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Taken from KeelyNet BBS (214) 324-3501
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February 15, 1992
AERO7.ASC
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This file courteously shared with KeelyNet through the research
efforts of Pete Navarro and Jimmy Ward.
If you might wish to correspond directly with Jimmy or Pete, you may
do so at the following address:
Jimmy Ward
1511 Summer St.
Houston, TX 77007
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The Riddle of Dellschau and His Esoteric Books
by J. Ward and P.G. Navarro
"The year was 1910, the first gasoline-electric combustion auto was
in use. Aviator W. R. Brookins flew to a height of one mile. A
woman made a public flight as a pilot. The first moving picture
newsreel was exhibited and Father's Day was celebrated for the first
time.
"In Houston, a man began drawing detailed models of air machines.
Technically the machines probably would never the ground, nor the
drawing board for that matter. But the mind of C.A.A. Dellschau was
soaring.
"In the next fifteen years, Dellschau, with the help of a friend,
would complete enough drawings to fill a dozen scrap books. Each
drawing was carefully laid out, drawn on a grid, and water-colored.
A page of newsclippings of the day might be included along with the
sketches. These pages he entitled 'Press Blooms' and they often
included stories from a German paper which was probably published in
New York.
"About a year ago eleven of these scrapbooks were discovered in a
dump yard. Fred Washington, who describes himself as a scrounger,
bought them from the man who found them. They sat in his furniture
and antique shop gathering dust until some University of St. Thomas
students happened on them. Two were selected to be part of their
present display, 'The Sky is the Limit'".
So began the article in the Houston Chronicle written by Ms. Sarah
Peterson that fine June day of 1969. One must forgive her for the
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many small errors in the story. She reported what she had been told
and no one really knew much about Dellschau or his books. After
nearly 14 years, a great deal has been learned about them, but they
still remain as enigmatic as ever.
The books are about 22" X 22" and varying thicknesses. The "plates"
or pages are bound between covers of heavy cardboard, reinforced
with more cardboard along the edges, and sewn together with heavy
thread. The binding is held together with shoelace material. One
of the books has a heavy string with a metal washer tied to the end
and may have intended as a book marker.
The covers, inside and out, were lined with purple or green-colored
cheese-cloth (which was later removed as it had deteriorated
completely). The material in the covers came from cardboard boxes
and corrugated cardboard. In some books, the laces were inserted on
the covers, near the binding, for use as a handle. Shoe laces were
also used for keeping the books closed by tying them at several
places along the edges of the covers. Though crude, the
construction is very reminiscent of Elizabethan portfolios.
Because of their fragile condition, they were displayed at the
university under glass and each day a new set of pages were shown
for the amazement of the visitors. And amazed they were, for they
saw bizarre aircraft exhibiting minute details of construction,
including, in some drawings, flaps and sections that could be opened
up to show both exterior and interior views, respectively. Yet the
viewers were unaware of the most amazing aspects of these books.
Each page was numbered and dated. And upon examination of the 12
discovered books, it was found that the earliest date was January
24, 1908 and the lowest page or plate number was 1,601. The latest
date was July 24, 1921, on page number 5,230. There was a gap in
the sequence from January 24, 1908 to July 24, 1921 with 1,600 pages
missing. This meant that 3,200 pages were still undiscovered, which
amounts to about 18 to 20 more books! Assuming the dates on each
drawing meant the date he started working on it, Dellschau must have
worked and produced his drawings at the rate of approximately 23
drawings per month or 276 per year. More amazing still is that the
books extant contained multiple drawings of over 100 DIFFERENT
craft. This means the missing books may have contained an equally
large number of other aircraft designs.
Designing 100 craft of any nature is a monumental task; yet
Dellschau designed and drew over 200 of these craft within a period
of just 20 years, which is a relatively short period of time
considering all the details of design and patterning that was
involved in producgin each of his drawings. Not only were the
general shapes and layout of the interior different in each case,
but these designs show dozens of different techniques for
transferring the "supe", or liquid propellant to the converter which
changed it into a hot gas. There were also dozens of different
styles and constructions of converters. There were different
methods of inflating and deflating the gas bags. And even before
the gas reached the gas storage bags, it was used in later designs
to operate various and sundry pieces of equipment including "air-
press motors", navigational devices, powered wheels for land travel,
inflatable pontoons and/or side paddle-wheels for water travel.
Some craft even displayed gas nozzles for propelling the craft
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along. And this was long before jet propulsion, as used by our
modern aircraft, was even envisioned.
It seems impossible that one man could have possibly done all of
this, yet the most amazing part is still to be covered!
Each of these drawings and "press-blooms" are framed with an ornate
and colorful border and no two are alike. Within these borders are
names, dates, and other data, some printed, some in illuminated type
script, and some in code and other forms of symbols. Predominantly
displayed on almost every page, are the code symbols for the acronym
NYMZA - nowhere is this acronym in "clear"; ALWAYS in code.
Scattered throughout the drawings is the letter X surrounded by one
or two circles, sometimes alone and sometimes with other letters and
numerals also circled. While the X is a code symbol for the letter
Z, it is believed that the circled X means AERO. This conclusion
was reached because of such notations as "KEEP THE X", "WORTH X HOW
MUCH X", and others that indicate a word or object rather than a
letter. In several places the circled X is given special prominence
by its insertion within the ciphers which designate the Society name
or initials. But most often it is found in conjunction with circled
V's.
This last combination is especially intriguing since the skull is a
symbol for death and there are notations that several members of the
Sonora Aero Club had met their deaths in some way related to the
aeros. The skull can be found in several places throughout his
books and seems to indicate danger or death in connection with an
Aero or someone involved with its desing. In one instance, the
skull and cross-bones was associated with the symbols for NYMZA and
there was a vertical line of ciphers which contained the word "todt"
which is the German word for death. Very little is clearly stated
and must be interpreted.
One would expect that his enciphered messages would be clearly
stated, but such is not the case. Even after his code was broken
and the messages decoded, trouble was encountered. His English
words were misspelled and his grammar was very bad. His German was
even worse. It was "archaic" German, stilted and containing words
no one had seen before and whose meaning was unclear. Even his
written messages were done in old-style German script and difficult
to read. It was as though neither English or German was his native
tongue.
The following are examples of attempted translations:
In the old times...the warrior used a circle, a man lance,
and...in the country the bow and arrow. When war say deathknell
was upon land and water! And today are censored.
You Christian beings haters. Cannon and small guns in war, on
land and wave! Give me quick an airplane sublime..the enemy's
might destroy.
You Christian love - hard to understand on violent Earth. The
enemy "thrashed".
It if happens from under or above, the bad middle let us praise!
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So it was as long as there were people! You Christian love reach
for the wanderplace, and wander away from Earth. Planets there
are enough where Christian love shall be as they say so nicely in
Book SELAG.
The trip costs a lot of money, and often also borrowed money. We
go when it please us and when it is safe. Whoever goes...and
that is our way...For over and through the blue there is no way.
There is no way, FOR YOU are alone. Being alone you sit at the
rudder. Say you long for the world, dear Luder. Show the line
before you. You pull it hard and so it shall be. Then down it
will come to Mother Earth.
Let the big men beat themselves with clubs or air balloons.
There we have nothing to say. Then each makes the living from
it. I must have my say so. The little people will stay with
us..and the good says the teaching. Money quiets the fight, and
first with war balloons.
Ah, the very fine cannon has spared us dear people. What fright
I have received. Luder, we are safe now that we have been spared
by the bullets. Yes, the clouds weakened their path.
Sir, the sailor here Gekisher (was hysterical). He was loud, but
not as the crow of a rooster. Now, after a few years, this will
become a legend. The noble men will know what an Aero they have
flown. Not us. The fog-horn (?) has saved many a word.
Again....on....up to heaven's path!
These passages may be interpreted as either the ravings of a mad-man
or the words of an alien being from a crippled space-craft that
crashed here on Earth, depending on your response to the following
questions. Dellschau spoke "good German", why did he write such
"bad German"? Why did he use an archaic form? Why the old and very
difficult to read German script for passages like these and modern
script normally? And why were some of the above also encoded in
cipher to make them unreadable? He often annotated that his
knowledge of open secrets were not for profane eyes. What "open
secrets" can the above reveal?
C.A.A. Dellschau was not alone in his obsession of drawing strange
aircraft and writing in code. Several papers in 1897 mentioned that
the Mystery Airships had flown over Omaha and hovered over a house a
few miles from the city. The house was the home of John O. Preast,
a German immigrant and "loner". After his death, his home was found
filled with drawings of strange airships, models, and piles of coded
writings. Coincidence, or connection?
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