3574 lines
175 KiB
Erlang
3574 lines
175 KiB
Erlang
|
||
|
||
|||||| |||||| || || |||||| ||||||
|
||
|| || ||| || || ||
|
||
|| ||| |||| |||||| || |||| Your
|
||
|| || || || ||| || ||
|
||
|||||| |||||| || || |||||| |||||| GEnieLamp Computing
|
||
|
||
|| |||||| || || |||||| RoundTable
|
||
|| || || ||| ||| || ||
|
||
|| |||||| |||||||| |||||| RESOURCE!
|
||
|| || || || || || ||
|
||
||||| || || || || ||
|
||
|
||
|
||
~ WELCOME TO GEnieLamp APPLE II! ~
|
||
""""""""""""""""""""""""""""""
|
||
~ HARDVIEW A2: Never Back Up Your Hard Drive! ~
|
||
~ DR'S EXAMINING TABLE: A Vacation from Reviewing ~
|
||
~ TECH TALK: The Future of Apple II Hybrids/Emulation ~
|
||
~ HOT NEWS, HOT FILES, HOT MESSAGES ~
|
||
|
||
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////////////
|
||
GEnieLamp Apple II ~ A T/TalkNET OnLine Publication ~ Vol.3, Issue 29
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
Editor....................................................Douglas Cuff
|
||
Publisher.............................................John F. Peters
|
||
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////////////
|
||
~ GEnieLamp IBM ~ GEnieLamp ST ~ GEnieLamp [PR] ~ GEnieLamp Windows ~
|
||
~ GEnieLamp A2Pro ~ GEnieLamp Macintosh ~ GEnieLamp TX2 ~
|
||
~ GEnieLamp A2 ~ LiveWire (ASCII) ~ GEnieLamp MacPRO ~
|
||
~ Solid Windows ~ Config.sys ~ A2-Central ~
|
||
~ Member Of The Digital Publishing Association ~
|
||
GE Mail: GENIELAMP Internet: genielamp@genie.geis.com FTP: sosi.com
|
||
////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
|
||
|
||
>>> WHAT'S HAPPENING IN THE APPLE II ROUNDTABLE? <<<
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
~ August 1, 1994 ~
|
||
|
||
|
||
FROM MY DESKTOP ......... [FRM] FROM MY MAILBOX ......... [MAI]
|
||
Notes from the Editor. Letters to the Editor.
|
||
|
||
HEY MISTER POSTMAN ...... [HEY] HUMOR ONLINE ............ [HUM]
|
||
Is That A Letter For Me? Kids' Kitchen Terms.
|
||
|
||
REFLECTIONS ............. [REF] TECH TALK ............... [TEC]
|
||
Online Literary Collaborations. FINAL Hybrid Article.
|
||
|
||
ASCII ART GALLERY ....... [ASA] HARDVIEW A2 ............. [HAR]
|
||
Summertime Fruit. Never Back Up Your Hard Drive!
|
||
|
||
DR'S EXAMINING TABLE .... [DRT] THE TREASURE HUNT ....... [HUN]
|
||
Summer Vacation. Yours For the Downloading.
|
||
|
||
WHO'S WHO IN A2/A2PRO? .. [WHO] LOG OFF ................. [LOG]
|
||
RoundTable Staff. GEnieLamp Information.
|
||
|
||
[IDX]"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
READING GEnieLamp GEnieLamp has incorporated a unique indexing system
|
||
""""""""""""""""" to help make reading the magazine easier. To
|
||
utilize this system, load GEnieLamp into any ASCII word processor or
|
||
text editor. In the index you will find the following example:
|
||
|
||
HUMOR ONLINE ............ [HUM]
|
||
[*]GEnie Fun & Games.
|
||
|
||
To read this article, set your find or search command to [HUM].
|
||
If you want to scan all of the articles, search for [EOA]. [EOF] will
|
||
take you to the last page, whereas [IDX] will bring you back to the
|
||
index.
|
||
|
||
MESSAGE INFO To make it easy for you to respond to messages
|
||
"""""""""""" re-printed here in GEnieLamp, you will find all the
|
||
information you need immediately following the message. For example:
|
||
|
||
(SMITH, CAT6, TOP1, MSG:58/M475)
|
||
_____________| _____|__ _|___ |____ |_____________
|
||
|Name of sender CATegory TOPic Msg.# Page number|
|
||
|
||
In this example, to respond to Smith's message, log on to page
|
||
475 enter the bulletin board and set CAT 6. Enter your REPly in TOPic
|
||
1.
|
||
|
||
A message number that is surrounded by brackets indicates that
|
||
this message is a "target" message and is referring to a "chain" of two
|
||
or more messages that are following the same topic. For example: {58}.
|
||
|
||
ABOUT GEnie GEnie's monthly fee is $8.95 for which gives you up to
|
||
""""""""""" four hours of non-prime time access to most GEnie
|
||
services, such as software downloads, bulletin boards, GE Mail, an
|
||
Internet mail gateway, and chat lines, are allowed without charge.
|
||
GEnie's non-prime time connect rate is $3.00. To sign up for GEnie
|
||
service, call (with modem) 1-800-638-8369 in the USA or 1-800-387-8330
|
||
in Canada. Upon connection type HHH. Wait for the U#= prompt. Type:
|
||
JOINGENIE and hit RETURN. When you get the prompt asking for the
|
||
signup/offer code, type: DSD524 and hit RETURN. The system will then
|
||
prompt you for your information. Need more information? Call GEnie's
|
||
customer service line (voice) at 1-800-638-9636.
|
||
|
||
SPECIAL OFFER FOR GEnieLamp READERS! If you sign onto GEnie using the
|
||
"""""""""""""""""""""""""""""""""""" method outlined above you will
|
||
receive an *additional* six (6) free hours of standard connect time
|
||
(for a total of 10) to be used in the first month. Want more? Your
|
||
first month charge of $8.95 will be waived! Now there are no excuses!
|
||
*** GET INTO THE LAMP! ***
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
|
||
|
||
//////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ /
|
||
/ I had some line noise yesterday between topics and GEnie /
|
||
/ told me (direct quote): /
|
||
/ /
|
||
/ "[5?2%?3C5;G:3NN~~RAIJ+Vqqh'DG_mWG5?2%?] /
|
||
/ is an invalid response" /
|
||
/ /
|
||
/ Picky! Picky! :) /
|
||
/ /
|
||
/////////////////////////////////////////// J.SCHONBLOM ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[FRM]//////////////////////////////
|
||
FROM MY DESKTOP /
|
||
/////////////////////////////////
|
||
Notes From The Editor
|
||
"""""""""""""""""""""
|
||
by Douglas Cuff
|
||
[EDITOR.A2]
|
||
|
||
|
||
|
||
>>> SLEEPWALKING TOWARD JERUSALEM <<<
|
||
"""""""""""""""""""""""""""""""""""""
|
||
|
||
Did your parents ever sigh in exasperation when you replied "I didn't
|
||
notice" to one of their questions? Mine did, and I didn't understand
|
||
why... until recently.
|
||
|
||
In my youth, the reason I failed to notice whether a pot on the stove
|
||
boiling was generally because I passed through the kitchen with my nose in
|
||
a book. I later parlayed this indifference to my surroundings into a
|
||
talent approaching genius. When setting up house for myself, it took me
|
||
several months to notice that two equidistant supermarkets varied as much
|
||
as 80 cents in the price they asked for a box of Hamburger Helper. The box
|
||
was on the shelf, and the price was the price, so I bought it without
|
||
paying any attention. Paying attention pays dividends!
|
||
|
||
When I read Leslie Halliwell's memoir _Seats in All Parts_, I
|
||
marvelled that the author could so clearly recall the more than 20 cinemas
|
||
in his home town. When I'm in a cinema, I concentrate on finding a seat
|
||
with nobody behind me -- I'm 6'3", and hate being asked to move or slide
|
||
down -- and then give myself over completely to the film. Half an hour
|
||
later, you could ask me what color the wall was, or how full the cinema
|
||
was, and I would stare at you, helplessly. Or at least rapidly change the
|
||
subject.
|
||
|
||
I hadn't noticed that I don't notice. A cinema was a place with a
|
||
reasonably uncomfortable seat, a screen, and projector. One supermarket
|
||
was the same as the next. The only thing I ever noticed about my car was
|
||
whether or not the gas tank needed to be refilled... until the day when the
|
||
muffler fell off in the middle of the road.
|
||
|
||
Earlier today, I looked up, startled, as I realized that I have now
|
||
completed one full year as editor of GEnieLamp A2. And just two days
|
||
before, I made my first attempt to see how many Apple II users there are on
|
||
GEnie.
|
||
|
||
On page 203, you will find user profiles, where you can search the
|
||
profiles of others users, based on interest, first name, last name, GEmail
|
||
address, company name, city, state/province, country, or just about any
|
||
combination of the above. (Do not under any circumstances confuse this
|
||
option with the GEnie mail directory, which lists just about every GEnie
|
||
subscriber. The list of user profiles is limited to those users who have
|
||
taken the time to make up their own listings.)
|
||
|
||
A search on those interest in "APPLE II" found me 217 matches. A
|
||
search on variant spellings (APPLE //, APPLE ][, APPLE 2, and APPLE2)
|
||
netted me another 35, making 252 in all. A search on "APPLE" got me 562
|
||
matches, though that presumably includes some of those interested in the
|
||
Apple Macintosh, the Apple III, the Apple Newton, and those funny spheroid
|
||
things you find growing in orchards.
|
||
|
||
AND THESE ARE JUST THE PEOPLE WHO TOOK THE TROUBLE TO FILL IN A USER
|
||
PROFILE! I don't know what percentage of GEnie users do this -- I hadn't
|
||
until two days ago -- nor do I know how many clients the A2 RoundTable has,
|
||
but I'd be willing to bet that this is just the tip of the iceberg.
|
||
|
||
If you want to support the Apple II community but can't afford any
|
||
more hardware or software this month, then here's a cheap way to make your
|
||
voice hear. Go fill out your user profile, and mention the Apple II as
|
||
being one of your interests. The more GEnie users that identify themselves
|
||
as potential customers for Apple II products, the better off we'll all be.
|
||
|
||
What started me thinking about all this, of course, was KansasFest
|
||
(a/k/a ICONference). It's not solely an Apple II event, of course, but
|
||
there were a lot of Apple II people there. It was my first visit, and I
|
||
hope there'll be a second! It was really a kick to know that there are so
|
||
many others interested in producing -- and/or consuming -- new Apple II
|
||
wares.
|
||
|
||
Most of the KansasFest coverage you'll find in this month's HEY
|
||
MISTER POSTMAN column is provided by Steven Weyhrich, also a first-timer.
|
||
I'm glad he posted such great reports on the A2 RoundTable, quoting him
|
||
extensively makes me miss his presence around here a little less.
|
||
|
||
We have a Weyhrich spin-off this issue, by the way. Leon Raesly read
|
||
Steven's POLISHING GREEN APPLES column in our June issue, and penned a
|
||
rebuttal, reprinted from the NovApple Newsletter with the permission of the
|
||
author and publisher.
|
||
|
||
-- Doug Cuff
|
||
|
||
GEnie Mail: EDITOR.A2 Internet: editor.a2@genie.geis.com
|
||
|
||
|
||
|
||
__________________________________________________________
|
||
| |
|
||
| REPRINTING GEnieLamp |
|
||
| |
|
||
| If you want to reprint any part of GEnieLamp, or |
|
||
| post it to a bulletin board, please see the very end |
|
||
| of this file for instructions and limitations. |
|
||
|__________________________________________________________|
|
||
|
||
|
||
|
||
[EOA]
|
||
[MAI]//////////////////////////////
|
||
FROM MY MAILBOX /
|
||
/////////////////////////////////
|
||
Letter to the Editor
|
||
""""""""""""""""""""
|
||
by Tim Grams
|
||
[TGRAMS]
|
||
|
||
|
||
|
||
>>> CORRECTION <<<
|
||
""""""""""""""""""
|
||
|
||
I was pleased to see a mention of GSTape in the June GenieLamp A2,
|
||
however I would like to comment on some things that Steve Weyhrich wrote.
|
||
|
||
First, GSTape does not require the RamFAST SCSI card. It will work
|
||
with the Apple SCSI cards, both Rev C and High Speed DMA if the Apple SCSI
|
||
manager is installed. The driver that comes with GSTape works with both
|
||
the Apple and RamFAST SCSI cards.
|
||
|
||
Second, Steve's problem with the RamFAST driver not being recognized
|
||
was not caused by renaming the partition names. Rather, he used ProSel to
|
||
change the names the SCSI driver responds with when asked by GS/OS. This is
|
||
the "device name" shown in Icon Information available from the Finder.
|
||
GSTape does not care what your partition or volume name is, however it does
|
||
need to tell the difference between the RamFAST hard disk driver and other
|
||
SCSI drivers.
|
||
|
||
If you have used ProSel to change device names and have trouble
|
||
getting the GSTape demo to recognize the RamFAST driver, you can do a
|
||
couple of things. You can re-run the "modify parameters" ProSel utility
|
||
and set the device names back to their original values. For a RamFAST this
|
||
is normally ".CVTECH.S7.A" or something similar depending on which slot the
|
||
card is in and which partition on the drive is being referenced. With
|
||
GSTape, only the ".CVTECH" is required. You can also temporarily rename
|
||
the PROSEL.PARMS file in the system folder to something else and reboot the
|
||
system.
|
||
|
||
Tim Grams
|
||
author, GSTape
|
||
|
||
|
||
|
||
_____ ______ _ _ ___ ___
|
||
/ ____| ____| (_) | | / _ \|__ \
|
||
| | __| |__ _ __ _ ___| | __ _ _ __ ___ _ __ | |_| | ) |
|
||
| | |_ | __| | '_ \| |/ _ \ | / _` | '_ ` _ \| '_ \ | _ | / /
|
||
| |__| | |____| | | | | __/ |___| (_| | | | | | | |_) | | | | |/ /_
|
||
\_____|______|_| |_|_|\___|______\__,_|_| |_| |_| .__/ |_| |_|____|
|
||
| |
|
||
|_|
|
||
|
||
|
||
|
||
[EOA]
|
||
[HEY]//////////////////////////////
|
||
HEY MISTER POSTMAN /
|
||
/////////////////////////////////
|
||
Is That A Letter For Me?
|
||
""""""""""""""""""""""""
|
||
by Douglas Cuff
|
||
[EDITOR.A2]
|
||
|
||
o BULLETIN BOARD HOT SPOTS
|
||
|
||
o A2 POT-POURRI
|
||
|
||
o HOT TOPICS
|
||
|
||
o WHAT'S NEW
|
||
|
||
o THROUGH THE GRAPEVINE
|
||
|
||
o MESSAGE SPOTLIGHT
|
||
|
||
|
||
|
||
>>> BULLETIN BOARD HOT SPOTS <<<
|
||
""""""""""""""""""""""""""""""""
|
||
|
||
[*] CAT10, TOP9 .............. Rich Wifall demos fax software at Kfest
|
||
[*] CAT11, TOP22 ............. Disk image file formats
|
||
[*] CAT42, TOP2 .............. AppleWorks 4.3 almost ready
|
||
[*] CAT42, TOP32 ............. Still a chance for AppleWorks GS?
|
||
[*] CAT44, TOP6 .............. AppleWorks 5 by October!
|
||
[*] CAT44, TOP6 .............. KansasFest/ICONference!
|
||
[*] CAT45, TOP2 .............. Quick Click Calc
|
||
[*] CAT45, TOP3 .............. What else from Byte Works?
|
||
|
||
|
||
>>> A2 POT-POURRI <<<
|
||
"""""""""""""""""""""
|
||
|
||
A VISIT FROM BRUTAL DELUXE > When is/are Brutal Deluxe going to be
|
||
"""""""""""""""""""""""""" > visiting you?
|
||
|
||
Good question. They (him?) are arriving in SF on Monday morning, and
|
||
they (him?) plan to call me first thing to set up a time. It has to be
|
||
Monday or Tuesday, as I'm heading out to KansasFest first thing Wednesday
|
||
morning.
|
||
|
||
And, surprise, surprise. I find that Opale is not the only Brutal
|
||
Deluxe work in progress.
|
||
|
||
I will say that I'm a little concerned about the language problem.
|
||
I've been e-mailing with Brutal Deluxe for the past year, and their English
|
||
skills seem to be almost non-existant. It should be interesting, to say the
|
||
least.
|
||
|
||
Joe (JOE.KOHN, CAT28, TOP4, MSG:257/M645;1)
|
||
|
||
>>>>> > Any day now, their (his?) Opale Demo will show up in the A2
|
||
""""" > library. It's one of the most beautiful things I've ever seen on
|
||
> my GS!
|
||
|
||
Did you upload a copy of it too? I sent one up last week, but forgot
|
||
to turn on Binary II. :( Need to re-up it.
|
||
|
||
BTW, Olivier dropped into IRC last month and mentioned a few other
|
||
projects Brutal Deluxe is working on (including a Tinies level editor).
|
||
(B.TAO, CAT28, TOP4, MSG:266/M645;1)
|
||
|
||
|
||
SOFTDISK G-S EASTER EGGS Just thought I'd mention, on the topic of Easter
|
||
"""""""""""""""""""""""" Eggs, that every issue of Softdisk G-S is now
|
||
published with at least one Easter Egg in the main Shell program (with
|
||
perhaps some in the other programs on the issue...). I think some of them
|
||
are pretty good, IMNSHO...
|
||
|
||
Just trying to keep the IIGS ever more interesting... :)
|
||
|
||
(I'll be announcing more AWGS Easter Eggs in the SDGS columns in
|
||
future issues, BTW).
|
||
|
||
-G.T. Barnabas (BARNABAS, CAT13, TOP13, MSG:187/M645;1)
|
||
|
||
|
||
SPECTRUM PASSWORDS ON A NETWORK If Spectrum is on a network then (a)
|
||
""""""""""""""""""""""""""""""" don't store passwords and (b) purchase a
|
||
site license, unless there is _no_ possibility of two people running
|
||
Spectrum at the same time.
|
||
|
||
Storing passwords is a convenience for users on standalone machines
|
||
in their home; it is a good way to hide the passwords from a casual hacker.
|
||
Storing passwords in any program on a machine that isn't in a reasonably
|
||
secure location is a bad idea.
|
||
|
||
Thanks, --Dave (SEVENHILLS, CAT43, TOP15, MSG:125/M645;1)
|
||
|
||
|
||
ULTRAMACRO 'DIRSORT' LABEL Someone recently asked me a question in
|
||
"""""""""""""""""""""""""" email that I'll answer here for the benefit of
|
||
all.
|
||
|
||
Question: "#dirsort doesn't work, do you know why?"
|
||
|
||
Short answer: Because it doesn't have the correct address.
|
||
|
||
Long answer: #dirsort is an UltraMacros label that is supposed to
|
||
represent the address that can be poked to force AppleWorks to display the
|
||
file listing in the order the files are stored on disk and not the sorted
|
||
order AW usually displays. UM is substituting the address $2295 for
|
||
#dirsort. After poking around in the monitor a bit, I found that the $31a2
|
||
can be poked to force AW to display the file listing in disk order when
|
||
adding files to the desktop. The organizer must be in memory before the
|
||
poke.
|
||
|
||
start
|
||
|
||
A:<all:
|
||
|
||
oa-q esc //MAIN MENU --organizer loaded
|
||
poke $31a2, $2c : // disk order
|
||
rtn rtn >! //add files from current disk
|
||
|
||
You have a choice at this point of poking $31a2,$20 to restore the
|
||
default or leaving it alone. As soon as you actually get in a file that
|
||
code is overwritten. The sorted order will be displayed next time files are
|
||
added to the desktop.
|
||
|
||
Although displaying the files in true disk order is faster, whether
|
||
or not there is a _noticeable_ difference depends on the number of files in
|
||
a directory and the speed of the computer. On a system with a RAM Fast and
|
||
an accelerator there may be no noticeable difference.
|
||
(S.BEVILLE, CAT17, TOP16, MSG:133/M645;1)
|
||
|
||
|
||
BRIAN PIETRZAK LEAVES SOFTDISK > the guy who had a lot of input into the
|
||
"""""""""""""""""""""""""""""" > development of Don't Forget (Bryan) is
|
||
> gone
|
||
|
||
I must've missed something...
|
||
|
||
I knew Jay left for greener pastures, but I _thought_ I heard that
|
||
Bryan moved to the Mac version of Softdisk. If true, he could still be
|
||
consulted. If he did leave, what did I miss?
|
||
|
||
Jeff Carr (J.CARR20, CAT34, TOP2, MSG:320/M645;1)
|
||
|
||
>>>>> Bryan did move into Softdisk for Mac, but then he was offered a job
|
||
""""" in Omaha, Nebraska, and took them up on it. He left Softdisk about
|
||
a week ago.
|
||
|
||
David (SOFTDISK.INC, CAT34, TOP2, MSG:321/M645;1)
|
||
|
||
|
||
FIX FOR OCCASIONAL SPECTRUM "SLOWDOWN" Yes, it sounds like the clipboard
|
||
"""""""""""""""""""""""""""""""""""""" problem. The bug isn't with
|
||
"large" amounts of text, but if the clipboard contains text that references
|
||
a font that no longer exists. For example, highlight even just one word
|
||
that's set with Times.12, copy it, then quit to the Finder. Delete ALL
|
||
your "Times" fonts and launch Teach. Edit/Paste will show garbage because
|
||
the clipboard is corrupt.
|
||
|
||
This shows up a lot with Spectrum because it uses an internal
|
||
"Spectrum.8" font that goes away when you quit (i.e. it does not exist in
|
||
the Fonts folder). However, that bug apparently does not ever appear if the
|
||
newest Pointless is installed (which makes me think the system bug is in
|
||
the Font Manager and not necessarily in the Scrap Manager).
|
||
|
||
Anyway, we're doing two things to hopefully _avoid_ the bug (since we
|
||
cannot actually _fix_ it): (1) We're going to provide Spectrum.8 on disk so
|
||
it can exist in the Fonts folder, and (2) We're not going to make the Scrap
|
||
Manager calls so often.
|
||
|
||
#1 should avoid the problem; #2 will lessen the effects if the
|
||
problem does occur.
|
||
|
||
As Ken mentioned, the solution is just to copy something else (if you
|
||
boot to the Finder or some launcher that gives access to NDAs, open the
|
||
Calculator and press OpenApple-C, then launch Spectrum).
|
||
|
||
Thanks, --Dave (SEVENHILLS, CAT43, TOP15, MSG:132/M645;1)
|
||
|
||
|
||
APPLE BRAND JOYSTICKS I can't believe all the positive remarks about
|
||
""""""""""""""""""""" Apple's joysticks. Apparently you all were either
|
||
very fortunate, or didn't use your joysticks much. The sticks themselves
|
||
were great, and lasted forever. The buttons, however, were (I believe)
|
||
deliberately designed to stop functioning after only a limited amount of
|
||
use. The actually circuitry would never go out; rather, the spring between
|
||
the outer orange button and the electronics would always get
|
||
compressed/bent/etc., and the button wouldn't make reliable contact anymore
|
||
(it would if you took the orange buttons out, but that made it rather hard
|
||
to play with).
|
||
|
||
I saw dozens of these joysticks with the exact same button problems.
|
||
I personally knew people who bought Apple joystick after Apple joystick
|
||
because the buttons stopped working. I listened to computer-store personnel
|
||
who always tried to play off Apple joystick problems as "kids being hard on
|
||
the buttons". I even had an Apple joystick myself and experienced all these
|
||
problems, and discovered that it was just the bad design with the springs
|
||
that would stop working.
|
||
|
||
In short, the Apple joystick's buttons were lemons, and I am amazed
|
||
that anyone can recommend the Apple joystick.
|
||
|
||
-G.T. Barnabas (BARNABAS, CAT12, TOP29, MSG:37/M645;1)
|
||
|
||
|
||
TIP FOR APPLETALK USERS I just solved a problem that's been annoying for
|
||
""""""""""""""""""""""" for almost six months now, and thought I'd share
|
||
it with everyone. Talk about traps for young players, AND OLD ONES!
|
||
|
||
My IIGS has three boot partitions, which I select with a RamFAST,
|
||
depending on what I'm doing during that session. One of these is a fast
|
||
boot (ie. very few INITs/DAs etc.) which starts AppleTalk and logs on to my
|
||
Macintosh automatically and uses AppleShare to gain access to one of the
|
||
Mac's drives.
|
||
|
||
About six months ago, the boot process started getting slower and
|
||
slower, until it got to the stage where it was taking up to 30-40 seconds
|
||
longer than I thought it should have. I checked the Zip GSX, and for around
|
||
30 seconds or so, the cache light was almost hard on. Check the Zip
|
||
settings! Nope, the AppleTalk switch made no difference. Either did
|
||
changing any of the slot speed switches. Re-install 6.0.1? No difference.
|
||
Remove EVERY INIT and DA (including the Apple ones, except for Control
|
||
Panels NDA and the AppleShare related Control Panels. Same problem.
|
||
|
||
I didn't have time to look any further, so I forgot about it.
|
||
|
||
Recently it had been getting worse, so I decided to take another
|
||
look. I dropped into debug during the "hard on delay" ;-) and found it
|
||
madly polling the serial ports. Why?
|
||
|
||
Perhaps it's confused! Delete CDev.data. Same problem. Check out
|
||
ATInit and AppleShare.Prep. Ahh!
|
||
|
||
Because my Mac had been reformatted a number of times, the server
|
||
name had changed. The IIGS was trying to log on to every past server name
|
||
which I'd used, and was "madly polling" waiting for them all to come
|
||
online.
|
||
|
||
Even though only the current name appears in the AppleShare Control
|
||
Panel, setup data STILL contains the old information! I deleted "ATInit"
|
||
and "AppleShare.Prep", went in and logged on to the Mac again, and rebooted
|
||
with the new parms. The IIGS booted to the desktop, with the Mac volume
|
||
mounted, in under 10 seconds!
|
||
|
||
Sooo... If you think AppleShare is pretty slow, try deleting "ATInit"
|
||
and "AppleShare.Prep", reboot, re-logon, and reboot again. Both of these
|
||
files are in "*:System:System.Setup".
|
||
|
||
Regards,
|
||
Richard (RICHARD.B, CAT9, TOP14, MSG:14/M645;1)
|
||
|
||
|
||
KOALA PAD SOFTWARE? I recently got a hold of a Koala Pad. Unfortunately,
|
||
""""""""""""""""""" there was no software with it. I know that the pad
|
||
originally came with at least a drawing program. Does anyone know where I
|
||
can get it? Also, is there any other software available for the Koala Pad?
|
||
(T.ABRAMS1, CAT4, TOP4, MSG:207/M645;1)
|
||
|
||
>>>>> I think you can still buy a KoalaPad from Educational Resources,
|
||
""""" 1550 Executive Drive, Elgin, IL 60123 (1-800-624-2926); $89.95
|
||
(Fall '93 catalog). Possibly they would sell you the documentation and the
|
||
Koala Illustrator disk, which accompanies the pad (or used to). When the
|
||
pad dies (it will), you can still use Koala Illustrator with a joystick.
|
||
As 8- bit drawing programs go, it's all right.
|
||
|
||
Since you can use a joystick with Koala Illustrator, I suspect that
|
||
you can "read" the KoalaPad with the same Applesoft commands you use with
|
||
joysticks.
|
||
|
||
I've got the documentation somewhere. Let me look around for it and
|
||
get back to you in a day or two.
|
||
|
||
Eric ( o= =o === =ooo oo oo= == )
|
||
(J.SCHONBLOM, CAT4, TOP4, MSG:208/M645;1)
|
||
|
||
|
||
>>> HOT TOPICS <<<
|
||
""""""""""""""""""
|
||
|
||
APPLEWORKS 4.0, 4.0.1, 4.0.2... 4.3? > I just returned from vacation -
|
||
"""""""""""""""""""""""""""""""""""" > any news on the release of AW 4.1?
|
||
|
||
Sure as comets hit Jupiter, 4.1(3) will be out really soon now.
|
||
There's one problem with a timeout that needs to be fixed before we release
|
||
it.
|
||
|
||
Quality Computers --- Power for performance
|
||
(QUALITY, CAT42, TOP2, MSG:352/M645;1)
|
||
|
||
>>>>> Great news! But, uh, what's the (3)? :
|
||
""""" (T.SMITH59, CAT42, TOP2, MSG:353/M645;1)
|
||
|
||
<<<<< The (3) is there because the next AppleWorks will be 4.3. We've
|
||
""""" all known it as 4.1, but to avoid confusion between 4.0.1 and 4.1,
|
||
we decided we should skip a version number. I'm sure the version police
|
||
will come down on us soon and our National Health Care plan will be
|
||
revoked:) (I hope)
|
||
|
||
Quality Computers --- Power for performance
|
||
(QUALITY, CAT42, TOP2, MSG:356/M645;1)
|
||
|
||
|
||
APPLEWORKS _5_! AW4.3 (bug-fix update) has been finalized and will be
|
||
""""""""""""""" released shortly (check your next issue of
|
||
TimeOut-Central, if you don't see it elsewhere first). AW5.0 (an upgrade
|
||
with some terrific new features) was _officially_ announced by Randy (and
|
||
Quality) for expected release in October.
|
||
|
||
|
|
||
-(+)-
|
||
|
|
||
|
|
||
...Will
|
||
(W.NELKEN1, CAT44, TOP6, MSG:36/M645;1)
|
||
|
||
|
||
APPLEWORKS 5 -- WHAT TO EXPECT > I wish we could get some info on any new
|
||
"""""""""""""""""""""""""""""" capabilities of AW 5.0
|
||
|
||
A _partial_ list:
|
||
|
||
SS
|
||
''
|
||
- memos (cell notes)
|
||
- dynamic @Alert (revaluates each recalc)
|
||
- new @Today function
|
||
|
||
DB
|
||
''
|
||
- background text in single record layout. You type in anything you want
|
||
in normal, inverse or MouseText, and the data is overlaid on that
|
||
background. You can make cool boxes and flashy screens.
|
||
- mixed mode in SRL pops up a scrolling list for the current category. As
|
||
you cursor through, the SRL stuff is updated
|
||
- DB Pix-style graphics command display single or double hires, PrintShop
|
||
|
||
WP
|
||
''
|
||
- resizable split screens which are "remembered" as you switch around the
|
||
desktop. In other words, you could have 10 differently sized windows and
|
||
use OA-Q to move from file to file, each retaining their window setup.
|
||
- print to screen. Handy for previewing mail merge, varying CPI, etc.
|
||
- print Odd or Even. Handy for book printing
|
||
- built-in Outliner
|
||
- wild cards allow search for T?M to find Tim or Tom.
|
||
- find text is remembered even when you switch desktop files
|
||
|
||
Desktop
|
||
'''''''
|
||
- you can pick more than 12 files at a time and the desktop is
|
||
automatically switched when full (12 files each)
|
||
- improved version of WaitLess built-in
|
||
|
||
In addition there are various bug tweaks and little new features that
|
||
are actually very handy. Some will be happy that the screen blanker delays
|
||
are reset by mouse moves. Others will be thrilled that the OA-A command for
|
||
file listings now offers a "Reverse" the order option so you can go largest
|
||
to smallest, smallest to largest, youngest to oldest, oldest to youngest,
|
||
etc. Other new features haven't been finalized or written. We're even still
|
||
taking ideas, with no promises.
|
||
|
||
BTW, some will surely scream and holler that working on AW 5 has
|
||
delayed AW 4.3 in some unjust way. Actually, it has accelerated the fixes
|
||
in 4.3, since they had to be done in order to create a 5.0 foundation. AW 5
|
||
has also provided the financial justification to keep doing those free
|
||
updates we hear so much about.
|
||
|
||
As for cost, it will be cheaper than AW 3 to AW 4, but it's not final
|
||
yet. It will come on two 3.5" disks and include a delta manual (changes
|
||
since AW 4). It requires at least a 256k enhanced IIe, IIc or IIgs.
|
||
(BRANDT, CAT44, TOP6, MSG:43/M645;1)
|
||
|
||
<<<<< AW 4.0 was late for several reasons which do not apply to AW 5. It
|
||
""""" also had some bugs due to major redesign which is not needed in AW
|
||
5, because we allowed for many of the AW 5 features while creating AW 4.
|
||
There will only be a delta manual for AW 5 (changes since AW 4), no video,
|
||
no fancy packaging, etc., so development time is slashed. Also, there's
|
||
more of an agreement between marketing and programming as to what a
|
||
realistic date is. I fully expect to ship in late September or early
|
||
October. Most of the tough stuff is already finished now in July.
|
||
|
||
We're attempting to design AW 5 so that _EVERY_ AW 4-compatible
|
||
TimeOut app will work without change, but there may be a few minor
|
||
exceptions. Again, the major structure change in AW was the redesign from
|
||
AW 3 to AW 4. The changes in AW 5 involve adding new features, not massive
|
||
redesign of how everything fits together.
|
||
(BRANDT, CAT44, TOP6, MSG:56/M645;1)
|
||
|
||
>>>>> Randy and I also discussed including the AfterWork "engine" and a
|
||
""""" couple of blanker modules in AW 5, and releasing a new batch of
|
||
modules shortly after AW 5. Could be fun. B) I'm not sure if Randy will
|
||
have time for that, though. It'll need a little tweak to the Screen
|
||
Blanker preferences screen, for sure.
|
||
(II.ALIVE, CAT44, TOP6, MSG:57/M645;1)
|
||
|
||
|
||
REPORTS FROM KANSASFEST Howdy from ICONference, at Avila College in rainy
|
||
""""""""""""""""""""""" Kansas City! I've had a chance to meet several
|
||
A2 acquaintances in person; in fact, met Nate Sloan and Jim Z in the
|
||
elevator, where Jim's Powerbook was plugged into the phone outlet, allowing
|
||
him to conduct his RTC as he moved from 1st the 4th floor and back again.
|
||
|
||
More when there is more to say...
|
||
|
||
Steve Weyhrich <IX0YE>--<
|
||
(S.WEYHRICH, CAT44, TOP6, MSG:13/M645;1)
|
||
|
||
<<<<< Here's a summary of Day 1 (long post warning, whatever good THAT
|
||
""""" does)
|
||
|
||
The talks for each of the two days are split up into two sessions,
|
||
with a choice between two topics for each session. The one exception is
|
||
that today and tomorrow there is one large session. Here is the schedule:
|
||
|
||
9:15-10:15
|
||
|
||
UNIX and the Internet Soldering For Beginner's:
|
||
Which End of the Iron is Hot?
|
||
Jim Maricondo Dave Ciotti
|
||
|
||
I attended the Unix/Internet session, and got a brief intro into what
|
||
it offers and can do for me.
|
||
|
||
10:25-11:40
|
||
|
||
Launch Of The Mensch Computer
|
||
Bill Mensch & Nick Dazio
|
||
|
||
This was a presentation by Western Design Center, the current
|
||
licensors of the 6502, 65c02, and 65816. The primary topic was an
|
||
introduction of a computer that Mensch has designed to make use of a new
|
||
microprocessor that he has designed (the 65265), but it began with the
|
||
background of just how far reaching the lowly 6502 and 65816 have become.
|
||
The 65c02 is used in some of the new implantable defibrillators (devices
|
||
similar to pacemakers, but for those whose hearts go frequently into
|
||
dangerous rhythms, it shocks the heart back into a normal rhythm); in
|
||
closed captioning devices on newer televisions; some of the intelligent
|
||
cable TV boxes; the mouse port on the Macintosh computer; certain stereo
|
||
systems; and Ricoh fax systems. The Super Ninetendo, of course, uses the
|
||
65816, but also the Franklin Digital Book system uses it.
|
||
|
||
The Mensch computer itself does not sound too exciting. It uses the
|
||
new 65265 chip, which is a 16 bit chip with many opcodes similar to the
|
||
65816, plus some built-in ROM code that assists it in running quickly and
|
||
efficiently. The computer has a 16 line by 40 character LCD display; the
|
||
keyboard uses a low power chip built into it; so the entire computer can
|
||
run easily for hours on batteries.
|
||
|
||
Mensch is trying to position this computer as a "consumer" computer,
|
||
not a game computer or a business computer. He wants it to be something
|
||
that is so simple that ANYONE can use it, without using the manual. It has
|
||
built-in printer port, modem port, keyboard serial port, and "host" port
|
||
(which allows it to be connected to a "more powerful" computer, be it Apple
|
||
II, Mac, or PC, or to a dial-up host, such as an Internet or BBS node).
|
||
The connectors for those serial ports are the same as those used to plug
|
||
your telephone to the wall outlet. Also, if a user doesn't want to use a
|
||
keyboard, it accepts a Sega-style game controller as an input device.
|
||
|
||
The software for the Mensch computer would be on PCMCIA cards, and
|
||
one example would be a 10 meg card (that looks as thin as a credit card)
|
||
which could hold an operating system, an application, and the files created
|
||
by the user for that application.
|
||
|
||
The market he is looking at is the low-end home and consumer market;
|
||
those who could use something less complex than a palmtop, but more than a
|
||
pocket organizer. In the Far East, in countries like Korea and China and
|
||
Japan where personal computers have made considerably less inroads than
|
||
they have here, there are companies that are very interested in the Mensch
|
||
computer. They don't intend it to REPLACE Macs or PCs, but rather to
|
||
supliment them.
|
||
|
||
Examples of things it has been tested as include consumer
|
||
applications like e-mail, digital message center (one that would bypass the
|
||
Internet or operate separate from it), dictionary, directory assistant
|
||
(like the Internet utilities Archie, Gopher, etc, work), organizer,
|
||
programmer's hobby, games, control projects (he gave an example of
|
||
fingerprint recognition associated with use of an ATM card);
|
||
|
||
Much of Mensch's reason for speaking with our group today is that he
|
||
needs programmers to design and write applications for the Mensch computer.
|
||
IIgs programmers would be perfect for this, since they already have
|
||
familiarity with the architecture of the opcodes and microprocessor
|
||
(similiar as it is to the 65816).
|
||
|
||
MY OPINION: With a $900 price tag, it is not likely to attract much
|
||
consumer attention, as it is not as flashy as a Mac or 486 or Pentium
|
||
computer, though it could possibly be just as powerful. It would not run
|
||
with off-the-shelf software, so those who ARE computer literate would
|
||
likely ignore it. It does not offer anything that is significantly
|
||
different from what you can do with an already existing computer, and it
|
||
does not have (yet) a compelling application (that is, something that is SO
|
||
GREAT that people have to buy the computer just to use that application.
|
||
On the Apple IIe/IIc, it was AppleWorks. On the Mac, it was desktop
|
||
publishing software. On the Super Ninetendo, it was Super Mario World. On
|
||
the Sega it was Sonic the Hedgehog. Etc, etc).
|
||
|
||
If the price was significantly decreased, and a business in a large
|
||
city decided to offer a videotext service using these as access machines,
|
||
it might achieve a foothold, especially with its ability to interface with
|
||
an already existing computer. It really should be available in a handheld
|
||
format (like a digital book) that has the option of plugging in a keyboard
|
||
or transferring data between the MC and a more powerful PC (Apple II, Mac,
|
||
or IBM).
|
||
|
||
The Mensch computer will be built by a plant that is under
|
||
construction in Africa, and will then be the first computer to come out of
|
||
that continent.
|
||
|
||
Applications where I believe the 65265 chip will likely have more
|
||
success than will the Mensch computer will be portable pocket computers;
|
||
countertop computers with expandible features; and multifunction
|
||
telephones.
|
||
|
||
11:45-12:45
|
||
|
||
Lunch! The entertainment for lunch was our own Editor.A2, Doug Cuff
|
||
leading a rousing game of Computer Jeopardy (aka, Computer Trivia). He was
|
||
so generous in his prizes that he even awarded points to people in the
|
||
audience when the questions could not be answered by the contestants.
|
||
|
||
1:00 pm
|
||
|
||
MACINTOSH SYSTEM 7.5 OVERVIEW DEVELOPMENT TOOLS FOR THE MENSCH
|
||
COMPUTER
|
||
Mike Pruneau, Apple Computer Jihad Jaafar & Larry Hittel
|
||
|
||
Here we saw some of the features in the beta release of System 7.5,
|
||
which is coming soon, with System 8 in the next year or so. It was
|
||
demonstrated on a PowerMac, with 16 megs of RAM. He gave an overview of
|
||
Apple's plans for the rest of the 90's. They admit that with as much power
|
||
as the Macintosh offers today, it STILL is too hard for many people to
|
||
figure out. There are STILL people who will NEVER read a manual that
|
||
explains how to use their computer, even if the manual is written in as
|
||
clear and concise fashion as possible. Furthermore, there will be a
|
||
continuing revolution in communication, with Internet-->"Data
|
||
Superhighway", Multimedia-->Interactive TV, etc. He made a good
|
||
comparison: "If it is easy enough for my mom to use without being told how,
|
||
it is easy."
|
||
|
||
System 7.5 has 70 new features, some of which were demonstrated. It
|
||
is compatible with nearly everything out there now. Offers a built-in PC
|
||
exchange capability, in which an MS-DOS formatted 1.4 meg disk inserted
|
||
into a SuperDrive will appear directly on the desktop and be able to be
|
||
opened, etc, just like a Mac disk (and as some currently available
|
||
extensions allow you to do).
|
||
|
||
Mac "Easy Open" is a new extension that determines or asks which
|
||
application should open a file if it can't be figured out.
|
||
|
||
Drag and Drop is an enhancement on Cut and Paste. Instead of having
|
||
to select something (an object or text), Cut/Copy it to a clipboard, and
|
||
then Paste into another document, you can now select it and just drag it
|
||
directly to the other document.
|
||
|
||
Many of the features of the Finder are now scriptable (in fact, this
|
||
is how the advanced help feature works, which is significantly better than
|
||
"balloon help" was).
|
||
|
||
You can lock up to two folders from prying eyes.
|
||
|
||
You can implement "Sticky Memos", which look like post-it notes stuck
|
||
to the screen.
|
||
|
||
It will support up to four 4 Gigabyte volumes.
|
||
|
||
There will be a thread manager, for better multititasking.
|
||
|
||
There is a graphic calculator desk accessory that was impressive. It
|
||
will take an X/Y/Z (three variable) equation, and display its graph in a
|
||
window, even doing rotation of the shape that the equation defines. On the
|
||
Power Mac it executed VERY quickly, almost immediately.
|
||
|
||
System 7.5 will also implement a better FindFile (similar to GS, in
|
||
giving the locations of matching files with their pathnames, but with more
|
||
capabilities than the GS version).
|
||
|
||
You can now print a document by dragging the document onto a
|
||
LaserWriter icon on the desktop (just like the Lisa used to do).
|
||
|
||
The minimum recommended memory needed for System 7.5 will be 8 megs,
|
||
JUST for the system (if you install EVERYTHING), and they recommend 16 megs
|
||
if you want to do any serious work. It offers features that are,
|
||
admittedly, available now through inits and extensions, but these will be
|
||
built into the system and should work properly together.
|
||
|
||
On the PowerMac "power" demo (with a 601 PowerPC chip), he showed a
|
||
PhotoShop application that had what appeared to be a ball, with tiny bumps
|
||
(similar to a golf ball), with raised lettering. Using the mouse, you
|
||
could move a light source anywhere around on this object, and it displayed
|
||
the shadows properly. The rendering was as fast as it would be in real
|
||
life, and included the ball changing smoothly from one color to another.
|
||
|
||
UNIX AND THE APPLE IIGS: GNO/ME ANIMASIA 3-D
|
||
Jim Maricondo Michael Lutynski
|
||
2:10pm
|
||
|
||
I went to the GNO/ME discussion. Mostly informational, didn't see
|
||
anything that hasn't already been talked about here on GEnie in the past.
|
||
|
||
ALL ABOUT THE POWER PC APPLE II INTERFACING: HOW TO
|
||
CONTROL REAL WORLD DEVICES
|
||
Mike Pruneau, Apple Computer Erick Wagner
|
||
3:20pm
|
||
|
||
I attended the interfacing talk, as I'd already seen some of the
|
||
PowerMac stuff. Wagner showed how to use the Apple II Plus, IIe, IIc, or
|
||
IIgs to connect the game port to read or control analog or digital devices.
|
||
He pointed out that the Apple II is ideal for a dedicated application like
|
||
this, since it has been around for a long time, and can be obtained
|
||
relatively cheaply. He then showed some demos of devices being read or
|
||
controlled with his IIe.
|
||
|
||
MULTIMEDIA AUTHORING WITH CD-ROM LOOKING GOOD IN PRINT
|
||
Greg Nelson Joe Kohn
|
||
4:30pm
|
||
|
||
I went to Joe's talk. He talked about the hardware, software, and
|
||
page layout considerations to make when doing desktop publishing with an
|
||
Apple II or IIgs.
|
||
|
||
These are getting shorter, as I am getting tired or typing (and you
|
||
are likely getting tired of reading).
|
||
|
||
More tomorrow...
|
||
|
||
Steve Weyhrich <IX0YE>--<
|
||
(S.WEYHRICH, CAT44, TOP6, MSG:19/M645;1)
|
||
|
||
>>>>> Chris Budewig, aka Kevin Flynn, reporting live from KansasFest, er,
|
||
""""" I mean ICONference '94.
|
||
|
||
The annual Bite the Bag contest was held tonight and has now
|
||
concluded. For those of you who don't know, Bite the Bag is a game of
|
||
balance and leg strength where you must pick up a paper grocery bag with
|
||
your teeth. The trick is that the only part of your body that may touch
|
||
the ground while doing this is one of your feet. Each round, everyone
|
||
takes a turn picking up the bag. Then about an inch is torn off the top
|
||
all the way around the bag and everyone who had successfully picked it up
|
||
the previous round gets to try again.
|
||
|
||
Competition was hot and heavy as, round after round, the height of
|
||
the bag slowly reached the floor. The final round consisted of seeing
|
||
which of the three remaining contestants, Roger Wagner, Paul Zaleski, and
|
||
Joe Wankerl, could pick up three-inch diameter section of the bottom of the
|
||
bag the fastest. And the winner? Roger Wagner won the crown from last
|
||
years winner Paul Zaleski.
|
||
|
||
...Chris (K.FLYNN, CAT44, TOP6, MSG:22/M645;1)
|
||
|
||
|
||
<<<<< More from ICONference..
|
||
"""""
|
||
Last night at the buffet and celebrity roast, Tom Weishaar announced
|
||
the new executive director for ICON, Sherry Wonning. She is a local
|
||
person, with some background in computer-related training, and a degree in
|
||
communications.
|
||
|
||
The roast was of Mike Westerfield, and the roasters were Bill
|
||
Heineman, Greg Templeman (Softdisk G-S), Jawaid Bayzar, Roger Wagner, Nate
|
||
Trost, and finally Tom Weishaar.
|
||
|
||
Beginning this morning...
|
||
|
||
09:30am
|
||
KEYNOTE ADDRESS: CONFESSIONS OF A PRIMORDIAL PROGRAMMER
|
||
Randy Brandt
|
||
|
||
Randy Brandt spent most of the time giving his personal computing
|
||
journey to the present, and then with the story getting a bit long toward
|
||
the end, he finished by saying that he was officially announcing the
|
||
AppleWorks _5.0_ would be released by the first of October. He didn't have
|
||
much time to demo features (that _I_ had a chance to see), but said that
|
||
details of the planned enhancements would be forthcoming. Much excitement
|
||
by all!
|
||
|
||
|
||
PREVIEW OF MICROSOFT WINDOWS 4.0 THE INS AND OUTS OF TELECOM SCRIPTING
|
||
Pat Wilson, Microsoft Nathaniel Sloan
|
||
10:40
|
||
|
||
I was curious about the new Windows, as I have used 3.1 on the
|
||
computer at my office, so I attended the Microsoft session. There was
|
||
originally supposed to be a non-disclosure agreement signed, but there were
|
||
so many details about Windows 4.0 in the Kansas City paper this morning,
|
||
the Microsoft rep didn't feel there was any point to an NDA.
|
||
|
||
Much of what is being done with Windows 4.0 will be in making it work
|
||
more like the Macintosh desktop (though that is not what they state, that
|
||
is the end result). It will now support long filenames, up to 256
|
||
characters, while somehow retaining backward compatability with older
|
||
versions of MS- DOS; that is, a Windows 4.0 disk with a l-o-o-o-n-g
|
||
filename will still be easily read by a MS-DOS 2.0, as the file will have
|
||
two names, the original 8 and 3, and the new long one.
|
||
|
||
They are also working on Plug & Play architecture (removing the need
|
||
for complicated configuration files), again, very similar to what the Mac
|
||
allows. In face, the rep used the same "my mom should be able to do it"
|
||
analogy that the Apple rep used yesterday.
|
||
|
||
It will provide more powerful multitasking.
|
||
|
||
Minimum requirements will be: Needs VGA or SVGA display, HD floppy,
|
||
386 or better processor, 19 MB of hard disk, and 4 MB or RAM.
|
||
|
||
LUNCH
|
||
11:45am
|
||
|
||
HYPERSTUDIO AS A DEVELOPMENT ENVIRONMENT MICROSOFT OFFICE FOR WINDOWS, I
|
||
Roger Wagner Pat Wilson, Microsoft
|
||
1:00pm
|
||
|
||
Roger was entertaining as always. He gave a brief background of
|
||
HyperStudio, and pointed out that the program is very usable WITHOUT having
|
||
to read the manual. He announced that in January they plan to release a
|
||
Windows version of HyperStudio, and that stacks from the Mac version (and
|
||
presumably the GS version) will be directly usable on the PC version.
|
||
|
||
They've had a fair amount of success in getting the program into the
|
||
Macintosh community without getting eaten up by sharks, as have other
|
||
companies who have ventured out of Apple II waters. For example: McGraw-
|
||
Hill wanted a 40-unit multimedia educational series to produce. They chose
|
||
HyperStudio to do it, just because it WAS easy.
|
||
|
||
Wagner pointed out that education has been an excellent market for
|
||
HyperStudio. Even though sales in that market are slow to get started, a
|
||
product purchased by a school will usually be used for many years, because
|
||
they can't afford to change things every few years. Furthermore,
|
||
HyperStudio was doing color and sound multimedia before HyperCard Mac and
|
||
even SuperCard on the Mac could do it. Therefore, HyperStudio had the
|
||
advantage of getting started before the others could get in.
|
||
|
||
Another commercial application of HyperStudio as a tool for education
|
||
has been Texaco. That company has made use of HS to develop some
|
||
educational presentations about use of methods of analyzing earth to look
|
||
for oil. It finally gave them a way to explain this difficult concept
|
||
understandable to people, even to engineers, that had problems grasping it.
|
||
The animations from that stack are going to show up in a PBS program about
|
||
the topic.
|
||
|
||
Wagner also demoed a stack that had someones resume' on it, where the
|
||
person had used HS to make a stack that scanned pictures of the books he
|
||
had written, photos of the classes he had taught, etc. It was very much an
|
||
eye-catching presentation, and would certain stand out over others that
|
||
were only on paper.
|
||
|
||
Wagner has himself used an Apple QuickTake camera to take photos of
|
||
people at ICONference, and plans to show his stack later today (maybe even
|
||
right now).
|
||
|
||
During his presentation, Nate Trost & another crony came in and shot
|
||
Wagner with nerf guns. However, undeterred, Roger continued his talk.
|
||
|
||
They do plan on getting an updated version of HyperStudio GS out, but
|
||
have to find someone to help do the programming work.
|
||
|
||
QUICK CLICK CALC WITH PUBLISH AND SUBSCRIBE PROGRAMMER DETAILS
|
||
Mike Westerfield
|
||
2:10pm
|
||
MICROSOFT OFFICE FOR WINDOWS, II
|
||
Pat Wilson, Microsoft
|
||
|
||
Westerfield pointed out that a spreadsheet for the IIgs was
|
||
reasonable to do now, especially since AWGS 2.0 isn't going to be appearing
|
||
any time soon.
|
||
|
||
Features:
|
||
|
||
True split screen. There can be a _billion_ cells (limited by
|
||
available memory). It can read AW 3.0, and will be able to read 4.0 (and
|
||
5.0) spreadsheet files. QCC cannot directly read AWGS spreadsheet files
|
||
(because the format is not known, even to Claris, and has not been
|
||
documented anywhere), but AWGS SS files can be exported to text or DIF,
|
||
which CAN be read. QCC can do everything that AW3.0 SS can do. It can
|
||
EXPORT to AW3.0 as well.
|
||
|
||
Data can be encrypted. The size of the spreadsheets can be limited
|
||
to a specific size (no more than 100 rows and 10 columns, for example).
|
||
|
||
It has a neat graphing function, that does pie charts, bar charts,
|
||
line charts of various types, will plot two kinds of data side by side.
|
||
Line graphics can do "fits" of data to a line.
|
||
|
||
Colors can be changed on single cells, and not on the entire sheet
|
||
(as with AWGS). Also, the height and width of individual cells (columns
|
||
and rows, actually) can be modified to allow larger fonts, etc. to be in
|
||
those cells.
|
||
|
||
The "publish and subscribe" feature automates copy and paste. The
|
||
difference is that the changes from one SS will always be linked to make
|
||
associated changes in the other documents that are subscribed to that
|
||
original SS. It does it through the use of FILES, which means that the
|
||
updates are available any time the subscribing file is opened.
|
||
|
||
Also does cell formatting by grades (A,B,C,D, etc) and let you do
|
||
calculations on those letter grades (i.e., "B- + 1 = A-"). Can do date and
|
||
time math.
|
||
|
||
"Cell notes" are available for any cell to remind you what a cell is
|
||
for or does. (This is also a feature planned for AW 5.0).
|
||
|
||
Cells can be have lines drawn around them in varying thicknesses.
|
||
|
||
What does the future hold? It depends on the response to THIS
|
||
product. There will be at least TWO other programs coming out, probably by
|
||
the end of the year, that will help determine whether there will be further
|
||
products. They would like to do further productivity products, but depends
|
||
on whether or not there is enough response to THIS (and THESE) products.
|
||
|
||
If you buy, and don't like, it can be returned in 30 days.
|
||
|
||
ALL ABOUT THE INTERNET WAY COOL AND WAY CHEAP MACINTOSH
|
||
UTILITIES
|
||
Joe Kohn Bill Lynn
|
||
3:20pm
|
||
|
||
Kohn has all the ferver of an evangelist in his presentations on the
|
||
Internet. He concentrated on the "Internet for Dummies" approach, stating
|
||
that all you REALLY need is to access the World Wide Web, through Lynx (for
|
||
text-based computers, currently including the Apple II and IIgs), or Mosaic
|
||
(for graphic based computers, Macs & PCs).
|
||
|
||
Because of the power of the WWW, Archie, Gopher, and Veronica
|
||
(Internet search tools) are obsolete (according to Kohn).
|
||
|
||
Kohn says that you should imagine what you could do if the Internet
|
||
was on your computer, accessible through a HyperStudio or HyperCard stack,
|
||
with the power of 10 trillion stacks strong.
|
||
|
||
3D TECHNOLOGY FEATURING 3D-LOGO PROGRAMMING THE NEWTON
|
||
Mike Westerfield Josef Wankerl
|
||
4:30pm
|
||
|
||
Westerfield demoed what 3-D Logo does, and also discussed the use of
|
||
HyperLogo on HyperStudio. HyperLogo is the default language on HyperStudio
|
||
Mac and will be the default on HyperStudio PC.
|
||
|
||
Obviously, the meetings which I discussed above are the ones I
|
||
attended. Now, off to see the hands-on demo of Lynx...
|
||
|
||
Steve Weyhrich <IX0YE>--<
|
||
(S.WEYHRICH, CAT44, TOP6, MSG:25/M645;1)
|
||
___
|
||
>>>>> |he Mensch Computer will never run Apple II (8 or 16-bit)
|
||
""""" software. Bill Mensch said that he had thought about it, but then
|
||
decided that he should "only look forward, never back," or something to
|
||
that effect. In the end he intentionally decided to leave out features
|
||
that would be necessary for it to be at all compatible with Apple II
|
||
software.
|
||
|
||
][n my opinion, the Mensch Computer itself has no market, especially if
|
||
he insists on calling it a "computer." With that label, people are going
|
||
to be comparing it to full desktop systems and laptops, and in all respects
|
||
it will come up short. On the other hand, the CPU that it uses, the 6265,
|
||
is in my opinion very well designed and lends itself to many better uses.
|
||
It's a great low-power semi-RISC processor that can be manufactured much
|
||
more cheaply than any other comparable microprocessors (according to the
|
||
figures he provided).
|
||
|
||
|)uring the Mac System 7.5 presentation everyone kept ribbing the Apple
|
||
marketing guy giving the presentation about how some new feature he was
|
||
describing looked "gee, just like the Apple IIgs...." These included a
|
||
thermometer bar during boot and the improved Find File dialog, plus a
|
||
couple of other minor features we've been used to using on the IIgs for
|
||
years. (Remember when the Mac got a Fonts folder? :)
|
||
|
||
|\/|ac System 7.5 also offers hierarchical menus in the Apple menu for
|
||
folders and other various utilities as a standard (you no longer need to
|
||
use a third party extension for it).
|
||
___
|
||
|oday we were "treated" to a demonstration of Chicago, aka Windows
|
||
4.0. Everyone (except, I suppose, the MicroSoft employee) left the room
|
||
feeling "it was just like the Macintosh operating system... of six to eight
|
||
years ago." New features touted included copying/moving files by dragging
|
||
them with the mouse into folders (what a breakthrough! :), no more eight
|
||
character file name limititations (though the file names are still
|
||
translated to eight character names and saved under MS-DOS -- as a result
|
||
you're NOT going to see the same file names any time you drop down to MS-
|
||
DOS), and a "task bar" at the bottom or top of the screen that contained
|
||
the names of the currently running applications (kind of like the Mac's
|
||
applications menu). The only vaguely interesting thing to me that was
|
||
mentioned was that printers being accessed through Windows 4.0 would
|
||
automatically add their drivers to the system, if they were not present.
|
||
Beyond that I was very bored at that session and spent a large portion of
|
||
my time there trying not to fall asleep.
|
||
|
||
|\/|ike Westerfield gave a quite interesting overview/demonstration of
|
||
his new Quick Click Calc spreadsheet program. He also gave technical
|
||
details of its publish and subscribe features and handed out disks filled
|
||
with documents about it and some sample source code. The technical specs
|
||
and notes will be available in A2Pro shortly, but not the same code. To
|
||
get that, though, all you'll need to do is ask Mike for it directly. He
|
||
just wants to keep a bit better track of the distribution of the source
|
||
code (especially since it was taken directly from the Quick Click Calc
|
||
source itself).
|
||
___
|
||
|onight a huge group of us went out to see the movie "True Lies." For
|
||
a generally mindless acion flick with lots of violence and general carnage,
|
||
it was great.
|
||
|
||
-= Lunatic (:
|
||
(A2.LUNATIC, CAT44, TOP6, MSG:26/M645;1)
|
||
|
||
|
||
KANSASFEST WRAP-UP Stay tuned to a Bulletin Board near you for
|
||
"""""""""""""""""" information on "KansasFest 94 The CD" I took about
|
||
100 pictures at the fest and am having them copied onto a photo CD as I
|
||
type. Once I get them back and have a rough estimate on how many I have to
|
||
order I will post the information here. Developing the pictures and
|
||
cutting the first CD will cost about $80. I hope to make CDs available in
|
||
the $20 range. If the Photo Shop wants too much for the copies I will look
|
||
into other means of reproduction.
|
||
|
||
Let me know if you are interested.
|
||
|
||
Bear (BINARY.BEAR, CAT44, TOP6, MSG:67/M645;1)
|
||
|
||
>>>>> I'd be interested in one of those PhotoCDs from KFest, with the
|
||
""""" further request that I'd like to run one or two pictures from the
|
||
CD in II Alive. (Hopefully they will all have captions so I know who to ask
|
||
for individual permissions.)
|
||
(II.ALIVE, CAT44, TOP6, MSG:75/M645;1)
|
||
|
||
>>>>> Well I just got home from Kfest yesterday. This is the first time
|
||
""""" I was able to attend. To tell the truth, I was a little bit
|
||
apprehensive about attending when I knew no one at all in person, only some
|
||
by name.
|
||
|
||
Now that I've gone, I'm very sad it took me so long to go. I can
|
||
only wonder what previous years were like. Anyway to say I had a great
|
||
time would be an understatement. I've made friends with many people in
|
||
only a few short days. I enjoyed all the sessions that I attended. I
|
||
loved all the ridiculous games though I was just a spectator. And I
|
||
managed not to miss as much sleep as many!
|
||
|
||
Thanks to everyone who worked on Kansasfest. I'll never forget it.
|
||
|
||
Joyce (J.SULLIVAN27, CAT44, TOP6, MSG:69/M645;1)
|
||
|
||
|
||
>>> WHAT'S NEW <<<
|
||
""""""""""""""""""
|
||
|
||
QUICK CLICK CALC For the Apple IIGS
|
||
"""""""""""""""" Published by Byte Works, Inc.
|
||
|
||
Price: $60
|
||
Manual: 101 pages; includes index and Spreadsheet Cookbook
|
||
Requirements: System 6.0.1, 1.125M RAM
|
||
Also supports: Hard drives, networks, printers, accelerator cards
|
||
|
||
Contact:
|
||
Mike Westerfield
|
||
Byte Works, Inc.
|
||
4700 Irving Blvd N.W. Suite 207
|
||
Albuquerque, NM 87114
|
||
(505) 898-8183
|
||
|
||
AOL: Send e-mail to MikeW50 or visit us using keyword ByteWorks.
|
||
GEnie: Send e-mail to ByteWorks or visit us in A2, Category 45.
|
||
Internet: Send e-mail to MikeW50@AOL.COM
|
||
|
||
The Byte Works, long the dominant company for Apple II development
|
||
tools, has entered the productivity tools arena with a new Apple IIGS
|
||
spreadsheet. Quick Click Calc is the perfect solution for:
|
||
|
||
* Grade books
|
||
* Balancing checkbooks
|
||
* Weekly, monthly or yearly budget plans
|
||
* Figuring car or house payments
|
||
* Savings plans for college or retirement
|
||
* A super calculator
|
||
* Charts and graphs
|
||
* Tracking coin or baseball card collections
|
||
* Statistical analysis
|
||
|
||
Look What You Can Do Spreadsheets are amazing tools. In fact, it was the
|
||
'''''''''''''''''''' spreadsheet that really got the computer revolution
|
||
going back in the late 70s. Why? Because the spreadsheet was the first
|
||
tool on a personal computer that just worked better than any of the other
|
||
ways of doing the same job.
|
||
|
||
Usually, when you compare spreadsheets (or any other program), you
|
||
quickly get into a feature war. This spreadsheet has 53 functions, and
|
||
that one 75, and so on. Who cares? Sure, Quick Click Calc has the glitzy
|
||
features found on the Mac and PC, but the real story it what you can do
|
||
with them.
|
||
|
||
For example, you can keep a grade book on a spreadsheet. Unlike a
|
||
paper grade book, a computer grade book can do things like average your
|
||
grades. Quick Click Calc knows that (A+C)/2 is B, for example. You can
|
||
draw a pie chart showing how many people are getting As, Bs and Cs, or draw
|
||
a graph showing how Ebenezer is doing at working and playing well with
|
||
others.
|
||
|
||
Of course, with a computer grade book, there's always the possibility
|
||
that Cain will hack into the computer to change Abel's grades. But not
|
||
with Quick Click Calc, because you can protect your files with password
|
||
encryption. Without the password, the file just can't be read.
|
||
|
||
Our Manual Tells You How, Not What Our manual helps you use Quick Click
|
||
'''''''''''''''''''''''''''''''''' Calc for it's abilities, rather than
|
||
features, too. Oh, we have the catalog of features that you need in any
|
||
good reference book. But we also start off with a chapter that shows you
|
||
how to use a spreadsheet, too.
|
||
|
||
Using our spreadsheet cookbook, you'll learn by doing, and create
|
||
your own checkbook and grade book in the process. You'll see how to use a
|
||
spreadsheet as a super-calculator to calculate loan payments for your dream
|
||
house.
|
||
|
||
Little Things Mean a Lot If you've used spreadsheets, you know that
|
||
'''''''''''''''''''''''' little things can be very annoying. For
|
||
example, scroll bars are supposed to help you get from one end of a
|
||
document to another. The problem is that most spreadsheet programs have
|
||
1000 or so rows and 700 columns, but most spreadsheet documents only have a
|
||
few dozen rows and columns. The scroll bar gets hard to use. Quick Click
|
||
Calc lets you set the size of the spreadsheet. You tell it how big the
|
||
spreadsheet actually is, and suddenly the scroll bars make sense for your
|
||
spreadsheet.
|
||
|
||
Being Two Places at Once Whether you want to keep a multi-row header in
|
||
'''''''''''''''''''''''' one place or compare two widely separated parts
|
||
of your spreadsheet, you'll quickly get to like our true split screen
|
||
controls. They literally cut the spreadsheet in half, so you can scroll two
|
||
different parts of the same document in the same windo.
|
||
|
||
Spreadsheets that Communicate Quick Click Calc introduces one of the most
|
||
''''''''''''''''''''''''''''' useful new features to come out of Apple to
|
||
the Apple IIGS: Publish and Subscribe. And a spreadsheet is the perfect
|
||
program for it, too.
|
||
|
||
Publish and Subscribe is like copy and paste, but it works between
|
||
documents. You can create separate spreadsheets for your checkbook and
|
||
your spouse's, then create a third spreadsheet for family finances. With
|
||
Publish and Subscribe, the family finances spreadsheet taps into all of the
|
||
other spreadsheets that you use for finances. When you enter a new check
|
||
in your checkbook spreadsheet, then open your family finances spreadsheet,
|
||
you see the new totals--without manually copying numbers from one
|
||
spreadsheet to another!
|
||
|
||
Formatting is Everything Formatting is what makes one document easy to
|
||
'''''''''''''''''''''''' read, while another with the same information is
|
||
hard to follow. That's why other Apple IIGS spreadsheets can show negative
|
||
numbers in red. But Quick Click Calc does much more.
|
||
|
||
Of course you can change the width of a cell, but you can change the
|
||
height, too. That's important, since you can set the font cell by cell,
|
||
using big bold fonts for titles, and small fonts when you want to see a
|
||
lot of information in a small space. You can use color, too, both for
|
||
text and for the background--and you can use different colors in different
|
||
cells. Heck, you can even get rid of the default grid and create your own,
|
||
with custom line widths.
|
||
|
||
Of course, this makes your spreadsheets a lot easier to read, and
|
||
that's what's important. Just don't tell anyone how much fun you're having
|
||
when you are supposed to be working!
|
||
|
||
Say It With Pictures Spreadsheets are wonderful tools for holding and
|
||
'''''''''''''''''''' analyzing information. Modern spreadsheets are also
|
||
pretty good at displaying it. Quick Click Calc gives you more ways to
|
||
display your information than any other Apple IIGS spreadsheet--and more
|
||
than any spreadsheet we've seen at it's price on any machine.
|
||
|
||
You can pick from pie charts, bar graphs, and line drawings. There
|
||
are several styles and lots of options for each, too, so you're likely to
|
||
find just the right way to express yourself.
|
||
|
||
You might be surprised at just how many ways you can display
|
||
information. Lots of spreadsheets give you simple bar graphs or line
|
||
drawings, but Quick Click Calc lets you plot multiple data in more than one
|
||
dimension. A bar or line graph can display more than one thing, so you can
|
||
compare information with a graph. Some spreadsheets limit you to a single
|
||
dimension, but Quick Click Calc plots up to 3 dimensions at once. And you
|
||
can even fit a line or surface to scattered data points using liner
|
||
regression!
|
||
|
||
Quick Click Calc is the perfect program for all your number crunching
|
||
and graphics needs. Get yours today!
|
||
|
||
The Byte Works We're the Byte Works, famous for our programming tools for
|
||
'''''''''''''' the Apple II series of computers-and now for our
|
||
productivity tools for the Apple IIGS, too!
|
||
|
||
Founded in 1980, we have a long history of serving the Apple II
|
||
community. We started with ORCA/M, a macro assembler that is one of two
|
||
programs ever to earn a perfect rating from Peelings II magazine. We went
|
||
on to write APW, Apple Computer's standard programming environment for the
|
||
Apple IIGS. We've brought you dozens of other programs, too, like ORCA/C,
|
||
the award winning C compiler; ORCA/Pascal, the only commercial object
|
||
oriented language for the Apple II; and our Toolbox Programming courses,
|
||
which have introduced thousands to the world of Apple IIGS toolbox
|
||
programming. And don't forget HyperLogo and 3D Logo, our fun, easy to use
|
||
programming languages that can actually show 3D pictures on any color Apple
|
||
IIGS!
|
||
|
||
Look for more innovative, fun, useful programs for your Apple IIGS
|
||
for us in the months to come. We're one company with a long term
|
||
commitment to our Apple IIGS customers!
|
||
|
||
Ordering We accept Visa and MasterCard orders online or by phone, and
|
||
'''''''' personal checks or school purchase orders by mail.
|
||
|
||
Please include $5 for shipping in the U.S. and Canada. For credit
|
||
card orders, we can charge exact shipping for our overseas customers. If
|
||
you need to know oversees shipping in advance, send your name, address,
|
||
what you are ordering and how you want it shipped (air or surface), and
|
||
we'll be happy to calculate the shipping charges.
|
||
|
||
Distribution Please give a copy of this to everyone you know! Feel free
|
||
'''''''''''' to use it in newsletters or catalogs, or to post it on
|
||
bulletin boards or online services.
|
||
|
||
For a printed product brochure with pictures and a special update
|
||
offer, send us your mailing address. Ask about our product list showing
|
||
other Apple IIGS programs, too! We'll also let you know about other new
|
||
Apple IIGS programs and special offers in the months to come.
|
||
(BYTEWORKS, CAT45, TOP2, MSG:36/M645;1)
|
||
|
||
<<<<< This may be a bit technical for some, so if it is, keep in mind
|
||
""""" that I'm discussing gritty details. _Using_ Publish & Subscribe is
|
||
very easy.
|
||
|
||
There are three documents involved in the process of publishing and
|
||
subscribing: The publisher, the subscriber, and the edition.
|
||
|
||
The publisher is the document that creates the information other
|
||
documents subscribe to. The edition is the file created by the publisher;
|
||
the edition works sort of like a clipboard file, saving information
|
||
"copied" from the publisher document. The publisher document updates the
|
||
edition file each time the publsiher document is saved.
|
||
|
||
The subscriber "copies" information from the edition. The
|
||
subscriber copies the information each time you open the subscriber
|
||
document.
|
||
|
||
The effect, then, is that the information is moved between the
|
||
publisher and subscriber each time the documents are saved or loaded. You
|
||
can also force the update sooner.
|
||
|
||
Internally, an edition file is basically some header information and
|
||
a scrap, just like a scrap you would use for copy and paste inside any
|
||
normal desktop program.
|
||
|
||
Since the edition information is placed in a separate file, you don't
|
||
save disk space. The subscriber also keeps a copy inside its own document,
|
||
just in case the edition isn't available for some reason. The advantage to
|
||
using a separate file is that you don't have to have the entire publisher
|
||
document available to update subscribers. I could, for example, publish
|
||
information to an edition on a network server, and your subscriber document
|
||
can subscribe to the edition even if my computer, with the original
|
||
information, is turned off. My original document can be encrypted, too,
|
||
yet you can still subscribe without a password.
|
||
|
||
Publish and subscribe is not hard to implement in any program that
|
||
supports Copy and Paste with the Scrap Manager, but it isn't done
|
||
automatically, either. You won't be able to use Publish and Subscribe with
|
||
AppleWorks. I will, of course, support it with any productivity programs
|
||
we create.
|
||
|
||
For even _more_ details, come to my session in KansasFest. If you
|
||
won't be in Kansas, watch A2Pro, where we will probably do an RTC on
|
||
Publish and Subscribe.
|
||
|
||
Mike Westerfield (BYTEWORKS, CAT45, TOP2, MSG:35/M645;1)
|
||
|
||
<<<<< The question came up in an e-mail message as to just how I planned
|
||
""""" to handle updates to QCCalc. The answer should interest any of you
|
||
who have bought QCCalc, or who are seriously considering it.
|
||
|
||
Labarski's Rule of Cybernetic Entomology: "There's always one more
|
||
bug."
|
||
|
||
My correlary: "There are more of them now than there will be when
|
||
the product has been out for a few weeks."
|
||
|
||
It's inevitable that some bugs will be found, especially right after
|
||
a new program is released to the public for the first time. My policy for
|
||
QCCalc is simple: If you report a bug before the first update is released,
|
||
I'll fix it free and fast and get the fix to you ASAP. The first update
|
||
will be free through a variety of means, and won't cost you any more than
|
||
a nominal postage fee in the absolute worst case. If there are still a
|
||
significant number of bugs reported after the first update, I'll probably
|
||
repeat this cycle as needed until things settlt down.
|
||
|
||
To give you an idea how this worked in the past, this is also the
|
||
policy I used with 3D Logo. In that case, with one or two exceptions, a
|
||
bug fix was on the way to anyone who reported it within one business day of
|
||
the report up through the first update release. Our free distribution
|
||
methods for the 1.0.2 update were liberal enough that I don't think many
|
||
people (if any) paid a dime for it.
|
||
|
||
This policy reflects some basic facts of life, like the fact that
|
||
there will always be _some_ bugs, and especially so for a program on the
|
||
Apple IIGS, where the smaller number of users means testing can't be as
|
||
extensive. (For example, Borland C had more backorders when it shipped
|
||
than the _total_ number of compilers for _all_ languages I've ever sold! I
|
||
can't afford to test like they do-- or like they should.) I also don't
|
||
think you should have to pay for bug fixes, but that has to be tempered by
|
||
the fact that I don't charge Microsoft prices.
|
||
|
||
The message to you, then, is don't be afraid to biy early, but be
|
||
sure to report any bugs you see so you get the fix right away!
|
||
|
||
Mike Westerfield (BYTEWORKS, CAT45, TOP2, MSG:52/M645;1)
|
||
|
||
>>>>> I saw Mike Westerfield's demo of Quick Click Calc at KansasFest and
|
||
""""" was absolutely ecstatic! It does the things I really needed in a
|
||
spreadsheet. There are vert. & horiz. split windows, changeable font sizes,
|
||
you can change the number of rows & columns, and it has some decent
|
||
charting options! I had actually thought of using another type of computer
|
||
to get these features. Now I can stick with my GS for virtually everything
|
||
:)
|
||
|
||
I am happy! :)
|
||
|
||
Mark
|
||
|
||
ps -- Get this program. You won't be disappointed! (IMHO)
|
||
(M.KLINE1, CAT45, TOP2, MSG:55/M645;1)
|
||
|
||
|
||
NEW FROM BRUTAL DELUXE, NEW FROM KITCHEN SINK Usually, right after
|
||
""""""""""""""""""""""""""""""""""""""""""""" publishing an issue of
|
||
SSII, I try to give myself a short break by not thinking about the next
|
||
issue. But, Issue #7 is already starting to take on a life of its own.
|
||
|
||
I spent a very pleasant afternoon yesterday with 50% of the Brutal
|
||
Deluxe team, and let's just say that I got an incredible eyeful. I
|
||
marvelled at their upcoming releases, including Convert3200, Cogito (wow!
|
||
wow! wow!) and Opale. So, I'll be writing up a piece on that visit, and I
|
||
have a feeling that Cogito will be released by then, so there will probably
|
||
also be a review of that incredible game.
|
||
|
||
Kitchen Sink's System II has arrived; it's a Finder-like environment
|
||
for Apple IIe/IIc systems, and it is most impressive. So, I'd like to let
|
||
people know about that with a review, and (maybe, possibly, hopefully) a
|
||
"Such A Deal" offer.
|
||
|
||
Joe (I don't think I'm in Kansas yet) Kohn
|
||
(JOE.KOHN, CAT28, TOP4, MSG:276/M645;1)
|
||
|
||
|
||
>>> THROUGH THE GRAPEVINE <<<
|
||
"""""""""""""""""""""""""""""
|
||
|
||
BYTE WORKS WON'T STOP WITH JUST QUICK CLICK CALC! > I noticed that you
|
||
""""""""""""""""""""""""""""""""""""""""""""""""" > said "the first of
|
||
> our productivity packages for the GS." What else is on the way.
|
||
|
||
Well, that would be telling! :) We have very firm plans (i.e., the
|
||
project has started) for one more package, and pretty firm plans (i.e., it
|
||
currently occupies the top of the list for the next product to start, once
|
||
the current projects are done) for another. Beyond that, about all I can
|
||
say is that I don't make firm plans any further in the future than the next
|
||
pruduct. We are carefully examining the idea of producing a _full_ line of
|
||
GS productivity tools, either alone or in cooperation with other companies.
|
||
Whether we really do this will depend on the sales of the first packages
|
||
and what other opportunities come up.
|
||
|
||
As for specifically what the packages will be, I'll just have to say
|
||
stay tuned. And after the two we're definitely planning at this point,
|
||
we'll choose from a shopping list based on what people tell us they want
|
||
and how long we thing it will take to produce, so at this point, I have
|
||
only a vaugue idea myself.
|
||
(BYTEWORKS, CAT45, TOP2, MSG:26/M645;1)
|
||
|
||
<<<<< A few people have been trying to pry what our _next_ productivity
|
||
""""" package will be, after Quick Click Calc. Heck, I have to finnish
|
||
the initial marketting on QCCalc before I work too much on the other
|
||
projects! :)
|
||
|
||
Without going into too much detail, we are looking into the
|
||
possibility of doing a complete line of productivity software. If we do
|
||
this, in the long term, the software would be available across multiple
|
||
computer platforms, and would have a few other cute features that would
|
||
make going into those tougher markets make sense.
|
||
|
||
The way we'll pick the order of packages to do is simple. We look at
|
||
how many people seem to be interested in the program, how long it will take
|
||
to develop, and based on past sales and survey results, how many we expect
|
||
to sell. We then pick the one with the highest profit potential. Sounds
|
||
calloused, but that's the way we have to work to stay in business. If
|
||
there is no profit potential, then we don't do the product.
|
||
|
||
We've already done one small survey for productivity software. When
|
||
you get your QCCalc packages, you'll see another. And we'll do more in the
|
||
future.
|
||
|
||
Here's the programs we listed on our last survey. These are all of
|
||
the productivity packages we've seriously considered doing so far. This is
|
||
_not_ a commitment to do any or all of them; I'm sure, for example, that we
|
||
would never do everything on this list. If you see something that you
|
||
would like us to consider that is not on the list, though, or see something
|
||
on the list that really excites you, be sure and let me know.
|
||
|
||
Paint Draw 3D Draw with Ray Tracing
|
||
Animation Morphing QuickTime Movie Player
|
||
Word Processor Spread Sheet Database
|
||
Programmable Database Business Graphics
|
||
Planetarium
|
||
|
||
Mike Westerfield (BYTEWORKS, CAT45, TOP3, MSG:1/M645;1)
|
||
|
||
<<<<< Wow! For a new topic, this sure has a lot of posts
|
||
"""""
|
||
Basically, I'm listening. Here's a few random comments, though:
|
||
|
||
I _did_ come very close to releasing a Draw program a while back, and
|
||
backed off. Why? There was a very large contengent of people who
|
||
basically told me that if it wasn't AutoCAD or something similar, forget
|
||
it. I listened to them, and didn't release the program (which was nearing
|
||
alpha at the time).
|
||
|
||
I think I have to make it clear that no program I plan to develop on
|
||
the GS is going to compete with the top of the line programs on the Mac or
|
||
PC. That level of program would take years to develop. Also, file formats
|
||
on other computers are generally not as available as they are on the GS,
|
||
where there are still serious problems, so I probably won't be able to
|
||
manage lots of import/ export options, either. So, if you won't take
|
||
anything less than a program that competes with the top of the line
|
||
programs on the Mac or PC, be sure and say so. I'll listen to that, too.
|
||
|
||
But then, for $60, you don't get AutoCAD on the PC, either. ;)
|
||
|
||
What I _am_ planning in all of the programs I do is to create
|
||
reliable, well- crafted programs that are better than the ones currently
|
||
available. All will work with the Manager, and will be designed to work
|
||
together in a reasonable way from that environment. All will be priced in
|
||
the $40-$120 range.
|
||
|
||
The list of programs I posted was from an old survey we did. That's
|
||
why the spreadsheet was still listed. :)
|
||
|
||
Since that time, I've looked into the QuickTime issue a lot. While
|
||
it is _possible_ to create a QuickTime player for the GS, it would be so
|
||
slow on CD ROM based movies that you would not want to use it. From a
|
||
technical standpoint, the best bet is a movie player that can import
|
||
QuickTime movies and convert them to a format that is optimized for the GS.
|
||
_That_ I can do, and may do at some point. Such a program might concevably
|
||
offer the option of playing a movie right off of the CD ROM, but I promise
|
||
the results would not be good enough for anything but previewing the movie
|
||
to decide if it is worth converting to the GS format and saving on a hard
|
||
disk. Is this still interesting?
|
||
|
||
Anyway, like I said, I'm listening... :)
|
||
|
||
Mike Westerfield (BYTEWORKS, CAT45, TOP3, MSG:42/M645;1)
|
||
|
||
|
||
TWILIGHT II UPGRADE We currently plan to release a Twilight II upgrade
|
||
""""""""""""""""""" sometime in August or September, with more effects
|
||
and features.. Watch this space for more information. We will
|
||
automatically send out update notices to all registered owners, so if you
|
||
haven't registered, then REGISTER NOW! :-) Price is not set at this time.
|
||
|
||
<<Jim (DIGISOFT, CAT13, TOP30, MSG:203/M645;1)
|
||
|
||
|
||
APPLEWORKS GS ADVICE: KEEP YOUR EYES OPEN AND YOUR MOUTH SHUT! It looks
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""" like
|
||
we're going to give Seven Hills a shot at this. I probably won't be
|
||
bringing the AWGS source code with me to KansasFest at this point.
|
||
(II.ALIVE, CAT42, TOP32, MSG:617/M645;1)
|
||
|
||
<<<<< I just heard that the deal with Seven Hills is not nearly as firm
|
||
""""" as I thought; I really should not have posted it here. PLEASE do
|
||
not swamp Seven Hills with calls about AppleWorks GS. In fact, please
|
||
don't call them at all. If and when this develops into anything solid,
|
||
Seven Hills and Quality will probably post some form of announcement.
|
||
|
||
The only reason I really mentioned it in the first place is that some
|
||
people were expecting to get a copy of the source code at KansasFest, and I
|
||
wanted to explain that the fact that I wouldn't be able to pass out that
|
||
source code did not mean that anything bad was happening -- in fact,
|
||
something rather GOOD is happening!
|
||
|
||
Again, my apologies to Seven Hills. You'd think after all this time
|
||
I'd know better. [BONK] [BONK] (sound of head hitting wall)
|
||
(II.ALIVE, CAT42, TOP32, MSG:626/M645;1)
|
||
|
||
>>>>> Response to the last few messages
|
||
"""""
|
||
I am not sure why QC posted a message about Seven Hills Software
|
||
considering taking on AWGS, but I know they did, so now I need post
|
||
something about the situation to hopefully head off a flood of email, phone
|
||
calls, and postings to our category!
|
||
|
||
First a little history: Quality Computers approached us about doing
|
||
AWGS a long time ago (even before they had signed a contract with Claris).
|
||
We were very interested, but we believed QC had unreasonable expectations
|
||
as far as what they wanted done in a given timeframe, as well as what would
|
||
be reasonable compensation, and we told them so.
|
||
|
||
Apparently they felt we didn't know what we were talking about and/or
|
||
some other reason(s) because when they finally did get the source code they
|
||
didn't come back to us.
|
||
|
||
Over the next few months they discovered for themselves that what we
|
||
had said was exactly true: You cannot get something for nearly nothing, and
|
||
especially not when you are demanding it yesterday. The sad thing is, if
|
||
they had trusted our opinion they might already have a solid v1.2 (not
|
||
v2.0) update.
|
||
|
||
Flash forward to last week. Last Friday we contacted QC to say we
|
||
were still interested in the project. They were interested, so we began
|
||
working with the AWGS project manager at QC to obtain source code, bug
|
||
lists, etc. so we can decide exactly what we can do with AWGS.
|
||
|
||
We expected end-users would NOT learn about this so either company
|
||
could drop out without disappointing anyone, but apparently someone(s) at
|
||
QC thought otherwise, perhaps wanting to give the impression that they were
|
||
"doing everything in their powers" to get an update done to AWGS.
|
||
|
||
Whatever the reason, making any kind of announcement is very
|
||
premature considering SHS has not even seen source code, let alone signed a
|
||
contract. And now, if nothing comes of it, Seven Hills could look bad. So
|
||
let me make one thing perfectly clear:
|
||
|
||
We _want_ to do the project, and at this point the only reason we
|
||
might not do it would be if QC is still unwilling (or unable) to be
|
||
reasonable in _its_ expectations of features, timeframe, and compensation.
|
||
Basically, our offer will not be unreasonable, so if QC wants the update to
|
||
happen, it will.
|
||
|
||
In the meantime, PLEASE do not write/call/email/post messages about
|
||
this. If we agree to do the update, an appropriate, official announcement
|
||
will be made.
|
||
|
||
Sincerely,
|
||
|
||
Dave Hecker, VP of R&D
|
||
|
||
P.S. I'm not upset with anyone who already commented here; it's a
|
||
natural reaction! :) Also, GWIII v1.2 is now in beta testing; we'll make a
|
||
big announcement when it's almost done. :)
|
||
(SEVENHILLS, CAT43, TOP3, MSG:124/M645;1)
|
||
|
||
|
||
LYNX OR MOSIAC WITH GNO/ME? > I know that the only really silly questions
|
||
""""""""""""""""""""""""""" > is the one you don't ask, but since I don't
|
||
> have Internet access but would likt to, is lynx included with GNO/ME or
|
||
> do you have to get it separat?
|
||
|
||
Lynx is not currently available for GNO/ME, and considering its size,
|
||
is unlikely to be in the forseeable future (it's a 450KB executable on a
|
||
PC!)
|
||
|
||
Something like Mosaic would actually be easier, since the GS toolbox
|
||
would provide a good portion of the 'rendering' tasks that Lynx has to do
|
||
manually.
|
||
|
||
Jawaid (PROCYON.INC, CAT23, TOP10, MSG:164/M645;1)
|
||
|
||
|
||
APPLE II CD FROM GERMANY... I sent the master CD off to the production
|
||
""""""""""""""""""""""""""" firm on Friday. So I expect a parcel full of
|
||
CDs waiting for me when I'll be back from holiday on August 12th.
|
||
|
||
Udo - ... just a IIGS freak -
|
||
(U.HUTH, CAT20, TOP15, MSG:73/M645;1)
|
||
|
||
|
||
...AND AN APPLE II CD FROM DIGISOFT The HFS FST is terrible. <deep sigh>
|
||
""""""""""""""""""""""""""""""""""" It is really slowing us down on the
|
||
creation of this CD. It looks like we now will be having 2 HFS partitions
|
||
and one ProDOS partition, in hopes that two smaller HFS partitions will be
|
||
handled in a more stable and usable manner by the FST. At any rate, the CD
|
||
is right about to be premastered. However, the HFS FST's bugs have caused
|
||
us to lose so much time that there is a chance that the premaster might not
|
||
be back until after I go on vacation for 3 weeks in August. If this is the
|
||
case then the CD will not be released until mid/late September, because it
|
||
takes 3-4 weeks to master and replicate the CD after the premaster is
|
||
complete and tested. However, if the premaster gets back in time, the CD
|
||
can be replicated while I am on vacation, and it should ship the last week
|
||
in August or first week in September...
|
||
|
||
Sorry to bore you with all these details.. Let me lighten it up a bit
|
||
by giving a few statistics:
|
||
|
||
106MB of Applications
|
||
119MB of disks (selfbooting, non-ProDOS, etc.)
|
||
15MB of Sounds
|
||
31MB of Stacks
|
||
25MB of Text
|
||
33MB of TrueType Fonts
|
||
2MB of Finder Extensions
|
||
3MB of NDAs
|
||
35MB of Graphics
|
||
5MB of Cracks, Cheats, and Deprotects
|
||
2MB of BASIC programs
|
||
8MB of AppleWorks
|
||
2MB of bitmap fonts
|
||
|
||
And a lot more! :-) It looks like the price will probably fall around
|
||
$60, since this whole project has taken a LOT more time than we first
|
||
expected..
|
||
|
||
<<Jim (DIGISOFT, CAT13, TOP34, MSG:2/M645;1)
|
||
|
||
|
||
>>> MESSAGE SPOTLIGHT <<<
|
||
"""""""""""""""""""""""""
|
||
|
||
Category 2, Topic 6
|
||
Message 237 Thu Jun 30, 1994
|
||
P.LAWRENCE5 [Frank@Work] at 11:15 EDT
|
||
|
||
Hello and Goodbye (reluctantly)
|
||
|
||
My name is Frank Andrews. I was an Apple II programmer for 14 years,
|
||
and when the clock runs out on my Genie account tonight, that will break my
|
||
last, formal link with the II line.
|
||
|
||
Why this message? Not to be maudlin, (I passed that point a couple
|
||
years ago :-) but rather to know that I went out amongst the community I
|
||
shared ties with for over a decade.
|
||
|
||
The Apple II gave a penniless newlywed in college his first
|
||
professional job, and a couple years later, his first 'real computer'. I
|
||
saw a horse run across the screen of an Apple /// at NCC (Chicago) in '81,
|
||
read of Apple II evolution in 'Call Apple', watched windows open up a new
|
||
world on the Lisa at Applefest San Francisco in '83 and saw and heard the
|
||
wonder of the GS in '86, (of course I had to buy one :-)
|
||
|
||
Floundering around the dying threads of Compuserve, I found Genie in
|
||
1989. This was certainly the place for the Apple II user and I convinced my
|
||
parent company to open an account (hence my Lawrence Prods. address).
|
||
|
||
While the rumors were flying about the death of the Apple IIGS, I
|
||
ported "The Lost Tribe" over from the PC platform, (256 color graphics and
|
||
Midi sound), an act of defiance as much as to prove that it could be done.
|
||
|
||
I still spend time on Compuserve and have visited other forums here
|
||
on Genie and I have to say, the level of integrity and enthusiasm is higher
|
||
no place else than in A2 and A2Pro.
|
||
|
||
Financial and mental pressures have persuaded my to sell my GS now.
|
||
I HAVE to learn Windows to eat and the call of my GS was a distraction that
|
||
impinged too much on my acceptance of this new task. If I had a non-
|
||
programming job, I imagine my GS would serve my needs quite adequately into
|
||
the next century.
|
||
|
||
With that last thought in mind I'll close my message.
|
||
|
||
Emotion and tradition seem to fuel the 'hang on to the GS' cry of the
|
||
past three or four years and that has its place. But don't let these two
|
||
items cloud the real issue.
|
||
|
||
Does the II still serve your needs? If so, then why move on? And if
|
||
you can stay, support the many fine people who are doing spectacular work
|
||
on the Apple II. Procyon, ByteWorks, Sequential, Shareware Solutions,
|
||
Quality Computers, Resource Central, SoftDisk, and on and on. This list is
|
||
longer than the meager offerings at the start of the II's history and is
|
||
certainly more qualified to provide outstanding products for your needs.
|
||
|
||
And if you have to move on, remember one thing. It can be argued
|
||
that we are a product of our environment. You have spent time in what was
|
||
once the largest and IMHO the most open and honest user communities in the
|
||
world. The first program that an Apple II ran was once call 'HELLO', and
|
||
what might have started as a marketing strategy became the attitude and
|
||
outlook for a generation of programmers and users. This kind of influence
|
||
can not be denied and will follow you to what ever platform you choose to
|
||
move.
|
||
|
||
Goodbye all,
|
||
|
||
(okay, so I was a little maudlin :-)
|
||
|
||
Frank Andrews
|
||
|
||
|
||
[*][*][*]
|
||
|
||
While on GEnie, do you spend most of your time downloading files?
|
||
If so, you may be missing out some excellent information in the Bulletin
|
||
Board area. The messages listed above only scratch the surface of
|
||
what's available and waiting for you in the bulletin board area.
|
||
|
||
If you are serious about your Apple II, the GEnieLamp staff strongly
|
||
urge you to give the bulletin board area a try. There are literally
|
||
thousands of messages posted from people like you from all over the
|
||
world.
|
||
|
||
|
||
|
||
[EOA]
|
||
[HUM]//////////////////////////////
|
||
HUMOR ONLINE /
|
||
/////////////////////////////////
|
||
Fun & Games On GEnie
|
||
""""""""""""""""""""
|
||
by Nancy Hagfors
|
||
[N.HAGFORS]
|
||
|
||
|
||
|
||
>>> PARENT'S GLOSSARY OF KIDS' KITCHEN TERMS <<<
|
||
""""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
This is from the book received from my June swap partner, Cookie-Lady.
|
||
|
||
---------- Recipe via Meal-Master (tm) v8.00 (BB)
|
||
|
||
Title: PARENT'S GLOSSARY OF KIDS' KITCHEN TERMS
|
||
Categories: Humor
|
||
Yield: 1 servings
|
||
|
||
-------------------------GLOSSARY-------------------------
|
||
|
||
APPETIZING: Anything advertised on TV.
|
||
BOIL: The point a parent reaches upon hearing the automatic
|
||
"yuk" before a food is even tasted.
|
||
CASSEROLE: Combination of favorite foods that go uneaten because
|
||
they are mixed together.
|
||
CHAIR: Spot left vacant by mid-meal bathroom visit.
|
||
COOKIE (LAST ONE): Item that must be eaten in front of a sibling.
|
||
CRUST: Part of a sandwich saved for the starving children of:
|
||
China, India, Africa, or Europe (check one).
|
||
DESSERTS: The reason for eating a meal.
|
||
EVAPORATE: Magic trick performed by children when it comes time
|
||
to clear the table or wash dishes.
|
||
FAT: Microscopic substance detected visually by children on
|
||
pieces of meat they do not wish to eat.
|
||
FLOOR: Place for all food not found on lap or chair.
|
||
FORK: Eating utensil made obsolete by the discovery of
|
||
fingers.
|
||
FRIED FOODS: Gourmet cooking.
|
||
FROZEN: Condition of children's jaws when spinach is served.
|
||
FRUIT: A natural sweet not to be confused with dessert.
|
||
GERMS: The only thing kids will share freely.
|
||
KITCHEN: The only room not used when eating crumbly snacks.
|
||
LEFTOVERS: Commonly described as "gross."
|
||
LIVER: A food that affects genes, creating a hereditary
|
||
dislike.
|
||
LOLLIPOP: A snack provided by people who don't have to pay
|
||
dental bills.
|
||
MACARONI: Material for a collage.
|
||
MEASURING CUP: A kitchen utensil that is stored in the sandbox.
|
||
METRIC: A system of measurements that will be accepted only
|
||
after forty years of wandering in the desert.
|
||
NAPKIN: Any worn cloth object, such as shirt or pants.
|
||
NATURAL FOOD: Food eaten with unwashed hands.
|
||
NUTRITION: Secret war waged by parents using direct commands,
|
||
camouflage, and constant guard duty.
|
||
PLATE: A breakable Frisbee.
|
||
REFRIGERATOR: A very expensive and inefficient room air conditioner.
|
||
SALIVA: A medium for blowing bubbles.
|
||
SODA POP: Shake 'N Spray.
|
||
TABLE: A place for storing gum.
|
||
TABLE LEG: Percussion instrument.
|
||
THIRSTY: How your child feels after you've said your final
|
||
"good night."
|
||
VEGETABLE: A basic food known to satisfy kid's hunger -- but only
|
||
by sight.
|
||
WATER: Popular beverage in underdeveloped countries.
|
||
|
||
("Home Cookin' is a Family Affair")
|
||
(MM'd by Nancy Hagfors - N.HAGFORS/GEnie)
|
||
(N.HAGFORS, CAT16, TOP23, MSG:347/M1150;1)
|
||
|
||
|
||
|
||
[EOA]
|
||
[REF]//////////////////////////////
|
||
REFLECTIONS /
|
||
/////////////////////////////////
|
||
Thinking About Online Communications
|
||
""""""""""""""""""""""""""""""""""""
|
||
by Phil Shapiro
|
||
[P.SHAPIRO1]
|
||
|
||
|
||
|
||
>>> ONLINE LITERARY COLLABORATIONS <<<
|
||
"""""""""""""""""""""""""""""""""""""""
|
||
|
||
At the end of the last century, the invention of the typewriter
|
||
allowed authors to produce crisp and presentable writing. The surge in
|
||
book publishing in the 1890s attests to the empowering effects of the
|
||
typewriter. Now, a hundred years later, creative expression is again
|
||
benefiting from new developments in technology.
|
||
|
||
Online communications have revolutionized the way writers write and
|
||
editors edit. Editors can respond to proposed book or magazine articles
|
||
within hours of receiving them. Authors can cross-fertilize ideas with
|
||
other authors world wide. Complementary talents can produce synergized
|
||
creations far greater than an individual could produce on their own.
|
||
|
||
Take the idea generation stage of writing, for instance. The
|
||
individual who first thinks of an idea may not be the best person to
|
||
nurture that idea to full blossom. One person may be talented at thinking
|
||
up ideas but may lack the skills to develop them -- or may not have the
|
||
time to devote to the entire writing project. Another person might be a
|
||
great writer in search of ideas. Online technologies can bring these two
|
||
people together, allowing them to collaborate in ways unthinkable in the
|
||
past.
|
||
|
||
Imagine the exhilaration you might feel if one day you logged onto an
|
||
information service or bulletin board and found that someone had sent you
|
||
an entire play or novel they had created with your publicly shared idea.
|
||
The finished play or novel may appear two weeks, two months, two years, or
|
||
twenty years after your idea was first shared. Once the idea is shared, it
|
||
becomes a literary "soup stock" for anyone to work with.
|
||
|
||
Literary collaborations can take place in all literary genres.
|
||
However, in the coming years the most fruitful literary collaborations may
|
||
well occur in the dramatic arts. After all, coming up with an interesting
|
||
idea for a play is no easy feat. The person with an ear for dialogue may
|
||
or may not possess the creative spark to think of gripping play scenarios.
|
||
|
||
All these ideas about online literary collaborations jelled in my
|
||
mind during an incident two or three years ago. A friend from high school
|
||
confided in me that he yearned to write plays. After writing several dozen
|
||
short plays, each with its own special charm, he arrived at the conclusion
|
||
that his calling in life was to be a playwright.
|
||
|
||
Having little inclination to write drama, myself, I was intrigued by
|
||
my friend's creative bent. How wonderful that, even today, a young author
|
||
can develop an abiding interest in the writing of plays. How often do you
|
||
run into an aspiring playwright?
|
||
|
||
Today, having read some of my friend's witty and thoughtful dramas, I
|
||
find myself conjuring fanciful dramatic scenarios in going about my daily
|
||
business. "What a great idea for a play!" pops into my head at least two
|
||
or three times each week.
|
||
|
||
I'm not the person to bring plays to life, though. Others feel the
|
||
calling of the muse far more strongly. But I'm buoyed by the fact that I
|
||
might live a vicarious life as a playwright. Perhaps one of my ideas might
|
||
show up as a full length play in my electronic mailbox one day.
|
||
|
||
Plays are not the only form of literary expression. Online literary
|
||
collaborations could have equal possibilities in the realm of prose.
|
||
Consider an author on the verge of finishing a brilliant novel, but who has
|
||
trouble coming up with a satisfactory ending. Or an author who can't get a
|
||
chapter "right" no matter how hard he or she tries. Or an author who needs
|
||
a transition from one phase of a novel to the next. Or an author whose
|
||
monthly computer column stops short of fully developing an intriguing idea.
|
||
|
||
All these folks might choose to submit a draft of their writing to a
|
||
select group of online collaborators, and then consider the suggestions
|
||
that were offered in return. The beauty of online literary collaborations
|
||
is that the author still retains final say in the wording of the finished
|
||
piece. He or she can select from the best of the suggested changes that
|
||
are made. The creative and analytical skills of many persons can then
|
||
become woven into a multi-colored tapestry of ideas.
|
||
|
||
Writers have never had it so good. Online communications open up
|
||
tantalizing possibilities for creative literary collaborations. It will be
|
||
exciting to watch this current drama unfold. Best of all, we all can
|
||
become playwrights and actors in this emerging play.
|
||
|
||
--Phil Shapiro
|
||
|
||
|
||
[*][*][*]
|
||
|
||
The author takes a keen interest in collaborative creativity.
|
||
He can be reached via electronic mail on GEnie at: p.shapiro1; on
|
||
the Internet at: pshapiro@aol.com.
|
||
|
||
|
||
|
||
[EOA]
|
||
[TEC]//////////////////////////////
|
||
TECH TALK /
|
||
/////////////////////////////////
|
||
Apple II Hybrids
|
||
""""""""""""""""
|
||
by Jay Curtis
|
||
[J.CURTIS8]
|
||
|
||
|
||
|
||
>>> EMULATION SOFTWARE AND APPLE II HYBRIDS <<<
|
||
"""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
The idea of emulating a computer's functions with software and
|
||
running the emulation on a foreign hardware system is nothing new. One
|
||
example, which we have already mentioned, is Insignia Solution's "Soft PC"
|
||
emulator for the Mac. As it turns out, Insignia is now a major player in
|
||
the Power Macintosh line with a "Soft Windows" emulator. However, software
|
||
emulation of foreign hardware goes much further back than the development
|
||
of Insignia's "Soft PC". For example, the first BASIC programming language
|
||
for an 8080 series microprocessor and architecture (the Altair computer)
|
||
was written, not on an Altair, but on an EMULATION of an 8080. This BASIC
|
||
was developed by none other than Bill Gates, president of Microsoft
|
||
Corporation. The 8080 emulation that Gates used to write his BASIC was
|
||
prepared by his friend and colleague Paul Allen.
|
||
|
||
Paul Allen's 8080 emulation ran on a DEC PDP-10 minicomputer. As the
|
||
story goes, Gates and Allen had to work night and day for eight weeks to
|
||
develop Gates' BASIC in order to cover a stretcher that Gates told to the
|
||
Altair's developer, Ed Roberts, about having a BASIC he could sell that
|
||
would run on the Altair. According to the story, Gates had no idea if his
|
||
BASIC would really run on the Altair after he and Paul Allen had finished
|
||
it, because the BASIC was, after all, developed on an 8080 emulation. Paul
|
||
Allen was given the job of flying from Boston to Albuquerque and installing
|
||
the BASIC on Ed Robert's Altair. As it turned out, the BASIC worked
|
||
perfectly.(1)
|
||
|
||
It should be mentioned that Gates' early experience in programming
|
||
for the 8080 also led him to promote the development and sales of a CP/M,
|
||
co-processor card for the Apple II. Microsoft Corporation called these
|
||
cards the "SoftCard," and they sold more than 100,000 of them for Apple
|
||
IIs. "SoftCard" owners could not only run their Apple II software, but
|
||
they could also run Digital Research's CP/M operating system and all of the
|
||
desktop programs that were being written for CP/M by MicroSoft at that
|
||
time. With his "SoftCard," Gates hoped to jump onto Apple's Apple II
|
||
bandwagon by selling some of his software to Apple II owners.(2)
|
||
|
||
Microsoft wasn't the only company, however, to develop a CP/M card
|
||
for the Apple II. The same SoftCard technology, which uses the Zilog,
|
||
"Z-80" 8080 clone, is also found in Applied Engineering's Z-80 coprocessor
|
||
cards. Additionally, there were other CP/M cards made for the Apple II and
|
||
also made for PCs. Past and current users of CP/M must number in the
|
||
hundreds of thousands. No doubt, some of those who are reading this
|
||
article have a CP/M card which they still use. There were a huge number of
|
||
programs written for CP/M, including earliest versions of WordStar and
|
||
dBase, popular programs which never appeared for the Apple II's native
|
||
operating systems.
|
||
|
||
Apple II users who are lamenting the discontinuation of the Apple II
|
||
line should take heart by observing what has happened to CP/M. While it is
|
||
unlikely that CP/M is still being used on many native systems, it
|
||
nevertheless continues to have a life of its own on Apple and PC hybrid
|
||
systems that use a CP/M card. CP/M has its own bulletin board here on
|
||
GEnie where CP/M users can obtain help and advice on software and hardware.
|
||
A few, very capable telecommunications programs were developed for CP/M
|
||
that were favored by Apple users.
|
||
|
||
In the case of the Apple II, continuation of the Apple II's operating
|
||
systems, user environment and software is probably now dependent upon the
|
||
development of a software emulation for the Power Macintosh computer or
|
||
Power PC. Both of these systems use the Motorola RISC (Reduced Instruction
|
||
Set Computing) "PowerPC" chip. This chip is arguably the fastest and most
|
||
powerful CPU yet devised for personal computers.
|
||
|
||
The PowerPC is a 32-bit microprocessor with a "superscalar" design
|
||
that incorporates three independent instruction pipelines or execution
|
||
units. These are called the "FPU" (floating point unit), "IU" (integer
|
||
unit), and "BPU" (branch processing unit). The PowerPC's ability to
|
||
simultaneously process multiple instructions insures significant speed
|
||
gains over other chips. Additionally, the chip supports a 64-bit wide data
|
||
bus and 32-bit external address bus, capable of addressing up to 4
|
||
Gigabytes of system RAM. The basic PowerPC chip, the MPC-601, runs at a
|
||
blindingly fast 60 Mhz in the base "Power Mac 7100/60."(3)
|
||
|
||
Because of its power, small size, and cool operating temperature, it
|
||
seems likely to many computer watchers that the PowerPC will gain a
|
||
significant market share in personal computers over the Intel x86 series
|
||
processors within coming months. The chip is not only very powerful, but
|
||
it is especially well-suited for multitasking and for running emulation
|
||
software at acceptably fast speeds. The first Macintosh versions of this
|
||
computer are currently running a hybridized version of System 7, especially
|
||
configured to make use of the PowerPC's native architecture. In the
|
||
future, as more and more of the Mac operating system is translated into
|
||
PowerPC code, software is guaranteed to run faster and faster.
|
||
|
||
Many programmers on GEnie have expressed their interest in the idea
|
||
of writing an Apple II emulator for the Power PC or Power Mac, and at least
|
||
one programmer on GEnie has announced that he is actively working upon a
|
||
IIgs emulation for the PowerPC. Quality Computers has announced in its
|
||
publication ENHANCE that they are looking into development of an Apple II
|
||
emulator. However, as of this writing, no Apple II emulation has yet been
|
||
offered for sale for the PowerPC architecture.
|
||
|
||
Software emulations of the Apple II already exist for use on other
|
||
architectures, however. One emulation, designed to be run on 286 and
|
||
386-level PCs, can even be downloaded right here on GEnie (#23169;
|
||
APL2EM.ZIP). The program reportedly runs DOS 3.3 and uses disk image files
|
||
for 5.25 disks and drives. It is said to work acceptably with all types of
|
||
Apple II software except communications software. (There is some
|
||
speculation that its emulation is based on an illegal copy of the Apple II
|
||
ROMs, however.) In addition to this PC-ready Apple II emulator, there are
|
||
commercial versions of Apple II emulators for the Mac. For example, a
|
||
company called Pegasus Technology wrote and marketed an Apple II emulator
|
||
called "II In A Mac."
|
||
|
||
Pegasus sold its "II In A Mac" emulation software for $149. You can
|
||
download a review of the Pegasus emulator from the GEnie Macintosh software
|
||
library. "II In A Mac" offered a surprising number of features well before
|
||
Apple's introduction of its IIe PDS card. These features included
|
||
emulation of IIe 64K ROMs, 128K of memory with emulation of an auxiliary
|
||
slot card, emulation of a printer port, a modem port, an 80 column card,
|
||
and emulation of 5.25" drives. "II In A Mac" used the Mac's native 3.5"
|
||
drive directly, while "disk image" files were also used to simulate disks
|
||
in 5.25" Apple II drives on the Mac's hard drive. In order to get software
|
||
from real 5.25" disks onto the Mac's hard drive, the user was required to
|
||
use a cable transfer, modem, or 3.5" disk copy methods.
|
||
|
||
Popular 8-bit Apple II programs such as ProTERM, AppleWorks and
|
||
ProSel were said to have run successfully under the Pegasus Apple II
|
||
emulation, although they were reported to be painfully slow on the Mac's
|
||
68000 and 68020 Motorola processors. The 68030 processor was said to run
|
||
"II In A Mac" at an acceptable speed, however.
|
||
|
||
According to information published in July's GEnieLamp A2, a similar
|
||
program to "II In A Mac" will soon be available for commercial sale. Like
|
||
the Pegasus software, this emulation program, called "STM," will also run
|
||
on native Macintoshes. No announcement has yet been made about a (native)
|
||
Power Mac version of "STM." The program reportedly emulates a 64K Apple
|
||
II+ with the DOS 3.3 System Master. While the initial report seems to
|
||
indicate that "STM" has somewhat less power than "II In A Mac," the
|
||
emulation offers something that "II In A Mac" did not offer. It will come
|
||
on a CD-ROM disk, and it will be bundled with a great deal of original
|
||
Apple II software. Like "II In A Mac," "STM" will use disk image files to
|
||
emulate 5.25" drives and disks, and it will apparently also use similar
|
||
methods to the Pegasus software for copying files from native Apple II
|
||
disks.
|
||
|
||
In this writer's opinion, STM's marketing innovations may best
|
||
illustrate how a future, enhanced Apple IIe (or even a IIgs) emulation
|
||
might ultimately be packaged and sold. In order to determine how
|
||
programmer's view the idea of writing and selling a full-function Apple IIe
|
||
or IIgs emulation for the Power Mac, an informal survey was recently sent
|
||
to 18 programmers who post messages frequently on GEnie's A2 programmer's
|
||
bulletin board. The programmers were guaranteed anonymity in exchange for
|
||
their honest responses to the survey. Many of those who were polled are
|
||
people who have written very popular IIe and IIgs shareware and commercial
|
||
software, stuff that nearly all of us in the Apple II community possess and
|
||
use.
|
||
|
||
The survey asked the programmers to respond to questions about the
|
||
likelihood of whether Apple IIe and/or IIgs emulators will be produced and
|
||
sold for the PowerPC. The respondents were asked to rate probabilities for
|
||
each question from "low" to "high" by marking a Likert-type scale from "1"
|
||
to "4" for each of the questions asked. The respondents gave an Apple II
|
||
emulator for the PowerPC an above-average chance of being written and sold.
|
||
An Apple IIe-only emulator for the Power PC was also given an above-average
|
||
chance. However, an Apple IIgs emulation was given virtually no chance of
|
||
being written and sold.
|
||
|
||
Some programmers felt that no COMMERCIAL version of an Apple II
|
||
emulator for the PowerPC would be made available for sale, but, they said,
|
||
a SHAREWARE or FREEWARE version would be written and made available for the
|
||
PowerPC architecture on bulletin board services. This would be done, they
|
||
predicted, by hobbyists or by others as a "labor of love" and as an
|
||
exercise in learning the PowerPC architecture. One programmer predicted
|
||
that Apple Computer, itself, would write and sell a IIe emulation which
|
||
would be based upon the Mac LC's PDS card and system software.
|
||
|
||
The survey also asked additional questions about the problems and
|
||
advantages connected with writing an Apple II emulation for the Power Mac
|
||
or PC. Three problems were cited most frequently by the respondents.
|
||
First, most felt that the market for a IIgs emulation was too small to
|
||
justify the development costs in view of the tremendous time and effort
|
||
involved in writing the emulation. A IIe emulation was felt to be more
|
||
likely, however, in view of the IIe's larger potential market and greater
|
||
simplicity. The next problem that was frequently cited concerned access to
|
||
Apple's ROM code for either a IIe or IIgs. Several felt that Apple simply
|
||
would not cooperate with programmers by making the ROM code available from
|
||
either system for an emulation.
|
||
|
||
As evidenced by the existence of previous 8-bit, Apple II emulators,
|
||
the ROM code for an 8-bit Apple II could probably be obtained without
|
||
Apple's assistance. In addition to those Apple II software emulators we've
|
||
already mentioned, the Franklin, Laser, and Trackstar card were Apple II
|
||
hardware knockoffs that also used emulated 8-bit, Apple II ROMs. However,
|
||
no IIgs knockoff has ever been done, and many of the programmers surveyed
|
||
felt that the IIgs ROM-based toolset would be very difficult, if not
|
||
impossible, to duplicate from scratch.
|
||
|
||
The third and final problem, cited most frequently by the
|
||
programmers, concerned management of 5.25" disk drive software. Because
|
||
the best market for a IIe emulator would be public schools, it would be
|
||
important to provide a means of accessing the huge amount of educational
|
||
software found on 5.25" disks in the schools. If there were no way to
|
||
attach and access a 5.25" disk drive to a Power Mac or Power PC system,
|
||
then the disks would have to be copied. However, much of the educational
|
||
software that people would like to run under a IIe emulation is copy
|
||
protected. Therefore, while disk image files might provide a potential
|
||
means of accessing this software on a Power Mac system, it may simply not
|
||
be possible to copy a lot of it, without assistance from the software
|
||
manufacturers.
|
||
|
||
Interestingly, the ability to access 5.25" educational software, such
|
||
as MECC software, was also cited as one important, potential ADVANTAGE of
|
||
an Apple II emulator. Another advantage, frequently mentioned by the
|
||
respondents, was that a IIe or IIgs emulation would provide a relatively
|
||
painless way for some Apple IIe or IIgs users to migrate to the Power Mac
|
||
or PC platform. Some mentioned that, in the unlikely event that IIgs
|
||
emulation software could become available, the postscript printing
|
||
capabilities of the IIgs would come in quite handy for those users whose
|
||
budgets would not allow the immediate purchase of Mac or Power Mac desktop
|
||
printing programs.
|
||
|
||
None of the survey's respondents mentioned the ability to run IIgs
|
||
game software as an advantage of developing a IIgs emulation. While most
|
||
of the programmers felt that an Apple II emulator could be sold for no more
|
||
than the current price of an Apple IIe PDS card (currently about
|
||
$125-$139), one programmer felt that a full IIgs emulator could bring as
|
||
much as $200. It seems reasonable to ask, however, if a IIgs emulator
|
||
might not bring MORE than that, if the IIgs emulator could be bundled
|
||
together with excellent shareware and commercial game software. A IIgs
|
||
emulator could potentially expand the selection of games that would be
|
||
available to PowerPC users and could ultimately help to resurrect many
|
||
games that are no longer being sold. Ultimately, some of the best games
|
||
might even be ported to native PowerPC code.
|
||
|
||
Having asked the experts about the likelihood of an Apple II
|
||
emulator, I would now like to stick my neck out and make my own
|
||
predictions. First, an Apple IIe-specific emulator will almost certainly
|
||
appear within the next 12 to 18 months for the PowerPC. It will possess at
|
||
least as much power, speed and capability as the LC's IIe PDS card and
|
||
system software. Apple will probably produce the emulator, or they will
|
||
license their IIe ROM code to another company who will produce the emulator
|
||
with Apple's guidance and blessings. Apple's purpose will be to provide
|
||
further incentives to public schools (still a significant part of Apple's
|
||
market) to begin to purchase Power Macs. If Apple does not produce a IIe
|
||
emulator, then a shareware version of the IIe will almost certainly be
|
||
produced.
|
||
|
||
New software tools, which may make it relatively easy to port system
|
||
software and applications, hover just over the horizon. They will become
|
||
available specifically because of the tremendous increases in computing
|
||
power that are promised by the new generation of RISC hardware now being
|
||
introduced. One such tool, known as "FlashPort" already exists for IBM's
|
||
RS/6000 workstation. Echo Logic, owner of FlashPort, is reportedly
|
||
planning an MPC-601 version of the software, which is capable of
|
||
translating the binary instructions from software written for one processor
|
||
into equivalent binary instructions for another processor.(5)
|
||
|
||
A IIgs emulator will be a while in coming, but it may eventually make
|
||
an appearance. CD-ROM is fast becoming a computer industry standard, and
|
||
eventually most computers will come with a built-in CD-ROM drive.
|
||
Considering that a compact disk can store such tremendous volumes of data,
|
||
it seems possible that an enterprising software vendor may choose to bundle
|
||
several computer emulations (such as the Commodore series, Amiga and Apple
|
||
IIgs) together with the best of their software on a single CD -- a sort of
|
||
'goldie oldies' disk for nostalgic computer users.
|
||
|
||
While all Apple II users now enjoy the benefits of a mature computer
|
||
system and software, the future also continues to look bright. New,
|
||
promising technologies are making their appearance. Software and hardware
|
||
capabilities are steadily increasing while the relative cost of personal
|
||
computing is going down with increased competition and sales volume. The
|
||
Apple II still has a long life ahead, possibly in new, exciting,
|
||
incarnations.
|
||
|
||
|
||
NOTES
|
||
"""""
|
||
|
||
(1) Wallace, J. & Erickson, J. Hard Drive, Bill Gates and the Making of
|
||
the Microsoft Empire. John Wiley, N.Y. 1992. p. 74.
|
||
|
||
(2) Wallace, J. & Erickson, J. p. 158.
|
||
|
||
(3) Thompson, Tom. "Power PC Performs For Less". Byte. August, 1993. pp.
|
||
59-64
|
||
|
||
(4) It should be noted that because of its unique architecture, even the
|
||
base MPC-601 probably runs native applications faster than a 60 Mhz
|
||
Pentium will run its own native applications. Even more powerful
|
||
PowerPC chips are planned for later this year and next year. Faster,
|
||
66 mhz and 80 mhz, versions of the MPC-601 are also currently
|
||
available.
|
||
|
||
(5) Thompson, Tom. p. 70
|
||
|
||
|
||
|
||
[EOA]
|
||
[ASA]//////////////////////////////
|
||
ASCII ART GALLERY /
|
||
/////////////////////////////////
|
||
Summertime Fruit
|
||
""""""""""""""""
|
||
by Susie Oviatt
|
||
[SUSIE]
|
||
|
||
|
||
|
||
,
|
||
.@,
|
||
.@a@a,.
|
||
S@@ss@@@@a,.
|
||
sS@@@ss@@@@@Ss, ,
|
||
, SSSSS@@@ss@@@SSSs @,
|
||
@sSSSSSSSS@@ss@SSSSs@@s, ,
|
||
`@@@@@SSSSSSSSssSSS@@@@@sSs,
|
||
@@@@@@@@@@@@@@ss@@@@@@@@SSs ,
|
||
, `@@@@@@@@@@@@@@ss@@@@@@@SSSs@,
|
||
SsSSSS@@@@@@@@@@@ss@@@@@@SSSSS@,
|
||
`SSSSSSSSS@@@@@@@@@ss@@@@SSSSS@@
|
||
`SSSSSSSSSSSS@@@@@@ss@@SSSSSS@@',''',
|
||
, `SSSSSSSSSSSSSSS@@ss@SSSSS@@@;%,.,,`
|
||
@aSSSSSSSSSSSSSSSSSSssSSSS@@@@;%;%%'
|
||
`@@@@@@@SSSSSSSSSSSSssSSS@@@@;%;%'
|
||
`@@@@@@@@@@@@@@@SSSssS@@@@;%;%
|
||
`@@@@@@@@@@@@@@@@@ss@@@;%;% ...,,,,,,,,,,..
|
||
`@@@@@@@@@@@@@@@ssS;%;% .;;%%;%%;%%%;%%;%%%,.
|
||
.,::;;;;;;;;`SSSSSSSSSSSss;%%,::;%;%%%%%%%;%%%%%%;%%%%,.
|
||
.:::;;;;;%;;;;;;;,;;,;;,;;,::,.,::;%%%%%;%%%%%%%%%%%%%%%;%%%;,
|
||
.:::;;;%;;;;;%;%;%;%;%;%;%%%%;%%%%%;%%%%%%%%%%;%%%%%;%%%%%%%%;%%;.
|
||
:::;%;;;;%;;%;;;%;%;;%%%;%%%%%%%;%%%%%%%;%%%%%%%%%x%x%%%%%%%%;%%;%;,
|
||
:::;;;;;%;;%;;;%;;%;%%%%%%%%;%%%%%%%%%%%%%%%%%%%%%%%x%x%%%%%%%%%%%;%;,
|
||
:::;;;;;%;;;;;;%;%%;%xx%;%%%%%%%;%%%%%%%x%%%%%%%%%%%%%x%x%x%%%%%%%;%;%;
|
||
,:::;%;;%;;;%;%;;%;%%x%;%%%%%%%%%%%%%x%x%%x%%%%%%%%%%%%%x%%x%x%%%%%%;%%;,
|
||
:::;;;;%;;%;;%;;%%%;x%x%%%;%%%%%%%%%%%%%x%%x%%%%%%%%%%%xx%x%x%%%%%%%%;;%;
|
||
:::%;;;;;%;;%;;%%;%%;%;%%%%%%%%%%%%;%%x%%x%%x%;%%%%%%%%%x%x%%%%%%%%%;%;%;
|
||
:::;;;%;;;;%;%;%;%%;%%%%%%%;%%%%%%%%%%%x%%x%%%%%%%%%%%%x%x%%x%%%%%%;%;%%;
|
||
`:::;;;;%;%;%;%;%%;%%;%%%%%%%%%%%%%%%%%%%x%x%%%%%%%%%%xx%x%%%%%%%%%;%;%;'
|
||
`:::;;%;%;;%;;%%;%%;%;%%;%%%%%;%%%%%%%%%%%%%%%%%%;%%%%x%%%%%%%%%;%%;%;'
|
||
`:::;;;;;%;;%%;%%;%%%%%%%;%%%%%%%%%%;%%%%%%%%;%%%%%;%%%%%%%%%;%%;%%;'
|
||
`:::;;%;;;%;;;%%%;%%;%%%%%%%%%%;%%%%%%%%%%;%%%%%%%%%%%%%%;%;%;%%%;'
|
||
`:::;;%;;;%%;%;%;%%;%;%%%%%%%%%%%%%%%%%%%%%%;%%;%%%%;%%%;%;%;%;'
|
||
`:::;;;%;;%;;%%;%;%%%%%%%%%%%%%%%%%%;%%%%%%%%%%%;%%%;%%;%%;'
|
||
`:::;;;%;;%;%;%%%%;%%%%%%;%%%%%%%%%%%%;%%%;%%;%%;%%;%%;'
|
||
`:::;;%;;%;;%;%%%%%%;%%%%%%%%%%%%;%%%%%%%%%%%;%;%%;'
|
||
`:::;%;;;%;;%;%x%%%%%;%%%%%%%%x%%%%%%;%%%;%%;%;'
|
||
`:::;;;%;%;;%;x%x%x%%x%;%x%x%%%%;%%%%%;%;%;'
|
||
`:::%;%;;%:%:,xx%%x%%x%xx,:%%%%;%%;%%%;'
|
||
`:::%;;;;:%:`xx%x%xx%x':%%%;%%%%%%;'
|
||
`:::;;%;;%:,`%x%xx%x',:%;%%%%;%%;'
|
||
`:::;;;;;:::' `:::;;;;;;:::'
|
||
|
||
"Apple"
|
||
|
||
|
||
|
||
[EOA]
|
||
[HAR]//////////////////////////////
|
||
HARDVIEW A2 /
|
||
/////////////////////////////////
|
||
Reader Response
|
||
"""""""""""""""
|
||
by Leon H. Raesly, LCSW-C
|
||
(lee@pro-novapple.clark.net)
|
||
|
||
|
||
|
||
>>> NEVER BACK UP YOUR HARD DRIVE! <<<
|
||
""""""""""""""""""""""""""""""""""""""
|
||
|
||
[Reprinted with permission from the NovApple Newsletter]
|
||
|
||
|
||
Last month [in NovApple] we ran an excellent article on the
|
||
necessity, and how, to back up a hard drive by Steve Weyhrich [from the
|
||
June 1994 GEnieLamp A2]. However, let me present an alternative view.
|
||
|
||
Boy, that title sure is a heretical statement! But before you get
|
||
all bent out of shape, let's look first at the purpose of a hard drive, and
|
||
then at the problems with back-up programs, and the process of backing up.
|
||
|
||
A hard drive is known as a "mass storage device". What does that
|
||
mean? Simply put, that you can put a large amount of data on it, including
|
||
programs and data files. But that is only one function of a hard drive.
|
||
Its major advantage is fast access to either programs or data. So we find
|
||
two primary purposes of a hard drive, essentially put, can be called speed
|
||
and quantity. The quantity, however, also increases your vulnerability.
|
||
If the hard drive dies, you have "zero" speed, and no quantity of data or
|
||
programs at all!
|
||
|
||
It is to protect yourself from this catastrophe that the concept of
|
||
"backing up your hard drive" developed. And for this purpose, several
|
||
programs have been written. These programs create an image of your hard
|
||
drive's complete data on floppy disks (of some size) or tape. This has
|
||
several inherent problems.
|
||
|
||
1. It wastes a considerable amount of time.
|
||
|
||
2. You are out of operation for some period of time until you can
|
||
get the hard drive fixed, and then restore your backup.
|
||
|
||
3. You are still vulnerable to a "munged" backup that you can't
|
||
restore.
|
||
|
||
Hard drives collapse in many forms. It can just mechanically die for
|
||
a number of reasons. The surface can get bad, or deteriorate (bad blocks).
|
||
Directories can get munged by whatever means they get munged -- such as
|
||
cosmic rays <grin> (it does happen fairly often). In some cases you can
|
||
rebuild the data, in others you have to repair the device. But in ALL
|
||
cases, you are out of operation until you fix the errors or the device.
|
||
|
||
If the hard drive must be mechanically repaired, you must send it off
|
||
somewhere to be fixed. And for this period of time you are down. Back-ups
|
||
will not allow you to work with any files on them, they can only be used
|
||
for restoring the data that was on the hard drive at the time that you made
|
||
the last backup that you have! Thus, if you did a backup last week, the
|
||
rest of that weeks work, and all of this weeks work, is lost, gone forever
|
||
into the Great Bit Bucket in the Sky!
|
||
|
||
However a backup is a very inefficient way to provide yourself with
|
||
data protection. Let's look at them in principle. All back-up programs
|
||
copy the entire hard drive (at least once) to prepare a backup image. This
|
||
includes programs as well as data. But this process means duplicating onto
|
||
the backup information you already have. (Or at least, should have. You
|
||
should have made a duplicate of your original program disk when you
|
||
purchased it, and a second duplicate if updates to the program arrived.
|
||
Then duplicate the updated copy, leaving the original and its' duplicate
|
||
unchanged. Thus, you would now have an original and its duplicate, as well
|
||
as an updated version and its' duplicate. You would continue to do this as
|
||
long as you received updated versions. And each time, of course, copy the
|
||
updated version to replace your working copy on the hard drive.)
|
||
|
||
An aside here. Some programs (most notably AppleWorks) will have
|
||
been customized with accessory utilities, patches, and so forth that you
|
||
really wouldn't want to have to do all that over again from scratch (if you
|
||
can even remember what you added, OR REMOVED)! So these original programs
|
||
I treat differently(although I have all of the original patches, add-ons,
|
||
etc.). For a highly modified program such as AppleWorks, I make a special
|
||
"backup" of that program! Using ShrinkIt, I shrink the modified, complete
|
||
set from the hard drive onto a 3.5" disk. Actually, I do it twice, to two
|
||
different disks. Now, if I must restore it, I can simply unshrink that
|
||
file back to the repaired hard drive, without the fuss of re-patching,
|
||
re-customizing, etc. I'll tell you more on the use of the program ShrinkIt
|
||
for protection of you data in a bit.
|
||
|
||
If you are collecting fonts or graphics or sounds, or other specialty
|
||
type files, these would be on the hard drive for fast access. But you
|
||
should also have an original source disk and a duplicate disk of each
|
||
source disk on disks standing by.
|
||
|
||
So what you are really trying to do is protect data files. There are
|
||
two classes of data files created by the different programs you use.
|
||
|
||
1. Archive copies of data files previously used, that you really
|
||
want to keep; e.g. the data files of last year's tax returns in a
|
||
spreadsheet. It seems evident to me that these should not be kept on a
|
||
hard drive, where they are simply using up space but never being accessed,
|
||
but rather archived on floppies (with duplicate disks, or even triplicates,
|
||
if they are important enough, such as tax files). Whether these are 5.25"
|
||
or 3.5" disks, these files should be off the hard drive and safely
|
||
duplicated.
|
||
|
||
2. So this leaves us only the second class of data files: the data
|
||
files that are currently in use. No matter what program they are generated
|
||
from, they need to be on the hard drive for convenient and FAST access.
|
||
However, if you are following the prudent course of duplicates for all your
|
||
programs and special files (fonts, graphics, etc.) and have moved your
|
||
archived files off the hard drive, then you would be doing a backup of your
|
||
ENTIRE hard drive ONLY to secure safety for these relatively few data
|
||
files.
|
||
|
||
There is another way to secure protection for this small group of
|
||
data files. Make duplicates AS YOU WORK ON THEM onto your floppies.
|
||
Certainly 3.5" disks are better, but if you only have 5.25" drives, they
|
||
will also do. Everyone knows the need to save often, and a hard drive
|
||
certainly makes this easier and faster. It is not much trouble to save
|
||
these important files TWICE when you "save often". Once to the hard drive,
|
||
once to the floppy.
|
||
|
||
If the program that you are using allows some type of macro, a simple
|
||
keystroke saves your file twice. If not, a method of organizing types of
|
||
files to floppies makes life much easier. All data disks can have the same
|
||
name, with the same subdirectory. Just place the type of file on the
|
||
external paper label for quick identification.
|
||
|
||
As an example, using 3.5" disks, I name all of these duplicate data
|
||
disks /T, and under that a single subdirectory called M. This means that
|
||
if I pick up the "Journal" disk (or "Checkbook" disk, etc.), I still save
|
||
to the same location "/T/M". This then becomes my protection. By saving
|
||
twice, first the hard drive, then the floppy (at pathname /T/M) I have
|
||
secured almost absolute safety.
|
||
|
||
Actually, what I do, since these data files are critically important
|
||
to me, is to save them three times -- first to the hard drive, second to a
|
||
floppy disk paper labeled "Journal", and third to a floppy disk paper
|
||
labeled "Journal.Dup". Both disks, of course named "/T", with a
|
||
subdirectory named "/M". So the second saving location for all disks
|
||
becomes "/T/M".
|
||
|
||
I have saved hours and hours per week, and many, many disks, for the
|
||
cost of a few seconds and a few keystrokes! If my hard drive dies, all I
|
||
need to do to continue working is use the floppies as my primary disk
|
||
source. No waiting weeks or more unable to do anything until the hard
|
||
drive is returned! When it does come back, I can rebuild the programs and
|
||
data on the hard drive as before (or change the organization if I want).
|
||
|
||
Most backup programs have an inherent weakness. They are dependent
|
||
on the quality of the disk (or tape) you did the backup to. If there is a
|
||
bad block (or even file header) on the backup, most will just die. And
|
||
there goes your backup! No more! Kaput! Gone forever. Even though the
|
||
ProSel-16 backup utility does have a recovery algorithm, it can still fail.
|
||
And if you are not on a IIgs, the 8-bit programs do not have such a
|
||
protection. Most backup programs do not allow a partial backup (or where
|
||
they do, it is very awkward). And, of course, you have to purchase most of
|
||
them.
|
||
|
||
But I don't want to do all this saving to floppies. I purchased the
|
||
hard drive for the speed and single convenience. Is there any other
|
||
alternative? Yes, at least it seems so to me. Another way is to make a
|
||
duplicate of your working files to one subdirectory on your hard drive, and
|
||
replicate that onto a floppy disk daily. So here you are using the hard
|
||
drive alone for its speed. Save to the "organized" subdirectory where the
|
||
data belongs. Then save to a hard drive subdirectory called "Today" or
|
||
whatever you wish.
|
||
|
||
Now, at the end of the day, replicate this subdirectory unto a
|
||
floppy. What do I mean by replicate? Shrink the entire subdirectory onto
|
||
a disk at the end of each day! Yes, ShrinkIt does a nice protection job
|
||
for you. And by shrinking the files -- and it shrinks data files quite a
|
||
lot, that is, makes the resultant file substantially smaller -- you save
|
||
time and space. You can easily unshrink to another disk if you lose your
|
||
hard drive. There is even a special file recovery program if something is
|
||
wrong with the shrunk file or disk. Just run UnShrink to recover the data.
|
||
It works great!
|
||
|
||
So an alternative procedure is, save to the files regular
|
||
subdirectory, save to the subdirectory "Today", shrink the full
|
||
subdirectory at the end of the day to a floppy, then delete the files under
|
||
"Today" to get ready for tomorrow!
|
||
|
||
Another advantage of the shrink approach is that the software is all
|
||
freeware, and is available many places. So is the ShrinkIt recovery
|
||
program, UnShrink.
|
||
|
||
Of course, if you have "forked" data files from a particular 16 bit
|
||
program, you cannot use 8-bit ShrinkIt, but must use ShrinkIt GS. It too
|
||
is a freeware program, and available many places.
|
||
|
||
If ShrinkIt just would shrink over the boundaries of one disk to the
|
||
next, it would be an excellent backup program. When I last talked with
|
||
Andy Nicholas (about two years ago) he was working on such a program.
|
||
However, my guess is that since he is a Mac programer now with Apple
|
||
Computer, Inc., he has dropped that project.
|
||
|
||
There is, of course, one situation where this approach won't work,
|
||
and where doing a regularly scheduled back-up MUST be done (isn't there
|
||
always a BUT?), and that is if you don't have control of the creation and
|
||
saving of the files. A perfect example of this is a Bulletin Board System
|
||
(BBS). Here, weekly (or more often) back-ups are essential.
|
||
|
||
But, for me at home or work, I NEVER do a back-up of my hard drive!
|
||
|
||
|
||
|
||
[EOA]
|
||
[DRT]//////////////////////////////
|
||
DR'S EXAMINING TABLE /
|
||
/////////////////////////////////
|
||
A Vacation from Reviewing
|
||
"""""""""""""""""""""""""
|
||
by Darrel Raines
|
||
[D.RAINES]
|
||
|
||
|
||
|
||
>>> GETTING AWAY FROM IT ALL <<<
|
||
""""""""""""""""""""""""""""""""
|
||
|
||
Last month I took one of the longest vacations that I have taken
|
||
since graduating from college. My family and I traveled from the teeming
|
||
metropolis of Houston, Texas, to the cool, mountain streams of southern
|
||
Colorado. We spent a little over two weeks (including travel time)
|
||
camping, hiking, horseback riding and otherwise enjoying ourselves. We are
|
||
talking about real camping here: Tents, camp stoves, sleeping bags, eating
|
||
outdoors with the mosquitoes, etc. We had a great time!
|
||
|
||
What has my camping trip to do with computers? About a year ago, I
|
||
purchased a portable sub-notebook computer for those occasions when I
|
||
travel. I had been feeling out of sorts when I went on a business or
|
||
personal trip and did not have a handy word processor and spreadsheet. I
|
||
have really enjoyed my "travel" computer; it does a good job of what I want
|
||
it to do. I have not taken a single trip without my digital umbilical cord
|
||
since the day that I purchased it. That is, until my latest camping trip.
|
||
|
||
I thought seriously about taking the sub-notebook along for the ride.
|
||
However, the dirt and extreme weather conditions that I would encounter
|
||
made me decide against taking the computer with me. This proved to be a
|
||
drastic decision. I was not aware of how dependent I had become on my
|
||
readily available computer. I went through some extreme withdrawal. The
|
||
headaches and minor shakes were the most noticeable symptoms. However, my
|
||
wife also claims that I was edgy and somewhat distant for the first few
|
||
days of abstinence. I was even known to snap at the children. This lasted
|
||
for the duration of the trip.
|
||
|
||
After my harrowing experience, I have decided to chronicle the events
|
||
of my vacation as a warning to other computer junkies. You may have a
|
||
similar situation come up and be faced with the following decision: take
|
||
your computer, or your clothing. After this article, I am sure that you
|
||
will decide that you would rather shop for a new wardrobe on your trip. As
|
||
a public service, this month's column will examine the various facets of
|
||
camping without a computer.
|
||
|
||
DAY 1 I knew I was in trouble the very first day on the road. We have
|
||
""""" made a good day of travel toward the northwest edge of Texas.
|
||
However, I am force to purchase gasoline without the benefit of my
|
||
computer's powerful calculator functions. There is just no way to
|
||
determine what my mileage was and how far I could expect to travel before
|
||
having to fill up again.
|
||
|
||
Another problem is the kids' questions. Our children are constantly
|
||
asking about this subject or that. I am in desperate need of my handy
|
||
CD-ROM encyclopedia. How am I supposed to know how much cotton there is in
|
||
a bale? Of course I don't know the population of Littlefield, Texas. The
|
||
mayor of Littlefield probably doesn't know the population of his town.
|
||
|
||
As we check into a motel for the night, the real gravity of the
|
||
situation starts to sink in. I won't be able to play a game on my computer
|
||
for another week and a half! At this point, only a threat of divorce from
|
||
my wife keeps me from turning back to Houston and my 8-megabyte mistress.
|
||
I sleep fitfully during the night.
|
||
|
||
DAY 2 I wake up slowly. I feel a strange sense of loss, but cannot
|
||
""""" remember what is wrong. And then suddenly it all comes back to me
|
||
in a rush. On the road with no computer. Aargh!
|
||
|
||
We continue our travel into New Mexico. The excitement of being away
|
||
from Houston and the anticipation of the mountains starts to raise my
|
||
spirits. However, a major calamity hits just as we head into southern
|
||
Colorado. I forgot to put the road maps into our pickup. I manage to make
|
||
a wrong turn in Chama and end up on the wrong side of the San Juan National
|
||
Forest. My wife is not happy. "But dear, if I had my computer along with
|
||
us we could have verified the correct road using my travel atlas." My wife
|
||
is not talking to me.
|
||
|
||
Despite my navigation talents, we arrive in our designated camping
|
||
area in time to set up the tent before dark. As soon as dusk starts to
|
||
settle in we know we are in trouble.
|
||
|
||
"Darrel, can our three-year-old fly?"
|
||
|
||
"Not to my knowledge, dear."
|
||
|
||
"In that case, the mosquitoes are carrying off our youngest child."
|
||
We rescued our son and took a bath in mosquito repellent.
|
||
|
||
DAY 3 This will be our first full day of camping. The fresh air and
|
||
""""" sound of the mountain stream awakens me. I am the first camper to
|
||
arise. I sit in my lawn chair and read a book until the rest of the crew
|
||
is up. We decide that pancakes would taste good. I tell my family that I
|
||
had a great recipe in the computer cookbook back in Houston. My oldest
|
||
daughter groans and hands me a box of pancake mix. The instructions on the
|
||
side say to just add water.
|
||
|
||
We decide to go hiking later in the day. The trail head is up high
|
||
in the mountains. The tall pine trees and colorful wildflowers make for a
|
||
gorgeous walk. The children discover a series of cracks, or fissures, in
|
||
the ground where the earth has opened up to swallow the unwary. At the end
|
||
of our hike, I realize that I did not even think about my computer for the
|
||
past two and a half hours.
|
||
|
||
DAY 4 Horseback riding is the activity of the day. We see a young stag
|
||
""""" deer along the way. He is evidently used to seeing humans looking
|
||
uncomfortable atop a horse. The deer doesn't bolt until we are within 20
|
||
feet of the tasty grass that he is eating. After we get back from the
|
||
ride, I hobble over to tell my wife that I need to start a journal of our
|
||
activities.
|
||
|
||
"This stuff will make a great article! I wish that I had my computer
|
||
and word processor with me."
|
||
|
||
"Here is a pencil and paper. Have fun."
|
||
|
||
"I haven't used this stuff in years. There isn't even a pencil
|
||
sharpener out here. What happens when the lead gets dull?"
|
||
|
||
"Use your pocket knife."
|
||
|
||
I whine; I whimper; I end up with the pencil broken over my head.
|
||
|
||
DAY 5 Another hike is planned for this day. I have trouble figuring out
|
||
""""" how far we hike in the three-hour trip. I discover that I cannot
|
||
do multiplication any more.
|
||
|
||
We are thrown out of a restaurant because I fondle the keyboard of
|
||
the cash register. My two daughters are embarrassed beyond belief.
|
||
|
||
DAY 6 Laundry day. We spend the entire day in town buying souvenirs. I
|
||
""""" finish off the first book that I brought on the trip. I seem to
|
||
have lots of time to read.
|
||
|
||
DAY 7 Today is July 4. We go to a beautiful fireworks demonstration.
|
||
""""" Our daughter tells my wife, "These are just like the fireworks that
|
||
daddy has on his computer." I hear a heavy sigh in the dark.
|
||
|
||
DAY 8 We hike along the Continental Divide. There are a few patches of
|
||
""""" snow still clinging to the shade of the pines at this high
|
||
elevation. The kids have a snowball fight. Our son, a life-long Houston
|
||
resident, has never seen snow before. He wants to make Frosty the Snowman.
|
||
In July!
|
||
|
||
DAY 9 A burst of deep sobbing wakes my wife up in the middle of the
|
||
""""" night. "What are you crying about?" she asks.
|
||
|
||
"I miss my computer... ouch! Don't DO that! I'll be quiet."
|
||
|
||
We go hiking one last time. I start my third book. I love to sit
|
||
and read by the mountain stream that runs behind our tent. A tall pine
|
||
offers shade and a good back rest. The view is lovely and the melted snow
|
||
makes a constant murmur as it falls over the rocks. The watery drone
|
||
reminds me of something from home. Oh yes, now I have it. The computer
|
||
fan in my study serves as a similar source of white noise.
|
||
|
||
My family claims that they will through me in the river if I complain
|
||
one more time about not having a handy computing device.
|
||
|
||
DAY 10 Today we bid the forest goodbye. The morning is spent in breaking
|
||
"""""" camp and erasing all traces of our having been there. This is no
|
||
small task since there were 5 children and 4 adults in our group. "I wish
|
||
that I had my computer so I could take a quick look at our bank account
|
||
information."
|
||
|
||
Splash.
|
||
|
||
DAY 11 It will not be long now. My fingers start to itch just at the
|
||
"""""" thought of touching the keyboard. We eat green chiles in New
|
||
Mexico. Why can't we get good chiles in Houston? When will satellite
|
||
modem links be available throughout the country? I spend the day
|
||
contemplating the mysteries of life.
|
||
|
||
DAY 12 We arrive back in Houston. Sweet rapture! I play a game, balance
|
||
"""""" my checkbook, and catch up on BBS news one right after the other.
|
||
My wife finds me asleep at my computer keyboard the next morning. She
|
||
claims that I was tapping my heels together and murmuring, "There's no
|
||
place like home. There's no place like home."
|
||
|
||
|
||
[*][*][*]
|
||
|
||
Darrel Raines is a computer user and avid camper. He works on
|
||
the space station program in Houston. He didn't really miss his
|
||
computer as much as he said he did. Really. Honest.
|
||
|
||
|
||
|
||
[EOA]
|
||
[HUN]//////////////////////////////
|
||
THE TREASURE HUNT /
|
||
/////////////////////////////////
|
||
Yours For the Downloading
|
||
"""""""""""""""""""""""""
|
||
by Charlie Hartley
|
||
[C.HARTLEY3]
|
||
|
||
|
||
Welcome back to the Treasure Hunt! This month we will examine 12
|
||
different files. There is no central theme this month, but I think there
|
||
is something here for almost everyone. Let's get started.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
TO.PERPCAL.BXY File #22882 9472 bytes AppleWorks Macros
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
Perpetual Calendar macros 1.3 [12 June 1994]
|
||
freeware -- copyright 1994 by Doug Cuff
|
||
algorithm partly based on an Applesoft BASIC program by ANTHONY DEBOER
|
||
|
||
|
||
Doug Cuff [EDITOR.A2] has produced a neat little AppleWorks macro
|
||
package. In his long description, Doug says that this is a compact,
|
||
memory-only perpetual calendar for AppleWorks. It contains TimeOut menu
|
||
file for users and macro source code for programmers. It requires the
|
||
built-in UltraMacros player or UltraMacros 4.2 or later.
|
||
|
||
The download includes 4 files. TO.CALENDAR.NOW is the Timeout file
|
||
that you place in your Timeout folder. MACRO PERPCAL is the AppleWorks
|
||
word processor file that contains the macros ready to compiled. NOTES
|
||
contains Doug's directions about how to use these macros. VERSION HISTORY
|
||
is just what is says.
|
||
|
||
Once installed, it will appear on the Timeout menu as CALENDAR NOW.
|
||
You may select it from anywhere within AppleWorks. When selected, it first
|
||
displays the present month in a box in the middle of the screen. Near the
|
||
bottom is a request to press a key. When you press a key you are shown a
|
||
menu of choices that include
|
||
|
||
Choose calendar year/month Solid Apple-C
|
||
Today's monthly calendar Solid Apple-T
|
||
Launch default macros Both Apples-L
|
||
|
||
You may choose from this menu by highlighting your choice and then
|
||
pressing return. The first choice allows you to input the year you want.
|
||
Then it displays a list of months to choose from. The list also includes
|
||
"whole year." You are then shown the month/year that you selected. If you
|
||
selected the whole year, you are shown a month at a time, beginning with
|
||
January.
|
||
|
||
The second choice displays the present month again. The third choice
|
||
launches your default macros for you.
|
||
|
||
Using the escape key makes things a bit different. If you press the
|
||
escape key while the calendar is on-screen, you will get a message at the
|
||
bottom that says "Calendar stopped ... please press a key." Any keypress
|
||
at this point will take you to the menu. If you press escape at the menu,
|
||
you will leave the menu but will not return to you default macros. This
|
||
means that the calendar is available to you with the Apple keypresses.
|
||
However, your default macros are not available. You can easily get the
|
||
default macros back by pressing both Apple keys and the L key to launch
|
||
them.
|
||
|
||
Since our current calendar, the Gregorian, did not exist before circa
|
||
1582, you can't use a year earlier than that. However, Doug does let you
|
||
go all the way to the year AD 9999. <grin>
|
||
|
||
I highly recommend this little jewel!
|
||
|
||
|
||
[*][*][*]
|
||
|
||
MATURE.MATH.BXY File #23018 2688 bytes Humorous Text File
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
|
||
Ken Wong has provided us with an amusing story of Polly Nomial. Ken
|
||
says that he discovered this file over ten years ago on his first DEC VAX
|
||
system. Unfortunately, he forgets the original author.
|
||
|
||
If you are into math and have at least a slightly ribald sense of
|
||
humor, you will enjoy this little story. Even a non-mathematician, such as
|
||
myself, can have fun figuring out the play on mathematical terminology.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
TRIG.BXY File #21800 2432 bytes AppleWorks Spreadsheet
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
Simple TRIG calculator template
|
||
Public Domain upload by F.DASILVA2
|
||
|
||
|
||
This is a simple trigonometry calculator that takes any two known
|
||
values and gives you the other two. The file consists of several templates
|
||
that work on the triangle with one 90 degree angle.
|
||
|
||
|
||
OPPOSITE | \
|
||
| \
|
||
| \ <-HYPOTENUSE
|
||
| \
|
||
| \
|
||
| \
|
||
--------- <-ANGLE
|
||
ADJACENT
|
||
|
||
|
||
If you enter the: you will get the:
|
||
|
||
opposite side and adjacent side hypotenuse and angle
|
||
hypotenuse and opposite side angle and adjacent side
|
||
hypotenuse and adjacent side angle and opposite side
|
||
angle and opposite side adjacent side and hypotenuse
|
||
angle and adjacent side opposite side and hypotenuse
|
||
angle and hypotenuse opposite side and adjacent side
|
||
|
||
If you have a use for this, grab it.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
NF.BXY File #22090 70528 bytes Planetarium program
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
Nightfall II - an Apple II planetarium program
|
||
Copyright 1994 by John L. Graham
|
||
Shareware fee is $10.00
|
||
|
||
|
||
The following two paragraphs are lifted from John's documentation
|
||
file included with this program.
|
||
|
||
"Nightfall II is a planetarium program designed to display what the
|
||
night sky will look like easily and quickly. The display includes all of
|
||
the stars you're likely to see even on an exceptionally dark urban night as
|
||
well as the Moon and planets (Mercury through Saturn). If the selected
|
||
time is in daylight, the Sun is also shown. The view can be set to show
|
||
the entire sky overhead, or looking out towards the horizon at one of the
|
||
major compass points (e.g., north, south, east, or west). Each display may
|
||
be saved to disk so that you may edit and print them using your favorite
|
||
graphics program like Dazzle Draw or TimeOut Paint/Graph.
|
||
|
||
"In addition to displaying views of the sky Nightfall II calculates
|
||
the times of rising and setting of the Sun, Moon, and planets (Mercury
|
||
through Saturn)."
|
||
|
||
About all you need to know to use this neat program is your
|
||
approximate latitude and longitude and your time zone. Time zones may
|
||
include any from 0 to 12. Zero (0) is Greenwich, England time. Five (5)
|
||
is Eastern time, six (6) is Central time, seven (7) is Mountain time, eight
|
||
(8) is Pacific time, nine (9) is Alaska time, and ten (10) is Hawaii time.
|
||
|
||
It appears that the program displays the sky only over the Western
|
||
Hemisphere. To get a display for areas south of the equator, there is a
|
||
menu item that has you switch from north to south.
|
||
|
||
Saving a view to disk is simple. There is a menu choice to save the
|
||
screen. Just remember that you must follow ProDOS file-naming procedures:
|
||
the name must begin with a letter, may include only letters, numbers and
|
||
periods, and may be no longer than 15 keystrokes. Note that the screen are
|
||
saved as a one double-hi-res file. Also, if you want to save to a
|
||
different disk, you must type the entire pathname.
|
||
|
||
If you are looking for a program that will teach you the names of the
|
||
stars and constellations, this is not it. What you get with Nightfall II
|
||
is a display of the visible sky with the stars shown according to their
|
||
magnitude. You also get the locations of planets (identified by name in a
|
||
legend) and the sun and moon.
|
||
|
||
I can see how this program, with a book that identifies the major
|
||
stars and constellations, could be a big help in locating them in your own
|
||
sky.
|
||
|
||
For those of you with Apple IIes and IIcs, this is a fine program,
|
||
well worth the $10 shareware fee.
|
||
|
||
For those of you with GSes, John also has produced a program called
|
||
Tonight's Sky GS v4.2 that is available in the library as file #18304.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
SNEEZE.BXY File #21357 40448 bytes File Viewer/Launcher
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
Sneeze ("Applesoft Text-Based User Interface")
|
||
by Karl Bunker
|
||
public domain software
|
||
|
||
|
||
Karl Bunker has provided the Apple II world with a variety of neat
|
||
programs and utilities. Perhaps my personal favorite is Sneeze. I first
|
||
came across this jewel several years ago before it evolved into its present
|
||
form. As a programmer, I learned several things from studying Karl's work
|
||
and was able to incorporate them into some of my stuff.
|
||
|
||
Sneeze does so many things, so well, that I doubt even those who have
|
||
already downloaded it know what all it can do. This brief review will
|
||
point out some of my favorite options available with this program.
|
||
|
||
The descriptions below are lifted for the most part from Karl's
|
||
documentation file that is included with the program. Read the
|
||
documentation! I know people who hate to read documentation, preferring to
|
||
learn by experimenting with a program. Those people will be a long time
|
||
making full use of Sneeze.
|
||
|
||
"Sneeze ("Applesoft Text-Based User Interface" --> "A.T.U.I." -->
|
||
"Sneeze") is a text-and-graphics-display/menu/launcher program originally
|
||
written for A2-Central On Disk. Thanks to the generosity of the people at
|
||
A2-Central, I am able to release this public domain version to be used by
|
||
anyone for any purpose, free of charge. (For subscription information on
|
||
A2-Central magazine, write to: A2-Central, P.O. Box 11250, Overland Park,
|
||
KS 66207)
|
||
|
||
"Sneeze evolved from an earlier program called 'Windows'. Windows
|
||
(or 'Window') was originally written by Andy Anderson 1987, and was later
|
||
extensively modified by Karl Bunker -- with help from Dean Esmay. Sneeze
|
||
is the result of a complete rewrite of that version of Windows (and Sneeze
|
||
version 2.0 is the result of a complete rewrite of Sneeze 1.x). As one
|
||
might expect from a program with such a long and involved history, Sneeze
|
||
is now quite a formidable little program. Here's a partial list of what it
|
||
can do:
|
||
|
||
|
||
* Navigate through your disks and directories.
|
||
* Launch BASIC, SYS, and S16 programs.
|
||
* Print TXT or AWP (AppleWorks Word Processor) files.
|
||
* Display TXT or AWP files on-screen.
|
||
* Display all of the more popular types of graphics files.
|
||
* Copy files, with disk-swapping allowed.
|
||
* Run on any 80 column Apple II except for the ][+.
|
||
|
||
|
||
"Sneeze can also scan through a text file for a word or phrase. If
|
||
you press <S> (to scan the highlighted file) or OpenApple-S (to scan ALL
|
||
the text files in the current folder), you will be prompted for the word or
|
||
phrase to search for. Sneeze will then start 'flipping through' the text
|
||
file(s), and will stop if it finds the string of characters you entered.
|
||
This search is not case-sensitive. If you want to abort a long scan, press
|
||
OpenApple-<esc>.
|
||
|
||
"Double-sided pages: If you like, you can have Sneeze print out a
|
||
file using both sides of each page. Answer 'Y' at this prompt in the
|
||
Printer Options screen, and begin the printing. Sneeze will first print
|
||
only the odd-numbered pages of the file; then it will prompt you to
|
||
'Remove, reverse and restart paper'. This means to remove the printed
|
||
paper, turn it over, and reinsert it into the printer. Sneeze will then
|
||
print the even-numbered pages. Thus, page 2 will be printed on the back of
|
||
page 1, page 4 on the back of page 3, and so on. This option assumes you
|
||
are using fanfold computer paper.
|
||
|
||
"Sneeze can display the following types of graphics files: Hi-res,
|
||
Double Hi-res (DazzleDraw type), unpacked Super Hi-res (shown as filetype
|
||
PIC), BINary SHR, Apple Preferred Format SHR, PaintWorks format SHR (both
|
||
shown as PNT), BINary '.3200' graphics, PIC (unpacked) 3200, and PNT
|
||
(packed) 3200. The IIgs-specific types can only be displayed on a IIgs.
|
||
With Apple Preferred Format graphics that are two screens tall, you can see
|
||
the lower half of the image by pressing the down-arrow key while the
|
||
graphic is on screen.
|
||
|
||
"Not all files listed as PIC or PNT are actually any of the types
|
||
supported by Sneeze, so you may occasionally see an 'Unsupported graphic
|
||
file format' message when you try to view SHR graphics."
|
||
|
||
If you don't have Sneeze, get it. If you have it, get it out and
|
||
read the documentation again (for the first time?). It may surprise you
|
||
what a jewel you have.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
SEPIA.IZER.BXY File #16262 6528 bytes Gray-Scale to Sepia
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
Sepia-izer by Karl Bunker
|
||
freeware software
|
||
|
||
|
||
Here is another jewel by Karl Bunker. I'll let him tell you about it
|
||
in his own words. The following is lifted from the docs file that is
|
||
included with the download.
|
||
|
||
"Lots of IIgs graphics, especially scanned-in images, are gray scale.
|
||
With 16 shades of gray, a reasonable degree of photographic clarity can be
|
||
achieved on the GS. However, gray scale is kind of -- well -- gray. Sepia
|
||
tone is often a much more aesthetically pleasant palette, while retaining
|
||
all the clarity of gray scale. For those who may not know, sepia tone
|
||
refers to a range of brownish tones, from almost black to almost white.
|
||
Many early photographs were sepia tone, rather than black and white.
|
||
Personally, I like sepia tone a lot.
|
||
|
||
"Sepia-izer is a method of converting gray scale graphics to
|
||
sepia tone. Sepia-izer will take any PIC or Apple Preferred Format PNT
|
||
file, and convert the palette of the graphic to sepia tone. To use
|
||
Sepia-izer, simply launch it, and select a file from the list displayed.
|
||
Prompts explain how to navigate to the disk and folder your graphics are
|
||
in. The file SF.GET must be in the same folder that SEPIA.IZER is in when
|
||
you launch it.
|
||
|
||
"Sepia-izer is dangerous if misused. It alters your original graphic
|
||
file, rather than creating a new graphic, so be sure your file isn't
|
||
irreplaceable. If the original graphic was not, in fact, a gray scale
|
||
graphic, the result will be a mess. Sepia-izer only works on Apple
|
||
Preferred Format PNT files and SHR image PIC files."
|
||
|
||
If you remember to heed Karl's warning, and be sure you are working
|
||
on a copy of your original graphic, then I think you will be pleased with
|
||
the results. I tried it on several different gray-scale graphics and each
|
||
one was improved by the process.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
SF.GET.BXY File #19580 8704 bytes Applesoft utility
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
SF.Get by Karl Bunker
|
||
freeware Applesoft Ampersand routine
|
||
|
||
|
||
SF.Get, mentioned in the previous review, is for Applesoft
|
||
programmers. If you know nothing about programming, you probably won't be
|
||
interested in it. In his documentation that is included with the file,
|
||
Karl describes it this way:
|
||
|
||
"SF.Get is an ampersand utility which brings a rough equivalent of
|
||
the IIgs SFGetFile toolbox call to Applesoft programmers. What this means
|
||
is that when an Applesoft program requires users to provide the ProDOS
|
||
pathname of some file for some reason, there is now a simple Applesoft
|
||
command which allows them to do so in an EXTREMELY friendly environment.
|
||
|
||
"Rather than having to remember-and-type a file's pathname, SF.Get
|
||
allows users to point-and-click the file from an on-screen list. If the
|
||
desired file is in another directory or on another disk, it can be
|
||
navigated to with a few keystrokes.
|
||
|
||
"The potential benefits of SF.Get should be obvious. Many Applesoft
|
||
programs, from the most elaborate application to the smallest "quick and
|
||
dirty" utility, could be improved with SF.Get. SF.Get runs on any
|
||
MouseText-capable Apple with 80 column display. SF.Get is freeware, and is
|
||
hereby made freely available for all developers to use in their own
|
||
programs, either commercial or freeware."
|
||
|
||
The download includes the ampersand routine itself, the documentation
|
||
file, and a sample BASIC program that demonstrates how it works.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
FILE.COMP.BXY File #15197 10080 bytes Utility
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
File.Compare by Karl Bunker
|
||
freeware file comparison utility
|
||
|
||
|
||
Have you ever discovered two copies of a file and wondered if one was
|
||
just a backup of the other? I know I have. Karl Bunker has created this
|
||
utility for us.
|
||
|
||
As Karl says in the documentation file, "File.Compare is a utility
|
||
for comparing files (Wow! No kiddin'!). There are a bunch of reasons for
|
||
comparing files. You might want to do this to see whether one file is
|
||
simply a backup of another, or is a modified version. You might know that
|
||
two files are different, but be curious as to just what and where the
|
||
difference is. If you're a programmer who often writes various types of
|
||
file-processing utilities (like me), you might want to compare some files
|
||
to see if your program is working as it ought."
|
||
|
||
File.Compare requires an enhanced IIe or later Apple II. It will
|
||
display the results in either hexadecimal or in text format. Whether you
|
||
simply need to compare two text files for differences or want to take a
|
||
detailed look at your own programs, this is a useful utility.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
MAZE.BXY File #23039 5120 bytes ProDOS game
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
InternaMaze
|
||
public domain lo-res game
|
||
|
||
|
||
This is an enhanced version of InternaMaze which was first created by
|
||
Dennis G. Ward and then converted to Applesoft by Bill Fortenberry and
|
||
uploaded as file #1298 in 1987. I have taken the liberty of making some
|
||
modifications in it to make it more user-friendly. This version adds the
|
||
use of lowercase letters and the arrow keys to move though the maze. It
|
||
also gives you a proper way to exit the program prematurely by pressing the
|
||
escape key. For more information about it, see the April '94 GEnieLamp A2
|
||
in the Treasure Hunt column. This continues to be public domain. Enjoy!
|
||
|
||
|
||
[*][*][*]
|
||
|
||
GUILLOTINE.BXY File #22959 6144 bytes ProDOS game
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
The Guillotine
|
||
public domain game
|
||
|
||
|
||
This is another older file that I have tried to update and make more
|
||
user-friendly. Originally titled THE GALLOWS (file #1612, reviewed in the
|
||
April '94 GEnieLamp A2 Treasure Hunt column), it was written by Douglas
|
||
Konitzer and uploaded on March 29, 1987. It requires an 80 column display.
|
||
|
||
This "word guess" program displays a guillotine which lowers each
|
||
time that you select an incorrect letter. Like most games of this type,
|
||
you are shown a list of the letters that you have selected. The program
|
||
also tells you whether the word is a person, place, or thing. It comes
|
||
with a supply of words, but it is fairly easy to change them or add
|
||
additional ones. The words can be up to 18 letters in length.
|
||
|
||
This version fixes a few problems. It can now tell the difference
|
||
between lowercase and uppercase input, which was a problem before. It also
|
||
now correctly refers to the instrument of doom as a guillotine rather than
|
||
a gallows. Most importantly, it is now accompanied with a utility program
|
||
that allows you to input and/or change the words that are used in the game.
|
||
|
||
Try it out, I think you'll like it. :)
|
||
|
||
|
||
[*][*][*]
|
||
|
||
CMPTR.TRMS.BXY File #18271 12288 bytes Computer quiz
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
Computer Terms Quiz by Charles Hartley
|
||
public domain
|
||
|
||
This is a little something that I put together to use with my
|
||
computer classes several years ago. Essentially what it does is let you
|
||
take quizzes on two different sets of computer terms. It is set up in a
|
||
matching format, that is all of the terms are displayed on the screen and
|
||
the definition to match is displayed at the bottom. You use the arrow keys
|
||
to move the cursor to the correct term and then press return. The term is
|
||
then marked as either correct or incorrect.
|
||
|
||
Once you finish the quiz, the program displays for you all the terms
|
||
that you did not know along with their definitions. Then it returns you to
|
||
the menu where you can choose to take either test or quit.
|
||
|
||
The program requires 80 column display. Hope you enjoy it.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
BUNNY.GAME.BXY File #17118 14336 bytes Toddler game
|
||
'''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''
|
||
Gillian's Bunny Game
|
||
public domain
|
||
|
||
|
||
In his long description of the upload, Dean Esmay said, "This game
|
||
was written for a two-year-old. Loosely based on the story of Peter
|
||
Rabbit, it helps teach keyboarding skills, but is mostly just for fun. The
|
||
program uses graphics and sound as the player tries to help the rabbit get
|
||
carrots and avoid the farmer. A doc file is included describing how the
|
||
program works. Originally uploaded by T.DAWSON, this has been re-uploaded
|
||
to conform to the .BXY standard to save space and alleviate confusion. No
|
||
other changes have been made."
|
||
|
||
In his documentation file that accompanies the program, Gillian's dad
|
||
said, "Toddlers constantly challenge themselves; they want to feel grown up
|
||
and share adult experiences. Any parent using a computer sees a lot of
|
||
this. So it is that an aspiring programmer and a two-year-old daughter are
|
||
a combination that can lead to only one thing: late night sessions at the
|
||
Apple as Dad tries to come up with software that will be enjoyable and
|
||
challenging for his child."
|
||
|
||
I think it is safe to say that Mr. Dawson has succeeded. :) This
|
||
rather simple game is the kind of stuff that we should see more of for the
|
||
8 bit Apples.
|
||
|
||
Mr. Dawson goes on to say, "I wanted to give my daughter a program
|
||
that would contain the positive elements which attracted her, ... the sense
|
||
of accomplishment for moving an object around on the screen, and pride in
|
||
using the computer. I wanted to create a game that could challenge yet be
|
||
easily mastered by a two-year-old, giving positive feedback while
|
||
minimizing frustrating elements and mistakes. GILLIAN'S BUNNY GAME was the
|
||
result.
|
||
|
||
"Requiring only the use of the arrow keys on a IIe or IIc, or the
|
||
I-J-K-M keys on a II+, it is easy for a small child to play and needs only
|
||
minimal assistance from a parent to start. Once your child is familiar
|
||
with the game, she or he can readily run the entire program, start to
|
||
finish."
|
||
|
||
Not only has Mr. Dawson provided us with a neat game for very young
|
||
children, he has also provided much information in the documentation file
|
||
to assist anyone who might be interested in learning how the program works
|
||
from a programming point of view.
|
||
|
||
If you have a toddler, get this program and check it out.
|
||
|
||
|
||
[*][*][*]
|
||
|
||
That's it for this month. I hope you have found something here to
|
||
whet your interest. Drop me a line and let me know what you think of this
|
||
column and offer any suggestions you might have about what should be in it.
|
||
|
||
|
||
Until next time, happy downloading!
|
||
|
||
-- Charlie Hartley
|
||
|
||
|
||
|
||
[EOA]
|
||
[FRM]//////////////////////////////
|
||
WHO'S WHO IN A2 AND A2PRO? /
|
||
/////////////////////////////////
|
||
RoundTable Staff Lists
|
||
""""""""""""""""""""""
|
||
by Bill Dooley
|
||
[A2.BILL]
|
||
|
||
|
||
|
||
The Apple II RoundTable staff:
|
||
|
||
Gary Utter Chief Sysop GARY.UTTER
|
||
Lunatic E'Sex Asst. Sysop/Promotions Manager A2.LUNATIC
|
||
|
||
Bill Dooley Bulletin Board Editor A2.BILL
|
||
Susan MacGregor Real Time Conference Manager A2.SUSAN
|
||
Tony Ward Chief Librarian A2.TONY
|
||
|
||
Richard Bennett Special Projects RICHARD.B
|
||
Chuck Newby Disk of the Month Editor A2.CHUCK
|
||
Greg Schreurs Marketing Assistant G.SCHREURS1
|
||
Brian Tao Internet Access B.TAO
|
||
Tim Tobin Lost Classics/Fonts A2.TIM
|
||
|
||
Library staff:
|
||
|
||
Bob Cherry Graphics BOB.CHERRY
|
||
Bill Goosey Telecommunications & Misc. GOOSE
|
||
Pat Kern Clip Art & graphics C.KERN1
|
||
Tom Zuchowski 8-bit games & utilities T.ZUCHOWSKI
|
||
|
||
Real-Time Conference (RTC) staff:
|
||
|
||
Cindy Adams Bewitched, Bothered, Bewildered C.ADAMS11
|
||
Mike Garvey TBC Forum TBC
|
||
Harold Hislop Hardware Hackers Hangout H.HISLOP
|
||
Tim Kellers The ProDOS Palace KELLERS
|
||
Doug Pendleton Hardware Hackers Hangout H.PENDLETON2
|
||
Gina Saikin II Speak / Friday Follies / A2.GENA
|
||
Bewitched, Bothered, Bewildered
|
||
Eric Shepherd Games POWERPC.PRO
|
||
Jim Zajkowski Games / Apple Working JIMZ
|
||
|
||
|
||
The Apple II Programmers RoundTable staff:
|
||
|
||
HangTime Chief Sysop/RTC Host HANGTIME
|
||
|
||
Tim Buchheim GEnieLamp Asst./RTC Host T.BUCHHEIM
|
||
Greg Da Costa A2U Coordinator A2PRO.GREG
|
||
Dave Miller Promotions Manager/RTC Host JUST.DAVE
|
||
Jeff Rash RTC Host GS.OZONEMAN
|
||
Nathaniel Sloan Assistant Sysop/RTC Host A2PRO.HELP
|
||
Nate Trost GEnieLamp/BB Editor A2PRO.GELAMP
|
||
Brian Wells RTC Host B.WELLS5
|
||
Todd P. Whitesel Assistant/Librarian A2PRO.TODDPW
|
||
|
||
|
||
Dean Esmay (DEAN.ESMAY), heads the SyndiComm family of RoundTables here on
|
||
GEnie:
|
||
|
||
Apple II RoundTable Page 645
|
||
Apple II Programmers & Developers RoundTable Page 530
|
||
Macintosh RoundTable Page 605
|
||
Macintosh Programmers & Developers RoundTable Page 480
|
||
Macintosh Product Support RoundTable Page 606
|
||
Newton RoundTable Page 1540
|
||
PowerPC RoundTable Page 1435
|
||
PowerPC Programmers RoundTable Page 1440
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
//////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ What am I still doing here??? Hmmm...could be inertia. :) /
|
||
/ Mainly it's the fact that Apple people are by _far_ the /
|
||
/ friendliest computer users. /
|
||
////////////////////////////////////////////// PUNKWARE ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[LOG]//////////////////////////////
|
||
LOG OFF /
|
||
/////////////////////////////////
|
||
GEnieLamp Information
|
||
"""""""""""""""""""""
|
||
|
||
o COMMENTS: Contacting GEnieLamp
|
||
|
||
o GEnieLamp STAFF: Who Are We?
|
||
|
||
|
||
|
||
GEnieLamp Information GEnieLamp is published on the 1st of every month
|
||
""""""""""""""""""""" on GEnie page 515. You can also find GEnieLamp on
|
||
the main menus in the following computing RoundTables.
|
||
|
||
|
||
RoundTable Keyword GEnie Page RoundTable Keyword GEnie Page
|
||
|
||
"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
DigiPub DIGIPUB 1395 Atari ST ST 475
|
||
Macintosh MAC 605 IBM PC IBMPC 615
|
||
Apple II A2 645 Apple II Dev. A2PRO 530
|
||
Macintosh Dev. MACPRO 480 Geoworks GEOWORKS 1050
|
||
BBS BBS 610 CE Software CESOFTWARE 1005
|
||
Mini/Mainframe MAINFRAME 1145 Programming PROGRAMMING 1445
|
||
Data Comm. DATACOMM 1450 Windows WINDOWS 1335
|
||
|
||
GEnieLamp is also distributed on CrossNet and many public and
|
||
commercial BBS systems worldwide.
|
||
|
||
o To reach GEnieLamp on Internet send mail to genielamp@genie.geis.com
|
||
|
||
o Current issues of all versions of GEnieLamp are File Requestable
|
||
(FREQable) via FidoNet (Zones 1 through 6) from 1:128/51 and via
|
||
OURNet (Zone 65) from 65:8130/3. SysOps should use the following
|
||
"magic names" to request the current issue of the indicated
|
||
GEnieLamp platform (FREQ FILES for names of back issues of GEnieLamp
|
||
IBM):
|
||
|
||
Platform Magic Name To Use
|
||
"""""""" """""""""""""""""
|
||
GEnieLamp IBM .................. GLIBM
|
||
GEnieLamp ST ................... GLST
|
||
GEnieLamp A2Pro ................ GLA2PRO
|
||
GEnieLamp Macintosh ............ GLMAC
|
||
GEnieLamp TX2 .................. GLTX2
|
||
GEnieLamp A2 ................... GLA2
|
||
GEnieLamp Windows .............. GLWIN
|
||
|
||
o Back issues of GEnieLamp are available in the DigiPub RoundTable
|
||
Library #2 on page 1395 (M1395;3).
|
||
|
||
o GEnieLamp pays for articles submitted and published with online GEnie
|
||
credit time. Upload submissions in ASCII format to library #42 in
|
||
the DigiPub RoundTable on page 1395 (M1395;3) or Email it to
|
||
GENIELAMP. On Internet send it to: genielamp@genie.geis.com
|
||
|
||
o We welcome and respond to all E-Mail. To leave comments, suggestions
|
||
or just to say hi, you can contact us in the DigiPub RoundTable
|
||
(M1395) or send GE Mail to John Peters at [GENIELAMP] on page 200.
|
||
|
||
o If you would like to meet the GEnieLamp staff "live" we meet every
|
||
Wednesday night in the Digi*Pub Real-Time Conference at 9:00 EDT
|
||
(M1395;2).
|
||
|
||
o The Digital Publishing RoundTable is for people who are interested in
|
||
pursuing publication of their work electronically on GEnie or via
|
||
disk-based media. For those looking for online publications, the
|
||
DigiPub Software Libraries offer online magazines, newsletters,
|
||
short-stories, poetry and other various text oriented articles for
|
||
downloading to your computer. Also available are writers' tools and
|
||
'Hyper-utilties' for text presentation on most computer systems. In
|
||
the DigiPub Bulletin Board you can converse with people in the
|
||
digital publishing industry, meet editors from some of the top
|
||
electronic publications and get hints and tips on how to go about
|
||
publishing your own digital book. The DigiPub RoundTable is the
|
||
official online service for the Digital Publishing Association. To
|
||
get there type DIGIPUB or M1395 at any GEnie prompt.
|
||
|
||
|
||
|
||
>>> GEnieLamp STAFF <<<
|
||
"""""""""""""""""""""""
|
||
|
||
GEnieLamp o John Peters [GENIELAMP] Publisher/Editor
|
||
"""""""""
|
||
|
||
IBM o Bob Connors [DR.BOB] IBM EDITOR
|
||
""" o Nancy Thomas [N.NOWINSON] MultiMedia Editor/Writer
|
||
o Brad Biondo [B.BIONDO] IBM Staff Writer
|
||
o Tika Carr [T.CARR4] IBM Staff Writer
|
||
o Dave Nienow [D.NIENOW] IBM Staff Writer
|
||
o Don Lokke [D.LOKKE] Cartoonist
|
||
|
||
WINDOWS o Tippy Martinez [WIN.LAMP] WINDOWS EDITOR
|
||
""""""" o John Osarczuk [J.OSARCZUK] Asst Editor/Columnist
|
||
o Rick Ruhl [RICKER] Windows Sysop/Columnist
|
||
o Brad Biondo [B.BIONDO] Windows Staff Writer
|
||
o Rick Pitonyak [R.PITONYAK] Windows Staff Writer
|
||
o Ed Williams [E.WILLIAMS24] Windows Staff Writer
|
||
o Dave Nienow [D.NIENOW] Windows Staff Writer
|
||
|
||
MACINTOSH o Richard Vega [GELAMP.MAC] MACINTOSH EDITOR
|
||
""""""""" o Tom Trinko [T.TRINKO] Mac Staff Writer
|
||
o Bret Fledderjohn [FLEDDERJOHN] Mac Staff Writer
|
||
o Ricky J. Vega [GELAMP.MAC] Mac Staff Writer
|
||
|
||
ATARI ST o John Gniewkowski [GENIELAMP.ST] ATARI ST EDITOR
|
||
"""""""" o Mel Motogawa [M.MOTOGAWA] ST Staff Writer
|
||
o Sheldon Winick [S.WINICK] ST Staff Writer
|
||
o Terry Quinn [TQUINN] ST Staff Writer
|
||
o Richard Brown [R.BROWN30] ST Staff Writer
|
||
o Al Fasoldt [A.FASOLDT] ST Staff Writer
|
||
o Fred Koch [F.KOCH] ST Staff Writer
|
||
|
||
ATARI ST/TX2 o Cliff Allen [C.ALLEN17] EDITOR/TX2
|
||
""""""""""""
|
||
|
||
ATARI [PR] o Bruce Faulkner [R.FAULKNER4] EDITOR/GEnieLamp [PR]
|
||
""""""""""
|
||
APPLE II o Doug Cuff [EDITOR.A2] EDITOR
|
||
"""""""" o Phil Shapiro [P.SHAPIRO1] A2 Staff Writer
|
||
o Darrel Raines [D.RAINES] A2 Staff Writer
|
||
o Gina E. Saikin [A2.GENA] A2 Staff Writer
|
||
o Charlie Hartley [C.HARTLEY3] A2 Staff Writer
|
||
|
||
A2Pro o Nate C. Trost [A2PRO.GELAMP] EDITOR
|
||
""""" o Tim Buchheim [T.BUCHHEIM] Co-Editor
|
||
|
||
ETC. o Jim Lubin [J.LUBIN] Add Aladdin Scripts
|
||
"""" o Scott Garrigus [S.GARRIGUS] Search-ME!
|
||
o Mike White [MWHITE] (oo) / DigiPub SysOp
|
||
o Susie Oviatt [SUSIE] ASCII Artist
|
||
o Al Fasoldt [A.FASOLDT] Contributing Columnist
|
||
o Phil Shapiro [P.SHAPIRO1] Contributing Columnist
|
||
o Sandy Wolf [S.WOLF4] Contributing Columnist
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||
|
||
|
||
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Bulletin board messages are reprinted verbatim, and are included in
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Material published in this edition may be reprinted under the follow-
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(c) Copyright 1994 T/TalkNET Online Publishing and GEnie. To join
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GEnie, set your modem to 2400 baud (or less) and half duplex (local
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[EOF]
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