1373 lines
66 KiB
Plaintext
1373 lines
66 KiB
Plaintext
____ _ _
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/ __ _ _______ ___ _| |_ _ | |
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| \ \__| |_ |____ |_ _ / / |_ __|| || |
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| / __ \ ___/ _/|_|_| | |___ __ ___________ / // \| || |
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/ _\/ /\ | |___ _____| | _ \| | |___________| /__ /_| || |
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| |/ _/_/ | / /____ | | | | | / _/ /|_|| |
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\___/ \__/ \_______| /__/ \___/ /_/ / ___| | |
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\_/\_\\____| |
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__ ____/
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/
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Maison Ikkoku ASCII Art Collection : First Edition 1994-1995
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__/
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Compiled by Glenn Tarigan <tarigan@sfu.ca>
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<http://www.geocities.com/Tokyo/Garden/7676>
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"Maison Ikkoku" and characters relating to "Maison Ikkoku" are
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a Copyright of Rumiko Takahashi and Shogakukan, Inc.
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--------------------------------------------------------------------------
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Contents
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Title Artist
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----- ------
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"Piyo".................................................Clifford Caoile
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Chick..................................................Sharon Westfall
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Chick again...........................................Dennis Supachana
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"Godai"....................................................Dov Sherman
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"Yotsuya-san in his element".............................Ramon Herrera
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"Kyoko-san's all-purpose birdie".........................Ramon Herrera
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"Smiling Eyes"...........................................Ramon Herrera
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"Kanrinin-san's greeting"................................Ramon Herrera
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Kyoko..................................................Samuel Lysinger
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"Otonashi Kyouko"........................................Glenn Tarigan
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"Godai Yuusaku"..........................................Glenn Tarigan
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"S n K"..................................................Glenn Tarigan
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"Move over, Kyoko-san!"..................................Glenn Tarigan
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"Kyoko posing in the nude"...............................Glenn Tarigan
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"Animage Kyoko"..........................................Glenn Tarigan
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"1,4,5,6"................................................Glenn Tarigan
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"Mitaka thanks Asuna for breakfast..."...................Glenn Tarigan
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Shinobu in Kimono?.......................................Glenn Tarigan
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"Kick Off"...............................................Glenn Tarigan
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"AKI no WANA"............................................Glenn Tarigan
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"Kyoko Strategically Deploys the Takahashi Hand Pose"....Glenn Tarigan
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"Yotsuya no Neko"........................................Glenn Tarigan
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"A Hopelessly Bored Yagami"..............................Glenn Tarigan
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"Dizzyness"..............................................Glenn Tarigan
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"Sweeping"...............................................Glenn Tarigan
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"Shouting Yagami"........................................Glenn Tarigan
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"I'm not your sensei anymore!"...........................Glenn Tarigan
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"The Stairway Scene".....................................Glenn Tarigan
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"Yagami's Mother"........................................Glenn Tarigan
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"Yagami's Father"........................................Glenn Tarigan
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"Yagami Shuts the Closet"................................Glenn Tarigan
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"Kyoko Gets a Photo in the Mail".........................Glenn Tarigan
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"Yagami Plays for Keeps, While Kyoko Sleeps".............Glenn Tarigan
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Ending Notes and Comments.
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--------------------------------------------------------------------------
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By Clifford Caoile:
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,-~-.
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< ^ ; ~,
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(_ _, "Piyo"
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J~~>
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By Sharon Westfall:
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PIYO __ PIYO
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/ \
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< ^ \
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| )
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\/\____/
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>
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By Dennis Supachana:
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___
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/ \
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<^ |
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/ \__
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PIYO | > PIYO
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\_____/
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\/ _\
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By Dov Sherman:
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____
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_.---~~~ ~~--.
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/' \
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,' |
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,' |
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| /|,|-/. ;
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`. __/-\' / 'T') ,'
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'7 ,-< _[/ _(/|,-'
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( \_|; ' |
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`\-\|-._ ~~~ ,'
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| ~----'
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_,| __L--. "Godai"
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\`----~~~.-~~~
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By Ramon Herrera:
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\/'
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Yotsuya-san /\
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in his /___ \ /
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element. \/ c~..~ \ /
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\/ /\ _' |
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-R.H. /___________|
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__
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__/ ^\
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PIYO / \ PIYO
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\_____/
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< \/
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"Kyoko-san's all-purpose birdie"
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__
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////\\
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//|^,^|\ "Smiling eyes"
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|||\-/|||
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\\\| ||||
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-----////
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/////
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___
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//|||\\
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/|^,^|\\ "Kanrinin-san's greeting"
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||\-/|||
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\\| ||||
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/|-----|\
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|\| & |/|
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By Samuel Lysinger:
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(Posted on Wed, 11 Jan 1995 13:25:53)
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Hi all, this is an ascii I drew a few days ago (ascii is
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tough) of Kyoko. For best results, set your terminal or text
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editor to white or grey background and black foreground.
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@@@@@@@@@@@@@@@@@@@@
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@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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@@@@@@@@@@!@@/@@@@@@@@@@@@@@@@@@@@/@@@@@@@@@@@@@@@@@
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@@@@@@@@@!@@@/@@@@@@@@@@@@@@@@@@@! !@@@@@@@@@@@@@@@@@@
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@@@@@ \@@\@/@@@@@@@!@@@@@@@@@@@/_-@@@@@@@@@@@@@@@@@@@@@
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$@@! \@@\ \@@@@@@/@@@@@@/ \@/ <@@@@@@@@@@@@@@@@@@@@@@@@
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@! @@ \@@@/@@@@@@/ / \@@@@@@@@@@@@@@@@@@@@@@@@
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$ \ \/_*@@@^^ / \ \@@@@@@@@@@@@@@@@@@@@@@@@
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@ && ! \ \@@@@@@@@@@@@@@@@@@@@@@@@
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! & & && \= \@@@@@@@@@@@@@@@@@@@@@@@@
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! && & & \@@@@@@@@@@@@@@@@@@@@@@@
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! &&__/ /@@@@/^^\@@@@@@@@@@@@@@@
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! <--- /@@@@@$ \@@@@@@@@@@@@@@@
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! \ $@@@@@$ !@@@@@@@@@@@@@@@
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! \ !@@@@@! !@@@@@@@@@@@@@@@
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! $@@@@$ /@@@@@@@@@@@@@@@@
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\ \****/ $@@@@$@\ /@@@@@@@@@@@@@@@@
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\ ^^^^ !@@@@!@@@@@@@@@@@@@@@@@@@@
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\ ******** $@@$@@@@@@@@@@@@@@@@@@@@@
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\************ !@@$ @@@@@@@@@@@@@@@@@@
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$$! @@@@@@@@@@@@@@@
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V @@@@@@@@@@@@@
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@@@@@@@@@@@@
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@@@@@@@@@@@@
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@@@@@@@@@@
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@@@@@@@@@@
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@@@@@@@@@@
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@@@@@@@@@
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By Glenn Tarigan:
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_________________ .--.
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/ .--.____ .-. ___\ _____ _| |________
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/ / ____|| || // \ || /
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\_\/\ \___ | || // `-. |`-------. .-'
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_/ _/ |\___|| || \\ \ \ / /
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\_ \_ | .---' || / | \ \ / /
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/ _/ | |_|\ || \/ .-----' `--' `----.
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/_/ |_ > |/ |___ ______________|
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|/ ______| | _____ ||
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\__ ___|| __/ .'`--------..--.
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____| |_ _| |____ | _______|| |
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|__ __||__ __| | | | |
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| | | | | |.-------' |
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| |.-----' | | ||_______ |
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| ||_____ | | | | |
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| | | | | `--------' |
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| `------' | |__ __________|
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.-' `-. / /
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| | / /
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|____________ | ,' `------------.
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/ / / _____________ _|
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/ / / / . . . ||
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/ / \/ /| /| /| ||
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.--' / || || || ||
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_______| /_______,---'`--'`--'`--'`---.
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| ____ __ __ __ ___|
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|_______ _______| || || || ||
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| | || || || ||
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| | \| \| \| ||
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| | .--------------'`--.
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| | |_ __ ___ ___ _|
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___| | || || || ||
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\ | / | | \ | \ | \
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\______| |_/ \_| \_| \_|
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"Otonashi Kyouko" Dec.1994
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.--------------. _,---,.--.
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|__ ________| _/ _/ | |/\
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| | _/ , | __| ` /__
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__| |_____ \_/| ||__ ____|
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|__ __ | | | | |
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| | | | | | | |
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__| | _| |__ | | | |_/\
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| ___||_______| |_ | | ____/
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| | _ __ | \ | \
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__| |___ _/ / \ \_ / / .' <____
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|_____ /|__ \ / __| / / ,' _____|
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/ / _/ / \ \_ .' |_/ , |___
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_.' |__/ / \ \_/ , ' _/| ___|
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|_ ___ |___ > ,-._/| .' | |___
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| . \ | __)| | | | | ___|
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| |\/ | | | | | | | |
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| | | `---' | | | | |
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`-' `-------' `-' `-'
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"Godai Yuusaku" GST Dec.1994
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___ ___
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/::::\\:::\
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|::::::||:::|
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|:://\/||::::|
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\|6` 6`\::::|
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. ()::::\
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"S n K" \`_ /::::::\
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___| |::::::::|
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/ . . . \::::::/
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/ . . . .'\\:/// ,_
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/. . . . . . . , .|/ _:
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|. . .,. . . . .|.| / |
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/ \. . |--=====_|_.| \/
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| , \_,'.......::\
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___ / / /.........::\
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/___\__ , |___ /..........:|:\
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,'' __\ |``` |...........:|::|
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,,,' , = = __ | |............:::|
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,,--,,' , __ _/ | |............::::|
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/ \ , / U | |:.............|::|
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|| ', \ | | |..............|::|
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\ /' \ | | |..............|::|
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\,,,\//,\ , ,| | |..............:::|
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\ , /\\ ,:,,' /\ | |..............:::|
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| / / ,/ | | \ | |..............:::|
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/_| | / | | \ / `-.___________,-'
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| | \ \ \ \ -- | | | |
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| | \ | ,,| | | | |
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|..\ ,,| | | |_|
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_/__| |-|
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` -- --- GST
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1995.01.16
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_ ___,--------,__ .-----------------------.
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\\ /.::::::::::::..\ | Godai-san, ganbatte |
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\\ /.::;;;;'''':::::.\ | kudasai neeeee!! |
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\\ |.::' \ /`:::::.| / ,----------------------'
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\\ \;; /\ /\ `;;:::| /_/
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\\ \ \^ ^/ /\::|
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\\ / ( ||/::|
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\\ | \___,--' |::;/
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\\ \________,--\/
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\\ __|__.--' ...|\____
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\\ ___/// || ..\____
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\\__/___//____________||___./ .:\_
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__/\\ __/. ..:\
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/ \\PIYO __ PIYO /. ..:\
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___| \\ >/^ \_ |. ..:|
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_/:..| \\ \__ / |. ..:|
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/:. .\_ \\ ./ \ |. __ ..;'
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|:.. ..\ \\ __.--' .:|
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|:.. ..:| \\ _/. ..:|
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\__. __;\__ \\-.___, /. ..:/
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\__// | / ` \:.. ..:_/
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| | | \:.. ___;/ |
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\__| \ _/-----------' .|
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|. \___/\ .|
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|. \\ .|
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|. \\ .|
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|. =\\\|| .|
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|_________.----=\\\\\-------.________|
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|:... \\\\\| .:;'
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|:... ---- ..:|
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|:... ____|\\\\\ ___ ..:|
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|_____.----' | \\\\\\ `--.___/
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| | |\\\\\\ |
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| | |\\\\\\ .'
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| .' \\\\\\\ |
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| | \\\\\\\ |
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| | \\\\\\\ |
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|_______| |\\\\\\\|
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/_________\ /__\\\\\\\
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\\\\\
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"Move over, Kyoko-san!"
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GST 1995.01.25 70min
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,';, ,';,
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,' , :; ; ,,.;
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| |:; :; ; ;:|.|
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| |::; ';,,,,,,,,,' ;:|.| ,,,;;;;;;;;,,,
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; |'' ___ ___ ';.;,,'' ''';,,,
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',: / \ / \ .;. '';,
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; / | | \ ;, ';,
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; | /| |\ | :| ';,
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| | \| |/ | :| ,,,,,,, ';,
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| \____| __ |____/ :; ,'' ;,
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; / \ :; ,' :;
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', `----' :; |' :|
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',, `----------' ..;',|' :|
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,' ',,,,,,,,,,,;;;;'' |' :;
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,' ,,,, |, :;
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| ,' :;, ,,'''''''''' '|. ........... ';,
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; :;| ,,';;;'''''' ';,
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',,,,,;;;|.............,' .... ;,
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''''''''''''| .............;;;;;;;''''', ':;
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|;;;;;;;;''''''''''''' ; :|
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,,,' :;
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"Kyoko posing in the nude" ,,,,,,,,,,'' .;'
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GST 1995.01.27 40min. | .;;;;'
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';;;;;;;;;;;;;;'
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_________________
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_.--'.:.:.:.:::::.::..`-.__
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.-'..::::::::::::::::::::::..:`-.
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.-'..::::::::::::::::::::::::::::.::\_
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.'.::::::::::::::::::::::::::::::::::.::\_
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.'.:::::::::::::::::::::::::::::::::::.:::.:\
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/.:::::::::::::::::::::::::::::::::::::::.:::.\
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.'.:::::::::::::::::::::::::::::::::::::::::::.::\
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/.:.::::::::::::::::::::::::::::::::::::::::.::::.|
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/..:::::::::::::::::::::::::::::..:::::.:::.::::\:|
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|.:::::::::::::::::::::::::.:::::::\.::::.:::.::.:|\
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.'.::.:::::::::::.:::::::::::\.;::::::\.:|.:::.:.|:|
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::::::::::::::.|:|.:::|:::::::.:;;;;;;\\.|.||::::||/
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|.:::.:::::::::.\:\.:;;;;;;;;\.;;\ -\|////:/:/
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|.::::::::::::::.\;:\\ ___, --\ __, //:/_/
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|.::.::::::::::::.:\ /8b \ /b |'/::_/
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|.:::::::::::::::|:/ /ld88 |_8 ' ::'
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|.::.:::::::::::::\ l@88 |8p :/
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|.:::::::::::::;/:/ 8_' |8_ /
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`:::.::::::::::::/ `--- _--'
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|:::::::::.;-:;:\ / |\
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`.::.::::.: _ \:\ |\\
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|.::::::.| / \ \:\ | \\
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`:.::.:::` \_ ||: \__ | \.
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\.::::.:_ __/ \\ --- ' |
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|.:.:::.\__. || / |
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|.:::::::..| \\_ /
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`:.:::::::.| .'
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_____\.::::::./ --------' ,-,--,_
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\GST\\\_;;;;;-----.__________ |___ /-/ '-,_
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/////////| `---- \ / : |
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|///'__//_| _____ \ : / |
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____//__/ '--' `--------,________| | |
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__\///_/ .. .. \ | |
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__/.::\_/ __ . \| .'
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..:.:::/ \. . | |
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.::::./ . .. . \. ` _______ |
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::::./ . . . \. .\/ \__'
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:::.| . .. .. .. | | _______ |
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:::/ . . |_/ \__|
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:.| . .. | |
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::| . |
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"Animage Kyoko"
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(1995.01.31: 155min.)
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___________ ______
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_,--.__.-'-----------\__ ,--'////|\`--._ __________
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/---/66|---------------\-\/////////|\\\\\\_/4444444444`-.
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/---666|-------------------|//////////////|\\4444444444444
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\|-/66/ -------------------|----------/////|\\444444444444\
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/--`~~'--------------------|_ / //__\\\4444-4444444|
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|---------------\______--,_/ /`--________ \\\ `44444444//
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\_\__|---------/ / \ /\ |(-.//___ //_ /| \ ____ `4
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|-------./ |___| |__|| )||/ ' --.\__///6 ___ ' 4/
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\-----.-| __o' |o' '( / , |//// 6 ' |/
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`---; / , | ) \_0/ `0_'/' _\ //\
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_,---__ _ _ / ) _ /| .'x x\
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_/ /\ \ \ \--.___====' \ / . --_ /x x x
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/ /|/|/|/|/ ______| \ `-- /|\ \ _____,'x xx x \
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/ |5\,_,----'......\ | \ ___/,,5|. /x x x x xx\
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/ / \5/..............\ |,,,,5| / _/x x x xx x x\
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/6\ |/..............__/1 ._ /,,,,,5|_ _/ x x x x x xx x\
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|66\| :.............._/\ | _____/,,,,,,//'_/x x x / x xx x x x|
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\66| |............._/ . | ,,,,,_____//_/ x x x x x x x xx xx|
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`-| |..........__/ ^| |__ ,,,/ /__________x x / x x|
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| |......_../ `- ___/ , /_____ / / x _/ xx xx|
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| \_.../ \1 \__ ,,_/ ,--'__/________ _/ _x x x x|
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\ |...|1-| __/_,/ _'-. _/x --' x xx xx|
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__,--.___\_\' __-' / \_ _--\' __/ x x |\ x x x x'
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-' v v\______ / ,-' _/\_--/ _____.-'__\x x x| x xx x|
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v _/ \ / ,-' _,>' `,=_--\x x |/ x x xx'
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v __/ \ ,160m.-' _\ `,__--|x x x x xxx|
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v / |GST*i# ,-' )_______/ x`--' x x xx x x/
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v/ |`###n' _,--| |x x x x x x x xx x x/
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/ | --' | \x x x x v13c7 p116/
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1995.02.16
|
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"1,4,5,6"
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____,----.___
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__.--'...........::\_
|
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_/::::.:::::::.......::\
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_/::::.......::::::::...::\
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/:::............:::::::::.::\
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/:::................:::::::.:|
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|:::..|::.|::.........:::::.:/
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|::::..\\__\___..:::..:..::.::\ _.-----.____
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\\:::::| ___ \__\_/\::..:..::| /:/:.........`---._
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\\__\ \ ` `,\......::| /:.......:::::::....\_
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\ \ , \|:.....::| :::. /:.......:::::::..\_
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// ; /::...::/ .|:../:............::::::.\
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/ / \.\:.::/ |:::|::...............:::::|
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- _ \_\__| |:..|::::...............:::|
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-' , _/ \ |::..\_:::::.././:/:......:|
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"Mitaka thanks Asuna for breakfast..."
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[GST: 1995.04.24 0400 (110 min)]
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__________________
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Why, it's none other than a Shinobu look-alike!
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(Personally, I've got a crush on Sakura-san. ;)
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| .......:...... |===/..:...:....:.:. | "Kick Off"
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| :.......:.... |==/ .:............ |
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| ..:.........`--'.......GST... |
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| .......:.......:.~64minutes |
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| ..........1995.08.17 |
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___________________
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::::// ,###.| |:::::::::::
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"AKI no WANA" GST 1995.08.19
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45minutes
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________
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,--'.::::::.`-._
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|..::::::::::::..\
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|:.....o--------------| /----|.................|../..::::::::::;;::::
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/:..../ | |.....|................:|.:.::::::::::::;;::::
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/:....| PIYO __ PIYO \___|....|................::|.:.::::::::::::;;::::
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/:.....| _/ `-. |....|.............:::;/.:.:::::::::::::;;::::
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......::/\______,----' \__ :::::::::::::|.::::::::::::::::::GST
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.....::/ \ \__ ::::::::::|:::::::::::::::108min.
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....::/ \ \ :::::::|:::::::::::1995.08.29
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"Kyoko Strategically Deploys the Takahashi Hand Pose"
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db db
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dpqb dp8b
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8b qb_____dp_88
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88/ . `p
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|. _/_,'''',,`. `:.'
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|. ` / , ',`. |/ "Yotsuya no Neko"
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\. -'/\/ ',\ |\ gst38min
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/\__-' /\ / ,. |.\ 1995.08.31
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/. .| ' /-. ,: |..\
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\ .' ` /
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' .'GST:88min /
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\ 1995.09.03 '
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"A Hopelessly Bored Yagami"
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________________
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_.--'................`----.__
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.-'..::::::::::::::::::::::::...`--._
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\\/ /| -. |.::::::::::::::::::::::::::::::
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_.-' //' ||::::::::::::::::::::::::::::::
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\ \:::::::::::::::::::::::::::::
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| \:::::::::::PART:10::::::::::
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GST 30min 1995.10.20
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"I'm not your sensei anymore!"
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1995.10.25
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"Yagami Shuts the Closet" 1995.12.16
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112 |: ':::|:\_::/..| .' ...:.. `. | : | :
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-----|:|--_ .-'-----.' .'_____ :| |: \ | : 1995.12.20
|
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: : : :
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"Kyoko Gets a Photo in the Mail"
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,3,
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53min:::|\. ..::::::::::::\ ,.| ---, _.'
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|
\GST::::\|/`.::::::|\:::::/.:.|::' .---'
|
|
|
|
"Yagami Plays for Keeps, While Kyoko Sleeps" 1995.12.22
|
|
|
|
|
|
--------------------------------------------------------------------------
|
|
|
|
Ending Notes and Comments:
|
|
--------------------------
|
|
____________
|
|
This is the aspect ratio I used until April 1995 ---> | |
|
|
_________ | |
|
|
All my ASCII pics now follow | | | "Square" |
|
|
a screen proportion in which | | | |
|
|
this box is a perfect square ----> | | | |
|
|
(Adjust your screen so that this | | |____________|
|
|
figure looks like a square.) | |
|
|
|_________|
|
|
|
|
All my pics should be viewed with dark colored letters on light
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background. They are intended to be printed out on white paper.
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Font: The pics were drawn on an IBM PC. They're best viewed with the
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default DOS text-mode screen font. The next best method is to print them
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out in a 10-point Courier font (or whatever point-size is large enough to
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fit a picture on one sheet of paper).
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None of the drawings are wider than 80 columns, but I place no limits on
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vertical size (although I try to keep them to less than 60 rows).
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Hint: Most of my drawings have a number indicating
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how much time I spent drawing the picture.
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Sometimes, that number is hidden somewhere inside
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the picture. Note that I use "m" or "min" as an
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abbreviation for "minutes".
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"Otonashi Kyoko"
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I must have spent hours trying to figure out how to make a single
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line twist and turn into the requisite kanji. It was an interesting
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puzzle. The "KYOU" kanji was the hardest part.
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(Further modified on 1995.12.06.)
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"Yuusaku Godai"
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Modified on 1995.12.06.
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"S n K" (aka Soichiro and Kyoko)
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Taken from the title page for Volume 10, Part 7.
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This is my first ever ASCII drawing of a person.
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Up to this point, I had only been drawing ASCII pictures of abstract
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things such as kanji or letters of the alphabet.
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"Move over, Kyoko-san!"
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Mostly completed on 1995.01.25, in 60 minutes. I added some more
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details and smoothed out some lines on 1995.08.30 (10min.).
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This is the first drawing for which I recorded the time spent.
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"Kyoko posing in the nude"
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I tried to find a drawing of Kyoko-the-cat in the manga, but
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couldn't find one showing the pose I wanted. So I started by
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sketching out my idea on paper, and then I made that sketch into
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the ASCII drawing.
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"Animage Kyoko"
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Source:
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Animage Nov1991: "This Month's Top Ten Characters"
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Kyoko was #19, but at least they had a cute portrait of her.
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This is a picture of Kyoko looking over her right shoulder
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and with her hand up near her chin. Her hair is tied with a
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pink bow at the back near her neck, and she's wearing a
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red blouse with a yellow collar.
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Original time required: approx. 130 minutes (1995.01.31)
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On 1995.08.28, I modified it to conform with my current aspect ratio.
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(10 minutes)
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On 1995.11.15, 15 minutes (2249 - 2304), I filled in the hair with a
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solid dot pattern and smoothed out the curves.
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"1,4,5,6"
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Title explanation:
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The numbers represent each of the four characters:
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1 = Ichinose; 4 = Yotsuya; 5 = Godai; and 6 = Akemi.
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I love this drawing because the faces are so clearly recognizable.
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And the original manga drawing was one of the first ones that I
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just had to copy.
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I originally drew this ASCII on 1995.02.16 (in 140 minutes) using
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a more elongated screen dimension. On 1995.08.28, I modified it to
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conform with my current aspect ratio.
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"Mitaka thanks Asuna for breakfast..."
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From page 197 of Volume 13, Part 10.
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"Shinobu in Kimono?"
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From Volume 9, page 190.
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My "Yagami" drawing is 54-rows tall and 70-columns wide.
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My text-editing program is capable of displaying
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132-columns by 60-rows onscreen, so I can see the entire
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drawing all at once. If your monitor can't fit the whole picture
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into view, then I suppose you'd better print it out on paper.
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(It fits nicely on a single page.)
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"Kick Off"
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Taken from Volume11, Part9: Title Page (left side).
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This was done as part of a translation project.
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Actually, most of my pics thereafter are part of translation projects.
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"AKI no WANA"
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Now here's something I whipped up rather quickly-- and it shows.
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I should have tried to make it smaller, too...
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Taken from v11c6 p105 (VW8c1 PW5).
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"Kyoko Strategically Deploys the Takahashi Hand Pose"
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Taken from Volume11, Part9, page 176.
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This one is one of my favorites because the faces turned out well.
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"Yotsuya no Neko"
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From Volume11, Part9, page178. In the background, on top of the small
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cabinet, is a cat statue holding a large flat coin on which is
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written "SENMAN RYOU" = 10 million yen (actually, RYOU is an old
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monetary unit, not the same as a yen).
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"A Hopelessly Bored Yagami"
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From p106/PW6 of "AKI no WANA" (v11c6/VW8c1).
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This one looked difficult to render nicely-- it took a fair amount
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of time to get the face and hair looking right-- but I like the
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final result.
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"Dizzyness"
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From p185/PW85 (v11c10/VW8c5): the chapter entitled "memai".
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Drawn on 1995.09.30.
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"Sweeping"
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From p188/PW88 (v11c10/VW8c5).
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The legs were the hardest part to draw, and they still don't look right.
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This is my first drawing to exceed 60 lines-- it couldn't be helped.
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I started by drawing the face, and as soon as it looked fine, I
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wasn't about to reduce its size in order to make the overall picture
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fit within my usual limit of 60 lines.
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What I like about these large pics is that I get the chance
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to embed messages in them (like the date, and my initials).
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"Shouting Yagami"
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From p192/PW92 (v11c10/VW8c5).
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Yagami here is shouting at Godai for his continual deference to Kyoko.
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"I'm not your sensei anymore!"
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From p195/PW95 (v11c10/VW8c5).
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Godai is the owner of the title's quote.
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"The Stairway Scene"
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From p202/PW102 of Volume 11 (Wideban#8).
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"Yagami's Father" & "Yagami's Mother"
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Both drawn on 1995.12.13. From p149/PW49 of Volume 11 (Wideban#8).
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Normally I try to draw large, impressive ASCII pics, but I didn't
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feel like it this time, and I was under time pressure.
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"Yagami Shuts the Closet"
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From p152/PW52 of Volume 11 (Wideban#8).
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I tried to draw this one quickly. So I didn't really polish off
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the small details.
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"Kyoko Gets a Photo in the Mail"
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From Volume 9, Page 86.
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"Yagami plays for keeps, while Kyoko sleeps."
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From Volume 9, Page 139. Drawn on 1995.12.22.
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--------------------------------------------------------------------------
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That's all for this edition of the Maison Ikkoku ASCII Art Collection.
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If you have MI ASCII art to contribute, please email me.
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Note: I prefer line-art; GIF-to-ASCII conversions usually look ugly to
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my eyes, and I don't much like the solid-style of ASCII art.
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My thanks go to Dov Sherman, whose anime ASCII art
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collections have inspired me to build this collection.
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-- Glenn Tarigan <tarigan@sfu.ca>
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End.
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