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***The Project Gutenberg Etext of Dombey and Son, by Dickens***
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#19 in our series by Charles Dickens
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Dombey and Son
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by Charles Dickens
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February, 1997 [Etext #821]
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***The Project Gutenberg Etext of Dombey and Son, by Dickens***
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Dombey and Son was contributed by:
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Neil McLachlan, nmclachlan@delphi.com
|
|
and Ted Davis, 101515.3105@compuserve.com
|
|
on behalf of the Talking Newspaper of the UK (TNAUK).
|
|
|
|
A Kurzweil flatbed scanner and Xerox Discover software were used to
|
|
produce the raw text files, which were edited using the TSEJR ASCII
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text editor, with a user lexicon specially developed for this purpose.
|
|
Words split at the end of lines have been re-united, maintaining
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hyphenation where appropriate; except for the Prefaces, the text has
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been reformatted to 70 columns.
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*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
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Dombey and Son was contributed by:
|
|
Neil McLachlan, nmclachlan@delphi.com
|
|
and Ted Davis, 101515.3105@compuserve.com
|
|
on behalf of the Talking Newspaper of the UK (TNAUK).
|
|
|
|
Production:
|
|
A Kurzweil flatbed scanner and Xerox Discover software was used to
|
|
produce the raw text files, which were edited using the TSEJR ASCII
|
|
text editor, with a user lexicon specially developed for this purpose.
|
|
Words split at the end of lines have been re-united, maintaining
|
|
hyphenation where appropriate; except for the Prefaces, the text has
|
|
been reformatted to 70 columns.
|
|
|
|
Structure:
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Contents
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Chapters 1 to 62
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Preface of 1848
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Preface of 1867
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Dombey and Son
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by Charles Dickens
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CONTENTS
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1. Dombey and Son
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2. In which Timely Provision is made for an Emergency that
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will sometimes arise in the best-regulated Families
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3. In which Mr Dombey, as a Man and a Father, is seen at the
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Head of the Home-Department
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4. In which some more First Appearances are made on the
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Stage of these Adventures
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5. Paul's Progress and Christening
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6. Paul's Second Deprivation
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7. A Bird's-eye Glimpse of Miss Tox's Dwelling-place; also
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of the State of Miss Tox's Affections
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8. Paul's further Progress, Growth, and Character
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9. In which the Wooden Midshipman gets into Trouble
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10. Containing the Sequel of the Midshipman's Disaster
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11. Paul's Introduction to a New Scene
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12. Paul's Education
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13. Shipping Intelligence and Office Business
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14. Paul grows more and more Old-fashioned, and goes Home
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for the holidays
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15. Amazing Artfulness of Captain Cuttle, and a new Pursuit
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for Walter Gay
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16. What the Waves were always saying
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17. Captain Cuttle does a little Business for the Young people
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18. Father and Daughter
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19. Walter goes away
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20. Mr Dombey goes upon a journey
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21. New Faces
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22. A Trifle of Management by Mr Carker the Manager
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23. Florence solitary, and the Midshipman mysterious
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24. The Study of a Loving Heart
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25. Strange News of Uncle Sol
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26. Shadows of the Past and Future
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27. Deeper shadows
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28. Alterations
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29. The Opening of the Eyes of Mrs Chick
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30. The Interval before the Marriage
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31. The Wedding
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32. The Wooden Midshipman goes to Pieces
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33. Contrasts
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34. Another Mother and Daughter
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35. The Happy Pair
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36. Housewarming
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37. More Warnings than One
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38. Miss Tox improves an Old Acquaintance
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39. Further Adventures of Captain Edward Cuttle, Mariner
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40. Domestic Relations
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41. New Voices in the Waves
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42. Confidential and Accidental
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43. The Watches of the Night
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44. A Separation
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45. The Trusty Agent
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46. Recognizant and Reflective
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47. The Thunderbolt
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48. The Flight of Florence
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49. The Midshipman makes a Discovery
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50. Mr Toots's Complaint
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51. Mr Dombey and the World
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52. Secret Intelligence
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53. More Intelligence
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54. The Fugitives
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55. Rob the Grinder loses his Place
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56. Several People delighted, and the Game Chicken disgusted
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57. Another Wedding
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58. After a Lapse
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59. Retribution
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60. Chiefly Matrimonial
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61. Relenting
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62. Final
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CHAPTER 1.
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Dombey and Son
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Dombey sat in the corner of the darkened room in the great
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arm-chair by the bedside, and Son lay tucked up warm in a little
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basket bedstead, carefully disposed on a low settee immediately in
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front of the fire and close to it, as if his constitution were
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analogous to that of a muffin, and it was essential to toast him brown
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while he was very new.
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Dombey was about eight-and-forty years of age. Son about
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eight-and-forty minutes. Dombey was rather bald, rather red, and
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though a handsome well-made man, too stern and pompous in appearance,
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to be prepossessing. Son was very bald, and very red, and though (of
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course) an undeniably fine infant, somewhat crushed and spotty in his
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general effect, as yet. On the brow of Dombey, Time and his brother
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Care had set some marks, as on a tree that was to come down in good
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time - remorseless twins they are for striding through their human
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forests, notching as they go - while the countenance of Son was
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crossed with a thousand little creases, which the same deceitful Time
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would take delight in smoothing out and wearing away with the flat
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part of his scythe, as a preparation of the surface for his deeper
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operations.
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Dombey, exulting in the long-looked-for event, jingled and jingled
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the heavy gold watch-chain that depended from below his trim blue
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coat, whereof the buttons sparkled phosphorescently in the feeble rays
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of the distant fire. Son, with his little fists curled up and
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clenched, seemed, in his feeble way, to be squaring at existence for
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having come upon him so unexpectedly.
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'The House will once again, Mrs Dombey,' said Mr Dombey, 'be not
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only in name but in fact Dombey and Son;' and he added, in a tone of
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luxurious satisfaction, with his eyes half-closed as if he were
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reading the name in a device of flowers, and inhaling their fragrance
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at the same time; 'Dom-bey and Son!'
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The words had such a softening influence, that he appended a term
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of endearment to Mrs Dombey's name (though not without some
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hesitation, as being a man but little used to that form of address):
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and said, 'Mrs Dombey, my - my dear.'
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A transient flush of faint surprise overspread the sick lady's face
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as she raised her eyes towards him.
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'He will be christened Paul, my - Mrs Dombey - of course.'
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She feebly echoed, 'Of course,' or rather expressed it by the
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motion of her lips, and closed her eyes again.
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'His father's name, Mrs Dombey, and his grandfather's! I wish his
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|
grandfather were alive this day! There is some inconvenience in the
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|
necessity of writing Junior,' said Mr Dombey, making a fictitious
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|
autograph on his knee; 'but it is merely of a private and personal
|
|
complexion. It doesn't enter into the correspondence of the House. Its
|
|
signature remains the same.' And again he said 'Dombey and Son, in
|
|
exactly the same tone as before.
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|
Those three words conveyed the one idea of Mr Dombey's life. The
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|
earth was made for Dombey and Son to trade in, and the sun and moon
|
|
were made to give them light. Rivers and seas were formed to float
|
|
their ships; rainbows gave them promise of fair weather; winds blew
|
|
for or against their enterprises; stars and planets circled in their
|
|
orbits, to preserve inviolate a system of which they were the centre.
|
|
Common abbreviations took new meanings in his eyes, and had sole
|
|
reference to them. A. D. had no concern with Anno Domini, but stood
|
|
for anno Dombey - and Son.
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He had risen, as his father had before him, in the course of life
|
|
and death, from Son to Dombey, and for nearly twenty years had been
|
|
the sole representative of the Firm. Of those years he had been
|
|
married, ten - married, as some said, to a lady with no heart to give
|
|
him; whose happiness was in the past, and who was content to bind her
|
|
broken spirit to the dutiful and meek endurance of the present. Such
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|
idle talk was little likely to reach the ears of Mr Dombey, whom it
|
|
nearly concerned; and probably no one in the world would have received
|
|
it with such utter incredulity as he, if it had reached him. Dombey
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|
and Son had often dealt in hides, but never in hearts. They left that
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|
fancy ware to boys and girls, and boarding-schools and books. Mr
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|
Dombey would have reasoned: That a matrimonial alliance with himself
|
|
must, in the nature of things, be gratifying and honourable to any
|
|
woman of common sense. That the hope of giving birth to a new partner
|
|
in such a House, could not fail to awaken a glorious and stirring
|
|
ambition in the breast of the least ambitious of her sex. That Mrs
|
|
Dombey had entered on that social contract of matrimony: almost
|
|
necessarily part of a genteel and wealthy station, even without
|
|
reference to the perpetuation of family Firms: with her eyes fully
|
|
open to these advantages. That Mrs Dombey had had daily practical
|
|
knowledge of his position in society. That Mrs Dombey had always sat
|
|
at the head of his table, and done the honours of his house in a
|
|
remarkably lady-like and becoming manner. That Mrs Dombey must have
|
|
been happy. That she couldn't help it.
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|
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|
Or, at all events, with one drawback. Yes. That he would have
|
|
allowed. With only one; but that one certainly involving much. With
|
|
the drawback of hope deferred. That hope deferred, which, (as the
|
|
Scripture very correctly tells us, Mr Dombey would have added in a
|
|
patronising way; for his highest distinct idea even of Scripture, if
|
|
examined, would have been found to be; that as forming part of a
|
|
general whole, of which Dombey and Son formed another part, it was
|
|
therefore to be commended and upheld) maketh the heart sick. They had
|
|
been married ten years, and until this present day on which Mr Dombey
|
|
sat jingling and jingling his heavy gold watch-chain in the great
|
|
arm-chair by the side of the bed, had had no issue.
|
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|
|
- To speak of; none worth mentioning. There had been a girl some
|
|
six years before, and the child, who had stolen into the chamber
|
|
unobserved, was now crouching timidly, in a corner whence she could
|
|
see her mother's face. But what was a girl to Dombey and Son! In the
|
|
capital of the House's name and dignity, such a child was merely a
|
|
piece of base coin that couldn't be invested - a bad Boy - nothing
|
|
more.
|
|
|
|
Mr Dombey's cup of satisfaction was so full at this moment,
|
|
however, that he felt he could afford a drop or two of its contents,
|
|
even to sprinkle on the dust in the by-path of his little daughter.
|
|
|
|
So he said, 'Florence, you may go and look at your pretty brother,
|
|
if you lIke, I daresay. Don't touch him!'
|
|
|
|
The child glanced keenly at the blue coat and stiff white cravat,
|
|
which, with a pair of creaking boots and a very loud ticking watch,
|
|
embodied her idea of a father; but her eyes returned to her mother's
|
|
face immediately, and she neither moved nor answered.
|
|
|
|
'Her insensibility is as proof against a brother as against every
|
|
thing else,' said Mr Dombey to himself He seemed so confirmed in a
|
|
previous opinion by the discovery, as to be quite glad of it'
|
|
|
|
Next moment, the lady had opened her eyes and seen the child; and
|
|
the child had run towards her; and, standing on tiptoe, the better to
|
|
hide her face in her embrace, had clung about her with a desperate
|
|
affection very much at variance with her years.
|
|
|
|
'Oh Lord bless me!' said Mr Dombey, rising testily. 'A very
|
|
illadvised and feverish proceeding this, I am sure. Please to ring
|
|
there for Miss Florence's nurse. Really the person should be more
|
|
care-'
|
|
|
|
'Wait! I - had better ask Doctor Peps if he'll have the goodness to
|
|
step upstairs again perhaps. I'll go down. I'll go down. I needn't beg
|
|
you,' he added, pausing for a moment at the settee before the fire,
|
|
'to take particular care of this young gentleman, Mrs - '
|
|
|
|
'Blockitt, Sir?' suggested the nurse, a simpering piece of faded
|
|
gentility, who did not presume to state her name as a fact, but merely
|
|
offered it as a mild suggestion.
|
|
|
|
'Of this young gentleman, Mrs Blockitt.'
|
|
|
|
'No, Sir, indeed. I remember when Miss Florence was born - '
|
|
|
|
'Ay, ay, ay,' said Mr Dombey, bending over the basket bedstead, and
|
|
slightly bending his brows at the same time. 'Miss Florence was all
|
|
very well, but this is another matter. This young gentleman has to
|
|
accomplish a destiny. A destiny, little fellow!' As he thus
|
|
apostrophised the infant he raised one of his hands to his lips, and
|
|
kissed it; then, seeming to fear that the action involved some
|
|
compromise of his dignity, went, awkwardly enough, away.
|
|
|
|
Doctor Parker Peps, one of the Court Physicians, and a man of
|
|
immense reputation for assisting at the increase of great families,
|
|
was walking up and down the drawing-room with his hands behind him, to
|
|
the unspeakable admiration of the family Surgeon, who had regularly
|
|
puffed the case for the last six weeks, among all his patients,
|
|
friends, and acquaintances, as one to which he was in hourly
|
|
expectation day and night of being summoned, in conjunction with
|
|
Doctor Parker Pep.
|
|
|
|
'Well, Sir,' said Doctor Parker Peps in a round, deep, sonorous
|
|
voice, muffled for the occasion, like the knocker; 'do you find that
|
|
your dear lady is at all roused by your visit?'
|
|
|
|
'Stimulated as it were?' said the family practitioner faintly:
|
|
bowing at the same time to the Doctor, as much as to say, 'Excuse my
|
|
putting in a word, but this is a valuable connexion.'
|
|
|
|
Mr Dombey was quite discomfited by the question. He had thought so
|
|
little of the patient, that he was not in a condition to answer it. He
|
|
said that it would be a satisfaction to him, if Doctor Parker Peps
|
|
would walk upstairs again.
|
|
|
|
'Good! We must not disguise from you, Sir,' said Doctor Parker
|
|
Peps, 'that there is a want of power in Her Grace the Duchess - I beg
|
|
your pardon; I confound names; I should say, in your amiable lady.
|
|
That there is a certain degree of languor, and a general absence of
|
|
elasticity, which we would rather - not -
|
|
|
|
'See,' interposed the family practitioner with another inclination
|
|
of the head.
|
|
|
|
'Quite so,' said Doctor Parker Peps,' which we would rather not
|
|
see. It would appear that the system of Lady Cankaby - excuse me: I
|
|
should say of Mrs Dombey: I confuse the names of cases - '
|
|
|
|
'So very numerous,' murmured the family practitioner - 'can't be
|
|
expected I'm sure - quite wonderful if otherwise - Doctor Parker
|
|
Peps's West-End practice - '
|
|
|
|
'Thank you,' said the Doctor, 'quite so. It would appear, I was
|
|
observing, that the system of our patient has sustained a shock, from
|
|
which it can only hope to rally by a great and strong - '
|
|
|
|
'And vigorous,' murmured the family practitioner.
|
|
|
|
'Quite so,' assented the Doctor - 'and vigorous effort. Mr Pilkins
|
|
here, who from his position of medical adviser in this family - no one
|
|
better qualified to fill that position, I am sure.'
|
|
|
|
'Oh!' murmured the family practitioner. '"Praise from Sir Hubert
|
|
Stanley!"'
|
|
|
|
'You are good enough,' returned Doctor Parker Peps, 'to say so. Mr
|
|
Pilkins who, from his position, is best acquainted with the patient's
|
|
constitution in its normal state (an acquaintance very valuable to us
|
|
in forming our opinions in these occasions), is of opinion, with me,
|
|
that Nature must be called upon to make a vigorous effort in this
|
|
instance; and that if our interesting friend the Countess of Dombey -
|
|
I beg your pardon; Mrs Dombey - should not be - '
|
|
|
|
'Able,' said the family practitioner.
|
|
|
|
'To make,' said Doctor Parker Peps.
|
|
|
|
'That effort,' said the family practitioner.
|
|
|
|
'Successfully,' said they both together.
|
|
|
|
'Then,' added Doctor Parker Peps, alone and very gravely, a crisis
|
|
might arise, which we should both sincerely deplore.'
|
|
|
|
With that, they stood for a few seconds looking at the ground.
|
|
Then, on the motion - made in dumb show - of Doctor Parker Peps, they
|
|
went upstairs; the family practitioner opening the room door for that
|
|
distinguished professional, and following him out, with most
|
|
obsequious politeness.
|
|
|
|
To record of Mr Dombey that he was not in his way affected by this
|
|
intelligence, would be to do him an injustice. He was not a man of
|
|
whom it could properly be said that he was ever startled, or shocked;
|
|
but he certainly had a sense within him, that if his wife should
|
|
sicken and decay, he would be very sorry, and that he would find a
|
|
something gone from among his plate and furniture, and other household
|
|
possessions, which was well worth the having, and could not be lost
|
|
without sincere regret. Though it would be a cool,. business-like,
|
|
gentlemanly, self-possessed regret, no doubt.
|
|
|
|
His meditations on the subject were soon interrupted, first by the
|
|
rustling of garments on the staircase, and then by the sudden whisking
|
|
into the room of a lady rather past the middle age than otherwise but
|
|
dressed in a very juvenile manner, particularly as to the tightness of
|
|
her bodice, who, running up to him with a kind of screw in her face
|
|
and carriage, expressive of suppressed emotion, flung her arms around
|
|
his neck, and said, in a choking voice,
|
|
|
|
'My dear Paul! He's quite a Dombey!'
|
|
|
|
'Well, well!' returned her brother - for Mr Dombey was her brother
|
|
- 'I think he is like the family. Don't agitate yourself, Louisa.'
|
|
|
|
'It's very foolish of me,' said Louisa, sitting down, and taking
|
|
out her pocket~handkerchief, 'but he's - he's such a perfect Dombey!'
|
|
|
|
Mr Dombey coughed.
|
|
|
|
'It's so extraordinary,' said Louisa; smiling through her tears,
|
|
which indeed were not overpowering, 'as to be perfectly ridiculous. So
|
|
completely our family. I never saw anything like it in my life!'
|
|
|
|
'But what is this about Fanny, herself?' said Mr Dombey. 'How is
|
|
Fanny?'
|
|
|
|
'My dear Paul,' returned Louisa, 'it's nothing whatever. Take my
|
|
word, it's nothing whatever. There is exhaustion, certainly, but
|
|
nothing like what I underwent myself, either with George or Frederick.
|
|
An effort is necessary. That's all. If dear Fanny were a Dombey! - But
|
|
I daresay she'll make it; I have no doubt she'll make it. Knowing it
|
|
to be required of her, as a duty, of course she'll make it. My dear
|
|
Paul, it's very weak and silly of me, I know, to be so trembly and
|
|
shaky from head to foot; but I am so very queer that I must ask you
|
|
for a glass of wine and a morsel of that cake.'
|
|
|
|
Mr Dombey promptly supplied her with these refreshments from a tray
|
|
on the table.
|
|
|
|
'I shall not drink my love to you, Paul,' said Louisa: 'I shall
|
|
drink to the little Dombey. Good gracious me! - it's the most
|
|
astonishing thing I ever knew in all my days, he's such a perfect
|
|
Dombey.'
|
|
|
|
Quenching this expression of opinion in a short hysterical laugh
|
|
which terminated in tears, Louisa cast up her eyes, and emptied her
|
|
glass.
|
|
|
|
'I know it's very weak and silly of me,' she repeated, 'to be so
|
|
trembly and shaky from head to foot, and to allow my feelings so
|
|
completely to get the better of me, but I cannot help it. I thought I
|
|
should have fallen out of the staircase window as I came down from
|
|
seeing dear Fanny, and that tiddy ickle sing.' These last words
|
|
originated in a sudden vivid reminiscence of the baby.
|
|
|
|
They were succeeded by a gentle tap at the door.
|
|
|
|
'Mrs Chick,' said a very bland female voice outside, 'how are you
|
|
now, my dear friend?'
|
|
|
|
'My dear Paul,' said Louisa in a low voice, as she rose from her
|
|
seat, 'it's Miss Tox. The kindest creature! I never could have got
|
|
here without her! Miss Tox, my brother Mr Dombey. Paul, my dear, my
|
|
very particular friend Miss Tox.'
|
|
|
|
The lady thus specially presented, was a long lean figure, wearing
|
|
such a faded air that she seemed not to have been made in what
|
|
linen-drapers call 'fast colours' originally, and to have, by little
|
|
and little, washed out. But for this she might have been described as
|
|
the very pink of general propitiation and politeness. From a long
|
|
habit of listening admiringly to everything that was said in her
|
|
presence, and looking at the speakers as if she were mentally engaged
|
|
in taking off impressions of their images upon her soul, never to part
|
|
with the same but with life, her head had quite settled on one side.
|
|
Her hands had contracted a spasmodic habit of raising themselves of
|
|
their own accord as in involuntary admiration. Her eyes were liable to
|
|
a similar affection. She had the softest voice that ever was heard;
|
|
and her nose, stupendously aquiline, had a little knob in the very
|
|
centre or key-stone of the bridge, whence it tended downwards towards
|
|
her face, as in an invincible determination never to turn up at
|
|
anything.
|
|
|
|
Miss Tox's dress, though perfectly genteel and good, had a certain
|
|
character of angularity and scantiness. She was accustomed to wear odd
|
|
weedy little flowers in her bonnets and caps. Strange grasses were
|
|
sometimes perceived in her hair; and it was observed by the curious,
|
|
of all her collars, frills, tuckers, wristbands, and other gossamer
|
|
articles - indeed of everything she wore which had two ends to it
|
|
intended to unite - that the two ends were never on good terms, and
|
|
wouldn't quite meet without a struggle. She had furry articles for
|
|
winter wear, as tippets, boas, and muffs, which stood up on end in
|
|
rampant manner, and were not at all sleek. She was much given to the
|
|
carrying about of small bags with snaps to them, that went off like
|
|
little pistols when they were shut up; and when full-dressed, she wore
|
|
round her neck the barrenest of lockets, representing a fishy old eye,
|
|
with no approach to speculation in it. These and other appearances of
|
|
a similar nature, had served to propagate the opinion, that Miss Tox
|
|
was a lady of what is called a limited independence, which she turned
|
|
to the best account. Possibly her mincing gait encouraged the belief,
|
|
and suggested that her clipping a step of ordinary compass into two or
|
|
three, originated in her habit of making the most of everything.
|
|
|
|
'I am sure,' said Miss Tox, with a prodigious curtsey, 'that to
|
|
have the honour of being presented to Mr Dombey is a distinction which
|
|
I have long sought, but very little expected at the present moment. My
|
|
dear Mrs Chick - may I say Louisa!'
|
|
|
|
Mrs Chick took Miss Tox's hand in hers, rested the foot of her
|
|
wine-glass upon it, repressed a tear, and said in a low voice, 'God
|
|
bless you!'
|
|
|
|
'My dear Louisa then,' said Miss Tox, 'my sweet friend, how are you
|
|
now?'
|
|
|
|
'Better,' Mrs Chick returned. 'Take some wine. You have been almost
|
|
as anxious as I have been, and must want it, I am sure.'
|
|
|
|
Mr Dombey of course officiated, and also refilled his sister's
|
|
glass, which she (looking another way, and unconscious of his
|
|
intention) held straight and steady the while, and then regarded with
|
|
great astonishment, saying, 'My dear Paul, what have you been doing!'
|
|
|
|
'Miss Tox, Paul,' pursued Mrs Chick, still retaining her hand,
|
|
'knowing how much I have been interested in the anticipation of the
|
|
event of to-day, and how trembly and shaky I have been from head to
|
|
foot in expectation of it, has been working at a little gift for
|
|
Fanny, which I promised to present. Miss Tox is ingenuity itself.'
|
|
|
|
'My dear Louisa,' said Miss Tox. 'Don't say so.
|
|
|
|
'It is only a pincushion for the toilette table, Paul,' resumed his
|
|
sister; 'one of those trifles which are insignificant to your sex in
|
|
general, as it's very natural they should be - we have no business to
|
|
expect they should be otherwise - but to which we attach some
|
|
interest.
|
|
|
|
'Miss Tox is very good,' said Mr Dombey.
|
|
|
|
'And I do say, and will say, and must say,' pursued his sister,
|
|
pressing the foot of the wine-glass on Miss Tox's hand, at each of the
|
|
three clauses, 'that Miss Tox has very prettily adapted the sentiment
|
|
to the occasion. I call "Welcome little Dombey" Poetry, myself!'
|
|
|
|
'Is that the device?' inquired her brother.
|
|
|
|
'That is the device,' returned Louisa.
|
|
|
|
'But do me the justice to remember, my dear Louisa,' said Miss
|
|
Toxin a tone of low and earnest entreaty, 'that nothing but the - I
|
|
have some difficulty in expressing myself - the dubiousness of the
|
|
result would have induced me to take so great a liberty: "Welcome,
|
|
Master Dombey," would have been much more congenial to my feelings, as
|
|
I am sure you know. But the uncertainty attendant on angelic
|
|
strangers, will, I hope, excuse what must otherwise appear an
|
|
unwarrantable familiarity.' Miss Tox made a graceful bend as she
|
|
spoke, in favour of Mr Dombey, which that gentleman graciously
|
|
acknowledged. Even the sort of recognition of Dombey and Son, conveyed
|
|
in the foregoing conversation, was so palatable to him, that his
|
|
sister, Mrs Chick - though he affected to consider her a weak
|
|
good-natured person - had perhaps more influence over him than anybody
|
|
else.
|
|
|
|
'My dear Paul,' that lady broke out afresh, after silently
|
|
contemplating his features for a few moments, 'I don't know whether to
|
|
laugh or cry when I look at you, I declare, you do so remind me of
|
|
that dear baby upstairs.'
|
|
|
|
'Well!' said Mrs Chick, with a sweet smile, 'after this, I forgive
|
|
Fanny everything!'
|
|
|
|
It was a declaration in a Christian spirit, and Mrs Chick felt that
|
|
it did her good. Not that she had anything particular to forgive in
|
|
her sister-in-law, nor indeed anything at all, except her having
|
|
married her brother - in itself a species of audacity - and her
|
|
having, in the course of events, given birth to a girl instead of a
|
|
boy: which, as Mrs Chick had frequently observed, was not quite what
|
|
she had expected of her, and was not a pleasant return for all the
|
|
attention and distinction she had met with.
|
|
|
|
Mr Dombey being hastily summoned out of the room at this moment,
|
|
the two ladies were left alone together. Miss Tox immediately became
|
|
spasmodic.
|
|
|
|
'I knew you would admire my brother. I told you so beforehand, my
|
|
dear,' said Louisa. Miss Tox's hands and eyes expressed how much. 'And
|
|
as to his property, my dear!'
|
|
|
|
'Ah!' said Miss Tox, with deep feeling. 'Im-mense!'
|
|
|
|
'But his deportment, my dear Louisa!' said Miss Tox. 'His presence!
|
|
His dignity! No portrait that I have ever seen of anyone has been half
|
|
so replete with those qualities. Something so stately, you know: so
|
|
uncompromising: so very wide across the chest: so upright! A pecuniary
|
|
Duke of York, my love, and nothing short of it!' said Miss Tox.
|
|
'That's what I should designate him.'
|
|
|
|
'Why, my dear Paul!' exclaimed his sister, as he returned, 'you
|
|
look quite pale! There's nothing the matter?'
|
|
|
|
'I am sorry to say, Louisa, that they tell me that Fanny - '
|
|
|
|
'Now, my dear Paul,' returned his sister rising, 'don't believe it.
|
|
Do not allow yourself to receive a turn unnecessarily. Remember of
|
|
what importance you are to society, and do not allow yourself to be
|
|
worried by what is so very inconsiderately told you by people who
|
|
ought to know better. Really I'm surprised at them.'
|
|
|
|
'I hope I know, Louisa,' said Mr Dombey, stiffly, 'how to bear
|
|
myself before the world.'
|
|
|
|
'Nobody better, my dear Paul. Nobody half so well. They would be
|
|
ignorant and base indeed who doubted it.'
|
|
|
|
'Ignorant and base indeed!' echoed Miss Tox softly.
|
|
|
|
'But,' pursued Louisa, 'if you have any reliance on my experience,
|
|
Paul, you may rest assured that there is nothing wanting but an effort
|
|
on Fanny's part. And that effort,' she continued, taking off her
|
|
bonnet, and adjusting her cap and gloves, in a business-like manner,
|
|
'she must be encouraged, and really, if necessary, urged to make. Now,
|
|
my dear Paul, come upstairs with me.'
|
|
|
|
Mr Dombey, who, besides being generally influenced by his sister
|
|
for the reason already mentioned, had really faith in her as an
|
|
experienced and bustling matron, acquiesced; and followed her, at
|
|
once, to the sick chamber.
|
|
|
|
The lady lay upon her bed as he had left her, clasping her little
|
|
daughter to her breast. The child clung close about her, with the same
|
|
intensity as before, and never raised her head, or moved her soft
|
|
cheek from her mother's face, or looked on those who stood around, or
|
|
spoke, or moved, or shed a tear.
|
|
|
|
'Restless without the little girl,' the Doctor whispered Mr Dombey.
|
|
'We found it best to have her in again.'
|
|
|
|
'Can nothing be done?' asked Mr Dombey.
|
|
|
|
The Doctor shook his head. 'We can do no more.'
|
|
|
|
The windows stood open, and the twilight was gathering without.
|
|
|
|
The scent of the restoratives that had been tried was pungent in
|
|
the room, but had no fragrance in the dull and languid air the lady
|
|
breathed.
|
|
|
|
There was such a solemn stillness round the bed; and the two
|
|
medical attendants seemed to look on the impassive form with so much
|
|
compassion and so little hope, that Mrs Chick was for the moment
|
|
diverted from her purpose. But presently summoning courage, and what
|
|
she called presence of mind, she sat down by the bedside, and said in
|
|
the low precise tone of one who endeavours to awaken a sleeper:
|
|
|
|
'Fanny! Fanny!'
|
|
|
|
There was no sound in answer but the loud ticking of Mr Dombey's
|
|
watch and Doctor Parker Peps's watch, which seemed in the silence to
|
|
be running a race.
|
|
|
|
'Fanny, my dear,' said Mrs Chick, with assumed lightness, 'here's
|
|
Mr Dombey come to see you. Won't you speak to him? They want to lay
|
|
your little boy - the baby, Fanny, you know; you have hardly seen him
|
|
yet, I think - in bed; but they can't till you rouse yourself a
|
|
little. Don't you think it's time you roused yourself a little? Eh?'
|
|
|
|
She bent her ear to the bed, and listened: at the same time looking
|
|
round at the bystanders, and holding up her finger.
|
|
|
|
'Eh?' she repeated, 'what was it you said, Fanny? I didn't hear
|
|
you.'
|
|
|
|
No word or sound in answer. Mr Dombey's watch and Dr Parker Peps's
|
|
watch seemed to be racing faster.
|
|
|
|
'Now, really, Fanny my dear,' said the sister-in-law, altering her
|
|
position, and speaking less confidently, and more earnestly, in spite
|
|
of herself, 'I shall have to be quite cross with you, if you don't
|
|
rouse yourself. It's necessary for you to make an effort, and perhaps
|
|
a very great and painful effort which you are not disposed to make;
|
|
but this is a world of effort you know, Fanny, and we must never
|
|
yield, when so much depends upon us. Come! Try! I must really scold
|
|
you if you don't!'
|
|
|
|
The race in the ensuing pause was fierce and furious. The watches
|
|
seemed to jostle, and to trip each other up.
|
|
|
|
'Fanny!' said Louisa, glancing round, with a gathering alarm. 'Only
|
|
look at me. Only open your eyes to show me that you hear and
|
|
understand me; will you? Good Heaven, gentlemen, what is to be done!'
|
|
|
|
The two medical attendants exchanged a look across the bed; and the
|
|
Physician, stooping down, whispered in the child's ear. Not having
|
|
understood the purport of his whisper, the little creature turned her
|
|
perfectly colourless face and deep dark eyes towards him; but without
|
|
loosening her hold in the least
|
|
|
|
The whisper was repeated.
|
|
|
|
'Mama!' said the child.
|
|
|
|
The little voice, familiar and dearly loved, awakened some show of
|
|
consciousness, even at that ebb. For a moment, the closed eye lids
|
|
trembled, and the nostril quivered, and the faintest shadow of a smile
|
|
was seen.
|
|
|
|
'Mama!' cried the child sobbing aloud. 'Oh dear Mama! oh dear
|
|
Mama!'
|
|
|
|
The Doctor gently brushed the scattered ringlets of the child,
|
|
aside from the face and mouth of the mother. Alas how calm they lay
|
|
there; how little breath there was to stir them!
|
|
|
|
Thus, clinging fast to that slight spar within her arms, the mother
|
|
drifted out upon the dark and unknown sea that rolls round all the
|
|
world.
|
|
|
|
CHAPTER 2.
|
|
|
|
In which Timely Provision is made for an Emergency that
|
|
will sometimes arise in the best-regulated Families
|
|
|
|
'I shall never cease to congratulate myself,' said Mrs Chick,' on
|
|
having said, when I little thought what was in store for us, - really
|
|
as if I was inspired by something, - that I forgave poor dear Fanny
|
|
everything. Whatever happens, that must always be a comfort to me!'
|
|
|
|
Mrs Chick made this impressive observation in the drawing-room,
|
|
after having descended thither from the inspection of the
|
|
mantua-makers upstairs, who were busy on the family mourning. She
|
|
delivered it for the behoof of Mr Chick, who was a stout bald
|
|
gentleman, with a very large face, and his hands continually in his
|
|
pockets, and who had a tendency in his nature to whistle and hum
|
|
tunes, which, sensible of the indecorum of such sounds in a house of
|
|
grief, he was at some pains to repress at present.
|
|
|
|
'Don't you over-exert yourself, Loo,' said Mr Chick, 'or you'll be
|
|
laid up with spasms, I see. Right tol loor rul! Bless my soul, I
|
|
forgot! We're here one day and gone the next!'
|
|
|
|
Mrs Chick contented herself with a glance of reproof, and then
|
|
proceeded with the thread of her discourse.
|
|
|
|
'I am sure,' she said, 'I hope this heart-rending occurrence will
|
|
be a warning to all of us, to accustom ourselves to rouse ourselves,
|
|
and to make efforts in time where they're required of us. There's a
|
|
moral in everything, if we would only avail ourselves of it. It will
|
|
be our own faults if we lose sight of this one.'
|
|
|
|
Mr Chick invaded the grave silence which ensued on this remark with
|
|
the singularly inappropriate air of 'A cobbler there was;' and
|
|
checking himself, in some confusion, observed, that it was undoubtedly
|
|
our own faults if we didn't improve such melancholy occasions as the
|
|
present.
|
|
|
|
'Which might be better improved, I should think, Mr C.,' retorted
|
|
his helpmate, after a short pause, 'than by the introduction, either
|
|
of the college hornpipe, or the equally unmeaning and unfeeling remark
|
|
of rump-te-iddity, bow-wow-wow!' - which Mr Chick had indeed indulged
|
|
in, under his breath, and which Mrs Chick repeated in a tone of
|
|
withering scorn.
|
|
|
|
'Merely habit, my dear,' pleaded Mr Chick.
|
|
|
|
'Nonsense! Habit!' returned his wife. 'If you're a rational being,
|
|
don't make such ridiculous excuses. Habit! If I was to get a habit (as
|
|
you call it) of walking on the ceiling, like the flies, I should hear
|
|
enough of it, I daresay.
|
|
|
|
It appeared so probable that such a habit might be attended with
|
|
some degree of notoriety, that Mr Chick didn't venture to dispute the
|
|
position.
|
|
|
|
'Bow-wow-wow!' repeated Mrs Chick with an emphasis of blighting
|
|
contempt on the last syllable. 'More like a professional singer with
|
|
the hydrophobia, than a man in your station of life!'
|
|
|
|
'How's the Baby, Loo?' asked Mr Chick: to change the subject.
|
|
|
|
'What Baby do you mean?' answered Mrs Chick.
|
|
|
|
'The poor bereaved little baby,' said Mr Chick. 'I don't know of
|
|
any other, my dear.'
|
|
|
|
'You don't know of any other,'retorted Mrs Chick. 'More shame for
|
|
you, I was going to say.
|
|
|
|
Mr Chick looked astonished.
|
|
|
|
'I am sure the morning I have had, with that dining-room
|
|
downstairs, one mass of babies, no one in their senses would believe.'
|
|
|
|
'One mass of babies!' repeated Mr Chick, staring with an alarmed
|
|
expression about him.
|
|
|
|
'It would have occurred to most men,' said Mrs Chick, 'that poor
|
|
dear Fanny being no more, - those words of mine will always be a balm
|
|
and comfort to me,' here she dried her eyes; 'it becomes necessary to
|
|
provide a Nurse.'
|
|
|
|
'Oh! Ah!' said Mr Chick. 'Toor-ru! - such is life, I mean. I hope
|
|
you are suited, my dear.'
|
|
|
|
'Indeed I am not,' said Mrs Chick; 'nor likely to be, so far as I
|
|
can see, and in the meantime the poor child seems likely to be starved
|
|
to death. Paul is so very particular - naturally so, of course, having
|
|
set his whole heart on this one boy - and there are so many objections
|
|
to everybody that offers, that I don't see, myself, the least chance
|
|
of an arrangement. Meanwhile, of course, the child is - '
|
|
|
|
'Going to the Devil,' said Mr Chick, thoughtfully, 'to be sure.'
|
|
|
|
Admonished, however, that he had committed himself, by the
|
|
indignation expressed in Mrs Chick's countenance at the idea of a
|
|
Dombey going there; and thinking to atone for his misconduct by a
|
|
bright suggestion, he added:
|
|
|
|
'Couldn't something temporary be done with a teapot?'
|
|
|
|
If he had meant to bring the subject prematurely to a close, he
|
|
could not have done it more effectually. After looking at him for some
|
|
moments in silent resignation, Mrs Chick said she trusted he hadn't
|
|
said it in aggravation, because that would do very little honour to
|
|
his heart. She trusted he hadn't said it seriously, because that would
|
|
do very little honour to his head. As in any case, he couldn't,
|
|
however sanguine his disposition, hope to offer a remark that would be
|
|
a greater outrage on human nature in general, we would beg to leave
|
|
the discussion at that point.
|
|
|
|
Mrs Chick then walked majestically to the window and peeped through
|
|
the blind, attracted by the sound of wheels. Mr Chick, finding that
|
|
his destiny was, for the time, against him, said no more, and walked
|
|
off. But it was not always thus with Mr Chick. He was often in the
|
|
ascendant himself, and at those times punished Louisa roundly. In
|
|
their matrimonial bickerings they were, upon the whole, a
|
|
well-matched, fairly-balanced, give-and-take couple. It would have
|
|
been, generally speaking, very difficult to have betted on the winner.
|
|
Often when Mr Chick seemed beaten, he would suddenly make a start,
|
|
turn the tables, clatter them about the ears of Mrs Chick, and carry
|
|
all before him. Being liable himself to similar unlooked for checks
|
|
from Mrs Chick, their little contests usually possessed a character of
|
|
uncertainty that was very animating.
|
|
|
|
Miss Tox had arrived on the wheels just now alluded to, and came
|
|
running into the room in a breathless condition. 'My dear Louisa,'said
|
|
Miss Tox, 'is the vacancy still unsupplied?'
|
|
|
|
'You good soul, yes,' said Mrs Chick.
|
|
|
|
'Then, my dear Louisa,' returned Miss Tox, 'I hope and believe -
|
|
but in one moment, my dear, I'll introduce the party.'
|
|
|
|
Running downstairs again as fast as she had run up, Miss Tox got
|
|
the party out of the hackney-coach, and soon returned with it under
|
|
convoy.
|
|
|
|
It then appeared that she had used the word, not in its legal or
|
|
business acceptation, when it merely expresses an individual, but as a
|
|
noun of multitude, or signifying many: for Miss Tox escorted a plump
|
|
rosy-cheeked wholesome apple-faced young woman, with an infant in her
|
|
arms; a younger woman not so plump, but apple-faced also, who led a
|
|
plump and apple-faced child in each hand; another plump and also
|
|
apple-faced boy who walked by himself; and finally, a plump and
|
|
apple-faced man, who carried in his arms another plump and apple-faced
|
|
boy, whom he stood down on the floor, and admonished, in a husky
|
|
whisper, to 'kitch hold of his brother Johnny.'
|
|
|
|
'My dear Louisa,' said Miss Tox, 'knowing your great anxiety, and
|
|
wishing to relieve it, I posted off myself to the Queen Charlotte's
|
|
Royal Married Females,' which you had forgot, and put the question,
|
|
Was there anybody there that they thought would suit? No, they said
|
|
there was not. When they gave me that answer, I do assure you, my
|
|
dear, I was almost driven to despair on your account. But it did so
|
|
happen, that one of the Royal Married Females, hearing the inquiry,
|
|
reminded the matron of another who had gone to her own home, and who,
|
|
she said, would in all likelihood be most satisfactory. The moment I
|
|
heard this, and had it corroborated by the matron - excellent
|
|
references and unimpeachable character - I got the address, my dear,
|
|
and posted off again.'
|
|
|
|
'Like the dear good Tox, you are!' said Louisa.
|
|
|
|
'Not at all,' returned Miss Tox. 'Don't say so. Arriving at the
|
|
house (the cleanest place, my dear! You might eat your dinner off the
|
|
floor), I found the whole family sitting at table; and feeling that no
|
|
account of them could be half so comfortable to you and Mr Dombey as
|
|
the sight of them all together, I brought them all away. This
|
|
gentleman,' said Miss Tox, pointing out the apple-faced man, 'is the
|
|
father. Will you have the goodness to come a little forward, Sir?'
|
|
|
|
The apple-faced man having sheepishly complied with this request,
|
|
stood chuckling and grinning in a front row.
|
|
|
|
'This is his wife, of course,' said Miss Tox, singling out the
|
|
young woman with the baby. 'How do you do, Polly?'
|
|
|
|
'I'm pretty well, I thank you, Ma'am,' said Polly.
|
|
|
|
By way of bringing her out dexterously, Miss Tox had made the
|
|
inquiry as in condescension to an old acquaintance whom she hadn't
|
|
seen for a fortnight or so.
|
|
|
|
'I'm glad to hear it,' said Miss Tox. 'The other young woman is her
|
|
unmarried sister who lives with them, and would take care of her
|
|
children. Her name's Jemima. How do you do, Jemima?'
|
|
|
|
'I'm pretty well, I thank you, Ma'am,' returned Jemima.
|
|
|
|
'I'm very glad indeed to hear it,' said Miss Tox. 'I hope you'll
|
|
keep so. Five children. Youngest six weeks. The fine little boy with
|
|
the blister on his nose is the eldest The blister, I believe,' said
|
|
Miss Tox, looking round upon the family, 'is not constitutional, but
|
|
accidental?'
|
|
|
|
The apple-faced man was understood to growl, 'Flat iron.
|
|
|
|
'I beg your pardon, Sir,' said Miss Tox, 'did you?
|
|
|
|
'Flat iron,' he repeated.
|
|
|
|
'Oh yes,' said Miss Tox. 'Yes! quite true. I forgot. The little
|
|
creature, in his mother's absence, smelt a warm flat iron. You're
|
|
quite right, Sir. You were going to have the goodness to inform me,
|
|
when we arrived at the door that you were by trade a - '
|
|
|
|
'Stoker,' said the man.
|
|
|
|
'A choker!' said Miss Tox, quite aghast.
|
|
|
|
'Stoker,' said the man. 'Steam ingine.'
|
|
|
|
'Oh-h! Yes!' returned Miss Tox, looking thoughtfully at him, and
|
|
seeming still to have but a very imperfect understanding of his
|
|
meaning.
|
|
|
|
'And how do you like it, Sir?'
|
|
|
|
'Which, Mum?' said the man.
|
|
|
|
'That,' replied Miss Tox. 'Your trade.'
|
|
|
|
'Oh! Pretty well, Mum. The ashes sometimes gets in here;' touching
|
|
his chest: 'and makes a man speak gruff, as at the present time. But
|
|
it is ashes, Mum, not crustiness.'
|
|
|
|
Miss Tox seemed to be so little enlightened by this reply, as to
|
|
find a difficulty in pursuing the subject. But Mrs Chick relieved her,
|
|
by entering into a close private examination of Polly, her children,
|
|
her marriage certificate, testimonials, and so forth. Polly coming out
|
|
unscathed from this ordeal, Mrs Chick withdrew with her report to her
|
|
brother's room, and as an emphatic comment on it, and corroboration of
|
|
it, carried the two rosiest little Toodles with her. Toodle being the
|
|
family name of the apple-faced family.
|
|
|
|
Mr Dombey had remained in his own apartment since the death of his
|
|
wife, absorbed in visions of the youth, education, and destination of
|
|
his baby son. Something lay at the bottom of his cool heart, colder
|
|
and heavier than its ordinary load; but it was more a sense of the
|
|
child's loss than his own, awakening within him an almost angry
|
|
sorrow. That the life and progress on which he built such hopes,
|
|
should be endangered in the outset by so mean a want; that Dombey and
|
|
Son should be tottering for a nurse, was a sore humiliation. And yet
|
|
in his pride and jealousy, he viewed with so much bitterness the
|
|
thought of being dependent for the very first step towards the
|
|
accomplishment of his soul's desire, on a hired serving-woman who
|
|
would be to the child, for the time, all that even his alliance could
|
|
have made his own wife, that in every new rejection of a candidate he
|
|
felt a secret pleasure. The time had now come, however, when he could
|
|
no longer be divided between these two sets of feelings. The less so,
|
|
as there seemed to be no flaw in the title of Polly Toodle after his
|
|
sister had set it forth, with many commendations on the indefatigable
|
|
friendship of Miss Tox.
|
|
|
|
'These children look healthy,' said Mr Dombey. 'But my God, to
|
|
think of their some day claiming a sort of relationship to Paul!'
|
|
|
|
' But what relationship is there!' Louisa began -
|
|
|
|
'Is there!' echoed Mr Dombey, who had not intended his sister to
|
|
participate in the thought he had unconsciously expressed. 'Is there,
|
|
did you say, Louisa!'
|
|
|
|
'Can there be, I mean - '
|
|
|
|
'Why none,' said Mr Dombey, sternly. 'The whole world knows that, I
|
|
presume. Grief has not made me idiotic, Louisa. Take them away,
|
|
Louisa! Let me see this woman and her husband.'
|
|
|
|
Mrs Chick bore off the tender pair of Toodles, and presently
|
|
returned with that tougher couple whose presence her brother had
|
|
commanded.
|
|
|
|
'My good woman,' said Mr Dombey, turning round in his easy chair,
|
|
as one piece, and not as a man with limbs and joints, 'I understand
|
|
you are poor, and wish to earn money by nursing the little boy, my
|
|
son, who has been so prematurely deprived of what can never be
|
|
replaced. I have no objection to your adding to the comforts of your
|
|
family by that means. So far as I can tell, you seem to be a deserving
|
|
object. But I must impose one or two conditions on you, before you
|
|
enter my house in that capacity. While you are here, I must stipulate
|
|
that you are always known as - say as Richards - an ordinary name, and
|
|
convenient. Have you any objection to be known as Richards? You had
|
|
better consult your husband.'
|
|
|
|
'Well?' said Mr Dombey, after a pretty long pause. 'What does your
|
|
husband say to your being called Richards?'
|
|
|
|
As the husband did nothing but chuckle and grin, and continually
|
|
draw his right hand across his mouth, moistening the palm, Mrs Toodle,
|
|
after nudging him twice or thrice in vain, dropped a curtsey and
|
|
replied 'that perhaps if she was to be called out of her name, it
|
|
would be considered in the wages.'
|
|
|
|
'Oh, of course,' said Mr Dombey. 'I desire to make it a question of
|
|
wages, altogether. Now, Richards, if you nurse my bereaved child, I
|
|
wish you to remember this always. You will receive a liberal stipend
|
|
in return for the discharge of certain duties, in the performance of
|
|
which, I wish you to see as little of your family as possible. When
|
|
those duties cease to be required and rendered, and the stipend ceases
|
|
to be paid, there is an end of all relations between us. Do you
|
|
understand me?'
|
|
|
|
Mrs Toodle seemed doubtful about it; and as to Toodle himself, he
|
|
had evidently no doubt whatever, that he was all abroad.
|
|
|
|
'You have children of your own,' said Mr Dombey. 'It is not at all
|
|
in this bargain that you need become attached to my child, or that my
|
|
child need become attached to you. I don't expect or desire anything
|
|
of the kind. Quite the reverse. When you go away from here, you will
|
|
have concluded what is a mere matter of bargain and sale, hiring and
|
|
letting: and will stay away. The child will cease to remember you; and
|
|
you will cease, if you please, to remember the child.'
|
|
|
|
Mrs Toodle, with a little more colour in her cheeks than she had
|
|
had before, said 'she hoped she knew her place.'
|
|
|
|
'I hope you do, Richards,' said Mr Dombey. 'I have no doubt you
|
|
know it very well. Indeed it is so plain and obvious that it could
|
|
hardly be otherwise. Louisa, my dear, arrange with Richards about
|
|
money, and let her have it when and how she pleases. Mr what's-your
|
|
name, a word with you, if you please!'
|
|
|
|
Thus arrested on the threshold as he was following his wife out of
|
|
the room, Toodle returned and confronted Mr Dombey alone. He was a
|
|
strong, loose, round-shouldered, shuffling, shaggy fellow, on whom his
|
|
clothes sat negligently: with a good deal of hair and whisker,
|
|
deepened in its natural tint, perhaps by smoke and coal-dust: hard
|
|
knotty hands: and a square forehead, as coarse in grain as the bark of
|
|
an oak. A thorough contrast in all respects, to Mr Dombey, who was one
|
|
of those close-shaved close-cut moneyed gentlemen who are glossy and
|
|
crisp like new bank-notes, and who seem to be artificially braced and
|
|
tightened as by the stimulating action of golden showerbaths.
|
|
|
|
'You have a son, I believe?' said Mr Dombey.
|
|
|
|
'Four on 'em, Sir. Four hims and a her. All alive!'
|
|
|
|
'Why, it's as much as you can afford to keep them!' said Mr Dombey.
|
|
|
|
'I couldn't hardly afford but one thing in the world less, Sir.'
|
|
|
|
'What is that?'
|
|
|
|
'To lose 'em, Sir.'
|
|
|
|
'Can you read?' asked Mr Dombey.
|
|
|
|
'Why, not partick'ler, Sir.'
|
|
|
|
'Write?'
|
|
|
|
'With chalk, Sir?'
|
|
|
|
'With anything?'
|
|
|
|
'I could make shift to chalk a little bit, I think, if I was put to
|
|
it,' said Toodle after some reflection.
|
|
|
|
'And yet,' said Mr Dombey, 'you are two or three and thirty, I
|
|
suppose?'
|
|
|
|
'Thereabouts, I suppose, Sir,' answered Toodle, after more
|
|
reflection
|
|
|
|
'Then why don't you learn?' asked Mr Dombey.
|
|
|
|
'So I'm a going to, Sir. One of my little boys is a going to learn
|
|
me, when he's old enough, and been to school himself.'
|
|
|
|
'Well,' said Mr Dombey, after looking at him attentively, and with
|
|
no great favour, as he stood gazing round the room (principally round
|
|
the ceiling) and still drawing his hand across and across his mouth.
|
|
'You heard what I said to your wife just now?'
|
|
|
|
'Polly heerd it,' said Toodle, jerking his hat over his shoulder in
|
|
the direction of the door, with an air of perfect confidence in his
|
|
better half. 'It's all right.'
|
|
|
|
'But I ask you if you heard it. You did, I suppose, and understood
|
|
it?' pursued Mr Dombey.
|
|
|
|
'I heerd it,' said Toodle, 'but I don't know as I understood it
|
|
rightly Sir, 'account of being no scholar, and the words being - ask
|
|
your pardon - rayther high. But Polly heerd it. It's all right.'
|
|
|
|
'As you appear to leave everything to her,' said Mr Dombey,
|
|
frustrated in his intention of impressing his views still more
|
|
distinctly on the husband, as the stronger character, 'I suppose it is
|
|
of no use my saying anything to you.'
|
|
|
|
'Not a bit,' said Toodle. 'Polly heerd it. She's awake, Sir.'
|
|
|
|
'I won't detain you any longer then,' returned Mr Dombey,
|
|
disappointed. 'Where have you worked all your life?'
|
|
|
|
'Mostly underground, Sir, 'till I got married. I come to the level
|
|
then. I'm a going on one of these here railroads when they comes into
|
|
full play.'
|
|
|
|
As he added in one of his hoarse whispers, 'We means to bring up
|
|
little Biler to that line,' Mr Dombey inquired haughtily who little
|
|
Biler was.
|
|
|
|
'The eldest on 'em, Sir,' said Toodle, with a smile. 'It ain't a
|
|
common name. Sermuchser that when he was took to church the gen'lm'n
|
|
said, it wam't a chris'en one, and he couldn't give it. But we always
|
|
calls him Biler just the same. For we don't mean no harm. Not we.
|
|
|
|
'Do you mean to say, Man,' inquired Mr Dombey; looking at him with
|
|
marked displeasure, 'that you have called a child after a boiler?'
|
|
|
|
'No, no, Sir,' returned Toodle, with a tender consideration for his
|
|
mistake. 'I should hope not! No, Sir. Arter a BILER Sir. The
|
|
Steamingine was a'most as good as a godfather to him, and so we called
|
|
him Biler, don't you see!'
|
|
|
|
As the last straw breaks the laden camel's back, this piece of
|
|
information crushed the sinking spirits of Mr Dombey. He motioned his
|
|
child's foster-father to the door, who departed by no means
|
|
unwillingly: and then turning the key, paced up and down the room in
|
|
solitary wretchedness.
|
|
|
|
It would be harsh, and perhaps not altogether true, to say of him
|
|
that he felt these rubs and gratings against his pride more keenly
|
|
than he had felt his wife's death: but certainly they impressed that
|
|
event upon him with new force, and communicated to it added weight and
|
|
bitterness. It was a rude shock to his sense of property in his child,
|
|
that these people - the mere dust of the earth, as he thought them -
|
|
should be necessary to him; and it was natural that in proportion as
|
|
he felt disturbed by it, he should deplore the occurrence which had
|
|
made them so. For all his starched, impenetrable dignity and
|
|
composure, he wiped blinding tears from his eyes as he paced up and
|
|
down his room; and often said, with an emotion of which he would not,
|
|
for the world, have had a witness, 'Poor little fellow!'
|
|
|
|
It may have been characteristic of Mr Dombey's pride, that he
|
|
pitied himself through the child. Not poor me. Not poor widower,
|
|
confiding by constraint in the wife of an ignorant Hind who has been
|
|
working 'mostly underground' all his life, and yet at whose door Death
|
|
had never knocked, and at whose poor table four sons daily sit - but
|
|
poor little fellow!
|
|
|
|
Those words being on his lips, it occurred to him - and it is an
|
|
instance of the strong attraction with which his hopes and fears and
|
|
all his thoughts were tending to one centre - that a great temptation
|
|
was being placed in this woman's way. Her infant was a boy too. Now,
|
|
would it be possIble for her to change them?
|
|
|
|
Though he was soon satisfied that he had dismissed the idea as
|
|
romantic and unlikely - though possible, there was no denying - he
|
|
could not help pursuing it so far as to entertain within himself a
|
|
picture of what his condition would be, if he should discover such an
|
|
imposture when he was grown old. Whether a man so situated would be
|
|
able to pluck away the result of so many years of usage, confidence,
|
|
and belief, from the impostor, and endow a stranger with it?
|
|
|
|
But it was idle speculating thus. It couldn't happen. In a moment
|
|
afterwards he determined that it could, but that such women were
|
|
constantly observed, and had no opportunity given them for the
|
|
accomplishment of such a design, even when they were so wicked as to
|
|
entertain it. In another moment, he was remembering how few such cases
|
|
seemed to have ever happened. In another moment he was wondering
|
|
whether they ever happened and were not found out.
|
|
|
|
As his unusual emotion subsided, these misgivings gradually melted
|
|
away, though so much of their shadow remained behind, that he was
|
|
constant in his resolution to look closely after Richards himself,
|
|
without appearing to do so. Being now in an easier frame of mind, he
|
|
regarded the woman's station as rather an advantageous circumstance
|
|
than otherwise, by placing, in itself, a broad distance between her
|
|
and the child, and rendering their separation easy and natural. Thence
|
|
he passed to the contemplation of the future glories of Dombey and
|
|
Son, and dismissed the memory of his wife, for the time being, with a
|
|
tributary sigh or two.
|
|
|
|
Meanwhile terms were ratified and agreed upon between Mrs Chick and
|
|
Richards, with the assistance of Miss Tox; and Richards being with
|
|
much ceremony invested with the Dombey baby, as if it were an Order,
|
|
resigned her own, with many tears and kisses, to Jemima. Glasses of
|
|
wine were then produced, to sustain the drooping spirits of the
|
|
family; and Miss Tox, busying herself in dispensing 'tastes' to the
|
|
younger branches, bred them up to their father's business with such
|
|
surprising expedition, that she made chokers of four of them in a
|
|
quarter of a minute.
|
|
|
|
'You'll take a glass yourself, Sir, won't you?' said Miss Tox, as
|
|
Toodle appeared.
|
|
|
|
'Thankee, Mum,' said Toodle, 'since you are suppressing.'
|
|
|
|
'And you're very glad to leave your dear good wife in such a
|
|
comfortable home, ain't you, Sir?'said Miss Tox, nodding and winking
|
|
at him stealthily.
|
|
|
|
'No, Mum,' said Toodle. 'Here's wishing of her back agin.'
|
|
|
|
Polly cried more than ever at this. So Mrs Chick, who had her
|
|
matronly apprehensions that this indulgence in grief might be
|
|
prejudicial to the little Dombey ('acid, indeed,' she whispered Miss
|
|
Tox), hastened to the rescue.
|
|
|
|
'Your little child will thrive charmingly with your sister Jemima,
|
|
Richards,' said Mrs Chick; 'and you have only to make an effort - this
|
|
is a world of effort, you know, Richards - to be very happy indeed.
|
|
You have been already measured for your mourning, haven't you,
|
|
Richards?'
|
|
|
|
'Ye - es, Ma'am,' sobbed Polly.
|
|
|
|
'And it'll fit beautifully. I know,' said Mrs Chick, 'for the same
|
|
young person has made me many dresses. The very best materials, too!'
|
|
|
|
'Lor, you'll be so smart,' said Miss Tox, 'that your husband won't
|
|
know you; will you, Sir?'
|
|
|
|
'I should know her,' said Toodle, gruffly, 'anyhows and anywheres.'
|
|
|
|
Toodle was evidently not to be bought over.
|
|
|
|
'As to living, Richards, you know,' pursued Mrs Chick, 'why, the
|
|
very best of everything will be at your disposal. You will order your
|
|
little dinner every day; and anything you take a fancy to, I'm sure
|
|
will be as readily provided as if you were a Lady.'
|
|
|
|
'Yes to be sure!' said Miss Tox, keeping up the ball with great
|
|
sympathy. 'And as to porter! - quite unlimited, will it not, Louisa?'
|
|
|
|
'Oh, certainly!' returned Mrs Chick in the same tone. 'With a
|
|
little abstinence, you know, my dear, in point of vegetables.'
|
|
|
|
'And pickles, perhaps,' suggested Miss Tox.
|
|
|
|
'With such exceptions,' said Louisa, 'she'll consult her choice
|
|
entirely, and be under no restraint at all, my love.'
|
|
|
|
'And then, of course, you know,' said Miss Tox, 'however fond she
|
|
is of her own dear little child - and I'm sure, Louisa, you don't
|
|
blame her for being fond of it?'
|
|
|
|
'Oh no!' cried Mrs Chick, benignantly.
|
|
|
|
'Still,' resumed Miss Tox, 'she naturally must be interested in her
|
|
young charge, and must consider it a privilege to see a little cherub
|
|
connected with the superior classes, gradually unfolding itself from
|
|
day to day at one common fountain- is it not so, Louisa?'
|
|
|
|
'Most undoubtedly!' said Mrs Chick. 'You see, my love, she's
|
|
already quite contented and comfortable, and means to say goodbye to
|
|
her sister Jemima and her little pets, and her good honest husband,
|
|
with a light heart and a smile; don't she, my dear?'
|
|
|
|
'Oh yes!' cried Miss Tox. 'To be sure she does!'
|
|
|
|
Notwithstanding which, however, poor Polly embraced them all round
|
|
in great distress, and coming to her spouse at last, could not make up
|
|
her mind to part from him, until he gently disengaged himself, at the
|
|
close of the following allegorical piece of consolation:
|
|
|
|
'Polly, old 'ooman, whatever you do, my darling, hold up your head
|
|
and fight low. That's the only rule as I know on, that'll carry anyone
|
|
through life. You always have held up your head and fought low, Polly.
|
|
Do it now, or Bricks is no longer so. God bless you, Polly! Me and
|
|
J'mima will do your duty by you; and with relating to your'n, hold up
|
|
your head and fight low, Polly, and you can't go wrong!'
|
|
|
|
Fortified by this golden secret, Folly finally ran away to avoid
|
|
any more particular leave-taking between herself and the children. But
|
|
the stratagem hardly succeeded as well as it deserved; for the
|
|
smallest boy but one divining her intent, immediately began swarming
|
|
upstairs after her - if that word of doubtful etymology be admissible
|
|
- on his arms and legs; while the eldest (known in the family by the
|
|
name of Biler, in remembrance of the steam engine) beat a demoniacal
|
|
tattoo with his boots, expressive of grief; in which he was joined by
|
|
the rest of the family.
|
|
|
|
A quantity of oranges and halfpence thrust indiscriminately on each
|
|
young Toodle, checked the first violence of their regret, and the
|
|
family were speedily transported to their own home, by means of the
|
|
hackney-coach kept in waiting for that purpose. The children, under
|
|
the guardianship of Jemima, blocked up the window, and dropped out
|
|
oranges and halfpence all the way along. Mr Toodle himself preferred
|
|
to ride behind among the spikes, as being the mode of conveyance to
|
|
which he was best accustomed.
|
|
|
|
CHAPTER 3.
|
|
|
|
In which Mr Dombey, as a Man and a Father, is seen at the
|
|
Head of the Home-Department
|
|
|
|
The funeral of the deceased lady having been 'performed to the
|
|
entire satisfaction of the undertaker, as well as of the neighbourhood
|
|
at large, which is generally disposed to be captious on such a point,
|
|
and is prone to take offence at any omissions or short-comings in the
|
|
ceremonies, the various members of Mr Dombey's household subsided into
|
|
their several places in the domestic system. That small world, like
|
|
the great one out of doors, had the capacity of easily forgetting its
|
|
dead; and when the cook had said she was a quiet-tempered lady, and
|
|
the house-keeper had said it was the common lot, and the butler had
|
|
said who'd have thought it, and the housemaid had said she couldn't
|
|
hardly believe it, and the footman had said it seemed exactly like a
|
|
dream, they had quite worn the subject out, and began to think their
|
|
mourning was wearing rusty too.
|
|
|
|
On Richards, who was established upstairs in a state of honourable
|
|
captivity, the dawn of her new life seemed to break cold and grey. Mr
|
|
Dombey's house was a large one, on the shady side of a tall, dark,
|
|
dreadfully genteel street in the region between Portland Place and
|
|
Bryanstone Square.' It was a corner house, with great wide areas
|
|
containing cellars frowned upon by barred windows, and leered at by
|
|
crooked-eyed doors leading to dustbins. It was a house of dismal
|
|
state, with a circular back to it, containing a whole suite of
|
|
drawing-rooms looking upon a gravelled yard, where two gaunt trees,
|
|
with blackened trunks and branches, rattled rather than rustled, their
|
|
leaves were so smoked-dried. The summer sun was never on the street,
|
|
but in the morning about breakfast-time, when it came with the
|
|
water-carts and the old clothes men, and the people with geraniums,
|
|
and the umbrella-mender, and the man who trilled the little bell of
|
|
the Dutch clock as he went along. It was soon gone again to return no
|
|
more that day; and the bands of music and the straggling Punch's shows
|
|
going after it, left it a prey to the most dismal of organs, and white
|
|
mice; with now and then a porcupine, to vary the entertainments; until
|
|
the butlers whose families were dining out, began to stand at the
|
|
house-doors in the twilight, and the lamp-lighter made his nightly
|
|
failure in attempting to brighten up the street with gas.
|
|
|
|
It was as blank a house inside as outside. When the funeral was
|
|
over, Mr Dombey ordered the furniture to be covered up - perhaps to
|
|
preserve it for the son with whom his plans were all associated - and
|
|
the rooms to be ungarnished, saving such as he retained for himself on
|
|
the ground floor. Accordingly, mysterious shapes were made of tables
|
|
and chairs, heaped together in the middle of rooms, and covered over
|
|
with great winding-sheets. Bell-handles, window-blinds, and
|
|
looking-glasses, being papered up in journals, daily and weekly,
|
|
obtruded fragmentary accounts of deaths and dreadful murders. Every
|
|
chandelier or lustre, muffled in holland, looked like a monstrous tear
|
|
depending from the ceiling's eye. Odours, as from vaults and damp
|
|
places, came out of the chimneys. The dead and buried lady was awful
|
|
in a picture-frame of ghastly bandages. Every gust of wind that rose,
|
|
brought eddying round the corner from the neighbouring mews, some
|
|
fragments of the straw that had been strewn before the house when she
|
|
was ill, mildewed remains of which were still cleaving to the
|
|
neighbourhood: and these, being always drawn by some invisible
|
|
attraction to the threshold of the dirty house to let immediately
|
|
opposite, addressed a dismal eloquence to Mr Dombey's windows.
|
|
|
|
The apartments which Mr Dombey reserved for his own inhabiting,
|
|
were attainable from the hall, and consisted of a sitting-room; a
|
|
library, which was in fact a dressing-room, so that the smell of
|
|
hot-pressed paper, vellum, morocco, and Russia leather, contended in
|
|
it with the smell of divers pairs of boots; and a kind of conservatory
|
|
or little glass breakfast-room beyond, commanding a prospect of the
|
|
trees before mentioned, and, generally speaking, of a few prowling
|
|
cats. These three rooms opened upon one another. In the morning, when
|
|
Mr Dombey was at his breakfast in one or other of the two
|
|
first-mentioned of them, as well as in the afternoon when he came home
|
|
to dinner, a bell was rung for Richards to repair to this glass
|
|
chamber, and there walk to and fro with her young charge. From the
|
|
glimpses she caught of Mr Dombey at these times, sitting in the dark
|
|
distance, looking out towards the infant from among the dark heavy
|
|
furniture - the house had been inhabited for years by his father, and
|
|
in many of its appointments was old-fashioned and grim - she began to
|
|
entertain ideas of him in his solitary state, as if he were a lone
|
|
prisoner in a cell, or a strange apparition that was not to be
|
|
accosted or understood. Mr Dombey came to be, in the course of a few
|
|
days, invested in his own person, to her simple thinking, with all the
|
|
mystery and gloom of his house. As she walked up and down the glass
|
|
room, or sat hushing the baby there - which she very often did for
|
|
hours together, when the dusk was closing in, too - she would
|
|
sometimes try to pierce the gloom beyond, and make out how he was
|
|
looking and what he was doing. Sensible that she was plainly to be
|
|
seen by him' however, she never dared to pry in that direction but
|
|
very furtively and for a moment at a time. Consequently she made out
|
|
nothing, and Mr Dombey in his den remained a very shade.
|
|
|
|
Little Paul Dombey's foster-mother had led this life herself, and
|
|
had carried little Paul through it for some weeks; and had returned
|
|
upstairs one day from a melancholy saunter through the dreary rooms of
|
|
state (she never went out without Mrs Chick, who called on fine
|
|
mornings, usually accompanied by Miss Tox, to take her and Baby for an
|
|
airing - or in other words, to march them gravely up and down the
|
|
pavement, like a walking funeral); when, as she was sitting in her own
|
|
room, the door was slowly and quietly opened, and a dark-eyed little
|
|
girl looked in.
|
|
|
|
'It's Miss Florence come home from her aunt's, no doubt,' thought
|
|
Richards, who had never seen the child before. 'Hope I see you well,
|
|
Miss.'
|
|
|
|
'Is that my brother?' asked the child, pointing to the Baby.
|
|
|
|
'Yes, my pretty,' answered Richards. 'Come and kiss him.'
|
|
|
|
But the child, instead of advancing, looked her earnestly in the
|
|
face, and said:
|
|
|
|
'What have you done with my Mama?'
|
|
|
|
'Lord bless the little creeter!' cried Richards, 'what a sad
|
|
question! I done? Nothing, Miss.'
|
|
|
|
'What have they done with my Mama?' inquired the child, with
|
|
exactly the same look and manner.
|
|
|
|
'I never saw such a melting thing in all my life!' said Richards,
|
|
who naturally substituted 'for this child one of her own, inquiring
|
|
for herself in like circumstances. 'Come nearer here, my dear Miss!
|
|
Don't be afraid of me.'
|
|
|
|
'I am not afraid of you,' said the child, drawing nearer. 'But I
|
|
want to know what they have done with my Mama.'
|
|
|
|
Her heart swelled so as she stood before the woman, looking into
|
|
her eyes, that she was fain to press her little hand upon her breast
|
|
and hold it there. Yet there was a purpose in the child that prevented
|
|
both her slender figure and her searching gaze from faltering.
|
|
|
|
'My darling,' said Richards, 'you wear that pretty black frock in
|
|
remembrance of your Mama.'
|
|
|
|
'I can remember my Mama,' returned the child, with tears springing
|
|
to her eyes, 'in any frock.'
|
|
|
|
'But people put on black, to remember people when they're gone.'
|
|
|
|
'Where gone?' asked the child.
|
|
|
|
'Come and sit down by me,' said Richards, 'and I'll tell you a
|
|
story.'
|
|
|
|
With a quick perception that it was intended to relate to what she
|
|
had asked, little Florence laid aside the bonnet she had held in her
|
|
hand until now, and sat down on a stool at the Nurse's feet, looking
|
|
up into her face.
|
|
|
|
'Once upon a time,' said Richards, 'there was a lady - a very good
|
|
lady, and her little daughter dearly loved her.'
|
|
|
|
'A very good lady and her little daughter dearly loved her,'
|
|
repeated the child.
|
|
|
|
'Who, when God thought it right that it should be so, was taken ill
|
|
and died.'
|
|
|
|
The child shuddered.
|
|
|
|
'Died, never to be seen again by anyone on earth, and was buried in
|
|
the ground where the trees grow.
|
|
|
|
'The cold ground?' said the child, shuddering again. 'No! The warm
|
|
ground,' returned Polly, seizing her advantage, 'where the ugly little
|
|
seeds turn into beautiful flowers, and into grass, and corn, and I
|
|
don't know what all besides. Where good people turn into bright
|
|
angels, and fly away to Heaven!'
|
|
|
|
The child, who had dropped her head, raised it again, and sat
|
|
looking at her intently.
|
|
|
|
'So; let me see,' said Polly, not a little flurried between this
|
|
earnest scrutiny, her desire to comfort the child, her sudden success,
|
|
and her very slight confidence in her own powers.' So, when this lady
|
|
died, wherever they took her, or wherever they put her, she went to
|
|
GOD! and she prayed to Him, this lady did,' said Polly, affecting
|
|
herself beyond measure; being heartily in earnest, 'to teach her
|
|
little daughter to be sure of that in her heart: and to know that she
|
|
was happy there and loved her still: and to hope and try - Oh, all her
|
|
life - to meet her there one day, never, never, never to part any
|
|
more.'
|
|
|
|
'It was my Mama!' exclaimed the child, springing up, and clasping
|
|
her round the neck.
|
|
|
|
'And the child's heart,' said Polly, drawing her to her breast:
|
|
'the little daughter's heart was so full of the truth of this, that
|
|
even when she heard it from a strange nurse that couldn't tell it
|
|
right, but was a poor mother herself and that was all, she found a
|
|
comfort in it - didn't feel so lonely - sobbed and cried upon her
|
|
bosom - took kindly to the baby lying in her lap - and - there, there,
|
|
there!' said Polly, smoothing the child's curls and dropping tears
|
|
upon them. 'There, poor dear!'
|
|
|
|
'Oh well, Miss Floy! And won't your Pa be angry neither!' cried a
|
|
quick voice at the door, proceeding from a short, brown, womanly girl
|
|
of fourteen, with a little snub nose, and black eyes like jet beads.
|
|
'When it was 'tickerlerly given out that you wasn't to go and worrit
|
|
the wet nurse.
|
|
|
|
'She don't worry me,' was the surprised rejoinder of Polly. 'I am
|
|
very fond of children.'
|
|
|
|
'Oh! but begging your pardon, Mrs Richards, that don't matter, you
|
|
know,' returned the black-eyed girl, who was so desperately sharp and
|
|
biting that she seemed to make one's eyes water. 'I may be very fond
|
|
of pennywinkles, Mrs Richards, but it don't follow that I'm to have
|
|
'em for tea. 'Well, it don't matter,' said Polly. 'Oh, thank'ee, Mrs
|
|
Richards, don't it!' returned the sharp girl. 'Remembering, however,
|
|
if you'll be so good, that Miss Floy's under my charge, and Master
|
|
Paul's under your'n.'
|
|
|
|
'But still we needn't quarrel,' said Polly.
|
|
|
|
'Oh no, Mrs Richards,' rejoined Spitfire. 'Not at all, I don't wish
|
|
it, we needn't stand upon that footing, Miss Floy being a permanency,
|
|
Master Paul a temporary.' Spitfire made use of none but comma pauses;
|
|
shooting out whatever she had to say in one sentence, and in one
|
|
breath, if possible.
|
|
|
|
'Miss Florence has just come home, hasn't she?' asked Polly.
|
|
|
|
'Yes, Mrs Richards, just come, and here, Miss Floy, before you've
|
|
been in the house a quarter of an hour, you go a smearing your wet
|
|
face against the expensive mourning that Mrs Richards is a wearing for
|
|
your Ma!' With this remonstrance, young Spitfire, whose real name was
|
|
Susan Nipper, detached the child from her new friend by a wrench - as
|
|
if she were a tooth. But she seemed to do it, more in the excessively
|
|
sharp exercise of her official functions, than with any deliberate
|
|
unkindness.
|
|
|
|
'She'll be quite happy, now she has come home again,' said Polly,
|
|
nodding to her with an encouraging smile upon her wholesome face, 'and
|
|
will be so pleased to see her dear Papa to-night.'
|
|
|
|
'Lork, Mrs Richards!' cried Miss Nipper, taking up her words with a
|
|
jerk. 'Don't. See her dear Papa indeed! I should like to see her do
|
|
it!'
|
|
|
|
'Won't she then?' asked Polly.
|
|
|
|
'Lork, Mrs Richards, no, her Pa's a deal too wrapped up in somebody
|
|
else, and before there was a somebody else to be wrapped up in she
|
|
never was a favourite, girls are thrown away in this house, Mrs
|
|
Richards, I assure you.
|
|
|
|
The child looked quickly from one nurse to the other, as if she
|
|
understood and felt what was said.
|
|
|
|
'You surprise me!' cried Folly. 'Hasn't Mr Dombey seen her since -
|
|
'
|
|
|
|
'No,' interrupted Susan Nipper. 'Not once since, and he hadn't
|
|
hardly set his eyes upon her before that for months and months, and I
|
|
don't think he'd have known her for his own child if he had met her in
|
|
the streets, or would know her for his own child if he was to meet her
|
|
in the streets to-morrow, Mrs Richards, as to me,' said Spitfire, with
|
|
a giggle, 'I doubt if he's aweer of my existence.'
|
|
|
|
'Pretty dear!' said Richards; meaning, not Miss Nipper, but the
|
|
little Florence.
|
|
|
|
'Oh! there's a Tartar within a hundred miles of where we're now in
|
|
conversation, I can tell you, Mrs Richards, present company always
|
|
excepted too,' said Susan Nipper; 'wish you good morning, Mrs
|
|
Richards, now Miss Floy, you come along with me, and don't go hanging
|
|
back like a naughty wicked child that judgments is no example to,
|
|
don't!'
|
|
|
|
In spite of being thus adjured, and in spite also of some hauling
|
|
on the part of Susan Nipper, tending towards the dislocation of her
|
|
right shoulder, little Florence broke away, and kissed her new friend,
|
|
affectionately.
|
|
|
|
'Oh dear! after it was given out so 'tickerlerly, that Mrs Richards
|
|
wasn't to be made free with!' exclaimed Susan. 'Very well, Miss Floy!'
|
|
|
|
'God bless the sweet thing!' said Richards, 'Good-bye, dear!'
|
|
|
|
'Good-bye!' returned the child. 'God bless you! I shall come to see
|
|
you again soon, and you'll come to see me? Susan will let us. Won't
|
|
you, Susan?'
|
|
|
|
Spitfire seemed to be in the main a good-natured little body,
|
|
although a disciple of that school of trainers of the young idea which
|
|
holds that childhood, like money, must be shaken and rattled and
|
|
jostled about a good deal to keep it bright. For, being thus appealed
|
|
to with some endearing gestures and caresses, she folded her small
|
|
arms and shook her head, and conveyed a relenting expression into her
|
|
very-wide-open black eyes.
|
|
|
|
'It ain't right of you to ask it, Miss Floy, for you know I can't
|
|
refuse you, but Mrs Richards and me will see what can be done, if Mrs
|
|
Richards likes, I may wish, you see, to take a voyage to Chaney, Mrs
|
|
Richards, but I mayn't know how to leave the London Docks.'
|
|
|
|
Richards assented to the proposition.
|
|
|
|
'This house ain't so exactly ringing with merry-making,' said Miss
|
|
Nipper, 'that one need be lonelier than one must be. Your Toxes and
|
|
your Chickses may draw out my two front double teeth, Mrs Richards,
|
|
but that's no reason why I need offer 'em the whole set.'
|
|
|
|
This proposition was also assented to by Richards, as an obvious
|
|
one.
|
|
|
|
'So I'm able, I'm sure,'said Susan Nipper, 'to live friendly, Mrs
|
|
Richards, while Master Paul continues a permanency, if the means can
|
|
be planned out without going openly against orders, but goodness
|
|
gracious Miss Floy, you haven't got your things off yet, you naughty
|
|
child, you haven't, come along!'
|
|
|
|
With these words, Susan Nipper, in a transport of coercion, made a
|
|
charge at her young ward, and swept her out of the room.
|
|
|
|
The child, in her grief and neglect, was so gentle, so quiet, and
|
|
uncomplaining; was possessed of so much affection that no one seemed
|
|
to care to have, and so much sorrowful intelligence that no one seemed
|
|
to mind or think about the wounding of, that Polly's heart was sore
|
|
when she was left alone again. In the simple passage that had taken
|
|
place between herself and the motherless little girl, her own motherly
|
|
heart had been touched no less than the child's; and she felt, as the
|
|
child did, that there was something of confidence and interest between
|
|
them from that moment.
|
|
|
|
Notwithstanding Mr Toodle's great reliance on Polly, she was
|
|
perhaps in point of artificial accomplishments very little his
|
|
superior. She had been good-humouredly working and drudging for her
|
|
life all her life, and was a sober steady-going person, with
|
|
matter-of-fact ideas about the butcher and baker, and the division of
|
|
pence into farthings. But she was a good plain sample of a nature that
|
|
is ever, in the mass, better, truer, higher, nobler, quicker to feel,
|
|
and much more constant to retain, all tenderness and pity, self-denial
|
|
and devotion, than the nature of men. And, perhaps, unlearned as she
|
|
was, she could have brought a dawning knowledge home to Mr Dombey at
|
|
that early day, which would not then have struck him in the end like
|
|
lightning.
|
|
|
|
But this is from the purpose. Polly only thought, at that time, of
|
|
improving on her successful propitiation of Miss Nipper, and devising
|
|
some means of having little Florence aide her, lawfully, and without
|
|
rebellion. An opening happened to present itself that very night.
|
|
|
|
She had been rung down into the glass room as usual, and had walked
|
|
about and about it a long time, with the baby in her arms, when, to
|
|
her great surprise and dismay, Mr Dombey - whom she had seen at first
|
|
leaning on his elbow at the table, and afterwards walking up and down
|
|
the middle room, drawing, each time, a little nearer, she thought, to
|
|
the open folding doors - came out, suddenly, and stopped before her.
|
|
|
|
'Good evening, Richards.'
|
|
|
|
Just the same austere, stiff gentleman, as he had appeared to her
|
|
on that first day. Such a hard-looking gentleman, that she
|
|
involuntarily dropped her eyes and her curtsey at the same time.
|
|
|
|
'How is Master Paul, Richards?'
|
|
|
|
'Quite thriving, Sir, and well.'
|
|
|
|
'He looks so,' said Mr Dombey, glancing with great interest at the
|
|
tiny face she uncovered for his observation, and yet affecting to be
|
|
half careless of it. 'They give you everything you want, I hope?'
|
|
|
|
'Oh yes, thank you, Sir.'
|
|
|
|
She suddenly appended such an obvious hesitation to this reply,
|
|
however, that Mr Dombey, who had turned away; stopped, and turned
|
|
round again, inquiringly.
|
|
|
|
'If you please, Sir, the child is very much disposed to take notice
|
|
of things,' said Richards, with another curtsey, 'and - upstairs is a
|
|
little dull for him, perhaps, Sir.'
|
|
|
|
'I begged them to take you out for airings, constantly,' said Mr
|
|
Dombey. 'Very well! You shall go out oftener. You're quite right to
|
|
mention it.'
|
|
|
|
'I beg your pardon, Sir,' faltered Polly, 'but we go out quite
|
|
plenty Sir, thank you.'
|
|
|
|
'What would you have then?' asked Mr Dombey.
|
|
|
|
'Indeed Sir, I don't exactly know,' said Polly, 'unless - '
|
|
|
|
'Yes?'
|
|
|
|
'I believe nothing is so good for making children lively and
|
|
cheerful, Sir, as seeing other children playing about 'em,' observed
|
|
Polly, taking courage.
|
|
|
|
'I think I mentioned to you, Richards, when you came here,' said Mr
|
|
Dombey, with a frown, 'that I wished you to see as little of your
|
|
family as possible.'
|
|
|
|
'Oh dear yes, Sir, I wasn't so much as thinking of that.'
|
|
|
|
'I am glad of it,' said Mr Dombey hastily. 'You can continue your
|
|
walk if you please.'
|
|
|
|
With that, he disappeared into his inner room; and Polly had the
|
|
satisfaction of feeling that he had thoroughly misunderstood her
|
|
object, and that she had fallen into disgrace without the least
|
|
advancement of her purpose.
|
|
|
|
Next night, she found him walking about the conservatory when she
|
|
came down. As she stopped at the door, checked by this unusual sight,
|
|
and uncertain whether to advance or retreat, he called her in. His
|
|
mind was too much set on Dombey and Son, it soon appeared, to admit of
|
|
his having forgotten her suggestion.
|
|
|
|
'If you really think that sort of society is good for the child,'
|
|
he said sharply, as if there had been no interval since she proposed
|
|
it, 'where's Miss Florence?'
|
|
|
|
'Nothing could be better than Miss Florence, Sir,' said Polly
|
|
eagerly, 'but I understood from her maid that they were not to - '
|
|
|
|
Mr Dombey rang the bell, and walked till it was answered.
|
|
|
|
'Tell them always to let Miss Florence be with Richards when she
|
|
chooses, and go out with her, and so forth. Tell them to let the
|
|
children be together, when Richards wishes it.'
|
|
|
|
The iron was now hot, and Richards striking on it boldly - it was a
|
|
good cause and she bold in it, though instinctively afraid of Mr
|
|
Dombey - requested that Miss Florence might be sent down then and
|
|
there, to make friends with her little brother.
|
|
|
|
She feigned to be dandling the child as the servant retired on this
|
|
errand, but she thought that she saw Mr Dombey's colour changed; that
|
|
the expression of his face quite altered; that he turned, hurriedly,
|
|
as if to gainsay what he had said, or she had said, or both, and was
|
|
only deterred by very shame.
|
|
|
|
And she was right. The last time he had seen his slighted child,
|
|
there had been that in the sad embrace between her and her dying
|
|
mother, which was at once a revelation and a reproach to him. Let him
|
|
be absorbed as he would in the Son on whom he built such high hopes,
|
|
he could not forget that closing scene. He could not forget that he
|
|
had had no part in it. That, at the bottom of its clear depths of
|
|
tenderness and truth' lay those two figures clasped in each other's
|
|
arms, while he stood on the bank above them, looking down a mere
|
|
spectator - not a sharer with them - quite shut out.
|
|
|
|
Unable to exclude these things from his remembrance, or to keep his
|
|
mind free from such imperfect shapes of the meaning with which they
|
|
were fraught, as were able to make themselves visible to him through
|
|
the mist of his pride, his previous feeling of indifference towards
|
|
little Florence changed into an uneasiness of an extraordinary kind.
|
|
Young as she was, and possessing in any eyes but his (and perhaps in
|
|
his too) even more than the usual amount of childish simplicity and
|
|
confidence, he almost felt as if she watched and distrusted him. As if
|
|
she held the clue to something secret in his breast, of the nature of
|
|
which he was hardly informed himself. As if she had an innate
|
|
knowledge of one jarring and discordant string within him, and her
|
|
very breath could sound it.
|
|
|
|
His feeling about the child had been negative from her birth. He
|
|
had never conceived an aversion to her: it had not been worth his
|
|
while or in his humour. She had never been a positively disagreeable
|
|
object to him. But now he was ill at ease about her. She troubled his
|
|
peace. He would have preferred to put her idea aside altogether, if he
|
|
had known how. Perhaps - who shall decide on such mysteries! - he was
|
|
afraid that he might come to hate her.
|
|
|
|
When little Florence timidly presented herself, Mr Dombey stopped
|
|
in his pacing up and down and looked towards her. Had he looked with
|
|
greater interest and with a father's eye, he might have read in her
|
|
keen glance the impulses and fears that made her waver; the passionate
|
|
desire to run clinging to him, crying, as she hid her face in his
|
|
embrace, 'Oh father, try to love me! there's no one else!' the dread
|
|
of a repulse; the fear of being too bold, and of offending him; the
|
|
pitiable need in which she stood of some assurance and encouragement;
|
|
and how her overcharged young heart was wandering to find some natural
|
|
resting-place, for its sorrow and affection.
|
|
|
|
But he saw nothing of this. He saw her pause irresolutely at the
|
|
door and look towards him; and he saw no more.
|
|
|
|
'Come in,' he said, 'come in: what is the child afraid of?'
|
|
|
|
She came in; and after glancing round her for a moment with an
|
|
uncertain air, stood pressing her small hands hard together, close
|
|
within the door.
|
|
|
|
'Come here, Florence,' said her father, coldly. 'Do you know who I
|
|
am?'
|
|
|
|
'Yes, Papa.'
|
|
|
|
'Have you nothing to say to me?'
|
|
|
|
The tears that stood in her eyes as she raised them quickly to his
|
|
face, were frozen by the expression it wore. She looked down again,
|
|
and put out her trembling hand.
|
|
|
|
Mr Dombey took it loosely in his own, and stood looking down upon
|
|
her for a moment, as if he knew as little as the child, what to say or
|
|
do.
|
|
|
|
'There! Be a good girl,' he said, patting her on the head, and
|
|
regarding her as it were by stealth with a disturbed and doubtful
|
|
look. 'Go to Richards! Go!'
|
|
|
|
His little daughter hesitated for another instant as though she
|
|
would have clung about him still, or had some lingering hope that he
|
|
might raise her in his arms and kiss her. She looked up in his face
|
|
once more. He thought how like her expression was then, to what it had
|
|
been when she looked round at the Doctor - that night - and
|
|
instinctively dropped her hand and turned away.
|
|
|
|
It was not difficult to perceive that Florence was at a great
|
|
disadvantage in her father's presence. It was not only a constraint
|
|
upon the child's mind, but even upon the natural grace and freedom of
|
|
her actions. As she sported and played about her baby brother that
|
|
night, her manner was seldom so winning and so pretty as it naturally
|
|
was, and sometimes when in his pacing to and fro, he came near her
|
|
(she had, perhaps, for the moment, forgotten him) it changed upon the
|
|
instant and became forced and embarrassed.
|
|
|
|
Still, Polly persevered with all the better heart for seeing this;
|
|
and, judging of Mr Dombey by herself, had great confidence in the mute
|
|
appeal of poor little Florence's mourning dress.' It's hard indeed,'
|
|
thought Polly, 'if he takes only to one little motherless child, when
|
|
he has another, and that a girl, before his eyes.'
|
|
|
|
So, Polly kept her before his eyes, as long as she could, and
|
|
managed so well with little Paul, as to make it very plain that he was
|
|
all the livelier for his sister's company. When it was time to
|
|
withdraw upstairs again, she would have sent Florence into the inner
|
|
room to say good-night to her father, but the child was timid and drew
|
|
back; and when she urged her again, said, spreading her hands before
|
|
her eyes, as if to shut out her own unworthiness, 'Oh no, no! He don't
|
|
want me. He don't want me!'
|
|
|
|
The little altercation between them had attracted the notice of Mr
|
|
Dombey, who inquired from the table where he was sitting at his wine,
|
|
what the matter was.
|
|
|
|
'Miss Florence was afraid of interrupting, Sir, if she came in to
|
|
say good-night,' said Richards.
|
|
|
|
'It doesn't matter,' returned Mr Dombey. 'You can let her come and
|
|
go without regarding me.'
|
|
|
|
The child shrunk as she listened - and was gone, before her humble
|
|
friend looked round again.
|
|
|
|
However, Polly triumphed not a little in the success of her
|
|
well-intentioned scheme, and in the address with which she had brought
|
|
it to bear: whereof she made a full disclosure to Spitfire when she
|
|
was once more safely entrenched upstairs. Miss Nipper received that
|
|
proof of her confidence, as well as the prospect of their free
|
|
association for the future, rather coldly, and was anything but
|
|
enthusiastic in her demonstrations of joy.
|
|
|
|
'I thought you would have been pleased,' said Polly.
|
|
|
|
'Oh yes, Mrs Richards, I'm very well pleased, thank you,' returned
|
|
Susan, who had suddenly become so very upright that she seemed to have
|
|
put an additional bone in her stays.
|
|
|
|
'You don't show it,' said Polly.
|
|
|
|
'Oh! Being only a permanency I couldn't be expected to show it like
|
|
a temporary,' said Susan Nipper. 'Temporaries carries it all before
|
|
'em here, I find, but though there's a excellent party-wall between
|
|
this house and the next, I mayn't exactly like to go to it, Mrs
|
|
Richards, notwithstanding!'
|
|
|
|
CHAPTER 4.
|
|
|
|
In which some more First Appearances are made on the Stage of these
|
|
Adventures
|
|
|
|
Though the offices of Dombey and Son were within the liberties of
|
|
the City of London, and within hearing of Bow Bells, when their
|
|
clashing voices were not drowned by the uproar in the streets, yet
|
|
were there hints of adventurous and romantic story to be observed in
|
|
some of the adjacent objects. Gog and Magog held their state within
|
|
ten minutes' walk; the Royal Exchange was close at hand; the Bank of
|
|
England, with its vaults of gold and silver 'down among the dead men'
|
|
underground, was their magnificent neighbour. Just round the corner
|
|
stood the rich East India House, teeming with suggestions of precious
|
|
stuffs and stones, tigers, elephants, howdahs, hookahs, umbrellas,
|
|
palm trees, palanquins, and gorgeous princes of a brown complexion
|
|
sitting on carpets, with their slippers very much turned up at the
|
|
toes. Anywhere in the immediate vicinity there might be seen pictures
|
|
of ships speeding away full sail to all parts of the world; outfitting
|
|
warehouses ready to pack off anybody anywhere, fully equipped in half
|
|
an hour; and little timber midshipmen in obsolete naval uniforms,
|
|
eternally employed outside the shop doors of nautical
|
|
Instrument-makers in taking observations of the hackney carriages.
|
|
|
|
Sole master and proprietor of one of these effigies - of that which
|
|
might be called, familiar!y, the woodenest - of that which thrust
|
|
itself out above the pavement, right leg foremost, with a suavity the
|
|
least endurable, and had the shoe buckles and flapped waistcoat the
|
|
least reconcileable to human reason, and bore at its right eye the
|
|
most offensively disproportionate piece of machinery - sole master and
|
|
proprietor of that Midshipman, and proud of him too, an elderly
|
|
gentleman in a Welsh wig had paid house-rent, taxes, rates, and dues,
|
|
for more years than many a full-grown midshipman of flesh and blood
|
|
has numbered in his life; and midshipmen who have attained a pretty
|
|
green old age, have not been wanting in the English Navy.
|
|
|
|
The stock-in-trade of this old gentleman comprised chronometers,
|
|
barometers, telescopes, compasses, charts, maps, sextants, quadrants,
|
|
and specimens of every kind of instrument used in the working of a
|
|
ship's course, or the keeping of a ship's reckoning, or the
|
|
prosecuting of a ship's discoveries. Objects in brass and glass were
|
|
in his drawers and on his shelves, which none but the initiated could
|
|
have found the top of, or guessed the use of, or having once examined,
|
|
could have ever got back again into their mahogany nests without
|
|
assistance. Everything was jammed into the tightest cases, fitted into
|
|
the narrowest corners, fenced up behind the most impertinent cushions,
|
|
and screwed into the acutest angles, to prevent its philosophical
|
|
composure from being disturbed by the rolling of the sea. Such
|
|
extraordinary precautions were taken in every instance to save room,
|
|
and keep the thing compact; and so much practical navigation was
|
|
fitted, and cushioned, and screwed into every box (whether the box was
|
|
a mere slab, as some were, or something between a cocked hat and a
|
|
star-fish, as others were, and those quite mild and modest boxes as
|
|
compared with others); that the shop itself, partaking of the general
|
|
infection, seemed almost to become a snug, sea-going, ship-shape
|
|
concern, wanting only good sea-room, in the event of an unexpected
|
|
launch, to work its way securely to any desert island in the world.
|
|
|
|
Many minor incidents in the household life of the Ships'
|
|
|
|
Instrument-maker who was proud of his little Midshipman, assisted
|
|
and bore out this fancy. His acquaintance lying chiefly among
|
|
ship-chandlers and so forth, he had always plenty of the veritable
|
|
ships' biscuit on his table. It was familiar with dried meats and
|
|
tongues, possessing an extraordinary flavour of rope yarn. Pickles
|
|
were produced upon it, in great wholesale jars, with 'dealer in all
|
|
kinds of Ships' Provisions' on the label; spirits were set forth in
|
|
case bottles with no throats. Old prints of ships with alphabetical
|
|
references to their various mysteries, hung in frames upon the walls;
|
|
the Tartar Frigate under weigh, was on the plates; outlandish shells,
|
|
seaweeds, and mosses, decorated the chimney-piece; the little
|
|
wainscotted back parlour was lighted by a sky-light, like a cabin.
|
|
|
|
Here he lived too, in skipper-like state, all alone with his nephew
|
|
Walter: a boy of fourteen who looked quite enough like a midshipman,
|
|
to carry out the prevailing idea. But there it ended, for Solomon
|
|
Gills himself (more generally called old Sol) was far from having a
|
|
maritime appearance. To say nothing of his Welsh wig, which was as
|
|
plain and stubborn a Welsh wig as ever was worn, and in which he
|
|
looked like anything but a Rover, he was a slow, quiet-spoken,
|
|
thoughtful old fellow, with eyes as red as if they had been small suns
|
|
looking at you through a fog; and a newly-awakened manner, such as he
|
|
might have acquired by having stared for three or four days
|
|
successively through every optical instrument in his shop, and
|
|
suddenly came back to the world again, to find it green. The only
|
|
change ever known in his outward man, was from a complete suit of
|
|
coffee-colour cut very square, and ornamented with glaring buttons, to
|
|
the same suit of coffee-colour minus the inexpressibles, which were
|
|
then of a pale nankeen. He wore a very precise shirt-frill, and
|
|
carried a pair of first-rate spectacles on his forehead, and a
|
|
tremendous chronometer in his fob, rather than doubt which precious
|
|
possession, he would have believed in a conspiracy against it on part
|
|
of all the clocks and watches in the City, and even of the very Sun
|
|
itself. Such as he was, such he had been in the shop and parlour
|
|
behind the little Midshipman, for years upon years; going regularly
|
|
aloft to bed every night in a howling garret remote from the lodgers,
|
|
where, when gentlemen of England who lived below at ease had little or
|
|
no idea of the state of the weather, it often blew great guns.
|
|
|
|
It is half-past five o'clock, and an autumn afternoon, when the
|
|
reader and Solomon Gills become acquainted. Solomon Gills is in the
|
|
act of seeing what time it is by the unimpeachable chronometer. The
|
|
usual daily clearance has been making in the City for an hour or more;
|
|
and the human tide is still rolling westward. 'The streets have
|
|
thinned,' as Mr Gills says, 'very much.' It threatens to be wet
|
|
to-night. All the weatherglasses in the shop are in low spirits, and
|
|
the rain already shines upon the cocked hat of the wooden Midshipman.
|
|
|
|
'Where's Walter, I wonder!' said Solomon Gills, after he had
|
|
carefully put up the chronometer again. 'Here's dinner been ready,
|
|
half an hour, and no Walter!'
|
|
|
|
Turning round upon his stool behind the counter, Mr Gills looked
|
|
out among the instruments in the window, to see if his nephew might be
|
|
crossing the road. No. He was not among the bobbing umbrellas, and he
|
|
certainly was not the newspaper boy in the oilskin cap who was slowly
|
|
working his way along the piece of brass outside, writing his name
|
|
over Mr Gills's name with his forefinger.
|
|
|
|
'If I didn't know he was too fond of me to make a run of it, and go
|
|
and enter himself aboard ship against my wishes, I should begin to be
|
|
fidgetty,' said Mr Gills, tapping two or three weather-glasses with
|
|
his knuckles. 'I really should. All in the Downs, eh! Lots of
|
|
moisture! Well! it's wanted.'
|
|
|
|
I believe,' said Mr Gills, blowing the dust off the glass top of a
|
|
compass-case, 'that you don't point more direct and due to the back
|
|
parlour than the boy's inclination does after all. And the parlour
|
|
couldn't bear straighter either. Due north. Not the twentieth part of
|
|
a point either way.'
|
|
|
|
'Halloa, Uncle Sol!'
|
|
|
|
'Halloa, my boy!' cried the Instrument-maker, turning briskly
|
|
round. 'What! you are here, are you?'
|
|
|
|
A cheerful looking, merry boy, fresh with running home in the rain;
|
|
fair-faced, bright-eyed, and curly-haired.
|
|
|
|
'Well, Uncle, how have you got on without me all day? Is dinner
|
|
ready? I'm so hungry.'
|
|
|
|
'As to getting on,' said Solomon good-naturedly, 'it would be odd
|
|
if I couldn't get on without a young dog like you a great deal better
|
|
than with you. As to dinner being ready, it's been ready this half
|
|
hour and waiting for you. As to being hungry, I am!'
|
|
|
|
'Come along then, Uncle!' cried the boy. 'Hurrah for the admiral!'
|
|
|
|
'Confound the admiral!' returned Solomon Gills. 'You mean the Lord
|
|
Mayor.'
|
|
|
|
'No I don't!' cried the boy. 'Hurrah for the admiral! Hurrah for
|
|
the admiral! For-ward!'
|
|
|
|
At this word of command, the Welsh wig and its wearer were borne
|
|
without resistance into the back parlour, as at the head of a boarding
|
|
party of five hundred men; and Uncle Sol and his nephew were speedily
|
|
engaged on a fried sole with a prospect of steak to follow.
|
|
|
|
'The Lord Mayor, Wally,' said Solomon, 'for ever! No more admirals.
|
|
The Lord Mayor's your admiral.'
|
|
|
|
'Oh, is he though!' said the boy, shaking his head. 'Why, the Sword
|
|
Bearer's better than him. He draws his sword sometimes.
|
|
|
|
'And a pretty figure he cuts with it for his pains,' returned the
|
|
Uncle. 'Listen to me, Wally, listen to me. Look on the mantelshelf.'
|
|
|
|
'Why who has cocked my silver mug up there, on a nail?' exclaimed
|
|
the boy.
|
|
|
|
I have,' said his Uncle. 'No more mugs now. We must begin to drink
|
|
out of glasses to-day, Walter. We are men of business. We belong to
|
|
the City. We started in life this morning.
|
|
|
|
'Well, Uncle,' said the boy, 'I'll drink out of anything you like,
|
|
so long as I can drink to you. Here's to you, Uncle Sol, and Hurrah
|
|
for the
|
|
|
|
'Lord Mayor,' interrupted the old man.
|
|
|
|
'For the Lord Mayor, Sheriffs, Common Council, and Livery,' said
|
|
the boy. 'Long life to 'em!'
|
|
|
|
The uncle nodded his head with great satisfaction. 'And now,' he
|
|
said, 'let's hear something about the Firm.'
|
|
|
|
'Oh! there's not much to be told about the Firm, Uncle,' said the
|
|
boy, plying his knife and fork.' It's a precious dark set of offices,
|
|
and in the room where I sit, there's a high fender, and an iron safe,
|
|
and some cards about ships that are going to sail, and an almanack,
|
|
and some desks and stools, and an inkbottle, and some books, and some
|
|
boxes, and a lot of cobwebs, and in one of 'em, just over my head, a
|
|
shrivelled-up blue-bottle that looks as if it had hung there ever so
|
|
long.'
|
|
|
|
'Nothing else?' said the Uncle.
|
|
|
|
'No, nothing else, except an old birdcage (I wonder how that ever
|
|
came there!) and a coal-scuttle.'
|
|
|
|
'No bankers' books, or cheque books, or bills, or such tokens of
|
|
wealth rolling in from day to day?' said old Sol, looking wistfully at
|
|
his nephew out of the fog that always seemed to hang about him, and
|
|
laying an unctuous emphasis upon the words.
|
|
|
|
'Oh yes, plenty of that I suppose,' returned his nephew carelessly;
|
|
'but all that sort of thing's in Mr Carker's room, or Mr Morfin's, or
|
|
MR Dombey's.'
|
|
|
|
'Has Mr Dombey been there to-day?' inquired the Uncle.
|
|
|
|
'Oh yes! In and out all day.'
|
|
|
|
'He didn't take any notice of you, I suppose?'.
|
|
|
|
'Yes he did. He walked up to my seat, - I wish he wasn't so solemn
|
|
and stiff, Uncle, - and said, "Oh! you are the son of Mr Gills the
|
|
Ships' Instrument-maker." "Nephew, Sir," I said. "I said nephew, boy,"
|
|
said he. But I could take my oath he said son, Uncle.'
|
|
|
|
'You're mistaken I daresay. It's no matter.
|
|
|
|
'No, it's no matter, but he needn't have been so sharp, I thought.
|
|
There was no harm in it though he did say son. Then he told me that
|
|
you had spoken to him about me, and that he had found me employment in
|
|
the House accordingly, and that I was expected to be attentive and
|
|
punctual, and then he went away. I thought he didn't seem to like me
|
|
much.'
|
|
|
|
'You mean, I suppose,' observed the Instrument-maker, 'that you
|
|
didn't seem to like him much?'
|
|
|
|
'Well, Uncle,' returned the boy, laughing. 'Perhaps so; I never
|
|
thought of that.'
|
|
|
|
Solomon looked a little graver as he finished his dinner, and
|
|
glanced from time to time at the boy's bright face. When dinner was
|
|
done, and the cloth was cleared away (the entertainment had been
|
|
brought from a neighbouring eating-house), he lighted a candle, and
|
|
went down below into a little cellar, while his nephew, standing on
|
|
the mouldy staircase, dutifully held the light. After a moment's
|
|
groping here and there, he presently returned with a very
|
|
ancient-looking bottle, covered with dust and dirt.
|
|
|
|
'Why, Uncle Sol!' said the boy, 'what are you about? that's the
|
|
wonderful Madeira! - there's only one more bottle!'
|
|
|
|
Uncle Sol nodded his head, implying that he knew very well what he
|
|
was about; and having drawn the cork in solemn silence, filled two
|
|
glasses and set the bottle and a third clean glass on the table.
|
|
|
|
'You shall drink the other bottle, Wally,' he said, 'when you come
|
|
to good fortune; when you are a thriving, respected, happy man; when
|
|
the start in life you have made to-day shall have brought you, as I
|
|
pray Heaven it may! - to a smooth part of the course you have to run,
|
|
my child. My love to you!'
|
|
|
|
Some of the fog that hung about old Sol seemed to have got into his
|
|
throat; for he spoke huskily. His hand shook too, as he clinked his
|
|
glass against his nephew's. But having once got the wine to his lips,
|
|
he tossed it off like a man, and smacked them afterwards.
|
|
|
|
'Dear Uncle,' said the boy, affecting to make light of it, while
|
|
the tears stood in his eyes, 'for the honour you have done me, et
|
|
cetera, et cetera. I shall now beg to propose Mr Solomon Gills with
|
|
three times three and one cheer more. Hurrah! and you'll return
|
|
thanks, Uncle, when we drink the last bottle together; won't you?'
|
|
|
|
They clinked their glasses again; and Walter, who was hoarding his
|
|
wine, took a sip of it, and held the glass up to his eye with as
|
|
critical an air as he could possibly assume.
|
|
|
|
His Uncle sat looking at him for some time in silence. When their
|
|
eyes at last met, he began at once to pursue the theme that had
|
|
occupied his thoughts, aloud, as if he had been speaking all the time.
|
|
|
|
'You see, Walter,' he said, 'in truth this business is merely a
|
|
habit with me. I am so accustomed to the habit that I could hardly
|
|
live if I relinquished it: but there's nothing doing, nothing doing.
|
|
When that uniform was worn,' pointing out towards the little
|
|
Midshipman, 'then indeed, fortunes were to be made, and were made. But
|
|
competition, competition - new invention, new invention - alteration,
|
|
alteration - the world's gone past me. I hardly know where I am
|
|
myself, much less where my customers are.
|
|
|
|
'Never mind 'em, Uncle!'
|
|
|
|
'Since you came home from weekly boarding-school at Peckham, for
|
|
instance - and that's ten days,' said Solomon, 'I don't remember more
|
|
than one person that has come into the shop.'
|
|
|
|
'Two, Uncle, don't you recollect? There was the man who came to ask
|
|
for change for a sovereign - '
|
|
|
|
'That's the one,' said Solomon.
|
|
|
|
'Why Uncle! don't you call the woman anybody, who came to ask the
|
|
way to Mile-End Turnpike?'
|
|
|
|
'Oh! it's true,' said Solomon, 'I forgot her. Two persons.'
|
|
|
|
'To be sure, they didn't buy anything,' cried the boy.
|
|
|
|
'No. They didn't buy anything,' said Solomon, quietly.
|
|
|
|
'Nor want anything,' cried the boy.
|
|
|
|
'No. If they had, they'd gone to another shop,' said Solomon, in
|
|
the same tone.
|
|
|
|
'But there were two of 'em, Uncle,' cried the boy, as if that were
|
|
a great triumph. 'You said only one.'
|
|
|
|
'Well, Wally,' resumed the old man, after a short pause: 'not being
|
|
like the Savages who came on Robinson Crusoe's Island, we can't live
|
|
on a man who asks for change for a sovereign, and a woman who inquires
|
|
the way to Mile-End Turnpike. As I said just now, the world has gone
|
|
past me. I don't blame it; but I no longer understand it. Tradesmen
|
|
are not the same as they used to be, apprentices are not the same,
|
|
business is not the same, business commodities are not the same.
|
|
Seven-eighths of my stock is old-fashioned. I am an old-fashioned man
|
|
in an old-fashioned shop, in a street that is not the same as I
|
|
remember it. I have fallen behind the time, and am too old to catch it
|
|
again. Even the noise it makes a long way ahead, confuses me.'
|
|
|
|
Walter was going to speak, but his Uncle held up his hand.
|
|
|
|
'Therefore, Wally - therefore it is that I am anxious you should be
|
|
early in the busy world, and on the world's track. I am only the ghost
|
|
of this business - its substance vanished long ago; and when I die,
|
|
its ghost will be laid. As it is clearly no inheritance for you then,
|
|
I have thought it best to use for your advantage, almost the only
|
|
fragment of the old connexion that stands by me, through long habit.
|
|
Some people suppose me to be wealthy. I wish for your sake they were
|
|
right. But whatever I leave behind me, or whatever I can give you, you
|
|
in such a House as Dombey's are in the road to use well and make the
|
|
most of. Be diligent, try to like it, my dear boy, work for a steady
|
|
independence, and be happy!'
|
|
|
|
'I'll do everything I can, Uncle, to deserve your affection. Indeed
|
|
I will,' said the boy, earnestly
|
|
|
|
'I know it,' said Solomon. 'I am sure of it,' and he applied
|
|
himself to a second glass of the old Madeira, with increased relish.
|
|
'As to the Sea,' he pursued, 'that's well enough in fiction, Wally,
|
|
but it won't do in fact: it won't do at all. It's natural enough that
|
|
you should think about it, associating it with all these familiar
|
|
things; but it won't do, it won't do.'
|
|
|
|
Solomon Gills rubbed his hands with an air of stealthy enjoyment,
|
|
as he talked of the sea, though; and looked on the seafaring objects
|
|
about him with inexpressible complacency.
|
|
|
|
'Think of this wine for instance,' said old Sol, 'which has been to
|
|
the East Indies and back, I'm not able to say how often, and has been
|
|
once round the world. Think of the pitch-dark nights, the roaring
|
|
winds, and rolling seas:'
|
|
|
|
'The thunder, lightning, rain, hail, storm of all kinds,' said the
|
|
boy.
|
|
|
|
'To be sure,' said Solomon, - 'that this wine has passed through.
|
|
Think what a straining and creaking of timbers and masts: what a
|
|
whistling and howling of the gale through ropes and rigging:'
|
|
|
|
'What a clambering aloft of men, vying with each other who shall
|
|
lie out first upon the yards to furl the icy sails, while the ship
|
|
rolls and pitches, like mad!' cried his nephew.
|
|
|
|
'Exactly so,' said Solomon: 'has gone on, over the old cask that
|
|
held this wine. Why, when the Charming Sally went down in the - '
|
|
|
|
'In the Baltic Sea, in the dead of night; five-and-twenty minutes
|
|
past twelve when the captain's watch stopped in his pocket; he lying
|
|
dead against the main-mast - on the fourteenth of February, seventeen
|
|
forty-nine!' cried Walter, with great animation.
|
|
|
|
'Ay, to be sure!' cried old Sol, 'quite right! Then, there were
|
|
five hundred casks of such wine aboard; and all hands (except the
|
|
first mate, first lieutenant, two seamen, and a lady, in a leaky boat)
|
|
going to work to stave the casks, got drunk and died drunk, singing
|
|
"Rule Britannia", when she settled and went down, and ending with one
|
|
awful scream in chorus.'
|
|
|
|
'But when the George the Second drove ashore, Uncle, on the coast
|
|
of Cornwall, in a dismal gale, two hours before daybreak, on the
|
|
fourth of March, 'seventy-one, she had near two hundred horses aboard;
|
|
and the horses breaking loose down below, early in the gale, and
|
|
tearing to and fro, and trampling each other to death, made such
|
|
noises, and set up such human cries, that the crew believing the ship
|
|
to be full of devils, some of the best men, losing heart and head,
|
|
went overboard in despair, and only two were left alive, at last, to
|
|
tell the tale.'
|
|
|
|
'And when,' said old Sol, 'when the Polyphemus - '
|
|
|
|
'Private West India Trader, burden three hundred and fifty tons,
|
|
Captain, John Brown of Deptford. Owners, Wiggs and Co.,' cried Walter.
|
|
|
|
'The same,' said Sol; 'when she took fire, four days' sail with a
|
|
fair wind out of Jamaica Harbour, in the night - '
|
|
|
|
'There were two brothers on board,' interposed his nephew, speaking
|
|
very fast and loud, 'and there not being room for both of them in the
|
|
only boat that wasn't swamped, neither of them would consent to go,
|
|
until the elder took the younger by the waist, and flung him in. And
|
|
then the younger, rising in the boat, cried out, "Dear Edward, think
|
|
of your promised wife at home. I'm only a boy. No one waits at home
|
|
for me. Leap down into my place!" and flung himself in the sea!'
|
|
|
|
The kindling eye and heightened colour of the boy, who had risen
|
|
from his seat in the earnestness of what he said and felt, seemed to
|
|
remind old Sol of something he had forgotten, or that his encircling
|
|
mist had hitherto shut out. Instead of proceeding with any more
|
|
anecdotes, as he had evidently intended but a moment before, he gave a
|
|
short dry cough, and said, 'Well! suppose we change the subject.'
|
|
|
|
The truth was, that the simple-minded Uncle in his secret
|
|
attraction towards the marvellous and adventurous - of which he was,
|
|
in some sort, a distant relation, by his trade - had greatly
|
|
encouraged the same attraction in the nephew; and that everything that
|
|
had ever been put before the boy to deter him from a life of
|
|
adventure, had had the usual unaccountable effect of sharpening his
|
|
taste for it. This is invariable. It would seem as if there never was
|
|
a book written, or a story told, expressly with the object of keeping
|
|
boys on shore, which did not lure and charm them to the ocean, as a
|
|
matter of course.
|
|
|
|
But an addition to the little party now made its appearance, in the
|
|
shape of a gentleman in a wide suit of blue, with a hook instead of a
|
|
hand attached to his right wrist; very bushy black eyebrows; and a
|
|
thick stick in his left hand, covered all over (like his nose) with
|
|
knobs. He wore a loose black silk handkerchief round his neck, and
|
|
such a very large coarse shirt collar, that it looked like a small
|
|
sail. He was evidently the person for whom the spare wine-glass was
|
|
intended, and evidently knew it; for having taken off his rough outer
|
|
coat, and hung up, on a particular peg behind the door, such a hard
|
|
glazed hat as a sympathetic person's head might ache at the sight of,
|
|
and which left a red rim round his own forehead as if he had been
|
|
wearing a tight basin, he brought a chair to where the clean glass
|
|
was, and sat himself down behind it. He was usually addressed as
|
|
Captain, this visitor; and had been a pilot, or a skipper, or a
|
|
privateersman, or all three perhaps; and was a very salt-looking man
|
|
indeed.
|
|
|
|
His face, remarkable for a brown solidity, brightened as he shook
|
|
hands with Uncle and nephew; but he seemed to be of a laconic
|
|
disposition, and merely said:
|
|
|
|
'How goes it?'
|
|
|
|
'All well,' said Mr Gills, pushing the bottle towards him.
|
|
|
|
He took it up, and having surveyed and smelt it, said with
|
|
extraordinary expression:
|
|
|
|
'The?'
|
|
|
|
'The,' returned the Instrument-maker.
|
|
|
|
Upon that he whistled as he filled his glass, and seemed to think
|
|
they were making holiday indeed.
|
|
|
|
'Wal'r!' he said, arranging his hair (which was thin) with his
|
|
hook, and then pointing it at the Instrument-maker, 'Look at him!
|
|
Love! Honour! And Obey! Overhaul your catechism till you find that
|
|
passage, and when found turn the leaf down. Success, my boy!'
|
|
|
|
He was so perfectly satisfied both with his quotation and his
|
|
reference to it, that he could not help repeating the words again in a
|
|
low voice, and saying he had forgotten 'em these forty year.
|
|
|
|
'But I never wanted two or three words in my life that I didn't
|
|
know where to lay my hand upon 'em, Gills,' he observed. 'It comes of
|
|
not wasting language as some do.'
|
|
|
|
The reflection perhaps reminded him that he had better, like young
|
|
Norval's father, '"ncrease his store." At any rate he became silent,
|
|
and remained so, until old Sol went out into the shop to light it up,
|
|
when he turned to Walter, and said, without any introductory remark:
|
|
|
|
'I suppose he could make a clock if he tried?'
|
|
|
|
'I shouldn't wonder, Captain Cuttle,' returned the boy.
|
|
|
|
'And it would go!' said Captain Cuttle, making a species of serpent
|
|
in the air with his hook. 'Lord, how that clock would go!'
|
|
|
|
For a moment or two he seemed quite lost in contemplating the pace
|
|
of this ideal timepiece, and sat looking at the boy as if his face
|
|
were the dial.
|
|
|
|
'But he's chockful of science,' he observed, waving his hook
|
|
towards the stock-in-trade. 'Look'ye here! Here's a collection of 'em.
|
|
Earth, air, or water. It's all one. Only say where you'll have it. Up
|
|
in a balloon? There you are. Down in a bell? There you are. D'ye want
|
|
to put the North Star in a pair of scales and weigh it? He'll do it
|
|
for you.'
|
|
|
|
It may be gathered from these remarks that Captain Cuttle's
|
|
reverence for the stock of instruments was profound, and that his
|
|
philosophy knew little or no distinction between trading in it and
|
|
inventing it.
|
|
|
|
'Ah!' he said, with a sigh, 'it's a fine thing to understand 'em.
|
|
And yet it's a fine thing not to understand 'em. I hardly know which
|
|
is best. It's so comfortable to sit here and feel that you might be
|
|
weighed, measured, magnified, electrified, polarized, played the very
|
|
devil with: and never know how.'
|
|
|
|
Nothing short of the wonderful Madeira, combined with the occasion
|
|
(which rendered it desirable to improve and expand Walter's mind),
|
|
could have ever loosened his tongue to the extent of giving utterance
|
|
to this prodigious oration. He seemed quite amazed himself at the
|
|
manner in which it opened up to view the sources of the taciturn
|
|
delight he had had in eating Sunday dinners in that parlour for ten
|
|
years. Becoming a sadder and a wiser man, he mused and held his peace.
|
|
|
|
'Come!' cried the subject of this admiration, returning. 'Before
|
|
you have your glass of grog, Ned, we must finish the bottle.'
|
|
|
|
'Stand by!' said Ned, filling his glass. 'Give the boy some more.'
|
|
|
|
'No more, thank'e, Uncle!'
|
|
|
|
'Yes, yes,' said Sol, 'a little more. We'll finish the bottle, to
|
|
the House, Ned - Walter's House. Why it may be his House one of these
|
|
days, in part. Who knows? Sir Richard Whittington married his master's
|
|
daughter.'
|
|
|
|
'"Turn again Whittington, Lord Mayor of London, and when you are
|
|
old you will never depart from it,"' interposed the Captain. 'Wal'r!
|
|
Overhaul the book, my lad.'
|
|
|
|
'And although Mr Dombey hasn't a daughter,' Sol began.
|
|
|
|
'Yes, yes, he has, Uncle,' said the boy, reddening and laughing.
|
|
|
|
'Has he?' cried the old man. 'Indeed I think he has too.
|
|
|
|
'Oh! I know he has,' said the boy. 'Some of 'em were talking about
|
|
it in the office today. And they do say, Uncle and Captain Cuttle,'
|
|
lowering his voice, 'that he's taken a dislike to her, and that she's
|
|
left, unnoticed, among the servants, and that his mind's so set all
|
|
the while upon having his son in the House, that although he's only a
|
|
baby now, he is going to have balances struck oftener than formerly,
|
|
and the books kept closer than they used to be, and has even been seen
|
|
(when he thought he wasn't) walking in the Docks, looking at his ships
|
|
and property and all that, as if he was exulting like, over what he
|
|
and his son will possess together. That's what they say. Of course, I
|
|
don't know.
|
|
|
|
'He knows all about her already, you see,' said the
|
|
instrument-maker.
|
|
|
|
'Nonsense, Uncle,' cried the boy, still reddening and laughing,
|
|
boy-like. 'How can I help hearing what they tell me?'
|
|
|
|
'The Son's a little in our way at present, I'm afraid, Ned,' said
|
|
the old man, humouring the joke.
|
|
|
|
'Very much,' said the Captain.
|
|
|
|
'Nevertheless, we'll drink him,' pursued Sol. 'So, here's to Dombey
|
|
and Son.'
|
|
|
|
'Oh, very well, Uncle,' said the boy, merrily. 'Since you have
|
|
introduced the mention of her, and have connected me with her and have
|
|
said that I know all about her, I shall make bold to amend the toast.
|
|
So here's to Dombey - and Son - and Daughter!'
|
|
|
|
CHAPTER 5.
|
|
|
|
Paul's Progress and Christening
|
|
|
|
Little Paul, suffering no contamination from the blood of the
|
|
Toodles, grew stouter and stronger every day. Every day, too, he was
|
|
more and more ardently cherished by Miss Tox, whose devotion was so
|
|
far appreciated by Mr Dombey that he began to regard her as a woman of
|
|
great natural good sense, whose feelings did her credit and deserved
|
|
encouragement. He was so lavish of this condescension, that he not
|
|
only bowed to her, in a particular manner, on several occasions, but
|
|
even entrusted such stately recognitions of her to his sister as 'pray
|
|
tell your friend, Louisa, that she is very good,' or 'mention to Miss
|
|
Tox, Louisa, that I am obliged to her;'specialities which made a deep
|
|
impression on the lady thus distinguished.
|
|
|
|
Whether Miss Tox conceived that having been selected by the Fates
|
|
to welcome the little Dombey before he was born, in Kirby, Beard and
|
|
Kirby's Best Mixed Pins, it therefore naturally devolved upon her to
|
|
greet him with all other forms of welcome in all other early stages of
|
|
his existence - or whether her overflowing goodness induced her to
|
|
volunteer into the domestic militia as a substitute in some sort for
|
|
his deceased Mama - or whether she was conscious of any other motives
|
|
- are questions which in this stage of the Firm's history herself only
|
|
could have solved. Nor have they much bearing on the fact (of which
|
|
there is no doubt), that Miss Tox's constancy and zeal were a heavy
|
|
discouragement to Richards, who lost flesh hourly under her patronage,
|
|
and was in some danger of being superintended to death.
|
|
|
|
Miss Tox was often in the habit of assuring Mrs Chick, that nothing
|
|
could exceed her interest in all connected with the development of
|
|
that sweet child;' and an observer of Miss Tox's proceedings might
|
|
have inferred so much without declaratory confirmation. She would
|
|
preside over the innocent repasts of the young heir, with ineffable
|
|
satisfaction, almost with an air of joint proprietorship with Richards
|
|
in the entertainment. At the little ceremonies of the bath and
|
|
toilette, she assisted with enthusiasm. The administration of
|
|
infantine doses of physic awakened all the active sympathy of her
|
|
character; and being on one occasion secreted in a cupboard (whither
|
|
she had fled in modesty), when Mr Dombey was introduced into the
|
|
nursery by his sister, to behold his son, in the course of preparation
|
|
for bed, taking a short walk uphill over Richards's gown, in a short
|
|
and airy linen jacket, Miss Tox was so transported beyond the ignorant
|
|
present as to be unable to refrain from crying out, 'Is he not
|
|
beautiful Mr Dombey! Is he not a Cupid, Sir!' and then almost sinking
|
|
behind the closet door with confusion and blushes.
|
|
|
|
'Louisa,' said Mr Dombey, one day, to his sister, 'I really think I
|
|
must present your friend with some little token, on the occasion of
|
|
Paul's christening. She has exerted herself so warmly in the child's
|
|
behalf from the first, and seems to understand her position so
|
|
thoroughly (a very rare merit in this world, I am sorry to say), that
|
|
it would really be agreeable to me to notice her.'
|
|
|
|
Let it be no detraction from the merits of Miss Tox, to hint that
|
|
in Mr Dombey's eyes, as in some others that occasionally see the
|
|
light, they only achieved that mighty piece of knowledge, the
|
|
understanding of their own position, who showed a fitting reverence
|
|
for his. It was not so much their merit that they knew themselves, as
|
|
that they knew him, and bowed low before him.
|
|
|
|
'My dear Paul,' returned his sister, 'you do Miss Tox but justice,
|
|
as a man of your penetration was sure, I knew, to do. I believe if
|
|
there are three words in the English language for which she has a
|
|
respect amounting almost to veneration, those words are, Dombey and
|
|
Son.'
|
|
|
|
'Well,' said Mr Dombey, 'I believe it. It does Miss Tox credit.'
|
|
|
|
'And as to anything in the shape of a token, my dear Paul,' pursued
|
|
his sister, 'all I can say is that anything you give Miss Tox will be
|
|
hoarded and prized, I am sure, like a relic. But there is a way, my
|
|
dear Paul, of showing your sense of Miss Tox's friendliness in a still
|
|
more flattering and acceptable manner, if you should be so inclined.'
|
|
|
|
'How is that?' asked Mr Dombey.
|
|
|
|
'Godfathers, of course,' continued Mrs Chick, 'are important in
|
|
point of connexion and influence.'
|
|
|
|
'I don't know why they should be, to my son, said Mr Dombey,
|
|
coldly.
|
|
|
|
'Very true, my dear Paul,' retorted Mrs Chick, with an
|
|
extraordinary show of animation, to cover the suddenness of her
|
|
conversion; 'and spoken like yourself. I might have expected nothing
|
|
else from you. I might have known that such would have been your
|
|
opinion. Perhaps;' here Mrs Chick faltered again, as not quite
|
|
comfortably feeling her way; 'perhaps that is a reason why you might
|
|
have the less objection to allowing Miss Tox to be godmother to the
|
|
dear thing, if it were only as deputy and proxy for someone else. That
|
|
it would be received as a great honour and distinction, Paul, I need
|
|
not say.
|
|
|
|
'Louisa,' said Mr Dombey, after a short pause, 'it is not to be
|
|
supposed - '
|
|
|
|
'Certainly not,' cried Mrs Chick, hastening to anticipate a
|
|
refusal, 'I never thought it was.'
|
|
|
|
Mr Dombey looked at her impatiently.
|
|
|
|
'Don't flurry me, my dear Paul,' said his sister; 'for that
|
|
destroys me. I am far from strong. I have not been quite myself, since
|
|
poor dear Fanny departed.'
|
|
|
|
Mr Dombey glanced at the pocket-handkerchief which his sister
|
|
applied to her eyes, and resumed:
|
|
|
|
'It is not be supposed, I say 'And I say,' murmured Mrs Chick,
|
|
'that I never thought it was.'
|
|
|
|
'Good Heaven, Louisa!' said Mr Dombey.
|
|
|
|
'No, my dear Paul,' she remonstrated with tearful dignity, 'I must
|
|
really be allowed to speak. I am not so clever, or so reasoning, or so
|
|
eloquent, or so anything, as you are. I know that very well. So much
|
|
the worse for me. But if they were the last words I had to utter - and
|
|
last words should be very solemn to you and me, Paul, after poor dear
|
|
Fanny - I would still say I never thought it was. And what is more,'
|
|
added Mrs Chick with increased dignity, as if she had withheld her
|
|
crushing argument until now, 'I never did think it was.' Mr Dombey
|
|
walked to the window and back again.
|
|
|
|
'It is not to be supposed, Louisa,' he said (Mrs Chick had nailed
|
|
her colours to the mast, and repeated 'I know it isn't,' but he took
|
|
no notice of it), 'but that there are many persons who, supposing that
|
|
I recognised any claim at all in such a case, have a claim upon me
|
|
superior to Miss Tox's. But I do not. I recognise no such thing. Paul
|
|
and myself will be able, when the time comes, to hold our own - the
|
|
House, in other words, will be able to hold its own, and maintain its
|
|
own, and hand down its own of itself, and without any such
|
|
common-place aids. The kind of foreign help which people usually seek
|
|
for their children, I can afford to despise; being above it, I hope.
|
|
So that Paul's infancy and childhood pass away well, and I see him
|
|
becoming qualified without waste of time for the career on which he is
|
|
destined to enter, I am satisfied. He will make what powerful friends
|
|
he pleases in after-life, when he is actively maintaining - and
|
|
extending, if that is possible - the dignity and credit of the Firm.
|
|
Until then, I am enough for him, perhaps, and all in all. I have no
|
|
wish that people should step in between us. I would much rather show
|
|
my sense of the obliging conduct of a deserving person like your
|
|
friend. Therefore let it be so; and your husband and myself will do
|
|
well enough for the other sponsors, I daresay.'
|
|
|
|
In the course of these remarks, delivered with great majesty and
|
|
grandeur, Mr Dombey had truly revealed the secret feelings of his
|
|
breast. An indescribable distrust of anybody stepping in between
|
|
himself and his son; a haughty dread of having any rival or partner in
|
|
the boy's respect and deference; a sharp misgiving, recently acquired,
|
|
that he was not infallible in his power of bending and binding human
|
|
wills; as sharp a jealousy of any second check or cross; these were,
|
|
at that time the master keys of his soul. In all his life, he had
|
|
never made a friend. His cold and distant nature had neither sought
|
|
one, nor found one. And now, when that nature concentrated its whole
|
|
force so strongly on a partial scheme of parental interest and
|
|
ambition, it seemed as if its icy current, instead of being released
|
|
by this influence, and running clear and free, had thawed for but an
|
|
instant to admit its burden, and then frozen with it into one
|
|
unyielding block.
|
|
|
|
Elevated thus to the godmothership of little Paul, in virtue of her
|
|
insignificance, Miss Tox was from that hour chosen and appointed to
|
|
office; and Mr Dombey further signified his pleasure that the
|
|
ceremony, already long delayed, should take place without further
|
|
postponement. His sister, who had been far from anticipating so signal
|
|
a success, withdrew as soon as she could, to communicate it to her
|
|
best of friends; and Mr Dombey was left alone in his library. He had
|
|
already laid his hand upon the bellrope to convey his usual summons to
|
|
Richards, when his eye fell upon a writing-desk, belonging to his
|
|
deceased wife, which had been taken, among other things, from a
|
|
cabinet in her chamber. It was not the first time that his eye had
|
|
lighted on it He carried the key in his pocket; and he brought it to
|
|
his table and opened it now - having previously locked the room door -
|
|
with a well-accustomed hand.
|
|
|
|
From beneath a leaf of torn and cancelled scraps of paper, he took
|
|
one letter that remained entire. Involuntarily holding his breath as
|
|
he opened this document, and 'bating in the stealthy action something
|
|
of his arrogant demeanour, he s at down, resting his head upon one
|
|
hand, and read it through.
|
|
|
|
He read it slowly and attentively, and with a nice particularity to
|
|
every syllable. Otherwise than as his great deliberation seemed
|
|
unnatural, and perhaps the result of an effort equally great, he
|
|
allowed no sign of emotion to escape him. When he had read it through,
|
|
he folded and refolded it slowly several times, and tore it carefully
|
|
into fragments. Checking his hand in the act of throwing these away,
|
|
he put them in his pocket, as if unwilling to trust them even to the
|
|
chances of being re-united and deciphered; and instead of ringing, as
|
|
usual, for little Paul, he sat solitary, all the evening, in his
|
|
cheerless room.
|
|
|
|
There was anything but solitude in the nursery; for there, Mrs
|
|
Chick and Miss Tox were enjoying a social evening, so much to the
|
|
disgust of Miss Susan Nipper, that that young lady embraced every
|
|
opportunity of making wry faces behind the door. Her feelings were so
|
|
much excited on the occasion, that she found it indispensable to
|
|
afford them this relief, even without having the comfort of any
|
|
audience or sympathy whatever. As the knight-errants of old relieved
|
|
their minds by carving their mistress's names in deserts, and
|
|
wildernesses, and other savage places where there was no probability
|
|
of there ever being anybody to read them, so did Miss Susan Nipper
|
|
curl her snub nose into drawers and wardrobes, put away winks of
|
|
disparagement in cupboards, shed derisive squints into stone pitchers,
|
|
and contradict and call names out in the passage.
|
|
|
|
The two interlopers, however, blissfully unconscious of the young
|
|
lady's sentiments, saw little Paul safe through all the stages of
|
|
undressing, airy exercise, supper and bed; and then sat down to tea
|
|
before the fire. The two children now lay, through the good offices of
|
|
Polly, in one room; and it was not until the ladies were established
|
|
at their tea-table that, happening to look towards the little beds,
|
|
they thought of Florence.
|
|
|
|
'How sound she sleeps!' said Miss Tox.
|
|
|
|
'Why, you know, my dear, she takes a great deal of exercise in the
|
|
course of the day,' returned Mrs Chick, 'playing about little Paul so
|
|
much.'
|
|
|
|
'She is a curious child,' said Miss Tox.
|
|
|
|
'My dear,' retorted Mrs Chick, in a low voice: 'Her Mama, all
|
|
over!'
|
|
|
|
'In deed!' said Miss Tox. 'Ah dear me!'
|
|
|
|
A tone of most extraordinary compassion Miss Tox said it in, though
|
|
she had no distinct idea why, except that it was expected of her.
|
|
|
|
'Florence will never, never, never be a Dombey,'said Mrs Chick,
|
|
'not if she lives to be a thousand years old.'
|
|
|
|
Miss Tox elevated her eyebrows, and was again full of
|
|
|
|
commiseration.
|
|
|
|
'I quite fret and worry myself about her,' said Mrs Chick, with a
|
|
sigh of modest merit. 'I really don't see what is to become of her
|
|
when she grows older, or what position she is to take. She don't gain
|
|
on her Papa in the least. How can one expect she should, when she is
|
|
so very unlike a Dombey?'
|
|
|
|
Miss Tox looked as if she saw no way out of such a cogent argument
|
|
as that, at all.
|
|
|
|
'And the child, you see,' said Mrs Chick, in deep confidence, 'has
|
|
poor dear Fanny's nature. She'll never make an effort in after-life,
|
|
I'll venture to say. Never! She'll never wind and twine herself about
|
|
her Papa's heart like - '
|
|
|
|
'Like the ivy?' suggested Miss Tox.
|
|
|
|
'Like the ivy,' Mrs Chick assented. 'Never! She'll never glide and
|
|
nestle into the bosom of her Papa's affections like - the - '
|
|
|
|
'Startled fawn?' suggested Miss Tox.
|
|
|
|
'Like the startled fawn,' said Mrs Chick. 'Never! Poor Fanny! Yet,
|
|
how I loved her!'
|
|
|
|
'You must not distress yourself, my dear,' said Miss Tox, in a
|
|
soothing voice. 'Now really! You have too much feeling.'
|
|
|
|
'We have all our faults,' said Mrs Chick, weeping and shaking her
|
|
head. 'I daresay we have. I never was blind to hers. I never said I
|
|
was. Far from it. Yet how I loved her!'
|
|
|
|
What a satisfaction it was to Mrs Chick - a common-place piece of
|
|
folly enough, compared with whom her sister-in-law had been a very
|
|
angel of womanly intelligence and gentleness - to patronise and be
|
|
tender to the memory of that lady: in exact pursuance of her conduct
|
|
to her in her lifetime: and to thoroughly believe herself, and take
|
|
herself in, and make herself uncommonly comfortable on the strength of
|
|
her toleration! What a mighty pleasant virtue toleration should be
|
|
when we are right, to be so very pleasant when we are wrong, and quite
|
|
unable to demonstrate how we come to be invested with the privilege of
|
|
exercising it!
|
|
|
|
Mrs Chick was yet drying her eyes and shaking her head, when
|
|
Richards made bold to caution her that Miss Florence was awake and
|
|
sitting in her bed. She had risen, as the nurse said, and the lashes
|
|
of her eyes were wet with tears. But no one saw them glistening save
|
|
Polly. No one else leant over her, and whispered soothing words to
|
|
her, or was near enough to hear the flutter of her beating heart.
|
|
|
|
'Oh! dear nurse!' said the child, looking earnestly up in her face,
|
|
'let me lie by my brother!'
|
|
|
|
'Why, my pet?' said Richards.
|
|
|
|
'Oh! I think he loves me,' cried the child wildly. 'Let me lie by
|
|
him. Pray do!'
|
|
|
|
Mrs Chick interposed with some motherly words about going to sleep
|
|
like a dear, but Florence repeated her supplication, with a frightened
|
|
look, and in a voice broken by sobs and tears.
|
|
|
|
'I'll not wake him,' she said, covering her face and hanging down
|
|
her head. 'I'll only touch him with my hand, and go to sleep. Oh,
|
|
pray, pray, let me lie by my brother to-night, for I believe he's fond
|
|
of me!'
|
|
|
|
Richards took her without a word, and carrying her to the little
|
|
bed in which the infant was sleeping, laid her down by his side. She
|
|
crept as near him as she could without disturbing his rest; and
|
|
stretching out one arm so that it timidly embraced his neck, and
|
|
hiding her face on the other, over which her damp and scattered hair
|
|
fell loose, lay motionless.
|
|
|
|
'Poor little thing,' said Miss Tox; 'she has been dreaming, I
|
|
daresay.'
|
|
|
|
Dreaming, perhaps, of loving tones for ever silent, of loving eyes
|
|
for ever closed, of loving arms again wound round her, and relaxing in
|
|
that dream within the dam which no tongue can relate. Seeking, perhaps
|
|
- in dreams - some natural comfort for a heart, deeply and sorely
|
|
wounded, though so young a child's: and finding it, perhaps, in
|
|
dreams, if not in waking, cold, substantial truth. This trivial
|
|
incident had so interrupted the current of conversation, that it was
|
|
difficult of resumption; and Mrs Chick moreover had been so affected
|
|
by the contemplation of her own tolerant nature, that she was not in
|
|
spirits. The two friends accordingly soon made an end of their tea,
|
|
and a servant was despatched to fetch a hackney cabriolet for Miss
|
|
Tox. Miss Tox had great experience in hackney cabs, and her starting
|
|
in one was generally a work of time, as she was systematic in the
|
|
preparatory arrangements.
|
|
|
|
'Have the goodness, if you please, Towlinson,' said Miss Tox,
|
|
'first of all, to carry out a pen and ink and take his number
|
|
legibly.'
|
|
|
|
'Yes, Miss,' said Towlinson.
|
|
|
|
'Then, if you please, Towlinson,'said Miss Tox, 'have the goodness
|
|
|
|
to turn the cushion. Which,' said Miss Tox apart to Mrs Chick, 'is
|
|
generally damp, my dear.'
|
|
|
|
'Yes, Miss,' said Towlinson.
|
|
|
|
'I'll trouble you also, if you please, Towlinson,' said Miss Tox,
|
|
'with this card and this shilling. He's to drive to the card, and is
|
|
to understand that he will not on any account have more than the
|
|
shilling.'
|
|
|
|
'No, Miss,' said Towlinson.
|
|
|
|
'And - I'm sorry to give you so much trouble, Towlinson,' said Miss
|
|
Tox, looking at him pensively.
|
|
|
|
'Not at all, Miss,' said Towlinson.
|
|
|
|
'Mention to the man, then, if you please, Towlinson,' said Miss
|
|
Tox, 'that the lady's uncle is a magistrate, and that if he gives her
|
|
any of his impertinence he will be punished terribly. You can pretend
|
|
to say that, if you please, Towlinson, in a friendly way, and because
|
|
you know it was done to another man, who died.'
|
|
|
|
'Certainly, Miss,' said Towlinson.
|
|
|
|
'And now good-night to my sweet, sweet, sweet, godson,' said Miss
|
|
Tox, with a soft shower of kisses at each repetition of the adjective;
|
|
'and Louisa, my dear friend, promise me to take a little something
|
|
warm before you go to bed, and not to distress yourself!'
|
|
|
|
It was with extreme difficulty that Nipper, the black-eyed, who
|
|
looked on steadfastly, contained herself at this crisis, and until the
|
|
subsequent departure of Mrs Chick. But the nursery being at length
|
|
free of visitors, she made herself some recompense for her late
|
|
restraint.
|
|
|
|
'You might keep me in a strait-waistcoat for six weeks,' said
|
|
Nipper, 'and when I got it off I'd only be more aggravated, who ever
|
|
heard the like of them two Griffins, Mrs Richards?'
|
|
|
|
'And then to talk of having been dreaming, poor dear!' said Polly.
|
|
|
|
'Oh you beauties!' cried Susan Nipper, affecting to salute the door
|
|
by which the ladies had departed. 'Never be a Dombey won't she? It's
|
|
to be hoped she won't, we don't want any more such, one's enough.'
|
|
|
|
'Don't wake the children, Susan dear,' said Polly.
|
|
|
|
'I'm very much beholden to you, Mrs Richards,' said Susan, who was
|
|
not by any means discriminating in her wrath, 'and really feel it as a
|
|
honour to receive your commands, being a black slave and a mulotter.
|
|
Mrs Richards, if there's any other orders, you can give me, pray
|
|
mention 'em.'
|
|
|
|
'Nonsense; orders,' said Polly.
|
|
|
|
'Oh! bless your heart, Mrs Richards,' cried Susan, 'temporaries
|
|
always orders permanencies here, didn't you know that, why wherever
|
|
was you born, Mrs Richards? But wherever you was born, Mrs Richards,'
|
|
pursued Spitfire, shaking her head resolutely, 'and whenever, and
|
|
however (which is best known to yourself), you may bear in mind,
|
|
please, that it's one thing to give orders, and quite another thing to
|
|
take 'em. A person may tell a person to dive off a bridge head
|
|
foremost into five-and-forty feet of water, Mrs Richards, but a person
|
|
may be very far from diving.'
|
|
|
|
'There now,' said Polly, 'you're angry because you're a good little
|
|
thing, and fond of Miss Florence; and yet you turn round on me,
|
|
because there's nobody else.'
|
|
|
|
'It's very easy for some to keep their tempers, and be soft-spoken,
|
|
Mrs Richards,' returned Susan, slightly mollified, 'when their child's
|
|
made as much of as a prince, and is petted and patted till it wishes
|
|
its friends further, but when a sweet young pretty innocent, that
|
|
never ought to have a cross word spoken to or of it, is rundown, the
|
|
case is very different indeed. My goodness gracious me, Miss Floy, you
|
|
naughty, sinful child, if you don't shut your eyes this minute, I'll
|
|
call in them hobgoblins that lives in the cock-loft to come and eat
|
|
you up alive!'
|
|
|
|
Here Miss Nipper made a horrible lowing, supposed to issue from a
|
|
conscientious goblin of the bull species, impatient to discharge the
|
|
severe duty of his position. Having further composed her young charge
|
|
by covering her head with the bedclothes, and making three or four
|
|
angry dabs at the pillow, she folded her arms, and screwed up her
|
|
mouth, and sat looking at the fire for the rest of the evening.
|
|
|
|
Though little Paul was said, in nursery phrase, 'to take a deal of
|
|
notice for his age,' he took as little notice of all this as of the
|
|
preparations for his christening on the next day but one; which
|
|
nevertheless went on about him, as to his personal apparel, and that
|
|
of his sister and the two nurses, with great activity. Neither did he,
|
|
on the arrival of the appointed morning, show any sense of its
|
|
importance; being, on the contrary, unusually inclined to sleep, and
|
|
unusually inclined to take it ill in his attendants that they dressed
|
|
him to go out.
|
|
|
|
It happened to be an iron-grey autumnal day, with a shrewd east
|
|
wind blowing - a day in keeping with the proceedings. Mr Dombey
|
|
represented in himself the wind, the shade, and the autumn of the
|
|
christening. He stood in his library to receive the company, as hard
|
|
and cold as the weather; and when he looked out through the glass
|
|
room, at the trees in the little garden, their brown and yellow leaves
|
|
came fluttering down, as if he blighted them.
|
|
|
|
Ugh! They were black, cold rooms; and seemed to be in mourning,
|
|
like the inmates of the house. The books precisely matched as to size,
|
|
and drawn up in line, like soldiers, looked in their cold, hard,
|
|
slippery uniforms, as if they had but one idea among them, and that
|
|
was a freezer. The bookcase, glazed and locked, repudiated all
|
|
familiarities. Mr Pitt, in bronze, on the top, with no trace of his
|
|
celestial origin' about him, guarded the unattainable treasure like an
|
|
enchanted Moor. A dusty urn at each high corner, dug up from an
|
|
ancient tomb, preached desolation and decay, as from two pulpits; and
|
|
the chimney-glass, reflecting Mr Dombey and his portrait at one blow,
|
|
seemed fraught with melancholy meditations.
|
|
|
|
The stiff and stark fire-irons appeared to claim a nearer
|
|
relationship than anything else there to Mr Dombey, with his buttoned
|
|
coat, his white cravat, his heavy gold watch-chain, and his creaking
|
|
boots.
|
|
|
|
But this was before the arrival of Mr and Mrs Chick, his lawful
|
|
relatives, who soon presented themselves.
|
|
|
|
'My dear Paul,' Mrs Chick murmured, as she embraced him, 'the
|
|
beginning, I hope, of many joyful days!'
|
|
|
|
'Thank you, Louisa,' said Mr Dombey, grimly. 'How do you do, Mr
|
|
John?'
|
|
|
|
'How do you do, Sir?' said Chick.
|
|
|
|
He gave Mr Dombey his hand, as if he feared it might electrify him.
|
|
Mr Dombey tool: it as if it were a fish, or seaweed, or some such
|
|
clammy substance, and immediately returned it to him with exalted
|
|
politeness.
|
|
|
|
'Perhaps, Louisa,' said Mr Dombey, slightly turning his head in his
|
|
cravat, as if it were a socket, 'you would have preferred a fire?'
|
|
|
|
'Oh, my dear Paul, no,' said Mrs Chick, who had much ado to keep
|
|
her teeth from chattering; 'not for me.'
|
|
|
|
'Mr John,' said Mr Dombey, 'you are not sensible of any chill?'
|
|
|
|
Mr John, who had already got both his hands in his pockets over the
|
|
wrists, and was on the very threshold of that same canine chorus which
|
|
had given Mrs Chick so much offence on a former occasion, protested
|
|
that he was perfectly comfortable.
|
|
|
|
He added in a low voice, 'With my tiddle tol toor rul' - when he
|
|
was providentially stopped by Towlinson, who announced:
|
|
|
|
'Miss Tox!'
|
|
|
|
And enter that fair enslaver, with a blue nose and indescribably
|
|
frosty face, referable to her being very thinly clad in a maze of
|
|
fluttering odds and ends, to do honour to the ceremony.
|
|
|
|
'How do you do, Miss Tox?' said Mr Dombey.
|
|
|
|
Miss Tox, in the midst of her spreading gauzes, went down
|
|
altogether like an opera-glass shutting-up; she curtseyed so low, in
|
|
acknowledgment of Mr Dombey's advancing a step or two to meet her.
|
|
|
|
'I can never forget this occasion, Sir,' said Miss Tox, softly.
|
|
''Tis impossible. My dear Louisa, I can hardly believe the evidence of
|
|
my senses.'
|
|
|
|
If Miss Tox could believe the evidence of one of her senses, it was
|
|
a very cold day. That was quite clear. She took an early opportunity
|
|
of promoting the circulation in the tip of her nose by secretly
|
|
chafing it with her pocket handkerchief, lest, by its very low
|
|
temperature, it should disagreeably astonish the baby when she came to
|
|
kiss it.
|
|
|
|
The baby soon appeared, carried in great glory by Richards; while
|
|
Florence, in custody of that active young constable, Susan Nipper,
|
|
brought up the rear. Though the whole nursery party were dressed by
|
|
this time in lighter mourning than at first, there was enough in the
|
|
appearance of the bereaved children to make the day no brighter. The
|
|
baby too - it might have been Miss Tox's nose - began to cry. Thereby,
|
|
as it happened, preventing Mr Chick from the awkward fulfilment of a
|
|
very honest purpose he had; which was, to make much of Florence. For
|
|
this gentleman, insensible to the superior claims of a perfect Dombey
|
|
(perhaps on account of having the honour to be united to a Dombey
|
|
himself, and being familiar with excellence), really liked her, and
|
|
showed that he liked her, and was about to show it in his own way now,
|
|
when Paul cried, and his helpmate stopped him short
|
|
|
|
'Now Florence, child!' said her aunt, briskly, 'what are you doing,
|
|
love? Show yourself to him. Engage his attention, my dear!'
|
|
|
|
The atmosphere became or might have become colder and colder, when
|
|
Mr Dombey stood frigidly watching his little daughter, who, clapping
|
|
her hands, and standing On tip-toe before the throne of his son and
|
|
heir, lured him to bend down from his high estate, and look at her.
|
|
Some honest act of Richards's may have aided the effect, but he did
|
|
look down, and held his peace. As his sister hid behind her nurse, he
|
|
followed her with his eyes; and when she peeped out with a merry cry
|
|
to him, he sprang up and crowed lustily - laughing outright when she
|
|
ran in upon him; and seeming to fondle her curls with his tiny hands,
|
|
while she smothered him with kisses.
|
|
|
|
Was Mr Dombey pleased to see this? He testified no pleasure by the
|
|
relaxation of a nerve; but outward tokens of any kind of feeling were
|
|
unusual with him. If any sunbeam stole into the room to light the
|
|
children at their play, it never reached his face. He looked on so
|
|
fixedly and coldly, that the warm light vanished even from the
|
|
laughing eyes of little Florence, when, at last, they happened to meet
|
|
his.
|
|
|
|
It was a dull, grey, autumn day indeed, and in a minute's pause and
|
|
silence that took place, the leaves fell sorrowfully.
|
|
|
|
'Mr John,' said Mr Dombey, referring to his watch, and assuming his
|
|
hat and gloves. 'Take my sister, if you please: my arm today is Miss
|
|
Tox's. You had better go first with Master Paul, Richards. Be very
|
|
careful.'
|
|
|
|
In Mr Dombey's carriage, Dombey and Son, Miss Tox, Mrs Chick,
|
|
Richards, and Florence. In a little carriage following it, Susan
|
|
Nipper and the owner Mr Chick. Susan looking out of window, without
|
|
intermission, as a relief from the embarrassment of confronting the
|
|
large face of that gentleman, and thinking whenever anything rattled
|
|
that he was putting up in paper an appropriate pecuniary compliment
|
|
for herself.
|
|
|
|
Once upon the road to church, Mr Dombey clapped his hands for the
|
|
amusement of his son. At which instance of parental enthusiasm Miss
|
|
Tox was enchanted. But exclusive of this incident, the chief
|
|
difference between the christening party and a party in a mourning
|
|
coach consisted in the colours of the carriage and horses.
|
|
|
|
Arrived at the church steps, they were received by a portentous
|
|
beadle.' Mr Dombey dismounting first to help the ladies out, and
|
|
standing near him at the church door, looked like another beadle. A
|
|
beadle less gorgeous but more dreadful; the beadle of private life;
|
|
the beadle of our business and our bosoms.
|
|
|
|
Miss Tox's hand trembled as she slipped it through Mr Dombey's arm,
|
|
and felt herself escorted up the steps, preceded by a cocked hat and a
|
|
Babylonian collar. It seemed for a moment like that other solemn
|
|
institution, 'Wilt thou have this man, Lucretia?' 'Yes, I will.'
|
|
|
|
'Please to bring the child in quick out of the air there,'
|
|
whispered the beadle, holding open the inner door of the church.
|
|
|
|
Little Paul might have asked with Hamlet 'into my grave?' so chill
|
|
and earthy was the place. The tall shrouded pulpit and reading desk;
|
|
the dreary perspective of empty pews stretching away under the
|
|
galleries, and empty benches mounting to the roof and lost in the
|
|
shadow of the great grim organ; the dusty matting and cold stone
|
|
slabs; the grisly free seats' in the aisles; and the damp corner by
|
|
the bell-rope, where the black trestles used for funerals were stowed
|
|
away, along with some shovels and baskets, and a coil or two of
|
|
deadly-looking rope; the strange, unusual, uncomfortable smell, and
|
|
the cadaverous light; were all in unison. It was a cold and dismal
|
|
scene.
|
|
|
|
'There's a wedding just on, Sir,' said the beadle, 'but it'll be
|
|
over directly, if you'll walk into the westry here.
|
|
|
|
Before he turned again to lead the way, he gave Mr Dombey a bow and
|
|
a half smile of recognition, importing that he (the beadle) remembered
|
|
to have had the pleasure of attending on him when he buried his wife,
|
|
and hoped he had enjoyed himself since.
|
|
|
|
The very wedding looked dismal as they passed in front of the
|
|
altar. The bride was too old and the bridegroom too young, and a
|
|
superannuated beau with one eye and an eyeglass stuck in its blank
|
|
companion, was giving away the lady, while the friends were shivering.
|
|
In the vestry the fire was smoking; and an over-aged and over-worked
|
|
and under-paid attorney's clerk, 'making a search,' was running his
|
|
forefinger down the parchment pages of an immense register (one of a
|
|
long series of similar volumes) gorged with burials. Over the
|
|
fireplace was a ground-plan of the vaults underneath the church; and
|
|
Mr Chick, skimming the literary portion of it aloud, by way of
|
|
enlivening the company, read the reference to Mrs Dombey's tomb in
|
|
full, before he could stop himself.
|
|
|
|
After another cold interval, a wheezy little pew-opener afflicted
|
|
with an asthma, appropriate to the churchyard, if not to the church,
|
|
summoned them to the font - a rigid marble basin which seemed to have
|
|
been playing a churchyard game at cup and ball with its matter of fact
|
|
pedestal, and to have been just that moment caught on the top of it.
|
|
Here they waited some little time while the marriage party enrolled
|
|
themselves; and meanwhile the wheezy little pew-opener - partly in
|
|
consequence of her infirmity, and partly that the marriage party might
|
|
not forget her - went about the building coughing like a grampus.
|
|
|
|
Presently the clerk (the only cheerful-looking object there, and he
|
|
was an undertaker) came up with a jug of warm water, and said
|
|
something, as he poured it into the font, about taking the chill off;
|
|
which millions of gallons boiling hot could not have done for the
|
|
occasion. Then the clergyman, an amiable and mild-looking young
|
|
curate, but obviously afraid of the baby, appeared like the principal
|
|
character in a ghost-story, 'a tall figure all in white;' at sight of
|
|
whom Paul rent the air with his cries, and never left off again till
|
|
he was taken out black in the face.
|
|
|
|
Even when that event had happened, to the great relief of
|
|
everybody, he was heard under the portico, during the rest of the
|
|
ceremony, now fainter, now louder, now hushed, now bursting forth
|
|
again with an irrepressible sense of his wrongs. This so distracted
|
|
the attention of the two ladies, that Mrs Chick was constantly
|
|
deploying into the centre aisle, to send out messages by the
|
|
pew-opener, while Miss Tox kept her Prayer-book open at the Gunpowder
|
|
Plot, and occasionally read responses from that service.
|
|
|
|
During the whole of these proceedings, Mr Dombey remained as
|
|
impassive and gentlemanly as ever, and perhaps assisted in making it
|
|
so cold, that the young curate smoked at the mouth as he read. The
|
|
only time that he unbent his visage in the least, was when the
|
|
clergyman, in delivering (very unaffectedly and simply) the closing
|
|
exhortation, relative to the future examination of the child by the
|
|
sponsors, happened to rest his eye on Mr Chick; and then Mr Dombey
|
|
might have been seen to express by a majestic look, that he would like
|
|
to catch him at it.
|
|
|
|
It might have been well for Mr Dombey, if he had thought of his own
|
|
dignity a little less; and had thought of the great origin and purpose
|
|
of the ceremony in which he took so formal and so stiff a part, a
|
|
little more. His arrogance contrasted strangely with its history.
|
|
|
|
When it was all over, he again gave his arm to Miss Tox, and
|
|
conducted her to the vestry, where he informed the clergyman how much
|
|
pleasure it would have given him to have solicited the honour of his
|
|
company at dinner, but for the unfortunate state of his household
|
|
affairs. The register signed, and the fees paid, and the pew-opener
|
|
(whose cough was very bad again) remembered, and the beadle gratified,
|
|
and the sexton (who was accidentally on the doorsteps, looking with
|
|
great interest at the weather) not forgotten, they got into the
|
|
carriage again, and drove home in the same bleak fellowship.
|
|
|
|
There they found Mr Pitt turning up his nose at a cold collation,
|
|
set forth in a cold pomp of glass and silver, and looking more like a
|
|
dead dinner lying in state than a social refreshment. On their arrival
|
|
Miss Tox produced a mug for her godson, and Mr Chick a knife and fork
|
|
and spoon in a case. Mr Dombey also produced a bracelet for Miss Tox;
|
|
and, on the receipt of this token, Miss Tox was tenderly affected.
|
|
|
|
'Mr John,' said Mr Dombey, 'will you take the bottom of the table,
|
|
if you please? What have you got there, Mr John?'
|
|
|
|
'I have got a cold fillet of veal here, Sir,' replied Mr Chick,
|
|
rubbing his numbed hands hard together. 'What have you got there,
|
|
Sir?'
|
|
|
|
'This,' returned Mr Dombey, 'is some cold preparation of calf's
|
|
head, I think. I see cold fowls - ham - patties - salad - lobster.
|
|
Miss Tox will do me the honour of taking some wine? Champagne to Miss
|
|
Tox.'
|
|
|
|
There was a toothache in everything. The wine was so bitter cold
|
|
that it forced a little scream from Miss Tox, which she had great
|
|
difficulty in turning into a 'Hem!' The veal had come from such an
|
|
airy pantry, that the first taste of it had struck a sensation as of
|
|
cold lead to Mr Chick's extremities. Mr Dombey alone remained unmoved.
|
|
He might have been hung up for sale at a Russian fair as a specimen of
|
|
a frozen gentleman.
|
|
|
|
The prevailing influence was too much even for his sister. She made
|
|
no effort at flattery or small talk, and directed all her efforts to
|
|
looking as warm as she could.
|
|
|
|
'Well, Sir,' said Mr Chick, making a desperate plunge, after a long
|
|
silence, and filling a glass of sherry; 'I shall drink this, if you'll
|
|
allow me, Sir, to little Paul.'
|
|
|
|
'Bless him!' murmured Miss Tox, taking a sip of wine.
|
|
|
|
'Dear little Dombey!' murmured Mrs Chick.
|
|
|
|
'Mr John,' said Mr Dombey, with severe gravity, 'my son would feel
|
|
and express himself obliged to you, I have no doubt, if he could
|
|
appreciate the favour you have done him. He will prove, in time to
|
|
come, I trust, equal to any responsibility that the obliging
|
|
disposition of his relations and friends, in private, or the onerous
|
|
nature of our position, in public, may impose upon him.'
|
|
|
|
The tone in which this was said admitting of nothing more, Mr Chick
|
|
relapsed into low spirits and silence. Not so Miss Tox, who, having
|
|
listened to Mr Dombey with even a more emphatic attention than usual,
|
|
and with a more expressive tendency of her head to one side, now leant
|
|
across the table, and said to Mrs Chick softly:
|
|
|
|
'Louisa!'
|
|
|
|
'My dear,' said Mrs Chick.
|
|
|
|
'Onerous nature of our position in public may - I have forgotten
|
|
|
|
the exact term.'
|
|
|
|
'Expose him to,' said Mrs Chick.
|
|
|
|
'Pardon me, my dear,' returned Miss Tox, 'I think not. It was more
|
|
rounded and flowing. Obliging disposition of relations and friends in
|
|
private, or onerous nature of position in public - may - impose upon
|
|
him!'
|
|
|
|
'Impose upon him, to be sure,' said Mrs Chick.
|
|
|
|
Miss Tox struck her delicate hands together lightly, in triumph;
|
|
and added, casting up her eyes, 'eloquence indeed!'
|
|
|
|
Mr Dombey, in the meanwhile, had issued orders for the attendance
|
|
of Richards, who now entered curtseying, but without the baby; Paul
|
|
being asleep after the fatigues of the morning. Mr Dombey, having
|
|
delivered a glass of wine to this vassal, addressed her in the
|
|
following words: Miss Tox previously settling her head on one side,
|
|
and making other little arrangements for engraving them on her heart.
|
|
|
|
'During the six months or so, Richards, which have seen you an
|
|
inmate of this house, you have done your duty. Desiring to connect
|
|
some little service to you with this occasion, I considered how I
|
|
could best effect that object, and I also advised with my sister, Mrs
|
|
- '
|
|
|
|
'Chick,' interposed the gentleman of that name.
|
|
|
|
'Oh, hush if you please!' said Miss Tox.
|
|
|
|
'I was about to say to you, Richards,' resumed Mr Dombey, with an
|
|
appalling glance at Mr John, 'that I was further assisted in my
|
|
decision, by the recollection of a conversation I held with your
|
|
husband in this room, on the occasion of your being hired, when he
|
|
disclosed to me the melancholy fact that your family, himself at the
|
|
head, were sunk and steeped in ignorance.
|
|
|
|
Richards quailed under the magnificence of the reproof.
|
|
|
|
'I am far from being friendly,' pursued Mr Dombey, 'to what is
|
|
called by persons of levelling sentiments, general education. But it
|
|
is necessary that the inferior classes should continue to be taught to
|
|
know their position, and to conduct themselves properly. So far I
|
|
approve of schools. Having the power of nominating a child on the
|
|
foundation of an ancient establishment, called (from a worshipful
|
|
company) the Charitable Grinders; where not only is a wholesome
|
|
education bestowed upon the scholars, but where a dress and badge is
|
|
likewise provided for them; I have (first communicating, through Mrs
|
|
Chick, with your family) nominated your eldest son to an existing
|
|
vacancy; and he has this day, I am informed, assumed the habit. The
|
|
number of her son, I believe,' said Mr Dombey, turning to his sister
|
|
and speaking of the child as if he were a hackney-coach, is one
|
|
hundred and forty-seven. Louisa, you can tell her.'
|
|
|
|
'One hundred and forty-seven,' said Mrs Chick 'The dress, Richards,
|
|
is a nice, warm, blue baize tailed coat and cap, turned up with orange
|
|
coloured binding; red worsted stockings; and very strong leather
|
|
small-clothes. One might wear the articles one's self,' said Mrs
|
|
Chick, with enthusiasm, 'and be grateful.'
|
|
|
|
'There, Richards!' said Miss Tox. 'Now, indeed, you may be proud.
|
|
The Charitable Grinders!'
|
|
|
|
'I am sure I am very much obliged, Sir,' returned Richards faintly,
|
|
'and take it very kind that you should remember my little ones.' At
|
|
the same time a vision of Biler as a Charitable Grinder, with his very
|
|
small legs encased in the serviceable clothing described by Mrs Chick,
|
|
swam before Richards's eyes, and made them water.
|
|
|
|
'I am very glad to see you have so much feeling, Richards,' said
|
|
Miss Tox.
|
|
|
|
'It makes one almost hope, it really does,' said Mrs Chick, who
|
|
prided herself on taking trustful views of human nature, 'that there
|
|
may yet be some faint spark of gratitude and right feeling in the
|
|
world.'
|
|
|
|
Richards deferred to these compliments by curtseying and murmuring
|
|
|
|
her thanks; but finding it quite impossible to recover her spirits
|
|
from the disorder into which they had been thrown by the image of her
|
|
son in his precocious nether garments, she gradually approached the
|
|
door and was heartily relieved to escape by it.
|
|
|
|
Such temporary indications of a partial thaw that had appeared with
|
|
her, vanished with her; and the frost set in again, as cold and hard
|
|
as ever. Mr Chick was twice heard to hum a tune at the bottom of the
|
|
table, but on both occasions it was a fragment of the Dead March in
|
|
Saul. The party seemed to get colder and colder, and to be gradually
|
|
resolving itself into a congealed and solid state, like the collation
|
|
round which it was assembled. At length Mrs Chick looked at Miss Tox,
|
|
and Miss Tox returned the look, and they both rose and said it was
|
|
really time to go. Mr Dombey receiving this announcement with perfect
|
|
equanimity, they took leave of that gentleman, and presently departed
|
|
under the protection of Mr Chick; who, when they had turned their
|
|
backs upon the house and left its master in his usual solitary state,
|
|
put his hands in his pockets, threw himself back in the carriage, and
|
|
whistled 'With a hey ho chevy!' all through; conveying into his face
|
|
as he did so, an expression of such gloomy and terrible defiance, that
|
|
Mrs Chick dared not protest, or in any way molest him.
|
|
|
|
Richards, though she had little Paul on her lap, could not forget
|
|
her own first-born. She felt it was ungrateful; but the influence of
|
|
the day fell even on the Charitable Grinders, and she could hardly
|
|
help regarding his pewter badge, number one hundred and forty-seven,
|
|
as, somehow, a part of its formality and sternness. She spoke, too, in
|
|
the nursery, of his 'blessed legs,' and was again troubled by his
|
|
spectre in uniform.
|
|
|
|
'I don't know what I wouldn't give,' said Polly, 'to see the poor
|
|
little dear before he gets used to 'em.'
|
|
|
|
'Why, then, I tell you what, Mrs Richards,' retorted Nipper, who
|
|
had been admitted to her confidence, 'see him and make your mind
|
|
easy.'
|
|
|
|
'Mr Dombey wouldn't like it,' said Polly.
|
|
|
|
'Oh, wouldn't he, Mrs Richards!' retorted Nipper, 'he'd like it
|
|
very much, I think when he was asked.'
|
|
|
|
'You wouldn't ask him, I suppose, at all?' said Polly.
|
|
|
|
'No, Mrs Richards, quite contrairy,' returned Susan, 'and them two
|
|
inspectors Tox and Chick, not intending to be on duty tomorrow, as I
|
|
heard 'em say, me and Mid Floy will go along with you tomorrow
|
|
morning, and welcome, Mrs Richards, if you like, for we may as well
|
|
walk there as up and down a street, and better too.'
|
|
|
|
Polly rejected the idea pretty stoutly at first; but by little and
|
|
little she began to entertain it, as she entertained more and more
|
|
distinctly the forbidden pictures of her children, and her own home.
|
|
At length, arguing that there could be no great harm in calling for a
|
|
moment at the door, she yielded to the Nipper proposition.
|
|
|
|
The matter being settled thus, little Paul began to cry most
|
|
piteously, as if he had a foreboding that no good would come of it.
|
|
|
|
'What's the matter with the child?' asked Susan.
|
|
|
|
'He's cold, I think,' said Polly, walking with him to and fro, and
|
|
hushing him.
|
|
|
|
It was a bleak autumnal afternoon indeed; and as she walked, and
|
|
hushed, and, glancing through the dreary windows, pressed the little
|
|
fellow closer to her breast, the withered leaves came showering down.
|
|
|
|
CHAPTER 6.
|
|
|
|
Paul's Second Deprivation
|
|
|
|
Polly was beset by so many misgivings in the morning, that but for
|
|
the incessant promptings of her black-eyed companion, she would have
|
|
abandoned all thoughts of the expedition, and formally petitioned for
|
|
leave to see number one hundred and forty-seven, under the awful
|
|
shadow of Mr Dombey's roof. But Susan who was personally disposed in
|
|
favour of the excursion, and who (like Tony Lumpkin), if she could
|
|
bear the disappointments of other people with tolerable fortitude,
|
|
could not abide to disappoint herself, threw so many ingenious doubts
|
|
in the way of this second thought, and stimulated the original
|
|
intention with so many ingenious arguments, that almost as soon as Mr
|
|
Dombey's stately back was turned, and that gentleman was pursuing his
|
|
daily road towards the City, his unconscious son was on his way to
|
|
Staggs's Gardens.
|
|
|
|
This euphonious locality was situated in a suburb, known by the
|
|
inhabitants of Staggs's Gardens by the name of Camberling Town; a
|
|
designation which the Strangers' Map of London, as printed (with a
|
|
view to pleasant and commodious reference) on pocket handkerchiefs,
|
|
condenses, with some show of reason, into Camden Town. Hither the two
|
|
nurses bent their steps, accompanied by their charges; Richards
|
|
carrying Paul, of course, and Susan leading little Florence by the
|
|
hand, and giving her such jerks and pokes from time to time, as she
|
|
considered it wholesome to administer.
|
|
|
|
The first shock of a great earthquake had, just at that period,
|
|
rent the whole neighbourhood to its centre. Traces of its course were
|
|
visible on every side. Houses were knocked down; streets broken
|
|
through and stopped; deep pits and trenches dug in the ground;
|
|
enormous heaps of earth and clay thrown up; buildings that were
|
|
undermined and shaking, propped by great beams of wood. Here, a chaos
|
|
of carts, overthrown and jumbled together, lay topsy-turvy at the
|
|
bottom of a steep unnatural hill; there, confused treasures of iron
|
|
soaked and rusted in something that had accidentally become a pond.
|
|
Everywhere were bridges that led nowhere; thoroughfares that were
|
|
wholly impassable; Babel towers of chimneys, wanting half their
|
|
height; temporary wooden houses and enclosures, in the most unlikely
|
|
situations; carcases of ragged tenements, and fragments of unfinished
|
|
walls and arches, and piles of scaffolding, and wildernesses of
|
|
bricks, and giant forms of cranes, and tripods straddling above
|
|
nothing. There were a hundred thousand shapes and substances of
|
|
incompleteness, wildly mingled out of their places, upside down,
|
|
burrowing in the earth, aspiring in the air, mouldering in the water,
|
|
and unintelligible as any dream. Hot springs and fiery eruptions, the
|
|
usual attendants upon earthquakes, lent their contributions of
|
|
confusion to the scene. Boiling water hissed and heaved within
|
|
dilapidated walls; whence, also, the glare and roar of flames came
|
|
issuing forth; and mounds of ashes blocked up rights of way, and
|
|
wholly changed the law and custom of the neighbourhood.
|
|
|
|
In short, the yet unfinished and unopened Railroad was in progress;
|
|
and, from the very core of all this dire disorder, trailed smoothly
|
|
away, upon its mighty course of civilisation and improvement.
|
|
|
|
But as yet, the neighbourhood was shy to own the Railroad. One or
|
|
two bold speculators had projected streets; and one had built a
|
|
little, but had stopped among the mud and ashes to consider farther of
|
|
it. A bran-new Tavern, redolent of fresh mortar and size, and fronting
|
|
nothing at all, had taken for its sign The Railway Arms; but that
|
|
might be rash enterprise - and then it hoped to sell drink to the
|
|
workmen. So, the Excavators' House of Call had sprung up from a
|
|
beer-shop; and the old-established Ham and Beef Shop had become the
|
|
Railway Eating House, with a roast leg of pork daily, through
|
|
interested motives of a similar immediate and popular description.
|
|
Lodging-house keepers were favourable in like manner; and for the like
|
|
reasons were not to be trusted. The general belief was very slow.
|
|
There were frowzy fields, and cow-houses, and dunghills, and
|
|
dustheaps, and ditches, and gardens, and summer-houses, and
|
|
carpet-beating grounds, at the very door of the Railway. Little tumuli
|
|
of oyster shells in the oyster season, and of lobster shells in the
|
|
lobster season, and of broken crockery and faded cabbage leaves in all
|
|
seasons, encroached upon its high places. Posts, and rails, and old
|
|
cautions to trespassers, and backs of mean houses, and patches of
|
|
wretched vegetation, stared it out of countenance. Nothing was the
|
|
better for it, or thought of being so. If the miserable waste ground
|
|
lying near it could have laughed, it would have laughed it to scorn,
|
|
like many of the miserable neighbours.
|
|
|
|
Staggs's Gardens was uncommonly incredulous. It was a little row of
|
|
houses, with little squalid patches of ground before them, fenced off
|
|
with old doors, barrel staves, scraps of tarpaulin, and dead bushes;
|
|
with bottomless tin kettles and exhausted iron fenders, thrust into
|
|
the gaps. Here, the Staggs's Gardeners trained scarlet beans, kept
|
|
fowls and rabbits, erected rotten summer-houses (one was an old boat),
|
|
dried clothes, and smoked pipes. Some were of opinion that Staggs's
|
|
Gardens derived its name from a deceased capitalist, one Mr Staggs,
|
|
who had built it for his delectation. Others, who had a natural taste
|
|
for the country, held that it dated from those rural times when the
|
|
antlered herd, under the familiar denomination of Staggses, had
|
|
resorted to its shady precincts. Be this as it may, Staggs's Gardens
|
|
was regarded by its population as a sacred grove not to be withered by
|
|
Railroads; and so confident were they generally of its long outliving
|
|
any such ridiculous inventions, that the master chimney-sweeper at the
|
|
corner, who was understood to take the lead in the local politics of
|
|
the Gardens, had publicly declared that on the occasion of the
|
|
Railroad opening, if ever it did open, two of his boys should ascend
|
|
the flues of his dwelling, with instructions to hail the failure with
|
|
derisive cheers from the chimney-pots.
|
|
|
|
To this unhallowed spot, the very name of which had hitherto been
|
|
carefully concealed from Mr Dombey by his sister, was little Paul now
|
|
borne by Fate and Richards
|
|
|
|
'That's my house, Susan,' said Polly, pointing it out.
|
|
|
|
'Is it, indeed, Mrs Richards?' said Susan, condescendingly.
|
|
|
|
'And there's my sister Jemima at the door, I do declare' cried
|
|
Polly, 'with my own sweet precious baby in her arms!'
|
|
|
|
The sight added such an extensive pair of wings to Polly's
|
|
impatience, that she set off down the Gardens at a run, and bouncing
|
|
on Jemima, changed babies with her in a twinkling; to the unutterable
|
|
astonishment of that young damsel, on whom the heir of the Dombeys
|
|
seemed to have fallen from the clouds.
|
|
|
|
'Why, Polly!' cried Jemima. 'You! what a turn you have given me!
|
|
who'd have thought it! come along in Polly! How well you do look to be
|
|
sure! The children will go half wild to see you Polly, that they
|
|
will.'
|
|
|
|
That they did, if one might judge from the noise they made, and the
|
|
way in which they dashed at Polly and dragged her to a low chair in
|
|
the chimney corner, where her own honest apple face became immediately
|
|
the centre of a bunch of smaller pippins, all laying their rosy cheeks
|
|
close to it, and all evidently the growth of the same tree. As to
|
|
Polly, she was full as noisy and vehement as the children; and it was
|
|
not until she was quite out of breath, and her hair was hanging all
|
|
about her flushed face, and her new christening attire was very much
|
|
dishevelled, that any pause took place in the confusion. Even then,
|
|
the smallest Toodle but one remained in her lap, holding on tight with
|
|
both arms round her neck; while the smallest Toodle but two mounted on
|
|
the back of the chair, and made desperate efforts, with one leg in the
|
|
air, to kiss her round the corner.
|
|
|
|
'Look! there's a pretty little lady come to see you,' said Polly;
|
|
'and see how quiet she is! what a beautiful little lady, ain't she?'
|
|
|
|
This reference to Florence, who had been standing by the door not
|
|
unobservant of what passed, directed the attention of the younger
|
|
branches towards her; and had likewise the happy effect of leading to
|
|
the formal recognition of Miss Nipper, who was not quite free from a
|
|
misgiving that she had been already slighted.
|
|
|
|
'Oh do come in and sit down a minute, Susan, please,' said Polly.
|
|
'This is my sister Jemima, this is. Jemima, I don't know what I should
|
|
ever do with myself, if it wasn't for Susan Nipper; I shouldn't be
|
|
here now but for her.'
|
|
|
|
'Oh do sit down, Miss Nipper, if you please,' quoth Jemima.
|
|
|
|
Susan took the extreme corner of a chair, with a stately and
|
|
ceremonious aspect.
|
|
|
|
'I never was so glad to see anybody in all my life; now really I
|
|
never was, Miss Nipper,' said Jemima.
|
|
|
|
Susan relaxing, took a little more of the chair, and smiled
|
|
graciously.
|
|
|
|
'Do untie your bonnet-strings, and make yourself at home, Miss
|
|
Nipper, please,' entreated Jemima. 'I am afraid it's a poorer place
|
|
than you're used to; but you'll make allowances, I'm sure.'
|
|
|
|
The black-eyed was so softened by this deferential behaviour, that
|
|
she caught up little Miss Toodle who was running past, and took her to
|
|
Banbury Cross immediately.
|
|
|
|
'But where's my pretty boy?' said Polly. 'My poor fellow? I came
|
|
all this way to see him in his new clothes.'
|
|
|
|
'Ah what a pity!' cried Jemima. 'He'll break his heart, when he
|
|
hears his mother has been here. He's at school, Polly.'
|
|
|
|
'Gone already!'
|
|
|
|
'Yes. He went for the first time yesterday, for fear he should lose
|
|
any learning. But it's half-holiday, Polly: if you could only stop
|
|
till he comes home - you and Miss Nipper, leastways,' said Jemima,
|
|
mindful in good time of the dignity of the black-eyed.
|
|
|
|
'And how does he look, Jemima, bless him!' faltered Polly.
|
|
|
|
'Well, really he don't look so bad as you'd suppose,' returned
|
|
Jemima.
|
|
|
|
'Ah!' said Polly, with emotion, 'I knew his legs must be too
|
|
short.'
|
|
|
|
His legs is short,' returned Jemima; 'especially behind; but
|
|
they'll get longer, Polly, every day.'
|
|
|
|
It was a slow, prospective kind of consolation; but the
|
|
cheerfulness and good nature with which it was administered, gave it a
|
|
value it did not intrinsically possess. After a moment's silence,
|
|
Polly asked, in a more sprightly manner:
|
|
|
|
'And where's Father, Jemima dear?' - for by that patriarchal
|
|
appellation, Mr Toodle was generally known in the family.
|
|
|
|
'There again!' said Jemima. 'What a pity! Father took his dinner
|
|
with him this morning, and isn't coming home till night. But he's
|
|
always talking of you, Polly, and telling the children about you; and
|
|
is the peaceablest, patientest, best-temperedest soul in the world, as
|
|
he always was and will be!'
|
|
|
|
'Thankee, Jemima,' cried the simple Polly; delighted by the speech,
|
|
and disappointed by the absence.
|
|
|
|
'Oh you needn't thank me, Polly,' said her sister, giving her a
|
|
sounding kiss upon the cheek, and then dancing little Paul cheerfully.
|
|
'I say the same of you sometimes, and think it too.'
|
|
|
|
In spite of the double disappointment, it was impossible to regard
|
|
in the light of a failure a visit which was greeted with such a
|
|
reception; so the sisters talked hopefully about family matters, and
|
|
about Biler, and about all his brothers and sisters: while the
|
|
black-eyed, having performed several journeys to Banbury Cross and
|
|
back, took sharp note of the furniture, the Dutch clock, the cupboard,
|
|
the castle on the mantel-piece with red and green windows in it,
|
|
susceptible of illumination by a candle-end within; and the pair of
|
|
small black velvet kittens, each with a lady's reticule in its mouth;
|
|
regarded by the Staggs's Gardeners as prodigies of imitative art. The
|
|
conversation soon becoming general lest the black-eyed should go off
|
|
at score and turn sarcastic, that young lady related to Jemima a
|
|
summary of everything she knew concerning Mr Dombey, his prospects,
|
|
family, pursuits, and character. Also an exact inventory of her
|
|
personal wardrobe, and some account of her principal relations and
|
|
friends. Having relieved her mind of these disclosures, she partook of
|
|
shrimps and porter, and evinced a disposition to swear eternal
|
|
friendship.
|
|
|
|
Little Florence herself was not behind-hand in improving the
|
|
occasion; for, being conducted forth by the young Toodles to inspect
|
|
some toad-stools and other curiosities of the Gardens, she entered
|
|
with them, heart and soul, on the formation of a temporary breakwater
|
|
across a small green pool that had collected in a corner. She was
|
|
still busily engaged in that labour, when sought and found by Susan;
|
|
who, such was her sense of duty, even under the humanizing influence
|
|
of shrimps, delivered a moral address to her (punctuated with thumps)
|
|
on her degenerate nature, while washing her face and hands; and
|
|
predicted that she would bring the grey hairs of her family in
|
|
general, with sorrow to the grave. After some delay, occasioned by a
|
|
pretty long confidential interview above stairs on pecuniary subjects,
|
|
between Polly and Jemima, an interchange of babies was again effected
|
|
- for Polly had all this timeretained her own child, and Jemima little
|
|
Paul - and the visitors took leave.
|
|
|
|
But first the young Toodles, victims of a pious fraud, were deluded
|
|
into repairing in a body to a chandler's shop in the neighbourhood,
|
|
for the ostensible purpose of spending a penny; and when the coast was
|
|
quite clear, Polly fled: Jemima calling after her that if they could
|
|
only go round towards the City Road on their way back, they would be
|
|
sure to meet little Biler coming from school.
|
|
|
|
'Do you think that we might make time to go a little round in that
|
|
direction, Susan?' inquired Polly, when they halted to take breath.
|
|
|
|
'Why not, Mrs Richards?' returned Susan.
|
|
|
|
'It's getting on towards our dinner time you know,' said Polly.
|
|
|
|
But lunch had rendered her companion more than indifferent to this
|
|
grave consideration, so she allowed no weight to it, and they resolved
|
|
to go 'a little round.'
|
|
|
|
Now, it happened that poor Biler's life had been, since yesterday
|
|
morning, rendered weary by the costume of the Charitable Grinders. The
|
|
youth of the streets could not endure it. No young vagabond could be
|
|
brought to bear its contemplation for a moment, without throwing
|
|
himself upon the unoffending wearer, and doing him a mischief. His
|
|
social existence had been more like that of an early Christian, than
|
|
an innocent child of the nineteenth century. He had been stoned in the
|
|
streets. He had been overthrown into gutters; bespattered with mud;
|
|
violently flattened against posts. Entire strangers to his person had
|
|
lifted his yellow cap off his head, and cast it to the winds. His legs
|
|
had not only undergone verbal criticisms and revilings, but had been
|
|
handled and pinched. That very morning, he had received a perfectly
|
|
unsolicited black eye on his way to the Grinders' establishment, and
|
|
had been punished for it by the master: a superannuated old Grinder of
|
|
savage disposition, who had been appointed schoolmaster because he
|
|
didn't know anything, and wasn't fit for anything, and for whose cruel
|
|
cane all chubby little boys had a perfect fascination.'
|
|
|
|
Thus it fell out that Biler, on his way home, sought unfrequented
|
|
paths; and slunk along by narrow passages and back streets, to avoid
|
|
his tormentors. Being compelled to emerge into the main road, his ill
|
|
fortune brought him at last where a small party of boys, headed by a
|
|
ferocious young butcher, were lying in wait for any means of
|
|
pleasurable excitement that might happen. These, finding a Charitable
|
|
Grinder in the midst of them - unaccountably delivered over, as it
|
|
were, into their hands - set up a general yell and rushed upon him.
|
|
|
|
But it so fell out likewise, that, at the same time, Polly, looking
|
|
hopelessly along the road before her, after a good hour's walk, had
|
|
said it was no use going any further, when suddenly she saw this
|
|
sight. She no sooner saw it than, uttering a hasty exclamation, and
|
|
giving Master Dombey to the black-eyed, she started to the rescue of
|
|
her unhappy little son.
|
|
|
|
Surprises, like misfortunes, rarely come alone. The astonished
|
|
Susan Nipper and her two young charges were rescued by the bystanders
|
|
from under the very wheels of a passing carriage before they knew what
|
|
had happened; and at that moment (it was market day) a thundering
|
|
alarm of 'Mad Bull!' was raised.
|
|
|
|
With a wild confusion before her, of people running up and down,
|
|
and shouting, and wheels running over them, and boys fighting, and mad
|
|
bulls coming up, and the nurse in the midst of all these dangers being
|
|
torn to pieces, Florence screamed and ran. She ran till she was
|
|
exhausted, urging Susan to do the same; and then, stopping and
|
|
wringing her hands as she remembered they had left the other nurse
|
|
behind, found, with a sensation of terror not to be described, that
|
|
she was quite alone.
|
|
|
|
'Susan! Susan!' cried Florence, clapping her hands in the very
|
|
ecstasy of her alarm. 'Oh, where are they? where are they?'
|
|
|
|
'Where are they?' said an old woman, coming hobbling across as fast
|
|
as she could from the opposite side of the way. 'Why did you run away
|
|
from 'em?'
|
|
|
|
'I was frightened,' answered Florence. 'I didn't know what I did. I
|
|
thought they were with me. Where are they?'
|
|
|
|
The old woman took her by the wrist, and said, 'I'll show you.'
|
|
|
|
She was a very ugly old woman, with red rims round her eyes, and a
|
|
mouth that mumbled and chattered of itself when she was not speaking.
|
|
She was miserably dressed, and carried some skins over her arm. She
|
|
seemed to have followed Florence some little way at all events, for
|
|
she had lost her breath; and this made her uglier still, as she stood
|
|
trying to regain it: working her shrivelled yellow face and throat
|
|
into all sorts of contortions.
|
|
|
|
Florence was afraid of her, and looked, hesitating, up the street,
|
|
of which she had almost reached the bottom. It was a solitary place -
|
|
more a back road than a street - and there was no one in it but her-
|
|
self and the old woman.
|
|
|
|
'You needn't be frightened now,' said the old woman, still holding
|
|
her tight. 'Come along with me.'
|
|
|
|
'I - I don't know you. What's your name?' asked Florence.
|
|
|
|
'Mrs Brown,' said the old woman. 'Good Mrs Brown.'
|
|
|
|
'Are they near here?' asked Florence, beginning to be led away.
|
|
|
|
'Susan ain't far off,' said Good Mrs Brown; 'and the others are
|
|
close to her.'
|
|
|
|
'Is anybody hurt?' cried Florence.
|
|
|
|
'Not a bit of it,' said Good Mrs Brown.
|
|
|
|
The child shed tears of delight on hearing this, and accompanied
|
|
the old woman willingly; though she could not help glancing at her
|
|
face as they went along - particularly at that industrious mouth - and
|
|
wondering whether Bad Mrs Brown, if there were such a person, was at
|
|
all like her.
|
|
|
|
They had not gone far, but had gone by some very uncomfortable
|
|
places, such as brick-fields and tile-yards, when the old woman turned
|
|
down a dirty lane, where the mud lay in deep black ruts in the middle
|
|
of the road. She stopped before a shabby little house, as closely shut
|
|
up as a house that was full of cracks and crevices could be. Opening
|
|
the door with a key she took out of her bonnet, she pushed the child
|
|
before her into a back room, where there was a great heap of rags of
|
|
different colours lying on the floor; a heap of bones, and a heap of
|
|
sifted dust or cinders; but there was no furniture at all, and the
|
|
walls and ceiling were quite black.
|
|
|
|
The child became so terrified the she was stricken speechless, and
|
|
looked as though about to swoon.
|
|
|
|
'Now don't be a young mule,' said Good Mrs Brown, reviving her with
|
|
a shake. 'I'm not a going to hurt you. Sit upon the rags.'
|
|
|
|
Florence obeyed her, holding out her folded hands, in mute
|
|
supplication.
|
|
|
|
'I'm not a going to keep you, even, above an hour,' said Mrs Brown.
|
|
'D'ye understand what I say?'
|
|
|
|
The child answered with great difficulty, 'Yes.'
|
|
|
|
'Then,' said Good Mrs Brown, taking her own seat on the bones,
|
|
'don't vex me. If you don't, I tell you I won't hurt you. But if you
|
|
do, I'll kill you. I could have you killed at any time - even if you
|
|
was in your own bed at home. Now let's know who you are, and what you
|
|
are, and all about it.'
|
|
|
|
The old woman's threats and promises; the dread of giving her
|
|
offence; and the habit, unusual to a child, but almost natural to
|
|
Florence now, of being quiet, and repressing what she felt, and
|
|
feared, and hoped; enabled her to do this bidding, and to tell her
|
|
little history, or what she knew of it. Mrs Brown listened
|
|
attentively, until she had finished.
|
|
|
|
'So your name's Dombey, eh?' said Mrs Brown.
|
|
|
|
'I want that pretty frock, Miss Dombey,' said Good Mrs Brown, 'and
|
|
that little bonnet, and a petticoat or two, and anything else you can
|
|
spare. Come! Take 'em off.'
|
|
|
|
Florence obeyed, as fast as her trembling hands would allow;
|
|
keeping, all the while, a frightened eye on Mrs Brown. When she had
|
|
divested herself of all the articles of apparel mentioned by that
|
|
lady, Mrs B. examined them at leisure, and seemed tolerably well
|
|
satisfied with their quality and value.
|
|
|
|
'Humph!' she said, running her eyes over the child's slight figure,
|
|
'I don't see anything else - except the shoes. I must have the shoes,
|
|
Miss Dombey.'
|
|
|
|
Poor little Florence took them off with equal alacrity, only too
|
|
glad to have any more means of conciliation about her. The old woman
|
|
then produced some wretched substitutes from the bottom of the heap of
|
|
rags, which she turned up for that purpose; together with a girl's
|
|
cloak, quite worn out and very old; and the crushed remains of a
|
|
bonnet that had probably been picked up from some ditch or dunghill.
|
|
In this dainty raiment, she instructed Florence to dress herself; and
|
|
as such preparation seemed a prelude to her release, the child
|
|
complied with increased readiness, if possible.
|
|
|
|
In hurriedly putting on the bonnet, if that may be called a bonnet
|
|
which was more like a pad to carry loads on, she caught it in her hair
|
|
which grew luxuriantly, and could not immediately disentangle it. Good
|
|
Mrs Brown whipped out a large pair of scissors, and fell into an
|
|
unaccountable state of excitement.
|
|
|
|
'Why couldn't you let me be!' said Mrs Brown, 'when I was
|
|
contented? You little fool!'
|
|
|
|
'I beg your pardon. I don't know what I have done,' panted
|
|
Florence. 'I couldn't help it.'
|
|
|
|
'Couldn't help it!' cried Mrs Brown. 'How do you expect I can help
|
|
it? Why, Lord!' said the old woman, ruffling her curls with a furious
|
|
pleasure, 'anybody but me would have had 'em off, first of all.'
|
|
Florence was so relieved to find that it was only her hair and not her
|
|
head which Mrs Brown coveted, that she offered no resistance or
|
|
entreaty, and merely raised her mild eyes towards the face of that
|
|
good soul.
|
|
|
|
'If I hadn't once had a gal of my own - beyond seas now- that was
|
|
proud of her hair,' said Mrs Brown, 'I'd have had every lock of it.
|
|
She's far away, she's far away! Oho! Oho!'
|
|
|
|
Mrs Brown's was not a melodious cry, but, accompanied with a wild
|
|
tossing up of her lean arms, it was full of passionate grief, and
|
|
thrilled to the heart of Florence, whom it frightened more than ever.
|
|
It had its part, perhaps, in saving her curls; for Mrs Brown, after
|
|
hovering about her with the scissors for some moments, like a new kind
|
|
of butterfly, bade her hide them under the bonnet and let no trace of
|
|
them escape to tempt her. Having accomplished this victory over
|
|
herself, Mrs Brown resumed her seat on the bones, and smoked a very
|
|
short black pipe, mowing and mumbling all the time, as if she were
|
|
eating the stem.
|
|
|
|
When the pipe was smoked out, she gave the child a rabbit-skin to
|
|
carry, that she might appear the more like her ordinary companion, and
|
|
told her that she was now going to lead her to a public street whence
|
|
she could inquire her way to her friends. But she cautioned her, with
|
|
threats of summary and deadly vengeance in case of disobedience, not
|
|
to talk to strangers, nor to repair to her own home (which may have
|
|
been too near for Mrs Brown's convenience), but to her father's office
|
|
in the City; also to wait at the street corner where she would be
|
|
left, until the clock struck three. These directions Mrs Brown
|
|
enforced with assurances that there would be potent eyes and ears in
|
|
her employment cognizant of all she did; and these directions Florence
|
|
promised faithfully and earnestly to observe.
|
|
|
|
At length, Mrs Brown, issuing forth, conducted her changed and
|
|
ragged little friend through a labyrinth of narrow streets and lanes
|
|
and alleys, which emerged, after a long time, upon a stable yard, with
|
|
a gateway at the end, whence the roar of a great thoroughfare made
|
|
itself audible. Pointing out this gateway, and informing Florence that
|
|
when the clocks struck three she was to go to the left, Mrs Brown,
|
|
after making a parting grasp at her hair which seemed involuntary and
|
|
quite beyond her own control, told her she knew what to do, and bade
|
|
her go and do it: remembering that she was watched.
|
|
|
|
With a lighter heart, but still sore afraid, Florence felt herself
|
|
released, and tripped off to the corner. When she reached it, she
|
|
looked back and saw the head of Good Mrs Brown peeping out of the low
|
|
wooden passage, where she had issued her parting injunctions; likewise
|
|
the fist of Good Mrs Brown shaking towards her. But though she often
|
|
looked back afterwards - every minute, at least, in her nervous
|
|
recollection of the old woman - she could not see her again.
|
|
|
|
Florence remained there, looking at the bustle in the street, and
|
|
more and more bewildered by it; and in the meanwhile the clocks
|
|
appeared to have made up their minds never to strike three any more.
|
|
At last the steeples rang out three o'clock; there was one close by,
|
|
so she couldn't be mistaken; and - after often looking over her
|
|
shoulder, and often going a little way, and as often coming back
|
|
again, lest the all-powerful spies of Mrs Brown should take offence -
|
|
she hurried off, as fast as she could in her slipshod shoes, holding
|
|
the rabbit-skin tight in her hand.
|
|
|
|
All she knew of her father's offices was that they belonged to
|
|
Dombey and Son, and that that was a great power belonging to the City.
|
|
So she could only ask the way to Dombey and Son's in the City; and as
|
|
she generally made inquiry of children - being afraid to ask grown
|
|
people - she got very little satisfaction indeed. But by dint of
|
|
asking her way to the City after a while, and dropping the rest of her
|
|
inquiry for the present, she really did advance, by slow degrees,
|
|
towards the heart of that great region which is governed by the
|
|
terrible Lord Mayor.
|
|
|
|
Tired of walking, repulsed and pushed about, stunned by the noise
|
|
and confusion, anxious for her brother and the nurses, terrified by
|
|
what she had undergone, and the prospect of encountering her angry
|
|
father in such an altered state; perplexed and frightened alike by
|
|
what had passed, and what was passing, and what was yet before her;
|
|
Florence went upon her weary way with tearful eyes, and once or twice
|
|
could not help stopping to ease her bursting heart by crying bitterly.
|
|
But few people noticed her at those times, in the garb she wore: or if
|
|
they did, believed that she was tutored to excite compassion, and
|
|
passed on. Florence, too, called to her aid all the firmness and
|
|
self-reliance of a character that her sad experience had prematurely
|
|
formed and tried: and keeping the end she had in view steadily before
|
|
her, steadily pursued it.
|
|
|
|
It was full two hours later in the afternoon than when she had
|
|
started on this strange adventure, when, escaping from the clash and
|
|
clangour of a narrow street full of carts and waggons, she peeped into
|
|
a kind of wharf or landing-place upon the river-side, where there were
|
|
a great many packages, casks, and boxes, strewn about; a large pair of
|
|
wooden scales; and a little wooden house on wheels, outside of which,
|
|
looking at the neighbouring masts and boats, a stout man stood
|
|
whistling, with his pen behind his ear, and his hands in his pockets,
|
|
as if his day's work were nearly done.
|
|
|
|
'Now then! 'said this man, happening to turn round. 'We haven't got
|
|
anything for you, little girl. Be off!'
|
|
|
|
'If you please, is this the City?' asked the trembling daughter of
|
|
the Dombeys.
|
|
|
|
'Ah! It's the City. You know that well enough, I daresay. Be off!
|
|
We haven't got anything for you.'
|
|
|
|
'I don't want anything, thank you,' was the timid answer. 'Except
|
|
to know the way to Dombey and Son's.'
|
|
|
|
The man who had been strolling carelessly towards her, seemed
|
|
surprised by this reply, and looking attentively in her face,
|
|
rejoined:
|
|
|
|
'Why, what can you want with Dombey and Son's?'
|
|
|
|
'To know the way there, if you please.'
|
|
|
|
The man looked at her yet more curiously, and rubbed the back of
|
|
his head so hard in his wonderment that he knocked his own hat off.
|
|
|
|
'Joe!' he called to another man - a labourer- as he picked it up
|
|
and put it on again.
|
|
|
|
'Joe it is!' said Joe.
|
|
|
|
'Where's that young spark of Dombey's who's been watching the
|
|
shipment of them goods?'
|
|
|
|
'Just gone, by t'other gate,' said Joe.
|
|
|
|
'Call him back a minute.'
|
|
|
|
Joe ran up an archway, bawling as he went, and very soon returned
|
|
|
|
with a blithe-looking boy.
|
|
|
|
'You're Dombey's jockey, ain't you?' said the first man.
|
|
|
|
'I'm in Dombey's House, Mr Clark,' returned the boy.
|
|
|
|
'Look'ye here, then,' said Mr Clark.
|
|
|
|
Obedient to the indication of Mr Clark's hand, the boy approached
|
|
towards Florence, wondering, as well he might, what he had to do with
|
|
her. But she, who had heard what passed, and who, besides the relief
|
|
of so suddenly considering herself safe at her journey's end, felt
|
|
reassured beyond all measure by his lively youthful face and manner,
|
|
ran eagerly up to him, leaving one of the slipshod shoes upon the
|
|
ground and caught his hand in both of hers.
|
|
|
|
'I am lost, if you please!' said Florence.
|
|
|
|
'Lost!' cried the boy.
|
|
|
|
'Yes, I was lost this morning, a long way from here - and I have
|
|
had my clothes taken away, since - and I am not dressed in my own now
|
|
- and my name is Florence Dombey, my little brother's only sister -
|
|
and, oh dear, dear, take care of me, if you please!' sobbed Florence,
|
|
giving full vent to the childish feelings she had so long suppressed,
|
|
and bursting into tears. At the same time her miserable bonnet falling
|
|
off, her hair came tumbling down about her face: moving to speechless
|
|
admiration and commiseration, young Walter, nephew of Solomon Gills,
|
|
Ships' Instrument-maker in general.
|
|
|
|
Mr Clark stood rapt in amazement: observing under his breath, I
|
|
never saw such a start on this wharf before. Walter picked up the
|
|
shoe, and put it on the little foot as the Prince in the story might
|
|
have fitted Cinderella's slipper on. He hung the rabbit-skin over his
|
|
left arm; gave the right to Florence; and felt, not to say like
|
|
Richard Whittington - that is a tame comparison - but like Saint
|
|
George of England, with the dragon lying dead before him.
|
|
|
|
'Don't cry, Miss Dombey,' said Walter, in a transport of
|
|
|
|
enthusiasm.
|
|
|
|
'What a wonderful thing for me that I am here! You are as safe now
|
|
as if you were guarded by a whole boat's crew of picked men from a
|
|
man-of-war. Oh, don't cry.'
|
|
|
|
'I won't cry any more,' said Florence. 'I am only crying for joy.'
|
|
|
|
'Crying for joy!' thought Walter, 'and I'm the cause of it! Come
|
|
along, Miss Dombey. There's the other shoe off now! Take mine, Miss
|
|
Dombey.'
|
|
|
|
'No, no, no,' said Florence, checking him in the act of impetuously
|
|
|
|
pulling off his own. 'These do better. These do very well.'
|
|
|
|
'Why, to be sure,' said Walter, glancing at her foot, 'mine are a
|
|
mile too large. What am I thinking about! You never could walk in
|
|
mine! Come along, Miss Dombey. Let me see the villain who will dare
|
|
molest you now.'
|
|
|
|
So Walter, looking immensely fierce, led off Florence, looking very
|
|
happy; and they went arm-in-arm along the streets, perfectly
|
|
indifferent to any astonishment that their appearance might or did
|
|
excite by the way.
|
|
|
|
It was growing dark and foggy, and beginning to rain too; but they
|
|
cared nothing for this: being both wholly absorbed in the late
|
|
adventures of Florence, which she related with the innocent good faith
|
|
and confidence of her years, while Walter listened as if, far from the
|
|
mud and grease of Thames Street, they were rambling alone among the
|
|
broad leaves and tall trees of some desert island in the tropics - as
|
|
he very likely fancied, for the time, they were.
|
|
|
|
'Have we far to go?' asked Florence at last, lilting up her eyes to
|
|
her companion's face.
|
|
|
|
'Ah! By-the-bye,' said Walter, stopping, 'let me see; where are we?
|
|
Oh! I know. But the offices are shut up now, Miss Dombey. There's
|
|
nobody there. Mr Dombey has gone home long ago. I suppose we must go
|
|
home too? or, stay. Suppose I take you to my Uncle's, where I live -
|
|
it's very near here - and go to your house in a coach to tell them you
|
|
are safe, and bring you back some clothes. Won't that be best?'
|
|
|
|
'I think so,' answered Florence. 'Don't you? What do you think?'
|
|
|
|
As they stood deliberating in the street, a man passed them, who
|
|
glanced quickly at Walter as he went by, as if he recognised him; but
|
|
seeming to correct that first impression, he passed on without
|
|
stopping.
|
|
|
|
'Why, I think it's Mr Carker,' said Walter. 'Carker in our House.
|
|
Not Carker our Manager, Miss Dombey - the other Carker; the Junior -
|
|
Halloa! Mr Carker!'
|
|
|
|
'Is that Walter Gay?' said the other, stopping and returning. 'I
|
|
couldn't believe it, with such a strange companion.
|
|
|
|
As he stood near a lamp, listening with surprise to Walter's
|
|
hurried explanation, he presented a remarkable contrast to the two
|
|
youthful figures arm-in-arm before him. He was not old, but his hair
|
|
was white; his body was bent, or bowed as if by the weight of some
|
|
great trouble: and there were deep lines in his worn and melancholy
|
|
face. The fire of his eyes, the expression of his features, the very
|
|
voice in which he spoke, were all subdued and quenched, as if the
|
|
spirit within him lay in ashes. He was respectably, though very
|
|
plainly dressed, in black; but his clothes, moulded to the general
|
|
character of his figure, seemed to shrink and abase themselves upon
|
|
him, and to join in the sorrowful solicitation which the whole man
|
|
from head to foot expressed, to be left unnoticed, and alone in his
|
|
humility.
|
|
|
|
And yet his interest in youth and hopefulness was not extinguished
|
|
with the other embers of his soul, for he watched the boy's earnest
|
|
countenance as he spoke with unusual sympathy, though with an
|
|
inexplicable show of trouble and compassion, which escaped into his
|
|
looks, however hard he strove to hold it prisoner. When Walter, in
|
|
conclusion, put to him the question he had put to Florence, he still
|
|
stood glancing at him with the same expression, as if he had read some
|
|
fate upon his face, mournfully at variance with its present
|
|
brightness.
|
|
|
|
'What do you advise, Mr Carker?' said Walter, smiling. 'You always
|
|
give me good advice, you know, when you do speak to me. That's not
|
|
often, though.'
|
|
|
|
'I think your own idea is the best,' he answered: looking from
|
|
Florence to Walter, and back again.
|
|
|
|
'Mr Carker,' said Walter, brightening with a generous thought,
|
|
'Come! Here's a chance for you. Go you to Mr Dombey's, and be the
|
|
messenger of good news. It may do you some good, Sir. I'll remain at
|
|
home. You shall go.'
|
|
|
|
'I!' returned the other.
|
|
|
|
'Yes. Why not, Mr Carker?' said the boy.
|
|
|
|
He merely shook him by the hand in answer; he seemed in a manner
|
|
ashamed and afraid even to do that; and bidding him good-night, and
|
|
advising him to make haste, turned away.
|
|
|
|
'Come, Miss Dombey,' said Walter, looking after him as they turned
|
|
away also, 'we'll go to my Uncle's as quick as we can. Did you ever
|
|
hear Mr Dombey speak of Mr Carker the Junior, Miss Florence?'
|
|
|
|
'No,' returned the child, mildly, 'I don't often hear Papa speak.'
|
|
|
|
'Ah! true! more shame for him,' thought Walter. After a minute's
|
|
pause, during which he had been looking down upon the gentle patient
|
|
little face moving on at his side, he said, 'The strangest man, Mr
|
|
Carker the Junior is, Miss Florence, that ever you heard of. If you
|
|
could understand what an extraordinary interest he takes in me, and
|
|
yet how he shuns me and avoids me; and what a low place he holds in
|
|
our office, and how he is never advanced, and never complains, though
|
|
year after year he sees young men passed over his head, and though his
|
|
brother (younger than he is), is our head Manager, you would be as
|
|
much puzzled about him as I am.'
|
|
|
|
As Florence could hardly be expected to understand much about it,
|
|
Walter bestirred himself with his accustomed boyish animation and
|
|
restlessness to change the subject; and one of the unfortunate shoes
|
|
coming off again opportunely, proposed to carry Florence to his
|
|
uncle's in his arms. Florence, though very tired, laughingly declined
|
|
the proposal, lest he should let her fall; and as they were already
|
|
near the wooden Midshipman, and as Walter went on to cite various
|
|
precedents, from shipwrecks and other moving accidents, where younger
|
|
boys than he had triumphantly rescued and carried off older girls than
|
|
Florence, they were still in full conversation about it when they
|
|
arrived at the Instrument-maker's door.
|
|
|
|
'Holloa, Uncle Sol!' cried Walter, bursting into the shop, and
|
|
speaking incoherently and out of breath, from that time forth, for the
|
|
rest of the evening. 'Here's a wonderful adventure! Here's Mr Dombey's
|
|
daughter lost in the streets, and robbed of her clothes by an old
|
|
witch of a woman - found by me - brought home to our parlour to rest -
|
|
look here!'
|
|
|
|
'Good Heaven!' said Uncle Sol, starting back against his favourite
|
|
compass-case. 'It can't be! Well, I - '
|
|
|
|
'No, nor anybody else,' said Walter, anticipating the rest. 'Nobody
|
|
would, nobody could, you know. Here! just help me lift the little sofa
|
|
near the fire, will you, Uncle Sol - take care of the plates - cut
|
|
some dinner for her, will you, Uncle - throw those shoes under the
|
|
grate. Miss Florence - put your feet on the fender to dry - how damp
|
|
they are - here's an adventure, Uncle, eh? - God bless my soul, how
|
|
hot I am!'
|
|
|
|
Solomon Gills was quite as hot, by sympathy, and in excessive
|
|
bewilderment. He patted Florence's head, pressed her to eat, pressed
|
|
her to drink, rubbed the soles of her feet with his
|
|
pocket-handkerchief heated at the fire, followed his locomotive nephew
|
|
with his eyes, and ears, and had no clear perception of anything
|
|
except that he was being constantly knocked against and tumbled over
|
|
by that excited young gentleman, as he darted about the room
|
|
attempting to accomplish twenty things at once, and doing nothing at
|
|
all.
|
|
|
|
'Here, wait a minute, Uncle,' he continued, catching up a candle,
|
|
'till I run upstairs, and get another jacket on, and then I'll be off.
|
|
I say, Uncle, isn't this an adventure?'
|
|
|
|
'My dear boy,' said Solomon, who, with his spectacles on his
|
|
forehead and the great chronometer in his pocket, was incessantly
|
|
oscillating between Florence on the sofa, and his nephew in all parts
|
|
of the parlour, 'it's the most extraordinary - '
|
|
|
|
'No, but do, Uncle, please - do, Miss Florence - dinner, you know,
|
|
Uncle.'
|
|
|
|
'Yes, yes, yes,' cried Solomon, cutting instantly into a leg of
|
|
mutton, as if he were catering for a giant. 'I'll take care of her,
|
|
Wally! I understand. Pretty dear! Famished, of course. You go and get
|
|
ready. Lord bless me! Sir Richard Whittington thrice Lord Mayor of
|
|
London.'
|
|
|
|
Walter was not very long in mounting to his lofty garret and
|
|
descending from it, but in the meantime Florence, overcome by fatigue,
|
|
had sunk into a doze before the fire. The short interval of quiet,
|
|
though only a few minutes in duration, enabled Solomon Gills so far to
|
|
collect his wits as to make some little arrangements for her comfort,
|
|
and to darken the room, and to screen her from the blaze. Thus, when
|
|
the boy returned, she was sleeping peacefully.
|
|
|
|
'That's capital!' he whispered, giving Solomon such a hug that it
|
|
squeezed a new expression into his face. 'Now I'm off. I'll just take
|
|
a crust of bread with me, for I'm very hungry - and don't wake her,
|
|
Uncle Sol.'
|
|
|
|
'No, no,' said Solomon. 'Pretty child.'
|
|
|
|
'Pretty, indeed!' cried Walter. 'I never saw such a face, Uncle
|
|
Sol. Now I'm off.'
|
|
|
|
'That's right,' said Solomon, greatly relieved.
|
|
|
|
'I say, Uncle Sol,' cried Walter, putting his face in at the door.
|
|
|
|
'Here he is again,' said Solomon.
|
|
|
|
'How does she look now?'
|
|
|
|
'Quite happy,' said Solomon.
|
|
|
|
'That's famous! now I'm off.'
|
|
|
|
'I hope you are,' said Solomon to himself.
|
|
|
|
'I say, Uncle Sol,' cried Walter, reappearing at the door.
|
|
|
|
'Here he is again!' said Solomon.
|
|
|
|
'We met Mr Carker the Junior in the street, queerer than ever. He
|
|
bade me good-bye, but came behind us here - there's an odd thing! -
|
|
for when we reached the shop door, I looked round, and saw him going
|
|
quietly away, like a servant who had seen me home, or a faithful dog.
|
|
How does she look now, Uncle?'
|
|
|
|
'Pretty much the same as before, Wally,' replied Uncle Sol.
|
|
|
|
'That's right. Now I am off!'
|
|
|
|
And this time he really was: and Solomon Gills, with no appetite
|
|
for dinner, sat on the opposite side of the fire, watching Florence in
|
|
her slumber, building a great many airy castles of the most fantastic
|
|
architecture; and looking, in the dim shade, and in the close vicinity
|
|
of all the instruments, like a magician disguised in a Welsh wig and a
|
|
suit of coffee colour, who held the child in an enchanted sleep.
|
|
|
|
In the meantime, Walter proceeded towards Mr Dombey's house at a
|
|
pace seldom achieved by a hack horse from the stand; and yet with his
|
|
head out of window every two or three minutes, in impatient
|
|
remonstrance with the driver. Arriving at his journey's end, he leaped
|
|
out, and breathlessly announcing his errand to the servant, followed
|
|
him straight into the library, we there was a great confusion of
|
|
tongues, and where Mr Dombey, his sister, and Miss Tox, Richards, and
|
|
Nipper, were all congregated together.
|
|
|
|
'Oh! I beg your pardon, Sir,' said Walter, rushing up to him, 'but
|
|
I'm happy to say it's all right, Sir. Miss Dombey's found!'
|
|
|
|
The boy with his open face, and flowing hair, and sparkling eyes,
|
|
panting with pleasure and excitement, was wonderfully opposed to Mr
|
|
Dombey, as he sat confronting him in his library chair.
|
|
|
|
'I told you, Louisa, that she would certainly be found,' said Mr
|
|
Dombey, looking slightly over his shoulder at that lady, who wept in
|
|
company with Miss Tox. 'Let the servants know that no further steps
|
|
are necessary. This boy who brings the information, is young Gay, from
|
|
the office. How was my daughter found, Sir? I know how she was lost.'
|
|
Here he looked majestically at Richards. 'But how was she found? Who
|
|
found her?'
|
|
|
|
'Why, I believe I found Miss Dombey, Sir,' said Walter modestly,
|
|
'at least I don't know that I can claim the merit of having exactly
|
|
found her, Sir, but I was the fortunate instrument of - '
|
|
|
|
'What do you mean, Sir,' interrupted Mr Dombey, regarding the boy's
|
|
evident pride and pleasure in his share of the transaction with an
|
|
instinctive dislike, 'by not having exactly found my daughter, and by
|
|
being a fortunate instrument? Be plain and coherent, if you please.'
|
|
|
|
It was quite out of Walter's power to be coherent; but he rendered
|
|
himself as explanatory as he could, in his breathless state, and
|
|
stated why he had come alone.
|
|
|
|
'You hear this, girl?' said Mr Dombey sternly to the black-eyed.
|
|
'Take what is necessary, and return immediately with this young man to
|
|
fetch Miss Florence home. Gay, you will be rewarded to-morrow.
|
|
|
|
'Oh! thank you, Sir,' said Walter. 'You are very kind. I'm sure I
|
|
was not thinking of any reward, Sir.'
|
|
|
|
'You are a boy,' said Mr Dombey, suddenly and almost fiercely; 'and
|
|
what you think of, or affect to think of, is of little consequence.
|
|
You have done well, Sir. Don't undo it. Louisa, please to give the lad
|
|
some wine.'
|
|
|
|
Mr Dombey's glance followed Walter Gay with sharp disfavour, as he
|
|
left the room under the pilotage of Mrs Chick; and it may be that his
|
|
mind's eye followed him with no greater relish, as he rode back to his
|
|
Uncle's with Miss Susan Nipper.
|
|
|
|
There they found that Florence, much refreshed by sleep, had dined,
|
|
and greatly improved the acquaintance of Solomon Gills, with whom she
|
|
was on terms of perfect confidence and ease. The black-eyed (who had
|
|
cried so much that she might now be called the red-eyed, and who was
|
|
very silent and depressed) caught her in her arms without a word of
|
|
contradiction or reproach, and made a very hysterical meeting of it.
|
|
Then converting the parlour, for the nonce, into a private tiring
|
|
room, she dressed her, with great care, in proper clothes; and
|
|
presently led her forth, as like a Dombey as her natural
|
|
disqualifications admitted of her being made.
|
|
|
|
'Good-night!' said Florence, running up to Solomon. 'You have been
|
|
very good to me.
|
|
|
|
Old Sol was quite delighted, and kissed her like her grand-father.
|
|
|
|
'Good-night, Walter! Good-bye!' said Florence.
|
|
|
|
'Good-bye!' said Walter, giving both his hands.
|
|
|
|
'I'll never forget you,' pursued Florence. 'No! indeed I never
|
|
will. Good-bye, Walter!' In the innocence of her grateful heart, the
|
|
child lifted up her face to his. Walter, bending down his own, raised
|
|
it again, all red and burning; and looked at Uncle Sol, quite
|
|
sheepishly.
|
|
|
|
'Where's Walter?' 'Good-night, Walter!' 'Good-bye, Walter!' 'Shake
|
|
hands once more, Walter!' This was still Florence's cry, after she was
|
|
shut up with her little maid, in the coach. And when the coach at
|
|
length moved off, Walter on the door-step gaily turned the waving of
|
|
her handkerchief, while the wooden Midshipman behind him seemed, like
|
|
himself, intent upon that coach alone, excluding all the other passing
|
|
coaches from his observation.
|
|
|
|
In good time Mr Dombey's mansion was gained again, and again there
|
|
was a noise of tongues in the library. Again, too, the coach was
|
|
ordered to wait - 'for Mrs Richards,' one of Susan's fellow-servants
|
|
ominously whispered, as she passed with Florence.
|
|
|
|
The entrance of the lost child made a slight sensation, but not
|
|
much. Mr Dombey, who had never found her, kissed her once upon the
|
|
forehead, and cautioned her not to run away again, or wander anywhere
|
|
with treacherous attendants. Mrs Chick stopped in her lamentations on
|
|
the corruption of human nature, even when beckoned to the paths of
|
|
virtue by a Charitable Grinder; and received her with a welcome
|
|
something short of the reception due to none but perfect Dombeys. Miss
|
|
Tox regulated her feelings by the models before her. Richards, the
|
|
culprit Richards, alone poured out her heart in broken words of
|
|
welcome, and bowed herself over the little wandering head as if she
|
|
really loved it.
|
|
|
|
'Ah, Richards!' said Mrs Chick, with a sigh. 'It would have been
|
|
much more satisfactory to those who wish to think well of their fellow
|
|
creatures, and much more becoming in you, if you had shown some proper
|
|
feeling, in time, for the little child that is now going to be
|
|
prematurely deprived of its natural nourishment.
|
|
|
|
'Cut off,' said Miss Tox, in a plaintive whisper, 'from one common
|
|
fountain!'
|
|
|
|
'If it was ungrateful case,' said Mrs Chick, solemnly, 'and I had
|
|
your reflections, Richards, I should feel as if the Charitable
|
|
Grinders' dress would blight my child, and the education choke him.'
|
|
|
|
For the matter of that - but Mrs Chick didn't know it - he had been
|
|
pretty well blighted by the dress already; and as to the education,
|
|
even its retributive effect might be produced in time, for it was a
|
|
storm of sobs and blows.
|
|
|
|
'Louisa!' said Mr Dombey. 'It is not necessary to prolong these
|
|
observations. The woman is discharged and paid. You leave this house,
|
|
Richards, for taking my son - my son,' said Mr Dombey, emphatically
|
|
repeating these two words, 'into haunts and into society which are not
|
|
to be thought of without a shudder. As to the accident which befel
|
|
Miss Florence this morning, I regard that as, in one great sense, a
|
|
happy and fortunate circumstance; inasmuch as, but for that
|
|
occurrence, I never could have known - and from your own lips too - of
|
|
what you had been guilty. I think, Louisa, the other nurse, the young
|
|
person,' here Miss Nipper sobbed aloud, 'being so much younger, and
|
|
necessarily influenced by Paul's nurse, may remain. Have the goodness
|
|
to direct that this woman's coach is paid to' - Mr Dombey stopped and
|
|
winced - 'to Staggs's Gardens.'
|
|
|
|
Polly moved towards the door, with Florence holding to her dress,
|
|
and crying to her in the most pathetic manner not to go away. It was a
|
|
dagger in the haughty father's heart, an arrow in his brain, to see
|
|
how the flesh and blood he could not disown clung to this obscure
|
|
stranger, and he sitting by. Not that he cared to whom his daughter
|
|
turned, or from whom turned away. The swift sharp agony struck through
|
|
him, as he thought of what his son might do.
|
|
|
|
His son cried lustily that night, at all events. Sooth to say, poor
|
|
Paul had better reason for his tears than sons of that age often have,
|
|
for he had lost his second mother - his first, so far as he knew - by
|
|
a stroke as sudden as that natural affliction which had darkened the
|
|
beginning of his life. At the same blow, his sister too, who cried
|
|
herself to sleep so mournfully, had lost as good and true a friend.
|
|
But that is quite beside the question. Let us waste no words about it.
|
|
|
|
CHAPTER 7.
|
|
|
|
A Bird's-eye Glimpse of Miss Tox's Dwelling-place: also
|
|
of the State of Miss Tox's Affections
|
|
|
|
Miss Tox inhabited a dark little house that had been squeezed, at
|
|
some remote period of English History, into a fashionable
|
|
neighbourhood at the west end of the town, where it stood in the shade
|
|
like a poor relation of the great street round the corner, coldly
|
|
looked down upon by mighty mansions. It was not exactly in a court,
|
|
and it was not exactly in a yard; but it was in the dullest of
|
|
No-Thoroughfares, rendered anxious and haggard by distant double
|
|
knocks. The name of this retirement, where grass grew between the
|
|
chinks in the stone pavement, was Princess's Place; and in Princess's
|
|
Place was Princess's Chapel, with a tinkling bell, where sometimes as
|
|
many as five-and-twenty people attended service on a Sunday. The
|
|
Princess's Arms was also there, and much resorted to by splendid
|
|
footmen. A sedan chair was kept inside the railing before the
|
|
Princess's Arms, but it had never come out within the memory of man;
|
|
and on fine mornings, the top of every rail (there were
|
|
eight-and-forty, as Miss Tox had often counted) was decorated with a
|
|
pewter-pot.
|
|
|
|
There was another private house besides Miss Tox's in Princess's
|
|
Place: not to mention an immense Pair of gates, with an immense pair
|
|
of lion-headed knockers on them, which were never opened by any
|
|
chance, and were supposed to constitute a disused entrance to
|
|
somebody's stables. Indeed, there was a smack of stabling in the air
|
|
of Princess's Place; and Miss Tox's bedroom (which was at the back)
|
|
commanded a vista of Mews, where hostlers, at whatever sort of work
|
|
engaged, were continually accompanying themselves with effervescent
|
|
noises; and where the most domestic and confidential garments of
|
|
coachmen and their wives and families, usually hung, like Macbeth's
|
|
banners, on the outward walls.'
|
|
|
|
At this other private house in Princess's Place, tenanted by a
|
|
retired butler who had married a housekeeper, apartments were let
|
|
Furnished, to a single gentleman: to wit, a wooden-featured,
|
|
blue-faced Major, with his eyes starting out of his head, in whom Miss
|
|
Tox recognised, as she herself expressed it, 'something so truly
|
|
military;' and between whom and herself, an occasional interchange of
|
|
newspapers and pamphlets, and such Platonic dalliance, was effected
|
|
through the medium of a dark servant of the Major's who Miss Tox was
|
|
quite content to classify as a 'native,' without connecting him with
|
|
any geographical idea whatever.
|
|
|
|
Perhaps there never was a smaller entry and staircase, than the
|
|
entry and staircase of Miss Tox's house. Perhaps, taken altogether,
|
|
from top to bottom, it was the most inconvenient little house in
|
|
England, and the crookedest; but then, Miss Tox said, what a
|
|
situation! There was very little daylight to be got there in the
|
|
winter: no sun at the best of times: air was out of the question, and
|
|
traffic was walled out. Still Miss Tox said, think of the situation!
|
|
So said the blue-faced Major, whose eyes were starting out of his
|
|
head: who gloried in Princess's Place: and who delighted to turn the
|
|
conversation at his club, whenever he could, to something connected
|
|
with some of the great people in the great street round the corner,
|
|
that he might have the satisfaction of saying they were his
|
|
neighbours.
|
|
|
|
In short, with Miss Tox and the blue-faced Major, it was enough for
|
|
Princess's Place - as with a very small fragment of society, it is
|
|
enough for many a little hanger-on of another sort - to be well
|
|
connected, and to have genteel blood in its veins. It might be poor,
|
|
mean, shabby, stupid, dull. No matter. The great street round the
|
|
corner trailed off into Princess's Place; and that which of High
|
|
Holborn would have become a choleric word, spoken of Princess's Place
|
|
became flat blasphemy.
|
|
|
|
The dingy tenement inhabited by Miss Tox was her own; having been
|
|
devised and bequeathed to her by the deceased owner of the fishy eye
|
|
in the locket, of whom a miniature portrait, with a powdered head and
|
|
a pigtail, balanced the kettle-holder on opposite sides of the parlour
|
|
fireplace. The greater part of the furniture was of the powdered-head
|
|
and pig-tail period: comprising a plate-warmer, always languishing and
|
|
sprawling its four attenuated bow legs in somebody's way; and an
|
|
obsolete harpsichord, illuminated round the maker's name with a
|
|
painted garland of sweet peas. In any part of the house, visitors were
|
|
usually cognizant of a prevailing mustiness; and in warm weather Miss
|
|
Tox had been seen apparently writing in sundry chinks and crevices of
|
|
the wainscoat with the the wrong end of a pen dipped in spirits of
|
|
turpentine.
|
|
|
|
Although Major Bagstock had arrived at what is called in polite
|
|
literature, the grand meridian of life, and was proceeding on his
|
|
journey downhill with hardly any throat, and a very rigid pair of
|
|
jaw-bones, and long-flapped elephantine ears, and his eyes and
|
|
complexion in the state of artificial excitement already mentioned, he
|
|
was mightily proud of awakening an interest in Miss Tox, and tickled
|
|
his vanity with the fiction that she was a splendid woman who had her
|
|
eye on him. This he had several times hinted at the club: in connexion
|
|
with little jocularities, of which old Joe Bagstock, old Joey
|
|
Bagstock, old J. Bagstock, old Josh Bagstock, or so forth, was the
|
|
perpetual theme: it being, as it were, the Major's stronghold and
|
|
donjon-keep of light humour, to be on the most familiar terms with his
|
|
own name.
|
|
|
|
'Joey B., Sir,'the Major would say, with a flourish of his
|
|
walking-stick, 'is worth a dozen of you. If you had a few more of the
|
|
Bagstock breed among you, Sir, you'd be none the worse for it. Old
|
|
Joe, Sir, needn't look far for a wile even now, if he was on the
|
|
look-out; but he's hard-hearted, Sir, is Joe - he's tough, Sir, tough,
|
|
and de-vilish sly!' After such a declaration, wheezing sounds would be
|
|
heard; and the Major's blue would deepen into purple, while his eyes
|
|
strained and started convulsively.
|
|
|
|
Notwithstanding his very liberal laudation of himself, however, the
|
|
Major was selfish. It may be doubted whether there ever was a more
|
|
entirely selfish person at heart; or at stomach is perhaps a better
|
|
expression, seeing that he was more decidedly endowed with that latter
|
|
organ than with the former. He had no idea of being overlooked or
|
|
slighted by anybody; least of all, had he the remotest comprehension
|
|
of being overlooked and slighted by Miss Tox.
|
|
|
|
And yet, Miss Tox, as it appeared, forgot him - gradually forgot
|
|
him. She began to forget him soon after her discovery of the Toodle
|
|
family. She continued to forget him up to the time of the christening.
|
|
She went on forgetting him with compound interest after that.
|
|
Something or somebody had superseded him as a source of interest.
|
|
|
|
'Good morning, Ma'am,' said the Major, meeting Miss Tox in
|
|
Princess's Place, some weeks after the changes chronicled in the last
|
|
chapter.
|
|
|
|
'Good morning, Sir,' said Miss Tox; very coldly.
|
|
|
|
'Joe Bagstock, Ma'am,' observed the Major, with his usual
|
|
gallantry, 'has not had the happiness of bowing to you at your window,
|
|
for a considerable period. Joe has been hardly used, Ma'am. His sun
|
|
has been behind a cloud.'
|
|
|
|
Miss Tox inclined her head; but very coldly indeed.
|
|
|
|
'Joe's luminary has been out of town, Ma'am, perhaps,' inquired the
|
|
Major.
|
|
|
|
'I? out of town? oh no, I have not been out of town,' said Miss
|
|
Tox. 'I have been much engaged lately. My time is nearly all devoted
|
|
to some very intimate friends. I am afraid I have none to spare, even
|
|
now. Good morning, Sir!'
|
|
|
|
As Miss Tox, with her most fascinating step and carriage,
|
|
disappeared from Princess's Place, the Major stood looking after her
|
|
with a bluer face than ever: muttering and growling some not at all
|
|
complimentary remarks.
|
|
|
|
'Why, damme, Sir,' said the Major, rolling his lobster eyes round
|
|
and round Princess's Place, and apostrophizing its fragrant air, 'six
|
|
months ago, the woman loved the ground Josh Bagstock walked on. What's
|
|
the meaning of it?'
|
|
|
|
The Major decided, after some consideration, that it meant
|
|
mantraps; that it meant plotting and snaring; that Miss Tox was
|
|
digging pitfalls. 'But you won't catch Joe, Ma'am,' said the Major.
|
|
'He's tough, Ma'am, tough, is J.B. Tough, and de-vilish sly!' over
|
|
which reflection he chuckled for the rest of the day.
|
|
|
|
But still, when that day and many other days were gone and past, it
|
|
seemed that Miss Tox took no heed whatever of the Major, and thought
|
|
nothing at all about him. She had been wont, once upon a time, to look
|
|
out at one of her little dark windows by accident, and blushingly
|
|
return the Major's greeting; but now, she never gave the Major a
|
|
chance, and cared nothing at all whether he looked over the way or
|
|
not. Other changes had come to pass too. The Major, standing in the
|
|
shade of his own apartment, could make out that an air of greater
|
|
smartness had recently come over Miss Tox's house; that a new cage
|
|
with gilded wires had been provided for the ancient little canary
|
|
bird; that divers ornaments, cut out of coloured card-boards and
|
|
paper, seemed to decorate the chimney-piece and tables; that a plant
|
|
or two had suddenly sprung up in the windows; that Miss Tox
|
|
occasionally practised on the harpsichord, whose garland of sweet peas
|
|
was always displayed ostentatiously, crowned with the Copenhagen and
|
|
Bird Waltzes in a Music Book of Miss Tox's own copying.
|
|
|
|
Over and above all this, Miss Tox had long been dressed with
|
|
uncommon care and elegance in slight mourning. But this helped the
|
|
Major out of his difficulty; and be determined within himself that she
|
|
had come into a small legacy, and grown proud.
|
|
|
|
It was on the very next day after he had eased his mind by arriving
|
|
at this decision, that the Major, sitting at his breakfast, saw an
|
|
apparition so tremendous and wonderful in Miss Tox's little
|
|
drawing-room, that he remained for some time rooted to his chair;
|
|
then, rushing into the next room, returned with a double-barrelled
|
|
opera-glass, through which he surveyed it intently for some minutes.
|
|
|
|
'It's a Baby, Sir,' said the Major, shutting up the glass again,
|
|
'for fifty thousand pounds!'
|
|
|
|
The Major couldn't forget it. He could do nothing but whistle, and
|
|
stare to that extent, that his eyes, compared with what they now
|
|
became, had been in former times quite cavernous and sunken. Day after
|
|
day, two, three, four times a week, this Baby reappeared. The Major
|
|
continued to stare and whistle. To all other intents and purposes he
|
|
was alone in Princess's Place. Miss Tox had ceased to mind what he
|
|
did. He might have been black as well as blue, and it would have been
|
|
of no consequence to her.
|
|
|
|
The perseverance with which she walked out of Princess's Place to
|
|
fetch this baby and its nurse, and walked back with them, and walked
|
|
home with them again, and continually mounted guard over them; and the
|
|
perseverance with which she nursed it herself, and fed it, and played
|
|
with it, and froze its young blood with airs upon the harpsichord, was
|
|
extraordinary. At about this same period too, she was seized with a
|
|
passion for looking at a certain bracelet; also with a passion for
|
|
looking at the moon, of which she would take long observations from
|
|
her chamber window. But whatever she looked at; sun, moon, stars, or
|
|
bracelet; she looked no more at the Major. And the Major whistled, and
|
|
stared, and wondered, and dodged about his room, and could make
|
|
nothing of it.
|
|
|
|
'You'll quite win my brother Paul's heart, and that's the truth, my
|
|
dear,' said Mrs Chick, one day.
|
|
|
|
Miss Tox turned pale.
|
|
|
|
'He grows more like Paul every day,' said Mrs Chick.
|
|
|
|
Miss Tox returned no other reply than by taking the little Paul in
|
|
her arms, and making his cockade perfectly flat and limp with her
|
|
caresses.
|
|
|
|
'His mother, my dear,' said Miss Tox, 'whose acquaintance I was to
|
|
have made through you, does he at all resemble her?'
|
|
|
|
'Not at all,' returned Louisa
|
|
|
|
'She was - she was pretty, I believe?' faltered Miss Tox.
|
|
|
|
'Why, poor dear Fanny was interesting,' said Mrs Chick, after some
|
|
judicial consideration. 'Certainly interesting. She had not that air
|
|
of commanding superiority which one would somehow expect, almost as a
|
|
matter of course, to find in my brother's wife; nor had she that
|
|
strength and vigour of mind which such a man requires.'
|
|
|
|
Miss Tox heaved a deep sigh.
|
|
|
|
'But she was pleasing:' said Mrs Chick: 'extremely so. And she
|
|
meant! - oh, dear, how well poor Fanny meant!'
|
|
|
|
'You Angel!' cried Miss Tox to little Paul. 'You Picture of your
|
|
own Papa!'
|
|
|
|
If the Major could have known how many hopes and ventures, what a
|
|
multitude of plans and speculations, rested on that baby head; and
|
|
could have seen them hovering, in all their heterogeneous confusion
|
|
and disorder, round the puckered cap of the unconscious little Paul;
|
|
he might have stared indeed. Then would he have recognised, among the
|
|
crowd, some few ambitious motes and beams belonging to Miss Tox; then
|
|
would he perhaps have understood the nature of that lady's faltering
|
|
investment in the Dombey Firm.
|
|
|
|
If the child himself could have awakened in the night, and seen,
|
|
gathered about his cradle-curtains, faint reflections of the dreams
|
|
that other people had of him, they might have scared him, with good
|
|
reason. But he slumbered on, alike unconscious of the kind intentions
|
|
of Miss Tox, the wonder of the Major, the early sorrows of his sister,
|
|
and the stern visions of his father; and innocent that any spot of
|
|
earth contained a Dombey or a Son.
|
|
|
|
CHAPTER 8.
|
|
|
|
Paul's Further Progress, Growth and Character
|
|
|
|
Beneath the watching and attentive eyes of Time - so far another
|
|
Major - Paul's slumbers gradually changed. More and more light broke
|
|
in upon them; distincter and distincter dreams disturbed them; an
|
|
accumulating crowd of objects and impressions swarmed about his rest;
|
|
and so he passed from babyhood to childhood, and became a talking,
|
|
walking, wondering Dombey.
|
|
|
|
On the downfall and banishment of Richards, the nursery may be said
|
|
to have been put into commission: as a Public Department is sometimes,
|
|
when no individual Atlas can be found to support it The Commissioners
|
|
were, of course, Mrs Chick and Miss Tox: who devoted themselves to
|
|
their duties with such astonishing ardour that Major Bagstock had
|
|
every day some new reminder of his being forsaken, while Mr Chick,
|
|
bereft of domestic supervision, cast himself upon the gay world, dined
|
|
at clubs and coffee-houses, smelt of smoke on three different
|
|
occasions, went to the play by himself, and in short, loosened (as Mrs
|
|
Chick once told him) every social bond, and moral obligation.
|
|
|
|
Yet, in spite of his early promise, all this vigilance and care
|
|
could not make little Paul a thriving boy. Naturally delicate,
|
|
perhaps, he pined and wasted after the dismissal of his nurse, and,
|
|
for a long time, seemed but to wait his opportunity of gliding through
|
|
their hands, and seeking his lost mother. This dangerous ground in his
|
|
steeple-chase towards manhood passed, he still found it very rough
|
|
riding, and was grievously beset by all the obstacles in his course.
|
|
Every tooth was a break-neck fence, and every pimple in the measles a
|
|
stone wall to him. He was down in every fit of the hooping-cough, and
|
|
rolled upon and crushed by a whole field of small diseases, that came
|
|
trooping on each other's heels to prevent his getting up again. Some
|
|
bird of prey got into his throat instead of the thrush; and the very
|
|
chickens turning ferocious - if they have anything to do with that
|
|
infant malady to which they lend their name - worried him like
|
|
tiger-cats.
|
|
|
|
The chill of Paul's christening had struck home, perhaps to some
|
|
sensitive part of his nature, which could not recover itself in the
|
|
cold shade of his father; but he was an unfortunate child from that
|
|
day. Mrs Wickam often said she never see a dear so put upon.
|
|
|
|
Mrs Wickam was a waiter's wife - which would seem equivalent to
|
|
being any other man's widow - whose application for an engagement in
|
|
Mr Dombey's service had been favourably considered, on account of the
|
|
apparent impossibility of her having any followers, or anyone to
|
|
follow; and who, from within a day or two of Paul's sharp weaning, had
|
|
been engaged as his nurse. Mrs Wickam was a meek woman, of a fair
|
|
complexion, with her eyebrows always elevated, and her head always
|
|
drooping; who was always ready to pity herself, or to be pitied, or to
|
|
pity anybody else; and who had a surprising natural gift of viewing
|
|
all subjects in an utterly forlorn and pitiable light, and bringing
|
|
dreadful precedents to bear upon them, and deriving the greatest
|
|
consolation from the exercise of that talent.
|
|
|
|
It is hardly necessary to observe, that no touch of this quality
|
|
ever reached the magnificent knowledge of Mr Dombey. It would have
|
|
been remarkable, indeed, if any had; when no one in the house - not
|
|
even Mrs Chick or Miss Tox - dared ever whisper to him that there had,
|
|
on any one occasion, been the least reason for uneasiness in reference
|
|
to little Paul. He had settled, within himself, that the child must
|
|
necessarily pass through a certain routine of minor maladies, and that
|
|
the sooner he did so the better. If he could have bought him off, or
|
|
provided a substitute, as in the case of an unlucky drawing for the
|
|
militia, he would have been glad to do so, on liberal terms. But as
|
|
this was not feasible, he merely wondered, in his haughty-manner, now
|
|
and then, what Nature meant by it; and comforted himself with the
|
|
reflection that there was another milestone passed upon the road, and
|
|
that the great end of the journey lay so much the nearer. For the
|
|
feeling uppermost in his mind, now and constantly intensifying, and
|
|
increasing in it as Paul grew older, was impatience. Impatience for
|
|
the time to come, when his visions of their united consequence and
|
|
grandeur would be triumphantly realized.
|
|
|
|
Some philosophers tell us that selfishness is at the root of our
|
|
best loves and affections.' Mr Dombey's young child was, from the
|
|
beginning, so distinctly important to him as a part of his own
|
|
greatness, or (which is the same thing) of the greatness of Dombey and
|
|
Son, that there is no doubt his parental affection might have been
|
|
easily traced, like many a goodly superstructure of fair fame, to a
|
|
very low foundation. But he loved his son with all the love he had. If
|
|
there were a warm place in his frosty heart, his son occupied it; if
|
|
its very hard surface could receive the impression of any image, the
|
|
image of that son was there; though not so much as an infant, or as a
|
|
boy, but as a grown man - the 'Son' of the Firm. Therefore he was
|
|
impatient to advance into the future, and to hurry over the
|
|
intervening passages of his history. Therefore he had little or no
|
|
anxiety' about them, in spite of his love; feeling as if the boy had a
|
|
charmed life, and must become the man with whom he held such constant
|
|
communication in his thoughts, and for whom he planned and projected,
|
|
as for an existing reality, every day.
|
|
|
|
Thus Paul grew to be nearly five years old. He was a pretty little
|
|
fellow; though there was something wan and wistful in his small face,
|
|
that gave occasion to many significant shakes of Mrs Wickam's head,
|
|
and many long-drawn inspirations of Mrs Wickam's breath. His temper
|
|
gave abundant promise of being imperious in after-life; and he had as
|
|
hopeful an apprehension of his own importance, and the rightful
|
|
subservience of all other things and persons to it, as heart could
|
|
desire. He was childish and sportive enough at times, and not of a
|
|
sullen disposition; but he had a strange, old-fashioned, thoughtful
|
|
way, at other times, of sitting brooding in his miniature arm-chair,
|
|
when he looked (and talked) like one of those terrible little Beings
|
|
in the Fairy tales, who, at a hundred and fifty or two hundred years
|
|
of age, fantastically represent the children for whom they have been
|
|
substituted. He would frequently be stricken with this precocious mood
|
|
upstairs in the nursery; and would sometimes lapse into it suddenly,
|
|
exclaiming that he was tired: even while playing with Florence, or
|
|
driving Miss Tox in single harness. But at no time did he fall into it
|
|
so surely, as when, his little chair being carried down into his
|
|
father's room, he sat there with him after dinner, by the fire. They
|
|
were the strangest pair at such a time that ever firelight shone upon.
|
|
Mr Dombey so erect and solemn, gazing at the blare; his little image,
|
|
with an old, old face, peering into the red perspective with the fixed
|
|
and rapt attention of a sage. Mr Dombey entertaining complicated
|
|
worldly schemes and plans; the little image entertaining Heaven knows
|
|
what wild fancies, half-formed thoughts, and wandering speculations.
|
|
Mr Dombey stiff with starch and arrogance; the little image by
|
|
inheritance, and in unconscious imitation. The two so very much alike,
|
|
and yet so monstrously contrasted.
|
|
|
|
On one of these occasions, when they had both been perfectly quiet
|
|
for a long time, and Mr Dombey only knew that the child was awake by
|
|
occasionally glancing at his eye, where the bright fire was sparkling
|
|
like a jewel, little Paul broke silence thus:
|
|
|
|
'Papa! what's money?'
|
|
|
|
The abrupt question had such immediate reference to the subject of
|
|
Mr Dombey's thoughts, that Mr Dombey was quite disconcerted.
|
|
|
|
'What is money, Paul?' he answered. 'Money?'
|
|
|
|
'Yes,' said the child, laying his hands upon the elbows of his
|
|
little chair, and turning the old face up towards Mr Dombey's; 'what
|
|
is money?'
|
|
|
|
Mr Dombey was in a difficulty. He would have liked to give him some
|
|
explanation involving the terms circulating-medium, currency,
|
|
depreciation of currency', paper, bullion, rates of exchange, value of
|
|
precious metals in the market, and so forth; but looking down at the
|
|
little chair, and seeing what a long way down it was, he answered:
|
|
'Gold, and silver, and copper. Guineas, shillings, half-pence. You
|
|
know what they are?'
|
|
|
|
'Oh yes, I know what they are,' said Paul. 'I don't mean that,
|
|
Papa. I mean what's money after all?'
|
|
|
|
Heaven and Earth, how old his face was as he turned it up again
|
|
towards his father's!
|
|
|
|
'What is money after all!' said Mr Dombey, backing his chair a
|
|
little, that he might the better gaze in sheer amazement at the
|
|
presumptuous atom that propounded such an inquiry.
|
|
|
|
'I mean, Papa, what can it do?' returned Paul, folding his arms
|
|
(they were hardly long enough to fold), and looking at the fire, and
|
|
up at him, and at the fire, and up at him again.
|
|
|
|
Mr Dombey drew his chair back to its former place, and patted him
|
|
on the head. 'You'll know better by-and-by, my man,' he said. 'Money,
|
|
Paul, can do anything.' He took hold of the little hand, and beat it
|
|
softly against one of his own, as he said so.
|
|
|
|
But Paul got his hand free as soon as he could; and rubbing it
|
|
gently to and fro on the elbow of his chair, as if his wit were in the
|
|
palm, and he were sharpening it - and looking at the fire again, as
|
|
though the fire had been his adviser and prompter - repeated, after a
|
|
short pause:
|
|
|
|
'Anything, Papa?'
|
|
|
|
'Yes. Anything - almost,' said Mr Dombey.
|
|
|
|
'Anything means everything, don't it, Papa?' asked his son: not
|
|
observing, or possibly not understanding, the qualification.
|
|
|
|
'It includes it: yes,' said Mr Dombey.
|
|
|
|
'Why didn't money save me my Mama?' returned the child. 'It isn't
|
|
cruel, is it?'
|
|
|
|
'Cruel!' said Mr Dombey, settling his neckcloth, and seeming to
|
|
resent the idea. 'No. A good thing can't be cruel.'
|
|
|
|
'If it's a good thing, and can do anything,' said the little
|
|
fellow, thoughtfully, as he looked back at the fire, 'I wonder why it
|
|
didn't save me my Mama.'
|
|
|
|
He didn't ask the question of his father this time. Perhaps he had
|
|
seen, with a child's quickness, that it had already made his father
|
|
uncomfortable. But he repeated the thought aloud, as if it were quite
|
|
an old one to him, and had troubled him very much; and sat with his
|
|
chin resting on his hand, still cogitating and looking for an
|
|
explanation in the fire.
|
|
|
|
Mr Dombey having recovered from his surprise, not to say his alarm
|
|
(for it was the very first occasion on which the child had ever
|
|
broached the subject of his mother to him, though he had had him
|
|
sitting by his side, in this same manner, evening after evening),
|
|
expounded to him how that money, though a very potent spirit, never to
|
|
be disparaged on any account whatever, could not keep people alive
|
|
whose time was come to die; and how that we must all die,
|
|
unfortunately, even in the City, though we were never so rich. But how
|
|
that money caused us to be honoured, feared, respected, courted, and
|
|
admired, and made us powerful and glorious in the eyes of all men; and
|
|
how that it could, very often, even keep off death, for a long time
|
|
together. How, for example, it had secured to his Mama the services of
|
|
Mr Pilkins, by which be, Paul, had often profited himself; likewise of
|
|
the great Doctor Parker Peps, whom he had never known. And how it
|
|
could do all, that could be done. This, with more to the same purpose,
|
|
Mr Dombey instilled into the mind of his son, who listened
|
|
attentively, and seemed to understand the greater part of what was
|
|
said to him.
|
|
|
|
'It can't make me strong and quite well, either, Papa; can it?'
|
|
asked Paul, after a short silence; rubbing his tiny hands.
|
|
|
|
'Why, you are strong and quite well,' returned Mr Dombey. 'Are you
|
|
not?'
|
|
|
|
Oh! the age of the face that was turned up again, with an
|
|
expression, half of melancholy, half of slyness, on it!
|
|
|
|
'You are as strong and well as such little people usually are? Eh?'
|
|
said Mr Dombey.
|
|
|
|
'Florence is older than I am, but I'm not as strong and well as
|
|
Florence, 'I know,' returned the child; 'and I believe that when
|
|
Florence was as little as me, she could play a great deal longer at a
|
|
time without tiring herself. I am so tired sometimes,' said little
|
|
Paul, warming his hands, and looking in between the bars of the grate,
|
|
as if some ghostly puppet-show were performing there, 'and my bones
|
|
ache so (Wickam says it's my bones), that I don't know what to do.'
|
|
|
|
'Ay! But that's at night,' said Mr Dombey, drawing his own chair
|
|
closer to his son's, and laying his hand gently on his back; 'little
|
|
people should be tired at night, for then they sleep well.'
|
|
|
|
'Oh, it's not at night, Papa,' returned the child, 'it's in the
|
|
day; and I lie down in Florence's lap, and she sings to me. At night I
|
|
dream about such cu-ri-ous things!'
|
|
|
|
And he went on, warming his hands again, and thinking about them,
|
|
like an old man or a young goblin.
|
|
|
|
Mr Dombey was so astonished, and so uncomfortable, and so perfectly
|
|
at a loss how to pursue the conversation, that he could only sit
|
|
looking at his son by the light of the fire, with his hand resting on
|
|
his back, as if it were detained there by some magnetic attraction.
|
|
Once he advanced his other hand, and turned the contemplative face
|
|
towards his own for a moment. But it sought the fire again as soon as
|
|
he released it; and remained, addressed towards the flickering blaze,
|
|
until the nurse appeared, to summon him to bed.
|
|
|
|
'I want Florence to come for me,' said Paul.
|
|
|
|
'Won't you come with your poor Nurse Wickam, Master Paul?' inquired
|
|
that attendant, with great pathos.
|
|
|
|
'No, I won't,' replied Paul, composing himself in his arm-chair
|
|
again, like the master of the house.
|
|
|
|
Invoking a blessing upon his innocence, Mrs Wickam withdrew, and
|
|
presently Florence appeared in her stead. The child immediately
|
|
started up with sudden readiness and animation, and raised towards his
|
|
father in bidding him good-night, a countenance so much brighter, so
|
|
much younger, and so much more child-like altogether, that Mr Dombey,
|
|
while he felt greatly reassured by the change, was quite amazed at it.
|
|
|
|
After they had left the room together, he thought he heard a soft
|
|
voice singing; and remembering that Paul had said his sister sung to
|
|
him, he had the curiosity to open the door and listen, and look after
|
|
them. She was toiling up the great, wide, vacant staircase, with him
|
|
in her arms; his head was lying on her shoulder, one of his arms
|
|
thrown negligently round her neck. So they went, toiling up; she
|
|
singing all the way, and Paul sometimes crooning out a feeble
|
|
accompaniment. Mr Dombey looked after them until they reached the top
|
|
of the staircase - not without halting to rest by the way - and passed
|
|
out of his sight; and then he still stood gazing upwards, until the
|
|
dull rays of the moon, glimmering in a melancholy manner through the
|
|
dim skylight, sent him back to his room.
|
|
|
|
Mrs Chick and Miss Tox were convoked in council at dinner next day;
|
|
and when the cloth was removed, Mr Dombey opened the proceedings by
|
|
requiring to be informed, without any gloss or reservation, whether
|
|
there was anything the matter with Paul, and what Mr Pilkins said
|
|
about him.
|
|
|
|
'For the child is hardly,' said Mr Dombey, 'as stout as I could
|
|
wish.'
|
|
|
|
'My dear Paul,' returned Mrs Chick, 'with your usual happy
|
|
discrimination, which I am weak enough to envy you, every time I am in
|
|
your company; and so I think is Miss Tox
|
|
|
|
'Oh my dear!' said Miss Tox, softly, 'how could it be otherwise?
|
|
Presumptuous as it is to aspire to such a level; still, if the bird of
|
|
night may - but I'll not trouble Mr Dombey with the sentiment. It
|
|
merely relates to the Bulbul.'
|
|
|
|
Mr Dombey bent his head in stately recognition of the Bulbuls as an
|
|
old-established body.
|
|
|
|
'With your usual happy discrimination, my dear Paul,' resumed Mrs
|
|
Chick, 'you have hit the point at once. Our darling is altogether as
|
|
stout as we could wish. The fact is, that his mind is too much for
|
|
him. His soul is a great deal too large for his frame. I am sure the
|
|
way in which that dear child talks!'said Mrs Chick, shaking her head;
|
|
'no one would believe. His expressions, Lucretia, only yesterday upon
|
|
the subject of Funerals!
|
|
|
|
'I am afraid,' said Mr Dombey, interrupting her testily, 'that some
|
|
of those persons upstairs suggest improper subjects to the child. He
|
|
was speaking to me last night about his - about his Bones,' said Mr
|
|
Dombey, laying an irritated stress upon the word. 'What on earth has
|
|
anybody to do with the - with the - Bones of my son? He is not a
|
|
living skeleton, I suppose.
|
|
|
|
'Very far from it,' said Mrs Chick, with unspeakable expression.
|
|
|
|
'I hope so,' returned her brother. 'Funerals again! who talks to
|
|
the child of funerals? We are not undertakers, or mutes, or
|
|
grave-diggers, I believe.'
|
|
|
|
'Very far from it,' interposed Mrs Chick, with the same profound
|
|
expression as before.
|
|
|
|
'Then who puts such things into his head?' said Mr Dombey. 'Really
|
|
I was quite dismayed and shocked last night. Who puts such things into
|
|
his head, Louisa?'
|
|
|
|
'My dear Paul,' said Mrs Chick, after a moment's silence, 'it is of
|
|
no use inquiring. I do not think, I will tell you candidly that Wickam
|
|
is a person of very cheerful spirit, or what one would call a - '
|
|
|
|
'A daughter of Momus,' Miss Tox softly suggested.
|
|
|
|
'Exactly so,' said Mrs Chick; 'but she is exceedingly attentive and
|
|
useful, and not at all presumptuous; indeed I never saw a more
|
|
biddable woman. I would say that for her, if I was put upon my trial
|
|
before a Court of Justice.'
|
|
|
|
'Well! you are not put upon your trial before a Court of Justice,
|
|
at present, Louisa,' returned Mr Dombey, chafing,' and therefore it
|
|
don't matter.
|
|
|
|
'My dear Paul,' said Mrs Chick, in a warning voice, 'I must be
|
|
spoken to kindly, or there is an end of me,' at the same time a
|
|
premonitory redness developed itself in Mrs Chick's eyelids which was
|
|
an invariable sign of rain, unless the weather changed directly.
|
|
|
|
'I was inquiring, Louisa,' observed Mr Dombey, in an altered voice,
|
|
and after a decent interval, 'about Paul's health and actual state.
|
|
|
|
'If the dear child,' said Mrs Chick, in the tone of one who was
|
|
summing up what had been previously quite agreed upon, instead of
|
|
saying it all for the first time, 'is a little weakened by that last
|
|
attack, and is not in quite such vigorous health as we could wish; and
|
|
if he has some temporary weakness in his system, and does occasionally
|
|
seem about to lose, for the moment, the use of his - '
|
|
|
|
Mrs Chick was afraid to say limbs, after Mr Dombey's recent
|
|
objection to bones, and therefore waited for a suggestion from Miss
|
|
Tox, who, true to her office, hazarded 'members.'
|
|
|
|
'Members!' repeated Mr Dombey.
|
|
|
|
'I think the medical gentleman mentioned legs this morning, my dear
|
|
Louisa, did he not?' said Miss Tox.
|
|
|
|
'Why, of course he did, my love,' retorted Mrs Chick, mildly
|
|
reproachful. 'How can you ask me? You heard him. I say, if our dear
|
|
Paul should lose, for the moment, the use of his legs, these are
|
|
casualties common to many children at his time of life, and not to be
|
|
prevented by any care or caution. The sooner you understand that,
|
|
Paul, and admit that, the better. If you have any doubt as to the
|
|
amount of care, and caution, and affection, and self-sacrifice, that
|
|
has been bestowed upon little Paul, I should wish to refer the
|
|
question to your medical attendant, or to any of your dependants in
|
|
this house. Call Towlinson,' said Mrs Chick, 'I believe he has no
|
|
prejudice in our favour; quite the contrary. I should wish to hear
|
|
what accusation Towlinson can make!'
|
|
|
|
'Surely you must know, Louisa,' observed Mr Dombey, 'that I don't
|
|
question your natural devotion to, and regard for, the future head of
|
|
my house.'
|
|
|
|
'I am glad to hear it, Paul,' said Mrs Chick; 'but really you are
|
|
very odd, and sometimes talk very strangely, though without meaning
|
|
it, I know. If your dear boy's soul is too much for his body, Paul,
|
|
you should remember whose fault that is - who he takes after, I mean -
|
|
and make the best of it. He's as like his Papa as he can be. People
|
|
have noticed it in the streets. The very beadle, I am informed,
|
|
observed it, so long ago as at his christening. He's a very
|
|
respectable man, with children of his own. He ought to know.'
|
|
|
|
'Mr Pilkins saw Paul this morning, I believe?' said Mr Dombey.
|
|
|
|
'Yes, he did,' returned his sister. 'Miss Tox and myself were
|
|
present. Miss Tox and myself are always present. We make a point of
|
|
it. Mr Pilkins has seen him for some days past, and a very clever man
|
|
I believe him to be. He says it is nothing to speak of; which I can
|
|
confirm, if that is any consolation; but he recommended, to-day,
|
|
sea-air. Very wisely, Paul, I feel convinced.'
|
|
|
|
'Sea-air,' repeated Mr Dombey, looking at his sister.
|
|
|
|
'There is nothing to be made uneasy by, in that,'said Mrs Chick.
|
|
'My George and Frederick were both ordered sea-air, when they were
|
|
about his age; and I have been ordered it myself a great many times. I
|
|
quite agree with you, Paul, that perhaps topics may be incautiously
|
|
mentioned upstairs before him, which it would be as well for his
|
|
little mind not to expatiate upon; but I really don't see how that is
|
|
to be helped, in the case of a child of his quickness. If he were a
|
|
common child, there would be nothing in it. I must say I think, with
|
|
Miss Tox, that a short absence from this house, the air of Brighton,
|
|
and the bodily and mental training of so judicious a person as Mrs
|
|
Pipchin for instance - '
|
|
|
|
'Who is Mrs Pipchin, Louisa?' asked Mr Dombey; aghast at this
|
|
familiar introduction of a name he had never heard before.
|
|
|
|
'Mrs Pipchin, my dear Paul,' returned his sister, 'is an elderly
|
|
lady - Miss Tox knows her whole history - who has for some time
|
|
devoted all the energies of her mind, with the greatest success, to
|
|
the study and treatment of infancy, and who has been extremely well
|
|
connected. Her husband broke his heart in - how did you say her
|
|
husband broke his heart, my dear? I forget the precise circumstances.
|
|
|
|
'In pumping water out of the Peruvian Mines,' replied Miss Tox.
|
|
|
|
'Not being a Pumper himself, of course,' said Mrs Chick, glancing
|
|
at her brother; and it really did seem necessary to offer the
|
|
explanation, for Miss Tox had spoken of him as if he had died at the
|
|
handle; 'but having invested money in the speculation, which failed. I
|
|
believe that Mrs Pipchin's management of children is quite
|
|
astonishing. I have heard it commended in private circles ever since I
|
|
was - dear me - how high!' Mrs Chick's eye wandered about the bookcase
|
|
near the bust of Mr Pitt, which was about ten feet from the ground.
|
|
|
|
'Perhaps I should say of Mrs Pipchin, my dear Sir,' observed Miss
|
|
Tox, with an ingenuous blush, 'having been so pointedly referred to,
|
|
that the encomium which has been passed upon her by your sweet sister
|
|
is well merited. Many ladies and gentleman, now grown up to be
|
|
interesting members of society, have been indebted to her care. The
|
|
humble individual who addresses you was once under her charge. I
|
|
believe juvenile nobility itself is no stranger to her establishment.'
|
|
|
|
'Do I understand that this respectable matron keeps an
|
|
establishment, Miss Tox?' the Mr Dombey, condescendingly.
|
|
|
|
'Why, I really don't know,' rejoined that lady, 'whether I am
|
|
justified in calling it so. It is not a Preparatory School by any
|
|
means. Should I express my meaning,' said Miss Tox, with peculiar
|
|
sweetness,'if I designated it an infantine Boarding-House of a very
|
|
select description?'
|
|
|
|
'On an exceedingly limited and particular scale,' suggested Mrs
|
|
Chick, with a glance at her brother.
|
|
|
|
'Oh! Exclusion itself!' said Miss Tox.
|
|
|
|
There was something in this. Mrs Pipchin's husband having broken
|
|
his heart of the Peruvian mines was good. It had a rich sound.
|
|
Besides, Mr Dombey was in a state almost amounting to consternation at
|
|
the idea of Paul remaining where he was one hour after his removal had
|
|
been recommended by the medical practitioner. It was a stoppage and
|
|
delay upon the road the child must traverse, slowly at the best,
|
|
before the goal was reached. Their recommendation of Mrs Pipchin had
|
|
great weight with him; for he knew that they were jealous of any
|
|
interference with their charge, and he never for a moment took it into
|
|
account that they might be solicitous to divide a responsibility, of
|
|
which he had, as shown just now, his own established views. Broke his
|
|
heart of the Peruvian mines, mused Mr Dombey. Well! a very respectable
|
|
way of doing It.
|
|
|
|
'Supposing we should decide, on to-morrow's inquiries, to send Paul
|
|
down to Brighton to this lady, who would go with him?' inquired Mr
|
|
Dombey, after some reflection.
|
|
|
|
'I don't think you could send the child anywhere at present without
|
|
Florence, my dear Paul,' returned his sister, hesitating. 'It's quite
|
|
an infatuation with him. He's very young, you know, and has his
|
|
fancies.'
|
|
|
|
Mr Dombey turned his head away, and going slowly to the bookcase,
|
|
and unlocking it, brought back a book to read.
|
|
|
|
'Anybody else, Louisa?' he said, without looking up, and turning
|
|
over the leaves.
|
|
|
|
'Wickam, of course. Wickam would be quite sufficient, I should
|
|
say,' returned his sister. 'Paul being in such hands as Mrs Pipchin's,
|
|
you could hardly send anybody who would be a further check upon her.
|
|
You would go down yourself once a week at least, of course.'
|
|
|
|
'Of course,' said Mr Dombey; and sat looking at one page for an
|
|
hour afterwards, without reading one word.
|
|
|
|
This celebrated Mrs Pipchin was a marvellous ill-favoured,
|
|
ill-conditioned old lady, of a stooping figure, with a mottled face,
|
|
like bad marble, a hook nose, and a hard grey eye, that looked as if
|
|
it might have been hammered at on an anvil without sustaining any
|
|
injury. Forty years at least had elapsed since the Peruvian mines had
|
|
been the death of Mr Pipchin; but his relict still wore black
|
|
bombazeen, of such a lustreless, deep, dead, sombre shade, that gas
|
|
itself couldn't light her up after dark, and her presence was a
|
|
quencher to any number of candles. She was generally spoken of as 'a
|
|
great manager' of children; and the secret of her management was, to
|
|
give them everything that they didn't like, and nothing that they did
|
|
- which was found to sweeten their dispositions very much. She was
|
|
such a bitter old lady, that one was tempted to believe there had been
|
|
some mistake in the application of the Peruvian machinery, and that
|
|
all her waters of gladness and milk of human kindness, had been pumped
|
|
out dry, instead of the mines.
|
|
|
|
The Castle of this ogress and child-queller was in a steep
|
|
by-street at Brighton; where the soil was more than usually chalky,
|
|
flinty, and sterile, and the houses were more than usually brittle and
|
|
thin; where the small front-gardens had the unaccountable property of
|
|
producing nothing but marigolds, whatever was sown in them; and where
|
|
snails were constantly discovered holding on to the street doors, and
|
|
other public places they were not expected to ornament, with the
|
|
tenacity of cupping-glasses. In the winter time the air couldn't be
|
|
got out of the Castle, and in the summer time it couldn't be got in.
|
|
There was such a continual reverberation of wind in it, that it
|
|
sounded like a great shell, which the inhabitants were obliged to hold
|
|
to their ears night and day, whether they liked it or no. It was not,
|
|
naturally, a fresh-smelling house; and in the window of the front
|
|
parlour, which was never opened, Mrs Pipchin kept a collection of
|
|
plants in pots, which imparted an earthy flavour of their own to the
|
|
establishment. However choice examples of their kind, too, these
|
|
plants were of a kind peculiarly adapted to the embowerment of Mrs
|
|
Pipchin. There were half-a-dozen specimens of the cactus, writhing
|
|
round bits of lath, like hairy serpents; another specimen shooting out
|
|
broad claws, like a green lobster; several creeping vegetables,
|
|
possessed of sticky and adhesive leaves; and one uncomfortable
|
|
flower-pot hanging to the ceiling, which appeared to have boiled over,
|
|
and tickling people underneath with its long green ends, reminded them
|
|
of spiders - in which Mrs Pipchin's dwelling was uncommonly prolific,
|
|
though perhaps it challenged competition still more proudly, in the
|
|
season, in point of earwigs.
|
|
|
|
Mrs Pipchin's scale of charges being high, however, to all who
|
|
could afford to pay, and Mrs Pipchin very seldom sweetening the
|
|
equable acidity of her nature in favour of anybody, she was held to be
|
|
an old 'lady of remarkable firmness, who was quite scientific in her
|
|
knowledge of the childish character.' On this reputation, and on the
|
|
broken heart of Mr Pipchin, she had contrived, taking one year with
|
|
another, to eke out a tolerable sufficient living since her husband's
|
|
demise. Within three days after Mrs Chick's first allusion to her,
|
|
this excellent old lady had the satisfaction of anticipating a
|
|
handsome addition to her current receipts, from the pocket of Mr
|
|
Dombey; and of receiving Florence and her little brother Paul, as
|
|
inmates of the Castle.
|
|
|
|
Mrs Chick and Miss Tox, who had brought them down on the previous
|
|
night (which they all passed at an Hotel), had just driven away from
|
|
the door, on their journey home again; and Mrs Pipchin, with her back
|
|
to the fire, stood, reviewing the new-comers, like an old soldier. Mrs
|
|
Pipchin's middle-aged niece, her good-natured and devoted slave, but
|
|
possessing a gaunt and iron-bound aspect, and much afflicted with
|
|
boils on her nose, was divesting Master Bitherstone of the clean
|
|
collar he had worn on parade. Miss Pankey, the only other little
|
|
boarder at present, had that moment been walked off to the Castle
|
|
Dungeon (an empty apartment at the back, devoted to correctional
|
|
purposes), for having sniffed thrice, in the presence of visitors.
|
|
|
|
'Well, Sir,' said Mrs Pipchin to Paul, 'how do you think you shall
|
|
like me?'
|
|
|
|
'I don't think I shall like you at all,' replied Paul. 'I want to
|
|
go away. This isn't my house.'
|
|
|
|
'No. It's mine,' retorted Mrs Pipchin.
|
|
|
|
'It's a very nasty one,' said Paul.
|
|
|
|
'There's a worse place in it than this though,' said Mrs Pipchin,
|
|
'where we shut up our bad boys.'
|
|
|
|
'Has he ever been in it?' asked Paul: pointing out Master
|
|
Bitherstone.
|
|
|
|
Mrs Pipchin nodded assent; and Paul had enough to do, for the rest
|
|
of that day, in surveying Master Bitherstone from head to foot, and
|
|
watching all the workings of his countenance, with the interest
|
|
attaching to a boy of mysterious and terrible experiences.
|
|
|
|
At one o'clock there was a dinner, chiefly of the farinaceous and
|
|
vegetable kind, when Miss Pankey (a mild little blue-eyed morsel of a
|
|
child, who was shampoo'd every morning, and seemed in danger of being
|
|
rubbed away, altogether) was led in from captivity by the ogress
|
|
herself, and instructed that nobody who sniffed before visitors ever
|
|
went to Heaven. When this great truth had been thoroughly impressed
|
|
upon her, she was regaled with rice; and subsequently repeated the
|
|
form of grace established in the Castle, in which there was a special
|
|
clause, thanking Mrs Pipchin for a good dinner. Mrs Pipchin's niece,
|
|
Berinthia, took cold pork. Mrs Pipchin, whose constitution required
|
|
warm nourishment, made a special repast of mutton-chops, which were
|
|
brought in hot and hot, between two plates, and smelt very nice.
|
|
|
|
As it rained after dinner, and they couldn't go out walking on the
|
|
beach, and Mrs Pipchin's constitution required rest after chops, they
|
|
went away with Berry (otherwise Berinthia) to the Dungeon; an empty
|
|
room looking out upon a chalk wall and a water-butt, and made ghastly
|
|
by a ragged fireplace without any stove in it. Enlivened by company,
|
|
however, this was the best place after all; for Berry played with them
|
|
there, and seemed to enjoy a game at romps as much as they did; until
|
|
Mrs Pipchin knocking angrily at the wall, like the Cock Lane Ghost'
|
|
revived, they left off, and Berry told them stories in a whisper until
|
|
twilight.
|
|
|
|
For tea there was plenty of milk and water, and bread and butter,
|
|
with a little black tea-pot for Mrs Pipchin and Berry, and buttered
|
|
toast unlimited for Mrs Pipchin, which was brought in, hot and hot,
|
|
like the chops. Though Mrs Pipchin got very greasy, outside, over this
|
|
dish, it didn't seem to lubricate her internally, at all; for she was
|
|
as fierce as ever, and the hard grey eye knew no softening.
|
|
|
|
After tea, Berry brought out a little work-box, with the Royal
|
|
Pavilion on the lid, and fell to working busily; while Mrs Pipchin,
|
|
having put on her spectacles and opened a great volume bound in green
|
|
baize, began to nod. And whenever Mrs Pipchin caught herself falling
|
|
forward into the fire, and woke up, she filliped Master Bitherstone on
|
|
the nose for nodding too.
|
|
|
|
At last it was the children's bedtime, and after prayers they went
|
|
to bed. As little Miss Pankey was afraid of sleeping alone in the
|
|
dark, Mrs Pipchin always made a point of driving her upstairs herself,
|
|
like a sheep; and it was cheerful to hear Miss Pankey moaning long
|
|
afterwards, in the least eligible chamber, and Mrs Pipchin now and
|
|
then going in to shake her. At about half-past nine o'clock the odour
|
|
of a warm sweet-bread (Mrs Pipchin's constitution wouldn't go to sleep
|
|
without sweet-bread) diversified the prevailing fragrance of the
|
|
house, which Mrs Wickam said was 'a smell of building;' and slumber
|
|
fell upon the Castle shortly after.
|
|
|
|
The breakfast next morning was like the tea over night, except that
|
|
Mrs Pipchin took her roll instead of toast, and seemed a little more
|
|
irate when it was over. Master Bitherstone read aloud to the rest a
|
|
pedigree from Genesis judiciously selected by Mrs Pipchin), getting
|
|
over the names with the ease and clearness of a person tumbling up the
|
|
treadmill. That done, Miss Pankey was borne away to be shampoo'd; and
|
|
Master Bitherstone to have something else done to him with salt water,
|
|
from which he always returned very blue and dejected. Paul and
|
|
Florence went out in the meantime on the beach with Wickam - who was
|
|
constantly in tears - and at about noon Mrs Pipchin presided over some
|
|
Early Readings. It being a part of Mrs Pipchin's system not to
|
|
encourage a child's mind to develop and expand itself like a young
|
|
flower, but to open it by force like an oyster, the moral of these
|
|
lessons was usually of a violent and stunning character: the hero - a
|
|
naughty boy - seldom, in the mildest catastrophe, being finished off
|
|
anything less than a lion, or a bear.
|
|
|
|
Such was life at Mrs Pipchin's. On Saturday Mr Dombey came down;
|
|
and Florence and Paul would go to his Hotel, and have tea They passed
|
|
the whole of Sunday with him, and generally rode out before dinner;
|
|
and on these occasions Mr Dombey seemed to grow, like Falstaff's
|
|
assailants, and instead of being one man in buckram, to become a
|
|
dozen. Sunday evening was the most melancholy evening in the week; for
|
|
Mrs Pipchin always made a point of being particularly cross on Sunday
|
|
nights. Miss Pankey was generally brought back from an aunt's at
|
|
Rottingdean, in deep distress; and Master Bitherstone, whose relatives
|
|
were all in India, and who was required to sit, between the services,
|
|
in an erect position with his head against the parlour wall, neither
|
|
moving hand nor foot, suffered so acutely in his young spirits that he
|
|
once asked Florence, on a Sunday night, if she could give him any idea
|
|
of the way back to Bengal.
|
|
|
|
But it was generally said that Mrs Pipchin was a woman of system
|
|
with children; and no doubt she was. Certainly the wild ones went home
|
|
tame enough, after sojourning for a few months beneath her hospitable
|
|
roof. It was generally said, too, that it was highly creditable of Mrs
|
|
Pipchin to have devoted herself to this way of life, and to have made
|
|
such a sacrifice of her feelings, and such a resolute stand against
|
|
her troubles, when Mr Pipchin broke his heart in the Peruvian mines.
|
|
|
|
At this exemplary old lady, Paul would sit staring in his little
|
|
arm-chair by the fire, for any length of time. He never seemed to know
|
|
what weariness was, when he was looking fixedly at Mrs Pipchin. He was
|
|
not fond of her; he was not afraid of her; but in those old, old moods
|
|
of his, she seemed to have a grotesque attraction for him. There he
|
|
would sit, looking at her, and warming his hands, and looking at her,
|
|
until he sometimes quite confounded Mrs Pipchin, Ogress as she was.
|
|
Once she asked him, when they were alone, what he was thinking about.
|
|
|
|
'You,' said Paul, without the least reserve.
|
|
|
|
'And what are you thinking about me?' asked Mrs Pipchin.
|
|
|
|
'I'm thinking how old you must be,' said Paul.
|
|
|
|
'You mustn't say such things as that, young gentleman,' returned
|
|
the dame. 'That'll never do.'
|
|
|
|
'Why not?' asked Paul.
|
|
|
|
'Because it's not polite,' said Mrs Pipchin, snappishly.
|
|
|
|
'Not polite?' said Paul.
|
|
|
|
'No.'
|
|
|
|
'It's not polite,' said Paul, innocently, 'to eat all the mutton
|
|
chops and toast, Wickam says.
|
|
|
|
'Wickam,' retorted Mrs Pipchin, colouring, 'is a wicked, impudent,
|
|
bold-faced hussy.'
|
|
|
|
'What's that?' inquired Paul.
|
|
|
|
'Never you mind, Sir,' retorted Mrs Pipchin. 'Remember the story of
|
|
the little boy that was gored to death by a mad bull for asking
|
|
questions.'
|
|
|
|
'If the bull was mad,' said Paul, 'how did he know that the boy had
|
|
asked questions? Nobody can go and whisper secrets to a mad bull. I
|
|
don't believe that story.
|
|
|
|
'You don't believe it, Sir?' repeated Mrs Pipchin, amazed.
|
|
|
|
'No,' said Paul.
|
|
|
|
'Not if it should happen to have been a tame bull, you little
|
|
Infidel?' said Mrs Pipchin.
|
|
|
|
As Paul had not considered the subject in that light, and had
|
|
founded his conclusions on the alleged lunacy of the bull, he allowed
|
|
himself to be put down for the present. But he sat turning it over in
|
|
his mind, with such an obvious intention of fixing Mrs Pipchin
|
|
presently, that even that hardy old lady deemed it prudent to retreat
|
|
until he should have forgotten the subject.
|
|
|
|
From that time, Mrs Pipchin appeared to have something of the same
|
|
odd kind of attraction towards Paul, as Paul had towards her. She
|
|
would make him move his chair to her side of the fire, instead of
|
|
sitting opposite; and there he would remain in a nook between Mrs
|
|
Pipchin and the fender, with all the light of his little face absorbed
|
|
into the black bombazeen drapery, studying every line and wrinkle of
|
|
her countenance, and peering at the hard grey eye, until Mrs Pipchin
|
|
was sometimes fain to shut it, on pretence of dozing. Mrs Pipchin had
|
|
an old black cat, who generally lay coiled upon the centre foot of the
|
|
fender, purring egotistically, and winking at the fire until the
|
|
contracted pupils of his eyes were like two notes of admiration. The
|
|
good old lady might have been - not to record it disrespectfully - a
|
|
witch, and Paul and the cat her two familiars, as they all sat by the
|
|
fire together. It would have been quite in keeping with the appearance
|
|
of the party if they had all sprung up the chimney in a high wind one
|
|
night, and never been heard of any more.
|
|
|
|
This, however, never came to pass. The cat, and Paul, and Mrs
|
|
Pipchin, were constantly to be found in their usual places after dark;
|
|
and Paul, eschewing the companionship of Master Bitherstone, went on
|
|
studying Mrs Pipchin, and the cat, and the fire, night after night, as
|
|
if they were a book of necromancy, in three volumes.
|
|
|
|
Mrs Wickam put her own construction on Paul's eccentricities; and
|
|
being confirmed in her low spirits by a perplexed view of chimneys
|
|
from the room where she was accustomed to sit, and by the noise of the
|
|
wind, and by the general dulness (gashliness was Mrs Wickam's strong
|
|
expression) of her present life, deduced the most dismal reflections
|
|
from the foregoing premises. It was a part of Mrs Pipchin's policy to
|
|
prevent her own 'young hussy' - that was Mrs Pipchin's generic name
|
|
for female servant - from communicating with Mrs Wickam: to which end
|
|
she devoted much of her time to concealing herself behind doors, and
|
|
springing out on that devoted maiden, whenever she made an approach
|
|
towards Mrs Wickam's apartment. But Berry was free to hold what
|
|
converse she could in that quarter, consistently with the discharge of
|
|
the multifarious duties at which she toiled incessantly from morning
|
|
to night; and to Berry Mrs Wickam unburdened her mind.
|
|
|
|
'What a pretty fellow he is when he's asleep!' said Berry, stopping
|
|
to look at Paul in bed, one night when she took up Mrs Wickam's
|
|
supper.
|
|
|
|
'Ah!' sighed Mrs Wickam. 'He need be.'
|
|
|
|
'Why, he's not ugly when he's awake,' observed Berry.
|
|
|
|
'No, Ma'am. Oh, no. No more was my Uncle's Betsey Jane,' said Mrs
|
|
Wickam.
|
|
|
|
Berry looked as if she would like to trace the connexion of ideas
|
|
between Paul Dombey and Mrs Wickam's Uncle's Betsey Jane
|
|
|
|
'My Uncle's wife,' Mrs Wickam went on to say, 'died just like his
|
|
Mama. My Uncle's child took on just as Master Paul do.'
|
|
|
|
'Took on! You don't think he grieves for his Mama, sure?' argued
|
|
Berry, sitting down on the side of the bed. 'He can't remember
|
|
anything about her, you know, Mrs Wickam. It's not possible.'
|
|
|
|
'No, Ma'am,' said Mrs Wickam 'No more did my Uncle's child. But my
|
|
Uncle's child said very strange things sometimes, and looked very
|
|
strange, and went on very strange, and was very strange altogether. My
|
|
Uncle's child made people's blood run cold, some times, she did!'
|
|
|
|
'How?' asked Berry.
|
|
|
|
'I wouldn't have sat up all night alone with Betsey Jane!' said Mrs
|
|
Wickam, 'not if you'd have put Wickam into business next morning for
|
|
himself. I couldn't have done it, Miss Berry.
|
|
|
|
Miss Berry naturally asked why not? But Mrs Wickam, agreeably to
|
|
the usage of some ladies in her condition, pursued her own branch of
|
|
the subject, without any compunction.
|
|
|
|
'Betsey Jane,' said Mrs Wickam, 'was as sweet a child as I could
|
|
wish to see. I couldn't wish to see a sweeter. Everything that a child
|
|
could have in the way of illnesses, Betsey Jane had come through. The
|
|
cramps was as common to her,' said Mrs Wickam, 'as biles is to
|
|
yourself, Miss Berry.' Miss Berry involuntarily wrinkled her nose.
|
|
|
|
'But Betsey Jane,' said Mrs Wickam, lowering her voice, and looking
|
|
round the room, and towards Paul in bed, 'had been minded, in her
|
|
cradle, by her departed mother. I couldn't say how, nor I couldn't say
|
|
when, nor I couldn't say whether the dear child knew it or not, but
|
|
Betsey Jane had been watched by her mother, Miss Berry!' and Mrs
|
|
Wickam, with a very white face, and with watery eyes, and with a
|
|
tremulous voice, again looked fearfully round the room, and towards
|
|
Paul in bed.
|
|
|
|
'Nonsense!' cried Miss Berry - somewhat resentful of the idea.
|
|
|
|
'You may say nonsense! I ain't offended, Miss. I hope you may be
|
|
able to think in your own conscience that it is nonsense; you'll find
|
|
your spirits all the better for it in this - you'll excuse my being so
|
|
free - in this burying-ground of a place; which is wearing of me down.
|
|
Master Paul's a little restless in his sleep. Pat his back, if you
|
|
please.'
|
|
|
|
'Of course you think,' said Berry, gently doing what she was asked,
|
|
'that he has been nursed by his mother, too?'
|
|
|
|
'Betsey Jane,' returned Mrs Wickam in her most solemn tones, 'was
|
|
put upon as that child has been put upon, and changed as that child
|
|
has changed. I have seen her sit, often and often, think, think,
|
|
thinking, like him. I have seen her look, often and often, old, old,
|
|
old, like him. I have heard her, many a time, talk just like him. I
|
|
consider that child and Betsey Jane on the same footing entirely, Miss
|
|
Berry.'
|
|
|
|
'Is your Uncle's child alive?' asked Berry.
|
|
|
|
'Yes, Miss, she is alive,' returned Mrs Wickam with an air of
|
|
triumph, for it was evident. Miss Berry expected the reverse; 'and is
|
|
married to a silver-chaser. Oh yes, Miss, SHE is alive,' said Mrs
|
|
Wickam, laying strong stress on her nominative case.
|
|
|
|
It being clear that somebody was dead, Mrs Pipchin's niece inquired
|
|
who it was.
|
|
|
|
'I wouldn't wish to make you uneasy,' returned Mrs Wickam, pursuing
|
|
her supper. Don't ask me.'
|
|
|
|
This was the surest way of being asked again. Miss Berry repeated
|
|
her question, therefore; and after some resistance, and reluctance,
|
|
Mrs Wickam laid down her knife, and again glancing round the room and
|
|
at Paul in bed, replied:
|
|
|
|
'She took fancies to people; whimsical fancies, some of them;
|
|
others, affections that one might expect to see - only stronger than
|
|
common. They all died.'
|
|
|
|
This was so very unexpected and awful to Mrs Pipchin's niece, that
|
|
she sat upright on the hard edge of the bedstead, breathing short, and
|
|
surveying her informant with looks of undisguised alarm.
|
|
|
|
Mrs Wickam shook her left fore-finger stealthily towards the bed
|
|
where Florence lay; then turned it upside down, and made several
|
|
emphatic points at the floor; immediately below which was the parlour
|
|
in which Mrs Pipchin habitually consumed the toast.
|
|
|
|
'Remember my words, Miss Berry,' said Mrs Wickam, 'and be thankful
|
|
that Master Paul is not too fond of you. I am, that he's not too fond
|
|
of me, I assure you; though there isn't much to live for - you'll
|
|
excuse my being so free - in this jail of a house!'
|
|
|
|
Miss Berry's emotion might have led to her patting Paul too hard on
|
|
the back, or might have produced a cessation of that soothing
|
|
monotony, but he turned in his bed just now, and, presently awaking,
|
|
sat up in it with his hair hot and wet from the effects of some
|
|
childish dream, and asked for Florence.
|
|
|
|
She was out of her own bed at the first sound of his voice; and
|
|
bending over his pillow immediately, sang him to sleep again. Mrs
|
|
Wickam shaking her head, and letting fall several tears, pointed out
|
|
the little group to Berry, and turned her eyes up to the ceiling.
|
|
|
|
'He's asleep now, my dear,' said Mrs Wickam after a pause, 'you'd
|
|
better go to bed again. Don't you feel cold?'
|
|
|
|
'No, nurse,' said Florence, laughing. 'Not at all.'
|
|
|
|
'Ah!' sighed Mrs Wickam, and she shook her head again, expressing
|
|
to the watchful Berry, 'we shall be cold enough, some of us, by and
|
|
by!'
|
|
|
|
Berry took the frugal supper-tray, with which Mrs Wickam had by
|
|
this time done, and bade her good-night.
|
|
|
|
'Good-night, Miss!' returned Wickam softly. 'Good-night! Your aunt
|
|
is an old lady, Miss Berry, and it's what you must have looked for,
|
|
often.'
|
|
|
|
This consolatory farewell, Mrs Wickam accompanied with a look of
|
|
heartfelt anguish; and being left alone with the two children again,
|
|
and becoming conscious that the wind was blowing mournfully, she
|
|
indulged in melancholy - that cheapest and most accessible of luxuries
|
|
- until she was overpowered by slumber.
|
|
|
|
Although the niece of Mrs Pipchin did not expect to find that
|
|
exemplary dragon prostrate on the hearth-rug when she went downstairs,
|
|
she was relieved to find her unusually fractious and severe, and with
|
|
every present appearance of intending to live a long time to be a
|
|
comfort to all who knew her. Nor had she any symptoms of declining, in
|
|
the course of the ensuing week, when the constitutional viands still
|
|
continued to disappear in regular succession, notwithstanding that
|
|
Paul studied her as attentively as ever, and occupied his usual seat
|
|
between the black skirts and the fender, with unwavering constancy.
|
|
|
|
But as Paul himself was no stronger at the expiration of that time
|
|
than he had been on his first arrival, though he looked much healthier
|
|
in the face, a little carriage was got for him, in which he could lie
|
|
at his ease, with an alphabet and other elementary works of reference,
|
|
and be wheeled down to the sea-side. Consistent in his odd tastes, the
|
|
child set aside a ruddy-faced lad who was proposed as the drawer of
|
|
this carriage, and selected, instead, his grandfather - a weazen, old,
|
|
crab-faced man, in a suit of battered oilskin, who had got tough and
|
|
stringy from long pickling in salt water, and who smelt like a weedy
|
|
sea-beach when the tide is out.
|
|
|
|
With this notable attendant to pull him along, and Florence always
|
|
walking by his side, and the despondent Wickam bringing up the rear,
|
|
he went down to the margin of the ocean every day; and there he would
|
|
sit or lie in his carriage for hours together: never so distressed as
|
|
by the company of children - Florence alone excepted, always.
|
|
|
|
'Go away, if you please,' he would say to any child who came to
|
|
bear him company. Thank you, but I don't want you.'
|
|
|
|
Some small voice, near his ear, would ask him how he was, perhaps.
|
|
|
|
'I am very well, I thank you,' he would answer. 'But you had better
|
|
go and play, if you please.'
|
|
|
|
Then he would turn his head, and watch the child away, and say to
|
|
Florence, 'We don't want any others, do we? Kiss me, Floy.'
|
|
|
|
He had even a dislike, at such times, to the company of Wickam, and
|
|
was well pleased when she strolled away, as she generally did, to pick
|
|
up shells and acquaintances. His favourite spot was quite a lonely
|
|
one, far away from most loungers; and with Florence sitting by his
|
|
side at work, or reading to him, or talking to him, and the wind
|
|
blowing on his face, and the water coming up among the wheels of his
|
|
bed, he wanted nothing more.
|
|
|
|
'Floy,' he said one day, 'where's India, where that boy's friends
|
|
live?'
|
|
|
|
'Oh, it's a long, long distance off,' said Florence, raising her
|
|
eyes from her work.
|
|
|
|
'Weeks off?' asked Paul.
|
|
|
|
'Yes dear. Many weeks' journey, night and day.'
|
|
|
|
'If you were in India, Floy,' said Paul, after being silent for a
|
|
minute, 'I should - what is it that Mama did? I forget.'
|
|
|
|
'Loved me!' answered Florence.
|
|
|
|
'No, no. Don't I love you now, Floy? What is it? - Died. in you
|
|
were in India, I should die, Floy.'
|
|
|
|
She hurriedly put her work aside, and laid her head down on his
|
|
pillow, caressing him. And so would she, she said, if he were there.
|
|
He would be better soon.
|
|
|
|
'Oh! I am a great deal better now!' he answered. 'I don't mean
|
|
that. I mean that I should die of being so sorry and so lonely, Floy!'
|
|
|
|
Another time, in the same place, he fell asleep, and slept quietly
|
|
for a long time. Awaking suddenly, he listened, started up, and sat
|
|
listening.
|
|
|
|
Florence asked him what he thought he heard.
|
|
|
|
'I want to know what it says,' he answered, looking steadily in her
|
|
face. 'The sea' Floy, what is it that it keeps on saying?'
|
|
|
|
She told him that it was only the noise of the rolling waves.
|
|
|
|
'Yes, yes,' he said. 'But I know that they are always saying
|
|
something. Always the same thing. What place is over there?' He rose
|
|
up, looking eagerly at the horizon.
|
|
|
|
She told him that there was another country opposite, but he said
|
|
he didn't mean that: he meant further away - farther away!
|
|
|
|
Very often afterwards, in the midst of their talk, he would break
|
|
off, to try to understand what it was that the waves were always
|
|
saying; and would rise up in his couch to look towards that invisible
|
|
region, far away.
|
|
|
|
CHAPTER 9.
|
|
|
|
In which the Wooden Midshipman gets into Trouble
|
|
|
|
That spice of romance and love of the marvellous, of which there
|
|
was a pretty strong infusion in the nature of young Walter Gay, and
|
|
which the guardianship of his Uncle, old Solomon Gills, had not very
|
|
much weakened by the waters of stern practical experience, was the
|
|
occasion of his attaching an uncommon and delightful interest to the
|
|
adventure of Florence with Good Mrs Brown. He pampered and cherished
|
|
it in his memory, especially that part of it with which he had been
|
|
associated: until it became the spoiled child of his fancy, and took
|
|
its own way, and did what it liked with it.
|
|
|
|
The recollection of those incidents, and his own share in them, may
|
|
have been made the more captivating, perhaps, by the weekly dreamings
|
|
of old Sol and Captain Cuttle on Sundays. Hardly a Sunday passed,
|
|
without mysterious references being made by one or other of those
|
|
worthy chums to Richard Whittington; and the latter gentleman had even
|
|
gone so far as to purchase a ballad of considerable antiquity, that
|
|
had long fluttered among many others, chiefly expressive of maritime
|
|
sentiments, on a dead wall in the Commercial Road: which poetical
|
|
performance set forth the courtship and nuptials of a promising young
|
|
coal-whipper with a certain 'lovely Peg,' the accomplished daughter of
|
|
the master and part-owner of a Newcastle collier. In this stirring
|
|
legend, Captain Cuttle descried a profound metaphysical bearing on the
|
|
case of Walter and Florence; and it excited him so much, that on very
|
|
festive occasions, as birthdays and a few other non-Dominical
|
|
holidays, he would roar through the whole song in the little back
|
|
parlour; making an amazing shake on the word Pe-e-eg, with which every
|
|
verse concluded, in compliment to the heroine of the piece.
|
|
|
|
But a frank, free-spirited, open-hearted boy, is not much given to
|
|
analysing the nature of his own feelings, however strong their hold
|
|
upon him: and Walter would have found it difficult to decide this
|
|
point. He had a great affection for the wharf where he had encountered
|
|
Florence, and for the streets (albeit not enchanting in themselves) by
|
|
which they had come home. The shoes that had so often tumbled off by
|
|
the way, he preserved in his own room; and, sitting in the little back
|
|
parlour of an evening, he had drawn a whole gallery of fancy portraits
|
|
of Good Mrs Brown. It may be that he became a little smarter in his
|
|
dress after that memorable occasion; and he certainly liked in his
|
|
leisure time to walk towards that quarter of the town where Mr
|
|
Dombey's house was situated, on the vague chance of passing little
|
|
Florence in the street. But the sentiment of all this was as boyish
|
|
and innocent as could be. Florence was very pretty, and it is pleasant
|
|
to admire a pretty face. Florence was defenceless and weak, and it was
|
|
a proud thought that he had been able to render her any protection and
|
|
assistance. Florence was the most grateful little creature in the
|
|
world, and it was delightful to see her bright gratitude beaming in
|
|
her face. Florence was neglected and coldly looked upon, and his
|
|
breast was full of youthful interest for the slighted child in her
|
|
dull, stately home.
|
|
|
|
Thus it came about that, perhaps some half-a-dozen times in the
|
|
course of the year, Walter pulled off his hat to Florence in the
|
|
street, and Florence would stop to shake hands. Mrs Wickam (who, with
|
|
a characteristic alteration of his name, invariably spoke of him as
|
|
'Young Graves') was so well used to this, knowing the story of their
|
|
acquaintance, that she took no heed of it at all. Miss Nipper, on the
|
|
other hand, rather looked out for these occasions: her sensitive young
|
|
heart being secretly propitiated by Walter's good looks, and inclining
|
|
to the belief that its sentiments were responded to.
|
|
|
|
In this way, Walter, so far from forgetting or losing sight of his
|
|
acquaintance with Florence, only remembered it better and better. As
|
|
to its adventurous beginning, and all those little circumstances which
|
|
gave it a distinctive character and relish, he took them into account,
|
|
more as a pleasant story very agreeable to his imagination, and not to
|
|
be dismissed from it, than as a part of any matter of fact with which
|
|
he was concerned. They set off Florence very much, to his fancy; but
|
|
not himself. Sometimes he thought (and then he walked very fast) what
|
|
a grand thing it would have been for him to have been going to sea on
|
|
the day after that first meeting, and to have gone, and to have done
|
|
wonders there, and to have stopped away a long time, and to have come
|
|
back an Admiral of all the colours of the dolphin, or at least a
|
|
Post-Captain with epaulettes of insupportable brightness, and have
|
|
married Florence (then a beautiful young woman) in spite of Mr
|
|
Dombey's teeth, cravat, and watch-chain, and borne her away to the
|
|
blue shores of somewhere or other, triumphantly. But these flights of
|
|
fancy seldom burnished the brass plate of Dombey and Son's Offices
|
|
into a tablet of golden hope, or shed a brilliant lustre on their
|
|
dirty skylights; and when the Captain and Uncle Sol talked about
|
|
Richard Whittington and masters' daughters, Walter felt that he
|
|
understood his true position at Dombey and Son's, much better than
|
|
they did.
|
|
|
|
So it was that he went on doing what he had to do from day to day,
|
|
in a cheerful, pains-taking, merry spirit; and saw through the
|
|
sanguine complexion of Uncle Sol and Captain Cuttle; and yet
|
|
entertained a thousand indistinct and visionary fancies of his own, to
|
|
which theirs were work-a-day probabilities. Such was his condition at
|
|
the Pipchin period, when he looked a little older than of yore, but
|
|
not much; and was the same light-footed, light-hearted, light-headed
|
|
lad, as when he charged into the parlour at the head of Uncle Sol and
|
|
the imaginary boarders, and lighted him to bring up the Madeira.
|
|
|
|
'Uncle Sol,' said Walter, 'I don't think you're well. You haven't
|
|
eaten any breakfast. I shall bring a doctor to you, if you go on like
|
|
this.'
|
|
|
|
'He can't give me what I want, my boy,' said Uncle Sol. 'At least
|
|
he is in good practice if he can - and then he wouldn't.'
|
|
|
|
'What is it, Uncle? Customers?'
|
|
|
|
'Ay,' returned Solomon, with a sigh. 'Customers would do.'
|
|
|
|
'Confound it, Uncle!' said Walter, putting down his breakfast cup
|
|
with a clatter, and striking his hand on the table: 'when I see the
|
|
people going up and down the street in shoals all day, and passing and
|
|
re-passing the shop every minute, by scores, I feel half tempted to
|
|
rush out, collar somebody, bring him in, and make him buy fifty
|
|
pounds' worth of instruments for ready money. What are you looking in
|
|
at the door for? - ' continued Walter, apostrophizing an old gentleman
|
|
with a powdered head (inaudibly to him of course), who was staring at
|
|
a ship's telescope with all his might and main. 'That's no use. I
|
|
could do that. Come in and buy it!'
|
|
|
|
The old gentleman, however, having satiated his curiosity, walked
|
|
calmly away.
|
|
|
|
'There he goes!' said Walter. 'That's the way with 'em all. But,
|
|
Uncle - I say, Uncle Sol' - for the old man was meditating and had not
|
|
responded to his first appeal. 'Don't be cast down. Don't be out of
|
|
spirits, Uncle. When orders do come, they'll come in such a crowd, you
|
|
won't be able to execute 'em.'
|
|
|
|
'I shall be past executing 'em, whenever they come, my boy,'
|
|
returned Solomon Gills. 'They'll never come to this shop again, till I
|
|
am out of t.'
|
|
|
|
'I say, Uncle! You musn't really, you know!' urged Walter. 'Don't!'
|
|
|
|
Old Sol endeavoured to assume a cheery look, and smiled across the
|
|
little table at him as pleasantly as he could.
|
|
|
|
'There's nothing more than usual the matter; is there, Uncle?' said
|
|
Walter, leaning his elbows on the tea tray, and bending over, to speak
|
|
the more confidentially and kindly. 'Be open with me, Uncle, if there
|
|
is, and tell me all about it.'
|
|
|
|
'No, no, no,' returned Old Sol. 'More than usual? No, no. What
|
|
should there be the matter more than usual?'
|
|
|
|
Walter answered with an incredulous shake of his head. 'That's what
|
|
I want to know,' he said, 'and you ask me! I'll tell you what, Uncle,
|
|
when I see you like this, I am quite sorry that I live with you.'
|
|
|
|
Old Sol opened his eyes involuntarily.
|
|
|
|
'Yes. Though nobody ever was happier than I am and always have been
|
|
with you, I am quite sorry that I live with you, when I see you with
|
|
anything in your mind.'
|
|
|
|
'I am a little dull at such times, I know,' observed Solomon,
|
|
meekly rubbing his hands.
|
|
|
|
'What I mean, Uncle Sol,' pursued Walter, bending over a little
|
|
more to pat him on the shoulder, 'is, that then I feel you ought to
|
|
have, sitting here and pouring out the tea instead of me, a nice
|
|
little dumpling of a wife, you know, - a comfortable, capital, cosy
|
|
old lady, who was just a match for you, and knew how to manage you,
|
|
and keep you in good heart. Here am I, as loving a nephew as ever was
|
|
(I am sure I ought to be!) but I am only a nephew, and I can't be such
|
|
a companion to you when you're low and out of sorts as she would have
|
|
made herself, years ago, though I'm sure I'd give any money if I could
|
|
cheer you up. And so I say, when I see you with anything on your mind,
|
|
that I feel quite sorry you haven't got somebody better about you than
|
|
a blundering young rough-and-tough boy like me, who has got the will
|
|
to console you, Uncle, but hasn't got the way - hasn't got the way,'
|
|
repeated Walter, reaching over further yet, to shake his Uncle by the
|
|
hand.
|
|
|
|
'Wally, my dear boy,' said Solomon, 'if the cosy little old lady
|
|
had taken her place in this parlour five and forty years ago, I never
|
|
could have been fonder of her than I am of you.'
|
|
|
|
'I know that, Uncle Sol,' returned Walter. 'Lord bless you, I know
|
|
that. But you wouldn't have had the whole weight of any uncomfortable
|
|
secrets if she had been with you, because she would have known how to
|
|
relieve you of 'em, and I don't.'
|
|
|
|
'Yes, yes, you do,' returned the Instrument-maker.
|
|
|
|
'Well then, what's the matter, Uncle Sol?' said Walter, coaxingly.
|
|
'Come! What's the matter?'
|
|
|
|
Solomon Gills persisted that there was nothing the matter; and
|
|
maintained it so resolutely, that his nephew had no resource but to
|
|
make a very indifferent imitation of believing him.
|
|
|
|
'All I can say is, Uncle Sol, that if there is - '
|
|
|
|
'But there isn't,' said Solomon.
|
|
|
|
'Very well,, said Walter. 'Then I've no more to say; and that's
|
|
lucky, for my time's up for going to business. I shall look in
|
|
by-and-by when I'm out, to see how you get on, Uncle. And mind, Uncle!
|
|
I'll never believe you again, and never tell you anything more about
|
|
Mr Carker the Junior, if I find out that you have been deceiving me!'
|
|
|
|
Solomon Gills laughingly defied him to find out anything of the
|
|
kind; and Walter, revolving in his thoughts all sorts of impracticable
|
|
ways of making fortunes and placing the wooden Midshipman in a
|
|
position of independence, betook himself to the offices of Dombey and
|
|
Son with a heavier countenance than he usually carried there.
|
|
|
|
There lived in those days, round the corner - in Bishopsgate Street
|
|
Without - one Brogley, sworn broker and appraiser, who kept a shop
|
|
where every description of second-hand furniture was exhibited in the
|
|
most uncomfortable aspect, and under circumstances and in combinations
|
|
the most completely foreign to its purpose. Dozens of chairs hooked on
|
|
to washing-stands, which with difficulty poised themselves on the
|
|
shoulders of sideboards, which in their turn stood upon the wrong side
|
|
of dining-tables, gymnastic with their legs upward on the tops of
|
|
other dining-tables, were among its most reasonable arrangements. A
|
|
banquet array of dish-covers, wine-glasses, and decanters was
|
|
generally to be seen, spread forth upon the bosom of a four-post
|
|
bedstead, for the entertainment of such genial company as half-a-dozen
|
|
pokers, and a hall lamp. A set of window curtains with no windows
|
|
belonging to them, would be seen gracefully draping a barricade of
|
|
chests of drawers, loaded with little jars from chemists' shops; while
|
|
a homeless hearthrug severed from its natural companion the fireside,
|
|
braved the shrewd east wind in its adversity, and trembled in
|
|
melancholy accord with the shrill complainings of a cabinet piano,
|
|
wasting away, a string a day, and faintly resounding to the noises of
|
|
the street in its jangling and distracted brain. Of motionless clocks
|
|
that never stirred a finger, and seemed as incapable of being
|
|
successfully wound up, as the pecuniary affairs of their former
|
|
owners, there was always great choice in Mr Brogley's shop; and
|
|
various looking-glasses, accidentally placed at compound interest of
|
|
reflection and refraction, presented to the eye an eternal perspective
|
|
of bankruptcy and ruin.
|
|
|
|
Mr Brogley himself was a moist-eyed, pink-complexioned,
|
|
crisp-haired man, of a bulky figure and an easy temper - for that
|
|
class of Caius Marius who sits upon the ruins of other people's
|
|
Carthages, can keep up his spirits well enough. He had looked in at
|
|
Solomon's shop sometimes, to ask a question about articles in
|
|
Solomon's way of business; and Walter knew him sufficiently to give
|
|
him good day when they met in the street. But as that was the extent
|
|
of the broker's acquaintance with Solomon Gills also, Walter was not a
|
|
little surprised when he came back in the course of the forenoon,
|
|
agreeably to his promise, to find Mr Brogley sitting in the back
|
|
parlour with his hands in his pockets, and his hat hanging up behind
|
|
the door.
|
|
|
|
'Well, Uncle Sol!' said Walter. The old man was sitting ruefully on
|
|
the opposite side of the table, with his spectacles over his eyes, for
|
|
a wonder, instead of on his forehead. 'How are you now?'
|
|
|
|
Solomon shook his head, and waved one hand towards the broker, as
|
|
introducing him.
|
|
|
|
'Is there anything the matter?' asked Walter, with a catching in
|
|
his breath.
|
|
|
|
'No, no. There's nothing the matter, said Mr Brogley. 'Don't let it
|
|
put you out of the way.' Walter looked from the broker to his Uncle in
|
|
mute amazement. 'The fact is,' said Mr Brogley, 'there's a little
|
|
payment on a bond debt - three hundred and seventy odd, overdue: and
|
|
I'm in possession.'
|
|
|
|
'In possession!' cried Walter, looking round at the shop.
|
|
|
|
'Ah!' said Mr Brogley, in confidential assent, and nodding his head
|
|
as if he would urge the advisability of their all being comfortable
|
|
together. 'It's an execution. That's what it is. Don't let it put you
|
|
out of the way. I come myself, because of keeping it quiet and
|
|
sociable. You know me. It's quite private.'
|
|
|
|
'Uncle Sol!' faltered Walter.
|
|
|
|
'Wally, my boy,' returned his uncle. 'It's the first time. Such a
|
|
calamity never happened to me before. I'm an old man to begin.'
|
|
Pushing up his spectacles again (for they were useless any longer to
|
|
conceal his emotion), he covered his face with his hand, and sobbed
|
|
aloud, and his tears fell down upon his coffee-coloured waistcoat.
|
|
|
|
'Uncle Sol! Pray! oh don't!' exclaimed Walter, who really felt a
|
|
thrill of terror in seeing the old man weep. 'For God's sake don't do
|
|
that. Mr Brogley, what shall I do?'
|
|
|
|
'I should recommend you looking up a friend or so,' said Mr
|
|
Brogley, 'and talking it over.'
|
|
|
|
'To be sure!' cried Walter, catching at anything. 'Certainly!
|
|
Thankee. Captain Cuttle's the man, Uncle. Wait till I run to Captain
|
|
Cuttle. Keep your eye upon my Uncle, will you, Mr Brogley, and make
|
|
him as comfortable as you can while I am gone? Don't despair, Uncle
|
|
Sol. Try and keep a good heart, there's a dear fellow!'
|
|
|
|
Saying this with great fervour, and disregarding the old man's
|
|
broken remonstrances, Walter dashed out of the shop again as hard as
|
|
he could go; and, having hurried round to the office to excuse himself
|
|
on the plea of his Uncle's sudden illness, set off, full speed, for
|
|
Captain Cuttle's residence.
|
|
|
|
Everything seemed altered as he ran along the streets. There were
|
|
the usual entanglement and noise of carts, drays, omnibuses, waggons,
|
|
and foot passengers, but the misfortune that had fallen on the wooden
|
|
Midshipman made it strange and new. Houses and shops were different
|
|
from what they used to be, and bore Mr Brogley's warrant on their
|
|
fronts in large characters. The broker seemed to have got hold of the
|
|
very churches; for their spires rose into the sky with an unwonted
|
|
air. Even the sky itself was changed, and had an execution in it
|
|
plainly.
|
|
|
|
Captain Cuttle lived on the brink of a little canal near the India
|
|
Docks, where there was a swivel bridge which opened now and then to
|
|
let some wandering monster of a ship come roamIng up the street like a
|
|
stranded leviathan. The gradual change from land to water, on the
|
|
approach to Captain Cuttle's lodgings, was curious. It began with the
|
|
erection of flagstaffs, as appurtenances to public-houses; then came
|
|
slop-sellers' shops, with Guernsey shirts, sou'wester hats, and canvas
|
|
pantaloons, at once the tightest and the loosest of their order,
|
|
hanging up outside. These were succeeded by anchor and chain-cable
|
|
forges, where sledgehammers were dinging upon iron all day long. Then
|
|
came rows of houses, with little vane-surmounted masts uprearing
|
|
themselves from among the scarlet beans. Then, ditches. Then, pollard
|
|
willows. Then, more ditches. Then, unaccountable patches of dirty
|
|
water, hardly to be descried, for the ships that covered them. Then,
|
|
the air was perfumed with chips; and all other trades were swallowed
|
|
up in mast, oar, and block-making, and boatbuilding. Then, the ground
|
|
grew marshy and unsettled. Then, there was nothing to be smelt but rum
|
|
and sugar. Then, Captain Cuttle's lodgings - at once a first floor and
|
|
a top storey, in Brig Place - were close before you.
|
|
|
|
The Captain was one of those timber-looking men, suits of oak as
|
|
well as hearts, whom it is almost impossible for the liveliest
|
|
imagination to separate from any part of their dress, however
|
|
insignificant. Accordingly, when Walter knocked at the door, and the
|
|
Captain instantly poked his head out of one of his little front
|
|
windows, and hailed him, with the hard glared hat already on it, and
|
|
the shirt-collar like a sail, and the wide suit of blue, all standing
|
|
as usual, Walter was as fully persuaded that he was always in that
|
|
state, as if the Captain had been a bird and those had been his
|
|
feathers.
|
|
|
|
'Wal'r, my lad!'said Captain Cuttle. 'Stand by and knock again.
|
|
Hard! It's washing day.'
|
|
|
|
Walter, in his impatience, gave a prodigious thump with the
|
|
knocker.
|
|
|
|
'Hard it is!' said Captain Cuttle, and immediately drew in his
|
|
head, as if he expected a squall.
|
|
|
|
Nor was he mistaken: for a widow lady, with her sleeves rolled up
|
|
to her shoulders, and her arms frothy with soap-suds and smoking with
|
|
hot water, replied to the summons with startling rapidity. Before she
|
|
looked at Walter she looked at the knocker, and then, measuring him
|
|
with her eyes from head to foot, said she wondered he had left any of
|
|
it.
|
|
|
|
'Captain Cuttle's at home, I know,' said Walter with a conciliatory
|
|
smile.
|
|
|
|
'Is he?' replied the widow lady. 'In-deed!'
|
|
|
|
'He has just been speaking to me,' said Walter, in breathless
|
|
explanation.
|
|
|
|
'Has he?' replied the widow lady. 'Then p'raps you'll give him Mrs
|
|
MacStinger's respects, and say that the next time he lowers himself
|
|
and his lodgings by talking out of the winder she'll thank him to come
|
|
down and open the door too.' Mrs MacStinger spoke loud, and listened
|
|
for any observations that might be offered from the first floor.
|
|
|
|
'I'll mention it,' said Walter, 'if you'll have the goodness to let
|
|
me in, Ma'am.'
|
|
|
|
For he was repelled by a wooden fortification extending across the
|
|
doorway, and put there to prevent the little MacStingers in their
|
|
moments of recreation from tumbling down the steps.
|
|
|
|
'A boy that can knock my door down,' said Mrs MacStinger,
|
|
contemptuously, 'can get over that, I should hope!' But Walter, taking
|
|
this as a permission to enter, and getting over it, Mrs MacStinger
|
|
immediately demanded whether an Englishwoman's house was her castle or
|
|
not; and whether she was to be broke in upon by 'raff.' On these
|
|
subjects her thirst for information was still very importunate, when
|
|
Walter, having made his way up the little staircase through an
|
|
artificial fog occasioned by the washing, which covered the banisters
|
|
with a clammy perspiration, entered Captain Cuttle's room, and found
|
|
that gentleman in ambush behind the door.
|
|
|
|
'Never owed her a penny, Wal'r,' said Captain Cuttle, in a low
|
|
voice, and with visible marks of trepidation on his countenance. 'Done
|
|
her a world of good turns, and the children too. Vixen at times,
|
|
though. Whew!'
|
|
|
|
'I should go away, Captain Cuttle,' said Walter.
|
|
|
|
'Dursn't do it, Wal'r,' returned the Captain. 'She'd find me out,
|
|
wherever I went. Sit down. How's Gills?'
|
|
|
|
The Captain was dining (in his hat) off cold loin of mutton,
|
|
porter, and some smoking hot potatoes, which he had cooked himself,
|
|
and took out of a little saucepan before the fire as he wanted them.
|
|
He unscrewed his hook at dinner-time, and screwed a knife into its
|
|
wooden socket instead, with which he had already begun to peel one of
|
|
these potatoes for Walter. His rooms were very small, and strongly
|
|
impregnated with tobacco-smoke, but snug enough: everything being
|
|
stowed away, as if there were an earthquake regularly every half-hour.
|
|
|
|
'How's Gills?' inquired the Captain.
|
|
|
|
Walter, who had by this time recovered his breath, and lost his
|
|
spirits - or such temporary spirits as his rapid journey had given him
|
|
- looked at his questioner for a moment, said 'Oh, Captain Cuttle!'
|
|
and burst into tears.
|
|
|
|
No words can describe the Captain's consternation at this sight Mrs
|
|
MacStinger faded into nothing before it. He dropped the potato and the
|
|
fork - and would have dropped the knife too if he could - and sat
|
|
gazing at the boy, as if he expected to hear next moment that a gulf
|
|
had opened in the City, which had swallowed up his old friend,
|
|
coffee-coloured suit, buttons, chronometer, spectacles, and all.
|
|
|
|
But when Walter told him what was really the matter, Captain
|
|
Cuttle, after a moment's reflection, started up into full activity. He
|
|
emptied out of a little tin canister on the top shelf of the cupboard,
|
|
his whole stock of ready money (amounting to thirteen pounds and
|
|
half-a-crown), which he transferred to one of the pockets of his
|
|
square blue coat; further enriched that repository with the contents
|
|
of his plate chest, consisting of two withered atomies of tea-spoons,
|
|
and an obsolete pair of knock-knee'd sugar-tongs; pulled up his
|
|
immense double-cased silver watch from the depths in which it reposed,
|
|
to assure himself that that valuable was sound and whole; re-attached
|
|
the hook to his right wrist; and seizing the stick covered over with
|
|
knobs, bade Walter come along.
|
|
|
|
Remembering, however, in the midst of his virtuous excitement, that
|
|
Mrs MacStinger might be lying in wait below, Captain Cuttle hesitated
|
|
at last, not without glancing at the window, as if he had some
|
|
thoughts of escaping by that unusual means of egress, rather than
|
|
encounter his terrible enemy. He decided, however, in favour of
|
|
stratagem.
|
|
|
|
'Wal'r,' said the Captain, with a timid wink, 'go afore, my lad.
|
|
Sing out, "good-bye, Captain Cuttle," when you're in the passage, and
|
|
shut the door. Then wait at the corner of the street 'till you see me.
|
|
|
|
These directions were not issued without a previous knowledge of
|
|
the enemy's tactics, for when Walter got downstairs, Mrs MacStinger
|
|
glided out of the little back kitchen, like an avenging spirit. But
|
|
not gliding out upon the Captain, as she had expected, she merely made
|
|
a further allusion to the knocker, and glided in again.
|
|
|
|
Some five minutes elapsed before Captain Cuttle could summon
|
|
courage to attempt his escape; for Walter waited so long at the street
|
|
corner, looking back at the house, before there were any symptoms of
|
|
the hard glazed hat. At length the Captain burst out of the door with
|
|
the suddenness of an explosion, and coming towards him at a great
|
|
pace, and never once looking over his shoulder, pretended, as soon as
|
|
they were well out of the street, to whistle a tune.
|
|
|
|
'Uncle much hove down, Wal'r?' inquired the Captain, as they were
|
|
walking along.
|
|
|
|
'I am afraid so. If you had seen him this morning, you would never
|
|
have forgotten it.'
|
|
|
|
'Walk fast, Wal'r, my lad,' returned the Captain, mending his pace;
|
|
'and walk the same all the days of your life. Overhaul the catechism
|
|
for that advice, and keep it!'
|
|
|
|
The Captain was too busy with his own thoughts of Solomon Gills,
|
|
mingled perhaps with some reflections on his late escape from Mrs
|
|
MacStinger, to offer any further quotations on the way for Walter's
|
|
moral improvement They interchanged no other word until they arrived
|
|
at old Sol's door, where the unfortunate wooden Midshipman, with his
|
|
instrument at his eye, seemed to be surveying the whole horizon in
|
|
search of some friend to help him out of his difficulty.
|
|
|
|
'Gills!' said the Captain, hurrying into the back parlour, and
|
|
taking him by the hand quite tenderly. 'Lay your head well to the
|
|
wind, and we'll fight through it. All you've got to do,' said the
|
|
Captain, with the solemnity of a man who was delivering himself of one
|
|
of the most precious practical tenets ever discovered by human wisdom,
|
|
'is to lay your head well to the wind, and we'll fight through it!'
|
|
|
|
Old Sol returned the pressure of his hand, and thanked him.
|
|
|
|
Captain Cuttle, then, with a gravity suitable to the nature of the
|
|
occasion, put down upon the table the two tea-spoons and the
|
|
sugar-tongs, the silver watch, and the ready money; and asked Mr
|
|
Brogley, the broker, what the damage was.
|
|
|
|
'Come! What do you make of it?' said Captain Cuttle.
|
|
|
|
'Why, Lord help you!' returned the broker; 'you don't suppose that
|
|
property's of any use, do you?'
|
|
|
|
'Why not?' inquired the Captain.
|
|
|
|
'Why? The amount's three hundred and seventy, odd,' replied the
|
|
broker.
|
|
|
|
'Never mind,' returned the Captain, though he was evidently
|
|
dismayed by the figures: 'all's fish that comes to your net, I
|
|
suppose?'
|
|
|
|
'Certainly,' said Mr Brogley. 'But sprats ain't whales, you know.'
|
|
|
|
The philosophy of this observation seemed to strike the Captain. He
|
|
ruminated for a minute; eyeing the broker, meanwhile, as a deep
|
|
genius; and then called the Instrument-maker aside.
|
|
|
|
'Gills,' said Captain Cuttle, 'what's the bearings of this
|
|
business? Who's the creditor?'
|
|
|
|
'Hush!' returned the old man. 'Come away. Don't speak before Wally.
|
|
It's a matter of security for Wally's father - an old bond. I've paid
|
|
a good deal of it, Ned, but the times are so bad with me that I can't
|
|
do more just now. I've foreseen it, but I couldn't help it. Not a word
|
|
before Wally, for all the world.'
|
|
|
|
'You've got some money, haven't you?' whispered the Captain.
|
|
|
|
'Yes, yes - oh yes- I've got some,' returned old Sol, first putting
|
|
his hands into his empty pockets, and then squeezing his Welsh wig
|
|
between them, as if he thought he might wring some gold out of it;
|
|
'but I - the little I have got, isn't convertible, Ned; it can't be
|
|
got at. I have been trying to do something with it for Wally, and I'm
|
|
old fashioned, and behind the time. It's here and there, and - and, in
|
|
short, it's as good as nowhere,' said the old man, looking in
|
|
bewilderment about him.
|
|
|
|
He had so much the air of a half-witted person who had been hiding
|
|
his money in a variety of places, and had forgotten where, that the
|
|
Captain followed his eyes, not without a faint hope that he might
|
|
remember some few hundred pounds concealed up the chimney, or down in
|
|
the cellar. But Solomon Gills knew better than that.
|
|
|
|
'I'm behind the time altogether, my dear Ned,' said Sol, in
|
|
resigned despair, 'a long way. It's no use my lagging on so far behind
|
|
it. The stock had better be sold - it's worth more than this debt -
|
|
and I had better go and die somewhere, on the balance. I haven't any
|
|
energy left. I don't understand things. This had better be the end of
|
|
it. Let 'em sell the stock and take him down,' said the old man,
|
|
pointing feebly to the wooden Midshipman, 'and let us both be broken
|
|
up together.'
|
|
|
|
'And what d'ye mean to do with Wal'r?'said the Captain. 'There,
|
|
there! Sit ye down, Gills, sit ye down, and let me think o' this. If I
|
|
warn't a man on a small annuity, that was large enough till to-day, I
|
|
hadn't need to think of it. But you only lay your head well to the
|
|
wind,' said the Captain, again administering that unanswerable piece
|
|
of consolation, 'and you're all right!'
|
|
|
|
Old Sol thanked him from his heart, and went and laid it against
|
|
the back parlour fire-place instead.
|
|
|
|
Captain Cuttle walked up and down the shop for some time,
|
|
cogitating profoundly, and bringing his bushy black eyebrows to bear
|
|
so heavily on his nose, like clouds setting on a mountain, that Walter
|
|
was afraid to offer any interruption to the current of his
|
|
reflections. Mr Brogley, who was averse to being any constraint upon
|
|
the party, and who had an ingenious cast of mind, went, softly
|
|
whistling, among the stock; rattling weather-glasses, shaking
|
|
compasses as if they were physic, catching up keys with loadstones,
|
|
looking through telescopes, endeavouring to make himself acquainted
|
|
with the use of the globes, setting parallel rulers astride on to his
|
|
nose, and amusing himself with other philosophical transactions.
|
|
|
|
'Wal'r!' said the Captain at last. 'I've got it.'
|
|
|
|
'Have you, Captain Cuttle?' cried Walter, with great animation.
|
|
|
|
'Come this way, my lad,' said the Captain. 'The stock's the
|
|
security. I'm another. Your governor's the man to advance money.'
|
|
|
|
'Mr Dombey!' faltered Walter.
|
|
|
|
The Captain nodded gravely. 'Look at him,' he said. 'Look at Gills.
|
|
If they was to sell off these things now, he'd die of it. You know he
|
|
would. We mustn't leave a stone unturned - and there's a stone for
|
|
you.'
|
|
|
|
'A stone! - Mr Dombey!' faltered Walter.
|
|
|
|
'You run round to the office, first of all, and see if he's there,'
|
|
said Captain Cuttle, clapping him on the back. 'Quick!'
|
|
|
|
Walter felt he must not dispute the command - a glance at his Uncle
|
|
would have determined him if he had felt otherwise - and disappeared
|
|
to execute it. He soon returned, out of breath, to say that Mr Dombey
|
|
was not there. It was Saturday, and he had gone to Brighton.
|
|
|
|
'I tell you what, Wal'r!' said the Captain, who seemed to have
|
|
prepared himself for this contingency in his absence. 'We'll go to
|
|
Brighton. I'll back you, my boy. I'll back you, Wal'r. We'll go to
|
|
Brighton by the afternoon's coach.'
|
|
|
|
If the application must be made to Mr Dombey at all, which was
|
|
awful to think of, Walter felt that he would rather prefer it alone
|
|
and unassisted, than backed by the personal influence of Captain
|
|
Cuttle, to which he hardly thought Mr Dombey would attach much weight.
|
|
But as the Captain appeared to be of quite another opinion, and was
|
|
bent upon it, and as his friendship was too zealous and serious to be
|
|
trifled with by one so much younger than himself, he forbore to hint
|
|
the least objection. Cuttle, therefore, taking a hurried leave of
|
|
Solomon Gills, and returning the ready money, the teaspoons, the
|
|
sugar-tongs, and the silver watch, to his pocket - with a view, as
|
|
Walter thought, with horror, to making a gorgeous impression on Mr
|
|
Dombey - bore him off to the coach-office, with- out a minute's delay,
|
|
and repeatedly assured him, on the road, that he would stick by him to
|
|
the last.
|
|
|
|
CHAPTER 10.
|
|
|
|
Containing the Sequel of the Midshipman's Disaster
|
|
|
|
Major Bagstock, after long and frequent observation of Paul, across
|
|
Princess's Place, through his double-barrelled opera-glass; and after
|
|
receiving many minute reports, daily, weekly, and monthly, on that
|
|
subject, from the native who kept himself in constant communication
|
|
with Miss Tox's maid for that purpose; came to the conclusion that
|
|
Dombey, Sir, was a man to be known, and that J. B. was the boy to make
|
|
his acquaintance.
|
|
|
|
Miss Tox, however, maintaining her reserved behaviour, and frigidly
|
|
declining to understand the Major whenever he called (which he often
|
|
did) on any little fishing excursion connected with this project, the
|
|
Major, in spite of his constitutional toughness and slyness, was fain
|
|
to leave the accomplishment of his desire in some measure to chance,
|
|
'which,' as he was used to observe with chuckles at his club, 'has
|
|
been fifty to one in favour of Joey B., Sir, ever since his elder
|
|
brother died of Yellow Jack in the West Indies.'
|
|
|
|
It was some time coming to his aid in the present instance, but it
|
|
befriended him at last. When the dark servant, with full particulars,
|
|
reported Miss Tox absent on Brighton service, the Major was suddenly
|
|
touched with affectionate reminiscences of his friend Bill Bitherstone
|
|
of Bengal, who had written to ask him, if he ever went that way, to
|
|
bestow a call upon his only son. But when the same dark servant
|
|
reported Paul at Mrs Pipchin's, and the Major, referring to the letter
|
|
favoured by Master Bitherstone on his arrival in England - to which he
|
|
had never had the least idea of paying any attention - saw the opening
|
|
that presented itself, he was made so rabid by the gout, with which he
|
|
happened to be then laid up, that he threw a footstool at the dark
|
|
servant in return for his intelligence, and swore he would be the
|
|
death of the rascal before he had done with him: which the dark
|
|
servant was more than half disposed to believe.
|
|
|
|
At length the Major being released from his fit, went one Saturday
|
|
growling down to Brighton, with the native behind him; apostrophizing
|
|
Miss Tox all the way, and gloating over the prospect of carrying by
|
|
storm the distinguished friend to whom she attached so much mystery,
|
|
and for whom she had deserted him,
|
|
|
|
'Would you, Ma'am, would you!' said the Major, straining with
|
|
vindictiveness, and swelling every already swollen vein in his head.
|
|
'Would you give Joey B. the go-by, Ma'am? Not yet, Ma'am, not yet!
|
|
Damme, not yet, Sir. Joe is awake, Ma'am. Bagstock is alive, Sir. J.
|
|
B. knows a move or two, Ma'am. Josh has his weather-eye open, Sir.
|
|
You'll find him tough, Ma'am. Tough, Sir, tough is Joseph. Tough, and
|
|
de-vilish sly!'
|
|
|
|
And very tough indeed Master Bitherstone found him, when he took
|
|
that young gentleman out for a walk. But the Major, with his
|
|
complexion like a Stilton cheese, and his eyes like a prawn's, went
|
|
roving about, perfectly indifferent to Master Bitherstone's amusement,
|
|
and dragging Master Bitherstone along, while he looked about him high
|
|
and low, for Mr Dombey and his children.
|
|
|
|
In good time the Major, previously instructed by Mrs Pipchin, spied
|
|
out Paul and Florence, and bore down upon them; there being a stately
|
|
gentleman (Mr Dombey, doubtless) in their company. Charging with
|
|
Master Bitherstone into the very heart of the little squadron, it fell
|
|
out, of course, that Master Bitherstone spoke to his fellow-sufferers.
|
|
Upon that the Major stopped to notice and admire them; remembered with
|
|
amazement that he had seen and spoken to them at his friend Miss Tox's
|
|
in Princess's Place; opined that Paul was a devilish fine fellow, and
|
|
his own little friend; inquired if he remembered Joey B. the Major;
|
|
and finally, with a sudden recollection of the conventionalities of
|
|
life, turned and apologised to Mr Dombey.
|
|
|
|
'But my little friend here, Sir,' said the Major, 'makes a boy of
|
|
me again: An old soldier, Sir - Major Bagstock, at your service - is
|
|
not ashamed to confess it.' Here the Major lifted his hat. 'Damme,
|
|
Sir,' cried the Major with sudden warmth, 'I envy you.' Then he
|
|
recollected himself, and added, 'Excuse my freedom.'
|
|
|
|
Mr Dombey begged he wouldn't mention it.
|
|
|
|
'An old campaigner, Sir,' said the Major, 'a smoke-dried,
|
|
sun-burnt, used-up, invalided old dog of a Major, Sir, was not afraid
|
|
of being condemned for his whim by a man like Mr Dombey. I have the
|
|
honour of addressing Mr Dombey, I believe?'
|
|
|
|
'I am the present unworthy representative of that name, Major,'
|
|
returned Mr Dombey.
|
|
|
|
'By G-, Sir!' said the Major, 'it's a great name. It's a name,
|
|
Sir,' said the Major firmly, as if he defied Mr Dombey to contradict
|
|
him, and would feel it his painful duty to bully him if he did, 'that
|
|
is known and honoured in the British possessions abroad. It is a name,
|
|
Sir, that a man is proud to recognise. There is nothing adulatory in
|
|
Joseph Bagstock, Sir. His Royal Highness the Duke of York observed on
|
|
more than one occasion, "there is no adulation in Joey. He is a plain
|
|
old soldier is Joe. He is tough to a fault is Joseph:" but it's a
|
|
great name, Sir. By the Lord, it's a great name!' said the Major,
|
|
solemnly.
|
|
|
|
'You are good enough to rate it higher than it deserves, perhaps,
|
|
Major,' returned Mr Dombey.
|
|
|
|
'No, Sir,' said the Major, in a severe tone. No, Mr Dombey, let us
|
|
understand each other. That is not the Bagstock vein, Sir. You don't
|
|
know Joseph B. He is a blunt old blade is Josh. No flattery in him,
|
|
Sir. Nothing like it.'
|
|
|
|
Mr Dombey inclined his head, and said he believed him to be in
|
|
earnest, and that his high opinion was gratifying.
|
|
|
|
'My little friend here, Sir,' croaked the Major, looking as amiably
|
|
as he could, on Paul, 'will certify for Joseph Bagstock that he is a
|
|
thorough-going, down-right, plain-spoken, old Trump, Sir, and nothing
|
|
more. That boy, Sir,' said the Major in a lower tone, 'will live in
|
|
history. That boy, Sir, is not a common production. Take care of him,
|
|
Mr Dombey.'
|
|
|
|
Mr Dombey seemed to intimate that he would endeavour to do so.
|
|
|
|
'Here is a boy here, Sir,' pursued the Major, confidentially, and
|
|
giving him a thrust with his cane. 'Son of Bitherstone of Bengal. Bill
|
|
Bitherstone formerly of ours. That boy's father and myself, Sir, were
|
|
sworn friends. Wherever you went, Sir, you heard of nothing but Bill
|
|
Bitherstone and Joe Bagstock. Am I blind to that boy's defects? By no
|
|
means. He's a fool, Sir.'
|
|
|
|
Mr Dombey glanced at the libelled Master Bitherstone, of whom he
|
|
knew at least as much as the Major did, and said, in quite a
|
|
complacent manner, 'Really?'
|
|
|
|
'That is what he is, sir,' said the Major. 'He's a fool. Joe
|
|
Bagstock never minces matters. The son of my old friend Bill
|
|
Bitherstone, of Bengal, is a born fool, Sir.' Here the Major laughed
|
|
till he was almost black. 'My little friend is destined for a public
|
|
school,' I' presume, Mr Dombey?' said the Major when he had recovered.
|
|
|
|
'I am not quite decided,' returned Mr Dombey. 'I think not. He is
|
|
delicate.'
|
|
|
|
'If he's delicate, Sir,' said the Major, 'you are right. None but
|
|
the tough fellows could live through it, Sir, at Sandhurst. We put
|
|
each other to the torture there, Sir. We roasted the new fellows at a
|
|
slow fire, and hung 'em out of a three pair of stairs window, with
|
|
their heads downwards. Joseph Bagstock, Sir, was held out of the
|
|
window by the heels of his boots, for thirteen minutes by the college
|
|
clock'
|
|
|
|
The Major might have appealed to his countenance in corroboration
|
|
of this story. It certainly looked as if he had hung out a little too
|
|
long.
|
|
|
|
'But it made us what we were, Sir,' said the Major, settling his
|
|
shirt frill. 'We were iron, Sir, and it forged us. Are you remaining
|
|
here, Mr Dombey?'
|
|
|
|
'I generally come down once a week, Major,' returned that
|
|
gentleman. 'I stay at the Bedford.'
|
|
|
|
'I shall have the honour of calling at the Bedford, Sir, if you'll
|
|
permit me,' said the Major. 'Joey B., Sir, is not in general a calling
|
|
man, but Mr Dombey's is not a common name. I am much indebted to my
|
|
little friend, Sir, for the honour of this introduction.'
|
|
|
|
Mr Dombey made a very gracious reply; and Major Bagstock, having
|
|
patted Paul on the head, and said of Florence that her eyes would play
|
|
the Devil with the youngsters before long - 'and the oldsters too,
|
|
Sir, if you come to that,' added the Major, chuckling very much -
|
|
stirred up Master Bitherstone with his walking-stick, and departed
|
|
with that young gentleman, at a kind of half-trot; rolling his head
|
|
and coughing with great dignity, as he staggered away, with his legs
|
|
very wide asunder.
|
|
|
|
In fulfilment of his promise, the Major afterwards called on Mr
|
|
Dombey; and Mr Dombey, having referred to the army list, afterwards
|
|
called on the Major. Then the Major called at Mr Dombey's house in
|
|
town; and came down again, in the same coach as Mr Dombey. In short,
|
|
Mr Dombey and the Major got on uncommonly well together, and
|
|
uncommonly fast: and Mr Dombey observed of the Major, to his sister,
|
|
that besides being quite a military man he was really something more,
|
|
as he had a very admirable idea of the importance of things
|
|
unconnected with his own profession.
|
|
|
|
At length Mr Dombey, bringing down Miss Tox and Mrs Chick to see
|
|
the children, and finding the Major again at Brighton, invited him to
|
|
dinner at the Bedford, and complimented Miss Tox highly, beforehand,
|
|
on her neighbour and acquaintance.
|
|
|
|
'My dearest Louisa,' said Miss Tox to Mrs Chick, when they were
|
|
alone together, on the morning of the appointed day, 'if I should seem
|
|
at all reserved to Major Bagstock, or under any constraint with him,
|
|
promise me not to notice it.'
|
|
|
|
'My dear Lucretia,' returned Mrs Chick, 'what mystery is involved
|
|
in this remarkable request? I must insist upon knowing.'
|
|
|
|
'Since you are resolved to extort a confession from me, Louisa,'
|
|
said Miss Tox instantly, 'I have no alternative but to confide to you
|
|
that the Major has been particular.'
|
|
|
|
'Particular!' repeated Mrs Chick.
|
|
|
|
'The Major has long been very particular indeed, my love, in his
|
|
attentions,' said Miss Tox, 'occasionally they have been so very
|
|
marked, that my position has been one of no common difficulty.'
|
|
|
|
'Is he in good circumstances?' inquired Mrs Chick.
|
|
|
|
'I have every reason to believe, my dear - indeed I may say I
|
|
know,' returned Miss Tox, 'that he is wealthy. He is truly military,
|
|
and full of anecdote. I have been informed that his valour, when he
|
|
was in active service, knew no bounds. I am told that he did all sorts
|
|
of things in the Peninsula, with every description of fire-arm; and in
|
|
the East and West Indies, my love, I really couldn't undertake to say
|
|
what he did not do.'
|
|
|
|
'Very creditable to him indeed,' said Mrs Chick, 'extremely so; and
|
|
you have given him no encouragement, my dear?'
|
|
|
|
'If I were to say, Louisa,' replied Miss Tox, with every
|
|
demonstration of making an effort that rent her soul, 'that I never
|
|
encouraged Major Bagstock slightly, I should not do justice to the
|
|
friendship which exists between you and me. It is, perhaps, hardly in
|
|
the nature of woman to receive such attentions as the Major once
|
|
lavished upon myself without betraying some sense of obligation. But
|
|
that is past - long past. Between the Major and me there is now a
|
|
yawning chasm, and I will not feign to give encouragement, Louisa,
|
|
where I cannot give my heart. My affections,' said Miss Tox - 'but,
|
|
Louisa, this is madness!' and departed from the room.
|
|
|
|
All this Mrs Chick communicated to her brother before dinner: and
|
|
it by no means indisposed Mr Dombey to receive the Major with unwonted
|
|
cordiality. The Major, for his part, was in a state of plethoric
|
|
satisfaction that knew no bounds: and he coughed, and choked, and
|
|
chuckled, and gasped, and swelled, until the waiters seemed positively
|
|
afraid of him.
|
|
|
|
'Your family monopolises Joe's light, Sir,' said the Major, when he
|
|
had saluted Miss Tox. 'Joe lives in darkness. Princess's Place is
|
|
changed into Kamschatka in the winter time. There is no ray of sun,
|
|
Sir, for Joey B., now.'
|
|
|
|
'Miss Tox is good enough to take a great deal of interest in Paul,
|
|
Major,' returned Mr Dombey on behalf of that blushing virgin.
|
|
|
|
'Damme Sir,' said the Major, 'I'm jealous of my little friend. I'm
|
|
pining away Sir. The Bagstock breed is degenerating in the forsaken
|
|
person of old Joe.' And the Major, becoming bluer and bluer and
|
|
puffing his cheeks further and further over the stiff ridge of his
|
|
tight cravat, stared at Miss Tox, until his eyes seemed as if he were
|
|
at that moment being overdone before the slow fire at the military
|
|
college.
|
|
|
|
Notwithstanding the palpitation of the heart which these allusions
|
|
occasioned her, they were anything but disagreeable to Miss Tox, as
|
|
they enabled her to be extremely interesting, and to manifest an
|
|
occasional incoherence and distraction which she was not at all
|
|
unwilling to display. The Major gave her abundant opportunities of
|
|
exhibiting this emotion: being profuse in his complaints, at dinner,
|
|
of her desertion of him and Princess's Place: and as he appeared to
|
|
derive great enjoyment from making them, they all got on very well.
|
|
|
|
None the worse on account of the Major taking charge of the whole
|
|
conversation, and showing as great an appetite in that respect as in
|
|
regard of the various dainties on the table, among which he may be
|
|
almost said to have wallowed: greatly to the aggravation of his
|
|
inflammatory tendencies. Mr Dombey's habitual silence and reserve
|
|
yielding readily to this usurpation, the Major felt that he was coming
|
|
out and shining: and in the flow of spirits thus engendered, rang such
|
|
an infinite number of new changes on his own name that he quite
|
|
astonished himself. In a word, they were all very well pleased. The
|
|
Major was considered to possess an inexhaustible fund of conversation;
|
|
and when he took a late farewell, after a long rubber, Mr Dombey again
|
|
complimented the blushing Miss Tox on her neighbour and acquaintance.
|
|
|
|
But all the way home to his own hotel, the Major incessantly said
|
|
to himself, and of himself, 'Sly, Sir - sly, Sir - de-vil-ish sly!'
|
|
And when he got there, sat down in a chair, and fell into a silent fit
|
|
of laughter, with which he was sometimes seized, and which was always
|
|
particularly awful. It held him so long on this occasion that the dark
|
|
servant, who stood watching him at a distance, but dared not for his
|
|
life approach, twice or thrice gave him over for lost. His whole form,
|
|
but especially his face and head, dilated beyond all former
|
|
experience; and presented to the dark man's view, nothing but a
|
|
heaving mass of indigo. At length he burst into a violent paroxysm of
|
|
coughing, and when that was a little better burst into such
|
|
ejaculations as the following:
|
|
|
|
'Would you, Ma'am, would you? Mrs Dombey, eh, Ma'am? I think not,
|
|
Ma'am. Not while Joe B. can put a spoke in your wheel, Ma'am. J. B.'s
|
|
even with you now, Ma'am. He isn't altogether bowled out, yet, Sir,
|
|
isn't Bagstock. She's deep, Sir, deep, but Josh is deeper. Wide awake
|
|
is old Joe - broad awake, and staring, Sir!' There was no doubt of
|
|
this last assertion being true, and to a very fearful extent; as it
|
|
continued to be during the greater part of that night, which the Major
|
|
chiefly passed in similar exclamations, diversified with fits of
|
|
coughing and choking that startled the whole house.
|
|
|
|
It was on the day after this occasion (being Sunday) when, as Mr
|
|
Dombey, Mrs Chick, and Miss Tox were sitting at breakfast, still
|
|
eulogising the Major, Florence came running in: her face suffused with
|
|
a bright colour, and her eyes sparkling joyfully: and cried,
|
|
|
|
'Papa! Papa! Here's Walter! and he won't come in.'
|
|
|
|
'Who?' cried Mr Dombey. 'What does she mean? What is this?'
|
|
|
|
'Walter, Papa!' said Florence timidly; sensible of having
|
|
approached the presence with too much familiarity. 'Who found me when
|
|
I was lost.'
|
|
|
|
'Does she mean young Gay, Louisa?' inquired Mr Dombey, knitting his
|
|
brows. 'Really, this child's manners have become very boisterous. She
|
|
cannot mean young Gay, I think. See what it is, will you?'
|
|
|
|
Mrs Chick hurried into the passage, and returned with the
|
|
information that it was young Gay, accompanied by a very
|
|
strange-looking person; and that young Gay said he would not take the
|
|
liberty of coming in, hearing Mr Dombey was at breakfast, but would
|
|
wait until Mr Dombey should signify that he might approach.
|
|
|
|
'Tell the boy to come in now,' said Mr Dombey. 'Now, Gay, what is
|
|
the matter? Who sent you down here? Was there nobody else to come?'
|
|
|
|
'I beg your pardon, Sir,' returned Walter. 'I have not been sent. I
|
|
have been so bold as to come on my own account, which I hope you'll
|
|
pardon when I mention the cause.
|
|
|
|
But Mr Dombey, without attending to what he said, was looking
|
|
impatiently on either side of him (as if he were a pillar in his way)
|
|
at some object behind.
|
|
|
|
'What's that?' said Mr Dombey. 'Who is that? I think you have made
|
|
some mistake in the door, Sir.'
|
|
|
|
'Oh, I'm very sorry to intrude with anyone, Sir,' cried Walter,
|
|
hastily: 'but this is - this is Captain Cuttle, Sir.'
|
|
|
|
'Wal'r, my lad,' observed the Captain in a deep voice: 'stand by!'
|
|
|
|
At the same time the Captain, coming a little further in, brought
|
|
out his wide suit of blue, his conspicuous shirt-collar, and his
|
|
knobby nose in full relief, and stood bowing to Mr Dombey, and waving
|
|
his hook politely to the ladies, with the hard glazed hat in his one
|
|
hand, and a red equator round his head which it had newly imprinted
|
|
there.
|
|
|
|
Mr Dombey regarded this phenomenon with amazement and indignation,
|
|
and seemed by his looks to appeal to Mrs Chick and Miss Tox against
|
|
it. Little Paul, who had come in after Florence, backed towards Miss
|
|
Tox as the Captain waved his book, and stood on the defensive.
|
|
|
|
'Now, Gay,' said Mr Dombey. 'What have you got to say to me?'
|
|
|
|
Again the Captain observed, as a general opening of the
|
|
conversation that could not fail to propitiate all parties, 'Wal'r,
|
|
standby!'
|
|
|
|
'I am afraid, Sir,' began Walter, trembling, and looking down at
|
|
the ground, 'that I take a very great liberty in coming - indeed, I am
|
|
sure I do. I should hardly have had the courage to ask to see you,
|
|
Sir, even after coming down, I am afraid, if I had not overtaken Miss
|
|
Dombey, and - '
|
|
|
|
'Well!' said Mr Dombey, following his eyes as he glanced at the
|
|
attentive Florence, and frowning unconsciously as she encouraged him
|
|
with a smile. 'Go on, if you please.'
|
|
|
|
'Ay, ay,' observed the Captain, considering it incumbent on him, as
|
|
a point of good breeding, to support Mr Dombey. 'Well said! Go on,
|
|
Wal'r.'
|
|
|
|
Captain Cuttle ought to have been withered by the look which Mr
|
|
Dombey bestowed upon him in acknowledgment of his patronage. But quite
|
|
innocent of this, he closed one eye in reply, and gave Mr Dombey to
|
|
understand, by certain significant motions of his hook, that Walter
|
|
was a little bashful at first, and might be expected to come out
|
|
shortly.
|
|
|
|
'It is entirely a private and personal matter, that has brought me
|
|
here, Sir,' continued Walter, faltering, 'and Captain Cuttle
|
|
|
|
'Here!' interposed the Captain, as an assurance that he was at
|
|
hand, and might be relied upon.
|
|
|
|
'Who is a very old friend of my poor Uncle's, and a most excellent
|
|
man, Sir,' pursued Walter, raising his eyes with a look of entreaty in
|
|
the Captain's behalf, 'was so good as to offer to come with me, which
|
|
I could hardly refuse.'
|
|
|
|
'No, no, no;' observed the Captain complacently. 'Of course not. No
|
|
call for refusing. Go on, Wal'r.'
|
|
|
|
'And therefore, Sir,' said Walter, venturing to meet Mr Dombey's
|
|
eye, and proceeding with better courage in the very desperation of the
|
|
case, now that there was no avoiding it, 'therefore I have come, with
|
|
him, Sir, to say that my poor old Uncle is in very great affliction
|
|
and distress. That, through the gradual loss of his business, and not
|
|
being able to make a payment, the apprehension of which has weighed
|
|
very heavily upon his mind, months and months, as indeed I know, Sir,
|
|
he has an execution in his house, and is in danger of losing all he
|
|
has, and breaking his heart. And that if you would, in your kindness,
|
|
and in your old knowledge of him as a respectable man, do anything to
|
|
help him out of his difficulty, Sir, we never could thank you enough
|
|
for it.'
|
|
|
|
Walter's eyes filled with tears as he spoke; and so did those of
|
|
Florence. Her father saw them glistening, though he appeared to look
|
|
at Walter only.
|
|
|
|
'It is a very large sum, Sir,' said Walter. 'More than three
|
|
hundred pounds. My Uncle is quite beaten down by his misfortune, it
|
|
lies so heavy on him; and is quite unable to do anything for his own
|
|
relief. He doesn't even know yet, that I have come to speak to you.
|
|
You would wish me to say, Sir,' added Walter, after a moment's
|
|
hesitation, 'exactly what it is I want. I really don't know, Sir.
|
|
There is my Uncle's stock, on which I believe I may say, confidently,
|
|
there are no other demands, and there is Captain Cuttle, who would
|
|
wish to be security too. I - I hardly like to mention,' said Walter,
|
|
'such earnings as mine; but if you would allow them - accumulate -
|
|
payment - advance - Uncle - frugal, honourable, old man.' Walter
|
|
trailed off, through these broken sentences, into silence: and stood
|
|
with downcast head, before his employer.
|
|
|
|
Considering this a favourable moment for the display of the
|
|
valuables, Captain Cuttle advanced to the table; and clearing a space
|
|
among the breakfast-cups at Mr Dombey's elbow, produced the silver
|
|
watch, the ready money, the teaspoons, and the sugar-tongs; and piling
|
|
them up into a heap that they might look as precious as possible,
|
|
delivered himself of these words:
|
|
|
|
'Half a loaf's better than no bread, and the same remark holds good
|
|
with crumbs. There's a few. Annuity of one hundred pound premium also
|
|
ready to be made over. If there is a man chock full of science in the
|
|
world, it's old Sol Gills. If there is a lad of promise - one
|
|
flowing,' added the Captain, in one of his happy quotations, 'with
|
|
milk and honey - it's his nevy!'
|
|
|
|
The Captain then withdrew to his former place, where he stood
|
|
arranging his scattered locks with the air of a man who had given the
|
|
finishing touch to a difficult performance.
|
|
|
|
When Walter ceased to speak, Mr Dombey's eyes were attracted to
|
|
little Paul, who, seeing his sister hanging down her head and silently
|
|
weeping in her commiseration for the distress she had heard described,
|
|
went over to her, and tried to comfort her: looking at Walter and his
|
|
father as he did so, with a very expressive face. After the momentary
|
|
distraction of Captain Cuttle's address, which he regarded with lofty
|
|
indifference, Mr Dombey again turned his eyes upon his son, and sat
|
|
steadily regarding the child, for some moments, in silence.
|
|
|
|
'What was this debt contracted for?' asked Mr Dombey, at length.
|
|
'Who is the creditor?'
|
|
|
|
'He don't know,' replied the Captain, putting his hand on Walter's
|
|
shoulder. 'I do. It came of helping a man that's dead now, and that's
|
|
cost my friend Gills many a hundred pound already. More particulars in
|
|
private, if agreeable.'
|
|
|
|
'People who have enough to do to hold their own way,' said Mr
|
|
Dombey, unobservant of the Captain's mysterious signs behind Walter,
|
|
and still looking at his son, 'had better be content with their own
|
|
obligations and difficulties, and not increase them by engaging for
|
|
other men. It is an act of dishonesty and presumption, too,' said Mr
|
|
Dombey, sternly; 'great presumption; for the wealthy could do no more.
|
|
Paul, come here!'
|
|
|
|
The child obeyed: and Mr Dombey took him on his knee.
|
|
|
|
'If you had money now - ' said Mr Dombey. 'Look at me!'
|
|
|
|
Paul, whose eyes had wandered to his sister, and to Walter, looked
|
|
his father in the face.
|
|
|
|
'If you had money now,' said Mr Dombey; 'as much money as young Gay
|
|
has talked about; what would you do?'
|
|
|
|
'Give it to his old Uncle,' returned Paul.
|
|
|
|
'Lend it to his old Uncle, eh?' retorted Mr Dombey. 'Well! When you
|
|
are old enough, you know, you will share my money, and we shall use it
|
|
together.'
|
|
|
|
'Dombey and Son,' interrupted Paul, who had been tutored early in
|
|
the phrase.
|
|
|
|
'Dombey and Son,' repeated his father. 'Would you like to begin to
|
|
be Dombey and Son, now, and lend this money to young Gay's Uncle?'
|
|
|
|
'Oh! if you please, Papa!' said Paul: 'and so would Florence.'
|
|
|
|
'Girls,' said Mr Dombey, 'have nothing to do with Dombey and Son.
|
|
Would you like it?'
|
|
|
|
'Yes, Papa, yes!'
|
|
|
|
'Then you shall do it,' returned his father. 'And you see, Paul,'
|
|
he added, dropping his voice, 'how powerful money is, and how anxious
|
|
people are to get it. Young Gay comes all this way to beg for money,
|
|
and you, who are so grand and great, having got it, are going to let
|
|
him have it, as a great favour and obligation.'
|
|
|
|
Paul turned up the old face for a moment, in which there was a
|
|
sharp understanding of the reference conveyed in these words: but it
|
|
was a young and childish face immediately afterwards, when he slipped
|
|
down from his father's knee, and ran to tell Florence not to cry any
|
|
more, for he was going to let young Gay have the money.
|
|
|
|
Mr Dombey then turned to a side-table, and wrote a note and sealed
|
|
it. During the interval, Paul and Florence whispered to Walter, and
|
|
Captain Cuttle beamed on the three, with such aspiring and ineffably
|
|
presumptuous thoughts as Mr Dombey never could have believed in. The
|
|
note being finished, Mr Dombey turned round to his former place, and
|
|
held it out to Walter.
|
|
|
|
'Give that,' he said, 'the first thing to-morrow morning, to Mr
|
|
Carker. He will immediately take care that one of my people releases
|
|
your Uncle from his present position, by paying the amount at issue;
|
|
and that such arrangements are made for its repayment as may be
|
|
consistent with your Uncle's circumstances. You will consider that
|
|
this is done for you by Master Paul.'
|
|
|
|
Walter, in the emotion of holding in his hand the means of
|
|
releasing his good Uncle from his trouble, would have endeavoured to
|
|
express something of his gratitude and joy. But Mr Dombey stopped him
|
|
short.
|
|
|
|
'You will consider that it is done,' he repeated, 'by Master Paul.
|
|
I have explained that to him, and he understands it. I wish no more to
|
|
be said.'
|
|
|
|
As he motioned towards the door, Walter could only bow his head and
|
|
retire. Miss Tox, seeing that the Captain appeared about to do the
|
|
same, interposed.
|
|
|
|
'My dear Sir,' she said, addressing Mr Dombey, at whose munificence
|
|
both she and Mrs Chick were shedding tears copiously; 'I think you
|
|
have overlooked something. Pardon me, Mr Dombey, I think, in the
|
|
nobility of your character, and its exalted scope, you have omitted a
|
|
matter of detail.'
|
|
|
|
'Indeed, Miss Tox!' said Mr Dombey.
|
|
|
|
'The gentleman with the - Instrument,' pursued Miss Tox, glancing
|
|
at Captain Cuttle, 'has left upon the table, at your elbow - '
|
|
|
|
'Good Heaven!' said Mr Dombey, sweeping the Captain's property from
|
|
him, as if it were so much crumb indeed. 'Take these things away. I am
|
|
obliged to you, Miss Tox; it is like your usual discretion. Have the
|
|
goodness to take these things away, Sir!'
|
|
|
|
Captain Cuttle felt he had no alternative but to comply. But he was
|
|
so much struck by the magnanimity of Mr Dombey, in refusing treasures
|
|
lying heaped up to his hand, that when he had deposited the teaspoons
|
|
and sugar-tongs in one pocket, and the ready money in another, and had
|
|
lowered the great watch down slowly into its proper vault, he could
|
|
not refrain from seizing that gentleman's right hand in his own
|
|
solitary left, and while he held it open with his powerful fingers,
|
|
bringing the hook down upon its palm in a transport of admiration. At
|
|
this touch of warm feeling and cold iron, Mr Dombey shivered all over.
|
|
|
|
Captain Cuttle then kissed his hook to the ladies several times,
|
|
with great elegance and gallantry; and having taken a particular leave
|
|
of Paul and Florence, accompanied Walter out of the room. Florence was
|
|
running after them in the earnestness of her heart, to send some
|
|
message to old Sol, when Mr Dombey called her back, and bade her stay
|
|
where she was.
|
|
|
|
'Will you never be a Dombey, my dear child!' said Mrs Chick, with
|
|
pathetic reproachfulness.
|
|
|
|
'Dear aunt,' said Florence. 'Don't be angry with me. I am so
|
|
thankful to Papa!'
|
|
|
|
She would have run and thrown her arms about his neck if she had
|
|
dared; but as she did not dare, she glanced with thankful eyes towards
|
|
him, as he sat musing; sometimes bestowing an uneasy glance on her,
|
|
but, for the most part, watching Paul, who walked about the room with
|
|
the new-blown dignity of having let young Gay have the money.
|
|
|
|
And young Gay - Walter- what of him?
|
|
|
|
He was overjoyed to purge the old man's hearth from bailiffs and
|
|
brokers, and to hurry back to his Uncle with the good tidings. He was
|
|
overjoyed to have it all arranged and settled next day before noon;
|
|
and to sit down at evening in the little back parlour with old Sol and
|
|
Captain Cuttle; and to see the Instrument-maker already reviving, and
|
|
hopeful for the future, and feeling that the wooden Midshipman was his
|
|
own again. But without the least impeachment of his gratitude to Mr
|
|
Dombey, it must be confessed that Walter was humbled and cast down. It
|
|
is when our budding hopes are nipped beyond recovery by some rough
|
|
wind, that we are the most disposed to picture to ourselves what
|
|
flowers they might have borne, if they had flourished; and now, when
|
|
Walter found himself cut off from that great Dombey height, by the
|
|
depth of a new and terrible tumble, and felt that all his old wild
|
|
fancies had been scattered to the winds in the fall, he began to
|
|
suspect that they might have led him on to harmless visions of
|
|
aspiring to Florence in the remote distance of time.
|
|
|
|
The Captain viewed the subject in quite a different light. He
|
|
appeared to entertain a belief that the interview at which he had
|
|
assisted was so very satisfactory and encouraging, as to be only a
|
|
step or two removed from a regular betrothal of Florence to Walter;
|
|
and that the late transaction had immensely forwarded, if not
|
|
thoroughly established, the Whittingtonian hopes. Stimulated by this
|
|
conviction, and by the improvement in the spirits of his old friend,
|
|
and by his own consequent gaiety, he even attempted, in favouring them
|
|
with the ballad of 'Lovely Peg' for the third time in one evening, to
|
|
make an extemporaneous substitution of the name 'Florence;' but
|
|
finding this difficult, on account of the word Peg invariably rhyming
|
|
to leg (in which personal beauty the original was described as having
|
|
excelled all competitors), he hit upon the happy thought of changing
|
|
it to Fle-e-eg; which he accordingly did, with an archness almost
|
|
supernatural, and a voice quite vociferous, notwithstanding that the
|
|
time was close at band when he must seek the abode of the dreadful Mrs
|
|
MacStinger.
|
|
|
|
That same evening the Major was diffuse at his club, on the subject
|
|
of his friend Dombey in the City. 'Damme, Sir,' said the Major, 'he's
|
|
a prince, is my friend Dombey in the City. I tell you what, Sir. If
|
|
you had a few more men among you like old Joe Bagstock and my friend
|
|
Dombey in the City, Sir, you'd do!'
|
|
|
|
CHAPTER 11.
|
|
|
|
Paul's Introduction to a New Scene
|
|
|
|
Mrs Pipchin's constitution was made of such hard metal, in spite of
|
|
its liability to the fleshly weaknesses of standing in need of repose
|
|
after chops, and of requiring to be coaxed to sleep by the soporific
|
|
agency of sweet-breads, that it utterly set at naught the predictions
|
|
of Mrs Wickam, and showed no symptoms of decline. Yet, as Paul's rapt
|
|
interest in the old lady continued unbated, Mrs Wickam would not budge
|
|
an inch from the position she had taken up. Fortifying and entrenching
|
|
herself on the strong ground of her Uncle's Betsey Jane, she advised
|
|
Miss Berry, as a friend, to prepare herself for the worst; and
|
|
forewarned her that her aunt might, at any time, be expected to go off
|
|
suddenly, like a powder-mill.
|
|
|
|
'I hope, Miss Berry,' Mrs Wickam would observe, 'that you'll come
|
|
into whatever little property there may be to leave. You deserve it, I
|
|
am sure, for yours is a trying life. Though there don't seem much
|
|
worth coming into - you'll excuse my being so open - in this dismal
|
|
den.'
|
|
|
|
Poor Berry took it all in good part, and drudged and slaved away as
|
|
usual; perfectly convinced that Mrs Pipchin was one of the most
|
|
meritorious persons in the world, and making every day innumerable
|
|
sacrifices of herself upon the altar of that noble old woman. But all
|
|
these immolations of Berry were somehow carried to the credit of Mrs
|
|
Pipchin by Mrs Pipchin's friends and admirers; and were made to
|
|
harmonise with, and carry out, that melancholy fact of the deceased Mr
|
|
Pipchin having broken his heart in the Peruvian mines.
|
|
|
|
For example, there was an honest grocer and general dealer in the
|
|
retail line of business, between whom and Mrs Pipchin there was a
|
|
small memorandum book, with a greasy red cover, perpetually in
|
|
question, and concerning which divers secret councils and conferences
|
|
were continually being held between the parties to that register, on
|
|
the mat in the passage, and with closed doors in the parlour. Nor were
|
|
there wanting dark hints from Master Bitherstone (whose temper had
|
|
been made revengeful by the solar heats of India acting on his blood),
|
|
of balances unsettled, and of a failure, on one occasion within his
|
|
memory, in the supply of moist sugar at tea-time. This grocer being a
|
|
bachelor and not a man who looked upon the surface for beauty, had
|
|
once made honourable offers for the hand of Berry, which Mrs Pipchin
|
|
had, with contumely and scorn, rejected. Everybody said how laudable
|
|
this was in Mrs Pipchin, relict of a man who had died of the Peruvian
|
|
mines; and what a staunch, high, independent spirit the old lady had.
|
|
But nobody said anything about poor Berry, who cried for six weeks
|
|
(being soundly rated by her good aunt all the time), and lapsed into a
|
|
state of hopeless spinsterhood.
|
|
|
|
'Berry's very fond of you, ain't she?' Paul once asked Mrs Pipchin
|
|
when they were sitting by the fire with the cat.
|
|
|
|
'Yes,' said Mrs Pipchin.
|
|
|
|
'Why?' asked Paul.
|
|
|
|
'Why!' returned the disconcerted old lady. 'How can you ask such
|
|
things, Sir! why are you fond of your sister Florence?'
|
|
|
|
'Because she's very good,' said Paul. 'There's nobody like
|
|
Florence.'
|
|
|
|
'Well!' retorted Mrs Pipchin, shortly, 'and there's nobody like me,
|
|
I suppose.'
|
|
|
|
'Ain't there really though?' asked Paul, leaning forward in his
|
|
chair, and looking at her very hard.
|
|
|
|
'No,' said the old lady.
|
|
|
|
'I am glad of that,' observed Paul, rubbing his hands thoughtfully.
|
|
'That's a very good thing.'
|
|
|
|
Mrs Pipchin didn't dare to ask him why, lest she should receive
|
|
some perfectly annihilating answer. But as a compensation to her
|
|
wounded feelings, she harassed Master Bitherstone to that extent until
|
|
bed-time, that he began that very night to make arrangements for an
|
|
overland return to India, by secreting from his supper a quarter of a
|
|
round of bread and a fragment of moist Dutch cheese, as the beginning
|
|
of a stock of provision to support him on the voyage.
|
|
|
|
Mrs Pipchin had kept watch and ward over little Paul and his sister
|
|
for nearly twelve months. They had been home twice, but only for a few
|
|
days; and had been constant in their weekly visits to Mr Dombey at the
|
|
hotel. By little and little Paul had grown stronger, and had become
|
|
able to dispense with his carriage; though he still looked thin and
|
|
delicate; and still remained the same old, quiet, dreamy child that he
|
|
had been when first consigned to Mrs Pipchin's care. One Saturday
|
|
afternoon, at dusk, great consternation was occasioned in the Castle
|
|
by the unlooked-for announcement of Mr Dombey as a visitor to Mrs
|
|
Pipchin. The population of the parlour was immediately swept upstairs
|
|
as on the wings of a whirlwind, and after much slamming of bedroom
|
|
doors, and trampling overhead, and some knocking about of Master
|
|
Bitherstone by Mrs Pipchin, as a relief to the perturbation of her
|
|
spirits, the black bombazeen garments of the worthy old lady darkened
|
|
the audience-chamber where Mr Dombey was contemplating the vacant
|
|
arm-chair of his son and heir.
|
|
|
|
'Mrs Pipchin,' said Mr Dombey, 'How do you do?'
|
|
|
|
'Thank you, Sir,' said Mrs Pipchin, 'I am pretty well,
|
|
considering.'
|
|
|
|
Mrs Pipchin always used that form of words. It meant, considering
|
|
her virtues, sacrifices, and so forth.
|
|
|
|
'I can't expect, Sir, to be very well,' said Mrs Pipchin, taking a
|
|
chair and fetching her breath; 'but such health as I have, I am
|
|
grateful for.'
|
|
|
|
Mr Dombey inclined his head with the satisfied air of a patron, who
|
|
felt that this was the sort of thing for which he paid so much a
|
|
quarter. After a moment's silence he went on to say:
|
|
|
|
'Mrs Pipchin, I have taken the liberty of calling, to consult you
|
|
in reference to my son. I have had it in my mind to do so for some
|
|
time past; but have deferred it from time to time, in order that his
|
|
health might be thoroughly re-established. You have no misgivings on
|
|
that subject, Mrs Pipchin?'
|
|
|
|
'Brighton has proved very beneficial, Sir,' returned Mrs Pipchin.
|
|
'Very beneficial, indeed.'
|
|
|
|
'I purpose,' said Mr Dombey, 'his remaining at Brighton.'
|
|
|
|
Mrs Pipchin rubbed her hands, and bent her grey eyes on the fire.
|
|
|
|
'But,' pursued Mr Dombey, stretching out his forefinger, 'but
|
|
possibly that he should now make a change, and lead a different kind
|
|
of life here. In short, Mrs Pipchin, that is the object of my visit.
|
|
My son is getting on, Mrs Pipchin. Really, he is getting on.'
|
|
|
|
There was something melancholy in the triumphant air with which Mr
|
|
Dombey said this. It showed how long Paul's childish life had been to
|
|
him, and how his hopes were set upon a later stage of his existence.
|
|
Pity may appear a strange word to connect with anyone so haughty and
|
|
so cold, and yet he seemed a worthy subject for it at that moment.
|
|
|
|
'Six years old!' said Mr Dombey, settling his neckcloth - perhaps
|
|
to hide an irrepressible smile that rather seemed to strike upon the
|
|
surface of his face and glance away, as finding no resting-place, than
|
|
to play there for an instant. 'Dear me, six will be changed to
|
|
sixteen, before we have time to look about us.'
|
|
|
|
'Ten years,' croaked the unsympathetic Pipchin, with a frosty
|
|
glistening of her hard grey eye, and a dreary shaking of her bent
|
|
head, 'is a long time.'
|
|
|
|
'It depends on circumstances, returned Mr Dombey; 'at all events,
|
|
Mrs Pipchin, my son is six years old, and there is no doubt, I fear,
|
|
that in his studies he is behind many children of his age - or his
|
|
youth,' said Mr Dombey, quickly answering what he mistrusted was a
|
|
shrewd twinkle of the frosty eye, 'his youth is a more appropriate
|
|
expression. Now, Mrs Pipchin, instead of being behind his peers, my
|
|
son ought to be before them; far before them. There is an eminence
|
|
ready for him to mount upon. There is nothing of chance or doubt in
|
|
the course before my son. His way in life was clear and prepared, and
|
|
marked out before he existed. The education of such a young gentleman
|
|
must not be delayed. It must not be left imperfect. It must be very
|
|
steadily and seriously undertaken, Mrs Pipchin.'
|
|
|
|
'Well, Sir,' said Mrs Pipchin, 'I can say nothing to the contrary.'
|
|
|
|
'I was quite sure, Mrs Pipchin,' returned Mr Dombey, approvingly,
|
|
'that a person of your good sense could not, and would not.'
|
|
|
|
'There is a great deal of nonsense - and worse - talked about young
|
|
people not being pressed too hard at first, and being tempted on, and
|
|
all the rest of it, Sir,' said Mrs Pipchin, impatiently rubbing her
|
|
hooked nose. 'It never was thought of in my time, and it has no
|
|
business to be thought of now. My opinion is "keep 'em at it".'
|
|
|
|
'My good madam,' returned Mr Dombey, 'you have not acquired your
|
|
reputation undeservedly; and I beg you to believe, Mrs Pipchin, that I
|
|
am more than satisfied with your excellent system of management, and
|
|
shall have the greatest pleasure in commending it whenever my poor
|
|
commendation - ' Mr Dombey's loftiness when he affected to disparage
|
|
his own importance, passed all bounds - 'can be of any service. I have
|
|
been thinking of Doctor Blimber's, Mrs Pipchin.'
|
|
|
|
'My neighbour, Sir?' said Mrs Pipchin. 'I believe the Doctor's is
|
|
an excellent establishment. I've heard that it's very strictly
|
|
conducted, and there is nothing but learning going on from morning to
|
|
night.'
|
|
|
|
'And it's very expensive,' added Mr Dombey.
|
|
|
|
'And it's very expensive, Sir,' returned Mrs Pipchin, catching at
|
|
the fact, as if in omitting that, she had omitted one of its leading
|
|
merits.
|
|
|
|
'I have had some communication with the Doctor, Mrs Pipchin,' said
|
|
Mr Dombey, hitching his chair anxiously a little nearer to the fire,
|
|
'and he does not consider Paul at all too young for his purpose. He
|
|
mentioned several instances of boys in Greek at about the same age. If
|
|
I have any little uneasiness in my own mind, Mrs Pipchin, on the
|
|
subject of this change, it is not on that head. My son not having
|
|
known a mother has gradually concentrated much - too much - of his
|
|
childish affection on his sister. Whether their separation - ' Mr
|
|
Dombey said no more, but sat silent.
|
|
|
|
'Hoity-toity!' exclaimed Mrs Pipchin, shaking out her black
|
|
bombazeen skirts, and plucking up all the ogress within her. 'If she
|
|
don't like it, Mr Dombey, she must be taught to lump it.' The good
|
|
lady apologised immediately afterwards for using so common a figure of
|
|
speech, but said (and truly) that that was the way she reasoned with
|
|
'em.
|
|
|
|
Mr Dombey waited until Mrs Pipchin had done bridling and shaking
|
|
her head, and frowning down a legion of Bitherstones and Pankeys; and
|
|
then said quietly, but correctively, 'He, my good madam, he.'
|
|
|
|
Mrs Pipchin's system would have applied very much the same mode of
|
|
cure to any uneasiness on the part of Paul, too; but as the hard grey
|
|
eye was sharp enough to see that the recipe, however Mr Dombey might
|
|
admit its efficacy in the case of the daughter, was not a sovereign
|
|
remedy for the son, she argued the point; and contended that change,
|
|
and new society, and the different form of life he would lead at
|
|
Doctor Blimber's, and the studies he would have to master, would very
|
|
soon prove sufficient alienations. As this chimed in with Mr Dombey's
|
|
own hope and belief, it gave that gentleman a still higher opinion of
|
|
Mrs Pipchin's understanding; and as Mrs Pipchin, at the same time,
|
|
bewailed the loss of her dear little friend (which was not an
|
|
overwhelming shock to her, as she had long expected it, and had not
|
|
looked, in the beginning, for his remaining with her longer than three
|
|
months), he formed an equally good opinion of Mrs Pipchin's
|
|
disinterestedness. It was plain that he had given the subject anxious
|
|
consideration, for he had formed a plan, which he announced to the
|
|
ogress, of sending Paul to the Doctor's as a weekly boarder for the
|
|
first half year, during which time Florence would remain at the
|
|
Castle, that she might receive her brother there, on Saturdays. This
|
|
would wean him by degrees, Mr Dombey said; possibly with a
|
|
recollection of his not having been weaned by degrees on a former
|
|
occasion.
|
|
|
|
Mr Dombey finished the interview by expressing his hope that Mrs
|
|
Pipchin would still remain in office as general superintendent and
|
|
overseer of his son, pending his studies at Brighton; and having
|
|
kissed Paul, and shaken hands with Florence, and beheld Master
|
|
Bitherstone in his collar of state, and made Miss Pankey cry by
|
|
patting her on the head (in which region she was uncommonly tender, on
|
|
account of a habit Mrs Pipchin had of sounding it with her knuckles,
|
|
like a cask), he withdrew to his hotel and dinner: resolved that Paul,
|
|
now that he was getting so old and well, should begin a vigorous
|
|
course of education forthwith, to qualify him for the position in
|
|
which he was to shine; and that Doctor Blimber should take him in hand
|
|
immediately.
|
|
|
|
Whenever a young gentleman was taken in hand by Doctor Blimber, he
|
|
might consider himself sure of a pretty tight squeeze. The Doctor only
|
|
undertook the charge of ten young gentlemen, but he had, always ready,
|
|
a supply of learning for a hundred, on the lowest estimate; and it was
|
|
at once the business and delight of his life to gorge the unhappy ten
|
|
with it.
|
|
|
|
In fact, Doctor Blimber's establishment was a great hot-house, in
|
|
which there was a forcing apparatus incessantly at work. All the boys
|
|
blew before their time. Mental green-peas were produced at Christmas,
|
|
and intellectual asparagus all the year round. Mathematical
|
|
gooseberries (very sour ones too) were common at untimely seasons, and
|
|
from mere sprouts of bushes, under Doctor Blimber's cultivation. Every
|
|
description of Greek and Latin vegetable was got off the driest twigs
|
|
of boys, under the frostiest circumstances. Nature was of no
|
|
consequence at all. No matter what a young gentleman was intended to
|
|
bear, Doctor Blimber made him bear to pattern, somehow or other.
|
|
|
|
This was all very pleasant and ingenious, but the system of forcing
|
|
was attended with its usual disadvantages. There was not the right
|
|
taste about the premature productions, and they didn't keep well.
|
|
Moreover, one young gentleman, with a swollen nose and an excessively
|
|
large head (the oldest of the ten who had 'gone through' everything),
|
|
suddenly left off blowing one day, and remained in the establishment a
|
|
mere stalk. And people did say that the Doctor had rather overdone it
|
|
with young Toots, and that when he began to have whiskers he left off
|
|
having brains.
|
|
|
|
There young Toots was, at any rate; possessed of the gruffest of
|
|
voices and the shrillest of minds; sticking ornamental pins into his
|
|
shirt, and keeping a ring in his waistcoat pocket to put on his little
|
|
finger by stealth, when the pupils went out walking; constantly
|
|
falling in love by sight with nurserymaids, who had no idea of his
|
|
existence; and looking at the gas-lighted world over the little iron
|
|
bars in the left-hand corner window of the front three pairs of
|
|
stairs, after bed-time, like a greatly overgrown cherub who had sat up
|
|
aloft much too long.
|
|
|
|
The Doctor was a portly gentleman in a suit of black, with strings
|
|
at his knees, and stockings below them. He had a bald head, highly
|
|
polished; a deep voice; and a chin so very double, that it was a
|
|
wonder how he ever managed to shave into the creases. He had likewise
|
|
a pair of little eyes that were always half shut up, and a mouth that
|
|
was always half expanded into a grin, as if he had, that moment, posed
|
|
a boy, and were waiting to convict him from his own lips. Insomuch,
|
|
that when the Doctor put his right hand into the breast of his coat,
|
|
and with his other hand behind him, and a fly perceptible wag of his
|
|
head, made the commonest observation to a nervous stranger, it was
|
|
like a sentiment from the sphynx, and settled his business.
|
|
|
|
The Doctor's was a mighty fine house, fronting the sea. Not a
|
|
joyful style of house within, but quite the contrary. Sad-coloured
|
|
curtains, whose proportions were spare and lean, hid themselves
|
|
despondently behind the windows. The tables and chairs were put away
|
|
in rows, like figures in a sum; fires were so rarely lighted in the
|
|
rooms of ceremony, that they felt like wells, and a visitor
|
|
represented the bucket; the dining-room seemed the last place in the
|
|
world where any eating or drinking was likely to occur; there was no
|
|
sound through all the house but the ticking of a great clock in the
|
|
hall, which made itself audible in the very garrets; and sometimes a
|
|
dull cooing of young gentlemen at their lessons, like the murmurings
|
|
of an assemblage of melancholy pigeons.
|
|
|
|
Miss Blimber, too, although a slim and graceful maid, did no soft
|
|
violence to the gravity of the house. There was no light nonsense
|
|
about Miss Blimber. She kept her hair short and crisp, and wore
|
|
spectacles. She was dry and sandy with working in the graves of
|
|
deceased languages. None of your live languages for Miss Blimber. They
|
|
must be dead - stone dead - and then Miss Blimber dug them up like a
|
|
Ghoul.
|
|
|
|
Mrs Blimber, her Mama, was not learned herself, but she pretended
|
|
to be, and that did quite as well. She said at evening parties, that
|
|
if she could have known Cicero, she thought she could have died
|
|
contented. It was the steady joy of her life to see the Doctor's young
|
|
gentlemen go out walking, unlike all other young gentlemen, in the
|
|
largest possible shirt-collars, and the stiffest possible cravats. It
|
|
was so classical, she said.
|
|
|
|
As to Mr Feeder, B.A., Doctor Blimber's assistant, he was a kind of
|
|
human barrel-organ, with a little list of tunes at which he was
|
|
continually working, over and over again, without any variation. He
|
|
might have been fitted up with a change of barrels, perhaps, in early
|
|
life, if his destiny had been favourable; but it had not been; and he
|
|
had only one, with which, in a monotonous round, it was his occupation
|
|
to bewilder the young ideas of Doctor Blimber's young gentlemen. The
|
|
young gentlemen were prematurely full of carking anxieties. They knew
|
|
no rest from the pursuit of stony-hearted verbs, savage
|
|
noun-substantives, inflexible syntactic passages, and ghosts of
|
|
exercises that appeared to them in their dreams. Under the forcing
|
|
system, a young gentleman usually took leave of his spirits in three
|
|
weeks. He had all the cares of the world on his head in three months.
|
|
He conceived bitter sentiments against his parents or guardians in
|
|
four; he was an old misanthrope, in five; envied Curtius that blessed
|
|
refuge in the earth, in six; and at the end of the first twelvemonth
|
|
had arrived at the conclusion, from which he never afterwards
|
|
departed, that all the fancies of the poets, and lessons of the sages,
|
|
were a mere collection of words and grammar, and had no other meaning
|
|
in the world.
|
|
|
|
But he went on blow, blow, blowing, in the Doctor's hothouse, all
|
|
the time; and the Doctor's glory and reputation were great, when he
|
|
took his wintry growth home to his relations and friends.
|
|
|
|
Upon the Doctor's door-steps one day, Paul stood with a fluttering
|
|
heart, and with his small right hand in his father's. His other hand
|
|
was locked in that of Florence. How tight the tiny pressure of that
|
|
one; and how loose and cold the other!
|
|
|
|
Mrs Pipchin hovered behind the victim, with her sable plumage and
|
|
her hooked beak, like a bird of ill-omen. She was out of breath - for
|
|
Mr Dombey, full of great thoughts, had walked fast - and she croaked
|
|
hoarsely as she waited for the opening of the door.
|
|
|
|
'Now, Paul,' said Mr Dombey, exultingly. 'This is the way indeed to
|
|
be Dombey and Son, and have money. You are almost a man already.'
|
|
|
|
'Almost,' returned the child.
|
|
|
|
Even his childish agitation could not master the sly and quaint yet
|
|
touching look, with which he accompanied the reply.
|
|
|
|
It brought a vague expression of dissatisfaction into Mr Dombey's
|
|
face; but the door being opened, it was quickly gone
|
|
|
|
'Doctor Blimber is at home, I believe?' said Mr Dombey.
|
|
|
|
The man said yes; and as they passed in, looked at Paul as if he
|
|
were a little mouse, and the house were a trap. He was a weak-eyed
|
|
young man, with the first faint streaks or early dawn of a grin on his
|
|
countenance. It was mere imbecility; but Mrs Pipchin took it into her
|
|
head that it was impudence, and made a snap at him directly.
|
|
|
|
'How dare you laugh behind the gentleman's back?' said Mrs Pipchin.
|
|
'And what do you take me for?'
|
|
|
|
'I ain't a laughing at nobody, and I'm sure I don't take you for
|
|
nothing, Ma'am,' returned the young man, in consternation.
|
|
|
|
'A pack of idle dogs!' said Mrs Pipchin, 'only fit to be turnspits.
|
|
Go and tell your master that Mr Dombey's here, or it'll be worse for
|
|
you!'
|
|
|
|
The weak-eyed young man went, very meekly, to discharge himself of
|
|
this commission; and soon came back to invite them to the Doctor's
|
|
study.
|
|
|
|
'You're laughing again, Sir,' said Mrs Pipchin, when it came to her
|
|
turn, bringing up the rear, to pass him in the hall.
|
|
|
|
'I ain't,' returned the young man, grievously oppressed. 'I never
|
|
see such a thing as this!'
|
|
|
|
'What is the matter, Mrs Pipchin?' said Mr Dombey, looking round.
|
|
'Softly! Pray!'
|
|
|
|
Mrs Pipchin, in her deference, merely muttered at the young man as
|
|
she passed on, and said, 'Oh! he was a precious fellow' - leaving the
|
|
young man, who was all meekness and incapacity, affected even to tears
|
|
by the incident. But Mrs Pipchin had a way of falling foul of all meek
|
|
people; and her friends said who could wonder at it, after the
|
|
Peruvian mines!
|
|
|
|
The Doctor was sitting in his portentous study, with a globe at
|
|
each knee, books all round him, Homer over the door, and Minerva on
|
|
the mantel-shelf. 'And how do you do, Sir?' he said to Mr Dombey, 'and
|
|
how is my little friend?' Grave as an organ was the Doctor's speech;
|
|
and when he ceased, the great clock in the hall seemed (to Paul at
|
|
least) to take him up, and to go on saying, 'how, is, my, lit, tle,
|
|
friend? how, is, my, lit, tle, friend?' over and over and over again.
|
|
|
|
The little friend being something too small to be seen at all from
|
|
where the Doctor sat, over the books on his table, the Doctor made
|
|
several futile attempts to get a view of him round the legs; which Mr
|
|
Dombey perceiving, relieved the Doctor from his embarrassment by
|
|
taking Paul up in his arms, and sitting him on another little table,
|
|
over against the Doctor, in the middle of the room.
|
|
|
|
'Ha!' said the Doctor, leaning back in his chair with his hand in
|
|
his breast. 'Now I see my little friend. How do you do, my little
|
|
friend?'
|
|
|
|
The clock in the hall wouldn't subscribe to this alteration in the
|
|
form of words, but continued to repeat how, is, my, lit, tle, friend?
|
|
how, is, my, lit, tle, friend?'
|
|
|
|
'Very well, I thank you, Sir,' returned Paul, answering the clock
|
|
quite as much as the Doctor.
|
|
|
|
'Ha!' said Doctor Blimber. 'Shall we make a man of him?'
|
|
|
|
'Do you hear, Paul?' added Mr Dombey; Paul being silent.
|
|
|
|
'Shall we make a man of him?' repeated the Doctor.
|
|
|
|
'I had rather be a child,' replied Paul.
|
|
|
|
'Indeed!' said the Doctor. 'Why?'
|
|
|
|
The child sat on the table looking at him, with a curious
|
|
expression of suppressed emotion in his face, and beating one hand
|
|
proudly on his knee as if he had the rising tears beneath it, and
|
|
crushed them. But his other hand strayed a little way the while, a
|
|
little farther - farther from him yet - until it lighted on the neck
|
|
of Florence. 'This is why,' it seemed to say, and then the steady look
|
|
was broken up and gone; the working lip was loosened; and the tears
|
|
came streaming forth.
|
|
|
|
'Mrs Pipchin,' said his father, in a querulous manner, 'I am really
|
|
very sorry to see this.'
|
|
|
|
'Come away from him, do, Miss Dombey,' quoth the matron.
|
|
|
|
'Never mind,' said the Doctor, blandly nodding his head, to keep
|
|
Mrs Pipchin back. 'Never mind; we shall substitute new cares and new
|
|
impressions, Mr Dombey, very shortly. You would still wish my little
|
|
friend to acquire - '
|
|
|
|
'Everything, if you please, Doctor,' returned Mr Dombey, firmly.
|
|
|
|
'Yes,' said the Doctor, who, with his half-shut eyes, and his usual
|
|
smile, seemed to survey Paul with the sort of interest that might
|
|
attach to some choice little animal he was going to stuff. 'Yes,
|
|
exactly. Ha! We shall impart a great variety of information to our
|
|
little friend, and bring him quickly forward, I daresay. I daresay.
|
|
Quite a virgin soil, I believe you said, Mr Dombey?'
|
|
|
|
'Except some ordinary preparation at home, and from this lady,'
|
|
replied Mr Dombey, introducing Mrs Pipchin, who instantly communicated
|
|
a rigidity to her whole muscular system, and snorted defiance
|
|
beforehand, in case the Doctor should disparage her; 'except so far,
|
|
Paul has, as yet, applied himself to no studies at all.'
|
|
|
|
Doctor Blimber inclined his head, in gentle tolerance of such
|
|
insignificant poaching as Mrs Pipchin's, and said he was glad to hear
|
|
it. It was much more satisfactory, he observed, rubbing his hands, to
|
|
begin at the foundation. And again he leered at Paul, as if he would
|
|
have liked to tackle him with the Greek alphabet, on the spot.
|
|
|
|
'That circumstance, indeed, Doctor Blimber,' pursued Mr Dombey,
|
|
glancing at his little son, 'and the interview I have already had the
|
|
pleasure of holding with you, renders any further explanation, and
|
|
consequently, any further intrusion on your valuable time, so
|
|
unnecessary, that - '
|
|
|
|
'Now, Miss Dombey!' said the acid Pipchin.
|
|
|
|
'Permit me,' said the Doctor, 'one moment. Allow me to present Mrs
|
|
Blimber and my daughter; who will be associated with the domestic life
|
|
of our young Pilgrim to Parnassus Mrs Blimber,' for the lady, who had
|
|
perhaps been in waiting, opportunely entered, followed by her
|
|
daughter, that fair Sexton in spectacles, 'Mr Dombey. My daughter
|
|
Cornelia, Mr Dombey. Mr Dombey, my love,' pursued the Doctor, turning
|
|
to his wife, 'is so confiding as to - do you see our little friend?'
|
|
|
|
Mrs Blimber, in an excess of politeness, of which Mr Dombey was the
|
|
object, apparently did not, for she was backing against the little
|
|
friend, and very much endangering his position on the table. But, on
|
|
this hint, she turned to admire his classical and intellectual
|
|
lineaments, and turning again to Mr Dombey, said, with a sigh, that
|
|
she envied his dear son.
|
|
|
|
'Like a bee, Sir,' said Mrs Blimber, with uplifted eyes, 'about to
|
|
plunge into a garden of the choicest flowers, and sip the sweets for
|
|
the first time Virgil, Horace, Ovid, Terence, Plautus, Cicero. What a
|
|
world of honey have we here. It may appear remarkable, Mr Dombey, in
|
|
one who is a wife - the wife of such a husband - '
|
|
|
|
'Hush, hush,' said Doctor Blimber. 'Fie for shame.'
|
|
|
|
'Mr Dombey will forgive the partiality of a wife,' said Mrs
|
|
Blimber, with an engaging smile.
|
|
|
|
Mr Dombey answered 'Not at all:' applying those words, it is to be
|
|
presumed, to the partiality, and not to the forgiveness.
|
|
|
|
'And it may seem remarkable in one who is a mother also,' resumed
|
|
Mrs Blimber.
|
|
|
|
'And such a mother,' observed Mr Dombey, bowing with some confused
|
|
idea of being complimentary to Cornelia.
|
|
|
|
'But really,' pursued Mrs Blimber, 'I think if I could have known
|
|
Cicero, and been his friend, and talked with him in his retirement at
|
|
Tusculum (beau-ti-ful Tusculum!), I could have died contented.'
|
|
|
|
A learned enthusiasm is so very contagious, that Mr Dombey half
|
|
believed this was exactly his case; and even Mrs Pipchin, who was not,
|
|
as we have seen, of an accommodating disposition generally, gave
|
|
utterance to a little sound between a groan and a sigh, as if she
|
|
would have said that nobody but Cicero could have proved a lasting
|
|
consolation under that failure of the Peruvian MInes, but that he
|
|
indeed would have been a very Davy-lamp of refuge.
|
|
|
|
Cornelia looked at Mr Dombey through her spectacles, as if she
|
|
would have liked to crack a few quotations with him from the authority
|
|
in question. But this design, if she entertained it, was frustrated by
|
|
a knock at the room-door.
|
|
|
|
'Who is that?' said the Doctor. 'Oh! Come in, Toots; come in. Mr
|
|
Dombey, Sir.' Toots bowed. 'Quite a coincidence!' said Doctor Blimber.
|
|
'Here we have the beginning and the end. Alpha and Omega Our head boy,
|
|
Mr Dombey.'
|
|
|
|
The Doctor might have called him their head and shoulders boy, for
|
|
he was at least that much taller than any of the rest. He blushed very
|
|
much at finding himself among strangers, and chuckled aloud.
|
|
|
|
'An addition to our little Portico, Toots,' said the Doctor; 'Mr
|
|
Dombey's son.'
|
|
|
|
Young Toots blushed again; and finding, from a solemn silence which
|
|
prevailed, that he was expected to say something, said to Paul, 'How
|
|
are you?' in a voice so deep, and a manner so sheepish, that if a lamb
|
|
had roared it couldn't have been more surprising.
|
|
|
|
'Ask Mr Feeder, if you please, Toots,' said the Doctor, 'to prepare
|
|
a few introductory volumes for Mr Dombey's son, and to allot him a
|
|
convenient seat for study. My dear, I believe Mr Dombey has not seen
|
|
the dormitories.'
|
|
|
|
'If Mr Dombey will walk upstairs,' said Mrs Blimber, 'I shall be
|
|
more than proud to show him the dominions of the drowsy god.'
|
|
|
|
With that, Mrs Blimber, who was a lady of great suavity, and a wiry
|
|
figure, and who wore a cap composed of sky-blue materials, pied
|
|
upstairs with Mr Dombey and Cornelia; Mrs Pipchin following, and
|
|
looking out sharp for her enemy the footman.
|
|
|
|
While they were gone, Paul sat upon the table, holding Florence by
|
|
the hand, and glancing timidly from the Doctor round and round the
|
|
room, while the Doctor, leaning back in his chair, with his hand in
|
|
his breast as usual, held a book from him at arm's length, and read.
|
|
There was something very awful in this manner of reading. It was such
|
|
a determined, unimpassioned, inflexible, cold-blooded way of going to
|
|
work. It left the Doctor's countenance exposed to view; and when the
|
|
Doctor smiled suspiciously at his author, or knit his brows, or shook
|
|
his head and made wry faces at him, as much as to say, 'Don't tell me,
|
|
Sir; I know better,' it was terrific.
|
|
|
|
Toots, too, had no business to be outside the door, ostentatiously
|
|
examining the wheels in his watch, and counting his half-crowns. But
|
|
that didn't last long; for Doctor Blimber, happening to change the
|
|
position of his tight plump legs, as if he were going to get up, Toots
|
|
swiftly vanished, and appeared no more.
|
|
|
|
Mr Dombey and his conductress were soon heard coming downstairs
|
|
again, talking all the way; and presently they re-entered the Doctor's
|
|
study.
|
|
|
|
'I hope, Mr Dombey,' said the Doctor, laying down his book, 'that
|
|
the arrangements meet your approval.'
|
|
|
|
'They are excellent, Sir,' said Mr Dombey.
|
|
|
|
'Very fair, indeed,' said Mrs Pipchin, in a low voice; never
|
|
disposed to give too much encouragement.
|
|
|
|
'Mrs Pipchin,' said Mr Dombey, wheeling round, 'will, with your
|
|
permission, Doctor and Mrs Blimber, visit Paul now and then.'
|
|
|
|
'Whenever Mrs Pipchin pleases,' observed the Doctor.
|
|
|
|
'Always happy to see her,' said Mrs Blimber.
|
|
|
|
'I think,' said Mr Dombey, 'I have given all the trouble I need,
|
|
and may take my leave. Paul, my child,' he went close to him, as he
|
|
sat upon the table. 'Good-bye.'
|
|
|
|
'Good-bye, Papa.'
|
|
|
|
The limp and careless little hand that Mr Dombey took in his, was
|
|
singularly out of keeping with the wistful face. But he had no part in
|
|
its sorrowful expression. It was not addressed to him. No, no. To
|
|
Florence - all to Florence.
|
|
|
|
If Mr Dombey in his insolence of wealth, had ever made an enemy,
|
|
hard to appease and cruelly vindictive in his hate, even such an enemy
|
|
might have received the pang that wrung his proud heart then, as
|
|
compensation for his injury.
|
|
|
|
He bent down, over his boy, and kissed him. If his sight were
|
|
dimmed as he did so, by something that for a moment blurred the little
|
|
face, and made it indistinct to him, his mental vision may have been,
|
|
for that short time, the clearer perhaps.
|
|
|
|
'I shall see you soon, Paul. You are free on Saturdays and Sundays,
|
|
you know.'
|
|
|
|
'Yes, Papa,' returned Paul: looking at his sister. 'On Saturdays
|
|
and Sundays.'
|
|
|
|
'And you'll try and learn a great deal here, and be a clever man,'
|
|
said Mr Dombey; 'won't you?'
|
|
|
|
'I'll try,' returned the child, wearily.
|
|
|
|
'And you'll soon be grown up now!' said Mr Dombey.
|
|
|
|
'Oh! very soon!' replied the child. Once more the old, old look
|
|
passed rapidly across his features like a strange light. It fell on
|
|
Mrs Pipchin, and extinguished itself in her black dress. That
|
|
excellent ogress stepped forward to take leave and to bear off
|
|
Florence, which she had long been thirsting to do. The move on her
|
|
part roused Mr Dombey, whose eyes were fixed on Paul. After patting
|
|
him on the head, and pressing his small hand again, he took leave of
|
|
Doctor Blimber, Mrs Blimber, and Miss Blimber, with his usual polite
|
|
frigidity, and walked out of the study.
|
|
|
|
Despite his entreaty that they would not think of stirring, Doctor
|
|
Blimber, Mrs Blimber, and Miss Blimber all pressed forward to attend
|
|
him to the hall; and thus Mrs Pipchin got into a state of entanglement
|
|
with Miss Blimber and the Doctor, and was crowded out of the study
|
|
before she could clutch Florence. To which happy accident Paul stood
|
|
afterwards indebted for the dear remembrance, that Florence ran back
|
|
to throw her arms round his neck, and that hers was the last face in
|
|
the doorway: turned towards him with a smile of encouragement, the
|
|
brighter for the tears through which it beamed.
|
|
|
|
It made his childish bosom heave and swell when it was gone; and
|
|
sent the globes, the books, blind Homer and Minerva, swimming round
|
|
the room. But they stopped, all of a sudden; and then he heard the
|
|
loud clock in the hall still gravely inquiring 'how, is, my, lit, tle,
|
|
friend? how, is, my, lit, tle, friend?' as it had done before.
|
|
|
|
He sat, with folded hands, upon his pedestal, silently listening.
|
|
But he might have answered 'weary, weary! very lonely, very sad!' And
|
|
there, with an aching void in his young heart, and all outside so
|
|
cold, and bare, and strange, Paul sat as if he had taken life
|
|
unfurnished, and the upholsterer were never coming.
|
|
|
|
CHAPTER 12.
|
|
|
|
Paul's Education
|
|
|
|
After the lapse of some minutes, which appeared an immense time to
|
|
little Paul Dombey on the table, Doctor Blimber came back. The
|
|
Doctor's walk was stately, and calculated to impress the juvenile mind
|
|
with solemn feelings. It was a sort of march; but when the Doctor put
|
|
out his right foot, he gravely turned upon his axis, with a
|
|
semi-circular sweep towards the left; and when he put out his left
|
|
foot, he turned in the same manner towards the right. So that he
|
|
seemed, at every stride he took, to look about him as though he were
|
|
saying, 'Can anybody have the goodness to indicate any subject, in any
|
|
direction, on which I am uninformed? I rather think not'
|
|
|
|
Mrs Blimber and Miss Blimber came back in the Doctor's company; and
|
|
the Doctor, lifting his new pupil off the table, delivered him over to
|
|
Miss Blimber.
|
|
|
|
'Cornelia,' said the Doctor, 'Dombey will be your charge at first.
|
|
Bring him on, Cornelia, bring him on.'
|
|
|
|
Miss Blimber received her young ward from the Doctor's hands; and
|
|
Paul, feeling that the spectacles were surveying him, cast down his
|
|
eyes.
|
|
|
|
'How old are you, Dombey?' said Miss Blimber.
|
|
|
|
'Six,' answered Paul, wondering, as he stole a glance at the young
|
|
lady, why her hair didn't grow long like Florence's, and why she was
|
|
like a boy.
|
|
|
|
'How much do you know of your Latin Grammar, Dombey?' said Miss
|
|
Blimber.
|
|
|
|
'None of it,' answered Paul. Feeling that the answer was a shock to
|
|
Miss Blimber's sensibility, he looked up at the three faces that were
|
|
looking down at him, and said:
|
|
|
|
'I have'n't been well. I have been a weak child. I couldn't learn a
|
|
Latin Grammar when I was out, every day, with old Glubb. I wish you'd
|
|
tell old Glubb to come and see me, if you please.'
|
|
|
|
'What a dreadfully low name' said Mrs Blimber. 'Unclassical to a
|
|
degree! Who is the monster, child?'
|
|
|
|
'What monster?' inquired Paul.
|
|
|
|
'Glubb,' said Mrs Blimber, with a great disrelish.
|
|
|
|
'He's no more a monster than you are,' returned Paul.
|
|
|
|
'What!' cried the Doctor, in a terrible voice. 'Ay, ay, ay? Aha!
|
|
What's that?'
|
|
|
|
Paul was dreadfully frightened; but still he made a stand for the
|
|
absent Glubb, though he did it trembling.
|
|
|
|
'He's a very nice old man, Ma'am,' he said. 'He used to draw my
|
|
couch. He knows all about the deep sea, and the fish that are in it,
|
|
and the great monsters that come and lie on rocks in the sun, and dive
|
|
into the water again when they're startled, blowing and splashing so,
|
|
that they can be heard for miles. There are some creatures, said Paul,
|
|
warming with his subject, 'I don't know how many yards long, and I
|
|
forget their names, but Florence knows, that pretend to be in
|
|
distress; and when a man goes near them, out of compassion, they open
|
|
their great jaws, and attack him. But all he has got to do,' said
|
|
Paul, boldly tendering this information to the very Doctor himself,
|
|
'is to keep on turning as he runs away, and then, as they turn slowly,
|
|
because they are so long, and can't bend, he's sure to beat them. And
|
|
though old Glubb don't know why the sea should make me think of my
|
|
Mama that's dead, or what it is that it is always saying - always
|
|
saying! he knows a great deal about it. And I wish,' the child
|
|
concluded, with a sudden falling of his countenance, and failing in
|
|
his animation, as he looked like one forlorn, upon the three strange
|
|
faces, 'that you'd let old Glubb come here to see me, for I know him
|
|
very well, and he knows me.
|
|
|
|
'Ha!' said the Doctor, shaking his head; 'this is bad, but study
|
|
will do much.'
|
|
|
|
Mrs Blimber opined, with something like a shiver, that he was an
|
|
unaccountable child; and, allowing for the difference of visage,
|
|
looked at him pretty much as Mrs Pipchin had been used to do.
|
|
|
|
'Take him round the house, Cornelia,' said the Doctor, 'and
|
|
familiarise him with his new sphere. Go with that young lady, Dombey.'
|
|
|
|
Dombey obeyed; giving his hand to the abstruse Cornelia, and
|
|
looking at her sideways, with timid curiosity, as they went away
|
|
together. For her spectacles, by reason of the glistening of the
|
|
glasses, made her so mysterious, that he didn't know where she was
|
|
looking, and was not indeed quite sure that she had any eyes at all
|
|
behind them.
|
|
|
|
Cornelia took him first to the schoolroom, which was situated at
|
|
the back of the hall, and was approached through two baize doors,
|
|
which deadened and muffled the young gentlemen's voices. Here, there
|
|
were eight young gentlemen in various stages of mental prostration,
|
|
all very hard at work, and very grave indeed. Toots, as an old hand,
|
|
had a desk to himself in one corner: and a magnificent man, of immense
|
|
age, he looked, in Paul's young eyes, behind it.
|
|
|
|
Mr Feeder, B.A., who sat at another little desk, had his Virgil
|
|
stop on, and was slowly grinding that tune to four young gentlemen. Of
|
|
the remaining four, two, who grasped their foreheads convulsively,
|
|
were engaged in solving mathematical problems; one with his face like
|
|
a dirty window, from much crying, was endeavouring to flounder through
|
|
a hopeless number of lines before dinner; and one sat looking at his
|
|
task in stony stupefaction and despair - which it seemed had been his
|
|
condition ever since breakfast time.
|
|
|
|
The appearance of a new boy did not create the sensation that might
|
|
have been expected. Mr Feeder, B.A. (who was in the habit of shaving
|
|
his head for coolness, and had nothing but little bristles on it),
|
|
gave him a bony hand, and told him he was glad to see him - which Paul
|
|
would have been very glad to have told him, if he could have done so
|
|
with the least sincerity. Then Paul, instructed by Cornelia, shook
|
|
hands with the four young gentlemen at Mr Feeder's desk; then with the
|
|
two young gentlemen at work on the problems, who were very feverish;
|
|
then with the young gentleman at work against time, who was very inky;
|
|
and lastly with the young gentleman in a state of stupefaction, who
|
|
was flabby and quite cold.
|
|
|
|
Paul having been already introduced to Toots, that pupil merely
|
|
chuckled and breathed hard, as his custom was, and pursued the
|
|
occupation in which he was engaged. It was not a severe one; for on
|
|
account of his having 'gone through' so much (in more senses than
|
|
one), and also of his having, as before hinted, left off blowing in
|
|
his prime, Toots now had licence to pursue his own course of study:
|
|
which was chiefly to write long letters to himself from persons of
|
|
distinction, adds 'P. Toots, Esquire, Brighton, Sussex,' and to
|
|
preserve them in his desk with great care.
|
|
|
|
These ceremonies passed, Cornelia led Paul upstairs to the top of
|
|
the house; which was rather a slow journey, on account of Paul being
|
|
obliged to land both feet on every stair, before he mounted another.
|
|
But they reached their journey's end at last; and there, in a front
|
|
room, looking over the wild sea, Cornelia showed him a nice little bed
|
|
with white hangings, close to the window, on which there was already
|
|
beautifully written on a card in round text - down strokes very thick,
|
|
and up strokes very fine - DOMBEY; while two other little bedsteads in
|
|
the same room were announced, through like means, as respectively
|
|
appertaining unto BRIGGS and TOZER.
|
|
|
|
Just as they got downstairs again into the hall, Paul saw the
|
|
weak-eyed young man who had given that mortal offence to Mrs Pipchin,
|
|
suddenly seize a very large drumstick, and fly at a gong that was
|
|
hanging up, as if he had gone mad, or wanted vengeance. Instead of
|
|
receiving warning, however, or being instantly taken into custody, the
|
|
young man left off unchecked, after having made a dreadful noise. Then
|
|
Cornelia Blimber said to Dombey that dinner would be ready in a
|
|
quarter of an hour, and perhaps he had better go into the schoolroom
|
|
among his 'friends.'
|
|
|
|
So Dombey, deferentially passing the great clock which was still as
|
|
anxious as ever to know how he found himself, opened the schoolroom
|
|
door a very little way, and strayed in like a lost boy: shutting it
|
|
after him with some difficulty. His friends were all dispersed about
|
|
the room except the stony friend, who remained immoveable. Mr Feeder
|
|
was stretching himself in his grey gown, as if, regardless of expense,
|
|
he were resolved to pull the sleeves off.
|
|
|
|
'Heigh ho hum!' cried Mr Feeder, shaking himself like a cart-horse.
|
|
'Oh dear me, dear me! Ya-a-a-ah!'
|
|
|
|
Paul was quite alarmed by Mr Feeder's yawning; it was done on such
|
|
a great scale, and he was so terribly in earnest. All the boys too
|
|
(Toots excepted) seemed knocked up, and were getting ready for dinner
|
|
- some newly tying their neckcloths, which were very stiff indeed; and
|
|
others washing their hands or brushing their hair, in an adjoining
|
|
ante-chamber - as if they didn't think they should enjoy it at all.
|
|
|
|
Young Toots who was ready beforehand, and had therefore nothing to
|
|
do, and had leisure to bestow upon Paul, said, with heavy good nature:
|
|
|
|
'Sit down, Dombey.'
|
|
|
|
'Thank you, Sir,' said Paul.
|
|
|
|
His endeavouring to hoist himself on to a very high window-seat,
|
|
and his slipping down again, appeared to prepare Toots's mind for the
|
|
reception of a discovery.
|
|
|
|
'You're a very small chap;' said Mr Toots.
|
|
|
|
'Yes, Sir, I'm small,' returned Paul. 'Thank you, Sir.'
|
|
|
|
For Toots had lifted him into the seat, and done it kindly too.
|
|
|
|
'Who's your tailor?' inquired Toots, after looking at him for some
|
|
moments.
|
|
|
|
'It's a woman that has made my clothes as yet,' said Paul. 'My
|
|
sister's dressmaker.'
|
|
|
|
'My tailor's Burgess and Co.,' said Toots. 'Fash'nable. But very
|
|
dear.'
|
|
|
|
Paul had wit enough to shake his head, as if he would have said it
|
|
was easy to see that; and indeed he thought so.
|
|
|
|
'Your father's regularly rich, ain't he?' inquired Mr Toots.
|
|
|
|
'Yes, Sir,' said Paul. 'He's Dombey and Son.'
|
|
|
|
'And which?' demanded Toots.
|
|
|
|
'And Son, Sir,' replied Paul.
|
|
|
|
Mr Toots made one or two attempts, in a low voice, to fix the Firm
|
|
in his mind; but not quite succeeding, said he would get Paul to
|
|
mention the name again to-morrow morning, as it was rather important.
|
|
And indeed he purposed nothing less than writing himself a private and
|
|
confidential letter from Dombey and Son immediately.
|
|
|
|
By this time the other pupils (always excepting the stony boy)
|
|
gathered round. They were polite, but pale; and spoke low; and they
|
|
were so depressed in their spirits, that in comparison with the
|
|
general tone of that company, Master Bitherstone was a perfect Miller,
|
|
or complete Jest Book.' And yet he had a sense of injury upon him,
|
|
too, had Bitherstone.
|
|
|
|
'You sleep in my room, don't you?' asked a solemn young gentleman,
|
|
whose shirt-collar curled up the lobes of his ears.
|
|
|
|
'Master Briggs?' inquired Paul.
|
|
|
|
'Tozer,' said the young gentleman.
|
|
|
|
Paul answered yes; and Tozer pointing out the stony pupil, said
|
|
that was Briggs. Paul had already felt certain that it must be either
|
|
Briggs or Tozer, though he didn't know why.
|
|
|
|
'Is yours a strong constitution?' inquired Tozer.
|
|
|
|
Paul said he thought not. Tozer replied that he thought not also,
|
|
judging from Paul's looks, and that it was a pity, for it need be. He
|
|
then asked Paul if he were going to begin with Cornelia; and on Paul
|
|
saying 'yes,' all the young gentlemen (Briggs excepted) gave a low
|
|
groan.
|
|
|
|
It was drowned in the tintinnabulation of the gong, which sounding
|
|
again with great fury, there was a general move towards the
|
|
dining-room; still excepting Briggs the stony boy, who remained where
|
|
he was, and as he was; and on its way to whom Paul presently
|
|
encountered a round of bread, genteelly served on a plate and napkin,
|
|
and with a silver fork lying crosswise on the top of it.
|
|
|
|
Doctor Blimber was already in his place in the dining-room, at the
|
|
top of the table, with Miss Blimber and Mrs Blimber on either side of
|
|
him. Mr Feeder in a black coat was at the bottom. Paul's chair was
|
|
next to Miss Blimber; but it being found, when he sat in it, that his
|
|
eyebrows were not much above the level of the table-cloth, some books
|
|
were brought in from the Doctor's study, on which he was elevated, and
|
|
on which he always sat from that time - carrying them in and out
|
|
himself on after occasions, like a little elephant and castle.'
|
|
|
|
Grace having been said by the Doctor, dinner began. There was some
|
|
nice soup; also roast meat, boiled meat, vegetables, pie, and cheese.
|
|
Every young gentleman had a massive silver fork, and a napkin; and all
|
|
the arrangements were stately and handsome. In particular, there was a
|
|
butler in a blue coat and bright buttons, who gave quite a winey
|
|
flavour to the table beer; he poured it out so superbly.
|
|
|
|
Nobody spoke, unless spoken to, except Doctor Blimber, Mrs Blimber,
|
|
and Miss Blimber, who conversed occasionally. Whenever a young
|
|
gentleman was not actually engaged with his knife and fork or spoon,
|
|
his eye, with an irresistible attraction, sought the eye of Doctor
|
|
Blimber, Mrs Blimber, or Miss Blimber, and modestly rested there.
|
|
Toots appeared to be the only exception to this rule. He sat next Mr
|
|
Feeder on Paul's side of the table, and frequently looked behind and
|
|
before the intervening boys to catch a glimpse of Paul.
|
|
|
|
Only once during dinner was there any conversation that included
|
|
the young gentlemen. It happened at the epoch of the cheese, when the
|
|
Doctor, having taken a glass of port wine, and hemmed twice or thrice,
|
|
said:
|
|
|
|
'It is remarkable, Mr Feeder, that the Romans - '
|
|
|
|
At the mention of this terrible people, their implacable enemies,
|
|
every young gentleman fastened his gaze upon the Doctor, with an
|
|
assumption of the deepest interest. One of the number who happened to
|
|
be drinking, and who caught the Doctor's eye glaring at him through
|
|
the side of his tumbler, left off so hastily that he was convulsed for
|
|
some moments, and in the sequel ruined Doctor Blimber's point.
|
|
|
|
'It is remarkable, Mr Feeder,' said the Doctor, beginning again
|
|
slowly, 'that the Romans, in those gorgeous and profuse entertainments
|
|
of which we read in the days of the Emperors, when luxury had attained
|
|
a height unknown before or since, and when whole provinces were
|
|
ravaged to supply the splendid means of one Imperial Banquet - '
|
|
|
|
Here the offender, who had been swelling and straining, and waiting
|
|
in vain for a full stop, broke out violently.
|
|
|
|
'Johnson,' said Mr Feeder, in a low reproachful voice, 'take some
|
|
water.'
|
|
|
|
The Doctor, looking very stern, made a pause until the water was
|
|
brought, and then resumed:
|
|
|
|
'And when, Mr Feeder - '
|
|
|
|
But Mr Feeder, who saw that Johnson must break out again, and who
|
|
knew that the Doctor would never come to a period before the young
|
|
gentlemen until he had finished all he meant to say, couldn't keep his
|
|
eye off Johnson; and thus was caught in the fact of not looking at the
|
|
Doctor, who consequently stopped.
|
|
|
|
'I beg your pardon, Sir,' said Mr Feeder, reddening. 'I beg your
|
|
pardon, Doctor Blimber.'
|
|
|
|
'And when,' said the Doctor, raising his voice, 'when, Sir, as we
|
|
read, and have no reason to doubt - incredible as it may appear to the
|
|
vulgar - of our time - the brother of Vitellius prepared for him a
|
|
feast, in which were served, of fish, two thousand dishes - '
|
|
|
|
'Take some water, Johnson - dishes, Sir,' said Mr Feeder.
|
|
|
|
'Of various sorts of fowl, five thousand dishes.'
|
|
|
|
'Or try a crust of bread,' said Mr Feeder.
|
|
|
|
'And one dish,' pursued Doctor Blimber, raising his voice still
|
|
higher as he looked all round the table, 'called, from its enormous
|
|
dimensions, the Shield of Minerva, and made, among other costly
|
|
ingredients, of the brains of pheasants - '
|
|
|
|
'Ow, ow, ow!' (from Johnson.)
|
|
|
|
'Woodcocks - '
|
|
|
|
'Ow, ow, ow!'
|
|
|
|
'The sounds of the fish called scari - '
|
|
|
|
'You'll burst some vessel in your head,' said Mr Feeder. 'You had
|
|
better let it come.'
|
|
|
|
'And the spawn of the lamprey, brought from the Carpathian Sea,'
|
|
pursued the Doctor, in his severest voice; 'when we read of costly
|
|
entertainments such as these, and still remember, that we have a Titus
|
|
- '
|
|
|
|
'What would be your mother's feelings if you died of apoplexy!'
|
|
said Mr Feeder.
|
|
|
|
'A Domitian - '
|
|
|
|
'And you're blue, you know,' said Mr Feeder.
|
|
|
|
'A Nero, a Tiberius, a Caligula, a Heliogabalus, and many more,
|
|
pursued the Doctor; 'it is, Mr Feeder - if you are doing me the honour
|
|
to attend - remarkable; VERY remarkable, Sir - '
|
|
|
|
But Johnson, unable to suppress it any longer, burst at that moment
|
|
into such an overwhelming fit of coughing, that although both his
|
|
immediate neighbours thumped him on the back, and Mr Feeder himself
|
|
held a glass of water to his lips, and the butler walked him up and
|
|
down several times between his own chair and the sideboard, like a
|
|
sentry, it was a full five minutes before he was moderately composed.
|
|
Then there was a profound silence.
|
|
|
|
'Gentlemen,' said Doctor Blimber, 'rise for Grace! Cornelia, lift
|
|
Dombey down' - nothing of whom but his scalp was accordingly seen
|
|
above the tablecloth. 'Johnson will repeat to me tomorrow morning
|
|
before breakfast, without book, and from the Greek Testament, the
|
|
first chapter of the Epistle of Saint Paul to the Ephesians. We will
|
|
resume our studies, Mr Feeder, in half-an-hour.'
|
|
|
|
The young gentlemen bowed and withdrew. Mr Feeder did likewise.
|
|
During the half-hour, the young gentlemen, broken into pairs, loitered
|
|
arm-in-arm up and down a small piece of ground behind the house, or
|
|
endeavoured to kindle a spark of animation in the breast of Briggs.
|
|
But nothing happened so vulgar as play. Punctually at the appointed
|
|
time, the gong was sounded, and the studies, under the joint auspices
|
|
of Doctor Blimber and Mr Feeder, were resumed.
|
|
|
|
As the Olympic game of lounging up and down had been cut shorter
|
|
than usual that day, on Johnson's account, they all went out for a
|
|
walk before tea. Even Briggs (though he hadn't begun yet) partook of
|
|
this dissipation; in the enjoyment of which he looked over the cliff
|
|
two or three times darkly. Doctor Blimber accompanied them; and Paul
|
|
had the honour of being taken in tow by the Doctor himself: a
|
|
distinguished state of things, in which he looked very little and
|
|
feeble.
|
|
|
|
Tea was served in a style no less polite than the dinner; and after
|
|
tea, the young gentlemen rising and bowing as before, withdrew to
|
|
fetch up the unfinished tasks of that day, or to get up the already
|
|
looming tasks of to-morrow. In the meantime Mr Feeder withdrew to his
|
|
own room; and Paul sat in a corner wondering whether Florence was
|
|
thinking of him, and what they were all about at Mrs Pipchin's.
|
|
|
|
Mr Toots, who had been detained by an important letter from the
|
|
Duke of Wellington, found Paul out after a time; and having looked at
|
|
him for a long while, as before, inquired if he was fond of
|
|
waistcoats.
|
|
|
|
Paul said 'Yes, Sir.'
|
|
|
|
'So am I,' said Toots.
|
|
|
|
No word more spoke Toots that night; but he stood looking at Paul
|
|
as if he liked him; and as there was company in that, and Paul was not
|
|
inclined to talk, it answered his purpose better than conversation.
|
|
|
|
At eight o'clock or so, the gong sounded again for prayers in the
|
|
dining-room, where the butler afterwards presided over a side-table,
|
|
on which bread and cheese and beer were spread for such young
|
|
gentlemen as desired to partake of those refreshments. The ceremonies
|
|
concluded by the Doctor's saying, 'Gentlemen, we will resume our
|
|
studies at seven to-morrow;' and then, for the first time, Paul saw
|
|
Cornelia Blimber's eye, and saw that it was upon him. When the Doctor
|
|
had said these words, 'Gentlemen, we will resume our studies at seven
|
|
tomorrow,' the pupils bowed again, and went to bed.
|
|
|
|
In the confidence of their own room upstairs, Briggs said his head
|
|
ached ready to split, and that he should wish himself dead if it
|
|
wasn't for his mother, and a blackbird he had at home Tozer didn't say
|
|
much, but he sighed a good deal, and told Paul to look out, for his
|
|
turn would come to-morrow. After uttering those prophetic words, he
|
|
undressed himself moodily, and got into bed. Briggs was in his bed
|
|
too, and Paul in his bed too, before the weak-eyed young man appeared
|
|
to take away the candle, when he wished them good-night and pleasant
|
|
dreams. But his benevolent wishes were in vain, as far as Briggs and
|
|
Tozer were concerned; for Paul, who lay awake for a long while, and
|
|
often woke afterwards, found that Briggs was ridden by his lesson as a
|
|
nightmare: and that Tozer, whose mind was affected in his sleep by
|
|
similar causes, in a minor degree talked unknown tongues, or scraps of
|
|
Greek and Latin - it was all one to Paul- which, in the silence of
|
|
night, had an inexpressibly wicked and guilty effect.
|
|
|
|
Paul had sunk into a sweet sleep, and dreamed that he was walking
|
|
hand in hand with Florence through beautiful gardens, when they came
|
|
to a large sunflower which suddenly expanded itself into a gong, and
|
|
began to sound. Opening his eyes, he found that it was a dark, windy
|
|
morning, with a drizzling rain: and that the real gong was giving
|
|
dreadful note of preparation, down in the hall.
|
|
|
|
So he got up directly, and found Briggs with hardly any eyes, for
|
|
nightmare and grief had made his face puffy, putting his boots on:
|
|
while Tozer stood shivering and rubbing his shoulders in a very bad
|
|
humour. Poor Paul couldn't dress himself easily, not being used to it,
|
|
and asked them if they would have the goodness to tie some strings for
|
|
him; but as Briggs merely said 'Bother!' and Tozer, 'Oh yes!' he went
|
|
down when he was otherwise ready, to the next storey, where he saw a
|
|
pretty young woman in leather gloves, cleaning a stove. The young
|
|
woman seemed surprised at his appearance, and asked him where his
|
|
mother was. When Paul told her she was dead, she took her gloves off,
|
|
and did what he wanted; and furthermore rubbed his hands to warm them;
|
|
and gave him a kiss; and told him whenever he wanted anything of that
|
|
sort - meaning in the dressing way - to ask for 'Melia; which Paul,
|
|
thanking her very much, said he certainly would. He then proceeded
|
|
softly on his journey downstairs, towards the room in which the young
|
|
gentlemen resumed their studies, when, passing by a door that stood
|
|
ajar, a voice from within cried, 'Is that Dombey?' On Paul replying,
|
|
'Yes, Ma'am:' for he knew the voice to be Miss Blimber's: Miss Blimber
|
|
said, 'Come in, Dombey.' And in he went. Miss Blimber presented
|
|
exactly the appearance she had presented yesterday, except that she
|
|
wore a shawl. Her little light curls were as crisp as ever, and she
|
|
had already her spectacles on, which made Paul wonder whether she went
|
|
to bed in them. She had a cool little sitting-room of her own up
|
|
there, with some books in it, and no fire But Miss Blimber was never
|
|
cold, and never sleepy.
|
|
|
|
Now, Dombey,' said Miss Blimber, 'I am going out for a
|
|
constitutional.'
|
|
|
|
Paul wondered what that was, and why she didn't send the footman
|
|
out to get it in such unfavourable weather. But he made no observation
|
|
on the subject: his attention being devoted to a little pile of new
|
|
books, on which Miss Blimber appeared to have been recently engaged.
|
|
|
|
'These are yours, Dombey,' said Miss Blimber.
|
|
|
|
'All of 'em, Ma'am?' said Paul.
|
|
|
|
'Yes,' returned Miss Blimber; 'and Mr Feeder will look you out some
|
|
more very soon, if you are as studious as I expect you will be,
|
|
Dombey.'
|
|
|
|
'Thank you, Ma'am,' said Paul.
|
|
|
|
'I am going out for a constitutional,' resumed Miss Blimber; 'and
|
|
while I am gone, that is to say in the interval between this and
|
|
breakfast, Dombey, I wish you to read over what I have marked in these
|
|
books, and to tell me if you quite understand what you have got to
|
|
learn. Don't lose time, Dombey, for you have none to spare, but take
|
|
them downstairs, and begin directly.'
|
|
|
|
'Yes, Ma'am,' answered Paul.
|
|
|
|
There were so many of them, that although Paul put one hand under
|
|
the bottom book and his other hand and his chin on the top book, and
|
|
hugged them all closely, the middle book slipped out before he reached
|
|
the door, and then they all tumbled down on the floor. Miss Blimber
|
|
said, 'Oh, Dombey, Dombey, this is really very careless!' and piled
|
|
them up afresh for him; and this time, by dint of balancing them with
|
|
great nicety, Paul got out of the room, and down a few stairs before
|
|
two of them escaped again. But he held the rest so tight, that he only
|
|
left one more on the first floor, and one in the passage; and when he
|
|
had got the main body down into the schoolroom, he set off upstairs
|
|
again to collect the stragglers. Having at last amassed the whole
|
|
library, and climbed into his place, he fell to work, encouraged by a
|
|
remark from Tozer to the effect that he 'was in for it now;' which was
|
|
the only interruption he received till breakfast time. At that meal,
|
|
for which he had no appetite, everything was quite as solemn and
|
|
genteel as at the others; and when it was finished, he followed Miss
|
|
Blimber upstairs.
|
|
|
|
'Now, Dombey,' said Miss Blimber. 'How have you got on with those
|
|
books?'
|
|
|
|
They comprised a little English, and a deal of Latin - names of
|
|
things, declensions of articles and substantives, exercises thereon,
|
|
and preliminary rules - a trifle of orthography, a glance at ancient
|
|
history, a wink or two at modern ditto, a few tables, two or three
|
|
weights and measures, and a little general information. When poor Paul
|
|
had spelt out number two, he found he had no idea of number one;
|
|
fragments whereof afterwards obtruded themselves into number three,
|
|
which slided into number four, which grafted itself on to number two.
|
|
So that whether twenty Romuluses made a Remus, or hic haec hoc was
|
|
troy weight, or a verb always agreed with an ancient Briton, or three
|
|
times four was Taurus a bull, were open questions with him.
|
|
|
|
'Oh, Dombey, Dombey!' said Miss Blimber, 'this is very shocking.'
|
|
|
|
'If you please,' said Paul, 'I think if I might sometimes talk a
|
|
little to old Glubb, I should be able to do better.'
|
|
|
|
'Nonsense, Dombey,' said Miss Blimber. 'I couldn't hear of it. This
|
|
is not the place for Glubbs of any kind. You must take the books down,
|
|
I suppose, Dombey, one by one, and perfect yourself in the day's
|
|
instalment of subject A, before you turn at all to subject B. I am
|
|
sorry to say, Dombey, that your education appears to have been very
|
|
much neglected.'
|
|
|
|
'So Papa says,' returned Paul; 'but I told you - I have been a weak
|
|
child. Florence knows I have. So does Wickam.'
|
|
|
|
'Who is Wickam?' asked Miss Blimber.
|
|
|
|
'She has been my nurse,' Paul answered.
|
|
|
|
'I must beg you not to mention Wickam to me, then,' said Miss
|
|
Blimber.'I couldn't allow it'.
|
|
|
|
'You asked me who she was,' said Paul.
|
|
|
|
'Very well,' returned Miss Blimber; 'but this is all very different
|
|
indeed from anything of that sort, Dombey, and I couldn't think of
|
|
permitting it. As to having been weak, you must begin to be strong.
|
|
And now take away the top book, if you please, Dombey, and return when
|
|
you are master of the theme.'
|
|
|
|
Miss Blimber expressed her opinions on the subject of Paul's
|
|
uninstructed state with a gloomy delight, as if she had expected this
|
|
result, and were glad to find that they must be in constant
|
|
communication. Paul withdrew with the top task, as he was told, and
|
|
laboured away at it, down below: sometimes remembering every word of
|
|
it, and sometimes forgetting it all, and everything else besides:
|
|
until at last he ventured upstairs again to repeat the lesson, when it
|
|
was nearly all driven out of his head before he began, by Miss
|
|
Blimber's shutting up the book, and saying, 'Good, Dombey!' a
|
|
proceeding so suggestive of the knowledge inside of her, that Paul
|
|
looked upon the young lady with consternation, as a kind of learned
|
|
Guy Faux, or artificial Bogle, stuffed full of scholastic straw.
|
|
|
|
He acquitted himself very well, nevertheless; and Miss Blimber,
|
|
commending him as giving promise of getting on fast, immediately
|
|
provided him with subject B; from which he passed to C, and even D
|
|
before dinner. It was hard work, resuming his studies, soon after
|
|
dinner; and he felt giddy and confused and drowsy and dull. But all
|
|
the other young gentlemen had similar sensations, and were obliged to
|
|
resume their studies too, if there were any comfort in that. It was a
|
|
wonder that the great clock in the hall, instead of being constant to
|
|
its first inquiry, never said, 'Gentlemen, we will now resume our
|
|
studies,' for that phrase was often enough repeated in its
|
|
neighbourhood. The studies went round like a mighty wheel, and the
|
|
young gentlemen were always stretched upon it.
|
|
|
|
After tea there were exercises again, and preparations for next day
|
|
by candlelight. And in due course there was bed; where, but for that
|
|
resumption of the studies which took place in dreams, were rest and
|
|
sweet forgetfulness.
|
|
|
|
Oh Saturdays! Oh happy Saturdays, when Florence always came at
|
|
noon, and never would, in any weather, stay away, though Mrs Pipchin
|
|
snarled and growled, and worried her bitterly. Those Saturdays were
|
|
Sabbaths for at least two little Christians among all the Jews, and
|
|
did the holy Sabbath work of strengthening and knitting up a brother's
|
|
and a sister's love.
|
|
|
|
Not even Sunday nights - the heavy Sunday nights, whose shadow
|
|
darkened the first waking burst of light on Sunday mornings - could
|
|
mar those precious Saturdays. Whether it was the great sea-shore,
|
|
where they sat, and strolled together; or whether it was only Mrs
|
|
Pipchin's dull back room, in which she sang to him so softly, with his
|
|
drowsy head upon her arm; Paul never cared. It was Florence. That was
|
|
all he thought of. So, on Sunday nights, when the Doctor's dark door
|
|
stood agape to swallow him up for another week, the time was come for
|
|
taking leave of Florence; no one else.
|
|
|
|
Mrs Wickam had been drafted home to the house in town, and Miss
|
|
Nipper, now a smart young woman, had come down. To many a single
|
|
combat with Mrs Pipchin, did Miss Nipper gallantly devote herself, and
|
|
if ever Mrs Pipchin in all her life had found her match, she had found
|
|
it now. Miss Nipper threw away the scabbard the first morning she
|
|
arose in Mrs Pipchin's house. She asked and gave no quarter. She said
|
|
it must be war, and war it was; and Mrs Pipchin lived from that time
|
|
in the midst of surprises, harassings, and defiances, and skirmishing
|
|
attacks that came bouncing in upon her from the passage, even in
|
|
unguarded moments of chops, and carried desolation to her very toast.
|
|
|
|
Miss Nipper had returned one Sunday night with Florence, from
|
|
walking back with Paul to the Doctor's, when Florence took from her
|
|
bosom a little piece of paper, on which she had pencilled down some
|
|
words.
|
|
|
|
'See here, Susan,' she said. 'These are the names of the little
|
|
books that Paul brings home to do those long exercises with, when he
|
|
is so tired. I copied them last night while he was writing.'
|
|
|
|
'Don't show 'em to me, Miss Floy, if you please,' returned Nipper,
|
|
'I'd as soon see Mrs Pipchin.'
|
|
|
|
'I want you to buy them for me, Susan, if you will, tomorrow
|
|
morning. I have money enough,' said Florence.
|
|
|
|
'Why, goodness gracious me, Miss Floy,' returned Miss Nipper, 'how
|
|
can you talk like that, when you have books upon books already, and
|
|
masterses and mississes a teaching of you everything continual, though
|
|
my belief is that your Pa, Miss Dombey, never would have learnt you
|
|
nothing, never would have thought of it, unless you'd asked him - when
|
|
be couldn't well refuse; but giving consent when asked, and offering
|
|
when unasked, Miss, is quite two things; I may not have my objections
|
|
to a young man's keeping company with me, and when he puts the
|
|
question, may say "yes," but that's not saying "would you be so kind
|
|
as like me."'
|
|
|
|
'But you can buy me the books, Susan; and you will, when you know
|
|
why I want them.'
|
|
|
|
'Well, Miss, and why do you want 'em?' replied Nipper; adding, in a
|
|
lower voice, 'If it was to fling at Mrs Pipchin's head, I'd buy a
|
|
cart-load.'
|
|
|
|
'Paul has a great deal too much to do, Susan,' said Florence, 'I am
|
|
sure of it.'
|
|
|
|
'And well you may be, Miss,' returned her maid, 'and make your mind
|
|
quite easy that the willing dear is worked and worked away. If those
|
|
is Latin legs,' exclaimed Miss Nipper, with strong feeling - in
|
|
allusion to Paul's; 'give me English ones.'
|
|
|
|
'I am afraid he feels lonely and lost at Doctor Blimber's, Susan,'
|
|
pursued Florence, turning away her face.
|
|
|
|
'Ah,' said Miss Nipper, with great sharpness, 'Oh, them "Blimbers"'
|
|
|
|
'Don't blame anyone,' said Florence. 'It's a mistake.'
|
|
|
|
'I say nothing about blame, Miss,' cried Miss Nipper, 'for I know
|
|
that you object, but I may wish, Miss, that the family was set to work
|
|
to make new roads, and that Miss Blimber went in front and had the
|
|
pickaxe.'
|
|
|
|
After this speech, Miss Nipper, who was perfectly serious, wiped
|
|
her eyes.
|
|
|
|
'I think I could perhaps give Paul some help, Susan, if I had these
|
|
books,' said Florence, 'and make the coming week a little easier to
|
|
him. At least I want to try. So buy them for me, dear, and I will
|
|
never forget how kind it was of you to do it!'
|
|
|
|
It must have been a harder heart than Susan Nipper's that could
|
|
have rejected the little purse Florence held out with these words, or
|
|
the gentle look of entreaty with which she seconded her petition.
|
|
Susan put the purse in her pocket without reply, and trotted out at
|
|
once upon her errand.
|
|
|
|
The books were not easy to procure; and the answer at several shops
|
|
was, either that they were just out of them, or that they never kept
|
|
them, or that they had had a great many last month, or that they
|
|
expected a great many next week But Susan was not easily baffled in
|
|
such an enterprise; and having entrapped a white-haired youth, in a
|
|
black calico apron, from a library where she was known, to accompany
|
|
her in her quest, she led him such a life in going up and down, that
|
|
he exerted himself to the utmost, if it were only to get rid of her;
|
|
and finally enabled her to return home in triumph.
|
|
|
|
With these treasures then, after her own daily lessons were over,
|
|
Florence sat down at night to track Paul's footsteps through the
|
|
thorny ways of learning; and being possessed of a naturally quick and
|
|
sound capacity, and taught by that most wonderful of masters, love, it
|
|
was not long before she gained upon Paul's heels, and caught and
|
|
passed him.
|
|
|
|
Not a word of this was breathed to Mrs Pipchin: but many a night
|
|
when they were all in bed, and when Miss Nipper, with her hair in
|
|
papers and herself asleep in some uncomfortable attitude, reposed
|
|
unconscious by her side; and when the chinking ashes in the grate were
|
|
cold and grey; and when the candles were burnt down and guttering out;
|
|
- Florence tried so hard to be a substitute for one small Dombey, that
|
|
her fortitude and perseverance might have almost won her a free right
|
|
to bear the name herself.
|
|
|
|
And high was her reward, when one Saturday evening, as little Paul
|
|
was sitting down as usual to 'resume his studies,' she sat down by his
|
|
side, and showed him all that was so rough, made smooth, and all that
|
|
was so dark, made clear and plain, before him. It was nothing but a
|
|
startled look in Paul's wan face - a flush - a smile - and then a
|
|
close embrace - but God knows how her heart leapt up at this rich
|
|
payment for her trouble.
|
|
|
|
'Oh, Floy!' cried her brother, 'how I love you! How I love you,
|
|
Floy!'
|
|
|
|
'And I you, dear!'
|
|
|
|
'Oh! I am sure of that, Floy.'
|
|
|
|
He said no more about it, but all that evening sat close by her,
|
|
very quiet; and in the night he called out from his little room within
|
|
hers, three or four times, that he loved her.
|
|
|
|
Regularly, after that, Florence was prepared to sit down with Paul
|
|
on Saturday night, and patiently assist him through so much as they
|
|
could anticipate together of his next week's work. The cheering
|
|
thought that he was labouring on where Florence had just toiled before
|
|
him, would, of itself, have been a stimulant to Paul in the perpetual
|
|
resumption of his studies; but coupled with the actual lightening of
|
|
his load, consequent on this assistance, it saved him, possibly, from
|
|
sinking underneath the burden which the fair Cornelia Blimber piled
|
|
upon his back.
|
|
|
|
It was not that Miss Blimber meant to be too hard upon him, or that
|
|
Doctor Blimber meant to bear too heavily on the young gentlemen in
|
|
general. Cornelia merely held the faith in which she had been bred;
|
|
and the Doctor, in some partial confusion of his ideas, regarded the
|
|
young gentlemen as if they were all Doctors, and were born grown up.
|
|
Comforted by the applause of the young gentlemen's nearest relations,
|
|
and urged on by their blind vanity and ill-considered haste, it would
|
|
have been strange if Doctor Blimber had discovered his mistake, or
|
|
trimmed his swelling sails to any other tack.
|
|
|
|
Thus in the case of Paul. When Doctor Blimber said he made great
|
|
progress and was naturally clever, Mr Dombey was more bent than ever
|
|
on his being forced and crammed. In the case of Briggs, when Doctor
|
|
Blimber reported that he did not make great progress yet, and was not
|
|
naturally clever, Briggs senior was inexorable in the same purpose. In
|
|
short, however high and false the temperature at which the Doctor kept
|
|
his hothouse, the owners of the plants were always ready to lend a
|
|
helping hand at the bellows, and to stir the fire.
|
|
|
|
Such spirits as he had in the outset, Paul soon lost of course. But
|
|
he retained all that was strange, and old, and thoughtful in his
|
|
character: and under circumstances so favourable to the development of
|
|
those tendencies, became even more strange, and old, and thoughtful,
|
|
than before.
|
|
|
|
The only difference was, that he kept his character to himself. He
|
|
grew more thoughtful and reserved, every day; and had no such
|
|
curiosity in any living member of the Doctor's household, as he had
|
|
had in Mrs Pipchin. He loved to be alone; and in those short intervals
|
|
when he was not occupied with his books, liked nothing so well as
|
|
wandering about the house by himself, or sitting on the stairs,
|
|
listening to the great clock in the hall. He was intimate with all the
|
|
paperhanging in the house; saw things that no one else saw in the
|
|
patterns; found out miniature tigers and lions running up the bedroom
|
|
walls, and squinting faces leering in the squares and diamonds of the
|
|
floor-cloth.
|
|
|
|
The solitary child lived on, surrounded by this arabesque work of
|
|
his musing fancy, and no one understood him. Mrs Blimber thought him
|
|
'odd,' and sometimes the servants said among themselves that little
|
|
Dombey 'moped;' but that was all.
|
|
|
|
Unless young Toots had some idea on the subject, to the expression
|
|
of which he was wholly unequal. Ideas, like ghosts (according to the
|
|
common notion of ghosts), must be spoken to a little before they will
|
|
explain themselves; and Toots had long left off asking any questions
|
|
of his own mind. Some mist there may have been, issuing from that
|
|
leaden casket, his cranium, which, if it could have taken shape and
|
|
form, would have become a genie; but it could not; and it only so far
|
|
followed the example of the smoke in the Arabian story, as to roll out
|
|
in a thick cloud, and there hang and hover. But it left a little
|
|
figure visible upon a lonely shore, and Toots was always staring at
|
|
it.
|
|
|
|
'How are you?' he would say to Paul, fifty times a day. 'Quite
|
|
well, Sir, thank you,' Paul would answer. 'Shake hands,' would be
|
|
Toots's next advance.
|
|
|
|
Which Paul, of course, would immediately do. Mr Toots generally
|
|
said again, after a long interval of staring and hard breathing, 'How
|
|
are you?' To which Paul again replied, 'Quite well, Sir, thank you.'
|
|
|
|
One evening Mr Toots was sitting at his desk, oppressed by
|
|
correspondence, when a great purpose seemed to flash upon him. He laid
|
|
down his pen, and went off to seek Paul, whom he found at last, after
|
|
a long search, looking through the window of his little bedroom.
|
|
|
|
'I say!' cried Toots, speaking the moment he entered the room, lest
|
|
he should forget it; 'what do you think about?'
|
|
|
|
'Oh! I think about a great many things,' replied Paul.
|
|
|
|
'Do you, though?' said Toots, appearing to consider that fact in
|
|
itself surprising. 'If you had to die,' said Paul, looking up into his
|
|
face - Mr Toots started, and seemed much disturbed.
|
|
|
|
'Don't you think you would rather die on a moonlight night, when
|
|
the sky was quite clear, and the wind blowing, as it did last night?'
|
|
|
|
Mr Toots said, looking doubtfully at Paul, and shaking his head,
|
|
that he didn't know about that.
|
|
|
|
'Not blowing, at least,' said Paul, 'but sounding in the air like
|
|
the sea sounds in the shells. It was a beautiful night. When I had
|
|
listened to the water for a long time, I got up and looked out. There
|
|
was a boat over there, in the full light of the moon; a boat with a
|
|
sail.'
|
|
|
|
The child looked at him so steadfastly, and spoke so earnestly,
|
|
that Mr Toots, feeling himself called upon to say something about this
|
|
boat, said, 'Smugglers.' But with an impartial remembrance of there
|
|
being two sides to every question, he added, 'or Preventive.'
|
|
|
|
'A boat with a sail,' repeated Paul, 'in the full light of the
|
|
moon. The sail like an arm, all silver. It went away into the
|
|
distance, and what do you think it seemed to do as it moved with the
|
|
waves?'
|
|
|
|
'Pitch,' said Mr Toots.
|
|
|
|
'It seemed to beckon,' said the child, 'to beckon me to come! -
|
|
There she is! There she is!'
|
|
|
|
Toots was almost beside himself with dismay at this sudden
|
|
exclamation, after what had gone before, and cried 'Who?'
|
|
|
|
'My sister Florence!' cried Paul, 'looking up here, and waving her
|
|
hand. She sees me - she sees me! Good-night, dear, good-night,
|
|
good-night.'
|
|
|
|
His quick transition to a state of unbounded pleasure, as he stood
|
|
at his window, kissing and clapping his hands: and the way in which
|
|
the light retreated from his features as she passed out of his view,
|
|
and left a patient melancholy on the little face: were too remarkable
|
|
wholly to escape even Toots's notice. Their interview being
|
|
interrupted at this moment by a visit from Mrs Pipchin, who usually
|
|
brought her black skirts to bear upon Paul just before dusk, once or
|
|
twice a week, Toots had no opportunity of improving the occasion: but
|
|
it left so marked an impression on his mind that he twice returned,
|
|
after having exchanged the usual salutations, to ask Mrs Pipchin how
|
|
she did. This the irascible old lady conceived to be a deeply devised
|
|
and long-meditated insult, originating in the diabolical invention of
|
|
the weak-eyed young man downstairs, against whom she accordingly
|
|
lodged a formal complaint with Doctor Blimber that very night; who
|
|
mentioned to the young man that if he ever did it again, he should be
|
|
obliged to part with him.
|
|
|
|
The evenings being longer now, Paul stole up to his window every
|
|
evening to look out for Florence. She always passed and repassed at a
|
|
certain time, until she saw him; and their mutual recognition was a
|
|
gleam of sunshine in Paul's daily life. Often after dark, one other
|
|
figure walked alone before the Doctor's house. He rarely joined them
|
|
on the Saturdays now. He could not bear it. He would rather come
|
|
unrecognised, and look up at the windows where his son was qualifying
|
|
for a man; and wait, and watch, and plan, and hope.
|
|
|
|
Oh! could he but have seen, or seen as others did, the slight spare
|
|
boy above, watching the waves and clouds at twilight, with his earnest
|
|
eyes, and breasting the window of his solitary cage when birds flew
|
|
by, as if he would have emulated them, and soared away!
|
|
|
|
CHAPTER 13.
|
|
|
|
Shipping Intelligence and Office Business
|
|
|
|
Mr Dombey's offices were in a court where there was an
|
|
old-established stall of choice fruit at the corner: where
|
|
perambulating merchants, of both sexes, offered for sale at any time
|
|
between the hours of ten and five, slippers, pocket-books, sponges,
|
|
dogs' collars, and Windsor soap; and sometimes a pointer or an
|
|
oil-painting.
|
|
|
|
The pointer always came that way, with a view to the Stock
|
|
Exchange, where a sporting taste (originating generally in bets of new
|
|
hats) is much in vogue. The other commodities were addressed to the
|
|
general public; but they were never offered by the vendors to Mr
|
|
Dombey. When he appeared, the dealers in those wares fell off
|
|
respectfully. The principal slipper and dogs' collar man - who
|
|
considered himself a public character, and whose portrait was screwed
|
|
on to an artist's door in Cheapside - threw up his forefinger to the
|
|
brim of his hat as Mr Dombey went by. The ticket-porter, if he were
|
|
not absent on a job, always ran officiously before, to open Mr
|
|
Dombey's office door as wide as possible, and hold it open, with his
|
|
hat off, while he entered.
|
|
|
|
The clerks within were not a whit behind-hand in their
|
|
demonstrations of respect. A solemn hush prevailed, as Mr Dombey
|
|
passed through the outer office. The wit of the Counting-House became
|
|
in a moment as mute as the row of leathern fire-buckets hanging up
|
|
behind him. Such vapid and flat daylight as filtered through the
|
|
ground-glass windows and skylights, leaving a black sediment upon the
|
|
panes, showed the books and papers, and the figures bending over them,
|
|
enveloped in a studious gloom, and as much abstracted in appearance,
|
|
from the world without, as if they were assembled at the bottom of the
|
|
sea; while a mouldy little strong room in the obscure perspective,
|
|
where a shaded lamp was always burning, might have represented the
|
|
cavern of some ocean monster, looking on with a red eye at these
|
|
mysteries of the deep.
|
|
|
|
When Perch the messenger, whose place was on a little bracket, like
|
|
a timepiece, saw Mr Dombey come in - or rather when he felt that he
|
|
was coming, for he had usually an instinctive sense of his approach -
|
|
he hurried into Mr Dombey's room, stirred the fire, carried fresh
|
|
coals from the bowels of the coal-box, hung the newspaper to air upon
|
|
the fender, put the chair ready, and the screen in its place, and was
|
|
round upon his heel on the instant of Mr Dombey's entrance, to take
|
|
his great-coat and hat, and hang them up. Then Perch took the
|
|
newspaper, and gave it a turn or two in his hands before the fire, and
|
|
laid it, deferentially, at Mr Dombey's elbow. And so little objection
|
|
had Perch to being deferential in the last degree, that if he might
|
|
have laid himself at Mr Dombey's feet, or might have called him by
|
|
some such title as used to be bestowed upon the Caliph Haroun
|
|
Alraschid, he would have been all the better pleased.
|
|
|
|
As this honour would have been an innovation and an experiment,
|
|
Perch was fain to content himself by expressing as well as he could,
|
|
in his manner, You are the light of my Eyes. You are the Breath of my
|
|
Soul. You are the commander of the Faithful Perch! With this imperfect
|
|
happiness to cheer him, he would shut the door softly, walk away on
|
|
tiptoe, and leave his great chief to be stared at, through a
|
|
dome-shaped window in the leads, by ugly chimney-pots and backs of
|
|
houses, and especially by the bold window of a hair-cutting saloon on
|
|
a first floor, where a waxen effigy, bald as a Mussulman in the
|
|
morning, and covered, after eleven o'clock in the day, with luxuriant
|
|
hair and whiskers in the latest Christian fashion, showed him the
|
|
wrong side of its head for ever.
|
|
|
|
Between Mr Dombey and the common world, as it was accessible
|
|
through the medium of the outer office - to which Mr Dombey's presence
|
|
in his own room may be said to have struck like damp, or cold air -
|
|
there were two degrees of descent. Mr Carker in his own office was the
|
|
first step; Mr Morfin, in his own office, was the second. Each of
|
|
these gentlemen occupied a little chamber like a bath-room, opening
|
|
from the passage outside Mr Dombey's door. Mr Carker, as Grand Vizier,
|
|
inhabited the room that was nearest to the Sultan. Mr Morfin, as an
|
|
officer of inferior state, inhabited the room that was nearest to the
|
|
clerks.
|
|
|
|
The gentleman last mentioned was a cheerful-looking, hazel-eyed
|
|
elderly bachelor: gravely attired, as to his upper man, in black; and
|
|
as to his legs, in pepper-and-salt colour. His dark hair was just
|
|
touched here and there with specks of gray, as though the tread of
|
|
Time had splashed it; and his whiskers were already white. He had a
|
|
mighty respect for Mr Dombey, and rendered him due homage; but as he
|
|
was of a genial temper himself, and never wholly at his ease in that
|
|
stately presence, he was disquieted by no jealousy of the many
|
|
conferences enjoyed by Mr Carker, and felt a secret satisfaction in
|
|
having duties to discharge, which rarely exposed him to be singled out
|
|
for such distinction. He was a great musical amateur in his way -
|
|
after business; and had a paternal affection for his violoncello,
|
|
which was once in every week transported from Islington, his place of
|
|
abode, to a certain club-room hard by the Bank, where quartettes of
|
|
the most tormenting and excruciating nature were executed every
|
|
Wednesday evening by a private party.
|
|
|
|
Mr Carker was a gentleman thirty-eight or forty years old, of a
|
|
florid complexion, and with two unbroken rows of glistening teeth,
|
|
whose regularity and whiteness were quite distressing. It was
|
|
impossible to escape the observation of them, for he showed them
|
|
whenever he spoke; and bore so wide a smile upon his countenance (a
|
|
smile, however, very rarely, indeed, extending beyond his mouth), that
|
|
there was something in it like the snarl of a cat. He affected a stiff
|
|
white cravat, after the example of his principal, and was always
|
|
closely buttoned up and tightly dressed. His manner towards Mr Dombey
|
|
was deeply conceived and perfectly expressed. He was familiar with
|
|
him, in the very extremity of his sense of the distance between them.
|
|
'Mr Dombey, to a man in your position from a man in mine, there is no
|
|
show of subservience compatible with the transaction of business
|
|
between us, that I should think sufficient. I frankly tell you, Sir, I
|
|
give it up altogether. I feel that I could not satisfy my own mind;
|
|
and Heaven knows, Mr Dombey, you can afford to dispense with the
|
|
endeavour.' If he had carried these words about with him printed on a
|
|
placard, and had constantly offered it to Mr Dombey's perusal on the
|
|
breast of his coat, he could not have been more explicit than he was.
|
|
|
|
This was Carker the Manager. Mr Carker the Junior, Walter's friend,
|
|
was his brother; two or three years older than he, but widely removed
|
|
in station. The younger brother's post was on the top of the official
|
|
ladder; the elder brother's at the bottom. The elder brother never
|
|
gained a stave, or raised his foot to mount one. Young men passed
|
|
above his head, and rose and rose; but he was always at the bottom. He
|
|
was quite resigned to occupy that low condition: never complained of
|
|
it: and certainly never hoped to escape from it.
|
|
|
|
'How do you do this morning?' said Mr Carker the Manager, entering
|
|
Mr Dombey's room soon after his arrival one day: with a bundle of
|
|
papers in his hand.
|
|
|
|
'How do you do, Carker?' said Mr Dombey.
|
|
|
|
'Coolish!' observed Carker, stirring the fire.
|
|
|
|
'Rather,' said Mr Dombey.
|
|
|
|
'Any news of the young gentleman who is so important to us all?'
|
|
asked Carker, with his whole regiment of teeth on parade.
|
|
|
|
'Yes - not direct news- I hear he's very well,' said Mr Dombey. Who
|
|
had come from Brighton over-night. But no one knew It.
|
|
|
|
'Very well, and becoming a great scholar, no doubt?' observed the
|
|
Manager.
|
|
|
|
'I hope so,' returned Mr Dombey.
|
|
|
|
'Egad!' said Mr Carker, shaking his head, 'Time flies!'
|
|
|
|
'I think so, sometimes,' returned Mr Dombey, glancing at his
|
|
newspaper.
|
|
|
|
'Oh! You! You have no reason to think so,' observed Carker. 'One
|
|
who sits on such an elevation as yours, and can sit there, unmoved, in
|
|
all seasons - hasn't much reason to know anything about the flight of
|
|
time. It's men like myself, who are low down and are not superior in
|
|
circumstances, and who inherit new masters in the course of Time, that
|
|
have cause to look about us. I shall have a rising sun to worship,
|
|
soon.'
|
|
|
|
'Time enough, time enough, Carker!' said Mr Dombey, rising from his
|
|
chair, and standing with his back to the fire. 'Have you anything
|
|
there for me?'
|
|
|
|
'I don't know that I need trouble you,' returned Carker, turning
|
|
over the papers in his hand. 'You have a committee today at three, you
|
|
know.'
|
|
|
|
'And one at three, three-quarters,' added Mr Dombey.
|
|
|
|
'Catch you forgetting anything!' exclaimed Carker, still turning
|
|
over his papers. 'If Mr Paul inherits your memory, he'll be a
|
|
troublesome customer in the House. One of you is enough'
|
|
|
|
'You have an accurate memory of your own,' said Mr Dombey.
|
|
|
|
'Oh! I!' returned the manager. 'It's the only capital of a man like
|
|
me.'
|
|
|
|
Mr Dombey did not look less pompous or at all displeased, as he
|
|
stood leaning against the chimney-piece, surveying his (of course
|
|
unconscious) clerk, from head to foot. The stiffness and nicety of Mr
|
|
Carker's dress, and a certain arrogance of manner, either natural to
|
|
him or imitated from a pattern not far off, gave great additional
|
|
effect to his humility. He seemed a man who would contend against the
|
|
power that vanquished him, if he could, but who was utterly borne down
|
|
by the greatness and superiority of Mr Dombey.
|
|
|
|
'Is Morfin here?' asked Mr Dombey after a short pause, during which
|
|
Mr Carker had been fluttering his papers, and muttering little
|
|
abstracts of their contents to himself.
|
|
|
|
'Morfin's here,' he answered, looking up with his widest and almost
|
|
sudden smile; 'humming musical recollections - of his last night's
|
|
quartette party, I suppose - through the walls between us, and driving
|
|
me half mad. I wish he'd make a bonfire of his violoncello, and burn
|
|
his music-books in it.'
|
|
|
|
'You respect nobody, Carker, I think,' said Mr Dombey.
|
|
|
|
'No?' inquired Carker, with another wide and most feline show of
|
|
his teeth. 'Well! Not many people, I believe. I wouldn't answer
|
|
perhaps,' he murmured, as if he were only thinking it, 'for more than
|
|
one.'
|
|
|
|
A dangerous quality, if real; and a not less dangerous one, if
|
|
feigned. But Mr Dombey hardly seemed to think so, as he still stood
|
|
with his back to the fire, drawn up to his full height, and looking at
|
|
his head-clerk with a dignified composure, in which there seemed to
|
|
lurk a stronger latent sense of power than usual.
|
|
|
|
'Talking of Morfin,' resumed Mr Carker, taking out one paper from
|
|
the rest, 'he reports a junior dead in the agency at Barbados, and
|
|
proposes to reserve a passage in the Son and Heir - she'll sail in a
|
|
month or so - for the successor. You don't care who goes, I suppose?
|
|
We have nobody of that sort here.'
|
|
|
|
Mr Dombey shook his head with supreme indifference.
|
|
|
|
'It's no very precious appointment,' observed Mr Carker, taking up
|
|
a pen, with which to endorse a memorandum on the back of the paper. 'I
|
|
hope he may bestow it on some orphan nephew of a musical friend. It
|
|
may perhaps stop his fiddle-playing, if he has a gift that way. Who's
|
|
that? Come in!'
|
|
|
|
'I beg your pardon, Mr Carker. I didn't know you were here, Sir,'
|
|
answered Walter; appearing with some letters in his hand, unopened,
|
|
and newly arrived. 'Mr Carker the junior, Sir - '
|
|
|
|
At the mention of this name, Mr Carker the Manager was or affected
|
|
to be, touched to the quick with shame and humiliation. He cast his
|
|
eyes full on Mr Dombey with an altered and apologetic look, abased
|
|
them on the ground, and remained for a moment without speaking.
|
|
|
|
'I thought, Sir,' he said suddenly and angrily, turning on Walter,
|
|
'that you had been before requested not to drag Mr Carker the Junior
|
|
into your conversation.'
|
|
|
|
'I beg your pardon,' returned Walter. 'I was only going to say that
|
|
Mr Carker the Junior had told me he believed you were gone out, or I
|
|
should not have knocked at the door when you were engaged with Mr
|
|
Dombey. These are letters for Mr Dombey, Sir.'
|
|
|
|
'Very well, Sir,' returned Mr Carker the Manager, plucking them
|
|
sharply from his hand. 'Go about your business.'
|
|
|
|
But in taking them with so little ceremony, Mr Carker dropped one
|
|
on the floor, and did not see what he had done; neither did Mr Dombey
|
|
observe the letter lying near his feet. Walter hesitated for a moment,
|
|
thinking that one or other of them would notice it; but finding that
|
|
neither did, he stopped, came back, picked it up, and laid it himself
|
|
on Mr Dombey's desk. The letters were post-letters; and it happened
|
|
that the one in question was Mrs Pipchin's regular report, directed as
|
|
usual - for Mrs Pipchin was but an indifferent penwoman - by Florence.
|
|
Mr Dombey, having his attention silently called to this letter by
|
|
Walter, started, and looked fiercely at him, as if he believed that he
|
|
had purposely selected it from all the rest.
|
|
|
|
'You can leave the room, Sir!' said Mr Dombey, haughtily.
|
|
|
|
He crushed the letter in his hand; and having watched Walter out at
|
|
the door, put it in his pocket without breaking the seal.
|
|
|
|
'These continual references to Mr Carker the Junior,' Mr Carker the
|
|
Manager began, as soon as they were alone, 'are, to a man in my
|
|
position, uttered before one in yours, so unspeakably distressing - '
|
|
|
|
'Nonsense, Carker,' Mr Dombey interrupted. 'You are too sensitive.'
|
|
|
|
'I am sensitive,' he returned. 'If one in your position could by
|
|
any possibility imagine yourself in my place: which you cannot: you
|
|
would be so too.'
|
|
|
|
As Mr Dombey's thoughts were evidently pursuing some other subject,
|
|
his discreet ally broke off here, and stood with his teeth ready to
|
|
present to him, when he should look up.
|
|
|
|
'You want somebody to send to the West Indies, you were saying,'
|
|
observed Mr Dombey, hurriedly.
|
|
|
|
'Yes,' replied Carker.
|
|
|
|
'Send young Gay.'
|
|
|
|
'Good, very good indeed. Nothing easier,' said Mr Carker, without
|
|
any show of surprise, and taking up the pen to re-endorse the letter,
|
|
as coolly as he had done before. '"Send young Gay."'
|
|
|
|
'Call him back,' said Mr Dombey.
|
|
|
|
Mr Carker was quick to do so, and Walter was quick to return.
|
|
|
|
'Gay,' said Mr Dombey, turning a little to look at him over his
|
|
shoulder. 'Here is a -
|
|
|
|
'An opening,' said Mr Carker, with his mouth stretched to the
|
|
utmost.
|
|
|
|
'In the West Indies. At Barbados. I am going to send you,' said Mr
|
|
Dombey, scorning to embellish the bare truth, 'to fill a junior
|
|
situation in the counting-house at Barbados. Let your Uncle know from
|
|
me, that I have chosen you to go to the West Indies.'
|
|
|
|
Walter's breath was so completely taken away by his astonishment,
|
|
that he could hardly find enough for the repetition of the words 'West
|
|
Indies.'
|
|
|
|
'Somebody must go,' said Mr Dombey, 'and you are young and healthy,
|
|
and your Uncle's circumstances are not good. Tell your Uncle that you
|
|
are appointed. You will not go yet. There will be an interval of a
|
|
month - or two perhaps.'
|
|
|
|
'Shall I remain there, Sir?' inquired Walter.
|
|
|
|
'Will you remain there, Sir!' repeated Mr Dombey, turning a little
|
|
more round towards him. 'What do you mean? What does he mean, Carker?'
|
|
|
|
'Live there, Sir,' faltered Walter.
|
|
|
|
'Certainly,' returned Mr Dombey.
|
|
|
|
Walter bowed.
|
|
|
|
'That's all,' said Mr Dombey, resuming his letters. 'You will
|
|
explain to him in good time about the usual outfit and so forth,
|
|
Carker, of course. He needn't wait, Carker.'
|
|
|
|
'You needn't wait, Gay,' observed Mr Carker: bare to the gums.
|
|
|
|
'Unless,' said Mr Dombey, stopping in his reading without looking
|
|
off the letter, and seeming to listen. 'Unless he has anything to
|
|
say.'
|
|
|
|
'No, Sir,' returned Walter, agitated and confused, and almost
|
|
stunned, as an infinite variety of pictures presented themselves to
|
|
his mind; among which Captain Cuttle, in his glazed hat, transfixed
|
|
with astonishment at Mrs MacStinger's, and his uncle bemoaning his
|
|
loss in the little back parlour, held prominent places. 'I hardly know
|
|
- I - I am much obliged, Sir.'
|
|
|
|
'He needn't wait, Carker,' said Mr Dombey.
|
|
|
|
And as Mr Carker again echoed the words, and also collected his
|
|
papers as if he were going away too, Walter felt that his lingering
|
|
any longer would be an unpardonable intrusion - especially as he had
|
|
nothing to say - and therefore walked out quite confounded.
|
|
|
|
Going along the passage, with the mingled consciousness and
|
|
helplessness of a dream, he heard Mr Dombey's door shut again, as Mr
|
|
Carker came out: and immediately afterwards that gentleman called to
|
|
him.
|
|
|
|
'Bring your friend Mr Carker the Junior to my room, Sir, if you
|
|
please.'
|
|
|
|
Walter went to the outer office and apprised Mr Carker the Junior
|
|
of his errand, who accordingly came out from behind a partition where
|
|
he sat alone in one corner, and returned with him to the room of Mr
|
|
Carker the Manager.
|
|
|
|
That gentleman was standing with his back to the fire, and his
|
|
hands under his coat-tails, looking over his white cravat, as
|
|
unpromisingly as Mr Dombey himself could have looked. He received them
|
|
without any change in his attitude or softening of his harsh and black
|
|
expression: merely signing to Walter to close the door.
|
|
|
|
'John Carker,' said the Manager, when this was done, turning
|
|
suddenly upon his brother, with his two rows of teeth bristling as if
|
|
he would have bitten him, 'what is the league between you and this
|
|
young man, in virtue of which I am haunted and hunted by the mention
|
|
of your name? Is it not enough for you, John Carker, that I am your
|
|
near relation, and can't detach myself from that - '
|
|
|
|
'Say disgrace, James,' interposed the other in a low voice, finding
|
|
that he stammered for a word. 'You mean it, and have reason, say
|
|
disgrace.'
|
|
|
|
'From that disgrace,' assented his brother with keen emphasis, 'but
|
|
is the fact to be blurted out and trumpeted, and proclaimed
|
|
continually in the presence of the very House! In moments of
|
|
confidence too? Do you think your name is calculated to harmonise in
|
|
this place with trust and confidence, John Carker?'
|
|
|
|
'No,' returned the other. 'No, James. God knows I have no such
|
|
thought.'
|
|
|
|
'What is your thought, then?' said his brother, 'and why do you
|
|
thrust yourself in my way? Haven't you injured me enough already?'
|
|
|
|
'I have never injured you, James, wilfully.'
|
|
|
|
'You are my brother,' said the Manager. 'That's injury enough.'
|
|
|
|
'I wish I could undo it, James.'
|
|
|
|
'I wish you could and would.'
|
|
|
|
During this conversation, Walter had looked from one brother to the
|
|
other, with pain and amazement. He who was the Senior in years, and
|
|
Junior in the House, stood, with his eyes cast upon the ground, and
|
|
his head bowed, humbly listening to the reproaches of the other.
|
|
Though these were rendered very bitter by the tone and look with which
|
|
they were accompanied, and by the presence of Walter whom they so much
|
|
surprised and shocked, he entered no other protest against them than
|
|
by slightly raising his right hand in a deprecatory manner, as if he
|
|
would have said, 'Spare me!' So, had they been blows, and he a brave
|
|
man, under strong constraint, and weakened by bodily suffering, he
|
|
might have stood before the executioner.
|
|
|
|
Generous and quick in all his emotions, and regarding himself as
|
|
the innocent occasion of these taunts, Walter now struck in, with all
|
|
the earnestness he felt.
|
|
|
|
'Mr Carker,' he said, addressing himself to the Manager. 'Indeed,
|
|
indeed, this is my fault solely. In a kind of heedlessness, for which
|
|
I cannot blame myself enough, I have, I have no doubt, mentioned Mr
|
|
Carker the Junior much oftener than was necessary; and have allowed
|
|
his name sometimes to slip through my lips, when it was against your
|
|
expressed wish. But it has been my own mistake, Sir. We have never
|
|
exchanged one word upon the subject - very few, indeed, on any
|
|
subject. And it has not been,' added Walter, after a moment's pause,
|
|
'all heedlessness on my part, Sir; for I have felt an interest in Mr
|
|
Carker ever since I have been here, and have hardly been able to help
|
|
speaking of him sometimes, when I have thought of him so much!'
|
|
|
|
Walter said this from his soul, and with the very breath of honour.
|
|
For he looked upon the bowed head, and the downcast eyes, and upraised
|
|
hand, and thought, 'I have felt it; and why should I not avow it in
|
|
behalf of this unfriended, broken man!'
|
|
|
|
Mr Carker the Manager looked at him, as he spoke, and when he had
|
|
finished speaking, with a smile that seemed to divide his face into
|
|
two parts.
|
|
|
|
'You are an excitable youth, Gay,' he said; 'and should endeavour
|
|
to cool down a little now, for it would be unwise to encourage
|
|
feverish predispositions. Be as cool as you can, Gay. Be as cool as
|
|
you can. You might have asked Mr John Carker himself (if you have not
|
|
done so) whether he claims to be, or is, an object of such strong
|
|
interest.'
|
|
|
|
'James, do me justice,' said his brother. 'I have claimed nothing;
|
|
and I claim nothing. Believe me, on my -
|
|
|
|
'Honour?' said his brother, with another smile, as he warmed
|
|
himself before the fire.
|
|
|
|
'On my Me - on my fallen life!' returned the other, in the same low
|
|
voice, but with a deeper stress on his words than he had yet seemed
|
|
capable of giving them. 'Believe me, I have held myself aloof, and
|
|
kept alone. This has been unsought by me. I have avoided him and
|
|
everyone.
|
|
|
|
'Indeed, you have avoided me, Mr Carker,' said Walter, with the
|
|
tears rising to his eyes; so true was his compassion. 'I know it, to
|
|
my disappointment and regret. When I first came here, and ever since,
|
|
I am sure I have tried to be as much your friend, as one of my age
|
|
could presume to be; but it has been of no use.
|
|
|
|
'And observe,' said the Manager, taking him up quickly, 'it will be
|
|
of still less use, Gay, if you persist in forcing Mr John Carker's
|
|
name on people's attention. That is not the way to befriend Mr John
|
|
Carker. Ask him if he thinks it is.'
|
|
|
|
'It is no service to me,' said the brother. 'It only leads to such
|
|
a conversation as the present, which I need not say I could have well
|
|
spared. No one can be a better friend to me:' he spoke here very
|
|
distinctly, as if he would impress it upon Walter: 'than in forgetting
|
|
me, and leaving me to go my way, unquestioned and unnoticed.'
|
|
|
|
'Your memory not being retentive, Gay, of what you are told by
|
|
others,' said Mr Carker the Manager, warming himself with great and
|
|
increased satisfaction, 'I thought it well that you should be told
|
|
this from the best authority,' nodding towards his brother. 'You are
|
|
not likely to forget it now, I hope. That's all, Gay. You can go.
|
|
|
|
Walter passed out at the door, and was about to close it after him,
|
|
when, hearing the voices of the brothers again, and also the mention
|
|
of his own name, he stood irresolutely, with his hand upon the lock,
|
|
and the door ajar, uncertain whether to return or go away. In this
|
|
position he could not help overhearing what followed.
|
|
|
|
'Think of me more leniently, if you can, James,' said John Carker,
|
|
'when I tell you I have had - how could I help having, with my
|
|
history, written here' - striking himself upon the breast - 'my whole
|
|
heart awakened by my observation of that boy, Walter Gay. I saw in him
|
|
when he first came here, almost my other self.'
|
|
|
|
'Your other self!' repeated the Manager, disdainfully.
|
|
|
|
'Not as I am, but as I was when I first came here too; as sanguine,
|
|
giddy, youthful, inexperienced; flushed with the same restless and
|
|
adventurous fancies; and full of the same qualities, fraught with the
|
|
same capacity of leading on to good or evil.'
|
|
|
|
'I hope not,' said his brother, with some hidden and sarcastic
|
|
meaning in his tone.
|
|
|
|
'You strike me sharply; and your hand is steady, and your thrust is
|
|
very deep,' returned the other, speaking (or so Walter thought) as if
|
|
some cruel weapon actually stabbed him as he spoke. 'I imagined all
|
|
this when he was a boy. I believed it. It was a truth to me. I saw him
|
|
lightly walking on the edge of an unseen gulf where so many others
|
|
walk with equal gaiety, and from which
|
|
|
|
'The old excuse,' interrupted his brother, as he stirred the fire.
|
|
'So many. Go on. Say, so many fall.'
|
|
|
|
'From which ONE traveller fell,' returned the other, 'who set
|
|
forward, on his way, a boy like him, and missed his footing more and
|
|
more, and slipped a little and a little lower; and went on stumbling
|
|
still, until he fell headlong and found himself below a shattered man.
|
|
Think what I suffered, when I watched that boy.'
|
|
|
|
'You have only yourself to thank for it,' returned the brother.
|
|
|
|
'Only myself,' he assented with a sigh. 'I don't seek to divide the
|
|
blame or shame.'
|
|
|
|
'You have divided the shame,' James Carker muttered through his
|
|
teeth. And, through so many and such close teeth, he could mutter
|
|
well.
|
|
|
|
'Ah, James,' returned his brother, speaking for the first time in
|
|
an accent of reproach, and seeming, by the sound of his voice, to have
|
|
covered his face with his hands, 'I have been, since then, a useful
|
|
foil to you. You have trodden on me freely in your climbing up. Don't
|
|
spurn me with your heel!'
|
|
|
|
A silence ensued. After a time, Mr Carker the Manager was heard
|
|
rustling among his papers, as if he had resolved to bring the
|
|
interview to a conclusion. At the same time his brother withdrew
|
|
nearer to the door.
|
|
|
|
'That's all,' he said. 'I watched him with such trembling and such
|
|
fear, as was some little punishment to me, until he passed the place
|
|
where I first fell; and then, though I had been his father, I believe
|
|
I never could have thanked God more devoutly. I didn't dare to warn
|
|
him, and advise him; but if I had seen direct cause, I would have
|
|
shown him my example. I was afraid to be seen speaking with him, lest
|
|
it should be thought I did him harm, and tempted him to evil, and
|
|
corrupted him: or lest I really should. There may be such contagion in
|
|
me; I don't know. Piece out my history, in connexion with young Walter
|
|
Gay, and what he has made me feel; and think of me more leniently,
|
|
James, if you can.
|
|
|
|
With these words he came out to where Walter was standing. He
|
|
turned a little paler when he saw him there, and paler yet when Walter
|
|
caught him by the hand, and said in a whisper:
|
|
|
|
'Mr Carker, pray let me thank you! Let me say how much I feel for
|
|
you! How sorry I am, to have been the unhappy cause of all this! How I
|
|
almost look upon you now as my protector and guardian! How very, very
|
|
much, I feel obliged to you and pity you!' said Walter, squeezing both
|
|
his hands, and hardly knowing, in his agitation, what he did or said.
|
|
|
|
Mr Morfin's room being close at hand and empty, and the door wide
|
|
open, they moved thither by one accord: the passage being seldom free
|
|
from someone passing to or fro. When they were there, and Walter saw
|
|
in Mr Carker's face some traces of the emotion within, he almost felt
|
|
as if he had never seen the face before; it was so greatly changed.
|
|
|
|
'Walter,' he said, laying his hand on his shoulder. 'I am far
|
|
removed from you, and may I ever be. Do you know what I am?'
|
|
|
|
'What you are!' appeared to hang on Walter's lips, as he regarded
|
|
him attentively.
|
|
|
|
'It was begun,' said Carker, 'before my twenty-first birthday - led
|
|
up to, long before, but not begun till near that time. I had robbed
|
|
them when I came of age. I robbed them afterwards. Before my
|
|
twenty-second birthday, it was all found out; and then, Walter, from
|
|
all men's society, I died.'
|
|
|
|
Again his last few words hung trembling upon Walter's lips, but he
|
|
could neither utter them, nor any of his own.
|
|
|
|
'The House was very good to me. May Heaven reward the old man for
|
|
his forbearance! This one, too, his son, who was then newly in the
|
|
Firm, where I had held great trust! I was called into that room which
|
|
is now his - I have never entered it since - and came out, what you
|
|
know me. For many years I sat in my present seat, alone as now, but
|
|
then a known and recognised example to the rest. They were all
|
|
merciful to me, and I lived. Time has altered that part of my poor
|
|
expiation; and I think, except the three heads of the House, there is
|
|
no one here who knows my story rightly. Before the little boy grows
|
|
up, and has it told to him, my corner may be vacant. I would rather
|
|
that it might be so! This is the only change to me since that day,
|
|
when I left all youth, and hope, and good men's company, behind me in
|
|
that room. God bless you, Walter! Keep you, and all dear to you, in
|
|
honesty, or strike them dead!'
|
|
|
|
Some recollection of his trembling from head to foot, as if with
|
|
excessive cold, and of his bursting into tears, was all that Walter
|
|
could add to this, when he tried to recall exactly what had passed
|
|
between them.
|
|
|
|
When Walter saw him next, he was bending over his desk in his old
|
|
silent, drooping, humbled way. Then, observing him at his work, and
|
|
feeling how resolved he evidently was that no further intercourse
|
|
should arise between them, and thinking again and again on all he had
|
|
seen and heard that morning in so short a time, in connexion with the
|
|
history of both the Carkers, Walter could hardly believe that he was
|
|
under orders for the West Indies, and would soon be lost to Uncle Sol,
|
|
and Captain Cuttle, and to glimpses few and far between of Florence
|
|
Dombey - no, he meant Paul - and to all he loved, and liked, and
|
|
looked for, in his daily life.
|
|
|
|
But it was true, and the news had already penetrated to the outer
|
|
office; for while he sat with a heavy heart, pondering on these
|
|
things, and resting his head upon his arm, Perch the messenger,
|
|
descending from his mahogany bracket, and jogging his elbow, begged
|
|
his pardon, but wished to say in his ear, Did he think he could
|
|
arrange to send home to England a jar of preserved Ginger, cheap, for
|
|
Mrs Perch's own eating, in the course of her recovery from her next
|
|
confinement?
|
|
|
|
CHAPTER 14.
|
|
|
|
Paul grows more and more Old-fashioned, and goes Home for the Holidays
|
|
|
|
When the Midsummer vacation approached, no indecent manifestations
|
|
of joy were exhibited by the leaden-eyed young gentlemen assembled at
|
|
Doctor Blimber's. Any such violent expression as 'breaking up,' would
|
|
have been quite inapplicable to that polite establishment. The young
|
|
gentlemen oozed away, semi-annually, to their own homes; but they
|
|
never broke up. They would have scorned the action.
|
|
|
|
Tozer, who was constantly galled and tormented by a starched white
|
|
cambric neckerchief, which he wore at the express desire of Mrs Tozer,
|
|
his parent, who, designing him for the Church, was of opinion that he
|
|
couldn't be in that forward state of preparation too soon - Tozer
|
|
said, indeed, that choosing between two evils, he thought he would
|
|
rather stay where he was, than go home. However inconsistent this
|
|
declaration might appear with that passage in Tozer's Essay on the
|
|
subject, wherein he had observed 'that the thoughts of home and all
|
|
its recollections, awakened in his mind the most pleasing emotions of
|
|
anticipation and delight,' and had also likened himself to a Roman
|
|
General, flushed with a recent victory over the Iceni, or laden with
|
|
Carthaginian spoil, advancing within a few hours' march of the
|
|
Capitol, presupposed, for the purposes of the simile, to be the
|
|
dwelling-place of Mrs Tozer, still it was very sincerely made. For it
|
|
seemed that Tozer had a dreadful Uncle, who not only volunteered
|
|
examinations of him, in the holidays, on abstruse points, but twisted
|
|
innocent events and things, and wrenched them to the same fell
|
|
purpose. So that if this Uncle took him to the Play, or, on a similar
|
|
pretence of kindness, carried him to see a Giant, or a Dwarf, or a
|
|
Conjuror, or anything, Tozer knew he had read up some classical
|
|
allusion to the subject beforehand, and was thrown into a state of
|
|
mortal apprehension: not foreseeing where he might break out, or what
|
|
authority he might not quote against him.
|
|
|
|
As to Briggs, his father made no show of artifice about it. He
|
|
never would leave him alone. So numerous and severe were the mental
|
|
trials of that unfortunate youth in vacation time, that the friends of
|
|
the family (then resident near Bayswater, London) seldom approached
|
|
the ornamental piece of water in Kensington Gardens,' without a vague
|
|
expectation of seeing Master Briggs's hat floating on the surface, and
|
|
an unfinished exercise lying on the bank. Briggs, therefore, was not
|
|
at all sanguine on the subject of holidays; and these two sharers of
|
|
little Paul's bedroom were so fair a sample of the young gentlemen in
|
|
general, that the most elastic among them contemplated the arrival of
|
|
those festive periods with genteel resignation.
|
|
|
|
It was far otherwise with little Paul. The end of these first
|
|
holidays was to witness his separation from Florence, but who ever
|
|
looked forward to the end of holidays whose beginning was not yet
|
|
come! Not Paul, assuredly. As the happy time drew near, the lions and
|
|
tigers climbing up the bedroom walls became quite tame and frolicsome.
|
|
The grim sly faces in the squares and diamonds of the floor-cloth,
|
|
relaxed and peeped out at him with less wicked eyes. The grave old
|
|
clock had more of personal interest in the tone of its formal inquiry;
|
|
and the restless sea went rolling on all night, to the sounding of a
|
|
melancholy strain - yet it was pleasant too - that rose and fell with
|
|
the waves, and rocked him, as it were, to sleep.
|
|
|
|
Mr Feeder, B.A., seemed to think that he, too, would enjoy the
|
|
holidays very much. Mr Toots projected a life of holidays from that
|
|
time forth; for, as he regularly informed Paul every day, it was his
|
|
'last half' at Doctor Blimber's, and he was going to begin to come
|
|
into his property directly.
|
|
|
|
It was perfectly understood between Paul and Mr Toots, that they
|
|
were intimate friends, notwithstanding their distance in point of
|
|
years and station. As the vacation approached, and Mr Toots breathed
|
|
harder and stared oftener in Paul's society, than he had done before,
|
|
Paul knew that he meant he was sorry they were going to lose sight of
|
|
each other, and felt very much obliged to him for his patronage and
|
|
good opinion.
|
|
|
|
It was even understood by Doctor Blimber, Mrs Blimber, and Miss
|
|
Blimber, as well as by the young gentlemen in general, that Toots had
|
|
somehow constituted himself protector and guardian of Dombey, and the
|
|
circumstance became so notorious, even to Mrs Pipchin, that the good
|
|
old creature cherished feelings of bitterness and jealousy against
|
|
Toots; and, in the sanctuary of her own home, repeatedly denounced him
|
|
as a 'chuckle-headed noodle.' Whereas the innocent Toots had no more
|
|
idea of awakening Mrs Pipchin's wrath, than he had of any other
|
|
definite possibility or proposition. On the contrary, he was disposed
|
|
to consider her rather a remarkable character, with many points of
|
|
interest about her. For this reason he smiled on her with so much
|
|
urbanity, and asked her how she did, so often, in the course of her
|
|
visits to little Paul, that at last she one night told him plainly,
|
|
she wasn't used to it, whatever he might think; and she could not, and
|
|
she would not bear it, either from himself or any other puppy then
|
|
existing: at which unexpected acknowledgment of his civilities, Mr
|
|
Toots was so alarmed that he secreted himself in a retired spot until
|
|
she had gone. Nor did he ever again face the doughty Mrs Pipchin,
|
|
under Doctor Blimber's roof.
|
|
|
|
They were within two or three weeks of the holidays, when, one day,
|
|
Cornelia Blimber called Paul into her room, and said, 'Dombey, I am
|
|
going to send home your analysis.'
|
|
|
|
'Thank you, Ma'am,' returned Paul.
|
|
|
|
'You know what I mean, do you, Dombey?' inquired Miss Blimber,
|
|
looking hard at him, through the spectacles.
|
|
|
|
'No, Ma'am,' said Paul.
|
|
|
|
'Dombey, Dombey,' said Miss Blimber, 'I begin to be afraid you are
|
|
a sad boy. When you don't know the meaning of an expression, why don't
|
|
you seek for information?'
|
|
|
|
'Mrs Pipchin told me I wasn't to ask questions,' returned Paul.
|
|
|
|
'I must beg you not to mention Mrs Pipchin to me, on any account,
|
|
Dombey,' returned Miss Blimber. 'I couldn't think of allowing it. The
|
|
course of study here, is very far removed from anything of that sort.
|
|
A repetition of such allusions would make it necessary for me to
|
|
request to hear, without a mistake, before breakfast-time to-morrow
|
|
morning, from Verbum personale down to simillimia cygno.'
|
|
|
|
'I didn't mean, Ma'am - ' began little Paul.
|
|
|
|
'I must trouble you not to tell me that you didn't mean, if you
|
|
please, Dombey,' said Miss Blimber, who preserved an awful politeness
|
|
in her admonitions. 'That is a line of argument I couldn't dream of
|
|
permitting.'
|
|
|
|
Paul felt it safest to say nothing at all, so he only looked at
|
|
Miss Blimber's spectacles. Miss Blimber having shaken her head at him
|
|
gravely, referred to a paper lying before her.
|
|
|
|
'"Analysis of the character of P. Dombey." If my recollection
|
|
serves me,' said Miss Blimber breaking off, 'the word analysis as
|
|
opposed to synthesis, is thus defined by Walker. "The resolution of an
|
|
object, whether of the senses or of the intellect, into its first
|
|
elements." As opposed to synthesis, you observe. Now you know what
|
|
analysis is, Dombey.'
|
|
|
|
Dombey didn't seem to be absolutely blinded by the light let in
|
|
upon his intellect, but he made Miss Blimber a little bow.
|
|
|
|
'"Analysis,"' resumed Miss Blimber, casting her eye over the paper,
|
|
'"of the character of P. Dombey." I find that the natural capacity of
|
|
Dombey is extremely good; and that his general disposition to study
|
|
may be stated in an equal ratio. Thus, taking eight as our standard
|
|
and highest number, I find these qualities in Dombey stated each at
|
|
six three-fourths!'
|
|
|
|
Miss Blimber paused to see how Paul received this news. Being
|
|
undecided whether six three-fourths meant six pounds fifteen, or
|
|
sixpence three farthings, or six foot three, or three quarters past
|
|
six, or six somethings that he hadn't learnt yet, with three unknown
|
|
something elses over, Paul rubbed his hands and looked straight at
|
|
Miss Blimber. It happened to answer as well as anything else he could
|
|
have done; and Cornelia proceeded.
|
|
|
|
'"Violence two. Selfishness two. Inclination to low company, as
|
|
evinced in the case of a person named Glubb, originally seven, but
|
|
since reduced. Gentlemanly demeanour four, and improving with
|
|
advancing years." Now what I particularly wish to call your attention
|
|
to, Dombey, is the general observation at the close of this analysis.'
|
|
|
|
Paul set himself to follow it with great care.
|
|
|
|
'"It may be generally observed of Dombey,"' said Miss Blimber,
|
|
reading in a loud voice, and at every second word directing her
|
|
spectacles towards the little figure before her: '"that his abilities
|
|
and inclinations are good, and that he has made as much progress as
|
|
under the circumstances could have been expected. But it is to be
|
|
lamented of this young gentleman that he is singular (what is usually
|
|
termed old-fashioned) in his character and conduct, and that, without
|
|
presenting anything in either which distinctly calls for reprobation,
|
|
he is often very unlike other young gentlemen of his age and social
|
|
position." Now, Dombey,' said Miss Blimber, laying down the paper, 'do
|
|
you understand that?'
|
|
|
|
'I think I do, Ma'am,' said Paul.
|
|
|
|
'This analysis, you see, Dombey,' Miss Blimber continued, 'is going
|
|
to be sent home to your respected parent. It will naturally be very
|
|
painful to him to find that you are singular in your character and
|
|
conduct. It is naturally painful to us; for we can't like you, you
|
|
know, Dombey, as well as we could wish.'
|
|
|
|
She touched the child upon a tender point. He had secretly become
|
|
more and more solicitous from day to day, as the time of his departure
|
|
drew more near, that all the house should like him. From some hidden
|
|
reason, very imperfectly understood by himself - if understood at all
|
|
- he felt a gradually increasing impulse of affection, towards almost
|
|
everything and everybody in the place. He could not bear to think that
|
|
they would be quite indifferent to him when he was gone. He wanted
|
|
them to remember him kindly; and he had made it his business even to
|
|
conciliate a great hoarse shaggy dog, chained up at the back of the
|
|
house, who had previously been the terror of his life: that even he
|
|
might miss him when he was no longer there.
|
|
|
|
Little thinking that in this, he only showed again the difference
|
|
between himself and his compeers, poor tiny Paul set it forth to Miss
|
|
Blimber as well as he could, and begged her, in despite of the
|
|
official analysis, to have the goodness to try and like him. To Mrs
|
|
Blimber, who had joined them, he preferred the same petition: and when
|
|
that lady could not forbear, even in his presence, from giving
|
|
utterance to her often-repeated opinion, that he was an odd child,
|
|
Paul told her that he was sure she was quite right; that he thought it
|
|
must be his bones, but he didn't know; and that he hoped she would
|
|
overlook it, for he was fond of them all.
|
|
|
|
'Not so fond,' said Paul, with a mixture of timidity and perfect
|
|
frankness, which was one of the most peculiar and most engaging
|
|
qualities of the child, 'not so fond as I am of Florence, of course;
|
|
that could never be. You couldn't expect that, could you, Ma'am?'
|
|
|
|
'Oh! the old-fashioned little soul!' cried Mrs Blimber, in a
|
|
whisper.
|
|
|
|
'But I like everybody here very much,' pursued Paul, 'and I should
|
|
grieve to go away, and think that anyone was glad that I was gone, or
|
|
didn't care.'
|
|
|
|
Mrs Blimber was now quite sure that Paul was the oddest child in
|
|
the world; and when she told the Doctor what had passed, the Doctor
|
|
did not controvert his wife's opinion. But he said, as he had said
|
|
before, when Paul first came, that study would do much; and he also
|
|
said, as he had said on that occasion, 'Bring him on, Cornelia! Bring
|
|
him on!'
|
|
|
|
Cornelia had always brought him on as vigorously as she could; and
|
|
Paul had had a hard life of it. But over and above the getting through
|
|
his tasks, he had long had another purpose always present to him, and
|
|
to which he still held fast. It was, to be a gentle, useful, quiet
|
|
little fellow, always striving to secure the love and attachment of
|
|
the rest; and though he was yet often to be seen at his old post on
|
|
the stairs, or watching the waves and clouds from his solitary window,
|
|
he was oftener found, too, among the other boys, modestly rendering
|
|
them some little voluntary service. Thus it came to pass, that even
|
|
among those rigid and absorbed young anchorites, who mortified
|
|
themselves beneath the roof of Doctor Blimber, Paul was an object of
|
|
general interest; a fragile little plaything that they all liked, and
|
|
that no one would have thought of treating roughly. But he could not
|
|
change his nature, or rewrite the analysis; and so they all agreed
|
|
that Dombey was old-fashioned.
|
|
|
|
There were some immunities, however, attaching to the character
|
|
enjoyed by no one else. They could have better spared a
|
|
newer-fashioned child, and that alone was much. When the others only
|
|
bowed to Doctor Blimber and family on retiring for the night, Paul
|
|
would stretch out his morsel of a hand, and boldly shake the Doctor's;
|
|
also Mrs Blimber's; also Cornelia's. If anybody was to be begged off
|
|
from impending punishment, Paul was always the delegate. The weak-eyed
|
|
young man himself had once consulted him, in reference to a little
|
|
breakage of glass and china. And it was darKly rumoured that the
|
|
butler, regarding him with favour such as that stern man had never
|
|
shown before to mortal boy, had sometimes mingled porter with his
|
|
table-beer to make him strong.
|
|
|
|
Over and above these extensive privileges, Paul had free right of
|
|
entry to Mr Feeder's room, from which apartment he had twice led Mr
|
|
Toots into the open air in a state of faintness, consequent on an
|
|
unsuccessful attempt to smoke a very blunt cigar: one of a bundle
|
|
which that young gentleman had covertly purchased on the shingle from
|
|
a most desperate smuggler, who had acknowledged, in confidence, that
|
|
two hundred pounds was the price set upon his head, dead or alive, by
|
|
the Custom House. It was a snug room, Mr Feeder's, with his bed in
|
|
another little room inside of it; and a flute, which Mr Feeder
|
|
couldn't play yet, but was going to make a point of learning, he said,
|
|
hanging up over the fireplace. There were some books in it, too, and a
|
|
fishing-rod; for Mr Feeder said he should certainly make a point of
|
|
learning to fish, when he could find time. Mr Feeder had amassed, with
|
|
similar intentions, a beautiful little curly secondhand key-bugle, a
|
|
chess-board and men, a Spanish Grammar, a set of sketching materials,
|
|
and a pair of boxing-gloves. The art of self-defence Mr Feeder said he
|
|
should undoubtedly make a point of learning, as he considered it the
|
|
duty of every man to do; for it might lead to the protection of a
|
|
female in distress. But Mr Feeder's great possession was a large green
|
|
jar of snuff, which Mr Toots had brought down as a present, at the
|
|
close of the last vacation; and for which he had paid a high price,
|
|
having been the genuine property of the Prince Regent. Neither Mr
|
|
Toots nor Mr Feeder could partake of this or any other snuff, even in
|
|
the most stinted and moderate degree, without being seized with
|
|
convulsions of sneezing. Nevertheless it was their great delight to
|
|
moisten a box-full with cold tea, stir it up on a piece of parchment
|
|
with a paper-knife, and devote themselves to its consumption then and
|
|
there. In the course of which cramming of their noses, they endured
|
|
surprising torments with the constancy of martyrs: and, drinking
|
|
table-beer at intervals, felt all the glories of dissipation.
|
|
|
|
To little Paul sitting silent in their company, and by the side of
|
|
his chief patron, Mr Toots, there was a dread charm in these reckless
|
|
occasions: and when Mr Feeder spoke of the dark mysteries of London,
|
|
and told Mr Toots that he was going to observe it himself closely in
|
|
all its ramifications in the approaching holidays, and for that
|
|
purpose had made arrangements to board with two old maiden ladies at
|
|
Peckham, Paul regarded him as if he were the hero of some book of
|
|
travels or wild adventure, and was almost afraid of such a slashing
|
|
person.
|
|
|
|
Going into this room one evening, when the holidays were very near,
|
|
Paul found Mr Feeder filling up the blanks in some printed letters,
|
|
while some others, already filled up and strewn before him, were being
|
|
folded and sealed by Mr Toots. Mr Feeder said, 'Aha, Dombey, there you
|
|
are, are you?' - for they were always kind to him, and glad to see him
|
|
- and then said, tossing one of the letters towards him, 'And there
|
|
you are, too, Dombey. That's yours.'
|
|
|
|
'Mine, Sir?' said Paul.
|
|
|
|
'Your invitation,' returned Mr Feeder.
|
|
|
|
Paul, looking at it, found, in copper-plate print, with the
|
|
exception of his own name and the date, which were in Mr Feeder's
|
|
penmanship, that Doctor and Mrs Blimber requested the pleasure of Mr
|
|
P. Dombey's company at an early party on Wednesday Evening the
|
|
Seventeenth Instant; and that the hour was half-past seven o'clock;
|
|
and that the object was Quadrilles. Mr Toots also showed him, by
|
|
holding up a companion sheet of paper, that Doctor and Mrs Blimber
|
|
requested the pleasure of Mr Toots's company at an early party on
|
|
Wednesday Evening the Seventeenth Instant, when the hour was half-past
|
|
seven o'clock, and when the object was Quadrilles. He also found, on
|
|
glancing at the table where Mr Feeder sat, that the pleasure of Mr
|
|
Briggs's company, and of Mr Tozer's company, and of every young
|
|
gentleman's company, was requested by Doctor and Mrs Blimber on the
|
|
same genteel Occasion.
|
|
|
|
Mr Feeder then told him, to his great joy, that his sister was
|
|
invited, and that it was a half-yearly event, and that, as the
|
|
holidays began that day, he could go away with his sister after the
|
|
party, if he liked, which Paul interrupted him to say he would like,
|
|
very much. Mr Feeder then gave him to understand that he would be
|
|
expected to inform Doctor and Mrs Blimber, in superfine small-hand,
|
|
that Mr P. Dombey would be happy to have the honour of waiting on
|
|
them, in accordance with their polite invitation. Lastly, Mr Feeder
|
|
said, he had better not refer to the festive occasion, in the hearing
|
|
of Doctor and Mrs Blimber; as these preliminaries, and the whole of
|
|
the arrangements, were conducted on principles of classicality and
|
|
high breeding; and that Doctor and Mrs Blimber on the one hand, and
|
|
the young gentlemen on the other, were supposed, in their scholastic
|
|
capacities, not to have the least idea of what was in the wind.
|
|
|
|
Paul thanked Mr Feeder for these hints, and pocketing his
|
|
invitation, sat down on a stool by the side of Mr Toots, as usual. But
|
|
Paul's head, which had long been ailing more or less, and was
|
|
sometimes very heavy and painful, felt so uneasy that night, that he
|
|
was obliged to support it on his hand. And yet it dropped so, that by
|
|
little and little it sunk on Mr Toots's knee, and rested there, as if
|
|
it had no care to be ever lifted up again.
|
|
|
|
That was no reason why he should be deaf; but he must have been, he
|
|
thought, for, by and by, he heard Mr Feeder calling in his ear, and
|
|
gently shaking him to rouse his attention. And when he raised his
|
|
head, quite scared, and looked about him, he found that Doctor Blimber
|
|
had come into the room; and that the window was open, and that his
|
|
forehead was wet with sprinkled water; though how all this had been
|
|
done without his knowledge, was very curious indeed.
|
|
|
|
'Ah! Come, come! That's well! How is my little friend now?' said
|
|
Doctor Blimber, encouragingly.
|
|
|
|
'Oh, quite well, thank you, Sir,' said Paul.
|
|
|
|
But there seemed to be something the matter with the floor, for he
|
|
couldn't stand upon it steadily; and with the walls too, for they were
|
|
inclined to turn round and round, and could only be stopped by being
|
|
looked at very hard indeed. Mr Toots's head had the appearance of
|
|
being at once bigger and farther off than was quite natural; and when
|
|
he took Paul in his arms, to carry him upstairs, Paul observed with
|
|
astonishment that the door was in quite a different place from that in
|
|
which he had expected to find it, and almost thought, at first, that
|
|
Mr Toots was going to walk straight up the chimney.
|
|
|
|
It was very kind of Mr Toots to carry him to the top of the house
|
|
so tenderly; and Paul told him that it was. But Mr Toots said he would
|
|
do a great deal more than that, if he could; and indeed he did more as
|
|
it was: for he helped Paul to undress, and helped him to bed, in the
|
|
kindest manner possible, and then sat down by the bedside and chuckled
|
|
very much; while Mr Feeder, B.A., leaning over the bottom of the
|
|
bedstead, set all the little bristles on his head bolt upright with
|
|
his bony hands, and then made believe to spar at Paul with great
|
|
science, on account of his being all right again, which was so
|
|
uncommonly facetious, and kind too in Mr Feeder, that Paul, not being
|
|
able to make up his mind whether it was best to laugh or cry at him,
|
|
did both at once.
|
|
|
|
How Mr Toots melted away, and Mr Feeder changed into Mrs Pipchin,
|
|
Paul never thought of asking; neither was he at all curious to know;
|
|
but when he saw Mrs Pipchin standing at the bottom of the bed, instead
|
|
of Mr Feeder, he cried out, 'Mrs Pipchin, don't tell Florence!'
|
|
|
|
'Don't tell Florence what, my little Paul?' said Mrs Pipchin,
|
|
coming round to the bedside, and sitting down in the chair.
|
|
|
|
'About me,' said Paul.
|
|
|
|
'No, no,' said Mrs Pipchin.
|
|
|
|
'What do you think I mean to do when I grow up, Mrs Pipchin?'
|
|
inquired Paul, turning his face towards her on his pillow, and resting
|
|
his chin wistfully on his folded hands.
|
|
|
|
Mrs Pipchin couldn't guess.
|
|
|
|
'I mean,' said Paul, 'to put my money all together in one Bank,
|
|
never try to get any more, go away into the country with my darling
|
|
Florence, have a beautiful garden, fields, and woods, and live there
|
|
with her all my life!'
|
|
|
|
'Indeed!' cried Mrs Pipchin.
|
|
|
|
'Yes,' said Paul. 'That's what I mean to do, when I - ' He stopped,
|
|
and pondered for a moment.
|
|
|
|
Mrs Pipchin's grey eye scanned his thoughtful face.
|
|
|
|
'If I grow up,' said Paul. Then he went on immediately to tell Mrs
|
|
Pipchin all about the party, about Florence's invitation, about the
|
|
pride he would have in the admiration that would be felt for her by
|
|
all the boys, about their being so kind to him and fond of him, about
|
|
his being so fond of them, and about his being so glad of it. Then he
|
|
told Mrs Pipchin about the analysis, and about his being certainly
|
|
old-fashioned, and took Mrs Pipchin's opinion on that point, and
|
|
whether she knew why it was, and what it meant. Mrs Pipchin denied the
|
|
fact altogether, as the shortest way of getting out of the difficulty;
|
|
but Paul was far from satisfied with that reply, and looked so
|
|
searchingly at Mrs Pipchin for a truer answer, that she was obliged to
|
|
get up and look out of the window to avoid his eyes.
|
|
|
|
There was a certain calm Apothecary, 'who attended at the
|
|
establishment when any of the young gentlemen were ill, and somehow he
|
|
got into the room and appeared at the bedside, with Mrs Blimber. How
|
|
they came there, or how long they had been there, Paul didn't know;
|
|
but when he saw them, he sat up in bed, and answered all the
|
|
Apothecary's questions at full length, and whispered to him that
|
|
Florence was not to know anything about it, if he pleased, and that he
|
|
had set his mind upon her coming to the party. He was very chatty with
|
|
the Apothecary, and they parted excellent friends. Lying down again
|
|
with his eyes shut, he heard the Apothecary say, out of the room and
|
|
quite a long way off - or he dreamed it - that there was a want of
|
|
vital power (what was that, Paul wondered!) and great constitutional
|
|
weakness. That as the little fellow had set his heart on parting with
|
|
his school-mates on the seventeenth, it would be better to indulge the
|
|
fancy if he grew no worse. That he was glad to hear from Mrs Pipchin,
|
|
that the little fellow would go to his friends in London on the
|
|
eighteenth. That he would write to Mr Dombey, when he should have
|
|
gained a better knowledge of the case, and before that day. That there
|
|
was no immediate cause for - what? Paul lost that word And that the
|
|
little fellow had a fine mind, but was an old-fashioned boy.
|
|
|
|
What old fashion could that be, Paul wondered with a palpitating
|
|
heart, that was so visibly expressed in him; so plainly seen by so
|
|
many people!
|
|
|
|
He could neither make it out, nor trouble himself long with the
|
|
effort. Mrs Pipchin was again beside him, if she had ever been away
|
|
(he thought she had gone out with the Doctor, but it was all a dream
|
|
perhaps), and presently a bottle and glass got into her hands
|
|
magically, and she poured out the contents for him. After that, he had
|
|
some real good jelly, which Mrs Blimber brought to him herself; and
|
|
then he was so well, that Mrs Pipchin went home, at his urgent
|
|
solicitation, and Briggs and Tozer came to bed. Poor Briggs grumbled
|
|
terribly about his own analysis, which could hardly have discomposed
|
|
him more if it had been a chemical process; but he was very good to
|
|
Paul, and so was Tozer, and so were all the rest, for they every one
|
|
looked in before going to bed, and said, 'How are you now, Dombey?'
|
|
'Cheer up, little Dombey!' and so forth. After Briggs had got into
|
|
bed, he lay awake for a long time, still bemoaning his analysis, and
|
|
saying he knew it was all wrong, and they couldn't have analysed a
|
|
murderer worse, and - how would Doctor Blimber like it if his
|
|
pocket-money depended on it? It was very easy, Briggs said, to make a
|
|
galley-slave of a boy all the half-year, and then score him up idle;
|
|
and to crib two dinners a-week out of his board, and then score him up
|
|
greedy; but that wasn't going to be submitted to, he believed, was it?
|
|
Oh! Ah!
|
|
|
|
Before the weak-eyed young man performed on the gong next morning,
|
|
he came upstairs to Paul and told him he was to lie still, which Paul
|
|
very gladly did. Mrs Pipchin reappeared a little before the
|
|
Apothecary, and a little after the good young woman whom Paul had seen
|
|
cleaning the stove on that first morning (how long ago it seemed now!)
|
|
had brought him his breakfast. There was another consultation a long
|
|
way off, or else Paul dreamed it again; and then the Apothecary,
|
|
coming back with Doctor and Mrs Blimber, said:
|
|
|
|
'Yes, I think, Doctor Blimber, we may release this young gentleman
|
|
from his books just now; the vacation being so very near at hand.'
|
|
|
|
'By all means,' said Doctor Blimber. 'My love, you will inform
|
|
Cornelia, if you please.'
|
|
|
|
'Assuredly,' said Mrs Blimber.
|
|
|
|
The Apothecary bending down, looked closely into Paul's eyes, and
|
|
felt his head, and his pulse, and his heart, with so much interest and
|
|
care, that Paul said, 'Thank you, Sir.'
|
|
|
|
'Our little friend,' observed Doctor Blimber, 'has never
|
|
complained.'
|
|
|
|
'Oh no!' replied the Apothecary. 'He was not likely to complain.'
|
|
|
|
'You find him greatly better?' said Doctor Blimber.
|
|
|
|
'Oh! he is greatly better, Sir,' returned the Apothecary.
|
|
|
|
Paul had begun to speculate, in his own odd way, on the subject
|
|
that might occupy the Apothecary's mind just at that moment; so
|
|
musingly had he answered the two questions of Doctor Blimber. But the
|
|
Apothecary happening to meet his little patient's eyes, as the latter
|
|
set off on that mental expedition, and coming instantly out of his
|
|
abstraction with a cheerful smile, Paul smiled in return and abandoned
|
|
it.
|
|
|
|
He lay in bed all that day, dozing and dreaming, and looking at Mr
|
|
Toots; but got up on the next, and went downstairs. Lo and behold,
|
|
there was something the matter with the great clock; and a workman on
|
|
a pair of steps had taken its face off, and was poking instruments
|
|
into the works by the light of a candle! This was a great event for
|
|
Paul, who sat down on the bottom stair, and watched the operation
|
|
attentively: now and then glancing at the clock face, leaning all
|
|
askew, against the wall hard by, and feeling a little confused by a
|
|
suspicion that it was ogling him.
|
|
|
|
The workman on the steps was very civil; and as he said, when he
|
|
observed Paul, 'How do you do, Sir?' Paul got into conversation with
|
|
him, and told him he hadn't been quite well lately. The ice being thus
|
|
broken, Paul asked him a multitude of questions about chimes and
|
|
clocks: as, whether people watched up in the lonely church steeples by
|
|
night to make them strike, and how the bells were rung when people
|
|
died, and whether those were different bells from wedding bells, or
|
|
only sounded dismal in the fancies of the living. Finding that his new
|
|
acquaintance was not very well informed on the subject of the Curfew
|
|
Bell of ancient days, Paul gave him an account of that institution;
|
|
and also asked him, as a practical man, what he thought about King
|
|
Alfred's idea of measuring time by the burning of candles; to which
|
|
the workman replied, that he thought it would be the ruin of the clock
|
|
trade if it was to come up again. In fine, Paul looked on, until the
|
|
clock had quite recovered its familiar aspect, and resumed its sedate
|
|
inquiry; when the workman, putting away his tools in a long basket,
|
|
bade him good day, and went away. Though not before he had whispered
|
|
something, on the door-mat, to the footman, in which there was the
|
|
phrase 'old-fashioned' - for Paul heard it. What could that old
|
|
fashion be, that seemed to make the people sorry! What could it be!
|
|
|
|
Having nothing to learn now, he thought of this frequently; though
|
|
not so often as he might have done, if he had had fewer things to
|
|
think of. But he had a great many; and was always thinking, all day
|
|
long.
|
|
|
|
First, there was Florence coming to the party. Florence would see
|
|
that the boys were fond of him; and that would make her happy. This
|
|
was his great theme. Let Florence once be sure that they were gentle
|
|
and good to him, and that he had become a little favourite among them,
|
|
and then the would always think of the time he had passed there,
|
|
without being very sorry. Florence might be all the happier too for
|
|
that, perhaps, when he came back.
|
|
|
|
When he came back! Fifty times a day, his noiseless little feet
|
|
went up the stairs to his own room, as he collected every book, and
|
|
scrap, and trifle that belonged to him, and put them all together
|
|
there, down to the minutest thing, for taking home! There was no shade
|
|
of coming back on little Paul; no preparation for it, or other
|
|
reference to it, grew out of anything he thought or did, except this
|
|
slight one in connexion with his sister. On the contrary, he had to
|
|
think of everything familiar to him, in his contemplative moods and in
|
|
his wanderings about the house, as being to be parted with; and hence
|
|
the many things he had to think of, all day long.
|
|
|
|
He had to peep into those rooms upstairs, and think how solitary
|
|
they would be when he was gone, and wonder through how many silent
|
|
days, weeks, months, and years, they would continue just as grave and
|
|
undisturbed. He had to think - would any other child (old-fashioned,
|
|
like himself stray there at any time, to whom the same grotesque
|
|
distortions of pattern and furniture would manifest themselves; and
|
|
would anybody tell that boy of little Dombey, who had been there once?
|
|
He had to think of a portrait on the stairs, which always looked
|
|
earnestly after him as he went away, eyeing it over his shoulder; and
|
|
which, when he passed it in the company of anyone, still seemed to
|
|
gaze at him, and not at his companion. He had much to think of, in
|
|
association with a print that hung up in another place, where, in the
|
|
centre of a wondering group, one figure that he knew, a figure with a
|
|
light about its head - benignant, mild, and merciful - stood pointing
|
|
upward.
|
|
|
|
At his own bedroom window, there were crowds of thoughts that mixed
|
|
with these, and came on, one upon another, like the rolling waves.
|
|
Where those wild birds lived, that were always hovering out at sea in
|
|
troubled weather; where the clouds rose and first began; whence the
|
|
wind issued on its rushing flight, and where it stopped; whether the
|
|
spot where he and Florence had so often sat, and watched, and talked
|
|
about these things, could ever be exactly as it used to be without
|
|
them; whether it could ever be the same to Florence, if he were in
|
|
some distant place, and she were sitting there alone.
|
|
|
|
He had to think, too, of Mr Toots, and Mr Feeder, B.A., of all the
|
|
boys; and of Doctor Blimber, Mrs Blimber, and Miss Blimber; of home,
|
|
and of his aunt and Miss Tox; of his father; Dombey and Son, Walter
|
|
with the poor old Uncle who had got the money he wanted, and that
|
|
gruff-voiced Captain with the iron hand. Besides all this, he had a
|
|
number of little visits to pay, in the course of the day; to the
|
|
schoolroom, to Doctor Blimber's study, to Mrs Blimber's private
|
|
apartment, to Miss Blimber's, and to the dog. For he was free of the
|
|
whole house now, to range it as he chose; and, in his desire to part
|
|
with everybody on affectionate terms, he attended, in his way, to them
|
|
all. Sometimes he found places in books for Briggs, who was always
|
|
losing them; sometimes he looked up words in dictionaries for other
|
|
young gentlemen who were in extremity; sometimes he held skeins of
|
|
silk for Mrs Blimber to wind; sometimes he put Cornelia's desk to
|
|
rights; sometimes he would even creep into the Doctor's study, and,
|
|
sitting on the carpet near his learned feet, turn the globes softly,
|
|
and go round the world, or take a flight among the far-off stars.
|
|
|
|
In those days immediately before the holidays, in short, when the
|
|
other young gentlemen were labouring for dear life through a general
|
|
resumption of the studies of the whole half-year, Paul was such a
|
|
privileged pupil as had never been seen in that house before. He could
|
|
hardly believe it himself; but his liberty lasted from hour to hour,
|
|
and from day to day; and little Dombey was caressed by everyone.
|
|
Doctor Blimber was so particular about him, that he requested Johnson
|
|
to retire from the dinner-table one day, for having thoughtlessly
|
|
spoken to him as 'poor little Dombey;' which Paul thought rather hard
|
|
and severe, though he had flushed at the moment, and wondered why
|
|
Johnson should pity him. It was the more questionable justice, Paul
|
|
thought, in the Doctor, from his having certainly overheard that great
|
|
authority give his assent on the previous evening, to the proposition
|
|
(stated by Mrs Blimber) that poor dear little Dombey was more
|
|
old-fashioned than ever. And now it was that Paul began to think it
|
|
must surely be old-fashioned to be very thin, and light, and easily
|
|
tired, and soon disposed to lie down anywhere and rest; for he
|
|
couldn't help feeling that these were more and more his habits every
|
|
day.
|
|
|
|
At last the party-day arrived; and Doctor Blimber said at
|
|
breakfast, 'Gentlemen, we will resume our studies on the twenty-fifth
|
|
of next month.' Mr Toots immediately threw off his allegiance, and put
|
|
on his ring: and mentioning the Doctor in casual conversation shortly
|
|
afterwards, spoke of him as 'Blimber'! This act of freedom inspired
|
|
the older pupils with admiration and envy; but the younger spirits
|
|
were appalled, and seemed to marvel that no beam fell down and crushed
|
|
him.
|
|
|
|
Not the least allusion was made to the ceremonies of the evening,
|
|
either at breakfast or at dinner; but there was a bustle in the house
|
|
all day, and in the course of his perambulations, Paul made
|
|
acquaintance with various strange benches and candlesticks, and met a
|
|
harp in a green greatcoat standing on the landing outside the
|
|
drawing-room door. There was something queer, too, about Mrs Blimber's
|
|
head at dinner-time, as if she had screwed her hair up too tight; and
|
|
though Miss Blimber showed a graceful bunch of plaited hair on each
|
|
temple, she seemed to have her own little curls in paper underneath,
|
|
and in a play-bill too; for Paul read 'Theatre Royal' over one of her
|
|
sparkling spectacles, and 'Brighton' over the other.
|
|
|
|
There was a grand array of white waistcoats and cravats in the
|
|
young gentlemen's bedrooms as evening approached; and such a smell of
|
|
singed hair, that Doctor Blimber sent up the footman with his
|
|
compliments, and wished to know if the house was on fire. But it was
|
|
only the hairdresser curling the young gentlemen, and over-heating his
|
|
tongs in the ardour of business.
|
|
|
|
When Paul was dressed - which was very soon done, for he felt
|
|
unwell and drowsy, and was not able to stand about it very long - he
|
|
went down into the drawing-room; where he found Doctor Blimber pacing
|
|
up and down the room full dressed, but with a dignified and
|
|
unconcerned demeanour, as if he thought it barely possible that one or
|
|
two people might drop in by and by. Shortly afterwards, Mrs Blimber
|
|
appeared, looking lovely, Paul thought; and attired in such a number
|
|
of skirts that it was quite an excursion to walk round her. Miss
|
|
Blimber came down soon after her Mama; a little squeezed in
|
|
appearance, but very charming.
|
|
|
|
Mr Toots and Mr Feeder were the next arrivals. Each of these
|
|
gentlemen brought his hat in his hand, as if he lived somewhere else;
|
|
and when they were announced by the butler, Doctor Blimber said, 'Ay,
|
|
ay, ay! God bless my soul!' and seemed extremely glad to see them. Mr
|
|
Toots was one blaze of jewellery and buttons; and he felt the
|
|
circumstance so strongly, that when he had shaken hands with the
|
|
Doctor, and had bowed to Mrs Blimber and Miss Blimber, he took Paul
|
|
aside, and said, 'What do you think of this, Dombey?'
|
|
|
|
But notwithstanding this modest confidence in himself, Mr Toots
|
|
appeared to be involved in a good deal of uncertainty whether, on the
|
|
whole, it was judicious to button the bottom button of his waistcoat,
|
|
and whether, on a calm revision of all the circumstances, it was best
|
|
to wear his waistbands turned up or turned down. Observing that Mr
|
|
Feeder's were turned up, Mr Toots turned his up; but the waistbands of
|
|
the next arrival being turned down, Mr Toots turned his down. The
|
|
differences in point of waistcoat-buttoning, not only at the bottom,
|
|
but at the top too, became so numerous and complicated as the arrivals
|
|
thickened, that Mr Toots was continually fingering that article of
|
|
dress, as if he were performing on some instrument; and appeared to
|
|
find the incessant execution it demanded, quite bewildering. All the
|
|
young gentlemen, tightly cravatted, curled, and pumped, and with their
|
|
best hats in their hands, having been at different times announced and
|
|
introduced, Mr Baps, the dancing-master, came, accompanied by Mrs
|
|
Baps, to whom Mrs Blimber was extremely kind and condescending. Mr
|
|
Baps was a very grave gentleman, with a slow and measured manner of
|
|
speaking; and before he had stood under the lamp five minutes, he
|
|
began to talk to Toots (who had been silently comparing pumps with
|
|
him) about what you were to do with your raw materials when they came
|
|
into your ports in return for your drain of gold. Mr Toots, to whom
|
|
the question seemed perplexing, suggested 'Cook 'em.' But Mr Baps did
|
|
not appear to think that would do.
|
|
|
|
Paul now slipped away from the cushioned corner of a sofa, which
|
|
had been his post of observation, and went downstairs into the
|
|
tea-room to be ready for Florence, whom he had not seen for nearly a
|
|
fortnight, as he had remained at Doctor Blimber's on the previous
|
|
Saturday and Sunday, lest he should take cold. Presently she came:
|
|
looking so beautiful in her simple ball dress, with her fresh flowers
|
|
in her hand, that when she knelt down on the ground to take Paul round
|
|
the neck and kiss him (for there was no one there, but his friend and
|
|
another young woman waiting to serve out the tea), he could hardly
|
|
make up his mind to let her go again, or to take away her bright and
|
|
loving eyes from his face.
|
|
|
|
'But what is the matter, Floy?' asked Paul, almost sure that he saw
|
|
a tear there.
|
|
|
|
'Nothing, darling; nothing,' returned Florence.
|
|
|
|
Paul touched her cheek gently with his finger - and it was a tear!
|
|
'Why, Floy!' said he.
|
|
|
|
'We'll go home together, and I'll nurse you, love,' said Florence.
|
|
|
|
'Nurse me!' echoed Paul.
|
|
|
|
Paul couldn't understand what that had to do with it, nor why the
|
|
two young women looked on so seriously, nor why Florence turned away
|
|
her face for a moment, and then turned it back, lighted up again with
|
|
smiles.
|
|
|
|
'Floy,' said Paul, holding a ringlet of her dark hair in his hand.
|
|
'Tell me, dear, Do you think I have grown old-fashioned?'
|
|
|
|
His sister laughed, and fondled him, and told him 'No.'
|
|
|
|
'Because I know they say so,' returned Paul, 'and I want to know
|
|
what they mean, Floy.' But a loud double knock coming at the door, and
|
|
Florence hurrying to the table, there was no more said between them.
|
|
Paul wondered again when he saw his friend whisper to Florence, as if
|
|
she were comforting her; but a new arrival put that out of his head
|
|
speedily.
|
|
|
|
It was Sir Barnet Skettles, Lady Skettles, and Master Skettles.
|
|
Master Skettles was to be a new boy after the vacation, and Fame had
|
|
been busy, in Mr Feeder's room, with his father, who was in the House
|
|
of Commons, and of whom Mr Feeder had said that when he did catch the
|
|
Speaker's eye (which he had been expected to do for three or four
|
|
years), it was anticipated that he would rather touch up the Radicals.
|
|
|
|
'And what room is this now, for instance?' said Lady Skettles to
|
|
Paul's friend, 'Melia.
|
|
|
|
'Doctor Blimber's study, Ma'am,' was the reply.
|
|
|
|
Lady Skettles took a panoramic survey of it through her glass, and
|
|
said to Sir Barnet Skettles, with a nod of approval, 'Very good.' Sir
|
|
Barnet assented, but Master Skettles looked suspicious and doubtful.
|
|
|
|
'And this little creature, now,' said Lady Skettles, turning to
|
|
Paul. 'Is he one of the
|
|
|
|
'Young gentlemen, Ma'am; yes, Ma'am,' said Paul's friend.
|
|
|
|
'And what is your name, my pale child?' said Lady Skettles.
|
|
|
|
'Dombey,' answered Paul.
|
|
|
|
Sir Barnet Skettles immediately interposed, and said that he had
|
|
had the honour of meeting Paul's father at a public dinner, and that
|
|
he hoped he was very well. Then Paul heard him say to Lady Skettles,
|
|
'City - very rich - most respectable - Doctor mentioned it.' And then
|
|
he said to Paul, 'Will you tell your good Papa that Sir Barnet
|
|
Skettles rejoiced to hear that he was very well, and sent him his best
|
|
compliments?'
|
|
|
|
'Yes, Sir,' answered Paul.
|
|
|
|
'That is my brave boy,' said Sir Barnet Skettles. 'Barnet,' to
|
|
Master Skettles, who was revenging himself for the studies to come, on
|
|
the plum-cake, 'this is a young gentleman you ought to know. This is a
|
|
young gentleman you may know, Barnet,' said Sir Barnet Skettles, with
|
|
an emphasis on the permission.
|
|
|
|
'What eyes! What hair! What a lovely face!' exclaimed Lady Skettles
|
|
softly, as she looked at Florence through her glass. 'My sister,' said
|
|
Paul, presenting her.
|
|
|
|
The satisfaction of the Skettleses was now complex And as Lady
|
|
Skettles had conceived, at first sight, a liking for Paul, they all
|
|
went upstairs together: Sir Barnet Skettles taking care of Florence,
|
|
and young Barnet following.
|
|
|
|
Young Barnet did not remain long in the background after they had
|
|
reached the drawing-room, for Dr Blimber had him out in no time,
|
|
dancing with Florence. He did not appear to Paul to be particularly
|
|
happy, or particularly anything but sulky, or to care much what he was
|
|
about; but as Paul heard Lady Skettles say to Mrs Blimber, while she
|
|
beat time with her fan, that her dear boy was evidently smitten to
|
|
death by that angel of a child, Miss Dombey, it would seem that
|
|
Skettles Junior was in a state of bliss, without showing it.
|
|
|
|
Little Paul thought it a singular coincidence that nobody had
|
|
occupied his place among the pillows; and that when he came into the
|
|
room again, they should all make way for him to go back to it,
|
|
remembering it was his. Nobody stood before him either, when they
|
|
observed that he liked to see Florence dancing, but they left the
|
|
space in front quite clear, so that he might follow her with his eyes.
|
|
They were so kind, too, even the strangers, of whom there were soon a
|
|
great many, that they came and spoke to him every now and then, and
|
|
asked him how he was, and if his head ached, and whether he was tired.
|
|
He was very much obliged to them for all their kindness and attention,
|
|
and reclining propped up in his corner, with Mrs Blimber and Lady
|
|
Skettles on the same sofa, and Florence coming and sitting by his side
|
|
as soon as every dance was ended, he looked on very happily indeed.
|
|
|
|
Florence would have sat by him all night, and would not have danced
|
|
at all of her own accord, but Paul made her, by telling her how much
|
|
it pleased him. And he told her the truth, too; for his small heart
|
|
swelled, and his face glowed, when he saw how much they all admired
|
|
her, and how she was the beautiful little rosebud of the room.
|
|
|
|
From his nest among the pillows, Paul could see and hear almost
|
|
everything that passed as if the whole were being done for his
|
|
amusement. Among other little incidents that he observed, he observed
|
|
Mr Baps the dancing-master get into conversation with Sir Barnet
|
|
Skettles, and very soon ask him, as he had asked Mr Toots, what you
|
|
were to do with your raw materials, when they came into your ports in
|
|
return for your drain of gold - which was such a mystery to Paul that
|
|
he was quite desirous to know what ought to be done with them. Sir
|
|
Barnet Skettles had much to say upon the question, and said it; but it
|
|
did not appear to solve the question, for Mr Baps retorted, Yes, but
|
|
supposing Russia stepped in with her tallows; which struck Sir Barnet
|
|
almost dumb, for he could only shake his head after that, and say, Why
|
|
then you must fall back upon your cottons, he supposed.
|
|
|
|
Sir Barnet Skettles looked after Mr Baps when he went to cheer up
|
|
Mrs Baps (who, being quite deserted, was pretending to look over the
|
|
music-book of the gentleman who played the harp), as if he thought him
|
|
a remarkable kind of man; and shortly afterwards he said so in those
|
|
words to Doctor Blimber, and inquired if he might take the liberty of
|
|
asking who he was, and whether he had ever been in the Board of Trade.
|
|
Doctor Blimber answered no, he believed not; and that in fact he was a
|
|
Professor of - '
|
|
|
|
'Of something connected with statistics, I'll swear?' observed Sir
|
|
Barnet Skettles.
|
|
|
|
'Why no, Sir Barnet,' replied Doctor Blimber, rubbing his chin.
|
|
'No, not exactly.'
|
|
|
|
'Figures of some sort, I would venture a bet,' said Sir Barnet
|
|
Skettles.
|
|
|
|
'Why yes,' said Doctor Blimber, yes, but not of that sort. Mr Baps
|
|
is a very worthy sort of man, Sir Barnet, and - in fact he's our
|
|
Professor of dancing.'
|
|
|
|
Paul was amazed to see that this piece of information quite altered
|
|
Sir Barnet Skettles's opinion of Mr Baps, and that Sir Barnet flew
|
|
into a perfect rage, and glowered at Mr Baps over on the other side of
|
|
the room. He even went so far as to D Mr Baps to Lady Skettles, in
|
|
telling her what had happened, and to say that it was like his most
|
|
con-sum-mate and con-foun-ded impudence.
|
|
|
|
There was another thing that Paul observed. Mr Feeder, after
|
|
imbibing several custard-cups of negus, began to enjoy himself. The
|
|
dancing in general was ceremonious, and the music rather solemn - a
|
|
little like church music in fact - but after the custard-cups, Mr
|
|
Feeder told Mr Toots that he was going to throw a little spirit into
|
|
the thing. After that, Mr Feeder not only began to dance as if he
|
|
meant dancing and nothing else, but secretly to stimulate the music to
|
|
perform wild tunes. Further, he became particular in his attentions to
|
|
the ladies; and dancing with Miss Blimber, whispered to her -
|
|
whispered to her! - though not so softly but that Paul heard him say
|
|
this remarkable poetry,
|
|
|
|
'Had I a heart for falsehood framed,
|
|
|
|
I ne'er could injure You!'
|
|
This, Paul heard him repeat to four young ladies, in succession. Well
|
|
might Mr Feeder say to Mr Toots, that he was afraid he should be the
|
|
worse for it to-morrow!
|
|
|
|
Mrs Blimber was a little alarmed by this - comparatively speaking -
|
|
profligate behaviour; and especially by the alteration in the
|
|
character of the music, which, beginning to comprehend low melodies
|
|
that were popular in the streets, might not unnaturally be supposed to
|
|
give offence to Lady Skettles. But Lady Skettles was so very kind as
|
|
to beg Mrs Blimber not to mention it; and to receive her explanation
|
|
that Mr Feeder's spirits sometimes betrayed him into excesses on these
|
|
occasions, with the greatest courtesy and politeness; observing, that
|
|
he seemed a very nice sort of person for his situation, and that she
|
|
particularly liked the unassuming style of his hair - which (as
|
|
already hinted) was about a quarter of an inch long.
|
|
|
|
Once, when there was a pause in the dancing, Lady Skettles told
|
|
Paul that he seemed very fond of music. Paul replied, that he was; and
|
|
if she was too, she ought to hear his sister, Florence, sing. Lady
|
|
Skettles presently discovered that she was dying with anxiety to have
|
|
that gratification; and though Florence was at first very much
|
|
frightened at being asked to sing before so many people, and begged
|
|
earnestly to be excused, yet, on Paul calling her to him, and saying,
|
|
'Do, Floy! Please! For me, my dear!' she went straight to the piano,
|
|
and began. When they all drew a little away, that Paul might see her;
|
|
and when he saw her sitting there all alone, so young, and good, and
|
|
beautiful, and kind to him; and heard her thrilling voice, so natural
|
|
and sweet, and such a golden link between him and all his life's love
|
|
and happiness, rising out of the silence; he turned his face away, and
|
|
hid his tears. Not, as he told them when they spoke to him, not that
|
|
the music was too plaintive or too sorrowful, but it was so dear to
|
|
him.
|
|
|
|
They all loved Florence. How could they help it! Paul had known
|
|
beforehand that they must and would; and sitting in his cushioned
|
|
corner, with calmly folded hands; and one leg loosely doubled under
|
|
him, few would have thought what triumph and delight expanded his
|
|
childish bosom while he watched her, or what a sweet tranquillity he
|
|
felt. Lavish encomiums on 'Dombey's sister' reached his ears from all
|
|
the boys: admiration of the self-possessed and modest little beauty
|
|
was on every lip: reports of her intelligence and accomplishments
|
|
floated past him, constantly; and, as if borne in upon the air of the
|
|
summer night, there was a half intelligible sentiment diffused around,
|
|
referring to Florence and himself, and breathing sympathy for both,
|
|
that soothed and touched him.
|
|
|
|
He did not know why. For all that the child observed, and felt, and
|
|
thought, that night - the present and the absent; what was then and
|
|
what had been - were blended like the colours in the rainbow, or in
|
|
the plumage of rich birds when the sun is shining on them, or in the
|
|
softening sky when the same sun is setting. The many things he had had
|
|
to think of lately, passed before him in the music; not as claiming
|
|
his attention over again, or as likely evermore to occupy it, but as
|
|
peacefully disposed of and gone. A solitary window, gazed through
|
|
years ago, looked out upon an ocean, miles and miles away; upon its
|
|
waters, fancies, busy with him only yesterday, were hushed and lulled
|
|
to rest like broken waves. The same mysterious murmur he had wondered
|
|
at, when lying on his couch upon the beach, he thought he still heard
|
|
sounding through his sister's song, and through the hum of voices, and
|
|
the tread of feet, and having some part in the faces flitting by, and
|
|
even in the heavy gentleness of Mr Toots, who frequently came up to
|
|
shake him by the hand. Through the universal kindness he still thought
|
|
he heard it, speaking to him; and even his old-fashioned reputation
|
|
seemed to be allied to it, he knew not how. Thus little Paul sat
|
|
musing, listening, looking on, and dreaming; and was very happy.
|
|
|
|
Until the time arrived for taking leave: and then, indeed, there
|
|
was a sensation in the party. Sir Barnet Skettles brought up Skettles
|
|
Junior to shake hands with him, and asked him if he would remember to
|
|
tell his good Papa, with his best compliments, that he, Sir Barnet
|
|
Skettles, had said he hoped the two young gentlemen would become
|
|
intimately acquainted. Lady Skettles kissed him, and patted his hair
|
|
upon his brow, and held him in her arms; and even Mrs Baps - poor Mrs
|
|
Baps! Paul was glad of that - came over from beside the music-book of
|
|
the gentleman who played the harp, and took leave of him quite as
|
|
heartily as anybody in the room.
|
|
|
|
'Good-bye, Doctor Blimber,' said Paul, stretching out his hand.
|
|
|
|
'Good-bye, my little friend,' returned the Doctor.
|
|
|
|
'I'm very much obliged to you, Sir,' said Paul, looking innocently
|
|
up into his awful face. 'Ask them to take care of Diogenes, if you
|
|
please.'
|
|
|
|
Diogenes was the dog: who had never in his life received a friend
|
|
into his confidence, before Paul. The Doctor promised that every
|
|
attention should he paid to Diogenes in Paul's absence, and Paul
|
|
having again thanked him, and shaken hands with him, bade adieu to Mrs
|
|
Blimber and Cornelia with such heartfelt earnestness that Mrs Blimber
|
|
forgot from that moment to mention Cicero to Lady Skettles, though she
|
|
had fully intended it all the evening. Cornelia, taking both Paul's
|
|
hands in hers, said,'Dombey, Dombey, you have always been my favourite
|
|
pupil. God bless you!' And it showed, Paul thought, how easily one
|
|
might do injustice to a person; for Miss Blimber meant it - though she
|
|
was a Forcer - and felt it.
|
|
|
|
A boy then went round among the young gentlemen, of 'Dombey's
|
|
going!' 'Little Dombey's going!' and there was a general move after
|
|
Paul and Florence down the staircase and into the hall, in which the
|
|
whole Blimber family were included. Such a circumstance, Mr Feeder
|
|
said aloud, as had never happened in the case of any former young
|
|
gentleman within his experience; but it would be difficult to say if
|
|
this were sober fact or custard-cups. The servants, with the butler at
|
|
their head, had all an interest in seeing Little Dombey go; and even
|
|
the weak-eyed young man, taking out his books and trunks to the coach
|
|
that was to carry him and Florence to Mrs Pipchin's for the night,
|
|
melted visibly.
|
|
|
|
Not even the influence of the softer passion on the young gentlemen
|
|
- and they all, to a boy, doted on Florence - could restrain them from
|
|
taking quite a noisy leave of Paul; waving hats after him, pressing
|
|
downstairs to shake hands with him, crying individually 'Dombey, don't
|
|
forget me!' and indulging in many such ebullitions of feeling,
|
|
uncommon among those young Chesterfields. Paul whispered Florence, as
|
|
she wrapped him up before the door was opened, Did she hear them?
|
|
Would she ever forget it? Was she glad to know it? And a lively
|
|
delight was in his eyes as he spoke to her.
|
|
|
|
Once, for a last look, he turned and gazed upon the faces thus
|
|
addressed to him, surprised to see how shining and how bright, and
|
|
numerous they were, and how they were all piled and heaped up, as
|
|
faces are at crowded theatres. They swam before him as he looked, like
|
|
faces in an agitated glass; and next moment he was in the dark coach
|
|
outside, holding close to Florence. From that time, whenever he
|
|
thought of Doctor Blimber's, it came back as he had seen it in this
|
|
last view; and it never seemed to be a real place again, but always a
|
|
dream, full of eyes.
|
|
|
|
This was not quite the last of Doctor Blimber's, however. There was
|
|
something else. There was Mr Toots. Who, unexpectedly letting down one
|
|
of the coach-windows, and looking in, said, with a most egregious
|
|
chuckle, 'Is Dombey there?' and immediately put it up again, without
|
|
waiting for an answer. Nor was this quite the last of Mr Toots, even;
|
|
for before the coachman could drive off, he as suddenly let down the
|
|
other window, and looking in with a precisely similar chuckle, said in
|
|
a precisely similar tone of voice, 'Is Dombey there?' and disappeared
|
|
precisely as before.
|
|
|
|
How Florence laughed! Paul often remembered it, and laughed himself
|
|
whenever he did so.
|
|
|
|
But there was much, soon afterwards - next day, and after that -
|
|
which Paul could only recollect confusedly. As, why they stayed at Mrs
|
|
Pipchin's days and nights, instead of going home; why he lay in bed,
|
|
with Florence sitting by his side; whether that had been his father in
|
|
the room, or only a tall shadow on the wall; whether he had heard his
|
|
doctor say, of someone, that if they had removed him before the
|
|
occasion on which he had built up fancies, strong in proportion to his
|
|
own weakness, it was very possible he might have pined away.
|
|
|
|
He could not even remember whether he had often said to Florence,
|
|
'Oh Floy, take me home, and never leave me!' but he thought he had. He
|
|
fancied sometimes he had heard himself repeating, 'Take me home, Floy!
|
|
take me home!'
|
|
|
|
But he could remember, when he got home, and was carried up the
|
|
well-remembered stairs, that there had been the rumbling of a coach
|
|
for many hours together, while he lay upon the seat, with Florence
|
|
still beside him, and old Mrs Pipchin sitting opposite. He remembered
|
|
his old bed too, when they laid him down in it: his aunt, Miss Tox,
|
|
and Susan: but there was something else, and recent too, that still
|
|
perplexed him.
|
|
|
|
'I want to speak to Florence, if you please,' he said. 'To Florence
|
|
by herself, for a moment!'
|
|
|
|
She bent down over him, and the others stood away.
|
|
|
|
'Floy, my pet, wasn't that Papa in the hall, when they brought me
|
|
from the coach?'
|
|
|
|
'Yes, dear.'
|
|
|
|
'He didn't cry, and go into his room, Floy, did he, when he saw me
|
|
coming in?'
|
|
|
|
Florence shook her head, and pressed her lips against his cheek.
|
|
|
|
'I'm very glad he didn't cry,' said little Paul. 'I thought he did.
|
|
Don't tell them that I asked.'
|
|
|
|
CHAPTER 15.
|
|
|
|
Amazing Artfulness of Captain Cuttle, and a new Pursuit for Walter Gay
|
|
|
|
Walter could not, for several days, decide what to do in the
|
|
Barbados business; and even cherished some faint hope that Mr Dombey
|
|
might not have meant what he had said, or that he might change his
|
|
mind, and tell him he was not to go. But as nothing occurred to give
|
|
this idea (which was sufficiently improbable in itself) any touch of
|
|
confirmation, and as time was slipping by, and he had none to lose, he
|
|
felt that he must act, without hesitating any longer.
|
|
|
|
Walter's chief difficulty was, how to break the change in his
|
|
affairs to Uncle Sol, to whom he was sensible it would he a terrible
|
|
blow. He had the greater difficulty in dashing Uncle Sol's spirits
|
|
with such an astounding piece of intelligence, because they had lately
|
|
recovered very much, and the old man had become so cheerful, that the
|
|
little back parlour was itself again. Uncle Sol had paid the first
|
|
appointed portion of the debt to Mr Dombey, and was hopeful of working
|
|
his way through the rest; and to cast him down afresh, when he had
|
|
sprung up so manfully from his troubles, was a very distressing
|
|
necessity.
|
|
|
|
Yet it would never do to run away from him. He must know of it
|
|
beforehand; and how to tell him was the point. As to the question of
|
|
going or not going, Walter did not consider that he had any power of
|
|
choice in the matter. Mr Dombey had truly told him that he was young,
|
|
and that his Uncle's circumstances were not good; and Mr Dombey had
|
|
plainly expressed, in the glance with which he had accompanied that
|
|
reminder, that if he declined to go he might stay at home if he chose,
|
|
but not in his counting-house. His Uncle and he lay under a great
|
|
obligation to Mr Dombey, which was of Walter's own soliciting. He
|
|
might have begun in secret to despair of ever winning that gentleman's
|
|
favour, and might have thought that he was now and then disposed to
|
|
put a slight upon him, which was hardly just. But what would have been
|
|
duty without that, was still duty with it - or Walter thought so- and
|
|
duty must be done.
|
|
|
|
When Mr Dombey had looked at him, and told him he was young, and
|
|
that his Uncle's circumstances were not good, there had been an
|
|
expression of disdain in his face; a contemptuous and disparaging
|
|
assumption that he would be quite content to live idly on a reduced
|
|
old man, which stung the boy's generous soul. Determined to assure Mr
|
|
Dombey, in so far as it was possible to give him the assurance without
|
|
expressing it in words, that indeed he mistook his nature, Walter had
|
|
been anxious to show even more cheerfulness and activity after the
|
|
West Indian interview than he had shown before: if that were possible,
|
|
in one of his quick and zealous disposition. He was too young and
|
|
inexperienced to think, that possibly this very quality in him was not
|
|
agreeable to Mr Dombey, and that it was no stepping-stone to his good
|
|
opinion to be elastic and hopeful of pleasing under the shadow of his
|
|
powerful displeasure, whether it were right or wrong. But it may have
|
|
been - it may have been- that the great man thought himself defied in
|
|
this new exposition of an honest spirit, and purposed to bring it
|
|
down.
|
|
|
|
'Well! at last and at least, Uncle Sol must be told,' thought
|
|
Walter, with a sigh. And as Walter was apprehensive that his voice
|
|
might perhaps quaver a little, and that his countenance might not be
|
|
quite as hopeful as he could wish it to be, if he told the old man
|
|
himself, and saw the first effects of his communication on his
|
|
wrinkled face, he resolved to avail himself of the services of that
|
|
powerful mediator, Captain Cuttle. Sunday coming round, he set off
|
|
therefore, after breakfast, once more to beat up Captain Cuttle's
|
|
quarters.
|
|
|
|
It was not unpleasant to remember, on the way thither, that Mrs
|
|
MacStinger resorted to a great distance every Sunday morning, to
|
|
attend the ministry of the Reverend Melchisedech Howler, who, having
|
|
been one day discharged from the West India Docks on a false suspicion
|
|
(got up expressly against him by the general enemy) of screwing
|
|
gimlets into puncheons, and applying his lips to the orifice, had
|
|
announced the destruction of the world for that day two years, at ten
|
|
in the morning, and opened a front parlour for the reception of ladies
|
|
and gentlemen of the Ranting persuasion, upon whom, on the first
|
|
occasion of their assemblage, the admonitions of the Reverend
|
|
Melchisedech had produced so powerful an effect, that, in their
|
|
rapturous performance of a sacred jig, which closed the service, the
|
|
whole flock broke through into a kitchen below, and disabled a mangle
|
|
belonging to one of the fold.
|
|
|
|
This the Captain, in a moment of uncommon conviviality, had
|
|
confided to Walter and his Uncle, between the repetitions of lovely
|
|
Peg, on the night when Brogley the broker was paid out. The Captain
|
|
himself was punctual in his attendance at a church in his own
|
|
neighbourhood, which hoisted the Union Jack every Sunday morning; and
|
|
where he was good enough - the lawful beadle being infirm - to keep an
|
|
eye upon the boys, over whom he exercised great power, in virtue of
|
|
his mysterious hook. Knowing the regularity of the Captain's habits,
|
|
Walter made all the haste he could, that he might anticipate his going
|
|
out; and he made such good speed, that he had the pleasure, on turning
|
|
into Brig Place, to behold the broad blue coat and waistcoat hanging
|
|
out of the Captain's oPen window, to air in the sun.
|
|
|
|
It appeared incredible that the coat and waistcoat could be seen by
|
|
mortal eyes without the Captain; but he certainly was not in them,
|
|
otherwise his legs - the houses in Brig Place not being lofty- would
|
|
have obstructed the street door, which was perfectly clear. Quite
|
|
wondering at this discovery, Walter gave a single knock.
|
|
|
|
'Stinger,' he distinctly heard the Captain say, up in his room, as
|
|
if that were no business of his. Therefore Walter gave two knocks.
|
|
|
|
'Cuttle,' he heard the Captain say upon that; and immediately
|
|
afterwards the Captain, in his clean shirt and braces, with his
|
|
neckerchief hanging loosely round his throat like a coil of rope, and
|
|
his glazed hat on, appeared at the window, leaning out over the broad
|
|
blue coat and waistcoat.
|
|
|
|
'Wal'r!' cried the Captain, looking down upon him in amazement.
|
|
|
|
'Ay, ay, Captain Cuttle,' returned Walter, 'only me'
|
|
|
|
'What's the matter, my lad?' inquired the Captain, with great
|
|
concern. 'Gills an't been and sprung nothing again?'
|
|
|
|
'No, no,' said Walter. 'My Uncle's all right, Captain Cuttle.'
|
|
|
|
The Captain expressed his gratification, and said he would come
|
|
down below and open the door, which he did.
|
|
|
|
'Though you're early, Wal'r,' said the Captain, eyeing him still
|
|
doubtfully, when they got upstairs:
|
|
|
|
'Why, the fact is, Captain Cuttle,' said Walter, sitting down, 'I
|
|
was afraid you would have gone out, and I want to benefit by your
|
|
friendly counsel.'
|
|
|
|
'So you shall,' said the Captain; 'what'll you take?'
|
|
|
|
'I want to take your opinion, Captain Cuttle,' returned Walter,
|
|
smiling. 'That's the only thing for me.'
|
|
|
|
'Come on then,' said the Captain. 'With a will, my lad!'
|
|
|
|
Walter related to him what had happened; and the difficulty in
|
|
which he felt respecting his Uncle, and the relief it would be to him
|
|
if Captain Cuttle, in his kindness, would help him to smooth it away;
|
|
Captain Cuttle's infinite consternation and astonishment at the
|
|
prospect unfolded to him, gradually swallowing that gentleman up,
|
|
until it left his face quite vacant, and the suit of blue, the glazed
|
|
hat, and the hook, apparently without an owner.
|
|
|
|
'You see, Captain Cuttle,' pursued Walter, 'for myself, I am young,
|
|
as Mr Dombey said, and not to be considered. I am to fight my way
|
|
through the world, I know; but there are two points I was thinking, as
|
|
I came along, that I should be very particular about, in respect to my
|
|
Uncle. I don't mean to say that I deserve to be the pride and delight
|
|
of his life - you believe me, I know - but I am. Now, don't you think
|
|
I am?'
|
|
|
|
The Captain seemed to make an endeavour to rise from the depths of
|
|
his astonishment, and get back to his face; but the effort being
|
|
ineffectual, the glazed hat merely nodded with a mute, unutterable
|
|
meaning.
|
|
|
|
'If I live and have my health,' said Walter, 'and I am not afraid
|
|
of that, still, when I leave England I can hardly hope to see my Uncle
|
|
again. He is old, Captain Cuttle; and besides, his life is a life of
|
|
custom - '
|
|
|
|
'Steady, Wal'r! Of a want of custom?' said the Captain, suddenly
|
|
reappearing.
|
|
|
|
'Too true,' returned Walter, shaking his head: 'but I meant a life
|
|
of habit, Captain Cuttle - that sort of custom. And if (as you very
|
|
truly said, I am sure) he would have died the sooner for the loss of
|
|
the stock, and all those objects to which he has been accustomed for
|
|
so many years, don't you think he might die a little sooner for the
|
|
loss of - '
|
|
|
|
'Of his Nevy,' interposed the Captain. 'Right!'
|
|
|
|
'Well then,' said Walter, trying to speak gaily, 'we must do our
|
|
best to make him believe that the separation is but a temporary one,
|
|
after all; but as I know better, or dread that I know better, Captain
|
|
Cuttle, and as I have so many reasons for regarding him with
|
|
affection, and duty, and honour, I am afraid I should make but a very
|
|
poor hand at that, if I tried to persuade him of it. That's my great
|
|
reason for wishing you to break it out to him; and that's the first
|
|
point.'
|
|
|
|
'Keep her off a point or so!' observed the Captain, in a
|
|
comtemplative voice.
|
|
|
|
'What did you say, Captain Cuttle?' inquired Walter.
|
|
|
|
'Stand by!' returned the Captain, thoughtfully.
|
|
|
|
Walter paused to ascertain if the Captain had any particular
|
|
information to add to this, but as he said no more, went on.
|
|
|
|
'Now, the second point, Captain Cuttle. I am sorry to say, I am not
|
|
a favourite with Mr Dombey. I have always tried to do my best, and I
|
|
have always done it; but he does not like me. He can't help his
|
|
likings and dislikings, perhaps. I say nothing of that. I only say
|
|
that I am certain he does not like me. He does not send me to this
|
|
post as a good one; he disclaims to represent it as being better than
|
|
it is; and I doubt very much if it will ever lead me to advancement in
|
|
the House - whether it does not, on the contrary, dispose of me for
|
|
ever, and put me out of the way. Now, we must say nothing of this to
|
|
my Uncle, Captain Cuttle, but must make it out to be as favourable and
|
|
promising as we can; and when I tell you what it really is, I only do
|
|
so, that in case any means should ever arise of lending me a hand, so
|
|
far off, I may have one friend at home who knows my real situation.
|
|
|
|
'Wal'r, my boy,' replied the Captain, 'in the Proverbs of Solomon
|
|
you will find the following words, "May we never want a friend in
|
|
need, nor a bottle to give him!" When found, make a note of.'
|
|
|
|
Here the Captain stretched out his hand to Walter, with an air of
|
|
downright good faith that spoke volumes; at the same time repeating
|
|
(for he felt proud of the accuracy and pointed application of his
|
|
quotation), 'When found, make a note of.'
|
|
|
|
'Captain Cuttle,' said Walter, taking the immense fist extended to
|
|
him by the Captain in both his hands, which it completely filled, next
|
|
to my Uncle Sol, I love you. There is no one on earth in whom I can
|
|
more safely trust, I am sure. As to the mere going away, Captain
|
|
Cuttle, I don't care for that; why should I care for that! If I were
|
|
free to seek my own fortune - if I were free to go as a common sailor
|
|
- if I were free to venture on my own account to the farthest end of
|
|
the world - I would gladly go! I would have gladly gone, years ago,
|
|
and taken my chance of what might come of it. But it was against my
|
|
Uncle's wishes, and against the plans he had formed for me; and there
|
|
was an end of that. But what I feel, Captain Cuttle, is that we have
|
|
been a little mistaken all along, and that, so far as any improvement
|
|
in my prospects is concerned, I am no better off now than I was when I
|
|
first entered Dombey's House - perhaps a little worse, for the House
|
|
may have been kindly inclined towards me then, and it certainly is not
|
|
now.'
|
|
|
|
'Turn again, Whittington,' muttered the disconsolate Captain, after
|
|
looking at Walter for some time.
|
|
|
|
'Ay,' replied Walter, laughing, 'and turn a great many times, too,
|
|
Captain Cuttle, I'm afraid, before such fortune as his ever turns up
|
|
again. Not that I complain,' he added, in his lively, animated,
|
|
energetic way. 'I have nothing to complain of. I am provided for. I
|
|
can live. When I leave my Uncle, I leave him to you; and I can leave
|
|
him to no one better, Captain Cuttle. I haven't told you all this
|
|
because I despair, not I; it's to convince you that I can't pick and
|
|
choose in Dombey's House, and that where I am sent, there I must go,
|
|
and what I am offered, that I must take. It's better for my Uncle that
|
|
I should be sent away; for Mr Dombey is a valuable friend to him, as
|
|
he proved himself, you know when, Captain Cuttle; and I am persuaded
|
|
he won't be less valuable when he hasn't me there, every day, to
|
|
awaken his dislike. So hurrah for the West Indies, Captain Cuttle! How
|
|
does that tune go that the sailors sing?
|
|
|
|
'For the Port of Barbados, Boys!
|
|
|
|
Cheerily!
|
|
|
|
Leaving old England behind us, Boys!
|
|
|
|
Cheerily!'
|
|
Here the Captain roared in chorus -
|
|
|
|
'Oh cheerily, cheerily!
|
|
|
|
Oh cheer-i-ly!'
|
|
|
|
The last line reaching the quick ears of an ardent skipper not
|
|
quite sober, who lodged opposite, and who instantly sprung out of bed,
|
|
threw up his window, and joined in, across the street, at the top of
|
|
his voice, produced a fine effect. When it was impossible to sustain
|
|
the concluding note any longer, the skipper bellowed forth a terrific
|
|
'ahoy!' intended in part as a friendly greeting, and in part to show
|
|
that he was not at all breathed. That done, he shut down his window,
|
|
and went to bed again.
|
|
|
|
'And now, Captain Cuttle,' said Walter, handing him the blue coat
|
|
and waistcoat, and bustling very much, 'if you'll come and break the
|
|
news to Uncle Sol (which he ought to have known, days upon days ago,
|
|
by rights), I'll leave you at the door, you know, and walk about until
|
|
the afternoon.'
|
|
|
|
The Captain, however, scarcely appeared to relish the commission,
|
|
or to be by any means confident of his powers of executing it. He had
|
|
arranged the future life and adventures of Walter so very differently,
|
|
and so entirely to his own satisfaction; he had felicitated himself so
|
|
often on the sagacity and foresight displayed in that arrangement, and
|
|
had found it so complete and perfect in all its parts; that to suffer
|
|
it to go to pieces all at once, and even to assist in breaking it up,
|
|
required a great effort of his resolution. The Captain, too, found it
|
|
difficult to unload his old ideas upon the subject, and to take a
|
|
perfectly new cargo on board, with that rapidity which the
|
|
circumstances required, or without jumbling and confounding the two.
|
|
Consequently, instead of putting on his coat and waistcoat with
|
|
anything like the impetuosity that could alone have kept pace with
|
|
Walter's mood, he declined to invest himself with those garments at
|
|
all at present; and informed Walter that on such a serious matter, he
|
|
must be allowed to 'bite his nails a bit'
|
|
|
|
'It's an old habit of mine, Wal'r,' said the Captain, 'any time
|
|
these fifty year. When you see Ned Cuttle bite his nails, Wal'r, then
|
|
you may know that Ned Cuttle's aground.'
|
|
|
|
Thereupon the Captain put his iron hook between his teeth, as if it
|
|
were a hand; and with an air of wisdom and profundity that was the
|
|
very concentration and sublimation of all philosophical reflection and
|
|
grave inquiry, applied himself to the consideration of the subject in
|
|
its various branches.
|
|
|
|
'There's a friend of mine,' murmured the Captain, in an absent
|
|
manner, 'but he's at present coasting round to Whitby, that would
|
|
deliver such an opinion on this subject, or any other that could be
|
|
named, as would give Parliament six and beat 'em. Been knocked
|
|
overboard, that man,' said the Captain, 'twice, and none the worse for
|
|
it. Was beat in his apprenticeship, for three weeks (off and on),
|
|
about the head with a ring-bolt. And yet a clearer-minded man don't
|
|
walk.'
|
|
|
|
Despite of his respect for Captain Cuttle, Walter could not help
|
|
inwardly rejoicing at the absence of this sage, and devoutly hoping
|
|
that his limpid intellect might not be brought to bear on his
|
|
difficulties until they were quite settled.
|
|
|
|
'If you was to take and show that man the buoy at the Nore,' said
|
|
Captain Cuttle in the same tone, 'and ask him his opinion of it,
|
|
Wal'r, he'd give you an opinion that was no more like that buoy than
|
|
your Uncle's buttons are. There ain't a man that walks - certainly not
|
|
on two legs - that can come near him. Not near him!'
|
|
|
|
'What's his name, Captain Cuttle?' inquired Walter, determined to
|
|
be interested in the Captain's friend.
|
|
|
|
'His name's Bunsby, said the Captain. 'But Lord, it might be
|
|
anything for the matter of that, with such a mind as his!'
|
|
|
|
The exact idea which the Captain attached to this concluding piece
|
|
of praise, he did not further elucidate; neither did Walter seek to
|
|
draw it forth. For on his beginning to review, with the vivacity
|
|
natural to himself and to his situation, the leading points in his own
|
|
affairs, he soon discovered that the Captain had relapsed into his
|
|
former profound state of mind; and that while he eyed him steadfastly
|
|
from beneath his bushy eyebrows, he evidently neither saw nor heard
|
|
him, but remained immersed in cogitation.
|
|
|
|
In fact, Captain Cuttle was labouring with such great designs, that
|
|
far from being aground, he soon got off into the deepest of water, and
|
|
could find no bottom to his penetration. By degrees it became
|
|
perfectly plain to the Captain that there was some mistake here; that
|
|
it was undoubtedly much more likely to be Walter's mistake than his;
|
|
that if there were really any West India scheme afoot, it was a very
|
|
different one from what Walter, who was young and rash, supposed; and
|
|
could only be some new device for making his fortune with unusual
|
|
celerity. 'Or if there should be any little hitch between 'em,'
|
|
thought the Captain, meaning between Walter and Mr Dombey, 'it only
|
|
wants a word in season from a friend of both parties, to set it right
|
|
and smooth, and make all taut again.' Captain Cuttle's deduction from
|
|
these considerations was, that as he already enjoyed the pleasure of
|
|
knowing Mr Dombey, from having spent a very agreeable half-hour in his
|
|
company at Brighton (on the morning when they borrowed the money); and
|
|
that, as a couple of men of the world, who understood each other, and
|
|
were mutually disposed to make things comfortable, could easily
|
|
arrange any little difficulty of this sort, and come at the real
|
|
facts; the friendly thing for him to do would be, without saying
|
|
anything about it to Walter at present, just to step up to Mr Dombey's
|
|
house - say to the servant 'Would ye be so good, my lad, as report
|
|
Cap'en Cuttle here?' - meet Mr Dombey in a confidential spirit- hook
|
|
him by the button-hole - talk it over - make it all right - and come
|
|
away triumphant!
|
|
|
|
As these reflections presented themselves to the Captain's mind,
|
|
and by slow degrees assumed this shape and form, his visage cleared
|
|
like a doubtful morning when it gives place to a bright noon. His
|
|
eyebrows, which had been in the highest degree portentous, smoothed
|
|
their rugged bristling aspect, and became serene; his eyes, which had
|
|
been nearly closed in the severity of his mental exercise, opened
|
|
freely; a smile which had been at first but three specks - one at the
|
|
right-hand corner of his mouth, and one at the corner of each eye -
|
|
gradually overspread his whole face, and, rippling up into his
|
|
forehead, lifted the glazed hat: as if that too had been aground with
|
|
Captain Cuttle, and were now, like him, happily afloat again.
|
|
|
|
Finally, the Captain left off biting his nails, and said, 'Now,
|
|
Wal'r, my boy, you may help me on with them slops.' By which the
|
|
Captain meant his coat and waistcoat.
|
|
|
|
Walter little imagined why the Captain was so particular in the
|
|
arrangement of his cravat, as to twist the pendent ends into a sort of
|
|
pigtail, and pass them through a massive gold ring with a picture of a
|
|
tomb upon it, and a neat iron railing, and a tree, in memory of some
|
|
deceased friend. Nor why the Captain pulled up his shirt-collar to the
|
|
utmost limits allowed by the Irish linen below, and by so doing
|
|
decorated himself with a complete pair of blinkers; nor why he changed
|
|
his shoes, and put on an unparalleled pair of ankle-jacks, which he
|
|
only wore on extraordinary occasions. The Captain being at length
|
|
attired to his own complete satisfaction, and having glanced at
|
|
himself from head to foot in a shaving-glass which he removed from a
|
|
nail for that purpose, took up his knotted stick, and said he was
|
|
ready.
|
|
|
|
The Captain's walk was more complacent than usual when they got out
|
|
into the street; but this Walter supposed to be the effect of the
|
|
ankle-jacks, and took little heed of. Before they had gone very far,
|
|
they encountered a woman selling flowers; when the Captain stopping
|
|
short, as if struck by a happy idea, made a purchase of the largest
|
|
bundle in her basket: a most glorious nosegay, fan-shaped, some two
|
|
feet and a half round, and composed of all the jolliest-looking
|
|
flowers that blow.
|
|
|
|
Armed with this little token which he designed for Mr Dombey,
|
|
Captain Cuttle walked on with Walter until they reached the
|
|
Instrument-maker's door, before which they both paused.
|
|
|
|
'You're going in?' said Walter.
|
|
|
|
'Yes,' returned the Captain, who felt that Walter must be got rid
|
|
of before he proceeded any further, and that he had better time his
|
|
projected visit somewhat later in the day.
|
|
|
|
'And you won't forget anything?'
|
|
|
|
'No,' returned the Captain.
|
|
|
|
'I'll go upon my walk at once,' said Walter, 'and then I shall be
|
|
out of the way, Captain Cuttle.'
|
|
|
|
'Take a good long 'un, my lad!' replied the Captain, calling after
|
|
him. Walter waved his hand in assent, and went his way.
|
|
|
|
His way was nowhere in particular; but he thought he would go out
|
|
into the fields, where he could reflect upon the unknown life before
|
|
him, and resting under some tree, ponder quietly. He knew no better
|
|
fields than those near Hampstead, and no better means of getting at
|
|
them than by passing Mr Dombey's house.
|
|
|
|
It was as stately and as dark as ever, when he went by and glanced
|
|
up at its frowning front. The blinds were all pulled down, but the
|
|
upper windows stood wide open, and the pleasant air stirring those
|
|
curtains and waving them to and fro was the only sign of animation in
|
|
the whole exterior. Walter walked softly as he passed, and was glad
|
|
when he had left the house a door or two behind.
|
|
|
|
He looked back then; with the interest he had always felt for the
|
|
place since the adventure of the lost child, years ago; and looked
|
|
especially at those upper windows. While he was thus engaged, a
|
|
chariot drove to the door, and a portly gentleman in black, with a
|
|
heavy watch-chain, alighted, and went in. When he afterwards
|
|
remembered this gentleman and his equipage together, Walter had no
|
|
doubt be was a physician; and then he wondered who was ill; but the
|
|
discovery did not occur to him until he had walked some distance,
|
|
thinking listlessly of other things.
|
|
|
|
Though still, of what the house had suggested to him; for Walter
|
|
pleased hImself with thinking that perhaps the time might come, when
|
|
the beautiful child who was his old friend and had always been so
|
|
grateful to him and so glad to see him since, might interest her
|
|
brother in his behalf and influence his fortunes for the better. He
|
|
liked to imagine this - more, at that moment, for the pleasure of
|
|
imagining her continued remembrance of him, than for any worldly
|
|
profit he might gain: but another and more sober fancy whispered to
|
|
him that if he were alive then, he would be beyond the sea and
|
|
forgotten; she married, rich, proud, happy. There was no more reason
|
|
why she should remember him with any interest in such an altered state
|
|
of things, than any plaything she ever had. No, not so much.
|
|
|
|
Yet Walter so idealised the pretty child whom he had found
|
|
wandering in the rough streets, and so identified her with her
|
|
innocent gratitude of that night and the simplicity and truth of its
|
|
expression, that he blushed for himself as a libeller when he argued
|
|
that she could ever grow proud. On the other hand, his meditations
|
|
were of that fantastic order that it seemed hardly less libellous in
|
|
him to imagine her grown a woman: to think of her as anything but the
|
|
same artless, gentle, winning little creature, that she had been in
|
|
the days of Good Mrs Brown. In a word, Walter found out that to reason
|
|
with himself about Florence at all, was to become very unreasonable
|
|
indeed; and that he could do no better than preserve her image in his
|
|
mind as something precious, unattainable, unchangeable, and indefinite
|
|
- indefinite in all but its power of giving him pleasure, and
|
|
restraining him like an angel's hand from anything unworthy.
|
|
|
|
It was a long stroll in the fields that Walter took that day,
|
|
listening to the birds, and the Sunday bells, and the softened murmur
|
|
of the town - breathing sweet scents; glancing sometimes at the dim
|
|
horizon beyond which his voyage and his place of destination lay; then
|
|
looking round on the green English grass and the home landscape. But
|
|
he hardly once thought, even of going away, distinctly; and seemed to
|
|
put off reflection idly, from hour to hour, and from minute to minute,
|
|
while he yet went on reflecting all the time.
|
|
|
|
Walter had left the fields behind him, and was plodding homeward in
|
|
the same abstracted mood, when he heard a shout from a man, and then a
|
|
woman's voice calling to him loudly by name. Turning quickly in his
|
|
surprise, he saw that a hackney-coach, going in the contrary
|
|
direction, had stopped at no great distance; that the coachman was
|
|
looking back from his box and making signals to him with his whip; and
|
|
that a young woman inside was leaning out of the window, and beckoning
|
|
with immense energy. Running up to this coach, he found that the young
|
|
woman was Miss Nipper, and that Miss Nipper was in such a flutter as
|
|
to be almost beside herself.
|
|
|
|
'Staggs's Gardens, Mr Walter!' said Miss Nipper; 'if you please, oh
|
|
do!'
|
|
|
|
'Eh?' cried Walter; 'what is the matter?'
|
|
|
|
'Oh, Mr Walter, Staggs's Gardens, if you please!' said Susan.
|
|
|
|
'There!' cried the coachman, appealing to Walter, with a sort of
|
|
exalting despair; 'that's the way the young lady's been a goin' on for
|
|
up'ards of a mortal hour, and me continivally backing out of no
|
|
thoroughfares, where she would drive up. I've had a many fares in this
|
|
coach, first and last, but never such a fare as her.'
|
|
|
|
'Do you want to go to Staggs's Gardens, Susan?' inquired Walter.
|
|
|
|
'Ah! She wants to go there! WHERE IS IT?' growled the coachman.
|
|
|
|
'I don't know where it is!' exclaimed Susan, wildly. 'Mr Walter, I
|
|
was there once myself, along with Miss Floy and our poor darling
|
|
Master Paul, on the very day when you found Miss Floy in the City, for
|
|
we lost her coming home, Mrs Richards and me, and a mad bull, and Mrs
|
|
Richards's eldest, and though I went there afterwards, I can't
|
|
remember where it is, I think it's sunk into the ground. Oh, Mr
|
|
Walter, don't desert me, Staggs's Gardens, if you please! Miss Floy's
|
|
darling - all our darlings - little, meek, meek Master Paul! Oh Mr
|
|
Walter!'
|
|
|
|
'Good God!' cried Walter. 'Is he very ill?'
|
|
|
|
'The pretty flower!' cried Susan, wringing her hands, 'has took the
|
|
fancy that he'd like to see his old nurse, and I've come to bring her
|
|
to his bedside, Mrs Staggs, of Polly Toodle's Gardens, someone pray!'
|
|
|
|
Greatly moved by what he heard, and catching Susan's earnestness
|
|
immediately, Walter, now that he understood the nature of her errand,
|
|
dashed into it with such ardour that the coachman had enough to do to
|
|
follow closely as he ran before, inquiring here and there and
|
|
everywhere, the way to Staggs's Gardens.
|
|
|
|
There was no such place as Staggs's Gardens. It had vanished from
|
|
the earth. Where the old rotten summer-houses once had stood, palaces
|
|
now reared their heads, and granite columns of gigantic girth opened a
|
|
vista to the railway world beyond. The miserable waste ground, where
|
|
the refuse-matter had been heaped of yore, was swallowed up and gone;
|
|
and in its frowsy stead were tiers of warehouses, crammed with rich
|
|
goods and costly merchandise. The old by-streets now swarmed with
|
|
passengers and vehicles of every kind: the new streets that had
|
|
stopped disheartened in the mud and waggon-ruts, formed towns within
|
|
themselves, originating wholesome comforts and conveniences belonging
|
|
to themselves, and never tried nor thought of until they sprung into
|
|
existence. Bridges that had led to nothing, led to villas, gardens,
|
|
churches, healthy public walks. The carcasses of houses, and
|
|
beginnings of new thoroughfares, had started off upon the line at
|
|
steam's own speed, and shot away into the country in a monster train.'
|
|
|
|
As to the neighbourhood which had hesitated to acknowledge the
|
|
railroad in its straggling days, that had grown wise and penitent, as
|
|
any Christian might in such a case, and now boasted of its powerful
|
|
and prosperous relation. There were railway patterns in its drapers'
|
|
shops, and railway journals in the windows of its newsmen. There were
|
|
railway hotels, office-houses, lodging-houses, boarding-houses;
|
|
railway plans, maps, views, wrappers, bottles, sandwich-boxes, and
|
|
time-tables; railway hackney-coach and stands; railway omnibuses,
|
|
railway streets and buildings, railway hangers-on and parasites, and
|
|
flatterers out of all calculation. There was even railway time
|
|
observed in clocks, as if the sun itself had given in. Among the
|
|
vanquished was the master chimney-sweeper, whilom incredulous at
|
|
Staggs's Gardens, who now lived in a stuccoed house three stories
|
|
high, and gave himself out, with golden flourishes upon a varnished
|
|
board, as contractor for the cleansing of railway chimneys by
|
|
machinery.
|
|
|
|
To and from the heart of this great change, all day and night,
|
|
throbbing currents rushed and returned incessantly like its life's
|
|
blood. Crowds of people and mountains of goods, departing and arriving
|
|
scores upon scores of times in every four-and-twenty hours, produced a
|
|
fermentation in the place that was always in action. The very houses
|
|
seemed disposed to pack up and take trips. Wonderful Members of
|
|
Parliament, who, little more than twenty years before, had made
|
|
themselves merry with the wild railroad theories of engineers, and
|
|
given them the liveliest rubs in cross-examination, went down into the
|
|
north with their watches in their hands, and sent on messages before
|
|
by the electric telegraph, to say that they were coming. Night and day
|
|
the conquering engines rumbled at their distant work, or, advancing
|
|
smoothly to their journey's end, and gliding like tame dragons into
|
|
the allotted corners grooved out to the inch for their reception,
|
|
stood bubbling and trembling there, making the walls quake, as if they
|
|
were dilating with the secret knowledge of great powers yet
|
|
unsuspected in them, and strong purposes not yet achieved.
|
|
|
|
But Staggs's Gardens had been cut up root and branch. Oh woe the
|
|
day when 'not a rood of English ground' - laid out in Staggs's Gardens
|
|
- is secure!
|
|
|
|
At last, after much fruitless inquiry, Walter, followed by the
|
|
coach and Susan, found a man who had once resided in that vanished
|
|
land, and who was no other than the master sweep before referred to,
|
|
grown stout, and knocking a double knock at his own door. He knowed
|
|
Toodle, he said, well. Belonged to the Railroad, didn't he?
|
|
|
|
'Yes' sir, yes!' cried Susan Nipper from the coach window.
|
|
|
|
Where did he live now? hastily inquired Walter.
|
|
|
|
He lived in the Company's own Buildings, second turning to the
|
|
right, down the yard, cross over, and take the second on the right
|
|
again. It was number eleven; they couldn't mistake it; but if they
|
|
did, they had only to ask for Toodle, Engine Fireman, and any one
|
|
would show them which was his house. At this unexpected stroke of
|
|
success Susan Nipper dismounted from the coach with all speed, took
|
|
Walter's arm, and set off at a breathless pace on foot; leaving the
|
|
coach there to await their return.
|
|
|
|
'Has the little boy been long ill, Susan?' inquired Walter, as they
|
|
hurried on.
|
|
|
|
'Ailing for a deal of time, but no one knew how much,' said Susan;
|
|
adding, with excessive sharpness, 'Oh, them Blimbers!'
|
|
|
|
'Blimbers?' echoed Walter.
|
|
|
|
'I couldn't forgive myself at such a time as this, Mr Walter,' said
|
|
Susan, 'and when there's so much serious distress to think about, if I
|
|
rested hard on anyone, especially on them that little darling Paul
|
|
speaks well of, but I may wish that the family was set to work in a
|
|
stony soil to make new roads, and that Miss Blimber went in front, and
|
|
had the pickaxe!'
|
|
|
|
Miss Nipper then took breath, and went on faster than before, as if
|
|
this extraordinary aspiration had relieved her. Walter, who had by
|
|
this time no breath of his own to spare, hurried along without asking
|
|
any more questions; and they soon, in their impatience, burst in at a
|
|
little door and came into a clean parlour full of children.
|
|
|
|
'Where's Mrs Richards?' exclaimed Susan Nipper, looking round. 'Oh
|
|
Mrs Richards, Mrs Richards, come along with me, my dear creetur!'
|
|
|
|
'Why, if it ain't Susan!' cried Polly, rising with her honest face
|
|
and motherly figure from among the group, in great surprIse.
|
|
|
|
'Yes, Mrs Richards, it's me,' said Susan, 'and I wish it wasn't,
|
|
though I may not seem to flatter when I say so, but little Master Paul
|
|
is very ill, and told his Pa today that he would like to see the face
|
|
of his old nurse, and him and Miss Floy hope you'll come along with me
|
|
- and Mr Walter, Mrs Richards - forgetting what is past, and do a
|
|
kindness to the sweet dear that is withering away. Oh, Mrs Richards,
|
|
withering away!' Susan Nipper crying, Polly shed tears to see her, and
|
|
to hear what she had said; and all the children gathered round
|
|
(including numbers of new babies); and Mr Toodle, who had just come
|
|
home from Birmingham, and was eating his dinner out of a basin, laid
|
|
down his knife and fork, and put on his wife's bonnet and shawl for
|
|
her, which were hanging up behind the door; then tapped her on the
|
|
back; and said, with more fatherly feeling than eloquence, 'Polly! cut
|
|
away!'
|
|
|
|
So they got back to the coach, long before the coachman expected
|
|
them; and Walter, putting Susan and Mrs Richards inside, took his seat
|
|
on the box himself that there might be no more mistakes, and deposited
|
|
them safely in the hall of Mr Dombey's house - where, by the bye, he
|
|
saw a mighty nosegay lying, which reminded him of the one Captain
|
|
Cuttle had purchased in his company that morning. He would have
|
|
lingered to know more of the young invalid, or waited any length of
|
|
time to see if he could render the least service; but, painfully
|
|
sensible that such conduct would be looked upon by Mr Dombey as
|
|
presumptuous and forward, he turned slowly, sadly, anxiously, away.
|
|
|
|
He had not gone five minutes' walk from the door, when a man came
|
|
running after him, and begged him to return. Walter retraced his steps
|
|
as quickly as he could, and entered the gloomy house with a sorrowful
|
|
foreboding.
|
|
|
|
CHAPTER 16.
|
|
|
|
What the Waves were always saying
|
|
|
|
Paul had never risen from his little bed. He lay there, listening
|
|
to the noises in the street, quite tranquilly; not caring much how the
|
|
time went, but watching it and watching everything about him with
|
|
observing eyes.
|
|
|
|
When the sunbeams struck into his room through the rustling blinds,
|
|
and quivered on the opposite wall like golden water, he knew that
|
|
evening was coming on, and that the sky was red and beautiful. As the
|
|
reflection died away, and a gloom went creeping up the wall, he
|
|
watched it deepen, deepen, deepen, into night. Then he thought how the
|
|
long streets were dotted with lamps, and how the peaceful stars were
|
|
shining overhead. His fancy had a strange tendency to wander to the
|
|
river, which he knew was flowing through the great city; and now he
|
|
thought how black it was, and how deep it would look, reflecting the
|
|
hosts of stars - and more than all, how steadily it rolled away to
|
|
meet the sea.
|
|
|
|
As it grew later in the night, and footsteps in the street became
|
|
so rare that he could hear them coming, count them as they passed, and
|
|
lose them in the hollow distance, he would lie and watch the
|
|
many-coloured ring about the candle, and wait patiently for day. His
|
|
only trouble was, the swift and rapid river. He felt forced,
|
|
sometimes, to try to stop it - to stem it with his childish hands - or
|
|
choke its way with sand - and when he saw it coming on, resistless, he
|
|
cried out! But a word from Florence, who was always at his side,
|
|
restored him to himself; and leaning his poor head upon her breast, he
|
|
told Floy of his dream, and smiled.
|
|
|
|
When day began to dawn again, he watched for the sun; and when its
|
|
cheerful light began to sparkle in the room, he pictured to himself -
|
|
pictured! he saw - the high church towers rising up into the morning
|
|
sky, the town reviving, waking, starting into life once more, the
|
|
river glistening as it rolled (but rolling fast as ever), and the
|
|
country bright with dew. Familiar sounds and cries came by degrees
|
|
into the street below; the servants in the house were roused and busy;
|
|
faces looked in at the door, and voices asked his attendants softly
|
|
how he was. Paul always answered for himself, 'I am better. I am a
|
|
great deal better, thank you! Tell Papa so!'
|
|
|
|
By little and little, he got tired of the bustle of the day, the
|
|
noise of carriages and carts, and people passing and repassing; and
|
|
would fall asleep, or be troubled with a restless and uneasy sense
|
|
again - the child could hardly tell whether this were in his sleeping
|
|
or his waking moments - of that rushing river. 'Why, will it never
|
|
stop, Floy?' he would sometimes ask her. 'It is bearing me away, I
|
|
think!'
|
|
|
|
But Floy could always soothe and reassure him; and it was his daily
|
|
delight to make her lay her head down on his pillow, and take some
|
|
rest.
|
|
|
|
'You are always watching me, Floy, let me watch you, now!' They
|
|
would prop him up with cushions in a corner of his bed, and there he
|
|
would recline the while she lay beside him: bending forward oftentimes
|
|
to kiss her, and whispering to those who were near that she was tired,
|
|
and how she had sat up so many nights beside him.
|
|
|
|
Thus, the flush of the day, in its heat and light, would gradually
|
|
decline; and again the golden water would be dancing on the wall.
|
|
|
|
He was visited by as many as three grave doctors - they used to
|
|
assemble downstairs, and come up together - and the room was so quiet,
|
|
and Paul was so observant of them (though he never asked of anybody
|
|
what they said), that he even knew the difference in the sound of
|
|
their watches. But his interest centred in Sir Parker Peps, who always
|
|
took his seat on the side of the bed. For Paul had heard them say long
|
|
ago, that that gentleman had been with his Mama when she clasped
|
|
Florence in her arms, and died. And he could not forget it, now. He
|
|
liked him for it. He was not afraid.
|
|
|
|
The people round him changed as unaccountably as on that first
|
|
night at Doctor Blimber's - except Florence; Florence never changed -
|
|
and what had been Sir Parker Peps, was now his father, sitting with
|
|
his head upon his hand. Old Mrs Pipchin dozing in an easy chair, often
|
|
changed to Miss Tox, or his aunt; and Paul was quite content to shut
|
|
his eyes again, and see what happened next, without emotion. But this
|
|
figure with its head upon its hand returned so often, and remained so
|
|
long, and sat so still and solemn, never speaking, never being spoken
|
|
to, and rarely lifting up its face, that Paul began to wonder
|
|
languidly, if it were real; and in the night-time saw it sitting
|
|
there, with fear.
|
|
|
|
'Floy!' he said. 'What is that?'
|
|
|
|
'Where, dearest?'
|
|
|
|
'There! at the bottom of the bed.'
|
|
|
|
'There's nothing there, except Papa!'
|
|
|
|
The figure lifted up its head, and rose, and coming to the bedside,
|
|
said:
|
|
|
|
'My own boy! Don't you know me?'
|
|
|
|
Paul looked it in the face, and thought, was this his father? But
|
|
the face so altered to his thinking, thrilled while he gazed, as if it
|
|
were in pain; and before he could reach out both his hands to take it
|
|
between them, and draw it towards him, the figure turned away quickly
|
|
from the little bed, and went out at the door.
|
|
|
|
Paul looked at Florence with a fluttering heart, but he knew what
|
|
she was going to say, and stopped her with his face against her lips.
|
|
The next time he observed the figure sitting at the bottom of the bed,
|
|
he called to it.
|
|
|
|
'Don't be sorry for me, dear Papa! Indeed I am quite happy!'
|
|
|
|
His father coming and bending down to him - which he did quickly,
|
|
and without first pausing by the bedside - Paul held him round the
|
|
neck, and repeated those words to him several times, and very
|
|
earnestly; and Paul never saw him in his room again at any time,
|
|
whether it were day or night, but he called out, 'Don't be sorry for
|
|
me! Indeed I am quite happy!' This was the beginning of his always
|
|
saying in the morning that he was a great deal better, and that they
|
|
were to tell his father so.
|
|
|
|
How many times the golden water danced upon the wall; how many
|
|
nights the dark, dark river rolled towards the sea in spite of him;
|
|
Paul never counted, never sought to know. If their kindness, or his
|
|
sense of it, could have increased, they were more kind, and he more
|
|
grateful every day; but whether they were many days or few, appeared
|
|
of little moment now, to the gentle boy.
|
|
|
|
One night he had been thinking of his mother, and her picture in
|
|
the drawing-room downstairs, and thought she must have loved sweet
|
|
Florence better than his father did, to have held her in her arms when
|
|
she felt that she was dying - for even he, her brother, who had such
|
|
dear love for her, could have no greater wish than that. The train of
|
|
thought suggested to him to inquire if he had ever seen his mother?
|
|
for he could not remember whether they had told him, yes or no, the
|
|
river running very fast, and confusing his mind.
|
|
|
|
'Floy, did I ever see Mama?'
|
|
|
|
'No, darling, why?'
|
|
|
|
'Did I ever see any kind face, like Mama's, looking at me when I
|
|
was a baby, Floy?'
|
|
|
|
He asked, incredulously, as if he had some vision of a face before
|
|
him.
|
|
|
|
'Oh yes, dear!'
|
|
|
|
'Whose, Floy?'
|
|
|
|
'Your old nurse's. Often.'
|
|
|
|
'And where is my old nurse?' said Paul. 'Is she dead too? Floy, are
|
|
we all dead, except you?'
|
|
|
|
There was a hurry in the room, for an instant - longer, perhaps;
|
|
but it seemed no more - then all was still again; and Florence, with
|
|
her face quite colourless, but smiling, held his head upon her arm.
|
|
Her arm trembled very much.
|
|
|
|
'Show me that old nurse, Floy, if you please!'
|
|
|
|
'She is not here, darling. She shall come to-morrow.'
|
|
|
|
'Thank you, Floy!'
|
|
|
|
Paul closed his eyes with those words, and fell asleep. When he
|
|
awoke, the sun was high, and the broad day was clear and He lay a
|
|
little, looking at the windows, which were open, and the curtains
|
|
rustling in the air, and waving to and fro: then he said, 'Floy, is it
|
|
tomorrow? Is she come?'
|
|
|
|
Someone seemed to go in quest of her. Perhaps it was Susan. Paul
|
|
thought he heard her telling him when he had closed his eyes again,
|
|
that she would soon be back; but he did not open them to see. She kept
|
|
her word - perhaps she had never been away - but the next thing that
|
|
happened was a noise of footsteps on the stairs, and then Paul woke -
|
|
woke mind and body - and sat upright in his bed. He saw them now about
|
|
him. There was no grey mist before them, as there had been sometimes
|
|
in the night. He knew them every one, and called them by their names.
|
|
|
|
'And who is this? Is this my old nurse?' said the child, regarding
|
|
with a radiant smile, a figure coming in.
|
|
|
|
Yes, yes. No other stranger would have shed those tears at sight of
|
|
him, and called him her dear boy, her pretty boy, her own poor
|
|
blighted child. No other woman would have stooped down by his bed, and
|
|
taken up his wasted hand, and put it to her lips and breast, as one
|
|
who had some right to fondle it. No other woman would have so
|
|
forgotten everybody there but him and Floy, and been so full of
|
|
tenderness and pity.
|
|
|
|
'Floy! this is a kind good face!' said Paul. 'I am glad to see it
|
|
again. Don't go away, old nurse! Stay here.'
|
|
|
|
His senses were all quickened, and he heard a name he knew.
|
|
|
|
'Who was that, who said "Walter"?' he asked, looking round.
|
|
'Someone said Walter. Is he here? I should like to see him very much.'
|
|
|
|
Nobody replied directly; but his father soon said to Susan, 'Call
|
|
him back, then: let him come up!' Alter a short pause of expectation,
|
|
during which he looked with smiling interest and wonder, on his nurse,
|
|
and saw that she had not forgotten Floy, Walter was brought into the
|
|
room. His open face and manner, and his cheerful eyes, had always made
|
|
him a favourite with Paul; and when Paul saw him' he stretched Out his
|
|
hand, and said 'Good-bye!'
|
|
|
|
'Good-bye, my child!' said Mrs Pipchin, hurrying to his bed's head.
|
|
'Not good-bye?'
|
|
|
|
For an instant, Paul looked at her with the wistful face with which
|
|
he had so often gazed upon her in his corner by the fire. 'Yes,' he
|
|
said placidly, 'good-bye! Walter dear, good-bye!' - turning his head
|
|
to where he stood, and putting out his hand again. 'Where is Papa?'
|
|
|
|
He felt his father's breath upon his cheek, before the words had
|
|
parted from his lips.
|
|
|
|
'Remember Walter, dear Papa,' he whispered, looking in his face.
|
|
'Remember Walter. I was fond of Walter!' The feeble hand waved in the
|
|
air, as if it cried 'good-bye!' to Walter once again.
|
|
|
|
'Now lay me down,' he said, 'and, Floy, come close to me, and let
|
|
me see you!'
|
|
|
|
Sister and brother wound their arms around each other, and the
|
|
golden light came streaming in, and fell upon them, locked together.
|
|
|
|
'How fast the river runs, between its green banks and the rushes,
|
|
'Floy! But it's very near the sea. I hear the waves! They always said
|
|
so!'
|
|
|
|
Presently he told her the motion of the boat upon the stream was
|
|
lulling him to rest. How green the banks were now, how bright the
|
|
flowers growing on them, and how tall the rushes! Now the boat was out
|
|
at sea, but gliding smoothly on. And now there was a shore before him.
|
|
Who stood on the bank! -
|
|
|
|
He put his hands together, as he had been used to do at his
|
|
prayers. He did not remove his arms to do it; but they saw him fold
|
|
them so, behind her neck.
|
|
|
|
'Mama is like you, Floy. I know her by the face! But tell them that
|
|
the print upon the stairs at school is not divine enough. The light
|
|
about the head is shining on me as I go!'
|
|
|
|
The golden ripple on the wall came back again, and nothing else
|
|
stirred in the room. The old, old fashion! The fashion that came in
|
|
with our first garments, and will last unchanged until our race has
|
|
run its course, and the wide firmament is rolled up like a scroll. The
|
|
old, old fashion - Death!
|
|
|
|
Oh thank GOD, all who see it, for that older fashion yet, of
|
|
Immortality! And look upon us, angels of young children, with regards
|
|
not quite estranged, when the swift river bears us to the ocean!
|
|
|
|
'Dear me, dear me! To think,' said Miss Tox, bursting out afresh
|
|
that night, as if her heart were broken, 'that Dombey and Son should
|
|
be a Daughter after all!'
|
|
|
|
CHAPTER 17.
|
|
|
|
Captain Cuttle does a little Business for the Young People
|
|
|
|
Captain Cuttle, in the exercise of that surprising talent for
|
|
deep-laid and unfathomable scheming, with which (as is not unusual in
|
|
men of transparent simplicity) he sincerely believed himself to be
|
|
endowed by nature, had gone to Mr Dombey's house on the eventful
|
|
Sunday, winking all the way as a vent for his superfluous sagacity,
|
|
and had presented himself in the full lustre of the ankle-jacks before
|
|
the eyes of Towlinson. Hearing from that individual, to his great
|
|
concern, of the impending calamity, Captain Cuttle, in his delicacy,
|
|
sheered off again confounded; merely handing in the nosegay as a small
|
|
mark of his solicitude, and leaving his respectful compliments for the
|
|
family in general, which he accompanied with an expression of his hope
|
|
that they would lay their heads well to the wind under existing
|
|
circumstances, and a friendly intimation that he would 'look up again'
|
|
to-morrow.
|
|
|
|
The Captain's compliments were never heard of any more. The
|
|
Captain's nosegay, after lying in the hall all night, was swept into
|
|
the dust-bin next morning; and the Captain's sly arrangement, involved
|
|
in one catastrophe with greater hopes and loftier designs, was crushed
|
|
to pieces. So, when an avalanche bears down a mountain-forest, twigs
|
|
and bushes suffer with the trees, and all perish together.
|
|
|
|
When Walter returned home on the Sunday evening from his long walk,
|
|
and its memorable close, he was too much occupied at first by the
|
|
tidings he had to give them, and by the emotions naturally awakened in
|
|
his breast by the scene through which he had passed, to observe either
|
|
that his Uncle was evidently unacquainted with the intelligence the
|
|
Captain had undertaken to impart, or that the Captain made signals
|
|
with his hook, warning him to avoid the subject. Not that the
|
|
Captain's signals were calculated to have proved very comprehensible,
|
|
however attentively observed; for, like those Chinese sages who are
|
|
said in their conferences to write certain learned words in the air
|
|
that are wholly impossible of pronunciation, the Captain made such
|
|
waves and flourishes as nobody without a previous knowledge of his
|
|
mystery, would have been at all likely to understand.
|
|
|
|
Captain Cuttle, however, becoming cognisant of what had happened,
|
|
relinquished these attempts, as he perceived the slender chance that
|
|
now existed of his being able to obtain a little easy chat with Mr
|
|
Dombey before the period of Walter's departure. But in admitting to
|
|
himself, with a disappointed and crestfallen countenance, that Sol
|
|
Gills must be told, and that Walter must go - taking the case for the
|
|
present as he found it, and not having it enlightened or improved
|
|
beforehand by the knowing management of a friend - the Captain still
|
|
felt an unabated confidence that he, Ned Cuttle, was the man for Mr
|
|
Dombey; and that, to set Walter's fortunes quite square, nothing was
|
|
wanted but that they two should come together. For the Captain never
|
|
could forget how well he and Mr Dombey had got on at Brighton; with
|
|
what nicety each of them had put in a word when it was wanted; how
|
|
exactly they had taken one another's measure; nor how Ned Cuttle had
|
|
pointed out that resources in the first extremity, and had brought the
|
|
interview to the desired termination. On all these grounds the Captain
|
|
soothed himself with thinking that though Ned Cuttle was forced by the
|
|
pressure of events to 'stand by' almost useless for the present, Ned
|
|
would fetch up with a wet sail in good time, and carry all before him.
|
|
|
|
Under the influence of this good-natured delusion, Captain Cuttle
|
|
even went so far as to revolve in his own bosom, while he sat looking
|
|
at Walter and listening with a tear on his shirt-collar to what he
|
|
related, whether it might not be at once genteel and politic to give
|
|
Mr Dombey a verbal invitation, whenever they should meet, to come and
|
|
cut his mutton in Brig Place on some day of his own naming, and enter
|
|
on the question of his young friend's prospects over a social glass.
|
|
But the uncertain temper of Mrs MacStinger, and the possibility of her
|
|
setting up her rest in the passage during such an entertainment, and
|
|
there delivering some homily of an uncomplimentary nature, operated as
|
|
a check on the Captain's hospitable thoughts, and rendered him timid
|
|
of giving them encouragement.
|
|
|
|
One fact was quite clear to the Captain, as Walter, sitting
|
|
thoughtfully over his untasted dinner, dwelt on all that had happened;
|
|
namely, that however Walter's modesty might stand in the way of his
|
|
perceiving it himself, he was, as one might say, a member of Mr
|
|
Dombey's family. He had been, in his own person, connected with the
|
|
incident he so pathetically described; he had been by name remembered
|
|
and commended in close association with it; and his fortunes must have
|
|
a particular interest in his employer's eyes. If the Captain had any
|
|
lurking doubt whatever of his own conclusions, he had not the least
|
|
doubt that they were good conclusions for the peace of mind of the
|
|
Instrument-maker. Therefore he availed himself of so favourable a
|
|
moment for breaking the West Indian intelligence to his friend, as a
|
|
piece of extraordinary preferment; declaring that for his part he
|
|
would freely give a hundred thousand pounds (if he had it) for
|
|
Walter's gain in the long-run, and that he had no doubt such an
|
|
investment would yield a handsome premium.
|
|
|
|
Solomon Gills was at first stunned by the communication, which fell
|
|
upon the little back-parlour like a thunderbolt, and tore up the
|
|
hearth savagely. But the Captain flashed such golden prospects before
|
|
his dim sight: hinted so mysteriously at 'Whittingtonian consequences;
|
|
laid such emphasis on what Walter had just now told them: and appealed
|
|
to it so confidently as a corroboration of his predictions, and a
|
|
great advance towards the realisation of the romantic legend of Lovely
|
|
Peg: that he bewildered the old man. Walter, for his part, feigned to
|
|
be so full of hope and ardour, and so sure of coming home again soon,
|
|
and backed up the Captain with such expressive shakings of his head
|
|
and rubbings of his hands, that Solomon, looking first at him then at
|
|
Captain Cuttle, began to think he ought to be transported with joy.
|
|
|
|
'But I'm behind the time, you understand,' he observed in apology,
|
|
passing his hand nervously down the whole row of bright buttons on his
|
|
coat, and then up again, as if they were beads and he were telling
|
|
them twice over: 'and I would rather have my dear boy here. It's an
|
|
old-fashioned notion, I daresay. He was always fond of the sea He's' -
|
|
and he looked wistfully at Walter - 'he's glad to go.'
|
|
|
|
'Uncle Sol!' cried Walter, quickly, 'if you say that, I won't go.
|
|
No, Captain Cuttle, I won't. If my Uncle thinks I could be glad to
|
|
leave him, though I was going to be made Governor of all the Islands
|
|
in the West Indies, that's enough. I'm a fixture.'
|
|
|
|
'Wal'r, my lad,' said the Captain. 'Steady! Sol Gills, take an
|
|
observation of your nevy.
|
|
|
|
Following with his eyes the majestic action of the Captain's hook,
|
|
the old man looked at Walter.
|
|
|
|
'Here is a certain craft,' said the Captain, with a magnificent
|
|
sense of the allegory into which he was soaring, 'a-going to put out
|
|
on a certain voyage. What name is wrote upon that craft indelibly? Is
|
|
it The Gay? or,' said the Captain, raising his voice as much as to
|
|
say, observe the point of this, 'is it The Gills?'
|
|
|
|
'Ned,' said the old man, drawing Walter to his side, and taking his
|
|
arm tenderly through his, 'I know. I know. Of course I know that Wally
|
|
considers me more than himself always. That's in my mind. When I say
|
|
he is glad to go, I mean I hope he is. Eh? look you, Ned and you too,
|
|
Wally, my dear, this is new and unexpected to me; and I'm afraid my
|
|
being behind the time, and poor, is at the bottom of it. Is it really
|
|
good fortune for him, do you tell me, now?' said the old man, looking
|
|
anxiously from one to the other. 'Really and truly? Is it? I can
|
|
reconcile myself to almost anything that advances Wally, but I won't
|
|
have Wally putting himself at any disadvantage for me, or keeping
|
|
anything from me. You, Ned Cuttle!' said the old man, fastening on the
|
|
Captain, to the manifest confusion of that diplomatist; 'are you
|
|
dealing plainly by your old friend? Speak out, Ned Cuttle. Is there
|
|
anything behind? Ought he to go? How do you know it first, and why?'
|
|
|
|
As it was a contest of affection and self-denial, Walter struck in
|
|
with infinite effect, to the Captain's relief; and between them they
|
|
tolerably reconciled old Sol Gills, by continued talking, to the
|
|
project; or rather so confused him, that nothing, not even the pain of
|
|
separation, was distinctly clear to his mind.
|
|
|
|
He had not much time to balance the matter; for on the very next
|
|
day, Walter received from Mr Carker the Manager, the necessary
|
|
credentials for his passage and outfit, together with the information
|
|
that the Son and Heir would sail in a fortnight, or within a day or
|
|
two afterwards at latest. In the hurry of preparation: which Walter
|
|
purposely enhanced as much as possible: the old man lost what little
|
|
selfpossession he ever had; and so the time of departure drew on
|
|
rapidly.
|
|
|
|
The Captain, who did not fail to make himself acquainted with all
|
|
that passed, through inquiries of Walter from day to day, found the
|
|
time still tending on towards his going away, without any occasion
|
|
offering itself, or seeming likely to offer itself, for a better
|
|
understanding of his position. It was after much consideration of this
|
|
fact, and much pondering over such an unfortunate combination of
|
|
circumstances, that a bright idea occurred to the Captain. Suppose he
|
|
made a call on Mr Carker, and tried to find out from him how the land
|
|
really lay!
|
|
|
|
Captain Cuttle liked this idea very much. It came upon him in a
|
|
moment of inspiration, as he was smoking an early pipe in Brig Place
|
|
after breakfast; and it was worthy of the tobacco. It would quiet his
|
|
conscience, which was an honest one, and was made a little uneasy by
|
|
what Walter had confided to him, and what Sol Gills had said; and it
|
|
would be a deep, shrewd act of friendship. He would sound Mr Carker
|
|
carefully, and say much or little, just as he read that gentleman's
|
|
character, and discovered that they got on well together or the
|
|
reverse.
|
|
|
|
Accordingly, without the fear of Walter before his eyes (who he
|
|
knew was at home packing), Captain Cuttle again assumed his
|
|
ankle-jacks and mourning brooch, and issued forth on this second
|
|
expedition. He purchased no propitiatory nosegay on the present
|
|
occasion, as he was going to a place of business; but he put a small
|
|
sunflower in his button-hole to give himself an agreeable relish of
|
|
the country; and with this, and the knobby stick, and the glazed hat,
|
|
bore down upon the offices of Dombey and Son.
|
|
|
|
After taking a glass of warm rum-and-water at a tavern close by, to
|
|
collect his thoughts, the Captain made a rush down the court, lest its
|
|
good effects should evaporate, and appeared suddenly to Mr Perch.
|
|
|
|
'Matey,' said the Captain, in persuasive accents. 'One of your
|
|
Governors is named Carker.' Mr Perch admitted it; but gave him to
|
|
understand, as in official duty bound, that all his Governors were
|
|
engaged, and never expected to be disengaged any more.
|
|
|
|
'Look'ee here, mate,' said the Captain in his ear; 'my name's
|
|
Cap'en Cuttle.'
|
|
|
|
The Captain would have hooked Perch gently to him, but Mr Perch
|
|
eluded the attempt; not so much in design, as in starting at the
|
|
sudden thought that such a weapon unexpectedly exhibited to Mrs Perch
|
|
might, in her then condition, be destructive to that lady's hopes.
|
|
|
|
'If you'll be so good as just report Cap'en Cuttle here, when you
|
|
get a chance,' said the Captain, 'I'll wait.'
|
|
|
|
Saying which, the Captain took his seat on Mr Perch's bracket, and
|
|
drawing out his handkerchief from the crown of the glazed hat which he
|
|
jammed between his knees (without injury to its shape, for nothing
|
|
human could bend it), rubbed his head well all over, and appeared
|
|
refreshed. He subsequently arranged his hair with his hook, and sat
|
|
looking round the office, contemplating the clerks with a serene
|
|
respect.
|
|
|
|
The Captain's equanimity was so impenetrable, and he was altogether
|
|
so mysterious a being, that Perch the messenger was daunted.
|
|
|
|
'What name was it you said?' asked Mr Perch, bending down over him
|
|
as he sat on the bracket.
|
|
|
|
'Cap'en,' in a deep hoarse whisper.
|
|
|
|
'Yes,' said Mr Perch, keeping time with his head.
|
|
|
|
'Cuttle.'
|
|
|
|
'Oh!' said Mr Perch, in the same tone, for he caught it, and
|
|
couldn't help it; the Captain, in his diplomacy, was so impressive.
|
|
'I'll see if he's disengaged now. I don't know. Perhaps he may be for
|
|
a minute.'
|
|
|
|
'Ay, ay, my lad, I won't detain him longer than a minute,' said the
|
|
Captain, nodding with all the weighty importance that he felt within
|
|
him. Perch, soon returning, said, 'Will Captain Cuttle walk this way?'
|
|
|
|
Mr Carker the Manager, standing on the hearth-rug before the empty
|
|
fireplace, which was ornamented with a castellated sheet of brown
|
|
paper, looked at the Captain as he came in, with no very special
|
|
encouragement.
|
|
|
|
'Mr Carker?' said Captain Cuttle.
|
|
|
|
'I believe so,' said Mr Carker, showing all his teeth.
|
|
|
|
The Captain liked his answering with a smile; it looked pleasant.
|
|
'You see,' began the Captain, rolling his eyes slowly round the little
|
|
room, and taking in as much of it as his shirt-collar permitted; 'I'm
|
|
a seafaring man myself, Mr Carker, and Wal'r, as is on your books
|
|
here, is almost a son of mine.'
|
|
|
|
'Walter Gay?' said Mr Carker, showing all his teeth again.
|
|
|
|
'Wal'r Gay it is,' replied the Captain, 'right!' The Captain's
|
|
manner expressed a warm approval of Mr Carker's quickness of
|
|
perception. 'I'm a intimate friend of his and his Uncle's. Perhaps,'
|
|
said the Captain, 'you may have heard your head Governor mention my
|
|
name? - Captain Cuttle.'
|
|
|
|
'No!' said Mr Carker, with a still wider demonstration than before.
|
|
|
|
'Well,' resumed the Captain, 'I've the pleasure of his
|
|
acquaintance. I waited upon him down on the Sussex coast there, with
|
|
my young friend Wal'r, when - in short, when there was a little
|
|
accommodation wanted.' The Captain nodded his head in a manner that
|
|
was at once comfortable, easy, and expressive. 'You remember, I
|
|
daresay?'
|
|
|
|
'I think,' said Mr Carker, 'I had the honour of arranging the
|
|
business.'
|
|
|
|
'To be sure!' returned the Captain. 'Right again! you had. Now I've
|
|
took the liberty of coming here -
|
|
|
|
'Won't you sit down?' said Mr Carker, smiling.
|
|
|
|
'Thank'ee,' returned the Captain, availing himself of the offer. 'A
|
|
man does get more way upon himself, perhaps, in his conversation, when
|
|
he sits down. Won't you take a cheer yourself?'
|
|
|
|
'No thank you,' said the Manager, standing, perhaps from the force
|
|
of winter habit, with his back against the chimney-piece, and looking
|
|
down upon the Captain with an eye in every tooth and gum. 'You have
|
|
taken the liberty, you were going to say - though it's none - '
|
|
|
|
'Thank'ee kindly, my lad,' returned the Captain: 'of coming here,
|
|
on account of my friend Wal'r. Sol Gills, his Uncle, is a man of
|
|
science, and in science he may be considered a clipper; but he ain't
|
|
what I should altogether call a able seaman - not man of practice.
|
|
Wal'r is as trim a lad as ever stepped; but he's a little down by the
|
|
head in one respect, and that is, modesty. Now what I should wish to
|
|
put to you,' said the Captain, lowering his voice, and speaking in a
|
|
kind of confidential growl, 'in a friendly way, entirely between you
|
|
and me, and for my own private reckoning, 'till your head Governor has
|
|
wore round a bit, and I can come alongside of him, is this - Is
|
|
everything right and comfortable here, and is Wal'r out'ard bound with
|
|
a pretty fair wind?'
|
|
|
|
'What do you think now, Captain Cuttle?' returned Carker, gathering
|
|
up his skirts and settling himself in his position. 'You are a
|
|
practical man; what do you think?'
|
|
|
|
The acuteness and the significance of the Captain's eye as he
|
|
cocked it in reply, no words short of those unutterable Chinese words
|
|
before referred to could describe.
|
|
|
|
'Come!' said the Captain, unspeakably encouraged, 'what do you say?
|
|
Am I right or wrong?'
|
|
|
|
So much had the Captain expressed in his eye, emboldened and
|
|
incited by Mr Carker's smiling urbanity, that he felt himself in as
|
|
fair a condition to put the question, as if he had expressed his
|
|
sentiments with the utmost elaboration.
|
|
|
|
'Right,' said Mr Carker, 'I have no doubt.'
|
|
|
|
'Out'ard bound with fair weather, then, I say,' cried Captain
|
|
Cuttle.
|
|
|
|
Mr Carker smiled assent.
|
|
|
|
'Wind right astarn, and plenty of it,' pursued the Captain.
|
|
|
|
Mr Carker smiled assent again.
|
|
|
|
'Ay, ay!' said Captain Cuttle, greatly relieved and pleased. 'I
|
|
know'd how she headed, well enough; I told Wal'r so. Thank'ee,
|
|
thank'ee.'
|
|
|
|
'Gay has brilliant prospects,' observed Mr Carker, stretching his
|
|
mouth wider yet: 'all the world before him.'
|
|
|
|
'All the world and his wife too, as the saying is,' returned the
|
|
delighted Captain.
|
|
|
|
At the word 'wife' (which he had uttered without design), the
|
|
Captain stopped, cocked his eye again, and putting the glazed hat on
|
|
the top of the knobby stick, gave it a twirl, and looked sideways at
|
|
his always smiling friend.
|
|
|
|
'I'd bet a gill of old Jamaica,' said the Captain, eyeing him
|
|
attentively, 'that I know what you're a smiling at.'
|
|
|
|
Mr Carker took his cue, and smiled the more.
|
|
|
|
'It goes no farther?' said the Captain, making a poke at the door
|
|
with the knobby stick to assure himself that it was shut.
|
|
|
|
'Not an inch,' said Mr Carker.
|
|
|
|
'You're thinking of a capital F perhaps?' said the Captain.
|
|
|
|
Mr Carker didn't deny it.
|
|
|
|
'Anything about a L,' said the Captain, 'or a O?'
|
|
|
|
Mr Carker still smiled.
|
|
|
|
'Am I right, again?' inquired the Captain in a whisper, with the
|
|
scarlet circle on his forehead swelling in his triumphant joy.
|
|
|
|
Mr Carker, in reply, still smiling, and now nodding assent, Captain
|
|
Cuttle rose and squeezed him by the hand, assuring him, warmly, that
|
|
they were on the same tack, and that as for him (Cuttle) he had laid
|
|
his course that way all along. 'He know'd her first,' said the
|
|
Captain, with all the secrecy and gravity that the subject demanded,
|
|
'in an uncommon manner - you remember his finding her in the street
|
|
when she was a'most a babby - he has liked her ever since, and she
|
|
him, as much as two youngsters can. We've always said, Sol Gills and
|
|
me, that they was cut out for each other.'
|
|
|
|
A cat, or a monkey, or a hyena, or a death's-head, could not have
|
|
shown the Captain more teeth at one time, than Mr Carker showed him at
|
|
this period of their interview.
|
|
|
|
'There's a general indraught that way,' observed the happy Captain.
|
|
'Wind and water sets in that direction, you see. Look at his being
|
|
present t'other day!'
|
|
|
|
'Most favourable to his hopes,' said Mr Carker.
|
|
|
|
'Look at his being towed along in the wake of that day!' pursued
|
|
the Captain. 'Why what can cut him adrift now?'
|
|
|
|
'Nothing,' replied Mr Carker.
|
|
|
|
'You're right again,' returned the Captain, giving his hand another
|
|
squeeze. 'Nothing it is. So! steady! There's a son gone: pretty little
|
|
creetur. Ain't there?'
|
|
|
|
'Yes, there's a son gone,' said the acquiescent Carker.
|
|
|
|
'Pass the word, and there's another ready for you,' quoth the
|
|
Captain. 'Nevy of a scientific Uncle! Nevy of Sol Gills! Wal'r! Wal'r,
|
|
as is already in your business! And' - said the Captain, rising
|
|
gradually to a quotation he was preparing for a final burst, 'who -
|
|
comes from Sol Gills's daily, to your business, and your buzzums.' The
|
|
Captain's complacency as he gently jogged Mr Carker with his elbow, on
|
|
concluding each of the foregoing short sentences, could be surpassed
|
|
by nothing but the exultation with which he fell back and eyed him
|
|
when he had finished this brilliant display of eloquence and sagacity;
|
|
his great blue waistcoat heaving with the throes of such a
|
|
masterpiece, and his nose in a state of violent inflammation from the
|
|
same cause.
|
|
|
|
'Am I right?' said the Captain.
|
|
|
|
'Captain Cuttle,' said Mr Carker, bending down at the knees, for a
|
|
moment, in an odd manner, as if he were falling together to hug the
|
|
whole of himself at once, 'your views in reference to Walter Gay are
|
|
thoroughly and accurately right. I understand that we speak together
|
|
in confidence.
|
|
|
|
'Honour!' interposed the Captain. 'Not a word.'
|
|
|
|
'To him or anyone?' pursued the Manager.
|
|
|
|
Captain Cuttle frowned and shook his head.
|
|
|
|
'But merely for your own satisfaction and guidance - and guidance,
|
|
of course,' repeated Mr Carker, 'with a view to your future
|
|
proceedings.'
|
|
|
|
'Thank'ee kindly, I am sure,' said the Captain, listening with
|
|
great attention.
|
|
|
|
'I have no hesitation in saying, that's the fact. You have hit the
|
|
probabilities exactly.'
|
|
|
|
'And with regard to your head Governor,' said the Captain, 'why an
|
|
interview had better come about nat'ral between us. There's time
|
|
enough.'
|
|
|
|
Mr Carker, with his mouth from ear to ear, repeated, 'Time enough.'
|
|
Not articulating the words, but bowing his head affably, and forming
|
|
them with his tongue and lips.
|
|
|
|
'And as I know - it's what I always said- that Wal'r's in a way to
|
|
make his fortune,' said the Captain.
|
|
|
|
'To make his fortune,' Mr Carker repeated, in the same dumb manner.
|
|
|
|
'And as Wal'r's going on this little voyage is, as I may say, in
|
|
his day's work, and a part of his general expectations here,' said the
|
|
Captain.
|
|
|
|
'Of his general expectations here,' assented Mr Carker, dumbly as
|
|
before.
|
|
|
|
'Why, so long as I know that,' pursued the Captain, 'there's no
|
|
hurry, and my mind's at ease.
|
|
|
|
Mr Carker still blandly assenting in the same voiceless manner,
|
|
Captain Cuttle was strongly confirmed in his opinion that he was one
|
|
of the most agreeable men he had ever met, and that even Mr Dombey
|
|
might improve himself on such a model. With great heartiness,
|
|
therefore, the Captain once again extended his enormous hand (not
|
|
unlike an old block in colour), and gave him a grip that left upon his
|
|
smoother flesh a proof impression of the chinks and crevices with
|
|
which the Captain's palm was liberally tattooed.
|
|
|
|
'Farewell!' said the Captain. 'I ain't a man of many words, but I
|
|
take it very kind of you to be so friendly, and above-board. You'll
|
|
excuse me if I've been at all intruding, will you?' said the Captain.
|
|
|
|
'Not at all,' returned the other.
|
|
|
|
'Thank'ee. My berth ain't very roomy,' said the Captain, turning
|
|
back again, 'but it's tolerably snug; and if you was to find yourself
|
|
near Brig Place, number nine, at any time - will you make a note of
|
|
it? - and would come upstairs, without minding what was said by the
|
|
person at the door, I should be proud to see you.
|
|
|
|
With that hospitable invitation, the Captain said 'Good day!' and
|
|
walked out and shut the door; leaving Mr Carker still reclining
|
|
against the chimney-piece. In whose sly look and watchful manner; in
|
|
whose false mouth, stretched but not laughing; in whose spotless
|
|
cravat and very whiskers; even in whose silent passing of his soft
|
|
hand over his white linen and his smooth face; there was something
|
|
desperately cat-like.
|
|
|
|
The unconscious Captain walked out in a state of self-glorification
|
|
that imparted quite a new cut to the broad blue suit. 'Stand by, Ned!'
|
|
said the Captain to himself. 'You've done a little business for the
|
|
youngsters today, my lad!'
|
|
|
|
In his exultation, and in his familiarity, present and prospective,
|
|
with the House, the Captain, when he reached the outer office, could
|
|
not refrain from rallying Mr Perch a little, and asking him whether he
|
|
thought everybody was still engaged. But not to be bitter on a man who
|
|
had done his duty, the Captain whispered in his ear, that if he felt
|
|
disposed for a glass of rum-and-water, and would follow, he would be
|
|
happy to bestow the same upon him.
|
|
|
|
Before leaving the premises, the Captain, somewhat to the
|
|
astonishment of the clerks, looked round from a central point of view,
|
|
and took a general survey of the officers part and parcel of a project
|
|
in which his young friend was nearly interested. The strong-room
|
|
excited his especial admiration; but, that he might not appear too
|
|
particular, he limited himself to an approving glance, and, with a
|
|
graceful recognition of the clerks as a body, that was full of
|
|
politeness and patronage, passed out into the court. Being promptly
|
|
joined by Mr Perch, he conveyed that gentleman to the tavern, and
|
|
fulfilled his pledge - hastily, for Perch's time was precious.
|
|
|
|
'I'll give you for a toast,' said the Captain, 'Wal'r!'
|
|
|
|
'Who?' submitted Mr Perch.
|
|
|
|
'Wal'r!' repeated the Captain, in a voice of thunder.
|
|
|
|
Mr Perch, who seemed to remember having heard in infancy that there
|
|
was once a poet of that name, made no objection; but he was much
|
|
astonished at the Captain's coming into the City to propose a poet;
|
|
indeed, if he had proposed to put a poet's statue up - say
|
|
Shakespeare's for example - in a civic thoroughfare, he could hardly
|
|
have done a greater outrage to Mr Perch's experience. On the whole, he
|
|
was such a mysterious and incomprehensible character, that Mr Perch
|
|
decided not to mention him to Mrs Perch at all, in case of giving rise
|
|
to any disagreeable consequences.
|
|
|
|
Mysterious and incomprehensible, the Captain, with that lively
|
|
sense upon him of having done a little business for the youngsters,
|
|
remained all day, even to his most intimate friends; and but that
|
|
Walter attributed his winks and grins, and other such pantomimic
|
|
reliefs of himself, to his satisfaction in the success of their
|
|
innocent deception upon old Sol Gills, he would assuredly have
|
|
betrayed himself before night. As it was, however, he kept his own
|
|
secret; and went home late from the Instrument-maker's house, wearing
|
|
the glazed hat so much on one side, and carrying such a beaming
|
|
expression in his eyes, that Mrs MacStinger (who might have been
|
|
brought up at Doctor Blimber's, she was such a Roman matron) fortified
|
|
herself, at the first glimpse of him, behind the open street door, and
|
|
refused to come out to the contemplation of her blessed infants, until
|
|
he was securely lodged in his own room.
|
|
|
|
CHAPTER 18.
|
|
|
|
Father and Daughter
|
|
|
|
There is a hush through Mr Dombey's house. Servants gliding up and
|
|
down stairs rustle, but make no sound of footsteps. They talk together
|
|
constantly, and sit long at meals, making much of their meat and
|
|
drink, and enjoying themselves after a grim unholy fashion. Mrs
|
|
Wickam, with her eyes suffused with tears, relates melancholy
|
|
anecdotes; and tells them how she always said at Mrs Pipchin's that it
|
|
would be so, and takes more table-ale than usual, and is very sorry
|
|
but sociable. Cook's state of mind is similar. She promises a little
|
|
fry for supper, and struggles about equally against her feelings and
|
|
the onions. Towlinson begins to think there's a fate in it, and wants
|
|
to know if anybody can tell him ofany good that ever came of living in
|
|
a corner house. It seems to all of them as having happened a long time
|
|
ago; though yet the child lies, calm and beautiful, upon his little
|
|
bed.
|
|
|
|
After dark there come some visitors - noiseless visitors, with
|
|
shoes of felt - who have been there before; and with them comes that
|
|
bed of rest which is so strange a one for infant sleepers. All this
|
|
time, the bereaved father has not been seen even by his attendant; for
|
|
he sits in an inner corner of his own dark room when anyone is there,
|
|
and never seems to move at other times, except to pace it to and fro.
|
|
But in the morning it is whispered among the household that he was
|
|
heard to go upstairs in the dead night, and that he stayed there - in
|
|
the room - until the sun was shining.
|
|
|
|
At the offices in the City, the ground-glass windows are made more
|
|
dim by shutters; and while the lighted lamps upon the desks are half
|
|
extinguished by the day that wanders in, the day is half extinguished
|
|
by the lamps, and an unusual gloom prevails. There is not much
|
|
business done. The clerks are indisposed to work; and they make
|
|
assignations to eat chops in the afternoon, and go up the river.
|
|
Perch, the messenger, stays long upon his errands; and finds himself
|
|
in bars of public-houses, invited thither by friends, and holding
|
|
forth on the uncertainty of human affairs. He goes home to Ball's Pond
|
|
earlier in the evening than usual, and treats Mrs Perch to a veal
|
|
cutlet and Scotch ale. Mr Carker the Manager treats no one; neither is
|
|
he treated; but alone in his own room he shows his teeth all day; and
|
|
it would seem that there is something gone from Mr Carker's path -
|
|
some obstacle removed - which clears his way before him.
|
|
|
|
Now the rosy children living opposite to Mr Dombey's house, peep
|
|
from their nursery windows down into the street; for there are four
|
|
black horses at his door, with feathers on their heads; and feathers
|
|
tremble on the carriage that they draw; and these, and an array of men
|
|
with scarves and staves, attract a crowd. The juggler who was going to
|
|
twirl the basin, puts his loose coat on again over his fine dress; and
|
|
his trudging wife, one-sided with her heavy baby in her arms, loiters
|
|
to see the company come out. But closer to her dingy breast she
|
|
presses her baby, when the burden that is so easily carried is borne
|
|
forth; and the youngest of the rosy children at the high window
|
|
opposite, needs no restraining hand to check her in her glee, when,
|
|
pointing with her dimpled finger, she looks into her nurse's face, and
|
|
asks 'What's that?'
|
|
|
|
And now, among the knot of servants dressed in mourning, and the
|
|
weeping women, Mr Dombey passes through the hall to the other carriage
|
|
that is waiting to receive him. He is not 'brought down,' these
|
|
observers think, by sorrow and distress of mind. His walk is as erect,
|
|
his bearing is as stiff as ever it has been. He hides his face behind
|
|
no handkerchief, and looks before him. But that his face is something
|
|
sunk and rigid, and is pale, it bears the same expression as of old.
|
|
He takes his place within the carriage, and three other gentlemen
|
|
follow. Then the grand funeral moves slowly down the street. The
|
|
feathers are yet nodding in the distance, when the juggler has the
|
|
basin spinning on a cane, and has the same crowd to admire it. But the
|
|
juggler's wife is less alert than usual with the money-box, for a
|
|
child's burial has set her thinking that perhaps the baby underneath
|
|
her shabby shawl may not grow up to be a man, and wear a sky-blue
|
|
fillet round his head, and salmon-coloured worsted drawers, and tumble
|
|
in the mud.
|
|
|
|
The feathers wind their gloomy way along the streets, and come
|
|
within the sound of a church bell. In this same church, the pretty boy
|
|
received all that will soon be left of him on earth - a name. All of
|
|
him that is dead, they lay there, near the perishable substance of his
|
|
mother. It is well. Their ashes lie where Florence in her walks - oh
|
|
lonely, lonely walks! - may pass them any day.
|
|
|
|
The service over, and the clergyman withdrawn, Mr Dombey looks
|
|
round, demanding in a low voice, whether the person who has been
|
|
requested to attend to receive instructions for the tablet, is there?
|
|
|
|
Someone comes forward, and says 'Yes.'
|
|
|
|
Mr Dombey intimates where he would have it placed; and shows him,
|
|
with his hand upon the wall, the shape and size; and how it is to
|
|
follow the memorial to the mother. Then, with his pencil, he writes
|
|
out the inscription, and gives it to him: adding, 'I wish to have it
|
|
done at once.
|
|
|
|
'It shall be done immediately, Sir.'
|
|
|
|
'There is really nothing to inscribe but name and age, you see.'
|
|
|
|
The man bows, glancing at the paper, but appears to hesitate. Mr
|
|
Dombey not observing his hesitation, turns away, and leads towards the
|
|
porch.
|
|
|
|
'I beg your pardon, Sir;' a touch falls gently on his mourning
|
|
cloak; 'but as you wish it done immediately, and it may be put in hand
|
|
when I get back - '
|
|
|
|
'Well?'
|
|
|
|
'Will you be so good as read it over again? I think there's a
|
|
mistake.'
|
|
|
|
'Where?'
|
|
|
|
The statuary gives him back the paper, and points out, with his
|
|
pocket rule, the words, 'beloved and only child.'
|
|
|
|
'It should be, "son," I think, Sir?'
|
|
|
|
'You are right. Of course. Make the correction.'
|
|
|
|
The father, with a hastier step, pursues his way to the coach. When
|
|
the other three, who follow closely, take their seats, his face is
|
|
hidden for the first time - shaded by his cloak. Nor do they see it
|
|
any more that day. He alights first, and passes immediately into his
|
|
own room. The other mourners (who are only Mr Chick, and two of the
|
|
medical attendants) proceed upstairs to the drawing-room, to be
|
|
received by Mrs Chick and Miss Tox. And what the face is, in the
|
|
shut-up chamber underneath: or what the thoughts are: what the heart
|
|
is, what the contest or the suffering: no one knows.
|
|
|
|
The chief thing that they know, below stairs, in the kitchen, is
|
|
that 'it seems like Sunday.' They can hardly persuade themselves but
|
|
that there is something unbecoming, if not wicked, in the conduct of
|
|
the people out of doors, who pursue their ordinary occupations, and
|
|
wear their everyday attire. It is quite a novelty to have the blinds
|
|
up, and the shutters open; and they make themselves dismally
|
|
comfortable over bottles of wine, which are freely broached as on a
|
|
festival. They are much inclined to moralise. Mr Towlinson proposes
|
|
with a sigh, 'Amendment to us all!' for which, as Cook says with
|
|
another sigh, 'There's room enough, God knows.' In the evening, Mrs
|
|
Chick and Miss Tox take to needlework again. In the evening also, Mr
|
|
Towlinson goes out to take the air, accompanied by the housemaid, who
|
|
has not yet tried her mourning bonnet. They are very tender to each
|
|
other at dusky street-corners, and Towlinson has visions of leading an
|
|
altered and blameless existence as a serious greengrocer in Oxford
|
|
Market.
|
|
|
|
There is sounder sleep and deeper rest in Mr Dombey's house
|
|
tonight, than there has been for many nights. The morning sun awakens
|
|
the old household, settled down once more in their old ways. The rosy
|
|
children opposite run past with hoops. There is a splendid wedding in
|
|
the church. The juggler's wife is active with the money-box in another
|
|
quarter of the town. The mason sings and whistles as he chips out
|
|
P-A-U-L in the marble slab before him.
|
|
|
|
And can it be that in a world so full and busy, the loss of one
|
|
weak creature makes a void in any heart, so wide and deep that nothing
|
|
but the width and depth of vast eternity can fill it up! Florence, in
|
|
her innocent affliction, might have answered, 'Oh my brother, oh my
|
|
dearly loved and loving brother! Only friend and companion of my
|
|
slighted childhood! Could any less idea shed the light already dawning
|
|
on your early grave, or give birth to the softened sorrow that is
|
|
springing into life beneath this rain of tears!'
|
|
|
|
'My dear child,' said Mrs Chick, who held it as a duty incumbent on
|
|
her, to improve the occasion, 'when you are as old as I am - '
|
|
|
|
'Which will be the prime of life,' observed Miss Tox.
|
|
|
|
'You will then,' pursued Mrs Chick, gently squeezing Miss Tox's
|
|
hand in acknowledgment of her friendly remark, 'you will then know
|
|
that all grief is unavailing, and that it is our duty to submit.'
|
|
|
|
'I will try, dear aunt I do try,' answered Florence, sobbing.
|
|
|
|
'I am glad to hear it,' said Mrs Chick, 'because; my love, as our
|
|
dear Miss Tox - of whose sound sense and excellent judgment, there
|
|
cannot possibly be two opinions - '
|
|
|
|
'My dear Louisa, I shall really be proud, soon,' said Miss Tox
|
|
|
|
- 'will tell you, and confirm by her experience,' pursued Mrs
|
|
Chick, 'we are called upon on all occasions to make an effort It is
|
|
required of us. If any - my dear,' turning to Miss Tox, 'I want a
|
|
word. Mis- Mis-'
|
|
|
|
'Demeanour?' suggested Miss Tox.
|
|
|
|
'No, no, no,' said Mrs Chic 'How can you! Goodness me, it's on, the
|
|
end of my tongue. Mis-'
|
|
|
|
Placed affection?' suggested Miss Tox, timidly.
|
|
|
|
'Good gracious, Lucretia!' returned Mrs Chick 'How very monstrous!
|
|
Misanthrope, is the word I want. The idea! Misplaced affection! I say,
|
|
if any misanthrope were to put, in my presence, the question "Why were
|
|
we born?" I should reply, "To make an effort"'
|
|
|
|
'Very good indeed,' said Miss Tox, much impressed by the
|
|
originality of the sentiment 'Very good.'
|
|
|
|
'Unhappily,' pursued Mrs Chick, 'we have a warning under our own
|
|
eyes. We have but too much reason to suppose, my dear child, that if
|
|
an effort had been made in time, in this family, a train of the most
|
|
trying and distressing circumstances might have been avoided. Nothing
|
|
shall ever persuade me,' observed the good matron, with a resolute
|
|
air, 'but that if that effort had been made by poor dear Fanny, the
|
|
poor dear darling child would at least have had a stronger
|
|
constitution.'
|
|
|
|
Mrs Chick abandoned herself to her feelings for half a moment; but,
|
|
as a practical illustration of her doctrine, brought herself up short,
|
|
in the middle of a sob, and went on again.
|
|
|
|
'Therefore, Florence, pray let us see that you have some strength
|
|
of mind, and do not selfishly aggravate the distress in which your
|
|
poor Papa is plunged.'
|
|
|
|
'Dear aunt!' said Florence, kneeling quickly down before her, that
|
|
she might the better and more earnestly look into her face. 'Tell me
|
|
more about Papa. Pray tell me about him! Is he quite heartbroken?'
|
|
|
|
Miss Tox was of a tender nature, and there was something in this
|
|
appeal that moved her very much. Whether she saw it in a succession,
|
|
on the part of the neglected child, to the affectionate concern so
|
|
often expressed by her dead brother - or a love that sought to twine
|
|
itself about the heart that had loved him, and that could not bear to
|
|
be shut out from sympathy with such a sorrow, in such sad community of
|
|
love and grief - or whether the only recognised the earnest and
|
|
devoted spirit which, although discarded and repulsed, was wrung with
|
|
tenderness long unreturned, and in the waste and solitude of this
|
|
bereavement cried to him to seek a comfort in it, and to give some, by
|
|
some small response - whatever may have been her understanding of it,
|
|
it moved Miss Tox. For the moment she forgot the majesty of Mrs Chick,
|
|
and, patting Florence hastily on the cheek, turned aside and suffered
|
|
the tears to gush from her eyes, without waiting for a lead from that
|
|
wise matron.
|
|
|
|
Mrs Chick herself lost, for a moment, the presence of mind on which
|
|
she so much prided herself; and remained mute, looking on the
|
|
beautiful young face that had so long, so steadily, and patiently,
|
|
been turned towards the little bed. But recovering her voice - which
|
|
was synonymous with her presence of mind, indeed they were one and the
|
|
same thing - she replied with dignity:
|
|
|
|
'Florence, my dear child, your poor Papa is peculiar at times; and
|
|
to question me about him, is to question me upon a subject which I
|
|
really do not pretend to understand. I believe I have as much
|
|
influence with your Papa as anybody has. Still, all I can say is, that
|
|
he has said very little to me; and that I have only seen him once or
|
|
twice for a minute at a time, and indeed have hardly seen him then,
|
|
for his room has been dark. I have said to your Papa, "Paul!" - that
|
|
is the exact expression I used - "Paul! why do you not take something
|
|
stimulating?" Your Papa's reply has always been, "Louisa, have the
|
|
goodness to leave me. I want nothing. I am better by myself." If I was
|
|
to be put upon my oath to-morrow, Lucretia, before a magistrate,' said
|
|
Mrs Chick, 'I have no doubt I could venture to swear to those
|
|
identical words.'
|
|
|
|
Miss Tox expressed her admiration by saying, 'My Louisa is ever
|
|
methodical!'
|
|
|
|
'In short, Florence,' resumed her aunt, 'literally nothing has
|
|
passed between your poor Papa and myself, until to-day; when I
|
|
mentioned to your Papa that Sir Barnet and Lady Skettles had written
|
|
exceedingly kind notes - our sweet boy! Lady Skettles loved him like a
|
|
- where's my pocket handkerchief?'
|
|
|
|
Miss Tox produced one.
|
|
|
|
'Exceedingly kind notes, proposing that you should visit them for
|
|
change of scene. Mentioning to your Papa that I thought Miss Tox and
|
|
myself might now go home (in which he quite agreed), I inquired if he
|
|
had any objection to your accepting this invitation. He said, "No,
|
|
Louisa, not the least!"' Florence raised her tearful eye
|
|
|
|
'At the same time, if you would prefer staying here, Florence, to
|
|
paying this visit at present, or to going home with me - '
|
|
|
|
'I should much prefer it, aunt,' was the faint rejoinder.
|
|
|
|
'Why then, child,'said Mrs Chick, 'you can. It's a strange choice,
|
|
I must say. But you always were strange. Anybody else at your time of
|
|
life, and after what has passed - my dear Miss Tox, I have lost my
|
|
pocket handkerchief again - would be glad to leave here, one would
|
|
suppose.
|
|
|
|
'I should not like to feel,' said Florence, 'as if the house was
|
|
avoided. I should not like to think that the - his - the rooms
|
|
upstairs were quite empty and dreary, aunt. I would rather stay here,
|
|
for the present. Oh my brother! oh my brother!'
|
|
|
|
It was a natural emotion, not to be suppressed; and it would make
|
|
way even between the fingers of the hands with which she covered up
|
|
her face. The overcharged and heavy-laden breast must some times have
|
|
that vent, or the poor wounded solitary heart within it would have
|
|
fluttered like a bird with broken wings, and sunk down in the dust'
|
|
|
|
'Well, child!' said Mrs Chick, after a pause 'I wouldn't on any
|
|
account say anything unkind to you, and that I'm sure you know. You
|
|
will remain here, then, and do exactly as you like. No one will
|
|
interfere with you, Florence, or wish to interfere with you, I'm sure.
|
|
|
|
Florence shook her head in sad assent'
|
|
|
|
'I had no sooner begun to advise your poor Papa that he really
|
|
ought to seek some distraction and restoration in a temporary change,'
|
|
said Mrs Chick, 'than he told me he had already formed the intention
|
|
of going into the country for a short time. I'm sure I hope he'll go
|
|
very soon. He can't go too soon. But I suppose there are some
|
|
arrangements connected with his private papers and so forth,
|
|
consequent on the affliction that has tried us all so much - I can't
|
|
think what's become of mine: Lucretia, lend me yours, my dear - that
|
|
may occupy him for one or two evenings in his own room. Your Papa's a
|
|
Dombey, child, if ever there was one,' said Mrs Chick, drying both her
|
|
eyes at once with great care on opposite corners of Miss Tox's
|
|
handkerchief 'He'll make an effort. There's no fear of him.'
|
|
|
|
'Is there nothing, aunt,' said Florence, trembling, 'I might do to
|
|
-
|
|
|
|
'Lord, my dear child,' interposed Mrs Chick, hastily, 'what are you
|
|
talking about? If your Papa said to Me - I have given you his exact
|
|
words, "Louisa, I want nothing; I am better by myself" - what do you
|
|
think he'd say to you? You mustn't show yourself to him, child. Don't
|
|
dream of such a thing.'
|
|
|
|
'Aunt,' said Florence, 'I will go and lie down on my bed.'
|
|
|
|
Mrs Chick approved of this resolution, and dismissed her with a
|
|
kiss. But Miss Tox, on a faint pretence of looking for the mislaid
|
|
handkerchief, went upstairs after her; and tried in a few stolen
|
|
minutes to comfort her, in spite of great discouragement from Susan
|
|
Nipper. For Miss Nipper, in her burning zeal, disparaged Miss Tox as a
|
|
crocodile; yet her sympathy seemed genuine, and had at least the
|
|
vantage-ground of disinterestedness - there was little favour to be
|
|
won by it.
|
|
|
|
And was there no one nearer and dearer than Susan, to uphold the
|
|
striving heart in its anguish? Was there no other neck to clasp; no
|
|
other face to turn to? no one else to say a soothing word to such deep
|
|
sorrow? Was Florence so alone in the bleak world that nothing else
|
|
remained to her? Nothing. Stricken motherless and brotherless at once
|
|
- for in the loss of little Paul, that first and greatest loss fell
|
|
heavily upon her - this was the only help she had. Oh, who can tell
|
|
how much she needed help at first!
|
|
|
|
At first, when the house subsided into its accustomed course, and
|
|
they had all gone away, except the servants, and her father shut up in
|
|
his own rooms, Florence could do nothing but weep, and wander up and
|
|
down, and sometimes, in a sudden pang of desolate remembrance, fly to
|
|
her own chamber, wring her hands, lay her face down on her bed, and
|
|
know no consolation: nothing but the bitterness and cruelty of grief.
|
|
This commonly ensued upon the recognition of some spot or object very
|
|
tenderly dated with him; and it made the ale house, at first, a place
|
|
of agony.
|
|
|
|
But it is not in the nature of pure love to burn so fiercely and
|
|
unkindly long. The flame that in its grosser composition has the taint
|
|
of earth may prey upon the breast that gives it shelter; but the fire
|
|
from heaven is as gentle in the heart, as when it rested on the heads
|
|
of the assembled twelve, and showed each man his brother, brightened
|
|
and unhurt. The image conjured up, there soon returned the placid
|
|
face, the softened voice, the loving looks, the quiet trustfulness and
|
|
peace; and Florence, though she wept still, wept more tranquilly, and
|
|
courted the remembrance.
|
|
|
|
It was not very long before the golden water, dancing on the wall,
|
|
in the old place, at the old serene time, had her calm eye fixed upon
|
|
it as it ebbed away. It was not very long before that room again knew
|
|
her, often; sitting there alone, as patient and as mild as when she
|
|
had watched beside the little bed. When any sharp sense of its being
|
|
empty smote upon her, she could kneel beside it, and pray GOD - it was
|
|
the pouring out of her full heart - to let one angel love her and
|
|
remember her.
|
|
|
|
It was not very long before, in the midst of the dismal house so
|
|
wide and dreary, her low voice in the twilight, slowly and stopping
|
|
sometimes, touched the old air to which he had so often listened, with
|
|
his drooping head upon her arm. And after that, and when it was quite
|
|
dark, a little strain of music trembled in the room: so softly played
|
|
and sung, that it was more lIke the mournful recollection of what she
|
|
had done at his request on that last night, than the reality repeated.
|
|
But it was repeated, often - very often, in the shadowy solitude; and
|
|
broken murmurs of the strain still trembled on the keys, when the
|
|
sweet voice was hushed in tears.
|
|
|
|
Thus she gained heart to look upon the work with which her fingers
|
|
had been busy by his side on the sea-shore; and thus it was not very
|
|
long before she took to it again - with something of a human love for
|
|
it, as if it had been sentient and had known him; and, sitting in a
|
|
window, near her mother's picture, in the unused room so long
|
|
deserted, wore away the thoughtful hours.
|
|
|
|
Why did the dark eyes turn so often from this work to where the
|
|
rosy children lived? They were not immediate!y suggestive of her loss;
|
|
for they were all girls: four little sisters. But they were motherless
|
|
like her - and had a father.
|
|
|
|
It was easy to know when he had gone out and was expected home, for
|
|
the elder child was always dressed and waiting for him at the
|
|
drawing-room window, or n the balcony; and when he appeared, her
|
|
expectant face lighted up with joy, while the others at the high
|
|
window, and always on the watch too, clapped their hands, and drummed
|
|
them on the sill, and called to him. The elder child would come down
|
|
to the hall, and put her hand in his, and lead him up the stairs; and
|
|
Florence would see her afterwards sitting by his side, or on his knee,
|
|
or hanging coaxingly about his neck and talking to him: and though
|
|
they were always gay together, he would often watch her face as if he
|
|
thought her like her mother that was dead. Florence would sometimes
|
|
look no more at this, and bursting into tears would hide behind the
|
|
curtain as if she were frightened, or would hurry from the window. Yet
|
|
she could not help returning; and her work would soon fall unheeded
|
|
from her hands again.
|
|
|
|
It was the house that had been empty, years ago. It had remained so
|
|
for a long time. At last, and while she had been away from home, this
|
|
family had taken it; and it was repaired and newly painted; and there
|
|
were birds and flowers about it; and it looked very different from its
|
|
old self. But she never thought of the house. The children and their
|
|
father were all in all.
|
|
|
|
When he had dined, she could see them, through the open windows, go
|
|
down with their governess or nurse, and cluster round the table; and
|
|
in the still summer weather, the sound of their childish voices and
|
|
clear laughter would come ringing across the street, into the drooping
|
|
air of the room in which she sat. Then they would climb and clamber
|
|
upstairs with him, and romp about him on the sofa, or group themselves
|
|
at his knee, a very nosegay of little faces, while he seemed to tell
|
|
them some story. Or they would come running out into the balcony; and
|
|
then Florence would hide herself quickly, lest it should check them in
|
|
their joy, to see her in her black dress, sitting there alone.
|
|
|
|
The elder child remained with her father when the rest had gone
|
|
away, and made his tea for him - happy little house-keeper she was
|
|
then! - and sat conversing with him, sometimes at the window,
|
|
sometimes in the room, until the candles came. He made her his
|
|
companion, though she was some years younger than Florence; and she
|
|
could be as staid and pleasantly demure, with her little book or
|
|
work-box, as a woman. When they had candles, Florence from her own
|
|
dark room was not afraid to look again. But when the time came for the
|
|
child to say 'Good-night, Papa,' and go to bed, Florence would sob and
|
|
tremble as she raised her face to him, and could look no more.
|
|
|
|
Though still she would turn, again and again, before going to bed
|
|
herself from the simple air that had lulled him to rest so often, long
|
|
ago, and from the other low soft broken strain of music, back to that
|
|
house. But that she ever thought of it, or watched it, was a secret
|
|
which she kept within her own young breast.
|
|
|
|
And did that breast of Florence - Florence, so ingenuous and true -
|
|
so worthy of the love that he had borne her, and had whispered in his
|
|
last faint words - whose guileless heart was mirrored in the beauty of
|
|
her face, and breathed in every accent of her gentle voice - did that
|
|
young breast hold any other secret? Yes. One more.
|
|
|
|
When no one in the house was stirring, and the lights were all
|
|
extinguished, she would softly leave her own room, and with noiseless
|
|
feet descend the staircase, and approach her father's door. Against
|
|
it, scarcely breathing, she would rest her face and head, and press
|
|
her lips, in the yearning of her love. She crouched upon the cold
|
|
stone floor outside it, every night, to listen even for his breath;
|
|
and in her one absorbing wish to be allowed to show him some
|
|
affection, to be a consolation to him, to win him over to the
|
|
endurance of some tenderness from her, his solitary child, she would
|
|
have knelt down at his feet, if she had dared, in humble supplication.
|
|
|
|
No one knew it' No one thought of it. The door was ever closed, and
|
|
he shut up within. He went out once or twice, and it was said in the
|
|
house that he was very soon going on his country journey; but he lived
|
|
in those rooms, and lived alone, and never saw her, or inquired for
|
|
her. Perhaps he did not even know that she was in the house.
|
|
|
|
One day, about a week after the funeral, Florence was sitting at
|
|
her work, when Susan appeared, with a face half laughing and half
|
|
crying, to announce a visitor.
|
|
|
|
'A visitor! To me, Susan!' said Florence, looking up in
|
|
astonishment.
|
|
|
|
'Well, it is a wonder, ain't it now, Miss Floy?' said Susan; 'but I
|
|
wish you had a many visitors, I do, indeed, for you'd be all the
|
|
better for it, and it's my opinion that the sooner you and me goes
|
|
even to them old Skettleses, Miss, the better for both, I may not wish
|
|
to live in crowds, Miss Floy, but still I'm not a oyster.'
|
|
|
|
To do Miss Nipper justice, she spoke more for her young mistress
|
|
than herself; and her face showed it.
|
|
|
|
'But the visitor, Susan,' said Florence.
|
|
|
|
Susan, with an hysterical explosion that was as much a laugh as a
|
|
sob, and as much a sob as a laugh, answered,
|
|
|
|
'Mr Toots!'
|
|
|
|
The smile that appeared on Florence's face passed from it in a
|
|
moment, and her eyes filled with tears. But at any rate it was a
|
|
smile, and that gave great satisfaction to Miss Nipper.
|
|
|
|
'My own feelings exactly, Miss Floy,' said Susan, putting her apron
|
|
to her eyes, and shaking her head. 'Immediately I see that Innocent in
|
|
the Hall, Miss Floy, I burst out laughing first, and then I choked.'
|
|
|
|
Susan Nipper involuntarily proceeded to do the like again on the
|
|
spot. In the meantime Mr Toots, who had come upstairs after her, all
|
|
unconscious of the effect he produced, announced himself with his
|
|
knuckles on the door, and walked in very brisKly.
|
|
|
|
'How d'ye do, Miss Dombey?' said Mr Toots. 'I'm very well, I thank
|
|
you; how are you?'
|
|
|
|
Mr Toots - than whom there were few better fellows in the world,
|
|
though there may have been one or two brighter spirits - had
|
|
laboriously invented this long burst of discourse with the view of
|
|
relieving the feelings both of Florence and himself. But finding that
|
|
he had run through his property, as it were, in an injudicious manner,
|
|
by squandering the whole before taking a chair, or before Florence had
|
|
uttered a word, or before he had well got in at the door, he deemed it
|
|
advisable to begin again.
|
|
|
|
'How d'ye do, Miss Dombey?' said Mr Toots. 'I'm very well, I thank
|
|
you; how are you?'
|
|
|
|
Florence gave him her hand, and said she was very well.
|
|
|
|
'I'm very well indeed,' said Mr Toots, taking a chair. 'Very well
|
|
indeed, I am. I don't remember,' said Mr Toots, after reflecting a
|
|
little, 'that I was ever better, thank you.'
|
|
|
|
'It's very kind of you to come,' said Florence, taking up her work,
|
|
'I am very glad to see you.'
|
|
|
|
Mr Toots responded with a chuckle. Thinking that might be too
|
|
lively, he corrected it with a sigh. Thinking that might be too
|
|
melancholy, he corrected it with a chuckle. Not thoroughly pleasing
|
|
himself with either mode of reply, he breathed hard.
|
|
|
|
'You were very kind to my dear brother,' said Florence, obeying her
|
|
own natural impulse to relieve him by saying so. 'He often talked to
|
|
me about you.'
|
|
|
|
'Oh it's of no consequence,' said Mr Toots hastily. 'Warm, ain't
|
|
it?'
|
|
|
|
'It is beautiful weather,' replied Florence.
|
|
|
|
'It agrees with me!' said Mr Toots. 'I don't think I ever was so
|
|
well as I find myself at present, I'm obliged to you.
|
|
|
|
After stating this curious and unexpected fact, Mr Toots fell into
|
|
a deep well of silence.
|
|
|
|
'You have left Dr Blimber's, I think?' said Florence, trying to
|
|
help him out.
|
|
|
|
'I should hope so,' returned Mr Toots. And tumbled in again.
|
|
|
|
He remained at the bottom, apparently drowned, for at least ten
|
|
minutes. At the expiration of that period, he suddenly floated, and
|
|
said,
|
|
|
|
'Well! Good morning, Miss Dombey.'
|
|
|
|
'Are you going?' asked Florence, rising.
|
|
|
|
'I don't know, though. No, not just at present,' said Mr Toots,
|
|
sitting down again, most unexpectedly. 'The fact is - I say, Miss
|
|
Dombey!'
|
|
|
|
'Don't be afraid to speak to me,' said Florence, with a quiet
|
|
smile, 'I should he very glad if you would talk about my brother.'
|
|
|
|
'Would you, though?' retorted Mr Toots, with sympathy in every
|
|
fibre of his otherwise expressionless face. 'Poor Dombey! I'm sure I
|
|
never thought that Burgess and Co. - fashionable tailors (but very
|
|
dear), that we used to talk about - would make this suit of clothes
|
|
for such a purpose.' Mr Toots was dressed in mourning. 'Poor Dombey! I
|
|
say! Miss Dombey!' blubbered Toots.
|
|
|
|
'Yes,' said Florence.
|
|
|
|
'There's a friend he took to very much at last. I thought you'd
|
|
lIke to have him, perhaps, as a sort of keepsake. You remember his
|
|
remembering Diogenes?'
|
|
|
|
'Oh yes! oh yes' cried Florence.
|
|
|
|
'Poor Dombey! So do I,' said Mr Toots.
|
|
|
|
Mr Toots, seeing Florence in tears, had great difficulty in getting
|
|
beyond this point, and had nearly tumbled into the well again. But a
|
|
chucKle saved him on the brink.
|
|
|
|
'I say,' he proceeded, 'Miss Dombey! I could have had him stolen
|
|
for ten shillings, if they hadn't given him up: and I would: but they
|
|
were glad to get rid of him, I think. If you'd like to have him, he's
|
|
at the door. I brought him on purpose for you. He ain't a lady's dog,
|
|
you know,' said Mr Toots, 'but you won't mind that, will you?'
|
|
|
|
In fact, Diogenes was at that moment, as they presently ascertained
|
|
from looking down into the street, staring through the window of a
|
|
hackney cabriolet, into which, for conveyance to that spot, he had
|
|
been ensnared, on a false pretence of rats among the straw. Sooth to
|
|
say, he was as unlike a lady's dog as might be; and in his gruff
|
|
anxiety to get out, presented an appearance sufficiently unpromising,
|
|
as he gave short yelps out of one side of his mouth, and overbalancing
|
|
himself by the intensity of every one of those efforts, tumbled down
|
|
into the straw, and then sprung panting up again, putting out his
|
|
tongue, as if he had come express to a Dispensary to be examined for
|
|
his health.
|
|
|
|
But though Diogenes was as ridiculous a dog as one would meet with
|
|
on a summer's day; a blundering, ill-favoured, clumsy, bullet-headed
|
|
dog, continually acting on a wrong idea that there was an enemy in the
|
|
neighbourhood, whom it was meritorious to bark at; and though he was
|
|
far from good-tempered, and certainly was not clever, and had hair all
|
|
over his eyes, and a comic nose, and an inconsistent tail, and a gruff
|
|
voice; he was dearer to Florence, in virtue of that parting
|
|
remembrance of him, and that request that he might be taken care of,
|
|
than the most valuable and beautiful of his kind. So dear, indeed, was
|
|
this same ugly Diogenes, and so welcome to her, that she took the
|
|
jewelled hand of Mr Toots and kissed it in her gratitude. And when
|
|
Diogenes, released, came tearing up the stairs and bouncing into the
|
|
room (such a business as there was, first, to get him out of the
|
|
cabriolet!), dived under all the furniture, and wound a long iron
|
|
chain, that dangled from his neck, round legs of chairs and tables,
|
|
and then tugged at it until his eyes became unnaturally visible, in
|
|
consequence of their nearly starting out of his head; and when he
|
|
growled at Mr Toots, who affected familiarity; and went pell-mell at
|
|
Towlinson, morally convinced that he was the enemy whom he had barked
|
|
at round the corner all his life and had never seen yet; Florence was
|
|
as pleased with him as if he had been a miracle of discretion.
|
|
|
|
Mr Toots was so overjoyed by the success of his present, and was so
|
|
delighted to see Florence bending down over Diogenes, smoothing his
|
|
coarse back with her little delicate hand - Diogenes graciously
|
|
allowing it from the first moment of their acquaintance - that he felt
|
|
it difficult to take leave, and would, no doubt, have been a much
|
|
longer time in making up his mind to do so, if he had not been
|
|
assisted by Diogenes himself, who suddenly took it into his head to
|
|
bay Mr Toots, and to make short runs at him with his mouth open. Not
|
|
exactly seeing his way to the end of these demonstrations, and
|
|
sensible that they placed the pantaloons constructed by the art of
|
|
Burgess and Co. in jeopardy, Mr Toots, with chuckles, lapsed out at
|
|
the door: by which, after looking in again two or three times, without
|
|
any object at all, and being on each occasion greeted with a fresh run
|
|
from Diogenes, he finally took himself off and got away.
|
|
|
|
'Come, then, Di! Dear Di! Make friends with your new mistress. Let
|
|
us love each other, Di!'said Florence, fondling his shaggy head. And
|
|
Di, the rough and gruff, as if his hairy hide were pervious to the
|
|
tear that dropped upon it, and his dog's heart melted as it fell, put
|
|
his nose up to her face, and swore fidelity.
|
|
|
|
Diogenes the man did not speak plainer to Alexander the Great than
|
|
Diogenes the dog spoke to Florence.' He subscribed to the offer of his
|
|
little mistress cheerfully, and devoted himself to her service. A
|
|
banquet was immediately provided for him in a corner; and when he had
|
|
eaten and drunk his fill, he went to the window where Florence was
|
|
sitting, looking on, rose up on his hind legs, with his awkward fore
|
|
paws on her shoulders, licked her face and hands, nestled his great
|
|
head against her heart, and wagged his tail till he was tired.
|
|
Finally, Diogenes coiled himself up at her feet and went to sleep.
|
|
|
|
Although Miss Nipper was nervous in regard of dogs, and felt it
|
|
necessary to come into the room with her skirts carefully collected
|
|
about her, as if she were crossing a brook on stepping-stones; also to
|
|
utter little screams and stand up on chairs when Diogenes stretched
|
|
himself, she was in her own manner affected by the kindness of Mr
|
|
Toots, and could not see Florence so alive to the attachment and
|
|
society of this rude friend of little Paul's, without some mental
|
|
comments thereupon that brought the water to her eyes. Mr Dombey, as a
|
|
part of her reflections, may have been, in the association of ideas,
|
|
connected with the dog; but, at any rate, after observing Diogenes and
|
|
his mistress all the evening, and after exerting herself with much
|
|
good-will to provide Diogenes a bed in an ante-chamber outside his
|
|
mistress's door, she said hurriedly to Florence, before leaving her
|
|
for the night:
|
|
|
|
'Your Pa's a going off, Miss Floy, tomorrow morning.'
|
|
|
|
'To-morrow morning, Susan?'
|
|
|
|
'Yes, Miss; that's the orders. Early.'
|
|
|
|
'Do you know,' asked Florence, without looking at her, 'where Papa
|
|
is going, Susan?'
|
|
|
|
'Not exactly, Miss. He's going to meet that precious Major first,
|
|
and I must say if I was acquainted with any Major myself (which
|
|
Heavens forbid), it shouldn't be a blue one!'
|
|
|
|
'Hush, Susan!' urged Florence gently.
|
|
|
|
'Well, Miss Floy,' returned Miss Nipper, who was full of burning
|
|
indignation, and minded her stops even less than usual. 'I can't help
|
|
it, blue he is, and while I was a Christian, although humble, I would
|
|
have natural-coloured friends, or none.'
|
|
|
|
It appeared from what she added and had gleaned downstairs, that
|
|
Mrs Chick had proposed the Major for Mr Dombey's companion, and that
|
|
Mr Dombey, after some hesitation, had invited him.
|
|
|
|
'Talk of him being a change, indeed!' observed Miss Nipper to
|
|
herself with boundless contempt. 'If he's a change, give me a
|
|
constancy.
|
|
|
|
'Good-night, Susan,' said Florence.
|
|
|
|
'Good-night, my darling dear Miss Floy.'
|
|
|
|
Her tone of commiseration smote the chord so often roughly touched,
|
|
but never listened to while she or anyone looked on. Florence left
|
|
alone, laid her head upon her hand, and pressing the other over her
|
|
swelling heart, held free communication with her sorrows.
|
|
|
|
It was a wet night; and the melancholy rain fell pattering and
|
|
dropping with a weary sound. A sluggish wind was blowing, and went
|
|
moaning round the house, as if it were in pain or grief. A shrill
|
|
noise quivered through the trees. While she sat weeping, it grew late,
|
|
and dreary midnight tolled out from the steeples.
|
|
|
|
Florence was little more than a child in years - not yet fourteen-
|
|
and the loneliness and gloom of such an hour in the great house where
|
|
Death had lately made its own tremendous devastation, might have set
|
|
an older fancy brooding on vague terrors. But her innocent imagination
|
|
was too full of one theme to admit them. Nothing wandered in her
|
|
thoughts but love - a wandering love, indeed, and castaway - but
|
|
turning always to her father. There was nothing in the dropping of the
|
|
rain, the moaning of the wind, the shuddering of the trees, the
|
|
striking of the solemn clocks, that shook this one thought, or
|
|
diminished its interest' Her recollections of the dear dead boy - and
|
|
they were never absent - were itself, the same thing. And oh, to be
|
|
shut out: to be so lost: never to have looked into her father's face
|
|
or touched him, since that hour!
|
|
|
|
She could not go to bed, poor child, and never had gone yet, since
|
|
then, without making her nightly pilgrimage to his door. It would have
|
|
been a strange sad sight, to see her' now, stealing lightly down the
|
|
stairs through the thick gloom, and stopping at it with a beating
|
|
heart, and blinded eyes, and hair that fell down loosely and unthought
|
|
of; and touching it outside with her wet cheek. But the night covered
|
|
it, and no one knew.
|
|
|
|
The moment that she touched the door on this night, Florence found
|
|
that it was open. For the first time it stood open, though by but a
|
|
hair's-breadth: and there was a light within. The first impulse of the
|
|
timid child - and she yielded to it - was to retire swiftly. Her next,
|
|
to go back, and to enter; and this second impulse held her in
|
|
irresolution on the staircase.
|
|
|
|
In its standing open, even by so much as that chink, there seemed
|
|
to be hope. There was encouragement in seeing a ray of light from
|
|
within, stealing through the dark stern doorway, and falling in a
|
|
thread upon the marble floor. She turned back, hardly knowing what she
|
|
did, but urged on by the love within her, and the trial they had
|
|
undergone together, but not shared: and with her hands a little raised
|
|
and trembling, glided in.
|
|
|
|
Her father sat at his old table in the middle room. He had been
|
|
arranging some papers, and destroying others, and the latter lay in
|
|
fragile ruins before him. The rain dripped heavily upon the glass
|
|
panes in the outer room, where he had so often watched poor Paul, a
|
|
baby; and the low complainings of the wind were heard without.
|
|
|
|
But not by him. He sat with his eyes fixed on the table, so
|
|
immersed in thought, that a far heavier tread than the light foot of
|
|
his child could make, might have failed to rouse him. His face was
|
|
turned towards her. By the waning lamp, and at that haggard hour, it
|
|
looked worn and dejected; and in the utter loneliness surrounding him,
|
|
there was an appeal to Florence that struck home.
|
|
|
|
'Papa! Papa! speak to me, dear Papa!'
|
|
|
|
He started at her voice, and leaped up from his seat. She was close
|
|
before him' with extended arms, but he fell back.
|
|
|
|
'What is the matter?' he said, sternly. 'Why do you come here? What
|
|
has frightened you?'
|
|
|
|
If anything had frightened her, it was the face he turned upon her.
|
|
The glowing love within the breast of his young daughter froze before
|
|
it, and she stood and looked at him as if stricken into stone.
|
|
|
|
There was not one touch of tenderness or pity in it. There was not
|
|
one gleam of interest, parental recognition, or relenting in it. There
|
|
was a change in it, but not of that kind. The old indifference and
|
|
cold constraint had given place to something: what, she never thought
|
|
and did not dare to think, and yet she felt it in its force, and knew
|
|
it well without a name: that as it looked upon her, seemed to cast a
|
|
shadow on her head.
|
|
|
|
Did he see before him the successful rival of his son, in health
|
|
and life? Did he look upon his own successful rival in that son's
|
|
affection? Did a mad jealousy and withered pride, poison sweet
|
|
remembrances that should have endeared and made her precious to him?
|
|
Could it be possible that it was gall to him to look upon her in her
|
|
beauty and her promise: thinking of his infant boy!
|
|
|
|
Florence had no such thoughts. But love is quick to know when it is
|
|
spurned and hopeless: and hope died out of hers, as she stood looking
|
|
in her father's face.
|
|
|
|
'I ask you, Florence, are you frightened? Is there anything the
|
|
matter, that you come here?'
|
|
|
|
'I came, Papa - '
|
|
|
|
'Against my wishes. Why?'
|
|
|
|
She saw he knew why: it was written broadly on his face: and
|
|
dropped her head upon her hands with one prolonged low cry.
|
|
|
|
Let him remember it in that room, years to come. It has faded from
|
|
the air, before he breaks the silence. It may pass as quickly from his
|
|
brain, as he believes, but it is there. Let him remember it in that
|
|
room, years to come!
|
|
|
|
He took her by the arm. His hand was cold, and loose, and scarcely
|
|
closed upon her.
|
|
|
|
'You are tired, I daresay,' he said, taking up the light, and
|
|
leading her towards the door, 'and want rest. We all want rest. Go,
|
|
Florence. You have been dreaming.'
|
|
|
|
The dream she had had, was over then, God help her! and she felt
|
|
that it could never more come back
|
|
|
|
'I will remain here to light you up the stairs. The whole house is
|
|
yours above there,' said her father, slowly. 'You are its mistress
|
|
now. Good-night!'
|
|
|
|
Still covering her face, she sobbed, and answered 'Good-night, dear
|
|
Papa,' and silently ascended. Once she looked back as if she would
|
|
have returned to him, but for fear. It was a mommentary thought, too
|
|
hopeless to encourage; and her father stood there with the light -
|
|
hard, unresponsive, motionless - until the fluttering dress of his
|
|
fair child was lost in the darkness.
|
|
|
|
Let him remember it in that room, years to come. The rain that
|
|
falls upon the roof: the wind that mourns outside the door: may have
|
|
foreknowledge in their melancholy sound. Let him remember it in that
|
|
room, years to come!
|
|
|
|
The last time he had watched her, from the same place, winding up
|
|
those stairs, she had had her brother in her arms. It did not move his
|
|
heart towards her now, it steeled it: but he went into his room, and
|
|
locked his door, and sat down in his chair, and cried for his lost
|
|
boy.
|
|
|
|
Diogenes was broad awake upon his post, and waiting for his little
|
|
mistress.
|
|
|
|
'Oh, Di! Oh, dear Di! Love me for his sake!'
|
|
|
|
Diogenes already loved her for her own, and didn't care how much he
|
|
showed it. So he made himself vastly ridiculous by performing a
|
|
variety of uncouth bounces in the ante-chamber, and concluded, when
|
|
poor Florence was at last asleep, and dreaming of the rosy children
|
|
opposite, by scratching open her bedroom door: rolling up his bed into
|
|
a pillow: lying down on the boards, at the full length of his tether,
|
|
with his head towards her: and looking lazily at her, upside down, out
|
|
of the tops of his eyes, until from winking and winking he fell asleep
|
|
himself, and dreamed, with gruff barks, of his enemy.
|
|
|
|
CHAPTER 19.
|
|
|
|
Walter goes away
|
|
|
|
The wooden Midshipman at the Instrument-maker's door, like the
|
|
hard-hearted little Midshipman he was, remained supremely indifferent
|
|
to Walter's going away, even when the very last day of his sojourn in
|
|
the back parlour was on the decline. With his quadrant at his round
|
|
black knob of an eye, and his figure in its old attitude of
|
|
indomitable alacrity, the Midshipman displayed his elfin small-clothes
|
|
to the best advantage, and, absorbed in scientific pursuits, had no
|
|
sympathy with worldly concerns. He was so far the creature of
|
|
circumstances, that a dry day covered him with dust, and a misty day
|
|
peppered him with little bits of soot, and a wet day brightened up his
|
|
tarnished uniform for the moment, and a very hot day blistered him;
|
|
but otherwise he was a callous, obdurate, conceited Midshipman, intent
|
|
on his own discoveries, and caring as little for what went on about
|
|
him, terrestrially, as Archimedes at the taking of Syracuse.
|
|
|
|
Such a Midshipman he seemed to be, at least, in the then position
|
|
of domestic affairs. Walter eyed him kindly many a time in passing in
|
|
and out; and poor old Sol, when Walter was not there, would come and
|
|
lean against the doorpost, resting his weary wig as near the
|
|
shoe-buckles of the guardian genius of his trade and shop as he could.
|
|
But no fierce idol with a mouth from ear to ear, and a murderous
|
|
visage made of parrot's feathers, was ever more indifferent to the
|
|
appeals of its savage votaries, than was the Midshipman to these marks
|
|
of attachment.
|
|
|
|
Walter's heart felt heavy as he looked round his old bedroom, up
|
|
among the parapets and chimney-pots, and thought that one more night
|
|
already darkening would close his acquaintance with it, perhaps for
|
|
ever. Dismantled of his little stock of books and pictures, it looked
|
|
coldly and reproachfully on him for his desertion, and had already a
|
|
foreshadowing upon it of its coming strangeness. 'A few hours more,'
|
|
thought Walter, 'and no dream I ever had here when I was a schoolboy
|
|
will be so little mine as this old room. The dream may come back in my
|
|
sleep, and I may return waking to this place, it may be: but the dream
|
|
at least will serve no other master, and the room may have a score,
|
|
and every one of them may change, neglect, misuse it.'
|
|
|
|
But his Uncle was not to be left alone in the little back parlour,
|
|
where he was then sitting by himself; for Captain Cuttle, considerate
|
|
in his roughness, stayed away against his will, purposely that they
|
|
should have some talk together unobserved: so Walter, newly returned
|
|
home from his last day's bustle, descended briskly, to bear him
|
|
company.
|
|
|
|
'Uncle,' he said gaily, laying his hand upon the old man's
|
|
shoulder, 'what shall I send you home from Barbados?'
|
|
|
|
'Hope, my dear Wally. Hope that we shall meet again, on this side
|
|
of the grave. Send me as much of that as you can.'
|
|
|
|
'So I will, Uncle: I have enough and to spare, and I'll not be
|
|
chary of it! And as to lively turtles, and limes for Captain Cuttle's
|
|
punch, and preserves for you on Sundays, and all that sort of thing,
|
|
why I'll send you ship-loads, Uncle: when I'm rich enough.'
|
|
|
|
Old Sol wiped his spectacles, and faintly smiled.
|
|
|
|
'That's right, Uncle!' cried Walter, merrily, and clapping him half
|
|
a dozen times more upon the shoulder. 'You cheer up me! I'll cheer up
|
|
you! We'll be as gay as larks to-morrow morning, Uncle, and we'll fly
|
|
as high! As to my anticipations, they are singing out of sight now.
|
|
|
|
'Wally, my dear boy,' returned the old man, 'I'll do my best, I'll
|
|
do my best.'
|
|
|
|
'And your best, Uncle,' said Walter, with his pleasant laugh, 'is
|
|
the best best that I know. You'll not forget what you're to send me,
|
|
Uncle?'
|
|
|
|
'No, Wally, no,' replied the old man; 'everything I hear about Miss
|
|
Dombey, now that she is left alone, poor lamb, I'll write. I fear it
|
|
won't be much though, Wally.'
|
|
|
|
'Why, I'll tell you what, Uncle,' said Walter, after a moment's
|
|
hesitation, 'I have just been up there.'
|
|
|
|
'Ay, ay, ay?' murmured the old man, raising his eyebrows, and his
|
|
spectacles with them.
|
|
|
|
'Not to see her,' said Walter, 'though I could have seen her, I
|
|
daresay, if I had asked, Mr Dombey being out of town: but to say a
|
|
parting word to Susan. I thought I might venture to do that, you know,
|
|
under the circumstances, and remembering when I saw Miss Dombey last.'
|
|
|
|
'Yes, my boy, yes,' replied his Uncle, rousing himself from a
|
|
temporary abstraction.
|
|
|
|
'So I saw her,' pursued Walter, 'Susan, I mean: and I told her I
|
|
was off and away to-morrow. And I said, Uncle, that you had always had
|
|
an interest in Miss Dombey since that night when she was here, and
|
|
always wished her well and happy, and always would be proud and glad
|
|
to serve her in the least: I thought I might say that, you know, under
|
|
the circumstances. Don't you think so ?'
|
|
|
|
'Yes, my boy, yes,' replied his Uncle, in the tone as before.
|
|
|
|
'And I added,' pursued Walter, 'that if she - Susan, I mean - could
|
|
ever let you know, either through herself, or Mrs Richards, or anybody
|
|
else who might be coming this way, that Miss Dombey was well and
|
|
happy, you would take it very kindly, and would write so much to me,
|
|
and I should take it very kindly too. There! Upon my word, Uncle,'
|
|
said Walter, 'I scarcely slept all last night through thinking of
|
|
doing this; and could not make up my mind when I was out, whether to
|
|
do it or not; and yet I am sure it is the true feeling of my heart,
|
|
and I should have been quite miserable afterwards if I had not
|
|
relieved it.'
|
|
|
|
His honest voice and manner corroborated what he said, and quite
|
|
established its ingenuousness.
|
|
|
|
'So, if you ever see her, Uncle,' said Walter, 'I mean Miss Dombey
|
|
now - and perhaps you may, who knows! - tell her how much I felt for
|
|
her; how much I used to think of her when I was here; how I spoke of
|
|
her, with the tears in my eyes, Uncle, on this last night before I
|
|
went away. Tell her that I said I never could forget her gentle
|
|
manner, or her beautiful face, or her sweet kind disposition that was
|
|
better than all. And as I didn't take them from a woman's feet, or a
|
|
young lady's: only a little innocent child's,' said Walter: 'tell her,
|
|
if you don't mind, Uncle, that I kept those shoes - she'll remember
|
|
how often they fell off, that night - and took them away with me as a
|
|
remembrance!'
|
|
|
|
They were at that very moment going out at the door in one of
|
|
Walter's trunks. A porter carrying off his baggage on a truck for
|
|
shipment at the docks on board the Son and Heir, had got possession of
|
|
them; and wheeled them away under the very eye of the insensible
|
|
Midshipman before their owner had well finished speaking.
|
|
|
|
But that ancient mariner might have been excused his insensibility
|
|
to the treasure as it rolled away. For, under his eye at the same
|
|
moment, accurately within his range of observation, coming full into
|
|
the sphere of his startled and intensely wide-awake look-out, were
|
|
Florence and Susan Nipper: Florence looking up into his face half
|
|
timidly, and receiving the whole shock of his wooden ogling!
|
|
|
|
More than this, they passed into the shop, and passed in at the
|
|
parlour door before they were observed by anybody but the Midshipman.
|
|
And Walter, having his back to the door, would have known nothing of
|
|
their apparition even then, but for seeing his Uncle spring out of his
|
|
own chair, and nearly tumble over another.
|
|
|
|
'Why, Uncle!' exclaimed Walter. 'What's the matter?'
|
|
|
|
Old Solomon replied, 'Miss Dombey!'
|
|
|
|
'Is it possible?' cried Walter, looking round and starting up in
|
|
his turn. 'Here!'
|
|
|
|
Why, It was so possible and so actual, that, while the words were
|
|
on his lips, Florence hurried past him; took Uncle Sol's
|
|
snuff-coloured lapels, one in each hand; kissed him on the cheek; and
|
|
turning, gave her hand to Walter with a simple truth and earnestness
|
|
that was her own, and no one else's in the world!
|
|
|
|
'Going away, Walter!' said Florence.
|
|
|
|
'Yes, Miss Dombey,' he replied, but not so hopefully as he
|
|
endeavoured: 'I have a voyage before me.'
|
|
|
|
'And your Uncle,' said Florence, looking back at Solomon. 'He is
|
|
sorry you are going, I am sure. Ah! I see he is! Dear Walter, I am
|
|
very sorry too.'
|
|
|
|
'Goodness knows,' exclaimed Miss Nipper, 'there's a many we could
|
|
spare instead, if numbers is a object, Mrs Pipchin as a overseer would
|
|
come cheap at her weight in gold, and if a knowledge of black slavery
|
|
should be required, them Blimbers is the very people for the
|
|
sitiwation.'
|
|
|
|
With that Miss Nipper untied her bonnet strings, and alter looking
|
|
vacantly for some moments into a little black teapot that was set
|
|
forth with the usual homely service on the table, shook her head and a
|
|
tin canister, and began unasked to make the tea.
|
|
|
|
In the meantime Florence had turned again to the Instrument-maker,
|
|
who was as full of admiration as surprise. 'So grown!' said old Sol.
|
|
'So improved! And yet not altered! Just the same!'
|
|
|
|
'Indeed!' said Florence.
|
|
|
|
'Ye - yes,' returned old Sol, rubbing his hands slowly, and
|
|
considering the matter half aloud, as something pensive in the bright
|
|
eyes looking at him arrested his attention. 'Yes, that expression was
|
|
in the younger face, too!'
|
|
|
|
'You remember me,' said Florence with a smile, 'and what a little
|
|
creature I was then?'
|
|
|
|
'My dear young lady,' returned the Instrument-maker, 'how could I
|
|
forget you, often as I have thought of you and heard of you since! At
|
|
the very moment, indeed, when you came in, Wally was talking about you
|
|
to me, and leaving messages for you, and - '
|
|
|
|
'Was he?' said Florence. 'Thank you, Walter! Oh thank you, Walter!
|
|
I was afraid you might be going away and hardly thinking of me;' and
|
|
again she gave him her little hand so freely and so faithfully that
|
|
Walter held it for some moments in his own, and could not bear to let
|
|
it go.
|
|
|
|
Yet Walter did not hold it as he might have held it once, nor did
|
|
its touch awaken those old day-dreams of his boyhood that had floated
|
|
past him sometimes even lately, and confused him with their indistinct
|
|
and broken shapes. The purity and innocence of her endearing manner,
|
|
and its perfect trustfulness, and the undisguised regard for him that
|
|
lay so deeply seated in her constant eyes, and glowed upon her fair
|
|
face through the smile that shaded - for alas! it was a smile too sad
|
|
to brighten - it, were not of their romantic race. They brought back
|
|
to his thoughts the early death-bed he had seen her tending, and the
|
|
love the child had borne her; and on the wings of such remembrances
|
|
she seemed to rise up, far above his idle fancies, into clearer and
|
|
serener air.
|
|
|
|
'I - I am afraid I must call you Walter's Uncle, Sir,' said
|
|
Florence to the old man, 'if you'll let me.'
|
|
|
|
'My dear young lady,' cried old Sol. 'Let you! Good gracious!'
|
|
|
|
'We always knew you by that name, and talked of you,' said
|
|
Florence, glancing round, and sighing gently. 'The nice old parlour!
|
|
Just the same! How well I recollect it!'
|
|
|
|
Old Sol looked first at her, then at his nephew, and then rubbed
|
|
his hands, and rubbed his spectacles, and said below his breath, 'Ah!
|
|
time, time, time!'
|
|
|
|
There was a short silence; during which Susan Nipper skilfully
|
|
impounded two extra cups and saucers from the cupboard, and awaited
|
|
the drawing of the tea with a thoughtful air.
|
|
|
|
'I want to tell Walter's Uncle,' said Florence, laying her hand
|
|
timidly upon the old man's as it rested on the table, to bespeak his
|
|
attention, 'something that I am anxious about. He is going to be left
|
|
alone, and if he will allow me - not to take Walter's place, for that
|
|
I couldn't do, but to be his true friend and help him if I ever can
|
|
while Walter is away, I shall be very much obliged to him indeed. Will
|
|
you? May I, Walter's Uncle?'
|
|
|
|
The Instrument-maker, without speaking, put her hand to his lips,
|
|
and Susan Nipper, leaning back with her arms crossed, in the chair of
|
|
presidency into which she had voted herself, bit one end of her bonnet
|
|
strings, and heaved a gentle sigh as she looked up at the skylight.
|
|
|
|
'You will let me come to see you,' said Florence, 'when I can; and
|
|
you will tell me everything about yourself and Walter; and you will
|
|
have no secrets from Susan when she comes and I do not, but will
|
|
confide in us, and trust us, and rely upon us. And you'll try to let
|
|
us be a comfort to you? Will you, Walter's Uncle?'
|
|
|
|
The sweet face looking into his, the gentle pleading eyes, the soft
|
|
voice, and the light touch on his arm made the more winning by a
|
|
child's respect and honour for his age, that gave to all an air of
|
|
graceful doubt and modest hesitation - these, and her natural
|
|
earnestness, so overcame the poor old Instrument-maker, that he only
|
|
answered:
|
|
|
|
'Wally! say a word for me, my dear. I'm very grateful.'
|
|
|
|
'No, Walter,' returned Florence with her quiet smile. 'Say nothing
|
|
for him, if you please. I understand him very well, and we must learn
|
|
to talk together without you, dear Walter.'
|
|
|
|
The regretful tone in which she said these latter words, touched
|
|
Walter more than all the rest.
|
|
|
|
'Miss Florence,' he replied, with an effort to recover the cheerful
|
|
manner he had preserved while talking with his Uncle, 'I know no more
|
|
than my Uncle, what to say in acknowledgment of such kindness, I am
|
|
sure. But what could I say, after all, if I had the power of talking
|
|
for an hour, except that it is like you?'
|
|
|
|
Susan Nipper began upon a new part of her bonnet string, and nodded
|
|
at the skylight, in approval of the sentiment expressed.
|
|
|
|
'Oh! but, Walter,' said Florence, 'there is something that I wish
|
|
to say to you before you go away, and you must call me Florence, if
|
|
you please, and not speak like a stranger.'
|
|
|
|
'Like a stranger!' returned Walter, 'No. I couldn't speak so. I am
|
|
sure, at least, I couldn't feel like one.'
|
|
|
|
'Ay, but that is not enough, and is not what I mean. For, Walter,'
|
|
added Florence, bursting into tears, 'he liked you very much, and said
|
|
before he died that he was fond of you, and said "Remember Walter!"
|
|
and if you'll be a brother to me, Walter, now that he is gone and I
|
|
have none on earth, I'll be your sister all my life, and think of you
|
|
like one wherever we may be! This is what I wished to say, dear
|
|
Walter, but I cannot say it as I would, because my heart is full.'
|
|
|
|
And in its fulness and its sweet simplicity, she held out both her
|
|
hands to him. Walter taking them, stooped down and touched the tearful
|
|
face that neither shrunk nor turned away, nor reddened as he did so,
|
|
but looked up at him with confidence and truth. In that one moment,
|
|
every shadow of doubt or agitation passed away from Walter's soul. It
|
|
seemed to him that he responded to her innocent appeal, beside the
|
|
dead child's bed: and, in the solemn presence he had seen there,
|
|
pledged himself to cherish and protect her very image, in his
|
|
banishment, with brotherly regard; to garner up her simple faith,
|
|
inviolate; and hold himself degraded if he breathed upon it any
|
|
thought that was not in her own breast when she gave it to him.
|
|
|
|
Susan Nipper, who had bitten both her bonnet strings at once, and
|
|
imparted a great deal of private emotion to the skylight, during this
|
|
transaction, now changed the subject by inquiring who took milk and
|
|
who took sugar; and being enlightened on these points, poured out the
|
|
tea. They all four gathered socially about the little table, and took
|
|
tea under that young lady's active superintendence; and the presence
|
|
of Florence in the back parlour, brightened the Tartar frigate on the
|
|
wall.
|
|
|
|
Half an hour ago Walter, for his life, would have hardly called her
|
|
by her name. But he could do so now when she entreated him. He could
|
|
think of her being there, without a lurking misgiving that it would
|
|
have been better if she had not come. He could calmly think how
|
|
beautiful she was, how full of promise, what a home some happy man
|
|
would find in such a heart one day. He could reflect upon his own
|
|
place in that heart, with pride; and with a brave determination, if
|
|
not to deserve it - he still thought that far above him - never to
|
|
deserve it less
|
|
|
|
Some fairy influence must surely have hovered round the hands of
|
|
Susan Nipper when she made the tea, engendering the tranquil air that
|
|
reigned in the back parlour during its discussion. Some
|
|
counter-influence must surely have hovered round the hands of Uncle
|
|
Sol's chronometer, and moved them faster than the Tartar frigate ever
|
|
went before the wind. Be this as it may, the visitors had a coach in
|
|
waiting at a quiet corner not far off; and the chronometer, on being
|
|
incidentally referred to, gave such a positive opinion that it had
|
|
been waiting a long time, that it was impossible to doubt the fact,
|
|
especially when stated on such unimpeachable authority. If Uncle Sol
|
|
had been going to be hanged by his own time, he never would have
|
|
allowed that the chronometer was too fast, by the least fraction of a
|
|
second.
|
|
|
|
Florence at parting recapitulated to the old man all that she had
|
|
said before, and bound him to the compact. Uncle Sol attended her
|
|
lovingly to the legs of the wooden Midshipman, and there resigned her
|
|
to Walter, who was ready to escort her and Susan Nipper to the coach.
|
|
|
|
'Walter,' said Florence by the way, 'I have been afraid to ask
|
|
before your Uncle. Do you think you will be absent very long?'
|
|
|
|
'Indeed,' said Walter, 'I don't know. I fear so. Mr Dombey
|
|
signified as much, I thought, when he appointed me.'
|
|
|
|
'Is it a favour, Walter?' inquired Florence, after a moment's
|
|
hesitation, and looking anxiously in his face.
|
|
|
|
'The appointment?' returned Walter.
|
|
|
|
'Yes.'
|
|
|
|
Walter would have given anything to have answered in the
|
|
affirmative, but his face answered before his lips could, and Florence
|
|
was too attentive to it not to understand its reply.
|
|
|
|
'I am afraid you have scarcely been a favourite with Papa,' she
|
|
said, timidly.
|
|
|
|
'There is no reason,' replied Walter, smiling, 'why I should be.'
|
|
|
|
'No reason, Walter!'
|
|
|
|
'There was no reason,' said Walter, understanding what she meant.
|
|
'There are many people employed in the House. Between Mr Dombey and a
|
|
young man like me, there's a wide space of separation. If I do my
|
|
duty, I do what I ought, and do no more than all the rest.'
|
|
|
|
Had Florence any misgiving of which she was hardly conscious: any
|
|
misgiving that had sprung into an indistinct and undefined existence
|
|
since that recent night when she had gone down to her father's room:
|
|
that Walter's accidental interest in her, and early knowledge of her,
|
|
might have involved him in that powerful displeasure and dislike? Had
|
|
Walter any such idea, or any sudden thought that it was in her mind at
|
|
that moment? Neither of them hinted at it. Neither of them spoke at
|
|
all, for some short time. Susan, walking on the other side of Walter,
|
|
eyed them both sharply; and certainly Miss Nipper's thoughts travelled
|
|
in that direction, and very confidently too.
|
|
|
|
'You may come back very soon,' said Florence, 'perhaps, Walter.'
|
|
|
|
'I may come back,' said Walter, 'an old man, and find you an old
|
|
lady. But I hope for better things.'
|
|
|
|
'Papa,' said Florence, after a moment, 'will - will recover from
|
|
his grief, and - speak more freely to me one day, perhaps; and if he
|
|
should, I will tell him how much I wish to see you back again, and ask
|
|
him to recall you for my sake.'
|
|
|
|
There was a touching modulation in these words about her father,
|
|
that Walter understood too well.
|
|
|
|
The coach being close at hand, he would have left her without
|
|
speaking, for now he felt what parting was; but Florence held his hand
|
|
when she was seated, and then he found there was a little packet in
|
|
her own.
|
|
|
|
'Walter,' she said, looking full upon him with her affectionate
|
|
eyes, 'like you, I hope for better things. I will pray for them, and
|
|
believe that they will arrive. I made this little gift for Paul. Pray
|
|
take it with my love, and do not look at it until you are gone away.
|
|
And now, God bless you, Walter! never forget me. You are my brother,
|
|
dear!'
|
|
|
|
He was glad that Susan Nipper came between them, or he might have
|
|
left her with a sorrowful remembrance of him. He was glad too that she
|
|
did not look out of the coach again, but waved the little hand to him
|
|
instead, as long as he could see it.
|
|
|
|
In spite of her request, he could not help opening the packet that
|
|
night when he went to bed. It was a little purse: and there was was
|
|
money in it.
|
|
|
|
Bright rose the sun next morning, from his absence in strange
|
|
countries and up rose Walter with it to receive the Captain, who was
|
|
already at the door: having turned out earlier than was necessary, in
|
|
order to get under weigh while Mrs MacStinger was still slumbering.
|
|
The Captain pretended to be in tip-top spirits, and brought a very
|
|
smoky tongue in one of the pockets of the of the broad blue coat for
|
|
breakfast.
|
|
|
|
'And, Wal'r,' said the Captain, when they took their seats at
|
|
table, if your Uncle's the man I think him, he'll bring out the last
|
|
bottle of the Madeira on the present occasion.'
|
|
|
|
'No, no, Ned,' returned the old man. 'No! That shall be opened when
|
|
Walter comes home again.'
|
|
|
|
'Well said!' cried the Captain. 'Hear him!'
|
|
|
|
'There it lies,' said Sol Gills, 'down in the little cellar,
|
|
covered with dirt and cobwebs. There may be dirt and cobwebs over you
|
|
and me perhaps, Ned, before it sees the light.'
|
|
|
|
'Hear him! 'cried the Captain. 'Good morality! Wal'r, my lad. Train
|
|
up a fig-tree in the way it should go, and when you are old sit under
|
|
the shade on it. Overhaul the - Well,' said the Captain on second
|
|
thoughts, 'I ain't quite certain where that's to be found, but when
|
|
found, make a note of. Sol Gills, heave ahead again!'
|
|
|
|
'But there or somewhere, it shall lie, Ned, until Wally comes back
|
|
to claim it,' said the old man. 'That's all I meant to say.'
|
|
|
|
'And well said too,' returned the Captain; 'and if we three don't
|
|
crack that bottle in company, I'll give you two leave to.'
|
|
|
|
Notwithstanding the Captain's excessive joviality, he made but a
|
|
poor hand at the smoky tongue, though he tried very hard, when anybody
|
|
looked at him, to appear as if he were eating with a vast apetite. He
|
|
was terribly afraid, likewise, of being left alone with either Uncle
|
|
or nephew; appearing to consider that his only chance of safety as to
|
|
keeping up appearances, was in there being always three together. This
|
|
terror on the part of the Captain, reduced him to such ingenious
|
|
evasions as running to the door, when Solomon went to put his coat on,
|
|
under pretence of having seen an extraordinary hackney-coach pass: and
|
|
darting out into the road when Walter went upstairs to take leave of
|
|
the lodgers, on a feint of smelling fire in a neighbouring chimney.
|
|
These artifices Captain Cuttle deemed inscrutable by any uninspired
|
|
observer.
|
|
|
|
Walter was coming down from his parting expedition upstairs, and
|
|
was crossing the shop to go back to the little parlour, when he saw a
|
|
faded face he knew, looking in at the door, and darted towards it.
|
|
|
|
'Mr Carker!' cried Walter, pressing the hand of John Carker the
|
|
Junior. 'Pray come in! This is kind of you, to be here so early to say
|
|
good-bye to me. You knew how glad it would make me to shake hands with
|
|
you, once, before going away. I cannot say how glad I am to have this
|
|
opportunity. Pray come in.'
|
|
|
|
'It is not likely that we may ever meet again, Walter,' returned
|
|
the other, gently resisting his invitation, 'and I am glad of this
|
|
opportunity too. I may venture to speak to you, and to take you by the
|
|
hand, on the eve of separation. I shall not have to resist your frank
|
|
approaches, Walter, any more.
|
|
|
|
There was a melancholy in his smile as he said it, that showed he
|
|
had found some company and friendship for his thoughts even in that.
|
|
|
|
'Ah, Mr Carker!' returned Walter. 'Why did you resist them? You
|
|
could have done me nothing but good, I am very sure.
|
|
|
|
He shook his head. 'If there were any good,' he said, 'I could do
|
|
on this earth, I would do it, Walter, for you. The sight of you from
|
|
day to day, has been at once happiness and remorse to me. But the
|
|
pleasure has outweighed the pain. I know that, now, by knowing what I
|
|
lose.'
|
|
|
|
'Come in, Mr Carker, and make acquaintance with my good old Uncle,'
|
|
urged Walter. 'I have often talked to him about you, and he will be
|
|
glad to tell you all he hears from me. I have not,' said Walter,
|
|
noticing his hesitation, and speaking with embarrassment himself: 'I
|
|
have not told him anything about our last conversation, Mr Carker; not
|
|
even him, believe me.
|
|
|
|
The grey Junior pressed his hand, and tears rose in his eyes.
|
|
|
|
'If I ever make acquaintance with him, Walter,' he returned, 'it
|
|
will be that I may hear tidings of you. Rely on my not wronging your
|
|
forbearance and consideration. It would be to wrong it, not to tell
|
|
him all the truth, before I sought a word of confidence from him. But
|
|
I have no friend or acquaintance except you: and even for your sake,
|
|
am little likely to make any.'
|
|
|
|
'I wish,' said Walter, 'you had suffered me to be your friend
|
|
indeed. I always wished it, Mr Carker, as you know; but never half so
|
|
much as now, when we are going to part'
|
|
|
|
'It is enough replied the other, 'that you have been the friend of
|
|
my own breast, and that when I have avoided you most, my heart
|
|
inclined the most towards you, and was fullest of you. Walter,
|
|
good-bye!'
|
|
|
|
'Good-bye, Mr Carker. Heaven be with you, Sir!' cried Walter with
|
|
emotion.
|
|
|
|
'If,' said the other, retaining his hand while he spoke; 'if when
|
|
you come back, you miss me from my old corner, and should hear from
|
|
anyone where I am lying, come and look upon my grave. Think that I
|
|
might have been as honest and as happy as you! And let me think, when
|
|
I know time is coming on, that some one like my former self may stand
|
|
there, for a moment, and remember me with pity and forgiveness!
|
|
Walter, good-bye!'
|
|
|
|
His figure crept like a shadow down the bright, sun-lighted street,
|
|
so cheerful yet so solemn in the early summer morning; and slowly
|
|
passed away.
|
|
|
|
The relentless chronometer at last announced that Walter must turn
|
|
his back upon the wooden Midshipman: and away they went, himself, his
|
|
Uncle, and the Captain, in a hackney-coach to a wharf, where they were
|
|
to take steam-boat for some Reach down the river, the name of which,
|
|
as the Captain gave it out, was a hopeless mystery to the ears of
|
|
landsmen. Arrived at this Reach (whither the ship had repaired by last
|
|
night's tide), they were boarded by various excited watermen, and
|
|
among others by a dirty Cyclops of the Captain's acquaintance, who,
|
|
with his one eye, had made the Captain out some mile and a half off,
|
|
and had been exchanging unintelligible roars with him ever since.
|
|
Becoming the lawful prize of this personage, who was frightfully
|
|
hoarse and constitutionally in want of shaving, they were all three
|
|
put aboard the Son and Heir. And the Son and Heir was in a pretty
|
|
state of confusion, with sails lying all bedraggled on the wet decks,
|
|
loose ropes tripping people up, men in red shirts running barefoot to
|
|
and fro, casks blockading every foot of space, and, in the thickest of
|
|
the fray, a black cook in a black caboose up to his eyes in vegetables
|
|
and blinded with smoke.
|
|
|
|
The Captain immediately drew Walter into a corner, and with a great
|
|
effort, that made his face very red, pulled up the silver watch, which
|
|
was so big, and so tight in his pocket, that it came out like a bung.
|
|
|
|
'Wal'r,' said the Captain, handing it over, and shaking him
|
|
heartily by the hand, 'a parting gift, my lad. Put it back half an
|
|
hour every morning, and about another quarter towards the arternoon,
|
|
and it's a watch that'll do you credit.'
|
|
|
|
'Captain Cuttle! I couldn't think of it!' cried Walter, detaining
|
|
him, for he was running away. 'Pray take it back. I have one already.'
|
|
|
|
'Then, Wal'r,' said the Captain, suddenly diving into one of his
|
|
pockets and bringing up the two teaspoons and the sugar-tongs, with
|
|
which he had armed himself to meet such an objection, 'take this here
|
|
trifle of plate, instead.'
|
|
|
|
'No, no, I couldn't indeed!' cried Walter, 'a thousand thanks!
|
|
Don't throw them away, Captain Cuttle!' for the Captain was about to
|
|
jerk them overboard. 'They'll be of much more use to you than me. Give
|
|
me your stick. I have often thought I should like to have it. There!
|
|
Good-bye, Captain Cuttle! Take care of my Uncle! Uncle Sol, God bless
|
|
you!'
|
|
|
|
They were over the side in the confusion, before Walter caught
|
|
another glimpse of either; and when he ran up to the stern, and looked
|
|
after them, he saw his Uncle hanging down his head in the boat, and
|
|
Captain Cuttle rapping him on the back with the great silver watch (it
|
|
must have been very painful), and gesticulating hopefully with the
|
|
teaspoons and sugar-tongs. Catching sight of Walter, Captain Cuttle
|
|
dropped the property into the bottom of the boat with perfect
|
|
unconcern, being evidently oblivious of its existence, and pulling off
|
|
the glazed hat hailed him lustily. The glazed hat made quite a show in
|
|
the sun with its glistening, and the Captain continued to wave it
|
|
until he could be seen no longer. Then the confusion on board, which
|
|
had been rapidly increasing, reached its height; two or three other
|
|
boats went away with a cheer; the sails shone bright and full above,
|
|
as Walter watched them spread their surface to the favourable breeze;
|
|
the water flew in sparkles from the prow; and off upon her voyage went
|
|
the Son and Heir, as hopefully and trippingly as many another son and
|
|
heir, gone down, had started on his way before her.
|
|
|
|
Day after day, old Sol and Captain Cuttle kept her reckoning in the
|
|
little hack parlour and worked out her course, with the chart spread
|
|
before them on the round table. At night, when old Sol climbed
|
|
upstairs, so lonely, to the attic where it sometimes blew great guns,
|
|
he looked up at the stars and listened to the wind, and kept a longer
|
|
watch than would have fallen to his lot on board the ship. The last
|
|
bottle of the old Madeira, which had had its cruising days, and known
|
|
its dangers of the deep, lay silently beneath its dust and cobwebs, in
|
|
the meanwhile, undisturbed.
|
|
|
|
CHAPTER 20.
|
|
|
|
Mr Dombey goes upon a Journey
|
|
|
|
'Mr Dombey, Sir,' said Major Bagstock, 'Joee' B. is not in general
|
|
a man of sentiment, for Joseph is tough. But Joe has his feelings,
|
|
Sir, and when they are awakened - Damme, Mr Dombey,? cried the Major
|
|
with sudden ferocity, 'this is weakness, and I won't submit to it]'
|
|
|
|
Major Bagstock delivered himself of these expressions on receiving
|
|
Mr Dombey as his guest at the head of his own staircase in Princess's
|
|
Place. Mr Dombey had come to breakfast with the Major, previous to
|
|
their setting forth on their trip; and the ill-starved Native had
|
|
already undergone a world of misery arising out of the muffins, while,
|
|
in connexion with the general question of boiled eggs, life was a
|
|
burden to him.
|
|
|
|
'It is not for an old soldier of the Bagstock breed,' observed the
|
|
Major, relapsing into a mild state, 'to deliver himself up, a prey to
|
|
his own emotions; but - damme, Sir,' cried the Major, in another spasm
|
|
of ferocity, 'I condole with you!'
|
|
|
|
The Major's purple visage deepened in its hue, and the Major's
|
|
lobster eyes stood out in bolder relief, as he shook Mr Dombey by the
|
|
hand, imparting to that peaceful action as defiant a character as if
|
|
it had been the prelude to his immediately boxing Mr Dombey for a
|
|
thousand pounds a side and the championship of England. With a
|
|
rotatory motion of his head, and a wheeze very like the cough of a
|
|
horse, the Major then conducted his visitor to the sitting-room, and
|
|
there welcomed him (having now composed his feelings) with the freedom
|
|
and frankness ofa travelling companion.
|
|
|
|
'Dombey,' said the Major, 'I'm glad to see you. I'm proud to see
|
|
you. There are not many men in Europe to whom J. Bagstock would say
|
|
that - for Josh is blunt. Sir: it's his nature - but Joey B. is proud
|
|
to see you, Dombey.'
|
|
|
|
'Major,' returned Mr Dombey, 'you are very obliging.'
|
|
|
|
'No, Sir,' said the Major, 'Devil a bit! That's not my character.
|
|
If that had been Joe's character, Joe might have been, by this time,
|
|
Lieutenant-General Sir Joseph Bagstock, K.C.B., and might have
|
|
received you in very different quarters. You don't know old Joe yet, I
|
|
find. But this occasion, being special, is a source of pride to me. By
|
|
the Lord, Sir,' said the Major resolutely, 'it's an honour to me!'
|
|
|
|
Mr Dombey, in his estimation of himself and his money, felt that
|
|
this was very true, and therefore did not dispute the point. But the
|
|
instinctive recognition of such a truth by the Major, and his plain
|
|
avowal of it, were very able. It was a confirmation to Mr Dombey, if
|
|
he had required any, of his not being mistaken in the Major. It was an
|
|
assurance to him that his power extended beyond his own immediate
|
|
sphere; and that the Major, as an officer and a gentleman, had a no
|
|
less becoming sense of it, than the beadle of the Royal Exchange.
|
|
|
|
And if it were ever consolatory to know this, or the like of this,
|
|
it was consolatory then, when the impotence of his will, the
|
|
instability of his hopes, the feebleness of wealth, had been so
|
|
direfully impressed upon him. What could it do, his boy had asked him.
|
|
Sometimes, thinking of the baby question, he could hardly forbear
|
|
inquiring, himself, what could it do indeed: what had it done?
|
|
|
|
But these were lonely thoughts, bred late at night in the sullen
|
|
despondency and gloom of his retirement, and pride easily found its
|
|
reassurance in many testimonies to the truth, as unimpeachable and
|
|
precious as the Major's. Mr Dombey, in his friendlessness, inclined to
|
|
the Major. It cannot be said that he warmed towards him, but he thawed
|
|
a little, The Major had had some part - and not too much - in the days
|
|
by the seaside. He was a man of the world, and knew some great people.
|
|
He talked much, and told stories; and Mr Dombey was disposed to regard
|
|
him as a choice spirit who shone in society, and who had not that
|
|
poisonous ingredient of poverty with which choice spirits in general
|
|
are too much adulterated. His station was undeniable. Altogether the
|
|
Major was a creditable companion, well accustomed to a life of
|
|
leisure, and to such places as that they were about to visit, and
|
|
having an air of gentlemanly ease about him that mixed well enough
|
|
with his own City character, and did not compete with it at all. If Mr
|
|
Dombey had any lingering idea that the Major, as a man accustomed, in
|
|
the way of his calling, to make light of the ruthless hand that had
|
|
lately crushed his hopes, might unconsciously impart some useful
|
|
philosophy to him, and scare away his weak regrets, he hid it from
|
|
himself, and left it lying at the bottom of his pride, unexamined.
|
|
|
|
'Where is my scoundrel?' said the Major, looking wrathfully round
|
|
the room.
|
|
|
|
The Native, who had no particular name, but answered to any
|
|
vituperative epithet, presented himself instantly at the door and
|
|
ventured to come no nearer.
|
|
|
|
'You villain!' said the choleric Major, 'where's the breakfast?'
|
|
|
|
The dark servant disappeared in search of it, and was quickly heard
|
|
reascending the stairs in such a tremulous state, that the plates and
|
|
dishes on the tray he carried, trembling sympathetically as he came,
|
|
rattled again, all the way up.
|
|
|
|
'Dombey,' said the Major, glancing at the Native as he arranged the
|
|
table, and encouraging him with an awful shake of his fist when he
|
|
upset a spoon, 'here is a devilled grill, a savoury pie, a dish of
|
|
kidneys, and so forth. Pray sit down. Old Joe can give you nothing but
|
|
camp fare, you see.
|
|
|
|
'Very excellent fare, Major,' replied his guest; and not in mere
|
|
politeness either; for the Major always took the best possible care of
|
|
himself, and indeed ate rather more of rich meats than was good for
|
|
him, insomuch that his Imperial complexion was mainly referred by the
|
|
faculty to that circumstance.
|
|
|
|
'You have been looking over the way, Sir,' observed the Major.
|
|
'Have you seen our friend?'
|
|
|
|
'You mean Miss Tox,' retorted Mr Dombey. 'No.'
|
|
|
|
'Charming woman, Sir,' said the Major, with a fat laugh rising in
|
|
his short throat, and nearly suffocating him.
|
|
|
|
'Miss Tox is a very good sort of person, I believe,' replied Mr
|
|
Dombey.
|
|
|
|
The haughty coldness of the reply seemed to afford Major Bagstock
|
|
infinite delight. He swelled and swelled, exceedingly: and even laid
|
|
down his knife and fork for a moment, to rub his hands.
|
|
|
|
'Old Joe, Sir,' said the Major, 'was a bit ofa favourite in that
|
|
quarter once. But Joe has had his day. J. Bagstock is extinguished -
|
|
outrivalled - floored, Sir.'
|
|
|
|
'I should have supposed,' Mr Dombey replied, 'that the lady's day
|
|
for favourites was over: but perhaps you are jesting, Major.'
|
|
|
|
'Perhaps you are jesting, Dombey?' was the Major's rejoinder.
|
|
|
|
There never was a more unlikely possiblity. It was so clearly
|
|
expressed in Mr Dombey's face, that the Major apologised.
|
|
|
|
'I beg your pardon,' he said. 'I see you are in earnest. I tell you
|
|
what, Dombey.' The Major paused in his eating, and looked mysteriously
|
|
indignant. 'That's a de-vilish ambitious woman, Sir.'
|
|
|
|
Mr Dombey said 'Indeed?' with frigid indifference: mingled perhaps
|
|
with some contemptuous incredulity as to Miss Tox having the
|
|
presumption to harbour such a superior quality.
|
|
|
|
'That woman, Sir,' said the Major, 'is, in her way, a Lucifer. Joey
|
|
B. has had his day, Sir, but he keeps his eyes. He sees, does Joe. His
|
|
Royal Highness the late Duke of York observed of Joey, at a levee,
|
|
that he saw.'
|
|
|
|
The Major accompanied this with such a look, and, between eating,
|
|
drinking, hot tea, devilled grill, muffins, and meaning, was
|
|
altogether so swollen and inflamed about the head, that even Mr Dombey
|
|
showed some anxiety for him.
|
|
|
|
'That ridiculous old spectacle, Sir,' pursued the Major, 'aspires.
|
|
She aspires sky-high, Sir. Matrimonially, Dombey.'
|
|
|
|
'I am sorry for her,' said Mr Dombey.
|
|
|
|
'Don't say that, Dombey,' returned the Major in a warning voice.
|
|
|
|
'Why should I not, Major?' said Mr Dombey.
|
|
|
|
The Major gave no answer but the horse's cough, and went on eating
|
|
vigorously.
|
|
|
|
'She has taken an interest in your household,' said the Major,
|
|
stopping short again, 'and has been a frequent visitor at your house
|
|
for some time now.'
|
|
|
|
'Yes,' replied Mr Dombey with great stateliness, 'Miss Tox was
|
|
originally received there, at the time of Mrs Dombey's death, as a
|
|
friend of my sister's; and being a well-behaved person, and showing a
|
|
liking for the poor infant, she was permitted - may I say encouraged -
|
|
to repeat her visits with my sister, and gradually to occupy a kind of
|
|
footing of familiarity in the family. I have,' said Mr Dombey, in the
|
|
tone of a man who was making a great and valuable concession, 'I have
|
|
a respect for Miss Tox. She his been so obliging as to render many
|
|
little services in my house: trifling and insignificant services
|
|
perhaps, Major, but not to be disparaged on that account: and I hope I
|
|
have had the good fortune to be enabled to acknowledge them by such
|
|
attention and notice as it has been in my power to bestow. I hold
|
|
myself indebted to Miss Tox, Major,' added Mr Dombey, with a slight
|
|
wave of his hand, 'for the pleasure of your acquaintance.'
|
|
|
|
'Dombey,' said the Major, warmly: 'no! No, Sir! Joseph Bagstock can
|
|
never permit that assertion to pass uncontradicted. Your knowledge of
|
|
old Joe, Sir, such as he is, and old Joe's knowledge of you, Sir, had
|
|
its origin in a noble fellow, Sir - in a great creature, Sir. Dombey!'
|
|
said the Major, with a struggle which it was not very difficult to
|
|
parade, his whole life being a struggle against all kinds of
|
|
apoplectic symptoms, 'we knew each other through your boy.'
|
|
|
|
Mr Dombey seemed touched, as it is not improbable the Major
|
|
designed he should be, by this allusion. He looked down and sighed:
|
|
and the Major, rousing himself fiercely, again said, in reference to
|
|
the state of mind into which he felt himself in danger of falling,
|
|
that this was weakness, and nothing should induce him to submit to it.
|
|
|
|
'Our friend had a remote connexion with that event,' said the
|
|
Major, 'and all the credit that belongs to her, J. B. is willing to
|
|
give her, Sir. Notwithstanding which, Ma'am,' he added, raising his
|
|
eyes from his plate, and casting them across Princess's Place, to
|
|
where Miss Tox was at that moment visible at her window watering her
|
|
flowers, 'you're a scheming jade, Ma'am, and your ambition is a piece
|
|
of monstrous impudence. If it only made yourself ridiculous, Ma'am,'
|
|
said the Major, rolling his head at the unconscious Miss Tox, while
|
|
his starting eyes appeared to make a leap towards her, 'you might do
|
|
that to your heart's content, Ma'am, without any objection, I assure
|
|
you, on the part of Bagstock.' Here the Major laughed frightfully up
|
|
in the tips of his ears and in the veins of his head. 'But when,
|
|
Ma'am,' said the Major, 'you compromise other people, and generous,
|
|
unsuspicious people too, as a repayment for their condescension, you
|
|
stir the blood of old Joe in his body.'
|
|
|
|
'Major,' said Mr Dombey, reddening, 'I hope you do not hint at
|
|
anything so absurd on the part of Miss Tox as - '
|
|
|
|
'Dombey,' returned the Major, 'I hint at nothing. But Joey B. has
|
|
lived in the world, Sir: lived in the world with his eyes open, Sir,
|
|
and his ears cocked: and Joe tells you, Dombey, that there's a
|
|
devilish artful and ambitious woman over the way.'
|
|
|
|
Mr Dombey involuntarily glanced over the way; and an angry glance
|
|
he sent in that direction, too.
|
|
|
|
'That's all on such a subject that shall pass the lips of Joseph
|
|
Bagstock,' said the Major firmly. 'Joe is not a tale-bearer, but there
|
|
are times when he must speak, when he will speak! - confound your
|
|
arts, Ma'am,' cried the Major, again apostrophising his fair
|
|
neighbour, with great ire, - 'when the provocation is too strong to
|
|
admit of his remaining silent.'
|
|
|
|
The emotion of this outbreak threw the Major into a paroxysm of
|
|
horse's coughs, which held him for a long time. On recovering he
|
|
added:
|
|
|
|
'And now, Dombey, as you have invited Joe - old Joe, who has no
|
|
other merit, Sir, but that he is tough and hearty - to be your guest
|
|
and guide at Leamington, command him in any way you please, and he is
|
|
wholly yours. I don't know, Sir,' said the Major, wagging his double
|
|
chin with a jocose air, 'what it is you people see in Joe to make you
|
|
hold him in such great request, all of you; but this I know, Sir, that
|
|
if he wasn't pretty tough, and obstinate in his refusals, you'd kill
|
|
him among you with your invitations and so forth, in double-quick
|
|
time.'
|
|
|
|
Mr Dombey, in a few words, expressed his sense of the preference he
|
|
received over those other distinguished members of society who were
|
|
clamouring for the possession of Major Bagstock. But the Major cut him
|
|
short by giving him to understand that he followed his own
|
|
inclinations, and that they had risen up in a body and said with one
|
|
accord, 'J. B., Dombey is the man for you to choose as a friend.'
|
|
|
|
The Major being by this time in a state of repletion, with essence
|
|
of savoury pie oozing out at the corners of his eyes, and devilled
|
|
grill and kidneys tightening his cravat: and the time moreover
|
|
approaching for the departure of the railway train to Birmingham, by
|
|
which they were to leave town: the Native got him into his great-coat
|
|
with immense difficulty, and buttoned him up until his face looked
|
|
staring and gasping, over the top of that garment, as if he were in a
|
|
barrel. The Native then handed him separately, and with a decent
|
|
interval between each supply, his washleather gloves, his thick stick,
|
|
and his hat; which latter article the Major wore with a rakish air on
|
|
one side of his head, by way of toning down his remarkable visage. The
|
|
Native had previously packed, in all possible and impossible parts of
|
|
Mr Dombey's chariot, which was in waiting, an unusual quantity of
|
|
carpet-bags and small portmanteaus, no less apoplectic in appearance
|
|
than the Major himself: and having filled his own pockets with Seltzer
|
|
water, East India sherry, sandwiches, shawls, telescopes, maps, and
|
|
newspapers, any or all of which light baggage the Major might require
|
|
at any instant of the journey, he announced that everything was ready.
|
|
To complete the equipment of this unfortunate foreigner (currently
|
|
believed to be a prince in his own country), when he took his seat in
|
|
the rumble by the side of Mr Towlinson, a pile of the Major's cloaks
|
|
and great-coats was hurled upon him by the landlord, who aimed at him
|
|
from the pavement with those great missiles like a Titan, and so
|
|
covered him up, that he proceeded, in a living tomb, to the railroad
|
|
station.
|
|
|
|
But before the carriage moved away, and while the Native was in the
|
|
act of sepulture, Miss Tox appearing at her window, waved a lilywhite
|
|
handkerchief. Mr Dombey received this parting salutation very coldly -
|
|
very coldly even for him - and honouring her with the slightest
|
|
possible inclination of his head, leaned back in the carriage with a
|
|
very discontented look. His marked behaviour seemed to afford the
|
|
Major (who was all politeness in his recognition of Miss Tox)
|
|
unbounded satisfaction; and he sat for a long time afterwards,
|
|
leering, and choking, like an over-fed Mephistopheles.
|
|
|
|
During the bustle of preparation at the railway, Mr Dombey and the
|
|
Major walked up and down the platform side by side; the former
|
|
taciturn and gloomy, and the latter entertaining him, or entertaining
|
|
himself, with a variety of anecdotes and reminiscences, in most of
|
|
which Joe Bagstock was the principal performer. Neither of the two
|
|
observed that in the course of these walks, they attracted the
|
|
attention of a working man who was standing near the engine, and who
|
|
touched his hat every time they passed; for Mr Dombey habitually
|
|
looked over the vulgar herd, not at them; and the Major was looking,
|
|
at the time, into the core of one of his stories. At length, however,
|
|
this man stepped before them as they turned round, and pulling his hat
|
|
off, and keeping it off, ducked his head to Mr Dombey.
|
|
|
|
'Beg your pardon, Sir,' said the man, 'but I hope you're a doin'
|
|
pretty well, Sir.'
|
|
|
|
He was dressed in a canvas suit abundantly besmeared with coal-dust
|
|
and oil, and had cinders in his whiskers, and a smell of half-slaked
|
|
ashes all over him. He was not a bad-looking fellow, nor even what
|
|
could be fairly called a dirty-looking fellow, in spite of this; and,
|
|
in short, he was Mr Toodle, professionally clothed.
|
|
|
|
'I shall have the honour of stokin' of you down, Sir,' said Mr
|
|
Toodle. 'Beg your pardon, Sir. - I hope you find yourself a coming
|
|
round?'
|
|
|
|
Mr Dombey looked at him, in return for his tone of interest, as if
|
|
a man like that would make his very eyesight dirty.
|
|
|
|
''Scuse the liberty, Sir,' said Toodle, seeing he was not clearly
|
|
remembered, 'but my wife Polly, as was called Richards in your family
|
|
- '
|
|
|
|
A change in Mr Dombey's face, which seemed to express recollection
|
|
of him, and so it did, but it expressed in a much stronger degree an
|
|
angry sense of humiliation, stopped Mr Toodle short.
|
|
|
|
'Your wife wants money, I suppose,' said Mr Dombey, putting his
|
|
hand in his pocket, and speaking (but that he always did) haughtily.
|
|
|
|
'No thank'ee, Sir,' returned Toodle, 'I can't say she does. I
|
|
don't.'
|
|
|
|
Mr Dombey was stopped short now in his turn: and awkwardly: with
|
|
his hand in his pocket.
|
|
|
|
'No, Sir,' said Toodle, turning his oilskin cap round and round;
|
|
'we're a doin' pretty well, Sir; we haven't no cause to complain in
|
|
the worldly way, Sir. We've had four more since then, Sir, but we rubs
|
|
on.'
|
|
|
|
Mr Dombey would have rubbed on to his own carriage, though in so
|
|
doing he had rubbed the stoker underneath the wheels; but his
|
|
attention was arrested by something in connexion with the cap still
|
|
going slowly round and round in the man's hand.
|
|
|
|
'We lost one babby,' observed Toodle, 'there's no denyin'.'
|
|
|
|
'Lately,' added Mr Dombey, looking at the cap.
|
|
|
|
'No, Sir, up'ard of three years ago, but all the rest is hearty.
|
|
And in the matter o readin', Sir,' said Toodle, ducking again, as if
|
|
to remind Mr Dombey of what had passed between them on that subject
|
|
long ago, 'them boys o' mine, they learned me, among 'em, arter all.
|
|
They've made a wery tolerable scholar of me, Sir, them boys.'
|
|
|
|
'Come, Major!' said Mr Dombey.
|
|
|
|
'Beg your pardon, Sir,' resumed Toodle, taking a step before them
|
|
and deferentially stopping them again, still cap in hand: 'I wouldn't
|
|
have troubled you with such a pint except as a way of gettin' in the
|
|
name of my son Biler - christened Robin - him as you was so good as to
|
|
make a Charitable Grinder on.'
|
|
|
|
'Well, man,' said Mr Dombey in his severest manner. 'What about
|
|
him?'
|
|
|
|
'Why, Sir,' returned Toodle, shaking his head with a face of great
|
|
anxiety and distress, 'I'm forced to say, Sir, that he's gone wrong.
|
|
|
|
'He has gone wrong, has he?' said Mr Dombey, with a hard kind of
|
|
satisfaction.
|
|
|
|
'He has fell into bad company, you see, genelmen,' pursued the
|
|
father, looking wistfully at both, and evidently taking the Major into
|
|
the conversation with the hope of having his sympathy. 'He has got
|
|
into bad ways. God send he may come to again, genelmen, but he's on
|
|
the wrong track now! You could hardly be off hearing of it somehow,
|
|
Sir,' said Toodle, again addressing Mr Dombey individually; 'and it's
|
|
better I should out and say my boy's gone rather wrong. Polly's
|
|
dreadful down about it, genelmen,' said Toodle with the same dejected
|
|
look, and another appeal to the Major.
|
|
|
|
'A son of this man's whom I caused to be educated, Major,' said Mr
|
|
Dombey, giving him his arm. 'The usual return!'
|
|
|
|
'Take advice from plain old Joe, and never educate that sort of
|
|
people, Sir,' returned the Major. 'Damme, Sir, it never does! It
|
|
always fails!'
|
|
|
|
The simple father was beginning to submit that he hoped his son,
|
|
the quondam Grinder, huffed and cuffed, and flogged and badged, and
|
|
taught, as parrots are, by a brute jobbed into his place of
|
|
schoolmaster with as much fitness for it as a hound, might not have
|
|
been educated on quite a right plan in some undiscovered respect, when
|
|
Mr Dombey angrily repeating 'The usual return!' led the Major away.
|
|
And the Major being heavy to hoist into Mr Dombey's carriage, elevated
|
|
in mid-air, and having to stop and swear that he would flay the Native
|
|
alive, and break every bone in his skin, and visit other physical
|
|
torments upon him, every time he couldn't get his foot on the step,
|
|
and fell back on that dark exile, had barely time before they started
|
|
to repeat hoarsely that it would never do: that it always failed: and
|
|
that if he were to educate 'his own vagabond,' he would certainly be
|
|
hanged.
|
|
|
|
Mr Dombey assented bitterly; but there was something more in his
|
|
bitterness, and in his moody way of falling back in the carriage, and
|
|
looking with knitted brows at the changing objects without, than the
|
|
failure of that noble educational system administered by the Grinders'
|
|
Company. He had seen upon the man's rough cap a piece of new crape,
|
|
and he had assured himself, from his manner and his answers, that he
|
|
wore it for his son.
|
|
|
|
So] from high to low, at home or abroad, from Florence in his great
|
|
house to the coarse churl who was feeding the fire then smoking before
|
|
them, everyone set up some claim or other to a share in his dead boy,
|
|
and was a bidder against him! Could he ever forget how that woman had
|
|
wept over his pillow, and called him her own child! or how he, waking
|
|
from his sleep, had asked for her, and had raised himself in his bed
|
|
and brightened when she carne in!
|
|
|
|
To think of this presumptuous raker among coals and ashes going on
|
|
before there, with his sign of mourning! To think that he dared to
|
|
enter, even by a common show like that, into the trial and
|
|
disappointrnent of a proud gentleman's secret heart! To think that
|
|
this lost child, who was to have divided with him his riches, and his
|
|
projects, and his power, and allied with whom he was to have shut out
|
|
all the world as with a double door of gold, should have let in such a
|
|
herd to insult him with their knowledge of his defeated hopes, and
|
|
their boasts of claiming community of feeling with himself, so far
|
|
removed: if not of having crept into the place wherein he would have
|
|
lorded it, alone!
|
|
|
|
He found no pleasure or relief in the journey. Tortured by these
|
|
thoughts he carried monotony with him, through the rushing landscape,
|
|
and hurried headlong, not through a rich and varied country, but a
|
|
wilderness of blighted plans and gnawing jealousies. The very speed at
|
|
which the train was whirled along, mocked the swift course of the
|
|
young life that had been borne away so steadily and so inexorably to
|
|
its foredoomed end. The power that forced itself upon its iron way -
|
|
its own - defiant of all paths and roads, piercing through the heart
|
|
of every obstacle, and dragging living creatures of all classes, ages,
|
|
and degrees behind it, was a type of the triumphant monster, Death.
|
|
|
|
Away, with a shriek, and a roar, and a rattle, from the town,
|
|
burrowmg among the dwellings of men and making the streets hum,
|
|
flashing out into the meadows for a moment, mining in through the damp
|
|
earth, booming on in darkness and heavy air, bursting out again into
|
|
the sunny day so bright and wide; away, with a shriek, and a roar, and
|
|
a rattle, through the fields, through the woods, through the corn,
|
|
through the hay, through the chalk, through the mould, through the
|
|
clay, through the rock, among objects close at hand and almost in the
|
|
grasp, ever flying from the traveller, and a deceitful distance ever
|
|
moving slowly within him: like as in the track of the remorseless
|
|
monster, Death!
|
|
|
|
Through the hollow, on the height, by the heath, by the orchard, by
|
|
the park, by the garden, over the canal, across the river, where the
|
|
sheep are feeding, where the mill is going, where the barge is
|
|
floating, where the dead are lying, where the factory is smoking,
|
|
where the stream is running, where the village clusters, where the
|
|
great cathedral rises, where the bleak moor lies, and the wild breeze
|
|
smooths or ruffles it at its inconstant will; away, with a shriek, and
|
|
a roar, and a rattle, and no trace to leave behind but dust and
|
|
vapour: like as in the track of the remorseless monster, Death!
|
|
|
|
Breasting the wind and light, the shower and sunshine, away, and
|
|
still away, it rolls and roars, fierce and rapid, smooth and certain,
|
|
and great works and massive bridges crossing up above, fall like a
|
|
beam of shadow an inch broad, upon the eye, and then are lost. Away,
|
|
and still away, onward and onward ever: glimpses of cottage-homes, of
|
|
houses, mansions, rich estates, of husbandry and handicraft, of
|
|
people, of old roads and paths that look deserted, small, and
|
|
insignificant as they are left behind: and so they do, and what else
|
|
is there but such glimpses, in the track of the indomitable monster,
|
|
Death!
|
|
|
|
Away, with a shriek, and a roar, and a rattle, plunging down into
|
|
the earth again, and working on in such a storm of energy and
|
|
perseverance, that amidst the darkness and whirlwind the motion seems
|
|
reversed, and to tend furiously backward, until a ray of light upon
|
|
the Wet wall shows its surface flying past like a fierce stream, Away
|
|
once more into the day, and through the day, with a shrill yell of
|
|
exultation, roaring, rattling, tearing on, spurning everything with
|
|
its dark breath, sometimes pausing for a minute where a crowd of faces
|
|
are, that in a minute more are not; sometimes lapping water greedily,
|
|
and before the spout at which it drinks' has ceased to drip upon the
|
|
ground, shrieking, roaring, rattling through the purple distance!
|
|
|
|
Louder and louder yet, it shrieks and cries as it comes tearing on
|
|
resistless to the goal: and now its way, still like the way of Death,
|
|
is strewn with ashes thickly. Everything around is blackened. There
|
|
are dark pools of water, muddy lanes, and miserable habitations far
|
|
below. There are jagged walls and falling houses close at hand, and
|
|
through the battered roofs and broken windows, wretched rooms are
|
|
seen, where 'want and fever hide themselves in many wretched shapes,
|
|
while smoke and crowded gables, and distorted chimneys, and deformity
|
|
of brick and mortar penning up deformity of mind and body, choke the
|
|
murky distance. As Mr Dombey looks out of his carriage window, it is
|
|
never in his thoughts that the monster who has brought him there has
|
|
let the light of day in on these things: not made or caused them. It
|
|
was the journey's fitting end, and might have been the end of
|
|
everything; it was so ruinous and dreary.'
|
|
|
|
So, pursuing the one course of thought, he had the one relentless
|
|
monster still before him. All things looked black, and cold, and
|
|
deadly upon him, and he on them. He found a likeness to his misfortune
|
|
everywhere. There was a remorseless triumph going on about him, and it
|
|
galled and stung him in his pride and jealousy, whatever form it took:
|
|
though most of all when it divided with him the love and memory of his
|
|
lost boy.
|
|
|
|
There was a face - he had looked upon it, on the previous night,
|
|
and it on him with eyes that read his soul, though they were dim with
|
|
tears, and hidden soon behind two quivering hands - that often had
|
|
attended him in fancy, on this ride. He had seen it, with the
|
|
expression of last night, timidly pleading to him. It was not
|
|
reproachful, but there was something of doubt, almost of hopeful
|
|
incredulity in it, which, as he once more saw that fade away into a
|
|
desolate certainty of his dislike, was like reproach. It was a trouble
|
|
to him to think of this face of Florence.
|
|
|
|
Because he felt any new compunction towards it? No. Because the
|
|
feeling it awakened in him - of which he had had some old
|
|
foreshadowing in older times - was full-formed now, and spoke out
|
|
plainly, moving him too much, and threatening to grow too strong for
|
|
his composure. Because the face was abroad, in the expression of
|
|
defeat and persecution that seemed to encircle him like the air.
|
|
Because it barbed the arrow of that cruel and remorseless enemy on
|
|
which his thoughts so ran, and put into its grasp a double-handed
|
|
sword. Because he knew full well, in his own breast, as he stood
|
|
there, tinging the scene of transition before him with the morbid
|
|
colours of his own mind, and making it a ruin and a picture of decay,
|
|
instead of hopeful change, and promise of better things, that life had
|
|
quite as much to do with his complainings as death. One child was
|
|
gone, and one child left. Why was the object of his hope removed
|
|
instead of her?
|
|
|
|
The sweet, calm, gentle presence in his fancy, moved him to no
|
|
reflection but that. She had been unwelcome to him from the first; she
|
|
was an aggravation of his bitterness now. If his son had been his only
|
|
child, and the same blow had fallen on him, it would have been heavy
|
|
to bear; but infinitely lighter than now, when it might have fallen on
|
|
her (whom he could have lost, or he believed it, without a pang), and
|
|
had not. Her loving and innocent face rising before him, had no
|
|
softening or winning influence. He rejected the angel, and took up
|
|
with the tormenting spirit crouching in his bosom. Her patience,
|
|
goodness, youth, devotion, love, were as so many atoms in the ashes
|
|
upon which he set his heel. He saw her image in the blight and
|
|
blackness all around him, not irradiating but deepening the gloom.
|
|
More than once upon this journey, and now again as he stood pondering
|
|
at this journey's end, tracing figures in the dust with his stick, the
|
|
thought came into his mind, what was there he could interpose between
|
|
himself and it?
|
|
|
|
The Major, who had been blowing and panting all the way down, like
|
|
another engine, and whose eye had often wandered from his newspaper to
|
|
leer at the prospect, as if there were a procession of discomfited
|
|
Miss Toxes pouring out in the smoke of the train, and flying away over
|
|
the fields to hide themselves in any place of refuge, aroused his
|
|
friends by informing him that the post-horses were harnessed and the
|
|
carriage ready.
|
|
|
|
'Dombey,' said the Major, rapping him on the arm with his cane,
|
|
'don't be thoughtful. It's a bad habit, Old Joe, Sir, wouldn't be as
|
|
tough as you see him, if he had ever encouraged it. You are too great
|
|
a man, Dombey, to be thoughtful. In your position, Sir, you're far
|
|
above that kind of thing.'
|
|
|
|
The Major even in his friendly remonstrrnces, thus consulting the
|
|
dignity and honour of Mr Dombey, and showing a lively sense of their
|
|
importance, Mr Dombey felt more than ever disposed to defer to a
|
|
gentleman possessing so much good sense and such a well-regulated
|
|
mind; acoordingly he made an effort to listen to the Major's stories,
|
|
as they trotted along the turnpike road; and the Major, finding both
|
|
the pace and the road a great deal better adapted to his
|
|
conversational powers than the mode of travelling they had just
|
|
relinquished, came out of his entertainment,
|
|
|
|
But still the Major, blunt and tough as he was, and as he so very
|
|
often said he was, administered some palatable catering to his
|
|
companion's appetite. He related, or rather suffered it to escape him,
|
|
accidentally, and as one might say, grudgingly and against his will,
|
|
how there was great curiosity and excitement at the club, in regard of
|
|
his friend Dombey. How he was suffocated with questions, Sir. How old
|
|
Joe Bagstock was a greater man than ever, there, on the strength of
|
|
Dombey. How they said, 'Bagstock, your friend Dombey now, what is the
|
|
view he takes of such and such a question? Though, by the Rood, Sir,'
|
|
said the Major, with a broad stare, 'how they discovered that J. B.
|
|
ever came to know you, is a mystery!'
|
|
|
|
In this flow of spirits and conversation, only interrupted by his
|
|
usual plethoric symptoms, and by intervals of lunch, and from time to
|
|
time by some violent assault upon the Native, who wore a pair of
|
|
ear-rings in his dark-brown ears, and on whom his European clothes sat
|
|
with an outlandish impossibility of adjustment - being, of their own
|
|
accord, and without any reference to the tailor's art, long where they
|
|
ought to be short, short where they ought to be long, tight where they
|
|
ought to be loose, and loose where they ought to be tight - and to
|
|
which he imparted a new grace, whenever the Major attacked him, by
|
|
shrinking into them like a shrivelled nut, or a cold monkey - in this
|
|
flow of spirits and conversation, the Major continued all day: so that
|
|
when evening came on, and found them trotting through the green and
|
|
leafy road near Leamington, the Major's voice, what with talking and
|
|
eating and chuckling and choking, appeared to be in the box under the
|
|
rumble, or in some neighbouring hay-stack. Nor did the Major improve
|
|
it at the Royal Hotel, where rooms and dinner had been ordered, and
|
|
where he so oppressed his organs of speech by eating and drinking,
|
|
that when he retired to bed he had no voice at all, except to cough
|
|
with, and could only make himself intelligible to the dark servant by
|
|
gasping at him.
|
|
|
|
He not only rose next morning, however, like a giant refreshed, but
|
|
conducted himself, at breakfast like a giant refreshing. At this meal
|
|
they arranged their daily habits. The Major was to take the
|
|
responsibility of ordering evrything to eat and drink; and they were
|
|
to have a late breakfast together every morning, and a late dinner
|
|
together every day. Mr Dombey would prefer remaining in his own room,
|
|
or walking in the country by himself, on that first day of their
|
|
sojourn at Leamington; but next morning he would be happy to accompany
|
|
the Major to the Pump-room, and about the town. So they parted until
|
|
dinner-time. Mr Dombey retired to nurse his wholesome thoughts in his
|
|
own way. The Major, attended by the Native carrying a camp-stool, a
|
|
great-coat, and an umbrella, swaggered up and down through all the
|
|
public places: looking into subscription books to find out who was
|
|
there, looking up old ladies by whom he was much admired, reporting J.
|
|
B. tougher than ever, and puffing his rich friend Dombey wherever he
|
|
went. There never was a man who stood by a friend more staunchly than
|
|
the Major, when in puffing him, he puffed himself.
|
|
|
|
It was surprising how much new conversation the Major had to let
|
|
off at dinner-time, and what occasion he gave Mr Dombey to admire his
|
|
social qualities. At breakfast next morning, he knew the contents of
|
|
the latest newspapers received; and mentioned several subjects in
|
|
connexion with them, on which his opinion had recently been sought by
|
|
persons of such power and might, that they were only to be obscurely
|
|
hinted at. Mr Dombey, who had been so long shut up within himself, and
|
|
who had rarely, at any time, overstepped the enchanted circle within
|
|
which the operations of Dombey and Son were conducted, began to think
|
|
this an improvement on his solitary life; and in place of excusing
|
|
himself for another day, as he had thought of doing when alone, walked
|
|
out with the Major arm-in-arm.
|
|
|
|
CHAPTER 21.
|
|
|
|
New Faces
|
|
|
|
The MAJOR, more blue-faced and staring - more over-ripe, as it
|
|
were, than ever - and giving vent, every now and then, to one of the
|
|
horse's coughs, not so much of necessity as in a spontaneous explosion
|
|
of importance, walked arm-in-arm with Mr Dombey up the sunny side of
|
|
the way, with his cheeks swelling over his tight stock, his legs
|
|
majestically wide apart, and his great head wagging from side to side,
|
|
as if he were remonstrating within himself for being such a
|
|
captivating object. They had not walked many yards, before the Major
|
|
encountered somebody he knew, nor many yards farther before the Major
|
|
encountered somebody else he knew, but he merely shook his fingers at
|
|
them as he passed, and led Mr Dombey on: pointing out the localities
|
|
as they went, and enlivening the walk with any current scandal
|
|
suggested by them.
|
|
|
|
In this manner the Major and Mr Dombey were walking arm-in-arm,
|
|
much to their own satisfaction, when they beheld advancing towards
|
|
them, a wheeled chair, in which a lady was seated, indolently steering
|
|
her carriage by a kind of rudder in front, while it was propelled by
|
|
some unseen power in the rear. Although the lady was not young, she
|
|
was very blooming in the face - quite rosy- and her dress and attitude
|
|
were perfectly juvenile. Walking by the side of the chair, and
|
|
carrying her gossamer parasol with a proud and weary air, as if so
|
|
great an effort must be soon abandoned and the parasol dropped,
|
|
sauntered a much younger lady, very handsome, very haughty, very
|
|
wilful, who tossed her head and drooped her eyelids, as though, if
|
|
there were anything in all the world worth looking into, save a
|
|
mirror, it certainly was not the earth or sky.
|
|
|
|
'Why, what the devil have we here, Sir!' cried the Major, stopping
|
|
as this little cavalcade drew near.
|
|
|
|
'My dearest Edith!' drawled the lady in the chair, 'Major
|
|
Bagstock!'
|
|
|
|
The Major no sooner heard the voice, than he relinquished Mr
|
|
Dombey's arm, darted forward, took the hand of the lady in the chair
|
|
and pressed it to his lips. With no less gallantry, the Major folded
|
|
both his gloves upon his heart, and bowed low to the other lady. And
|
|
now, the chair having stopped, the motive power became visible in the
|
|
shape of a flushed page pushing behind, who seemed to have in part
|
|
outgrown and in part out-pushed his strength, for when he stood
|
|
upright he was tall, and wan, and thin, and his plight appeared the
|
|
more forlorn from his having injured the shape of his hat, by butting
|
|
at the carriage with his head to urge it forward, as is sometimes done
|
|
by elephants in Oriental countries.
|
|
|
|
'Joe Bagstock,' said the Major to both ladies, 'is a proud and
|
|
happy man for the rest of his life.'
|
|
|
|
'You false creature! said the old lady in the chair, insipidly.
|
|
'Where do you come from? I can't bear you.'
|
|
|
|
'Then suffer old Joe to present a friend, Ma'am,' said the Major,
|
|
promptly, 'as a reason for being tolerated. Mr Dombey, Mrs Skewton.'
|
|
The lady in the chair was gracious. 'Mr Dombey, Mrs Granger.' The lady
|
|
with the parasol was faintly conscious of Mr Dombey's taking off his
|
|
hat, and bowing low. 'I am delighted, Sir,' said the Major, 'to have
|
|
this opportunity.'
|
|
|
|
The Major seemed in earnest, for he looked at all the three, and
|
|
leered in his ugliest manner.
|
|
|
|
'Mrs Skewton, Dombey,' said the Major, 'makes havoc in the heart of
|
|
old Josh.'
|
|
|
|
Mr Dombey signified that he didn't wonder at it.
|
|
|
|
'You perfidious goblin,' said the lady in the chair, 'have done!
|
|
How long have you been here, bad man?'
|
|
|
|
'One day,' replied the Major.
|
|
|
|
'And can you be a day, or even a minute,' returned the lady,
|
|
slightly settling her false curls and false eyebrows with her fan, and
|
|
showing her false teeth, set off by her false complexion, 'in the
|
|
garden of what's-its-name
|
|
|
|
'Eden, I suppose, Mama,' interrupted the younger lady, scornfully.
|
|
|
|
'My dear Edith,' said the other, 'I cannot help it. I never can
|
|
remember those frightful names - without having your whole Soul and
|
|
Being inspired by the sight of Nature; by the perfume,' said Mrs
|
|
Skewton, rustling a handkerchief that was faint and sickly with
|
|
essences, 'of her artless breath, you creature!'
|
|
|
|
The discrepancy between Mrs Skewton's fresh enthusiasm of words,
|
|
and forlornly faded manner, was hardly less observable than that
|
|
between her age, which was about seventy, and her dress, which would
|
|
have been youthful for twenty-seven. Her attitude in the wheeled chair
|
|
(which she never varied) was one in which she had been taken in a
|
|
barouche, some fifty years before, by a then fashionable artist who
|
|
had appended to his published sketch the name of Cleopatra: in
|
|
consequence of a discovery made by the critics of the time, that it
|
|
bore an exact resemblance to that Princess as she reclined on board
|
|
her galley. Mrs Skewton was a beauty then, and bucks threw
|
|
wine-glasses over their heads by dozens in her honour. The beauty and
|
|
the barouche had both passed away, but she still preserved the
|
|
attitude, and for this reason expressly, maintained the wheeled chair
|
|
and the butting page: there being nothing whatever, except the
|
|
attitude, to prevent her from walking.
|
|
|
|
'Mr Dombey is devoted to Nature, I trust?' said Mrs Skewton,
|
|
settling her diamond brooch. And by the way, she chiefly lived upon
|
|
the reputation of some diamonds, and her family connexions.
|
|
|
|
'My friend Dombey, Ma'am,' returned the Major, 'may be devoted to
|
|
her in secret, but a man who is paramount in the greatest city in the
|
|
universe -
|
|
|
|
'No one can be a stranger,' said Mrs Skewton, 'to Mr Dombey's
|
|
immense influence.'
|
|
|
|
As Mr Dombey acknowledged the compliment with a bend of his head,
|
|
the younger lady glancing at him, met his eyes.
|
|
|
|
'You reside here, Madam?' said Mr Dombey, addressing her.
|
|
|
|
'No, we have been to a great many places. To Harrogate and
|
|
Scarborough, and into Devonshire. We have been visiting, and resting
|
|
here and there. Mama likes change.'
|
|
|
|
'Edith of course does not,' said Mrs Skewton, with a ghastly
|
|
archness.
|
|
|
|
'I have not found that there is any change in such places,' was the
|
|
answer, delivered with supreme indifference.
|
|
|
|
'They libel me. There is only one change, Mr Dombey,' observed Mrs
|
|
Skewton, with a mincing sigh, 'for which I really care, and that I
|
|
fear I shall never be permitted to enjoy. People cannot spare one. But
|
|
seclusion and contemplation are my what-his-name - '
|
|
|
|
'If you mean Paradise, Mama, you had better say so, to render
|
|
yourself intelligible,' said the younger lady.
|
|
|
|
'My dearest Edith,' returned Mrs Skewton, 'you know that I am
|
|
wholly dependent upon you for those odious names. I assure you, Mr
|
|
Dombey, Nature intended me for an Arcadian. I am thrown away in
|
|
society. Cows are my passion. What I have ever sighed for, has been to
|
|
retreat to a Swiss farm, and live entirely surrounded by cows - and
|
|
china.'
|
|
|
|
This curious association of objects, suggesting a remembrance of
|
|
the celebrated bull who got by mistake into a crockery shop, was
|
|
received with perfect gravity by Mr Dombey, who intimated his opinion
|
|
that Nature was, no doubt, a very respectable institution.
|
|
|
|
'What I want,' drawled Mrs Skewton, pinching her shrivelled throat,
|
|
'is heart.' It was frightfully true in one sense, if not in that in
|
|
which she used the phrase. 'What I want, is frankness, confidence,
|
|
less conventionality, and freer play of soul. We are so dreadfully
|
|
artificial.'
|
|
|
|
We were, indeed.
|
|
|
|
'In short,' said Mrs Skewton, 'I want Nature everywhere. It would
|
|
be so extremely charming.'
|
|
|
|
'Nature is inviting us away now, Mama, if you are ready,' said the
|
|
younger lady, curling her handsome lip. At this hint, the wan page,
|
|
who had been surveying the party over the top of the chair, vanished
|
|
behind it, as if the ground had swallowed him up.
|
|
|
|
'Stop a moment, Withers!' said Mrs Skewton, as the chair began to
|
|
move; calling to the page with all the languid dignity with which she
|
|
had called in days of yore to a coachman with a wig, cauliflower
|
|
nosegay, and silk stockings. 'Where are you staying, abomination?' The
|
|
Major was staying at the Royal Hotel, with his friend Dombey.
|
|
|
|
'You may come and see us any evening when you are good,' lisped Mrs
|
|
Skewton. 'If Mr Dombey will honour us, we shall be happy. Withers, go
|
|
on!'
|
|
|
|
The Major again pressed to his blue lips the tips of the fingers
|
|
that were disposed on the ledge of the wheeled chair with careful
|
|
carelessness, after the Cleopatra model: and Mr Dombey bowed. The
|
|
elder lady honoured them both with a very gracious smile and a girlish
|
|
wave of her hand; the younger lady with the very slightest inclination
|
|
of her head that common courtesy allowed.
|
|
|
|
The last glimpse of the wrinkled face of the mother, with that
|
|
patched colour on it which the sun made infinitely more haggard and
|
|
dismal than any want of colour could have been, and of the proud
|
|
beauty of the daughter with her graceful figure and erect deportment,
|
|
engendered such an involuntary disposition on the part of both the
|
|
Major and Mr Dombey to look after them, that they both turned at the
|
|
same moment. The Page, nearly as much aslant as his own shadow, was
|
|
toiling after the chair, uphill, like a slow battering-ram; the top of
|
|
Cleopatra's bonnet was fluttering in exactly the same corner to the
|
|
inch as before; and the Beauty, loitering by herself a little in
|
|
advance, expressed in all her elegant form, from head to foot, the
|
|
same supreme disregard of everything and everybody.
|
|
|
|
'I tell you what, Sir,' said the Major, as they resumed their walk
|
|
again. 'If Joe Bagstock were a younger man, there's not a woman in the
|
|
world whom he'd prefer for Mrs Bagstock to that woman. By George,
|
|
Sir!' said the Major, 'she's superb!'
|
|
|
|
'Do you mean the daughter?' inquired Mr Dombey.
|
|
|
|
'Is Joey B. a turnip, Dombey,' said the Major, 'that he should mean
|
|
the mother?'
|
|
|
|
'You were complimentary to the mother,' returned Mr Dombey.
|
|
|
|
'An ancient flame, Sir,' chuckled Major Bagstock. 'Devilish
|
|
ancient. I humour her.'
|
|
|
|
'She impresses me as being perfectly genteel,' said Mr Dombey.
|
|
|
|
'Genteel, Sir,' said the Major, stopping short, and staring in his
|
|
companion's face. 'The Honourable Mrs Skewton, Sir, is sister to the
|
|
late Lord Feenix, and aunt to the present Lord. The family are not
|
|
wealthy - they're poor, indeed - and she lives upon a small jointure;
|
|
but if you come to blood, Sir!' The Major gave a flourish with his
|
|
stick and walked on again, in despair of being able to say what you
|
|
came to, if you came to that.
|
|
|
|
'You addressed the daughter, I observed,' said Mr Dombey, after a
|
|
short pause, 'as Mrs Granger.'
|
|
|
|
'Edith Skewton, Sir,' returned the Major, stopping short again, and
|
|
punching a mark in the ground with his cane, to represent her,
|
|
'married (at eighteen) Granger of Ours;' whom the Major indicated by
|
|
another punch. 'Granger, Sir,' said the Major, tapping the last ideal
|
|
portrait, and rolling his head emphatically, 'was Colonel of Ours; a
|
|
de-vilish handsome fellow, Sir, of forty-one. He died, Sir, in the
|
|
second year of his marriage.' The Major ran the representative of the
|
|
deceased Granger through and through the body with his walking-stick,
|
|
and went on again, carrying his stick over his shoulder.
|
|
|
|
'How long is this ago?' asked Mr Dombey, making another halt.
|
|
|
|
'Edith Granger, Sir,' replied the Major, shutting one eye, putting
|
|
his head on one side, passing his cane into his left hand, and
|
|
smoothing his shirt-frill with his right, 'is, at this present time,
|
|
not quite thirty. And damme, Sir,' said the Major, shouldering his
|
|
stick once more, and walking on again, 'she's a peerless woman!'
|
|
|
|
'Was there any family?' asked Mr Dombey presently.
|
|
|
|
'Yes, Sir,' said the Major. 'There was a boy.'
|
|
|
|
Mr Dombey's eyes sought the ground, and a shade came over his face.
|
|
|
|
'Who was drowned, Sir,' pursued the Major. 'When a child of four or
|
|
five years old.'
|
|
|
|
'Indeed?' said Mr Dombey, raising his head.
|
|
|
|
'By the upsetting of a boat in which his nurse had no business to
|
|
have put him,' said the Major. 'That's his history. Edith Granger is
|
|
Edith Granger still; but if tough old Joey B., Sir, were a little
|
|
younger and a little richer, the name of that immortal paragon should
|
|
be Bagstock.'
|
|
|
|
The Major heaved his shoulders, and his cheeks, and laughed more
|
|
like an over-fed Mephistopheles than ever, as he said the words.
|
|
|
|
'Provided the lady made no objection, I suppose?' said Mr Dombey
|
|
coldly.
|
|
|
|
'By Gad, Sir,' said the Major, 'the Bagstock breed are not
|
|
accustomed to that sort of obstacle. Though it's true enough that
|
|
Edith might have married twenty times, but for being proud, Sir,
|
|
proud.'
|
|
|
|
Mr Dombey seemed, by his face, to think no worse of her for that.
|
|
|
|
'It's a great quality after all,' said the Major. 'By the Lord,
|
|
it's a high quality! Dombey! You are proud yourself, and your friend,
|
|
Old Joe, respects you for it, Sir.'
|
|
|
|
With this tribute to the character of his ally, which seemed to be
|
|
wrung from him by the force of circumstances and the irresistible
|
|
tendency of their conversation, the Major closed the subject, and
|
|
glided into a general exposition of the extent to which he had been
|
|
beloved and doted on by splendid women and brilliant creatures.
|
|
|
|
On the next day but one, Mr Dombey and the Major encountered the
|
|
Honourable Mrs Skewton and her daughter in the Pump-room; on the day
|
|
after, they met them again very near the place where they had met them
|
|
first. After meeting them thus, three or four times in all, it became
|
|
a point of mere civility to old acquaintances that the Major should go
|
|
there one evening. Mr Dombey had not originally intended to pay
|
|
visits, but on the Major announcing this intention, he said he would
|
|
have the pleasure of accompanying him. So the Major told the Native to
|
|
go round before dinner, and say, with his and Mr Dombey's compliments,
|
|
that they would have the honour of visiting the ladies that same
|
|
evening, if the ladies were alone. In answer to which message, the
|
|
Native brought back a very small note with a very large quantity of
|
|
scent about it, indited by the Honourable Mrs Skewton to Major
|
|
Bagstock, and briefly saying, 'You are a shocking bear and I have a
|
|
great mind not to forgive you, but if you are very good indeed,' which
|
|
was underlined, 'you may come. Compliments (in which Edith unites) to
|
|
Mr Dombey.'
|
|
|
|
The Honourable Mrs Skewton and her daughter, Mrs Granger, resided,
|
|
while at Leamington, in lodgings that were fashionable enough and dear
|
|
enough, but rather limited in point of space and conveniences; so that
|
|
the Honourable Mrs Skewton, being in bed, had her feet in the window
|
|
and her head in the fireplace, while the Honourable Mrs Skewton's maid
|
|
was quartered in a closet within the drawing-room, so extremely small,
|
|
that, to avoid developing the whole of its accommodations, she was
|
|
obliged to writhe in and out of the door like a beautiful serpent.
|
|
Withers, the wan page, slept out of the house immediately under the
|
|
tiles at a neighbouring milk-shop; and the wheeled chair, which was
|
|
the stone of that young Sisyphus, passed the night in a shed belonging
|
|
to the same dairy, where new-laid eggs were produced by the poultry
|
|
connected with the establishment, who roosted on a broken donkey-cart,
|
|
persuaded, to all appearance, that it grew there, and was a species of
|
|
tree.
|
|
|
|
Mr Dombey and the Major found Mrs Skewton arranged, as Cleopatra,
|
|
among the cushions of a sofa: very airily dressed; and certainly not
|
|
resembling Shakespeare's Cleopatra, whom age could not wither. On
|
|
their way upstairs they had heard the sound of a harp, but it had
|
|
ceased on their being announced, and Edith now stood beside it
|
|
handsomer and haughtier than ever. It was a remarkable characteristic
|
|
of this lady's beauty that it appeared to vaunt and assert itself
|
|
without her aid, and against her will. She knew that she was
|
|
beautiful: it was impossible that it could be otherwise: but she
|
|
seemed with her own pride to defy her very self.
|
|
|
|
Whether she held cheap attractions that could only call forth
|
|
admiration that was worthless to her, or whether she designed to
|
|
render them more precious to admirers by this usage of them, those to
|
|
whom they were precious seldom paused to consider.
|
|
|
|
'I hope, Mrs Granger,' said Mr Dombey, advancing a step towards
|
|
her, 'we are not the cause of your ceasing to play?'
|
|
|
|
'You! oh no!'
|
|
|
|
'Why do you not go on then, my dearest Edith?' said Cleopatra.
|
|
|
|
'I left off as I began - of my own fancy.'
|
|
|
|
The exquisite indifference of her manner in saying this: an
|
|
indifference quite removed from dulness or insensibility, for it was
|
|
pointed with proud purpose: was well set off by the carelessness with
|
|
which she drew her hand across the strings, and came from that part of
|
|
the room.
|
|
|
|
'Do you know, Mr Dombey,' said her languishing mother, playing with
|
|
a hand-screen, 'that occasionally my dearest Edith and myself actually
|
|
almost differ - '
|
|
|
|
'Not quite, sometimes, Mama?' said Edith.
|
|
|
|
'Oh never quite, my darling! Fie, fie, it would break my heart,'
|
|
returned her mother, making a faint attempt to pat her with the
|
|
screen, which Edith made no movement to meet, ' - about these old
|
|
conventionalities of manner that are observed in little things? Why
|
|
are we not more natural? Dear me! With all those yearnings, and
|
|
gushings, and impulsive throbbings that we have implanted in our
|
|
souls, and which are so very charming, why are we not more natural?'
|
|
|
|
Mr Dombey said it was very true, very true.
|
|
|
|
'We could be more natural I suppose if we tried?' said Mrs Skewton.
|
|
|
|
Mr Dombey thought it possible.
|
|
|
|
'Devil a bit, Ma'am,' said the Major. 'We couldn't afford it.
|
|
Unless the world was peopled with J.B.'s - tough and blunt old Joes,
|
|
Ma'am, plain red herrings with hard roes, Sir - we couldn't afford it.
|
|
It wouldn't do.'
|
|
|
|
'You naughty Infidel,' said Mrs Skewton, 'be mute.'
|
|
|
|
'Cleopatra commands,' returned the Major, kissing his hand, 'and
|
|
Antony Bagstock obeys.'
|
|
|
|
'The man has no sensitiveness,' said Mrs Skewton, cruelly holding
|
|
up the hand-screen so as to shut the Major out. 'No sympathy. And what
|
|
do we live for but sympathy! What else is so extremely charming!
|
|
Without that gleam of sunshine on our cold cold earth,' said Mrs
|
|
Skewton, arranging her lace tucker, and complacently observing the
|
|
effect of her bare lean arm, looking upward from the wrist, 'how could
|
|
we possibly bear it? In short, obdurate man!' glancing at the Major,
|
|
round the screen, 'I would have my world all heart; and Faith is so
|
|
excessively charming, that I won't allow you to disturb it, do you
|
|
hear?'
|
|
|
|
The Major replied that it was hard in Cleopatra to require the
|
|
world to be all heart, and yet to appropriate to herself the hearts of
|
|
all the world; which obliged Cleopatra to remind him that flattery was
|
|
insupportable to her, and that if he had the boldness to address her
|
|
in that strain any more, she would positively send him home.
|
|
|
|
Withers the Wan, at this period, handing round the tea, Mr Dombey
|
|
again addressed himself to Edith.
|
|
|
|
'There is not much company here, it would seem?' said Mr Dombey, in
|
|
his own portentous gentlemanly way.
|
|
|
|
'I believe not. We see none.'
|
|
|
|
'Why really,' observed Mrs Skewton fom her couch, 'there are no
|
|
people here just now with whom we care to associate.'
|
|
|
|
'They have not enough heart,' said Edith, with a smile. The very
|
|
twilight of a smile: so singularly were its light and darkness
|
|
blended.
|
|
|
|
'My dearest Edith rallies me, you see!' said her mother, shaking
|
|
her head: which shook a little of itself sometimes, as if the palsy
|
|
Bed now and then in opposition to the diamonds. 'Wicked one!'
|
|
|
|
'You have been here before, if I am not mistaken?' said Mr Dombey.
|
|
Still to Edith.
|
|
|
|
'Oh, several times. I think we have been everywhere.'
|
|
|
|
'A beautiful country!'
|
|
|
|
'I suppose it is. Everybody says so.'
|
|
|
|
'Your cousin Feenix raves about it, Edith,' interposed her mother
|
|
from her couch.
|
|
|
|
The daughter slightly turned her graceful head, and raising her
|
|
eyebrows by a hair's-breadth, as if her cousin Feenix were of all the
|
|
mortal world the least to be regarded, turned her eyes again towards
|
|
Mr Dombey.
|
|
|
|
'I hope, for the credit of my good taste, that I am tired of the
|
|
neighbourhood,' she said.
|
|
|
|
'You have almost reason to be, Madam,' he replied, glancing at a
|
|
variety of landscape drawings, of which he had already recognised
|
|
several as representing neighbouring points of view, and which were
|
|
strewn abundantly about the room, 'if these beautiful productions are
|
|
from your hand.'
|
|
|
|
She gave him no reply, but sat in a disdainful beauty, quite
|
|
amazing.
|
|
|
|
'Have they that interest?' said Mr Dombey. 'Are they yours?'
|
|
|
|
'Yes.'
|
|
|
|
'And you play, I already know.'
|
|
|
|
'Yes.'
|
|
|
|
'And sing?'
|
|
|
|
'Yes.'
|
|
|
|
She answered all these questions with a strange reluctance; and
|
|
with that remarkable air of opposition to herself, already noticed as
|
|
belonging to her beauty. Yet she was not embarrassed, but wholly
|
|
self-possessed. Neither did she seem to wish to avoid the
|
|
conversation, for she addressed her face, and - so far as she could -
|
|
her manner also, to him; and continued to do so, when he was silent.
|
|
|
|
'You have many resources against weariness at least,' said Mr
|
|
Dombey.
|
|
|
|
'Whatever their efficiency may be,' she returned, 'you know them
|
|
all now. I have no more.
|
|
|
|
'May I hope to prove them all?' said Mr Dombey, with solemn
|
|
gallantry, laying down a drawing he had held, and motioning towards
|
|
the harp.
|
|
|
|
'Oh certainly] If you desire it!'
|
|
|
|
She rose as she spoke, and crossing by her mother's couch, and
|
|
directing a stately look towards her, which was instantaneous in its
|
|
duration, but inclusive (if anyone had seen it) of a multitude of
|
|
expressions, among which that of the twilight smile, without the smile
|
|
itself, overshadowed all the rest, went out of the room.
|
|
|
|
The Major, who was quite forgiven by this time, had wheeled a
|
|
little table up to Cleopatra, and was sitting down to play picquet
|
|
with her. Mr Dombey, not knowing the game, sat down to watch them for
|
|
his edification until Edith should return.
|
|
|
|
'We are going to have some music, Mr Dombey, I hope?' said
|
|
Cleopatra.
|
|
|
|
'Mrs Granger has been kind enough to promise so,' said Mr Dombey.
|
|
|
|
'Ah! That's very nice. Do you propose, Major?'
|
|
|
|
'No, Ma'am,' said the Major. 'Couldn't do it.'
|
|
|
|
'You're a barbarous being,' replied the lady, 'and my hand's
|
|
destroyed. You are fond of music, Mr Dombey?'
|
|
|
|
'Eminently so,' was Mr Dombey's answer.
|
|
|
|
'Yes. It's very nice,' said Cleopatra, looking at her cards. 'So
|
|
much heart in it - undeveloped recollections of a previous state of
|
|
existence' - and all that - which is so truly charming. Do you know,'
|
|
simpered Cleopatra, reversing the knave of clubs, who had come into
|
|
her game with his heels uppermost, 'that if anything could tempt me to
|
|
put a period to my life, it would be curiosity to find out what it's
|
|
all about, and what it means; there are so many provoking mysteries,
|
|
really, that are hidden from us. Major, you to play.'
|
|
|
|
The Major played; and Mr Dombey, looking on for his instruction,
|
|
would soon have been in a state of dire confusion, but that he gave no
|
|
attention to the game whatever, and sat wondering instead when Edith
|
|
would come back.
|
|
|
|
She came at last, and sat down to her harp, and Mr Dombey rose and
|
|
stood beside her, listening. He had little taste for music, and no
|
|
knowledge of the strain she played, but he saw her bending over it,
|
|
and perhaps he heard among the sounding strings some distant music of
|
|
his own, that tamed the monster of the iron road, and made it less
|
|
inexorable.
|
|
|
|
Cleopatra had a sharp eye, verily, at picquet. It glistened like a
|
|
bird's, and did not fix itself upon the game, but pierced the room
|
|
from end to end, and gleamed on harp, performer, listener, everything.
|
|
|
|
When the haughty beauty had concluded, she arose, and receiving Mr
|
|
Dombey's thanks and compliments in exactly the same manner as before,
|
|
went with scarcely any pause to the piano, and began there.
|
|
|
|
Edith Granger, any song but that! Edith Granger, you are very
|
|
handsome, and your touch upon the keys is brilliant, and your voice is
|
|
deep and rich; but not the air that his neglected daughter sang to his
|
|
dead son]
|
|
|
|
Alas, he knows it not; and if he did, what air of hers would stir
|
|
him, rigid man! Sleep, lonely Florence, sleep! Peace in thy dreams,
|
|
although the night has turned dark, and the clouds are gathering, and
|
|
threaten to discharge themselves in hail!
|
|
|
|
CHAPTER 22.
|
|
|
|
A Trifle of Management by Mr Carker the Manager
|
|
|
|
Mr Carker the Manager sat at his desk, smooth and soft as usual,
|
|
reading those letters which were reserved for him to open, backing
|
|
them occasionally with such memoranda and references as their business
|
|
purport required, and parcelling them out into little heaps for
|
|
distribution through the several departments of the House. The post
|
|
had come in heavy that morning, and Mr Carker the Manager had a good
|
|
deal to do.
|
|
|
|
The general action of a man so engaged - pausing to look over a
|
|
bundle of papers in his hand, dealing them round in various portions,
|
|
taking up another bundle and examining its contents with knitted brows
|
|
and pursed-out lips - dealing, and sorting, and pondering by turns -
|
|
would easily suggest some whimsical resemblance to a player at cards.
|
|
The face of Mr Carker the Manager was in good keeping with such a
|
|
fancy. It was the face of a man who studied his play, warily: who made
|
|
himself master of all the strong and weak points of the game: who
|
|
registered the cards in his mind as they fell about him, knew exactly
|
|
what was on them, what they missed, and what they made: who was crafty
|
|
to find out what the other players held, and who never betrayed his
|
|
own hand.
|
|
|
|
The letters were in various languages, but Mr Carker the Manager
|
|
read them all. If there had been anything in the offices of Dombey and
|
|
Son that he could read, there would have been a card wanting in the
|
|
pack. He read almost at a glance, and made combinations of one letter
|
|
with another and one business with another as he went on, adding new
|
|
matter to the heaps - much as a man would know the cards at sight, and
|
|
work out their combinations in his mind after they were turned.
|
|
Something too deep for a partner, and much too deep for an adversary,
|
|
Mr Carker the Manager sat in the rays of the sun that came down
|
|
slanting on him through the skylight, playing his game alone.
|
|
|
|
And although it is not among the instincts wild or domestic of the
|
|
cat tribe to play at cards, feline from sole to crown was Mr Carker
|
|
the Manager, as he basked in the strip of summer-light and warmth that
|
|
shone upon his table and the ground as if they were a crooked
|
|
dial-plate, and himself the only figure on it. With hair and whiskers
|
|
deficient in colour at all times, but feebler than common in the rich
|
|
sunshine, and more like the coat of a sandy tortoise-shell cat; with
|
|
long nails, nicely pared and sharpened; with a natural antipathy to
|
|
any speck of dirt, which made him pause sometimes and watch the
|
|
falling motes of dust, and rub them off his smooth white hand or
|
|
glossy linen: Mr Carker the Manager, sly of manner, sharp of tooth,
|
|
soft of foot, watchful of eye, oily of tongue, cruel of heart, nice of
|
|
habit, sat with a dainty steadfastness and patience at his work, as if
|
|
he were waiting at a mouse's hole.
|
|
|
|
At length the letters were disposed of, excepting one which he
|
|
reserved for a particular audience. Having locked the more
|
|
confidential correspondence in a drawer, Mr Carker the Manager rang
|
|
his bell.
|
|
|
|
'Why do you answer it?' was his reception of his brother.
|
|
|
|
'The messenger is out, and I am the next,' was the submissive
|
|
reply.
|
|
|
|
'You are the next?' muttered the Manager. 'Yes! Creditable to me!
|
|
There!'
|
|
|
|
Pointing to the heaps of opened letters, he turned disdainfully
|
|
away, in his elbow-chair, and broke the seal of that one which he held
|
|
in his hand.
|
|
|
|
'I am sorry to trouble you, James,' said the brother, gathering
|
|
them up, 'but - '
|
|
|
|
'Oh! you have something to say. I knew that. Well?'
|
|
|
|
Mr Carker the Manager did not raise his eyes or turn them on his
|
|
brother, but kept them on his letter, though without opening it.
|
|
|
|
'Well?' he repeated sharply.
|
|
|
|
'I am uneasy about Harriet.'
|
|
|
|
'Harriet who? what Harriet? I know nobody of that name.'
|
|
|
|
'She is not well, and has changed very much of late.'
|
|
|
|
'She changed very much, a great many years ago,' replied the
|
|
Manager; 'and that is all I have to say.
|
|
|
|
'I think if you would hear me -
|
|
|
|
'Why should I hear you, Brother John?' returned the Manager, laying
|
|
a sarcastic emphasis on those two words, and throwing up his head, but
|
|
not lifting his eyes. 'I tell you, Harriet Carker made her choice many
|
|
years ago between her two brothers. She may repent it, but she must
|
|
abide by it.'
|
|
|
|
'Don't mistake me. I do not say she does repent it. It would be
|
|
black ingratitude in me to hint at such a thing,' returned the other.
|
|
'Though believe me, James, I am as sorry for her sacrifice as you.'
|
|
|
|
'As I?' exclaimed the Manager. 'As I?'
|
|
|
|
'As sorry for her choice - for what you call her choice - as you
|
|
are angry at it,' said the Junior.
|
|
|
|
'Angry?' repeated the other, with a wide show of his teeth.
|
|
|
|
'Displeased. Whatever word you like best. You know my meaning.
|
|
There is no offence in my intention.'
|
|
|
|
'There is offence in everything you do,' replied his brother,
|
|
glancing at him with a sudden scowl, which in a moment gave place to a
|
|
wider smile than the last. 'Carry those papers away, if you please. I
|
|
am busy.
|
|
|
|
His politeness was so much more cutting than his wrath, that the
|
|
Junior went to the door. But stopping at it, and looking round, he
|
|
said:
|
|
|
|
'When Harriet tried in vain to plead for me with you, on your first
|
|
just indignation, and my first disgrace; and when she left you, James,
|
|
to follow my broken fortunes, and devote herself, in her mistaken
|
|
affection, to a ruined brother, because without her he had no one, and
|
|
was lost; she was young and pretty. I think if you could see her now -
|
|
if you would go and see her - she would move your admiration and
|
|
compassion.'
|
|
|
|
The Manager inclined his head, and showed his teeth, as who should
|
|
say, in answer to some careless small-talk, 'Dear me! Is that the
|
|
case?' but said never a word.
|
|
|
|
'We thought in those days: you and I both: that she would marry
|
|
young, and lead a happy and light-hearted life,' pursued the other.
|
|
'Oh if you knew how cheerfully she cast those hopes away; how
|
|
cheerfully she has gone forward on the path she took, and never once
|
|
looked back; you never could say again that her name was strange in
|
|
your ears. Never!'
|
|
|
|
Again the Manager inclined his head and showed his teeth, and
|
|
seemed to say, 'Remarkable indeed! You quite surprise me!' And again
|
|
he uttered never a word.
|
|
|
|
'May I go on?' said John Carker, mildly.
|
|
|
|
'On your way?' replied his smiling brother. 'If you will have the
|
|
goodness.
|
|
|
|
John Carker, with a sigh, was passing slowly out at the door, when
|
|
his brother's voice detained him for a moment on the threshold.
|
|
|
|
'If she has gone, and goes, her own way cheerfully,' he said,
|
|
throwing the still unfolded letter on his desk, and putting his hands
|
|
firmly in his pockets, 'you may tell her that I go as cheerfully on
|
|
mine. If she has never once looked back, you may tell her that I have,
|
|
sometimes, to recall her taking part with you, and that my resolution
|
|
is no easier to wear away;' he smiled very sweetly here; 'than
|
|
marble.'
|
|
|
|
'I tell her nothing of you. We never speak about you. Once a year,
|
|
on your birthday, Harriet says always, "Let us remember James by name,
|
|
and wish him happy," but we say no more'
|
|
|
|
'Tell it then, if you please,' returned the other, 'to yourself.
|
|
You can't repeat it too often, as a lesson to you to avoid the subject
|
|
in speaking to me. I know no Harriet Carker. There is no such person.
|
|
You may have a sister; make much of her. I have none.'
|
|
|
|
Mr Carker the Manager took up the letter again, and waved it with a
|
|
smile of mock courtesy towards the door. Unfolding it as his brother
|
|
withdrew, and looking darkly aiter him as he left the room, he once
|
|
more turned round in his elbow-chair, and applied himself to a
|
|
diligent perusal of its contents.
|
|
|
|
It was in the writing of his great chief, Mr Dombey, and dated from
|
|
Leamington. Though he was a quick reader of all other letters, Mr
|
|
Carker read this slowly; weighing the words as he went, and bringing
|
|
every tooth in his head to bear upon them. When he had read it through
|
|
once, he turned it over again, and picked out these passages. 'I find
|
|
myself benefited by the change, and am not yet inclined to name any
|
|
time for my return.' 'I wish, Carker, you would arrange to come down
|
|
once and see me here, and let me know how things are going on, in
|
|
person.' 'I omitted to speak to you about young Gay. If not gone per
|
|
Son and Heir, or if Son and Heir still lying in the Docks, appoint
|
|
some other young man and keep him in the City for the present. I am
|
|
not decided.' 'Now that's unfortunate!' said Mr Carker the Manager,
|
|
expanding his mouth, as if it were made of India-rubber: 'for he's far
|
|
away.'
|
|
|
|
Still that passage, which was in a postscript, attracted his
|
|
attention and his teeth, once more.
|
|
|
|
'I think,' he said, 'my good friend Captain Cuttle mentioned
|
|
something about being towed along in the wake of that day. What a pity
|
|
he's so far away!'
|
|
|
|
He refolded the letter, and was sitting trifling with it, standing
|
|
it long-wise and broad-wise on his table, and turning it over and over
|
|
on all sides - doing pretty much the same thing, perhaps, by its
|
|
contents - when Mr Perch the messenger knocked softly at the door, and
|
|
coming in on tiptoe, bending his body at every step as if it were the
|
|
delight of his life to bow, laid some papers on the table.
|
|
|
|
'Would you please to be engaged, Sir?' asked Mr Perch, rubbing his
|
|
hands, and deferentially putting his head on one side, like a man who
|
|
felt he had no business to hold it up in such a presence, and would
|
|
keep it as much out of the way as possible.
|
|
|
|
'Who wants me?'
|
|
|
|
'Why, Sir,' said Mr Perch, in a soft voice, 'really nobody, Sir, to
|
|
speak of at present. Mr Gills the Ship's Instrument-maker, Sir, has
|
|
looked in, about a little matter of payment, he says: but I mentioned
|
|
to him, Sir, that you was engaged several deep; several deep.'
|
|
|
|
Mr Perch coughed once behind his hand, and waited for further
|
|
orders.
|
|
|
|
'Anybody else?'
|
|
|
|
'Well, Sir,' said Mr Perch, 'I wouldn't of my own self take the
|
|
liberty of mentioning, Sir, that there was anybody else; but that same
|
|
young lad that was here yesterday, Sir, and last week, has been
|
|
hanging about the place; and it looks, Sir,' added Mr Perch, stopping
|
|
to shut the door, 'dreadful unbusiness-like to see him whistling to
|
|
the sparrows down the court, and making of 'em answer him.'
|
|
|
|
'You said he wanted something to do, didn't you, Perch?' asked Mr
|
|
Carker, leaning back in his chair and looking at that officer.
|
|
|
|
'Why, Sir,' said Mr Perch, coughing behind his hand again, 'his
|
|
expression certainly were that he was in wants of a sitiwation, and
|
|
that he considered something might be done for him about the Docks,
|
|
being used to fishing with a rod and line: but - ' Mr Perch shook his
|
|
head very dubiously indeed.
|
|
|
|
'What does he say when he comes?' asked Mr Carker.
|
|
|
|
'Indeed, Sir,' said Mr Perch, coughing another cough behind his
|
|
hand, which was always his resource as an expression of humility when
|
|
nothing else occurred to him, 'his observation generally air that he
|
|
would humbly wish to see one of the gentlemen, and that he wants to
|
|
earn a living. But you see, Sir,' added Perch, dropping his voice to a
|
|
whisper, and turning, in the inviolable nature of his confidence, to
|
|
give the door a thrust with his hand and knee, as if that would shut
|
|
it any more when it was shut already, 'it's hardly to be bore, Sir,
|
|
that a common lad like that should come a prowling here, and saying
|
|
that his mother nursed our House's young gentleman, and that he hopes
|
|
our House will give him a chance on that account. I am sure, Sir,'
|
|
observed Mr Perch, 'that although Mrs Perch was at that time nursing
|
|
as thriving a little girl, Sir, as we've ever took the liberty of
|
|
adding to our family, I wouldn't have made so free as drop a hint of
|
|
her being capable of imparting nourishment, not if it was never so!'
|
|
|
|
Mr Carker grinned at him like a shark, but in an absent, thoughtful
|
|
manner.
|
|
|
|
'Whether,' submitted Mr Perch, after a short silence, and another
|
|
cough, 'it mightn't be best for me to tell him, that if he was seen
|
|
here any more he would be given into custody; and to keep to it! With
|
|
respect to bodily fear,' said Mr Perch, 'I'm so timid, myself, by
|
|
nature, Sir, and my nerves is so unstrung by Mrs Perch's state, that I
|
|
could take my affidavit easy.'
|
|
|
|
'Let me see this fellow, Perch,' said Mr Carker. 'Bring him in!'
|
|
|
|
'Yes, Sir. Begging your pardon, Sir,' said Mr Perch, hesitating at
|
|
the door, 'he's rough, Sir, in appearance.'
|
|
|
|
'Never mind. If he's there, bring him in. I'll see Mr Gills
|
|
directly. Ask him to wait.'
|
|
|
|
Mr Perch bowed; and shutting the door, as precisely and carefully
|
|
as if he were not coming back for a week, went on his quest among the
|
|
sparrows in the court. While he was gone, Mr Carker assumed his
|
|
favourite attitude before the fire-place, and stood looking at the
|
|
door; presenting, with his under lip tucked into the smile that showed
|
|
his whole row of upper teeth, a singularly crouching apace.
|
|
|
|
The messenger was not long in returning, followed by a pair of
|
|
heavy boots that came bumping along the passage like boxes. With the
|
|
unceremonious words 'Come along with you!' - a very unusual form of
|
|
introduction from his lips - Mr Perch then ushered into the presence a
|
|
strong-built lad of fifteen, with a round red face, a round sleek
|
|
head, round black eyes, round limbs, and round body, who, to carry out
|
|
the general rotundity of his appearance, had a round hat in his hand,
|
|
without a particle of brim to it.
|
|
|
|
Obedient to a nod from Mr Carker, Perch had no sooner confronted
|
|
the visitor with that gentleman than he withdrew. The moment they were
|
|
face to face alone, Mr Carker, without a word of preparation, took him
|
|
by the throat, and shook him until his head seemed loose upon his
|
|
shoulders.
|
|
|
|
The boy, who in the midst of his astonishment could not help
|
|
staring wildly at the gentleman with so many white teeth who was
|
|
choking him, and at the office walls, as though determined, if he were
|
|
choked, that his last look should be at the mysteries for his
|
|
intrusion into which he was paying such a severe penalty, at last
|
|
contrived to utter -
|
|
|
|
'Come, Sir! You let me alone, will you!'
|
|
|
|
'Let you alone!' said Mr Carker. 'What! I have got you, have I?'
|
|
There was no doubt of that, and tightly too. 'You dog,' said Mr
|
|
Carker, through his set jaws, 'I'll strangle you!'
|
|
|
|
Biler whimpered, would he though? oh no he wouldn't - and what was
|
|
he doing of - and why didn't he strangle some- body of his own size
|
|
and not him: but Biler was quelled by the extraordinary nature of his
|
|
reception, and, as his head became stationary, and he looked the
|
|
gentleman in the face, or rather in the teeth, and saw him snarling at
|
|
him, he so far forgot his manhood as to cry.
|
|
|
|
'I haven't done nothing to you, Sir,' said Biler, otherwise Rob,
|
|
otherwise Grinder, and always Toodle.
|
|
|
|
'You young scoundrel!' replied Mr Carker, slowly releasing him, and
|
|
moving back a step into his favourite position. 'What do you mean by
|
|
daring to come here?'
|
|
|
|
'I didn't mean no harm, Sir,' whimpered Rob, putting one hand to
|
|
his throat, and the knuckles of the other to his eyes. 'I'll never
|
|
come again, Sir. I only wanted work.'
|
|
|
|
'Work, young Cain that you are!' repeated Mr Carker, eyeing him
|
|
narrowly. 'Ain't you the idlest vagabond in London?'
|
|
|
|
The impeachment, while it much affected Mr Toodle Junior, attached
|
|
to his character so justly, that he could not say a word in denial. He
|
|
stood looking at the gentleman, therefore, with a frightened,
|
|
self-convicted, and remorseful air. As to his looking at him, it may
|
|
be observed that he was fascinated by Mr Carker, and never took his
|
|
round eyes off him for an instant.
|
|
|
|
'Ain't you a thief?' said Mr Carker, with his hands behind him in
|
|
his pockets.
|
|
|
|
'No, sir,' pleaded Rob.
|
|
|
|
'You are!' said Mr Carker.
|
|
|
|
'I ain't indeed, Sir,' whimpered Rob. 'I never did such a thing as
|
|
thieve, Sir, if you'll believe me. I know I've been a going wrong,
|
|
Sir, ever since I took to bird-catching' and walking-matching. I'm
|
|
sure a cove might think,' said Mr Toodle Junior, with a burst of
|
|
penitence, 'that singing birds was innocent company, but nobody knows
|
|
what harm is in them little creeturs and what they brings you down
|
|
to.'
|
|
|
|
They seemed to have brought him down to a velveteen jacket and
|
|
trousers very much the worse for wear, a particularly small red
|
|
waistcoat like a gorget, an interval of blue check, and the hat before
|
|
mentioned.
|
|
|
|
'I ain't been home twenty times since them birds got their will of
|
|
me,' said Rob, 'and that's ten months. How can I go home when
|
|
everybody's miserable to see me! I wonder,' said Biler, blubbering
|
|
outright, and smearing his eyes with his coat-cuff, 'that I haven't
|
|
been and drownded myself over and over again.'
|
|
|
|
All of which, including his expression of surprise at not having
|
|
achieved this last scarce performance, the boy said, just as if the
|
|
teeth of Mr Carker drew it out ofhim, and he had no power of
|
|
concealing anything with that battery of attraction in full play.
|
|
|
|
'You're a nice young gentleman!' said Mr Carker, shaking his head
|
|
at him. 'There's hemp-seed sown for you, my fine fellow!'
|
|
|
|
'I'm sure, Sir,' returned the wretched Biler, blubbering again, and
|
|
again having recourse to his coat-cuff: 'I shouldn't care, sometimes,
|
|
if it was growed too. My misfortunes all began in wagging, Sir; but
|
|
what could I do, exceptin' wag?'
|
|
|
|
'Excepting what?' said Mr Carker.
|
|
|
|
'Wag, Sir. Wagging from school.'
|
|
|
|
'Do you mean pretending to go there, and not going?' said Mr
|
|
Carker.
|
|
|
|
'Yes, Sir, that's wagging, Sir,' returned the quondam Grinder, much
|
|
affected. 'I was chivied through the streets, Sir, when I went there,
|
|
and pounded when I got there. So I wagged, and hid myself, and that
|
|
began it.'
|
|
|
|
'And you mean to tell me,' said Mr Carker, taking him by the throat
|
|
again, holding him out at arm's-length, and surveying him in silence
|
|
for some moments, 'that you want a place, do you?'
|
|
|
|
'I should be thankful to be tried, Sir,' returned Toodle Junior,
|
|
faintly.
|
|
|
|
Mr Carker the Manager pushed him backward into a corner - the boy
|
|
submitting quietly, hardly venturing to breathe, and never once
|
|
removing his eyes from his face - and rang the bell.
|
|
|
|
'Tell Mr Gills to come here.'
|
|
|
|
Mr Perch was too deferential to express surprise or recognition of
|
|
the figure in the corner: and Uncle Sol appeared immediately.
|
|
|
|
'Mr Gills!' said Carker, with a smile, 'sit down. How do you do?
|
|
You continue to enjoy your health, I hope?'
|
|
|
|
'Thank you, Sir,' returned Uncle Sol, taking out his pocket-book,
|
|
and handing over some notes as he spoke. 'Nothing ails me in body but
|
|
old age. Twenty-five, Sir.'
|
|
|
|
'You are as punctual and exact, Mr Gills,' replied the smiling
|
|
Manager, taking a paper from one of his many drawers, and making an
|
|
endorsement on it, while Uncle Sol looked over him, 'as one of your
|
|
own chronometers. Quite right.'
|
|
|
|
'The Son and Heir has not been spoken, I find by the list, Sir,'
|
|
said Uncle Sol, with a slight addition to the usual tremor in his
|
|
voice.
|
|
|
|
'The Son and Heir has not been spoken,' returned Carker. 'There
|
|
seems to have been tempestuous weather, Mr Gills, and she has probably
|
|
been driven out of her course.'
|
|
|
|
'She is safe, I trust in Heaven!' said old Sol.
|
|
|
|
'She is safe, I trust in Heaven!' assented Mr Carker in that
|
|
voiceless manner of his: which made the observant young Toodle
|
|
trernble again. 'Mr Gills,' he added aloud, throwing himself back in
|
|
his chair, 'you must miss your nephew very much?'
|
|
|
|
Uncle Sol, standing by him, shook his head and heaved a deep sigh.
|
|
|
|
'Mr Gills,' said Carker, with his soft hand playing round his
|
|
mouth, and looking up into the Instrument-maker's face, 'it would be
|
|
company to you to have a young fellow in your shop just now, and it
|
|
would be obliging me if you would give one house-room for the present.
|
|
No, to be sure,' he added quickly, in anticipation of what the old man
|
|
was going to say, 'there's not much business doing there, I know; but
|
|
you can make him clean the place out, polish up the instruments;
|
|
drudge, Mr Gills. That's the lad!'
|
|
|
|
Sol Gills pulled down his spectacles from his forehead to his eyes,
|
|
and looked at Toodle Junior standing upright in the corner: his head
|
|
presenting the appearance (which it always did) of having been newly
|
|
drawn out of a bucket of cold water; his small waistcoat rising and
|
|
falling quickly in the play of his emotions; and his eyes intently
|
|
fixed on Mr Carker, without the least reference to his proposed
|
|
master.
|
|
|
|
'Will you give him house-room, Mr Gills?' said the Manager.
|
|
|
|
Old Sol, without being quite enthusiastic on the subject, replied
|
|
that he was glad of any opportunity, however slight, to oblige Mr
|
|
Carker, whose wish on such a point was a command: and that the wooden
|
|
Midshipman would consider himself happy to receive in his berth any
|
|
visitor of Mr Carker's selecting.
|
|
|
|
Mr Carker bared himself to the tops and bottoms of his gums: making
|
|
the watchful Toodle Junior tremble more and more: and acknowledged the
|
|
Instrument-maker's politeness in his most affable manner.
|
|
|
|
'I'll dispose of him so, then, Mr Gills,' he answered, rising, and
|
|
shaking the old man by the hand, 'until I make up my mind what to do
|
|
with him, and what he deserves. As I consider myself responsible for
|
|
him, Mr Gills,' here he smiled a wide smile at Rob, who shook before
|
|
it: 'I shall be glad if you'll look sharply after him, and report his
|
|
behaviour to me. I'll ask a question or two of his parents as I ride
|
|
home this afternoon - respectable people - to confirm some particulars
|
|
in his own account of himself; and that done, Mr Gills, I'll send him
|
|
round to you to-morrow morning. Goodbye!'
|
|
|
|
His smile at parting was so full of teeth, that it confused old
|
|
Sol, and made him vaguely uncomfortable. He went home, thinking of
|
|
raging seas, foundering ships, drowning men, an ancient bottle of
|
|
Madeira never brought to light, and other dismal matters.
|
|
|
|
'Now, boy!' said Mr Carker, putting his hand on young Toodle's
|
|
shoulder, and bringing him out into the middle of the room. 'You have
|
|
heard me?'
|
|
|
|
Rob said, 'Yes, Sir.'
|
|
|
|
'Perhaps you understand,' pursued his patron, 'that if you ever
|
|
deceive or play tricks with me, you had better have drowned yourself,
|
|
indeed, once for all, before you came here?'
|
|
|
|
There was nothing in any branch of mental acquisition that Rob
|
|
seemed to understand better than that.
|
|
|
|
'If you have lied to me,' said Mr Carker, 'in anything, never come
|
|
in my way again. If not, you may let me find you waiting for me
|
|
somewhere near your mother's house this afternoon. I shall leave this
|
|
at five o'clock, and ride there on horseback. Now, give me the
|
|
address.'
|
|
|
|
Rob repeated it slowly, as Mr Carker wrote it down. Rob even spelt
|
|
it over a second time, letter by letter, as if he thought that the
|
|
omission of a dot or scratch would lead to his destruction. Mr Carker
|
|
then handed him out of the room; and Rob, keeping his round eyes fixed
|
|
upon his patron to the last, vanished for the time being.
|
|
|
|
Mr Carker the Manager did a great deal of business in the course of
|
|
the day, and stowed his teeth upon a great many people. In the office,
|
|
in the court, in the street, and on 'Change, they glistened and
|
|
bristled to a terrible extent. Five o'clock arriving, and with it Mr
|
|
Carker's bay horse, they got on horseback, and went gleaming up
|
|
Cheapside.
|
|
|
|
As no one can easily ride fast, even if inclined to do so, through
|
|
the press and throng of the City at that hour, and as Mr Carker was
|
|
not inclined, he went leisurely along, picking his way among the carts
|
|
and carriages, avoiding whenever he could the wetter and more dirty
|
|
places in the over-watered road, and taking infinite pains to keep
|
|
himself and his steed clean. Glancing at the passersby while he was
|
|
thus ambling on his way, he suddenly encountered the round eyes of the
|
|
sleek-headed Rob intently fixed upon his face as if they had never
|
|
been taken off, while the boy himself, with a pocket-handkerchief
|
|
twisted up like a speckled eel and girded round his waist, made a very
|
|
conspicuous demonstration of being prepared to attend upon him, at
|
|
whatever pace he might think proper to go.
|
|
|
|
This attention, however flattering, being one of an unusual kind,
|
|
and attracting some notice from the other passengers, Mr Carker took
|
|
advantage of a clearer thoroughfare and a cleaner road, and broke into
|
|
a trot. Rob immediately did the same. Mr Carker presently tried a
|
|
canter; Rob Was still in attendance. Then a short gallop; it Was all
|
|
one to the boy. Whenever Mr Carker turned his eyes to that side of the
|
|
road, he still saw Toodle Junior holding his course, apparently
|
|
without distress, and working himself along by the elbows after the
|
|
most approved manner of professional gentlemen who get over the ground
|
|
for wagers.
|
|
|
|
Ridiculous as this attendance was, it was a sign of an influence
|
|
established over the boy, and therefore Mr Carker, affecting not to
|
|
notice it, rode away into the neighbourhood of Mr Toodle's house. On
|
|
his slackening his pace here, Rob appeared before him to point out the
|
|
turnings; and when he called to a man at a neighbouring gateway to
|
|
hold his horse, pending his visit to the buildings that had succeeded
|
|
Staggs's Gardens, Rob dutifully held the stirrup, while the Manager
|
|
dismounted.
|
|
|
|
'Now, Sir,' said Mr Carker, taking him by the shoulder, 'come
|
|
along!'
|
|
|
|
The prodigal son was evidently nervous of visiting the parental
|
|
abode; but Mr Carker pushing him on before, he had nothing for it but
|
|
to open the right door, and suffer himself to be walked into the midst
|
|
of his brothers and sisters, mustered in overwhelming force round the
|
|
family tea-table. At sight of the prodigal in the grasp of a stranger,
|
|
these tender relations united in a general howl, which smote upon the
|
|
prodigal's breast so sharply when he saw his mother stand up among
|
|
them, pale and trembling, with the baby in her arms, that he lent his
|
|
own voice to the chorus.
|
|
|
|
Nothing doubting now that the stranger, if not Mr Ketch' in person,
|
|
was one of that company, the whole of the young family wailed the
|
|
louder, while its more infantine members, unable to control the
|
|
transports of emotion appertaining to their time of life, threw
|
|
themselves on their backs like young birds when terrified by a hawk,
|
|
and kicked violently. At length, poor Polly making herself audible,
|
|
said, with quivering lips, 'Oh Rob, my poor boy, what have you done at
|
|
last!'
|
|
|
|
'Nothing, mother,' cried Rob, in a piteous voice, 'ask the
|
|
gentleman!'
|
|
|
|
'Don't be alarmed,' said Mr Carker, 'I want to do him good.'
|
|
|
|
At this announcement, Polly, who had not cried yet, began to do so.
|
|
The elder Toodles, who appeared to have been meditating a rescue,
|
|
unclenched their fists. The younger Toodles clustered round their
|
|
mother's gown, and peeped from under their own chubby arms at their
|
|
desperado brother and his unknown friend. Everybody blessed the
|
|
gentleman with the beautiful teeth, who wanted to do good.
|
|
|
|
'This fellow,' said Mr Carker to Polly, giving him a gentle shake,
|
|
'is your son, eh, Ma'am?'
|
|
|
|
'Yes, Sir,' sobbed Polly, with a curtsey; 'yes, Sir.'
|
|
|
|
'A bad son, I am afraid?' said Mr Carker.
|
|
|
|
'Never a bad son to me, Sir,' returned Polly.
|
|
|
|
'To whom then?' demanded Mr Carker.
|
|
|
|
'He has been a little wild, Sir,' returned Polly, checking the
|
|
baby, who was making convulsive efforts with his arms and legs to
|
|
launch himself on Biler, through the ambient air, 'and has gone with
|
|
wrong companions: but I hope he has seen the misery of that, Sir, and
|
|
will do well again.'
|
|
|
|
Mr Carker looked at Polly, and the clean room, and the clean
|
|
children, and the simple Toodle face, combined of father and mother,
|
|
that was reflected and repeated everywhere about him - and seemed to
|
|
have achieved the real purpose of his visit.
|
|
|
|
'Your husband, I take it, is not at home?' he said.
|
|
|
|
'No, Sir,' replied Polly. 'He's down the line at present.'
|
|
|
|
The prodigal Rob seemed very much relieved to hear it: though still
|
|
in the absorption of all his faculties in his patron, he hardly took
|
|
his eyes from Mr Carker's face, unless for a moment at a time to steal
|
|
a sorrowful glance at his mother.
|
|
|
|
'Then,' said Mr Carker, 'I'll tell you how I have stumbled on this
|
|
boy of yours, and who I am, and what I am going to do for him.'
|
|
|
|
This Mr Carker did, in his own way; saying that he at first
|
|
intended to have accumulated nameless terrors on his presumptuous
|
|
head, for coming to the whereabout of Dombey and Son. That he had
|
|
relented, in consideration of his youth, his professed contrition, and
|
|
his friends. That he was afraid he took a rash step in doing anything
|
|
for the boy, and one that might expose him to the censure of the
|
|
prudent; but that he did it of himself and for himself, and risked the
|
|
consequences single-handed; and that his mother's past connexion with
|
|
Mr Dombey's family had nothing to do with it, and that Mr Dombey had
|
|
nothing to do with it, but that he, Mr Carker, was the be-all and the
|
|
end-all of this business. Taking great credit to himself for his
|
|
goodness, and receiving no less from all the family then present, Mr
|
|
Carker signified, indirectly but still pretty plainly, that Rob's
|
|
implicit fidelity, attachment, and devotion, were for evermore his
|
|
due, and the least homage he could receive. And with this great truth
|
|
Rob himself was so impressed, that, standing gazing on his patron with
|
|
tears rolling down his cheeks, he nodded his shiny head until it
|
|
seemed almost as loose as it had done under the same patron's hands
|
|
that morning.
|
|
|
|
Polly, who had passed Heaven knows how many sleepless nights on
|
|
account of this her dissipated firstborn, and had not seen him for
|
|
weeks and weeks, could have almost kneeled to Mr Carker the Manager,
|
|
as to a Good Spirit - in spite of his teeth. But Mr Carker rising to
|
|
depart, she only thanked him with her mother's prayers and blessings;
|
|
thanks so rich when paid out of the Heart's mint, especially for any
|
|
service Mr Carker had rendered, that he might have given back a large
|
|
amount of change, and yet been overpaid.
|
|
|
|
As that gentleman made his way among the crowding children to the
|
|
door, Rob retreated on his mother, and took her and the baby in the
|
|
same repentant hug.
|
|
|
|
'I'll try hard, dear mother, now. Upon my soul I will!' said Rob.
|
|
|
|
'Oh do, my dear boy! I am sure you will, for our sakes and your
|
|
own!' cried Polly, kissing him. 'But you're coming back to speak to
|
|
me, when you have seen the gentleman away?'
|
|
|
|
'I don't know, mother.' Rob hesitated, and looked down. 'Father -
|
|
when's he coming home?'
|
|
|
|
'Not till two o'clock to-morrow morning.'
|
|
|
|
'I'll come back, mother dear!' cried Rob. And passing through the
|
|
shrill cry of his brothers and sisters in reception of this promise,
|
|
he followed Mr Carker out.
|
|
|
|
'What!' said Mr Carker, who had heard this. 'You have a bad father,
|
|
have you?'
|
|
|
|
'No, Sir!' returned Rob, amazed. 'There ain't a better nor a kinder
|
|
father going, than mine is.'
|
|
|
|
'Why don't you want to see him then?' inquired his patron.
|
|
|
|
'There's such a difference between a father and a mother, Sir,'
|
|
said Rob, after faltering for a moment. 'He couldn't hardly believe
|
|
yet that I was doing to do better - though I know he'd try to but a
|
|
mother - she always believes what's,' good, Sir; at least I know my
|
|
mother does, God bless her!'
|
|
|
|
Mr Carker's mouth expanded, but he said no more until he was
|
|
mounted on his horse, and had dismissed the man who held it, when,
|
|
looking down from the saddle steadily into the attentive and watchful
|
|
face of the boy, he said:
|
|
|
|
'You'll come to me tomorrow morning, and you shall be shown where
|
|
that old gentleman lives; that old gentleman who was with me this
|
|
morning; where you are going, as you heard me say.'
|
|
|
|
'Yes, Sir,' returned Rob.
|
|
|
|
'I have a great interest in that old gentleman, and in serving him,
|
|
you serve me, boy, do you understand? Well,' he added, interrupting
|
|
him, for he saw his round face brighten when he was told that: 'I see
|
|
you do. I want to know all about that old gentleman, and how he goes
|
|
on from day to day - for I am anxious to be of service to him - and
|
|
especially who comes there to see him. Do you understand?'
|
|
|
|
Rob nodded his steadfast face, and said 'Yes, Sir,' again.
|
|
|
|
'I should like to know that he has friends who are attentive to
|
|
him, and that they don't desert him - for he lives very much alone
|
|
now, poor fellow; but that they are fond of him, and of his nephew who
|
|
has gone abroad. There is a very young lady who may perhaps come to
|
|
see him. I want particularly to know all about her.'
|
|
|
|
'I'll take care, Sir,' said the boy.
|
|
|
|
'And take care,' returned his patron, bending forward to advance
|
|
his grinning face closer to the boy's, and pat him on the shoulder
|
|
with the handle of his whip: 'take care you talk about affairs of mine
|
|
to nobody but me.'
|
|
|
|
'To nobody in the world, Sir,' replied Rob, shaking his head.
|
|
|
|
'Neither there,' said Mr CarHer, pointing to the place they had
|
|
just left, 'nor anywhere else. I'll try how true and grateful you can
|
|
be. I'll prove you!' Making this, by his display of teeth and by the
|
|
action of his head, as much a threat as a promise, he turned from
|
|
Rob's eyes, which were nailed upon him as if he had won the boy by a
|
|
charm, body and soul, and rode away. But again becoming conscious,
|
|
after trotting a short distance, that his devoted henchman, girt as
|
|
before, was yielding him the same attendance, to the great amusement
|
|
of sundry spectators, he reined up, and ordered him off. To ensure his
|
|
obedience, he turned in the saddle and watched him as he retired. It
|
|
was curious to see that even then Rob could not keep his eyes wholly
|
|
averted from his patron's face, but, constantly turning and turning
|
|
again to look after him' involved himself in a tempest of buffetings
|
|
and jostlings from the other passengers in the street: of which, in
|
|
the pursuit of the one paramount idea, he was perfectly heedless.
|
|
|
|
Mr Carker the Manager rode on at a foot-pace, with the easy air of
|
|
one who had performed all the business of the day in a satisfactory
|
|
manner, and got it comfortably off his mind. Complacent and affable as
|
|
man could be, Mr Carker picked his way along the streets and hummed a
|
|
soft tune as he went He seemed to purr, he was so glad.
|
|
|
|
And in some sort, Mr Carker, in his fancy, basked upon a hearth
|
|
too. Coiled up snugly at certain feet, he was ready for a spring, Or
|
|
for a tear, or for a scratch, or for a velvet touch, as the humour
|
|
took him and occasion served. Was there any bird in a cage, that came
|
|
in for a share ofhis regards?
|
|
|
|
'A very young lady!' thought Mr Carker the Manager, through his
|
|
song. 'Ay! when I saw her last, she was a little child. With dark eyes
|
|
and hair, I recollect, and a good face; a very good face! I daresay
|
|
she's pretty.'
|
|
|
|
More affable and pleasant yet, and humming his song until his many
|
|
teeth vibrated to it, Mr Carker picked his way along, and turned at
|
|
last into the shady street where Mr Dombey's house stood. He had been
|
|
so busy, winding webs round good faces, and obscuring them with
|
|
meshes, that he hardly thought of being at this point of his ride,
|
|
until, glancing down the cold perspective of tall houses, he reined in
|
|
his horse quickly within a few yards of the door. But to explain why
|
|
Mr Carker reined in his horse quickly, and what he looked at in no
|
|
small surprise, a few digressive words are necessary.
|
|
|
|
Mr Toots, emancipated from the Blimber thraldom and coming into the
|
|
possession of a certain portion of his wordly wealth, 'which,' as he
|
|
had been wont, during his last half-year's probation, to communicate
|
|
to Mr Feeder every evening as a new discovery, 'the executors couldn't
|
|
keep him out of' had applied himself with great diligence, to the
|
|
science of Life. Fired with a noble emulation to pursue a brilliant
|
|
and distinguished career, Mr Toots had furnished a choice set of
|
|
apartments; had established among them a sporting bower, embellished
|
|
with the portraits of winning horses, in which he took no particle of
|
|
interest; and a divan, which made him poorly. In this delicious abode,
|
|
Mr Toots devoted himself to the cultivation of those gentle arts which
|
|
refine and humanise existence, his chief instructor in which was an
|
|
interesting character called the Game Chicken, who was always to be
|
|
heard of at the bar of the Black Badger, wore a shaggy white
|
|
great-coat in the warmest weather, and knocked Mr Toots about the head
|
|
three times a week, for the small consideration of ten and six per
|
|
visit.
|
|
|
|
The Game Chicken, who was quite the Apollo of Mr Toots's Pantheon,
|
|
had introduced to him a marker who taught billiards, a Life Guard who
|
|
taught fencing, a jobmaster who taught riding, a Cornish gentleman who
|
|
was up to anything in the athletic line, and two or three other
|
|
friends connected no less intimately with the fine arts. Under whose
|
|
auspices Mr Toots could hardly fail to improve apace, and under whose
|
|
tuition he went to work.
|
|
|
|
But however it came about, it came to pass, even while these
|
|
gentlemen had the gloss of novelty upon them, that Mr Toots felt, he
|
|
didn't know how, unsettled and uneasy. There were husks in his corn,
|
|
that even Game Chickens couldn't peck up; gloomy giants in his
|
|
leisure, that even Game Chickens couldn't knock down. Nothing seemed
|
|
to do Mr Toots so much good as incessantly leaving cards at Mr
|
|
Dombey's door. No taxgatherer in the British Dominions - that
|
|
wide-spread territory on which the sun never sets, and where the
|
|
tax-gatherer never goes to bed - was more regular and persevering in
|
|
his calls than Mr Toots.
|
|
|
|
Mr Toots never went upstairs; and always performed the same
|
|
ceremonies, richly dressed for the purpose, at the hall door.
|
|
|
|
'Oh! Good morning!' would be Mr Toots's first remark to the
|
|
servant. 'For Mr Dombey,' would be Mr Toots's next remark, as he
|
|
handed in a card. 'For Miss Dombey,' would be his next, as he handed
|
|
in another.
|
|
|
|
Mr Toots would then turn round as if to go away; but the man knew
|
|
him by this time, and knew he wouldn't.
|
|
|
|
'Oh, I beg your pardon,' Mr Toots would say, as if a thought had
|
|
suddenly descended on him. 'Is the young woman at home?'
|
|
|
|
The man would rather think she was;, but wouldn't quite know. Then
|
|
he would ring a bell that rang upstairs, and would look up the
|
|
staircase, and would say, yes, she was at home, and was coming down.
|
|
Then Miss Nipper would appear, and the man would retire.
|
|
|
|
'Oh! How de do?' Mr Toots would say, with a chuckle and a blush.
|
|
|
|
Susan would thank him, and say she was very well.
|
|
|
|
'How's Diogenes going on?' would be Mr Toots's second
|
|
interrogation.
|
|
|
|
Very well indeed. Miss Florence was fonder and fonder of him every
|
|
day. Mr Toots was sure to hail this with a burst of chuckles, like the
|
|
opening of a bottle of some effervescent beverage.
|
|
|
|
'Miss Florence is quite well, Sir,' Susan would add.
|
|
|
|
Oh, it's of no consequence, thank'ee,' was the invariable reply of
|
|
Mr Toots; and when he had said so, he always went away very fast.
|
|
|
|
Now it is certain that Mr Toots had a filmy something in his mind,
|
|
which led him to conclude that if he could aspire successfully in the
|
|
fulness of time, to the hand of Florence, he would be fortunate and
|
|
blest. It is certain that Mr Toots, by some remote and roundabout
|
|
road, had got to that point, and that there he made a stand. His heart
|
|
was wounded; he was touched; he was in love. He had made a desperate
|
|
attempt, one night, and had sat up all night for the purpose, to write
|
|
an acrostic on Florence, which affected him to tears in the
|
|
conception. But he never proceeded in the execution further than the
|
|
words 'For when I gaze,' - the flow of imagination in which he had
|
|
previously written down the initial letters of the other seven lines,
|
|
deserting him at that point.
|
|
|
|
Beyond devising that very artful and politic measure of leaving a
|
|
card for Mr Dombey daily, the brain of Mr Toots had not worked much in
|
|
reference to the subject that held his feelings prisoner. But deep
|
|
consideration at length assured Mr Toots that an important step to
|
|
gain, was, the conciliation of Miss Susan Nipper, preparatory to
|
|
giving her some inkling of his state of mind.
|
|
|
|
A little light and playful gallantry towards this lady seemed the
|
|
means to employ in that early chapter of the history, for winning her
|
|
to his interests. Not being able quite to make up his mind about it,
|
|
he consulted the Chicken - without taking that gentleman into his
|
|
confidence; merely informing him that a friend in Yorkshire had
|
|
written to him (Mr Toots) for his opinion on such a question. The
|
|
Chicken replying that his opinion always was, 'Go in and win,' and
|
|
further, 'When your man's before you and your work cut out, go in and
|
|
do it,' Mr Toots considered this a figurative way of supporting his
|
|
own view of the case, and heroically resolved to kiss Miss Nipper next
|
|
day.
|
|
|
|
Upon the next day, therefore, Mr Toots, putting into requisition
|
|
some of the greatest marvels that Burgess and Co. had ever turned out,
|
|
went off to Mr Dotnbey's upon this design. But his heart failed him so
|
|
much as he approached the scene of action, that, although he arrived
|
|
on the ground at three o'clock in the afternoon, it was six before he
|
|
knocked at the door.
|
|
|
|
Everything happened as usual, down to the point where Susan said
|
|
her young mistress was well, and Mr Toots said it was ofno
|
|
consequence. To her amazement, Mr Toots, instead of going off, like a
|
|
rocket, after that observation, lingered and chuckled.
|
|
|
|
'Perhaps you'd like to walk upstairs, Sir!' said Susan.
|
|
|
|
'Well, I think I will come in!' said Mr Toots.
|
|
|
|
But instead of walking upstairs, the bold Toots made an awkward
|
|
plunge at Susan when the door was shut, and embracing that fair
|
|
creature, kissed her on the cheek
|
|
|
|
'Go along with you!~ cried Susan, 'or Ill tear your eyes out.'
|
|
|
|
'Just another!' said Mr Toots.
|
|
|
|
'Go along with you!' exclaimed Susan, giving him a push 'Innocents
|
|
like you, too! Who'll begin next? Go along, Sir!'
|
|
|
|
Susan was not in any serious strait, for she could hardly speak for
|
|
laughing; but Diogenes, on the staircase, hearing a rustling against
|
|
the wall, and a shuffling of feet, and seeing through the banisters
|
|
that there was some contention going on, and foreign invasion in the
|
|
house, formed a different opinion, dashed down to the rescue, and in
|
|
the twinkling of an eye had Mr Toots by the leg.
|
|
|
|
Susan screamed, laughed, opened the street-door, and ran
|
|
downstairs; the bold Toots tumbled staggering out into the street,
|
|
with Diogenes holding on to one leg of his pantaioons, as if Burgess
|
|
and Co. were his cooks, and had provided that dainty morsel for his
|
|
holiday entertainment; Diogenes shaken off, rolled over and over in
|
|
the dust, got up' again, whirled round the giddy Toots and snapped at
|
|
him: and all this turmoil Mr Carker, reigning up his horse and sitting
|
|
a little at a distance, saw to his amazement, issue from the stately
|
|
house of Mr Dombey.
|
|
|
|
Mr Carker remained watching the discomfited Toots, when Diogenes
|
|
was called in, and the door shut: and while that gentleman, taking
|
|
refuge in a doorway near at hand, bound up the torn leg of his
|
|
pantaloons with a costly silk handkerchief that had formed part of his
|
|
expensive outfit for the advent
|
|
|
|
'I beg your pardon, Sir,' said Mr Carker, riding up, with his most
|
|
propitiatory smile. 'I hope you are not hurt?'
|
|
|
|
'Oh no, thank you,' replied Mr Toots, raising his flushed face,
|
|
'it's of no consequence' Mr Toots would have signified, if he could,
|
|
that he liked it very much.
|
|
|
|
'If the dog's teeth have entered the leg, Sir - ' began Carker,
|
|
with a display of his own'
|
|
|
|
'No, thank you,' said Mr Toots, 'it's all quite right. It's very
|
|
comfortable, thank you.'
|
|
|
|
'I have the pleasure of knowing Mr Dombey,' observed Carker.
|
|
|
|
'Have you though?' rejoined the blushing Took
|
|
|
|
'And you will allow me, perhaps, to apologise, in his absence,'
|
|
said Mr Carker, taking off his hat, 'for such a misadventure, and to
|
|
wonder how it can possibly have happened.'
|
|
|
|
Mr Toots is so much gratified by this politeness, and the lucky
|
|
chance of making frends with a friend of Mr Dombey, that he pulls out
|
|
his card-case which he never loses an opportunity of using, and hands
|
|
his name and address to Mr Carker: who responds to that courtesy by
|
|
giving him his own, and with that they part.
|
|
|
|
As Mr Carker picks his way so softly past the house, looking up at
|
|
the windows, and trying to make out the pensive face behind the
|
|
curtain looking at the children opposite, the rough head of Diogenes
|
|
came clambering up close by it, and the dog, regardless of all
|
|
soothing, barks and growls, and makes at him from that height, as ifhe
|
|
would spring down and tear him limb from limb.
|
|
|
|
Well spoken, Di, so near your Mistress! Another, and another with
|
|
your head up, your eyes flashing, and your vexed mouth worrying
|
|
itself, for want of him! Another, as he picks his way along! You have
|
|
a good scent, Di, - cats, boy, cats!
|
|
|
|
CHAPTER 23.
|
|
|
|
Florence solitary, and the Midshipman mysterious
|
|
|
|
Florence lived alone in the great dreary house, and day succeeded
|
|
day, and still she lived alone; and the blank walls looked down upon
|
|
her with a vacant stare, as if they had a Gorgon-like mind to stare
|
|
her youth and beauty into stone.
|
|
|
|
No magic dwelling-place in magic story, shut up in the heart of a
|
|
thick wood, was ever more solitary and deserted to the fancy, than was
|
|
her father's mansion in its grim reality, as it stood lowering on the
|
|
street: always by night, when lights were shining from neighbouring
|
|
windows, a blot upon its scanty brightness; always by day, a frown
|
|
upon its never-smiling face.
|
|
|
|
There were not two dragon sentries keeping ward before the gate of
|
|
this above, as in magic legend are usually found on duty over the
|
|
wronged innocence imprisoned; but besides a glowering visage, with its
|
|
thin lips parted wickedly, that surveyed all comers from above the
|
|
archway of the door, there was a monstrous fantasy of rusty iron,
|
|
curling and twisting like a petrifaction of an arbour over threshold,
|
|
budding in spikes and corkscrew points, and bearing, one on either
|
|
side, two ominous extinguishers, that seemed to say, 'Who enter here,
|
|
leave light behind!' There were no talismanic characters engraven on
|
|
the portal, but the house was now so neglected in appearance, that
|
|
boys chalked the railings and the pavement - particularly round the
|
|
corner where the side wall was - and drew ghosts on the stable door;
|
|
and being sometimes driven off by Mr Towlinson, made portraits of him,
|
|
in return, with his ears growing out horizontally from under his hat.
|
|
Noise ceased to be, within the shadow of the roof. The brass band that
|
|
came into the street once a week, in the morning, never brayed a note
|
|
in at those windows; but all such company, down to a poor little
|
|
piping organ of weak intellect, with an imbecile party of automaton
|
|
dancers, waltzing in and out at folding-doors, fell off from it with
|
|
one accord, and shunned it as a hopeless place.
|
|
|
|
The spell upon it was more wasting than the spell that used to set
|
|
enchanted houses sleeping once upon a time, but left their waking
|
|
freshness unimpaired. The passive desolation of disuse was everywhere
|
|
silently manifest about it. Within doors, curtains, drooping heavily,
|
|
lost their old folds and shapes, and hung like cumbrous palls.
|
|
Hecatombs of furniture, still piled and covered up, shrunk like
|
|
imprisoned and forgotten men, and changed insensibly. Mirrors were dim
|
|
as with the breath of years. Patterns of carpets faded and became
|
|
perplexed and faint, like the memory of those years' trifling
|
|
incidents. Boards, starting at unwonted footsteps, creaked and shook.
|
|
Keys rusted in the locks of doors. Damp started on the walls, and as
|
|
the stains came out, the pictures seemed to go in and secrete
|
|
themselves. Mildew and mould began to lurk in closets. Fungus trees
|
|
grew in corners of the cellars. Dust accumulated, nobody knew whence
|
|
nor how; spiders, moths, and grubs were heard of every day. An
|
|
exploratory blackbeetle now and then was found immovable upon the
|
|
stairs, or in an upper room, as wondering how he got there. Rats began
|
|
to squeak and scuffle in the night time, through dark galleries they
|
|
mined behind the panelling.
|
|
|
|
The dreary magnificence of the state rooms, seen imperfectly by the
|
|
doubtful light admitted through closed shutters, would have answered
|
|
well enough for an enchanted abode. Such as the tarnished paws of
|
|
gilded lions, stealthily put out from beneath their wrappers; the
|
|
marble lineaments of busts on pedestals, fearfully revealing
|
|
themselves through veils; the clocks that never told the time, or, if
|
|
wound up by any chance, told it wrong, and struck unearthly numbers,
|
|
which are not upon the dial; the accidental tinklings among the
|
|
pendant lustres, more startling than alarm-bells; the softened sounds
|
|
and laggard air that made their way among these objects, and a phantom
|
|
crowd of others, shrouded and hooded, and made spectral of shape. But,
|
|
besides, there was the great staircase, where the lord of the place so
|
|
rarely set his foot, and by which his little child had gone up to
|
|
Heaven. There were other staircases and passages where no one went for
|
|
weeks together; there were two closed rooms associated with dead
|
|
members of the family, and with whispered recollections of them; and
|
|
to all the house but Florence, there was a gentle figure moving
|
|
through the solitude and gloom, that gave to every lifeless thing a
|
|
touch of present human interest and wonder,
|
|
|
|
For Florence lived alone in the deserted house, and day succeeded
|
|
day, and still she lived alone, and the cold walls looked down upon
|
|
her with a vacant stare, as if they had a Gorgon-like mind to stare
|
|
her youth and beauty into stone
|
|
|
|
The grass began to grow upon the roof, and in the crevices of the
|
|
basement paving. A scaly crumbling vegetation sprouted round the
|
|
window-sills. Fragments of mortar lost their hold upon the insides of
|
|
the unused chimneys, and came dropping down. The two trees with the
|
|
smoky trunks were blighted high up, and the withered branches
|
|
domineered above the leaves, Through the whole building white had
|
|
turned yellow, yellow nearly black; and since the time when the poor
|
|
lady died, it had slowly become a dark gap in the long monotonous
|
|
street.
|
|
|
|
But Florence bloomed there, like the king's fair daughter in the
|
|
story. Her books, her music, and her daily teachers, were her only
|
|
real companions, Susan Nipper and Diogenes excepted: of whom the
|
|
former, in her attendance on the studies of her young mistress, began
|
|
to grow quite learned herself, while the latter, softened possibly by
|
|
the same influences, would lay his head upon the window-ledge, and
|
|
placidly open and shut his eyes upon the street, all through a summer
|
|
morning; sometimes pricking up his head to look with great
|
|
significance after some noisy dog in a cart, who was barking his way
|
|
along, and sometimes, with an exasperated and unaccountable
|
|
recollection of his supposed enemy in the neighbourhood, rushing to
|
|
the door, whence, after a deafening disturbance, he would come jogging
|
|
back with a ridiculous complacency that belonged to him, and lay his
|
|
jaw upon the window-ledge again, with the air of a dog who had done a
|
|
public service.
|
|
|
|
So Florence lived in her wilderness of a home, within the circle of
|
|
her innocent pursuits and thoughts, and nothing harmed her. She could
|
|
go down to her father's rooms now, and think of him, and suffer her
|
|
loving heart humbly to approach him, without fear of repulse. She
|
|
could look upon the objects that had surrounded him in his sorrow, and
|
|
could nestle near his chair, and not dread the glance that she so well
|
|
remembered. She could render him such little tokens of her duty and
|
|
service' as putting everything in order for him with her own hands,
|
|
binding little nosegays for table, changing them as one by one they
|
|
withered and he did not come back, preparing something for him every'
|
|
day, and leaving some timid mark of her presence near his usual seat.
|
|
To-day, it was a little painted stand for his watch; tomorrow she
|
|
would be afraid to leave it, and would substitute some other trifle of
|
|
her making not so likely to attract his eye. Waking in the night,
|
|
perhaps, she would tremble at the thought of his coming home and
|
|
angrily rejecting it, and would hurry down with slippered feet and
|
|
quickly beating heart, and bring it away. At another time, she would
|
|
only lay her face upon his desk, and leave a kiss there, and a tear.
|
|
|
|
Still no one knew of this. Unless the household found it out when
|
|
she was not there - and they all held Mr Dombey's rooms in awe - it
|
|
was as deep a secret in her breast as what had gone before it.
|
|
Florence stole into those rooms at twilight, early in the morning, and
|
|
at times when meals were served downstairs. And although they were in
|
|
every nook the better and the brighter for her care, she entered and
|
|
passed out as quietly as any sunbeam, opting that she left her light
|
|
behind.
|
|
|
|
Shadowy company attended Florence up and down the echoing house,
|
|
and sat with her in the dismantled rooms. As if her life were an
|
|
enchanted vision, there arose out of her solitude ministering
|
|
thoughts, that made it fanciful and unreal. She imagined so often what
|
|
her life would have been if her father could have loved her and she
|
|
had been a favourite child, that sometimes, for the moment, she almost
|
|
believed it was so, and, borne on by the current of that pensive
|
|
fiction, seemed to remember how they had watched her brother in his
|
|
grave together; how they had freely shared his heart between them; how
|
|
they were united in the dear remembrance of him; how they often spoke
|
|
about him yet; and her kind father, looking at her gently, told her of
|
|
their common hope and trust in God. At other times she pictured to
|
|
herself her mother yet alive. And oh the happiness of falling on her
|
|
neck, and clinging to her with the love and confidence of all her
|
|
soul! And oh the desolation of the solitary house again, with evening
|
|
coming on, and no one there!
|
|
|
|
But there was one thought, scarcely shaped out to herself, yet
|
|
fervent and strong within her, that upheld Florence when she strove
|
|
and filled her true young heart, so sorely tried, with constancy of
|
|
purpose. Into her mind, as 'into all others contending with the great
|
|
affliction of our mortal nature, there had stolen solemn wonderings
|
|
and hopes, arising in the dim world beyond the present life, and
|
|
murmuring, like faint music, of recognition in the far-off land
|
|
between her brother and her mother: of some present consciousness in
|
|
both of her: some love and commiseration for her: and some knowledge
|
|
of her as she went her way upon the earth. It was a soothing
|
|
consolation to Florence to give shelter to these thoughts, until one
|
|
day - it was soon after she had last seen her father in his own room,
|
|
late at night - the fancy came upon her, that, in weeping for his
|
|
alienated heart, she might stir the spirits of the dead against him'
|
|
Wild, weak, childish, as it may have been to think so, and to tremble
|
|
at the half-formed thought, it was the impulse of her loving nature;
|
|
and from that hour Florence strove against the cruel wound in her
|
|
breast, and tried to think of him whose hand had made it, only with
|
|
hope.
|
|
|
|
Her father did not know - she held to it from that time - how much
|
|
she loved him. She was very young, and had no mother, and had never
|
|
learned, by some fault or misfortune, how to express to him that she
|
|
loved him. She would be patient, and would try to gain that art in
|
|
time, and win him to a better knowledge of his only child.
|
|
|
|
This became the purpose of her life. The morning sun shone down
|
|
upon the faded house, and found the resolution bright and fresh within
|
|
the bosom of its solitary mistress, Through all the duties of the day,
|
|
it animated her; for Florence hoped that the more she knew, and the
|
|
more accomplished she became, the more glad he would be when he came
|
|
to know and like her. Sometimes she wondered, with a swelling heart
|
|
and rising tear, whether she was proficient enough in anything to
|
|
surprise him when they should become companions. Sometimes she tried
|
|
to think if there were any kind of knowledge that would bespeak his
|
|
interest more readily than another. Always: at her books, her music,
|
|
and her work: in her morning walks, and in her nightly prayers: she
|
|
had her engrossing aim in view. Strange study for a child, to learn
|
|
the road to a hard parent's heart!
|
|
|
|
There were many careless loungers through the street, as the summer
|
|
evening deepened into night, who glanced across the road at the sombre
|
|
house, and saw the youthful figure at the window, such a contrast to
|
|
it, looking upward at the stars as they began to shine, who would have
|
|
slept the worse if they had known on what design she mused so steady.
|
|
The reputation of the mansion as a haunted house, would not have been
|
|
the gayer with some humble dwellers elsewhere, who were struck by its
|
|
external gloom in passing and repassing on their daily avocations, and
|
|
so named it, if they could have read its story in the darkening face.
|
|
But Florence held her sacred purpose, unsuspected and unaided: and
|
|
studied only how to bring her father to the understanding that she
|
|
loved him, and made no appeal against him in any wandering thought.
|
|
|
|
Thus Florence lived alone in the deserted house, and day succeeded
|
|
day, and still she lived alone, and the monotonous walls looked down
|
|
upon her with a stare, as if they had a Gorgon-like intent to stare
|
|
her youth and beauty into stone.
|
|
|
|
Susan Nipper stood opposite to her young mistress one morning, as
|
|
she folded and sealed a note she had been writing: and showed in her
|
|
looks an approving knowledge of its contents.
|
|
|
|
'Better late than never, dear Miss Floy,' said Susan, 'and I do
|
|
say, that even a visit to them old Skettleses will be a Godsend.'
|
|
|
|
'It is very good of Sir Barnet and Lady Skettles, Susan,' returned
|
|
Florence, with a mild correction of that young lady's familiar mention
|
|
of the family in question, 'to repeat their invitation so kindly.'
|
|
|
|
Miss Nipper, who was perhaps the most thoroughgoing partisan on the
|
|
face of the earth, and who carried her partisanship into all matters
|
|
great or small, and perpetually waged war with it against society,
|
|
screwed up her lips and shook her head, as a protest against any
|
|
recognition of disinterestedness in the Skettleses, and a plea in bar
|
|
that they would have valuable consideration for their kindness, in the
|
|
company of Florence.
|
|
|
|
'They know what they're about, if ever people did,' murmured Miss
|
|
Nipper, drawing in her breath 'oh! trust them Skettleses for that!'
|
|
|
|
'I am not very anxious to go to Fulham, Susan, I confess,' said
|
|
Florence thoughtfully: 'but it will be right to go. I think it will be
|
|
better.'
|
|
|
|
'Much better,' interposed Susan, with another emphatic shake of her
|
|
head.
|
|
|
|
'And so,' said Florence, 'though I would prefer to have gone when
|
|
there was no one there, instead of in this vacation time, when it
|
|
seems there are some young people staying in the house, I have
|
|
thankfully said yes.'
|
|
|
|
'For which I say, Miss Floy, Oh be joyful!' returned Susan, 'Ah!
|
|
|
|
This last ejaculation, with which Miss Nipper frequently wound up a
|
|
sentence, at about that epoch of time, was supposed below the level of
|
|
the hall to have a general reference to Mr Dombey, and to be
|
|
expressive of a yearning in Miss Nipper to favour that gentleman with
|
|
a piece of her mind. But she never explained it; and it had, in
|
|
consequence, the charm of mystery, in addition to the advantage of the
|
|
sharpest expression.
|
|
|
|
'How long it is before we have any news of Walter, Susan!' observed
|
|
Florence, after a moment's silence.
|
|
|
|
'Long indeed, Miss Floy!' replied her maid. 'And Perch said, when
|
|
he came just now to see for letters - but what signifies what he
|
|
says!' exclaimed Susan, reddening and breaking off. 'Much he knows
|
|
about it!'
|
|
|
|
Florence raised her eyes quickly, and a flush overspread her face.
|
|
|
|
'If I hadn't,' said Susan Nipper, evidently struggling with some
|
|
latent anxiety and alarm, and looking full at her young mistress,
|
|
while endeavouring to work herself into a state of resentment with the
|
|
unoffending Mr Perch's image, 'if I hadn't more manliness than that
|
|
insipidest of his sex, I'd never take pride in my hair again, but turn
|
|
it up behind my ears, and wear coarse caps, without a bit of border,
|
|
until death released me from my insignificance. I may not be a Amazon,
|
|
Miss Floy, and wouldn't so demean myself by such disfigurement, but
|
|
anyways I'm not a giver up, I hope'
|
|
|
|
'Give up! What?' cried Florence, with a face of terror.
|
|
|
|
'Why, nothing, Miss,' said Susan. 'Good gracious, nothing! It's
|
|
only that wet curl-paper of a man, Perch, that anyone might almost
|
|
make away with, with a touch, and really it would be a blessed event
|
|
for all parties if someone would take pity on him, and would have the
|
|
goodness!'
|
|
|
|
'Does he give up the ship, Susan?' inquired Florence, very pale.
|
|
|
|
'No, Miss,' returned Susan, 'I should like to see' him make so bold
|
|
as do it to my face! No, Miss, but he goes 'on about some bothering
|
|
ginger that Mr Walter was to send to Mrs Perch, and shakes his dismal
|
|
head, and says he hopes it may be coming; anyhow, he says, it can't
|
|
come now in time for the intended occasion, but may do for next, which
|
|
really,' said Miss Nipper, with aggravated scorn, 'puts me out of
|
|
patience with the man, for though I can bear a great deal, I am not a
|
|
camel, neither am I,' added Susan, after a moment's consideration, 'if
|
|
I know myself, a dromedary neither.'
|
|
|
|
'What else does he say, Susan?' inquired Florence, earnestly.
|
|
'Won't you tell me?'
|
|
|
|
'As if I wouldn't tell you anything, Miss Floy, and everything!'
|
|
said Susan. 'Why, nothing Miss, he says that there begins to be a
|
|
general talk about the ship, and that they have never had a ship on
|
|
that voyage half so long unheard of, and that the Captain's wife was
|
|
at the office yesterday, and seemed a little put out about it, but
|
|
anyone could say that, we knew nearly that before.'
|
|
|
|
'I must visit Walter's uncle,' said Florence, hurriedly, 'before I
|
|
leave home. I will go and see him this morning. Let us walk there,
|
|
directly, Susan.
|
|
|
|
Miss Nipper having nothing to urge against the proposal, but being
|
|
perfectly acquiescent, they were soon equipped, and in the streets,
|
|
and on their way towards the little Midshipman.
|
|
|
|
The state of mind in which poor Walter had gone to Captain
|
|
Cuttle's, on the day when Brogley the broker came into possession, and
|
|
when there seemed to him to be an execution in the very steeples, was
|
|
pretty much the same as that in which Florence now took her way to
|
|
Uncle Sol's; with this difference, that Florence suffered the added
|
|
pain of thinking that she had been, perhaps, the innocent occasion of
|
|
involving Walter in peril, and all to whom he was dear, herself
|
|
included, in an agony of suspense. For the rest, uncertainty and
|
|
danger seemed written upon everything. The weathercocks on spires and
|
|
housetops were mysterious with hints of stormy wind, and pointed, like
|
|
so many ghostly fingers, out to dangerous seas, where fragments of
|
|
great wrecks were drifting, perhaps, and helpless men were rocked upon
|
|
them into a sleep as deep as the unfathomable waters. When Florence
|
|
came into the City, and passed gentlemen who were talking together,
|
|
she dreaded to hear them speaking of the ship, an'd saying it was
|
|
lost. Pictures and prints of vessels fighting with the rolling waves
|
|
filled her with alarm. The smoke and clouds, though moving gently,
|
|
moved too fast for her apprehensions, and made her fear there was a
|
|
tempest blowing at that moment on the ocean.
|
|
|
|
Susan Nipper may or may not have been affected similarly, but
|
|
having her attention much engaged in struggles with boys, whenever
|
|
there was any press of people - for, between that grade of human kind
|
|
and herself, there was some natural animosity that invariably broke
|
|
out, whenever they came together - it would seem that she had not much
|
|
leisure on the road for intellectual operations,
|
|
|
|
Arriving in good time abreast of the wooden Midshipman on the
|
|
opposite side of the way, and waiting for an opportunity to cross the
|
|
street, they were a little surprised at first to see, at the
|
|
Instrument-maker's door, a round-headed lad, with his chubby face
|
|
addressed towards the sky, who, as they looked at him, suddenly thrust
|
|
into his capacious mouth two fingers of each hand, and with the
|
|
assistance of that machinery whistled, with astonishing shrillness, to
|
|
some pigeons at a considerable elevation in the air.
|
|
|
|
'Mrs Richards's eldest, Miss!' said Susan, 'and the worrit of Mrs
|
|
Richards's life!'
|
|
|
|
As Polly had been to tell Florence of the resuscitated prospects of
|
|
her son and heir, Florence was prepared for the meeting: so, a
|
|
favourable moment presenting itself, they both hastened across,
|
|
without any further contemplation of Mrs Richards's bane' That
|
|
sporting character, unconscious of their approach, again whistled with
|
|
his utmost might, and then yelled in a rapture of excitement, 'Strays!
|
|
Whip! Strays!' which identification had such an effect upon the
|
|
conscience-stricken pigeons, that instead of going direct to some town
|
|
in the North of England, as appeared to have been their original
|
|
intention, they began to wheel and falter; whereupon Mrs Richards's
|
|
first born pierced them with another whistle, and again yelled, in a
|
|
voice that rose above the turmoil of the street, 'Strays! Who~oop!
|
|
Strays!'
|
|
|
|
From this transport, he was abruptly recalled to terrestrial
|
|
objects, by a poke from Miss Nipper, which sent him into the shop,
|
|
|
|
'Is this the way you show your penitence, when Mrs Richards has
|
|
been fretting for you months and months?' said Susan, following the
|
|
poke. 'Where's Mr Gills?'
|
|
|
|
Rob, who smoothed his first rebellious glance at Miss Nipper when
|
|
he saw Florence following, put his knuckles to his hair, in honour of
|
|
the latter, and said to the former, that Mr Gills was out'
|
|
|
|
Fetch him home,' said Miss Nipper, with authority, 'and say that my
|
|
young lady's here.'
|
|
|
|
'I don't know where he's gone,' said Rob.
|
|
|
|
'Is that your penitence?' cried Susan, with stinging sharpness.
|
|
|
|
'Why how can I go and fetch him when I don't know where to go?'
|
|
whimpered the baited Rob. 'How can you be so unreasonable?'
|
|
|
|
'Did Mr Gills say when he should be home?' asked Florence.
|
|
|
|
'Yes, Miss,' replied Rob, with another application of his knuckles
|
|
to his hair. 'He said he should be home early in the afternoon; in
|
|
about a couple of hours from now, Miss.'
|
|
|
|
'Is he very anxious about his nephew?' inquired Susan.
|
|
|
|
'Yes, Miss,' returned Rob, preferring to address himself to
|
|
Florence and slighting Nipper; 'I should say he was, very much so. He
|
|
ain't indoors, Miss, not a quarter of an hour together. He can't
|
|
settle in one place five minutes. He goes about, like a - just like a
|
|
stray,' said Rob, stooping to get a glimpse of the pigeons through the
|
|
window, and checking himself, with his fingers half-way to his mouth,
|
|
on the verge of another whistle.
|
|
|
|
'Do you know a friend of Mr Gills, called Captain Cuttle?' inquired
|
|
Florence, after a moment's reflection.
|
|
|
|
'Him with a hook, Miss?' rejoined Rob, with an illustrative twist
|
|
of his left hand. Yes, Miss. He was here the day before yesterday.'
|
|
|
|
'Has he not been here since?' asked Susan.
|
|
|
|
'No, Miss,' returned Rob, still addressing his reply to Florence.
|
|
|
|
'Perhaps Walter's Uncle has gone there, Susan,' observed Florence,
|
|
turning to her.
|
|
|
|
'To Captain Cuttle's, Miss?' interposed Rob; 'no, he's not gone
|
|
there, Miss. Because he left particular word that if Captain Cuttle
|
|
called, I should tell him how surprised he was, not to have seen him
|
|
yesterday, and should make him stop till he came back'
|
|
|
|
'Do you know where Captain Cuttle lives?' asked Florence.
|
|
|
|
Rob replied in the affirmative, and turning to a greasy parchment
|
|
book on the shop desk, read the address aloud.
|
|
|
|
Florence again turned to her maid and took counsel with her in a
|
|
low voice, while Rob the round-eyed, mindful of his patron's secret
|
|
charge, looked on and listened. Florence proposed that they kould go
|
|
to Captain Cuttle's house; hear from his own lips, what he thought of
|
|
the absence of any tidings ofthe Son and Heir; and bring him, if they
|
|
could, to comfort Uncle Sol. Susan at first objected slightly, on the
|
|
score of distance; but a hackney-coach being mentioned by her
|
|
mistress, withdrew that opposition, and gave in her assent. There were
|
|
some minutes of discussion between them before they came to this
|
|
conclusion, during which the staring Rob paid close attention to both
|
|
speakers, and inclined his ear to each by turns, as if he were
|
|
appointed arbitrator of the argument.
|
|
|
|
In time, Rob was despatched for a coach, the visitors keeping shop
|
|
meanwhile; and when he brought it, they got into it, leaving word for
|
|
Uncle Sol that they would be sure to call again, on their way back.
|
|
Rob having stared after the coach until it was as invisible as the
|
|
pigeons had now become, sat down behind the desk with a most assiduous
|
|
demeanour; and in order that he might forget nothing of what had
|
|
transpired, made notes of it on various small scraps of paper, with a
|
|
vast expenditure of ink. There was no danger of these documents
|
|
betraying anything, if accidentally lost; for long before a word was
|
|
dry, it became as profound a mystery to Rob, as if he had had no part
|
|
whatever in its production.
|
|
|
|
While he was yet busy with these labours, the hackney-coach, after
|
|
encountering unheard-of difficulties from swivel-bridges, soft roads,
|
|
impassable canals, caravans of casks, settlements of scarlet-beans and
|
|
little wash-houses, and many such obstacles abounding in that country,
|
|
stopped at the corner of Brig Place. Alighting here, Florence and
|
|
Susan Nipper walked down the street, and sought out the abode of
|
|
Captain Cuttle.
|
|
|
|
It happened by evil chance to be one of Mrs MacStinger's great
|
|
cleaning days. On these occasions, Mrs MacStinger was knocked up by
|
|
the policeman at a quarter before three in the morning, and rarely
|
|
such before twelve o'clock next night. The chief object of this
|
|
institution appeared to be, that Mrs MacStinger should move all the
|
|
furniture into the back garden at early dawn, walk about the house in
|
|
pattens all day, and move the furniture back again after dark. These
|
|
ceremonies greatly fluttered those doves the young MacStingers, who
|
|
were not only unable at such times to find any resting-place for the
|
|
soles of their feet, but generally came in for a good deal of pecking
|
|
from the maternal bird during the progress of the solemnities.
|
|
|
|
At the moment when Florence and Susan Nipper presented themselves
|
|
at Mrs MacStinger's door, that worthy but redoubtable female was in
|
|
the act of conveying Alexander MacStinger, aged two years and three
|
|
months, along the passage, for forcible deposition in a sitting
|
|
posture on the street pavement: Alexander being black in the face with
|
|
holding his breath after punishment, and a cool paving-stone being
|
|
usually found to act as a powerful restorative in such cases.
|
|
|
|
The feelings of Mrs MacStinger, as a woman and a mother, were
|
|
outraged by the look of pity for Alexander which she observed on
|
|
Florence's face. Therefore, Mrs MacStinger asserting those finest
|
|
emotions of our nature, in preference to weakly gratifying her
|
|
curiosity, shook and buffeted Alexander both before and during the
|
|
application of the paving-stone, and took no further notice of the
|
|
strangers.
|
|
|
|
'I beg your pardon, Ma'am,' said Florence, when the child had found
|
|
his breath again, and was using it. 'Is this Captain Cuttle's house?'
|
|
|
|
'No,' said Mrs MacStinger.
|
|
|
|
'Not Number Nine?' asked Florence, hesitating.
|
|
|
|
'Who said it wasn't Number Nine?' said Mrs MacStinger.
|
|
|
|
Susan Nipper instantly struck in, and begged to inquire what Mrs
|
|
MacStinger meant by that, and if she knew whom she was talking to.
|
|
|
|
Mrs MacStinger in retort, looked at her all over. 'What do you want
|
|
with Captain Cuttle, I should wish to know?' said Mrs MacStinger.
|
|
|
|
'Should you? Then I'm sorry that you won't be satisfied,' returned
|
|
Miss Nipper.
|
|
|
|
'Hush, Susan! If you please!' said Florence. 'Perhaps you can have
|
|
the goodness to tell us where Captain Cutlle lives, Ma'am as he don't
|
|
live here.'
|
|
|
|
'Who says he don't live here?' retorted the implacable MacStinger.
|
|
'I said it wasn't Cap'en Cuttle's house - and it ain't his house -and
|
|
forbid it, that it ever should be his house - for Cap'en Cuttle don't
|
|
know how to keep a house - and don't deserve to have a house - it's my
|
|
house - and when I let the upper floor to Cap'en Cuttle, oh I do a
|
|
thankless thing, and cast pearls before swine!'
|
|
|
|
Mrs MacStinger pitched her voice for the upper windows in offering
|
|
these remarks, and cracked off each clause sharply by itself as if
|
|
from a rifle possessing an infinity of barrels. After the last shot,
|
|
the Captain's voice was heard to say, in feeble remonstrance from his
|
|
own room, 'Steady below!'
|
|
|
|
'Since you want Cap'en Cuttle, there he is!' said Mrs MacStinger,
|
|
with an angry motion of her hand. On Florence making bold to enter,
|
|
without any more parley, and on Susan following, Mrs MacStinger
|
|
recommenced her pedestrian exercise in pattens, and Alexander
|
|
MacStinger (still on the paving-stone), who had stopped in his crying
|
|
to attend to the conversation, began to wail again, entertaining
|
|
himself during that dismal performance, which was quite mechanical,
|
|
with a general survey of the prospect, terminating in the
|
|
hackney-coach.
|
|
|
|
The Captain in his own apartment was sitting with his hands in his
|
|
pockets and his legs drawn up under his chair, on a very small
|
|
desolate island, lying about midway in an ocean of soap and water. The
|
|
Captain's windows had been cleaned, the walls had been cleaned, the
|
|
stove had been cleaned, and everything the stove excepted, was wet,
|
|
and shining with soft soap and sand: the smell of which dry-saltery
|
|
impregnated the air. In the midst of the dreary scene, the Captain,
|
|
cast away upon his island, looked round on the waste of waters with a
|
|
rueful countenance, and seemed waiting for some friendly bark to come
|
|
that way, and take him off.
|
|
|
|
But when the Captain, directing his forlorn visage towards the
|
|
door, saw Florence appear with her maid, no words can describe his
|
|
astonishment. Mrs MacStinger's eloquence having rendered all other
|
|
sounds but imperfectly distinguishable, he had looked for no rarer
|
|
visitor than the potboy or the milkman; wherefore, when Florence
|
|
appeared, and coming to the confines of the island, put her hand in
|
|
his, the Captain stood up, aghast, as if he supposed her, for the
|
|
moment, to be some young member of the Flying Dutchman's family.'
|
|
|
|
Instantly recovering his self-possession, however, the Captain's
|
|
first care was to place her on dry land, which he happily
|
|
accomplished, with one motion of his arm. Issuing forth, then, upon
|
|
the main, Captain Cuttle took Miss Nipper round the waist, and bore
|
|
her to the island also. Captain Cuttle, then, with great respect and
|
|
admiration, raised the hand of Florence to his lips, and standing off
|
|
a little(for the island was not large enough for three), beamed on her
|
|
from the soap and water like a new description of Triton.
|
|
|
|
'You are amazed to see us, I am sure,'said Florence, with a smile.
|
|
|
|
The inexpressibly gratified Captain kissed his hook in reply, and
|
|
growled, as if a choice and delicate compliment were included in the
|
|
words, 'Stand by! Stand by!'
|
|
|
|
'But I couldn't rest,' said Florence, 'without coming to ask you
|
|
what you think about dear Walter - who is my brother now- and whether
|
|
there is anything to fear, and whether you will not go and console his
|
|
poor Uncle every day, until we have some intelligence of him?'
|
|
|
|
At these words Captain Cuttle, as by an involuntary gesture,
|
|
clapped his hand to his head, on which the hard glazed hat was not,
|
|
and looked discomfited.
|
|
|
|
'Have you any fears for Walter's safety?' inquired Florence, from
|
|
whose face the Captain (so enraptured he was with it) could not take
|
|
his eyes: while she, in her turn, looked earnestly at him, to be
|
|
assured of the sincerity of his reply.
|
|
|
|
'No, Heart's-delight,' said Captain Cuttle, 'I am not afeard. Wal'r
|
|
is a lad as'll go through a deal o' hard weather. Wal'r is a lad as'll
|
|
bring as much success to that 'ere brig as a lad is capable on.
|
|
Wal'r,' said the Captain, his eyes glistening with the praise of his
|
|
young friend, and his hook raised to announce a beautiful quotation,
|
|
'is what you may call a out'ard and visible sign of an in'ard and
|
|
spirited grasp, and when found make a note of.'
|
|
|
|
Florence, who did not quite understand this, though the Captain
|
|
evidentllty thought it full of meaning, and highly satisfactory,
|
|
mildly looked to him for something more.
|
|
|
|
'I am not afeard, my Heart's-delight,' resumed the Captain,
|
|
'There's been most uncommon bad weather in them latitudes, there's no
|
|
denyin', and they have drove and drove and been beat off, may be
|
|
t'other side the world. But the ship's a good ship, and the lad's a
|
|
good lad; and it ain't easy, thank the Lord,' the Captain made a
|
|
little bow, 'to break up hearts of oak, whether they're in brigs or
|
|
buzzums. Here we have 'em both ways, which is bringing it up with a
|
|
round turn, and so I ain't a bit afeard as yet.'
|
|
|
|
'As yet?' repeated Florence.
|
|
|
|
'Not a bit,' returned the Captain, kissing his iron hand; 'and
|
|
afore I begin to be, my Hearts-delight, Wal'r will have wrote home
|
|
from the island, or from some port or another, and made all taut and
|
|
shipsahape'And with regard to old Sol Gills, here the Captain became
|
|
solemn, 'who I'll stand by, and not desert until death do us part, and
|
|
when the stormy winds do blow, do blow, do blow - overhaul the
|
|
Catechism,' said the Captain parenthetically, 'and there you'll find
|
|
them expressions - if it would console Sol Gills to have the opinion
|
|
of a seafaring man as has got a mind equal to any undertaking that he
|
|
puts it alongside of, and as was all but smashed in his'prenticeship,
|
|
and of which the name is Bunsby, that 'ere man shall give him such an
|
|
opinion in his own parlour as'll stun him. Ah!' said Captain Cuttle,
|
|
vauntingly, 'as much as if he'd gone and knocked his head again a
|
|
door!'
|
|
|
|
'Let us take this ~gentleman to see him, and let us hear what he
|
|
says,' cried Florence. 'Will you go with us now? We have a coach
|
|
here.'
|
|
|
|
Again the Captain clapped his hand to his head, on which the hard
|
|
glazed hat was not, and looked discomfited. But at this instant a most
|
|
remarkable phenomenon occurred. The door opening, without any note of
|
|
preparation, and apparently of itself, the hard glazed hat in question
|
|
skimmed into the room like a bird, and alighted heavily at the
|
|
Captain's feet. The door then shut as violently as it had opened, and
|
|
nothIng ensued in explanation of the prodigy.
|
|
|
|
Captain Cuttle picked up his hat, and having turned it over with a
|
|
look of interest and welcome, began to polish it on his sleeve' While
|
|
doing so, the Captain eyed his visitors intently, and said in a low
|
|
voice
|
|
|
|
'You see I should have bore down on Sol Gills yesterday, and this
|
|
morning, but she - she took it away and kep it. That's the long and
|
|
short ofthe subject.'
|
|
|
|
'Who did, for goodness sake?' asked Susan Nipper.
|
|
|
|
'The lady of the house, my dear,'returned the Captain, in a gruff
|
|
whisper, and making signals of secrecy.'We had some words about the
|
|
swabbing of these here planks, and she - In short,' said the Captain,
|
|
eyeing the door, and relieving himself with a long breath, 'she
|
|
stopped my liberty.'
|
|
|
|
'Oh! I wish she had me to deal with!' said Susan, reddening with
|
|
the energy of the wish. 'I'd stop her!'
|
|
|
|
'Would you, do you, my dear?' rejoined the Captain, shaking his
|
|
head doubtfully, but regarding the desperate courage of the fair
|
|
aspirant with obvious admiration. 'I don't know. It's difficult
|
|
navigation. She's very hard to carry on with, my dear. You never can
|
|
tell how she'll head, you see. She's full one minute, and round upon
|
|
you next. And when she in a tartar,' said the Captain, with the
|
|
perspiration breaking out upon his forehead. There was nothing but a
|
|
whistle emphatic enough for the conclusion of the sentence, so the
|
|
Captain whistled tremulously. After which he again shook his head, and
|
|
recurring to his admiration of Miss Nipper's devoted bravery, timidly
|
|
repeated, 'Would you, do you think, my dear?'
|
|
|
|
Susan only replied with a bridling smile, but that was so very full
|
|
of defiance, that there is no knowing how long Captain Cuttle might
|
|
have stood entranced in its contemplation, if Florence in her anxiety
|
|
had not again proposed their immediately resorting to the oracular
|
|
Bunsby. Thus reminded of his duty, Captain Cuttle Put on the glazed
|
|
hat firmly, took up another knobby stick, with which he had supplied
|
|
the place of that one given to Walter, and offering his arm to
|
|
Florence, prepared to cut his way through the enemy.
|
|
|
|
It turned out, however, that Mrs MacStinger had already changed her
|
|
course, and that she headed, as the Captain had remarked she often
|
|
did, in quite a new direction. For when they got downstairs, they
|
|
found that exemplary woman beating the mats on the doorsteps, with
|
|
Alexander, still upon the paving-stone, dimly looming through a fog of
|
|
dust; and so absorbed was Mrs MacStinger in her household occupation,
|
|
that when Captain Cuttle and his visitors passed, she beat the harder,
|
|
and neither by word nor gesture showed any consciousness of their
|
|
vicinity. The Captain was so well pleased with this easy escape -
|
|
although the effect of the door-mats on him was like a copious
|
|
administration of snuff, and made him sneeze until the tears ran down
|
|
his face - that he could hardly believe his good fortune; but more
|
|
than once, between the door and the hackney-coach, looked over his
|
|
shoulder, with an obvious apprehension of Mrs MacStinger's giving
|
|
chase yet.
|
|
|
|
However, they got to the corner of Brig Place without any
|
|
molestation from that terrible fire-ship; and the Captain mounting the
|
|
coach-box - for his gallantry would not allow him to ride inside with
|
|
the ladies, though besought to do so - piloted the driver on his
|
|
course for Captain Bunsby's vessel, which was called the Cautious
|
|
Clara, and was lying hard by Ratcliffe.
|
|
|
|
Arrived at the wharf off which this great commander's ship was
|
|
jammed in among some five hundred companions, whose tangled rigging
|
|
looked like monstrous cobwebs half swept down, Captain Cuttle appeared
|
|
at the coach-window, and invited Florence and Miss Nipper to accompany
|
|
him on board; observing that Bunsby was to the last degree
|
|
soft-hearted in respect of ladies, and that nothing would so much tend
|
|
to bring his expansive intellect into a state of harmony as their
|
|
presentation to the Cautious Clara.
|
|
|
|
Florence readily consented; and the Captain, taking her little hand
|
|
in his prodigious palm, led her, with a mixed expression of patronage,
|
|
paternity, pride, and ceremony, that was pleasant to see, over several
|
|
very dirty decks, until, coming to the Clara, they found that cautious
|
|
craft (which lay outside the tier) with her gangway removed, and
|
|
half-a-dozen feet of river interposed between herself and her nearest
|
|
neighbour. It appeared, from Captain Cuttle's explanation, that the
|
|
great Bunsby, like himself, was cruelly treated by his landlady, and
|
|
that when her usage of him for the time being was so hard that he
|
|
could bear it no longer, he set this gulf between them as a last
|
|
resource.
|
|
|
|
'Clara a-hoy!' cried the Captain, putting a hand to each side of
|
|
his mouth.
|
|
|
|
'A-hoy!' cried a boy, like the Captain's echo, tumbling up from
|
|
below.
|
|
|
|
'Bunsby aboard?' cried the Captain, hailing the boy in a stentorian
|
|
voice, as if he were half-a-mile off instead of two yards.
|
|
|
|
'Ay, ay!' cried the boy, in the same tone.
|
|
|
|
The boy then shoved out a plank to Captain Cuttle, who adjusted it
|
|
carefully, and led Florence across: returning presently for Miss
|
|
Nipper. So they stood upon the deck of the Cautious Clara, in whose
|
|
standing rigging, divers fluttering articles of dress were curing, in
|
|
company with a few tongues and some mackerel.
|
|
|
|
Immediately there appeared, coming slowly up above the bulk-head of
|
|
the cabin, another bulk-head 'human, and very large - with one
|
|
stationary eye in the mahogany face, and one revolving one, on the
|
|
principle of some lighthouses. This head was decorated with shaggy
|
|
hair, like oakum,' which had no governing inclination towards the
|
|
north, east, west, or south, but inclined to all four quarters of the
|
|
compass, and to every point upon it. The head was followed by a
|
|
perfect desert of chin, and by a shirt-collar and neckerchief, and by
|
|
a dreadnought pilot-coat, and by a pair of dreadnought pilot-trousers,
|
|
whereof the waistband was so very broad and high, that it became a
|
|
succedaneum for a waistcoat: being ornamented near the wearer's
|
|
breastbone with some massive wooden buttons, like backgammon men. As
|
|
the lower portions of these pantaloons became revealed, Bunsby stood
|
|
confessed; his hands in their pockets, which were of vast size; and
|
|
his gaze directed, not to Captain Cuttle or the ladies, but the
|
|
mast-head.
|
|
|
|
The profound appearance of this philosopher, who was bulky and
|
|
strong, and on whose extremely red face an expression of taciturnity
|
|
sat enthroned, not inconsistent with his character, in which that
|
|
quality was proudly conspicuous, almost daunted Captain Cuttle, though
|
|
on familiar terms with him. Whispering to Florence that Bunsby had
|
|
never in his life expressed surprise, and was considered not to know
|
|
what it meant, the Captain watched him as he eyed his mast-head, and
|
|
afterwards swept the horizon; and when the revolving eye seemed to be
|
|
coming round in his direction, said:
|
|
|
|
'Bunsby, my lad, how fares it?'
|
|
|
|
A deep, gruff, husky utterance, which seemed to have no connexion
|
|
with Bunsby, and certainly had not the least effect upon his face,
|
|
replied, 'Ay, ay, shipmet, how goes it?' At the same time Bunsby's
|
|
right hand and arm, emerging from a pocket, shook the Captain's, and
|
|
went back again.
|
|
|
|
'Bunsby,' said the Captain, striking home at once, 'here you are; a
|
|
man of mind, and a man as can give an opinion. Here's a young lady as
|
|
wants to take that opinion, in regard of my friend Wal'r; likewise my
|
|
t'other friend, Sol Gills, which is a character for you to come within
|
|
hail of, being a man of science, which is the mother of inwention, and
|
|
knows no law. Bunsby, will you wear, to oblige me, and come along with
|
|
us?'
|
|
|
|
The great commander, who seemed by expression of his visage to be
|
|
always on the look-out for something in the extremest distance' and to
|
|
have no ocular knowledge of any anng' within ten miles, made no reply
|
|
whatever.
|
|
|
|
'Here is a man,' said the Captain, addressing himself to his fair
|
|
auditors, and indicating the commander with his outstretched hook,
|
|
'that has fell down, more than any man alive; that has had more
|
|
accidents happen to his own self than the Seamen's Hospital to all
|
|
hands; that took as many spars and bars and bolts about the outside of
|
|
his head when he was young, as you'd want a order for on Chatham-yard
|
|
to build a pleasure yacht with; and yet that his opinions in that way,
|
|
it's my belief, for there ain't nothing like 'em afloat or ashore.'
|
|
|
|
The stolid commander appeared by a very slight vibration in his
|
|
elbows, to express some satisfitction in this encomium; but if his
|
|
face had been as distant as his gaze was, it could hardIy have
|
|
enlightened the beholders less in reference to anything that was
|
|
passing in his thoughts.
|
|
|
|
'Shipmate,' said Bunsby, all of a sudden, and stooping down to look
|
|
out under some interposing spar, 'what'll the ladies drink?'
|
|
|
|
Captain Cuttle, whose delicacy was shocked by such an inquiry in
|
|
connection with Florence, drew the sage aside, and seeming to explain
|
|
in his ear, accompanied him below; where, that he might not take
|
|
offence, the Captain drank a dram himself' which Florence and Susan,
|
|
glancing down the open skylight, saw the sage, with difficulty finding
|
|
room for himself between his berth and a very little brass fireplace,
|
|
serve out for self and friend. They soon reappeared on deck, and
|
|
Captain Cuttle, triumphing in the success of his enterprise, conducted
|
|
Florence back to the coach, while Bunsby followed, escorting Miss
|
|
Nipper, whom he hugged upon the way (much to that young lady's
|
|
indignation) with his pilot-coated arm, like a blue bear.
|
|
|
|
The Captain put his oracle inside, and gloried so much in having
|
|
secured him, and having got that mind into a hackney-coach, that he
|
|
could not refrain from often peeping in at Florence through the little
|
|
window behind the driver, and testifiing his delight in smiles, and
|
|
also in taps upon his forehead, to hint to her that the brain of
|
|
Bunsby was hard at it' In the meantime, Bunsby, still hugging Miss
|
|
Nipper (for his friend, the Captain, had not exaggerated the softness
|
|
of his heart), uniformily preserved his gravity of deportment, and
|
|
showed no other consciousness of her or anything.
|
|
|
|
Uncle Sol, who had come home, received them at the door, and
|
|
ushered them immediately into the little back parlour: strangely
|
|
altered by the absence of Walter. On the table, and about the room,
|
|
were the charts and maps on which the heavy-hearted Instrument-maker
|
|
had again and again tracked the missing vessel across the sea, and on
|
|
which, with a pair of compasses that he still had in his hand, he had
|
|
been measuring, a minute before, how far she must have driven, to have
|
|
driven here or there: and trying to demonstrate that a long time must
|
|
elapse before hope was exhausted.
|
|
|
|
'Whether she can have run,' said Uncle Sol, looking wistfully over
|
|
the chart; 'but no, that's almost impossible or whether she can have
|
|
been forced by stress of weather, - but that's not reasonably likely.
|
|
Or whether there is any hope she so far changed her course as - but
|
|
even I can hardly hope that!' With such broken suggestions, poor old
|
|
Uncle Sol roamed over the great sheet before him, and could not find a
|
|
speck of hopeful probability in it large enough to set one small point
|
|
of the compasses upon.
|
|
|
|
Florence saw immediately - it would have been difficult to help
|
|
seeing - that there was a singular, indescribable change in the old
|
|
man, and that while his manner was far more restless and unsettled
|
|
than usual, there was yet a curious, contradictory decision in it,
|
|
that perplexed her very much. She fancied once that he spoke wildly,
|
|
and at random; for on her saying she regretted not to have seen him
|
|
when she had been there before that morning, he at first replied that
|
|
he had been to see her, and directly afterwards seemed to wish to
|
|
recall that answer.
|
|
|
|
'You have been to see me?' said Florence. 'To-day?'
|
|
|
|
'Yes, my dear young lady,' returned Uncle Sol, looking at her and
|
|
away from her in a confused manner. 'I wished to see you with my own
|
|
eyes, and to hear you with my own ears, once more before - ' There he
|
|
stopped.
|
|
|
|
'Before when? Before what?' said Florence, putting her hand upon
|
|
his arm.
|
|
|
|
'Did I say "before?"' replied old Sol. 'If I did, I must have meant
|
|
before we should have news of my dear boy.'
|
|
|
|
'You are not well,' said Florence, tenderly. 'You have been so very
|
|
anxious I am sure you are not well.'
|
|
|
|
'I am as well,' returned the old man, shutting up his right hand,
|
|
and holding it out to show her: 'as well and firm as any man at my
|
|
time of life can hope to be. See! It's steady. Is its master not as
|
|
capable of resolution and fortitude as many a younger man? I think so.
|
|
We shall see.'
|
|
|
|
There was that in his manner more than in his words, though they
|
|
remained with her too, which impressed Florence so much, that she
|
|
would have confided her uneasiness to Captain Cuttle at that moment,
|
|
if the Captain had not seized that moment for expounding the state of
|
|
circumstance, on which the opinion of the sagacious Bunsby was
|
|
requested, and entreating that profound authority to deliver the same.
|
|
|
|
Bunsby, whose eye continued to be addressed to somewhere about the
|
|
half-way house between London and Gravesend, two or three times put
|
|
out his rough right arm, as seeking to wind it for inspiration round
|
|
the fair form of Miss Nipper; but that young female having withdrawn
|
|
herself, in displeasure, to the opposite side of the table, the soft
|
|
heart of the Commander of the Cautious Clara met with no response to
|
|
its impulses. After sundry failures in this wise, the Commander,
|
|
addressing himself to nobody, thus spake; or rather the voice within
|
|
him said of its own accord, and quite independent of himself, as if he
|
|
were possessed by a gruff spirit:
|
|
|
|
'My name's Jack Bunsby!'
|
|
|
|
'He was christened John,' cried the delighted Captain Cuttle. 'Hear
|
|
him!'
|
|
|
|
'And what I says,' pursued the voice, after some deliberation, 'I
|
|
stands to.
|
|
|
|
The Captain, with Florence on his arm, nodded at the auditory, and
|
|
seemed to say, 'Now he's coming out. This is what I meant when I
|
|
brought him.'
|
|
|
|
'Whereby,' proceeded the voice, 'why not? If so, what odds? Can any
|
|
man say otherwise? No. Awast then!'
|
|
|
|
When it had pursued its train of argument to this point, the voice
|
|
stopped, and rested. It then proceeded very slowly, thus:
|
|
|
|
'Do I believe that this here Son and Heir's gone down, my lads?
|
|
Mayhap. Do I say so? Which? If a skipper stands out by Sen' George's
|
|
Channel, making for the Downs, what's right ahead of him? The
|
|
Goodwins. He isn't foroed to run upon the Goodwins, but he may. The
|
|
bearings of this observation lays in the application on it. That ain't
|
|
no part of my duty. Awast then, keep a bright look-out for'ard, and
|
|
good luck to you!'
|
|
|
|
The voice here went out of the back parlour and into the street,
|
|
taking the Commander of the Cautious Clara with it, and accompanying
|
|
him on board again with all convenient expedition, where he
|
|
immediately turned in, and refreshed his mind with a nap.
|
|
|
|
The students of the sage's precepts, left to their own application
|
|
of his wisdom - upon a principle which was the main leg of the Bunsby
|
|
tripod, as it is perchance of some other oracular stools - looked upon
|
|
one another in a little uncertainty; while Rob the Grinder, who had
|
|
taken the innocent freedom of peering in, and listening, through the
|
|
skylight in the roof, came softly down from the leads, in a state of
|
|
very dense confusion. Captain Cuttle, however, whose admiration of
|
|
Bunsby was, if possible, enhanced by the splendid manner in which he
|
|
had justified his reputation and come through this solemn reference,
|
|
proceeded to explain that Bunsby meant nothing but confidence; that
|
|
Bunsby had no misgivings; and that such an opinion as that man had
|
|
given, coming from such a mind as his, was Hope's own anchor, with
|
|
good roads to cast it in. Florence endeavoured to believe that the
|
|
Captain was right; but the Nipper, with her arms tight folded, shook
|
|
her head in resolute denial, and had no more trust m Bunsby than in Mr
|
|
Perch himself.
|
|
|
|
The philosopher seemed to have left Uncle Sol pretty much where he
|
|
had found him, for he still went roaming about the watery world,
|
|
compasses in hand, and discovering no rest for them. It was in
|
|
pursuance of a whisper in his ear from Florence, while the old man was
|
|
absorbed in this pursuit, that Captain Cuttle laid his heavy hand upon
|
|
his shoulder.
|
|
|
|
'What cheer, Sol Gills?' cried the Captain, heartily.
|
|
|
|
'But so-so, Ned,' returned the Instrument-maker. 'I have been
|
|
remembering, all this afternoon, that on the very day when my boy
|
|
entered Dombey's House, and came home late to dinner, sitting just
|
|
there where you stand, we talked of storm and shipwreck, and I could
|
|
hardly turn him from the subject'
|
|
|
|
But meeting the eyes of Florence, which were fixed with earnest
|
|
scrutiny upon his face, the old man stopped and smiled.
|
|
|
|
'Stand by, old friend!' cried the Captain. 'Look alive! I tell you
|
|
what, Sol Gills; arter I've convoyed Heart's-delight safe home,' here
|
|
the Captain kissed his hook to Florence, 'I'll come back and take you
|
|
in tow for the rest of this blessed day. You'll come and eat your
|
|
dinner along with me, Sol, somewheres or another.'
|
|
|
|
'Not to-day, Ned!' said the old man quickly, and appearing to be
|
|
unaccountably startled by the proposition. 'Not to-day. I couldn't do
|
|
it!'
|
|
|
|
'Why not?' returned the Captain, gazing at him in astonishment.
|
|
|
|
'I - I have so much to do. I - I mean to think of, and arrange. I
|
|
couldn't do it, Ned, indeed. I must go out again, and be alone, and
|
|
turn my mind to many things to-day.'
|
|
|
|
The Captain looked at the Instrument-maker, and looked at Florence,
|
|
and again at the Instrument-maker. 'To-morrow, then,' he suggested, at
|
|
last.
|
|
|
|
'Yes, yes. To-morrow,' said the old man. 'Think of me to-morrow.
|
|
Say to-morrow.'
|
|
|
|
'I shall come here early, mind, Sol Gills,' stipulated the Captain.
|
|
|
|
'Yes, yes. The first thing tomorrow morning,' said old Sol; 'and
|
|
now good-bye, Ned Cuttle, and God bless you!'
|
|
|
|
Squeezing both the Captain's hands, with uncommon fervour, as he
|
|
said it, the old man turned to Florence, folded hers in his own, and
|
|
put them to his lips; then hurried her out to the coach with very
|
|
singular precipitation. Altogether, he made such an effect on Captain
|
|
Cuttle that the Captain lingered behind, and instructed Rob to be
|
|
particularly gentle and attentive to his master until the morning:
|
|
which injunction he strengthened with the payment of one shilling
|
|
down, and the promise of another sixpence before noon next day. This
|
|
kind office performed, Captain Cuttle, who considered himself the
|
|
natural and lawful body-guard of Florence, mounted the box with a
|
|
mighty sense of his trust, and escorted her home. At parting, he
|
|
assured her that he would stand by Sol Gills, close and true; and once
|
|
again inquired of Susan Nipper, unable to forget her gallant words in
|
|
reference to Mrs MacStinger, 'Would you, do you think my dear,
|
|
though?'
|
|
|
|
When the desolate house had closed upon the two, the Captain's
|
|
thoughts reverted to the old Instrument-maker, and he felt
|
|
uncomfortable. Therefore, instead of going home, he walked up and down
|
|
the street several times, and, eking out his leisure until evening,
|
|
dined late at a certain angular little tavern in the City, with a
|
|
public parlour like a wedge, to which glazed hats much resorted. The
|
|
Captain's principal intention was to pass Sol Gills's, after dark, and
|
|
look in through the window: which he did, The parlour door stood open,
|
|
and he could see his old friend writing busily and steadily at the
|
|
table within, while the little Midshipman, already sheltered from the
|
|
night dews, watched him from the counter; under which Rob the Grinder
|
|
made his own bed, preparatory to shutting the shop. Reassured by the
|
|
tranquillity that reigned within the precincts of the wooden mariner,
|
|
the Captain headed for Brig Place, resolving to weigh anchor betimes
|
|
in the morning.
|
|
|
|
CHAPTER 24.
|
|
|
|
The Study of a Loving Heart
|
|
|
|
Sir Barnet and Lady Skettles, very good people, resided in a pretty
|
|
villa at Fulham, on the banks of the Thames; which was one of the most
|
|
desirable residences in the world when a rowing-match happened to be
|
|
going past, but had its little inconveniences at other times, among
|
|
which may be enumerated the occasional appearance of the river in the
|
|
drawing-room, and the contemporaneous disappearance of the lawn and
|
|
shrubbery.
|
|
|
|
Sir Barnet Skettles expressed his personal consequence chiefly
|
|
through an antique gold snuffbox, and a ponderous silk
|
|
pocket-kerchief, which he had an imposing manner of drawing out of his
|
|
pocket like a banner and using with both hands at once. Sir Barnet's
|
|
object in life was constantly to extend the range of his acquaintance.
|
|
Like a heavy body dropped into water - not to disparage so worthy a
|
|
gentleman by the comparison - it was in the nature of things that Sir
|
|
Barnet must spread an ever widening circle about him, until there was
|
|
no room left. Or, like a sound in air, the vibration of which,
|
|
according to the speculation of an ingenious modern philosopher, may
|
|
go on travelling for ever through the interminable fields of space,
|
|
nothing but coming to the end of his moral tether could stop Sir
|
|
Barnet Skettles in his voyage of discovery through the social system.
|
|
|
|
Sir Barnet was proud of making people acquainted with people. He
|
|
liked the thing for its own sake, and it advanced his favourite object
|
|
too. For example, if Sir Barnet had the good fortune to get hold of a
|
|
law recruit, or a country gentleman, and ensnared him to his
|
|
hospitable villa, Sir Barnet would say to him, on the morning after
|
|
his arrival, 'Now, my dear Sir, is there anybody you would like to
|
|
know? Who is there you would wish to meet? Do you take any interest in
|
|
writing people, or in painting or sculpturing people, or in acting
|
|
people, or in anything of that sort?' Possibly the patient answered
|
|
yes, and mentioned somebody, of whom Sir Barnet had no more personal
|
|
knowledge than of Ptolemy the Great. Sir Barnet replied, that nothing
|
|
on earth was easier, as he knew him very well: immediately called on
|
|
the aforesaid somebody, left his card, wrote a short note, - 'My dear
|
|
Sir - penalty of your eminent position - friend at my house naturally
|
|
desirous - Lady Skettles and myself participate - trust that genius
|
|
being superior to ceremonies, you will do us the distinguished favour
|
|
of giving us the pleasure,' etc, etc. - and so killed a brace of birds
|
|
with one stone, dead as door-nails.
|
|
|
|
With the snuff-box and banner in full force, Sir Barnet Skettles
|
|
propounded his usual inquiry to Florence on the first morning of her
|
|
visit. When Florence thanked him, and said there was no one in
|
|
particular whom she desired to see, it was natural she should think
|
|
with a pang, of poor lost Walter. When Sir Barnet Skettles, urging his
|
|
kind offer, said, 'My dear Miss Dombey, are you sure you can remember
|
|
no one whom your good Papa - to whom I beg you present the best
|
|
compliments of myself and Lady Skettles when you write - might wish
|
|
you to know?' it was natural, perhaps, that her poor head should droop
|
|
a little, and that her voice should tremble as it softly answered in
|
|
the negative.
|
|
|
|
Skettles Junior, much stiffened as to his cravat, and sobered down
|
|
as to his spirits' was at home for the holidays, and appeared to feel
|
|
himself aggrieved by the solicitude of his excellent mother that he
|
|
should be attentive to Florence. Another and a deeper injury under
|
|
which the soul of young Barnet chafed, was the company of Dr and Mrs
|
|
Blimber, who had been invited on a visit to the paternal roof-tree,
|
|
and of whom the young gentleman often said he would have preferred
|
|
their passing the vacation at Jericho.
|
|
|
|
'Is there anybody you can suggest now, Doctor Blimber?' said Sir
|
|
Barnet Skettles, turning to that gentleman.
|
|
|
|
'You are very kind, Sir Barnet,' returned Doctor Blimber. 'Really I
|
|
am not aware that there is, in particular. I like to know my
|
|
fellow-men in general, Sir Barnet. What does Terence say? Anyone who
|
|
is the parent of a son is interesting to me.
|
|
|
|
'Has Mrs Blimber any wish to see any remarkable person?' asked Sir
|
|
Barnet, courteously.
|
|
|
|
Mrs Blimber replied, with a sweet smile and a shake of her sky-blue
|
|
cap, that if Sir Barnet could have made her known to Cicero, she would
|
|
have troubled him; but such an introduction not being feasible, and
|
|
she already enjoying the friendship of himself and his amiable lady,
|
|
and possessing with the Doctor her husband their joint confidence in
|
|
regard to their dear son - here young Barnet was observed to curl his
|
|
nose - she asked no more.
|
|
|
|
Sir Barnet was fain, under these circumstances, to content himself
|
|
for the time with the company assembled. Florence was glad of that;
|
|
for she had a study to pursue among them, and it lay too near her
|
|
heart, and was too precious and momentous, to yield to any other
|
|
interest.
|
|
|
|
There were some children staying in the house. Children who were as
|
|
frank and happy with fathers and with mothers as those rosy faces
|
|
opposite home. Children who had no restraint upon their love. and
|
|
freely showed it. Florence sought to learn their secret; sought to
|
|
find out what it was she had missed; what simple art they knew, and
|
|
she knew not; how she could be taught by them to show her father that
|
|
she loved him, and to win his love again.
|
|
|
|
Many a day did Florence thoughtfully observe these children. On
|
|
many a bright morning did she leave her bed when the glorious sun
|
|
rose, and walking up and down upon the river's bank' before anyone in
|
|
the house was stirring, look up at the windows of their rooms, and
|
|
think of them, asleep, so gently tended and affectionately thought of.
|
|
Florence would feel more lonely then, than in the great house all
|
|
alone; and would think sometimes that she was better there than here,
|
|
and that there was greater peace in hiding herself than in mingling
|
|
with others of her age, and finding how unlike them all she was. But
|
|
attentive to her study, though it touched her to the quick at every
|
|
little leaf she turned in the hard book, Florence remained among them,
|
|
and tried with patient hope, to gain the knowledge that she wearied
|
|
for.
|
|
|
|
Ah! how to gain it! how to know the charm in its beginning! There
|
|
were daughters here, who rose up in the morning, and lay down to rest
|
|
at night, possessed of fathers' hearts already. They had no repulse to
|
|
overcome, no coldness to dread, no frown to smooth away. As the
|
|
morning advanced, and the windows opened one by one, and the dew began
|
|
to dry upon the flowers and and youthful feet began to move upon the
|
|
lawn, Florence, glancing round at the bright faces, thought what was
|
|
there she could learn from these children? It was too late to learn
|
|
from them; each could approach her father fearlessly, and put up her
|
|
lips to meet the ready kiss, and wind her arm about the neck that bent
|
|
down to caress her. She could not begin by being so bold. Oh! could it
|
|
be that there was less and less hope as she studied more and more!
|
|
|
|
She remembered well, that even the old woman who had robbed her
|
|
when a little child - whose image and whose house, and all she had
|
|
said and done, were stamped upon her recollection, with the enduring
|
|
sharpness of a fearful impression made at that early period of life -
|
|
had spoken fondly of her daughter, and how terribly even she had cried
|
|
out in the pain of hopeless separation from her child But her own
|
|
mother, she would think again, when she recalled this, had loved her
|
|
well. Then, sometimes, when her thoughts reverted swiftly to the void
|
|
between herself and her father, Florence would tremble, and the tears
|
|
would start upon her face, as she pictured to herself her mother
|
|
living on, and coming also to dislike her, because of her wanting the
|
|
unknown grace that should conciliate that father naturally, and had
|
|
never done so from her cradle She knew that this imagination did wrong
|
|
to her mother's memory, and had no truth in it, or base to rest upon;
|
|
and yet she tried so hard to justify him, and to find the whole blame
|
|
in herself, that she could not resist its passing, like a wild cloud,
|
|
through the distance of her mind.
|
|
|
|
There came among the other visitors, soon after Florence, one
|
|
beautiful girl, three or four years younger than she, who was an
|
|
orphan child, and who was accompanied by her aunt, a grey-haired lady,
|
|
who spoke much to Florence, and who greatly liked (but that they all
|
|
did) to hear her sing of an evening, and would always sit near her at
|
|
that time, with motherly interest. They had only been two days in the
|
|
house, when Florence, being in an arbour in the garden one warm
|
|
morning, musingly observant of a youthful group upon the turf, through
|
|
some intervening boughs, - and wreathing flowers for the head of one
|
|
little creature among them who was the pet and plaything of the rest,
|
|
heard this same lady and her niece, in pacing up and down a sheltered
|
|
nook close by, speak of herself.
|
|
|
|
'Is Florence an orphan like me, aunt?' said the child.
|
|
|
|
'No, my love. She has no mother, but her father is living.'
|
|
|
|
'Is she in mourning for her poor Mama, now?' inquired the child
|
|
quickly.
|
|
|
|
'No; for her only brother.'
|
|
|
|
'Has she no other brother?'
|
|
|
|
'None.'
|
|
|
|
'No sister?'
|
|
|
|
'None,'
|
|
|
|
'I am very, very sorry!' said the little girL
|
|
|
|
As they stopped soon afterwards to watch some boats, and had been
|
|
silent in the meantime, Florence, who had risen when she heard her
|
|
name, and had gathered up her flowers to go and meet them, that they
|
|
might know of her being within hearing, resumed her seat and work,
|
|
expecting to hear no more; but the conversation recommenced next
|
|
moment.
|
|
|
|
'Florence is a favourite with everyone here, and deserves to be, I
|
|
am sure,' said the child, earnestly. 'Where is her Papa?'
|
|
|
|
The aunt replied, after a moment's pause, that she did not know.
|
|
Her tone of voice arrested Florence, who had started from her seat
|
|
again; and held her fastened to the spot, with her work hastily caught
|
|
up to her bosom, and her two hands saving it from being scattered on
|
|
the ground.
|
|
|
|
'He is in England, I hope, aunt?' said the child.
|
|
|
|
'I believe so. Yes; I know he is, indeed.'
|
|
|
|
'Has he ever been here?'
|
|
|
|
'I believe not. No.'
|
|
|
|
'Is he coming here to see her?'
|
|
|
|
'I believe not.
|
|
|
|
'Is he lame, or blind, or ill, aunt?' asked the child.
|
|
|
|
The flowers that Florence held to her breast began to fall when she
|
|
heard those words, so wonderingly spoke She held them closer; and her
|
|
face hung down upon them'
|
|
|
|
'Kate,' said the lady, after another moment of silence, 'I will
|
|
tell you the whole truth about Florence as I have heard it, and
|
|
believe it to be. Tell no one else, my dear, because it may be little
|
|
known here, and your doing so would give her pain.'
|
|
|
|
'I never will!' exclaimed the child.
|
|
|
|
'I know you never will,' returned the lady. 'I can trust you as
|
|
myself. I fear then, Kate, that Florence's father cares little for
|
|
her, very seldom sees her, never was kind to her in her life, and now
|
|
quite shuns her and avoids her. She would love him dearly if he would
|
|
suffer her, but he will not - though for no fault of hers; and she is
|
|
greatly to be loved and pitied by all gentle hearts.'
|
|
|
|
More of the flowers that Florence held fell scattering on the
|
|
ground; those that remained were wet, but not with dew; and her face
|
|
dropped upon her laden hands.
|
|
|
|
'Poor Florence! Dear, good Florence!' cried the child.
|
|
|
|
'Do you know why I have told you this, Kate?' said the lady.
|
|
|
|
'That I may be very kind to her, and take great care to try to
|
|
please her. Is that the reason, aunt?'
|
|
|
|
'Partly,' said the lady, 'but not all. Though we see her so
|
|
cheerful; with a pleasant smile for everyone; ready to oblige us all,
|
|
and bearing her part in every amusement here: she can hardly be quite
|
|
happy, do you think she can, Kate?'
|
|
|
|
'I am afraid not,' said the little girl.
|
|
|
|
'And you can understand,' pursued the lady, 'why her observation of
|
|
children who have parents who are fond of them, and proud of them -
|
|
like many here, just now - should make her sorrowful in secret?'
|
|
|
|
'Yes, dear aunt,' said the child, 'I understand that very well.
|
|
Poor Florence!'
|
|
|
|
More flowers strayed upon the ground, and those she yet held to her
|
|
breast trembled as if a wintry wind were rustling them.
|
|
|
|
'My Kate,' said the lady, whose voice was serious, but very calm
|
|
and sweet, and had so impressed Florence from the first moment of her
|
|
hearing it, 'of all the youthful people here, you are her natural and
|
|
harmless friend; you have not the innocent means, that happier
|
|
children have - '
|
|
|
|
'There are none happier, aunt!' exclaimed the child, who seemed to
|
|
cling about her.
|
|
|
|
'As other children have, dear Kate, of reminding her of her
|
|
misfortune. Therefore I would have you, when you try to be her little
|
|
friend, try all the more for that, and feel that the bereavement you
|
|
sustained - thank Heaven! before you knew its weight- gives you claim
|
|
and hold upon poor Florence.'
|
|
|
|
'But I am not without a parent's love, aunt, and I never have
|
|
been,' said the child, 'with you.'
|
|
|
|
'However that may be, my dear,' returned the lady, 'your misfortune
|
|
is a lighter one than Florence's; for not an orphan in the wide world
|
|
can be so deserted as the child who is an outcast from a living
|
|
parent's love.'
|
|
|
|
The flowers were scattered on the ground like dust; the empty hands
|
|
were spread upon the face; and orphaned Florence, shrinking down upon
|
|
the ground, wept long and bitterly.
|
|
|
|
But true of heart and resolute in her good purpose, Florence held
|
|
to it as her dying mother held by her upon the day that gave Paul
|
|
life. He did not know how much she loved him. However long the time in
|
|
coming, and however slow the interval, she must try to bring that
|
|
knowledge to her father's heart one day or other. Meantime she must be
|
|
careful in no thoughtless word, or look, or burst of feeling awakened
|
|
by any chance circumstance, to complain against him, or to give
|
|
occasion for these whispers to his prejudice.
|
|
|
|
Even in the response she made the orphan child, to whom she was
|
|
attracted strongly, and whom she had such occasion to remember,
|
|
Florence was mindful of him' If she singled her out too plainly
|
|
(Florence thought) from among the rest, she would confirm - in one
|
|
mind certainly: perhaps in more - the belief that he was cruel and
|
|
unnatural. Her own delight was no set-off to this, 'What she had
|
|
overheard was a reason, not for soothing herself, but for saving him;
|
|
and Florence did it, in pursuance of the study of her heart.
|
|
|
|
She did so always. If a book were read aloud, and there were
|
|
anything in the story that pointed at an unkind father, she was in
|
|
pain for their application of it to him; not for herself. So with any
|
|
trifle of an interlude that was acted, or picture that was shown, or
|
|
game that was played, among them. The occasions for such tenderness
|
|
towards him were so many, that her mind misgave her often, it would
|
|
indeed be better to go back to the old house, and live again within
|
|
the shadow of its dull walls, undisturbed. How few who saw sweet
|
|
Florence, in her spring of womanhood, the modest little queen of those
|
|
small revels, imagined what a load of sacred care lay heavy in her
|
|
breast! How few of those who stiffened in her father's freezing
|
|
atmosphere, suspected what a heap of fiery coals was piled upon his
|
|
head!
|
|
|
|
Florence pursued her study patiently, and, failing to acquire the
|
|
secret of the nameless grace she sought, among the youthful company
|
|
who were assembled in the house, often walked out alone, in the early
|
|
morning, among the children of the poor. But still she found them all
|
|
too far advanced to learn from. They had won their household places
|
|
long ago, and did not stand without, as she did, with a bar across the
|
|
door.
|
|
|
|
There was one man whom she several times observed at work very
|
|
early, and often with a girl of about her own age seated near him' He
|
|
was a very poor man, who seemed to have no regular employment, but now
|
|
went roaming about the banks of the river when the tide was low,
|
|
looking out for bits and scraps in the mud; and now worked at the
|
|
unpromising little patch of garden-ground before his cottage; and now
|
|
tinkered up a miserable old boat that belonged to him; or did some job
|
|
of that kind for a neighbour, as chance occurred. Whatever the man's
|
|
labour, the girl was never employed; but sat, when she was with him,
|
|
in a listless, moping state, and idle.
|
|
|
|
Florence had often wished to speak to this man; yet she had never
|
|
taken courage to do so, as he made no movement towards her. But one
|
|
morning when she happened to come upon him suddenly, from a by-path
|
|
among some pollard willows which terminated in the little shelving
|
|
piece of stony ground that lay between his dwelling and the water,
|
|
where he was bending over a fire he had made to caulk the old boat
|
|
which was lying bottom upwards, close by, he raised his head at the
|
|
sound of her footstep, and gave her Good morning.
|
|
|
|
'Good morning,' said Florence, approaching nearer, 'you are at work
|
|
early.'
|
|
|
|
'I'd be glad to be often at work earlier, Miss, if I had work to
|
|
do.'
|
|
|
|
'Is it so hard to get?' asked Florence.
|
|
|
|
'I find it so,' replied the man.
|
|
|
|
Florence glanced to where the girl was sitting, drawn together,
|
|
with her elbows on her knees, and her chin on her hands, and said:
|
|
|
|
'Is that your daughter?'
|
|
|
|
He raised his head quickly, and looking towards the girl with a
|
|
brightened face, nodded to her, and said 'Yes,' Florence looked
|
|
towards her too, and gave her a kind salutation; the girl muttered
|
|
something in return, ungraciously and sullenly.
|
|
|
|
'Is she in want of employment also?' said Florence.
|
|
|
|
The man shook his head. 'No, Miss,' he said. 'I work for both,'
|
|
|
|
'Are there only you two, then?' inquired Florence.
|
|
|
|
'Only us two,' said the man. 'Her mother his been dead these ten
|
|
year. Martha!' lifted up his head again, and whistled to her) 'won't
|
|
you say a word to the pretty young lady?'
|
|
|
|
The girl made an impatient gesture with her cowering shoulders, and
|
|
turned her head another way. Ugly, misshapen, peevish,
|
|
ill-conditioned, ragged, dirty - but beloved! Oh yes! Florence had
|
|
seen her father's look towards her, and she knew whose look it had no
|
|
likeness to.
|
|
|
|
'I'm afraid she's worse this morning, my poor girl!' said the man,
|
|
suspending his work, and contemplating his ill-favoured child, with a
|
|
compassion that was the more tender for being rougher.
|
|
|
|
'She is ill, then!' said Florence,
|
|
|
|
The man drew a deep sigh 'I don't believe my Martha's had five
|
|
short days' good health,' he answered, looking at her still, 'in as
|
|
many long years'
|
|
|
|
'Ay! and more than that, John,' said a neighbour, who had come down
|
|
to help him with the boat.
|
|
|
|
'More than that, you say, do you?' cried the other, pushing back
|
|
his battered hat, and drawing his hand across his forehead. 'Very
|
|
like. It seems a long, long time.'
|
|
|
|
'And the more the time,' pursued the neighbour, 'the more you've
|
|
favoured and humoured her, John, till she's got to be a burden to
|
|
herself, and everybody else'
|
|
|
|
'Not to me,' said her father, falling to his work. 'Not to me.'
|
|
|
|
Florence could feel - who better? - how truly he spoke. She drew a
|
|
little closer to him, and would have been glad to touch his rugged
|
|
hand, and thank him for his goodness to the miserable object that he
|
|
looked upon with eyes so different from any other man's.
|
|
|
|
'Who would favour my poor girl - to call it favouring - if I
|
|
didn't?' said the father.
|
|
|
|
'Ay, ay,' cried the neighbour. 'In reason, John. But you! You rob
|
|
yourself to give to her. You bind yourself hand and foot on her
|
|
account. You make your life miserable along of her. And what does she
|
|
care! You don't believe she knows it?'
|
|
|
|
The father lifted up his head again, and whistled to her. Martha
|
|
made the same impatient gesture with her crouching shoulders, in
|
|
reply; and he was glad and happy.
|
|
|
|
'Only for that, Miss,' said the neighbour, with a smile, in which
|
|
there was more of secret sympathy than he expressed; 'only to get
|
|
that, he never lets her out of his sight!'
|
|
|
|
'Because the day'll come, and has been coming a long while,'
|
|
observed the other, bending low over his work, 'when to get half as
|
|
much from that unfort'nate child of mine - to get the trembling of a
|
|
finger, or the waving of a hair - would be to raise the dead.'
|
|
|
|
Florence softly put some money near his hand on the old boat, and
|
|
left him.
|
|
|
|
And now Florence began to think, if she were to fall ill, if she
|
|
were to fade like her dear brother, would he then know that she had
|
|
loved him; would she then grow dear to him; would he come to her
|
|
bedside, when she was weak and dim of sight, and take her into his
|
|
embrace, and cancel all the past? Would he so forgive her, in that
|
|
changed condition, for not having been able to lay open her childish
|
|
heart to him, as to make it easy to relate with what emotions she had
|
|
gone out of his room that night; what she had meant to say if she had
|
|
had the courage; and how she had endeavoured, afterwards, to learn the
|
|
way she never knew in infancy?
|
|
|
|
Yes, she thought if she were dying, he would relent. She thought,
|
|
that if she lay, serene and not unwilling to depart, upon the bed that
|
|
was curtained round with recollections of their darling boy, he would
|
|
be touched home, and would say, 'Dear Florence, live for me, and we
|
|
will love each other as we might have done, and be as happy as we
|
|
might have been these many years!' She thought that if she heard such
|
|
words from him, and had her arms clasped round him' she could answer
|
|
with a smile, 'It is too late for anything but this; I never could be
|
|
happier, dear father!' and so leave him, with a blessing on her lips.
|
|
|
|
The golden water she remembered on the wall, appeared to Florence,
|
|
in the light of such reflections, only as a current flowing on to
|
|
rest, and to a region where the dear ones, gone before, were waiting,
|
|
hand in hand; and often when she looked upon the darker river rippling
|
|
at her feet, she thought with awful wonder, but not terror, of that
|
|
river which her brother had so often said was bearing him away.
|
|
|
|
The father and his sick daughter were yet fresh in Florence's mind,
|
|
and, indeed, that incident was not a week old, when Sir Barnet and his
|
|
lady going out walking in the lanes one afternoon, proposed to her to
|
|
bear them company. Florence readily consenting, Lady Skettles ordered
|
|
out young Barnet as a matter of course. For nothing delighted Lady
|
|
Skettles so much, as beholding her eldest son with Florence on his
|
|
arm.
|
|
|
|
Barnet, to say the truth, appeared to entertain an opposite
|
|
sentiment on the subject, and on such occasions frequently expressed
|
|
himself audibly, though indefinitely, in reference to 'a parcel of
|
|
girls.' As it was not easy to ruffle her sweet temper, however,
|
|
Florence generally reconciled the young gentleman to his fate after a
|
|
few minutes, and they strolled on amicably: Lady Skettles and Sir
|
|
Barnet following, in a state of perfect complacency and high
|
|
gratification.
|
|
|
|
This was the order of procedure on the afternoon in question; and
|
|
Florence had almost succeeded in overruling the present objections of
|
|
Skettles Junior to his destiny, when a gentleman on horseback came
|
|
riding by, looked at them earnestly as he passed, drew in his rein,
|
|
wheeled round, and came riding back again, hat in hand.
|
|
|
|
The gentleman had looked particularly at Florence; and when the
|
|
little party stopped, on his riding back, he bowed to her, before
|
|
saluting Sir Barnet and his lady. Florence had no remembrance of
|
|
having ever seen him, but she started involuntarily when he came near
|
|
her, and drew back.
|
|
|
|
'My horse is perfectly quiet, I assure you,' said the gentleman.
|
|
|
|
It was not that, but something in the gentleman himself - Florence
|
|
could not have said what - that made her recoil as if she had been
|
|
stung.
|
|
|
|
'I have the honour to address Miss Dombey, I believe?' said the
|
|
gentleman, with a most persuasive smile. On Florence inclining her
|
|
head, he added, 'My name is Carker. I can hardly hope to be remembered
|
|
by Miss Dombey, except by name. Carker.'
|
|
|
|
Florence, sensible of a strange inclination to shiver, though the
|
|
day was hot, presented him to her host and hostess; by whom he was
|
|
very graciously received.
|
|
|
|
'I beg pardon,' said Mr Carker, 'a thousand times! But I am going
|
|
down tomorrow morning to Mr Dombey, at Leamington, and if Miss Dombey
|
|
can entrust me with any commission, need I say how very happy I shall
|
|
be?'
|
|
|
|
Sir Barnet immediately divining that Florence would desire to write
|
|
a letter to her father, proposed to return, and besought Mr Carker to
|
|
come home and dine in his riding gear. Mr Carker had the misfortune to
|
|
be engaged to dinner, but if Miss Dombey wished to write, nothing
|
|
would delight him more than to accompany them back, and to be her
|
|
faithful slave in waiting as long as she pleased. As he said this with
|
|
his widest smile, and bent down close to her to pat his horse's neck,
|
|
Florence meeting his eyes, saw, rather than heard him say, 'There is
|
|
no news of the ship!'
|
|
|
|
Confused, frightened, shrinking from him, and not even sure that he
|
|
had said those words, for he seemed to have shown them to her in some
|
|
extraordinary manner through his smile, instead of uttering them,
|
|
Florence faintly said that she was obliged to him, but she would not
|
|
write; she had nothing to say.
|
|
|
|
'Nothing to send, Miss Dombey?' said the man of teeth.
|
|
|
|
'Nothing,' said Florence, 'but my - but my dear love- if you
|
|
please.'
|
|
|
|
Disturbed as Florence was, she raised her eyes to his face with an
|
|
imploring and expressive look, that plainly besought him, if he knew -
|
|
which he as plainly did - that any message between her and her father
|
|
was an uncommon charge, but that one most of all, to spare her. Mr
|
|
Carker smiled and bowed low, and being charged by Sir Barnet with the
|
|
best compliments of himself and Lady Skettles, took his leave, and
|
|
rode away: leaving a favourable impression on that worthy couple.
|
|
Florence was seized with such a shudder as he went, that Sir Barnet,
|
|
adopting the popular superstition, supposed somebody was passing over
|
|
her grave. Mr Carker turning a corner, on the instant, looked back,
|
|
and bowed, and disappeared, as if he rode off to the churchyard
|
|
straight, to do it.
|
|
|
|
CHAPTER 25.
|
|
|
|
Strange News of Uncle Sol
|
|
|
|
Captain Cuttle, though no sluggard, did not turn out so early on
|
|
the morning after he had seen Sol Gills, through the shop-window,
|
|
writing in the parlour, with the Midshipman upon the counter, and Rob
|
|
the Grinder making up his bed below it, but that the clocks struck six
|
|
as he raised himself on his elbow, and took a survey of his little
|
|
chamber. The Captain's eyes must have done severe duty, if he usually
|
|
opened them as wide on awaking as he did that morning; and were but
|
|
roughly rewarded for their vigilance, if he generally rubbed them half
|
|
as hard. But the occasion was no common one, for Rob the Grinder had
|
|
certainly never stood in the doorway of Captain Cuttle's room before,
|
|
and in it he stood then, panting at the Captain, with a flushed and
|
|
touzled air of Bed about him, that greatly heightened both his colour
|
|
and expression.
|
|
|
|
'Holloa!' roared the Captain. 'What's the matter?'
|
|
|
|
Before Rob could stammer a word in answer, Captain Cuttle turned
|
|
out, all in a heap, and covered the boy's mouth with his hand.
|
|
|
|
'Steady, my lad,' said the Captain, 'don't ye speak a word to me as
|
|
yet!'
|
|
|
|
The Captain, looking at his visitor in great consternation, gently
|
|
shouldered him into the next room, after laying this injunction upon
|
|
him; and disappearing for a few moments, forthwith returned in the
|
|
blue suit. Holding up his hand in token of the injunction not yet
|
|
being taken off, Captain Cuttle walked up to the cupboard, and poured
|
|
himself out a dram; a counterpart of which he handed to the messenger.
|
|
The Captain then stood himself up in a corner, against the wall, as if
|
|
to forestall the possibility of being knocked backwards by the
|
|
communication that was to be made to him; and having swallowed his
|
|
liquor, with his eyes fixed on the messenger, and his face as pale as
|
|
his face could be, requested him to 'heave ahead.'
|
|
|
|
'Do you mean, tell you, Captain?' asked Rob, who had been greatly
|
|
impressed by these precautions
|
|
|
|
'Ay!' said the Captain.
|
|
|
|
'Well, Sir,' said Rob, 'I ain't got much to tell. But look here!'
|
|
|
|
Rob produced a bundle of keys. The Captain surveyed them, remained
|
|
in his corner, and surveyed the messenger.
|
|
|
|
'And look here!' pursued Rob.
|
|
|
|
The boy produced a sealed packet, which Captain Cuttle stared at as
|
|
he had stared at the keys.
|
|
|
|
'When I woke this morning, Captain,' said Rob, 'which was about a
|
|
quarter after five, I found these on my pillow. The shop-door was
|
|
unbolted and unlocked, and Mr Gills gone.'
|
|
|
|
'Gone!' roared the Captain.
|
|
|
|
'Flowed, Sir,' returned Rob.
|
|
|
|
The Captain's voice was so tremendous, and he came out of his
|
|
corner with such way on him, that Rob retreated before him into
|
|
another corner: holding out the keys and packet, to prevent himself
|
|
from being run down.
|
|
|
|
'"For Captain Cuttle," Sir,' cried Rob, 'is on the keys, and on the
|
|
packet too. Upon my word and honour, Captain Cuttle, I don't know
|
|
anything more about it. I wish I may die if I do! Here's a sitiwation
|
|
for a lad that's just got a sitiwation,' cried the unfortunate
|
|
Grinder, screwing his cuff into his face: 'his master bolted with his
|
|
place, and him blamed for it!'
|
|
|
|
These lamentations had reference to Captain Cuttle's gaze, or
|
|
rather glare, which was full of vague suspicions, threatenings, and
|
|
denunciations. Taking the proffered packet from his hand, the Captain
|
|
opened it and read as follows:-
|
|
|
|
'My dear Ned Cuttle. Enclosed is my will!' The Captain turned it
|
|
over, with a doubtful look - 'and Testament - Where's the Testament?'
|
|
said the Captain, instantly impeaching the ill-fated Grinder. 'What
|
|
have you done with that, my lad?'
|
|
|
|
'I never see it,' whimpered Rob. 'Don't keep on suspecting an
|
|
innocent lad, Captain. I never touched the Testament.'
|
|
|
|
Captain Cuttle shook his head, implying that somebody must be made
|
|
answerable for it; and gravely proceeded:
|
|
|
|
'Which don't break open for a year, or until you have decisive
|
|
intelligence of my dear Walter, who is dear to you, Ned, too, I am
|
|
sure.' The Captain paused and shook his head in some emotion; then, as
|
|
a re-establishment of his dignity in this trying position, looked with
|
|
exceeding sternness at the Grinder. 'If you should never hear of me,
|
|
or see me more, Ned, remember an old friend as he will remember you to
|
|
the last - kindly; and at least until the period I have mentioned has
|
|
expired, keep a home in the old place for Walter. There are no debts,
|
|
the loan from Dombey's House is paid off and all my keys I send with
|
|
this. Keep this quiet, and make no inquiry for me; it is useless. So
|
|
no more, dear Ned, from your true friend, Solomon Gills.' The Captain
|
|
took a long breath, and then read these words written below: '"The boy
|
|
Rob, well recommended, as I told you, from Dombey's House. If all else
|
|
should come to the hammer, take care, Ned, of the little Midshipman."'
|
|
|
|
To convey to posterity any idea of the manner in which the Captain,
|
|
after turning this letter over and over, and reading it a score of
|
|
times, sat down in his chair, and held a court-martial on the subject
|
|
in his own mind, would require the united genius of all the great men,
|
|
who, discarding their own untoward days, have determined to go down to
|
|
posterity, and have never got there. At first the Captain was too much
|
|
confounded and distressed to think of anything but the letter itself;
|
|
and even when his thoughts began to glance upon the various attendant
|
|
facts, they might, perhaps, as well have occupied themselves with
|
|
their former theme, for any light they reflected on them. In this
|
|
state of mind, Captain Cuttle having the Grinder before the court, and
|
|
no one else, found it a great relief to decide, generally, that he was
|
|
an object of suspicion: which the Captain so clearly expressed in his
|
|
visage, that Rob remonstrated.
|
|
|
|
'Oh, don't, Captain!' cried the Grinder. 'I wonder how you can!
|
|
what have I done to be looked at, like that?'
|
|
|
|
'My lad,' said Captain Cuttle, 'don't you sing out afore you're
|
|
hurt. And don't you commit yourself, whatever you do.'
|
|
|
|
'I haven't been and committed nothing, Captain!' answered Rob.
|
|
|
|
'Keep her free, then,' said the Captain, impressively, 'and ride
|
|
easy.
|
|
|
|
With a deep sense of the responsibility imposed upon him' and the
|
|
necessity of thoroughly fathoming this mysterious affair as became a
|
|
man in his relations with the parties, Captain Cuttle resolved to go
|
|
down and examine the premises, and to keep the Grinder with him.
|
|
Considering that youth as under arrest at present, the Captain was in
|
|
some doubt whether it might not be expedient to handcuff him, or tie
|
|
his ankles together, or attach a weight to his legs; but not being
|
|
clear as to the legality of such formalities, the Captain decided
|
|
merely to hold him by the shoulder all the way, and knock him down if
|
|
he made any objection.
|
|
|
|
However, he made none, and consequently got to the
|
|
Instrument-maker's house without being placed under any more stringent
|
|
restraint. As the shutters were not yet taken down, the Captain's
|
|
first care was to have the shop opened; and when the daylight was
|
|
freely admitted, he proceeded, with its aid, to further investigation.
|
|
|
|
The Captain's first care was to establish himself in a chair in the
|
|
shop, as President of the solemn tribunal that was sitting within him;
|
|
and to require Rob to lie down in his bed under the counter, show
|
|
exactly where he discovered the keys and packet when he awoke, how he
|
|
found the door when he went to try it, how he started off to Brig
|
|
Place - cautiously preventing the latter imitation from being carried
|
|
farther than the threshold - and so on to the end of the chapter. When
|
|
all this had been done several times, the Captain shook his head and
|
|
seemed to think the matter had a bad look.
|
|
|
|
Next, the Captain, with some indistinct idea of finding a body,
|
|
instituted a strict search over the whole house; groping in the
|
|
cellars with a lighted candle, thrusting his hook behind doors,
|
|
bringing his head into violent contact with beams, and covering
|
|
himself with cobwebs. Mounting up to the old man's bed-room, they
|
|
found that he had not been in bed on the previous night, but had
|
|
merely lain down on the coverlet, as was evident from the impression
|
|
yet remaining there.
|
|
|
|
'And I think, Captain,' said Rob, looking round the room, 'that
|
|
when Mr Gills was going in and out so often, these last few days, he
|
|
was taking little things away, piecemeal, not to attract attention.'
|
|
|
|
'Ay!' said the Captain, mysteriously. 'Why so, my lad?'
|
|
|
|
'Why,' returned Rob, looking about, 'I don't see his shaving
|
|
tackle. Nor his brushes, Captain. Nor no shirts. Nor yet his shoes.'
|
|
|
|
As each of these articles was mentioned, Captain Cuttle took
|
|
particular notice of the corresponding department of the Grinder, lest
|
|
he should appear to have been in recent use, or should prove to be in
|
|
present possession thereof. But Rob had no occasion to shave, was not
|
|
brushed, and wore the clothes he had on for a long time past, beyond
|
|
all possibility of a mistake.
|
|
|
|
'And what should you say,' said the Captain - 'not committing
|
|
yourself - about his time of sheering off? Hey?'
|
|
|
|
'Why, I think, Captain,' returned Rob, 'that he must have gone
|
|
pretty soon after I began to snore.'
|
|
|
|
'What o'clock was that?' said the Captain, prepared to be very
|
|
particular about the exact time.
|
|
|
|
'How can I tell, Captain!' answered Rob. 'I only know that I'm a
|
|
heavy sleeper at first, and a light one towards morning; and if Mr
|
|
Gills had come through the shop near daybreak, though ever so much on
|
|
tiptoe, I'm pretty sure I should have heard him shut the door at all
|
|
events.
|
|
|
|
On mature consideration of this evidence, Captain Cuttle began to
|
|
think that the Instrument-maker must have vanished of his own accord;
|
|
to which logical conclusion he was assisted by the letter addressed to
|
|
himself, which, as being undeniably in the old man's handwriting,
|
|
would seem, with no great forcing, to bear the construction, that he
|
|
arranged of his own will to go, and so went. The Captain had next to
|
|
consider where and why? and as there was no way whatsoever that he saw
|
|
to the solution of the first difficulty, he confined his meditations
|
|
to the second.
|
|
|
|
Remembering the old man's curious manner, and the farewell he had
|
|
taken of him; unaccountably fervent at the time, but quite
|
|
intelligible now: a terrible apprehension strengthened on the Captain,
|
|
that, overpowered by his anxieties and regrets for Walter, he had been
|
|
driven to commit suicide. Unequal to the wear and tear of daily life,
|
|
as he had often professed himself to be, and shaken as he no doubt was
|
|
by the uncertainty and deferred hope he had undergone, it seemed no
|
|
violently strained misgiving, but only too probable. Free from debt,
|
|
and with no fear for his personal liberty, or the seizure of his
|
|
goods, what else but such a state of madness could have hurried him
|
|
away alone and secretly? As to his carrying some apparel with him, if
|
|
he had really done so - and they were not even sure of that - he might
|
|
have done so, the Captain argued, to prevent inquiry, to distract
|
|
attention from his probable fate, or to ease the very mind that was
|
|
now revolving all these possibilities. Such, reduced into plain
|
|
language, and condensed within a small compass, was the final result
|
|
and substance of Captain Cuttle's deliberations: which took a long
|
|
time to arrive at this pass, and were, like some more public
|
|
deliberations, very discursive and disorderly.
|
|
|
|
Dejected and despondent in the extreme, Captain Cuttle felt it just
|
|
to release Rob from the arrest in which he had placed him, and to
|
|
enlarge him, subject to a kind of honourable inspection which he still
|
|
resolved to exercise; and having hired a man, from Brogley the Broker,
|
|
to sit in the shop during their absence, the Captain, taking Rob with
|
|
him, issued forth upon a dismal quest after the mortal remains of
|
|
Solomon Gills.
|
|
|
|
Not a station-house, or bone-house, or work-house in the metropolis
|
|
escaped a visitation from the hard glazed hat. Along the wharves,
|
|
among the shipping on the bank-side, up the river, down the river,
|
|
here, there, everywhere, it went gleaming where men were thickest,
|
|
like the hero's helmet in an epic battle. For a whole week the Captain
|
|
read of all the found and missing people in all the newspapers and
|
|
handbills, and went forth on expeditions at all hours of the day to
|
|
identify Solomon Gills, in poor little ship-boys who had fallen
|
|
overboard, and in tall foreigners with dark beards who had taken
|
|
poison - 'to make sure,' Captain Cuttle said, 'that it wam't him.' It
|
|
is a sure thing that it never was, and that the good Captain had no
|
|
other satisfaction.
|
|
|
|
Captain Cuttle at last abandoned these attempts as hopeless, and
|
|
set himself to consider what was to be done next. After several new
|
|
perusals of his poor friend's letter, he considered that the
|
|
maintenance of' a home in the old place for Walter' was the primary
|
|
duty imposed upon him. Therefore, the Captain's decision was, that he
|
|
would keep house on the premises of Solomon Gills himself, and would
|
|
go into the instrument-business, and see what came of it.
|
|
|
|
But as this step involved the relinquishment of his apartments at
|
|
Mrs MacStinger's, and he knew that resolute woman would never hear of
|
|
his deserting them, the Captain took the desperate determination of
|
|
running away.
|
|
|
|
'Now, look ye here, my lad,' said the Captain to Rob, when he had
|
|
matured this notable scheme, 'to-morrow, I shan't be found in this
|
|
here roadstead till night - not till arter midnight p'rhaps. But you
|
|
keep watch till you hear me knock, and the moment you do, turn-to, and
|
|
open the door.'
|
|
|
|
'Very good, Captain,' said Rob.
|
|
|
|
'You'll continue to be rated on these here books,' pursued the
|
|
Captain condescendingly, 'and I don't say but what you may get
|
|
promotion, if you and me should pull together with a will. But the
|
|
moment you hear me knock to-morrow night, whatever time it is, turn-to
|
|
and show yourself smart with the door.'
|
|
|
|
'I'll be sure to do it, Captain,' replied Rob.
|
|
|
|
'Because you understand,' resumed the Captain, coming back again to
|
|
enforce this charge upon his mind, 'there may be, for anything I can
|
|
say, a chase; and I might be took while I was waiting, if you didn't
|
|
show yourself smart with the door.'
|
|
|
|
Rob again assured the Captain that he would be prompt and wakeful;
|
|
and the Captain having made this prudent arrangement, went home to Mrs
|
|
MacStinger's for the last time.
|
|
|
|
The sense the Captain had of its being the last time, and of the
|
|
awful purpose hidden beneath his blue waistcoat, inspired him with
|
|
such a mortal dread of Mrs MacStinger, that the sound of that lady's
|
|
foot downstairs at any time of the day, was sufficient to throw him
|
|
into a fit of trembling. It fell out, too, that Mrs MacStinger was in
|
|
a charming temper - mild and placid as a house- lamb; and Captain
|
|
Cuttle's conscience suffered terrible twinges, when she came up to
|
|
inquire if she could cook him nothing for his dinner.
|
|
|
|
'A nice small kidney-pudding now, Cap'en Cuttle,' said his
|
|
landlady: 'or a sheep's heart. Don't mind my trouble.'
|
|
|
|
'No thank'ee, Ma'am,' returned the Captain.
|
|
|
|
'Have a roast fowl,' said Mrs MacStinger, 'with a bit of weal
|
|
stuffing and some egg sauce. Come, Cap'en Cuttle! Give yourself a
|
|
little treat!'
|
|
|
|
'No thank'ee, Ma'am,' returned the Captain very humbly.
|
|
|
|
'I'm sure you're out of sorts, and want to be stimulated,' said Mrs
|
|
MacStinger. 'Why not have, for once in a way, a bottle of sherry
|
|
wine?'
|
|
|
|
'Well, Ma'am,' rejoined the Captain, 'if you'd be so good as take a
|
|
glass or two, I think I would try that. Would you do me the favour,
|
|
Ma'am,' said the Captain, torn to pieces by his conscience, 'to accept
|
|
a quarter's rent ahead?'
|
|
|
|
'And why so, Cap'en Cuttle?' retorted Mrs MacStinger - sharply, as
|
|
the Captain thought.
|
|
|
|
The Captain was frightened to dead 'If you would Ma'am,' he said
|
|
with submission, 'it would oblige me. I can't keep my money very well.
|
|
It pays itself out. I should take it kind if you'd comply.'
|
|
|
|
'Well, Cap'en Cuttle,' said the unconscious MacStinger, rubbing her
|
|
hands, 'you can do as you please. It's not for me, with my family, to
|
|
refuse, no more than it is to ask'
|
|
|
|
'And would you, Ma'am,' said the Captain, taking down the tin
|
|
canister in which he kept his cash' from the top shelf of the
|
|
cupboard, 'be so good as offer eighteen-pence a-piece to the little
|
|
family all round? If you could make it convenient, Ma'am, to pass the
|
|
word presently for them children to come for'ard, in a body, I should
|
|
be glad to see 'em'
|
|
|
|
These innocent MacStingers were so many daggers to the Captain's
|
|
breast, when they appeared in a swarm, and tore at him with the
|
|
confiding trustfulness he so little deserved. The eye of Alexander
|
|
MacStinger, who had been his favourite, was insupportable to the
|
|
Captain; the voice of Juliana MacStinger, who was the picture of her
|
|
mother, made a coward of him.
|
|
|
|
Captain Cuttle kept up appearances, nevertheless, tolerably well,
|
|
and for an hour or two was very hardly used and roughly handled by the
|
|
young MacStingers: who in their childish frolics, did a little damage
|
|
also to the glazed hat, by sitting in it, two at a time, as in a nest,
|
|
and drumming on the inside of the crown with their shoes. At length
|
|
the Captain sorrowfully dismissed them: taking leave of these cherubs
|
|
with the poignant remorse and grief of a man who was going to
|
|
execution.
|
|
|
|
In the silence of night, the Captain packed up his heavier property
|
|
in a chest, which he locked, intending to leave it there, in all
|
|
probability for ever, but on the forlorn chance of one day finding a
|
|
man sufficiently bold and desperate to come and ask for it. Of his
|
|
lighter necessaries, the Captain made a bundle; and disposed his plate
|
|
about his person, ready for flight. At the hour of midnight, when Brig
|
|
Place was buried in slumber, and Mrs MacStinger was lulled in sweet
|
|
oblivion, with her infants around her, the guilty Captain, stealing
|
|
down on tiptoe, in the dark, opened the door, closed it softly after
|
|
him, and took to his heels
|
|
|
|
Pursued by the image of Mrs MacStinger springing out of bed, and,
|
|
regardless of costume, following and bringing him back; pursued also
|
|
by a consciousness of his enormous crime; Captain Cuttle held on at a
|
|
great pace, and allowed no grass to grow under his feet, between Brig
|
|
Place and the Instrument-maker's door. It opened when he knocked - for
|
|
Rob was on the watch - and when it was bolted and locked behind him,
|
|
Captain Cuttle felt comparatively safe.
|
|
|
|
'Whew!' cried the Captain, looking round him. 'It's a breather!'
|
|
|
|
'Nothing the matter, is there, Captain?' cried the gaping Rob.
|
|
|
|
'No, no!' said Captain Cuttle, after changing colour, and listening
|
|
to a passing footstep in the street. 'But mind ye, my lad; if any
|
|
lady, except either of them two as you see t'other day, ever comes and
|
|
asks for Cap'en Cuttle, be sure to report no person of that name
|
|
known, nor never heard of here; observe them orders, will you?'
|
|
|
|
'I'll take care, Captain,' returned Rob.
|
|
|
|
'You might say - if you liked,' hesitated the Captain, 'that you'd
|
|
read in the paper that a Cap'en of that name was gone to Australia,
|
|
emigrating, along with a whole ship's complement of people as had all
|
|
swore never to come back no more.
|
|
|
|
Rob nodded his understanding of these instructions; and Captain
|
|
Cuttle promising to make a man of him, if he obeyed orders, dismissed
|
|
him, yawning, to his bed under the counter, and went aloft to the
|
|
chamber of Solomon Gills.
|
|
|
|
What the Captain suffered next day, whenever a bonnet passed, or
|
|
how often he darted out of the shop to elude imaginary MacStingers,
|
|
and sought safety in the attic, cannot be told. But to avoid the
|
|
fatigues attendant on this means of self-preservation, the Captain
|
|
curtained the glass door of communication between the shop and
|
|
parlour, on the inside; fitted a key to it from the bunch that had
|
|
been sent to him; and cut a small hole of espial in the wall. The
|
|
advantage of this fortification is obvious. On a bonnet appearing, the
|
|
Captain instantly slipped into his garrison, locked himself up, and
|
|
took a secret observation of the enemy. Finding it a false alarm, the
|
|
Captain instantly slipped out again. And the bonnets in the street
|
|
were so very numerous, and alarms were so inseparable from their
|
|
appearance, that the Captain was almost incessantly slipping in and
|
|
out all day long.
|
|
|
|
Captain Cuttle found time, however, in the midst of this fatiguing
|
|
service to inspect the stock; in connexion with which he had the
|
|
general idea (very laborious to Rob) that too much friction could not
|
|
be bestowed upon it, and that it could not be made too bright. He also
|
|
ticketed a few attractive-looking articles at a venture, at prices
|
|
ranging from ten shillings to fifty pounds, and exposed them in the
|
|
window to the great astonishment of the public.
|
|
|
|
After effecting these improvements, Captain Cuttle, surrounded by
|
|
the instruments, began to feel scientific: and looked up at the stars
|
|
at night, through the skylight, when he was smoking his pipe in the
|
|
little back parlour before going to bed, as if he had established a
|
|
kind of property in them. As a tradesman in the City, too, he began to
|
|
have an interest in the Lord Mayor, and the Sheriffs, and in Public
|
|
Companies; and felt bound to read the quotations of the Funds every
|
|
day, though he was unable to make out, on any principle of navigation,
|
|
what the figures meant, and could have very well dispensed with the
|
|
fractions. Florence, the Captain waited on, with his strange news of
|
|
Uncle Sol, immediately after taking possession of the Midshipman; but
|
|
she was away from home. So the Captain sat himself down in his altered
|
|
station of life, with no company but Rob the Grinder; and losing count
|
|
of time, as men do when great changes come upon them, thought musingly
|
|
of Walter, and of Solomon Gills, and even of Mrs MacStinger herself,
|
|
as among the things that had been.
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|
|
CHAPTER 26.
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|
|
|
Shadows of the Past and Future
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'Your most obedient, Sir,' said the Major. 'Damme, Sir, a friend of
|
|
my friend Dombey's is a friend of mine, and I'm glad to see you!'
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|
'I am infinitely obliged, Carker,' explained Mr Dombey, 'to Major
|
|
Bagstock, for his company and conversation. 'Major Bagstock has
|
|
rendered me great service, Carker.'
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|
|
|
Mr Carker the Manager, hat in hand, just arrived at Leamington, and
|
|
just introduced to the Major, showed the Major his whole double range
|
|
of teeth, and trusted he might take the liberty of thanking him with
|
|
all his heart for having effected so great an Improvement in Mr
|
|
Dombey's looks and spirits'
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|
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|
'By Gad, Sir,' said the Major, in reply, 'there are no thanks due
|
|
to me, for it's a give and take affair. A great creature like our
|
|
friend Dombey, Sir,' said the Major, lowering his voice, but not
|
|
lowering it so much as to render it inaudible to that gentleman,
|
|
'cannot help improving and exalting his friends. He strengthens and
|
|
invigorates a man, Sir, does Dombey, in his moral nature.'
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Mr Carker snapped at the expression. In his moral nature. Exactly.
|
|
The very words he had been on the point of suggesting.
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'But when my friend Dombey, Sir,' added the Major, 'talks to you of
|
|
Major Bagstock, I must crave leave to set him and you right. He means
|
|
plain Joe, Sir - Joey B. - Josh. Bagstock - Joseph- rough and tough
|
|
Old J., Sir. At your service.'
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|
|
|
Mr Carker's excessively friendly inclinations towards the Major,
|
|
and Mr Carker's admiration of his roughness, toughness, and plainness,
|
|
gleamed out of every tooth in Mr Carker's head.
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|
'And now, Sir,' said the Major, 'you and Dombey have the devil's
|
|
own amount of business to talk over.'
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|
'By no means, Major,' observed Mr Dombey.
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|
'Dombey,' said the Major, defiantly, 'I know better; a man of your
|
|
mark - the Colossus of commerce - is not to be interrupted. Your
|
|
moments are precious. We shall meet at dinner-time. In the interval,
|
|
old Joseph will be scarce. The dinner-hour is a sharp seven, Mr
|
|
Carker.'
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|
|
|
With that, the Major, greatly swollen as to his face, withdrew; but
|
|
immediately putting in his head at the door again, said:
|
|
|
|
'I beg your pardon. Dombey, have you any message to 'em?'
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|
|
Mr Dombey in some embarrassment, and not without a glance at the
|
|
courteous keeper of his business confidence, entrusted the Major with
|
|
his compliments.
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|
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|
'By the Lord, Sir,' said the Major, 'you must make it something
|
|
warmer than that, or old Joe will be far from welcome.'
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|
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|
'Regards then, if you will, Major,' returned Mr Dombey.
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|
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|
'Damme, Sir,' said the Major, shaking his shoulders and his great
|
|
cheeks jocularly: 'make it something warmer than that.'
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|
|
|
'What you please, then, Major,' observed Mr Dombey.
|
|
|
|
'Our friend is sly, Sir, sly, Sir, de-vilish sly,' said the Major,
|
|
staring round the door at Carker. 'So is Bagstock.' But stopping in
|
|
the midst of a chuckle, and drawing himself up to his full height, the
|
|
Major solemnly exclaimed, as he struck himself on the chest, 'Dombey!
|
|
I envy your feelings. God bless you!' and withdrew.
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|
|
|
'You must have found the gentleman a great resource,' said Carker,
|
|
following him with his teeth.
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|
'Very great indeed,' said Mr Dombey.
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|
|
|
'He has friends here, no doubt,' pursued Carker. 'I perceive, from
|
|
what he has said, that you go into society here. Do you know,' smiling
|
|
horribly, 'I am so very glad that you go into society!'
|
|
|
|
Mr Dombey acknowledged this display of interest on the part of his
|
|
second in command, by twirling his watch-chain, and slightly moving
|
|
his head.
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|
|
|
'You were formed for society,' said Carker. 'Of all the men I know,
|
|
you are the best adapted, by nature and by position, for society. Do
|
|
you know I have been frequently amazed that you should have held it at
|
|
arm's length so long!'
|
|
|
|
'I have had my reasons, Carker. I have been alone, and indifferent
|
|
to it. But you have great social qualifications yourself, and are the
|
|
more likely to have been surprised.'
|
|
|
|
'Oh! I!' returned the other, with ready self-disparagement. 'It's
|
|
quite another matter in the case of a man like me. I don't come into
|
|
comparison with you.'
|
|
|
|
Mr Dombey put his hand to his neckcloth, settled his chin in it,
|
|
coughed, and stood looking at his faithful friend and servant for a
|
|
few moments in silence.
|
|
|
|
'I shall have the pleasure, Carker,' said Mr Dombey at length:
|
|
making as if he swallowed something a little too large for his throat:
|
|
'to present you to my - to the Major's friends. Highly agreeable
|
|
people.'
|
|
|
|
'Ladies among them, I presume?' insinuated the smooth Manager.
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|
|
|
'They are all - that is to say, they are both - ladies,' replied Mr
|
|
Dombey.
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|
|
'Only two?' smiled Carker.
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|
|
'They are only two. I have confined my visits to their residence,
|
|
and have made no other acquaintance here.'
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|
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|
'Sisters, perhaps?' quoth Carker.
|
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|
|
'Mother and daughter,' replied Mr Dombey.
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|
|
As Mr Dombey dropped his eyes, and adjusted his neckcloth again,
|
|
the smiling face of Mr Carker the Manager became in a moment, and
|
|
without any stage of transition, transformed into a most intent and
|
|
frowning face, scanning his closely, and with an ugly sneer. As Mr
|
|
Dombey raised his eyes, it changed back, no less quickly, to its old
|
|
expression, and showed him every gum of which it stood possessed.
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|
|
|
'You are very kind,' said Carker, 'I shall be delighted to know
|
|
them. Speaking of daughters, I have seen Miss Dombey.'
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|
|
|
There was a sudden rush of blood to Mr Dombey's face.
|
|
|
|
'I took the liberty of waiting on her,' said Carker, 'to inquire if
|
|
she could charge me with any little commission. I am not so fortunate
|
|
as to be the bearer of any but her - but her dear love.'
|
|
|
|
Wolf's face that it was then, with even the hot tongue revealing
|
|
itself through the stretched mouth, as the eyes encountered Mr
|
|
Dombey's!
|
|
|
|
'What business intelligence is there?' inquired the latter
|
|
gentleman, after a silence, during which Mr Carker had produced some
|
|
memoranda and other papers.
|
|
|
|
'There is very little,' returned Carker. 'Upon the whole we have
|
|
not had our usual good fortune of late, but that is of little moment
|
|
to you. At Lloyd's, they give up the Son and Heir for lost. Well, she
|
|
was insured, from her keel to her masthead.'
|
|
|
|
'Carker,' said Mr Dombey, taking a chair near him, 'I cannot say
|
|
that young man, Gay, ever impressed me favourably
|
|
|
|
'Nor me,' interposed the Manager.
|
|
|
|
'But I wish,' said Mr Dombey, without heeding the interruption, 'he
|
|
had never gone on board that ship. I wish he had never been sent out.
|
|
|
|
'It is a pity you didn't say so, in good time, is it not?' retorted
|
|
Carker, coolly. 'However, I think it's all for the best. I really,
|
|
think it's all for the best. Did I mention that there was something
|
|
like a little confidence between Miss Dombey and myself?'
|
|
|
|
'No,' said Mr Dombey, sternly.
|
|
|
|
'I have no doubt,' returned Mr Carker, after an impressive pause,
|
|
'that wherever Gay is, he is much better where he is, than at home
|
|
here. If I were, or could be, in your place, I should be satisfied of
|
|
that. I am quite satisfied of it myself. Miss Dombey is confiding and
|
|
young - perhaps hardly proud enough, for your daughter - if she have a
|
|
fault. Not that that is much though, I am sure. Will you check these
|
|
balances with me?'
|
|
|
|
Mr Dombey leaned back in his chair, instead of bending over the
|
|
papers that were laid before him, and looked the Manager steadily in
|
|
the face. The Manager, with his eyelids slightly raised, affected to
|
|
be glancing at his figures, and to await the leisure of his principal.
|
|
He showed that he affected this, as if from great delicacy, and with a
|
|
design to spare Mr Dombey's feelings; and the latter, as he looked at
|
|
him, was cognizant of his intended consideration, and felt that but
|
|
for it, this confidential Carker would have said a great deal more,
|
|
which he, Mr Dombey, was too proud to ask for. It was his way in
|
|
business, often. Little by little, Mr Dombey's gaze relaxed, and his
|
|
attention became diverted to the papers before him; but while busy
|
|
with the occupation they afforded him, he frequently stopped, and
|
|
looked at Mr Carker again. Whenever he did so, Mr Carker was
|
|
demonstrative, as before, in his delicacy, and impressed it on his
|
|
great chief more and more.
|
|
|
|
While they were thus engaged; and under the skilful culture of the
|
|
Manager, angry thoughts in reference to poor Florence brooded and bred
|
|
in Mr Dombey's breast, usurping the place of the cold dislike that
|
|
generally reigned there; Major Bagstock, much admired by the old
|
|
ladies of Leamington, and followed by the Native, carrying the usual
|
|
amount of light baggage, straddled along the shady side of the way, to
|
|
make a morning call on Mrs Skewton. It being midday when the Major
|
|
reached the bower of Cleopatra, he had the good fortune to find his
|
|
Princess on her usual sofa, languishing over a cup of coffee, with the
|
|
room so darkened and shaded for her more luxurious repose, that
|
|
Withers, who was in attendance on her, loomed like a phantom page.
|
|
|
|
'What insupportable creature is this, coming in?' said Mrs Skewton,
|
|
'I cannot hear it. Go away, whoever you are!'
|
|
|
|
'You have not the heart to banish J. B., Ma'am!' said the Major
|
|
halting midway, to remonstrate, with his cane over his shoulder.
|
|
|
|
'Oh it's you, is it? On second thoughts, you may enter,' observed
|
|
Cleopatra.
|
|
|
|
The Major entered accordingly, and advancing to the sofa pressed
|
|
her charming hand to his lips.
|
|
|
|
'Sit down,' said Cleopatra, listlessly waving her fan, 'a long way
|
|
off. Don't come too near me, for I am frightfully faint and sensitive
|
|
this morning, and you smell of the Sun. You are absolutely tropical.'
|
|
|
|
'By George, Ma'am,' said the Major, 'the time has been when Joseph
|
|
Bagstock has been grilled and blistered by the Sun; then time was,
|
|
when he was forced, Ma'am, into such full blow, by high hothouse heat
|
|
in the West Indies, that he was known as the Flower. A man never heard
|
|
of Bagstock, Ma'am, in those days; he heard of the Flower - the Flower
|
|
of Ours. The Flower may have faded, more or less, Ma'am,' observed the
|
|
Major, dropping into a much nearer chair than had been indicated by
|
|
his cruel Divinity, 'but it is a tough plant yet, and constant as the
|
|
evergreen.'
|
|
|
|
Here the Major, under cover of the dark room, shut up one eye,
|
|
rolled his head like a Harlequin, and, in his great self-satisfaction,
|
|
perhaps went nearer to the confines of apoplexy than he had ever gone
|
|
before.
|
|
|
|
'Where is Mrs Granger?' inquired Cleopatra of her page.
|
|
|
|
Withers believed she was in her own room.
|
|
|
|
'Very well,' said Mrs Skewton. 'Go away, and shut the door. I am
|
|
engaged.'
|
|
|
|
As Withers disappeared, Mrs Skewton turned her head languidly
|
|
towards the Major, without otherwise moving, and asked him how his
|
|
friend was.
|
|
|
|
'Dombey, Ma'am,' returned the Major, with a facetious gurgling in
|
|
his throat, 'is as well as a man in his condition can be. His
|
|
condition is a desperate one, Ma'am. He is touched, is Dombey!
|
|
Touched!' cried the Major. 'He is bayonetted through the body.'
|
|
|
|
Cleopatra cast a sharp look at the Major, that contrasted forcibly
|
|
with the affected drawl in which she presently said:
|
|
|
|
'Major Bagstock, although I know but little of the world, - nor can
|
|
I really regret my experience, for I fear it is a false place, full of
|
|
withering conventionalities: where Nature is but little regarded, and
|
|
where the music of the heart, and the gushing of the soul, and all
|
|
that sort of thing, which is so truly poetical, is seldom heard, - I
|
|
cannot misunderstand your meaning. There is an allusion to Edith - to
|
|
my extremely dear child,' said Mrs Skewton, tracing the outline of her
|
|
eyebrows with her forefinger, 'in your words, to which the tenderest
|
|
of chords vibrates excessively.'
|
|
|
|
'Bluntness, Ma'am,' returned the Major, 'has ever been the
|
|
characteristic of the Bagstock breed. You are right. Joe admits it.'
|
|
|
|
'And that allusion,' pursued Cleopatra, 'would involve one of the
|
|
most - if not positively the most - touching, and thrilling, and
|
|
sacred emotions of which our sadly-fallen nature is susceptible, I
|
|
conceive.'
|
|
|
|
The Major laid his hand upon his lips, and wafted a kiss to
|
|
Cleopatra, as if to identify the emotion in question.
|
|
|
|
'I feel that I am weak. I feel that I am wanting in that energy,
|
|
which should sustain a Mama: not to say a parent: on such a subject,'
|
|
said Mrs Skewton, trimming her lips with the laced edge of her
|
|
pocket-handkerchief; 'but I can hardly approach a topic so excessively
|
|
momentous to my dearest Edith without a feeling of faintness.
|
|
Nevertheless, bad man, as you have boldly remarked upon it, and as it
|
|
has occasioned me great anguish:' Mrs Skewton touched her left side
|
|
with her fan: 'I will not shrink from my duty.'
|
|
|
|
The Major, under cover of the dimness, swelled, and swelled, and
|
|
rolled his purple face about, and winked his lobster eye, until he
|
|
fell into a fit of wheezing, which obliged him to rise and take a turn
|
|
or two about the room, before his fair friend could proceed.
|
|
|
|
'Mr Dombey,' said Mrs Skewton, when she at length resumed, 'was
|
|
obliging enough, now many weeks ago, to do us the honour of visiting
|
|
us here; in company, my dear Major, with yourself. I acknowledge - let
|
|
me be open - that it is my failing to be the creature of impulse, and
|
|
to wear my heart as it were, outside. I know my failing full well. My
|
|
enemy cannot know it better. But I am not penitent; I would rather not
|
|
be frozen by the heartless world, and am content to bear this
|
|
imputation justly.'
|
|
|
|
Mrs Skewton arranged her tucker, pinched her wiry throat to give it
|
|
a soft surface, and went on, with great complacency.
|
|
|
|
'It gave me (my dearest Edith too, I am sure) infinite pleasure to
|
|
receive Mr Dombey. As a friend of yours, my dear Major, we were
|
|
naturally disposed to be prepossessed in his favour; and I fancied
|
|
that I observed an amount of Heart in Mr Dombey, that was excessively
|
|
refreshing.'
|
|
|
|
'There is devilish little heart in Dombey now, Ma'am,' said the
|
|
Major.
|
|
|
|
'Wretched man!' cried Mrs Skewton, looking at him languidly, 'pray
|
|
be silent.'
|
|
|
|
'J. B. is dumb, Ma'am,' said the Major.
|
|
|
|
'Mr Dombey,' pursued Cleopatra, smoothing the rosy hue upon her
|
|
cheeks, 'accordingly repeated his visit; and possibly finding some
|
|
attraction in the simplicity and primitiveness of our tastes - for
|
|
there is always a charm in nature - it is so very sweet - became one
|
|
of our little circle every evening. Little did I think of the awful
|
|
responsibility into which I plunged when I encouraged Mr Dombey - to -
|
|
|
|
'To beat up these quarters, Ma'am,' suggested Major Bagstock.
|
|
|
|
'Coarse person! 'said Mrs Skewton, 'you anticipate my meaning,
|
|
though in odious language.
|
|
|
|
Here Mrs Skewton rested her elbow on the little table at her side,
|
|
and suffering her wrist to droop in what she considered a graceful and
|
|
becoming manner, dangled her fan to and fro, and lazily admired her
|
|
hand while speaking.
|
|
|
|
'The agony I have endured,' she said mincingly, 'as the truth has
|
|
by degrees dawned upon me, has been too exceedingly terrific to dilate
|
|
upon. My whole existence is bound up in my sweetest Edith; and to see
|
|
her change from day to day - my beautiful pet, who has positively
|
|
garnered up her heart since the death of that most delightful
|
|
creature, Granger - is the most affecting thing in the world.'
|
|
|
|
Mrs Skewton's world was not a very trying one, if one might judge
|
|
of it by the influence of its most affecting circumstance upon her;
|
|
but this by the way.
|
|
|
|
'Edith,' simpered Mrs Skewton, 'who is the perfect pearl of my
|
|
life, is said to resemble me. I believe we are alike.'
|
|
|
|
'There is one man in the world who never will admit that anyone
|
|
resembles you, Ma'am,' said the Major; 'and that man's name is Old Joe
|
|
Bagstock.'
|
|
|
|
Cleopatra made as if she would brain the flatterer with her fan,
|
|
but relenting, smiled upon him and proceeded:
|
|
|
|
'If my charming girl inherits any advantages from me, wicked one!':
|
|
the Major was the wicked one: 'she inherits also my foolish nature.
|
|
She has great force of character - mine has been said to be immense,
|
|
though I don't believe it - but once moved, she is susceptible and
|
|
sensitive to the last extent. What are my feelings when I see her
|
|
pining! They destroy me.
|
|
|
|
The Major advancing his double chin, and pursing up his blue lips
|
|
into a soothing expression, affected the profoundest sympathy.
|
|
|
|
'The confidence,' said Mrs Skewton, 'that has subsisted between us
|
|
- the free development of soul, and openness of sentiment - is
|
|
touching to think of. We have been more like sisters than Mama and
|
|
child.'
|
|
|
|
'J. B.'s own sentiment,' observed the Major, 'expressed by J. B.
|
|
fifty thousand times!'
|
|
|
|
'Do not interrupt, rude man!' said Cleopatra. 'What are my
|
|
feelings, then, when I find that there is one subject avoided by us!
|
|
That there is a what's-his-name - a gulf - opened between us. That my
|
|
own artless Edith is changed to me! They are of the most poignant
|
|
description, of course.'
|
|
|
|
The Major left his chair, and took one nearer to the little table.
|
|
|
|
'From day to day I see this, my dear Major,' proceeded Mrs Skewton.
|
|
'From day to day I feel this. From hour to hour I reproach myself for
|
|
that excess of faith and trustfulness which has led to such
|
|
distressing consequences; and almost from minute to minute, I hope
|
|
that Mr Dombey may explain himself, and relieve the torture I undergo,
|
|
which is extremely wearing. But nothing happens, my dear Major; I am
|
|
the slave of remorse - take care of the coffee-cup: you are so very
|
|
awkward - my darling Edith is an altered being; and I really don't see
|
|
what is to be done, or what good creature I can advise with.'
|
|
|
|
Major Bagstock, encouraged perhaps by the softened and confidential
|
|
tone into which Mrs Skewton, after several times lapsing into it for a
|
|
moment, seemed now to have subsided for good, stretched out his hand
|
|
across the little table, and said with a leer,
|
|
|
|
'Advise with Joe, Ma'am.'
|
|
|
|
'Then, you aggravating monster,' said Cleopatra, giving one hand to
|
|
the Major, and tapping his knuckles with her fan, which she held in
|
|
the other: 'why don't you talk to me? you know what I mean. Why don't
|
|
you tell me something to the purpose?'
|
|
|
|
The Major laughed, and kissed the hand she had bestowed upon him,
|
|
and laughed again immensely.
|
|
|
|
'Is there as much Heart in Mr Dombey as I gave him credit for?'
|
|
languished Cleopatra tenderly. 'Do you think he is in earnest, my dear
|
|
Major? Would you recommend his being spoken to, or his being left
|
|
alone? Now tell me, like a dear man, what would you advise.'
|
|
|
|
'Shall we marry him to Edith Granger, Ma'am?' chuckled the Major,
|
|
hoarsely.
|
|
|
|
'Mysterious creature!' returned Cleopatra, bringing her fan to bear
|
|
upon the Major's nose. 'How can we marry him?'
|
|
|
|
'Shall we marry him to Edith Granger, Ma'am, I say?' chuckled the
|
|
Major again.
|
|
|
|
Mrs Skewton returned no answer in words, but smiled upon the Major
|
|
with so much archness and vivacity, that that gallant officer
|
|
considering himself challenged, would have imprinted a kiss on her
|
|
exceedingly red lips, but for her interposing the fan with a very
|
|
winning and juvenile dexterity. It might have been in modesty; it
|
|
might have been in apprehension of some danger to their bloom.
|
|
|
|
'Dombey, Ma'am,' said the Major, 'is a great catch.'
|
|
|
|
'Oh, mercenary wretch!' cried Cleopatra, with a little shriek, 'I
|
|
am shocked.'
|
|
|
|
'And Dombey, Ma'am,' pursued the Major, thrusting forward his head,
|
|
and distending his eyes, 'is in earnest. Joseph says it; Bagstock
|
|
knows it; J. B. keeps him to the mark. Leave Dombey to himself, Ma'am.
|
|
Dombey is safe, Ma'am. Do as you have done; do no more; and trust to
|
|
J. B. for the end.'
|
|
|
|
'You really think so, my dear Major?' returned Cleopatra, who had
|
|
eyed him very cautiously, and very searchingly, in spite of her
|
|
listless bearing.
|
|
|
|
'Sure of it, Ma'am,' rejoined the Major. 'Cleopatra the peerless,
|
|
and her Antony Bagstock, will often speak of this, triumphantly, when
|
|
sharing the elegance and wealth of Edith Dombey's establishment.
|
|
Dombey's right-hand man, Ma'am,' said the Major, stopping abruptly in
|
|
a chuckle, and becoming serious, 'has arrived.'
|
|
|
|
'This morning?' said Cleopatra.
|
|
|
|
'This morning, Ma'am,' returned the Major. 'And Dombey's anxiety
|
|
for his arrival, Ma'am, is to be referred - take J. B.'s word for
|
|
this; for Joe is devilish sly' - the Major tapped his nose, and
|
|
screwed up one of his eyes tight: which did not enhance his native
|
|
beauty - 'to his desire that what is in the wind should become known
|
|
to him' without Dombey's telling and consulting him. For Dombey is as
|
|
proud, Ma'am,' said the Major, 'as Lucifer.'
|
|
|
|
'A charming quality,' lisped Mrs Skewton; 'reminding one of dearest
|
|
Edith.'
|
|
|
|
'Well, Ma'am,' said the Major. 'I have thrown out hints already,
|
|
and the right-hand man understands 'em; and I'll throw out more,
|
|
before the day is done. Dombey projected this morning a ride to
|
|
Warwick Castle, and to Kenilworth, to-morrow, to be preceded by a
|
|
breakfast with us. I undertook the delivery of this invitation. Will
|
|
you honour us so far, Ma'am?' said the Major, swelling with shortness
|
|
of breath and slyness, as he produced a note, addressed to the
|
|
Honourable Mrs Skewton, by favour of Major Bagstock, wherein hers ever
|
|
faithfully, Paul Dombey, besought her and her amiable and accomplished
|
|
daughter to consent to the proposed excursion; and in a postscript
|
|
unto which, the same ever faithfully Paul Dombey entreated to be
|
|
recalled to the remembrance of Mrs Granger.
|
|
|
|
'Hush!' said Cleopatra, suddenly, 'Edith!'
|
|
|
|
The loving mother can scarcely be described as resuming her insipid
|
|
and affected air when she made this exclamation; for she had never
|
|
cast it off; nor was it likely that she ever would or could, in any
|
|
other place than in the grave. But hurriedly dismissing whatever
|
|
shadow of earnestness, or faint confession of a purpose, laudable or
|
|
wicked, that her face, or voice, or manner: had, for the moment,
|
|
betrayed, she lounged upon the couch, her most insipid and most
|
|
languid self again, as Edith entered the room.
|
|
|
|
Edith, so beautiful and stately, but so cold and so repelling. Who,
|
|
slightly acknowledging the presence of Major Bagstock, and directing a
|
|
keen glance at her mother, drew back the from a window, and sat down
|
|
there, looking out.
|
|
|
|
'My dearest Edith,' said Mrs Skewton, 'where on earth have you
|
|
been? I have wanted you, my love, most sadly.'
|
|
|
|
'You said you were engaged, and I stayed away,' she answered,
|
|
without turning her head.
|
|
|
|
'It was cruel to Old Joe, Ma'am,' said the Major in his gallantry.
|
|
|
|
'It was very cruel, I know,' she said, still looking out - and said
|
|
with such calm disdain, that the Major was discomfited, and could
|
|
think of nothing in reply.
|
|
|
|
'Major Bagstock, my darling Edith,' drawled her mother, 'who is
|
|
generally the most useless and disagreeable creature in the world: as
|
|
you know - '
|
|
|
|
'It is surely not worthwhile, Mama,' said Edith, looking round, 'to
|
|
observe these forms of speech. We are quite alone. We know each
|
|
other.'
|
|
|
|
The quiet scorn that sat upon her handsome face - a scorn that
|
|
evidently lighted on herself, no less than them - was so intense and
|
|
deep, that her mother's simper, for the instant, though of a hardy
|
|
constitution, drooped before it.
|
|
|
|
'My darling girl,' she began again.
|
|
|
|
'Not woman yet?' said Edith, with a smile.
|
|
|
|
'How very odd you are to-day, my dear! Pray let me say, my love,
|
|
that Major Bagstock has brought the kindest of notes from Mr Dombey,
|
|
proposing that we should breakfast with him to-morrow, and ride to
|
|
Warwick and Kenilworth. Will you go, Edith?'
|
|
|
|
'Will I go!' she repeated, turning very red, and breathing quickly
|
|
as she looked round at her mother.
|
|
|
|
'I knew you would, my own, observed the latter carelessly. 'It is,
|
|
as you say, quite a form to ask. Here is Mr Dombey's letter, Edith.'
|
|
|
|
'Thank you. I have no desire to read it,' was her answer.
|
|
|
|
'Then perhaps I had better answer it myself,' said Mrs Skewton,
|
|
'though I had thought of asking you to be my secretary, darling.' As
|
|
Edith made no movement, and no answer, Mrs Skewton begged the Major to
|
|
wheel her little table nearer, and to set open the desk it contained,
|
|
and to take out pen and paper for her; all which congenial offices of
|
|
gallantry the Major discharged, with much submission and devotion.
|
|
|
|
'Your regards, Edith, my dear?' said Mrs Skewton, pausing, pen in
|
|
hand, at the postscript.
|
|
|
|
'What you will, Mama,' she answered, without turning her head, and
|
|
with supreme indifference.
|
|
|
|
Mrs Skewton wrote what she would, without seeking for any more
|
|
explicit directions, and handed her letter to the Major, who receiving
|
|
it as a precious charge, made a show of laying it near his heart, but
|
|
was fain to put it in the pocket of his pantaloons on account of the
|
|
insecurity of his waistcoat The Major then took a very polished and
|
|
chivalrous farewell of both ladies, which the elder one acknowledged
|
|
in her usual manner, while the younger, sitting with her face
|
|
addressed to the window, bent her head so slightly that it would have
|
|
been a greater compliment to the Major to have made no sign at all,
|
|
and to have left him to infer that he had not been heard or thought
|
|
of.
|
|
|
|
'As to alteration in her, Sir,' mused the Major on his way back; on
|
|
which expedition - the afternoon being sunny and hot - he ordered the
|
|
Native and the light baggage to the front, and walked in the shadow of
|
|
that expatriated prince: 'as to alteration, Sir, and pining, and so
|
|
forth, that won't go down with Joseph Bagstock, None of that, Sir. It
|
|
won't do here. But as to there being something of a division between
|
|
'em - or a gulf as the mother calls it - damme, Sir, that seems true
|
|
enough. And it's odd enough! Well, Sir!' panted the Major, 'Edith
|
|
Granger and Dombey are well matched; let 'em fight it out! Bagstock
|
|
backs the winner!'
|
|
|
|
The Major, by saying these latter words aloud, in the vigour of his
|
|
thoughts, caused the unhappy Native to stop, and turn round, in the
|
|
belief that he was personally addressed. Exasperated to the last
|
|
degree by this act of insubordination, the Major (though he was
|
|
swelling with enjoyment of his own humour, at the moment of its
|
|
occurrence instantly thrust his cane among the Native's ribs, and
|
|
continued to stir him up, at short intervals, all the way to the
|
|
hotel.
|
|
|
|
Nor was the Major less exasperated as he dressed for dinner, during
|
|
which operation the dark servant underwent the pelting of a shower of
|
|
miscellaneous objects, varying in size from a boot to a hairbrush, and
|
|
including everything that came within his master's reach. For the
|
|
Major plumed himself on having the Native in a perfect state of drill,
|
|
and visited the least departure from strict discipline with this kind
|
|
of fatigue duty. Add to this, that he maintained the Native about his
|
|
person as a counter-irritant against the gout, and all other
|
|
vexations, mental as well as bodily; and the Native would appear to
|
|
have earned his pay - which was not large.
|
|
|
|
At length, the Major having disposed of all the missiles that were
|
|
convenient to his hand, and having called the Native so many new names
|
|
as must have given him great occasion to marvel at the resources of
|
|
the English language, submitted to have his cravat put on; and being
|
|
dressed, and finding himself in a brisk flow of spirits after this
|
|
exercise, went downstairs to enliven 'Dombey' and his right-hand man.
|
|
|
|
Dombey was not yet in the room, but the right-hand man was there,
|
|
and his dental treasures were, as usual, ready for the Major.
|
|
|
|
'Well, Sir!' said the Major. 'How have you passed the time since I
|
|
had the happiness of meeting you? Have you walked at all?'
|
|
|
|
'A saunter of barely half an hour's duration,' returned Carker. 'We
|
|
have been so much occupied.'
|
|
|
|
'Business, eh?' said the Major.
|
|
|
|
'A variety of little matters necessary to be gone through,' replied
|
|
Carker. 'But do you know - this is quite unusual with me, educated in
|
|
a distrustful school, and who am not generally disposed to be
|
|
communicative,' he said, breaking off, and speaking in a charming tone
|
|
of frankness - 'but I feel quite confidential with you, Major
|
|
Bagstock.'
|
|
|
|
'You do me honour, Sir,' returned the Major. 'You may be.'
|
|
|
|
'Do you know, then,' pursued Carker, 'that I have not found my
|
|
friend - our friend, I ought rather to call him - '
|
|
|
|
'Meaning Dombey, Sir?' cried the Major. 'You see me, Mr Carker,
|
|
standing here! J. B.?'
|
|
|
|
He was puffy enough to see, and blue enough; and Mr Carker
|
|
intimated the he had that pleasure.
|
|
|
|
'Then you see a man, Sir, who would go through fire and water to
|
|
serve Dombey,' returned Major Bagstock.
|
|
|
|
Mr Carker smiled, and said he was sure of it. 'Do you know, Major,'
|
|
he proceeded: 'to resume where I left off' that I have not found our
|
|
friend so attentive to business today, as usual?'
|
|
|
|
'No?' observed the delighted Major.
|
|
|
|
'I have found him a little abstracted, and with his attention
|
|
disposed to wander,' said Carker.
|
|
|
|
'By Jove, Sir,' cried the Major, 'there's a lady in the case.'
|
|
|
|
'Indeed, I begin to believe there really is,' returned Carker; 'I
|
|
thought you might be jesting when you seemed to hint at it; for I know
|
|
you military men -
|
|
|
|
The Major gave the horse's cough, and shook his head and shoulders,
|
|
as much as to say, 'Well! we are gay dogs, there's no denying.' He
|
|
then seized Mr Carker by the button-hole, and with starting eyes
|
|
whispered in his ear, that she was a woman of extraordinary charms,
|
|
Sir. That she was a young widow, Sir. That she was of a fine family,
|
|
Sir. That Dombey was over head and ears in love with her, Sir, and
|
|
that it would be a good match on both sides; for she had beauty,
|
|
blood, and talent, and Dombey had fortune; and what more could any
|
|
couple have? Hearing Mr Dombey's footsteps without, the Major cut
|
|
himself short by saying, that Mr Carker would see her tomorrow
|
|
morning, and would judge for himself; and between his mental
|
|
excitement, and the exertion of saying all this in wheezy whispers,
|
|
the Major sat gurgling in the throat and watering at the eyes, until
|
|
dinner was ready.
|
|
|
|
The Major, like some other noble animals, exhibited himself to
|
|
great advantage at feeding-time. On this occasion, he shone
|
|
resplendent at one end of the table, supported by the milder lustre of
|
|
Mr Dombey at the other; while Carker on one side lent his ray to
|
|
either light, or suffered it to merge into both, as occasion arose.
|
|
|
|
During the first course or two, the Major was usually grave; for
|
|
the Native, in obedience to general orders, secretly issued, collected
|
|
every sauce and cruet round him, and gave him a great deal to do, in
|
|
taking out the stoppers, and mixing up the contents in his plate.
|
|
Besides which, the Native had private zests and flavours on a
|
|
side-table, with which the Major daily scorched himself; to say
|
|
nothing of strange machines out of which he spirited unknown liquids
|
|
into the Major's drink. But on this occasion, Major Bagstock, even
|
|
amidst these many occupations, found time to be social; and his
|
|
sociality consisted in excessive slyness for the behoof of Mr Carker,
|
|
and the betrayal of Mr Dombey's state of mind.
|
|
|
|
'Dombey,' said the Major, 'you don't eat; what's the matter?'
|
|
|
|
'Thank you,' returned the gentleman, 'I am doing very well; I have
|
|
no great appetite today.'
|
|
|
|
'Why, Dombey, what's become of it?' asked the Major. 'Where's it
|
|
gone? You haven't left it with our friends, I'll swear, for I can
|
|
answer for their having none to-day at luncheon. I can answer for one
|
|
of 'em, at least: I won't say which.'
|
|
|
|
Then the Major winked at Carker, and became so frightfully sly,
|
|
that his dark attendant was obliged to pat him on the back, without
|
|
orders, or he would probably have disappeared under the table.
|
|
|
|
In a later stage of the dinner: that is to say, when the Native
|
|
stood at the Major's elbow ready to serve the first bottle of
|
|
champagne: the Major became still slyer.
|
|
|
|
'Fill this to the brim, you scoundrel,' said the Major, holding up
|
|
his glass. 'Fill Mr Carker's to the brim too. And Mr Dombey's too. By
|
|
Gad, gentlemen,' said the Major, winking at his new friend, while Mr
|
|
Dombey looked into his plate with a conscious air, 'we'll consecrate
|
|
this glass of wine to a Divinity whom Joe is proud to know, and at a
|
|
distance humbly and reverently to admire. Edith,' said the Major, 'is
|
|
her name; angelic Edith!'
|
|
|
|
'To angelic Edith!' cried the smiling Carker.
|
|
|
|
'Edith, by all means,' said Mr Dombey.
|
|
|
|
The entrance of the waiters with new dishes caused the Major to be
|
|
slyer yet, but in a more serious vein. 'For though among ourselves,
|
|
Joe Bagstock mingles jest and earnest on this subject, Sir,' said the
|
|
Major, laying his finger on his lips, and speaking half apart to
|
|
Carker, 'he holds that name too sacred to be made the property of
|
|
these fellows, or of any fellows. Not a word!, Sir' while they are
|
|
here!'
|
|
|
|
This was respectful and becoming on the Major's part, and Mr Dombey
|
|
plainly felt it so. Although embarrassed in his own frigid way, by the
|
|
Major's allusions, Mr Dombey had no objection to such rallying, it was
|
|
clear, but rather courted it. Perhaps the Major had been pretty near
|
|
the truth, when he had divined that morning that the great man who was
|
|
too haughty formally to consult with, or confide in his prime
|
|
minister, on such a matter, yet wished him to be fully possessed of
|
|
it. Let this be how it may, he often glanced at Mr Carker while the
|
|
Major plied his light artillery, and seemed watchful of its effect
|
|
upon him.
|
|
|
|
But the Major, having secured an attentive listener, and a smiler
|
|
who had not his match in all the world - 'in short, a devilish
|
|
intelligent and able fellow,' as he often afterwards declared - was
|
|
not going to let him off with a little slyness personal to Mr Dombey.
|
|
Therefore, on the removal of the cloth, the Major developed himself as
|
|
a choice spirit in the broader and more comprehensive range of
|
|
narrating regimental stories, and cracking regimental jokes, which he
|
|
did with such prodigal exuberance, that Carker was (or feigned to be)
|
|
quite exhausted with laughter and admiration: while Mr Dombey looked
|
|
on over his starched cravat, like the Major's proprietor, or like a
|
|
stately showman who was glad to see his bear dancing well.
|
|
|
|
When the Major was too hoarse with meat and drink, and the display
|
|
of his social powers, to render himself intelligible any longer, they
|
|
adjourned to coffee. After which, the Major inquired of Mr Carker the
|
|
Manager, with little apparent hope of an answer in the affirmative, if
|
|
he played picquet.
|
|
|
|
'Yes, I play picquet a little,' said Mr Carker.
|
|
|
|
'Backgammon, perhaps?' observed the Major, hesitating.
|
|
|
|
'Yes, I play backgammon a little too,' replied the man of teeth.
|
|
|
|
'Carker plays at all games, I believe,' said Mr Dombey, laying
|
|
himself on a sofa like a man of wood, without a hinge or a joint in
|
|
him; 'and plays them well.'
|
|
|
|
In sooth, he played the two in question, to such perfection, that
|
|
the Major was astonished, and asked him, at random, if he played
|
|
chess.
|
|
|
|
'Yes, I play chess a little,' answered Carker. 'I have sometimes
|
|
played, and won a game - it's a mere trick - without seeing the
|
|
board.'
|
|
|
|
'By Gad, Sir!' said the Major, staring, 'you are a contrast to
|
|
Dombey, who plays nothing.'
|
|
|
|
'Oh! He!' returned the Manager. 'He has never had occasion to
|
|
acquire such little arts. To men like me, they are sometimes useful.
|
|
As at present, Major Bagstock, when they enable me to take a hand with
|
|
you.'
|
|
|
|
It might be only the false mouth, so smooth and wide; and yet there
|
|
seemed to lurk beneath the humility and subserviency of this short
|
|
speech, a something like a snarl; and, for a moment, one might have
|
|
thought that the white teeth were prone to bite the hand they fawned
|
|
upon. But the Major thought nothing about it; and Mr Dombey lay
|
|
meditating with his eyes half shut, during the whole of the play,
|
|
which lasted until bed-time.
|
|
|
|
By that time, Mr Carker, though the winner, had mounted high into
|
|
the Major's good opinion, insomuch that when he left the Major at his
|
|
own room before going to bed, the Major as a special attention, sent
|
|
the Native - who always rested on a mattress spread upon the ground at
|
|
his master's door - along the gallery, to light him to his room in
|
|
state.
|
|
|
|
There was a faint blur on the surface of the mirror in Mr Carker's
|
|
chamber, and its reflection was, perhaps, a false one. But it showed,
|
|
that night, the image of a man, who saw, in his fancy, a crowd of
|
|
people slumbering on the ground at his feet, like the poor Native at
|
|
his master's door: who picked his way among them: looking down,
|
|
maliciously enough: but trod upon no upturned face - as yet.
|
|
|
|
CHAPTER 27.
|
|
|
|
Deeper Shadows
|
|
|
|
Mr Carker the Manager rose with the lark, and went out, walking in
|
|
the summer day. His meditations - and he meditated with contracted
|
|
brows while he strolled along - hardly seemed to soar as high as the
|
|
lark, or to mount in that direction; rather they kept close to their
|
|
nest upon the earth, and looked about, among the dust and worms. But
|
|
there was not a bird in the air, singing unseen, farther beyond the
|
|
reach of human eye than Mr Carker's thoughts. He had his face so
|
|
perfectly under control, that few could say more, in distinct terms,
|
|
of its expression, than that it smiled or that it pondered. It
|
|
pondered now, intently. As the lark rose higher, he sank deeper in
|
|
thought. As the lark poured out her melody clearer and stronger, he
|
|
fell into a graver and profounder silence. At length, when the lark
|
|
came headlong down, with an accumulating stream of song, and dropped
|
|
among the green wheat near him, rippling in the breath of the morning
|
|
like a river, he sprang up from his reverie, and looked round with a
|
|
sudden smile, as courteous and as soft as if he had had numerous
|
|
observers to propitiate; nor did he relapse, after being thus
|
|
awakened; but clearing his face, like one who bethought himself that
|
|
it might otherwise wrinkle and tell tales, went smiling on, as if for
|
|
practice.
|
|
|
|
Perhaps with an eye to first impressions, Mr Carker was very
|
|
carefully and trimly dressed, that morning. Though always somewhat
|
|
formal, in his dress, in imitation of the great man whom he served, he
|
|
stopped short of the extent of Mr Dombey's stiffness: at once perhaps
|
|
because he knew it to be ludicrous, and because in doing so he found
|
|
another means of expressing his sense of the difference and distance
|
|
between them. Some people quoted him indeed, in this respect, as a
|
|
pointed commentary, and not a flattering one, on his icy patron - but
|
|
the world is prone to misconstruction, and Mr Carker was not
|
|
accountable for its bad propensity.
|
|
|
|
Clean and florid: with his light complexion, fading as it were, in
|
|
the sun, and his dainty step enhancing the softness of the turf: Mr
|
|
Carker the Manager strolled about meadows, and green lanes, and glided
|
|
among avenues of trees, until it was time to return to breakfast.
|
|
Taking a nearer way back, Mr Carker pursued it, airing his teeth, and
|
|
said aloud as he did so, 'Now to see the second Mrs Dombey!'
|
|
|
|
He had strolled beyond the town, and re-entered it by a pleasant
|
|
walk, where there was a deep shade of leafy trees, and where there
|
|
were a few benches here and there for those who chose to rest. It not
|
|
being a place of general resort at any hour, and wearing at that time
|
|
of the still morning the air of being quite deserted and retired, Mr
|
|
Carker had it, or thought he had it, all to himself. So, with the whim
|
|
of an idle man, to whom there yet remained twenty minutes for reaching
|
|
a destination easily able in ten, Mr Carker threaded the great boles
|
|
of the trees, and went passing in and out, before this one and behind
|
|
that, weaving a chain of footsteps on the dewy ground.
|
|
|
|
But he found he was mistaken in supposing there was no one in the
|
|
grove, for as he softly rounded the trunk of one large tree, on which
|
|
the obdurate bark was knotted and overlapped like the hide of a
|
|
rhinoceros or some kindred monster of the ancient days before the
|
|
Flood, he saw an unexpected figure sitting on a bench near at hand,
|
|
about which, in another moment, he would have wound the chain he was
|
|
making.
|
|
|
|
It was that of a lady, elegantly dressed and very handsome, whose
|
|
dark proud eyes were fixed upon the ground, and in whom some passion
|
|
or struggle was raging. For as she sat looking down, she held a corner
|
|
of her under lip within her mouth, her bosom heaved, her nostril
|
|
quivered, her head trembled, indignant tears were on her cheek, and
|
|
her foot was set upon the moss as though she would have crushed it
|
|
into nothing. And yet almost the self-same glance that showed him
|
|
this, showed him the self-same lady rising with a scornful air of
|
|
weariness and lassitude, and turning away with nothing expressed in
|
|
face or figure but careless beauty and imperious disdain.
|
|
|
|
A withered and very ugly old woman, dressed not so much like a
|
|
gipsy as like any of that medley race of vagabonds who tramp about the
|
|
country, begging, and stealing, and tinkering, and weaving rushes, by
|
|
turns, or all together, had been observing the lady, too; for, as she
|
|
rose, this second figure strangely confronting the first, scrambled up
|
|
from the ground - out of it, it almost appeared - and stood in the
|
|
way.
|
|
|
|
'Let me tell your fortune, my pretty lady,' said the old woman,
|
|
munching with her jaws, as if the Death's Head beneath her yellow skin
|
|
were impatient to get out.
|
|
|
|
'I can tell it for myself,' was the reply.
|
|
|
|
'Ay, ay, pretty lady; but not right. You didn't tell it right when
|
|
you were sitting there. I see you! Give me a piece of silver, pretty
|
|
lady, and I'll tell your fortune true. There's riches, pretty lady, in
|
|
your face.'
|
|
|
|
'I know,' returned the lady, passing her with a dark smile, and a
|
|
proud step. 'I knew it before.
|
|
|
|
'What! You won't give me nothing?' cried the old woman. 'You won't
|
|
give me nothing to tell your fortune, pretty lady? How much will you
|
|
give me to tell it, then? Give me something, or I'll call it after
|
|
you!' croaked the old woman, passionately.
|
|
|
|
Mr Carker, whom the lady was about to pass close, slinking against
|
|
his tree as she crossed to gain the path, advanced so as to meet her,
|
|
and pulling off his hat as she went by, bade the old woman hold her
|
|
peace. The lady acknowledged his interference with an inclination of
|
|
the head, and went her way.
|
|
|
|
'You give me something then, or I'll call it after her!' screamed
|
|
the old woman, throwing up her arms, and pressing forward against his
|
|
outstretched hand. 'Or come,' she added, dropping her voice suddenly,
|
|
looking at him earnestly, and seeming in a moment to forget the object
|
|
of her wrath, 'give me something, or I'll call it after you! '
|
|
|
|
'After me, old lady!' returned the Manager, putting his hand in his
|
|
pocket.
|
|
|
|
'Yes,' said the woman, steadfast in her scrutiny, and holding out
|
|
her shrivelled hand. 'I know!'
|
|
|
|
'What do you know?' demanded Carker, throwing her a shilling. 'Do
|
|
you know who the handsome lady is?'
|
|
|
|
Munching like that sailor's wife of yore, who had chestnuts In her
|
|
lap, and scowling like the witch who asked for some in vain, the old
|
|
woman picked the shilling up, and going backwards, like a crab, or
|
|
like a heap of crabs: for her alternately expanding and contracting
|
|
hands might have represented two of that species, and her creeping
|
|
face, some half-a-dozen more: crouched on the veinous root of an old
|
|
tree, pulled out a short black pipe from within the crown of her
|
|
bonnet, lighted it with a match, and smoked in silence, looking
|
|
fixedly at her questioner.
|
|
|
|
Mr Carker laughed, and turned upon his heel.
|
|
|
|
'Good!' said the old woman. 'One child dead, and one child living:
|
|
one wife dead, and one wife coming. Go and meet her!'
|
|
|
|
In spite of himself, the Manager looked round again, and stopped.
|
|
The old woman, who had not removed her pipe, and was munching and
|
|
mumbling while she smoked, as if in conversation with an invisible
|
|
familiar, pointed with her finger in the direction he was going, and
|
|
laughed.
|
|
|
|
'What was that you said, Beldamite?' he demanded.
|
|
|
|
The woman mumbled, and chattered, and smoked, and still pointed
|
|
before him; but remained silent Muttering a farewell that was not
|
|
complimentary, Mr Carker pursued his way; but as he turned out of that
|
|
place, and looked over his shoulder at the root of the old tree, he
|
|
could yet see the finger pointing before him, and thought he heard the
|
|
woman screaming, 'Go and meet her!'
|
|
|
|
Preparations for a choice repast were completed, he found, at the
|
|
hotel; and Mr Dombey, and the Major, and the breakfast, were awaiting
|
|
the ladies. Individual constitution has much to do with the
|
|
development of such facts, no doubt; but in this case, appetite
|
|
carried it hollow over the tender passion; Mr Dombey being very cool
|
|
and collected, and the Major fretting and fuming in a state of violent
|
|
heat and irritation. At length the door was thrown open by the Native,
|
|
and, after a pause, occupied by her languishing along the gallery, a
|
|
very blooming, but not very youthful lady, appeared.
|
|
|
|
'My dear Mr Dombey,' said the lady, 'I am afraid we are late, but
|
|
Edith has been out already looking for a favourable point of view for
|
|
a sketch, and kept me waiting for her. Falsest of Majors,' giving him
|
|
her little finger, 'how do you do?'
|
|
|
|
'Mrs Skewton,' said Mr Dombey, 'let me gratify my friend Carker:'
|
|
Mr Dombey unconsciously emphasised the word friend, as saying "no
|
|
really; I do allow him to take credit for that distinction:" 'by
|
|
presenting him to you. You have heard me mention Mr Carker.'
|
|
|
|
'I am charmed, I am sure,' said Mrs Skewton, graciously.
|
|
|
|
Mr Carker was charmed, of course. Would he have been more charmed
|
|
on Mr Dombey's behalf, if Mrs Skewton had been (as he at first
|
|
supposed her) the Edith whom they had toasted overnight?
|
|
|
|
'Why, where, for Heaven's sake, is Edith?' exclaimed Mrs Skewton,
|
|
looking round. 'Still at the door, giving Withers orders about the
|
|
mounting of those drawings! My dear Mr Dombey, will you have the
|
|
kindness -
|
|
|
|
Mr Dombey was already gone to seek her. Next moment he returned,
|
|
bearing on his arm the same elegantly dressed and very handsome lady
|
|
whom Mr Carker had encountered underneath the trees.
|
|
|
|
'Carker - ' began Mr Dombey. But their recognition of each other
|
|
was so manifest, that Mr Dombey stopped surprised.
|
|
|
|
'I am obliged to the gentleman,' said Edith, with a stately bend,
|
|
'for sparing me some annoyance from an importunate beggar just now.'
|
|
|
|
'I am obliged to my good fortune,' said Mr Carker, bowing low, 'for
|
|
the opportunity of rendering so slight a service to one whose servant
|
|
I am proud to be.'
|
|
|
|
As her eye rested on him for an instant, and then lighted on the
|
|
ground, he saw in its bright and searching glance a suspicion that he
|
|
had not come up at the moment of his interference, but had secretly
|
|
observed her sooner. As he saw that, she saw in his eye that her
|
|
distrust was not without foundation.
|
|
|
|
'Really,' cried Mrs Skewton, who had taken this opportunity of
|
|
inspecting Mr Carker through her glass, and satisfying herself (as she
|
|
lisped audibly to the Major) that he was all heart; 'really now, this
|
|
is one of the most enchanting coincidences that I ever heard of. The
|
|
idea! My dearest Edith, there is such an obvious destiny in it, that
|
|
really one might almost be induced to cross one's arms upon one's
|
|
frock, and say, like those wicked Turks, there is no What's-his-name
|
|
but Thingummy, and What-you-may-call-it is his prophet!'
|
|
|
|
Edith designed no revision of this extraordinary quotation from the
|
|
Koran, but Mr Dombey felt it necessary to offer a few polite remarks.
|
|
|
|
'It gives me great pleasure,' said Mr Dombey, with cumbrous
|
|
gallantry, 'that a gentleman so nearly connected with myself as Carker
|
|
is, should have had the honour and happiness of rendering the least
|
|
assistance to Mrs Granger.' Mr Dombey bowed to her. 'But it gives me
|
|
some pain, and it occasions me to be really envious of Carker;' he
|
|
unconsciously laid stress on these words, as sensible that they must
|
|
appear to involve a very surprising proposition; 'envious of Carker,
|
|
that I had not that honour and that happiness myself.' Mr Dombey bowed
|
|
again. Edith, saving for a curl of her lip, was motionless.
|
|
|
|
'By the Lord, Sir,' cried the Major, bursting into speech at sight
|
|
of the waiter, who was come to announce breakfast, 'it's an
|
|
extraordinary thing to me that no one can have the honour and
|
|
happiness of shooting all such beggars through the head without being
|
|
brought to book for it. But here's an arm for Mrs Granger if she'll do
|
|
J. B. the honour to accept it; and the greatest service Joe can render
|
|
you, Ma'am, just now, is, to lead you into table!'
|
|
|
|
With this, the Major gave his arm to Edith; Mr Dombey led the way
|
|
with Mrs Skewton; Mrs Carker went last, smiling on the party.
|
|
|
|
'I am quite rejoiced, Mr Carker,' said the lady-mother, at
|
|
breakfast, after another approving survey of him through her glass,
|
|
'that you have timed your visit so happily, as to go with us to-day.
|
|
It is the most enchanting expedition!'
|
|
|
|
'Any expedition would be enchanting in such society,' returned
|
|
Carker; 'but I believe it is, in itself, full of interest.'
|
|
|
|
'Oh!' cried Mrs Skewton, with a faded little scream of rapture,
|
|
'the Castle is charming! - associations of the Middle Ages - and all
|
|
that - which is so truly exquisite. Don't you dote upon the Middle
|
|
Ages, Mr Carker?'
|
|
|
|
'Very much, indeed,' said Mr Carker.
|
|
|
|
'Such charming times!' cried Cleopatra. 'So full of faith! So
|
|
vigorous and forcible! So picturesque! So perfectly removed from
|
|
commonplace! Oh dear! If they would only leave us a little more of the
|
|
poetry of existence in these terrible days!'
|
|
|
|
Mrs Skewton was looking sharp after Mr Dombey all the time she said
|
|
this, who was looking at Edith: who was listening, but who never
|
|
lifted up her eyes.
|
|
|
|
'We are dreadfully real, Mr Carker,' said Mrs Skewton; 'are we
|
|
not?'
|
|
|
|
Few people had less reason to complain of their reality than
|
|
Cleopatra, who had as much that was false about her as could well go
|
|
to the composition of anybody with a real individual existence. But Mr
|
|
Carker commiserated our reality nevertheless, and agreed that we were
|
|
very hardly used in that regard.
|
|
|
|
'Pictures at the Castle, quite divine!' said Cleopatra. 'I hope you
|
|
dote upon pictures?'
|
|
|
|
'I assure you, Mrs Skewton,' said Mr Dombey, with solemn
|
|
encouragement of his Manager, 'that Carker has a very good taste for
|
|
pictures; quite a natural power of appreciating them. He is a very
|
|
creditable artist himself. He will be delighted, I am sure, with Mrs
|
|
Granger's taste and skill.'
|
|
|
|
'Damme, Sir!' cried Major Bagstock, 'my opinion is, that you're the
|
|
admirable Carker, and can do anything.'
|
|
|
|
'Oh!' smiled Carker, with humility, 'you are much too sanguine,
|
|
Major Bagstock. I can do very little. But Mr Dombey is so generous in
|
|
his estimation of any trivial accomplishment a man like myself may
|
|
find it almost necessary to acquire, and to which, in his very
|
|
different sphere, he is far superior, that - ' Mr Carker shrugged his
|
|
shoulders, deprecating further praise, and said no more.
|
|
|
|
All this time, Edith never raised her eyes, unless to glance
|
|
towards her mother when that lady's fervent spirit shone forth in
|
|
words. But as Carker ceased, she looked at Mr Dombey for a moment. For
|
|
a moment only; but with a transient gleam of scornful wonder on her
|
|
face, not lost on one observer, who was smiling round the board.
|
|
|
|
Mr Dombey caught the dark eyelash in its descent, and took the
|
|
opportunity of arresting it.
|
|
|
|
'You have been to Warwick often, unfortunately?' said Mr Dombey.
|
|
|
|
'Several times.'
|
|
|
|
'The visit will be tedious to you, I am afraid.'
|
|
|
|
'Oh no; not at all.'
|
|
|
|
'Ah! You are like your cousin Feenix, my dearest Edith,' said Mrs
|
|
Skewton. 'He has been to Warwick Castle fifty times, if he has been
|
|
there once; yet if he came to Leamington to-morrow - I wish he would,
|
|
dear angel! - he would make his fifty-second visit next day.'
|
|
|
|
'We are all enthusiastic, are we not, Mama?' said Edith, with a
|
|
cold smile.
|
|
|
|
'Too much so, for our peace, perhaps, my dear,' returned her
|
|
mother; 'but we won't complain. Our own emotions are our recompense.
|
|
If, as your cousin Feenix says, the sword wears out the
|
|
what's-its-name
|
|
|
|
'The scabbard, perhaps,' said Edith.
|
|
|
|
'Exactly - a little too fast, it is because it is bright and
|
|
glowing, you know, my dearest love.'
|
|
|
|
Mrs Skewton heaved a gentle sigh, supposed to cast a shadow on the
|
|
surface of that dagger of lath, whereof her susceptible bosom was the
|
|
sheath: and leaning her head on one side, in the Cleopatra manner,
|
|
looked with pensive affection on her darling child.
|
|
|
|
Edith had turned her face towards Mr Dombey when he first addressed
|
|
her, and had remained in that attitude, while speaking to her mother,
|
|
and while her mother spoke to her, as though offering him her
|
|
attention, if he had anything more to say. There was something in the
|
|
manner of this simple courtesy: almost defiant, and giving it the
|
|
character of being rendered on compulsion, or as a matter of traffic
|
|
to which she was a reluctant party again not lost upon that same
|
|
observer who was smiling round the board. It set him thinking of her
|
|
as he had first seen her, when she had believed herself to be alone
|
|
among the trees.
|
|
|
|
Mr Dombey having nothing else to say, proposed - the breakfast
|
|
being now finished, and the Major gorged, like any Boa Constrictor -
|
|
that they should start. A barouche being in waiting, according to the
|
|
orders of that gentleman, the two ladies, the Major and himself, took
|
|
their seats in it; the Native and the wan page mounted the box, Mr
|
|
Towlinson being left behind; and Mr Carker, on horseback, brought up
|
|
the rear. Mr Carker cantered behind the carriage. at the distance of a
|
|
hundred yards or so, and watched it, during all the ride, as if he
|
|
were a cat, indeed, and its four occupants, mice. Whether he looked to
|
|
one side of the road, or to the other - over distant landscape, with
|
|
its smooth undulations, wind-mills, corn, grass, bean fields,
|
|
wild-flowers, farm-yards, hayricks, and the spire among the wood - or
|
|
upwards in the sunny air, where butterflies were sporting round his
|
|
head, and birds were pouring out their songs - or downward, where the
|
|
shadows of the branches interlaced, and made a trembling carpet on the
|
|
road - or onward, where the overhanging trees formed aisles and
|
|
arches, dim with the softened light that steeped through leaves - one
|
|
corner of his eye was ever on the formal head of Mr Dombey, addressed
|
|
towards him, and the feather in the bonnet, drooping so neglectfully
|
|
and scornfully between them; much as he had seen the haughty eyelids
|
|
droop; not least so, when the face met that now fronting it. Once, and
|
|
once only, did his wary glance release these objects; and that was,
|
|
when a leap over a low hedge, and a gallop across a field, enabled him
|
|
to anticipate the carriage coming by the road, and to be standing
|
|
ready, at the journey's end, to hand the ladies out. Then, and but
|
|
then, he met her glance for an instant in her first surprise; but when
|
|
he touched her, in alighting, with his soft white hand, it overlooked
|
|
him altogether as before.
|
|
|
|
Mrs Skewton was bent on taking charge of Mr Carker herself, and
|
|
showing him the beauties of the Castle. She was determined to have his
|
|
arm, and the Major's too. It would do that incorrigible creature: who
|
|
was the most barbarous infidel in point of poetry: good to be in such
|
|
company. This chance arrangement left Mr Dombey at liberty to escort
|
|
Edith: which he did: stalking before them through the apartments with
|
|
a gentlemanly solemnity.
|
|
|
|
'Those darling byegone times, Mr Carker,' said Cleopatra, 'with
|
|
their delicious fortresses, and their dear old dungeons, and their
|
|
delightful places of torture, and their romantic vengeances, and their
|
|
picturesque assaults and sieges, and everything that makes life truly
|
|
charming! How dreadfully we have degenerated!'
|
|
|
|
'Yes, we have fallen off deplorably,' said Mr Carker.
|
|
|
|
The peculiarity of their conversation was, that Mrs Skewton, in
|
|
spite of her ecstasies, and Mr Carker, in spite of his urbanity, were
|
|
both intent on watching Mr Dombey and Edith. With all their
|
|
conversational endowments, they spoke somewhat distractedly, and at
|
|
random, in consequence.
|
|
|
|
'We have no Faith left, positively,' said Mrs Skewton, advancing
|
|
her shrivelled ear; for Mr Dombey was saying something to Edith. 'We
|
|
have no Faith in the dear old Barons, who were the most delightful
|
|
creatures - or in the dear old Priests, who were the most warlike of
|
|
men - or even in the days of that inestimable Queen Bess, upon the
|
|
wall there, which were so extremely golden. Dear creature! She was all
|
|
Heart And that charming father of hers! I hope you dote on Harry the
|
|
Eighth!'
|
|
|
|
'I admire him very much,' said Carker.
|
|
|
|
'So bluff!' cried Mrs Skewton, 'wasn't he? So burly. So truly
|
|
English. Such a picture, too, he makes, with his dear little peepy
|
|
eyes, and his benevolent chin!'
|
|
|
|
'Ah, Ma'am!' said Carker, stopping short; 'but if you speak of
|
|
pictures, there's a composition! What gallery in the world can produce
|
|
the counterpart of that?'
|
|
|
|
As the smiling gentleman thus spake, he pointed through a doorway
|
|
to where Mr Dombey and Edith were standing alone in the centre of
|
|
another room.
|
|
|
|
They were not interchanging a word or a look. Standing together,
|
|
arm in arm, they had the appearance of being more divided than if seas
|
|
had rolled between them. There was a difference even in the pride of
|
|
the two, that removed them farther from each other, than if one had
|
|
been the proudest and the other the humblest specimen of humanity in
|
|
all creation. He, self-important, unbending, formal, austere. She,
|
|
lovely and graceful, in an uncommon degree, but totally regardless of
|
|
herself and him and everything around, and spurning her own
|
|
attractions with her haughty brow and lip, as if they were a badge or
|
|
livery she hated. So unmatched were they, and opposed, so forced and
|
|
linked together by a chain which adverse hazard and mischance had
|
|
forged: that fancy might have imagined the pictures on the walls
|
|
around them, startled by the unnatural conjunction, and observant of
|
|
it in their several expressions. Grim knights and warriors looked
|
|
scowling on them. A churchman, with his hand upraised, denounced the
|
|
mockery of such a couple coming to God's altar. Quiet waters in
|
|
landscapes, with the sun reflected in their depths, asked, if better
|
|
means of escape were not at hand, was there no drowning left? Ruins
|
|
cried, 'Look here, and see what We are, wedded to uncongenial Time!'
|
|
Animals, opposed by nature, worried one another, as a moral to them.
|
|
Loves and Cupids took to flight afraid, and Martyrdom had no such
|
|
torment in its painted history of suffering.
|
|
|
|
Nevertheless, Mrs Skewton was so charmed by the sight to which Mr
|
|
Carker invoked her attention, that she could not refraIn from saying,
|
|
half aloud, how sweet, how very full of soul it was! Edith,
|
|
overhearing, looked round, and flushed indignant scarlet to her hair.
|
|
|
|
'My dearest Edith knows I was admiring her!' said Cleopatra,
|
|
tapping her, almost timidly, on the back with her parasol. 'Sweet
|
|
pet!'
|
|
|
|
Again Mr Carker saw the strife he had witnessed so unexpectedly
|
|
among the trees. Again he saw the haughty languor and indifference
|
|
come over it, and hide it like a cloud.
|
|
|
|
She did not raise her eyes to him; but with a slight peremptory
|
|
motion of them, seemed to bid her mother come near. Mrs Skewton
|
|
thought it expedient to understand the hint, and advancing quickly,
|
|
with her two cavaliers, kept near her daughter from that time,
|
|
|
|
Mr Carker now, having nothing to distract his attention, began to
|
|
discourse upon the pictures and to select the best, and point them out
|
|
to Mr Dombey: speaking with his usual familiar recognition of Mr
|
|
Dombey's greatness, and rendering homage by adjusting his eye-glass
|
|
for him, or finding out the right place in his catalogue, or holding
|
|
his stick, or the like. These services did not so much originate with
|
|
Mr Carker, in truth, as with Mr Dombey himself, who was apt to assert
|
|
his chieftainship by saying, with subdued authority, and in an easy
|
|
way - for him - 'Here, Carker, have the goodness to assist me, will
|
|
you?' which the smiling gentleman always did with pleasure.
|
|
|
|
They made the tour of the pictures, the walls, crow's nest, and so
|
|
forth; and as they were still one little party, and the Major was
|
|
rather in the shade: being sleepy during the process of digestion: Mr
|
|
Carker became communicative and agreeable. At first, he addressed
|
|
himself for the most part to Mrs Skewton; but as that sensitive lady
|
|
was in such ecstasies with the works of art, after the first quarter
|
|
of an hour, that she could do nothing but yawn (they were such perfect
|
|
inspirations, she observed as a reason for that mark of rapture), he
|
|
transferred his attentions to Mr Dombey. Mr Dombey said little beyond
|
|
an occasional 'Very true, Carker,' or 'Indeed, Carker,' but he tacitly
|
|
encouraged Carker to proceed, and inwardly approved of his behaviour
|
|
very much: deeming it as well that somebody should talk, and thinking
|
|
that his remarks, which were, as one might say, a branch of the parent
|
|
establishment, might amuse Mrs Granger. Mr Carker, who possessed an
|
|
excellent discretion, never took the liberty of addressing that lady,
|
|
direct; but she seemed to listen, though she never looked at him; and
|
|
once or twice, when he was emphatic in his peculiar humility, the
|
|
twilight smile stole over her face, not as a light, but as a deep
|
|
black shadow.
|
|
|
|
Warwick Castle being at length pretty well exhausted, and the Major
|
|
very much so: to say nothing of Mrs Skewton, whose peculiar
|
|
demonstrations of delight had become very frequent Indeed: the
|
|
carriage was again put In requisition, and they rode to several
|
|
admired points of view In the neighbourhood. Mr Dombey ceremoniously
|
|
observed of one of these, that a sketch, however slight, from the fair
|
|
hand of Mrs Granger, would be a remembrance to him of that agreeable
|
|
day: though he wanted no artificial remembrance, he was sure (here Mr
|
|
Dombey made another of his bows), which he must always highly value.
|
|
Withers the lean having Edith's sketch-book under his arm, was
|
|
immediately called upon by Mrs Skewton to produce the same: and the
|
|
carriage stopped, that Edith might make the drawing, which Mr Dombey
|
|
was to put away among his treasures.
|
|
|
|
'But I am afraid I trouble you too much,' said Mr Dombey.
|
|
|
|
'By no means. Where would you wish it taken from?' she answered,
|
|
turning to him with the same enforced attention as before.
|
|
|
|
Mr Dombey, with another bow, which cracked the starch in his
|
|
cravat, would beg to leave that to the Artist.
|
|
|
|
'I would rather you chose for yourself,' said Edith.
|
|
|
|
'Suppose then,' said Mr Dombey, 'we say from here. It appears a
|
|
good spot for the purpose, or - Carker, what do you think?'
|
|
|
|
There happened to be in the foreground, at some little distance, a
|
|
grove of trees, not unlike that In which Mr Carker had made his chain
|
|
of footsteps in the morning, and with a seat under one tree, greatly
|
|
resembling, in the general character of its situation, the point where
|
|
his chain had broken.
|
|
|
|
'Might I venture to suggest to Mrs Granger,' said Carker, 'that
|
|
that is an interesting - almost a curious - point of view?'
|
|
|
|
She followed the direction of his riding-whip with her eyes, and
|
|
raised them quickly to his face. It was the second glance they had
|
|
exchanged since their introduction; and would have been exactly like
|
|
the first, but that its expression was plainer.
|
|
|
|
'Will you like that?' said Edith to Mr Dombey.
|
|
|
|
'I shall be charmed,' said Mr Dombey to Edith.
|
|
|
|
Therefore the carriage was driven to the spot where Mr Dombey was
|
|
to be charmed; and Edith, without moving from her seat, and openIng
|
|
her sketch-book with her usual proud indifference, began to sketch.
|
|
|
|
'My pencils are all pointless,' she said, stopping and turning them
|
|
over.
|
|
|
|
'Pray allow me,' said Mr Dombey. 'Or Carker will do it better, as
|
|
he understands these things. Carker, have the goodness to see to these
|
|
pencils for Mrs Granger.
|
|
|
|
Mr Carker rode up close to the carriage-door on Mrs Granger's side,
|
|
and letting the rein fall on his horse's neck, took the pencils from
|
|
her hand with a smile and a bow, and sat in the saddle leisurely
|
|
mending them. Having done so, he begged to be allowed to hold them,
|
|
and to hand them to her as they were required; and thus Mr Carker,
|
|
with many commendations of Mrs Granger's extraordinary skill -
|
|
especially in trees - remained - close at her side, looking over the
|
|
drawing as she made it. Mr Dombey in the meantime stood bolt upright
|
|
in the carriage like a highly respectable ghost, looking on too; while
|
|
Cleopatra and the Major dallied as two ancient doves might do.
|
|
|
|
'Are you satisfied with that, or shall I finish it a little more?'
|
|
said Edith, showing the sketch to Mr Dombey.
|
|
|
|
Mr Dombey begged that it might not be touched; it was perfection.
|
|
|
|
'It is most extraordinary,' said Carker, bringing every one of his
|
|
red gums to bear upon his praise. 'I was not prepared for anything so
|
|
beautiful, and so unusual altogether.'
|
|
|
|
This might have applied to the sketcher no less than to the sketch;
|
|
but Mr Carker's manner was openness itself - not as to his mouth
|
|
alone, but as to his whole spirit. So it continued to be while the
|
|
drawing was laid aside for Mr Dombey, and while the sketching
|
|
materials were put up; then he handed in the pencils (which were
|
|
received with a distant acknowledgment of his help, but without a
|
|
look), and tightening his rein, fell back, and followed the carriage
|
|
again.
|
|
|
|
Thinking, perhaps, as he rode, that even this trivial sketch had
|
|
been made and delivered to its owner, as if it had been bargained for
|
|
and bought. Thinking, perhaps, that although she had assented with
|
|
such perfect readiness to his request, her haughty face, bent over the
|
|
drawing, or glancing at the distant objects represented in it, had
|
|
been the face of a proud woman, engaged in a sordid and miserable
|
|
transaction. Thinking, perhaps, of such things: but smiling certainly,
|
|
and while he seemed to look about him freely, in enjoyment of the air
|
|
and exercise, keeping always that sharp corner of his eye upon the
|
|
carriage.
|
|
|
|
A stroll among the haunted ruins of Kenilworth, and more rides to
|
|
more points of view: most of which, Mrs Skewton reminded Mr Dombey,
|
|
Edith had already sketched, as he had seen in looking over her
|
|
drawings: brought the day's expedition to a close. Mrs Skewton and
|
|
Edith were driven to their own lodgings; Mr Carker was graciously
|
|
invited by Cleopatra to return thither with Mr Dombey and the Major,
|
|
in the evening, to hear some of Edith's music; and the three gentlemen
|
|
repaired to their hotel to dinner.
|
|
|
|
The dinner was the counterpart of yesterday's, except that the
|
|
Major was twenty-four hours more triumphant and less mysterious. Edith
|
|
was toasted again. Mr Dombey was again agreeably embarrassed. And Mr
|
|
Carker was full of interest and praise.
|
|
|
|
There were no other visitors at Mrs Skewton's. Edith's drawings
|
|
were strewn about the room, a little more abundantly than usual
|
|
perhaps; and Withers, the wan page, handed round a little stronger
|
|
tea. The harp was there; the piano was there; and Edith sang and
|
|
played. But even the music was played by Edith to Mr Dombey's order,
|
|
as it were, in the same uncompromising way. As thus.
|
|
|
|
'Edith, my dearest love,' said Mrs Skewton, half an hour after tea,
|
|
'Mr Dombey is dying to hear you, I know.'
|
|
|
|
'Mr Dombey has life enough left to say so for himself, Mama, I have
|
|
no doubt.'
|
|
|
|
'I shall be immensely obliged,' said Mr Dombey.
|
|
|
|
'What do you wish?'
|
|
|
|
'Piano?' hesitated Mr Dombey.
|
|
|
|
'Whatever you please. You have only to choose.
|
|
|
|
Accordingly, she began with the piano. It was the same with the
|
|
harp; the same with her singing; the same with the selection of the
|
|
pieces that she sang and played. Such frigid and constrained, yet
|
|
prompt and pointed acquiescence with the wishes he imposed upon her,
|
|
and on no one else, was sufficiently remarkable to penetrate through
|
|
all the mysteries of picquet, and impress itself on Mr Carker's keen
|
|
attention. Nor did he lose sight of the fact that Mr Dombey was
|
|
evidently proud of his power, and liked to show it.
|
|
|
|
Nevertheless, Mr Carker played so well - some games with the Major,
|
|
and some with Cleopatra, whose vigilance of eye in respect of Mr
|
|
Dombey and Edith no lynx could have surpassed - that he even
|
|
heightened his position in the lady-mother's good graces; and when on
|
|
taking leave he regretted that he would be obliged to return to London
|
|
next morning, Cleopatra trusted: community of feeling not being met
|
|
with every day: that it was far from being the last time they would
|
|
meet.
|
|
|
|
'I hope so,' said Mr Carker, with an expressive look at the couple
|
|
in the distance, as he drew towards the door, following the Major. 'I
|
|
think so.'
|
|
|
|
Mr Dombey, who had taken a stately leave of Edith, bent, or made
|
|
some approach to a bend, over Cleopatra's couch, and said, in a low
|
|
voice:
|
|
|
|
'I have requested Mrs Granger's permission to call on her to-morrow
|
|
morning - for a purpose - and she has appointed twelve o'clock. May I
|
|
hope to have the pleasure of finding you at home, Madam, afterwards?'
|
|
|
|
Cleopatra was so much fluttered and moved, by hearing this, of
|
|
course, incomprehensible speech, that she could only shut her eyes,
|
|
and shake her head, and give Mr Dombey her hand; which Mr Dombey, not
|
|
exactly knowing what to do with, dropped.
|
|
|
|
'Dombey, come along!' cried the Major, looking in at the door.
|
|
'Damme, Sir, old Joe has a great mind to propose an alteration in the
|
|
name of the Royal Hotel, and that it should be called the Three Jolly
|
|
Bachelors, in honour of ourselves and Carker.' With this, the Major
|
|
slapped Mr Dombey on the back, and winking over his shoulder at the
|
|
ladies, with a frightful tendency of blood to the head, carried him
|
|
off.
|
|
|
|
Mrs Skewton reposed on her sofa, and Edith sat apart, by her harp,
|
|
in silence. The mother, trifling with her fan, looked stealthily at
|
|
the daughter more than once, but the daughter, brooding gloomily with
|
|
downcast eyes, was not to be disturbed.
|
|
|
|
Thus they remained for a long hour, without a word, until Mrs
|
|
Skewton's maid appeared, according to custom, to prepare her gradually
|
|
for night. At night, she should have been a skeleton, with dart and
|
|
hour-glass, rather than a woman, this attendant; for her touch was as
|
|
the touch of Death. The painted object shrivelled underneath her hand;
|
|
the form collapsed, the hair dropped off, the arched dark eyebrows
|
|
changed to scanty tufts of grey; the pale lips shrunk, the skin became
|
|
cadaverous and loose; an old, worn, yellow, nodding woman, with red
|
|
eyes, alone remained in Cleopatra's place, huddled up, like a slovenly
|
|
bundle, in a greasy flannel gown.
|
|
|
|
The very voice was changed, as it addressed Edith, when they were
|
|
alone again.
|
|
|
|
'Why don't you tell me,' it said sharply, 'that he is coming here
|
|
to-morrow by appointment?'
|
|
|
|
'Because you know it,' returned Edith, 'Mother.'
|
|
|
|
The mocking emphasis she laid on that one word!
|
|
|
|
'You know he has bought me,' she resumed. 'Or that he will,
|
|
to-morrow. He has considered of his bargain; he has shown it to his
|
|
friend; he is even rather proud of it; he thinks that it will suit
|
|
him, and may be had sufficiently cheap; and he will buy to-morrow.
|
|
God, that I have lived for this, and that I feel it!'
|
|
|
|
Compress into one handsome face the conscious self-abasement, and
|
|
the burning indignation of a hundred women, strong in passion and in
|
|
pride; and there it hid itself with two white shuddering arms.
|
|
|
|
'What do you mean?' returned the angry mother. 'Haven't you from a
|
|
child - '
|
|
|
|
'A child!' said Edith, looking at her, 'when was I a child? What
|
|
childhood did you ever leave to me? I was a woman - artful, designing,
|
|
mercenary, laying snares for men - before I knew myself, or you, or
|
|
even understood the base and wretched aim of every new display I
|
|
learnt You gave birth to a woman. Look upon her. She is in her pride
|
|
tonight'
|
|
|
|
And as she spoke, she struck her hand upon her beautiful bosom, as
|
|
though she would have beaten down herself
|
|
|
|
'Look at me,' she said, 'who have never known what it is to have an
|
|
honest heart, and love. Look at me, taught to scheme and plot when
|
|
children play; and married in my youth - an old age of design - to one
|
|
for whom I had no feeling but indifference. Look at me, whom he left a
|
|
widow, dying before his inheritance descended to him - a judgment on
|
|
you! well deserved! - and tell me what has been my life for ten years
|
|
since.'
|
|
|
|
'We have been making every effort to endeavour to secure to you a
|
|
good establishment,' rejoined her mother. 'That has been your life.
|
|
And now you have got it.'
|
|
|
|
'There is no slave in a market: there is no horse in a fair: so
|
|
shown and offered and examined and paraded, Mother, as I have been,
|
|
for ten shameful years,' cried Edith, with a burning brow, and the
|
|
same bitter emphasis on the one word. 'Is it not so? Have I been made
|
|
the bye-word of all kinds of men? Have fools, have profligates, have
|
|
boys, have dotards, dangled after me, and one by one rejected me, and
|
|
fallen off, because you were too plain with all your cunning: yes, and
|
|
too true, with all those false pretences: until we have almost come to
|
|
be notorious? The licence of look and touch,' she said, with flashing
|
|
eyes, 'have I submitted to it, in half the places of resort upon the
|
|
map of England? Have I been hawked and vended here and there, until
|
|
the last grain of self-respect is dead within me, and I loathe myself?
|
|
Has been my late childhood? I had none before. Do not tell me that I
|
|
had, tonight of all nights in my life!'
|
|
|
|
'You might have been well married,' said her mother, 'twenty times
|
|
at least, Edith, if you had given encouragement enough.'
|
|
|
|
'No! Who takes me, refuse that I am, and as I well deserve to be,'
|
|
she answered, raising her head, and trembling in her energy of shame
|
|
and stormy pride, 'shall take me, as this man does, with no art of
|
|
mine put forth to lure him. He sees me at the auction, and he thinks
|
|
it well to buy me. Let him! When he came to view me - perhaps to bid -
|
|
he required to see the roll of my accomplishments. I gave it to him.
|
|
When he would have me show one of them, to justify his purchase to his
|
|
men, I require of him to say which he demands, and I exhibit it. I
|
|
will do no more. He makes the purchase of his own will, and with his
|
|
own sense of its worth, and the power of his money; and I hope it may
|
|
never disappoint him. I have not vaunted and pressed the bargain;
|
|
neither have you, so far as I have been able to prevent you.
|
|
|
|
'You talk strangely to-night, Edith, to your own Mother.'
|
|
|
|
'It seems so to me; stranger to me than you,' said Edith. 'But my
|
|
education was completed long ago. I am too old now, and have fallen
|
|
too low, by degrees, to take a new course, and to stop yours, and to
|
|
help myself. The germ of all that purifies a woman's breast, and makes
|
|
it true and good, has never stirred in mine, and I have nothing else
|
|
to sustain me when I despise myself.' There had been a touching
|
|
sadness in her voice, but it was gone, when she went on to say, with a
|
|
curled lip, 'So, as we are genteel and poor, I am content that we
|
|
should be made rich by these means; all I say is, I have kept the only
|
|
purpose I have had the strength to form - I had almost said the power,
|
|
with you at my side, Mother - and have not tempted this man on.'
|
|
|
|
'This man! You speak,' said her mother, 'as if you hated him.'
|
|
|
|
'And you thought I loved him, did you not?' she answered, stopping
|
|
on her way across the room, and looking round. 'Shall I tell you,' she
|
|
continued, with her eyes fixed on her mother, 'who already knows us
|
|
thoroughly, and reads us right, and before whom I have even less of
|
|
self-respect or confidence than before my own inward self; being so
|
|
much degraded by his knowledge of me?'
|
|
|
|
'This is an attack, I suppose,' returned her mother coldly, 'on
|
|
poor, unfortunate what's-his-name - Mr Carker! Your want of
|
|
self-respect and confidence, my dear, in reference to that person (who
|
|
is very agreeable, it strikes me), is not likely to have much effect
|
|
on your establishment. Why do you look at me so hard? Are you ill?'
|
|
|
|
Edith suddenly let fall her face, as if it had been stung, and
|
|
while she pressed her hands upon it, a terrible tremble crept over her
|
|
whole frame. It was quickly gone; and with her usual step, she passed
|
|
out of the room.
|
|
|
|
The maid who should have been a skeleton, then reappeared, and
|
|
giving one arm to her mistress, who appeared to have taken off her
|
|
manner with her charms, and to have put on paralysis with her flannel
|
|
gown, collected the ashes of Cleopatra, and carried them away in the
|
|
other, ready for tomorrow's revivification.
|
|
|
|
CHAPTER 28.
|
|
|
|
Alterations
|
|
|
|
'So the day has come at length, Susan,' said Florence to the
|
|
excellent Nipper, 'when we are going back to our quiet home!'
|
|
|
|
Susan drew in her breath with an amount of expression not easily
|
|
described, further relieving her feelings with a smart cough,
|
|
answered, 'Very quiet indeed, Miss Floy, no doubt. Excessive so.'
|
|
|
|
'When I was a child,' said Florence, thoughtfully, and after musing
|
|
for some moments, 'did you ever see that gentleman who has taken the
|
|
trouble to ride down here to speak to me, now three times - three
|
|
times, I think, Susan?'
|
|
|
|
'Three times, Miss,' returned the Nipper. 'Once when you was out a
|
|
walking with them Sket- '
|
|
|
|
Florence gently looked at her, and Miss Nipper checked herself.
|
|
|
|
'With Sir Barnet and his lady, I mean to say, Miss, and the young
|
|
gentleman. And two evenings since then.'
|
|
|
|
'When I was a child, and when company used to come to visit Papa,
|
|
did you ever see that gentleman at home, Susan?' asked Florence.
|
|
|
|
'Well, Miss,' returned her maid, after considering, 'I really
|
|
couldn't say I ever did. When your poor dear Ma died, Miss Floy, I was
|
|
very new in the family, you see, and my element:' the Nipper bridled,
|
|
as opining that her merits had been always designedly extinguished by
|
|
Mr Dombey: 'was the floor below the attics.'
|
|
|
|
'To be sure,' said Florence, still thoughtfully; 'you are not
|
|
likely to have known who came to the house. I quite forgot.'
|
|
|
|
'Not, Miss, but what we talked about the family and visitors,' said
|
|
Susan, 'and but what I heard much said, although the nurse before Mrs
|
|
Richards make unpleasant remarks when I was in company, and hint at
|
|
little Pitchers, but that could only be attributed, poor thing,'
|
|
observed Susan, with composed forbearance, 'to habits of intoxication,
|
|
for which she was required to leave, and did.'
|
|
|
|
Florence, who was seated at her chamber window, with her face
|
|
resting on her hand, sat looking out, and hardly seemed to hear what
|
|
Susan said, she was so lost in thought.
|
|
|
|
'At all events, Miss,' said Susan, 'I remember very well that this
|
|
same gentleman, Mr Carker, was almost, if not quite, as great a
|
|
gentleman with your Papa then, as he is now. It used to be said in the
|
|
house then, Miss, that he was at the head of all your Pa's affairs in
|
|
the City, and managed the whole, and that your Pa minded him more than
|
|
anybody, which, begging your pardon, Miss Floy, he might easy do, for
|
|
he never minded anybody else. I knew that, Pitcher as I might have
|
|
been.'
|
|
|
|
Susan Nipper, with an injured remembrance of the nurse before Mrs
|
|
Richards, emphasised 'Pitcher' strongly.
|
|
|
|
'And that Mr Carker has not fallen off, Miss,' she pursued, 'but
|
|
has stood his ground, and kept his credit with your Pa, I know from
|
|
what is always said among our people by that Perch, whenever he comes
|
|
to the house; and though he's the weakest weed in the world, Miss
|
|
Floy, and no one can have a moment's patience with the man, he knows
|
|
what goes on in the City tolerable well, and says that your Pa does
|
|
nothing without Mr Carker, and leaves all to Mr Carker, and acts
|
|
according to Mr Carker, and has Mr Carker always at his elbow, and I
|
|
do believe that he believes (that washiest of Perches!) that after
|
|
your Pa, the Emperor of India is the child unborn to Mr Carker.'
|
|
|
|
Not a word of this was lost on Florence, who, with an awakened
|
|
interest in Susan's speech, no longer gazed abstractedly on the
|
|
prospect without, but looked at her, and listened with attention.
|
|
|
|
'Yes, Susan,' she said, when that young lady had concluded. 'He is
|
|
in Papa's confidence, and is his friend, I am sure.'
|
|
|
|
Florence's mind ran high on this theme, and had done for some days.
|
|
Mr Carker, in the two visits with which he had followed up his first
|
|
one, had assumed a confidence between himself and her - a right on his
|
|
part to be mysterious and stealthy, in telling her that the ship was
|
|
still unheard of - a kind of mildly restrained power and authority
|
|
over her - that made her wonder, and caused her great uneasiness. She
|
|
had no means of repelling it, or of freeing herself from the web he
|
|
was gradually winding about her; for that would have required some art
|
|
and knowledge of the world, opposed to such address as his; and
|
|
Florence had none. True, he had said no more to her than that there
|
|
was no news of the ship, and that he feared the worst; but how he came
|
|
to know that she was interested in the ship, and why he had the right
|
|
to signify his knowledge to her, so insidiously and darkly, troubled
|
|
Florence very much.
|
|
|
|
This conduct on the part of Mr Carker, and her habit of often
|
|
considering it with wonder and uneasiness, began to invest him with an
|
|
uncomfortable fascination in Florence's thoughts. A more distinct
|
|
remembrance of his features, voice, and manner: which she sometimes
|
|
courted, as a means of reducing him to the level of a real personage,
|
|
capable of exerting no greater charm over her than another: did not
|
|
remove the vague impression. And yet he never frowned, or looked upon
|
|
her with an air of dislike or animosity, but was always smiling and
|
|
serene.
|
|
|
|
Again, Florence, in pursuit of her strong purpose with reference to
|
|
her father, and her steady resolution to believe that she was herself
|
|
unwittingly to blame for their so cold and distant relations, would
|
|
recall to mind that this gentleman was his confidential friend, and
|
|
would think, with an anxious heart, could her struggling tendency to
|
|
dislike and fear him be a part of that misfortune in her, which had
|
|
turned her father's love adrift, and left her so alone? She dreaded
|
|
that it might be; sometimes believed it was: then she resolved that
|
|
she would try to conquer this wrong feeling; persuaded herself that
|
|
she was honoured and encouraged by the notice of her father's friend;
|
|
and hoped that patient observation of him and trust in him would lead
|
|
her bleeding feet along that stony road which ended in her father's
|
|
heart.
|
|
|
|
Thus, with no one to advise her - for she could advise with no one
|
|
without seeming to complain against him - gentle Florence tossed on an
|
|
uneasy sea of doubt and hope; and Mr Carker, like a scaly monster of
|
|
the deep, swam down below, and kept his shining eye upon her. Florence
|
|
had a new reason in all this for wishing to be at home again. Her
|
|
lonely life was better suited to her course of timid hope and doubt;
|
|
and she feared sometimes, that in her absence she might miss some
|
|
hopeful chance of testifying her affection for her father. Heaven
|
|
knows, she might have set her mind at rest, poor child! on this last
|
|
point; but her slighted love was fluttering within her, and, even in
|
|
her sleep, it flew away in dreams, and nestled, like a wandering bird
|
|
come home, upon her father's neck.
|
|
|
|
Of Walter she thought often. Ah! how often, when the night was
|
|
gloomy, and the wind was blowing round the house! But hope was strong
|
|
in her breast. It is so difficult for the young and ardent, even with
|
|
such experience as hers, to imagine youth and ardour quenched like a
|
|
weak flame, and the bright day of life merging into night, at noon,
|
|
that hope was strong yet. Her tears fell frequently for Walter's
|
|
sufferings; but rarely for his supposed death, and never long.
|
|
|
|
She had written to the old Instrument-maker, but had received no
|
|
answer to her note: which indeed required none. Thus matters stood
|
|
with Florence on the morning when she was going home, gladly, to her
|
|
old secluded life.
|
|
|
|
Doctor and Mrs Blimber, accompanied (much against his will) by
|
|
their valued charge, Master Barnet, were already gone back to
|
|
Brighton, where that young gentleman and his fellow-pilgrims to
|
|
Parnassus were then, no doubt, in the continual resumption of their
|
|
studies. The holiday time was past and over; most of the juvenile
|
|
guests at the villa had taken their departure; and Florence's long
|
|
visit was come to an end.
|
|
|
|
There was one guest, however, albeit not resident within the house,
|
|
who had been very constant in his attentions to the family, and who
|
|
still remained devoted to them. This was Mr Toots, who after renewing,
|
|
some weeks ago, the acquaintance he had had the happiness of forming
|
|
with Skettles Junior, on the night when he burst the Blimberian bonds
|
|
and soared into freedom with his ring on, called regularly every other
|
|
day, and left a perfect pack of cards at the hall-door; so many
|
|
indeed, that the ceremony was quite a deal on the part of Mr Toots,
|
|
and a hand at whist on the part of the servant.
|
|
|
|
Mr Toots, likewise, with the bold and happy idea of preventing the
|
|
family from forgetting him (but there is reason to suppose that this
|
|
expedient originated in the teeming brain of the Chicken), had
|
|
established a six-oared cutter, manned by aquatic friends of the
|
|
Chicken's and steered by that illustrious character in person, who
|
|
wore a bright red fireman's coat for the purpose, and concealed the
|
|
perpetual black eye with which he was afflicted, beneath a green
|
|
shade. Previous to the institution of this equipage, Mr Toots sounded
|
|
the Chicken on a hypothetical case, as, supposing the Chicken to be
|
|
enamoured of a young lady named Mary, and to have conceived the
|
|
intention of starting a boat of his own, what would he call that boat?
|
|
The Chicken replied, with divers strong asseverations, that he would
|
|
either christen it Poll or The Chicken's Delight. Improving on this
|
|
idea, Mr Toots, after deep study and the exercise of much invention,
|
|
resolved to call his boat The Toots's Joy, as a delicate compliment to
|
|
Florence, of which no man knowing the parties, could possibly miss the
|
|
appreciation.
|
|
|
|
Stretched on a crimson cushion in his gallant bark, with his shoes
|
|
in the air, Mr Toots, in the exercise of his project, had come up the
|
|
river, day after day, and week after week, and had flitted to and fro,
|
|
near Sir Barnet's garden, and had caused his crew to cut across and
|
|
across the river at sharp angles, for his better exhibition to any
|
|
lookers-out from Sir Barnet's windows, and had had such evolutions
|
|
performed by the Toots's Joy as had filled all the neighbouring part
|
|
of the water-side with astonishment. But whenever he saw anyone in Sir
|
|
Barnet's garden on the brink of the river, Mr Toots always feigned to
|
|
be passing there, by a combination of coincidences of the most
|
|
singular and unlikely description.
|
|
|
|
'How are you, Toots?' Sir Barnet would say, waving his hand from
|
|
the lawn, while the artful Chicken steered close in shore.
|
|
|
|
'How de do, Sir Barnet?' Mr Toots would answer, What a surprising
|
|
thing that I should see you here!'
|
|
|
|
Mr Toots, in his sagacity, always said this, as if, instead of that
|
|
being Sir Barnet's house, it were some deserted edifice on the banks
|
|
of the Nile, or Ganges.
|
|
|
|
'I never was so surprised!' Mr Toots would exclaim. - 'Is Miss
|
|
Dombey there?'
|
|
|
|
Whereupon Florence would appear, perhaps.
|
|
|
|
'Oh, Diogenes is quite well, Miss Dombey,' Toots would cry. 'I
|
|
called to ask this morning.'
|
|
|
|
'Thank you very much!' the pleasant voice of Florence would reply.
|
|
|
|
'Won't you come ashore, Toots?' Sir Barnet would say then. 'Come!
|
|
you're in no hurry. Come and see us.'
|
|
|
|
'Oh, it's of no consequence, thank you!' Mr Toots would blushingly
|
|
rejoin. 'I thought Miss Dombey might like to know, that's all.
|
|
Good-bye!' And poor Mr Toots, who was dying to accept the invitation,
|
|
but hadn't the courage to do it, signed to the Chicken, with an aching
|
|
heart, and away went the Joy, cleaving the water like an arrow.
|
|
|
|
The Joy was lying in a state of extraordinary splendour, at the
|
|
garden steps, on the morning of Florence's departure. When she went
|
|
downstairs to take leave, after her talk with Susan, she found Mr
|
|
Toots awaiting her in the drawing-room.
|
|
|
|
'Oh, how de do, Miss Dombey?' said the stricken Toots, always
|
|
dreadfully disconcerted when the desire of his heart was gained, and
|
|
he was speaking to her; 'thank you, I'm very well indeed, I hope
|
|
you're the same, so was Diogenes yesterday.'
|
|
|
|
'You are very kind,' said Florence.
|
|
|
|
'Thank you, it's of no consequence,' retorted Mr Toots. 'I thought
|
|
perhaps you wouldn't mind, in this fine weather, coming home by water,
|
|
Miss Dombey. There's plenty of room in the boat for your maid.'
|
|
|
|
'I am very much obliged to you,' said Florence, hesitating. 'I
|
|
really am - but I would rather not.'
|
|
|
|
'Oh, it's of no consequence,' retorted Mr Toots. 'Good morning.'
|
|
|
|
'Won't you wait and see Lady Skettles?' asked Florence, kindly.
|
|
|
|
'Oh no, thank you,' returned Mr Toots, 'it's of no consequence at
|
|
all.'
|
|
|
|
So shy was Mr Toots on such occasions, and so flurried! But Lady
|
|
Skettles entering at the moment, Mr Toots was suddenly seized with a
|
|
passion for asking her how she did, and hoping she was very well; nor
|
|
could Mr Toots by any possibility leave off shaking hands with her,
|
|
until Sir Barnet appeared: to whom he immediately clung with the
|
|
tenacity of desperation.
|
|
|
|
'We are losing, today, Toots,' said Sir Barnet, turning towards
|
|
Florence, 'the light of our house, I assure you'
|
|
|
|
'Oh, it's of no conseq - I mean yes, to be sure,' faltered the
|
|
embarrassed Mr Toots. 'Good morning!'
|
|
|
|
Notwithstanding the emphatic nature of this farewell, Mr Toots,
|
|
instead of going away, stood leering about him, vacantly. Florence, to
|
|
relieve him, bade adieu, with many thanks, to Lady Skettles, and gave
|
|
her arm to Sir Barnet.
|
|
|
|
'May I beg of you, my dear Miss Dombey,' said her host, as he
|
|
conducted her to the carriage, 'to present my best compliments to your
|
|
dear Papa?'
|
|
|
|
It was distressing to Florence to receive the commission, for she
|
|
felt as if she were imposing on Sir Barnet by allowing him to believe
|
|
that a kindness rendered to her, was rendered to her father. As she
|
|
could not explain, however, she bowed her head and thanked him; and
|
|
again she thought that the dull home, free from such embarrassments,
|
|
and such reminders of her sorrow, was her natural and best retreat.
|
|
|
|
Such of her late friends and companions as were yet remaining at
|
|
the villa, came running from within, and from the garden, to say
|
|
good-bye. They were all attached to her, and very earnest in taking
|
|
leave of her. Even the household were sorry for her going, and the
|
|
servants came nodding and curtseying round the carriage door. As
|
|
Florence looked round on the kind faces, and saw among them those of
|
|
Sir Barnet and his lady, and of Mr Toots, who was chuckling and
|
|
staring at her from a distance, she was reminded of the night when
|
|
Paul and she had come from Doctor Blimber's: and when the carriage
|
|
drove away, her face was wet with tears.
|
|
|
|
Sorrowful tears, but tears of consolation, too; for all the softer
|
|
memories connected with the dull old house to which she was returning
|
|
made it dear to her, as they rose up. How long it seemed since she had
|
|
wandered through the silent rooms: since she had last crept, softly
|
|
and afraid, into those her father occupied: since she had felt the
|
|
solemn but yet soothing influence of the beloved dead in every action
|
|
of her daily life! This new farewell reminded her, besides, of her
|
|
parting with poor Walter: of his looks and words that night: and of
|
|
the gracious blending she had noticed in him, of tenderness for those
|
|
he left behind, with courage and high spirit. His little history was
|
|
associated with the old house too, and gave it a new claim and hold
|
|
upon her heart. Even Susan Nipper softened towards the home of so many
|
|
years, as they were on their way towards it. Gloomy as it was, and
|
|
rigid justice as she rendered to its gloom, she forgave it a great
|
|
deal. 'I shall be glad to see it again, I don't deny, Miss,' said the
|
|
Nipper. 'There ain't much in it to boast of, but I wouldn't have it
|
|
burnt or pulled down, neither!'
|
|
|
|
'You'll be glad to go through the old rooms, won't you, Susan?'
|
|
said Florence, smiling.
|
|
|
|
'Well, Miss,' returned the Nipper, softening more and more towards
|
|
the house, as they approached it nearer, 'I won't deny but what I
|
|
shall, though I shall hate 'em again, to-morrow, very likely.'
|
|
|
|
Florence felt that, for her, there was greater peace within it than
|
|
elsewhere. It was better and easier to keep her secret shut up there,
|
|
among the tall dark walls, than to carry it abroad into the light, and
|
|
try to hide it from a crowd of happy eyes. It was better to pursue the
|
|
study of her loving heart, alone, and find no new discouragements in
|
|
loving hearts about her. It was easier to hope, and pray, and love on,
|
|
all uncared for, yet with constancy and patience, in the tranquil
|
|
sanctuary of such remembrances: although it mouldered, rusted, and
|
|
decayed about her: than in a new scene, let its gaiety be what it
|
|
would. She welcomed back her old enchanted dream of life, and longed
|
|
for the old dark door to close upon her, once again.
|
|
|
|
Full of such thoughts, they turned into the long and sombre street.
|
|
Florence was not on that side of the carriage which was nearest to her
|
|
home, and as the distance lessened between them and it, she looked out
|
|
of her window for the children over the way.
|
|
|
|
She was thus engaged, when an exclamation from Susan caused her to
|
|
turn quickly round.
|
|
|
|
'Why, Gracious me!' cried Susan, breathless, 'where's our house!'
|
|
|
|
'Our house!' said Florence.
|
|
|
|
Susan, drawing in her head from the window, thrust it out again,
|
|
drew it in again as the carriage stopped, and stared at her mistress
|
|
in amazement.
|
|
|
|
There was a labyrinth of scaffolding raised all round the house,
|
|
from the basement to the roof. Loads of bricks and stones, and heaps
|
|
of mortar, and piles of wood, blocked up half the width and length of
|
|
the broad street at the side. Ladders were raised against the walls;
|
|
labourers were climbing up and down; men were at work upon the steps
|
|
of the scaffolding; painters and decorators were busy inside; great
|
|
rolls of ornamental paper were being delivered from a cart at the
|
|
door; an upholsterer's waggon also stopped the way; no furniture was
|
|
to be seen through the gaping and broken windows in any of the rooms;
|
|
nothing but workmen, and the implements of their several trades,
|
|
swarming from the kitchens to the garrets. Inside and outside alike:
|
|
bricklayers, painters, carpenters, masons: hammer, hod, brush,
|
|
pickaxe, saw, and trowel: all at work together, in full chorus!
|
|
|
|
Florence descended from the coach, half doubting if it were, or
|
|
could be the right house, until she recognised Towlinson, with a
|
|
sun-burnt face, standing at the door to receive her.
|
|
|
|
'There is nothing the matter?' inquired Florence.
|
|
|
|
'Oh no, Miss.'
|
|
|
|
'There are great alterations going on.'
|
|
|
|
'Yes, Miss, great alterations,' said Towlinson.
|
|
|
|
Florence passed him as if she were in a dream, and hurried
|
|
upstairs. The garish light was in the long-darkened drawing-room and
|
|
there were steps and platforms, and men In paper caps, in the high
|
|
places. Her mother's picture was gone with the rest of the moveables,
|
|
and on the mark where it had been, was scrawled in chalk, 'this room
|
|
in panel. Green and gold.' The staircase was a labyrinth of posts and
|
|
planks like the outside of the house, and a whole Olympus of plumbers
|
|
and glaziers was reclining in various attitudes, on the skylight. Her
|
|
own room was not yet touched within, but there were beams and boards
|
|
raised against it without, baulking the daylight. She went up swiftly
|
|
to that other bedroom, where the little bed was; and a dark giant of a
|
|
man with a pipe in his mouth, and his head tied up in a
|
|
pocket-handkerchief, was staring in at the window.
|
|
|
|
It was here that Susan Nipper, who had been in quest of Florence,
|
|
found her, and said, would she go downstairs to her Papa, who wished
|
|
to speak to her.
|
|
|
|
'At home! and wishing to speak to me!' cried Florence, trembling.
|
|
|
|
Susan, who was infinitely more distraught than Florence herself,
|
|
repeated her errand; and Florence, pale and agitated, hurried down
|
|
again, without a moment's hesitation. She thought upon the way down,
|
|
would she dare to kiss him? The longing of her heart resolved her, and
|
|
she thought she would.
|
|
|
|
Her father might have heard that heart beat, when it came into his
|
|
presence. One instant, and it would have beat against his breast.
|
|
|
|
But he was not alone. There were two ladies there; and Florence
|
|
stopped. Striving so hard with her emotion, that if her brute friend
|
|
Di had not burst in and overwhelmed her with his caresses as a welcome
|
|
home - at which one of the ladies gave a little scream, and that
|
|
diverted her attention from herself - she would have swooned upon the
|
|
floor.
|
|
|
|
'Florence,' said her father, putting out his hand: so stiffly that
|
|
it held her off: 'how do you do?'
|
|
|
|
Florence took the hand between her own, and putting it timidly to
|
|
her lips, yielded to its withdrawal. It touched the door in shutting
|
|
it, with quite as much endearment as it had touched her.
|
|
|
|
'What dog is that?' said Mr Dombey, displeased.
|
|
|
|
'It is a dog, Papa - from Brighton.'
|
|
|
|
'Well!' said Mr Dombey; and a cloud passed over his face, for he
|
|
understood her.
|
|
|
|
'He is very good-tempered,' said Florence, addressing herself with
|
|
her natural grace and sweetness to the two lady strangers. 'He is only
|
|
glad to see me. Pray forgive him.'
|
|
|
|
She saw in the glance they interchanged, that the lady who had
|
|
screamed, and who was seated, was old; and that the other lady, who
|
|
stood near her Papa, was very beautiful, and of an elegant figure.
|
|
|
|
'Mrs Skewton,' said her father, turning to the first, and holding
|
|
out his hand, 'this is my daughter Florence.'
|
|
|
|
'Charming, I am sure,' observed the lady, putting up her glass. 'So
|
|
natural! My darling Florence, you must kiss me, if you please.'
|
|
|
|
Florence having done so, turned towards the other lady, by whom her
|
|
father stood waiting.
|
|
|
|
'Edith,' said Mr Dombey, 'this is my daughter Florence. Florence,
|
|
this lady will soon be your Mama.'
|
|
|
|
Florence started, and looked up at the beautiful face in a conflict
|
|
of emotions, among which the tears that name awakened, struggled for a
|
|
moment with surprise, interest, admiration, and an indefinable sort of
|
|
fear. Then she cried out, 'Oh, Papa, may you be happy! may you be
|
|
very, very happy all your life!' and then fell weeping on the lady's
|
|
bosom.
|
|
|
|
There was a short silence. The beautiful lady, who at first had
|
|
seemed to hesitate whether or no she should advance to Florence, held
|
|
her to her breast, and pressed the hand with which she clasped her,
|
|
close about her waist, as if to reassure her and comfort her. Not one
|
|
word passed the lady's lips. She bent her head down over Florence, and
|
|
she kissed her on the cheek, but she said no word.
|
|
|
|
'Shall we go on through the rooms,' said Mr Dombey, 'and see how
|
|
our workmen are doing? Pray allow me, my dear madam.'
|
|
|
|
He said this in offering his arm to Mrs Skewton, who had been
|
|
looking at Florence through her glass, as though picturing to herself
|
|
what she might be made, by the infusion - from her own copious
|
|
storehouse, no doubt - of a little more Heart and Nature. Florence was
|
|
still sobbing on the lady's breast, and holding to her, when Mr Dombey
|
|
was heard to say from the Conservatory:
|
|
|
|
'Let us ask Edith. Dear me, where is she?'
|
|
|
|
'Edith, my dear!' cried Mrs Skewton, 'where are you? Looking for Mr
|
|
Dombey somewhere, I know. We are here, my love.'
|
|
|
|
The beautiful lady released her hold of Florence, and pressing her
|
|
lips once more upon her face, withdrew hurriedly, and joined them.
|
|
Florence remained standing In the same place: happy, sorry, joyful,
|
|
and in tears, she knew not how, or how long, but all at once: when her
|
|
new Mama came back, and took her in her arms again.
|
|
|
|
'Florence,' said the lady, hurriedly, and looking into her face
|
|
with great earnestness. 'You will not begin by hating me?'
|
|
|
|
'By hating you, Mama?' cried Florence, winding her arm round her
|
|
neck, and returning the look.
|
|
|
|
'Hush! Begin by thinking well of me,' said the beautiful lady.
|
|
'Begin by believing that I will try to make you happy, and that I am
|
|
prepared to love you, Florence. Good-bye. We shall meet again soon.
|
|
Good-bye! Don't stay here, now.'
|
|
|
|
Again she pressed her to her breast she had spoken in a rapid
|
|
manner, but firmly - and Florence saw her rejoin them in the other
|
|
room. And now Florence began to hope that she would learn from her new
|
|
and beautiful Mama, how to gaIn her father's love; and in her sleep
|
|
that night, in her lost old home, her own Mama smiled radiantly upon
|
|
the hope, and blessed it. Dreaming Florence!
|
|
|
|
CHAPTER 29.
|
|
|
|
The Opening of the Eyes of Mrs Chick
|
|
|
|
Miss Tox, all unconscious of any such rare appearances in connexion
|
|
with Mr Dombey's house, as scaffoldings and ladders, and men with
|
|
their heads tied up in pocket-handkerchiefs, glaring in at the windows
|
|
like flying genii or strange birds, - having breakfasted one morning
|
|
at about this eventful period of time, on her customary viands; to
|
|
wit, one French roll rasped, one egg new laid (or warranted to be),
|
|
and one little pot of tea, wherein was infused one little silver
|
|
scoopful of that herb on behalf of Miss Tox, and one little silver
|
|
scoopful on behalf of the teapot - a flight of fancy in which good
|
|
housekeepers delight; went upstairs to set forth the bird waltz on the
|
|
harpsichord, to water and arrange the plants, to dust the nick-nacks,
|
|
and, according to her daily custom, to make her little drawing-room
|
|
the garland of Princess's Place.
|
|
|
|
Miss Tox endued herself with a pair of ancient gloves, like dead
|
|
leaves, in which she was accustomed to perform these avocations -
|
|
hidden from human sight at other times in a table drawer - and went
|
|
methodically to work; beginning with the bird waltz; passing, by a
|
|
natural association of ideas, to her bird - a very high-shouldered
|
|
canary, stricken in years, and much rumpled, but a piercing singer, as
|
|
Princess's Place well knew; taking, next in order, the little china
|
|
ornaments, paper fly-cages, and so forth; and coming round, in good
|
|
time, to the plants, which generally required to be snipped here and
|
|
there with a pair of scissors, for some botanical reason that was very
|
|
powerful with Miss Tox. Miss Tox was slow in coming to the plants,
|
|
this morning. The weather was warm, the wind southerly; and there was
|
|
a sigh of the summer-time In Princess's Place, that turned Miss Tox's
|
|
thoughts upon the country. The pot-boy attached to the Princess's Arms
|
|
had come out with a can and trickled water, in a flowering pattern,
|
|
all over Princess's Place, and it gave the weedy ground a fresh scent
|
|
- quite a growing scent, Miss Tox said. There was a tiny blink of sun
|
|
peeping in from the great street round the corner, and the smoky
|
|
sparrows hopped over it and back again, brightening as they passed: or
|
|
bathed in it, like a stream, and became glorified sparrows,
|
|
unconnected with chimneys. Legends in praise of Ginger-Beer, with
|
|
pictorial representations of thirsty customers submerged in the
|
|
effervescence, or stunned by the flying corks, were conspicuous in the
|
|
window of the Princess's Arms. They were making late hay, somewhere
|
|
out of town; and though the fragrance had a long way to come, and many
|
|
counter fragrances to contend with among the dwellings of the poor
|
|
(may God reward the worthy gentlemen who stickle for the Plague as
|
|
part and parcel of the wisdom of our ancestors, and who do their
|
|
little best to keep those dwellings miserable!), yet it was wafted
|
|
faintly into Princess's Place, whispering of Nature and her wholesome
|
|
air, as such things will, even unto prisoners and captives, and those
|
|
who are desolate and oppressed, in very spite of aldermen and knights
|
|
to boot: at whose sage nod - and how they nod! - the rolling world
|
|
stands still!
|
|
|
|
Miss Tox sat down upon the window-seat, and thought of her good
|
|
Papa deceased - Mr Tox, of the Customs Department of the public
|
|
service; and of her childhood, passed at a seaport, among a
|
|
considerable quantity of cold tar, and some rusticity. She fell into a
|
|
softened remembrance of meadows, in old time, gleaming with
|
|
buttercups, like so many inverted firmaments of golden stars; and how
|
|
she had made chains of dandelion-stalks for youthful vowers of eternal
|
|
constancy, dressed chiefly in nankeen; and how soon those fetters had
|
|
withered and broken.
|
|
|
|
Sitting on the window-seat, and looking out upon the sparrows and
|
|
the blink of sun, Miss Tox thought likewise of her good Mama deceased
|
|
- sister to the owner of the powdered head and pigtail - of her
|
|
virtues and her rheumatism. And when a man with bulgy legs, and a
|
|
rough voice, and a heavy basket on his head that crushed his hat into
|
|
a mere black muffin, came crying flowers down Princess's Place, making
|
|
his timid little roots of daisies shudder in the vibration of every
|
|
yell he gave, as though he had been an ogre, hawking little children,
|
|
summer recollections were so strong upon Miss Tox, that she shook her
|
|
head, and murmured she would be comparatively old before she knew it -
|
|
which seemed likely.
|
|
|
|
In her pensive mood, Miss Tox's thoughts went wandering on Mr
|
|
Dombey's track; probably because the Major had returned home to his
|
|
lodgings opposite, and had just bowed to her from his window. What
|
|
other reason could Miss Tox have for connecting Mr Dombey with her
|
|
summer days and dandelion fetters? Was he more cheerful? thought Miss
|
|
Tox. Was he reconciled to the decrees of fate? Would he ever marry
|
|
again? and if yes, whom? What sort of person now!
|
|
|
|
A flush - it was warm weather - overspread Miss Tox's face, as,
|
|
while entertaining these meditations, she turned her head, and was
|
|
surprised by the reflection of her thoughtful image In the
|
|
chimney-glass. Another flush succeeded when she saw a little carriage
|
|
drive into Princess's Place, and make straight for her own door. Miss
|
|
Tox arose, took up her scissors hastily, and so coming, at last, to
|
|
the plants, was very busy with them when Mrs Chick entered the room.
|
|
|
|
'How is my sweetest friend!' exclaimed Miss Tox, with open arms.
|
|
|
|
A little stateliness was mingled with Miss Tox's sweetest friend's
|
|
demeanour, but she kissed Miss Tox, and said, 'Lucretia, thank you, I
|
|
am pretty well. I hope you are the same. Hem!'
|
|
|
|
Mrs Chick was labouring under a peculiar little monosyllabic cough;
|
|
a sort of primer, or easy introduction to the art of coughing.
|
|
|
|
'You call very early, and how kind that is, my dear!' pursued Miss
|
|
Tox. 'Now, have you breakfasted?'
|
|
|
|
'Thank you, Lucretia,' said Mrs Chick, 'I have. I took an early
|
|
breakfast' - the good lady seemed curious on the subject of Princess's
|
|
Place, and looked all round it as she spoke - 'with my brother, who
|
|
has come home.'
|
|
|
|
'He is better, I trust, my love,' faltered Miss Tox.
|
|
|
|
'He is greatly better, thank you. Hem!'
|
|
|
|
'My dear Louisa must be careful of that cough' remarked Miss Tox.
|
|
|
|
'It's nothing,' returned Mrs Chic 'It's merely change of weather.
|
|
We must expect change.'
|
|
|
|
'Of weather?' asked Miss Tox, in her simplicity.
|
|
|
|
'Of everything' returned Mrs Chick 'Of course we must. It's a world
|
|
of change. Anyone would surprise me very much, Lucretia, and would
|
|
greatly alter my opinion of their understanding, if they attempted to
|
|
contradict or evade what is so perfectly evident. Change!' exclaimed
|
|
Mrs Chick, with severe philosophy. 'Why, my gracious me, what is there
|
|
that does not change! even the silkworm, who I am sure might be
|
|
supposed not to trouble itself about such subjects, changes into all
|
|
sorts of unexpected things continually.'
|
|
|
|
'My Louisa,' said the mild Miss Tox, 'is ever happy in her
|
|
illustrations.'
|
|
|
|
'You are so kind, Lucretia,' returned Mrs Chick, a little softened,
|
|
'as to say so, and to think so, I believe. I hope neither of us may
|
|
ever have any cause to lessen our opinion of the other, Lucretia.'
|
|
|
|
'I am sure of it,' returned Miss Tox.
|
|
|
|
Mrs Chick coughed as before, and drew lines on the carpet with the
|
|
ivory end of her parasol. Miss Tox, who had experience of her fair
|
|
friend, and knew that under the pressure of any slight fatigue or
|
|
vexation she was prone to a discursive kind of irritability, availed
|
|
herself of the pause, to change the subject.
|
|
|
|
'Pardon me, my dear Louisa,' said Miss Tox, 'but have I caught
|
|
sight of the manly form of Mr Chick in the carriage?'
|
|
|
|
'He is there,' said Mrs Chick, 'but pray leave him there. He has
|
|
his newspaper, and would be quite contented for the next two hours. Go
|
|
on with your flowers, Lucretia, and allow me to sit here and rest.'
|
|
|
|
'My Louisa knows,' observed Miss Tox, 'that between friends like
|
|
ourselves, any approach to ceremony would be out of the question.
|
|
Therefore - ' Therefore Miss Tox finished the sentence, not in words
|
|
but action; and putting on her gloves again, which she had taken off,
|
|
and arming herself once more with her scissors, began to snip and clip
|
|
among the leaves with microscopic industry.
|
|
|
|
'Florence has returned home also,' said Mrs Chick, after sitting
|
|
silent for some time, with her head on one side, and her parasol
|
|
sketching on the floor; 'and really Florence is a great deal too old
|
|
now, to continue to lead that solitary life to which she has been
|
|
accustomed. Of course she is. There can be no doubt about it. I should
|
|
have very little respect, indeed, for anybody who could advocate a
|
|
different opinion. Whatever my wishes might be, I could not respect
|
|
them. We cannot command our feelings to such an extent as that.'
|
|
|
|
Miss Tox assented, without being particular as to the
|
|
intelligibility of the proposition.
|
|
|
|
'If she's a strange girl,' said Mrs Chick, 'and if my brother Paul
|
|
cannot feel perfectly comfortable in her society, after all the sad
|
|
things that have happened, and all the terrible disappointments that
|
|
have been undergone, then, what is the reply? That he must make an
|
|
effort. That he is bound to make an effort. We have always been a
|
|
family remarkable for effort. Paul is at the head of the family;
|
|
almost the only representative of it left - for what am I - I am of no
|
|
consequence - '
|
|
|
|
'My dearest love,' remonstrated Miss Tox.
|
|
|
|
Mrs Chick dried her eyes, which were, for the moment, overflowing;
|
|
and proceeded:
|
|
|
|
'And consequently he is more than ever bound to make an effort. And
|
|
though his having done so, comes upon me with a sort of shock - for
|
|
mine is a very weak and foolish nature; which is anything but a
|
|
blessing I am sure; I often wish my heart was a marble slab, or a
|
|
paving-stone -
|
|
|
|
'My sweet Louisa,' remonstrated Miss Tox again.
|
|
|
|
'Still, it is a triumph to me to know that he is so true to
|
|
himself, and to his name of Dombey; although, of course, I always knew
|
|
he would be. I only hope,' said Mrs Chick, after a pause, 'that she
|
|
may be worthy of the name too.
|
|
|
|
Miss Tox filled a little green watering-pot from a jug, and
|
|
happening to look up when she had done so, was so surprised by the
|
|
amount of expression Mrs Chick had conveyed into her face, and was
|
|
bestowing upon her, that she put the little watering-pot on the table
|
|
for the present, and sat down near it.
|
|
|
|
'My dear Louisa,' said Miss Tox, 'will it be the least satisfaction
|
|
to you, if I venture to observe in reference to that remark, that I,
|
|
as a humble individual, think your sweet niece in every way most
|
|
promising?~ 'What do you mean, Lucretia?' returned Mrs Chick, with
|
|
increased stateliness of manner. 'To what remark of mine, my dear, do
|
|
you refer?'
|
|
|
|
'Her being worthy of her name, my love,' replied Miss Tox.
|
|
|
|
'If,' said Mrs Chick, with solemn patience, 'I have not expressed
|
|
myself with clearness, Lucretia, the fault of course is mine. There
|
|
is, perhaps, no reason why I should express myself at all, except the
|
|
intimacy that has subsisted between us, and which I very much hope,
|
|
Lucretia - confidently hope - nothing will occur to disturb. Because,
|
|
why should I do anything else? There is no reason; it would be absurd.
|
|
But I wish to express myself clearly, Lucretia; and therefore to go
|
|
back to that remark, I must beg to say that it was not intended to
|
|
relate to Florence, in any way.'
|
|
|
|
'Indeed!' returned Miss Tox.
|
|
|
|
'No,' said Mrs Chick shortly and decisively.
|
|
|
|
'Pardon me, my dear,' rejoined her meek friend; 'but I cannot have
|
|
understood it. I fear I am dull.'
|
|
|
|
Mrs Chick looked round the room and over the way; at the plants, at
|
|
the bird, at the watering-pot, at almost everything within view,
|
|
except Miss Tox; and finally dropping her glance upon Miss Tox, for a
|
|
moment, on its way to the ground, said, looking meanwhile with
|
|
elevated eyebrows at the carpet:
|
|
|
|
'When I speak, Lucretia, of her being worthy of the name, I speak
|
|
of my brother Paul's second wife. I believe I have already said, in
|
|
effect, if not in the very words I now use, that it is his intention
|
|
to marry a second wife.'
|
|
|
|
Miss Tox left her seat in a hurry, and returned to her plants;
|
|
clipping among the stems and leaves, with as little favour as a barber
|
|
working at so many pauper heads of hair.
|
|
|
|
'Whether she will be fully sensible of the distinction conferred
|
|
upon her,' said Mrs Chick, in a lofty tone, 'is quite another
|
|
question. I hope she may be. We are bound to think well of one another
|
|
in this world, and I hope she may be. I have not been advised with
|
|
myself If I had been advised with, I have no doubt my advice would
|
|
have been cavalierly received, and therefore it is infinitely better
|
|
as it is. I much prefer it as it is.'
|
|
|
|
Miss Tox, with head bent down, still clipped among the plants. Mrs
|
|
Chick, with energetic shakings of her own head from time to time,
|
|
continued to hold forth, as if in defiance of somebody. 'If my brother
|
|
Paul had consulted with me, which he sometimes does - or rather,
|
|
sometimes used to do; for he will naturally do that no more now, and
|
|
this is a circumstance which I regard as a relief from
|
|
responsibility,' said Mrs Chick, hysterically, 'for I thank Heaven I
|
|
am not jealous - ' here Mrs Chick again shed tears: 'if my brother
|
|
Paul had come to me, and had said, "Louisa, what kind of qualities
|
|
would you advise me to look out for, in a wife?" I should certainly
|
|
have answered, "Paul, you must have family, you must have beauty, you
|
|
must have dignity, you must have connexion." Those are the words I
|
|
should have used. You might have led me to the block immediately
|
|
afterwards,' said Mrs Chick, as if that consequence were highly
|
|
probable, 'but I should have used them. I should have said, "Paul! You
|
|
to marry a second time without family! You to marry without beauty!
|
|
You to marry without dignity! You to marry without connexion! There is
|
|
nobody in the world, not mad, who could dream of daring to entertain
|
|
such a preposterous idea!"'
|
|
|
|
Miss Tox stopped clipping; and with her head among the plants,
|
|
listened attentively. Perhaps Miss Tox thought there was hope in this
|
|
exordium, and the warmth of Mrs Chick.
|
|
|
|
I should have adopted this course of argument,' pursued the
|
|
discreet lady, 'because I trust I am not a fool. I make no claim to be
|
|
considered a person of superior intellect - though I believe some
|
|
people have been extraordinary enough to consider me so; one so little
|
|
humoured as I am, would very soon be disabused of any such notion; but
|
|
I trust I am not a downright fool. And to tell ME,' said Mrs Chick
|
|
with ineffable disdain, 'that my brother Paul Dombey could ever
|
|
contemplate the possibility of uniting himself to anybody - I don't
|
|
care who' - she was more sharp and emphatic in that short clause than
|
|
in any other part of her discourse - 'not possessing these requisites,
|
|
would be to insult what understanding I have got, as much as if I was
|
|
to be told that I was born and bred an elephant, which I may be told
|
|
next,' said Mrs Chick, with resignation. 'It wouldn't surprise me at
|
|
all. I expect it.'
|
|
|
|
In the moment's silence that ensued, Miss Tox's scissors gave a
|
|
feeble clip or two; but Miss Tox's face was still invisible, and Miss
|
|
Tox's morning gown was agitated. Mrs Chick looked sideways at her,
|
|
through the intervening plants, and went on to say, in a tone of bland
|
|
conviction, and as one dwelling on a point of fact that hardly
|
|
required to be stated:
|
|
|
|
'Therefore, of course my brother Paul has done what was to be
|
|
expected of him, and what anybody might have foreseen he would do, if
|
|
he entered the marriage state again. I confess it takes me rather by
|
|
surprise, however gratifying; because when Paul went out of town I had
|
|
no idea at all that he would form any attachment out of town, and he
|
|
certainly had no attachment when he left here. However, it seems to be
|
|
extremely desirable in every point of view. I have no doubt the mother
|
|
is a most genteel and elegant creature, and I have no right whatever
|
|
to dispute the policy of her living with them: which is Paul's affair,
|
|
not mine - and as to Paul's choice, herself, I have only seen her
|
|
picture yet, but that is beautiful indeed. Her name is beautiful too,'
|
|
said Mrs Chick, shaking her head with energy, and arranging herself in
|
|
her chair; 'Edith is at once uncommon, as it strikes me, and
|
|
distinguished. Consequently, Lucretia, I have no doubt you will be
|
|
happy to hear that the marriage is to take place immediately - of
|
|
course, you will:' great emphasis again: 'and that you are delighted
|
|
with this change in the condition of my brother, who has shown you a
|
|
great deal of pleasant attention at various times.'
|
|
|
|
Miss Tox made no verbal answer, but took up the little watering-pot
|
|
with a trembling hand, and looked vacantly round as if considering
|
|
what article of furniture would be improved by the contents. The room
|
|
door opening at this crisis of Miss Tox's feelings, she started,
|
|
laughed aloud, and fell into the arms of the person entering; happily
|
|
insensible alike of Mrs Chick's indignant countenance and of the Major
|
|
at his window over the way, who had his double-barrelled eye-glass in
|
|
full action, and whose face and figure were dilated with
|
|
Mephistophelean joy.
|
|
|
|
Not so the expatriated Native, amazed supporter of Miss Tox's
|
|
swooning form, who, coming straight upstairs, with a polite inquiry
|
|
touching Miss Tox's health (in exact pursuance of the Major's
|
|
malicious instructions), had accidentally arrived in the very nick of
|
|
time to catch the delicate burden in his arms, and to receive the
|
|
content' of the little watering-pot in his shoe; both of which
|
|
circumstances, coupled with his consciousness of being closely watched
|
|
by the wrathful Major, who had threatened the usual penalty in regard
|
|
of every bone in his skin in case of any failure, combined to render
|
|
him a moving spectacle of mental and bodily distress.
|
|
|
|
For some moments, this afflicted foreigner remained clasping Miss
|
|
Tox to his heart, with an energy of action in remarkable opposition to
|
|
his disconcerted face, while that poor lady trickled slowly down upon
|
|
him the very last sprinklings of the little watering-pot, as if he
|
|
were a delicate exotic (which indeed he was), and might be almost
|
|
expected to blow while the gentle rain descended. Mrs Chick, at length
|
|
recovering sufficient presence of mind to interpose, commanded him to
|
|
drop Miss Tox upon the sofa and withdraw; and the exile promptly
|
|
obeying, she applied herself to promote Miss Tox's recovery.
|
|
|
|
But none of that gentle concern which usually characterises the
|
|
daughters of Eve in their tending of each other; none of that
|
|
freemasonry in fainting, by which they are generally bound together In
|
|
a mysterious bond of sisterhood; was visible in Mrs Chick's demeanour.
|
|
Rather like the executioner who restores the victim to sensation
|
|
previous to proceeding with the torture (or was wont to do so, in the
|
|
good old times for which all true men wear perpetual mourning), did
|
|
Mrs Chick administer the smelling-bottle, the slapping on the hands,
|
|
the dashing of cold water on the face, and the other proved remedies.
|
|
And when, at length, Miss Tox opened her eyes, and gradually became
|
|
restored to animation and consciousness, Mrs Chick drew off as from a
|
|
criminal, and reversing the precedent of the murdered king of Denmark,
|
|
regarded her more in anger than In sorrow.'
|
|
|
|
'Lucretia!' said Mrs Chick 'I will not attempt to disguise what I
|
|
feel. My eyes are opened, all at once. I wouldn't have believed this,
|
|
if a Saint had told it to me.
|
|
|
|
'I am foolish to give way to faintness,' Miss Tox faltered. 'I
|
|
shall be better presently.'
|
|
|
|
'You will be better presently, Lucretia!' repeated Mrs Chick, with
|
|
exceeding scorn. 'Do you suppose I am blind? Do you imagine I am in my
|
|
second childhood? No, Lucretia! I am obliged to you!'
|
|
|
|
Miss Tox directed an imploring, helpless kind of look towards her
|
|
friend, and put her handkerchief before her face.
|
|
|
|
'If anyone had told me this yesterday,' said Mrs Chick, with
|
|
majesty, 'or even half-an-hour ago, I should have been tempted, I
|
|
almost believe, to strike them to the earth. Lucretia Tox, my eyes are
|
|
opened to you all at once. The scales:' here Mrs Chick cast down an
|
|
imaginary pair, such as are commonly used in grocers' shops: 'have
|
|
fallen from my sight. The blindness of my confidence is past,
|
|
Lucretia. It has been abused and played, upon, and evasion is quite
|
|
out of the question now, I assure you.
|
|
|
|
'Oh! to what do you allude so cruelly, my love?' asked Miss Tox,
|
|
through her tears.
|
|
|
|
'Lucretia,' said Mrs Chick, 'ask your own heart. I must entreat you
|
|
not to address me by any such familiar term as you have just used, if
|
|
you please. I have some self-respect left, though you may think
|
|
otherwise.'
|
|
|
|
'Oh, Louisa!' cried Miss Tox. 'How can you speak to me like that?'
|
|
|
|
'How can I speak to you like that?' retorted Mrs Chick, who, in
|
|
default of having any particular argument to sustain herself upon,
|
|
relied principally on such repetitions for her most withering effects.
|
|
'Like that! You may well say like that, indeed!'
|
|
|
|
Miss Tox sobbed pitifully.
|
|
|
|
'The idea!' said Mrs Chick, 'of your having basked at my brother's
|
|
fireside, like a serpent, and wound yourself, through me, almost into
|
|
his confidence, Lucretia, that you might, in secret, entertain designs
|
|
upon him, and dare to aspire to contemplate the possibility of his
|
|
uniting himself to you! Why, it is an idea,' said Mrs Chick, with
|
|
sarcastic dignity, 'the absurdity of which almost relieves its
|
|
treachery.'
|
|
|
|
'Pray, Louisa,' urged Miss Tox, 'do not say such dreadful things.'
|
|
|
|
'Dreadful things!' repeated Mrs Chick. 'Dreadful things! Is it not
|
|
a fact, Lucretia, that you have just now been unable to command your
|
|
feelings even before me, whose eyes you had so completely closed?'
|
|
|
|
'I have made no complaint,' sobbed Miss Tox. 'I have said nothing.
|
|
If I have been a little overpowered by your news, Louisa, and have
|
|
ever had any lingering thought that Mr Dombey was inclined to be
|
|
particular towards me, surely you will not condemn me.'
|
|
|
|
'She is going to say,' said Mrs Chick, addressing herself to the
|
|
whole of the furniture, in a comprehensive glance of resignation and
|
|
appeal, 'She is going to say - I know it - that I have encouraged
|
|
her!'
|
|
|
|
'I don't wish to exchange reproaches, dear Louisa,' sobbed Miss Tox
|
|
'Nor do I wish to complain. But, in my own defence - '
|
|
|
|
'Yes,' cried Mrs Chick, looking round the room with a prophetic
|
|
smile, 'that's what she's going to say. I knew it. You had better say
|
|
it. Say it openly! Be open, Lucretia Tox,' said Mrs Chick, with
|
|
desperate sternness, 'whatever you are.'
|
|
|
|
'In my own defence,' faltered Miss Tox, 'and only In my own defence
|
|
against your unkind words, my dear Louisa, I would merely ask you if
|
|
you haven't often favoured such a fancy, and even said it might
|
|
happen, for anything we could tell?'
|
|
|
|
'There is a point,' said Mrs Chick, rising, not as if she were
|
|
going to stop at the floor, but as if she were about to soar up, high,
|
|
into her native skies, 'beyond which endurance becomes ridiculous, if
|
|
not culpable. I can bear much; but not too much. What spell was on me
|
|
when I came into this house this day, I don't know; but I had a
|
|
presentiment - a dark presentiment,' said Mrs Chick, with a shiver,
|
|
'that something was going to happen. Well may I have had that
|
|
foreboding, Lucretia, when my confidence of many years is destroyed in
|
|
an instant, when my eyes are opened all at once, and when I find you
|
|
revealed in your true colours. Lucretia, I have been mistaken in you.
|
|
It is better for us both that this subject should end here. I wish you
|
|
well, and I shall ever wish you well. But, as an individual who
|
|
desires to be true to herself in her own poor position, whatever that
|
|
position may be, or may not be - and as the sister of my brother - and
|
|
as the sister-in-law of my brother's wife - and as a connexion by
|
|
marriage of my brother's wife's mother - may I be permitted to add, as
|
|
a Dombey? - I can wish you nothing else but good morning.'
|
|
|
|
These words, delivered with cutting suavity, tempered and chastened
|
|
by a lofty air of moral rectitude, carried the speaker to the door.
|
|
There she inclined her head in a ghostly and statue-like manner, and
|
|
so withdrew to her carriage, to seek comfort and consolation in the
|
|
arms of Mr Chick, her lord.
|
|
|
|
Figuratively speaking, that is to say; for the arms of Mr Chick
|
|
were full of his newspaper. Neither did that gentleman address his
|
|
eyes towards his wife otherwise than by stealth. Neither did he offer
|
|
any consolation whatever. In short, he sat reading, and humming fag
|
|
ends of tunes, and sometimes glancing furtively at her without
|
|
delivering himself of a word, good, bad, or indifferent.
|
|
|
|
In the meantime Mrs Chick sat swelling and bridling, and tossing
|
|
her head, as if she were still repeating that solemn formula of
|
|
farewell to Lucretia Tox. At length, she said aloud, 'Oh the extent to
|
|
which her eyes had been opened that day!'
|
|
|
|
'To which your eyes have been opened, my dear!' repeated Mr Chick.
|
|
|
|
'Oh, don't talk to me!' said Mrs Chic 'if you can bear to see me in
|
|
this state, and not ask me what the matter is, you had better hold
|
|
your tongue for ever.'
|
|
|
|
'What is the matter, my dear?' asked Mr Chick
|
|
|
|
'To think,' said Mrs Chick, in a state of soliloquy, 'that she
|
|
should ever have conceived the base idea of connecting herself with
|
|
our family by a marriage with Paul! To think that when she was playing
|
|
at horses with that dear child who is now in his grave - I never liked
|
|
it at the time - she should have been hiding such a double-faced
|
|
design! I wonder she was never afraid that something would happen to
|
|
her. She is fortunate if nothing does.'
|
|
|
|
'I really thought, my dear,' said Mr Chick slowly, after rubbing
|
|
the bridge of his nose for some time with his newspaper, 'that you had
|
|
gone on the same tack yourself, all along, until this morning; and had
|
|
thought it would be a convenient thing enough, if it could have been
|
|
brought about.'
|
|
|
|
Mrs Chick instantly burst into tears, and told Mr Chick that if he
|
|
wished to trample upon her with his boots, he had better do It.
|
|
|
|
'But with Lucretia Tox I have done,' said Mrs Chick, after
|
|
abandoning herself to her feelings for some minutes, to Mr Chick's
|
|
great terror. 'I can bear to resign Paul's confidence in favour of one
|
|
who, I hope and trust, may be deserving of it, and with whom he has a
|
|
perfect right to replace poor Fanny if he chooses; I can bear to be
|
|
informed, In Paul's cool manner, of such a change in his plans, and
|
|
never to be consulted until all is settled and determined; but deceit
|
|
I can not bear, and with Lucretia Tox I have done. It is better as it
|
|
is,' said Mrs Chick, piously; 'much better. It would have been a long
|
|
time before I could have accommodated myself comfortably with her,
|
|
after this; and I really don't know, as Paul is going to be very
|
|
grand, and these are people of condition, that she would have been
|
|
quite presentable, and might not have compromised myself. There's a
|
|
providence in everything; everything works for the best; I have been
|
|
tried today but on the whole I do not regret it.'
|
|
|
|
In which Christian spirit, Mrs Chick dried her eyes and smoothed
|
|
her lap, and sat as became a person calm under a great wrong. Mr Chick
|
|
feeling his unworthiness no doubt, took an early opportunity of being
|
|
set down at a street corner and walking away whistling, with his
|
|
shoulders very much raised, and his hands in his pockets.
|
|
|
|
While poor excommunicated Miss Tox, who, if she were a fawner and
|
|
toad-eater, was at least an honest and a constant one, and had ever
|
|
borne a faithful friendship towards her impeacher and had been truly
|
|
absorbed and swallowed up in devotion to the magnificence of Mr Dombey
|
|
- while poor excommunicated Miss Tox watered her plants with her
|
|
tears, and felt that it was winter in Princess's Place.
|
|
|
|
CHAPTER 30.
|
|
|
|
The interval before the Marriage
|
|
|
|
Although the enchanted house was no more, and the working world had
|
|
broken into it, and was hammering and crashing and tramping up and
|
|
down stairs all day long keeping Diogenes in an incessant paroxysm of
|
|
barking, from sunrise to sunset - evidently convinced that his enemy
|
|
had got the better of him at last, and was then sacking the premises
|
|
in triumphant defiance - there was, at first, no other great change in
|
|
the method of Florence's life. At night, when the workpeople went
|
|
away, the house was dreary and deserted again; and Florence, listening
|
|
to their voices echoing through the hall and staircase as they
|
|
departed, pictured to herself the cheerful homes to which the were
|
|
returning, and the children who were waiting for them, and was glad to
|
|
think that they were merry and well pleased to go.
|
|
|
|
She welcomed back the evening silence as an old friend, but it came
|
|
now with an altered face, and looked more kindly on her. Fresh hope
|
|
was in it. The beautiful lady who had soothed and carressed her, in
|
|
the very room in which her heart had been so wrung, was a spirit of
|
|
promise to her. Soft shadows of the bright life dawning, when her
|
|
father's affection should be gradually won, and all, or much should be
|
|
restored, of what she had lost on the dark day when a mother's love
|
|
had faded with a mother's last breath on her cheek, moved about her in
|
|
the twilight and were welcome company. Peeping at the rosy children
|
|
her neighbours, it was a new and precious sensation to think that they
|
|
might soon speak together and know each other; when she would not
|
|
fear, as of old, to show herself before them, lest they should be
|
|
grieved to see her in her black dress sitting there alone!
|
|
|
|
In her thoughts of her new mother, and in the love and trust
|
|
overflowing her pure heart towards her, Florence loved her own dead
|
|
mother more and more. She had no fear of setting up a rival in her
|
|
breast. The new flower sprang from the deep-planted and long-cherished
|
|
root, she knew. Every gentle word that had fallen from the lips of the
|
|
beautiful lady, sounded to Florence like an echo of the voice long
|
|
hushed and silent. How could she love that memory less for living
|
|
tenderness, when it was her memory of all parental tenderness and
|
|
love!
|
|
|
|
Florence was, one day, sitting reading in her room, and thinking of
|
|
the lady and her promised visit soon - for her book turned on a
|
|
kindred subject - when, raising her eyes, she saw her standing in the
|
|
doorway.
|
|
|
|
'Mama!' cried Florence, joyfully meeting her. 'Come again!'
|
|
|
|
'Not Mama yet,' returned the lady, with a serious smile, as she
|
|
encircled Florence's neck with her arm.
|
|
|
|
'But very soon to be,' cried Florence.
|
|
|
|
'Very soon now, Florence: very soon.
|
|
|
|
Edith bent her head a little, so as to press the blooming cheek of
|
|
Florence against her own, and for some few moments remained thus
|
|
silent. There was something so very tender in her manner, that
|
|
Florence was even more sensible of it than on the first occasion of
|
|
their meeting.
|
|
|
|
She led Florence to a chair beside her, and sat down: Florence
|
|
looking in her face, quite wondering at its beauty, and willingly
|
|
leaving her hand In hers.
|
|
|
|
'Have you been alone, Florence, since I was here last?'
|
|
|
|
'Oh yes!' smiled Florence, hastily.
|
|
|
|
She hesitated and cast down her eyes; for her new Mama was very
|
|
earnest in her look, and the look was intently and thoughtfully fixed
|
|
upon her face.
|
|
|
|
'I - I- am used to be alone,' said Florence. 'I don't mind it at
|
|
all. Di and I pass whole days together, sometimes.' Florence might
|
|
have said, whole weeks and months.
|
|
|
|
'Is Di your maid, love?'
|
|
|
|
'My dog, Mama,' said Florence, laughing. 'Susan is my maid.'
|
|
|
|
'And these are your rooms,' said Edith, looking round. 'I was not
|
|
shown these rooms the other day. We must have them improved, Florence.
|
|
They shall be made the prettiest in the house.'
|
|
|
|
'If I might change them, Mama,' returned Florence; 'there is one
|
|
upstairs I should like much better.'
|
|
|
|
'Is this not high enough, dear girl?' asked Edith, smiling.
|
|
|
|
'The other was my brother's room,' said Florence, 'and I am very
|
|
fond of it. I would have spoken to Papa about it when I came home, and
|
|
found the workmen here, and everything changing; but - '
|
|
|
|
Florence dropped her eyes, lest the same look should make her
|
|
falter again.
|
|
|
|
'but I was afraid it might distress him; and as you said you would
|
|
be here again soon, Mama, and are the mistress of everything, I
|
|
determined to take courage and ask you.'
|
|
|
|
Edith sat looking at her, with her brilliant eyes intent upon her
|
|
face, until Florence raising her own, she, in her turn, withdrew her
|
|
gaze, and turned it on the ground. It was then that Florence thought
|
|
how different this lady's beauty was, from what she had supposed. She
|
|
had thought it of a proud and lofty kind; yet her manner was so
|
|
subdued and gentle, that if she had been of Florence's own age and
|
|
character, it scarcely could have invited confidence more.
|
|
|
|
Except when a constrained and singular reserve crept over her; and
|
|
then she seemed (but Florence hardly understood this, though she could
|
|
not choose but notice it, and think about it) as if she were humbled
|
|
before Florence, and ill at ease. When she had said that she was not
|
|
her Mama yet, and when Florence had called her the mistress of
|
|
everything there, this change in her was quick and startling; and now,
|
|
while the eyes of Florence rested on her face, she sat as though she
|
|
would have shrunk and hidden from her, rather than as one about to
|
|
love and cherish her, in right of such a near connexion.
|
|
|
|
She gave Florence her ready promise, about her new room, and said
|
|
she would give directions about it herself. She then asked some
|
|
questions concerning poor Paul; and when they had sat in conversation
|
|
for some time, told Florence she had come to take her to her own home.
|
|
|
|
'We have come to London now, my mother and I,' said Edith, 'and you
|
|
shall stay with us until I am married. I wish that we should know and
|
|
trust each other, Florence.'
|
|
|
|
'You are very kind to me,' said Florence, 'dear Mama. How much I
|
|
thank you!'
|
|
|
|
'Let me say now, for it may be the best opportunity,' continued
|
|
Edith, looking round to see that they were quite alone, and speaking
|
|
in a lower voice, 'that when I am married, and have gone away for some
|
|
weeks, I shall be easier at heart if you will come home here. No
|
|
matter who invites you to stay elsewhere. Come home here. It is better
|
|
to be alone than - what I would say is,' she added, checking herself,
|
|
'that I know well you are best at home, dear Florence.'
|
|
|
|
'I will come home on the very day, Mama'
|
|
|
|
'Do so. I rely on that promise. Now, prepare to come with me, dear
|
|
girl. You will find me downstairs when you are ready.'
|
|
|
|
Slowly and thoughtfully did Edith wander alone through the mansion
|
|
of which she was so soon to be the lady: and little heed took she of
|
|
all the elegance and splendour it began to display. The same
|
|
indomitable haughtiness of soul, the same proud scorn expressed in eye
|
|
and lip, the same fierce beauty, only tamed by a sense of its own
|
|
little worth, and of the little worth of everything around it, went
|
|
through the grand saloons and halls, that had got loose among the
|
|
shady trees, and raged and rent themselves. The mimic roses on the
|
|
walls and floors were set round with sharp thorns, that tore her
|
|
breast; in every scrap of gold so dazzling to the eye, she saw some
|
|
hateful atom of her purchase-money; the broad high mirrors showed her,
|
|
at full length, a woman with a noble quality yet dwelling in her
|
|
nature, who was too false to her better self, and too debased and
|
|
lost, to save herself. She believed that all this was so plain, more
|
|
or less, to all eyes, that she had no resource or power of
|
|
self-assertion but in pride: and with this pride, which tortured her
|
|
own heart night and day, she fought her fate out, braved it, and
|
|
defied it.
|
|
|
|
Was this the woman whom Florence - an innocent girl, strong only in
|
|
her earnestness and simple truth - could so impress and quell, that by
|
|
her side she was another creature, with her tempest of passion hushed,
|
|
and her very pride itself subdued? Was this the woman who now sat
|
|
beside her in a carriage, with her arms entwined, and who, while she
|
|
courted and entreated her to love and trust her, drew her fair head to
|
|
nestle on her breast, and would have laid down life to shield it from
|
|
wrong or harm?
|
|
|
|
Oh, Edith! it were well to die, indeed, at such a time! Better and
|
|
happier far, perhaps, to die so, Edith, than to live on to the end!
|
|
|
|
The Honourable Mrs Skewton, who was thinking of anything rather
|
|
than of such sentiments - for, like many genteel persons who have
|
|
existed at various times, she set her face against death altogether,
|
|
and objected to the mention of any such low and levelling upstart -
|
|
had borrowed a house in Brook Street, Grosvenor Square, from a stately
|
|
relative (one of the Feenix brood), who was out of town, and who did
|
|
not object to lending it, in the handsomest manner, for nuptial
|
|
purposes, as the loan implied his final release and acquittance from
|
|
all further loans and gifts to Mrs Skewton and her daughter. It being
|
|
necessary for the credit of the family to make a handsome appearance
|
|
at such a time, Mrs Skewton, with the assistance of an accommodating
|
|
tradesman resident In the parish of Mary-le-bone, who lent out all
|
|
sorts of articles to the nobility and gentry, from a service of plate
|
|
to an army of footmen, clapped into this house a silver-headed butler
|
|
(who was charged extra on that account, as having the appearnce of an
|
|
ancient family retainer), two very tall young men in livery, and a
|
|
select staff of kitchen-servants; so that a legend arose, downstairs,
|
|
that Withers the page, released at once from his numerous household
|
|
duties, and from the propulsion of the wheeled-chair (inconsistent
|
|
with the metropolis), had been several times observed to rub his eyes
|
|
and pinch his limbs, as if he misdoubted his having overslept himself
|
|
at the Leamington milkman's, and being still in a celestial dream. A
|
|
variety of requisites in plate and china being also conveyed to the
|
|
same establishment from the same convenient source, with several
|
|
miscellaneous articles, including a neat chariot and a pair of bays,
|
|
Mrs Skewton cushioned herself on the principal sofa, in the Cleopatra
|
|
attitude, and held her court in fair state.
|
|
|
|
'And how,' said Mrs Skewton, on the entrance of her daughter and
|
|
her charge, 'is my charming Florence? You must come and kiss me,
|
|
Florence, if you please, my love.'
|
|
|
|
Florence was timidly stooping to pick out a place In the white part
|
|
of Mrs Skewton's face, when that lady presented her ear, and relieved
|
|
her of her difficulty.
|
|
|
|
'Edith, my dear,' said Mrs Skewton, 'positively, I - stand a little
|
|
more in the light, my sweetest Florence, for a moment.
|
|
|
|
Florence blushingly complied.
|
|
|
|
'You don't remember, dearest Edith,' said her mother, 'what you
|
|
were when you were about the same age as our exceedingly precious
|
|
Florence, or a few years younger?'
|
|
|
|
'I have long forgotten, mother.'
|
|
|
|
'For positively, my dear,' said Mrs Skewton, 'I do think that I see
|
|
a decided resemblance to what you were then, in our extremely
|
|
fascinating young friend. And it shows,' said Mrs Skewton, in a lower
|
|
voice, which conveyed her opinion that Florence was in a very
|
|
unfinished state, 'what cultivation will do.'
|
|
|
|
'It does, indeed,' was Edith's stern reply.
|
|
|
|
Her mother eyed her sharply for a moment, and feeling herself on
|
|
unsafe ground, said, as a diversion:
|
|
|
|
'My charming Florence, you must come and kiss me once more, if you
|
|
please, my love.'
|
|
|
|
Florence complied, of course, and again imprinted her lips on Mrs
|
|
Skewton's ear.
|
|
|
|
'And you have heard, no doubt, my darling pet,' said Mrs Skewton,
|
|
detaining her hand, 'that your Papa, whom we all perfectly adore and
|
|
dote upon, is to be married to my dearest Edith this day week.'
|
|
|
|
'I knew it would be very soon,' returned Florence, 'but not exactly
|
|
when.'
|
|
|
|
'My darling Edith,' urged her mother, gaily, 'is it possible you
|
|
have not told Florence?'
|
|
|
|
'Why should I tell Florence?' she returned, so suddenly and
|
|
harshly, that Florence could scarcely believe it was the same voice.
|
|
|
|
Mrs Skewton then told Florence, as another and safer diversion,
|
|
that her father was coming to dinner, and that he would no doubt be
|
|
charmingly surprised to see her; as he had spoken last night of
|
|
dressing in the City, and had known nothing of Edith's design, the
|
|
execution of which, according to Mrs Skewton's expectation, would
|
|
throw him into a perfect ecstasy. Florence was troubled to hear this;
|
|
and her distress became so keen, as the dinner-hour approached, that
|
|
if she had known how to frame an entreaty to be suffered to return
|
|
home, without involving her father in her explanation, she would have
|
|
hurried back on foot, bareheaded, breathless, and alone, rather than
|
|
incur the risk of meeting his displeasure.
|
|
|
|
As the time drew nearer, she could hardly breathe. She dared not
|
|
approach a window, lest he should see her from the street. She dared
|
|
not go upstairs to hide her emotion, lest, in passing out at the door,
|
|
she should meet him unexpectedly; besides which dread, she felt as
|
|
though she never could come back again if she were summoned to his
|
|
presence. In this conflict of fears; she was sitting by Cleopatra's
|
|
couch, endeavouring to understand and to reply to the bald discourse
|
|
of that lady, when she heard his foot upon the stair.
|
|
|
|
'I hear him now!' cried Florence, starting. 'He is coming!'
|
|
|
|
Cleopatra, who in her juvenility was always playfully disposed, and
|
|
who in her self-engrossment did not trouble herself about the nature
|
|
of this agitation, pushed Florence behind her couch, and dropped a
|
|
shawl over her, preparatory to giving Mr Dombey a rapture of surprise.
|
|
It was so quickly done, that in a moment Florence heard his awful step
|
|
in the room.
|
|
|
|
He saluted his intended mother-in-law, and his intended bride. The
|
|
strange sound of his voice thrilled through the whole frame of his
|
|
child.
|
|
|
|
'My dear Dombey,' said Cleopatra, 'come here and tell me how your
|
|
pretty Florence is.'
|
|
|
|
'Florence is very well,' said Mr Dombey, advancing towards the
|
|
couch.
|
|
|
|
'At home?'
|
|
|
|
'At home,' said Mr Dombey.
|
|
|
|
'My dear Dombey,' returned Cleopatra, with bewitching vivacity;
|
|
'now are you sure you are not deceiving me? I don't know what my
|
|
dearest Edith will say to me when I make such a declaration, but upon
|
|
my honour I am afraid you are the falsest of men, my dear Dombey.'
|
|
|
|
Though he had been; and had been detected on the spot, in the most
|
|
enormous falsehood that was ever said or done; he could hardly have
|
|
been more disconcerted than he was, when Mrs Skewton plucked the shawl
|
|
away, and Florence, pale and trembling, rose before him like a ghost.
|
|
He had not yet recovered his presence of mind, when Florence had run
|
|
up to him, clasped her hands round his neck, kissed his face, and
|
|
hurried out of the room. He looked round as if to refer the matter to
|
|
somebody else, but Edith had gone after Florence, instantly.
|
|
|
|
'Now, confess, my dear Dombey,' said Mrs Skewton, giving him her
|
|
hand, 'that you never were more surprised and pleased in your life.'
|
|
|
|
'I never was more surprised,' said Mr Dombey.
|
|
|
|
'Nor pleased, my dearest Dombey?' returned Mrs Skewton, holding up
|
|
her fan.
|
|
|
|
'I - yes, I am exceedingly glad to meet Florence here,' said Mr
|
|
Dombey. He appeared to consider gravely about it for a moment, and
|
|
then said, more decidedly, 'Yes, I really am very glad indeed to meet
|
|
Florence here.'
|
|
|
|
'You wonder how she comes here?' said Mrs Skewton, 'don't you?'
|
|
|
|
'Edith, perhaps - ' suggested Mr Dombey.
|
|
|
|
'Ah! wicked guesser!' replied Cleopatra, shaking her head. 'Ah!
|
|
cunning, cunning man! One shouldn't tell these things; your sex, my
|
|
dear Dombey, are so vain, and so apt to abuse our weakness; but you
|
|
know my open soul - very well; immediately.'
|
|
|
|
This was addressed to one of the very tall young men who announced
|
|
dinner.
|
|
|
|
'But Edith, my dear Dombey,' she continued in a whisper, when she
|
|
cannot have you near her - and as I tell her, she cannot expect that
|
|
always - will at least have near her something or somebody belonging
|
|
to you. Well, how extremely natural that is! And in this spirit,
|
|
nothing would keep her from riding off to-day to fetch our darling
|
|
Florence. Well, how excessively charming that is!'
|
|
|
|
As she waited for an answer, Mr Dombey answered, 'Eminently so.
|
|
|
|
'Bless you, my dear Dombey, for that proof of heart!' cried
|
|
Cleopatra, squeezing his hand. 'But I am growing too serious! Take me
|
|
downstairs, like an angel, and let us see what these people intend to
|
|
give us for dinner. Bless you, dear Dombey!'
|
|
|
|
Cleopatra skipping off her couch with tolerable briskness, after
|
|
the last benediction, Mr Dombey took her arm in his and led her
|
|
ceremoniously downstairs; one of the very tall young men on hire,
|
|
whose organ of veneration was imperfectly developed, thrusting his
|
|
tongue into his cheek, for the entertainment of the other very tall
|
|
young man on hire, as the couple turned into the dining-room.
|
|
|
|
Florence and Edith were already there, and sitting side by side.
|
|
Florence would have risen when her father entered, to resign her chair
|
|
to him; but Edith openly put her hand upon her arm, and Mr Dombey took
|
|
an opposite place at the round table.
|
|
|
|
The conversation was almost entirely sustained by Mrs Skewton.
|
|
Florence hardly dared to raise her eyes, lest they should reveal the
|
|
traces of tears; far less dared to speak; and Edith never uttered one
|
|
word, unless in answer to a question. Verily, Cleopatra worked hard,
|
|
for the establishment that was so nearly clutched; and verily it
|
|
should have been a rich one to reward her!
|
|
|
|
And so your preparations are nearly finished at last, my dear
|
|
Dombey?' said Cleopatra, when the dessert was put upon the table, and
|
|
the silver-headed butler had withdrawn. 'Even the lawyers'
|
|
preparations!'
|
|
|
|
'Yes, madam,' replied Mr Dombey; 'the deed of settlement, the
|
|
professional gentlemen inform me, is now ready, and as I was
|
|
mentioning to you, Edith has only to do us the favour to suggest her
|
|
own time for its execution.'
|
|
|
|
Edith sat like a handsome statue; as cold, as silent, and as still.
|
|
|
|
'My dearest love,' said Cleopatra, 'do you hear what Mr Dombey
|
|
says? Ah, my dear Dombey!' aside to that gentleman, 'how her absence,
|
|
as the time approaches, reminds me of the days, when that most
|
|
agreeable of creatures, her Papa, was in your situation!'
|
|
|
|
'I have nothing to suggest. It shall be when you please,' said
|
|
Edith, scarcely looking over the table at Mr Dombey.
|
|
|
|
'To-morrow?' suggested Mr Dombey.
|
|
|
|
'If you please.'
|
|
|
|
'Or would next day,' said Mr Dombey, 'suit your engagements
|
|
better?'
|
|
|
|
'I have no engagements. I am always at your disposal. Let it be
|
|
when you like.'
|
|
|
|
'No engagements, my dear Edith!' remonstrated her mother, 'when you
|
|
are in a most terrible state of flurry all day long, and have a
|
|
thousand and one appointments with all sorts of trades-people!'
|
|
|
|
'They are of your making,' returned Edith, turning on her with a
|
|
slight contraction of her brow. 'You and Mr Dombey can arrange between
|
|
you.'
|
|
|
|
'Very true indeed, my love, and most considerate of you!' said
|
|
Cleopatra. 'My darling Florence, you must really come and kiss me once
|
|
more, if you please, my dear!'
|
|
|
|
Singular coincidence, that these gushes of interest In Florence
|
|
hurried Cleopatra away from almost every dialogue in which Edith had a
|
|
share, however trifling! Florence had certainly never undergone so
|
|
much embracing, and perhaps had never been, unconsciously, so useful
|
|
in her life.
|
|
|
|
Mr Dombey was far from quarrelling, in his own breast, with the
|
|
manner of his beautiful betrothed. He had that good reason for
|
|
sympathy with haughtiness and coldness, which is found In a
|
|
fellow-feeling. It flattered him to think how these deferred to him,
|
|
in Edith's case, and seemed to have no will apart from his. It
|
|
flattered him to picture to himself, this proud and stately woman
|
|
doing the honours of his house, and chilling his guests after his own
|
|
manner. The dignity of Dombey and Son would be heightened and
|
|
maintained, indeed, in such hands.
|
|
|
|
So thought Mr Dombey, when he was left alone at the dining-table,
|
|
and mused upon his past and future fortunes: finding no uncongeniality
|
|
in an air of scant and gloomy state that pervaded the room, in colour
|
|
a dark brown, with black hatchments of pictures blotching the walls,
|
|
and twenty-four black chairs, with almost as many nails in them as so
|
|
many coffins, waiting like mutes, upon the threshold of the Turkey
|
|
carpet; and two exhausted negroes holding up two withered branches of
|
|
candelabra on the sideboard, and a musty smell prevailing as if the
|
|
ashes of ten thousand dinners were entombed in the sarcophagus below
|
|
it. The owner of the house lived much abroad; the air of England
|
|
seldom agreed long with a member of the Feenix family; and the room
|
|
had gradually put itself into deeper and still deeper mourning for
|
|
him, until it was become so funereal as to want nothing but a body in
|
|
it to be quite complete.
|
|
|
|
No bad representation of the body, for the nonce, in his unbending
|
|
form, if not in his attitude, Mr Dombey looked down into the cold
|
|
depths of the dead sea of mahogany on which the fruit dishes and
|
|
decanters lay at anchor: as if the subjects of his thoughts were
|
|
rising towards the surface one by one, and plunging down again. Edith
|
|
was there In all her majesty of brow and figure; and close to her came
|
|
Florence, with her timid head turned to him, as it had been, for an
|
|
instant, when she left the room; and Edith's eyes upon her, and
|
|
Edith's hand put out protectingly. A little figure in a low arm-chair
|
|
came springing next into the light, and looked upon him wonderingly,
|
|
with its bright eyes and its old-young face, gleaming as in the
|
|
flickering of an evening fire. Again came Florence close upon it, and
|
|
absorbed his whole attention. Whether as a fore-doomed difficulty and
|
|
disappointment to him; whether as a rival who had crossed him in his
|
|
way, and might again; whether as his child, of whom, in his successful
|
|
wooing, he could stoop to think as claiming, at such a time, to be no
|
|
more estranged; or whether as a hint to him that the mere appearance
|
|
of caring for his own blood should be maintained in his new relations;
|
|
he best knew. Indifferently well, perhaps, at best; for marriage
|
|
company and marriage altars, and ambitious scenes - still blotted here
|
|
and there with Florence - always Florence - turned up so fast, and so
|
|
confusedly, that he rose, and went upstairs to escape them.
|
|
|
|
It was quite late at night before candles were brought; for at
|
|
present they made Mrs Skewton's head ache, she complained; and in the
|
|
meantime Florence and Mrs Skewton talked together (Cleopatra being
|
|
very anxious to keep her close to herself), or Florence touched the
|
|
piano softly for Mrs Skewton's delight; to make no mention of a few
|
|
occasions in the course of the evening, when that affectionate lady
|
|
was impelled to solicit another kiss, and which always happened after
|
|
Edith had said anything. They were not many, however, for Edith sat
|
|
apart by an open window during the whole time (in spite of her
|
|
mother's fears that she would take cold), and remained there until Mr
|
|
Dombey took leave. He was serenely gracious to Florence when he did
|
|
so; and Florence went to bed in a room within Edith's, so happy and
|
|
hopeful, that she thought of her late self as if it were some other
|
|
poor deserted girl who was to be pitied for her sorrow; and in her
|
|
pity, sobbed herself to sleep.
|
|
|
|
The week fled fast. There were drives to milliners, dressmakers,
|
|
jewellers, lawyers, florists, pastry-cooks; and Florence was always of
|
|
the party. Florence was to go to the wedding. Florence was to cast off
|
|
her mourning, and to wear a brilliant dress on the occasion. The
|
|
milliner's intentions on the subject of this dress - the milliner was
|
|
a Frenchwoman, and greatly resembled Mrs Skewton - were so chaste and
|
|
elegant, that Mrs Skewton bespoke one like it for herself. The
|
|
milliner said it would become her to admiration, and that all the
|
|
world would take her for the young lady's sister.
|
|
|
|
The week fled faster. Edith looked at nothing and cared for
|
|
nothing. Her rich dresses came home, and were tried on, and were
|
|
loudly commended by Mrs Skewton and the milliners, and were put away
|
|
without a word from her. Mrs Skewton made their plans for every day,
|
|
and executed them. Sometimes Edith sat in the carriage when they went
|
|
to make purchases; sometimes, when it was absolutely necessary, she
|
|
went into the shops. But Mrs Skewton conducted the whole business,
|
|
whatever it happened to be; and Edith looked on as uninterested and
|
|
with as much apparent indifference as if she had no concern in it.
|
|
Florence might perhaps have thought she was haughty and listless, but
|
|
that she was never so to her. So Florence quenched her wonder in her
|
|
gratitude whenever it broke out, and soon subdued it.
|
|
|
|
The week fled faster. It had nearly winged its flight away. The
|
|
last night of the week, the night before the marriage, was come. In
|
|
the dark room - for Mrs Skewton's head was no better yet, though she
|
|
expected to recover permanently to-morrow - were that lady, Edith, and
|
|
Mr Dombey. Edith was at her open window looking out into the street;
|
|
Mr Dombey and Cleopatra were talking softly on the sofa. It was
|
|
growing late; and Florence, being fatigued, had gone to bed.
|
|
|
|
'My dear Dombey,' said Cleopatra, 'you will leave me Florence
|
|
to-morrow, when you deprive me of my sweetest Edith.'
|
|
|
|
Mr Dombey said he would, with pleasure.
|
|
|
|
'To have her about me, here, while you are both at Paris, and to
|
|
think at her age, I am assisting in the formation of her mind, my dear
|
|
Dombey,' said Cleopatra, 'will be a perfect balm to me in the
|
|
extremely shattered state to which I shall be reduced.'
|
|
|
|
Edith turned her head suddenly. Her listless manner was exchanged,
|
|
in a moment, to one of burning interest, and, unseen in the darkness,
|
|
she attended closely to their conversation.
|
|
|
|
Mr Dombey would be delighted to leave Florence in such admirable
|
|
guardianship.
|
|
|
|
'My dear Dombey,' returned Cleopatra, 'a thousand thanks for your
|
|
good opinion. I feared you were going, with malice aforethought' as
|
|
the dreadful lawyers say - those horrid proses! - to condemn me to
|
|
utter solitude;'
|
|
|
|
'Why do me so great an injustice, my dear madam?' said Mr Dombey.
|
|
|
|
'Because my charming Florence tells me so positively she must go
|
|
home tomorrow, returned Cleopatra, that I began to be afraid, my
|
|
dearest Dombey, you were quite a Bashaw.'
|
|
|
|
'I assure you, madam!' said Mr Dombey, 'I have laid no commands on
|
|
Florence; and if I had, there are no commands like your wish.'
|
|
|
|
'My dear Dombey,' replied Cleopatra, what a courtier you are!
|
|
Though I'll not say so, either; for courtiers have no heart, and yours
|
|
pervades your farming life and character. And are you really going so
|
|
early, my dear Dombey!'
|
|
|
|
Oh, indeed! it was late, and Mr Dombey feared he must.
|
|
|
|
'Is this a fact, or is it all a dream!' lisped Cleopatra. 'Can I
|
|
believe, my dearest Dombey, that you are coming back tomorrow morning
|
|
to deprive me of my sweet companion; my own Edith!'
|
|
|
|
Mr Dombey, who was accustomed to take things literally, reminded
|
|
Mrs Skewton that they were to meet first at the church.
|
|
|
|
'The pang,' said Mrs Skewton, 'of consigning a child, even to you,
|
|
my dear Dombey, is one of the most excruciating imaginable, and
|
|
combined with a naturally delicate constitution, and the extreme
|
|
stupidity of the pastry-cook who has undertaken the breakfast, is
|
|
almost too much for my poor strength. But I shall rally, my dear
|
|
Dombey, In the morning; do not fear for me, or be uneasy on my
|
|
account. Heaven bless you! My dearest Edith!' she cried archly.
|
|
'Somebody is going, pet.'
|
|
|
|
Edith, who had turned her head again towards the window, and whose
|
|
interest in their conversation had ceased, rose up in her place, but
|
|
made no advance towards him, and said nothing. Mr Dombey, with a lofty
|
|
gallantry adapted to his dignity and the occasion, betook his creaking
|
|
boots towards her, put her hand to his lips, said, 'Tomorrow morning I
|
|
shall have the happiness of claiming this hand as Mrs Dombey's,' and
|
|
bowed himself solemnly out.
|
|
|
|
Mrs Skewton rang for candles as soon as the house-door had closed
|
|
upon him. With the candles appeared her maid, with the juvenile dress
|
|
that was to delude the world to-morrow. The dress had savage
|
|
retribution in it, as such dresses ever have, and made her infinitely
|
|
older and more hideous than her greasy flannel gown. But Mrs Skewton
|
|
tried it on with mincing satisfaction; smirked at her cadaverous self
|
|
in the glass, as she thought of its killing effect upon the Major; and
|
|
suffering her maid to take it off again, and to prepare her for
|
|
repose, tumbled into ruins like a house of painted cards.
|
|
|
|
All this time, Edith remained at the dark window looking out into
|
|
the street. When she and her mother were at last left alone, she moved
|
|
from it for the first time that evening, and came opposite to her. The
|
|
yawning, shaking, peevish figure of the mother, with her eyes raised
|
|
to confront the proud erect form of the daughter, whose glance of fire
|
|
was bent downward upon her, had a conscious air upon it, that no
|
|
levity or temper could conceal.
|
|
|
|
'I am tired to death,' said she. 'You can't be trusted for a
|
|
moment. You are worse than a child. Child! No child would be half so
|
|
obstinate and undutiful.'
|
|
|
|
'Listen to me, mother,' returned Edith, passing these words by with
|
|
a scorn that would not descend to trifle with them. 'You must remain
|
|
alone here until I return.'
|
|
|
|
'Must remain alone here, Edith, until you return!' repeated her
|
|
mother.
|
|
|
|
'Or in that name upon which I shall call to-morrow to witness what
|
|
I do, so falsely: and so shamefully, I swear I will refuse the hand of
|
|
this man in the church. If I do not, may I fall dead upon the
|
|
pavement!'
|
|
|
|
The mother answered with a look of quick alarm, in no degree
|
|
diminished by the look she met.
|
|
|
|
'It is enough,' said Edith, steadily, 'that we are what we are. I
|
|
will have no youth and truth dragged down to my level. I will have no
|
|
guileless nature undermined, corrupted, and perverted, to amuse the
|
|
leisure of a world of mothers. You know my meaning. Florence must go
|
|
home.'
|
|
|
|
'You are an idiot, Edith,' cried her angry mother. 'Do you expect
|
|
there can ever be peace for you in that house, till she is married,
|
|
and away?'
|
|
|
|
'Ask me, or ask yourself, if I ever expect peace in that house,'
|
|
said her daughter, 'and you know the answer.
|
|
|
|
'And am I to be told to-night, after all my pains and labour, and
|
|
when you are going, through me, to be rendered independent,' her
|
|
mother almost shrieked in her passion, while her palsied head shook
|
|
like a leaf, 'that there is corruption and contagion in me, and that I
|
|
am not fit company for a girl! What are you, pray? What are you?'
|
|
|
|
'I have put the question to myself,' said Edith, ashy pale, and
|
|
pointing to the window, 'more than once when I have been sitting
|
|
there, and something in the faded likeness of my sex has wandered past
|
|
outside; and God knows I have met with my reply. Oh mother, mother, if
|
|
you had but left me to my natural heart when I too was a girl - a
|
|
younger girl than Florence - how different I might have been!'
|
|
|
|
Sensible that any show of anger was useless here, her mother
|
|
restrained herself, and fell a whimpering, and bewailed that she had
|
|
lived too long, and that her only child had cast her off, and that
|
|
duty towards parents was forgotten in these evil days, and that she
|
|
had heard unnatural taunts, and cared for life no longer.
|
|
|
|
'If one is to go on living through continual scenes like this,' she
|
|
whined,'I am sure it would be much better for me to think of some
|
|
means of putting an end to my existence. Oh! The idea of your being my
|
|
daughter, Edith, and addressing me in such a strain!'
|
|
|
|
'Between us, mother,' returned Edith, mournfully, 'the time for
|
|
mutual reproaches is past.
|
|
|
|
'Then why do you revive it?' whimpered her mother. 'You know that
|
|
you are lacerating me in the cruellest manner. You know how sensitive
|
|
I am to unkindness. At such a moment, too, when I have so much to
|
|
think of, and am naturally anxious to appear to the best advantage! I
|
|
wonder at you, Edith. To make your mother a fright upon your
|
|
wedding-day!'
|
|
|
|
Edith bent the same fixed look upon her, as she sobbed and rubbed
|
|
her eyes; and said in the same low steady voice, which had neither
|
|
risen nor fallen since she first addressed her, 'I have said that
|
|
Florence must go home.'
|
|
|
|
'Let her go!' cried the afflicted and affrighted parent, hastily.
|
|
'I am sure I am willing she should go. What is the girl to me?'
|
|
|
|
'She is so much to me, that rather than communicate, or suffer to
|
|
be communicated to her, one grain of the evil that is in my breast,
|
|
mother, I would renounce you, as I would (if you gave me cause)
|
|
renounce him in the church to-morrow,' replied Edith. 'Leave her
|
|
alone. She shall not, while I can interpose, be tampered with and
|
|
tainted by the lessons I have learned. This is no hard condition on
|
|
this bitter night.'
|
|
|
|
'If you had proposed it in a filial manner, Edith,' whined her
|
|
mother, 'perhaps not; very likely not. But such extremely cutting
|
|
words - '
|
|
|
|
'They are past and at an end between us now,' said Edith. 'Take
|
|
your own way, mother; share as you please in what you have gained;
|
|
spend, enjoy, make much of it; and be as happy as you will. The object
|
|
of our lives is won. Henceforth let us wear it silently. My lips are
|
|
closed upon the past from this hour. I forgive you your part in
|
|
to-morrow's wickedness. May God forgive my own!'
|
|
|
|
Without a tremor in her voice, or frame, and passing onward with a
|
|
foot that set itself upon the neck of every soft emotion, she bade her
|
|
mother good-night, and repaired to her own room.
|
|
|
|
But not to rest; for there was no rest in the tumult of her
|
|
agitation when alone to and fro, and to and fro, and to and fro again,
|
|
five hundred times, among the splendid preparations for her adornment
|
|
on the morrow; with her dark hair shaken down, her dark eyes flashing
|
|
with a raging light, her broad white bosom red with the cruel grasp of
|
|
the relentless hand with which she spurned it from her, pacing up and
|
|
down with an averted head, as if she would avoid the sight of her own
|
|
fair person, and divorce herself from its companionship. Thus, In the
|
|
dead time of the night before her bridal, Edith Granger wrestled with
|
|
her unquiet spirit, tearless, friendless, silent, proud, and
|
|
uncomplaining.
|
|
|
|
At length it happened that she touched the open door which led into
|
|
the room where Florence lay.
|
|
|
|
She started, stopped, and looked in.
|
|
|
|
A light was burning there, and showed her Florence in her bloom of
|
|
innocence and beauty, fast asleep. Edith held her breath, and felt
|
|
herself drawn on towards her.
|
|
|
|
Drawn nearer, nearer, nearer yet; at last, drawn so near, that
|
|
stooping down, she pressed her lips to the gentle hand that lay
|
|
outside the bed, and put it softly to her neck. Its touch was like the
|
|
prophet's rod of old upon the rock. Her tears sprung forth beneath it,
|
|
as she sunk upon her knees, and laid her aching head and streaming
|
|
hair upon the pillow by its side.
|
|
|
|
Thus Edith Granger passed the night before her bridal. Thus the sun
|
|
found her on her bridal morning.
|
|
|
|
CHAPTER 31.
|
|
|
|
The Wedding
|
|
|
|
Dawn with its passionless blank face, steals shivering to the
|
|
church beneath which lies the dust of little Paul and his mother, and
|
|
looks in at the windows. It is cold and dark. Night crouches yet, upon
|
|
the pavement, and broods, sombre and heavy, in nooks and corners of
|
|
the building. The steeple-clock, perched up above the houses, emerging
|
|
from beneath another of the countless ripples in the tide of time that
|
|
regularly roll and break on the eternal shore, is greyly visible, like
|
|
a stone beacon, recording how the sea flows on; but within doors,
|
|
dawn, at first, can only peep at night, and see that it is there.
|
|
|
|
Hovering feebly round the church, and looking in, dawn moans and
|
|
weeps for its short reign, and its tears trickle on the window-glass,
|
|
and the trees against the church-wall bow their heads, and wring their
|
|
many hands in sympathy. Night, growing pale before it, gradually fades
|
|
out of the church, but lingers in the vaults below, and sits upon the
|
|
coffins. And now comes bright day, burnishing the steeple-clock, and
|
|
reddening the spire, and drying up the tears of dawn, and stifling its
|
|
complaining; and the dawn, following the night, and chasing it from
|
|
its last refuge, shrinks into the vaults itself and hides, with a
|
|
frightened face, among the dead, until night returns, refreshed, to
|
|
drive it out.
|
|
|
|
And now, the mice, who have been busier with the prayer-books than
|
|
their proper owners, and with the hassocks, more worn by their little
|
|
teeth than by human knees, hide their bright eyes in their holes, and
|
|
gather close together in affright at the resounding clashing of the
|
|
church-door. For the beadle, that man of power, comes early this
|
|
morning with the sexton; and Mrs Miff, the wheezy little pew-opener -
|
|
a mighty dry old lady, sparely dressed, with not an inch of fulness
|
|
anywhere about her - is also here, and has been waiting at the
|
|
church-gate half-an-hour, as her place is, for the beadle.
|
|
|
|
A vinegary face has Mrs Miff, and a mortified bonnet, and eke a
|
|
thirsty soul for sixpences and shillings. Beckoning to stray people to
|
|
come into pews, has given Mrs Miff an air of mystery; and there is
|
|
reservation in the eye of Mrs Miff, as always knowing of a softer
|
|
seat, but having her suspicions of the fee. There is no such fact as
|
|
Mr Miff, nor has there been, these twenty years, and Mrs Miff would
|
|
rather not allude to him. He held some bad opinions, it would seem,
|
|
about free seats; and though Mrs Miff hopes he may be gone upwards,
|
|
she couldn't positively undertake to say so.
|
|
|
|
Busy is Mrs Miff this morning at the church-door, beating and
|
|
dusting the altar-cloth, the carpet, and the cushions; and much has
|
|
Mrs Miff to say, about the wedding they are going to have. Mrs Miff is
|
|
told, that the new furniture and alterations in the house cost full
|
|
five thousand pound if they cost a penny; and Mrs Miff has heard, upon
|
|
the best authority, that the lady hasn't got a sixpence wherewithal to
|
|
bless herself. Mrs Miff remembers, like wise, as if it had happened
|
|
yesterday, the first wife's funeral, and then the christening, and
|
|
then the other funeral; and Mrs Miff says, by-the-bye she'll
|
|
soap-and-water that 'ere tablet presently, against the company arrive.
|
|
Mr Sownds the Beadle, who is sitting in the sun upon the church steps
|
|
all this time (and seldom does anything else, except, in cold weather,
|
|
sitting by the fire), approves of Mrs Miff's discourse, and asks if
|
|
Mrs Miff has heard it said, that the lady is uncommon handsome? The
|
|
information Mrs Miff has received, being of this nature, Mr Sownds the
|
|
Beadle, who, though orthodox and corpulent, is still an admirer of
|
|
female beauty, observes, with unction, yes, he hears she is a spanker
|
|
- an expression that seems somewhat forcible to Mrs Miff, or would,
|
|
from any lips but those of Mr Sownds the Beadle.
|
|
|
|
In Mr Dombey's house, at this same time, there is great stir and
|
|
bustle, more especially among the women: not one of whom has had a
|
|
wink of sleep since four o'clock, and all of whom were fully dressed
|
|
before six. Mr Towlinson is an object of greater consideration than
|
|
usual to the housemaid, and the cook says at breakfast time that one
|
|
wedding makes many, which the housemaid can't believe, and don't think
|
|
true at all. Mr Towlinson reserves his sentiments on this question;
|
|
being rendered something gloomy by the engagement of a foreigner with
|
|
whiskers (Mr Towlinson is whiskerless himself), who has been hired to
|
|
accompany the happy pair to Paris, and who is busy packing the new
|
|
chariot. In respect of this personage, Mr Towlinson admits, presently,
|
|
that he never knew of any good that ever come of foreigners; and being
|
|
charged by the ladies with prejudice, says, look at Bonaparte who was
|
|
at the head of 'em, and see what he was always up to! Which the
|
|
housemaid says is very true.
|
|
|
|
The pastry-cook is hard at work in the funereal room in Brook
|
|
Street, and the very tall young men are busy looking on. One of the
|
|
very tall young men already smells of sherry, and his eyes have a
|
|
tendency to become fixed in his head, and to stare at objects without
|
|
seeing them. The very tall young man is conscious of this failing in
|
|
himself; and informs his comrade that it's his 'exciseman.' The very
|
|
tall young man would say excitement, but his speech is hazy.
|
|
|
|
The men who play the bells have got scent of the marriage; and the
|
|
marrow-bones and cleavers too; and a brass band too. The first, are
|
|
practising in a back settlement near Battlebridge; the second, put
|
|
themselves in communication, through their chief, with Mr Towlinson,
|
|
to whom they offer terms to be bought off; and the third, in the
|
|
person of an artful trombone, lurks and dodges round the corner,
|
|
waiting for some traitor tradesman to reveal the place and hour of
|
|
breakfast, for a bribe. Expectation and excitement extend further yet,
|
|
and take a wider range. From Balls Pond, Mr Perch brings Mrs Perch to
|
|
spend the day with Mr Dombey's servants, and accompany them,
|
|
surreptitiously, to see the wedding. In Mr Toots's lodgings, Mr Toots
|
|
attires himself as if he were at least the Bridegroom; determined to
|
|
behold the spectacle in splendour from a secret corner of the gallery,
|
|
and thither to convey the Chicken: for it is Mr Toots's desperate
|
|
intent to point out Florence to the Chicken, then and there, and
|
|
openly to say, 'Now, Chicken, I will not deceive you any longer; the
|
|
friend I have sometimes mentioned to you is myself; Miss Dombey is the
|
|
object of my passion; what are your opinions, Chicken, in this state
|
|
of things, and what, on the spot, do you advise? The
|
|
so-much-to-be-astonished Chicken, in the meanwhile, dips his beak into
|
|
a tankard of strong beer, in Mr Toots's kitchen, and pecks up two
|
|
pounds of beefsteaks. In Princess's Place, Miss Tox is up and doing;
|
|
for she too, though in sore distress, is resolved to put a shilling in
|
|
the hands of Mrs Miff, and see the ceremony which has a cruel
|
|
fascination for her, from some lonely corner. The quarters of the
|
|
wooden Midshipman are all alive; for Captain Cuttle, in his
|
|
ankle-jacks and with a huge shirt-collar, is seated at his breakfast,
|
|
listening to Rob the Grinder as he reads the marriage service to him
|
|
beforehand, under orders, to the end that the Captain may perfectly
|
|
understand the solemnity he is about to witness: for which purpose,
|
|
the Captain gravely lays injunctions on his chaplain, from time to
|
|
time, to 'put about,' or to 'overhaul that 'ere article again,' or to
|
|
stick to his own duty, and leave the Amens to him, the Captain; one of
|
|
which he repeats, whenever a pause is made by Rob the Grinder, with
|
|
sonorous satisfaction.
|
|
|
|
Besides all this, and much more, twenty nursery-maids in Mr
|
|
Dombey's street alone, have promised twenty families of little women,
|
|
whose instinctive interest in nuptials dates from their cradles, that
|
|
they shall go and see the marriage. Truly, Mr Sownds the Beadle has
|
|
good reason to feel himself in office, as he suns his portly figure on
|
|
the church steps, waiting for the marriage hour. Truly, Mrs Miff has
|
|
cause to pounce on an unlucky dwarf child, with a giant baby, who
|
|
peeps in at the porch, and drive her forth with indignation!
|
|
|
|
Cousin Feenix has come over from abroad, expressly to attend the
|
|
marriage. Cousin Feenix was a man about town, forty years ago; but he
|
|
is still so juvenile in figure and in manner, and so well got up, that
|
|
strangers are amazed when they discover latent wrinkles in his
|
|
lordship's face, and crows' feet in his eyes: and first observe him,
|
|
not exactly certain when he walks across a room, of going quite
|
|
straight to where he wants to go. But Cousin Feenix, getting up at
|
|
half-past seven o'clock or so, is quite another thing from Cousin
|
|
Feenix got up; and very dim, indeed, he looks, while being shaved at
|
|
Long's Hotel, in Bond Street.
|
|
|
|
Mr Dombey leaves his dressing-room, amidst a general whisking away
|
|
of the women on the staircase, who disperse in all directions, with a
|
|
great rustling of skirts, except Mrs Perch, who, being (but that she
|
|
always is) in an interesting situation, is not nimble, and is obliged
|
|
to face him, and is ready to sink with confusion as she curtesys; -
|
|
may Heaven avert all evil consequences from the house of Perch! Mr
|
|
Dombey walks up to the drawing-room, to bide his time. Gorgeous are Mr
|
|
Dombey's new blue coat, fawn-coloured pantaloons, and lilac waistcoat;
|
|
and a whisper goes about the house, that Mr Dombey's hair is curled.
|
|
|
|
A double knock announces the arrival of the Major, who is gorgeous
|
|
too, and wears a whole geranium in his button-hole, and has his hair
|
|
curled tight and crisp, as well the Native knows.
|
|
|
|
'Dombey!' says the Major, putting out both hands, 'how are you?'
|
|
|
|
'Major,' says Mr Dombey, 'how are You?'
|
|
|
|
'By Jove, Sir,' says the Major, 'Joey B. is in such case this
|
|
morning, Sir,' - and here he hits himself hard upon the breast - 'In
|
|
such case this morning, Sir, that, damme, Dombey, he has half a mind
|
|
to make a double marriage of it, Sir, and take the mother.'
|
|
|
|
Mr Dombey smiles; but faintly, even for him; for Mr Dombey feels
|
|
that he is going to be related to the mother, and that, under those
|
|
circumstances, she is not to be joked about.
|
|
|
|
'Dombey,' says the Major, seeing this, 'I give you joy. I
|
|
congratulate you, Dombey. By the Lord, Sir,' says the Major, 'you are
|
|
more to be envied, this day, than any man in England!'
|
|
|
|
Here again Mr Dombey's assent is qualified; because he is going to
|
|
confer a great distinction on a lady; and, no doubt, she is to be
|
|
envied most.
|
|
|
|
'As to Edith Granger, Sir,' pursues the Major, 'there is not a
|
|
woman in all Europe but might - and would, Sir, you will allow
|
|
Bagstock to add - and would- give her ears, and her earrings, too, to
|
|
be in Edith Granger's place.'
|
|
|
|
'You are good enough to say so, Major,' says Mr Dombey.
|
|
|
|
'Dombey,' returns the Major, 'you know it. Let us have no false
|
|
delicacy. You know it. Do you know it, or do you not, Dombey?' says
|
|
the Major, almost in a passion.
|
|
|
|
'Oh, really, Major - '
|
|
|
|
'Damme, Sir,' retorts the Major, 'do you know that fact, or do you
|
|
not? Dombey! Is old Joe your friend? Are we on that footing of
|
|
unreserved intimacy, Dombey, that may justify a man - a blunt old
|
|
Joseph B., Sir - in speaking out; or am I to take open order, Dombey,
|
|
and to keep my distance, and to stand on forms?'
|
|
|
|
'My dear Major Bagstock,' says Mr Dombey, with a gratified air,
|
|
'you are quite warm.'
|
|
|
|
'By Gad, Sir,' says the Major, 'I am warm. Joseph B. does not deny
|
|
it, Dombey. He is warm. This is an occasion, Sir, that calls forth all
|
|
the honest sympathies remaining in an old, infernal, battered,
|
|
used-up, invalided, J. B. carcase. And I tell you what, Dombey - at
|
|
such a time a man must blurt out what he feels, or put a muzzle on;
|
|
and Joseph Bagstock tells you to your face, Dombey, as he tells his
|
|
club behind your back, that he never will be muzzled when Paul Dombey
|
|
is in question. Now, damme, Sir,' concludes the Major, with great
|
|
firmness, 'what do you make of that?'
|
|
|
|
'Major,' says Mr Dombey, 'I assure you that I am really obliged to
|
|
you. I had no idea of checking your too partial friendship.'
|
|
|
|
'Not too partial, Sir!' exclaims the choleric Major. 'Dombey, I
|
|
deny it.'
|
|
|
|
'Your friendship I will say then,' pursues Mr Dombey, 'on any
|
|
account. Nor can I forget, Major, on such an occasion as the present,
|
|
how much I am indebted to it.'
|
|
|
|
'Dombey,' says the Major, with appropriate action, 'that is the
|
|
hand of Joseph Bagstock: of plain old Joey B., Sir, if you like that
|
|
better! That is the hand, of which His Royal Highness the late Duke of
|
|
York, did me the honour to observe, Sir, to His Royal Highness the
|
|
late Duke of Kent, that it was the hand of Josh: a rough and tough,
|
|
and possibly an up-to-snuff, old vagabond. Dombey, may the present
|
|
moment be the least unhappy of our lives. God bless you!'
|
|
|
|
Now enters Mr Carker, gorgeous likewise, and smiling like a
|
|
wedding-guest indeed. He can scarcely let Mr Dombey's hand go, he is
|
|
so congratulatory; and he shakes the Major's hand so heartily at the
|
|
same time, that his voice shakes too, in accord with his arms, as it
|
|
comes sliding from between his teeth.
|
|
|
|
'The very day is auspicious,' says Mr Carker. 'The brightest and
|
|
most genial weather! I hope I am not a moment late?'
|
|
|
|
'Punctual to your time, Sir,' says the Major.
|
|
|
|
'I am rejoiced, I am sure,' says Mr Carker. 'I was afraid I might
|
|
be a few seconds after the appointed time, for I was delayed by a
|
|
procession of waggons; and I took the liberty of riding round to Brook
|
|
Street' - this to Mr Dombey - 'to leave a few poor rarities of flowers
|
|
for Mrs Dombey. A man in my position, and so distinguished as to be
|
|
invited here, is proud to offer some homage in acknowledgment of his
|
|
vassalage: and as I have no doubt Mrs Dombey is overwhelmed with what
|
|
is costly and magnificent;' with a strange glance at his patron; 'I
|
|
hope the very poverty of my offering, may find favour for it.'
|
|
|
|
'Mrs Dombey, that is to be,' returns Mr Dombey, condescendingly,
|
|
'will be very sensible of your attention, Carker, I am sure.'
|
|
|
|
'And if she is to be Mrs Dombey this morning, Sir,' says the Major,
|
|
putting down his coffee-cup, and looking at his watch, 'it's high time
|
|
we were off!'
|
|
|
|
Forth, in a barouche, ride Mr Dombey, Major Bagstock, and Mr
|
|
Carker, to the church. Mr Sownds the Beadle has long risen from the
|
|
steps, and is in waiting with his cocked hat in his hand. Mrs Miff
|
|
curtseys and proposes chairs in the vestry. Mr Dombey prefers
|
|
remaining in the church. As he looks up at the organ, Miss Tox in the
|
|
gallery shrinks behind the fat leg of a cherubim on a monument, with
|
|
cheeks like a young Wind. Captain Cuttle, on the contrary, stands up
|
|
and waves his hook, in token of welcome and encouragement. Mr Toots
|
|
informs the Chicken, behind his hand, that the middle gentleman, he in
|
|
the fawn-coloured pantaloons, is the father of his love. The Chicken
|
|
hoarsely whispers Mr Toots that he's as stiff a cove as ever he see,
|
|
but that it is within the resources of Science to double him up, with
|
|
one blow in the waistcoat.
|
|
|
|
Mr Sownds and Mrs Miff are eyeing Mr Dombey from a little distance,
|
|
when the noise of approaching wheels is heard, and Mr Sownds goes out.
|
|
Mrs Miff, meeting Mr Dombey's eye as it is withdrawn from the
|
|
presumptuous maniac upstairs, who salutes him with so much urbanity,
|
|
drops a curtsey, and informs him that she believes his 'good lady' is
|
|
come. Then there is a crowding and a whispering at the door, and the
|
|
good lady enters, with a haughty step.
|
|
|
|
There is no sign upon her face, of last night's suffering; there is
|
|
no trace in her manner, of the woman on the bended knees, reposing her
|
|
wild head, in beautiful abandonment, upon the pillow of the sleeping
|
|
girl. That girl, all gentle and lovely, is at her side - a striking
|
|
contrast to her own disdainful and defiant figure, standing there,
|
|
composed, erect, inscrutable of will, resplendent and majestic in the
|
|
zenith of its charms, yet beating down, and treading on, the
|
|
admiration that it challenges.
|
|
|
|
There is a pause while Mr Sownds the Beadle glides into the vestry
|
|
for the clergyman and clerk. At this juncture, Mrs Skewton speaks to
|
|
Mr Dombey: more distinctly and emphatically than her custom is, and
|
|
moving at the same time, close to Edith.
|
|
|
|
'My dear Dombey,' said the good Mama, 'I fear I must relinquish
|
|
darling Florence after all, and suffer her to go home, as she herself
|
|
proposed. After my loss of to-day, my dear Dombey, I feel I shall not
|
|
have spirits, even for her society.'
|
|
|
|
'Had she not better stay with you?' returns the Bridegroom.
|
|
|
|
'I think not, my dear Dombey. No, I think not. I shall be better
|
|
alone. Besides, my dearest Edith will be her natural and constant
|
|
guardian when you return, and I had better not encroach upon her
|
|
trust, perhaps. She might be jealous. Eh, dear Edith?'
|
|
|
|
The affectionate Mama presses her daughter's arm, as she says this;
|
|
perhaps entreating her attention earnestly.
|
|
|
|
'To be serious, my dear Dombey,' she resumes, 'I will relinquish
|
|
our dear child, and not inflict my gloom upon her. We have settled
|
|
that, just now. She fully understands, dear Dombey. Edith, my dear, -
|
|
she fully understands.'
|
|
|
|
Again, the good mother presses her daughter's arm. Mr Dombey offers
|
|
no additional remonstrance; for the clergyman and clerk appear; and
|
|
Mrs Miff, and Mr Sownds the Beadle, group the party in their proper
|
|
places at the altar rails.
|
|
|
|
The sun is shining down, upon the golden letters of the ten
|
|
commandments. Why does the Bride's eye read them, one by one? Which
|
|
one of all the ten appears the plainest to her in the glare of light?
|
|
False Gods; murder; theft; the honour that she owes her mother; -
|
|
which is it that appears to leave the wall, and printing itself in
|
|
glowing letters, on her book!
|
|
|
|
"Who giveth this woman to be married to this man?"'
|
|
|
|
Cousin Feenix does that. He has come from Baden-Baden on purpose.
|
|
'Confound it,' Cousin Feenix says - good-natured creature, Cousin
|
|
Feenix - 'when we do get a rich City fellow into the family, let us
|
|
show him some attention; let us do something for him.' I give this
|
|
woman to be married to this man,' saith Cousin Feenix therefore.
|
|
Cousin Feenix, meaning to go in a straight line, but turning off
|
|
sideways by reason of his wilful legs, gives the wrong woman to be
|
|
married to this man, at first - to wit, a brides- maid of some
|
|
condition, distantly connected with the family, and ten years Mrs
|
|
Skewton's junior - but Mrs Miff, interposing her mortified bonnet,
|
|
dexterously turns him back, and runs him, as on castors, full at the
|
|
'good lady:' whom Cousin Feenix giveth to married to this man
|
|
accordingly. And will they in the sight of heaven - ? Ay, that they
|
|
will: Mr Dombey says he will. And what says Edith? She will. So, from
|
|
that day forward, for better for worse, for richer for poorer, in
|
|
sickness and in health, to love and to cherish, till death do them
|
|
part, they plight their troth to one another, and are married. In a
|
|
firm, free hand, the Bride subscribes her name in the register, when
|
|
they adjourn to the vestry. 'There ain't a many ladies come here,' Mrs
|
|
Miff says with a curtsey - to look at Mrs Miff, at such a season, is
|
|
to make her mortified bonnet go down with a dip - writes their names
|
|
like this good lady!' Mr Sownds the Beadle thinks it is a truly
|
|
spanking signature, and worthy of the writer - this, however, between
|
|
himself and conscience. Florence signs too, but unapplauded, for her
|
|
hand shakes. All the party sign; Cousin Feenix last; who puts his
|
|
noble name into a wrong place, and enrols himself as having been born
|
|
that morning. The Major now salutes the Bride right gallantly, and
|
|
carries out that branch of military tactics in reference to all the
|
|
ladies: notwithstanding Mrs Skewton's being extremely hard to kiss,
|
|
and squeaking shrilly in the sacred edIfice. The example is followed
|
|
by Cousin. Feenix and even by Mr Dombey. Lastly, Mr Carker, with hIs
|
|
white teeth glistening, approaches Edith, more as if he meant to bite
|
|
her, than to taste the sweets that linger on her lips.
|
|
|
|
There is a glow upon her proud cheek, and a flashing in her eyes,
|
|
that may be meant to stay him; but it does not, for he salutes her as
|
|
the rest have done, and wishes her all happiness.
|
|
|
|
'If wishes,' says he in a low voice, 'are not superfluous, applied
|
|
to such a union.'
|
|
|
|
'I thank you, Sir,' she answers, with a curled lip, and a heaving
|
|
bosom.
|
|
|
|
But, does Edith feel still, as on the night when she knew that Mr
|
|
Dombey would return to offer his alliance, that Carker knows her
|
|
thoroughly, and reads her right, and that she is more degraded by his
|
|
knowledge of her, than by aught else? Is it for this reason that her
|
|
haughtiness shrinks beneath his smile, like snow within the hands that
|
|
grasps it firmly, and that her imperious glance droops In meeting his,
|
|
and seeks the ground?
|
|
|
|
'I am proud to see,' said Mr Carker, with a servile stooping of his
|
|
neck, which the revelations making by his eyes and teeth proclaim to
|
|
be a lie, 'I am proud to see that my humble offering is graced by Mrs
|
|
Dombey's hand, and permitted to hold so favoured a place in so joyful
|
|
an occasion.'
|
|
|
|
Though she bends her head, in answer, there is something in the
|
|
momentary action of her hand, as if she would crush the flowers it
|
|
holds, and fling them, with contempt, upon the ground. But, she puts
|
|
the hand through the arm of her new husband, who has been standing
|
|
near, conversing with the Major, and is proud again, and motionless,
|
|
and silent.
|
|
|
|
The carriages are once more at the church door. Mr Dombey, with his
|
|
bride upon his arm, conducts her through the twenty families of little
|
|
women who are on the steps, and every one of whom remembers the
|
|
fashion and the colour of her every article of dress from that moment,
|
|
and reproduces it on her doll, who is for ever being married.
|
|
Cleopatra and Cousin Feenix enter the same carriage. The Major hands
|
|
into a second carriage, Florence, and the bridesmaid who so narrowly
|
|
escaped being given away by mistake, and then enters it himself, and
|
|
is followed by Mr Carker. Horses prance and caper; coachmen and
|
|
footmen shine in fluttering favours, flowers, and new-made liveries.
|
|
Away they dash and rattle through the streets; and as they pass along,
|
|
a thousand heads are turned to look at them, and a thousand sober
|
|
moralists revenge themselves for not being married too, that morning,
|
|
by reflecting that these people little think such happiness can't
|
|
last.
|
|
|
|
Miss Tox emerges from behind the cherubim's leg, when all is quiet,
|
|
and comes slowly down from the gallery. Miss Tox's eyes are red, and
|
|
her pocket-handkerchief is damp. She is wounded, but not exasperated,
|
|
and she hopes they may be happy. She quite admits to herself the
|
|
beauty of the bride, and her own comparatively feeble and faded
|
|
attractions; but the stately image of Mr Dombey in his lilac
|
|
waistcoat, and his fawn-coloured pantaloons, is present to her mind,
|
|
and Miss Tox weeps afresh, behind her veil, on her way home to
|
|
Princess's Place. Captain Cuttle, having joined in all the amens and
|
|
responses, with a devout growl, feels much improved by his religious
|
|
exercises; and in a peaceful frame of mind pervades the body of the
|
|
church, glazed hat in hand, and reads the tablet to the memory of
|
|
little Paul. The gallant Mr Toots, attended by the faithful Chicken,
|
|
leaves the building in torments of love. The Chicken is as yet unable
|
|
to elaborate a scheme for winning Florence, but his first idea has
|
|
gained possession of him, and he thinks the doubling up of Mr Dombey
|
|
would be a move in the right direction. Mr Dombey's servants come out
|
|
of their hiding-places, and prepare to rush to Brook Street, when they
|
|
are delayed by symptoms of indisposition on the part of Mrs Perch, who
|
|
entreats a glass of water, and becomes alarming; Mrs Perch gets better
|
|
soon, however, and is borne away; and Mrs Miff, and Mr Sownds the
|
|
Beadle, sit upon the steps to count what they have gained by the
|
|
affair, and talk it over, while the sexton tolls a funeral.
|
|
|
|
Now, the carriages arrive at the Bride's residence, and the players
|
|
on the bells begin to jingle, and the band strikes up, and Mr Punch,
|
|
that model of connubial bliss, salutes his wife. Now, the people run,
|
|
and push, and press round in a gaping throng, while Mr Dombey, leading
|
|
Mrs Dombey by the hand, advances solemnly into the Feenix Halls. Now,
|
|
the rest of the wedding party alight, and enter after them. And why
|
|
does Mr Carker, passing through the people to the hall-door, think of
|
|
the old woman who called to him in the Grove that morning? Or why does
|
|
Florence, as she passes, think, with a tremble, of her childhood, when
|
|
she was lost, and of the visage of Good Mrs Brown?
|
|
|
|
Now, there are more congratulations on this happiest of days, and
|
|
more company, though not much; and now they leave the drawing-room,
|
|
and range themselves at table in the dark-brown dining-room, which no
|
|
confectioner can brighten up, let him garnish the exhausted negroes
|
|
with as many flowers and love-knots as he will.
|
|
|
|
The pastry-cook has done his duty like a man, though, and a rich
|
|
breakfast is set forth. Mr and Mrs Chick have joined the party, among
|
|
others. Mrs Chick admires that Edith should be, by nature, such a
|
|
perfect Dombey; and is affable and confidential to Mrs Skewton, whose
|
|
mind is relieved of a great load, and who takes her share of the
|
|
champagne. The very tall young man who suffered from excitement early,
|
|
is better; but a vague sentiment of repentance has seized upon him,
|
|
and he hates the other very tall young man, and wrests dishes from him
|
|
by violence, and takes a grim delight in disobliging the company. The
|
|
company are cool and calm, and do not outrage the black hatchments of
|
|
pictures looking down upon them, by any excess of mirth. Cousin Feenix
|
|
and the Major are the gayest there; but Mr Carker has a smile for the
|
|
whole table. He has an especial smile for the Bride, who very, very
|
|
seldom meets it.
|
|
|
|
Cousin Feenix rises, when the company have breakfasted, and the
|
|
servants have left the room; and wonderfully young he looks, with his
|
|
white wristbands almost covering his hands (otherwise rather bony),
|
|
and the bloom of the champagne in his cheeks.
|
|
|
|
'Upon my honour,' says Cousin Feenix, 'although it's an unusual
|
|
sort of thing in a private gentleman's house, I must beg leave to call
|
|
upon you to drink what is usually called a - in fact a toast.
|
|
|
|
The Major very hoarsely indicates his approval. Mr Carker, bending
|
|
his head forward over the table in the direction of Cousin Feenix,
|
|
smiles and nods a great many times.
|
|
|
|
'A - in fact it's not a - ' Cousin Feenix beginning again, thus,
|
|
comes to a dead stop.
|
|
|
|
'Hear, hear!' says the Major, in a tone of conviction.
|
|
|
|
Mr Carker softly claps his hands, and bending forward over the
|
|
table again, smiles and nods a great many more times than before, as
|
|
if he were particularly struck by this last observation, and desired
|
|
personally to express his sense of the good it has done
|
|
|
|
'It is,' says Cousin Feenix, 'an occasion in fact, when the general
|
|
usages of life may be a little departed from, without impropriety; and
|
|
although I never was an orator in my life, and when I was in the House
|
|
of Commons, and had the honour of seconding the address, was - in
|
|
fact, was laid up for a fortnight with the consciousness of failure -
|
|
'
|
|
|
|
The Major and Mr Carker are so much delighted by this fragment of
|
|
personal history, that Cousin Feenix laughs, and addressing them
|
|
individually, goes on to say:
|
|
|
|
'And in point of fact, when I was devilish ill - still, you know, I
|
|
feel that a duty devolves upon me. And when a duty devolves upon an
|
|
Englishman, he is bound to get out of it, in my opinion, in the best
|
|
way he can. Well! our family has had the gratification, to-day, of
|
|
connecting itself, in the person of my lovely and accomplished
|
|
relative, whom I now see - in point of fact, present - '
|
|
|
|
Here there is general applause.
|
|
|
|
'Present,' repeats Cousin Feenix, feeling that it is a neat point
|
|
which will bear repetition, - 'with one who - that is to say, with a
|
|
man, at whom the finger of scorn can never - in fact, with my
|
|
honourable friend Dombey, if he will allow me to call him so.'
|
|
|
|
Cousin Feenix bows to Mr Dombey; Mr Dombey solemnly returns the
|
|
bow; everybody is more or less gratified and affected by this
|
|
extraordinary, and perhaps unprecedented, appeal to the feelings.
|
|
|
|
'I have not,' says Cousin Feenix, 'enjoyed those opportunities
|
|
which I could have desired, of cultivating the acquaintance of my
|
|
friend Dombey, and studying those qualities which do equal honour to
|
|
his head, and, in point of fact, to his heart; for it has been my
|
|
misfortune to be, as we used to say in my time in the House of
|
|
Commons, when it was not the custom to allude to the Lords, and when
|
|
the order of parliamentary proceedings was perhaps better observed
|
|
than it is now - to be in - in point of fact,' says Cousin Feenix,
|
|
cherishing his joke, with great slyness, and finally bringing it out
|
|
with a jerk, "'in another place!"'
|
|
|
|
The Major falls into convulsions, and is recovered with difficulty.
|
|
|
|
'But I know sufficient of my friend Dombey,' resumes Cousin Feenix
|
|
in a graver tone, as if he had suddenly become a sadder and wiser man'
|
|
'to know that he is, in point of fact, what may be emphatically called
|
|
a - a merchant - a British merchant - and a - and a man. And although
|
|
I have been resident abroad, for some years (it would give me great
|
|
pleasure to receive my friend Dombey, and everybody here, at
|
|
Baden-Baden, and to have an opportunity of making 'em known to the
|
|
Grand Duke), still I know enough, I flatter myself, of my lovely and
|
|
accomplished relative, to know that she possesses every requisite to
|
|
make a man happy, and that her marriage with my friend Dombey is one
|
|
of inclination and affection on both sides.'
|
|
|
|
Many smiles and nods from Mr Carker.
|
|
|
|
'Therefore,' says Cousin Feenix, 'I congratulate the family of
|
|
which I am a member, on the acquisition of my friend Dombey. I
|
|
congratulate my friend Dombey on his union with my lovely and
|
|
accomplished relative who possesses every requisite to make a man
|
|
happy; and I take the liberty of calling on you all, in point of fact,
|
|
to congratulate both my friend Dombey and my lovely and accomplished
|
|
relative, on the present occasion.'
|
|
|
|
The speech of Cousin Feenix is received with great applause, and Mr
|
|
Dombey returns thanks on behalf of himself and Mrs Dombey. J. B.
|
|
shortly afterwards proposes Mrs Skewton. The breakfast languishes when
|
|
that is done, the violated hatchments are avenged, and Edith rises to
|
|
assume her travelling dress.
|
|
|
|
All the servants in the meantime, have been breakfasting below.
|
|
Champagne has grown too common among them to be mentioned, and roast
|
|
fowls, raised pies, and lobster-salad, have become mere drugs. The
|
|
very tall young man has recovered his spirits, and again alludes to
|
|
the exciseman. His comrade's eye begins to emulate his own, and he,
|
|
too, stares at objects without taking cognizance thereof. There is a
|
|
general redness in the faces of the ladies; in the face of Mrs Perch
|
|
particularly, who is joyous and beaming, and lifted so far above the
|
|
cares of life, that if she were asked just now to direct a wayfarer to
|
|
Ball's Pond, where her own cares lodge, she would have some difficulty
|
|
in recalling the way. Mr Towlinson has proposed the happy pair; to
|
|
which the silver-headed butler has responded neatly, and with emotion;
|
|
for he half begins to think he is an old retainer of the family, and
|
|
that he is bound to be affected by these changes. The whole party, and
|
|
especially the ladies, are very frolicsome. Mr Dombey's cook, who
|
|
generally takes the lead in society, has said, it is impossible to
|
|
settle down after this, and why not go, in a party, to the play?
|
|
Everybody (Mrs Perch included) has agreed to this; even the Native,
|
|
who is tigerish in his drink, and who alarms the ladies (Mrs Perch
|
|
particularly) by the rolling of his eyes. One of the very tall young
|
|
men has even proposed a ball after the play, and it presents itself to
|
|
no one (Mrs Perch included) in the light of an impossibility. Words
|
|
have arisen between the housemaid and Mr Towlinson; she, on the
|
|
authority of an old saw, asserting marriages to be made in Heaven: he,
|
|
affecting to trace the manufacture elsewhere; he, supposing that she
|
|
says so, because she thinks of being married her own self: she,
|
|
saying, Lord forbid, at any rate, that she should ever marry him. To
|
|
calm these flying taunts, the silver-headed butler rises to propose
|
|
the health of Mr Towlinson, whom to know is to esteem, and to esteem
|
|
is to wish well settled in life with the object of his choice,
|
|
wherever (here the silver-headed butler eyes the housemaid) she may
|
|
be. Mr Towlinson returns thanks in a speech replete with feeling, of
|
|
which the peroration turns on foreigners, regarding whom he says they
|
|
may find favour, sometimes, with weak and inconstant intellects that
|
|
can be led away by hair, but all he hopes, is, he may never hear of no
|
|
foreigner never boning nothing out of no travelling chariot. The eye
|
|
of Mr Towlinson is so severe and so expressive here, that the
|
|
housemaid is turning hysterical, when she and all the rest, roused by
|
|
the intelligence that the Bride is going away, hurry upstairs to
|
|
witness her departure.
|
|
|
|
The chariot is at the door; the Bride is descending to the hall,
|
|
where Mr Dombey waits for her. Florence is ready on the staircase to
|
|
depart too; and Miss Nipper, who has held a middle state between the
|
|
parlour and the kitchen, is prepared to accompany her. As Edith
|
|
appears, Florence hastens towards her, to bid her farewell.
|
|
|
|
Is Edith cold, that she should tremble! Is there anything unnatural
|
|
or unwholesome in the touch of Florence, that the beautiful form
|
|
recedes and contracts, as if it could not bear it! Is there so much
|
|
hurry in this going away, that Edith, with a wave of her hand, sweeps
|
|
on, and is gone!
|
|
|
|
Mrs Skewton, overpowered by her feelings as a mother, sinks on her
|
|
sofa in the Cleopatra attitude, when the clatter of the chariot wheels
|
|
is lost, and sheds several tears. The Major, coming with the rest of
|
|
the company from table, endeavours to comfort her; but she will not be
|
|
comforted on any terms, and so the Major takes his leave. Cousin
|
|
Feenix takes his leave, and Mr Carker takes his leave. The guests all
|
|
go away. Cleopatra, left alone, feels a little giddy from her strong
|
|
emotion, and falls asleep.
|
|
|
|
Giddiness prevails below stairs too. The very tall young man whose
|
|
excitement came on so soon, appears to have his head glued to the
|
|
table in the pantry, and cannot be detached from - it. A violent
|
|
revulsion has taken place in the spirits of Mrs Perch, who is low on
|
|
account of Mr Perch, and tells cook that she fears he is not so much
|
|
attached to his home, as he used to be, when they were only nine in
|
|
family. Mr Towlinson has a singing in his ears and a large wheel going
|
|
round and round inside his head. The housemaid wishes it wasn't wicked
|
|
to wish that one was dead.
|
|
|
|
There is a general delusion likewise, in these lower regions, on
|
|
the subject of time; everybody conceiving that it ought to be, at the
|
|
earliest, ten o'clock at night, whereas it is not yet three in the
|
|
afternoon. A shadowy idea of wickedness committed, haunts every
|
|
individual in the party; and each one secretly thinks the other a
|
|
companion in guilt, whom it would be agreeable to avoid. No man or
|
|
woman has the hardihood to hint at the projected visit to the play.
|
|
Anyone reviving the notion of the ball, would be scouted as a
|
|
malignant idiot.
|
|
|
|
Mrs Skewton sleeps upstairs, two hours afterwards, and naps are not
|
|
yet over in the kitchen. The hatchments in the dining-room look down
|
|
on crumbs, dirty plates, spillings of wine, half-thawed ice, stale
|
|
discoloured heel-taps, scraps of lobster, drumsticks of fowls, and
|
|
pensive jellies, gradually resolving themselves into a lukewarm gummy
|
|
soup. The marriage is, by this time, almost as denuded of its show and
|
|
garnish as the breakfast. Mr Dombey's servants moralise so much about
|
|
it, and are so repentant over their early tea, at home, that by eight
|
|
o'clock or so, they settle down into confirmed seriousness; and Mr
|
|
Perch, arriving at that time from the City, fresh and jocular, with a
|
|
white waistcoat and a comic song, ready to spend the evening, and
|
|
prepared for any amount of dissipation, is amazed to find himself
|
|
coldly received, and Mrs Perch but poorly, and to have the pleasing
|
|
duty of escorting that lady home by the next omnibus.
|
|
|
|
Night closes in. Florence, having rambled through the handsome
|
|
house, from room to room, seeks her own chamber, where the care of
|
|
Edith has surrounded her with luxuries and comforts; and divesting
|
|
herself of her handsome dress, puts on her old simple mourning for
|
|
dear Paul, and sits down to read, with Diogenes winking and blinking
|
|
on the ground beside her. But Florence cannot read tonight. The house
|
|
seems strange and new, and there are loud echoes in it. There is a
|
|
shadow on her heart: she knows not why or what: but it is heavy.
|
|
Florence shuts her book, and gruff Diogenes, who takes that for a
|
|
signal, puts his paws upon her lap, and rubs his ears against her
|
|
caressing hands. But Florence cannot see him plainly, in a little
|
|
time, for there is a mist between her eyes and him, and her dead
|
|
brother and dead mother shine in it like angels. Walter, too, poor
|
|
wandering shipwrecked boy, oh, where is he?
|
|
|
|
The Major don't know; that's for certain; and don't care. The
|
|
Major, having choked and slumbered, all the afternoon, has taken a
|
|
late dinner at his club, and now sits over his pint of wine, driving a
|
|
modest young man, with a fresh-coloured face, at the next table (who
|
|
would give a handsome sum to be able to rise and go away, but cannot
|
|
do it) to the verge of madness, by anecdotes of Bagstock, Sir, at
|
|
Dombey's wedding, and Old Joe's devilish gentle manly friend, Lord
|
|
Feenix. While Cousin Feenix, who ought to be at Long's, and in bed,
|
|
finds himself, instead, at a gaming-table, where his wilful legs have
|
|
taken him, perhaps, in his own despite.
|
|
|
|
Night, like a giant, fills the church, from pavement to roof, and
|
|
holds dominion through the silent hours. Pale dawn again comes peeping
|
|
through the windows: and, giving place to day, sees night withdraw
|
|
into the vaults, and follows it, and drives it out, and hides among
|
|
the dead. The timid mice again cower close together, when the great
|
|
door clashes, and Mr Sownds and Mrs Miff treading the circle of their
|
|
daily lives, unbroken as a marriage ring, come in. Again, the cocked
|
|
hat and the mortified bonnet stand in the background at the marriage
|
|
hour; and again this man taketh this woman, and this woman taketh this
|
|
man, on the solemn terms:
|
|
|
|
'To have and to hold, from this day forward, for better for worse,
|
|
for richer for poorer, in sickness and in health, to love and to
|
|
cherish, until death do them part.'
|
|
|
|
The very words that Mr Carker rides into town repeating, with his
|
|
mouth stretched to the utmost, as he picks his dainty way.
|
|
|
|
CHAPTER 32.
|
|
|
|
The Wooden Midshipman goes to Pieces
|
|
|
|
Honest Captain Cuttle, as the weeks flew over him in his fortified
|
|
retreat, by no means abated any of his prudent provisions against
|
|
surprise, because of the non-appearance of the enemy. The Captain
|
|
argued that his present security was too profound and wonderful to
|
|
endure much longer; he knew that when the wind stood in a fair
|
|
quarter, the weathercock was seldom nailed there; and he was too well
|
|
acquainted with the determined and dauntless character of Mrs
|
|
MacStinger, to doubt that that heroic woman had devoted herself to the
|
|
task of his discovery and capture. Trembling beneath the weight of
|
|
these reasons, Captain Cuttle lived a very close and retired life;
|
|
seldom stirring abroad until after dark; venturing even then only into
|
|
the obscurest streets; never going forth at all on Sundays; and both
|
|
within and without the walls of his retreat, avoiding bonnets, as if
|
|
they were worn by raging lions.
|
|
|
|
The Captain never dreamed that in the event of his being pounced
|
|
upon by Mrs MacStinger, in his walks, it would be possible to offer
|
|
resistance. He felt that it could not be done. He saw himself, in his
|
|
mind's eye, put meekly in a hackney-coach, and carried off to his old
|
|
lodgings. He foresaw that, once immured there, he was a lost man: his
|
|
hat gone; Mrs MacStinger watchful of him day and night; reproaches
|
|
heaped upon his head, before the infant family; himself the guilty
|
|
object of suspicion and distrust; an ogre in the children's eyes, and
|
|
in their mother's a detected traitor.
|
|
|
|
A violent perspiration, and a lowness of spirits, always came over
|
|
the Captain as this gloomy picture presented itself to his
|
|
imagination. It generally did so previous to his stealing out of doors
|
|
at night for air and exercise. Sensible of the risk he ran, the
|
|
Captain took leave of Rob, at those times, with the solemnity which
|
|
became a man who might never return: exhorting him, in the event of
|
|
his (the Captain's) being lost sight of, for a time, to tread in the
|
|
paths of virtue, and keep the brazen instruments well polished.
|
|
|
|
But not to throw away a chance; and to secure to himself a means,
|
|
in case of the worst, of holding communication with the external
|
|
world; Captain Cuttle soon conceived the happy idea of teaching Rob
|
|
the Grinder some secret signal, by which that adherent might make his
|
|
presence and fidelity known to his commander, in the hour of
|
|
adversity. After much cogitation, the Captain decided in favour of
|
|
instructing him to whistle the marine melody, 'Oh cheerily, cheerily!'
|
|
and Rob the Grinder attaining a point as near perfection in that
|
|
accomplishment as a landsman could hope to reach, the Captain
|
|
impressed these mysterious instructions on his mind:
|
|
|
|
'Now, my lad, stand by! If ever I'm took - '
|
|
|
|
'Took, Captain!' interposed Rob, with his round eyes wide open.
|
|
|
|
'Ah!' said Captain Cuttle darkly, 'if ever I goes away, meaning to
|
|
come back to supper, and don't come within hail again, twenty-four
|
|
hours arter my loss, go you to Brig Place and whistle that 'ere tune
|
|
near my old moorings - not as if you was a meaning of it, you
|
|
understand, but as if you'd drifted there, promiscuous. If I answer in
|
|
that tune, you sheer off, my lad, and come back four-and-twenty hours
|
|
arterwards; if I answer in another tune, do you stand off and on, and
|
|
wait till I throw out further signals. Do you understand them orders,
|
|
now?'
|
|
|
|
'What am I to stand off and on of, Captain?' inquired Rob. 'The
|
|
horse-road?'
|
|
|
|
'Here's a smart lad for you!' cried the Captain eyeing him sternly,
|
|
'as don't know his own native alphabet! Go away a bit and come back
|
|
again alternate - d'ye understand that?'
|
|
|
|
'Yes, Captain,' said Rob.
|
|
|
|
'Very good my lad, then,' said the Captain, relenting. 'Do it!'
|
|
|
|
That he might do it the better, Captain Cuttle sometimes
|
|
condescended, of an evening after the shop was shut, to rehearse this
|
|
scene: retiring into the parlour for the purpose, as into the lodgings
|
|
of a supposititious MacStinger, and carefully observing the behaviour
|
|
of his ally, from the hole of espial he had cut in the wall. Rob the
|
|
Grinder discharged himself of his duty with so much exactness and
|
|
judgment, when thus put to the proof, that the Captain presented him,
|
|
at divers times, with seven sixpences, in token of satisfaction; and
|
|
gradually felt stealing over his spirit the resignation of a man who
|
|
had made provision for the worst, and taken every reasonable
|
|
precaution against an unrelenting fate.
|
|
|
|
Nevertheless, the Captain did not tempt ill-fortune, by being a
|
|
whit more venturesome than before. Though he considered it a point of
|
|
good breeding in himself, as a general friend of the family, to attend
|
|
Mr Dombey's wedding (of which he had heard from Mr Perch), and to show
|
|
that gentleman a pleasant and approving countenance from the gallery,
|
|
he had repaired to the church in a hackney cabriolet with both windows
|
|
up; and might have scrupled even to make that venture, in his dread of
|
|
Mrs MacStinger, but that the lady's attendance on the ministry of the
|
|
Reverend Melchisedech rendered it peculiarly unlikely that she would
|
|
be found in communion with the Establishment.
|
|
|
|
The Captain got safe home again, and fell into the ordinary routine
|
|
of his new life, without encountering any more direct alarm from the
|
|
enemy, than was suggested to him by the daily bonnets in the street.
|
|
But other subjects began to lay heavy on the Captain's mind. Walter's
|
|
ship was still unheard of. No news came of old Sol Gills. Florence did
|
|
not even know of the old man's disappearance, and Captain Cuttle had
|
|
not the heart to tell her. Indeed the Captain, as his own hopes of the
|
|
generous, handsome, gallant-hearted youth, whom he had loved,
|
|
according to his rough manner, from a child, began to fade, and faded
|
|
more and more from day to day, shrunk with instinctive pain from the
|
|
thought of exchanging a word with Florence. If he had had good news to
|
|
carry to her, the honest Captain would have braved the newly decorated
|
|
house and splendid furniture - though these, connected with the lady
|
|
he had seen at church, were awful to him - and made his way into her
|
|
presence. With a dark horizon gathering around their common hopes,
|
|
however, that darkened every hour, the Captain almost felt as if he
|
|
were a new misfortune and affliction to her; and was scarcely less
|
|
afraid of a visit from Florence, than from Mrs MacStinger herself.
|
|
|
|
It was a chill dark autumn evening, and Captain Cuttle had ordered
|
|
a fire to be kindled in the little back parlour, now more than ever
|
|
like the cabin of a ship. The rain fell fast, and the wind blew hard;
|
|
and straying out on the house-top by that stormy bedroom of his old
|
|
friend, to take an observation of the weather, the Captain's heart
|
|
died within him, when he saw how wild and desolate it was. Not that he
|
|
associated the weather of that time with poor Walter's destiny, or
|
|
doubted that if Providence had doomed him to be lost and shipwrecked,
|
|
it was over, long ago; but that beneath an outward influence, quite
|
|
distinct from the subject-matter of his thoughts, the Captain's
|
|
spirits sank, and his hopes turned pale, as those of wiser men had
|
|
often done before him, and will often do again.
|
|
|
|
Captain Cuttle, addressing his face to the sharp wind and slanting
|
|
rain, looked up at the heavy scud that was flying fast over the
|
|
wilderness of house-tops, and looked for something cheery there in
|
|
vain. The prospect near at hand was no better. In sundry tea-chests
|
|
and other rough boxes at his feet, the pigeons of Rob the Grinder were
|
|
cooing like so many dismal breezes getting up. A crazy weathercock of
|
|
a midshipman, with a telescope at his eye, once visible from the
|
|
street, but long bricked out, creaked and complained upon his rusty
|
|
pivot as the shrill blast spun him round and round, and sported with
|
|
him cruelly. Upon the Captain's coarse blue vest the cold raindrops
|
|
started like steel beads; and he could hardly maintain himself aslant
|
|
against the stiff Nor'-Wester that came pressing against him,
|
|
importunate to topple him over the parapet, and throw him on the
|
|
pavement below. If there were any Hope alive that evening, the Captain
|
|
thought, as he held his hat on, it certainly kept house, and wasn't
|
|
out of doors; so the Captain, shaking his head in a despondent manner,
|
|
went in to look for it.
|
|
|
|
Captain Cuttle descended slowly to the little back parlour, and,
|
|
seated in his accustomed chair, looked for it in the fire; but it was
|
|
not there, though the fire was bright. He took out his tobacco-box and
|
|
pipe, and composing himself to smoke, looked for it in the red glow
|
|
from the bowl, and in the wreaths of vapour that curled upward from
|
|
his lips; but there was not so much as an atom of the rust of Hope's
|
|
anchor in either. He tried a glass of grog; but melancholy truth was
|
|
at the bottom of that well, and he couldn't finish it. He made a turn
|
|
or two in the shop, and looked for Hope among the instruments; but
|
|
they obstinately worked out reckonings for the missing ship, in spite
|
|
of any opposition he could offer, that ended at the bottom of the lone
|
|
sea.
|
|
|
|
The wind still rushing, and the rain still pattering, against the
|
|
closed shutters, the Captain brought to before the wooden Midshipman
|
|
upon the counter, and thought, as he dried the little officer's
|
|
uniform with his sleeve, how many years the Midshipman had seen,
|
|
during which few changes - hardly any - had transpired among his
|
|
ship's company; how the changes had come all together, one day, as it
|
|
might be; and of what a sweeping kind they web Here was the little
|
|
society of the back parlour broken up, and scattered far and wide.
|
|
Here was no audience for Lovely Peg, even if there had been anybody to
|
|
sing it, which there was not; for the Captain was as morally certain
|
|
that nobody but he could execute that ballad, he was that he had not
|
|
the spirit, under existing circumstances, to attempt it. There was no
|
|
bright face of 'Wal'r' In the house; - here the Captain transferred
|
|
his sleeve for a moment from the Midshipman's uniform to his own
|
|
cheek; - the familiar wig and buttons of Sol Gills were a vision of
|
|
the past; Richard Whittington was knocked on the head; and every plan
|
|
and project in connexion with the Midshipman, lay drifting, without
|
|
mast or rudder, on the waste of waters.
|
|
|
|
As the Captain, with a dejected face, stood revolving these
|
|
thoughts, and polishing the Midshipman, partly in the tenderness of
|
|
old acquaintance, and partly in the absence of his mind, a knocking at
|
|
the shop-door communicated a frightful start to the frame of Rob the
|
|
Grinder, seated on the counter, whose large eyes had been intently
|
|
fixed on the Captain's face, and who had been debating within himself,
|
|
for the five hundredth time, whether the Captain could have done a
|
|
murder, that he had such an evil conscience, and was always running
|
|
away.
|
|
|
|
'What's that?' said Captain Cuttle, softly.
|
|
|
|
'Somebody's knuckles, Captain,' answered Rob the Grinder.
|
|
|
|
The Captain, with an abashed and guilty air, immediately walked on
|
|
tiptoe to the little parlour and locked himself in. Rob, opening the
|
|
door, would have parleyed with the visitor on the threshold if the
|
|
visitor had come in female guise; but the figure being of the male
|
|
sex, and Rob's orders only applying to women, Rob held the door open
|
|
and allowed it to enter: which it did very quickly, glad to get out of
|
|
the driving rain.
|
|
|
|
'A job for Burgess and Co. at any rate,' said the visitor, looking
|
|
over his shoulder compassionately at his own legs, which were very wet
|
|
and covered with splashes. 'Oh, how-de-do, Mr Gills?'
|
|
|
|
The salutation was addressed to the Captain, now emerging from the
|
|
back parlour with a most transparent and utterly futile affectation of
|
|
coming out by accidence.
|
|
|
|
'Thankee,' the gentleman went on to say in the same breath; 'I'm
|
|
very well indeed, myself, I'm much obliged to you. My name is Toots, -
|
|
Mister Toots.'
|
|
|
|
The Captain remembered to have seen this young gentleman at the
|
|
wedding, and made him a bow. Mr Toots replied with a chuckle; and
|
|
being embarrassed, as he generally was, breathed hard, shook hands
|
|
with the Captain for a long time, and then falling on Rob the Grinder,
|
|
in the absence of any other resource, shook hands with him in a most
|
|
affectionate and cordial manner.
|
|
|
|
'I say! I should like to speak a word to you, Mr Gills, if you
|
|
please,' said Toots at length, with surprising presence of mind. 'I
|
|
say! Miss D.O.M. you know!'
|
|
|
|
The Captain, with responsive gravity and mystery, immediately waved
|
|
his hook towards the little parlour, whither Mr Toots followed him.
|
|
|
|
'Oh! I beg your pardon though,' said Mr Toots, looking up In the
|
|
Captain's face as he sat down in a chair by the fire, which the
|
|
Captain placed for him; 'you don't happen to know the Chicken at all;
|
|
do you, Mr Gills?'
|
|
|
|
'The Chicken?' said the Captain.
|
|
|
|
'The Game Chicken,' said Mr Toots.
|
|
|
|
The Captain shaking his head, Mr Toots explained that the man
|
|
alluded to was the celebrated public character who had covered himself
|
|
and his country with glory in his contest with the Nobby Shropshire
|
|
One; but this piece of information did not appear to enlighten the
|
|
Captain very much.
|
|
|
|
'Because he's outside: that's all,' said Mr Toots. 'But it's of no
|
|
consequence; he won't get very wet, perhaps.'
|
|
|
|
'I can pass the word for him in a moment,' said the Captain.
|
|
|
|
'Well, if you would have the goodness to let him sit in the shop
|
|
with your young man,' chuckled Mr Toots, 'I should be glad; because,
|
|
you know, he's easily offended, and the damp's rather bad for his
|
|
stamina. I'll call him in, Mr Gills.'
|
|
|
|
With that, Mr Toots repairing to the shop-door, sent a peculiar
|
|
whistle into the night, which produced a stoical gentleman in a shaggy
|
|
white great-coat and a flat-brimmed hat, with very short hair, a
|
|
broken nose, and a considerable tract of bare and sterile country
|
|
behind each ear.
|
|
|
|
'Sit down, Chicken,' said Mr Toots.
|
|
|
|
The compliant Chicken spat out some small pieces of straw on which
|
|
he was regaling himself, and took in a fresh supply from a reserve he
|
|
carried in his hand.
|
|
|
|
'There ain't no drain of nothing short handy, is there?' said the
|
|
Chicken, generally. 'This here sluicing night is hard lines to a man
|
|
as lives on his condition.
|
|
|
|
Captain Cuttle proffered a glass of rum, which the Chicken,
|
|
throwing back his head, emptied into himself, as into a cask, after
|
|
proposing the brief sentiment, 'Towards us!' Mr Toots and the Captain
|
|
returning then to the parlour, and taking their seats before the fire,
|
|
Mr Toots began:
|
|
|
|
'Mr Gills - '
|
|
|
|
'Awast!' said the Captain. 'My name's Cuttle.'
|
|
|
|
Mr Toots looked greatly disconcerted, while the Captain proceeded
|
|
gravely.
|
|
|
|
'Cap'en Cuttle is my name, and England is my nation, this here is
|
|
my dwelling-place, and blessed be creation - Job,' said the Captain,
|
|
as an index to his authority.
|
|
|
|
'Oh! I couldn't see Mr Gills, could I?' said Mr Toots; 'because - '
|
|
|
|
'If you could see Sol Gills, young gen'l'm'n,' said the Captain,
|
|
impressively, and laying his heavy hand on Mr Toots's knee, 'old Sol,
|
|
mind you - with your own eyes - as you sit there - you'd be welcomer
|
|
to me, than a wind astern, to a ship becalmed. But you can't see Sol
|
|
Gills. And why can't you see Sol Gills?' said the Captain, apprised by
|
|
the face of Mr Toots that he was making a profound impression on that
|
|
gentleman's mind. 'Because he's inwisible.'
|
|
|
|
Mr Toots in his agitation was going to reply that it was of no
|
|
consequence at all. But he corrected himself, and said, 'Lor bless
|
|
me!'
|
|
|
|
'That there man,' said the Captain, 'has left me in charge here by
|
|
a piece of writing, but though he was a'most as good as my sworn
|
|
brother, I know no more where he's gone, or why he's gone; if so be to
|
|
seek his nevy, or if so be along of being not quite settled in his
|
|
mind; than you do. One morning at daybreak, he went over the side,'
|
|
said the Captain, 'without a splash, without a ripple I have looked
|
|
for that man high and low, and never set eyes, nor ears, nor nothing
|
|
else, upon him from that hour.'
|
|
|
|
'But, good Gracious, Miss Dombey don't know - ' Mr Toots began.
|
|
|
|
'Why, I ask you, as a feeling heart,' said the Captain, dropping
|
|
his voice, 'why should she know? why should she be made to know, until
|
|
such time as there wam't any help for it? She took to old Sol Gills,
|
|
did that sweet creetur, with a kindness, with a affability, with a -
|
|
what's the good of saying so? you know her.'
|
|
|
|
'I should hope so,' chuckled Mr Toots, with a conscious blush that
|
|
suffused his whole countenance.
|
|
|
|
'And you come here from her?' said the Captain.
|
|
|
|
'I should think so,' chuckled Mr Toots.
|
|
|
|
'Then all I need observe, is,' said the Captain, 'that you know a
|
|
angel, and are chartered a angel.'
|
|
|
|
Mr Toots instantly seized the Captain's hand, and requested the
|
|
favour of his friendship.
|
|
|
|
'Upon my word and honour,' said Mr Toots, earnestly, 'I should be
|
|
very much obliged to you if you'd improve my acquaintance I should
|
|
like to know you, Captain, very much. I really am In want of a friend,
|
|
I am. Little Dombey was my friend at old Blimber's, and would have
|
|
been now, if he'd have lived. The Chicken,' said Mr Toots, in a
|
|
forlorn whisper, 'is very well - admirable in his way - the sharpest
|
|
man perhaps in the world; there's not a move he isn't up to, everybody
|
|
says so - but I don't know - he's not everything. So she is an angel,
|
|
Captain. If there is an angel anywhere, it's Miss Dombey. That's what
|
|
I've always said. Really though, you know,' said Mr Toots, 'I should
|
|
be very much obliged to you if you'd cultivate my acquaintance.'
|
|
|
|
Captain Cuttle received this proposal in a polite manner, but still
|
|
without committing himself to its acceptance; merely observing, 'Ay,
|
|
ay, my lad. We shall see, we shall see;' and reminding Mr Toots of his
|
|
immediate mission, by inquiring to what he was indebted for the honour
|
|
of that visit.
|
|
|
|
'Why the fact is,' replied Mr Toots, 'that it's the young woman I
|
|
come from. Not Miss Dombey - Susan, you know.
|
|
|
|
The Captain nodded his head once, with a grave expression of face
|
|
indicative of his regarding that young woman with serious respect.
|
|
|
|
'And I'll tell you how it happens,' said Mr Toots. 'You know, I go
|
|
and call sometimes, on Miss Dombey. I don't go there on purpose, you
|
|
know, but I happen to be in the neighbourhood very often; and when I
|
|
find myself there, why - why I call.'
|
|
|
|
'Nat'rally,' observed the Captain.
|
|
|
|
'Yes,' said Mr Toots. 'I called this afternoon. Upon my word and
|
|
honour, I don't think it's possible to form an idea of the angel Miss
|
|
Dombey was this afternoon.'
|
|
|
|
The Captain answered with a jerk of his head, implying that it
|
|
might not be easy to some people, but was quite so to him.
|
|
|
|
'As I was coming out,' said Mr Toots, 'the young woman, in the most
|
|
unexpected manner, took me into the pantry.
|
|
|
|
The Captain seemed, for the moment, to object to this proceeding;
|
|
and leaning back in his chair, looked at Mr Toots with a distrustful,
|
|
if not threatening visage.
|
|
|
|
'Where she brought out,' said Mr Toots, 'this newspaper. She told
|
|
me that she had kept it from Miss Dombey all day, on account of
|
|
something that was in it, about somebody that she and Dombey used to
|
|
know; and then she read the passage to me. Very well. Then she said -
|
|
wait a minute; what was it she said, though!'
|
|
|
|
Mr Toots, endeavouring to concentrate his mental powers on this
|
|
question, unintentionally fixed the Captain's eye, and was so much
|
|
discomposed by its stern expression, that his difficulty in resuming
|
|
the thread of his subject was enhanced to a painful extent.
|
|
|
|
'Oh!' said Mr Toots after long consideration. 'Oh, ah! Yes! She
|
|
said that she hoped there was a bare possibility that it mightn't be
|
|
true; and that as she couldn't very well come out herself, without
|
|
surprising Miss Dombey, would I go down to Mr Solomon Gills the
|
|
Instrument-maker's in this street, who was the party's Uncle, and ask
|
|
whether he believed it was true, or had heard anything else in the
|
|
City. She said, if he couldn't speak to me, no doubt Captain Cuttle
|
|
could. By the bye!' said Mr Toots, as the discovery flashed upon him,
|
|
'you, you know!'
|
|
|
|
The Captain glanced at the newspaper in Mr Toots's hand, and
|
|
breathed short and hurriedly.
|
|
|
|
'Well, pursued Mr Toots, 'the reason why I'm rather late is,
|
|
because I went up as far as Finchley first, to get some uncommonly
|
|
fine chickweed that grows there, for Miss Dombey's bird. But I came on
|
|
here, directly afterwards. You've seen the paper, I suppose?'
|
|
|
|
The Captain, who had become cautious of reading the news, lest he
|
|
should find himself advertised at full length by Mrs MacStinger, shook
|
|
his head.
|
|
|
|
'Shall I read the passage to you?' inquired Mr Toots.
|
|
|
|
The Captain making a sign in the affirmative, Mr Toots read as
|
|
follows, from the Shipping Intelligence:
|
|
|
|
'"Southampton. The barque Defiance, Henry James, Commander, arrived
|
|
in this port to-day, with a cargo of sugar, coffee, and rum, reports
|
|
that being becalmed on the sixth day of her passage home from Jamaica,
|
|
in" - in such and such a latitude, you know,' said Mr Toots, after
|
|
making a feeble dash at the figures, and tumbling over them.
|
|
|
|
'Ay!' cried the Captain, striking his clenched hand on the table.
|
|
'Heave ahead, my lad!'
|
|
|
|
' - latitude,' repeated Mr Toots, with a startled glance at the
|
|
Captain, 'and longitude so-and-so, - "the look-out observed, half an
|
|
hour before sunset, some fragments of a wreck, drifting at about the
|
|
distance of a mile. The weather being clear, and the barque making no
|
|
way, a boat was hoisted out, with orders to inspect the same, when
|
|
they were found to consist of sundry large spars, and a part of the
|
|
main rigging of an English brig, of about five hundred tons burden,
|
|
together with a portion of the stem on which the words and letters
|
|
'Son and H-' were yet plainly legible. No vestige of any dead body was
|
|
to be seen upon the floating fragments. Log of the Defiance states,
|
|
that a breeze springing up in the night, the wreck was seen no more.
|
|
There can be no doubt that all surmises as to the fate of the missing
|
|
vessel, the Son and Heir, port of London, bound for Barbados, are now
|
|
set at rest for ever; that she broke up in the last hurricane; and
|
|
that every soul on board perished."'
|
|
|
|
Captain Cuttle, like all mankind, little knew how much hope had
|
|
survived within him under discouragement, until he felt its
|
|
death-shock. During the reading of the paragraph, and for a minute or
|
|
two afterwards, he sat with his gaze fixed on the modest Mr Toots,
|
|
like a man entranced; then, suddenly rising, and putting on his glazed
|
|
hat, which, in his visitor's honour, he had laid upon the table, the
|
|
Captain turned his back, and bent his head down on the little
|
|
chimneypiece.
|
|
|
|
'Oh' upon my word and honour,' cried Mr Toots, whose tender heart
|
|
was moved by the Captain's unexpected distress, 'this is a most
|
|
wretched sort of affair this world is! Somebody's always dying, or
|
|
going and doing something uncomfortable in it. I'm sure I never should
|
|
have looked forward so much, to coming into my property, if I had
|
|
known this. I never saw such a world. It's a great deal worse than
|
|
Blimber's.'
|
|
|
|
Captain Cuttle, without altering his position, signed to Mr Toots
|
|
not to mind him; and presently turned round, with his glazed hat
|
|
thrust back upon his ears, and his hand composing and smoothing his
|
|
brown face.
|
|
|
|
'Wal'r, my dear lad,' said the Captain, 'farewell! Wal'r my child,
|
|
my boy, and man, I loved you! He warn't my flesh and blood,' said the
|
|
Captain, looking at the fire - 'I ain't got none - but something of
|
|
what a father feels when he loses a son, I feel in losing Wal'r. For
|
|
why?' said the Captain. 'Because it ain't one loss, but a round dozen.
|
|
Where's that there young school-boy with the rosy face and curly hair,
|
|
that used to be as merry in this here parlour, come round every week,
|
|
as a piece of music? Gone down with Wal'r. Where's that there fresh
|
|
lad, that nothing couldn't tire nor put out, and that sparkled up and
|
|
blushed so, when we joked him about Heart's Delight, that he was
|
|
beautiful to look at? Gone down with Wal'r. Where's that there man's
|
|
spirit, all afire, that wouldn't see the old man hove down for a
|
|
minute, and cared nothing for itself? Gone down with Wal'r. It ain't
|
|
one Wal'r. There was a dozen Wal'rs that I know'd and loved, all
|
|
holding round his neck when he went down, and they're a-holding round
|
|
mine now!'
|
|
|
|
Mr Toots sat silent: folding and refolding the newspaper as small
|
|
as possible upon his knee.
|
|
|
|
'And Sol Gills,' said the Captain, gazing at the fire, 'poor
|
|
nevyless old Sol, where are you got to! you was left in charge of me;
|
|
his last words was, "Take care of my Uncle!" What came over you, Sol,
|
|
when you went and gave the go-bye to Ned Cuttle; and what am I to put
|
|
In my accounts that he's a looking down upon, respecting you! Sol
|
|
Gills, Sol Gills!' said the Captain, shaking his head slowly, 'catch
|
|
sight of that there newspaper, away from home, with no one as know'd
|
|
Wal'r by, to say a word; and broadside to you broach, and down you
|
|
pitch, head foremost!'
|
|
|
|
Drawing a heavy sigh, the Captain turned to Mr Toots, and roused
|
|
himself to a sustained consciousness of that gentleman's presence.
|
|
|
|
'My lad,' said the Captain, 'you must tell the young woman honestly
|
|
that this here fatal news is too correct. They don't romance, you see,
|
|
on such pints. It's entered on the ship's log, and that's the truest
|
|
book as a man can write. To-morrow morning,' said the Captain, 'I'll
|
|
step out and make inquiries; but they'll lead to no good. They can't
|
|
do it. If you'll give me a look-in in the forenoon, you shall know
|
|
what I have heerd; but tell the young woman from Cap'en Cuttle, that
|
|
it's over. Over!' And the Captain, hooking off his glazed hat, pulled
|
|
his handkerchief out of the crown, wiped his grizzled head
|
|
despairingly, and tossed the handkerchief in again, with the
|
|
indifference of deep dejection.
|
|
|
|
'Oh! I assure you,' said Mr Toots, 'really I am dreadfully sorry.
|
|
Upon my word I am, though I wasn't acquainted with the party. Do you
|
|
think Miss Dombey will be very much affected, Captain Gills - I mean
|
|
Mr Cuttle?'
|
|
|
|
'Why, Lord love you,' returned the Captain, with something of
|
|
compassion for Mr Toots's innocence. When she warn't no higher than
|
|
that, they were as fond of one another as two young doves.'
|
|
|
|
'Were they though!' said Mr Toots, with a considerably lengthened
|
|
face.
|
|
|
|
'They were made for one another,' said the Captain, mournfully;
|
|
'but what signifies that now!'
|
|
|
|
'Upon my word and honour,' cried Mr Toots, blurting out his words
|
|
through a singular combination of awkward chuckles and emotion, 'I'm
|
|
even more sorry than I was before. You know, Captain Gills, I - I
|
|
positively adore Miss Dombey; - I - I am perfectly sore with loving
|
|
her;' the burst with which this confession forced itself out of the
|
|
unhappy Mr Toots, bespoke the vehemence of his feelings; 'but what
|
|
would be the good of my regarding her in this manner, if I wasn't
|
|
truly sorry for her feeling pain, whatever was the cause of it. Mine
|
|
ain't a selfish affection, you know,' said Mr Toots, in the confidence
|
|
engendered by his having been a witness of the Captain's tenderness.
|
|
'It's the sort of thing with me, Captain Gills, that if I could be run
|
|
over - or - or trampled upon - or - or thrown off a very high place
|
|
-or anything of that sort - for Miss Dombey's sake, it would be the
|
|
most delightful thing that could happen to me.
|
|
|
|
All this, Mr Toots said in a suppressed voice, to prevent its
|
|
reaching the jealous ears of the Chicken, who objected to the softer
|
|
emotions; which effort of restraint, coupled with the intensity of his
|
|
feelings, made him red to the tips of his ears, and caused him to
|
|
present such an affecting spectacle of disinterested love to the eyes
|
|
of Captain Cuttle, that the good Captain patted him consolingly on the
|
|
back, and bade him cheer up.
|
|
|
|
'Thankee, Captain Gills,' said Mr Toots, 'it's kind of you, in the
|
|
midst of your own troubles, to say so. I'm very much obliged to you.
|
|
As I said before, I really want a friend, and should be glad to have
|
|
your acquaintance. Although I am very well off,' said Mr Toots, with
|
|
energy, 'you can't think what a miserable Beast I am. The hollow
|
|
crowd, you know, when they see me with the Chicken, and characters of
|
|
distinction like that, suppose me to be happy; but I'm wretched. I
|
|
suffer for Miss Dombey, Captain Gills. I can't get through my meals; I
|
|
have no pleasure in my tailor; I often cry when I'm alone. I assure
|
|
you it'll be a satisfaction to me to come back to-morrow, or to come
|
|
back fifty times.'
|
|
|
|
Mr Toots, with these words, shook the Captain's hand; and
|
|
disguising such traces of his agitation as could be disguised on so
|
|
short a notice, before the Chicken's penetrating glance, rejoined that
|
|
eminent gentleman in the shop. The Chicken, who was apt to be jealous
|
|
of his ascendancy, eyed Captain Cuttle with anything but favour as he
|
|
took leave of Mr Toots, but followed his patron without being
|
|
otherwise demonstrative of his ill-will: leaving the Captain oppressed
|
|
with sorrow; and Rob the Grinder elevated with joy, on account of
|
|
having had the honour of staring for nearly half an hour at the
|
|
conqueror of the Nobby Shropshire One.
|
|
|
|
Long after Rob was fast asleep in his bed under the counter, the
|
|
Captain sat looking at the fire; and long after there was no fire to
|
|
look at, the Captain sat gazing on the rusty bars, with unavailing
|
|
thoughts of Walter and old Sol crowding through his mind. Retirement
|
|
to the stormy chamber at the top of the house brought no rest with it;
|
|
and the Captain rose up in the morning, sorrowful and unrefreshed.
|
|
|
|
As soon as the City offices were opened, the Captain issued forth
|
|
to the counting-house of Dombey and Son. But there was no opening of
|
|
the Midshipman's windows that morning. Rob the Grinder, by the
|
|
Captain's orders, left the shutters closed, and the house was as a
|
|
house of death.
|
|
|
|
It chanced that Mr Carker was entering the office, as Captain
|
|
Cuttle arrived at the door. Receiving the Manager's benison gravely
|
|
and silently, Captain Cuttle made bold to accompany him into his own
|
|
room.
|
|
|
|
'Well, Captain Cuttle,' said Mr Carker, taking up his usual
|
|
position before the fireplace, and keeping on his hat, 'this is a bad
|
|
business.'
|
|
|
|
'You have received the news as was in print yesterday, Sir?' said
|
|
the Captain.
|
|
|
|
'Yes,' said Mr Carker, 'we have received it! It was accurately
|
|
stated. The underwriters suffer a considerable loss. We are very
|
|
sorry. No help! Such is life!'
|
|
|
|
Mr Carker pared his nails delicately with a penknife, and smiled at
|
|
the Captain, who was standing by the door looking at him.
|
|
|
|
'I excessively regret poor Gay,' said Carker, 'and the crew. I
|
|
understand there were some of our very best men among 'em. It always
|
|
happens so. Many men with families too. A comfort to reflect that poor
|
|
Gay had no family, Captain Cuttle!'
|
|
|
|
The Captain stood rubbing his chin, and looking at the Manager. The
|
|
Manager glanced at the unopened letters lying on his desk, and took up
|
|
the newspaper.
|
|
|
|
'Is there anything I can do for you, Captain Cuttle?' he asked
|
|
looking off it, with a smiling and expressive glance at the door.
|
|
|
|
'I wish you could set my mind at rest, Sir, on something it's
|
|
uneasy about,' returned the Captain.
|
|
|
|
'Ay!' exclaimed the Manager, 'what's that? Come, Captain Cuttle, I
|
|
must trouble you to be quick, if you please. I am much engaged.'
|
|
|
|
'Lookee here, Sir,' said the Captain, advancing a step. 'Afore my
|
|
friend Wal'r went on this here disastrous voyage -
|
|
|
|
'Come, come, Captain Cuttle,' interposed the smiling Manager,
|
|
'don't talk about disastrous voyages in that way. We have nothing to
|
|
do with disastrous voyages here, my good fellow. You must have begun
|
|
very early on your day's allowance, Captain, if you don't remember
|
|
that there are hazards in all voyages, whether by sea or land. You are
|
|
not made uneasy by the supposition that young what's-his-name was lost
|
|
in bad weather that was got up against him in these offices - are you?
|
|
Fie, Captain! Sleep, and soda-water, are the best cures for such
|
|
uneasiness as that.
|
|
|
|
'My lad,' returned the Captain, slowly - 'you are a'most a lad to
|
|
me, and so I don't ask your pardon for that slip of a word, - if you
|
|
find any pleasure in this here sport, you ain't the gentleman I took
|
|
you for. And if you ain't the gentleman I took you for, may be my mind
|
|
has call to be uneasy. Now this is what it is, Mr Carker. - Afore that
|
|
poor lad went away, according to orders, he told me that he warn't a
|
|
going away for his own good, or for promotion, he know'd. It was my
|
|
belief that he was wrong, and I told him so, and I come here, your
|
|
head governor being absent, to ask a question or two of you in a civil
|
|
way, for my own satisfaction. Them questions you answered - free. Now
|
|
it'll ease my mind to know, when all is over, as it is, and when what
|
|
can't be cured must be endoored - for which, as a scholar, you'll
|
|
overhaul the book it's in, and thereof make a note - to know once
|
|
more, in a word, that I warn't mistaken; that I warn't back'ard in my
|
|
duty when I didn't tell the old man what Wal'r told me; and that the
|
|
wind was truly in his sail, when he highsted of it for Barbados
|
|
Harbour. Mr Carker,' said the Captain, in the goodness of his nature,
|
|
'when I was here last, we was very pleasant together. If I ain't been
|
|
altogether so pleasant myself this morning, on account of this poor
|
|
lad, and if I have chafed again any observation of yours that I might
|
|
have fended off, my name is Ed'ard Cuttle, and I ask your pardon.'
|
|
|
|
'Captain Cuttle,' returned the Manager, with all possible
|
|
politeness, 'I must ask you to do me a favour.'
|
|
|
|
'And what is it, Sir?' inquired the Captain.
|
|
|
|
'To have the goodness to walk off, if you please,' rejoined the
|
|
Manager, stretching forth his arm, 'and to carry your jargon somewhere
|
|
else.'
|
|
|
|
Every knob in the Captain's face turned white with astonishment and
|
|
indignation; even the red rim on his forehead faded, like a rainbow
|
|
among the gathering clouds.
|
|
|
|
'I tell you what, Captain Cuttle,' said the Manager, shaking his
|
|
forefinger at him, and showing him all his teeth, but still amiably
|
|
smiling, 'I was much too lenient with you when you came here before.
|
|
You belong to an artful and audacious set of people. In my desire to
|
|
save young what's-his-name from being kicked out of this place, neck
|
|
and crop, my good Captain, I tolerated you; but for once, and only
|
|
once. Now, go, my friend!'
|
|
|
|
The Captain was absolutely rooted to the ground, and speechless -
|
|
|
|
'Go,' said the good-humoured Manager, gathering up his skirts, and
|
|
standing astride upon the hearth-rug, 'like a sensible fellow, and let
|
|
us have no turning out, or any such violent measures. If Mr Dombey
|
|
were here, Captain, you might be obliged to leave in a more
|
|
ignominious manner, possibly. I merely say, Go!'
|
|
|
|
The Captain, laying his ponderous hand upon his chest, to assist
|
|
himself in fetching a deep breath, looked at Mr Carker from head to
|
|
foot, and looked round the little room, as if he did not clearly
|
|
understand where he was, or in what company.
|
|
|
|
'You are deep, Captain Cuttle,' pursued Carker, with the easy and
|
|
vivacious frankness of a man of the world who knew the world too well
|
|
to be ruffled by any discovery of misdoing, when it did not
|
|
immediately concern himself, 'but you are not quite out of soundings,
|
|
either - neither you nor your absent friend, Captain. What have you
|
|
done with your absent friend, hey?'
|
|
|
|
Again the Captain laid his hand upon his chest. After drawing
|
|
another deep breath, he conjured himself to 'stand by!' But In a
|
|
whisper.
|
|
|
|
'You hatch nice little plots, and hold nice little councils, and
|
|
make nice little appointments, and receive nice little visitors, too,
|
|
Captain, hey?' said Carker, bending his brows upon him, without
|
|
showing his teeth any the less: 'but it's a bold measure to come here
|
|
afterwards. Not like your discretion! You conspirators, and hiders,
|
|
and runners-away, should know better than that. Will you oblige me by
|
|
going?'
|
|
|
|
'My lad,' gasped the Captain, in a choked and trembling voice, and
|
|
with a curious action going on in the ponderous fist; 'there's a many
|
|
words I could wish to say to you, but I don't rightly know where
|
|
they're stowed just at present. My young friend, Wal'r, was drownded
|
|
only last night, according to my reckoning, and it puts me out, you
|
|
see. But you and me will come alongside o'one another again, my lad,'
|
|
said the Captain, holding up his hook, if we live.'
|
|
|
|
'It will be anything but shrewd in you, my good fellow, if we do,'
|
|
returned the Manager, with the same frankness; 'for you may rely, I
|
|
give you fair warning, upon my detecting and exposing you. I don't
|
|
pretend to be a more moral man than my neighbours, my good Captain;
|
|
but the confidence of this House, or of any member of this House, is
|
|
not to be abused and undermined while I have eyes and ears. Good day!'
|
|
said Mr Carker, nodding his head.
|
|
|
|
Captain Cuttle, looking at him steadily (Mr Carker looked full as
|
|
steadily at the Captain), went out of the office and left him standing
|
|
astride before the fire, as calm and pleasant as if there were no more
|
|
spots upon his soul than on his pure white linen, and his smooth sleek
|
|
skin.
|
|
|
|
The Captain glanced, in passing through the outer counting-house,
|
|
at the desk where he knew poor Walter had been used to sit, now
|
|
occupied by another young boy, with a face almost as fresh and hopeful
|
|
as his on the day when they tapped the famous last bottle but one of
|
|
the old Madeira, in the little back parlour. The nation of ideas, thus
|
|
awakened, did the Captain a great deal of good; it softened him in the
|
|
very height of his anger, and brought the tears into his eyes.
|
|
|
|
Arrived at the wooden Midshipman's again, and sitting down in a
|
|
corner of the dark shop, the Captain's indignation, strong as it was,
|
|
could make no head against his grief. Passion seemed not only to do
|
|
wrong and violence to the memory of the dead, but to be infected by
|
|
death, and to droop and decline beside it. All the living knaves and
|
|
liars in the world, were nothing to the honesty and truth of one dead
|
|
friend.
|
|
|
|
The only thing the honest Captain made out clearly, in this state
|
|
of mind, besides the loss of Walter, was, that with him almost the
|
|
whole world of Captain Cuttle had been drowned. If he reproached
|
|
himself sometimes, and keenly too, for having ever connived at
|
|
Walter's innocent deceit, he thought at least as often of the Mr
|
|
Carker whom no sea could ever render up; and the Mr Dombey, whom he
|
|
now began to perceive was as far beyond human recall; and the 'Heart's
|
|
Delight,' with whom he must never foregather again; and the Lovely
|
|
Peg, that teak-built and trim ballad, that had gone ashore upon a
|
|
rock, and split into mere planks and beams of rhyme. The Captain sat
|
|
in the dark shop, thinking of these things, to the entire exclusion of
|
|
his own injury; and looking with as sad an eye upon the ground, as if
|
|
in contemplation of their actual fragments, as they floated past
|
|
|
|
But the Captain was not unmindful, for all that, of such decent and
|
|
rest observances in memory of poor Walter, as he felt within his
|
|
power. Rousing himself, and rousing Rob the Grinder (who in the
|
|
unnatural twilight was fast asleep), the Captain sallied forth with
|
|
his attendant at his heels, and the door-key in his pocket, and
|
|
repairing to one of those convenient slop-selling establishments of
|
|
which there is abundant choice at the eastern end of London, purchased
|
|
on the spot two suits of mourning - one for Rob the Grinder, which was
|
|
immensely too small, and one for himself, which was immensely too
|
|
large. He also provided Rob with a species of hat, greatly to be
|
|
admired for its symmetry and usefulness, as well as for a happy
|
|
blending of the mariner with the coal-heaver; which is usually termed
|
|
a sou'wester; and which was something of a novelty in connexion with
|
|
the instrument business. In their several garments, which the vendor
|
|
declared to be such a miracle in point of fit as nothing but a rare
|
|
combination of fortuitous circumstances ever brought about, and the
|
|
fashion of which was unparalleled within the memory of the oldest
|
|
inhabitant, the Captain and Grinder immediately arrayed themselves:
|
|
presenting a spectacle fraught with wonder to all who beheld it.
|
|
|
|
In this altered form, the Captain received Mr Toots. 'I'm took
|
|
aback, my lad, at present,' said the Captain, 'and will only confirm
|
|
that there ill news. Tell the young woman to break it gentle to the
|
|
young lady, and for neither of 'em never to think of me no more -
|
|
'special, mind you, that is - though I will think of them, when night
|
|
comes on a hurricane and seas is mountains rowling, for which overhaul
|
|
your Doctor Watts, brother, and when found make a note on."
|
|
|
|
The Captain reserved, until some fitter time, the consideration of
|
|
Mr Toots's offer of friendship, and thus dismissed him. Captain
|
|
Cuttle's spirits were so low, in truth, that he half determined, that
|
|
day, to take no further precautions against surprise from Mrs
|
|
MacStinger, but to abandon himself recklessly to chance, and be
|
|
indifferent to what might happen. As evening came on, he fell into a
|
|
better frame of mind, however; and spoke much of Walter to Rob the
|
|
Grinder, whose attention and fidelity he likewise incidentally
|
|
commended. Rob did not blush to hear the Captain earnest in his
|
|
praises, but sat staring at him, and affecting to snivel with
|
|
sympathy, and making a feint of being virtuous, and treasuring up
|
|
every word he said (like a young spy as he was) with very promising
|
|
deceit.
|
|
|
|
When Rob had turned in, and was fast asleep, the Captain trimmed
|
|
the candle, put on his spectacles - he had felt it appropriate to take
|
|
to spectacles on entering into the Instrument Trade, though his eyes
|
|
were like a hawk's - and opened the prayer-book at the Burial Service.
|
|
And reading softly to himself, in the little back parlour, and
|
|
stopping now and then to wipe his eyes, the Captain, In a true and
|
|
simple spirit, committed Walter's body to the deep.
|
|
|
|
CHAPTER 33.
|
|
|
|
Contrasts
|
|
|
|
Turn we our eyes upon two homes; not lying side by side, but wide
|
|
apart, though both within easy range and reach of the great city of
|
|
London.
|
|
|
|
The first is situated in the green and wooded country near Norwood.
|
|
It is not a mansion; it is of no pretensions as to size; but it is
|
|
beautifully arranged, and tastefully kept. The lawn, the soft, smooth
|
|
slope, the flower-garden, the clumps of trees where graceful forms of
|
|
ash and willow are not wanting, the conservatory, the rustic verandah
|
|
with sweet-smelling creeping plants entwined about the pillars, the
|
|
simple exterior of the house, the well-ordered offices, though all
|
|
upon the diminutive scale proper to a mere cottage, bespeak an amount
|
|
of elegant comfort within, that might serve for a palace. This
|
|
indication is not without warrant; for, within, it is a house of
|
|
refinement and luxury. Rich colours, excellently blended, meet the eye
|
|
at every turn; in the furniture - its proportions admirably devised to
|
|
suit the shapes and sizes of the small rooms; on the walls; upon the
|
|
floors; tingeing and subduing the light that comes in through the odd
|
|
glass doors and windows here and there. There are a few choice prints
|
|
and pictures too; in quaint nooks and recesses there is no want of
|
|
books; and there are games of skill and chance set forth on tables -
|
|
fantastic chessmen, dice, backgammon, cards, and billiards.
|
|
|
|
And yet amidst this opulence of comfort, there is something in the
|
|
general air that is not well. Is it that the carpets and the cushions
|
|
are too soft and noiseless, so that those who move or repose among
|
|
them seem to act by stealth? Is it that the prints and pictures do not
|
|
commemorate great thoughts or deeds, or render nature in the Poetry of
|
|
landscape, hall, or hut, but are of one voluptuous cast - mere shows
|
|
of form and colour - and no more? Is it that the books have all their
|
|
gold outside, and that the titles of the greater part qualify them to
|
|
be companions of the prints and pictures? Is it that the completeness
|
|
and the beauty of the place are here and there belied by an
|
|
affectation of humility, in some unimportant and inexpensive regard,
|
|
which is as false as the face of the too truly painted portrait
|
|
hanging yonder, or its original at breakfast in his easy chair below
|
|
it? Or is it that, with the daily breath of that original and master
|
|
of all here, there issues forth some subtle portion of himself, which
|
|
gives a vague expression of himself to everything about him?
|
|
|
|
It is Mr Carker the Manager who sits in the easy chair. A gaudy
|
|
parrot in a burnished cage upon the table tears at the wires with her
|
|
beak, and goes walking, upside down, in its dome-top, shaking her
|
|
house and screeching; but Mr Carker is indifferent to the bird, and
|
|
looks with a musing smile at a picture on the opposite wall.
|
|
|
|
'A most extraordinary accidental likeness, certainly,' says he.
|
|
|
|
Perhaps it is a Juno; perhaps a Potiphar's Wife'; perhaps some
|
|
scornful Nymph - according as the Picture Dealers found the market,
|
|
when they christened it. It is the figure of a woman, supremely
|
|
handsome, who, turning away, but with her face addressed to the
|
|
spectator, flashes her proud glance upon him.
|
|
|
|
It is like Edith.
|
|
|
|
With a passing gesture of his hand at the picture - what! a menace?
|
|
No; yet something like it. A wave as of triumph? No; yet more like
|
|
that. An insolent salute wafted from his lips? No; yet like that too -
|
|
he resumes his breakfast, and calls to the chafing and imprisoned
|
|
bird, who coming down into a pendant gilded hoop within the cage, like
|
|
a great wedding-ring, swings in it, for his delight.
|
|
|
|
The second home is on the other side of London, near to where the
|
|
busy great north road of bygone days is silent and almost deserted,
|
|
except by wayfarers who toil along on foot. It is a poor small house,
|
|
barely and sparely furnished, but very clean; and there is even an
|
|
attempt to decorate it, shown in the homely flowers trained about the
|
|
porch and in the narrow garden. The neighbourhood in which it stands
|
|
has as little of the country to recommend'it, as it has of the town.
|
|
It is neither of the town nor country. The former, like the giant in
|
|
his travelling boots, has made a stride and passed it, and has set his
|
|
brick-and-mortar heel a long way in advance; but the intermediate
|
|
space between the giant's feet, as yet, is only blighted country, and
|
|
not town; and, here, among a few tall chimneys belching smoke all day
|
|
and night, and among the brick-fields and the lanes where turf is cut,
|
|
and where the fences tumble down, and where the dusty nettles grow,
|
|
and where a scrap or two of hedge may yet be seen, and where the
|
|
bird-catcher still comes occasionally, though he swears every time to
|
|
come no more - this second home is to be found.'
|
|
|
|
She who inhabits it, is she who left the first in her devotion to
|
|
an outcast brother. She withdrew from that home its redeeming spirit,
|
|
and from its master's breast his solitary angel: but though his liking
|
|
for her is gone, after this ungrateful slight as he considers it; and
|
|
though he abandons her altogether in return, an old idea of her is not
|
|
quite forgotten even by him. Let her flower-garden, in which he never
|
|
sets his foot, but which is yet maintained, among all his costly
|
|
alterations, as if she had quitted it but yesterday, bear witness!
|
|
|
|
Harriet Carker has changed since then, and on her beauty there has
|
|
fallen a heavier shade than Time of his unassisted self can cast,
|
|
all-potent as he is - the shadow of anxiety and sorrow, and the daily
|
|
struggle of a poor existence. But it is beauty still; and still a
|
|
gentle, quiet, and retiring beauty that must be sought out, for it
|
|
cannot vaunt itself; if it could, it would be what it is, no more.
|
|
|
|
Yes. This slight, small, patient figure, neatly dressed in homely
|
|
stuffs, and indicating nothing but the dull, household virtues, that
|
|
have so little in common with the received idea of heroism and
|
|
greatness, unless, indeed, any ray of them should shine through the
|
|
lives of the great ones of the earth, when it becomes a constellation
|
|
and is tracked in Heaven straightway - this slight, small, patient
|
|
figure, leaning on the man still young but worn and grey, is she, his
|
|
sister, who, of all the world, went over to him in his shame and put
|
|
her hand in his, and with a sweet composure and determination, led him
|
|
hopefully upon his barren way.
|
|
|
|
'It is early, John,' she said. 'Why do you go so early?'
|
|
|
|
'Not many minutes earlier than usual, Harriet. If I have the time
|
|
to spare, I should like, I think - it's a fancy - to walk once by the
|
|
house where I took leave of him.'
|
|
|
|
'I wish I had ever seen or known him, John.'
|
|
|
|
'It is better as it is, my dear, remembering his fate.'
|
|
|
|
'But I could not regret it more, though I had known him. Is not
|
|
your sorrow mine? And if I had, perhaps you would feel that I was a
|
|
better companion to you in speaking about him, than I may seem now.
|
|
|
|
'My dearest sister! Is there anything within the range of rejoicing
|
|
or regret, in which I am not sure of your companionship?'
|
|
|
|
'I hope you think not, John, for surely there is nothing!'
|
|
|
|
'How could you be better to me, or nearer to me then, than you are
|
|
in this, or anything?' said her brother. 'I feel that you did know
|
|
him, Harriet, and that you shared my feelings towards him.'
|
|
|
|
She drew the hand which had been resting on his shoulder, round his
|
|
neck, and answered, with some hesitation:
|
|
|
|
'No, not quite.'
|
|
|
|
'True, true!' he said; 'you think I might have done him no harm if
|
|
I had allowed myself to know him better?'
|
|
|
|
'Think! I know it.'
|
|
|
|
'Designedly, Heaven knows I would not,' he replied, shaking his
|
|
head mournfully; 'but his reputation was too precious to be perilled
|
|
by such association. Whether you share that knowledge, or do not, my
|
|
dear - '
|
|
|
|
'I do not,' she said quietly.
|
|
|
|
'It is still the truth, Harriet, and my mind is lighter when I
|
|
think of him for that which made it so much heavier then.' He checked
|
|
himself in his tone of melancholy, and smiled upon her as he said
|
|
'Good-bye!'
|
|
|
|
'Good-bye, dear John! In the evening, at the old time and place, I
|
|
shall meet you as usual on your way home. Good-bye.'
|
|
|
|
The cordial face she lifted up to his to kiss him, was his home,
|
|
his life, his universe, and yet it was a portion of his punishment and
|
|
grief; for in the cloud he saw upon it - though serene and calm as any
|
|
radiant cloud at sunset - and in the constancy and devotion of her
|
|
life, and in the sacrifice she had made of ease, enjoyment, and hope,
|
|
he saw the bitter fruits of his old crime, for ever ripe and fresh.
|
|
|
|
She stood at the door looking after him, with her hands loosely
|
|
clasped in each other, as he made his way over the frowzy and uneven
|
|
patch of ground which lay before their house, which had once (and not
|
|
long ago) been a pleasant meadow, and was now a very waste, with a
|
|
disorderly crop of beginnings of mean houses, rising out of the
|
|
rubbish, as if they had been unskilfully sown there. Whenever he
|
|
looked back - as once or twice he did - her cordial face shone like a
|
|
light upon his heart; but when he plodded on his way, and saw her not,
|
|
the tears were in her eyes as she stood watching him.
|
|
|
|
Her pensive form was not long idle at the door. There was daily
|
|
duty to discharge, and daily work to do - for such commonplace spirits
|
|
that are not heroic, often work hard with their hands - and Harriet
|
|
was soon busy with her household tasks. These discharged, and the poor
|
|
house made quite neat and orderly, she counted her little stock of
|
|
money, with an anxious face, and went out thoughtfully to buy some
|
|
necessaries for their table, planning and conniving, as she went, how
|
|
to save. So sordid are the lives of such lo natures, who are not only
|
|
not heroic to their valets and waiting-women, but have neither valets
|
|
nor waiting-women to be heroic to withal!
|
|
|
|
While she was absent, and there was no one in the house, there
|
|
approached it by a different way from that the brother had taken, a
|
|
gentleman, a very little past his prime of life perhaps, but of a
|
|
healthy florid hue, an upright presence, and a bright clear aspect,
|
|
that was gracious and good-humoured. His eyebrows were still black,
|
|
and so was much of his hair; the sprinkling of grey observable among
|
|
the latter, graced the former very much, and showed his broad frank
|
|
brow and honest eyes to great advantage.
|
|
|
|
After knocking once at the door, and obtaining no response, this
|
|
gentleman sat down on a bench in the little porch to wait. A certain
|
|
skilful action of his fingers as he hummed some bars, and beat time on
|
|
the seat beside him, seemed to denote the musician; and the
|
|
extraordinary satisfaction he derived from humming something very slow
|
|
and long, which had no recognisable tune, seemed to denote that he was
|
|
a scientific one.
|
|
|
|
The gentleman was still twirlIng a theme, which seemed to go round
|
|
and round and round, and in and in and in, and to involve itself like
|
|
a corkscrew twirled upon a table, without getting any nearer to
|
|
anything, when Harriet appeared returning. He rose up as she advanced,
|
|
and stood with his head uncovered.
|
|
|
|
'You are come again, Sir!' she said, faltering.
|
|
|
|
'I take that liberty,' he answered. 'May I ask for five minutes of
|
|
your leisure?'
|
|
|
|
After a moment's hesitation, she opened the door, and gave him
|
|
admission to the little parlour. The gentleman sat down there, drew
|
|
his chair to the table over against her, and said, in a voice that
|
|
perfectly corresponded to his appearance, and with a simplicity that
|
|
was very engaging:
|
|
|
|
'Miss Harriet, you cannot be proud. You signified to me, when I
|
|
called t'other morning, that you were. Pardon me if I say that I
|
|
looked into your face while you spoke, and that it contradicted you. I
|
|
look into it again,' he added, laying his hand gently on her arm, for
|
|
an instant, 'and it contradicts you more and more.'
|
|
|
|
She was somewhat confused and agitated, and could make no ready
|
|
answer.
|
|
|
|
'It is the mirror of truth,' said her visitor, 'and gentleness.
|
|
Excuse my trusting to it, and returning.'
|
|
|
|
His manner of saying these words, divested them entirely of the
|
|
character of compliments. It was so plain, grave, unaffected, and
|
|
sincere, that she bent her head, as if at once to thank him, and
|
|
acknowledge his sincerity.
|
|
|
|
'The disparity between our ages,' said the gentleman, 'and the
|
|
plainness of my purpose, empower me, I am glad to think, to speak my
|
|
mind. That is my mind; and so you see me for the second time.'
|
|
|
|
'There is a kind of pride, Sir,' she returned, after a moment's
|
|
silence, 'or what may be supposed to be pride, which is mere duty. I
|
|
hope I cherish no other.'
|
|
|
|
'For yourself,' he said.
|
|
|
|
'For myself.'
|
|
|
|
'But - pardon me - ' suggested the gentleman. 'For your brother
|
|
John?'
|
|
|
|
'Proud of his love, I am,' said Harriet, looking full upon her
|
|
visitor, and changing her manner on the instant - not that it was less
|
|
composed and quiet, but that there was a deep impassioned earnestness
|
|
in it that made the very tremble in her voice a part of her firmness,
|
|
'and proud of him. Sir, you who strangely know the story of his life,
|
|
and repeated it to me when you were here last - '
|
|
|
|
'Merely to make my way into your confidence,' interposed the
|
|
gentleman. 'For heaven's sake, don't suppose - '
|
|
|
|
'I am sure,' she said, 'you revived it, in my hearing, with a kind
|
|
and good purpose. I am quite sure of it.'
|
|
|
|
'I thank you,' returned her visitor, pressing her hand hastily. 'I
|
|
am much obliged to you. You do me justice, I assure you. You were
|
|
going to say, that I, who know the story of John Carker's life - '
|
|
|
|
'May think it pride in me,' she continued, 'when I say that I am
|
|
proud of him! I am. You know the time was, when I was not - when I
|
|
could not be - but that is past. The humility of many years, the
|
|
uncomplaining expiation, the true repentance, the terrible regret, the
|
|
pain I know he has even in my affection, which he thinks has cost me
|
|
dear, though Heaven knows I am happy, but for his sorrow I - oh, Sir,
|
|
after what I have seen, let me conjure you, if you are in any place of
|
|
power, and are ever wronged, never, for any wrong, inflict a
|
|
punishment that cannot be recalled; while there is a GOD above us to
|
|
work changes in the hearts He made.'
|
|
|
|
'Your brother is an altered man,' returned the gentleman,
|
|
compassionately. 'I assure you I don't doubt it.'
|
|
|
|
'He was an altered man when he did wrong,' said Harriet. 'He is an
|
|
altered man again, and is his true self now, believe me, Sir.'
|
|
|
|
'But we go on, said her visitor, rubbing his forehead, in an absent
|
|
manner, with his hand, and then drumming thoughtfully on the table,
|
|
'we go on in our clockwork routine, from day to day, and can't make
|
|
out, or follow, these changes. They - they're a metaphysical sort of
|
|
thing. We - we haven't leisure for it. We - we haven't courage.
|
|
They're not taught at schools or colleges, and we don't know how to
|
|
set about it. In short, we are so d-------d business-like,' said the
|
|
gentleman, walking to the window, and back, and sitting down again, in
|
|
a state of extreme dissatisfaction and vexation.
|
|
|
|
'I am sure,' said the gentleman, rubbing his forehead again; and
|
|
drumming on the table as before, 'I have good reason to believe that a
|
|
jog-trot life, the same from day to day, would reconcile one to
|
|
anything. One don't see anything, one don't hear anything, one don't
|
|
know anything; that's the fact. We go on taking everything for
|
|
granted, and so we go on, until whatever we do, good, bad, or
|
|
indifferent, we do from habit. Habit is all I shall have to report,
|
|
when I am called upon to plead to my conscience, on my death-bed.
|
|
''Habit," says I; ''I was deaf, dumb, blind, and paralytic, to a
|
|
million things, from habit." ''Very business-like indeed, Mr
|
|
What's-your-name,' says Conscience, ''but it won't do here!"'
|
|
|
|
The gentleman got up and walked to the window again and back:
|
|
seriously uneasy, though giving his uneasiness this peculiar
|
|
expression.
|
|
|
|
'Miss Harriet,' he said, resuming his chair, 'I wish you would let
|
|
me serve you. Look at me; I ought to look honest, for I know I am so,
|
|
at present. Do I?'
|
|
|
|
'Yes,' she answered with a smile.
|
|
|
|
'I believe every word you have said,' he returned. 'I am full of
|
|
self-reproach that I might have known this and seen this, and known
|
|
you and seen you, any time these dozen years, and that I never have. I
|
|
hardly know how I ever got here - creature that I am, not only of my
|
|
own habit, but of other people'sl But having done so, let me do
|
|
something. I ask it in all honour and respect. You inspire me with
|
|
both, in the highest degree. Let me do something.'
|
|
|
|
'We are contented, Sir.'
|
|
|
|
'No, no, not quite,' returned the gentleman. 'I think not quite.
|
|
There are some little comforts that might smooth your life, and his.
|
|
And his!' he repeated, fancying that had made some impression on her.
|
|
'I have been in the habit of thinking that there was nothing wanting
|
|
to be done for him; that it was all settled and over; in short, of not
|
|
thinking at all about it. I am different now. Let me do something for
|
|
him. You too,' said the visitor, with careful delicacy, 'have need to
|
|
watch your health closely, for his sake, and I fear it fails.'
|
|
|
|
'Whoever you may be, Sir,' answered Harriet, raising her eyes to
|
|
his face, 'I am deeply grateful to you. I feel certain that in all you
|
|
say, you have no object in the world but kindness to us. But years
|
|
have passed since we began this life; and to take from my brother any
|
|
part of what has so endeared him to me, and so proved his better
|
|
resolution - any fragment of the merit of his unassisted, obscure, and
|
|
forgotten reparation - would be to diminish the comfort it will be to
|
|
him and me, when that time comes to each of us, of which you spoke
|
|
just now. I thank you better with these tears than any words. Believe
|
|
it, pray.
|
|
|
|
The gentleman was moved, and put the hand she held out, to his
|
|
lips, much as a tender father might kiss the hand of a dutiful child.
|
|
But more reverently.
|
|
|
|
'If the day should ever come, said Harriet, 'when he is restored,
|
|
in part, to the position he lost - '
|
|
|
|
'Restored!' cried the gentleman, quickly. 'How can that be hoped
|
|
for? In whose hands does the power of any restoration lie? It is no
|
|
mistake of mine, surely, to suppose that his having gained the
|
|
priceless blessing of his life, is one cause of the animosity shown to
|
|
him by his brother.'
|
|
|
|
'You touch upon a subject that is never breathed between us; not
|
|
even between us,' said Harriet.
|
|
|
|
'I beg your forgiveness,' said the visitor. 'I should have known
|
|
it. I entreat you to forget that I have done so, inadvertently. And
|
|
now, as I dare urge no more - as I am not sure that I have a right to
|
|
do so - though Heaven knows, even that doubt may be habit,' said the
|
|
gentleman, rubbing his head, as despondently as before, 'let me;
|
|
though a stranger, yet no stranger; ask two favours.'
|
|
|
|
'What are they?' she inquired.
|
|
|
|
'The first, that if you should see cause to change your resolution,
|
|
you will suffer me to be as your right hand. My name shall then be at
|
|
your service; it is useless now, and always insignificant.'
|
|
|
|
'Our choice of friends,' she answered, smiling faintly, 'is not so
|
|
great, that I need any time for consideration. I can promise that.'
|
|
|
|
'The second, that you will allow me sometimes, say every Monday
|
|
morning, at nine o'clock - habit again - I must be businesslike,' said
|
|
the gentleman, with a whimsical inclination to quarrel with himself on
|
|
that head, 'in walking past, to see you at the door or window. I don't
|
|
ask to come in, as your brother will be gone out at that hour. I don't
|
|
ask to speak to you. I merely ask to see, for the satisfaction of my
|
|
own mind, that you are well, and without intrusion to remind you, by
|
|
the sight of me, that you have a friend - an elderly friend,
|
|
grey-haired already, and fast growing greyer - whom you may ever
|
|
command.'
|
|
|
|
The cordial face looked up in his; confided in it; and promised.
|
|
|
|
'I understand, as before,' said the gentleman, rising, 'that you
|
|
purpose not to mention my visit to John Carker, lest he should be at
|
|
all distressed by my acquaintance with his history. I am glad of it,
|
|
for it is out of the ordinary course of things, and - habit again!'
|
|
said the gentleman, checking himself impatiently, 'as if there were no
|
|
better course than the ordinary course!'
|
|
|
|
With that he turned to go, and walking, bareheaded, to the outside
|
|
of the little porch, took leave of her with such a happy mixture of
|
|
unconstrained respect and unaffected interest, as no breeding could
|
|
have taught, no truth mistrusted, and nothing but a pure and single
|
|
heart expressed.
|
|
|
|
Many half-forgotten emotions were awakened in the sister's mind by
|
|
this visit. It was so very long since any other visitor had crossed
|
|
their threshold; it was so very long since any voice of apathy had
|
|
made sad music in her ears; that the stranger's figure remained
|
|
present to her, hours afterwards, when she sat at the window, plying
|
|
her needle; and his words seemed newly spoken, again and again. He had
|
|
touched the spring that opened her whole life; and if she lost him for
|
|
a short space, it was only among the many shapes of the one great
|
|
recollection of which that life was made.
|
|
|
|
Musing and working by turns; now constraining herself to be steady
|
|
at her needle for a long time together, and now letting her work fall,
|
|
unregarded, on her lap, and straying wheresoever her busier thoughts
|
|
led, Harriet Carker found the hours glide by her, and the day steal
|
|
on. The morning, which had been bright and clear, gradually became
|
|
overcast; a sharp wind set in; the rain fell heavily; and a dark mist
|
|
drooping over the distant town, hid it from the view.
|
|
|
|
She often looked with compassion, at such a time, upon the
|
|
stragglers who came wandering into London, by the great highway hard
|
|
by, and who, footsore and weary, and gazing fearfully at the huge town
|
|
before them, as if foreboding that their misery there would be but as
|
|
a drop of water in the sea, or as a grain of sea-sand on the shore,
|
|
went shrinking on, cowering before the angry weather, and looking as
|
|
if the very elements rejected them. Day after day, such travellers
|
|
crept past, but always, as she thought, In one direction - always
|
|
towards the town. Swallowed up in one phase or other of its immensity,
|
|
towards which they seemed impelled by a desperate fascination, they
|
|
never returned. Food for the hospitals, the churchyards, the prisons,
|
|
the river, fever, madness, vice, and death, - they passed on to the
|
|
monster, roaring in the distance, and were lost.
|
|
|
|
The chill wind was howling, and the rain was falling, and the day
|
|
was darkening moodily, when Harriet, raising her eyes from the work on
|
|
which she had long since been engaged with unremitting constancy, saw
|
|
one of these travellers approaching.
|
|
|
|
A woman. A solitary woman of some thirty years of age; tall;
|
|
well-formed; handsome; miserably dressed; the soil of many country
|
|
roads in varied weather - dust, chalk, clay, gravel - clotted on her
|
|
grey cloak by the streaming wet; no bonnet on her head, nothing to
|
|
defend her rich black hair from the rain, but a torn handkerchief;
|
|
with the fluttering ends of which, and with her hair, the wind blinded
|
|
her so that she often stopped to push them back, and look upon the way
|
|
she was going.
|
|
|
|
She was in the act of doing so, when Harriet observed her. As her
|
|
hands, parting on her sunburnt forehead, swept across her face, and
|
|
threw aside the hindrances that encroached upon it, there was a
|
|
reckless and regardless beauty in it: a dauntless and depraved
|
|
indifference to more than weather: a carelessness of what was cast
|
|
upon her bare head from Heaven or earth: that, coupled with her misery
|
|
and loneliness, touched the heart of her fellow-woman. She thought of
|
|
all that was perverted and debased within her, no less than without:
|
|
of modest graces of the mind, hardened and steeled, like these
|
|
attractions of the person; of the many gifts of the Creator flung to
|
|
the winds like the wild hair; of all the beautiful ruin upon which the
|
|
storm was beating and the night was coming.
|
|
|
|
Thinking of this, she did not turn away with a delicate indignation
|
|
- too many of her own compassionate and tender sex too often do - but
|
|
pitied her.
|
|
|
|
Her fallen sister came on, looking far before her, trying with her
|
|
eager eyes to pierce the mist in which the city was enshrouded, and
|
|
glancing, now and then, from side to side, with the bewildered - and
|
|
uncertain aspect of a stranger. Though her tread was bold and
|
|
courageous, she was fatigued, and after a moment of irresolution, -
|
|
sat down upon a heap of stones; seeking no shelter from the rain, but
|
|
letting it rain on her as it would.
|
|
|
|
She was now opposite the house; raising her head after resting it
|
|
for a moment on both hands, her eyes met those of Harriet.
|
|
|
|
In a moment, Harriet was at the door; and the other, rising from
|
|
her seat at her beck, came slowly, and with no conciliatory look,
|
|
towards her.
|
|
|
|
'Why do you rest in the rain?' said Harriet, gently.
|
|
|
|
'Because I have no other resting-place,' was the reply.
|
|
|
|
'But there are many places of shelter near here. This,' referring
|
|
to the little porch, 'is better than where you were. You are very
|
|
welcome to rest here.'
|
|
|
|
The wanderer looked at her, in doubt and surprise, but without any
|
|
expression of thankfulness; and sitting down, and taking off one of
|
|
her worn shoes to beat out the fragments of stone and dust that were
|
|
inside, showed that her foot was cut and bleeding.
|
|
|
|
Harriet uttering an expression of pity, the traveller looked up
|
|
with a contemptuous and incredulous smile.
|
|
|
|
'Why, what's a torn foot to such as me?' she said. 'And what's a
|
|
torn foot in such as me, to such as you?'
|
|
|
|
'Come in and wash it,' answered Harriet, mildly, 'and let me give
|
|
you something to bind it up.'
|
|
|
|
The woman caught her arm, and drawing it before her own eyes, hid
|
|
them against it, and wept. Not like a woman, but like a stern man
|
|
surprised into that weakness; with a violent heaving of her breast,
|
|
and struggle for recovery, that showed how unusual the emotion was
|
|
with her.
|
|
|
|
She submitted to be led into the house, and, evidently more in
|
|
gratitude than in any care for herself, washed and bound the injured
|
|
place. Harriet then put before her fragments of her own frugal dinner,
|
|
and when she had eaten of them, though sparingly, besought her, before
|
|
resuming her road (which she showed her anxiety to do), to dry her
|
|
clothes before the fire. Again, more in gratitude than with any
|
|
evidence of concern in her own behalf, she sat down in front of it,
|
|
and unbinding the handkerchief about her head, and letting her thick
|
|
wet hair fall down below her waist, sat drying it with the palms of
|
|
her hands, and looking at the blaze.
|
|
|
|
'I daresay you are thinking,' she said, lifting her head suddenly,
|
|
'that I used to be handsome, once. I believe I was - I know I was -
|
|
Look here!' She held up her hair roughly with both hands; seizing it
|
|
as if she would have torn it out; then, threw it down again, and flung
|
|
it back as though it were a heap of serpents.
|
|
|
|
'Are you a stranger in this place?' asked Harriet.
|
|
|
|
'A stranger!' she returned, stopping between each short reply, and
|
|
looking at the fire. 'Yes. Ten or a dozen years a stranger. I have had
|
|
no almanack where I have been. Ten or a dozen years. I don't know this
|
|
part. It's much altered since I went away.'
|
|
|
|
'Have you been far?'
|
|
|
|
'Very far. Months upon months over the sea, and far away even then.
|
|
I have been where convicts go,' she added, looking full upon her
|
|
entertainer. 'I have been one myself.'
|
|
|
|
'Heaven help you and forgive you!' was the gentle answer.
|
|
|
|
'Ah! Heaven help me and forgive me!' she returned, nodding her head
|
|
at the fire. 'If man would help some of us a little more, God would
|
|
forgive us all the sooner perhaps.'
|
|
|
|
But she was softened by the earnest manner, and the cordial face so
|
|
full of mildness and so free from judgment, of her, and said, less
|
|
hardily:
|
|
|
|
'We may be about the same age, you and me. If I am older, it is not
|
|
above a year or two. Oh think of that!'
|
|
|
|
She opened her arms, as though the exhibition of her outward form
|
|
would show the moral wretch she was; and letting them drop at her
|
|
sides, hung down her head.
|
|
|
|
'There is nothing we may not hope to repair; it is never too late
|
|
to amend,' said Harriet. 'You are penitent
|
|
|
|
'No,' she answered. 'I am not! I can't be. I am no such thing. Why
|
|
should I be penitent, and all the world go free? They talk to me of my
|
|
penitence. Who's penitent for the wrongs that have been done to me?'
|
|
|
|
She rose up, bound her handkerchief about her head, and turned to
|
|
move away.
|
|
|
|
'Where are you going?' said Harriet.
|
|
|
|
'Yonder,' she answered, pointing with her hand. 'To London.'
|
|
|
|
'Have you any home to go to?'
|
|
|
|
'I think I have a mother. She's as much a mother, as her dwelling
|
|
is a home,' she answered with a bitter laugh.
|
|
|
|
'Take this,' cried Harriet, putting money in her hand. 'Try to do
|
|
well. It is very little, but for one day it may keep you from harm.'
|
|
|
|
'Are you married?' said the other, faintly, as she took it.
|
|
|
|
'No. I live here with my brother. We have not much to spare, or I
|
|
would give you more.'
|
|
|
|
'Will you let me kiss you?'
|
|
|
|
Seeing no scorn or repugnance in her face, the object of her
|
|
charity bent over her as she asked the question, and pressed her lips
|
|
against her cheek. Once more she caught her arm, and covered her eyes
|
|
with it; and then was gone.
|
|
|
|
Gone into the deepening night, and howling wind, and pelting rain;
|
|
urging her way on towards the mist-enshrouded city where the blurred
|
|
lights gleamed; and with her black hair, and disordered head-gear,
|
|
fluttering round her reckless face.
|
|
|
|
CHAPTER 34.
|
|
|
|
Another Mother and Daughter
|
|
|
|
In an ugly and dark room, an old woman, ugly and dark too, sat
|
|
listening to the wind and rain, and crouching over a meagre fire. More
|
|
constant to the last-named occupation than the first, she never
|
|
changed her attitude, unless, when any stray drops of rain fell
|
|
hissing on the smouldering embers, to raise her head with an awakened
|
|
attention to the whistling and pattering outside, and gradually to let
|
|
it fall again lower and lower and lower as she sunk into a brooding
|
|
state of thought, in which the noises of the night were as
|
|
indistinctly regarded as is the monotonous rolling of a sea by one who
|
|
sits in contemplation on its shore.
|
|
|
|
There was no light in the room save that which the fire afforded.
|
|
Glaring sullenly from time to time like the eye of a fierce beast half
|
|
asleep, it revealed no objects that needed to be jealous of a better
|
|
display. A heap of rags, a heap of bones, a wretched bed, two or three
|
|
mutilated chairs or stools, the black walls and blacker ceiling, were
|
|
all its winking brightness shone upon. As the old woman, with a
|
|
gigantic and distorted image of herself thrown half upon the wall
|
|
behind her, half upon the roof above, sat bending over the few loose
|
|
bricks within which it was pent, on the damp hearth of the chimney -
|
|
for there was no stove - she looked as if she were watching at some
|
|
witch's altar for a favourable token; and but that the movement of her
|
|
chattering jaws and trembling chin was too frequent and too fast for
|
|
the slow flickering of the fire, it would have seemed an illusion
|
|
wrought by the light, as it came and went, upon a face as motionless
|
|
as the form to which it belonged.
|
|
|
|
If Florence could have stood within the room and looked upon the
|
|
original of the shadow thrown upon the wall and roof as it cowered
|
|
thus over the fire, a glance might have sufficed to recall the figure
|
|
of Good Mrs Brown; notwithstanding that her childish recollection of
|
|
that terrible old woman was as grotesque and exaggerated a presentment
|
|
of the truth, perhaps, as the shadow on the wall. But Florence was not
|
|
there to look on; and Good Mrs Brown remained unrecognised, and sat
|
|
staring at her fire, unobserved.
|
|
|
|
Attracted by a louder sputtering than usual, as the rain came
|
|
hissing down the chimney in a little stream, the old woman raised her
|
|
head, impatiently, to listen afresh. And this time she did not drop it
|
|
again; for there was a hand upon the door, and a footstep in the room.
|
|
|
|
'Who's that?' she said, looking over her shoulder.
|
|
|
|
'One who brings you news, was the answer, in a woman's voice.
|
|
|
|
'News? Where from?'
|
|
|
|
'From abroad.'
|
|
|
|
'From beyond seas?' cried the old woman, starting up.
|
|
|
|
'Ay, from beyond seas.'
|
|
|
|
The old woman raked the fire together, hurriedly, and going close
|
|
to her visitor who had entered, and shut the door, and who now stood
|
|
in the middle of the room, put her hand upon the drenched cloak, and
|
|
turned the unresisting figure, so as to have it in the full light of
|
|
the fire. She did not find what she had expected, whatever that might
|
|
be; for she let the cloak go again, and uttered a querulous cry of
|
|
disappointment and misery.
|
|
|
|
'What is the matter?' asked her visitor.
|
|
|
|
'Oho! Oho!' cried the old woman, turning her face upward, with a
|
|
terrible howl.
|
|
|
|
'What is the matter?' asked the visitor again.
|
|
|
|
'It's not my gal!' cried the old woman, tossing up her arms, and
|
|
clasping her hands above her head. 'Where's my Alice? Where's my
|
|
handsome daughter? They've been the death of her!'
|
|
|
|
'They've not been the death of her yet, if your name's Marwood,'
|
|
said the visitor.
|
|
|
|
'Have you seen my gal, then?' cried the old woman. 'Has she wrote
|
|
to me?'
|
|
|
|
'She said you couldn't read,' returned the other.
|
|
|
|
'No more I can!' exclaimed the old woman, wringing her hands.
|
|
|
|
'Have you no light here?' said the other, looking round the room.
|
|
|
|
The old woman, mumbling and shaking her head, and muttering to
|
|
herself about her handsome daughter, brought a candle from a cupboard
|
|
in the corner, and thrusting it into the fire with a trembling hand,
|
|
lighted it with some difficulty and set it on the table. Its dirty
|
|
wick burnt dimly at first, being choked in its own grease; and when
|
|
the bleared eyes and failing sight of the old woman could distinguish
|
|
anything by its light, her visitor was sitting with her arms folded,
|
|
her eyes turned downwards, and a handkerchief she had worn upon her
|
|
head lying on the table by her side.
|
|
|
|
'She sent to me by word of mouth then, my gal, Alice?' mumbled the
|
|
old woman, after waiting for some moments. 'What did she say?'
|
|
|
|
'Look,' returned the visitor.
|
|
|
|
The old woman repeated the word in a scared uncertain way; and,
|
|
shading her eyes, looked at the speaker, round the room, and at the
|
|
speaker once again.
|
|
|
|
'Alice said look again, mother;' and the speaker fixed her eyes
|
|
upon her.
|
|
|
|
Again the old woman looked round the room, and at her visitor, and
|
|
round the room once more. Hastily seizing the candle, and rising from
|
|
her seat, she held it to the visitor's face, uttered a loud cry, set
|
|
down the light, and fell upon her neck!
|
|
|
|
'It's my gal! It's my Alice! It's my handsome daughter, living and
|
|
come back!' screamed the old woman, rocking herself to and fro upon
|
|
the breast that coldly suffered her embrace. 'It's my gal! It's my
|
|
Alice! It's my handsome daughter, living and come back!' she screamed
|
|
again, dropping on the floor before her, clasping her knees, laying
|
|
her head against them, and still rocking herself to and fro with every
|
|
frantic demonstration of which her vitality was capable.
|
|
|
|
'Yes, mother,' returned Alice, stooping forward for a moment and
|
|
kissing her, but endeavouring, even in the act, to disengage herself
|
|
from her embrace. 'I am here, at last. Let go, mother; let go. Get up,
|
|
and sit in your chair. What good does this do?'
|
|
|
|
'She's come back harder than she went!' cried the mother, looking
|
|
up in her face, and still holding to her knees. 'She don't care for
|
|
me! after all these years, and all the wretched life I've led!'
|
|
|
|
'Why> mother!' said Alice, shaking her ragged skirts to detach the
|
|
old woman from them: 'there are two sides to that. There have been
|
|
years for me as well as you, and there has been wretchedness for me as
|
|
well as you. Get up, get up!'
|
|
|
|
Her mother rose, and cried, and wrung her hands, and stood at a
|
|
little distance gazing on her. Then she took the candle again, and
|
|
going round her, surveyed her from head to foot, making a low moaning
|
|
all the time. Then she put the candle down, resumed her chair, and
|
|
beating her hands together to a kind of weary tune, and rolling
|
|
herself from side to side, continued moaning and wailing to herself.
|
|
|
|
Alice got up, took off her wet cloak, and laid it aside. That done,
|
|
she sat down as before, and with her arms folded, and her eyes gazing
|
|
at the fire, remained silently listening with a contemptuous face to
|
|
her old mother's inarticulate complainings.
|
|
|
|
'Did you expect to see me return as youthful as I went away,
|
|
mother?' she said at length, turning her eyes upon the old woman. 'Did
|
|
you think a foreign life, like mine, was good for good looks? One
|
|
would believe so, to hear you!'
|
|
|
|
'It ain't that!' cried the mother. 'She knows it!'
|
|
|
|
'What is it then?' returned the daughter. 'It had best be something
|
|
that don't last, mother, or my way out is easier than my way in.
|
|
|
|
'Hear that!' exclaimed the mother. 'After all these years she
|
|
threatens to desert me in the moment of her coming back again!'
|
|
|
|
'I tell you, mother, for the second time, there have been years for
|
|
me as well as you,' said Alice. 'Come back harder? Of course I have
|
|
come back harder. What else did you expect?'
|
|
|
|
'Harder to me! To her own dear mother!' cried the old woman
|
|
|
|
'I don't know who began to harden me, if my own dear mother
|
|
didn't,' she returned, sitting with her folded arms, and knitted
|
|
brows, and compressed lips as if she were bent on excluding, by force,
|
|
every softer feeling from her breast. 'Listen, mother, to a word or
|
|
two. If we understand each other now, we shall not fall out any more,
|
|
perhaps. I went away a girl, and have come back a woman. I went away
|
|
undutiful enough, and have come back no better, you may swear. But
|
|
have you been very dutiful to me?'
|
|
|
|
'I!' cried the old woman. 'To my gal! A mother dutiful to her own
|
|
child!'
|
|
|
|
'It sounds unnatural, don't it?' returned the daughter, looking
|
|
coldly on her with her stern, regardless, hardy, beautiful face; 'but
|
|
I have thought of it sometimes, in the course of my lone years, till I
|
|
have got used to it. I have heard some talk about duty first and last;
|
|
but it has always been of my duty to other people. I have wondered now
|
|
and then - to pass away the time - whether no one ever owed any duty
|
|
to me.
|
|
|
|
Her mother sat mowing, and mumbling, and shaking her head, but
|
|
whether angrily or remorsefully, or in denial, or only in her physical
|
|
infirmity, did not appear.
|
|
|
|
'There was a child called Alice Marwood,' said the daughter, with a
|
|
laugh, and looking down at herself in terrible derision of herself,
|
|
'born, among poverty and neglect, and nursed in it. Nobody taught her,
|
|
nobody stepped forward to help her, nobody cared for her.'
|
|
|
|
'Nobody!' echoed the mother, pointing to herself, and striking her
|
|
breast.
|
|
|
|
'The only care she knew,' returned the daughter, 'was to be beaten,
|
|
and stinted, and abused sometimes; and she might have done better
|
|
without that. She lived in homes like this, and in the streets, with a
|
|
crowd of little wretches like herself; and yet she brought good looks
|
|
out of this childhood. So much the worse for her. She had better have
|
|
been hunted and worried to death for ugliness.'
|
|
|
|
'Go on! go on!' exclaimed the mother.
|
|
|
|
'I am going on,' returned the daughter. 'There was a girl called
|
|
Alice Marwood. She was handsome. She was taught too late, and taught
|
|
all wrong. She was too well cared for, too well trained, too well
|
|
helped on, too much looked after. You were very fond of her - you were
|
|
better off then. What came to that girl comes to thousands every year.
|
|
It was only ruin, and she was born to it.'
|
|
|
|
'After all these years!' whined the old woman. 'My gal begins with
|
|
this.'
|
|
|
|
'She'll soon have ended,' said the daughter. 'There was a criminal
|
|
called Alice Marwood - a girl still, but deserted and an outcast. And
|
|
she was tried, and she was sentenced. And lord, how the gentlemen in
|
|
the Court talked about it! and how grave the judge was on her duty,
|
|
and on her having perverted the gifts of nature - as if he didn't know
|
|
better than anybody there, that they had been made curses to her! -
|
|
and how he preached about the strong arm of the Law - so very strong
|
|
to save her, when she was an innocent and helpless little wretch! -
|
|
and how solemn and religious it all was! I have thought of that, many
|
|
times since, to be sure!'
|
|
|
|
She folded her arms tightly on her breast, and laughed in a tone
|
|
that made the howl of the old woman musical.
|
|
|
|
'So Alice Marwood was transported, mother,' she pursued, 'and was
|
|
sent to learn her duty, where there was twenty times less duty, and
|
|
more wickedness, and wrong, and infamy, than here. And Alice Marwood
|
|
is come back a woman. Such a woman as she ought to be, after all this.
|
|
In good time, there will be more solemnity, and more fine talk, and
|
|
more strong arm, most likely, and there will be an end of her; but the
|
|
gentlemen needn't be afraid of being thrown out of work. There's
|
|
crowds of little wretches, boy and girl, growing up in any of the
|
|
streets they live in, that'll keep them to it till they've made their
|
|
fortunes.'
|
|
|
|
The old woman leaned her elbows on the table, and resting her face
|
|
upon her two hands, made a show of being in great distress - or really
|
|
was, perhaps.
|
|
|
|
'There! I have done, mother,' said the daughter, with a motion of
|
|
her head, as if in dismissal of the subject. 'I have said enough.
|
|
Don't let you and I talk of being dutiful, whatever we do. Your
|
|
childhood was like mine, I suppose. So much the worse for both of us.
|
|
I don't want to blame you, or to defend myself; why should I? That's
|
|
all over long ago. But I am a woman - not a girl, now - and you and I
|
|
needn't make a show of our history, like the gentlemen in the Court.
|
|
We know all about it, well enough.'
|
|
|
|
Lost and degraded as she was, there was a beauty in her, both of
|
|
face and form, which, even in its worst expression, could not but be
|
|
recognised as such by anyone regarding her with the least attention.
|
|
As she subsided into silence, and her face which had been harshly
|
|
agitated, quieted down; while her dark eyes, fixed upon the fire,
|
|
exchanged the reckless light that had animated them, for one that was
|
|
softened by something like sorrow; there shone through all her wayworn
|
|
misery and fatigue, a ray of the departed radiance of the fallen
|
|
angel.'
|
|
|
|
Her mother, after watching her for some time without speaking,
|
|
ventured to steal her withered hand a little nearer to her across the
|
|
table; and finding that she permitted this, to touch her face, and
|
|
smooth her hair. With the feeling, as it seemed, that the old woman
|
|
was at least sincere in this show of interest, Alice made no movement
|
|
to check her; so, advancing by degrees, she bound up her daughter's
|
|
hair afresh, took off her wet shoes, if they deserved the name, spread
|
|
something dry upon her shoulders, and hovered humbly about her,
|
|
muttering to herself, as she recognised her old features and
|
|
expression more and more.
|
|
|
|
'You are very poor, mother, I see,' said Alice, looking round, when
|
|
she had sat thus for some time.
|
|
|
|
'Bitter poor, my deary,' replied the old woman.
|
|
|
|
She admired her daughter, and was afraid of her. Perhaps her
|
|
admiration, such as it was, had originated long ago, when she first
|
|
found anything that was beautiful appearing in the midst of the
|
|
squalid fight of her existence. Perhaps her fear was referable, in
|
|
some sort, to the retrospect she had so lately heard. Be this as it
|
|
might, she stood, submissively and deferentially, before her child,
|
|
and inclined her head, as if in a pitiful entreaty to be spared any
|
|
further reproach.
|
|
|
|
'How have you lived?'
|
|
|
|
'By begging, my deary.
|
|
|
|
'And pilfering, mother?'
|
|
|
|
'Sometimes, Ally - in a very small way. I am old and timid. I have
|
|
taken trifles from children now and then, my deary, but not often. I
|
|
have tramped about the country, pet, and I know what I know. I have
|
|
watched.'
|
|
|
|
'Watched?' returned the daughter, looking at her.
|
|
|
|
'I have hung about a family, my deary,' said the mother, even more
|
|
humbly and submissively than before.
|
|
|
|
'What family?'
|
|
|
|
'Hush, darling. Don't be angry with me. I did it for the love of
|
|
you. In memory of my poor gal beyond seas.' She put out her hand
|
|
deprecatingly, and drawing it back again, laid it on her lips.
|
|
|
|
'Years ago, my deary,' she pursued, glancing timidly at the
|
|
attentive and stem face opposed to her, 'I came across his little
|
|
child, by chance.'
|
|
|
|
'Whose child?'
|
|
|
|
'Not his, Alice deary; don't look at me like that; not his. How
|
|
could it be his? You know he has none.'
|
|
|
|
'Whose then?' returned the daughter. 'You said his.'
|
|
|
|
'Hush, Ally; you frighten me, deary. Mr Dombey's - only Mr
|
|
Dombey's. Since then, darling, I have seen them often. I have seen
|
|
him.'
|
|
|
|
In uttering this last word, the old woman shrunk and recoiled, as
|
|
if with sudden fear that her daughter would strike her. But though the
|
|
daughter's face was fixed upon her, and expressed the most vehement
|
|
passion, she remained still: except that she clenched her arms tighter
|
|
and tighter within each other, on her bosom, as if to restrain them by
|
|
that means from doing an injury to herself, or someone else, in the
|
|
blind fury of the wrath that suddenly possessed her.
|
|
|
|
'Little he thought who I was!' said the old woman, shaking her
|
|
clenched hand.
|
|
|
|
'And little he cared!' muttered her daughter, between her teeth.
|
|
|
|
'But there we were, said the old woman, 'face to face. I spoke to
|
|
him, and he spoke to me. I sat and watched him as he went away down a
|
|
long grove of trees: and at every step he took, I cursed him soul and
|
|
body.'
|
|
|
|
'He will thrive in spite of that,' returned the daughter
|
|
disdainfully.
|
|
|
|
'Ay, he is thriving,' said the mother.
|
|
|
|
She held her peace; for the face and form before her were unshaped
|
|
by rage. It seemed as if the bosom would burst with the emotions that
|
|
strove within it. The effort that constrained and held it pent up, was
|
|
no less formidable than the rage itself: no less bespeaking the
|
|
violent and dangerous character of the woman who made it. But it
|
|
succeeded, and she asked, after a silence:
|
|
|
|
'Is he married?'
|
|
|
|
'No, deary,' said the mother.
|
|
|
|
'Going to be?'
|
|
|
|
'Not that I know of, deary. But his master and friend is married.
|
|
Oh, we may give him joy! We may give 'em all joy!' cried the old
|
|
woman, hugging herself with her lean arms in her exultation. 'Nothing
|
|
but joy to us will come of that marriage. Mind met'
|
|
|
|
The daughter looked at her for an explanation.
|
|
|
|
'But you are wet and tired; hungry and thirsty,' said the old
|
|
woman, hobbling to the cupboard; 'and there's little here, and little'
|
|
- diving down into her pocket, and jingling a few half- pence on the
|
|
table - 'little here. Have you any money, Alice, deary?'
|
|
|
|
The covetous, sharp, eager face, with which she 'asked the question
|
|
and looked on, as her daughter took out of her bosom the little gift
|
|
she had so lately received, told almost as much of the history of this
|
|
parent and child as the child herself had told in words.
|
|
|
|
'Is that all?' said the mother.
|
|
|
|
'I have no more. I should not have this, but for charity.'
|
|
|
|
'But for charity, eh, deary?' said the old woman, bending greedily
|
|
over the table to look at the money, which she appeared distrustful of
|
|
her daughter's still retaining in her hand, and gazing on. 'Humph! six
|
|
and six is twelve, and six eighteen - so - we must make the most of
|
|
it. I'll go buy something to eat and drink.'
|
|
|
|
With greater alacrity than might have been expected in one of her
|
|
appearance - for age and misery seemed to have made her as decrepit as
|
|
ugly - she began to occupy her trembling hands in tying an old bonnet
|
|
on her head, and folding a torn shawl about herself: still eyeing the
|
|
money in her daughter's hand, with the same sharp desire.
|
|
|
|
'What joy is to come to us of this marriage, mother?' asked the
|
|
daughter. 'You have not told me that.'
|
|
|
|
'The joy,' she replied, attiring herself, with fumbling fingers,
|
|
'of no love at all, and much pride and hate, my deary. The joy of
|
|
confusion and strife among 'em, proud as they are, and of danger -
|
|
danger, Alice!'
|
|
|
|
'What danger?'
|
|
|
|
'I have seen what I have seen. I know what I know!' chuckled the
|
|
mother. 'Let some look to it. Let some be upon their guard. My gal may
|
|
keep good company yet!'
|
|
|
|
Then, seeing that in the wondering earnestness with which her
|
|
daughter regarded her, her hand involuntarily closed upon the money,
|
|
the old woman made more speed to secure it, and hurriedly added, 'but
|
|
I'll go buy something; I'll go buy something.'
|
|
|
|
As she stood with her hand stretched out before her daughter, her
|
|
daughter, glancing again at the money, put it to her lips before
|
|
parting with it.
|
|
|
|
'What, Ally! Do you kiss it?' chuckled the old woman. 'That's like
|
|
me - I often do. Oh, it's so good to us!' squeezing her own tarnished
|
|
halfpence up to her bag of a throat, 'so good to us in everything but
|
|
not coming in heaps!'
|
|
|
|
'I kiss it, mother,' said the daughter, 'or I did then - I don't
|
|
know that I ever did before - for the giver's sake.'
|
|
|
|
'The giver, eh, deary?' retorted the old woman, whose dimmed eyes
|
|
glistened as she took it. 'Ay! I'll kiss it for the giver's sake, too,
|
|
when the giver can make it go farther. But I'll go spend it, deary.
|
|
I'll be back directly.'
|
|
|
|
'You seem to say you know a great deal, mother,' said the daughter,
|
|
following her to the door with her eyes. 'You have grown very wise
|
|
since we parted.'
|
|
|
|
'Know!' croaked the old woman, coming back a step or two, 'I know
|
|
more than you think I know more than he thinks, deary, as I'll tell
|
|
you by and bye. I know all'
|
|
|
|
The daughter smiled incredulously.
|
|
|
|
'I know of his brother, Alice,' said the old woman, stretching out
|
|
her neck with a leer of malice absolutely frightful, 'who might have
|
|
been where you have been - for stealing money - and who lives with his
|
|
sister, over yonder, by the north road out of London.'
|
|
|
|
'Where?'
|
|
|
|
'By the north road out of London, deary. You shall see the house if
|
|
you like. It ain't much to boast of, genteel as his own is. No, no,
|
|
no,' cried the old woman, shaking her head and laughing; for her
|
|
daughter had started up, 'not now; it's too far off; it's by the
|
|
milestone, where the stones are heaped; - to-morrow, deary, if it's
|
|
fine, and you are in the humour. But I'll go spend - '
|
|
|
|
'Stop!' and the daughter flung herself upon her, with her former
|
|
passion raging like a fire. 'The sister is a fair-faced Devil, with
|
|
brown hair?'
|
|
|
|
The old woman, amazed and terrified, nodded her head.
|
|
|
|
'I see the shadow of him in her face! It's a red house standing by
|
|
itself. Before the door there is a small green porch.'
|
|
|
|
Again the old woman nodded.
|
|
|
|
'In which I sat to-day! Give me back the money.'
|
|
|
|
'Alice! Deary!'
|
|
|
|
'Give me back the money, or you'll be hurt.'
|
|
|
|
She forced it from the old woman's hand as she spoke, and utterly
|
|
indifferent to her complainings and entreaties, threw on the garments
|
|
she had taken off, and hurried out, with headlong speed.
|
|
|
|
The mother followed, limping after her as she could, and
|
|
expostulating with no more effect upon her than upon the wind and rain
|
|
and darkness that encompassed them. Obdurate and fierce in her own
|
|
purpose, and indifferent to all besides, the daughter defied the
|
|
weather and the distance, as if she had known no travel or fatigue,
|
|
and made for the house where she had been relieved. After some quarter
|
|
of an hour's walking, the old woman, spent and out of breath, ventured
|
|
to hold by her skirts; but she ventured no more, and they travelled on
|
|
in silence through the wet and gloom. If the mother now and then
|
|
uttered a word of complaint, she stifled it lest her daughter should
|
|
break away from her and leave her behind; and the daughter was dumb.
|
|
|
|
It was within an hour or so of midnight, when they left the regular
|
|
streets behind them, and entered on the deeper gloom of that neutral
|
|
ground where the house was situated. The town lay in the distance,
|
|
lurid and lowering; the bleak wind howled over the open space; all
|
|
around was black, wild, desolate.
|
|
|
|
'This is a fit place for me!' said the daughter, stopping to look
|
|
back. 'I thought so, when I was here before, to-day.'
|
|
|
|
'Alice, my deary,' cried the mother, pulling her gently by the
|
|
skirt. 'Alice!'
|
|
|
|
'What now, mother?'
|
|
|
|
'Don't give the money back, my darling; please don't. We can't
|
|
afford it. We want supper, deary. Money is money, whoever gives it.
|
|
Say what you will, but keep the money.'
|
|
|
|
'See there!' was all the daughter's answer. 'That is the house I
|
|
mean. Is that it?'
|
|
|
|
The old woman nodded in the affirmative; and a few more paces
|
|
brought them to the threshold. There was the light of fire and candle
|
|
in the room where Alice had sat to dry her clothes; and on her
|
|
knocking at the door, John Carker appeared from that room.
|
|
|
|
He was surprised to see such visitors at such an hour, and asked
|
|
Alice what she wanted.
|
|
|
|
'I want your sister,' she said. 'The woman who gave me money
|
|
to-day.'
|
|
|
|
At the sound of her raised voice, Harriet came out.
|
|
|
|
'Oh!' said Alice. 'You are here! Do you remember me?'
|
|
|
|
'Yes,' she answered, wondering.
|
|
|
|
The face that had humbled itself before her, looked on her now with
|
|
such invincible hatred and defiance; and the hand that had gently
|
|
touched her arm, was clenched with such a show of evil purpose, as if
|
|
it would gladly strangle her; that she drew close to her brother for
|
|
protection.
|
|
|
|
'That I could speak with you, and not know you! That I could come
|
|
near you, and not feel what blood was running in your veins, by the
|
|
tingling of my own!' said Alice, with a menacing gesture.
|
|
|
|
'What do you mean? What have I done?'
|
|
|
|
'Done!' returned the other. 'You have sat me by your fire; you have
|
|
given me food and money; you have bestowed your compassion on me! You!
|
|
whose name I spit upon!'
|
|
|
|
The old woman, with a malevolence that made her uglIness quite
|
|
awful, shook her withered hand at the brother and sister in
|
|
confirmation of her daughter, but plucked her by the skirts again,
|
|
nevertheless, imploring her to keep the money.
|
|
|
|
'If I dropped a tear upon your hand, may it wither it up! If I
|
|
spoke a gentle word in your hearing, may it deafen you! If I touched
|
|
you with my lips, may the touch be poison to you! A curse upon this
|
|
roof that gave me shelter! Sorrow and shame upon your head! Ruin upon
|
|
all belonging to you!'
|
|
|
|
As she said the words, she threw the money down upon the ground,
|
|
and spurned it with her foot.
|
|
|
|
'I tread it in the dust: I wouldn't take it if it paved my way to
|
|
Heaven! I would the bleeding foot that brought me here to-day, had
|
|
rotted off, before it led me to your house!'
|
|
|
|
Harriet, pale and trembling, restrained her brother, and suffered
|
|
her to go on uninterrupted.
|
|
|
|
'It was well that I should be pitied and forgiven by you, or anyone
|
|
of your name, in the first hour of my return! It was well that you
|
|
should act the kind good lady to me! I'll thank you when I die; I'll
|
|
pray for you, and all your race, you may be sure!'
|
|
|
|
With a fierce action of her hand, as if she sprinkled hatred on the
|
|
ground, and with it devoted those who were standing there to
|
|
destruction, she looked up once at the black sky, and strode out into
|
|
the wild night.
|
|
|
|
The mother, who had plucked at her skirts again and again in vain,
|
|
and had eyed the money lying on the threshold with an absorbing greed
|
|
that seemed to concentrate her faculties upon it, would have prowled
|
|
about, until the house was dark, and then groped in the mire on the
|
|
chance of repossessing herself of it. But the daughter drew her away,
|
|
and they set forth, straight, on their return to their dwelling; the
|
|
old woman whimpering and bemoaning their loss upon the road, and
|
|
fretfully bewailing, as openly as she dared, the undutiful conduct of
|
|
her handsome girl in depriving her of a supper, on the very first
|
|
night of their reunion.
|
|
|
|
Supperless to bed she went, saving for a few coarse fragments; and
|
|
those she sat mumbling and munching over a scrap of fire, long after
|
|
her undutiful daughter lay asleep.
|
|
|
|
Were this miserable mother, and this miserable daughter, only the
|
|
reduction to their lowest grade, of certain social vices sometimes
|
|
prevailing higher up? In this round world of many circles within
|
|
circles, do we make a weary journey from the high grade to the low, to
|
|
find at last that they lie close together, that the two extremes
|
|
touch, and that our journey's end is but our starting-place? Allowing
|
|
for great difference of stuff and texture, was the pattern of this
|
|
woof repeated among gentle blood at all?
|
|
|
|
Say, Edith Dombey! And Cleopatra, best of mothers, let us have your
|
|
testimony!
|
|
|
|
CHAPTER 35.
|
|
|
|
The Happy Pair
|
|
|
|
The dark blot on the street is gone. Mr Dombey's mansion, if it be
|
|
a gap among the other houses any longer, is only so because it is not
|
|
to be vied with in its brightness, and haughtily casts them off. The
|
|
saying is, that home is home, be it never so homely. If it hold good
|
|
in the opposite contingency, and home is home be it never so stately,
|
|
what an altar to the Household Gods is raised up here!
|
|
|
|
Lights are sparkling in the windows this evening, and the ruddy
|
|
glow of fires is warm and bright upon the hangings and soft carpets,
|
|
and the dinner waits to be served, and the dinner-table is handsomely
|
|
set forth, though only for four persons, and the side board is
|
|
cumbrous with plate. It is the first time that the house has been
|
|
arranged for occupation since its late changes, and the happy pair are
|
|
looked for every minute.
|
|
|
|
Only second to the wedding morning, in the interest and expectation
|
|
it engenders among the household, is this evening of the coming home.
|
|
Mrs Perch is in the kitchen taking tea; and has made the tour of the
|
|
establishment, and priced the silks and damasks by the yard, and
|
|
exhausted every interjection in the dictionary and out of it
|
|
expressive of admiration and wonder. The upholsterer's foreman, who
|
|
has left his hat, with a pocket-handkerchief in it, both smelling
|
|
strongly of varnish, under a chair in the hall, lurks about the house,
|
|
gazing upwards at the cornices, and downward at the carpets, and
|
|
occasionally, in a silent transport of enjoyment, taking a rule out of
|
|
his pocket, and skirmishingly measuring expensive objects, with
|
|
unutterable feelings. Cook is in high spirits, and says give her a
|
|
place where there's plenty of company (as she'll bet you sixpence
|
|
there will be now), for she is of a lively disposition, and she always
|
|
was from a child, and she don't mind who knows it; which sentiment
|
|
elicits from the breast of Mrs Perch a responsive murmur of support
|
|
and approbation. All the housemaid hopes is, happiness for 'em - but
|
|
marriage is a lottery, and the more she thinks about it, the more she
|
|
feels the independence and the safety of a single life. Mr Towlinson
|
|
is saturnine and grim' and says that's his opinion too, and give him
|
|
War besides, and down with the French - for this young man has a
|
|
general impression that every foreigner is a Frenchman, and must be by
|
|
the laws of nature.
|
|
|
|
At each new sound of wheels, they all stop> whatever they are
|
|
saying, and listen; and more than once there is a general starting up
|
|
and a cry of 'Here they are!' But here they are not yet; and Cook
|
|
begins to mourn over the dinner, which has been put back twice, and
|
|
the upholsterer's foreman still goes lurking about the rooms,
|
|
undisturbed in his blissful reverie!
|
|
|
|
Florence is ready to receive her father and her new Mama Whether
|
|
the emotions that are throbbing in her breast originate In pleasure or
|
|
in pain, she hardly knows. But the fluttering heart sends added colour
|
|
to her cheeks, and brightness to her eyes; and they say downstairs,
|
|
drawing their heads together - for they always speak softly when they
|
|
speak of her - how beautiful Miss Florence looks to-night, and what a
|
|
sweet young lady she has grown, poor dear! A pause succeeds; and then
|
|
Cook, feeling, as president, that her sentiments are waited for,
|
|
wonders whether - and there stops. The housemaid wonders too, and so
|
|
does Mrs Perch, who has the happy social faculty of always wondering
|
|
when other people wonder, without being at all particular what she
|
|
wonders at. Mr Towlinson, who now descries an opportunity of bringing
|
|
down the spirits of the ladies to his own level, says wait and see; he
|
|
wishes some people were well out of this. Cook leads a sigh then, and
|
|
a murmur of 'Ah, it's a strange world, it is indeed!' and when it has
|
|
gone round the table, adds persuasively, 'but Miss Florence can't well
|
|
be the worse for any change, Tom.' Mr Towlinson's rejoinder, pregnant
|
|
with frightful meaning, is 'Oh, can't she though!' and sensible that a
|
|
mere man can scarcely be more prophetic, or improve upon that, he
|
|
holds his peace.
|
|
|
|
Mrs Skewton, prepared to greet her darling daughter and dear
|
|
son-in-law with open arms, is appropriately attired for that purpose
|
|
in a very youthful costume, with short sleeves. At present, however,
|
|
her ripe charms are blooming in the shade of her own apartments,
|
|
whence she had not emerged since she took possession of them a few
|
|
hours ago, and where she is fast growing fretful, on account of the
|
|
postponement of dinner. The maid who ought to be a skeleton, but is in
|
|
truth a buxom damsel, is, on the other hand, In a most amiable state:
|
|
considering her quarterly stipend much safer than heretofore, and
|
|
foreseeing a great improvement in her board and lodging.
|
|
|
|
Where are the happy pair, for whom this brave home is waiting? Do
|
|
steam, tide, wind, and horses, all abate their speed, to linger on
|
|
such happiness? Does the swarm of loves and graces hovering about them
|
|
retard their progress by its numbers? Are there so many flowers in
|
|
their happy path, that they can scarcely move along, without
|
|
entanglement in thornless roses, and sweetest briar?
|
|
|
|
They are here at last! The noise of wheels is heard, grows louder,
|
|
and a carriage drives up to the door! A thundering knock from the
|
|
obnoxious foreigner anticipates the rush of Mr Towlinson and party to
|
|
open it; and Mr Dombey and his bride alight, and walk in arm in arm.
|
|
|
|
'My sweetest Edith!' cries an agitated voice upon the stairs. 'My
|
|
dearest Dombey!' and the short sleeves wreath themselves about the
|
|
happy couple in turn, and embrace them.
|
|
|
|
Florence had come down to the hall too, but did not advance:
|
|
reserving her timid welcome until these nearer and dearer transports
|
|
should subside. But the eyes of Edith sought her out, upon the
|
|
threshold; and dismissing her sensitive parent with a slight kiss on
|
|
the cheek, she hurried on to Florence and embraced her.
|
|
|
|
'How do you do, Florence?' said Mr Dombey, putting out his hand.
|
|
|
|
As Florence, trembling, raised it to her lips, she met his glance.
|
|
The look was cold and distant enough, but it stirred her heart to
|
|
think that she observed in it something more of interest than he had
|
|
ever shown before. It even expressed a kind of faint surprise, and not
|
|
a disagreeable surprise, at sight of her. She dared not raise her eyes
|
|
to his any more; but she felt that he looked at her once again, and
|
|
not less favourably. Oh what a thrill of joy shot through her,
|
|
awakened by even this intangible and baseless confirmation of her hope
|
|
that she would learn to win him, through her new and beautiful Mama!
|
|
|
|
'You will not be long dressing, Mrs Dombey, I presume?' said Mr
|
|
Dombey.
|
|
|
|
'I shall be ready immediately.'
|
|
|
|
'Let them send up dinner in a quarter of an hour.'
|
|
|
|
With that Mr Dombey stalked away to his own dressing-room, and Mrs
|
|
Dombey went upstairs to hers. Mrs Skewton and Florence repaired to the
|
|
drawing-room, where that excellent mother considered it incumbent on
|
|
her to shed a few irrepressible tears, supposed to be forced from her
|
|
by her daughter's felicity; and which she was still drying, very
|
|
gingerly, with a laced corner of her pocket-handkerchief, when her
|
|
son-in-law appeared.
|
|
|
|
'And how, my dearest Dombey, did you find that delightfullest of
|
|
cities, Paris?' she asked, subduing her emotion.
|
|
|
|
'It was cold,' returned Mr Dombey.
|
|
|
|
'Gay as ever,' said Mrs Skewton, 'of course.
|
|
|
|
'Not particularly. I thought it dull,' said Mr Dombey.
|
|
|
|
'Fie, my dearest Dombey!' archly; 'dull!'
|
|
|
|
'It made that impression upon me, Madam,' said Mr Dombey, with
|
|
grave politeness. 'I believe Mrs Dombey found it dull too. She
|
|
mentioned once or twice that she thought it so.'
|
|
|
|
'Why, you naughty girl!' cried Mrs Skewton, rallying her dear
|
|
child, who now entered, 'what dreadfully heretical things have you
|
|
been saying about Paris?'
|
|
|
|
Edith raised her eyebrows with an air of weariness; and passing the
|
|
folding-doors which were thrown open to display the suite of rooms in
|
|
their new and handsome garniture, and barely glancing at them as she
|
|
passed, sat down by Florence.
|
|
|
|
'My dear Dombey,' said Mrs Skewton, 'how charmingly these people
|
|
have carried out every idea that we hinted. They have made a perfect
|
|
palace of the house, positively.'
|
|
|
|
'It is handsome,' said Mr Dombey, looking round. 'I directed that
|
|
no expense should be spared; and all that money could do, has been
|
|
done, I believe.'
|
|
|
|
'And what can it not do, dear Dombey?' observed Cleopatra.
|
|
|
|
'It is powerful, Madam,' said Mr Dombey.
|
|
|
|
He looked in his solemn way towards his wife, but not a word said
|
|
she.
|
|
|
|
'I hope, Mrs Dombey,' addressing her after a moment's silence, with
|
|
especial distinctness; 'that these alterations meet with your
|
|
approval?'
|
|
|
|
'They are as handsome as they can be,' she returned, with haughty
|
|
carelessness. 'They should be so, of' course. And I suppose they are.'
|
|
|
|
An expression of scorn was habitual to the proud face, and seemed
|
|
inseparable from it; but the contempt with which it received any
|
|
appeal to admiration, respect, or consideration on the ground of his
|
|
riches, no matter how slight or ordinary in itself, was a new and
|
|
different expression, unequalled in intensity by any other of which it
|
|
was capable. Whether Mr Dombey, wrapped in his own greatness, was at
|
|
all aware of this, or no, there had not been wanting opportunities
|
|
already for his complete enlightenment; and at that moment it might
|
|
have been effected by the one glance of the dark eye that lighted on
|
|
him, after it had rapidly and scornfully surveyed the theme of his
|
|
self-glorification. He might have read in that one glance that nothing
|
|
that his wealth could do, though it were increased ten thousand fold,
|
|
could win him for its own sake, one look of softened recognition from
|
|
the defiant woman, linked to him, but arrayed with her whole soul
|
|
against him. He might have read in that one glance that even for its
|
|
sordid and mercenary influence upon herself, she spurned it, while she
|
|
claimed its utmost power as her right, her bargain - as the base and
|
|
worthless recompense for which she had become his wife. He might have
|
|
read in it that, ever baring her own head for the lightning of her own
|
|
contempt and pride to strike, the most innocent allusion to the power
|
|
of his riches degraded her anew, sunk her deeper in her own respect,
|
|
and made the blight and waste within her more complete.
|
|
|
|
But dinner was announced, and Mr Dombey led down Cleopatra; Edith
|
|
and his daughter following. Sweeping past the gold and silver
|
|
demonstration on the sideboard as if it were heaped-up dirt, and
|
|
deigning to bestow no look upon the elegancies around her, she took
|
|
her place at his board for the first time, and sat, like a statue, at
|
|
the feast.
|
|
|
|
Mr Dombey, being a good deal in the statue way himself, was well
|
|
enough pleased to see his handsome wife immovable and proud and cold.
|
|
Her deportment being always elegant and graceful, this as a general
|
|
behaviour was agreeable and congenial to him. Presiding, therefore,
|
|
with his accustomed dignity, and not at all reflecting on his wife by
|
|
any warmth or hilarity of his own, he performed his share of the
|
|
honours of the table with a cool satisfaction; and the installation
|
|
dinner, though not regarded downstairs as a great success, or very
|
|
promising beginning, passed oil, above, in a sufficiently polite,
|
|
genteel, and frosty manner.
|
|
|
|
Soon after tea' Mrs Skewton, who affected to be quite overcome and
|
|
worn Out by her emotions of happiness, arising in the contemplation of
|
|
her dear child united to the man of her heart, but who, there is
|
|
reason to suppose, found this family party somewhat dull, as she
|
|
yawned for one hour continually behind her fan, retired to bed. Edith,
|
|
also, silently withdrew and came back' no more. Thus, it happened that
|
|
Florence, who had been upstairs to have some conversation with
|
|
Diogenes, returning to the drawing-room with her little work-basket,
|
|
found no one there but her father, who was walking to and fro, in
|
|
dreary magnificence.
|
|
|
|
'I beg your pardon. Shall I go away, Papa?' said Florence faintly,
|
|
hesitating at the door.
|
|
|
|
'No,' returned Mr Dombey, looking round over his shoulder; you can
|
|
come and go here, Florence, as you please. This is not my private
|
|
room.
|
|
|
|
Florence entered, and sat down at a distant little table with her
|
|
work: finding herself for the first time in her life - for the very
|
|
first time within her memory from her infancy to that hour - alone
|
|
with her father, as his companion. She, his natural companion, his
|
|
only child, who in her lonely life and grief had known the suffering
|
|
of a breaking heart; who, in her rejected love, had never breathed his
|
|
name to God at night, but with a tearful blessing, heavier on him than
|
|
a curse; who had prayed to die young, so she might only die in his
|
|
arms; who had, all through, repaid the agony of slight and coldness,
|
|
and dislike, with patient unexacting love, excusing him, and pleading
|
|
for him, like his better angel!
|
|
|
|
She trembled, and her eyes were dim. His figure seemed to grow in
|
|
height and bulk before her as he paced the room: now it was all
|
|
blurred and indistinct; now clear again, and plain; and now she seemed
|
|
to think that this had happened, just the same, a multitude of years
|
|
ago. She yearned towards him, and yet shrunk from his approach.
|
|
Unnatural emotion in a child, innocent of wrong! Unnatural the hand
|
|
that had directed the sharp plough, which furrowed up her gentle
|
|
nature for the sowing of its seeds!
|
|
|
|
Bent upon not distressing or offending him by her distress,
|
|
Florence controlled herself, and sat quietly at her work. After a few
|
|
more turns across and across the room, he left off pacing it; and
|
|
withdrawing into a shadowy corner at some distance, where there was an
|
|
easy chair, covered his head with a handkerchief, and composed himself
|
|
to sleep.
|
|
|
|
It was enough for Florence to sit there watching him; turning her
|
|
eyes towards his chair from time to time; watching him with her
|
|
thoughts, when her face was intent upon her work; and sorrowfully glad
|
|
to think that he could sleep, while she was there, and that he was not
|
|
made restless by her strange and long-forbidden presence.
|
|
|
|
What would have been her thoughts if she had known that he was
|
|
steadily regarding her; that the veil upon his face, by accident or by
|
|
design, was so adjusted that his sight was free, and that itnever
|
|
wandered from her face face an instant That when she looked towards
|
|
him' In the obscure dark corner, her speaking eyes, more earnest and
|
|
pathetic in their voiceless speech than all the orators of all the
|
|
world, and impeaching him more nearly in their mute address, met his,
|
|
and did not know it! That when she bent her head again over her work,
|
|
he drew his breath more easily, but with the same attention looked
|
|
upon her still - upon her white brow and her falling hair, and busy
|
|
hands; and once attracted, seemed to have no power to turn his eyes
|
|
away!
|
|
|
|
And what were his thoughts meanwhile? With what emotions did he
|
|
prolong the attentive gaze covertly directed on his unknown daughter?
|
|
Was there reproach to him in the quiet figure and the mild eyes? Had
|
|
he begun to her disregarded claims and did they touch him home at
|
|
last, and waken him to some sense of his cruel injustice?
|
|
|
|
There are yielding moments in the lives of the sternest and
|
|
harshest men, though such men often keep their secret well. The sight
|
|
ofher in her beauty, almost changed into a woman without his
|
|
knowledge, may have struck out some such moments even In his life of
|
|
pride. Some passing thought that he had had a happy home within his
|
|
reach-had had a household spirit bending at has feet - had overlooked
|
|
it in his stiffnecked sullen arrogance, and wandered away and lost
|
|
himself, may have engendered them. Some simple eloquence distinctly
|
|
heard, though only uttered in her eyes, unconscious that he read them'
|
|
as'By the death-beds I have tended, by the childhood I have suffered,
|
|
by our meeting in this dreary house at midnight, by the cry wrung from
|
|
me in the anguish of my heart, oh, father, turn to me and seek a
|
|
refuge in my love before it is too late!' may have arrested them.
|
|
Meaner and lower thoughts, as that his dead boy was now superseded by
|
|
new ties, and he could forgive the having been supplanted in his
|
|
affection, may have occasioned them. The mere association of her as an
|
|
ornament, with all the ornament and pomp about him, may have been
|
|
sufficient. But as he looked, he softened to her, more and more. As he
|
|
looked, she became blended with the child he had loved, and he could
|
|
hardly separate the two. As he looked, he saw her for an instant by a
|
|
clearer and a brighter light, not bending over that child's pillow as
|
|
his rival - monstrous thought - but as the spirit of his home, and in
|
|
the action tending himself no less, as he sat once more with his
|
|
bowed-down head upon his hand at the foot of the little bed. He felt
|
|
inclined to speak to her, and call her to him. The words 'Florence,
|
|
come here!' were rising to his lips - but slowly and with difficulty,
|
|
they were so very strange - when they were checked and stifled by a
|
|
footstep on the stair.
|
|
|
|
It was his wife's. She had exchanged her dinner dress for a loose
|
|
robe, and unbound her hair, which fell freely about her neck. But this
|
|
was not the change in her that startled him.
|
|
|
|
'Florence, dear,' she said, 'I have been looking for you
|
|
everywhere.'
|
|
|
|
As she sat down by the side of Florence, she stooped and kissed her
|
|
hand. He hardly knew his wife. She was so changed. It was not merely
|
|
that her smile was new to him - though that he had never seen; but her
|
|
manner, the tone of her voice, the light of her eyes, the interest,
|
|
and confidence, and winning wish to please, expressed in all-this was
|
|
not Edith.
|
|
|
|
'Softly, dear Mama. Papa is asleep.'
|
|
|
|
It was Edith now. She looked towards the corner where he was, and
|
|
he knew that face and manner very well.
|
|
|
|
'I scarcely thought you could be here, Florence.'
|
|
|
|
Again, how altered and how softened, in an instant!
|
|
|
|
'I left here early,' pursued Edith, 'purposely to sit upstairs and
|
|
talk with you. But, going to your room, I found my bird was flown, and
|
|
I have been waiting there ever since, expecting its return.
|
|
|
|
If it had been a bird, indeed, she could not have taken it more
|
|
tenderly and gently to her breast, than she did Florence.
|
|
|
|
'Come, dear!'
|
|
|
|
'Papa will not expect to find me, I suppose, when he wakes,'
|
|
hesitated Florence.
|
|
|
|
'Do you think he will, Florence?' said Edith, looking full upon
|
|
her.
|
|
|
|
Florence drooped her head, and rose, and put up her work-basket
|
|
Edith drew her hand through her arm, and they went out of the room
|
|
like sisters. Her very step was different and new to him' Mr Dombey
|
|
thought, as his eyes followed her to the door.
|
|
|
|
He sat in his shadowy corner so long, that the church clocks struck
|
|
the hour three times before he moved that night. All that while his
|
|
face was still intent upon the spot where Florence had been seated.
|
|
The room grew darker, as the candles waned and went out; but a
|
|
darkness gathered on his face, exceeding any that the night could
|
|
cast, and rested there.
|
|
|
|
Florence and Edith, seated before the fire in the remote room where
|
|
little Paul had died, talked together for a long time. Diogenes, who
|
|
was of the party, had at first objected to the admission of Edith,
|
|
and, even In deference to his mistress's wish, had only permitted it
|
|
under growling protest. But, emerging by little and little from the
|
|
ante-room, whither he had retired in dudgeon, he soon appeared to
|
|
comprehend, that with the most amiable intentions he had made one of
|
|
those mistakes which will occasionally arise in the best-regulated
|
|
dogs' minds; as a friendly apology for which he stuck himself up on
|
|
end between the two, in a very hot place in front of the fire, and sat
|
|
panting at it, with his tongue out, and a most imbecile expression of
|
|
countenance, listening to the conversation.
|
|
|
|
It turned, at first, on Florence's books and favourite pursuits,
|
|
and on the manner in which she had beguiled the interval since the
|
|
marriage. The last theme opened up to her a subject which lay very
|
|
near her heart, and she said, with the tears starting to her eyes:
|
|
|
|
'Oh, Mama! I have had a great sorrow since that day.'
|
|
|
|
'You a great sorrow, Florence!'
|
|
|
|
'Yes. Poor Walter is drowned.'
|
|
|
|
Florence spread her hands before her face, and wept with all her
|
|
heart. Many as were the secret tears which Walter's fate had cost her,
|
|
they flowed yet, when she thought or spoke of him.
|
|
|
|
'But tell me, dear,' said Edith, soothing her. 'Who was Walter?
|
|
What was he to you?'
|
|
|
|
'He was my brother, Mama. After dear Paul died, we said we would be
|
|
brother and sister. I had known him a long time - from a little child.
|
|
He knew Paul, who liked him very much; Paul said, almost at the last,
|
|
"Take care of Walter, dear Papa! I was fond of him!" Walter had been
|
|
brought in to see him, and was there then - in this room.
|
|
|
|
'And did he take care of Walter?' inquired Edith, sternly.
|
|
|
|
'Papa? He appointed him to go abroad. He was drowned in shipwreck
|
|
on his voyage,' said Florence, sobbing.
|
|
|
|
'Does he know that he is dead?' asked Edith.
|
|
|
|
'I cannot tell, Mama. I have no means of knowing. Dear Mama!' cried
|
|
Florence, clinging to her as for help, and hiding her face upon her
|
|
bosom, 'I know that you have seen - '
|
|
|
|
'Stay! Stop, Florence.' Edith turned so pale, and spoke so
|
|
earnestly, that Florence did not need her restraining hand upon her
|
|
lips. 'Tell me all about Walter first; let me understand this history
|
|
all through.'
|
|
|
|
Florence related it, and everything belonging to it, even down to
|
|
the friendship of Mr Toots, of whom she could hardly speak in her
|
|
distress without a tearful smile, although she was deeply grateful to
|
|
him. When she had concluded her account, to the whole of which Edith,
|
|
holding her hand, listened with close attention, and when a silence
|
|
had succeeded, Edith said:
|
|
|
|
'What is it that you know I have seen, Florence?'
|
|
|
|
'That I am not,' said Florence, with the same mute appeal, and the
|
|
same quick concealment of her face as before, 'that I am not a
|
|
favourite child, Mama. I never have been. I have never known how to
|
|
be. I have missed the way, and had no one to show it to me. Oh, let me
|
|
learn from you how to become dearer to Papa Teach me! you, who can so
|
|
well!' and clinging closer to her, with some broken fervent words of
|
|
gratitude and endearment, Florence, relieved of her sad secret, wept
|
|
long, but not as painfully as of yore, within the encircling arms of
|
|
her new mother.
|
|
|
|
Pale even to her lips, and with a face that strove for composure
|
|
until its proud beauty was as fixed as death, Edith looked down upon
|
|
the weeping girl, and once kissed her. Then gradually disengaging
|
|
herself, and putting Florence away, she said, stately, and quiet as a
|
|
marble image, and in a voice that deepened as she spoke, but had no
|
|
other token of emotion in it:
|
|
|
|
'Florence, you do not know me! Heaven forbid that you should learn
|
|
from me!'
|
|
|
|
'Not learn from you?' repeated Florence, in surprise.
|
|
|
|
'That I should teach you how to love, or be loved, Heaven forbid!'
|
|
said Edith. 'If you could teach me, that were better; but it is too
|
|
late. You are dear to me, Florence. I did not think that anything
|
|
could ever be so dear to me, as you are in this little time.'
|
|
|
|
She saw that Florence would have spoken here, so checked her with
|
|
her hand, and went on.
|
|
|
|
'I will be your true friend always. I will cherish you, as much, if
|
|
not as well as anyone in this world could. You may trust in me - I
|
|
know it and I say it, dear, - with the whole confidence even of your
|
|
pure heart. There are hosts of women whom he might have married,
|
|
better and truer in all other respects than I am, Florence; but there
|
|
is not one who could come here, his wife, whose heart could beat with
|
|
greater truth to you than mine does.'
|
|
|
|
'I know it, dear Mama!' cried Florence. 'From that first most happy
|
|
day I have known it.'
|
|
|
|
'Most happy day!' Edith seemed to repeat the words involuntarily,
|
|
and went on. 'Though the merit is not mine, for I thought little of
|
|
you until I saw you, let the undeserved reward be mine in your trust
|
|
and love. And in this - in this, Florence; on the first night of my
|
|
taking up my abode here; I am led on as it is best I should be, to say
|
|
it for the first and last time.'
|
|
|
|
Florence, without knowing why, felt almost afraid to hear her
|
|
proceed, but kept her eyes riveted on the beautiful face so fixed upon
|
|
her own.
|
|
|
|
'Never seek to find in me,' said Edith, laying her hand upon her
|
|
breast, 'what is not here. Never if you can help it, Florence, fall
|
|
off from me because it is not here. Little by little you will know me
|
|
better, and the time will come when you will know me, as I know
|
|
myself. Then, be as lenient to me as you can, and do not turn to
|
|
bitterness the only sweet remembrance I shall have.
|
|
|
|
The tears that were visible in her eyes as she kept them fixed on
|
|
Florence, showed that the composed face was but as a handsome mask;
|
|
but she preserved it, and continued:
|
|
|
|
'I have seen what you say, and know how true it is. But believe me
|
|
- you will soon, if you cannot now - there is no one on this earth
|
|
less qualified to set it right or help you, Florence, than I. Never
|
|
ask me why, or speak to me about it or of my husband, more. There
|
|
should be, so far, a division, and a silence between us two, like the
|
|
grave itself.'
|
|
|
|
She sat for some time silent; Florence scarcely venturing to
|
|
breathe meanwhile, as dim and imperfect shadows of the truth, and all
|
|
its daily consequences, chased each other through her terrified, yet
|
|
incredulous imagination. Almost as soon as she had ceased to speak,
|
|
Edith's face began to subside from its set composure to that quieter
|
|
and more relenting aspect, which it usually wore when she and Florence
|
|
were alone together. She shaded it, after this change, with her hands;
|
|
and when she arose, and with an affectionate embrace bade Florence
|
|
good-night, went quickly, and without looking round.
|
|
|
|
But when Florence was in bed, and the room was dark except for the
|
|
glow of the fire, Edith returned, and saying that she could not sleep,
|
|
and that her dressing-room was lonely, drew a chair upon the hearth,
|
|
and watched the embers as they died away. Florence watched them too
|
|
from her bed, until they, and the noble figure before them, crowned
|
|
with its flowing hair, and in its thoughtful eyes reflecting back
|
|
their light, became confused and indistinct, and finally were lost in
|
|
slumber.
|
|
|
|
In her sleep, however, Florence could not lose an undefined
|
|
impression of what had so recently passed. It formed the subject of
|
|
her dreams, and haunted her; now in one shape, now in another; but
|
|
always oppressively; and with a sense of fear. She dreamed of seeking
|
|
her father in wildernesses, of following his track up fearful heights,
|
|
and down into deep mines and caverns; of being charged with something
|
|
that would release him from extraordinary suffering - she knew not
|
|
what, or why - yet never being able to attain the goal and set him
|
|
free. Then she saw him dead, upon that very bed, and in that very
|
|
room, and knew that he had never loved her to the last, and fell upon
|
|
his cold breast, passionately weeping. Then a prospect opened, and a
|
|
river flowed, and a plaintive voice she knew, cried, 'It is running
|
|
on, Floy! It has never stopped! You are moving with it!' And she saw
|
|
him at a distance stretching out his arms towards her, while a figure
|
|
such as Walter's used to be, stood near him, awfully serene and still.
|
|
In every vision, Edith came and went, sometimes to her joy, sometimes
|
|
to her sorrow, until they were alone upon the brink of a dark grave,
|
|
and Edith pointing down, she looked and saw - what! - another Edith
|
|
lying at the bottom.
|
|
|
|
In the terror of this dream, she cried out and awoke, she thought.
|
|
A soft voice seemed to whisper in her ear, 'Florence, dear Florence,
|
|
it is nothing but a dream!' and stretching out her arms, she returned
|
|
the caress of her new Mama, who then went out at the door in the light
|
|
of the grey morning. In a moment, Florence sat up wondering whether
|
|
this had really taken place or not; but she was only certain that it
|
|
was grey morning indeed, and that the blackened ashes of the fire were
|
|
on the hearth, and that she was alone.
|
|
|
|
So passed the night on which the happy pair came home.
|
|
|
|
CHAPTER 36.
|
|
|
|
Housewarming
|
|
|
|
Many succeeding days passed in like manner; except that there were
|
|
numerous visits received and paid, and that Mrs Skewton held little
|
|
levees in her own apartments, at which Major Bagstock was a frequent
|
|
attendant, and that Florence encountered no second look from her
|
|
father, although she saw him every day. Nor had she much communication
|
|
in words with her new Mama, who was imperious and proud to all the
|
|
house but her - Florence could not but observe that - and who,
|
|
although she always sent for her or went to her when she came home
|
|
from visiting, and would always go into her room at night, before
|
|
retiring to rest, however late the hour, and never lost an opportunity
|
|
of being with her, was often her silent and thoughtful companion for a
|
|
long time together.
|
|
|
|
Florence, who had hoped for so much from this marriage, could not
|
|
help sometimes comparing the bright house with the faded dreary place
|
|
out of which it had arisen, and wondering when, in any shape, it would
|
|
begin to be a home; for that it was no home then, for anyone, though
|
|
everything went on luxuriously and regularly, she had always a secret
|
|
misgiving. Many an hour of sorrowful reflection by day and night, and
|
|
many a tear of blighted hope, Florence bestowed upon the assurance her
|
|
new Mama had given her so strongly, that there was no one on the earth
|
|
more powerless than herself to teach her how to win her father's
|
|
heart. And soon Florence began to think - resolved to think would be
|
|
the truer phrase - that as no one knew so well, how hopeless of being
|
|
subdued or changed her father's coldness to her was, so she had given
|
|
her this warning, and forbidden the subject in very compassion.
|
|
Unselfish here, as in her every act and fancy, Florence preferred to
|
|
bear the pain of this new wound, rather than encourage any faint
|
|
foreshadowings of the truth as it concerned her father; tender of him,
|
|
even in her wandering thoughts. As for his home, she hoped it would
|
|
become a better one, when its state of novelty and transition should
|
|
be over; and for herself, thought little and lamented less.
|
|
|
|
If none of the new family were particularly at home in private, it
|
|
was resolved that Mrs Dombey at least should be at home in public,
|
|
without delay. A series of entertainments in celebration of the late
|
|
nuptials, and in cultivation of society, were arranged, chiefly by Mr
|
|
Dombey and Mrs Skewton; and it was settled that the festive
|
|
proceedings should commence by Mrs Dombey's being at home upon a
|
|
certain evening, and by Mr and Mrs Dombey's requesting the honour of
|
|
the company of a great many incongruous people to dinner on the same
|
|
day.
|
|
|
|
Accordingly, Mr Dombey produced a list of sundry eastern magnates
|
|
who were to be bidden to this feast on his behalf; to which Mrs
|
|
Skewton, acting for her dearest child, who was haughtily careless on
|
|
the subject, subjoined a western list, comprising Cousin Feenix, not
|
|
yet returned to Baden-Baden, greatly to the detriment of his personal
|
|
estate; and a variety of moths of various degrees and ages, who had,
|
|
at various times, fluttered round the light of her fair daughter, or
|
|
herself, without any lasting injury to their wings. Florence was
|
|
enrolled as a member of the dinner-party, by Edith's command -
|
|
elicited by a moment's doubt and hesitation on the part of Mrs
|
|
Skewton; and Florence, with a wondering heart, and with a quick
|
|
instinctive sense of everything that grated on her father in the
|
|
least, took her silent share in the proceedings of the day.
|
|
|
|
The proceedings commenced by Mr Dombey, in a cravat of
|
|
extraordinary height and stiffness, walking restlessly about the
|
|
drawing-room until the hour appointed for dinner; punctual to which,
|
|
an East India Director,' of immense wealth, in a waistcoat apparently
|
|
constructed in serviceable deal by some plain carpenter, but really
|
|
engendered in the tailor's art, and composed of the material called
|
|
nankeen, arrived and was received by Mr Dombey alone. The next stage
|
|
of the proceedings was Mr Dombey's sending his compliments to Mrs
|
|
Dombey, with a correct statement of the time; and the next, the East
|
|
India Director's falling prostrate, in a conversational point of view,
|
|
and as Mr Dombey was not the man to pick him up, staring at the fire
|
|
until rescue appeared in the shape of Mrs Skewton; whom the director,
|
|
as a pleasant start in life for the evening, mistook for Mrs Dombey,
|
|
and greeted with enthusiasm.
|
|
|
|
The next arrival was a Bank Director, reputed to be able to buy up
|
|
anything - human Nature generally, if he should take it in his head to
|
|
influence the money market in that direction - but who was a
|
|
wonderfully modest-spoken man, almost boastfully so, and mentioned his
|
|
'little place' at Kingston-upon-Thames, and its just being barely
|
|
equal to giving Dombey a bed and a chop, if he would come and visit
|
|
it. Ladies, he said, it was not for a man who lived in his quiet way
|
|
to take upon himself to invite - but if Mrs Skewton and her daughter,
|
|
Mrs Dombey, should ever find themselves in that direction, and would
|
|
do him the honour to look at a little bit of a shrubbery they would
|
|
find there, and a poor little flower-bed or so, and a humble apology
|
|
for a pinery, and two or three little attempts of that sort without
|
|
any pretension, they would distinguish him very much. Carrying out his
|
|
character, this gentleman was very plainly dressed, in a wisp of
|
|
cambric for a neckcloth, big shoes, a coat that was too loose for him,
|
|
and a pair of trousers that were too spare; and mention being made of
|
|
the Opera by Mrs Skewton, he said he very seldom went there, for he
|
|
couldn't afford it. It seemed greatly to delight and exhilarate him to
|
|
say so: and he beamed on his audience afterwards, with his hands in
|
|
his pockets, and excessive satisfaction twinkling in his eyes.
|
|
|
|
Now Mrs Dombey appeared, beautiful and proud, and as disdainful and
|
|
defiant of them all as if the bridal wreath upon her head had been a
|
|
garland of steel spikes put on to force concession from her which she
|
|
would die sooner than yield. With her was Florence. When they entered
|
|
together, the shadow of the night of the return again darkened Mr
|
|
Dombey's face. But unobserved; for Florence did not venture to raise
|
|
her eyes to his, and Edith's indifference was too supreme to take the
|
|
least heed of him.
|
|
|
|
The arrivals quickly became numerous. More directors, chairmen of
|
|
public companies, elderly ladies carrying burdens on their heads for
|
|
full dress, Cousin Feenix, Major Bagstock, friends of Mrs Skewton,
|
|
with the same bright bloom on their complexion, and very precious
|
|
necklaces on very withered necks. Among these, a young lady of
|
|
sixty-five, remarkably coolly dressed as to her back and shoulders,
|
|
who spoke with an engaging lisp, and whose eyelids wouldn't keep up
|
|
well, without a great deal of trouble on her part, and whose manners
|
|
had that indefinable charm which so frequently attaches to the
|
|
giddiness of youth. As the greater part of Mr Dombey's list were
|
|
disposed to be taciturn, and the greater part of Mrs Dombey's list
|
|
were disposed to be talkative, and there was no sympathy between them,
|
|
Mrs Dombey's list, by magnetic agreement, entered into a bond of union
|
|
against Mr Dombey's list, who, wandering about the rooms in a desolate
|
|
manner, or seeking refuge in corners, entangled themselves with
|
|
company coming in, and became barricaded behind sofas, and had doors
|
|
opened smartly from without against their heads, and underwent every
|
|
sort of discomfiture.
|
|
|
|
When dinner was announced, Mr Dombey took down an old lady like a
|
|
crimson velvet pincushion stuffed with bank notes, who might have been
|
|
the identical old lady of Threadneedle Street, she was so rich, and
|
|
looked so unaccommodating; Cousin Feenix took down Mrs Dombey; Major
|
|
Bagstock took down Mrs Skewton; the young thing with the shoulders was
|
|
bestowed, as an extinguisher, upon the East India Director; and the
|
|
remaining ladies were left on view in the drawing-room by the
|
|
remaining gentlemen, until a forlorn hope volunteered to conduct them
|
|
downstairs, and those brave spirits with their captives blocked up the
|
|
dining-room door, shutting out seven mild men in the stony-hearted
|
|
hall. When all the rest were got in and were seated, one of these mild
|
|
men still appeared, in smiling confusion, totally destitute and
|
|
unprovided for, and, escorted by the butler, made the complete circuit
|
|
of the table twice before his chair could be found, which it finally
|
|
was, on Mrs Dombey's left hand; after which the mild man never held up
|
|
his head again.
|
|
|
|
Now, the spacious dining-room, with the company seated round the
|
|
glittering table, busy with their glittering spoons, and knives and
|
|
forks, and plates, might have been taken for a grown-up exposition of
|
|
Tom Tiddler's ground, where children pick up gold and silver.' Mr
|
|
Dombey, as Tiddler, looked his character to admiration; and the long
|
|
plateau of precious metal frosted, separating him from Mrs Dombey,
|
|
whereon frosted Cupids offered scentless flowers to each of them, was
|
|
allegorical to see.
|
|
|
|
Cousin Feenix was in great force, and looked astonishingly young.
|
|
But he was sometimes thoughtless in his good humour - his memory
|
|
occasionally wandering like his legs - and on this occasion caused the
|
|
company to shudder. It happened thus. The young lady with the back,
|
|
who regarded Cousin Feenix with sentiments of tenderness, had
|
|
entrapped the East India Director into leading her to the chair next
|
|
him; in return for which good office, she immediately abandoned the
|
|
Director, who, being shaded on the other side by a gloomy black velvet
|
|
hat surmounting a bony and speechless female with a fan, yielded to a
|
|
depression of spirits and withdrew into himself. Cousin Feenix and the
|
|
young lady were very lively and humorous, and the young lady laughed
|
|
so much at something Cousin Feenix related to her, that Major Bagstock
|
|
begged leave to inquire on behalf of Mrs Skewton (they were sitting
|
|
opposite, a little lower down), whether that might not be considered
|
|
public property.
|
|
|
|
'Why, upon my life,' said Cousin Feenix, 'there's nothing in it; it
|
|
really is not worth repeating: in point of fact, it's merely an
|
|
anecdote of Jack Adams. I dare say my friend Dombey;' for the general
|
|
attention was concentrated on Cousin Feenix; 'may remember Jack Adams,
|
|
Jack Adams, not Joe; that was his brother. Jack - little Jack - man
|
|
with a cast in his eye, and slight impediment in his speech - man who
|
|
sat for somebody's borough. We used to call him in my parliamentary
|
|
time W. P. Adams, in consequence of his being Warming Pan for a young
|
|
fellow who was in his minority. Perhaps my friend Dombey may have
|
|
known the man?'
|
|
|
|
Mr Dombey, who was as likely to have known Guy Fawkes, replied in
|
|
the negative. But one of the seven mild men unexpectedly leaped into
|
|
distinction, by saying he had known him, and adding - 'always wore
|
|
Hessian boots!'
|
|
|
|
'Exactly,' said Cousin Feenix, bending forward to see the mild man,
|
|
and smile encouragement at him down the table. 'That was Jack. Joe
|
|
wore - '
|
|
|
|
'Tops!' cried the mild man, rising in public estimation every
|
|
Instant.
|
|
|
|
'Of course,' said Cousin Feenix, 'you were intimate with em?'
|
|
|
|
'I knew them both,' said the mild man. With whom Mr Dombey
|
|
immediately took wine.
|
|
|
|
'Devilish good fellow, Jack!' said Cousin Feenix, again bending
|
|
forward, and smiling.
|
|
|
|
'Excellent,' returned the mild man, becoming bold on his success.
|
|
'One of the best fellows I ever knew.'
|
|
|
|
'No doubt you have heard the story?' said Cousin Feenix.
|
|
|
|
'I shall know,' replied the bold mild man, 'when I have heard your
|
|
Ludship tell it.' With that, he leaned back in his chair and smiled at
|
|
the ceiling, as knowing it by heart, and being already tickled.
|
|
|
|
'In point of fact, it's nothing of a story in itself,' said Cousin
|
|
Feenix, addressing the table with a smile, and a gay shake of his
|
|
head, 'and not worth a word of preface. But it's illustrative of the
|
|
neatness of Jack's humour. The fact is, that Jack was invited down to
|
|
a marriage - which I think took place in Berkshire?'
|
|
|
|
'Shropshire,' said the bold mild man, finding himself appealed to.
|
|
|
|
'Was it? Well! In point of fact it might have been in any shire,'
|
|
said Cousin Feenix. 'So my friend being invited down to this marriage
|
|
in Anyshire,' with a pleasant sense of the readiness of this joke,
|
|
'goes. Just as some of us, having had the honour of being invited to
|
|
the marriage of my lovely and accomplished relative with my friend
|
|
Dombey, didn't require to be asked twice, and were devilish glad to be
|
|
present on so interesting an occasion. - Goes - Jack goes. Now, this
|
|
marriage was, in point of fact, the marriage of an uncommonly fine
|
|
girl with a man for whom she didn't care a button, but whom she
|
|
accepted on account of his property, which was immense. When Jack
|
|
returned to town, after the nuptials, a man he knew, meeting him in
|
|
the lobby of the House of Commons, says, "Well, Jack, how are the
|
|
ill-matched couple?" "Ill-matched," says Jack "Not at all. It's a
|
|
perfectly and equal transaction. She is regularly bought, and you may
|
|
take your oath he is as regularly sold!"'
|
|
|
|
In his full enjoyment of this culminating point of his story, the
|
|
shudder, which had gone all round the table like an electric spark,
|
|
struck Cousin Feenix, and he stopped. Not a smile occasioned by the
|
|
only general topic of conversation broached that day, appeared on any
|
|
face. A profound silence ensued; and the wretched mild man, who had
|
|
been as innocent of any real foreknowledge of the story as the child
|
|
unborn, had the exquisite misery of reading in every eye that he was
|
|
regarded as the prime mover of the mischief.
|
|
|
|
Mr Dombey's face was not a changeful one, and being cast in its
|
|
mould of state that day, showed little other apprehension of the
|
|
story, if any, than that which he expressed when he said solemnly,
|
|
amidst the silence, that it was 'Very good.' There was a rapid glance
|
|
from Edith towards Florence, but otherwise she remained, externally,
|
|
impassive and unconscious.
|
|
|
|
Through the various stages of rich meats and wines, continual gold
|
|
and silver, dainties of earth, air, fire, and water, heaped-up fruits,
|
|
and that unnecessary article in Mr Dombey's banquets - ice- the dinner
|
|
slowly made its way: the later stages being achieved to the sonorous
|
|
music of incessant double knocks, announcing the arrival of visitors,
|
|
whose portion of the feast was limited to the smell thereof. When Mrs
|
|
Dombey rose, it was a sight to see her lord, with stiff throat and
|
|
erect head, hold the door open for the withdrawal of the ladies; and
|
|
to see how she swept past him with his daughter on her arm.
|
|
|
|
Mr Dombey was a grave sight, behind the decanters, in a state of
|
|
dignity; and the East India Director was a forlorn sight near the
|
|
unoccupied end of the table, in a state of solitude; and the Major was
|
|
a military sight, relating stories of the Duke of York to six of the
|
|
seven mild men (the ambitious one was utterly quenched); and the Bank
|
|
Director was a lowly sight, making a plan of his little attempt at a
|
|
pinery, with dessert-knives, for a group of admirers; and Cousin
|
|
Feenix was a thoughtful sight, as he smoothed his long wristbands and
|
|
stealthily adjusted his wig. But all these sights were of short
|
|
duration, being speedily broken up by coffee, and the desertion of the
|
|
room.
|
|
|
|
There was a throng in the state-rooms upstairs, increasing every
|
|
minute; but still Mr Dombey's list of visitors appeared to have some
|
|
native impossibility of amalgamation with Mrs Dombey's list, and no
|
|
one could have doubted which was which. The single exception to this
|
|
rule perhaps was Mr Carker, who now smiled among the company, and who,
|
|
as he stood in the circle that was gathered about Mrs Dombey -
|
|
watchful of her, of them, his chief, Cleopatra and the Major,
|
|
Florence, and everything around - appeared at ease with both divisions
|
|
of guests, and not marked as exclusively belonging to either.
|
|
|
|
Florence had a dread of him, which made his presence in the room a
|
|
nightmare to her. She could not avoid the recollection of it, for her
|
|
eyes were drawn towards him every now and then, by an attraction of
|
|
dislike and distrust that she could not resist. Yet her thoughts were
|
|
busy with other things; for as she sat apart - not unadmired or
|
|
unsought, but in the gentleness of her quiet spirit - she felt how
|
|
little part her father had in what was going on, and saw, with pain,
|
|
how ill at ease he seemed to be, and how little regarded he was as he
|
|
lingered about near the door, for those visitors whom he wished to
|
|
distinguish with particular attention, and took them up to introduce
|
|
them to his wife, who received them with proud coldness, but showed no
|
|
interest or wish to please, and never, after the bare ceremony of
|
|
reception, in consultation of his wishes, or in welcome of his
|
|
friends, opened her lips. It was not the less perplexing or painful to
|
|
Florence, that she who acted thus, treated her so kindly and with such
|
|
loving consideration, that it almost seemed an ungrateful return on
|
|
her part even to know of what was passing before her eyes.
|
|
|
|
Happy Florence would have been, might she have ventured to bear her
|
|
father company, by so much as a look; and happy Florence was, in
|
|
little suspecting the main cause of his uneasiness. But afraid of
|
|
seeming to know that he was placed at any did advantage, lest he
|
|
should be resentful of that knowledge; and divided between her impulse
|
|
towards him, and her grateful affection for Edith; she scarcely dared
|
|
to raise her eyes towards either. Anxious and unhappy for them both,
|
|
the thought stole on her through the crowd, that it might have been
|
|
better for them if this noise of tongues and tread of feet had never
|
|
come there, - if the old dulness and decay had never been replaced by
|
|
novelty and splendour, - if the neglected child had found no friend in
|
|
Edith, but had lived her solitary life, unpitied and forgotten.
|
|
|
|
Mrs Chick had some such thoughts too, but they were not so quietly
|
|
developed in her mind. This good matron had been outraged in the first
|
|
instance by not receiving an invitation to dinner. That blow partially
|
|
recovered, she had gone to a vast expense to make such a figure before
|
|
Mrs Dombey at home, as should dazzle the senses of that lady, and heap
|
|
mortification, mountains high, on the head of Mrs Skewton.
|
|
|
|
'But I am made,' said Mrs Chick to Mr Chick, 'of no more account
|
|
than Florence! Who takes the smallest notice of me? No one!'
|
|
|
|
'No one, my dear,' assented Mr Chick, who was seated by the side of
|
|
Mrs Chick against the wall, and could console himself, even there, by
|
|
softly whistling.
|
|
|
|
'Does it at all appear as if I was wanted here?' exclaimed Mrs
|
|
Chick, with flashing eyes.
|
|
|
|
'No, my dear, I don't think it does,' said Mr Chic
|
|
|
|
'Paul's mad!' said Mrs Chic
|
|
|
|
Mr Chick whistled.
|
|
|
|
'Unless you are a monster, which I sometimes think you are,' said
|
|
Mrs Chick with candour, 'don't sit there humming tunes. How anyone
|
|
with the most distant feelings of a man, can see that mother-in-law of
|
|
Paul's, dressed as she is, going on like that, with Major Bagstock,
|
|
for whom, among other precious things, we are indebted to your
|
|
Lucretia Tox
|
|
|
|
'My Lucretia Tox, my dear!' said Mr Chick, astounded.
|
|
|
|
'Yes,' retorted Mrs Chick, with great severity, 'your Lucretia Tox
|
|
- I say how anybody can see that mother-in-law of Paul's, and that
|
|
haughty wife of Paul's, and these indecent old frights with their
|
|
backs and shoulders, and in short this at home generally, and hum - '
|
|
on which word Mrs Chick laid a scornful emphasis that made Mr Chick
|
|
start, 'is, I thank Heaven, a mystery to me!
|
|
|
|
Mr Chick screwed his mouth into a form irreconcilable with humming
|
|
or whistling, and looked very contemplative.
|
|
|
|
'But I hope I know what is due to myself,' said Mrs Chick, swelling
|
|
with indignation, 'though Paul has forgotten what is due to me. I am
|
|
not going to sit here, a member of this family, to be taken no notice
|
|
of. I am not the dirt under Mrs Dombey's feet, yet - not quite yet,'
|
|
said Mrs Chick, as if she expected to become so, about the day after
|
|
to-morrow. 'And I shall go. I will not say (whatever I may think) that
|
|
this affair has been got up solely to degrade and insult me. I shall
|
|
merely go. I shall not be missed!'
|
|
|
|
Mrs Chick rose erect with these words, and took the arm of Mr
|
|
Chick, who escorted her from the room, after half an hour's shady
|
|
sojourn there. And it is due to her penetration to observe that she
|
|
certainly was not missed at all.
|
|
|
|
But she was not the only indignant guest; for Mr Dombey's list
|
|
(still constantly in difficulties) were, as a body, indignant with Mrs
|
|
Dombey's list, for looking at them through eyeglasses, and audibly
|
|
wondering who all those people were; while Mrs Dombey's list
|
|
complained of weariness, and the young thing with the shoulders,
|
|
deprived of the attentions of that gay youth Cousin Feenix (who went
|
|
away from the dinner-table), confidentially alleged to thirty or forty
|
|
friends that she was bored to death. All the old ladies with the
|
|
burdens on their heads, had greater or less cause of complaint against
|
|
Mr Dombey; and the Directors and Chairmen coincided in thinking that
|
|
if Dombey must marry, he had better have married somebody nearer his
|
|
own age, not quite so handsome, and a little better off. The general
|
|
opinion among this class of gentlemen was, that it was a weak thing in
|
|
Dombey, and he'd live to repent it. Hardly anybody there, except the
|
|
mild men, stayed, or went away, without considering himself or herself
|
|
neglected and aggrieved by Mr Dombey or Mrs Dombey; and the speechless
|
|
female in the black velvet hat was found to have been stricken mute,
|
|
because the lady in the crimson velvet had been handed down before
|
|
her. The nature even of the mild men got corrupted, either from their
|
|
curdling it with too much lemonade, or from the general inoculation
|
|
that prevailed; and they made sarcastic jokes to one another, and
|
|
whispered disparagement on stairs and in bye-places. The general
|
|
dissatisfaction and discomfort so diffused itself, that the assembled
|
|
footmen in the hall were as well acquainted with it as the company
|
|
above. Nay, the very linkmen outside got hold of it, and compared the
|
|
party to a funeral out of mourning, with none of the company
|
|
remembered in the will. At last, the guests were all gone, and the
|
|
linkmen too; and the street, crowded so long with carriages, was
|
|
clear; and the dying lights showed no one in the rooms, but Mr Dombey
|
|
and Mr Carker, who were talking together apart, and Mrs Dombey and her
|
|
mother: the former seated on an ottoman; the latter reclining in the
|
|
Cleopatra attitude, awaiting the arrival of her maid. Mr Dombey having
|
|
finished his communication to Carker, the latter advanced obsequiously
|
|
to take leave.
|
|
|
|
'I trust,' he said, 'that the fatigues of this delightful evening
|
|
will not inconvenience Mrs Dombey to-morrow.'
|
|
|
|
'Mrs Dombey,' said Mr Dombey, advancing, 'has sufficiently spared
|
|
herself fatigue, to relieve you from any anxiety of that kind. I
|
|
regret to say, Mrs Dombey, that I could have wished you had fatigued
|
|
yourself a little more on this occasion.
|
|
|
|
She looked at him with a supercilious glance, that it seemed not
|
|
worth her while to protract, and turned away her eyes without
|
|
speaking.
|
|
|
|
'I am sorry, Madam,' said Mr Dombey, 'that you should not have
|
|
thought it your duty -
|
|
|
|
She looked at him again.
|
|
|
|
'Your duty, Madam,' pursued Mr Dombey, 'to have received my friends
|
|
with a little more deference. Some of those whom you have been pleased
|
|
to slight to-night in a very marked manner, Mrs Dombey, confer a
|
|
distinction upon you, I must tell you, in any visit they pay you.
|
|
|
|
'Do you know that there is someone here?' she returned, now looking
|
|
at him steadily.
|
|
|
|
'No! Carker! I beg that you do not. I insist that you do not,'
|
|
cried Mr Dombey, stopping that noiseless gentleman in his withdrawal.
|
|
'Mr Carker, Madam, as you know, possesses my confidence. He is as well
|
|
acquainted as myself with the subject on which I speak. I beg to tell
|
|
you, for your information, Mrs Dombey, that I consider these wealthy
|
|
and important persons confer a distinction upon me:' and Mr Dombey
|
|
drew himself up, as having now rendered them of the highest possible
|
|
importance.
|
|
|
|
'I ask you,' she repeated, bending her disdainful, steady gaze upon
|
|
him, 'do you know that there is someone here, Sir?'
|
|
|
|
'I must entreat,' said Mr Carker, stepping forward, 'I must beg, I
|
|
must demand, to be released. Slight and unimportant as this difference
|
|
is - '
|
|
|
|
Mrs Skewton, who had been intent upon her daughter's face, took him
|
|
up here.
|
|
|
|
'My sweetest Edith,' she said, 'and my dearest Dombey; our
|
|
excellent friend Mr Carker, for so I am sure I ought to mention him -
|
|
'
|
|
|
|
Mr Carker murmured, 'Too much honour.'
|
|
|
|
' - has used the very words that were in my mind, and that I have
|
|
been dying, these ages, for an opportunity of introducing. Slight and
|
|
unimportant! My sweetest Edith, and my dearest Dombey, do we not know
|
|
that any difference between you two - No, Flowers; not now.
|
|
|
|
Flowers was the maid, who, finding gentlemen present, retreated
|
|
with precipitation.
|
|
|
|
'That any difference between you two,' resumed Mrs Skewton, 'with
|
|
the Heart you possess in common, and the excessively charming bond of
|
|
feeling that there is between you, must be slight and unimportant?
|
|
What words could better define the fact? None. Therefore I am glad to
|
|
take this slight occasion - this trifling occasion, that is so replete
|
|
with Nature, and your individual characters, and all that - so truly
|
|
calculated to bring the tears into a parent's eyes - to say that I
|
|
attach no importance to them in the least, except as developing these
|
|
minor elements of Soul; and that, unlike most Mamas-in-law (that
|
|
odious phrase, dear Dombey!) as they have been represented to me to
|
|
exist in this I fear too artificial world, I never shall attempt to
|
|
interpose between you, at such a time, and never can much regret,
|
|
after all, such little flashes of the torch of What's-his-name - not
|
|
Cupid, but the other delightful creature.
|
|
|
|
There was a sharpness in the good mother's glance at both her
|
|
children as she spoke, that may have been expressive of a direct and
|
|
well-considered purpose hidden between these rambling words. That
|
|
purpose, providently to detach herself in the beginning from all the
|
|
clankings of their chain that were to come, and to shelter herself
|
|
with the fiction of her innocent belief in their mutual affection, and
|
|
their adaptation to each other.
|
|
|
|
'I have pointed out to Mrs Dombey,' said Mr Dombey, in his most
|
|
stately manner, 'that in her conduct thus early in our married life,
|
|
to which I object, and which, I request, may be corrected. Carker,'
|
|
with a nod of dismissal, 'good-night to you!'
|
|
|
|
Mr Carker bowed to the imperious form of the Bride, whose sparkling
|
|
eye was fixed upon her husband; and stopping at Cleopatra's couch on
|
|
his way out, raised to his lips the hand she graciously extended to
|
|
him, in lowly and admiring homage.
|
|
|
|
If his handsome wife had reproached him, or even changed
|
|
countenance, or broken the silence in which she remained, by one word,
|
|
now that they were alone (for Cleopatra made off with all speed), Mr
|
|
Dombey would have been equal to some assertion of his case against
|
|
her. But the intense, unutterable, withering scorn, with which, after
|
|
looking upon him, she dropped her eyes, as if he were too worthless
|
|
and indifferent to her to be challenged with a syllable - the
|
|
ineffable disdain and haughtiness in which she sat before him - the
|
|
cold inflexible resolve with which her every feature seemed to bear
|
|
him down, and put him by - these, he had no resource against; and he
|
|
left her, with her whole overbearing beauty concentrated on despising
|
|
him.
|
|
|
|
Was he coward enough to watch her, an hour afterwards, on the old
|
|
well staircase, where he had once seen Florence in the moonlight,
|
|
toiling up with Paul? Or was he in the dark by accident, when, looking
|
|
up, he saw her coming, with a light, from the room where Florence lay,
|
|
and marked again the face so changed, which he could not subdue?
|
|
|
|
But it could never alter as his own did. It never, in its uttermost
|
|
pride and passion, knew the shadow that had fallen on his, in the dark
|
|
corner, on the night of the return; and often since; and which
|
|
deepened on it now, as he looked up.
|
|
|
|
CHAPTER 37.
|
|
|
|
More Warnings than One
|
|
|
|
Florence, Edith, and Mrs Skewton were together next day, and the
|
|
carriage was waiting at the door to take them out. For Cleopatra had
|
|
her galley again now, and Withers, no longer the-wan, stood upright in
|
|
a pigeon-breasted jacket and military trousers, behind her wheel-less
|
|
chair at dinner-time and butted no more. The hair of Withers was
|
|
radiant with pomatum, in these days of down, and he wore kid gloves
|
|
and smelt of the water of Cologne.
|
|
|
|
They were assembled in Cleopatra's room The Serpent of old Nile
|
|
(not to mention her disrespectfully) was reposing on her sofa, sipping
|
|
her morning chocolate at three o'clock in the afternoon, and Flowers
|
|
the Maid was fastening on her youthful cuffs and frills, and
|
|
performing a kind of private coronation ceremony on her, with a
|
|
peach-coloured velvet bonnet; the artificial roses in which nodded to
|
|
uncommon advantage, as the palsy trifled with them, like a breeze.
|
|
|
|
'I think I am a little nervous this morning, Flowers,' said Mrs
|
|
Skewton. 'My hand quite shakes.'
|
|
|
|
'You were the life of the party last night, Ma'am, you know,'
|
|
returned Flowers, ' and you suffer for it, to-day, you see.'
|
|
|
|
Edith, who had beckoned Florence to the window, and was looking
|
|
out, with her back turned on the toilet of her esteemed mother,
|
|
suddenly withdrew from it, as if it had lightened.
|
|
|
|
'My darling child,' cried Cleopatra, languidly, 'you are not
|
|
nervous? Don't tell me, my dear Edith, that you, so enviably
|
|
self-possessed, are beginning to be a martyr too, like your
|
|
unfortunately constituted mother! Withers, someone at the door.'
|
|
|
|
'Card, Ma'am,' said Withers, taking it towards Mrs Dombey.
|
|
|
|
'I am going out,' she said without looking at it.
|
|
|
|
'My dear love,' drawled Mrs Skewton, 'how very odd to send that
|
|
message without seeing the name! Bring it here, Withers. Dear me, my
|
|
love; Mr Carker, too! That very sensible person!'
|
|
|
|
'I am going out,' repeated Edith, in so imperious a tone that
|
|
Withers, going to the door, imperiously informed the servant who was
|
|
waiting, 'Mrs Dombey is going out. Get along with you,' and shut it on
|
|
him.'
|
|
|
|
But the servant came back after a short absence, and whispered to
|
|
Withers again, who once more, and not very willingly, presented
|
|
himself before Mrs Dombey.
|
|
|
|
'If you please, Ma'am, Mr Carker sends his respectful compliments,
|
|
and begs you would spare him one minute, if you could - for business,
|
|
Ma'am, if you please.'
|
|
|
|
'Really, my love,' said Mrs Skewton in her mildest manner; for her
|
|
daughter's face was threatening; 'if you would allow me to offer a
|
|
word, I should recommend - '
|
|
|
|
'Show him this way,' said Edith. As Withers disappeared to execute
|
|
the command, she added, frowning on her mother, 'As he comes at your
|
|
recommendation, let him come to your room.'
|
|
|
|
'May I - shall I go away?' asked Florence, hurriedly.
|
|
|
|
Edith nodded yes, but on her way to the door Florence met the
|
|
visitor coming in. With the same disagreeable mixture of familiarity
|
|
and forbearance, with which he had first addressed her, he addressed
|
|
her now in his softest manner - hoped she was quite well - needed not
|
|
to ask, with such looks to anticipate the answer - had scarcely had
|
|
the honour to know her, last night, she was so greatly changed - and
|
|
held the door open for her to pass out; with a secret sense of power
|
|
in her shrinking from him, that all the deference and politeness of
|
|
his manner could not quite conceal.
|
|
|
|
He then bowed himself for a moment over Mrs Skewton's condescending
|
|
hand, and lastly bowed to Edith. Coldly returning his salute without
|
|
looking at him, and neither seating herself nor inviting him to be
|
|
seated, she waited for him to speak.
|
|
|
|
Entrenched in her pride and power, and with all the obduracy of her
|
|
spirit summoned about her, still her old conviction that she and her
|
|
mother had been known by this man in their worst colours, from their
|
|
first acquaintance; that every degradation she had suffered in her own
|
|
eyes was as plain to him as to herself; that he read her life as
|
|
though it were a vile book, and fluttered the leaves before her in
|
|
slight looks and tones of voice which no one else could detect;
|
|
weakened and undermined her. Proudly as she opposed herself to him,
|
|
with her commanding face exacting his humility, her disdainful lip
|
|
repulsing him, her bosom angry at his intrusion, and the dark lashes
|
|
of her eyes sullenly veiling their light, that no ray of it might
|
|
shine upon him - and submissively as he stood before her, with an
|
|
entreating injured manner, but with complete submission to her will -
|
|
she knew, in her own soul, that the cases were reversed, and that the
|
|
triumph and superiority were his, and that he knew it full well.
|
|
|
|
'I have presumed,' said Mr Carker, 'to solicit an interview, and I
|
|
have ventured to describe it as being one of business, because - '
|
|
|
|
'Perhaps you are charged by Mr Dombey with some message of
|
|
reproof,' said Edit 'You possess Mr Dombey's confidence in such an
|
|
unusual degree, Sir, that you would scarcely surprise me if that were
|
|
your business.'
|
|
|
|
'I have no message to the lady who sheds a lustre upon his name,'
|
|
said Mr Carker. 'But I entreat that lady, on my own behalf to be just
|
|
to a very humble claimant for justice at her hands - a mere dependant
|
|
of Mr Dombey's - which is a position of humility; and to reflect upon
|
|
my perfect helplessness last night, and the impossibility of my
|
|
avoiding the share that was forced upon me in a very painful
|
|
occasion.'
|
|
|
|
'My dearest Edith,' hinted Cleopatra in a low voice, as she held
|
|
her eye-glass aside, 'really very charming of Mr What's-his-name. And
|
|
full of heart!'
|
|
|
|
'For I do,' said Mr Carker, appealing to Mrs Skewton with a look of
|
|
grateful deference, - 'I do venture to call it a painful occasion,
|
|
though merely because it was so to me, who had the misfortune to be
|
|
present. So slight a difference, as between the principals - between
|
|
those who love each other with disinterested devotion, and would make
|
|
any sacrifice of self in such a cause - is nothing. As Mrs Skewton
|
|
herself expressed, with so much truth and feeling last night, it is
|
|
nothing.'
|
|
|
|
Edith could not look at him, but she said after a few moments,
|
|
|
|
'And your business, Sir - '
|
|
|
|
'Edith, my pet,' said Mrs Skewton, 'all this time Mr Carker is
|
|
standing! My dear Mr Carker, take a seat, I beg.'
|
|
|
|
He offered no reply to the mother, but fixed his eyes on the proud
|
|
daughter, as though he would only be bidden by her, and was resolved
|
|
to he bidden by her. Edith, in spite of herself sat down, and slightly
|
|
motioned with her hand to him to be seated too. No action could be
|
|
colder, haughtier, more insolent in its air of supremacy and
|
|
disrespect, but she had struggled against even that concession
|
|
ineffectually, and it was wrested from her. That was enough! Mr Carker
|
|
sat down.
|
|
|
|
'May I be allowed, Madam,' said Carker, turning his white teeth on
|
|
Mrs Skewton like a light - 'a lady of your excellent sense and quick
|
|
feeling will give me credit, for good reason, I am sure - to address
|
|
what I have to say, to Mrs Dombey, and to leave her to impart it to
|
|
you who are her best and dearest friend - next to Mr Dombey?'
|
|
|
|
Mrs Skewton would have retired, but Edith stopped her. Edith would
|
|
have stopped him too, and indignantly ordered him to speak openly or
|
|
not at all, but that he said, in a low Voice - 'Miss Florence - the
|
|
young lady who has just left the room - '
|
|
|
|
Edith suffered him to proceed. She looked at him now. As he bent
|
|
forward, to be nearer, with the utmost show of delicacy and respect,
|
|
and with his teeth persuasively arrayed, in a self-depreciating smile,
|
|
she felt as if she could have struck him dead.
|
|
|
|
'Miss Florence's position,' he began, 'has been an unfortunate one.
|
|
I have a difficulty in alluding to it to you, whose attachment to her
|
|
father is naturally watchful and jealous of every word that applies to
|
|
him.' Always distinct and soft in speech, no language could describe
|
|
the extent of his distinctness and softness, when he said these words,
|
|
or came to any others of a similar import. 'But, as one who is devoted
|
|
to Mr Dombey in his different way, and whose life is passed in
|
|
admiration of Mr Dombey's character, may I say, without offence to
|
|
your tenderness as a wife, that Miss Florence has unhappily been
|
|
neglected - by her father. May I say by her father?'
|
|
|
|
Edith replied, 'I know it.'
|
|
|
|
'You know it!' said Mr Carker, with a great appearance of relief.
|
|
'It removes a mountain from my breast. May I hope you know how the
|
|
neglect originated; in what an amiable phase of Mr Dombey's pride -
|
|
character I mean?'
|
|
|
|
'You may pass that by, Sir,' she returned, 'and come the sooner to
|
|
the end of what you have to say.'
|
|
|
|
'Indeed, I am sensible, Madam,' replied Carker, - 'trust me, I am
|
|
deeply sensible, that Mr Dombey can require no justification in
|
|
anything to you. But, kindly judge of my breast by your own, and you
|
|
will forgive my interest in him, if in its excess, it goes at all
|
|
astray.
|
|
|
|
What a stab to her proud heart, to sit there, face to face with
|
|
him, and have him tendering her false oath at the altar again and
|
|
again for her acceptance, and pressing it upon her like the dregs of a
|
|
sickening cup she could not own her loathing of or turn away from'.
|
|
How shame, remorse, and passion raged within her, when, upright and
|
|
majestic in her beauty before him, she knew that in her spirit she was
|
|
down at his feet!
|
|
|
|
'Miss Florence,' said Carker, 'left to the care - if one may call
|
|
it care - of servants and mercenary people, in every way her
|
|
inferiors, necessarily wanted some guide and compass in her younger
|
|
days, and, naturally, for want of them, has been indiscreet, and has
|
|
in some degree forgotten her station. There was some folly about one
|
|
Walter, a common lad, who is fortunately dead now: and some very
|
|
undesirable association, I regret to say, with certain coasting
|
|
sailors, of anything but good repute, and a runaway old bankrupt.'
|
|
|
|
'I have heard the circumstances, Sir,' said Edith, flashing her
|
|
disdainful glance upon him, 'and I know that you pervert them. You may
|
|
not know it. I hope so.'
|
|
|
|
'Pardon me,' said Mr Carker, 'I believe that nobody knows them so
|
|
well as I. Your generous and ardent nature, Madam - the same nature
|
|
which is so nobly imperative in vindication of your beloved and
|
|
honoured husband, and which has blessed him as even his merits deserve
|
|
- I must respect, defer to, bow before. But, as regards the
|
|
circumstances, which is indeed the business I presumed to solicit your
|
|
attention to, I can have no doubt, since, in the execution of my trust
|
|
as Mr Dombey's confidential - I presume to say - friend, I have fully
|
|
ascertained them. In my execution of that trust; in my deep concern,
|
|
which you can so well understand, for everything relating to him,
|
|
intensified, if you will (for I fear I labour under your displeasure),
|
|
by the lower motive of desire to prove my diligence, and make myself
|
|
the more acceptable; I have long pursued these circumstances by myself
|
|
and trustworthy instruments, and have innumerable and most minute
|
|
proofs.'
|
|
|
|
She raised her eyes no higher than his mouth, but she saw the means
|
|
of mischief vaunted in every tooth it contained.
|
|
|
|
'Pardon me, Madam,' he continued, 'if in my perplexity, I presume
|
|
to take counsel with you, and to consult your pleasure. I think I have
|
|
observed that you are greatly interested in Miss Florence?'
|
|
|
|
What was there in her he had not observed, and did not know?
|
|
Humbled and yet maddened by the thought, in every new presentment of
|
|
it, however faint, she pressed her teeth upon her quivering lip to
|
|
force composure on it, and distantly inclined her head in reply.
|
|
|
|
'This interest, Madam - so touching an evidence of everything
|
|
associated with Mr Dombey being dear to you - induces me to pause
|
|
before I make him acquainted with these circumstances, which, as yet,
|
|
he does not know. It so shakes me, if I may make the confession, in my
|
|
allegiance, that on the intimation of the least desire to that effect
|
|
from you, I would suppress them.'
|
|
|
|
Edith raised her head quickly, and starting back, bent her dark
|
|
glance upon him. He met it with his blandest and most deferential
|
|
smile, and went on.
|
|
|
|
'You say that as I describe them, they are perverted. I fear not -
|
|
I fear not: but let us assume that they are. The uneasiness I have for
|
|
some time felt on the subject, arises in this: that the mere
|
|
circumstance of such association often repeated, on the part of Miss
|
|
Florence, however innocently and confidingly, would be conclusive with
|
|
Mr Dombey, already predisposed against her, and would lead him to take
|
|
some step (I know he has occasionally contemplated it) of separation
|
|
and alienation of her from his home. Madam, bear with me, and remember
|
|
my intercourse with Mr Dombey, and my knowledge of him, and my
|
|
reverence for him, almost from childhood, when I say that if he has a
|
|
fault, it is a lofty stubbornness, rooted in that noble pride and
|
|
sense of power which belong to him, and which we must all defer to;
|
|
which is not assailable like the obstinacy of other characters; and
|
|
which grows upon itself from day to day, and year to year.
|
|
|
|
She bent her glance upon him still; but, look as steadfast as she
|
|
would, her haughty nostrils dilated, and her breath came somewhat
|
|
deeper, and her lip would slightly curl, as he described that in his
|
|
patron to which they must all bow down. He saw it; and though his
|
|
expression did not change, she knew he saw it.
|
|
|
|
'Even so slight an incident as last night's,' he said, 'if I might
|
|
refer to it once more, would serve to illustrate my meaning, better
|
|
than a greater one. Dombey and Son know neither time, nor place, nor
|
|
season, but bear them all down. But I rejoice in its occurrence, for
|
|
it has opened the way for me to approach Mrs Dombey with this subject
|
|
to-day, even if it has entailed upon me the penalty of her temporary
|
|
displeasure. Madam, in the midst of my uneasiness and apprehension on
|
|
this subject, I was summoned by Mr Dombey to Leamington. There I saw
|
|
you. There I could not help knowing what relation you would shortly
|
|
occupy towards him - to his enduring happiness and yours. There I
|
|
resolved to await the time of your establishment at home here, and to
|
|
do as I have now done. I have, at heart, no fear that I shall be
|
|
wanting in my duty to Mr Dombey, if I bury what I know in your breast;
|
|
for where there is but one heart and mind between two persons - as in
|
|
such a marriage - one almost represents the other. I can acquit my
|
|
conscience therefore, almost equally, by confidence, on such a theme,
|
|
in you or him. For the reasons I have mentioned I would select you.
|
|
May I aspire to the distinction of believing that my confidence is
|
|
accepted, and that I am relieved from my responsibility?'
|
|
|
|
He long remembered the look she gave him - who could see it, and
|
|
forget it? - and the struggle that ensued within her. At last she
|
|
said:
|
|
|
|
'I accept it, Sir You will please to consider this matter at an
|
|
end, and that it goes no farther.'
|
|
|
|
He bowed low, and rose. She rose too, and he took leave with all
|
|
humility. But Withers, meeting him on the stairs, stood amazed at the
|
|
beauty of his teeth, and at his brilliant smile; and as he rode away
|
|
upon his white-legged horse, the people took him for a dentist, such
|
|
was the dazzling show he made. The people took her, when she rode out
|
|
in her carriage presently, for a great lady, as happy as she was rich
|
|
and fine. But they had not seen her, just before, in her own room with
|
|
no one by; and they had not heard her utterance of the three words,
|
|
'Oh Florence, Florence!'
|
|
|
|
Mrs Skewton, reposing on her sofa, and sipping her chocolate, had
|
|
heard nothing but the low word business, for which she had a mortal
|
|
aversion, insomuch that she had long banished it from her vocabulary,
|
|
and had gone nigh, in a charming manner and with an immense amount of
|
|
heart, to say nothing of soul, to ruin divers milliners and others in
|
|
consequence. Therefore Mrs Skewton asked no questions, and showed no
|
|
curiosity. Indeed, the peach-velvet bonnet gave her sufficient
|
|
occupation out of doors; for being perched on the back of her head,
|
|
and the day being rather windy, it was frantic to escape from Mrs
|
|
Skewton's company, and would be coaxed into no sort of compromise.
|
|
When the carriage was closed, and the wind shut out, the palsy played
|
|
among the artificial roses again like an almshouse-full of
|
|
superannuated zephyrs; and altogether Mrs Skewton had enough to do,
|
|
and got on but indifferently.
|
|
|
|
She got on no better towards night; for when Mrs Dombey, in her
|
|
dressing-room, had been dressed and waiting for her half an hour, and
|
|
Mr Dombey, in the drawing-room, had paraded himself into a state of
|
|
solemn fretfulness (they were all three going out to dinner), Flowers
|
|
the Maid appeared with a pale face to Mrs Dombey, saying:
|
|
|
|
'If you please, Ma'am, I beg your pardon, but I can't do nothing
|
|
with Missis!'
|
|
|
|
'What do you mean?' asked Edith.
|
|
|
|
'Well, Ma'am,' replied the frightened maid, 'I hardly know. She's
|
|
making faces!'
|
|
|
|
Edith hurried with her to her mother's room. Cleopatra was arrayed
|
|
in full dress, with the diamonds, short sleeves, rouge, curls, teeth,
|
|
and other juvenility all complete; but Paralysis was not to be
|
|
deceived, had known her for the object of its errand, and had struck
|
|
her at her glass, where she lay like a horrible doll that had tumbled
|
|
down.
|
|
|
|
They took her to pieces in very shame, and put the little of her
|
|
that was real on a bed. Doctors were sent for, and soon came. Powerful
|
|
remedies were resorted to; opinions given that she would rally from
|
|
this shock, but would not survive another; and there she lay
|
|
speechless, and staring at the ceiling, for days; sometimes making
|
|
inarticulate sounds in answer to such questions as did she know who
|
|
were present, and the like: sometimes giving no reply either by sign
|
|
or gesture, or in her unwinking eyes.
|
|
|
|
At length she began to recover consciousness, and in some degree
|
|
the power of motion, though not yet of speech. One day the use of her
|
|
right hand returned; and showing it to her maid who was in attendance
|
|
on her, and appearing very uneasy in her mind, she made signs for a
|
|
pencil and some paper. This the maid immediately provided, thinking
|
|
she was going to make a will, or write some last request; and Mrs
|
|
Dombey being from home, the maid awaited the result with solemn
|
|
feelings.
|
|
|
|
After much painful scrawling and erasing, and putting in of wrong
|
|
characters, which seemed to tumble out of the pencil of their own
|
|
accord, the old woman produced this document:
|
|
|
|
'Rose-coloured curtains.'
|
|
|
|
The maid being perfectly transfixed, and with tolerable reason,
|
|
Cleopatra amended the manuscript by adding two words more, when it
|
|
stood thus:
|
|
|
|
'Rose-coloured curtains for doctors.'
|
|
|
|
The maid now perceived remotely that she wished these articles to
|
|
be provided for the better presentation of her complexion to the
|
|
faculty; and as those in the house who knew her best, had no doubt of
|
|
the correctness of this opinion, which she was soon able to establish
|
|
for herself the rose-coloured curtains were added to her bed, and she
|
|
mended with increased rapidity from that hour. She was soon able to
|
|
sit up, in curls and a laced cap and nightgown, and to have a little
|
|
artificial bloom dropped into the hollow caverns of her cheeks.
|
|
|
|
It was a tremendous sight to see this old woman in her finery
|
|
leering and mincing at Death, and playing off her youthful tricks upon
|
|
him as if he had been the Major; but an alteration in her mind that
|
|
ensued on the paralytic stroke was fraught with as much matter for
|
|
reflection, and was quite as ghastly.
|
|
|
|
Whether the weakening of her intellect made her more cunning and
|
|
false than before, or whether it confused her between what she had
|
|
assumed to be and what she really had been, or whether it had awakened
|
|
any glimmering of remorse, which could neither struggle into light nor
|
|
get back into total darkness, or whether, in the jumble of her
|
|
faculties, a combination of these effects had been shaken up, which is
|
|
perhaps the more likely supposition, the result was this: - That she
|
|
became hugely exacting in respect of Edith's affection and gratitude
|
|
and attention to her; highly laudatory of herself as a most
|
|
inestimable parent; and very jealous of having any rival in Edith's
|
|
regard. Further, in place of remembering that compact made between
|
|
them for an avoidance of the subject, she constantly alluded to her
|
|
daughter's marriage as a proof of her being an incomparable mother;
|
|
and all this, with the weakness and peevishness of such a state,
|
|
always serving for a sarcastic commentary on her levity and
|
|
youthfulness.
|
|
|
|
'Where is Mrs Dombey? she would say to her maid.
|
|
|
|
'Gone out, Ma'am.'
|
|
|
|
'Gone out! Does she go out to shun her Mama, Flowers?'
|
|
|
|
'La bless you, no, Ma'am. Mrs Dombey has only gone out for a ride
|
|
with Miss Florence.'
|
|
|
|
'Miss Florence. Who's Miss Florence? Don't tell me about Miss
|
|
Florence. What's Miss Florence to her, compared to me?'
|
|
|
|
The apposite display of the diamonds, or the peach-velvet bonnet
|
|
(she sat in the bonnet to receive visitors, weeks before she could
|
|
stir out of doors), or the dressing of her up in some gaud or other,
|
|
usually stopped the tears that began to flow hereabouts; and she would
|
|
remain in a complacent state until Edith came to see her; when, at a
|
|
glance of the proud face, she would relapse again.
|
|
|
|
'Well, I am sure, Edith!' she would cry, shaking her head.
|
|
|
|
'What is the matter, mother?'
|
|
|
|
'Matter! I really don't know what is the matter. The world is
|
|
coming to such an artificial and ungrateful state, that I begin to
|
|
think there's no Heart - or anything of that sort - left in it,
|
|
positively. Withers is more a child to me than you are. He attends to
|
|
me much more than my own daughter. I almost wish I didn't look so
|
|
young - and all that kind of thing - and then perhaps I should be more
|
|
considered.'
|
|
|
|
'What would you have, mother?'
|
|
|
|
'Oh, a great deal, Edith,' impatiently.
|
|
|
|
'Is there anything you want that you have not? It is your own fault
|
|
if there be.'
|
|
|
|
'My own fault!' beginning to whimper. 'The parent I have been to
|
|
you, Edith: making you a companion from your cradle! And when you
|
|
neglect me, and have no more natural affection for me than if I was a
|
|
stranger - not a twentieth part of the affection that you have for
|
|
Florence - but I am only your mother, and should corrupt her in a day!
|
|
- you reproach me with its being my own fault.'
|
|
|
|
'Mother, mother, I reproach you with nothing. Why will you always
|
|
dwell on this?'
|
|
|
|
'Isn't it natural that I should dwell on this, when I am all
|
|
affection and sensitiveness, and am wounded in the cruellest way,
|
|
whenever you look at me?'
|
|
|
|
'I do not mean to wound you, mother. Have you no remembrance of
|
|
what has been said between us? Let the Past rest.'
|
|
|
|
'Yes, rest! And let gratitude to me rest; and let affection for me
|
|
rest; and let me rest in my out-of-the-way room, with no society and
|
|
no attention, while you find new relations to make much of, who have
|
|
no earthly claim upon you! Good gracious, Edith, do you know what an
|
|
elegant establishment you are at the head of?'
|
|
|
|
'Yes. Hush!'
|
|
|
|
'And that gentlemanly creature, Dombey? Do you know that you are
|
|
married to him, Edith, and that you have a settlement and a position,
|
|
and a carriage, and I don't know what?'
|
|
|
|
'Indeed, I know it, mother; well.'
|
|
|
|
'As you would have had with that delightful good soul - what did
|
|
they call him? - Granger - if he hadn't died. And who have you to
|
|
thank for all this, Edith?'
|
|
|
|
'You, mother; you.'
|
|
|
|
'Then put your arms round my neck, and kiss me; and show me, Edith,
|
|
that you know there never was a better Mama than I have been to you.
|
|
And don't let me become a perfect fright with teasing and wearing
|
|
myself at your ingratitude, or when I'm out again in society no soul
|
|
will know me, not even that hateful animal, the Major.'
|
|
|
|
But, sometimes, when Edith went nearer to her, and bending down her
|
|
stately head, Put her cold cheek to hers, the mother would draw back
|
|
as If she were afraid of her, and would fall into a fit of trembling,
|
|
and cry out that there was a wandering in her wits. And sometimes she
|
|
would entreat her, with humility, to sit down on the chair beside her
|
|
bed, and would look at her (as she sat there brooding) with a face
|
|
that even the rose-coloured curtains could not make otherwise than
|
|
scared and wild.
|
|
|
|
The rose-coloured curtains blushed, in course of time, on
|
|
Cleopatra's bodily recovery, and on her dress - more juvenile than
|
|
ever, to repair the ravages of illness - and on the rouge, and on the
|
|
teeth, and on the curls, and on the diamonds, and the short sleeves,
|
|
and the whole wardrobe of the doll that had tumbled down before the
|
|
mirror. They blushed, too, now and then, upon an indistinctness in her
|
|
speech which she turned off with a girlish giggle, and on an
|
|
occasional failing In her memory, that had no rule in it, but came and
|
|
went fantastically, as if in mockery of her fantastic self.
|
|
|
|
But they never blushed upon a change in the new manner of her
|
|
thought and speech towards her daughter. And though that daughter
|
|
often came within their influence, they never blushed upon her
|
|
loveliness irradiated by a smile, or softened by the light of filial
|
|
love, in its stem beauty.
|
|
|
|
CHAPTER 38.
|
|
|
|
Miss Tox improves an Old Acquaintance
|
|
|
|
The forlorn Miss Tox, abandoned by her friend Louisa Chick, and
|
|
bereft of Mr Dombey's countenance - for no delicate pair of wedding
|
|
cards, united by a silver thread, graced the chimney-glass in
|
|
Princess's Place, or the harpsichord, or any of those little posts of
|
|
display which Lucretia reserved for holiday occupation - became
|
|
depressed in her spirits, and suffered much from melancholy. For a
|
|
time the Bird Waltz was unheard in Princess's Place, the plants were
|
|
neglected, and dust collected on the miniature of Miss Tox's ancestor
|
|
with the powdered head and pigtail.
|
|
|
|
Miss Tox, however, was not of an age or of a disposition long to
|
|
abandon herself to unavailing regrets. Only two notes of the
|
|
harpsichord were dumb from disuse when the Bird Waltz again warbled
|
|
and trilled in the crooked drawing-room: only one slip of geranium
|
|
fell a victim to imperfect nursing, before she was gardening at her
|
|
green baskets again, regularly every morning; the powdered-headed
|
|
ancestor had not been under a cloud for more than six weeks, when Miss
|
|
Tox breathed on his benignant visage, and polished him up with a piece
|
|
of wash-leather.
|
|
|
|
Still, Miss Tox was lonely, and at a loss. Her attachments, however
|
|
ludicrously shown, were real and strong; and she was, as she expressed
|
|
it, 'deeply hurt by the unmerited contumely she had met with from
|
|
Louisa.' But there was no such thing as anger in Miss Tox's
|
|
composition. If she had ambled on through life, in her soft spoken
|
|
way, without any opinions, she had, at least, got so far without any
|
|
harsh passions. The mere sight of Louisa Chick in the street one day,
|
|
at a considerable distance, so overpowered her milky nature, that she
|
|
was fain to seek immediate refuge in a pastrycook's, and there, in a
|
|
musty little back room usually devoted to the consumption of soups,
|
|
and pervaded by an ox-tail atmosphere, relieve her feelings by weeping
|
|
plentifully.
|
|
|
|
Against Mr Dombey Miss Tox hardly felt that she had any reason of
|
|
complaint. Her sense of that gentleman's magnificence was such, that
|
|
once removed from him, she felt as if her distance always had been
|
|
immeasurable, and as if he had greatly condescended in tolerating her
|
|
at all. No wife could be too handsome or too stately for him,
|
|
according to Miss Tox's sincere opinion. It was perfectly natural that
|
|
in looking for one, he should look high. Miss Tox with tears laid down
|
|
this proposition, and fully admitted it, twenty times a day. She never
|
|
recalled the lofty manner in which Mr Dombey had made her subservient
|
|
to his convenience and caprices, and had graciously permitted her to
|
|
be one of the nurses of his little son. She only thought, in her own
|
|
words, 'that she had passed a great many happy hours in that house,
|
|
which she must ever remember with gratification, and that she could
|
|
never cease to regard Mr Dombey as one of the most impressive and
|
|
dignified of men.'
|
|
|
|
Cut off, however, from the implacable Louisa, and being shy of the
|
|
Major (whom she viewed with some distrust now), Miss Tox found it very
|
|
irksome to know nothing of what was going on in Mr Dombey's
|
|
establishment. And as she really had got into the habit of considering
|
|
Dombey and Son as the pivot on which the world in general turned, she
|
|
resolved, rather than be ignorant of intelligence which so strongly
|
|
interested her, to cultivate her old acquaintance, Mrs Richards, who
|
|
she knew, since her last memorable appearance before Mr Dombey, was in
|
|
the habit of sometimes holding communication with his servants.
|
|
Perhaps Miss Tox, in seeking out the Toodle family, had the tender
|
|
motive hidden in her breast of having somebody to whom she could talk
|
|
about Mr Dombey, no matter how humble that somebody might be.
|
|
|
|
At all events, towards the Toodle habitation Miss Tox directed her
|
|
steps one evening, what time Mr Toodle, cindery and swart, was
|
|
refreshing himself with tea, in the bosom of his family. Mr Toodle had
|
|
only three stages of existence. He was either taking refreshment in
|
|
the bosom just mentioned, or he was tearing through the country at
|
|
from twenty-five to fifty miles an hour, or he was sleeping after his
|
|
fatigues. He was always in a whirlwind or a calm, and a peaceable,
|
|
contented, easy-going man Mr Toodle was in either state, who seemed to
|
|
have made over all his own inheritance of fuming and fretting to the
|
|
engines with which he was connected, which panted, and gasped, and
|
|
chafed, and wore themselves out, in a most unsparing manner, while Mr
|
|
Toodle led a mild and equable life.
|
|
|
|
'Polly, my gal,' said Mr Toodle, with a young Toodle on each knee,
|
|
and two more making tea for him, and plenty more scattered about - Mr
|
|
Toodle was never out of children, but always kept a good supply on
|
|
hand - 'you ain't seen our Biler lately, have you?'
|
|
|
|
'No,' replied Polly, 'but he's almost certain to look in tonight.
|
|
It's his right evening, and he's very regular.'
|
|
|
|
'I suppose,' said Mr Toodle, relishing his meal infinitely, 'as our
|
|
Biler is a doin' now about as well as a boy can do, eh, Polly?'
|
|
|
|
'Oh! he's a doing beautiful!' responded Polly.
|
|
|
|
'He ain't got to be at all secret-like - has he, Polly?' inquired
|
|
Mr Toodle.
|
|
|
|
'No!' said Mrs Toodle, plumply.
|
|
|
|
'I'm glad he ain't got to be at all secret-like, Polly,' observed
|
|
Mr Toodle in his slow and measured way, and shovelling in his bread
|
|
and butter with a clasp knife, as if he were stoking himself, 'because
|
|
that don't look well; do it, Polly?'
|
|
|
|
'Why, of course it don't, father. How can you ask!'
|
|
|
|
'You see, my boys and gals,' said Mr Toodle, looking round upon his
|
|
family, 'wotever you're up to in a honest way, it's my opinion as you
|
|
can't do better than be open. If you find yourselves in cuttings or in
|
|
tunnels, don't you play no secret games. Keep your whistles going, and
|
|
let's know where you are.
|
|
|
|
The rising Toodles set up a shrill murmur, expressive of their
|
|
resolution to profit by the paternal advice.
|
|
|
|
'But what makes you say this along of Rob, father?' asked his wife,
|
|
anxiously.
|
|
|
|
'Polly, old ooman,' said Mr Toodle, 'I don't know as I said it
|
|
partickler along o' Rob, I'm sure. I starts light with Rob only; I
|
|
comes to a branch; I takes on what I finds there; and a whole train of
|
|
ideas gets coupled on to him, afore I knows where I am, or where they
|
|
comes from. What a Junction a man's thoughts is,' said Mr Toodle,
|
|
'to-be-sure!'
|
|
|
|
This profound reflection Mr Toodle washed down with a pint mug of
|
|
tea, and proceeded to solidify with a great weight of bread and
|
|
butter; charging his young daughters meanwhile, to keep plenty of hot
|
|
water in the pot, as he was uncommon dry, and should take the
|
|
indefinite quantity of 'a sight of mugs,' before his thirst was
|
|
appeased.
|
|
|
|
In satisfying himself, however, Mr Toodle was not regardless of the
|
|
younger branches about him, who, although they had made their own
|
|
evening repast, were on the look-out for irregular morsels, as
|
|
possessing a relish. These he distributed now and then to the
|
|
expectant circle, by holding out great wedges of bread and butter, to
|
|
be bitten at by the family in lawful succession, and by serving out
|
|
small doses of tea in like manner with a spoon; which snacks had such
|
|
a relish in the mouths of these young Toodles, that, after partaking
|
|
of the same, they performed private dances of ecstasy among
|
|
themselves, and stood on one leg apiece, and hopped, and indulged in
|
|
other saltatory tokens of gladness. These vents for their excitement
|
|
found, they gradually closed about Mr Toodle again, and eyed him hard
|
|
as he got through more bread and butter and tea; affecting, however,
|
|
to have no further expectations of their own in reference to those
|
|
viands, but to be conversing on foreign subjects, and whispering
|
|
confidentially.
|
|
|
|
Mr Toodle, in the midst of this family group, and setting an awful
|
|
example to his children in the way of appetite, was conveying the two
|
|
young Toodles on his knees to Birmingham by special engine, and was
|
|
contemplating the rest over a barrier of bread and butter, when Rob
|
|
the Grinder, in his sou'wester hat and mourning slops, presented
|
|
himself, and was received with a general rush of brothers and sisters.
|
|
|
|
'Well, mother!' said Rob, dutifully kissing her; 'how are you,
|
|
mother?'
|
|
|
|
'There's my boy!' cried Polly, giving him a hug and a pat on the
|
|
back. 'Secret! Bless you, father, not he!'
|
|
|
|
This was intended for Mr Toodle's private edification, but Rob the
|
|
Grinder, whose withers were not unwrung, caught the words as they were
|
|
spoken.
|
|
|
|
'What! father's been a saying something more again me, has he?'
|
|
cried the injured innocent. 'Oh, what a hard thing it is that when a
|
|
cove has once gone a little wrong, a cove's own father should be
|
|
always a throwing it in his face behind his back! It's enough,' cried
|
|
Rob, resorting to his coat-cuff in anguish of spirit, 'to make a cove
|
|
go and do something, out of spite!'
|
|
|
|
'My poor boy!' cried Polly, 'father didn't mean anything.'
|
|
|
|
'If father didn't mean anything,' blubbered the injured Grinder,
|
|
'why did he go and say anything, mother? Nobody thinks half so bad of
|
|
me as my own father does. What a unnatural thing! I wish somebody'd
|
|
take and chop my head off. Father wouldn't mind doing it, I believe,
|
|
and I'd much rather he did that than t'other.'
|
|
|
|
At these desperate words all the young Toodles shrieked; a pathetic
|
|
effect, which the Grinder improved by ironically adjuring them not to
|
|
cry for him, for they ought to hate him, they ought, if they was good
|
|
boys and girls; and this so touched the youngest Toodle but one, who
|
|
was easily moved, that it touched him not only in his spirit but in
|
|
his wind too; making him so purple that Mr Toodle in consternation
|
|
carried him out to the water-butt, and would have put him under the
|
|
tap, but for his being recovered by the sight of that instrument.
|
|
|
|
Matters having reached this point, Mr Toodle explained, and the
|
|
virtuous feelings of his son being thereby calmed, they shook hands,
|
|
and harmony reigned again.
|
|
|
|
'Will you do as I do, Biler, my boy?' inquired his father,
|
|
returning to his tea with new strength.
|
|
|
|
'No, thank'ee, father. Master and I had tea together.'
|
|
|
|
'And how is master, Rob?' said Polly.
|
|
|
|
'Well, I don't know, mother; not much to boast on. There ain't no
|
|
bis'ness done, you see. He don't know anything about it - the Cap'en
|
|
don't. There was a man come into the shop this very day, and says, "I
|
|
want a so-and-so," he says - some hard name or another. "A which?"
|
|
says the Cap'en. "A so-and-so," says the man. "Brother," says the
|
|
Cap'en, "will you take a observation round the shop." "Well," says the
|
|
man, "I've done" "Do you see wot you want?" says the Cap'en "No, I
|
|
don't," says the man. "Do you know it wen you do see it?" says the
|
|
Cap'en. "No, I don't," says the man. "Why, then I tell you wot, my
|
|
lad," says the Cap'en, "you'd better go back and ask wot it's like,
|
|
outside, for no more don't I!"'
|
|
|
|
'That ain't the way to make money, though, is it?' said Polly.
|
|
|
|
'Money, mother! He'll never make money. He has such ways as I never
|
|
see. He ain't a bad master though, I'll say that for him. But that
|
|
ain't much to me, for I don't think I shall stop with him long.'
|
|
|
|
'Not stop in your place, Rob!' cried his mother; while Mr Toodle
|
|
opened his eyes.
|
|
|
|
'Not in that place, p'raps,' returned the Grinder, with a wink. 'I
|
|
shouldn't wonder - friends at court you know - but never you mind,
|
|
mother, just now; I'm all right, that's all.'
|
|
|
|
The indisputable proof afforded in these hints, and in the
|
|
Grinder's mysterious manner, of his not being subject to that failing
|
|
which Mr Toodle had, by implication, attributed to him, might have led
|
|
to a renewal of his wrongs, and of the sensation in the family, but
|
|
for the opportune arrival of another visitor, who, to Polly's great
|
|
surprise, appeared at the door, smiling patronage and friendship on
|
|
all there.
|
|
|
|
'How do you do, Mrs Richards?' said Miss Tox. 'I have come to see
|
|
you. May I come in?'
|
|
|
|
The cheery face of Mrs Richards shone with a hospitable reply, and
|
|
Miss Tox, accepting the proffered chair, and grab fully recognising Mr
|
|
Toodle on her way to it, untied her bonnet strings, and said that in
|
|
the first place she must beg the dear children, one and all, to come
|
|
and kiss her.
|
|
|
|
The ill-starred youngest Toodle but one, who would appear, from the
|
|
frequency of his domestic troubles, to have been born under an unlucky
|
|
planet, was prevented from performing his part in this general
|
|
salutation by having fixed the sou'wester hat (with which he had been
|
|
previously trifling) deep on his head, hind side before, and being
|
|
unable to get it off again; which accident presenting to his terrified
|
|
imagination a dismal picture of his passing the rest of his days in
|
|
darkness, and in hopeless seclusion from his friends and family,
|
|
caused him to struggle with great violence, and to utter suffocating
|
|
cries. Being released, his face was discovered to be very hot, and
|
|
red, and damp; and Miss Tox took him on her lap, much exhausted.
|
|
|
|
'You have almost forgotten me, Sir, I daresay,' said Miss Tox to Mr
|
|
Toodle.
|
|
|
|
'No, Ma'am, no,' said Toodle. 'But we've all on us got a little
|
|
older since then.'
|
|
|
|
'And how do you find yourself, Sir?' inquired Miss Tox, blandly.
|
|
|
|
'Hearty, Ma'am, thank'ee,' replied Toodle. 'How do you find
|
|
yourself, Ma'am? Do the rheumaticks keep off pretty well, Ma'am? We
|
|
must all expect to grow into 'em, as we gets on.'
|
|
|
|
'Thank you,' said Miss Tox. 'I have not felt any inconvenience from
|
|
that disorder yet.'
|
|
|
|
'You're wery fortunate, Ma'am,' returned Mr Toodle. 'Many people at
|
|
your time of life, Ma'am, is martyrs to it. There was my mother - '
|
|
But catching his wife's eye here, Mr Toodle judiciously buried the
|
|
rest in another mug of tea
|
|
|
|
'You never mean to say, Mrs Richards,' cried Miss Tox, looking at
|
|
Rob, 'that that is your - '
|
|
|
|
'Eldest, Ma'am,' said Polly. 'Yes, indeed, it is. That's the little
|
|
fellow, Ma'am, that was the innocent cause of so much.'
|
|
|
|
'This here, Ma'am,' said Toodle, 'is him with the short legs - and
|
|
they was,' said Mr Toodle, with a touch of poetry in his tone,
|
|
'unusual short for leathers - as Mr Dombey made a Grinder on.'
|
|
|
|
The recollection almost overpowered Miss Tox. The subject of it had
|
|
a peculiar interest for her directly. She asked him to shake hands,
|
|
and congratulated his mother on his frank, ingenuous face. Rob,
|
|
overhearing her, called up a look, to justify the eulogium, but it was
|
|
hardly the right look.
|
|
|
|
'And now, Mrs Richards,' said Miss Tox, - 'and you too, Sir,'
|
|
addressing Toodle - 'I'll tell you, plainly and truly, what I have
|
|
come here for. You may be aware, Mrs Richards - and, possibly, you may
|
|
be aware too, Sir - that a little distance has interposed itself
|
|
between me and some of my friends, and that where I used to visit a
|
|
good deal, I do not visit now.'
|
|
|
|
Polly, who, with a woman's tact, understood this at once, expressed
|
|
as much in a little look. Mr Toodle, who had not the faintest idea of
|
|
what Miss Tox was talking about, expressed that also, in a stare.
|
|
|
|
'Of course,' said Miss Tox, 'how our little coolness has arisen is
|
|
of no moment, and does not require to be discussed. It is sufficient
|
|
for me to say, that I have the greatest possible respect for, and
|
|
interest in, Mr Dombey;' Miss Tox's voice faltered; 'and everything
|
|
that relates to him.'
|
|
|
|
Mr Toodle, enlightened, shook his head, and said he had heerd it
|
|
said, and, for his own part, he did think, as Mr Dombey was a
|
|
difficult subject.
|
|
|
|
'Pray don't say so, Sir, if you please,' returned Miss Tox. 'Let me
|
|
entreat you not to say so, Sir, either now, or at any future time.
|
|
Such observations cannot but be very painful to me; and to a
|
|
gentleman, whose mind is constituted as, I am quite sure, yours is,
|
|
can afford no permanent satisfaction.'
|
|
|
|
Mr Toodle, who had not entertained the least doubt of offering a
|
|
remark that would be received with acquiescence, was greatly
|
|
confounded.
|
|
|
|
'All that I wish to say, Mrs Richards,' resumed Miss Tox, - 'and I
|
|
address myself to you too, Sir, - is this. That any intelligence of
|
|
the proceedings of the family, of the welfare of the family, of the
|
|
health of the family, that reaches you, will be always most acceptable
|
|
to me. That I shall be always very glad to chat with Mrs Richards
|
|
about the family, and about old time And as Mrs Richards and I never
|
|
had the least difference (though I could wish now that we had been
|
|
better acquainted, but I have no one but myself to blame for that), I
|
|
hope she will not object to our being very good friends now, and to my
|
|
coming backwards and forwards here, when I like, without being a
|
|
stranger. Now, I really hope, Mrs Richards,' said Miss Tox -
|
|
earnestly, 'that you will take this, as I mean it, like a
|
|
good-humoured creature, as you always were.'
|
|
|
|
Polly was gratified, and showed it. Mr Toodle didn't know whether
|
|
he was gratified or not, and preserved a stolid calmness.
|
|
|
|
'You see, Mrs Richards,' said Miss Tox - 'and I hope you see too,
|
|
Sir - there are many little ways in which I can be slightly useful to
|
|
you, if you will make no stranger of me; and in which I shall be
|
|
delighted to be so. For instance, I can teach your children something.
|
|
I shall bring a few little books, if you'll allow me, and some work,
|
|
and of an evening now and then, they'll learn - dear me, they'll learn
|
|
a great deal, I trust, and be a credit to their teacher.'
|
|
|
|
Mr Toodle, who had a great respect for learning, jerked his head
|
|
approvingly at his wife, and moistened his hands with dawning
|
|
satisfaction.
|
|
|
|
'Then, not being a stranger, I shall be in nobody's way,' said Miss
|
|
Tox, 'and everything will go on just as if I were not here. Mrs
|
|
Richards will do her mending, or her ironing, or her nursing, whatever
|
|
it is, without minding me: and you'll smoke your pipe, too, if you're
|
|
so disposed, Sir, won't you?'
|
|
|
|
'Thank'ee, Mum,' said Mr Toodle. 'Yes; I'll take my bit of backer.'
|
|
|
|
'Very good of you to say so, Sir,' rejoined Miss Tox, 'and I really
|
|
do assure you now, unfeignedly, that it will be a great comfort to me,
|
|
and that whatever good I may be fortunate enough to do the children,
|
|
you will more than pay back to me, if you'll enter into this little
|
|
bargain comfortably, and easily, and good-naturedly, without another
|
|
word about it.'
|
|
|
|
The bargain was ratified on the spot; and Miss Tox found herself so
|
|
much at home already, that without delay she instituted a preliminary
|
|
examination of the children all round - which Mr Toodle much admired -
|
|
and booked their ages, names, and acquirements, on a piece of paper.
|
|
This ceremony, and a little attendant gossip, prolonged the time until
|
|
after their usual hour of going to bed, and detained Miss Tox at the
|
|
Toodle fireside until it was too late for her to walk home alone. The
|
|
gallant Grinder, however, being still there, politely offered to
|
|
attend her to her own door; and as it was something to Miss Tox to be
|
|
seen home by a youth whom Mr Dombey had first inducted into those
|
|
manly garments which are rarely mentioned by name,' she very readily
|
|
accepted the proposal.
|
|
|
|
After shaking hands with Mr Toodle and Polly, and kissing all the
|
|
children, Miss Tox left the house, therefore, with unlimited
|
|
popularity, and carrying away with her so light a heart that it might
|
|
have given Mrs Chick offence if that good lady could have weighed it.
|
|
|
|
Rob the Grinder, in his modesty, would have walked behind, but Miss
|
|
Tox desired him to keep beside her, for conversational purposes; and,
|
|
as she afterwards expressed it to his mother, 'drew him out,' upon the
|
|
road.
|
|
|
|
He drew out so bright, and clear, and shining, that Miss Tox was
|
|
charmed with him. The more Miss Tox drew him out, the finer he came -
|
|
like wire. There never was a better or more promising youth - a more
|
|
affectionate, steady, prudent, sober, honest, meek, candid young man -
|
|
than Rob drew out, that night.
|
|
|
|
'I am quite glad,' said Miss Tox, arrived at her own door, 'to know
|
|
you. I hope you'll consider me your friend, and that you'll come and
|
|
see me as often as you like. Do you keep a money-box?'
|
|
|
|
'Yes, Ma'am,' returned Rob; 'I'm saving up, against I've got enough
|
|
to put in the Bank, Ma'am.
|
|
|
|
'Very laudable indeed,' said Miss Tox. 'I'm glad to hear it. Put
|
|
this half-crown into it, if you please.'
|
|
|
|
'Oh thank you, Ma'am,' replied Rob, 'but really I couldn't think of
|
|
depriving you.'
|
|
|
|
'I commend your independent spirit,' said Miss Tox, 'but it's no
|
|
deprivation, I assure you. I shall be offended if you don't take it,
|
|
as a mark of my good-will. Good-night, Robin.'
|
|
|
|
'Good-night, Ma'am,' said Rob, 'and thank you!'
|
|
|
|
Who ran sniggering off to get change, and tossed it away with a
|
|
pieman. But they never taught honour at the Grinders' School, where
|
|
the system that prevailed was particularly strong in the engendering
|
|
of hypocrisy. Insomuch, that many of the friends and masters of past
|
|
Grinders said, if this were what came of education for the common
|
|
people, let us have none. Some more rational said, let us have a
|
|
better one. But the governing powers of the Grinders' Company were
|
|
always ready for them, by picking out a few boys who had turned out
|
|
well in spite of the system, and roundly asserting that they could
|
|
have only turned out well because of it. Which settled the business of
|
|
those objectors out of hand, and established the glory of the
|
|
Grinders' Institution.
|
|
|
|
CHAPTER 39.
|
|
|
|
Further Adventures of Captain Edward Cuttle, Mariner
|
|
|
|
Time, sure of foot and strong of will, had so pressed onward, that
|
|
the year enjoined by the old Instrument-maker, as the term during
|
|
which his friend should refrain from opening the sealed packet
|
|
accompanying the letter he had left for him, was now nearly expired,
|
|
and Captain Cuttle began to look at it, of an evening, with feelings
|
|
of mystery and uneasiness
|
|
|
|
The Captain, in his honour, would as soon have thought of opening
|
|
the parcel one hour before the expiration of the term, as he would
|
|
have thought of opening himself, to study his own anatomy. He merely
|
|
brought it out, at a certain stage of his first evening pipe, laid it
|
|
on the table, and sat gazing at the outside of it, through the smoke,
|
|
in silent gravity, for two or three hours at a spell. Sometimes, when
|
|
he had contemplated it thus for a pretty long while, the Captain would
|
|
hitch his chair, by degrees, farther and farther off, as if to get
|
|
beyond the range of its fascination; but if this were his design, he
|
|
never succeeded: for even when he was brought up by the parlour wall,
|
|
the packet still attracted him; or if his eyes, in thoughtful
|
|
wandering, roved to the ceiling or the fire, its image immediately
|
|
followed, and posted itself conspicuously among the coals, or took up
|
|
an advantageous position on the whitewash.
|
|
|
|
In respect of Heart's Delight, the Captain's parental and
|
|
admiration knew no change. But since his last interview with Mr
|
|
Carker, Captain Cuttle had come to entertain doubts whether his former
|
|
intervention in behalf of that young lady and his dear boy Wal'r, had
|
|
proved altogether so favourable as he could have wished, and as he at
|
|
the time believed. The Captain was troubled with a serious misgiving
|
|
that he had done more harm than good, in short; and in his remorse and
|
|
modesty he made the best atonement he could think of, by putting
|
|
himself out of the way of doing any harm to anyone, and, as it were,
|
|
throwing himself overboard for a dangerous person.
|
|
|
|
Self-buried, therefore, among the instruments, the Captain never
|
|
went near Mr Dombey's house, or reported himself in any way to
|
|
Florence or Miss Nipper. He even severed himself from Mr Perch, on the
|
|
occasion of his next visit, by dryly informing that gentleman, that he
|
|
thanked him for his company, but had cut himself adrift from all such
|
|
acquaintance, as he didn't know what magazine he mightn't blow up,
|
|
without meaning of it. In this self-imposed retirement, the Captain
|
|
passed whole days and weeks without interchanging a word with anyone
|
|
but Rob the Grinder, whom he esteemed as a pattern of disinterested
|
|
attachment and fidelity. In this retirement, the Captain, gazing at
|
|
the packet of an evening, would sit smoking, and thinking of Florence
|
|
and poor Walter, until they both seemed to his homely fancy to be
|
|
dead, and to have passed away into eternal youth, the beautiful and
|
|
innocent children of his first remembrance.
|
|
|
|
The Captain did not, however, in his musings, neglect his own
|
|
improvement, or the mental culture of Rob the Grinder. That young man
|
|
was generally required to read out of some book to the Captain, for
|
|
one hour, every evening; and as the Captain implicitly believed that
|
|
all books were true, he accumulated, by this means, many remarkable
|
|
facts. On Sunday nights, the Captain always read for himself, before
|
|
going to bed, a certain Divine Sermon once delivered on a Mount; and
|
|
although he was accustomed to quote the text, without book, after his
|
|
own manner, he appeared to read it with as reverent an understanding
|
|
of its heavenly spirit, as if he had got it all by heart in Greek, and
|
|
had been able to write any number of fierce theological disquisitions
|
|
on its every phrase.
|
|
|
|
Rob the Grinder, whose reverence for the inspired writings, under
|
|
the admirable system of the Grinders' School, had been developed by a
|
|
perpetual bruising of his intellectual shins against all the proper
|
|
names of all the tribes of Judah, and by the monotonous repetition of
|
|
hard verses, especially by way of punishment, and by the parading of
|
|
him at six years old in leather breeches, three times a Sunday, very
|
|
high up, in a very hot church, with a great organ buzzing against his
|
|
drowsy head, like an exceedingly busy bee - Rob the Grinder made a
|
|
mighty show of being edified when the Captain ceased to read, and
|
|
generally yawned and nodded while the reading was in progress. The
|
|
latter fact being never so much as suspected by the good Captain.
|
|
|
|
Captain Cuttle, also, as a man of business; took to keeping books.
|
|
In these he entered observations on the weather, and on the currents
|
|
of the waggons and other vehicles: which he observed, in that quarter,
|
|
to set westward in the morning and during the greater part of the day,
|
|
and eastward towards the evening. Two or three stragglers appearing in
|
|
one week, who 'spoke him' - so the Captain entered it- on the subject
|
|
of spectacles, and who, without positively purchasing, said they would
|
|
look in again, the Captain decided that the business was improving,
|
|
and made an entry in the day-book to that effect: the wind then
|
|
blowing (which he first recorded) pretty fresh, west and by north;
|
|
having changed in the night.
|
|
|
|
One of the Captain's chief difficulties was Mr Toots, who called
|
|
frequently, and who without saying much seemed to have an idea that
|
|
the little back parlour was an eligible room to chuckle in, as he
|
|
would sit and avail himself of its accommodations in that regard by
|
|
the half-hour together, without at all advancing in intimacy with the
|
|
Captain. The Captain, rendered cautious by his late experience, was
|
|
unable quite to satisfy his mind whether Mr Toots was the mild subject
|
|
he appeared to be, or was a profoundly artful and dissimulating
|
|
hypocrite. His frequent reference to Miss Dombey was suspicious; but
|
|
the Captain had a secret kindness for Mr Toots's apparent reliance on
|
|
him, and forbore to decide against him for the present; merely eyeing
|
|
him, with a sagacity not to be described, whenever he approached the
|
|
subject that was nearest to his heart.
|
|
|
|
'Captain Gills,' blurted out Mr Toots, one day all at once, as his
|
|
manner was, 'do you think you could think favourably of that
|
|
proposition of mine, and give me the pleasure of your acquaintance?'
|
|
|
|
'Why, I tell you what it is, my lad,' replied the Captain, who had
|
|
at length concluded on a course of action; 'I've been turning that
|
|
there, over.'
|
|
|
|
'Captain Gills, it's very kind of you,' retorted Mr Toots. 'I'm
|
|
much obliged to you. Upon my word and honour, Captain Gills, it would
|
|
be a charity to give me the pleasure of your acquaintance. It really
|
|
would.'
|
|
|
|
'You see, brother,' argued the Captain slowly, 'I don't know you.
|
|
|
|
'But you never can know me, Captain Gills,' replied Mr Toots,
|
|
steadfast to his point, 'if you don't give me the pleasure of your
|
|
acquaintance.
|
|
|
|
The Captain seemed struck by the originality and power of this
|
|
remark, and looked at Mr Toots as if he thought there was a great deal
|
|
more in him than he had expected.
|
|
|
|
'Well said, my lad,' observed the Captain, nodding his head
|
|
thoughtfully; 'and true. Now look'ee here: You've made some
|
|
observations to me, which gives me to understand as you admire a
|
|
certain sweet creetur. Hey?'
|
|
|
|
'Captain Gills,' said Mr Toots, gesticulating violently with the
|
|
hand in which he held his hat, 'Admiration is not the word. Upon my
|
|
honour, you have no conception what my feelings are. If I could be
|
|
dyed black, and made Miss Dombey's slave, I should consider it a
|
|
compliment. If, at the sacrifice of all my property, I could get
|
|
transmigrated into Miss Dombey's dog - I - I really think I should
|
|
never leave off wagging my tail. I should be so perfectly happy,
|
|
Captain Gills!'
|
|
|
|
Mr Toots said it with watery eyes, and pressed his hat against his
|
|
bosom with deep emotion.
|
|
|
|
'My lad,' returned the Captain, moved to compassion, 'if you're in
|
|
arnest -
|
|
|
|
'Captain Gills,' cried Mr Toots, 'I'm in such a state of mind, and
|
|
am so dreadfully in earnest, that if I could swear to it upon a hot
|
|
piece of iron, or a live coal, or melted lead, or burning sealing-wax,
|
|
Or anything of that sort, I should be glad to hurt myself, as a relief
|
|
to my feelings.' And Mr Toots looked hurriedly about the room, as if
|
|
for some sufficiently painful means of accomplishing his dread
|
|
purpose.
|
|
|
|
The Captain pushed his glazed hat back upon his head, stroked his
|
|
face down with his heavy hand - making his nose more mottled in the
|
|
process - and planting himself before Mr Toots, and hooking him by the
|
|
lapel of his coat, addressed him in these words, while Mr Toots looked
|
|
up into his face, with much attention and some wonder.
|
|
|
|
'If you're in arnest, you see, my lad,' said the Captain, 'you're a
|
|
object of clemency, and clemency is the brightest jewel in the crown
|
|
of a Briton's head, for which you'll overhaul the constitution as laid
|
|
down in Rule Britannia, and, when found, that is the charter as them
|
|
garden angels was a singing of, so many times over. Stand by! This
|
|
here proposal o' you'rn takes me a little aback. And why? Because I
|
|
holds my own only, you understand, in these here waters, and haven't
|
|
got no consort, and may be don't wish for none. Steady! You hailed me
|
|
first, along of a certain young lady, as you was chartered by. Now if
|
|
you and me is to keep one another's company at all, that there young
|
|
creetur's name must never be named nor referred to. I don't know what
|
|
harm mayn't have been done by naming of it too free, afore now, and
|
|
thereby I brings up short. D'ye make me out pretty clear, brother?'
|
|
|
|
'Well, you'll excuse me, Captain Gills,' replied Mr Toots, 'if I
|
|
don't quite follow you sometimes. But upon my word I - it's a hard
|
|
thing, Captain Gills, not to be able to mention Miss Dombey. I really
|
|
have got such a dreadful load here!' - Mr Toots pathetically touched
|
|
his shirt-front with both hands - 'that I feel night and day, exactly
|
|
as if somebody was sitting upon me.
|
|
|
|
'Them,' said the Captain, 'is the terms I offer. If they're hard
|
|
upon you, brother, as mayhap they are, give 'em a wide berth, sheer
|
|
off, and part company cheerily!'
|
|
|
|
'Captain Gills,' returned Mr Toots, 'I hardly know how it is, but
|
|
after what you told me when I came here, for the first time, I - I
|
|
feel that I'd rather think about Miss Dombey in your society than talk
|
|
about her in almost anybody else's. Therefore, Captain Gills, if
|
|
you'll give me the pleasure of your acquaintance, I shall be very
|
|
happy to accept it on your own conditions. I wish to be honourable,
|
|
Captain Gills,' said Mr Toots, holding back his extended hand for a
|
|
moment, 'and therefore I am obliged to say that I can not help
|
|
thinking about Miss Dombey. It's impossible for me to make a promise
|
|
not to think about her.'
|
|
|
|
'My lad,' said the Captain, whose opinion of Mr Toots was much
|
|
improved by this candid avowal, 'a man's thoughts is like the winds,
|
|
and nobody can't answer for 'em for certain, any length of time
|
|
together. Is it a treaty as to words?'
|
|
|
|
'As to words, Captain Gills,' returned Mr Toots, 'I think I can
|
|
bind myself.'
|
|
|
|
Mr Toots gave Captain Cuttle his hand upon it, then and there; and
|
|
the Captain with a pleasant and gracious show of condescension,
|
|
bestowed his acquaintance upon him formally. Mr Toots seemed much
|
|
relieved and gladdened by the acquisition, and chuckled rapturously
|
|
during the remainder of his visit. The Captain, for his part, was not
|
|
ill pleased to occupy that position of patronage, and was exceedingly
|
|
well satisfied by his own prudence and foresight.
|
|
|
|
But rich as Captain Cuttle was in the latter quality, he received a
|
|
surprise that same evening from a no less ingenuous and simple youth,
|
|
than Rob the Grinder. That artless lad, drinking tea at the same
|
|
table, and bending meekly over his cup and saucer, having taken
|
|
sidelong observations of his master for some time, who was reading the
|
|
newspaper with great difficulty, but much dignity, through his
|
|
glasses, broke silence by saying -
|
|
|
|
'Oh! I beg your pardon, Captain, but you mayn't be in want of any
|
|
pigeons, may you, Sir?'
|
|
|
|
'No, my lad,' replied the Captain.
|
|
|
|
'Because I was wishing to dispose of mine, Captain,' said Rob.
|
|
|
|
'Ay, ay?' cried the Captain, lifting up his bushy eyebrows a
|
|
little.
|
|
|
|
'Yes; I'm going, Captain, if you please,' said Rob.
|
|
|
|
'Going? Where are you going?' asked the Captain, looking round at
|
|
him over the glasses.
|
|
|
|
'What? didn't you know that I was going to leave you, Captain?'
|
|
asked Rob, with a sneaking smile.
|
|
|
|
The Captain put down the paper, took off his spectacles, and
|
|
brought his eyes to bear on the deserter.
|
|
|
|
'Oh yes, Captain, I am going to give you warning. I thought you'd
|
|
have known that beforehand, perhaps,' said Rob, rubbing his hands, and
|
|
getting up. 'If you could be so good as provide yourself soon,
|
|
Captain, it would be a great convenience to me. You couldn't provide
|
|
yourself by to-morrow morning, I am afraid, Captain: could you, do you
|
|
think?'
|
|
|
|
'And you're a going to desert your colours, are you, my lad?' said
|
|
the Captain, after a long examination of his face.
|
|
|
|
'Oh, it's very hard upon a cove, Captain,' cried the tender Rob,
|
|
injured and indignant in a moment, 'that he can't give lawful warning,
|
|
without being frowned at in that way, and called a deserter. You
|
|
haven't any right to call a poor cove names, Captain. It ain't because
|
|
I'm a servant and you're a master, that you're to go and libel me.
|
|
What wrong have I done? Come, Captain, let me know what my crime is,
|
|
will you?'
|
|
|
|
The stricken Grinder wept, and put his coat-cuff in his eye.
|
|
|
|
'Come, Captain,' cried the injured youth, 'give my crime a name!
|
|
What have I been and done? Have I stolen any of the property? have I
|
|
set the house a-fire? If I have, why don't you give me in charge, and
|
|
try it? But to take away the character of a lad that's been a good
|
|
servant to you, because he can't afford to stand in his own light for
|
|
your good, what a injury it is, and what a bad return for faithful
|
|
service! This is the way young coves is spiled and drove wrong. I
|
|
wonder at you, Captain, I do.'
|
|
|
|
All of which the Grinder howled forth in a lachrymose whine, and
|
|
backing carefully towards the door.
|
|
|
|
'And so you've got another berth, have you, my lad?' said the
|
|
Captain, eyeing him intently.
|
|
|
|
'Yes, Captain, since you put it in that shape, I have got another
|
|
berth,' cried Rob, backing more and more; 'a better berth than I've
|
|
got here, and one where I don't so much as want your good word,
|
|
Captain, which is fort'nate for me, after all the dirt you've throw'd
|
|
at me, because I'm poor, and can't afford to stand in my own light for
|
|
your good. Yes, I have got another berth; and if it wasn't for leaving
|
|
you unprovided, Captain, I'd go to it now, sooner than I'd take them
|
|
names from you, because I'm poor, and can't afford to stand in my own
|
|
light for your good. Why do you reproach me for being poor, and not
|
|
standing in my own light for your good, Captain? How can you so demean
|
|
yourself?'
|
|
|
|
'Look ye here, my boy,' replied the peaceful Captain. 'Don't you
|
|
pay out no more of them words.'
|
|
|
|
'Well, then, don't you pay in no more of your words, Captain,'
|
|
retorted the roused innocent, getting louder in his whine, and backing
|
|
into the shop. 'I'd sooner you took my blood than my character.'
|
|
|
|
'Because,' pursued the Captain calmly, 'you have heerd, may be, of
|
|
such a thing as a rope's end.'
|
|
|
|
'Oh, have I though, Captain?' cried the taunting Grinder. 'No I
|
|
haven't. I never heerd of any such a article!'
|
|
|
|
'Well,' said the Captain, 'it's my belief as you'll know more about
|
|
it pretty soon, if you don't keep a bright look-out. I can read your
|
|
signals, my lad. You may go.'
|
|
|
|
'Oh! I may go at once, may I, Captain?' cried Rob, exulting in his
|
|
success. 'But mind! I never asked to go at once, Captain. You are not
|
|
to take away my character again, because you send me off of your own
|
|
accord. And you're not to stop any of my wages, Captain!'
|
|
|
|
His employer settled the last point by producing the tin canister
|
|
and telling the Grinder's money out in full upon the table. Rob,
|
|
snivelling and sobbing, and grievously wounded in his feelings, took
|
|
up the pieces one by one, with a sob and a snivel for each, and tied
|
|
them up separately in knots in his pockethandkerchief; then he
|
|
ascended to the roof of the house and filled his hat and pockets with
|
|
pigeons; then, came down to his bed under the counter and made up his
|
|
bundle, snivelling and sobbing louder, as if he were cut to the heart
|
|
by old associations; then he whined, 'Good-night, Captain. I leave you
|
|
without malice!' and then, going out upon the door-step, pulled the
|
|
little Midshipman's nose as a parting indignity, and went away down
|
|
the street grinning triumphantly.
|
|
|
|
The Captain, left to himself, resumed his perusal of the news as if
|
|
nothing unusual or unexpected had taken place, and went reading on
|
|
with the greatest assiduity. But never a word did Captain Cuttle
|
|
understand, though he read a vast number, for Rob the Grinder was
|
|
scampering up one column and down another all through the newspaper.
|
|
|
|
It is doubtful whether the worthy Captain had ever felt himself
|
|
quite abandoned until now; but now, old Sol Gills, Walter, and Heart's
|
|
Delight were lost to him indeed, and now Mr Carker deceived and jeered
|
|
him cruelly. They were all represented in the false Rob, to whom he
|
|
had held forth many a time on the recollections that were warm within
|
|
him; he had believed in the false Rob, and had been glad to believe in
|
|
him; he had made a companion of him as the last of the old ship's
|
|
company; he had taken the command of the little Midshipman with him at
|
|
his right hand; he had meant to do his duty by him, and had felt
|
|
almost as kindly towards the boy as if they had been shipwrecked and
|
|
cast upon a desert place together. And now, that the false Rob had
|
|
brought distrust, treachery, and meanness into the very parlour, which
|
|
was a kind of sacred place, Captain Cuttle felt as if the parlour
|
|
might have gone down next, and not surprised him much by its sinking,
|
|
or given him any very great concern.
|
|
|
|
Therefore Captain Cuttle read the newspaper with profound attention
|
|
and no comprehension, and therefore Captain Cuttle said nothing
|
|
whatever about Rob to himself, or admitted to himself that he was
|
|
thinking about him, or would recognise in the most distant manner that
|
|
Rob had anything to do with his feeling as lonely as Robinson Crusoe.
|
|
|
|
In the same composed, business-like way, the Captain stepped over
|
|
to Leadenhall Market in the dusk, and effected an arrangement with a
|
|
private watchman on duty there, to come and put up and take down the
|
|
shutters of the wooden Midshipman every night and morning. He then
|
|
called in at the eating-house to diminish by one half the daily
|
|
rations theretofore supplied to the Midshipman, and at the
|
|
public-house to stop the traitor's beer. 'My young man,' said the
|
|
Captain, in explanation to the young lady at the bar, 'my young man
|
|
having bettered himself, Miss.' Lastly, the Captain resolved to take
|
|
possession of the bed under the counter, and to turn in there o'
|
|
nights instead of upstairs, as sole guardian of the property.
|
|
|
|
From this bed Captain Cuttle daily rose thenceforth, and clapped on
|
|
his glazed hat at six o'clock in the morning, with the solitary air of
|
|
Crusoe finishing his toilet with his goat-skin cap; and although his
|
|
fears of a visitation from the savage tribe, MacStinger, were somewhat
|
|
cooled, as similar apprehensions on the part of that lone mariner used
|
|
to be by the lapse of a long interval without any symptoms of the
|
|
cannibals, he still observed a regular routine of defensive
|
|
operations, and never encountered a bonnet without previous survey
|
|
from his castle of retreat. In the meantime (during which he received
|
|
no call from Mr Toots, who wrote to say he was out of town) his own
|
|
voice began to have a strange sound in his ears; and he acquired such
|
|
habits of profound meditation from much polishing and stowing away of
|
|
the stock, and from much sitting behind the counter reading, or
|
|
looking out of window, that the red rim made on his forehead by the
|
|
hard glazed hat, sometimes ached again with excess of reflection.
|
|
|
|
The year being now expired, Captain Cuttle deemed it expedient to
|
|
open the packet; but as he had always designed doing this in the
|
|
presence of Rob the Grinder, who had brought it to him, and as he had
|
|
an idea that it would be regular and ship-shape to open it in the
|
|
presence of somebody, he was sadly put to it for want of a witness. In
|
|
this difficulty, he hailed one day with unusual delight the
|
|
announcement in the Shipping Intelligence of the arrival of the
|
|
Cautious Clara, Captain John Bunsby, from a coasting voyage; and to
|
|
that philosopher immediately dispatched a letter by post, enjoining
|
|
inviolable secrecy as to his place of residence, and requesting to be
|
|
favoured with an early visit, in the evening season.
|
|
|
|
Bunsby, who was one of those sages who act upon conviction, took
|
|
some days to get the conviction thoroughly into his mind, that he had
|
|
received a letter to this effect. But when he had grappled with the
|
|
fact, and mastered it, he promptly sent his boy with the message,
|
|
'He's a coming to-night.' Who being instructed to deliver those words
|
|
and disappear, fulfilled his mission like a tarry spirit, charged with
|
|
a mysterious warning.
|
|
|
|
The Captain, well pleased to receive it, made preparation of pipes
|
|
and rum and water, and awaited his visitor in the back parlour. At the
|
|
hour of eight, a deep lowing, as of a nautical Bull, outside the
|
|
shop-door, succeeded by the knocking of a stick on the panel,
|
|
announced to the listening ear of Captain Cuttle, that Bunsby was
|
|
alongside; whom he instantly admitted, shaggy and loose, and with his
|
|
stolid mahogany visage, as usual, appearing to have no consciousness
|
|
of anything before it, but to be attentively observing something that
|
|
was taking place in quite another part of the world.
|
|
|
|
'Bunsby,' said the Captain, grasping him by the hand, 'what cheer,
|
|
my lad, what cheer?'
|
|
|
|
'Shipmet,' replied the voice within Bunsby, unaccompanied by any
|
|
sign on the part of the Commander himself, 'hearty, hearty.'
|
|
|
|
'Bunsby!' said the Captain, rendering irrepressible homage to his
|
|
genius, 'here you are! a man as can give an opinion as is brighter
|
|
than di'monds - and give me the lad with the tarry trousers as shines
|
|
to me like di'monds bright, for which you'll overhaul the Stanfell's
|
|
Budget, and when found make a note.' Here you are, a man as gave an
|
|
opinion in this here very place, that has come true, every letter on
|
|
it,' which the Captain sincerely believed.
|
|
|
|
'Ay, ay?' growled Bunsby.
|
|
|
|
'Every letter,' said the Captain.
|
|
|
|
'For why?' growled Bunsby, looking at his friend for the first
|
|
time. 'Which way? If so, why not? Therefore.' With these oracular
|
|
words - they seemed almost to make the Captain giddy; they launched
|
|
him upon such a sea of speculation and conjecture - the sage submitted
|
|
to be helped off with his pilot-coat, and accompanied his friend into
|
|
the back parlour, where his hand presently alighted on the rum-bottle,
|
|
from which he brewed a stiff glass of grog; and presently afterwards
|
|
on a pipe, which he filled, lighted, and began to smoke.
|
|
|
|
Captain Cuttle, imitating his visitor in the matter of these
|
|
particulars, though the rapt and imperturbable manner of the great
|
|
Commander was far above his powers, sat in the opposite corner of the
|
|
fireside, observing him respectfully, and as if he waited for some
|
|
encouragement or expression of curiosity on Bunsby's part which should
|
|
lead him to his own affairs. But as the mahogany philosopher gave no
|
|
evidence of being sentient of anything but warmth and tobacco, except
|
|
once, when taking his pipe from his lips to make room for his glass,
|
|
he incidentally remarked with exceeding gruffness, that his name was
|
|
Jack Bunsby - a declaration that presented but small opening for
|
|
conversation - the Captain bespeaking his attention in a short
|
|
complimentary exordium, narrated the whole history of Uncle Sol's
|
|
departure, with the change it had produced in his own life and
|
|
fortunes; and concluded by placing the packet on the table.
|
|
|
|
After a long pause, Mr Bunsby nodded his head.
|
|
|
|
'Open?' said the Captain.
|
|
|
|
Bunsby nodded again.
|
|
|
|
The Captain accordingly broke the seal, and disclosed to view two
|
|
folded papers, of which he severally read the endorsements, thus:
|
|
'Last Will and Testament of Solomon Gills.' 'Letter for Ned Cuttle.'
|
|
|
|
Bunsby, with his eye on the coast of Greenland, seemed to listen
|
|
for the contents. The Captain therefore hemmed to clear his throat,
|
|
and read the letter aloud.
|
|
|
|
'"My dear Ned Cuttle. When I left home for the West Indies" - '
|
|
|
|
Here the Captain stopped, and looked hard at Bunsby, who looked
|
|
fixedly at the coast of Greenland.
|
|
|
|
' - "in forlorn search of intelligence of my dear boy, I knew that
|
|
if you were acquainted with my design, you would thwart it, or
|
|
accompany me; and therefore I kept it secret. If you ever read this
|
|
letter, Ned, I am likely to be dead. You will easily forgive an old
|
|
friend's folly then, and will feel for the restlessness and
|
|
uncertainty in which he wandered away on such a wild voyage. So no
|
|
more of that. I have little hope that my poor boy will ever read these
|
|
words, or gladden your eyes with the sight of his frank face any
|
|
more." No, no; no more,' said Captain Cuttle, sorrowfully meditating;
|
|
'no more. There he lays, all his days - '
|
|
|
|
Mr Bunsby, who had a musical ear, suddenly bellowed, 'In the Bays
|
|
of Biscay, O!' which so affected the good Captain, as an appropriate
|
|
tribute to departed worth, that he shook him by the hand in
|
|
acknowledgment, and was fain to wipe his eyes.
|
|
|
|
'Well, well!' said the Captain with a sigh, as the Lament of Bunsby
|
|
ceased to ring and vibrate in the skylight. 'Affliction sore, long
|
|
time he bore, and let us overhaul the wollume, and there find it.'
|
|
|
|
'Physicians,' observed Bunsby, 'was in vain."
|
|
|
|
'Ay, ay, to be sure,' said the Captain, 'what's the good o' them in
|
|
two or three hundred fathoms o' water!' Then, returning to the letter,
|
|
he read on: - '"But if he should be by, when it is opened;"' the
|
|
Captain involuntarily looked round, and shook his head; '"or should
|
|
know of it at any other time;"' the Captain shook his head again; '"my
|
|
blessing on him! In case the accompanying paper is not legally
|
|
written, it matters very little, for there is no one interested but
|
|
you and he, and my plain wish is, that if he is living he should have
|
|
what little there may be, and if (as I fear) otherwise, that you
|
|
should have it, Ned. You will respect my wish, I know. God bless you
|
|
for it, and for all your friendliness besides, to Solomon Gills."
|
|
Bunsby!' said the Captain, appealing to him solemnly, 'what do you
|
|
make of this? There you sit, a man as has had his head broke from
|
|
infancy up'ards, and has got a new opinion into it at every seam as
|
|
has been opened. Now, what do you make o' this?'
|
|
|
|
'If so be,' returned Bunsby, with unusual promptitude, 'as he's
|
|
dead, my opinion is he won't come back no more. If so be as he's
|
|
alive, my opinion is he will. Do I say he will? No. Why not? Because
|
|
the bearings of this obserwation lays in the application on it.'
|
|
|
|
'Bunsby!' said Captain Cuttle, who would seem to have estimated the
|
|
value of his distinguished friend's opinions in proportion to the
|
|
immensity of the difficulty he experienced in making anything out of
|
|
them; 'Bunsby,' said the Captain, quite confounded by admiration, 'you
|
|
carry a weight of mind easy, as would swamp one of my tonnage soon.
|
|
But in regard o' this here will, I don't mean to take no steps towards
|
|
the property - Lord forbid! - except to keep it for a more rightful
|
|
owner; and I hope yet as the rightful owner, Sol Gills, is living
|
|
and'll come back, strange as it is that he ain't forwarded no
|
|
dispatches. Now, what is your opinion, Bunsby, as to stowing of these
|
|
here papers away again, and marking outside as they was opened, such a
|
|
day, in the presence of John Bunsby and Ed'ard Cuttle?'
|
|
|
|
Bunsby, descrying no objection, on the coast of Greenland or
|
|
elsewhere, to this proposal, it was carried into execution; and that
|
|
great man, bringing his eye into the present for a moment, affixed his
|
|
sign-manual to the cover, totally abstaining, with characteristic
|
|
modesty, from the use of capital letters. Captain Cuttle, having
|
|
attached his own left-handed signature, and locked up the packet in
|
|
the iron safe, entreated his guest to mix another glass and smoke
|
|
another pipe; and doing the like himself, fell a musing over the fire
|
|
on the possible fortunes of the poor old Instrument-maker.
|
|
|
|
And now a surprise occurred, so overwhelming and terrific that
|
|
Captain Cuttle, unsupported by the presence of Bunsby, must have sunk
|
|
beneath it, and been a lost man from that fatal hour.
|
|
|
|
How the Captain, even in the satisfaction of admitting such a
|
|
guest, could have only shut the door, and not locked it, of which
|
|
negligence he was undoubtedly guilty, is one of those questions that
|
|
must for ever remain mere points of speculation, or vague charges
|
|
against destiny. But by that unlocked door, at this quiet moment, did
|
|
the fell MacStinger dash into the parlour, bringing Alexander
|
|
MacStinger in her parental arms, and confusion and vengeance (not to
|
|
mention Juliana MacStinger, and the sweet child's brother, Charles
|
|
MacStinger, popularly known about the scenes of his youthful sports,
|
|
as Chowley) in her train. She came so swiftly and so silently, like a
|
|
rushing air from the neighbourhood of the East India Docks, that
|
|
Captain Cuttle found himself in the very act of sitting looking at
|
|
her, before the calm face with which he had been meditating, changed
|
|
to one of horror and dismay.
|
|
|
|
But the moment Captain Cuttle understood the full extent of his
|
|
misfortune, self-preservation dictated an attempt at flight. Darting
|
|
at the little door which opened from the parlour on the steep little
|
|
range of cellar-steps, the Captain made a rush, head-foremost, at the
|
|
latter, like a man indifferent to bruises and contusions, who only
|
|
sought to hide himself in the bowels of the earth. In this gallant
|
|
effort he would probably have succeeded, but for the affectionate
|
|
dispositions of Juliana and Chowley, who pinning him by the legs - one
|
|
of those dear children holding on to each - claimed him as their
|
|
friend, with lamentable cries. In the meantime, Mrs MacStinger, who
|
|
never entered upon any action of importance without previously
|
|
inverting Alexander MacStinger, to bring him within the range of a
|
|
brisk battery of slaps, and then sitting him down to cool as the
|
|
reader first beheld him, performed that solemn rite, as if on this
|
|
occasion it were a sacrifice to the Furies; and having deposited the
|
|
victim on the floor, made at the Captain with a strength of purpose
|
|
that appeared to threaten scratches to the interposing Bunsby.
|
|
|
|
The cries of the two elder MacStingers, and the wailing of young
|
|
Alexander, who may be said to have passed a piebald childhood,
|
|
forasmuch as he was black in the face during one half of that fairy
|
|
period of existence, combined to make this visitation the more awful.
|
|
But when silence reigned again, and the Captain, in a violent
|
|
perspiration, stood meekly looking at Mrs MacStinger, its terrors were
|
|
at their height.
|
|
|
|
'Oh, Cap'en Cuttle, Cap'en Cuttle!' said Mrs MacStinger, making her
|
|
chin rigid, and shaking it in unison with what, but for the weakness
|
|
of her sex, might be described as her fist. 'Oh, Cap'en Cuttle, Cap'en
|
|
Cuttle, do you dare to look me in the face, and not be struck down in
|
|
the herth!'
|
|
|
|
The Captain, who looked anything but daring, feebly muttered
|
|
'Standby!'
|
|
|
|
'Oh I was a weak and trusting Fool when I took you under my roof,
|
|
Cap'en Cuttle, I was!' cried Mrs MacStinger. 'To think of the benefits
|
|
I've showered on that man, and the way in which I brought my children
|
|
up to love and honour him as if he was a father to 'em, when there
|
|
ain't a housekeeper, no nor a lodger in our street, don't know that I
|
|
lost money by that man, and by his guzzlings and his muzzlings' - Mrs
|
|
MacStinger used the last word for the joint sake of alliteration and
|
|
aggravation, rather than for the expression of any idea - 'and when
|
|
they cried out one and all, shame upon him for putting upon an
|
|
industrious woman, up early and late for the good of her young family,
|
|
and keeping her poor place so clean that a individual might have ate
|
|
his dinner, yes, and his tea too, if he was so disposed, off any one
|
|
of the floors or stairs, in spite of all his guzzlings and his
|
|
muzzlings, such was the care and pains bestowed upon him!'
|
|
|
|
Mrs MacStinger stopped to fetch her breath; and her face flushed
|
|
with triumph in this second happy introduction of Captain Cuttle's
|
|
muzzlings.
|
|
|
|
'And he runs awa-a-a-y!'cried Mrs MacStinger, with a lengthening
|
|
out of the last syllable that made the unfortunate Captain regard
|
|
himself as the meanest of men; 'and keeps away a twelve-month! From a
|
|
woman! Such is his conscience! He hasn't the courage to meet her
|
|
hi-i-igh;' long syllable again; 'but steals away, like a felion. Why,
|
|
if that baby of mine,' said Mrs MacStinger, with sudden rapidity, 'was
|
|
to offer to go and steal away, I'd do my duty as a mother by him, till
|
|
he was covered with wales!'
|
|
|
|
The young Alexander, interpreting this into a positive promise, to
|
|
be shortly redeemed, tumbled over with fear and grief, and lay upon
|
|
the floor, exhibiting the soles of his shoes and making such a
|
|
deafening outcry, that Mrs MacStinger found it necessary to take him
|
|
up in her arms, where she quieted him, ever and anon, as he broke out
|
|
again, by a shake that seemed enough to loosen his teeth.
|
|
|
|
'A pretty sort of a man is Cap'en Cuttle,' said Mrs MacStinger,
|
|
with a sharp stress on the first syllable of the Captain's name, 'to
|
|
take on for - and to lose sleep for- and to faint along of- and to
|
|
think dead forsooth - and to go up and down the blessed town like a
|
|
madwoman, asking questions after! Oh, a pretty sort of a man! Ha ha ha
|
|
ha! He's worth all that trouble and distress of mind, and much more.
|
|
That's nothing, bless you! Ha ha ha ha! Cap'en Cuttle,' said Mrs
|
|
MacStinger, with severe reaction in her voice and manner, 'I wish to
|
|
know if you're a-coming home.
|
|
|
|
The frightened Captain looked into his hat, as if he saw nothing
|
|
for it but to put it on, and give himself up.
|
|
|
|
'Cap'en Cuttle,' repeated Mrs MacStinger, in the same determined
|
|
manner, 'I wish to know if you're a-coming home, Sir.'
|
|
|
|
The Captain seemed quite ready to go, but faintly suggested
|
|
something to the effect of 'not making so much noise about it.'
|
|
|
|
'Ay, ay, ay,' said Bunsby, in a soothing tone. 'Awast, my lass,
|
|
awast!'
|
|
|
|
'And who may you be, if you please!' retorted Mrs MacStinger, with
|
|
chaste loftiness. 'Did you ever lodge at Number Nine, Brig Place, Sir?
|
|
My memory may be bad, but not with me, I think. There was a Mrs
|
|
Jollson lived at Number Nine before me, and perhaps you're mistaking
|
|
me for her. That is my only ways of accounting for your familiarity,
|
|
Sir.'
|
|
|
|
'Come, come, my lass, awast, awast!' said Bunsby.
|
|
|
|
Captain Cuttle could hardly believe it, even of this great man,
|
|
though he saw it done with his waking eyes; but Bunsby, advancing
|
|
boldly, put his shaggy blue arm round Mrs MacStinger, and so softened
|
|
her by his magic way of doing it, and by these few words - he said no
|
|
more - that she melted into tears, after looking upon him for a few
|
|
moments, and observed that a child might conquer her now, she was so
|
|
low in her courage.
|
|
|
|
Speechless and utterly amazed, the Captain saw him gradually
|
|
persuade this inexorable woman into the shop, return for rum and water
|
|
and a candle, take them to her, and pacify her without appearing to
|
|
utter one word. Presently he looked in with his pilot-coat on, and
|
|
said, 'Cuttle, I'm a-going to act as convoy home;' and Captain Cuttle,
|
|
more to his confusion than if he had been put in irons himself, for
|
|
safe transport to Brig Place, saw the family pacifically filing off,
|
|
with Mrs MacStinger at their head. He had scarcely time to take down
|
|
his canister, and stealthily convey some money into the hands of
|
|
Juliana MacStinger, his former favourite, and Chowley, who had the
|
|
claim upon him that he was naturally of a maritime build, before the
|
|
Midshipman was abandoned by them all; and Bunsby whispering that he'd
|
|
carry on smart, and hail Ned Cuttle again before he went aboard, shut
|
|
the door upon himself, as the last member of the party.
|
|
|
|
Some uneasy ideas that he must be walking in his sleep, or that he
|
|
had been troubled with phantoms, and not a family of flesh and blood,
|
|
beset the Captain at first, when he went back to the little parlour,
|
|
and found himself alone. Illimitable faith in, and immeasurable
|
|
admiration of, the Commander of the Cautious Clara, succeeded, and
|
|
threw the Captain into a wondering trance.
|
|
|
|
Still, as time wore on, and Bunsby failed to reappear, the Captain
|
|
began to entertain uncomfortable doubts of another kind. Whether
|
|
Bunsby had been artfully decoyed to Brig Place, and was there detained
|
|
in safe custody as hostage for his friend; in which case it would
|
|
become the Captain, as a man of honour, to release him, by the
|
|
sacrifice of his own liberty. Whether he had been attacked and
|
|
defeated by Mrs MacStinger, and was ashamed to show himself after his
|
|
discomfiture. Whether Mrs MacStinger, thinking better of it, in the
|
|
uncertainty of her temper, had turned back to board the Midshipman
|
|
again, and Bunsby, pretending to conduct her by a short cut, was
|
|
endeavouring to lose the family amid the wilds and savage places of
|
|
the City. Above all, what it would behove him, Captain Cuttle, to do,
|
|
in case of his hearing no more, either of the MacStingers or of
|
|
Bunsby, which, in these wonderful and unforeseen conjunctions of
|
|
events, might possibly happen.
|
|
|
|
He debated all this until he was tired; and still no Bunsby. He
|
|
made up his bed under the counter, all ready for turning in; and still
|
|
no Bunsby. At length, when the Captain had given him up, for that
|
|
night at least, and had begun to undress, the sound of approaching
|
|
wheels was heard, and, stopping at the door, was succeeded by Bunsby's
|
|
hail.
|
|
|
|
The Captain trembled to think that Mrs MacStinger was not to be got
|
|
rid of, and had been brought back in a coach.
|
|
|
|
But no. Bunsby was accompanied by nothing but a large box, which he
|
|
hauled into the shop with his own hands, and as soon as he had hauled
|
|
in, sat upon. Captain Cuttle knew it for the chest he had left at Mrs
|
|
MacStinger's house, and looking, candle in hand, at Bunsby more
|
|
attentively, believed that he was three sheets in the wind, or, in
|
|
plain words, drunk. It was difficult, however, to be sure of this; the
|
|
Commander having no trace of expression in his face when sober.
|
|
|
|
'Cuttle,' said the Commander, getting off the chest, and opening
|
|
the lid, 'are these here your traps?'
|
|
|
|
Captain Cuttle looked in and identified his property.
|
|
|
|
'Done pretty taut and trim, hey, shipmet?' said Bunsby.
|
|
|
|
The grateful and bewildered Captain grasped him by the hand, and
|
|
was launching into a reply expressive of his astonished feelings, when
|
|
Bunsby disengaged himself by a jerk of his wrist, and seemed to make
|
|
an effort to wink with his revolving eye, the only effect of which
|
|
attempt, in his condition, was nearly to over-balance him. He then
|
|
abruptly opened the door, and shot away to rejoin the Cautious Clara
|
|
with all speed - supposed to be his invariable custom, whenever he
|
|
considered he had made a point.
|
|
|
|
As it was not his humour to be often sought, Captain Cuttle decided
|
|
not to go or send to him next day, or until he should make his
|
|
gracious pleasure known in such wise, or failing that, until some
|
|
little time should have lapsed. The Captain, therefore, renewed his
|
|
solitary life next morning, and thought profoundly, many mornings,
|
|
noons, and nights, of old Sol Gills, and Bunsby's sentiments
|
|
concerning him, and the hopes there were of his return. Much of such
|
|
thinking strengthened Captain Cuttle's hopes; and he humoured them and
|
|
himself by watching for the Instrument-maker at the door - as he
|
|
ventured to do now, in his strange liberty - and setting his chair in
|
|
its place, and arranging the little parlour as it used to be, in case
|
|
he should come home unexpectedly. He likewise, in his thoughtfulness,
|
|
took down a certain little miniature of Walter as a schoolboy, from
|
|
its accustomed nail, lest it should shock the old man on his return.
|
|
The Captain had his presentiments, too, sometimes, that he would come
|
|
on such a day; and one particular Sunday, even ordered a double
|
|
allowance of dinner, he was so sanguine. But come, old Solomon did
|
|
not; and still the neighbours noticed how the seafaring man in the
|
|
glazed hat, stood at the shop-door of an evening, looking up and down
|
|
the street.
|
|
|
|
CHAPTER 40.
|
|
|
|
Domestic Relations
|
|
|
|
It was not in the nature of things that a man of Mr Dombey's mood,
|
|
opposed to such a spirit as he had raised against himself, should be
|
|
softened in the imperious asperity of his temper; or that the cold
|
|
hard armour of pride in which he lived encased, should be made more
|
|
flexible by constant collision with haughty scorn and defiance. It is
|
|
the curse of such a nature - it is a main part of the heavy
|
|
retribution on itself it bears within itself - that while deference
|
|
and concession swell its evil qualities, and are the food it grows
|
|
upon, resistance and a questioning of its exacting claims, foster it
|
|
too, no less. The evil that is in it finds equally its means of growth
|
|
and propagation in opposites. It draws support and life from sweets
|
|
and bitters; bowed down before, or unacknowledged, it still enslaves
|
|
the breast in which it has its throne; and, worshipped or rejected, is
|
|
as hard a master as the Devil in dark fables.
|
|
|
|
Towards his first wife, Mr Dombey, in his cold and lofty arrogance,
|
|
had borne himself like the removed Being he almost conceived himself
|
|
to be. He had been 'Mr Dombey' with her when she first saw him, and he
|
|
was 'Mr Dombey' when she died. He had asserted his greatness during
|
|
their whole married life, and she had meekly recognised it. He had
|
|
kept his distant seat of state on the top of his throne, and she her
|
|
humble station on its lowest step; and much good it had done him, so
|
|
to live in solitary bondage to his one idea. He had imagined that the
|
|
proud character of his second wife would have been added to his own -
|
|
would have merged into it, and exalted his greatness. He had pictured
|
|
himself haughtier than ever, with Edith's haughtiness subservient to
|
|
his. He had never entertained the possibility of its arraying itself
|
|
against him. And now, when he found it rising in his path at every
|
|
step and turn of his daily life, fixing its cold, defiant, and
|
|
contemptuous face upon him, this pride of his, instead of withering,
|
|
or hanging down its head beneath the shock, put forth new shoots,
|
|
became more concentrated and intense, more gloomy, sullen, irksome,
|
|
and unyielding, than it had ever been before.
|
|
|
|
Who wears such armour, too, bears with him ever another heavy
|
|
retribution. It is of proof against conciliation, love, and
|
|
confidence; against all gentle sympathy from without, all trust, all
|
|
tenderness, all soft emotion; but to deep stabs in the self-love, it
|
|
is as vulnerable as the bare breast to steel; and such tormenting
|
|
festers rankle there, as follow on no other wounds, no, though dealt
|
|
with the mailed hand of Pride itself, on weaker pride, disarmed and
|
|
thrown down.
|
|
|
|
Such wounds were his. He felt them sharply, in the solitude of his
|
|
old rooms; whither he now began often to retire again, and pass long
|
|
solitary hours. It seemed his fate to be ever proud and powerful; ever
|
|
humbled and powerless where he would be most strong. Who seemed fated
|
|
to work out that doom?
|
|
|
|
Who? Who was it who could win his wife as she had won his boy? Who
|
|
was it who had shown him that new victory, as he sat in the dark
|
|
corner? Who was it whose least word did what his utmost means could
|
|
not? Who was it who, unaided by his love, regard or notice, thrived
|
|
and grew beautiful when those so aided died? Who could it be, but the
|
|
same child at whom he had often glanced uneasily in her motherless
|
|
infancy, with a kind of dread, lest he might come to hate her; and of
|
|
whom his foreboding was fulfilled, for he DID hate her in his heart?
|
|
|
|
Yes, and he would have it hatred, and he made it hatred, though
|
|
some sparkles of the light in which she had appeared before him on the
|
|
memorable night of his return home with his Bride, occasionally hung
|
|
about her still. He knew now that she was beautiful; he did not
|
|
dispute that she was graceful and winning, and that in the bright dawn
|
|
of her womanhood she had come upon him, a surprise. But he turned even
|
|
this against her. In his sullen and unwholesome brooding, the unhappy
|
|
man, with a dull perception of his alienation from all hearts, and a
|
|
vague yearning for what he had all his life repelled, made a distorted
|
|
picture of his rights and wrongs, and justified himself with it
|
|
against her. The worthier she promised to be of him, the greater claim
|
|
he was disposed to antedate upon her duty and submission. When had she
|
|
ever shown him duty and submission? Did she grace his life - or
|
|
Edith's? Had her attractions been manifested first to him - or Edith?
|
|
Why, he and she had never been, from her birth, like father and child!
|
|
They had always been estranged. She had crossed him every way and
|
|
everywhere. She was leagued against him now. Her very beauty softened
|
|
natures that were obdurate to him, and insulted him with an unnatural
|
|
triumph.
|
|
|
|
It may have been that in all this there were mutterings of an
|
|
awakened feeling in his breast, however selfishly aroused by his
|
|
position of disadvantage, in comparison with what she might have made
|
|
his life. But he silenced the distant thunder with the rolling of his
|
|
sea of pride. He would bear nothing but his pride. And in his pride, a
|
|
heap of inconsistency, and misery, and self-inflicted torment, he
|
|
hated her.
|
|
|
|
To the moody, stubborn, sullen demon, that possessed him, his wife
|
|
opposed her different pride in its full force. They never could have
|
|
led a happy life together; but nothing could have made it more
|
|
unhappy, than the wilful and determined warfare of such elements. His
|
|
pride was set upon maintaining his magnificent supremacy, and forcing
|
|
recognition of it from her. She would have been racked to death, and
|
|
turned but her haughty glance of calm inflexible disdain upon him, to
|
|
the last. Such recognition from Edith! He little knew through what a
|
|
storm and struggle she had been driven onward to the crowning honour
|
|
of his hand. He little knew how much she thought she had conceded,
|
|
when she suffered him to call her wife.
|
|
|
|
Mr Dombey was resolved to show her that he was supreme. There must
|
|
be no will but his. Proud he desired that she should be, but she must
|
|
be proud for, not against him. As he sat alone, hardening, he would
|
|
often hear her go out and come home, treading the round of London life
|
|
with no more heed of his liking or disliking, pleasure or displeasure,
|
|
than if he had been her groom. Her cold supreme indifference - his own
|
|
unquestioned attribute usurped - stung him more than any other kind of
|
|
treatment could have done; and he determined to bend her to his
|
|
magnificent and stately will.
|
|
|
|
He had been long communing with these thoughts, when one night he
|
|
sought her in her own apartment, after he had heard her return home
|
|
late. She was alone, in her brilliant dress, and had but that moment
|
|
come from her mother's room. Her face was melancholy and pensive, when
|
|
he came upon her; but it marked him at the door; for, glancing at the
|
|
mirror before it, he saw immediately, as in a picture-frame, the
|
|
knitted brow, and darkened beauty that he knew so well.
|
|
|
|
'Mrs Dombey,' he said, entering, 'I must beg leave to have a few
|
|
words with you.'
|
|
|
|
'To-morrow,' she replied.
|
|
|
|
'There is no time like the present, Madam,' he returned. 'You
|
|
mistake your position. I am used to choose my own times; not to have
|
|
them chosen for me. I think you scarcely understand who and what I am,
|
|
Mrs Dombey.
|
|
|
|
'I think,' she answered, 'that I understand you very well.'
|
|
|
|
She looked upon him as she said so, and folding her white arms,
|
|
sparkling with gold and gems, upon her swelling breast, turned away
|
|
her eyes.
|
|
|
|
If she had been less handsome, and less stately in her cold
|
|
composure, she might not have had the power of impressing him with the
|
|
sense of disadvantage that penetrated through his utmost pride. But
|
|
she had the power, and he felt it keenly. He glanced round the room:
|
|
saw how the splendid means of personal adornment, and the luxuries of
|
|
dress, were scattered here and there, and disregarded; not in mere
|
|
caprice and carelessness (or so he thought), but in a steadfast
|
|
haughty disregard of costly things: and felt it more and more.
|
|
Chaplets of flowers, plumes of feathers, jewels, laces, silks and
|
|
satins; look where he would, he saw riches, despised, poured out, and.
|
|
made of no account. The very diamonds - a marriage gift - that rose
|
|
and fell impatiently upon her bosom, seemed to pant to break the chain
|
|
that clasped them round her neck, and roll down on the floor where she
|
|
might tread upon them.
|
|
|
|
He felt his disadvantage, and he showed it. Solemn and strange
|
|
among this wealth of colour and voluptuous glitter, strange and
|
|
constrained towards its haughty mistress, whose repellent beauty it
|
|
repeated, and presented all around him, as in so many fragments of a
|
|
mirror, he was conscious of embarrassment and awkwardness. Nothing
|
|
that ministered to her disdainful self-possession could fail to gall
|
|
him. Galled and irritated with himself, he sat down, and went on, in
|
|
no improved humour:
|
|
|
|
'Mrs Dombey, it is very necessary that there should be some
|
|
understanding arrived at between us. Your conduct does not please me,
|
|
Madam.'
|
|
|
|
She merely glanced at him again, and again averted her eyes; but
|
|
she might have spoken for an hour, and expressed less.
|
|
|
|
'I repeat, Mrs Dombey, does not please me. I have already taken
|
|
occasion to request that it may be corrected. I now insist upon it.'
|
|
|
|
'You chose a fitting occasion for your first remonstrance, Sir, and
|
|
you adopt a fitting manner, and a fitting word for your second. You
|
|
insist! To me!'
|
|
|
|
'Madam,' said Mr Dombey, with his most offensive air of state, 'I
|
|
have made you my wife. You bear my name. You are associated with my
|
|
position and my reputation. I will not say that the world in general
|
|
may be disposed to think you honoured by that association; but I will
|
|
say that I am accustomed to "insist," to my connexions and
|
|
dependents.'
|
|
|
|
'Which may you be pleased to consider me? she asked.
|
|
|
|
'Possibly I may think that my wife should partake - or does
|
|
partake, and cannot help herself - of both characters, Mrs Dombey.'
|
|
|
|
She bent her eyes upon him steadily, and set her trembling lips. He
|
|
saw her bosom throb, and saw her face flush and turn white. All this
|
|
he could know, and did: but he could not know that one word was
|
|
whispering in the deep recesses of her heart, to keep her quiet; and
|
|
that the word was Florence.
|
|
|
|
Blind idiot, rushing to a precipice! He thought she stood in awe of
|
|
him.
|
|
|
|
'You are too expensive, Madam,' said Mr Dombey. 'You are
|
|
extravagant. You waste a great deal of money - or what would be a
|
|
great deal in the pockets of most gentlemen - in cultivating a kind of
|
|
society that is useless to me, and, indeed, that upon the whole is
|
|
disagreeable to me. I have to insist upon a total change in all these
|
|
respects. I know that in the novelty of possessing a tithe of such
|
|
means as Fortune has placed at your disposal, ladies are apt to run
|
|
into a sudden extreme. There has been more than enough of that
|
|
extreme. I beg that Mrs Granger's very different experiences may now
|
|
come to the instruction of Mrs Dombey.'
|
|
|
|
Still the fixed look, the trembling lips, the throbbing breast, the
|
|
face now crimson and now white; and still the deep whisper Florence,
|
|
Florence, speaking to her in the beating of her heart.
|
|
|
|
His insolence of self-importance dilated as he saw this alteration
|
|
in her. Swollen no less by her past scorn of him, and his so recent
|
|
feeling of disadvantage, than by her present submission (as he took it
|
|
to be), it became too mighty for his breast, and burst all bounds.
|
|
Why, who could long resist his lofty will and pleasure! He had
|
|
resolved to conquer her, and look here!
|
|
|
|
'You will further please, Madam,' said Mr Dombey, in a tone of
|
|
sovereign command, 'to understand distinctly, that I am to be deferred
|
|
to and obeyed. That I must have a positive show and confession of
|
|
deference before the world, Madam. I am used to this. I require it as
|
|
my right. In short I will have it. I consider it no unreasonable
|
|
return for the worldly advancement that has befallen you; and I
|
|
believe nobody will be surprised, either at its being required from
|
|
you, or at your making it. - To Me - To Me!' he added, with emphasis.
|
|
|
|
No word from her. No change in her. Her eyes upon him.
|
|
|
|
'I have learnt from your mother, Mrs Dombey,' said Mr Dombey, with
|
|
magisterial importance, what no doubt you know, namely, that Brighton
|
|
is recommended for her health. Mr Carker has been so good
|
|
|
|
She changed suddenly. Her face and bosom glowed as if the red light
|
|
of an angry sunset had been flung upon them. Not unobservant of the
|
|
change, and putting his own interpretation upon it, Mr Dombey resumed:
|
|
|
|
'Mr Carker has been so good as to go down and secure a house there,
|
|
for a time. On the return of the establishment to London, I shall take
|
|
such steps for its better management as I consider necessary. One of
|
|
these, will be the engagement at Brighton (if it is to be effected),
|
|
of a very respectable reduced person there, a Mrs Pipchin, formerly
|
|
employed in a situation of trust in my family, to act as housekeeper.
|
|
An establishment like this, presided over but nominally, Mrs Dombey,
|
|
requires a competent head.'
|
|
|
|
She had changed her attitude before he arrived at these words, and
|
|
now sat - still looking at him fixedly - turning a bracelet round and
|
|
round upon her arm; not winding it about with a light, womanly touch,
|
|
but pressing and dragging it over the smooth skin, until the white
|
|
limb showed a bar of red.
|
|
|
|
'I observed,' said Mr Dombey - 'and this concludes what I deem it
|
|
necessary to say to you at present, Mrs Dombey - I observed a moment
|
|
ago, Madam, that my allusion to Mr Carker was received in a peculiar
|
|
manner. On the occasion of my happening to point out to you, before
|
|
that confidential agent, the objection I had to your mode of receiving
|
|
my visitors, you were pleased to object to his presence. You will have
|
|
to get the better of that objection, Madam, and to accustom yourself
|
|
to it very probably on many similar occasions; unless you adopt the
|
|
remedy which is in your own hands, of giving me no cause of complaint.
|
|
Mr Carker,' said Mr Dombey, who, after the emotion he had just seen,
|
|
set great store by this means of reducing his proud wife, and who was
|
|
perhaps sufficiently willing to exhibit his power to that gentleman in
|
|
a new and triumphant aspect, 'Mr Carker being in my confidence, Mrs
|
|
Dombey, may very well be in yours to such an extent. I hope, Mrs
|
|
Dombey,' he continued, after a few moments, during which, in his
|
|
increasing haughtiness, he had improved on his idea, 'I may not find
|
|
it necessary ever to entrust Mr Carker with any message of objection
|
|
or remonstrance to you; but as it would be derogatory to my position
|
|
and reputation to be frequently holding trivial disputes with a lady
|
|
upon whom I have conferred the highest distinction that it is in my
|
|
power to bestow, I shall not scruple to avail myself of his services
|
|
if I see occasion.'
|
|
|
|
'And now,' he thought, rising in his moral magnificence, and rising
|
|
a stiffer and more impenetrable man than ever, 'she knows me and my
|
|
resolution.'
|
|
|
|
The hand that had so pressed the bracelet was laid heavily upon her
|
|
breast, but she looked at him still, with an unaltered face, and said
|
|
in a low voice:
|
|
|
|
'Wait! For God's sake! I must speak to you.'
|
|
|
|
Why did she not, and what was the inward struggle that rendered her
|
|
incapable of doing so, for minutes, while, in the strong constraint
|
|
she put upon her face, it was as fixed as any statue's - looking upon
|
|
him with neither yielding nor unyielding, liking nor hatred, pride not
|
|
humility: nothing but a searching gaze?
|
|
|
|
'Did I ever tempt you to seek my hand? Did I ever use any art to
|
|
win you? Was I ever more conciliating to you when you pursued me, than
|
|
I have been since our marriage? Was I ever other to you than I am?'
|
|
|
|
'It is wholly unnecessary, Madam,' said Mr Dombey, 'to enter upon
|
|
such discussions.'
|
|
|
|
'Did you think I loved you? Did you know I did not? Did you ever
|
|
care, Man! for my heart, or propose to yourself to win the worthless
|
|
thing? Was there any poor pretence of any in our bargain? Upon your
|
|
side, or on mine?'
|
|
|
|
'These questions,' said Mr Dombey, 'are all wide of the purpose,
|
|
Madam.'
|
|
|
|
She moved between him and the door to prevent his going away, and
|
|
drawing her majestic figure to its height, looked steadily upon him
|
|
still.
|
|
|
|
'You answer each of them. You answer me before I speak, I see. How
|
|
can you help it; you who know the miserable truth as well as I? Now,
|
|
tell me. If I loved you to devotion, could I do more than render up my
|
|
whole will and being to you, as you have just demanded? If my heart
|
|
were pure and all untried, and you its idol, could you ask more; could
|
|
you have more?'
|
|
|
|
'Possibly not, Madam,' he returned coolly.
|
|
|
|
'You know how different I am. You see me looking on you now, and
|
|
you can read the warmth of passion for you that is breathing in my
|
|
face.' Not a curl of the proud lip, not a flash of the dark eye,
|
|
nothing but the same intent and searching look, accompanied these
|
|
words. 'You know my general history. You have spoken of my mother. Do
|
|
you think you can degrade, or bend or break, me to submission and
|
|
obedience?'
|
|
|
|
Mr Dombey smiled, as he might have smiled at an inquiry whether he
|
|
thought he could raise ten thousand pounds.
|
|
|
|
'If there is anything unusual here,' she said, with a slight motion
|
|
of her hand before her brow, which did not for a moment flinch from
|
|
its immovable and otherwise expressionless gaze, 'as I know there are
|
|
unusual feelings here,' raising the hand she pressed upon her bosom,
|
|
and heavily returning it, 'consider that there is no common meaning in
|
|
the appeal I am going to make you. Yes, for I am going;' she said it
|
|
as in prompt reply to something in his face; 'to appeal to you.'
|
|
|
|
Mr Dombey, with a slightly condescending bend of his chin that
|
|
rustled and crackled his stiff cravat, sat down on a sofa that was
|
|
near him, to hear the appeal.
|
|
|
|
'If you can believe that I am of such a nature now,' - he fancied
|
|
he saw tears glistening in her eyes, and he thought, complacently,
|
|
that he had forced them from her, though none fell on her cheek, and
|
|
she regarded him as steadily as ever, - 'as would make what I now say
|
|
almost incredible to myself, said to any man who had become my
|
|
husband, but, above all, said to you, you may, perhaps, attach the
|
|
greater weight to it. In the dark end to which we are tending, and may
|
|
come, we shall not involve ourselves alone (that might not be much)
|
|
but others.'
|
|
|
|
Others! He knew at whom that word pointed, and frowned heavily.
|
|
|
|
'I speak to you for the sake of others. Also your own sake; and for
|
|
mine. Since our marriage, you have been arrogant to me; and I have
|
|
repaid you in kind. You have shown to me and everyone around us, every
|
|
day and hour, that you think I am graced and distinguished by your
|
|
alliance. I do not think so, and have shown that too. It seems you do
|
|
not understand, or (so far as your power can go) intend that each of
|
|
us shall take a separate course; and you expect from me instead, a
|
|
homage you will never have.'
|
|
|
|
Although her face was still the same, there was emphatic
|
|
confirmation of this 'Never' in the very breath she drew.
|
|
|
|
'I feel no tenderness towards you; that you know. You would care
|
|
nothing for it, if I did or could. I know as well that you feel none
|
|
towards me. But we are linked together; and in the knot that ties us,
|
|
as I have said, others are bound up. We must both die; we are both
|
|
connected with the dead already, each by a little child. Let us
|
|
forbear.'
|
|
|
|
Mr Dombey took a long respiration, as if he would have said, Oh!
|
|
was this all!
|
|
|
|
'There is no wealth,' she went on, turning paler as she watched
|
|
him, while her eyes grew yet more lustrous in their earnestness, 'that
|
|
could buy these words of me, and the meaning that belongs to them.
|
|
Once cast away as idle breath, no wealth or power can bring them back.
|
|
I mean them; I have weighed them; and I will be true to what I
|
|
undertake. If you will promise to forbear on your part, I will promise
|
|
to forbear on mine. We are a most unhappy pair, in whom, from
|
|
different causes, every sentiment that blesses marriage, or justifies
|
|
it, is rooted out; but in the course of time, some friendship, or some
|
|
fitness for each other, may arise between us. I will try to hope so,
|
|
if you will make the endeavour too; and I will look forward to a
|
|
better and a happier use of age than I have made of youth or prime.
|
|
|
|
Throughout she had spoken in a low plain voice, that neither rose
|
|
nor fell; ceasing, she dropped the hand with which she had enforced
|
|
herself to be so passionless and distinct, but not the eyes with which
|
|
she had so steadily observed him.
|
|
|
|
'Madam,' said Mr Dombey, with his utmost dignity, 'I cannot
|
|
entertain any proposal of this extraordinary nature.
|
|
|
|
She looked at him yet, without the least change.
|
|
|
|
'I cannot,' said Mr Dombey, rising as he spoke, 'consent to
|
|
temporise or treat with you, Mrs Dombey, upon a subject as to which
|
|
you are in possession of my opinions and expectations. I have stated
|
|
my ultimatum, Madam, and have only to request your very serious
|
|
attention to it.'
|
|
|
|
To see the face change to its old expression, deepened in
|
|
intensity! To see the eyes droop as from some mean and odious object!
|
|
To see the lighting of the haughty brow! To see scorn, anger,
|
|
indignation, and abhorrence starting into sight, and the pale blank
|
|
earnestness vanish like a mist! He could not choose but look, although
|
|
he looked to his dismay.
|
|
|
|
'Go, Sir!' she said, pointing with an imperious hand towards the
|
|
door. 'Our first and last confidence is at an end. Nothing can make us
|
|
stranger to each other than we are henceforth.'
|
|
|
|
'I shall take my rightful course, Madam,' said Mr Dombey,
|
|
'undeterred, you may be sure, by any general declamation.'
|
|
|
|
She turned her back upon him, and, without reply, sat down before
|
|
her glass.
|
|
|
|
'I place my reliance on your improved sense of duty, and more
|
|
correct feeling, and better reflection, Madam,' said Mr Dombey.
|
|
|
|
She answered not one word. He saw no more expression of any heed of
|
|
him, in the mirror, than if he had been an unseen spider on the wall,
|
|
or beetle on the floor, or rather, than if he had been the one or
|
|
other, seen and crushed when she last turned from him, and forgotten
|
|
among the ignominious and dead vermin of the ground.
|
|
|
|
He looked back, as he went out at the door, upon the well-lighted
|
|
and luxurious room, the beautiful and glittering objects everywhere
|
|
displayed, the shape of Edith in its rich dress seated before her
|
|
glass, and the face of Edith as the glass presented it to him; and
|
|
betook himself to his old chamber of cogitation, carrying away with
|
|
him a vivid picture in his mind of all these things, and a rambling
|
|
and unaccountable speculation (such as sometimes comes into a man's
|
|
head) how they would all look when he saw them next.
|
|
|
|
For the rest, Mr Dombey was very taciturn, and very dignified, and
|
|
very confident of carrying out his purpose; and remained so.
|
|
|
|
He did not design accompanying the family to Brighton; but he
|
|
graciously informed Cleopatra at breakfast, on the morning of
|
|
departure, which arrived a day or two afterwards, that he might be
|
|
expected down, soon. There was no time to be lost in getting Cleopatra
|
|
to any place recommended as being salutary; for, indeed, she seemed
|
|
upon the wane, and turning of the earth, earthy.
|
|
|
|
Without having undergone any decided second attack of her malady,
|
|
the old woman seemed to have crawled backward in her recovery from the
|
|
first. She was more lean and shrunken, more uncertain in her
|
|
imbecility, and made stranger confusions in her mind and memory. Among
|
|
other symptoms of this last affliction, she fell into the habit of
|
|
confounding the names of her two sons-in-law, the living and the
|
|
deceased; and in general called Mr Dombey, either 'Grangeby,' or
|
|
'Domber,' or indifferently, both.
|
|
|
|
But she was youthful, very youthful still; and in her youthfulness
|
|
appeared at breakfast, before going away, in a new bonnet made
|
|
express, and a travelling robe that was embroidered and braided like
|
|
an old baby's. It was not easy to put her into a fly-away bonnet now,
|
|
or to keep the bonnet in its place on the back of her poor nodding
|
|
head, when it was got on. In this instance, it had not only the
|
|
extraneous effect of being always on one side, but of being
|
|
perpetually tapped on the crown by Flowers the maid, who attended in
|
|
the background during breakfast to perform that duty.
|
|
|
|
'Now, my dearest Grangeby,' said Mrs Skewton, 'you must posively
|
|
prom,' she cut some of her words short, and cut out others altogether,
|
|
'come down very soon.'
|
|
|
|
'I said just now, Madam,' returned Mr Dombey, loudly and
|
|
laboriously, 'that I am coming in a day or two.'
|
|
|
|
'Bless you, Domber!'
|
|
|
|
Here the Major, who was come to take leave of the ladies, and who
|
|
was staring through his apoplectic eyes at Mrs Skewton's face with the
|
|
disinterested composure of an immortal being, said:
|
|
|
|
'Begad, Ma'am, you don't ask old Joe to come!'
|
|
|
|
'Sterious wretch, who's he?' lisped Cleopatra. But a tap on the
|
|
bonnet from Flowers seeming to jog her memory, she added, 'Oh! You
|
|
mean yourself, you naughty creature!'
|
|
|
|
'Devilish queer, Sir,' whispered the Major to Mr Dombey. 'Bad case.
|
|
Never did wrap up enough;' the Major being buttoned to the chin. 'Why
|
|
who should J. B. mean by Joe, but old Joe Bagstock - Joseph - your
|
|
slave - Joe, Ma'am? Here! Here's the man! Here are the Bagstock
|
|
bellows, Ma'am!' cried the Major, striking himself a sounding blow on
|
|
the chest.
|
|
|
|
'My dearest Edith - Grangeby - it's most trordinry thing,' said
|
|
Cleopatra, pettishly, 'that Major - '
|
|
|
|
'Bagstock! J. B.!' cried the Major, seeing that she faltered for
|
|
his name.
|
|
|
|
'Well, it don't matter,' said Cleopatra. 'Edith, my love, you know
|
|
I never could remember names - what was it? oh! - most trordinry thing
|
|
that so many people want to come down to see me. I'm not going for
|
|
long. I'm coming back. Surely they can wait, till I come back!'
|
|
|
|
Cleopatra looked all round the table as she said it, and appeared
|
|
very uneasy.
|
|
|
|
'I won't have Vistors - really don't want visitors,' she said;
|
|
'little repose - and all that sort of thing - is what I quire. No
|
|
odious brutes must proach me till I've shaken off this numbness;' and
|
|
in a grisly resumption of her coquettish ways, she made a dab at the
|
|
Major with her fan, but overset Mr Dombey's breakfast cup instead,
|
|
which was in quite a different direction.
|
|
|
|
Then she called for Withers, and charged him to see particularly
|
|
that word was left about some trivial alterations in her room, which
|
|
must be all made before she came back, and which must be set about
|
|
immediately, as there was no saying how soon she might come back; for
|
|
she had a great many engagements, and all sorts of people to call
|
|
upon. Withers received these directions with becoming deference, and
|
|
gave his guarantee for their execution; but when he withdrew a pace or
|
|
two behind her, it appeared as if he couldn't help looking strangely
|
|
at the Major, who couldn't help looking strangely at Mr Dombey, who
|
|
couldn't help looking strangely at Cleopatra, who couldn't help
|
|
nodding her bonnet over one eye, and rattling her knife and fork upon
|
|
her plate in using them, as if she were playing castanets.
|
|
|
|
Edith alone never lifted her eyes to any face at the table, and
|
|
never seemed dismayed by anything her mother said or did. She listened
|
|
to her disjointed talk, or at least, turned her head towards her when
|
|
addressed; replied in a few low words when necessary; and sometimes
|
|
stopped her when she was rambling, or brought her thoughts back with a
|
|
monosyllable, to the point from which they had strayed. The mother,
|
|
however unsteady in other things, was constant in this - that she was
|
|
always observant of her. She would look at the beautiful face, in its
|
|
marble stillness and severity, now with a kind of fearful admiration;
|
|
now in a giggling foolish effort to move it to a smile; now with
|
|
capricious tears and jealous shakings of her head, as imagining
|
|
herself neglected by it; always with an attraction towards it, that
|
|
never fluctuated like her other ideas, but had constant possession of
|
|
her. From Edith she would sometimes look at Florence, and back again
|
|
at Edith, in a manner that was wild enough; and sometimes she would
|
|
try to look elsewhere, as if to escape from her daughter's face; but
|
|
back to it she seemed forced to come, although it never sought hers
|
|
unless sought, or troubled her with one single glance.
|
|
|
|
The best concluded, Mrs Skewton, affecting to lean girlishly upon
|
|
the Major's arm, but heavily supported on the other side by Flowers
|
|
the maid, and propped up behind by Withers the page, was conducted to
|
|
the carriage, which was to take her, Florence, and Edith to Brighton.
|
|
|
|
'And is Joseph absolutely banished?' said the Major, thrusting in
|
|
his purple face over the steps. 'Damme, Ma'am, is Cleopatra so
|
|
hard-hearted as to forbid her faithful Antony Bagstock to approach the
|
|
presence?'
|
|
|
|
'Go along!' said Cleopatra, 'I can't bear you. You shall see me
|
|
when I come back, if you are very good.'
|
|
|
|
'Tell Joseph, he may live in hope, Ma'am,' said the Major; 'or
|
|
he'll die in despair.'
|
|
|
|
Cleopatra shuddered, and leaned back. 'Edith, my dear,' she said.
|
|
'Tell him - '
|
|
|
|
'What?'
|
|
|
|
'Such dreadful words,' said Cleopatra. 'He uses such dreadful
|
|
words!'
|
|
|
|
Edith signed to him to retire, gave the word to go on, and left the
|
|
objectionable Major to Mr Dombey. To whom he returned, whistling.
|
|
|
|
'I'll tell you what, Sir,' said the Major, with his hands behind
|
|
him, and his legs very wide asunder, 'a fair friend of ours has
|
|
removed to Queer Street.'
|
|
|
|
'What do you mean, Major?' inquired Mr Dombey.
|
|
|
|
'I mean to say, Dombey,' returned the Major, 'that you'll soon be
|
|
an orphan-in-law.'
|
|
|
|
Mr Dombey appeared to relish this waggish description of himself so
|
|
very little, that the Major wound up with the horse's cough, as an
|
|
expression of gravity.
|
|
|
|
'Damme, Sir,' said the Major, 'there is no use in disguising a
|
|
fact. Joe is blunt, Sir. That's his nature. If you take old Josh at
|
|
all, you take him as you find him; and a devilish rusty, old rasper,
|
|
of a close-toothed, J. B. file, you do find him. Dombey,' said the
|
|
Major, 'your wife's mother is on the move, Sir.'
|
|
|
|
'I fear,' returned Mr Dombey, with much philosophy, 'that Mrs
|
|
Skewton is shaken.'
|
|
|
|
'Shaken, Dombey!' said the Major. 'Smashed!'
|
|
|
|
'Change, however,' pursued Mr Dombey, 'and attention, may do much
|
|
yet.'
|
|
|
|
'Don't believe it, Sir,' returned the Major. 'Damme, Sir, she never
|
|
wrapped up enough. If a man don't wrap up,' said the Major, taking in
|
|
another button of his buff waistcoat, 'he has nothing to fall back
|
|
upon. But some people will die. They will do it. Damme, they will.
|
|
They're obstinate. I tell you what, Dombey, it may not be ornamental;
|
|
it may not be refined; it may be rough and tough; but a little of the
|
|
genuine old English Bagstock stamina, Sir, would do all the good in
|
|
the world to the human breed.'
|
|
|
|
After imparting this precious piece of information, the Major, who
|
|
was certainly true-blue, whatever other endowments he may have had or
|
|
wanted, coming within the 'genuine old English' classification, which
|
|
has never been exactly ascertained, took his lobster-eyes and his
|
|
apoplexy to the club, and choked there all day.
|
|
|
|
Cleopatra, at one time fretful, at another self-complacent,
|
|
sometimes awake, sometimes asleep, and at all times juvenile, reached
|
|
Brighton the same night, fell to pieces as usual, and was put away in
|
|
bed; where a gloomy fancy might have pictured a more potent skeleton
|
|
than the maid, who should have been one, watching at the rose-coloured
|
|
curtains, which were carried down to shed their bloom upon her.
|
|
|
|
It was settled in high council of medical authority that she should
|
|
take a carriage airing every day, and that it was important she should
|
|
get out every day, and walk if she could. Edith was ready to attend
|
|
her - always ready to attend her, with the same mechanical attention
|
|
and immovable beauty - and they drove out alone; for Edith had an
|
|
uneasiness in the presence of Florence, now that her mother was worse,
|
|
and told Florence, with a kiss, that she would rather they two went
|
|
alone.
|
|
|
|
Mrs Skewton, on one particular day, was in the irresolute,
|
|
exacting, jealous temper that had developed itself on her recovery
|
|
from her first attack. After sitting silent in the carriage watching
|
|
Edith for some time, she took her hand and kissed it passionately. The
|
|
hand was neither given nor withdrawn, but simply yielded to her
|
|
raising of it, and being released, dropped down again, almost as if it
|
|
were insensible. At this she began to whimper and moan, and say what a
|
|
mother she had been, and how she was forgotten! This she continued to
|
|
do at capricious intervals, even when they had alighted: when she
|
|
herself was halting along with the joint support of Withers and a
|
|
stick, and Edith was walking by her side, and the carriage slowly
|
|
following at a little distance.
|
|
|
|
It was a bleak, lowering, windy day, and they were out upon the
|
|
Downs with nothing but a bare sweep of land between them and the sky.
|
|
The mother, with a querulous satisfaction in the monotony of her
|
|
complaint, was still repeating it in a low voice from time to time,
|
|
and the proud form of her daughter moved beside her slowly, when there
|
|
came advancing over a dark ridge before them, two other figures, which
|
|
in the distance, were so like an exaggerated imitation of their own,
|
|
that Edith stopped.
|
|
|
|
Almost as she stopped, the two figures stopped; and that one which
|
|
to Edith's thinking was like a distorted shadow of her mother, spoke
|
|
to the other, earnestly, and with a pointing hand towards them. That
|
|
one seemed inclined to turn back, but the other, in which Edith
|
|
recognised enough that was like herself to strike her with an unusual
|
|
feeling, not quite free from fear, came on; and then they came on
|
|
together.
|
|
|
|
The greater part of this observation, she made while walking
|
|
towards them, for her stoppage had been momentary. Nearer observation
|
|
showed her that they were poorly dressed, as wanderers about the
|
|
country; that the younger woman carried knitted work or some such
|
|
goods for sale; and that the old one toiled on empty-handed.
|
|
|
|
And yet, however far removed she was in dress, in dignity, in
|
|
beauty, Edith could not but compare the younger woman with herself,
|
|
still. It may have been that she saw upon her face some traces which
|
|
she knew were lingering in her own soul, if not yet written on that
|
|
index; but, as the woman came on, returning her gaze, fixing her
|
|
shining eyes upon her, undoubtedly presenting something of her own air
|
|
and stature, and appearing to reciprocate her own thoughts, she felt a
|
|
chill creep over her, as if the day were darkening, and the wind were
|
|
colder.
|
|
|
|
They had now come up. The old woman, holding out her hand
|
|
importunately, stopped to beg of Mrs Skewton. The younger one stopped
|
|
too, and she and Edith looked in one another's eyes.
|
|
|
|
'What is it that you have to sell?' said Edith.
|
|
|
|
'Only this,' returned the woman, holding out her wares, without
|
|
looking at them. 'I sold myself long ago.'
|
|
|
|
'My Lady, don't believe her,' croaked the old woman to Mrs Skewton;
|
|
'don't believe what she says. She loves to talk like that. She's my
|
|
handsome and undutiful daughter. She gives me nothing but reproaches,
|
|
my Lady, for all I have done for her. Look at her now, my Lady, how
|
|
she turns upon her poor old mother with her looks.'
|
|
|
|
As Mrs Skewton drew her purse out with a trembling hand, and
|
|
eagerly fumbled for some money, which the other old woman greedily
|
|
watched for - their heads all but touching, in their hurry and
|
|
decrepitude - Edith interposed:
|
|
|
|
'I have seen you,' addressing the old woman, 'before.'
|
|
|
|
'Yes, my Lady,' with a curtsey. 'Down in Warwickshire. The morning
|
|
among the trees. When you wouldn't give me nothing. But the gentleman,
|
|
he give me something! Oh, bless him, bless him!' mumbled the old
|
|
woman, holding up her skinny hand, and grinning frightfully at her
|
|
daughter.
|
|
|
|
'It's of no use attempting to stay me, Edith!' said Mrs Skewton,
|
|
angrily anticipating an objection from her. 'You know nothing about
|
|
it. I won't be dissuaded. I am sure this is an excellent woman, and a
|
|
good mother.'
|
|
|
|
'Yes, my Lady, yes,' chattered the old woman, holding out her
|
|
avaricious hand. 'Thankee, my Lady. Lord bless you, my Lady. Sixpence
|
|
more, my pretty Lady, as a good mother yourself.'
|
|
|
|
'And treated undutifully enough, too, my good old creature,
|
|
sometimes, I assure you,' said Mrs Skewton, whimpering. 'There! Shake
|
|
hands with me. You're a very good old creature - full of
|
|
what's-his-name - and all that. You're all affection and et cetera,
|
|
ain't you?'
|
|
|
|
'Oh, yes, my Lady!'
|
|
|
|
'Yes, I'm sure you are; and so's that gentlemanly creature
|
|
Grangeby. I must really shake hands with you again. And now you can
|
|
go, you know; and I hope,' addressing the daughter, 'that you'll show
|
|
more gratitude, and natural what's-its-name, and all the rest of it -
|
|
but I never remember names - for there never was a better mother than
|
|
the good old creature's been to you. Come, Edith!'
|
|
|
|
As the ruin of Cleopatra tottered off whimpering, and wiping its
|
|
eyes with a gingerly remembrance of rouge in their neighbourhood, the
|
|
old woman hobbled another way, mumbling and counting her money. Not
|
|
one word more, nor one other gesture, had been exchanged between Edith
|
|
and the younger woman, but neither had removed her eyes from the other
|
|
for a moment. They had remained confronted until now, when Edith, as
|
|
awakening from a dream, passed slowly on.
|
|
|
|
'You're a handsome woman,' muttered her shadow, looking after her;
|
|
'but good looks won't save us. And you're a proud woman; but pride
|
|
won't save us. We had need to know each other when we meet again!'
|
|
|
|
CHAPTER 41.
|
|
|
|
New Voices in the Waves
|
|
|
|
All is going on as it was wont. The waves are hoarse with
|
|
repetition of their mystery; the dust lies piled upon the shore; the
|
|
sea-birds soar and hover; the winds and clouds go forth upon their
|
|
trackless flight; the white arms beckon, in the moonlight, to the
|
|
invisible country far away.
|
|
|
|
With a tender melancholy pleasure, Florence finds herself again on
|
|
the old ground so sadly trodden, yet so happily, and thinks of him in
|
|
the quiet place, where he and she have many and many a time conversed
|
|
together, with the water welling up about his couch. And now, as she
|
|
sits pensive there, she hears in the wild low murmur of the sea, his
|
|
little story told again, his very words repeated; and finds that all
|
|
her life and hopes, and griefs, since - in the solitary house, and in
|
|
the pageant it has changed to - have a portion in the burden of the
|
|
marvellous song.
|
|
|
|
And gentle Mr Toots, who wanders at a distance, looking wistfully
|
|
towards the figure that he dotes upon, and has followed there, but
|
|
cannot in his delicacy disturb at such a time, likewise hears the
|
|
requiem of little Dombey on the waters, rising and falling in the
|
|
lulls of their eternal madrigal in praise of Florence. Yes! and he
|
|
faintly understands, poor Mr Toots, that they are saying something of
|
|
a time when he was sensible of being brighter and not addle-brained;
|
|
and the tears rising in his eyes when he fears that he is dull and
|
|
stupid now, and good for little but to be laughed at, diminish his
|
|
satisfaction in their soothing reminder that he is relieved from
|
|
present responsibility to the Chicken, by the absence of that game
|
|
head of poultry in the country, training (at Toots's cost) for his
|
|
great mill with the Larkey Boy.
|
|
|
|
But Mr Toots takes courage, when they whisper a kind thought to
|
|
him; and by slow degrees and with many indecisive stoppages on the
|
|
way, approaches Florence. Stammering and blushing, Mr Toots affects
|
|
amazement when he comes near her, and says (having followed close on
|
|
the carriage in which she travelled, every inch of the way from
|
|
London, loving even to be choked by the dust of its wheels) that he
|
|
never was so surprised in all his life.
|
|
|
|
'And you've brought Diogenes, too, Miss Dombey!' says Mr Toots,
|
|
thrilled through and through by the touch of the small hand so
|
|
pleasantly and frankly given him.
|
|
|
|
No doubt Diogenes is there, and no doubt Mr Toots has reason to
|
|
observe him, for he comes straightway at Mr Toots's legs, and tumbles
|
|
over himself in the desperation with which he makes at him, like a
|
|
very dog of Montargis. But he is checked by his sweet mistress.
|
|
|
|
'Down, Di, down. Don't you remember who first made us friends, Di?
|
|
For shame!'
|
|
|
|
Oh! Well may Di lay his loving cheek against her hand, and run off,
|
|
and run back, and run round her, barking, and run headlong at anybody
|
|
coming by, to show his devotion. Mr Toots would run headlong at
|
|
anybody, too. A military gentleman goes past, and Mr Toots would like
|
|
nothing better than to run at him, full tilt.
|
|
|
|
'Diogenes is quite in his native air, isn't he, Miss Dombey?' says
|
|
Mr Toots.
|
|
|
|
Florence assents, with a grateful smile.
|
|
|
|
'Miss Dombey,' says Mr Toots, 'beg your pardon, but if you would
|
|
like to walk to Blimber's, I - I'm going there.'
|
|
|
|
Florence puts her arm in that of Mr Toots without a word, and they
|
|
walk away together, with Diogenes going on before. Mr Toots's legs
|
|
shake under him; and though he is splendidly dressed, he feels
|
|
misfits, and sees wrinkles, in the masterpieces of Burgess and Co.,
|
|
and wishes he had put on that brightest pair of boots.
|
|
|
|
Doctor Blimber's house, outside, has as scholastic and studious an
|
|
air as ever; and up there is the window where she used to look for the
|
|
pale face, and where the pale face brightened when it saw her, and the
|
|
wasted little hand waved kisses as she passed. The door is opened by
|
|
the same weak-eyed young man, whose imbecility of grin at sight of Mr
|
|
Toots is feebleness of character personified. They are shown into the
|
|
Doctor's study, where blind Homer and Minerva give them audience as of
|
|
yore, to the sober ticking of the great clock in the hall; and where
|
|
the globes stand still in their accustomed places, as if the world
|
|
were stationary too, and nothing in it ever perished in obedience to
|
|
the universal law, that, while it keeps it on the roll, calls
|
|
everything to earth.
|
|
|
|
And here is Doctor Blimber, with his learned legs; and here is Mrs
|
|
Blimber, with her sky-blue cap; and here Cornelia, with her sandy
|
|
little row of curls, and her bright spectacles, still working like a
|
|
sexton in the graves of languages. Here is the table upon which he sat
|
|
forlorn and strange, the 'new boy' of the school; and hither comes the
|
|
distant cooing of the old boys, at their old lives in the old room on
|
|
the old principle!
|
|
|
|
'Toots,' says Doctor Blimber, 'I am very glad to see you, Toots.'
|
|
|
|
Mr Toots chuckles in reply.
|
|
|
|
'Also to see you, Toots, in such good company,' says Doctor
|
|
Blimber.
|
|
|
|
Mr Toots, with a scarlet visage, explains that he has met Miss
|
|
Dombey by accident, and that Miss Dombey wishing, like himself, to see
|
|
the old place, they have come together.
|
|
|
|
'You will like,' says Doctor Blimber, 'to step among our young
|
|
friends, Miss Dombey, no doubt. All fellow-students of yours, Toots,
|
|
once. I think we have no new disciples in our little portico, my
|
|
dear,' says Doctor Blimber to Cornelia, 'since Mr Toots left us.'
|
|
|
|
'Except Bitherstone,' returns Cornelia.
|
|
|
|
'Ay, truly,' says the Doctor. 'Bitherstone is new to Mr Toots.'
|
|
|
|
New to Florence, too, almost; for, in the schoolroom, Bitherstone -
|
|
no longer Master Bitherstone of Mrs Pipchin's - shows in collars and a
|
|
neckcloth, and wears a watch. But Bitherstone, born beneath some
|
|
Bengal star of ill-omen, is extremely inky; and his Lexicon has got so
|
|
dropsical from constant reference, that it won't shut, and yawns as if
|
|
it really could not bear to be so bothered. So does Bitherstone its
|
|
master, forced at Doctor Blimber's highest pressure; but in the yawn
|
|
of Bitherstone there is malice and snarl, and he has been heard to say
|
|
that he wishes he could catch 'old Blimber' in India. He'd precious
|
|
soon find himself carried up the country by a few of his
|
|
(Bitherstone's) Coolies, and handed over to the Thugs; he can tell him
|
|
that.
|
|
|
|
Briggs is still grinding in the mill of knowledge; and Tozer, too;
|
|
and Johnson, too; and all the rest; the older pupils being principally
|
|
engaged in forgetting, with prodigious labour, everything they knew
|
|
when they were younger. All are as polite and as pale as ever; and
|
|
among them, Mr Feeder, B.A., with his bony hand and bristly head, is
|
|
still hard at it; with his Herodotus stop on just at present, and his
|
|
other barrels on a shelf behind him.
|
|
|
|
A mighty sensation is created, even among these grave young
|
|
gentlemen, by a visit from the emancipated Toots; who is regarded with
|
|
a kind of awe, as one who has passed the Rubicon, and is pledged never
|
|
to come back, and concerning the cut of whose clothes, and fashion of
|
|
whose jewellery, whispers go about, behind hands; the bilious
|
|
Bitherstone, who is not of Mr Toots's time, affecting to despise the
|
|
latter to the smaller boys, and saying he knows better, and that he
|
|
should like to see him coming that sort of thing in Bengal, where his
|
|
mother had got an emerald belonging to him that was taken out of the
|
|
footstool of a Rajah. Come now!
|
|
|
|
Bewildering emotions are awakened also by the sight of Florence,
|
|
with whom every young gentleman immediately falls in love, again;
|
|
except, as aforesaid, the bilious Bitherstone, who declines to do so,
|
|
out of contradiction. Black jealousies of Mr Toots arise, and Briggs
|
|
is of opinion that he ain't so very old after all. But this
|
|
disparaging insinuation is speedily made nought by Mr Toots saying
|
|
aloud to Mr Feeder, B.A., 'How are you, Feeder?' and asking him to
|
|
come and dine with him to-day at the Bedford; in right of which feats
|
|
he might set up as Old Parr, if he chose, unquestioned.
|
|
|
|
There is much shaking of hands, and much bowing, and a great desire
|
|
on the part of each young gentleman to take Toots down in Miss
|
|
Dombey's good graces; and then, Mr Toots having bestowed a chuckle on
|
|
his old desk, Florence and he withdraw with Mrs Blimber and Cornelia;
|
|
and Doctor Blimber is heard to observe behind them as he comes out
|
|
last, and shuts the door, 'Gentlemen, we will now resume our studies,'
|
|
For that and little else is what the Doctor hears the sea say, or has
|
|
heard it saying all his life.
|
|
|
|
Florence then steals away and goes upstairs to the old bedroom with
|
|
Mrs Blimber and Cornelia; Mr Toots, who feels that neither he nor
|
|
anybody else is wanted there, stands talking to the Doctor at the
|
|
study-door, or rather hearing the Doctor talk to him, and wondering
|
|
how he ever thought the study a great sanctuary, and the Doctor, with
|
|
his round turned legs, like a clerical pianoforte, an awful man.
|
|
Florence soon comes down and takes leave; Mr Toots takes leave; and
|
|
Diogenes, who has been worrying the weak-eyed young man pitilessly all
|
|
the time, shoots out at the door, and barks a glad defiance down the
|
|
cliff; while Melia, and another of the Doctor's female domestics,
|
|
looks out of an upper window, laughing 'at that there Toots,' and
|
|
saying of Miss Dombey, 'But really though, now - ain't she like her
|
|
brother, only prettier?'
|
|
|
|
Mr Toots, who saw when Florence came down that there were tears
|
|
upon her face, is desperately anxious and uneasy, and at first fears
|
|
that he did wrong in proposing the visit. But he is soon relieved by
|
|
her saying she is very glad to have been there again, and by her
|
|
talking quite cheerfully about it all, as they walked on by the sea.
|
|
What with the voices there, and her sweet voice, when they come near
|
|
Mr Dombey's house, and Mr Toots must leave her, he is so enslaved that
|
|
he has not a scrap of free-will left; when she gives him her hand at
|
|
parting, he cannot let it go.
|
|
|
|
'Miss Dombey, I beg your pardon,' says Mr Toots, in a sad fluster,
|
|
'but if you would allow me to - to -
|
|
|
|
The smiling and unconscious look of Florence brings him to a dead
|
|
stop.
|
|
|
|
'If you would allow me to - if you would not consider it a liberty,
|
|
Miss Dombey, if I was to - without any encouragement at all, if I was
|
|
to hope, you know,' says Mr Toots.
|
|
|
|
Florence looks at him inquiringly.
|
|
|
|
'Miss Dombey,' says Mr Toots, who feels that he is in for it now,
|
|
'I really am in that state of adoration of you that I don't know what
|
|
to do with myself. I am the most deplorable wretch. If it wasn't at
|
|
the corner of the Square at present, I should go down on my knees, and
|
|
beg and entreat of you, without any encouragement at all, just to let
|
|
me hope that I may - may think it possible that you -
|
|
|
|
'Oh, if you please, don't!' cries Florence, for the moment quite
|
|
alarmed and distressed. 'Oh, pray don't, Mr Toots. Stop, if you
|
|
please. Don't say any more. As a kindness and a favour to me, don't.'
|
|
|
|
Mr Toots is dreadfully abashed, and his mouth opens.
|
|
|
|
'You have been so good to me,' says Florence, 'I am so grateful to
|
|
you, I have such reason to like you for being a kind friend to me, and
|
|
I do like you so much;' and here the ingenuous face smiles upon him
|
|
with the pleasantest look of honesty in the world; 'that I am sure you
|
|
are only going to say good-bye!'
|
|
|
|
'Certainly, Miss Dombey,' says Mr Toots, 'I - I - that's exactly
|
|
what I mean. It's of no consequence.'
|
|
|
|
'Good-bye!' cries Florence.
|
|
|
|
'Good-bye, Miss Dombey!' stammers Mr Toots. 'I hope you won't think
|
|
anything about it. It's - it's of no consequence, thank you. It's not
|
|
of the least consequence in the world.'
|
|
|
|
Poor Mr Toots goes home to his hotel in a state of desperation,
|
|
locks himself into his bedroom, flings himself upon his bed, and lies
|
|
there for a long time; as if it were of the greatest consequence,
|
|
nevertheless. But Mr Feeder, B.A., is coming to dinner, which happens
|
|
well for Mr Toots, or there is no knowing when he might get up again.
|
|
Mr Toots is obliged to get up to receive him, and to give him
|
|
hospitable entertainment.
|
|
|
|
And the generous influence of that social virtue, hospitality (to
|
|
make no mention of wine and good cheer), opens Mr Toots's heart, and
|
|
warms him to conversation. He does not tell Mr Feeder, B.A., what
|
|
passed at the corner of the Square; but when Mr Feeder asks him 'When
|
|
it is to come off?' Mr Toots replies, 'that there are certain
|
|
subjects' - which brings Mr Feeder down a peg or two immediately. Mr
|
|
Toots adds, that he don't know what right Blimber had to notice his
|
|
being in Miss Dombey's company, and that if he thought he meant
|
|
impudence by it, he'd have him out, Doctor or no Doctor; but he
|
|
supposes its only his ignorance. Mr Feeder says he has no doubt of it.
|
|
|
|
Mr Feeder, however, as an intimate friend, is not excluded from the
|
|
subject. Mr Toots merely requires that it should be mentioned
|
|
mysteriously, and with feeling. After a few glasses of wine, he gives
|
|
Miss Dombey's health, observing, 'Feeder, you have no idea of the
|
|
sentiments with which I propose that toast.' Mr Feeder replies, 'Oh,
|
|
yes, I have, my dear Toots; and greatly they redound to your honour,
|
|
old boy.' Mr Feeder is then agitated by friendship, and shakes hands;
|
|
and says, if ever Toots wants a brother, he knows where to find him,
|
|
either by post or parcel. Mr Feeder like-wise says, that if he may
|
|
advise, he would recommend Mr Toots to learn the guitar, or, at least
|
|
the flute; for women like music, when you are paying your addresses to
|
|
'em, and he has found the advantage of it himself.
|
|
|
|
This brings Mr Feeder, B.A., to the confession that he has his eye
|
|
upon Cornelia Blimber. He informs Mr Toots that he don't object to
|
|
spectacles, and that if the Doctor were to do the handsome thing and
|
|
give up the business, why, there they are - provided for. He says it's
|
|
his opinion that when a man has made a handsome sum by his business,
|
|
he is bound to give it up; and that Cornelia would be an assistance in
|
|
it which any man might be proud of. Mr Toots replies by launching
|
|
wildly out into Miss Dombey's praises, and by insinuations that
|
|
sometimes he thinks he should like to blow his brains out. Mr Feeder
|
|
strongly urges that it would be a rash attempt, and shows him, as a
|
|
reconcilement to existence, Cornelia's portrait, spectacles and all.
|
|
|
|
Thus these quiet spirits pass the evening; and when it has yielded
|
|
place to night, Mr Toots walks home with Mr Feeder, and parts with him
|
|
at Doctor Blimber's door. But Mr Feeder only goes up the steps, and
|
|
when Mr Toots is gone, comes down again, to stroll upon the beach
|
|
alone, and think about his prospects. Mr Feeder plainly hears the
|
|
waves informing him, as he loiters along, that Doctor Blimber will
|
|
give up the business; and he feels a soft romantic pleasure in looking
|
|
at the outside of the house, and thinking that the Doctor will first
|
|
paint it, and put it into thorough repair.
|
|
|
|
Mr Toots is likewise roaming up and down, outside the casket that
|
|
contains his jewel; and in a deplorable condition of mind, and not
|
|
unsuspected by the police, gazes at a window where he sees a light,
|
|
and which he has no doubt is Florence's. But it is not, for that is
|
|
Mrs Skewton's room; and while Florence, sleeping in another chamber,
|
|
dreams lovingly, in the midst of the old scenes, and their old
|
|
associations live again, the figure which in grim reality is
|
|
substituted for the patient boy's on the same theatre, once more to
|
|
connect it - but how differently! - with decay and death, is stretched
|
|
there, wakeful and complaining. Ugly and haggard it lies upon its bed
|
|
of unrest; and by it, in the terror of her unimpassioned loveliness -
|
|
for it has terror in the sufferer's failing eyes - sits Edith. What do
|
|
the waves say, in the stillness of the night, to them?
|
|
|
|
'Edith, what is that stone arm raised to strike me? Don't you see
|
|
it?'
|
|
|
|
There is nothing, mother, but your fancy.'
|
|
|
|
'But my fancy! Everything is my fancy. Look! Is it possible that
|
|
you don't see it?'
|
|
|
|
'Indeed, mother, there is nothing. Should I sit unmoved, if there
|
|
were any such thing there?'
|
|
|
|
'Unmoved?' looking wildly at her - 'it's gone now - and why are you
|
|
so unmoved? That is not my fancy, Edith. It turns me cold to see you
|
|
sitting at my side.'
|
|
|
|
'I am sorry, mother.'
|
|
|
|
'Sorry! You seem always sorry. But it is not for me!'
|
|
|
|
With that, she cries; and tossing her restless head from side to
|
|
side upon her pillow, runs on about neglect, and the mother she has
|
|
been, and the mother the good old creature was, whom they met, and the
|
|
cold return the daughters of such mothers make. In the midst of her
|
|
incoherence, she stops, looks at her daughter, cries out that her wits
|
|
are going, and hides her face upon the bed.
|
|
|
|
Edith, in compassion, bends over her and speaks to her. The sick
|
|
old woman clutches her round the neck, and says, with a look of
|
|
horror,
|
|
|
|
'Edith! we are going home soon; going back. You mean that I shall
|
|
go home again?'
|
|
|
|
'Yes, mother, yes.'
|
|
|
|
'And what he said - what's-his-name, I never could remember names -
|
|
Major - that dreadful word, when we came away - it's not true? Edith!'
|
|
with a shriek and a stare, 'it's not that that is the matter with me.'
|
|
|
|
Night after night, the lights burn in the window, and the figure
|
|
lies upon the bed, and Edith sits beside it, and the restless waves
|
|
are calling to them both the whole night long. Night after night, the
|
|
waves are hoarse with repetition of their mystery; the dust lies piled
|
|
upon the shore; the sea-birds soar and hover; the winds and clouds are
|
|
on their trackless flight; the white arms beckon, in the moonlight, to
|
|
the invisible country far away.
|
|
|
|
And still the sick old woman looks into the corner, where the stone
|
|
arm - part of a figure of some tomb, she says - is raised to strike
|
|
her. At last it falls; and then a dumb old woman lies upon the the
|
|
bed, and she is crooked and shrunk up, and half of her is dead.
|
|
|
|
Such is the figure, painted and patched for the sun to mock, that
|
|
is drawn slowly through the crowd from day to day; looking, as it
|
|
goes, for the good old creature who was such a mother, and making
|
|
mouths as it peers among the crowd in vain. Such is the figure that is
|
|
often wheeled down to the margin of the sea, and stationed there; but
|
|
on which no wind can blow freshness, and for which the murmur of the
|
|
ocean has no soothing word. She lies and listens to it by the hour;
|
|
but its speech is dark and gloomy to her, and a dread is on her face,
|
|
and when her eyes wander over the expanse, they see but a broad
|
|
stretch of desolation between earth and heaven.
|
|
|
|
Florence she seldom sees, and when she does, is angry with and mows
|
|
at. Edith is beside her always, and keeps Florence away; and Florence,
|
|
in her bed at night, trembles at the thought of death in such a shape,
|
|
and often wakes and listens, thinking it has come. No one attends on
|
|
her but Edith. It is better that few eyes should see her; and her
|
|
daughter watches alone by the bedside.
|
|
|
|
A shadow even on that shadowed face, a sharpening even of the
|
|
sharpened features, and a thickening of the veil before the eyes into
|
|
a pall that shuts out the dim world, is come. Her wandering hands upon
|
|
the coverlet join feebly palm to palm, and move towards her daughter;
|
|
and a voice not like hers, not like any voice that speaks our mortal
|
|
language - says, 'For I nursed you!'
|
|
|
|
Edith, without a tear, kneels down to bring her voice closer to the
|
|
sinking head, and answers:
|
|
|
|
'Mother, can you hear me?'
|
|
|
|
Staring wide, she tries to nod in answer.
|
|
|
|
'Can you recollect the night before I married?'
|
|
|
|
The head is motionless, but it expresses somehow that she does.
|
|
|
|
'I told you then that I forgave your part in it, and prayed God to
|
|
forgive my own. I told you that time past was at an end between us. I
|
|
say so now, again. Kiss me, mother.'
|
|
|
|
Edith touches the white lips, and for a moment all is still. A
|
|
moment afterwards, her mother, with her girlish laugh, and the
|
|
skeleton of the Cleopatra manner, rises in her bed.
|
|
|
|
Draw the rose-coloured curtains. There is something else upon its
|
|
flight besides the wind and clouds. Draw the rose-coloured curtains
|
|
close!
|
|
|
|
Intelligence of the event is sent to Mr Dombey in town, who waits
|
|
upon Cousin Feenix (not yet able to make up his mind for Baden-Baden),
|
|
who has just received it too. A good-natured creature like Cousin
|
|
Feenix is the very man for a marriage or a funeral, and his position
|
|
in the family renders it right that he should be consulted.
|
|
|
|
'Dombey,' said Cousin Feenix, 'upon my soul, I am very much shocked
|
|
to see you on such a melancholy occasion. My poor aunt! She was a
|
|
devilish lively woman.'
|
|
|
|
Mr Dombey replies, 'Very much so.'
|
|
|
|
'And made up,' says Cousin Feenix, 'really young, you know,
|
|
considering. I am sure, on the day of your marriage, I thought she was
|
|
good for another twenty years. In point of fact, I said so to a man at
|
|
Brooks's - little Billy Joper - you know him, no doubt - man with a
|
|
glass in his eye?'
|
|
|
|
Mr Dombey bows a negative. 'In reference to the obsequies,' he
|
|
hints, 'whether there is any suggestion - '
|
|
|
|
'Well, upon my life,' says Cousin Feenix, stroking his chin, which
|
|
he has just enough of hand below his wristbands to do; 'I really don't
|
|
know. There's a Mausoleum down at my place, in the park, but I'm
|
|
afraid it's in bad repair, and, in point of fact, in a devil of a
|
|
state. But for being a little out at elbows, I should have had it put
|
|
to rights; but I believe the people come and make pic-nic parties
|
|
there inside the iron railings.'
|
|
|
|
Mr Dombey is clear that this won't do.
|
|
|
|
'There's an uncommon good church in the village,' says Cousin
|
|
Feenix, thoughtfully; 'pure specimen of the Anglo-Norman style, and
|
|
admirably well sketched too by Lady Jane Finchbury - woman with tight
|
|
stays - but they've spoilt it with whitewash, I understand, and it's a
|
|
long journey.
|
|
|
|
'Perhaps Brighton itself,' Mr Dombey suggests.
|
|
|
|
'Upon my honour, Dombey, I don't think we could do better,' says
|
|
Cousin Feenix. 'It's on the spot, you see, and a very cheerful place.'
|
|
|
|
'And when,' hints Mr Dombey, 'would it be convenient?'
|
|
|
|
'I shall make a point,' says Cousin Feenix, 'of pledging myself for
|
|
any day you think best. I shall have great pleasure (melancholy
|
|
pleasure, of course) in following my poor aunt to the confines of the
|
|
- in point of fact, to the grave,' says Cousin Feenix, failing in the
|
|
other turn of speech.
|
|
|
|
'Would Monday do for leaving town?' says Mr Dombey.
|
|
|
|
'Monday would suit me to perfection,' replies Cousin Feenix.
|
|
Therefore Mr Dombey arranges to take Cousin Feenix down on that day,
|
|
and presently takes his leave, attended to the stairs by Cousin
|
|
Feenix, who says, at parting, 'I'm really excessively sorry, Dombey,
|
|
that you should have so much trouble about it;' to which Mr Dombey
|
|
answers, 'Not at all.'
|
|
|
|
At the appointed time, Cousin Feenix and Mr Dombey meet, and go
|
|
down to Brighton, and representing, in their two selves, all the other
|
|
mourners for the deceased lady's loss, attend her remains to their
|
|
place of rest. Cousin Feenix, sitting in the mourning-coach,
|
|
recognises innumerable acquaintances on the road, but takes no other
|
|
notice of them, in decorum, than checking them off aloud, as they go
|
|
by, for Mr Dombey's information, as 'Tom Johnson. Man with cork leg,
|
|
from White's. What, are you here, Tommy? Foley on a blood mare. The
|
|
Smalder girls' - and so forth. At the ceremony Cousin Feenix is
|
|
depressed, observing, that these are the occasions to make a man
|
|
think, in point of fact, that he is getting shaky; and his eyes are
|
|
really moistened, when it is over. But he soon recovers; and so do the
|
|
rest of Mrs Skewton's relatives and friends, of whom the Major
|
|
continually tells the club that she never did wrap up enough; while
|
|
the young lady with the back, who has so much trouble with her
|
|
eyelids, says, with a little scream, that she must have been
|
|
enormously old, and that she died of all kinds of horrors, and you
|
|
mustn't mention it.
|
|
|
|
So Edith's mother lies unmentioned of her dear friends, who are
|
|
deaf to the waves that are hoarse with repetition of their mystery,
|
|
and blind to the dust that is piled upon the shore, and to the white
|
|
arms that are beckoning, in the moonlight, to the invisible country
|
|
far away. But all goes on, as it was wont, upon the margin of the
|
|
unknown sea; and Edith standing there alone, and listening to its
|
|
waves, has dank weed cast up at her feet, to strew her path in life
|
|
withal.
|
|
|
|
CHAPTER 42.
|
|
|
|
Confidential and Accidental
|
|
|
|
Attired no more in Captain Cuttle's sable slops and sou'-wester
|
|
hat, but dressed in a substantial suit of brown livery, which, while
|
|
it affected to be a very sober and demure livery indeed, was really as
|
|
self-satisfied and confident a one as tailor need desire to make, Rob
|
|
the Grinder, thus transformed as to his outer man, and all regardless
|
|
within of the Captain and the Midshipman, except when he devoted a few
|
|
minutes of his leisure time to crowing over those inseparable
|
|
worthies, and recalling, with much applauding music from that brazen
|
|
instrument, his conscience, the triumphant manner in which he had
|
|
disembarrassed himself of their company, now served his patron, Mr
|
|
Carker. Inmate of Mr Carker's house, and serving about his person, Rob
|
|
kept his round eyes on the white teeth with fear and trembling, and
|
|
felt that he had need to open them wider than ever.
|
|
|
|
He could not have quaked more, through his whole being, before the
|
|
teeth, though he had come into the service of some powerful enchanter,
|
|
and they had been his strongest spells. The boy had a sense of power
|
|
and authority in this patron of his that engrossed his whole attention
|
|
and exacted his most implicit submission and obedience. He hardly
|
|
considered himself safe in thinking about him when he was absent, lest
|
|
he should feel himself immediately taken by the throat again, as on
|
|
the morning when he first became bound to him, and should see every
|
|
one of the teeth finding him out, and taxing him with every fancy of
|
|
his mind. Face to face with him, Rob had no more doubt that Mr Carker
|
|
read his secret thoughts, or that he could read them by the least
|
|
exertion of his will if he were so inclined, than he had that Mr
|
|
Carker saw him when he looked at him. The ascendancy was so complete,
|
|
and held him in such enthralment, that, hardly daring to think at all,
|
|
but with his mind filled with a constantly dilating impression of his
|
|
patron's irresistible command over him, and power of doing anything
|
|
with him, he would stand watching his pleasure, and trying to
|
|
anticipate his orders, in a state of mental suspension, as to all
|
|
other things.
|
|
|
|
Rob had not informed himself perhaps - in his then state of mind it
|
|
would have been an act of no common temerity to inquire - whether he
|
|
yielded so completely to this influence in any part, because he had
|
|
floating suspicions of his patron's being a master of certain
|
|
treacherous arts in which he had himself been a poor scholar at the
|
|
Grinders' School. But certainly Rob admired him, as well as feared
|
|
him. Mr Carker, perhaps, was better acquainted with the sources of his
|
|
power, which lost nothing by his management of it.
|
|
|
|
On the very night when he left the Captain's service, Rob, after
|
|
disposing of his pigeons, and even making a bad bargain in his hurry,
|
|
had gone straight down to Mr Carker's house, and hotly presented
|
|
himself before his new master with a glowing face that seemed to
|
|
expect commendation.
|
|
|
|
'What, scapegrace!' said Mr Carker, glancing at his bundle 'Have
|
|
you left your situation and come to me?'
|
|
|
|
'Oh if you please, Sir,' faltered Rob, 'you said, you know, when I
|
|
come here last - '
|
|
|
|
'I said,' returned Mr Carker, 'what did I say?'
|
|
|
|
'If you please, Sir, you didn't say nothing at all, Sir,' returned
|
|
Rob, warned by the manner of this inquiry, and very much disconcerted.
|
|
|
|
His patron looked at him with a wide display of gums, and shaking
|
|
his forefinger, observed:
|
|
|
|
'You'll come to an evil end, my vagabond friend, I foresee. There's
|
|
ruin in store for you.
|
|
|
|
'Oh if you please, don't, Sir!' cried Rob, with his legs trembling
|
|
under him. ' I'm sure, Sir, I only want to work for you, Sir, and to
|
|
wait upon you, Sir, and to do faithful whatever I'm bid, Sir.'
|
|
|
|
'You had better do faithfully whatever you are bid,' returned his
|
|
patron, 'if you have anything to do with me.'
|
|
|
|
'Yes, I know that, Sir,' pleaded the submissive Rob; 'I'm sure of
|
|
that, SIr. If you'll only be so good as try me, Sir! And if ever you
|
|
find me out, Sir, doing anything against your wishes, I give you leave
|
|
to kill me.'
|
|
|
|
'You dog!' said Mr Carker, leaning back in his chair, and smiling
|
|
at him serenely. 'That's nothing to what I'd do to you, if you tried
|
|
to deceive me.'
|
|
|
|
'Yes, Sir,' replied the abject Grinder, 'I'm sure you would be down
|
|
upon me dreadful, Sir. I wouldn't attempt for to go and do it, Sir,
|
|
not if I was bribed with golden guineas.'
|
|
|
|
Thoroughly checked in his expectations of commendation, the
|
|
crestfallen Grinder stood looking at his patron, and vainly
|
|
endeavouring not to look at him, with the uneasiness which a cur will
|
|
often manifest in a similar situation.
|
|
|
|
'So you have left your old service, and come here to ask me to take
|
|
you into mine, eh?' said Mr Carker.
|
|
|
|
'Yes, if you please, Sir,' returned Rob, who, in doing so, had
|
|
acted on his patron's own instructions, but dared not justify himself
|
|
by the least insinuation to that effect.
|
|
|
|
'Well!' said Mr Carker. 'You know me, boy?'
|
|
|
|
'Please, Sir, yes, Sir,' returned Rob, tumbling with his hat, and
|
|
still fixed by Mr Carker's eye, and fruitlessly endeavouring to unfix
|
|
himself.
|
|
|
|
Mr Carker nodded. 'Take care, then!'
|
|
|
|
Rob expressed in a number of short bows his lively understanding of
|
|
this caution, and was bowing himself back to the door, greatly
|
|
relieved by the prospect of getting on the outside of it, when his
|
|
patron stopped him.
|
|
|
|
'Halloa!' he cried, calling him roughly back. 'You have been - shut
|
|
that door.'
|
|
|
|
Rob obeyed as if his life had depended on his alacrity.
|
|
|
|
'You have been used to eaves-dropping. Do you know what that
|
|
means?'
|
|
|
|
'Listening, Sir?' Rob hazarded, after some embarrassed reflection.
|
|
|
|
His patron nodded. 'And watching, and so forth.'
|
|
|
|
'I wouldn't do such a thing here, Sir,' answered Rob; 'upon my word
|
|
and honour, I wouldn't, Sir, I wish I may die if I would, Sir, for
|
|
anything that could be promised to me. I should consider it is as much
|
|
as all the world was worth, to offer to do such a thing, unless I was
|
|
ordered, Sir.'
|
|
|
|
'You had better not' You have been used, too, to babbling and
|
|
tattling,' said his patron with perfect coolness. 'Beware of that
|
|
here, or you're a lost rascal,' and he smiled again, and again
|
|
cautioned him with his forefinger.
|
|
|
|
The Grinder's breath came short and thick with consternation. He
|
|
tried to protest the purity of his intentions, but could only stare at
|
|
the smiling gentleman in a stupor of submission, with which the
|
|
smiling gentleman seemed well enough satisfied, for he ordered him
|
|
downstairs, after observing him for some moments in silence, and gave
|
|
him to understand that he was retained in his employment. This was the
|
|
manner of Rob the Grinder's engagement by Mr Carker, and his
|
|
awe-stricken devotion to that gentleman had strengthened and
|
|
increased, if possible, with every minute of his service.
|
|
|
|
It was a service of some months' duration, when early one morning,
|
|
Rob opened the garden gate to Mr Dombey, who was come to breakfast
|
|
with his master, by appointment. At the same moment his master himself
|
|
came, hurrying forth to receive the distinguished guest, and give him
|
|
welcome with all his teeth.
|
|
|
|
'I never thought,' said Carker, when he had assisted him to alight
|
|
from his horse, 'to see you here, I'm sure. This is an extraordinary
|
|
day in my calendar. No occasion is very special to a man like you, who
|
|
may do anything; but to a man like me, the case is widely different.
|
|
|
|
'You have a tasteful place here, Carker,' said Mr Dombey,
|
|
condescending to stop upon the lawn, to look about him.
|
|
|
|
'You can afford to say so,' returned Carker. 'Thank you.'
|
|
|
|
'Indeed,' said Mr Dombey, in his lofty patronage, 'anyone might say
|
|
so. As far as it goes, it is a very commodious and well-arranged place
|
|
- quite elegant.'
|
|
|
|
'As far as it goes, truly,' returned Carker, with an air of
|
|
disparagement' 'It wants that qualification. Well! we have said enough
|
|
about it; and though you can afford to praise it, I thank you
|
|
nonetheless. Will you walk in?'
|
|
|
|
Mr Dombey, entering the house, noticed, as he had reason to do, the
|
|
complete arrangement of the rooms, and the numerous contrivances for
|
|
comfort and effect that abounded there. Mr Carker, in his ostentation
|
|
of humility, received this notice with a deferential smile, and said
|
|
he understood its delicate meaning, and appreciated it, but in truth
|
|
the cottage was good enough for one in his position - better, perhaps,
|
|
than such a man should occupy, poor as it was.
|
|
|
|
'But perhaps to you, who are so far removed, it really does look
|
|
better than it is,' he said, with his false mouth distended to its
|
|
fullest stretch. 'Just as monarchs imagine attractions in the lives of
|
|
beggars.'
|
|
|
|
He directed a sharp glance and a sharp smile at Mr Dombey as he
|
|
spoke, and a sharper glance, and a sharper smile yet, when Mr Dombey,
|
|
drawing himself up before the fire, in the attitude so often copied by
|
|
his second in command, looked round at the pictures on the walls.
|
|
Cursorily as his cold eye wandered over them, Carker's keen glance
|
|
accompanied his, and kept pace with his, marking exactly where it
|
|
went, and what it saw. As it rested on one picture in particular,
|
|
Carker hardly seemed to breathe, his sidelong scrutiny was so cat-like
|
|
and vigilant, but the eye of his great chief passed from that, as from
|
|
the others, and appeared no more impressed by it than by the rest.
|
|
|
|
Carker looked at it - it was the picture that resembled Edith - as
|
|
if it were a living thing; and with a wicked, silent laugh upon his
|
|
face, that seemed in part addressed to it, though it was all derisive
|
|
of the great man standing so unconscious beside him. Breakfast was
|
|
soon set upon the table; and, inviting Mr Dombey to a chair which had
|
|
its back towards this picture, he took his own seat opposite to it as
|
|
usual.
|
|
|
|
Mr Dombey was even graver than it was his custom to be, and quite
|
|
silent. The parrot, swinging in the gilded hoop within her gaudy cage,
|
|
attempted in vain to attract notice, for Carker was too observant of
|
|
his visitor to heed her; and the visitor, abstracted in meditation,
|
|
looked fixedly, not to say sullenly, over his stiff neckcloth, without
|
|
raising his eyes from the table-cloth. As to Rob, who was in
|
|
attendance, all his faculties and energies were so locked up in
|
|
observation of his master, that he scarcely ventured to give shelter
|
|
to the thought that the visitor was the great gentleman before whom he
|
|
had been carried as a certificate of the family health, in his
|
|
childhood, and to whom he had been indebted for his leather smalls.
|
|
|
|
'Allow me,' said Carker suddenly, 'to ask how Mrs Dombey is?'
|
|
|
|
He leaned forward obsequiously, as he made the inquiry, with his
|
|
chin resting on his hand; and at the same time his eyes went up to the
|
|
picture, as if he said to it, 'Now, see, how I will lead him on!'
|
|
|
|
Mr Dombey reddened as he answered:
|
|
|
|
'Mrs Dombey is quite well. You remind me, Carker, of some
|
|
conversation that I wish to have with you.'
|
|
|
|
'Robin, you can leave us,' said his master, at whose mild tones
|
|
Robin started and disappeared, with his eyes fixed on his patron to
|
|
the last. 'You don't remember that boy, of course?' he added, when the
|
|
enmeshed Grinder was gone.
|
|
|
|
'No,' said Mr Dombey, with magnificent indifference.
|
|
|
|
'Not likely that a man like you would. Hardly possible,' murmured
|
|
Carker. 'But he is one of that family from whom you took a nurse.
|
|
Perhaps you may remember having generously charged yourself with his
|
|
education?'
|
|
|
|
'Is it that boy?' said Mr Dombey, with a frown. 'He does little
|
|
credit to his education, I believe.'
|
|
|
|
'Why, he is a young rip, I am afraid,' returned Carker, with a
|
|
shrug. 'He bears that character. But the truth is, I took him into my
|
|
service because, being able to get no other employment, he conceived
|
|
(had been taught at home, I daresay) that he had some sort of claim
|
|
upon you, and was constantly trying to dog your heels with his
|
|
petition. And although my defined and recognised connexion with your
|
|
affairs is merely of a business character, still I have that
|
|
spontaneous interest in everything belonging to you, that - '
|
|
|
|
He stopped again, as if to discover whether he had led Mr Dombey
|
|
far enough yet. And again, with his chin resting on his hand, he
|
|
leered at the picture.
|
|
|
|
'Carker,' said Mr Dombey, 'I am sensible that you do not limit your
|
|
- '
|
|
|
|
'Service,' suggested his smiling entertainer.
|
|
|
|
'No; I prefer to say your regard,' observed Mr Dombey; very
|
|
sensible, as he said so, that he was paying him a handsome and
|
|
flattering compliment, 'to our mere business relations. Your
|
|
consideration for my feelings, hopes, and disappointments, in the
|
|
little instance you have just now mentioned, is an example in point. I
|
|
I am obliged to you, Carker.'
|
|
|
|
Mr Carker bent his head slowly, and very softly rubbed his hands,
|
|
as if he were afraid by any action to disturb the current of Mr
|
|
Dombey's confidence.
|
|
|
|
'Your allusion to it is opportune,' said Mr Dombey, after a little
|
|
hesitation; 'for it prepares the way to what I was beginning to say to
|
|
you, and reminds me that that involves no absolutely new relations
|
|
between us, although it may involve more personal confidence on my
|
|
part than I have hitherto - '
|
|
|
|
'Distinguished me with,' suggested Carker, bending his head again:
|
|
'I will not say to you how honoured I am; for a man like you well
|
|
knows how much honour he has in his power to bestow at pleasure.'
|
|
|
|
'Mrs Dombey and myself,' said Mr Dombey, passing this compliment
|
|
with august self-denial, 'are not quite agreed upon some points. We do
|
|
not appear to understand each other yet' Mrs Dombey has something to
|
|
learn.'
|
|
|
|
'Mrs Dombey is distinguished by many rare attractions; and has been
|
|
accustomed, no doubt, to receive much adulation,' said the smooth,
|
|
sleek watcher of his slightest look and tone. 'But where there is
|
|
affection, duty, and respect, any little mistakes engendered by such
|
|
causes are soon set right.'
|
|
|
|
Mr Dombey's thoughts instinctively flew back to the face that had
|
|
looked at him in his wife's dressing-room when an imperious hand was
|
|
stretched towards the door; and remembering the affection, duty, and
|
|
respect, expressed in it, he felt the blood rush to his own face quite
|
|
as plainly as the watchful eyes upon him saw it there.
|
|
|
|
'Mrs Dombey and myself,' he went on to say, 'had some discussion,
|
|
before Mrs Skewton's death, upon the causes of my dissatisfaction; of
|
|
which you will have formed a general understanding from having been a
|
|
witness of what passed between Mrs Dombey and myself on the evening
|
|
when you were at our - at my house.'
|
|
|
|
'When I so much regretted being present,' said the smiling Carker.
|
|
'Proud as a man in my position nay must be of your familiar notice -
|
|
though I give you no credit for it; you may do anything you please
|
|
without losing caste - and honoured as I was by an early presentation
|
|
to Mrs Dombey, before she was made eminent by bearing your name, I
|
|
almost regretted that night, I assure you, that I had been the object
|
|
of such especial good fortune'
|
|
|
|
That any man could, under any possible circumstances, regret the
|
|
being distinguished by his condescension and patronage, was a moral
|
|
phenomenon which Mr Dombey could not comprehend. He therefore
|
|
responded, with a considerable accession of dignity. 'Indeed! And why,
|
|
Carker?'
|
|
|
|
'I fear,' returned the confidential agent, 'that Mrs Dombey, never
|
|
very much disposed to regard me with favourable interest - one in my
|
|
position could not expect that, from a lady naturally proud, and whose
|
|
pride becomes her so well - may not easily forgive my innocent part in
|
|
that conversation. Your displeasure is no light matter, you must
|
|
remember; and to be visited with it before a third party -
|
|
|
|
'Carker,' said Mr Dombey, arrogantly; 'I presume that I am the
|
|
first consideration?'
|
|
|
|
'Oh! Can there be a doubt about it?' replied the other, with the
|
|
impatience of a man admitting a notorious and incontrovertible fact'
|
|
|
|
'Mrs Dombey becomes a secondary consideration, when we are both in
|
|
question, I imagine,' said Mr Dombey. 'Is that so?'
|
|
|
|
'Is it so?' returned Carker. 'Do you know better than anyone, that
|
|
you have no need to ask?'
|
|
|
|
'Then I hope, Carker,' said Mr Dombey, 'that your regret in the
|
|
acquisition of Mrs Dombey's displeasure, may be almost counterbalanced
|
|
by your satisfaction in retaining my confidence and good opinion.'
|
|
|
|
'I have the misfortune, I find,' returned Carker, 'to have incurred
|
|
that displeasure. Mrs Dombey has expressed it to you?'
|
|
|
|
'Mrs Dombey has expressed various opinions,' said Mr Dombey, with
|
|
majestic coldness and indifference, 'in which I do not participate,
|
|
and which I am not inclined to discuss, or to recall. I made Mr's
|
|
Dombey acquainted, some time since, as I have already told you, with
|
|
certain points of domestic deference and submission on which I felt it
|
|
necessary to insist. I failed to convince Mrs Dombey of the expediency
|
|
of her immediately altering her conduct in those respects, with a view
|
|
to her own peace and welfare, and my dignity; and I informed Mrs
|
|
Dombey that if I should find it necessary to object or remonstrate
|
|
again, I should express my opinion to her through yourself, my
|
|
confidential agent.'
|
|
|
|
Blended with the look that Carker bent upon him, was a devilish
|
|
look at the picture over his head, that struck upon it like a flash of
|
|
lightning.
|
|
|
|
'Now, Carker,' said Mr Dombey, 'I do not hesitate to say to you
|
|
that I will carry my point. I am not to be trifled with. Mrs Dombey
|
|
must understand that my will is law, and that I cannot allow of one
|
|
exception to the whole rule of my life. You will have the goodness to
|
|
undertake this charge, which, coming from me, is not unacceptable to
|
|
you, I hope, whatever regret you may politely profess - for which I am
|
|
obliged to you on behalf of Mrs Dombey; and you will have the
|
|
goodness, I am persuaded, to discharge it as exactly as any other
|
|
commission.'
|
|
|
|
'You know,' said Mr Carker, 'that you have only to command me.
|
|
|
|
'I know,' said Mr Dombey, with a majestic indication of assent,
|
|
'that I have only to command you. It is necessary that I should
|
|
proceed in this. Mrs Dombey is a lady undoubtedly highly qualified, in
|
|
many respects, to -
|
|
|
|
'To do credit even to your choice,' suggested Carker, with a
|
|
yawning show of teeth.
|
|
|
|
'Yes; if you please to adopt that form of words,' said Mr Dombey,
|
|
in his tone of state; 'and at present I do not conceive that Mrs
|
|
Dombey does that credit to it, to which it is entitled. There is a
|
|
principle of opposition in Mrs Dombey that must be eradicated; that
|
|
must be overcome: Mrs Dombey does not appear to understand,' said Mr
|
|
Dombey, forcibly, 'that the idea of opposition to Me is monstrous and
|
|
absurd.'
|
|
|
|
'We, in the City, know you better,' replied Carker, with a smile
|
|
from ear to ear.
|
|
|
|
'You know me better,' said Mr Dombey. 'I hope so. Though, indeed, I
|
|
am bound to do Mrs Dombey the justice of saying, however inconsistent
|
|
it may seem with her subsequent conduct (which remains unchanged),
|
|
that on my expressing my disapprobation and determination to her, with
|
|
some severity, on the occasion to which I have referred, my admonition
|
|
appeared to produce a very powerful effect.' Mr Dombey delivered
|
|
himself of those words with most portentous stateliness. 'I wish you
|
|
to have the goodness, then, to inform Mrs Dombey, Carker, from me,
|
|
that I must recall our former conversation to her remembrance, in some
|
|
surprise that it has not yet had its effect. That I must insist upon
|
|
her regulating her conduct by the injunctions laid upon her in that
|
|
conversation. That I am not satisfied with her conduct. That I am
|
|
greatly dissatisfied with it. And that I shall be under the very
|
|
disagreeable necessity of making you the bearer of yet more unwelcome
|
|
and explicit communications, if she has not the good sense and the
|
|
proper feeling to adapt herself to my wishes, as the first Mrs Dombey
|
|
did, and, I believe I may add, as any other lady in her place would.'
|
|
|
|
'The first Mrs Dombey lived very happily,' said Carker.
|
|
|
|
'The first Mrs Dombey had great good sense,' said Mr Dombey, in a
|
|
gentlemanly toleration of the dead, 'and very correct feeling.'
|
|
|
|
'Is Miss Dombey like her mother, do you think?' said Carker.
|
|
|
|
Swiftly and darkly, Mr Dombey's face changed. His confidential
|
|
agent eyed it keenly.
|
|
|
|
'I have approached a painful subject,' he said, in a soft regretful
|
|
tone of voice, irreconcilable with his eager eye. 'Pray forgive me. I
|
|
forget these chains of association in the interest I have. Pray
|
|
forgive me.'
|
|
|
|
But for all he said, his eager eye scanned Mr Dombey's downcast
|
|
face none the less closely; and then it shot a strange triumphant look
|
|
at the picture, as appealing to it to bear witness how he led him on
|
|
again, and what was coming.
|
|
|
|
Carker,' said Mr Dombey, looking here and there upon the table, and
|
|
saying in a somewhat altered and more hurried voice, and with a paler
|
|
lip, 'there is no occasion for apology. You mistake. The association
|
|
is with the matter in hand, and not with any recollection, as you
|
|
suppose. I do not approve of Mrs Dombey's behaviour towards my
|
|
daughter.'
|
|
|
|
'Pardon me,' said Mr Carker, 'I don't quite understand.'
|
|
|
|
'Understand then,' returned Mr Dombey, 'that you may make that -
|
|
that you will make that, if you please - matter of direct objection
|
|
from me to Mrs Dombey. You will please to tell her that her show of
|
|
devotion for my daughter is disagreeable to me. It is likely to be
|
|
noticed. It is likely to induce people to contrast Mrs Dombey in her
|
|
relation towards my daughter, with Mrs Dombey in her relation towards
|
|
myself. You will have the goodness to let Mrs Dombey know, plainly,
|
|
that I object to it; and that I expect her to defer, immediately, to
|
|
my objection. Mrs Dombey may be in earnest, or she may be pursuing a
|
|
whim, or she may be opposing me; but I object to it in any case, and
|
|
in every case. If Mrs Dombey is in earnest, so much the less reluctant
|
|
should she be to desist; for she will not serve my daughter by any
|
|
such display. If my wife has any superfluous gentleness, and duty over
|
|
and above her proper submission to me, she may bestow them where she
|
|
pleases, perhaps; but I will have submission first! - Carker,' said Mr
|
|
Dombey, checking the unusual emotion with which he had spoken, and
|
|
falling into a tone more like that in which he was accustomed to
|
|
assert his greatness, 'you will have the goodness not to omit or slur
|
|
this point, but to consider it a very important part of your
|
|
instructions.'
|
|
|
|
Mr Carker bowed his head, and rising from the table, and standing
|
|
thoughtfully before the fire, with his hand to his smooth chin, looked
|
|
down at Mr Dombey with the evil slyness of some monkish carving, half
|
|
human and half brute; or like a leering face on an old water-spout. Mr
|
|
Dombey, recovering his composure by degrees, or cooling his emotion in
|
|
his sense of having taken a high position, sat gradually stiffening
|
|
again, and looking at the parrot as she swung to and fro, in her great
|
|
wedding ring.
|
|
|
|
'I beg your pardon,' said Carker, after a silence, suddenly
|
|
resuming his chair, and drawing it opposite to Mr Dombey's, 'but let
|
|
me understand. Mrs Dombey is aware of the probability of your making
|
|
me the organ of your displeasure?'
|
|
|
|
'Yes,' replied Mr Dombey. 'I have said so.'
|
|
|
|
'Yes,' rejoined Carker, quickly; 'but why?'
|
|
|
|
'Why!' Mr Dombey repeated, not without hesitation. 'Because I told
|
|
her.'
|
|
|
|
'Ay,' replied Carker. 'But why did you tell her? You see,' he
|
|
continued with a smile, and softly laying his velvet hand, as a cat
|
|
might have laid its sheathed claws, on Mr Dombey's arm; 'if I
|
|
perfectly understand what is in your mind, I am so much more likely to
|
|
be useful, and to have the happiness of being effectually employed. I
|
|
think I do understand. I have not the honour of Mrs Dombey's good
|
|
opinion. In my position, I have no reason to expect it; but I take the
|
|
fact to be, that I have not got it?'
|
|
|
|
'Possibly not,' said Mr Dombey.
|
|
|
|
'Consequently,' pursued Carker, 'your making the communications to
|
|
Mrs Dombey through me, is sure to be particularly unpalatable to that
|
|
lady?'
|
|
|
|
'It appears to me,' said Mr Dombey, with haughty reserve, and yet
|
|
with some embarrassment, 'that Mrs Dombey's views upon the subject
|
|
form no part of it as it presents itself to you and me, Carker. But it
|
|
may be so.'
|
|
|
|
'And - pardon me - do I misconceive you,' said Carker, 'when I
|
|
think you descry in this, a likely means of humbling Mrs Dombey's
|
|
pride - I use the word as expressive of a quality which, kept within
|
|
due bounds, adorns and graces a lady so distinguished for her beauty
|
|
and accomplishments - and, not to say of punishing her, but of
|
|
reducing her to the submission you so naturally and justly require?'
|
|
|
|
'I am not accustomed, Carker, as you know,' said Mr Dombey, 'to
|
|
give such close reasons for any course of conduct I think proper to
|
|
adopt, but I will gainsay nothing of this. If you have any objection
|
|
to found upon it, that is indeed another thing, and the mere statement
|
|
that you have one will be sufficient. But I have not supposed, I
|
|
confess, that any confidence I could entrust to you, would be likely
|
|
to degrade you - '
|
|
|
|
'Oh! I degraded!' exclaimed Carker. 'In your service!'
|
|
|
|
'or to place you,' pursued Mr Dombey, 'in a false position.'
|
|
|
|
'I in a false position!' exclaimed Carker. 'I shall be proud -
|
|
delighted - to execute your trust. I could have wished, I own, to have
|
|
given the lady at whose feet I would lay my humble duty and devotion -
|
|
for is she not your wife! - no new cause of dislike; but a wish from
|
|
you is, of course, paramount to every other consideration on earth.
|
|
Besides, when Mrs Dombey is converted from these little errors of
|
|
judgment, incidental, I would presume to say, to the novelty of her
|
|
situation, I shall hope that she will perceive in the slight part I
|
|
take, only a grain - my removed and different sphere gives room for
|
|
little more - of the respect for you, and sacrifice of all
|
|
considerations to you, of which it will be her pleasure and privilege
|
|
to garner up a great store every day.'
|
|
|
|
Mr Dombey seemed, at the moment, again to see her with her hand
|
|
stretched out towards the door, and again to hear through the mild
|
|
speech of his confidential agent an echo of the words, 'Nothing can
|
|
make us stranger to each other than we are henceforth!' But he shook
|
|
off the fancy, and did not shake in his resolution, and said,
|
|
'Certainly, no doubt.'
|
|
|
|
'There is nothing more,' quoth Carker, drawing his chair back to
|
|
its old place - for they had taken little breakfast as yet- and
|
|
pausing for an answer before he sat down.
|
|
|
|
'Nothing,' said Mr Dombey, 'but this. You will be good enough to
|
|
observe, Carker, that no message to Mrs Dombey with which you are or
|
|
may be charged, admits of reply. You will be good enough to bring me
|
|
no reply. Mrs Dombey is informed that it does not become me to
|
|
temporise or treat upon any matter that is at issue between us, and
|
|
that what I say is final.'
|
|
|
|
Mr Carker signIfied his understanding of these credentials, and
|
|
they fell to breakfast with what appetite they might. The Grinder
|
|
also, in due time reappeared, keeping his eyes upon his master without
|
|
a moment's respite, and passing the time in a reverie of worshipful
|
|
tenor. Breakfast concluded, Mr Dombey's horse was ordered out again,
|
|
and Mr Carker mounting his own, they rode off for the City together.
|
|
|
|
Mr Carker was in capital spirits, and talked much. Mr Dombey
|
|
received his conversation with the sovereign air of a man who had a
|
|
right to be talked to, and occasionally condescended to throw in a few
|
|
words to carry on the conversation. So they rode on characteristically
|
|
enough. But Mr Dombey, in his dignity, rode with very long stirrups,
|
|
and a very loose rein, and very rarely deigned to look down to see
|
|
where his horse went. In consequence of which it happened that Mr
|
|
Dombey's horse, while going at a round trot, stumbled on some loose
|
|
stones, threw him, rolled over him, and lashing out with his iron-shod
|
|
feet, in his struggles to get up, kicked him.
|
|
|
|
Mr Carker, quick of eye, steady of hand, and a good horseman, was
|
|
afoot, and had the struggling animal upon his legs and by the bridle,
|
|
in a moment. Otherwise that morning's confidence would have been Mr
|
|
Dombey's last. Yet even with the flush and hurry of this action red
|
|
upon him, he bent over his prostrate chief with every tooth disclosed,
|
|
and muttered as he stooped down, 'I have given good cause of offence
|
|
to Mrs Dombey now, if she knew it!'
|
|
|
|
Mr Dombey being insensible, and bleeding from the head and face,
|
|
was carried by certain menders of the road, under Carker's direction,
|
|
to the nearest public-house, which was not far off, and where he was
|
|
soon attended by divers surgeons, who arrived in quick succession from
|
|
all parts, and who seemed to come by some mysterious instinct, as
|
|
vultures are said to gather about a camel who dies in the desert.
|
|
After being at some pains to restore him to consciousness, these
|
|
gentlemen examined into the nature of his injuries.
|
|
|
|
One surgeon who lived hard by was strong for a compound fracture of
|
|
the leg, which was the landlord's opinion also; but two surgeons who
|
|
lived at a distance, and were only in that neighbourhood by accident,
|
|
combated this opinion so disinterestedly, that it was decided at last
|
|
that the patient, though severely cut and bruised, had broken no bones
|
|
but a lesser rib or so, and might be carefully taken home before
|
|
night. His injuries being dressed and bandaged, which was a long
|
|
operation, and he at length left to repose, Mr Carker mounted his
|
|
horse again, and rode away to carry the intelligence home.
|
|
|
|
Crafty and cruel as his face was at the best of times, though it
|
|
was a sufficiently fair face as to form and regularity of feature, it
|
|
was at its worst when he set forth on this errand; animated by the
|
|
craft and cruelty of thoughts within him, suggestions of remote
|
|
possibility rather than of design or plot, that made him ride as if he
|
|
hunted men and women. Drawing rein at length, and slackening in his
|
|
speed, as he came into the more public roads, he checked his
|
|
white-legged horse into picking his way along as usual, and hid
|
|
himself beneath his sleek, hushed, crouched manner, and his ivory
|
|
smile, as he best could.
|
|
|
|
He rode direct to Mr Dombey's house, alighted at the door, and
|
|
begged to see Mrs Dombey on an affair of importance. The servant who
|
|
showed him to Mr Dombey's own room, soon returned to say that it was
|
|
not Mrs Dombey's hour for receiving visitors, and that he begged
|
|
pardon for not having mentioned it before.
|
|
|
|
Mr Carker, who was quite prepared for a cold reception, wrote upon
|
|
a card that he must take the liberty of pressing for an interview, and
|
|
that he would not be so bold as to do so, for the second time (this he
|
|
underlined), if he were not equally sure of the occasion being
|
|
sufficient for his justification. After a trifling delay, Mrs Dombey's
|
|
maid appeared, and conducted him to a morning room upstairs, where
|
|
Edith and Florence were together.
|
|
|
|
He had never thought Edith half so beautiful before. Much as he
|
|
admired the graces of her face and form, and freshly as they dwelt
|
|
within his sensual remembrance, he had never thought her half so
|
|
beautiful.
|
|
|
|
Her glance fell haughtily upon him in the doorway; but he looked at
|
|
Florence - though only in the act of bending his head, as he came in -
|
|
with some irrepressible expression of the new power he held; and it
|
|
was his triumph to see the glance droop and falter, and to see that
|
|
Edith half rose up to receive him.
|
|
|
|
He was very sorry, he was deeply grieved; he couldn't say with what
|
|
unwillingness he came to prepare her for the intelligence of a very
|
|
slight accident. He entreated Mrs Dombey to compose herself. Upon his
|
|
sacred word of honour, there was no cause of alarm. But Mr Dombey -
|
|
|
|
Florence uttered a sudden cry. He did not look at her, but at
|
|
Edith. Edith composed and reassured her. She uttered no cry of
|
|
distress. No, no.
|
|
|
|
Mr Dombey had met with an accident in riding. His horse had
|
|
slipped, and he had been thrown.
|
|
|
|
Florence wildly exclaimed that he was badly hurt; that he was
|
|
killed!
|
|
|
|
No. Upon his honour, Mr Dombey, though stunned at first, was soon
|
|
recovered, and though certainly hurt was in no kind of danger. If this
|
|
were not the truth, he, the distressed intruder, never could have had
|
|
the courage to present himself before Mrs Dombey. It was the truth
|
|
indeed, he solemnly assured her.
|
|
|
|
All this he said as if he were answering Edith, and not Florence,
|
|
and with his eyes and his smile fastened on Edith.
|
|
|
|
He then went on to tell her where Mr Dombey was lying, and to
|
|
request that a carriage might be placed at his disposal to bring him
|
|
home.
|
|
|
|
'Mama,' faltered Florence in tears, 'if I might venture to go!'
|
|
|
|
Mr Carker, having his eyes on Edith when he heard these words, gave
|
|
her a secret look and slightly shook his head. He saw how she battled
|
|
with herself before she answered him with her handsome eyes, but he
|
|
wrested the answer from her - he showed her that he would have it, or
|
|
that he would speak and cut Florence to the heart - and she gave it to
|
|
him. As he had looked at the picture in the morning, so he looked at
|
|
her afterwards, when she turned her eyes away.
|
|
|
|
'I am directed to request,' he said, 'that the new housekeeper -
|
|
Mrs Pipchin, I think, is the name - '
|
|
|
|
Nothing escaped him. He saw in an instant, that she was another
|
|
slight of Mr Dombey's on his wife.
|
|
|
|
' - may be informed that Mr Dombey wishes to have his bed prepared
|
|
in his own apartments downstairs, as he prefers those rooms to any
|
|
other. I shall return to Mr Dombey almost immediately. That every
|
|
possible attention has been paid to his comfort, and that he is the
|
|
object of every possible solicitude, I need not assure you, Madam. Let
|
|
me again say, there is no cause for the least alarm. Even you may be
|
|
quite at ease, believe me.'
|
|
|
|
He bowed himself out, with his extremest show of deference and
|
|
conciliation; and having returned to Mr Dombey's room, and there
|
|
arranged for a carriage being sent after him to the City, mounted his
|
|
horse again, and rode slowly thither. He was very thoughtful as he
|
|
went along, and very thoughtful there, and very thoughtful in the
|
|
carriage on his way back to the place where Mr Dombey had been left.
|
|
It was only when sitting by that gentleman's couch that he was quite
|
|
himself again, and conscious of his teeth.
|
|
|
|
About the time of twilight, Mr Dombey, grievously afflicted with
|
|
aches and pains, was helped into his carriage, and propped with cloaks
|
|
and pillows on one side of it, while his confidential agent bore him
|
|
company upon the other. As he was not to be shaken, they moved at
|
|
little more than a foot pace; and hence it was quite dark when he was
|
|
brought home. Mrs Pipchin, bitter and grim, and not oblivious of the
|
|
Peruvian mines, as the establishment in general had good reason to
|
|
know, received him at the door, and freshened the domestics with
|
|
several little sprinklings of wordy vinegar, while they assisted in
|
|
conveying him to his room. Mr Carker remained in attendance until he
|
|
was safe in bed, and then, as he declined to receive any female
|
|
visitor, but the excellent Ogress who presided over his household,
|
|
waited on Mrs Dombey once more, with his report on her lord's
|
|
condition.
|
|
|
|
He again found Edith alone with Florence, and he again addressed
|
|
the whole of his soothing speech to Edith, as if she were a prey to
|
|
the liveliest and most affectionate anxieties. So earnest he was in
|
|
his respectful sympathy, that on taking leave, he ventured - with one
|
|
more glance towards Florence at the moment - to take her hand, and
|
|
bending over it, to touch it with his lips.
|
|
|
|
Edith did not withdraw the hand, nor did she strike his fair face
|
|
with it, despite the flush upon her cheek, the bright light in her
|
|
eyes, and the dilation of her whole form. But when she was alone in
|
|
her own room, she struck it on the marble chimney-shelf, so that, at
|
|
one blow, it was bruised, and bled; and held it from her, near the
|
|
shining fire, as if she could have thrust it in and burned it'
|
|
|
|
Far into the night she sat alone, by the sinking blaze, in dark and
|
|
threatening beauty, watching the murky shadows looming on the wall, as
|
|
if her thoughts were tangible, and cast them there. Whatever shapes of
|
|
outrage and affront, and black foreshadowings of things that might
|
|
happen, flickered, indistinct and giant-like, before her, one resented
|
|
figure marshalled them against her. And that figure was her husband.
|
|
|
|
CHAPTER 43.
|
|
|
|
The Watches of the Night
|
|
|
|
Florence, long since awakened from her dream, mournfully observed
|
|
the estrangement between her father and Edith, and saw it widen more
|
|
and more, and knew that there was greater bitterness between them
|
|
every day. Each day's added knowledge deepened the shade upon her love
|
|
and hope, roused up the old sorrow that had slumbered for a little
|
|
time, and made it even heavier to bear than it had been before.
|
|
|
|
It had been hard - how hard may none but Florence ever know! - to
|
|
have the natural affection of a true and earnest nature turned to
|
|
agony; and slight, or stern repulse, substituted for the tenderest
|
|
protection and the dearest care. It had been hard to feel in her deep
|
|
heart what she had felt, and never know the happiness of one touch of
|
|
response. But it was much more hard to be compelled to doubt either
|
|
her father or Edith, so affectionate and dear to her, and to think of
|
|
her love for each of them, by turns, with fear, distrust, and wonder.
|
|
|
|
Yet Florence now began to do so; and the doing of it was a task
|
|
imposed upon her by the very purity of her soul, as one she could not
|
|
fly from. She saw her father cold and obdurate to Edith, as to her;
|
|
hard, inflexible, unyielding. Could it be, she asked herself with
|
|
starting tears, that her own dear mother had been made unhappy by such
|
|
treatment, and had pined away and died? Then she would think how proud
|
|
and stately Edith was to everyone but her, with what disdain she
|
|
treated him, how distantly she kept apart from him, and what she had
|
|
said on the night when they came home; and quickly it would come on
|
|
Florence, almost as a crime, that she loved one who was set in
|
|
opposition to her father, and that her father knowing of it, must
|
|
think of her in his solitary room as the unnatural child who added
|
|
this wrong to the old fault, so much wept for, of never having won his
|
|
fatherly affection from her birth. The next kind word from Edith, the
|
|
next kind glance, would shake these thoughts again, and make them seem
|
|
like black ingratitude; for who but she had cheered the drooping heart
|
|
of Florence, so lonely and so hurt, and been its best of comforters!
|
|
Thus, with her gentle nature yearning to them both, feeling for the
|
|
misery of both, and whispering doubts of her own duty to both,
|
|
Florence in her wider and expanded love, and by the side of Edith,
|
|
endured more than when she had hoarded up her undivided secret in the
|
|
mournful house, and her beautiful Mama had never dawned upon it.
|
|
|
|
One exquisite unhappiness that would have far outweighed this,
|
|
Florence was spared. She never had the least suspicion that Edith by
|
|
her tenderness for her widened the separation from her father, or gave
|
|
him new cause of dislike. If Florence had conceived the possIbility of
|
|
such an effect being wrought by such a cause, what grief she would
|
|
have felt, what sacrifice she would have tried to make, poor loving
|
|
girl, how fast and sure her quiet passage might have been beneath it
|
|
to the presence of that higher Father who does not reject his
|
|
children's love, or spurn their tried and broken hearts, Heaven knows!
|
|
But it was otherwise, and that was well.
|
|
|
|
No word was ever spoken between Florence and Edith now, on these
|
|
subjects. Edith had said there ought to be between them, in that wise,
|
|
a division and a silence like the grave itself: and Florence felt she
|
|
was right'
|
|
|
|
In this state of affairs her father was brought home, suffering and
|
|
disabled; and gloomily retired to his own rooms, where he was tended
|
|
by servants, not approached by Edith, and had no friend or companion
|
|
but Mr Carker, who withdrew near midnight.
|
|
|
|
'And nice company he is, Miss Floy,' said Susan Nipper. 'Oh, he's a
|
|
precious piece of goods! If ever he wants a character don't let him
|
|
come to me whatever he does, that's all I tell him.'
|
|
|
|
'Dear Susan,' urged Florence, 'don't!'
|
|
|
|
'Oh, it's very well to say "don't" Miss Floy,' returned the Nipper,
|
|
much exasperated; 'but raly begging your pardon we're coming to such
|
|
passes that it turns all the blood in a person's body into pins and
|
|
needles, with their pints all ways. Don't mistake me, Miss Floy, I
|
|
don't mean nothing again your ma-in-law who has always treated me as a
|
|
lady should though she is rather high I must say not that I have any
|
|
right to object to that particular, but when we come to Mrs Pipchinses
|
|
and having them put over us and keeping guard at your Pa's door like
|
|
crocodiles (only make us thankful that they lay no eggs!) we are a
|
|
growing too outrageous!'
|
|
|
|
'Papa thinks well of Mrs Pipchin, Susan,' returned Florence, 'and
|
|
has a right to choose his housekeeper, you know. Pray don't!'
|
|
|
|
'Well Miss Floy,' returned the Nipper, 'when you say don't, I never
|
|
do I hope but Mrs Pipchin acts like early gooseberries upon me Miss,
|
|
and nothing less.'
|
|
|
|
Susan was unusually emphatic and destitute of punctuation in her
|
|
discourse on this night, which was the night of Mr Dombey's being
|
|
brought home, because, having been sent downstairs by Florence to
|
|
inquire after him, she had been obliged to deliver her message to her
|
|
mortal enemy Mrs Pipchin; who, without carrying it in to Mr Dombey,
|
|
had taken upon herself to return what Miss Nipper called a huffish
|
|
answer, on her own responsibility. This, Susan Nipper construed into
|
|
presumption on the part of that exemplary sufferer by the Peruvian
|
|
mines, and a deed of disparagement upon her young lady, that was not
|
|
to be forgiven; and so far her emphatic state was special. But she had
|
|
been in a condition of greatly increased suspicion and distrust, ever
|
|
since the marriage; for, like most persons of her quality of mind, who
|
|
form a strong and sincere attachment to one in the different station
|
|
which Florence occupied, Susan was very jealous, and her jealousy
|
|
naturally attached to Edith, who divided her old empire, and came
|
|
between them. Proud and glad as Susan Nipper truly was, that her young
|
|
mistress should be advanced towards her proper place in the scene of
|
|
her old neglect, and that she should have her father's handsome wife
|
|
for her companion and protectress, she could not relinquish any part
|
|
of her own dominion to the handsome wife, without a grudge and a vague
|
|
feeling of ill-will, for which she did not fail to find a
|
|
disinterested justification in her sharp perception of the pride and
|
|
passion of the lady's character. From the background to which she had
|
|
necessarily retired somewhat, since the marriage, Miss Nipper looked
|
|
on, therefore, at domestic affairs in general, with a resolute
|
|
conviction that no good would come of Mrs Dombey: always being very
|
|
careful to publish on all possible occasions, that she had nothing to
|
|
say against her.
|
|
|
|
'Susan,' said Florence, who was sitting thoughtfully at her table,
|
|
'it is very late. I shall want nothing more to-night.'
|
|
|
|
'Ah, Miss Floy!' returned the Nipper, 'I'm sure I often wish for
|
|
them old times when I sat up with you hours later than this and fell
|
|
asleep through being tired out when you was as broad awake as
|
|
spectacles, but you've ma's-in-law to come and sit with you now Miss
|
|
Floy and I'm thankful for it I'm sure. I've not a word to say against
|
|
'em.'
|
|
|
|
'I shall not forget who was my old companion when I had none,
|
|
Susan,' returned Florence, gently, 'never!' And looking up, she put
|
|
her arm round the neck of her humble friend, drew her face down to
|
|
hers, and bidding her good-night, kissed it; which so mollified Miss
|
|
Nipper, that she fell a sobbing.
|
|
|
|
'Now my dear Miss Floy, said Susan, 'let me go downstairs again and
|
|
see how your Pa is, I know you're wretched about him, do let me go
|
|
downstairs again and knock at his door my own self.'
|
|
|
|
'No,' said Florence, 'go to bed. We shall hear more in the morning.
|
|
I will inquire myself in the morning. Mama has been down, I daresay;'
|
|
Florence blushed, for she had no such hope; 'or is there now, perhaps.
|
|
Good-night!'
|
|
|
|
Susan was too much softened to express her private opinion on the
|
|
probability of Mrs Dombey's being in attendance on her husband, and
|
|
silently withdrew. Florence left alone, soon hid her head upon her
|
|
hands as she had often done in other days, and did not restrain the
|
|
tears from coursing down her face. The misery of this domestic discord
|
|
and unhappiness; the withered hope she cherished now, if hope it could
|
|
be called, of ever being taken to her father's heart; her doubts and
|
|
fears between the two; the yearning of her innocent breast to both;
|
|
the heavy disappointment and regret of such an end as this, to what
|
|
had been a vision of bright hope and promise to her; all crowded on
|
|
her mind and made her tears flow fast. Her mother and her brother
|
|
dead, her father unmoved towards her, Edith opposed to him and casting
|
|
him away, but loving her, and loved by her, it seemed as if her
|
|
affection could never prosper, rest where it would. That weak thought
|
|
was soon hushed, but the thoughts in which it had arisen were too true
|
|
and strong to be dismissed with it; and they made the night desolate.
|
|
|
|
Among such reflections there rose up, as there had risen up all
|
|
day, the image of her father, wounded and in pain, alone in his own
|
|
room, untended by those who should be nearest to him, and passing the
|
|
tardy hours in lonely suffering. A frightened thought which made her
|
|
start and clasp her hands - though it was not a new one in her mind -
|
|
that he might die, and never see her or pronounce her name, thrilled
|
|
her whole frame. In her agitation she thought, and trembled while she
|
|
thought, of once more stealing downstairs, and venturing to his door.
|
|
|
|
She listened at her own. The house was quiet, and all the lights
|
|
were out. It was a long, long time, she thought, since she used to
|
|
make her nightly pilgrimages to his door! It was a long, long time,
|
|
she tried to think, since she had entered his room at midnight, and he
|
|
had led her back to the stair-foot!
|
|
|
|
With the same child's heart within her, as of old: even with the
|
|
child's sweet timid eyes and clustering hair: Florence, as strange to
|
|
her father in her early maiden bloom, as in her nursery time, crept
|
|
down the staircase listening as she went, and drew near to his room.
|
|
No one was stirring in the house. The door was partly open to admit
|
|
air; and all was so still within, that she could hear the burning of
|
|
the fire, and count the ticking of the clock that stood upon the
|
|
chimney-piece.
|
|
|
|
She looked in. In that room, the housekeeper wrapped in a blanket
|
|
was fast asleep in an easy chair before the fire. The doors between it
|
|
and the next were partly closed, and a screen was drawn before them;
|
|
but there was a light there, and it shone upon the cornice of his bed.
|
|
All was so very still that she could hear from his breathing that he
|
|
was asleep. This gave her courage to pass round the screen, and look
|
|
into his chamber.
|
|
|
|
It was as great a start to come upon his sleeping face as if she
|
|
had not expected to see it. Florence stood arrested on the spot, and
|
|
if he had awakened then, must have remained there.
|
|
|
|
There was a cut upon his forehead, and they had been wetting his
|
|
hair, which lay bedabbled and entangled on the pillow. One of his
|
|
arms, resting outside the bed, was bandaged up, and he was very white.
|
|
But it was not this, that after the first quick glance, and first
|
|
assurance of his sleeping quietly, held Florence rooted to the ground.
|
|
It was something very different from this, and more than this, that
|
|
made him look so solemn in her eye
|
|
|
|
She had never seen his face in all her life, but there had been
|
|
upon it - or she fancied so - some disturbing consciousness of her.
|
|
She had never seen his face in all her life, but hope had sunk within
|
|
her, and her timid glance had dropped before its stern, unloving, and
|
|
repelling harshness. As she looked upon it now, she saw it, for the
|
|
first time, free from the cloud that had darkened her childhood. Calm,
|
|
tranquil night was reigning in its stead. He might have gone to sleep,
|
|
for anything she saw there, blessing her.
|
|
|
|
Awake, unkind father! Awake, now, sullen man! The time is flitting
|
|
by; the hour is coming with an angry tread. Awake!
|
|
|
|
There was no change upon his face; and as she watched it, awfully,
|
|
its motionless reponse recalled the faces that were gone. So they
|
|
looked, so would he; so she, his weeping child, who should say when!
|
|
so all the world of love and hatred and indifference around them! When
|
|
that time should come, it would not be the heavier to him, for this
|
|
that she was going to do; and it might fall something lighter upon
|
|
her.
|
|
|
|
She stole close to the bed, and drawing in her breath, bent down,
|
|
and softly kissed him on the face, and laid her own for one brief
|
|
moment by its side, and put the arm, with which she dared not touch
|
|
him, round about him on the pillow.
|
|
|
|
Awake, doomed man, while she is near! The time is flitting by; the
|
|
hour is coming with an angry tread; its foot is in the house. Awake!
|
|
|
|
In her mind, she prayed to God to bless her father, and to soften
|
|
him towards her, if it might be so; and if not, to forgive him if he
|
|
was wrong, and pardon her the prayer which almost seemed impiety. And
|
|
doing so, and looking back at him with blinded eyes, and stealing
|
|
timidly away, passed out of his room, and crossed the other, and was
|
|
gone.
|
|
|
|
He may sleep on now. He may sleep on while he may. But let him look
|
|
for that slight figure when he wakes, and find it near him when the
|
|
hour is come!
|
|
|
|
Sad and grieving was the heart of Florence, as she crept upstairs.
|
|
The quiet house had grown more dismal since she came down. The sleep
|
|
she had been looking on, in the dead of night, had the solemnity to
|
|
her of death and life in one. The secrecy and silence of her own
|
|
proceeding made the night secret, silent, and oppressive. She felt
|
|
unwilling, almost unable, to go on to her own chamber; and turnIng
|
|
into the drawing-rooms, where the clouded moon was shining through the
|
|
blinds, looked out into the empty streets.
|
|
|
|
The wind was blowing drearily. The lamps looked pale, and shook as
|
|
if they were cold. There was a distant glimmer of something that was
|
|
not quite darkness, rather than of light, in the sky; and foreboding
|
|
night was shivering and restless, as the dying are who make a troubled
|
|
end. Florence remembered how, as a watcher, by a sick-bed, she had
|
|
noted this bleak time, and felt its influence, as if in some hidden
|
|
natural antipathy to it; and now it was very, very gloomy.
|
|
|
|
Her Mama had not come to her room that night, which was one cause
|
|
of her having sat late out of her bed. In her general uneasiness, no
|
|
less than in her ardent longing to have somebody to speak to, and to
|
|
break the spell of gloom and silence, Florence directed her steps
|
|
towards the chamber where she slept.
|
|
|
|
The door was not fastened within, and yielded smoothly to her
|
|
hesitating hand. She was surprised to find a bright light burning;
|
|
still more surprised, on looking in, to see that her Mama, but
|
|
partially undressed, was sitting near the ashes of the fire, which had
|
|
crumbled and dropped away. Her eyes were intently bent upon the air;
|
|
and in their light, and in her face, and in her form, and in the grasp
|
|
with which she held the elbows of her chair as if about to start up,
|
|
Florence saw such fierce emotion that it terrified her.
|
|
|
|
'Mama!' she cried, 'what is the matter?'
|
|
|
|
Edith started; looking at her with such a strange dread in her
|
|
face, that Florence was more frightened than before.
|
|
|
|
'Mama!' said Florence, hurriedly advancing. 'Dear Mama! what is the
|
|
matter?'
|
|
|
|
'I have not been well,' said Edith, shaking, and still looking at
|
|
her in the same strange way. 'I have had had dreams, my love.'
|
|
|
|
'And not yet been to bed, Mama?'
|
|
|
|
'No,' she returned. 'Half-waking dreams.'
|
|
|
|
Her features gradually softened; and suffering Florence to come
|
|
closer to her, within her embrace, she said in a tender manner, 'But
|
|
what does my bird do here? What does my bird do here?'
|
|
|
|
'I have been uneasy, Mama, in not seeing you to-night, and in not
|
|
knowing how Papa was; and I - '
|
|
|
|
Florence stopped there, and said no more.
|
|
|
|
'Is it late?' asked Edith, fondly putting back the curls that
|
|
mingled with her own dark hair, and strayed upon her face.
|
|
|
|
'Very late. Near day.'
|
|
|
|
'Near day!' she repeated in surprise.
|
|
|
|
'Dear Mama, what have you done to your hand?' said Florence.
|
|
|
|
Edith drew it suddenly away, and, for a moment, looked at her with
|
|
the same strange dread (there was a sort of wild avoidance in it) as
|
|
before; but she presently said, 'Nothing, nothing. A blow.' And then
|
|
she said, 'My Florence!' and then her bosom heaved, and she was
|
|
weeping passionately.
|
|
|
|
'Mama!' said Florence. 'Oh Mama, what can I do, what should I do,
|
|
to make us happier? Is there anything?'
|
|
|
|
'Nothing,' she replied.
|
|
|
|
'Are you sure of that? Can it never be? If I speak now of what is
|
|
in my thoughts, in spite of what we have agreed,' said Florence, 'you
|
|
will not blame me, will you?'
|
|
|
|
'It is useless,' she replied, 'useless. I have told you, dear, that
|
|
I have had bad dreams. Nothing can change them, or prevent them coming
|
|
back.'
|
|
|
|
'I do not understand,' said Florence, gazing on her agitated face
|
|
which seemed to darken as she looked.
|
|
|
|
'I have dreamed,' said Edith in a low voice, 'of a pride that is
|
|
all powerless for good, all powerful for evil; of a pride that has
|
|
been galled and goaded, through many shameful years, and has never
|
|
recoiled except upon itself; a pride that has debased its owner with
|
|
the consciousness of deep humiliation, and never helped its owner
|
|
boldly to resent it or avoid it, or to say, "This shall not be!" a
|
|
pride that, rightly guided, might have led perhaps to better things,
|
|
but which, misdirected and perverted, like all else belonging to the
|
|
same possessor, has been self-contempt, mere hardihood and ruin.'
|
|
|
|
She neither looked nor spoke to Florence now, but went on as if she
|
|
were alone.
|
|
|
|
'I have dreamed,' she said, 'of such indifference and callousness,
|
|
arising from this self-contempt; this wretched, inefficient, miserable
|
|
pride; that it has gone on with listless steps even to the altar,
|
|
yielding to the old, familiar, beckoning finger, - oh mother, oh
|
|
mother! - while it spurned it; and willing to be hateful to itself for
|
|
once and for all, rather than to be stung daily in some new form.
|
|
Mean, poor thing!'
|
|
|
|
And now with gathering and darkening emotion, she looked as she had
|
|
looked when Florence entered.
|
|
|
|
'And I have dreamed,' she said, 'that in a first late effort to
|
|
achieve a purpose, it has been trodden on, and trodden down by a base
|
|
foot, but turns and looks upon him. I have dreamed that it is wounded,
|
|
hunted, set upon by dogs, but that it stands at hay, and will not
|
|
yield; no, that it cannot if it would; but that it is urged on to hate
|
|
|
|
Her clenched hand tightened on the trembling arm she had in hers,
|
|
and as she looked down on the alarmed and wondering face, frown
|
|
subsided. 'Oh Florence!' she said, 'I think I have been nearly mad
|
|
to-night!' and humbled her proud head upon her neck and wept again.
|
|
|
|
'Don't leave me! be near me! I have no hope but in you! These words
|
|
she said a score of times.
|
|
|
|
Soon she grew calmer, and was full of pity for the tears of
|
|
Florence, and for her waking at such untimely hours. And the day now
|
|
dawning, with folded her in her arms and laid her down upon her bed,
|
|
and, not lying down herself, sat by her, and bade her try to sleep.
|
|
|
|
'For you are weary, dearest, and unhappy, and should rest.'
|
|
|
|
'I am indeed unhappy, dear Mama, tonight,' said Florence. 'But you
|
|
are weary and unhappy, too.'
|
|
|
|
'Not when you lie asleep so near me, sweet.'
|
|
|
|
They kissed each other, and Florence, worn out, gradually fell into
|
|
a gentle slumber; but as her eyes closed on the face beside her, it
|
|
was so sad to think upon the face downstairs, that her hand drew
|
|
closer to Edith for some comfort; yet, even in the act, it faltered,
|
|
lest it should be deserting him. So, in her sleep, she tried to
|
|
reconcile the two together, and to show them that she loved them both,
|
|
but could not do it, and her waking grief was part of her dreams.
|
|
|
|
Edith, sitting by, looked down at the dark eyelashes lying wet on
|
|
the flushed cheeks, and looked with gentleness and pity, for she knew
|
|
the truth. But no sleep hung upon her own eyes. As the day came on she
|
|
still sat watching and waking, with the placid hand in hers, and
|
|
sometimes whispered, as she looked at the hushed face, 'Be near me,
|
|
Florence. I have no hope but in you!'
|
|
|
|
CHAPTER 44.
|
|
|
|
A Separation
|
|
|
|
With the day, though not so early as the sun, uprose Miss Susan
|
|
Nipper. There was a heaviness in this young maiden's exceedingly sharp
|
|
black eyes, that abated somewhat of their sparkling, and suggested -
|
|
which was not their usual character - the possibility of their being
|
|
sometimes shut. There was likewise a swollen look about them, as if
|
|
they had been crying over-night. But the Nipper, so far from being
|
|
cast down, was singularly brisk and bold, and all her energies
|
|
appeared to be braced up for some great feat. This was noticeable even
|
|
in her dress, which was much more tight and trim than usual; and in
|
|
occasional twitches of her head as she went about the house, which
|
|
were mightily expressive of determination.
|
|
|
|
In a word, she had formed a determination, and an aspiring one: it
|
|
being nothing less than this - to penetrate to Mr Dombey's presence,
|
|
and have speech of that gentleman alone. 'I have often said I would,'
|
|
she remarked, in a threatening manner, to herself, that morning, with
|
|
many twitches of her head, 'and now I will!'
|
|
|
|
Spurring herself on to the accomplishment of this desperate design,
|
|
with a sharpness that was peculiar to herself, Susan Nipper haunted
|
|
the hall and staircase during the whole forenoon, without finding a
|
|
favourable opportunity for the assault. Not at all baffled by this
|
|
discomfiture, which indeed had a stimulating effect, and put her on
|
|
her mettle, she diminished nothing of her vigilance; and at last
|
|
discovered, towards evening, that her sworn foe Mrs Pipchin, under
|
|
pretence of having sat up all night, was dozing in her own room, and
|
|
that Mr Dombey was lying on his sofa, unattended.
|
|
|
|
With a twitch - not of her head merely, this time, but of her whole
|
|
self - the Nipper went on tiptoe to Mr Dombey's door, and knocked.
|
|
'Come in!' said Mr Dombey. Susan encouraged herself with a final
|
|
twitch, and went in.
|
|
|
|
Mr Dombey, who was eyeing the fire, gave an amazed look at his
|
|
visitor, and raised himself a little on his arm. The Nipper dropped a
|
|
curtsey.
|
|
|
|
'What do you want?' said Mr Dombey.
|
|
|
|
'If you please, Sir, I wish to speak to you,' said Susan.
|
|
|
|
Mr Dombey moved his lips as if he were repeating the words, but he
|
|
seemed so lost in astonishment at the presumption of the young woman
|
|
as to be incapable of giving them utterance.
|
|
|
|
'I have been in your service, Sir,' said Susan Nipper, with her
|
|
usual rapidity, 'now twelve 'year a waiting on Miss Floy my own young
|
|
lady who couldn't speak plain when I first come here and I was old in
|
|
this house when Mrs Richards was new, I may not be Meethosalem, but I
|
|
am not a child in arms.'
|
|
|
|
Mr Dombey, raised upon his arm and looking at her, offered no
|
|
comment on this preparatory statement of fact.
|
|
|
|
'There never was a dearer or a blesseder young lady than is my
|
|
young lady, Sir,' said Susan, 'and I ought to know a great deal better
|
|
than some for I have seen her in her grief and I have seen her in her
|
|
joy (there's not been much of it) and I have seen her with her brother
|
|
and I have seen her in her loneliness and some have never seen her,
|
|
and I say to some and all - I do!' and here the black-eyed shook her
|
|
head, and slightly stamped her foot; 'that she's the blessedest and
|
|
dearest angel is Miss Floy that ever drew the breath of life, the more
|
|
that I was torn to pieces Sir the more I'd say it though I may not be
|
|
a Fox's Martyr..'
|
|
|
|
Mr Dombey turned yet paler than his fall had made him, with
|
|
indignation and astonishment; and kept his eyes upon the speaker as if
|
|
he accused them, and his ears too, of playing him false.
|
|
|
|
'No one could be anything but true and faithful to Miss Floy, Sir,'
|
|
pursued Susan, 'and I take no merit for my service of twelve year, for
|
|
I love her - yes, I say to some and all I do!' - and here the
|
|
black-eyed shook her head again, and slightly stamped her foot again,
|
|
and checked a sob; 'but true and faithful service gives me right to
|
|
speak I hope, and speak I must and will now, right or wrong.
|
|
|
|
'What do you mean, woman?' said Mr Dombey, glaring at her. 'How do
|
|
you dare?'
|
|
|
|
'What I mean, Sir, is to speak respectful and without offence, but
|
|
out, and how I dare I know not but I do!'said Susan. 'Oh! you don't
|
|
know my young lady Sir you don't indeed, you'd never know so little of
|
|
her, if you did.'
|
|
|
|
Mr Dombey, in a fury, put his hand out for the bell-rope; but there
|
|
was no bell-rope on that side of the fire, and he could not rise and
|
|
cross to the other without assistance. The quick eye of the Nipper
|
|
detected his helplessness immediately, and now, as she afterwards
|
|
observed, she felt she had got him.
|
|
|
|
'Miss Floy,' said Susan Nipper, 'is the most devoted and most
|
|
patient and most dutiful and beautiful of daughters, there ain't no
|
|
gentleman, no Sir, though as great and rich as all the greatest and
|
|
richest of England put together, but might be proud of her and would
|
|
and ought. If he knew her value right, he'd rather lose his greatness
|
|
and his fortune piece by piece and beg his way in rags from door to
|
|
door, I say to some and all, he would!' cried Susan Nipper, bursting
|
|
into tears, 'than bring the sorrow on her tender heart that I have
|
|
seen it suffer in this house!'
|
|
|
|
'Woman,' cried Mr Dombey, 'leave the room.
|
|
|
|
'Begging your pardon, not even if I am to leave the situation,
|
|
Sir,' replied the steadfast Nipper, 'in which I have been so many
|
|
years and seen so much - although I hope you'd never have the heart to
|
|
send me from Miss Floy for such a cause - will I go now till I have
|
|
said the rest, I may not be a Indian widow Sir and I am not and I
|
|
would not so become but if I once made up my mind to burn myself
|
|
alive, I'd do it! And I've made my mind up to go on.'
|
|
|
|
Which was rendered no less clear by the expression of Susan
|
|
Nipper's countenance, than by her words.
|
|
|
|
'There ain't a person in your service, Sir,' pursued the
|
|
black-eyed, 'that has always stood more in awe of you than me and you
|
|
may think how true it is when I make so bold as say that I have
|
|
hundreds and hundreds of times thought of speaking to you and never
|
|
been able to make my mind up to it till last night, but last night
|
|
decided of me.'
|
|
|
|
Mr Dombey, in a paroxysm of rage, made another grasp at the
|
|
bell-rope that was not there, and, in its absence, pulled his hair
|
|
rather than nothing.
|
|
|
|
'I have seen,' said Susan Nipper, 'Miss Floy strive and strive when
|
|
nothing but a child so sweet and patient that the best of women might
|
|
have copied from her, I've seen her sitting nights together half the
|
|
night through to help her delicate brother with his learning, I've
|
|
seen her helping him and watching him at other times - some well know
|
|
when - I've seen her, with no encouragement and no help, grow up to be
|
|
a lady, thank God! that is the grace and pride of every company she
|
|
goes in, and I've always seen her cruelly neglected and keenly feeling
|
|
of it - I say to some and all, I have! - and never said one word, but
|
|
ordering one's self lowly and reverently towards one's betters, is not
|
|
to be a worshipper of graven images, and I will and must speak!'
|
|
|
|
'Is there anybody there?' cried Mr Dombey, calling out. 'Where are
|
|
the men? where are the women? Is there no one there?'
|
|
|
|
'I left my dear young lady out of bed late last night,' said Susan,
|
|
nothing checked, 'and I knew why, for you was ill Sir and she didn't
|
|
know how ill and that was enough to make her wretched as I saw it did.
|
|
I may not be a Peacock; but I have my eyes - and I sat up a little in
|
|
my own room thinking she might be lonesome and might want me, and I
|
|
saw her steal downstairs and come to this door as if it was a guilty
|
|
thing to look at her own Pa, and then steal back again and go into
|
|
them lonely drawing-rooms, a-crying so, that I could hardly bear to
|
|
hear it. I can not bear to hear it,' said Susan Nipper, wiping her
|
|
black eyes, and fixing them undauntingly on Mr Dombey's infuriated
|
|
face. 'It's not the first time I have heard it, not by many and many a
|
|
time you don't know your own daughter, Sir, you don't know what you're
|
|
doing, Sir, I say to some and all,' cried Susan Nipper, in a final
|
|
burst, 'that it's a sinful shame!'
|
|
|
|
'Why, hoity toity!' cried the voice of Mrs Pipchin, as the black
|
|
bombazeen garments of that fair Peruvian Miner swept into the room.
|
|
'What's this, indeed?'
|
|
|
|
Susan favoured Mrs Pipchin with a look she had invented expressly
|
|
for her when they first became acquainted, and resigned the reply to
|
|
Mr Dombey.
|
|
|
|
'What's this?' repeated Mr Dombey, almost foaming. 'What's this,
|
|
Madam? You who are at the head of this household, and bound to keep it
|
|
in order, have reason to inquire. Do you know this woman?'
|
|
|
|
'I know very little good of her, Sir,' croaked Mrs Pipchin. 'How
|
|
dare you come here, you hussy? Go along with you!'
|
|
|
|
But the inflexible Nipper, merely honouring Mrs Pipchin with
|
|
another look, remained.
|
|
|
|
'Do you call it managing this establishment, Madam,' said Mr
|
|
Dombey, 'to leave a person like this at liberty to come and talk to
|
|
me! A gentleman - in his own house - in his own room - assailed with
|
|
the impertinences of women-servants!'
|
|
|
|
'Well, Sir,' returned Mrs Pipchin, with vengeance in her hard grey
|
|
eye, 'I exceedingly deplore it; nothing can be more irregular; nothing
|
|
can be more out of all bounds and reason; but I regret to say, Sir,
|
|
that this young woman is quite beyond control. She has been spoiled by
|
|
Miss Dombey, and is amenable to nobody. You know you're not,' said Mrs
|
|
Pipchin, sharply, and shaking her head at Susan Nipper. 'For shame,
|
|
you hussy! Go along with you!'
|
|
|
|
'If you find people in my service who are not to be controlled, Mrs
|
|
Pipchin,' said Mr Dombey, turning back towards the fire, 'you know
|
|
what to do with them, I presume. You know what you are here for? Take
|
|
her away!'
|
|
|
|
'Sir, I know what to do,' retorted Mrs Pipchin, 'and of course
|
|
shall do it' Susan Nipper,' snapping her up particularly short, 'a
|
|
month's warning from this hour.'
|
|
|
|
'Oh indeed!' cried Susan, loftily.
|
|
|
|
'Yes,' returned Mrs Pipchin, 'and don't smile at me, you minx, or
|
|
I'll know the reason why! Go along with you this minute!'
|
|
|
|
'I intend to go this minute, you may rely upon it,' said the
|
|
voluble Nipper. 'I have been in this house waiting on my young lady a
|
|
dozen year and I won't stop in it one hour under notice from a person
|
|
owning to the name of Pipchin trust me, Mrs P.'
|
|
|
|
'A good riddance of bad rubbish!' said that wrathful old lady. 'Get
|
|
along with you, or I'll have you carried out!'
|
|
|
|
'My comfort is,' said Susan, looking back at Mr Dombey, 'that I
|
|
have told a piece of truth this day which ought to have been told long
|
|
before and can't be told too often or too plain and that no amount of
|
|
Pipchinses - I hope the number of 'em mayn't be great' (here Mrs
|
|
Pipchin uttered a very sharp 'Go along with you!' and Miss Nipper
|
|
repeated the look) 'can unsay what I have said, though they gave a
|
|
whole year full of warnings beginning at ten o'clock in the forenoon
|
|
and never leaving off till twelve at night and died of the exhaustion
|
|
which would be a Jubilee!'
|
|
|
|
With these words, Miss Nipper preceded her foe out of the room; and
|
|
walking upstairs to her own apartments in great state, to the choking
|
|
exasperation of the ireful Pipchin, sat down among her boxes and began
|
|
to cry.
|
|
|
|
From this soft mood she was soon aroused, with a very wholesome and
|
|
refreshing effect, by the voice of Mrs Pipchin outside the door.
|
|
|
|
'Does that bold-faced slut,' said the fell Pipchin, 'intend to take
|
|
her warning, or does she not?'
|
|
|
|
Miss Nipper replied from within that the person described did not
|
|
inhabit that part of the house, but that her name was Pipchin, and she
|
|
was to be found in the housekeeper's room.
|
|
|
|
'You saucy baggage!' retorted Mrs Pipchin, rattling at the handle
|
|
of the door. 'Go along with you this minute. Pack up your things
|
|
directly! How dare you talk in this way to a gentle-woman who has seen
|
|
better days?'
|
|
|
|
To which Miss Nipper rejoined from her castle, that she pitied the
|
|
better days that had seen Mrs Pipchin; and that for her part she
|
|
considered the worst days in the year to be about that lady's mark,
|
|
except that they were much too good for her.
|
|
|
|
'But you needn't trouble yourself to make a noise at my door,' said
|
|
Susan Nipper, 'nor to contaminate the key-hole with your eye, I'm
|
|
packing up and going you may take your affidavit.'
|
|
|
|
The Dowager expressed her lively satisfaction at this intelligence,
|
|
and with some general opinions upon young hussies as a race, and
|
|
especially upon their demerits after being spoiled by Miss Dombey,
|
|
withdrew to prepare the Nipper~s wages. Susan then bestirred herself
|
|
to get her trunks in order, that she might take an immediate and
|
|
dignified departure; sobbing heartily all the time, as she thought of
|
|
Florence.
|
|
|
|
The object of her regret was not long in coming to her, for the
|
|
news soon spread over the house that Susan Nipper had had a
|
|
disturbance with Mrs Pipchin, and that they had both appealed to Mr
|
|
Dombey, and that there had been an unprecedented piece of work in Mr
|
|
Dombey's room, and that Susan was going. The latter part of this
|
|
confused rumour, Florence found to be so correct, that Susan had
|
|
locked the last trunk and was sitting upon it with her bonnet on, when
|
|
she came into her room.
|
|
|
|
'Susan!' cried Florence. 'Going to leave me! You!'
|
|
|
|
'Oh for goodness gracious sake, Miss Floy,' said Susan, sobbing,
|
|
'don't speak a word to me or I shall demean myself before them'
|
|
Pipchinses, and I wouldn't have 'em see me cry Miss Floy for worlds!'
|
|
|
|
'Susan!' said Florence. 'My dear girl, my old friend! What shall I
|
|
do without you! Can you bear to go away so?'
|
|
|
|
'No-n-o-o, my darling dear Miss Floy, I can't indeed,' sobbed
|
|
Susan. 'But it can't be helped, I've done my duty' Miss, I have
|
|
indeed. It's no fault of mine. I am quite resigned. I couldn't stay my
|
|
month or I could never leave you then my darling and I must at last as
|
|
well as at first, don't speak to me Miss Floy, for though I'm pretty
|
|
firm I'm not a marble doorpost, my own dear.'
|
|
|
|
'What is it? Why is it?' said Florence, 'Won't you tell me?' For
|
|
Susan was shaking her head.
|
|
|
|
'No-n-no, my darling,' returned Susan. 'Don't ask me, for I
|
|
mustn't, and whatever you do don't put in a word for me to stop, for
|
|
it couldn't be and you'd only wrong yourself, and so God bless you my
|
|
own precious and forgive me any harm I have done, or any temper I have
|
|
showed in all these many years!'
|
|
|
|
With which entreaty, very heartily delivered, Susan hugged her
|
|
mistress in her arms.
|
|
|
|
'My darling there's a many that may come to serve you and be glad
|
|
to serve you and who'll serve you well and true,' said Susan, 'but
|
|
there can't be one who'll serve you so affectionate as me or love you
|
|
half as dearly, that's my comfort' Good-bye, sweet Miss Floy!'
|
|
|
|
'Where will you go, Susan?' asked her weeping mistress.
|
|
|
|
'I've got a brother down in the country Miss - a farmer in Essex
|
|
said the heart-broken Nipper, 'that keeps ever so many co-o-ows and
|
|
pigs and I shall go down there by the coach and sto-op with him, and
|
|
don't mind me, for I've got money in the Savings Banks my dear, and
|
|
needn't take another service just yet, which I couldn't, couldn't,
|
|
couldn't do, my heart's own mistress!' Susan finished with a burst of
|
|
sorrow, which was opportunely broken by the voice of Mrs Pipchin
|
|
talking downstairs; on hearing which, she dried her red and swollen
|
|
eyes, and made a melancholy feint of calling jauntily to Mr Towlinson
|
|
to fetch a cab and carry down her boxes.
|
|
|
|
Florence, pale and hurried and distressed, but withheld from
|
|
useless interference even here, by her dread of causing any new
|
|
division between her father and his wife (whose stern, indignant face
|
|
had been a warning to her a few moments since), and by her
|
|
apprehension of being in some way unconsciously connected already with
|
|
the dismissal of her old servant and friend, followed, weeping,
|
|
downstairs to Edith's dressing-room, whither Susan betook herself to
|
|
make her parting curtsey.
|
|
|
|
'Now, here's the cab, and here's the boxes, get along with you,
|
|
do!' said Mrs Pipchin, presenting herself at the same moment. 'I beg
|
|
your pardon, Ma'am, but Mr Dombey's orders are imperative.'
|
|
|
|
Edith, sitting under the hands of her maid - she was going out to
|
|
dinner - preserved her haughty face, and took not the least notice.
|
|
|
|
'There's your money,' said Mrs Pipchin, who in pursuance of her
|
|
system, and in recollection of the Mines, was accustomed to rout the
|
|
servants about, as she had routed her young Brighton boarders; to the
|
|
everlasting acidulation of Master Bitherstone, 'and the sooner this
|
|
house sees your back the better.
|
|
|
|
Susan had no spirits even for the look that belonged to Ma Pipchin
|
|
by right; so she dropped her curtsey to Mrs Dombey (who inclined her
|
|
head without one word, and whose eye avoided everyone but Florence),
|
|
and gave one last parting hug to her young mistress, and received her
|
|
parting embrace in return. Poor Susan's face at this crisis, in the
|
|
intensity of her feelings and the determined suffocation of her sobs,
|
|
lest one should become audible and be a triumph to Mrs Pipchin,
|
|
presented a series of the most extraordinary physiognomical phenomena
|
|
ever witnessed.
|
|
|
|
'I beg your pardon, Miss, I'm sure,' said Towlinson, outside the
|
|
door with the boxes, addressing Florence, 'but Mr Toots is in the
|
|
drawing-room, and sends his compliments, and begs to know how Diogenes
|
|
and Master is.'
|
|
|
|
Quick as thought, Florence glided out and hastened downstairs,
|
|
where Mr Toots, in the most splendid vestments, was breathing very
|
|
hard with doubt and agitation on the subject of her coming.
|
|
|
|
'Oh, how de do, Miss Dombey,' said Mr Toots, 'God bless my soul!'
|
|
|
|
This last ejaculation was occasioned by Mr Toots's deep concern at
|
|
the distress he saw in Florence's face; which caused him to stop short
|
|
in a fit of chuckles, and become an image of despair.
|
|
|
|
'Dear Mr Toots,' said Florence, 'you are so friendly to me, and so
|
|
honest, that I am sure I may ask a favour of you.
|
|
|
|
'Miss Dombey,' returned Mr Toots, 'if you'll only name one, you'll
|
|
- you'll give me an appetite. To which,' said Mr Toots, with some
|
|
sentiment, 'I have long been a stranger.
|
|
|
|
'Susan, who is an old friend of mine, the oldest friend I have,'
|
|
said Florence, 'is about to leave here suddenly, and quite alone, poor
|
|
girl. She is going home, a little way into the country. Might I ask
|
|
you to take care of her until she is in the coach?'
|
|
|
|
'Miss Dombey,' returned Mr Toots, 'you really do me an honour and a
|
|
kindness. This proof of your confidence, after the manner in which I
|
|
was Beast enough to conduct myself at Brighton - '
|
|
|
|
'Yes,' said Florence, hurriedly - 'no - don't think of that. Then
|
|
would you have the kindness to - to go? and to be ready to meet her
|
|
when she comes out? Thank you a thousand times! You ease my mind so
|
|
much. She doesn't seem so desolate. You cannot think how grateful I
|
|
feel to you, or what a good friend I am sure you are!' and Florence in
|
|
her earnestness thanked him again and again; and Mr Toots, in his
|
|
earnestness, hurried away - but backwards, that he might lose no
|
|
glimpse of her.
|
|
|
|
Florence had not the courage to go out, when she saw poor Susan in
|
|
the hall, with Mrs Pipchin driving her forth, and Diogenes jumping
|
|
about her, and terrifying Mrs Pipchin to the last degree by making
|
|
snaps at her bombazeen skirts, and howling with anguish at the sound
|
|
of her voice - for the good duenna was the dearest and most cherished
|
|
aversion of his breast. But she saw Susan shake hands with the
|
|
servants all round, and turn once to look at her old home; and she saw
|
|
Diogenes bound out after the cab, and want to follow it, and testify
|
|
an impossibility of conviction that he had no longer any property in
|
|
the fare; and the door was shut, and the hurry over, and her tears
|
|
flowed fast for the loss of an old friend, whom no one could replace.
|
|
No one. No one.
|
|
|
|
Mr Toots, like the leal and trusty soul he was, stopped the
|
|
cabriolet in a twinkling, and told Susan Nipper of his commission, at
|
|
which she cried more than before.
|
|
|
|
'Upon my soul and body!' said Mr Toots, taking his seat beside her.
|
|
'I feel for you. Upon my word and honour I think you can hardly know
|
|
your own feelings better than I imagine them. I can conceive nothing
|
|
more dreadful than to have to leave Miss Dombey.'
|
|
|
|
Susan abandoned herself to her grief now, and it really was
|
|
touching to see her.
|
|
|
|
'I say,' said Mr Toots, 'now, don't! at least I mean now do, you
|
|
know!'
|
|
|
|
'Do what, Mr Toots!' cried Susan.
|
|
|
|
'Why, come home to my place, and have some dinner before you
|
|
start,' said Mr Toots. 'My cook's a most respectable woman - one of
|
|
the most motherly people I ever saw - and she'll be delighted to make
|
|
you comfortable. Her son,' said Mr Toots, as an additional
|
|
recommendation, 'was educated in the Bluecoat School,' and blown up in
|
|
a powder-mill.'
|
|
|
|
Susan accepting this kind offer, Mr Toots conducted her to his
|
|
dwelling, where they were received by the Matron in question who fully
|
|
justified his character of her, and by the Chicken who at first
|
|
supposed, on seeing a lady in the vehicle, that Mr Dombey had been
|
|
doubled up, ably to his old recommendation, and Miss Dombey abducted.
|
|
This gentleman awakened in Miss Nipper some considerable astonishment;
|
|
for, having been defeated by the Larkey Boy, his visage was in a state
|
|
of such great dilapidation, as to be hardly presentable in society
|
|
with comfort to the beholders. The Chicken himself attributed this
|
|
punishment to his having had the misfortune to get into Chancery early
|
|
in the proceedings, when he was severely fibbed by the Larkey one, and
|
|
heavily grassed. But it appeared from the published records of that
|
|
great contest that the Larkey Boy had had it all his own way from the
|
|
beginning, and that the Chicken had been tapped, and bunged, and had
|
|
received pepper, and had been made groggy, and had come up piping, and
|
|
had endured a complication of similar strange inconveniences, until he
|
|
had been gone into and finished.
|
|
|
|
After a good repast, and much hospitality, Susan set out for the
|
|
coach-office in another cabriolet, with Mr Toots inside, as before,
|
|
and the Chicken on the box, who, whatever distinction he conferred on
|
|
the little party by the moral weight and heroism of his character, was
|
|
scarcely ornamental to it, physically speaking, on account of his
|
|
plasters; which were numerous. But the Chicken had registered a vow,
|
|
in secret, that he would never leave Mr Toots (who was secretly pining
|
|
to get rid of him), for any less consideration than the good-will and
|
|
fixtures of a public-house; and being ambitious to go into that line,
|
|
and drink himself to death as soon as possible, he felt it his cue to
|
|
make his company unacceptable.
|
|
|
|
The night-coach by which Susan was to go, was on the point of
|
|
departure. Mr Toots having put her inside, lingered by the window,
|
|
irresolutely, until the driver was about to mount; when, standing on
|
|
the step, and putting in a face that by the light of the lamp was
|
|
anxious and confused, he said abruptly:
|
|
|
|
'I say, Susan! Miss Dombey, you know - '
|
|
|
|
'Yes, Sir.'
|
|
|
|
'Do you think she could - you know - eh?'
|
|
|
|
'I beg your pardon, Mr Toots,' said Susan, 'but I don't hear you.
|
|
|
|
'Do you think she could be brought, you know - not exactly at once,
|
|
but in time - in a long time - to - to love me, you know? There!' said
|
|
poor Mr Toots.
|
|
|
|
'Oh dear no!' returned Susan, shaking her head. 'I should say,
|
|
never. Never!'
|
|
|
|
'Thank'ee!' said Mr Toots. 'It's of no consequence. Good-night.
|
|
It's of no consequence, thank'ee!'
|
|
|
|
CHAPTER 45.
|
|
|
|
The Trusty Agent
|
|
|
|
Edith went out alone that day, and returned home early. It was but
|
|
a few minutes after ten o'clock, when her carriage rolled along the
|
|
street in which she lived.
|
|
|
|
There was the same enforced composure on her face, that there had
|
|
been when she was dressing; and the wreath upon her head encircled the
|
|
same cold and steady brow. But it would have been better to have seen
|
|
its leaves and flowers reft into fragments by her passionate hand, or
|
|
rendered shapeless by the fitful searches of a throbbing and
|
|
bewildered brain for any resting-place, than adorning such
|
|
tranquillity. So obdurate, so unapproachable, so unrelenting, one
|
|
would have thought that nothing could soften such a woman's nature,
|
|
and that everything in life had hardened it.
|
|
|
|
Arrived at her own door, she was alighting, when some one coming
|
|
quietly from the hall, and standing bareheaded, offered her his arm.
|
|
The servant being thrust aside, she had no choice but to touch it; and
|
|
she then knew whose arm it was.
|
|
|
|
'How is your patient, Sir?' she asked, with a curled lip.
|
|
|
|
'He is better,' returned Carker. 'He is doing very well. I have
|
|
left him for the night.'
|
|
|
|
She bent her head, and was passing up the staircase, when he
|
|
followed and said, speaking at the bottom:
|
|
|
|
'Madam! May I beg the favour of a minute's audience?'
|
|
|
|
She stopped and turned her eyes back 'It is an unseasonable time,
|
|
Sir, and I am fatigued. Is your business urgent?'
|
|
|
|
'It is very urgent, returned Carker. 'As I am so fortunate as to
|
|
have met you, let me press my petition.'
|
|
|
|
She looked down for a moment at his glistening mouth; and he looked
|
|
up at her, standing above him in her stately dress, and thought,
|
|
again, how beautiful she was.
|
|
|
|
'Where is Miss Dombey?' she asked the servant, aloud.
|
|
|
|
'In the morning room, Ma'am.'
|
|
|
|
'Show the way there!' Turning her eyes again on the attentive
|
|
gentleman at the bottom of the stairs, and informing him with a slight
|
|
motion of her head, that he was at liberty to follow, she passed on.
|
|
|
|
'I beg your pardon! Madam! Mrs Dombey!' cried the soft and nimble
|
|
Carker, at her side in a moment. 'May I be permitted to entreat that
|
|
Miss Dombey is not present?'
|
|
|
|
She confronted him, with a quick look, but with the same
|
|
self-possession and steadiness.
|
|
|
|
'I would spare Miss Dombey,' said Carker, in a low voice, 'the
|
|
knowledge of what I have to say. At least, Madam, I would leave it to
|
|
you to decide whether she shall know of it or not. I owe that to you.
|
|
It is my bounden duty to you. After our former interview, it would be
|
|
monstrous in me if I did otherwise.'
|
|
|
|
She slowly withdrew her eyes from his face, and turning to the
|
|
servant, said, 'Some other room.' He led the way to a drawing-room,
|
|
which he speedily lighted up and then left them. While he remained,
|
|
not a word was spoken. Edith enthroned herself upon a couch by the
|
|
fire; and Mr Carker, with his hat in his hand and his eyes bent upon
|
|
the carpet, stood before her, at some little distance.
|
|
|
|
'Before I hear you, Sir,' said Edith, when the door was closed, 'I
|
|
wish you to hear me.'
|
|
|
|
'To be addressed by Mrs Dombey,' he returned, 'even in accents of
|
|
unmerited reproach, is an honour I so greatly esteem, that although I
|
|
were not her servant in all things, I should defer to such a wish,
|
|
most readily.'
|
|
|
|
'If you are charged by the man whom you have just now left, Sir;'
|
|
Mr Carker raised his eyes, as if he were going to counterfeit
|
|
surprise, but she met them, and stopped him, if such were his
|
|
intention; 'with any message to me, do not attempt to deliver it, for
|
|
I will not receive it. I need scarcely ask you if you are come on such
|
|
an errand. I have expected you some time.
|
|
|
|
'It is my misfortune,' he replied, 'to be here, wholly against my
|
|
will, for such a purpose. Allow me to say that I am here for two
|
|
purposes. That is one.'
|
|
|
|
'That one, Sir,' she returned, 'is ended. Or, if you return to it -
|
|
'
|
|
|
|
'Can Mrs Dombey believe,' said Carker, coming nearer, 'that I would
|
|
return to it in the face of her prohibition? Is it possible that Mrs
|
|
Dombey, having no regard to my unfortunate position, is so determined
|
|
to consider me inseparable from my instructor as to do me great and
|
|
wilful injustice?'
|
|
|
|
'Sir,' returned Edith, bending her dark gaze full upon him, and
|
|
speaking with a rising passion that inflated her proud nostril and her
|
|
swelling neck, and stirred the delicate white down upon a robe she
|
|
wore, thrown loosely over shoulders that could hear its snowy
|
|
neighbourhood. 'Why do you present yourself to me, as you have done,
|
|
and speak to me of love and duty to my husband, and pretend to think
|
|
that I am happily married, and that I honour him? How dare you venture
|
|
so to affront me, when you know - I do not know better, Sir: I have
|
|
seen it in your every glance, and heard it in your every word - that
|
|
in place of affection between us there is aversion and contempt, and
|
|
that I despise him hardly less than I despise myself for being his!
|
|
Injustice! If I had done justice to the torment you have made me feel,
|
|
and to my sense of the insult you have put upon me, I should have
|
|
slain you!'
|
|
|
|
She had asked him why he did this. Had she not been blinded by her
|
|
pride and wrath, and self-humiliation, - which she was, fiercely as
|
|
she bent her gaze upon him, - she would have seen the answer in his
|
|
face. To bring her to this declaration.
|
|
|
|
She saw it not, and cared not whether it was there or no. She saw
|
|
only the indignities and struggles she had undergone and had to
|
|
undergo, and was writhing under them. As she sat looking fixedly at
|
|
them, rather than at him, she plucked the feathers from a pinion of
|
|
some rare and beautiful bird, which hung from her wrist by a golden
|
|
thread, to serve her as a fan, and rained them on the ground.
|
|
|
|
He did not shrink beneath her gaze, but stood, until such outward
|
|
signs of her anger as had escaped her control subsided, with the air
|
|
of a man who had his sufficient reply in reserve and would presently
|
|
deliver it. And he then spoke, looking straight into her kindling
|
|
eyes.
|
|
|
|
'Madam,' he said, 'I know, and knew before to-day, that I have
|
|
found no favour with you; and I knew why. Yes. I knew why. You have
|
|
spoken so openly to me; I am so relieved by the possession of your
|
|
confidence - '
|
|
|
|
'Confidence!' she repeated, with disdain.
|
|
|
|
He passed it over.
|
|
|
|
' - that I will make no pretence of concealment. I did see from the
|
|
first, that there was no affection on your part for Mr Dombey - how
|
|
could it possibly exist between such different subjects? And I have
|
|
seen, since, that stronger feelings than indifference have been
|
|
engendered in your breast - how could that possibly be otherwise,
|
|
either, circumstanced as you have been? But was it for me to presume
|
|
to avow this knowledge to you in so many words?'
|
|
|
|
'Was it for you, Sir,' she replied, 'to feign that other belief,
|
|
and audaciously to thrust it on me day by day?'
|
|
|
|
'Madam, it was,' he eagerly retorted. 'If I had done less, if I had
|
|
done anything but that, I should not be speaking to you thus; and I
|
|
foresaw - who could better foresee, for who has had greater experience
|
|
of Mr Dombey than myself? - that unless your character should prove to
|
|
be as yielding and obedient as that of his first submissive lady,
|
|
which I did not believe - '
|
|
|
|
A haughty smile gave him reason to observe that he might repeat
|
|
this.
|
|
|
|
'I say, which I did not believe, - the time was likely to come,
|
|
when such an understanding as we have now arrived at, would be
|
|
serviceable.'
|
|
|
|
'Serviceable to whom, Sir?' she demanded scornfully.
|
|
|
|
'To you. I will not add to myself, as warning me to refrain even
|
|
from that limited commendation of Mr Dombey, in which I can honestly
|
|
indulge, in order that I may not have the misfortune of saying
|
|
anything distasteful to one whose aversion and contempt,' with great
|
|
expression, 'are so keen.'
|
|
|
|
'Is it honest in you, Sir,' said Edith, 'to confess to your
|
|
"limited commendation," and to speak in that tone of disparagement,
|
|
even of him: being his chief counsellor and flatterer!'
|
|
|
|
'Counsellor, - yes,' said Carker. 'Flatterer, - no. A little
|
|
reservation I fear I must confess to. But our interest and convenience
|
|
commonly oblige many of us to make professions that we cannot feel. We
|
|
have partnerships of interest and convenience, friendships of interest
|
|
and convenience, dealings of interest and convenience, marriages of
|
|
interest and convenience, every day.'
|
|
|
|
She bit her blood-red lip; but without wavering in the dark, stern
|
|
watch she kept upon him.
|
|
|
|
'Madam,' said Mr Carker, sitting down in a chair that was near her,
|
|
with an air of the most profound and most considerate respect, 'why
|
|
should I hesitate now, being altogether devoted to your service, to
|
|
speak plainly? It was natural that a lady, endowed as you are, should
|
|
think it feasible to change her husband's character in some respects,
|
|
and mould him to a better form.'
|
|
|
|
'It was not natural to me, Sir,' she rejoined. 'I had never any
|
|
expectation or intention of that kind.'
|
|
|
|
The proud undaunted face showed him it was resolute to wear no mask
|
|
he offered, but was set upon a reckless disclosure of itself,
|
|
indifferent to any aspect in which it might present itself to such as
|
|
he.
|
|
|
|
'At least it was natural,' he resumed, 'that you should deem it
|
|
quite possible to live with Mr Dombey as his wife, at once without
|
|
submitting to him, and without coming into such violent collision with
|
|
him. But, Madam, you did not know Mr Dombey (as you have since
|
|
ascertained), when you thought that. You did not know how exacting and
|
|
how proud he is, or how he is, if I may say so, the slave of his own
|
|
greatness, and goes yoked to his own triumphal car like a beast of
|
|
burden, with no idea on earth but that it is behind him and is to be
|
|
drawn on, over everything and through everything.'
|
|
|
|
His teeth gleamed through his malicious relish of this conceit, as
|
|
he went on talking:
|
|
|
|
'Mr Dombey is really capable of no more true consideration for you,
|
|
Madam, than for me. The comparison is an extreme one; I intend it to
|
|
be so; but quite just. Mr Dombey, in the plenitude of his power, asked
|
|
me - I had it from his own lips yesterday morning - to be his
|
|
go-between to you, because he knows I am not agreeable to you, and
|
|
because he intends that I shall be a punishment for your contumacy;
|
|
and besides that, because he really does consider, that I, his paid
|
|
servant, am an ambassador whom it is derogatory to the dignity - not
|
|
of the lady to whom I have the happiness of speaking; she has no
|
|
existence in his mind - but of his wife, a part of himself, to
|
|
receive. You may imagine how regardless of me, how obtuse to the
|
|
possibility of my having any individual sentiment or opinion he is,
|
|
when he tells me, openly, that I am so employed. You know how
|
|
perfectly indifferent to your feelings he is, when he threatens you
|
|
with such a messenger. As you, of course, have not forgotten that he
|
|
did.'
|
|
|
|
She watched him still attentively. But he watched her too; and he
|
|
saw that this indication of a knowledge on his part, of something that
|
|
had passed between herself and her husband, rankled and smarted in her
|
|
haughty breast, like a poisoned arrow.
|
|
|
|
'I do not recall all this to widen the breach between yourself and
|
|
Mr Dombey, Madam - Heaven forbid! what would it profit me? - but as an
|
|
example of the hopelessness of impressing Mr Dombey with a sense that
|
|
anybody is to be considered when he is in question. We who are about
|
|
him, have, in our various positions, done our part, I daresay, to
|
|
confirm him in his way of thinking; but if we had not done so, others
|
|
would - or they would not have been about him; and it has always been,
|
|
from the beginning, the very staple of his life. Mr Dombey has had to
|
|
deal, in short, with none but submissive and dependent persons, who
|
|
have bowed the knee, and bent the neck, before him. He has never known
|
|
what it is to have angry pride and strong resentment opposed to him.'
|
|
|
|
'But he will know it now!' she seemed to say; though her lips did
|
|
not part, nor her eyes falter. He saw the soft down tremble once
|
|
again, and he saw her lay the plumage of the beautiful bird against
|
|
her bosom for a moment; and he unfolded one more ring of the coil into
|
|
which he had gathered himself.
|
|
|
|
'Mr Dombey, though a most honourable gentleman,' he said, 'is so
|
|
prone to pervert even facts to his own view, when he is at all
|
|
opposed, in consequence of the warp in his mind, that he - can I give
|
|
a better instance than this! - he sincerely believes (you will excuse
|
|
the folly of what I am about to say; it not being mine) that his
|
|
severe expression of opinion to his present wife, on a certain special
|
|
occasion she may remember, before the lamented death of Mrs Skewton,
|
|
produced a withering effect, and for the moment quite subdued her!'
|
|
|
|
Edith laughed. How harshly and unmusically need not be described.
|
|
It is enough that he was glad to hear her.
|
|
|
|
'Madam,' he resumed, 'I have done with this. Your own opinions are
|
|
so strong, and, I am persuaded, so unalterable,' he repeated those
|
|
words slowly and with great emphasis, 'that I am almost afraid to
|
|
incur your displeasure anew, when I say that in spite of these defects
|
|
and my full knowledge of them, I have become habituated to Mr Dombey,
|
|
and esteem him. But when I say so, it is not, believe me, for the mere
|
|
sake of vaunting a feeling that is so utterly at variance with your
|
|
own, and for which you can have no sympathy' - oh how distinct and
|
|
plain and emphasized this was! - 'but to give you an assurance of the
|
|
zeal with which, in this unhappy matter, I am yours, and the
|
|
indignation with which I regard the part I am to fill!'
|
|
|
|
She sat as if she were afraid to take her eyes from his face.
|
|
|
|
And now to unwind the last ring of the coil!
|
|
|
|
'It is growing late,' said Carker, after a pause, 'and you are, as
|
|
you said, fatigued. But the second object of this interview, I must
|
|
not forget. I must recommend you, I must entreat you in the most
|
|
earnest manner, for sufficient reasons that I have, to be cautious in
|
|
your demonstrations of regard for Miss Dombey.'
|
|
|
|
'Cautious! What do you mean?'
|
|
|
|
'To be careful how you exhibit too much affection for that young
|
|
lady.'
|
|
|
|
'Too much affection, Sir!' said Edith, knitting her broad brow and
|
|
rising. 'Who judges my affection, or measures it out? You?'
|
|
|
|
'It is not I who do so.' He was, or feigned to be, perplexed.
|
|
|
|
'Who then?'
|
|
|
|
'Can you not guess who then?'
|
|
|
|
'I do not choose to guess,' she answered.
|
|
|
|
'Madam,' he said after a little hesitation; meantime they had been,
|
|
and still were, regarding each other as before; 'I am in a difficulty
|
|
here. You have told me you will receive no message, and you have
|
|
forbidden me to return to that subject; but the two subjects are so
|
|
closely entwined, I find, that unless you will accept this vague
|
|
caution from one who has now the honour to possess your confidence,
|
|
though the way to it has been through your displeasure, I must violate
|
|
the injunction you have laid upon me.'
|
|
|
|
'You know that you are free to do so, Sir,' said Edith. 'Do it.'
|
|
|
|
So pale, so trembling, so impassioned! He had not miscalculated the
|
|
effect then!
|
|
|
|
'His instructions were,' he said, in a low voice, 'that I should
|
|
inform you that your demeanour towards Miss Dombey is not agreeable to
|
|
him. That it suggests comparisons to him which are not favourable to
|
|
himself. That he desires it may be wholly changed; and that if you are
|
|
in earnest, he is confident it will be; for your continued show of
|
|
affection will not benefit its object.'
|
|
|
|
'That is a threat,' she said.
|
|
|
|
'That is a threat,' he answered, in his voiceless manner of assent:
|
|
adding aloud, 'but not directed against you.'
|
|
|
|
Proud, erect, and dignified, as she stood confronting him; and
|
|
looking through him as she did, with her full bright flashing eye; and
|
|
smiling, as she was, with scorn and bitterness; she sunk as if the
|
|
ground had dropped beneath her, and in an instant would have fallen on
|
|
the floor, but that he caught her in his arms. As instantaneously she
|
|
threw him off, the moment that he touched her, and, drawing back,
|
|
confronted him again, immoveable, with her hand stretched out.
|
|
|
|
'Please to leave me. Say no more to-night.'
|
|
|
|
'I feel the urgency of this,' said Mr Carker, 'because it is
|
|
impossible to say what unforeseen consequences might arise, or how
|
|
soon, from your being unacquainted with his state of mind. I
|
|
understand Miss Dombey is concerned, now, at the dismissal of her old
|
|
servant, which is likely to have been a minor consequence in itself.
|
|
You don't blame me for requesting that Miss Dombey might not be
|
|
present. May I hope so?'
|
|
|
|
'I do not. Please to leave me, Sir.'
|
|
|
|
'I knew that your regard for the young lady, which is very sincere
|
|
and strong, I am well persuaded, would render it a great unhappiness
|
|
to you, ever to be a prey to the reflection that you had injured her
|
|
position and ruined her future hopes,' said Carker hurriedly, but
|
|
eagerly.
|
|
|
|
'No more to-night. Leave me, if you please.'
|
|
|
|
'I shall be here constantly in my attendance upon him, and in the
|
|
transaction of business matters. You will allow me to see you again,
|
|
and to consult what should be done, and learn your wishes?'
|
|
|
|
She motioned him towards the door.
|
|
|
|
'I cannot even decide whether to tell him I have spoken to you yet;
|
|
or to lead him to suppose that I have deferred doing so, for want of
|
|
opportunity, or for any other reason. It will be necessary that you
|
|
should enable me to consult with you very soon.
|
|
|
|
'At any time but now,' she answered.
|
|
|
|
'You will understand, when I wish to see you, that Miss Dombey is
|
|
not to be present; and that I seek an interview as one who has the
|
|
happiness to possess your confidence, and who comes to render you
|
|
every assistance in his power, and, perhaps, on many occasions, to
|
|
ward off evil from her?'
|
|
|
|
Looking at him still with the same apparent dread of releasing him
|
|
for a moment from the influence of her steady gaze, whatever that
|
|
might be, she answered, 'Yes!' and once more bade him go.
|
|
|
|
He bowed, as if in compliance; but turning back, when he had nearly
|
|
reached the door, said:
|
|
|
|
'I am forgiven, and have explained my fault. May I - for Miss
|
|
Dombey's sake, and for my own - take your hand before I go?'
|
|
|
|
She gave him the gloved hand she had maimed last night. He took it
|
|
in one of his, and kissed it, and withdrew. And when he had closed the
|
|
door, he waved the hand with which he had taken hers, and thrust it in
|
|
his breast.
|
|
|
|
Edith saw no one that night, but locked her door, and kept herself
|
|
|
|
alone.
|
|
|
|
She did not weep; she showed no greater agitation, outwardly, than
|
|
when she was riding home. She laid as proud a head upon her pillow as
|
|
she had borne in her carriage; and her prayer ran thus:
|
|
|
|
'May this man be a liar! For if he has spoken truth, she is lost to
|
|
me, and I have no hope left!'
|
|
|
|
This man, meanwhile, went home musing to bed, thinking, with a
|
|
dainty pleasure, how imperious her passion was, how she had sat before
|
|
him in her beauty, with the dark eyes that had never turned away but
|
|
once; how the white down had fluttered; how the bird's feathers had
|
|
been strewn upon the ground.
|
|
|
|
CHAPTER 46.
|
|
|
|
Recognizant and Reflective
|
|
|
|
Among sundry minor alterations in Mr Carker's life and habits that
|
|
began to take place at this time, none was more remarkable than the
|
|
extraordinary diligence with which he applied himself to business, and
|
|
the closeness with which he investigated every detail that the affairs
|
|
of the House laid open to him. Always active and penetrating in such
|
|
matters, his lynx-eyed vigilance now increased twenty-fold. Not only
|
|
did his weary watch keep pace with every present point that every day
|
|
presented to him in some new form, but in the midst of these
|
|
engrossing occupations he found leisure - that is, he made it - to
|
|
review the past transactions of the Firm, and his share in them,
|
|
during a long series of years. Frequently when the clerks were all
|
|
gone, the offices dark and empty, and all similar places of business
|
|
shut up, Mr Carker, with the whole anatomy of the iron room laid bare
|
|
before him, would explore the mysteries of books and papers, with the
|
|
patient progress of a man who was dissecting the minutest nerves and
|
|
fibres of his subject. Perch, the messenger, who usually remained on
|
|
these occasions, to entertain himself with the perusal of the Price
|
|
Current by the light of one candle, or to doze over the fire in the
|
|
outer office, at the imminent risk every moment of diving head
|
|
foremost into the coal-box, could not withhold the tribute of his
|
|
admiration from this zealous conduct, although it much contracted his
|
|
domestic enjoyments; and again, and again, expatiated to Mrs Perch
|
|
(now nursing twins) on the industry and acuteness of their managing
|
|
gentleman in the City.
|
|
|
|
The same increased and sharp attention that Mr Carker bestowed on
|
|
the business of the House, he applied to his own personal affairs.
|
|
Though not a partner in the concern - a distinction hitherto reserved
|
|
solely to inheritors of the great name of Dombey - he was in the
|
|
receipt of some percentage on its dealings; and, participating in all
|
|
its facilities for the employment of money to advantage, was
|
|
considered, by the minnows among the tritons of the East, a rich man.
|
|
It began to be said, among these shrewd observers, that Jem Carker, of
|
|
Dombey's, was looking about him to see what he was worth; and that he
|
|
was calling in his money at a good time, like the long-headed fellow
|
|
he was; and bets were even offered on the Stock Exchange that Jem was
|
|
going to marry a rich widow.
|
|
|
|
Yet these cares did not in the least interfere with Mr Carker's
|
|
watching of his chief, or with his cleanness, neatness, sleekness, or
|
|
any cat-like quality he possessed. It was not so much that there was a
|
|
change in him, in reference to any of his habits, as that the whole
|
|
man was intensified. Everything that had been observable in him
|
|
before, was observable now, but with a greater amount of
|
|
concentration. He did each single thing, as if he did nothing else - a
|
|
pretty certain indication in a man of that range of ability and
|
|
purpose, that he is doing something which sharpens and keeps alive his
|
|
keenest powers.
|
|
|
|
The only decided alteration in him was, that as he rode to and fro
|
|
along the streets, he would fall into deep fits of musing, like that
|
|
in which he had come away from Mr Dombey's house, on the morning of
|
|
that gentleman's disaster. At such times, he would keep clear of the
|
|
obstacles in his way, mechanically; and would appear to see and hear
|
|
nothing until arrival at his destination, or some sudden chance or
|
|
effort roused him.
|
|
|
|
Walking his white-legged horse thus, to the counting-house of
|
|
Dombey and Son one day, he was as unconscious of the observation of
|
|
two pairs of women's eyes, as of the fascinated orbs of Rob the
|
|
Grinder, who, in waiting a street's length from the appointed place,
|
|
as a demonstration of punctuality, vainly touched and retouched his
|
|
hat to attract attention, and trotted along on foot, by his master's
|
|
side, prepared to hold his stirrup when he should alight.
|
|
|
|
'See where he goes!' cried one of these two women, an old creature,
|
|
who stretched out her shrivelled arm to point him out to her
|
|
companion, a young woman, who stood close beside her, withdrawn like
|
|
herself into a gateway.
|
|
|
|
Mrs Brown's daughter looked out, at this bidding on the part of Mrs
|
|
Brown; and there were wrath and vengeance in her face.
|
|
|
|
'I never thought to look at him again,' she said, in a low voice;
|
|
'but it's well I should, perhaps. I see. I see!'
|
|
|
|
'Not changed!' said the old woman, with a look of eager malice.
|
|
|
|
'He changed!' returned the other. 'What for? What has he suffered?
|
|
There is change enough for twenty in me. Isn't that enough?'
|
|
|
|
'See where he goes!' muttered the old woman, watching her daughter
|
|
with her red eyes; 'so easy and so trim a-horseback, while we are in
|
|
the mud.'
|
|
|
|
'And of it,' said her daughter impatiently. 'We are mud, underneath
|
|
his horse's feet. What should we be?'
|
|
|
|
In the intentness with which she looked after him again, she made a
|
|
hasty gesture with her hand when the old woman began to reply, as if
|
|
her view could be obstructed by mere sound. Her mother watching her,
|
|
and not him, remained silent; until her kindling glance subsided, and
|
|
she drew a long breath, as if in the relief of his being gone.
|
|
|
|
'Deary!' said the old woman then. 'Alice! Handsome gall Ally!' She
|
|
gently shook her sleeve to arouse her attention. 'Will you let him go
|
|
like that, when you can wring money from him? Why, it's a wickedness,
|
|
my daughter.'
|
|
|
|
'Haven't I told you, that I will not have money from him?' she
|
|
returned. 'And don't you yet believe me? Did I take his sister's
|
|
money? Would I touch a penny, if I knew it, that had gone through his
|
|
white hands - unless it was, indeed, that I could poison it, and send
|
|
it back to him? Peace, mother, and come away.
|
|
|
|
'And him so rich?' murmured the old woman. 'And us so poor!'
|
|
|
|
'Poor in not being able to pay him any of the harm we owe him,'
|
|
returned her daughter. 'Let him give me that sort of riches, and I'll
|
|
take them from him, and use them. Come away. Its no good looking at
|
|
his horse. Come away, mother!'
|
|
|
|
But the old woman, for whom the spectacle of Rob the Grinder
|
|
returning down the street, leading the riderless horse, appeared to
|
|
have some extraneous interest that it did not possess in itself,
|
|
surveyed that young man with the utmost earnestness; and seeming to
|
|
have whatever doubts she entertained, resolved as he drew nearer,
|
|
glanced at her daughter with brightened eyes and with her finger on
|
|
her lip, and emerging from the gateway at the moment of his passing,
|
|
touched him on the shoulder.
|
|
|
|
'Why, where's my sprightly Rob been, all this time!' she said, as
|
|
he turned round.
|
|
|
|
The sprightly Rob, whose sprightliness was very much diminished by
|
|
the salutation, looked exceedingly dismayed, and said, with the water
|
|
rising in his eyes:
|
|
|
|
'Oh! why can't you leave a poor cove alone, Misses Brown, when he's
|
|
getting an honest livelihood and conducting himself respectable? What
|
|
do you come and deprive a cove of his character for, by talking to him
|
|
in the streets, when he's taking his master's horse to a honest stable
|
|
- a horse you'd go and sell for cats' and dogs' meat if you had your
|
|
way! Why, I thought,' said the Grinder, producing his concluding
|
|
remark as if it were the climax of all his injuries, 'that you was
|
|
dead long ago!'
|
|
|
|
'This is the way,' cried the old woman, appealing to her daughter,
|
|
'that he talks to me, who knew him weeks and months together, my
|
|
deary, and have stood his friend many and many a time among the
|
|
pigeon-fancying tramps and bird-catchers.'
|
|
|
|
'Let the birds be, will you, Misses Brown?' retorted Rob, in a tone
|
|
of the acutest anguish. 'I think a cove had better have to do with
|
|
lions than them little creeturs, for they're always flying back in
|
|
your face when you least expect it. Well, how d'ye do and what do you
|
|
want?' These polite inquiries the Grinder uttered, as it were under
|
|
protest, and with great exasperation and vindictiveness.
|
|
|
|
'Hark how he speaks to an old friend, my deary!' said Mrs Brown,
|
|
again appealing to her daughter. 'But there's some of his old friends
|
|
not so patient as me. If I was to tell some that he knows, and has
|
|
spotted and cheated with, where to find him - '
|
|
|
|
'Will you hold your tongue, Misses Brown?' interrupted the
|
|
miserable Grinder, glancing quickly round, as though he expected to
|
|
see his master's teeth shining at his elbow. 'What do you take a
|
|
pleasure in ruining a cove for? At your time of life too! when you
|
|
ought to be thinking of a variety of things!'
|
|
|
|
'What a gallant horse!' said the old woman, patting the animal's
|
|
neck.
|
|
|
|
'Let him alone, will you, Misses Brown?' cried Rob, pushing away
|
|
her hand. 'You're enough to drive a penitent cove mad!'
|
|
|
|
'Why, what hurt do I do him, child?' returned the old woman.
|
|
|
|
'Hurt?' said Rob. 'He's got a master that would find it out if he
|
|
was touched with a straw.' And he blew upon the place where the old
|
|
woman's hand had rested for a moment, and smoothed it gently with his
|
|
finger, as if he seriously believed what he said.
|
|
|
|
The old woman looking back to mumble and mouth at her daughter, who
|
|
followed, kept close to Rob's heels as he walked on with the bridle in
|
|
his hand; and pursued the conversation.
|
|
|
|
'A good place, Rob, eh?' said she. 'You're in luck, my child.'
|
|
|
|
'Oh don't talk about luck, Misses Brown,' returned the wretched
|
|
Grinder, facing round and stopping. 'If you'd never come, or if you'd
|
|
go away, then indeed a cove might be considered tolerable lucky. Can't
|
|
you go along, Misses Brown, and not foller me!' blubbered Rob, with
|
|
sudden defiance. 'If the young woman's a friend of yours, why don't
|
|
she take you away, instead of letting you make yourself so
|
|
disgraceful!'
|
|
|
|
'What!' croaked the old woman, putting her face close to his, with
|
|
a malevolent grin upon it that puckered up the loose skin down in her
|
|
very throat. 'Do you deny your old chum! Have you lurked to my house
|
|
fifty times, and slept sound in a corner when you had no other bed but
|
|
the paving-stones, and do you talk to me like this! Have I bought and
|
|
sold with you, and helped you in my way of business, schoolboy, sneak,
|
|
and what not, and do you tell me to go along? Could I raise a crowd of
|
|
old company about you to-morrow morning, that would follow you to ruin
|
|
like copies of your own shadow, and do you turn on me with your bold
|
|
looks! I'll go. Come, Alice.'
|
|
|
|
'Stop, Misses Brown!' cried the distracted Grinder. 'What are you
|
|
doing of? Don't put yourself in a passion! Don't let her go, if you
|
|
please. I haven't meant any offence. I said "how d'ye do," at first,
|
|
didn't I? But you wouldn't answer. How you do? Besides,' said Rob
|
|
piteously, 'look here! How can a cove stand talking in the street with
|
|
his master's prad a wanting to be took to be rubbed down, and his
|
|
master up to every individgle thing that happens!'
|
|
|
|
The old woman made a show of being partially appeased, but shook
|
|
her head, and mouthed and muttered still.
|
|
|
|
'Come along to the stables, and have a glass of something that's
|
|
good for you, Misses Brown, can't you?' said Rob, 'instead of going
|
|
on, like that, which is no good to you, nor anybody else. Come along
|
|
with her, will you be so kind?' said Rob. 'I'm sure I'm delighted to
|
|
see her, if it wasn't for the horse!'
|
|
|
|
With this apology, Rob turned away, a rueful picture of despair,
|
|
and walked his charge down a bye street' The old woman, mouthing at
|
|
her daughter, followed close upon him. The daughter followed.
|
|
|
|
Turning into a silent little square or court-yard that had a great
|
|
church tower rising above it, and a packer's warehouse, and a
|
|
bottle-maker's warehouse, for its places of business, Rob the Grinder
|
|
delivered the white-legged horse to the hostler of a quaint stable at
|
|
the corner; and inviting Mrs Brown and her daughter to seat themselves
|
|
upon a stone bench at the gate of that establishment, soon reappeared
|
|
from a neighbouring public-house with a pewter measure and a glass.
|
|
|
|
'Here's master - Mr Carker, child!' said the old woman, slowly, as
|
|
her sentiment before drinking. 'Lord bless him!'
|
|
|
|
'Why, I didn't tell you who he was,' observed Rob, with staring
|
|
eyes.
|
|
|
|
'We know him by sight,' said Mrs Brown, whose working mouth and
|
|
nodding head stopped for the moment, in the fixedness of her
|
|
attention. 'We saw him pass this morning, afore he got off his horse;
|
|
when you were ready to take it.'
|
|
|
|
'Ay, ay,' returned Rob, appearing to wish that his readiness had
|
|
carried him to any other place. - 'What's the matter with her? Won't
|
|
she drink?'
|
|
|
|
This inquiry had reference to Alice, who, folded in her cloak, sat
|
|
a little apart, profoundly inattentive to his offer of the replenished
|
|
glass.
|
|
|
|
The old woman shook her head. 'Don't mind her,' she said; 'she's a
|
|
strange creetur, if you know'd her, Rob. But Mr Carker
|
|
|
|
'Hush!' said Rob, glancing cautiously up at the packer's, and at
|
|
the bottle-maker's, as if, from any one of the tiers of warehouses, Mr
|
|
Carker might be looking down. 'Softly.'
|
|
|
|
'Why, he ain't here!' cried Mrs Brown.
|
|
|
|
'I don't know that,' muttered Rob, whose glance even wandered to
|
|
the church tower, as if he might be there, with a supernatural power
|
|
of hearing.
|
|
|
|
'Good master?' inquired Mrs Brown.
|
|
|
|
Rob nodded; and added, in a low voice, 'precious sharp.'
|
|
|
|
'Lives out of town, don't he, lovey?' said the old woman.
|
|
|
|
'When he's at home,' returned Rob; 'but we don't live at home just
|
|
now.'
|
|
|
|
'Where then?' asked the old woman.
|
|
|
|
'Lodgings; up near Mr Dombey's,' returned Rob.
|
|
|
|
The younger woman fixed her eyes so searchingly upon him, and so
|
|
suddenly, that Rob was quite confounded, and offered the glass again,
|
|
but with no more effect upon her than before.
|
|
|
|
'Mr Dombey - you and I used to talk about him, sometimes, you
|
|
know,' said Rob to Mrs Brown. 'You used to get me to talk about him.'
|
|
|
|
The old woman nodded.
|
|
|
|
'Well, Mr Dombey, he's had a fall from his horse,' said Rob,
|
|
unwillingly; 'and my master has to be up there, more than usual,
|
|
either with him, or Mrs Dombey, or some of 'em; and so we've come to
|
|
town.'
|
|
|
|
'Are they good friends, lovey?'asked the old woman.
|
|
|
|
'Who?' retorted Rob.
|
|
|
|
'He and she?'
|
|
|
|
'What, Mr and Mrs Dombey?' said Rob. 'How should I know!'
|
|
|
|
'Not them - Master and Mrs Dombey, chick,' replied the old woman,
|
|
coaxingly.
|
|
|
|
'I don't know,' said Rob, looking round him again. 'I suppose so.
|
|
How curious you are, Misses Brown! Least said, soonest mended.'
|
|
|
|
'Why there's no harm in it!' exclaimed the old woman, with a laugh,
|
|
and a clap of her hands. 'Sprightly Rob, has grown tame since he has
|
|
been well off! There's no harm in It.
|
|
|
|
'No, there's no harm in it, I know,' returned Rob, with the same
|
|
distrustful glance at the packer's and the bottle-maker's, and the
|
|
church; 'but blabbing, if it's only about the number of buttons on my
|
|
master's coat, won't do. I tell you it won't do with him. A cove had
|
|
better drown himself. He says so. I shouldn't have so much as told you
|
|
what his name was, if you hadn't known it. Talk about somebody else.'
|
|
|
|
As Rob took another cautious survey of the yard, the old woman made
|
|
a secret motion to her daughter. It was momentary, but the daughter,
|
|
with a slight look of intelligence, withdrew her eyes from the boy's
|
|
face, and sat folded in her cloak as before.
|
|
|
|
'Rob, lovey!' said the old woman, beckoning him to the other end of
|
|
the bench. 'You were always a pet and favourite of mine. Now, weren't
|
|
you? Don't you know you were?'
|
|
|
|
'Yes, Misses Brown,' replied the Grinder, with a very bad grace.
|
|
|
|
'And you could leave me!' said the old woman, flinging her arms
|
|
about his neck. 'You could go away, and grow almost out of knowledge,
|
|
and never come to tell your poor old friend how fortunate you were,
|
|
proud lad! Oho, Oho!'
|
|
|
|
'Oh here's a dreadful go for a cove that's got a master wide awake
|
|
in the neighbourhood!' exclaimed the wretched Grinder. 'To be howled
|
|
over like this here!'
|
|
|
|
'Won't you come and see me, Robby?' cried Mrs Brown. 'Oho, won't
|
|
you ever come and see me?'
|
|
|
|
'Yes, I tell you! Yes, I will!' returned the Grinder.
|
|
|
|
'That's my own Rob! That's my lovey!' said Mrs Brown, drying the
|
|
tears upon her shrivelled face, and giving him a tender squeeze. 'At
|
|
the old place, Rob?'
|
|
|
|
'Yes,' replied the Grinder.
|
|
|
|
'Soon, Robby dear?' cried Mrs Brown; 'and often?'
|
|
|
|
'Yes. Yes. Yes,' replied Rob. 'I will indeed, upon my soul and
|
|
body.'
|
|
|
|
'And then,' said Mrs Brown, with her arms uplifted towards the sky,
|
|
and her head thrown back and shaking, 'if he's true to his word, I'll
|
|
never come a-near him though I know where he is, and never breathe a
|
|
syllable about him! Never!'
|
|
|
|
This ejaculation seemed a drop of comfort to the miserable Grinder,
|
|
who shook Mrs Brown by the hand upon it, and implored her with tears
|
|
in his eyes, to leave a cove and not destroy his prospects. Mrs Brown,
|
|
with another fond embrace, assented; but in the act of following her
|
|
daughter, turned back, with her finger stealthily raised, and asked in
|
|
a hoarse whisper for some money.
|
|
|
|
'A shilling, dear!' she said, with her eager avaricious face, 'or
|
|
sixpence! For old acquaintance sake. I'm so poor. And my handsome gal'
|
|
- looking over her shoulder - 'she's my gal, Rob - half starves me.
|
|
|
|
But as the reluctant Grinder put it in her hand, her daughter,
|
|
coming quietly back, caught the hand in hen, and twisted out the coin.
|
|
|
|
'What,' she said, 'mother! always money! money from the first, and
|
|
to the last' Do you mind so little what I said but now? Here. Take
|
|
it!'
|
|
|
|
The old woman uttered a moan as the money was restored, but without
|
|
in any other way opposing its restoration, hobbled at her daughter's
|
|
side out of the yard, and along the bye street upon which it opened.
|
|
The astonished and dismayed Rob staring after them, saw that they
|
|
stopped, and fell to earnest conversation very soon; and more than
|
|
once observed a darkly threatening action of the younger woman's hand
|
|
(obviously having reference to someone of whom they spoke), and a
|
|
crooning feeble imitation of it on the part of Mrs Brown, that made
|
|
him earnestly hope he might not be the subject of their discourse.
|
|
|
|
With the present consolation that they were gone, and with the
|
|
prospective comfort that Mrs Brown could not live for ever, and was
|
|
not likely to live long to trouble him, the Grinder, not otherwise
|
|
regretting his misdeeds than as they were attended with such
|
|
disagreeable incidental consequences, composed his ruffled features to
|
|
a more serene expression by thinking of the admirable manner in which
|
|
he had disposed of Captain Cuttle (a reflection that seldom failed to
|
|
put him in a flow of spirits), and went to the Dombey Counting House
|
|
to receive his master's orders.
|
|
|
|
There his master, so subtle and vigilant of eye, that Rob quaked
|
|
before him, more than half expecting to be taxed with Mrs Brown, gave
|
|
him the usual morning's box of papers for Mr Dombey, and a note for
|
|
Mrs Dombey: merely nodding his head as an enjoinder to be careful, and
|
|
to use dispatch - a mysterious admonition, fraught in the Grinder's
|
|
imagination with dismal warnings and threats; and more powerful with
|
|
him than any words.
|
|
|
|
Alone again, in his own room, Mr Carker applied himself to work,
|
|
and worked all day. He saw many visitors; overlooked a number of
|
|
documents; went in and out, to and from, sundry places of mercantile
|
|
resort; and indulged in no more abstraction until the day's business
|
|
was done. But, when the usual clearance of papers from his table was
|
|
made at last, he fell into his thoughtful mood once more.
|
|
|
|
He was standing in his accustomed place and attitude, with his eyes
|
|
intently fixed upon the ground, when his brother entered to bring back
|
|
some letters that had been taken out in the course of the day. He put
|
|
them quietly on the table, and was going immediately, when Mr Carker
|
|
the Manager, whose eyes had rested on him, on his entrance, as if they
|
|
had all this time had him for the subject of their contemplation,
|
|
instead of the office-floor, said:
|
|
|
|
'Well, John Carker, and what brings you here?'
|
|
|
|
His brother pointed to the letters, and was again withdrawing.
|
|
|
|
'I wonder,' said the Manager, 'that you can come and go, without
|
|
inquiring how our master is'.
|
|
|
|
'We had word this morning in the Counting House, that Mr Dombey was
|
|
doing well,' replied his brother.
|
|
|
|
'You are such a meek fellow,' said the Manager, with a smile, -
|
|
'but you have grown so, in the course of years - that if any harm came
|
|
to him, you'd be miserable, I dare swear now.'
|
|
|
|
'I should be truly sorry, James,' returned the other.
|
|
|
|
'He would be sorry!' said the Manager, pointing at him, as if there
|
|
were some other person present to whom he was appealing. 'He would be
|
|
truly sorry! This brother of mine! This junior of the place, this
|
|
slighted piece of lumber, pushed aside with his face to the wall, like
|
|
a rotten picture, and left so, for Heaven knows how many years he's
|
|
all gratitude and respect, and devotion too, he would have me
|
|
believe!'
|
|
|
|
'I would have you believe nothing, James,' returned the other. 'Be
|
|
as just to me as you would to any other man below you. You ask a
|
|
question, and I answer it.'
|
|
|
|
'And have you nothing, Spaniel,' said the Manager, with unusual
|
|
irascibility, 'to complain of in him? No proud treatment to resent, no
|
|
insolence, no foolery of state, no exaction of any sort! What the
|
|
devil! are you man or mouse?'
|
|
|
|
'It would be strange if any two persons could be together for so
|
|
many years, especially as superior and inferior, without each having
|
|
something to complain of in the other - as he thought, at all events,
|
|
replied John Carker. 'But apart from my history here - '
|
|
|
|
'His history here!' exclaimed the Manager. 'Why, there it is. The
|
|
very fact that makes him an extreme case, puts him out of the whole
|
|
chapter! Well?'
|
|
|
|
'Apart from that, which, as you hint, gives me a reason to be
|
|
thankful that I alone (happily for all the rest) possess, surely there
|
|
is no one in the House who would not say and feel at least as much.
|
|
You do not think that anybody here would be indifferent to a mischance
|
|
or misfortune happening to the head of the House, or anything than
|
|
truly sorry for it?'
|
|
|
|
'You have good reason to be bound to him too!' said the Manager,
|
|
contemptuously. 'Why, don't you believe that you are kept here, as a
|
|
cheap example, and a famous instance of the clemency of Dombey and
|
|
Son, redounding to the credit of the illustrious House?'
|
|
|
|
'No,' replied his brother, mildly, 'I have long believed that I am
|
|
kept here for more kind and disinterested reasons.
|
|
|
|
'But you were going,' said the Manager, with the snarl of a
|
|
tiger-cat, 'to recite some Christian precept, I observed.'
|
|
|
|
'Nay, James,' returned the other, 'though the tie of brotherhood
|
|
between us has been long broken and thrown away - '
|
|
|
|
'Who broke it, good Sir?' said the Manager.
|
|
|
|
'I, by my misconduct. I do not charge it upon you.'
|
|
|
|
The Manager replied, with that mute action of his bristling mouth,
|
|
'Oh, you don't charge it upon me!' and bade him go on.
|
|
|
|
'I say, though there is not that tie between us, do not, I entreat,
|
|
assail me with unnecessary taunts, or misinterpret what I say, or
|
|
would say. I was only going to suggest to you that it would be a
|
|
mistake to suppose that it is only you, who have been selected here,
|
|
above all others, for advancement, confidence and distinction
|
|
(selected, in the beginning, I know, for your great ability and
|
|
trustfulness), and who communicate more freely with Mr Dombey than
|
|
anyone, and stand, it may be said, on equal terms with him, and have
|
|
been favoured and enriched by him - that it would be a mistake to
|
|
suppose that it is only you who are tender of his welfare and
|
|
reputation. There is no one in the House, from yourself down to the
|
|
lowest, I sincerely believe, who does not participate in that
|
|
feeling.'
|
|
|
|
'You lie!' said the Manager, red with sudden anger. 'You're a
|
|
hypocrite, John Carker, and you lie.'
|
|
|
|
'James!' cried the other, flushing in his turn. 'What do you mean
|
|
by these insulting words? Why do you so basely use them to me,
|
|
unprovoked?'
|
|
|
|
'I tell you,' said the Manager, 'that your hypocrisy and meekness -
|
|
that all the hypocrisy and meekness of this place - is not worth that
|
|
to me,' snapping his thumb and finger, 'and that I see through it as
|
|
if it were air! There is not a man employed here, standing between
|
|
myself and the lowest in place (of whom you are very considerate, and
|
|
with reason, for he is not far off), who wouldn't be glad at heart to
|
|
see his master humbled: who does not hate him, secretly: who does not
|
|
wish him evil rather than good: and who would not turn upon him, if he
|
|
had the power and boldness. The nearer to his favour, the nearer to
|
|
his insolence; the closer to him, the farther from him. That's the
|
|
creed here!'
|
|
|
|
'I don't know,' said his brother, whose roused feelings had soon
|
|
yielded to surprise, 'who may have abused your ear with such
|
|
representations; or why you have chosen to try me, rather than
|
|
another. But that you have been trying me, and tampering with me, I am
|
|
now sure. You have a different manner and a different aspect from any
|
|
that I ever saw m you. I will only say to you, once more, you are
|
|
deceived.'
|
|
|
|
'I know I am,' said the Manager. 'I have told you so.'
|
|
|
|
'Not by me,' returned his brother. 'By your informant, if you have
|
|
one. If not, by your own thoughts and suspicions.'
|
|
|
|
'I have no suspicions,' said the Manager. 'Mine are certainties.
|
|
You pusillanimous, abject, cringing dogs! All making the same show,
|
|
all canting the same story, all whining the same professions, all
|
|
harbouring the same transparent secret.'
|
|
|
|
His brother withdrew, without saying more, and shut the door as he
|
|
concluded. Mr Carker the Manager drew a chair close before the fire,
|
|
and fell to beating the coals softly with the poker.
|
|
|
|
'The faint-hearted, fawning knaves,' he muttered, with his two
|
|
shining rows of teeth laid bare. 'There's not one among them, who
|
|
wouldn't feign to be so shocked and outraged - ! Bah! There's not one
|
|
among them, but if he had at once the power, and the wit and daring to
|
|
use it, would scatter Dombey's pride and lay it low, as ruthlessly as
|
|
I rake out these ashes.'
|
|
|
|
As he broke them up and strewed them in the grate, he looked on
|
|
with a thoughtful smile at what he was doing. 'Without the same queen
|
|
beckoner too!' he added presently; 'and there is pride there, not to
|
|
be forgotten - witness our own acquaintance!' With that he fell into a
|
|
deeper reverie, and sat pondering over the blackening grate, until he
|
|
rose up like a man who had been absorbed in a book, and looking round
|
|
him took his hat and gloves, went to where his horse was waiting,
|
|
mounted, and rode away through the lighted streets, for it was
|
|
evening.
|
|
|
|
He rode near Mr Dombey's house; and falling into a walk as he
|
|
approached it, looked up at the windows The window where he had once
|
|
seen Florence sitting with her dog attracted his attention first,
|
|
though there was no light in it; but he smiled as he carried his eyes
|
|
up the tall front of the house, and seemed to leave that object
|
|
superciliously behind.
|
|
|
|
'Time was,' he said, 'when it was well to watch even your rising
|
|
little star, and know in what quarter there were clouds, to shadow you
|
|
if needful. But a planet has arisen, and you are lost in its light.'
|
|
|
|
He turned the white-legged horse round the street corner, and
|
|
sought one shining window from among those at the back of the house.
|
|
Associated with it was a certain stately presence, a gloved hand, the
|
|
remembrance how the feathers of a beautiful bird's wing had been
|
|
showered down upon the floor, and how the light white down upon a robe
|
|
had stirred and rustled, as in the rising of a distant storm. These
|
|
were the things he carried with him as he turned away again, and rode
|
|
through the darkening and deserted Parks at a quick rate.
|
|
|
|
In fatal truth, these were associated with a woman, a proud woman,
|
|
who hated him, but who by slow and sure degrees had been led on by his
|
|
craft, and her pride and resentment, to endure his company, and little
|
|
by little to receive him as one who had the privilege to talk to her
|
|
of her own defiant disregard of her own husband, and her abandonment
|
|
of high consideration for herself. They were associated with a woman
|
|
who hated him deeply, and who knew him, and who mistrusted him because
|
|
she knew him, and because he knew her; but who fed her fierce
|
|
resentment by suffering him to draw nearer and yet nearer to her every
|
|
day, in spite of the hate she cherished for him. In spite of it! For
|
|
that very reason; since in its depths, too far down for her
|
|
threatening eye to pierce, though she could see into them dimly, lay
|
|
the dark retaliation, whose faintest shadow seen once and shuddered
|
|
at, and never seen again, would have been sufficient stain upon her
|
|
soul.
|
|
|
|
Did the phantom of such a woman flit about him on his ride; true to
|
|
the reality, and obvious to him?
|
|
|
|
Yes. He saw her in his mind, exactly as she was. She bore him
|
|
company with her pride, resentment, hatred, all as plain to him as her
|
|
beauty; with nothing plainer to him than her hatred of him. He saw her
|
|
sometimes haughty and repellent at his side, and some times down among
|
|
his horse's feet, fallen and in the dust. But he always saw her as she
|
|
was, without disguise, and watched her on the dangerous way that she
|
|
was going.
|
|
|
|
And when his ride was over, and he was newly dressed, and came into
|
|
the light of her bright room with his bent head, soft voice, and
|
|
soothing smile, he saw her yet as plainly. He even suspected the
|
|
mystery of the gloved hand, and held it all the longer in his own for
|
|
that suspicion. Upon the dangerous way that she was going, he was,
|
|
still; and not a footprint did she mark upon it, but he set his own
|
|
there, straight'
|
|
|
|
CHAPTER 47.
|
|
|
|
The Thunderbolt
|
|
|
|
The barrier between Mr Dombey and his wife was not weakened by
|
|
time. Ill-assorted couple, unhappy in themselves and in each other,
|
|
bound together by no tie but the manacle that joined their fettered
|
|
hands, and straining that so harshly, in their shrinking asunder, that
|
|
it wore and chafed to the bone, Time, consoler of affliction and
|
|
softener of anger, could do nothing to help them. Their pride, however
|
|
different in kind and object, was equal in degree; and, in their
|
|
flinty opposition, struck out fire between them which might smoulder
|
|
or might blaze, as circumstances were, but burned up everything within
|
|
their mutual reach, and made their marriage way a road of ashes.
|
|
|
|
Let us be just to him. In the monstrous delusion of his life,
|
|
swelling with every grain of sand that shifted in its glass, he urged
|
|
her on, he little thought to what, or considered how; but still his
|
|
feeling towards her, such as it was, remained as at first. She had the
|
|
grand demerit of unaccountably putting herself in opposition to the
|
|
recognition of his vast importance, and to the acknowledgment of her
|
|
complete submission to it, and so far it was necessary to correct and
|
|
reduce her; but otherwise he still considered her, in his cold way, a
|
|
lady capable of doing honour, if she would, to his choice and name,
|
|
and of reflecting credit on his proprietorship.
|
|
|
|
Now, she, with all her might of passionate and proud resentment,
|
|
bent her dark glance from day to day, and hour to hour - from that
|
|
night in her own chamber, when she had sat gazing at the shadows on
|
|
the wall, to the deeper night fast coming - upon one figure directing
|
|
a crowd of humiliations and exasperations against her; and that
|
|
figure, still her husband's.
|
|
|
|
Was Mr Dombey's master-vice, that ruled him so inexorably, an
|
|
unnatural characteristic? It might be worthwhile, sometimes, to
|
|
inquire what Nature is, and how men work to change her, and whether,
|
|
in the enforced distortions so produced, it is not natural to be
|
|
unnatural. Coop any son or daughter of our mighty mother within narrow
|
|
range, and bind the prisoner to one idea, and foster it by servile
|
|
worship of it on the part of the few timid or designing people
|
|
standing round, and what is Nature to the willing captive who has
|
|
never risen up upon the wings of a free mind - drooping and useless
|
|
soon - to see her in her comprehensive truth!
|
|
|
|
Alas! are there so few things in the world, about us, most
|
|
unnatural, and yet most natural in being so? Hear the magistrate or
|
|
judge admonish the unnatural outcasts of society; unnatural in brutal
|
|
habits, unnatural in want of decency, unnatural in losing and
|
|
confounding all distinctions between good and evil; unnatural in
|
|
ignorance, in vice, in recklessness, in contumacy, in mind, in looks,
|
|
in everything. But follow the good clergyman or doctor, who, with his
|
|
life imperilled at every breath he draws, goes down into their dens,
|
|
lying within the echoes of our carriage wheels and daily tread upon
|
|
the pavement stones. Look round upon the world of odious sights -
|
|
millions of immortal creatures have no other world on earth - at the
|
|
lightest mention of which humanity revolts, and dainty delicacy living
|
|
in the next street, stops her ears, and lisps 'I don't believe it!'
|
|
Breathe the polluted air, foul with every impurity that is poisonous
|
|
to health and life; and have every sense, conferred upon our race for
|
|
its delight and happiness, offended, sickened and disgusted, and made
|
|
a channel by which misery and death alone can enter. Vainly attempt to
|
|
think of any simple plant, or flower, or wholesome weed, that, set in
|
|
this foetid bed, could have its natural growth, or put its little
|
|
leaves off to the sun as GOD designed it. And then, calling up some
|
|
ghastly child, with stunted form and wicked face, hold forth on its
|
|
unnatural sinfulness, and lament its being, so early, far away from
|
|
Heaven - but think a little of its having been conceived, and born and
|
|
bred, in Hell!
|
|
|
|
Those who study the physical sciences, and bring them to bear upon
|
|
the health of Man, tell us that if the noxious particles that rise
|
|
from vitiated air were palpable to the sight, we should see them
|
|
lowering in a dense black cloud above such haunts, and rolling slowly
|
|
on to corrupt the better portions of a town. But if the moral
|
|
pestilence that rises with them, and in the eternal laws of our
|
|
Nature, is inseparable from them, could be made discernible too, how
|
|
terrible the revelation! Then should we see depravity, impiety,
|
|
drunkenness, theft, murder, and a long train of nameless sins against
|
|
the natural affections and repulsions of mankind, overhanging the
|
|
devoted spots, and creeping on, to blight the innocent and spread
|
|
contagion among the pure. Then should we see how the same poisoned
|
|
fountains that flow into our hospitals and lazar-houses, inundate the
|
|
jails, and make the convict-ships swim deep, and roll across the seas,
|
|
and over-run vast continents with crime. Then should we stand appalled
|
|
to know, that where we generate disease to strike our children down
|
|
and entail itself on unborn generations, there also we breed, by the
|
|
same certain process, infancy that knows no innocence, youth without
|
|
modesty or shame, maturity that is mature in nothing but in suffering
|
|
and guilt, blasted old age that is a scandal on the form we bear.
|
|
unnatural humanity! When we shall gather grapes from thorns, and figs
|
|
from thistles; when fields of grain shall spring up from the offal in
|
|
the bye-ways of our wicked cities, and roses bloom in the fat
|
|
churchyards that they cherish; then we may look for natural humanity,
|
|
and find it growing from such seed.
|
|
|
|
Oh for a good spirit who would take the house-tops off, with a mole
|
|
potent and benignant hand than the lame demon in the tale, and show a
|
|
Christian people what dark shapes issue from amidst their homes, to
|
|
swell the retinue of the Destroying Angel as he moves forth among
|
|
them! For only one night's view of the pale phantoms rising from the
|
|
scenes of our too-long neglect; and from the thick and sullen air
|
|
where Vice and Fever propagate together, raining the tremendous social
|
|
retributions which are ever pouring down, and ever coming thicker!
|
|
Bright and blest the morning that should rise on such a night: for
|
|
men, delayed no more by stumbling-blocks of their own making, which
|
|
are but specks of dust upon the path between them and eternity, would
|
|
then apply themselves, like creatures of one common origin, owing one
|
|
duty to the Father of one family, and tending to one common end, to
|
|
make the world a better place!
|
|
|
|
Not the less bright and blest would that day be for rousing some
|
|
who never have looked out upon the world of human life around them, to
|
|
a knowledge of their own relation to it, and for making them
|
|
acquainted with a perversion of nature in their own contracted
|
|
sympathies and estimates; as great, and yet as natural in its
|
|
development when once begun, as the lowest degradation known.'
|
|
|
|
But no such day had ever dawned on Mr Dombey, or his wife; and the
|
|
course of each was taken.
|
|
|
|
Through six months that ensued upon his accident, they held the
|
|
same relations one towards the other. A marble rock could not have
|
|
stood more obdurately in his way than she; and no chilled spring,
|
|
lying uncheered by any ray of light in the depths of a deep cave,
|
|
could be more sullen or more cold than he.
|
|
|
|
The hope that had fluttered within her when the promise of her new
|
|
home dawned, was quite gone from the heart of Florence now. That home
|
|
was nearly two years old; and even the patient trust that was in her,
|
|
could not survive the daily blight of such experience. If she had any
|
|
lingering fancy in the nature of hope left, that Edith and her father
|
|
might be happier together, in some distant time, she had none, now,
|
|
that her father would ever love her. The little interval in which she
|
|
had imagined that she saw some small relenting in him, was forgotten
|
|
in the long remembrance of his coldness since and before, or only
|
|
remembered as a sorrowful delusion.
|
|
|
|
Florence loved him still, but, by degrees, had come to love him
|
|
rather as some dear one who had been, or who might have been, than as
|
|
the hard reality before her eyes. Something of the softened sadness
|
|
with which she loved the memory of little Paul, or of her mother,
|
|
seemed to enter now into her thoughts of him, and to make them, as it
|
|
were, a dear remembrance. Whether it was that he was dead to her, and
|
|
that partly for this reason, partly for his share in those old objects
|
|
of her affection, and partly for the long association of him with
|
|
hopes that were withered and tendernesses he had frozen, she could not
|
|
have told; but the father whom she loved began to be a vague and
|
|
dreamy idea to her: hardly more substantially connected with her real
|
|
life, than the image she would sometimes conjure up, of her dear
|
|
brother yet alive, and growing to be a man, who would protect and
|
|
cherish her.
|
|
|
|
The change, if it may be called one, had stolen on her like the
|
|
change from childhood to womanhood, and had come with it. Florence was
|
|
almost seventeen, when, in her lonely musings, she was conscious of
|
|
these thoughts.'
|
|
|
|
She was often alone now, for the old association between her and
|
|
her Mama was greatly changed. At the time of her father's accident,
|
|
and when he was lying in his room downstairs, Florence had first
|
|
observed that Edith avoided her. Wounded and shocked, and yet unable
|
|
to reconcile this with her affection when they did meet, she sought
|
|
her in her own room at night, once more.
|
|
|
|
'Mama,' said Florence, stealing softly to her side, 'have I
|
|
offended you?'
|
|
|
|
Edith answered 'No.'
|
|
|
|
'I must have done something,' said Florence. 'Tell me what it is.
|
|
You have changed your manner to me, dear Mama. I cannot say how
|
|
instantly I feel the least change; for I love you with my whole
|
|
heart.'
|
|
|
|
'As I do you,' said Edith. 'Ah, Florence, believe me never more
|
|
than now!'
|
|
|
|
'Why do you go away from me so often, and keep away?' asked
|
|
Florence. 'And why do you sometimes look so strangely on me, dear
|
|
Mama? You do so, do you not?'
|
|
|
|
Edith signified assent with her dark eyes.
|
|
|
|
'Why?' returned Florence imploringly. 'Tell me why, that I may know
|
|
how to please you better; and tell me this shall not be so any more.
|
|
|
|
'My Florence,' answered Edith, taking the hand that embraced her
|
|
neck, and looking into the eyes that looked into hers so lovingly, as
|
|
Florence knelt upon the ground before her; 'why it is, I cannot tell
|
|
you. It is neither for me to say, nor you to hear; but that it is, and
|
|
that it must be, I know. Should I do it if I did not?'
|
|
|
|
'Are we to be estranged, Mama?' asked Florence, gazing at her like
|
|
one frightened.
|
|
|
|
Edith's silent lips formed 'Yes.'
|
|
|
|
Florence looked at her with increasing fear and wonder, until she
|
|
could see her no more through the blinding tears that ran down her
|
|
face.
|
|
|
|
'Florence! my life!' said Edith, hurriedly, 'listen to me. I cannot
|
|
bear to see this grief. Be calmer. You see that I am composed, and is
|
|
it nothing to me?'
|
|
|
|
She resumed her steady voice and manner as she said the latter
|
|
words, and added presently:
|
|
|
|
'Not wholly estranged. Partially: and only that, in appearance,
|
|
Florence, for in my own breast I am still the same to you, and ever
|
|
will be. But what I do is not done for myself.'
|
|
|
|
'Is it for me, Mama?' asked Florence.
|
|
|
|
'It is enough,' said Edith, after a pause, 'to know what it is;
|
|
why, matters little. Dear Florence, it is better - it is necessary -
|
|
it must be - that our association should be less frequent. The
|
|
confidence there has been between us must be broken off.'
|
|
|
|
'When?' cried Florence. 'Oh, Mama, when?'
|
|
|
|
'Now,' said Edith.
|
|
|
|
'For all time to come?' asked Florence.
|
|
|
|
'I do not say that,' answered Edith. 'I do not know that. Nor will
|
|
I say that companionship between us is, at the best, an ill-assorted
|
|
and unholy union, of which I might have known no good could come. My
|
|
way here has been through paths that you will never tread, and my way
|
|
henceforth may lie - God knows - I do not see it - '
|
|
|
|
Her voice died away into silence; and she sat, looking at Florence,
|
|
and almost shrinking from her, with the same strange dread and wild
|
|
avoidance that Florence had noticed once before. The same dark pride
|
|
and rage succeeded, sweeping over her form and features like an angry
|
|
chord across the strings of a wild harp. But no softness or humility
|
|
ensued on that. She did not lay her head down now, and weep, and say
|
|
that she had no hope but in Florence. She held it up as if she were a
|
|
beautiful Medusa, looking on him, face to face, to strike him dead.
|
|
Yes, and she would have done it, if she had had the charm.
|
|
|
|
'Mama,' said Florence, anxiously, 'there is a change in you, in
|
|
more than what you say to me, which alarms me. Let me stay with you a
|
|
little.'
|
|
|
|
'No,' said Edith, 'no, dearest. I am best left alone now, and I do
|
|
best to keep apart from you, of all else. Ask me no questions, but
|
|
believe that what I am when I seem fickle or capricious to you, I am
|
|
not of my own will, or for myself. Believe, though we are stranger to
|
|
each other than we have been, that I am unchanged to you within.
|
|
Forgive me for having ever darkened your dark home - I am a shadow on
|
|
it, I know well - and let us never speak of this again.'
|
|
|
|
'Mama,' sobbed Florence, 'we are not to part?'
|
|
|
|
'We do this that we may not part,' said Edith. 'Ask no more. Go,
|
|
Florence! My love and my remorse go with you!'
|
|
|
|
She embraced her, and dismissed her; and as Florence passed out of
|
|
her room, Edith looked on the retiring figure, as if her good angel
|
|
went out in that form, and left her to the haughty and indignant
|
|
passions that now claimed her for their own, and set their seal upon
|
|
her brow.
|
|
|
|
From that hour, Florence and she were, as they had been, no more.
|
|
For days together, they would seldom meet, except at table, and when
|
|
Mr Dombey was present. Then Edith, imperious, inflexible, and silent,
|
|
never looked at her. Whenever Mr Carker was of the party, as he often
|
|
was, during the progress of Mr Dombey's recovery, and afterwards,
|
|
Edith held herself more removed from her, and was more distant towards
|
|
her, than at other times. Yet she and Florence never encountered, when
|
|
there was no one by, but she would embrace her as affectionately as of
|
|
old, though not with the same relenting of her proud aspect; and
|
|
often, when she had been out late, she would steal up to Florence's
|
|
room, as she had been used to do, in the dark, and whisper
|
|
'Good-night,' on her pillow. When unconscious, in her slumber, of such
|
|
visits, Florence would sometimes awake, as from a dream of those
|
|
words, softly spoken, and would seem to feel the touch of lips upon
|
|
her face. But less and less often as the months went on.
|
|
|
|
And now the void in Florence's own heart began again, indeed, to
|
|
make a solitude around her. As the image of the father whom she loved
|
|
had insensibly become a mere abstraction, so Edith, following the fate
|
|
of all the rest about whom her affections had entwined themselves, was
|
|
fleeting, fading, growing paler in the distance, every day. Little by
|
|
little, she receded from Florence, like the retiring ghost of what she
|
|
had been; little by little, the chasm between them widened and seemed
|
|
deeper; little by little, all the power of earnestness and tenderness
|
|
she had shown, was frozen up in the bold, angry hardihood with which
|
|
she stood, upon the brink of a deep precipice unseen by Florence,
|
|
daring to look down.
|
|
|
|
There was but one consideration to set against the heavy loss of
|
|
Edith, and though it was slight comfort to her burdened heart, she
|
|
tried to think it some relief. No longer divided between her affection
|
|
and duty to the two, Florence could love both and do no injustice to
|
|
either. As shadows of her fond imagination, she could give them equal
|
|
place in her own bosom, and wrong them with no doubts
|
|
|
|
So she tried to do. At times, and often too, wondering speculations
|
|
on the cause of this change in Edith, would obtrude themselves upon
|
|
her mind and frighten her; but in the calm of its abandonment once
|
|
more to silent grief and loneliness, it was not a curious mind.
|
|
Florence had only to remember that her star of promise was clouded in
|
|
the general gloom that hung upon the house, and to weep and be
|
|
resigned.
|
|
|
|
Thus living, in a dream wherein the overflowing love of her young
|
|
heart expended itself on airy forms, and in a real world where she had
|
|
experienced little but the rolling back of that strong tide upon
|
|
itself, Florence grew to be seventeen. Timid and retiring as her
|
|
solitary life had made her, it had not embittered her sweet temper, or
|
|
her earnest nature. A child in innocent simplicity; a woman m her
|
|
modest self-reliance, and her deep intensity of feeling; both child
|
|
and woman seemed at once expressed in her face and fragile delicacy of
|
|
shape, and gracefully to mingle there; - as if the spring should be
|
|
unwilling to depart when summer came, and sought to blend the earlier
|
|
beauties of the flowers with their bloom. But in her thrilling voice,
|
|
in her calm eyes, sometimes in a sage ethereal light that seemed to
|
|
rest upon her head, and always in a certain pensive air upon her
|
|
beauty, there was an expression, such as had been seen in the dead
|
|
boy; and the council in the Servants' Hall whispered so among
|
|
themselves, and shook their heads, and ate and drank the more, in a
|
|
closer bond of good-fellowship.
|
|
|
|
This observant body had plenty to say of Mr and Mrs Dombey, and of
|
|
Mr Carker, who appeared to be a mediator between them, and who came
|
|
and went as if he were trying to make peace, but never could. They all
|
|
deplored the uncomfortable state of affairs, and all agreed that Mrs
|
|
Pipchin (whose unpopularity was not to be surpassed) had some hand in
|
|
it; but, upon the whole, it was agreeable to have so good a subject
|
|
for a rallying point, and they made a great deal of it, and enjoyed
|
|
themselves very much.
|
|
|
|
The general visitors who came to the house, and those among whom Mr
|
|
and Mrs Dombey visited, thought it a pretty equal match, as to
|
|
haughtiness, at all events, and thought nothing more about it. The
|
|
young lady with the back did not appear for some time after Mrs
|
|
Skewton's death; observing to some particular friends, with her usual
|
|
engaging little scream, that she couldn't separate the family from a
|
|
notion of tombstones, and horrors of that sort; but when she did come,
|
|
she saw nothing wrong, except Mr Dombey's wearing a bunch of gold
|
|
seals to his watch, which shocked her very much, as an exploded
|
|
superstition. This youthful fascinator considered a daughter-in-law
|
|
objectionable in principle; otherwise, she had nothing to say against
|
|
Florence, but that she sadly wanted 'style' - which might mean back,
|
|
perhaps. Many, who only came to the house on state occasions, hardly
|
|
knew who Florence was, and said, going home, 'Indeed, was that Miss
|
|
Dombey, in the corner? Very pretty, but a little delicate and
|
|
thoughtful in appearance!'
|
|
|
|
None the less so, certainly, for her life of the last six months.
|
|
Florence took her seat at the dinner-table, on the day before the
|
|
second anniversary of her father's marriage to Edith (Mrs Skewton had
|
|
been lying stricken with paralysis when the first came round), with an
|
|
uneasiness, amounting to dread. She had no other warrant for it, than
|
|
the occasion, the expression of her father's face, in the hasty glance
|
|
she caught of it, and the presence of Mr Carker, which, always
|
|
unpleasant to her, was more so on this day, than she had ever felt it
|
|
before.
|
|
|
|
Edith was richly dressed, for she and Mr Dombey were engaged in the
|
|
evening to some large assembly, and the dinner-hour that day was late.
|
|
She did not appear until they were seated at table, when Mr Carker
|
|
rose and led her to her chair. Beautiful and lustrous as she was,
|
|
there was that in her face and air which seemed to separate her
|
|
hopelessly from Florence, and from everyone, for ever more. And yet,
|
|
for an instant, Florence saw a beam of kindness in her eyes, when they
|
|
were turned on her, that made the distance to which she had withdrawn
|
|
herself, a greater cause of sorrow and regret than ever.
|
|
|
|
There was very little said at dinner. Florence heard her father
|
|
speak to Mr Carker sometimes on business matters, and heard him softly
|
|
reply, but she paid little attention to what they said, and only
|
|
wished the dinner at an end. When the dessert was placed upon the
|
|
table, and they were left alone, with no servant in attendance, Mr
|
|
Dombey, who had been several times clearing his throat in a manner
|
|
that augured no good, said:
|
|
|
|
'Mrs Dombey, you know, I suppose, that I have instructed the
|
|
housekeeper that there will be some company to dinner here to-morrow.
|
|
|
|
'I do not dine at home,' she answered.
|
|
|
|
'Not a large party,' pursued Mr Dombey, with an indifferent
|
|
assumption of not having heard her; 'merely some twelve or fourteen.
|
|
My sister, Major Bagstock, and some others whom you know but
|
|
slightly.'
|
|
|
|
I do not dine at home,' she repeated.
|
|
|
|
'However doubtful reason I may have, Mrs Dombey,' said Mr Dombey,
|
|
still going majestically on, as if she had not spoken, 'to hold the
|
|
occasion in very pleasant remembrance just now, there are appearances
|
|
in these things which must be maintained before the world. If you have
|
|
no respect for yourself, Mrs Dombey - '
|
|
|
|
'I have none,' she said.
|
|
|
|
'Madam,' cried Mr Dombey, striking his hand upon the table, 'hear
|
|
me if you please. I say, if you have no respect for yourself - '
|
|
|
|
'And I say I have none,' she answered.
|
|
|
|
He looked at her; but the face she showed him in return would not
|
|
have changed, if death itself had looked.
|
|
|
|
'Carker,' said Mr Dombey, turning more quietly to that gentleman,
|
|
'as you have been my medium of communication with Mrs Dombey on former
|
|
occasions, and as I choose to preserve the decencies of life, so far
|
|
as I am individually concerned, I will trouble you to have the
|
|
goodness to inform Mrs Dombey that if she has no respect for herself,
|
|
I have some respect for myself, and therefore insist on my
|
|
arrangements for to-morrow.
|
|
|
|
'Tell your sovereign master, Sir,' said Edith, 'that I will take
|
|
leave to speak to him on this subject by-and-bye, and that I will
|
|
speak to him alone.'
|
|
|
|
'Mr Carker, Madam,' said her husband, 'being in possession of the
|
|
reason which obliges me to refuse you that privilege, shall be
|
|
absolved from the delivery of any such message.' He saw her eyes move,
|
|
while he spoke, and followed them with his own.
|
|
|
|
'Your daughter is present, Sir,' said Edith.
|
|
|
|
'My daughter will remain present,' said Mr Dombey.
|
|
|
|
Florence, who had risen, sat down again, hiding her face in her
|
|
hands, and trembling.
|
|
|
|
'My daughter, Madam' - began Mr Dombey.
|
|
|
|
But Edith stopped him, in a voice which, although not raised in the
|
|
least, was so clear, emphatic, and distinct, that it might have been
|
|
heard in a whirlwind.
|
|
|
|
'I tell you I will speak to you alone,' she said. 'If you are not
|
|
mad, heed what I say.'
|
|
|
|
'I have authority to speak to you, Madam,' returned her husband,
|
|
'when and where I please; and it is my pleasure to speak here and
|
|
now.'
|
|
|
|
She rose up as if to leave the room; but sat down again, and
|
|
looking at him with all outward composure, said, in the same voice:
|
|
|
|
'You shall!'
|
|
|
|
'I must tell you first, that there is a threatening appearance in
|
|
your manner, Madam,' said Mr Dombey, 'which does not become you.
|
|
|
|
She laughed. The shaken diamonds in her hair started and trembled.
|
|
There are fables of precious stones that would turn pale, their wearer
|
|
being in danger. Had these been such, their imprisoned rays of light
|
|
would have taken flight that moment, and they would have been as dull
|
|
as lead.
|
|
|
|
Carker listened, with his eyes cast down.
|
|
|
|
'As to my daughter, Madam,' said Mr Dombey, resuming the thread of
|
|
his discourse, 'it is by no means inconsistent with her duty to me,
|
|
that she should know what conduct to avoid. At present you are a very
|
|
strong example to her of this kind, and I hope she may profit by it.'
|
|
|
|
'I would not stop you now,' returned his wife, immoveable in eye,
|
|
and voice, and attitude; 'I would not rise and go away, and save you
|
|
the utterance of one word, if the room were burning.'
|
|
|
|
Mr Dombey moved his head, as if in a sarcastic acknowledgment of
|
|
the attention, and resumed. But not with so much self-possession as
|
|
before; for Edith's quick uneasiness in reference to Florence, and
|
|
Edith's indifference to him and his censure, chafed and galled him
|
|
like a stiffening wound.
|
|
|
|
'Mrs Dombey,' said he, 'it may not be inconsistent with my
|
|
daughter's improvement to know how very much to be lamented, and how
|
|
necessary to be corrected, a stubborn disposition is, especially when
|
|
it is indulged in - unthankfully indulged in, I will add - after the
|
|
gratification of ambition and interest. Both of which, I believe, had
|
|
some share in inducing you to occupy your present station at this
|
|
board.'
|
|
|
|
'No! I would not rise, and go away, and save you the utterance of
|
|
one word,' she repeated, exactly as before, 'if the room were
|
|
burning.'
|
|
|
|
'It may be natural enough, Mrs Dombey,' he pursued, 'that you
|
|
should be uneasy in the presence of any auditors of these disagreeable
|
|
truths; though why' - he could not hide his real feeling here, or keep
|
|
his eyes from glancing gloomily at Florence - 'why anyone can give
|
|
them greater force and point than myself, whom they so nearly concern,
|
|
I do not pretend to understand. It may be natural enough that you
|
|
should object to hear, in anybody's presence, that there is a
|
|
rebellious principle within you which you cannot curb too soon; which
|
|
you must curb, Mrs Dombey; and which, I regret to say, I remember to
|
|
have seen manifested - with some doubt and displeasure, on more than
|
|
one occasion before our marriage - towards your deceased mother. But
|
|
you have the remedy in your own hands. I by no means forgot, when I
|
|
began, that my daughter was present, Mrs Dombey. I beg you will not
|
|
forget, to-morrow, that there are several persons present; and that,
|
|
with some regard to appearances, you will receive your company in a
|
|
becoming manner.
|
|
|
|
'So it is not enough,' said Edith, 'that you know what has passed
|
|
between yourself and me; it is not enough that you can look here,'
|
|
pointing at Carker, who still listened, with his eyes cast down, 'and
|
|
be reminded of the affronts you have put upon me; it is not enough
|
|
that you can look here,' pointing to Florence with a hand that
|
|
slightly trembled for the first and only time, 'and think of what you
|
|
have done, and of the ingenious agony, daily, hourly, constant, you
|
|
have made me feel in doing it; it is not enough that this day, of all
|
|
others in the year, is memorable to me for a struggle (well-deserved,
|
|
but not conceivable by such as you) in which I wish I had died! You
|
|
add to all this, do you, the last crowning meanness of making her a
|
|
witness of the depth to which I have fallen; when you know that you
|
|
have made me sacrifice to her peace, the only gentle feeling and
|
|
interest of my life, when you know that for her sake, I would now if I
|
|
could - but I can not, my soul recoils from you too much - submit
|
|
myself wholly to your will, and be the meekest vassal that you have!'
|
|
|
|
This was not the way to minister to Mr Dombey's greatness. The old
|
|
feeling was roused by what she said, into a stronger and fiercer
|
|
existence than it had ever had. Again, his neglected child, at this
|
|
rough passage of his life, put forth by even this rebellious woman, as
|
|
powerful where he was powerless, and everything where he was nothing!
|
|
|
|
He turned on Florence, as if it were she who had spoken, and bade
|
|
her leave the room. Florence with her covered face obeyed, trembling
|
|
and weeping as she went.
|
|
|
|
'I understand, Madam,' said Mr Dombey, with an angry flush of
|
|
triumph, 'the spirit of opposition that turned your affections in that
|
|
channel, but they have been met, Mrs Dombey; they have been met, and
|
|
turned back!'
|
|
|
|
'The worse for you!' she answered, with her voice and manner still
|
|
unchanged. 'Ay!' for he turned sharply when she said so, 'what is the
|
|
worse for me, is twenty million times the worse for you. Heed that, if
|
|
you heed nothing else.'
|
|
|
|
The arch of diamonds spanning her dark hair, flashed and glittered
|
|
like a starry bridge. There was no warning in them, or they would have
|
|
turned as dull and dim as tarnished honour. Carker still sat and
|
|
listened, with his eyes cast down.
|
|
|
|
'Mrs Dombey,' said Mr Dombey, resuming as much as he could of his
|
|
arrogant composure, 'you will not conciliate me, or turn me from any
|
|
purpose, by this course of conduct.'
|
|
|
|
'It is the only true although it is a faint expression of what is
|
|
within me,' she replied. 'But if I thought it would conciliate you, I
|
|
would repress it, if it were repressible by any human effort. I will
|
|
do nothing that you ask.'
|
|
|
|
'I am not accustomed to ask, Mrs Dombey,' he observed; 'I direct.'
|
|
|
|
'I will hold no place in your house to-morrow, or on any recurrence
|
|
of to-morrow. I will be exhibited to no one, as the refractory slave
|
|
you purchased, such a time. If I kept my marriage day, I would keep it
|
|
as a day of shame. Self-respect! appearances before the world! what
|
|
are these to me? You have done all you can to make them nothing to me,
|
|
and they are nothing.'
|
|
|
|
'Carker,' said Mr Dombey, speaking with knitted brows, and after a
|
|
moment's consideration, 'Mrs Dombey is so forgetful of herself and me
|
|
in all this, and places me in a position so unsuited to my character,
|
|
that I must bring this state of matters to a close.'
|
|
|
|
'Release me, then,' said Edith, immoveable in voice, in look, and
|
|
bearing, as she had been throughout, 'from the chain by which I am
|
|
bound. Let me go.'
|
|
|
|
'Madam?' exclaimed Mr Dombey.
|
|
|
|
'Loose me. Set me free!'
|
|
|
|
'Madam?' he repeated, 'Mrs Dombey?'
|
|
|
|
'Tell him,' said Edith, addressing her proud face to Carker, 'that
|
|
I wish for a separation between us, That there had better be one. That
|
|
I recommend it to him, Tell him it may take place on his own terms -
|
|
his wealth is nothing to me - but that it cannot be too soon.'
|
|
|
|
'Good Heaven, Mrs Dombey!' said her husband, with supreme
|
|
amazement, 'do you imagine it possible that I could ever listen to
|
|
such a proposition? Do you know who I am, Madam? Do you know what I
|
|
represent? Did you ever hear of Dombey and Son? People to say that Mr
|
|
Dombey - Mr Dombey! - was separated from his wife! Common people to
|
|
talk of Mr Dombey and his domestic affairs! Do you seriously think,
|
|
Mrs Dombey, that I would permit my name to be banded about in such
|
|
connexion? Pooh, pooh, Madam! Fie for shame! You're absurd.' Mr Dombey
|
|
absolutely laughed.
|
|
|
|
But not as she did. She had better have been dead than laugh as she
|
|
did, in reply, with her intent look fixed upon him. He had better have
|
|
been dead, than sitting there, in his magnificence, to hear her.
|
|
|
|
'No, Mrs Dombey,' he resumed. 'No, Madam. There is no possibility
|
|
of separation between you and me, and therefore I the more advise you
|
|
to be awakened to a sense of duty. And, Carker, as I was about to say
|
|
to you -
|
|
|
|
Mr Carker, who had sat and listened all this time, now raised his
|
|
eyes, in which there was a bright unusual light'
|
|
|
|
As I was about to say to you, resumed Mr Dombey, 'I must beg you,
|
|
now that matters have come to this, to inform Mrs Dombey, that it is
|
|
not the rule of my life to allow myself to be thwarted by anybody -
|
|
anybody, Carker - or to suffer anybody to be paraded as a stronger
|
|
motive for obedience in those who owe obedience to me than I am my
|
|
self. The mention that has been made of my daughter, and the use that
|
|
is made of my daughter, in opposition to me, are unnatural. Whether my
|
|
daughter is in actual concert with Mrs Dombey, I do not know, and do
|
|
not care; but after what Mrs Dombey has said today, and my daughter
|
|
has heard to-day, I beg you to make known to Mrs Dombey, that if she
|
|
continues to make this house the scene of contention it has become, I
|
|
shall consider my daughter responsible in some degree, on that lady's
|
|
own avowal, and shall visit her with my severe displeasure. Mrs Dombey
|
|
has asked "whether it is not enough," that she had done this and that.
|
|
You will please to answer no, it is not enough.'
|
|
|
|
'A moment!' cried Carker, interposing, 'permit me! painful as my
|
|
position is, at the best, and unusually painful in seeming to
|
|
entertain a different opinion from you,' addressing Mr Dombey, 'I must
|
|
ask, had you not better reconsider the question of a separation. I
|
|
know how incompatible it appears with your high public position, and I
|
|
know how determined you are when you give Mrs Dombey to understand' -
|
|
the light in his eyes fell upon her as he separated his words each
|
|
from each, with the distinctness of so many bells - 'that nothing but
|
|
death can ever part you. Nothing else. But when you consider that Mrs
|
|
Dombey, by living in this house, and making it as you have said, a
|
|
scene of contention, not only has her part in that contention, but
|
|
compromises Miss Dombey every day (for I know how determined you are),
|
|
will you not relieve her from a continual irritation of spirit, and a
|
|
continual sense of being unjust to another, almost intolerable? Does
|
|
this not seem like - I do not say it is - sacrificing Mrs Dombey to
|
|
the preservation of your preeminent and unassailable position?'
|
|
|
|
Again the light in his eyes fell upon her, as she stood looking at
|
|
her husband: now with an extraordinary and awful smile upon her face.
|
|
|
|
'Carker,' returned Mr Dombey, with a supercilious frown, and in a
|
|
tone that was intended to be final, 'you mistake your position in
|
|
offering advice to me on such a point, and you mistake me (I am
|
|
surprised to find) in the character of your advice. I have no more to
|
|
say.
|
|
|
|
'Perhaps,' said Carker, with an unusual and indefinable taunt in
|
|
his air, 'you mistook my position, when you honoured me with the
|
|
negotiations in which I have been engaged here' - with a motion of his
|
|
hand towards Mrs Dombey.
|
|
|
|
'Not at all, Sir, not at all,' returned the other haughtily. 'You
|
|
were employed - '
|
|
|
|
'Being an inferior person, for the humiliation of Mrs Dombey. I
|
|
forgot' Oh, yes, it was expressly understood!' said Carker. 'I beg
|
|
your pardon!'
|
|
|
|
As he bent his head to Mr Dombey, with an air of deference that
|
|
accorded ill with his words, though they were humbly spoken, he moved
|
|
it round towards her, and kept his watching eyes that way.
|
|
|
|
She had better have turned hideous and dropped dead, than have
|
|
stood up with such a smile upon her face, in such a fallen spirit's
|
|
majesty of scorn and beauty. She lifted her hand to the tiara of
|
|
bright jewels radiant on her head, and, plucking it off with a force
|
|
that dragged and strained her rich black hair with heedless cruelty,
|
|
and brought it tumbling wildly on her shoulders, cast the gems upon
|
|
the ground. From each arm, she unclasped a diamond bracelet, flung it
|
|
down, and trod upon the glittering heap. Without a word, without a
|
|
shadow on the fire of her bright eye, without abatement of her awful
|
|
smile, she looked on Mr Dombey to the last, in moving to the door; and
|
|
left him.
|
|
|
|
Florence had heard enough before quitting the room, to know that
|
|
Edith loved her yet; that she had suffered for her sake; and that she
|
|
had kept her sacrifices quiet, lest they should trouble her peace. She
|
|
did not want to speak to her of this - she could not, remembering to
|
|
whom she was opposed - but she wished, in one silent and affectionate
|
|
embrace, to assure her that she felt it all, and thanked her.
|
|
|
|
Her father went out alone, that evening, and Florence issuing from
|
|
her own chamber soon afterwards, went about the house in search of.
|
|
Edith, but unavailingly. She was in her own rooms, where Florence had
|
|
long ceased to go, and did not dare to venture now, lest she should
|
|
unconsciously engender new trouble. Still Florence hoping to meet her
|
|
before going to bed, changed from room to room, and wandered through
|
|
the house so splendid and so dreary, without remaining anywhere.
|
|
|
|
She was crossing a gallery of communication that opened at some
|
|
little distance on the staircase, and was only lighted on great
|
|
occasions, when she saw, through the opening, which was an arch, the
|
|
figure of a man coming down some few stairs opposite. Instinctively
|
|
apprehensive of her father, whom she supposed it was, she stopped, in
|
|
the dark, gazing through the arch into the light. But it was Mr Carker
|
|
coming down alone, and looking over the railing into the hall. No bell
|
|
was rung to announce his departure, and no servant was in attendance.
|
|
He went down quietly, opened the door for himself, glided out, and
|
|
shut it softly after him.
|
|
|
|
Her invincible repugnance to this man, and perhaps the stealthy act
|
|
of watching anyone, which, even under such innocent circumstances, is
|
|
in a manner guilty and oppressive, made Florence shake from head to
|
|
foot. Her blood seemed to run cold. As soon as she could - for at
|
|
first she felt an insurmountable dread of moving - she went quickly to
|
|
her own room and locked her door; but even then, shut in with her dog
|
|
beside her, felt a chill sensation of horror, as if there were danger
|
|
brooding somewhere near her.
|
|
|
|
It invaded her dreams and disturbed the whole night. Rising in the
|
|
morning, unrefreshed, and with a heavy recollection of the domestic
|
|
unhappiness of the preceding day, she sought Edith again in all the
|
|
rooms, and did so, from time to time, all the morning. But she
|
|
remained in her own chamber, and Florence saw nothing of her.
|
|
Learning, however, that the projected dinner at home was put off,
|
|
Florence thought it likely that she would go out in the evening to
|
|
fulfil the engagement she had spoken of; and resolved to try and meet
|
|
her, then, upon the staircase.
|
|
|
|
When the evening had set in, she heard, from the room in which she
|
|
sat on purpose, a footstep on the stairs that she thought to be
|
|
Edith's. Hurrying out, and up towards her room, Florence met her
|
|
immediately, coming down alone.
|
|
|
|
What was Florence's affright and wonder when, at sight of her, with
|
|
her tearful face, and outstretched arms, Edith recoiled and shrieked!
|
|
|
|
'Don't come near me!' she cried. 'Keep away! Let me go by!'
|
|
|
|
'Mama!' said Florence.
|
|
|
|
'Don't call me by that name! Don't speak to me! Don't look at me! -
|
|
Florence!' shrinking back, as Florence moved a step towards her,
|
|
'don't touch me!'
|
|
|
|
As Florence stood transfixed before the haggard face and staring
|
|
eyes, she noted, as in a dream, that Edith spread her hands over them,
|
|
and shuddering through all her form, and crouching down against the
|
|
wall, crawled by her like some lower animal, sprang up, and fled away.
|
|
|
|
Florence dropped upon the stairs in a swoon; and was found there by
|
|
Mrs Pipchin, she supposed. She knew nothing more, until she found
|
|
herself lying on her own bed, with Mrs Pipchin and some servants
|
|
standing round her.
|
|
|
|
'Where is Mama?' was her first question.
|
|
|
|
'Gone out to dinner,' said Mrs Pipchin.
|
|
|
|
'And Papa?'
|
|
|
|
'Mr Dombey is in his own room, Miss Dombey,' said Mrs Pipchin, 'and
|
|
the best thing you can do, is to take off your things and go to bed
|
|
this minute.' This was the sagacious woman's remedy for all
|
|
complaints, particularly lowness of spirits, and inability to sleep;
|
|
for which offences, many young victims in the days of the Brighton
|
|
Castle had been committed to bed at ten o'clock in the morning.
|
|
|
|
Without promising obedience, but on the plea of desiring to be very
|
|
quiet, Florence disengaged herself, as soon as she could, from the
|
|
ministration of Mrs Pipchin and her attendants. Left alone, she
|
|
thought of what had happened on the staircase, at first in doubt of
|
|
its reality; then with tears; then with an indescribable and terrible
|
|
alarm, like that she had felt the night before.
|
|
|
|
She determined not to go to bed until Edith returned, and if she
|
|
could not speak to her, at least to be sure that she was safe at home.
|
|
What indistinct and shadowy dread moved Florence to this resolution,
|
|
she did not know, and did not dare to think. She only knew that until
|
|
Edith came back, there was no repose for her aching head or throbbing
|
|
heart.
|
|
|
|
The evening deepened into night; midnight came; no Edith.
|
|
|
|
Florence could not read, or rest a moment. She paced her own room,
|
|
opened the door and paced the staircase-gallery outside, looked out of
|
|
window on the night, listened to the wind blowing and the rain
|
|
falling, sat down and watched the faces in the fire, got up and
|
|
watched the moon flying like a storm-driven ship through the sea of
|
|
clouds.
|
|
|
|
All the house was gone to bed, except two servants who were waiting
|
|
the return of their mistress, downstairs.
|
|
|
|
One o'clock. The carriages that rumbled in the distance, turned
|
|
away, or stopped short, or went past; the silence gradually deepened,
|
|
and was more and more rarely broken, save by a rush of wind or sweep
|
|
of rain. Two o'clock. No Edith!
|
|
|
|
Florence, more agitated, paced her room; and paced the gallery
|
|
outside; and looked out at the night, blurred and wavy with the
|
|
raindrops on the glass, and the tears in her own eyes; and looked up
|
|
at the hurry in the sky, so different from the repose below, and yet
|
|
so tranquil and solitary. Three o'clock! There was a terror in every
|
|
ash that dropped out of the fire. No Edith yet.
|
|
|
|
More and more agitated, Florence paced her room, and paced the
|
|
gallery, and looked out at the moon with a new fancy of her likeness
|
|
to a pale fugitive hurrying away and hiding her guilty face. Four
|
|
struck! Five! No Edith yet.
|
|
|
|
But now there was some cautious stir in the house; and Florence
|
|
found that Mrs Pipchin had been awakened by one of those who sat up,
|
|
had risen and had gone down to her father's door. Stealing lower down
|
|
the stairs, and observing what passed, she saw her father come out in
|
|
his morning gown, and start when he was told his wife had not come
|
|
home. He dispatched a messenger to the stables to inquire whether the
|
|
coachman was there; and while the man was gone, dressed himself very
|
|
hurriedly.
|
|
|
|
The man came back, in great haste, bringing the coachman with him,
|
|
who said he had been at home and in bed, since ten o'clock. He had
|
|
driven his mistress to her old house in Brook Street, where she had
|
|
been met by Mr Carker -
|
|
|
|
Florence stood upon the very spot where she had seen him coming
|
|
down. Again she shivered with the nameless terror of that sight, and
|
|
had hardly steadiness enough to hear and understand what followed.
|
|
|
|
- Who had told him, the man went on to say, that his mistress would
|
|
not want the carriage to go home in; and had dismissed him.
|
|
|
|
She saw her father turn white in the face, and heard him ask in a
|
|
quick, trembling voice, for Mrs Dombey's maid. The whole house was
|
|
roused; for she was there, in a moment, very pale too, and speaking
|
|
incoherently.
|
|
|
|
She said she had dressed her mistress early - full two hours before
|
|
she went out - and had been told, as she often was, that she would not
|
|
be wanted at night. She had just come from her mistress's rooms, but -
|
|
|
|
'But what! what was it?' Florence heard her father demand like a
|
|
madman.
|
|
|
|
'But the inner dressing-room was locked and the key gone.'
|
|
|
|
Her father seized a candle that was flaming on the ground - someone
|
|
had put it down there, and forgotten it - and came running upstairs
|
|
with such fury, that Florence, in her fear, had hardly time to fly
|
|
before him. She heard him striking in the door, as she ran on, with
|
|
her hands widely spread, and her hair streaming, and her face like a
|
|
distracted person's, back to her own room.
|
|
|
|
When the door yielded, and he rushed in, what did he see there? No
|
|
one knew. But thrown down in a costly mass upon the ground, was every
|
|
ornament she had had, since she had been his wife; every dress she had
|
|
worn; and everything she had possessed. This was the room in which he
|
|
had seen, in yonder mirror, the proud face discard him. This was the
|
|
room in which he had wondered, idly, how these things would look when
|
|
he should see them next!
|
|
|
|
Heaping them back into the drawers, and locking them up in a rage
|
|
of haste, he saw some papers on the table. The deed of settlement he
|
|
had executed on their marriage, and a letter. He read that she was
|
|
gone. He read that he was dishonoured. He read that she had fled, upon
|
|
her shameful wedding-day, with the man whom he had chosen for her
|
|
humiliation; and he tore out of the room, and out of the house, with a
|
|
frantic idea of finding her yet, at the place to which she had been
|
|
taken, and beating all trace of beauty out of the triumphant face with
|
|
his bare hand.
|
|
|
|
Florence, not knowing what she did, put on a shawl and bonnet, in a
|
|
dream of running through the streets until she found Edith, and then
|
|
clasping her in her arms, to save and bring her back. But when she
|
|
hurried out upon the staircase, and saw the frightened servants going
|
|
up and down with lights, and whispering together, and falling away
|
|
from her father as he passed down, she awoke to a sense of her own
|
|
powerlessness; and hiding in one of the great rooms that had been made
|
|
gorgeous for this, felt as if her heart would burst with grief.
|
|
|
|
Compassion for her father was the first distinct emotion that made
|
|
head against the flood of sorrow which overwhelmed her. Her constant
|
|
nature turned to him in his distress, as fervently and faithfully, as
|
|
if, in his prosperity, he had been the embodiment of that idea which
|
|
had gradually become so faint and dim. Although she did not know,
|
|
otherwise than through the suggestions of a shapeless fear, the full
|
|
extent of his calamity, he stood before her, wronged and deserted; and
|
|
again her yearning love impelled her to his side.
|
|
|
|
He was not long away; for Florence was yet weeping in the great
|
|
room and nourishing these thoughts, when she heard him come back. He
|
|
ordered the servants to set about their ordinary occupations, and went
|
|
into his own apartment, where he trod so heavily that she could hear
|
|
him walking up and down from end to end.
|
|
|
|
Yielding at once to the impulse of her affection, timid at all
|
|
other times, but bold in its truth to him in his adversity, and
|
|
undaunted by past repulse, Florence, dressed as she was, hurried
|
|
downstairs. As she set her light foot in the hall, he came out of his
|
|
room. She hastened towards him unchecked, with her arms stretched out,
|
|
and crying 'Oh dear, dear Papa!' as if she would have clasped him
|
|
round the neck.
|
|
|
|
And so she would have done. But in his frenzy, he lifted up his
|
|
cruel arm, and struck her, crosswise, with that heaviness, that she
|
|
tottered on the marble floor; and as he dealt the blow, he told her
|
|
what Edith was, and bade her follow her, since they had always been in
|
|
league.
|
|
|
|
She did not sink down at his feet; she did not shut out the sight
|
|
of him with her trembling hands; she did not weep; she did not utter
|
|
one word of reproach. But she looked at him, and a cry of desolation
|
|
issued from her heart. For as she looked, she saw him murdering that
|
|
fond idea to which she had held in spite of him. She saw his cruelty,
|
|
neglect, and hatred dominant above it, and stamping it down. She saw
|
|
she had no father upon earth, and ran out, orphaned, from his house.
|
|
|
|
Ran out of his house. A moment, and her hand was on the lock, the
|
|
cry was on her lips, his face was there, made paler by the yellow
|
|
candles hastily put down and guttering away, and by the daylight
|
|
coming in above the door. Another moment, and the close darkness of
|
|
the shut-up house (forgotten to be opened, though it was long since
|
|
day) yielded to the unexpected glare and freedom of the morning; and
|
|
Florence, with her head bent down to hide her agony of tears, was in
|
|
the streets.
|
|
|
|
CHAPTER 48.
|
|
|
|
The Flight of Florence
|
|
|
|
In the wildness of her sorrow, shame, and terror, the forlorn girl
|
|
hurried through the sunshine of a bright morning, as if it were the
|
|
darkness of a winter night. Wringing her hands and weeping bitterly,
|
|
insensible to everything but the deep wound in her breast, stunned by
|
|
the loss of all she loved, left like the sole survivor on a lonely
|
|
shore from the wreck of a great vessel, she fled without a thought,
|
|
without a hope, without a purpose, but to fly somewhere anywhere.
|
|
|
|
The cheerful vista of the long street, burnished by the morning
|
|
light, the sight of the blue sky and airy clouds, the vigorous
|
|
freshness of the day, so flushed and rosy in its conquest of the
|
|
night, awakened no responsive feelings in her so hurt bosom.
|
|
Somewhere, anywhere, to hide her head! somewhere, anywhere, for
|
|
refuge, never more to look upon the place from which she fled!
|
|
|
|
But there were people going to and fro; there were opening shops,
|
|
and servants at the doors of houses; there was the rising clash and
|
|
roar of the day's struggle. Florence saw surprise and curiosity in the
|
|
faces flitting past her; saw long shadows coming back upon the
|
|
pavement; and heard voices that were strange to her asking her where
|
|
she went, and what the matter was; and though these frightened her the
|
|
more at first, and made her hurry on the faster, they did her the good
|
|
service of recalling her in some degree to herself, and reminding her
|
|
of the necessity of greater composure.
|
|
|
|
Where to go? Still somewhere, anywhere! still going on; but where!
|
|
She thought of the only other time she had been lost in the wild
|
|
wilderness of London - though not lost as now - and went that way. To
|
|
the home of Walter's Uncle.
|
|
|
|
Checking her sobs, and drying her swollen eyes, and endeavouring to
|
|
calm the agitation of her manner, so as to avoid attracting notice,
|
|
Florence, resolving to keep to the more quiet streets as long as she
|
|
could, was going on more quietly herself, when a familiar little
|
|
shadow darted past upon the sunny pavement, stopped short, wheeled
|
|
about, came close to her, made off again, bounded round and round her,
|
|
and Diogenes, panting for breath, and yet making the street ring with
|
|
his glad bark, was at her feet.
|
|
|
|
'Oh, Di! oh, dear, true, faithful Di, how did you come here? How
|
|
could I ever leave you, Di, who would never leave me?'
|
|
|
|
Florence bent down on the pavement, and laid his rough, old,
|
|
loving, foolish head against her breast, and they got up together, and
|
|
went on together; Di more off the ground than on it, endeavouring to
|
|
kiss his mistress flying, tumbling over and getting up again without
|
|
the least concern, dashing at big dogs in a jocose defiance of his
|
|
species, terrifying with touches of his nose young housemaids who were
|
|
cleaning doorsteps, and continually stopping, in the midst of a
|
|
thousand extravagances, to look back at Florence, and bark until all
|
|
the dogs within hearing answered, and all the dogs who could come out,
|
|
came out to stare at him.
|
|
|
|
With this last adherent, Florence hurried away in the advancing
|
|
morning, and the strengthening sunshine, to the City. The roar soon
|
|
grew more loud, the passengers more numerous, the shops more busy,
|
|
until she was carried onward in a stream of life setting that way, and
|
|
flowing, indifferently, past marts and mansions, prisons, churches,
|
|
market-places, wealth, poverty, good, and evil, like the broad river
|
|
side by side with it, awakened from its dreams of rushes, willows, and
|
|
green moss, and rolling on, turbid and troubled, among the works and
|
|
cares of men, to the deep sea.
|
|
|
|
At length the quarters of the little Midshipman arose in view.
|
|
Nearer yet, and the little Midshipman himself was seen upon his post,
|
|
intent as ever on his observations. Nearer yet, and the door stood
|
|
open, inviting her to enter. Florence, who had again quickened her
|
|
pace, as she approached the end of her journey, ran across the road
|
|
(closely followed by Diogenes, whom the bustle had somewhat confused),
|
|
ran in, and sank upon the threshold of the well-remembered little
|
|
parlour.
|
|
|
|
The Captain, in his glazed hat, was standing over the fire, making
|
|
his morning's cocoa, with that elegant trifle, his watch, upon the
|
|
chimney-piece, for easy reference during the progress of the cookery.
|
|
Hearing a footstep and the rustle of a dress, the Captain turned with
|
|
a palpitating remembrance of the dreadful Mrs MacStinger, at the
|
|
instant when Florence made a motion with her hand towards him, reeled,
|
|
and fell upon the floor.
|
|
|
|
The Captain, pale as Florence, pale in the very knobs upon his face
|
|
raised her like a baby, and laid her on the same old sofa upon which
|
|
she had slumbered long ago.
|
|
|
|
'It's Heart's Delight!' said the Captain, looking intently in her
|
|
face. 'It's the sweet creetur grow'd a woman!'
|
|
|
|
Captain Cuttle was so respectful of her, and had such a reverence
|
|
for her, in this new character, that he would not have held her in his
|
|
arms, while she was unconscious, for a thousand pounds.
|
|
|
|
'My Heart's Delight!' said the Captain, withdrawing to a little
|
|
distance, with the greatest alarm and sympathy depicted on his
|
|
countenance. 'If you can hail Ned Cuttle with a finger, do it!'
|
|
|
|
But Florence did not stir.
|
|
|
|
'My Heart's Delight!' said the trembling Captain. 'For the sake of
|
|
Wal'r drownded in the briny deep, turn to, and histe up something or
|
|
another, if able!'
|
|
|
|
Finding her insensible to this impressive adjuration also, Captain
|
|
Cuttle snatched from his breakfast-table a basin of cold water, and
|
|
sprinkled some upon her face. Yielding to the urgency of the case, the
|
|
Captain then, using his immense hand with extraordinary gentleness,
|
|
relieved her of her bonnet, moistened her lips and forehead, put back
|
|
her hair, covered her feet with his own coat which he pulled off for
|
|
the purpose, patted her hand - so small in his, that he was struck
|
|
with wonder when he touched it - and seeing that her eyelids quivered,
|
|
and that her lips began to move, continued these restorative
|
|
applications with a better heart.
|
|
|
|
'Cheerily,' said the Captain. 'Cheerily! Stand by, my pretty one,
|
|
stand by! There! You're better now. Steady's the word, and steady it
|
|
is. Keep her so! Drink a little drop o' this here,' said the Captain.
|
|
'There you are! What cheer now, my pretty, what cheer now?'
|
|
|
|
At this stage of her recovery, Captain Cuttle, with an imperfect
|
|
association of a Watch with a Physician's treatment of a patient, took
|
|
his own down from the mantel-shelf, and holding it out on his hook,
|
|
and taking Florence's hand in his, looked steadily from one to the
|
|
other, as expecting the dial to do something.
|
|
|
|
'What cheer, my pretty?' said the Captain. 'What cheer now? You've
|
|
done her some good, my lad, I believe,' said the Captain, under his
|
|
breath, and throwing an approving glance upon his watch. 'Put you back
|
|
half-an-hour every morning, and about another quarter towards the
|
|
arternoon, and you're a watch as can be ekalled by few and excelled by
|
|
none. What cheer, my lady lass!'
|
|
|
|
'Captain Cuttle! Is it you?' exclaimed Florence, raising herself a
|
|
little.
|
|
|
|
'Yes, yes, my lady lass,' said the Captain, hastily deciding in his
|
|
own mind upon the superior elegance of that form of address, as the
|
|
most courtly he could think of.
|
|
|
|
'Is Walter's Uncle here?' asked Florence.
|
|
|
|
'Here, pretty?' returned the Captain. 'He ain't been here this many
|
|
a long day. He ain't been heerd on, since he sheered off arter poor
|
|
Wal'r. But,' said the Captain, as a quotation, 'Though lost to sight,
|
|
to memory dear, and England, Home, and Beauty!'
|
|
|
|
'Do you live here?' asked Florence.
|
|
|
|
'Yes, my lady lass,' returned the Captain.
|
|
|
|
'Oh, Captain Cuttle!' cried Florence, putting her hands together,
|
|
and speaking wildly. 'Save me! keep me here! Let no one know where I
|
|
am! I'll tell you what has happened by-and-by, when I can. I have no
|
|
one in the world to go to. Do not send me away!'
|
|
|
|
'Send you away, my lady lass!' exclaimed the Captain. 'You, my
|
|
Heart's Delight! Stay a bit! We'll put up this here deadlight, and
|
|
take a double turn on the key!'
|
|
|
|
With these words, the Captain, using his one hand and his hook with
|
|
the greatest dexterity, got out the shutter of the door, put it up,
|
|
made it all fast, and locked the door itself.
|
|
|
|
When he came back to the side of Florence, she took his hand, and
|
|
kissed it. The helplessness of the action, the appeal it made to him,
|
|
the confidence it expressed, the unspeakable sorrow in her face, the
|
|
pain of mind she had too plainly suffered, and was suffering then, his
|
|
knowledge of her past history, her present lonely, worn, and
|
|
unprotected appearance, all so rushed upon the good Captain together,
|
|
that he fairly overflowed with compassion and gentleness.
|
|
|
|
'My lady lass,' said the Captain, polishing the bridge of his nose
|
|
with his arm until it shone like burnished copper, 'don't you say a
|
|
word to Ed'ard Cuttle, until such times as you finds yourself a riding
|
|
smooth and easy; which won't be to-day, nor yet to-morrow. And as to
|
|
giving of you up, or reporting where you are, yes verily, and by God's
|
|
help, so I won't, Church catechism, make a note on!'
|
|
|
|
This the Captain said, reference and all, in one breath, and with
|
|
much solemnity; taking off his hat at 'yes verily,' and putting it on
|
|
again, when he had quite concluded.
|
|
|
|
Florence could do but one thing more to thank him, and to show him
|
|
how she trusted in him; and she did it' Clinging to this rough
|
|
creature as the last asylum of her bleeding heart, she laid her head
|
|
upon his honest shoulder, and clasped him round his neck, and would
|
|
have kneeled down to bless him, but that he divined her purpose, and
|
|
held her up like a true man.
|
|
|
|
'Steady!' said the Captain. 'Steady! You're too weak to stand, you
|
|
see, my pretty, and must lie down here again. There, there!' To see
|
|
the Captain lift her on the sofa, and cover her with his coat, would
|
|
have been worth a hundred state sights. 'And now,' said the Captain,
|
|
'you must take some breakfast, lady lass, and the dog shall have some
|
|
too. And arter that you shall go aloft to old Sol Gills's room, and
|
|
fall asleep there, like a angel.'
|
|
|
|
Captain Cuttle patted Diogenes when he made allusion to him, and
|
|
Diogenes met that overture graciously, half-way. During the
|
|
administration of the restoratives he had clearly been in two minds
|
|
whether to fly at the Captain or to offer him his friendship; and he
|
|
had expressed that conflict of feeling by alternate waggings of his
|
|
tail, and displays of his teeth, with now and then a growl or so. But
|
|
by this time, his doubts were all removed. It was plain that he
|
|
considered the Captain one of the most amiable of men, and a man whom
|
|
it was an honour to a dog to know.
|
|
|
|
In evidence of these convictions, Diogenes attended on the Captain
|
|
while he made some tea and toast, and showed a lively interest in his
|
|
housekeeping. But it was in vain for the kind Captain to make such
|
|
preparations for Florence, who sorely tried to do some honour to them,
|
|
but could touch nothing, and could only weep and weep again.
|
|
|
|
'Well, well!' said the compassionate Captain, 'arter turning in, my
|
|
Heart's Delight, you'll get more way upon you. Now, I'll serve out
|
|
your allowance, my lad.' To Diogenes. 'And you shall keep guard on
|
|
your mistress aloft.'
|
|
|
|
Diogenes, however, although he had been eyeing his intended
|
|
breakfast with a watering mouth and glistening eyes, instead of
|
|
falling to, ravenously, when it was put before him, pricked up his
|
|
ears, darted to the shop-door, and barked there furiously: burrowing
|
|
with his head at the bottom, as if he were bent on mining his way out.
|
|
|
|
'Can there be anybody there!' asked Florence, in alarm.
|
|
|
|
'No, my lady lass,' returned the Captain. 'Who'd stay there,
|
|
without making any noise! Keep up a good heart, pretty. It's only
|
|
people going by.'
|
|
|
|
But for all that, Diogenes barked and barked, and burrowed and
|
|
burrowed, with pertinacious fury; and whenever he stopped to listen,
|
|
appeared to receive some new conviction into his mind, for he set to,
|
|
barking and burrowing again, a dozen times. Even when he was persuaded
|
|
to return to his breakfast, he came jogging back to it, with a very
|
|
doubtful air; and was off again, in another paroxysm, before touching
|
|
a morsel.
|
|
|
|
'If there should be someone listening and watching,' whispered
|
|
Florence. 'Someone who saw me come - who followed me, perhaps.'
|
|
|
|
'It ain't the young woman, lady lass, is it?' said the Captain,
|
|
taken with a bright idea
|
|
|
|
'Susan?' said Florence, shaking her head. 'Ah no! Susan has been
|
|
gone from me a long time.'
|
|
|
|
'Not deserted, I hope?' said the Captain. 'Don't say that that
|
|
there young woman's run, my pretty!'
|
|
|
|
'Oh, no, no!' cried Florence. 'She is one of the truest hearts in
|
|
the world!'
|
|
|
|
The Captain was greatly relieved by this reply, and expressed his
|
|
satisfaction by taking off his hard glazed hat, and dabbing his head
|
|
all over with his handkerchief, rolled up like a ball, observing
|
|
several times, with infinite complacency, and with a beaming
|
|
countenance, that he know'd it.
|
|
|
|
'So you're quiet now, are you, brother?' said the Captain to
|
|
Diogenes. 'There warn't nobody there, my lady lass, bless you!'
|
|
|
|
Diogenes was not so sure of that. The door still had an attraction
|
|
for him at intervals; and he went snuffing about it, and growling to
|
|
himself, unable to forget the subject. This incident, coupled with the
|
|
Captain's observation of Florence's fatigue and faintness, decided him
|
|
to prepare Sol Gills's chamber as a place of retirement for her
|
|
immediately. He therefore hastily betook himself to the top of the
|
|
house, and made the best arrangement of it that his imagination and
|
|
his means suggested.
|
|
|
|
It was very clean already; and the Captain being an orderly man,
|
|
and accustomed to make things ship-shape, converted the bed into a
|
|
couch, by covering it all over with a clean white drapery. By a
|
|
similar contrivance, the Captain converted the little dressing-table
|
|
into a species of altar, on which he set forth two silver teaspoons, a
|
|
flower-pot, a telescope, his celebrated watch, a pocket-comb, and a
|
|
song-book, as a small collection of rarities, that made a choice
|
|
appearance. Having darkened the window, and straightened the pieces of
|
|
carpet on the floor, the Captain surveyed these preparations with
|
|
great delight, and descended to the little parlour again, to bring
|
|
Florence to her bower.
|
|
|
|
Nothing would induce the Captain to believe that it was possible
|
|
for Florence to walk upstairs. If he could have got the idea into his
|
|
head, he would have considered it an outrageous breach of hospitality
|
|
to allow her to do so. Florence was too weak to dispute the point, and
|
|
the Captain carried her up out of hand, laid her down, and covered her
|
|
with a great watch-coat.
|
|
|
|
'My lady lass!' said the Captain, 'you're as safe here as if you
|
|
was at the top of St Paul's Cathedral, with the ladder cast off. Sleep
|
|
is what you want, afore all other things, and may you be able to show
|
|
yourself smart with that there balsam for the still small woice of a
|
|
wounded mind! When there's anything you want, my Heart's Delight, as
|
|
this here humble house or town can offer, pass the word to Ed'ard
|
|
Cuttle, as'll stand off and on outside that door, and that there man
|
|
will wibrate with joy.' The Captain concluded by kissing the hand that
|
|
Florence stretched out to him, with the chivalry of any old
|
|
knight-errant, and walking on tiptoe out of the room.
|
|
|
|
Descending to the little parlour, Captain Cuttle, after holding a
|
|
hasty council with himself, decided to open the shop-door for a few
|
|
minutes, and satisfy himself that now, at all events, there was no one
|
|
loitering about it. Accordingly he set it open, and stood upon the
|
|
threshold, keeping a bright look-out, and sweeping the whole street
|
|
with his spectacles.
|
|
|
|
'How de do, Captain Gills?' said a voice beside him. The Captain,
|
|
looking down, found that he had been boarded by Mr Toots while
|
|
sweeping the horizon.
|
|
|
|
'How are, you, my lad?' replied the Captain.
|
|
|
|
'Well, I m pretty well, thank'ee, Captain Gills,' said Mr Toots.
|
|
'You know I'm never quite what I could wish to be, now. I don't expect
|
|
that I ever shall be any more.'
|
|
|
|
Mr Toots never approached any nearer than this to the great theme
|
|
of his life, when in conversation with Captain Cuttle, on account of
|
|
the agreement between them.
|
|
|
|
'Captain Gills,' said Mr Toots, 'if I could have the pleasure of a
|
|
word with you, it's - it's rather particular.'
|
|
|
|
'Why, you see, my lad,' replied the Captain, leading the way into
|
|
the parlour, 'I ain't what you may call exactly free this morning; and
|
|
therefore if you can clap on a bit, I should take it kindly.'
|
|
|
|
'Certainly, Captain Gills,' replied Mr Toots, who seldom had any
|
|
notion of the Captain's meaning. 'To clap on, is exactly what I could
|
|
wish to do. Naturally.'
|
|
|
|
'If so be, my lad,' returned the Captain. 'Do it!'
|
|
|
|
The Captain was so impressed by the possession of his tremendous
|
|
secret - by the fact of Miss Dombey being at that moment under his
|
|
roof, while the innocent and unconscious Toots sat opposite to him -
|
|
that a perspiration broke out on his forehead, and he found it
|
|
impossible, while slowly drying the same, glazed hat in hand, to keep
|
|
his eyes off Mr Toots's face. Mr Toots, who himself appeared to have
|
|
some secret reasons for being in a nervous state, was so unspeakably
|
|
disconcerted by the Captain's stare, that after looking at him
|
|
vacantly for some time in silence, and shifting uneasily on his chair,
|
|
he said:
|
|
|
|
'I beg your pardon, Captain Gills, but you don't happen to see
|
|
anything particular in me, do you?'
|
|
|
|
'No, my lad,' returned the Captain. 'No.'
|
|
|
|
'Because you know,' said Mr Toots with a chuckle, 'I kNOW I'm
|
|
wasting away. You needn't at all mind alluding to that. I - I should
|
|
like it. Burgess and Co. have altered my measure, I'm in that state of
|
|
thinness. It's a gratification to me. I - I'm glad of it. I - I'd a
|
|
great deal rather go into a decline, if I could. I'm a mere brute you
|
|
know, grazing upon the surface of the earth, Captain Gills.'
|
|
|
|
The more Mr Toots went on in this way, the more the Captain was
|
|
weighed down by his secret, and stared at him. What with this cause of
|
|
uneasiness, and his desire to get rid of Mr Toots, the Captain was in
|
|
such a scared and strange condition, indeed, that if he had been in
|
|
conversation with a ghost, he could hardly have evinced greater
|
|
discomposure.
|
|
|
|
'But I was going to say, Captain Gills,' said Mr Toots. 'Happening
|
|
to be this way early this morning - to tell you the truth, I was
|
|
coming to breakfast with you. As to sleep, you know, I never sleep
|
|
now. I might be a Watchman, except that I don't get any pay, and he's
|
|
got nothing on his mind.'
|
|
|
|
'Carry on, my lad!' said the Captain, in an admonitory voice.
|
|
|
|
'Certainly, Captain Gills,' said Mr Toots. 'Perfectly true!
|
|
Happening to be this way early this morning (an hour or so ago), and
|
|
finding the door shut - '
|
|
|
|
'What! were you waiting there, brother?' demanded the Captain.
|
|
|
|
'Not at all, Captain Gills,' returned Mr Toots. 'I didn't stop a
|
|
moment. I thought you were out. But the person said - by the bye, you
|
|
don't keep a dog, you, Captain Gills?'
|
|
|
|
The Captain shook his head.
|
|
|
|
'To be sure,' said Mr Toots, 'that's exactly what I said. I knew
|
|
you didn't. There is a dog, Captain Gills, connected with - but excuse
|
|
me. That's forbidden ground.'
|
|
|
|
The Captain stared at Mr Toots until he seemed to swell to twice
|
|
his natural size; and again the perspiration broke out on the
|
|
Captain's forehead, when he thought of Diogenes taking it into his
|
|
head to come down and make a third in the parlour.
|
|
|
|
'The person said,' continued Mr Toots, 'that he had heard a dog
|
|
barking in the shop: which I knew couldn't be, and I told him so. But
|
|
he was as positive as if he had seen the dog.'
|
|
|
|
'What person, my lad?' inquired the Captain.
|
|
|
|
'Why, you see there it is, Captain Gills,' said Mr Toots, with a
|
|
perceptible increase in the nervousness of his manner. 'It's not for
|
|
me to say what may have taken place, or what may not have taken place.
|
|
Indeed, I don't know. I get mixed up with all sorts of things that I
|
|
don't quite understand, and I think there's something rather weak in
|
|
my - in my head, in short.'
|
|
|
|
The Captain nodded his own, as a mark of assent.
|
|
|
|
'But the person said, as we were walking away,' continued Mr Toots,
|
|
'that you knew what, under existing circumstances, might occur - he
|
|
said "might," very strongly - and that if you were requested to
|
|
prepare yourself, you would, no doubt, come prepared.'
|
|
|
|
'Person, my lad' the Captain repeated.
|
|
|
|
'I don't know what person, I'm sure, Captain Gills,' replied Mr
|
|
Toots, 'I haven't the least idea. But coming to the door, I found him
|
|
waiting there; and he said was I coming back again, and I said yes;
|
|
and he said did I know you, and I said, yes, I had the pleasure of
|
|
your acquaintance - you had given me the pleasure of your
|
|
acquaintance, after some persuasion; and he said, if that was the
|
|
case, would I say to you what I have said, about existing
|
|
circumstances and coming prepared, and as soon as ever I saw you,
|
|
would I ask you to step round the corner, if it was only for one
|
|
minute, on most important business, to Mr Brogley's the Broker's. Now,
|
|
I tell you what, Captain Gills - whatever it is, I am convinced it's
|
|
very important; and if you like to step round, now, I'll wait here
|
|
till you come back.'
|
|
|
|
The Captain, divided between his fear of compromising Florence in
|
|
some way by not going, and his horror of leaving Mr Toots in
|
|
possession of the house with a chance of finding out the secret, was a
|
|
spectacle of mental disturbance that even Mr Toots could not be blind
|
|
to. But that young gentleman, considering his nautical friend as
|
|
merely in a state of preparation for the interview he was going to
|
|
have, was quite satisfied, and did not review his own discreet conduct
|
|
without chuckle
|
|
|
|
At length the Captain decided, as the lesser of two evils, to run
|
|
round to Brogley's the Broker's: previously locking the door that
|
|
communicated with the upper part of the house, and putting the key in
|
|
his pocket. 'If so be,' said the Captain to Mr Toots, with not a
|
|
little shame and hesitation, 'as you'll excuse my doing of it,
|
|
brother.'
|
|
|
|
'Captain Gills,' returned Mr Toots, 'whatever you do, is
|
|
satisfactory to me.
|
|
|
|
The Captain thanked him heartily, and promising to come back in
|
|
less than five minutes, went out in quest of the person who had
|
|
entrusted Mr Toots with this mysterious message. Poor Mr Toots, left
|
|
to himself, lay down upon the sofa, little thinking who had reclined
|
|
there last, and, gazing up at the skylight and resigning himself to
|
|
visions of Miss Dombey, lost all heed of time and place.
|
|
|
|
It was as well that he did so; for although the Captain was not
|
|
gone long, he was gone much longer than he had proposed. When he came
|
|
back, he was very pale indeed, and greatly agitated, and even looked
|
|
as if he had been shedding tears. He seemed to have lost the faculty
|
|
of speech, until he had been to the cupboard and taken a dram of rum
|
|
from the case-bottle, when he fetched a deep breath, and sat down in a
|
|
chair with his hand before his face.
|
|
|
|
'Captain Gills,' said Toots, kindly, 'I hope and trust there's
|
|
nothing wrong?'
|
|
|
|
'Thank'ee, my lad, not a bit,' said the Captain. 'Quite contrairy.'
|
|
|
|
'You have the appearance of being overcome, Captain Gills,'
|
|
observed Mr Toots.
|
|
|
|
'Why, my lad, I am took aback,' the Captain admitted. 'I am.'
|
|
|
|
'Is there anything I can do, Captain Gills?' inquired Mr Toots. 'If
|
|
there is, make use of me.'
|
|
|
|
The Captain removed his hand from his face, looked at him with a
|
|
remarkable expression of pity and tenderness, and took him by the
|
|
hand, and shook it hard.
|
|
|
|
'No, thank'ee,' said the Captain. 'Nothing. Only I'll take it as a
|
|
favour if you'll part company for the present. I believe, brother,'
|
|
wringing his hand again, 'that, after Wal'r, and on a different model,
|
|
you're as good a lad as ever stepped.'
|
|
|
|
'Upon my word and honour, Captain Gills,' returned Mr Toots, giving
|
|
the Captain's hand a preliminary slap before shaking it again, 'it's
|
|
delightful to me to possess your good opinion. Thank'ee.
|
|
|
|
'And bear a hand and cheer up,' said the Captain, patting him on
|
|
the back. 'What! There's more than one sweet creetur in the world!'
|
|
|
|
'Not to me, Captain Gills,' replied Mr Toots gravely. 'Not to me, I
|
|
assure you. The state of my feelings towards Miss Dombey is of that
|
|
unspeakable description, that my heart is a desert island, and she
|
|
lives in it alone. I'm getting more used up every day, and I'm proud
|
|
to be so. If you could see my legs when I take my boots off, you'd
|
|
form some idea of what unrequited affection is. I have been prescribed
|
|
bark, but I don't take it, for I don't wish to have any tone whatever
|
|
given to my constitution. I'd rather not. This, however, is forbidden
|
|
ground. Captain Gills, goodbye!'
|
|
|
|
Captain Cuttle cordially reciprocating the warmth of Mr Toots's
|
|
farewell, locked the door behind him, and shaking his head with the
|
|
same remarkable expression of pity and tenderness as he had regarded
|
|
him with before, went up to see if Florence wanted him.
|
|
|
|
There was an entire change in the Captain's face as he went
|
|
upstairs. He wiped his eyes with his handkerchief, and he polished the
|
|
bridge of his nose with his sleeve as he had done already that
|
|
morning, but his face was absolutely changed. Now, he might have been
|
|
thought supremely happy; now, he might have been thought sad; but the
|
|
kind of gravity that sat upon his features was quite new to them, and
|
|
was as great an improvement to them as if they had undergone some
|
|
sublimating process.
|
|
|
|
He knocked softly, with his hook, at Florence's door, twice or
|
|
thrice; but, receiving no answer, ventured first to peep in, and then
|
|
to enter: emboldened to take the latter step, perhaps, by the familiar
|
|
recognition of Diogenes, who, stretched upon the ground by the side of
|
|
her couch, wagged his tail, and winked his eyes at the Captain,
|
|
without being at the trouble of getting up.
|
|
|
|
She was sleeping heavily, and moaning in her sleep; and Captain
|
|
Cuttle, with a perfect awe of her youth, and beauty, and her sorrow,
|
|
raised her head, and adjusted the coat that covered her, where it had
|
|
fallen off, and darkened the window a little more that she might sleep
|
|
on, and crept out again, and took his post of watch upon the stairs.
|
|
All this, with a touch and tread as light as Florence's own.
|
|
|
|
Long may it remain in this mixed world a point not easy of
|
|
decision, which is the more beautiful evidence of the Almighty's
|
|
goodness - the delicate fingers that are formed for sensitiveness and
|
|
sympathy of touch, and made to minister to pain and grief, or the
|
|
rough hard Captain Cuttle hand, that the heart teaches, guides, and
|
|
softens in a moment!
|
|
|
|
Florence slept upon her couch, forgetful of her homelessness and
|
|
orphanage, and Captain Cuttle watched upon the stairs. A louder sob or
|
|
moan than usual, brought him sometimes to her door; but by degrees she
|
|
slept more peacefully, and the Captain's watch was undisturbed.
|
|
|
|
CHAPTER 49.
|
|
|
|
The Midshipman makes a Discovery
|
|
|
|
It was long before Florence awoke. The day was in its prime, the
|
|
day was in its wane, and still, uneasy in mind and body, she slept on;
|
|
unconscious of her strange bed, of the noise and turmoil in the
|
|
street, and of the light that shone outside the shaded window. Perfect
|
|
unconsciousness of what had happened in the home that existed no more,
|
|
even the deep slumber of exhaustion could not produce. Some undefined
|
|
and mournful recollection of it, dozing uneasily but never sleeping,
|
|
pervaded all her rest. A dull sorrow, like a half-lulled sense of
|
|
pain, was always present to her; and her pale cheek was oftener wet
|
|
with tears than the honest Captain, softly putting in his head from
|
|
time to time at the half-closed door, could have desired to see it.
|
|
|
|
The sun was getting low in the west, and, glancing out of a red
|
|
mist, pierced with its rays opposite loopholes and pieces of fretwork
|
|
in the spires of city churches, as if with golden arrows that struck
|
|
through and through them - and far away athwart the river and its flat
|
|
banks, it was gleaming like a path of fire - and out at sea it was
|
|
irradiating sails of ships - and, looked towards, from quiet
|
|
churchyards, upon hill-tops in the country, it was steeping distant
|
|
prospects in a flush and glow that seemed to mingle earth and sky
|
|
together in one glorious suffusion - when Florence, opening her heavy
|
|
eyes, lay at first, looking without interest or recognition at the
|
|
unfamiliar walls around her, and listening in the same regardless
|
|
manner to the noises in the street. But presently she started up upon
|
|
her couch, gazed round with a surprised and vacant look, and
|
|
recollected all.
|
|
|
|
'My pretty,' said the Captain, knocking at the door, 'what cheer?'
|
|
|
|
'Dear friend,' cried Florence, hurrying to him, 'is it you?'
|
|
|
|
The Captain felt so much pride in the name, and was so pleased by
|
|
the gleam of pleasure in her face, when she saw him, that he kissed
|
|
his hook, by way of reply, in speechless gratification.
|
|
|
|
'What cheer, bright di'mond?' said the Captain.
|
|
|
|
'I have surely slept very long,' returned Florence. 'When did I
|
|
come here? Yesterday?'
|
|
|
|
'This here blessed day, my lady lass,' replied the Captain.
|
|
|
|
'Has there been no night? Is it still day?' asked Florence.
|
|
|
|
'Getting on for evening now, my pretty,' said the Captain, drawing
|
|
back the curtain of the window. 'See!'
|
|
|
|
Florence, with her hand upon the Captain's arm, so sorrowful and
|
|
timid, and the Captain with his rough face and burly figure, so
|
|
quietly protective of her, stood in the rosy light of the bright
|
|
evening sky, without saying a word. However strange the form of speech
|
|
into which he might have fashioned the feeling, if he had had to give
|
|
it utterance, the Captain felt, as sensibly as the most eloquent of
|
|
men could have done, that there was something in the tranquil time and
|
|
in its softened beauty that would make the wounded heart of Florence
|
|
overflow; and that it was better that such tears should have their
|
|
way. So not a word spake Captain Cuttle. But when he felt his arm
|
|
clasped closer, and when he felt the lonely head come nearer to it,
|
|
and lay itself against his homely coarse blue sleeve, he pressed it
|
|
gently with his rugged hand, and understood it, and was understood.
|
|
|
|
'Better now, my pretty!' said the Captain. 'Cheerily, cheerily,
|
|
I'll go down below, and get some dinner ready. Will you come down of
|
|
your own self, arterwards, pretty, or shall Ed'ard Cuttle come and
|
|
fetch you?'
|
|
|
|
As Florence assured him that she was quite able to walk downstairs,
|
|
the Captain, though evidently doubtful of his own hospitality in
|
|
permitting it, left her to do so, and immediately set about roasting a
|
|
fowl at the fire in the little parlour. To achieve his cookery with
|
|
the greater skill, he pulled off his coat, tucked up his wristbands,
|
|
and put on his glazed hat, without which assistant he never applied
|
|
himself to any nice or difficult undertaking.
|
|
|
|
After cooling her aching head and burning face in the fresh water
|
|
which the Captain's care had provided for her while she slept,
|
|
Florence went to the little mirror to bind up her disordered hair.
|
|
Then she knew - in a moment, for she shunned it instantly, that on her
|
|
breast there was the darkening mark of an angry hand.
|
|
|
|
Her tears burst forth afresh at the sight; she was ashamed and
|
|
afraid of it; but it moved her to no anger against him. Homeless and
|
|
fatherless, she forgave him everything; hardly thought that she had
|
|
need to forgive him, or that she did; but she fled from the idea of
|
|
him as she had fled from the reality, and he was utterly gone and
|
|
lost. There was no such Being in the world.
|
|
|
|
What to do, or where to live, Florence - poor, inexperienced girl!
|
|
- could not yet consider. She had indistinct dreams of finding, a long
|
|
way off, some little sisters to instruct, who would be gentle with
|
|
her, and to whom, under some feigned name, she might attach herself,
|
|
and who would grow up in their happy home, and marry, and be good to
|
|
their old governess, and perhaps entrust her, in time, with the
|
|
education of their own daughters. And she thought how strange and
|
|
sorrowful it would be, thus to become a grey-haired woman, carrying
|
|
her secret to the grave, when Florence Dombey was forgotten. But it
|
|
was all dim and clouded to her now. She only knew that she had no
|
|
Father upon earth, and she said so, many times, with her suppliant
|
|
head hidden from all, but her Father who was in Heaven.
|
|
|
|
Her little stock of money amounted to but a few guineas. With a
|
|
part of this, it would be necessary to buy some clothes, for she had
|
|
none but those she wore. She was too desolate to think how soon her
|
|
money would be gone - too much a child in worldly matters to be
|
|
greatly troubled on that score yet, even if her other trouble had been
|
|
less. She tried to calm her thoughts and stay her tears; to quiet the
|
|
hurry in her throbbing head, and bring herself to believe that what
|
|
had happened were but the events of a few hours ago, instead of weeks
|
|
or months, as they appeared; and went down to her kind protector.
|
|
|
|
The Captain had spread the cloth with great care, and was making
|
|
some egg-sauce in a little saucepan: basting the fowl from time to
|
|
time during the process with a strong interest, as it turned and
|
|
browned on a string before the fire. Having propped Florence up with
|
|
cushions on the sofa, which was already wheeled into a warm corner for
|
|
her greater comfort, the Captain pursued his cooking with
|
|
extraordinary skill, making hot gravy in a second little saucepan,
|
|
boiling a handful of potatoes in a third, never forgetting the
|
|
egg-sauce in the first, and making an impartial round of basting and
|
|
stirring with the most useful of spoons every minute. Besides these
|
|
cares, the Captain had to keep his eye on a diminutive frying-pan, in
|
|
which some sausages were hissing and bubbling in a most musical
|
|
manner; and there was never such a radiant cook as the Captain looked,
|
|
in the height and heat of these functions: it being impossible to say
|
|
whether his face or his glazed hat shone the brighter.
|
|
|
|
The dinner being at length quite ready, Captain Cuttle dished and
|
|
served it up, with no less dexterity than he had cooked it. He then
|
|
dressed for dinner, by taking off his glazed hat and putting on his
|
|
coat. That done, he wheeled the table close against Florence on the
|
|
sofa, said grace, unscrewed his hook, screwed his fork into its place,
|
|
and did the honours of the table
|
|
|
|
'My lady lass,' said the Captain, 'cheer up, and try to eat a deal.
|
|
Stand by, my deary! Liver wing it is. Sarse it is. Sassage it is. And
|
|
potato!' all which the Captain ranged symmetrically on a plate, and
|
|
pouring hot gravy on the whole with the useful spoon, set before his
|
|
cherished guest.
|
|
|
|
'The whole row o' dead lights is up, for'ard, lady lass,' observed
|
|
the Captain, encouragingly, 'and everythink is made snug. Try and pick
|
|
a bit, my pretty. If Wal'r was here - '
|
|
|
|
'Ah! If I had him for my brother now!' cried Florence.
|
|
|
|
'Don't! don't take on, my pretty!' said the Captain, 'awast, to
|
|
obleege me! He was your nat'ral born friend like, warn't he, Pet?'
|
|
|
|
Florence had no words to answer with. She only said, 'Oh, dear,
|
|
dear Paul! oh, Walter!'
|
|
|
|
'The wery planks she walked on,' murmured the Captain, looking at
|
|
her drooping face, 'was as high esteemed by Wal'r, as the water brooks
|
|
is by the hart which never rejices! I see him now, the wery day as he
|
|
was rated on them Dombey books, a speaking of her with his face a
|
|
glistening with doo - leastways with his modest sentiments - like a
|
|
new blowed rose, at dinner. Well, well! If our poor Wal'r was here, my
|
|
lady lass - or if he could be - for he's drownded, ain't he?'
|
|
|
|
Florence shook her head.
|
|
|
|
'Yes, yes; drownded,' said the Captain, soothingly; 'as I was
|
|
saying, if he could be here he'd beg and pray of you, my precious, to
|
|
pick a leetle bit, with a look-out for your own sweet health. Whereby,
|
|
hold your own, my lady lass, as if it was for Wal'r's sake, and lay
|
|
your pretty head to the wind.'
|
|
|
|
Florence essayed to eat a morsel, for the Captain's pleasure. The
|
|
Captain, meanwhile, who seemed to have quite forgotten his own dinner,
|
|
laid down his knife and fork, and drew his chair to the sofa.
|
|
|
|
'Wal'r was a trim lad, warn't he, precious?' said the Captain,
|
|
after sitting for some time silently rubbing his chin, with his eyes
|
|
fixed upon her, 'and a brave lad, and a good lad?'
|
|
|
|
Florence tearfully assented.
|
|
|
|
'And he's drownded, Beauty, ain't he?' said the Captain, in a
|
|
soothing voice.
|
|
|
|
Florence could not but assent again.
|
|
|
|
'He was older than you, my lady lass,' pursued the Captain, 'but
|
|
you was like two children together, at first; wam't you?'
|
|
|
|
Florence answered 'Yes.'
|
|
|
|
'And Wal'r's drownded,' said the Captain. 'Ain't he?'
|
|
|
|
The repetition of this inquiry was a curious source of consolation,
|
|
but it seemed to be one to Captain Cuttle, for he came back to it
|
|
again and again. Florence, fain to push from her her untasted dinner,
|
|
and to lie back on her sofa, gave him her hand, feeling that she had
|
|
disappointed him, though truly wishing to have pleased him after all
|
|
his trouble, but he held it in his own (which shook as he held it),
|
|
and appearing to have quite forgotten all about the dinner and her
|
|
want of appetite, went on growling at intervals, in a ruminating tone
|
|
of sympathy, 'Poor Wal'r. Ay, ay! Drownded. Ain't he?' And always
|
|
waited for her answer, in which the great point of these singular
|
|
reflections appeared to consist.
|
|
|
|
The fowl and sausages were cold, and the gravy and the egg-sauce
|
|
stagnant, before the Captain remembered that they were on the board,
|
|
and fell to with the assistance of Diogenes, whose united efforts
|
|
quickly dispatched the banquet. The Captain's delight and wonder at
|
|
the quiet housewifery of Florence in assisting to clear the table,
|
|
arrange the parlour, and sweep up the hearth - only to be equalled by
|
|
the fervency of his protest when she began to assist him - were
|
|
gradually raised to that degree, that at last he could not choose but
|
|
do nothing himself, and stand looking at her as if she were some
|
|
Fairy, daintily performing these offices for him; the red rim on his
|
|
forehead glowing again, in his unspeakable admiration.
|
|
|
|
But when Florence, taking down his pipe from the mantel-shelf gave
|
|
it into his hand, and entreated him to smoke it, the good Captain was
|
|
so bewildered by her attention that he held it as if he had never held
|
|
a pipe, in all his life. Likewise, when Florence, looking into the
|
|
little cupboard, took out the case-bottle and mixed a perfect glass of
|
|
grog for him, unasked, and set it at his elbow, his ruddy nose turned
|
|
pale, he felt himself so graced and honoured. When he had filled his
|
|
pipe in an absolute reverie of satisfaction, Florence lighted it for
|
|
him - the Captain having no power to object, or to prevent her - and
|
|
resuming her place on the old sofa, looked at him with a smile so
|
|
loving and so grateful, a smile that showed him so plainly how her
|
|
forlorn heart turned to him, as her face did, through grief, that the
|
|
smoke of the pipe got into the Captain's throat and made him cough,
|
|
and got into the Captain's eyes, and made them blink and water.
|
|
|
|
The manner in which the Captain tried to make believe that the
|
|
cause of these effects lay hidden in the pipe itself, and the way in
|
|
which he looked into the bowl for it, and not finding it there,
|
|
pretended to blow it out of the stem, was wonderfully pleasant. The
|
|
pipe soon getting into better condition, he fell into that state of
|
|
repose becoming a good smoker; but sat with his eyes fixed on
|
|
Florence, and, with a beaming placidity not to be described, and
|
|
stopping every now and then to discharge a little cloud from his lips,
|
|
slowly puffed it forth, as if it were a scroll coming out of his
|
|
mouth, bearing the legend 'Poor Wal'r, ay, ay. Drownded, ain't he?'
|
|
after which he would resume his smoking with infinite gentleness.
|
|
|
|
Unlike as they were externally - and there could scarcely be a more
|
|
decided contrast than between Florence in her delicate youth and
|
|
beauty, and Captain Cuttle with his knobby face, his great broad
|
|
weather-beaten person, and his gruff voice - in simple innocence of
|
|
the world's ways and the world's perplexities and dangers, they were
|
|
nearly on a level. No child could have surpassed Captain Cuttle in
|
|
inexperience of everything but wind and weather; in simplicity,
|
|
credulity, and generous trustfulness. Faith, hope, and charity, shared
|
|
his whole nature among them. An odd sort of romance, perfectly
|
|
unimaginative, yet perfectly unreal, and subject to no considerations
|
|
of worldly prudence or practicability, was the only partner they had
|
|
in his character. As the Captain sat, and smoked, and looked at
|
|
Florence, God knows what impossible pictures, in which she was the
|
|
principal figure, presented themselves to his mind. Equally vague and
|
|
uncertain, though not so sanguine, were her own thoughts of the life
|
|
before her; and even as her tears made prismatic colours in the light
|
|
she gazed at, so, through her new and heavy grief, she already saw a
|
|
rainbow faintly shining in the far-off sky. A wandering princess and a
|
|
good monster in a storybook might have sat by the fireside, and talked
|
|
as Captain Cuttle and poor Florence talked - and not have looked very
|
|
much unlike them.
|
|
|
|
The Captain was not troubled with the faintest idea of any
|
|
difficulty in retaining Florence, or of any responsibility thereby
|
|
incurred. Having put up the shutters and locked the door, he was quite
|
|
satisfied on this head. If she had been a Ward in Chancery, it would
|
|
have made no difference at all to Captain Cuttle. He was the last man
|
|
in the world to be troubled by any such considerations.
|
|
|
|
So the Captain smoked his pipe very comfortably, and Florence and
|
|
he meditated after their own manner. When the pipe was out, they had
|
|
some tea; and then Florence entreated him to take her to some
|
|
neighbouring shop, where she could buy the few necessaries she
|
|
immediately wanted. It being quite dark, the Captain consented:
|
|
peeping carefully out first, as he had been wont to do in his time of
|
|
hiding from Mrs MacStinger; and arming himself with his large stick,
|
|
in case of an appeal to arms being rendered necessary by any
|
|
unforeseen circumstance.
|
|
|
|
The pride Captain Cuttle had, in giving his arm to Florence, and
|
|
escorting her some two or three hundred yards, keeping a bright
|
|
look-out all the time, and attracting the attention of everyone who
|
|
passed them, by his great vigilance and numerous precautions, was
|
|
extreme. Arrived at the shop, the Captain felt it a point of delicacy
|
|
to retire during the making of the purchases, as they were to consist
|
|
of wearing apparel; but he previously deposited his tin canister on
|
|
the counter, and informing the young lady of the establishment that it
|
|
contained fourteen pound two, requested her, in case that amount of
|
|
property should not be sufficient to defray the expenses of his
|
|
niece's little outfit - at the word 'niece,' he bestowed a most
|
|
significant look on Florence, accompanied with pantomime, expressive
|
|
of sagacity and mystery - to have the goodness to 'sing out,' and he
|
|
would make up the difference from his pocket. Casually consulting his
|
|
big watch, as a deep means of dazzling the establishment, and
|
|
impressing it with a sense of property, the Captain then kissed his
|
|
hook to his niece, and retired outside the window, where it was a
|
|
choice sight to see his great face looking in from time to time, among
|
|
the silks and ribbons, with an obvious misgiving that Florence had
|
|
been spirited away by a back door.
|
|
|
|
'Dear Captain Cuttle,' said Florence, when she came out with a
|
|
parcel, the size of which greatly disappointed the Captain, who had
|
|
expected to see a porter following with a bale of goods, 'I don't want
|
|
this money, indeed. I have not spent any of it. I have money of my
|
|
own.'
|
|
|
|
'My lady lass,' returned the baffled Captain, looking straight down
|
|
the street before them, 'take care on it for me, will you be so good,
|
|
till such time as I ask ye for it?'
|
|
|
|
'May I put it back in its usual place,' said Florence, 'and keep it
|
|
there?'
|
|
|
|
The Captain was not at all gratified by this proposal, but he
|
|
answered, 'Ay, ay, put it anywheres, my lady lass, so long as you know
|
|
where to find it again. It ain't o' no use to me,' said the Captain.
|
|
'I wonder I haven't chucked it away afore now.
|
|
|
|
The Captain was quite disheartened for the moment, but he revived
|
|
at the first touch of Florence's arm, and they returned with the same
|
|
precautions as they had come; the Captain opening the door of the
|
|
little Midshipman's berth, and diving in, with a suddenness which his
|
|
great practice only could have taught him. During Florence's slumber
|
|
in the morning, he had engaged the daughter of an elderly lady who
|
|
usually sat under a blue umbrella in Leadenhall Market, selling
|
|
poultry, to come and put her room in order, and render her any little
|
|
services she required; and this damsel now appearing, Florence found
|
|
everything about her as convenient and orderly, if not as handsome, as
|
|
in the terrible dream she had once called Home.
|
|
|
|
When they were alone again, the Captain insisted on her eating a
|
|
slice of dry toast' and drinking a glass of spiced negus (which he
|
|
made to perfection); and, encouraging her with every kind word and
|
|
inconsequential quotation be could possibly think of, led her upstairs
|
|
to her bedroom. But he too had something on his mind, and was not easy
|
|
in his manner.
|
|
|
|
'Good-night, dear heart,' said Captain Cuttle to her at her
|
|
chamber-door.
|
|
|
|
Florence raised her lips to his face, and kissed him.
|
|
|
|
At any other time the Captain would have been overbalanced by such
|
|
a token of her affection and gratitude; but now, although he was very
|
|
sensible of it, he looked in her face with even more uneasiness than
|
|
he had testified before, and seemed unwilling to leave her.
|
|
|
|
'Poor Wal'r!' said the Captain.
|
|
|
|
'Poor, poor Walter!' sighed Florence.
|
|
|
|
'Drownded, ain't he?' said the Captain.
|
|
|
|
Florence shook her head, and sighed.
|
|
|
|
'Good-night, my lady lass!' said Captain Cuttle, putting out his
|
|
hand.
|
|
|
|
'God bless you, dear, kind friend!'
|
|
|
|
But the Captain lingered still.
|
|
|
|
'Is anything the matter, dear Captain Cuttle?' said Florence,
|
|
easily alarmed in her then state of mind. 'Have you anything to tell
|
|
me?'
|
|
|
|
'To tell you, lady lass!' replied the Captain, meeting her eyes in
|
|
confusion. 'No, no; what should I have to tell you, pretty! You don't
|
|
expect as I've got anything good to tell you, sure?'
|
|
|
|
'No!' said Florence, shaking her head.
|
|
|
|
The Captain looked at her wistfully, and repeated 'No,' - ' still
|
|
lingering, and still showing embarrassment.
|
|
|
|
'Poor Wal'r!' said the Captain. 'My Wal'r, as I used to call you!
|
|
Old Sol Gills's nevy! Welcome to all as knowed you, as the flowers in
|
|
May! Where are you got to, brave boy? Drownded, ain't he?'
|
|
|
|
Concluding his apostrophe with this abrupt appeal to Florence, the
|
|
Captain bade her good-night, and descended the stairs, while Florence
|
|
remained at the top, holding the candle out to light him down. He was
|
|
lost in the obscurity, and, judging from the sound of his receding
|
|
footsteps, was in the act of turning into the little parlour, when his
|
|
head and shoulders unexpectedly emerged again, as from the deep,
|
|
apparently for no other purpose than to repeat, 'Drownded, ain't he,
|
|
pretty?' For when he had said that in a tone of tender condolence, he
|
|
disappeared.
|
|
|
|
Florence was very sorry that she should unwittingly, though
|
|
naturally, have awakened these associations in the mind of her
|
|
protector, by taking refuge there; and sitting down before the little
|
|
table where the Captain had arranged the telescope and song-book, and
|
|
those other rarities, thought of Walter, and of all that was connected
|
|
with him in the past, until she could have almost wished to lie down
|
|
on her bed and fade away. But in her lonely yearning to the dead whom
|
|
she had loved, no thought of home - no possibility of going back - no
|
|
presentation of it as yet existing, or as sheltering her father - once
|
|
entered her thoughts. She had seen the murder done. In the last
|
|
lingering natural aspect in which she had cherished him through so
|
|
much, he had been torn out of her heart, defaced, and slain. The
|
|
thought of it was so appalling to her, that she covered her eyes, and
|
|
shrunk trembling from the least remembrance of the deed, or of the
|
|
cruel hand that did it. If her fond heart could have held his image
|
|
after that, it must have broken; but it could not; and the void was
|
|
filled with a wild dread that fled from all confronting with its
|
|
shattered fragments - with such a dread as could have risen out of
|
|
nothing but the depths of such a love, so wronged.
|
|
|
|
She dared not look into the glass; for the sight of the darkening
|
|
mark upon her bosom made her afraid of herself, as if she bore about
|
|
her something wicked. She covered it up, with a hasty, faltering hand,
|
|
and in the dark; and laid her weary head down, weeping.
|
|
|
|
The Captain did not go to bed for a long time. He walked to and fro
|
|
in the shop and in the little parlour, for a full hour, and, appearing
|
|
to have composed himself by that exercise, sat down with a grave and
|
|
thoughtful face, and read out of a Prayer-book the forms of prayer
|
|
appointed to be used at sea. These were not easily disposed of; the
|
|
good Captain being a mighty slow, gruff reader, and frequently
|
|
stopping at a hard word to give himself such encouragement as Now, my
|
|
lad! With a will!' or, 'Steady, Ed'ard Cuttle, steady!' which had a
|
|
great effect in helping him out of any difficulty. Moreover, his
|
|
spectacles greatly interfered with his powers of vision. But
|
|
notwithstanding these drawbacks, the Captain, being heartily in
|
|
earnest, read the service to the very last line, and with genuine
|
|
feeling too; and approving of it very much when he had done, turned
|
|
in, under the counter (but not before he had been upstairs, and
|
|
listened at Florence's door), with a serene breast, and a most
|
|
benevolent visage.
|
|
|
|
The Captain turned out several times in the course of the night, to
|
|
assure himself that his charge was resting quietly; and once, at
|
|
daybreak, found that she was awake: for she called to know if it were
|
|
he, on hearing footsteps near her door.
|
|
|
|
'Yes' my lady lass,' replied the Captain, in a growling whisper.
|
|
'Are you all right, di'mond?'
|
|
|
|
Florence thanked him, and said 'Yes.'
|
|
|
|
The Captain could not lose so favourable an opportunity of applying
|
|
his mouth to the keyhole, and calling through it, like a hoarse
|
|
breeze, 'Poor Wal'r! Drownded, ain't he?' after which he withdrew, and
|
|
turning in again, slept till seven o'clock.
|
|
|
|
Nor was he free from his uneasy and embarrassed manner all that
|
|
day; though Florence, being busy with her needle in the little
|
|
parlour, was more calm and tranquil than she had been on the day
|
|
preceding. Almost always when she raised her eyes from her work, she
|
|
observed the captain looking at her, and thoughtfully stroking his
|
|
chin; and he so often hitched his arm-chair close to her, as if he
|
|
were going to say something very confidential, and hitched it away
|
|
again, as not being able to make up his mind how to begin, that in the
|
|
course of the day he cruised completely round the parlour in that
|
|
frail bark, and more than once went ashore against the wainscot or the
|
|
closet door, in a very distressed condition.
|
|
|
|
It was not until the twilight that Captain Cuttle, fairly dropping
|
|
anchor, at last, by the side of Florence, began to talk at all
|
|
connectedly. But when the light of the fire was shining on the walls
|
|
and ceiling of the little room, and on the tea-board and the cups and
|
|
saucers that were ranged upon the table, and on her calm face turned
|
|
towards the flame, and reflecting it in the tears that filled her
|
|
eyes, the Captain broke a long silence thus:
|
|
|
|
'You never was at sea, my own?'
|
|
|
|
'No,' replied Florence.
|
|
|
|
'Ay,' said the Captain, reverentially; 'it's a almighty element.
|
|
There's wonders in the deep, my pretty. Think on it when the winds is
|
|
roaring and the waves is rowling. Think on it when the stormy nights
|
|
is so pitch dark,' said the Captain, solemnly holding up his hook, 'as
|
|
you can't see your hand afore you, excepting when the wiwid lightning
|
|
reweals the same; and when you drive, drive, drive through the storm
|
|
and dark, as if you was a driving, head on, to the world without end,
|
|
evermore, amen, and when found making a note of. Them's the times, my
|
|
beauty, when a man may say to his messmate (previously a overhauling
|
|
of the wollume), "A stiff nor'wester's blowing, Bill; hark, don't you
|
|
hear it roar now! Lord help 'em, how I pitys all unhappy folks ashore
|
|
now!"' Which quotation, as particularly applicable to the terrors of
|
|
the ocean, the Captain delivered in a most impressive manner,
|
|
concluding with a sonorous 'Stand by!'
|
|
|
|
'Were you ever in a dreadful storm?' asked Florence.
|
|
|
|
'Why ay, my lady lass, I've seen my share of bad weather,' said the
|
|
Captain, tremulously wiping his head, 'and I've had my share of
|
|
knocking about; but - but it ain't of myself as I was a meaning to
|
|
speak. Our dear boy,' drawing closer to her, 'Wal'r, darling, as was
|
|
drownded.'
|
|
|
|
The Captain spoke in such a trembling voice, and looked at Florence
|
|
with a face so pale and agitated, that she clung to his hand in
|
|
affright.
|
|
|
|
'Your face is changed,' cried Florence. 'You are altered in a
|
|
moment. What is it? Dear Captain Cuttle, it turns me cold to see you!'
|
|
|
|
'What! Lady lass,' returned the Captain, supporting her with his
|
|
hand, 'don't be took aback. No, no! All's well, all's well, my dear.
|
|
As I was a saying - Wal'r - he's - he's drownded. Ain't he?'
|
|
|
|
Florence looked at him intently; her colour came and went; and she
|
|
laid her hand upon her breast.
|
|
|
|
'There's perils and dangers on the deep, my beauty,' said the
|
|
Captain; 'and over many a brave ship, and many and many a bould heart,
|
|
the secret waters has closed up, and never told no tales. But there's
|
|
escapes upon the deep, too, and sometimes one man out of a score, -
|
|
ah! maybe out of a hundred, pretty, - has been saved by the mercy of
|
|
God, and come home after being given over for dead, and told of all
|
|
hands lost. I - I know a story, Heart's Delight,' stammered the
|
|
Captain, 'o' this natur, as was told to me once; and being on this
|
|
here tack, and you and me sitting alone by the fire, maybe you'd like
|
|
to hear me tell it. Would you, deary?'
|
|
|
|
Florence, trembling with an agitation which she could not control
|
|
or understand, involuntarily followed his glance, which went behind
|
|
her into the shop, where a lamp was burning. The instant that she
|
|
turned her head, the Captain sprung out of his chair, and interposed
|
|
his hand.
|
|
|
|
'There's nothing there, my beauty,' said the Captain. 'Don't look
|
|
there.'
|
|
|
|
'Why not?' asked Florence.
|
|
|
|
The Captain murmured something about its being dull that way, and
|
|
about the fire being cheerful. He drew the door ajar, which had been
|
|
standing open until now, and resumed his seat. Florence followed him
|
|
with her eyes, and looked intently in his face.
|
|
|
|
'The story was about a ship, my lady lass,' began the Captain, 'as
|
|
sailed out of the Port of London, with a fair wind and in fair
|
|
weather, bound for - don't be took aback, my lady lass, she was only
|
|
out'ard bound, pretty, only out'ard bound!'
|
|
|
|
The expression on Florence's face alarmed the Captain, who was
|
|
himself very hot and flurried, and showed scarcely less agitation than
|
|
she did.
|
|
|
|
'Shall I go on, Beauty?' said the Captain.
|
|
|
|
'Yes, yes, pray!' cried Florence.
|
|
|
|
The Captain made a gulp as if to get down something that was
|
|
sticking in his throat, and nervously proceeded:
|
|
|
|
'That there unfort'nate ship met with such foul weather, out at
|
|
sea, as don't blow once in twenty year, my darling. There was
|
|
hurricanes ashore as tore up forests and blowed down towns, and there
|
|
was gales at sea in them latitudes, as not the stoutest wessel ever
|
|
launched could live in. Day arter day that there unfort'nate ship
|
|
behaved noble, I'm told, and did her duty brave, my pretty, but at one
|
|
blow a'most her bulwarks was stove in, her masts and rudder carved
|
|
away, her best man swept overboard, and she left to the mercy of the
|
|
storm as had no mercy but blowed harder and harder yet, while the
|
|
waves dashed over her, and beat her in, and every time they come a
|
|
thundering at her, broke her like a shell. Every black spot in every
|
|
mountain of water that rolled away was a bit o' the ship's life or a
|
|
living man, and so she went to pieces, Beauty, and no grass will never
|
|
grow upon the graves of them as manned that ship.'
|
|
|
|
'They were not all lost!' cried Florence. 'Some were saved! - Was
|
|
one?'
|
|
|
|
'Aboard o' that there unfort'nate wessel,' said the Captain, rising
|
|
from his chair, and clenching his hand with prodigious energy and
|
|
exultation, 'was a lad, a gallant lad - as I've heerd tell - that had
|
|
loved, when he was a boy, to read and talk about brave actions in
|
|
shipwrecks - I've heerd him! I've heerd him! - and he remembered of
|
|
'em in his hour of need; for when the stoutest and oldest hands was
|
|
hove down, he was firm and cheery. It warn't the want of objects to
|
|
like and love ashore that gave him courage, it was his nat'ral mind.
|
|
I've seen it in his face, when he was no more than a child - ay, many
|
|
a time! - and when I thought it nothing but his good looks, bless
|
|
him!'
|
|
|
|
'And was he saved!' cried Florence. 'Was he saved!'
|
|
|
|
'That brave lad,' said the Captain, - 'look at me, pretty! Don't
|
|
look round - '
|
|
|
|
Florence had hardly power to repeat, 'Why not?'
|
|
|
|
'Because there's nothing there, my deary,' said the Captain. 'Don't
|
|
be took aback, pretty creetur! Don't, for the sake of Wal'r, as was
|
|
dear to all on us! That there lad,' said the Captain, 'arter working
|
|
with the best, and standing by the faint-hearted, and never making no
|
|
complaint nor sign of fear, and keeping up a spirit in all hands that
|
|
made 'em honour him as if he'd been a admiral - that lad, along with
|
|
the second-mate and one seaman, was left, of all the beatin' hearts
|
|
that went aboard that ship, the only living creeturs - lashed to a
|
|
fragment of the wreck, and driftin' on the stormy sea.
|
|
|
|
Were they saved?' cried Florence.
|
|
|
|
'Days and nights they drifted on them endless waters,' said the
|
|
Captain, 'until at last - No! Don't look that way, pretty! - a sail
|
|
bore down upon 'em, and they was, by the Lord's mercy, took aboard:
|
|
two living and one dead.'
|
|
|
|
'Which of them was dead?' cried Florence.
|
|
|
|
'Not the lad I speak on,' said the Captain.
|
|
|
|
'Thank God! oh thank God!'
|
|
|
|
'Amen!' returned the Captain hurriedly. 'Don't be took aback! A
|
|
minute more, my lady lass! with a good heart! - aboard that ship, they
|
|
went a long voyage, right away across the chart (for there warn't no
|
|
touching nowhere), and on that voyage the seaman as was picked up with
|
|
him died. But he was spared, and - '
|
|
|
|
The Captain, without knowing what he did, had cut a slice of bread
|
|
from the loaf, and put it on his hook (which was his usual
|
|
toasting-fork), on which he now held it to the fire; looking behind
|
|
Florence with great emotion in his face, and suffering the bread to
|
|
blaze and burn like fuel.
|
|
|
|
'Was spared,' repeated Florence, 'and-?'
|
|
|
|
'And come home in that ship,' said the Captain, still looking in
|
|
the same direction, 'and - don't be frightened, pretty - and landed;
|
|
and one morning come cautiously to his own door to take a obserwation,
|
|
knowing that his friends would think him drownded, when he sheered off
|
|
at the unexpected - '
|
|
|
|
'At the unexpected barking of a dog?' cried Florence, quickly.
|
|
|
|
'Yes,' roared the Captain. 'Steady, darling! courage! Don't look
|
|
round yet. See there! upon the wall!'
|
|
|
|
There was the shadow of a man upon the wall close to her. She
|
|
started up, looked round, and with a piercing cry, saw Walter Gay
|
|
behind her!
|
|
|
|
She had no thought of him but as a brother, a brother rescued from
|
|
the grave; a shipwrecked brother saved and at her side; and rushed
|
|
into his arms. In all the world, he seemed to be her hope, her
|
|
comfort, refuge, natural protector. 'Take care of Walter, I was fond
|
|
of Walter!' The dear remembrance of the plaintive voice that said so,
|
|
rushed upon her soul, like music in the night. 'Oh welcome home, dear
|
|
Walter! Welcome to this stricken breast!' She felt the words, although
|
|
she could not utter them, and held him in her pure embrace.
|
|
|
|
Captain Cuttle, in a fit of delirium, attempted to wipe his head
|
|
with the blackened toast upon his hook: and finding it an uncongenial
|
|
substance for the purpose, put it into the crown of his glazed hat,
|
|
put the glazed hat on with some difficulty, essayed to sing a verse of
|
|
Lovely Peg, broke down at the first word, and retired into the shop,
|
|
whence he presently came back express, with a face all flushed and
|
|
besmeared, and the starch completely taken out of his shirt-collar, to
|
|
say these words:
|
|
|
|
'Wal'r, my lad, here is a little bit of property as I should wish
|
|
to make over, jintly!'
|
|
|
|
The Captain hastily produced the big watch, the teaspoons, the
|
|
sugar-tongs, and the canister, and laying them on the table, swept
|
|
them with his great hand into Walter's hat; but in handing that
|
|
singular strong box to Walter, he was so overcome again, that he was
|
|
fain to make another retreat into the shop, and absent himself for a
|
|
longer space of time than on his first retirement.
|
|
|
|
But Walter sought him out, and brought him back; and then the
|
|
Captain's great apprehension was, that Florence would suffer from this
|
|
new shock. He felt it so earnestly, that he turned quite rational, and
|
|
positively interdicted any further allusion to Walter's adventures for
|
|
some days to come. Captain Cuttle then became sufficiently composed to
|
|
relieve himself of the toast in his hat, and to take his place at the
|
|
tea-board; but finding Walter's grasp upon his shoulder, on one side,
|
|
and Florence whispering her tearful congratulations on the other, the
|
|
Captain suddenly bolted again, and was missing for a good ten minutes.
|
|
|
|
But never in all his life had the Captain's face so shone and
|
|
glistened, as when, at last, he sat stationary at the tea-board,
|
|
looking from Florence to Walter, and from Walter to Florence. Nor was
|
|
this effect produced or at all heightened by the immense quantity of
|
|
polishing he had administered to his face with his coat-sleeve during
|
|
the last half-hour. It was solely the effect of his internal emotions.
|
|
There was a glory and delight within the Captain that spread itself
|
|
over his whole visage, and made a perfect illumination there.
|
|
|
|
The pride with which the Captain looked upon the bronzed cheek and
|
|
the courageous eyes of his recovered boy; with which he saw the
|
|
generous fervour of his youth, and all its frank and hopeful
|
|
qualities, shining once more, in the fresh, wholesome manner, and the
|
|
ardent face, would have kindled something of this light in his
|
|
countenance. The admiration and sympathy with which he turned his eyes
|
|
on Florence, whose beauty, grace, and innocence could have won no
|
|
truer or more zealous champion than himself, would have had an equal
|
|
influence upon him. But the fulness of the glow he shed around him
|
|
could only have been engendered in his contemplation of the two
|
|
together, and in all the fancies springing out of that association,
|
|
that came sparkling and beaming into his head, and danced about it.
|
|
|
|
How they talked of poor old Uncle Sol, and dwelt on every little
|
|
circumstance relating to his disappearance; how their joy was
|
|
moderated by the old man's absence and by the misfortunes of Florence;
|
|
how they released Diogenes, whom the Captain had decoyed upstairs some
|
|
time before, lest he should bark again; the Captain, though he was in
|
|
one continual flutter, and made many more short plunges into the shop,
|
|
fully comprehended. But he no more dreamed that Walter looked on
|
|
Florence, as it were, from a new and far-off place; that while his
|
|
eyes often sought the lovely face, they seldom met its open glance of
|
|
sisterly affection, but withdrew themselves when hers were raised
|
|
towards him; than he believed that it was Walter's ghost who sat
|
|
beside him. He saw them together in their youth and beauty, and he
|
|
knew the story of their younger days, and he had no inch of room
|
|
beneath his great blue waistcoat for anything save admiration of such
|
|
a pair, and gratitude for their being reunited.
|
|
|
|
They sat thus, until it grew late. The Captain would have been
|
|
content to sit so for a week. But Walter rose, to take leave for the
|
|
night.
|
|
|
|
'Going, Walter!' said Florence. 'Where?'
|
|
|
|
'He slings his hammock for the present, lady lass,' said Captain
|
|
Cuttle, 'round at Brogley's. Within hail, Heart's Delight.'
|
|
|
|
'I am the cause of your going away, Walter,' said Florence. 'There
|
|
is a houseless sister in your place.'
|
|
|
|
'Dear Miss Dombey,' replied Walter, hesitating - 'if it is not too
|
|
bold to call you so!
|
|
|
|
Walter!' she exclaimed, surprised.
|
|
|
|
'If anything could make me happier in being allowed to see and
|
|
speak to you, would it not be the discovery that I had any means on
|
|
earth of doing you a moment's service! Where would I not go, what
|
|
would I not do, for your sake?'
|
|
|
|
She smiled, and called him brother.
|
|
|
|
'You are so changed,' said Walter -
|
|
|
|
'I changed!' she interrupted.
|
|
|
|
'To me,' said Walter, softly, as if he were thinking aloud,
|
|
'changed to me. I left you such a child, and find you - oh! something
|
|
so different - '
|
|
|
|
'But your sister, Walter. You have not forgotten what we promised
|
|
to each other, when we parted?'
|
|
|
|
'Forgotten!' But he said no more.
|
|
|
|
'And if you had - if suffering and danger had driven it from your
|
|
thoughts - which it has not - you would remember it now, Walter, when
|
|
you find me poor and abandoned, with no home but this, and no friends
|
|
but the two who hear me speak!'
|
|
|
|
'I would! Heaven knows I would!' said Walter.
|
|
|
|
'Oh, Walter,' exclaimed Florence, through her sobs and tears. 'Dear
|
|
brother! Show me some way through the world - some humble path that I
|
|
may take alone, and labour in, and sometimes think of you as one who
|
|
will protect and care for me as for a sister! Oh, help me, Walter, for
|
|
I need help so much!'
|
|
|
|
'Miss Dombey! Florence! I would die to help you. But your friends
|
|
are proud and rich. Your father - '
|
|
|
|
'No, no! Walter!' She shrieked, and put her hands up to her head,
|
|
in an attitude of terror that transfixed him where he stood. 'Don't
|
|
say that word!'
|
|
|
|
He never, from that hour, forgot the voice and look with which she
|
|
stopped him at the name. He felt that if he were to live a hundred
|
|
years, he never could forget it.
|
|
|
|
Somewhere - anywhere - but never home! All past, all gone, all
|
|
lost, and broken up! The whole history of her untold slight and
|
|
suffering was in the cry and look; and he felt he never could forget
|
|
it, and he never did.
|
|
|
|
She laid her gentle face upon the Captain's shoulder, and related
|
|
how and why she had fled. If every sorrowing tear she shed in doing
|
|
so, had been a curse upon the head of him she never named or blamed,
|
|
it would have been better for him, Walter thought, with awe, than to
|
|
be renounced out of such a strength and might of love.
|
|
|
|
'There, precious!' said the Captain, when she ceased; and deep
|
|
attention the Captain had paid to her while she spoke; listening, with
|
|
his glazed hat all awry and his mouth wide open. 'Awast, awast, my
|
|
eyes! Wal'r, dear lad, sheer off for to-night, and leave the pretty
|
|
one to me!'
|
|
|
|
Walter took her hand in both of his, and put it to his lips, and
|
|
kissed it. He knew now that she was, indeed, a homeless wandering
|
|
fugitive; but, richer to him so, than in all the wealth and pride of
|
|
her right station, she seemed farther off than even on the height that
|
|
had made him giddy in his boyish dreams.
|
|
|
|
Captain Cuttle, perplexed by no such meditations, guarded Florence
|
|
to her room, and watched at intervals upon the charmed ground outside
|
|
her door - for such it truly was to him - until he felt sufficiently
|
|
easy in his mind about her, to turn in under the counter. On
|
|
abandoning his watch for that purpose, he could not help calling once,
|
|
rapturously, through the keyhole, 'Drownded. Ain't he, pretty?' - or,
|
|
when he got downstairs, making another trial at that verse of Lovely
|
|
Peg. But it stuck in his throat somehow, and he could make nothing of
|
|
it; so he went to bed, and dreamed that old Sol Gills was married to
|
|
Mrs MacStinger, and kept prisoner by that lady in a secret chamber on
|
|
a short allowance of victuals.
|
|
|
|
CHAPTER 50.
|
|
|
|
Mr Toots's Complaint
|
|
|
|
There was an empty room above-stairs at the wooden Midshipman's,
|
|
which, in days of yore, had been Walter's bedroom. Walter, rousing up
|
|
the Captain betimes in the morning, proposed that they should carry
|
|
thither such furniture out of the little parlour as would grace it
|
|
best, so that Florence might take possession of it when she rose. As
|
|
nothing could be more agreeable to Captain Cuttle than making himself
|
|
very red and short of breath in such a cause, he turned to (as he
|
|
himself said) with a will; and, in a couple of hours, this garret was
|
|
transformed into a species of land-cabin, adorned with all the
|
|
choicest moveables out of the parlour, inclusive even of the Tartar
|
|
frigate, which the Captain hung up over the chimney-piece with such
|
|
extreme delight, that he could do nothing for half-an-hour afterwards
|
|
but walk backward from it, lost in admiration.
|
|
|
|
The Captain could be indueed by no persuasion of Walter's to wind
|
|
up the big watch, or to take back the canister, or to touch the
|
|
sugar-tongs and teaspoons. 'No, no, my lad;' was the Captain's
|
|
invariable reply to any solicitation of the kind, 'I've made that
|
|
there little property over, jintly.' These words he repeated with
|
|
great unction and gravity, evidently believing that they had the
|
|
virtue of an Act of Parliament, and that unless he committed himself
|
|
by some new admission of ownership, no flaw could be found in such a
|
|
form of conveyance.
|
|
|
|
It was an advantage of the new arrangement, that besides the
|
|
greater seclusion it afforded Florence, it admitted of the Midshipman
|
|
being restored to his usual post of observation, and also of the shop
|
|
shutters being taken down. The latter ceremony, however little
|
|
importance the unconscious Captain attached to it, was not wholly
|
|
superfluous; for, on the previous day, so much excitement had been
|
|
occasioned in the neighbourhood, by the shutters remaining unopened,
|
|
that the Instrument-maker's house had been honoured with an unusual
|
|
share of public observation, and had been intently stared at from the
|
|
opposite side of the way, by groups of hungry gazers, at any time
|
|
between sunrise and sunset. The idlers and vagabonds had been
|
|
particularly interested in the Captain's fate; constantly grovelling
|
|
in the mud to apply their eyes to the cellar-grating, under the
|
|
shop-window, and delighting their imaginations with the fancy that
|
|
they could see a piece of his coat as he hung in a corner; though this
|
|
settlement of him was stoutly disputed by an opposite faction, who
|
|
were of opinion that he lay murdered with a hammer, on the stairs. It
|
|
was not without exciting some discontent, therefore, that the subject
|
|
of these rumours was seen early in the morning standing at his
|
|
shop-door as hale and hearty as if nothing had happened; and the
|
|
beadle of that quarter, a man of an ambitious character, who had
|
|
expected to have the distinction of being present at the breaking open
|
|
of the door, and of giving evidence in full uniform before the
|
|
coroner, went so far as to say to an opposite neighbour, that the chap
|
|
in the glazed hat had better not try it on there - without more
|
|
particularly mentioning what - and further, that he, the beadle, would
|
|
keep his eye upon him.
|
|
|
|
'Captain Cuttle,' said Walter, musing, when they stood resting from
|
|
their labours at the shop-door, looking down the old familiar street;
|
|
it being still early in the morning; 'nothing at all of Uncle Sol, in
|
|
all that time!'
|
|
|
|
'Nothing at all, my lad,' replied the Captain, shaking his head.
|
|
|
|
'Gone in search of me, dear, kind old man,' said Walter: 'yet never
|
|
write to you! But why not? He says, in effect, in this packet that you
|
|
gave me,' taking the paper from his pocket, which had been opened in
|
|
the presence of the enlightened Bunsby, 'that if you never hear from
|
|
him before opening it, you may believe him dead. Heaven forbid! But
|
|
you would have heard of him, even if he were dead! Someone would have
|
|
written, surely, by his desire, if he could not; and have said, "on
|
|
such a day, there died in my house," or "under my care," or so forth,
|
|
"Mr Solomon Gills of London, who left this last remembrance and this
|
|
last request to you".'
|
|
|
|
The Captain, who had never climbed to such a clear height of
|
|
probability before, was greatly impressed by the wide prospect it
|
|
opened, and answered, with a thoughtful shake of his head, 'Well said,
|
|
my lad; wery well said.'
|
|
|
|
'I have been thinking of this, or, at least,' said Walter,
|
|
colouring, 'I have been thinking of one thing and another, all through
|
|
a sleepless night, and I cannot believe, Captain Cuttle, but that my
|
|
Uncle Sol (Lord bless him!) is alive, and will return. I don't so much
|
|
wonder at his going away, because, leaving out of consideration that
|
|
spice of the marvellous which was always in his character, and his
|
|
great affection for me, before which every other consideration of his
|
|
life became nothing, as no one ought to know so well as I who had the
|
|
best of fathers in him,' - Walter's voice was indistinct and husky
|
|
here, and he looked away, along the street, - 'leaving that out of
|
|
consideration, I say, I have often read and heard of people who,
|
|
having some near and dear relative, who was supposed to be shipwrecked
|
|
at sea, have gone down to live on that part of the sea-shore where any
|
|
tidings of the missing ship might be expected to arrive, though only
|
|
an hour or two sooner than elsewhere, or have even gone upon her track
|
|
to the place whither she was bound, as if their going would create
|
|
intelligence. I think I should do such a thing myself, as soon as
|
|
another, or sooner than many, perhaps. But why my Uncle shouldn't
|
|
write to you, when he so clearly intended to do so, or how he should
|
|
die abroad, and you not know it through some other hand, I cannot make
|
|
out.'
|
|
|
|
Captain Cuttle observed, with a shake of his head, that Jack Bunsby
|
|
himself hadn't made it out, and that he was a man as could give a
|
|
pretty taut opinion too.
|
|
|
|
'If my Uncle had been a heedless young man, likely to be entrapped
|
|
by jovial company to some drinking-place, where he was to be got rid
|
|
of for the sake of what money he might have about him,' said Walter;
|
|
'or if he had been a reckless sailor, going ashore with two or three
|
|
months' pay in his pocket, I could understand his disappearing, and
|
|
leaving no trace behind. But, being what he was - and is, I hope - I
|
|
can't believe it.'
|
|
|
|
'Wal'r, my lad,' inquired the Captain, wistfully eyeing him as he
|
|
pondered and pondered, 'what do you make of it, then?'
|
|
|
|
'Captain Cuttle,' returned Walter, 'I don't know what to make of
|
|
it. I suppose he never has written! There is no doubt about that?'
|
|
|
|
'If so be as Sol Gills wrote, my lad,' replied the Captain,
|
|
argumentatively, 'where's his dispatch?'
|
|
|
|
'Say that he entrusted it to some private hand,' suggested Walter,
|
|
'and that it has been forgotten, or carelessly thrown aside, or lost.
|
|
Even that is more probable to me, than the other event. In short, I
|
|
not only cannot bear to contemplate that other event, Captain Cuttle,
|
|
but I can't, and won't.'
|
|
|
|
'Hope, you see, Wal'r,' said the Captain, sagely, 'Hope. It's that
|
|
as animates you. Hope is a buoy, for which you overhaul your Little
|
|
Warbler, sentimental diwision, but Lord, my lad, like any other buoy,
|
|
it only floats; it can't be steered nowhere. Along with the
|
|
figure-head of Hope,' said the Captain, 'there's a anchor; but what's
|
|
the good of my having a anchor, if I can't find no bottom to let it go
|
|
in?'
|
|
|
|
Captain Cuttle said this rather in his character of a sagacious
|
|
citizen and householder, bound to impart a morsel from his stores of
|
|
wisdom to an inexperienced youth, than in his own proper person.
|
|
Indeed, his face was quite luminous as he spoke, with new hope, caught
|
|
from Walter; and he appropriately concluded by slapping him on the
|
|
back; and saying, with enthusiasm, 'Hooroar, my lad! Indiwidually, I'm
|
|
o' your opinion.' Walter, with his cheerful laugh, returned the
|
|
salutation, and said:
|
|
|
|
'Only one word more about my Uncle at present' Captain Cuttle. I
|
|
suppose it is impossible that he can have written in the ordinary
|
|
course - by mail packet, or ship letter, you understand - '
|
|
|
|
'Ay, ay, my lad,' said the Captain approvingly.
|
|
|
|
And that you have missed the letter, anyhow?'
|
|
|
|
'Why, Wal'r,' said the Captain, turning his eyes upon him with a
|
|
faint approach to a severe expression, 'ain't I been on the look-out
|
|
for any tidings of that man o' science, old Sol Gills, your Uncle, day
|
|
and night, ever since I lost him? Ain't my heart been heavy and
|
|
watchful always, along of him and you? Sleeping and waking, ain't I
|
|
been upon my post, and wouldn't I scorn to quit it while this here
|
|
Midshipman held together!'
|
|
|
|
'Yes, Captain Cuttle,' replied Walter, grasping his hand, 'I know
|
|
you would, and I know how faithful and earnest all you say and feel
|
|
is. I am sure of it. You don't doubt that I am as sure of it as I am
|
|
that my foot is again upon this door-step, or that I again have hold
|
|
of this true hand. Do you?'
|
|
|
|
'No, no, Wal'r,' returned the Captain, with his beaming
|
|
|
|
'I'll hazard no more conjectures,' said Walter, fervently shaking
|
|
the hard hand of the Captain, who shook his with no less goodwill.
|
|
'All I will add is, Heaven forbid that I should touch my Uncle's
|
|
possessions, Captain Cuttle! Everything that he left here, shall
|
|
remain in the care of the truest of stewards and kindest of men - and
|
|
if his name is not Cuttle, he has no name! Now, best of friends, about
|
|
- Miss Dombey.'
|
|
|
|
There was a change in Walter's manner, as he came to these two
|
|
words; and when he uttered them, all his confidence and cheerfulness
|
|
appeared to have deserted him.
|
|
|
|
'I thought, before Miss Dombey stopped me when I spoke of her
|
|
father last night,' said Walter, ' - you remember how?'
|
|
|
|
The Captain well remembered, and shook his head.
|
|
|
|
'I thought,' said Walter, 'before that, that we had but one hard
|
|
duty to perform, and that it was, to prevail upon her to communicate
|
|
with her friends, and to return home.'
|
|
|
|
The Captain muttered a feeble 'Awast!' or a 'Stand by!' or
|
|
something or other, equally pertinent to the occasion; but it was
|
|
rendered so extremely feeble by the total discomfiture with which he
|
|
received this announcement, that what it was, is mere matter of
|
|
conjecture.
|
|
|
|
'But,' said Walter, 'that is over. I think so, no longer. I would
|
|
sooner be put back again upon that piece of wreck, on which I have so
|
|
often floated, since my preservation, in my dreams, and there left to
|
|
drift, and drive, and die!'
|
|
|
|
'Hooroar, my lad!' exclaimed the Captain, in a burst of
|
|
uncontrollable satisfaction. 'Hooroar! hooroar! hooroar!'
|
|
|
|
'To think that she, so young, so good, and beautiful,' said Walter,
|
|
'so delicately brought up, and born to such a different fortune,
|
|
should strive with the rough world! But we have seen the gulf that
|
|
cuts off all behind her, though no one but herself can know how deep
|
|
it is; and there is no return.
|
|
|
|
Captain Cuttle, without quite understanding this, greatly approved
|
|
of it, and observed in a tone of strong corroboration, that the wind
|
|
was quite abaft.
|
|
|
|
'She ought not to be alone here; ought she, Captain Cuttle?' said
|
|
Walter, anxiously.
|
|
|
|
'Well, my lad,' replied the Captain, after a little sagacious
|
|
consideration. 'I don't know. You being here to keep her company, you
|
|
see, and you two being jintly - '
|
|
|
|
'Dear Captain Cuttle!' remonstrated Walter. 'I being here! Miss
|
|
Dombey, in her guileless innocent heart, regards me as her adopted
|
|
brother; but what would the guile and guilt of my heart be, if I
|
|
pretended to believe that I had any right to approach her, familiarly,
|
|
in that character - if I pretended to forget that I am bound, in
|
|
honour, not to do it?'
|
|
|
|
'Wal'r, my lad,' hinted the Captain, with some revival of his
|
|
discomfiture, 'ain't there no other character as - '
|
|
|
|
'Oh!' returned Walter, 'would you have me die in her esteem - in
|
|
such esteem as hers - and put a veil between myself and her angel's
|
|
face for ever, by taking advantage of her being here for refuge, so
|
|
trusting and so unprotected, to endeavour to exalt myself into her
|
|
lover? What do I say? There is no one in the world who would be more
|
|
opposed to me if I could do so, than you.'
|
|
|
|
'Wal'r, my lad,' said the Captain, drooping more and more,
|
|
'prowiding as there is any just cause or impediment why two persons
|
|
should not be jined together in the house of bondage, for which you'll
|
|
overhaul the place and make a note, I hope I should declare it as
|
|
promised and wowed in the banns. So there ain't no other character;
|
|
ain't there, my lad?'
|
|
|
|
Walter briskly waved his hand in the negative.
|
|
|
|
'Well, my lad,' growled the Captain slowly, 'I won't deny but what
|
|
I find myself wery much down by the head, along o' this here, or but
|
|
what I've gone clean about. But as to Lady lass, Wal'r, mind you,
|
|
wot's respect and duty to her, is respect and duty in my articles,
|
|
howsumever disapinting; and therefore I follows in your wake, my lad,
|
|
and feel as you are, no doubt, acting up to yourself. And there ain't
|
|
no other character, ain't there?' said the Captain, musing over the
|
|
ruins of his fallen castle, with a very despondent face.
|
|
|
|
'Now, Captain Cuttle,' said Walter, starting a fresh point with a
|
|
gayer air, to cheer the Captain up - but nothing could do that; he was
|
|
too much concerned - 'I think we should exert ourselves to find
|
|
someone who would be a proper attendant for Miss Dombey while she
|
|
remains here, and who may be trusted. None of her relations may. It's
|
|
clear Miss Dombey feels that they are all subservient to her father.
|
|
What has become of Susan?'
|
|
|
|
'The young woman?' returned the Captain. 'It's my belief as she was
|
|
sent away again the will of Heart's Delight. I made a signal for her
|
|
when Lady lass first come, and she rated of her wery high, and said
|
|
she had been gone a long time.'
|
|
|
|
'Then,' said Walter, 'do you ask Miss Dombey where she's gone, and
|
|
we'll try to find her. The morning's getting on, and Miss Dombey will
|
|
soon be rising. You are her best friend. Wait for her upstairs, and
|
|
leave me to take care of all down here.'
|
|
|
|
The Captain, very crest-fallen indeed, echoed the sigh with which
|
|
Walter said this, and complied. Florence was delighted with her new
|
|
room, anxious to see Walter, and overjoyed at the prospect of greeting
|
|
her old friend Susan. But Florence could not say where Susan was gone,
|
|
except that it was in Essex, and no one could say, she remembered,
|
|
unless it were Mr Toots.
|
|
|
|
With this information the melancholy Captain returned to Walter,
|
|
and gave him to understand that Mr Toots was the young gentleman whom
|
|
he had encountered on the door-step, and that he was a friend of his,
|
|
and that he was a young gentleman of property, and that he hopelessly
|
|
adored Miss Dombey. The Captain also related how the intelligence of
|
|
Walter's supposed fate had first made him acquainted with Mr Toots,
|
|
and how there was solemn treaty and compact between them, that Mr
|
|
Toots should be mute upon the subject of his love.
|
|
|
|
The question then was, whether Florence could trust Mr Toots; and
|
|
Florence saying, with a smile, 'Oh, yes, with her whole heart!' it
|
|
became important to find out where Mr Toots lived. This, Florence
|
|
didn't know, and the Captain had forgotten; and the Captain was
|
|
telling Walter, in the little parlour, that Mr Toots was sure to be
|
|
there soon, when in came Mr Toots himself.
|
|
|
|
'Captain Gills,' said Mr Toots, rushing into the parlour without
|
|
any ceremony, 'I'm in a state of mind bordering on distraction!'
|
|
|
|
Mr Toots had discharged those words, as from a mortar, before he
|
|
observed Walter, whom he recognised with what may be described as a
|
|
chuckle of misery.
|
|
|
|
'You'll excuse me, Sir,' said Mr Toots, holding his forehead, 'but
|
|
I'm at present in that state that my brain is going, if not gone, and
|
|
anything approaching to politeness in an individual so situated would
|
|
be a hollow mockery. Captain Gills, I beg to request the favour of a
|
|
private interview.'
|
|
|
|
'Why, Brother,' returned the Captain, taking him by the hand, 'you
|
|
are the man as we was on the look-out for.'
|
|
|
|
'Oh, Captain Gills,' said Mr Toots, 'what a look-out that must be,
|
|
of which I am the object! I haven't dared to shave, I'm in that rash
|
|
state. I haven't had my clothes brushed. My hair is matted together. I
|
|
told the Chicken that if he offered to clean my boots, I'd stretch him
|
|
a Corpse before me!'
|
|
|
|
All these indications of a disordered mind were verified in Mr
|
|
Toots's appearance, which was wild and savage.
|
|
|
|
'See here, Brother,' said the Captain. 'This here's old Sol Gills's
|
|
nevy Wal'r. Him as was supposed to have perished at sea'
|
|
|
|
Mr Toots took his hand from his forehead, and stared at Walter.
|
|
|
|
'Good gracious me!' stammered Mr Toots. 'What a complication of
|
|
misery! How-de-do? I - I - I'm afraid you must have got very wet.
|
|
Captain Gills, will you allow me a word in the shop?'
|
|
|
|
He took the Captain by the coat, and going out with him whispered:
|
|
|
|
'That then, Captain Gills, is the party you spoke of, when you said
|
|
that he and Miss Dombey were made for one another?'
|
|
|
|
'Why, ay, my lad,' replied the disconsolate Captain; 'I was of that
|
|
mind once.'
|
|
|
|
'And at this time!' exclaimed Mr Toots, with his hand to his
|
|
forehead again. 'Of all others! - a hated rival! At least, he ain't a
|
|
hated rival,' said Mr Toots, stopping short, on second thoughts, and
|
|
taking away his hand; 'what should I hate him for? No. If my affection
|
|
has been truly disinterested, Captain Gills, let me prove it now!'
|
|
|
|
Mr Toots shot back abruptly into the parlour, and said, wringing
|
|
Walter by the hand:
|
|
|
|
'How-de-do? I hope you didn't take any cold. I - I shall be very
|
|
glad if you'll give me the pleasure of your acquaintance. I wish you
|
|
many happy returns of the day. Upon my word and honour,' said Mr
|
|
Toots, warming as he became better acquainted with Walter's face and
|
|
figure, 'I'm very glad to see you!'
|
|
|
|
'Thank you, heartily,' said Walter. 'I couldn't desire a more
|
|
genuine and genial welcome.'
|
|
|
|
'Couldn't you, though?' said Mr Toots, still shaking his hand.
|
|
'It's very kind of you. I'm much obliged to you. How-de-do? I hope you
|
|
left everybody quite well over the - that is, upon the - I mean
|
|
wherever you came from last, you know.'
|
|
|
|
All these good wishes, and better intentions, Walter responded to
|
|
manfully.
|
|
|
|
'Captain Gills,' said Mr Toots, 'I should wish to be strictly
|
|
honourable; but I trust I may be allowed now, to allude to a certain
|
|
subject that - '
|
|
|
|
'Ay, ay, my lad,' returned the Captain. 'Freely, freely.'
|
|
|
|
'Then, Captain Gills,' said Mr Toots, 'and Lieutenant Walters - are
|
|
you aware that the most dreadful circumstances have been happening at
|
|
Mr Dombey's house, and that Miss Dombey herself has left her father,
|
|
who, in my opinion,' said Mr Toots, with great excitement, 'is a
|
|
Brute, that it would be a flattery to call a - a marble monument, or a
|
|
bird of prey, - and that she is not to be found, and has gone no one
|
|
knows where?'
|
|
|
|
'May I ask how you heard this?' inquired Walter.
|
|
|
|
'Lieutenant Walters,' said Mr Toots, who had arrived at that
|
|
appellation by a process peculiar to himself; probably by jumbling up
|
|
his Christian name with the seafaring profession, and supposing some
|
|
relationship between him and the Captain, which would extend, as a
|
|
matter of course, to their titles; 'Lieutenant Walters, I can have no
|
|
objection to make a straightforward reply. The fact is, that feeling
|
|
extremely interested in everything that relates to Miss Dombey - not
|
|
for any selfish reason, Lieutenant Walters, for I am well aware that
|
|
the most able thing I could do for all parties would be to put an end
|
|
to my existence, which can only be regarded as an inconvenience - I
|
|
have been in the habit of bestowing a trifle now and then upon a
|
|
footman; a most respectable young man, of the name of Towlinson, who
|
|
has lived in the family some time; and Towlinson informed me,
|
|
yesterday evening, that this was the state of things. Since which,
|
|
Captain Gills - and Lieutenant Walters - I have been perfectly
|
|
frantic, and have been lying down on the sofa all night, the Ruin you
|
|
behold.'
|
|
|
|
'Mr Toots,' said Walter, 'I am happy to be able to relieve your
|
|
mind. Pray calm yourself. Miss Dombey is safe and well.'
|
|
|
|
'Sir!' cried Mr Toots, starting from his chair and shaking hands
|
|
with him anew, 'the relief is so excessive, and unspeakable, that if
|
|
you were to tell me now that Miss Dombey was married even, I could
|
|
smile. Yes, Captain Gills,' said Mr Toots, appealing to him, 'upon my
|
|
soul and body, I really think, whatever I might do to myself
|
|
immediately afterwards, that I could smile, I am so relieved.'
|
|
|
|
'It will be a greater relief and delight still, to such a generous
|
|
mind as yours,' said Walter, not at all slow in returning his
|
|
greeting, 'to find that you can render service to Miss Dombey. Captain
|
|
Cuttle, will you have the kindness to take Mr Toots upstairs?'
|
|
|
|
The Captain beckoned to Mr Toots, who followed him with a
|
|
bewildered countenance, and, ascending to the top of the house, was
|
|
introduced, without a word of preparation from his conductor, into
|
|
Florence's new retreat.
|
|
|
|
Poor Mr Toots's amazement and pleasure at sight of her were such,
|
|
that they could find a vent in nothing but extravagance. He ran up to
|
|
her, seized her hand, kissed it, dropped it, seized it again, fell
|
|
upon one knee, shed tears, chuckled, and was quite regardless of his
|
|
danger of being pinned by Diogenes, who, inspired by the belief that
|
|
there was something hostile to his mistress in these demonstrations,
|
|
worked round and round him, as if only undecided at what particular
|
|
point to go in for the assault, but quite resolved to do him a fearful
|
|
mischief.
|
|
|
|
'Oh Di, you bad, forgetful dog! Dear Mr Toots, I am so rejoiced to
|
|
see you!'
|
|
|
|
'Thankee,' said Mr Toots, 'I am pretty well, I'm much obliged to
|
|
you, Miss Dombey. I hope all the family are the same.'
|
|
|
|
Mr Toots said this without the least notion of what he was talking
|
|
about, and sat down on a chair, staring at Florence with the liveliest
|
|
contention of delight and despair going on in his face that any face
|
|
could exhibit.
|
|
|
|
'Captain Gills and Lieutenant Walters have mentioned, Miss Dombey,'
|
|
gasped Mr Toots, 'that I can do you some service. If I could by any
|
|
means wash out the remembrance of that day at Brighton, when I
|
|
conducted myself - much more like a Parricide than a person of
|
|
independent property,' said Mr Toots, with severe self-accusation, 'I
|
|
should sink into the silent tomb with a gleam of joy.'
|
|
|
|
'Pray, Mr Toots,' said Florence, 'do not wish me to forget anything
|
|
in our acquaintance. I never can, believe me. You have been far too
|
|
kind and good to me always.'
|
|
|
|
'Miss Dombey,' returned Mr Toots, 'your consideration for my
|
|
feelings is a part of your angelic character. Thank you a thousand
|
|
times. It's of no consequence at all.'
|
|
|
|
'What we thought of asking you,' said Florence, 'is, whether you
|
|
remember where Susan, whom you were so kind as to accompany to the
|
|
coach-office when she left me, is to be found.'
|
|
|
|
'Why I do not certainly, Miss Dombey,' said Mr Toots, after a
|
|
little consideration, 'remember the exact name of the place that was
|
|
on the coach; and I do recollect that she said she was not going to
|
|
stop there, but was going farther on. But, Miss Dombey, if your object
|
|
is to find her, and to have her here, myself and the Chicken will
|
|
produce her with every dispatch that devotion on my part, and great
|
|
intelligence on the Chicken's, can ensure.
|
|
|
|
Mr Toots was so manifestly delighted and revived by the prospect of
|
|
being useful, and the disinterested sincerity of his devotion was so
|
|
unquestionable, that it would have been cruel to refuse him. Florence,
|
|
with an instinctive delicacy, forbore to urge the least obstacle,
|
|
though she did not forbear to overpower him with thanks; and Mr Toots
|
|
proudly took the commission upon himself for immediate execution.
|
|
|
|
'Miss Dombey,' said Mr Toots, touching her proffered hand, with a
|
|
pang of hopeless love visibly shooting through him, and flashing out
|
|
in his face, 'Good-bye! Allow me to take the liberty of saying, that
|
|
your misfortunes make me perfectly wretched, and that you may trust
|
|
me, next to Captain Gills himself. I am quite aware, Miss Dombey, of
|
|
my own deficiencies - they're not of the least consequence, thank you
|
|
- but I am entirely to be relied upon, I do assure you, Miss Dombey.'
|
|
|
|
With that Mr Toots came out of the room, again accompanied by the
|
|
Captain, who, standing at a little distance, holding his hat under his
|
|
arm and arranging his scattered locks with his hook, had been a not
|
|
uninterested witness of what passed. And when the door closed behind
|
|
them, the light of Mr Toots's life was darkly clouded again.
|
|
|
|
'Captain Gills,' said that gentleman, stopping near the bottom of
|
|
the stairs, and turning round, 'to tell you the truth, I am not in a
|
|
frame of mind at the present moment, in which I could see Lieutenant
|
|
Walters with that entirely friendly feeling towards him that I should
|
|
wish to harbour in my breast. We cannot always command our feelings,
|
|
Captain Gills, and I should take it as a particular favour if you'd
|
|
let me out at the private door.'
|
|
|
|
'Brother,' returned the Captain, 'you shall shape your own course.
|
|
Wotever course you take, is plain and seamanlike, I'm wery sure.
|
|
|
|
'Captain Gills,' said Mr Toots, 'you're extremely kind. Your good
|
|
opinion is a consolation to me. There is one thing,' said Mr Toots,
|
|
standing in the passage, behind the half-opened door, 'that I hope
|
|
you'll bear in mind, Captain Gills, and that I should wish Lieutenant
|
|
Walters to be made acquainted with. I have quite come into my property
|
|
now, you know, and - and I don't know what to do with it. If I could
|
|
be at all useful in a pecuniary point of view, I should glide into the
|
|
silent tomb with ease and smoothness.'
|
|
|
|
Mr Toots said no more, but slipped out quietly and shut the door
|
|
upon himself, to cut the Captain off from any reply.
|
|
|
|
Florence thought of this good creature, long after he had left her,
|
|
with mingled emotions of pain and pleasure. He was so honest and
|
|
warm-hearted, that to see him again and be assured of his truth to her
|
|
in her distress, was a joy and comfort beyond all price; but for that
|
|
very reason, it was so affecting to think that she caused him a
|
|
moment's unhappiness, or ruffled, by a breath, the harmless current of
|
|
his life, that her eyes filled with tears, and her bosom overflowed
|
|
with pity. Captain Cuttle, in his different way, thought much of Mr
|
|
Toots too; and so did Walter; and when the evening came, and they were
|
|
all sitting together in Florence's new room, Walter praised him in a
|
|
most impassioned manner, and told Florence what he had said on leaving
|
|
the house, with every graceful setting-off in the way of comment and
|
|
appreciation that his own honesty and sympathy could surround it with.
|
|
|
|
Mr Toots did not return upon the next day, or the next, or for
|
|
several days; and in the meanwhile Florence, without any new alarm,
|
|
lived like a quiet bird in a cage, at the top of the old
|
|
Instrument-maker's house. But Florence drooped and hung her head more
|
|
and more plainly, as the days went on; and the expression that had
|
|
been seen in the face of the dead child, was often turned to the sky
|
|
from her high window, as if it sought his angel out, on the bright
|
|
shore of which he had spoken: lying on his little bed.
|
|
|
|
Florence had been weak and delicate of late, and the agitation she
|
|
had undergone was not without its influences on her health. But it was
|
|
no bodily illness that affected her now. She was distressed in mind;
|
|
and the cause of her distress was Walter.
|
|
|
|
Interested in her, anxious for her, proud and glad to serve her,
|
|
and showing all this with the enthusiasm and ardour of his character,
|
|
Florence saw that he avoided her. All the long day through, he seldom
|
|
approached her room. If she asked for him, he came, again for the
|
|
moment as earnest and as bright as she remembered him when she was a
|
|
lost child in the staring streets; but he soon became constrained -
|
|
her quick affection was too watchful not to know it - and uneasy, and
|
|
soon left her. Unsought, he never came, all day, between the morning
|
|
and the night. When the evening closed in, he was always there, and
|
|
that was her happiest time, for then she half believed that the old
|
|
Walter of her childhood was not changed. But, even then, some trivial
|
|
word, look, or circumstance would show her that there was an
|
|
indefinable division between them which could not be passed.
|
|
|
|
And she could not but see that these revealings of a great
|
|
alteration in Walter manifested themselves in despite of his utmost
|
|
efforts to hide them. In his consideration for her, she thought, and
|
|
in the earnestness of his desire to spare her any wound from his kind
|
|
hand, he resorted to innumerable little artifices and disguises. So
|
|
much the more did Florence feel the greatness of the alteration in
|
|
him; so much the oftener did she weep at this estrangement of her
|
|
brother.
|
|
|
|
The good Captain - her untiring, tender, ever zealous friend - saw
|
|
it, too, Florence thought, and it pained him. He was less cheerful and
|
|
hopeful than he had been at first, and would steal looks at her and
|
|
Walter, by turns, when they were all three together of an evening,
|
|
with quite a sad face.
|
|
|
|
Florence resolved, at last, to speak to Walter. She believed she
|
|
knew now what the cause of his estrangement was, and she thought it
|
|
would be a relief to her full heart, and would set him more at ease,
|
|
if she told him she had found it out, and quite submitted to it, and
|
|
did not reproach him.
|
|
|
|
It was on a certain Sunday afternoon, that Florence took this
|
|
resolution. The faithful Captain, in an amazing shirt-collar, was
|
|
sitting by her, reading with his spectacles on, and she asked him
|
|
where Walter was.
|
|
|
|
'I think he's down below, my lady lass,' returned the Captain.
|
|
|
|
'I should like to speak to him,' said Florence, rising hurriedly as
|
|
if to go downstairs.
|
|
|
|
'I'll rouse him up here, Beauty,' said the Captain, 'in a trice.'
|
|
|
|
Thereupon the Captain, with much alacrity, shouldered his book -
|
|
for he made it a point of duty to read none but very large books on a
|
|
Sunday, as having a more staid appearance: and had bargained, years
|
|
ago, for a prodigious volume at a book-stall, five lines of which
|
|
utterly confounded him at any time, insomuch that he had not yet
|
|
ascertained of what subject it treated - and withdrew. Walter soon
|
|
appeared.
|
|
|
|
'Captain Cuttle tells me, Miss Dombey,' he eagerly began on coming
|
|
in - but stopped when he saw her face.
|
|
|
|
'You are not so well to-day. You look distressed. You have been
|
|
weeping.'
|
|
|
|
He spoke so kindly, and with such a fervent tremor in his voice,
|
|
that the tears gushed into her eyes at the sound of his words.
|
|
|
|
'Walter,' said Florence, gently, 'I am not quite well, and I have
|
|
been weeping. I want to speak to you.'
|
|
|
|
He sat down opposite to her, looking at her beautiful and innocent
|
|
face; and his own turned pale, and his lips trembled.
|
|
|
|
'You said, upon the night when I knew that you were saved - and oh!
|
|
dear Walter, what I felt that night, and what I hoped!' - '
|
|
|
|
He put his trembling hand upon the table between them, and sat
|
|
looking at her.
|
|
|
|
- 'that I was changed. I was surprised to hear you say so, but I
|
|
understand, now, that I am. Don't be angry with me, Walter. I was too
|
|
much overjoyed to think of it, then.'
|
|
|
|
She seemed a child to him again. It was the ingenuous, confiding,
|
|
loving child he saw and heard. Not the dear woman, at whose feet he
|
|
would have laid the riches of the earth.
|
|
|
|
'You remember the last time I saw you, Walter, before you went
|
|
away?'
|
|
|
|
He put his hand into his breast, and took out a little purse.
|
|
|
|
'I have always worn it round my neck! If I had gone down in the
|
|
deep, it would have been with me at the bottom of the sea.'
|
|
|
|
'And you will wear it still, Walter, for my old sake?'
|
|
|
|
'Until I die!'
|
|
|
|
She laid her hand on his, as fearlessly and simply, as if not a day
|
|
had intervened since she gave him the little token of remembrance.
|
|
|
|
'I am glad of that. I shall be always glad to think so, Walter. Do
|
|
you recollect that a thought of this change seemed to come into our
|
|
minds at the same time that evening, when we were talking together?'
|
|
|
|
'No!' he answered, in a wondering tone.
|
|
|
|
'Yes, Walter. I had been the means of injuring your hopes and
|
|
prospects even then. I feared to think so, then, but I know it now. If
|
|
you were able, then, in your generosity, to hide from me that you knew
|
|
it too, you cannot do so now, although you try as generously as
|
|
before. You do. I thank you for it, Walter, deeply, truly; but you
|
|
cannot succeed. You have suffered too much in your own hardships, and
|
|
in those of your dearest relation, quite to overlook the innocent
|
|
cause of all the peril and affliction that has befallen you. You
|
|
cannot quite forget me in that character, and we can be brother and
|
|
sister no longer. But, dear Walter, do not think that I complain of
|
|
you in this. I might have known it - ought to have known it - but
|
|
forgot it in my joy. All I hope is that you may think of me less
|
|
irksomely when this feeling is no more a secret one; and all I ask is,
|
|
Walter, in the name of the poor child who was your sister once, that
|
|
you will not struggle with yourself, and pain yourself, for my sake,
|
|
now that I know all!'
|
|
|
|
Walter had looked upon her while she said this, with a face so full
|
|
of wonder and amazement, that it had room for nothing else. Now he
|
|
caught up the hand that touched his, so entreatingly, and held it
|
|
between his own.
|
|
|
|
'Oh, Miss Dombey,' he said, 'is it possible that while I have been
|
|
suffering so much, in striving with my sense of what is due to you,
|
|
and must be rendered to you, I have made you suffer what your words
|
|
disclose to me? Never, never, before Heaven, have I thought of you but
|
|
as the single, bright, pure, blessed recollection of my boyhood and my
|
|
youth. Never have I from the first, and never shall I to the last,
|
|
regard your part in my life, but as something sacred, never to be
|
|
lightly thought of, never to be esteemed enough, never, until death,
|
|
to be forgotten. Again to see you look, and hear you speak, as you did
|
|
on that night when we parted, is happiness to me that there are no
|
|
words to utter; and to be loved and trusted as your brother, is the
|
|
next gift I could receive and prize!'
|
|
|
|
'Walter,' said Florence, looking at him earnestly, but with a
|
|
changing face, 'what is that which is due to me, and must be rendered
|
|
to me, at the sacrifice of all this?'
|
|
|
|
'Respect,' said Walter, in a low tone. 'Reverence.
|
|
|
|
The colour dawned in her face, and she timidly and thoughtfully
|
|
withdrew her hand; still looking at him with unabated earnestness.
|
|
|
|
'I have not a brother's right,' said Walter. 'I have not a
|
|
brother's claim. I left a child. I find a woman.'
|
|
|
|
The colour overspread her face. She made a gesture as if of
|
|
entreaty that he would say no more, and her face dropped upon her
|
|
hands.
|
|
|
|
They were both silent for a time; she weeping.
|
|
|
|
'I owe it to a heart so trusting, pure, and good,' said Walter,
|
|
'even to tear myself from it, though I rend my own. How dare I say it
|
|
is my sister's!'
|
|
|
|
She was weeping still.
|
|
|
|
'If you had been happy; surrounded as you should be by loving and
|
|
admiring friends, and by all that makes the station you were born to
|
|
enviable,' said Walter; 'and if you had called me brother, then, in
|
|
your affectionate remembrance of the past, I could have answered to
|
|
the name from my distant place, with no inward assurance that I
|
|
wronged your spotless truth by doing so. But here - and now!'
|
|
|
|
'Oh thank you, thank you, Walter! Forgive my having wronged you so
|
|
much. I had no one to advise me. I am quite alone.'
|
|
|
|
'Florence!' said Walter, passionately. 'I am hurried on to say,
|
|
what I thought, but a few moments ago, nothing could have forced from
|
|
my lips. If I had been prosperous; if I had any means or hope of being
|
|
one day able to restore you to a station near your own; I would have
|
|
told you that there was one name you might bestow upon - me - a right
|
|
above all others, to protect and cherish you - that I was worthy of in
|
|
nothing but the love and honour that I bore you, and in my whole heart
|
|
being yours. I would have told you that it was the only claim that you
|
|
could give me to defend and guard you, which I dare accept and dare
|
|
assert; but that if I had that right, I would regard it as a trust so
|
|
precious and so priceless, that the undivided truth and fervour of my
|
|
life would poorly acknowledge its worth.'
|
|
|
|
The head was still bent down, the tears still falling, and the
|
|
bosom swelling with its sobs.
|
|
|
|
'Dear Florence! Dearest Florence! whom I called so in my thoughts
|
|
before I could consider how presumptuous and wild it was. One last
|
|
time let me call you by your own dear name, and touch this gentle hand
|
|
in token of your sisterly forgetfulness of what I have said.'
|
|
|
|
She raised her head, and spoke to him with such a solemn sweetness
|
|
in her eyes; with such a calm, bright, placid smile shining on him
|
|
through her tears; with such a low, soft tremble in her frame and
|
|
voice; that the innermost chords of his heart were touched, and his
|
|
sight was dim as he listened.
|
|
|
|
'No, Walter, I cannot forget it. I would not forget it, for the
|
|
world. Are you - are you very poor?'
|
|
|
|
'I am but a wanderer,' said Walter, 'making voyages to live, across
|
|
the sea. That is my calling now.
|
|
|
|
'Are you soon going away again, Walter?'
|
|
|
|
'Very soon.
|
|
|
|
She sat looking at him for a moment; then timidly put her trembling
|
|
hand in his.
|
|
|
|
'If you will take me for your wife, Walter, I will love you dearly.
|
|
If you will let me go with you, Walter, I will go to the world's end
|
|
without fear. I can give up nothing for you - I have nothing to
|
|
resign, and no one to forsake; but all my love and life shall be
|
|
devoted to you, and with my last breath I will breathe your name to
|
|
God if I have sense and memory left.'
|
|
|
|
He caught her to his heart, and laid her cheek against his own, and
|
|
now, no more repulsed, no more forlorn, she wept indeed, upon the
|
|
breast of her dear lover.
|
|
|
|
Blessed Sunday Bells, ringing so tranquilly in their entranced and
|
|
happy ears! Blessed Sunday peace and quiet, harmonising with the
|
|
calmness in their souls, and making holy air around them! Blessed
|
|
twilight stealing on, and shading her so soothingly and gravely, as
|
|
she falls asleep, like a hushed child, upon the bosom she has clung
|
|
to!
|
|
|
|
Oh load of love and trustfulness that lies to lightly there! Ay,
|
|
look down on the closed eyes, Walter, with a proudly tender gaze; for
|
|
in all the wide wide world they seek but thee now - only thee!
|
|
|
|
The Captain remained in the little parlour until it was quite dark.
|
|
He took the chair on which Walter had been sitting, and looked up at
|
|
the skylight, until the day, by little and little, faded away, and the
|
|
stars peeped down. He lighted a candle, lighted a pipe, smoked it out,
|
|
and wondered what on earth was going on upstairs, and why they didn't
|
|
call him to tea.
|
|
|
|
Florence came to his side while he was in the height of his
|
|
wonderment.
|
|
|
|
'Ay! lady lass!' cried the Captain. 'Why, you and Wal'r have had a
|
|
long spell o' talk, my beauty.'
|
|
|
|
Florence put her little hand round one of the great buttons of his
|
|
coat, and said, looking down into his face:
|
|
|
|
'Dear Captain, I want to tell you something, if you please.
|
|
|
|
The Captain raised his head pretty smartly, to hear what it was.
|
|
Catching by this means a more distinct view of Florence, he pushed
|
|
back his chair, and himself with it, as far as they could go.
|
|
|
|
'What! Heart's Delight!' cried the Captain, suddenly elated, 'Is it
|
|
that?'
|
|
|
|
'Yes!' said Florence, eagerly.
|
|
|
|
'Wal'r! Husband! THAT?' roared the Captain, tossing up his glazed
|
|
hat into the skylight.
|
|
|
|
'Yes!' cried Florence, laughing and crying together.
|
|
|
|
The Captain immediately hugged her; and then, picking up the glazed
|
|
hat and putting it on, drew her arm through his, and conducted her
|
|
upstairs again; where he felt that the great joke of his life was now
|
|
to be made.
|
|
|
|
'What, Wal'r my lad!' said the Captain, looking in at the door,
|
|
with his face like an amiable warming-pan. 'So there ain't NO other
|
|
character, ain't there?'
|
|
|
|
He had like to have suffocated himself with this pleasantry, which
|
|
he repeated at least forty times during tea; polishing his radiant
|
|
face with the sleeve of his coat, and dabbing his head all over with
|
|
his pocket-handkerchief, in the intervals. But he was not without a
|
|
graver source of enjoyment to fall back upon, when so disposed, for he
|
|
was repeatedly heard to say in an undertone, as he looked with
|
|
ineffable delight at Walter and Florence:
|
|
|
|
'Ed'ard Cuttle, my lad, you never shaped a better course in your
|
|
life, than when you made that there little property over, jintly!'
|
|
|
|
CHAPTER 51.
|
|
|
|
Mr Dombey and the World
|
|
|
|
What is the proud man doing, while the days go by? Does he ever
|
|
think of his daughter, or wonder where she is gone? Does he suppose
|
|
she has come home, and is leading her old life in the weary house? No
|
|
one can answer for him. He has never uttered her name, since. His
|
|
household dread him too much to approach a subject on which he is
|
|
resolutely dumb; and the only person who dares question him, he
|
|
silences immediately.
|
|
|
|
'My dear Paul!' murmurs his sister, sidling into the room, on the
|
|
day of Florence's departure, 'your wife! that upstart woman! Is it
|
|
possible that what I hear confusedly, is true, and that this is her
|
|
return for your unparalleled devotion to her; extending, I am sure,
|
|
even to the sacrifice of your own relations, to her caprices and
|
|
haughtiness? My poor brother!'
|
|
|
|
With this speech feelingly reminiscent of her not having been asked
|
|
to dinner on the day of the first party, Mrs Chick makes great use of
|
|
her pocket-handkerchief, and falls on Mr Dombey's neck. But Mr Dombey
|
|
frigidly lifts her off, and hands her to a chair.
|
|
|
|
'I thank you, Louisa,' he says, 'for this mark of your affection;
|
|
but desire that our conversation may refer to any other subject. When
|
|
I bewail my fate, Louisa, or express myself as being in want of
|
|
consolation, you can offer it, if you will have the goodness.'
|
|
|
|
'My dear Paul,' rejoins his sister, with her handkerchief to her
|
|
face, and shaking her head, 'I know your great spirit, and will say no
|
|
more upon a theme so painful and revolting;' on the heads of which two
|
|
adjectives, Mrs Chick visits scathing indignation; 'but pray let me
|
|
ask you - though I dread to hear something that will shock and
|
|
distress me - that unfortunate child Florence -
|
|
|
|
'Louisa!' says her brother, sternly, 'silence! Not another word of
|
|
this!'
|
|
|
|
Mrs Chick can only shake her head, and use her handkerchief, and
|
|
moan over degenerate Dombeys, who are no Dombeys. But whether Florence
|
|
has been inculpated in the flight of Edith, or has followed her, or
|
|
has done too much, or too little, or anything, or nothing, she has not
|
|
the least idea.
|
|
|
|
He goes on, without deviation, keeping his thoughts and feelings
|
|
close within his own breast, and imparting them to no one. He makes no
|
|
search for his daughter. He may think that she is with his sister, or
|
|
that she is under his own roof. He may think of her constantly, or he
|
|
may never think about her. It is all one for any sign he makes.
|
|
|
|
But this is sure; he does not think that he has lost her. He has no
|
|
suspicion of the truth. He has lived too long shut up in his towering
|
|
supremacy, seeing her, a patient gentle creature, in the path below
|
|
it, to have any fear of that. Shaken as he is by his disgrace, he is
|
|
not yet humbled to the level earth. The root is broad and deep, and in
|
|
the course of years its fibres have spread out and gathered
|
|
nourishment from everything around it. The tree is struck, but not
|
|
down.
|
|
|
|
Though he hide the world within him from the world without - which
|
|
he believes has but one purpose for the time, and that, to watch him
|
|
eagerly wherever he goes - he cannot hide those rebel traces of it,
|
|
which escape in hollow eyes and cheeks, a haggard forehead, and a
|
|
moody, brooding air. Impenetrable as before, he is still an altered
|
|
man; and, proud as ever, he is humbled, or those marks would not be
|
|
there.
|
|
|
|
The world. What the world thinks of him, how it looks at him, what
|
|
it sees in him, and what it says - this is the haunting demon of his
|
|
mind. It is everywhere where he is; and, worse than that, it is
|
|
everywhere where he is not. It comes out with him among his servants,
|
|
and yet he leaves it whispering behind; he sees it pointing after him
|
|
in the street; it is waiting for him in his counting-house; it leers
|
|
over the shoulders of rich men among the merchants; it goes beckoning
|
|
and babbling among the crowd; it always anticipates him, in every
|
|
place; and is always busiest, he knows, when he has gone away. When he
|
|
is shut up in his room at night, it is in his house, outside it,
|
|
audible in footsteps on the pavement, visible in print upon the table,
|
|
steaming to and fro on railroads and in ships; restless and busy
|
|
everywhere, with nothing else but him.
|
|
|
|
It is not a phantom of his imagination. It is as active in other
|
|
people's minds as in his. Witness Cousin Feenix, who comes from
|
|
Baden-Baden, purposely to talk to him. Witness Major Bagstock, who
|
|
accompanies Cousin Feenix on that friendly mission.
|
|
|
|
Mr Dombey receives them with his usual dignity, and stands erect,
|
|
in his old attitude, before the fire. He feels that the world is
|
|
looking at him out of their eyes. That it is in the stare of the
|
|
pictures. That Mr Pitt, upon the bookcase, represents it. That there
|
|
are eyes in its own map, hanging on the wall.
|
|
|
|
'An unusually cold spring,' says Mr Dombey - to deceive the world.
|
|
|
|
'Damme, Sir,' says the Major, in the warmth of friendship, 'Joseph
|
|
Bagstock is a bad hand at a counterfeit. If you want to hold your
|
|
friends off, Dombey, and to give them the cold shoulder, J. B. is not
|
|
the man for your purpose. Joe is rough and tough, Sir; blunt, Sir,
|
|
blunt, is Joe. His Royal Highness the late Duke of York did me the
|
|
honour to say, deservedly or undeservedly - never mind that - "If
|
|
there is a man in the service on whom I can depend for coming to the
|
|
point, that man is Joe - Joe Bagstock."'
|
|
|
|
Mr Dombey intimates his acquiescence.
|
|
|
|
'Now, Dombey,' says the Major, 'I am a man of the world. Our friend
|
|
Feenix - if I may presume to - '
|
|
|
|
'Honoured, I am sure,' says Cousin Feenix.
|
|
|
|
' - is,' proceeds the Major, with a wag of his head, 'also a man of
|
|
the world. Dombey, you are a man of the world. Now, when three men of
|
|
the world meet together, and are friends - as I believe - ' again
|
|
appealing to Cousin Feenix.
|
|
|
|
'I am sure,' says Cousin Feenix, 'most friendly.'
|
|
|
|
' - and are friends,' resumes the Major, 'Old Joe's opinion is (I
|
|
may be wrong), that the opinion of the world on any particular
|
|
subject, is very easily got at.
|
|
|
|
'Undoubtedly,' says Cousin Feenix. 'In point of fact, it's quite a
|
|
self-evident sort of thing. I am extremely anxious, Major, that my
|
|
friend Dombey should hear me express my very great astonishment and
|
|
regret, that my lovely and accomplished relative, who was possessed of
|
|
every qualification to make a man happy, should have so far forgotten
|
|
what was due to - in point of fact, to the world - as to commit
|
|
herself in such a very extraordinary manner. I have been in a devilish
|
|
state of depression ever since; and said indeed to Long Saxby last
|
|
night - man of six foot ten, with whom my friend Dombey is probably
|
|
acquainted - that it had upset me in a confounded way, and made me
|
|
bilious. It induces a man to reflect, this kind of fatal catastrophe,'
|
|
says Cousin Feenix, 'that events do occur in quite a providential
|
|
manner; for if my Aunt had been living at the time, I think the effect
|
|
upon a devilish lively woman like herself, would have been
|
|
prostration, and that she would have fallen, in point of fact, a
|
|
victim.'
|
|
|
|
'Now, Dombey! - ' says the Major, resuming his discourse with great
|
|
energy.
|
|
|
|
'I beg your pardon,' interposes Cousin Feenix. 'Allow me another
|
|
word. My friend Dombey will permit me to say, that if any circumstance
|
|
could have added to the most infernal state of pain in which I find
|
|
myself on this occasion, it would be the natural amazement of the
|
|
world at my lovely and accomplished relative (as I must still beg
|
|
leave to call her) being supposed to have so committed herself with a
|
|
person - man with white teeth, in point of fact - of very inferior
|
|
station to her husband. But while I must, rather peremptorily, request
|
|
my friend Dombey not to criminate my lovely and accomplished relative
|
|
until her criminality is perfectly established, I beg to assure my
|
|
friend Dombey that the family I represent, and which is now almost
|
|
extinct (devilish sad reflection for a man), will interpose no
|
|
obstacle in his way, and will be happy to assent to any honourable
|
|
course of proceeding, with a view to the future, that he may point
|
|
out. I trust my friend Dombey will give me credit for the intentions
|
|
by which I am animated in this very melancholy affair, and - a - in
|
|
point of fact, I am not aware that I need trouble my friend Dombey
|
|
with any further observations.'
|
|
|
|
Mr Dombey bows, without raising his eyes, and is silent.
|
|
|
|
'Now, Dombey,' says the Major, 'our friend Feenix having, with an
|
|
amount of eloquence that Old Joe B. has never heard surpassed - no, by
|
|
the Lord, Sir! never!' - says the Major, very blue, indeed, and
|
|
grasping his cane in the middle - 'stated the case as regards the
|
|
lady, I shall presume upon our friendship, Dombey, to offer a word on
|
|
another aspect of it. Sir,' says the Major, with the horse's cough,
|
|
'the world in these things has opinions, which must be satisfied.'
|
|
|
|
'I know it,' rejoins Mr Dombey.
|
|
|
|
'Of course you know it, Dombey,' says the Major, 'Damme, Sir, I
|
|
know you know it. A man of your calibre is not likely to be ignorant
|
|
of it.'
|
|
|
|
'I hope not,' replies Mr Dombey.
|
|
|
|
'Dombey!' says the Major, 'you will guess the rest. I speak out -
|
|
prematurely, perhaps - because the Bagstock breed have always spoke
|
|
out. Little, Sir, have they ever got by doing it; but it's in the
|
|
Bagstock blood. A shot is to be taken at this man. You have J. B. at
|
|
your elbow. He claims the name of friend. God bless you!'
|
|
|
|
'Major,' returns Mr Dombey, 'I am obliged. I shall put myself in
|
|
your hands when the time comes. The time not being come, I have
|
|
forborne to speak to you.'
|
|
|
|
'Where is the fellow, Dombey?' inquires the Major, after gasping
|
|
and looking at him, for a minute.
|
|
|
|
'I don't know.'
|
|
|
|
'Any intelligence of him?' asks the Major.
|
|
|
|
'Yes.'
|
|
|
|
'Dombey, I am rejoiced to hear it,' says the Major. 'I congratulate
|
|
you.'
|
|
|
|
'You will excuse - even you, Major,' replies Mr Dombey, 'my
|
|
entering into any further detail at present. The intelligence is of a
|
|
singular kind, and singularly obtained. It may turn out to be
|
|
valueless; it may turn out to be true; I cannot say at present. My
|
|
explanation must stop here.'
|
|
|
|
Although this is but a dry reply to the Major's purple enthusiasm,
|
|
the Major receives it graciously, and is delighted to think that the
|
|
world has such a fair prospect of soon receiving its due. Cousin
|
|
Feenix is then presented with his meed of acknowledgment by the
|
|
husband of his lovely and accomplished relative, and Cousin Feenix and
|
|
Major Bagstock retire, leaving that husband to the world again, and to
|
|
ponder at leisure on their representation of its state of mind
|
|
concerning his affairs, and on its just and reasonable expectations.
|
|
|
|
But who sits in the housekeeper's room, shedding tears, and talking
|
|
to Mrs Pipchin in a low tone, with uplifted hands? It is a lady with
|
|
her face concealed in a very close black bonnet, which appears not to
|
|
belong to her. It is Miss Tox, who has borrowed this disguise from her
|
|
servant, and comes from Princess's Place, thus secretly, to revive her
|
|
old acquaintance with Mrs Pipchin, in order to get certain information
|
|
of the state of Mr Dombey.
|
|
|
|
'How does he bear it, my dear creature?' asks Miss Tox.
|
|
|
|
'Well,' says Mrs Pipchin, in her snappish way, 'he's pretty much as
|
|
usual.'
|
|
|
|
'Externally,' suggests Miss Tox 'But what he feels within!'
|
|
|
|
Mrs Pipchin's hard grey eye looks doubtful as she answers, in three
|
|
distinct jerks, 'Ah! Perhaps. I suppose so.'
|
|
|
|
'To tell you my mind, Lucretia,' says Mrs Pipchin; she still calls
|
|
Miss Tox Lucretia, on account of having made her first experiments in
|
|
the child-quelling line of business on that lady, when an unfortunate
|
|
and weazen little girl of tender years; 'to tell you my mind,
|
|
Lucretia, I think it's a good riddance. I don't want any of your
|
|
brazen faces here, myself!'
|
|
|
|
'Brazen indeed! Well may you say brazen, Mrs Pipchin!' returned
|
|
Miss Tox. 'To leave him! Such a noble figure of a man!' And here Miss
|
|
Tox is overcome.
|
|
|
|
'I don't know about noble, I'm sure,' observes Mrs Pipchin;
|
|
irascibly rubbing her nose. 'But I know this - that when people meet
|
|
with trials, they must bear 'em. Hoity, toity! I have had enough to
|
|
bear myself, in my time! What a fuss there is! She's gone, and well
|
|
got rid of. Nobody wants her back, I should think!' This hint of the
|
|
Peruvian Mines, causes Miss Tox to rise to go away; when Mrs Pipchin
|
|
rings the bell for Towlinson to show her out, Mr Towlinson, not having
|
|
seen Miss Tox for ages, grins, and hopes she's well; observing that he
|
|
didn't know her at first, in that bonnet.
|
|
|
|
'Pretty well, Towlinson, I thank you,' says Miss Tox. 'I beg you'll
|
|
have the goodness, when you happen to see me here, not to mention it.
|
|
My visits are merely to Mrs Pipchin.'
|
|
|
|
'Very good, Miss,' says Towlinson.
|
|
|
|
'Shocking circumstances occur, Towlinson,' says Miss Tox.
|
|
|
|
'Very much so indeed, Miss,' rejoins Towlinson.
|
|
|
|
'I hope, Towlinson,' says Miss Tox, who, in her instruction of the
|
|
Toodle family, has acquired an admonitorial tone, and a habit of
|
|
improving passing occasions, 'that what has happened here, will be a
|
|
warning to you, Towlinson.'
|
|
|
|
'Thank you, Miss, I'm sure,' says Towlinson.
|
|
|
|
He appears to be falling into a consideration of the manner in
|
|
which this warning ought to operate in his particular case, when the
|
|
vinegary Mrs Pipchin, suddenly stirring him up with a 'What are you
|
|
doing? Why don't you show the lady to the door?' he ushers Miss Tox
|
|
forth. As she passes Mr Dombey's room, she shrinks into the inmost
|
|
depths of the black bonnet, and walks, on tip-toe; and there is not
|
|
another atom in the world which haunts him so, that feels such sorrow
|
|
and solicitude about him, as Miss Tox takes out under the black bonnet
|
|
into the street, and tries to carry home shadowed it from the
|
|
newly-lighted lamps
|
|
|
|
But Miss Tox is not a part of Mr Dombey's world. She comes back
|
|
every evening at dusk; adding clogs and an umbrella to the bonnet on
|
|
wet nights; and bears the grins of Towlinson, and the huffs and
|
|
rebuffs of Mrs Pipchin, and all to ask how he does, and how he bears
|
|
his misfortune: but she has nothing to do with Mr Dombey's world.
|
|
Exacting and harassing as ever, it goes on without her; and she, a by
|
|
no means bright or particular star, moves in her little orbit in the
|
|
corner of another system, and knows it quite well, and comes, and
|
|
cries, and goes away, and is satisfied. Verily Miss Tox is easier of
|
|
satisfaction than the world that troubles Mr Dombey so much!
|
|
|
|
At the Counting House, the clerks discuss the great disaster in all
|
|
its lights and shades, but chiefly wonder who will get Mr Carker's
|
|
place. They are generally of opinion that it will be shorn of some of
|
|
its emoluments, and made uncomfortable by newly-devised checks and
|
|
restrictions; and those who are beyond all hope of it are quite sure
|
|
they would rather not have it, and don't at all envy the person for
|
|
whom it may prove to be reserved. Nothing like the prevailing
|
|
sensation has existed in the Counting House since Mr Dombey's little
|
|
son died; but all such excitements there take a social, not to say a
|
|
jovial turn, and lead to the cultivation of good fellowship. A
|
|
reconciliation is established on this propitious occasion between the
|
|
acknowledged wit of the Counting House and an aspiring rival, with
|
|
whom he has been at deadly feud for months; and a little dinner being
|
|
proposed, in commemoration of their happily restored amity, takes
|
|
place at a neighbouring tavern; the wit in the chair; the rival acting
|
|
as Vice-President. The orations following the removal of the cloth are
|
|
opened by the Chair, who says, Gentlemen, he can't disguise from
|
|
himself that this is not a time for private dissensions. Recent
|
|
occurrences to which he need not more particularly allude, but which
|
|
have not been altogether without notice in some Sunday Papers,' and in
|
|
a daily paper which he need not name (here every other member of the
|
|
company names it in an audible murmur), have caused him to reflect;
|
|
and he feels that for him and Robinson to have any personal
|
|
differences at such a moment, would be for ever to deny that good
|
|
feeling in the general cause, for which he has reason to think and
|
|
hope that the gentlemen in Dombey's House have always been
|
|
distinguished. Robinson replies to this like a man and a brother; and
|
|
one gentleman who has been in the office three years, under continual
|
|
notice to quit on account of lapses in his arithmetic, appears in a
|
|
perfectly new light, suddenly bursting out with a thrilling speech, in
|
|
which he says, May their respected chief never again know the
|
|
desolation which has fallen on his hearth! and says a great variety of
|
|
things, beginning with 'May he never again,' which are received with
|
|
thunders of applause. In short, a most delightful evening is passed,
|
|
only interrupted by a difference between two juniors, who, quarrelling
|
|
about the probable amount of Mr Carker's late receipts per annum, defy
|
|
each other with decanters, and are taken out greatly excited. Soda
|
|
water is in general request at the office next day, and most of the
|
|
party deem the bill an imposition.
|
|
|
|
As to Perch, the messenger, he is in a fair way of being ruined for
|
|
life. He finds himself again constantly in bars of public-houses,
|
|
being treated and lying dreadfully. It appears that he met everybody
|
|
concerned in the late transaction, everywhere, and said to them,
|
|
'Sir,' or 'Madam,' as the case was, 'why do you look so pale?' at
|
|
which each shuddered from head to foot, and said, 'Oh, Perch!' and ran
|
|
away. Either the consciousness of these enormities, or the reaction
|
|
consequent on liquor, reduces Mr Perch to an extreme state of low
|
|
spirits at that hour of the evening when he usually seeks consolation
|
|
in the society of Mrs Perch at Balls Pond; and Mrs Perch frets a good
|
|
deal, for she fears his confidence in woman is shaken now, and that he
|
|
half expects on coming home at night to find her gone off with some
|
|
Viscount - 'which,' as she observes to an intimate female friend, 'is
|
|
what these wretches in the form of woman have to answer for, Mrs P. It
|
|
ain't the harm they do themselves so much as what they reflect upon
|
|
us, Ma'am; and I see it in Perch's eye.
|
|
|
|
Mr Dombey's servants are becoming, at the same time, quite
|
|
dissipated, and unfit for other service. They have hot suppers every
|
|
night, and 'talk it over' with smoking drinks upon the board. Mr
|
|
Towlinson is always maudlin after half-past ten, and frequently begs
|
|
to know whether he didn't say that no good would ever come of living
|
|
in a corner house? They whisper about Miss Florence, and wonder where
|
|
she is; but agree that if Mr Dombey don't know, Mrs Dombey does. This
|
|
brings them to the latter, of whom Cook says, She had a stately way
|
|
though, hadn't she? But she was too high! They all agree that she was
|
|
too high, and Mr Towlinson's old flame, the housemaid (who is very
|
|
virtuous), entreats that you will never talk to her any more about
|
|
people who hold their heads up, as if the ground wasn't good enough
|
|
for 'em.
|
|
|
|
Everything that is said and done about it, except by Mr Dombey, is
|
|
done in chorus. Mr Dombey and the world are alone together.
|
|
|
|
CHAPTER 52.
|
|
|
|
Secret Intelligence
|
|
|
|
Good Mrs Brown and her daughter Alice kept silent company together,
|
|
in their own dwelling. It was early in the evening, and late in the
|
|
spring. But a few days had elapsed since Mr Dombey had told Major
|
|
Bagstock of his singular intelligence, singularly obtained, which
|
|
might turn out to be valueless, and might turn out to be true; and the
|
|
world was not satisfied yet.
|
|
|
|
The mother and daughter sat for a long time without interchanging a
|
|
word: almost without motion. The old woman's face was shrewdly anxious
|
|
and expectant; that of her daughter was expectant too, but in a less
|
|
sharp degree, and sometimes it darkened, as if with gathering
|
|
disappointment and incredulity. The old woman, without heeding these
|
|
changes in its expression, though her eyes were often turned towards
|
|
it, sat mumbling and munching, and listening confidently.
|
|
|
|
Their abode, though poor and miserable, was not so utterly wretched
|
|
as in the days when only Good Mrs Brown inhabited it. Some few
|
|
attempts at cleanliness and order were manifest, though made in a
|
|
reckless, gipsy way, that might have connected them, at a glance, with
|
|
the younger woman. The shades of evening thickened and deepened as the
|
|
two kept silence, until the blackened walls were nearly lost in the
|
|
prevailing gloom.
|
|
|
|
Then Alice broke the silence which had lasted so long, and said:
|
|
|
|
'You may give him up, mother. He'll not come here.'
|
|
|
|
'Death give him up!' returned the old woman, impatiently. 'He will
|
|
come here.'
|
|
|
|
'We shall see,' said Alice.
|
|
|
|
'We shall see him,' returned her mother.
|
|
|
|
'And doomsday,' said the daughter.
|
|
|
|
'You think I'm in my second childhood, I know!' croaked the old
|
|
woman. 'That's the respect and duty that I get from my own gal, but
|
|
I'm wiser than you take me for. He'll come. T'other day when I touched
|
|
his coat in the street, he looked round as if I was a toad. But Lord,
|
|
to see him when I said their names, and asked him if he'd like to find
|
|
out where they was!'
|
|
|
|
'Was it so angry?' asked her daughter, roused to interest in a
|
|
moment.
|
|
|
|
'Angry? ask if it was bloody. That's more like the word. Angry? Ha,
|
|
ha! To call that only angry!' said the old woman, hobbling to the
|
|
cupboard, and lighting a candle, which displayed the workings of her
|
|
mouth to ugly advantage, as she brought it to the table. 'I might as
|
|
well call your face only angry, when you think or talk about 'em.'
|
|
|
|
It was something different from that, truly, as she sat as still as
|
|
a crouched tigress, with her kindling eyes.
|
|
|
|
'Hark!' said the old woman, triumphantly. 'I hear a step coming.
|
|
It's not the tread of anyone that lives about here, or comes this way
|
|
often. We don't walk like that. We should grow proud on such
|
|
neighbours! Do you hear him?'
|
|
|
|
'I believe you are right, mother,' replied Alice, in a low voice.
|
|
'Peace! open the door.'
|
|
|
|
As she drew herself within her shawl, and gathered it about her,
|
|
the old woman complied; and peering out, and beckoning, gave admission
|
|
to Mr Dombey, who stopped when he had set his foot within the door,
|
|
and looked distrustfully around.
|
|
|
|
'It's a poor place for a great gentleman like your worship,' said
|
|
the old woman, curtseying and chattering. 'I told you so, but there's
|
|
no harm in it.'
|
|
|
|
'Who is that?' asked Mr Dombey, looking at her companion.
|
|
|
|
'That's my handsome daughter,' said the old woman. 'Your worship
|
|
won't mind her. She knows all about it.'
|
|
|
|
A shadow fell upon his face not less expressive than if he had
|
|
groaned aloud, 'Who does not know all about it!' but he looked at her
|
|
steadily, and she, without any acknowledgment of his presence, looked
|
|
at him. The shadow on his face was darker when he turned his glance
|
|
away from her; and even then it wandered back again, furtively, as if
|
|
he were haunted by her bold eyes, and some remembrance they inspired.
|
|
|
|
'Woman,' said Mr Dombey to the old witch who was chucKling and
|
|
leering close at his elbow, and who, when he turned to address her,
|
|
pointed stealthily at her daughter, and rubbed her hands, and pointed
|
|
again, 'Woman! I believe that I am weak and forgetful of my station in
|
|
coming here, but you know why I come, and what you offered when you
|
|
stopped me in the street the other day. What is it that you have to
|
|
tell me concerning what I want to know; and how does it happen that I
|
|
can find voluntary intelligence in a hovel like this,' with a
|
|
disdainful glance about him, 'when I have exerted my power and means
|
|
to obtain it in vain? I do not think,' he said, after a moment's
|
|
pause, during which he had observed her, sternly, 'that you are so
|
|
audacious as to mean to trifle with me, or endeavour to impose upon
|
|
me. But if you have that purpose, you had better stop on the threshold
|
|
of your scheme. My humour is not a trifling one, and my acknowledgment
|
|
will be severe.'
|
|
|
|
'Oh a proud, hard gentleman!' chuckled the old woman, shaking her
|
|
head, and rubbing her shrivelled hands, 'oh hard, hard, hard! But your
|
|
worship shall see with your own eyes and hear with your own ears; not
|
|
with ours - and if your worship's put upon their track, you won't mind
|
|
paying something for it, will you, honourable deary?'
|
|
|
|
'Money,' returned Mr Dombey, apparently relieved, and assured by
|
|
this inquiry, 'will bring about unlikely things, I know. It may turn
|
|
even means as unexpected and unpromising as these, to account. Yes.
|
|
For any reliable information I receive, I will pay. But I must have
|
|
the information first, and judge for myself of its value.'
|
|
|
|
'Do you know nothing more powerful than money?' asked the younger
|
|
woman, without rising, or altering her attitude.
|
|
|
|
'Not here, I should imagine,' said Mr Dombey.
|
|
|
|
'You should know of something that is more powerful elsewhere, as I
|
|
judge,' she returned. 'Do you know nothing of a woman's anger?'
|
|
|
|
'You have a saucy tongue, Jade,' said Mr Dombey.
|
|
|
|
'Not usually,' she answered, without any show of emotion: 'I speak
|
|
to you now, that you may understand us better, and rely more on us. A
|
|
woman's anger is pretty much the same here, as in your fine house. I
|
|
am angry. I have been so, many years. I have as good cause for my
|
|
anger as you have for yours, and its object is the same man.'
|
|
|
|
He started, in spite of himself, and looked at her with
|
|
|
|
astonishment.
|
|
|
|
'Yes,' she said, with a kind of laugh. 'Wide as the distance may
|
|
seem between us, it is so. How it is so, is no matter; that is my
|
|
story, and I keep my story to myself. I would bring you and him
|
|
together, because I have a rage against him. My mother there, is
|
|
avaricious and poor; and she would sell any tidings she could glean,
|
|
or anything, or anybody, for money. It is fair enough, perhaps, that
|
|
you should pay her some, if she can help you to what you want to know.
|
|
But that is not my motive. I have told you what mine is, and it would
|
|
be as strong and all-sufficient with me if you haggled and bargained
|
|
with her for a sixpence. I have done. My saucy tongue says no more, if
|
|
you wait here till sunrise tomorrow.'
|
|
|
|
The old woman, who had shown great uneasiness during this speech,
|
|
which had a tendency to depreciate her expected gains, pulled Mr
|
|
Dombey softly by the sleeve, and whispered to him not to mind her. He
|
|
glared at them both, by turns, with a haggard look, and said, in a
|
|
deeper voice than was usual with him:
|
|
|
|
'Go on - what do you know?'
|
|
|
|
'Oh, not so fast, your worship! we must wait for someone,' answered
|
|
the old woman. 'It's to be got from someone else - wormed out -
|
|
screwed and twisted from him.'
|
|
|
|
'What do you mean?' said Mr Dombey.
|
|
|
|
'Patience,' she croaked, laying her hand, like a claw, upon his
|
|
arm. 'Patience. I'll get at it. I know I can! If he was to hold it
|
|
back from me,' said Good Mrs Brown, crooking her ten fingers, 'I'd
|
|
tear it out of him!'
|
|
|
|
Mr Dombey followed her with his eyes as she hobbled to the door,
|
|
and looked out again: and then his glance sought her daughter; but she
|
|
remained impassive, silent, and regardless of him.
|
|
|
|
'Do you tell me, woman,' he said, when the bent figure of Mrs Brown
|
|
came back, shaking its head and chattering to itself, 'that there is
|
|
another person expected here?'
|
|
|
|
'Yes!' said the old woman, looking up into his face, and nodding.
|
|
|
|
'From whom you are to exact the intelligence that is to be useful
|
|
to me?'
|
|
|
|
'Yes,' said the old woman, nodding again.
|
|
|
|
'A stranger?'
|
|
|
|
'Chut!' said the old woman, with a shrill laugh. 'What signifies!
|
|
Well, well; no. No stranger to your worship. But he won't see you.
|
|
He'd be afraid of you, and wouldn't talk. You'll stand behind that
|
|
door, and judge him for yourself. We don't ask to be believed on trust
|
|
What! Your worship doubts the room behind the door? Oh the suspicion
|
|
of you rich gentlefolks! Look at it, then.'
|
|
|
|
Her sharp eye had detected an involuntary expression of this
|
|
feeling on his part, which was not unreasonable under the
|
|
circumstances. In satisfaction of it she now took the candle to the
|
|
door she spoke of. Mr Dombey looked in; assured himself that it was an
|
|
empty, crazy room; and signed to her to put the light back in its
|
|
place.
|
|
|
|
'How long,' he asked, 'before this person comes?'
|
|
|
|
'Not long,' she answered. 'Would your worship sit down for a few
|
|
odd minutes?'
|
|
|
|
He made no answer; but began pacing the room with an irresolute
|
|
air, as if he were undecided whether to remain or depart, and as if he
|
|
had some quarrel with himself for being there at all. But soon his
|
|
tread grew slower and heavier, and his face more sternly thoughtful!;
|
|
as the object with which he had come, fixed itself in his mind, and
|
|
dilated there again.
|
|
|
|
While he thus walked up and down with his eyes on the ground, Mrs
|
|
Brown, in the chair from which she had risen to receive him, sat
|
|
listening anew. The monotony of his step, or the uncertainty of age,
|
|
made her so slow of hearing, that a footfall without had sounded in
|
|
her daughter's ears for some moments, and she had looked up hastily to
|
|
warn her mother of its approach, before the old woman was roused by
|
|
it. But then she started from her seat, and whispering 'Here he is!'
|
|
hurried her visitor to his place of observation, and put a bottle and
|
|
glass upon the table, with such alacrity, as to be ready to fling her
|
|
arms round the neck of Rob the Grinder on his appearance at the door.
|
|
|
|
'And here's my bonny boy,' cried Mrs Brown, 'at last! - oho, oho!
|
|
You're like my own son, Robby!'
|
|
|
|
'Oh! Misses Brown!' remonstrated the Grinder. 'Don't! Can't you be
|
|
fond of a cove without squeedging and throttling of him? Take care of
|
|
the birdcage in my hand, will you?'
|
|
|
|
'Thinks of a birdcage, afore me!' cried the old woman,
|
|
apostrophizing the ceiling. 'Me that feels more than a mother for
|
|
him!'
|
|
|
|
'Well, I'm sure I'm very much obliged to you, Misses Brown,' said
|
|
the unfortunate youth, greatly aggravated; 'but you're so jealous of a
|
|
cove. I'm very fond of you myself, and all that, of course; but I
|
|
don't smother you, do I, Misses Brown?'
|
|
|
|
He looked and spoke as if he wOuld have been far from objecting to
|
|
do so, however, on a favourable occasion.
|
|
|
|
'And to talk about birdcages, too!' whimpered the Grinder. 'As If
|
|
that was a crime! Why, look'ee here! Do you know who this belongs to?'
|
|
|
|
'To Master, dear?' said the old woman with a grin.
|
|
|
|
'Ah!' replied the Grinder, lifting a large cage tied up in a
|
|
wrapper, on the table, and untying it with his teeth and hands. 'It's
|
|
our parrot, this is.'
|
|
|
|
'Mr Carker's parrot, Rob?'
|
|
|
|
'Will you hold your tongue, Misses Brown?' returned the goaded
|
|
Grinder. 'What do you go naming names for? I'm blest,' said Rob,
|
|
pulling his hair with both hands in the exasperation of his feelings,
|
|
'if she ain't enough to make a cove run wild!'
|
|
|
|
'What! Do you snub me, thankless boy!' cried the old woman, with
|
|
ready vehemence.
|
|
|
|
'Good gracious, Misses Brown, no!' returned the Grinder, with tears
|
|
in his eyes. 'Was there ever such a - ! Don't I dote upon you, Misses
|
|
Brown?'
|
|
|
|
'Do you, sweet Rob? Do you truly, chickabiddy?' With that, Mrs
|
|
Brown held him in her fond embrace once more; and did not release him
|
|
until he had made several violent and ineffectual struggles with his
|
|
legs, and his hair was standing on end all over his head.
|
|
|
|
'Oh!' returned the Grinder, 'what a thing it is to be perfectly
|
|
pitched into with affection like this here. I wish she was - How have
|
|
you been, Misses Brown?'
|
|
|
|
'Ah! Not here since this night week!' said the old woman,
|
|
contemplating him with a look of reproach.
|
|
|
|
'Good gracious, Misses Brown,' returned the Grinder, 'I said
|
|
tonight's a week, that I'd come tonight, didn't I? And here I am. How
|
|
you do go on! I wish you'd be a little rational, Misses Brown. I'm
|
|
hoarse with saying things in my defence, and my very face is shiny
|
|
with being hugged!' He rubbed it hard with his sleeve, as if to remove
|
|
the tender polish in question.
|
|
|
|
'Drink a little drop to comfort you, my Robin,' said the old woman,
|
|
filling the glass from the bottle and giving it to him.
|
|
|
|
'Thank'ee, Misses Brown,' returned the Grinder. 'Here's your
|
|
health. And long may you - et ceterer.' Which, to judge from the
|
|
expression of his face, did not include any very choice blessings.
|
|
'And here's her health,' said the Grinder, glancing at Alice, who sat
|
|
with her eyes fixed, as it seemed to him, on the wall behind him, but
|
|
in reality on Mr Dombey's face at the door, 'and wishing her the same
|
|
and many of 'em!'
|
|
|
|
He drained the glass to these two sentiments, and set it down.
|
|
|
|
'Well, I say, Misses Brown!' he proceeded. 'To go on a little
|
|
rational now. You're a judge of birds, and up to their ways, as I know
|
|
to my cost.'
|
|
|
|
'Cost!' repeated Mrs Brown.
|
|
|
|
'Satisfaction, I mean,' returned the Grinder. 'How you do take up a
|
|
cove, Misses Brown! You've put it all out of my head again.'
|
|
|
|
'Judge of birds, Robby,' suggested the old woman.
|
|
|
|
'Ah!' said the Grinder. 'Well, I've got to take care of this parrot
|
|
- certain things being sold, and a certain establishment broke up -
|
|
and as I don't want no notice took at present, I wish you'd attend to
|
|
her for a week or so, and give her board and lodging, will you? If I
|
|
must come backwards and forwards,' mused the Grinder with a dejected
|
|
face, 'I may as well have something to come for.'
|
|
|
|
'Something to come for?' screamed the old woman.
|
|
|
|
'Besides you, I mean, Misses Brown,' returned the craven Rob. 'Not
|
|
that I want any inducement but yourself, Misses Brown, I'm sure. Don't
|
|
begin again, for goodness' sake.'
|
|
|
|
'He don't care for me! He don't care for me, as I care for him!'
|
|
cried Mrs Brown, lifting up her skinny hands. 'But I'll take care of
|
|
his bird.'
|
|
|
|
'Take good care of it too, you know, Mrs Brown,' said Rob, shaking
|
|
his head. 'If you was so much as to stroke its feathers once the wrong
|
|
way, I believe it would be found out.'
|
|
|
|
'Ah, so sharp as that, Rob?' said Mrs Brown, quickly.
|
|
|
|
'Sharp, Misses Brown!' repeated Rob. 'But this is not to be talked
|
|
about.'
|
|
|
|
Checking himself abruptly, and not without a fearful glance across
|
|
the room, Rob filled the glass again, and having slowly emptied it,
|
|
shook his head, and began to draw his fingers across and across the
|
|
wires of the parrot's cage by way of a diversion from the dangerous
|
|
theme that had just been broached.
|
|
|
|
The old woman eyed him slily, and hitching her chair nearer his,
|
|
and looking in at the parrot, who came down from the gilded dome at
|
|
her call, said:
|
|
|
|
'Out of place now, Robby?'
|
|
|
|
'Never you mind, Misses Brown,' returned the Grinder, shortly.
|
|
|
|
'Board wages, perhaps, Rob?' said Mrs Brown.
|
|
|
|
'Pretty Polly!' said the Grinder.
|
|
|
|
The old woman darted a glance at him that might have warned him to
|
|
consider his ears in danger, but it was his turn to look in at the
|
|
parrot now, and however expressive his imagination may have made her
|
|
angry scowl, it was unseen by his bodily eyes.
|
|
|
|
'I wonder Master didn't take you with him, Rob,' said the old
|
|
woman, in a wheedling voice, but with increased malignity of aspect.
|
|
|
|
Rob was so absorbed in contemplation of the parrot, and in trolling
|
|
his forefinger on the wires, that he made no answer.
|
|
|
|
The old woman had her clutch within a hair's breadth of his shock
|
|
of hair as it stooped over the table; but she restrained her fingers,
|
|
and said, in a voice that choked with its efforts to be coaxing:
|
|
|
|
'Robby, my child.'
|
|
|
|
'Well, Misses Brown,' returned the Grinder.
|
|
|
|
'I say I wonder Master didn't take you with him, dear.'
|
|
|
|
'Never you mind, Misses Brown,' returned the Grinder.
|
|
|
|
Mrs Brown instantly directed the clutch of her right hand at his
|
|
hair, and the clutch of her left hand at his throat, and held on to
|
|
the object of her fond affection with such extraordinary fury, that
|
|
his face began to blacken in a moment.
|
|
|
|
'Misses Brown!' exclaimed the Grinder, 'let go, will you? What are
|
|
you doing of? Help, young woman! Misses Brow- Brow- !'
|
|
|
|
The young woman, however, equally unmoved by his direct appeal to
|
|
her, and by his inarticulate utterance, remained quite neutral, until,
|
|
after struggling with his assailant into a corner, Rob disengaged
|
|
himself, and stood there panting and fenced in by his own elbows,
|
|
while the old woman, panting too, and stamping with rage and
|
|
eagerness, appeared to be collecting her energies for another swoop
|
|
upon him. At this crisis Alice interposed her voice, but not in the
|
|
Grinder's favour, by saying,
|
|
|
|
'Well done, mother. Tear him to pieces!'
|
|
|
|
'What, young woman!' blubbered Rob; 'are you against me too? What
|
|
have I been and done? What am I to be tore to pieces for, I should
|
|
like to know? Why do you take and choke a cove who has never done you
|
|
any harm, neither of you? Call yourselves females, too!' said the
|
|
frightened and afflicted Grinder, with his coat-cuff at his eye. 'I'm
|
|
surprised at you! Where's your feminine tenderness?'
|
|
|
|
'You thankless dog!' gasped Mrs Brown. 'You impudent insulting
|
|
dog!'
|
|
|
|
'What have I been and done to go and give you offence, Misses
|
|
Brown?' retorted the fearful Rob. 'You was very much attached to me a
|
|
minute ago.'
|
|
|
|
'To cut me off with his short answers and his sulky words,' said
|
|
the old woman. 'Me! Because I happen to be curious to have a little
|
|
bit of gossip about Master and the lady, to dare to play at fast and
|
|
loose with me! But I'll talk to you no more, my lad. Now go!'
|
|
|
|
'I'm sure, Misses Brown,' returned the abject Grinder, 'I never
|
|
Insiniwated that I wished to go. Don't talk like that, Misses Brown,
|
|
if you please.'
|
|
|
|
'I won't talk at all,' said Mrs Brown, with an action of her
|
|
crooked fingers that made him shrink into half his natural compass in
|
|
the corner. 'Not another word with him shall pass my lips. He's an
|
|
ungrateful hound. I cast him off. Now let him go! And I'll slip those
|
|
after him that shall talk too much; that won't be shook away; that'll
|
|
hang to him like leeches, and slink arter him like foxes. What! He
|
|
knows 'em. He knows his old games and his old ways. If he's forgotten
|
|
'em, they'll soon remind him. Now let him go, and see how he'll do
|
|
Master's business, and keep Master's secrets, with such company always
|
|
following him up and down. Ha, ha, ha! He'll find 'em a different sort
|
|
from you and me, Ally; Close as he is with you and me. Now let him go,
|
|
now let him go!'
|
|
|
|
The old woman, to the unspeakable dismay of the Grinder, walked her
|
|
twisted figure round and round, in a ring of some four feet in
|
|
diameter, constantly repeating these words, and shaking her fist above
|
|
her head, and working her mouth about.
|
|
|
|
'Misses Brown,' pleaded Rob, coming a little out of his corner,
|
|
'I'm sure you wouldn't injure a cove, on second thoughts, and in cold
|
|
blood, would you?'
|
|
|
|
'Don't talk to me,' said Mrs Brown, still wrathfully pursuing her
|
|
circle. 'Now let him go, now let him go!'
|
|
|
|
'Misses Brown,' urged the tormented Grinder, 'I didn't mean to -
|
|
Oh, what a thing it is for a cove to get into such a line as this! - I
|
|
was only careful of talking, Misses Brown, because I always am, on
|
|
account of his being up to everything; but I might have known it
|
|
wouldn't have gone any further. I'm sure I'm quite agreeable,' with a
|
|
wretched face, 'for any little bit of gossip, Misses Brown. Don't go
|
|
on like this, if you please. Oh, couldn't you have the goodness to put
|
|
in a word for a miserable cove, here?' said the Grinder, appealing in
|
|
desperation to the daughter.
|
|
|
|
'Come, mother, you hear what he says,' she interposed, in her stern
|
|
voice, and with an impatient action of her head; 'try him once more,
|
|
and if you fall out with him again, ruin him, if you like, and have
|
|
done with him.'
|
|
|
|
Mrs Brown, moved as it seemed by this very tender exhortation,
|
|
presently began to howl; and softening by degrees, took the apologetic
|
|
Grinder to her arms, who embraced her with a face of unutterable woe,
|
|
and like a victim as he was, resumed his former seat, close by the
|
|
side of his venerable friend, whom he suffered, not without much
|
|
constrained sweetness of countenance, combating very expressive
|
|
physiognomical revelations of an opposite character to draw his arm
|
|
through hers, and keep it there.
|
|
|
|
'And how's Master, deary dear?' said Mrs Brown, when, sitting in
|
|
this amicable posture, they had pledged each other.
|
|
|
|
'Hush! If you'd be so good, Misses Brown, as to speak a little
|
|
lower,' Rob implored. 'Why, he's pretty well, thank'ee, I suppose.'
|
|
|
|
'You're not out of place, Robby?' said Mrs Brown, in a wheedling
|
|
tone.
|
|
|
|
'Why, I'm not exactly out of place, nor in,' faltered Rob. 'I - I'm
|
|
still in pay, Misses Brown.'
|
|
|
|
'And nothing to do, Rob?'
|
|
|
|
'Nothing particular to do just now, Misses Brown, but to - keep my
|
|
eyes open, said the Grinder, rolling them in a forlorn way.
|
|
|
|
'Master abroad, Rob?'
|
|
|
|
'Oh, for goodness' sake, Misses Brown, couldn't you gossip with a
|
|
cove about anything else?' cried the Grinder, in a burst of despair.
|
|
|
|
The impetuous Mrs Brown rising directly, the tortured Grinder
|
|
detained her, stammering 'Ye-es, Misses Brown, I believe he's abroad.
|
|
What's she staring at?' he added, in allusion to the daughter, whose
|
|
eyes were fixed upon the face that now again looked out behind
|
|
|
|
'Don't mind her, lad,' said the old woman, holding him closer to
|
|
prevent his turning round. 'It's her way - her way. Tell me, Rob. Did
|
|
you ever see the lady, deary?'
|
|
|
|
'Oh, Misses Brown, what lady?' cried the Grinder in a tone of
|
|
piteous supplication.
|
|
|
|
'What lady?' she retorted. 'The lady; Mrs Dombey.'
|
|
|
|
'Yes, I believe I see her once,' replied Rob.
|
|
|
|
'The night she went away, Robby, eh?' said the old woman in his
|
|
ear, and taking note of every change in his face. 'Aha! I know it was
|
|
that night.'
|
|
|
|
'Well, if you know it was that night, you know, Misses Brown,'
|
|
replied Rob, 'it's no use putting pinchers into a cove to make him say
|
|
so.
|
|
|
|
'Where did they go that night, Rob? Straight away? How did they go?
|
|
Where did you see her? Did she laugh? Did she cry? Tell me all about
|
|
it,' cried the old hag, holding him closer yet, patting the hand that
|
|
was drawn through his arm against her other hand, and searching every
|
|
line in his face with her bleared eyes. 'Come! Begin! I want to be
|
|
told all about it. What, Rob, boy! You and me can keep a secret
|
|
together, eh? We've done so before now. Where did they go first, Rob?'
|
|
|
|
The wretched Grinder made a gasp, and a pause.
|
|
|
|
'Are you dumb?' said the old woman, angrily.
|
|
|
|
'Lord, Misses Brown, no! You expect a cove to be a flash of
|
|
lightning. I wish I was the electric fluency,' muttered the bewildered
|
|
Grinder. 'I'd have a shock at somebody, that would settle their
|
|
business.'
|
|
|
|
'What do you say?' asked the old woman, with a grin.
|
|
|
|
'I'm wishing my love to you, Misses Brown,' returned the false Rob,
|
|
seeking consolation in the glass. 'Where did they go to first was it?
|
|
Him and her, do you mean?'
|
|
|
|
'Ah!' said the old woman, eagerly. 'Them two.'
|
|
|
|
'Why, they didn't go nowhere - not together, I mean,' answered Rob.
|
|
|
|
The old woman looked at him, as though she had a strong impulse
|
|
upon her to make another clutch at his head and throat, but was
|
|
restrained by a certain dogged mystery in his face.
|
|
|
|
'That was the art of it,' said the reluctant Grinder; 'that's the
|
|
way nobody saw 'em go, or has been able to say how they did go. They
|
|
went different ways, I tell you Misses Brown.
|
|
|
|
'Ay, ay, ay! To meet at an appointed place,' chuckled the old
|
|
woman, after a moment's silent and keen scrutiny of his face.
|
|
|
|
'Why, if they weren't a going to meet somewhere, I suppose they
|
|
might as well have stayed at home, mightn't they, Brown?' returned the
|
|
unwilling Grinder.
|
|
|
|
'Well, Rob? Well?' said the old woman, drawing his arm yet tighter
|
|
through her own, as if, in her eagerness, she were afraid of his
|
|
slipping away.
|
|
|
|
'What, haven't we talked enough yet, Misses Brown?' returned the
|
|
Grinder, who, between his sense of injury, his sense of liquor, and
|
|
his sense of being on the rack, had become so lachrymose, that at
|
|
almost every answer he scooped his coats into one or other of his
|
|
eyes, and uttered an unavailing whine of remonstrance. 'Did she laugh
|
|
that night, was it? Didn't you ask if she laughed, Misses Brown?'
|
|
|
|
'Or cried?' added the old woman, nodding assent.
|
|
|
|
'Neither,' said the Grinder. 'She kept as steady when she and me -
|
|
oh, I see you will have it out of me, Misses Brown! But take your
|
|
solemn oath now, that you'll never tell anybody.'
|
|
|
|
This Mrs Brown very readily did: being naturally Jesuitical; and
|
|
having no other intention in the matter than that her concealed
|
|
visitor should hear for himself.
|
|
|
|
'She kept as steady, then, when she and me went down to
|
|
Southampton,' said the Grinder, 'as a image. In the morning she was
|
|
just the same, Misses Brown. And when she went away in the packet
|
|
before daylight, by herself - me pretending to be her servant, and
|
|
seeing her safe aboard - she was just the same. Now, are you
|
|
contented, Misses Brown?'
|
|
|
|
'No, Rob. Not yet,' answered Mrs Brown, decisively.
|
|
|
|
'Oh, here's a woman for you!' cried the unfortunate Rob, in an
|
|
outburst of feeble lamentation over his own helplessness.
|
|
|
|
'What did you wish to know next, Misses Brown?'
|
|
|
|
'What became of Master? Where did he go?' she inquired, still
|
|
holding hIm tight, and looking close into his face, with her sharp
|
|
eyes.
|
|
|
|
'Upon my soul, I don't know, Misses Brown,' answered Rob.
|
|
|
|
'Upon my soul I don't know what he did, nor where he went, nor
|
|
anything about him I only know what he said to me as a caution to hold
|
|
my tongue, when we parted; and I tell you this, Misses Brown, as a
|
|
friend, that sooner than ever repeat a word of what we're saying now,
|
|
you had better take and shoot yourself, or shut yourself up in this
|
|
house, and set it a-fire, for there's nothing he wouldn't do, to be
|
|
revenged upon you. You don't know him half as well as I do, Misses
|
|
Brown. You're never safe from him, I tell you.'
|
|
|
|
'Haven't I taken an oath,' retorted the old woman, 'and won't I
|
|
keep it?'
|
|
|
|
'Well, I'm sure I hope you will, Misses Brown,' returned Rob,
|
|
somewhat doubtfully, and not without a latent threatening in his
|
|
manner. 'For your own sake, quite as much as mine'
|
|
|
|
He looked at her as he gave her this friendly caution, and
|
|
emphasized it with a nodding of his head; but finding it uncomfortable
|
|
to encounter the yellow face with its grotesque action, and the ferret
|
|
eyes with their keen old wintry gaze, so close to his own, he looked
|
|
down uneasily and sat skulking in his chair, as if he were trying to
|
|
bring hImself to a sullen declaration that he would answer no more
|
|
questions. The old woman, still holding him as before, took this
|
|
opportunity of raising the forefinger of her right hand, in the air,
|
|
as a stealthy signal to the concealed observer to give particular
|
|
attention to what was about to follow.
|
|
|
|
'Rob,' she said, in her most coaxing tone.
|
|
|
|
'Good gracious, Misses Brown, what's the matter now?' returned the
|
|
exasperated Grinder.
|
|
|
|
'Rob! where did the lady and Master appoint to meet?'
|
|
|
|
Rob shuffled more and more, and looked up and looked down, and bit
|
|
his thumb, and dried it on his waistcoat, and finally said, eyeing his
|
|
tormentor askance, 'How should I know, Misses Brown?'
|
|
|
|
The old woman held up her finger again, as before, and replying,
|
|
'Come, lad! It's no use leading me to that, and there leaving me. I
|
|
want to know' waited for his answer. Rob, after a discomfited pause,
|
|
suddenly broke out with, 'How can I pronounce the names of foreign
|
|
places, Mrs Brown? What an unreasonable woman you are!'
|
|
|
|
'But you have heard it said, Robby,' she retorted firmly, 'and you
|
|
know what it sounded like. Come!'
|
|
|
|
'I never heard it said, Misses Brown,' returned the Grinder.
|
|
|
|
'Then,' retorted the old woman quickly, 'you have seen it written,
|
|
and you can spell it.'
|
|
|
|
Rob, with a petulant exclamation between laughing and crying - for
|
|
he was penetrated with some admiration of Mrs Brown's cunning, even
|
|
through this persecution - after some reluctant fumbling in his
|
|
waistcoat pocket, produced from it a little piece of chalk. The old
|
|
woman's eyes sparkled when she saw it between his thumb and finger,
|
|
and hastily clearing a space on the deal table, that he might write
|
|
the word there, she once more made her signal with a shaking hand.
|
|
|
|
'Now I tell you beforehand what it is, Misses Brown,' said Rob,
|
|
'it's no use asking me anything else. I won't answer anything else; I
|
|
can't. How long it was to be before they met, or whose plan it was
|
|
that they was to go away alone, I don't know no more than you do. I
|
|
don't know any more about it. If I was to tell you how I found out
|
|
this word, you'd believe that. Shall I tell you, Misses Brown?'
|
|
|
|
'Yes, Rob.'
|
|
|
|
'Well then, Misses Brown. The way - now you won't ask any more, you
|
|
know?' said Rob, turning his eyes, which were now fast getting drowsy
|
|
and stupid, upon her.
|
|
|
|
'Not another word,' said Mrs Brown.
|
|
|
|
'Well then, the way was this. When a certain person left the lady
|
|
with me, he put a piece of paper with a direction written on it in the
|
|
lady's hand, saying it was in case she should forget. She wasn't
|
|
afraid of forgetting, for she tore it up as soon as his back was
|
|
turned, and when I put up the carriage steps, I shook out one of the
|
|
pieces - she sprinkled the rest out of the window, I suppose, for
|
|
there was none there afterwards, though I looked for 'em. There was
|
|
only one word on it, and that was this, if you must and will know. But
|
|
remember! You're upon your oath, Misses Brown!'
|
|
|
|
Mrs Brown knew that, she said. Rob, having nothing more to say,
|
|
began to chalk, slowly and laboriously, on the table.
|
|
|
|
'"D,"' the old woman read aloud, when he had formed the letter.
|
|
|
|
'Will you hold your tongue, Misses Brown?' he exclaimed, covering
|
|
it with his hand, and turning impatiently upon her. 'I won't have it
|
|
read out. Be quiet, will you!'
|
|
|
|
'Then write large, Rob,' she returned, repeating her secret signal;
|
|
'for my eyes are not good, even at print.'
|
|
|
|
Muttering to himself, and returning to his work with an ill will,
|
|
Rob went on with the word. As he bent his head down, the person for
|
|
whose information he so unconsciously laboured, moved from the door
|
|
behind him to within a short stride of his shoulder, and looked
|
|
eagerly towards the creeping track of his hand upon the table. At the
|
|
same time, Alice, from her opposite chair, watched it narrowly as it
|
|
shaped the letters, and repeated each one on her lips as he made it,
|
|
without articulating it aloud. At the end of every letter her eyes and
|
|
Mr Dombey's met, as if each of them sought to be confirmed by the
|
|
other; and thus they both spelt D.I.J.O.N.
|
|
|
|
'There!' said the Grinder, moistening the palm of his hand hastily,
|
|
to obliterate the word; and not content with smearing it out, rubbing
|
|
and planing all trace of it away with his coat-sleeve, until the very
|
|
colour of the chalk was gone from the table. 'Now, I hope you're
|
|
contented, Misses Brown!'
|
|
|
|
The old woman, in token of her being so, released his arm and
|
|
patted his back; and the Grinder, overcome with mortification,
|
|
cross-examination, and liquor, folded his arms on the table, laid his
|
|
head upon them, and fell asleep.
|
|
|
|
Not until he had been heavily asleep some time, and was snoring
|
|
roundly, did the old woman turn towards the door where Mr Dombey stood
|
|
concealed, and beckon him to come through the room, and pass out. Even
|
|
then, she hovered over Rob, ready to blind him with her hands, or
|
|
strike his head down, if he should raise it while the secret step was
|
|
crossing to the door. But though her glance took sharp cognizance of
|
|
the sleeper, it was sharp too for the waking man; and when he touched
|
|
her hand with his, and in spite of all his caution, made a chinking,
|
|
golden sound, it was as bright and greedy as a raven's.
|
|
|
|
The daughter's dark gaze followed him to the door, and noted well
|
|
how pale he was, and how his hurried tread indicated that the least
|
|
delay was an insupportable restraint upon him, and how he was burning
|
|
to be active and away. As he closed the door behind him, she looked
|
|
round at her mother. The old woman trotted to her; opened her hand to
|
|
show what was within; and, tightly closing it again in her jealousy
|
|
and avarice, whispered:
|
|
|
|
'What will he do, Ally?'
|
|
|
|
'Mischief,' said the daughter.
|
|
|
|
'Murder?' asked the old woman.
|
|
|
|
'He's a madman, in his wounded pride, and may do that, for anything
|
|
we can say, or he either.'
|
|
|
|
Her glance was brighter than her mother's, and the fire that shone
|
|
in it was fiercer; but her face was colourless, even to her lips
|
|
|
|
They said no more, but sat apart; the mother communing with her
|
|
money; the daughter with her thoughts; the glance of each, shining in
|
|
the gloom of the feebly lighted room. Rob slept and snored. The
|
|
disregarded parrot only was in action. It twisted and pulled at the
|
|
wires of its cage, with its crooked beak, and crawled up to the dome,
|
|
and along its roof like a fly, and down again head foremost, and
|
|
shook, and bit, and rattled at every slender bar, as if it knew its
|
|
master's danger, and was wild to force a passage out, and fly away to
|
|
warn him of it.
|
|
|
|
CHAPTER 53.
|
|
|
|
More Intelligence
|
|
|
|
There were two of the traitor's own blood - his renounced brother
|
|
and sister - on whom the weight of his guilt rested almost more
|
|
heavily, at this time, than on the man whom he had so deeply injured.
|
|
Prying and tormenting as the world was, it did Mr Dombey the service
|
|
of nerving him to pursuit and revenge. It roused his passion, stung
|
|
his pride, twisted the one idea of his life into a new shape, and made
|
|
some gratification of his wrath, the object into which his whole
|
|
intellectual existence resolved itself. All the stubbornness and
|
|
implacability of his nature, all its hard impenetrable quality, all
|
|
its gloom and moroseness, all its exaggerated sense of personal
|
|
importance, all its jealous disposition to resent the least flaw in
|
|
the ample recognition of his importance by others, set this way like
|
|
many streams united into one, and bore him on upon their tide. The
|
|
most impetuously passionate and violently impulsive of mankind would
|
|
have been a milder enemy to encounter than the sullen Mr Dombey
|
|
wrought to this. A wild beast would have been easier turned or soothed
|
|
than the grave gentleman without a wrinkle in his starched cravat.
|
|
|
|
But the very intensity of his purpose became almost a substitute
|
|
for action in it. While he was yet uninformed of the traitor's
|
|
retreat, it served to divert his mind from his own calamity, and to
|
|
entertain it with another prospect. The brother and sister of his
|
|
false favourite had no such relief; everything in their history, past
|
|
and present, gave his delinquency a more afflicting meaning to them.
|
|
|
|
The sister may have sometimes sadly thought that if she had
|
|
remained with him, the companion and friend she had been once, he
|
|
might have escaped the crime into which he had fallen. If she ever
|
|
thought so, it was still without regret for what she had done, without
|
|
the least doubt of her duty, without any pricing or enhancing of her
|
|
self-devotion. But when this possibility presented itself to the
|
|
erring and repentant brother, as it sometimes did, it smote upon his
|
|
heart with such a keen, reproachful touch as he could hardly bear. No
|
|
idea of retort upon his cruel brother came into his mind. New
|
|
accusation of himself, fresh inward lamentings over his own
|
|
unworthiness, and the ruin in which it was at once his consolation and
|
|
his self-reproach that he did not stand alone, were the sole kind of
|
|
reflections to which the discovery gave rise in him.
|
|
|
|
It was on the very same day whose evening set upon the last
|
|
chapter, and when Mr Dombey's world was busiest with the elopement of
|
|
his wife, that the window of the room in which the brother and sister
|
|
sat at their early breakfast, was darkened by the unexpected shadow of
|
|
a man coming to the little porch: which man was Perch the Messenger.
|
|
|
|
'I've stepped over from Balls Pond at a early hour,' said Mr Perch,
|
|
confidentially looking in at the room door, and stopping on the mat to
|
|
wipe his shoes all round, which had no mud upon them, 'agreeable to my
|
|
instructions last night. They was, to be sure and bring a note to you,
|
|
Mr Carker, before you went out in the morning. I should have been here
|
|
a good hour and a half ago,' said Mr Perch, meekly, 'but fOr the state
|
|
of health of Mrs P., who I thought I should have lost in the night, I
|
|
do assure you, five distinct times.'
|
|
|
|
'Is your wife so ill?' asked Harriet.
|
|
|
|
'Why, you see,' said Mr Perch, first turning round to shut the door
|
|
carefully, 'she takes what has happened in our House so much to heart,
|
|
Miss. Her nerves is so very delicate, you see, and soon unstrung. Not
|
|
but what the strongest nerves had good need to be shook, I'm sure. You
|
|
feel it very much yourself, no doubts.
|
|
|
|
Harriet repressed a sigh, and glanced at her brother.
|
|
|
|
'I'm sure I feel it myself, in my humble way,' Mr Perch went on to
|
|
say, with a shake of his head, 'in a manner I couldn't have believed
|
|
if I hadn't been called upon to undergo. It has almost the effect of
|
|
drink upon me. I literally feels every morning as if I had been taking
|
|
more than was good for me over-night.'
|
|
|
|
Mr Perch's appearance corroborated this recital of his symptoms.
|
|
There was an air of feverish lassitude about it, that seemed referable
|
|
to drams; and, which, in fact, might no doubt have been traced to
|
|
those numerous discoveries of himself in the bars of public-houses,
|
|
being treated and questioned, which he was in the daily habit of
|
|
making.
|
|
|
|
'Therefore I can judge,' said Mr Perch, shaking his head and
|
|
speaking in a silvery murmur, 'of the feelings of such as is at all
|
|
peculiarly sitiwated in this most painful rewelation.'
|
|
|
|
Here Mr Perch waited to be confided in; and receiving no
|
|
confidence, coughed behind his hand. This leading to nothing, he
|
|
coughed behind his hat; and that leading to nothing, he put his hat on
|
|
the ground and sought in his breast pocket for the letter.
|
|
|
|
'If I rightly recollect, there was no answer,' said Mr Perch, with
|
|
an affable smile; 'but perhaps you'll be so good as cast your eye over
|
|
it, Sir.'
|
|
|
|
John Carker broke the seal, which was Mr Dombey's, and possessing
|
|
himself of the contents, which were very brief, replied,
|
|
|
|
'No. No answer is expected.'
|
|
|
|
'Then I shall wish you good morning, Miss,' said Perch, taking a
|
|
step toward the door, and hoping, I'm sure, that you'll not permit
|
|
yourself to be more reduced in mind than you can help, by the late
|
|
painful rewelation. The Papers,' said Mr Perch, taking two steps back
|
|
again, and comprehensively addressing both the brother and sister in a
|
|
whisper of increased mystery, 'is more eager for news of it than you'd
|
|
suppose possible. One of the Sunday ones, in a blue cloak and a white
|
|
hat, that had previously offered for to bribe me - need I say with
|
|
what success? - was dodging about our court last night as late as
|
|
twenty minutes after eight o'clock. I see him myself, with his eye at
|
|
the counting-house keyhole, which being patent is impervious. Another
|
|
one,' said Mr Perch, 'with military frogs, is in the parlour of the
|
|
King's Arms all the blessed day. I happened, last week, to let a
|
|
little obserwation fall there, and next morning, which was Sunday, I
|
|
see it worked up in print, in a most surprising manner.'
|
|
|
|
Mr Perch resorted to his breast pocket, as if to produce the
|
|
paragraph but receiving no encouragement, pulled out his beaver
|
|
gloves, picked up his hat, and took his leave; and before it was high
|
|
noon, Mr Perch had related to several select audiences at the King's
|
|
Arms and elsewhere, how Miss Carker, bursting into tears, had caught
|
|
him by both hands, and said, 'Oh! dear dear Perch, the sight of you is
|
|
all the comfort I have left!' and how Mr John Carker had said, in an
|
|
awful voice, 'Perch, I disown him. Never let me hear hIm mentioned as
|
|
a brother more!'
|
|
|
|
'Dear John,' said Harriet, when they were left alone, and had
|
|
remained silent for some few moments. 'There are bad tidings in that
|
|
letter.'
|
|
|
|
'Yes. But nothing unexpected,' he replied. 'I saw the writer
|
|
|
|
yesterday.'
|
|
|
|
'The writer?'
|
|
|
|
'Mr Dombey. He passed twice through the Counting House while I was
|
|
there. I had been able to avoid him before, but of course could not
|
|
hope to do that long. I know how natural it was that he should regard
|
|
my presence as something offensive; I felt it must be so, myself.'
|
|
|
|
'He did not say so?'
|
|
|
|
'No; he said nothing: but I saw that his glance rested on me for a
|
|
moment, and I was prepared for what would happen - for what has
|
|
happened. I am dismissed!'
|
|
|
|
She looked as little shocked and as hopeful as she could, but it
|
|
was distressing news, for many reasons.
|
|
|
|
'"I need not tell you"' said John Carker, reading the letter, '"why
|
|
your name would henceforth have an unnatural sound, in however remote
|
|
a connexion with mine, or why the daily sight of anyone who bears it,
|
|
would be unendurable to me. I have to notify the cessation of all
|
|
engagements between us, from this date, and to request that no renewal
|
|
of any communication with me, or my establishment, be ever attempted
|
|
by you." - Enclosed is an equivalent in money to a generously long
|
|
notice, and this is my discharge." Heaven knows, Harriet, it is a
|
|
lenient and considerate one, when we remember all!'
|
|
|
|
'If it be lenient and considerate to punish you at all, John, for
|
|
the misdeed of another,' she replied gently, 'yes.'
|
|
|
|
'We have been an ill-omened race to him,' said John Carker. 'He has
|
|
reason to shrink from the sound of our name, and to think that there
|
|
is something cursed and wicked in our blood. I should almost think it
|
|
too, Harriet, but for you.'
|
|
|
|
'Brother, don't speak like this. If you have any special reason, as
|
|
you say you have, and think you have - though I say, No!- to love me,
|
|
spare me the hearing of such wild mad words!'
|
|
|
|
He covered his face with both his hands; but soon permitted her,
|
|
coming near him, to take one in her own.
|
|
|
|
'After so many years, this parting is a melancholy thing, I know,'
|
|
said his sister, 'and the cause of it is dreadful to us both. We have
|
|
to live, too, and must look about us for the means. Well, well! We can
|
|
do so, undismayed. It is our pride, not our trouble, to strive, John,
|
|
and to strive together!'
|
|
|
|
A smile played on her lips, as she kissed his cheek, and entreated
|
|
him to be of of good cheer.
|
|
|
|
'Oh, dearest sister! Tied, of your own noble will, to a ruined man!
|
|
whose reputation is blighted; who has no friend himself, and has
|
|
driven every friend of yours away!'
|
|
|
|
'John!' she laid her hand hastily upon his lips, 'for my sake! In
|
|
remembrance of our long companionship!' He was silent 'Now, let me
|
|
tell you, dear,' quietly sitting by his side, 'I have, as you have,
|
|
expected this; and when I have been thinking of it, and fearing that
|
|
it would happen, and preparing myself for it, as well as I could, I
|
|
have resolved to tell you, if it should be so, that I have kept a
|
|
secret from you, and that we have a friend.'
|
|
|
|
'What's our friend's name, Harriet?' he answered with a sorrowful
|
|
|
|
smile.
|
|
|
|
'Indeed, I don't know, but he once made a very earnest protestation
|
|
to me of his friendship and his wish to serve us: and to this day I
|
|
believe 'him.'
|
|
|
|
'Harriet!' exclaimed her wondering brother, 'where does this friend
|
|
|
|
live?'
|
|
|
|
'Neither do I know that,' she returned. 'But he knows us both, and
|
|
our history - all our little history, John. That is the reason why, at
|
|
his own suggestion, I have kept the secret of his coming, here, from
|
|
you, lest his acquaintance with it should distress you.
|
|
|
|
'Here! Has he been here, Harriet?'
|
|
|
|
'Here, in this room. Once.'
|
|
|
|
'What kind of man?'
|
|
|
|
'Not young. "Grey-headed," as he said, "and fast growing greyer."
|
|
But generous, and frank, and good, I am sure.'
|
|
|
|
'And only seen once, Harriet?'
|
|
|
|
'In this room only once,' said his sister, with the slightest and
|
|
most transient glow upon her cheek; 'but when here, he entreated me to
|
|
suffer him to see me once a week as he passed by, in token of our
|
|
being well, and continuing to need nothing at his hands. For I told
|
|
him, when he proffered us any service he could render - which was the
|
|
object of his visit - that we needed nothing.'
|
|
|
|
'And once a week - '
|
|
|
|
'Once every week since then, and always on the same day, and at the
|
|
same hour, he his gone past; always on foot; always going in the same
|
|
direction - towards London; and never pausing longer than to bow to
|
|
me, and wave his hand cheerfully, as a kind guardian might. He made
|
|
that promise when he proposed these curious interviews, and has kept
|
|
it so faithfully and pleasantly, that if I ever felt any trifling
|
|
uneasiness about them in the beginning (which I don't think I did,
|
|
John; his manner was so plain and true) It very soon vanished, and
|
|
left me quite glad when the day was coming. Last Monday - the first
|
|
since this terrible event - he did not go by; and I have wondered
|
|
whether his absence can have been in any way connected with what has
|
|
happened.'
|
|
|
|
'How?' inquired her brother.
|
|
|
|
'I don't know how. I have only speculated on the coincidence; I
|
|
have not tried to account for it. I feel sure he will return. When he
|
|
does, dear John, let me tell him that I have at last spoken to you,
|
|
and let me bring you together. He will certainly help us to a new
|
|
livelihood. His entreaty was that he might do something to smooth my
|
|
life and yours; and I gave him my promise that if we ever wanted a
|
|
friend, I would remember him.'
|
|
|
|
'Then his name was to be no secret, 'Harriet,' said her brother,
|
|
who had listened with close attention, 'describe this gentleman to me.
|
|
I surely ought to know one who knows me so well.'
|
|
|
|
His sister painted, as vividly as she could, the features, stature,
|
|
and dress of her visitor; but John Carker, either from having no
|
|
knowledge of the original, or from some fault in her description, or
|
|
from some abstraction of his thoughts as he walked to and fro,
|
|
pondering, could not recognise the portrait she presented to him.
|
|
|
|
However, it was agreed between them that he should see the original
|
|
when he next appeared. This concluded, the sister applied herself,
|
|
with a less anxious breast, to her domestic occupations; and the
|
|
grey-haired man, late Junior of Dombey's, devoted the first day of his
|
|
unwonted liberty to working in the garden.
|
|
|
|
It was quite late at night, and the brother was reading aloud while
|
|
the sister plied her needle, when they were interrupted by a knocking
|
|
at the door. In the atmosphere of vague anxiety and dread that lowered
|
|
about them in connexion with their fugitive brother, this sound,
|
|
unusual there, became almost alarming. The brother going to the door,
|
|
the sister sat and listened timidly. Someone spoke to him, and he
|
|
replied and seemed surprised; and after a few words, the two
|
|
approached together.
|
|
|
|
'Harriet,' said her brother, lighting in their late visitor, and
|
|
speaking in a low voice, 'Mr Morfin - the gentleman so long in
|
|
Dombey's House with James.'
|
|
|
|
His sister started back, as if a ghost had entered. In the doorway
|
|
stood the unknown friend, with the dark hair sprinkled with grey, the
|
|
ruddy face, the broad clear brow, and hazel eyes, whose secret she had
|
|
kept so long!
|
|
|
|
'John!' she said, half-breathless. 'It is the gentleman I told you
|
|
of, today!'
|
|
|
|
'The gentleman, Miss Harriet,' said the visitor, coming in - for he
|
|
had stopped a moment in the doorway - 'is greatly relieved to hear you
|
|
say that: he has been devising ways and means, all the way here, of
|
|
explaining himself, and has been satisfied with none. Mr John, I am
|
|
not quite a stranger here. You were stricken with astonishment when
|
|
you saw me at your door just now. I observe you are more astonished at
|
|
present. Well! That's reasonable enough under existing circumstances.
|
|
If we were not such creatures of habit as we are, we shouldn't have
|
|
reason to be astonished half so often.'
|
|
|
|
By this time, he had greeted Harriet with that able mingling of
|
|
cordiality and respect which she recollected so well, and had sat down
|
|
near her, pulled off his gloves, and thrown them into his hat upon the
|
|
table.
|
|
|
|
'There's nothing astonishing,' he said, 'in my having conceived a
|
|
desire to see your sister, Mr John, or in my having gratified it in my
|
|
own way. As to the regularity of my visits since (which she may have
|
|
mentioned to you), there is nothing extraordinary in that. They soon
|
|
grew into a habit; and we are creatures of habit - creatures of
|
|
habit!'
|
|
|
|
Putting his hands into his pockets, and leaning back in his chair,
|
|
he looked at the brother and sister as if it were interesting to him
|
|
to see them together; and went on to say, with a kind of irritable
|
|
thoughtfulness:
|
|
|
|
'It's this same habit that confirms some of us, who are capable of
|
|
better things, in Lucifer's own pride and stubbornness - that confirms
|
|
and deepens others of us in villainy - more of us in indifference -
|
|
that hardens us from day to day, according to the temper of our clay,
|
|
like images, and leaves us as susceptible as images to new impressions
|
|
and convictions. You shall judge of its influence on me, John. For
|
|
more years than I need name, I had my small, and exactly defined
|
|
share, in the management of Dombey's House, and saw your brother (who
|
|
has proved himself a scoundrel! Your sister will forgive my being
|
|
obliged to mention it) extending and extending his influence, until
|
|
the business and its owner were his football; and saw you toiling at
|
|
your obscure desk every day; and was quite content to be as little
|
|
troubled as I might be, out of my own strip of duty, and to let
|
|
everything about me go on, day by day, unquestioned, like a great
|
|
machine - that was its habit and mine - and to take it all for
|
|
granted, and consider it all right. My Wednesday nights came regularly
|
|
round, our quartette parties came regularly off, my violoncello was in
|
|
good tune, and there was nothing wrong in my world - or if anything
|
|
not much - or little or much, it was no affair of mine.'
|
|
|
|
'I can answer for your being more respected and beloved during all
|
|
that time than anybody in the House, Sir,' said John Carker.
|
|
|
|
'Pooh! Good-natured and easy enough, I daresay,'returned the other,
|
|
'a habit I had. It suited the Manager; it suited the man he managed:
|
|
it suited me best of all. I did what was allotted to me to do, made no
|
|
court to either of them, and was glad to occupy a station in which
|
|
none was required. So I should have gone on till now, but that my room
|
|
had a thin wall. You can tell your sister that it was divided from the
|
|
Manager's room by a wainscot partition.'
|
|
|
|
'They were adjoining rooms; had been one, Perhaps, originally; and
|
|
were separated, as Mr Morfin says,' said her brother, looking back to
|
|
him for the resumption of his explanation.
|
|
|
|
'I have whistled, hummed tunes, gone accurately through the whole
|
|
of Beethoven's Sonata in B,' to let him know that I was within
|
|
hearing,' said Mr Morfin; 'but he never heeded me. It happened seldom
|
|
enough that I was within hearing of anything of a private nature,
|
|
certainly. But when I was, and couldn't otherwise avoid knowing
|
|
something of it, I walked out. I walked out once, John, during a
|
|
conversation between two brothers, to which, in the beginning, young
|
|
Walter Gay was a party. But I overheard some of it before I left the
|
|
room. You remember it sufficiently, perhaps, to tell your sister what
|
|
its nature was?'
|
|
|
|
'It referred, Harriet,' said her brother in a low voice, 'to the
|
|
past, and to our relative positions in the House.'
|
|
|
|
'Its matter was not new to me, but was presented in a new aspect.
|
|
It shook me in my habit - the habit of nine-tenths of the world - of
|
|
believing that all was right about me, because I was used to it,' said
|
|
their visitor; 'and induced me to recall the history of the two
|
|
brothers, and to ponder on it. I think it was almost the first time in
|
|
my life when I fell into this train of reflection - how will many
|
|
things that are familiar, and quite matters of course to us now, look,
|
|
when we come to see them from that new and distant point of view which
|
|
we must all take up, one day or other? I was something less
|
|
good-natured, as the phrase goes, after that morning, less easy and
|
|
complacent altogether.'
|
|
|
|
He sat for a minute or so, drumming with one hand on the table; and
|
|
resumed in a hurry, as if he were anxious to get rid of his
|
|
confession.
|
|
|
|
'Before I knew what to do, or whether I could do anything, there
|
|
was a second conversation between the same two brothers, in which
|
|
their sister was mentioned. I had no scruples of conscience in
|
|
suffering all the waifs and strays of that conversation to float to me
|
|
as freely as they would. I considered them mine by right. After that,
|
|
I came here to see the sister for myself. The first time I stopped at
|
|
the garden gate, I made a pretext of inquiring into the character of a
|
|
poor neighbour; but I wandered out of that tract, and I think Miss
|
|
Harriet mistrusted me. The second time I asked leave to come in; came
|
|
in; and said what I wished to say. Your sister showed me reasons which
|
|
I dared not dispute, for receiving no assistance from me then; but I
|
|
established a means of communication between us, which remained
|
|
unbroken until within these few days, when I was prevented, by
|
|
important matters that have lately devolved upon me, from maintaining
|
|
them'
|
|
|
|
'How little I have suspected this,' said John Carker, 'when I have
|
|
seen you every day, Sir! If Harriet could have guessed your name - '
|
|
|
|
'Why, to tell you the truth, John,' interposed the visitor, 'I kept
|
|
it to myself for two reasons. I don't know that the first might have
|
|
been binding alone; but one has no business to take credit for good
|
|
intentions, and I made up my mind, at all events, not to disclose
|
|
myself until I should be able to do you some real service or other. My
|
|
second reason was, that I always hoped there might be some lingering
|
|
possibility of your brother's relenting towards you both; and in that
|
|
case, I felt that where there was the chance of a man of his
|
|
suspicious, watchful character, discovering that you had been secretly
|
|
befriended by me, there was the chance of a new and fatal cause of
|
|
division. I resolved, to be sure, at the risk of turning his
|
|
displeasure against myself - which would have been no matter - to
|
|
watch my opportunity of serving you with the head of the House; but
|
|
the distractions of death, courtship, marriage, and domestic
|
|
unhappiness, have left us no head but your brother for this long, long
|
|
time. And it would have been better for us,' said the visitor,
|
|
dropping his voice, 'to have been a lifeless trunk.'
|
|
|
|
He seemed conscious that these latter words had escaped hIm against
|
|
his will, and stretching out a hand to the brother, and a hand to the
|
|
sister, continued: 'All I could desire to say, and more, I have now
|
|
said. All I mean goes beyond words, as I hope you understand and
|
|
believe. The time has come, John - though most unfortunately and
|
|
unhappily come - when I may help you without interfering with that
|
|
redeeming struggle, which has lasted through so many years; since you
|
|
were discharged from it today by no act of your own. It is late; I
|
|
need say no more to-night. You will guard the treasure you have here,
|
|
without advice or reminder from me.'
|
|
|
|
With these words he rose to go.
|
|
|
|
'But go you first, John,' he said goodhumouredly, 'with a light,
|
|
without saying what you want to say, whatever that maybe;' John
|
|
Carker's heart was full, and he would have relieved it in speech,' if
|
|
he could; 'and let me have a word with your sister. We have talked
|
|
alone before, and in this room too; though it looks more natural with
|
|
you here.'
|
|
|
|
Following him out with his eyes, he turned kindly to Harriet, and
|
|
said in a lower voice, and with an altered and graver manner:
|
|
|
|
'You wish to ask me something of the man whose sister it is your
|
|
misfortune to be.'
|
|
|
|
'I dread to ask,' said Harriet.
|
|
|
|
'You have looked so earnestly at me more than once,' rejoined the
|
|
visitor, 'that I think I can divine your question. Has he taken money?
|
|
Is it that?'
|
|
|
|
'Yes.'
|
|
|
|
'He has not.'
|
|
|
|
'I thank Heaven!' said Harriet. 'For the sake of John.'
|
|
|
|
'That he has abused his trust in many ways,' said Mr Morfin; 'that
|
|
he has oftener dealt and speculated to advantage for himself, than for
|
|
the House he represented; that he has led the House on, to prodigious
|
|
ventures, often resulting in enormous losses; that he has always
|
|
pampered the vanity and ambition of his employer, when it was his duty
|
|
to have held them in check, and shown, as it was in his power to do,
|
|
to what they tended here or there; will not, perhaps, surprise you
|
|
now. Undertakings have been entered on, to swell the reputation of the
|
|
House for vast resources, and to exhibit it in magnificent contrast to
|
|
other merchants' Houses, of which it requires a steady head to
|
|
contemplate the possibly - a few disastrous changes of affairs might
|
|
render them the probably - ruinous consequences. In the midst of the
|
|
many transactions of the House, in most parts of the world: a great
|
|
labyrinth of which only he has held the clue: he has had the
|
|
opportunity, and he seems to have used it, of keeping the various
|
|
results afloat, when ascertained, and substituting estimates and
|
|
generalities for facts. But latterly - you follow me, Miss Harriet?'
|
|
|
|
'Perfectly, perfectly,' she answered, with her frightened face
|
|
fixed on his. 'Pray tell me all the worst at once.
|
|
|
|
'Latterly, he appears to have devoted the greatest pains to making
|
|
these results so plain and clear, that reference to the private books
|
|
enables one to grasp them, numerous and varying as they are, with
|
|
extraordinary ease. As if he had resolved to show his employer at one
|
|
broad view what has been brought upon him by ministration to his
|
|
ruling passion! That it has been his constant practice to minister to
|
|
that passion basely, and to flatter it corruptly, is indubitable. In
|
|
that, his criminality, as it is connected with the affairs of the
|
|
House, chiefly consists.'
|
|
|
|
'One other word before you leave me, dear Sir,' said Harriet.
|
|
'There is no danger in all this?'
|
|
|
|
'How danger?' he returned, with a little hesitation.
|
|
|
|
'To the credit of the House?'
|
|
|
|
'I cannot help answering you plainly, and trusting you completely,'
|
|
said Mr Morfin, after a moment's survey of her face.
|
|
|
|
'You may. Indeed you may!'
|
|
|
|
'I am sure I may. Danger to the House's credit? No; none There may
|
|
be difficulty, greater or less difficulty, but no danger, unless -
|
|
unless, indeed - the head of the House, unable to bring his mind to
|
|
the reduction of its enterprises, and positively refusing to believe
|
|
that it is, or can be, in any position but the position in which he
|
|
has always represented it to himself, should urge it beyond its
|
|
strength. Then it would totter.'
|
|
|
|
'But there is no apprehension of that?' said Harriet.
|
|
|
|
'There shall be no half-confidence,' he replied, shaking her hand,
|
|
'between us. Mr Dombey is unapproachable by anyone, and his state of
|
|
mind is haughty, rash, unreasonable, and ungovernable, now. But he is
|
|
disturbed and agitated now beyond all common bounds, and it may pass.
|
|
You now know all, both worst and best. No more to-night, and
|
|
good-night!'
|
|
|
|
With that he kissed her hand, and, passing out to the door where
|
|
her brother stood awaiting his coming, put him cheerfully aside when
|
|
he essayed to speak; told him that, as they would see each other soon
|
|
and often, he might speak at another time, if he would, but there was
|
|
no leisure for it then; and went away at a round pace, in order that
|
|
no word of gratitude might follow him.
|
|
|
|
The brother and sister sat conversing by the fireside, until it was
|
|
almost day; made sleepless by this glimpse of the new world that
|
|
opened before them, and feeling like two people shipwrecked long ago,
|
|
upon a solitary coast, to whom a ship had come at last, when they were
|
|
old in resignation, and had lost all thought of any other home. But
|
|
another and different kind of disquietude kept them waking too. The
|
|
darkness out of which this light had broken on them gathered around;
|
|
and the shadow of their guilty brother was in the house where his foot
|
|
had never trod.
|
|
|
|
Nor was it to be driven out, nor did it fade before the sun. Next
|
|
morning it was there; at noon; at night Darkest and most distinct at
|
|
night, as is now to be told.
|
|
|
|
John Carker had gone out, in pursuance of a letter of appointment
|
|
from their friend, and Harriet was left in the house alone. She had
|
|
been alone some hours. A dull, grave evening, and a deepening
|
|
twilight, were not favourable to the removal of the oppression on her
|
|
spirits. The idea of this brother, long unseen and unknown, flitted
|
|
about her in frightful shapes He was dead, dying, calling to her,
|
|
staring at her, frowning on her. The pictures in her mind were so
|
|
obtrusive and exact that, as the twilight deepened, she dreaded to
|
|
raise her head and look at the dark corners of the room, lest his
|
|
wraith, the offspring of her excited imagination, should be waiting
|
|
there, to startle her. Once she had such a fancy of his being in the
|
|
next room, hiding - though she knew quite well what a distempered
|
|
fancy it was, and had no belief in it - that she forced herself to go
|
|
there, for her own conviction. But in vain. The room resumed its
|
|
shadowy terrors, the moment she left it; and she had no more power to
|
|
divest herself of these vague impressions of dread, than if they had
|
|
been stone giants, rooted in the solid earth.
|
|
|
|
It was almost dark, and she was sitting near the window, with her
|
|
head upon her hand, looking down, when, sensible of a sudden increase
|
|
in the gloom of the apartment, she raised her eyes, and uttered an
|
|
involuntary cry. Close to the glass, a pale scared face gazed in;
|
|
vacantly, for an instant, as searching for an object; then the eyes
|
|
rested on herself, and lighted up.
|
|
|
|
'Let me in! Let me in! I want to speak to you!' and the hand
|
|
rattled on the glass.
|
|
|
|
She recognised immediately the woman with the long dark hair, to
|
|
whom she had given warmth, food, and shelter, one wet night. Naturally
|
|
afraid of her, remembering her violent behaviour, Harriet, retreating
|
|
a little from the window, stood undecided and alarmed.
|
|
|
|
'Let me in! Let me speak to you! I am thankful - quiet - humble -
|
|
anything you like. But let me speak to you.'
|
|
|
|
The vehement manner of the entreaty, the earnest expression of the
|
|
face, the trembling of the two hands that were raised imploringly, a
|
|
certain dread and terror in the voice akin to her own condition at the
|
|
moment, prevailed with Harriet. She hastened to the door and opened
|
|
it.
|
|
|
|
'May I come in, or shall I speak here?' said the woman, catching at
|
|
her hand.
|
|
|
|
'What is it that you want? What is it that you have to say?'
|
|
|
|
'Not much, but let me say it out, or I shall never say it. I am
|
|
tempted now to go away. There seem to be hands dragging me from the
|
|
door. Let me come in, if you can trust me for this once!'
|
|
|
|
Her energy again prevailed, and they passed into the firelight of
|
|
the little kitchen, where she had before sat, and ate, and dried her
|
|
clothes.
|
|
|
|
'Sit there,' said Alice, kneeling down beside her, 'and look at me.
|
|
You remember me?'
|
|
|
|
'I do.'
|
|
|
|
'You remember what I told you I had been, and where I came from,
|
|
ragged and lame, with the fierce wind and weather beating on my head?'
|
|
|
|
'Yes.'
|
|
|
|
'You know how I came back that night, and threw your money in the
|
|
dirt, and you and your race. Now, see me here, upon my knees. Am l
|
|
less earnest now, than I was then?'
|
|
|
|
'If what you ask,' said Harriet, gently, 'is forgiveness - '
|
|
|
|
'But it's not!' returned the other, with a proud, fierce look 'What
|
|
I ask is to be believed. Now you shall judge if I am worthy of belief,
|
|
both as I was, and as I am.'
|
|
|
|
Still upon her knees, and with her eyes upon the fire, and the fire
|
|
shining on her ruined beauty and her wild black hair, one long tress
|
|
of which she pulled over her shoulder, and wound about her hand, and
|
|
thoughtfully bit and tore while speaking, she went on:
|
|
|
|
'When I was young and pretty, and this,' plucking contemptuously at
|
|
the hair she held, was only handled delicately, and couldn't be
|
|
admired enough, my mother, who had not been very mindful of me as a
|
|
child, found out my merits, and was fond of me, and proud of me. She
|
|
was covetous and poor, and thought to make a sort of property of me.
|
|
No great lady ever thought that of a daughter yet, I'm sure, or acted
|
|
as if she did - it's never done, we all know - and that shows that the
|
|
only instances of mothers bringing up their daughters wrong, and evil
|
|
coming of it, are among such miserable folks as us.'
|
|
|
|
Looking at the fire, as if she were forgetful, for the moment, of
|
|
having any auditor, she continued in a dreamy way, as she wound the
|
|
long tress of hair tight round and round her hand.
|
|
|
|
'What came of that, I needn't say. Wretched marriages don't come of
|
|
such things, in our degree; only wretchedness and ruin. Wretchedness
|
|
and ruin came on me - came on me.
|
|
|
|
Raising her eyes swiftly from their moody gaze upon the fire, to
|
|
Harriet's face, she said:
|
|
|
|
'I am wasting time, and there is none to spare; yet if I hadn't
|
|
thought of all, I shouldn't be here now. Wretchedness and ruin came on
|
|
me, I say. I was made a short-lived toy, and flung aside more cruelly
|
|
and carelessly than even such things are. By whose hand do you think?'
|
|
|
|
'Why do you ask me?' said Harriet.
|
|
|
|
'Why do you tremble?' rejoined Alice, with an eager look. 'His
|
|
usage made a Devil of me. I sunk in wretchedness and ruin, lower and
|
|
lower yet. I was concerned in a robbery - in every part of it but the
|
|
gains - and was found out, and sent to be tried, without a friend,
|
|
without a penny. Though I was but a girl, I would have gone to Death,
|
|
sooner than ask him for a word, if a word of his could have saved me.
|
|
I would! To any death that could have been invented. But my mother,
|
|
covetous always, sent to him in my name, told the true story of my
|
|
case, and humbly prayed and petitioned for a small last gift - for not
|
|
so many pounds as I have fingers on this hand. Who was it, do you
|
|
think, who snapped his fingers at me in my misery, lying, as he
|
|
believed, at his feet, and left me without even this poor sign of
|
|
remembrance; well satisfied that I should be sent abroad, beyond the
|
|
reach of farther trouble to him, and should die, and rot there? Who
|
|
was this, do you think?'
|
|
|
|
'Why do you ask me?' repeated Harriet.
|
|
|
|
'Why do you tremble?' said Alice, laying her hand upon her arm' and
|
|
looking in her face, 'but that the answer is on your lips! It was your
|
|
brother James.
|
|
|
|
Harriet trembled more and more, but did not avert her eyes from the
|
|
eager look that rested on them.
|
|
|
|
'When I knew you were his sister - which was on that night - I came
|
|
back, weary and lame, to spurn your gift. I felt that night as if I
|
|
could have travelled, weary and lame, over the whole world, to stab
|
|
him, if I could have found him in a lonely place with no one near. Do
|
|
you believe that I was earnest in all that?'
|
|
|
|
'I do! Good Heaven, why are you come again?'
|
|
|
|
'Since then,' said Alice, with the same grasp of her arm, and the
|
|
same look in her face, 'I have seen him! I have followed him with my
|
|
eyes, In the broad day. If any spark of my resentment slumbered in my
|
|
bosom, it sprung into a blaze when my eyes rested on him. You know he
|
|
has wronged a proud man, and made him his deadly enemy. What if I had
|
|
given information of him to that man?'
|
|
|
|
'Information!' repeated Harriet.
|
|
|
|
'What if I had found out one who knew your brother's secret; who
|
|
knew the manner of his flight, who knew where he and the companion of
|
|
his flight were gone? What if I had made him utter all his knowledge,
|
|
word by word, before his enemy, concealed to hear it? What if I had
|
|
sat by at the time, looking into this enemy's face, and seeing it
|
|
change till it was scarcely human? What if I had seen him rush away,
|
|
mad, in pursuit? What if I knew, now, that he was on his road, more
|
|
fiend than man, and must, in so many hours, come up with him?'
|
|
|
|
'Remove your hand!' said Harriet, recoiling. 'Go away! Your touch
|
|
is dreadful to me!'
|
|
|
|
'I have done this,' pursued the other, with her eager look,
|
|
regardless of the interruption. 'Do I speak and look as if I really
|
|
had? Do you believe what I am saying?'
|
|
|
|
'I fear I must. Let my arm go!'
|
|
|
|
'Not yet. A moment more. You can think what my revengeful purpose
|
|
must have been, to last so long, and urge me to do this?'
|
|
|
|
'Dreadful!' said Harriet.
|
|
|
|
'Then when you see me now,' said Alice hoarsely, 'here again,
|
|
kneeling quietly on the ground, with my touch upon your arm, with my
|
|
eyes upon your face, you may believe that there is no common
|
|
earnestness in what I say, and that no common struggle has been
|
|
battling in my breast. I am ashamed to speak the words, but I relent.
|
|
I despise myself; I have fought with myself all day, and all last
|
|
night; but I relent towards him without reason, and wish to repair
|
|
what I have done, if it is possible. I wouldn't have them come
|
|
together while his pursuer is so blind and headlong. If you had seen
|
|
him as he went out last night, you would know the danger better.
|
|
|
|
'How can it be prevented? What can I do?' cried Harriet.
|
|
|
|
'All night long,' pursued the other, hurriedly, 'I had dreams of
|
|
him - and yet I didn't sleep - in his blood. All day, I have had him
|
|
near me.
|
|
|
|
'What can I do?' cried Harriet, shuddering at these words.
|
|
|
|
'If there is anyone who'll write, or send, or go to him, let them
|
|
lose no time. He is at Dijon. Do you know the name, and where it is?'
|
|
|
|
'Yes.'
|
|
|
|
'Warn him that the man he has made his enemy is in a frenzy, and
|
|
that he doesn't know him if he makes light of his approach. Tell him
|
|
that he is on the road - I know he is! - and hurrying on. Urge him to
|
|
get away while there is time - if there is time - and not to meet him
|
|
yet. A month or so will make years of difference. Let them not
|
|
encounter, through me. Anywhere but there! Any time but now! Let his
|
|
foe follow him, and find him for himself, but not through me! There is
|
|
enough upon my head without.'
|
|
|
|
The fire ceased to be reflected in her jet black hair, uplifted
|
|
face, and eager eyes; her hand was gone from Harriet's arm; and the
|
|
place where she had been was empty.
|
|
|
|
CHAPTER 54.
|
|
|
|
The Fugitives
|
|
|
|
Tea-time, an hour short of midnight; the place, a French apartment,
|
|
comprising some half-dozen rooms; - a dull cold hall or corridor, a
|
|
dining-room, a drawing-room, a bed-room, and an inner drawingroom, or
|
|
boudoir, smaller and more retired than the rest. All these shut in by
|
|
one large pair of doors on the main staircase, but each room provided
|
|
with two or three pairs of doors of its own, establishing several
|
|
means of communication with the remaining portion of the apartment, or
|
|
with certain small passages within the wall, leading, as is not
|
|
unusual in such houses, to some back stairs with an obscure outlet
|
|
below. The whole situated on the first floor of so large an Hotel,
|
|
that it did not absorb one entire row of windows upon one side of the
|
|
square court-yard in the centre, upon which the whole four sides of
|
|
the mansion looked.
|
|
|
|
An air of splendour, sufficiently faded to be melancholy, and
|
|
sufficiently dazzling to clog and embarrass the details of life with a
|
|
show of state, reigned in these rooms The walls and ceilings were
|
|
gilded and painted; the floors were waxed and polished; crimson
|
|
drapery hung in festoons from window, door, and mirror; and
|
|
candelabra, gnarled and intertwisted like the branches of trees, or
|
|
horns of animals, stuck out from the panels of the wall. But in the
|
|
day-time, when the lattice-blinds (now closely shut) were opened, and
|
|
the light let in, traces were discernible among this finery, of wear
|
|
and tear and dust, of sun and damp and smoke, and lengthened intervals
|
|
of want of use and habitation, when such shows and toys of life seem
|
|
sensitive like life, and waste as men shut up in prison do. Even
|
|
night, and clusters of burning candles, could not wholly efface them,
|
|
though the general glitter threw them in the shade.
|
|
|
|
The glitter of bright tapers, and their reflection in
|
|
looking-glasses, scraps of gilding and gay colours, were confined, on
|
|
this night, to one room - that smaller room within the rest, just now
|
|
enumerated. Seen from the hall, where a lamp was feebly burning,
|
|
through the dark perspective of open doors, it looked as shining and
|
|
precious as a gem. In the heart of its radiance sat a beautiful woman
|
|
- Edith.
|
|
|
|
She was alone. The same defiant, scornful woman still. The cheek a
|
|
little worn, the eye a little larger in appearance, and more lustrous,
|
|
but the haughty bearing just the same. No shame upon her brow; no late
|
|
repentance bending her disdainful neck. Imperious and stately yet, and
|
|
yet regardless of herself and of all else, she sat wIth her dark eyes
|
|
cast down, waiting for someone.
|
|
|
|
No book, no work, no occupation of any kind but her own thought,
|
|
beguiled the tardy time. Some purpose, strong enough to fill up any
|
|
pause, possessed her. With her lips pressed together, and quivering if
|
|
for a moment she released them from her control; with her nostril
|
|
inflated; her hands clasped in one another; and her purpose swelling
|
|
in her breast; she sat, and waited.
|
|
|
|
At the sound of a key in the outer door, and a footstep in the
|
|
hall, she started up, and cried 'Who's that?' The answer was in
|
|
French, and two men came in with jingling trays, to make preparation
|
|
for supper.
|
|
|
|
'Who had bade them to do so?' she asked.
|
|
|
|
'Monsieur had commanded it, when it was his pleasure to take the
|
|
apartment. Monsieur had said, when he stayed there for an hour, en
|
|
route, and left the letter for Madame - Madame had received it
|
|
surely?'
|
|
|
|
'Yes.'
|
|
|
|
'A thousand pardons! The sudden apprehension that it might have
|
|
been forgotten had struck hIm;' a bald man, with a large beard from a
|
|
neighbouring restaurant; 'with despair! Monsieur had said that supper
|
|
was to be ready at that hour: also that he had forewarned Madame of
|
|
the commands he had given, in his letter. Monsieur had done the Golden
|
|
Head the honour to request that the supper should be choice and
|
|
delicate. Monsieur would find that his confidence in the Golden Head
|
|
was not misplaced.'
|
|
|
|
Edith said no more, but looked on thoughtfully while they prepared
|
|
the table for two persons, and set the wine upon it. She arose before
|
|
they had finished, and taking a lamp, passed into the bed-chamber and
|
|
into the drawing-room, where she hurriedly but narrowly examined all
|
|
the doors; particularly one in the former room that opened on the
|
|
passage in the wall. From this she took the key, and put it on the
|
|
outer side. She then came back.
|
|
|
|
The men - the second of whom was a dark, bilious subject, in a
|
|
jacket, close shaved, and with a black head of hair close cropped -
|
|
had completed their preparation of the table, and were standing
|
|
looking at it. He who had spoken before, inquired whether Madame
|
|
thought it would be long before Monsieur arrived?
|
|
|
|
'She couldn't say. It was all one.'
|
|
|
|
'Pardon! There was the supper! It should be eaten on the instant.
|
|
Monsieur (who spoke French like an Angel - or a Frenchman - it was all
|
|
the same) had spoken with great emphasis of his punctuality. But the
|
|
English nation had so grand a genius for punctuality. Ah! what noise!
|
|
Great Heaven, here was Monsieur. Behold him!'
|
|
|
|
In effect, Monsieur, admitted by the other of the two, came, with
|
|
his gleaming teeth, through the dark rooms, like a mouth; and arriving
|
|
in that sanctuary of light and colour, a figure at full length,
|
|
embraced Madame, and addressed her in the French tongue as his
|
|
charming wife
|
|
|
|
'My God! Madame is going to faint. Madame is overcome with joy!'
|
|
The bald man with the beard observed it, and cried out.
|
|
|
|
Madame had only shrunk and shivered. Before the words were spoken,
|
|
she was standing with her hand upon the velvet back of a great chair;
|
|
her figure drawn up to its full height, and her face immoveable.
|
|
|
|
'Francois has flown over to the Golden Head for supper. He flies on
|
|
these occasions like an angel or a bird. The baggage of Monsieur is in
|
|
his room. All is arranged. The supper will be here this moment.' These
|
|
facts the bald man notified with bows and smiles, and presently the
|
|
supper came.
|
|
|
|
The hot dishes were on a chafing-dish; the cold already set forth,
|
|
with the change of service on a sideboard. Monsieur was satisfied with
|
|
this arrangement. The supper table being small, it pleased him very
|
|
well. Let them set the chafing-dish upon the floor, and go. He would
|
|
remove the dishes with his own hands.
|
|
|
|
'Pardon!' said the bald man, politely. 'It was impossible!'
|
|
|
|
Monsieur was of another opinion. He required no further attendance
|
|
that night.
|
|
|
|
'But Madame - ' the bald man hinted.
|
|
|
|
'Madame,' replied Monsieur, 'had her own maid. It was enough.'
|
|
|
|
'A million pardons! No! Madame had no maid!'
|
|
|
|
'I came here alone,' said Edith 'It was my choice to do so. I am
|
|
well used to travelling; I want no attendance. They need send nobody
|
|
to me.
|
|
|
|
Monsieur accordingly, persevering in his first proposed
|
|
impossibility, proceeded to follow the two attendants to the outer
|
|
door, and secure it after them for the night. The bald man turning
|
|
round to bow, as he went out, observed that Madame still stood with
|
|
her hand upon the velvet back of the great chair, and that her face
|
|
was quite regardless of him, though she was looking straight before
|
|
her.
|
|
|
|
As the sound of Carker's fastening the door resounded through the
|
|
intermediate rooms, and seemed to come hushed and stilled into that
|
|
last distant one, the sound of the Cathedral clock striking twelve
|
|
mingled with it, in Edith's ears She heard him pause, as if he heard
|
|
it too and listened; and then came back towards her, laying a long
|
|
train of footsteps through the silence, and shutting all the doors
|
|
behind him as he came along. Her hand, for a moment, left the velvet
|
|
chair to bring a knife within her reach upon the table; then she stood
|
|
as she had stood before.
|
|
|
|
'How strange to come here by yourself, my love!' he said as he
|
|
entered.
|
|
|
|
'What?' she returned.
|
|
|
|
Her tone was so harsh; the quick turn of her head so fierce; her
|
|
attitude so repellent; and her frown so black; that he stood, with the
|
|
lamp in his hand, looking at her, as if she had struck him motionless.
|
|
|
|
'I say,' he at length repeated, putting down the lamp, and smiling
|
|
his most courtly smile, 'how strange to come here alone! It was
|
|
unnecessarty caution surely, and might have defeated itself. You were
|
|
to have engaged an attendant at Havre or Rouen, and have had abundance
|
|
of time for the purpose, though you had been the most capricious and
|
|
difficult (as you are the most beautiful, my love) of women.'
|
|
|
|
Her eyes gleamed strangely on him, but she stood with her hand
|
|
resting on the chair, and said not a word.
|
|
|
|
'I have never,' resumed Carker, 'seen you look so handsome, as you
|
|
do to-night. Even the picture I have carried in my mind during this
|
|
cruel probation, and which I have contemplated night and day, is
|
|
exceeded by the reality.'
|
|
|
|
Not a word. Not a look Her eyes completely hidden by their drooping
|
|
lashes, but her head held up.
|
|
|
|
'Hard, unrelenting terms they were!' said Carker, with a smile,
|
|
'but they are all fulfilled and passed, and make the present more
|
|
delicious and more safe. Sicily shall be the Place of our retreat. In
|
|
the idlest and easiest part of the world, my soul, we'll both seek
|
|
compensation for old slavery.'
|
|
|
|
He was coming gaily towards her, when, in an instant, she caught
|
|
the knife up from the table, and started one pace back.
|
|
|
|
'Stand still!' she said, 'or I shall murder you!'
|
|
|
|
The sudden change in her, the towering fury and intense abhorrence
|
|
sparkling in her eyes and lighting up her brow, made him stop as if a
|
|
fire had stopped him.
|
|
|
|
'Stand still!' she said, 'come no nearer me, upon your life!'
|
|
|
|
They both stood looking at each other. Rage and astonishment were
|
|
in his face, but he controlled them, and said lightly,
|
|
|
|
'Come, come! Tush, we are alone, and out of everybody's sight and
|
|
hearing. Do you think to frighten me with these tricks of virtue?'
|
|
|
|
'Do you think to frighten me,' she answered fiercely, 'from any
|
|
purpose that I have, and any course I am resolved upon, by reminding
|
|
me of the solitude of this place, and there being no help near? Me,
|
|
who am here alone, designedly? If I feared you, should I not have
|
|
avoided you? If I feared you, should I be here, in the dead of night,
|
|
telling you to your face what I am going to tell?'
|
|
|
|
'And what is that,' he said, 'you handsome shrew? Handsomer so,
|
|
than any other woman in her best humour?'
|
|
|
|
'I tell you nothing,' she returned, until you go back to that chair
|
|
- except this, once again - Don't come near me! Not a step nearer. I
|
|
tell you, if you do, as Heaven sees us, I shall murder you!'
|
|
|
|
'Do you mistake me for your husband?' he retorted, with a grin.
|
|
|
|
Disdaining to reply, she stretched her arm out, pointing to the
|
|
chair. He bit his lip, frowned, laughed, and sat down in it, with a
|
|
baffled, irresolute, impatient air, he was unable to conceal; and
|
|
biting his nail nervously, and looking at her sideways, with bitter
|
|
discomfiture, even while he feigned to be amused by her caprice.
|
|
|
|
She put the knife down upon the table, and touching her bosom wIth
|
|
her hand, said:
|
|
|
|
'I have something lying here that is no love trinket, and sooner
|
|
than endure your touch once more, I would use it on you - and you know
|
|
it, while I speak - with less reluctance than I would on any other
|
|
creeping thing that lives.'
|
|
|
|
He affected to laugh jestingly, and entreated her to act her play
|
|
out quickly, for the supper was growing cold. But the secret look with
|
|
which he regarded her, was more sullen and lowering, and he struck his
|
|
foot once upon the floor with a muttered oath.
|
|
|
|
'How many times,' said Edith, bending her darkest glance upon him'
|
|
'has your bold knavery assailed me with outrage and insult? How many
|
|
times in your smooth manner, and mocking words and looks, have I been
|
|
twitted with my courtship and my marriage? How many times have you
|
|
laid bare my wound of love for that sweet, injured girl and lacerated
|
|
it? How often have you fanned the fire on which, for two years, I have
|
|
writhed; and tempted me to take a desperate revenge, when it has most
|
|
tortured me?'
|
|
|
|
'I have no doubt, Ma'am,' he replied, 'that you have kept a good
|
|
account, and that it's pretty accurate. Come, Edith. To your husband,
|
|
poor wretch, this was well enough - '
|
|
|
|
'Why, if,' she said, surveying him with a haughty contempt and
|
|
disgust, that he shrunk under, let him brave it as he would, 'if all
|
|
my other reasons for despising him could have been blown away like
|
|
feathers, his having you for his counsellor and favourite, would have
|
|
almost been enough to hold their place.'
|
|
|
|
'Is that a reason why you have run away with me?' he asked her,
|
|
tauntingly.
|
|
|
|
'Yes, and why we are face to face for the last time. Wretch! We
|
|
meet tonight, and part tonight. For not one moment after I have ceased
|
|
to speak, will I stay here!'
|
|
|
|
He turned upon her with his ugliest look, and gripped the table
|
|
with his hand; but neither rose, nor otherwise answered or threatened
|
|
her.
|
|
|
|
'I am a woman,' she said, confronting him steadfastly, 'who from
|
|
her childhood has been shamed and steeled. I have been offered and
|
|
rejected, put up and appraised, until my very soul has sickened. I
|
|
have not had an accomplishment or grace that might have been a
|
|
resource to me, but it has been paraded and vended to enhance my
|
|
value, as if the common crier had called it through the streets. My
|
|
poor, proud friends, have looked on and approved; and every tie
|
|
between us has been deadened in my breast. There is not one of them
|
|
for whom I care, as I could care for a pet dog. I stand alone in the
|
|
world, remembering well what a hollow world it has been to me, and
|
|
what a hollow part of it I have been myself. You know this, and you
|
|
know that my fame with it is worthless to me.'
|
|
|
|
'Yes; I imagined that,' he said.
|
|
|
|
'And calculated on it,' she rejoined, 'and so pursued me. Grown too
|
|
indifferent for any opposition but indifference, to the daily working
|
|
of the hands that had moulded me to this; and knowing that my marriage
|
|
would at least prevent their hawking of me up and down; I suffered
|
|
myself to be sold, as infamously as any woman with a halter round her
|
|
neck is sold in any market-place. You know that.'
|
|
|
|
'Yes,' he said, showing all his teeth 'I know that.'
|
|
|
|
'And calculated on it,' she rejoined once more, 'and so pursued me.
|
|
From my marriage day, I found myself exposed to such new shame - to
|
|
such solicitation and pursuit (expressed as clearly as if it had been
|
|
written in the coarsest words, and thrust into my hand at every turn)
|
|
from one mean villain, that I felt as if I had never known humiliation
|
|
till that time. This shame my husband fixed upon me; hemmed me round
|
|
with, himself; steeped me in, with his own hands, and of his own act,
|
|
repeated hundreds of times. And thus - forced by the two from every
|
|
point of rest I had - forced by the two to yield up the last retreat
|
|
of love and gentleness within me, or to be a new misfortune on its
|
|
innocent object - driven from each to each, and beset by one when I
|
|
escaped the other - my anger rose almost to distraction against both I
|
|
do not know against which it rose higher - the master or the man!'
|
|
|
|
He watched her closely, as she stood before him in the very triumph
|
|
of her indignant beauty. She was resolute, he saw; undauntable; with
|
|
no more fear of him than of a worm.
|
|
|
|
'What should I say of honour or of chastity to you!' she went on.
|
|
'What meaning would it have to you; what meaning would it have from
|
|
me! But if I tell you that the lightest touch of your hand makes my
|
|
blood cold with antipathy; that from the hour when I first saw and
|
|
hated you, to now, when my instinctive repugnance is enhanced by every
|
|
minute's knowledge of you I have since had, you have been a loathsome
|
|
creature to me which has not its like on earth; how then?'
|
|
|
|
He answered with a faint laugh, 'Ay! How then, my queen?'
|
|
|
|
'On that night, when, emboldened by the scene you had assisted at,
|
|
you dared come to my room and speak to me,' she said, 'what passed?'
|
|
|
|
He shrugged his shoulders, and laughed
|
|
|
|
'What passed?' she said.
|
|
|
|
'Your memory is so distinct,' he said, 'that I have no doubt you
|
|
can recall it.'
|
|
|
|
'I can,' she said. 'Hear it! Proposing then, this flight - not this
|
|
flight, but the flight you thought it - you told me that in the having
|
|
given you that meeting, and leaving you to be discovered there, if you
|
|
so thought fit; and in the having suffered you to be alone with me
|
|
many times before, - and having made the opportunities, you said, -
|
|
and in the having openly avowed to you that I had no feeling for my
|
|
husband but aversion, and no care for myself - I was lost; I had given
|
|
you the power to traduce my name; and I lived, in virtuous reputation,
|
|
at the pleasure of your breath'
|
|
|
|
'All stratagems in love - ' he interrupted, smiling. 'The old
|
|
adage - '
|
|
|
|
'On that night,' said Edith, 'and then, the struggle that I long
|
|
had had with something that was not respect for my good fame - that
|
|
was I know not what - perhaps the clinging to that last retreat- was
|
|
ended. On that night, and then, I turned from everything but passion
|
|
and resentment. I struck a blow that laid your lofty master in the
|
|
dust, and set you there, before me, looking at me now, and knowing
|
|
what I mean.'
|
|
|
|
He sprung up from his chair with a great oath. She put her hand
|
|
into her bosom, and not a finger trembled, not a hair upon her head
|
|
was stirred. He stood still: she too: the table and chair between
|
|
them.~
|
|
|
|
'When I forget that this man put his lips to mine that night, and
|
|
held me in his arms as he has done again to-night,' said Edith,
|
|
pointing at him; 'when I forget the taint of his kiss upon my cheek -
|
|
the cheek that Florence would have laid her guiltless face against -
|
|
when I forget my meeting with her, while that taint was hot upon me,
|
|
and in what a flood the knowledge rushed upon me when I saw her, that
|
|
in releasing her from the persecution I had caused by my love, I
|
|
brought a shame and degradation on her name through mine, and in all
|
|
time to come should be the solitary figure representing in her mind
|
|
her first avoidance of a guilty creature - then, Husband, from whom I
|
|
stand divorced henceforth, I will forget these last two years, and
|
|
undo what I have done, and undeceive you!'
|
|
|
|
Her flashing eyes, uplifted for a moment, lighted again on Carker,
|
|
and she held some letters out in her left hand.
|
|
|
|
'See these!' she said, contemptuously. 'You have addressed these to
|
|
me in the false name you go by; one here, some elsewhere on my road.
|
|
The seals are unbroken. Take them back!'
|
|
|
|
She crunched them in her hand, and tossed them to his feet. And as
|
|
she looked upon him now, a smile was on her face.
|
|
|
|
'We meet and part to-night,' she said. 'You have fallen on Sicilian
|
|
days and sensual rest, too soon. You might have cajoled, and fawned,
|
|
and played your traitor's part, a little longer, and grown richer. You
|
|
purchase your voluptuous retirement dear!'
|
|
|
|
'Edith!' he retorted, menacing her with his hand. 'Sit down! Have
|
|
done with this! What devil possesses you?'
|
|
|
|
'Their name is Legion,' she replied, uprearing her proud form as if
|
|
she would have crushed him; 'you and your master have raised them in a
|
|
fruitful house, and they shall tear you both. False to him, false to
|
|
his innocent child, false every way and everywhere, go forth and boast
|
|
of me, and gnash your teeth, for once, to know that you are lying!'
|
|
|
|
He stood before her, muttering and menacing, and scowling round as
|
|
if for something that would help him to conquer her; but with the same
|
|
indomitable spirit she opposed him, without faltering.
|
|
|
|
'In every vaunt you make,' she said, 'I have my triumph I single
|
|
out in you the meanest man I know, the parasite and tool of the proud
|
|
tyrant, that his wound may go the deeper, and may rankle more. Boast,
|
|
and revenge me on him! You know how you came here to-night; you know
|
|
how you stand cowering there; you see yourself in colours quite as
|
|
despicable, if not as odious, as those in which I see you. Boast then,
|
|
and revenge me on yourself.'
|
|
|
|
The foam was on his lips; the wet stood on his forehead. If she
|
|
would have faltered once for only one half-moment, he would have
|
|
pinioned her; but she was as firm as rock, and her searching eyes
|
|
never left him.
|
|
|
|
'We don't part so,' he said. 'Do you think I am drivelling, to let
|
|
you go in your mad temper?'
|
|
|
|
'Do you think,' she answered, 'that I am to be stayed?'
|
|
|
|
'I'll try, my dear,' he said with a ferocious gesture of his head.
|
|
|
|
'God's mercy on you, if you try by coming near me!' she replied.
|
|
|
|
'And what,' he said, 'if there are none of these same boasts and
|
|
vaunts on my part? What if I were to turn too? Come!' and his teeth
|
|
fairly shone again. 'We must make a treaty of this, or I may take some
|
|
unexpected course. Sit down, sit down!'
|
|
|
|
'Too late!' she cried, with eyes that seemed to sparkle fire. 'I
|
|
have thrown my fame and good name to the winds! I have resolved to
|
|
bear the shame that will attach to me - resolved to know that it
|
|
attaches falsely - that you know it too - and that he does not, never
|
|
can, and never shall. I'll die, and make no sign. For this, I am here
|
|
alone with you, at the dead of night. For this, I have met you here,
|
|
in a false name, as your wife. For this, I have been seen here by
|
|
those men, and left here. Nothing can save you now.
|
|
|
|
He would have sold his soul to root her, in her beauty, to the
|
|
floor, and make her arms drop at her sides, and have her at his mercy.
|
|
But he could not look at her, and not be afraid of her. He saw a
|
|
strength within her that was resistless. He saw that she was
|
|
desperate, and that her unquenchable hatred of him would stop at
|
|
nothing. His eyes followed the hand that was put with such rugged
|
|
uncongenial purpose into her white bosom, and he thought that if it
|
|
struck at hIm, and failed, it would strike there, just as soon.
|
|
|
|
He did not venture, therefore, to advance towards her; but the door
|
|
by which he had entered was behind him, and he stepped back to lock
|
|
it.
|
|
|
|
'Lastly, take my warning! Look to yourself!' she said, and smiled
|
|
again. 'You have been betrayed, as all betrayers are. It has been made
|
|
known that you are in this place, or were to be, or have been. If I
|
|
live, I saw my husband in a carriage in the street to-night!'
|
|
|
|
'Strumpet, it's false!' cried Carker.
|
|
|
|
At the moment, the bell rang loudly in the hall. He turned white,
|
|
as she held her hand up like an enchantress, at whose invocation the
|
|
sound had come.
|
|
|
|
'Hark! do you hear it?'
|
|
|
|
He set his back against the door; for he saw a change in her, and
|
|
fancied she was coming on to pass him. But, in a moment, she was gone
|
|
through the opposite doors communicating with the bed-chamber, and
|
|
they shut upon her.
|
|
|
|
Once turned, once changed in her inflexible unyielding look, he
|
|
felt that he could cope with her. He thought a sudden terror,
|
|
occasioned by this night-alarm, had subdued her; not the less readily,
|
|
for her overwrought condition. Throwing open the doors, he followed,
|
|
almost instantly.
|
|
|
|
But the room was dark; and as she made no answer to his call, he
|
|
was fain to go back for the lamp. He held it up, and looked round,
|
|
everywhere, expecting to see her crouching in some corner; but the
|
|
room was empty. So, into the drawing-room and dining-room he went, in
|
|
succession, with the uncertain steps of a man in a strange place;
|
|
looking fearfully about, and prying behind screens and couches; but
|
|
she was not there. No, nor in the hall, which was so bare that he
|
|
could see that, at a glance.
|
|
|
|
All this time, the ringing at the bell was constantly renewed, and
|
|
those without were beating at the door. He put his lamp down at a
|
|
distance, and going near it, listened. There were several voices
|
|
talking together: at least two of them in English; and though the door
|
|
was thick, and there was great confusion, he knew one of these too
|
|
well to doubt whose voice it was.
|
|
|
|
He took up his lamp again, and came back quickly through all the
|
|
rooms, stopping as he quitted each, and looking round for her, with
|
|
the light raised above his head. He was standing thus in the
|
|
bed-chamber, when the door, leading to the little passage in the wall,
|
|
caught his eye. He went to it, and found it fastened on the other
|
|
side; but she had dropped a veil in going through, and shut it in the
|
|
door.
|
|
|
|
All this time the people on the stairs were ringing at the bell,
|
|
and knocking with their hands and feet.
|
|
|
|
He was not a coward: but these sounds; what had gone before; the
|
|
strangeness of the place, which had confused him, even in his return
|
|
from the hall; the frustration of his schemes (for, strange to say, he
|
|
would have been much bolder, if they had succeeded); the unseasonable
|
|
time; the recollection of having no one near to whom he could appeal
|
|
for any friendly office; above all, the sudden sense, which made even
|
|
his heart beat like lead, that the man whose confidence he had
|
|
outraged, and whom he had so treacherously deceived, was there to
|
|
recognise and challenge him with his mask plucked off his face; struck
|
|
a panic through him. He tried the door in which the veil was shut, but
|
|
couldn't force it. He opened one of the windows, and looked down
|
|
through the lattice of the blind, into the court-yard; but it was a
|
|
high leap, and the stones were pitiless.
|
|
|
|
The ringing and knocking still continuing - his panic too - he went
|
|
back to the door in the bed-chamber, and with some new efforts, each
|
|
more stubborn than the last, wrenched it open. Seeing the little
|
|
staircase not far off, and feeling the night-air coming up, he stole
|
|
back for his hat and coat, made the door as secure after hIm as he
|
|
could, crept down lamp in hand, extinguished it on seeing the street,
|
|
and having put it in a corner, went out where the stars were shining.
|
|
|
|
CHAPTER 55.
|
|
|
|
Rob the Grinder loses his Place
|
|
|
|
The Porter at the iron gate which shut the court-yard from the
|
|
street, had left the little wicket of his house open, and was gone
|
|
away; no doubt to mingle in the distant noise at the door of the great
|
|
staircase. Lifting the latch softly, Carker crept out, and shutting
|
|
the jangling gate after him with as little noise as possible, hurried
|
|
off.
|
|
|
|
In the fever of his mortification and unavailing rage, the panic
|
|
that had seized upon him mastered him completely. It rose to such a
|
|
height that he would have blindly encountered almost any risk, rather
|
|
than meet the man of whom, two hours ago, he had been utterly
|
|
regardless. His fierce arrival, which he had never expected; the sound
|
|
of his voice; their having been so near a meeting, face to face; he
|
|
would have braved out this, after the first momentary shock of alarm,
|
|
and would have put as bold a front upon his guilt as any villain. But
|
|
the springing of his mine upon himself, seemed to have rent and
|
|
shivered all his hardihood and self-reliance. Spurned like any
|
|
reptile; entrapped and mocked; turned upon, and trodden down by the
|
|
proud woman whose mind he had slowly poisoned, as he thought, until
|
|
she had sunk into the mere creature of his pleasure; undeceived in his
|
|
deceit, and with his fox's hide stripped off, he sneaked away,
|
|
abashed, degraded, and afraid.
|
|
|
|
Some other terror came upon hIm quite removed from this of being
|
|
pursued, suddenly, like an electric shock, as he was creeping through
|
|
the streets Some visionary terror, unintelligible and inexplicable,
|
|
asssociated with a trembling of the ground, - a rush and sweep of
|
|
something through the air, like Death upon the wing. He shrunk, as if
|
|
to let the thing go by. It was not gone, it never had been there, yet
|
|
what a startling horror it had left behind.
|
|
|
|
He raised his wicked face so full of trouble, to the night sky,
|
|
where the stars, so full of peace, were shining on him as they had
|
|
been when he first stole out into the air; and stopped to think what
|
|
he should do. The dread of being hunted in a strange remote place,
|
|
where the laws might not protect him - the novelty of the feeling that
|
|
it was strange and remote, originating in his being left alone so
|
|
suddenly amid the ruins of his plans - his greater dread of seeking
|
|
refuge now, in Italy or in Sicily, where men might be hired to
|
|
assissinate him, he thought, at any dark street corner-the waywardness
|
|
of guilt and fear - perhaps some sympathy of action with the turning
|
|
back of all his schemes - impelled him to turn back too, and go to
|
|
England.
|
|
|
|
'I am safer there, in any case. If I should not decide,' he
|
|
thought, 'to give this fool a meeting, I am less likely to be traced
|
|
there, than abroad here, now. And if I should (this cursed fit being
|
|
over), at least I shall not be alone, with out a soul to speak to, or
|
|
advise with, or stand by me. I shall not be run in upon and worried
|
|
like a rat.'
|
|
|
|
He muttered Edith's name, and clenched his hand. As he crept along,
|
|
in the shadow of the massive buildings, he set his teeth, and muttered
|
|
dreadful imprecations on her head, and looked from side to side, as if
|
|
in search of her. Thus, he stole on to the gate of an inn-yard. The
|
|
people were a-bed; but his ringing at the bell soon produced a man
|
|
with a lantern, in company with whom he was presently in a dim
|
|
coach-house, bargaining for the hire of an old phaeton, to Paris.
|
|
|
|
The bargain was a short one; and the horses were soon sent for.
|
|
Leaving word that the carriage was to follow him when they came, he
|
|
stole away again, beyond the town, past the old ramparts, out on the
|
|
open road, which seemed to glide away along the dark plain, like a
|
|
stream.
|
|
|
|
Whither did it flow? What was the end of it? As he paused, with
|
|
some such suggestion within him, looking over the gloomy flat where
|
|
the slender trees marked out the way, again that flight of Death came
|
|
rushing up, again went on, impetuous and resistless, again was nothing
|
|
but a horror in his mind, dark as the scene and undefined as its
|
|
remotest verge.
|
|
|
|
There was no wind; there was no passing shadow on the deep shade of
|
|
the night; there was no noise. The city lay behind hIm, lighted here
|
|
and there, and starry worlds were hidden by the masonry of spire and
|
|
roof that hardly made out any shapes against the sky. Dark and lonely
|
|
distance lay around him everywhere, and the clocks were faintly
|
|
striking two.
|
|
|
|
He went forward for what appeared a long time, and a long way;
|
|
often stopping to listen. At last the ringing of horses' bells greeted
|
|
his anxious ears. Now softer, and now louder, now inaudible, now
|
|
ringing very slowly over bad ground, now brisk and merry, it came on;
|
|
until with a loud shouting and lashing, a shadowy postillion muffled
|
|
to the eyes, checked his four struggling horses at his side.
|
|
|
|
'Who goes there! Monsieur?'
|
|
|
|
'Yes.'
|
|
|
|
'Monsieur has walked a long way in the dark midnight.'
|
|
|
|
'No matter. Everyone to his task. Were there any other horses
|
|
ordered at the Post-house?'
|
|
|
|
'A thousand devils! - and pardons! other horses? at this hour? No.'
|
|
|
|
'Listen, my friend. I am much hurried. Let us see how fast we can
|
|
travel! The faster, the more money there will be to drink. Off we go
|
|
then! Quick!'
|
|
|
|
'Halloa! whoop! Halloa! Hi!' Away, at a gallop, over the black
|
|
landscape, scattering the dust and dirt like spray!
|
|
|
|
The clatter and commotion echoed to the hurry and discordance of
|
|
the fugitive's ideas. Nothing clear without, and nothing clear within.
|
|
Objects flitting past, merging into one another, dimly descried,
|
|
confusedly lost sight of, gone! Beyond the changing scraps of fence
|
|
and cottage immediately upon the road, a lowering waste. Beyond the
|
|
shifting images that rose up in his mind and vanished as they showed
|
|
themselves, a black expanse of dread and rage and baffled villainy.
|
|
Occasionally, a sigh of mountain air came from the distant Jura,
|
|
fading along the plain. Sometimes that rush which was so furious and
|
|
horrible, again came sweeping through his fancy, passed away, and left
|
|
a chill upon his blood.
|
|
|
|
The lamps, gleaming on the medley of horses' heads, jumbled with
|
|
the shadowy driver, and the fluttering of his cloak, made a thousand
|
|
indistinct shapes, answering to his thoughts. Shadows of familiar
|
|
people, stooping at their desks and books, in their remembered
|
|
attitudes; strange apparitions of the man whom he was flying from, or
|
|
of Edith; repetitions in the ringing bells and rolling wheels, of
|
|
words that had been spoken; confusions of time and place, making last
|
|
night a month ago, a month ago last night - home now distant beyond
|
|
hope, now instantly accessible; commotion, discord, hurry, darkness,
|
|
and confusion in his mind, and all around him. - Hallo! Hi! away at a
|
|
gallop over the black landscape; dust and dirt flying like spray, the
|
|
smoking horses snorting and plunging as if each of them were ridden by
|
|
a demon, away in a frantic triumph on the dark road - whither?
|
|
|
|
Again the nameless shock comes speeding up, and as it passes, the
|
|
bells ring in his ears 'whither?' The wheels roar in his ears
|
|
'whither?' All the noise and rattle shapes itself into that cry. The
|
|
lights and shadows dance upon the horses' heads like imps. No stopping
|
|
now: no slackening! On, on Away with him upon the dark road wildly!
|
|
|
|
He could not think to any purpose. He could not separate one
|
|
subject of reflection from another, sufficiently to dwell upon it, by
|
|
itself, for a minute at a time. The crash of his project for the
|
|
gaining of a voluptuous compensation for past restraint; the overthrow
|
|
of his treachery to one who had been true and generous to him, but
|
|
whose least proud word and look he had treasured up, at interest, for
|
|
years - for false and subtle men will always secretly despise and
|
|
dislike the object upon which they fawn and always resent the payment
|
|
and receipt of homage that they know to be worthless; these were the
|
|
themes uppermost in his mind. A lurking rage against the woman who had
|
|
so entrapped him and avenged herself was always there; crude and
|
|
misshapen schemes of retaliation upon her, floated in his brain; but
|
|
nothing was distinct. A hurry and contradiction pervaded all his
|
|
thoughts. Even while he was so busy with this fevered, ineffectual
|
|
thinking, his one constant idea was, that he would postpone reflection
|
|
until some indefinite time.
|
|
|
|
Then, the old days before the second marriage rose up in his
|
|
remembrance. He thought how jealous he had been of the boy, how
|
|
jealous he had been of the girl, how artfully he had kept intruders at
|
|
a distance, and drawn a circle round his dupe that none but himself
|
|
should cross; and then he thought, had he done all this to be flying
|
|
now, like a scared thief, from only the poor dupe?
|
|
|
|
He could have laid hands upon himself for his cowardice, but it was
|
|
the very shadow of his defeat, and could not be separated from it. To
|
|
have his confidence in his own knavery so shattered at a blow - to be
|
|
within his own knowledge such a miserable tool - was like being
|
|
paralysed. With an impotent ferocity he raged at Edith, and hated Mr
|
|
Dombey and hated himself, but still he fled, and could do nothing
|
|
else.
|
|
|
|
Again and again he listened for the sound of wheels behind. Again
|
|
and again his fancy heard it, coming on louder and louder. At last he
|
|
was so persuaded of this, that he cried out, 'Stop' preferring even
|
|
the loss of ground to such uncertainty.
|
|
|
|
The word soon brought carriage, horses, driver, all in a heap
|
|
together, across the road.
|
|
|
|
'The devil!' cried the driver, looking over his shoulder, 'what's
|
|
the matter?'
|
|
|
|
'Hark! What's that?'
|
|
|
|
'What?'
|
|
|
|
'That noise?'
|
|
|
|
'Ah Heaven, be quiet, cursed brigand!' to a horse who shook his
|
|
bells 'What noise?'
|
|
|
|
'Behind. Is it not another carriage at a gallop? There! what's
|
|
that?' Miscreant with a Pig's head, stand still!' to another horse,
|
|
who bit another, who frightened the other two, who plunged and backed.
|
|
'There is nothing coming.'
|
|
|
|
'Nothing.'
|
|
|
|
'No, nothing but the day yonder.'
|
|
|
|
'You are right, I think. I hear nothing now, indeed. Go on!'
|
|
|
|
The entangled equipage, half hidden in the reeking cloud from the
|
|
horses, goes on slowly at first, for the driver, checked unnecessarily
|
|
in his progress, sulkily takes out a pocket-knife, and puts a new lash
|
|
to his whip. Then 'Hallo, whoop! Hallo, hi!' Away once more, savagely.
|
|
|
|
And now the stars faded, and the day glimmered, and standing in the
|
|
carriage, looking back, he could discern the track by which he had
|
|
come, and see that there was no traveller within view, on all the
|
|
heavy expanse. And soon it was broad day, and the sun began to shine
|
|
on cornfields and vineyards; and solitary labourers, risen from little
|
|
temporary huts by heaps of stones upon the road, were, here and there,
|
|
at work repairing the highway, or eating bread. By and by, there were
|
|
peasants going to their daily labour, or to market, or lounging at the
|
|
doors of poor cottages, gazing idly at him as he passed. And then
|
|
there was a postyard, ankle-deep in mud, with steaming dunghills and
|
|
vast outhouses half ruined; and looking on this dainty prospect, an
|
|
immense, old, shadeless, glaring, stone chateau, with half its windows
|
|
blinded, and green damp crawling lazily over it, from the balustraded
|
|
terrace to the taper tips of the extinguishers upon the turrets.
|
|
|
|
Gathered up moodily in a corner of the carriage, and only intent on
|
|
going fast - except when he stood up, for a mile together, and looked
|
|
back; which he would do whenever there was a piece of open country -
|
|
he went on, still postponing thought indefinitely, and still always
|
|
tormented with thinking to no purpose.
|
|
|
|
Shame, disappointment, and discomfiture gnawed at his heart; a
|
|
constant apprehension of being overtaken, or met - for he was
|
|
groundlessly afraid even of travellers, who came towards him by the
|
|
way he was going - oppressed him heavily. The same intolerable awe and
|
|
dread that had come upon him in the night, returned unweakened in the
|
|
day. The monotonous ringing of the bells and tramping of the horses;
|
|
the monotony of his anxiety, and useless rage; the monotonous wheel of
|
|
fear, regret, and passion, he kept turning round and round; made the
|
|
journey like a vision, in which nothing was quite real but his own
|
|
torment.
|
|
|
|
It was a vision of long roads, that stretched away to an horizon,
|
|
always receding and never gained; of ill-paved towns, up hill and
|
|
down, where faces came to dark doors and ill-glazed windows, and where
|
|
rows of mudbespattered cows and oxen were tied up for sale in the long
|
|
narrow streets, butting and lowing, and receiving blows on their blunt
|
|
heads from bludgeons that might have beaten them in; of bridges,
|
|
crosses, churches, postyards, new horses being put in against their
|
|
wills, and the horses of the last stage reeking, panting, and laying
|
|
their drooping heads together dolefully at stable doors; of little
|
|
cemeteries with black crosses settled sideways in the graves, and
|
|
withered wreaths upon them dropping away; again of long, long roads,
|
|
dragging themselves out, up hill and down, to the treacherous horizon.
|
|
|
|
Of morning, noon, and sunset; night, and the rising of an early
|
|
moon. Of long roads temporarily left behind, and a rough pavement
|
|
reached; of battering and clattering over it, and looking up, among
|
|
house-roofs, at a great church-tower; of getting out and eating
|
|
hastily, and drinking draughts of wine that had no cheering influence;
|
|
of coming forth afoot, among a host of beggars - blind men with
|
|
quivering eyelids, led by old women holding candles to their faces;
|
|
idiot girls; the lame, the epileptic, and the palsied - of passing
|
|
through the clamour, and looking from his seat at the upturned
|
|
countenances and outstretched hands, with a hurried dread of
|
|
recognising some pursuer pressing forward - of galloping away again,
|
|
upon the long, long road, gathered up, dull and stunned, in his
|
|
corner, or rising to see where the moon shone faintly on a patch of
|
|
the same endless road miles away, or looking back to see who followed.
|
|
|
|
Of never sleeping, but sometimes dozing with unclosed eyes, and
|
|
springing up with a start, and a reply aloud to an imaginary voice. Of
|
|
cursing himself for being there, for having fled, for having let her
|
|
go, for not having confronted and defied him. Of having a deadly
|
|
quarrel with the whole world, but chiefly with himself. Of blighting
|
|
everything with his black mood as he was carried on and away.
|
|
|
|
It was a fevered vision of things past and present all confounded
|
|
together; of his life and journey blended into one. Of being madly
|
|
hurried somewhere, whither he must go. Of old scenes starting up among
|
|
the novelties through which he travelled. Of musing and brooding over
|
|
what was past and distant, and seeming to take no notice of the actual
|
|
objects he encountered, but with a wearisome exhausting consciousness
|
|
of being bewildered by them, and having their images all crowded in
|
|
his hot brain after they were gone.
|
|
|
|
A vision of change upon change, and still the same monotony of
|
|
bells and wheels, and horses' feet, and no rest. Of town and country,
|
|
postyards, horses, drivers, hill and valley, light and darkness, road
|
|
and pavement, height and hollow, wet weather and dry, and still the
|
|
same monotony of bells and wheels, and horses' feet, and no rest. A
|
|
vision of tending on at last, towards the distant capital, by busier
|
|
roads, and sweeping round, by old cathedrals, and dashing through
|
|
small towns and villages, less thinly scattered on the road than
|
|
formerly, and sitting shrouded in his corner, with his cloak up to his
|
|
face, as people passing by looked at him.
|
|
|
|
Of rolling on and on, always postponing thought, and always racked
|
|
with thinking; of being unable to reckon up the hours he had been upon
|
|
the road, or to comprehend the points of time and place in his
|
|
journey. Of being parched and giddy, and half mad. Of pressing on, in
|
|
spite of all, as if he could not stop, and coming into Paris, where
|
|
the turbid river held its swift course undisturbed, between two
|
|
brawling streams of life and motion.
|
|
|
|
A troubled vision, then, of bridges, quays, interminable streets;
|
|
of wine-shops, water-carriers, great crowds of people, soldiers,
|
|
coaches, military drums, arcades. Of the monotony of bells and wheels
|
|
and horses' feet being at length lost in the universal din and uproar.
|
|
Of the gradual subsidence of that noise as he passed out in another
|
|
carriage by a different barrier from that by which he had entered. Of
|
|
the restoration, as he travelled on towards the seacoast, of the
|
|
monotony of bells and wheels, and horses' feet, and no rest.
|
|
|
|
Of sunset once again, and nightfall. Of long roads again, and dead
|
|
of night, and feeble lights in windows by the roadside; and still the
|
|
old monotony of bells and wheels, and horses' feet, and no rest. Of
|
|
dawn, and daybreak, and the rising of the sun. Of tolling slowly up a
|
|
hill, and feeling on its top the fresh sea-breeze; and seeing the
|
|
morning light upon the edges of the distant waves. Of coming down into
|
|
a harbour when the tide was at its full, and seeing fishing-boats
|
|
float on, and glad women and children waiting for them. Of nets and
|
|
seamen's clothes spread out to dry upon the shore; of busy saIlors,
|
|
and their voices high among ships' masts and rigging; of the buoyancy
|
|
and brightness of the water, and the universal sparkling.
|
|
|
|
Of receding from the coast, and looking back upon it from the deck
|
|
when it was a haze upon the water, with here and there a little
|
|
opening of bright land where the Sun struck. Of the swell, and flash,
|
|
and murmur of the calm sea. Of another grey line on the ocean, on the
|
|
vessel's track, fast growing clearer and higher. Of cliffs and
|
|
buildings, and a windmill, and a church, becoming more and more
|
|
visible upon it. Of steaming on at last into smooth water, and mooring
|
|
to a pier whence groups of people looked down, greeting friends on
|
|
board. Of disembarking, passing among them quickly, shunning every
|
|
one; and of being at last again in England.
|
|
|
|
He had thought, in his dream, of going down into a remote
|
|
country-place he knew, and lying quiet there, while he secretly
|
|
informed himself of what transpired, and determined how to act, Still
|
|
in the same stunned condition, he remembered a certain station on the
|
|
railway, where he would have to branch off to his place of
|
|
destination, and where there was a quiet Inn. Here, he indistinctly
|
|
resolved to tarry and rest.
|
|
|
|
With this purpose he slunk into a railway carriage as quickly as he
|
|
could, and lying there wrapped in his cloak as if he were asleep, was
|
|
soon borne far away from the sea, and deep into the inland green.
|
|
Arrived at his destination he looked out, and surveyed it carefully.
|
|
He was not mistaken in his impression of the place. It was a retired
|
|
spot, on the borders of a little wood. Only one house, newly-built or
|
|
altered for the purpose, stood there, surrounded by its neat garden;
|
|
the small town that was nearest, was some miles away. Here he alighted
|
|
then; and going straight into the tavern, unobserved by anyone,
|
|
secured two rooms upstairs communicating with each other, and
|
|
sufficiently retired.
|
|
|
|
His object was to rest, and recover the command of himself, and the
|
|
balance of his mind. Imbecile discomfiture and rage - so that, as he
|
|
walked about his room, he ground his teeth - had complete possession
|
|
of him. His thoughts, not to be stopped or directed, still wandered
|
|
where they would, and dragged him after them. He was stupefied, and he
|
|
was wearied to death.
|
|
|
|
But, as if there were a curse upon him that he should never rest
|
|
again, his drowsy senses would not lose their consciousness. He had no
|
|
more influence with them, in this regard, than if they had been
|
|
another man's. It was not that they forced him to take note of present
|
|
sounds and objects, but that they would not be diverted from the whole
|
|
hurried vision of his journey. It was constantly before him all at
|
|
once. She stood there, with her dark disdainful eyes again upon him;
|
|
and he was riding on nevertheless, through town and country, light and
|
|
darkness, wet weather and dry, over road and pavement, hill and
|
|
valley, height and hollow, jaded and scared by the monotony of bells
|
|
and wheels, and horses' feet, and no rest.
|
|
|
|
'What day is this?' he asked of the waiter, who was making
|
|
preparations for his dinner.
|
|
|
|
'Day, Sir?'
|
|
|
|
'Is it Wednesday?'
|
|
|
|
'Wednesday, Sir? No, Sir. Thursday, Sir.'
|
|
|
|
'I forgot. How goes the time? My watch is unwound.'
|
|
|
|
'Wants a few minutes of five o'clock, Sir. Been travelling a long
|
|
time, Sir, perhaps?'
|
|
|
|
'Yes'
|
|
|
|
'By rail, Sir?'
|
|
|
|
'Yes'
|
|
|
|
'Very confusing, Sir. Not much in the habit of travelling by rail
|
|
myself, Sir, but gentlemen frequently say so.'
|
|
|
|
'Do many gentlemen come here?
|
|
|
|
'Pretty well, Sir, in general. Nobody here at present. Rather slack
|
|
just now, Sir. Everything is slack, Sir.'
|
|
|
|
He made no answer; but had risen into a sitting posture on the sofa
|
|
where he had been lying, and leaned forward with an arm on each knee,
|
|
staring at the ground. He could not master his own attention for a
|
|
minute together. It rushed away where it would, but it never, for an
|
|
instant, lost itself in sleep.
|
|
|
|
He drank a quantity of wine after dinner, in vain. No such
|
|
artificial means would bring sleep to his eyes. His thoughts, more
|
|
incoherent, dragged him more unmercifully after them - as if a wretch,
|
|
condemned to such expiation, were drawn at the heels of wild horses.
|
|
No oblivion, and no rest.
|
|
|
|
How long he sat, drinking and brooding, and being dragged in
|
|
imagination hither and thither, no one could have told less correctly
|
|
than he. But he knew that he had been sitting a long time by
|
|
candle-light, when he started up and listened, in a sudden terror.
|
|
|
|
For now, indeed, it was no fancy. The ground shook, the house
|
|
rattled, the fierce impetuous rush was in the air! He felt it come up,
|
|
and go darting by; and even when he had hurried to the window, and saw
|
|
what it was, he stood, shrinking from it, as if it were not safe to
|
|
look.
|
|
|
|
A curse upon the fiery devil, thundering along so smoothly, tracked
|
|
through the distant valley by a glare of light and lurid smoke, and
|
|
gone! He felt as if he had been plucked out of its path, and saved
|
|
from being torn asunder. It made him shrink and shudder even now, when
|
|
its faintest hum was hushed, and when the lines of iron road he could
|
|
trace in the moonlight, running to a point, were as empty and as
|
|
silent as a desert.
|
|
|
|
Unable to rest, and irresistibly attracted - or he thought so - to
|
|
this road, he went out, and lounged on the brink of it, marking the
|
|
way the train had gone, by the yet smoking cinders that were lying in
|
|
its track. After a lounge of some half hour in the direction by which
|
|
it had disappeared, he turned and walked the other way - still keeping
|
|
to the brink of the road - past the inn garden, and a long way down;
|
|
looking curiously at the bridges, signals, lamps, and wondering when
|
|
another Devil would come by.
|
|
|
|
A trembling of the ground, and quick vibration in his ears; a
|
|
distant shriek; a dull light advancing, quickly changed to two red
|
|
eyes, and a fierce fire, dropping glowing coals; an irresistible
|
|
bearing on of a great roaring and dilating mass; a high wind, and a
|
|
rattle - another come and gone, and he holding to a gate, as if to
|
|
save himself!
|
|
|
|
He waited for another, and for another. He walked back to his
|
|
former point, and back again to that, and still, through the wearisome
|
|
vision of his journey, looked for these approaching monsters. He
|
|
loitered about the station, waiting until one should stay to call
|
|
there; and when one did, and was detached for water, he stood parallel
|
|
with it, watching its heavy wheels and brazen front, and thinking what
|
|
a cruel power and might it had. Ugh! To see the great wheels slowly
|
|
turning, and to think of being run down and crushed!
|
|
|
|
Disordered with wine and want of rest - that want which nothing,
|
|
although he was so weary, would appease - these ideas and objects
|
|
assumed a diseased importance in his thoughts. When he went back to
|
|
his room, which was not until near midnight, they still haunted him,
|
|
and he sat listening for the coming of another.
|
|
|
|
So in his bed, whither he repaired with no hope of sleep. He still
|
|
lay listening; and when he felt the trembling and vibration, got up
|
|
and went to the window, to watch (as he could from its position) the
|
|
dull light changing to the two red eyes, and the fierce fire dropping
|
|
glowing coals, and the rush of the giant as it fled past, and the
|
|
track of glare and smoke along the valley. Then he would glance in the
|
|
direction by which he intended to depart at sunrise, as there was no
|
|
rest for him there; and would lie down again, to be troubled by the
|
|
vision of his journey, and the old monotony of bells and wheels and
|
|
horses' feet, until another came. This lasted all night. So far from
|
|
resuming the mastery of himself, he seemed, if possible, to lose it
|
|
more and more, as the night crept on. When the dawn appeared, he was
|
|
still tormented with thinking, still postponing thought until he
|
|
should be in a better state; the past, present, and future all floated
|
|
confusedly before him, and he had lost all power of looking steadily
|
|
at any one of them.
|
|
|
|
'At what time,' he asked the man who had waited on hIm over-night,
|
|
now entering with a candle, 'do I leave here, did you say?'
|
|
|
|
'About a quarter after four, Sir. Express comes through at four,
|
|
Sir. - It don't stop.
|
|
|
|
He passed his hand across his throbbing head, and looked at his
|
|
watch. Nearly half-past three.
|
|
|
|
'Nobody going with you, Sir, probably,' observed the man. 'Two
|
|
gentlemen here, Sir, but they're waiting for the train to London.'
|
|
|
|
'I thought you said there was nobody here,' said Carker, turning
|
|
upon him with the ghost of his old smile, when he was angry or
|
|
suspicious.
|
|
|
|
'Not then, sir. Two gentlemen came in the night by the short train
|
|
that stops here, Sir. Warm water, Sir?'
|
|
|
|
'No; and take away the candle. There's day enough for me.'
|
|
|
|
Having thrown himself upon the bed, half-dressed he was at the
|
|
window as the man left the room. The cold light of morning had
|
|
succeeded to night and there was already, in the sky, the red
|
|
suffusion of the coming sun. He bathed his head and face with water -
|
|
there was no cooling influence in it for him - hurriedly put on his
|
|
clothes, paid what he owed, and went out.
|
|
|
|
The air struck chill and comfortless as it breathed upon him. There
|
|
was a heavy dew; and, hot as he was, it made him shiver. After a
|
|
glance at the place where he had walked last night, and at the
|
|
signal-lights burning in the morning, and bereft of their
|
|
significance, he turned to where the sun was rising, and beheld it, in
|
|
its glory, as it broke upon the scene.
|
|
|
|
So awful, so transcendent in its beauty, so divinely solemn. As he
|
|
cast his faded eyes upon it, where it rose, tranquil and serene,
|
|
unmoved by all the wrong and wickedness on which its beams had shone
|
|
since the beginning of the world, who shall say that some weak sense
|
|
of virtue upon Earth, and its in Heaven, did not manifest itself, even
|
|
to him? If ever he remembered sister or brother with a touch of
|
|
tenderness and remorse, who shall say it was not then?
|
|
|
|
He needed some such touch then. Death was on him. He was marked off
|
|
- the living world, and going down into his grave.
|
|
|
|
He paid the money for his journey to the country-place he had
|
|
thought of; and was walking to and fro, alone, looking along the lines
|
|
of iron, across the valley in one direction, and towards a dark bridge
|
|
near at hand in the other; when, turning in his walk, where it was
|
|
bounded by one end of the wooden stage on which he paced up and down,
|
|
he saw the man from whom he had fled, emerging from the door by which
|
|
he himself had entered
|
|
|
|
And their eyes met.
|
|
|
|
In the quick unsteadiness of the surprise, he staggered, and
|
|
slipped on to the road below him. But recovering his feet immediately,
|
|
he stepped back a pace or two upon that road, to interpose some wider
|
|
space between them, and looked at his pursuer, breathing short and
|
|
quick.
|
|
|
|
He heard a shout - another - saw the face change from its
|
|
vindictive passion to a faint sickness and terror - felt the earth
|
|
tremble - knew in a moment that the rush was come - uttered a shriek -
|
|
looked round - saw the red eyes, bleared and dim, in the daylight,
|
|
close upon him - was beaten down, caught up, and whirled away upon a
|
|
jagged mill, that spun him round and round, and struck him limb from
|
|
limb, and licked his stream of life up with its fiery heat, and cast
|
|
his mutilated fragments in the air.
|
|
|
|
When the traveller, who had been recognised, recovered from a
|
|
swoon, he saw them bringing from a distance something covered, that
|
|
lay heavy and still, upon a board, between four men, and saw that
|
|
others drove some dogs away that sniffed upon the road, and soaked his
|
|
blood up, with a train of ashes.
|
|
|
|
CHAPTER 56.
|
|
|
|
Several People delighted, and the Game Chicken disgusted
|
|
|
|
The Midshipman was all alive. Mr Toots and Susan had arrived at
|
|
last. Susan had run upstairs like a young woman bereft of her senses,
|
|
and Mr Toots and the Chicken had gone into the Parlour.
|
|
|
|
'Oh my own pretty darling sweet Miss Floy!' cried the Nipper,
|
|
running into Florence's room, 'to think that it should come to this
|
|
and I should find you here my own dear dove with nobody to wait upon
|
|
you and no home to call your own but never never will I go away again
|
|
Miss Floy for though I may not gather moss I'm not a rolling stone nor
|
|
is my heart a stone or else it wouldn't bust as it is busting now oh
|
|
dear oh dear!'
|
|
|
|
Pouring out these words, without the faintest indication of a stop,
|
|
of any sort, Miss Nipper, on her knees beside her mistress, hugged her
|
|
close.
|
|
|
|
'Oh love!' cried Susan, 'I know all that's past I know it all my
|
|
tender pet and I'm a choking give me air!'
|
|
|
|
'Susan, dear good Susan!' said Florence. 'Oh bless her! I that was
|
|
her little maid when she was a little child! and is she really, really
|
|
truly going to be married?'exclaimed Susan, in a burst of pain and
|
|
pleasure, pride and grief, and Heaven knows how many other conflicting
|
|
feelings.
|
|
|
|
'Who told you so?' said Florence.
|
|
|
|
'Oh gracious me! that innocentest creetur Toots,' returned Susan
|
|
hysterically. 'I knew he must be right my dear, because he took on so.
|
|
He's the devotedest and innocentest infant! And is my darling,'
|
|
pursued Susan, with another close embrace and burst of tears, 'really
|
|
really going to be married!'
|
|
|
|
The mixture of compassion, pleasure, tenderness, protection, and
|
|
regret with which the Nipper constantly recurred to this subject, and
|
|
at every such once, raised her head to look in the young face and kiss
|
|
it, and then laid her head again upon her mistress's shoulder,
|
|
caressing her and sobbing, was as womanly and good a thing, in its
|
|
way, as ever was seen in the world.
|
|
|
|
'There, there!' said the soothing voice of Florence presently. 'Now
|
|
you're quite yourself, dear Susan!'
|
|
|
|
Miss Nipper, sitting down upon the floor, at her mistress's feet,
|
|
laughing and sobbing, holding her pocket-handkerchief to her eyes with
|
|
one hand, and patting Diogenes with the other as he licked her face,
|
|
confessed to being more composed, and laughed and cried a little more
|
|
in proof of it.
|
|
|
|
'I-I-I never did see such a creetur as that Toots,' said Susan, 'in
|
|
all my born days never!'
|
|
|
|
'So kind,' suggested Florence.
|
|
|
|
'And so comic!' Susan sobbed. 'The way he's been going on inside
|
|
with me with that disrespectable Chicken on the box!'
|
|
|
|
'About what, Susan?' inquired Florence, timidly.
|
|
|
|
'Oh about Lieutenant Walters, and Captain Gills, and you my dear
|
|
Miss Floy, and the silent tomb,' said Susan.
|
|
|
|
'The silent tomb!' repeated Florence.
|
|
|
|
'He says,' here Susan burst into a violent hysterical laugh, 'that
|
|
he'll go down into it now immediately and quite comfortable, but bless
|
|
your heart my dear Miss Floy he won't, he's a great deal too happy in
|
|
seeing other people happy for that, he may not be a Solomon,' pursued
|
|
the Nipper, with her usual volubility, 'nor do I say he is but this I
|
|
do say a less selfish human creature human nature never knew!' Miss
|
|
Nipper being still hysterical, laughed immoderately after making this
|
|
energetic declaration, and then informed Florence that he was waiting
|
|
below to see her; which would be a rich repayment for the trouble he
|
|
had had in his late expedition.
|
|
|
|
Florence entreated Susan to beg of Mr Toots as a favour that she
|
|
might have the pleasure of thanking him for his kindness; and Susan,
|
|
in a few moments, produced that young gentleman, still very much
|
|
dishevelled in appearance, and stammering exceedingly.
|
|
|
|
'Miss Dombey,' said Mr Toots. 'To be again permitted to - to - gaze
|
|
- at least, not to gaze, but - I don't exactly know what I was going
|
|
to say, but it's of no consequence.
|
|
|
|
'I have to thank you so often,' returned Florence, giving him both
|
|
her hands, with all her innocent gratitude beaming in her face, 'that
|
|
I have no words left, and don't know how to do it.'
|
|
|
|
'Miss Dombey,' said Mr Toots, in an awful voice, 'if it was
|
|
possible that you could, consistently with your angelic nature, Curse
|
|
me, you would - if I may be allowed to say so - floor me infinitely
|
|
less, than by these undeserved expressions of kindness Their effect
|
|
upon me - is - but,' said Mr Toots, abruptly, 'this is a digression,
|
|
and of no consequence at all.'
|
|
|
|
As there seemed to be no means of replying to this, but by thanking
|
|
him again, Florence thanked him again.
|
|
|
|
'I could wish,' said Mr Toots, 'to take this opportunity, Miss
|
|
Dombey, if I might, of entering into a word of explanation. I should
|
|
have had the pleasure of - of returning with Susan at an earlier
|
|
period; but, in the first place, we didn't know the name of the
|
|
relation to whose house she had gone, and, in the second, as she had
|
|
left that relation's and gone to another at a distance, I think that
|
|
scarcely anything short of the sagacity of the Chicken, would have
|
|
found her out in the time.'
|
|
|
|
Florence was sure of it.
|
|
|
|
'This, however,' said Mr Toots, 'is not the point. The company of
|
|
Susan has been, I assure you, Miss Dombey, a consolation and
|
|
satisfaction to me, in my state of mind, more easily conceived than
|
|
described. The journey has been its own reward. That, however, still,
|
|
is not the point. Miss Dombey, I have before observed that I know I am
|
|
not what is considered a quick person. I am perfectly aware of that. I
|
|
don't think anybody could be better acquainted with his own - if it
|
|
was not too strong an expression, I should say with the thickness of
|
|
his own head - than myself. But, Miss Dombey, I do, notwithstanding,
|
|
perceive the state of - of things - with Lieutenant Walters. Whatever
|
|
agony that state of things may have caused me (which is of no
|
|
consequence at all), I am bound to say, that Lieutenant Walters is a
|
|
person who appears to be worthy of the blessing that has fallen on his
|
|
- on his brow. May he wear it long, and appreciate it, as a very
|
|
different, and very unworthy individual, that it is of no consequence
|
|
to name, would have done! That, however, still, is not the point. Miss
|
|
Dombey, Captain Gills is a friend of mine; and during the interval
|
|
that is now elapsing, I believe it would afford Captain Gills pleasure
|
|
to see me occasionally coming backwards and forwards here. It would
|
|
afford me pleasure so to come. But I cannot forget that I once
|
|
committed myself, fatally, at the corner of the Square at Brighton;
|
|
and if my presence will be, in the least degree, unpleasant to you, I
|
|
only ask you to name it to me now, and assure you that I shall
|
|
perfectly understand you. I shall not consider it at all unkind, and
|
|
shall only be too delighted and happy to be honoured with your
|
|
confidence.'
|
|
|
|
'Mr Toots,' returned Florence, 'if you, who are so old and true a
|
|
friend of mine, were to stay away from this house now, you would make
|
|
me very unhappy. It can never, never, give me any feeling but pleasure
|
|
to see you.
|
|
|
|
'Miss Dombey,' said Mr Toots, taking out his pocket-handkerchief,
|
|
'if I shed a tear, it is a tear of joy. It is of no consequence, and I
|
|
am very much obliged to you. I may be allowed to remark, after what
|
|
you have so kindly said, that it is not my intention to neglect my
|
|
person any longer.'
|
|
|
|
Florence received this intimation with the prettiest expression of
|
|
perplexity possible.
|
|
|
|
'I mean,' said Mr Toots, 'that I shall consider it my duty as a
|
|
fellow-creature generally, until I am claimed by the silent tomb, to
|
|
make the best of myself, and to - to have my boots as brightly
|
|
polished, as - as -circumstances will admit of. This is the last time,
|
|
Miss Dombey, of my intruding any observation of a private and personal
|
|
nature. I thank you very much indeed. if I am not, in a general way,
|
|
as sensible as my friends could wish me to be, or as I could wish
|
|
myself, I really am, upon my word and honour, particularly sensible of
|
|
what is considerate and kind. I feel,' said Mr Toots, in an
|
|
impassioned tone, 'as if I could express my feelings, at the present
|
|
moment, in a most remarkable manner, if - if - I could only get a
|
|
start.'
|
|
|
|
Appearing not to get it, after waiting a minute or two to see if it
|
|
would come, Mr Toots took a hasty leave, and went below to seek the
|
|
Captain, whom he found in the shop.
|
|
|
|
'Captain Gills,' said Mr Toots, 'what is now to take place between
|
|
us, takes place under the sacred seal of confidence. It is the sequel,
|
|
Captain Gills, of what has taken place between myself and Miss Dombey,
|
|
upstairs.'
|
|
|
|
'Alow and aloft, eh, my lad?' murmured the Captain.
|
|
|
|
'Exactly so, Captain Gills,' said Mr Toots, whose fervour of
|
|
acquiescence was greatly heightened by his entire ignorance of the
|
|
Captain's meaning. 'Miss Dombey, I believe, Captain Gills, is to be
|
|
shortly united to Lieutenant Walters?'
|
|
|
|
'Why, ay, my lad. We're all shipmets here, - Wal'r and sweet- heart
|
|
will be jined together in the house of bondage, as soon as the askings
|
|
is over,' whispered Captain Cuttle, in his ear.
|
|
|
|
'The askings, Captain Gills!' repeated Mr Toots.
|
|
|
|
'In the church, down yonder,' said the Captain, pointing his thumb
|
|
over his shoulder.
|
|
|
|
'Oh! Yes!' returned Mr Toots.
|
|
|
|
'And then,' said the Captain, in his hoarse whisper, and tapping Mr
|
|
Toots on the chest with the back of his hand, and falling from him
|
|
with a look of infinite admiration, 'what follers? That there pretty
|
|
creetur, as delicately brought up as a foreign bird, goes away upon
|
|
the roaring main with Wal'r on a woyage to China!'
|
|
|
|
'Lord, Captain Gills!' said Mr Toots.
|
|
|
|
'Ay!' nodded the Captain. 'The ship as took him up, when he was
|
|
wrecked in the hurricane that had drove her clean out of her course,
|
|
was a China trader, and Wal'r made the woyage, and got into favour,
|
|
aboard and ashore - being as smart and good a lad as ever stepped -
|
|
and so, the supercargo dying at Canton, he got made (having acted as
|
|
clerk afore), and now he's supercargo aboard another ship, same
|
|
owners. And so, you see,' repeated the Captain, thoughtfully, 'the
|
|
pretty creetur goes away upon the roaring main with Wal'r, on a woyage
|
|
to China.'
|
|
|
|
Mr Toots and Captain Cuttle heaved a sigh in concert. 'What then?'
|
|
said the Captain. 'She loves him true. He loves her true. Them as
|
|
should have loved and tended of her, treated of her like the beasts as
|
|
perish. When she, cast out of home, come here to me, and dropped upon
|
|
them planks, her wownded heart was broke. I know it. I, Ed'ard Cuttle,
|
|
see it. There's nowt but true, kind, steady love, as can ever piece it
|
|
up again. If so be I didn't know that, and didn't know as Wal'r was
|
|
her true love, brother, and she his, I'd have these here blue arms and
|
|
legs chopped off, afore I'd let her go. But I know it, and what then!
|
|
Why, then, I say, Heaven go with 'em both, and so it will! Amen!'
|
|
|
|
'Captain Gills,' said Mr Toots, 'let me have the pleasure of
|
|
shaking hands You've a way of saying things, that gives me an
|
|
agreeable warmth, all up my back. I say Amen. You are aware, Captain
|
|
Gills, that I, too, have adored Miss Dombey.'
|
|
|
|
'Cheer up!' said the Captain, laying his hand on Mr Toots's
|
|
shoulder. 'Stand by, boy!'
|
|
|
|
'It is my intention, Captain Gills,' returned the spirited Mr
|
|
Toots, 'to cheer up. Also to standby, as much as possible. When the
|
|
silent tomb shall yawn, Captain Gills, I shall be ready for burial;
|
|
not before. But not being certain, just at present, of my power over
|
|
myself, what I wish to say to you, and what I shall take it as a
|
|
particular favour if you will mention to Lieutenant Walters, is as
|
|
follows.'
|
|
|
|
'Is as follers,' echoed the Captain. 'Steady!'
|
|
|
|
'Miss Dombey being so inexpressably kind,' continued Mr Toots with
|
|
watery eyes, 'as to say that my presence is the reverse of
|
|
disagreeable to her, and you and everybody here being no less
|
|
forbearing and tolerant towards one who - who certainly,' said Mr
|
|
Toots, with momentary dejection, 'would appear to have been born by
|
|
mistake, I shall come backwards and forwards of an evening, during the
|
|
short time we can all be together. But what I ask is this. If, at any
|
|
moment, I find that I cannot endure the contemplation of Lieutenant
|
|
Walters's bliss, and should rush out, I hope, Captain Gills, that you
|
|
and he will both consider it as my misfortune and not my fault, or the
|
|
want of inward conflict. That you'll feel convinced I bear no malice
|
|
to any living creature-least of all to Lieutenant Walters himself -
|
|
and that you'll casually remark that I have gone out for a walk, or
|
|
probably to see what o'clock it is by the Royal Exchange. Captain
|
|
Gills, if you could enter into this arrangement, and could answer for
|
|
Lieutenant Walters, it would be a relief to my feelings that I should
|
|
think cheap at the sacrifice of a considerable portion of my
|
|
property.'
|
|
|
|
'My lad,' returned the Captain, 'say no more. There ain't a colour
|
|
you can run up, as won't be made out, and answered to, by Wal'r and
|
|
self.'
|
|
|
|
'Captain Gills,' said Mr Toots, 'my mind is greatly relieved. I
|
|
wish to preserve the good opinion of all here. I - I - mean well, upon
|
|
my honour, however badly I may show it. You know,' said Mr Toots,
|
|
'it's as exactly as Burgess and Co. wished to oblige a customer with a
|
|
most extraordinary pair of trousers, and could not cut out what they
|
|
had in their minds.'
|
|
|
|
With this apposite illustration, of which he seemed a little Proud,
|
|
Mr Toots gave Captain Cuttle his blessing and departed.
|
|
|
|
The honest Captain, with his Heart's Delight in the house, and
|
|
Susan tending her, was a beaming and a happy man. As the days flew by,
|
|
he grew more beaming and more happy, every day. After some conferences
|
|
with Susan (for whose wisdom the Captain had a profound respect, and
|
|
whose valiant precipitation of herself on Mrs MacStinger he could
|
|
never forget), he proposed to Florence that the daughter of the
|
|
elderly lady who usually sat under the blue umbrella in Leadenhall
|
|
Market, should, for prudential reasons and considerations of privacy,
|
|
be superseded in the temporary discharge of the household duties, by
|
|
someone who was not unknown to them, and in whom they could safely
|
|
confide. Susan, being present, then named, in furtherance of a
|
|
suggestion she had previously offered to the Captain, Mrs Richards.
|
|
Florence brightened at the name. And Susan, setting off that very
|
|
afternoon to the Toodle domicile, to sound Mrs Richards, returned in
|
|
triumph the same evening, accompanied by the identical rosy-cheeked
|
|
apple-faced Polly, whose demonstrations, when brought into Florence's
|
|
presence, were hardly less affectionate than those of Susan Nipper
|
|
herself.
|
|
|
|
This piece of generalship accomplished; from which the Captain
|
|
derived uncommon satisfaction, as he did, indeed, from everything else
|
|
that was done, whatever it happened to be; Florence had next to
|
|
prepare Susan for their approaching separation. This was a much more
|
|
difficult task, as Miss Nipper was of a resolute disposition, and had
|
|
fully made up her mind that she had come back never to be parted from
|
|
her old mistress any more.
|
|
|
|
'As to wages dear Miss Floy,' she said, 'you wouldn't hint and
|
|
wrong me so as think of naming them, for I've put money by and
|
|
wouldn't sell my love and duty at a time like this even if the
|
|
Savings' Banks and me were total strangers or the Banks were broke to
|
|
pieces, but you've never been without me darling from the time your
|
|
poor dear Ma was took away, and though I'm nothing to be boasted of
|
|
you're used to me and oh my own dear mistress through so many years
|
|
don't think of going anywhere without me, for it mustn't and can't
|
|
be!'
|
|
|
|
'Dear Susan, I am going on a long, long voyage.'
|
|
|
|
'Well Miss Floy, and what of that? the more you'll want me. Lengths
|
|
of voyages ain't an object in my eyes, thank God!' said the impetuous
|
|
Susan Nipper.
|
|
|
|
'But, Susan, I am going with Walter, and I would go with Walter
|
|
anywhere - everywhere! Walter is poor, and I am very poor, and I must
|
|
learn, now, both to help myself, and help him.'
|
|
|
|
'Dear Miss Floy!' cried Susan, bursting out afresh, and shaking her
|
|
head violently, 'it's nothing new to you to help yourself and others
|
|
too and be the patientest and truest of noble hearts, but let me talk
|
|
to Mr Walter Gay and settle it with him, for suffer you to go away
|
|
across the world alone I cannot, and I won't.'
|
|
|
|
'Alone, Susan?' returned Florence. 'Alone? and Walter taking me
|
|
with him!' Ah, what a bright, amazed, enraptured smile was on her
|
|
face! - He should have seen it. 'I am sure you will not speak to
|
|
Walter if I ask you not,' she added tenderly; 'and pray don't, dear.'
|
|
|
|
Susan sobbed 'Why not, Miss Floy?'
|
|
|
|
'Because,' said Florence, 'I am going to be his wife, to give him
|
|
up my whole heart, and to live with him and die with him. He might
|
|
think, if you said to him what you have said to me, that I am afraid
|
|
of what is before me, or that you have some cause to be afraid for me.
|
|
Why, Susan, dear, I love him!'
|
|
|
|
Miss Nipper was so much affected by the quiet fervour of these
|
|
words, and the simple, heartfelt, all-pervading earnestness expressed
|
|
in them, and making the speaker's face more beautiful and pure than
|
|
ever, that she could only cling to her again, crying. Was her little
|
|
mistress really, really going to be married, and pitying, caressing,
|
|
and protecting her, as she had done before. But the Nipper, though
|
|
susceptible of womanly weaknesses, was almost as capable of putting
|
|
constraint upon herself as of attacking the redoubtable MacStinger.
|
|
From that time, she never returned to the subject, but was always
|
|
cheerful, active, bustling, and hopeful. She did, indeed, inform Mr
|
|
Toots privately, that she was only 'keeping up' for the time, and that
|
|
when it was all over, and Miss Dombey was gone, she might be expected
|
|
to become a spectacle distressful; and Mr Toots did also express that
|
|
it was his case too, and that they would mingle their tears together;
|
|
but she never otherwise indulged her private feelings in the presence
|
|
of Florence or within the precincts of the Midshipman.
|
|
|
|
Limited and plain as Florence's wardrobe was - what a contrast to
|
|
that prepared for the last marriage in which she had taken part! -
|
|
there was a good deal to do in getting it ready, and Susan Nipper
|
|
worked away at her side, all day, with the concentrated zeal of fifty
|
|
sempstresses. The wonderful contributions Captain Cuttle would have
|
|
made to this branch of the outfit, if he had been permitted - as pink
|
|
parasols, tinted silk stockings, blue shoes, and other articles no
|
|
less necessary on shipboard - would occupy some space in the recital.
|
|
He was induced, however, by various fraudulent representations, to
|
|
limit his contributions to a work-box and dressing case, of each of
|
|
which he purchased the very largest specimen that could be got for
|
|
money. For ten days or a fortnight afterwards, he generally sat,
|
|
during the greater part of the day, gazing at these boxes; divided
|
|
between extreme admiration of them, and dejected misgivings that they
|
|
were not gorgeous enough, and frequently diving out into the street to
|
|
purchase some wild article that he deemed necessary to their
|
|
completeness. But his master-stroke was, the bearing of them both off,
|
|
suddenly, one morning, and getting the two words FLORENCE GAY engraved
|
|
upon a brass heart inlaid over the lid of each. After this, he smoked
|
|
four pipes successively in the little parlour by himself, and was
|
|
discovered chuckling, at the expiration of as many hours.
|
|
|
|
Walter was busy and away all day, but came there every morning
|
|
early to see Florence, and always passed the evening with her.
|
|
Florence never left her high rooms but to steal downstairs to wait for
|
|
him when it was his time to come, or, sheltered by his proud,
|
|
encircling arm, to bear him company to the door again, and sometimes
|
|
peep into the street. In the twilight they were always together. Oh
|
|
blessed time! Oh wandering heart at rest! Oh deep, exhaustless, mighty
|
|
well of love, in which so much was sunk!
|
|
|
|
The cruel mark was on her bosom yet. It rose against her father
|
|
with the breath she drew, it lay between her and her lover when he
|
|
pressed her to his heart. But she forgot it. In the beating of that
|
|
heart for her, and in the beating of her own for him, all harsher
|
|
music was unheard, all stern unloving hearts forgotten. Fragile and
|
|
delicate she was, but with a might of love within her that could, and
|
|
did, create a world to fly to, and to rest in, out of his one image.
|
|
|
|
How often did the great house, and the old days, come before her in
|
|
the twilight time, when she was sheltered by the arm, so proud, so
|
|
fond, and, creeping closer to him, shrunk within it at the
|
|
recollection! How often, from remembering the night when she went down
|
|
to that room and met the never-to-be forgotten look, did she raise her
|
|
eyes to those that watched her with such loving earnestness, and weep
|
|
with happiness in such a refuge! The more she clung to it, the more
|
|
the dear dead child was in her thoughts: but as if the last time she
|
|
had seen her father, had been when he was sleeping and she kissed his
|
|
face, she always left him so, and never, in her fancy, passed that
|
|
hour.
|
|
|
|
'Walter, dear,' said Florence, one evening, when it was almost
|
|
dark.'Do you know what I have been thinking to-day?'
|
|
|
|
'Thinking how the time is flying on, and how soon we shall be upon
|
|
the sea, sweet Florence?'
|
|
|
|
'I don't mean that, Walter, though I think of that too. I have been
|
|
thinking what a charge I am to you.
|
|
|
|
'A precious, sacred charge, dear heart! Why, I think that
|
|
sometimes.'
|
|
|
|
'You are laughing, Walter. I know that's much more in your thoughts
|
|
than mine. But I mean a cost.
|
|
|
|
'A cost, my own?'
|
|
|
|
'In money, dear. All these preparations that Susan and I are so
|
|
busy with - I have been able to purchase very little for myself. You
|
|
were poor before. But how much poorer I shall make you, Walter!'
|
|
|
|
'And how much richer, Florence!'
|
|
|
|
Florence laughed, and shook her head.
|
|
|
|
'Besides,' said Walter, 'long ago - before I went to sea - I had a
|
|
little purse presented to me, dearest, which had money in it.'
|
|
|
|
'Ah!' returned Florence, laughing sorrowfully, 'very little! very
|
|
little, Walter! But, you must not think,' and here she laid her light
|
|
hand on his shoulder, and looked into his face, 'that I regret to be
|
|
this burden on you. No, dear love, I am glad of it. I am happy in it.
|
|
I wouldn't have it otherwise for all the world!'
|
|
|
|
'Nor I, indeed, dear Florence.'
|
|
|
|
'Ay! but, Walter, you can never feel it as I do. I am so proud of
|
|
you! It makes my heart swell with such delight to know that those who
|
|
speak of you must say you married a poor disowned girl, who had taken
|
|
shelter here; who had no other home, no other friends; who had nothing
|
|
- nothing! Oh, Walter, if I could have brought you millions, I never
|
|
could have been so happy for your sake, as I am!'
|
|
|
|
'And you, dear Florence? are you nothing?' he returned.
|
|
|
|
'No, nothing, Walter. Nothing but your wife.' The light hand stole
|
|
about his neck, and the voice came nearer - nearer. 'I am nothing any
|
|
more, that is not you. I have no earthly hope any more, that is not
|
|
you. I have nothing dear to me any more, that is not you.
|
|
|
|
Oh! well might Mr Toots leave the little company that evening, and
|
|
twice go out to correct his watch by the Royal Exchange, and once to
|
|
keep an appointment with a banker which he suddenly remembered, and
|
|
once to take a little turn to Aldgate Pump and back!
|
|
|
|
But before he went upon these expeditions, or indeed before he
|
|
came, and before lights were brought, Walter said:
|
|
|
|
'Florence, love, the lading of our ship is nearly finished, and
|
|
probably on the very day of our marriage she will drop down the river.
|
|
Shall we go away that morning, and stay in Kent until we go on board
|
|
at Gravesend within a week?'
|
|
|
|
'If you please, Walter. I shall be happy anywhere. But - '
|
|
|
|
'Yes, my life?'
|
|
|
|
'You know,' said Florence, 'that we shall have no marriage party,
|
|
and that nobody will distinguish us by our dress from other people. As
|
|
we leave the same day, will you - will you take me somewhere that
|
|
morning, Walter - early - before we go to church?'
|
|
|
|
Walter seemed to understand her, as so true a lover so truly loved
|
|
should, and confirmed his ready promise with a kiss - with more than
|
|
one perhaps, or two or threes or five or six; and in the grave,
|
|
peaceful evening, Florence was very happy.
|
|
|
|
Then into the quiet room came Susan Nipper and the candles; shortly
|
|
afterwards, the tea, the Captain, and the excursive Mr Toots, who, as
|
|
above mentioned, was frequently on the move afterwards, and passed but
|
|
a restless evening. This, however, was not his habit: for he generally
|
|
got on very well, by dint of playing at cribbage with the Captain
|
|
under the advice and guidance of Miss Nipper, and distracting his mind
|
|
with the calculations incidental to the game; which he found to be a
|
|
very effectual means of utterly confounding himself.
|
|
|
|
The Captain's visage on these occasions presented one of the finest
|
|
examples of combination and succession of expression ever observed.
|
|
His instinctive delicacy and his chivalrous feeling towards Florence,
|
|
taught him that it was not a time for any boisterous jollity, or
|
|
violent display of satisfaction; floating reminiscences of Lovely Peg,
|
|
on the other hand, were constantly struggling for a vent, and urging
|
|
the Captain to commit himself by some irreparable demonstration. Anon,
|
|
his admiration of Florence and Walter - well-matched, truly, and full
|
|
of grace and interest in their youth, and love, and good looks, as
|
|
they sat apart - would take such complete possession of hIm, that he
|
|
would lay down his cards, and beam upon them, dabbing his head all
|
|
over with his pockethandkerchief; until warned, perhaps, by the sudden
|
|
rushing forth of Mr Toots, that he had unconsciously been very
|
|
instrumental, indeed, in making that gentleman miserable. This
|
|
reflection would make the Captain profoundly melancholy, until the
|
|
return of Mr Toots; when he would fall to his cards again, with many
|
|
side winks and nods, and polite waves of his hook at Miss Nipper,
|
|
importing that he wasn't going to do so any more. The state that
|
|
ensued on this, was, perhaps, his best; for then, endeavouring to
|
|
discharge all expression from his face, he would sit staring round the
|
|
room, with all these expressions conveyed into it at once, and each
|
|
wrestling with the other. Delighted admiration of Florence and Walter
|
|
always overthrew the rest, and remained victorious and undisguised,
|
|
unless Mr Toots made another rush into the air, and then the Captain
|
|
would sit, like a remorseful culprit, until he came back again,
|
|
occasionally calling upon himself, in a low reproachful voice, to
|
|
'Stand by!' or growling some remonstrance to 'Ed'ard Cuttle, my lad,'
|
|
on the want of caution observabl in his behaviour.
|
|
|
|
One of Mr Toots's hardest trials, however, was of his own seeking.
|
|
On the approach of the Sunday which was to witness the last of those
|
|
askings in church of which the Captain had spoken, Mr Toots thus
|
|
stated his feelings to Susan Nipper.
|
|
|
|
'Susan,' said Mr Toots, 'I am drawn towards the building. The words
|
|
which cut me off from Miss Dombey for ever, will strike upon my ears
|
|
like a knell you know, but upon my word and honour, I feel that I must
|
|
hear them. Therefore,' said Mr Toots, 'will you accompany me
|
|
to-morrow, to the sacred edifice?'
|
|
|
|
Miss Nipper expressed her readiness to do so, if that would be any
|
|
satisfaction to Mr Toots, but besought him to abandon his idea of
|
|
going.
|
|
|
|
'Susan,' returned Mr Toots, with much solemnity, 'before my
|
|
whiskers began to be observed by anybody but myself, I adored Miss
|
|
Dombey. While yet a victim to the thraldom of Blimber, I adored Miss
|
|
Dombey. When I could no longer be kept out of my property, in a legal
|
|
point of view, and - and accordingly came into it - I adored Miss
|
|
Dombey. The banns which consign her to Lieutenant Walters, and me to -
|
|
to Gloom, you know,' said Mr Toots, after hesitating for a strong
|
|
expression, 'may be dreadful, will be dreadful; but I feel that I
|
|
should wish to hear them spoken. I feel that I should wish to know
|
|
that the ground wascertainly cut from under me, and that I hadn't a
|
|
hope to cherish, or a - or a leg, in short, to - to go upon.'
|
|
|
|
Susan Nipper could only commiserate Mr Toots's unfortunate
|
|
condition, and agree, under these circumstances, to accompany him;
|
|
which she did next morning.
|
|
|
|
The church Walter had chosen for the purpose, was a mouldy old
|
|
church in a yard, hemmed in by a labyrinth of back streets and courts,
|
|
with a little burying-ground round it, and itself buried in a kind of
|
|
vault, formed by the neighbouring houses, and paved with echoing
|
|
stones It was a great dim, shabby pile, with high old oaken pews,
|
|
among which about a score of people lost themselves every Sunday;
|
|
while the clergyman's voice drowsily resounded through the emptiness,
|
|
and the organ rumbled and rolled as if the church had got the colic,
|
|
for want of a congregation to keep the wind and damp out. But so far
|
|
was this city church from languishing for the company of other
|
|
churches, that spires were clustered round it, as the masts of
|
|
shipping cluster on the river. It would have been hard to count them
|
|
from its steeple-top, they were so many. In almost every yard and
|
|
blind-place near, there was a church. The confusion of bells when
|
|
Susan and Mr Toots betook themselves towards it on the Sunday morning,
|
|
was deafening. There were twenty churches close together, clamouring
|
|
for people to come in.
|
|
|
|
The two stray sheep in question were penned by a beadle in a
|
|
commodious pew, and, being early, sat for some time counting the
|
|
congregation, listening to the disappointed bell high up in the tower,
|
|
or looking at a shabby little old man in the porch behind the screen,
|
|
who was ringing the same, like the Bull in Cock Robin,' with his foot
|
|
in a stirrup. Mr Toots, after a lengthened survey of the large books
|
|
on the reading-desk, whispered Miss Nipper that he wondered where the
|
|
banns were kept, but that young lady merely shook her head and
|
|
frowned; repelling for the time all approaches of a temporal nature.
|
|
|
|
Mr Toots, however, appearing unable to keep his thoughts from the
|
|
banns, was evidently looking out for them during the whole preliminary
|
|
portion of the service. As the time for reading them approached, the
|
|
poor young gentleman manifested great anxiety and trepidation, which
|
|
was not diminished by the unexpected apparition of the Captain in the
|
|
front row of the gallery. When the clerk handed up a list to the
|
|
clergyman, Mr Toots, being then seated, held on by the seat of the
|
|
pew; but when the names of Walter Gay and Florence Dombey were read
|
|
aloud as being in the third and last stage of that association, he was
|
|
so entirley conquered by his feelings as to rush from the church
|
|
without his hat, followed by the beadle and pew-opener, and two
|
|
gentlemen of the medical profeesion, who happened to be present; of
|
|
whom the first-named presently returned for that article, informing
|
|
Miss Nipper in a whisper that she was not to make herself uneasy about
|
|
the gentleman, as the gentleman said his indisposition was of no
|
|
consequence.
|
|
|
|
Miss Nipper, feeling that the eyes of that integral portion of
|
|
Europe which lost itself weekly among the high-backed pews, were upon
|
|
her, would have been sufficient embarrassed by this incident, though
|
|
it had terminated here; the more so, as the Captain in the front row
|
|
of the gallery, was in a state of unmitigated consciousness which
|
|
could hardly fail to express to the congregation that he had some
|
|
mysterious connection with it. But the extreme restlessness of Mr
|
|
Toots painfully increased and protracted the delicacy of her
|
|
situation. That young gentleman, incapable, in his state of mind, of
|
|
remaining alone in the churchyard, a prey to solitary meditation, and
|
|
also desirous, no doubt, of testifying his respect for the offices he
|
|
had in some measure interrupted, suddenly returned - not coming back
|
|
to the pew, but stationing himself on a free seat in the aisle,
|
|
between two elderly females who were in the habit of receiving their
|
|
portion of a weekly dole of bread then set forth on a shelf in the
|
|
porch. In this conjunction Mr Toots remained, greatly disturbing the
|
|
congregation, who felt it impossible to avoid looking at him, until
|
|
his feelings overcame him again, when he departed silently and
|
|
suddenly. Not venturing to trust himself in the church any more, and
|
|
yet wishing to have some social participation in what was going on
|
|
there, Mr Toots was, after this, seen from time to time, looking in,
|
|
with a lorn aspect, at one or other of the windows; and as there were
|
|
several windows accessible to him from without, and as his
|
|
restlessness was very great, it not only became difficult to conceive
|
|
at which window he would appear next, but likewise became necessary,
|
|
as it were, for the whole congregation to speculate upon the chances
|
|
of the different windows, during the comparative leisure afforded them
|
|
by the sermon. Mr Toots's movements in the churchyard were so
|
|
eccentric, that he seemed generally to defeat all calculation, and to
|
|
appear, like the conjuror's figure, where he was least expected; and
|
|
the effect of these mysterious presentations was much increased by its
|
|
being difficult to him to see in, and easy to everybody else to see
|
|
out: which occasioned his remaining, every time, longer than might
|
|
have been expected, with his face close to the glass, until he all at
|
|
once became aware that all eyes were upon him, and vanished.
|
|
|
|
These proceedings on the part of Mr Toots, and the strong
|
|
individual consciousness of them that was exhibited by the Captain,
|
|
rendered Miss Nipper's position so responsible a one, that she was
|
|
mightily relieved by the conclusion of the service; and was hardly so
|
|
affable to Mr Toots as usual, when he informed her and the Captain, on
|
|
the way back, that now he was sure he had no hope, you know, he felt
|
|
more comfortable - at least not exactly more comfortable, but more
|
|
comfortably and completely miserable.
|
|
|
|
Swiftly now, indeed, the time flew by until it was the evening
|
|
before the day appointed for the marriage. They were all assembled in
|
|
the upper room at the Midshipman's, and had no fear of interruption;
|
|
for there were no lodgers in the house now, and the Midshipman had it
|
|
all to himself. They were grave and quiet in the prospect of
|
|
to-morrow, but moderately cheerful too. Florence, with Walter close
|
|
beside her, was finishing a little piece of work intended as a parting
|
|
gift to the Captain. The Captain was playing cribbage with Mr Toots.
|
|
Mr Toots was taking counsel as to his hand, of Susan Nipper. Miss
|
|
Nipper was giving it, with all due secrecy and circumspection.
|
|
Diogenes was listening, and occasionally breaking out into a gruff
|
|
half-smothered fragment of a bark, of which he afterwards seemed
|
|
half-ashamed, as if he doubted having any reason for it.
|
|
|
|
'Steady, steady!' said the Captain to Diogenes, 'what's amiss with
|
|
you? You don't seem easy in your mind to-night, my boy!'
|
|
|
|
Diogenes wagged his tail, but pricked up his ears immediately
|
|
afterwards, and gave utterance to another fragment of a bark; for
|
|
which he apologised to the Captain, by again wagging his tail.
|
|
|
|
'It's my opinion, Di,' said the Captain, looking thoughtfully at
|
|
his cards, and stroking his chin with his hook, 'as you have your
|
|
doubts of Mrs Richards; but if you're the animal I take you to be,
|
|
you'll think better o' that; for her looks is her commission. Now,
|
|
Brother:' to Mr Toots: 'if so be as you're ready, heave ahead.'
|
|
|
|
The Captain spoke with all composure and attention to the game, but
|
|
suddenly his cards dropped out of his hand, his mouth and eyes opened
|
|
wide, his legs drew themselves up and stuck out in front of his chair,
|
|
and he sat staring at the door with blank amazement. Looking round
|
|
upon the company, and seeing that none of them observed him or the
|
|
cause of his astonishment, the Captain recovered himself with a great
|
|
gasp, struck the table a tremendous blow, cried in a stentorian roar,
|
|
'Sol Gills ahoy!' and tumbled into the arms of a weather-beaten
|
|
pea-coat that had come with Polly into the room.
|
|
|
|
In another moment, Walter was in the arms of the weather-beaten
|
|
pea-coat. In another moment, Florence was in the arms of the
|
|
weather-beaten pea-coat. In another moment, Captain Cuttle had
|
|
embraced Mrs Richards and Miss Nipper, and was violently shaking hands
|
|
with Mr Toots, exclaiming, as he waved his hook above his head,
|
|
'Hooroar, my lad, hooroar!' To which Mr Toots, wholly at a loss to
|
|
account for these proceedings, replied with great politeness,
|
|
'Certainly, Captain Gills, whatever you think proper!'
|
|
|
|
The weather-beaten pea-coat, and a no less weather-beaten cap and
|
|
comforter belonging to it, turned from the Captain and from Florence
|
|
back to Walter, and sounds came from the weather-beaten pea-coat, cap,
|
|
and comforter, as of an old man sobbing underneath them; while the
|
|
shaggy sleeves clasped Walter tight. During this pause, there was an
|
|
universal silence, and the Captain polished his nose with great
|
|
diligence. But when the pea-coat, cap, and comforter lifted themselves
|
|
up again, Florence gently moved towards them; and she and Walter
|
|
taking them off, disclosed the old Instrument-maker, a little thinner
|
|
and more careworn than of old, in his old Welsh wig and his old
|
|
coffee-coloured coat and basket buttons, with his old infallible
|
|
chronometer ticking away in his pocket.
|
|
|
|
'Chock full o' science,' said the radiant Captain, 'as ever he was!
|
|
Sol Gills, Sol Gills, what have you been up to, for this many a long
|
|
day, my ould boy?'
|
|
|
|
'I'm half blind, Ned,' said the old man, 'and almost deaf and dumb
|
|
with joy.'
|
|
|
|
'His wery woice,' said the Captain, looking round with an
|
|
exultation to which even his face could hardly render justice - 'his
|
|
wery woice as chock full o' science as ever it was! Sol Gills, lay to,
|
|
my lad, upon your own wines and fig-trees like a taut ould patriark as
|
|
you are, and overhaul them there adwentures o' yourn, in your own
|
|
formilior woice. 'Tis the woice,' said the Captain, impressively, and
|
|
announcing a quotation with his hook, 'of the sluggard, I heerd him
|
|
complain, you have woke me too soon, I must slumber again. Scatter his
|
|
ene-mies, and make 'em fall!'
|
|
|
|
The Captain sat down with the air of a man who had happily
|
|
expressed the feeling of everybody present, and immediately rose again
|
|
to present Mr Toots, who was much disconcerted by the arrival of
|
|
anybody, appearing to prefer a claim to the name of Gills.
|
|
|
|
'Although,' stammered Mr Toots, 'I had not the pleasure of your
|
|
acquaintance, Sir, before you were - you were - '
|
|
|
|
'Lost to sight, to memory dear,' suggested the Captain, in a low
|
|
voice.
|
|
|
|
Exactly so, Captain Gills!' assented Mr Toots. 'Although I had not
|
|
the pleasure of your acquaintance, Mr - Mr Sols,' said Toots, hitting
|
|
on that name in the inspiration of a bright idea, 'before that
|
|
happened, I have the greatest pleasure, I assure you, in - you know,
|
|
in knowing you. I hope,' said Mr Toots, 'that you're as well as can be
|
|
expected.'
|
|
|
|
With these courteous words, Mr Toots sat down blushing and
|
|
chuckling.
|
|
|
|
The old Instrument-maker, seated in a corner between Walter and
|
|
Florence, and nodding at Polly, who was looking on, all smiles and
|
|
delight, answered the Captain thus:
|
|
|
|
'Ned Cuttle, my dear boy, although I have heard something of the
|
|
changes of events here, from my pleasant friend there - what a
|
|
pleasant face she has to be sure, to welcome a wanderer home!' said
|
|
the old man, breaking off, and rubbing his hands in his old dreamy
|
|
way.
|
|
|
|
'Hear him!' cried the Captain gravely. ''Tis woman as seduces all
|
|
mankind. For which,' aside to Mr Toots, 'you'll overhaul your Adam and
|
|
Eve, brother.'
|
|
|
|
'I shall make a point of doing so, Captain Gills,' said Mr Toots.
|
|
|
|
'Although I have heard something of the changes of events, from
|
|
her,' resumed the Instrument-maker, taking his old spectacles from his
|
|
pocket, and putting them on his forehead in his old manner, 'they are
|
|
so great and unexpected, and I am so overpowered by the sight of my
|
|
dear boy, and by the,' - glancing at the downcast eyes of Florence,
|
|
and not attempting to finish the sentence - 'that I - I can't say much
|
|
to-night. But my dear Ned Cuttle, why didn't you write?'
|
|
|
|
The astonishment depicted in the Captain's features positively
|
|
frightened Mr Toots, whose eyes were quite fixed by it, so that he
|
|
could not withdraw them from his face.
|
|
|
|
'Write!' echoed the Captain. 'Write, Sol Gills?'
|
|
|
|
'Ay,' said the old man, 'either to Barbados, or Jamaica, or
|
|
Demerara, That was what I asked.'
|
|
|
|
'What you asked, Sol Gills?' repeated the Captain.
|
|
|
|
'Ay,' said the old man. 'Don't you know, Ned? Sure you have not
|
|
forgotten? Every time I wrote to you.'
|
|
|
|
The Captain took off his glazed hat, hung it on his hook, and
|
|
smoothing his hair from behind with his hand, sat gazing at the group
|
|
around him: a perfect image of wondering resignation.
|
|
|
|
'You don't appear to understand me, Ned!' observed old Sol.
|
|
|
|
'Sol Gills,' returned the Captain, after staring at him and the
|
|
rest for a long time, without speaking, 'I'm gone about and adrift.
|
|
Pay out a word or two respecting them adwenturs, will you! Can't I
|
|
bring up, nohows? Nohows?' said the Captain, ruminating, and staring
|
|
all round.
|
|
|
|
'You know, Ned,' said Sol Gills, 'why I left here. Did you open my
|
|
packet, Ned?'
|
|
|
|
'Why, ay, ay,' said the Captain. 'To be sure, I opened the packet.'
|
|
|
|
'And read it?' said the old man.
|
|
|
|
'And read it,' answered the Captain, eyeing him attentively, and
|
|
proceeding to quote it from memory. '"My dear Ned Cuttle, when I left
|
|
home for the West Indies in forlorn search of intelligence of my
|
|
dear-" There he sits! There's Wal'r!' said the Captain, as if he were
|
|
relieved by getting hold of anything that was real and indisputable.
|
|
|
|
'Well, Ned. Now attend a moment!' said the old man. 'When I wrote
|
|
first - that was from Barbados - I said that though you would receive
|
|
that letter long before the year was out, I should be glad if you
|
|
would open the packet, as it explained the reason of my going away.
|
|
Very good, Ned. When I wrote the second, third, and perhaps the fourth
|
|
times - that was from Jamaica - I said I was in just the same state,
|
|
couldn't rest, and couldn't come away from that part of the world,
|
|
without knowing that my boy was lost or saved. When I wrote next -
|
|
that, I think, was from Demerara, wasn't it?'
|
|
|
|
'That he thinks was from Demerara, warn't it!' said the Captain,
|
|
looking hopelessly round.
|
|
|
|
'I said,' proceeded old Sol, 'that still there was no certain
|
|
information got yet. That I found many captains and others, in that
|
|
part of the world, who had known me for years, and who assisted me
|
|
with a passage here and there, and for whom I was able, now and then,
|
|
to do a little in return, in my own craft. That everyone was sorry for
|
|
me, and seemed to take a sort of interest in my wanderings; and that I
|
|
began to think it would be my fate to cruise about in search of
|
|
tidings of my boy, until I died.'
|
|
|
|
'Began to think as how he was a scientific Flying Dutchman!' said
|
|
the Captain, as before, and with great seriousness.
|
|
|
|
'But when the news come one day, Ned, - that was to Barbados, after
|
|
I got back there, - that a China trader home'ard bound had been spoke,
|
|
that had my boy aboard, then, Ned, I took passage in the next ship and
|
|
came home; arrived at home to-night to find it true, thank God!' said
|
|
the old man, devoutly.
|
|
|
|
The Captain, after bowing his head with great reverence, stared all
|
|
round the circle, beginning with Mr Toots, and ending with the
|
|
Instrument-maker; then gravely said:
|
|
|
|
'Sol Gills! The observation as I'm a-going to make is calc'lated to
|
|
blow every stitch of sail as you can carry, clean out of the
|
|
bolt-ropes, and bring you on your beam ends with a lurch. Not one of
|
|
them letters was ever delivered to Ed'ard Cuttle. Not one o' them
|
|
letters,' repeated the Captain, to make his declaration the more
|
|
solemn and impressive, 'was ever delivered unto Ed'ard Cuttle,
|
|
Mariner, of England, as lives at home at ease, and doth improve each
|
|
shining hour!'
|
|
|
|
'And posted by my own hand! And directed by my own hand, Number
|
|
nine Brig Place!' exclaimed old Sol.
|
|
|
|
The colour all went out of the Captain's face and all came back
|
|
again in a glow.
|
|
|
|
'What do you mean, Sol Gills, my friend, by Number nine Brig
|
|
Place?' inquired the Captain.
|
|
|
|
'Mean? Your lodgings, Ned,' returned the old man. 'Mrs
|
|
What's-her-name! I shall forget my own name next, but I am behind the
|
|
present time - I always was, you recollect - and very much confused.
|
|
Mrs - '
|
|
|
|
'Sol Gills!' said the Captain, as if he were putting the most
|
|
improbable case in the world, 'it ain't the name of MacStinger as
|
|
you're a trying to remember?'
|
|
|
|
'Of course it is!' exclaimed the Instrument-maker. 'To be sure Ned.
|
|
Mrs MacStinger!'
|
|
|
|
Captain Cuttle, whose eyes were now as wide open as they would be,
|
|
and the knobs upon whose face were perfectly luminous, gave a long
|
|
shrill whistle of a most melancholy sound, and stood gazing at
|
|
everybody in a state of speechlessness.
|
|
|
|
'Overhaul that there again, Sol Gills, will you be so kind?' he
|
|
said at last.
|
|
|
|
'All these letters,' returned Uncle Sol, beating time with the
|
|
forefinger of his right hand upon the palm of his left, with a
|
|
steadiness and distinctness that might have done honour, even to the
|
|
infallible chronometer in his pocket, 'I posted with my own hand, and
|
|
directed with my own hand, to Captain Cuttle, at Mrs MacStinger's,
|
|
Number nine Brig Place.'
|
|
|
|
The Captain took his glazed hat off his hook, looked into it, put
|
|
it on, and sat down.
|
|
|
|
'Why, friends all,' said the Captain, staring round in the last
|
|
state of discomfiture, 'I cut and run from there!'
|
|
|
|
'And no one knew where you were gone, Captain Cuttle?' cried Walter
|
|
hastily.
|
|
|
|
'Bless your heart, Wal'r,' said the Captain, shaking his head,
|
|
'she'd never have allowed o' my coming to take charge o' this here
|
|
property. Nothing could be done but cut and run. Lord love you,
|
|
Wal'r!' said the Captain, 'you've only seen her in a calm! But see her
|
|
when her angry passions rise - and make a note on!'
|
|
|
|
'I'd give it her!' remarked the Nipper, softly.
|
|
|
|
'Would you, do you think, my dear?' returned the Captain, with
|
|
feeble admiration. 'Well, my dear, it does you credit. But there ain't
|
|
no wild animal I wouldn't sooner face myself. I only got my chest away
|
|
by means of a friend as nobody's a match for. It was no good sending
|
|
any letter there. She wouldn't take in any letter, bless you,' said
|
|
the Captain, 'under them circumstances! Why, you could hardly make it
|
|
worth a man's while to be the postman!'
|
|
|
|
'Then it's pretty clear, Captain Cuttle, that all of us, and you
|
|
and Uncle Sol especially,' said Walter, 'may thank Mrs MacStinger for
|
|
no small anxiety.'
|
|
|
|
The general obligation in this wise to the determined relict of the
|
|
late Mr MacStinger, was so apparent, that the Captain did not contest
|
|
the point; but being in some measure ashamed of his position, though
|
|
nobody dwelt upon the subject, and Walter especially avoided it,
|
|
remembering the last conversation he and the Captain had held together
|
|
respecting it, he remained under a cloud for nearly five minutes - an
|
|
extraordinary period for him when that sun, his face, broke out once
|
|
more, shining on all beholders with extraordinary brilliancy; and he
|
|
fell into a fit of shaking hands with everybody over and over again.
|
|
|
|
At an early hour, but not before Uncle Sol and Walter had
|
|
questioned each other at some length about their voyages and dangers,
|
|
they all, except Walter, vacated Florence's room, and went down to the
|
|
parlour. Here they were soon afterwards joined by Walter, who told
|
|
them Florence was a little sorrowful and heavy-hearted, and had gone
|
|
to bed. Though they could not have disturbed her with their voices
|
|
down there, they all spoke in a whisper after this: and each, in his
|
|
different way, felt very lovingly and gently towards Walter's fair
|
|
young bride: and a long explanation there was of everything relating
|
|
to her, for the satisfaction of Uncle Sol; and very sensible Mr Toots
|
|
was of the delicacy with which Walter made his name and services
|
|
important, and his presence necessary to their little council.
|
|
|
|
'Mr Toots,' said Walter, on parting with him at the house door, 'we
|
|
shall see each other to-morrow morning?'
|
|
|
|
'Lieutenant Walters,' returned Mr Toots, grasping his hand
|
|
fervently, 'I shall certainly be present.
|
|
|
|
'This is the last night we shall meet for a long time - the last
|
|
night we may ever meet,' said Walter. 'Such a noble heart as yours,
|
|
must feel, I think, when another heart is bound to it. I hope you know
|
|
that I am very grateful to you?'
|
|
|
|
'Walters,' replied Mr Toots, quite touched, 'I should be glad to
|
|
feel that you had reason to be so.'
|
|
|
|
'Florence,' said Walter, 'on this last night of her bearing her own
|
|
name, has made me promise - it was only just now, when you left us
|
|
together - that I would tell you - with her dear love - '
|
|
|
|
Mr Toots laid his hand upon the doorpost, and his eyes upon his
|
|
hand.
|
|
|
|
- with her dear love,' said Walter, 'that she can never have a
|
|
friend whom she will value above you. That the recollection of your
|
|
true consideration for her always, can never be forgotten by her. That
|
|
she remembers you in her prayers to-night, and hopes that you will
|
|
think of her when she is far away. Shall I say anything for you?'
|
|
|
|
'Say, Walter,' replied Mr Toots indistinctly, 'that I shall think
|
|
of her every day, but never without feeling happy to know that she is
|
|
married to the man she loves, and who loves her. Say, if you please,
|
|
that I am sure her husband deserves her - even her!- and that I am
|
|
glad of her choice.'
|
|
|
|
Mr Toots got more distinct as he came to these last words, and
|
|
raising his eyes from the doorpost, said them stoutly. He then shook
|
|
Walter's hand again with a fervour that Walter was not slow to return
|
|
and started homeward.
|
|
|
|
Mr Toots was accompanied by the Chicken, whom he had of late
|
|
brought with him every evening, and left in the shop, with an idea
|
|
that unforeseen circumstances might arise from without, in which the
|
|
prowess of that distinguished character would be of service to the
|
|
Midshipman. The Chicken did not appear to be in a particularly good
|
|
humour on this occasion. Either the gas-lamps were treacherous, or he
|
|
cocked his eye in a hideous manner, and likewise distorted his nose,
|
|
when Mr Toots, crossing the road, looked back over his shoulder at the
|
|
room where Florence slept. On the road home, he was more demonstrative
|
|
of aggressive intentions against the other foot-passengers, than
|
|
comported with a professor of the peaceful art of self-defence.
|
|
Arrived at home, instead of leaving Mr Toots in his apartments when he
|
|
had escorted him thither, he remained before him weighing his white
|
|
hat in both hands by the brim, and twitching his head and nose (both
|
|
of which had been many times broken, and but indifferently repaired),
|
|
with an air of decided disrespect.
|
|
|
|
His patron being much engaged with his own thoughts, did not
|
|
observe this for some time, nor indeed until the Chicken, determined
|
|
not to be overlooked, had made divers clicking sounds with his tongue
|
|
and teeth, to attract attention.
|
|
|
|
'Now, Master,' said the Chicken, doggedly, when he, at length,
|
|
caught Mr Toots's eye, 'I want to know whether this here gammon is to
|
|
finish it, or whether you're a going in to win?'
|
|
|
|
'Chicken,' returned Mr Toots, 'explain yourself.'
|
|
|
|
'Why then, here's all about it, Master,' said the Chicken. 'I ain't
|
|
a cove to chuck a word away. Here's wot it is. Are any on 'em to be
|
|
doubled up?'
|
|
|
|
When the Chicken put this question he dropped his hat, made a dodge
|
|
and a feint with his left hand, hit a supposed enemy a violent blow
|
|
with his right, shook his head smartly, and recovered himself'
|
|
|
|
'Come, Master,' said the Chicken. 'Is it to be gammon or pluck?
|
|
Which?'
|
|
|
|
Chicken,' returned Mr Toots, 'your expressions are coarse, and your
|
|
meaning is obscure.'
|
|
|
|
'Why, then, I tell you what, Master,' said the Chicken. 'This is
|
|
where it is. It's mean.'
|
|
|
|
'What is mean, Chicken?' asked Mr Toots.
|
|
|
|
'It is,' said the Chicken, with a frightful corrugation of his
|
|
broken nose. 'There! Now, Master! Wot! When you could go and blow on
|
|
this here match to the stiff'un;' by which depreciatory appellation it
|
|
has been since supposed that the Game One intended to signify Mr
|
|
Dombey; 'and when you could knock the winner and all the kit of 'em
|
|
dead out o' wind and time, are you going to give in? To give in? 'said
|
|
the Chicken, with contemptuous emphasis. 'Wy, it's mean!'
|
|
|
|
'Chicken,' said Mr Toots, severely, 'you're a perfect Vulture! Your
|
|
sentiments are atrocious.'
|
|
|
|
'My sentiments is Game and Fancy, Master,' returned the Chicken.
|
|
'That's wot my sentiments is. I can't abear a meanness. I'm afore the
|
|
public, I'm to be heerd on at the bar of the Little Helephant, and no
|
|
Gov'ner o' mine mustn't go and do what's mean. Wy, it's mean,' said
|
|
the Chicken, with increased expression. 'That's where it is. It's
|
|
mean.'
|
|
|
|
'Chicken,' said Mr Toots, 'you disgust me.'
|
|
|
|
'Master,' returned the Chicken, putting on his hat, 'there's a pair
|
|
on us, then. Come! Here's a offer! You've spoke to me more than once't
|
|
or twice't about the public line. Never mind! Give me a fi'typunnote
|
|
to-morrow, and let me go.'
|
|
|
|
'Chicken,' returned Mr Toots, 'after the odious sentiments you have
|
|
expressed, I shall be glad to part on such terms.'
|
|
|
|
'Done then,' said the Chicken. 'It's a bargain. This here conduct
|
|
of yourn won't suit my book, Master. Wy, it's mean,' said the Chicken;
|
|
who seemed equally unable to get beyond that point, and to stop short
|
|
of it. 'That's where it is; it's mean!'
|
|
|
|
So Mr Toots and the Chicken agreed to part on this incompatibility
|
|
of moral perception; and Mr Toots lying down to sleep, dreamed happily
|
|
of Florence, who had thought of him as her friend upon the last night
|
|
of her maiden life, and who had sent him her dear love.
|
|
|
|
CHAPTER 57.
|
|
|
|
Another Wedding
|
|
|
|
Mr Sownds the beadle, and Mrs Miff the pew-opener, are early at
|
|
their posts in the fine church where Mr Dombey was married. A
|
|
yellow-faced old gentleman from India, is going to take unto himself a
|
|
young wife this morning, and six carriages full of company are
|
|
expected, and Mrs Miff has been informed that the yellow-faced old
|
|
gentleman could pave the road to church with diamonds and hardly miss
|
|
them. The nuptial benediction is to be a superior one, proceeding from
|
|
a very reverend, a dean, and the lady is to be given away, as an
|
|
extraordinary present, by somebody who comes express from the Horse
|
|
Guards
|
|
|
|
Mrs Miff is more intolerant of common people this morning, than she
|
|
generally is; and she his always strong opinions on that subject, for
|
|
it is associated with free sittings. Mrs Miff is not a student of
|
|
political economy (she thinks the science is connected with
|
|
dissenters; 'Baptists or Wesleyans, or some o' them,' she says), but
|
|
she can never understand what business your common folks have to be
|
|
married. 'Drat 'em,' says Mrs Miff 'you read the same things over 'em'
|
|
and instead of sovereigns get sixpences!'
|
|
|
|
Mr Sownds the beadle is more liberal than Mrs Miff - but then he is
|
|
not a pew-opener. 'It must be done, Ma'am,' he says. 'We must marry
|
|
'em. We must have our national schools to walk at the head of, and we
|
|
must have our standing armies. We must marry 'em, Ma'am,' says Mr
|
|
Sownds, 'and keep the country going.'
|
|
|
|
Mr Sownds is sitting on the steps and Mrs Miff is dusting in the
|
|
church, when a young couple, plainly dressed, come in. The mortified
|
|
bonnet of Mrs Miff is sharply turned towards them, for she espies in
|
|
this early visit indications of a runaway match. But they don't want
|
|
to be married - 'Only,' says the gentleman, 'to walk round the
|
|
church.' And as he slips a genteel compliment into the palm of Mrs
|
|
Miff, her vinegary face relaxes, and her mortified bonnet and her
|
|
spare dry figure dip and crackle.
|
|
|
|
Mrs Miff resumes her dusting and plumps up her cushions - for the
|
|
yellow-faced old gentleman is reported to have tender knees - but
|
|
keeps her glazed, pew-opening eye on the young couple who are walking
|
|
round the church. 'Ahem,' coughs Mrs Miff whose cough is drier than
|
|
the hay in any hassock in her charge, 'you'll come to us one of these
|
|
mornings, my dears, unless I'm much mistaken!'
|
|
|
|
They are looking at a tablet on the wall, erected to the memory of
|
|
someone dead. They are a long way off from Mrs Miff, but Mrs Miff can
|
|
see with half an eye how she is leaning on his arm, and how his head
|
|
is bent down over her. 'Well, well,' says Mrs Miff, 'you might do
|
|
worse. For you're a tidy pair!'
|
|
|
|
There is nothing personal in Mrs Miff's remark. She merely speaks
|
|
of stock-in-trade. She is hardly more curious in couples than in
|
|
coffins. She is such a spare, straight, dry old lady - such a pew of a
|
|
woman - that you should find as many individual sympathies in a chip.
|
|
Mr Sownds, now, who is fleshy, and has scarlet in his coat, is of a
|
|
different temperament. He says, as they stand upon the steps watching
|
|
the young couple away, that she has a pretty figure, hasn't she, and
|
|
as well as he could see (for she held her head down coming out), an
|
|
uncommon pretty face. 'Altogether, Mrs Miff,' says Mr Sownds with a
|
|
relish, 'she is what you may call a rose-bud.'
|
|
|
|
Mrs Miff assents with a spare nod of her mortified bonnet; but
|
|
approves of this so little, that she inwardly resolves she wouldn't be
|
|
the wife of Mr Sownds for any money he could give her, Beadle as he
|
|
is.
|
|
|
|
And what are the young couple saying as they leave the church, and
|
|
go out at the gate?
|
|
|
|
'Dear Walter, thank you! I can go away, now, happy.'
|
|
|
|
'And when we come back, Florence, we will come and see his grave
|
|
again.'
|
|
|
|
Florence lifts her eyes, so bright with tears, to his kind face;
|
|
and clasps her disengaged hand on that other modest little hand which
|
|
clasps his arm.
|
|
|
|
'It is very early, Walter, and the streets are almost empty yet.
|
|
Let us walk.'
|
|
|
|
'But you will be so tired, my love.'
|
|
|
|
'Oh no! I was very tired the first time that we ever walked
|
|
together, but I shall not be so to-day.' And thus - not much changed -
|
|
she, as innocent and earnest-hearted - he, as frank, as hopeful, and
|
|
more proud of her - Florence and Walter, on their bridal morning, walk
|
|
through the streets together.
|
|
|
|
Not even in that childish walk of long ago, were they so far
|
|
removed from all the world about them as to-day. The childish feet of
|
|
long ago, did not tread such enchanted ground as theirs do now. The
|
|
confidence and love of children may be given many times, and will
|
|
spring up in many places; but the woman's heart of Florence, with its
|
|
undivided treasure, can be yielded only once, and under slight or
|
|
change, can only droop and die.
|
|
|
|
They take the streets that are the quietest, and do not go near
|
|
that in which her old home stands. It is a fair, warm summer morning,
|
|
and the sun shines on them, as they walk towards the darkening mist
|
|
that overspreads the City. Riches are uncovering in shops; jewels,
|
|
gold, and silver flash in the goldsmith's sunny windows; and great
|
|
houses cast a stately shade upon them as they pass. But through the
|
|
light, and through the shade, they go on lovingly together, lost to
|
|
everything around; thinking of no other riches, and no prouder home,
|
|
than they have now in one another.
|
|
|
|
Gradually they come into the darker, narrower streets, where the
|
|
sun, now yellow, and now red, is seen through the mist, only at street
|
|
corners, and in small open spaces where there is a tree, or one of the
|
|
innumerable churches, or a paved way and a flight of steps, or a
|
|
curious little patch of garden, or a burying-ground, where the few
|
|
tombs and tombstones are almost black. Lovingly and trustfully,
|
|
through all the narrow yards and alleys and the shady streets,
|
|
Florence goes, clinging to his arm, to be his wife.
|
|
|
|
Her heart beats quicker now, for Walter tells her that their church
|
|
is very near. They pass a few great stacks of warehouses, with waggons
|
|
at the doors, and busy carmen stopping up the way - but Florence does
|
|
not see or hear them - and then the air is quiet, and the day is
|
|
darkened, and she is trembling in a church which has a strange smell
|
|
like a cellar.
|
|
|
|
The shabby little old man, ringer of the disappointed bell, is
|
|
standing in the porch, and has put his hat in the font - for he is
|
|
quite at home there, being sexton. He ushers them into an old brown,
|
|
panelled, dusty vestry, like a corner-cupboard with the shelves taken
|
|
out; where the wormy registers diffuse a smell like faded snuff, which
|
|
has set the tearful Nipper sneezing.
|
|
|
|
Youthful, and how beautiful, the young bride looks, in this old
|
|
dusty place, with no kindred object near her but her husband. There is
|
|
a dusty old clerk, who keeps a sort of evaporated news shop underneath
|
|
an archway opposite, behind a perfect fortification of posts. There is
|
|
a dusty old pew-opener who only keeps herself, and finds that quite
|
|
enough to do. There is a dusty old beadle (these are Mr Toots's beadle
|
|
and pew-opener of last Sunday), who has something to do with a
|
|
Worshipful Company who have got a Hall in the next yard, with a
|
|
stained-glass window in it that no mortal ever saw. There are dusty
|
|
wooden ledges and cornices poked in and out over the altar, and over
|
|
the screen and round the gallery, and over the inscription about what
|
|
the Master and Wardens of the Worshipful Company did in one thousand
|
|
six hundred and ninety-four. There are dusty old sounding-boards over
|
|
the pulpit and reading-desk, looking like lids to be let down on the
|
|
officiating ministers in case of their giving offence. There is every
|
|
possible provision for the accommodation of dust, except in the
|
|
churchyard, where the facilities in that respect are very limited. The
|
|
Captain, Uncle Sol, and Mr Toots are come; the clergyman is putting on
|
|
his surplice in the vestry, while the clerk walks round him, blowing
|
|
the dust off it; and the bride and bridegroom stand before the altar.
|
|
There is no bridesmaid, unless Susan Nipper is one; and no better
|
|
father than Captain Cuttle. A man with a wooden leg, chewing a faint
|
|
apple and carrying a blue bag in has hand, looks in to see what is
|
|
going on; but finding it nothing entertaining, stumps off again, and
|
|
pegs his way among the echoes out of doors.
|
|
|
|
No gracious ray of light is seen to fall on Florence, kneeling at
|
|
the altar with her timid head bowed down. The morning luminary is
|
|
built out, and don't shine there. There is a meagre tree outside,
|
|
where the sparrows are chirping a little; and there is a blackbird in
|
|
an eyelet-hole of sun in a dyer's garret, over against the window, who
|
|
whistles loudly whilst the service is performing; and there is the man
|
|
with the wooden leg stumping away. The amens of the dusty clerk
|
|
appear, like Macbeth's, to stick in his throat a little'; but Captain
|
|
Cuttle helps him out, and does it with so much goodwill that he
|
|
interpolates three entirely new responses of that word, never
|
|
introduced into the service before.
|
|
|
|
They are married, and have signed their names in one of the old
|
|
sneezy registers, and the clergyman's surplice is restored to the
|
|
dust, and the clergymam is gone home. In a dark corner of the dark
|
|
church, Florence has turned to Susan Nipper, and is weeping in her
|
|
arms. Mr Toots's eyes are red. The Captain lubricates his nose. Uncle
|
|
Sol has pulled down his spectacles from his forehead, and walked out
|
|
to the door.
|
|
|
|
'God bless you, Susan; dearest Susan! If you ever can bear witness
|
|
to the love I have for Walter, and the reason that I have to love him,
|
|
do it for his sake. Good-bye! Good-bye!'
|
|
|
|
They have thought it better not to go back to the Midshipman, but
|
|
to part so; a coach is waiting for them, near at hand.
|
|
|
|
Miss Nipper cannot speak; she only sobs and chokes, and hugs her
|
|
mistress. Mr Toots advances, urges her to cheer up, and takes charge
|
|
of her. Florence gives him her hand - gives him, in the fulness of her
|
|
heart, her lips - kisses Uncle Sol, and Captain Cuttle, and is borne
|
|
away by her young husband.
|
|
|
|
But Susan cannot bear that Florence should go away with a mournful
|
|
recollection of her. She had meant to be so different, that she
|
|
reproaches herself bitterly. Intent on making one last effort to
|
|
redeem her character, she breaks from Mr Toots and runs away to find
|
|
the coach, and show a parting smile. The Captain, divining her object,
|
|
sets off after her; for he feels it his duty also to dismiss them with
|
|
a cheer, if possible. Uncle Sol and Mr Toots are left behind together,
|
|
outside the church, to wait for them.
|
|
|
|
The coach is gone, but the street is steep, and narrow, and blocked
|
|
up, and Susan can see it at a stand-still in the distance, she is
|
|
sure. Captain Cuttle follows her as she flies down the hill, and waves
|
|
his glazed hat as a general signal, which may attract the right coach
|
|
and which may not.
|
|
|
|
Susan outstrips the Captain, and comes up with it. She looks in at
|
|
the window, sees Walter, with the gentle face beside him, and claps
|
|
her hands and screams:
|
|
|
|
'Miss Floy, my darling! look at me! We are all so happy now, dear!
|
|
One more good-bye, my precious, one more!'
|
|
|
|
How Susan does it, she don't know, but she reaches to the window,
|
|
kisses her, and has her arms about her neck, in a moment.
|
|
|
|
We are all so happy now, my dear Miss Floy!' says Susan, with a
|
|
suspicious catching in her breath. 'You, you won't be angry with me
|
|
now. Now will you?'
|
|
|
|
'Angry, Susan!'
|
|
|
|
'No, no; I am sure you won't. I say you won't, my pet, my dearest!'
|
|
exclaims Susan; 'and here's the Captain too - your friend the Captain,
|
|
you know - to say good-bye once more!'
|
|
|
|
'Hooroar, my Heart's Delight!' vociferates the Captain, with a
|
|
countenance of strong emotion. 'Hooroar, Wal'r my lad. Hooroar!
|
|
Hooroar!'
|
|
|
|
What with the young husband at one window, and the young wife at
|
|
the other; the Captain hanging on at this door, and Susan Nipper
|
|
holding fast by that; the coach obliged to go on whether it will or
|
|
no, and all the other carts and coaches turbulent because it
|
|
hesitates; there never was so much confusion on four wheels. But Susan
|
|
Nipper gallantly maintains her point. She keeps a smiling face upon
|
|
her mistress, smiling through her tears, until the last. Even when she
|
|
is left behind, the Captain continues to appear and disappear at the
|
|
door, crying 'Hooroar, my lad! Hooroar, my Heart's Delight!' with his
|
|
shirt-collar in a violent state of agitation, until it is hopeless to
|
|
attempt to keep up with the coach any longer. Finally, when the coach
|
|
is gone, Susan Nipper, being rejoined by the Captain, falls into a
|
|
state of insensibility, and is taken into a baker's shop to recover.
|
|
|
|
Uncle Sol and Mr Toots wait patiently in the churchyard, sitting on
|
|
the coping-stone of the railings, until Captain Cuttle and Susan come
|
|
back, Neither being at all desirous to speak, or to be spoken to, they
|
|
are excellent company, and quite satisfied. When they all arrive again
|
|
at the little Midshipman, and sit down to breakfast, nobody can touch
|
|
a morsel. Captain Cuttle makes a feint of being voracious about toast,
|
|
but gives it up as a swindle. Mr Toots says, after breakfast, he will
|
|
come back in the evening; and goes wandering about the town all day,
|
|
with a vague sensation upon him as if he hadn't been to bed for a
|
|
fortnight.
|
|
|
|
There is a strange charm in the house, and in the room, in which
|
|
they have been used to be together, and out of which so much is gone.
|
|
It aggravates, and yet it soothes, the sorrow of the separation. Mr
|
|
Toots tells Susan Nipper when he comes at night, that he hasn't been
|
|
so wretched all day long, and yet he likes it. He confides in Susan
|
|
Nipper, being alone with her, and tells her what his feelings were
|
|
when she gave him that candid opinion as to the probability of Miss
|
|
Dombey's ever loving him. In the vein of confidence engendered by
|
|
these common recollections, and their tears, Mr Toots proposes that
|
|
they shall go out together, and buy something for supper. Miss Nipper
|
|
assenting, they buy a good many little things; and, with the aid of
|
|
Mrs Richards, set the supper out quite showily before the Captain and
|
|
old Sol came home.
|
|
|
|
The Captain and old Sol have been on board the ship, and have
|
|
established Di there, and have seen the chests put aboard. They have
|
|
much to tell about the popularity of Walter, and the comforts he will
|
|
have about him, and the quiet way in which it seems he has been
|
|
working early and late, to make his cabin what the Captain calls 'a
|
|
picter,' to surprise his little wife. 'A admiral's cabin, mind you,'
|
|
says the Captain, 'ain't more trim.'
|
|
|
|
But one of the Captain's chief delights is, that he knows the big
|
|
watch, and the sugar-tongs, and tea-spoons, are on board: and again
|
|
and again he murmurs to himself, 'Ed'ard Cuttle, my lad, you never
|
|
shaped a better course in your life than when you made that there
|
|
little property over jintly. You see how the land bore, Ed'ard,' says
|
|
the Captain, 'and it does you credit, my lad.'
|
|
|
|
The old Instrument-maker is more distraught and misty than he used
|
|
to be, and takes the marriage and the parting very much to heart. But
|
|
he is greatly comforted by having his old ally, Ned Cuttle, at his
|
|
side; and he sits down to supper with a grateful and contented face.
|
|
|
|
'My boy has been preserved and thrives,' says old Sol Gills,
|
|
rubbing his hands. 'What right have I to be otherwise than thankful
|
|
and happy!'
|
|
|
|
The Captain, who has not yet taken his seat at the table, but who
|
|
has been fidgeting about for some time, and now stands hesitating in
|
|
his place, looks doubtfully at Mr Gills, and says:
|
|
|
|
'Sol! There's the last bottle of the old Madeira down below. Would
|
|
you wish to have it up to-night, my boy, and drink to Wal'r and his
|
|
wife?'
|
|
|
|
The Instrument-maker, looking wistfully at the Captain, puts his
|
|
hand into the breast-pocket of his coffee-coloured coat, brings forth
|
|
his pocket-book, and takes a letter out.
|
|
|
|
'To Mr Dombey,' says the old man. 'From Walter. To be sent in three
|
|
weeks' time. I'll read it.'
|
|
|
|
'"Sir. I am married to your daughter. She is gone with me upon a
|
|
distant voyage. To be devoted to her is to have no claim on her or
|
|
you, but God knows that I am.
|
|
|
|
'"Why, loving her beyond all earthly things, I have yet, without
|
|
remorse, united her to the uncertainties and dangers of my life, I
|
|
will not say to you. You know why, and you are her father.
|
|
|
|
'"Do not reproach her. She has never reproached you.
|
|
|
|
'"I do not think or hope that you will ever forgive me. There is
|
|
nothing I expect less. But if an hour should come when it will comfort
|
|
you to believe that Florence has someone ever near her, the great
|
|
charge of whose life is to cancel her remembrance of past sorrow, I
|
|
solemnly assure you, you may, in that hour, rest in that belief."'
|
|
|
|
Solomon puts back the letter carefully in his pocket-book, and puts
|
|
back his pocket-book in his coat.
|
|
|
|
'We won't drink the last bottle of the old Madeira yet, Ned,' says
|
|
the old man thoughtfully. 'Not yet.
|
|
|
|
'Not yet,' assents the Captain. 'No. Not yet.'
|
|
|
|
Susan and Mr Toots are of the same opinion. After a silence they
|
|
all sit down to supper, and drink to the young husband and wife in
|
|
something else; and the last bottle of the old Madeira still remains
|
|
among its dust and cobwebs, undisturbed.
|
|
|
|
A few days have elapsed, and a stately ship is out at sea,
|
|
spreading its white wings to the favouring wind.
|
|
|
|
Upon the deck, image to the roughest man on board of something that
|
|
is graceful, beautiful, and harmless - something that it is good and
|
|
pleasant to have there, and that should make the voyage prosperous -
|
|
is Florence. It is night, and she and Walter sit alone, watching the
|
|
solemn path of light upon the sea between them and the moon.
|
|
|
|
At length she cannot see it plainly, for the tears that fill her
|
|
eyes; and then she lays her head down on his breast, and puts her arms
|
|
around his neck, saying, 'Oh Walter, dearest love, I am so happy!'
|
|
|
|
Her husband holds her to his heart, and they are very quiet, and
|
|
the stately ship goes on serenely.
|
|
|
|
'As I hear the sea,' says Florence, 'and sit watching it, it brings
|
|
so many days into my mind. It makes me think so much - '
|
|
|
|
'Of Paul, my love. I know it does.'
|
|
|
|
Of Paul and Walter. And the voices in the waves are always
|
|
whispering to Florence, in their ceaseless murmuring, of love - of
|
|
love, eternal and illimitable, not bounded by the confines of this
|
|
world, or by the end of time, but ranging still, beyond the sea,
|
|
beyond the sky, to the invisible country far away!
|
|
|
|
CHAPTER 58.
|
|
|
|
After a Lapse
|
|
|
|
The sea had ebbed and flowed, through a whole year. Through a whole
|
|
year, the winds and clouds had come and gone; the ceaseless work of
|
|
Time had been performed, in storm and sunshine. Through a whole year,
|
|
the tides of human chance and change had set in their allotted
|
|
courses. Through a whole year, the famous House of Dombey and Son had
|
|
fought a fight for life, against cross accidents, doubtful rumours,
|
|
unsuccessful ventures, unpropitious times, and most of all, against
|
|
the infatuation of its head, who would not contract its enterprises by
|
|
a hair's breadth, and would not listen to a word of warning that the
|
|
ship he strained so hard against the storm, was weak, and could not
|
|
bear it. The year was out, and the great House was down.
|
|
|
|
One summer afternoon; a year, wanting some odd days, after the
|
|
marriage in the City church; there was a buzz and whisper upon 'Change
|
|
of a great failure. A certain cold proud man, well known there, was
|
|
not there, nor was he represented there. Next day it was noised abroad
|
|
that Dombey and Son had stopped, and next night there was a List of
|
|
Bankrupts published, headed by that name.
|
|
|
|
The world was very busy now, in sooth, and had a deal to say. It
|
|
was an innocently credulous and a much ill-used world. It was a world
|
|
in which there was 'no other sort of bankruptcy whatever. There were
|
|
no conspicuous people in it, trading far and wide on rotten banks of
|
|
religion, patriotism, virtue, honour. There was no amount worth
|
|
mentioning of mere paper in circulation, on which anybody lived pretty
|
|
handsomely, promising to pay great sums of goodness with no effects.
|
|
There were no shortcomings anywhere, in anything but money. The world
|
|
was very angry indeed; and the people especially, who, in a worse
|
|
world, might have been supposed to be apt traders themselves in shows
|
|
and pretences, were observed to be mightily indignant.
|
|
|
|
Here was a new inducement to dissipation, presented to that sport
|
|
of circumstances, Mr Perch the Messenger! It was apparently the fate
|
|
of Mr Perch to be always waking up, and finding himself famous. He had
|
|
but yesterday, as one might say, subsided into private life from the
|
|
celebrity of the elopement and the events that followed it; and now he
|
|
was made a more important man than ever, by the bankruptcy. Gliding
|
|
from his bracket in the outer office where he now sat, watching the
|
|
strange faces of accountants and others, who quickly superseded nearly
|
|
all the old clerks, Mr Perch had but to show himself in the court
|
|
outside, or, at farthest, in the bar of the King's Arms, to be asked a
|
|
multitude of questions, almost certain to include that interesting
|
|
question, what would he take to drink? Then would Mr Perch descant
|
|
upon the hours of acute uneasiness he and Mrs Perch had suffered out
|
|
at Balls Pond, when they first suspected 'things was going wrong.'
|
|
Then would Mr Perch relate to gaping listeners, in a low voice, as if
|
|
the corpse of the deceased House were lying unburied in the next room,
|
|
how Mrs Perch had first come to surmise that things was going wrong by
|
|
hearing him (Perch) moaning in his sleep, 'twelve and ninepence in the
|
|
pound, twelve and ninepence in the pound!' Which act of somnambulism
|
|
he supposed to have originated in the impression made upon him by the
|
|
change in Mr Dombey's face. Then would he inform them how he had once
|
|
said, 'Might I make so bold as ask, Sir, are you unhappy in your
|
|
mind?' and how Mr Dombey had replied, 'My faithful Perch - but no, it
|
|
cannot be!' and with that had struck his hand upon his forehead, and
|
|
said, 'Leave me, Perch!' Then, in short, would Mr Perch, a victim to
|
|
his position, tell all manner of lies; affecting himself to tears by
|
|
those that were of a moving nature, and really believing that the
|
|
inventions of yesterday had, on repetition, a sort of truth about them
|
|
to-day.
|
|
|
|
Mr Perch always closed these conferences by meekly remarking, That,
|
|
of course, whatever his suspicions might have been (as if he had ever
|
|
had any!) it wasn't for him to betray his trust, was it? Which
|
|
sentiment (there never being any creditors present) was received as
|
|
doing great honour to his feelings. Thus, he generally brought away a
|
|
soothed conscience and left an agreeable impression behind him, when
|
|
he returned to his bracket: again to sit watching the strange faces of
|
|
the accountants and others, making so free with the great mysteries,
|
|
the Books; or now and then to go on tiptoe into Mr Dombey's empty
|
|
room, and stir the fire; or to take an airing at the door, and have a
|
|
little more doleful chat with any straggler whom he knew; or to
|
|
propitiate, with various small attentions, the head accountant: from
|
|
whom Mr Perch had expectations of a messengership in a Fire Office,
|
|
when the affairs of the House should be wound up.
|
|
|
|
To Major Bagstock, the bankruptcy was quite a calamity. The Major
|
|
was not a sympathetic character - his attention being wholly
|
|
concentrated on J. B. - nor was he a man subject to lively emotions,
|
|
except in the physical regards of gasping and choking. But he had so
|
|
paraded his friend Dombey at the club; had so flourished him at the
|
|
heads of the members in general, and so put them down by continual
|
|
assertion of his riches; that the club, being but human, was delighted
|
|
to retort upon the Major, by asking him, with a show of great concern,
|
|
whether this tremendous smash had been at all expected, and how his
|
|
friend Dombey bore it. To such questions, the Major, waxing very
|
|
purple, would reply that it was a bad world, Sir, altogether; that
|
|
Joey knew a thing or two, but had been done, Sir, done like an infant;
|
|
that if you had foretold this, Sir, to J. Bagstock, when he went
|
|
abroad with Dombey and was chasing that vagabond up and down France,
|
|
J. Bagstock would have pooh-pooh'd you - would have pooh- pooh'd you,
|
|
Sir, by the Lord! That Joe had been deceived, Sir, taken in,
|
|
hoodwinked, blindfolded, but was broad awake again and staring;
|
|
insomuch, Sir, that if Joe's father were to rise up from the grave
|
|
to-morrow, he wouldn't trust the old blade with a penny piece, but
|
|
would tell him that his son Josh was too old a soldier to be done
|
|
again, Sir. That he was a suspicious, crabbed, cranky, used-up, J. B.
|
|
infidel, Sir; and that if it were consistent with the dignity of a
|
|
rough and tough old Major, of the old school, who had had the honour
|
|
of being personally known to, and commended by, their late Royal
|
|
Highnesses the Dukes of Kent and York, to retire to a tub and live in
|
|
it, by Gad! Sir, he'd have a tub in Pall Mall to-morrow, to show his
|
|
contempt for mankind!'
|
|
|
|
Of all this, and many variations of the same tune, the Major would
|
|
deliver himself with so many apoplectic symptoms, such rollings of his
|
|
head, and such violent growls of ill usage and resentment, that the
|
|
younger members of the club surmised he had invested money in his
|
|
friend Dombey's House, and lost it; though the older soldiers and
|
|
deeper dogs, who knew Joe better, wouldn't hear of such a thing. The
|
|
unfortunate Native, expressing no opinion, suffered dreadfully; not
|
|
merely in his moral feelings, which were regularly fusilladed by the
|
|
Major every hour in the day, and riddled through and through, but in
|
|
his sensitiveness to bodily knocks and bumps, which was kept
|
|
continually on the stretch. For six entire weeks after the bankruptcy,
|
|
this miserable foreigner lived in a rainy season of boot-jacks and
|
|
brushes.
|
|
|
|
Mrs Chick had three ideas upon the subject of the terrible reverse.
|
|
The first was that she could not understand it. The second, that her
|
|
brother had not made an effort. The third, that if she had been
|
|
invited to dinner on the day of that first party, it never would have
|
|
happened; and that she had said so, at the time.
|
|
|
|
Nobody's opinion stayed the misfortune, lightened it, or made it
|
|
heavier. It was understood that the affairs of the House were to be
|
|
wound up as they best could be; that Mr Dombey freely resigned
|
|
everything he had, and asked for no favour from anyone. That any
|
|
resumption of the business was out of the question, as he would listen
|
|
to no friendly negotiation having that compromise in view; that he had
|
|
relinquished every post of trust or distinction he had held, as a man
|
|
respected among merchants; that he was dying, according to some; that
|
|
he was going melancholy mad, according to others; that he was a broken
|
|
man, according to all.
|
|
|
|
The clerks dispersed after holding a little dinner of condolence
|
|
among themselves, which was enlivened by comic singing, and went off
|
|
admirably. Some took places abroad, and some engaged in other Houses
|
|
at home; some looked up relations in the country, for whom they
|
|
suddenly remembered they had a particular affection; and some
|
|
advertised for employment in the newspapers. Mr Perch alone remained
|
|
of all the late establishment, sitting on his bracket looking at the
|
|
accountants, or starting off it, to propitiate the head accountant,
|
|
who was to get him into the Fire Office. The Counting House soon got
|
|
to be dirty and neglected. The principal slipper and dogs' collar
|
|
seller, at the corner of the court, would have doubted the propriety
|
|
of throwing up his forefinger to the brim of his hat, any more, if Mr
|
|
Dombey had appeared there now; and the ticket porter, with his hands
|
|
under his white apron, moralised good sound morality about ambition,
|
|
which (he observed) was not, in his opinion, made to rhyme to
|
|
perdition, for nothing.
|
|
|
|
Mr Morfin, the hazel-eyed bachelor, with the hair and whiskers
|
|
sprinkled with grey, was perhaps the only person within the atmosphere
|
|
of the House - its head, of course, excepted - who was heartily and
|
|
deeply affected by the disaster that had befallen it. He had treated
|
|
Mr Dombey with due respect and deference through many years, but he
|
|
had never disguised his natural character, or meanly truckled to him,
|
|
or pampered his master passion for the advancement of his own
|
|
purposes. He had, therefore, no self-disrespect to avenge; no
|
|
long-tightened springs to release with a quick recoil. He worked early
|
|
and late to unravel whatever was complicated or difficult in the
|
|
records of the transactions of the House; was always in attendance to
|
|
explain whatever required explanation; sat in his old room sometimes
|
|
very late at night, studying points by his mastery of which he could
|
|
spare Mr Dombey the pain of being personally referred to; and then
|
|
would go home to Islington, and calm his mind by producing the most
|
|
dismal and forlorn sounds out of his violoncello before going to bed.
|
|
|
|
He was solacing himself with this melodious grumbler one evening,
|
|
and, having been much dispirited by the proceedings of the day, was
|
|
scraping consolation out of its deepest notes, when his landlady (who
|
|
was fortunately deaf, and had no other consciousness of these
|
|
performances than a sensation of something rumbling in her bones)
|
|
announced a lady.
|
|
|
|
'In mourning,' she said.
|
|
|
|
The violoncello stopped immediately; and the performer, laying it
|
|
on the sofa with great tenderness and care, made a sign that the lady
|
|
was to come in. He followed directly, and met Harriet Carker on the
|
|
stair.
|
|
|
|
'Alone!' he said, 'and John here this morning! Is there anything
|
|
the matter, my dear? But no,' he added, 'your face tells quite another
|
|
story.'
|
|
|
|
'I am afraid it is a selfish revelation that you see there, then,'
|
|
she answered.
|
|
|
|
'It is a very pleasant one,' said he; 'and, if selfish, a novelty
|
|
too, worth seeing in you. But I don't believe that.'
|
|
|
|
He had placed a chair for her by this time, and sat down opposite;
|
|
the violoncello lying snugly on the sofa between them.
|
|
|
|
'You will not be surprised at my coming alone, or at John's not
|
|
having told you I was coming,' said Harriet; 'and you will believe
|
|
that, when I tell you why I have come. May I do so now?'
|
|
|
|
'You can do nothing better.'
|
|
|
|
'You were not busy?'
|
|
|
|
He pointed to the violoncello lying on the sofa, and said 'I have
|
|
been, all day. Here's my witness. I have been confiding all my cares
|
|
to it. I wish I had none but my own to tell.'
|
|
|
|
'Is the House at an end?' said Harriet, earnestly.
|
|
|
|
'Completely at an end.'
|
|
|
|
'Will it never be resumed?'
|
|
|
|
'Never.'
|
|
|
|
The bright expression of her face was not overshadowed as her lips
|
|
silently repeated the word. He seemed to observe this with some little
|
|
involuntary surprise: and said again:
|
|
|
|
'Never. You remember what I told you. It has been, all along,
|
|
impossible to convince him; impossible to reason with him; sometimes,
|
|
impossible even to approach him. The worst has happened; and the House
|
|
has fallen, never to be built up any more.'
|
|
|
|
'And Mr Dombey, is he personally ruined?'
|
|
|
|
'Ruined.'
|
|
|
|
'Will he have no private fortune left? Nothing?'
|
|
|
|
A certain eagerness in her voice, and something that was almost
|
|
joyful in her look, seemed to surprise him more and more; to
|
|
disappoint him too, and jar discordantly against his own emotions. He
|
|
drummed with the fingers of one hand on the table, looking wistfully
|
|
at her, and shaking his head, said, after a pause:
|
|
|
|
'The extent of Mr Dombey's resources is not accurately within my
|
|
knowledge; but though they are doubtless very large, his obligations
|
|
are enormous. He is a gentleman of high honour and integrity. Any man
|
|
in his position could, and many a man in his position would, have
|
|
saved himself, by making terms which would have very slightly, almost
|
|
insensibly, increased the losses of those who had had dealings with
|
|
him, and left him a remnant to live upon. But he is resolved on
|
|
payment to the last farthing of his means. His own words are, that
|
|
they will clear, or nearly clear, the House, and that no one can lose
|
|
much. Ah, Miss Harriet, it would do us no harm to remember oftener
|
|
than we do, that vices are sometimes only virtues carried to excess!
|
|
His pride shows well in this.'
|
|
|
|
She heard him with little or no change in her expression, and with
|
|
a divided attention that showed her to be busy with something in her
|
|
own mind. When he was silent, she asked him hurriedly:
|
|
|
|
'Have you seen him lately?'
|
|
|
|
'No one sees him. When this crisis of his affairs renders it
|
|
necessary for him to come out of his house, he comes out for the
|
|
occasion, and again goes home, and shuts himself up, and will sea no
|
|
one. He has written me a letter, acknowledging our past connexion in
|
|
higher terms than it deserved, and parting from me. I am delicate of
|
|
obtruding myself upon him now, never having had much intercourse with
|
|
him in better times; but I have tried to do so. I have written, gone
|
|
there, entreated. Quite in vain.'
|
|
|
|
He watched her, as in the hope that she would testify some greater
|
|
concern than she had yet shown; and spoke gravely and feelingly, as if
|
|
to impress her the more; but there was no change in her.
|
|
|
|
'Well, well, Miss Harriet,' he said, with a disappointed air, 'this
|
|
is not to the purpose. You have not come here to hear this. Some other
|
|
and pleasanter theme is in your mind. Let it be in mine, too, and we
|
|
shall talk upon more equal terms. Come!'
|
|
|
|
'No, it is the same theme,' returned Harriet, with frank and quick
|
|
surprise. 'Is it not likely that it should be? Is it not natural that
|
|
John and I should have been thinking and speaking very much of late of
|
|
these great changes? Mr Dombey, whom he served so many years - you
|
|
know upon what terms - reduced, as you describe; and we quite rich!'
|
|
|
|
Good, true face, as that face of hers was, and pleasant as it had
|
|
been to him, Mr Morfin, the hazel-eyed bachelor, since the first time
|
|
he had ever looked upon it, it pleased him less at that moment,
|
|
lighted with a ray of exultation, than it had ever pleased him before.
|
|
|
|
'I need not remind you,' said Harriet, casting down her eyes upon
|
|
her black dress, 'through what means our circumstances changed. You
|
|
have not forgotten that our brother James, upon that dreadful day,
|
|
left no will, no relations but ourselves.'
|
|
|
|
The face was pleasanter to him now, though it was pale and
|
|
melancholy, than it had been a moment since. He seemed to breathe more
|
|
cheerily.
|
|
|
|
'You know,' she said, 'our history, the history of both my
|
|
brothers, in connexion with the unfortunate, unhappy gentleman, of
|
|
whom you have spoken so truly. You know how few our wants are - John's
|
|
and mine - and what little use we have for money, after the life we
|
|
have led together for so many years; and now that he is earning an
|
|
income that is ample for us, through your kindness. You are not
|
|
unprepared to hear what favour I have come to ask of you?'
|
|
|
|
'I hardly know. I was, a minute ago. Now, I think, I am not.'
|
|
|
|
'Of my dead brother I say nothing. If the dead know what we do -
|
|
but you understand me. Of my living brother I could say much; but what
|
|
need I say more, than that this act of duty, in which I have come to
|
|
ask your indispensable assistance, is his own, and that he cannot rest
|
|
until it is performed!'
|
|
|
|
She raised her eyes again; and the light of exultation in her face
|
|
began to appear beautiful, in the observant eyes that watched her.
|
|
|
|
'Dear Sir,' she went on to say, 'it must be done very quietly and
|
|
secretly. Your experience and knowledge will point out a way of doing
|
|
it. Mr Dombey may, perhaps, be led to believe that it is something
|
|
saved, unexpectedly, from the wreck of his fortunes; or that it is a
|
|
voluntary tribute to his honourable and upright character, from some
|
|
of those with whom he has had great dealings; or that it is some old
|
|
lost debt repaid. There must be many ways of doing it. I know you will
|
|
choose the best. The favour I have come to ask is, that you will do it
|
|
for us in your own kind, generous, considerate manner. That you will
|
|
never speak of it to John, whose chief happiness in this act of
|
|
restitution is to do it secretly, unknown, and unapproved of: that
|
|
only a very small part of the inheritance may be reserved to us, until
|
|
Mr Dombey shall have possessed the interest of the rest for the
|
|
remainder of his life; that you will keep our secret, faithfully - but
|
|
that I am sure you will; and that, from this time, it may seldom be
|
|
whispered, even between you and me, but may live in my thoughts only
|
|
as a new reason for thankfulness to Heaven, and joy and pride in my
|
|
brother.'
|
|
|
|
Such a look of exultation there may be on Angels' faces when the
|
|
one repentant sinner enters Heaven, among ninety-nine just men. It was
|
|
not dimmed or tarnished by the joyful tears that filled her eyes, but
|
|
was the brighter for them.
|
|
|
|
'My dear Harriet,' said Mr Morfin, after a silence, 'I was not
|
|
prepared for this. Do I understand you that you wish to make your own
|
|
part in the inheritance available for your good purpose, as well as
|
|
John's?'
|
|
|
|
'Oh, yes,' she returned 'When we have shared everything together
|
|
for so long a time, and have had no care, hope, or purpose apart,
|
|
could I bear to be excluded from my share in this? May I not urge a
|
|
claim to be my brother's partner and companion to the last?'
|
|
|
|
'Heaven forbid that I should dispute it!' he replied.
|
|
|
|
'We may rely on your friendly help?' she said. 'I knew we might!'
|
|
|
|
'I should be a worse man than, - than I hope I am, or would
|
|
willingly believe myself, if I could not give you that assurance from
|
|
my heart and soul. You may, implicitly. Upon my honour, I will keep
|
|
your secret. And if it should be found that Mr Dombey is so reduced as
|
|
I fear he will be, acting on a determination that there seem to be no
|
|
means of influencing, I will assist you to accomplish the design, on
|
|
which you and John are jointly resolved.'
|
|
|
|
She gave him her hand, and thanked him with a cordial, happy face.
|
|
|
|
'Harriet,' he said, detaining it in his. 'To speak to you of the
|
|
worth of any sacrifice that you can make now - above all, of any
|
|
sacrifice of mere money - would be idle and presumptuous. To put
|
|
before you any appeal to reconsider your purpose or to set narrow
|
|
limits to it, would be, I feel, not less so. I have no right to mar
|
|
the great end of a great history, by any obtrusion of my own weak
|
|
self. I have every right to bend my head before what you confide to
|
|
me, satisfied that it comes from a higher and better source of
|
|
inspiration than my poor worldly knowledge. I will say only this: I am
|
|
your faithful steward; and I would rather be so, and your chosen
|
|
friend, than I would be anybody in the world, except yourself.'
|
|
|
|
She thanked him again, cordially, and wished him good-night. 'Are
|
|
you going home?' he said. 'Let me go with you.'
|
|
|
|
'Not to-night. I am not going home now; I have a visit to make
|
|
alone. Will you come to-morrow?'
|
|
|
|
'Well, well,' said he, 'I'll come to-morrow. In the meantime, I'll
|
|
think of this, and how we can best proceed. And perhaps I'll think of
|
|
it, dear Harriet, and - and - think of me a little in connexion with
|
|
it.'
|
|
|
|
He handed her down to a coach she had in waiting at the door; and
|
|
if his landlady had not been deaf, she would have heard him muttering
|
|
as he went back upstairs, when the coach had driven off, that we were
|
|
creatures of habit, and it was a sorrowful habit to be an old
|
|
bachelor.
|
|
|
|
The violoncello lying on the sofa between the two chairs, he took
|
|
it up, without putting away the vacant chair, and sat droning on it,
|
|
and slowly shaking his head at the vacant chair, for a long, long
|
|
time. The expression he communicated to the instrument at first,
|
|
though monstrously pathetic and bland, was nothing to the expression
|
|
he communicated to his own face, and bestowed upon the empty chair:
|
|
which was so sincere, that he was obliged to have recourse to Captain
|
|
Cuttle's remedy more than once, and to rub his face with his sleeve.
|
|
By degrees, however, the violoncello, in unison with his own frame of
|
|
mind, glided melodiously into the Harmonious Blacksmith, which he
|
|
played over and over again, until his ruddy and serene face gleamed
|
|
like true metal on the anvil of a veritable blacksmith. In fine, the
|
|
violoncello and the empty chair were the companions of his
|
|
bachelorhood until nearly midnight; and when he took his supper, the
|
|
violoncello set up on end in the sofa corner, big with the latent
|
|
harmony of a whole foundry full of harmonious blacksmiths, seemed to
|
|
ogle the empty chair out of its crooked eyes, with unutterable
|
|
intelligence.
|
|
|
|
When Harriet left the house, the driver of her hired coach, taking
|
|
a course that was evidently no new one to him, went in and out by
|
|
bye-ways, through that part of the suburbs, until he arrived at some
|
|
open ground, where there were a few quiet little old houses standing
|
|
among gardens. At the garden-gate of one of these he stopped, and
|
|
Harriet alighted.
|
|
|
|
Her gentle ringing at the bell was responded to by a
|
|
dolorous-looking woman, of light complexion, with raised eyebrows, and
|
|
head drooping on one side, who curtseyed at sight of her, and
|
|
conducted her across the garden to the house.
|
|
|
|
'How is your patient, nurse, to-night?' said Harriet.
|
|
|
|
'In a poor way, Miss, I am afraid. Oh how she do remind me,
|
|
sometimes, of my Uncle's Betsey Jane!' returned the woman of the light
|
|
complexion, in a sort of doleful rapture.
|
|
|
|
'In what respect?' asked Harriet.
|
|
|
|
'Miss, in all respects,' replied the other, 'except that she's
|
|
grown up, and Betsey Jane, when at death's door, was but a child.'
|
|
|
|
'But you have told me she recovered,' observed Harriet mildly; 'so
|
|
there is the more reason for hope, Mrs Wickam.'
|
|
|
|
'Ah, Miss, hope is an excellent thing for such as has the spirits
|
|
to bear it!' said Mrs Wickam, shaking her head. 'My own spirits is not
|
|
equal to it, but I don't owe it any grudge. I envys them that is so
|
|
blest!'
|
|
|
|
'You should try to be more cheerful,' remarked Harriet.
|
|
|
|
'Thank you, Miss, I'm sure,' said Mrs Wickam grimly. 'If I was so
|
|
inclined, the loneliness of this situation - you'll excuse my speaking
|
|
so free - would put it out of my power, in four and twenty hours; but
|
|
I ain't at all. I'd rather not. The little spirits that I ever had, I
|
|
was bereaved of at Brighton some few years ago, and I think I feel
|
|
myself the better for it.'
|
|
|
|
In truth, this was the very Mrs Wickam who had superseded Mrs
|
|
Richards as the nurse of little Paul, and who considered herself to
|
|
have gained the loss in question, under the roof of the amiable
|
|
Pipchin. The excellent and thoughtful old system, hallowed by long
|
|
prescription, which has usually picked out from the rest of mankind
|
|
the most dreary and uncomfortable people that could possibly be laid
|
|
hold of, to act as instructors of youth, finger-posts to the virtues,
|
|
matrons, monitors, attendants on sick beds, and the like, had
|
|
established Mrs Wickam in very good business as a nurse, and had led
|
|
to her serious qualities being particularly commended by an admiring
|
|
and numerous connexion.
|
|
|
|
Mrs Wickam, with her eyebrows elevated, and her head on one side,
|
|
lighted the way upstairs to a clean, neat chamber, opening on another
|
|
chamber dimly lighted, where there was a bed. In the first room, an
|
|
old woman sat mechanically staring out at the open window, on the
|
|
darkness. In the second, stretched upon the bed, lay the shadow of a
|
|
figure that had spurned the wind and rain, one wintry night; hardly to
|
|
be recognised now, but by the long black hair that showed so very
|
|
black against the colourless face, and all the white things about it.
|
|
|
|
Oh, the strong eyes, and the weak frame! The eyes that turned so
|
|
eagerly and brightly to the door when Harriet came in; the feeble head
|
|
that could not raise itself, and moved so slowly round upon its
|
|
pillow!
|
|
|
|
'Alice!' said the visitor's mild voice, 'am I late to-night?'
|
|
|
|
'You always seem late, but are always early.'
|
|
|
|
Harriet had sat down by the bedside now, and put her hand upon the
|
|
thin hand lying there.
|
|
|
|
'You are better?'
|
|
|
|
Mrs Wickam, standing at the foot of the bed, like a disconsolate
|
|
spectre, most decidedly and forcibly shook her head to negative this
|
|
position.
|
|
|
|
'It matters very little!' said Alice, with a faint smile. 'Better
|
|
or worse to-day, is but a day's difference - perhaps not so much.'
|
|
|
|
Mrs Wickam, as a serious character, expressed her approval with a
|
|
groan; and having made some cold dabs at the bottom of the bedclothes,
|
|
as feeling for the patient's feet and expecting to find them stony;
|
|
went clinking among the medicine bottles on the table, as who should
|
|
say, 'while we are here, let us repeat the mixture as before.'
|
|
|
|
'No,' said Alice, whispering to her visitor, 'evil courses, and
|
|
remorse, travel, want, and weather, storm within, and storm without,
|
|
have worn my life away. It will not last much longer.
|
|
|
|
She drew the hand up as she spoke, and laid her face against it.
|
|
|
|
'I lie here, sometimes, thinking I should like to live until I had
|
|
had a little time to show you how grateful I could be! It is a
|
|
weakness, and soon passes. Better for you as it is. Better for me!'
|
|
|
|
How different her hold upon the hand, from what it had been when
|
|
she took it by the fireside on the bleak winter evening! Scorn, rage,
|
|
defiance, recklessness, look here! This is the end.
|
|
|
|
Mrs Wickam having clinked sufficiently among the bottles, now
|
|
produced the mixture. Mrs Wickam looked hard at her patient in the act
|
|
of drinking, screwed her mouth up tight, her eyebrows also, and shook
|
|
her head, expressing that tortures shouldn't make her say it was a
|
|
hopeless case. Mrs Wickam then sprinkled a little cooling-stuff about
|
|
the room, with the air of a female grave-digger, who was strewing
|
|
ashes on ashes, dust on dust - for she was a serious character - and
|
|
withdrew to partake of certain funeral baked meats downstairs.
|
|
|
|
'How long is it,' asked Alice, 'since I went to you and told you
|
|
what I had done, and when you were advised it was too late for anyone
|
|
to follow?'
|
|
|
|
'It is a year and more,' said Harriet.
|
|
|
|
'A year and more,' said Alice, thoughtfully intent upon her face.
|
|
'Months upon months since you brought me here!'
|
|
|
|
Harriet answered 'Yes.'
|
|
|
|
'Brought me here, by force of gentleness and kindness. Me!' said
|
|
Alice, shrinking with her face behind her hand, 'and made me human by
|
|
woman's looks and words, and angel's deeds!'
|
|
|
|
Harriet bending over her, composed and soothed her. By and bye,
|
|
Alice lying as before, with the hand against her face, asked to have
|
|
her mother called.
|
|
|
|
Harriet called to her more than once, but the old woman was so
|
|
absorbed looking out at the open window on the darkness, that she did
|
|
not hear. It was not until Harriet went to her and touched her, that
|
|
she rose up, and came.
|
|
|
|
'Mother,' said Alice, taking the hand again, and fixing her
|
|
lustrous eyes lovingly upon her visitor, while she merely addressed a
|
|
motion of her finger to the old woman, 'tell her what you know.'
|
|
|
|
'To-night, my deary?'
|
|
|
|
'Ay, mother,' answered Alice, faintly and solemnly, 'to-night!'
|
|
|
|
The old woman, whose wits appeared disorderly by alarm, remorse, or
|
|
grief, came creeping along the side of the bed, opposite to that on
|
|
which Harriet sat; and kneeling down, so as to bring her withered face
|
|
upon a level with the coverlet, and stretching out her hand, so as to
|
|
touch her daughter's arm, began:
|
|
|
|
'My handsome gal - '
|
|
|
|
Heaven, what a cry was that, with which she stopped there, gazing
|
|
at the poor form lying on the bed!
|
|
|
|
'Changed, long ago, mother! Withered, long ago,' said Alice,
|
|
without looking at her. 'Don't grieve for that now.
|
|
|
|
'My daughter,' faltered the old woman, 'my gal who'll soon get
|
|
better, and shame 'em all with her good looks.'
|
|
|
|
Alice smiled mournfully at Harriet, and fondled her hand a little
|
|
closer, but said nothing.
|
|
|
|
'Who'll soon get better, I say,' repeated the old woman, menacing
|
|
the vacant air with her shrivelled fist, 'and who'll shame 'em all
|
|
with her good looks - she will. I say she will! she shall!' - as if
|
|
she were in passionate contention with some unseen opponent at the
|
|
bedside, who contradicted her - 'my daughter has been turned away
|
|
from, and cast out, but she could boast relationship to proud folks
|
|
too, if she chose. Ah! To proud folks! There's relationship without
|
|
your clergy and your wedding rings - they may make it, but they can't
|
|
break it - and my daughter's well related. Show me Mrs Dombey, and
|
|
I'll show you my Alice's first cousin.'
|
|
|
|
Harriet glanced from the old woman to the lustrous eyes intent upon
|
|
her face, and derived corroboration from them.
|
|
|
|
'What!' cried the old woman, her nodding head bridling with a
|
|
ghastly vanity. 'Though I am old and ugly now, - much older by life
|
|
and habit than years though, - I was once as young as any. Ah! as
|
|
pretty too, as many! I was a fresh country wench in my time, darling,'
|
|
stretching out her arm to Harriet, across the bed, 'and looked it,
|
|
too. Down in my country, Mrs Dombey's father and his brother were the
|
|
gayest gentlemen and the best-liked that came a visiting from London -
|
|
they have long been dead, though! Lord, Lord, this long while! The
|
|
brother, who was my Ally's father, longest of the two.'
|
|
|
|
She raised her head a little, and peered at her daughter's face; as
|
|
if from the remembrance of her own youth, she had flown to the
|
|
remembrance of her child's. Then, suddenly, she laid her face down on
|
|
the bed, and shut her head up in her hands and arms.
|
|
|
|
'They were as like,' said the old woman, without looking up, as you
|
|
could see two brothers, so near an age - there wasn't much more than a
|
|
year between them, as I recollect - and if you could have seen my gal,
|
|
as I have seen her once, side by side with the other's daughter, you'd
|
|
have seen, for all the difference of dress and life, that they were
|
|
like each other. Oh! is the likeness gone, and is it my gal - only my
|
|
gal - that's to change so!'
|
|
|
|
'We shall all change, mother, in our turn,' said Alice.
|
|
|
|
'Turn!' cried the old woman, 'but why not hers as soon as my gal's!
|
|
The mother must have changed - she looked as old as me, and full as
|
|
wrinkled through her paint - but she was handsome. What have I done,
|
|
I, what have I done worse than her, that only my gal is to lie there
|
|
fading!' With another of those wild cries, she went running out into
|
|
the room from which she had come; but immediately, in her uncertain
|
|
mood, returned, and creeping up to Harriet, said:
|
|
|
|
'That's what Alice bade me tell you, deary. That's all. I found it
|
|
out when I began to ask who she was, and all about her, away in
|
|
Warwickshire there, one summer-time. Such relations was no good to me,
|
|
then. They wouldn't have owned me, and had nothing to give me. I
|
|
should have asked 'em, maybe, for a little money, afterwards, if it
|
|
hadn't been for my Alice; she'd a'most have killed me, if I had, I
|
|
think She was as proud as t'other in her way,' said the old woman,
|
|
touching the face of her daughter fearfully, and withdrawing her hand,
|
|
'for all she's so quiet now; but she'll shame 'em with her good looks
|
|
yet. Ha, ha! She'll shame 'em, will my handsome daughter!'
|
|
|
|
Her laugh, as she retreated, was worse than her cry; worse than the
|
|
burst of imbecile lamentation in which it ended; worse than the doting
|
|
air with which she sat down in her old seat, and stared out at the
|
|
darkness.
|
|
|
|
The eyes of Alice had all this time been fixed on Harriet, whose
|
|
hand she had never released. She said now:
|
|
|
|
'I have felt, lying here, that I should like you to know this. It
|
|
might explain, I have thought, something that used to help to harden
|
|
me. I had heard so much, in my wrongdoing, of my neglected duty, that
|
|
I took up with the belief that duty had not been done to me, and that
|
|
as the seed was sown, the harvest grew. I somehow made it out that
|
|
when ladies had bad homes and mothers, they went wrong in their way,
|
|
too; but that their way was not so foul a one as mine, and they had
|
|
need to bless God for it.' That is all past. It is like a dream, now,
|
|
which I cannot quite remember or understand. It has been more and more
|
|
like a dream, every day, since you began to sit here, and to read to
|
|
me. I only tell it you, as I can recollect it. Will you read to me a
|
|
little more?'
|
|
|
|
Harriet was withdrawing her hand to open the book, when Alice
|
|
detained it for a moment.
|
|
|
|
'You will not forget my mother? I forgive her, if I have any cause.
|
|
I know that she forgives me, and is sorry in her heart. You will not
|
|
forget her?'
|
|
|
|
'Never, Alice!'
|
|
|
|
'A moment yet. Lay your head so, dear, that as you read I may see
|
|
the words in your kind face.'
|
|
|
|
Harriet complied and read - read the eternal book for all the
|
|
weary, and the heavy-laden; for all the wretched, fallen, and
|
|
neglected of this earth - read the blessed history, in which the blind
|
|
lame palsied beggar, the criminal, the woman stained with shame, the
|
|
shunned of all our dainty clay, has each a portion, that no human
|
|
pride, indifference, or sophistry, through all the ages that this
|
|
world shall last, can take away, or by the thousandth atom of a grain
|
|
reduce - read the ministry of Him who, through the round of human
|
|
life, and all its hopes and griefs, from birth to death, from infancy
|
|
to age, had sweet compassion for, and interest in, its every scene and
|
|
stage, its every suffering and sorrow.
|
|
|
|
'I shall come,' said Harriet, when she shut the book, 'very early
|
|
in the morning.'
|
|
|
|
The lustrous eyes, yet fixed upon her face, closed for a moment,
|
|
then opened; and Alice kissed and blest her.
|
|
|
|
The same eyes followed her to the door; and in their light, and on
|
|
the tranquil face, there was a smile when it was closed.
|
|
|
|
They never turned away. She laid her hand upon her breast,
|
|
murmuring the sacred name that had been read to her; and life passed
|
|
from her face, like light removed.
|
|
|
|
Nothing lay there, any longer, but the ruin of the mortal house on
|
|
which the rain had beaten, and the black hair that had fluttered in
|
|
the wintry wind.
|
|
|
|
CHAPTER 59.
|
|
|
|
Retribution
|
|
|
|
Changes have come again upon the great house in the long dull
|
|
street, once the scene of Florence's childhood and loneliness. It is a
|
|
great house still, proof against wind and weather, without breaches in
|
|
the roof, or shattered windows, or dilapidated walls; but it is a ruin
|
|
none the less, and the rats fly from it.
|
|
|
|
Mr Towlinson and company are, at first, incredulous in respect of
|
|
the shapeless rumours that they hear. Cook says our people's credit
|
|
ain't so easy shook as that comes to, thank God; and Mr Towlinson
|
|
expects to hear it reported next, that the Bank of England's a-going
|
|
to break, or the jewels in the Tower to be sold up. But, next come the
|
|
Gazette, and Mr Perch; and Mr Perch brings Mrs Perch to talk it over
|
|
in the kitchen, and to spend a pleasant evening.
|
|
|
|
As soon as there is no doubt about it, Mr Towlinson's main anxiety
|
|
is that the failure should be a good round one - not less than a
|
|
hundred thousand pound. Mr Perch don't think himself that a hundred
|
|
thousand pound will nearly cover it. The women, led by Mrs Perch and
|
|
Cook, often repeat 'a hun-dred thou-sand pound!' with awful
|
|
satisfaction - as if handling the words were like handling the money;
|
|
and the housemaid, who has her eye on Mr Towlinson, wishes she had
|
|
only a hundredth part of the sum to bestow on the man of her choice.
|
|
Mr Towlinson, still mindful of his old wrong, opines that a foreigner
|
|
would hardly know what to do with so much money, unless he spent it on
|
|
his whiskers; which bitter sarcasm causes the housemaid to withdraw in
|
|
tears.
|
|
|
|
But not to remain long absent; for Cook, who has the reputation of
|
|
being extremely good-hearted, says, whatever they do, let 'em stand by
|
|
one another now, Towlinson, for there's no telling how soon they may
|
|
be divided. They have been in that house (says Cook) through a
|
|
funeral, a wedding, and a running-away; and let it not be said that
|
|
they couldn't agree among themselves at such a time as the present.
|
|
Mrs Perch is immensely affected by this moving address, and openly
|
|
remarks that Cook is an angel. Mr Towlinson replies to Cook, far be it
|
|
from him to stand in the way of that good feeling which he could wish
|
|
to see; and adjourning in quest of the housemaid, and presently
|
|
returning with that young lady on his arm, informs the kitchen that
|
|
foreigners is only his fun, and that him and Anne have now resolved to
|
|
take one another for better for worse, and to settle in Oxford Market
|
|
in the general greengrocery and herb and leech line, where your kind
|
|
favours is particular requested. This announcement is received with
|
|
acclamation; and Mrs Perch, projecting her soul into futurity, says,
|
|
'girls,' in Cook's ear, in a solemn whisper.
|
|
|
|
Misfortune in the family without feasting, in these lower regions,
|
|
couldn't be. Therefore Cook tosses up a hot dish or two for supper,
|
|
and Mr Towlinson compounds a lobster salad to be devoted to the same
|
|
hospitable purpose. Even Mrs Pipchin, agitated by the occasion, rings
|
|
her bell, and sends down word that she requests to have that little
|
|
bit of sweetbread that was left, warmed up for her supper, and sent to
|
|
her on a tray with about a quarter of a tumbler-full of mulled sherry;
|
|
for she feels poorly.
|
|
|
|
There is a little talk about Mr Dombey, but very little. It is
|
|
chiefly speculation as to how long he has known that this was going to
|
|
happen. Cook says shrewdly, 'Oh a long time, bless you! Take your oath
|
|
of that.' And reference being made to Mr Perch, he confirms her view
|
|
of the case. Somebody wonders what he'll do, and whether he'll go out
|
|
in any situation. Mr Towlinson thinks not, and hints at a refuge in
|
|
one of them genteel almshouses of the better kind. 'Ah, where he'll
|
|
have his little garden, you know,' says Cook plaintively, 'and bring
|
|
up sweet peas in the spring.' 'Exactly so,' says Mr Towlinson, 'and be
|
|
one of the Brethren of something or another.' 'We are all brethren,'
|
|
says Mrs Perch, in a pause of her drink. 'Except the sisters,' says Mr
|
|
Perch. 'How are the mighty fallen!' remarks Cook. 'Pride shall have a
|
|
fall, and it always was and will be so!' observes the housemaid.
|
|
|
|
It is wonderful how good they feel, in making these reflections;
|
|
and what a Christian unanimity they are sensible of, in bearing the
|
|
common shock with resignation. There is only one interruption to this
|
|
excellent state of mind, which is occasioned by a young kitchen-maid
|
|
of inferior rank - in black stockings - who, having sat with her mouth
|
|
open for a long time, unexpectedly discharges from it words to this
|
|
effect, 'Suppose the wages shouldn't be paid!' The company sit for a
|
|
moment speechless; but Cook recovering first, turns upon the young
|
|
woman, and requests to know how she dares insult the family, whose
|
|
bread she eats, by such a dishonest supposition, and whether she
|
|
thinks that anybody, with a scrap of honour left, could deprive poor
|
|
servants of their pittance? 'Because if that is your religious
|
|
feelings, Mary Daws,' says Cook warmly, 'I don't know where you mean
|
|
to go to.
|
|
|
|
Mr Towlinson don't know either; nor anybody; and the young
|
|
kitchen-maid, appearing not to know exactly, herself, and scouted by
|
|
the general voice, is covered with confusion, as with a garment.
|
|
|
|
After a few days, strange people begin to call at the house, and to
|
|
make appointments with one another in the dining-room, as if they
|
|
lived there. Especially, there is a gentleman, of a Mosaic Arabian
|
|
cast of countenance, with a very massive watch-guard, who whistles in
|
|
the drawing-room, and, while he is waiting for the other gentleman,
|
|
who always has pen and ink in his pocket, asks Mr Towlinson (by the
|
|
easy name of 'Old Cock,') if he happens to know what the figure of
|
|
them crimson and gold hangings might have been, when new bought. The
|
|
callers and appointments in the dining-room become more numerous every
|
|
day, and every gentleman seems to have pen and ink in his pocket, and
|
|
to have some occasion to use it. At last it is said that there is
|
|
going to be a Sale; and then more people arrive, with pen and ink in
|
|
their pockets, commanding a detachment of men with carpet caps, who
|
|
immediately begin to pull up the carpets, and knock the furniture
|
|
about, and to print off thousands of impressions of their shoes upon
|
|
the hall and staircase.
|
|
|
|
The council downstairs are in full conclave all this time, and,
|
|
having nothing to do, perform perfect feats of eating. At length, they
|
|
are one day summoned in a body to Mrs Pipchin's room, and thus
|
|
addressed by the fair Peruvian:
|
|
|
|
'Your master's in difficulties,' says Mrs Pipchin, tartly. 'You
|
|
know that, I suppose?'
|
|
|
|
Mr Towlinson, as spokesman, admits a general knowledge of the fact.
|
|
|
|
'And you're all on the look-out for yourselves, I warrant you, says
|
|
Mrs Pipchin, shaking her head at them.
|
|
|
|
A shrill voice from the rear exclaims, 'No more than yourself!'
|
|
|
|
'That's your opinion, Mrs Impudence, is it?' says the ireful
|
|
Pipchin, looking with a fiery eye over the intermediate heads.
|
|
|
|
'Yes, Mrs Pipchin, it is,' replies Cook, advancing. 'And what then,
|
|
pray?'
|
|
|
|
'Why, then you may go as soon as you like,' says Mrs Pipchin. 'The
|
|
sooner the better; and I hope I shall never see your face again.'
|
|
|
|
With this the doughty Pipchin produces a canvas bag; and tells her
|
|
wages out to that day, and a month beyond it; and clutches the money
|
|
tight, until a receipt for the same is duly signed, to the last
|
|
upstroke; when she grudgingly lets it go. This form of proceeding Mrs
|
|
Pipchin repeats with every member of the household, until all are
|
|
paid.
|
|
|
|
'Now those that choose, can go about their business,' says Mrs
|
|
Pipchin, 'and those that choose can stay here on board wages for a
|
|
week or so, and make themselves useful. Except,' says the inflammable
|
|
Pipchin, 'that slut of a cook, who'll go immediately.'
|
|
|
|
'That,' says Cook, 'she certainly will! I wish you good day, Mrs
|
|
Pipchin, and sincerely wish I could compliment you on the sweetness of
|
|
your appearance!'
|
|
|
|
'Get along with you,' says Mrs Pipchin, stamping her foot.
|
|
|
|
Cook sails off with an air of beneficent dignity, highly
|
|
exasperating to Mrs Pipchin, and is shortly joined below stairs by the
|
|
rest of the confederation.
|
|
|
|
Mr Towlinson then says that, in the first place, he would beg to
|
|
propose a little snack of something to eat; and over that snack would
|
|
desire to offer a suggestion which he thinks will meet the position in
|
|
which they find themselves. The refreshment being produced, and very
|
|
heartily partaken of, Mr Towlinson's suggestion is, in effect, that
|
|
Cook is going, and that if we are not true to ourselves, nobody will
|
|
be true to us. That they have lived in that house a long time, and
|
|
exerted themselves very much to be sociable together. (At this, Cook
|
|
says, with emotion, 'Hear, hear!' and Mrs Perch, who is there again,
|
|
and full to the throat, sheds tears.) And that he thinks, at the
|
|
present time, the feeling ought to be 'Go one, go all!' The housemaid
|
|
is much affected by this generous sentiment, and warmly seconds it.
|
|
Cook says she feels it's right, and only hopes it's not done as a
|
|
compliment to her, but from a sense of duty. Mr Towlinson replies,
|
|
from a sense of duty; and that now he is driven to express his
|
|
opinions, he will openly say, that he does not think it
|
|
over-respectable to remain in a house where Sales and such-like are
|
|
carrying forwards. The housemaid is sure of it; and relates, in
|
|
confirmation, that a strange man, in a carpet cap, offered, this very
|
|
morning, to kiss her on the stairs. Hereupon, Mr Towlinson is starting
|
|
from his chair, to seek and 'smash' the offender; when he is laid hold
|
|
on by the ladies, who beseech him to calm himself, and to reflect that
|
|
it is easier and wiser to leave the scene of such indecencies at once.
|
|
Mrs Perch, presenting the case in a new light, even shows that
|
|
delicacy towards Mr Dombey, shut up in his own rooms, imperatively
|
|
demands precipitate retreat. 'For what,' says the good woman, 'must
|
|
his feelings be, if he was to come upon any of the poor servants that
|
|
he once deceived into thinking him immensely rich!' Cook is so struck
|
|
by this moral consideration, that Mrs Perch improves it with several
|
|
pious axioms, original and selected. It becomes a clear case that they
|
|
must all go. Boxes are packed, cabs fetched, and at dusk that evening
|
|
there is not one member of the party left.
|
|
|
|
The house stands, large and weather-proof, in the long dull street;
|
|
but it is a ruin, and the rats fly from it.
|
|
|
|
The men in the carpet caps go on tumbling the furniture about; and
|
|
the gentlemen with the pens and ink make out inventories of it, and
|
|
sit upon pieces of furniture never made to be sat upon, and eat bread
|
|
and cheese from the public-house on other pieces of furniture never
|
|
made to be eaten on, and seem to have a delight in appropriating
|
|
precious articles to strange uses. Chaotic combinations of furniture
|
|
also take place. Mattresses and bedding appear in the dining-room; the
|
|
glass and china get into the conservatory; the great dinner service is
|
|
set out in heaps on the long divan in the large drawing-room; and the
|
|
stair-wires, made into fasces, decorate the marble chimneypieces.
|
|
Finally, a rug, with a printed bill upon it, is hung out from the
|
|
balcony; and a similar appendage graces either side of the hall door.
|
|
|
|
Then, all day long, there is a retinue of mouldy gigs and
|
|
chaise-carts in the street; and herds of shabby vampires, Jew and
|
|
Christian, over-run the house, sounding the plate-glass minors with
|
|
their knuckles, striking discordant octaves on the Grand Piano,
|
|
drawing wet forefingers over the pictures, breathing on the blades of
|
|
the best dinner-knives, punching the squabs of chairs and sofas with
|
|
their dirty fists, touzling the feather beds, opening and shutting all
|
|
the drawers, balancing the silver spoons and forks, looking into the
|
|
very threads of the drapery and linen, and disparaging everything.
|
|
There is not a secret place in the whole house. Fluffy and snuffy
|
|
strangers stare into the kitchen-range as curiously as into the attic
|
|
clothes-press. Stout men with napless hats on, look out of the bedroom
|
|
windows, and cut jokes with friends in the street. Quiet, calculating
|
|
spirits withdraw into the dressing-rooms with catalogues, and make
|
|
marginal notes thereon, with stumps of pencils. Two brokers invade the
|
|
very fire-escape, and take a panoramic survey of the neighbourhood
|
|
from the top of the house. The swarm and buzz, and going up and down,
|
|
endure for days. The Capital Modern Household Furniture, &c., is on
|
|
view.
|
|
|
|
Then there is a palisade of tables made in the best drawing-room;
|
|
and on the capital, french-polished, extending, telescopic range of
|
|
Spanish mahogany dining-tables with turned legs, the pulpit of the
|
|
Auctioneer is erected; and the herds of shabby vampires, Jew and
|
|
Christian, the strangers fluffy and snuffy, and the stout men with the
|
|
napless hats, congregate about it and sit upon everything within
|
|
reach, mantel-pieces included, and begin to bid. Hot, humming, and
|
|
dusty are the rooms all day; and - high above the heat, hum, and dust
|
|
- the head and shoulders, voice and hammer, of the Auctioneer, are
|
|
ever at work. The men in the carpet caps get flustered and vicious
|
|
with tumbling the Lots about, and still the Lots are going, going,
|
|
gone; still coming on. Sometimes there is joking and a general roar.
|
|
This lasts all day and three days following. The Capital Modern
|
|
Household Furniture, &c., is on sale.
|
|
|
|
Then the mouldy gigs and chaise-carts reappear; and with them come
|
|
spring-vans and waggons, and an army of porters with knots. All day
|
|
long, the men with carpet caps are screwing at screw-drivers and
|
|
bed-winches, or staggering by the dozen together on the staircase
|
|
under heavy burdens, or upheaving perfect rocks of Spanish mahogany,
|
|
best rose-wood, or plate-glass, into the gigs and chaise-carts, vans
|
|
and waggons. All sorts of vehicles of burden are in attendance, from a
|
|
tilted waggon to a wheelbarrow. Poor Paul's little bedstead is carried
|
|
off in a donkey-tandem. For nearly a whole week, the Capital Modern
|
|
Household Furniture, & c., is in course of removal.
|
|
|
|
At last it is all gone. Nothing is left about the house but
|
|
scattered leaves of catalogues, littered scraps of straw and hay, and
|
|
a battery of pewter pots behind the hall-door. The men with the
|
|
carpet-caps gather up their screw-drivers and bed-winches into bags,
|
|
shoulder them, and walk off. One of the pen-and-ink gentlemen goes
|
|
over the house as a last attention; sticking up bills in the windows
|
|
respecting the lease of this desirable family mansion, and shutting
|
|
the shutters. At length he follows the men with the carpet caps. None
|
|
of the invaders remain. The house is a ruin, and the rats fly from it.
|
|
|
|
Mrs Pipchin's apartments, together with those locked rooms on the
|
|
ground-floor where the window-blinds are drawn down close, have been
|
|
spared the general devastation. Mrs Pipchin has remained austere and
|
|
stony during the proceedings, in her own room; or has occasionally
|
|
looked in at the sale to see what the goods are fetching, and to bid
|
|
for one particular easy chair. Mrs Pipchin has been the highest bidder
|
|
for the easy chair, and sits upon her property when Mrs Chick comes to
|
|
see her.
|
|
|
|
'How is my brother, Mrs Pipchin?' says Mrs Chick.
|
|
|
|
'I don't know any more than the deuce,' says Mrs Pipchin. 'He never
|
|
does me the honour to speak to me. He has his meat and drink put in
|
|
the next room to his own; and what he takes, he comes out and takes
|
|
when there's nobody there. It's no use asking me. I know no more about
|
|
him than the man in the south who burnt his mouth by eating cold plum
|
|
porridge."
|
|
|
|
This the acrimonious Pipchin says with a flounce.
|
|
|
|
'But good gracious me!' cries Mrs Chick blandly. 'How long is this
|
|
to last! If my brother will not make an effort, Mrs Pipchin, what is
|
|
to become of him? I am sure I should have thought he had seen enough
|
|
of the consequences of not making an effort, by this time, to be
|
|
warned against that fatal error.'
|
|
|
|
'Hoity toity!' says Mrs Pipchin, rubbing her nose. 'There's a great
|
|
fuss, I think, about it. It ain't so wonderful a case. People have had
|
|
misfortunes before now, and been obliged to part with their furniture.
|
|
I'm sure I have!'
|
|
|
|
'My brother,' pursues Mrs Chick profoundly, 'is so peculiar - so
|
|
strange a man. He is the most peculiar man I ever saw. Would anyone
|
|
believe that when he received news of the marriage and emigration of
|
|
that unnatural child - it's a comfort to me, now, to remember that I
|
|
always said there was something extraordinary about that child: but
|
|
nobody minds me - would anybody believe, I say, that he should then
|
|
turn round upon me and say he had supposed, from my manner, that she
|
|
had come to my house? Why, my gracious! And would anybody believe that
|
|
when I merely say to him, "Paul, I may be very foolish, and I have no
|
|
doubt I am, but I cannot understand how your affairs can have got into
|
|
this state," he should actually fly at me, and request that I will
|
|
come to see him no more until he asks me! Why, my goodness!'
|
|
|
|
'Ah'!' says Mrs Pipchin. 'It's a pity he hadn't a little more to do
|
|
with mines. They'd have tried his temper for him.'
|
|
|
|
'And what,' resumes Mrs Chick, quite regardless of Mrs Pipchin's
|
|
observations, 'is it to end in? That's what I want to know. What does
|
|
my brother mean to do? He must do something. It's of no use remaining
|
|
shut up in his own rooms. Business won't come to him. No. He must go
|
|
to it. Then why don't he go? He knows where to go, I suppose, having
|
|
been a man of business all his life. Very good. Then why not go
|
|
there?'
|
|
|
|
Mrs Chick, after forging this powerful chain of reasoning, remains
|
|
silent for a minute to admire it.
|
|
|
|
'Besides,' says the discreet lady, with an argumentative air, 'who
|
|
ever heard of such obstinacy as his staying shut up here through all
|
|
these dreadful disagreeables? It's not as if there was no place for
|
|
him to go to. Of course he could have come to our house. He knows he
|
|
is at home there, I suppose? Mr Chick has perfectly bored about it,
|
|
and I said with my own lips, "Why surely, Paul, you don't imagine that
|
|
because your affairs have got into this state, you are the less at
|
|
home to such near relatives as ourselves? You don't imagine that we
|
|
are like the rest of the world?" But no; here he stays all through,
|
|
and here he is. Why, good gracious me, suppose the house was to be
|
|
let! What would he do then? He couldn't remain here then. If he
|
|
attempted to do so, there would be an ejectment, an action for Doe,
|
|
and all sorts of things; and then he must go. Then why not go at first
|
|
instead of at last? And that brings me back to what I said just now,
|
|
and I naturally ask what is to be the end of it?'
|
|
|
|
'I know what's to be the end of it, as far as I am concerned,'
|
|
replies Mrs Pipchin, 'and that's enough for me. I'm going to take
|
|
myself off in a jiffy.'
|
|
|
|
'In a which, Mrs Pipchin,' says Mrs Chick.
|
|
|
|
'In a jiffy,' retorts Mrs Pipchin sharply.
|
|
|
|
'Ah, well! really I can't blame you, Mrs Pipchin,' says Mrs Chick,
|
|
with frankness.
|
|
|
|
'It would be pretty much the same to me, if you could,' replies the
|
|
sardonic Pipchin. 'At any rate I'm going. I can't stop here. I should
|
|
be dead in a week. I had to cook my own pork chop yesterday, and I'm
|
|
not used to it. My constitution will be giving way next. Besides, I
|
|
had a very fair connexion at Brighton when I came here - little
|
|
Pankey's folks alone were worth a good eighty pounds a-year to me -
|
|
and I can't afford to throw it away. I've written to my niece, and she
|
|
expects me by this time.'
|
|
|
|
'Have you spoken to my brother?' inquires Mrs Chick
|
|
|
|
'Oh, yes, it's very easy to say speak to him,' retorts Mrs Pipchin.
|
|
'How is it done? I called out to him yesterday, that I was no use
|
|
here, and that he had better let me send for Mrs Richards. He grunted
|
|
something or other that meant yes, and I sent. Grunt indeed! If he had
|
|
been Mr Pipchin, he'd have had some reason to grunt. Yah! I've no
|
|
patience with it!'
|
|
|
|
Here this exemplary female, who has pumped up so much fortitude and
|
|
virtue from the depths of the Peruvian mines, rises from her cushioned
|
|
property to see Mrs Chick to the door. Mrs Chick, deploring to the
|
|
last the peculiar character of her brother, noiselessly retires, much
|
|
occupied with her own sagacity and clearness of head.
|
|
|
|
In the dusk of the evening Mr Toodle, being off duty, arrives with
|
|
Polly and a box, and leaves them, with a sounding kiss, in the hall of
|
|
the empty house, the retired character of which affects Mr Toodle's
|
|
spirits strongly.
|
|
|
|
'I tell you what, Polly, me dear,' says Mr Toodle, 'being now an
|
|
ingine-driver, and well to do in the world, I shouldn't allow of your
|
|
coming here, to be made dull-like, if it warn't for favours past. But
|
|
favours past, Polly, is never to be forgot. To them which is in
|
|
adversity, besides, your face is a cord'l. So let's have another kiss
|
|
on it, my dear. You wish no better than to do a right act, I know; and
|
|
my views is, that it's right and dutiful to do this. Good-night,
|
|
Polly!'
|
|
|
|
Mrs Pipchin by this time looms dark in her black bombazeen skirts,
|
|
black bonnet, and shawl; and has her personal property packed up; and
|
|
has her chair (late a favourite chair of Mr Dombey's and the dead
|
|
bargain of the sale) ready near the street door; and is only waiting
|
|
for a fly-van, going to-night to Brighton on private service, which is
|
|
to call for her, by private contract, and convey her home.
|
|
|
|
Presently it comes. Mrs Pipchin's wardrobe being handed in and
|
|
stowed away, Mrs Pipchin's chair is next handed in, and placed in a
|
|
convenient corner among certain trusses of hay; it being the intention
|
|
of the amiable woman to occupy the chair during her journey. Mrs
|
|
Pipchin herself is next handed in, and grimly takes her seat. There is
|
|
a snaky gleam in her hard grey eye, as of anticipated rounds of
|
|
buttered toast, relays of hot chops, worryings and quellings of young
|
|
children, sharp snappings at poor Berry, and all the other delights of
|
|
her Ogress's castle. Mrs Pipchin almost laughs as the fly-van drives
|
|
off, and she composes her black bombazeen skirts, and settles herself
|
|
among the cushions of her easy chair.
|
|
|
|
The house is such a ruin that the rats have fled, and there is not
|
|
one left.
|
|
|
|
But Polly, though alone in the deserted mansion - for there is no
|
|
companionship in the shut-up rooms in which its late master hides his
|
|
head - is not alone long. It is night; and she is sitting at work in
|
|
the housekeeper's room, trying to forget what a lonely house it is,
|
|
and what a history belongs to it; when there is a knock at the hall
|
|
door, as loud sounding as any knock can be, striking into such an
|
|
empty place. Opening it, she returns across the echoing hall,
|
|
accompanied by a female figure in a close black bonnet. It is Miss
|
|
Tox, and Miss Tox's eyes are red.
|
|
|
|
'Oh, Polly,' says Miss Tox, 'when I looked in to have a little
|
|
lesson with the children just now, I got the message that you left for
|
|
me; and as soon as I could recover my spirits at all, I came on after
|
|
you. Is there no one here but you?'
|
|
|
|
'Ah! not a soul,' says Polly.
|
|
|
|
'Have you seen him?' whispers Miss Tox.
|
|
|
|
'Bless you,' returns Polly, 'no; he has not been seen this many a
|
|
day. They tell me he never leaves his room.'
|
|
|
|
'Is he said to be ill?' inquires Miss Tox.
|
|
|
|
'No, Ma'am, not that I know of,' returns Polly, 'except in his
|
|
mind. He must be very bad there, poor gentleman!'
|
|
|
|
Miss Tox's sympathy is such that she can scarcely speak. She is no
|
|
chicken, but she has not grown tough with age and celibacy. Her heart
|
|
is very tender, her compassion very genuine, her homage very real.
|
|
Beneath the locket with the fishy eye in it, Miss Tox bears better
|
|
qualities than many a less whimsical outside; such qualities as will
|
|
outlive, by many courses of the sun, the best outsides and brightest
|
|
husks that fall in the harvest of the great reaper.
|
|
|
|
It is long before Miss Tox goes away, and before Polly, with a
|
|
candle flaring on the blank stairs, looks after her, for company, down
|
|
the street, and feels unwilling to go back into the dreary house, and
|
|
jar its emptiness with the heavy fastenings of the door, and glide
|
|
away to bed. But all this Polly does; and in the morning sets in one
|
|
of those darkened rooms such matters as she has been advised to
|
|
prepare, and then retires and enters them no more until next morning
|
|
at the same hour. There are bells there, but they never ring; and
|
|
though she can sometimes hear a footfall going to and fro, it never
|
|
comes out.
|
|
|
|
Miss Tox returns early in the day. It then begins to be Miss Tox's
|
|
occupation to prepare little dainties - or what are such to her - to
|
|
be carried into these rooms next morning. She derives so much
|
|
satisfaction from the pursuit, that she enters on it regularly from
|
|
that time; and brings daily in her little basket, various choice
|
|
condiments selected from the scanty stores of the deceased owner of
|
|
the powdered head and pigtail. She likewise brings, in sheets of
|
|
curl-paper, morsels of cold meats, tongues of sheep, halves of fowls,
|
|
for her own dinner; and sharing these collations with Polly, passes
|
|
the greater part of her time in the ruined house that the rats have
|
|
fled from: hiding, in a fright at every sound, stealing in and out
|
|
like a criminal; only desiring to be true to the fallen object of her
|
|
admiration, unknown to him, unknown to all the world but one poor
|
|
simple woman.
|
|
|
|
The Major knows it; but no one is the wiser for that, though the
|
|
Major is much the merrier. The Major, in a fit of curiosity, has
|
|
charged the Native to watch the house sometimes, and find out what
|
|
becomes of Dombey. The Native has reported Miss Tox's fidelity, and
|
|
the Major has nearly choked himself dead with laughter. He is
|
|
permanently bluer from that hour, and constantly wheezes to himself,
|
|
his lobster eyes starting out of his head, 'Damme, Sir, the woman's a
|
|
born idiot!'
|
|
|
|
And the ruined man. How does he pass the hours, alone?
|
|
|
|
'Let him remember it in that room, years to come!' He did remember
|
|
it. It was heavy on his mind now; heavier than all the rest.
|
|
|
|
'Let him remember it in that room, years to come! The rain that
|
|
falls upon the roof, the wind that mourns outside the door, may have
|
|
foreknowledge in their melancholy sound. Let him remember it in that
|
|
room, years to come!'
|
|
|
|
He did remember it. In the miserable night he thought of it; in the
|
|
dreary day, the wretched dawn, the ghostly, memory-haunted twilight.
|
|
He did remember it. In agony, in sorrow, in remorse, in despair!
|
|
'Papa! Papa! Speak to me, dear Papa!' He heard the words again, and
|
|
saw the face. He saw it fall upon the trembling hands, and heard the
|
|
one prolonged low cry go upward.
|
|
|
|
He was fallen, never to be raised up any more. For the night of his
|
|
worldly ruin there was no to-morrow's sun; for the stain of his
|
|
domestic shame there was no purification; nothing, thank Heaven, could
|
|
bring his dead child back to life. But that which he might have made
|
|
so different in all the Past - which might have made the Past itself
|
|
so different, though this he hardly thought of now - that which was
|
|
his own work, that which he could so easily have wrought into a
|
|
blessing, and had set himself so steadily for years to form into a
|
|
curse: that was the sharp grief of his soul.
|
|
|
|
Oh! He did remember it! The rain that fell upon the roof, the wind
|
|
that mourned outside the door that night, had had foreknowledge in
|
|
their melancholy sound. He knew, now, what he had done. He knew, now,
|
|
that he had called down that upon his head, which bowed it lower than
|
|
the heaviest stroke of fortune. He knew, now, what it was to be
|
|
rejected and deserted; now, when every loving blossom he had withered
|
|
in his innocent daughter's heart was snowing down in ashes on him.
|
|
|
|
He thought of her, as she had been that night when he and his bride
|
|
came home. He thought of her as she had been, in all the home-events
|
|
of the abandoned house. He thought, now, that of all around him, she
|
|
alone had never changed. His boy had faded into dust, his proud wife
|
|
had sunk into a polluted creature, his flatterer and friend had been
|
|
transformed into the worst of villains, his riches had melted away,
|
|
the very walls that sheltered him looked on him as a stranger; she
|
|
alone had turned the same mild gentle look upon him always. Yes, to
|
|
the latest and the last. She had never changed to him - nor had he
|
|
ever changed to her - and she was lost.
|
|
|
|
As, one by one, they fell away before his mind - his baby- hope,
|
|
his wife, his friend, his fortune - oh how the mist, through which he
|
|
had seen her, cleared, and showed him her true self! Oh, how much
|
|
better than this that he had loved her as he had his boy, and lost her
|
|
as he had his boy, and laid them in their early grave together!
|
|
|
|
In his pride - for he was proud yet - he let the world go from him
|
|
freely. As it fell away, he shook it off. Whether he imagined its face
|
|
as expressing pity for him, or indifference to him, he shunned it
|
|
alike. It was in the same degree to be avoided, in either aspect. He
|
|
had no idea of any one companion in his misery, but the one he had
|
|
driven away. What he would have said to her, or what consolation
|
|
submitted to receive from her, he never pictured to himself. But he
|
|
always knew she would have been true to him, if he had suffered her.
|
|
He always knew she would have loved him better now, than at any other
|
|
time; he was as certain that it was in her nature, as he was that
|
|
there was a sky above him; and he sat thinking so, in his loneliness,
|
|
from hour to hour. Day after day uttered this speech; night after
|
|
night showed him this knowledge.
|
|
|
|
It began, beyond all doubt (however slow it advanced for some
|
|
time), in the receipt of her young husband's letter, and the certainty
|
|
that she was gone. And yet - so proud he was in his ruin, or so
|
|
reminiscent of her only as something that might have been his, but was
|
|
lost beyond redemption - that if he could have heard her voice in an
|
|
adjoining room, he would not have gone to her. If he could have seen
|
|
her in the street, and she had done no more than look at him as she
|
|
had been used to look, he would have passed on with his old cold
|
|
unforgiving face, and not addressed her, or relaxed it, though his
|
|
heart should have broken soon afterwards. However turbulent his
|
|
thoughts, or harsh his anger had been, at first, concerning her
|
|
marriage, or her husband, that was all past now. He chiefly thought of
|
|
what might have been, and what was not. What was, was all summed up in
|
|
this: that she was lost, and he bowed down with sorrow and remorse.
|
|
|
|
And now he felt that he had had two children born to him in that
|
|
house, and that between him and the bare wide empty walls there was a
|
|
tie, mournful, but hard to rend asunder, connected with a double
|
|
childhood, and a double loss. He had thought to leave the house -
|
|
knowing he must go, not knowing whither - upon the evening of the day
|
|
on which this feeling first struck root in his breast; but he resolved
|
|
to stay another night, and in the night to ramble through the rooms
|
|
once more.
|
|
|
|
He came out of his solitude when it was the dead of night, and with
|
|
a candle in his hand went softly up the stairs. Of all the footmarks
|
|
there, making them as common as the common street, there was not one,
|
|
he thought, but had seemed at the time to set itself upon his brain
|
|
while he had kept close, listening. He looked at their number, and
|
|
their hurry, and contention - foot treading foot out, and upward track
|
|
and downward jostling one another - and thought, with absolute dread
|
|
and wonder, how much he must have suffered during that trial, and what
|
|
a changed man he had cause to be. He thought, besides, oh was there,
|
|
somewhere in the world, a light footstep that might have worn out in a
|
|
moment half those marks! - and bent his head, and wept as he went up.
|
|
|
|
He almost saw it, going on before. He stopped, looking up towards
|
|
the skylight; and a figure, childish itself, but carrying a child, and
|
|
singing as it went, seemed to be there again. Anon, it was the same
|
|
figure, alone, stopping for an instant, with suspended breath; the
|
|
bright hair clustering loosely round its tearful face; and looking
|
|
back at him.
|
|
|
|
He wandered through the rooms: lately so luxurious; now so bare and
|
|
dismal and so changed, apparently, even in their shape and size. The
|
|
press of footsteps was as thick here; and the same consideration of
|
|
the suffering he had had, perplexed and terrified him. He began to
|
|
fear that all this intricacy in his brain would drive him mad; and
|
|
that his thoughts already lost coherence as the footprints did, and
|
|
were pieced on to one another, with the same trackless involutions,
|
|
and varieties of indistinct shapes.
|
|
|
|
He did not so much as know in which of these rooms she had lived,
|
|
when she was alone. He was glad to leave them, and go wandering higher
|
|
up. Abundance of associations were here, connected with his false
|
|
wife, his false friend and servant, his false grounds of pride; but he
|
|
put them all by now, and only recalled miserably, weakly, fondly, his
|
|
two children.
|
|
|
|
Everywhere, the footsteps! They had had no respect for the old room
|
|
high up, where the little bed had been; he could hardly find a clear
|
|
space there, to throw himself down, on the floor, against the wall,
|
|
poor broken man, and let his tears flow as they would. He had shed so
|
|
many tears here, long ago, that he was less ashamed of his weakness in
|
|
this place than in any other - perhaps, with that consciousness, had
|
|
made excuses to himself for coming here. Here, with stooping
|
|
shoulders, and his chin dropped on his breast, he had come. Here,
|
|
thrown upon the bare boards, in the dead of night, he wept, alone - a
|
|
proud man, even then; who, if a kind hand could have been stretched
|
|
out, or a kind face could have looked in, would have risen up, and
|
|
turned away, and gone down to his cell.
|
|
|
|
When the day broke he was shut up in his rooms again. He had meant
|
|
to go away to-day, but clung to this tie in the house as the last and
|
|
only thing left to him. He would go to-morrow. To-morrow came. He
|
|
would go to-morrow. Every night, within the knowledge of no human
|
|
creature, he came forth, and wandered through the despoiled house like
|
|
a ghost. Many a morning when the day broke, his altered face, drooping
|
|
behind the closed blind in his window, imperfectly transparent to the
|
|
light as yet, pondered on the loss of his two children. It was one
|
|
child no more. He reunited them in his thoughts, and they were never
|
|
asunder. Oh, that he could have united them in his past love, and in
|
|
death, and that one had not been so much worse than dead!
|
|
|
|
Strong mental agitation and disturbance was no novelty to him, even
|
|
before his late sufferings. It never is, to obstinate and sullen
|
|
natures; for they struggle hard to be such. Ground, long undermined,
|
|
will often fall down in a moment; what was undermined here in so many
|
|
ways, weakened, and crumbled, little by little, more and more, as the
|
|
hand moved on the dial.
|
|
|
|
At last he began to think he need not go at all. He might yet give
|
|
up what his creditors had spared him (that they had not spared him
|
|
more, was his own act), and only sever the tie between him and the
|
|
ruined house, by severing that other link -
|
|
|
|
It was then that his footfall was audible in the late housekeeper's
|
|
room, as he walked to and fro; but not audible in its true meaning, or
|
|
it would have had an appalling sound.
|
|
|
|
The world was very busy and restless about him. He became aware of
|
|
that again. It was whispering and babbling. It was never quiet. This,
|
|
and the intricacy and complication of the footsteps, harassed him to
|
|
death. Objects began to take a bleared and russet colour in his eyes.
|
|
Dombey and Son was no more - his children no more. This must be
|
|
thought of, well, to-morrow.
|
|
|
|
He thought of it to-morrow; and sitting thinking in his chair, saw
|
|
in the glass, from time to time, this picture:
|
|
|
|
A spectral, haggard, wasted likeness of himself, brooded and
|
|
brooded over the empty fireplace. Now it lifted up its head, examining
|
|
the lines and hollows in its face; now hung it down again, and brooded
|
|
afresh. Now it rose and walked about; now passed into the next room,
|
|
and came back with something from the dressing-table in its breast.
|
|
Now, it was looking at the bottom of the door, and thinking.
|
|
|
|
Hush! what? It was thinking that if blood were to trickle that way,
|
|
and to leak out into the hall, it must be a long time going so far. It
|
|
would move so stealthily and slowly, creeping on, with here a lazy
|
|
little pool, and there a start, and then another little pool, that a
|
|
desperately wounded man could only be discovered through its means,
|
|
either dead or dying. When it had thought of this a long while, it got
|
|
up again, and walked to and fro with its hand in its breast. He
|
|
glanced at it occasionally, very curious to watch its motions, and he
|
|
marked how wicked and murderous that hand looked.
|
|
|
|
Now it was thinking again! What was it thinking?
|
|
|
|
Whether they would tread in the blood when it crept so far, and
|
|
carry it about the house among those many prints of feet, or even out
|
|
into the street.
|
|
|
|
It sat down, with its eyes upon the empty fireplace, and as it lost
|
|
itself in thought there shone into the room a gleam of light; a ray of
|
|
sun. It was quite unmindful, and sat thinking. Suddenly it rose, with
|
|
a terrible face, and that guilty hand grasping what was in its breast.
|
|
Then it was arrested by a cry - a wild, loud, piercing, loving,
|
|
rapturous cry - and he only saw his own reflection in the glass, and
|
|
at his knees, his daughter!
|
|
|
|
Yes. His daughter! Look at her! Look here! Down upon the ground,
|
|
clinging to him, calling to him, folding her hands, praying to him.
|
|
|
|
'Papa! Dearest Papa! Pardon me, forgive me! I have come back to ask
|
|
forgiveness on my knees. I never can be happy more, without it!'
|
|
|
|
Unchanged still. Of all the world, unchanged. Raising the same face
|
|
to his, as on that miserable night. Asking his forgiveness!
|
|
|
|
'Dear Papa, oh don't look strangely on me! I never meant to leave
|
|
you. I never thought of it, before or afterwards. I was frightened
|
|
when I went away, and could not think. Papa, dear, I am changed. I am
|
|
penitent. I know my fault. I know my duty better now. Papa, don't cast
|
|
me off, or I shall die!'
|
|
|
|
He tottered to his chair. He felt her draw his arms about her neck;
|
|
he felt her put her own round his; he felt her kisses on his face; he
|
|
felt her wet cheek laid against his own; he felt - oh, how deeply! -
|
|
all that he had done.
|
|
|
|
Upon the breast that he had bruised, against the heart that he had
|
|
almost broken, she laid his face, now covered with his hands, and
|
|
said, sobbing:
|
|
|
|
'Papa, love, I am a mother. I have a child who will soon call
|
|
Walter by the name by which I call you. When it was born, and when I
|
|
knew how much I loved it, I knew what I had done in leaving you.
|
|
Forgive me, dear Papa! oh say God bless me, and my little child!'
|
|
|
|
He would have said it, if he could. He would have raised his hands
|
|
and besought her for pardon, but she caught them in her own, and put
|
|
them down, hurriedly.
|
|
|
|
'My little child was born at sea, Papa I prayed to God (and so did
|
|
Walter for me) to spare me, that I might come home. The moment I could
|
|
land, I came back to you. Never let us be parted any more, Papa. Never
|
|
let us be parted any more!'
|
|
|
|
His head, now grey, was encircled by her arm; and he groaned to
|
|
think that never, never, had it rested so before.
|
|
|
|
'You will come home with me, Papa, and see my baby. A boy, Papa.
|
|
His name is Paul. I think - I hope - he's like - '
|
|
|
|
Her tears stopped her.
|
|
|
|
'Dear Papa, for the sake of my child, for the sake of the name we
|
|
have given him, for my sake, pardon Walter. He is so kind and tender
|
|
to me. I am so happy with him. It was not his fault that we were
|
|
married. It was mine. I loved him so much.'
|
|
|
|
She clung closer to him, more endearing and more earnest.
|
|
|
|
'He is the darling of my heart, Papa I would die for him. He will
|
|
love and honour you as I will. We will teach our little child to love
|
|
and honour you; and we will tell him, when he can understand, that you
|
|
had a son of that name once, and that he died, and you were very
|
|
sorry; but that he is gone to Heaven, where we all hope to see him
|
|
when our time for resting comes. Kiss me, Papa, as a promise that you
|
|
will be reconciled to Walter - to my dearest husband - to the father
|
|
of the little child who taught me to come back, Papa Who taught me to
|
|
come back!'
|
|
|
|
As she clung closer to him, in another burst of tears, he kissed
|
|
her on her lips, and, lifting up his eyes, said, 'Oh my God, forgive
|
|
me, for I need it very much!'
|
|
|
|
With that he dropped his head again, lamenting over and caressing
|
|
her, and there was not a sound in all the house for a long, long time;
|
|
they remaining clasped in one another's arms, in the glorious sunshine
|
|
that had crept in with Florence.
|
|
|
|
He dressed himself for going out, with a docile submission to her
|
|
entreaty; and walking with a feeble gait, and looking back, with a
|
|
tremble, at the room in which he had been so long shut up, and where
|
|
he had seen the picture in the glass, passed out with her into the
|
|
hall. Florence, hardly glancing round her, lest she should remind him
|
|
freshly of their last parting - for their feet were on the very stones
|
|
where he had struck her in his madness - and keeping close to him,
|
|
with her eyes upon his face, and his arm about her, led him out to a
|
|
coach that was waiting at the door, and carried him away.
|
|
|
|
Then, Miss Tox and Polly came out of their concealment, and exulted
|
|
tearfully. And then they packed his clothes, and books, and so forth,
|
|
with great care; and consigned them in due course to certain persons
|
|
sent by Florence, in the evening, to fetch them. And then they took a
|
|
last cup of tea in the lonely house.
|
|
|
|
'And so Dombey and Son, as I observed upon a certain sad occasion,'
|
|
said Miss Tox, winding up a host of recollections, 'is indeed a
|
|
daughter, Polly, after all.'
|
|
|
|
'And a good one!' exclaimed Polly.
|
|
|
|
'You are right,' said Miss Tox; 'and it's a credit to you, Polly,
|
|
that you were always her friend when she was a little child. You were
|
|
her friend long before I was, Polly,' said Miss Tox; 'and you're a
|
|
good creature. Robin!'
|
|
|
|
Miss Tox addressed herself to a bullet-headed young man, who
|
|
appeared to be in but indifferent circumstances, and in depressed
|
|
spirits, and who was sitting in a remote corner. Rising, he disclosed
|
|
to view the form and features of the Grinder.
|
|
|
|
'Robin,' said Miss Tox, 'I have just observed to your mother, as
|
|
you may have heard, that she is a good creature.
|
|
|
|
'And so she is, Miss,' quoth the Grinder, with some feeling.
|
|
|
|
'Very well, Robin,' said Miss Tox, 'I am glad to hear you say so.
|
|
Now, Robin, as I am going to give you a trial, at your urgent request,
|
|
as my domestic, with a view to your restoration to respectability, I
|
|
will take this impressive occasion of remarking that I hope you will
|
|
never forget that you have, and have always had, a good mother, and
|
|
that you will endeavour so to conduct yourself as to be a comfort to
|
|
her.'
|
|
|
|
'Upon my soul I will, Miss,' returned the Grinder. 'I have come
|
|
through a good deal, and my intentions is now as straightfor'ard,
|
|
Miss, as a cove's - '
|
|
|
|
'I must get you to break yourself of that word, Robin, if you
|
|
Please,' interposed Miss Tox, politely.
|
|
|
|
'If you please, Miss, as a chap's - '
|
|
|
|
'Thankee, Robin, no,' returned Miss Tox, 'I should prefer
|
|
individual.'
|
|
|
|
'As a indiwiddle's,' said the Grinder.
|
|
|
|
'Much better,' remarked Miss Tox, complacently; 'infinitely more
|
|
expressive!'
|
|
|
|
' - can be,' pursued Rob. 'If I hadn't been and got made a Grinder
|
|
on, Miss and Mother, which was a most unfortunate circumstance for a
|
|
young co - indiwiddle.'
|
|
|
|
'Very good indeed,' observed Miss Tox, approvingly.
|
|
|
|
' - and if I hadn't been led away by birds, and then fallen into a
|
|
bad service,' said the Grinder, 'I hope I might have done better. But
|
|
it's never too late for a - '
|
|
|
|
'Indi - ' suggested Miss Tox.
|
|
|
|
' - widdle,' said the Grinder, 'to mend; and I hope to mend, Miss,
|
|
with your kind trial; and wishing, Mother, my love to father, and
|
|
brothers and sisters, and saying of it.'
|
|
|
|
'I am very glad indeed to hear it,' observed Miss Tox. 'Will you
|
|
take a little bread and butter, and a cup of tea, before we go,
|
|
Robin?'
|
|
|
|
'Thankee, Miss,' returned the Grinder; who immediately began to use
|
|
his own personal grinders in a most remarkable manner, as if he had
|
|
been on very short allowance for a considerable period.
|
|
|
|
Miss Tox, being, in good time, bonneted and shawled, and Polly too,
|
|
Rob hugged his mother, and followed his new mistress away; so much to
|
|
the hopeful admiration of Polly, that something in her eyes made
|
|
luminous rings round the gas-lamps as she looked after him. Polly then
|
|
put out her light, locked the house-door, delivered the key at an
|
|
agent's hard by, and went home as fast as she could go; rejoicing in
|
|
the shrill delight that her unexpected arrival would occasion there.
|
|
The great house, dumb as to all that had been suffered in it, and the
|
|
changes it had witnessed, stood frowning like a dark mute on the
|
|
street; baulking any nearer inquiries with the staring announcement
|
|
that the lease of this desirable Family Mansion was to be disposed of.
|
|
|
|
CHAPTER 60.
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|
|
|
Chiefly Matrimonial
|
|
|
|
The grand half-yearly festival holden by Doctor and Mrs Blimber, on
|
|
which occasion they requested the pleasure of the company of every
|
|
young gentleman pursuing his studies in that genteel establishment, at
|
|
an early party, when the hour was half-past seven o'clock, and when
|
|
the object was quadrilles, had duly taken place, about this time; and
|
|
the young gentlemen, with no unbecoming demonstrations of levity, had
|
|
betaken themselves, in a state of scholastic repletion, to their own
|
|
homes. Mr Skettles had repaired abroad, permanently to grace the
|
|
establishment of his father Sir Barnet Skettles, whose popular manners
|
|
had obtained him a diplomatic appointment, the honours of which were
|
|
discharged by himself and Lady Skettles, to the satisfaction even of
|
|
their own countrymen and countrywomen: which was considered almost
|
|
miraculous. Mr Tozer, now a young man of lofty stature, in Wellington
|
|
boots, was so extremely full of antiquity as to be nearly on a par
|
|
with a genuine ancient Roman in his knowledge of English: a triumph
|
|
that affected his good parents with the tenderest emotions, and caused
|
|
the father and mother of Mr Briggs (whose learning, like ill-arranged
|
|
luggage, was so tightly packed that he couldn't get at anything he
|
|
wanted) to hide their diminished heads. The fruit laboriously gathered
|
|
from the tree of knowledge by this latter young gentleman, in fact,
|
|
had been subjected to so much pressure, that it had become a kind of
|
|
intellectual Norfolk Biffin, and had nothing of its original form or
|
|
flavour remaining. Master Bitherstone now, on whom the forcing system
|
|
had the happier and not uncommon effect of leaving no impression
|
|
whatever, when the forcing apparatus ceased to work, was in a much
|
|
more comfortable plight; and being then on shipboard, bound for
|
|
Bengal, found himself forgetting, with such admirable rapidity, that
|
|
it was doubtful whether his declensions of noun-substantives would
|
|
hold out to the end of the voyage.
|
|
|
|
When Doctor Blimber, in pursuance of the usual course, would have
|
|
said to the young gentlemen, on the morning of the party, 'Gentlemen,
|
|
we will resume our studies on the twenty-fifth of next month,' he
|
|
departed from the usual course, and said, 'Gentlemen, when our friend
|
|
Cincinnatus retired to his farm, he did not present to the senate any
|
|
Roman who he sought to nominate as his successor.' But there is a
|
|
Roman here,' said Doctor Blimber, laying his hand on the shoulder of
|
|
Mr Feeder, B.A., adolescens imprimis gravis et doctus, gentlemen, whom
|
|
I, a retiring Cincinnatus, wish to present to my little senate, as
|
|
their future Dictator. Gentlemen, we will resume our studies on the
|
|
twenty-fifth of next month, under the auspices of Mr Feeder, B.A.' At
|
|
this (which Doctor Blimber had previously called upon all the parents,
|
|
and urbanely explained), the young gentlemen cheered; and Mr Tozer, on
|
|
behalf of the rest, instantly presented the Doctor with a silver
|
|
inkstand, in a speech containing very little of the mother-tongue, but
|
|
fifteen quotations from the Latin, and seven from the Greek, which
|
|
moved the younger of the young gentlemen to discontent and envy: they
|
|
remarking, 'Oh, ah. It was all very well for old Tozer, but they
|
|
didn't subscribe money for old Tozer to show off with, they supposed;
|
|
did they? What business was it of old Tozer's more than anybody
|
|
else's? It wasn't his inkstand. Why couldn't he leave the boys'
|
|
property alone?' and murmuring other expressions of their
|
|
dissatisfaction, which seemed to find a greater relief in calling him
|
|
old Tozer, than in any other available vent.
|
|
|
|
Not a word had been said to the young gentlemen, nor a hint
|
|
dropped, of anything like a contemplated marriage between Mr Feeder,
|
|
B.A., and the fair Cornelia Blimber. Doctor Blimber, especially,
|
|
seemed to take pains to look as if nothing would surprise him more;
|
|
but it was perfectly well known to all the young gentlemen
|
|
nevertheless, and when they departed for the society of their
|
|
relations and friends, they took leave of Mr Feeder with awe.
|
|
|
|
Mr Feeder's most romantic visions were fulfilled. The Doctor had
|
|
determined to paint the house outside, and put it in thorough repair;
|
|
and to give up the business, and to give up Cornelia. The painting and
|
|
repairing began upon the very day of the young gentlemen's departure,
|
|
and now behold! the wedding morning was come, and Cornelia, in a new
|
|
pair of spectacles, was waiting to be led to the hymeneal altar.
|
|
|
|
The Doctor with his learned legs, and Mrs Blimber in a lilac
|
|
bonnet, and Mr Feeder, B.A., with his long knuckles and his bristly
|
|
head of hair, and Mr Feeder's brother, the Reverend Alfred Feeder,
|
|
M.A., who was to perform the ceremony, were all assembled in the
|
|
drawing-room, and Cornelia with her orange-flowers and bridesmaids had
|
|
just come down, and looked, as of old, a little squeezed in
|
|
appearance, but very charming, when the door opened, and the weak-eyed
|
|
young man, in a loud voice, made the following proclamation:
|
|
|
|
'MR AND MRS TOOTS!'
|
|
|
|
Upon which there entered Mr Toots, grown extremely stout, and on
|
|
his arm a lady very handsomely and becomingly dressed, with very
|
|
bright black eyes. 'Mrs Blimber,' said Mr Toots, 'allow me to present
|
|
my wife.'
|
|
|
|
Mrs Blimber was delighted to receive her. Mrs Blimber was a little
|
|
condescending, but extremely kind.
|
|
|
|
'And as you've known me for a long time, you know,' said Mr Toots,
|
|
'let me assure you that she is one of the most remarkable women that
|
|
ever lived.'
|
|
|
|
'My dear!' remonstrated Mrs Toots.
|
|
|
|
'Upon my word and honour she is,' said Mr Toots. 'I - I assure you,
|
|
Mrs Blimber, she's a most extraordinary woman.'
|
|
|
|
Mrs Toots laughed merrily, and Mrs Blimber led her to Cornelia. Mr
|
|
Toots having paid his respects in that direction and having saluted
|
|
his old preceptor, who said, in allusion to his conjugal state, 'Well,
|
|
Toots, well, Toots! So you are one of us, are you, Toots?' - retired
|
|
with Mr Feeder, B.A., into a window.
|
|
|
|
Mr Feeder, B.A., being in great spirits, made a spar at Mr Toots,
|
|
and tapped him skilfully with the back of his hand on the breastbone.
|
|
|
|
'Well, old Buck!' said Mr Feeder with a laugh. 'Well! Here we are!
|
|
Taken in and done for. Eh?'
|
|
|
|
'Feeder,' returned Mr Toots. 'I give you joy. If you're as - as- as
|
|
perfectly blissful in a matrimonial life, as I am myself, you'll have
|
|
nothing to desire.'
|
|
|
|
'I don't forget my old friends, you see,' said Mr Feeder. 'I ask em
|
|
to my wedding, Toots.'
|
|
|
|
'Feeder,' replied Mr Toots gravely, 'the fact is, that there were
|
|
several circumstances which prevented me from communicating with you
|
|
until after my marriage had been solemnised. In the first place, I had
|
|
made a perfect Brute of myself to you, on the subject of Miss Dombey;
|
|
and I felt that if you were asked to any wedding of mine, you would
|
|
naturally expect that it was with Miss Dombey, which involved
|
|
explanations, that upon my word and honour, at that crisis, would have
|
|
knocked me completely over. In the second place, our wedding was
|
|
strictly private; there being nobody present but one friend of myself
|
|
and Mrs Toots's, who is a Captain in - I don't exactly know in what,'
|
|
said Mr Toots, 'but it's of no consequence. I hope, Feeder, that in
|
|
writing a statement of what had occurred before Mrs Toots and myself
|
|
went abroad upon our foreign tour, I fully discharged the offices of
|
|
friendship.'
|
|
|
|
'Toots, my boy,' said Mr Feeder, shaking his hands, 'I was joking.'
|
|
|
|
'And now, Feeder,' said Mr Toots, 'I should be glad to know what
|
|
you think of my union.'
|
|
|
|
'Capital!' returned Mr Feeder.
|
|
|
|
'You think it's capital, do you, Feeder?'said Mr Toots solemnly.
|
|
'Then how capital must it be to Me! For you can never know what an
|
|
extraordinary woman that is.'
|
|
|
|
Mr Feeder was willing to take it for granted. But Mr Toots shook
|
|
his head, and wouldn't hear of that being possible.
|
|
|
|
'You see,' said Mr Toots, 'what I wanted in a wife was - in short,
|
|
was sense. Money, Feeder, I had. Sense I - I had not, particularly.'
|
|
|
|
Mr Feeder murmured, 'Oh, yes, you had, Toots!' But Mr Toots said:
|
|
|
|
'No, Feeder, I had not. Why should I disguise it? I had not. I knew
|
|
that sense was There,' said Mr Toots, stretching out his hand towards
|
|
his wife, 'in perfect heaps. I had no relation to object or be
|
|
offended, on the score of station; for I had no relation. I have never
|
|
had anybody belonging to me but my guardian, and him, Feeder, I have
|
|
always considered as a Pirate and a Corsair. Therefore, you know it
|
|
was not likely,' said Mr Toots, 'that I should take his opinion.'
|
|
|
|
'No,' said Mr Feeder.
|
|
|
|
'Accordingly,' resumed Mr Toots, 'I acted on my own. Bright was the
|
|
day on which I did so! Feeder! Nobody but myself can tell what the
|
|
capacity of that woman's mind is. If ever the Rights of Women, and all
|
|
that kind of thing, are properly attended to, it will be through her
|
|
powerful intellect - Susan, my dear!' said Mr Toots, looking abruptly
|
|
out of the windows 'pray do not exert yourself!'
|
|
|
|
'My dear,' said Mrs Toots, 'I was only talking.'
|
|
|
|
'But, my love,' said Mr Toots, 'pray do not exert yourself. You
|
|
really must be careful. Do not, my dear Susan, exert yourself. She's
|
|
so easily excited,' said Mr Toots, apart to Mrs Blimber, 'and then she
|
|
forgets the medical man altogether.'
|
|
|
|
Mrs Blimber was impressing on Mrs Toots the necessity of caution,
|
|
when Mr Feeder, B.A., offered her his arm, and led her down to the
|
|
carriages that were waiting to go to church. Doctor Blimber escorted
|
|
Mrs Toots. Mr Toots escorted the fair bride, around whose lambent
|
|
spectacles two gauzy little bridesmaids fluttered like moths. Mr
|
|
Feeder's brother, Mr Alfred Feeder, M.A., had already gone on, in
|
|
advance, to assume his official functions.
|
|
|
|
The ceremony was performed in an admirable manner. Cornelia, with
|
|
her crisp little curls, 'went in,' as the Chicken might have said,
|
|
with great composure; and Doctor Blimber gave her away, like a man who
|
|
had quite made up his mind to it. The gauzy little bridesmaids
|
|
appeared to suffer most. Mrs Blimber was affected, but gently so; and
|
|
told the Reverend Mr Alfred Feeder, M.A., on the way home, that if she
|
|
could only have seen Cicero in his retirement at Tusculum, she would
|
|
not have had a wish, now, ungratified.
|
|
|
|
There was a breakfast afterwards, limited to the same small party;
|
|
at which the spirits of Mr Feeder, B.A., were tremendous, and so
|
|
communicated themselves to Mrs Toots that Mr Toots was several times
|
|
heard to observe, across the table, 'My dear Susan, don't exert
|
|
yourself!' The best of it was, that Mr Toots felt it incunbent on him
|
|
to make a speech; and in spite of a whole code of telegraphic
|
|
dissuasions from Mrs Toots, appeared on his legs for the first time in
|
|
his life.
|
|
|
|
'I really,' said Mr Toots, 'in this house, where whatever was done
|
|
to me in the way of - of any mental confusion sometimes - which is of
|
|
no consequence and I impute to nobody - I was always treated like one
|
|
of Doctor Blimber's family, and had a desk to myself for a
|
|
considerable period - can - not - allow - my friend Feeder to be - '
|
|
|
|
Mrs Toots suggested 'married.'
|
|
|
|
'It may not be inappropriate to the occasion, or altogether
|
|
uninteresting,' said Mr Toots with a delighted face, 'to observe that
|
|
my wife is a most extraordinary woman, and would do this much better
|
|
than myself - allow my friend Feeder to be married - especially to - '
|
|
|
|
Mrs Toots suggested 'to Miss Blimber.'
|
|
|
|
'To Mrs Feeder, my love!' said Mr Toots, in a subdued tone of
|
|
private discussion: "'whom God hath joined," you know, "let no man" -
|
|
don't you know? I cannot allow my friend Feeder to be married -
|
|
especially to Mrs Feeder - without proposing their - their - Toasts;
|
|
and may,' said Mr Toots, fixing his eyes on his wife, as if for
|
|
inspiration in a high flight, 'may the torch of Hymen be the beacon of
|
|
joy, and may the flowers we have this day strewed in their path, be
|
|
the - the banishers of- of gloom!'
|
|
|
|
Doctor Blimber, who had a taste for metaphor, was pleased with
|
|
this, and said, 'Very good, Toots! Very well said, indeed, Toots!' and
|
|
nodded his head and patted his hands. Mr Feeder made in reply, a comic
|
|
speech chequered with sentiment. Mr Alfred Feeder, M.A, was afterwards
|
|
very happy on Doctor and Mrs Blimber; Mr Feeder, B.A., scarcely less
|
|
so, on the gauzy little bridesmaids. Doctor Blimber then, in a
|
|
sonorous voice, delivered a few thoughts in the pastoral style,
|
|
relative to the rushes among which it was the intention of himself and
|
|
Mrs Blimber to dwell, and the bee that would hum around their cot.
|
|
Shortly after which, as the Doctor's eyes were twinkling in a
|
|
remarkable manner, and his son-in-law had already observed that time
|
|
was made for slaves, and had inquired whether Mrs Toots sang, the
|
|
discreet Mrs Blimber dissolved the sitting, and sent Cornelia away,
|
|
very cool and comfortable, in a post-chaise, with the man of her heart
|
|
|
|
Mr and Mrs Toots withdrew to the Bedford (Mrs Toots had been there
|
|
before in old times, under her maiden name of Nipper), and there found
|
|
a letter, which it took Mr Toots such an enormous time to read, that
|
|
Mrs Toots was frightened.
|
|
|
|
'My dear Susan,' said Mr Toots, 'fright is worse than exertion.
|
|
Pray be calm!'
|
|
|
|
'Who is it from?' asked Mrs Toots.
|
|
|
|
'Why, my love,' said Mr Toots, 'it's from Captain Gills. Do not
|
|
excite yourself. Walters and Miss Dombey are expected home!'
|
|
|
|
'My dear,' said Mrs Toots, raising herself quickly from the sofa,
|
|
very pale, 'don't try to deceive me, for it's no use, they're come
|
|
home - I see it plainly in your face!'
|
|
|
|
'She's a most extraordinary woman!' exclaimed Mr Toots, in
|
|
rapturous admiration. 'You're perfectly right, my love, they have come
|
|
home. Miss Dombey has seen her father, and they are reconciled!'
|
|
|
|
'Reconciled!' cried Mrs Toots, clapping her hands.
|
|
|
|
'My dear,' said Mr Toots; 'pray do not exert yourself. Do remember
|
|
the medical man! Captain Gills says - at least he don't say, but I
|
|
imagine, from what I can make out, he means - that Miss Dombey has
|
|
brought her unfortunate father away from his old house, to one where
|
|
she and Walters are living; that he is lying very ill there - supposed
|
|
to be dying; and that she attends upon him night and day.'
|
|
|
|
Mrs Toots began to cry quite bitterly.
|
|
|
|
'My dearest Susan,' replied Mr Toots, 'do, do, if you possibly can,
|
|
remember the medical man! If you can't, it's of no consequence - but
|
|
do endeavour to!'
|
|
|
|
His wife, with her old manner suddenly restored, so pathetically
|
|
entreated him to take her to her precious pet, her little mistress,
|
|
her own darling, and the like, that Mr Toots, whose sympathy and
|
|
admiration were of the strongest kind, consented from his very heart
|
|
of hearts; and they agreed to depart immediately, and present
|
|
themselves in answer to the Captain's letter.
|
|
|
|
Now some hidden sympathies of things, or some coincidences, had
|
|
that day brought the Captain himself (toward whom Mr and Mrs Toots
|
|
were soon journeying) into the flowery train of wedlock; not as a
|
|
principal, but as an accessory. It happened accidentally, and thus:
|
|
|
|
The Captain, having seen Florence and her baby for a moment, to his
|
|
unbounded content, and having had a long talk with Walter, turned out
|
|
for a walk; feeling it necessary to have some solitary meditation on
|
|
the changes of human affairs, and to shake his glazed hat profoundly
|
|
over the fall of Mr Dombey, for whom the generosity and simplicity of
|
|
his nature were awakened in a lively manner. The Captain would have
|
|
been very low, indeed, on the unhappy gentleman's account, but for the
|
|
recollection of the baby; which afforded him such intense satisfaction
|
|
whenever it arose, that he laughed aloud as he went along the street,
|
|
and, indeed, more than once, in a sudden impulse of joy, threw up his
|
|
glazed hat and caught it again; much to the amazement of the
|
|
spectators. The rapid alternations of light and shade to which these
|
|
two conflicting subjects of reflection exposed the Captain, were so
|
|
very trying to his spirits, that he felt a long walk necessary to his
|
|
composure; and as there is a great deal in the influence of harmonious
|
|
associations, he chose, for the scene of this walk, his old
|
|
neighbourhood, down among the mast, oar, and block makers,
|
|
ship-biscuit bakers, coal-whippers, pitch-kettles, sailors, canals,
|
|
docks, swing-bridges, and other soothing objects.
|
|
|
|
These peaceful scenes, and particularly the region of Limehouse
|
|
Hole and thereabouts, were so influential in calming the Captain, that
|
|
he walked on with restored tranquillity, and was, in fact, regaling
|
|
himself, under his breath, with the ballad of Lovely Peg, when, on
|
|
turning a corner, he was suddenly transfixed and rendered speechless
|
|
by a triumphant procession that he beheld advancing towards him.
|
|
|
|
This awful demonstration was headed by that determined woman Mrs
|
|
MacStinger, who, preserving a countenance of inexorable resolution,
|
|
and wearing conspicuously attached to her obdurate bosom a stupendous
|
|
watch and appendages, which the Captain recognised at a glance as the
|
|
property of Bunsby, conducted under her arm no other than that
|
|
sagacious mariner; he, with the distraught and melancholy visage of a
|
|
captive borne into a foreign land, meekly resigning himself to her
|
|
will. Behind them appeared the young MacStingers, in a body, exulting.
|
|
Behind them, M~ two ladies of a terrible and steadfast
|
|
aspect, leading between them a short gentleman in a tall hat, who
|
|
likewise exulted. In the wake, appeared Bunsby's boy, bearing
|
|
umbrellas. The whole were in good marching order; and a dreadful
|
|
smartness that pervaded the party would have sufficiently announced,
|
|
if the intrepid countenances of the ladies had been wanting, that it
|
|
was a procession of sacrifice, and that the victim was Bunsby.
|
|
|
|
The first impulse of the Captain was to run away. This also
|
|
appeared to be the first impulse of Bunsby, hopeless as its execution
|
|
must have proved. But a cry of recognition proceeding from the party,
|
|
and Alexander MacStinger running up to the Captain with open arms, the
|
|
Captain struck.
|
|
|
|
'Well, Cap'en Cuttle!' said Mrs MacStinger. 'This is indeed a
|
|
meeting! I bear no malice now, Cap'en Cuttle - you needn't fear that
|
|
I'm a going to cast any reflections. I hope to go to the altar in
|
|
another spirit.' Here Mrs MacStinger paused, and drawing herself up,
|
|
and inflating her bosom with a long breath, said, in allusion to the
|
|
victim, 'My 'usband, Cap'en Cuttle!'
|
|
|
|
The abject Bunsby looked neither to the right nor to the left, nor
|
|
at his bride, nor at his friend, but straight before him at nothing.
|
|
The Captain putting out his hand, Bunsby put out his; but, in answer
|
|
to the Captain's greeting, spake no word.
|
|
|
|
'Cap'en Cuttle,' said Mrs MacStinger, 'if you would wish to heal up
|
|
past animosities, and to see the last of your friend, my 'usband, as a
|
|
single person, we should be 'appy of your company to chapel. Here is a
|
|
lady here,' said Mrs MacStinger, turning round to the more intrepid of
|
|
the two, 'my bridesmaid, that will be glad of your protection, Cap'en
|
|
Cuttle.'
|
|
|
|
The short gentleman in the tall hat, who it appeared was the
|
|
husband of the other lady, and who evidently exulted at the reduction
|
|
of a fellow creature to his own condition, gave place at this, and
|
|
resigned the lady to Captain Cuttle. The lady immediately seized him,
|
|
and, observing that there was no time to lose, gave the word, in a
|
|
strong voice, to advance.
|
|
|
|
The Captain's concern for his friend, not unmingled, at first, with
|
|
some concern for himself - for a shadowy terror that he might be
|
|
married by violence, possessed him, until his knowledge of the service
|
|
came to his relief, and remembering the legal obligation of saying, 'I
|
|
will,' he felt himself personally safe so long as he resolved, if
|
|
asked any question, distinctly to reply I won't' - threw him into a
|
|
profuse perspiration; and rendered him, for a time, insensible to the
|
|
movements of the procession, of which he now formed a feature, and to
|
|
the conversation of his fair companion. But as he became less
|
|
agitated, he learnt from this lady that she was the widow of a Mr
|
|
Bokum, who had held an employment in the Custom House; that she was
|
|
the dearest friend of Mrs MacStinger, whom she considered a pattern
|
|
for her sex; that she had often heard of the Captain, and now hoped he
|
|
had repented of his past life; that she trusted Mr Bunsby knew what a
|
|
blessing he had gained, but that she feared men seldom did know what
|
|
such blessings were, until they had lost them; with more to the same
|
|
purpose.
|
|
|
|
All this time, the Captain could not but observe that Mrs Bokum
|
|
kept her eyes steadily on the bridegroom, and that whenever they came
|
|
near a court or other narrow turning which appeared favourable for
|
|
flight, she was on the alert to cut him off if he attempted escape.
|
|
The other lady, too, as well as her husband, the short gentleman with
|
|
the tall hat, were plainly on guard, according to a preconcerted plan;
|
|
and the wretched man was so secured by Mrs MacStinger, that any effort
|
|
at self-preservation by flight was rendered futile. This, indeed, was
|
|
apparent to the mere populace, who expressed their perception of the
|
|
fact by jeers and cries; to all of which, the dread MacStinger was
|
|
inflexibly indifferent, while Bunsby himself appeared in a state of
|
|
unconsciousness.
|
|
|
|
The Captain made many attempts to accost the philosopher, if only
|
|
in a monosyllable or a signal; but always failed, in consequence of
|
|
the vigilance of the guard, and the difficulty, at all times peculiar
|
|
to Bunsby's constitution, of having his attention aroused by any
|
|
outward and visible sign whatever. Thus they approached the chapel, a
|
|
neat whitewashed edifice, recently engaged by the Reverend
|
|
Melchisedech Howler, who had consented, on very urgent solicitation,
|
|
to give the world another two years of existence, but had informed his
|
|
followers that, then, it must positively go.
|
|
|
|
While the Reverend Melchisedech was offering up some extemporary
|
|
orisons, the Captain found an opportunity of growling in the
|
|
bridegroom's ear:
|
|
|
|
'What cheer, my lad, what cheer?'
|
|
|
|
To which Bunsby replied, with a forgetfulness of the Reverend
|
|
Melchisedech, which nothing but his desperate circumstances could have
|
|
excused:
|
|
|
|
'D-----d bad,'
|
|
|
|
'Jack Bunsby,' whispered the Captain, 'do you do this here, of your
|
|
own free will?'
|
|
|
|
Mr Bunsby answered 'No.'
|
|
|
|
'Why do you do it, then, my lad?' inquired the Captain, not
|
|
unnaturally.
|
|
|
|
Bunsby, still looking, and always looking with an immovable
|
|
countenance, at the opposite side of the world, made no reply.
|
|
|
|
'Why not sheer off?' said the Captain. 'Eh?' whispered Bunsby, with
|
|
a momentary gleam of hope. 'Sheer off,' said the Captain.
|
|
|
|
'Where's the good?' retorted the forlorn sage. 'She'd capter me
|
|
agen.
|
|
|
|
'Try!' replied the Captain. 'Cheer up! Come! Now's your time. Sheer
|
|
off, Jack Bunsby!'
|
|
|
|
Jack Bunsby, however, instead of profiting by the advice, said in a
|
|
doleful whisper:
|
|
|
|
'It all began in that there chest o' yourn. Why did I ever conwoy
|
|
her into port that night?'
|
|
|
|
'My lad,' faltered the Captain, 'I thought as you had come over
|
|
her; not as she had come over you. A man as has got such opinions as
|
|
you have!'
|
|
|
|
Mr Bunsby merely uttered a suppressed groan.
|
|
|
|
'Come!' said the Captain, nudging him with his elbow, 'now's your
|
|
time! Sheer off! I'll cover your retreat. The time's a flying. Bunsby!
|
|
It's for liberty. Will you once?'
|
|
|
|
Bunsby was immovable. 'Bunsby!' whispered the Captain, 'will you
|
|
twice ?' Bunsby wouldn't twice.
|
|
|
|
'Bunsby!' urged the Captain, 'it's for liberty; will you three
|
|
times? Now or never!'
|
|
|
|
Bunsby didn't then, and didn't ever; for Mrs MacStinger immediately
|
|
afterwards married him.
|
|
|
|
One of the most frightful circumstances of the ceremony to the
|
|
Captain, was the deadly interest exhibited therein by Juliana
|
|
MacStinger; and the fatal concentration of her faculties, with which
|
|
that promising child, already the image of her parent, observed the
|
|
whole proceedings. The Captain saw in this a succession of man-traps
|
|
stretching out infinitely; a series of ages of oppression and
|
|
coercion, through which the seafaring line was doomed. It was a more
|
|
memorable sight than the unflinching steadiness of Mrs Bokum and the
|
|
other lady, the exultation of the short gentleman in the tall hat, or
|
|
even the fell inflexibility of Mrs MacStinger. The Master MacStingers
|
|
understood little of what was going on, and cared less; being chiefly
|
|
engaged, during the ceremony, in treading on one another's half-boots;
|
|
but the contrast afforded by those wretched infants only set off and
|
|
adorned the precocious woman in Juliana. Another year or two, the
|
|
Captain thought, and to lodge where that child was, would be
|
|
destruction.
|
|
|
|
The ceremony was concluded by a general spring of the young family
|
|
on Mr Bunsby, whom they hailed by the endearing name of father, and
|
|
from whom they solicited half-pence. These gushes of affection over,
|
|
the procession was about to issue forth again, when it was delayed for
|
|
some little time by an unexpected transport on the part of Alexander
|
|
MacStinger. That dear child, it seemed, connecting a chapel with
|
|
tombstones, when it was entered for any purpose apart from the
|
|
ordinary religious exercises, could not be persuaded but that his
|
|
mother was now to be decently interred, and lost to him for ever. In
|
|
the anguish of this conviction, he screamed with astonishing force,
|
|
and turned black in the face. However touching these marks of a tender
|
|
disposition were to his mother, it was not in the character of that
|
|
remarkable woman to permit her recognition of them to degenerate into
|
|
weakness. Therefore, after vainly endeavouring to convince his reason
|
|
by shakes, pokes, bawlings-out, and similar applications to his head,
|
|
she led him into the air, and tried another method; which was
|
|
manifested to the marriage party by a quick succession of sharp
|
|
sounds, resembling applause, and subsequently, by their seeing
|
|
Alexander in contact with the coolest paving-stone in the court,
|
|
greatly flushed, and loudly lamenting.
|
|
|
|
The procession being then in a condition to form itself once more,
|
|
and repair to Brig Place, where a marriage feast was in readiness,
|
|
returned as it had come; not without the receipt, by Bunsby, of many
|
|
humorous congratulations from the populace on his recently-acquired
|
|
happiness. The Captain accompanied it as far as the house-door, but,
|
|
being made uneasy by the gentler manner of Mrs Bokum, who, now that
|
|
she was relieved from her engrossing duty - for the watchfulness and
|
|
alacrity of the ladies sensibly diminished when the bridegroom was
|
|
safely married - had greater leisure to show an interest in his
|
|
behalf, there left it and the captive; faintly pleading an
|
|
appointment, and promising to return presently. The Captain had
|
|
another cause for uneasiness, in remorsefully reflecting that he had
|
|
been the first means of Bunsby's entrapment, though certainly without
|
|
intending it, and through his unbounded faith in the resources of that
|
|
philosopher.
|
|
|
|
To go back to old Sol Gills at the wooden Midshipman's, and not
|
|
first go round to ask how Mr Dombey was - albeit the house where he
|
|
lay was out of London, and away on the borders of a fresh heath - was
|
|
quite out of the Captain's course. So he got a lift when he was tired,
|
|
and made out the journey gaily.
|
|
|
|
The blinds were pulled down, and the house so quiet, that the
|
|
Captain was almost afraid to knock; but listening at the door, he
|
|
heard low voices within, very near it, and, knocking softly, was
|
|
admitted by Mr Toots. Mr Toots and his wife had, in fact, just arrived
|
|
there; having been at the Midshipman's to seek him, and having there
|
|
obtained the address.
|
|
|
|
They were not so recently arrived, but that Mrs Toots had caught
|
|
the baby from somebody, taken it in her arms, and sat down on the
|
|
stairs, hugging and fondling it. Florence was stooping down beside
|
|
her; and no one could have said which Mrs Toots was hugging and
|
|
fondling most, the mother or the child, or which was the tenderer,
|
|
Florence of Mrs Toots, or Mrs Toots of her, or both of the baby; it
|
|
was such a little group of love and agitation.
|
|
|
|
'And is your Pa very ill, my darling dear Miss Floy?' asked Susan.
|
|
|
|
'He is very, very ill,' said Florence. 'But, Susan, dear, you must
|
|
not speak to me as you used to speak. And what's this?' said Florence,
|
|
touching her clothes, in amazement. 'Your old dress, dear? Your old
|
|
cap, curls, and all?'
|
|
|
|
Susan burst into tears, and showered kisses on the little hand that
|
|
had touched her so wonderingly.
|
|
|
|
'My dear Miss Dombey,' said Mr Toots, stepping forward, 'I'll
|
|
explain. She's the most extraordinary woman. There are not many to
|
|
equal her! She has always said - she said before we were married, and
|
|
has said to this day - that whenever you came home, she'd come to you
|
|
in no dress but the dress she used to serve you in, for fear she might
|
|
seem strange to you, and you might like her less. I admire the dress
|
|
myself,' said Mr Toots, 'of all things. I adore her in it! My dear
|
|
Miss Dombey, she'll be your maid again, your nurse, all that she ever
|
|
was, and more. There's no change in her. But, Susan, my dear,' said Mr
|
|
Toots, who had spoken with great feeling and high admiration, 'all I
|
|
ask is, that you'll remember the medical man, and not exert yourself
|
|
too much!'
|
|
|
|
CHAPTER 61.
|
|
|
|
Relenting
|
|
|
|
Florence had need of help. Her father's need of it was sore, and
|
|
made the aid of her old friend invaluable. Death stood at his pillow.
|
|
A shade, already, of what he had been, shattered in mind, and
|
|
perilously sick in body, he laid his weary head down on the bed his
|
|
daughter's hands prepared for him, and had never raised it since.
|
|
|
|
She was always with him. He knew her, generally; though, in the
|
|
wandering of his brain, he often confused the circumstances under
|
|
which he spoke to her. Thus he would address her, sometimes, as if his
|
|
boy were newly dead; and would tell her, that although he had said
|
|
nothing of her ministering at the little bedside, yet he had seen it -
|
|
he had seen it; and then would hide his face and sob, and put out his
|
|
worn hand. Sometimes he would ask her for herself. 'Where is
|
|
Florence?' 'I am here, Papa, I am here.' 'I don't know her!' he would
|
|
cry. 'We have been parted so long, that I don't know her!' and then a
|
|
staring dread would he upon him, until she could soothe his
|
|
perturbation; and recall the tears she tried so hard, at other times,
|
|
to dry.
|
|
|
|
He rambled through the scenes of his old pursuits - through many
|
|
where Florence lost him as she listened - sometimes for hours. He
|
|
would repeat that childish question, 'What is money?' and ponder on
|
|
it, and think about it, and reason with himself, more or less
|
|
connectedly, for a good answer; as if it had never been proposed to
|
|
him until that moment. He would go on with a musing repetition of the
|
|
title of his old firm twenty thousand times, and at every one of them,
|
|
would turn his head upon his pillow. He would count his children - one
|
|
- two - stop, and go back, and begin again in the same way.
|
|
|
|
But this was when his mind was in its most distracted state. In all
|
|
the other phases of its illness, and in those to which it was most
|
|
constant, it always turned on Florence. What he would oftenest do was
|
|
this: he would recall that night he had so recently remembered, the
|
|
night on which she came down to his room, and would imagine that his
|
|
heart smote him, and that he went out after her, and up the stairs to
|
|
seek her. Then, confounding that time with the later days of the many
|
|
footsteps, he would be amazed at their number, and begin to count them
|
|
as he followed her. Here, of a sudden, was a bloody footstep going on
|
|
among the others; and after it there began to be, at intervals, doors
|
|
standing open, through which certain terrible pictures were seen, in
|
|
mirrors, of haggard men, concealing something in their breasts. Still,
|
|
among the many footsteps and the bloody footsteps here and there, was
|
|
the step of Florence. Still she was going on before. Still the
|
|
restless mind went, following and counting, ever farther, ever higher,
|
|
as to the summit of a mighty tower that it took years to climb.
|
|
|
|
One day he inquired if that were not Susan who had spoken a long
|
|
while ago.
|
|
|
|
Florence said 'Yes, dear Papa;' and asked him would he like to see
|
|
her?
|
|
|
|
He said 'very much.' And Susan, with no little trepidation, showed
|
|
herself at his bedside.
|
|
|
|
It seemed a great relief to him. He begged her not to go; to
|
|
understand that he forgave her what she had said; and that she was to
|
|
stay. Florence and he were very different now, he said, and very
|
|
happy. Let her look at this! He meant his drawing the gentle head down
|
|
to his pillow, and laying it beside him.
|
|
|
|
He remained like this for days and weeks. At length, lying, the
|
|
faint feeble semblance of a man, upon his bed, and speaking in a voice
|
|
so low that they could only hear him by listening very near to his
|
|
lips, he became quiet. It was dimly pleasant to him now, to lie there,
|
|
with the window open, looking out at the summer sky and the trees:
|
|
and, in the evening, at the sunset. To watch the shadows of the clouds
|
|
and leaves, and seem to feel a sympathy with shadows. It was natural
|
|
that he should. To him, life and the world were nothing else.
|
|
|
|
He began to show now that he thought of Florence's fatigue: and
|
|
often taxed his weakness to whisper to her, 'Go and walk, my dearest,
|
|
in the sweet air. Go to your good husband!' One time when Walter was
|
|
in his room, he beckoned him to come near, and to stoop down; and
|
|
pressing his hand, whispered an assurance to him that he knew he could
|
|
trust him with his child when he was dead.
|
|
|
|
It chanced one evening, towards sunset, when Florence and Walter
|
|
were sitting in his room together, as he liked to see them, that
|
|
Florence, having her baby in her arms, began in a low voice to sing to
|
|
the little fellow, and sang the old tune she had so often sung to the
|
|
dead child: He could not bear it at the time; he held up his trembling
|
|
hand, imploring her to stop; but next day he asked her to repeat it,
|
|
and to do so often of an evening: which she did. He listening, with
|
|
his face turned away.
|
|
|
|
Florence was sitting on a certain time by his window, with her
|
|
work-basket between her and her old attendant, who was still her
|
|
faithful companion. He had fallen into a doze. It was a beautiful
|
|
evening, with two hours of light to come yet; and the tranquillity and
|
|
quiet made Florence very thoughtful. She was lost to everything for
|
|
the moment, but the occasion when the so altered figure on the bed had
|
|
first presented her to her beautiful Mama; when a touch from Walter
|
|
leaning on the back of her chair, made her start.
|
|
|
|
'My dear,' said Walter, 'there is someone downstairs who wishes to
|
|
speak to you.
|
|
|
|
She fancied Walter looked grave, and asked him if anything had
|
|
happened.
|
|
|
|
'No, no, my love!' said Walter. 'I have seen the gentleman myself,
|
|
and spoken with him. Nothing has happened. Will you come?'
|
|
|
|
Florence put her arm through his; and confiding her father to the
|
|
black-eyed Mrs Toots, who sat as brisk and smart at her work as
|
|
black-eyed woman could, accompanied her husband downstairs. In the
|
|
pleasant little parlour opening on the garden, sat a gentleman, who
|
|
rose to advance towards her when she came in, but turned off, by
|
|
reason of some peculiarity in his legs, and was only stopped by the
|
|
table.
|
|
|
|
Florence then remembered Cousin Feenix, whom she had not at first
|
|
recognised in the shade of the leaves. Cousin Feenix took her hand,
|
|
and congratulated her upon her marriage.
|
|
|
|
'I could have wished, I am sure,' said Cousin Feenix, sitting down
|
|
as Florence sat, to have had an earlier opportunity of offering my
|
|
congratulations; but, in point of fact, so many painful occurrences
|
|
have happened, treading, as a man may say, on one another's heels,
|
|
that I have been in a devil of a state myself, and perfectly unfit for
|
|
every description of society. The only description of society I have
|
|
kept, has been my own; and it certainly is anything but flattering to
|
|
a man's good opinion of his own sources, to know that, in point of
|
|
fact, he has the capacity of boring himself to a perfectly unlimited
|
|
extent.'
|
|
|
|
Florence divined, from some indefinable constraint and anxiety in
|
|
this gentleman's manner - which was always a gentleman's, in spite of
|
|
the harmless little eccentricities that attached to it - and from
|
|
Walter's manner no less, that something more immediately tending to
|
|
some object was to follow this.
|
|
|
|
'I have been mentioning to my friend Mr Gay, if I may be allowed to
|
|
have the honour of calling him so,' said Cousin Feenix, 'that I am
|
|
rejoiced to hear that my friend Dombey is very decidedly mending. I
|
|
trust my friend Dombey will not allow his mind to be too much preyed
|
|
upon, by any mere loss of fortune. I cannot say that I have ever
|
|
experienced any very great loss of fortune myself: never having had,
|
|
in point of fact, any great amount of fortune to lose. But as much as
|
|
I could lose, I have lost; and I don't find that I particularly care
|
|
about it. I know my friend Dombey to be a devilish honourable man; and
|
|
it's calculated to console my friend Dombey very much, to know, that
|
|
this is the universal sentiment. Even Tommy Screwzer, - a man of an
|
|
extremely bilious habit, with whom my friend Gay is probably
|
|
acquainted - cannot say a syllable in disputation of the fact.'
|
|
|
|
Florence felt, more than ever, that there was something to come;
|
|
and looked earnestly for it. So earnestly, that Cousin Feenix
|
|
answered, as if she had spoken.
|
|
|
|
'The fact is,' said Cousin Feenix, 'that my friend Gay and myself
|
|
have been discussing the propriety of entreating a favour at your
|
|
hands; and that I have the consent of my friend Gay - who has met me
|
|
in an exceedingly kind and open manner, for which I am very much
|
|
indebted to him - to solicit it. I am sensible that so amiable a lady
|
|
as the lovely and accomplished daughter of my friend Dombey will not
|
|
require much urging; but I am happy to know, that I am supported by my
|
|
friend Gay's influence and approval. As in my parliamentary time, when
|
|
a man had a motion to make of any sort - which happened seldom in
|
|
those days, for we were kept very tight in hand, the leaders on both
|
|
sides being regular Martinets, which was a devilish good thing for the
|
|
rank and file, like myself, and prevented our exposing ourselves
|
|
continually, as a great many of us had a feverish anxiety to do - as'
|
|
in my parliamentary time, I was about to say, when a man had leave to
|
|
let off any little private popgun, it was always considered a great
|
|
point for him to say that he had the happiness of believing that his
|
|
sentiments were not without an echo in the breast of Mr Pitt; the
|
|
pilot, in point of fact, who had weathered the storm. Upon which, a
|
|
devilish large number of fellows immediately cheered, and put him in
|
|
spirits. Though the fact is, that these fellows, being under orders to
|
|
cheer most excessively whenever Mr Pitt's name was mentioned, became
|
|
so proficient that it always woke 'em. And they were so entirely
|
|
innocent of what was going on, otherwise, that it used to be commonly
|
|
said by Conversation Brown - four-bottle man at the Treasury Board,
|
|
with whom the father of my friend Gay was probably acquainted, for it
|
|
was before my friend Gay's time - that if a man had risen in his
|
|
place, and said that he regretted to inform the house that there was
|
|
an Honourable Member in the last stage of convulsions in the Lobby,
|
|
and that the Honourable Member's name was Pitt, the approbation would
|
|
have been vociferous.'
|
|
|
|
This postponement of the point, put Florence in a flutter; and she
|
|
looked from Cousin Feenix to Walter, in increasing agitatioN
|
|
|
|
'My love,' said Walter, 'there is nothing the matter.
|
|
|
|
'There is nothing the matter, upon my honour,' said Cousin Feenix;
|
|
'and I am deeply distressed at being the means of causing you a
|
|
moment's uneasiness. I beg to assure you that there is nothing the
|
|
matter. The favour that I have to ask is, simply - but it really does
|
|
seem so exceedingly singular, that I should be in the last degree
|
|
obliged to my friend Gay if he would have the goodness to break the -
|
|
in point of fact, the ice,' said Cousin Feenix.
|
|
|
|
Walter thus appealed to, and appealed to no less in the look that
|
|
Florence turned towards him, said:
|
|
|
|
'My dearest, it is no more than this. That you will ride to London
|
|
with this gentleman, whom you know.
|
|
|
|
'And my friend Gay, also - I beg your pardon!' interrupted Cousin
|
|
Feenix.
|
|
|
|
And with me - and make a visit somewhere.'
|
|
|
|
'To whom?' asked Florence, looking from one to the other.
|
|
|
|
'If I might entreat,' said Cousin Feenix, 'that you would not press
|
|
for an answer to that question, I would venture to take the liberty of
|
|
making the request.'
|
|
|
|
'Do you know, Walter?'
|
|
|
|
'Yes.'
|
|
|
|
'And think it right?'
|
|
|
|
'Yes. Only because I am sure that you would too. Though there may
|
|
be reasons I very well understand, which make it better that nothing
|
|
more should be said beforehand.'
|
|
|
|
'If Papa is still asleep, or can spare me if he is awake, I will go
|
|
immediately,' said Florence. And rising quietly, and glancing at them
|
|
with a look that was a little alarmed but perfectly confiding, left
|
|
the room.
|
|
|
|
When she came back, ready to bear them company, they were talking
|
|
together, gravely, at the window; and Florence could not but wonder
|
|
what the topic was, that had made them so well acquainted in so short
|
|
a time. She did not wonder at the look of pride and love with which
|
|
her husband broke off as she entered; for she never saw him, but that
|
|
rested on her.
|
|
|
|
'I will leave,' said Cousin Feenix, 'a card for my friend Dombey,
|
|
sincerely trusting that he will pick up health and strength with every
|
|
returning hour. And I hope my friend Dombey will do me the favour to
|
|
consider me a man who has a devilish warm admiration of his character,
|
|
as, in point of fact, a British merchant and a devilish upright
|
|
gentleman. My place in the country is in a most confounded state of
|
|
dilapidation, but if my friend Dombey should require a change of air,
|
|
and would take up his quarters there, he would find it a remarkably
|
|
healthy spot - as it need be, for it's amazingly dull. If my friend
|
|
Dombey suffers from bodily weakness, and would allow me to recommend
|
|
what has frequently done myself good, as a man who has been extremely
|
|
queer at times, and who lived pretty freely in the days when men lived
|
|
very freely, I should say, let it be in point of fact the yolk of an
|
|
egg, beat up with sugar and nutmeg, in a glass of sherry, and taken in
|
|
the morning with a slice of dry toast. Jackson, who kept the
|
|
boxing-rooms in Bond Street - man of very superior qualifications,
|
|
with whose reputation my friend Gay is no doubt acquainted - used to
|
|
mention that in training for the ring they substituted rum for sherry.
|
|
I should recommend sherry in this case, on account of my friend Dombey
|
|
being in an invalided condition; which might occasion rum to fly - in
|
|
point of fact to his head - and throw him into a devil of a state.'
|
|
|
|
Of all this, Cousin Feenix delivered himself with an obviously
|
|
nervous and discomposed air. Then, giving his arm to Florence, and
|
|
putting the strongest possible constraint upon his wilful legs, which
|
|
seemed determined to go out into the garden, he led her to the door,
|
|
and handed her into a carriage that was ready for her reception.
|
|
|
|
Walter entered after him, and they drove away.
|
|
|
|
Their ride was six or eight miles long. When they drove through
|
|
certain dull and stately streets, lying westward in London, it was
|
|
growing dusk. Florence had, by this time, put her hand in Walter's;
|
|
and was looking very earnestly, and with increasing agitation, into
|
|
every new street into which they turned.
|
|
|
|
When the carriage stopped, at last, before that house in Brook
|
|
Street, where her father's unhappy marriage had been celebrated,
|
|
Florence said, 'Walter, what is this? Who is here?' Walter cheering
|
|
her, and not replying, she glanced up at the house-front, and saw that
|
|
all the windows were shut, as if it were uninhabited. Cousin Feenix
|
|
had by this time alighted, and was offering his hand.
|
|
|
|
'Are you not coming, Walter?'
|
|
|
|
'No, I will remain here. Don't tremble there is nothing to fear,
|
|
dearest Florence.'
|
|
|
|
'I know that, Walter, with you so near. I am sure of that, but - '
|
|
|
|
The door was softly opened, without any knock, and Cousin Feenix
|
|
led her out of the summer evening air into the close dull house. More
|
|
sombre and brown than ever, it seemed to have been shut up from the
|
|
wedding-day, and to have hoarded darkness and sadness ever since.
|
|
|
|
Florence ascended the dusky staircase, trembling; and stopped, with
|
|
her conductor, at the drawing-room door. He opened it, without
|
|
speaking, and signed an entreaty to her to advance into the inner
|
|
room, while he remained there. Florence, after hesitating an instant,
|
|
complied.
|
|
|
|
Sitting by the window at a table, where she seemed to have been
|
|
writing or drawing, was a lady, whose head, turned away towards the
|
|
dying light, was resting on her hand. Florence advancing, doubtfully,
|
|
all at once stood still, as if she had lost the power of motion. The
|
|
lady turned her head.
|
|
|
|
'Great Heaven!' she said, 'what is this?'
|
|
|
|
'No, no!' cried Florence, shrinking back as she rose up and putting
|
|
out her hands to keep her off. 'Mama!'
|
|
|
|
They stood looking at each other. Passion and pride had worn it,
|
|
but it was the face of Edith, and beautiful and stately yet. It was
|
|
the face of Florence, and through all the terrified avoidance it
|
|
expressed, there was pity in it, sorrow, a grateful tender memory. On
|
|
each face, wonder and fear were painted vividly; each so still and
|
|
silent, looking at the other over the black gulf of the irrevocable past.
|
|
|
|
Florence was the first to change. Bursting into tears, she said
|
|
from her full heart, 'Oh, Mama, Mama! why do we meet like this? Why
|
|
were you ever kind to me when there was no one else, that we should
|
|
meet like this?'
|
|
|
|
Edith stood before her, dumb and motionless. Her eyes were fixed
|
|
upon her face.
|
|
|
|
'I dare not think of that,' said Florence, 'I am come from Papa's
|
|
sick bed. We are never asunder now; we never shall be' any more. If
|
|
you would have me ask his pardon, I will do it, Mama. I am almost sure
|
|
he will grant it now, if I ask him. May Heaven grant it to you, too,
|
|
and comfort you!'
|
|
|
|
She answered not a word.
|
|
|
|
'Walter - I am married to him, and we have a son,' said Florence,
|
|
timidly - 'is at the door, and has brought me here. I will tell him
|
|
that you are repentant; that you are changed,' said Florence, looking
|
|
mournfully upon her; 'and he will speak to Papa with me, I know. Is
|
|
there anything but this that I can do?'
|
|
|
|
Edith, breaking her silence, without moving eye or limb, answered
|
|
slowly:
|
|
|
|
'The stain upon your name, upon your husband's, on your child's.
|
|
Will that ever be forgiven, Florence?'
|
|
|
|
'Will it ever be, Mama? It is! Freely, freely, both by Walter and
|
|
by me. If that is any consolation to you, there is nothing that you
|
|
may believe more certainly. You do not - you do not,' faltered
|
|
Florence, 'speak of Papa; but I am sure you wish that I should ask him
|
|
for his forgiveness. I am sure you do.'
|
|
|
|
She answered not a word.
|
|
|
|
'I will!' said Florence. 'I will bring it you, if you will let me;
|
|
and then, perhaps, we may take leave of each other, more like what we
|
|
used to be to one another. I have not,' said Florence very gently, and
|
|
drawing nearer to her, 'I have not shrunk back from you, Mama, because
|
|
I fear you, or because I dread to be disgraced by you. I only wish to
|
|
do my duty to Papa. I am very dear to him, and he is very dear to me.
|
|
But I never can forget that you were very good to me. Oh, pray to
|
|
Heaven,' cried Florence, falling on her bosom, 'pray to Heaven, Mama,
|
|
to forgive you all this sin and shame, and to forgive me if I cannot
|
|
help doing this (if it is wrong), when I remember what you used to
|
|
be!'
|
|
|
|
Edith, as if she fell beneath her touch, sunk down on her knees,
|
|
and caught her round the neck.
|
|
|
|
'Florence!' she cried. 'My better angel! Before I am mad again,
|
|
before my stubbornness comes back and strikes me dumb, believe me,
|
|
upon my soul I am innocent!'
|
|
|
|
'Mama!'
|
|
|
|
'Guilty of much! Guilty of that which sets a waste between us
|
|
evermore. Guilty of what must separate me, through the whole remainder
|
|
of my life, from purity and innocence - from you, of all the earth.
|
|
Guilty of a blind and passionate resentment, of which I do not,
|
|
cannot, will not, even now, repent; but not guilty with that dead man.
|
|
Before God!'
|
|
|
|
Upon her knees upon the ground, she held up both her hands, and
|
|
swore it.
|
|
|
|
'Florence!' she said, 'purest and best of natures, - whom I love -
|
|
who might have changed me long ago, and did for a time work some
|
|
change even in the woman that I am, - believe me, I am innocent of
|
|
that; and once more, on my desolate heart, let me lay this dear head,
|
|
for the last time!'
|
|
|
|
She was moved and weeping. Had she been oftener thus in older days,
|
|
she had been happier now.
|
|
|
|
'There is nothing else in all the world,' she said, 'that would
|
|
have wrung denial from me. No love, no hatred, no hope, no threat. I
|
|
said that I would die, and make no sign. I could have done so, and I
|
|
would, if we had never met, Florence.
|
|
|
|
'I trust,' said Cousin Feenix, ambling in at the door, and
|
|
speaking, half in the room, and half out of it, 'that my lovely and
|
|
accomplished relative will excuse my having, by a little stratagem,
|
|
effected this meeting. I cannot say that I was, at first, wholly
|
|
incredulous as to the possibility of my lovely and accomplished
|
|
relative having, very unfortunately, committed herself with the
|
|
deceased person with white teeth; because in point of fact, one does
|
|
see, in this world - which is remarkable for devilish strange
|
|
arrangements, and for being decidedly the most unintelligible thing
|
|
within a man's experience - very odd conjunctions of that sort. But as
|
|
I mentioned to my friend Dombey, I could not admit the criminality of
|
|
my lovely and accomplished relative until it was perfectly
|
|
established. And feeling, when the deceased person was, in point of
|
|
fact, destroyed in a devilish horrible manner, that her position was a
|
|
very painful one - and feeling besides that our family had been a
|
|
little to blame in not paying more attention to her, and that we are a
|
|
careless family - and also that my aunt, though a devilish lively
|
|
woman, had perhaps not been the very best of mothers - I took the
|
|
liberty of seeking her in France, and offering her such protection as
|
|
a man very much out at elbows could offer. Upon which occasion, my
|
|
lovely and accomplished relative did me the honour to express that she
|
|
believed I was, in my way, a devilish good sort of fellow; and that
|
|
therefore she put herself under my protection. Which in point of fact
|
|
I understood to be a kind thing on the part of my lovely and
|
|
accomplished relative, as I am getting extremely shaky, and have
|
|
derived great comfort from her solicitude.'
|
|
|
|
Edith, who had taken Florence to a sofa, made a gesture with her
|
|
hand as if she would have begged him to say no more.
|
|
|
|
'My lovely and accomplished relative,' resumed Cousin Feenix, still
|
|
ambling about at the door, 'will excuse me, if, for her satisfaction,
|
|
and my own, and that of my friend Dombey, whose lovely and
|
|
accomplished daughter we so much admire, I complete the thread of my
|
|
observations. She will remember that, from the first, she and I never
|
|
alluded to the subject of her elopement. My impression, certainly, has
|
|
always been, that there was a mystery in the affair which she could
|
|
explain if so inclined. But my lovely and accomplished relative being
|
|
a devilish resolute woman, I knew that she was not, in point of fact,
|
|
to be trifled with, and therefore did not involve myself in any
|
|
discussions. But, observing lately, that her accessible point did
|
|
appear to be a very strong description of tenderness for the daughter
|
|
of my friend Dombey, it occurred to me that if I could bring about a
|
|
meeting, unexpected on both sides, it might lead to beneficial
|
|
results. Therefore, we being in London, in the present private way,
|
|
before going to the South of Italy, there to establish ourselves, in
|
|
point of fact, until we go to our long homes, which is a devilish
|
|
disagreeable reflection for a man, I applied myself to the discovery
|
|
of the residence of my friend Gay - handsome man of an uncommonly
|
|
frank disposition, who is probably known to my lovely and accomplished
|
|
relative - and had the happiness of bringing his amiable wife to the
|
|
present place. And now,' said Cousin Feenix, with a real and genuine
|
|
earnestness shining through the levity of his manner and his slipshod
|
|
speech, 'I do conjure my relative, not to stop half way, but to set
|
|
right, as far as she can, whatever she has done wrong - not for the
|
|
honour of her family, not for her own fame, not for any of those
|
|
considerations which unfortunate circumstances have induced her to
|
|
regard as hollow, and in point of fact, as approaching to humbug - but
|
|
because it is wrong, and not right.'
|
|
|
|
Cousin Feenix's legs consented to take him away after this; and
|
|
leaving them alone together, he shut the door.
|
|
|
|
Edith remained silent for some minutes, with Florence sitting close
|
|
beside her. Then she took from her bosom a sealed paper.
|
|
|
|
'I debated with myself a long time,' she said in a low voice,
|
|
'whether to write this at all, in case of dying suddenly or by
|
|
accident, and feeling the want of it upon me. I have deliberated, ever
|
|
since, when and how to destroy it. Take it, Florence. The truth is
|
|
written in it.'
|
|
|
|
'Is it for Papa?' asked Florence.
|
|
|
|
'It is for whom you will,' she answered. 'It is given to you, and
|
|
is obtained by you. He never could have had it otherwise.'
|
|
|
|
Again they sat silent, in the deepening darkness.
|
|
|
|
'Mama,' said Florence, 'he has lost his fortune; he has been at the
|
|
point of death; he may not recover, even now. Is there any word that I
|
|
shall say to him from you?'
|
|
|
|
'Did you tell me,' asked Edith, 'that you were very dear to him?'
|
|
|
|
'Yes!' said Florence, in a thrilling voice.
|
|
|
|
'Tell him I am sorry that we ever met.
|
|
|
|
'No more?' said Florence after a pause.
|
|
|
|
'Tell him, if he asks, that I do not repent of what I have done -
|
|
not yet - for if it were to do again to-morrow, I should do it. But if
|
|
he is a changed man - '
|
|
|
|
She stopped. There was something in the silent touch of Florence's
|
|
hand that stopped her.
|
|
|
|
'But that being a changed man, he knows, now, it would never be.
|
|
Tell him I wish it never had been.'
|
|
|
|
'May I say,' said Florence, 'that you grieved to hear of the
|
|
afflictions he has suffered?'
|
|
|
|
'Not,' she replied, 'if they have taught him that his daughter is
|
|
very dear to him. He will not grieve for them himself, one day, if
|
|
they have brought that lesson, Florence.'
|
|
|
|
'You wish well to him, and would have him happy. I am sure you
|
|
would!' said Florence. 'Oh! let me be able, if I have the occasion at
|
|
some future time, to say so?'
|
|
|
|
Edith sat with her dark eyes gazing steadfastly before her, and did
|
|
not reply until Florence had repeated her entreaty; when she drew her
|
|
hand within her arm, and said, with the same thoughtful gaze upon the
|
|
night outside:
|
|
|
|
'Tell him that if, in his own present, he can find any reason to
|
|
compassionate my past, I sent word that I asked him to do so. Tell him
|
|
that if, in his own present, he can find a reason to think less
|
|
bitterly of me, I asked him to do so. Tell him, that, dead as we are
|
|
to one another, never more to meet on this side of eternity, he knows
|
|
there is one feeling in common between us now, that there never was
|
|
before.'
|
|
|
|
Her sternness seemed to yield, and there were tears in her dark
|
|
eyes.
|
|
|
|
'I trust myself to that,' she said, 'for his better thoughts of me,
|
|
and mine of him. When he loves his Florence most, he will hate me
|
|
least. When he is most proud and happy in her and her children, he
|
|
will be most repentant of his own part in the dark vision of our
|
|
married life. At that time, I will be repentant too - let him know it
|
|
then - and think that when I thought so much of all the causes that
|
|
had made me what I was, I needed to have allowed more for the causes
|
|
that had made him what he was. I will try, then, to forgive him his
|
|
share of blame. Let him try to forgive me mine!'
|
|
|
|
'Oh Mama!' said Florence. 'How it lightens my heart, even in such a
|
|
strange meeting and parting, to hear this!'
|
|
|
|
'Strange words in my own ears,' said Edith, 'and foreign to the
|
|
sound of my own voice! But even if I had been the wretched creature I
|
|
have given him occasion to believe me, I think I could have said them
|
|
still, hearing that you and he were very dear to one another. Let him,
|
|
when you are dearest, ever feel that he is most forbearing in his
|
|
thoughts of me - that I am most forbearing in my thoughts of him!
|
|
Those are the last words I send him! Now, goodbye, my life!'
|
|
|
|
She clasped her in her arms, and seemed to pour out all her woman's
|
|
soul of love and tenderness at once.
|
|
|
|
'This kiss for your child! These kisses for a blessing on your
|
|
head! My own dear Florence, my sweet girl, farewell!'
|
|
|
|
'To meet again!' cried Florence.
|
|
|
|
'Never again! Never again! When you leave me in this dark room,
|
|
think that you have left me in the grave. Remember only that I was
|
|
once, and that I loved you!'
|
|
|
|
And Florence left her, seeing her face no more, but accompanied by
|
|
her embraces and caresses to the last.
|
|
|
|
Cousin Feenix met her at the door, and took her down to Walter in
|
|
the dingy dining room, upon whose shoulder she laid her head weeping.
|
|
|
|
'I am devilish sorry,' said Cousin Feenix, lifting his wristbands
|
|
to his eyes in the simplest manner possible, and without the least
|
|
concealment, 'that the lovely and accomplished daughter of my friend
|
|
Dombey and amiable wife of my friend Gay, should have had her
|
|
sensitive nature so very much distressed and cut up by the interview
|
|
which is just concluded. But I hope and trust I have acted for the
|
|
best, and that my honourable friend Dombey will find his mind relieved
|
|
by the disclosures which have taken place. I exceedingly lament that
|
|
my friend Dombey should have got himself, in point of fact, into the
|
|
devil's own state of conglomeration by an alliance with our family;
|
|
but am strongly of opinion that if it hadn't been for the infernal
|
|
scoundrel Barker - man with white teeth - everything would have gone
|
|
on pretty smoothly. In regard to my relative who does me the honour to
|
|
have formed an uncommonly good opinion of myself, I can assure the
|
|
amiable wife of my friend Gay, that she may rely on my being, in point
|
|
of fact, a father to her. And in regard to the changes of human life,
|
|
and the extraordinary manner in which we are perpetually conducting
|
|
ourselves, all I can say is, with my friend Shakespeare - man who
|
|
wasn't for an age but for all time, and with whom my friend Gay is no
|
|
doubt acquainted - that its like the shadow of a dream.'
|
|
|
|
CHAPTER 62.
|
|
|
|
Final
|
|
|
|
A bottle that has been long excluded from the light of day, and is
|
|
hoary with dust and cobwebs, has been brought into the sunshine; and
|
|
the golden wine within it sheds a lustre on the table.
|
|
|
|
It is the last bottle of the old Madiera.
|
|
|
|
'You are quite right, Mr Gills,' says Mr Dombey. 'This is a very
|
|
rare and most delicious wine.'
|
|
|
|
The Captain, who is of the party, beams with joy. There is a very
|
|
halo of delight round his glowing forehead.
|
|
|
|
'We always promised ourselves, Sir,' observes Mr Gills,' Ned and
|
|
myself, I mean - '
|
|
|
|
Mr Dombey nods at the Captain, who shines more and more with
|
|
speechless gratification.
|
|
|
|
'-that we would drink this, one day or other, to Walter safe at
|
|
home: though such a home we never thought of. If you don't object to
|
|
our old whim, Sir, let us devote this first glass to Walter and his
|
|
wife.'
|
|
|
|
'To Walter and his wife!' says Mr Dombey. 'Florence, my child' -
|
|
and turns to kiss her.
|
|
|
|
'To Walter and his wife!' says Mr Toots.
|
|
|
|
'To Wal'r and his wife!' exclaims the Captain. 'Hooroar!' and the
|
|
Captain exhibiting a strong desire to clink his glass against some
|
|
other glass, Mr Dombey, with a ready hand, holds out his. The others
|
|
follow; and there is a blithe and merry ringing, as of a little peal
|
|
of marriage bells.
|
|
|
|
Other buried wine grows older, as the old Madeira did in its time;
|
|
and dust and cobwebs thicken on the bottles.
|
|
|
|
Mr Dombey is a white-haired gentleman, whose face bears heavy marks
|
|
of care and suffering; but they are traces of a storm that has passed
|
|
on for ever, and left a clear evening in its track.
|
|
|
|
Ambitious projects trouble him no more. His only pride is in his
|
|
daughter and her husband. He has a silent, thoughtful, quiet manner,
|
|
and is always with his daughter. Miss Tox is not infrequently of the
|
|
family party, and is quite devoted to it, and a great favourite. Her
|
|
admiration of her once stately patron is, and has been ever since the
|
|
morning of her shock in Princess's Place, platonic, but not weakened
|
|
in the least.
|
|
|
|
Nothing has drifted to him from the wreck of his fortunes, but a
|
|
certain annual sum that comes he knows not how, with an earnest
|
|
entreaty that he will not seek to discover, and with the assurance
|
|
that it is a debt, and an act of reparation. He has consulted with his
|
|
old clerk about this, who is clear it may be honourably accepted, and
|
|
has no doubt it arises out of some forgotten transaction in the times
|
|
of the old House.
|
|
|
|
That hazel-eyed bachelor, a bachelor no more, is married now, and
|
|
to the sister of the grey-haired Junior. He visits his old chief
|
|
sometimes, but seldom. There is a reason in the greyhaired Junior's
|
|
history, and yet a stronger reason in his name, why he should keep
|
|
retired from his old employer; and as he lives with his sister and her
|
|
husband, they participate in that retirement. Walter sees them
|
|
sometimes - Florence too - and the pleasant house resounds with
|
|
profound duets arranged for the Piano-Forte and Violoncello, and with
|
|
the labours of Harmonious Blacksmiths.
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And how goes the wooden Midshipman in these changed days? Why, here
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he still is, right leg foremost, hard at work upon the hackney
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coaches, and more on the alert than ever, being newly painted from his
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cocked hat to his buckled shoes; and up above him, in golden
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characters, these names shine refulgent, GILLS AND CUTTLE.
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Not another stroke of business does the Midshipman achieve beyond
|
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his usual easy trade. But they do say, in a circuit of some half-mile
|
|
round the blue umbrella in Leadenhall Market, that some of Mr Gills's
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old investments are coming out wonderfully well; and that instead of
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being behind the time in those respects, as he supposed, he was, in
|
|
truth, a little before it, and had to wait the fulness of the time and
|
|
the design. The whisper is that Mr Gills's money has begun to turn
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itself, and that it is turning itself over and over pretty briskly.
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Certain it is that, standing at his shop-door, in his coffee-coloured
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suit, with his chronometer in his pocket, and his spectacles on his
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forehead, he don't appear to break his heart at customers not coming,
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but looks very jovial and contented, though full as misty as of yore.
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As to his partner, Captain Cuttle, there is a fiction of a business
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|
in the Captain's mind which is better than any reality. The Captain is
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|
as satisfied of the Midshipman's importance to the commerce and
|
|
navigation of the country, as he could possibly be, if no ship left
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the Port of London without the Midshipman's assistance. His delight in
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his own name over the door, is inexhaustible. He crosses the street,
|
|
twenty times a day, to look at it from the other side of the way; and
|
|
invariably says, on these occasions, 'Ed'ard Cuttle, my lad, if your
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mother could ha' know'd as you would ever be a man o' science, the
|
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good old creetur would ha' been took aback in-deed!'
|
|
|
|
But here is Mr Toots descending on the Midshipman with violent
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rapidity, and Mr Toots's face is very red as he bursts into the little
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parlour.
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|
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'Captain Gills,' says Mr Toots, 'and Mr Sols, I am happy to inform
|
|
you that Mrs Toots has had an increase to her family.
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|
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'And it does her credit!' cries the Captain.
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|
|
|
'I give you joy, Mr Toots!' says old Sol.
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'Thank'ee,' chuckles Mr Toots, 'I'm very much obliged to you. I
|
|
knew that you'd be glad to hear, and so I came down myself. We're
|
|
positively getting on, you know. There's Florence, and Susan, and now
|
|
here's another little stranger.'
|
|
|
|
'A female stranger?' inquires the Captain.
|
|
|
|
'Yes, Captain Gills,' says Mr Toots, 'and I'm glad of it. The
|
|
oftener we can repeat that most extraordinary woman, my opinion is,
|
|
the better!'
|
|
|
|
'Stand by!' says the Captain, turning to the old case-bottle with
|
|
no throat - for it is evening, and the Midshipman's usual moderate
|
|
provision of pipes and glasses is on the board. 'Here's to her, and
|
|
may she have ever so many more!'
|
|
|
|
'Thank'ee, Captain Gills,' says the delighted Mr Toots. 'I echo the
|
|
sentiment. If you'll allow me, as my so doing cannot be unpleasant to
|
|
anybody, under the circumstances, I think I'll take a pipe.'
|
|
|
|
Mr Toots begins to smoke, accordingly, and in the openness of his
|
|
heart is very loquacious.
|
|
|
|
'Of all the remarkable instances that that delightful woman has
|
|
given of her excellent sense, Captain Gills and Mr Sols,' said Mr
|
|
Toots, 'I think none is more remarkable than the perfection with which
|
|
she has understood my devotion to Miss Dombey.'
|
|
|
|
Both his auditors assent.
|
|
|
|
'Because you know,' says Mr Toots, 'I have never changed my
|
|
sentiments towards Miss Dombey. They are the same as ever. She is the
|
|
same bright vision to me, at present, that she was before I made
|
|
Walters's acquaintance. When Mrs Toots and myself first began to talk
|
|
of - in short, of the tender passion, you know, Captain Gills.'
|
|
|
|
'Ay, ay, my lad,' says the Captain, 'as makes us all slue round -
|
|
for which you'll overhaul the book - '
|
|
|
|
'I shall certainly do so, Captain Gills,' says Mr Toots, with great
|
|
earnestness; 'when we first began to mention such subjects, I
|
|
explained that I was what you may call a Blighted Flower, you know.'
|
|
|
|
The Captain approves of this figure greatly; and murmurs that no
|
|
flower as blows, is like the rose.
|
|
|
|
'But Lord bless me,' pursues Mr Toots, 'she was as entirely
|
|
conscious of the state of my feelings as I was myself. There was
|
|
nothing I could tell her. She was the only person who could have stood
|
|
between me and the silent Tomb, and she did it, in a manner to command
|
|
my everlasting admiration. She knows that there's nobody in the world
|
|
I look up to, as I do to Miss Dombey. Knows that there's nothing on
|
|
earth I wouldn't do for Miss Dombey. She knows that I consider Miss
|
|
Dombey the most beautiful, the most amiable, the most angelic of her
|
|
sex. What is her observation upon that? The perfection of sense. "My
|
|
dear, you're right. I think so too."'
|
|
|
|
'And so do I!' says the Captain.
|
|
|
|
'So do I,' says Sol Gills.
|
|
|
|
'Then,' resumes Mr Toots, after some contemplative pulling at his
|
|
pipe, during which his visage has expressed the most contented
|
|
reflection, 'what an observant woman my wife is! What sagacity she
|
|
possesses! What remarks she makes! It was only last night, when we
|
|
were sitting in the enjoyment of connubial bliss - which, upon my word
|
|
and honour, is a feeble term to express my feelings in the society of
|
|
my wife - that she said how remarkable it was to consider the present
|
|
position of our friend Walters. "Here," observes my wife, "he is,
|
|
released from sea-going, after that first long voyage with his young
|
|
bride" - as you know he was, Mr Sols.'
|
|
|
|
'Quite true,' says the old Instrument-maker, rubbing his hands.
|
|
|
|
"'Here he is," says my wife, "released from that, immediately;
|
|
appointed by the same establishment to a post of great trust and
|
|
confidence at home; showing himself again worthy; mounting up the
|
|
ladder with the greatest expedition; beloved by everybody; assisted by
|
|
his uncle at the very best possible time of his fortunes" - which I
|
|
think is the case, Mr Sols? My wife is always correct.'
|
|
|
|
'Why yes, yes - some of our lost ships, freighted with gold, have
|
|
come home, truly,' returns old Sol, laughing. 'Small craft, Mr Toots,
|
|
but serviceable to my boy!'
|
|
|
|
'Exactly so,' says Mr Toots. 'You'll never find my wife wrong.
|
|
"Here he is," says that most remarkable woman, "so situated, - and
|
|
what follows? What follows?" observed Mrs Toots. Now pray remark,
|
|
Captain Gills, and Mr Sols, the depth of my wife's penetration. "Why
|
|
that, under the very eye of Mr Dombey, there is a foundation going on,
|
|
upon which a - an Edifice;" that was Mrs Toots's word,' says Mr Toots
|
|
exultingly, "'is gradually rising, perhaps to equal, perhaps excel,
|
|
that of which he was once the head, and the small beginnings of which
|
|
(a common fault, but a bad one, Mrs Toots said) escaped his memory.
|
|
Thus," said my wife, "from his daughter, after all, another Dombey and
|
|
Son will ascend" - no "rise;" that was Mrs Toots's word -
|
|
"triumphant!"'
|
|
|
|
Mr Toots, with the assistance of his pipe - which he is extremely
|
|
glad to devote to oratorical purposes, as its proper use affects him
|
|
with a very uncomfortable sensation - does such grand justice to this
|
|
prophetic sentence of his wife's, that the Captain, throwing away his
|
|
glazed hat in a state of the greatest excitement, cries:
|
|
|
|
'Sol Gills, you man of science and my ould pardner, what did I tell
|
|
Wal'r to overhaul on that there night when he first took to business?
|
|
Was it this here quotation, "Turn again Whittington, Lord Mayor of
|
|
London, and when you are old you will never depart from it". Was it
|
|
them words, Sol Gills?'
|
|
|
|
'It certainly was, Ned,' replied the old Instrument-maker. 'I
|
|
remember well.'
|
|
|
|
'Then I tell you what,' says the Captain, leaning back in his
|
|
chair, and composing his chest for a prodigious roar. 'I'll give you
|
|
Lovely Peg right through; and stand by, both on you, for the chorus!'
|
|
|
|
Buried wine grows older, as the old Madeira did, in its time; and
|
|
dust and cobwebs thicken on the bottles.
|
|
|
|
Autumn days are shining, and on the sea-beach there are often a
|
|
young lady, and a white-haired gentleman. With them, or near them, are
|
|
two children: boy and girl. And an old dog is generally in their
|
|
company.
|
|
|
|
The white-haired gentleman walks with the little boy, talks with
|
|
him, helps him in his play, attends upon him, watches him as if he
|
|
were the object of his life. If he be thoughtful, the white-haired
|
|
gentleman is thoughtful too; and sometimes when the child is sitting
|
|
by his side, and looks up in his face, asking him questions, he takes
|
|
the tiny hand in his, and holding it, forgets to answer. Then the
|
|
child says:
|
|
|
|
'What, grandpa! Am I so like my poor little Uncle again?'
|
|
|
|
'Yes, Paul. But he was weak, and you are very strong.'
|
|
|
|
'Oh yes, I am very strong.'
|
|
|
|
'And he lay on a little bed beside the sea, and you can run about.'
|
|
|
|
And so they range away again, busily, for the white-haired
|
|
gentleman likes best to see the child free and stirring; and as they
|
|
go about together, the story of the bond between them goes about, and
|
|
follows them.
|
|
|
|
But no one, except Florence, knows the measure of the white-haired
|
|
gentleman's affection for the girl. That story never goes about. The
|
|
child herself almost wonders at a certain secrecy he keeps in it. He
|
|
hoards her in his heart. He cannot bear to see a cloud upon her face.
|
|
He cannot bear to see her sit apart. He fancies that she feels a
|
|
slight, when there is none. He steals away to look at her, in her
|
|
sleep. It pleases him to have her come, and wake him in the morning.
|
|
He is fondest of her and most loving to her, when there is no creature
|
|
by. The child says then, sometimes:
|
|
|
|
'Dear grandpapa, why do you cry when you kiss me?'
|
|
|
|
He only answers, 'Little Florence! little Florence!' and smooths
|
|
away the curls that shade her earnest eyes.
|
|
|
|
The voices in the waves speak low to him of Florence, day and night
|
|
- plainest when he, his blooming daughter, and her husband, beside
|
|
them in the evening, or sit at an open window, listening to their
|
|
roar. They speak to him of Florence and his altered heart; of Florence
|
|
and their ceaseless murmuring to her of the love, eternal and
|
|
illimitable, extending still, beyond the sea, beyond the sky, to the
|
|
invisible country far away.
|
|
|
|
Never from the mighty sea may voices rise too late, to come between
|
|
us and the unseen region on the other shore! Better, far better, that
|
|
they whispered of that region in our childish ears, and the swift
|
|
river hurried us away!
|
|
|
|
End of The Project Gutenberg Etext of Domby and Son, by Dickens
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End of the
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|
PREFACE OF 1848
|
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|
I cannot forego my usual opportunity of saying
|
|
farewell to my readers in this greetingplace,
|
|
though I have only to acknowledge the unbounded
|
|
warmth and earnestness of their sympathy in every
|
|
stage of the journey we have just concluded.
|
|
|
|
If any of them have felt a sorrow in one of the
|
|
principal incidents on which this fiction turns, I
|
|
hope it may be a sorrow of that sort which endears
|
|
the sharers in it, one to another. This is not
|
|
unselfish in me. I may claim to have felt it, at least
|
|
as much as anybody else; and I would fain be
|
|
remembered kindly for my part in the experience.
|
|
|
|
DEVONSHIRE TERRACE,
|
|
Twenty-Fourth March, 1848.
|
|
|
|
PREFACE OF 1867
|
|
|
|
I make so bold as to believe that the faculty (or the habit) of
|
|
correctly observing the characters of men, is a rare one. I have not
|
|
even found, within my experience, that the faculty (or the habit) of
|
|
correctly observing so much as the faces of men, is a general one
|
|
by any means. The two commonest mistakes in judgement that I
|
|
suppose to arise from the former default, are, the confounding of
|
|
shyness with arrogance - a very common mistake indeed - and the
|
|
not understanding that an obstinate nature exists in a perpetual
|
|
struggle with itself.
|
|
|
|
Mr Dombey undergoes no violent change, either in this book, or
|
|
in real life. A sense of his injustice is within him, all along. The
|
|
more he represses it, the more unjust he necessarily is. Internal
|
|
shame and external circumstances may bring the contest to a close
|
|
in a week, or a day; but, it has been a contest for years, and is only
|
|
fought out after a long balance of victory.
|
|
|
|
I began this book by the Lake of Geneva, and went on with it
|
|
for some months in France, before pursuing it in England. The
|
|
association between the writing and the place of writing is so
|
|
curiously strong in my mind, that at this day, although I know, in
|
|
my fancy, every stair in the little midshipman's house, and could
|
|
swear to every pew in the church in which Florence was married,
|
|
or to every young gentleman's bedstead in Doctor Blimber's
|
|
establishment, I yet confusedly imagine Captain Cuttle as secluding
|
|
himself from Mrs MacStinger among the mountains of Switzerland.
|
|
Similarly, when I am reminded by any chance of what it was
|
|
that the waves were always saying, my remembrance wanders for
|
|
a whole winter night about the streets of Paris - as I restlessly did
|
|
with a heavy heart, on the night when I had written the chapter in
|
|
which my little friend and I parted company.
|
|
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|
End of The Project Gutenberg Etext of Domby and Son, by Dickens
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