, held together by an india-rubber
|
||
band--nothing else.
|
||
|
||
"This must be preserved, for it will figure in the trial" said
|
||
Holmes, as he handed the bag with its contents to the inspector.
|
||
"It is now necessary that we should try to throw some light upon
|
||
this third bullet, which has clearly, from the splintering of
|
||
the wood, been fired from inside the room. I should like to see
|
||
Mrs. King, the cook, again. You said, Mrs. King, that you were
|
||
awakened by a LOUD explosion. When you said that, did you mean
|
||
that it seemed to you to be louder than the second one?"
|
||
|
||
"Well, sir, it wakened me from my sleep, so it is hard to judge.
|
||
But it did seem very loud."
|
||
|
||
"You don't think that it might have been two shots fired almost
|
||
at the same instant?"
|
||
|
||
"I am sure I couldn't say, sir."
|
||
|
||
"I believe that it was undoubtedly so. I rather think, Inspector
|
||
Martin, that we have now exhausted all that this room can teach
|
||
us. If you will kindly step round with me, we shall see what
|
||
fresh evidence the garden has to offer."
|
||
|
||
A flower-bed extended up to the study window, and we all broke
|
||
into an exclamation as we approached it. The flowers were
|
||
trampled down, and the soft soil was imprinted all over with
|
||
footmarks. Large, masculine feet they were, with peculiarly
|
||
long, sharp toes. Holmes hunted about among the grass and leaves
|
||
like a retriever after a wounded bird. Then, with a cry of
|
||
satisfaction, he bent forward and picked up a little brazen cylinder.
|
||
|
||
"I thought so," said he, "the revolver had an ejector, and here
|
||
is the third cartridge. I really think, Inspector Martin, that
|
||
our case is almost complete."
|
||
|
||
The country inspector's face had shown his intense amazement at
|
||
the rapid and masterful progress of Holmes's investigation. At
|
||
first he had shown some disposition to assert his own position,
|
||
but now he was overcome with admiration, and ready to follow
|
||
without question wherever Holmes led.
|
||
|
||
"Whom do you suspect?" he asked.
|
||
|
||
"I'll go into that later. There are several points in this
|
||
problem which I have not been able to explain to you yet. Now
|
||
that I have got so far, I had best proceed on my own lines, and
|
||
then clear the whole matter up once and for all."
|
||
|
||
"Just as you wish, Mr. Holmes, so long as we get our man."
|
||
|
||
"I have no desire to make mysteries, but it is impossible at the
|
||
moment of action to enter into long and complex explanations. I
|
||
have the threads of this affair all in my hand. Even if this
|
||
lady should never recover consciousness, we can still
|
||
reconstruct the events of last night and insure that justice be
|
||
done. First of all, I wish to know whether there is any inn in
|
||
this neighbourhood known as `Elrige's'?"
|
||
|
||
The servants were cross-questioned, but none of them had heard
|
||
of such a place. The stable-boy threw a light upon the matter by
|
||
remembering that a farmer of that name lived some miles off, in
|
||
the direction of East Ruston.
|
||
|
||
"Is it a lonely farm?"
|
||
|
||
"Very lonely, sir."
|
||
|
||
"Perhaps they have not heard yet of all that happened here
|
||
during the night?"
|
||
|
||
"Maybe not, sir."
|
||
|
||
Holmes thought for a little, and then a curious smile played
|
||
over his face.
|
||
|
||
"Saddle a horse, my lad," said he. "I shall wish you to take a
|
||
note to Elrige's Farm."
|
||
|
||
He took from his pocket the various slips of the dancing men.
|
||
With these in front of him, he worked for some time at the
|
||
study-table. Finally he handed a note to the boy, with
|
||
directions to put it into the hands of the person to whom it was
|
||
addressed, and especially to answer no questions of any sort
|
||
which might be put to him. I saw the outside of the note,
|
||
addressed in straggling, irregular characters, very unlike
|
||
Holmes's usual precise hand. It was consigned to Mr. Abe Slaney,
|
||
Elriges Farm, East Ruston, Norfolk.
|
||
|
||
"I think, Inspector," Holmes remarked, "that you would do well
|
||
to telegraph for an escort, as, if my calculations prove to be
|
||
correct, you may have a particularly dangerous prisoner to
|
||
convey to the county jail. The boy who takes this note could no
|
||
doubt forward your telegram. If there is an afternoon train to
|
||
town, Watson, I think we should do well to take it, as I have a
|
||
chemical analysis of some interest to finish, and this
|
||
investigation draws rapidly to a close."
|
||
|
||
When the youth had been dispatched with the note, Sherlock
|
||
Holmes gave his instructions to the servants. If any visitor
|
||
were to call asking for Mrs. Hilton Cubitt, no information
|
||
should be given as to her condition, but he was to be shown at
|
||
once into the drawing-room. He impressed these points upon them
|
||
with the utmost earnestness. Finally he led the way into the
|
||
drawing-room, with the remark that the business was now out of
|
||
our hands, and that we must while away the time as best we might
|
||
until we could see what was in store for us. The doctor had
|
||
departed to his patients, and only the inspector and myself
|
||
remained.
|
||
|
||
"I think that I can help you to pass an hour in an interesting
|
||
and profitable manner," said Holmes, drawing his chair up to the
|
||
table, and spreading out in front of him the various papers upon
|
||
which were recorded the antics of the dancing men. "As to you,
|
||
friend Watson, I owe you every atonement for having allowed your
|
||
natural curiosity to remain so long unsatisfied. To you,
|
||
Inspector, the whole incident may appeal as a remarkable
|
||
professional study. I must tell you, first of all, the
|
||
interesting circumstances connected with the previous
|
||
consultations which Mr. Hilton Cubitt has had with me in Baker
|
||
Street." He then shortly recapitulated the facts which have
|
||
already been recorded. "I have here in front of me these
|
||
singular productions, at which one might smile, had they not
|
||
proved themselves to be the forerunners of so terrible a
|
||
tragedy. I am fairly familiar with all forms of secret writings,
|
||
and am myself the author of a trifling monograph upon the
|
||
subject, in which I analyze one hundred and sixty separate
|
||
ciphers, but I confess that this is entirely new to me. The
|
||
object of those who invented the system has apparently been to
|
||
conceal that these characters convey a message, and to give the
|
||
idea that they are the mere random sketches of children.
|
||
|
||
"Having once recognized, however, that the symbols stood for
|
||
letters, and having applied the rules which guide us in all
|
||
forms of secret writings, the solution was easy enough. The
|
||
first message submitted to me was so short that it was
|
||
impossible for me to do more than to say, with some confidence,
|
||
that the symbol XXX stood for E. As you are aware, E is the most
|
||
common letter in the English alphabet, and it predominates to so
|
||
marked an extent that even in a short sentence one would expect
|
||
to find it most often. Out of fifteen symbols in the first message,
|
||
four were the same, so it was reasonable to set this down as E. It
|
||
is true that in some cases the figure was bearing a flag, and in
|
||
some cases not, but it was probable, from the way in which the
|
||
flags were distributed, that they were used to break the
|
||
sentence up into words. I accepted this as a hypothesis, and
|
||
noted that E was represented by XXX.
|
||
|
||
"But now came the real difficulty of the inquiry. The order of
|
||
the English letters after E is by no means well marked, and any
|
||
preponderance which may be shown in an average of a printed
|
||
sheet may be reversed in a single short sentence. Speaking
|
||
roughly, T, A, O, I, N, S, H, R, D, and L are the numerical
|
||
order in which letters occur, but T, A, O, and I are very nearly
|
||
abreast of each other, and it would be an endless task to try
|
||
each combination until a meaning was arrived at. I therefore
|
||
waited for fresh material. In my second interview with Mr.
|
||
Hilton Cubitt he was able to give me two other short sentences
|
||
and one message, which appeared--since there was no flag--to be
|
||
a single word. Here are the symbols. Now, in the single word I
|
||
have already got the two E's coming second and fourth in a word
|
||
of five letters. It might be `sever,' or `lever,' or `never.'
|
||
There can be no question that the latter as a reply to an appeal
|
||
is far the most probable, and the circumstances pointed to its
|
||
being a reply written by the lady. Accepting it as correct, we
|
||
are now able to say that the symbols stand respectively for N,
|
||
V, and R.
|
||
|
||
"Even now I was in considerable difficulty, but a happy thought
|
||
put me in possession of several other letters. It occurred to me
|
||
that if these appeals came, as I expected, from someone who had
|
||
been intimate with the lady in her early life, a combination
|
||
which contained two E's with three letters between might very
|
||
well stand for the name `ELSIE.' On examination I found that
|
||
such a combination formed the termination of the message which
|
||
was three times repeated. It was certainly some appeal to
|
||
`Elsie.' In this way I had got my L, S, and I. But what appeal
|
||
could it be? There were only four letters in the word which
|
||
preceded `Elsie,' and it ended in E. Surely the word must be
|
||
`COME.' I tried all other four letters ending in E, but could
|
||
find none to fit the case. So now I was in possession of C, O,
|
||
and M, and I was in a position to attack the first message once
|
||
more, dividing it into words and putting dots for each symbol
|
||
which was still unknown. So treated, it worked out in this fashion:
|
||
|
||
|
||
.M .ERE ..E SL.NE.
|
||
|
||
|
||
"Now the first letter CAN only be A, which is a most useful
|
||
discovery, since it occurs no fewer than three times in this
|
||
short sentence, and the H is also apparent in the second word.
|
||
Now it becomes:
|
||
|
||
|
||
AM HERE A.E SLANE.
|
||
|
||
|
||
Or, filling in the obvious vacancies in the name:
|
||
|
||
|
||
AM HERE ABE SLANEY.
|
||
|
||
|
||
I had so many letters now that I could proceed with considerable
|
||
confidence to the second message, which worked out in this fashion:
|
||
|
||
|
||
A. ELRI. ES.
|
||
|
||
|
||
Here I could only make sense by putting T and G for the missing
|
||
letters, and supposing that the name was that of some house or
|
||
inn at which the writer was staying."
|
||
|
||
Inspector Martin and I had listened with the utmost interest to
|
||
the full and clear account of how my friend had produced results
|
||
which had led to so complete a command over our difficulties.
|
||
|
||
"What did you do then, sir?" asked the inspector.
|
||
|
||
"I had every reason to suppose that this Abe Slaney was an
|
||
American, since Abe is an American contraction, and since a
|
||
letter from America had been the starting-point of all the
|
||
trouble. I had also every cause to think that there was some
|
||
criminal secret in the matter. The lady's allusions to her past,
|
||
and her refusal to take her husband into her confidence, both
|
||
pointed in that direction. I therefore cabled to my friend,
|
||
Wilson Hargreave, of the New York Police Bureau, who has more
|
||
than once made use of my knowledge of London crime. I asked him
|
||
whether the name of Abe Slaney was known to him. Here is his
|
||
reply: `The most dangerous crook in Chicago.' On the very
|
||
evening upon which I had his answer, Hilton Cubitt sent me the
|
||
last message from Slaney. Working with known letters, it took
|
||
this form:
|
||
|
||
|
||
ELSIE .RE.ARE TO MEET THY GO.
|
||
|
||
|
||
The addition of a P and a D completed a message which showed me
|
||
that the rascal was proceeding from persuasion to threats, and my
|
||
knowledge of the crooks of Chicago prepared me to find that he
|
||
might very rapidly put his words into action. I at once came to
|
||
Norfolk with my friend and colleague, Dr. Watson, but, unhappily,
|
||
only in time to find that the worst had already occurred."
|
||
|
||
"It is a privilege to be associated with you in the handling of
|
||
a case," said the inspector, warmly. "You will excuse me,
|
||
however, if I speak frankly to you. You are only answerable to
|
||
yourself, but I have to answer to my superiors. If this Abe
|
||
Slaney, living at Elrige's, is indeed the murderer, and if he
|
||
has made his escape while I am seated here, I should certainly
|
||
get into serious trouble."
|
||
|
||
"You need not be uneasy. He will not try to escape."
|
||
|
||
"How do you know?"
|
||
|
||
"To fly would be a confession of guilt."
|
||
|
||
"Then let us go arrest him."
|
||
|
||
"I expect him here every instant."
|
||
|
||
"But why should he come."
|
||
|
||
"Because I have written and asked him."
|
||
|
||
"But this is incredible, Mr. Holmes! Why should he come because
|
||
you have asked him? Would not such a request rather rouse his
|
||
suspicions and cause him to fly?"
|
||
|
||
"I think I have known how to frame the letter," said Sherlock
|
||
Holmes. "In fact, if I am not very much mistaken, here is the
|
||
gentleman himself coming up the drive."
|
||
|
||
A man was striding up the path which led to the door. He was
|
||
a tall, handsome, swarthy fellow, clad in a suit of gray flannel,
|
||
with a Panama hat, a bristling black beard, and a great, aggressive
|
||
hooked nose, and flourishing a cane as he walked. He swaggered
|
||
up a path as if as if the place belonged to him, and we heard
|
||
his loud, confident peal at the bell.
|
||
|
||
"I think, gentlemen," said Holmes, quietly, "that we had best
|
||
take up our position behind the door. Every precaution is
|
||
necessary when dealing with such a fellow. You will need your
|
||
handcuffs, Inspector. You can leave the talking to me."
|
||
|
||
We waited in silence for a minute--one of those minutes which
|
||
one can never forget. Then the door opened and the man stepped
|
||
in. In an instant Holmes clapped a pistol to his head, and
|
||
Martin slipped the handcuffs over his wrists. It was all done so
|
||
swiftly and deftly that the fellow was helpless before he knew
|
||
that he was attacked. He glared from one to the other of us with
|
||
a pair of blazing black eyes. Then he burst into a bitter laugh.
|
||
|
||
"Well, gentlemen, you have the drop on me this time. I seem to
|
||
have knocked up against something hard. But I came here in
|
||
answer to a letter from Mrs. Hilton Cubitt. Don't tell me that
|
||
she is in this? Don't tell me that she helped to set a trap for me?"
|
||
|
||
"Mrs. Hilton Cubitt was seriously injured, and is at death's door."
|
||
|
||
The man gave a hoarse cry of grief, which rang through the house.
|
||
|
||
"You're crazy!" he cried, fiercely. "It was he that was hurt,
|
||
not she. Who would have hurt little Elsie? I may have threatened
|
||
her--God forgive me!--but I would not have touched a hair of her
|
||
pretty head. Take it back--you! Say that she is not hurt!"
|
||
|
||
"She was found badly wounded, by the side of her dead husband."
|
||
|
||
He sank with a deep groan on the settee and buried his face in
|
||
his manacled hands. For five minutes he was silent. Then he
|
||
raised his face once more, and spoke with the cold composure of
|
||
despair.
|
||
|
||
"I have nothing to hide from you, gentlemen," said he. "If I
|
||
shot the man he had his shot at me, and there's no murder in
|
||
that. But if you think I could have hurt that woman, then you
|
||
don't know either me or her. I tell you, there was never a man
|
||
in this world loved a woman more than I loved her. I had a right
|
||
to her. She was pledged to me years ago. Who was this Englishman
|
||
that he should come between us? I tell you that I had the first
|
||
right to her, and that I was only claiming my own.
|
||
|
||
"She broke away from your influence when she found the man that
|
||
you are," said Holmes, sternly. "She fled from America to avoid
|
||
you, and she married an honourable gentleman in England. You
|
||
dogged her and followed her and made her life a misery to her,
|
||
in order to induce her to abandon the husband whom she loved and
|
||
respected in order to fly with you, whom she feared and hated.
|
||
You have ended by bringing about the death of a noble man and
|
||
driving his wife to suicide. That is your record in this
|
||
business, Mr. Abe Slaney, and you will answer for it to the law."
|
||
|
||
"If Elsie dies, I care nothing what becomes of me," said the
|
||
American. He opened one of his hands, and looked at a note
|
||
crumpled up in his palm. "See here, mister! he cried, with a
|
||
gleam of suspicion in his eyes, "you're not trying to scare me
|
||
over this, are you? If the lady is hurt as bad as you say, who
|
||
was it that wrote this note?" He tossed it forward on to the table.
|
||
|
||
"I wrote it, to bring you here."
|
||
|
||
"You wrote it? There was no one on earth outside the Joint who
|
||
knew the secret of the dancing men. How came you to write it?"
|
||
|
||
"What one man can invent another can discover," said Holmes.
|
||
There is a cab coming to convey you to Norwich, Mr. Slaney. But
|
||
meanwhile, you have time to make some small reparation for the
|
||
injury you have wrought. Are you aware that Mrs. Hilton Cubitt
|
||
has herself lain under grave suspicion of the murder of her
|
||
husband, and that it was only my presence here, and the
|
||
knowledge which I happened to possess, which has saved her from
|
||
the accusation? The least that you owe her is to make it clear
|
||
to the whole world that she was in no way, directly or
|
||
indirectly, responsible for his tragic end."
|
||
|
||
"I ask nothing better," said the American. "I guess the very
|
||
best case I can make for myself is the absolute naked truth."
|
||
|
||
"It is my duty to warn you that it will be used against you,"
|
||
cried the inspector, with the magnificent fair play of the
|
||
British criminal law.
|
||
|
||
Slaney shrugged his shoulders.
|
||
|
||
"I'll chance that," said he. "First of all, I want you gentlemen
|
||
to understand that I have known this lady since she was a child.
|
||
There were seven of us in a gang in Chicago, and Elsie's father
|
||
was the boss of the Joint. He was a clever man, was old Patrick.
|
||
It was he who invented that writing, which would pass as a
|
||
child's scrawl unless you just happened to have the key to it.
|
||
Well, Elsie learned some of our ways, but she couldn't stand the
|
||
business, and she had a bit of honest money of her own, so she
|
||
gave us all the slip and got away to London. She had been
|
||
engaged to me, and she would have married me, I believe, if I
|
||
had taken over another profession, but she would have nothing to
|
||
do with anything on the cross. It was only after her marriage to
|
||
this Englishman that I was able to find out where she was. I
|
||
wrote to her, but got no answer. After that I came over, and, as
|
||
letters were no use, I put my messages where she could read them.
|
||
|
||
"Well, I have been here a month now. I lived in that farm, where
|
||
I had a room down below, and could get in and out every night,
|
||
and no one the wiser. I tried all I could to coax Elsie away. I
|
||
knew that she read the messages, for once she wrote an answer
|
||
under one of them. Then my temper got the better of me, and I
|
||
began to threaten her. She sent me a letter then, imploring me
|
||
to go away, and saying that it would break her heart if any
|
||
scandal should come upon her husband. She said that she would
|
||
come down when her husband was asleep at three in the morning,
|
||
and speak with me through the end window, if I would go away
|
||
afterwards and leave her in peace. She came down and brought
|
||
money with her, trying to bribe me to go. This made me mad, and
|
||
I caught her arm and tried to pull her through the window. At
|
||
that moment in rushed the husband with his revolver in his hand.
|
||
Elsie had sunk down upon the floor, and we were face to face. I
|
||
was heeled also, and I held up my gun to scare him off and let
|
||
me get away. He fired and missed me. I pulled off almost at the
|
||
same instant, and down he dropped. I made away across the
|
||
garden, and as I went I heard the window shut behind me. That's
|
||
God's truth, gentlemen, every word of it, and I heard no more
|
||
about it until that lad came riding up with a note which made me
|
||
walk in here, like a jay, and give myself into your hands."
|
||
|
||
A cab had driven up whilst the American had been talking. Two
|
||
uniformed policemen sat inside. Inspector Martin rose and
|
||
touched his prisoner on the shoulder.
|
||
|
||
"It is time for us to go."
|
||
|
||
"Can I see her first?"
|
||
|
||
"No, she is not conscious. Mr. Sherlock Holmes, I only hope that
|
||
if ever again I have an important case, I shall have the good
|
||
fortune to have you by my side."
|
||
|
||
We stood at the window and watched the cab drive away. As I
|
||
turned back, my eye caught the pellet of paper which the
|
||
prisoner had tossed upon the table. It was the note with which
|
||
Holmes had decoyed him.
|
||
|
||
"See if you can read it, Watson," said he, with a smile.
|
||
|
||
It contained no word, but this little line of dancing men:
|
||
|
||
|
||
GRAPHIC
|
||
|
||
|
||
"If you use the code which I have explained," said Holmes, "you
|
||
will find that it simply means `Come here at once.' I was
|
||
convinced that it was an invitation which he would not refuse,
|
||
since he could never imagine that it could come from anyone but
|
||
the lady. And so, my dear Watson, we have ended by turning the
|
||
dancing men to good when they have so often been the agents of
|
||
evil, and I think that I have fulfilled my promise of giving you
|
||
something unusual for your notebook. Three-forty is our train,
|
||
and I fancy we should be back in Baker Street for dinner."
|
||
|
||
Only one word of epilogue. The American, Abe Slaney, was
|
||
condemned to death at the winter assizes at Norwich, but his
|
||
penalty was changed to penal servitude in consideration of
|
||
mitigating circumstances, and the certainty that Hilton Cubitt
|
||
had fired the first shot. Of Mrs. Hilton Cubitt I only know that
|
||
I have heard she recovered entirely, and that she still remains
|
||
a widow, devoting her whole life to the care of the poor and to
|
||
the administration of her husband's estate.THE ADVENTURE OF THE SOLITARY CYCLIST
|
||
|
||
|
||
|
||
From the years 1894 to 1901 inclusive, Mr. Sherlock Holmes was
|
||
a very busy man. It is safe to say that there was no public case
|
||
of any difficulty in which he was not consulted during those
|
||
eight years, and there were hundreds of private cases, some of
|
||
them of the most intricate and extraordinary character, in which
|
||
he played a prominent part. Many startling successes and a few
|
||
unavoidable failures were the outcome of this long period of
|
||
continuous work. As I have preserved very full notes of all
|
||
these cases, and was myself personally engaged in many of them,
|
||
it may be imagined that it is no easy task to know which I
|
||
should select to lay before the public. I shall, however,
|
||
preserve my former rule, and give the preference to those cases
|
||
which derive their interest not so much from the brutality of
|
||
the crime as from the ingenuity and dramatic quality of the
|
||
solution. For this reason I will now lay before the reader the
|
||
facts connected with Miss Violet Smith, the solitary cyclist of
|
||
Charlington, and the curious sequel of our investigation, which
|
||
culminated in unexpected tragedy. It is true that the
|
||
circumstance did not admit of any striking illustration of those
|
||
powers for which my friend was famous, but there were some
|
||
points about the case which made it stand out in those long
|
||
records of crime from which I gather the material for these
|
||
little narratives.
|
||
|
||
On referring to my notebook for the year 1895, I find that it
|
||
was upon Saturday, the 23rd of April, that we first heard of
|
||
Miss Violet Smith. Her visit was, I remember, extremely
|
||
unwelcome to Holmes, for he was immersed at the moment in a very
|
||
abstruse and complicated problem concerning the peculiar
|
||
persecution to which John Vincent Harden, the well known tobacco
|
||
millionaire, had been subjected. My friend, who loved above all
|
||
things precision and concentration of thought, resented anything
|
||
which distracted his attention from the matter in hand. And yet,
|
||
without a harshness which was foreign to his nature, it was
|
||
impossible to refuse to listen to the story of the young and
|
||
beautiful woman, tall, graceful, and queenly, who presented
|
||
herself at Baker Street late in the evening, and implored his
|
||
assistance and advice. It was vain to urge that his time was
|
||
already fully occupied, for the young lady had come with the
|
||
determination to tell her story, and it was evident that nothing
|
||
short of force could get her out of the room until she had done
|
||
so. With a resigned air and a somewhat weary smile, Holmes
|
||
begged the beautiful intruder to take a seat, and to inform us
|
||
what it was that was troubling her.
|
||
|
||
"At least it cannot be your health," said he, as his keen eyes
|
||
darted over her, "so ardent a bicyclist must be full of energy."
|
||
|
||
She glanced down in surprise at her own feet, and I observed the
|
||
slight roughening of the side of the sole caused by the friction
|
||
of the edge of the pedal.
|
||
|
||
"Yes, I bicycle a good deal, Mr. Holmes, and that has something
|
||
to do with my visit to you to-day."
|
||
|
||
My friend took the lady's ungloved hand, and examined it with as
|
||
close an attention and as little sentiment as a scientist would
|
||
show to a specimen.
|
||
|
||
"You will excuse me, I am sure. It is my business," said he, as
|
||
he dropped it. "I nearly fell into the error of supposing that
|
||
you were typewriting. Of course, it is obvious that it is music.
|
||
You observe the spatulate finger-ends, Watson, which is common
|
||
to both professions? There is a spirituality about the face,
|
||
however"--she gently turned it towards the light--"which the
|
||
typewriter does not generate. This lady is a musician."
|
||
|
||
"Yes, Mr. Holmes, I teach music."
|
||
|
||
"In the country, I presume, from your complexion."
|
||
|
||
"Yes, sir, near Farnham, on the borders of Surrey."
|
||
|
||
"A beautiful neighbourhood, and full of the most interesting
|
||
associations. You remember, Watson, that it was near there that
|
||
we took Archie Stamford, the forger. Now, Miss Violet, what has
|
||
happened to you, near Farnham, on the borders of Surrey?"
|
||
|
||
The young lady, with great clearness and composure, made the
|
||
following curious statement:
|
||
|
||
"My father is dead, Mr. Holmes. He was James Smith, who
|
||
conducted the orchestra at the old Imperial Theatre. My mother
|
||
and I were left without a relation in the world except one
|
||
uncle, Ralph Smith, who went to Africa twenty-five years ago,
|
||
and we have never had a word from him since. When father died,
|
||
we were left very poor, but one day we were told that there was
|
||
an advertisement in the TIMES, inquiring for our whereabouts.
|
||
You can imagine how excited we were, for we thought that someone
|
||
had left us a fortune. We went at once to the lawyer whose name
|
||
was given in the paper. There we, met two gentlemen, Mr.
|
||
Carruthers and Mr. Woodley, who were home on a visit from South
|
||
Africa. They said that my uncle was a friend of theirs, that he
|
||
had died some months before in great poverty in Johannesburg,
|
||
and that he had asked them with his last breath to hunt up his
|
||
relations, and see that they were in no want. It seemed strange
|
||
to us that Uncle Ralph, who took no notice of us when he was
|
||
alive, should be so careful to look after us when he was dead,
|
||
but Mr. Carruthers explained that the reason was that my uncle
|
||
had just heard of the death of his brother, and so felt
|
||
responsible for our fate."
|
||
|
||
"Excuse me," said Holmes. "When was this interview?"
|
||
|
||
"Last December--four months ago."
|
||
|
||
"Pray proceed."
|
||
|
||
"Mr. Woodley seemed to me to be a most odious person. He was for
|
||
ever making eyes at me--a coarse, puffy-faced, red-moustached
|
||
young man, with his hair plastered down on each side of his
|
||
forehead. I thought that he was perfectly hateful--and I was
|
||
sure that Cyril would not wish me to know such a person."
|
||
|
||
"Oh, Cyril is his name!" said Holmes, smiling.
|
||
|
||
The young lady blushed and laughed.
|
||
|
||
"Yes, Mr. Holmes, Cyril Morton, an electrical engineer, and we
|
||
hope to be married at the end of the summer. Dear me, how DID I
|
||
get talking about him? What I wished to say was that Mr. Woodley
|
||
was perfectly odious, but that Mr. Carruthers, who was a much
|
||
older man, was more agreeable. He was a dark, sallow,
|
||
clean-shaven, silent person, but he had polite manners and a
|
||
pleasant smile. He inquired how we were left, and on finding
|
||
that we were very poor, he suggested that I should come and
|
||
teach music to his only daughter, aged ten. I said that I did
|
||
not like to leave my mother, on which he suggested that I should
|
||
go home to her every week-end, and he offered me a hundred a
|
||
year, which was certainly splendid pay. So it ended by my
|
||
accepting, and I went down to Chiltern Grange, about six miles
|
||
from Farnham. Mr. Carruthers was a widower, but he had engaged
|
||
a lady housekeeper, a very respectable, elderly person, called
|
||
Mrs. Dixon, to look after his establishment. The child was a
|
||
dear, and everything promised well. Mr. Carruthers was very kind
|
||
and very musical, and we had most pleasant evenings together.
|
||
Every week-end I went home to my mother in town.
|
||
|
||
"The first flaw in my happiness was the arrival of the
|
||
red-moustached Mr. Woodley. He came for a visit of a week, and
|
||
oh! it seemed three months to me. He was a dreadful person--a
|
||
bully to everyone else, but to me something infinitely worse. He
|
||
made odious love to me, boasted of his wealth, said that if I
|
||
married him I could have the finest diamonds in London, and
|
||
finally, when I would have nothing to do with him, he seized me
|
||
in his arms one day after dinner--he was hideously strong--and
|
||
swore that he would not let me go until I had kissed him. Mr.
|
||
Carruthers came in and tore him from me, on which he turned upon
|
||
his own host, knocking him down and cutting his face open. That
|
||
was the end of his visit, as you can imagine. Mr. Carruthers
|
||
apologized to me next day, and assured me that I should never be
|
||
exposed to such an insult again. I have not seen Mr. Woodley since.
|
||
|
||
"And now, Mr. Holmes, I come at last to the special thing which
|
||
has caused me to ask your advice to-day. You must know that
|
||
every Saturday forenoon I ride on my bicycle to Farnham Station,
|
||
in order to get the 12:22 to town. The road from Chiltern Grange
|
||
is a lonely one, and at one spot it is particularly so, for it
|
||
lies for over a mile between Charlington Heath upon one side and
|
||
the woods which lie round Charlington Hall upon the other. You
|
||
could not find a more lonely tract of road anywhere, and it is
|
||
quite rare to meet so much as a cart, or a peasant, until you
|
||
reach the high road near Crooksbury Hill. Two weeks ago I was
|
||
passing this place, when I chanced to look back over my
|
||
shoulder, and about two hundred yards behind me I saw a man,
|
||
also on a bicycle. He seemed to be a middle-aged man, with a
|
||
short, dark beard. I looked back before I reached Farnham, but
|
||
the man was gone, so I thought no more about it. But you can
|
||
imagine how surprised I was, Mr. Holmes, when, on my return on
|
||
the Monday, I saw the same man on the same stretch of road. My
|
||
astonishment was increased when the incident occurred again,
|
||
exactly as before, on the following Saturday and Monday. He
|
||
always kept his distance and did not molest me in any way, but
|
||
still it certainly was very odd. I mentioned it to Mr.
|
||
Carruthers, who seemed interested in what I said, and told me
|
||
that he had ordered a horse and trap, so that in future I should
|
||
not pass over these lonely roads without some companion.
|
||
|
||
"The horse and trap were to have come this week, but for some
|
||
reason they were not delivered, and again I had to cycle to the
|
||
station. That was this morning. You can think that I looked out
|
||
when I came to Charlington Heath, and there, sure enough, was
|
||
the man, exactly as he had been the two weeks before. He always
|
||
kept so far from me that I could not clearly see his face, but
|
||
it was certainly someone whom I did not know. He was dressed in
|
||
a dark suit with a cloth cap. The only thing about his face that
|
||
I could clearly see was his dark beard. To-day I was not
|
||
alarmed, but I was filled with curiosity, and I determined to
|
||
find out who he was and what he wanted. I slowed down my
|
||
machine, but he slowed down his. Then I stopped altogether, but
|
||
he stopped also. Then I laid a trap for him. There is a sharp
|
||
turning of the road, and I pedalled very quickly round this, and
|
||
then I stopped and waited. I expected him to shoot round and
|
||
pass me before he could stop. But he never appeared. Then I went
|
||
back and looked round the corner. I could see a mile of road,
|
||
but he was not on it. To make it the more extraordinary, there
|
||
was no side road at this point down which he could have gone."
|
||
|
||
Holmes chuckled and rubbed his hands. "This case certainly
|
||
presents some features of its own," said he. "How much time
|
||
elapsed between your turning the corner and your discovery that
|
||
the road was clear?"
|
||
|
||
"Two or three minutes."
|
||
|
||
"Then he could not have retreated down the road, and you say
|
||
that there are no side roads?"
|
||
|
||
"None."
|
||
|
||
"Then he certainly took a footpath on one side or the other."
|
||
|
||
"It could not have been on the side of the heath, or I should
|
||
have seen him."
|
||
|
||
"So, by the process of exclusion, we arrive at the fact that he
|
||
made his way toward Charlington Hall, which, as I understand, is
|
||
situated in its own grounds on one side of the road. Anything else?"
|
||
|
||
"Nothing, Mr. Holmes, save that I was so perplexed that I felt
|
||
I should not be happy until I had seen you and had your advice."
|
||
|
||
Holmes sat in silence for some little time.
|
||
|
||
"Where is the gentleman to whom you are engaged?" he asked at last.
|
||
|
||
"He is in the Midland Electrical Company, at Coventry."
|
||
|
||
"He would not pay you a surprise visit?"
|
||
|
||
"Oh, Mr. Holmes! As if I should not know him!"
|
||
|
||
"Have you had any other admirers?"
|
||
|
||
"Several before I knew Cyril."
|
||
|
||
"And since?"
|
||
|
||
"There was this dreadful man, Woodley, if you can call him an admirer."
|
||
|
||
"No one else?"
|
||
|
||
Our fair client seemed a little confused.
|
||
|
||
"Who was he?" asked Holmes.
|
||
|
||
"Oh, it may be a mere fancy of mine; but it had seemed to me
|
||
sometimes that my employer, Mr. Carruthers, takes a great deal
|
||
of interest in me. We are thrown rather together. I play his
|
||
accompaniments in the evening. He has never said anything. He is
|
||
a perfect gentleman. But a girl always knows."
|
||
|
||
"Ha!" Holmes looked grave. "What does he do for a living?"
|
||
|
||
"He is a rich man."
|
||
|
||
"No carriages or horses?"
|
||
|
||
"Well, at least he is fairly well-to-do. But he goes into the
|
||
city two or three times a week. He is deeply interested in South
|
||
African gold shares."
|
||
|
||
"You will let me know any fresh development, Miss Smith. I am
|
||
very busy just now, but I will find time to make some inquiries
|
||
into your case. In the meantime, take no step without letting me
|
||
know. Good-bye, and I trust that we shall have nothing but good
|
||
news from you."
|
||
|
||
"It is part of the settled order of Nature that such a girl
|
||
should have followers," said Holmes, he pulled at his meditative
|
||
pipe, "but for choice not on bicycles in lonely country roads.
|
||
Some secretive lover, beyond all doubt. But there are curious
|
||
and suggestive details about the case, Watson."
|
||
|
||
"That he should appear only at that point?"
|
||
|
||
"Exactly. Our first effort must be to find who are the tenants
|
||
of Charlington Hall. Then, again, how about the connection
|
||
between Carruthers and Woodley, since they appear to be men of
|
||
such a different type? How came they BOTH to be so keen upon
|
||
looking up Ralph Smith's relations? One more point. What sort of
|
||
a menage is it which pays double the market price for a
|
||
governess but does not keep a horse, although six miles from the
|
||
station? Odd, Watson--very odd!"
|
||
|
||
"You will go down?"
|
||
|
||
"No, my dear fellow, YOU will go down. This may be some trifling
|
||
intrigue, and I cannot break my other important research for the
|
||
sake of it. On Monday you will arrive early at Farnham; you will
|
||
conceal yourself near Charlington Heath; you will observe these
|
||
facts for yourself, and act as your own judgment advises. Then,
|
||
having inquired as to the occupants of the Hall, you will come
|
||
back to me and report. And now, Watson, not another word of the
|
||
matter until we have a few solid stepping-stones on which we may
|
||
hope to get across to our solution."
|
||
|
||
We had ascertained from the lady that she went down upon the
|
||
Monday by the train which leaves Waterloo at 9:50, so I started
|
||
early and caught the 9:13. At Farnham Station I had no
|
||
difficulty in being directed to Charlington Heath. It was
|
||
impossible to mistake the scene of the young lady's adventure, for
|
||
the road runs between the open heath on one side and an old yew
|
||
hedge upon the other, surrounding a park which is studded with
|
||
magnificent trees. There was a main gateway of lichen-studded
|
||
stone, each side pillar surmounted by mouldering heraldic
|
||
emblems, but besides this central carriage drive I observed
|
||
several points where there were gaps in the hedge and paths
|
||
leading through them. The house was invisible from the road, but
|
||
the surroundings all spoke of gloom and decay.
|
||
|
||
The heath was covered with golden patches of flowering gorse,
|
||
gleaming magnificently in the light of the bright spring sunshine.
|
||
Behind one of these clumps I took up my position, so as to
|
||
command both the gateway of the Hall and a long stretch of the
|
||
road upon either side. It had been deserted when I left it, but
|
||
now I saw a cyclist riding down it from the opposite direction
|
||
to that in which I had come. He was clad in a dark suit, and I
|
||
saw that he had a black beard. On reaching the end of the
|
||
Charlington grounds, he sprang from his machine and led it
|
||
through a gap in the hedge, disappearing from my view.
|
||
|
||
A quarter of an hour passed, and then a second cyclist appeared.
|
||
This time it was the young lady coming from the station. I saw
|
||
her look about her as she came to the Charlington hedge. An
|
||
instant later the man emerged from his hiding-place, sprang upon
|
||
his cycle, and followed her. In all the broad landscape those
|
||
were the only moving figures, the graceful girl sitting very
|
||
straight upon her machine, and the man behind her bending low
|
||
over his handle-bar with a curiously furtive suggestion in every
|
||
movement. She looked back at him and slowed her pace. He slowed
|
||
also. She stopped. He at once stopped, too, keeping two hundred
|
||
yards behind her. Her next movement was as unexpected as it was
|
||
spirited. She suddenly whisked her wheels round and dashed
|
||
straight at him. He was as quick as she, however, and darted off
|
||
in desperate flight. Presently she came back up the road again,
|
||
her head haughtily in the air, not deigning to take any further
|
||
notice of her silent attendant. He had turned also, and still
|
||
kept his distance until the curve of the road hid them from my sight.
|
||
|
||
I remained in my hiding-place, and it was well that I did so,
|
||
for presently the man reappeared, cycling slowly back. He turned
|
||
in at the Hall gates, and dismounted from his machine. For some
|
||
minutes I could see him standing among the trees. His hands were
|
||
raised, and he seemed to be settling his necktie. Then he
|
||
mounted his cycle, and rode away from me down the drive towards
|
||
the Hall. I ran across the heath and peered through the trees.
|
||
Far away I could catch glimpses of the old gray building with
|
||
its bristling Tudor chimneys, but the drive ran through a dense
|
||
shrubbery, and I saw no more of my man.
|
||
|
||
However, it seemed to me that I had done a fairly good morning's
|
||
work, and I walked back in high spirits to Farnham. The local
|
||
house agent could tell me nothing about Charlington Hall, and
|
||
referred me to a well known firm in Pall Mall. There I halted on
|
||
my way home, and met with courtesy from the representative. No,
|
||
I could not have Charlington Hall for the summer. I was just too
|
||
late. It had been let about a month ago. Mr. Williamson was the
|
||
name of the tenant. He was a respectable, elderly gentleman. The
|
||
polite agent was afraid he could say no more, as the affairs of
|
||
his clients were not matters which he could discuss.
|
||
|
||
Mr. Sherlock Holmes listened with attention to the long report
|
||
which I was able to present to him that evening, but it did not
|
||
elicit that word of curt praise which I had hoped for and should
|
||
have valued. On the contrary, his austere face was even more
|
||
severe than usual as he commented upon the things that I had
|
||
done and the things that I had not.
|
||
|
||
"Your hiding-place, my dear Watson, was very faulty. You should
|
||
have been behind the hedge, then you would have had a close view
|
||
of this interesting person. As it is, you were some hundreds of
|
||
yards away and can tell me even less than Miss Smith. She thinks
|
||
she does not know the man; I am convinced she does. Why,
|
||
otherwise, should he be so desperately anxious that she should
|
||
not get so near him as to see his features? You describe him as
|
||
bending over the handle-bar. Concealment again, you see. You
|
||
really have done remarkably badly. He returns to the house, and
|
||
you want to find out who he is. You come to a London house agent!"
|
||
|
||
"What should I have done?" I cried, with some heat.
|
||
|
||
"Gone to the nearest public-house. That is the centre of country
|
||
gossip. They would have told you every name, from the master to
|
||
the scullery-maid. Williamson? It conveys nothing to my mind. If
|
||
he is an elderly man he is not this active cyclist who sprints
|
||
away from that young lady's athletic pursuit. What have we
|
||
gained by your expedition? The knowledge that the girl's story
|
||
is true. I never doubted it. That there is a connection between
|
||
the cyclist and the Hall. I never doubted that either. That the
|
||
Hall is tenanted by Williamson. Who's the better for that? Well,
|
||
well, my dear sir, don't look so depressed. We can do little
|
||
more until next Saturday, and in the meantime I may make one or
|
||
two inquiries myself."
|
||
|
||
Next morning, we had a note from Miss Smith, recounting shortly
|
||
and accurately the very incidents which I had seen, but the pith
|
||
of the letter lay in the postscript:
|
||
|
||
I am sure that you will respect my confidence, Mr. Holmes, when
|
||
I tell you that my place here has become difficult, owing to the
|
||
fact that my employer has proposed marriage to me. I am
|
||
convinced that his feelings are most deep and most honourable.
|
||
At the same time, my promise is of course given. He took my
|
||
refusal very seriously, but also very gently. You can
|
||
understand, however, that the situation is a little strained.
|
||
"Our young friend seems to be getting into deep waters," said
|
||
Holmes, thoughtfully, as he finished the letter. "The case
|
||
certainly presents more features of interest and more
|
||
possibility of development than I had originally thought. I
|
||
should be none the worse for a quiet, peaceful day in the
|
||
country, and I am inclined to run down this afternoon and test
|
||
one or two theories which I have formed."
|
||
|
||
Holmes's quiet day in the country had a singular termination,
|
||
for he arrived at Baker Street late in the evening, with a cut
|
||
lip and a discoloured lump upon his forehead, besides a general
|
||
air of dissipation which would have made his own person the
|
||
fitting object of a Scotland Yard investigation. He was
|
||
immensely tickled by his own adventures and laughed heartily as
|
||
he recounted them.
|
||
|
||
"I get so little active exercise that it is always a treat" said
|
||
he. "You are aware that I have some proficiency in the good old
|
||
British sport of boxing. Occasionally, it is of service, to-day,
|
||
for example, I should have come to very ignominious grief
|
||
without it."
|
||
|
||
I begged him to tell me what had occurred.
|
||
|
||
"I found that country pub which I had already recommended to
|
||
your notice, and there I made my discreet inquiries. I was in
|
||
the bar, and a garrulous landlord was giving me all that I
|
||
wanted. Williamson is a white-bearded man, and he lives alone
|
||
with a small staff of servants at the Hall. There is some rumor
|
||
that he is or has been a clergyman, but one or two incidents of
|
||
his short residence at the Hall struck me as peculiarly
|
||
unecclesiastical. I have already made some inquiries at a
|
||
clerical agency, and they tell me that there WAS a man of that
|
||
name in orders, whose career has been a singularly dark one. The
|
||
landlord further informed me that there are usually week-end
|
||
visitors--`a warm lot, sir'--at the Hall, and especially one
|
||
gentleman with a red moustache, Mr. Woodley by name, who was
|
||
always there. We had got as far as this, when who should walk in
|
||
but the gentleman himself, who had been drinking his beer in the
|
||
tap-room and had heard the whole conversation. Who was I? What
|
||
did I want? What did I mean by asking questions? He had a fine
|
||
flow of language, and his adjectives were very vigorous. He
|
||
ended a string of abuse by a vicious backhander, which I failed
|
||
to entirely avoid. The next few minutes were delicious. It was
|
||
a straight left against a slogging ruffian. I emerged as you see
|
||
me. Mr. Woodley went home in a cart. So ended my country trip,
|
||
and it must be confessed that, however enjoyable, my day on the
|
||
Surrey border has not been much more profitable than your own."
|
||
|
||
The Thursday brought us another letter from our client.
|
||
|
||
You will not be surprised, Mr. Holmes [said she] to hear that I
|
||
am leaving Mr. Carruthers's employment. Even the high pay cannot
|
||
reconcile me to the discomforts of my situation. On Saturday I
|
||
come up to town, and I do not intend to return. Mr. Carruthers
|
||
has got a trap, and so the dangers of the lonely road, if there
|
||
ever were any dangers, are now over.
|
||
|
||
As to the special cause of my leaving, it is not merely the
|
||
strained situation with Mr. Carruthers, but it is the
|
||
reappearance of that odious man, Mr. Woodley. He was always
|
||
hideous, but he looks more awful than ever now, for he appears
|
||
to have had an accident and he is much disfigured. I saw him out
|
||
of the window, but I am glad to say I did not meet him. He had
|
||
a long talk with Mr. Carruthers, who seemed much excited
|
||
afterwards. Woodley must be staying in the neighbourhood, for he
|
||
did not sleep here, and yet I caught a glimpse of him again this
|
||
morning, slinking about in the shrubbery. I would sooner have a
|
||
savage wild animal loose about the place. I loathe and fear him
|
||
more than I can say. How CAN Mr. Carruthers endure such a creature
|
||
for a moment? However, all my troubles will be over on Saturday.
|
||
|
||
"So I trust, Watson, so I trust," said Holmes, gravely. "There is
|
||
some deep intrigue going on round that little woman, and it is
|
||
our duty to see that no one molests her upon that last journey.
|
||
I think, Watson, that we must spare time to run down together on
|
||
Saturday morning and make sure that this curious and inclusive
|
||
investigation has no untoward ending."
|
||
|
||
I confess that I had not up to now taken a very serious view of
|
||
the case, which had seemed to me rather grotesque and bizarre
|
||
than dangerous. That a man should lie in wait for and follow a
|
||
very handsome woman is no unheard-of thing, and if he has so
|
||
little audacity that he not only dared not address her, but even
|
||
fled from her approach, he was not a very formidable assailant.
|
||
The ruffian Woodley was a very different person, but, except on
|
||
one occasion, he had not molested our client, and now he visited
|
||
the house of Carruthers without intruding upon her presence. The
|
||
man on the bicycle was doubtless a member of those week-end
|
||
parties at the Hall of which the publican had spoken, but who he
|
||
was, or what he wanted, was as obscure as ever. It was the
|
||
severity of Holmes's manner and the fact that he slipped a
|
||
revolver into his pocket before leaving our rooms which
|
||
impressed me with the feeling that tragedy might prove to lurk
|
||
behind this curious train of events.
|
||
|
||
A rainy night had been followed by a glorious morning, and the
|
||
heath-covered countryside, with the glowing clumps of flowering
|
||
gorse, seemed all the more beautiful to eyes which were weary of
|
||
the duns and drabs and slate grays of London. Holmes and I
|
||
walked along the broad, sandy road inhaling the fresh morning
|
||
air and rejoicing in the music of the birds and the fresh breath
|
||
of the spring. From a rise of the road on the shoulder of
|
||
Crooksbury Hill, we could see the grim Hall bristling out from
|
||
amidst the ancient oaks, which, old as they were, were still
|
||
younger than the building which they surrounded. Holmes pointed
|
||
down the long tract of road which wound, a reddish yellow band,
|
||
between the brown of the heath and the budding green of the
|
||
woods. Far away, a black dot, we could see a vehicle moving in
|
||
our direction. Holmes gave an exclamation of impatience.
|
||
|
||
"I have given a margin of half an hour," said he. "If that is
|
||
her trap, she must be making for the earlier train. I fear,
|
||
Watson, that she will be past Charlington before we can possibly
|
||
meet her."
|
||
|
||
From the instant that we passed the rise, we could no longer see
|
||
the vehicle, but we hastened onward at such a pace that my
|
||
sedentary life began to tell upon me, and I was compelled to
|
||
fall behind. Holmes, however, was always in training, for he had
|
||
inexhaustible stores of nervous energy upon which to draw. His
|
||
springy step never slowed until suddenly, when he was a hundred
|
||
yards in front of me, he halted, and I saw him throw up his hand
|
||
with a gesture of grief and despair. At the same instant an
|
||
empty dog-cart, the horse cantering, the reins trailing, appeared
|
||
round the curve of the road and rattled swiftly towards us.
|
||
|
||
"Too late, Watson, too late!" cried Holmes, as I ran panting to
|
||
his side. "Fool that I was not to allow for that earlier train!
|
||
It's abduction, Watson--abduction! Murder! Heaven knows what!
|
||
Block the road! Stop the horse! That's right. Now, jump in, and
|
||
let us see if I can repair the consequences of my own blunder."
|
||
|
||
We had sprung into the dog-cart, and Holmes, after turning the
|
||
horse, gave it a sharp cut with the whip, and we flew back along
|
||
the road. As we turned the curve, the whole stretch of road
|
||
between the Hall and the heath was opened up. I grasped Holmes's arm.
|
||
|
||
"That's the man!" I gasped. A solitary cyclist was coming
|
||
towards us. His head was down and his shoulders rounded, as he
|
||
put every ounce of energy that he possessed on to the pedals. He
|
||
was flying like a racer. Suddenly he raised his bearded face,
|
||
saw us close to him, and pulled up, springing from his machine.
|
||
That coal-black beard was in singular contrast to eyes were as
|
||
bright as if he had a fever. He stared at us and at the
|
||
dog-cart. Then a look of amazement came over his face.
|
||
|
||
"Halloa! Stop there!" he shouted, holding his bicycle to block
|
||
our road. "Where did you get that dog-cart? Pull up, man!" he
|
||
yelled, drawing a pistol from his side "Pull up, I say, or, by
|
||
George, I'll put a bullet into your horse."
|
||
|
||
Holmes threw the reins into my lap and sprang down from the cart.
|
||
|
||
"You're the man we want to see. Where is Miss Violet Smith?" he
|
||
said, in his quick, clear way.
|
||
|
||
"That's what I'm asking you. You're in her dog-cart. You ought
|
||
to know where she is."
|
||
|
||
"We met the dog-cart on the road. There was no one in it. We
|
||
drove back to help the young lady."
|
||
|
||
"Good Lord! Good Lord! What shall I do?" cried the stranger, in
|
||
an ecstasy of despair. "They've got her, that hell-hound Woodley
|
||
and the blackguard parson. Come, man, come, if you really are
|
||
her friend. Stand by me and we'll save her, if I have to leave
|
||
my carcass in Charlington Wood."
|
||
|
||
He ran distractedly, his pistol in his hand, towards a gap in
|
||
the hedge. Holmes followed him, and I, leaving the horse grazing
|
||
beside the road, followed Holmes.
|
||
|
||
"This is where they came through," said he, pointing to the
|
||
marks of several feet upon the muddy path. "Halloa! Stop a
|
||
minute! Who's this in the bush?"
|
||
|
||
It was a young fellow about seventeen, dressed like an ostler,
|
||
with leather cords and gaiters. He lay upon his back, his knees
|
||
drawn up, a terrible cut upon his head. He was insensible, but
|
||
alive. A glance at his wound told me that it had not penetrated
|
||
the bone.
|
||
|
||
"That's Peter, the groom," cried the stranger. "He drove her.
|
||
The beasts have pulled him off and clubbed him. Let him lie; we
|
||
can't do him any good, but we may save her from the worst fate
|
||
that can befall a woman."
|
||
|
||
We ran frantically down the path, which wound among the trees.
|
||
We had reached the shrubbery which surrounded the house when
|
||
Holmes pulled up.
|
||
|
||
"They didn't go to the house. Here are their marks on the left--
|
||
here, beside the laurel bushes. Ah! I said so."
|
||
|
||
As he spoke, a woman's shrill scream--a scream which vibrated
|
||
with a frenzy of horror--burst from the thick, green clump of
|
||
bushes in front of us. It ended suddenly on its highest note
|
||
with a choke and a gurgle.
|
||
|
||
"This way! This way! They are in the bowling-alley," cried the
|
||
stranger, darting through the bushes. "Ah, the cowardly dogs!
|
||
Follow me, gentlemen! Too late! too late! by the living Jingo!"
|
||
|
||
We had broken suddenly into a lovely glade of greensward
|
||
surrounded by ancient trees. On the farther side of it, under
|
||
the shadow of a mighty oak, there stood a singular group of three
|
||
people. One was a woman, our client, drooping and faint, a
|
||
handkerchief round her mouth. Opposite her stood a brutal,
|
||
heavy-faced, red-moustached young man, his gaitered legs
|
||
parted wide, one arm akimbo, the other waving a riding crop, his
|
||
whole attitude suggestive of triumphant bravado. Between them an
|
||
elderly, gray-bearded man, wearing a short surplice over a light
|
||
tweed suit, had evidently just completed the wedding service,
|
||
for he pocketed his prayer-book as we appeared, and slapped the
|
||
sinister bridegroom upon the back in jovial congratulation.
|
||
|
||
"They're married!" I gasped.
|
||
|
||
"Come on!" cried our guide, "come on!" He rushed across the
|
||
glade, Holmes and I at his heels. As we approached, the lady
|
||
staggered against the trunk of the tree for support. Williamson,
|
||
the ex-clergyman, bowed to us with mock politeness, and the
|
||
bully, Woodley, advanced with a shout of brutal and exultant
|
||
laughter.
|
||
|
||
"You can take your beard off, Bob," said he. "I know you, right
|
||
enough. Well, you and your pals have just come in time for me to
|
||
be able to introduce you to Mrs. Woodley."
|
||
|
||
Our guide's answer was a singular one. He snatched off the dark
|
||
beard which had disguised him and threw it on the ground,
|
||
disclosing a long, sallow, clean-shaven face below it. Then he
|
||
raised his revolver and covered the young ruffian, who was
|
||
advancing upon him with his dangerous riding-crop swinging in
|
||
his hand.
|
||
|
||
"Yes," said our ally, "I am Bob Carruthers, and I'll see this
|
||
woman righted, if I have to swing for it. I told you what I'd do
|
||
if you molested her, and, by the Lord! I'll be as good as my word."
|
||
|
||
"You're too late. She's my wife."
|
||
|
||
"No, she's your widow."
|
||
|
||
His revolver cracked, and I saw the blood spurt from the front
|
||
of Woodley's waistcoat. He spun round with a scream and fell
|
||
upon his back, his hideous red face turning suddenly to a
|
||
dreadful mottled pallor. The old man, still clad in his
|
||
surplice, burst into such a string of foul oaths as I have never
|
||
heard, and pulled out a revolver of his own, but, before he
|
||
could raise it, he was looking down the barrel of Holmes's weapon.
|
||
|
||
"Enough of this," said my friend, coldly. "Drop that pistol!
|
||
Watson, pick it up! Hold it to his head. Thank you. You,
|
||
Carruthers, give me that revolver. We'll have no more violence.
|
||
Come, hand it over!"
|
||
|
||
"Who are you, then?"
|
||
|
||
"My name is Sherlock Holmes."
|
||
|
||
"Good Lord!"
|
||
|
||
"You have heard of me, I see. I will represent the official
|
||
police until their arrival. Here, you!" he shouted to a
|
||
frightened groom, who had appeared at the edge of the glade.
|
||
"Come here. Take this note as hard as you can ride to Farnham."
|
||
He scribbled a few words upon a leaf from his notebook. "Give it
|
||
to the superintendent at the police-station. Until he comes, I
|
||
must detain you all under my personal custody."
|
||
|
||
The strong, masterful personality of Holmes dominated the tragic
|
||
scene, and all were equally puppets in his hands. Williamson and
|
||
Carruthers found themselves carrying the wounded Woodley into
|
||
the house, and I gave my arm to the frightened girl. The injured
|
||
man was laid on his bed, and at Holmes's request I examined him.
|
||
I carried my report to where he sat in the old tapestry-hung
|
||
dining-room with his two prisoners before him.
|
||
|
||
"He will live," said I.
|
||
|
||
"What!" cried Carruthers, springing out of his chair. "I'll go
|
||
upstairs and finish him first. Do you tell me that that angel,
|
||
is to be tied to Roaring Jack Woodley for life?"
|
||
|
||
"You need not concern yourself about that," said Holmes. "There
|
||
are two very good reasons why she should, under no
|
||
circumstances, be his wife. In the first place, we are very safe
|
||
in questioning Mr. Williamson's right to solemnize a marriage."
|
||
|
||
"I have been ordained," cried the old rascal.
|
||
|
||
"And also unfrocked."
|
||
|
||
"Once a clergyman, always a clergyman."
|
||
|
||
"I think not. How about the license?"
|
||
|
||
"We had a license for the marriage. I have it here in my pocket."
|
||
|
||
"Then you got it by trick. But, in any case a forced marriage is
|
||
no marriage, but it is a very serious felony, as you will
|
||
discover before you have finished. You'll have time to think the
|
||
point out during the next ten years or so, unless I am mistaken.
|
||
As to you, Carruthers, you would have done better to keep your
|
||
pistol in your pocket."
|
||
|
||
"I begin to think so, Mr. Holmes, but when I thought of all the
|
||
precaution I had taken to shield this girl--for I loved her, Mr.
|
||
Holmes, and it is the only time that ever I knew what love was--
|
||
it fairly drove me mad to think that she was in the power of the
|
||
greatest brute and bully in South Africa--a man whose name is a
|
||
holy terror from Kimberley to Johannesburg. Why, Mr. Holmes,
|
||
you'll hardly believe it, but ever since that girl has been in
|
||
my employment I never once let her go past this house, where I
|
||
knew the rascals were lurking, without following her on my bicycle,
|
||
just to see that she came to no harm. I kept my distance from her,
|
||
and I wore a beard, so that she should not recognize me, for she
|
||
is a good and high-spirited girl, and she wouldn't have stayed
|
||
in my employment long if she had thought that I was following
|
||
her about the country roads."
|
||
|
||
"Why didn't you tell her of her danger?"
|
||
|
||
"Because then, again, she would have left me, and I couldn't
|
||
bear to face that. Even if she couldn't love me, it was a great
|
||
deal to me just to see her dainty form about the house, and to
|
||
hear the sound of her voice."
|
||
|
||
"Well," said I, "you call that love, Mr. Carruthers, but I
|
||
should call it selfishness."
|
||
|
||
"Maybe the two things go together. Anyhow, I couldn't let her
|
||
go. Besides, with this crowd about, it was well that she should
|
||
have someone near to look after her. Then, when the cable came,
|
||
I knew they were bound to make a move."
|
||
|
||
"What cable?"
|
||
|
||
Carruthers took a telegram from his pocket "That's it," said he.
|
||
|
||
It was short and concise:
|
||
|
||
The old man is dead.
|
||
|
||
"Hum!" said Holmes. "I think I see how things worked, and I can
|
||
understand how this message would, as you say, bring them to a
|
||
head. But while you wait, you might tell me what you can.
|
||
|
||
The old reprobate with the surplice burst into a volley of bad
|
||
language.
|
||
|
||
"By heaven!" said he, "if you squeal on us, Bob Carruthers, I'll
|
||
serve you as you served Jack Woodley. You can bleat about the
|
||
girl to your heart's content, for that's your own affair, but if
|
||
you round on your pals to this plain-clothes copper, it will be
|
||
the worst day's work that ever you did."
|
||
|
||
"Your reverence need not be excited," said Holmes, lighting a
|
||
cigarette. "The case is clear enough against you, and all I ask
|
||
is a few details for my private curiosity. However, if there's
|
||
any difficulty in your telling me, I'll do the talking, and then
|
||
you will see how far you have a chance of holding back your
|
||
secrets. In the first place, three of you came from South Africa
|
||
on this game--you Williamson, you Carruthers, and Woodley."
|
||
|
||
"Lie number one," said the old man; "I never saw either of them
|
||
until two months ago, and I have never been in Africa in my
|
||
life, so you can put that in your pipe and smoke it, Mr.
|
||
Busybody Holmes!"
|
||
|
||
"What he says is true," said Carruthers.
|
||
|
||
"Well, well, two of you came over. His reverence is our own
|
||
homemade article. You had known Ralph Smith in South Africa. You
|
||
had reason to believe he would not live long. You found out that
|
||
his niece would inherit his fortune. How's that--eh?"
|
||
|
||
Carruthers nodded and Williamson swore.
|
||
|
||
"She was next of kin, no doubt, and you were aware that the old
|
||
fellow would make no will."
|
||
|
||
"Couldn't read or write," said Carruthers.
|
||
|
||
"So you came over, the two of you, and hunted up the girl. The
|
||
idea was that one of you was to marry her, and the other have a
|
||
share of the plunder. For some reason, Woodley was chosen as the
|
||
husband. Why was that?"
|
||
|
||
"We played cards for her on the voyage. He won."
|
||
|
||
"I see. You got the young lady into your service, and there
|
||
Woodley was to do the courting. She recognized the drunken brute
|
||
that he was, and would have nothing to do with him. Meanwhile,
|
||
your arrangement was rather upset by the fact that you had
|
||
yourself fallen in love with the lady. You could no longer bear
|
||
the idea of this ruffian owning her?"
|
||
|
||
"No, by George, I couldn't!"
|
||
|
||
"There was a quarrel between you. He left you in a rage, and
|
||
began to make his own plans independently of you."
|
||
|
||
"It strikes me, Williamson, there isn't very much that we can
|
||
tell this gentleman," cried Carruthers, with a bitter laugh.
|
||
"Yes, we quarreled, and he knocked me down. I am level with him
|
||
on that, anyhow. Then I lost sight of him. That was when he
|
||
picked up with this outcast padre here. I found that they had
|
||
set up housekeeping together at this place on the line that she
|
||
had to pass for the station. I kept my eye on her after that,
|
||
for I knew there was some devilry in the wind. I saw them from
|
||
time to time, for I was anxious to know what they were after.
|
||
Two days ago Woodley came up to my house with this cable, which
|
||
showed that Ralph Smith was dead. He asked me if I would stand
|
||
by the bargain. I said I would not. He asked me if I would marry
|
||
the girl myself and give him a share. I said I would willingly
|
||
do so, but that she would not have me. He said, `Let us get her
|
||
married first and after a week or two she may see things a bit
|
||
different.' I said I would have nothing to do with violence. So
|
||
he went off cursing, like the foul-mouthed blackguard that he
|
||
was, and swearing that he would have her yet. She was leaving me
|
||
this week-end, and I had got a trap to take her to the station,
|
||
but I was so uneasy in my mind that I followed her on my
|
||
bicycle. She had got a start, however, and before I could catch
|
||
her, the mischief was done. The first thing I knew about it was
|
||
when I saw you two gentlemen driving back in her dog-cart"
|
||
|
||
Holmes rose and tossed the end of his cigarette into the grate.
|
||
"I have been very obtuse, Watson," said he. "When in your report
|
||
you said that you had seen the cyclist as you thought arrange
|
||
his necktie in the shrubbery, that alone should have told me
|
||
all. However, we may congratulate ourselves upon a curious and,
|
||
in some respects, a unique case. I perceive three of the county
|
||
constabulary in the drive, and I am glad to see that the little
|
||
ostler is able to keep pace with them, so it is likely that
|
||
neither he nor the interesting bridegroom will be permanently
|
||
damaged by their morning's adventures. I think, Watson, that in
|
||
your medical capacity, you might wait upon Miss Smith and tell
|
||
her that if she is sufficiently recovered, we shall be happy to
|
||
escort her to her mother's home. If she is not quite
|
||
convalescent you will find that a hint that we were about to
|
||
telegraph to a young electrician in the Midlands would probably
|
||
complete the cure. As to you, Mr. Carruthers, I think that you
|
||
have done what you could to make amends for your share in an
|
||
evil plot. There is my card, sir, and if my evidence can be of
|
||
help in your trial, it shall be at your disposal."
|
||
|
||
In the whirl of our incessant activity, it has often been
|
||
difficult for me, as the reader has probably observed, to round
|
||
off my narratives, and to give those final details which the
|
||
curious might expect. Each case has been the prelude to another,
|
||
and the crisis once over, the actors have passed for ever out of
|
||
our busy lives. I find, however, a short note at the end of my
|
||
manuscript dealing with this case, in which I have put it upon
|
||
record that Miss Violet Smith did indeed inherit a large
|
||
fortune, and that she is now the wife of Cyril Morton, the
|
||
senior partner of Morton & Kennedy, the famous Westminster
|
||
electricians. Williamson and Woodley were both tried for
|
||
abduction and assault, the former getting seven years the latter
|
||
ten. Of the fate of Carruthers, I have no record, but I am sure
|
||
that his assault was not viewed very gravely by the court, since
|
||
Woodley had the reputation of being a most dangerous ruffian,
|
||
and I think that a few, months were sufficient to satisfy the
|
||
demands of justice.THE ADVENTURE OF THE PRIORY SCHOOL
|
||
|
||
|
||
We have had some dramatic entrances and exits upon our small
|
||
stage at Baker Street, but I cannot recollect anything more
|
||
sudden and startling than the first appearance of Thorneycroft
|
||
Huxtable, M.A., Ph.D., etc. His card, which seemed too small to
|
||
carry the weight of his academic distinctions, preceded him by
|
||
a few seconds, and then he entered himself--so large, so
|
||
pompous, and so dignified that he was the very embodiment of
|
||
self-possession and solidity. And yet his first action, when the
|
||
door had closed behind him, was to stagger against the table,
|
||
whence he slipped down upon the floor, and there was that
|
||
majestic figure prostrate and insensible upon our bearskin
|
||
hearth-rug.
|
||
|
||
We had sprung to our feet, and for a few moments we stared in
|
||
silent amazement at this ponderous piece of wreckage, which told
|
||
of some sudden and fatal storm far out on the ocean of life.
|
||
Then Holmes hurried with a cushion for his head, and I with
|
||
brandy for his lips. The heavy, white face was seamed with lines
|
||
of trouble, the hanging pouches under the closed eyes were
|
||
leaden in colour, the loose mouth drooped dolorously at the
|
||
corners, the rolling chins were unshaven. Collar and shirt bore
|
||
the grime of a long journey, and the hair bristled unkempt from
|
||
the well-shaped head. It was a sorely stricken man who lay
|
||
before us.
|
||
|
||
"What is it, Watson?" asked Holmes.
|
||
|
||
"Absolute exhaustion--possibly mere hunger and fatigue," said I,
|
||
with my finger on the thready pulse, where the stream of life
|
||
trickled thin and small.
|
||
|
||
"Return ticket from Mackleton, in the north of England," said
|
||
Holmes, drawing it from the watch-pocket. "It is not twelve
|
||
o'clock yet. He has certainly been an early starter."
|
||
|
||
The puckered eyelids had begun to quiver, and now a pair of
|
||
vacant gray eyes looked up at us. An instant later the man had
|
||
scrambled on to his feet, his face crimson with shame.
|
||
|
||
"Forgive this weakness, Mr. Holmes, I have been a little
|
||
overwrought. Thank you, if I might have a glass of milk and a
|
||
biscuit, I have no doubt that I should be better. I came
|
||
personally, Mr. Holmes, in order to insure that you would return
|
||
with me. I feared that no telegram would convince you of the
|
||
absolute urgency of the case."
|
||
|
||
"When you are quite restored----"
|
||
|
||
"I am quite well again. I cannot imagine how I came to be so
|
||
weak. I wish you, Mr. Holmes, to come to Mackleton with me by
|
||
the next train."
|
||
|
||
My friend shook his head.
|
||
|
||
"My colleague, Dr. Watson, could tell you that we are very busy
|
||
at present. I am retained in this case of the Ferrers Documents,
|
||
and the Abergavenny murder is coming up for trial. Only a very
|
||
important issue could call me from London at present."
|
||
|
||
"Important!" Our visitor threw up his hands. "Have you heard
|
||
nothing of the abduction of the only son of the Duke of
|
||
Holdernesse?"
|
||
|
||
"What! the late Cabinet Minister?"
|
||
|
||
"Exactly. We had tried to keep it out of the papers, but there
|
||
was some rumor in the GLOBE last night. I thought it might have
|
||
reached your ears."
|
||
|
||
Holmes shot out his long, thin arm and picked out Volume "H" in
|
||
his encyclopaedia of reference.
|
||
|
||
"`Holdernesse, 6th Duke, K.G., P.C.'--half the alphabet! `Baron
|
||
Beverley, Earl of Carston'--dear me, what a list! `Lord
|
||
Lieutenant of Hallamshire since 1900. Married Edith, daughter of
|
||
Sir Charles Appledore, 1888. Heir and only child, Lord Saltire.
|
||
Owns about two hundred and fifty thousand acres. Minerals in
|
||
Lancashire and Wales. Address: Carlton House Terrace;
|
||
Holdernesse Hall, Hallamshire; Carston Castle, Bangor, Wales.
|
||
Lord of the Admiralty, 1872; Chief Secretary of State for----'
|
||
Well, well, this man is certainly one of the greatest subjects
|
||
of the Crown!"
|
||
|
||
"The greatest and perhaps the wealthiest. I am aware, Mr.
|
||
Holmes, that you take a very high line in professional matters,
|
||
and that you are prepared to work for the work's sake. I may
|
||
tell you, however, that his Grace has already intimated that a
|
||
check for five thousand pounds will be handed over to the person
|
||
who can tell him where his son is, and another thousand to him
|
||
who can name the man or men who have taken him."
|
||
|
||
"It is a princely offer," said Holmes. "Watson, I think that we
|
||
shall accompany Dr. Huxtable back to the north of England. And
|
||
now, Dr. Huxtable, when you have consumed that milk, you will
|
||
kindly tell me what has happened, when it happened, how it
|
||
happened, and, finally, what Dr. Thorneycroft Huxtable, of the
|
||
Priory School, near Mackleton, has to do with the matter, and
|
||
why he comes three days after an event--the state of your chin
|
||
gives the date--to ask for my humble services."
|
||
|
||
Our visitor had consumed his milk and biscuits. The light had
|
||
come back to his eyes and the colour to his cheeks, as he set
|
||
himself with great vigour and lucidity to explain the situation.
|
||
|
||
"I must inform you, gentlemen, that the Priory is a preparatory
|
||
school, of which I am the founder and principal. HUXTABLE'S
|
||
SIDELIGHTS ON HORACE may possibly recall my name to your
|
||
memories. The Priory is, without exception, the best and most
|
||
select preparatory school in England. Lord Leverstoke, the Earl
|
||
of Blackwater, Sir Cathcart Soames--they all have intrusted
|
||
their sons to me. But I felt that my school had reached its
|
||
zenith when, weeks ago, the Duke of Holdernesse sent Mr. James
|
||
Wilder, his secretary, with intimation that young Lord Saltire,
|
||
ten years old, his only son and heir, was about to be committed
|
||
to my charge. Little did I think that this would be the prelude
|
||
to the most crushing misfortune of my life.
|
||
|
||
"On May 1st the boy arrived, that being the beginning of the
|
||
summer term. He was a charming youth, and he soon fell into our
|
||
ways. I may tell you--I trust that I am not indiscreet, but
|
||
half-confidences are absurd in such a case--that he was not
|
||
entirely happy at home. It is an open secret that the Duke's
|
||
married life had not been a peaceful one, and the matter had
|
||
ended in a separation by mutual consent, the Duchess taking up
|
||
her residence in the south of France. This had occurred very
|
||
shortly before, and the boy's sympathies are known to have been
|
||
strongly with his mother. He moped after her departure from
|
||
Holdernesse Hall, and it was for this reason that the Duke
|
||
desired to send him to my establishment. In a fortnight the boy
|
||
was quite at home with us and was apparently absolutely happy.
|
||
|
||
"He was last seen on the night of May 13th--that is, the night
|
||
of last Monday. His room was on the second floor and was
|
||
approached through another larger room, in which two boys were
|
||
sleeping. These boys saw and heard nothing, so that it is
|
||
certain that young Saltire did not pass out that way. His window
|
||
was open, and there is a stout ivy plant leading to the ground.
|
||
We could trace no footmarks below, but it is sure that this is
|
||
the only possible exit.
|
||
|
||
"His absence was discovered at seven o'clock on Tuesday morning.
|
||
His bed had been slept in. He had dressed himself fully, before
|
||
going off, in his usual school suit of black Eton jacket and
|
||
dark gray trousers. There were no signs that anyone had entered
|
||
the room, and it is quite certain that anything in the nature of
|
||
cries or ones struggle would have been heard, since Caunter, the
|
||
elder boy in the inner room, is a very light sleeper.
|
||
|
||
"When Lord Saltire's disappearance was discovered, I at once
|
||
called a roll of the whole establishment--boys, masters, and
|
||
servants. It was then that we ascertained that Lord Saltire had
|
||
not been alone in his flight. Heidegger, the German master, was
|
||
missing. His room was on the second floor, at the farther end of
|
||
the building, facing the same way as Lord Saltire's. His bed had
|
||
also been slept in, but he had apparently gone away partly
|
||
dressed, since his shirt and socks were lying on the floor. He
|
||
had undoubtedly let himself down by the ivy, for we could see
|
||
the marks of his feet where he had landed on the lawn. His
|
||
bicycle was kept in a small shed beside this lawn, and it also
|
||
was gone.
|
||
|
||
"He had been with me for two years, and came with the best
|
||
references, but he was a silent, morose man, not very popular
|
||
either with masters or boys. No trace could be found of the
|
||
fugitives, and now, on Thursday morning, we are as ignorant as
|
||
we were on Tuesday. Inquiry was, of course, made at once at
|
||
Holdernesse Hall. It is only a few miles away, and we imagined
|
||
that, in some sudden attack of homesickness, he had gone back to
|
||
his father, but nothing had been heard of him. The Duke is
|
||
greatly agitated, and, as to me, you have seen yourselves the
|
||
state of nervous prostration to which the suspense and the
|
||
responsibility have reduced me. Mr. Holmes, if ever you put
|
||
forward your full powers, I implore you to do so now, for never
|
||
in your life could you have a case which is more worthy of them."
|
||
|
||
Sherlock Holmes had listened with the utmost intentness to the
|
||
statement of the unhappy schoolmaster. His drawn brows and the
|
||
deep furrow between them showed that he needed no exhortation to
|
||
concentrate all his attention upon a problem which, apart from
|
||
the tremendous interests involved must appeal so directly to his
|
||
love of the complex and the unusual. He now drew out his
|
||
notebook and jotted down one or two memoranda.
|
||
|
||
"You have been very remiss in not coming to me sooner," said he,
|
||
severely. "You start me on my investigation with a very serious
|
||
handicap. It is inconceivable, for example, that this ivy and
|
||
this lawn would have yielded nothing to an expert observer."
|
||
|
||
"I am not to blame, Mr. Holmes. His Grace was extremely desirous
|
||
to avoid all public scandal. He was afraid of his family
|
||
unhappiness being dragged before the world. He has a deep horror
|
||
of anything of the kind."
|
||
|
||
"But there has been some official investigation?"
|
||
|
||
"Yes, sir, and it has proved most disappointing. An apparent
|
||
clue was at once obtained, since a boy and a young man were
|
||
reported to have been seen leaving a neighbouring station by an
|
||
early train. Only last night we had news that the couple had
|
||
been hunted down in Liverpool, and they prove to have no
|
||
connection whatever with the matter in hand. Then it was that in
|
||
my despair and disappointment, after a sleepless night, I came
|
||
straight to you by the early train."
|
||
|
||
"I suppose the local investigation was relaxed while this false
|
||
clue was being followed up?"
|
||
|
||
"It was entirely dropped."
|
||
|
||
"So that three days have been wasted. The affair has been most
|
||
deplorably handled."
|
||
|
||
"I feel it and admit it."
|
||
|
||
"And yet the problem should be capable of ultimate solution. I
|
||
shall be very happy to look into it. Have you been able to trace
|
||
any connection between the missing boy and this German master?"
|
||
|
||
"None at all."
|
||
|
||
"Was he in the master's class?"
|
||
|
||
"No, he never exchanged a word with him, so far as I know."
|
||
|
||
"That is certainly very singular. Had the boy a bicycle?"
|
||
|
||
"No."
|
||
|
||
"Was any other bicycle missing?"
|
||
|
||
"No."
|
||
|
||
"Is that certain?"
|
||
|
||
"Quite."
|
||
|
||
"Well, now, you do not mean to seriously suggest that this
|
||
German rode off upon a bicycle in the dead of the night, bearing
|
||
the boy in his arms?"
|
||
|
||
"Certainly not."
|
||
|
||
"Then what is the theory in your mind?"
|
||
|
||
"The bicycle may have been a blind. It may have been hidden
|
||
somewhere, and the pair gone off on foot."
|
||
|
||
"Quite so, but it seems rather an absurd blind, does it not?
|
||
Were there other bicycles in this shed?"
|
||
|
||
"Several."
|
||
|
||
"Would he not have hidden a couple, had he desired to give the
|
||
idea that they had gone off upon them?"
|
||
|
||
"I suppose he would."
|
||
|
||
"Of course he would. The blind theory won't do. But the incident
|
||
is an admirable starting-point for an investigation. After all,
|
||
a bicycle is not an easy thing to conceal or to destroy. One
|
||
other question. Did anyone call to see the boy on the day before
|
||
he disappeared?"
|
||
|
||
"No."
|
||
|
||
"Did he get any letters?"
|
||
|
||
"Yes, one letter."
|
||
|
||
"From whom?"
|
||
|
||
"From his father."
|
||
|
||
"Do you open the boys' letters?"
|
||
|
||
"No."
|
||
|
||
"How do you know it was from the father?"
|
||
|
||
"The coat of arms was on the envelope, and it was addressed in
|
||
the Duke's peculiar stiff hand. Besides, the Duke remembers
|
||
having written."
|
||
|
||
"When had he a letter before that?"
|
||
|
||
"Not for several days."
|
||
|
||
"Had he ever one from France?"
|
||
|
||
"No, never.
|
||
|
||
"You see the point of my questions, of course. Either the boy
|
||
was carried off by force or he went of his own free will. In the
|
||
latter case, you would expect that some prompting from outside
|
||
would be needed to make so young a lad do such a thing. If he
|
||
has had no visitors, that prompting must have come in letters;
|
||
hence I try to find out who were his correspondents."
|
||
|
||
"I fear I cannot help you much. His only correspondent, so far
|
||
as I know, was his own father."
|
||
|
||
"Who wrote to him on the very day of his disappearance. Were the
|
||
relations between father and son very friendly?"
|
||
|
||
"His Grace is never very friendly with anyone. He is completely
|
||
immersed in large public questions, and is rather inaccessible
|
||
to all ordinary emotions. But he was always kind to the boy in
|
||
his own way."
|
||
|
||
"But the sympathies of the latter were with the mother?"
|
||
|
||
"Yes."
|
||
|
||
"Did he say so?"
|
||
|
||
"No."
|
||
|
||
"The Duke, then?"
|
||
|
||
"Good heaven, no!"
|
||
|
||
"Then how could you know?"
|
||
|
||
"I have had some confidential talks with Mr. James Wilder, his
|
||
Graces secretary. It was he who gave me the information about
|
||
Lord Saltire's feelings."
|
||
|
||
"I see. By the way, that last letter of the Dukes--was it found
|
||
in the boy's room after he was gone?"
|
||
|
||
"No, he had taken it with him. I think, Mr. Holmes, it is time
|
||
that we were leaving for Euston."
|
||
|
||
"I will order a four-wheeler. In a quarter of an hour, we shall
|
||
be at your service. If you are telegraphing home, Mr. Huxtable,
|
||
it would be well to allow the people in your neighbourhood to
|
||
imagine that the inquiry is still going on in Liverpool, or
|
||
wherever else that red herring led your pack. In the meantime I
|
||
will do a little quiet work at your own doors, and perhaps the
|
||
scent is not so cold but that two old hounds like Watson and
|
||
myself may get a sniff of it."
|
||
|
||
That evening found us in the cold, bracing atmosphere of the
|
||
Peak country, in which Dr. Huxtable's famous school is situated.
|
||
It was already dark when we reached it. A card was lying on the
|
||
hall table, and the butler whispered something to his master,
|
||
who turned to us with agitation in every heavy feature.
|
||
|
||
"The Duke is here," said he. "The Duke and Mr. Wilder are in the
|
||
study. Come, gentlemen, and I will introduce you."
|
||
|
||
I was, of course, familiar with the pictures of the famous
|
||
statesman, but the man himself was very different from his
|
||
representation. He was a tall and stately person, scrupulously
|
||
dressed, with a drawn, thin face, and a nose which was
|
||
grotesquely curved and long. His complexion was of a dead
|
||
pallor, which was more startling by contrast with a long,
|
||
dwindling beard of vivid red, which flowed down over his white
|
||
waistcoat with his watch-chain gleaming through its fringe. Such
|
||
was the stately presence who looked stonily at us from the
|
||
centre of Dr. Huxtable's hearthrug. Beside him stood a very
|
||
young man, whom I understood to be Wilder, the private
|
||
secretary. He was small, nervous, alert with intelligent
|
||
light-blue eyes and mobile features. It was he who at once, in
|
||
an incisive and positive tone, opened the conversation.
|
||
|
||
"I called this morning, Dr. Huxtable, too late to prevent you
|
||
from starting for London. I learned that your object was to
|
||
invite Mr. Sherlock Holmes to undertake the conduct of this
|
||
case. His Grace is surprised, Dr. Huxtable, that you should have
|
||
taken such a step without consulting him."
|
||
|
||
"When I learned that the police had failed----"
|
||
|
||
"His Grace is by no means convinced that the police have failed."
|
||
|
||
"But surely, Mr. Wilder----"
|
||
|
||
"You are well aware, Dr. Huxtable, that his Grace is
|
||
particularly anxious to avoid all public scandal. He prefers to
|
||
take as few people as possible into his confidence."
|
||
|
||
"The matter can be easily remedied," said the brow-beaten doctor;
|
||
"Mr. Sherlock Holmes can return to London by the morning train."
|
||
|
||
"Hardly that, Doctor, hardly that," said Holmes, in his blandest
|
||
voice. "This northern air is invigorating and pleasant, so I
|
||
propose to spend a few days upon your moors, and to occupy my
|
||
mind as best I may. Whether I have the shelter of your roof or
|
||
of the village inn is, of course, for you to decide."
|
||
|
||
I could see that the unfortunate doctor was in the last stage of
|
||
indecision, from which he was rescued by the deep, sonorous
|
||
voice of the red-bearded Duke, which boomed out like a
|
||
dinner-gong.
|
||
|
||
"I agree with Mr. Wilder, Dr. Huxtable, that you would have done
|
||
wisely to consult me. But since Mr. Holmes has already been
|
||
taken into your confidence, it would indeed be absurd that we
|
||
should not avail ourselves of his services. Far from going to
|
||
the inn, Mr. Holmes, I should be pleased if you would come and
|
||
stay with me at Holdernesse Hall."
|
||
|
||
"I thank your Grace. For the purposes of my investigation, I
|
||
think that it would be wiser for me to remain at the scene of
|
||
the mystery."
|
||
|
||
"Just as you like, Mr. Holmes. Any information which Mr. Wilder
|
||
or I can give you is, of course, at your disposal."
|
||
|
||
"It will probably be necessary for me to see you at the Hall,"
|
||
said Holmes. "I would only ask you now, sir, whether you have
|
||
formed any explanation in your own mind as to the mysterious
|
||
disappearance of your son?"
|
||
|
||
"No sir I have not."
|
||
|
||
"Excuse me if I allude to that which is painful to you, but I
|
||
have no alternative. Do you think that the Duchess had anything
|
||
to do with the matter?"
|
||
|
||
The great minister showed perceptible hesitation.
|
||
|
||
"I do not think so," he said, at last.
|
||
|
||
"The other most obvious explanation is that the child has been
|
||
kidnapped for the purpose of levying ransom. You have not had
|
||
any demand of the sort?"
|
||
|
||
"No, sir."
|
||
|
||
"One more question, your Grace. I understand that you wrote to
|
||
your son upon the day when this incident occurred."
|
||
|
||
"No, I wrote upon the day before."
|
||
|
||
"Exactly. But he received it on that day?"
|
||
|
||
"Yes."
|
||
|
||
"Was there anything in your letter which might have unbalanced
|
||
him or induced him to take such a step?"
|
||
|
||
"No, sir, certainly not."
|
||
|
||
"Did you post that letter yourself?"
|
||
|
||
The nobleman's reply was interrupted by his secretary, who broke
|
||
in with some heat.
|
||
|
||
"His Grace is not in the habit of posting letters himself," said
|
||
he. "This letter was laid with others upon the study table, and
|
||
I myself put them in the post-bag."
|
||
|
||
"You are sure this one was among them?"
|
||
|
||
"Yes, I observed it."
|
||
|
||
"How many letters did your Grace write that day?"
|
||
|
||
"Twenty or thirty. I have a large correspondence. But surely
|
||
this is somewhat irrelevant?"
|
||
|
||
"Not entirely," said Holmes.
|
||
|
||
"For my own part," the Duke continued, "I have advised the
|
||
police to turn their attention to the south of France. I have
|
||
already said that I do not believe that the Duchess would
|
||
encourage so monstrous an action, but the lad had the most
|
||
wrong-headed opinions, and it is possible that he may have fled
|
||
to her, aided and abetted by this German. I think, Dr. Huxtable,
|
||
that we will now return to the Hall."
|
||
|
||
I could see that there were other questions which Holmes would
|
||
have wished to put, but the nobleman's abrupt manner showed that
|
||
the interview was at an end. It was evident that to his
|
||
intensely aristocratic nature this discussion of his intimate
|
||
family affairs with a stranger was most abhorrent, and that he
|
||
feared lest every fresh question would throw a fiercer light
|
||
into the discreetly shadowed corners of his ducal history.
|
||
|
||
When the nobleman and his secretary had left, my friend flung
|
||
himself at once with characteristic eagerness into the
|
||
investigation.
|
||
|
||
The boy's chamber was carefully examined, and yielded nothing
|
||
save the absolute conviction that it was only through the window
|
||
that he could have escaped. The German master's room and effects
|
||
gave no further clue. In his case a trailer of ivy had given way
|
||
under his weight, and we saw by the light of a lantern the mark
|
||
on the lawn where his heels had come down. That one dint in the
|
||
short, green grass was the only material witness left of this
|
||
inexplicable nocturnal flight.
|
||
|
||
Sherlock Holmes left the house alone, and only returned after
|
||
eleven. He had obtained a large ordnance map of the
|
||
neighbourhood, and this he brought into my room, where he laid
|
||
it out on the bed, and, having balanced the lamp in the middle
|
||
of it, he began to smoke over it, and occasionally to point out
|
||
objects of interest with the reeking amber of his pipe.
|
||
|
||
"This case grows upon me, Watson," said he. "There are decidedly
|
||
some points of interest in connection with it. In this early
|
||
stage, I want you to realize those geographical features which
|
||
may have a good deal to do with our investigation.
|
||
|
||
"Look at this map. This dark square is the Priory School. I'll
|
||
put a pin in it. Now, this line is the main road. You see that
|
||
it runs east and west past the school, and you see also that
|
||
there is no side road for a mile either way. If these two folk
|
||
passed away by road, it was THIS road."
|
||
|
||
|
||
GRAPHIC
|
||
|
||
|
||
"Exactly."
|
||
|
||
"By a singular and happy chance, we are able to some extent to
|
||
check what passed along this road during the night in question.
|
||
At this point, where my pipe is now resting, a county constable
|
||
was on duty from twelve to six. It is, as you perceive, the
|
||
first cross-road on the east side. This man declares that he was
|
||
not absent from his post for an instant, and he is positive that
|
||
neither boy nor man could have gone that way unseen. I have
|
||
spoken with this policeman to-night and he appears to me to be
|
||
a perfectly reliable person. That blocks this end. We have now
|
||
to deal with the other. There is an inn here, the Red Bull, the
|
||
landlady of which was ill. She had sent to Mackleton for a
|
||
doctor, but he did not arrive until morning, being absent at
|
||
another case. The people at the inn were alert all night,
|
||
awaiting his coming, and one or other of them seems to have
|
||
continually had an eye upon the road. They declare that no one
|
||
passed. If their evidence is good, then we are fortunate enough
|
||
to be able to block the west, and also to be able to say that
|
||
the fugitives did NOT use the road at all."
|
||
|
||
"But the bicycle?" I objected.
|
||
|
||
"Quite so. We will come to the bicycle presently. To continue
|
||
our reasoning: if these people did not go by the road, they must
|
||
have traversed the country to the north of the house or to the
|
||
south of the house. That is certain. Let us weigh the one
|
||
against the other. On the south of the house is, as you
|
||
perceive, a large district of arable land, cut up into small
|
||
fields, with stone walls between them. There, I admit that a
|
||
bicycle is impossible. We can dismiss the idea. We turn to the
|
||
country on the north. Here there lies a grove of trees, marked
|
||
as the `Ragged Shaw,' and on the farther side stretches a great
|
||
rolling moor, Lower Gill Moor, extending for ten miles and
|
||
sloping gradually upward. Here, at one side of this wilderness,
|
||
is Holdernesse Hall, ten miles by road, but only six across the
|
||
moor. It is a peculiarly desolate plain. A few moor farmers have
|
||
small holdings, where they rear sheep and cattle. Except these,
|
||
the plover and the curlew are the only inhabitants until you
|
||
come to the Chesterfield high road. There is a church there, you
|
||
see, a few cottages, and an inn. Beyond that the hills become
|
||
precipitous. Surely it is here to the north that our quest must lie."
|
||
|
||
"But the bicycle?" I persisted.
|
||
|
||
"Well, well!" said Holmes, impatiently. "A good cyclist does not
|
||
need a high road. The moor is intersected with paths, and the
|
||
moon was at the full. Halloa! what is this?"
|
||
|
||
There was an agitated knock at the door, and an instant
|
||
afterwards Dr. Huxtable was in the room. In his hand he held a
|
||
blue cricket-cap with a white chevron on the peak.
|
||
|
||
"At last we have a clue!" he cried. "Thank heaven! at last we
|
||
are on the dear boy's track! It is his cap."
|
||
|
||
"Where was it found?"
|
||
|
||
"In the van of the gipsies who camped on the moor. They left on
|
||
Tuesday. To-day the police traced them down and examined their
|
||
caravan. This was found."
|
||
|
||
"How do they account for it?"
|
||
|
||
"They shuffled and lied--said that they found it on the moor on
|
||
Tuesday morning. They know where he is, the rascals! Thank
|
||
goodness, they are all safe under lock and key. Either the fear
|
||
of the law or the Duke's purse will certainly get out of them
|
||
all that they know."
|
||
|
||
"So far, so good," said Holmes, when the doctor had at last left
|
||
the room. "It at least bears out the theory that it is on the
|
||
side of the Lower Gill Moor that we must hope for results. The
|
||
police have really done nothing locally, save the arrest of
|
||
these gipsies. Look here, Watson! There is a watercourse across
|
||
the moor. You see it marked here in the map. In some parts it
|
||
widens into a morass. This is particularly so in the region
|
||
between Holdernesse Hall and the school. It is vain to look
|
||
elsewhere for tracks in this dry weather, but at THAT point
|
||
there is certainly a chance of some record being left. I will
|
||
call you early to-morrow morning, and you and I will try if we
|
||
can throw some little light upon the mystery."
|
||
|
||
The day was just breaking when I woke to find the long, thin
|
||
form of Holmes by my bedside. He was fully dressed, and had
|
||
apparently already been out.
|
||
|
||
"I have done the lawn and the bicycle shed," said, he. "I have
|
||
also had a rumble through the Ragged Shaw. Now, Watson, there is
|
||
cocoa ready in the next room. I must beg you to hurry, for we
|
||
have a great day before us."
|
||
|
||
His eyes shone, and his cheek was flushed with the exhilaration
|
||
of the master workman who sees his work lie ready before him. A
|
||
very different Holmes, this active, alert man, from the
|
||
introspective and pallid dreamer of Baker Street. I felt, as I
|
||
looked upon that supple, figure, alive with nervous energy, that
|
||
it was indeed a strenuous day that awaited us.
|
||
|
||
And yet it opened in the blackest disappointment. With high
|
||
hopes we struck across the peaty, russet moor, intersected with
|
||
a thousand sheep paths, until we came to the broad, light-green
|
||
belt which marked the morass between us and Holdernesse.
|
||
Certainly, if the lad had gone homeward, he must have passed
|
||
this, and he could not pass it without leaving his traces. But
|
||
no sign of him or the German could be seen. With a darkening
|
||
face my friend strode along the margin, eagerly observant of
|
||
every muddy stain upon the mossy surface. Sheep-marks there were
|
||
in profusion, and at one place, some miles down, cows had left
|
||
their tracks. Nothing more.
|
||
|
||
"Check number one," said Holmes, looking gloomily over the
|
||
rolling expanse of the moor. "There is another morass down
|
||
yonder, and a narrow neck between. Halloa! halloa! halloa! what
|
||
have we here?"
|
||
|
||
We had come on a small black ribbon of pathway. In the middle of
|
||
it, clearly marked on the sodden soil, was the track of a bicycle.
|
||
|
||
"Hurrah!" I cried. "We have it."
|
||
|
||
But Holmes was shaking his head, and his face was puzzled and
|
||
expectant rather than joyous.
|
||
|
||
"A bicycle, certainly, but not THE bicycle," said he. "I am
|
||
familiar with forty-two different impressions left by tires.
|
||
This, as you perceive, is a Dunlop, with a patch upon the outer
|
||
cover. Heidegger's tires were Palmer's, leaving longitudinal
|
||
stripes. Aveling, the mathematical master, was sure upon the
|
||
point. Therefore, it is not Heidegger's track."
|
||
|
||
"The boy's, then?"
|
||
|
||
"Possibly, if we could prove a bicycle to have been in his
|
||
possession. But this we have utterly failed to do. This track,
|
||
as you perceive, was made by a rider who was going from the
|
||
direction of the school."
|
||
|
||
"Or towards it?"
|
||
|
||
"No, no, my dear Watson. The more deeply sunk impression is,
|
||
of course, the hind wheel, upon which the weight rests. You
|
||
perceive several places where it has passed across and
|
||
obliterated the more shallow mark of the front one. It was
|
||
undoubtedly heading away from the school. It may or may not be
|
||
connected with our inquiry, but we will follow it backwards
|
||
before we go any farther."
|
||
|
||
We did so, and at the end of a few hundred yards lost the tracks
|
||
as we emerged from the boggy portion of the moor. Following the
|
||
path backwards, we picked out another spot, where a spring
|
||
trickled across it. Here, once again, was the mark of the
|
||
bicycle, though nearly obliterated by the hoofs of cows. After
|
||
that there was no sign, but the path ran right on into Ragged Shaw,
|
||
the wood which backed on to the school. From this wood the
|
||
cycle must have emerged. Holmes sat down on a boulder and rested
|
||
his chin in his hands. I had smoked two cigarettes before he moved.
|
||
|
||
"Well, well," said he, at last. "It is, of course, possible that
|
||
a cunning man might change the tires of his bicycle in order to
|
||
leave unfamiliar tracks. A criminal who was capable of such a
|
||
thought is a man whom I should be proud to do business with. We
|
||
will leave this question undecided and hark back to our morass
|
||
again, for we have left a good deal unexplored."
|
||
|
||
We continued our systematic survey of the edge of the sodden
|
||
portion of the moor, and soon our perseverance was gloriously
|
||
rewarded. Right across the lower part of the bog lay a miry
|
||
path. Holmes gave a cry of delight as he approached it. An
|
||
impression like a fine bundle of telegraph wires ran down the
|
||
centre of it. It was the Palmer tires.
|
||
|
||
"Here is Herr Heidegger, sure enough!" cried Holmes, exultantly.
|
||
"My reasoning seems to have been pretty sound, Watson."
|
||
|
||
"I congratulate you."
|
||
|
||
"But we have a long way still to go. Kindly walk clear of the
|
||
path. Now let us follow the trail. I fear that it will not lead
|
||
very far."
|
||
|
||
We found, however, as we advanced that this portion of the moor
|
||
is intersected with soft patches, and, though we frequently lost
|
||
sight of the track, we always succeeded in picking it up once more.
|
||
|
||
"Do you observe," said Holmes, "that the rider is now
|
||
undoubtedly forcing the pace? There can be no doubt of it. Look
|
||
at this impression, where you get both tires clear. The one is
|
||
as deep as the other. That can only mean that the rider is
|
||
throwing his weight on to the handle-bar, as a man does when he
|
||
is sprinting. By Jove! he has had a fall."
|
||
|
||
There was a broad, irregular smudge covering some yards of the
|
||
track. Then there were a few footmarks, and the tire reappeared
|
||
once more.
|
||
|
||
"A side-slip," I suggested.
|
||
|
||
Holmes held up a crumpled branch of flowering gorse. To my
|
||
horror I perceived that the yellow blossoms were all dabbled
|
||
with crimson. On the path, too, and among the heather were dark
|
||
stains of clotted blood.
|
||
|
||
"Bad!" said Holmes. "Bad! Stand clear, Watson! Not an
|
||
unnecessary footstep! What do I read here? He fell wounded--he
|
||
stood up--he remounted--he proceeded. But there is no other
|
||
track. Cattle on this side path. He was surely not gored by a
|
||
bull? Impossible! But I see no traces of anyone else. We must
|
||
push on, Watson. Surely, with stains as well as the track to
|
||
guide us, he cannot escape us now."
|
||
|
||
Our search was not a very long one. The tracks of the tire began
|
||
to curve fantastically upon the wet and shining path. Suddenly,
|
||
as I looked ahead, the gleam of metal caught my eye from amid the
|
||
thick gorse-bushes. Out of them we dragged a bicycle,
|
||
Palmer-tired, one pedal bent, and the whole front of it horribly
|
||
smeared and slobbered with blood. On the other side of the
|
||
bushes a shoe was projecting. We ran round, and there lay the
|
||
unfortunate rider. He was a tall man, full-bearded, with
|
||
spectacles, one glass of which had been knocked out. The cause
|
||
of his death was a frightful blow upon the head, which had
|
||
crushed in part of his skull. That he could have gone on after
|
||
receiving such an injury said much for the vitality and courage of
|
||
the man. He wore shoes, but no socks, and his open coat disclosed
|
||
a nightshirt beneath it. It was undoubtedly the German master.
|
||
|
||
Holmes turned the body over reverently, and examined it with
|
||
great attention. He then sat in deep thought for a time, and I
|
||
could see by his ruffled brow that this grim discovery had not,
|
||
in his opinion, advanced us much in our inquiry.
|
||
|
||
"It is a little difficult to know what to do, Watson," said he,
|
||
at last. "My own inclinations are to push this inquiry on, for
|
||
we have already lost so much time that we cannot afford to waste
|
||
another hour. On the other hand, we are bound to inform the
|
||
police of the discovery, and to see that this poor fellow's body
|
||
is looked after."
|
||
|
||
"I could take a note back."
|
||
|
||
"But I need your company and assistance. Wait a bit! There is a
|
||
fellow cutting peat up yonder. Bring him over here, and he will
|
||
guide the police."
|
||
|
||
I brought the peasant across, and Holmes dispatched the
|
||
frightened man with a note to Dr. Huxtable.
|
||
|
||
"Now, Watson," said he, "we have picked up two clues this
|
||
morning. One is the bicycle with the Palmer tire, and we see
|
||
what that has led to. The other is the bicycle with the patched
|
||
Dunlop. Before we start to investigate that, let us try to
|
||
realize what we do know, so as to make the most of it, and to
|
||
separate the essential from the accidental."
|
||
|
||
"First of all, I wish to impress upon you that the boy certainly
|
||
left of his own free-will. He got down from his window and he
|
||
went off, either alone or with someone. That is sure."
|
||
|
||
I assented.
|
||
|
||
"Well, now, let us turn to this unfortunate German master. The
|
||
boy was fully dressed when he fled. Therefore, he foresaw what
|
||
he would do. But the German went without his socks. He certainly
|
||
acted on very short notice."
|
||
|
||
"Undoubtedly."
|
||
|
||
"Why did he go? Because, from his bedroom window, he saw the
|
||
flight of the boy, because he wished to overtake him and bring
|
||
him back. He seized his bicycle, pursued the lad, and in
|
||
pursuing him met his death."
|
||
|
||
"So it would seem."
|
||
|
||
"Now I come to the critical part of my argument. The natural
|
||
action of a man in pursuing a little boy would be to run after
|
||
him. He would know that he could overtake him. But the German
|
||
does not do so. He turns to his bicycle. I am told that he was
|
||
an excellent cyclist. He would not do this, if he did not see
|
||
that the boy had some swift means of escape."
|
||
|
||
"The other bicycle."
|
||
|
||
"Let us continue our reconstruction. He meets his death five
|
||
miles from the school--not by a bullet, mark you, which even a
|
||
lad might conceivably discharge, but by a savage blow dealt by
|
||
a vigorous arm. The lad, then, HAD a companion in his flight.
|
||
And the flight was a swift one, since it took five miles before
|
||
an expert cyclist could overtake them. Yet we survey the ground
|
||
round the scene of the tragedy. What do we find? A few
|
||
cattle-tracks, nothing more. I took a wide sweep round, and
|
||
there is no path within fifty yards. Another cyclist could have
|
||
had nothing to do with the actual murder, nor were there any
|
||
human foot-marks."
|
||
|
||
"Holmes," I cried, "this is impossible."
|
||
|
||
"Admirable!" he said. "A most illuminating remark. It IS
|
||
impossible as I state it, and therefore I must in some respect
|
||
have stated it wrong. Yet you saw for yourself. Can you suggest
|
||
any fallacy?"
|
||
|
||
"He could not have fractured his skull in a fall?"
|
||
|
||
"In a morass, Watson?"
|
||
|
||
"I am at my wit's end."
|
||
|
||
"Tut, tut, we have solved some worse problems. At least we have
|
||
plenty of material, if we can only use it. Come, then, and,
|
||
having exhausted the Palmer, let us see what the Dunlop with the
|
||
patched cover has to offer us."
|
||
|
||
We picked up the track and followed it onward for some distance,
|
||
but soon the moor rose into a long, heather-tufted curve, and we
|
||
left the watercourse behind us. No further help from tracks
|
||
could be hoped for. At the spot where we saw the last of the
|
||
Dunlop tire it might equally have led to Holdernesse Hall, the
|
||
stately towers of which rose some miles to our left, or to a
|
||
low, gray village which lay in front of us and marked the
|
||
position of the Chesterfield high road.
|
||
|
||
As we approached the forbidding and squalid inn, with the sign
|
||
of a game-cock above the door, Holmes gave a sudden groan, and
|
||
clutched me by the shoulder to save himself from falling. He had
|
||
had one of those violent strains of the ankle which leave a man
|
||
helpless. With difficulty he limped up to the door, where a
|
||
squat, dark, elderly man was smoking a black clay pipe.
|
||
|
||
"How are you, Mr. Reuben Hayes?" said Holmes.
|
||
|
||
"Who are you, and how do you get my name so pat?" the countryman
|
||
answered, with a suspicious flash of a pair of cunning eyes.
|
||
|
||
"Well, it's printed on the board above your head. It's easy to
|
||
see a man who is master of his own house. I suppose you haven't
|
||
such a thing as a carriage in your stables?"
|
||
|
||
"No, I have not."
|
||
|
||
"I can hardly put my foot to the ground."
|
||
|
||
"Don't put it to the ground."
|
||
|
||
"But I can't walk."
|
||
|
||
"Well, then hop."
|
||
|
||
Mr. Reuben Hayes's manner was far from gracious, but Holmes took
|
||
it with admirable good-humour.
|
||
|
||
"Look here, my man," said he. "This is really rather an awkward
|
||
fix for me. I don't mind how I get on."
|
||
|
||
"Neither do I," said the morose landlord.
|
||
|
||
"The matter is very important. I would offer you a sovereign for
|
||
the use of a bicycle."
|
||
|
||
The landlord pricked up his ears.
|
||
|
||
"Where do you want to go?"
|
||
|
||
"To Holdernesse Hall."
|
||
|
||
"Pals of the Dook, I suppose?" said the landlord, surveying our
|
||
mud-stained garments with ironical eyes.
|
||
|
||
Holmes laughed good-naturedly.
|
||
|
||
"He'll be glad to see us, anyhow."
|
||
|
||
"Why?"
|
||
|
||
"Because we bring him news of his lost son."
|
||
|
||
The landlord gave a very visible start.
|
||
|
||
"What, you're on his track?"
|
||
|
||
"He has been heard of in Liverpool. They expect to get him every hour."
|
||
|
||
Again a swift change passed over the heavy, unshaven face. His
|
||
manner was suddenly genial.
|
||
|
||
"I've less reason to wish the Dook well than most men," said he,
|
||
"for I was head coachman once, and cruel bad he treated me. It
|
||
was him that sacked me without a character on the word of a
|
||
lying corn-chandler. But I'm glad to hear that the young lord
|
||
was heard of in Liverpool, and I'll help you to take the news to
|
||
the Hall."
|
||
|
||
"Thank you," said Holmes. "Well have some food first. Then you
|
||
can bring round the bicycle."
|
||
|
||
"I haven't got a bicycle."
|
||
|
||
Holmes held up a sovereign.
|
||
|
||
"I tell you, man, that I haven't got one. I'll let you have two
|
||
horses as far as the Hall."
|
||
|
||
"Well, well," said Holmes, "well talk about it when we've had
|
||
something to eat."
|
||
|
||
When we were left alone in the stone-flagged kitchen, it was
|
||
astonishing how rapidly that sprained ankle recovered. It was
|
||
nearly nightfall, and we had eaten nothing since early morning,
|
||
so that we spent some time over our meal. Holmes was lost in
|
||
thought, and once or twice he walked over to the window and
|
||
stared earnestly out. It opened on to a squalid courtyard. In
|
||
the far corner was a smithy, where a grimy lad was at work. On
|
||
the other side were the stables. Holmes had sat down again after
|
||
one of these excursions, when he suddenly sprang out of his
|
||
chair with a loud exclamation.
|
||
|
||
"By heaven, Watson, I believe that I've got it!" he cried. "Yes,
|
||
yes, it must be so. Watson, do you remember seeing any
|
||
cow-tracks to-day?"
|
||
|
||
"Yes, several."
|
||
|
||
"Were?"
|
||
|
||
"Well, everywhere. They were at the morass, and again on the
|
||
path, and again near where poor Heidegger met his death."
|
||
|
||
"Exactly. Well, now, Watson, how many cows did you see on the moor?"
|
||
|
||
"I don't remember seeing any."
|
||
|
||
"Strange, Watson, that we should see tracks all along our line,
|
||
but never a cow on the whole moor. Very strange, Watson, eh?"
|
||
|
||
"Yes, it is strange."
|
||
|
||
"Now, Watson, make an effort, throw your mind back. Can you see
|
||
those tracks upon the path?"
|
||
|
||
"Yes, I can."
|
||
|
||
"Can you recall that the tracks were sometimes like that,
|
||
Watson"--he arranged a number of bread-crumbs in this fashion--
|
||
: : : : :--"and sometimes like this"--: . : . : . : .--"and
|
||
occasionally like this"--. : . : . : . "Can you remember that?"
|
||
|
||
"No, I cannot."
|
||
|
||
"But I can. I could swear to it. However, we will go back at our
|
||
leisure and verify it. What a blind beetle I have been, not to
|
||
draw my conclusion."
|
||
|
||
"And what is your conclusion?"
|
||
|
||
"Only that it is a remarkable cow which walks, canters, and
|
||
gallops. By George! Watson, it was no brain of a country
|
||
publican that thought out such a blind as that. The coast seems
|
||
to be clear, save for that lad in the smithy. Let us slip out
|
||
and see what we can see."
|
||
|
||
There were two rough-haired, unkempt horses in the tumble-down
|
||
stable. Holmes raised the hind leg of one of them and laughed aloud.
|
||
|
||
"Old shoes, but newly shod--old shoes, but new nails. This case
|
||
deserves to be a classic. Let us go across to the smithy."
|
||
|
||
The lad continued his work without regarding us. I saw Holmes's
|
||
eye darting to right and left among the litter of iron and wood
|
||
which was scattered about the floor. Suddenly, however, we heard
|
||
a step behind us, and there was the landlord, his heavy eyebrows
|
||
drawn over his savage eyes, his swarthy features convulsed with
|
||
passion. He held a short, metal-headed stick in his hand, and he
|
||
advanced in so menacing a fashion that I was right glad to feel
|
||
the revolver in my pocket.
|
||
|
||
"You infernal spies!" the man cried. "What are you doing there?"
|
||
|
||
"Why, Mr. Reuben Hayes," said Holmes, coolly, "one might think
|
||
that you were afraid of our finding something out."
|
||
|
||
The man mastered himself with a violent effort, and his grim
|
||
mouth loosened into a false laugh, which was more menacing than
|
||
his frown.
|
||
|
||
"You're welcome to all you can find out in my smithy," said he.
|
||
"But look here, mister, I don't care for folk poking about my
|
||
place without my leave, so the sooner you pay your score and get
|
||
out of this the better I shall be pleased."
|
||
|
||
"All right, Mr. Hayes, no harm meant," said Holmes. "We have
|
||
been having a look at your horses, but I think I'll walk, after
|
||
all. It's not far, I believe."
|
||
|
||
"Not more than two miles to the Hall gates. That's the road to
|
||
the left." He watched us with sullen eyes until we had left his
|
||
premises.
|
||
|
||
We did not go very far along the road, for Holmes stopped the
|
||
instant that the curve hid us from the landlord's view.
|
||
|
||
"We were warm, as the children say, at that inn," said he. "I
|
||
seem to grow colder every step that I take away from it. No, no,
|
||
I can't possibly leave it."
|
||
|
||
"I am convinced," said I, "that this Reuben Hayes knows all
|
||
about it. A more self-evident villain I never saw."
|
||
|
||
"Oh! he impressed you in that way, did he? There are the horses,
|
||
there is the smithy. Yes, it is an interesting place, this
|
||
Fighting Cock. I think we shall have another look at it in an
|
||
unobtrusive way."
|
||
|
||
A long, sloping hillside, dotted with gray limestone boulders,
|
||
stretched behind us. We had turned off the road, and were making
|
||
our way up the hill, when, looking in the direction of
|
||
Holdernesse Hall, I saw a cyclist coming swiftly along.
|
||
|
||
"Get down, Watson!" cried Holmes, with a heavy hand upon my
|
||
shoulder. We had hardly sunk from view when the man flew past us
|
||
on the road. Amid a rolling cloud of dust, I caught a glimpse of
|
||
a pale, agitated face--a face with horror in every lineament,
|
||
the mouth open, the eyes staring wildly in front. It was like
|
||
some strange caricature of the dapper James Wilder whom we had
|
||
seen the night before.
|
||
|
||
"The Duke's secretary!" cried Holmes. "Come, Watson, let us see
|
||
what he does."
|
||
|
||
We scrambled from rock to rock, until in a few moments we had
|
||
made our way to a point from which we could see the front door
|
||
of the inn. Wilder's bicycle was leaning against the wall beside
|
||
it. No one was moving about the house, nor could we catch a
|
||
glimpse of any faces at the windows. Slowly the twilight crept
|
||
down as the sun sank behind the high towers of Holdernesse Hall.
|
||
Then, in the gloom, we saw the two side-lamps of a trap light up
|
||
in the stable-yard of the inn, and shortly afterwards heard the
|
||
rattle of hoofs, as it wheeled out into the road and tore off at
|
||
a furious pace in the direction of Chesterfield.
|
||
|
||
"What do you make of that, Watson?" Holmes whispered.
|
||
|
||
"It looks like a flight."
|
||
|
||
"A single man in a dog-cart, so far as I could see. Well, it
|
||
certainly was not Mr. James Wilder, for there he is at the door."
|
||
|
||
A red square of light had sprung out of the darkness. In the
|
||
middle of it was the black figure of the secretary, his head
|
||
advanced, peering out into the night. It was evident that he was
|
||
expecting someone. Then at last there were steps in the road, a
|
||
second figure was visible for an instant against the light, the
|
||
door shut, and all was black once more. Five minutes later a
|
||
lamp was lit in a room upon the first floor.
|
||
|
||
"It seems to be a curious class of custom that is done by the
|
||
Fighting Cock," said Holmes.
|
||
|
||
"The bar is on the other side."
|
||
|
||
"Quite so. These are what one may call the private guests. Now,
|
||
what in the world is Mr. James Wilder doing in that den at this
|
||
hour of night, and who is the companion who comes to meet him
|
||
there? Come, Watson, we must really take a risk and try to
|
||
investigate this a little more closely."
|
||
|
||
Together we stole down to the road and crept across to the door
|
||
of the inn. The bicycle still leaned against the wall. Holmes
|
||
struck a match and held it to the back wheel, and I heard him
|
||
chuckle as the light fell upon a patched Dunlop tire. Up above
|
||
us was the lighted window.
|
||
|
||
"I must have a peep through that, Watson. If you bend your back
|
||
and support yourself upon the wall, I think that I can manage."
|
||
|
||
An instant later, his feet were on my shoulders, but he was
|
||
hardly up before he was down again.
|
||
|
||
"Come, my friend," said he, "our day's work has been quite long
|
||
enough. I think that we have gathered all that we can. It's a
|
||
long walk to the school, and the sooner we get started the better."
|
||
|
||
He hardly opened his lips during that weary trudge across the
|
||
moor, nor would he enter the school when he reached it, but went
|
||
on to Mackleton Station, whence he could send some telegrams.
|
||
Late at night I heard him consoling Dr. Huxtable, prostrated by
|
||
the tragedy of his master's death, and later still he entered my
|
||
room as alert and vigorous as he had been when he started in the
|
||
morning. "All goes well, my friend," said he. "I promise that
|
||
before to-morrow evening we shall have reached the solution of
|
||
the mystery."
|
||
|
||
At eleven o'clock next morning my friend and I were walking up
|
||
the famous yew avenue of Holdernesse Hall. We were ushered
|
||
through the magnificent Elizabethan doorway and into his Grace's
|
||
study. There we found Mr. James Wilder, demure and courtly, but
|
||
with some trace of that wild terror of the night before still
|
||
lurking in his furtive eyes and in his twitching features.
|
||
|
||
"You have come to see his Grace? I am sorry, but the fact is
|
||
that the Duke is far from well. He has been very much upset by
|
||
the tragic news. We received a telegram from Dr. Huxtable
|
||
yesterday afternoon, which told us of your discovery."
|
||
|
||
"I must see the Duke, Mr. Wilder."
|
||
|
||
"But he is in his room."
|
||
|
||
"Then I must go to his room."
|
||
|
||
"I believe he is in his bed."
|
||
|
||
"I will see him there."
|
||
|
||
Holmes's cold and inexorable manner showed the secretary that it
|
||
was useless to argue with him.
|
||
|
||
"Very good, Mr. Holmes, I will tell him that you are here."
|
||
|
||
After an hour's delay, the great nobleman appeared. His face was
|
||
more cadaverous than ever, his shoulders had rounded, and he
|
||
seemed to me to be an altogether older man than he had been the
|
||
morning before. He greeted us with a stately courtesy and seated
|
||
himself at his desk, his red beard streaming down on the table.
|
||
|
||
"Well, Mr. Holmes?" said he.
|
||
|
||
But my friend's eyes were fixed upon the secretary, who stood by
|
||
his master's chair.
|
||
|
||
"I think, your Grace, that I could speak more freely in Mr.
|
||
Wilder's absence."
|
||
|
||
The man turned a shade paler and cast a malignant glance at Holmes.
|
||
|
||
"If your Grace wishes----"
|
||
|
||
"Yes, yes, you had better go. Now, Mr. Holmes, what have you to say?"
|
||
|
||
My friend waited until the door had closed behind the retreating
|
||
secretary.
|
||
|
||
"The fact is, your Grace," said he, "that my colleague, Dr.
|
||
Watson, and myself had an assurance from Dr. Huxtable that a
|
||
reward had been offered in this case. I should like to have this
|
||
confirmed from your own lips."
|
||
|
||
"Certainly, Mr. Holmes."
|
||
|
||
"It amounted, if I am correctly informed, to five thousand
|
||
pounds to anyone who will tell you where your son is?"
|
||
|
||
"Exactly."
|
||
|
||
"And another thousand to the man who will name the person or
|
||
persons who keep him in custody?"
|
||
|
||
"Exactly."
|
||
|
||
"Under the latter heading is included, no doubt, not only those
|
||
who may have taken him away, but also those who conspire to keep
|
||
him in his present position?"
|
||
|
||
"Yes, yes," cried the Duke, impatiently. "If you do your work
|
||
well, Mr. Sherlock Holmes, you will have no reason to complain
|
||
of niggardly treatment."
|
||
|
||
My friend rubbed his thin hands together with an appearance of
|
||
avidity which was a surprise to me, who knew his frugal tastes.
|
||
|
||
"I fancy that I see your Grace's check-book upon the table,"
|
||
said he. "I should be glad if you would make me out a check for
|
||
six thousand pounds. It would be as well, perhaps, for you to
|
||
cross it. The Capital and Counties Bank, Oxford Street branch
|
||
are my agents."
|
||
|
||
His Grace sat very stern and upright in his chair and looked
|
||
stonily at my friend.
|
||
|
||
"Is this a joke, Mr. Holmes? It is hardly a subject for pleasantry."
|
||
|
||
"Not at all, your Grace. I was never more earnest in my life."
|
||
|
||
"What do you mean, then?"
|
||
|
||
"I mean that I have earned the reward. I know where your son is,
|
||
and I know some, at least, of those who are holding him."
|
||
|
||
The Duke's beard had turned more aggressively red than ever
|
||
against his ghastly white face.
|
||
|
||
"Where is he?" he gasped.
|
||
|
||
"He is, or was last night, at the Fighting Cock Inn, about two
|
||
miles from your park gate."
|
||
|
||
The Duke fell back in his chair.
|
||
|
||
"And whom do you accuse?"
|
||
|
||
Sherlock Holmes's answer was an astounding one. He stepped
|
||
swiftly forward and touched the Duke upon the shoulder.
|
||
|
||
"I accuse YOU," said he. "And now, your Grace, I'll trouble you
|
||
for that check."
|
||
|
||
Never shall I forget the Duke's appearance as he sprang up and
|
||
clawed with his hands, like one who is sinking into an abyss.
|
||
Then, with an extraordinary effort of aristocratic self-command,
|
||
he sat down and sank his face in his hands. It was some minutes
|
||
before he spoke.
|
||
|
||
"How much do you know?" he asked at last, without raising his head.
|
||
|
||
"I saw you together last night."
|
||
|
||
"Does anyone else beside your friend know?"
|
||
|
||
"I have spoken to no one."
|
||
|
||
The Duke took a pen in his quivering fingers and opened his
|
||
check-book.
|
||
|
||
"I shall be as good as my word, Mr. Holmes. I am about to write
|
||
your check, however unwelcome the information which you have
|
||
gained may be to me. When the offer was first made, I little
|
||
thought the turn which events might take. But you and your
|
||
friend are men of discretion, Mr. Holmes?"
|
||
|
||
"I hardly understand your Grace."
|
||
|
||
"I must put it plainly, Mr. Holmes. If only you two know of this
|
||
incident, there is no reason why it should go any farther. I
|
||
think twelve thousand pounds is the sum that I owe you, is it not?"
|
||
|
||
But Holmes smiled and shook his head.
|
||
|
||
"I fear, your Grace, that matters can hardly be arranged so easily.
|
||
There is the death of this schoolmaster to be accounted for."
|
||
|
||
"But James knew nothing of that. You cannot hold him responsible
|
||
for that. It was the work of this brutal ruffian whom he had the
|
||
misfortune to employ."
|
||
|
||
"I must take the view, your Grace, that when a man embarks upon
|
||
a crime, he is morally guilty of any other crime which may
|
||
spring from it."
|
||
|
||
"Morally, Mr. Holmes. No doubt you are right. But surely not in
|
||
the eyes of the law. A man cannot be condemned for a murder at
|
||
which he was not present, and which he loathes and abhors as
|
||
much as you do. The instant that he heard of it he made a
|
||
complete confession to me, so filled was he with horror and
|
||
remorse. He lost not an hour in breaking entirely with the
|
||
murderer. Oh, Mr. Holmes, you must save him--you must save him!
|
||
I tell you that you must save him!" The Duke had dropped the
|
||
last attempt at self-command, and was pacing the room with a
|
||
convulsed face and with his clenched hands raving in the air. At
|
||
last he mastered himself and sat down once more at his desk. "I
|
||
appreciate your conduct in coming here before you spoke to
|
||
anyone else," said he. "At least, we may take counsel how far we
|
||
can minimize this hideous scandal."
|
||
|
||
"Exactly," said Holmes. "I think, your Grace, that this can only
|
||
be done by absolute frankness between us. I am disposed to help
|
||
your Grace to the best of my ability, but, in order to do so, I
|
||
must understand to the last detail how the matter stands. I
|
||
realize that your words applied to Mr. James Wilder, and that he
|
||
is not the murderer."
|
||
|
||
"No, the murderer has escaped."
|
||
|
||
Sherlock Holmes smiled demurely.
|
||
|
||
"Your Grace can hardly have heard of any small reputation which
|
||
I possess, or you would not imagine that it is so easy to escape
|
||
me. Mr. Reuben Hayes was arrested at Chesterfield, on my
|
||
information, at eleven o'clock last night. I had a telegram from
|
||
the head of the local police before I left the school this morning."
|
||
|
||
The Duke leaned back in his chair and stared with amazement at
|
||
my friend.
|
||
|
||
"You seem to have powers that are hardly human," said he. "So
|
||
Reuben Hayes is taken? I am right glad to hear it, if it will
|
||
not react upon the fate of James."
|
||
|
||
"Your secretary?"
|
||
|
||
"No, sir, my son."
|
||
|
||
It was Holmes's turn to look astonished.
|
||
|
||
"I confess that this is entirely new to me, your Grace. I must
|
||
beg you to be more explicit."
|
||
|
||
"I will conceal nothing from you. I agree with you that complete
|
||
frankness, however painful it may be to me, is the best policy
|
||
in this desperate situation to which James's folly and jealousy
|
||
have reduced us. When I was a very young man, Mr. Holmes, I
|
||
loved with such a love as comes only once in a lifetime. I
|
||
offered the lady marriage, but she refused it on the grounds
|
||
that such a match might mar my career. Had she lived, I would
|
||
certainly never have married anyone else. She died, and left
|
||
this one child, whom for her sake I have cherished and cared
|
||
for. I could not acknowledge the paternity to the world, but I
|
||
gave him the best of educations, and since he came to manhood I
|
||
have kept him near my person. He surprised my secret, and has
|
||
presumed ever since upon the claim which he has upon me, and
|
||
upon his power of provoking a scandal which would be abhorrent
|
||
to me. His presence had something to do with the unhappy issue
|
||
of my marriage. Above all, he hated my young legitimate heir
|
||
from the first with a persistent hatred. You may well ask me
|
||
why, under these circumstances, I still kept James under my
|
||
roof. I answer that it was because I could see his mother's face
|
||
in his, and that for her dear sake there was no end to my
|
||
long-suffering. All her pretty ways too--there was not one of
|
||
them which he could not suggest and bring back to my memory. I
|
||
COULD not send him away. But I feared so much lest he should do
|
||
Arthur--that is, Lord Saltire--a mischief, that I dispatched him
|
||
for safety to Dr. Huxtable's school.
|
||
|
||
"James came into contact with this fellow Hayes, because the man
|
||
was a tenant of mine, and James acted as agent. The fellow was
|
||
a rascal from the beginning, but, in some extraordinary way,
|
||
James became intimate with him. He had always a taste for low
|
||
company. When James determined to kidnap Lord Saltire, it was of
|
||
this man's service that he availed himself. You remember that I
|
||
wrote to Arthur upon that last day. Well, James opened the
|
||
letter and inserted a note asking Arthur to meet him in a little
|
||
wood called the Ragged Shaw, which is near to the school. He
|
||
used the Duchess's name, and in that way got the boy to come.
|
||
That evening James bicycled over--I am telling you what he has
|
||
himself confessed to me--and he told Arthur, whom he met in the
|
||
wood, that his mother longed to see him, that she was awaiting
|
||
him on the moor, and that if he would come back into the wood at
|
||
midnight he would find a man with a horse, who would take him to
|
||
her. Poor Arthur fell into the trap. He came to the appointment,
|
||
and found this fellow Hayes with a led pony. Arthur mounted, and
|
||
they set off together. It appears--though this James only heard
|
||
yesterday--that they were pursued, that Hayes struck the pursuer
|
||
with his stick, and that the man died of his injuries. Hayes
|
||
brought Arthur to his public-house, the Fighting Cock, where he
|
||
was confined in an upper room, under the care of Mrs. Hayes, who
|
||
is a kindly woman, but entirely under the control of her brutal
|
||
husband.
|
||
|
||
"Well, Mr. Holmes, that was the state of affairs when I first
|
||
saw you two days ago. I had no more idea of the truth than you.
|
||
You will ask me what was James's motive in doing such a deed. I
|
||
answer that there was a great deal which was unreasoning and
|
||
fanatical in the hatred which he bore my heir. In his view he
|
||
should himself have been heir of all my estates, and he deeply
|
||
resented those social laws which made it impossible. At the same
|
||
time, he had a definite motive also. He was eager that I should
|
||
break the entail, and he was of opinion that it lay in my power
|
||
to do so. He intended to make a bargain with me--to restore
|
||
Arthur if I would break the entail, and so make it possible for
|
||
the estate to be left to him by will. He knew well that I should
|
||
never willingly invoke the aid of the police against him. I say
|
||
that he would have proposed such a bargain to me, but he did not
|
||
actually do so, for events moved too quickly for him, and he
|
||
had not time to put his plans into practice.
|
||
|
||
"What brought all his wicked scheme to wreck was your discovery
|
||
of this man Heidegger's dead body. James was seized with horror
|
||
at the news. It came to us yesterday, as we sat together in this
|
||
study. Dr. Huxtable had sent a telegram. James was so
|
||
overwhelmed with grief and agitation that my suspicions, which
|
||
had never been entirely absent, rose instantly to a certainty,
|
||
and I taxed him with the deed. He made a complete voluntary
|
||
confession. Then he implored me to keep his secret for three
|
||
days longer, so as to give his wretched accomplice a chance of
|
||
saving his guilty life. I yielded--as I have always yielded--to
|
||
his prayers, and instantly James hurried off to the Fighting
|
||
Cock to warn Hayes and give him the means of flight. I could not
|
||
go there by daylight without provoking comment, but as soon as
|
||
night fell I hurried off to see my dear Arthur. I found him safe
|
||
and well, but horrified beyond expression by the dreadful deed
|
||
he had witnessed. In deference to my promise, and much against
|
||
my will, I consented to leave him there for three days, under
|
||
the charge of Mrs. Hayes, since it was evident that it was
|
||
impossible to inform the police where he was without telling
|
||
them also who was the murderer, and I could not see how that
|
||
murderer could be punished without ruin to my unfortunate James.
|
||
You asked for frankness, Mr. Holmes, and I have taken you at
|
||
your word, for I have now told you everything without an attempt
|
||
at circumlocution or concealment. Do you in turn be as frank
|
||
with me."
|
||
|
||
"I will," said Holmes. "In the first place, your Grace, I am
|
||
bound to tell you that you have placed yourself in a most
|
||
serious position in the eyes of the law. You have condoned a
|
||
felony, and you have aided the escape of a murderer, for I
|
||
cannot doubt that any money which was taken by James Wilder to
|
||
aid his accomplice in his flight came from your Grace's purse."
|
||
|
||
The Duke bowed his assent.
|
||
|
||
"This is, indeed, a most serious matter. Even more culpable in
|
||
my opinion, your Grace, is your attitude towards your younger
|
||
son. You leave him in this den for three days."
|
||
|
||
"Under solemn promises----"
|
||
|
||
"What are promises to such people as these? You have no
|
||
guarantee that he will not be spirited away again. To humour
|
||
your guilty elder son, you have exposed your innocent younger
|
||
son to imminent and unnecessary danger. It was a most
|
||
unjustifiable action."
|
||
|
||
The proud lord of Holdernesse was not accustomed to be so rated
|
||
in his own ducal hall. The blood flushed into his high forehead,
|
||
but his conscience held him dumb.
|
||
|
||
"I will help you, but on one condition only. It is that you ring
|
||
for the footman and let me give such orders as I like."
|
||
|
||
Without a word, the Duke pressed the electric bell. A servant entered.
|
||
|
||
"You will be glad to hear," said Holmes, "that your young master
|
||
is found. It is the Duke's desire that the carriage shall go at
|
||
once to the Fighting Cock Inn to bring Lord Saltire home.
|
||
|
||
"Now," said Holmes, when the rejoicing lackey had disappeared,
|
||
"having secured the future, we can afford to be more lenient
|
||
with the past. I am not in an official position, and there is no
|
||
reason, so long as the ends of justice are served, why I should
|
||
disclose all that I know. As to Hayes, I say nothing. The
|
||
gallows awaits him, and I would do nothing to save him from it.
|
||
What he will divulge I cannot tell, but I have no doubt that
|
||
your Grace could make him understand that it is to his interest
|
||
to be silent. From the police point of view he will have
|
||
kidnapped the boy for the purpose of ransom. If they do not
|
||
themselves find it out, I see no reason why I should prompt them
|
||
to take a broader point of view. I would warn your Grace,
|
||
however, that the continued presence of Mr. James Wilder in your
|
||
household can only lead to misfortune."
|
||
|
||
"I understand that, Mr. Holmes, and it is already settled that he
|
||
shall leave me forever, and go to seek his fortune in Australia."
|
||
|
||
"In that case, your Grace, since you have yourself stated that
|
||
any unhappiness in your married life was caused by his presence
|
||
I would suggest that you make such amends as you can to the
|
||
Duchess, and that you try to resume those relations which have
|
||
been so unhappily interrupted."
|
||
|
||
"That also I have arranged, Mr. Holmes. I wrote to the Duchess
|
||
this morning."
|
||
|
||
"In that case," said Holmes, rising, "I think that my friend and
|
||
I can congratulate ourselves upon several most happy results
|
||
from our little visit to the North. There is one other small
|
||
point upon which I desire some light. This fellow Hayes had shod
|
||
his horses with shoes which counterfeited the tracks of cows.
|
||
Was it from Mr. Wilder that he learned so extraordinary a device?"
|
||
|
||
The Duke stood in thought for a moment, with a look of intense
|
||
surprise on his face. Then he opened a door and showed us into
|
||
a large room furnished as a museum. He led the way to a glass
|
||
case in a corner, and pointed to the inscription.
|
||
|
||
"These shoes," it ran, "were dug up in the moat of Holdernesse
|
||
Hall. They are for the use of horses, but they are shaped below
|
||
with a cloven foot of iron, so as to throw pursuers off the
|
||
track. They are supposed to have belonged to some of the
|
||
marauding Barons of Holdernesse in the Middle Ages."
|
||
|
||
Holmes opened the case, and moistening his finger he passed it
|
||
along the shoe. A thin film of recent mud was left upon his skin.
|
||
|
||
"Thank you," said he, as he replaced the glass. "It is the
|
||
second most interesting object that I have seen in the North."
|
||
|
||
"And the first?"
|
||
|
||
Holmes folded up his check and placed it carefully in his
|
||
notebook. "I am a poor man," said he, as he patted it
|
||
affectionately, and thrust it into the depths of his inner
|
||
pocket.THE ADVENTURE OF BLACK PETER
|
||
|
||
|
||
I have never known my friend to be in better form, both mental
|
||
and physical, than in the year '95. His increasing fame had
|
||
brought with it an immense practice, and I should be guilty of
|
||
an indiscretion if I were even to hint at the identity of some
|
||
of the illustrious clients who crossed our humble threshold in
|
||
Baker Street. Holmes, however, like all great artists, lived for
|
||
his art's sake, and, save in the case of the Duke of
|
||
Holdernesse, I have seldom known him claim any large reward for
|
||
his inestimable services. So unworldly was he--or so capricious--
|
||
that he frequently refused his help to the powerful and wealthy
|
||
where the problem made no appeal to his sympathies, while he
|
||
would devote weeks of most intense application to the affairs of
|
||
some humble client whose case presented those strange and
|
||
dramatic qualities which appealed to his imagination and
|
||
challenged his ingenuity.
|
||
|
||
In this memorable year '95, a curious and incongruous succession
|
||
of cases had engaged his attention, ranging from his famous
|
||
investigation of the sudden death of Cardinal Tosca--an inquiry
|
||
which was carried out by him at the express desire of His
|
||
Holiness the Pope--down to his arrest of Wilson, the notorious
|
||
canary-trainer, which removed a plague-spot from the East End of
|
||
London. Close on the heels of these two famous cases came the
|
||
tragedy of Woodman's Lee, and the very obscure circumstances
|
||
which surrounded the death of Captain Peter Carey. No record of
|
||
the doings of Mr. Sherlock Holmes would be complete which did
|
||
not include some account of this very unusual affair.
|
||
|
||
During the first week of July, my friend had been absent so
|
||
often and so long from our lodgings that I knew he had something
|
||
on hand. The fact that several rough-looking men called during
|
||
that time and inquired for Captain Basil made me understand that
|
||
Holmes was working somewhere under one of the numerous disguises
|
||
and names with which he concealed his own formidable identity.
|
||
He had at least five small refuges in different parts of London,
|
||
in which he was able to change his personality. He said nothing
|
||
of his business to me, and it was not my habit to force a
|
||
confidence. The first positive sign which he gave me of the
|
||
direction which his investigation was taking was an
|
||
extraordinary one. He had gone out before breakfast, and I had
|
||
sat down to mine when he strode into the room, his hat upon his
|
||
head and a huge barbed-headed spear tucked like an umbrella
|
||
under his arm.
|
||
|
||
"Good gracious, Holmes!" I cried. "You don't mean to say that
|
||
you have been walking about London with that thing?"
|
||
|
||
"I drove to the butcher's and back."
|
||
|
||
"The butcher's?"
|
||
|
||
"And I return with an excellent appetite. There can be no
|
||
question, my dear Watson, of the value of exercise before
|
||
breakfast. But I am prepared to bet that you will not guess the
|
||
form that my exercise has taken."
|
||
|
||
"I will not attempt it."
|
||
|
||
He chuckled as he poured out the coffee.
|
||
|
||
"If you could have looked into Allardyce's back shop, you would
|
||
have seen a dead pig swung from a hook in the ceiling, and a
|
||
gentleman in his shirt sleeves furiously stabbing at it with
|
||
this weapon. I was that energetic person, and I have satisfied
|
||
myself that by no exertion of my strength can I transfix the pig
|
||
with a single blow. Perhaps you would care to try?"
|
||
|
||
"Not for worlds. But why were you doing this?"
|
||
|
||
"Because it seemed to me to have an indirect bearing upon the
|
||
mystery of Woodman's Lee. Ah, Hopkins, I got your wire last
|
||
night, and I have been expecting you. Come and join us."
|
||
|
||
Our visitor was an exceedingly alert man, thirty years of age,
|
||
dressed in a quiet tweed suit, but retaining the erect bearing
|
||
of one who was accustomed to official uniform. I recognized him
|
||
at once as Stanley Hopkins, a young police inspector, for whose
|
||
future Holmes had high hopes, while he in turn professed the
|
||
admiration and respect of a pupil for the scientific methods of
|
||
the famous amateur. Hopkins's brow was clouded, and he sat down
|
||
with an air of deep dejection.
|
||
|
||
"No, thank you, sir. I breakfasted before I came round. I spent
|
||
the night in town, for I came up yesterday to report."
|
||
|
||
"And what had you to report?"
|
||
|
||
"Failure, sir, absolute failure."
|
||
|
||
"You have made no progress?"
|
||
|
||
"None."
|
||
|
||
"Dear me! I must have a look at the matter."
|
||
|
||
"I wish to heavens that you would, Mr. Holmes. It's my first big
|
||
chance, and I am at my wit's end. For goodness' sake, come down
|
||
and lend me a hand."
|
||
|
||
"Well, well, it just happens that I have already read all the
|
||
available evidence, including the report of the inquest, with
|
||
some care. By the way, what do you make of that tobacco pouch,
|
||
found on the scene of the crime? Is there no clue there?"
|
||
|
||
Hopkins looked surprised.
|
||
|
||
"It was the man's own pouch, sir. His initials were inside it.
|
||
And it was of sealskin,--and he was an old sealer."
|
||
|
||
"But he had no pipe."
|
||
|
||
"No, sir, we could find no pipe. Indeed, he smoked very little,
|
||
and yet he might have kept some tobacco for his friends."
|
||
|
||
"No doubt. I only mention it because, if I had been handling the
|
||
case, I should have been inclined to make that the
|
||
starting-point of my investigation. However, my friend, Dr.
|
||
Watson, knows nothing of this matter, and I should be none the
|
||
worse for hearing the sequence of events once more. Just give us
|
||
some short sketches of the essentials."
|
||
|
||
Stanley Hopkins drew a slip of paper from his pocket.
|
||
|
||
"I have a few dates here which will give you the career of the
|
||
dead man, Captain Peter Carey. He was born in '45--fifty years
|
||
of age. He was a most daring and successful seal and whale
|
||
fisher. In 1883 he commanded the steam sealer SEA UNICORN, of
|
||
Dundee. He had then had several successful voyages in
|
||
succession, and in the following year, 1884, he retired. After
|
||
that he travelled for some years, and finally he bought a small
|
||
place called Woodman's Lee, near Forest Row, in Sussex. There he
|
||
has lived for six years, and there he died just a week ago to-day.
|
||
|
||
"There were some most singular points about the man. In ordinary
|
||
life, he was a strict Puritan--a silent, gloomy fellow. His
|
||
household consisted of his wife, his daughter, aged twenty, and
|
||
two female servants. These last were continually changing, for
|
||
it was never a very cheery situation, and sometimes it became
|
||
past all bearing. The man was an intermittent drunkard, and when
|
||
he had the fit on him he was a perfect fiend. He has been known
|
||
to drive his wife and daughter out of doors in the middle of the
|
||
night and flog them through the park until the whole village
|
||
outside the gates was aroused by their screams.
|
||
|
||
"He was summoned once for a savage assault upon the old vicar,
|
||
who had called upon him to remonstrate with him upon his
|
||
conduct. In short, Mr. Holmes, you would go far before you found
|
||
a more dangerous man than Peter Carey, and I have heard that he
|
||
bore the same character when he commanded his ship. He was known
|
||
in the trade as Black Peter, and the name was given him, not
|
||
only on account of his swarthy features and the colour of his
|
||
huge beard, but for the humours which were the terror of all
|
||
around him. I need not say that he was loathed and avoided by
|
||
every one of his neighbours, and that I have not heard one
|
||
single word of sorrow about his terrible end.
|
||
|
||
"You must have read in the account of the inquest about the
|
||
man's cabin, Mr. Holmes, but perhaps your friend here has not
|
||
heard of it. He had built himself a wooden outhouse--he always
|
||
called it the `cabin'--a few hundred yards from his house, and
|
||
it was here that he slept every night. It was a little,
|
||
single-roomed hut, sixteen feet by ten. He kept the key in his
|
||
pocket, made his own bed, cleaned it himself, and allowed no
|
||
other foot to cross the threshold. There are small windows on
|
||
each side, which were covered by curtains and never opened. One
|
||
of these windows was turned towards the high road, and when the
|
||
light burned in it at night the folk used to point it out to
|
||
each other and wonder what Black Peter was doing in there.
|
||
That's the window, Mr. Holmes, which gave us one of the few bits
|
||
of positive evidence that came out at the inquest.
|
||
|
||
"You remember that a stonemason, named Slater, walking from
|
||
Forest Row about one o'clock in the morning--two days before the
|
||
murder--stopped as he passed the grounds and looked at the
|
||
square of light still shining among the trees. He swears that
|
||
the shadow of a man's head turned sideways was clearly visible
|
||
on the blind, and that this shadow was certainly not that of
|
||
Peter Carey, whom he knew well. It was that of a bearded man,
|
||
but the beard was short and bristled forward in a way very
|
||
different from that of the captain. So he says, but he had been
|
||
two hours in the public-house, and it is some distance from the
|
||
road to the window. Besides, this refers to the Monday, and the
|
||
crime was done upon the Wednesday.
|
||
|
||
"On the Tuesday, Peter Carey was in one of his blackest moods,
|
||
flushed with drink and as savage as a dangerous wild beast. He
|
||
roamed about the house, and the women ran for it when they heard
|
||
him coming. Late in the evening, he went down to his own hut.
|
||
About two o'clock the following morning, his daughter, who slept
|
||
with her window open, heard a most fearful yell from that
|
||
direction, but it was no unusual thing for him to bawl and shout
|
||
when he was in drink, so no notice was taken. On rising at
|
||
seven, one of the maids noticed that the door of the hut was
|
||
open, but so great was the terror which the man caused that it
|
||
was midday before anyone would venture down to see what had
|
||
become of him. Peeping into the open door, they saw a sight
|
||
which sent them flying, with white faces, into the village.
|
||
Within an hour, I was on the spot and had taken over the case.
|
||
|
||
"Well, I have fairly steady nerves, as you know, Mr. Holmes, but
|
||
I give you my word, that I got a shake when I put my head into
|
||
that little house. It was droning like a harmonium with the
|
||
flies and bluebottles, and the floor and walls were like a
|
||
slaughter-house. He had called it a cabin, and a cabin it was,
|
||
sure enough, for you would have thought that you were in a ship.
|
||
There was a bunk at one end, a sea-chest, maps and charts, a
|
||
picture of the SEA UNICORN, a line of logbooks on a shelf, all
|
||
exactly as one would expect to find it in a captain's room. And
|
||
there, in the middle of it, was the man himself--his face
|
||
twisted like a lost soul in torment, and his great brindled
|
||
beard stuck upward in his agony. Right through his broad breast
|
||
a steel harpoon had been driven, and it had sunk deep into the
|
||
wood of the wall behind him. He was pinned like a beetle on a
|
||
card. Of course, he was quite dead, and had been so from the
|
||
instant that he had uttered that last yell of agony.
|
||
|
||
"I know your methods, sir, and I applied them. Before I
|
||
permitted anything to be moved, I examined most carefully the
|
||
ground outside, and also the floor of the room. There were no
|
||
footmarks."
|
||
|
||
"Meaning that you saw none?"
|
||
|
||
"I assure you, sir, that there were none."
|
||
|
||
"My good Hopkins, I have investigated many crimes, but I have
|
||
never yet seen one which was committed by a flying creature. As
|
||
long as the criminal remains upon two legs so long must there be
|
||
some indentation, some abrasion, some trifling displacement
|
||
which can be detected by the scientific searcher. It is
|
||
incredible that this blood-bespattered room contained no trace
|
||
which could have aided us. I understand, however, from the
|
||
inquest that there were some objects which you failed to overlook?"
|
||
|
||
The young inspector winced at my companion's ironical comments.
|
||
|
||
"I was a fool not to call you in at the time Mr. Holmes.
|
||
However, that's past praying for now. Yes, there were several
|
||
objects in the room which called for special attention. One was
|
||
the harpoon with which the deed was committed. It had been
|
||
snatched down from a rack on the wall. Two others remained
|
||
there, and there was a vacant place for the third. On the stock
|
||
was engraved `SS. SEA UNICORN, Dundee.' This seemed to establish
|
||
that the crime had been done in a moment of fury, and that the
|
||
murderer had seized the first weapon which came in his way. The
|
||
fact that the crime was committed at two in the morning, and yet
|
||
Peter Carey was fully dressed, suggested that he had an
|
||
appointment with the murderer, which is borne out by the fact
|
||
that a bottle of rum and two dirty glasses stood upon the table."
|
||
|
||
"Yes," said Holmes; "I think that both inferences are
|
||
permissible. Was there any other spirit but rum in the room?"
|
||
|
||
"Yes, there was a tantalus containing brandy and whisky on the
|
||
sea-chest. It is of no importance to us, however, since the
|
||
decanters were full, and it had therefore not been used."
|
||
|
||
"For all that, its presence has some significance," said Holmes.
|
||
"However, let us hear some more about the objects which do seem
|
||
to you to bear upon the case."
|
||
|
||
"There was this tobacco-pouch upon the table."
|
||
|
||
"What part of the table?"
|
||
|
||
"It lay in the middle. It was of coarse sealskin--the
|
||
straight-haired skin, with a leather thong to bind it. Inside
|
||
was `P.C.' on the flap. There was half an ounce of strong ship's
|
||
tobacco in it."
|
||
|
||
"Excellent! What more?"
|
||
|
||
Stanley Hopkins drew from his pocket a drab-covered notebook.
|
||
The outside was rough and worn, the leaves discoloured. On the
|
||
first page were written the initials "J.H.N." and the date
|
||
"1883." Holmes laid it on the table and examined it in his
|
||
minute way, while Hopkins and I gazed over each shoulder. On the
|
||
second page were the printed letters "C.P.R.," and then came
|
||
several sheets of numbers. Another heading was "Argentine,"
|
||
another "Costa Rica," and another "San Paulo," each with pages
|
||
of signs and figures after it.
|
||
|
||
"What do you make of these?" asked Holmes.
|
||
|
||
"They appear to be lists of Stock Exchange securities. I thought
|
||
that `J.H.N.' were the initials of a broker, and that `C.P.R.'
|
||
may have been his client."
|
||
|
||
"Try Canadian Pacific Railway," said Holmes.
|
||
|
||
Stanley Hopkins swore between his teeth, and struck his thigh
|
||
with his clenched hand.
|
||
|
||
"What a fool I have been!" he cried. "Of course, it is as you
|
||
say. Then `J.H.N.' are the only initials we have to solve. I
|
||
have already examined the old Stock Exchange lists, and I can
|
||
find no one in 1883, either in the house or among the outside
|
||
brokers, whose initials correspond with these. Yet I feel that
|
||
the clue is the most important one that I hold. You will admit,
|
||
Mr. Holmes, that there is a possibility that these initials are
|
||
those of the second person who was present--in other words, of
|
||
the murderer. I would also urge that the introduction into the
|
||
case of a document relating to large masses of valuable
|
||
securities gives us for the first time some indication of a
|
||
motive for the crime."
|
||
|
||
Sherlock Holmes's face showed that he was thoroughly taken aback
|
||
by this new development.
|
||
|
||
"I must admit both your points," said he. "I confess that this
|
||
notebook, which did not appear at the inquest, modifies any
|
||
views which I may have formed. I had come to a theory of the
|
||
crime in which I can find no place for this. Have you
|
||
endeavoured to trace any of the securities here mentioned?"
|
||
|
||
"Inquiries are now being made at the offices, but I fear that
|
||
the complete register of the stockholders of these South
|
||
American concerns is in South America, and that some weeks must
|
||
elapse before we can trace the shares."
|
||
|
||
Holmes had been examining the cover of the notebook with his
|
||
magnifying lens.
|
||
|
||
"Surely there is some discolouration here," said he.
|
||
|
||
"Yes, sir, it is a blood-stain. I told you that I picked the
|
||
book off the floor."
|
||
|
||
"Was the blood-stain above or below?"
|
||
|
||
"On the side next the boards."
|
||
|
||
"Which proves, of course, that the book was dropped after the
|
||
crime was committed."
|
||
|
||
"Exactly, Mr. Holmes. I appreciated that point, and I
|
||
conjectured that it was dropped by the murderer in his hurried
|
||
flight. It lay near the door."
|
||
|
||
"I suppose that none of these securities have been found among
|
||
the property of the dead man?"
|
||
|
||
"No, sir."
|
||
|
||
"Have you any reason to suspect robbery?"
|
||
|
||
"No, sir. Nothing seemed to have been touched."
|
||
|
||
"Dear me, it is certainly a very interesting case. Then there
|
||
was a knife, was there not?"
|
||
|
||
"A sheath-knife, still in its sheath. It lay at the feet of the
|
||
dead man. Mrs. Carey has identified it as being her husband's
|
||
property."
|
||
|
||
Holmes was lost in thought for some time.
|
||
|
||
"Well," said he, at last, "I suppose I shall have to come out
|
||
and have a look at it."
|
||
|
||
Stanley Hopkins gave a cry of joy.
|
||
|
||
"Thank you, sir. That will, indeed, be a weight off my mind."
|
||
|
||
Holmes shook his finger at the inspector.
|
||
|
||
"It would have been an easier task a week ago," said he. "But
|
||
even now my visit may not be entirely fruitless. Watson, if you
|
||
can spare the time, I should be very glad of your company. If
|
||
you will call a four-wheeler, Hopkins, we shall be ready to
|
||
start for Forest Row in a quarter of an hour."
|
||
|
||
Alighting at the small wayside station, we drove for some miles
|
||
through the remains of widespread woods, which were once part of
|
||
that great forest which for so long held the Saxon invaders at
|
||
bay--the impenetrable "weald," for sixty years the bulwark of
|
||
Britain. Vast sections of it have been cleared, for this is the
|
||
seat of the first iron-works of the country, and the trees have
|
||
been felled to smelt the ore. Now the richer fields of the North
|
||
have absorbed the trade, and nothing save these ravaged groves
|
||
and great scars in the earth show the work of the past. Here, in
|
||
a clearing upon the green slope of a hill, stood a long, low,
|
||
stone house, approached by a curving drive running through the
|
||
fields. Nearer the road, and surrounded on three sides by
|
||
bushes, was a small outhouse, one window and the door facing in
|
||
our direction. It was the scene of the murder.
|
||
|
||
Stanley Hopkins led us first to the house, where he introduced
|
||
us to a haggard, gray-haired woman, the widow of the murdered
|
||
man, whose gaunt and deep-lined face, with the furtive look of
|
||
terror in the depths of her red-rimmed eyes, told of the years
|
||
of hardship and ill-usage which she had endured. With her was
|
||
her daughter, a pale, fair-haired girl, whose eyes blazed
|
||
defiantly at us as she told us that she was glad that her father
|
||
was dead, and that she blessed the hand which had struck him
|
||
down. It was a terrible household that Black Peter Carey had
|
||
made for himself, and it was with a sense of relief that we
|
||
found ourselves in the sunlight again and making our way along
|
||
a path which had been worn across the fields by the feet of the
|
||
dead man.
|
||
|
||
The outhouse was the simplest of dwellings, wooden-walled,
|
||
shingle-roofed, one window beside the door and one on the
|
||
farther side. Stanley Hopkins drew the key from his pocket and
|
||
had stooped to the lock, when he paused with a look of attention
|
||
and surprise upon his face.
|
||
|
||
Somone has been tampering with it," he said.
|
||
|
||
There could be no doubt of the fact. The woodwork was cut, and
|
||
the scratches showed white through the paint, as if they had
|
||
been that instant done. Holmes had been examining the window.
|
||
|
||
"Someone has tried to force this also. Whoever it was has failed
|
||
to make his way in. He must have been a very poor burglar."
|
||
|
||
"This is a most extraordinary thing," said the inspector, "I
|
||
could swear that these marks were not here yesterday evening."
|
||
|
||
"Some curious person from the village, perhaps," I suggested.
|
||
|
||
"Very unlikely. Few of them would dare to set foot in the
|
||
grounds, far less try to force their way into the cabin. What do
|
||
you think of it, Mr. Holmes?"
|
||
|
||
"I think that fortune is very kind to us."
|
||
|
||
"You mean that the person will come again?"
|
||
|
||
"It is very probable. He came expecting to find the door open.
|
||
He tried to get in with the blade of a very small penknife. He
|
||
could not manage it. What would he do?"
|
||
|
||
"Come again next night with a more useful tool."
|
||
|
||
"So I should say. It will be our fault if we are not there to
|
||
receive him. Meanwhile, let me see the inside of the cabin."
|
||
|
||
The traces of the tragedy had been removed, but the furniture
|
||
within the little room still stood as it had been on the night
|
||
of the crime. For two hours, with most intense concentration,
|
||
Holmes examined every object in turn, but his face showed that
|
||
his quest was not a successful one. Once only he paused in his
|
||
patient investigation.
|
||
|
||
"Have you taken anything off this shelf, Hopkins?"
|
||
|
||
"No, I have moved nothing."
|
||
|
||
"Something has been taken. There is less dust in this corner of
|
||
the shelf than elsewhere. It may have been a book lying on its
|
||
side. It may have been a box. Well, well, I can do nothing more.
|
||
Let us walk in these beautiful woods, Watson, and give a few
|
||
hours to the birds and the flowers. We shall meet you here
|
||
later, Hopkins, and see if we can come to closer quarters with
|
||
the gentleman who has paid this visit in the night."
|
||
|
||
It was past eleven o'clock when we formed our little ambuscade.
|
||
Hopkins was for leaving the door of the hut open, but Holmes was
|
||
of the opinion that this would rouse the suspicions of the
|
||
stranger. The lock was a perfectly simple one, and only a strong
|
||
blade was needed to push it back. Holmes also suggested that we
|
||
should wait, not inside the hut, but outside it, among the
|
||
bushes which grew round the farther window. In this way we
|
||
should be able to watch our man if he struck a light, and see
|
||
what his object was in this stealthy nocturnal visit.
|
||
|
||
It was a long and melancholy vigil, and yet brought with it
|
||
something of the thrill which the hunter feels when he lies
|
||
beside the water-pool, and waits for the coming of the thirsty
|
||
beast of prey. What savage creature was it which might steal
|
||
upon us out of the darkness? Was it a fierce tiger of crime,
|
||
which could only be taken fighting hard with flashing fang and
|
||
claw, or would it prove to be some skulking jackal, dangerous
|
||
only to the weak and unguarded?
|
||
|
||
In absolute silence we crouched amongst the bushes, waiting for
|
||
whatever might come. At first the steps of a few belated
|
||
villagers, or the sound of voices from the village, lightened
|
||
our vigil, but one by one these interruptions died away, and an
|
||
absolute stillness fell upon us, save for the chimes of the
|
||
distant church, which told us of the progress of the night, and
|
||
for the rustle and whisper of a fine rain falling amid the
|
||
foliage which roofed us in.
|
||
|
||
Half-past two had chimed, and it was the darkest hour which
|
||
precedes the dawn, when we all started as a low but sharp click
|
||
came from the direction of the gate. Someone had entered the
|
||
drive. Again there was a long silence, and I had begun to fear
|
||
that it was a false alarm, when a stealthy step was heard upon
|
||
the other side of the hut, and a moment later a metallic
|
||
scraping and clinking. The man was trying to force the lock.
|
||
This time his skill was greater or his tool was better, for
|
||
there was a sudden snap and the creak of the hinges. Then a
|
||
match was struck, and next instant the steady light from a
|
||
candle filled the interior of the hut. Through the gauze curtain
|
||
our eyes were all riveted upon the scene within.
|
||
|
||
The nocturnal visitor was a young man, frail and thin, with a
|
||
black moustache, which intensified the deadly pallor of his
|
||
face. He could not have been much above twenty years of age. I
|
||
have never seen any human being who appeared to be in such a
|
||
pitiable fright, for his teeth were visibly chattering, and he
|
||
was shaking in every limb. He was dressed like a gentleman, in
|
||
Norfolk jacket and knickerbockers, with a cloth cap upon his
|
||
head. We watched him staring round with frightened eyes. Then he
|
||
laid the candle-end upon the table and disappeared from our view
|
||
into one of the corners. He returned with a large book, one of
|
||
the logbooks which formed a line upon the shelves. Leaning on
|
||
the table, he rapidly turned over the leaves of this volume
|
||
until he came to the entry which he sought. Then, with an angry
|
||
gesture of his clenched hand, he closed the book, replaced it in
|
||
the corner, and put out the light. He had hardly turned to leave
|
||
the hut when Hopkin's hand was on the fellow's collar, and I heard
|
||
his loud gasp of terror as he understood that he was taken. The
|
||
candle was relit, and there was our wretched captive, shivering and
|
||
cowering in the grasp of the detective. He sank down upon the
|
||
sea-chest, and looked helplessly from one of us to the other.
|
||
|
||
"Now, my fine fellow," said Stanley Hopkins, "who are you, and
|
||
what do you want here?"
|
||
|
||
The man pulled himself together, and faced us with an effort at
|
||
self-composure.
|
||
|
||
"You are detectives, I suppose?" said he. "You imagine I am
|
||
connected with the death of Captain Peter Carey. I assure you
|
||
that I am innocent."
|
||
|
||
"We'll see about that," said Hopkins. "First of all, what is
|
||
your name?"
|
||
|
||
"It is John Hopley Neligan."
|
||
|
||
I saw Holmes and Hopkins exchange a quick glance.
|
||
|
||
"What are you doing here?"
|
||
|
||
"Can I speak confidentially?"
|
||
|
||
"No, certainly not."
|
||
|
||
"Why should I tell you?"
|
||
|
||
"If you have no answer, it may go badly with you at the trial."
|
||
|
||
The young man winced.
|
||
|
||
"Well, I will tell you," he said. "Why should I not? And yet I
|
||
hate to think of this old scandal gaining a new lease of life.
|
||
Did you ever hear of Dawson and Neligan?"
|
||
|
||
I could see, from Hopkins's face, that he never had, but Holmes
|
||
was keenly interested.
|
||
|
||
"You mean the West Country bankers," said he. "They failed for
|
||
a million, ruined half the county families of Cornwall, and
|
||
Neligan disappeared."
|
||
|
||
"Exactly. Neligan was my father."
|
||
|
||
At last we were getting something positive, and yet it seemed a
|
||
long gap between an absconding banker and Captain Peter Carey
|
||
pinned against the wall with one of his own harpoons. We all
|
||
listened intently to the young man's words.
|
||
|
||
"It was my father who was really concerned. Dawson had retired.
|
||
I was only ten years of age at the time, but I was old enough to
|
||
feel the shame and horror of it all. It has always been said
|
||
that my father stole all the securities and fled. It is not
|
||
true. It was his belief that if he were given time in which to
|
||
realize them, all would be well and every creditor paid in full.
|
||
He started in his little yacht for Norway just before the
|
||
warrant was issued for his arrest. I can remember that last
|
||
night when he bade farewell to my mother. He left us a list of
|
||
the securities he was taking, and he swore that he would come
|
||
back with his honour cleared, and that none who had trusted him
|
||
would suffer. Well, no word was ever heard from him again. Both
|
||
the yacht and he vanished utterly. We believed, my mother and I,
|
||
that he and it, with the securities that he had taken with him,
|
||
were at the bottom of the sea. We had a faithful friend,
|
||
however, who is a business man, and it was he who discovered
|
||
some time ago that some of the securities which my father had
|
||
with him had reappeared on the London market. You can imagine
|
||
our amazement. I spent months in trying to trace them, and at
|
||
last, after many doubtings and difficulties, I discovered that
|
||
the original seller had been Captain Peter Carey, the owner of
|
||
this hut.
|
||
|
||
"Naturally, I made some inquiries about the man. I found that he
|
||
had been in command of a whaler which was due to return from the
|
||
Arctic seas at the very time when my father was crossing to
|
||
Norway. The autumn of that year was a stormy one, and there was
|
||
a long succession of southerly gales. My father's yacht may well
|
||
have been blown to the north, and there met by Captain Peter
|
||
Carey's ship. If that were so, what had become of my father? In
|
||
any case, if I could prove from Peter Carey's evidence how these
|
||
securities came on the market it would be a proof that my father
|
||
had not sold them, and that he had no view to personal profit
|
||
when he took them.
|
||
|
||
"I came down to Sussex with the intention of seeing the captain,
|
||
but it was at this moment that his terrible death occurred. I
|
||
read at the inquest a description of his cabin, in which it
|
||
stated that the old logbooks of his vessel were preserved in it.
|
||
It struck me that if I could see what occurred in the month of
|
||
August, 1883, on board the SEA UNICORN, I might settle the
|
||
mystery of my father's fate. I tried last night to get at these
|
||
logbooks, but was unable to open the door. To-night I tried
|
||
again and succeeded, but I find that the pages which deal with
|
||
that month have been torn from the book. It was at that moment
|
||
I found myself a prisoner in your hands."
|
||
|
||
"Is that all?" asked Hopkins.
|
||
|
||
"Yes, that is all." His eyes shifted as he said it.
|
||
|
||
"You have nothing else to tell us?"
|
||
|
||
He hesitated.
|
||
|
||
"No, there is nothing."
|
||
|
||
"You have not been here before last night?"
|
||
|
||
"No.
|
||
|
||
"Then how do you account for THAT?" cried Hopkins, as he held up
|
||
the damning notebook, with the initials of our prisoner on the
|
||
first leaf and the blood-stain on the cover.
|
||
|
||
The wretched man collapsed. He sank his face in his hands, and
|
||
trembled all over.
|
||
|
||
"Where did you get it?" he groaned. "I did not know. I thought
|
||
I had lost it at the hotel."
|
||
|
||
"That is enough," said Hopkins, sternly. "Whatever else you have
|
||
to say, you must say in court. You will walk down with me now to
|
||
the police-station. Well, Mr. Holmes, I am very much obliged to
|
||
you and to your friend for coming down to help me. As it turns
|
||
out your presence was unnecessary, and I would have brought the
|
||
case to this successful issue without you, but, none the less,
|
||
I am grateful. Rooms have been reserved for you at the
|
||
Brambletye Hotel, so we can all walk down to the village together."
|
||
|
||
"Well, Watson, what do you think of it?" asked Holmes, as we
|
||
travelled back next morning.
|
||
|
||
"I can see that you are not satisfied."
|
||
|
||
"Oh, yes, my dear Watson, I am perfectly satisfied. At the same
|
||
time, Stanley Hopkins's methods do not commend themselves to me.
|
||
I am disappointed in Stanley Hopkins. I had hoped for better
|
||
things from him. One should always look for a possible
|
||
alternative, and provide against it. It is the first rule of
|
||
criminal investigation."
|
||
|
||
"What, then, is the alternative?"
|
||
|
||
"The line of investigation which I have myself been pursuing. It
|
||
may give us nothing. I cannot tell. But at least I shall follow
|
||
it to the end."
|
||
|
||
Several letters were waiting for Holmes at Baker Street. He
|
||
snatched one of them up, opened it, and burst out into a
|
||
triumphant chuckle of laughter.
|
||
|
||
"Excellent, Watson! The alternative develops. Have you telegraph
|
||
forms? Just write a couple of messages for me: `Sumner, Shipping
|
||
Agent, Ratcliff Highway. Send three men on, to arrive ten
|
||
to-morrow morning.--Basil.' That's my name in those parts. The
|
||
other is: `Inspector Stanley Hopkins, 46 Lord Street, Brixton.
|
||
Come breakfast to-morrow at nine-thirty. Important. Wire if
|
||
unable to come.--Sherlock Holmes.' There, Watson, this infernal
|
||
case has haunted me for ten days. I hereby banish it completely
|
||
from my presence. To-morrow, I trust that we shall hear the last
|
||
of it forever."
|
||
|
||
Sharp at the hour named Inspector Stanley Hopkins appeared, and
|
||
we sat down together to the excellent breakfast which Mrs.
|
||
Hudson had prepared. The young detective was in high spirits at
|
||
his success.
|
||
|
||
"You really think that your solution must be correct?" asked Holmes.
|
||
|
||
"I could not imagine a more complete case."
|
||
|
||
"It did not seem to me conclusive."
|
||
|
||
"You astonish me, Mr. Holmes. What more could one ask for?"
|
||
|
||
"Does your explanation cover every point?"
|
||
|
||
"Undoubtedly. I find that young Neligan arrived at the
|
||
Brambletye Hotel on the very day of the crime. He came on the
|
||
pretence of playing golf. His room was on the ground-floor, and
|
||
he could get out when he liked. That very night he went down to
|
||
Woodman's Lee, saw Peter Carey at the hut, quarrelled with him,
|
||
and killed him with the harpoon. Then, horrified by what he had
|
||
done, he fled out of the hut, dropping the notebook which he had
|
||
brought with him in order to question Peter Carey about these
|
||
different securities. You may have observed that some of them
|
||
were marked with ticks, and the others--the great majority--were
|
||
not. Those which are ticked have been traced on the London
|
||
market, but the others, presumably, were still in the possession
|
||
of Carey, and young Neligan, according to his own account, was
|
||
anxious to recover them in order to do the right thing by his
|
||
father's creditors. After his flight he did not dare to approach
|
||
the hut again for some time, but at last he forced himself to do
|
||
so in order to obtain the information which he needed. Surely
|
||
that is all simple and obvious?"
|
||
|
||
Holmes smiled and shook his head. "It seems to me to have only
|
||
one drawback, Hopkins, and that is that it is intrinsically
|
||
impossible. Have you tried to drive a harpoon through a body?
|
||
No? Tut, tut my dear sir, you must really pay attention to these
|
||
details. My friend Watson could tell you that I spent a whole
|
||
morning in that exercise. It is no easy matter, and requires a
|
||
strong and practised arm. But this blow was delivered with such
|
||
violence that the head of the weapon sank deep into the wall. Do
|
||
you imagine that this anaemic youth was capable of so frightful
|
||
an assault? Is he the man who hobnobbed in rum and water with
|
||
Black Peter in the dead of the night? Was it his profile that
|
||
was seen on the blind two nights before? No, no, Hopkins, it is
|
||
another and more formidable person for whom we must seek."
|
||
|
||
The detective's face had grown longer and longer during Holmes's
|
||
speech. His hopes and his ambitions were all crumbling about
|
||
him. But he would not abandon his position without a struggle.
|
||
|
||
"You can't deny that Neligan was present that night, Mr. Holmes.
|
||
The book will prove that. I fancy that I have evidence enough to
|
||
satisfy a jury, even if you are able to pick a hole in it.
|
||
Besides, Mr. Holmes, I have laid my hand upon MY man. As to this
|
||
terrible person of yours, where is he?"
|
||
|
||
"I rather fancy that he is on the stair," said Holmes, serenely.
|
||
"I think, Watson, that you would do well to put that revolver
|
||
where you can reach it." He rose and laid a written paper upon
|
||
a side-table. "Now we are ready," said he.
|
||
|
||
There had been some talking in gruff voices outside, and now
|
||
Mrs. Hudson opened the door to say that there were three men
|
||
inquiring for Captain Basil.
|
||
|
||
"Show them in one by one," said Holmes.
|
||
|
||
"The first who entered was a little Ribston pippin of a man,
|
||
with ruddy cheeks and fluffy white side-whiskers. Holmes had
|
||
drawn a letter from his pocket.
|
||
|
||
"What name?" he asked.
|
||
|
||
"James Lancaster."
|
||
|
||
"I am sorry, Lancaster, but the berth is full. Here is half a
|
||
sovereign for your trouble. Just step into this room and wait
|
||
there for a few minutes."
|
||
|
||
The second man was a long, dried-up creature, with lank hair and
|
||
sallow cheeks. His name was Hugh Pattins. He also received his
|
||
dismissal, his half-sovereign, and the order to wait.
|
||
|
||
The third applicant was a man of remarkable appearance. A fierce
|
||
bull-dog face was framed in a tangle of hair and beard, and two
|
||
bold, dark eyes gleamed behind the cover of thick, tufted,
|
||
overhung eyebrows. He saluted and stood sailor-fashion, turning
|
||
his cap round in his hands.
|
||
|
||
"Your name?" asked Holmes.
|
||
|
||
"Patrick Cairns."
|
||
|
||
"Harpooner?"
|
||
|
||
"Yes, sir. Twenty-six voyages."
|
||
|
||
"Dundee, I suppose?"
|
||
|
||
"Yes, sir."
|
||
|
||
"And ready to start with an exploring ship?"
|
||
|
||
"Yes, sir."
|
||
|
||
"What wages?"
|
||
|
||
"Eight pounds a month."
|
||
|
||
"Could you start at once?"
|
||
|
||
"As soon as I get my kit."
|
||
|
||
"Have you your papers?"
|
||
|
||
"Yes, sir." He took a sheaf of worn and greasy forms from his
|
||
pocket. Holmes glanced over them and returned them.
|
||
|
||
"You are just the man I want," said he. "Here's the agreement on
|
||
the side-table. If you sign it the whole matter will be settled."
|
||
|
||
The seaman lurched across the room and took up the pen.
|
||
|
||
"Shall I sign here?" he asked, stooping over the table.
|
||
|
||
Holmes leaned over his shoulder and passed both hands over his neck.
|
||
|
||
"This will do," said he.
|
||
|
||
I heard a click of steel and a bellow like an enraged bull. The
|
||
next instant Holmes and the seaman were rolling on the ground
|
||
together. He was a man of such gigantic strength that, even with
|
||
the handcuffs which Holmes had so deftly fastened upon his
|
||
wrists, he would have very quickly overpowered my friend had
|
||
Hopkins and I not rushed to his rescue. Only when I pressed the
|
||
cold muzzle of the revolver to his temple did he at last
|
||
understand that resistance was vain. We lashed his ankles with
|
||
cord, and rose breathless from the struggle.
|
||
|
||
"I must really apologize, Hopkins," said Sherlock Holmes. "I
|
||
fear that the scrambled eggs are cold. However, you will enjoy
|
||
the rest of your breakfast all the better, will you not, for the
|
||
thought that you have brought your case to a triumphant conclusion."
|
||
|
||
Stanley Hopkins was speechless with amazement.
|
||
|
||
"I don't know what to say, Mr. Holmes," he blurted out at last,
|
||
with a very red face. "It seems to me that I have been making a
|
||
fool of myself from the beginning. I understand now, what I
|
||
should never have forgotten, that I am the pupil and you are the
|
||
master. Even now I see what you have done, but I don't know how
|
||
you did it or what it signifies."
|
||
|
||
"Well, well," said Holmes, good-humouredly. "We all learn by
|
||
experience, and your lesson this time is that you should never
|
||
lose sight of the alternative. You were so absorbed in young
|
||
Neligan that you could not spare a thought to Patrick Cairns,
|
||
the true murderer of Peter Carey."
|
||
|
||
The hoarse voice of the seaman broke in on our conversation.
|
||
|
||
"See here, mister," said he, "I make no complaint of being
|
||
man-handled in this fashion, but I would have you call things by
|
||
their right names. You say I murdered Peter Carey, I say I
|
||
KILLED Peter Carey, and there's all the difference. Maybe you
|
||
don't believe what I say. Maybe you think I am just slinging you
|
||
a yarn."
|
||
|
||
"Not at all," said Holmes. "Let us hear what you have to say."
|
||
|
||
"It's soon told, and, by the Lord, every word of it is truth. I
|
||
knew Black Peter, and when he pulled out his knife I whipped a
|
||
harpoon through him sharp, for I knew that it was him or me.
|
||
That's how he died. You can call it murder. Anyhow, I'd as soon
|
||
die with a rope round my neck as with Black Peter's knife in my
|
||
heart."
|
||
|
||
"How came you there?" asked Holmes.
|
||
|
||
"I'll tell it you from the beginning. Just sit me up a little,
|
||
so as I can speak easy. It was in '83 that it happened--August
|
||
of that year. Peter Carey was master of the SEA UNICORN, and I
|
||
was spare harpooner. We were coming out of the ice-pack on our
|
||
way home, with head winds and a week's southerly gale, when we
|
||
picked up a little craft that had been blown north. There was
|
||
one man on her--a landsman. The crew had thought she would
|
||
founder and had made for the Norwegian coast in the dinghy. I
|
||
guess they were all drowned. Well, we took him on board, this
|
||
man, and he and the skipper had some long talks in the cabin.
|
||
All the baggage we took off with him was one tin box. So far as
|
||
I know, the man's name was never mentioned, and on the second
|
||
night he disappeared as if he had never been. It was given out
|
||
that he had either thrown himself overboard or fallen overboard
|
||
in the heavy weather that we were having. Only one man knew what
|
||
had happened to him, and that was me, for, with my own eyes, I
|
||
saw the skipper tip up his heels and put him over the rail in
|
||
the middle watch of a dark night, two days before we sighted the
|
||
Shetland Lights. "Well, I kept my knowledge to myself, and
|
||
waited to see what would come of it. When we got back to Scotland
|
||
it was easily hushed up, and nobody asked any questions. A
|
||
stranger died by accident and it was nobody's business to
|
||
inquire. Shortly after Peter Carey gave up the sea, and it was
|
||
long years before I could find where he was. I guessed that he
|
||
had done the deed for the sake of what was in that tin box, and
|
||
that he could afford now to pay me well for keeping my mouth
|
||
shut. "I found out where he was through a sailor man that had
|
||
met him in London, and down I went to squeeze him. The first
|
||
night he was reasonable enough, and was ready to give me what
|
||
would make me free of the sea for life. We were to fix it all
|
||
two nights later. When I came, I found him three parts drunk and
|
||
in a vile temper. We sat down and we drank and we yarned about
|
||
old times, but the more he drank the less I liked the look on
|
||
his face. I spotted that harpoon upon the wall, and I thought I
|
||
might need it before I was through. Then at last he broke out at
|
||
me, spitting and cursing, with murder in his eyes and a great
|
||
clasp-knife in his hand. He had not time to get it from the
|
||
sheath before I had the harpoon through him. Heavens! what a
|
||
yell he gave! and his face gets between me and my sleep. I stood
|
||
there, with his blood splashing round me, and I waited for a
|
||
bit, but all was quiet, so I took heart once more. I looked
|
||
round, and there was the tin box on the shelf. I had as much
|
||
right to it as Peter Carey, anyhow, so I took it with me and
|
||
left the hut. Like a fool I left my baccy-pouch upon the table.
|
||
|
||
"Now I'll tell you the queerest part of the whole story. I had
|
||
hardly got outside the hut when I heard someone coming, and I
|
||
hid among the bushes. A man came slinking along, went into the
|
||
hut, gave a cry as if he had seen a ghost, and legged it as hard
|
||
as he could run until he was out of sight. Who he was or what he
|
||
wanted is more than I can tell. For my part I walked ten miles,
|
||
got a train at Tunbridge Wells, and so reached London, and no
|
||
one the wiser.
|
||
|
||
"Well, when I came to examine the box I found there was no money
|
||
in it, and nothing but papers that I would not dare to sell. I
|
||
had lost my hold on Black Peter and was stranded in London
|
||
without a shilling. There was only my trade left. I saw these
|
||
advertisements about harpooners, and high wages, so I went to
|
||
the shipping agents, and they sent me here. That's all I know,
|
||
and I say again that if I killed Black Peter, the law should
|
||
give me thanks, for I saved them the rice of a hempen rope."
|
||
|
||
"A very clear statement said Holmes, rising and lighting his
|
||
pipe. "I think, Hopkins, that you should lose no time in
|
||
conveying your prisoner to a place of safety. This room is not
|
||
well adapted for a cell, and Mr. Patrick Cairns occupies too
|
||
large a proportion of our carpet."
|
||
|
||
"Mr. Holmes," said Hopkins, "I do not know how to express my
|
||
gratitude. Even now I do not understand how you attained this
|
||
result."
|
||
|
||
"Simply by having the good fortune to get the right clue from
|
||
the beginning. It is very possible if I had known about this
|
||
notebook it might have led away my thoughts, as it did yours.
|
||
But all I heard pointed in the one direction. The amazing
|
||
strength, the skill in the use of the harpoon, the rum and
|
||
water, the sealskin tobacco-pouch with the coarse tobacco--all
|
||
these pointed to a seaman, and one who had been a whaler. I was
|
||
convinced that the initials `P.C.' upon the pouch were a
|
||
coincidence, and not those of Peter Carey, since he seldom
|
||
smoked, and no pipe was found in his cabin. You remember that I
|
||
asked whether whisky and brandy were in the cabin. You said they
|
||
were. How many landsmen are there who would drink rum when they
|
||
could get these other spirits? Yes, I was certain it was a seaman."
|
||
|
||
"And how did you find him?"
|
||
|
||
"My dear sir, the problem had become a very simple one. If it
|
||
were a seaman, it could only be a seaman who had been with him
|
||
on the SEA UNICORN. So far as I could learn he had sailed in no
|
||
other ship. I spent three days in wiring to Dundee, and at the
|
||
end of that time I had ascertained the names of the crew of the
|
||
SEA UNICORN in 1883. When I found Patrick Cairns among the
|
||
harpooners, my research was nearing its end. I argued that the
|
||
man was probably in London, and that he would desire to leave the
|
||
country for a time. I therefore spent some days in the East End,
|
||
devised an Arctic expedition, put forth tempting terms for harpooners
|
||
who would serve under Captain Basil--and behold the result!"
|
||
|
||
"Wonderful!" cried Hopkins. "Wonderful!"
|
||
|
||
"You must obtain the release of young Neligan as soon as
|
||
possible," said Holmes. "I confess that I think you owe him some
|
||
apology. The tin box must be returned to him, but, of course,
|
||
the securities which Peter Carey has sold are lost forever.
|
||
There's the cab, Hopkins, and you can remove your man. If you
|
||
want me for the trial, my address and that of Watson will be
|
||
somewhere in Norway--I'll send particulars later."THE ADVENTURE OF CHARLES AUGUSTUS MILVERTON
|
||
|
||
|
||
|
||
It is years since the incidents of which I speak took place, and
|
||
yet it is with diffidence that I allude to them. For a long
|
||
time, even with the utmost discretion and reticence, it would
|
||
have been impossible to make the facts public, but now the
|
||
principal person concerned is beyond the reach of human law, and
|
||
with due suppression the story may be told in such fashion as to
|
||
injure no one. It records an absolutely unique experience in the
|
||
career both of Mr. Sherlock Holmes and of myself. The reader
|
||
will excuse me if I conceal the date or any other fact by which
|
||
he might trace the actual occurrence.
|
||
|
||
We had been out for one of our evening rambles, Holmes and I,
|
||
and had returned about six o'clock on a cold, frosty winter's
|
||
evening. As Holmes turned up the lamp the light fell upon a card
|
||
on the table. He glanced at it, and then, with an ejaculation of
|
||
disgust, threw it on the floor. I picked it up and read:
|
||
|
||
CHARLES AUGUSTUS MILVERTON,
|
||
Appledore Towers,
|
||
Hampstead.
|
||
Agent.
|
||
|
||
"Who is he?" I asked.
|
||
|
||
"The worst man in London," Holmes answered, as he sat down and
|
||
stretched his legs before the fire. "Is anything on the back of
|
||
the card?"
|
||
|
||
I turned it over.
|
||
|
||
"Will call at 6:30--C.A.M.," I read.
|
||
|
||
"Hum! He's about due. Do you feel a creeping, shrinking
|
||
sensation, Watson, when you stand before the serpents in the
|
||
Zoo, and see the slithery, gliding, venomous creatures, with
|
||
their deadly eyes and wicked, flattened faces? Well, that's how
|
||
Milverton impresses me. I've had to do with fifty murderers in
|
||
my career, but the worst of them never gave me the repulsion
|
||
which I have for this fellow. And yet I can't get out of doing
|
||
business with him--indeed, he is here at my invitation."
|
||
|
||
"But who is he?"
|
||
|
||
"I'll tell you, Watson. He is the king of all the blackmailers.
|
||
Heaven help the man, and still more the woman, whose secret and
|
||
reputation come into the power of Milverton! With a smiling face
|
||
and a heart of marble, he will squeeze and squeeze until he has
|
||
drained them dry. The fellow is a genius in his way, and would
|
||
have made his mark in some more savoury trade. His method is as
|
||
follows: He allows it to be known that he is prepared to pay
|
||
very high sums for letters which compromise people of wealth and
|
||
position. He receives these wares not only from treacherous
|
||
valets or maids, but frequently from genteel ruffians, who have
|
||
gained the confidence and affection of trusting women. He deals
|
||
with no niggard hand. I happen to know that he paid seven
|
||
hundred pounds to a footman for a note two lines in length, and
|
||
that the ruin of a noble family was the result. Everything which
|
||
is in the market goes to Milverton, and there are hundreds in
|
||
this great city who turn white at his name. No one knows where
|
||
his grip may fall, for he is far too rich and far too cunning to
|
||
work from hand to mouth. He will hold a card back for years in
|
||
order to play it at the moment when the stake is best worth
|
||
winning. I have said that he is the worst man in London, and I
|
||
would ask you how could one compare the ruffian, who in hot
|
||
blood bludgeons his mate, with this man, who methodically and
|
||
at his leisure tortures the soul and wrings the nerves in order
|
||
to add to his already swollen money-bags?"
|
||
|
||
I had seldom heard my friend speak with such intensity of feeling.
|
||
|
||
"But surely," said I, "the fellow must be within the grasp of
|
||
the law?"
|
||
|
||
"Technically, no doubt, but practically not. What would it
|
||
profit a woman, for example, to get him a few months'
|
||
imprisonment if her own ruin must immediately follow? His
|
||
victims dare not hit back. If ever he blackmailed an innocent
|
||
person, then indeed we should have him, but he is as cunning as
|
||
the Evil One. No, no, we must find other ways to fight him."
|
||
|
||
"And why is he here?"
|
||
|
||
"Because an illustrious client has placed her piteous case in my
|
||
hands. It is the Lady Eva Blackwell, the most beautiful
|
||
debutante of last season. She is to be married in a fortnight to
|
||
the Earl of Dovercourt. This fiend has several imprudent
|
||
letters--imprudent, Watson, nothing worse--which were written to
|
||
an impecunious young squire in the country. They would suffice
|
||
to break off the match. Milverton will send the letters to the
|
||
Earl unless a large sum of money is paid him. I have been
|
||
commissioned to meet him, and--to make the best terms I can."
|
||
|
||
At that instant there was a clatter and a rattle in the street
|
||
below. Looking down I saw a stately carriage and pair, the
|
||
brilliant lamps gleaming on the glossy haunches of the noble
|
||
chestnuts. A footman opened the door, and a small, stout man in
|
||
a shaggy astrakhan overcoat descended. A minute later he was in
|
||
the room.
|
||
|
||
Charles Augustus Milverton was a man of fifty, with a large,
|
||
intellectual head, a round, plump, hairless face, a perpetual
|
||
frozen smile, and two keen gray eyes, which gleamed brightly
|
||
from behind broad, gold-rimmed glasses. There was something of
|
||
Mr. Pickwick's benevolence in his appearance, marred only by the
|
||
insincerity of the fixed smile and by the hard glitter of those
|
||
restless and penetrating eyes. His voice was as smooth and suave
|
||
as his countenance, as he advanced with a plump little hand
|
||
extended, murmuring his regret for having missed us at his first
|
||
visit. Holmes disregarded the outstretched hand and looked at
|
||
him with a face of granite. Milverton's smile broadened, he
|
||
shrugged his shoulders removed his overcoat, folded it with
|
||
great deliberation over the back of a chair, and then took a seat.
|
||
|
||
"This gentleman?" said he, with a wave in my direction. "Is it
|
||
discreet? Is it right?"
|
||
|
||
"Dr. Watson is my friend and partner."
|
||
|
||
"Very good, Mr. Holmes. It is only in your client's interests
|
||
that I protested. The matter is so very delicate----"
|
||
|
||
"Dr. Watson has already heard of it."
|
||
|
||
"Then we can proceed to business. You say that you are acting
|
||
for Lady Eva. Has she empowered you to accept my terms?"
|
||
|
||
"What are your terms?"
|
||
|
||
"Seven thousand pounds."
|
||
|
||
"And the alternative?"
|
||
|
||
"My dear sir, it is painful for me to discuss it, but if the
|
||
money is not paid on the 14th, there certainly will be no
|
||
marriage on the 18th." His insufferable smile was more
|
||
complacent than ever.
|
||
|
||
Holmes thought for a little.
|
||
|
||
"You appear to me," he said, at last, "to be taking matters too
|
||
much for granted. I am, of course, familiar with the contents of
|
||
these letters. My client will certainly do what I may advise. I
|
||
shall counsel her to tell her future husband the whole story and
|
||
to trust to his generosity."
|
||
|
||
Milverton chuckled.
|
||
|
||
"You evidently do not know the Earl," said he.
|
||
|
||
From the baffled look upon Holmes's face, I could see clearly
|
||
that he did.
|
||
|
||
"What harm is there in the letters?" he asked.
|
||
|
||
"They are sprightly--very sprightly," Milverton answered. "The
|
||
lady was a charming correspondent. But I can assure you that the
|
||
Earl of Dovercourt would fail to appreciate them. However, since
|
||
you think otherwise, we will let it rest at that. It is purely
|
||
a matter of business. If you think that it is in the best
|
||
interests of your client that these letters should be placed in
|
||
the hands of the Earl, then you would indeed be foolish to pay
|
||
so large a sum of money to regain them." He rose and seized his
|
||
astrakhan coat.
|
||
|
||
Holmes was gray with anger and mortification.
|
||
|
||
"Wait a little," he said. "You go too fast. We should certainly
|
||
make every effort to avoid scandal in so delicate a matter."
|
||
|
||
Milverton relapsed into his chair.
|
||
|
||
"I was sure that you would see it in that light," he purred.
|
||
|
||
"At the same time," Holmes continued, "Lady Eva is not a wealthy
|
||
woman. I assure you that two thousand pounds would be a drain
|
||
upon her resources, and that the sum you name is utterly beyond
|
||
her power. I beg, therefore, that you will moderate your
|
||
demands, and that you will return the letters at the price I
|
||
indicate, which is, I assure you, the highest that you can get."
|
||
|
||
Milverton's smile broadened and his eyes twinkled humorously.
|
||
|
||
"I am aware that what you say is true about the lady's
|
||
resources," said he. "At the same time you must admit that the
|
||
occasion of a lady's marriage is a very suitable time for her
|
||
friends and relatives to make some little effort upon her
|
||
behalf. They may hesitate as to an acceptable wedding present.
|
||
Let me assure them that this little bundle of letters would give
|
||
more joy than all the candelabra and butter-dishes in London."
|
||
|
||
"It is impossible," said Holmes.
|
||
|
||
"Dear me, dear me, how unfortunate!" cried Milverton, taking out
|
||
a bulky pocketbook. "I cannot help thinking that ladies are
|
||
ill-advised in not making an effort. Look at this!" He held up
|
||
a little note with a coat-of-arms upon the envelope. "That
|
||
belongs to--well, perhaps it is hardly fair to tell the name
|
||
until to-morrow morning. But at that time it will be in the
|
||
hands of the lady's husband. And all because she will not find
|
||
a beggarly sum which she could get by turning her diamonds into
|
||
paste. It IS such a pity! Now, you remember the sudden end of
|
||
the engagement between the Honourable Miss Miles and Colonel
|
||
Dorking? Only two days before the wedding, there was a paragraph
|
||
in the MORNING POST to say that it was all off. And why? It is
|
||
almost incredible, but the absurd sum of twelve hundred pounds
|
||
would have settled the whole question. Is it not pitiful? And
|
||
here I find you, a man of sense, boggling about terms, when your
|
||
client's future and honour are at stake. You surprise me, Mr. Holmes."
|
||
|
||
"What I say is true," Holmes answered. "The money cannot be
|
||
found. Surely it is better for you to take the substantial sum
|
||
which I offer than to ruin this woman's career, which can profit
|
||
you in no way?"
|
||
|
||
"There you make a mistake, Mr. Holmes. An exposure would profit
|
||
me indirectly to a considerable extent. I have eight or ten
|
||
similar cases maturing. If it was circulated among them that I
|
||
had made a severe example of the Lady Eva, I should find all of
|
||
them much more open to reason. You see my point?"
|
||
|
||
Holmes sprang from his chair.
|
||
|
||
"Get behind him, Watson! Don't let him out! Now, sir, let us see
|
||
the contents of that notebook."
|
||
|
||
Milverton had glided as quick as a rat to the side of the room
|
||
and stood with his back against the wall.
|
||
|
||
"Mr. Holmes, Mr. Holmes," he said, turning the front of his coat
|
||
and exhibiting the butt of a large revolver, which projected
|
||
from the inside pocket. "I have been expecting you to do
|
||
something original. This has been done so often, and what good
|
||
has ever come from it? I assure you that I am armed to the
|
||
teeth, and I am perfectly prepared to use my weapons, knowing
|
||
that the law will support me. Besides, your supposition that I
|
||
would bring the letters here in a notebook is entirely mistaken.
|
||
I would do nothing so foolish. And now, gentlemen, I have one or
|
||
two little interviews this evening, and it is a long drive to
|
||
Hampstead." He stepped forward, took up his coat, laid his hand
|
||
on his revolver, and turned to the door. I picked up a chair,
|
||
but Holmes shook his head, and I laid it down again. With bow,
|
||
a smile, and a twinkle, Milverton was out of the room, and a few
|
||
moments after we heard the slam of the carriage door and the
|
||
rattle of the wheels as he drove away.
|
||
|
||
Holmes sat motionless by the fire, his hands buried deep in his
|
||
trouser pockets, his chin sunk upon his breast, his eyes fixed
|
||
upon the glowing embers. For half an hour he was silent and
|
||
still. Then, with the gesture of a man who has taken his
|
||
decision, he sprang to his feet and passed into his bedroom. A
|
||
little later a rakish young workman, with a goatee beard and a
|
||
swagger, lit his clay pipe at the lamp before descending into
|
||
the street. "I'll be back some time, Watson," said he, and
|
||
vanished into the night. I understood that he had opened his
|
||
campaign against Charles Augustus Milverton, but I little dreamed
|
||
the strange shape which that campaign was destined to take.
|
||
|
||
For some days Holmes came and went at all hours in this attire,
|
||
but beyond a remark that his time was spent at Hampstead, and
|
||
that it was not wasted, I knew nothing of what he was doing. At
|
||
last, however, on a wild, tempestuous evening, when the wind
|
||
screamed and rattled against the windows, he returned from his
|
||
last expedition, and having removed his disguise he sat before
|
||
the fire and laughed heartily in his silent inward fashion.
|
||
|
||
"You would not call me a marrying man, Watson?"
|
||
|
||
"No, indeed!"
|
||
|
||
"You'll be interested to hear that I'm engaged."
|
||
|
||
"My dear fellow! I congrat----"
|
||
|
||
"To Milverton's housemaid."
|
||
|
||
"Good heavens, Holmes!"
|
||
|
||
"I wanted information, Watson."
|
||
|
||
"Surely you have gone too far?"
|
||
|
||
"It was a most necessary step. I am a plumber with a rising
|
||
business, Escott, by name. I have walked out with her each
|
||
evening, and I have talked with her. Good heavens, those talks!
|
||
However, I have got all I wanted. I know Milverton's house as I
|
||
know the palm of my hand."
|
||
|
||
"But the girl, Holmes?"
|
||
|
||
He shrugged his shoulders.
|
||
|
||
"You can't help it, my dear Watson. You must play your cards as
|
||
best you can when such a stake is on the table. However, I
|
||
rejoice to say that I have a hated rival, who will certainly cut
|
||
me out the instant that my back is turned. What a splendid night
|
||
it is!"
|
||
|
||
"You like this weather?"
|
||
|
||
"It suits my purpose. Watson, I mean to burgle Milverton's house
|
||
to-night."
|
||
|
||
I had a catching of the breath, and my skin went cold at the
|
||
words, which were slowly uttered in a tone of concentrated
|
||
resolution. As a flash of lightning in the night shows up in an
|
||
instant every detail of a wild landscape, so at one glance I
|
||
seemed to see every possible result of such an action--the
|
||
detection, the capture, the honoured career ending in
|
||
irreparable failure and disgrace, my friend himself lying
|
||
at the mercy of the odious Milverton.
|
||
|
||
"For heaven's sake, Holmes, think what you are doing," I cried.
|
||
|
||
"My dear fellow, I have given it every consideration. I am never
|
||
precipitate in my actions, nor would I adopt so energetic and,
|
||
indeed, so dangerous a course, if any other were possible. Let
|
||
us look at the matter clearly and fairly. I suppose that you
|
||
will admit that the action is morally justifiable, though
|
||
technically criminal. To burgle his house is no more than to
|
||
forcibly take his pocketbook--an action in which you were
|
||
prepared to aid me."
|
||
|
||
I turned it over in my mind.
|
||
|
||
"Yes," I said, "it is morally justifiable so long as our object
|
||
is to take no articles save those which are used for an illegal
|
||
purpose."
|
||
|
||
Exactly. Since it is morally justifiable, I have only to
|
||
consider the question of personal risk. Surely a gentleman
|
||
should not lay much stress upon this, when a lady is in most
|
||
desperate need of his help?"
|
||
|
||
"You will be in such a false position."
|
||
|
||
"Well, that is part of the risk. There is no other possible way
|
||
of regaining these letters. The unfortunate lady has not the
|
||
money, and there are none of her people in whom she could
|
||
confide. To-morrow is the last day of grace, and unless we can
|
||
get the letters to-night, this villain will be as good as his
|
||
word and will bring about her ruin. I must, therefore, abandon
|
||
my client to her fate or I must play this last card. Between
|
||
ourselves, Watson, it's a sporting duel between this fellow
|
||
Milverton and me. He had, as you saw, the best of the first
|
||
exchanges, but my self-respect and my reputation are concerned
|
||
to fight it to a finish."
|
||
|
||
"Well, I don't like it, but I suppose it must be," said I. "When
|
||
do we start?"
|
||
|
||
"You are not coming."
|
||
|
||
"Then you are not going," said I. "I give you my word of honour--
|
||
and I never broke it in my life--that I will take a cab straight
|
||
to the police-station and give you away, unless you let me share
|
||
this adventure with you."
|
||
|
||
"You can't help me."
|
||
|
||
"How do you know that? You can't tell what may happen. Anyway,
|
||
my resolution is taken. Other people besides you have
|
||
self-respect, and even reputations."
|
||
|
||
Holmes had looked annoyed, but his brow cleared, and he clapped
|
||
me on the shoulder.
|
||
|
||
"Well, well, my dear fellow, be it so. We have shared this same
|
||
room for some years, and it would be amusing if we ended by
|
||
sharing the same cell. You know, Watson, I don't mind confessing
|
||
to you that I have always had an idea that I would have made a
|
||
highly efficient criminal. This is the chance of my lifetime in
|
||
that direction. See here!" He took a neat little leather case
|
||
out of a drawer, and opening it he exhibited a number of shining
|
||
instruments. "This is a first-class, up-to-date burgling kit,
|
||
with nickel-plated jemmy, diamond-tipped glass-cutter, adaptable
|
||
keys, and every modern improvement which the march of
|
||
civilization demands. Here, too, is my dark lantern. Everything
|
||
is in order. Have you a pair of silent shoes?"
|
||
|
||
"I have rubber-soled tennis shoes."
|
||
|
||
"Excellent! And a mask?"
|
||
|
||
"I can make a couple out of black silk."
|
||
|
||
"I can see that you have a strong, natural turn for this sort of
|
||
thing. Very good, do you make the masks. We shall have some cold
|
||
supper before we start. It is now nine-thirty. At eleven we
|
||
shall drive as far as Church Row. It is a quarter of an hour's
|
||
walk from there to Appledore Towers. We shall be at work before
|
||
midnight. Milverton is a heavy sleeper, and retires punctually
|
||
at ten-thirty. With any luck we should be back here by two, with
|
||
the Lady Eva's letters in my pocket."
|
||
|
||
Holmes and I put on our dress-clothes, so that we might appear
|
||
to be two theatre-goers homeward bound. In Oxford Street we
|
||
picked up a hansom and drove to an address in Hampstead. Here we
|
||
paid off our cab, and with our great coats buttoned up, for it
|
||
was bitterly cold, and the wind seemed to blow through us, we
|
||
walked along the edge of the heath.
|
||
|
||
"It's a business that needs delicate treatment," said Holmes.
|
||
"These documents are contained in a safe in the fellow's study,
|
||
and the study is the ante-room of his bed-chamber. On the other
|
||
hand, like all these stout, little men who do themselves well,
|
||
he is a plethoric sleeper. Agatha--that's my fiancee--says it is
|
||
a joke in the servants' hall that it's impossible to wake the
|
||
master. He has a secretary who is devoted to his interests, and
|
||
never budges from the study all day. That's why we are going at
|
||
night. Then he has a beast of a dog which roams the garden. I
|
||
met Agatha late the last two evenings, and she locks the brute
|
||
up so as to give me a clear run. This is the house, this big one
|
||
in its own grounds. Through the gate--now to the right among the
|
||
laurels. We might put on our masks here, I think. You see, there
|
||
is not a glimmer of light in any of the windows, and everything
|
||
is working splendidly."
|
||
|
||
With our black silk face-coverings, which turned us into two of
|
||
the most truculent figures in London, we stole up to the silent,
|
||
gloomy house. A sort of tiled veranda extended along one side of
|
||
it, lined by several windows and two doors.
|
||
|
||
"That's his bedroom," Holmes whispered. "This door opens
|
||
straight into the study. It would suit us best, but it is bolted
|
||
as well as locked, and we should make too much noise getting in.
|
||
Come round here. There's a greenhouse which opens into the
|
||
drawing-room."
|
||
|
||
The place was locked, but Holmes removed a circle of glass and
|
||
turned the key from the inside. An instant afterwards he had
|
||
closed the door behind us, and we had become felons in the eyes
|
||
of the law. The thick, warm air of the conservatory and the
|
||
rich, choking fragrance of exotic plants took us by the throat.
|
||
He seized my hand in the darkness and led me swiftly past banks
|
||
of shrubs which brushed against our faces. Holmes had remarkable
|
||
powers, carefully cultivated, of seeing in the dark. Still
|
||
holding my hand in one of his, he opened a door, and I was
|
||
vaguely conscious that we had entered a large room in which a
|
||
cigar had been smoked not long before. He felt his way among the
|
||
furniture, opened another door, and closed it behind us. Putting
|
||
out my hand I felt several coats hanging from the wall, and I
|
||
understood that I was in a passage. We passed along it and
|
||
Holmes very gently opened a door upon the right-hand side.
|
||
Something rushed out at us and my heart sprang into my mouth,
|
||
but I could have laughed when I realized that it was the cat. A
|
||
fire was burning in this new room, and again the air was heavy
|
||
with tobacco smoke. Holmes entered on tiptoe, waited for me to
|
||
follow, and then very gently closed the door. We were in
|
||
Milverton's study, and a portiere at the farther side showed the
|
||
entrance to his bedroom.
|
||
|
||
It was a good fire, and the room was illuminated by it. Near the
|
||
door I saw the gleam of an electric switch, but it was
|
||
unnecessary, even if it had been safe, to turn it on. At one
|
||
side of the fireplace was a heavy curtain which covered the bay
|
||
window we had seen from outside. On the other side was the door
|
||
which communicated with the veranda. A desk stood in the centre,
|
||
with a turning-chair of shining red leather. Opposite was a
|
||
large bookcase, with a marble bust of Athene on the top. In the
|
||
corner, between the bookcase and the wall, there stood a tall,
|
||
green safe, the firelight flashing back from the polished brass
|
||
knobs upon its face. Holmes stole across and looked at it. Then
|
||
he crept to the door of the bedroom, and stood with slanting
|
||
head listening intently. No sound came from within. Meanwhile it
|
||
had struck me that it would be wise to secure our retreat
|
||
through the outer door, so I examined it. To my amazement, it
|
||
was neither locked nor bolted. I touched Holmes on the arm, and
|
||
he turned his masked face in that direction. I saw him start,
|
||
and he was evidently as surprised as I.
|
||
|
||
"I don't like it," he whispered, putting his lips to my very ear.
|
||
"I can't quite make it out. Anyhow, we have no time to lose."
|
||
|
||
"Can I do anything?"
|
||
|
||
"Yes, stand by the door. If you hear anyone come, bolt it on the
|
||
inside, and we can get away as we came. If they come the other
|
||
way, we can get through the door if our job is done, or hide
|
||
behind these window curtains if it is not. Do you understand?"
|
||
|
||
I nodded, and stood by the door. My first feeling of fear had
|
||
passed away, and I thrilled now with a keener zest than I had
|
||
ever enjoyed when we were the defenders of the law instead of
|
||
its defiers. The high object of our mission, the consciousness
|
||
that it was unselfish and chivalrous, the villainous character
|
||
of our opponent, all added to the sporting interest of the
|
||
adventure. Far from feeling guilty, I rejoiced and exulted in
|
||
our dangers. With a glow of admiration I watched Holmes
|
||
unrolling his case of instruments and choosing his tool with the
|
||
calm, scientific accuracy of a surgeon who performs a delicate
|
||
operation. I knew that the opening of safes was a particular
|
||
hobby with him, and I understood the joy which it gave him to be
|
||
confronted with this green and gold monster, the dragon which
|
||
held in its maw the reputations of many fair ladies. Turning up
|
||
the cuffs of his dress-coat--he had placed his overcoat on a
|
||
chair--Holmes laid out two drills, a jemmy, and several skeleton
|
||
keys. I stood at the centre door with my eyes glancing at each
|
||
of the others, ready for any emergency, though, indeed, my plans
|
||
were somewhat vague as to what I should do if we were
|
||
interrupted. For half an hour, Holmes worked with concentrated
|
||
energy, laying down one tool, picking up another, handling each
|
||
with the strength and delicacy of the trained mechanic. Finally
|
||
I heard a click, the broad green door swung open, and inside I
|
||
had a glimpse of a number of paper packets, each tied, sealed,
|
||
and inscribed. Holmes picked one out, but it was as hard to read
|
||
by the flickering fire, and he drew out his little dark lantern,
|
||
for it was too dangerous, with Milverton in the next room, to
|
||
switch on the electric light. Suddenly I saw him halt, listen
|
||
intently, and then in an instant he had swung the door of the
|
||
safe to, picked up his coat, stuffed his tools into the pockets,
|
||
and darted behind the window curtain, motioning me to do the same.
|
||
|
||
It was only when I had joined him there that I heard what had
|
||
alarmed his quicker senses. There was a noise somewhere within
|
||
the house. A door slammed in the distance. Then a confused, dull
|
||
murmur broke itself into the measured thud of heavy footsteps
|
||
rapidly approaching. They were in the passage outside the room.
|
||
They paused at the door. The door opened. There was a sharp
|
||
snick as the electric light was turned on. The door closed once
|
||
more, and the pungent reek of a strong cigar was borne to our
|
||
nostrils. Then the footsteps continued backward and forward,
|
||
backward and forward, within a few yards of us. Finally there
|
||
was a creak from a chair, and the footsteps ceased. Then a key
|
||
clicked in a lock, and I heard the rustle of papers.
|
||
|
||
So far I had not dared to look out, but now I gently parted the
|
||
division of the curtains in front of me and peeped through. From
|
||
the pressure of Holmes's shoulder against mine, I knew that he
|
||
was sharing my observations. Right in front of us, and almost
|
||
within our reach, was the broad, rounded back of Milverton. It
|
||
was evident that we had entirely miscalculated his movements,
|
||
that he had never been to his bedroom, but that he had been
|
||
sitting up in some smoking or billiard room in the farther wing
|
||
of the house, the windows of which we had not seen. His broad,
|
||
grizzled head, with its shining patch of baldness, was in the
|
||
immediate foreground of our vision. He was leaning far back in
|
||
the red leather chair, his legs outstretched, a long, black
|
||
cigar projecting at an angle from his mouth. He wore a
|
||
semi-military smoking jacket, claret-coloured, with a black
|
||
velvet collar. In his hand he held a long, legal document which
|
||
he was reading in an indolent fashion, blowing rings of tobacco
|
||
smoke from his lips as he did so. There was no promise of a
|
||
speedy departure in his composed bearing and his comfortable
|
||
attitude.
|
||
|
||
I felt Holmes's hand steal into mine and give me a reassuring
|
||
shake, as if to say that the situation was within his powers,
|
||
and that he was easy in his mind. I was not sure whether he had
|
||
seen what was only too obvious from my position, that the door
|
||
of the safe was imperfectly closed, and that Milverton might at
|
||
any moment observe it. In my own mind I had determined that if
|
||
I were sure, from the rigidity of his gaze, that it had caught
|
||
his eye, I would at once spring out, throw my great coat over
|
||
his head, pinion him, and leave the rest to Holmes. But
|
||
Milverton never looked up. He was languidly interested by the
|
||
papers in his hand, and page after page was turned as he
|
||
followed the argument of the lawyer. At least, I thought, when
|
||
he has finished the document and the cigar he will go to his
|
||
room, but before he had reached the end of either, there came a
|
||
remarkable development, which turned our thoughts into quite
|
||
another channel.
|
||
|
||
Several times I had observed that Milverton looked at his watch,
|
||
and once he had risen and sat down again, with a gesture of
|
||
impatience. The idea, however, that he might have an appointment
|
||
at so strange an hour never occurred to me until a faint sound
|
||
reached my ears from the veranda outside. Milverton dropped his
|
||
papers and sat rigid in his chair. The sound was repeated, and
|
||
then there came a gentle tap at the door. Milverton rose and
|
||
opened it.
|
||
|
||
"Well," said he, curtly, "you are nearly half an hour late."
|
||
|
||
So this was the explanation of the unlocked door and of the
|
||
nocturnal vigil of Milverton. There was the gentle rustle of a
|
||
woman's dress. I had closed the slit between the curtains as
|
||
Milverton's face had turned in our direction, but now I ventured
|
||
very carefully to open it once more. He had resumed his seat,
|
||
the cigar still projecting at an insolent angle from the corner
|
||
of his mouth. In front of him, in the full glare of the electric
|
||
light, there stood a tall, slim, dark woman, a veil over her
|
||
face, a mantle drawn round her chin. Her breath came quick and
|
||
fast, and every inch of the lithe figure was quivering with
|
||
strong emotion.
|
||
|
||
"Well," said Milverton, "you made me lose a good night's rest,
|
||
my dear. I hope you'll prove worth it. You couldn't come any
|
||
other time--eh?"
|
||
|
||
The woman shook her head.
|
||
|
||
"Well, if you couldn't you couldn't. If the Countess is a hard
|
||
mistress, you have your chance to get level with her now. Bless
|
||
the girl, what are you shivering about? That's right. Pull
|
||
yourself together. Now, let us get down to business." He took a
|
||
notebook from the drawer of his desk. "You say that you have
|
||
five letters which compromise the Countess d'Albert. You want to
|
||
sell them. I want to buy them. So far so good. It only remains
|
||
to fix a price. I should want to inspect the letters, of course.
|
||
If they are really good specimens--Great heavens, is it you?"
|
||
|
||
The woman, without a word, had raised her veil and dropped the
|
||
mantle from her chin. It was a dark, handsome, clear-cut face
|
||
which confronted Milverton--a face with a curved nose, strong,
|
||
dark eyebrows shading hard, glittering eyes, and a straight,
|
||
thin-lipped mouth set in a dangerous smile.
|
||
|
||
"It is I," she said, "the woman whose life you have ruined."
|
||
|
||
Milverton laughed, but fear vibrated in his voice. "You were so
|
||
very obstinate," said he. "Why did you drive me to such
|
||
extremities? I assure you I wouldn't hurt a fly of my own
|
||
accord, but every man has his business, and what was I to do? I
|
||
put the price well within your means. You would not pay."
|
||
|
||
"So you sent the letters to my husband, and he--the noblest
|
||
gentleman that ever lived, a man whose boots I was never worthy
|
||
to lace--he broke his gallant heart and died. You remember that
|
||
last night, when I came through that door, I begged and prayed
|
||
you for mercy, and you laughed in my face as you are trying to
|
||
laugh now, only your coward heart cannot keep your lips from
|
||
twitching. Yes, you never thought to see me here again, but it
|
||
was that night which taught me how I could meet you face to
|
||
face, and alone. Well, Charles Milverton, what have you to say?"
|
||
|
||
"Don't imagine that you can bully me," said he, rising to his
|
||
feet. "I have only to raise my voice and I could call my
|
||
servants and have you arrested. But I will make allowance for
|
||
your natural anger. Leave the room at once as you came, and I
|
||
will say no more."
|
||
|
||
The woman stood with her hand buried in her bosom, and the same
|
||
deadly smile on her thin lips.
|
||
|
||
"You will ruin no more lives as you have ruined mine. You will
|
||
wring no more hearts as you wrung mine. I will free the world of
|
||
a poisonous thing. Take that, you hound--and that!--and that!--
|
||
and that!"
|
||
|
||
She had drawn a little gleaming revolver, and emptied barrel
|
||
after barrel into Milverton's body, the muzzle within two feet
|
||
of his shirt front. He shrank away and then fell forward upon
|
||
the table, coughing furiously and clawing among the papers. Then
|
||
he staggered to his feet, received another shot, and rolled upon
|
||
the floor. "You've done me," he cried, and lay still. The woman
|
||
looked at him intently, and ground her heel into his upturned
|
||
face. She looked again, but there was no sound or movement. I
|
||
heard a sharp rustle, the night air blew into the heated room,
|
||
and the avenger was gone.
|
||
|
||
No interference upon our part could have saved the man from his
|
||
fate, but, as the woman poured bullet after bullet into
|
||
Milverton's shrinking body I was about to spring out, when I
|
||
felt Holmes's cold, strong grasp upon my wrist. I understood the
|
||
whole argument of that firm, restraining grip--that it was no
|
||
affair of ours, that justice had overtaken a villain, that we
|
||
had our own duties and our own objects, which were not to be
|
||
lost sight of. But hardly had the woman rushed from the room
|
||
when Holmes, with swift, silent steps, was over at the other
|
||
door. He turned the key in the lock. At the same instant we
|
||
heard voices in the house and the sound of hurrying feet. The
|
||
revolver shots had roused the household. With perfect coolness
|
||
Holmes slipped across to the safe, filled his two arms with
|
||
bundles of letters, and poured them all into the fire. Again and
|
||
again he did it, until the safe was empty. Someone turned the
|
||
handle and beat upon the outside of the door. Holmes looked
|
||
swiftly round. The letter which had been the messenger of death
|
||
for Milverton lay, all mottled with his blood, upon the table.
|
||
Holmes tossed it in among the blazing papers. Then he drew the
|
||
key from the outer door, passed through after me, and locked it
|
||
on the outside. "This way, Watson," said he, "we can scale the
|
||
garden wall in this direction."
|
||
|
||
I could not have believed that an alarm could have spread so
|
||
swiftly. Looking back, the huge house was one blaze of light.
|
||
The front door was open, and figures were rushing down the
|
||
drive. The whole garden was alive with people, and one fellow
|
||
raised a view-halloa as we emerged from the veranda and followed
|
||
hard at our heels. Holmes seemed to know the grounds perfectly,
|
||
and he threaded his way swiftly among a plantation of small
|
||
trees, I close at his heels, and our foremost pursuer panting
|
||
behind us. It was a six-foot wall which barred our path, but he
|
||
sprang to the top and over. As I did the same I felt the hand of
|
||
the man behind me grab at my ankle, but I kicked myself free and
|
||
scrambled over a grass-strewn coping. I fell upon my face among
|
||
some bushes, but Holmes had me on my feet in an instant, and
|
||
together we dashed away across the huge expanse of Hampstead
|
||
Heath. We had run two miles, I suppose, before Holmes at last
|
||
halted and listened intently. All was absolute silence behind
|
||
us. We had shaken off our pursuers and were safe.
|
||
|
||
We had breakfasted and were smoking our morning pipe on the day
|
||
after the remarkable experience which I have recorded, when Mr.
|
||
Lestrade, of Scotland Yard, very solemn and impressive, was
|
||
ushered into our modest sitting-room.
|
||
|
||
"Good-morning, Mr. Holmes," said he; "good-morning. May I ask if
|
||
you are very busy just now?"
|
||
|
||
"Not too busy to listen to you."
|
||
|
||
"I thought that, perhaps, if you had nothing particular on hand,
|
||
you might care to assist us in a most remarkable case, which
|
||
occurred only last night at Hampstead."
|
||
|
||
"Dear me!" said Holmes. "What was that?"
|
||
|
||
"A murder--a most dramatic and remarkable murder. I know how
|
||
keen you are upon these things, and I would take it as a great
|
||
favour if you would step down to Appledore Towers, and give us
|
||
the benefit of your advice. It is no ordinary crime. We have had
|
||
our eyes upon this Mr. Milverton for some time, and, between
|
||
ourselves, he was a bit of a villain. He is known to have held
|
||
papers which he used for blackmailing purposes. These papers
|
||
have all been burned by the murderers. No article of value was
|
||
taken, as it is probable that the criminals were men of good
|
||
position, whose sole object was to prevent social exposure."
|
||
|
||
"Criminals?" said Holmes. "Plural?"
|
||
|
||
"Yes, there were two of them. They were as nearly as possible
|
||
captured red-handed. We have their footmarks, we have their
|
||
description, it's ten to one that we trace them. The first
|
||
fellow was a bit too active, but the second was caught by the
|
||
under-gardener, and only got away after a struggle. He was a
|
||
middle-sized, strongly built man--square jaw, thick neck,
|
||
moustache, a mask over his eyes."
|
||
|
||
"That's rather vague," said Sherlock Holmes. "My, it might be a
|
||
description of Watson!"
|
||
|
||
"It's true," said the inspector, with amusement. "It might be a
|
||
description of Watson."
|
||
|
||
"Well, I'm afraid I can't help you, Lestrade," said Holmes. "The
|
||
fact is that I knew this fellow Milverton, that I considered him
|
||
one of the most dangerous men in London, and that I think there
|
||
are certain crimes which the law cannot touch, and which
|
||
therefore, to some extent, justify private revenge. No, it's no
|
||
use arguing. I have made up my mind. My sympathies are with the
|
||
criminals rather than with the victim, and I will not handle
|
||
this case."
|
||
|
||
Holmes had not said one word to me about the tragedy which we
|
||
had witnessed, but I observed all the morning that he was in his
|
||
most thoughtful mood, and he gave me the impression, from his
|
||
vacant eyes and his abstracted manner, of a man who is striving
|
||
to recall something to his memory. We were in the middle of our
|
||
lunch, when he suddenly sprang to his feet. "By Jove, Watson,
|
||
I've got it!" he cried. "Take your hat! Come with me!" He
|
||
hurried at his top speed down Baker Street and along Oxford
|
||
Street, until we had almost reached Regent Circus. Here, on the
|
||
left hand, there stands a shop window filled with photographs of
|
||
the celebrities and beauties of the day. Holmes's eyes fixed
|
||
themselves upon one of them, and following his gaze I saw the
|
||
picture of a regal and stately lady in Court dress, with a high
|
||
diamond tiara upon her noble head. I looked at that delicately
|
||
curved nose, at the marked eyebrows, at the straight mouth, and
|
||
the strong little chin beneath it. Then I caught my breath as I
|
||
read the time-honoured title of the great nobleman and statesman
|
||
whose wife she had been. My eyes met those of Holmes, and he put
|
||
his finger to his lips as we turned away from the window.THE ADVENTURE OF THE SIX NAPOLEONS
|
||
|
||
|
||
|
||
It was no very unusual thing for Mr. Lestrade, of Scotland Yard,
|
||
to look in upon us of an evening, and his visits were welcome to
|
||
Sherlock Holmes, for they enabled him to keep in touch with all
|
||
that was going on at the police headquarters. In return for the
|
||
news which Lestrade would bring, Holmes was always ready to
|
||
listen with attention to the details of any case upon which the
|
||
detective was engaged, and was able occasionally, without any
|
||
active interference, to give some hint or suggestion drawn from
|
||
his own vast knowledge and experience.
|
||
|
||
On this particular evening, Lestrade had spoken of the weather
|
||
and the newspapers. Then he had fallen silent, puffing
|
||
thoughtfully at his cigar. Holmes looked keenly at him.
|
||
|
||
"Anything remarkable on hand?" he asked.
|
||
|
||
"Oh, no, Mr. Holmes--nothing very particular."
|
||
|
||
"Then tell me about it."
|
||
|
||
Lestrade laughed.
|
||
|
||
"Well, Mr. Holmes, there is no use denying that there IS
|
||
something on my mind. And yet it is such an absurd business,
|
||
that I hesitated to bother you about it. On the other hand,
|
||
although it is trivial, it is undoubtedly queer, and I know that
|
||
you have a taste for all that is out of the common. But, in my
|
||
opinion, it comes more in Dr. Watson's line than ours."
|
||
|
||
"Disease?" said I.
|
||
|
||
"Madness, anyhow. And a queer madness, too. You wouldn't think
|
||
there was anyone living at this time of day who had such a
|
||
hatred of Napoleon the First that he would break any image of
|
||
him that he could see."
|
||
|
||
Holmes sank back in his chair.
|
||
|
||
"That's no business of mine," said he.
|
||
|
||
"Exactly. That's what I said. But then, when the man commits
|
||
burglary in order to break images which are not his own, that
|
||
brings it away from the doctor and on to the policeman."
|
||
|
||
Holmes sat up again.
|
||
|
||
"Burglary! This is more interesting. Let me hear the details."
|
||
|
||
Lestrade took out his official notebook and refreshed his memory
|
||
from its pages.
|
||
|
||
"The first case reported was four days ago," said he. "It was at
|
||
the shop of Morse Hudson, who has a place for the sale of
|
||
pictures and statues in the Kennington Road. The assistant had
|
||
left the front shop for an instant, when he heard a crash, and
|
||
hurrying in he found a plaster bust of Napoleon, which stood
|
||
with several other works of art upon the counter, lying shivered
|
||
into fragments. He rushed out into the road, but, although
|
||
several passers-by declared that they had noticed a man run out
|
||
of the shop, he could neither see anyone nor could he find any
|
||
means of identifying the rascal. It seemed to be one of those
|
||
senseless acts of Hooliganism which occur from time to time, and
|
||
it was reported to the constable on the beat as such. The
|
||
plaster cast was not worth more than a few shillings, and the
|
||
whole affair appeared to be too childish for any particular
|
||
investigation.
|
||
|
||
"The second case, however, was more serious, and also more
|
||
singular. It occurred only last night.
|
||
|
||
"In Kennington Road, and within a few hundred yards of Morse
|
||
Hudson's shop, there lives a well-known medical practitioner,
|
||
named Dr. Barnicot, who has one of the largest practices upon
|
||
the south side of the Thames. His residence and principal
|
||
consulting-room is at Kennington Road, but he has a branch
|
||
surgery and dispensary at Lower Brixton Road, two miles away.
|
||
This Dr. Barnicot is an enthusiastic admirer of Napoleon, and
|
||
his house is full of books, pictures, and relics of the French
|
||
Emperor. Some little time ago he purchased from Morse Hudson two
|
||
duplicate plaster casts of the famous head of Napoleon by the
|
||
French sculptor, Devine. One of these he placed in his hall in
|
||
the house at Kennington Road, and the other on the mantelpiece
|
||
of the surgery at Lower Brixton. Well, when Dr. Barnicot came
|
||
down this morning he was astonished to find that his house had
|
||
been burgled during the night, but that nothing had been taken
|
||
save the plaster head from the hall. It had been carried out and
|
||
had been dashed savagely against the garden wall, under which
|
||
its splintered fragments were discovered."
|
||
|
||
Holmes rubbed his hands.
|
||
|
||
"This is certainly very novel," said he.
|
||
|
||
"I thought it would please you. But I have not got to the end
|
||
yet. Dr. Barnicot was due at his surgery at twelve o'clock, and
|
||
you can imagine his amazement when, on arriving there, he found
|
||
that the window had been opened in the night and that the broken
|
||
pieces of his second bust were strewn all over the room. It had
|
||
been smashed to atoms where it stood. In neither case were there
|
||
any signs which could give us a clue as to the criminal or
|
||
lunatic who had done the mischief. Now, Mr. Holmes, you have got
|
||
the facts."
|
||
|
||
"They are singular, not to say grotesque," said Holmes. "May I
|
||
ask whether the two busts smashed in Dr. Barnicot's rooms were
|
||
the exact duplicates of the one which was destroyed in Morse
|
||
Hudson's shop?"
|
||
|
||
"They were taken from the same mould."
|
||
|
||
"Such a fact must tell against the theory that the man who
|
||
breaks them is influenced by any general hatred of Napoleon.
|
||
Considering how many hundreds of statues of the great Emperor
|
||
must exist in London, it is too much to suppose such a
|
||
coincidence as that a promiscuous iconoclast should chance to
|
||
begin upon three specimens of the same bust."
|
||
|
||
"Well, I thought as you do," said Lestrade. "On the other hand,
|
||
this Morse Hudson is the purveyor of busts in that part of
|
||
London, and these three were the only ones which had been in his
|
||
shop for years. So, although, as you say, there are many
|
||
hundreds of statues in London, it is very probable that these
|
||
three were the only ones in that district. Therefore, a local
|
||
fanatic would begin with them. What do you think, Dr. Watson?"
|
||
|
||
"There are no limits to the possibilities of monomania," I
|
||
answered. "There is the condition which the modern French
|
||
psychologists have called the `IDEE FIXE,' which may be trifling
|
||
in character, and accompanied by complete sanity in every other
|
||
way. A man who had read deeply about Napoleon, or who had
|
||
possibly received some hereditary family injury through the
|
||
great war, might conceivably form such an IDEE FIXE and under
|
||
its influence be capable of any fantastic outrage."
|
||
|
||
"That won't do, my dear Watson," said Holmes, shaking his head,
|
||
"for no amount of IDEE FIXE would enable your interesting
|
||
monomaniac to find out where these busts were situated."
|
||
|
||
"Well, how do YOU explain it?"
|
||
|
||
"I don't attempt to do so. I would only observe that there is a
|
||
certain method in the gentleman's eccentric proceedings. For
|
||
example, in Dr. Barnicot's hall, where a sound might arouse the
|
||
family, the bust was taken outside before being broken, whereas
|
||
in the surgery, where there was less danger of an alarm, it was
|
||
smashed where it stood. The affair seems absurdly trifling, and
|
||
yet I dare call nothing trivial when I reflect that some of my
|
||
most classic cases have had the least promising commencement.
|
||
You will remember, Watson, how the dreadful business of the
|
||
Abernetty family was first brought to my notice by the depth
|
||
which the parsley had sunk into the butter upon a hot day. I
|
||
can't afford, therefore, to smile at your three broken busts,
|
||
Lestrade, and I shall be very much obliged to you if you will
|
||
let me hear of any fresh development of so singular a chain of
|
||
events."
|
||
|
||
|
||
The development for which my friend had asked came in a quicker
|
||
and an infinitely more tragic form than he could have imagined.
|
||
I was still dressing in my bedroom next morning, when there was
|
||
a tap at the door and Holmes entered, a telegram in his hand. He
|
||
read it aloud:
|
||
|
||
|
||
"Come instantly, 131 Pitt Street, Kensington.
|
||
"LESTRADE."
|
||
|
||
|
||
"What is it, then?" I asked.
|
||
|
||
"Don't know--may be anything. But I suspect it is the sequel of
|
||
the story of the statues. In that case our friend the
|
||
image-breaker has begun operations in another quarter of London.
|
||
There's coffee on the table, Watson, and I have a cab at the door."
|
||
|
||
In half an hour we had reached Pitt Street, a quiet little
|
||
backwater just beside one of the briskest currents of London
|
||
life. No. 131 was one of a row, all flat-chested, respectable,
|
||
and most unromantic dwellings. As we drove up, we found the
|
||
railings in front of the house lined by a curious crowd. Holmes
|
||
whistled.
|
||
|
||
"By George! It's attempted murder at the least. Nothing less
|
||
will hold the London message-boy. There's a deed of violence
|
||
indicated in that fellow's round shoulders and outstretched
|
||
neck. What's this, Watson? The top steps swilled down and the
|
||
other ones dry. Footsteps enough, anyhow! Well, well, there's
|
||
Lestrade at the front window, and we shall soon know all about it."
|
||
|
||
The official received us with a very grave face and showed us
|
||
into a sitting-room, where an exceedingly unkempt and agitated
|
||
elderly man, clad in a flannel dressing-gown, was pacing up and
|
||
down. He was introduced to us as the owner of the house--Mr.
|
||
Horace Harker, of the Central Press Syndicate.
|
||
|
||
"It's the Napoleon bust business again," said Lestrade. "You
|
||
seemed interested last night, Mr. Holmes, so I thought perhaps
|
||
you would be glad to be present now that the affair has taken a
|
||
very much graver turn."
|
||
|
||
"What has it turned to, then?"
|
||
|
||
"To murder. Mr. Harker, will you tell these gentlemen exactly
|
||
what has occurred?"
|
||
|
||
The man in the dressing-gown turned upon us with a most
|
||
melancholy face.
|
||
|
||
"It's an extraordinary thing," said he, "that all my life I have
|
||
been collecting other people's news, and now that a real piece
|
||
of news has come my own way I am so confused and bothered that
|
||
I can't put two words together. If I had come in here as a
|
||
journalist, I should have interviewed myself and had two columns
|
||
in every evening paper. As it is, I am giving away valuable copy
|
||
by telling my story over and over to a string of different
|
||
people, and I can make no use of it myself. However, I've heard
|
||
your name, Mr. Sherlock Holmes, and if you'll only explain this
|
||
queer business, I shall be paid for my trouble in telling you
|
||
the story."
|
||
|
||
Holmes sat down and listened.
|
||
|
||
"It all seems to centre round that bust of Napoleon which I
|
||
bought for this very room about four months ago. I picked it up
|
||
cheap from Harding Brothers, two doors from the High Street
|
||
Station. A great deal of my journalistic work is done at night,
|
||
and I often write until the early morning. So it was to-day. I
|
||
was sitting in my den, which is at the back of the top of the
|
||
house, about three o'clock, when I was convinced that I heard
|
||
some sounds downstairs. I listened, but they were not repeated,
|
||
and I concluded that they came from outside. Then suddenly,
|
||
about five minutes later, there came a most horrible yell--the
|
||
most dreadful sound, Mr. Holmes, that ever I heard. It will ring
|
||
in my ears as long as I live. I sat frozen with horror for a
|
||
minute or two. Then I seized the poker and went downstairs. When
|
||
I entered this room I found the window wide open, and I at once
|
||
observed that the bust was gone from the mantelpiece. Why any
|
||
burglar should take such a thing passes my understanding, for it
|
||
was only a plaster cast and of no real value whatever.
|
||
|
||
"You can see for yourself that anyone going out through that
|
||
open window could reach the front doorstep by taking a long
|
||
stride. This was clearly what the burglar had done, so I went
|
||
round and opened the door. Stepping out into the dark, I nearly
|
||
fell over a dead man, who was lying there. I ran back for a
|
||
light and there was the poor fellow, a great gash in his throat
|
||
and the whole place swimming in blood. He lay on his back, his
|
||
knees drawn up, and his mouth horribly open. I shall see him in
|
||
my dreams. I had just time to blow on my police-whistle, and
|
||
then I must have fainted, for I knew nothing more until I found
|
||
the policeman standing over me in the hall."
|
||
|
||
"Well, who was the murdered man?" asked Holmes.
|
||
|
||
"There's nothing to show who he was," said Lestrade. "You shall
|
||
see the body at the mortuary, but we have made nothing of it up
|
||
to now. He is a tall man, sunburned, very powerful, not more
|
||
than thirty. He is poorly dressed, and yet does not appear to be
|
||
a labourer. A horn-handled clasp knife was lying in a pool of
|
||
blood beside him. Whether it was the weapon which did the deed,
|
||
or whether it belonged to the dead man, I do not know. There was
|
||
no name on his clothing, and nothing in his pockets save an
|
||
apple, some string, a shilling map of London, and a photograph.
|
||
Here it is."
|
||
|
||
It was evidently taken by a snapshot from a small camera. It
|
||
represented an alert, sharp-featured simian man, with thick
|
||
eyebrows and a very peculiar projection of the lower part of the
|
||
face, like the muzzle of a baboon.
|
||
|
||
"And what became of the bust?" asked Holmes, after a careful
|
||
study of this picture.
|
||
|
||
"We had news of it just before you came. It has been found in
|
||
the front garden of an empty house in Campden House Road. It was
|
||
broken into fragments. I am going round now to see it. Will you come?"
|
||
|
||
"Certainly. I must just take one look round." He examined the
|
||
carpet and the window. "The fellow had either very long legs or
|
||
was a most active man," said he. "With an area beneath, it was
|
||
no mean feat to reach that window ledge and open that window.
|
||
Getting back was comparatively simple. Are you coming with us to
|
||
see the remains of your bust, Mr. Harker?"
|
||
|
||
The disconsolate journalist had seated himself at a
|
||
writing-table.
|
||
|
||
"I must try and make something of it," said he, "though I have
|
||
no doubt that the first editions of the evening papers are out
|
||
already with full details. It's like my luck! You remember when
|
||
the stand fell at Doncaster? Well, I was the only journalist in
|
||
the stand, and my journal the only one that had no account of
|
||
it, for I was too shaken to write it. And now I'll be too late
|
||
with a murder done on my own doorstep."
|
||
|
||
As we left the room, we heard his pen travelling shrilly over
|
||
the foolscap.
|
||
|
||
The spat where the fragments of the bust had been found was only
|
||
a few hundred yards away. For the first time our eyes rested
|
||
upon this presentment of the great emperor, which seemed to
|
||
raise such frantic and destructive hatred in the mind of the
|
||
unknown. It lay scattered, in splintered shards, upon the grass.
|
||
Holmes picked up several of them and examined them carefully. I
|
||
was convinced, from his intent face and his purposeful manner,
|
||
that at last he was upon a clue.
|
||
|
||
"Well?" asked Lestrade.
|
||
|
||
Holmes shrugged his shoulders.
|
||
|
||
"We have a long way to go yet," said he. "And yet--and yet--
|
||
well, we have some suggestive facts to act upon. The possession
|
||
of this trifling bust was worth more, in the eyes of this
|
||
strange criminal, than a human life. That is one point. Then
|
||
there is the singular fact that he did not break it in the
|
||
house, or immediately outside the house, if to break it was his
|
||
sole object."
|
||
|
||
"He was rattled and bustled by meeting this other fellow. He
|
||
hardly knew what he was doing."
|
||
|
||
"Well, that's likely enough. But I wish to call your attention
|
||
very particularly to the position of this house, in the garden
|
||
of which the bust was destroyed."
|
||
|
||
Lestrade looked about him.
|
||
|
||
"It was an empty house, and so he knew that he would not be
|
||
disturbed in the garden."
|
||
|
||
"Yes, but there is another empty house farther up the street
|
||
which he must have passed before he came to this one. Why did he
|
||
not break it there, since it is evident that every yard that he
|
||
carried it increased the risk of someone meeting him?"
|
||
|
||
"I give it up," said Lestrade.
|
||
|
||
Holmes pointed to the street lamp above our heads.
|
||
|
||
"He could see what he was doing here, and he could not there.
|
||
That was his reason."
|
||
|
||
"By Jove! that's true," said the detective. "Now that I come to
|
||
think of it, Dr. Barnicot's bust was broken not far from his red
|
||
lamp. Well, Mr. Holmes, what are we to do with that fact?"
|
||
|
||
"To remember it--to docket it. We may come on something later
|
||
which will bear upon it. What steps do you propose to take now,
|
||
Lestrade?"
|
||
|
||
"The most practical way of getting at it, in my opinion, is to
|
||
identify the dead man. There should be no difficulty about that.
|
||
When we have found who he is and who his associates are, we
|
||
should have a good start in learning what he was doing in Pitt
|
||
Street last night, and who it was who met him and killed him on
|
||
the doorstep of Mr. Horace Harker. Don't you think so?"
|
||
|
||
"No doubt; and yet it is not quite the way in which I should
|
||
approach the case."
|
||
|
||
"What would you do then?"
|
||
|
||
"Oh, you must not let me influence you in any way. I suggest
|
||
that you go on your line and I on mine. We can compare notes
|
||
afterwards, and each will supplement the other."
|
||
|
||
"Very good," said Lestrade.
|
||
|
||
"If you are going back to Pitt Street, you might see Mr. Horace
|
||
Harker. Tell him for me that I have quite made up my mind, and
|
||
that it is certain that a dangerous homicidal lunatic, with
|
||
Napoleonic delusions, was in his house last night. It will be
|
||
useful for his article."
|
||
|
||
Lestrade stared.
|
||
|
||
"You don't seriously believe that?"
|
||
|
||
Holmes smiled.
|
||
|
||
"Don't I? Well, perhaps I don't. But I am sure that it will
|
||
interest Mr. Horace Harker and the subscribers of the Central
|
||
Press Syndicate. Now, Watson, I think that we shall find that we
|
||
have a long and rather complex day's work before us. I should be
|
||
glad, Lestrade, if you could make it convenient to meet us at
|
||
Baker Street at six o'clock this evening. Until then I should
|
||
like to keep this photograph, found in the dead man's pocket. It
|
||
is possible that I may have to ask your company and assistance
|
||
upon a small expedition which will have be undertaken to-night,
|
||
if my chain of reasoning should prove to be correct. Until then
|
||
good-bye and good luck!"
|
||
|
||
Sherlock Holmes and I walked together to the High Street, where
|
||
we stopped at the shop of Harding Brothers, whence the bust had
|
||
been purchased. A young assistant informed us that Mr. Harding
|
||
would be absent until afternoon, and that he was himself a
|
||
newcomer, who could give us no information. Holmes's face showed
|
||
his disappointment and annoyance.
|
||
|
||
"Well, well, we can't expect to have it all our own way,
|
||
Watson," he said, at last. "We must come back in the afternoon,
|
||
if Mr. Harding will not be here until then. I am, as you have no
|
||
doubt surmised, endeavouring to trace these busts to their
|
||
source, in order to find if there is not something peculiar
|
||
which may account for their remarkable fate. Let us make for Mr.
|
||
Morse Hudson, of the Kennington Road, and see if he can throw
|
||
any light upon the problem."
|
||
|
||
A drive of an hour brought us to the picture-dealer's
|
||
establishment. He was a small, stout man with a red face and a
|
||
peppery manner.
|
||
|
||
"Yes, sir. On my very counter, sir," said he. "What we pay rates
|
||
and taxes for I don't know, when any ruffian can come in and
|
||
break one's goods. Yes, sir, it was I who sold Dr. Barnicot his
|
||
two statues. Disgraceful, sir! A Nihilist plot--that's what I
|
||
make it. No one but an anarchist would go about breaking
|
||
statues. Red republicans--that's what I call 'em. Who did I get
|
||
the statues from? I don't see what that has to do with it. Well,
|
||
if you really want to know, I got them from Gelder & Co., in
|
||
Church Street, Stepney. They are a well-known house in the
|
||
trade, and have been this twenty years. How many had I? Three--
|
||
two and one are three--two of Dr. Barnicot's, and one smashed in
|
||
broad daylight on my own counter. Do I know that photograph? No,
|
||
I don't. Yes, I do, though. Why, it's Beppo. He was a kind of
|
||
Italian piece-work man, who made himself useful in the shop. He
|
||
could carve a bit, and gild and frame, and do odd jobs. The
|
||
fellow left me last week, and I've heard nothing of him since.
|
||
No, I don't know where he came from nor where he went to. I had
|
||
nothing against him while he was here. He was gone two days
|
||
before the bust was smashed."
|
||
|
||
"Well, that's all we could reasonably expect from Morse Hudson,"
|
||
said Holmes, as we emerged from the shop. We have this Beppo as
|
||
a common factor, both in Kennington and in Kensington, so that
|
||
is worth a ten-mile drive. Now, Watson, let us make for Gelder
|
||
& Co., of Stepney, the source and origin of the busts. I shall
|
||
be surprised if we don't get some help down there."
|
||
|
||
In rapid succession we passed through the fringe of fashionable
|
||
London, hotel London, theatrical London, literary London,
|
||
commercial London, and, finally, maritime London, till we came
|
||
to a riverside city of a hundred thousand souls, where the
|
||
tenement houses swelter and reek with the outcasts of Europe.
|
||
Here, in a broad thoroughfare, once the abode of wealthy City
|
||
merchants, we found the sculpture works for which we searched.
|
||
Outside was a considerable yard full of monumental masonry.
|
||
Inside was a large room in which fifty workers were carving or
|
||
moulding. The manager, a big blond German, received us civilly
|
||
and gave a clear answer to all Holmes's questions. A reference
|
||
to his books showed that hundreds of casts had been taken from
|
||
a marble copy of Devine's head of Napoleon, but that the three
|
||
which had been sent to Morse Hudson a year or so before had been
|
||
half of a batch of six, the other three being sent to Harding
|
||
Brothers, of Kensington. There was no reason why those six
|
||
should be different from any of the other casts. He could
|
||
suggest no possible cause why anyone should wish to destroy
|
||
them--in fact, he laughed at the idea. Their wholesale price was
|
||
six shillings, but the retailer would get twelve or more. The
|
||
cast was taken in two moulds from each side of the face, and
|
||
then these two profiles of plaster of Paris were joined together
|
||
to make the complete bust. The work was usually done by
|
||
Italians, in the room we were in. When finished, the busts were
|
||
put on a table in the passage to dry, and afterwards stored.
|
||
That was all he could tell us.
|
||
|
||
But the production of the photograph had a remarkable effect
|
||
upon the manager. His face flushed with anger, and his brows
|
||
knotted over his blue Teutonic eyes.
|
||
|
||
"Ah, the rascal!" he cried. "Yes, indeed, I know him very well.
|
||
This has always been a respectable establishment, and the only
|
||
time that we have ever had the police in it was over this very
|
||
fellow. It was more than a year ago now. He knifed another
|
||
Italian in the street, and then he came to the works with the
|
||
police on his heels, and he was taken here. Beppo was his name--
|
||
his second name I never knew. Serve me right for engaging a man
|
||
with such a face. But he was a good workman--one of the best."
|
||
|
||
"What did he get?"
|
||
|
||
"The man lived and he got off with a year. I have no doubt he is
|
||
out now, but he has not dared to show his nose here. We have a
|
||
cousin of his here, and I daresay he could tell you where he is."
|
||
|
||
"No, no," cried Holmes, "not a word to the cousin--not a word,
|
||
I beg of you. The matter is very important, and the farther I go
|
||
with it, the more important it seems to grow. When you referred
|
||
in your ledger to the sale of those casts I observed that the
|
||
date was June 3rd of last year. Could you give me the date when
|
||
Beppo was arrested?"
|
||
|
||
"I could tell you roughly by the pay-list," the manager
|
||
answered. "Yes," he continued, after some turning over of pages,
|
||
"he was paid last on May 20th."
|
||
|
||
"Thank you," said Holmes. "I don't think that I need intrude
|
||
upon your time and patience any more." With a last word of
|
||
caution that he should say nothing as to our researches, we
|
||
turned our faces westward once more.
|
||
|
||
The afternoon was far advanced before we were able to snatch a
|
||
hasty luncheon at a restaurant. A news-bill at the entrance
|
||
announced "Kensington Outrage. Murder by a Madman," and the
|
||
contents of the paper showed that Mr. Horace Harker had got his
|
||
account into print after all. Two columns were occupied with a
|
||
highly sensational and flowery rendering of the whole incident.
|
||
Holmes propped it against the cruet-stand and read it while he
|
||
ate. Once or twice he chuckled.
|
||
|
||
"This is all right, Watson," said he. "Listen to this:
|
||
|
||
|
||
"It is satisfactory to know that there can be no difference of
|
||
opinion upon this case, since Mr. Lestrade, one of the most
|
||
experienced members of the official force, and Mr. Sherlock
|
||
Holmes, the well known consulting expert, have each come to the
|
||
conclusion that the grotesque series of incidents, which have
|
||
ended in so tragic a fashion, arise from lunacy rather than from
|
||
deliberate crime. No explanation save mental aberration can
|
||
cover the facts.
|
||
|
||
|
||
The Press, Watson, is a most valuable institution, if you only
|
||
know how to use it. And now, if you have quite finished, we will
|
||
hark back to Kensington and see what the manager of Harding
|
||
Brothers has to say on the matter."
|
||
|
||
The founder of that great emporium proved to be a brisk, crisp
|
||
little person, very dapper and quick, with a clear head and a
|
||
ready tongue.
|
||
|
||
"Yes, sir, I have already read the account in the evening
|
||
papers. Mr. Horace Harker is a customer of ours. We supplied him
|
||
with the bust some months ago. We ordered three busts of that
|
||
sort from Gelder & Co., of Stepney. They are all sold now. To
|
||
whom? Oh, I daresay by consulting our sales book we could very
|
||
easily tell you. Yes, we have the entries here. One to Mr.
|
||
Harker you see, and one to Mr. Josiah Brown, of Laburnum Lodge,
|
||
Laburnum Vale, Chiswick, and one to Mr. Sandeford, of Lower Grove
|
||
Road, Reading. No, I have never seen this face which you show me
|
||
in the photograph. You would hardly forget it, would you, sir,
|
||
for I've seldom seen an uglier. Have we any Italians on the
|
||
staff? Yes, sir, we have several among our workpeople and
|
||
cleaners. I daresay they might get a peep at that sales book if
|
||
they wanted to. There is no particular reason for keeping a
|
||
watch upon that book. Well, well, it's a very strange business,
|
||
and I hope that you will let me know if anything comes of your
|
||
inquiries."
|
||
|
||
Holmes had taken several notes during Mr. Harding's evidence,
|
||
and I could see that he was thoroughly satisfied by the turn
|
||
which affairs were taking. He made no remark, however, save
|
||
that, unless we hurried, we should be late for our appointment
|
||
with Lestrade. Sure enough, when we reached Baker Street the
|
||
detective was already there, and we found him pacing up and down
|
||
in a fever of impatience. His look of importance showed that his
|
||
day's work had not been in vain.
|
||
|
||
"Well?" he asked. "What luck, Mr. Holmes?"
|
||
|
||
"We have had a very busy day, and not entirely a wasted one," my
|
||
friend explained. "We have seen both the retailers and also the
|
||
wholesale manufacturers. I can trace each of the busts now from
|
||
the beginning."
|
||
|
||
"The busts" cried Lestrade. "Well, well, you have your own
|
||
methods, Mr. Sherlock Holmes, and it is not for me to say a word
|
||
against them, but I think I have done a better day's work than
|
||
you. I have identified the dead man."
|
||
|
||
"You don't say so?"
|
||
|
||
"And found a cause for the crime."
|
||
|
||
"Splendid!"
|
||
|
||
"We have an inspector who makes a specialty of Saffron Hill and
|
||
the Italian Quarter. Well, this dead man had some Catholic
|
||
emblem round his neck, and that, along with his colour, made me
|
||
think he was from the South. Inspector Hill knew him the moment
|
||
he caught sight of him. His name is Pietro Venucci, from Naples,
|
||
and he is one of the greatest cut-throats in London. He is
|
||
connected with the Mafia, which, as you know, is a secret
|
||
political society, enforcing its decrees by murder. Now, you see
|
||
how the affair begins to clear up. The other fellow is probably
|
||
an Italian also, and a member of the Mafia. He has broken the
|
||
rules in some fashion. Pietro is set upon his track. Probably
|
||
the photograph we found in his pocket is the man himself, so
|
||
that he may not knife the wrong person. He dogs the fellow, he
|
||
sees him enter a house, he waits outside for him, and in the
|
||
scuffle he receives his own death-wound. How is that, Mr.
|
||
Sherlock Holmes?"
|
||
|
||
Holmes clapped his hands approvingly.
|
||
|
||
"Excellent, Lestrade, excellent!" he cried. "But I didn't quite
|
||
follow your explanation of the destruction of the busts."
|
||
|
||
"The busts! You never can get those busts out of your head.
|
||
After all, that is nothing; petty larceny, six months at the
|
||
most. It is the murder that we are really investigating, and I
|
||
tell you that I am gathering all the threads into my hands."
|
||
|
||
"And the next stage?"
|
||
|
||
"Is a very simple one. I shall go down with Hill to the Italian
|
||
Quarter, find the man whose photograph we have got, and arrest
|
||
him on the charge of murder. Will you come with us?"
|
||
|
||
"I think not. I fancy we can attain our end in a simpler way. I
|
||
can't say for certain, because it all depends--well, it all
|
||
depends upon a factor which is completely outside our control.
|
||
But I have great hopes--in fact, the betting is exactly two to
|
||
one--that if you will come with us to-night I shall be able to
|
||
help you to lay him by the heels."
|
||
|
||
"In the Italian Quarter?"
|
||
|
||
"No, I fancy Chiswick is an address which is more likely to find
|
||
him. If you will come with me to Chiswick to-night, Lestrade,
|
||
I'll promise to go to the Italian Quarter with you to-morrow,
|
||
and no harm will be done by the delay. And now I think that a
|
||
few hours' sleep would do us all good, for I do not propose to
|
||
leave before eleven o'clock, and it is unlikely that we shall be
|
||
back before morning. You'll dine with us, Lestrade, and then you
|
||
are welcome to the sofa until it is time for us to start. In the
|
||
meantime, Watson, I should be glad if you would ring for an
|
||
express messenger, for I have a letter to send and it is
|
||
important that it should go at once."
|
||
|
||
Holmes spent the evening in rummaging among the files of the old
|
||
daily papers with which one of our lumber-rooms was packed. When
|
||
at last he descended, it was with triumph in his eyes, but he
|
||
said nothing to either of us as to the result of his researches.
|
||
For my own part, I had followed step by step the methods by
|
||
which he had traced the various windings of this complex case,
|
||
and, though I could not yet perceive the goal which we would
|
||
reach, I understood clearly that Holmes expected this grotesque
|
||
criminal to make an attempt upon the two remaining busts, one of
|
||
which, I remembered, was at Chiswick. No doubt the object of our
|
||
journey was to catch him in the very act, and I could not but
|
||
admire the cunning with which my friend had inserted a wrong
|
||
clue in the evening paper, so as to give the fellow the idea
|
||
that he could continue his scheme with impunity. I was not
|
||
surprised when Holmes suggested that I should take my revolver
|
||
with me. He had himself picked up the loaded hunting-crop, which
|
||
was his favourite weapon.
|
||
|
||
A four-wheeler was at the door at eleven, and in it we drove to
|
||
a spot at the other side of Hammersmith Bridge. Here the cabman
|
||
was directed to wait. A short walk brought us to a secluded road
|
||
fringed with pleasant houses, each standing in its own grounds.
|
||
In the light of a street lamp we read "Laburnum Villa" upon the
|
||
gate-post of one of them. The occupants had evidently retired to
|
||
rest, for all was dark save for a fanlight over the hall door,
|
||
which shed a single blurred circle on to the garden path. The
|
||
wooden fence which separated the grounds from the road threw a
|
||
dense black shadow upon the inner side, and here it was that we
|
||
crouched.
|
||
|
||
"I fear that you'll have a long wait," Holmes whispered. "We may
|
||
thank our stars that it is not raining. I don't think we can
|
||
even venture to smoke to pass the time. However, it's a two to
|
||
one chance that we get something to pay us for our trouble."
|
||
|
||
It proved, however, that our vigil was not to be so long as
|
||
Holmes had led us to fear, and it ended in a very sudden and
|
||
singular fashion. In an instant, without the least sound to warn
|
||
us of his coming, the garden gate swung open, and a lithe, dark
|
||
figure, as swift and active as an ape, rushed up the garden
|
||
path. We saw it whisk past the light thrown from over the door
|
||
and disappear against the black shadow of the house. There was
|
||
a long pause, during which we held our breath, and then a very
|
||
gentle creaking sound came to our ears. The window was being
|
||
opened. The noise ceased, and again there was a long silence.
|
||
The fellow was making his way into the house. We saw the sudden
|
||
flash of a dark lantern inside the room. What he sought was
|
||
evidently not there, for again we saw the flash through another
|
||
blind, and then through another.
|
||
|
||
"Let us get to the open window. We will nab him as he climbs
|
||
out," Lestrade whispered.
|
||
|
||
But before we could move, the man had emerged again. As he came
|
||
out into the glimmering patch of light, we saw that he carried
|
||
something white under his arm. He looked stealthily all round
|
||
him. The silence of the deserted street reassured him. Turning
|
||
his back upon us he laid down his burden, and the next instant
|
||
there was the sound of a sharp tap, followed by a clatter and
|
||
rattle. The man was so intent upon what he was doing that he
|
||
never heard our steps as we stole across the grass plot. With
|
||
the bound of a tiger Holmes was on his back, and an instant
|
||
later Lestrade and I had him by either wrist, and the handcuffs
|
||
had been fastened. As we turned him over I saw a hideous, sallow
|
||
face, with writhing, furious features, glaring up at us, and I
|
||
knew that it was indeed the man of the photograph whom we had
|
||
secured.
|
||
|
||
But it was not our prisoner to whom Holmes was giving his
|
||
attention. Squatted on the doorstep, he was engaged in most
|
||
carefully examining that which the man had brought from the
|
||
house. It was a bust of Napoleon, like the one which we had seen
|
||
that morning, and it had been broken into similar fragments.
|
||
Carefully Holmes held each separate shard to the light, but in
|
||
no way did it differ from any other shattered piece of plaster.
|
||
He had just completed his examination when the hall lights flew
|
||
up, the door opened, and the owner of the house, a jovial,
|
||
rotund figure in shirt and trousers, presented himself.
|
||
|
||
"Mr. Josiah Brown, I suppose?" said Holmes.
|
||
|
||
"Yes, sir; and you, no doubt, are Mr. Sherlock Holmes? I had the
|
||
note which you sent by the express messenger, and I did exactly
|
||
what you told me. We locked every door on the inside and awaited
|
||
developments. Well, I'm very glad to see that you have got the
|
||
rascal. I hope, gentlemen, that you will come in and have some
|
||
refreshment."
|
||
|
||
However, Lestrade was anxious to get his man into safe quarters,
|
||
so within a few minutes our cab had been summoned and we were
|
||
all four upon our way to London. Not a word would our captive
|
||
say, but he glared at us from the shadow of his matted hair, and
|
||
once, when my hand seemed within his reach, he snapped at it
|
||
like a hungry wolf. We stayed long enough at the police-station
|
||
to learn that a search of his clothing revealed nothing save a
|
||
few shillings and a long sheath knife, the handle of which bore
|
||
copious traces of recent blood.
|
||
|
||
"That's all right," said Lestrade, as we parted. "Hill knows all
|
||
these gentry, and he will give a name to him. You'll find that
|
||
my theory of the Mafia will work out all right. But I'm sure I
|
||
am exceedingly obliged to you, Mr. Holmes, for the workmanlike
|
||
way in which you laid hands upon him. I don't quite understand
|
||
it all yet."
|
||
|
||
"I fear it is rather too late an hour for explanations," said
|
||
Holmes. "Besides, there are one or two details which are not
|
||
finished off, and it is one of those cases which are worth
|
||
working out to the very end. If you will come round once more to
|
||
my rooms at six o'clock to-morrow, I think I shall be able to
|
||
show you that even now you have not grasped the entire meaning
|
||
of this business, which presents some features which make it
|
||
absolutely original in the history of crime. If ever I permit
|
||
you to chronicle any more of my little problems, Watson, I
|
||
foresee that you will enliven your pages by an account of the
|
||
singular adventure of the Napoleonic busts."
|
||
|
||
When we met again next evening, Lestrade was furnished with much
|
||
information concerning our prisoner. His name, it appeared, was
|
||
Beppo, second name unknown. He was a well-known ne'er-do-well
|
||
among the Italian colony. He had once been a skilful sculptor
|
||
and had earned an honest living, but he had taken to evil
|
||
courses and had twice already been in jail--once for a petty
|
||
theft, and once, as we had already heard, for stabbing a
|
||
fellow-countryman. He could talk English perfectly well. His
|
||
reasons for destroying the busts were still unknown, and he
|
||
refused to answer any questions upon the subject, but the police
|
||
had discovered that these same busts might very well have been
|
||
made by his own hands, since he was engaged in this class of
|
||
work at the establishment of Gelder & Co. To all this
|
||
information, much of which we already knew, Holmes listened with
|
||
polite attention, but I, who knew him so well, could clearly see
|
||
that his thoughts were elsewhere, and I detected a mixture of
|
||
mingled uneasiness and expectation beneath that mask which he
|
||
was wont to assume. At last he started in his chair, and his
|
||
eyes brightened. There had been a ring at the bell. A minute
|
||
later we heard steps upon the stairs, and an elderly red-faced
|
||
man with grizzled side-whiskers was ushered in. In his right
|
||
hand he carried an old-fashioned carpet-bag, which he placed
|
||
upon the table.
|
||
|
||
"Is Mr. Sherlock Holmes here?"
|
||
|
||
My friend bowed and smiled. "Mr. Sandeford, of Reading, I
|
||
suppose?" said he.
|
||
|
||
"Yes, sir, I fear that I am a little late, but the trains were
|
||
awkward. You wrote to me about a bust that is in my possession."
|
||
|
||
"Exactly."
|
||
|
||
"I have your letter here. You said, `I desire to possess a copy
|
||
of Devine's Napoleon, and am prepared to pay you ten pounds for
|
||
the one which is in your possession.' Is that right?"
|
||
|
||
"Certainly."
|
||
|
||
"I was very much surprised at your letter, for I could not
|
||
imagine how you knew that I owned such a thing."
|
||
|
||
"Of course you must have been surprised, but the explanation is
|
||
very simple. Mr. Harding, of Harding Brothers, said that they
|
||
had sold you their last copy, and he gave me your address."
|
||
|
||
"Oh, that was it, was it? Did he tell you what I paid for it?"
|
||
|
||
"No, he did not."
|
||
|
||
"Well, I am an honest man, though not a very rich one. I only
|
||
gave fifteen shillings for the bust, and I think you ought to
|
||
know that before I take ten pounds from you.
|
||
|
||
"I am sure the scruple does you honour, Mr. Sandeford. But I
|
||
have named that price, so I intend to stick to it."
|
||
|
||
"Well, it is very handsome of you, Mr. Holmes. I brought the
|
||
bust up with me, as you asked me to do. Here it is!" He opened
|
||
his bag, and at last we saw placed upon our table a complete
|
||
specimen of that bust which we had already seen more than once
|
||
in fragments.
|
||
|
||
Holmes took a paper from his pocket and laid a ten-pound note
|
||
upon the table.
|
||
|
||
"You will kindly sign that paper, Mr. Sandeford, in the presence
|
||
of these witnesses. It is simply to say that you transfer every
|
||
possible right that you ever had in the bust to me. I am a
|
||
methodical man, you see, and you never know what turn events
|
||
might take afterwards. Thank you, Mr. Sandeford; here is your
|
||
money, and I wish you a very good evening."
|
||
|
||
When our visitor had disappeared, Sherlock Holmes's movements
|
||
were such as to rivet our attention. He began by taking a clean
|
||
white cloth from a drawer and laying it over the table. Then he
|
||
placed his newly acquired bust in the centre of the cloth.
|
||
Finally, he picked up his hunting-crop and struck Napoleon a
|
||
sharp blow on the top of the head. The figure broke into
|
||
fragments, and Holmes bent eagerly over the shattered remains.
|
||
Next instant, with a loud shout of triumph he held up one
|
||
splinter, in which a round, dark object was fixed like a plum in
|
||
a pudding.
|
||
|
||
"Gentlemen," he cried, "let me introduce you to the famous black
|
||
pearl of the Borgias."
|
||
|
||
Lestrade and I sat silent for a moment, and then, with a
|
||
spontaneous impulse, we both broke at clapping, as at the
|
||
well-wrought crisis of a play. A flush of colour sprang to
|
||
Holmes's pale cheeks, and he bowed to us like the master
|
||
dramatist who receives the homage of his audience. It was
|
||
at such moments that for an instant he ceased to be a
|
||
reasoning machine, and betrayed his human love for admiration
|
||
and applause. The same singularly proud and reserved nature
|
||
which turned away with disdain from popular notoriety was
|
||
capable of being moved to its depths by spontaneous wonder
|
||
and praise from a friend.
|
||
|
||
"Yes, gentlemen," said he, "it is the most famous pearl now
|
||
existing in the world, and it has been my good fortune, by a
|
||
connected chain of inductive reasoning, to trace it from the
|
||
Prince of Colonna's bedroom at the Dacre Hotel, where it was
|
||
lost, to the interior of this, the last of the six busts of
|
||
Napoleon which were manufactured by Gelder & Co., of Stepney.
|
||
You will remember, Lestrade, the sensation caused by the
|
||
disappearance of this valuable jewel and the vain efforts of the
|
||
London police to recover it. I was myself consulted upon the
|
||
case, but I was unable to throw any light upon it. Suspicion
|
||
fell upon the maid of the Princess, who was an Italian, and it
|
||
was proved that she had a brother in London, but we failed to
|
||
trace any connection between them. The maid's name was Lucretia
|
||
Venucci, and there is no doubt in my mind that this Pietro who
|
||
was murdered two nights ago was the brother. I have been looking
|
||
up the dates in the old files of the paper, and I find that the
|
||
disappearance of the pearl was exactly two days before the arrest
|
||
of Beppo, for some crime of violence--an event which took place in
|
||
the factory of Gelder & Co., at the very moment when these busts
|
||
were being made. Now you clearly see the sequence of events,
|
||
though you see them, of course, in the inverse order to the way
|
||
in which they presented themselves to me. Beppo had the pearl in
|
||
his possession. He may have stolen it from Pietro, he may have
|
||
been Pietro's confederate, he may have been the go-between of
|
||
Pietro and his sister. It is of no consequence to us which is
|
||
the correct solution.
|
||
|
||
"The main fact is that he HAD the pearl, and at that moment,
|
||
when it was on his person, he was pursued by the police. He made
|
||
for the factory in which he worked, and he knew that he had only a
|
||
few minutes in which to conceal this enormously valuable prize,
|
||
which would otherwise be found on him when he was searched. Six
|
||
plaster casts of Napoleon were drying in the passage. One of
|
||
them was still soft. In an instant Beppo, a skilful workman,
|
||
made a small hole in the wet plaster, dropped in the pearl, and
|
||
with a few touches covered over the aperture once more. It was
|
||
an admirable hiding-place. No one could possibly find it. But
|
||
Beppo was condemned to a year's imprisonment, and in the
|
||
meanwhile his six busts were scattered over London. He could not
|
||
tell which contained his treasure. Only by breaking them could
|
||
he see. Even shaking would tell him nothing, for as the plaster
|
||
was wet it was probable that the pearl would adhere to it--as, in
|
||
fact, it has done. Beppo did not despair, and he conducted his
|
||
search with considerable ingenuity and perseverance. Through a
|
||
cousin who works with Gelder, he found out the retail firms who
|
||
had bought the busts. He managed to find employment with Morse
|
||
Hudson, and in that way tracked down three of them. The pearl
|
||
was not there. Then, with the help of some Italian employe, he
|
||
succeeded in finding out where the other three busts had gone.
|
||
The first was at Harker's. There he was dogged by his
|
||
confederate, who held Beppo responsible for the loss of the
|
||
pearl, and he stabbed him in the scuffle which followed."
|
||
|
||
"If he was his confederate, why should he carry his photograph?"
|
||
I asked.
|
||
|
||
"As a means of tracing him, if he wished to inquire about him
|
||
from any third person. That was the obvious reason. Well, after
|
||
the murder I calculated that Beppo would probably hurry rather
|
||
than delay his movements. He would fear that the police would
|
||
read his secret, and so he hastened on before they should get
|
||
ahead of him. Of course, I could not say that he had not found
|
||
the pearl in Harker's bust. I had not even concluded for certain
|
||
that it was the pearl, but it was evident to me that he was
|
||
looking for something, since he carried the bust past the other
|
||
houses in order to break it in the garden which had a lamp
|
||
overlooking it. Since Harker's bust was one in three, the
|
||
chances were exactly as I told you--two to one against the pearl
|
||
being inside it. There remained two busts, and it was obvious
|
||
that he would go for the London one first. I warned the inmates
|
||
of the house, so as to avoid a second tragedy, and we went down,
|
||
with the happiest results. By that time, of course, I knew for
|
||
certain that it was the Borgia pearl that we were after. The
|
||
name of the murdered man linked the one event with the other.
|
||
There only remained a single bust--the Reading one--and the
|
||
pearl must be there. I bought it in your presence from the
|
||
owner--and there it lies."
|
||
|
||
We sat in silence for a moment.
|
||
|
||
"Well," said Lestrade, "I've seen you handle a good many cases,
|
||
Mr. Holmes, but I don't know that I ever knew a more workmanlike
|
||
one than that. We're not jealous of you at Scotland Yard. No,
|
||
sir, we are very proud of you, and if you come down to-morrow,
|
||
there's not a man, from the oldest inspector to the youngest
|
||
constable, who wouldn't be glad to shake you by the hand."
|
||
|
||
"Thank you!" said Holmes. "Thank you!" and as he turned away, it
|
||
seemed to me that he was more nearly moved by the softer human
|
||
emotions than I had ever seen him. A moment later he was the
|
||
cold and practical thinker once more. "Put the pearl in the
|
||
safe, Watson," said he, "and get out the papers of the
|
||
Conk-Singleton forgery case. Good-bye, Lestrade. If any little
|
||
problem comes your way, I shall be happy, if I can, to give you
|
||
a hint or two as to its solution."THE ADVENTURE OF THE THREE STUDENTS
|
||
|
||
|
||
It was in the year '95 that a combination of events, into which
|
||
I need not enter, caused Mr. Sherlock Holmes and myself to spend
|
||
some weeks in one of our great university towns, and it was
|
||
during this time that the small but instructive adventure which
|
||
I am about to relate befell us. It will be obvious that any
|
||
details which would help the reader exactly to identify the
|
||
college or the criminal would be injudicious and offensive. So
|
||
painful a scandal may well be allowed to die out. With due
|
||
discretion the incident itself may, however, be described, since
|
||
it serves to illustrate some of those qualities for which my
|
||
friend was remarkable. I will endeavour, in my statement, to
|
||
avoid such terms as would serve to limit the events to any
|
||
particular place, or give a clue as to the people concerned.
|
||
|
||
We were residing at the time in furnished lodgings close to a
|
||
library where Sherlock Holmes was pursuing some laborious
|
||
researches in early English charters--researches which led to
|
||
results so striking that they may be the subject of one of my
|
||
future narratives. Here it was that one evening we received a
|
||
visit from an acquaintance, Mr. Hilton Soames, tutor and
|
||
lecturer at the College of St. Luke's. Mr. Soames was a tall,
|
||
spare man, of a nervous and excitable temperament. I had always
|
||
known him to be restless in his manner, but on this particular
|
||
occasion he was in such a state of uncontrollable agitation that
|
||
it was clear something very unusual had occurred.
|
||
|
||
"I trust, Mr. Holmes, that you can spare me a few hours of your
|
||
valuable time. We have had a very painful incident at St.
|
||
Luke's, and really, but for the happy chance of your being in
|
||
town, I should have been at a loss what to do."
|
||
|
||
"I am very busy just now, and I desire no distractions," my
|
||
friend answered. "I should much prefer that you called in the
|
||
aid of the police."
|
||
|
||
"No, no, my dear sir; such a course is utterly impossible. When
|
||
once the law is evoked it cannot be stayed again, and this is
|
||
just one of those cases where, for the credit of the college, it
|
||
is most essential to avoid scandal. Your discretion is as well
|
||
known as your powers, and you are the one man in the world who
|
||
can help me. I beg you, Mr. Holmes, to do what you can."
|
||
|
||
My friend's temper had not improved since he had been deprived
|
||
of the congenial surroundings of Baker Street. Without his
|
||
scrapbooks, his chemicals, and his homely untidiness, he was an
|
||
uncomfortable man. He shrugged his shoulders in ungracious
|
||
acquiescence, while our visitor in hurried words and with much
|
||
excitable gesticulation poured forth his story.
|
||
|
||
"I must explain to you, Mr. Holmes, that to-morrow is the first
|
||
day of the examination for the Fortescue Scholarship. I am one
|
||
of the examiners. My subject is Greek, and the first of the
|
||
papers consists of a large passage of Greek translation which
|
||
the candidate has not seen. This passage is printed on the
|
||
examination paper, and it would naturally be an immense
|
||
advantage if the candidate could prepare it in advance. For this
|
||
reason, great care is taken to keep the paper secret.
|
||
|
||
"To-day, about three o'clock, the proofs of this paper arrived
|
||
from the printers. The exercise consists of half a chapter of
|
||
Thucydides. I had to read it over carefully, as the text must be
|
||
absolutely correct. At four-thirty my task was not yet
|
||
completed. I had, however, promised to take tea in a friend's
|
||
rooms, so I left the proof upon my desk. I was absent rather
|
||
more than an hour.
|
||
|
||
"You are aware, Mr. Holmes, that our college doors are double--a
|
||
green baize one within and a heavy oak one without. As I
|
||
approached my outer door, I was amazed to see a key in it. For
|
||
an instant I imagined that I had left my own there, but on
|
||
feeling in my pocket I found that it was all right. The only
|
||
duplicate which existed, so far as I knew, was that which
|
||
belonged to my servant, Bannister--a man who has looked after my
|
||
room for ten years, and whose honesty is absolutely above
|
||
suspicion. I found that the key was indeed his, that he had
|
||
entered my room to know if I wanted tea, and that he had very
|
||
carelessly left the key in the door when he came out. His visit
|
||
to my room must have been within a very few minutes of my
|
||
leaving it. His forgetfulness about the key would have mattered
|
||
little upon any other occasion, but on this one day it has
|
||
produced the most deplorable consequences.
|
||
|
||
"The moment I looked at my table, I was aware that someone had
|
||
rummaged among my papers. The proof was in three long slips. I
|
||
had left them all together. Now, I found that one of them was
|
||
lying on the floor, one was on the side table near the window,
|
||
and the third was where I had left it."
|
||
|
||
Holmes stirred for the first time.
|
||
|
||
"The first page on the floor, the second in the window, the
|
||
third where you left it," said he.
|
||
|
||
"Exactly, Mr. Holmes. You amaze me. How could you possibly know that?"
|
||
|
||
"Pray continue your very interesting statement."
|
||
|
||
"For an instant I imagined that Bannister had taken the
|
||
unpardonable liberty of examining my papers. He denied it,
|
||
however, with the utmost earnestness, and I am convinced that he
|
||
was speaking the truth. The alternative was that someone passing
|
||
had observed the key in the door, had known that I was out, and
|
||
had entered to look at the papers. A large sum of money is at
|
||
stake, for the scholarship is a very valuable one, and an
|
||
unscrupulous man might very well run a risk in order to gain an
|
||
advantage over his fellows.
|
||
|
||
"Bannister was very much upset by the incident. He had nearly
|
||
fainted when we found that the papers had undoubtedly been
|
||
tampered with. I gave him a little brandy and left him collapsed
|
||
in a chair, while I made a most careful examination of the room.
|
||
I soon saw that the intruder had left other traces of his
|
||
presence besides the rumpled papers. On the table in the window
|
||
were several shreds from a pencil which had been sharpened. A
|
||
broken tip of lead was lying there also. Evidently the rascal
|
||
had copied the paper in a great hurry, had broken his pencil,
|
||
and had been compelled to put a fresh point to it."
|
||
|
||
"Excellent!" said Holmes, who was recovering his good-humour as
|
||
his attention became more engrossed by the case. "Fortune has
|
||
been your friend."
|
||
|
||
"This was not all. I have a new writing-table with a fine
|
||
surface of red leather. I am prepared to swear, and so is
|
||
Bannister, that it was smooth and unstained. Now I found a clean
|
||
cut in it about three inches long--not a mere scratch, but a
|
||
positive cut. Not only this, but on the table I found a small
|
||
ball of black dough or clay, with specks of something which
|
||
looks like sawdust in it. I am convinced that these marks were
|
||
left by the man who rifled the papers. There were no footmarks
|
||
and no other evidence as to his identity. I was at my wit's end,
|
||
when suddenly the happy thought occurred to me that you were in
|
||
the town, and I came straight round to put the matter into your
|
||
hands. Do help me, Mr. Holmes. You see my dilemma. Either I must
|
||
find the man or else the examination must be postponed until
|
||
fresh papers are prepared, and since this cannot be done without
|
||
explanation, there will ensue a hideous scandal, which will
|
||
throw a cloud not only on the college, but on the university.
|
||
Above all things, I desire to settle the matter quietly and
|
||
discreetly."
|
||
|
||
"I shall be happy to look into it and to give you such advice as
|
||
I can," said Holmes, rising and putting on his overcoat. "The
|
||
case is not entirely devoid of interest. Had anyone visited you
|
||
in your room after the papers came to you?"
|
||
|
||
"Yes, young Daulat Ras, an Indian student, who lives on the same
|
||
stair, came in to ask me some particulars about the examination."
|
||
|
||
"For which he was entered?"
|
||
|
||
"Yes."
|
||
|
||
"And the papers were on your table?"
|
||
|
||
"To the best of my belief, they were rolled up."
|
||
|
||
"But might be recognized as proofs?"
|
||
|
||
"Possibly."
|
||
|
||
"No one else in your room?"
|
||
|
||
"No."
|
||
|
||
"Did anyone know that these proofs would be there?"
|
||
|
||
"No one save the printer."
|
||
|
||
"Did this man Bannister know?"
|
||
|
||
"No, certainly not. No one knew."
|
||
|
||
"Where is Bannister now?"
|
||
|
||
"He was very ill, poor fellow. I left him collapsed in the
|
||
chair. I was in such a hurry to come to you."
|
||
|
||
"You left your door open?"
|
||
|
||
"I locked up the papers first."
|
||
|
||
"Then it amounts to this, Mr. Soames: that, unless the Indian
|
||
student recognized the roll as being proofs, the man who
|
||
tampered with them came upon them accidentally without knowing
|
||
that they were there."
|
||
|
||
"So it seems to me."
|
||
|
||
Holmes gave an enigmatic smile.
|
||
|
||
"Well," said he, "let us go round. Not one of your cases,
|
||
Watson--mental, not physical. All right; come if you want to.
|
||
Now, Mr. Soames--at your disposal!"
|
||
|
||
The sitting-room of our client opened by a long, low, latticed
|
||
window on to the ancient lichen-tinted court of the old college.
|
||
A Gothic arched door led to a worn stone staircase. On the
|
||
ground floor was the tutor's room. Above were three students,
|
||
one on each story. It was already twilight when we reached the
|
||
scene of our problem. Holmes halted and looked earnestly at the
|
||
window. Then he approached it, and, standing on tiptoe with his
|
||
neck craned, he looked into the room.
|
||
|
||
"He must have entered through the door. There is no opening
|
||
except the one pane," said our learned guide.
|
||
|
||
"Dear me!" said Holmes, and he smiled in a singular way as he
|
||
glanced at our companion. "Well, if there is nothing to be
|
||
learned here, we had best go inside."
|
||
|
||
The lecturer unlocked the outer door and ushered us into his
|
||
room. We stood at the entrance while Holmes made an examination
|
||
of the carpet.
|
||
|
||
"I am afraid there are no signs here," said he. "One could
|
||
hardly hope for any upon so dry a day. Your servant seems to
|
||
have quite recovered. You left him in a chair, you say. Which
|
||
chair?"
|
||
|
||
"By the window there."
|
||
|
||
"I see. Near this little table. You can come in now. I have
|
||
finished with the carpet. Let us take the little table first. Of
|
||
course, what has happened is very clear. The man entered and
|
||
took the papers, sheet by sheet, from the central table. He
|
||
carried them over to the window table, because from there he
|
||
could see if you came across the courtyard, and so could effect
|
||
an escape."
|
||
|
||
"As a matter of fact, he could not," said Soames, "for I entered
|
||
by the side door."
|
||
|
||
"Ah, that's good! Well, anyhow, that was in his mind. Let me see
|
||
the three strips. No finger impressions--no! Well, he carried
|
||
over this one first, and he copied it. How long would it take
|
||
him to do that, using every possible contraction? A quarter of
|
||
an hour, not less. Then he tossed it down and seized the next.
|
||
He was in the midst of that when your return caused him to make
|
||
a very hurried retreat--VERY hurried, since he had not time to
|
||
replace the papers which would tell you that he had been there.
|
||
You were not aware of any hurrying feet on the stair as you
|
||
entered the outer door?"
|
||
|
||
"No, I can't say I was."
|
||
|
||
"Well, he wrote so furiously that he broke his pencil, and had,
|
||
as you observe, to sharpen it again. This is of interest,
|
||
Watson. The pencil was not an ordinary one. It was above the
|
||
usual size, with a soft lead, the outer colour was dark blue,
|
||
the maker's name was printed in silver lettering, and the piece
|
||
remaining is only about an inch and a half long. Look for such
|
||
a pencil, Mr. Soames, and you have got your man. When I add that
|
||
he possesses a large and very blunt knife, you have an
|
||
additional aid."
|
||
|
||
Mr. Soames was somewhat overwhelmed by this flood of
|
||
information. "I can follow the other points," said he, "but
|
||
really, in this matter of the length----"
|
||
|
||
Holmes held out a small chip with the letters NN and a space of
|
||
clear wood after them.
|
||
|
||
"You see?"
|
||
|
||
"No, I fear that even now----"
|
||
|
||
"Watson, I have always done you an injustice. There are others.
|
||
What could this NN be? It is at the end of a word. You are aware
|
||
that Johann Faber is the most common maker's name. Is it not
|
||
clear that there is just as much of the pencil left as usually
|
||
follows the Johann?" He held the small table sideways to the
|
||
electric light. "I was hoping that if the paper on which he
|
||
wrote was thin, some trace of it might come through upon this
|
||
polished surface. No, I see nothing. I don't think there is
|
||
anything more to be learned here. Now for the central table.
|
||
This small pellet is, I presume, the black, doughy mass you
|
||
spoke of. Roughly pyramidal in shape and hollowed out, I
|
||
perceive. As you say, there appear to be grains of sawdust in
|
||
it. Dear me, this is very interesting. And the cut--a positive
|
||
tear, I see. It began with a thin scratch and ended in a jagged
|
||
hole. I am much indebted to you for directing my attention to
|
||
this case, Mr. Soames. Where does that door lead to?"
|
||
|
||
"To my bedroom."
|
||
|
||
"Have you been in it since your adventure?"
|
||
|
||
"No, I came straight away for you."
|
||
|
||
"I should like to have a glance round. What a charming,
|
||
old-fashioned room! Perhaps you will kindly wait a minute, until
|
||
I have examined the floor. No, I see nothing. What about this
|
||
curtain? You hang your clothes behind it. If anyone were forced
|
||
to conceal himself in this room he must do it there, since the
|
||
bed is too low and the wardrobe too shallow. No one there, I
|
||
suppose?"
|
||
|
||
As Holmes drew the curtain I was aware, from some little
|
||
rigidity and alertness of his attitude, that he was prepared for
|
||
an emergency. As a matter of fact, the drawn curtain disclosed
|
||
nothing but three or four suits of clothes hanging from a line
|
||
of pegs. Holmes turned away, and stooped suddenly to the floor.
|
||
|
||
"Halloa! What's this?" said he.
|
||
|
||
It was a small pyramid of black, putty-like stuff, exactly like
|
||
the one upon the table of the study. Holmes held it out on his
|
||
open palm in the glare of the electric light.
|
||
|
||
"Your visitor seems to have left traces in your bedroom as well
|
||
as in your sitting-room, Mr. Soames."
|
||
|
||
"What could he have wanted there?"
|
||
|
||
"I think it is clear enough. You came back by an unexpected way,
|
||
and so he had no warning until you were at the very door. What
|
||
could he do? He caught up everything which would betray him, and
|
||
he rushed into your bedroom to conceal himself"
|
||
|
||
"Good gracious, Mr. Holmes, do you mean to tell me that, all the
|
||
time I was talking to Bannister in this room, we had the man
|
||
prisoner if we had only known it?"
|
||
|
||
"So I read it."
|
||
|
||
"Surely there is another alternative, Mr. Holmes. I don't know
|
||
whether you observed my bedroom window?"
|
||
|
||
"Lattice-paned, lead framework, three separate windows, one
|
||
swinging on hinge, and large enough to admit a man."
|
||
|
||
"Exactly. And it looks out on an angle of the courtyard so as to
|
||
be partly invisible. The man might have effected his entrance
|
||
there, left traces as he passed through the bedroom, and
|
||
finally, finding the door open, have escaped that way."
|
||
|
||
Holmes shook his head impatiently.
|
||
|
||
"Let us be practical," said he. "I understand you to say that
|
||
there are three students who use this stair, and are in the
|
||
habit of passing your door?"
|
||
|
||
"Yes, there are."
|
||
|
||
"And they are all in for this examination?"
|
||
|
||
"Yes."
|
||
|
||
"Have you any reason to suspect any one of them more than the others?"
|
||
|
||
Soames hesitated.
|
||
|
||
"It is a very delicate question," said he. "One hardly likes to
|
||
throw suspicion where there are no proofs."
|
||
|
||
"Let us hear the suspicions. I will look after the proofs."
|
||
|
||
"I will tell you, then, in a few words the character of the
|
||
three men who inhabit these rooms. The lower of the three is
|
||
Gilchrist, a fine scholar and athlete, plays in the Rugby team
|
||
and the cricket team for the college, and got his Blue for the
|
||
hurdles and the long jump. He is a fine, manly fellow. His
|
||
father was the notorious Sir Jabez Gilchrist, who ruined himself
|
||
on the turf. My scholar has been left very poor, but he is
|
||
hard-working and industrious. He will do well.
|
||
|
||
"The second floor is inhabited by Daulat Ras, the Indian. He is
|
||
a quiet, inscrutable fellow; as most of those Indians are. He is
|
||
well up in his work, though his Greek is his weak subject. He is
|
||
steady and methodical.
|
||
|
||
"The top floor belongs to Miles McLaren. He is a brilliant
|
||
fellow when he chooses to work--one of the brightest intellects
|
||
of the university; but he is wayward, dissipated, and
|
||
unprincipled. He was nearly expelled over a card scandal in his
|
||
first year. He has been idling all this term, and he must look
|
||
forward with dread to the examination."
|
||
|
||
"Then it is he whom you suspect?"
|
||
|
||
"I dare not go so far as that. But, of the three, he is perhaps
|
||
the least unlikely."
|
||
|
||
"Exactly. Now, Mr. Soames, let us have a look at your servant,
|
||
Bannister."
|
||
|
||
He was a little, white-faced, clean-shaven, grizzly-haired
|
||
fellow of fifty. He was still suffering from this sudden
|
||
disturbance of the quiet routine of his life. His plump face was
|
||
twitching with his nervousness, and his fingers could not keep still.
|
||
|
||
"We are investigating this unhappy business, Bannister," said
|
||
his master.
|
||
|
||
"Yes, sir."
|
||
|
||
"I understand," said Holmes, "that you left your key in the door?"
|
||
|
||
"Yes, sir."
|
||
|
||
"Was it not very extraordinary that you should do this on the
|
||
very day when there were these papers inside?"
|
||
|
||
"It was most unfortunate, sir. But I have occasionally done the
|
||
same thing at other times."
|
||
|
||
"When did you enter the room?"
|
||
|
||
"It was about half-past four. That is Mr. Soames' tea time."
|
||
|
||
"How long did you stay?"
|
||
|
||
"When I saw that he was absent, I withdrew at once."
|
||
|
||
"Did you look at these papers on the table?"
|
||
|
||
"No, sir--certainly not."
|
||
|
||
"How came you to leave the key in the door?"
|
||
|
||
"I had the tea-tray in my hand. I thought I would come back for
|
||
the key. Then I forgot."
|
||
|
||
"Has the outer door a spring lock?"
|
||
|
||
"No, sir."
|
||
|
||
"Then it was open all the time?"
|
||
|
||
"Yes, sir."
|
||
|
||
"Anyone in the room could get out?"
|
||
|
||
"Yes, sir."
|
||
|
||
"When Mr. Soames returned and called for you, you were very much
|
||
disturbed?"
|
||
|
||
"Yes, sir. Such a thing has never happened during the many years
|
||
that I have been here. I nearly fainted, sir."
|
||
|
||
"So I understand. Where were you when you began to feel bad?"
|
||
|
||
"Where was I, sir? Why, here, near the door."
|
||
|
||
"That is singular, because you sat down in that chair over
|
||
yonder near the corner. Why did you pass these other chairs?"
|
||
|
||
"I don't know, sir, it didn't matter to me where I sat."
|
||
|
||
"I really don't think he knew much about it, Mr. Holmes. He was
|
||
looking very bad--quite ghastly."
|
||
|
||
"You stayed here when your master left?"
|
||
|
||
"Only for a minute or so. Then I locked the door and went to my room."
|
||
|
||
"Whom do you suspect?"
|
||
|
||
"Oh, I would not venture to say, sir. I don't believe there is
|
||
any gentleman in this university who is capable of profiting by
|
||
such an action. No, sir, I'll not believe it."
|
||
|
||
"Thank you, that will do," said Holmes. "Oh, one more word. You
|
||
have not mentioned to any of the three gentlemen whom you attend
|
||
that anything is amiss?"
|
||
|
||
"No, sir--not a word."
|
||
|
||
"You haven't seen any of them?"
|
||
|
||
"No, sir."
|
||
|
||
"Very good. Now, Mr. Soames, we will take a walk in the
|
||
quadrangle, if you please."
|
||
|
||
Three yellow squares of light shone above us in the gathering gloom.
|
||
|
||
"Your three birds are all in their nests," said Holmes, looking
|
||
up. "Halloa! What's that? One of them seems restless enough."
|
||
|
||
It was the Indian, whose dark silhouette appeared suddenly upon
|
||
his blind. He was pacing swiftly up and down his room.
|
||
|
||
"I should like to have a peep at each of them," said Holmes. "Is
|
||
it possible?"
|
||
|
||
"No difficulty in the world," Soames answered. "This set of
|
||
rooms is quite the oldest in the college, and it is not unusual
|
||
for visitors to go over them. Come along, and I will personally
|
||
conduct you."
|
||
|
||
"No names, please!" said Holmes, as we knocked at Gilchrist's
|
||
door. A tall, flaxen-haired, slim young fellow opened it, and
|
||
made us welcome when he understood our errand. There were some
|
||
really curious pieces of mediaeval domestic architecture within.
|
||
Holmes was so charmed with one of them that he insisted on
|
||
drawing it in his notebook, broke his pencil, had to borrow one
|
||
from our host and finally borrowed a knife to sharpen his own.
|
||
The same curious accident happened to him in the rooms of the
|
||
Indian--a silent, little, hook-nosed fellow, who eyed us
|
||
askance, and was obviously glad when Holmes's architectural
|
||
studies had come to an end. I could not see that in either case
|
||
Holmes had come upon the clue for which he was searching. Only
|
||
at the third did our visit prove abortive. The outer door would
|
||
not open to our knock, and nothing more substantial than a
|
||
torrent of bad language came from behind it. "I don't care who
|
||
you are. You can go to blazes!" roared the angry voice.
|
||
"Tomorrow's the exam, and I won't be drawn by anyone."
|
||
|
||
"A rude fellow," said our guide, flushing with anger as we
|
||
withdrew down the stair. "Of course, he did not realize that it
|
||
was I who was knocking, but none the less his conduct was very
|
||
uncourteous, and, indeed, under the circumstances rather suspicious."
|
||
|
||
Holmes's response was a curious one.
|
||
|
||
"Can you tell me his exact height?" he asked.
|
||
|
||
"Really, Mr. Holmes, I cannot undertake to say. He is taller
|
||
than the Indian, not so tall as Gilchrist. I suppose five foot
|
||
six would be about it."
|
||
|
||
"That is very important," said Holmes. "And now, Mr. Soames, I
|
||
wish you good-night."
|
||
|
||
Our guide cried aloud in his astonishment and dismay. "Good
|
||
gracious, Mr. Holmes, you are surely not going to leave me in
|
||
this abrupt fashion! You don't seem to realize the position.
|
||
To-morrow is the examination. I must take some definite action
|
||
to-night. I cannot allow the examination to be held if one of
|
||
the papers has been tampered with. The situation must be faced."
|
||
|
||
"You must leave it as it is. I shall drop round early to-morrow
|
||
morning and chat the matter over. It is possible that I may be
|
||
in a position then to indicate some course of action. Meanwhile,
|
||
you change nothing--nothing at all."
|
||
|
||
"Very good, Mr. Holmes."
|
||
|
||
"You can be perfectly easy in your mind. We shall certainly find
|
||
some way out of your difficulties. I will take the black clay
|
||
with me, also the pencil cuttings. Good-bye."
|
||
|
||
When we were out in the darkness of the quadrangle, we again
|
||
looked up at the windows. The Indian still paced his room. The
|
||
others were invisible.
|
||
|
||
"Well, Watson, what do you think of it?" Holmes asked, as we
|
||
came out into the main street. "Quite a little parlour game--
|
||
sort of three-card trick, is it not? There are your three men.
|
||
It must be one of them. You take your choice. Which is yours?"
|
||
|
||
"The foul-mouthed fellow at the top. He is the one with the
|
||
worst record. And yet that Indian was a sly fellow also. Why
|
||
should he be pacing his room all the time?"
|
||
|
||
"There is nothing in that. Many men do it when they are trying
|
||
to learn anything by heart."
|
||
|
||
"He looked at us in a queer way."
|
||
|
||
"So would you, if a flock of strangers came in on you when you
|
||
were preparing for an examination next day, and every moment was
|
||
of value. No, I see nothing in that. Pencils, too, and knives--
|
||
all was satisfactory. But that fellow DOES puzzle me."
|
||
|
||
"Who?"
|
||
|
||
"Why, Bannister, the servant. What's his game in the matter?"
|
||
|
||
"He impressed me as being a perfectly honest man."
|
||
|
||
"So he did me. That's the puzzling part. Why should a perfectly
|
||
honest man--Well, well, here's a large stationer's. We shall
|
||
begin our researches here."
|
||
|
||
There were only four stationers of any consequences in the town,
|
||
and at each Holmes produced his pencil chips, and bid high for
|
||
a duplicate. All were agreed that one could be ordered, but that
|
||
it was not a usual size of pencil and that it was seldom kept in
|
||
stock. My friend did not appear to be depressed by his failure,
|
||
but shrugged his shoulders in half-humorous resignation.
|
||
|
||
"No good, my dear Watson. This, the best and only final clue,
|
||
has run to nothing. But, indeed, I have little doubt that we can
|
||
build up a sufficient case without it. By Jove! my dear fellow,
|
||
it is nearly nine, and the landlady babbled of green peas at
|
||
seven-thirty. What with your eternal tobacco, Watson, and your
|
||
irregularity at meals, I expect that you will get notice to
|
||
quit, and that I shall share your downfall--not, however, before
|
||
we have solved the problem of the nervous tutor, the careless
|
||
servant, and the three enterprising students."
|
||
|
||
Holmes made no further allusion to the matter that day, though
|
||
he sat lost in thought for a long time after our belated dinner.
|
||
At eight in the morning, he came into my room just as I finished
|
||
my toilet.
|
||
|
||
"Well, Watson," said he, "it is time we went down to St. Luke's.
|
||
Can you do without breakfast?"
|
||
|
||
"Certainly."
|
||
|
||
"Soames will be in a dreadful fidget until we are able to tell
|
||
him something positive."
|
||
|
||
"Have you anything positive to tell him?"
|
||
|
||
"I think so."
|
||
|
||
"You have formed a conclusion?"
|
||
|
||
"Yes, my dear Watson, I have solved the mystery."
|
||
|
||
"But what fresh evidence could you have got?"
|
||
|
||
"Aha! It is not for nothing that I have turned myself out of bed
|
||
at the untimely hour of six. I have put in two hours' hard work
|
||
and covered at least five miles, with something to show for it.
|
||
Look at that!"
|
||
|
||
He held out his hand. On the palm were three little pyramids of
|
||
black, doughy clay.
|
||
|
||
"Why, Holmes, you had only two yesterday."
|
||
|
||
"And one more this morning. It is a fair argument that wherever
|
||
No. 3 came from is also the source of Nos. 1 and 2. Eh, Watson?
|
||
Well, come along and put friend Soames out of his pain."
|
||
|
||
The unfortunate tutor was certainly in a state of pitiable
|
||
agitation when we found him in his chambers. In a few hours
|
||
the examination would commence, and he was still in the dilemma
|
||
between making the facts public and allowing the culprit to
|
||
compete for the valuable scholarship. He could hardly stand
|
||
still so great was his mental agitation, and he ran towards
|
||
Holmes with two eager hands outstretched.
|
||
|
||
"Thank heaven that you have come! I feared that you had given it
|
||
up in despair. What am I to do? Shall the examination proceed?"
|
||
|
||
"Yes, let it proceed, by all means."
|
||
|
||
"But this rascal?"
|
||
|
||
"He shall not compete."
|
||
|
||
"You know him?"
|
||
|
||
"I think so. If this matter is not to become public, we must
|
||
give ourselves certain powers and resolve ourselves into a small
|
||
private court-martial. You there, if you please, Soames! Watson
|
||
you here! I'll take the armchair in the middle. I think that we
|
||
are now sufficiently imposing to strike terror into a guilty
|
||
breast. Kindly ring the bell!"
|
||
|
||
Bannister entered, and shrank back in evident surprise and fear
|
||
at our judicial appearance.
|
||
|
||
"You will kindly close the door," said Holmes. "Now, Bannister,
|
||
will you please tell us the truth about yesterday's incident?"
|
||
|
||
The man turned white to the roots of his hair.
|
||
|
||
"I have told you everything, sir."
|
||
|
||
"Nothing to add?"
|
||
|
||
"Nothing at all, sir."
|
||
|
||
"Well, then, I must make some suggestions to you. When you sat
|
||
down on that chair yesterday, did you do so in order to conceal
|
||
some object which would have shown who had been in the room?"
|
||
|
||
Bannister's face was ghastly.
|
||
|
||
"No, sir, certainly not."
|
||
|
||
"It is only a suggestion," said Holmes, suavely. "I frankly
|
||
admit that I am unable to prove it. But it seems probable
|
||
enough, since the moment that Mr. Soames's back was turned, you
|
||
released the man who was hiding in that bedroom."
|
||
|
||
Bannister licked his dry lips.
|
||
|
||
"There was no man, sir."
|
||
|
||
"Ah, that's a pity, Bannister. Up to now you may have spoken the
|
||
truth, but now I know that you have lied."
|
||
|
||
The man's face set in sullen defiance.
|
||
|
||
"There was no man, sir."
|
||
|
||
"Come, come, Bannister!"
|
||
|
||
"No, sir, there was no one."
|
||
|
||
"In that case, you can give us no further information. Would you
|
||
please remain in the room? Stand over there near the bedroom
|
||
door. Now, Soames, I am going to ask you to have the great
|
||
kindness to go up to the room of young Gilchrist, and to ask him
|
||
to step down into yours."
|
||
|
||
An instant later the tutor returned, bringing with him the
|
||
student. He was a fine figure of a man, tall, lithe, and agile,
|
||
with a springy step and a pleasant, open face. His troubled blue
|
||
eyes glanced at each of us, and finally rested with an
|
||
expression of blank dismay upon Bannister in the farther corner.
|
||
|
||
"Just close the door," said Holmes. "Now, Mr. Gilchrist, we are
|
||
all quite alone here, and no one need ever know one word of what
|
||
passes between us. We can be perfectly frank with each other. We
|
||
want to know, Mr. Gilchrist, how you, an honourable man, ever
|
||
came to commit such an action as that of yesterday?"
|
||
|
||
The unfortunate young man staggered back, and cast a look full
|
||
of horror and reproach at Bannister.
|
||
|
||
"No, no, Mr. Gilchrist, sir, I never said a word--never one
|
||
word!" cried the servant.
|
||
|
||
"No, but you have now," said Holmes. "Now, sir, you must see
|
||
that after Bannister's words your position is hopeless, and that
|
||
your only chance lies in a frank confession."
|
||
|
||
For a moment Gilchrist, with upraised hand, tried to control his
|
||
writhing features. The next he had thrown himself on his knees
|
||
beside the table, and burying his face in his hands, he had
|
||
burst into a storm of passionate sobbing.
|
||
|
||
"Come, come," said Holmes, kindly, "it is human to err, and at
|
||
least no one can accuse you of being a callous criminal. Perhaps
|
||
it would be easier for you if I were to tell Mr. Soames what
|
||
occurred, and you can check me where I am wrong. Shall I do so?
|
||
Well, well, don't trouble to answer. Listen, and see that I do
|
||
you no injustice.
|
||
|
||
"From the moment, Mr. Soames, that you said to me that no one,
|
||
not even Bannister, could have told that the papers were in your
|
||
room, the case began to take a definite shape in my mind. The
|
||
printer one could, of course, dismiss. He could examine the
|
||
papers in his own office. The Indian I also thought nothing of.
|
||
If the proofs were in a roll, he could not possibly know what
|
||
they were. On the other hand, it seemed an unthinkable
|
||
coincidence that a man should dare to enter the room, and that
|
||
by chance on that very day the papers were on the table. I
|
||
dismissed that. The man who entered knew that the papers were
|
||
there. How did he know?
|
||
|
||
"When I approached your room, I examined the window. You amused
|
||
me by supposing that I was contemplating the possibility of
|
||
someone having in broad daylight, under the eyes of all these
|
||
opposite rooms, forced himself through it. Such an idea was
|
||
absurd. I was measuring how tall a man would need to be in order
|
||
to see, as he passed, what papers were on the central table. I
|
||
am six feet high, and I could do it with an effort. No one less
|
||
than that would have a chance. Already you see I had reason to
|
||
think that, if one of your three students was a man of unusual
|
||
height, he was the most worth watching of the three.
|
||
|
||
"I entered, and I took you into my confidence as to the
|
||
suggestions of the side table. Of the centre table I could make
|
||
nothing, until in your description of Gilchrist you mentioned
|
||
that he was a long-distance jumper. Then the whole thing came to
|
||
me in an instant, and I only needed certain corroborative
|
||
proofs, which I speedily obtained.
|
||
|
||
"What happened with{sic} this: This young fellow had employed his
|
||
afternoon at the athletic grounds, where he had been practising
|
||
the jump. He returned carrying his jumping-shoes, which are
|
||
provided, as you are aware, with several sharp spikes. As he
|
||
passed your window he saw, by means of his great height, these
|
||
proofs upon your table, and conjectured what they were. No
|
||
harm would have been done had it not been that, as he passed
|
||
your door, he perceived the key which had been left by the
|
||
carelessness of your servant. A sudden impulse came over him to
|
||
enter, and see if they were indeed the proofs. It was not a
|
||
dangerous exploit for he could always pretend that he had simply
|
||
looked in to ask a question.
|
||
|
||
"Well, when he saw that they were indeed the proofs, it was then
|
||
that he yielded to temptation. He put his shoes on the table.
|
||
What was it you put on that chair near the window?"
|
||
|
||
"Gloves," said the young man.
|
||
|
||
Holmes looked triumphantly at Bannister. "He put his gloves on
|
||
the chair, and he took the proofs, sheet by sheet, to copy them.
|
||
He thought the tutor must return by the main gate and that he
|
||
would see him. As we know, he came back by the side gate.
|
||
Suddenly he heard him at the very door. There was no possible
|
||
escape. He forgot his gloves but he caught up his shoes and
|
||
darted into the bedroom. You observe that the scratch on that
|
||
table is slight at one side, but deepens in the direction of the
|
||
bedroom door. That in itself is enough to show us that the shoe
|
||
had been drawn in that direction, and that the culprit had taken
|
||
refuge there. The earth round the spike had been left on the
|
||
table, and a second sample was loosened and fell in the bedroom.
|
||
I may add that I walked out to the athletic grounds this
|
||
morning, saw that tenacious black clay is used in the
|
||
jumping-pit and carried away a specimen of it, together with
|
||
some of the fine tan or sawdust which is strewn over it to
|
||
prevent the athlete from slipping. Have I told the truth, Mr.
|
||
Gilchrist?"
|
||
|
||
The student had drawn himself erect.
|
||
|
||
"Yes, sir, it is true," said he.
|
||
|
||
"Good heavens! have you nothing to add?" cried Soames.
|
||
|
||
"Yes, sir, I have, but the shock of this disgraceful exposure
|
||
has bewildered me. I have a letter here, Mr. Soames, which I
|
||
wrote to you early this morning in the middle of a restless
|
||
night. It was before I knew that my sin had found me out. Here
|
||
it is, sir. You will see that I have said, `I have determined
|
||
not to go in for the examination. I have been offered a
|
||
commission in the Rhodesian Police, and I am going out to South
|
||
Africa at once.'"
|
||
|
||
"I am indeed pleased to hear that you did not intend to profit
|
||
by your unfair advantage," said Soames. "But why did you change
|
||
your purpose?"
|
||
|
||
Gilchrist pointed to Bannister.
|
||
|
||
"There is the man who set me in the right path," said he.
|
||
|
||
"Come now, Bannister," said Holmes. "It will be clear to you,
|
||
from what I have said, that only you could have let this young
|
||
man out, since you were left in the room, and must have locked
|
||
the door when you went out. As to his escaping by that window,
|
||
it was incredible. Can you not clear up the last point in this
|
||
mystery, and tell us the reasons for your action?"
|
||
|
||
"It was simple enough, sir, if you only had known, but, with all
|
||
your cleverness, it was impossible that you could know. Time
|
||
was, sir, when I was butler to old Sir Jabez Gilchrist, this
|
||
young gentleman's father. When he was ruined I came to the
|
||
college as servant, but I never forgot my old employer because
|
||
he was down in the world. I watched his son all I could for the
|
||
sake of the old days. Well, sir, when I came into this room
|
||
yesterday, when the alarm was given, the very first thing I saw
|
||
was Mr. Gilchrist's tan gloves a-lying in that chair. I knew those
|
||
gloves well, and I understood their message. If Mr. Soames saw
|
||
them, the game was up. I flopped down into that chair, and
|
||
nothing would budge me until Mr. Soames he went for you. Then out
|
||
came my poor young master, whom I had dandled on my knee, and
|
||
confessed it all to me. Wasn't it natural, sir, that I should
|
||
save him, and wasn't it natural also that I should try to speak
|
||
to him as his dead father would have done, and make him
|
||
understand that he could not profit by such a deed? Could you
|
||
blame me, sir?"
|
||
|
||
"No, indeed," said Holmes, heartily, springing to his feet.
|
||
"Well, Soames, I think we have cleared your little problem up,
|
||
and our breakfast awaits us at home. Come, Watson! As to you,
|
||
sir, I trust that a bright future awaits you in Rhodesia. For
|
||
once you have fallen low. Let us see, in the future, how high
|
||
you can rise."THE ADVENTURE OF THE GOLDEN PINCE-NEZ
|
||
|
||
|
||
When I look at the three massive manuscript volumes which
|
||
contain our work for the year 1894, I confess that it is very
|
||
difficult for me, out of such a wealth of material, to select
|
||
the cases which are most interesting in themselves, and at the
|
||
same time most conducive to a display of those peculiar powers
|
||
for which my friend was famous. As I turn over the pages, I see
|
||
my notes upon the repulsive story of the red leech and the
|
||
terrible death of Crosby, the banker. Here also I find an
|
||
account of the Addleton tragedy, and the singular contents of
|
||
the ancient British barrow. The famous Smith-Mortimer succession
|
||
case comes also within this period, and so does the tracking and
|
||
arrest of Huret, the Boulevard assassin--an exploit which won
|
||
for Holmes an autograph letter of thanks from the French
|
||
President and the Order of the Legion of Honour. Each of these
|
||
would furnish a narrative, but on the whole I am of opinion that
|
||
none of them unites so many singular points of interest as the
|
||
episode of Yoxley Old Place, which includes not only the
|
||
lamentable death of young Willoughby Smith, but also those
|
||
subsequent developments which threw so curious a light upon the
|
||
causes of the crime.
|
||
|
||
It was a wild, tempestuous night, towards the close of November.
|
||
Holmes and I sat together in silence all the evening, he engaged
|
||
with a powerful lens deciphering the remains of the original
|
||
inscription upon a palimpsest, I deep in a recent treatise upon
|
||
surgery. Outside the wind howled down Baker Street, while the
|
||
rain beat fiercely against the windows. It was strange there, in
|
||
the very depths of the town, with ten miles of man's handiwork
|
||
on every side of us, to feel the iron grip of Nature, and to be
|
||
conscious that to the huge elemental forces all London was no
|
||
more than the molehills that dot the fields. I walked to the
|
||
window, and looked out on the deserted street. The occasional
|
||
lamps gleamed on the expanse of muddy road and shining pavement.
|
||
A single cab was splashing its way from the Oxford Street end.
|
||
|
||
"Well, Watson, it's as well we have not to turn out to-night,"
|
||
said Holmes, laying aside his lens and rolling up the
|
||
palimpsest. "I've done enough for one sitting. It is trying work
|
||
for the eyes. So far as I can make out, it is nothing more
|
||
exciting than an Abbey's accounts dating from the second half of
|
||
the fifteenth century. Halloa! halloa! halloa! What's this?"
|
||
|
||
Amid the droning of the wind there had come the stamping of a
|
||
horse's hoofs, and the long grind of a wheel as it rasped against
|
||
the curb. The cab which I had seen had pulled up at our door.
|
||
|
||
"What can he want?" I ejaculated, as a man stepped out of it.
|
||
|
||
"Want? He wants us. And we, my poor Watson, want overcoats and
|
||
cravats and goloshes, and every aid that man ever invented to
|
||
fight the weather. Wait a bit, though! There's the cab off
|
||
again! There's hope yet. He'd have kept it if he had wanted us
|
||
to come. Run down, my dear fellow, and open the door, for all
|
||
virtuous folk have been long in bed."
|
||
|
||
When the light of the hall lamp fell upon our midnight visitor,
|
||
I had no difficulty in recognizing him. It was young Stanley
|
||
Hopkins, a promising detective, in whose career Holmes had
|
||
several times shown a very practical interest.
|
||
|
||
"Is he in?" he asked, eagerly.
|
||
|
||
"Come up, my dear sir," said Holmes's voice from above. "I hope
|
||
you have no designs upon us such a night as this."
|
||
|
||
The detective mounted the stairs, and our lamp gleamed upon his
|
||
shining waterproof. I helped him out of it, while Holmes knocked
|
||
a blaze out of the logs in the grate.
|
||
|
||
"Now, my dear Hopkins, draw up and warm your toes," said he.
|
||
"Here's a cigar, and the doctor has a prescription containing
|
||
hot water and a lemon, which is good medicine on a night like
|
||
this. It must be something important which has brought you out
|
||
in such a gale."
|
||
|
||
"It is indeed, Mr. Holmes. I've had a bustling afternoon, I
|
||
promise you. Did you see anything of the Yoxley case in the
|
||
latest editions?"
|
||
|
||
"I've seen nothing later than the fifteenth century to-day."
|
||
|
||
"Well, it was only a paragraph, and all wrong at that, so you
|
||
have not missed anything. I haven't let the grass grow under my
|
||
feet. It's down in Kent, seven miles from Chatham and three from
|
||
the railway line. I was wired for at 3:15, reached Yoxley Old
|
||
Place at 5, conducted my investigation, was back at Charing
|
||
Cross by the last train, and straight to you by cab."
|
||
|
||
"Which means, I suppose, that you are not quite clear about your case?"
|
||
|
||
"It means that I can make neither head nor tail of it. So far as
|
||
I can see, it is just as tangled a business as ever I handled,
|
||
and yet at first it seemed so simple that one couldn't go wrong.
|
||
There's no motive, Mr. Holmes. That's what bothers me--I can't
|
||
put my hand on a motive. Here's a man dead--there's no denying
|
||
that--but, so far as I can see, no reason on earth why anyone
|
||
should wish him harm."
|
||
|
||
Holmes lit his cigar and leaned back in his chair.
|
||
|
||
"Let us hear about it," said he.
|
||
|
||
"I've got my facts pretty clear," said Stanley Hopkins. "All I
|
||
want now is to know what they all mean. The story, so far as I
|
||
can make it out, is like this. Some years ago this country
|
||
house, Yoxley Old Place, was taken by an elderly man, who gave
|
||
the name of Professor Coram. He was an invalid, keeping his bed
|
||
half the time, and the other half hobbling round the house with
|
||
a stick or being pushed about the grounds by the gardener in a
|
||
Bath chair. He was well liked by the few neighbours who called
|
||
upon him, and he has the reputation down there of being a very
|
||
learned man. His household used to consist of an elderly
|
||
housekeeper, Mrs. Marker, and of a maid, Susan Tarlton. These
|
||
have both been with him since his arrival, and they seem to be
|
||
women of excellent character. The professor is writing a learned
|
||
book, and he found it necessary, about a year ago, to engage a
|
||
secretary. The first two that he tried were not successes, but
|
||
the third, Mr. Willoughby Smith, a very young man straight from
|
||
the university, seems to have been just what his employer
|
||
wanted. His work consisted in writing all the morning to the
|
||
professor's dictation, and he usually spent the evening in
|
||
hunting up references and passages which bore upon the next
|
||
day's work. This Willoughby Smith has nothing against him,
|
||
either as a boy at Uppingham or as a young man at Cambridge. I
|
||
have seen his testimonials, and from the first he was a decent,
|
||
quiet, hard-working fellow, with no weak spot in him at all.
|
||
And yet this is the lad who has met his death this morning in
|
||
the professor's study under circumstances which can point only
|
||
to murder."
|
||
|
||
The wind howled and screamed at the windows. Holmes and I drew
|
||
closer to the fire, while the young inspector slowly and point
|
||
by point developed his singular narrative.
|
||
|
||
"If you were to search all England," said he, "I don't suppose
|
||
you could find a household more self-contained or freer from
|
||
outside influences. Whole weeks would pass, and not one of them
|
||
go past the garden gate. The professor was buried in his work
|
||
and existed for nothing else. Young Smith knew nobody in the
|
||
neighbourhood, and lived very much as his employer did. The two
|
||
women had nothing to take them from the house. Mortimer, the
|
||
gardener, who wheels the Bath chair, is an army pensioner--an
|
||
old Crimean man of excellent character. He does not live in the
|
||
house, but in a three-roomed cottage at the other end of the
|
||
garden. Those are the only people that you would find within the
|
||
grounds of Yoxley Old Place. At the same time, the gate of the
|
||
garden is a hundred yards from the main London to Chatham road.
|
||
It opens with a latch, and there is nothing to prevent anyone
|
||
from walking in.
|
||
|
||
"Now I will give you the evidence of Susan Tarlton, who is the
|
||
only person who can say anything positive about the matter. It
|
||
was in the forenoon, between eleven and twelve. She was engaged
|
||
at the moment in hanging some curtains in the upstairs front
|
||
bedroom. Professor Coram was still in bed, for when the weather
|
||
is bad he seldom rises before midday. The housekeeper was busied
|
||
with some work in the back of the house. Willoughby Smith had
|
||
been in his bedroom, which he uses as a sitting-room, but the
|
||
maid heard him at that moment pass along the passage and descend
|
||
to the study immediately below her. She did not see him, but she
|
||
says that she could not be mistaken in his quick, firm tread.
|
||
She did not hear the study door close, but a minute or so later
|
||
there was a dreadful cry in the room below. It was a wild,
|
||
hoarse scream, so strange and unnatural that it might have come
|
||
either from a man or a woman. At the same instant there was a
|
||
heavy thud, which shook the old house, and then all was silence.
|
||
The maid stood petrified for a moment, and then, recovering her
|
||
courage, she ran downstairs. The study door was shut and she
|
||
opened it. Inside, young Mr. Willoughby Smith was stretched upon
|
||
the floor. At first she could see no injury, but as she tried to
|
||
raise him she saw that blood was pouring from the underside of
|
||
his neck. It was pierced by a very small but very deep wound,
|
||
which had divided the carotid artery. The instrument with which
|
||
the injury had been inflicted lay upon the carpet beside him. It
|
||
was one of those small sealing-wax knives to be found on
|
||
old-fashioned writing-tables, with an ivory handle and a stiff
|
||
blade. It was part of the fittings of the professor's own desk.
|
||
|
||
"At first the maid thought that young Smith was already dead,
|
||
but on pouring some water from the carafe over his forehead he
|
||
opened his eyes for an instant. `The professor,' he
|
||
murmured--`it was she.' The maid is prepared to swear that those
|
||
were the exact words. He tried desperately to say something
|
||
else, and he held his right hand up in the air. Then he fell
|
||
back dead.
|
||
|
||
"In the meantime the housekeeper had also arrived upon the
|
||
scene, but she was just too late to catch the young man's dying
|
||
words. Leaving Susan with the body, she hurried to the
|
||
professors room. He was sitting up in bed, horribly agitated,
|
||
for he had heard enough to convince him that something terrible
|
||
had occurred. Mrs. Marker is prepared to swear that the
|
||
professor was still in his night-clothes, and indeed it was
|
||
impossible for him to dress without the help of Mortimer, whose
|
||
orders were to come at twelve o'clock. The professor declares
|
||
that he heard the distant cry, but that he knows nothing more.
|
||
He can give no explanation of the young man's last words, `The
|
||
professor--it was she,' but imagines that they were the outcome
|
||
of delirium. He believes that Willoughby Smith had not an enemy
|
||
in the world, and can give no reason for the crime. His first
|
||
action was to send Mortimer, the gardener, for the local police.
|
||
A little later the chief constable sent for me. Nothing was
|
||
moved before I got there, and strict orders were given that no
|
||
one should walk upon the paths leading to the house. It was a
|
||
splendid chance of putting your theories into practice, Mr.
|
||
Sherlock Holmes. There was really nothing wanting."
|
||
|
||
"Except Mr. Sherlock Holmes," said my companion, with a somewhat
|
||
bitter smile. "Well, let us hear about it. What sort of a job
|
||
did you make of it?"
|
||
|
||
"I must ask you first, Mr. Holmes, to glance at this rough plan,
|
||
which will give you a general idea of the position of the
|
||
professor's study and the various points of the case. It will
|
||
help you in following my investigation."
|
||
|
||
He unfolded the rough chart, which I here reproduce,
|
||
|
||
|
||
GRAPHIC
|
||
|
||
|
||
and he laid it across Holmes's knee. I rose and, standing
|
||
behind Holmes, studied it over his shoulder.
|
||
|
||
"It is very rough, of course, and it only deals with the points
|
||
which seem to me to be essential. All the rest you will see
|
||
later for yourself. Now, first of all, presuming that the
|
||
assassin entered the house, how did he or she come in?
|
||
Undoubtedly by the garden path and the back door, from which
|
||
there is direct access to the study. Any other way would have
|
||
been exceedingly complicated. The escape must have also been
|
||
made along that line, for of the two other exits from the room
|
||
one was blocked by Susan as she ran downstairs and the other
|
||
leads straight to the professor's bedroom. I therefore directed
|
||
my attention at once to the garden path, which was saturated
|
||
with recent rain, and would certainly show any footmarks.
|
||
|
||
"My examination showed me that I was dealing with a cautious and
|
||
expert criminal. No footmarks were to be found on the path.
|
||
There could be no question, however, that someone had passed
|
||
along the grass border which lines the path, and that he had
|
||
done so in order to avoid leaving a track. I could not find
|
||
anything in the nature of a distinct impression, but the grass
|
||
was trodden down, and someone had undoubtedly passed. It could
|
||
only have been the murderer, since neither the gardener nor
|
||
anyone else had been there that morning, and the rain had only
|
||
begun during the night."
|
||
|
||
"One moment," said Holmes. "Where does this path lead to?"
|
||
|
||
"To the road."
|
||
|
||
"How long is it?"
|
||
|
||
"A hundred yards or so."
|
||
|
||
"At the point where the path passes through the gate, you could
|
||
surely pick up the tracks?"
|
||
|
||
"Unfortunately, the path was tiled at that point."
|
||
|
||
"Well, on the road itself?"
|
||
|
||
"No, it was all trodden into mire."
|
||
|
||
"Tut-tut! Well, then, these tracks upon the grass, were they
|
||
coming or going?"
|
||
|
||
"It was impossible to say. There was never any outline."
|
||
|
||
"A large foot or a small?"
|
||
|
||
"You could not distinguish."
|
||
|
||
Holmes gave an ejaculation of impatience.
|
||
|
||
"It has been pouring rain and blowing a hurricane ever since,"
|
||
said he. "It will be harder to read now than that palimpsest.
|
||
Well, well, it can't be helped. What did you do, Hopkins, after
|
||
you had made certain that you had made certain of nothing?"
|
||
|
||
"I think I made certain of a good deal, Mr. Holmes. I knew that
|
||
someone had entered the house cautiously from without. I next
|
||
examined the corridor. It is lined with cocoanut matting and had
|
||
taken no impression of any kind. This brought me into the study
|
||
itself. It is a scantily furnished room. The main article is a
|
||
large writing-table with a fixed bureau. This bureau consists of
|
||
a double column of drawers, with a central small cupboard
|
||
between them. The drawers were open, the cupboard locked. The
|
||
drawers, it seems, were always open, and nothing of value was
|
||
kept in them. There were some papers of importance in the
|
||
cupboard, but there were no signs that this had been tampered
|
||
with, and the professor assures me that nothing was missing. It
|
||
is certain that no robbery has been committed.
|
||
|
||
"I come now to the body of the young man. It was found near the
|
||
bureau, and just to the left of it, as marked upon that chart.
|
||
The stab was on the right side of the neck and from behind
|
||
forward, so that it is almost impossible that it could have been
|
||
self-inflicted."
|
||
|
||
"Unless he fell upon the knife," said Holmes.
|
||
|
||
"Exactly. The idea crossed my mind. But we found the knife some
|
||
feet away from the body, so that seems impossible. Then, of
|
||
course, there are the man's own dying words. And, finally, there
|
||
was this very important piece of evidence which was found
|
||
clasped in the dead man's right hand."
|
||
|
||
From his pocket Stanley Hopkins drew a small paper packet. He
|
||
unfolded it and disclosed a golden pince-nez, with two broken
|
||
ends of black silk cord dangling from the end of it. "Willoughby
|
||
Smith had excellent sight," he added. "There can be no question
|
||
that this was snatched from the face or the person of the assassin."
|
||
|
||
Sherlock Holmes took the glasses into his hand, and examined
|
||
them with the utmost attention and interest. He held them on his
|
||
nose, endeavoured to read through them, went to the window and
|
||
stared up the street with them, looked at them most minutely in
|
||
the full light of the lamp, and finally, with a chuckle, seated
|
||
himself at the table and wrote a few lines upon a sheet of
|
||
paper, which he tossed across to Stanley Hopkins.
|
||
|
||
"That's the best I can do for you," said he. "It may prove to be
|
||
of some use."
|
||
|
||
The astonished detective read the note aloud. It ran as follows:
|
||
|
||
|
||
"Wanted, a woman of good address, attired like a lady. She has
|
||
a remarkably thick nose, with eyes which are set close upon
|
||
either side of it. She has a puckered forehead, a peering
|
||
expression, and probably rounded shoulders. There are
|
||
indications that she has had recourse to an optician at least
|
||
twice during the last few months. As her glasses are of
|
||
remarkable strength, and as opticians are not very numerous,
|
||
there should be no difficulty in tracing her."
|
||
|
||
|
||
Holmes smiled at the astonishment of Hopkins, which must have
|
||
been reflected upon my features. "Surely my deductions are
|
||
simplicity itself," said he. "It would be difficult to name any
|
||
articles which afford a finer field for inference than a pair of
|
||
glasses, especially so remarkable a pair as these. That they
|
||
belong to a woman I infer from their delicacy, and also, of
|
||
course, from the last words of the dying man. As to her being a
|
||
person of refinement and well dressed, they are, as you
|
||
perceive, handsomely mounted in solid gold, and it is
|
||
inconceivable that anyone who wore such glasses could be
|
||
slatternly in other respects. You will find that the clips are
|
||
too wide for your nose, showing that the lady's nose was very
|
||
broad at the base. This sort of nose is usually a short and
|
||
coarse one, but there is a sufficient number of exceptions to
|
||
prevent me from being dogmatic or from insisting upon this point
|
||
in my description. My own face is a narrow one, and yet I find
|
||
that I cannot get my eyes into the centre, nor near the centre,
|
||
of these glasses. Therefore, the lady's eyes are set very near
|
||
to the sides of the nose. You will perceive, Watson, that the
|
||
glasses are concave and of unusual strength. A lady whose vision
|
||
has been so extremely contracted all her life is sure to have
|
||
the physical characteristics of such vision, which are seen in
|
||
the forehead, the eyelids, and the shoulders."
|
||
|
||
"Yes," I said, "I can follow each of your arguments. I confess,
|
||
however, that I am unable to understand how you arrive at the
|
||
double visit to the optician."
|
||
|
||
Holmes took the glasses in his hand.
|
||
|
||
"You will perceive," he said, "that the clips are lined with
|
||
tiny bands of cork to soften the pressure upon the nose. One of
|
||
these is discoloured and worn to some slight extent, but the
|
||
other is new. Evidently one has fallen off and been replaced. I
|
||
should judge that the older of them has not been there more than
|
||
a few months. They exactly correspond, so I gather that the lady
|
||
went back to the same establishment for the second."
|
||
|
||
"By George, it's marvellous!" cried Hopkins, in an ecstasy of
|
||
admiration. "To think that I had all that evidence in my hand
|
||
and never knew it! I had intended, however, to go the round of
|
||
the London opticians."
|
||
|
||
"Of course you would. Meanwhile, have you anything more to tell
|
||
us about the case?"
|
||
|
||
"Nothing, Mr. Holmes. I think that you know as much as I do
|
||
now--probably more. We have had inquiries made as to any
|
||
stranger seen on the country roads or at the railway station. We
|
||
have heard of none. What beats me is the utter want of all
|
||
object in the crime. Not a ghost of a motive can anyone suggest."
|
||
|
||
"Ah! there I am not in a position to help you. But I suppose you
|
||
want us to come out to-morrow?"
|
||
|
||
"If it is not asking too much, Mr. Holmes. There's a train from
|
||
Charing Cross to Chatham at six in the morning, and we should be
|
||
at Yoxley Old Place between eight and nine."
|
||
|
||
"Then we shall take it. Your case has certainly some features of
|
||
great interest, and I shall be delighted to look into it. Well,
|
||
it's nearly one, and we had best get a few hours' sleep. I
|
||
daresay you can manage all right on the sofa in front of the
|
||
fire. I'll light my spirit lamp, and give you a cup of coffee
|
||
before we start."
|
||
|
||
The gale had blown itself out next day, but it was a bitter
|
||
morning when we started upon our journey. We saw the cold winter
|
||
sun rise over the dreary marshes of the Thames and the long,
|
||
sullen reaches of the river, which I shall ever associate with
|
||
our pursuit of the Andaman Islander in the earlier days of our
|
||
career. After a long and weary journey, we alighted at a small
|
||
station some miles from Chatham. While a horse was being put
|
||
into a trap at the local inn, we snatched a hurried breakfast,
|
||
and so we were all ready for business when we at last arrived at
|
||
Yoxley Old Place. A constable met us at the garden gate.
|
||
|
||
"Well, Wilson, any news?"
|
||
|
||
"No, sir--nothing."
|
||
|
||
"No reports of any stranger seen?"
|
||
|
||
"No, sir. Down at the station they are certain that no stranger
|
||
either came or went yesterday."
|
||
|
||
"Have you had inquiries made at inns and lodgings?"
|
||
|
||
"Yes, sir: there is no one that we cannot account for."
|
||
|
||
"Well, it's only a reasonable walk to Chatham. Anyone might stay
|
||
there or take a train without being observed. This is the garden
|
||
path of which I spoke, Mr. Holmes. I'll pledge my word there was
|
||
no mark on it yesterday."
|
||
|
||
"On which side were the marks on the grass?"
|
||
|
||
"This side, sir. This narrow margin of grass between the path
|
||
and the flower-bed. I can't see the traces now, but they were
|
||
clear to me then."
|
||
|
||
"Yes, yes: someone has passed along," said Holmes, stooping over
|
||
the grass border. "Our lady must have picked her steps
|
||
carefully, must she not, since on the one side she would leave
|
||
a track on the path, and on the other an even clearer one on the
|
||
soft bed?"
|
||
|
||
"Yes, sir, she must have been a cool hand."
|
||
|
||
I saw an intent look pass over Holmes's face.
|
||
|
||
"You say that she must have come back this way?"
|
||
|
||
"Yes, sir, there is no other."
|
||
|
||
"On this strip of grass?"
|
||
|
||
"Certainly, Mr. Holmes."
|
||
|
||
"Hum! It was a very remarkable performance--very remarkable.
|
||
Well, I think we have exhausted the path. Let us go farther.
|
||
This garden door is usually kept open, I suppose? Then this
|
||
visitor had nothing to do but to walk in. The idea of murder was
|
||
not in her mind, or she would have provided herself with some
|
||
sort of weapon, instead of having to pick this knife off the
|
||
writing-table. She advanced along this corridor, leaving no
|
||
traces upon the cocoanut matting. Then she found herself in this
|
||
study. How long was she there? We have no means of judging."
|
||
|
||
"Not more than a few minutes, sir. I forgot to tell you that
|
||
Mrs. Marker, the housekeeper, had been in there tidying not
|
||
very long before--about a quarter of an hour, she says."
|
||
|
||
"Well, that gives us a limit. Our lady enters this room, and
|
||
what does she do? She goes over to the writing-table. What for?
|
||
Not for anything in the drawers. If there had been anything
|
||
worth her taking, it would surely have been locked up. No, it
|
||
was for something in that wooden bureau. Halloa! what is that
|
||
scratch upon the face of it? Just hold a match, Watson. Why did
|
||
you not tell me of this, Hopkins?"
|
||
|
||
The mark which he was examining began upon the brass-work on the
|
||
right-hand side of the keyhole, and extended for about four
|
||
inches, where it had scratched the varnish from the surface.
|
||
|
||
"I noticed it, Mr. Holmes, but you'll always find scratches
|
||
round a keyhole."
|
||
|
||
"This is recent, quite recent. See how the brass shines where it
|
||
is cut. An old scratch would be the same colour as the surface.
|
||
Look at it through my lens. There's the varnish, too, like earth
|
||
on each side of a furrow. Is Mrs. Marker there?"
|
||
|
||
A sad-faced, elderly woman came into the room.
|
||
|
||
"Did you dust this bureau yesterday morning?"
|
||
|
||
"Yes, sir."
|
||
|
||
"Did you notice this scratch?"
|
||
|
||
"No, sir, I did not."
|
||
|
||
"I am sure you did not, for a duster would have swept away these
|
||
shreds of varnish. Who has the key of this bureau?"
|
||
|
||
"The Professor keeps it on his watch-chain."
|
||
|
||
"Is it a simple key?"
|
||
|
||
"No, sir, it is a Chubb's key."
|
||
|
||
"Very good. Mrs. Marker, you can go. Now we are making a little
|
||
progress. Our lady enters the room, advances to the bureau, and
|
||
either opens it or tries to do so. While she is thus engaged,
|
||
young Willoughby Smith enters the room. In her hurry to withdraw
|
||
the key, she makes this scratch upon the door. He seizes her,
|
||
and she, snatching up the nearest object, which happens to be
|
||
this knife, strikes at him in order to make him let go his hold.
|
||
The blow is a fatal one. He falls and she escapes, either with
|
||
or without the object for which she has come. Is Susan, the
|
||
maid, there? Could anyone have got away through that door after
|
||
the time that you heard the cry, Susan?"
|
||
|
||
"No sir, it is impossible. Before I got down the stair, I'd have
|
||
seen anyone in the passage. Besides, the door never opened, or
|
||
I would have heard it."
|
||
|
||
"That settles this exit. Then no doubt the lady went out the way
|
||
she came. I understand that this other passage leads only to the
|
||
professor's room. There is no exit that way?"
|
||
|
||
"No, sir."
|
||
|
||
"We shall go down it and make the acquaintance of the professor.
|
||
Halloa, Hopkins! this is very important, very important indeed.
|
||
The professor's corridor is also lined with cocoanut matting."
|
||
|
||
"Well, sir, what of that?"
|
||
|
||
"Don't you see any bearing upon the case? Well, well. I don't
|
||
insist upon it. No doubt I am wrong. And yet it seems to me to
|
||
be suggestive. Come with me and introduce me."
|
||
|
||
We passed down the passage, which was of the same length as that
|
||
which led to the garden. At the end was a short flight of steps
|
||
ending in a door. Our guide knocked, and then ushered us into
|
||
the professor's bedroom.
|
||
|
||
It was a very large chamber, lined with innumerable volumes,
|
||
which had overflowed from the shelves and lay in piles in the
|
||
corners, or were stacked all round at the base of the cases. The
|
||
bed was in the centre of the room, and in it, propped up with
|
||
pillows, was the owner of the house. I have seldom seen a more
|
||
remarkable-looking person. It was a gaunt, aquiline face which
|
||
was turned towards us, with piercing dark eyes, which lurked in
|
||
deep hollows under overhung and tufted brows. His hair and beard
|
||
were white, save that the latter was curiously stained with
|
||
yellow around his mouth. A cigarette glowed amid the tangle of
|
||
white hair, and the air of the room was fetid with stale tobacco
|
||
smoke. As he held out his hand to Holmes, I perceived that it
|
||
was also stained with yellow nicotine.
|
||
|
||
"A smoker, Mr. Holmes?" said he, speaking in well-chosen
|
||
English, with a curious little mincing accent. "Pray take a
|
||
cigarette. And you, sir? I can recommend them, for I have them
|
||
especially prepared by Ionides, of Alexandria. He sends me a
|
||
thousand at a time, and I grieve to say that I have to arrange
|
||
for a fresh supply every fortnight. Bad, sir, very bad, but an
|
||
old man has few pleasures. Tobacco and my work--that is all that
|
||
is left to me."
|
||
|
||
Holmes had lit a cigarette and was shooting little darting
|
||
glances all over the room.
|
||
|
||
"Tobacco and my work, but now only tobacco," the old man
|
||
exclaimed. "Alas! what a fatal interruption! Who could have
|
||
foreseen such a terrible catastrophe? So estimable a young man!
|
||
I assure you that, after a few months' training, he was an
|
||
admirable assistant. What do you think of the matter, Mr. Holmes?"
|
||
|
||
"I have not yet made up my mind."
|
||
|
||
"I shall indeed be indebted to you if you can throw a light
|
||
where all is so dark to us. To a poor bookworm and invalid like
|
||
myself such a blow is paralyzing. I seem to have lost the
|
||
faculty of thought. But you are a man of action--you are a man
|
||
of affairs. It is part of the everyday routine of your life. You
|
||
can preserve your balance in every emergency. We are fortunate,
|
||
indeed, in having you at our side."
|
||
|
||
Holmes was pacing up and down one side of the room whilst the
|
||
old professor was talking. I observed that he was smoking with
|
||
extraordinary rapidity. It was evident that he shared our host's
|
||
liking for the fresh Alexandrian cigarettes.
|
||
|
||
"Yes, sir, it is a crushing blow," said the old man. "That is my
|
||
MAGNUM OPUS--the pile of papers on the side table yonder. It is
|
||
my analysis of the documents found in the Coptic monasteries of
|
||
Syria and Egypt, a work which will cut deep at the very
|
||
foundation of revealed religion. With my enfeebled health I do
|
||
not know whether I shall ever be able to complete it, now that
|
||
my assistant has been taken from me. Dear me! Mr. Holmes, why,
|
||
you are even a quicker smoker than I am myself."
|
||
|
||
Holmes smiled.
|
||
|
||
"I am a connoisseur," said he, taking another cigarette from the
|
||
box--his fourth--and lighting it from the stub of that which he
|
||
had finished. "I will not trouble you with any lengthy
|
||
cross-examination, Professor Coram, since I gather that you were
|
||
in bed at the time of the crime, and could know nothing about
|
||
it. I would only ask this: What do you imagine that this poor
|
||
fellow meant by his last words: `The professor--it was she'?"
|
||
|
||
The professor shook his head.
|
||
|
||
"Susan is a country girl," said he, "and you know the incredible
|
||
stupidity of that class. I fancy that the poor fellow murmured
|
||
some incoherent delirious words, and that she twisted them into
|
||
this meaningless message."
|
||
|
||
"I see. You have no explanation yourself of the tragedy?"
|
||
|
||
"Possibly an accident, possibly--I only breathe it among
|
||
ourselves--a suicide. Young men have their hidden troubles--some
|
||
affair of the heart, perhaps, which we have never known. It is
|
||
a more probable supposition than murder."
|
||
|
||
"But the eyeglasses?"
|
||
|
||
"Ah! I am only a student--a man of dreams. I cannot explain the
|
||
practical things of life. But still, we are aware, my friend,
|
||
that love-gages may take strange shapes. By all means take
|
||
another cigarette. It is a pleasure to see anyone appreciate
|
||
them so. A fan, a glove, glasses--who knows what article may be
|
||
carried as a token or treasured when a man puts an end to his
|
||
life? This gentleman speaks of footsteps in the grass, but,
|
||
after all, it is easy to be mistaken on such a point. As to the
|
||
knife, it might well be thrown far from the unfortunate man as
|
||
he fell. It is possible that I speak as a child, but to me it
|
||
seems that Willoughby Smith has met his fate by his own hand."
|
||
|
||
Holmes seemed struck by the theory thus put forward, and he
|
||
continued to walk up and down for some time, lost in thought and
|
||
consuming cigarette after cigarette.
|
||
|
||
"Tell me, Professor Coram," he said, at last, "what is in that
|
||
cupboard in the bureau?"
|
||
|
||
"Nothing that would help a thief. Family papers, letters from my
|
||
poor wife, diplomas of universities which have done me honour.
|
||
Here is the key. You can look for yourself."
|
||
|
||
Holmes picked up the key, and looked at it for an instant, then
|
||
he handed it back.
|
||
|
||
"No, I hardly think that it would help me," said he. "I should
|
||
prefer to go quietly down to your garden, and turn the whole
|
||
matter over in my head. There is something to be said for the
|
||
theory of suicide which you have put forward. We must apologize
|
||
for having intruded upon you, Professor Coram, and I promise
|
||
that we won't disturb you until after lunch. At two o'clock we
|
||
will come again, and report to you anything which may have
|
||
happened in the interval."
|
||
|
||
Holmes was curiously distrait, and we walked up and down the
|
||
garden path for some time in silence.
|
||
|
||
"Have you a clue?" I asked, at last.
|
||
|
||
"It depends upon those cigarettes that I smoked," said he. "It is
|
||
possible that I am utterly mistaken. The cigarettes will show me."
|
||
|
||
"My dear Holmes," I exclaimed, "how on earth----"
|
||
|
||
"Well, well, you may see for yourself. If not, there's no harm
|
||
done. Of course, we always have the optician clue to fall back
|
||
upon, but I take a short cut when I can get it. Ah, here is the
|
||
good Mrs. Marker! Let us enjoy five minutes of instructive
|
||
conversation with her."
|
||
|
||
I may have remarked before that Holmes had, when he liked, a
|
||
peculiarly ingratiating way with women, and that he very readily
|
||
established terms of confidence with them. In half the time
|
||
which he had named, he had captured the housekeeper's goodwill
|
||
and was chatting with her as if he had known her for years.
|
||
|
||
"Yes, Mr. Holmes, it is as you say, sir. He does smoke something
|
||
terrible. All day and sometimes all night, sir. I've seen that
|
||
room of a morning--well, sir, you'd have thought it was a London
|
||
fog. Poor young Mr. Smith, he was a smoker also, but not as bad
|
||
as the professor. His health--well, I don't know that it's
|
||
better nor worse for the smoking."
|
||
|
||
"Ah!" said Holmes, "but it kills the appetite."
|
||
|
||
"Well, I don't know about that, sir."
|
||
|
||
"I suppose the professor eats hardly anything?"
|
||
|
||
"Well, he is variable. I'll say that for him."
|
||
|
||
"I'll wager he took no breakfast this morning, and won't face
|
||
his lunch after all the cigarettes I saw him consume."
|
||
|
||
"Well, you're out there, sir, as it happens, for he ate a
|
||
remarkable big breakfast this morning. I don't know when I've
|
||
known him make a better one, and he's ordered a good dish of
|
||
cutlets for his lunch. I'm surprised myself, for since I came
|
||
into that room yesterday and saw young Mr. Smith lying there on
|
||
the floor, I couldn't bear to look at food. Well, it takes all
|
||
sorts to make a world, and the professor hasn't let it take his
|
||
appetite away."
|
||
|
||
We loitered the morning away in the garden. Stanley Hopkins had
|
||
gone down to the village to look into some rumours of a strange
|
||
woman who had been seen by some children on the Chatham Road the
|
||
previous morning. As to my friend, all his usual energy seemed
|
||
to have deserted him. I had never known him handle a case in
|
||
such a half-hearted fashion. Even the news brought back by
|
||
Hopkins that he had found the children, and that they had
|
||
undoubtedly seen a woman exactly corresponding with Holmes's
|
||
description, and wearing either spectacles or eyeglasses, failed
|
||
to rouse any sign of keen interest. He was more attentive when
|
||
Susan, who waited upon us at lunch, volunteered the information
|
||
that she believed Mr. Smith had been out for a walk yesterday
|
||
morning, and that he had only returned half an hour before the
|
||
tragedy occurred. I could not myself see the bearing of this
|
||
incident, but I clearly perceived that Holmes was weaving it
|
||
into the general scheme which he had formed in his brain.
|
||
Suddenly he sprang from his chair and glanced at his watch. "Two
|
||
o'clock, gentlemen," said he. "We must go up and have it out
|
||
with our friend, the professor."
|
||
|
||
The old man had just finished his lunch, and certainly his empty
|
||
dish bore evidence to the good appetite with which his
|
||
housekeeper had credited him. He was, indeed, a weird figure as
|
||
he turned his white mane and his glowing eyes towards us. The
|
||
eternal cigarette smouldered in his mouth. He had been dressed
|
||
and was seated in an armchair by the fire.
|
||
|
||
"Well, Mr. Holmes, have you solved this mystery yet?" He shoved
|
||
the large tin of cigarettes which stood on a table beside him
|
||
towards my companion. Holmes stretched out his hand at the same
|
||
moment, and between them they tipped the box over the edge. For
|
||
a minute or two we were all on our knees retrieving stray
|
||
cigarettes from impossible places. When we rose again, I
|
||
observed Holmes's eyes were shining and his cheeks tinged with
|
||
colour. Only at a crisis have I seen those battle-signals flying.
|
||
|
||
"Yes," said he, "I have solved it."
|
||
|
||
Stanley Hopkins and I stared in amazement. Something like a
|
||
sneer quivered over the gaunt features of the old professor.
|
||
|
||
"Indeed! In the garden?"
|
||
|
||
"No, here."
|
||
|
||
"Here! When?"
|
||
|
||
"This instant."
|
||
|
||
"You are surely joking, Mr. Sherlock Holmes. You compel me to
|
||
tell you that this is too serious a matter to be treated in such
|
||
a fashion."
|
||
|
||
"I have forged and tested every link of my chain, Professor
|
||
Coram, and I am sure that it is sound. What your motives are, or
|
||
what exact part you play in this strange business, I am not yet
|
||
able to say. In a few minutes I shall probably hear it from your
|
||
own lips. Meanwhile I will reconstruct what is past for your
|
||
benefit, so that you may know the information which I still require.
|
||
|
||
"A lady yesterday entered your study. She came with the
|
||
intention of possessing herself of certain documents which were
|
||
in your bureau. She had a key of her own. I have had an
|
||
opportunity of examining yours, and I do not find that slight
|
||
discolouration which the scratch made upon the varnish would
|
||
have produced. You were not an accessory, therefore, and she
|
||
came, so far as I can read the evidence, without your knowledge
|
||
to rob you."
|
||
|
||
The professor blew a cloud from his lips. "This is most
|
||
interesting and instructive," said he. "Have you no more to add?
|
||
Surely, having traced this lady so far, you can also say what
|
||
has become of her."
|
||
|
||
"I will endeavour to do so. In the first place she was seized by
|
||
your secretary, and stabbed him in order to escape. This
|
||
catastrophe I am inclined to regard as an unhappy accident, for
|
||
I am convinced that the lady had no intention of inflicting so
|
||
grievous an injury. An assassin does not come unarmed. Horrified
|
||
by what she had done, she rushed wildly away from the scene of
|
||
the tragedy. Unfortunately for her, she had lost her glasses in
|
||
the scuffle, and as she was extremely short-sighted she was
|
||
really helpless without them. She ran down a corridor, which she
|
||
imagined to be that by which she had come--both were lined with
|
||
cocoanut matting--and it was only when it was too late that she
|
||
understood that she had taken the wrong passage, and that her
|
||
retreat was cut off behind her. What was she to do? She could
|
||
not go back. She could not remain where she was. She must go on.
|
||
She went on. She mounted a stair, pushed open a door, and found
|
||
herself in your room."
|
||
|
||
The old man sat with his mouth open, staring wildly at Holmes.
|
||
Amazement and fear were stamped upon his expressive features.
|
||
Now, with an effort, he shrugged his shoulders and burst into
|
||
insincere laughter.
|
||
|
||
"All very fine, Mr. Holmes," said he. "But there is one little
|
||
flaw in your splendid theory. I was myself in my room, and I
|
||
never left it during the day."
|
||
|
||
"I am aware of that, Professor Coram."
|
||
|
||
"And you mean to say that I could lie upon that bed and not be
|
||
aware that a woman had entered my room?"
|
||
|
||
"I never said so. You WERE aware of it. You spoke with her. You
|
||
recognized her. You aided her to escape."
|
||
|
||
Again the professor burst into high-keyed laughter. He had risen
|
||
to his feet, and his eyes glowed like embers.
|
||
|
||
"You are mad!" he cried. "You are talking insanely. I helped her
|
||
to escape? Where is she now?"
|
||
|
||
"She is there," said Holmes, and he pointed to a high bookcase
|
||
in the corner of the room.
|
||
|
||
I saw the old man throw up his arms, a terrible convulsion
|
||
passed over his grim face, and he fell back in his chair. At the
|
||
same instant the bookcase at which Holmes pointed swung round
|
||
upon a hinge, and a woman rushed out into the room. "You are
|
||
right!" she cried, in a strange foreign voice. "You are right!
|
||
I am here."
|
||
|
||
She was brown with the dust and draped with the cobwebs which
|
||
had come from the walls of her hiding-place. Her face, too, was
|
||
streaked with grime, and at the best she could never have been
|
||
handsome, for she had the exact physical characteristics which
|
||
Holmes had divined, with, in addition, a long and obstinate
|
||
chin. What with her natural blindness, and what with the change
|
||
from dark to light, she stood as one dazed, blinking about her
|
||
to see where and who we were. And yet, in spite of all these
|
||
disadvantages, there was a certain nobility in the woman's
|
||
bearing--a gallantry in the defiant chin and in the upraised
|
||
head, which compelled something of respect and admiration.
|
||
|
||
Stanley Hopkins had laid his hand upon her arm and claimed her
|
||
as his prisoner, but she waved him aside gently, and yet with an
|
||
over-mastering dignity which compelled obedience. The old man
|
||
lay back in his chair with a twitching face, and stared at her
|
||
with brooding eyes.
|
||
|
||
"Yes, sir, I am your prisoner," she said. "From where I stood I
|
||
could hear everything, and I know that you have learned the
|
||
truth. I confess it all. It was I who killed the young man. But
|
||
you are right--you who say it was an accident. I did not even
|
||
know that it was a knife which I held in my hand, for in my
|
||
despair I snatched anything from the table and struck at him to
|
||
make him let me go. It is the truth that I tell."
|
||
|
||
"Madam," said Holmes, "I am sure that it is the truth. I fear
|
||
that you are far from well."
|
||
|
||
She had turned a dreadful colour, the more ghastly under the
|
||
dark dust-streaks upon her face. She seated herself on the side
|
||
of the bed; then she resumed.
|
||
|
||
"I have only a little time here," she said, "but I would have
|
||
you to know the whole truth. I am this man's wife. He is not an
|
||
Englishman. He is a Russian. His name I will not tell."
|
||
|
||
For the first time the old man stirred. "God bless you, Anna!"
|
||
he cried. "God bless you!"
|
||
|
||
She cast a look of the deepest disdain in his direction. "Why
|
||
should you cling so hard to that wretched life of yours,
|
||
Sergius?" said she. "It has done harm to many and good to
|
||
none--not even to yourself. However, it is not for me to cause
|
||
the frail thread to be snapped before God's time. I have enough
|
||
already upon my soul since I crossed the threshold of this
|
||
cursed house. But I must speak or I shall be too late.
|
||
|
||
"I have said, gentlemen, that I am this man's wife. He was fifty
|
||
and I a foolish girl of twenty when we married. It was in a city
|
||
of Russia, a university--I will not name the place."
|
||
|
||
"God bless you, Anna!" murmured the old man again.
|
||
|
||
"We were reformers--revolutionists--Nihilists, you understand.
|
||
He and I and many more. Then there came a time of trouble, a
|
||
police officer was killed, many were arrested, evidence was
|
||
wanted, and in order to save his own life and to earn a great
|
||
reward, my husband betrayed his own wife and his companions.
|
||
Yes, we were all arrested upon his confession. Some of us found
|
||
our way to the gallows, and some to Siberia. I was among these
|
||
last, but my term was not for life. My husband came to England
|
||
with his ill-gotten gains and has lived in quiet ever since,
|
||
knowing well that if the Brotherhood knew where he was not a
|
||
week would pass before justice would be done."
|
||
|
||
The old man reached out a trembling hand and helped himself to
|
||
a cigarette. "I am in your hands, Anna," said he. "You were
|
||
always good to me."
|
||
|
||
"I have not yet told you the height of his villainy," said she.
|
||
"Among our comrades of the Order, there was one who was the
|
||
friend of my heart. He was noble, unselfish, loving--all that my
|
||
husband was not. He hated violence. We were all guilty--if that
|
||
is guilt--but he was not. He wrote forever dissuading us from
|
||
such a course. These letters would have saved him. So would my
|
||
diary, in which, from day to day, I had entered both my feelings
|
||
towards him and the view which each of us had taken. My husband
|
||
found and kept both diary and letters. He hid them, and he tried
|
||
hard to swear away the young man's life. In this he failed, but
|
||
Alexis was sent a convict to Siberia, where now, at this moment,
|
||
he works in a salt mine. Think of that, you villain, you
|
||
villain!--now, now, at this very moment, Alexis, a man whose
|
||
name you are not worthy to speak, works and lives like a slave,
|
||
and yet I have your life in my hands, and I let you go."
|
||
|
||
"You were always a noble woman, Anna," said the old man, puffing
|
||
at his cigarette.
|
||
|
||
She had risen, but she fell back again with a little cry of pain.
|
||
|
||
"I must finish," she said. "When my term was over I set myself
|
||
to get the diary and letters which, if sent to the Russian
|
||
government, would procure my friend's release. I knew that my
|
||
husband had come to England. After months of searching I
|
||
discovered where he was. I knew that he still had the diary, for
|
||
when I was in Siberia I had a letter from him once, reproaching
|
||
me and quoting some passages from its pages. Yet I was sure
|
||
that, with his revengeful nature, he would never give it to me
|
||
of his own free-will. I must get it for myself. With this object
|
||
I engaged an agent from a private detective firm, who entered my
|
||
husband's house as a secretary--it was your second secretary,
|
||
Sergius, the one who left you so hurriedly. He found that papers
|
||
were kept in the cupboard, and he got an impression of the key.
|
||
He would not go farther. He furnished me with a plan of the
|
||
house, and he told me that in the forenoon the study was always
|
||
empty, as the secretary was employed up here. So at last I took
|
||
my courage in both hands, and I came down to get the papers for
|
||
myself. I succeeded; but at what a cost!
|
||
|
||
"I had just taken the paper; and was locking the cupboard, when
|
||
the young man seized me. I had seen him already that morning. He
|
||
had met me on the road, and I had asked him to tell me where
|
||
Professor Coram lived, not knowing that he was in his employ."
|
||
|
||
"Exactly! Exactly!" said Holmes. "The secretary came back, and
|
||
told his employer of the woman he had met. Then, in his last
|
||
breath, he tried to send a message that it was she--the she whom
|
||
he had just discussed with him."
|
||
|
||
"You must let me speak," said the woman, in an imperative voice,
|
||
and her face contracted as if in pain. "When he had fallen I
|
||
rushed from the room, chose the wrong door, and found myself in
|
||
my husband's room. He spoke of giving me up. I showed him that
|
||
if he did so, his life was in my hands. If he gave me to the
|
||
law, I could give him to the Brotherhood. It was not that I
|
||
wished to live for my own sake, but it was that I desired to
|
||
accomplish my purpose. He knew that I would do what I said--that
|
||
his own fate was involved in mine. For that reason, and for no
|
||
other, he shielded me. He thrust me into that dark
|
||
hiding-place--a relic of old days, known only to himself. He
|
||
took his meals in his own room, and so was able to give me part
|
||
of his food. It was agreed that when the police left the house
|
||
I should slip away by night and come back no more. But in some
|
||
way you have read our plans." She tore from the bosom of her
|
||
dress a small packet. "These are my last words," said she; "here
|
||
is the packet which will save Alexis. I confide it to your
|
||
honour and to your love of justice. Take it! You will deliver it
|
||
at the Russian Embassy. Now, I have done my duty, and----"
|
||
|
||
"Stop her!" cried Holmes. He had bounded across the room and had
|
||
wrenched a small phial from her hand.
|
||
|
||
"Too late!" she said, sinking back on the bed. "Too late! I took
|
||
the poison before I left my hiding-place. My head swims! I am
|
||
going! I charge you, sir, to remember the packet."
|
||
|
||
"A simple case, and yet, in some ways, an instructive one,"
|
||
Holmes remarked, as we travelled back to town. "It hinged from
|
||
the outset upon the pince-nez. But for the fortunate chance of
|
||
the dying man having seized these, I am not sure that we could
|
||
ever have reached our solution. It was clear to me, from the
|
||
strength of the glasses, that the wearer must have been very
|
||
blind and helpless when deprived of them. When you asked me to
|
||
believe that she walked along a narrow strip of grass without
|
||
once making a false step, I remarked, as you may remember, that
|
||
it was a noteworthy performance. In my mind I set it down as an
|
||
impossible performance, save in the unlikely case that she had
|
||
a second pair of glasses. I was forced, therefore, to consider
|
||
seriously the hypothesis that she had remained within the house.
|
||
On perceiving the similarity of the two corridors, it became
|
||
clear that she might very easily have made such a mistake, and,
|
||
in that case, it was evident that she must have entered the
|
||
professor's room. I was keenly on the alert, therefore, for
|
||
whatever would bear out this supposition, and I examined the
|
||
room narrowly for anything in the shape of a hiding-place. The
|
||
carpet seemed continuous and firmly nailed, so I dismissed the
|
||
idea of a trap-door. There might well be a recess behind the
|
||
books. As you are aware, such devices are common in old
|
||
libraries. I observed that books were piled on the floor at all
|
||
other points, but that one bookcase was left clear. This, then,
|
||
might be the door. I could see no marks to guide me, but the
|
||
carpet was of a dun colour, which lends itself very well to
|
||
examination. I therefore smoked a great number of those
|
||
excellent cigarettes, and I dropped the ash all over the space
|
||
in front of the suspected bookcase. It was a simple trick, but
|
||
exceedingly effective. I then went downstairs, and I
|
||
ascertained, in your presence, Watson, without your perceiving
|
||
the drift of my remarks, that Professor Coram's consumption of
|
||
food had increased--as one would expect when he is supplying a
|
||
second person. We then ascended to the room again, when, by
|
||
upsetting the cigarette-box, I obtained a very excellent view of
|
||
the floor, and was able to see quite clearly, from the traces
|
||
upon the cigarette ash, that the prisoner had in our absence
|
||
come out from her retreat. Well, Hopkins, here we are at Charing
|
||
Cross, and I congratulate you on having brought your case to a
|
||
successful conclusion. You are going to headquarters, no doubt.
|
||
I think, Watson, you and I will drive together to the Russian Embassy."THE ADVENTURE OF THE MISSING THREE-QUARTER
|
||
|
||
|
||
We were fairly accustomed to receive weird telegrams at Baker
|
||
Street, but I have a particular recollection of one which
|
||
reached us on a gloomy February morning, some seven or eight
|
||
years ago, and gave Mr. Sherlock Holmes a puzzled quarter of an
|
||
hour. It was addressed to him, and ran thus:
|
||
|
||
|
||
|
||
Please await me. Terrible misfortune. Right wing three-quarter
|
||
missing, indispensable to-morrow.
|
||
OVERTON.
|
||
|
||
|
||
"Strand postmark, and dispatched ten thirty-six," said Holmes,
|
||
reading it over and over. "Mr. Overton was evidently
|
||
considerably excited when he sent it, and somewhat incoherent in
|
||
consequence. Well, well, he will be here, I daresay, by the time
|
||
I have looked through the TIMES, and then we shall know all
|
||
about it. Even the most insignificant problem would be welcome
|
||
in these stagnant days."
|
||
|
||
Things had indeed been very slow with us, and I had learned to
|
||
dread such periods of inaction, for I knew by experience that my
|
||
companion's brain was so abnormally active that it was dangerous
|
||
to leave it without material upon which to work. For years I had
|
||
gradually weaned him from that drug mania which had threatened
|
||
once to check his remarkable career. Now I knew that under
|
||
ordinary conditions he no longer craved for this artificial
|
||
stimulus, but I was well aware that the fiend was not dead but
|
||
sleeping, and I have known that the sleep was a light one and
|
||
the waking near when in periods of idleness I have seen the
|
||
drawn look upon Holmes's ascetic face, and the brooding of his
|
||
deep-set and inscrutable eyes. Therefore I blessed this Mr.
|
||
Overton whoever he might be, since he had come with his enigmatic
|
||
message to break that dangerous calm which brought more peril
|
||
to my friend than all the storms of his tempestuous life.
|
||
|
||
As we had expected, the telegram was soon followed by its
|
||
sender, and the card of Mr. Cyril Overton, Trinity College,
|
||
Cambridge, announced the arrival of an enormous young man,
|
||
sixteen stone of solid bone and muscle, who spanned the doorway
|
||
with his broad shoulders, and looked from one of us to the other
|
||
with a comely face which was haggard with anxiety.
|
||
|
||
"Mr. Sherlock Holmes?"
|
||
|
||
My companion bowed.
|
||
|
||
"I've been down to Scotland Yard, Mr. Holmes. I saw Inspector
|
||
Stanley Hopkins. He advised me to come to you. He said the case,
|
||
so far as he could see, was more in your line than in that of
|
||
the regular police."
|
||
|
||
"Pray sit down and tell me what is the matter."
|
||
|
||
"It's awful, Mr. Holmes--simply awfull I wonder my hair isn't
|
||
gray. Godfrey Staunton--you've heard of him, of course? He's
|
||
simply the hinge that the whole team turns on. I'd rather spare
|
||
two from the pack, and have Godfrey for my three-quarter line.
|
||
Whether it's passing, or tackling, or dribbling, there's no one
|
||
to touch him, and then, he's got the head, and can hold us all
|
||
together. What am I to do? That's what I ask you, Mr. Holmes.
|
||
There's Moorhouse, first reserve, but he is trained as a half,
|
||
and he always edges right in on to the scrum instead of keeping
|
||
out on the touchline. He's a fine place-kick, it's true, but
|
||
then he has no judgment, and he can't sprint for nuts. Why,
|
||
Morton or Johnson, the Oxford fliers, could romp round him.
|
||
Stevenson is fast enough, but he couldn't drop from the
|
||
twenty-five line, and a three-quarter who can't either punt or
|
||
drop isn't worth a place for pace alone. No, Mr. Holmes, we are
|
||
done unless you can help me to find Godfrey Staunton."
|
||
|
||
My friend had listened with amused surprise to this long speech,
|
||
which was poured forth with extraordinary vigour and
|
||
earnestness, every point being driven home by the slapping of a
|
||
brawny hand upon the speaker's knee. When our visitor was silent
|
||
Holmes stretched out his hand and took down letter "S" of his
|
||
commonplace book. For once he dug in vain into that mine of
|
||
varied information.
|
||
|
||
"There is Arthur H. Staunton, the rising young forger," said he,
|
||
"and there was Henry Staunton, whom I helped to hang, but
|
||
Godfrey Staunton is a new name to me."
|
||
|
||
It was our visitor's turn to look surprised.
|
||
|
||
"Why, Mr. Holmes, I thought you knew things," said he. "I
|
||
suppose, then, if you have never heard of Godfrey Staunton, you
|
||
don't know Cyril Overton either?"
|
||
|
||
Holmes shook his head good humouredly.
|
||
|
||
"Great Scott!" cried the athlete. "Why, I was first reserve for
|
||
England against Wales, and I've skippered the 'Varsity all this
|
||
year. But that's nothing! I didn't think there was a soul in
|
||
England who didn't know Godfrey Staunton, the crack
|
||
three-quarter, Cambridge, Blackheath, and five Internationals.
|
||
Good Lord! Mr. Holmes, where HAVE you lived?"
|
||
|
||
Holmes laughed at the young giant's naive astonishment.
|
||
|
||
"You live in a different world to me, Mr. Overton--a sweeter and
|
||
healthier one. My ramifications stretch out into many sections
|
||
of society, but never, I am happy to say, into amateur sport,
|
||
which is the best and soundest thing in England. However, your
|
||
unexpected visit this morning shows me that even in that world
|
||
of fresh air and fair play, there may be work for me to do. So
|
||
now, my good sir, I beg you to sit down and to tell me, slowly
|
||
and quietly, exactly what it is that has occurred, and how you
|
||
desire that I should help you."
|
||
|
||
Young Overton's face assumed the bothered look of the man who is
|
||
more accustomed to using his muscles than his wits, but by
|
||
degrees, with many repetitions and obscurities which I may omit
|
||
from his narrative, he laid his strange story before us.
|
||
|
||
"It's this way, Mr. Holmes. As I have said, I am the skipper of
|
||
the Rugger team of Cambridge 'Varsity, and Godfrey Staunton is
|
||
my best man. To-morrow we play Oxford. Yesterday we all came up,
|
||
and we settled at Bentley's private hotel. At ten o'clock I went
|
||
round and saw that all the fellows had gone to roost, for I
|
||
believe in strict training and plenty of sleep to keep a team
|
||
fit. I had a word or two with Godfrey before he turned in. He
|
||
seemed to me to be pale and bothered. I asked him what was the
|
||
matter. He said he was all right--just a touch of headache. I
|
||
bade him good-night and left him. Half an hour later, the porter
|
||
tells me that a rough-looking man with a beard called with a
|
||
note for Godfrey. He had not gone to bed, and the note was taken
|
||
to his room. Godfrey read it, and fell back in a chair as if he
|
||
had been pole-axed. The porter was so scared that he was going
|
||
to fetch me, but Godfrey stopped him, had a drink of water, and
|
||
pulled himself together. Then he went downstairs, said a few
|
||
words to the man who was waiting in the hall, and the two of
|
||
them went off together. The last that the porter saw of them,
|
||
they were almost running down the street in the direction of the
|
||
Strand. This morning Godfrey's room was empty, his bed had never
|
||
been slept in, and his things were all just as I had seen them
|
||
the night before. He had gone off at a moment's notice with this
|
||
stranger, and no word has come from him since. I don't believe
|
||
he will ever come back. He was a sportsman, was Godfrey, down to
|
||
his marrow, and he wouldn't have stopped his training and let in
|
||
his skipper if it were not for some cause that was too strong
|
||
for him. No: I feel as if he were gone for good, and we should
|
||
never see him again."
|
||
|
||
Sherlock Holmes listened with the deepest attention to this
|
||
singular narrative.
|
||
|
||
"What did you do?" he asked.
|
||
|
||
"I wired to Cambridge to learn if anything had been heard of him
|
||
there. I have had an answer. No one has seen him."
|
||
|
||
"Could he have got back to Cambridge?"
|
||
|
||
"Yes, there is a late train--quarter-past eleven."
|
||
|
||
"But, so far as you can ascertain, he did not take it?"
|
||
|
||
"No, he has not been seen."
|
||
|
||
"What did you do next?"
|
||
|
||
"I wired to Lord Mount-James."
|
||
|
||
"Why to Lord Mount-James?"
|
||
|
||
"Godfrey is an orphan, and Lord Mount-James is his nearest
|
||
relative--his uncle, I believe."
|
||
|
||
"Indeed. This throws new light upon the matter. Lord Mount-James
|
||
is one of the richest men in England."
|
||
|
||
"So I've heard Godfrey say."
|
||
|
||
"And your friend was closely related?"
|
||
|
||
"Yes, he was his heir, and the old boy is nearly eighty--cram
|
||
full of gout, too. They say he could chalk his billiard-cue with
|
||
his knuckles. He never allowed Godfrey a shilling in his life, for
|
||
he is an absolute miser, but it will all come to him right enough."
|
||
|
||
"Have you heard from Lord Mount-James?"
|
||
|
||
"No."
|
||
|
||
"What motive could your friend have in going to Lord
|
||
Mount-James?"
|
||
|
||
"Well, something was worrying him the night before, and if it
|
||
was to do with money it is possible that he would make for his
|
||
nearest relative, who had so much of it, though from all I have
|
||
heard he would not have much chance of getting it. Godfrey was
|
||
not fond of the old man. He would not go if he could help it."
|
||
|
||
"Well, we can soon determine that. If your friend was going to
|
||
his relative, Lord Mount-James, you have then to explain the
|
||
visit of this rough-looking fellow at so late an hour, and the
|
||
agitation that was caused by his coming."
|
||
|
||
Cyril Overton pressed his hands to his head. "I can make nothing
|
||
of it," said he.
|
||
|
||
"Well, well, I have a clear day, and I shall be happy to look
|
||
into the matter," said Holmes. "I should strongly recommend you
|
||
to make your preparations for your match without reference to
|
||
this young gentleman. It must, as you say, have been an
|
||
overpowering necessity which tore him away in such a fashion,
|
||
and the same necessity is likely to hold him away. Let us step
|
||
round together to the hotel, and see if the porter can throw any
|
||
fresh light upon the matter."
|
||
|
||
Sherlock Holmes was a past-master in the art of putting a humble
|
||
witness at his ease, and very soon, in the privacy of Godfrey
|
||
Staunton's abandoned room, he had extracted all that the porter
|
||
had to tell. The visitor of the night before was not a
|
||
gentleman, neither was he a workingman. He was simply what the
|
||
porter described as a "medium-looking chap," a man of fifty,
|
||
beard grizzled, pale face, quietly dressed. He seemed himself to
|
||
be agitated. The porter had observed his hand trembling when he
|
||
had held out the note. Godfrey Staunton had crammed the note
|
||
into his pocket. Staunton had not shaken hands with the man in
|
||
the hall. They had exchanged a few sentences, of which the
|
||
porter had only distinguished the one word "time." Then they had
|
||
hurried off in the manner described. It was just half-past ten
|
||
by the hall clock.
|
||
|
||
"Let me see," said Holmes, seating himself on Staunton's bed.
|
||
"You are the day porter, are you not?"
|
||
|
||
"Yes, sir, I go off duty at eleven."
|
||
|
||
"The night porter saw nothing, I suppose?"
|
||
|
||
"No, sir, one theatre party came in late. No one else."
|
||
|
||
"Were you on duty all day yesterday?"
|
||
|
||
"Yes, sir."
|
||
|
||
"Did you take any messages to Mr. Staunton?"
|
||
|
||
"Yes, sir, one telegram."
|
||
|
||
"Ah! that's interesting. What o'clock was this?"
|
||
|
||
"About six."
|
||
|
||
"Where was Mr. Staunton when he received it?"
|
||
|
||
"Here in his room."
|
||
|
||
"Were you present when he opened it?"
|
||
|
||
"Yes, sir, I waited to see if there was an answer."
|
||
|
||
"Well, was there?"
|
||
|
||
"Yes, sir, he wrote an answer."
|
||
|
||
"Did you take it?"
|
||
|
||
"No, he took it himself."
|
||
|
||
"But he wrote it in your presence."
|
||
|
||
"Yes, sir. I was standing by the door, and he with his back
|
||
turned at that table. When he had written it, he said: `All
|
||
right, porter, I will take this myself.'"
|
||
|
||
"What did he write it with?"
|
||
|
||
"A pen, sir."
|
||
|
||
"Was the telegraphic form one of these on the table?"
|
||
|
||
"Yes, sir, it was the top one."
|
||
|
||
Holmes rose. Taking the forms, he carried them over to the
|
||
window and carefully examined that which was uppermost.
|
||
|
||
"It is a pity he did not write in pencil," said he, throwing
|
||
them down again with a shrug of disappointment. "As you have no
|
||
doubt frequently observed, Watson, the impression usually goes
|
||
through--a fact which has dissolved many a happy marriage.
|
||
However, I can find no trace here. I rejoice, however, to
|
||
perceive that he wrote with a broad-pointed quill pen, and I can
|
||
hardly doubt that we will find some impression upon this
|
||
blotting-pad. Ah, yes, surely this is the very thing!"
|
||
|
||
He tore off a strip of the blotting-paper and turned towards us
|
||
the following hieroglyphic:
|
||
|
||
|
||
GRAPHIC
|
||
|
||
|
||
Cyril Overton was much excited. "Hold it to the glass!" he cried.
|
||
|
||
"That is unnecessary," said Holmes. "The paper is thin, and the
|
||
reverse will give the message. Here it is." He turned it over,
|
||
and we read:
|
||
|
||
|
||
GRAPHIC [Stand by us for Gods sake]
|
||
|
||
|
||
"So that is the tail end of the telegram which Godfrey Staunton
|
||
dispatched within a few hours of his disappearance. There are at
|
||
least six words of the message which have escaped us; but what
|
||
remains--`Stand by us for God's sake!'--proves that this young
|
||
man saw a formidable danger which approached him, and from which
|
||
someone else could protect him. `US,' mark you! Another person
|
||
was involved. Who should it be but the pale-faced, bearded man,
|
||
who seemed himself in so nervous a state? What, then, is the
|
||
connection between Godfrey Staunton and the bearded man? And
|
||
what is the third source from which each of them sought for help
|
||
against pressing danger? Our inquiry has already narrowed down
|
||
to that."
|
||
|
||
"We have only to find to whom that telegram is addressed," I
|
||
suggested.
|
||
|
||
"Exactly, my dear Watson. Your reflection, though profound, had
|
||
already crossed my mind. But I daresay it may have come to your
|
||
notice that, counterfoil of another man's message, there may be
|
||
some disinclination on the part of the officials to oblige you.
|
||
There is so much red tape in these matters. However, I have no
|
||
doubt that with a little delicacy and finesse the end may be
|
||
attained. Meanwhile, I should like in your presence, Mr.
|
||
Overton, to go through these papers which have been left upon
|
||
the table."
|
||
|
||
There were a number of letters, bills, and notebooks, which
|
||
Holmes turned over and examined with quick, nervous fingers and
|
||
darting, penetrating eyes. "Nothing here," he said, at last. "By
|
||
the way, I suppose your friend was a healthy young
|
||
fellow--nothing amiss with him?"
|
||
|
||
"Sound as a bell."
|
||
|
||
"Have you ever known him ill?"
|
||
|
||
"Not a day. He has been laid up with a hack, and once he slipped
|
||
his knee-cap, but that was nothing."
|
||
|
||
"Perhaps he was not so strong as you suppose. I should think he
|
||
may have had some secret trouble. With your assent, I will put
|
||
one or two of these papers in my pocket, in case they should
|
||
bear upon our future inquiry."
|
||
|
||
"One moment--one moment!" cried a querulous voice, and we looked
|
||
up to find a queer little old man, jerking and twitching in the
|
||
doorway. He was dressed in rusty black, with a very
|
||
broad-brimmed top-hat and a loose white necktie--the whole
|
||
effect being that of a very rustic parson or of an undertaker's
|
||
mute. Yet, in spite of his shabby and even absurd appearance,
|
||
his voice had a sharp crackle, and his manner a quick intensity
|
||
which commanded attention.
|
||
|
||
"Who are you, sir, and by what right do you touch this
|
||
gentleman's papers?" he asked.
|
||
|
||
"I am a private detective, and I am endeavouring to explain his
|
||
disappearance."
|
||
|
||
"Oh, you are, are you? And who instructed you, eh?"
|
||
|
||
"This gentleman, Mr. Staunton's friend, was referred to me by
|
||
Scotland Yard."
|
||
|
||
"Who are you, sir?"
|
||
|
||
"I am Cyril Overton."
|
||
|
||
"Then it is you who sent me a telegram. My name is Lord
|
||
Mount-James. I came round as quickly as the Bayswater bus would
|
||
bring me. So you have instructed a detective?"
|
||
|
||
"Yes, sir."
|
||
|
||
"And are you prepared to meet the cost?"
|
||
|
||
"I have no doubt, sir, that my friend Godfrey, when we find him,
|
||
will be prepared to do that."
|
||
|
||
"But if he is never found, eh? Answer me that!"
|
||
|
||
"In that case, no doubt his family----"
|
||
|
||
"Nothing of the sort, sir!" screamed the little man. "Don't look
|
||
to me for a penny--not a penny! You understand that, Mr.
|
||
Detective! I am all the family that this young man has got, and
|
||
I tell you that I am not responsible. If he has any expectations
|
||
it is due to the fact that I have never wasted money, and I do
|
||
not propose to begin to do so now. As to those papers with which
|
||
you are making so free, I may tell you that in case there should
|
||
be anything of any value among them, you will be held strictly
|
||
to account for what you do with them."
|
||
|
||
"Very good, sir," said Sherlock Holmes. "May I ask, in the
|
||
meanwhile, whether you have yourself any theory to account for
|
||
this young man's disappearance?"
|
||
|
||
"No, sir, I have not. He is big enough and old enough to look
|
||
after himself, and if he is so foolish as to lose himself, I
|
||
entirely refuse to accept the responsibility of hunting for him."
|
||
|
||
"I quite understand your position," said Holmes, with a
|
||
mischievous twinkle in his eyes. "Perhaps you don't quite
|
||
understand mine. Godfrey Staunton appears to have been a poor
|
||
man. If he has been kidnapped, it could not have been for
|
||
anything which he himself possesses. The fame of your wealth has
|
||
gone abroad, Lord Mount-James, and it is entirely possible that
|
||
a gang of thieves have secured your nephew in order to gain from
|
||
him some information as to your house, your habits, and your treasure."
|
||
|
||
The face of our unpleasant little visitor turned as white as his
|
||
neckcloth.
|
||
|
||
"Heavens, sir, what an idea! I never thought of such villainy!
|
||
What inhuman rogues there are in the world! But Godfrey is a
|
||
fine lad--a staunch lad. Nothing would induce him to give his
|
||
old uncle away. I'll have the plate moved over to the bank this
|
||
evening. In the meantime spare no pains, Mr. Detective! I beg
|
||
you to leave no stone unturned to bring him safely back. As to
|
||
money, well, so far as a fiver or even a tenner goes you can
|
||
always look to me."
|
||
|
||
Even in his chastened frame of mind, the noble miser could give
|
||
us no information which could help us, for he knew little of the
|
||
private life of his nephew. Our only clue lay in the truncated
|
||
telegram, and with a copy of this in his hand Holmes set forth
|
||
to find a second link for his chain. We had shaken off Lord
|
||
Mount-James, and Overton had gone to consult with the other
|
||
members of his team over the misfortune which had befallen them.
|
||
|
||
There was a telegraph-office at a short distance from the hotel.
|
||
We halted outside it.
|
||
|
||
"It's worth trying, Watson," said Holmes. "Of course, with a
|
||
warrant we could demand to see the counterfoils, but we have not
|
||
reached that stage yet. I don't suppose they remember faces in
|
||
so busy a place. Let us venture it."
|
||
|
||
"I am sorry to trouble you," said he, in his blandest manner, to
|
||
the young woman behind the grating; "there is some small mistake
|
||
about a telegram I sent yesterday. I have had no answer, and I
|
||
very much fear that I must have omitted to put my name at the
|
||
end. Could you tell me if this was so?"
|
||
|
||
The young woman turned over a sheaf of counterfoils.
|
||
|
||
"What o'clock was it?" she asked.
|
||
|
||
"A little after six."
|
||
|
||
"Whom was it to?"
|
||
|
||
Holmes put his finger to his lips and glanced at me. "The last
|
||
words in it were `For God's sake,'" he whispered,
|
||
confidentially; "I am very anxious at getting no answer."
|
||
|
||
The young woman separated one of the forms.
|
||
|
||
"This is it. There is no name," said she, smoothing it out upon
|
||
the counter.
|
||
|
||
"Then that, of course, accounts for my getting no answer," said
|
||
Holmes. "Dear me, how very stupid of me, to be sure!
|
||
Good-morning, miss, and many thanks for having relieved my
|
||
mind." He chuckled and rubbed his hands when we found ourselves
|
||
in the street once more.
|
||
|
||
"Well?" I asked.
|
||
|
||
"We progress, my dear Watson, we progress. I had seven different
|
||
schemes for getting a glimpse of that telegram, but I could
|
||
hardly hope to succeed the very first time."
|
||
|
||
"And what have you gained?"
|
||
|
||
"A starting-point for our investigation." He hailed a cab.
|
||
"King's Cross Station," said he.
|
||
|
||
"We have a journey, then?"
|
||
|
||
"Yes, I think we must run down to Cambridge together. All the
|
||
indications seem to me to point in that direction."
|
||
|
||
"Tell me," I asked, as we rattled up Gray's Inn Road, "have you
|
||
any suspicion yet as to the cause of the disappearance? I don't
|
||
think that among all our cases I have known one where the
|
||
motives are more obscure. Surely you don't really imagine that
|
||
he may be kidnapped in order to give information against his
|
||
wealthy uncle?"
|
||
|
||
"I confess, my dear Watson, that that does not appeal to me as
|
||
a very probable explanation. It struck me, however, as being the
|
||
one which was most likely to interest that exceedingly
|
||
unpleasant old person."
|
||
|
||
"It certainly did that; but what are your alternatives?"
|
||
|
||
"I could mention several. You must admit that it is curious and
|
||
suggestive that this incident should occur on the eve of this
|
||
important match, and should involve the only man whose presence
|
||
seems essential to the success of the side. It may, of course,
|
||
be a coincidence, but it is interesting. Amateur sport is free
|
||
from betting, but a good deal of outside betting goes on among
|
||
the public, and it is possible that it might be worth someone's
|
||
while to get at a player as the ruffians of the turf get at a
|
||
race-horse. There is one explanation. A second very obvious one
|
||
is that this young man really is the heir of a great property,
|
||
however modest his means may at present be, and it is not
|
||
impossible that a plot to hold him for ransom might be concocted."
|
||
|
||
"These theories take no account of the telegram."
|
||
|
||
"Quite true, Watson. The telegram still remains the only solid
|
||
thing with which we have to deal, and we must not permit our
|
||
attention to wander away from it. It is to gain light upon the
|
||
purpose of this telegram that we are now upon our way to
|
||
Cambridge. The path of our investigation is at present obscure,
|
||
but I shall be very much surprised if before evening we have not
|
||
cleared it up, or made a considerable advance along it."
|
||
|
||
It was already dark when we reached the old university city.
|
||
Holmes took a cab at the station and ordered the man to drive to
|
||
the house of Dr. Leslie Armstrong. A few minutes later, we had
|
||
stopped at a large mansion in the busiest thoroughfare. We were
|
||
shown in, and after a long wait were at last admitted into the
|
||
consulting-room, where we found the doctor seated behind his table.
|
||
|
||
It argues the degree in which I had lost touch with my
|
||
profession that the name of Leslie Armstrong was unknown to me.
|
||
Now I am aware that he is not only one of the heads of the
|
||
medical school of the university, but a thinker of European
|
||
reputation in more than one branch of science. Yet even without
|
||
knowing his brilliant record one could not fail to be impressed
|
||
by a mere glance at the man, the square, massive face, the
|
||
brooding eyes under the thatched brows, and the granite moulding
|
||
of the inflexible jaw. A man of deep character, a man with an
|
||
alert mind, grim, ascetic, self-contained, formidable--so I read
|
||
Dr. Leslie Armstrong. He held my friend's card in his hand, and
|
||
he looked up with no very pleased expression upon his dour features.
|
||
|
||
"I have heard your name, Mr. Sherlock Holmes, and I am aware of
|
||
your profession--one of which I by no means approve."
|
||
|
||
"In that, Doctor, you will find yourself in agreement with every
|
||
criminal in the country," said my friend, quietly.
|
||
|
||
"So far as your efforts are directed towards the suppression of
|
||
crime, sir, they must have the support of every reasonable
|
||
member of the community, though I cannot doubt that the official
|
||
machinery is amply sufficient for the purpose. Where your
|
||
calling is more open to criticism is when you pry into the
|
||
secrets of private individuals, when you rake up family matters
|
||
which are better hidden, and when you incidentally waste the
|
||
time of men who are more busy than yourself. At the present
|
||
moment, for example, I should be writing a treatise instead of
|
||
conversing with you."
|
||
|
||
"No doubt, Doctor; and yet the conversation may prove more
|
||
important than the treatise. Incidentally, I may tell you that
|
||
we are doing the reverse of what you very justly blame, and that
|
||
we are endeavouring to prevent anything like public exposure of
|
||
private matters which must necessarily follow when once the case
|
||
is fairly in the hands of the official police. You may look upon
|
||
me simply as an irregular pioneer, who goes in front of the
|
||
regular forces of the country. I have come to ask you about Mr.
|
||
Godfrey Staunton."
|
||
|
||
"What about him?"
|
||
|
||
"You know him, do you not?"
|
||
|
||
"He is an intimate friend of mine."
|
||
|
||
"You are aware that he has disappeared?"
|
||
|
||
"Ah, indeed!" There was no change of expression in the rugged
|
||
features of the doctor.
|
||
|
||
"He left his hotel last night--he has not been heard of."
|
||
|
||
"No doubt he will return."
|
||
|
||
"To-morrow is the 'Varsity football match."
|
||
|
||
"I have no sympathy with these childish games. The young man's
|
||
fate interests me deeply, since I know him and like him. The
|
||
football match does not come within my horizon at all."
|
||
|
||
"I claim your sympathy, then, in my investigation of Mr.
|
||
Staunton's fate. Do you know where he is?"
|
||
|
||
"Certainly not."
|
||
|
||
"You have not seen him since yesterday?"
|
||
|
||
"No, I have not."
|
||
|
||
"Was Mr. Staunton a healthy man?"
|
||
|
||
"Absolutely."
|
||
|
||
"Did you ever know him ill?"
|
||
|
||
"Never."
|
||
|
||
Holmes popped a sheet of paper before the doctor's eyes. "Then
|
||
perhaps you will explain this receipted bill for thirteen
|
||
guineas, paid by Mr. Godfrey Staunton last month to Dr. Leslie
|
||
Armstrong, of Cambridge. I picked it out from among the papers
|
||
upon his desk."
|
||
|
||
The doctor flushed with anger.
|
||
|
||
"I do not feel that there is any reason why I should render an
|
||
explanation to you, Mr. Holmes."
|
||
|
||
Holmes replaced the bill in his notebook. "If you prefer a
|
||
public explanation, it must come sooner or later," said he. "I
|
||
have already told you that I can hush up that which others will
|
||
be bound to publish, and you would really be wiser to take me
|
||
into your complete confidence."
|
||
|
||
"I know nothing about it."
|
||
|
||
"Did you hear from Mr. Staunton in London?"
|
||
|
||
"Certainly not."
|
||
|
||
"Dear me, dear me--the postoffice again!" Holmes sighed,
|
||
wearily. "A most urgent telegram was dispatched to you from
|
||
London by Godfrey Staunton at six-fifteen yesterday evening--a
|
||
telegram which is undoubtedly associated with his disappearance--
|
||
and yet you have not had it. It is most culpable. I shall
|
||
certainly go down to the office here and register a complaint."
|
||
|
||
Dr. Leslie Armstrong sprang up from behind his desk, and his
|
||
dark face was crimson with fury.
|
||
|
||
"I'll trouble you to walk out of my house, sir," said he. "You
|
||
can tell your employer, Lord Mount-James, that I do not wish to
|
||
have anything to do either with him or with his agents. No,
|
||
sir--not another word!" He rang the bell furiously. "John, show
|
||
these gentlemen out!" A pompous butler ushered us severely to
|
||
the door, and we found ourselves in the street. Holmes burst out
|
||
laughing.
|
||
|
||
"Dr. Leslie Armstrong is certainly a man of energy and
|
||
character," said he. "I have not seen a man who, if he turns his
|
||
talents that way, was more calculated to fill the gap left by
|
||
the illustrious Moriarty. And now, my poor Watson, here we are,
|
||
stranded and friendless in this inhospitable town, which we
|
||
cannot leave without abandoning our case. This little inn just
|
||
opposite Armstrong's house is singularly adapted to our needs.
|
||
If you would engage a front room and purchase the necessaries
|
||
for the night, I may have time to make a few inquiries."
|
||
|
||
These few inquiries proved, however, to be a more lengthy
|
||
proceeding than Holmes had imagined, for he did not return to
|
||
the inn until nearly nine o'clock. He was pale and dejected,
|
||
stained with dust, and exhausted with hunger and fatigue. A cold
|
||
supper was ready upon the table, and when his needs were
|
||
satisfied and his pipe alight he was ready to take that half
|
||
comic and wholly philosophic view which was natural to him when
|
||
his affairs were going awry. The sound of carriage wheels caused
|
||
him to rise and glance out of the window. A brougham and pair of
|
||
grays, under the glare of a gas-lamp, stood before the doctor's door.
|
||
|
||
"It's been out three hours," said Holmes; "started at half-past
|
||
six, and here it is back again. That gives a radius of ten or
|
||
twelve miles, and he does it once, or sometimes twice, a day."
|
||
|
||
"No unusual thing for a doctor in practice."
|
||
|
||
"But Armstrong is not really a doctor in practice. He is a
|
||
lecturer and a consultant, but he does not care for general
|
||
practice, which distracts him from his literary work. Why, then,
|
||
does he make these long journeys, which must be exceedingly
|
||
irksome to him, and who is it that he visits?"
|
||
|
||
"His coachman----"
|
||
|
||
"My dear Watson, can you doubt that it was to him that I first
|
||
applied? I do not know whether it came from his own innate
|
||
depravity or from the promptings of his master, but he was rude
|
||
enough to set a dog at me. Neither dog nor man liked the look of
|
||
my stick, however, and the matter fell through. Relations were
|
||
strained after that, and further inquiries out of the question.
|
||
All that I have learned I got from a friendly native in the yard
|
||
of our own inn. It was he who told me of the doctor's habits and
|
||
of his daily journey. At that instant, to give point to his
|
||
words, the carriage came round to the door."
|
||
|
||
"Could you not follow it?"
|
||
|
||
"Excellent, Watson! You are scintillating this evening. The idea
|
||
did cross my mind. There is, as you may have observed, a bicycle
|
||
shop next to our inn. Into this I rushed, engaged a bicycle, and
|
||
was able to get started before the carriage was quite out of
|
||
sight. I rapidly overtook it, and then, keeping at a discreet
|
||
distance of a hundred yards or so, I followed its lights until
|
||
we were clear of the town. We had got well out on the country
|
||
road, when a somewhat mortifying incident occurred. The carriage
|
||
stopped, the doctor alighted, walked swiftly back to where I had
|
||
also halted, and told me in an excellent sardonic fashion that
|
||
he feared the road was narrow, and that he hoped his carriage
|
||
did not impede the passage of my bicycle. Nothing could have
|
||
been more admirable than his way of putting it. I at once rode
|
||
past the carriage, and, keeping to the main road, I went on for
|
||
a few miles, and then halted in a convenient place to see if the
|
||
carriage passed. There was no sign of it, however, and so it
|
||
became evident that it had turned down one of several side roads
|
||
which I had observed. I rode back, but again saw nothing of the
|
||
carriage, and now, as you perceive, it has returned after me. Of
|
||
course, I had at the outset no particular reason to connect
|
||
these journeys with the disappearance of Godfrey Staunton, and
|
||
was only inclined to investigate them on the general grounds
|
||
that everything which concerns Dr. Armstrong is at present of
|
||
interest to us, but, now that I find he keeps so keen a look-out
|
||
upon anyone who may follow him on these excursions, the affair
|
||
appears more important, and I shall not be satisfied until I
|
||
have made the matter clear."
|
||
|
||
"We can follow him to-morrow."
|
||
|
||
"Can we? It is not so easy as you seem to think. You are not
|
||
familiar with Cambridgeshire scenery, are you? It does not lend
|
||
itself to concealment. All this country that I passed over
|
||
to-night is as flat and clean as the palm of your hand, and the
|
||
man we are following is no fool, as he very clearly showed
|
||
to-night. I have wired to Overton to let us know any fresh
|
||
London developments at this address, and in the meantime we can
|
||
only concentrate our attention upon Dr. Armstrong, whose name
|
||
the obliging young lady at the office allowed me to read upon
|
||
the counterfoil of Staunton's urgent message. He knows where the
|
||
young man is--to that I'll swear, and if he knows, then it must
|
||
be our own fault if we cannot manage to know also. At present it
|
||
must be admitted that the odd trick is in his possession, and,
|
||
as you are aware, Watson, it is not my habit to leave the game
|
||
in that condition."
|
||
|
||
And yet the next day brought us no nearer to the solution of the
|
||
mystery. A note was handed in after breakfast, which Holmes
|
||
passed across to me with a smile.
|
||
|
||
|
||
SIR [it ran]:
|
||
|
||
I can assure you that you are wasting your time in dogging my
|
||
movements. I have, as you discovered last night, a window at the
|
||
back of my brougham, and if you desire a twenty-mile ride which
|
||
will lead you to the spot from which you started, you have only
|
||
to follow me. Meanwhile, I can inform you that no spying upon me
|
||
can in any way help Mr. Godfrey Staunton, and I am convinced
|
||
that the best service you can do to that gentleman is to return
|
||
at once to London and to report to your employer that you are
|
||
unable to trace him. Your time in Cambridge will certainly be
|
||
wasted.
|
||
Yours faithfully,
|
||
LESLIE ARMSTRONG.
|
||
|
||
|
||
"An outspoken, honest antagonist is the doctor," said Holmes.
|
||
"Well, well, he excites my curiosity, and I must really know
|
||
before I leave him."
|
||
|
||
"His carriage is at his door now," said I. "There he is stepping
|
||
into it. I saw him glance up at our window as he did so. Suppose
|
||
I try my luck upon the bicycle?"
|
||
|
||
"No, no, my dear Watson! With all respect for your natural
|
||
acumen, I do not think that you are quite a match for the worthy
|
||
doctor. I think that possibly I can attain our end by some
|
||
independent explorations of my own. I am afraid that I must
|
||
leave you to your own devices, as the appearance of TWO
|
||
inquiring strangers upon a sleepy countryside might excite more
|
||
gossip than I care for. No doubt you will find some sights to
|
||
amuse you in this venerable city, and I hope to bring back a
|
||
more favourable report to you before evening."
|
||
|
||
Once more, however, my friend was destined to be disappointed.
|
||
He came back at night weary and unsuccessful.
|
||
|
||
"I have had a blank day, Watson. Having got the doctor's general
|
||
direction, I spent the day in visiting all the villages upon
|
||
that side of Cambridge, and comparing notes with publicans and
|
||
other local news agencies. I have covered some ground.
|
||
Chesterton, Histon, Waterbeach, and Oakington have each been
|
||
explored, and have each proved disappointing. The daily
|
||
appearance of a brougham and pair could hardly have been
|
||
overlooked in such Sleepy Hollows. The doctor has scored once
|
||
more. Is there a telegram for me?"
|
||
|
||
"Yes, I opened it. Here it is:
|
||
|
||
|
||
"Ask for Pompey from Jeremy Dixon, Trinity College.
|
||
|
||
|
||
I don't understand it."
|
||
|
||
"Oh, it is clear enough. It is from our friend Overton, and is
|
||
in answer to a question from me. I'll just send round a note to
|
||
Mr. Jeremy Dixon, and then I have no doubt that our luck will
|
||
turn. By the way, is there any news of the match?"
|
||
|
||
"Yes, the local evening paper has an excellent account in its
|
||
last edition. Oxford won by a goal and two tries. The last
|
||
sentences of the description say:
|
||
|
||
|
||
"The defeat of the Light Blues may be entirely attributed to the
|
||
unfortunate absence of the crack International, Godfrey
|
||
Staunton, whose want was felt at every instant of the game. The
|
||
lack of combination in the three-quarter line and their weakness
|
||
both in attack and defence more than neutralized the efforts of
|
||
a heavy and hard-working pack."
|
||
|
||
|
||
"Then our friend Overton's forebodings have been justified,"
|
||
said Holmes. "Personally I am in agreement with Dr. Armstrong,
|
||
and football does not come within my horizon. Early to bed
|
||
to-night, Watson, for I foresee that to-morrow may be an
|
||
eventful day."
|
||
|
||
I was horrified by my first glimpse of Holmes next morning, for
|
||
he sat by the fire holding his tiny hypodermic syringe. I
|
||
associated that instrument with the single weakness of his nature,
|
||
and I feared the worst when I saw it glittering in his hand. He
|
||
laughed at my expression of dismay and laid it upon the table.
|
||
|
||
"No, no, my dear fellow, there is no cause for alarm. It is not
|
||
upon this occasion the instrument of evil, but it will rather
|
||
prove to be the key which will unlock our mystery. On this
|
||
syringe I base all my hopes. I have just returned from a small
|
||
scouting expedition, and everything is favourable. Eat a good
|
||
breakfast, Watson, for I propose to get upon Dr. Armstrong's
|
||
trail to-day, and once on it I will not stop for rest or food
|
||
until I run him to his burrow."
|
||
|
||
"In that case," said I, "we had best carry our breakfast with
|
||
us, for he is making an early start. His carriage is at the door."
|
||
|
||
"Never mind. Let him go. He will be clever if he can drive where
|
||
I cannot follow him. When you have finished, come downstairs
|
||
with me, and I will introduce you to a detective who is a very
|
||
eminent specialist in the work that lies before us."
|
||
|
||
When we descended I followed Holmes into the stable yard, where
|
||
he opened the door of a loose-box and led out a squat, lop-eared,
|
||
white-and-tan dog, something between a beagle and a foxhound.
|
||
|
||
"Let me introduce you to Pompey," said he. "Pompey is the pride
|
||
of the local draghounds--no very great flier, as his build will
|
||
show, but a staunch hound on a scent. Well, Pompey, you may not
|
||
be fast, but I expect you will be too fast for a couple of
|
||
middle-aged London gentlemen, so I will take the liberty of
|
||
fastening this leather leash to your collar. Now, boy, come
|
||
along, and show what you can do." He led him across to the
|
||
doctor's door. The dog sniffed round for an instant, and then
|
||
with a shrill whine of excitement started off down the street,
|
||
tugging at his leash in his efforts to go faster. In half an
|
||
hour, we were clear of the town and hastening down a country road.
|
||
|
||
"What have you done, Holmes?" I asked.
|
||
|
||
"A threadbare and venerable device, but useful upon occasion. I
|
||
walked into the doctor's yard this morning, and shot my syringe
|
||
full of aniseed over the hind wheel. A draghound will follow
|
||
aniseed from here to John o'Groat's, and our friend, Armstrong,
|
||
would have to drive through the Cam before he would shake Pompey
|
||
off his trail. Oh, the cunning rascal! This is how he gave me
|
||
the slip the other night."
|
||
|
||
The dog had suddenly turned out of the main road into a
|
||
grass-grown lane. Half a mile farther this opened into another
|
||
broad road, and the trail turned hard to the right in the
|
||
direction of the town, which we had just quitted. The road took
|
||
a sweep to the south of the town, and continued in the opposite
|
||
direction to that in which we started.
|
||
|
||
"This DETOUR has been entirely for our benefit, then?" said
|
||
Holmes. "No wonder that my inquiries among those villagers led
|
||
to nothing. The doctor has certainly played the game for all it
|
||
is worth, and one would like to know the reason for such
|
||
elaborate deception. This should be the village of Trumpington
|
||
to the right of us. And, by Jove! here is the brougham coming
|
||
round the corner. Quick, Watson--quick, or we are done!"
|
||
|
||
He sprang through a gate into a field, dragging the reluctant
|
||
Pompey after him. We had hardly got under the shelter of the
|
||
hedge when the carriage rattled past. I caught a glimpse of Dr.
|
||
Armstrong within, his shoulders bowed, his head sunk on his
|
||
hands, the very image of distress. I could tell by my
|
||
companion's graver face that he also had seen.
|
||
|
||
"I fear there is some dark ending to our quest," said he. "It
|
||
cannot be long before we know it. Come, Pompey! Ah, it is the
|
||
cottage in the field!"
|
||
|
||
There could be no doubt that we had reached the end of our
|
||
journey. Pompey ran about and whined eagerly outside the gate,
|
||
where the marks of the brougham's wheels were still to be seen.
|
||
A footpath led across to the lonely cottage. Holmes tied the dog
|
||
to the hedge, and we hastened onward. My friend knocked at the
|
||
little rustic door, and knocked again without response. And yet
|
||
the cottage was not deserted, for a low sound came to our
|
||
ears--a kind of drone of misery and despair which was
|
||
indescribably melancholy. Holmes paused irresolute, and then he
|
||
glanced back at the road which he had just traversed. A brougham
|
||
was coming down it, and there could be no mistaking those gray horses.
|
||
|
||
"By Jove, the doctor is coming back!" cried Holmes. "That
|
||
settles it. We are bound to see what it means before he comes."
|
||
|
||
He opened the door, and we stepped into the hall. The droning
|
||
sound swelled louder upon our ears until it became one long,
|
||
deep wail of distress. It came from upstairs. Holmes darted up,
|
||
and I followed him. He pushed open a half-closed door, and we
|
||
both stood appalled at the sight before us.
|
||
|
||
A woman, young and beautiful, was lying dead upon the bed. Her
|
||
calm pale face, with dim, wide-opened blue eyes, looked upward
|
||
from amid a great tangle of golden hair. At the foot of the bed,
|
||
half sitting, half kneeling, his face buried in the clothes, was
|
||
a young man, whose frame was racked by his sobs. So absorbed was
|
||
he by his bitter grief, that he never looked up until Holmes's
|
||
hand was on his shoulder.
|
||
|
||
"Are you Mr. Godfrey Staunton?"
|
||
|
||
"Yes, yes, I am--but you are too late. She is dead."
|
||
|
||
The man was so dazed that he could not be made to understand
|
||
that we were anything but doctors who had been sent to his
|
||
assistance. Holmes was endeavouring to utter a few words of
|
||
consolation and to explain the alarm which had been caused to
|
||
his friends by his sudden disappearance when there was a step
|
||
upon the stairs, and there was the heavy, stern, questioning
|
||
face of Dr. Armstrong at the door.
|
||
|
||
"So, gentlemen," said he, "you have attained your end and have
|
||
certainly chosen a particularly delicate moment for your
|
||
intrusion. I would not brawl in the presence of death, but I can
|
||
assure you that if I were a younger man your monstrous conduct
|
||
would not pass with impunity."
|
||
|
||
"Excuse me, Dr. Armstrong, I think we are a little at
|
||
cross-purposes," said my friend, with dignity. "If you could
|
||
step downstairs with us, we may each be able to give some light
|
||
to the other upon this miserable affair."
|
||
|
||
A minute later, the grim doctor and ourselves were in the
|
||
sitting-room below.
|
||
|
||
"Well, sir?" said he.
|
||
|
||
"I wish you to understand, in the first place, that I am not
|
||
employed by Lord Mount-James, and that my sympathies in this
|
||
matter are entirely against that nobleman. When a man is lost it
|
||
is my duty to ascertain his fate, but having done so the matter
|
||
ends so far as I am concerned, and so long as there is nothing
|
||
criminal I am much more anxious to hush up private scandals than to
|
||
give them publicity. If, as I imagine, there is no breach of the
|
||
law in this matter, you can absolutely depend upon my discretion
|
||
and my cooperation in keeping the facts out of the papers."
|
||
|
||
Dr. Armstrong took a quick step forward and wrung Holmes by the hand.
|
||
|
||
"You are a good fellow," said he. "I had misjudged you. I thank
|
||
heaven that my compunction at leaving poor Staunton all alone in
|
||
this plight caused me to turn my carriage back and so to make
|
||
your acquaintance. Knowing as much as you do, the situation is
|
||
very easily explained. A year ago Godfrey Staunton lodged in
|
||
London for a time and became passionately attached to his
|
||
landlady's daughter, whom he married. She was as good as she was
|
||
beautiful and as intelligent as she was good. No man need be
|
||
ashamed of such a wife. But Godfrey was the heir to this crabbed
|
||
old nobleman, and it was quite certain that the news of his
|
||
marriage would have been the end of his inheritance. I knew the
|
||
lad well, and I loved him for his many excellent qualities. I
|
||
did all I could to help him to keep things straight. We did our
|
||
very best to keep the thing from everyone, for, when once such
|
||
a whisper gets about, it is not long before everyone has heard
|
||
it. Thanks to this lonely cottage and his own discretion,
|
||
Godfrey has up to now succeeded. Their secret was known to no
|
||
one save to me and to one excellent servant, who has at present
|
||
gone for assistance to Trumpington. But at last there came a
|
||
terrible blow in the shape of dangerous illness to his wife. It
|
||
was consumption of the most virulent kind. The poor boy was half
|
||
crazed with grief, and yet he had to go to London to play this
|
||
match, for he could not get out of it without explanations which
|
||
would expose his secret. I tried to cheer him up by wire, and he
|
||
sent me one in reply, imploring me to do all I could. This was
|
||
the telegram which you appear in some inexplicable way to have
|
||
seen. I did not tell him how urgent the danger was, for I knew
|
||
that he could do no good here, but I sent the truth to the
|
||
girl's father, and he very injudiciously communicated it to
|
||
Godfrey. The result was that he came straight away in a state
|
||
bordering on frenzy, and has remained in the same state,
|
||
kneeling at the end of her bed, until this morning death put an
|
||
end to her sufferings. That is all, Mr. Holmes, and I am sure
|
||
that I can rely upon your discretion and that of your friend."
|
||
|
||
Holmes grasped the doctor's hand.
|
||
|
||
"Come, Watson," said he, and we passed from that house of grief
|
||
into the pale sunlight of the winter day.THE ADVENTURE OF THE ABBEY GRANGE
|
||
|
||
|
||
It was on a bitterly cold and frosty morning, towards the end of
|
||
the winter of '97, that I was awakened by a tugging at my shoulder.
|
||
It was Holmes. The candle in his hand shone upon his eager,
|
||
stooping face, and told me at a glance that something was amiss.
|
||
|
||
"Come, Watson, come!" he cried. "The game is afoot. Not a word!
|
||
Into your clothes and come!"
|
||
|
||
Ten minutes later we were both in a cab, and rattling through
|
||
the silent streets on our way to Charing Cross Station. The
|
||
first faint winter's dawn was beginning to appear, and we could
|
||
dimly see the occasional figure of an early workman as he passed
|
||
us, blurred and indistinct in the opalescent London reek. Holmes
|
||
nestled in silence into his heavy coat, and I was glad to do the
|
||
same, for the air was most bitter, and neither of us had broken
|
||
our fast.
|
||
|
||
It was not until we had consumed some hot tea at the station and
|
||
taken our places in the Kentish train that we were sufficiently
|
||
thawed, he to speak and I to listen. Holmes drew a note from his
|
||
pocket, and read aloud:
|
||
|
||
Abbey Grange, Marsham, Kent,
|
||
3:30 A.M.
|
||
MY DEAR MR. HOLMES:
|
||
|
||
I should be very glad of your immediate assistance in what
|
||
promises to be a most remarkable case. It is something quite in
|
||
your line. Except for releasing the lady I will see that
|
||
everything is kept exactly as I have found it, but I beg you not
|
||
to lose an instant, as it is difficult to leave Sir Eustace there.
|
||
Yours faithfully,
|
||
STANLEY HOPKINS.
|
||
|
||
|
||
"Hopkins has called me in seven times, and on each occasion his
|
||
summons has been entirely justified," said Holmes. "I fancy that
|
||
every one of his cases has found its way into your collection,
|
||
and I must admit, Watson, that you have some power of selection,
|
||
which atones for much which I deplore in your narratives. Your
|
||
fatal habit of looking at everything from the point of view of
|
||
a story instead of as a scientific exercise has ruined what
|
||
might have been an instructive and even classical series of
|
||
demonstrations. You slur over work of the utmost finesse and
|
||
delicacy, in order to dwell upon sensational details which may
|
||
excite, but cannot possibly instruct, the reader."
|
||
|
||
"Why do you not write them yourself?" I said, with some bitterness.
|
||
|
||
"I will, my dear Watson, I will. At present I am, as you know,
|
||
fairly busy, but I propose to devote my declining years to the
|
||
composition of a textbook, which shall focus the whole art of
|
||
detection into one volume. Our present research appears to be a
|
||
case of murder."
|
||
|
||
"You think this Sir Eustace is dead, then?"
|
||
|
||
"I should say so. Hopkins's writing shows considerable
|
||
agitation, and he is not an emotional man. Yes, I gather there
|
||
has been violence, and that the body is left for our inspection.
|
||
A mere suicide would not have caused him to send for me. As to
|
||
the release of the lady, it would appear that she has been
|
||
locked in her room during the tragedy. We are moving in high
|
||
life, Watson, crackling paper, `E.B.' monogram, coat-of-arms,
|
||
picturesque address. I think that friend Hopkins will live up to
|
||
his reputation, and that we shall have an interesting morning.
|
||
The crime was committed before twelve last night."
|
||
|
||
"How can you possibly tell?"
|
||
|
||
"By an inspection of the trains, and by reckoning the time. The
|
||
local police had to be called in, they had to communicate with
|
||
Scotland Yard, Hopkins had to go out, and he in turn had to send
|
||
for me. All that makes a fair night's work. Well, here we are at
|
||
Chiselhurst Station, and we shall soon set our doubts at rest."
|
||
|
||
A drive of a couple of miles through narrow country lanes
|
||
brought us to a park gate, which was opened for us by an old
|
||
lodge-keeper, whose haggard face bore the reflection of some
|
||
great disaster. The avenue ran through a noble park, between
|
||
lines of ancient elms, and ended in a low, widespread house,
|
||
pillared in front after the fashion of Palladio. The central
|
||
part was evidently of a great age and shrouded in ivy, but the
|
||
large windows showed that modern changes had been carried out,
|
||
and one wing of the house appeared to be entirely new. The
|
||
youthful figure and alert, eager face of Inspector Stanley
|
||
Hopkins confronted us in the open doorway.
|
||
|
||
"I'm very glad you have come, Mr. Holmes. And you, too, Dr.
|
||
Watson. But, indeed, if I had my time over again, I should not
|
||
have troubled you, for since the lady has come to herself, she
|
||
has given so clear an account of the affair that there is not much
|
||
left for us to do. You remember that Lewisham gang of burglars?"
|
||
|
||
"What, the three Randalls?"
|
||
|
||
"Exactly; the father and two sons. It's their work. I have not
|
||
a doubt of it. They did a job at Sydenham a fortnight ago and
|
||
were seen and described. Rather cool to do another so soon and
|
||
so near, but it is they, beyond all doubt. It's a hanging matter
|
||
this time."
|
||
|
||
"Sir Eustace is dead, then?"
|
||
|
||
"Yes, his head was knocked in with his own poker."
|
||
|
||
"Sir Eustace Brackenstall, the driver tells me."
|
||
|
||
"Exactly--one of the richest men in Kent--Lady Brackenstall is
|
||
in the morning-room. Poor lady, she has had a most dreadful
|
||
experience. She seemed half dead when I saw her first. I think
|
||
you had best see her and hear her account of the facts. Then we
|
||
will examine the dining-room together."
|
||
|
||
Lady Brackenstall was no ordinary person. Seldom have I seen so
|
||
graceful a figure, so womanly a presence, and so beautiful a
|
||
face. She was a blonde, golden-haired, blue-eyed, and would no
|
||
doubt have had the perfect complexion which goes with such
|
||
colouring, had not her recent experience left her drawn and
|
||
haggard. Her sufferings were physical as well as mental, for
|
||
over one eye rose a hideous, plum-coloured swelling, which her
|
||
maid, a tall, austere woman, was bathing assiduously with
|
||
vinegar and water. The lady lay back exhausted upon a couch, but
|
||
her quick, observant gaze, as we entered the room, and the alert
|
||
expression of her beautiful features, showed that neither her
|
||
wits nor her courage had been shaken by her terrible experience.
|
||
She was enveloped in a loose dressing-gown of blue and silver,
|
||
but a black sequin-covered dinner-dress lay upon the couch
|
||
beside her.
|
||
|
||
"I have told you all that happened, Mr. Hopkins," she said,
|
||
wearily. "Could you not repeat it for me? Well, if you think it
|
||
necessary, I will tell these gentlemen what occurred. Have they
|
||
been in the dining-room yet?"
|
||
|
||
"I thought they had better hear your ladyship's story first."
|
||
|
||
"I shall be glad when you can arrange matters. It is horrible to
|
||
me to think of him still lying there." She shuddered and buried
|
||
her face in her hands. As she did so, the loose gown fell back
|
||
from her forearms. Holmes uttered an exclamation.
|
||
|
||
"You have other injuries, madam! What is this?" Two vivid red
|
||
spots stood out on one of the white, round limbs. She hastily
|
||
covered it.
|
||
|
||
"It is nothing. It has no connection with this hideous business
|
||
to-night. If you and your friend will sit down, I will tell you
|
||
all I can.
|
||
|
||
"I am the wife of Sir Eustace Brackenstall. I have been married
|
||
about a year. I suppose that it is no use my attempting to
|
||
conceal that our marriage has not been a happy one. I fear that
|
||
all our neighbours would tell you that, even if I were to
|
||
attempt to deny it. Perhaps the fault may be partly mine. I was
|
||
brought up in the freer, less conventional atmosphere of South
|
||
Australia, and this English life, with its proprieties and its
|
||
primness, is not congenial to me. But the main reason lies in
|
||
the one fact, which is notorious to everyone, and that is that
|
||
Sir Eustace was a confirmed drunkard. To be with such a man for
|
||
an hour is unpleasant. Can you imagine what it means for a
|
||
sensitive and high-spirited woman to be tied to him for day and
|
||
night? It is a sacrilege, a crime, a villainy to hold that such
|
||
a marriage is binding. I say that these monstrous laws of yours
|
||
will bring a curse upon the land--God will not let such
|
||
wickedness endure." For an instant she sat up, her cheeks
|
||
flushed, and her eyes blazing from under the terrible mark upon
|
||
her brow. Then the strong, soothing hand of the austere maid
|
||
drew her head down on to the cushion, and the wild anger died
|
||
away into passionate sobbing. At last she continued:
|
||
|
||
"I will tell you about last night. You are aware, perhaps, that
|
||
in this house all the servants sleep in the modern wing. This
|
||
central block is made up of the dwelling-rooms, with the kitchen
|
||
behind and our bedroom above. My maid, Theresa, sleeps above my
|
||
room. There is no one else, and no sound could alarm those who
|
||
are in the farther wing. This must have been well known to the
|
||
robbers, or they would not have acted as they did.
|
||
|
||
"Sir Eustace retired about half-past ten. The servants had
|
||
already gone to their quarters. Only my maid was up, and she had
|
||
remained in her room at the top of the house until I needed her
|
||
services. I sat until after eleven in this room, absorbed in a
|
||
book. Then I walked round to see that all was right before I
|
||
went upstairs. It was my custom to do this myself, for, as I
|
||
have explained, Sir Eustace was not always to be trusted. I went
|
||
into the kitchen, the butler's pantry, the gun-room, the
|
||
billiard-room, the drawing-room, and finally the dining-room. As
|
||
I approached the window, which is covered with thick curtains,
|
||
I suddenly felt the wind blow upon my face and realized that it
|
||
was open. I flung the curtain aside and found myself face to
|
||
face with a broad-shouldered elderly man, who had just stepped
|
||
into the room. The window is a long French one, which really
|
||
forms a door leading to the lawn. I held my bedroom candle lit
|
||
in my hand, and, by its light, behind the first man I saw two
|
||
others, who were in the act of entering. I stepped back, but the
|
||
fellow was on me in an instant. He caught me first by the wrist
|
||
and then by the throat. I opened my mouth to scream, but he
|
||
struck me a savage blow with his fist over the eye, and felled
|
||
me to the ground. I must have been unconscious for a few
|
||
minutes, for when I came to myself, I found that they had torn
|
||
down the bell-rope, and had secured me tightly to the oaken
|
||
chair which stands at the head of the dining-table. I was so
|
||
firmly bound that I could not move, and a handkerchief round my
|
||
mouth prevented me from uttering a sound. It was at this instant
|
||
that my unfortunate husband entered the room. He had evidently
|
||
heard some suspicious sounds, and he came prepared for such a
|
||
scene as he found. He was dressed in nightshirt and trousers,
|
||
with his favourite blackthorn cudgel in his hand. He rushed at
|
||
the burglars, but another--it was an elderly man--stooped,
|
||
picked the poker out of the grate and struck him a horrible blow
|
||
as he passed. He fell with a groan and never moved again. I
|
||
fainted once more, but again it could only have been for a very
|
||
few minutes during which I was insensible. When I opened my eyes
|
||
I found that they had collected the silver from the sideboard,
|
||
and they had drawn a bottle of wine which stood there. Each of
|
||
them had a glass in his hand. I have already told you, have I
|
||
not, that one was elderly, with a beard, and the others young,
|
||
hairless lads. They might have been a father with his two sons.
|
||
They talked together in whispers. Then they came over and made
|
||
sure that I was securely bound. Finally they withdrew, closing
|
||
the window after them. It was quite a quarter of an hour before
|
||
I got my mouth free. When I did so, my screams brought the maid
|
||
to my assistance. The other servants were soon alarmed, and we
|
||
sent for the local police, who instantly communicated with
|
||
London. That is really all that I can tell you, gentlemen, and
|
||
I trust that it will not be necessary for me to go over so
|
||
painful a story again."
|
||
|
||
"Any questions, Mr. Holmes?" asked Hopkins.
|
||
|
||
"I will not impose any further tax upon Lady Brackenstall's
|
||
patience and time," said Holmes. "Before I go into the
|
||
dining-room, I should like to hear your experience." He looked
|
||
at the maid.
|
||
|
||
"I saw the men before ever they came into the house," said she.
|
||
"As I sat by my bedroom window I saw three men in the moonlight
|
||
down by the lodge gate yonder, but I thought nothing of it at
|
||
the time. It was more than an hour after that I heard my
|
||
mistress scream, and down I ran, to find her, poor lamb, just as
|
||
she says, and him on the floor, with his blood and brains over
|
||
the room. It was enough to drive a woman out of her wits, tied
|
||
there, and her very dress spotted with him, but she never wanted
|
||
courage, did Miss Mary Fraser of Adelaide and Lady Brackenstall
|
||
of Abbey Grange hasn't learned new ways. You've questioned her
|
||
long enough, you gentlemen, and now she is coming to her own room,
|
||
just with her old Theresa, to get the rest that she badly needs."
|
||
|
||
With a motherly tenderness the gaunt woman put her arm round her
|
||
mistress and led her from the room.
|
||
|
||
"She has been with her all her life," said Hopkins. "Nursed her
|
||
as a baby, and came with her to England when they first left
|
||
Australia, eighteen months ago. Theresa Wright is her name, and
|
||
the kind of maid you don't pick up nowadays. This way, Mr.
|
||
Holmes, if you please!"
|
||
|
||
The keen interest had passed out of Holmes's expressive face,
|
||
and I knew that with the mystery all the charm of the case had
|
||
departed. There still remained an arrest to be effected, but
|
||
what were these commonplace rogues that he should soil his hands
|
||
with them? An abstruse and learned specialist who finds that he
|
||
has been called in for a case of measles would experience
|
||
something of the annoyance which I read in my friend's eyes. Yet
|
||
the scene in the dining-room of the Abbey Grange was
|
||
sufficiently strange to arrest his attention and to recall his
|
||
waning interest.
|
||
|
||
It was a very large and high chamber, with carved oak ceiling,
|
||
oaken panelling, and a fine array of deer's heads and ancient
|
||
weapons around the walls. At the further end from the door was
|
||
the high French window of which we had heard. Three smaller
|
||
windows on the right-hand side filled the apartment with cold
|
||
winter sunshine. On the left was a large, deep fireplace, with
|
||
a massive, overhanging oak mantelpiece. Beside the fireplace was
|
||
a heavy oaken chair with arms and cross-bars at the bottom. In
|
||
and out through the open woodwork was woven a crimson cord,
|
||
which was secured at each side to the crosspiece below. In
|
||
releasing the lady, the cord had been slipped off her, but the
|
||
knots with which it had been secured still remained. These
|
||
details only struck our attention afterwards, for our thoughts
|
||
were entirely absorbed by the terrible object which lay upon the
|
||
tigerskin hearthrug in front of the fire.
|
||
|
||
It was the body of a tall, well-made man, about forty years of
|
||
age. He lay upon his back, his face upturned, with his white
|
||
teeth grinning through his short, black beard. His two clenched
|
||
hands were raised above his head, and a heavy, blackthorn stick
|
||
lay across them. His dark, handsome, aquiline features were
|
||
convulsed into a spasm of vindictive hatred, which had set his
|
||
dead face in a terribly fiendish expression. He had evidently
|
||
been in his bed when the alarm had broken out, for he wore a
|
||
foppish, embroidered nightshirt, and his bare feet projected
|
||
from his trousers. His head was horribly injured, and the whole
|
||
room bore witness to the savage ferocity of the blow which had
|
||
struck him down. Beside him lay the heavy poker, bent into a
|
||
curve by the concussion. Holmes examined both it and the
|
||
indescribable wreck which it had wrought.
|
||
|
||
"He must be a powerful man, this elder Randall," he remarked.
|
||
|
||
"Yes," said Hopkins. "I have some record of the fellow, and he
|
||
is a rough customer."
|
||
|
||
"You should have no difficulty in getting him."
|
||
|
||
"Not the slightest. We have been on the look-out for him, and
|
||
there was some idea that he had got away to America. Now that we
|
||
know that the gang are here, I don't see how they can escape. We
|
||
have the news at every seaport already, and a reward will be
|
||
offered before evening. What beats me is how they could have
|
||
done so mad a thing, knowing that the lady could describe them
|
||
and that we could not fail to recognize the description."
|
||
|
||
"Exactly. One would have expected that they would silence Lady
|
||
Brackenstall as well."
|
||
|
||
"They may not have realized," I suggested, "that she had
|
||
recovered from her faint."
|
||
|
||
"That is likely enough. If she seemed to be senseless, they
|
||
would not take her life. What about this poor fellow, Hopkins?
|
||
I seem to have heard some queer stories about him."
|
||
|
||
"He was a good-hearted man when he was sober, but a perfect
|
||
fiend when he was drunk, or rather when he was half drunk, for
|
||
he seldom really went the whole way. The devil seemed to be in
|
||
him at such times, and he was capable of anything. From what I
|
||
hear, in spite of all his wealth and his title, he very nearly
|
||
came our way once or twice. There was a scandal about his
|
||
drenching a dog with petroleum and setting it on fire--her
|
||
ladyship's dog, to make the matter worse--and that was only
|
||
hushed up with difficulty. Then he threw a decanter at that
|
||
maid, Theresa Wright--there was trouble about that. On the
|
||
whole, and between ourselves, it will be a brighter house
|
||
without him. What are you looking at now?"
|
||
|
||
Holmes was down on his knees, examining with great attention the
|
||
knots upon the red cord with which the lady had been secured.
|
||
Then he carefully scrutinized the broken and frayed end where it
|
||
had snapped off when the burglar had dragged it down.
|
||
|
||
"When this was pulled down, the bell in the kitchen must have
|
||
rung loudly," he remarked.
|
||
|
||
"No one could hear it. The kitchen stands right at the back of
|
||
the house."
|
||
|
||
"How did the burglar know no one would hear it? How dared he
|
||
pull at a bell-rope in that reckless fashion?"
|
||
|
||
"Exactly, Mr. Holmes, exactly. You put the very question which
|
||
I have asked myself again and again. There can be no doubt that
|
||
this fellow must have known the house and its habits. He must
|
||
have perfectly understood that the servants would all be in bed
|
||
at that comparatively early hour, and that no one could possibly
|
||
hear a bell ring in the kitchen. Therefore, he must have been in
|
||
close league with one of the servants. Surely that is evident.
|
||
But there are eight servants, and all of good character."
|
||
|
||
"Other things being equal," said Holmes, "one would suspect the
|
||
one at whose head the master threw a decanter. And yet that
|
||
would involve treachery towards the mistress to whom this woman
|
||
seems devoted. Well, well, the point is a minor one, and when
|
||
you have Randall you will probably find no difficulty in
|
||
securing his accomplice. The lady's story certainly seems to be
|
||
corroborated, if it needed corroboration, by every detail which
|
||
we see before us." He walked to the French window and threw it
|
||
open. "There are no signs here, but the ground is iron hard,
|
||
and one would not expect them. I see that these candles in the
|
||
mantelpiece have been lighted."
|
||
|
||
"Yes, it was by their light and that of the lady's bedroom
|
||
candle, that the burglars saw their way about."
|
||
|
||
"And what did they take?"
|
||
|
||
"Well, they did not take much--only half a dozen articles of
|
||
plate off the sideboard. Lady Brackenstall thinks that they were
|
||
themselves so disturbed by the death of Sir Eustace that they
|
||
did not ransack the house, as they would otherwise have done."
|
||
|
||
"No doubt that is true, and yet they drank some wine, I understand."
|
||
|
||
"To steady their nerves."
|
||
|
||
"Exactly. These three glasses upon the sideboard have been
|
||
untouched, I suppose?"
|
||
|
||
"Yes, and the bottle stands as they left it."
|
||
|
||
"Let us look at it. Halloa, halloa! What is this?"
|
||
|
||
The three glasses were grouped together, all of them tinged with
|
||
wine, and one of them containing some dregs of beeswing. The
|
||
bottle stood near them, two-thirds full, and beside it lay a
|
||
long, deeply stained cork. Its appearance and the dust upon the
|
||
bottle showed that it was no common vintage which the murderers
|
||
had enjoyed.
|
||
|
||
A change had come over Holmes's manner. He had lost his listless
|
||
expression, and again I saw an alert light of interest in his
|
||
keen, deep-set eyes. He raised the cork and examined it minutely.
|
||
|
||
"How did they draw it?" he asked.
|
||
|
||
Hopkins pointed to a half-opened drawer. In it lay some table
|
||
linen and a large corkscrew.
|
||
|
||
"Did Lady Brackenstall say that screw was used?"
|
||
|
||
"No, you remember that she was senseless at the moment when the
|
||
bottle was opened."
|
||
|
||
"Quite so. As a matter of fact, that screw was not used. This
|
||
bottle was opened by a pocket screw, probably contained in a
|
||
knife, and not more than an inch and a half long. If you will
|
||
examine the top of the cork, you will observe that the screw was
|
||
driven in three times before the cork was extracted. It has
|
||
never been transfixed. This long screw would have transfixed it
|
||
and drawn it up with a single pull. When you catch this fellow,
|
||
you will find that he has one of these multiplex knives in his
|
||
possession."
|
||
|
||
"Excellent!" said Hopkins.
|
||
|
||
"But these glasses do puzzle me, I confess. Lady Brackenstall
|
||
actually SAW the three men drinking, did she not?"
|
||
|
||
"Yes; she was clear about that."
|
||
|
||
"Then there is an end of it. What more is to be said? And yet,
|
||
you must admit, that the three glasses are very remarkable,
|
||
Hopkins. What? You see nothing remarkable? Well, well, let it
|
||
pass. Perhaps, when a man has special knowledge and special
|
||
powers like my own, it rather encourages him to seek a complex
|
||
explanation when a simpler one is at hand. Of course, it must be
|
||
a mere chance about the glasses. Well, good-morning, Hopkins. I
|
||
don't see that I can be of any use to you, and you appear to
|
||
have your case very clear. You will let me know when Randall is
|
||
arrested, and any further developments which may occur. I trust
|
||
that I shall soon have to congratulate you upon a successful
|
||
conclusion. Come, Watson, I fancy that we may employ ourselves
|
||
more profitably at home."
|
||
|
||
During our return journey, I could see by Holmes's face that he
|
||
was much puzzled by something which he had observed. Every now
|
||
and then, by an effort, he would throw off the impression, and
|
||
talk as if the matter were clear, but then his doubts would
|
||
settle down upon him again, and his knitted brows and abstracted
|
||
eyes would show that his thoughts had gone back once more to the
|
||
great dining-room of the Abbey Grange, in which this midnight
|
||
tragedy had been enacted. At last, by a sudden impulse, just as
|
||
our train was crawling out of a suburban station, he sprang on
|
||
to the platform and pulled me out after him.
|
||
|
||
"Excuse me, my dear fellow," said he, as we watched the rear
|
||
carriages of our train disappearing round a curve, "I am sorry
|
||
to make you the victim of what may seem a mere whim, but on my
|
||
life, Watson, I simply CAN'T leave that case in this condition.
|
||
Every instinct that I possess cries out against it. It's wrong--
|
||
it's all wrong--I'll swear that it's wrong. And yet the lady's
|
||
story was complete, the maid's corroboration was sufficient, the
|
||
detail was fairly exact. What have I to put up against that?
|
||
Three wine-glasses, that is all. But if I had not taken things
|
||
for granted, if I had examined everything with care which I
|
||
should have shown had we approached the case DE NOVO and had no
|
||
cut-and-dried story to warp my mind, should I not then have
|
||
found something more definite to go upon? Of course I should.
|
||
Sit down on this bench, Watson, until a train for Chiselhurst
|
||
arrives, and allow me to lay the evidence before you, imploring
|
||
you in the first instance to dismiss from your mind the idea
|
||
that anything which the maid or her mistress may have said must
|
||
necessarily be true. The lady's charming personality must not be
|
||
permitted to warp our judgment.
|
||
|
||
"Surely there are details in her story which, if we looked at in
|
||
cold blood, would excite our suspicion. These burglars made a
|
||
considerable haul at Sydenham a fortnight ago. Some account of
|
||
them and of their appearance was in the papers, and would
|
||
naturally occur to anyone who wished to invent a story in which
|
||
imaginary robbers should play a part. As a matter of fact,
|
||
burglars who have done a good stroke of business are, as a rule,
|
||
only too glad to enjoy the proceeds in peace and quiet without
|
||
embarking on another perilous undertaking. Again, it is unusual
|
||
for burglars to operate at so early an hour, it is unusual for
|
||
burglars to strike a lady to prevent her screaming, since one
|
||
would imagine that was the sure way to make her scream, it is
|
||
unusual for them to commit murder when their numbers are
|
||
sufficient to overpower one man, it is unusual for them to be
|
||
content with a limited plunder when there was much more within
|
||
their reach, and finally, I should say, that it was very unusual
|
||
for such men to leave a bottle half empty. How do all these
|
||
unusuals strike you, Watson?"
|
||
|
||
"Their cumulative effect is certainly considerable, and yet each
|
||
of them is quite possible in itself. The most unusual thing of all,
|
||
as it seems to me, is that the lady should be tied to the chair."
|
||
|
||
"Well, I am not so clear about that, Watson, for it is evident
|
||
that they must either kill her or else secure her in such a way
|
||
that she could not give immediate notice of their escape. But at
|
||
any rate I have shown, have I not, that there is a certain
|
||
element of improbability about the lady's story? And now, on the
|
||
top of this, comes the incident of the wineglasses."
|
||
|
||
"What about the wineglasses?"
|
||
|
||
"Can you see them in your mind's eye?"
|
||
|
||
"I see them clearly."
|
||
|
||
"We are told that three men drank from them. Does that strike
|
||
you as likely?"
|
||
|
||
"Why not? There was wine in each glass."
|
||
|
||
"Exactly, but there was beeswing only in one glass. You must
|
||
have noticed that fact. What does that suggest to your mind?"
|
||
|
||
"The last glass filled would be most likely to contain beeswing."
|
||
|
||
"Not at all. The bottle was full of it, and it is inconceivable
|
||
that the first two glasses were clear and the third heavily
|
||
charged with it. There are two possible explanations, and only
|
||
two. One is that after the second glass was filled the bottle
|
||
was violently agitated, and so the third glass received the
|
||
beeswing. That does not appear probable. No, no, I am sure that
|
||
I am right."
|
||
|
||
"What, then, do you suppose?"
|
||
|
||
"That only two glasses were used, and that the dregs of both
|
||
were poured into a third glass, so as to give the false
|
||
impression that three people had been here. In that way all the
|
||
beeswing would be in the last glass, would it not? Yes, I am
|
||
convinced that this is so. But if I have hit upon the true
|
||
explanation of this one small phenomenon, then in an instant the
|
||
case rises from the commonplace to the exceedingly remarkable,
|
||
for it can only mean that Lady Brackenstall and her maid have
|
||
deliberately lied to us, that not one word of their story is to
|
||
be believed, that they have some very strong reason for covering
|
||
the real criminal, and that we must construct our case for
|
||
ourselves without any help from them. That is the mission which
|
||
now lies before us, and here, Watson, is the Sydenham train."
|
||
|
||
The household at the Abbey Grange were much surprised at our
|
||
return, but Sherlock Holmes, finding that Stanley Hopkins had
|
||
gone off to report to headquarters, took possession of the
|
||
dining-room, locked the door upon the inside, and devoted
|
||
himself for two hours to one of those minute and laborious
|
||
investigations which form the solid basis on which his brilliant
|
||
edifices of deduction were reared. Seated in a corner like an
|
||
interested student who observes the demonstration of his
|
||
professor, I followed every step of that remarkable research.
|
||
The window, the curtains, the carpet, the chair, the rope--each
|
||
in turn was minutely examined and duly pondered. The body of the
|
||
unfortunate baronet had been removed, and all else remained as
|
||
we had seen it in the morning. Finally, to my astonishment,
|
||
Holmes climbed up on to the massive mantelpiece. Far above his
|
||
head hung the few inches of red cord which were still attached
|
||
to the wire. For a long time he gazed upward at it, and then in
|
||
an attempt to get nearer to it he rested his knee upon a wooden
|
||
bracket on the wall. This brought his hand within a few inches
|
||
of the broken end of the rope, but it was not this so much as
|
||
the bracket itself which seemed to engage his attention.
|
||
Finally, he sprang down with an ejaculation of satisfaction.
|
||
|
||
"It's all right, Watson," said he. "We have got our case--one of
|
||
the most remarkable in our collection. But, dear me, how
|
||
slow-witted I have been, and how nearly I have committed the
|
||
blunder of my lifetime! Now, I think that, with a few missing
|
||
links, my chain is almost complete."
|
||
|
||
"You have got your men?"
|
||
|
||
"Man, Watson, man. Only one, but a very formidable person.
|
||
Strong as a lion--witness the blow that bent that poker! Six
|
||
foot three in height, active as a squirrel, dexterous with his
|
||
fingers, finally, remarkably quick-witted, for this whole
|
||
ingenious story is of his concoction. Yes, Watson, we have come
|
||
upon the handiwork of a very remarkable individual. And yet, in
|
||
that bell-rope, he has given us a clue which should not have
|
||
left us a doubt."
|
||
|
||
"Where was the clue?"
|
||
|
||
"Well, if you were to pull down a bell-rope, Watson, where would
|
||
you expect it to break? Surely at the spot where it is attached
|
||
to the wire. Why should it break three inches from the top, as
|
||
this one has done?"
|
||
|
||
"Because it is frayed there?"
|
||
|
||
"Exactly. This end, which we can examine, is frayed. He was
|
||
cunning enough to do that with his knife. But the other end is
|
||
not frayed. You could not observe that from here, but if you
|
||
were on the mantelpiece you would see that it is cut clean off
|
||
without any mark of fraying whatever. You can reconstruct what
|
||
occurred. The man needed the rope. He would not tear it down for
|
||
fear of giving the alarm by ringing the bell. What did he do? He
|
||
sprang up on the mantelpiece, could not quite reach it, put his
|
||
knee on the bracket--you will see the impression in the dust--
|
||
and so got his knife to bear upon the cord. I could not reach
|
||
the place by at least three inches--from which I infer that he
|
||
is at least three inches a bigger man than I. Look at that mark
|
||
upon the seat of the oaken chair! What is it?"
|
||
|
||
"Blood."
|
||
|
||
"Undoubtedly it is blood. This alone puts the lady's story out
|
||
of court. If she were seated on the chair when the crime was
|
||
done, how comes that mark? No, no, she was placed in the chair
|
||
AFTER the death of her husband. I'll wager that the black dress
|
||
shows a corresponding mark to this. We have not yet met our
|
||
Waterloo, Watson, but this is our Marengo, for it begins in
|
||
defeat and ends in victory. I should like now to have a few
|
||
words with the nurse, Theresa. We must be wary for a while, if
|
||
we are to get the information which we want."
|
||
|
||
She was an interesting person, this stern Australian nurse--
|
||
taciturn, suspicious, ungracious, it took some time before
|
||
Holmes's pleasant manner and frank acceptance of all that she
|
||
said thawed her into a corresponding amiability. She did not
|
||
attempt to conceal her hatred for her late employer.
|
||
|
||
"Yes, sir, it is true that he threw the decanter at me. I heard
|
||
him call my mistress a name, and I told him that he would not
|
||
dare to speak so if her brother had been there. Then it was that
|
||
he threw it at me. He might have thrown a dozen if he had but
|
||
left my bonny bird alone. He was forever ill-treating her, and
|
||
she too proud to complain. She will not even tell me all that he
|
||
has done to her. She never told me of those marks on her arm
|
||
that you saw this morning, but I know very well that they come
|
||
from a stab with a hatpin. The sly devil--God forgive me that I
|
||
should speak of him so, now that he is dead! But a devil he was,
|
||
if ever one walked the earth. He was all honey when first we met
|
||
him--only eighteen months ago, and we both feel as if it were
|
||
eighteen years. She had only just arrived in London. Yes, it was
|
||
her first voyage--she had never been from home before. He won
|
||
her with his title and his money and his false London ways. If
|
||
she made a mistake she has paid for it, if ever a woman did.
|
||
What month did we meet him? Well, I tell you it was just after
|
||
we arrived. We arrived in June, and it was July. They were
|
||
married in January of last year. Yes, she is down in the
|
||
morning-room again, and I have no doubt she will see you, but
|
||
you must not ask too much of her, for she has gone through all
|
||
that flesh and blood will stand."
|
||
|
||
Lady Brackenstall was reclining on the same couch, but looked
|
||
brighter than before. The maid had entered with us, and began
|
||
once more to foment the bruise upon her mistress's brow.
|
||
|
||
"I hope," said the lady, "that you have not come to
|
||
cross-examine me again?"
|
||
|
||
"No," Holmes answered, in his gentlest voice, "I will not cause
|
||
you any unnecessary trouble, Lady Brackenstall, and my whole
|
||
desire is to make things easy for you, for I am convinced that
|
||
you are a much-tried woman. If you will treat me as a friend and
|
||
trust me, you may find that I will justify your trust."
|
||
|
||
"What do you want me to do?"
|
||
|
||
"To tell me the truth."
|
||
|
||
"Mr. Holmes!"
|
||
|
||
"No, no, Lady Brackenstall--it is no use. You may have heard of
|
||
any little reputation which I possess. I will stake it all on
|
||
the fact that your story is an absolute fabrication."
|
||
|
||
Mistress and maid were both staring at Holmes with pale faces
|
||
and frightened eyes.
|
||
|
||
"You are an impudent fellow!" cried Theresa. "Do you mean to say
|
||
that my mistress has told a lie?"
|
||
|
||
Holmes rose from his chair.
|
||
|
||
"Have you nothing to tell me?"
|
||
|
||
"I have told you everything."
|
||
|
||
"Think once more, Lady Brackenstall. Would it not be better to
|
||
be frank?"
|
||
|
||
For an instant there was hesitation in her beautiful face. Then
|
||
some new strong thought caused it to set like a mask.
|
||
|
||
"I have told you all I know."
|
||
|
||
Holmes took his hat and shrugged his shoulders. "I am sorry," he
|
||
said, and without another word we left the room and the house.
|
||
There was a pond in the park, and to this my friend led the way.
|
||
It was frozen over, but a single hole was left for the
|
||
convenience of a solitary swan. Holmes gazed at it, and then
|
||
passed on to the lodge gate. There he scribbled a short note for
|
||
Stanley Hopkins, and left it with the lodge-keeper.
|
||
|
||
"It may be a hit, or it may be a miss, but we are bound to do
|
||
something for friend Hopkins, just to justify this second
|
||
visit," said he. "I will not quite take him into my confidence
|
||
yet. I think our next scene of operations must be the shipping
|
||
office of the Adelaide-Southampton line, which stands at the end
|
||
of Pall Mall, if I remember right. There is a second line of
|
||
steamers which connect South Australia with England, but we will
|
||
draw the larger cover first."
|
||
|
||
Holmes's card sent in to the manager ensured instant attention,
|
||
and he was not long in acquiring all the information he needed.
|
||
In June of '95, only one of their line had reached a home port.
|
||
It was the ROCK OF GIBRALTAR, their largest and best boat. A
|
||
reference to the passenger list showed that Miss Fraser, of
|
||
Adelaide, with her maid had made the voyage in her. The boat was
|
||
now somewhere south of the Suez Canal on her way to Australia.
|
||
Her officers were the same as in '95, with one exception. The
|
||
first officer, Mr. Jack Crocker, had been made a captain and was
|
||
to take charge of their new ship, the BASS ROCK, sailing in two
|
||
days' time from Southampton. He lived at Sydenham, but he was
|
||
likely to be in that morning for instructions, if we cared to
|
||
wait for him.
|
||
|
||
No, Mr. Holmes had no desire to see him, but would be glad to
|
||
know more about his record and character.
|
||
|
||
His record was magnificent. There was not an officer in the
|
||
fleet to touch him. As to his character, he was reliable on
|
||
duty, but a wild, desperate fellow off the deck of his ship--
|
||
hot-headed, excitable, but loyal, honest, and kind-hearted. That
|
||
was the pith of the information with which Holmes left the
|
||
office of the Adelaide-Southampton company. Thence he drove to
|
||
Scotland Yard, but, instead of entering, he sat in his cab with
|
||
his brows drawn down, lost in profound thought. Finally he drove
|
||
round to the Charing Cross telegraph office, sent off a message,
|
||
and then, at last, we made for Baker Street once more.
|
||
|
||
"No, I couldn't do it, Watson," said he, as we reentered our
|
||
room. "Once that warrant was made out, nothing on earth would
|
||
save him. Once or twice in my career I feel that I have done
|
||
more real harm by my discovery of the criminal than ever he had
|
||
done by his crime. I have learned caution now, and I had rather
|
||
play tricks with the law of England than with my own conscience.
|
||
Let us know a little more before we act."
|
||
|
||
Before evening, we had a visit from Inspector Stanley Hopkins.
|
||
Things were not going very well with him.
|
||
|
||
"I believe that you are a wizard, Mr. Holmes. I really do
|
||
sometimes think that you have powers that are not human. Now,
|
||
how on earth could you know that the stolen silver was at the
|
||
bottom of that pond?"
|
||
|
||
"I didn't know it."
|
||
|
||
"But you told me to examine it."
|
||
|
||
"You got it, then?"
|
||
|
||
"Yes, I got it."
|
||
|
||
"I am very glad if I have helped you."
|
||
|
||
"But you haven't helped me. You have made the affair far more
|
||
difficult. What sort of burglars are they who steal silver and
|
||
then throw it into the nearest pond?"
|
||
|
||
"It was certainly rather eccentric behaviour. I was merely going
|
||
on the idea that if the silver had been taken by persons who did
|
||
not want it--who merely took it for a blind, as it were--then
|
||
they would naturally be anxious to get rid of it."
|
||
|
||
"But why should such an idea cross your mind?"
|
||
|
||
"Well, I thought it was possible. When they came out through the
|
||
French window, there was the pond with one tempting little hole
|
||
in the ice, right in front of their noses. Could there be a
|
||
better hiding-place?"
|
||
|
||
"Ah, a hiding-place--that is better!" cried Stanley Hopkins.
|
||
"Yes, yes, I see it all now! It was early, there were folk upon
|
||
the roads, they were afraid of being seen with the silver, so
|
||
they sank it in the pond, intending to return for it when the
|
||
coast was clear. Excellent, Mr. Holmes--that is better than your
|
||
idea of a blind."
|
||
|
||
"Quite so, you have got an admirable theory. I have no doubt
|
||
that my own ideas were quite wild, but you must admit that they
|
||
have ended in discovering the silver."
|
||
|
||
"Yes, sir--yes. It was all your doing. But I have had a bad setback."
|
||
|
||
"A setback?"
|
||
|
||
"Yes, Mr. Holmes. The Randall gang were arrested in New York
|
||
this morning."
|
||
|
||
"Dear me, Hopkins! That is certainly rather against your theory
|
||
that they committed a murder in Kent last night."
|
||
|
||
"It is fatal, Mr. Holmes--absolutely fatal. Still, there are
|
||
other gangs of three besides the Randalls, or it may be some new
|
||
gang of which the police have never heard."
|
||
|
||
"Quite so, it is perfectly possible. What, are you off?"
|
||
|
||
Yes, Mr. Holmes, there is no rest for me until I have got to the
|
||
bottom of the business. I suppose you have no hint to give me?"
|
||
|
||
"I have given you one."
|
||
|
||
"Which?"
|
||
|
||
"Well, I suggested a blind."
|
||
|
||
"But why, Mr. Holmes, why?"
|
||
|
||
"Ah, that's the question, of course. But I commend the idea to
|
||
your mind. You might possibly find that there was something in
|
||
it. You won't stop for dinner? Well, good-bye, and let us know
|
||
how you get on."
|
||
|
||
Dinner was over, and the table cleared before Holmes alluded to
|
||
the matter again. He had lit his pipe and held his slippered
|
||
feet to the cheerful blaze of the fire. Suddenly he looked at
|
||
his watch.
|
||
|
||
"I expect developments, Watson."
|
||
|
||
"When?"
|
||
|
||
"Now--within a few minutes. I dare say you thought I acted
|
||
rather badly to Stanley Hopkins just now?"
|
||
|
||
"I trust your judgment."
|
||
|
||
"A very sensible reply, Watson. You must look at it this way:
|
||
what I know is unofficial, what he knows is official. I have the
|
||
right to private judgment, but he has none. He must disclose
|
||
all, or he is a traitor to his service. In a doubtful case I
|
||
would not put him in so painful a position, and so I reserve my
|
||
information until my own mind is clear upon the matter."
|
||
|
||
"But when will that be?"
|
||
|
||
"The time has come. You will now be present at the last scene of
|
||
a remarkable little drama."
|
||
|
||
There was a sound upon the stairs, and our door was opened to
|
||
admit as fine a specimen of manhood as ever passed through it.
|
||
He was a very tall young man, golden-moustached, blue-eyed, with
|
||
a skin which had been burned by tropical suns, and a springy
|
||
step, which showed that the huge frame was as active as it was
|
||
strong. He closed the door behind him, and then he stood with
|
||
clenched hands and heaving breast, choking down some
|
||
overmastering emotion.
|
||
|
||
"Sit down, Captain Crocker. You got my telegram?"
|
||
|
||
Our visitor sank into an armchair and looked from one to the
|
||
other of us with questioning eyes.
|
||
|
||
"I got your telegram, and I came at the hour you said. I heard
|
||
that you had been down to the office. There was no getting away
|
||
from you. Let's hear the worst. What are you going to do with
|
||
me? Arrest me? Speak out, man! You can't sit there and play with
|
||
me like a cat with a mouse."
|
||
|
||
"Give him a cigar," said Holmes. "Bite on that, Captain Crocker,
|
||
and don't let your nerves run away with you. I should not sit
|
||
here smoking with you if I thought that you were a common
|
||
criminal, you may be sure of that. Be frank with me and we may
|
||
do some good. Play tricks with me, and I'll crush you."
|
||
|
||
"What do you wish me to do?"
|
||
|
||
"To give me a true account of all that happened at the Abbey
|
||
Grange last night--a TRUE account, mind you, with nothing added
|
||
and nothing taken off. I know so much already that if you go one
|
||
inch off the straight, I'll blow this police whistle from my
|
||
window and the affair goes out of my hands forever."
|
||
|
||
The sailor thought for a little. Then he struck his leg with his
|
||
great sunburned hand.
|
||
|
||
"I'll chance it," he cried. "I believe you are a man of your
|
||
word, and a white man, and I'll tell you the whole story. But
|
||
one thing I will say first. So far as I am concerned, I regret
|
||
nothing and I fear nothing, and I would do it all again and be
|
||
proud of the job. Damn the beast, if he had as many lives as a
|
||
cat, he would owe them all to me! But it's the lady, Mary--Mary
|
||
Fraser--for never will I call her by that accursed name. When I
|
||
think of getting her into trouble, I who would give my life just
|
||
to bring one smile to her dear face, it's that that turns my
|
||
soul into water. And yet--and yet--what less could I do? I'll
|
||
tell you my story, gentlemen, and then I'll ask you, as man to
|
||
man, what less could I do?
|
||
|
||
"I must go back a bit. You seem to know everything, so I expect
|
||
that you know that I met her when she was a passenger and I was
|
||
first officer of the ROCK OF GIBRALTAR. From the first day I met
|
||
her, she was the only woman to me. Every day of that voyage I
|
||
loved her more, and many a time since have I kneeled down in the
|
||
darkness of the night watch and kissed the deck of that ship
|
||
because I knew her dear feet had trod it. She was never engaged
|
||
to me. She treated me as fairly as ever a woman treated a man.
|
||
I have no complaint to make. It was all love on my side, and all
|
||
good comradeship and friendship on hers. When we parted she was
|
||
a free woman, but I could never again be a free man.
|
||
|
||
"Next time I came back from sea, I heard of her marriage. Well,
|
||
why shouldn't she marry whom she liked? Title and money--who
|
||
could carry them better than she? She was born for all that is
|
||
beautiful and dainty. I didn't grieve over her marriage. I was
|
||
not such a selfish hound as that. I just rejoiced that good luck
|
||
had come her way, and that she had not thrown herself away on a
|
||
penniless sailor. That's how I loved Mary Fraser.
|
||
|
||
"Well, I never thought to see her again, but last voyage I was
|
||
promoted, and the new boat was not yet launched, so I had to
|
||
wait for a couple of months with my people at Sydenham. One day
|
||
out in a country lane I met Theresa Wright, her old maid. She
|
||
told me all about her, about him, about everything. I tell you,
|
||
gentlemen, it nearly drove me mad. This drunken hound, that he
|
||
should dare to raise his hand to her, whose boots he was not
|
||
worthy to lick! I met Theresa again. Then I met Mary herself--
|
||
and met her again. Then she would meet me no more. But the other
|
||
day I had a notice that I was to start on my voyage within a
|
||
week, and I determined that I would see her once before I left.
|
||
Theresa was always my friend, for she loved Mary and hated this
|
||
villain almost as much as I did. From her I learned the ways of
|
||
the house. Mary used to sit up reading in her own little room
|
||
downstairs. I crept round there last night and scratched at the
|
||
window. At first she would not open to me, but in her heart I
|
||
know that now she loves me, and she could not leave me in the
|
||
frosty night. She whispered to me to come round to the big front
|
||
window, and I found it open before me, so as to let me into the
|
||
dining-room. Again I heard from her own lips things that made my
|
||
blood boil, and again I cursed this brute who mishandled the
|
||
woman I loved. Well, gentlemen, I was standing with her just
|
||
inside the window, in all innocence, as God is my judge, when he
|
||
rushed like a madman into the room, called her the vilest name
|
||
that a man could use to a woman, and welted her across the face
|
||
with the stick he had in his hand. I had sprung for the poker,
|
||
and it was a fair fight between us. See here, on my arm, where
|
||
his first blow fell. Then it was my turn, and I went through him
|
||
as if he had been a rotten pumpkin. Do you think I was sorry?
|
||
Not I! It was his life or mine, but far more than that, it was
|
||
his life or hers, for how could I leave her in the power of this
|
||
madman? That was how I killed him. Was I wrong? Well, then, what
|
||
would either of you gentlemen have done, if you had been in my position?"
|
||
|
||
"She had screamed when he struck her, and that brought old
|
||
Theresa down from the room above. There was a bottle of wine on
|
||
the sideboard, and I opened it and poured a little between
|
||
Mary's lips, for she was half dead with shock. Then I took a
|
||
drop myself. Theresa was as cool as ice, and it was her plot as
|
||
much as mine. We must make it appear that burglars had done the
|
||
thing. Theresa kept on repeating our story to her mistress,
|
||
while I swarmed up and cut the rope of the bell. Then I lashed
|
||
her in her chair, and frayed out the end of the rope to make it
|
||
look natural, else they would wonder how in the world a burglar
|
||
could have got up there to cut it. Then I gathered up a few
|
||
plates and pots of silver, to carry out the idea of the robbery,
|
||
and there I left them, with orders to give the alarm when I had
|
||
a quarter of an hour's start. I dropped the silver into the
|
||
pond, and made off for Sydenham, feeling that for once in my
|
||
life I had done a real good night's work. And that's the truth
|
||
and the whole truth, Mr. Holmes, if it costs me my neck."
|
||
|
||
Holmes smoked for some time in silence. Then he crossed the
|
||
room, and shook our visitor by the hand.
|
||
|
||
"That's what I think," said he. "I know that every word is true,
|
||
for you have hardly said a word which I did not know. No one but
|
||
an acrobat or a sailor could have got up to that bell-rope from
|
||
the bracket, and no one but a sailor could have made the knots
|
||
with which the cord was fastened to the chair. Only once had
|
||
this lady been brought into contact with sailors, and that was
|
||
on her voyage, and it was someone of her own class of life,
|
||
since she was trying hard to shield him, and so showing that she
|
||
loved him. You see how easy it was for me to lay my hands upon
|
||
you when once I had started upon the right trail."
|
||
|
||
"I thought the police never could have seen through our dodge."
|
||
|
||
"And the police haven't, nor will they, to the best of my
|
||
belief. Now, look here, Captain Crocker, this is a very serious
|
||
matter, though I am willing to admit that you acted under the
|
||
most extreme provocation to which any man could be subjected. I
|
||
am not sure that in defence of your own life your action will
|
||
not be pronounced legitimate. However, that is for a British
|
||
jury to decide. Meanwhile I have so much sympathy for you that,
|
||
if you choose to disappear in the next twenty-four hours, I will
|
||
promise you that no one will hinder you."
|
||
|
||
"And then it will all come out?"
|
||
|
||
"Certainly it will come out."
|
||
|
||
The sailor flushed with anger.
|
||
|
||
"What sort of proposal is that to make a man? I know enough of
|
||
law to understand that Mary would be held as accomplice. Do you
|
||
think I would leave her alone to face the music while I slunk
|
||
away? No, sir, let them do their worst upon me, but for heaven's
|
||
sake, Mr. Holmes, find some way of keeping my poor Mary out of
|
||
the courts."
|
||
|
||
Holmes for a second time held out his hand to the sailor.
|
||
|
||
"I was only testing you, and you ring true every time. Well, it
|
||
is a great responsibility that I take upon myself, but I have
|
||
given Hopkins an excellent hint and if he can't avail himself of
|
||
it I can do no more. See here, Captain Crocker, we'll do this in
|
||
due form of law. You are the prisoner. Watson, you are a British
|
||
jury, and I never met a man who was more eminently fitted to
|
||
represent one. I am the judge. Now, gentleman of the jury, you
|
||
have heard the evidence. Do you find the prisoner guilty or not guilty?"
|
||
|
||
"Not guilty, my lord," said I.
|
||
|
||
"VOX POPULI, VOX DEI. You are acquitted, Captain Crocker. So
|
||
long as the law does not find some other victim you are safe
|
||
from me. Come back to this lady in a year, and may her future
|
||
and yours justify us in the judgment which we have pronounced
|
||
this night!"THE ADVENTURE OF THE SECOND STAIN
|
||
|
||
|
||
I had intended "The Adventure of the Abbey Grange" to be the
|
||
last of those exploits of my friend, Mr. Sherlock Holmes, which
|
||
I should ever communicate to the public. This resolution of mine
|
||
was not due to any lack of material, since I have notes of many
|
||
hundreds of cases to which I have never alluded, nor was it
|
||
caused by any waning interest on the part of my readers in the
|
||
singular personality and unique methods of this remarkable man.
|
||
The real reason lay in the reluctance which Mr. Holmes has shown
|
||
to the continued publication of his experiences. So long as he
|
||
was in actual professional practice the records of his successes
|
||
were of some practical value to him, but since he has definitely
|
||
retired from London and betaken himself to study and bee-farming
|
||
on the Sussex Downs, notoriety has become hateful to him, and he
|
||
has peremptorily requested that his wishes in this matter should
|
||
be strictly observed. It was only upon my representing to him
|
||
that I had given a promise that "The Adventure of the Second
|
||
Stain" should be published when the times were ripe, and
|
||
pointing out to him that it is only appropriate that this long
|
||
series of episodes should culminate in the most important
|
||
international case which he has ever been called upon to handle,
|
||
that I at last succeeded in obtaining his consent that a
|
||
carefully guarded account of the incident should at last be laid
|
||
before the public. If in telling the story I seem to be somewhat
|
||
vague in certain details, the public will readily understand
|
||
that there is an excellent reason for my reticence.
|
||
|
||
It was, then, in a year, and even in a decade, that shall be
|
||
nameless, that upon one Tuesday morning in autumn we found two
|
||
visitors of European fame within the walls of our humble room in
|
||
Baker Street. The one, austere, high-nosed, eagle-eyed, and
|
||
dominant, was none other than the illustrious Lord Bellinger,
|
||
twice Premier of Britain. The other, dark, clear-cut, and
|
||
elegant, hardly yet of middle age, and endowed with every beauty
|
||
of body and of mind, was the Right Honourable Trelawney Hope,
|
||
Secretary for European Affairs, and the most rising statesman in
|
||
the country. They sat side by side upon our paper-littered
|
||
settee, and it was easy to see from their worn and anxious faces
|
||
that it was business of the most pressing importance which had
|
||
brought them. The Premier's thin, blue-veined hands were clasped
|
||
tightly over the ivory head of his umbrella, and his gaunt,
|
||
ascetic face looked gloomily from Holmes to me. The European
|
||
Secretary pulled nervously at his moustache and fidgeted with
|
||
the seals of his watch-chain.
|
||
|
||
"When I discovered my loss, Mr. Holmes, which was at eight
|
||
o'clock this morning, I at once informed the Prime Minister.
|
||
It was at his suggestion that we have both come to you."
|
||
|
||
"Have you informed the police?"
|
||
|
||
"No, sir," said the Prime Minister, with the quick, decisive
|
||
manner for which he was famous. "We have not done so, nor is it
|
||
possible that we should do so. To inform the police must, in the
|
||
long run, mean to inform the public. This is what we
|
||
particularly desire to avoid."
|
||
|
||
"And why, sir?"
|
||
|
||
"Because the document in question is of such immense importance
|
||
that its publication might very easily--I might almost say
|
||
probably--lead to European complications of the utmost moment.
|
||
It is not too much to say that peace or war may hang upon the
|
||
issue. Unless its recovery can be attended with the utmost
|
||
secrecy, then it may as well not be recovered at all, for all
|
||
that is aimed at by those who have taken it is that its contents
|
||
should be generally known."
|
||
|
||
"I understand. Now, Mr. Trelawney Hope, I should be much obliged
|
||
if you would tell me exactly the circumstances under which this
|
||
document disappeared."
|
||
|
||
"That can be done in a very few words, Mr. Holmes. The letter--for
|
||
it was a letter from a foreign potentate--was received six days
|
||
ago. It was of such importance that I have never left it in my
|
||
safe, but have taken it across each evening to my house in Whitehall
|
||
Terrace, and kept it in my bedroom in a locked despatch-box. It was
|
||
there last night. Of that I am certain. I actually opened the box
|
||
while I was dressing for dinner and saw the document inside. This
|
||
morning it was gone. The despatch-box had stood beside the glass
|
||
upon my dressing-table all night. I am a light sleeper, and so is
|
||
my wife. We are both prepared to swear that no one could have
|
||
entered the room during the night. And yet I repeat that the
|
||
paper is gone."
|
||
|
||
"What time did you dine?"
|
||
|
||
"Half-past seven."
|
||
|
||
"How long was it before you went to bed?"
|
||
|
||
"My wife had gone to the theatre. I waited up for her. It was
|
||
half-past eleven before we went to our room."
|
||
|
||
"Then for four hours the despatch-box had lain unguarded?"
|
||
|
||
"No one is ever permitted to enter that room save the house-maid
|
||
in the morning, and my valet, or my wife's maid, during the rest
|
||
of the day. They are both trusty servants who have been with us
|
||
for some time. Besides, neither of them could possibly have
|
||
known that there was anything more valuable than the ordinary
|
||
departmental papers in my despatch-box."
|
||
|
||
"Who did know of the existence of that letter?"
|
||
|
||
"No one in the house."
|
||
|
||
"Surely your wife knew?"
|
||
|
||
"No, sir. I had said nothing to my wife until I missed the paper
|
||
this morning."
|
||
|
||
The Premier nodded approvingly.
|
||
|
||
"I have long known, sir, how high is your sense of public duty,"
|
||
said he. "I am convinced that in the case of a secret of this
|
||
importance it would rise superior to the most intimate domestic ties.
|
||
|
||
The European Secretary bowed.
|
||
|
||
"You do me no more than justice, sir. Until this morning I have
|
||
never breathed one word to my wife upon this matter."
|
||
|
||
"Could she have guessed?"
|
||
|
||
"No, Mr. Holmes, she could not have guessed--nor could anyone
|
||
have guessed."
|
||
|
||
"Have you lost any documents before?"
|
||
|
||
"No, sir."
|
||
|
||
"Who is there in England who did know of the existence of
|
||
this letter?"
|
||
|
||
"Each member of the Cabinet was informed of it yesterday, but
|
||
the pledge of secrecy which attends every Cabinet meeting was
|
||
increased by the solemn warning which was given by the Prime
|
||
Minister. Good heavens, to think that within a few hours I
|
||
should myself have lost it!" His handsome face was distorted
|
||
with a spasm of despair, and his hands tore at his hair. For a
|
||
moment we caught a glimpse of the natural man, impulsive,
|
||
ardent, keenly sensitive. The next the aristocratic mask was
|
||
replaced, and the gentle voice had returned. "Besides the
|
||
members of the Cabinet there are two, or possibly three,
|
||
departmental officials who know of the letter. No one else in
|
||
England, Mr. Holmes, I assure you."
|
||
|
||
"But abroad?"
|
||
|
||
"I believe that no one abroad has seen it save the man who wrote
|
||
it. I am well convinced that his Ministers--that the usual
|
||
official channels have not been employed."
|
||
|
||
Holmes considered for some little time.
|
||
|
||
"Now, sir, I must ask you more particularly what this document
|
||
is, and why its disappearance should have such momentous
|
||
consequences?"
|
||
|
||
The two statesmen exchanged a quick glance and the Premier's
|
||
shaggy eyebrows gathered in a frown.
|
||
|
||
"Mr. Holmes, the envelope is a long, thin one of pale blue
|
||
colour. There is a seal of red wax stamped with a crouching
|
||
lion. It is addressed in large, bold handwriting to----"
|
||
|
||
"I fear, sir," said Holmes, "that, interesting and indeed
|
||
essential as these details are, my inquiries must go more to the
|
||
root of things. What WAS the letter?"
|
||
|
||
"That is a State secret of the utmost importance, and I fear
|
||
that I cannot tell you, nor do I see that it is necessary. If by
|
||
the aid of the powers which you are said to possess you can find
|
||
such an envelope as I describe with its enclosure, you will have
|
||
deserved well of your country, and earned any reward which it
|
||
lies in our power to bestow."
|
||
|
||
Sherlock Holmes rose with a smile.
|
||
|
||
"You are two of the most busy men in the country," said he, "and
|
||
in my own small way I have also a good many calls upon me. I
|
||
regret exceedingly that I cannot help you in this matter, and
|
||
any continuation of this interview would be a waste of time."
|
||
|
||
The Premier sprang to his feet with that quick, fierce gleam of
|
||
his deep-set eyes before which a Cabinet has cowered. "I am not
|
||
accustomed, sir," he began, but mastered his anger and resumed
|
||
his seat. For a minute or more we all sat in silence. Then the
|
||
old statesman shrugged his shoulders.
|
||
|
||
"We must accept your terms, Mr. Holmes. No doubt you are right,
|
||
and it is unreasonable for us to expect you to act unless we
|
||
give you our entire confidence."
|
||
|
||
"I agree with you," said the younger statesman.
|
||
|
||
"Then I will tell you, relying entirely upon your honour and
|
||
that of your colleague, Dr. Watson. I may appeal to your
|
||
patriotism also, for I could not imagine a greater misfortune
|
||
for the country than that this affair should come out."
|
||
|
||
"You may safely trust us."
|
||
|
||
"The letter, then, is from a certain foreign potentate who has
|
||
been ruffled by some recent Colonial developments of this
|
||
country. It has been written hurriedly and upon his own
|
||
responsibility entirely. Inquiries have shown that his Ministers
|
||
know nothing of the matter. At the same time it is couched in so
|
||
unfortunate a manner, and certain phrases in it are of so
|
||
provocative a character, that its publication would undoubtedly
|
||
lead to a most dangerous state of feeling in this country. There
|
||
would be such a ferment, sir, that I do not hesitate to say that
|
||
within a week of the publication of that letter this country
|
||
would be involved in a great war."
|
||
|
||
Holmes wrote a name upon a slip of paper and handed it to the Premier.
|
||
|
||
"Exactly. It was he. And it is this letter--this letter which
|
||
may well mean the expenditure of a thousand millions and the
|
||
lives of a hundred thousand men--which has become lost in this
|
||
unaccountable fashion."
|
||
|
||
"Have you informed the sender?"
|
||
|
||
"Yes, sir, a cipher telegram has been despatched."
|
||
|
||
"Perhaps he desires the publication of the letter."
|
||
|
||
"No, sir, we have strong reason to believe that he already
|
||
understands that he has acted in an indiscreet and hot-headed
|
||
manner. It would be a greater blow to him and to his country
|
||
than to us if this letter were to come out."
|
||
|
||
"If this is so, whose interest is it that, the letter should
|
||
come out? Why should anyone desire to steal it or to publish it?"
|
||
|
||
"There, Mr. Holmes, you take me into regions of high
|
||
international politics. But if you consider the European
|
||
situation you will have no difficulty in perceiving the motive.
|
||
The whole of Europe is an armed camp. There is a double league
|
||
which makes a fair balance of military power. Great Britain
|
||
holds the scales. If Britain were driven into war with one
|
||
confederacy, it would assure the supremacy of the other
|
||
confederacy, whether they joined in the war or not.
|
||
Do you follow?"
|
||
|
||
"Very clearly. It is then the interest of the enemies of this
|
||
potentate to secure and publish this letter, so as to make a
|
||
breach between his country and ours?"
|
||
|
||
"Yes, sir."
|
||
|
||
"And to whom would this document be sent if it fell into the
|
||
hands of an enemy?"
|
||
|
||
"To any of the great Chancelleries of Europe. It is probably
|
||
speeding on its way thither at the present instant as fast as
|
||
steam can take it."
|
||
|
||
Mr. Trelawney Hope dropped his head on his chest and groaned
|
||
aloud. The Premier placed his hand kindly upon his shoulder.
|
||
|
||
"It is your misfortune, my dear fellow. No one can blame you.
|
||
There is no precaution which you have neglected. Now, Mr.
|
||
Holmes, you are in full possession of the facts. What course do
|
||
you recommend?"
|
||
|
||
Holmes shook his head mournfully.
|
||
|
||
"You think, sir, that unless this document is recovered there
|
||
will be war?"
|
||
|
||
"I think it is very probable."
|
||
|
||
"Then, sir, prepare for war."
|
||
|
||
"That is a hard saying, Mr. Holmes."
|
||
|
||
"Consider the facts, sir. It is inconceivable that it was taken
|
||
after eleven-thirty at night, since I understand that Mr. Hope
|
||
and his wife were both in the room from that hour until the loss
|
||
was found out. It was taken, then, yesterday evening between
|
||
seven-thirty and eleven-thirty, probably near the earlier hour,
|
||
since whoever took it evidently knew that it was there and would
|
||
naturally secure it as early as possible. Now, sir, if a
|
||
document of this importance were taken at that hour, where can
|
||
it be now? No one has any reason to retain it. It has been
|
||
passed rapidly on to those who need it. What chance have we now
|
||
to overtake or even to trace it? It is beyond our reach."
|
||
|
||
The Prime Minister rose from the settee.
|
||
|
||
"What you say is perfectly logical, Mr. Holmes. I feel that the
|
||
matter is indeed out of our hands."
|
||
|
||
"Let us presume, for argument's sake, that the document was
|
||
taken by the maid or by the valet----"
|
||
|
||
"They are both old and tried servants."
|
||
|
||
"I understand you to say that your room is on the second floor,
|
||
that there is no entrance from without, and that from within no
|
||
one could go up unobserved. It must, then, be somebody in the
|
||
house who has taken it. To whom would the thief take it? To one
|
||
of several international spies and secret agents, whose names
|
||
are tolerably familiar to me. There are three who may be said to
|
||
be the heads of their profession. I will begin my research by
|
||
going round and finding if each of them is at his post. If one
|
||
is missing--especially if he has disappeared since last night--
|
||
we will have some indication as to where the document has gone."
|
||
|
||
"Why should he be missing?" asked the European Secretary. "He
|
||
would take the letter to an Embassy in London, as likely as not."
|
||
|
||
"I fancy not. These agents work independently, and their
|
||
relations with the Embassies are often strained."
|
||
|
||
The Prime Minister nodded his acquiescence.
|
||
|
||
"I believe you are right, Mr. Holmes. He would take so valuable
|
||
a prize to headquarters with his own hands. I think that your
|
||
course of action is an excellent one. Meanwhile, Hope, we cannot
|
||
neglect all our other duties on account of this one misfortune.
|
||
Should there be any fresh developments during the day we shall
|
||
communicate with you, and you will no doubt let us know the
|
||
results of your own inquiries."
|
||
|
||
The two statesmen bowed and walked gravely from the room.
|
||
|
||
When our illustrious visitors had departed Holmes lit his pipe
|
||
in silence and sat for some time lost in the deepest thought. I
|
||
had opened the morning paper and was immersed in a sensational
|
||
crime which had occurred in London the night before, when my
|
||
friend gave an exclamation, sprang to his feet, and laid his
|
||
pipe down upon the mantelpiece.
|
||
|
||
"Yes," said he, "there is no better way of approaching it. The
|
||
situation is desperate, but not hopeless. Even now, if we could
|
||
be sure which of them has taken it, it is just possible that it
|
||
has not yet passed out of his hands. After all, it is a question
|
||
of money with these fellows, and I have the British treasury
|
||
behind me. If it's on the market I'll buy it--if it means
|
||
another penny on the income-tax. It is conceivable that the
|
||
fellow might hold it back to see what bids come from this side
|
||
before he tries his luck on the other. There are only those
|
||
three capable of playing so bold a game--there are Oberstein, La
|
||
Rothiere, and Eduardo Lucas. I will see each of them."
|
||
|
||
I glanced at my morning paper.
|
||
|
||
"Is that Eduardo Lucas of Godolphin Street?"
|
||
|
||
"Yes."
|
||
|
||
"You will not see him."
|
||
|
||
"Why not?"
|
||
|
||
"He was murdered in his house last night."
|
||
|
||
My friend has so often astonished me in the course of our
|
||
adventures that it was with a sense of exultation that I
|
||
realized how completely I had astonished him. He stared in
|
||
amazement, and then snatched the paper from my hands. This was
|
||
the paragraph which I had been engaged in reading when he rose
|
||
from his chair.
|
||
|
||
|
||
MURDER IN WESTMINSTER
|
||
|
||
|
||
A crime of mysterious character was committed last night at 16
|
||
Godolphin Street, one of the old-fashioned and secluded rows of
|
||
eighteenth century houses which lie between the river and the
|
||
Abbey, almost in the shadow of the great Tower of the Houses of
|
||
Parliament. This small but select mansion has been inhabited for
|
||
some years by Mr. Eduardo Lucas, well known in society circles
|
||
both on account of his charming personality and because he has
|
||
the well-deserved reputation of being one of the best amateur
|
||
tenors in the country. Mr. Lucas is an unmarried man,
|
||
thirty-four years of age, and his establishment consists of Mrs.
|
||
Pringle, an elderly housekeeper, and of Mitton, his valet. The
|
||
former retires early and sleeps at the top of the house. The
|
||
valet was out for the evening, visiting a friend at Hammersmith.
|
||
From ten o'clock onward Mr. Lucas had the house to himself. What
|
||
occurred during that time has not yet transpired, but at a
|
||
quarter to twelve Police-constable Barrett, passing along
|
||
Godolphin Street observed that the door of No. 16 was ajar. He
|
||
knocked, but received no answer. Perceiving a light in the front
|
||
room, he advanced into the passage and again knocked, but
|
||
without reply. He then pushed open the door and entered. The
|
||
room was in a state of wild disorder, the furniture being all
|
||
swept to one side, and one chair lying on its back in the
|
||
centre. Beside this chair, and still grasping one of its legs,
|
||
lay the unfortunate tenant of the house. He had been stabbed to
|
||
the heart and must have died instantly. The knife with which the
|
||
crime had been committed was a curved Indian dagger, plucked
|
||
down from a trophy of Oriental arms which adorned one of the
|
||
walls. Robbery does not appear to have been the motive of the
|
||
crime, for there had been no attempt to remove the valuable
|
||
contents of the room. Mr. Eduardo Lucas was so well known and
|
||
popular that his violent and mysterious fate will arouse painful
|
||
interest and intense sympathy in a widespread circle of friends.
|
||
|
||
"Well, Watson, what do you make of this?" asked Holmes, after a
|
||
long pause.
|
||
|
||
"It is an amazing coincidence."
|
||
|
||
"A coincidence! Here is one of the three men whom we had named
|
||
as possible actors in this drama, and he meets a violent death
|
||
during the very hours when we know that that drama was being
|
||
enacted. The odds are enormous against its being coincidence. No
|
||
figures could express them. No, my dear Watson, the two events
|
||
are connected--MUST be connected. It is for us to find the
|
||
connection."
|
||
|
||
"But now the official police must know all."
|
||
|
||
"Not at all. They know all they see at Godolphin Street. They
|
||
know--and shall know--nothing of Whitehall Terrace. Only WE know
|
||
of both events, and can trace the relation between them. There
|
||
is one obvious point which would, in any case, have turned my
|
||
suspicions against Lucas. Godolphin Street, Westminster, is only
|
||
a few minutes' walk from Whitehall Terrace. The other secret
|
||
agents whom I have named live in the extreme West End. It was
|
||
easier, therefore, for Lucas than for the others to establish a
|
||
connection or receive a message from the European Secretary's
|
||
household--a small thing, and yet where events are compressed
|
||
into a few hours it may prove essential. Halloa! what have we here?"
|
||
|
||
Mrs. Hudson had appeared with a lady's card upon her salver.
|
||
Holmes glanced at it, raised his eyebrows, and handed it
|
||
over to me.
|
||
|
||
"Ask Lady Hilda Trelawney Hope if she will be kind enough to
|
||
step up," said he.
|
||
|
||
A moment later our modest apartment, already so distinguished
|
||
that morning, was further honoured by the entrance of the most
|
||
lovely woman in London. I had often heard of the beauty of the
|
||
youngest daughter of the Duke of Belminster, but no description
|
||
of it, and no contemplation of colourless photographs, had
|
||
prepared me for the subtle, delicate charm and the beautiful
|
||
colouring of that exquisite head. And yet as we saw it that
|
||
autumn morning, it was not its beauty which would be the first
|
||
thing to impress the observer. The cheek was lovely but it was
|
||
paled with emotion, the eyes were bright but it was the
|
||
brightness of fever, the sensitive mouth was tight and drawn in
|
||
an effort after self-command. Terror--not beauty--was what
|
||
sprang first to the eye as our fair visitor stood framed for an
|
||
instant in the open door.
|
||
|
||
"Has my husband been here, Mr. Holmes?"
|
||
|
||
"Yes, madam, he has been here."
|
||
|
||
"Mr. Holmes. I implore you not to tell him that I came here."
|
||
Holmes bowed coldly, and motioned the lady to a chair.
|
||
|
||
"Your ladyship places me in a very delicate position. I beg that
|
||
you will sit down and tell me what you desire, but I fear that
|
||
I cannot make any unconditional promise."
|
||
|
||
She swept across the room and seated herself with her back to
|
||
the window. It was a queenly presence--tall, graceful, and
|
||
intensely womanly. "Mr. Holmes," she said--and her white-gloved
|
||
hands clasped and unclasped as she spoke--"I will speak frankly
|
||
to you in the hopes that it may induce you to speak frankly in
|
||
return. There is complete confidence between my husband and me
|
||
on all matters save one. That one is politics. On this his lips
|
||
are sealed. He tells me nothing. Now, I am aware that there was
|
||
a most deplorable occurrence in our house last night. I know
|
||
that a paper has disappeared. But because the matter is
|
||
political my husband refuses to take me into his complete
|
||
confidence. Now it is essential--essential, I say--that I should
|
||
thoroughly understand it. You are the only other person, save
|
||
only these politicians, who knows the true facts. I beg you
|
||
then, Mr. Holmes, to tell me exactly what has happened and what
|
||
it will lead to. Tell me all, Mr. Holmes. Let no regard for your
|
||
client's interests keep you silent, for I assure you that his
|
||
interests, if he would only see it, would be best served by
|
||
taking me into his complete confidence. What was this paper
|
||
which was stolen?"
|
||
|
||
"Madam, what you ask me is really impossible."
|
||
|
||
She groaned and sank her face in her hands.
|
||
|
||
"You must see that this is so, madam. If your husband thinks fit
|
||
to keep you in the dark over this matter, is it for me, who has
|
||
only learned the true facts under the pledge of professional
|
||
secrecy, to tell what he has withheld? It is not fair to ask it.
|
||
It is him whom you must ask."
|
||
|
||
"I have asked him. I come to you as a last resource. But without
|
||
your telling me anything definite, Mr. Holmes, you may do a
|
||
great service if you would enlighten me on one point."
|
||
|
||
"What is it, madam?"
|
||
|
||
"Is my husband's political career likely to suffer through this
|
||
incident?"
|
||
|
||
"Well, madam, unless it is set right it may certainly have a
|
||
very unfortunate effect."
|
||
|
||
"Ah!" She drew in her breath sharply as one whose doubts are resolved.
|
||
|
||
"One more question, Mr. Holmes. From an expression which my
|
||
husband dropped in the first shock of this disaster I understood
|
||
that terrible public consequences might arise from the loss of
|
||
this document."
|
||
|
||
"If he said so, I certainly cannot deny it."
|
||
|
||
"Of what nature are they?"
|
||
|
||
"Nay, madam, there again you ask me more than I can possibly answer."
|
||
|
||
"Then I will take up no more of your time. I cannot blame you,
|
||
Mr. Holmes, for having refused to speak more freely, and you on
|
||
your side will not, I am sure, think the worse of me because I
|
||
desire, even against his will, to share my husband's anxieties.
|
||
Once more I beg that you will say nothing of my visit."
|
||
|
||
She looked back at us from the door, and I had a last impression
|
||
of that beautiful haunted face, the startled eyes, and the drawn
|
||
mouth. Then she was gone.
|
||
|
||
"Now, Watson, the fair sex is your department," said Holmes,
|
||
with a smile, when the dwindling frou-frou of skirts had ended
|
||
in the slam of the front door. "What was the fair lady's game?
|
||
What did she really want?"
|
||
|
||
"Surely her own statement is clear and her anxiety very natural."
|
||
|
||
"Hum! Think of her appearance, Watson--her manner, her
|
||
suppressed excitement, her restlessness, her tenacity in asking
|
||
questions. Remember that she comes of a caste who do not lightly
|
||
show emotion."
|
||
|
||
"She was certainly much moved."
|
||
|
||
"Remember also the curious earnestness with which she assured us
|
||
that it was best for her husband that she should know all. What
|
||
did she mean by that? And you must have observed, Watson, how
|
||
she manoeuvred to have the light at her back. She did not wish
|
||
us to read her expression."
|
||
|
||
"Yes, she chose the one chair in the room."
|
||
|
||
"And yet the motives of women are so inscrutable. You remember
|
||
the woman at Margate whom I suspected for the same reason. No
|
||
powder on her nose--that proved to be the correct solution. How
|
||
can you build on such a quicksand? Their most trivial action may
|
||
mean volumes, or their most extraordinary conduct may depend
|
||
upon a hairpin or a curling tongs. Good-morning, Watson."
|
||
|
||
"You are off?"
|
||
|
||
"Yes, I will while away the morning at Godolphin Street with our
|
||
friends of the regular establishment. With Eduardo Lucas lies
|
||
the solution of our problem, though I must admit that I have not
|
||
an inkling as to what form it may take. It is a capital mistake
|
||
to theorize in advance of the facts. Do you stay on guard, my
|
||
good Watson, and receive any fresh visitors. I'll join you at
|
||
lunch if I am able."
|
||
|
||
All that day and the next and the next Holmes was in a mood
|
||
which his friends would call taciturn, and others morose. He ran
|
||
out and ran in, smoked incessantly, played snatches on his
|
||
violin, sank into reveries, devoured sandwiches at irregular
|
||
hours, and hardly answered the casual questions which I put to
|
||
him. It was evident to me that things were not going well with
|
||
him or his quest. He would say nothing of the case, and it was
|
||
from the papers that I learned the particulars of the inquest,
|
||
and the arrest with the subsequent release of John Mitton, the
|
||
valet of the deceased. The coroner's jury brought in the obvious
|
||
Wilful Murder, but the parties remained as unknown as ever. No
|
||
motive was suggested. The room was full of articles of value,
|
||
but none had been taken. The dead man's papers had not been
|
||
tampered with. They were carefully examined, and showed that he
|
||
was a keen student of international politics, an indefatigable
|
||
gossip, a remarkable linguist, and an untiring letter writer. He
|
||
had been on intimate terms with the leading politicians of
|
||
several countries. But nothing sensational was discovered among
|
||
the documents which filled his drawers. As to his relations with
|
||
women, they appeared to have been promiscuous but superficial.
|
||
He had many acquaintances among them, but few friends, and no
|
||
one whom he loved. His habits were regular, his conduct
|
||
inoffensive. His death was an absolute mystery and likely to
|
||
remain so.
|
||
|
||
As to the arrest of John Mitton, the valet, it was a council of
|
||
despair as an alternative to absolute inaction. But no case
|
||
could be sustained against him. He had visited friends in
|
||
Hammersmith that night. The ALIBI was complete. It is true that
|
||
he started home at an hour which should have brought him to
|
||
Westminster before the time when the crime was discovered, but
|
||
his own explanation that he had walked part of the way seemed
|
||
probable enough in view of the fineness of the night. He had
|
||
actually arrived at twelve o'clock, and appeared to be
|
||
overwhelmed by the unexpected tragedy. He had always been on
|
||
good terms with his master. Several of the dead man's
|
||
possessions--notably a small case of razors--had been found in
|
||
the valet's boxes, but he explained that they had been presents
|
||
from the deceased, and the housekeeper was able to corroborate
|
||
the story. Mitton had been in Lucas's employment for three
|
||
years. It was noticeable that Lucas did not take Mitton on the
|
||
Continent with him. Sometimes he visited Paris for three months
|
||
on end, but Mitton was left in charge of the Godolphin Street
|
||
house. As to the housekeeper, she had heard nothing on the night
|
||
of the crime. If her master had a visitor he had himself
|
||
admitted him.
|
||
|
||
So for three mornings the mystery remained, so far as I could
|
||
follow it in the papers. If Holmes knew more, he kept his own
|
||
counsel, but, as he told me that Inspector Lestrade had taken
|
||
him into him into his confidence in the case, I knew that he was
|
||
in close touch with every development. Upon the fourth day there
|
||
appeared a long telegram from Paris which seemed to solve the
|
||
whole question.
|
||
|
||
A discovery has just been made by the Parisian police [said the
|
||
DAILY TELEGRAPH] which raises the veil which hung round the
|
||
tragic fate of Mr. Eduardo Lucas, who met his death by violence
|
||
last Monday night at Godolphin Street, Westminster. Our readers
|
||
will remember that the deceased gentleman was found stabbed in
|
||
his room, and that some suspicion attached to his valet, but
|
||
that the case broke down on an ALIBI. Yesterday a lady, who has
|
||
been known as Mme. Henri Fournaye, occupying a small villa in
|
||
the Rue Austerlitz, was reported to the authorities by her
|
||
servants as being insane. An examination showed she had indeed
|
||
developed mania of a dangerous and permanent form. On inquiry,
|
||
the police have discovered that Mme. Henri Fournaye only
|
||
returned from a journey to London on Tuesday last, and there is
|
||
evidence to connect her with the crime at Westminster. A
|
||
comparison of photographs has proved conclusively that M. Henri
|
||
Fournaye and Eduardo Lucas were really one and the same person,
|
||
and that the deceased had for some reason lived a double life in
|
||
London and Paris. Mme. Fournaye, who is of Creole origin, is of
|
||
an extremely excitable nature, and has suffered in the past from
|
||
attacks of jealousy which have amounted to frenzy. It is
|
||
conjectured that it was in one of these that she committed the
|
||
terrible crime which has caused such a sensation in London. Her
|
||
movements upon the Monday night have not yet been traced, but it
|
||
is undoubted that a woman answering to her description attracted
|
||
much attention at Charing Cross Station on Tuesday morning by
|
||
the wildness of her appearance and the violence of her gestures.
|
||
It is probable, therefore, that the crime was either committed
|
||
when insane, or that its immediate effect was to drive the
|
||
unhappy woman out of her mind. At present she is unable to give
|
||
any coherent account of the past, and the doctors hold out no
|
||
hopes of the reestablishment of her reason. There is evidence
|
||
that a woman, who might have been Mme. Fournaye, was seen for
|
||
some hours upon Monday night watching the house in Godolphin Street.
|
||
|
||
"What do you think of that, Holmes?" I had read the account
|
||
aloud to him, while he finished his breakfast.
|
||
|
||
"My dear Watson," said he, as he rose from the table and paced
|
||
up and down the room, "You are most long-suffering, but if I
|
||
have told you nothing in the last three days, it is because
|
||
there is nothing to tell. Even now this report from Paris does
|
||
not help us much."
|
||
|
||
"Surely it is final as regards the man's death."
|
||
|
||
"The man's death is a mere incident--a trivial episode--in
|
||
comparison with our real task, which is to trace this document
|
||
and save a European catastrophe. Only one important thing has
|
||
happened in the last three days, and that is that nothing has
|
||
happened. I get reports almost hourly from the government, and
|
||
it is certain that nowhere in Europe is there any sign of
|
||
trouble. Now, if this letter were loose--no, it CAN'T be
|
||
loose--but if it isn't loose, where can it be? Who has it? Why
|
||
is it held back? That's the question that beats in my brain like
|
||
a hammer. Was it, indeed, a coincidence that Lucas should meet
|
||
his death on the night when the letter disappeared? Did the
|
||
letter ever reach him? If so, why is it not among his papers?
|
||
Did this mad wife of his carry it off with her? If so, is it in
|
||
her house in Paris? How could I search for it without the French
|
||
police having their suspicions aroused? It is a case, my dear
|
||
Watson, where the law is as dangerous to us as the criminals
|
||
are. Every man's hand is against us, and yet the interests at
|
||
stake are colossal. Should I bring it to a successful
|
||
conclusion, it will certainly represent the crowning glory of my
|
||
career. Ah, here is my latest from the front!" He glanced
|
||
hurriedly at the note which had been handed in. "Halloa!
|
||
Lestrade seems to have observed something of interest. Put on
|
||
your hat, Watson, and we will stroll down together to Westminster."
|
||
|
||
It was my first visit to the scene of the crime--a high, dingy,
|
||
narrow-chested house, prim, formal, and solid, like the century
|
||
which gave it birth. Lestrade's bulldog features gazed out at us
|
||
from the front window, and he greeted us warmly when a big
|
||
constable had opened the door and let us in. The room into which
|
||
we were shown was that in which the crime had been committed,
|
||
but no trace of it now remained save an ugly, irregular stain
|
||
upon the carpet. This carpet was a small square drugget in the
|
||
centre of the room, surrounded by a broad expanse of beautiful,
|
||
old-fashioned wood-flooring in square blocks, highly polished.
|
||
Over the fireplace was a magnificent trophy of weapons, one of
|
||
which had been used on that tragic night. In the window was a
|
||
sumptuous writing-desk, and every detail of the apartment, the
|
||
pictures, the rugs, and the hangings, all pointed to a taste
|
||
which was luxurious to the verge of effeminacy.
|
||
|
||
"Seen the Paris news?" asked Lestrade.
|
||
|
||
Holmes nodded.
|
||
|
||
"Our French friends seem to have touched the spot this time. No
|
||
doubt it's just as they say. She knocked at the door--surprise
|
||
visit, I guess, for he kept his life in water-tight
|
||
compartments--he let her in, couldn't keep her in the street.
|
||
She told him how she had traced him, reproached him. One thing
|
||
led to another, and then with that dagger so handy the end soon
|
||
came. It wasn't all done in an instant, though, for these chairs
|
||
were all swept over yonder, and he had one in his hand as if he
|
||
had tried to hold her off with it. We've got it all clear as if
|
||
we had seen it."
|
||
|
||
Holmes raised his eyebrows.
|
||
|
||
"And yet you have sent for me?"
|
||
|
||
"Ah, yes, that's another matter--a mere trifle, but the sort of
|
||
thing you take an interest in--queer, you know, and what you
|
||
might call freakish. It has nothing to do with the main
|
||
fact--can't have, on the face of it."
|
||
|
||
"What is it, then?"
|
||
|
||
"Well, you know, after a crime of this sort we are very careful
|
||
to keep things in their position. Nothing has been moved.
|
||
Officer in charge here day and night. This morning, as the man
|
||
was buried and the investigation over--so far as this room is
|
||
concerned--we thought we could tidy up a bit. This carpet. You
|
||
see, it is not fastened down, only just laid there. We had
|
||
occasion to raise it. We found----"
|
||
|
||
"Yes? You found----"
|
||
|
||
Holmes's face grew tense with anxiety.
|
||
|
||
"Well, I'm sure you would never guess in a hundred years what we
|
||
did find. You see that stain on the carpet? Well, a great deal
|
||
must have soaked through, must it not?"
|
||
|
||
"Undoubtedly it must."
|
||
|
||
"Well, you will be surprised to hear that there is no stain on
|
||
the white woodwork to correspond."
|
||
|
||
"No stain! But there must----"
|
||
|
||
"Yes, so you would say. But the fact remains that there isn't."
|
||
|
||
He took the corner of the carpet in his hand and, turning it
|
||
over, he showed that it was indeed as he said.
|
||
|
||
"But the under side is as stained as the upper. It must have
|
||
left a mark."
|
||
|
||
Lestrade chuckled with delight at having puzzled the famous expert.
|
||
|
||
"Now, I'll show you the explanation. There IS a second stain,
|
||
but it does not correspond with the other. See for yourself." As
|
||
he spoke he turned over another portion of the carpet, and
|
||
there, sure enough, was a great crimson spill upon the square
|
||
white facing of the old-fashioned floor. "What do you make of
|
||
that, Mr. Holmes?"
|
||
|
||
"Why, it is simple enough. The two stains did correspond, but
|
||
the carpet has been turned round. As it was square and
|
||
unfastened it was easily done."
|
||
|
||
The official police don't need you, Mr. Holmes, to tell them
|
||
that the carpet must have been turned round. That's clear
|
||
enough, for the stains lie above each other--if you lay it over
|
||
this way. But what I want to know is, who shifted the carpet,
|
||
and why?"
|
||
|
||
I could see from Holmes's rigid face that he was vibrating with
|
||
inward excitement.
|
||
|
||
"Look here, Lestrade," said he, "has that constable in the
|
||
passage been in charge of the place all the time?"
|
||
|
||
"Yes, he has."
|
||
|
||
"Well, take my advice. Examine him carefully. Don't do it before
|
||
us. Well wait here. You take him into the back room. You'll be
|
||
more likely to get a confession out of him alone. Ask him how he
|
||
dared to admit people and leave them alone in this room. Don't
|
||
ask him if he has done it. Take it for granted. Tell him you
|
||
KNOW someone has been here. Press him. Tell him that a full
|
||
confession is his only chance of forgiveness. Do exactly what I
|
||
tell you!"
|
||
|
||
"By George, if he knows I'll have it out of him!" cried
|
||
Lestrade. He darted into the hall, and a few moments later his
|
||
bullying voice sounded from the back room.
|
||
|
||
"Now, Watson, now!" cried Holmes with frenzied eagerness. All
|
||
the demoniacal force of the man masked behind that listless
|
||
manner burst out in a paroxysm of energy. He tore the drugget
|
||
from the floor, and in an instant was down on his hands and
|
||
knees clawing at each of the squares of wood beneath it. One
|
||
turned sideways as he dug his nails into the edge of it. It
|
||
hinged back like the lid of a box. A small black cavity opened
|
||
beneath it. Holmes plunged his eager hand into it and drew it
|
||
out with a bitter snarl of anger and disappointment. It was empty.
|
||
|
||
"Quick, Watson, quick! Get it back again!" The wooden lid was
|
||
replaced, and the drugget had only just been drawn straight when
|
||
Lestrade's voice was heard in the passage. He found Holmes
|
||
leaning languidly against the mantelpiece, resigned and patient,
|
||
endeavouring to conceal his irrepressible yawns.
|
||
|
||
"Sorry to keep you waiting, Mr. Holmes . I can see that you are
|
||
bored to death with the whole affair. Well, he has confessed,
|
||
all right. Come in here, MacPherson. Let these gentlemen hear of
|
||
your most inexcusable conduct."
|
||
|
||
The big constable, very hot and penitent, sidled into the room.
|
||
|
||
"I meant no harm, sir, I'm sure. The young woman came to the
|
||
door last evening--mistook the house, she did. And then we got
|
||
talking. It's lonesome, when you're on duty here all day."
|
||
|
||
"Well, what happened then?"
|
||
|
||
"She wanted to see where the crime was done--had read about it
|
||
in the papers, she said. She was a very respectable, well-spoken
|
||
young woman, sir, and I saw no harm in letting her have a peep.
|
||
When she saw that mark on the carpet, down she dropped on the
|
||
floor, and lay as if she were dead. I ran to the back and got
|
||
some water, but I could not bring her to. Then I went round the
|
||
corner to the Ivy Plant for some brandy, and by the time I had
|
||
brought it back the young woman had recovered and was
|
||
off--ashamed of herself, I daresay, and dared not face me."
|
||
|
||
"How about moving that drugget?"
|
||
|
||
"Well, sir, it was a bit rumpled, certainly, when I came back.
|
||
You see, she fell on it and it lies on a polished floor with
|
||
nothing to keep it in place. I straightened it out afterwards."
|
||
|
||
"It's a lesson to you that you can't deceive me, Constable
|
||
MacPherson," said Lestrade, with dignity. "No doubt you thought
|
||
that your breach of duty could never be discovered, and yet a
|
||
mere glance at that drugget was enough to convince me that
|
||
someone had been admitted to the room. It's lucky for you, my
|
||
man, that nothing is missing, or you would find yourself in
|
||
Queer Street. I'm sorry to have called you down over such a
|
||
petty business, Mr. Holmes, but I thought the point of the
|
||
second stain not corresponding with the first would interest you."
|
||
|
||
"Certainly, it was most interesting. Has this woman only been
|
||
here once, constable?"
|
||
|
||
"Yes, sir, only once."
|
||
|
||
"Who was she?"
|
||
|
||
"Don't know the name, sir. Was answering an advertisement about
|
||
typewriting and came to the wrong number--very pleasant, genteel
|
||
young woman, sir."
|
||
|
||
"Tall? Handsome?"
|
||
|
||
"Yes, sir, she was a well-grown young woman. I suppose you might
|
||
say she was handsome. Perhaps some would say she was very
|
||
handsome. `Oh, officer, do let me have a peep!' says she. She
|
||
had pretty, coaxing ways, as you might say, and I thought there
|
||
was no harm in letting her just put her head through the door."
|
||
|
||
"How was she dressed?"
|
||
|
||
"Quiet, sir--a long mantle down to her feet."
|
||
|
||
"What time was it?"
|
||
|
||
"It was just growing dusk at the time. They were lighting the
|
||
lamps as I came back with the brandy."
|
||
|
||
"Very good," said Holmes. "Come, Watson, I think that we have
|
||
more important work elsewhere."
|
||
|
||
As we left the house Lestrade remained in the front room, while
|
||
the repentant constable opened the door to let us out. Holmes
|
||
turned on the step and held up something in his hand. The
|
||
constable stared intently.
|
||
|
||
"Good Lord, sir!" he cried, with amazement on his face. Holmes
|
||
put his finger on his lips, replaced his hand in his breast
|
||
pocket, and burst out laughing as we turned down the street.
|
||
"Excellent!" said he. "Come, friend Watson, the curtain rings up
|
||
for the last act. You will be relieved to hear that there will
|
||
be no war, that the Right Honourable Trelawney Hope will suffer
|
||
no setback in his brilliant career, that the indiscreet
|
||
Sovereign will receive no punishment for his indiscretion, that
|
||
the Prime Minister will have no Europe an complication to deal
|
||
with, and that with a little tact and management upon our part
|
||
nobody will be a penny the worse for what might have been a very
|
||
ugly incident."
|
||
|
||
My mind filled with admiration for this extraordinary man.
|
||
|
||
"You have solved it!" I cried.
|
||
|
||
"Hardly that, Watson. There are some points which are as dark as
|
||
ever. But we have so much that it will be our own fault if we
|
||
cannot get the rest. We will go straight to Whitehall Terrace
|
||
and bring the matter to a head."
|
||
|
||
When we arrived at the residence of the European Secretary it
|
||
was for Lady Hilda Trelawney Hope that Sherlock Holmes inquired.
|
||
We were shown into the morning-room.
|
||
|
||
"Mr. Holmes!" said the lady, and her face was pink with her
|
||
indignation. "This is surely most unfair and ungenerous upon
|
||
your part. I desired, as I have explained, to keep my visit to
|
||
you a secret, lest my husband should think that I was intruding
|
||
into his affairs. And yet you compromise me by coming here and
|
||
so showing that there are business relations between us."
|
||
|
||
"Unfortunately, madam, I had no possible alternative. I have
|
||
been commissioned to recover this immensely important paper. I
|
||
must therefore ask you, madam, to be kind enough to place it in
|
||
my hands."
|
||
|
||
The lady sprang to her feet, with the colour all dashed in an
|
||
instant from her beautiful face. Her eyes glazed--she
|
||
tottered--I thought that she would faint. Then with a grand
|
||
effort she rallied from the shock, and a supreme astonishment
|
||
and indignation chased every other expression from her features.
|
||
|
||
"You--you insult me, Mr. Holmes."
|
||
|
||
"Come, come, madam, it is useless. Give up the letter."
|
||
|
||
She darted to the bell.
|
||
|
||
"The butler shall show you out."
|
||
|
||
"Do not ring, Lady Hilda. If you do, then all my earnest efforts
|
||
to avoid a scandal will be frustrated. Give up the letter and
|
||
all will be set right. If you will work with me I can arrange
|
||
everything. If you work against me I must expose you."
|
||
|
||
She stood grandly defiant, a queenly figure, her eyes fixed upon
|
||
his as if she would read his very soul. Her hand was on the
|
||
bell, but she had forborne to ring it.
|
||
|
||
"You are trying to frighten me. It is not a very manly thing,
|
||
Mr. Holmes, to come here and browbeat a woman. You say that you
|
||
know something. What is it that you know?"
|
||
|
||
"Pray sit down, madam. You will hurt yourself there if you fall.
|
||
I will not speak until you sit down. Thank you."
|
||
|
||
"I give you five minutes, Mr. Holmes."
|
||
|
||
"One is enough, Lady Hilda. I know of your visit to Eduardo
|
||
Lucas, of your giving him this document, of your ingenious
|
||
return to the room last night, and of the manner in which you
|
||
took the letter from the hiding-place under the carpet."
|
||
|
||
She stared at him with an ashen face and gulped twice before she
|
||
could speak.
|
||
|
||
"You are mad, Mr. Holmes--you are mad!" she cried, at last.
|
||
|
||
He drew a small piece of cardboard from his pocket. It was the
|
||
face of a woman cut out of a portrait.
|
||
|
||
"I have carried this because I thought it might be useful," said
|
||
he. "The policeman has recognized it."
|
||
|
||
She gave a gasp, and her head dropped back in the chair.
|
||
|
||
"Come, Lady Hilda. You have the letter. The matter may still be
|
||
adjusted. I have no desire to bring trouble to you. My duty ends
|
||
when I have returned the lost letter to your husband. Take my
|
||
advice and be frank with me. It is your only chance."
|
||
|
||
Her courage was admirable. Even now she would not own defeat.
|
||
|
||
"I tell you again, Mr. Holmes, that you are under some absurd illusion."
|
||
|
||
Holmes rose from his chair.
|
||
|
||
"I am sorry for you, Lady Hilda. I have done my best for you. I
|
||
can see that it is all in vain."
|
||
|
||
He rang the bell. The butler entered.
|
||
|
||
"Is Mr. Trelawney Hope at home?"
|
||
|
||
"He will be home, sir, at a quarter to one."
|
||
|
||
Holmes glanced at his watch.
|
||
|
||
"Still a quarter of an hour," said he. "Very good, I shall wait."
|
||
|
||
The butler had hardly closed the door behind him when Lady Hilda
|
||
was down on her knees at Holmes's feet, her hands outstretched,
|
||
her beautiful face upturned and wet with her tears.
|
||
|
||
"Oh, spare me, Mr. Holmes! Spare me!" she pleaded, in a frenzy
|
||
of supplication. "For heaven's sake, don't tell him! I love him
|
||
so! I would not bring one shadow on his life, and this I know
|
||
would break his noble heart."
|
||
|
||
Holmes raised the lady. "I am thankful, madam, that you have
|
||
come to your senses even at this last moment! There is not an
|
||
instant to lose. Where is the letter?"
|
||
|
||
She darted across to a writing-desk, unlocked it, and drew out
|
||
a long blue envelope.
|
||
|
||
"Here it is, Mr. Holmes. Would to heaven I had never seen it!"
|
||
|
||
"How can we return it?" Holmes muttered. "Quick, quick, we must
|
||
think of some way! Where is the despatch-box?"
|
||
|
||
"Still in his bedroom."
|
||
|
||
"What a stroke of luck! Quick, madam, bring it here!" A moment
|
||
later she had appeared with a red flat box in her hand.
|
||
|
||
"How did you open it before? You have a duplicate key? Yes, of
|
||
course you have. Open it!"
|
||
|
||
From out of her bosom Lady Hilda had drawn a small key. The box
|
||
flew open. It was stuffed with papers. Holmes thrust the blue
|
||
envelope deep down into the heart of them, between the leaves of
|
||
some other document. The box was shut, locked, and returned to
|
||
the bedroom.
|
||
|
||
"Now we are ready for him," said Holmes. "We have still ten
|
||
minutes. I am going far to screen you, Lady Hilda. In return you
|
||
will spend the time in telling me frankly the real meaning of
|
||
this extraordinary affair."
|
||
|
||
"Mr. Holmes, I will tell you everything," cried the lady. "Oh,
|
||
Mr. Holmes, I would cut off my right hand before I gave him a
|
||
moment of sorrow! There is no woman in all London who loves her
|
||
husband as I do, and yet if he knew how I have acted--how I have
|
||
been compelled to act--he would never forgive me. For his own
|
||
honour stands so high that he could not forget or pardon a lapse
|
||
in another. Help me, Mr. Holmes! My happiness, his happiness,
|
||
our very lives are at stake!"
|
||
|
||
"Quick, madam, the time grows short!"
|
||
|
||
"It was a letter of mine, Mr. Holmes, an indiscreet letter
|
||
written before my marriage--a foolish letter, a letter of an
|
||
impulsive, loving girl. I meant no harm, and yet he would have
|
||
thought it criminal. Had he read that letter his confidence
|
||
would have been forever destroyed. It is years since I wrote it.
|
||
I had thought that the whole matter was forgotten. Then at last
|
||
I heard from this man, Lucas, that it had passed into his hands,
|
||
and that he would lay it before my husband. I implored his
|
||
mercy. He said that he would return my letter if I would bring
|
||
him a certain document which he described in my husband's
|
||
despatch-box. He had some spy in the office who had told him of
|
||
its existence. He assured me that no harm could come to my
|
||
husband. Put yourself in my position, Mr. Holmes! What was I to do?"
|
||
|
||
"Take your husband into your confidence."
|
||
|
||
"I could not, Mr. Holmes, I could not! On the one side seemed
|
||
certain ruin, on the other, terrible as it seemed to take my
|
||
husband's paper, still in a matter of politics I could not
|
||
understand the consequences, while in a matter of love and trust
|
||
they were only too clear to me. I did it, Mr. Holmes! I took an
|
||
impression of his key. This man, Lucas, furnished a duplicate.
|
||
I opened his despatch-box, took the paper, and conveyed it to
|
||
Godolphin Street."
|
||
|
||
"What happened there, madam?"
|
||
|
||
"I tapped at the door as agreed. Lucas opened it. I followed him
|
||
into his room, leaving the hall door ajar behind me, for I
|
||
feared to be alone with the man. I remember that there was a
|
||
woman outside as I entered. Our business was soon done. He had
|
||
my letter on his desk, I handed him the document. He gave me the
|
||
letter. At this instant there was a sound at the door. There
|
||
were steps in the passage. Lucas quickly turned back the
|
||
drugget, thrust the document into some hiding-place there, and
|
||
covered it over.
|
||
|
||
"What happened after that is like some fearful dream. I have a
|
||
vision of a dark, frantic face, of a woman's voice, which
|
||
screamed in French, `My waiting is not in vain. At last, at last
|
||
I have found you with her!' There was a savage struggle. I saw
|
||
him with a chair in his hand, a knife gleamed in hers. I rushed
|
||
from the horrible scene, ran from the house, and only next
|
||
morning in the paper did I learn the dreadful result. That night
|
||
I was happy, for I had my letter, and I had not seen yet what
|
||
the future would bring.
|
||
|
||
"It was the next morning that I realized that I had only
|
||
exchanged one trouble for another. My husband's anguish at the
|
||
loss of his paper went to my heart. I could hardly prevent
|
||
myself from there and then kneeling down at his feet and telling
|
||
him what I had done. But that again would mean a confession of
|
||
the past. I came to you that morning in order to understand the
|
||
full enormity of my offence. From the instant that I grasped it
|
||
my whole mind was turned to the one thought of getting back my
|
||
husband's paper. It must still be where Lucas had placed it, for
|
||
it was concealed before this dreadful woman entered the room. If
|
||
it had not been for her coming, I should not have known where
|
||
his hiding-place was. How was I to get into the room? For two
|
||
days I watched the place, but the door was never left open. Last
|
||
night I made a last attempt. What I did and how I succeeded, you
|
||
have already learned. I brought the paper back with me, and
|
||
thought of destroying it, since I could see no way of returning
|
||
it without confessing my guilt to my husband. Heavens, I hear
|
||
his step upon the stair!"
|
||
|
||
The European Secretary burst excitedly into the room. "Any
|
||
news, Mr. Holmes, any news?" he cried.
|
||
|
||
"I have some hopes."
|
||
|
||
"Ah, thank heaven!" His face became radiant. "The Prime Minister
|
||
is lunching with me. May he share your hopes? He has nerves of
|
||
steel, and yet I know that he has hardly slept since this
|
||
terrible event. Jacobs, will you ask the Prime Minister to come
|
||
up? As to you, dear, I fear that this is a matter of politics.
|
||
We will join you in a few minutes in the dining-room."
|
||
|
||
The Prime Minister's manner was subdued, but I could see by the
|
||
gleam of his eyes and the twitchings of his bony hands that he
|
||
shared the excitement of his young colleague.
|
||
|
||
"I understand that you have something to report, Mr. Holmes?"
|
||
|
||
"Purely negative as yet," my friend answered. "I have inquired
|
||
at every point where it might be, and I am sure that there is no
|
||
danger to be apprehended."
|
||
|
||
"But that is not enough, Mr. Holmes. We cannot live forever on
|
||
such a volcano. We must have something definite."
|
||
|
||
"I am in hopes of getting it. That is why I am here. The more I
|
||
think of the matter the more convinced I am that the letter has
|
||
never left this house."
|
||
|
||
"Mr. Holmes!"
|
||
|
||
"If it had it would certainly have been public by now."
|
||
|
||
"But why should anyone take it in order to keep it in his house?"
|
||
|
||
"I am not convinced that anyone did take it."
|
||
|
||
"Then how could it leave the despatch-box?"
|
||
|
||
"I am not convinced that it ever did leave the despatch-box."
|
||
|
||
"Mr. Holmes, this joking is very ill-timed. You have my
|
||
assurance that it left the box."
|
||
|
||
"Have you examined the box since Tuesday morning?"
|
||
|
||
"No. It was not necessary."
|
||
|
||
"You may conceivably have overlooked it."
|
||
|
||
"Impossible, I say."
|
||
|
||
"But I am not convinced of it. I have known such things to
|
||
happen. I presume there are other papers there. Well, it may
|
||
have got mixed with them."
|
||
|
||
"It was on the top."
|
||
|
||
"Someone may have shaken the box and displaced it."
|
||
|
||
"No, no, I had everything out."
|
||
|
||
"Surely it is easily, decided, Hope," said the Premier. "Let us
|
||
have the despatch-box brought in."
|
||
|
||
The Secretary rang the bell.
|
||
|
||
"Jacobs, bring down my despatch-box. This is a farcical waste of
|
||
time, but still, if nothing else will satisfy you, it shall be
|
||
done. Thank you, Jacobs, put it here. I have always had the key
|
||
on my watch-chain. Here are the papers, you see. Letter from
|
||
Lord Merrow, report from Sir Charles Hardy, memorandum from
|
||
Belgrade, note on the Russo-German grain taxes, letter from
|
||
Madrid, note from Lord Flowers----Good heavens! what is this?
|
||
Lord Bellinger! Lord Bellinger!"
|
||
|
||
The Premier snatched the blue envelope from his hand.
|
||
|
||
"Yes, it is it--and the letter is intact. Hope, I congratulate you."
|
||
|
||
"Thank you! Thank you! What a weight from my heart. But this is
|
||
inconceivable--impossible. Mr. Holmes, you are a wizard, a
|
||
sorcerer! How did you know it was there?"
|
||
|
||
"Because I knew it was nowhere else."
|
||
|
||
"I cannot believe my eyes!" He ran wildly to the door. "Where is
|
||
my wife? I must tell her that all is well. Hilda! Hilda!" we
|
||
heard his voice on the stairs.
|
||
|
||
The Premier looked at Holmes with twinkling eyes.
|
||
|
||
"Come, sir," said he. "There is more in this than meets the eye.
|
||
How came the letter back in the box?"
|
||
|
||
Holmes turned away smiling from the keen scrutiny of those
|
||
wonderful eyes.
|
||
|
||
"We also have our diplomatic secrets," said he and, picking up
|
||
his hat, he turned to the door.
|
||
|
||
|
||
|
||
|
||
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