2743 lines
126 KiB
Erlang
2743 lines
126 KiB
Erlang
|
||
|
||
|||||| |||||| || || |||||| ||||||
|
||
|| || ||| || || ||
|
||
|| ||| |||| |||||| || |||| Your
|
||
|| || || || ||| || ||
|
||
|||||| |||||| || || |||||| |||||| GEnieLamp Computing
|
||
|
||
|| |||||| || || |||||| RoundTable
|
||
|| || || ||| ||| || ||
|
||
|| |||||| |||||||| |||||| RESOURCE!
|
||
|| || || || || || ||
|
||
||||| || || || || ||
|
||
|
||
|
||
~ WELCOME TO GEnieLamp APPLE II! ~
|
||
""""""""""""""""""""""""""""""
|
||
~ THE TREASURE HUNT: Yours for the Downloading ~
|
||
~ WHO'S WHO IN APPLE II: Doug Cuff ~
|
||
~ HOT NEWS, HOT FILES, HOT MESSAGES ~
|
||
|
||
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////////////
|
||
GEnieLamp Apple II ~ A T/TalkNET OnLine Publication ~ Vol.4, Issue 35
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
Editor....................................................Douglas Cuff
|
||
Publisher.............................................John F. Peters
|
||
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////////////
|
||
~ GEnieLamp IBM ~ GEnieLamp ST ~ GEnieLamp [PR] ~ GEnieLamp Windows ~
|
||
~ GEnieLamp A2Pro ~ GEnieLamp Macintosh ~ GEnieLamp TX2 ~
|
||
~ GEnieLamp A2 ~ LiveWire (ASCII) ~ GEnieLamp MacPRO ~
|
||
~ Solid Windows ~ Config.sys ~
|
||
~ Member Of The Digital Publishing Association ~
|
||
GE Mail: GENIELAMP Internet: genielamp@genie.geis.com FTP: sosi.com
|
||
////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
|
||
|
||
>>> WHAT'S HAPPENING IN THE APPLE II ROUNDTABLE? <<<
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
~ February 1, 1995 ~
|
||
|
||
|
||
FROM MY DESKTOP ......... [FRM] FROM MY MAILBOX ......... [MAI]
|
||
Notes From The Editor. Letters to the Editor.
|
||
|
||
HEY MISTER POSTMAN ...... [HEY] HUMOR ONLINE ............ [HUM]
|
||
Is That A Letter For Me? Too Much Time on My Hands.
|
||
|
||
REFLECTIONS ............. [REF] ASCII ART GALLERY ....... [ASA]
|
||
Bond Between Writers & Readers. Valentine Art.
|
||
|
||
THE TREASURE HUNT ....... [HUN] PROFILES ................ [PRO]
|
||
Yours For The Downloading. Who's Who: Doug Cuff.
|
||
|
||
LOG OFF ................. [LOG]
|
||
GEnieLamp Information.
|
||
|
||
[IDX]"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
READING GEnieLamp GEnieLamp has incorporated a unique indexing system
|
||
""""""""""""""""" to help make reading the magazine easier. To
|
||
utilize this system, load GEnieLamp into any ASCII word processor or
|
||
text editor. In the index you will find the following example:
|
||
|
||
HUMOR ONLINE ............ [HUM]
|
||
[*]GEnie Fun & Games.
|
||
|
||
To read this article, set your find or search command to [HUM].
|
||
If you want to scan all of the articles, search for [EOA]. [EOF] will
|
||
take you to the last page, whereas [IDX] will bring you back to the
|
||
index.
|
||
|
||
MESSAGE INFO To make it easy for you to respond to messages
|
||
"""""""""""" re-printed here in GEnieLamp, you will find all the
|
||
information you need immediately following the message. For example:
|
||
|
||
(SMITH, CAT6, TOP1, MSG:58/M475)
|
||
_____________| _____|__ _|___ |____ |_____________
|
||
|Name of sender CATegory TOPic Msg.# Page number|
|
||
|
||
In this example, to respond to Smith's message, log on to page
|
||
475 enter the bulletin board and set CAT 6. Enter your REPly in TOPic
|
||
1.
|
||
|
||
A message number that is surrounded by brackets indicates that
|
||
this message is a "target" message and is referring to a "chain" of two
|
||
or more messages that are following the same topic. For example: {58}.
|
||
|
||
ABOUT GEnie GEnie's monthly fee is $8.95 for which gives you up to
|
||
""""""""""" four hours of non-prime time access to most GEnie
|
||
services, such as software downloads, bulletin boards, GE Mail, an
|
||
Internet mail gateway, and chat lines, are allowed without charge.
|
||
GEnie's non-prime time connect rate is $3.00. To sign up for GEnie
|
||
service, call (with modem) 1-800-638-8369 in the USA or 1-800-387-8330
|
||
in Canada. Upon connection type HHH. Wait for the U#= prompt. Type:
|
||
JOINGENIE and hit RETURN. When you get the prompt asking for the
|
||
signup/offer code, type: DSD524 and hit RETURN. The system will then
|
||
prompt you for your information. Need more information? Call GEnie's
|
||
customer service line (voice) at 1-800-638-9636.
|
||
|
||
SPECIAL OFFER FOR GEnieLamp READERS! If you sign onto GEnie using the
|
||
"""""""""""""""""""""""""""""""""""" method outlined above you will
|
||
receive an *additional* six (6) free hours of standard connect time
|
||
(for a total of 10) to be used in the first month. Want more? Your
|
||
first month charge of $8.95 will be waived! Now there are no excuses!
|
||
*** GET INTO THE LAMP! ***
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
|
||
|
||
//////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ Liberty is protected by 4 boxes: /
|
||
/ Soap, Ballot, Jury, Cartridge. Use in that order. /
|
||
//////////////////////////////////// jewell@Data-IO.com ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[FRM]//////////////////////////////
|
||
FROM MY DESKTOP /
|
||
/////////////////////////////////
|
||
Notes From The Editor
|
||
"""""""""""""""""""""
|
||
by Douglas Cuff
|
||
[EDITOR.A2]
|
||
|
||
|
||
|
||
This month, the big news is that Spectrum 2.0 has been released,
|
||
assuming that Seven Hills Software kept their promise. However, in
|
||
discussing the release of Spectrum, Dave Hecker of Seven Hills mentioned
|
||
that they are also working on new versions of Kangaroo, TransProg III, and
|
||
GraphicWriter III. That's exciting. (Of course, my cynical side
|
||
immediately chimes in that this explains the pre-Christmas sale Seven Hills
|
||
had on these products, but don't listen to it. My cynical side is a just
|
||
an old grump with a permanent case of the winter blahs.) It's always
|
||
exciting to know that the wheels keep turning.
|
||
|
||
At the same time, apparently not enough of us are voting with their
|
||
wallets. Mike Westerfield says that sales of Quick Click Calc--a fine
|
||
program, BTW--are not all they should be, and Michael Lutynski desperately
|
||
needs more orders of Animasia 3-D in order to keep his head above water.
|
||
|
||
Now, I know that few of us have enough money to buy every piece of
|
||
software that comes on the market. (I sure don't, as you'll read in this
|
||
month's interview.) But if you do have the money, then take the time now
|
||
to order the software. I've cut my editorial short this month so that you
|
||
have the extra time. (Oh, all right, I also figured that since I'm
|
||
profiled this month, there's a limit to how much of my voice you readers
|
||
can take.)
|
||
|
||
-- Doug Cuff
|
||
|
||
GEnie Mail: EDITOR.A2 Internet: editor.a2@genie.geis.com
|
||
|
||
|
||
|
||
__________________________________________________________
|
||
| |
|
||
| REPRINTING GEnieLamp |
|
||
| |
|
||
| If you want to reprint any part of GEnieLamp, or |
|
||
| post it to a bulletin board, please see the very end |
|
||
| of this file for instructions and limitations. |
|
||
|__________________________________________________________|
|
||
|
||
|
||
|
||
ASCII ART BEGINS
|
||
|
||
_____ ______ _ _ ___ ___
|
||
/ ____| ____| (_) | | / _ \|__ \
|
||
| | __| |__ _ __ _ ___| | __ _ _ __ ___ _ __ | |_| | ) |
|
||
| | |_ | __| | '_ \| |/ _ \ | / _` | '_ ` _ \| '_ \ | _ | / /
|
||
| |__| | |____| | | | | __/ |___| (_| | | | | | | |_) | | | | |/ /_
|
||
\_____|______|_| |_|_|\___|______\__,_|_| |_| |_| .__/ |_| |_|____|
|
||
| |
|
||
|_|
|
||
|
||
ASCII ART ENDS
|
||
|
||
|
||
[EOA]
|
||
[MAI]//////////////////////////////
|
||
FROM MY MAILBOX /
|
||
/////////////////////////////////
|
||
Letters to The Editor
|
||
"""""""""""""""""""""
|
||
|
||
|
||
|
||
Unpaid Bills I was told that the latest A2 Lamp says that I am doing
|
||
'''''''''''' programming for Spectrum 2.0. Someone must have their Bills
|
||
confused. It is not me that is doing that programming.
|
||
|
||
-= Bill Shuff =-
|
||
(W.SHUFF, CAT3, TOP3, MSG:265/M645;1)
|
||
|
||
Sorry about that, Bill. This was entirely my fault. In fact,
|
||
it is Bill Tudor who has programmed XCMDs for Spectrum 2.0. I
|
||
apologize for any inconvenience suffered.--Ed.
|
||
|
||
|
||
Check Before You Donate In the January GEnieLamp A2 there is an article
|
||
''''''''''''''''''''''' by Phil Shapiro about the Apple II as an Equity
|
||
Computer. In the article, Phil discusses what might be done with the many
|
||
Apple IIs in schools as school labs switch over to Macs and Power Macs. To
|
||
quote:
|
||
|
||
"As the more affluent schools in our nation decide to equip their
|
||
computer labs with Macs and Power Macs, large numbers of Apple II computers
|
||
will come available on the second-hand market. Along with the computers
|
||
themselves will come huge quantities of second-hand Apple II educational
|
||
programs."
|
||
|
||
It would be prudent for us to inquire closely about our local
|
||
school's plans. I have heard more than one report (from educators) of area
|
||
schools =requiring that their Apple IIs be junked= -- thrown in the trash
|
||
-- when their computer labs were "upgraded" to new machines. I find this
|
||
appalling, unconscionable, and outrageous.
|
||
|
||
Phil proposes some fine uses for these machines, and others could
|
||
think of more, but if the machines are thrown in landfills, the opportunity
|
||
will be wasted. We've each come to terms in some way with Apple's decision
|
||
to figuratively bury the Apple II; for Apple IIs to literally be buried
|
||
would be a tragedy!
|
||
(EDMUNDL, CAT3, TOP3, MSG:277/M645;1)
|
||
|
||
|
||
|
||
[EOA]
|
||
[HEY]//////////////////////////////
|
||
HEY MISTER POSTMAN /
|
||
/////////////////////////////////
|
||
Is That A Letter For Me?
|
||
""""""""""""""""""""""""
|
||
by Douglas Cuff
|
||
[EDITOR.A2]
|
||
|
||
o A2 POT-POURRI
|
||
|
||
o HOT TOPICS
|
||
|
||
o WHAT'S NEW
|
||
|
||
o THROUGH THE GRAPEVINE
|
||
|
||
o MESSAGE SPOTLIGHT
|
||
|
||
|
||
|
||
>>> A2 POT-POURRI <<<
|
||
"""""""""""""""""""""
|
||
|
||
WHILE THEY LAST...! Publish It 4! is available!!!!
|
||
"""""""""""""""""""
|
||
Troll Associates (the company that sell children's books and
|
||
software) has Publish It 4 available IN STOCK today. She couldn't tell me
|
||
how many copies they had, so if you are interested, you should call soon.
|
||
|
||
Troll 1-800-526-5289 ext 1119
|
||
|
||
Publish It 4 - item # TM-AD275 $149.95
|
||
|
||
I'm not associated with this company but I know people have been
|
||
looking for this program, so I'm passing along this info.
|
||
|
||
Cindy
|
||
(C.ADAMS11, CAT4, TOP2, MSG:392/M645;1)
|
||
|
||
|
||
APPLIED ENGINEERING SOURCE CODE GOOD NEWS!!! GREAT NEWS!!!
|
||
"""""""""""""""""""""""""""""""
|
||
All is not lost with the AESource archive, it seems that the archive
|
||
was corrupted when I tried to unpackit with GShrinkit v1.1. I then got a
|
||
hint about trying to unpackit with Shrinkit v3.4, and to my amazement it
|
||
worked.
|
||
|
||
The AESource is all intact, and this includes the PCTransporter
|
||
source. I was able to unpackit, and took a quick look at. The source
|
||
itself is old, and only includes the drivers for the PCT, and not the
|
||
actual software. I guess something is better than nothing. :) :) :)
|
||
|
||
Sam Latella [A2World]
|
||
"Apple ][ Forever, IBM Never!!!"
|
||
(S.LATELLA, CAT14, TOP2, MSG:72/M645;1)
|
||
|
||
|
||
ONE THOUSAND MARK AND RISING Just about a week ago, Shareware Solutions
|
||
"""""""""""""""""""""""""""" II passed a major milestone when I was able
|
||
to proclaim that SSII now has subscribers in all 50 states.
|
||
|
||
Today, Shareware Solutions II has passed an even greater milestone.
|
||
It now boasts a readership of 1,000 subscribers.
|
||
|
||
I'm almost at a complete loss for words.
|
||
|
||
I'd just like to thank everyone for their support and encouragement;
|
||
I couldn't have done it without you.
|
||
|
||
Joe Kohn
|
||
Publisher, Shareware Solutions II
|
||
(JOE.KOHN, CAT28, TOP4, MSG:327/M645;1)
|
||
|
||
|
||
SEND IN YOUR TYPES As you may know, A2Pro has assumed responsibility for
|
||
"""""""""""""""""" assigning filetypes, sound types, scrap types,
|
||
resource types, request codes, and all other previously Apple-assigned
|
||
types. Unfortunately, we are having difficulty getting a complete list of
|
||
-any- of the recent assignments from Apple's DTS. Thus, we ask you to
|
||
please send a description of any and all data which may fall into one of
|
||
the previous categories and which was assigned to you by DTS since June of
|
||
1992, when they published their last list. Please forward these data to
|
||
-this- account, a2pro.help@genie.geis.com, as the A2PRO@genie.geis.com
|
||
account mentioned in our press release is not currently staffed.
|
||
|
||
Also, we encourage you to feel free to send your requests for
|
||
filetypes and such NOW. They will be filled as soon as we are reasonably
|
||
sure that we have an accurate list. These can be filed either to me or the
|
||
A2PRO address... but, if it's time-critical, please have it sent to me. :)
|
||
|
||
All temporary DTS assignments should be considered permanent unless
|
||
we notify you of a conflict.
|
||
|
||
Thank you for your cooperation and your continued support of the
|
||
Apple II series of computers. :)
|
||
|
||
...J. Nathaniel Sloan, Apple II Programmers' and Developers' RoundTable
|
||
on GEnie.
|
||
(A2PRO.HELP, CAT11, TOP20, MSG:19/M645;1)
|
||
|
||
|
||
ICON BASICS Doug's comments need a little clarification.
|
||
"""""""""""
|
||
First: To use a new Icon it must be placed into a Folder named
|
||
ICONS. This folder must be in the root directory of a currently mounted
|
||
volume. It does NOT have to be on the boot volume, but this is the
|
||
preferred place for Icons that will affect all files (like the trash can
|
||
icons). Generally the best method is to place icons that affect only a
|
||
particular program onto the disk for that program, unless the program is
|
||
kept on your hard drive.
|
||
|
||
Second: Since the introduction of System 6.0, the Finders own icons
|
||
are not stored in the Icons folder. Instead they are in the Finder's
|
||
resource fork. Even with the older systems, however all of the Finder's
|
||
icons were lumped together into a single file. If someone were to do what
|
||
doug suggests and move their Finder.Icons (on system 5 or earlier) to a
|
||
differnt directory, the Finder would crash. While this method is fine for
|
||
Icons added to the system, it will not work with the Full Trash Icon
|
||
(unless you have more than one personal trash icon). This is not a problem
|
||
though. When the Finder locates a new icon it simply replaces the built in
|
||
icon with the new one.
|
||
|
||
Third. Be careful adding new icons. The Finder gets into trouble if
|
||
more than one icon is added to the system with the same definition. I.e if
|
||
you placed to new Trash Icons into your Icons folder, bad things are likely
|
||
to happen. This is especially true for multiple copies of the "Generic
|
||
file" icon. For this reason, I use an icon editor to check every new icon
|
||
folder before I use it. I then combine any new Icons I like into my
|
||
existing Icon Folders. What I end up with is a nice manageable set of Icon
|
||
folders with no duplicates. My Icon folder looks something like this;
|
||
|
||
Folder.Icons
|
||
System.Icons
|
||
Filetype.Icons
|
||
Game.Icons
|
||
|
||
As I find or make new Icons that I like, I just place them into the
|
||
appropriate folder.
|
||
|
||
I hope this helps
|
||
|
||
Dave C
|
||
(D.CORKUM, CAT2, TOP4, MSG:573/M645;1)
|
||
|
||
|
||
POINT TO POINT PROTOCOL Is anyone out here interested in a PPP program
|
||
""""""""""""""""""""""" for the Apple IIe? No, I kid you not... I
|
||
recently ran accross a programmer who (just to prove it can be done) is
|
||
working on a PPP program for the _8-bit_ Apple II. He asked me to put out
|
||
some feelers in here to see how many people are interested should he be
|
||
successful. :) He says he's already looked over the specs, and seems
|
||
pretty sure of himself. I won't hold any promises, but I'm one that'll
|
||
definately be excited if he gets it to work :)
|
||
|
||
Dave
|
||
(JUST.DAVE, CAT10, TOP10, MSG:299/M645;1)
|
||
|
||
|
||
EASTER EGGS THAT CHECK THE CALENDAR Aside from System's 6's Time Control
|
||
""""""""""""""""""""""""""""""""""" Panel, I'm not aware of any other
|
||
Easter Eggs that depend on the IIGS clock or that only activate themselves
|
||
on certain days. That is, until Brutal Deluxe's Blockade arrived here about
|
||
a week or so ago.
|
||
|
||
It seems to me that if you play Blockade on odd numbered days, the
|
||
border flashes in time to the music. Played on even numbered days, there
|
||
are no flashing borders.
|
||
|
||
Knowing Brutal Deluxe, I'm sure that's just one of many Easter Eggs
|
||
in Blockade. Another one is activated when clicking on a senstive part of
|
||
the graphic of the young lady.
|
||
|
||
Anyone else found any others?
|
||
|
||
Joe
|
||
(JOE.KOHN, CAT28, TOP4, MSG:369/M645;1)
|
||
|
||
>>>>> Sorry, but our BBS package Eclipse (written in 1989) has an easter
|
||
""""" egg, where if it is the birthday of any of the authors (three of
|
||
us), you'll get a happy birthday message on startup. So... BD were not the
|
||
first.
|
||
(RICHARD.B, CAT28, TOP4, MSG:372/M645;1)
|
||
|
||
[Others pointed out the calendar-specific Easter eggs in Print Shop IIgs
|
||
and Platinum Paint.--Ed.]
|
||
|
||
|
||
RAMFAST FATAL MEMORY FAULT CODES
|
||
""""""""""""""""""""""""""""""""
|
||
$00 - unknown, probably means your card is very confused
|
||
$01-$08 - DRAM memory test failure
|
||
$09 - EPROM Checksum failure
|
||
$0C - Z180 processor crashed, indicates some hardware fault
|
||
$0D - error writing cached data to disk device
|
||
$0E - Termination power error
|
||
|
||
Jawaid
|
||
(PROCYON.INC, CAT20, TOP13, MSG:641/M645;1)
|
||
|
||
|
||
MEMORIES OF KOBE I just downloaded Steve Chick's Find.File NDA, and I
|
||
"""""""""""""""" noticed his address is in Kobe, Japan. Does anybody
|
||
know if he made it through the earthquake?
|
||
(P.CREAGER, CAT9, TOP5, MSG:463/M645;1)
|
||
|
||
>>>>> The last time I was in contact with him, after 2 years ago, he was
|
||
""""" no longer in Japan.
|
||
|
||
There are 2 different CIS' addresses for Steve Chick listed in
|
||
FindFile. One has a typo, but one is valid. You could always try writing an
|
||
e-mail to him.
|
||
|
||
Joe
|
||
(JOE.KOHN, CAT9, TOP5, MSG:465/M645;1)
|
||
|
||
|
||
NOW THAT'S PLUG AND PLAY! I have gone on record here stating the
|
||
""""""""""""""""""""""""" Roadrunner is the best low priced internal hard
|
||
disk drive available, and that its little more than plug and play when I
|
||
send one to a customer. Here is a message I received yesterday:
|
||
|
||
>> Dear Chuck,
|
||
>> I got the Hard Drive Today. I connected it myself.
|
||
>> Isn't that nice?
|
||
>> It works fine!
|
||
>> I coppied my programs on to it with no trouble.
|
||
>> Thank you so much,
|
||
>> Brent Bacome
|
||
|
||
What you may find interesting is that Brent is inconvenienced with
|
||
blindness. Yet he installed the two card Roadrunner, installed his
|
||
TEXT-TALKER and other software and was up and running from the hard disk
|
||
drive and on GEnie the same day the Roadrunner arrived in the mail.
|
||
|
||
I think that the fact I was able to help Brent was neat. That Brent
|
||
doesn't need much help is way neater. I just had to share this.......
|
||
|
||
Chuck
|
||
(A2.CHUCK, CAT13, TOP25, MSG:253/M645;1)
|
||
|
||
|
||
>>> HOT TOPICS <<<
|
||
""""""""""""""""""
|
||
|
||
APPLEWORKS 5 BUG FIX! Bug fix! Peter Hinchliffe of Australia reported
|
||
""""""""""""""""""""" that AW5 crashes when you attempt to save a Data
|
||
Base file which has multiple label-style reports containing background
|
||
text. To solve the problem, patch the following bytes in SEG.AW:
|
||
|
||
Offset Original Change to
|
||
------ -------- ---------
|
||
47C6 2D 20
|
||
47E6 20 3F
|
||
47E7 6F A9 32 8D BA 5C AD AA 77 60
|
||
4F30 AD 20 5B 55
|
||
|
||
Note: In the latter two, only the original first byte is given.
|
||
Obviously other bytes are being replaced by the new sequences.
|
||
(BRANDT, CAT17, TOP31, MSG:1/M645;1)
|
||
|
||
|
||
MACRO CAPTURES CELL MEMO TEXT I figured out how to capture up to 70
|
||
""""""""""""""""""""""""""""" characters of a memo, even if it's much
|
||
longer, without crashing. The trick is to set the column width of the
|
||
hidden column to the max then use < .getcell x,y,1 >. The 1 tells UM to
|
||
grab what would be displayed on the screen, if it were displayed, not the
|
||
literal value.
|
||
|
||
Here's my last effort on cell memos. I made one change that pokes a
|
||
width of 80, actually an illegal value, into the colwidth table for the
|
||
hidden category that contains the memo. I stopped at 80 because that's the
|
||
maximum length of an Ultra string variable.
|
||
|
||
start
|
||
|
||
M:<asp:
|
||
|
||
posn c,r : // get current position
|
||
c = c + $80 : // set hi bit
|
||
$1 = .getcell 121,1,0 : // grab memo "map"
|
||
$2 = chr$ c : // stuff c in $2
|
||
x = .substring $2, $1, 1: // search for current cell in map
|
||
if x > 0 x = x + $79 : // calculate which hidden column
|
||
poke #colwidths + X, 80: // set hidden col to 80 width
|
||
$1 = .getcell x,r,1 // get up to 80 characters of memo.
|
||
$1 = .zapchar $1, $d : // remove crs from string
|
||
msg $1 >! // show memo
|
||
|
||
|
||
Z:<asp:
|
||
|
||
posn c, r : // get current position
|
||
for I = $809b to $80a0 : // range to search
|
||
M = peek I : // look for column in memo table
|
||
ifnot M = C :
|
||
Next I else : // didn't find try again
|
||
A = I - $809a + $79 : // found memo for current cell
|
||
poke #colwidths + A, 80: // set hidden col to 80 width
|
||
$1 = .getcell A,r,1 : // get up to 70 characters of memo
|
||
$1 = .zapchar $1, $0d : // remove crs from string.
|
||
msg $1 >! // show memo
|
||
(S.BEVILLE, CAT17, TOP18, MSG:{571}/M645;1)
|
||
|
||
|
||
AW5 PRINTER PROBLEMS Appleworks 5.0 keeps changing the on-line status of
|
||
"""""""""""""""""""" my Imagewriter II from NLQ to Draft Mode before each
|
||
print. I'd like to have the option of setting the on-line status from the
|
||
Imagewriter panel. Previous versions of Appleworks would allow this but
|
||
this one doesn't. Any suggestions?
|
||
|
||
thx
|
||
|
||
George Carmichael
|
||
(G.CARMICHAE1, CAT17, TOP29, MSG:42/M645;1)
|
||
|
||
>>>>> Remove the ImageWriter printer from AW 5 and then reinstall it. The
|
||
""""" one that shipped pre-installed with some versions of AW5 had some
|
||
extraneous code in it.
|
||
|
||
|
|
||
-(+)-
|
||
|
|
||
|
|
||
...Will
|
||
(W.NELKEN1, CAT17, TOP29, MSG:44/M645;1)
|
||
|
||
|
||
DON'T DO THIS! Here are a couple of AW5 don'ts:
|
||
""""""""""""""
|
||
Don't attempt to duplicate an existing labels report format in the
|
||
data base if the report contains background text unless there is background
|
||
text for each line of the report. If you have background text on every
|
||
line of the report, even 1 character, it works OK. Otherwise a =serious=
|
||
crash results.
|
||
|
||
Don't try to use the TimeOut Menu from the Clipboard. I call this a
|
||
blunderbug 'cause I just accidentally blundered into while not paying
|
||
attention. You won't like the results of that one either :)
|
||
|
||
I think Dan has duplicated and worked up a fix for the first one.
|
||
Can't remember if the second one has ever been reported but both are easy
|
||
to avoid if you're aware of 'em.
|
||
|
||
[irrelevant portion of message omitted--Ed.]
|
||
|
||
>> sa-ctrl-r in SEG.AX
|
||
|
||
Got a msg through the Internet from someone who wanted to know why
|
||
the Revert to the last saved version of a file macro (sa-ctrl-r) only works
|
||
with word processor files. It's supposed to be a global, <all>, macro but
|
||
I guess I put in <awp> by mistake. I don't think I've looked at this thing
|
||
or used it since it was written, so evidently it's been that way since
|
||
AW4.0 was released. If you want to use it, just find the macro in the
|
||
SEG.AX.source file on /Extras/macros and change awp to all. Recompile the
|
||
macro, then save it as a hidden task file using Ultra Options. Be sure to
|
||
save the changed source file to your BACKUP copy of the /Extras disk, says
|
||
Install Disk on the disk label. Never alter your original disks.
|
||
(S.BEVILLE, CAT17, TOP18, MSG:402/M645;1)
|
||
|
||
>>>>> > Steve, what kind of a serious crash
|
||
"""""
|
||
You're using a //e, right? Might be a different. I get one of those
|
||
"arcade" crashes on the gs. Border color changes, speaker clicks, drive
|
||
access ( which can be very dangerous ), nice colored pixels flashing all
|
||
over the screen. Ctrl-reset does no good. oa-ctrl-reset doesn't reboot. I
|
||
have to power down and start over. I think Randy said Dan was trying to do
|
||
a getblock on a pointer to the background text when the pointer was 0. The
|
||
memory manager doesn't like that.
|
||
|
||
I get the same type crash trying to access a TimeOut from the
|
||
clipboard.
|
||
|
||
> You want to give us the steps to a crash? :)
|
||
|
||
You some kinda masochist :)
|
||
|
||
Load the file backgroundtext from the /Extras disk. Create a labels
|
||
report from the existing layout. Try to duplicate the report. See the
|
||
pretty colors. Watch the lights come on.
|
||
(S.BEVILLE, CAT17, TOP18, MSG:409/M645;1)
|
||
|
||
|
||
>>> WHAT'S NEW <<<
|
||
""""""""""""""""""
|
||
|
||
SPECTRUM VERSION 2.0 IS SHIPPING IN JANUARY 1995! Even if that means
|
||
""""""""""""""""""""""""""""""""""""""""""""""""" 1/31/95, it IS shipping
|
||
this month! :)
|
||
|
||
Version 2.0 fixes the little "quirks" that were discovered (in-house
|
||
and by users like you) after releasing version 1.0. Although most of you
|
||
have probably never experienced these problems, here are some highlights:
|
||
|
||
+ Compressing Spectrum with HardPressed is no longer a problem; Spectrum
|
||
is quite happy running in compressed form.
|
||
+ Spectrum's rBundle has been fixed so your Desktop file won't get bigger
|
||
each time Spectrum is launched.
|
||
+ The "black text" and bogus memory errors when opening Editor files has
|
||
been fixed.
|
||
+ Downloaded files always go into the correct folder (a lot of CoPilot
|
||
users saw this one).
|
||
+ Fixed a problem that could have corrupted some memory when creating or
|
||
editing a phonebook entry.
|
||
+ The "Copy File" script command can now copy even very large ("tree")
|
||
files, where previously it showed an "access not allowed" error.
|
||
|
||
BUT VERSION 2.0 IS NOT MERELY A "BUG FIX" VERSION! We jumped from
|
||
v1.0 to v2.0 because of all the new features and capabilities we crammed
|
||
into Spectrum!
|
||
|
||
Here's an EXTREMELY short list of "new or changed features":
|
||
|
||
+ Spectrum v2.0 plays its sounds by event number, which means you can use
|
||
the Sound CDEV to pick which sound is associated with each event.
|
||
+ Resuming Zmodem now works with GEnie, and is even more reliable on all
|
||
systems when receiving unique files that happen to be named the same.
|
||
+ The Scrollback buffer can now be set to contain the "filtered" data
|
||
(just like the Capture buffer) or the "raw" data (just like version
|
||
1.0).
|
||
+ Most Online Displays now support an EDITABLE chat line (using the Arrow
|
||
keys).
|
||
+ Each Online Display has been updated to some degree. One big
|
||
improvement to the Spectrum SHR displays is that they now show _23_
|
||
lines down!
|
||
+ Phonebook entries can remember an Online Display choice.
|
||
+ Scripts execute up to 300% faster than they did in version 1. WOW!
|
||
|
||
THE SCRIPTING LANGUAGE ALSO HAS A *BUNCH* OF NEW FEATURES! These new
|
||
features will benefit you even if you don't write scripts, because people
|
||
are already writing useful scripts for working on services such as GEnie.
|
||
|
||
Here are a few of the new scripting capabilities:
|
||
+ Use any reasonable number of NAMED variables (no longer limited to
|
||
variables 0 through 9)!
|
||
+ Create up to 32 "HitZones" so your script can respond to mouse clicks.
|
||
+ Work with "Spectrum External Commands" (XCMDs), which greatly extend
|
||
Spectrum's capabilities. For example, a "Line Edit" XCMD lets scripts
|
||
display a custom window with up to 8 LineEdit boxes (the script
|
||
specifies the labels and the kind of data to enter).
|
||
|
||
Other XCMDs include:
|
||
AlertWindow -- gives scripts COMPLETE access to the AlertWindow tool
|
||
call
|
||
Chatterbox -- lets scripts manage "private" messages while in a live
|
||
chat, by displaying each private chat in its own custom
|
||
window)
|
||
Debug -- helps script authors to debug their scripts
|
||
HodgePodge -- several utilities, such as number conversions, text
|
||
conversions, etc.
|
||
Inform -- display a custom window containing a Teach file
|
||
Lister -- lets scripts manage lists of information, and lets the user
|
||
interract with them in a custom window
|
||
RadioCheck -- display a window with radio buttons and checkboxes
|
||
rVersion -- reads rVersion info out of files which contain that info
|
||
ScriptEditor -- access advanced TextEdit tool functions
|
||
Speech -- speak any given phrase, IF Byte Works' "Talking Tools" is
|
||
installed
|
||
Twilight II -- controls the Twilight II screen blanker so it blanks only
|
||
at appropriate times, and completely inactivates it
|
||
during file transfers
|
||
XLoader -- provides an easy way to activate and inactivate Spectrum
|
||
External Commands while using Spectrum
|
||
|
||
Don't Have Spectrum Yet? Now is the perfect time to "trade-up" to
|
||
'''''''''''''''''''''''' Spectrum version 2.0!
|
||
|
||
If you already own some other telecom program (which you obviously
|
||
do, since you're reading this message online) then you can "trade up" to
|
||
Spectrum for just $65!* When you place your order, just tell us what
|
||
software you are trading up from; it's THAT simple.
|
||
|
||
*Plus tax (in FL) and shipping & handling; keep reading...
|
||
|
||
Already Own Spectrum Version 1.0? Upgrade from Spectrum version 1.0 to
|
||
''''''''''''''''''''''''''''''''' Spectrum version 2.0 for the Special
|
||
Introductory Price of just $25!*
|
||
|
||
If you purchased Spectrum in Dec94 or Jan95 then the upgrade is
|
||
free*; see the end of this message for further details.
|
||
|
||
*Plus tax (in FL) and shipping & handling; keep reading...
|
||
|
||
Hey, Check This Out! If you're ordering Spectrum or the Spectrum Upgrade
|
||
'''''''''''''''''''' then you'll be interested in two more great deals
|
||
we've worked out!
|
||
|
||
DEAL #1 -- BALLOON is a new desk accessory (NDA) that lets you easily
|
||
create and maintain NuFX (ShrinkIt) archives on your IIGS. Because Balloon
|
||
is a NDA, you don't have to quit Spectrum (or any other IIGS application)
|
||
just to pack or unpack files!
|
||
|
||
Dealing with NuFX archives has never been easier. In the Finder you
|
||
double-click an archive and instantly see what's in it...and extract the
|
||
files right there! And creating an archive is just as easy--simply
|
||
highlight some icons then choose "Archive Files" from the Extras menu.
|
||
|
||
Now, that's cool enough, but it gets EVEN BETTER: With Balloon you
|
||
also get a Spectrum External Command (XCMD) that transparently keeps track
|
||
of all the files you download. As soon as you log off and it's "safe" to
|
||
unpack, Balloon pops open and automatically unpacks the files you received!
|
||
(Of course there are preferences to tailor Balloon to your desires...opt
|
||
for the completely automatic/no prompting/automatic extraction of your
|
||
archives, or go with full prompting, or something in between.)
|
||
|
||
The Balloon XCMD even adds several new commands to Spectrum's
|
||
scripting language! That right, with Balloon and the Balloon XCMD, you can
|
||
write script to open existing archives, create new archives, add files to
|
||
archives, and extract files from archives.
|
||
|
||
Joe Wankerl at GS+ Magazine wrote this great utility, and you can
|
||
purchase it from EGO Systems for $25...OR you can take advantage of the
|
||
special deal we've worked out, where you can purchase it direct from Seven
|
||
Hills Software for only $18!*
|
||
|
||
*Plus tax (in FL) and shipping & handling; keep reading...
|
||
|
||
DEAL #2 -- TALKING TOOLS is set of system tools which provide "voice
|
||
synthesis" (computer-generated speech) for your Apple IIGS! Because the
|
||
speech is computer-generated instead of being recorded, these tools let you
|
||
speak ANY phrase at will.
|
||
|
||
To make this happen we created the "Speech" external command for
|
||
Spectrum v2.0. Using the Speech XCMD you can control various speech
|
||
settings (Male or Female voice, pitch, volume, etc.), and you can write
|
||
scripts that actually SPEAK to you!
|
||
|
||
This capability is fun, but it's also useful. Imagine being able to
|
||
truly _listen_ to a GEnie Roundtable while doing something else (building a
|
||
model, reading the newspaper, etc.)!
|
||
|
||
Because Ewen Wannop wrote the Speech XCMD which controls the speech
|
||
tools, we are able to provide the Speech XCMD for FREE with Spectrum v2.0.
|
||
But the XCMD won't do diddly unless you've actually got the speech
|
||
synthesis tools from Byte Works.
|
||
|
||
You can purchase "Talking Tools" from Byte Works for $35...OR you can
|
||
order direct from Seven Hills Software and get it for just $25!*
|
||
|
||
*Plus tax (in FL) and shipping & handling; keep reading...
|
||
|
||
Great! Where Do I Send My Money? When you place an order please give us:
|
||
''''''''''''''''''''''''''''''''
|
||
+ Your name
|
||
+ Your complete address
|
||
+ Your area code and phone number
|
||
+ What you are ordering and how much you expect to pay*
|
||
+ Your Visa/MasterCard/Discover card number WITH expiration date (we
|
||
DO accept checks and money orders by mail)
|
||
|
||
*Add tax (in FL) and shipping & handling, as follows:
|
||
- Calculate Subtotal (add cost of all the products you're ordering)
|
||
- If in Florida, add 7% tax
|
||
- Add $3.50 for shipping and handling
|
||
|
||
Online orders: Send email to SEVENHILLS here on GEnie
|
||
By FAX: 904-575-2015 (anytime)
|
||
By phone: 904-575-0566 (M-F, 9am-5pm ET)
|
||
By mail: Seven Hills Software
|
||
2310 Oxford Road
|
||
Tallahassee, FL 32304-3930
|
||
|
||
Important If you qualify for the free Spectrum upgrade (i.e., you
|
||
''''''''' purchased Spectrum in Dec94 or Jan95) we need a photocopy of
|
||
your dated sales receipt UNLESS you purchased directly from Seven Hills
|
||
Software.
|
||
|
||
If you did NOT purchase Spectrum directly from us then you MUST
|
||
submit your order (with dated sales receipt) either by mail or by FAX.
|
||
|
||
If you DID purchase Spectrum directly from us then you may submit
|
||
your order by any method, but be sure to tell us you're eligible for the
|
||
FREE upgrade, and to look up the invoice in our records.
|
||
(SEVENHILLS, CAT43, TOP15, MSG:{639}/M645;1)
|
||
|
||
|
||
BALLOON V2.0 IS NOW AVAILABLE FOR THE IIGS! EGO Systems is pleased to
|
||
""""""""""""""""""""""""""""""""""""""""""" announce that version 2.0 of
|
||
Balloon is now shipping!
|
||
|
||
Balloon is a new desk accessory (NDA) that allows you to easily
|
||
create and maintain NuFX (ShrinkIt) archives on your IIGS. Since Balloon
|
||
is a NDA, you no longer have to run GS-ShinkIt to extract files from
|
||
archives! So, if you use a desktop telecommunictions program, like
|
||
Spectrum from Seven Hills Software, you can manipulate your ShrinkIt
|
||
archives while still online!
|
||
|
||
Here are a few of Balloon's features:
|
||
|
||
* Balloon can extract files from ShrinkIt archives.
|
||
|
||
* Balloon can create new ShrinkIt archives.
|
||
|
||
* Balloon can add/remove files to/from existing ShrinkIt archives.
|
||
|
||
* Balloon recognizes ShrinkIt archives that are enclosed in Binary
|
||
II, MacBinary and America Online for Macintosh "wrappers."
|
||
|
||
* Balloon works properly in both 640 and 320 modes, just like all
|
||
good new desk accessories should!
|
||
|
||
* Ballon allows you to have multiple ShrinkIt archives and file
|
||
information windows open at once.
|
||
|
||
* Balloon is Finder friendly. Double-click on a ShrinkIt archive
|
||
and Balloon opens it automatically! Balloon can also communicate
|
||
with other system extensions to automatically open files after they
|
||
are extracted from an archive!
|
||
|
||
The Balloon v2.0 package also comes with the Balloon XCMD for
|
||
Spectrum v2.0. By using this XCMD with Spectrum v2.0, you can have Balloon
|
||
AUTOMATICALLY expand the ShrinkIt archives that you download with Spectrum!
|
||
You don't even have to open Balloon!
|
||
|
||
In addition, the Balloon XCMD for Spectrum v2.0 lets you write
|
||
Spectrum scripts that give you full access to the Balloon new desk
|
||
accessory and all its capabilities. For example, you can write a script
|
||
that will create a new archive and add files to it. Or, you could write a
|
||
script that would open an existing archive and extract all the files from
|
||
it to a folder that you specify.
|
||
|
||
As if that weren't enough great stuff, the Balloon v2.0 package also
|
||
includes a copy of our popular new desk accessory text editor, EGOed lite.
|
||
With EGOed lite installed in your system, you can quickly and easily read
|
||
and print text, Teach, AppleWorks Classic and AppleWorks GS word processor
|
||
files. Balloon and EGOed lite will even work together to let you
|
||
automatically open and read the word processing files that you extract from
|
||
your ShrinkIt archives!
|
||
|
||
So, how much does all this cost? Believe it or not, the retail price
|
||
for Balloon v2.0 is just $25! This price includes first class shipping to
|
||
anywhere in the United States, Air Mail shipping to Canada and Mexico, and
|
||
surface mail shipping to anywhere else in the world. (For Air Mail
|
||
delivery outside North America, add $3, for a total of $28.) As an added
|
||
bonus, when you send in your Balloon registration card, we'll send you a
|
||
FREE issue of GS+ Magazine, the only Apple IIGS Magazine and Disk
|
||
publication! (If you are already a GS+ Magazine subscriber, sending in
|
||
your Balloon registration card will get you a free magazine-only back issue
|
||
of your choice!)
|
||
|
||
Speaking of GS+ Magazine, if you are a GS+ Magazine subscriber, you
|
||
can get Balloon v2.0 at a special introductory price of only $20! When you
|
||
order, just let us know that you are a subscriber and include your customer
|
||
number (it's on your GS+ Magazine mailing label above your name) to qualify
|
||
for the special introductory price. But hurry! This special offer ends on
|
||
April 3rd, 1995!
|
||
|
||
The Ever So Fine Print Balloon requires System Software v6.0.1, at least
|
||
'''''''''''''''''''''' 2MB of RAM, and a hard drive. Spectrum v2.0 is
|
||
required to use the Balloon XCMD for Spectrum v2.0, it will NOT work with
|
||
earlier versions of Spectrum. (However, the Balloon new desk accessory
|
||
WILL work with older versions of Spectrum.)
|
||
|
||
Balloon v2.0 is a complete rewrite of the original Balloon Finder
|
||
extension that appeared in GS+ Magazine V5.N2. Balloon v2.0 is a
|
||
stand-alone product and will NOT appear in GS+ Magazine! Only current GS+
|
||
Magazine subscribers can purchase Balloon for the special introductory
|
||
price of $20. However, if you subscribe when you place your order for
|
||
Balloon, you can get the special pricing. This special offer expires on
|
||
April 3rd, 1995.
|
||
|
||
To order Balloon, give us a call at 1-800-662-3634 between 9 a.m. and
|
||
5 p.m. Monday through Friday. (Outside the United States, call
|
||
615-332-2087. We accept Visa and MasterCard for all phone orders.) You
|
||
can also FAX your order to us at 615-332-2634. If you prefer to order by
|
||
mail, send your check or money order (made payable to "EGO Systems" and in
|
||
US funds only), or credit card information to:
|
||
|
||
Balloon
|
||
EGO Systems
|
||
P. O. Box 15366
|
||
Chattanooga, TN 37415-0366
|
||
|
||
America Online, Delphi: GSPlusDiz
|
||
GEnie: Diz
|
||
Internet: Diz@genie.geis.com
|
||
(DIZ, CAT33, TOP2, MSG:475/M645;1)
|
||
|
||
|
||
CRY FOR HELP Yes, this is a cry for help. My name is Michael Lutynski
|
||
"""""""""""" and I am starting a small business called Animasia. My
|
||
first product, Animasia 3-D, is finally ready to begin shipping in the next
|
||
several days. However, the cost for printing the first run of manuals,
|
||
registration cards, and disk labels have monopolized my expenses and almost
|
||
completely offset the orders received so far.
|
||
|
||
I am asking for anyone who is interested in Animasia 3-D to consider
|
||
purchasing it now. This is not meant to be an advertising campaign. I
|
||
need only four orders to help me meet my pressing financial obligations.
|
||
|
||
What Is It? In brief, Animasia 3-D is a desktop application that creates
|
||
''''''''''' animations using three-dimensional models. Animasia 3-D also
|
||
can be used to create images and clip art for other applications. A more
|
||
descriptive press release is available upon request.
|
||
|
||
What You Will Receive You will receive the following:
|
||
'''''''''''''''''''''
|
||
Two manuals: Tutorial and Reference
|
||
Four disks: Application, Tutorials, Animations, and Projects
|
||
Registration card
|
||
|
||
The manuals are laser printed with spiral bindings. Of the 300+
|
||
total pages, there is an illustration on almost every page. The Tutorial
|
||
manual contains twelve complete lessons and the Reference is thorough.
|
||
|
||
The disks contain the application, tutorials, sample animations,
|
||
projects, and 3-D clip models. One animation entitled "Warning" is 40
|
||
seconds long. For HyperCard IIgs users, there are also two new animation
|
||
player XCMDs written by Brian Gillespie.
|
||
|
||
There is a 30 day satisfaction guarantee. If Animasia 3-D just isn't
|
||
for you, you can return it for a full refund. All in all, the package is
|
||
professionally done.
|
||
|
||
You will need an Apple IIGS with System Software 6.0.1 and at least
|
||
2Mb of memory. 4Mb, a hard disk, and an accelerator are strongly
|
||
recommended.
|
||
|
||
Why Is It Shipping Now? Animasia 3-D was supposed to be released on
|
||
''''''''''''''''''''''' December 10th. The release has been pushed back
|
||
to correct a few significant bugs and generally to make everything as
|
||
perfect as can be.
|
||
|
||
As of today, 1/26/95, the only issues that remain are to determine
|
||
which animations and 3-D clip models will be included and to type up a few
|
||
disk notes. All other materials are ready to go.
|
||
|
||
About Animasia The Animasia 3-D project began as a test in the summer of
|
||
'''''''''''''' 1989. Not until 1991 was it seriously developed. Since
|
||
that time, I have written several articles for GS+ magazine, created the
|
||
Addressed For Success label printing application, and worked as technical
|
||
support for Econ Technologies.
|
||
|
||
Animasia 3-D was demonstrated at this summer's KansasFest. User
|
||
suggestions were implemented, like faster operation and support for
|
||
gray-scale images and animations.
|
||
|
||
Conclusion If you've already ordered, thank you very much. Your Animasia
|
||
'''''''''' 3-D will be arriving shortly. If you'd like to order, I'm
|
||
asking that you please do so now; the funds are greatly needed. The cost
|
||
is US $99 plus $3.50 shipping and handling. Overseas orders add $5.
|
||
Florida residents add 6% sales tax. At this time, only checks or money
|
||
orders are accepted.
|
||
|
||
The address is:
|
||
|
||
Animasia
|
||
3324 Vishaal Drive
|
||
Orlando, FL 32817
|
||
USA
|
||
|
||
If you would like to contact me by voice, by all means, please do so
|
||
at 407-380-9932. Business hours are 10 AM - 4 PM Eastern Time, Monday -
|
||
Friday. I can also be reached on-line at animasia@genie.geis.com.
|
||
|
||
Please distribute this message where you think it may reach an
|
||
audience.
|
||
|
||
Sincerely,
|
||
Michael Lutynski
|
||
President
|
||
Animasia
|
||
(ANIMASIA, CAT2, TOP27, MSG:46/M645;1)
|
||
|
||
|
||
OFFICE PRODUCTIVITY SOFTWARE TAKES LEAVE OF ABSENCE Office Productivity
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""" Software will be
|
||
curtailing support for AppleWorks and Apple II computers in general. The
|
||
one and only employee of OPS, (me), has accepted a conventional job with a
|
||
regular paycheck. You way still order old products such as TO.DiskTools
|
||
and TO.About Time at the old address, but work on new programs and updating
|
||
old prducts for AppleWorks 5.0 will not resume for several months at least.
|
||
(D.GUM, CAT13, TOP7, MSG:75/M645;1)
|
||
|
||
|
||
>>> THROUGH THE GRAPEVINE <<<
|
||
"""""""""""""""""""""""""""""
|
||
|
||
DIGISOFT CD FOR IIGS I know we have been pretty quiet lately, and the
|
||
"""""""""""""""""""" truth of the matter is that the CD has been finished
|
||
since September. However, several unexpected problems and a lack of time
|
||
to deal with them has delayed the production of the disc until now. We
|
||
will be sending the data off to the CD plant within the next two weeks,
|
||
and beyond that it should take another three weeks to be replicated, so we
|
||
expect to ship somewhere in the first half of February. Price will be
|
||
around $60, more details will be announced soon. This is a 100% Apple II
|
||
CD with over 600 megabytes of files useful to Apple II owners.
|
||
|
||
Thanks for your support and interest. If you would like to be added
|
||
to our electronic mailing list to receive more info on the CD as it is
|
||
available, please email your preferred internet email address to
|
||
jagaroth@leland.stanford.edu with CD mentioned in the subject of the mail.
|
||
|
||
Regards (and happy holidays!),
|
||
|
||
<<Jim
|
||
(DIGISOFT, CAT13, TOP34, MSG:11/M645;1)
|
||
|
||
|
||
FUTURE OF II ALIVE I'm not sure what we're going to do with II Alive.
|
||
"""""""""""""""""" It's likely we'll continue publishing it in some form
|
||
or another, but what that form will be is currently up in the air. With
|
||
the shrinking subscription base, I don't think we can continue to publish
|
||
it as a "glossy" much longer.
|
||
|
||
I personally won't be working on it very much; my job
|
||
responsibilities at QC have changed somewhat recently, and I'm not doing
|
||
much writing.
|
||
|
||
I'll keep y'all informed.
|
||
(II.ALIVE, CAT42, TOP10, MSG:130/M645;1)
|
||
|
||
|
||
INTERVIEW WITH WOZ Is there a question you have always wanted to ask
|
||
"""""""""""""""""" STEVE WOZNIAK? (the Woz, Saint Woz, Da Man, etc. <g>)
|
||
|
||
Well, now's your chance! PowerGS will be interviewing Steve Wozniak
|
||
for the next issue!!! Yes, it's true, and you can be a part of this first
|
||
interview with Woz since '86.
|
||
|
||
(yea yea it's free! :))
|
||
|
||
Email to A.RAHIMZADEH -- I will also check my internet account
|
||
periodically (on gellersen for those who have it in PowerGS issue 4), but
|
||
to insure that I get the questions you have, please send it to my GEnie
|
||
account!
|
||
|
||
Happy Holidays and Apple II FOREVER!
|
||
|
||
-Auri Rahimzadeh
|
||
Editor in Chief
|
||
PowerGS Diskazine(TM)
|
||
(A.RAHIMZADEH, CAT13, TOP38, MSG:121/M645;1)
|
||
|
||
<<<<< The interview with Steve Wozniak has _not_ been cancelled.
|
||
""""" Actually, it was just delayed since we had some difficulties in
|
||
California. I am pleased to announce, however, that Woz and I are doing
|
||
the interview through e-mail now, and that Issue Number Five of PowerGS
|
||
should be released sometime in February.
|
||
|
||
Yes, there IS an interview with The Woz. If you have any questions,
|
||
please email me at A.RAHIMZADEH or arahimza@gellersen.valpo.edu on the
|
||
internet.
|
||
|
||
I hope you had a wonderful new year!
|
||
|
||
Sincerely,
|
||
|
||
Auri Rahimzadeh
|
||
Editor in Chief
|
||
PowerGS Diskazine
|
||
(A.RAHIMZADEH, CAT13, TOP38, MSG:123/M645;1)
|
||
|
||
|
||
FAXINATION DELAYED, FEATURES CUT Sorry to hear, and report, a slight
|
||
"""""""""""""""""""""""""""""""" delay in Faxination. I talked with them
|
||
today (Tuesday) and was told that there was a "minor" bug found and it
|
||
would be fixed before shipping. As sad as I was that I would not have my
|
||
new toys for Christmas, I told them I appreciated them holding it back
|
||
until they fixed the bug.
|
||
|
||
Michael E.
|
||
(M.EWEN, CAT40, TOP2, MSG:139/M645;1)
|
||
|
||
>>>>> Faxination will allow you to forward faxes to one new address at a
|
||
""""" time, and the new addresses can be selected from your phone book.
|
||
It looks like we may have to defer the batch send feature until a (maybe
|
||
free) upgrade due to delivery delays. Also, compatibility concerns fueled
|
||
the decision to NOT include a "timed send" feature, so you will have to
|
||
start your fax transmissions manually. For the same reason, no redial
|
||
feature is being included in the initial release. The limit for the number
|
||
of entries in the phone book is about 32,767, but the practical limit for
|
||
your machine may be smaller due to RAM or disk space limits.
|
||
|
||
Steve Bernbaum -
|
||
|
||
Many regrets, but every time I look at the serial routines, the
|
||
entire program seems to break. :) I now plan to include alternate port
|
||
support, but the lateness of the program prevents me from including it in
|
||
the initial release. I think ProTerm allows you to use the Modem port even
|
||
if it is not enabled in the Control Panel, and Faxination certainly does.
|
||
Perhaps you could simply put your modem in the Modem port and only
|
||
reconfigure your communications software? (Hope so, been there with the
|
||
mass reconfig -- several times! :)
|
||
|
||
Da Programmer
|
||
(S.MCQUEEN1, CAT40, TOP2, MSG:142/M645;1)
|
||
|
||
>>>>> We're hoping to be shipping by January 15, 1995
|
||
"""""
|
||
Lowell Erbe
|
||
Vitesse, Inc., Technical Support
|
||
(VITESSE, CAT40, TOP2, MSG:155/M645;1)
|
||
|
||
WOLFSTEIN 3-D FOR IIGS When will Wolf be out? Only the dead will tell!!
|
||
""""""""""""""""""""""
|
||
Truely, I can't give a date yet. Bill is busy with a emergency
|
||
project near final along with Wolf GS. So, he is working as fast as he can
|
||
to finalize two projects at the same time!
|
||
|
||
I can tell you that all the main art is done. The walls and game
|
||
sprites are all completed. Misc stuff like interface screens and junk like
|
||
that still need to be done, but are trivial stuff.
|
||
|
||
I'll keep you all posted. :)
|
||
(S.EVERTS, CAT40, TOP6, MSG:26/M645;1)
|
||
|
||
>>>>> "Bill is busy with a emergency project near final along with Wolf
|
||
""""" GS." ^^^^^^^^^^^^^^^^^
|
||
|
||
Whuzzat?
|
||
|
||
Scott, you seem rather knowledgable abt Wolf... how about some specs?
|
||
Blood, automap, hounds, are they all included? (especially the former :)
|
||
|
||
-Ken
|
||
(KEN.GAGNE, CAT40, TOP6, MSG:27/M645;1)
|
||
|
||
<<<<< Yes, I'm quite familiar with it since I did all the artwork
|
||
""""" conversion. :)
|
||
|
||
It's based on the Mac "Third Encounter" version. It has blood,
|
||
automap, and hounds. ;)
|
||
|
||
The main difference is the artwork was reduced from 128x128 pixels to
|
||
64x64 pixels and of course reduced to 16 colors. It was a major job but I
|
||
think you'll like the results. I'm quite happy with the final art.
|
||
|
||
There will be 90 levels!!! It will have the original 30 which is all
|
||
that was included in the "Jaguar", "Super Nintendo", and "Mac shareware"
|
||
versions. Plus it includes all 60 levels of the original "IBM" version
|
||
which are broken down into 6 missions of 10 levels each.
|
||
|
||
There will be at least 3 screen resolutions you can pick. Maybe more
|
||
in the final version. An accellerator card is HIGHLY recommended.
|
||
|
||
I'm right now finishing up the interface screens, so it is getting
|
||
close. I'll keep you posted on the progress. I'm expecting a new version
|
||
next week for test.
|
||
(S.EVERTS, CAT40, TOP6, MSG:28/M645;1)
|
||
|
||
<<<<< The mac "third encounter" has the original 30 levels which were
|
||
""""" used in the Jaguar and Super Nintendo versions. They were heavily
|
||
modified levels from the IBM version.
|
||
|
||
The 60 extra levels are the entire levels that came with the full IBM
|
||
version.
|
||
|
||
It gets kind of confusing. Basicly, the IBM full version had 6
|
||
missions, each with 10 levels.
|
||
|
||
When the SNES and Jaguar versions came out, they made a new set of 30
|
||
levels based on the IBM version.
|
||
|
||
Then the Mac version came out and took those 30 levels. They then got
|
||
the original IBM levels and added them back. Thats why it has 90 levels.
|
||
When you play the IBM levels, you may notice half of them are familiar, but
|
||
they were heavily changed. Rooms were moved, deleted, or added, doors
|
||
change, etc.
|
||
|
||
So... On the mac version, they had three versions. One with the 3
|
||
levels, one with the 30 levels, and one with all 90 levels.
|
||
|
||
The gs version will only be released with all 90 levels.
|
||
|
||
I'm sure I confused all of you now! :)
|
||
|
||
On the question of compatibility... The game will NOT be compatible
|
||
with IBM WAD files. The formats are very different. We are building in a
|
||
feature to allow you to load in new levels. We aren't making a level
|
||
editor, but hopefully some brave programmer will decide to make one for it.
|
||
Hint, hint!! So if someone does do an editor, I'm sure we'll see tons of
|
||
new levels. Bill says its possible to edit the art too, so someone can
|
||
make an art editor too!
|
||
|
||
Wolf Barney, here we come!!
|
||
|
||
-Scott
|
||
(S.EVERTS, CAT40, TOP6, MSG:33/M645;1)
|
||
|
||
>>>>> We don't yet have a project release date for Wolfenstein 3D. We're
|
||
""""" working out some final details and a few bugs, but hope to begin
|
||
shipping by February.
|
||
|
||
Vitesse is taking orders for Wolfenstein 3D NOW. The current price is
|
||
$39.95. After it begins shipping, however, the price will go up to $49.95.
|
||
|
||
Lowell Erbe
|
||
Vitesse, Inc., Technical Support
|
||
(VITESSE, CAT40, TOP6, MSG:35/M645;1)
|
||
|
||
|
||
APPLEWORKS 5 ON A MAC? The emulator, tentatively titled "Phoenix II" and
|
||
"""""""""""""""""""""" heretofore referred to as "Phoenix" or "the
|
||
Phoenix project," allows you to run AppleWorks 5 on a Mac. AppleWorks 4
|
||
will likely be supported as well. There will be some trade- offs, at least
|
||
in version 1.0, such as no double hires graphics, but on the other hand,
|
||
you'll actually being running AW5 on your Mac. That means macros and pokes
|
||
and all that stuff is the same; this isn't _similar_ to AppleWorks, it's
|
||
running your _actual_ AW5 software on a Mac or Power Mac.
|
||
(BRANDT, CAT17, TOP28, MSG:52/M645;1)
|
||
|
||
|
||
SECOND SIGHT CARD STILL IN THE WORKS > Shipping soon??? I hear it was a
|
||
"""""""""""""""""""""""""""""""""""" > question of the manual being
|
||
> delayed??
|
||
|
||
Manual? What manual? :-)
|
||
|
||
No, we're doing a slight hardware revision. We want to do everything
|
||
we can to keep your interest on our product, so there will likely be a new
|
||
feature: TrueColor. (Actually, by luck, it looks like we'll get this
|
||
almost for free :-)
|
||
|
||
The firmware is progressing nicely. I'm nearly done with lores,
|
||
leaving only double lores, hires, and double hires to do. BTW, AppleWorks
|
||
looks GREAT on a VGA monitor. :-)
|
||
|
||
Jawaid
|
||
(PROCYON, CAT20, TOP14, MSG:260/M645;1)
|
||
|
||
|
||
QUICKDRAW II SUPPORT FOR SECOND SIGHT? OK, I wasn't going to say anything
|
||
"""""""""""""""""""""""""""""""""""""" again just yet, but the QuickDraw
|
||
II support IS being worked on! I've managed to get about a third of QD
|
||
disassembled and understood so far (it's about 32K of code in total), and
|
||
I've started work on the driver structure. At this point, I believe it to
|
||
be possible to support higher resolutions in many programs, though of
|
||
course not any that write directly to screen memory, even though this is an
|
||
Apple supported method. You will not get more colours out of existing
|
||
programs, and I'm also concerned about the display being rather odd looking
|
||
because of the large difference in aspect ratios.
|
||
|
||
The best I can offer is, we'll have to wait and see how it works out.
|
||
Initially I was quite excited about the prospects of using the Finder,
|
||
AppleWorks GS, etc., at 1024x768, but now I realize that the display is
|
||
going to look very squished unless I add special code to, for example,
|
||
double the height of 640 mode icons and also change the system font.
|
||
|
||
I also do not have any official affiliation with Sequential and have
|
||
not seen any documentation on how to access the board. Hopefully I'll have
|
||
everything else pretty much ready when the board and developers' docs are
|
||
released so I can put together the driver for the SS very quickly.
|
||
|
||
I still think that the best use of the board will come from new
|
||
programs written with the Second Sight in mind, but my driver system should
|
||
help with at least some of the older programs that will not be updated.
|
||
|
||
Mike
|
||
(M.HACKETT, CAT20, TOP14, MSG:245/M645;1)
|
||
|
||
|
||
TURBOREZ CARD ALSO BEING WORKED ON Re: TurboRez. It exists. It's real.
|
||
"""""""""""""""""""""""""""""""""" It's under tremendous pressure to be
|
||
completed. There actually are people who develop things but do not feel the
|
||
need to continually toot their own horn.
|
||
|
||
On the other hand, it would be nice if RezTek popped in here so I'll
|
||
e-mail Bill St. Pierre and ask him to reply to this topic.
|
||
|
||
Michael
|
||
(ANIMASIA, CAT6, TOP16, MSG:32/M645;1)
|
||
|
||
|
||
>>> MESSAGE SPOTLIGHT <<<
|
||
"""""""""""""""""""""""""
|
||
|
||
Category 5, Topic 2
|
||
Message 396 Wed Jan 11, 1995
|
||
M.DYE at 00:00 EST
|
||
|
||
I know I should be happier about this than I am, but Woz made the
|
||
cover of the latest "Apple Developer Tools Catalog" hustling Mac
|
||
development tools. The blurb on page 1 prattles on thus:
|
||
|
||
"No, you're not seeing things... that's Steve
|
||
Wozniak on our cover. Woz heard about our great
|
||
subscription products that automatically deliver
|
||
regular updates. He got so excited that he couldn't
|
||
resist getting in on the action!
|
||
... While Woz probably won't deliver these
|
||
terrific products personally, you're sure to be more
|
||
than satisfied! Just like Woz!
|
||
|
||
I know things, especially in technology, more faster and faster, but I
|
||
really like my IIGS. The macs I make use of at work are just boxes,
|
||
ClarisWorks is OK; it just doesn't compare to the feeling I get helping at
|
||
an Apple II user group meeting. Words can hardly express the gratitude I
|
||
feel towards what Woz and all the others for Apple II hardware and software
|
||
and I know the Power Mac and MacOS are Apple's future, but it doesn't feel
|
||
the same. Maybe Woz has something to say beyond that bogus blurb.
|
||
|
||
Mark Dye - Lurking in Otego, NY
|
||
|
||
[*][*][*]
|
||
|
||
|
||
While on GEnie, do you spend most of your time downloading files?
|
||
If so, you may be missing out some excellent information in the Bulletin
|
||
Board area. The messages listed above only scratch the surface of
|
||
what's available and waiting for you in the bulletin board area.
|
||
|
||
If you are serious about your Apple II, the GEnieLamp staff strongly
|
||
urge you to give the bulletin board area a try. There are literally
|
||
thousands of messages posted from people like you from all over the
|
||
world.
|
||
|
||
|
||
|
||
[EOA]
|
||
[HUM]//////////////////////////////
|
||
HUMOR ONLINE /
|
||
/////////////////////////////////
|
||
Fun & Games On GEnie
|
||
""""""""""""""""""""
|
||
by Douglas Cuff
|
||
[EDITOR.A2]
|
||
|
||
|
||
>>> TOO MUCH TIME ON MY HANDS <<<
|
||
"""""""""""""""""""""""""""""""""
|
||
|
||
A long, long time ago, I used to run a computer BBS on my trusty
|
||
Apple IIe. Some of the callers knew each other, but most of the denizens
|
||
knew each other only as names. After a year or two, some of the more
|
||
regular callers organized a "night out", when we all met for dinner to
|
||
remind ourselves of the faces behind the names.
|
||
|
||
The first time we did this, there was a distinct lack of
|
||
organization. The time, date, and place of the event floated in limbo.
|
||
One participant asked, innocently enough, "So what's the story on the
|
||
banquet hall?" All she wanted to know is what progress had been made in
|
||
making reservations at the proposed venue. A simple enough question.
|
||
|
||
Well, you know how it is when you have a lot of stress. Sometimes
|
||
you expend a lot of energy on trivial things just to keep yourself sane.
|
||
That was and is my excuse for my following reply to the innocent question
|
||
"What's the story on the banquet hall?"
|
||
|
||
[*][*][*]
|
||
|
||
|
||
Once upon a time, far, far away, there was a banquet hall named
|
||
Ermintrude. She was a very jolly and good banquet hall most of the time,
|
||
but unfortunately she had a very low tolerance for the inane drivel that
|
||
passes as dinner conversation in modern-day North America, and so, throwing
|
||
off her tablecloths and curtains, she set out to seek her fortune.
|
||
|
||
As she was trundling down the road with no thought in her mind other
|
||
than the fact that it was quite chilly to be out without one's foundation,
|
||
she ran into three little children named Flopsy, Mopsy, Cottontail, and
|
||
Peter. She noticed that they looked quite sad.
|
||
|
||
"Why do you look so sad?" Ermintrude asked, going for the obvious,
|
||
and addressing all three at once, so as to save time.
|
||
|
||
"Yea, though would fain break bread--" began one.
|
||
|
||
"All right, knock it off!" warned Ermintrude. "Speak English, or
|
||
French, or both, but not something you've obviously mugged up out of a book
|
||
published about the same time that King Arthur was in rompers."
|
||
|
||
"We're starved!" cried all three at once.
|
||
|
||
"Starved?" echoed the puzzled Ermintrude. "How can that be? Surely
|
||
your mothers have given you your Family Allowance cheques."
|
||
|
||
"No, money is not the problem," Mopsy explained, and indeed,
|
||
Ermintrude noticed that the children's pockets were fairly stuffed with
|
||
loonies.
|
||
|
||
"Then I don't understand. There is a McDonald's right behind us, a
|
||
Burger King in front of us, and an Arby's just down the droke a piece.
|
||
Fast food to the right of us; fast food to the left of us; fast food all
|
||
around us; char-broiled and sundry."
|
||
|
||
"With a clarity unparalleled in an inanimate object, you have
|
||
mentioned the solution and the problem in the same breath," said Flopsy,
|
||
who, to be absolutely frank, was a trifle too verbose. "We have partaken
|
||
of the fare at all three emporiums..."
|
||
|
||
"...and we're still hungry!" finished Mopsy.
|
||
|
||
"Not overly surprising, considering that there's about as much food
|
||
value in their containers as in the muck they dish into said containers,"
|
||
said Ermintrude sourly. "Come with me, children, to a land beyond the blue
|
||
mountains, where food is nourishing and no one tries to serve you while
|
||
wearing a thing that looks like telephone operators' gear."
|
||
|
||
So the three hungry and apparently boundlessly optimistic children
|
||
bundled into Ermintrude, and they all set off for the land behind the blue
|
||
mountains.
|
||
|
||
[Join us for an exciting installment of the story of the banquet
|
||
hall, to presented at approximately the same time that it has been reliably
|
||
determined that hell has frozen over.]
|
||
|
||
[*][*][*]
|
||
|
||
|
||
But I'm feeling much better now.
|
||
|
||
--Doug Cuff
|
||
|
||
|
||
|
||
[EOA]
|
||
[REF]//////////////////////////////
|
||
REFLECTIONS /
|
||
/////////////////////////////////
|
||
Thinking About Online Communications
|
||
""""""""""""""""""""""""""""""""""""
|
||
by Phil Shapiro
|
||
[P.SHAPIRO1]
|
||
|
||
|
||
|
||
>>> NURTURING THE EMOTIONAL BOND BETWEEN WRITERS AND READERS <<<
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
Last month I finished reading an excellent new book, "The Metaphysics
|
||
of Virtual Reality." Having finished the book, my mind was swirling with
|
||
ideas. So I sat down and wrote a lengthy e-mail message to the author of
|
||
the book, Michael Heim. His Internet address was printed right there in
|
||
the preface of the book.
|
||
|
||
Within a day of sending the message, I received a friendly reply.
|
||
Incredibly enough, the very person who had spent months and months of work
|
||
writing this book was ready and able to respond to my own reactions to the
|
||
book.
|
||
|
||
The excitement of being able to communicate with someone whose book
|
||
you just read is hard to describe. The experience is akin to going
|
||
backstage after a play to chat with the director and actors of the
|
||
production. Or being invited backstage at the end of a rock concert to
|
||
chat with your favorite performers.
|
||
|
||
Truth is, I was already familiar with Heim's work from his earlier
|
||
book, the uniquely insightful, "Electric Language: A Philosophical Inquiry
|
||
Into Word Processing." I had written a feature length review of this
|
||
earlier book, so I e-mailed Heim a copy of the review .
|
||
|
||
Heim was duly appreciative to receive a copy of the review I wrote.
|
||
Actually, it took me all of five seconds to send him the review. The
|
||
review was already sitting on my hard drive as a text file. The least I
|
||
can do to show my appreciation of an excellent book is to send the author a
|
||
copy of a review I have written about the book.
|
||
|
||
Last year I engaged in an equally invigorating e-mail exchange with
|
||
syndicated columnist Michael Schrage, whose 1990 book, "Shared Minds: The
|
||
New Technologies of Collaboration," has some immensely interesting things
|
||
to say about collaborative creativity. Schrage is currently working at
|
||
MIT's Media Lab, a place whose mission is to dream and play with all the
|
||
possibilities of converging technologies. (For a probing report on the
|
||
goings on at MIT's Media Lab, see Stewart Brand's top-notch 1987 book,
|
||
"Media Lab: Inventing the Future at MIT.")
|
||
|
||
The excitement of direct communications between writers and readers
|
||
is something that results in great benefits to both. Writers, after all,
|
||
derive emotional sustenance from the feedback they get from readers. The
|
||
very purpose of writing becomes real and tangible when readers are able to
|
||
respond to your books right in your own e-mail mailbox.
|
||
|
||
Online communications transforms the "imagined audience" into a "real
|
||
audience." By doing so, it nurtures the emotional bonds between writer and
|
||
reader.
|
||
|
||
The possibilities of writer/reader interaction got me thinking about
|
||
the experiences I had writing a column for my college newspaper. While an
|
||
undergraduate, I wrote a regular commentary column on the back page of my
|
||
college newspaper. The words I would write on Sunday evenings at my desk,
|
||
in my room, would be be multiplied 10,000 times to appear in bundles of
|
||
newspaper around campus on Thursday afternoons. I'd often receive feedback
|
||
from friends within an hour or two after the papers hit the sidewalk.
|
||
|
||
The positive feedback created by hearing reader reaction to my ideas
|
||
served as a potent source of creative energy for my next column. This same
|
||
type of tight feedback between writer and reader is made possible by online
|
||
communications.
|
||
|
||
It's only fair to admit, though, that there are some downsides to
|
||
having book readers communicate directly with book authors. A popular
|
||
author might receive several hundred fan e-mail messages per day.
|
||
Naturally, fans will come to learn that not each and every e-mail message
|
||
can be responded to personally, in detail.
|
||
|
||
On the other hand, online communications allows book authors to
|
||
personally involve themselves with the publicity for a book. Book
|
||
publishers will naturally start favoring those authors ready and able to
|
||
put in the hours to answer online reader responses. Grueling and expensive
|
||
book signing tours will thankfully take on a lesser role in book publicity.
|
||
|
||
Authors who write books on telecommunications subjects, especially,
|
||
will be expected to be available to interact with reader fan mail. Before
|
||
the turn of the century, it won't be surprising to hear the comment, "I
|
||
can't for the life of me understand why this author didn't include his/her
|
||
Internet address in the beginning of this book. Perhaps they're one of
|
||
those 'recluse' authors, or something."
|
||
|
||
-Phil Shapiro
|
||
|
||
|
||
[*][*][*]
|
||
|
||
Addendum: Copies of the book reviews mentioned in this article
|
||
can be found as text files in the Digipub RoundTable file
|
||
library, and in the new "Readers" RoundTable file library here on
|
||
GEnie. To locate the particular number of the file, search under
|
||
the uploader: p.shapiro1
|
||
|
||
To navigate to the Digipub RoundTable, simply type "digipub" or
|
||
"m1395" (no quotes) at any standard GEnie prompt. To navigate to
|
||
the new "Readers" RoundTable, type "readers" at any standard
|
||
GEnie prompt.
|
||
|
||
Also, persons interested in following (and contributing) book
|
||
reviews with the Internet community in general may enjoy the
|
||
newsgroup titled: rec.arts.books.review. This moderated
|
||
newsgroup tends to have a broader and more interesting selection
|
||
of book reviews than the New York Times book review section. To
|
||
contribute book reviews to this newsgroups, read the instructions
|
||
given in the FAQ (Frequently Asked Questions) file for the
|
||
newsgroup, which is posted periodically as a message to the
|
||
newsgroup.
|
||
|
||
Shapiro takes a keen interest in the social and psychological
|
||
dimensions of online communications. He can be reached at:
|
||
p.shapiro1@genie.geis.com and pshapiro@aol.com. This is the
|
||
twentieth column in his ongoing series, "Thinking About Online
|
||
Communications".]
|
||
|
||
|
||
|
||
[EOA]
|
||
[ASA]//////////////////////////////
|
||
ASCII ART GALLERY /
|
||
/////////////////////////////////
|
||
Valentine Art
|
||
"""""""""""""
|
||
by Susie Oviatt
|
||
[SUSIE]
|
||
|
||
|
||
|
||
ASCII ART BEGINS
|
||
,;;,;;, ,;;,;;,;;, ';
|
||
` ;;,,' .;;, ` ;; ;; ; ;. ,;,;;;, .;;,
|
||
;; ;; ;..' ;; ;; ; ;; ; ;; ;; ;,,'
|
||
,;;,;' ';;' ,;;' ;' ; .;';,' ;; ;;,.';;'
|
||
;, ;, `'
|
||
|
||
|
||
.:::::::. .:::::::.
|
||
:::::::::::sSSSSSSs:::sSSSSSSs.
|
||
::::::::::SSSSSSSSSSsSSSSSS#SSS
|
||
.,%%%%%%%,. :,%%%%%%%SSSSSSSSSSSSSSSSS##SS
|
||
%%%%%%%%%%%,%%%%%%%#%%SSSSSSSSSSSSSSS##SS'
|
||
%%%%%%%%%%%%%%%%%%%##%%:SSSSSSSSSSSS#SS'
|
||
`%%%%%%%%%%%%%%%%%##%%::::SSSSSSSSSSS'
|
||
`%%%%%%%%%%%%%%#%%:::::' `SSSSSSS'
|
||
`%%%%%%%%%%%%%' `::' `SSSS'
|
||
`%%%%%%%%%' ^ `S'
|
||
`%%%%%' ' ,'
|
||
`%%' ' '
|
||
^, ' '
|
||
' ' '
|
||
' , '
|
||
' , '
|
||
`, , ,'
|
||
.;;;;;, ..,,,,,.. ,;;;;;.'
|
||
;;;' `;;;,::;;;;;;;;;::,;;;' `;;;
|
||
;;;,,,;;;;;:';;;;;;;;`;;;;;,,,;;;
|
||
`;;;;;;;:,;;;;;;;;;;;;,;;;;;;;'
|
||
.:::;;;;' ;;;;;' ;;;;:::. ',
|
||
::;;;;;a@@@. .@@@a;;;;;:: '
|
||
::;;;;@@@@@@;@@@@@@;;;;:: `,
|
||
`::;;;@@@'@@;@@`@@@;;;::' ,
|
||
..,,.`::;;@@@aaaaa@@@;;::' ,%%%%%%%%%%.
|
||
.%%%%%%;!!,,,,,,,,,,,,,,,!!;%%%%%%%%%% ;;;,
|
||
.%%%%%%%%;!!!!!!!!!!!!!!!!!!!!!;%%%%%%%% ;;;;;
|
||
.%%%%%%%%%%;!!!!!!!! " !!!!!!!!;%%%%%%%% ;;;;;
|
||
.%%%%%%%%%%%;!!!!!!!!!!, .!!!!!!!!!!;%%%%%%%% ;;;'
|
||
.%%%%%%%%%%%;!!;!!;!!;!!;!!;!!;!!;!!;!;%%%%%%%%%'
|
||
;;;,%%%%%%%.!!!!!!!!!!!!!!!!!!!!!!!!!!!!!.
|
||
`;;;;,%%%%.!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!.
|
||
`;;;,%'!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
`' ,!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!,
|
||
! !!! !!! !!! !!! !!! !!! !!! !!! !!! !
|
||
.!!! !!! !!! !!! !!! !!! !!! !!! !!! !!!.
|
||
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
`!!`!!`!!`!!`!!`!!`!!`!!`!!`!!`!!`!!`!!`!!'
|
||
;;;;;;;;;;;;;,;;;;;;;;;;;;;;
|
||
.;;;;;;;;;;;;;;,;;;;;;;;;;;;;;;.
|
||
.;;;;;;;;;;;;;;;;,;;;;;;;;;;;;;;;;;,
|
||
;;;;;;;;;;;;;;;;;;,;;;;;;;;;;;;;;;;;;;
|
||
;;;;;;;;;;;;;;;;;;,;;;;;;;;;;;;;;;;;;;
|
||
`;;;;;;;;;;;;;;;; ;;;;;;;;;;;;;;;;;'
|
||
````````````` `'''''''''''''
|
||
|
||
|
||
...,,,,,,,,,...
|
||
.,%%%%%%%%%%%%%%%%%%%%%,.
|
||
.%%%%%%%%%%%%%%%%%%%%%%%%%%%.
|
||
.%%%%%%%%%%%%%%%v%%%%%%%%%%%%%%%.
|
||
.%%%%%%%%%%%%%%%vnv%%%%%%%%%%%%%%%.
|
||
%%%%%%%%%%%%%%vvnnnvv%%%%%%%%%%%%%%
|
||
%%%%%%%%%%%vvnnnnnnnnnvv%%%%%%%%%%%
|
||
`%%%%%%%vvnnnnnnnnnnnnnnnvv%%%%%%%'
|
||
`%%%%vvnnnnnn"nnnnn"nnnnnnvv%%%%'
|
||
.%%%;vvnnvvvvnnnnnnnnnvvvvnnvv;%%%,
|
||
.%%%%%%;vnvvvvvvnnnnnnnvvvvvvnv;%%%%%%.
|
||
.%%%%%%%%;vnvvvvnnnnnnnnnvvvvnv;%%%%%%%%.
|
||
%%%%%%%%%%%`vvnnnnnnnnnnnnnvv'%%%%%%%%%%%
|
||
%%%%%%%%%%% ;;;;;;%%%%%;;;;;; %%%%%%%%%%%
|
||
.,@@@@@@@@@@@@a,::;;;;%%%;;;;::.a@@@@@@@@@@@@,.
|
||
.@@@@@@@@@@@@@@@@@@@,::;;;;;::.@@@@@@@@@@@@@@@@@@@.
|
||
.;@@@@@@@@@@@@@@@@@@@@@@@,:::.@@@@@@@@@@@@@@@@@@@@@@@;.
|
||
.vvv;@@@@@@@@@@@@@@@@@@@@@@@'@@@@@@@@@@@@@@@@@@@@@@@;vvv.
|
||
vvvv;@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@;vvvv
|
||
vvv;@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@;vvv
|
||
`@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@'
|
||
`@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@'
|
||
`@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@'
|
||
`@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@'
|
||
;::`@@@@@@@@@@@@@@@@@@@@@@@'::;
|
||
;;;;;;;::`@@@@@@@@@@@@@'::;;;;;;;
|
||
;;;;;;;;;;;::`@@@@@@@'::;;;;;;;;;;;
|
||
;;;;;;;;;;;;;;::`@@@'::;;;;;;;;;;;;;;
|
||
;;;;;;;;;;;;;;;;::`@'::;;;;;;;;;;;;;;;;
|
||
;;;;;;;;;;;;;;;;;;;:::;;;;;;;;;;;;;;;;;;;
|
||
;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
|
||
;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
|
||
;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
|
||
,;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;,
|
||
,;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;,
|
||
`;;;';;;';;;';;;';;;';;;';;;';;;';;;';;;';;;';;;';;;';;;'
|
||
........... ...........
|
||
............. .............
|
||
............. .............
|
||
ASCII ART ENDS
|
||
|
||
[FOR VISUALLY IMPAIRED READERS: The above ASCII art consisted of two
|
||
pictures: a teddy bear holding a balloon bouquet, titled "Be Mine", and a
|
||
little girl holding a valentine.]
|
||
|
||
|
||
|
||
[EOA]
|
||
[HUN]//////////////////////////////
|
||
THE TREASURE HUNT /
|
||
/////////////////////////////////
|
||
Yours For the Downloading
|
||
"""""""""""""""""""""""""
|
||
by Charlie Hartley
|
||
[C.HARTLEY3]
|
||
|
||
|
||
|
||
Welcome back to the Treasure Hunt! This month we will take a look at
|
||
a variety of files available in the A2 Library. Let's get started. :)
|
||
|
||
|
||
[*][*][*]
|
||
|
||
MAH.JONGG.BXY File #18729 154240 bytes GS STRATEGY GAME
|
||
''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
Mah Jongg
|
||
By Chris Heckman and Scott Mathews
|
||
Copyright 1991, 1992. All rights reserved.
|
||
Wedge Software.
|
||
Shareware - $5.00
|
||
|
||
Joe Kohn uploaded this game for Wedge Software. He describes it as a
|
||
"fabulous implementation of the ancient game of Mah Jongg. Similar to
|
||
Shanghai, but better, as each game is completely different as tiles are set
|
||
at random."
|
||
|
||
The following information is based on the READ.ME text file that
|
||
comes with the download.
|
||
|
||
The object of the game is to clear all the tiles from the screen. To
|
||
clear the tiles, you must first find a pair of tiles that match
|
||
identically. Only matched pairs can be removed from the playing field.
|
||
Also, a tile must be considered as 'free' in order to be removed.
|
||
|
||
A tile is considered 'free' if there are no tiles on top of the tile
|
||
you would like to remove, and the tile has either no tiles immediately to
|
||
its left, or no tiles immediately to its right. Think of it as having to
|
||
slide tiles out to the left or right without disturbing the board.
|
||
|
||
Tiles are highlighted and removed by using the mouse. Error messages
|
||
will prompt you when you try to remove or match up a tile in error.
|
||
|
||
A background image sits underneath all the tiles. If you can clear
|
||
the board, you'll get to see it in its entirety.
|
||
|
||
You can load in a new set of tiles if you get bored of the default
|
||
set. Four tile sets are included with this download. There are several
|
||
other tile sets in the A2 library.
|
||
|
||
S.DASILVA1 has recently uploaded several tilesets for Mah Jongg. Here
|
||
is a list of them.
|
||
|
||
File# File Name Description
|
||
|
||
23864 ENGLISH.BXY English Tileset for Mahjongg
|
||
23865 FLAGTILES.BXY Flag Tileset for Mahjongg
|
||
23808 FRENCH.TILE.BXY French Tileset for Mahjongg
|
||
23897 HARPOON.BXY Harpoon Tileset for Mahjongg
|
||
23899 HEBREW.TILE.BXY Hebrew Tileset for Mahjongg
|
||
23807 LAKE.TILES.BXY Lake Side Tileset for Mahjongg
|
||
23581 NIGHT.TILES.BXY Night Tileset for Mahjongg
|
||
23721 PATTERN.TIL.BXY Patterns Tileset for Mahjongg
|
||
23896 SPHERE.TILE.BXY Sphere Tileset for Mahjongg
|
||
|
||
All of these are fairly short downloads, so I recommend that if you
|
||
like Mah Jongg, download all of these are try them out.
|
||
|
||
Instructions for creating your own tilesets are included in the
|
||
READ.ME file.
|
||
|
||
I like this game a lot. It requires concentration and foresight.
|
||
There are no "shoot 'em up" tactics here, just solid strategy and a bit of
|
||
luck.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
DESKTOP2.BXY File #23867 37248 bytes GS INIT/PROGRAM
|
||
''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
DeskSets v1.0
|
||
by Larry Badten
|
||
May 1994
|
||
JesusAware (similar to Freeware)
|
||
|
||
Pat Kern, who uploaded this program, said about it, "Tired of looking
|
||
at the same startup/background screen each time you use your GS? Here's a
|
||
program that will select from several different desktop patterns that can
|
||
be changed daily, each bootup, or find one you like & use it all the time.
|
||
31 patterns are included and you can add others as desired.
|
||
|
||
Larry Badten, the author of this program said about it: "This is a
|
||
combination of an init (DeskSets) and a GS/OS program. The init must be
|
||
loaded into the boot disks' System/System.Setup folder to become active at
|
||
boot time. This init looks for two things: 1) a folder called "DeskTops"
|
||
(located in your boot disks' System folder) which contains the patterns and
|
||
2) a preference file which will be in your boot disks' System/Preferences
|
||
folder (the program and/or init will create and update this file).
|
||
|
||
"The init has several options. They are: 1) Load a different pattern
|
||
after each x boots (you will enter the value for x); 2) Load a different
|
||
pattern if the date has changed since the last boot; 3) Don't change the
|
||
pattern; 4) Show the boot icon; 5) Hide the boot icon.
|
||
|
||
"The above options may be changed with the program "SetDesks", which
|
||
may be launched from any ProDOS or HFS volume or directory. Another option
|
||
is to set the next desk pattern to be selected. If you set a new desk
|
||
pattern, you may elect to have it redraw your current desktop (this allows
|
||
you to view each desktop)."
|
||
|
||
This program works as advertised. I've viewed each of the available
|
||
screens and selected one of them to permanently (until I get tired of it,
|
||
anyway) replace the plain blue screen you normally see with the Finder and
|
||
other desktop programs like ShrinkIt GS.
|
||
|
||
Directions are also included explaining how to create your own
|
||
background screens.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
BIRTHDAYS.BXY File #23887 28672 bytes DESKSET PICTURES
|
||
''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
This upload by Pat Kern contains six more desktop backgrounds for the
|
||
Apple GS DeskSets program by Larry Badten, review above.
|
||
|
||
These novelty backgrounds all have something to do with wishing you a
|
||
happy birthday. Encourage Pat to create more backgrounds by downloading
|
||
these.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
GRNSLEEVE.BXY File #23872 107648 bytes MOD SONG
|
||
''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
|
||
Ken Gagne uploaded this Christmas favorite, Greensleeves, better
|
||
known as the Christmas carol "What Child Is This?" Play it with MODZap,
|
||
Sonobox, or any other Amiga MOD player.
|
||
|
||
I've played it with Sonobox, and it sound nice. Download this one
|
||
now and you will have it ready for next Christmas.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
APPLE.SALE.BXY File #23948 17664 bytes ADB OF PROGRAMS
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
This is an interesting upload. Mr. Nissel [J.NISSEL1] has a list of
|
||
733 pieces of Apple II software that he would like to sell in one large
|
||
package. While there are some duplications (indicating more than one copy
|
||
of a piece of software available), this is an impressive list of Apple II
|
||
software.
|
||
|
||
I recommend that you download this AppleWorks data base file and take
|
||
a look. If nothing else, it's interesting to see what software he has
|
||
accumulated. Contact Mr. Nissel for details about what he is asking for
|
||
this package.
|
||
|
||
[*][*][*]
|
||
|
||
ELECREP95.BXY File #23940 20992 bytes ELECTED OFFICIALS
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
This download contains a listing of all currently elected Federal
|
||
Senators, Congresspeople, and Representatives of the US Territories, their
|
||
phone #'s and office assignments, as well as the seated Governors for all
|
||
50 States. It also includes information on how to write to the elected
|
||
officeholders, as well as the President and Vice-President. All
|
||
information is stored in AppleWorks 3.0 format. The information is current
|
||
as of 1-15-95.
|
||
|
||
This is useful information in an easy to access format. Mr. Katz
|
||
[H.KATZ] is to be commended for making it available.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
GODZILLABAR.BXY File #23953 26240 bytes APF GRAPHIC
|
||
''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
Joe Kohn uploaded this grayscale graphic titled Barney vs Godzilla:
|
||
The first (and only) chapter. It is a $C0 filetype SHR graphic.
|
||
|
||
The Barney-haters among you will get a kick out of this graphic. The
|
||
rest will no doubt send hate-mail to Joe (Just kidding, please don't!).
|
||
This is what I call a throwaway download. Get it because you're curious
|
||
and because it's a small download. But then, who knows, you might find a
|
||
real use for it. :)
|
||
|
||
|
||
[*][*][*]
|
||
|
||
UNISYS.LZW.TXT File #23959 5760 bytes TEXT FILE
|
||
''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
This file contains a statement titled "Unisys Clarifies Policy
|
||
Regarding Patent Use in On-Line Service Offerings." This covers Unisys's
|
||
actions to enforce it's copyright of LZW against Compuserve, as well future
|
||
licensing needed for the use of LZW.
|
||
|
||
Since the LZW compression is used in GIF graphics, as well as in
|
||
products such as ShrinkIt which use it to compress and decompress files,
|
||
this issue of potential copyright infringement is of great importance to us
|
||
in the Apple II Roundtables.
|
||
|
||
This statement clarifies some of the facts, and answers some of the
|
||
questions that have been asked recently both here and on the Internet. I
|
||
recommend that you get this file and read it.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
BLOSSOM.NO1.BXY File #23937 143744 bytes NEWSLETTER
|
||
''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
The Apple Blossom
|
||
by
|
||
Steve Cavanaugh
|
||
|
||
According to Steve, "The Apple Blossom is a 4 page newsletter about
|
||
current products for the Apple II in AWGS PL format. It uses Bookman,
|
||
Palatino and Times (included in the archive if you don't have them.) I am
|
||
sending it to local schools who often don't know about things like the new
|
||
AppleWorks or Quick Click Calc. If you would like to print this and send
|
||
copies, please feel free to do so. I have around 120 names in my database
|
||
for my area now, and as I am doing this out-of-pocket, I can't put in too
|
||
many more names. Maybe we'll start taking ads in the future? Enjoy."
|
||
|
||
This version of The Apple Blossom requires that you have AppleWorks
|
||
GS and Pointless for TrueType fonts. If you have AWGS, but not Pointless,
|
||
then download file #23943, which uses bitmapped fonts instead. Steve
|
||
includes Palatino, Times, and Bookman bitmapped fonts with this second
|
||
download.
|
||
|
||
I can't actually comment on this newsletter, since I don't have
|
||
AppleWorks GS; but I can tell you that the comments in the bulletin board
|
||
about is have been quite favorable.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
ANSITRMRTC.BXY File #23874 9472 bytes RTC TRANSCRIPT
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
This is an edited transcript of the ANSITerm Real-Time Conference
|
||
held on Monday, January 9, 1995. The guest speaker was Paul Parkhurst,
|
||
author of ANSITerm Telecommunications Software for the Apple IIGS.
|
||
|
||
ANSITerm is a full-featured terminal program that offers
|
||
compatibility with PC-based bulletin board systems that use PC-ANSI
|
||
emulation to display colored text and special graphical characters, as well
|
||
as support for VT52 and VT100 emulations.
|
||
|
||
ANSITerm also works well on GEnie and will support CoPilot.
|
||
|
||
If you are looking for a new telecommunications program, I suggest
|
||
you take a look at this file. It provides a wealth of information that may
|
||
help you to decide what to get.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
SPECTRUMRTC.BXY File #23925 19456 bytes RTC TRANSCRIPT
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
This is the edited transcript of the Spectrum 2.0 Real-Time
|
||
Conference held on January 16, 1995, in the A2 RTC. Read this transcript
|
||
for details on Spectrum 2.0's new features and when it will be available.
|
||
|
||
Spectrum 2.0, which is a true GS Desktop telecommunications program,
|
||
promises to be a nice piece of software, particularly for those who like to
|
||
write their own scripts. Even if you are looking for a plug-and-play
|
||
program, you should take a look at this transcript.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
SLOTSCAN162.BXY File #23871 13184 bytes UTILITY
|
||
''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
SlotScan - Version 1.62
|
||
Freeware for Noncommercial Uses
|
||
|
||
|
||
Robert Claney has created this program, which will run on any
|
||
computer with 16k. It will tell you what kind and version of Apple
|
||
computer you have, and how much memory you have.
|
||
|
||
What gives this program it's name, though, is the fact that it scans
|
||
your computer's slots and/or ports, telling you what is present in each
|
||
one. It will describe in detail the individual devices attached to
|
||
SmartPort cards or ports, and SCSI cards which may be in your system. It
|
||
will identify the capacity of any drives which are supported by ProDOS.
|
||
|
||
If, for some reason, you transfer SlotScan to DOS 3.3, it will work
|
||
there too. It does require at least 16k in order to run, though. This is
|
||
probably how you will have to run it on a ][ or ][+.
|
||
|
||
The program comes with a detailed documentation file. While it is
|
||
freeware for noncommercial uses, those who find a need for it in
|
||
conjunction with a commercial product should contact Mr. Claney. His
|
||
address is included in the documentation.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
AW5MACROS.BXY File #23883 5632 bytes APPLEWORKS 5 MACROS
|
||
''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
Steve Beville has uploaded a corrected version of the AppleWorks 5.0
|
||
Macros file which contains a description of the default macros for this
|
||
program.
|
||
|
||
This file contains a list of the default macro set contained in
|
||
SEG.UM and SEG.AX on the AppleWorks 5.0 disk. These macros are
|
||
automatically installed when AppleWorks is booted with UltraMacros
|
||
activated.
|
||
|
||
If you have AppleWorks 5.0, and especially if you use macros with it,
|
||
you should download this small file.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
While we're on the subject of AppleWorks 5.0, there are five archives
|
||
of bulletin board messages related to this program now available in the
|
||
library. These are archives of the messages posted to the "AppleWorks 5.0
|
||
Is Shipping!" topic. Download the following files and read through them to
|
||
gleam some jewels of information about AppleWorks 5.0 from folks who know
|
||
it well.
|
||
|
||
The files are
|
||
|
||
23917 AW5GENDIS01.BXY Messages from 8/5/94 - 10/16/94
|
||
23918 AW5GENDIS02.BXY Messages from 10/17/94 - 12/9/94
|
||
23919 AW5GENDIS03.BXY Messages from 12/10/94 - 12/23/94
|
||
23920 AW5GENDIS04.BXY Messages from 12/24/94 - 12/31/94
|
||
23921 AW5GENDIS05.BXY Messages from 1/1/95 - 1/13/95
|
||
|
||
|
||
[*][*][*]
|
||
|
||
That's it for this month. I hope you have found something here to
|
||
whet your interest. Drop me a line and let me know what you think of this
|
||
column and offer any suggestions you might have about what should be in it.
|
||
|
||
|
||
Until next time, happy downloading!
|
||
|
||
-- Charlie Hartley
|
||
|
||
|
||
|
||
[EOA]
|
||
[PRO]//////////////////////////////
|
||
PROFILES /
|
||
/////////////////////////////////
|
||
Who's Who In Apple II
|
||
"""""""""""""""""""""
|
||
by Charlie Hartley
|
||
[C.HARTLEY3]
|
||
|
||
|
||
|
||
>>> WHO'S WHO? <<<
|
||
""""""""""""""""""
|
||
~ GEnieLamp Profile: Doug Cuff ~
|
||
|
||
This month we will profile our own editor, Doug Cuff. Doug is not
|
||
only the editor of the GEnieLamp A2, he is also the editor of the monthly
|
||
disk magazine A2-Central, and the author of the delta manual for the new
|
||
AppleWorks 5.
|
||
|
||
|
||
GEnieLamp> Tell us about your job as editor of GEnieLamp A2.
|
||
'''''''''
|
||
|
||
Cuff> About the most interesting thing about it is how I got the job! I
|
||
'''' had just rejoined GEnie after a short absence, and heard that Dean
|
||
Esmay was looking for an editor for GEnieLamp A2. Since it had been
|
||
GEnieLamp A2 that was responsible for making me come back to GEnie--I
|
||
couldn't bear to be left out of the fun any more!--I applied, despite the
|
||
fact that almost no one knew who I was. I got the job, for the usual No
|
||
Good Reason (no, I was not the only one to apply :-), and GEnieLamp
|
||
editor-in-chief John Peters showed me the Reader's Digest version of the
|
||
ropes.
|
||
|
||
An important part of each edition of GEnieLamp is the HEY MISTER
|
||
POSTMAN column, in which each editor selects a digest of the messages
|
||
posted that month on the respective RoundTable. This requires me and my
|
||
fellow editors to read every single message in every single category. (You
|
||
don't know how much I sometimes long for the luxury of IGNoring a category
|
||
PERmanently.) Actually collecting the messages only takes three hours a
|
||
week, but reading them takes much longer. I have to read every message
|
||
carefully, too, since I'm always on the lookout for Quik Quotes to sprinkle
|
||
throughout the magazine.
|
||
|
||
My favourite part of the magazine has always been the profiles. I'm
|
||
not sure what I've done that's worth profiling. I only report the news,
|
||
after all. Others--like Jawaid Bazyar, Randy Brandt, "Brutal Deluxe", Bill
|
||
Heineman, Michael Lutynski, Steven McQueen, Greg Templeman, Bill Tudor,
|
||
Eric Shepherd, Dan Verkade, Joe Wankerl, Mike Westerfield, and dozens of
|
||
others, most of whom I'm just offended by not thinking of their names off
|
||
the top of my head--MAKE the news (by writing the programs).
|
||
|
||
My least favourite part of the job is its deadline. GEnieLamp A2 and
|
||
A2-Central are both due on the same day! Do you have any idea what it's
|
||
like to edit two monthly magazines, both of which depend on the previous
|
||
month's events, and both of which are due on the same day? I manage, but
|
||
anyone who thinks it's a lot of fun would have made an ideal companion for
|
||
the Marquis de Sade.
|
||
|
||
|
||
GEnieLamp> Tell us about your job as editor of the A2-Central.
|
||
'''''''''
|
||
|
||
Cuff> It gives me the chance to pretend to be Tom Weishaar (which I
|
||
'''' ain't, however much I'd like to be), and it gives me the chance to
|
||
work with Steve Weyhrich. Steve is great. He'd written columns for
|
||
GEnieLamp A2 for quite some time before he started working at A2-Central,
|
||
but we didn't meet until KansasFest 1994.
|
||
|
||
It's also great fun working with Uncle DOS, who writes our letters
|
||
column. As fictional characters go, he's pretty three-dimensional. It's
|
||
an amazing kick to be the editor of a newsletter you're a charter
|
||
subscriber of.
|
||
|
||
Professionally, it's an odd sort of situation. ICON, which publishes
|
||
A2-Central and almost a dozen other disk newsletters, is a not-for-profit
|
||
group. Yet A2-Central pays for submissions (not much, I'm afraid, but we
|
||
do pay), and ICON pays me a small amount (out of which I have to pay the
|
||
authors, which is kind of unusual). I suppose it's this anomaly that
|
||
causes people to assume we're a major magazine, instead of the newsletter
|
||
Tom Weishaar always envisioned us as being.
|
||
|
||
Anything else you'd like to know about working at A2-Central? I'm so
|
||
close to the subject, I can't imagine what anyone would find interesting
|
||
about it.
|
||
|
||
|
||
GEnieLamp> Some of our readers may be interesting in submitting to
|
||
''''''''' A2-Central. Tell us what you might be looking for in the way
|
||
of articles, etc.
|
||
|
||
Cuff> If I knew the answer to that, I'd probably write and research the
|
||
'''' articles myself! I guess what I'm looking for is something I
|
||
haven't thought of so far. I have two pieces of advice for aspiring
|
||
authors, both good for all magazine and newsletter markets: First, be sure
|
||
you're not submitting an idea that your market has already handled.
|
||
Second, realize that "think pieces" are the prerogative of the editor.
|
||
I've had a few submissions in which the author is basically trying to point
|
||
out that the future isn't so bleak for the Apple II... whether to console
|
||
him/herself, or to console A2-Central's readers, I don't know. None of
|
||
this is bad, but neither is it good enough.
|
||
|
||
To simplify: Only editors of literary magazines are likely to be
|
||
interested in a piece based on what an author _thinks_. Editors of news
|
||
magazines are more likely to be interested in what an author _knows_.
|
||
(Editors particularly like authors who research to fill in the gaps where
|
||
they _don't_ know.) I've got dozens of people who can give me their wry
|
||
observations on the Apple II's mistreatment by Apple Computer, but no one
|
||
so far who has offered to explain exactly what Big Red Computer will be
|
||
offering in 1995.
|
||
|
||
Of course, A2-Central is still interested in what Apple II users
|
||
think, same as always. Just write Uncle DOS and tell him--he's glad to
|
||
listen! If you have a question or an answer to one, he's just as glad to
|
||
get those. Be sure to use the new address, though: 6405 Metcalf Avenue,
|
||
Ste. 106, Box 22, Overland Park, Kansas 66202-4080.
|
||
|
||
|
||
GEnieLamp> Tell us about your experiences as you wrote the Delta manual
|
||
''''''''' for AppleWorks 5.
|
||
|
||
Cuff> It was complete and utter madness, and I'd do it again in a minute
|
||
'''' if they asked me to.
|
||
|
||
It began when Jerry Kindall asked me, in early September, if I'd be
|
||
interested in the job. When I said yes, he asked me how much I charged.
|
||
I'd already been helping in the beta testing of AppleWorks 5, knew about
|
||
how much work had been done on the program, and made a guess of a week, or
|
||
two at the most.
|
||
|
||
Two weeks to write the update manual for AppleWorks 5. Right. You
|
||
know, if they held a contest for estimating time to project completion,
|
||
Randy Brandt, Jerry Kindall, and I would all tie for last. I ended up
|
||
working over 30 days on the manual, and they weren't 9-5 days, either.
|
||
Over the entire period, I think the earliest I went to bed was midnight,
|
||
and there were quite a few nights when I kept working until 3 AM. All this
|
||
despite the fact that Randy had already written huge chunks of the manual!
|
||
(For instance, I adapted the portion on the Outliner from his Outline 3.0
|
||
manual.)
|
||
|
||
All the time I was writing, AppleWorks 5 was still in development, so
|
||
it was possible to write a page in the morning and have it be either
|
||
obsolete or flat-out wrong by the evening. (It was also possible to spend
|
||
three hours trying to circumvent a bug that prevented me from being able to
|
||
document a feature.) Randy Brandt couldn't have been nicer. He read
|
||
several drafts of the manual, and corrected my errors with patience and
|
||
good humour.
|
||
|
||
I wrote the manual using AppleWorks 5 itself, but the last few days
|
||
were spent putting the document into a Rich Text Format, so that Jerry
|
||
Kindall could read it on his Mac with my original formatting intact. This
|
||
saved Jerry so much time, he actually arranged for me to be paid a bonus!
|
||
I uploaded my final draft in mid-October... and that same night, Randy
|
||
phoned me to say he'd added one last feature and ask if it was too late to
|
||
have it in the manual. (Jerry added those paragraphs, so it wasn't really
|
||
too late.)
|
||
|
||
|
||
GEnieLamp> How did you first get interested in the Apple II computer?
|
||
'''''''''
|
||
|
||
Cuff> It's all thanks to--or possibly the fault of--my younger brother
|
||
'''' Leslie, who in turn owes his interest to his high-school chum Steve
|
||
Garland. My brother Les used to play games on his friend's Apple II-Plus,
|
||
and asked for an Apple II for Christmas of 1982.
|
||
|
||
On Christmas morning, Les had an Apple II-Plus to play with. He
|
||
wrote a simple program in BASIC that drew random dots on the hi-res screen,
|
||
and that looked pretty cool. Not only was it my first glimpse of a
|
||
personal computer--which explains why I was impressed by a pretty quick
|
||
hack--but the hi-res display of random dots looked like a star field.
|
||
(Years of Star Trek had convinced me this was the loveliest possible view.)
|
||
The computer kept drawing dots, which quickly became boring, and the other
|
||
members of the family drifted away.
|
||
|
||
"How many dots is it going to draw?" I asked Les.
|
||
|
||
"Five thousand," Les replied.
|
||
|
||
"Can you make it show how far along it is?" I asked.
|
||
|
||
"Sure," said Les, and he interrupted the program. He added one
|
||
line--one line!--of code, and started the program going again. Sure
|
||
enough, it was now counting the dots it was drawing. That was it. I was
|
||
hooked. You could make the darned thing respond to your wishes.
|
||
|
||
In retrospect, I realize that all Les did was insert a PRINT
|
||
statement in the middle of a FOR-NEXT loop. Never mind. At that time, I
|
||
was enormously impressed at how easily you could control the machine.
|
||
|
||
|
||
GEnieLamp> Do you have any anecdotes you can share with us about your
|
||
''''''''' first experiences with the Apple II?
|
||
|
||
Cuff> Not long after my younger brother Les wowed me with a simple PRINT
|
||
'''' statement, I picked up the Applesoft BASIC manual that came with
|
||
the machine and started writing programs. These programs, when run, were
|
||
singularly unimpressive... but I didn't write them to run them. I wrote
|
||
them to list them, to remind myself of how various commands worked and what
|
||
their syntax was.
|
||
|
||
My favourite early moment came when Les borrowed Mission: Asteroid
|
||
(Hi-Res Adventure #0) from his pal Steve Garland. For weeks, Steve and Les
|
||
had been stuck at the first screen of the game, where you have to get past
|
||
a receptionist by giving a password. I watched Les type increasingly wild
|
||
guesses for the password, then walk away from the computer in frustration
|
||
with the game still running. I quickly sat down in his place, never having
|
||
seen an adventure game before. I had seen Les type "INVENTORY", so I tried
|
||
that. Practically all that "I" was carrying was a watch, so I typed "LOOK
|
||
WATCH". It had a button on it, so I typed "PRESS BUTTON"... and the game
|
||
told me the password! I gave the password to the receptionist, and
|
||
proceeded with the game. At that point, Les came back into the room. It
|
||
was a couple of seconds before he could choke out, "How did you _do_ that?"
|
||
Only then did he tell me how long he and his friend had been working on the
|
||
problem.
|
||
|
||
With that, I was hooked on adventure games. Les and I finished the
|
||
game in no time, returned the disk to his friend, and started buying our
|
||
own adventure games. I remember buying Mystery House (Hi-Res Adventure
|
||
#1)--_years_ after its original release--and finishing it in one weekend.
|
||
I bought Softporn Adventure, the text adventure that later metamorphosed
|
||
into Leisure-Suit Larry, and finished it in one day. Don't get me started
|
||
on the Infocom adventures, or GEnieLamp A2 will be twice its normal size
|
||
this month!
|
||
|
||
For the same reason, don't get me started on when I used to run a
|
||
BBS. That doesn't qualify as "early years" material anyway.
|
||
|
||
|
||
GEnieLamp> Running a BBS sounds like an exciting adventure. Tell us
|
||
''''''''' about your experiences.
|
||
|
||
Cuff> Not letting me off that easily, eh?
|
||
''''
|
||
My fondest memories of running a BBS are of the friends I made,
|
||
people I wouldn't otherwise have met, and whom I still keep in touch with
|
||
via E-mail. One of my bulletin board system's leading lights was a young
|
||
lady named Kirsten, who took to dropping by in person every second week or
|
||
so. One day she brought along her best friend... which is how I met Tara,
|
||
the lady who is now my wife!
|
||
|
||
I made other friends, too (didn't marry a one of 'em!) and got to
|
||
visit with them this Christmas just past. After I closed my BBS, about a
|
||
dozen of us gathered in my living room for a wake! We celebrated with a
|
||
parody of Poe's poem "The Raven", co-written by my wife and myself.
|
||
(You'll find it reproduced in the October 1994 issue of A2-Central.)
|
||
|
||
Running a BBS also provided me with an education--one I needed, but
|
||
one I didn't much relish at the time. "The astonishing thing," someone
|
||
once said, "is not that most people have a price, but how low that price
|
||
is." It was frightening to learn how many people considered that they had
|
||
a right to break the rules, because they personally were on the side of the
|
||
angels. In practice, it didn't matter much, but I lost a few of my
|
||
illusions about human nature.
|
||
|
||
More of a problem was a user named Ron who began by applying for
|
||
accounts in several names. He rapidly moved on to trying to hack in to
|
||
other accounts, including the system operator's (mine), which is a black
|
||
crime. Fortunately, he wasn't very good at it. I banned him from the
|
||
system. In his attempts to get back on, he tried blackmail, he tried
|
||
bribery, he tried threats, he tried ruining my reputation, and he tried
|
||
portraying himself as persecuted. All of this stopped when his employer
|
||
had him arrested for stealing equipment to the value of--I think--$75,000.
|
||
He was convicted and sentenced to jail. To replace my lost illusions about
|
||
human nature, I gained some respect for the justice system.
|
||
|
||
|
||
GEnieLamp> Tell us a bit about your family.
|
||
'''''''''
|
||
|
||
Cuff> Well, my wife Tara and I have been married for three years, and we
|
||
'''' haven't any children yet, so we're an abbreviated family. We both
|
||
come from Newfoundland, Canada's easternmost province. (You pronounce
|
||
"Newfoundland" to rhyme with "understand": nyu-fnd-'LAND. People who
|
||
stress the middle syllable drive Newfoundlanders crazy.) We're living in
|
||
London, Ontario while Tara takes her computer science degree at the
|
||
University of Western Ontario.
|
||
|
||
My mother and father were both teachers, though by the time I was
|
||
born, my mother had become--well, a mother--and my father was a university
|
||
professor. I have three brothers: Jeff and Bob, both older, and Les, who
|
||
is younger.
|
||
|
||
The family history really got interesting when my father decided to
|
||
start a publishing company, Harry Cuff Publications. I started there as a
|
||
shipping clerk, and taught myself most aspects of the business. I'm
|
||
insufferably proud--according to my brothers, anyway--of the fact that I am
|
||
neither the eldest son, nor the one who joined the firm first, yet was
|
||
still the one who was second in command until I let the firm to join Tara
|
||
in London, Ontario. Whoops, I've started talking about myself again, and
|
||
not the family. Next question, please?
|
||
|
||
|
||
GEnieLamp> What do you consider your proudest accomplishment?
|
||
'''''''''
|
||
|
||
Cuff> Our marriage. It's a wonderful thing. My wife and I communicate
|
||
'''' in extremely efficient but sometimes confusing ways. At a casual
|
||
get-together, we once utterly confounded our hostess--my wife by uttering
|
||
the sentence, "Well, that went through my head like a pregnant earwig!" and
|
||
me by _understanding_ it. (All Tara meant was "That remark went over my
|
||
head.") Understanding someone that well produces a warm feeling. Like
|
||
Fezzik in _The Princess Bride_, my private picture of hell is being left
|
||
alone with everybody going "BOOOOOOOOOOO" at me forever. Now that I've met
|
||
Tara, I don't have to worry about that any more, and neither does she.
|
||
|
||
|
||
GEnieLamp> Who do you look up to as your mentors?
|
||
'''''''''
|
||
|
||
Cuff> These days, I find it's hard to find anyone with the time to act as
|
||
'''' a mentor, don't you? In any case, I prefer jobs that have a
|
||
certain amount of autonomy. With those sorts of jobs, your superiors throw
|
||
you in at the deep end. They don't hang about to give advice. Some of
|
||
them only check back months later, presumably to see if they need to have
|
||
your remains fished out of the pool.
|
||
|
||
While they may not have been my mentors, I'd like to use this
|
||
opportunity to compliment a few people: Jerry Kindall, managing editor of
|
||
_II Alive_, is the best editor I've ever written for. He often finds a way
|
||
to make my articles just a little bit better and still remains sensitive to
|
||
the author's original intentions. GEnieLamp chief John Peters provides his
|
||
clear head--none clearer!--when mine is muddled, volcanic, or narcissistic,
|
||
and often provides a shoulder to sob on, too.
|
||
|
||
Probably the closest thing I've had to a mentor is my father, whom I
|
||
love dearly. Oddly enough, he rarely gave me professional advice when I
|
||
was working for the family firm, but outside the office, he sure shapes my
|
||
values and behaviour.
|
||
|
||
|
||
GEnieLamp> What sorts of things do you like to do for fun (i.e.
|
||
''''''''' non-computer hobbies)?
|
||
|
||
Cuff> I guess programming doesn't count, does it? I like programming,
|
||
'''' but it will never be more than a hobby.
|
||
|
||
I enjoy theatre. For several years, I was a stage manager with
|
||
amateur theatre groups in Newfoundland. I enjoy theatre-going, too, but
|
||
that's definitely a luxury when you're looking for work, as I am these
|
||
days. Before I started working on A2-Central, I'd occasionally volunteer
|
||
to usher at one of the professional local theatres, which meant I could see
|
||
the show for nothing, but there's no time for that now. This past summer,
|
||
my wife and I splurged to see _Othello_ at the world-famous Stratford
|
||
Festival. I've wanted to attend ever since I was a young'un, and since
|
||
Stratford is only 50 minutes' drive from where I live, the temptation was
|
||
too great.
|
||
|
||
I enjoy reading and writing, and am starting to worry at how little
|
||
time I have for reading now that I'm writing for GEnieLamp A2 and
|
||
A2-Central regularly. I agree with Stephen King's assertion that authors
|
||
who say "I don't have time to read" are like people who start up Mount
|
||
Everest while claiming that they didn't have time to buy rope or pitons.
|
||
|
||
|
||
GEnieLamp> What do you read for pleasure?
|
||
'''''''''
|
||
Cuff> In my early adolescence, I read Agatha Christie; while a university
|
||
'''' undergraduate, I read P. G. Wodehouse; and as a graduate student, I
|
||
read Harlan Ellison.
|
||
|
||
That's actually a gross oversimplification, and worse, it doesn't
|
||
address the question of what I'm reading now. Alas, I no longer read as
|
||
much fiction, though I do try to pick up everything by Spider Robinson, and
|
||
occasionally dip into my wife's Heinlein collection or try to borrow a
|
||
Vonnegut I haven't read. And I still read Harlan Ellison. When I feel
|
||
like a touch of humour, I'll re-read William Goldman or British author
|
||
Keith Waterhouse. As a stage manager, I read hundreds of play scripts, and
|
||
still enjoy reading those and television scripts from British series such
|
||
as "A Bit of Fry and Laurie", "Yes, Minister", and so on. I've read and
|
||
enjoyed exactly one Stephen King book--_Misery_--because it dealt with the
|
||
horrors one human being can inflict on another. Now _that's_ terrifying.
|
||
Vampires and devils don't do a thing for me, not on the printed page.
|
||
Running into one in real life, however...!
|
||
|
||
I read a lot of "light" reference books, ones that present
|
||
information in an entertaining way--Trivial Pursuit could well have been
|
||
invented as a way to make me appear clever--and am constantly searching for
|
||
a well-written biography. It's astonishing how many poorly-written bios
|
||
there are. People are fascinating, so why are so many books about them
|
||
dull?
|
||
|
||
|
||
GEnieLamp> Are computers a part of your daytime job? Please tell us a
|
||
''''''''' little about what you do between 9 and 5.
|
||
|
||
Cuff> Unless you count editing GEnieLamp A2 and A2-Central, I don't have a
|
||
'''' daytime job. (I don't really consider either a day job. I don't
|
||
get paid for editing GEnieLamp A2, and while I do get a small amount for
|
||
editing A2-Central and that _is_ my only income at present, it pays too far
|
||
below poverty level--which isn't ICON's fault, by the way--to be considered
|
||
a day job.) I'm looking for work, and that--plus keeping the household
|
||
running--takes up most of my daytime hours.
|
||
|
||
|
||
GEnieLamp> How long have you been a member of GEnie?
|
||
'''''''''
|
||
|
||
Cuff> Boy, I'm lucky I keep all my credit card statements--I wouldn't
|
||
'''' have been able even to estimate the answer to that one: I joined
|
||
in 1988, when Tom Weishaar began promoting GEnie in A2-Central. I called
|
||
infrequently at best, partly because the nearest node was an extremely
|
||
LONG-distance call from Newfoundland, and partly because of the atrocious
|
||
user interface. I didn't become a regular caller and full-fledged member
|
||
of GEnie's A2 community until 1993.
|
||
|
||
|
||
GEnieLamp> What new services do you think GEnie should provide its
|
||
''''''''' subscribers?
|
||
|
||
Cuff> It should provide better access for modems operating at 9600 baud
|
||
'''' and higher, and it should do so as soon as possible. It's already
|
||
waited too long. It should provide a more efficient upload protocol than
|
||
XMODEM. It should provide full access to the Internet, and of course
|
||
they're actively working on that last one.
|
||
|
||
One service GEnie doesn't have that CompuServe does is Phone*File, an
|
||
online telephone book--the "white pages"--for the USA. There's also a
|
||
"Yellow Pages" version that covers Canada and the US. I like it a lot, and
|
||
hope that GEnie will implement something similar.
|
||
|
||
An "old" service GEnie should keep is ASCII-level service, so that
|
||
you don't have to use a fancy-shmancy graphics interface just to log in.
|
||
Businesses that don't have time for the lowest common denominator are going
|
||
to find that their supply of new customers is limited.
|
||
|
||
|
||
GEnieLamp> What one piece of advice would you pass along to a new
|
||
''''''''' Apple II telecommunications enthusiast?
|
||
|
||
Cuff> First of all, join GEnie. I realize that sounds as though I'm
|
||
'''' drumming up trade for the service that publishes GEnieLamp A2, but
|
||
it's genuinely what I advise. GEnie is _the_ place to be if you use an
|
||
Apple II. These days, you have to be online to get the best support for
|
||
your Apple II. CompuServe is no longer the fun place it was. America
|
||
Online doesn't want to know you any more. Delphi is still an unknown. The
|
||
Internet has too much strife too often. GEnie is the clear winner.
|
||
|
||
The only problem is that GEnie's user interface is about as intuitive
|
||
as the second law of thermodynamics. Therefore, my second piece of advice
|
||
is that you start using an offline message processor like CoPilot or GEnie
|
||
Master (GEM). I resisted using message processors for years, figuring they
|
||
would require me to abandon the spontaneity of being online. I was wrong.
|
||
(This happens sometimes.) Now I recommend CoPilot and GEM every chance I
|
||
get.
|
||
|
||
|
||
GEnieLamp> What do you see as the future for the Apple II and its owners?
|
||
'''''''''
|
||
|
||
Cuff> I prefer not to prophesy. All I can tell you is that it's not over
|
||
'''' yet. I have a feeling that some of us will use our Apple II
|
||
computers until there is no longer a way to patch them up. Probably Joe
|
||
Kohn and I will be duking it out for the title here, but don't schedule the
|
||
match for any time soon.
|
||
|
||
|
||
GEnieLamp> Can you offer some advice about software and hardware that a
|
||
''''''''' new Apple II user might invest in? What do you have and use?
|
||
|
||
Cuff> Much depends on what they want to do! I love AppleWorks, and
|
||
'''' wouldn't hesitate to recommend it to anyone who has a need for a
|
||
word processor or a data base or a spreadsheet. (UltraMacros also provides
|
||
a satisfying programming environment.) I _would_ hesitate to recommend it
|
||
to someone who wants to play games.
|
||
|
||
I happen to like Talk is Cheap, the telecommunications program by Don
|
||
Elton. It's easy to write scripts for it, and it works on Apple IIe's and
|
||
IIc's as well as IIgs's. If it had ZMODEM, I might never need anything
|
||
else.
|
||
|
||
I personally prefer a monochrome monitor because I work with my Apple
|
||
II all day, every day, and the eyestrain that a colour monitor causes in
|
||
ridiculous. Luckily, I use text-based applications 95% of the time, since
|
||
I'm either using a word processor or telecommunications software, and
|
||
colour is not likely to be vital to either task. I can't say I recommend
|
||
it for anyone who doesn't do at least 8 hours of word processing in a day,
|
||
though.
|
||
|
||
Our computer equipment consists of a ROM 01 IIgs with 4 megs of RAM,
|
||
two monitors (one monochrome and one RGB colour), a 105-meg hard drive, a
|
||
21-meg Floptical drive, a 9600-baud modem that only connects reliably at
|
||
2400, and an ImageWriter II printer. There's also a IIe with a 20-meg hard
|
||
drive and a 1200-baud modem.
|
||
|
||
We also have a 286 laptop on extended loan from my eldest brother,
|
||
but I haven't used it since I dragged it to KansasFest. It literally
|
||
gathers dust. MS-DOS is not my friend.
|
||
|
||
|
||
GEnieLamp> Where do you see the future of telecommunications moving in
|
||
''''''''' the next five to ten years?
|
||
|
||
Cuff> This is a difficult question for those who try not to prophesy! I
|
||
'''' have fears that the Internet as we know will be taxed or legislated
|
||
out of existence, but I don't really know how likely that is. I predict
|
||
that, in ten years, telecommunications will have evolved even beyond my
|
||
capacity to predict. We're all in for some thrilling, frustrating times.
|
||
|
||
|
||
GEnieLamp> Doug, it as been a pleasure talking with you. The Apple II
|
||
''''''''' world is blessed by dedicated, articulate folks like you.
|
||
Keep up the good work! :)
|
||
|
||
Cuff> Thanks very much for speaking with me. If anyone has any questions
|
||
'''' about GEnieLamp A2 or A2-Central, I hope they'll drop me a line at
|
||
editor.a2@genie.geis.com (or just EDITOR.A2, on GEnie). I love to get
|
||
mail!
|
||
|
||
[*][*][*]
|
||
|
||
|
||
A note to our readers: If you want to know more about a particular
|
||
person and want him/her to be interviewed for the GEnieLamp A2 profile
|
||
column, send E-mail to C.HARTLEY3 or EDITOR.A2 and we'll see what we can
|
||
do. In your E-mail message, tell why you think this person is a good
|
||
candidate for the profile.
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
//////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ /
|
||
/ The Oscar sound and icon vanished because the Children's /
|
||
/ Television Workshop found out about it and apparently /
|
||
/ threatened lawsuits to protect their copyrights. /
|
||
/ /
|
||
/ Well, that's very un-Muppet of them. /
|
||
/ /
|
||
/////////////////////////////// POWERPC.PRO & KEN.GAGNE ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[LOG]//////////////////////////////
|
||
LOG OFF /
|
||
/////////////////////////////////
|
||
GEnieLamp Information
|
||
"""""""""""""""""""""
|
||
|
||
o COMMENTS: Contacting GEnieLamp
|
||
|
||
o GEnieLamp STAFF: Who Are We?
|
||
|
||
|
||
|
||
GEnieLamp Information GEnieLamp is published on the 1st of every month
|
||
""""""""""""""""""""" on GEnie page 515. You can also find GEnieLamp on
|
||
the main menus in the following computing RoundTables.
|
||
|
||
|
||
RoundTable Keyword GEnie Page RoundTable Keyword GEnie Page
|
||
|
||
"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
DigiPub DIGIPUB 1395 Atari ST ST 475
|
||
Macintosh MAC 605 IBM PC IBMPC 615
|
||
Apple II A2 645 Apple II Dev. A2PRO 530
|
||
Macintosh Dev. MACPRO 480 Geoworks GEOWORKS 1050
|
||
BBS BBS 610 CE Software CESOFTWARE 1005
|
||
Mini/Mainframe MAINFRAME 1145 Programming PROGRAMMING 1445
|
||
Data Comm. DATACOMM 1450 Windows WINDOWS 1335
|
||
|
||
GEnieLamp is also distributed on CrossNet and many public and
|
||
commercial BBS systems worldwide.
|
||
|
||
o To reach GEnieLamp on Internet send mail to genielamp@genie.geis.com
|
||
|
||
o Current issues of all versions of GEnieLamp are File Requestable
|
||
(FREQable) via FidoNet (Zones 1 through 6) from 1:128/51 and via
|
||
OURNet (Zone 65) from 65:8130/3. SysOps should use the following
|
||
"magic names" to request the current issue of the indicated
|
||
GEnieLamp platform (FREQ FILES for names of back issues of GEnieLamp
|
||
IBM):
|
||
|
||
Platform Magic Name To Use
|
||
"""""""" """""""""""""""""
|
||
GEnieLamp IBM .................. GLIBM
|
||
GEnieLamp ST ................... GLST
|
||
GEnieLamp A2Pro ................ GLA2PRO
|
||
GEnieLamp Macintosh ............ GLMAC
|
||
GEnieLamp TX2 .................. GLTX2
|
||
GEnieLamp A2 ................... GLA2
|
||
GEnieLamp Windows .............. GLWIN
|
||
|
||
o Back issues of GEnieLamp are available in the DigiPub RoundTable
|
||
Library #2 on page 1395 (M1395;3).
|
||
|
||
o GEnieLamp pays for articles submitted and published with online GEnie
|
||
credit time. Upload submissions in ASCII format to library #42 in
|
||
the DigiPub RoundTable on page 1395 (M1395;3) or Email it to
|
||
GENIELAMP. On Internet send it to: genielamp@genie.geis.com
|
||
|
||
o We welcome and respond to all E-Mail. To leave comments, suggestions
|
||
or just to say hi, you can contact us in the DigiPub RoundTable
|
||
(M1395) or send GE Mail to John Peters at [GENIELAMP] on page 200.
|
||
|
||
o If you would like to meet the GEnieLamp staff "live" we meet every
|
||
Wednesday night in the Digi*Pub Real-Time Conference at 9:00 EDT
|
||
(M1395;2).
|
||
|
||
o The Digital Publishing RoundTable is for people who are interested in
|
||
pursuing publication of their work electronically on GEnie or via
|
||
disk-based media. For those looking for online publications, the
|
||
DigiPub Software Libraries offer online magazines, newsletters,
|
||
short-stories, poetry and other various text oriented articles for
|
||
downloading to your computer. Also available are writers' tools and
|
||
'Hyper-utilties' for text presentation on most computer systems. In
|
||
the DigiPub Bulletin Board you can converse with people in the
|
||
digital publishing industry, meet editors from some of the top
|
||
electronic publications and get hints and tips on how to go about
|
||
publishing your own digital book. The DigiPub RoundTable is the
|
||
official online service for the Digital Publishing Association. To
|
||
get there type DIGIPUB or M1395 at any GEnie prompt.
|
||
|
||
|
||
|
||
>>> GEnieLamp STAFF <<<
|
||
"""""""""""""""""""""""
|
||
|
||
GEnieLamp o John Peters [GENIELAMP] Publisher/Editor
|
||
"""""""""
|
||
|
||
IBM o Bob Connors [DR.BOB] IBM EDITOR
|
||
""" o Nancy Thomas [N.NOWINSON] MultiMedia Editor/Writer
|
||
o Brad Biondo [B.BIONDO] IBM Staff Writer
|
||
o Tika Carr [T.CARR4] IBM Staff Writer
|
||
o Dave Nienow [D.NIENOW] IBM Staff Writer
|
||
o Don Lokke [D.LOKKE] Cartoonist
|
||
|
||
WINDOWS o Tippy Martinez [WIN.LAMP] WINDOWS EDITOR
|
||
""""""" o John Osarczuk [J.OSARCZUK] Asst Editor/Columnist
|
||
o Rick Ruhl [RICKER] Windows Sysop/Columnist
|
||
o Brad Biondo [B.BIONDO] Windows Staff Writer
|
||
o Rick Pitonyak [R.PITONYAK] Windows Staff Writer
|
||
o Ed Williams [E.WILLIAMS24] Windows Staff Writer
|
||
o Dave Nienow [D.NIENOW] Windows Staff Writer
|
||
|
||
MACINTOSH o Richard Vega [GELAMP.MAC] MACINTOSH EDITOR
|
||
""""""""" o Tom Trinko [T.TRINKO] Mac Staff Writer
|
||
o Bret Fledderjohn [FLEDDERJOHN] Mac Staff Writer
|
||
o Ricky J. Vega [GELAMP.MAC] Mac Staff Writer
|
||
|
||
ATARI ST o John Gniewkowski [GENIELAMP.ST] ATARI ST EDITOR
|
||
"""""""" o Mel Motogawa [M.MOTOGAWA] ST Staff Writer
|
||
o Sheldon Winick [S.WINICK] ST Staff Writer
|
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|
||
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|
||
o Al Fasoldt [A.FASOLDT] ST Staff Writer
|
||
o Fred Koch [F.KOCH] ST Staff Writer
|
||
|
||
ATARI ST/TX2 o Cliff Allen [C.ALLEN17] EDITOR/TX2
|
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""""""""""""
|
||
|
||
ATARI [PR] o Bruce Faulkner [R.FAULKNER4] EDITOR/GEnieLamp [PR]
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""""""""""
|
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APPLE II o Doug Cuff [EDITOR.A2] EDITOR
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|
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|
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A2Pro o Nate C. Trost [A2PRO.GELAMP] EDITOR
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""""" o Tim Buchheim [TIM.B] Co-Editor
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ETC. o Jim Lubin [J.LUBIN] Add Aladdin Scripts
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"""" o Scott Garrigus [S.GARRIGUS] Search-ME!
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o Mike White [MWHITE] (oo) / DigiPub SysOp
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[EOF]
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