2760 lines
134 KiB
Erlang
2760 lines
134 KiB
Erlang
|
||
|
||
|||||| |||||| || || |||||| ||||||
|
||
|| || ||| || || ||
|
||
|| ||| |||| |||||| || |||| Your
|
||
|| || || || ||| || ||
|
||
|||||| |||||| || || |||||| |||||| GEnieLamp Apple II
|
||
|
||
|| |||||| || || |||||| RoundTable
|
||
|| || || ||| ||| || ||
|
||
|| |||||| |||||||| |||||| RESOURCE!
|
||
|| || || || || || ||
|
||
||||| || || || || ||
|
||
|
||
~ Wow! 1ST ANNUAL GEnieLamp SWIMSUIT ISSUE! ~
|
||
~ I BECAME A REAL GEnie JUNKIE ~
|
||
~ WHO'S WHO IN APPLE II ~
|
||
~ ASK DOCTOR BOB ~
|
||
~ HOT FILES, HOT MESSAGES, HOT REVIEWS ~
|
||
|
||
\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////////////
|
||
GEnieLamp A2 ~ A T/TalkNET OnLine Publication ~ Vol.2, Issue 12
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
Press <RETURN> or <S>croll?S
|
||
Publisher.................................GEnie Information Services
|
||
Editor-In-Chief........................................John Peters
|
||
Editor.............................................Darrel Raines
|
||
|
||
~ GEnieLamp IBM ~ GEnieLamp [PR]/TX2 ~ GEnieLamp ST ~ GEnieLamp A2 ~
|
||
~ GEnieLamp MacPRO ~ GEnieLamp A2Pro ~ GEnieLamp Macintosh ~
|
||
~ Member Of The Digital Publishing Association ~
|
||
////////////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
|
||
|
||
>>> WHAT'S HAPPENING IN THE APPLE II ROUNDTABLE? <<<
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
~ March 1, 1993 ~
|
||
|
||
FROM MY DESKTOP ......... [FRM] APPLE_TALK .............. [TAL]
|
||
Notes From The Editor. Apple II Corner.
|
||
|
||
HEY MISTER POSTMAN ...... [HEY] HUMOR ONLINE ............ [HUM]
|
||
Is That A Letter For Me? By Any Other Name...
|
||
|
||
ASK DOCTOR BOB .......... [ASK] LAMP_WIRE ............... [LAM]
|
||
Gotta Problem? Gotta Answer! Late Breaking A2 News.
|
||
|
||
CowTOONS! ............... [COW] REFLECTIONS ............. [REF]
|
||
GEnieLamp Swimsuit Issue. Thinking Online Communications.
|
||
|
||
LIFESTYLES .............. [LIF] TELETALK ONLINE ......... [TEL]
|
||
I Became A Real GEnie Junkie! Online Communications.
|
||
|
||
THE MIGHT QUINN ......... [QUI] PROFILES ................ [PRO]
|
||
Random Access. Who's Who In Apple II.
|
||
|
||
THE ONLINE LIBRARY ...... [LIB] ONLINE FUN .............. [FUN]
|
||
Yours For The Downloading. Search-ME!
|
||
|
||
APPLE II ................ [AII] LOG OFF ................. [LOG]
|
||
Apple II History, Part 10. GEnieLamp Information.
|
||
|
||
[IDX]"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
READING GEnieLamp GEnieLamp has incorporated a unique indexing
|
||
""""""""""""""""" system to help make reading the magazine easier.
|
||
To utilize this system, load GEnieLamp into any ASCII word processor
|
||
or text editor. In the index you will find the following example:
|
||
|
||
HUMOR ONLINE ............ [HUM]
|
||
[*]GEnie Fun & Games.
|
||
|
||
To read this article, set your find or search command to [HUM]. If
|
||
you want to scan all of the articles, search for [EOA]. [EOF] will take
|
||
you to the last page, whereas [IDX] will bring you back to the index.
|
||
|
||
MESSAGE INFO To make it easy for you to respond to messages re-printed
|
||
"""""""""""" here in GEnieLamp, you will find all the information you
|
||
need immediately following the message. For example:
|
||
|
||
(SMITH, CAT6, TOP1, MSG:58/M475)
|
||
_____________| _____|__ _|___ |____ |_____________
|
||
|Name of sender CATegory TOPic Msg.# Page number|
|
||
|
||
In this example, to respond to Smith's message, log on to page
|
||
475 enter the bulletin board and set CAT 6. Enter your REPly in TOPic 1.
|
||
|
||
A message number that is surrounded by brackets indicates that this
|
||
message is a "target" message and is referring to a "chain" of two
|
||
or more messages that are following the same topic. For example: {58}.
|
||
|
||
ABOUT GEnie GEnie costs only $4.95 a month for unlimited evening and
|
||
""""""""""" weekend access to more than 100 services including
|
||
electronic mail, online encyclopedia, shopping, news, entertainment,
|
||
single-player games, multi-player chess and bulletin boards on leisure
|
||
and professional subjects. With many other services, including the
|
||
largest collection of files to download and the best online games, for
|
||
only $6 per hour (non-prime-time/2400 baud). To sign up for GEnie
|
||
service, call (with modem) 1-800-638-8369. Upon connection type HHH.
|
||
Wait for the U#= prompt. Type: XTX99368,GENIE and hit RETURN. The system
|
||
will then prompt you for your information.
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
|
||
|
||
//////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "I do want to thank each and everyone of you, for all your /
|
||
/ input & help.. This is what GEnie'ing is all about!!" /
|
||
///////////////////////////////////////////// T.EVANS21 ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[FRM]//////////////////////////////
|
||
FROM MY DESKTOP /
|
||
/////////////////////////////////
|
||
Notes From The Editor
|
||
"""""""""""""""""""""
|
||
By John Peters
|
||
[GENIELAMP]
|
||
|
||
|
||
|
||
FROM MY DESKTOP A GEnieLamp Swimsuit issue? Yup! Hey, if SI can do it,
|
||
""""""""""""""" why not GEnieLamp? Our resident CowToonist says, "These
|
||
bovine barnyard bathing beauties are truly livestock lovelies, heavenly
|
||
heifers, stockyard stunners, and Cowtoon Cuties. They should be udderly
|
||
amoosing to anyone who never thought they'd see cows in 2-piece swimsuits."
|
||
I agree! Definitely something you don't want to miss!
|
||
|
||
AMAZING! Ten years ago I thought a 30 to 50K magazine was large. Now
|
||
"""""""" it's unusual for T/TalkNET Online Publications to publish a
|
||
magazine less then 150K. Of course, there are reasons for this situation.
|
||
For one, 300 baud modems were the norm back then; 1200 baud was the top end
|
||
and 2400 baud was reserved for the elite few who could afford them.
|
||
Secondly, those who could afford it, had 64K of RAM. Third, floppy drives
|
||
were $800.00+, and hard drives were just a fantasy to most of me.
|
||
Thankfully, all of that has changed. Today 2400 baud is the low end of
|
||
modems, 1, 2, 4 megs (or more) of RAM is not unusual and hard drives are as
|
||
common as floppies.
|
||
|
||
Still, in spite of the speed-demon modems, the mega-memory systems and
|
||
the monster hard drives, I must admit that 200K text files are probably
|
||
pushing the limits of online publishing, considering the hardware and
|
||
software we are dealing with today. So....
|
||
|
||
I have come up with an alternative plan. As you may or may not know
|
||
within 48 hours of publishing GEnieLamp on the menus we also offer all the
|
||
Lamps in compressed format (Pk-Zip for the IBM, Mac and ST, BXY for the A2)
|
||
for downloading in the GEnieLamp Library. Starting with this issue you
|
||
will now also find an abbreviated issue available for downloading as well.
|
||
These special issues will contain only the main courses from each of the
|
||
Lamps. That is, no GEnie_Qwik_Quotes, no games or puzzles, or CowTOONS
|
||
(sorry, Mike :). So, if you prefer your meat without the potatoes, we
|
||
have what you're looking for!
|
||
|
||
NEW CONTRIBUTOR I am pleased to announce that Al Fasoldt has agreed to
|
||
""""""""""""""" submit a monthly column for GEnieLamp. Al writes about
|
||
computers and consumer electronics from Syracuse, N.Y., where he is a
|
||
newspaper editor and programmer. I've always enjoyed Al's columns that he
|
||
occasionally posts here on GEnie, and I think you will too.
|
||
|
||
PACIFIC EDGE ON GEnie! The Pacific Edge Magazine has joined the GEnieLamp
|
||
"""""""""""""""""""""" RoundTable. Watch for new issues in the library
|
||
and reader support in the bulletin board.
|
||
|
||
PERSONAL INVITATION The RealTime Conference room is available...so let's
|
||
""""""""""""""""""" give it a go! I know this is short notice, but
|
||
everyone interested in visiting with the Digital Publishing Association and
|
||
its members is welcome to join in some RTC chat every Wednesday night.
|
||
Drop by...
|
||
6:30pm Pacific 8:30pm Central
|
||
7:30pm Mountain 9:30pm Eastern
|
||
|
||
...to talk about these exciting times for electronic publishing. Make
|
||
a new friend, meet an old one, or just hang out. It's all informal so
|
||
don't be shy -- give it a try -- and visit the inner sanctum of DPA's
|
||
enlightened pioneers of electronic publishing. Hope we see you there!
|
||
|
||
|
||
Digital Publishing News "Disktop Publishing"...Yes, that was the headline
|
||
""""""""""""""""""""""" in the "Trends" section of PC Magazine's March
|
||
16 issue. The two column story by Robert Kendall begins by saying Random
|
||
House is putting selected titles from its Modern Library series on floppy
|
||
disks in collaboration with Apple and Voyager Company.
|
||
|
||
But the rest of his story focuses on the "new breed" of on-disk
|
||
publishers targeting the PC-compatible market. First mention goes to
|
||
Floppyback Publishing International, Bruce Gilkin's "Angel of Death", and
|
||
even a color screen shot of chapter one as it looks using Dart (a
|
||
Hyper-text reader for IBM).
|
||
|
||
Floppyback's association with Rutgers University Press is also cited
|
||
along with "Discovering the Mid-Atlantic: Historical Tours" by Patrick
|
||
Louis Cooney.
|
||
|
||
Next, Mr. Kendall goes on to say Connected Editions "epitomizes the
|
||
effect of information technology on higher education" through Connected
|
||
Education's electronic graduate courses by modem. Faculty member David
|
||
Hays' annually updated book on disk "Evolution of Technology" is mentioned
|
||
as an example of an inexpensive way to revise without the prohibitive
|
||
expense of bound paper reprints.
|
||
|
||
The story quickly summarizes most of the advantages DPA members
|
||
already know and use, so it seems the author has been reading News from the
|
||
Disktop and the other gems of information that Ron Albright has diligently
|
||
distributed for two years.
|
||
|
||
Kendall offers his own opinion that "Disktop publishing is especially
|
||
appealing for universities" for monographs and text- books using hypertext
|
||
as a research tool, and for students on a low budget who want to get into
|
||
'print' quickly.
|
||
|
||
Regarding distribution, Kendall unfortunately failed to mention the
|
||
DPA's home on GEnie, (in the GEnieLamp RoundTable) but he did call the
|
||
DPA's free bulletin board system an "especially rich source of material."
|
||
|
||
Since the PC Mag story appeared, the DPA BBS is averaging about 40
|
||
calls per day. That's 1200 calls per month, and proof positive that the
|
||
public wants more of what the DPA has to offer.
|
||
|
||
I once said something to the effect that this thing was going to take
|
||
off suddenly, catching us all with our mouths hanging open. Brace
|
||
yourselves! The tide is turning and is sure to flood the DPA beachfront as
|
||
this kind of attention roils into an electronic storm charged with new
|
||
writers, publishers, and adventurers. -Mike White
|
||
|
||
[*][*][*]
|
||
|
||
|
||
Until next month...
|
||
John Peters
|
||
[GENIELAMP]
|
||
|
||
|
||
////////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "I just purchased a cordless electric screwdriver. There /
|
||
/ are two pages (31 items!) of "Important Safety Rules" for /
|
||
/ using the screwdriver -- including such things as "wear /
|
||
/ hearing protection during extended periods of operation", /
|
||
/ "stay alert", and "do not operate while under the /
|
||
/ influence of drugs, alcohol, or any medication". Sheesh. /
|
||
/ It's just a simple electric screwdriver. Heaven forbid you /
|
||
/ can't figure out how to use it. They forgot a warning about /
|
||
/ being severely irritated by all of the warnings." /
|
||
///////////////////////////////////////////// J.EIDSVOOG1 ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[TAL]//////////////////////////////
|
||
APPLE_TALK /
|
||
/////////////////////////////////
|
||
Apple II Corner
|
||
"""""""""""""""
|
||
By Darrel Raines
|
||
[D.RAINES]
|
||
|
||
I want to thank everyone who took the time to send me GE Mail feedback
|
||
after reading last month's edition of GEnieLamp. The responses were all
|
||
positive. It is nice to know that we are doing some things right. On the
|
||
other hand, I did not get very many replies compared to the number of times
|
||
that the A2 GEnieLamp is downloaded. I will continue to solicit your
|
||
opinions and ideas. We are always open to suggestion or constructive
|
||
criticism. These will help make our product offering stronger as we
|
||
continue to improve.
|
||
|
||
Now that there are separate issues of GEnieLamp for the A2 and A2Pro
|
||
areas, we can focus on different subject matter for each of the two
|
||
newsletters. I envision the A2 version having an eye toward the new user.
|
||
I think that the game and entertainment fields fall into our domain. And
|
||
finally, I see the education market as one of our prime areas. These are
|
||
not the boundaries of our focus, but they represent some of the major areas
|
||
that we intend to cover.
|
||
|
||
With this somewhat narrowed focus in mind, we have begun to put
|
||
together articles that meet the needs of these groups. This issue has an
|
||
article by Gina Saikin chronicling the trails and tribulations of a new
|
||
Apple II user. Any of you who have "met" Gina on GEnie know that she has
|
||
quickly become adept at using her computer. Next month, we will continue
|
||
this trend by reviewing the most recent computer game for the Apple IIgs:
|
||
Out of This World. And believe me, it is most certainly not of this world.
|
||
|
||
Our monthly content will vary, but we hope that you can see the
|
||
results of our new alignment. Programming and highly technical articles
|
||
will appear in A2Pro newsletters. The areas that I have outlined above
|
||
will appear in A2 newsletters. Both versions of GEnieLamp will strive for
|
||
well-written and informative articles. As always, let us know how we are
|
||
doing.
|
||
|
||
[*][*][*]
|
||
|
||
|
||
As was noted in the last issue of A2 GEnieLamp, the latest version of
|
||
GEnie Master (GEM) has been released as freeware to the Apple II community.
|
||
This software package will allow you to use your terminal software and
|
||
Appleworks 3.0 to automate your GEnie sessions. If you have never tried
|
||
this nifty package, then there has never been a better time than the
|
||
present. You can significantly reduce you online time on GEnie. At the
|
||
same time, you can get more information and software than was ever possible
|
||
while using GEnie "manually". Download the GEM software and check out what
|
||
you have been missing. Do it today and start saving dollars tomorrow.
|
||
|
||
|
||
Author and editor Darrel Raines [D.Raines] welcomes any feedback or
|
||
""""""""""""""""" comments via electronic mail to the listed user name.
|
||
|
||
[*][*][*]
|
||
|
||
|
||
CORRECTION Last month's interview with Mike Westerfield was conducted by
|
||
"""""""""" GEnieLamp editor Darrel Raines. Phil Shapiro usually
|
||
conducts the monthly interviews. However, because of the nature of The
|
||
ByteWorks products (programming tools) and his interest in software
|
||
development, Darrel was the GEnieLamp spokesman for that interview.
|
||
|
||
|
||
//////////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "Wow Ringo, was that you? I didn't get a chance to say hello. /
|
||
/ I was too busy jammin' with Jeff. (I can't believe I played /
|
||
/ the drums... I don't _play_ the drums.) It's a good thing /
|
||
/ the management made me quit, eh?" /
|
||
////////////////////////////////////////////////////// MUSE ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[HEY]//////////////////////////////
|
||
HEY MISTER POSTMAN /
|
||
/////////////////////////////////
|
||
Is That A Letter For Me?
|
||
""""""""""""""""""""""""
|
||
By Darrel Raines
|
||
[D.RAINES]
|
||
|
||
|
||
o APPLE II ODDS & ENDS
|
||
|
||
o WHAT'S NEW?
|
||
|
||
o THROUGH THE GRAPEVINE...
|
||
|
||
o MESSAGE SPOTLIGHT
|
||
|
||
|
||
|
||
>>> A2 ODDS & ENDS <<<
|
||
""""""""""""""""""""""
|
||
|
||
GNO CONFUSION GNO is one of those bizarre things that constantly
|
||
""""""""""""" confuses everyone, including myself. :-) Things GNO does
|
||
do:
|
||
|
||
o Turns the IIGS into a low (low) cost UNIX machine.
|
||
|
||
o Lets you run UNIX software (as long as someone has taken the time
|
||
to port it to the IIgs).
|
||
|
||
o Makes serial port programming almost trivial, and very powerful.
|
||
|
||
Things GNO does not do:
|
||
|
||
o Run multiple desktop applications
|
||
|
||
Okay, there are a few other things GNO doesn't do but those relate to
|
||
the UNIX compatibility stuff. You can have any number of UNIX style (text,
|
||
shell- based) applications running, _with_ a desktop program of your choice
|
||
if you like. The multitasking is actual preemptive multitasking, which
|
||
means that programs waiting for I/O do not eat processor time (unlike
|
||
MultiFinder, although System 7 took a few steps to alleviate that), and the
|
||
system can automatically schedule how much CPU time a program gets based on
|
||
its behavior. With GNO, you can be in a telecom program, download a .SHK
|
||
file, then open a window and use the shell-based unshrinkit program to
|
||
uncompress it in the background while reading messages, or whatever. GNO
|
||
also works with Switch-It!, so you can have your multiple desktop
|
||
applications and eat them too. GNO is fully compatible with the ORCA
|
||
programming environment. GNO can do things that would be difficult in
|
||
MultiFinder. Much of our current work is moving towards complete
|
||
integration of the shell and GUI environments, much like expensive UNIX
|
||
systems have been. I guess the best thing about GNO is that new programs
|
||
don't have to be written specifically for GNO in order to multitask. The
|
||
system handles it cleanly and inconspicuously (again, this does not yet
|
||
count desktop programs).
|
||
|
||
Well, this message is quite long enough, I think. :-) I'll be more
|
||
than happy to answer any questions or listen to suggestions.
|
||
(PROCYON.INC, CAT8, TOP3, MSG:12/M645;1)
|
||
|
||
|
||
___
|
||
SYSTEM 6.0 |he Finder in System 6.0 completely ignores any icon files it
|
||
"""""""""" finds called Finder.Icons or Finder.Icons.X. It does this
|
||
because these icons are now incorporated into the Finder program itself (in
|
||
the resource fork). If you wish to use any custom icons you may have put
|
||
in Finder.Icons or Finder.Icons.X, do the following: Go into your favorite
|
||
icon editor and open those two files. Now, create a brand NEW file. Copy
|
||
the icons that you want to keep from the two old files into the one new
|
||
file. Save the new file in the Icons folder of your _boot_ disk, with a
|
||
unique name (something like System.Icons or OldFinder.Icons, etc.).
|
||
Completely remove those old files from any Icons folders.
|
||
|
||
___
|
||
|he FType.Apple file in System 6.0 is not an icon file. It replaces
|
||
the files Ftype.Main and FType.Aux from System 5.0.x. You need the
|
||
FType.Apple file for Finder in System 6.0 to function properly. You do not
|
||
need the other two older files. Everything from them is now contained in
|
||
FType.Apple. What's in these files are lists of names for file types, such
|
||
as "Binary file" and "Folder" and "Super Hi-Res Screen Image" etc. These
|
||
are the names that show up when you do an "Icon Info..." on a file, or are
|
||
viewing a window in a list view ("By Name," etc.). A few other programs,
|
||
such as GSHK, use these files, as well.
|
||
(A2.LUNATIC, CAT9, TOP2, MSG:151/M645;1)
|
||
|
||
|
||
LOOKING FOR A DRIVE? A larger drive will normally come out with a lower
|
||
"""""""""""""""""""" cost per meg. Economies of scale come into play.
|
||
|
||
Ask yourself the following questions....
|
||
|
||
1. How much storage capacity do you NEED?
|
||
|
||
2. How much can you comfortably spend?
|
||
|
||
3. How much need do you have to be able to interchange files with
|
||
someone else in large quantity?
|
||
|
||
The best overall bargain for increased storage is a medium capacity
|
||
fixed drive, something like a Quantum in the 200 meg range. The cost per
|
||
meg is somewhat higher than a gigabyte drive, but your overall cost is a
|
||
lot lower. :) (If you don't NEED a gig, why pay for it?)
|
||
(GARY.UTTER, CAT11, TOP16, MSG:114/M645;1)
|
||
|
||
|
||
GEM 4.20 HELP
|
||
"""""""""""""
|
||
> When loading GEM 4.20, I sometimes get the "Msg" file loaded in
|
||
> automatically into the "msg.in.process" file and sometimes not. What
|
||
> command can I use to get this done in some sort of consistent fashion?
|
||
|
||
1) Captured bulletin board messages are saved as an ASCII
|
||
text file called msg, appending (usually -- this is a
|
||
telecomm program setting) new ones, if a msg file is
|
||
already on the disk.
|
||
|
||
2) GEM then converts a msg file into an AWP msg.in.process
|
||
file for your use, deletes the msg file and saves the
|
||
msg.in.process file temporarily to your disk. However,
|
||
if the msg file is too large for comfortable use in
|
||
AppleWorks, GEM Chopper will be called into action to
|
||
divide the msg file into bite-size chunks (I think the
|
||
default is 25K), renaming them as msg.a, msg.b, msg.c,
|
||
and so on.
|
||
|
||
3) When you boot GEM, it first scans your disk for a
|
||
remaining msg.in.process file, which would be saved if
|
||
you chose to "mark it for later" (Quit Menu, #3). If it
|
||
finds one, it loads it first, leaving the msg file
|
||
unchanged.
|
||
|
||
4) When you quit the msg.in.process file, GEM scans the
|
||
disk for any remaining msg files. If it finds one, it
|
||
converts and loads it before quitting. If your msg file
|
||
has been chopped up(see paragraph #2, above), GEM will
|
||
keep loading the smaller msg files in order, until all
|
||
have been used.
|
||
|
||
5) If there is neither a msg nor a msg.in.process file on
|
||
your disk, GEM creates an empty msg.in.process file for
|
||
your use.
|
||
|
||
6) If you hold down the spacebar at bootup, you will go
|
||
directly to the Library subsystem, and no msg.in.process
|
||
file will be used or created.
|
||
|
||
7) When you quit GEM, items #1, #2 and #4 in the Quit Menu
|
||
will delete the msg.in.process file; items #3 and #5
|
||
will set a marker in the msg.in.process file and resave
|
||
it to your disk for later use (see paragraph #3,
|
||
above).
|
||
|
||
GEM is consistent (after all, it's a computer program :), if only you
|
||
know how it works. Does that help?
|
||
(W.NELKEN1, CAT29, TOP9, MSG:106/M645;1)
|
||
|
||
|
||
SCREEN SAVER KICKS IN TOO SOON
|
||
""""""""""""""""""""""""""""""
|
||
>I set the screen blanker in ProSel to one minute. Why does it kick in
|
||
>sometimes at once or after 5 to 10 seconds?
|
||
|
||
The blanker "kicks in" when the clock starts a new minute. That is,
|
||
when the seconds rolls from :59 to :00. So if your last keypress was at
|
||
:50, your screen will blank in 10 seconds. If it was at :10, then the blank
|
||
occurs 50 seconds later.
|
||
|
||
Watch the Prosel clock in the lower right corner. The blanking
|
||
happens on the minute.
|
||
(R.REEDY, CAT30, TOP2, MSG:41/M645;1)
|
||
|
||
|
||
RECOVERY FROM I/O ERRORS Error $27 is an I/O error, and that means
|
||
"""""""""""""""""""""""" there's a problem on the diskette itself, not
|
||
with something you're doing. There IS a trick that I've used to recover
|
||
stacks from disks with I/O errors: Use a copy program that will let you go
|
||
past a block read error (the only one I know of is Copy II+), and copy the
|
||
entire disk. Then, load the stack from the copied disk. If the I/O error
|
||
occurs in data that is just a background, you'll get a messed up screen
|
||
somewhere in the stack that can be re-painted, or whatever. If it's in the
|
||
middle of a sound segment, you can edit the button, and re-record or load
|
||
the sound. If it's in the middle of a card-to-card link field, you're
|
||
pretty much out of luck, but at least you tried! Because card backgrounds
|
||
and sounds are so much larger than link fields, you've got a xx out of xxxx
|
||
chance that this will all work. (I don't know the "real" odds, but I've
|
||
been lucky on the disks I've had problems with!). P.S. If the I/O error is
|
||
on one of the original HS disks, you can always send it back to RWP with a
|
||
note, and we'll replace the disk for you. (If your dog or kid was at the
|
||
root of the problem, it would be nice to include the $10 we usually charge
|
||
for a disk re-copy, but you'll get a replacement disk no matter what you
|
||
send). (ROGER.WAGNER, CAT32, TOP2, MSG:149/M645;1)
|
||
|
||
|
||
PRINTER PROBLEMS
|
||
""""""""""""""""
|
||
>When I print through TEACH or Universe Master, and use INTERNAL in my
|
||
>print setup, the first page prints beautifully but the second page
|
||
>reverts to a very large size font (the same font I was using). I haven't
|
||
>let it go any further than the second page, but I expect that these would
|
||
>also be in the large font size. I have 4-1/4 meg of memory and the latest
|
||
>versions of HARMONY and POINTLESS. My printer is a DJ 500C. I have to
|
||
>print one page at a time for documents over a page long (page 1 to page
|
||
>1, page 2 to page 2, etc.). Any suggestions?
|
||
|
||
I have seen this problem as well. As best as I can figure, the printer
|
||
is _NOT_ receiving the command to "shrink" the received page image for any
|
||
but the initial page. I see this same thing using EGOEd NDA. AWGS does
|
||
_not_ have this problem because it treats each page as the "first page",
|
||
sending a full page set-up description to the printer driver with each
|
||
page. TEACH, EGOEd, etc. do _not_. They simply send the page set-up info
|
||
prior to the first page and then assume that the printer (and driver) will
|
||
remember it. They dont. I have been awaiting a fix on this problem for more
|
||
than a year.
|
||
|
||
I'm glad you brought it back up. Maybe we will see some action on
|
||
this.
|
||
|
||
Lowell, you may remember me. I sent you a full package of printouts
|
||
illustrating this problem some time ago. As I recall, you forwarded this to
|
||
Bill H., but I have not heard back from you for some tine. I lost your last
|
||
message when I changed offices last semester.
|
||
|
||
Judging by how AWGS operates, the solution to this (and to printing
|
||
multipage, high resolution picture vis SuperConvert or What.A.Poster) is to
|
||
have the driver send the page set-up info after every form feed/ But, then
|
||
again, I am not a programmer. :)
|
||
(EBR2, CAT40, TOP14, MSG:219/M645;1)
|
||
|
||
|
||
WORDPERFECT AND A2 Just to add to the others, and give a little
|
||
"""""""""""""""""" additional information, I'll add the following about
|
||
WordPerfect for the Apple II:
|
||
|
||
I'm still using v2.1e for the GS, and my son is using the ][e/c
|
||
version on a Laser 128. Neither has found another word processor for our
|
||
respective machines that we prefer to use. I bought both shortly after WP
|
||
was introduced for the Apple ][. I have upgraded the gs version four
|
||
times, and considered it well worth the cost. WPGS has, IMHO, the best and
|
||
most extensive spell checker, I know of on a GS. It's Macro feature is
|
||
excellent, though I've never used AW 3.0 with enhancements for comparison.
|
||
I do have AWGS, and except for the ability to select fonts, WPGS is way
|
||
superior in ease of operation, and not subject to the occasional crashes
|
||
that seem common in AWGS. Far more functions can be handled by the
|
||
keyboard with WPGS, increasing speed of operation.
|
||
|
||
A friend, who owned a GS and used 5.0 at work asked to see my version.
|
||
She refused to go beyond the initial screen, because "It doesn't look
|
||
anything like the REAL program," and "it's still got the WRONG keyboard."
|
||
|
||
The manual gives no mention of support for the extended keyboard, so
|
||
you will not be able to get away from the different fingering for the same
|
||
features.
|
||
|
||
WPGS is a byproduct of an earlier, much less sophisticated version
|
||
than 5.1 for the IBM. The original release ran under p16, before the
|
||
release of GS/OS in any version. Notably, the extensive font changes
|
||
available in 5.1 are not available, and graphics cannot be imported into
|
||
the document and runarounds, etc, created. I do not have experience with
|
||
the IBM version, but understand both of these are available.
|
||
|
||
About 1 year or 18 months ago I received an upgrade offer that would
|
||
allow me to move "up" to WP for the IBM or Mac at a very reasonable fee.
|
||
If memory serves me accurately, in that mailing it was stated that they
|
||
would no longer support the ][gs or ][e/c versions of the program.
|
||
Specifically, no further upgrades would be produced, and no telephone
|
||
support would be available after a given date. I would be very surprised
|
||
if you could find a copy new, unless it's been sitting on someone's shelf
|
||
for quite a while.
|
||
|
||
Since then, GS/OS 6.0 has come along. I've found NO problems running
|
||
it under that system -- but the handwriting is on the wall. WPGS is not of
|
||
the future! (I.KNIGGE, CAT2, TOP4, MSG:45/M645;1)
|
||
|
||
|
||
|
||
>>> WHAT'S NEW? <<<
|
||
"""""""""""""""""""
|
||
|
||
PLATINUM PAINT UPGRADES If you bought it from Quality Computers, you can
|
||
""""""""""""""""""""""" upgrade your Platinum Paint by calling
|
||
1-800-777-3642. The upgrade costs $30 plus shipping and handling.
|
||
|
||
If you bought it from someone else (even directly from Beagle before
|
||
last summer) you will need to send in your original program disk, manual
|
||
cover, or some other proof of ownership. Beagle didn't keep very good
|
||
records of that stuff.
|
||
(QC, CAT42, TOP25, MSG:10/M645;1)
|
||
|
||
|
||
>Noticed an interesting offer in the February issue of A+/Incider. The
|
||
>Apple Clinic column says that Publish It! owners can buy Graphicwriter
|
||
>III for $60 plus an original program disk or manual cover. Is this
|
||
>accurate? Does the offer apply to the updated version of Graphicwriter
|
||
>III mentioned in the same article?
|
||
|
||
To trade up it's actually $60 plus $3.50 shipping and handling (just
|
||
send payment along with an original program disk or manual cover from any
|
||
DTP program!
|
||
|
||
You will receive the latest version of GWIII, which is version 1.1.
|
||
The v1.2 update was mentioned prematurely...v1.2 is in development, but
|
||
will not be out for several months (at which time all registered owners
|
||
will be able to update for a reasonable fee).
|
||
(SEVENHILLS, CAT43, TOP6, MSG:71/M645;1)
|
||
|
||
|
||
ANNOUNCING THE MANAGER! IIGS users can now benefit from the same
|
||
""""""""""""""""""""""" technology that Macintosh users enjoy--The
|
||
Manager(tm) is the first and only TRUE MultiFinder(tm) for your Apple IIGS!
|
||
Multiple applications can be open simultaneously and moving among them is
|
||
as simple as clicking in a different window. This is a tremendous time
|
||
saver because you don't have to quit one application to start using
|
||
another, which is especially convenient when copying and pasting between
|
||
applications.
|
||
|
||
Use The Manager to create your own integrated environment...just open
|
||
your favorite IIGS-specific word processing, painting, DTP, telecom and
|
||
other programs, then instantly move among them! It is fully compatible
|
||
with AppleWorks GS, GraphicWriter III, Platinum Paint, Teach, and more. It
|
||
even works with system extensions such as Express, Kangaroo, TransProg III,
|
||
and others.
|
||
|
||
DON'T SETTLE FOR A LIMITED "SWITCHER"--the Macintosh started with
|
||
this type of program but MultiFinder made it obsolete. Macintosh users
|
||
know from experience that a MultiFinder program gives you greater control,
|
||
makes you more productive, and is more enjoyable because it's easier to
|
||
use. The only true MultiFinder for the IIGS is The Manager...it even
|
||
supports multi-tasking for some applications without requiring additional
|
||
software.
|
||
|
||
The Manager is the result of a two year collaboration between Seven
|
||
Hills Software (Express, GraphicWriter III, SuperConvert, others) and
|
||
BrainStorm Software (Kangaroo, TransProg III, others). It requires System
|
||
6 and as little as 2MB memory (4MB recommended for greatest efficiency;
|
||
required for some program combinations). A hard drive is not required but
|
||
is strongly recommended.
|
||
|
||
The Manager is the perfect way to increase your productivity!
|
||
|
||
The Manager's retail price is $69.95, and it will be shipping to our
|
||
resellers on 2/15/93. Quality Computers and other leading mail order
|
||
companies will be carrying The Manager. Quality Computers is ready to
|
||
take advance orders for only $49.95 so The Manager can be delivered to you
|
||
as quickly as possible.
|
||
(SEVENHILLS, CAT43, TOP13, MSG:1/M645;1)
|
||
|
||
|
||
|
||
>>> THROUGH THE GRAPEVINE... <<<
|
||
""""""""""""""""""""""""""""""""
|
||
|
||
A FRIEND OF MINE
|
||
""""""""""""""""
|
||
My friend, he bought a new Mac
|
||
It came completely loaded
|
||
It's warranty was 360 days
|
||
But in 30 was outmoded...
|
||
(S.WEYHRICH, CAT2, TOP8, MSG:15/M645;1)
|
||
|
||
|
||
MONSTER LAB NEWS I am alive and well, and check in here every week or
|
||
"""""""""""""""" two. I have been stalled on my fourth ReliefWare game,
|
||
"Monster Lab", for about 6 months now. For some reason, being a military
|
||
doc in the 101st Airborne Division and the father of two seems to take a
|
||
big chunk of my time...
|
||
|
||
Version 1.5 of all three games are still current. We are close to the
|
||
$10,000 mark in payments received (and distributed). With the Lord's help,
|
||
Monster Lab should be released in 1993. I won't make a promise when...
|
||
---Ken (because I hate broken release date promises) Franklin
|
||
(KEN.FRANKLIN, CAT6, TOP3, MSG:31/M645;1)
|
||
|
||
|
||
inCider/A+ NEWS inCider/A+ magazine announced that Dr. Cynthia Field will
|
||
""""""""""""""" serve as Consulting Editor and will coordinate the
|
||
magazine's coverage of new Apple II products, Apple II news, and Apple II
|
||
product reviews. Dr. Field, who maintains a long-time commitment to the
|
||
Apple II community, asks developers to keep her informed about new products
|
||
and news of interest to Apple II users.
|
||
|
||
[Dr. Cynthia Field, 60 Border Drive, Wakefield, RI 02879; Voice and
|
||
fax: (401) 782-0380.]
|
||
(NAUG, CAT17, TOP37, MSG:60/M645;1)
|
||
|
||
|
||
GUIDE TO INTERNET I have to second Dan Brown's recommendation of Ed
|
||
""""""""""""""""" Krol's "The Whole Internet User's Guide". It's an
|
||
excellent resource for anyone 'on the net'. Surprisingly, most of the
|
||
information in that book is also available online, but it sure is nice to
|
||
have it all in one spot.
|
||
|
||
I've been spending a lot of time on the Internet recently, and it
|
||
amazes me that even people who have been 'on the net' for years have no
|
||
concept of just how huge it is, how much information is available on it, or
|
||
how to use some of the incredible tools that are available, such as Gopher.
|
||
|
||
I'm so enamored of the Internet that I'm writing a feature length
|
||
article about it for the May issue of inCider. It's an ambitious project,
|
||
but I'm hoping to cover such topics as: what is the Internet, how to access
|
||
it, and what to do once you've gained access.
|
||
|
||
I wouldn't be exaggerating to say that I am stunned at just how much
|
||
information is available online through the Internet. I thoroughly believe
|
||
that the entire accumulated knowledge of all mankind is currently stored on
|
||
the Internet. (J.KOHN, CAT27, TOP3, MSG:117/M645;1)
|
||
|
||
|
||
WHO'S WHO IN A2 Here's an up-to-date listing of your Apple II sysops on
|
||
""""""""""""""" GEnie:
|
||
|
||
Dean Esmay Apple II Chief Sysop A2.DEAN
|
||
|
||
Bill Dooley A2 Bulletin Board Manager A2.BILL
|
||
Susan MacGregor A2 Real Time Conference Manager A2.SUSAN
|
||
Tim Tobin A2 Library Manager A2.TIM
|
||
Lunatic E'Sex Apple II Promotions Manager A2.LUNATIC
|
||
Matt Deatherage A2Pro RT Leader M.DEATHERAGE
|
||
|
||
And our able A2 library assistants:
|
||
|
||
Tyler Weisman A2 Library Assistant A2.TYLER
|
||
Tom Zuchowski 8-bit games & utilities T.ZUCHOWSKI
|
||
Pat Kern Clip Art & graphics C.KERN1
|
||
Bill Goosey Telecommunications & Misc. W.GOOSEY
|
||
|
||
And our A2 Real-Time Conference (RTC) assistants:
|
||
|
||
Tara Dillinger New Users - Monday T.DILLINGER
|
||
Susan MacGregor Formal Guest - Tuesday A2.SUSAN
|
||
HangTime Hypermedia - Wednesday A2.HANGTIME
|
||
Mike Garvey TBC Forum - Thursday TBC
|
||
Jim Zajkowski Telecommunications - Friday JIMZ
|
||
Dave Ciotti Saturday Night Live - Saturday A2.BEAR
|
||
Gina Saikin Sunday Morning Kids' RTC G.SAIKIN
|
||
Don Arrowsmith II Speak - Sunday D.ARROWSMIT1
|
||
|
||
And those crazy guys that help Matt run A2Pro (page 530):
|
||
Steve Gunn A2Pro Assistant A2PRO.STEVE
|
||
Jim Murphy A2Pro Assistant A2PRO.JIM
|
||
Greg Da Costa A2Pro Assistant A2PRO.GREG
|
||
Todd P. Whitsel A2Pro Assistant A2PRO.TODDPW
|
||
|
||
|
||
Keeping an eye out on all of us is Tom Weishaar, the Manager of the
|
||
Apple II RoundTables here on GEnie!
|
||
(A2.DEAN, CAT1, TOP24, MSG:1/M645;1)
|
||
|
||
|
||
|
||
>>> MESSAGE SPOTLIGHT <<<
|
||
"""""""""""""""""""""""""
|
||
|
||
Category 7 Topic 2
|
||
Message 29 Sat Jan 30, 1993
|
||
A2.DEAN [A2 Leader] at 20:14 EST
|
||
|
||
|
||
A program cannot be both public domain and freeware. That's not
|
||
possible, and if a program claims to be both I guess it's anybody's guess
|
||
which it is - but I'd say probably public domain.
|
||
|
||
Once something is public domain anybody can use it for any purpose,
|
||
period. You cannot place any restrictions on the distribution of public
|
||
domain stuff. If I want to charge $5,000 for a copy of a public domain
|
||
program I'm perfectly free to do so. Of course anyone who paid me that
|
||
would be making a big mistake because he could probably get a free copy by
|
||
just looking around for someone who isn't trying to gouge him. ;-)
|
||
|
||
Public domain means _PUBLIC_, as in all members of the public,
|
||
_DOMAIN_, meaning property of, as in, property of the public at large.
|
||
|
||
Anybody can do anything they want with something that's public domain,
|
||
including modify it, spin it, fold it, and mutilate it, give it away or
|
||
charge for it, or anything else, and nothing anybody says, including the
|
||
author, can stop it.
|
||
|
||
"Freeware" is just a catch-all for a copyrighted program on which the
|
||
author has declared that people may copy it for free. If it's freeware,
|
||
then the author still has rights and may place restrictions on its
|
||
distribution or use.
|
||
|
||
They are VERY different concepts. That difference is very important.
|
||
|
||
[*][*][*]
|
||
|
||
|
||
While on GEnie, do you spend most of your time downloading files?
|
||
If so, you may be missing out some excellent information in the Bulletin
|
||
Board area. The messages listed above only scratch the surface of
|
||
what's available and waiting for you in the bulletin board area.
|
||
|
||
If you are serious about your AII, the GEnieLamp staff strongly
|
||
urge you to give the bulletin board area a try. There are literally
|
||
thousands of messages posted from people like you from all over the
|
||
world.
|
||
|
||
////////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "Are you stuck using a female character to get around in the /
|
||
/ temple of the snakes? I would rather bring my white wizard /
|
||
/ than the grey wizard chick." /
|
||
/////////////////////////////////////////////////// AEO.2 ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[HUM]//////////////////////////////
|
||
HUMOR ONLINE /
|
||
/////////////////////////////////
|
||
By Any Other Name...
|
||
""""""""""""""""""""
|
||
By John Jainschigg
|
||
[JCOMMS]
|
||
|
||
|
||
|
||
WHAT'S IN A NAME? As I've been suggesting patiently for years, the real
|
||
""""""""""""""""" reason Jerry Pournelle no longer pays much attention
|
||
to Atari hardware (besides the fact that the last call Mr. Pournelle got
|
||
from Atari was probably from Neil Harris, back in 1985 (grin)) is because
|
||
nobody has suggested piquant NAMES for his Atari machines.
|
||
|
||
As any real Pournelle fan will tell you, naming computers is
|
||
absolutely fundamental to the Pournelle ethos of hardware evaluation. Early
|
||
Chaos Manor scholarship ascribed Pournelle's naming habit to projective
|
||
futuristic anthropomorphism: By naming his computers, he was merely
|
||
anticipating such time as literally intelligent, fully-individuated
|
||
computing machinery would become available.
|
||
|
||
Subsequent scholarship has pointed out, however, that instead of
|
||
coming up with "computery" names for his systems (C3P0, R2D2, 21MM392, HAL,
|
||
etc.), Pournelle continues to prefer organic-sounding names such as
|
||
Ezekial, Lucy Van Pelt, Big Cheetah, and the like. One school of thought
|
||
now suggests that Pournelle performs the act of naming as a divinatory
|
||
gesture based in animism or pantheism. Before one can propitiate the
|
||
capricious _anima_ or spirit of the machine (deus ex machina), one must
|
||
determine its name -- the first step in determining where a particular
|
||
anima stands in the greater heirarchy of spirits, which will in turn
|
||
determine its area of specific influence, threat- value, and to some
|
||
extent, elucidate the protocols and ceremonies required in its worship.
|
||
|
||
Extending the above thesis, a few Manorologists have suggested that
|
||
the ultimate goal of naming is not worship and propitiation, but indeed
|
||
_control_ of the hardware anima. In this formulation, if Pournelle knows
|
||
the name of a computer's demiurge or loa, he can summon it and to some
|
||
extent, control its behavior. Even if this so-called "Voodoo" hypothesis is
|
||
correct, however, it should not be carelessly assumed to presuppose that
|
||
Pournelle views computers as inherently dangerous or maleficent entities --
|
||
i.e., as demons. While this characterization may indeed inform Pournelle's
|
||
view, it should be noted that the demonic picture of the anima is largely
|
||
restricted to medieval and post- medieval Judeo/Christian traditions of
|
||
sympathetic magic, whereas Pournelle's thinking may derive from older
|
||
African, Mediterranean, and/or Asian traditions, that view the generic
|
||
anima as being fundamentally unconcerned with human affairs. Even in the
|
||
somewhat ill-reputed Voodoo tradition, per se, most loas are perceived as
|
||
neutral -- the practice of Voodoo "demonology," or "dealing with the left
|
||
hand" is associated only with a few specific spirits, most notably Le Baron
|
||
Samedi (Baron Saturday), the loa of Death. While many of us, indeed,
|
||
experience the use of IBM-compatible hardware as being somehow akin to
|
||
death, this is doubtless related to the fact that IBM computers are,
|
||
according to a Mambo of my acquaintance, under the especial protection of
|
||
Lemonmedselma, the loa of segmented-addressing and 640K limitations, who is
|
||
cousin to Samedi in the traditional Voodoo familial pantheon.
|
||
|
||
On the other hand, some have argued that Pournelle's having chosen
|
||
the name Ezekial for his CP/M system -- that name figuring significantly in
|
||
Revelations -- is evidence of precisely this type of demonologic turn in
|
||
the author's metaphysics. We feel this argument is without merit. Instead,
|
||
we suggest that while the name Ezekial certainly derives from mystic New
|
||
Testament sources, Pournelle chose it because Ezekial's peculiar vision was
|
||
especially meaningful to him, as a science-fiction writer. As the spiritual
|
||
recounts: "Ezekial saw the wheel, way up in the middle of the air ..." This
|
||
vision of a fiery flying wheel, along with subsequent descriptions of
|
||
multi-headed, winged figures, have, of course, been popularly put forward
|
||
as scriptural evidence of extraterrestrial visitation.
|
||
|
||
In the final analysis, we feel that Pournelle's naming of his
|
||
computers is essentially Adamic. It derives in kind from the story of
|
||
Genesis, wherein Adam's first task, as prototypic human, was to name the
|
||
animals, asserting Man's natural dominion and expressing his essential
|
||
relationship with God the Creator. The creating God, of course, has
|
||
established the identification of naming with dominion "... and he called
|
||
the light Day, and the darkness Night, etc.," and is identified in
|
||
apostolic scripture with the primal word, or Logos.
|
||
|
||
Having reviewed this analysis, it should be obvious that if Mr.
|
||
Pournelle is ever to take Atari systems seriously, appropriately evocative
|
||
and meaningful names for them must be provided. Ideally, of course, we
|
||
might hope that Mr. Pournelle would invent his _own_ names -- but he may
|
||
still be awaiting delivery of evaluation systems. In the interim, I suggest
|
||
that it would do no harm, and may do some good, to suggest a few tony
|
||
monickers:
|
||
|
||
Binky, Doogie, Semiramis, Carpaccio, Lucrezia Borgia, Lizzy Borden,
|
||
Murphy Brown, Elizabeth Regina, Rosenkrantz, Despina, Count Ugolino,
|
||
Blackadder, Lt. Commander Data, Spock (sigh), NOMAD, Tinkerbell, Bazooka
|
||
Joe ... Please feel free to add your own.
|
||
|
||
-John Jainschigg (EXPLORER, CAT15, TOP7, MSG:88.M475)
|
||
|
||
|
||
/////////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "I have a theory on that. Nathan keeps asking Klaus & Kompany /
|
||
/ about Leader Tabs and they think he means Lederhosen...oh, /
|
||
/ all right it's not as funny as it seemed in the shower...." /
|
||
//////////////////////////////////////////////// D.GORDON2 ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[ASK]//////////////////////////////
|
||
ASK DOCTOR BOB /
|
||
/////////////////////////////////
|
||
Gotta Problem? Gotta Answer!
|
||
"""""""""""""""""""""""""""""
|
||
By Bob Connors
|
||
[R.CONNORS2]
|
||
|
||
o WHAT IS THE AVERAGE LIFE OF A HARD DRIVE?
|
||
|
||
o WHERE CAN I GET HELP FOR MY LASER PRINTER?
|
||
|
||
|
||
|
||
Doctor Bob,
|
||
|
||
What is the average life of a hard drive? How about floppies? Is it known
|
||
how long the data will stay on them without some type of refresh, or what
|
||
not?
|
||
|
||
Thanks! -Bruce
|
||
|
||
Bruce,
|
||
|
||
|
||
Gee Bruce, you sure come up with interesting questions. The answers,
|
||
are subjective to say the least.
|
||
|
||
Let's take the average life of a hard drive first. I assume you are
|
||
talking about the life of the physical drive as opposed to the life of the
|
||
data contained on the drive but I will attempt to respond to each.
|
||
|
||
Almost all electronic components in computers have what is called an
|
||
MTBF rating. MTBF stands for Mean Time Before/Between Failure. The value
|
||
assigned to this is usually some amount of hours and is usually the
|
||
manufacturer's best guess based on all testing done and possibly reports
|
||
from end users of the equipment and repair facilities.
|
||
|
||
In the case of a hard drive, I do not personally think that many
|
||
manufacturers actually wait until drives fail before coming up with that
|
||
value because, if they did so, they would never get the equipment out the
|
||
door for sale.
|
||
|
||
The actual life of a hard drive may have no relationship at all to the
|
||
rated life as it depends on so many factors. Things like whether or not
|
||
the drive is used on a BBS system (where the computer is seldom shut off)
|
||
or type of applications and whether or not those applications cause a lot
|
||
of head thrashing (like a database program may do) play a role in the life
|
||
span of a hard drive. Even whether or not children use the computer can be
|
||
a determining factor. I have seen drives last a long time. I am still
|
||
using drives in my computer that I used when I started up my BBS in 1987.
|
||
However, I also have a dead one from the same system.
|
||
|
||
Data stored on the hard drive, on the other hand, can go bad. Data is
|
||
stored magnetically on the drive and the magnetism holding that data in its
|
||
'fixed' position can weaken due to lack of use. On hard drives, this is
|
||
usually not the problem though, although it can be. Normally, DOS just
|
||
reports a read or write error for the data, a sector not found error, or
|
||
something similar. In other words, data that was good the last time you
|
||
accessed it suddenly is no longer accessible. The data can be a file of
|
||
information used by a program or the program itself. There is no set time
|
||
when you can expect such errors. According to Murphy, though, they will
|
||
happen when you least expect them, when your backup has not been done
|
||
recently enough, and when they will do the most damage!
|
||
|
||
It is my experience that such problems are usually caused by drifting
|
||
head alignment. That is, the hard disk read/write head no longer aligns
|
||
correctly with the track that contains the information. Often, a retry or
|
||
a number of retries will succeed in reading or writing the information,
|
||
sometimes not. When it happens, though, it usually results in an increase
|
||
in your heart rate and a quickening of your pulse, especially when the
|
||
retries fail.
|
||
|
||
There are quite a few utilities available that help in such
|
||
situations. Norton's Disk Doctor and SpinRite are a few of them that
|
||
immediately come to mind. SpinRite is my favorite because of the way it
|
||
'realigns' the head by actually repositioning the hard disk tracks where
|
||
the head actually is, not where the head is supposed to be.
|
||
|
||
The life span of data on floppy diskettes is another matter and again,
|
||
depends on many factors. Among these are the age of the diskettes, how
|
||
they are stored, how they are handled, the environmental conditions,
|
||
whether or not they are generic, bulk, low cost diskettes or brand name,
|
||
the type of oxides or other materials used in their manufacturer, the
|
||
manufacturer itself, and on and on.
|
||
|
||
I have diskettes that I used on my old TRS-80 back in 1979 that I can
|
||
still use with a fair amount of reliability on my XT clone system and,
|
||
there are others I cannot. This is despite the fact that the diskettes
|
||
were certified to be one-sided and my XT uses both sides.
|
||
|
||
Based on the above, I would say the bottom line answer to your
|
||
question is, no, it is not known with any certainty how long data will stay
|
||
on a diskette without need of refreshing. There are just too many
|
||
variables to consider. That is why the DOS God created the DISKCOPY
|
||
command and even that is not perfect.
|
||
|
||
I hope I have cleared this matter up for you.
|
||
-Doctor Bob
|
||
|
||
[*][*][*]
|
||
|
||
|
||
Doctor Bob,
|
||
|
||
Would appreciate your help, if possible, in buying a Service Manual
|
||
for my Panasonic KX-P4420 laser printer. Printer makes nice pages but the
|
||
reliability has been so-so. I'd like to learn more about the printer but
|
||
Panasonic has not been helpful. Their 800 number says to call a pay number
|
||
- and the pay number, a couple times, just put me on hold - which I
|
||
abandoned after several long distance minutes. They have not responded to
|
||
a 5 Jan 93 snailmail letter.
|
||
|
||
I haven't found a "Panasonic printer help" category or topic on GEnie.
|
||
|
||
Thanks - from another Bob.
|
||
|
||
|
||
Another Bob,
|
||
|
||
You are experiencing something that a lot of people seem to be also
|
||
experiencing with many firm's customer support. I am always amazed that
|
||
companies always answer their 'sales' phone on the first ring and it always
|
||
seems to be a 1-800 number. They are willing to spend the money and make
|
||
the effort to get you as a customer.
|
||
|
||
After sales support really does not live up to the same standard
|
||
though. The customer service or technical support number is invariably not
|
||
toll free and, from what I have been reading in the IBM PC RoundTable,
|
||
people get put on hold for what I consider unreasonable amounts of time.
|
||
To make matters worse, the call backs that get promised are not always
|
||
made, even after repeated calls to the company.
|
||
|
||
But, I editorialize and am not solving your problem. The only advice
|
||
I can give you is to try Category 15, Topic 71 in the IBMPC RoundTable.
|
||
The label for that topic is Panasonic Printers. I don't remember seeing
|
||
any recent messages there but I do know that the topic is still open.
|
||
|
||
|
||
Good luck, Bob. I wish I could be more help to you.
|
||
-Doctor Bob
|
||
[*][*][*]
|
||
|
||
|
||
ASK DOCTOR BOB Do you have a question about operating systems, GEnie or
|
||
"""""""""""""" anything concerning computers? If so, you can get your
|
||
questions answered here in GEnieLamp by Doctor Bob. Any question is fair
|
||
game...and if the good Doctor Bob doesn't know the answer, he'll find
|
||
someone who does. Stop wandering around in the dark, send your question to
|
||
Doctor Bob in the GEnieLamp RoundTable bulletin board, CATegory 3, TOPic 2.
|
||
|
||
|
||
///////////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "It happens that the Clinton account is numerically very close /
|
||
/ to my account...I get very tired of replying to these messages, /
|
||
/ giving them the correct address. But, it's kind of interesting /
|
||
/ to be able to read the president's mail. Heh heh." /
|
||
///////////////////////////////////////////////////// J.NESS ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[LAM]//////////////////////////////
|
||
LAMPWIRE /
|
||
/////////////////////////////////
|
||
Late Breaking Apple II News
|
||
"""""""""""""""""""""""""""
|
||
|
||
|
||
|
||
>>> APPLE II SOFTWARE OPPORTUNITIES NEWSLETTER <<<
|
||
""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
~ Free for the Asking ~
|
||
|
||
Cynthia Field, the newly-appointed chief Apple II editor for
|
||
A+/inCider, has produced another in her series of "Apple II Software
|
||
Opportunities" newsletters. Along with a handful of instructive articles,
|
||
the newsletter includes a comprehensive listing of 500 Apple II software
|
||
titles released between 1990 and 1992. Rounding out the newsletter is a
|
||
lengthy of Apple II software publishers, giving addresses and phone numbers
|
||
of companies both large and small.
|
||
|
||
This newsletter is free for the asking from Apple's toll-free customer
|
||
assistance phone number: 1-800-776-2333. It's helpful to know that this
|
||
phone number gets quite busy, so you may have to stay on hold for five to
|
||
ten minutes before reaching an operator.
|
||
|
||
User groups who are interested in receiving bulk shipments of these
|
||
newsletters are advised to contact Jill Avery, at Apple's User Group
|
||
Connection office. To avoid duplicate requests from the same user group,
|
||
Jill asks that just the president of each group be in contact with her. She
|
||
can be reached by e-mail via Internet at: "avery@applelink.apple.com".
|
||
|
||
Thanks are owed to John Santoro, at Apple Computer, who coordinated
|
||
the production of this publication.
|
||
|
||
|
||
New Letter Campaign A Canadian Apple User's group is asking your help in
|
||
""""""""""""""""""" a letter writing campaign to garner continued Apple
|
||
II support from developers. They want you to write short, signed, POLITE
|
||
and original letters stating clearly your objective. A signed, polite
|
||
letter is worth a petition of a thousand names, in their opinion. The
|
||
first target is Claris. The attempt will be to get Claris to continue
|
||
Apple II support or release their products to a company that will support
|
||
the Apple II. The suggested letter format is printed below this text.
|
||
They urge you and your user group (if you have one) to write these letters
|
||
as soon as possible.
|
||
|
||
Claris Corporation
|
||
Customer Support
|
||
5201 Patrick Henry Drive, Box 58168
|
||
Santa Clara, CA 95052-8168
|
||
United States of America
|
||
|
||
|
||
New AppleWorks Classic and GS Versions
|
||
""""""""""""""""""""""""""""""""""""""
|
||
Dear Madam or Sir:
|
||
|
||
I would like attract your attention to the fact that Claris has not
|
||
provided any updates to AppleWorks Classic v3.0 and AppleWorks GS v1.1
|
||
since 1991. I am a registered user of the very first version of AppleWorks
|
||
GS and have purchased all the updates that were made available. I use the
|
||
program almost every day.
|
||
|
||
I am disappointed to see that even though Apple Computer has taken
|
||
the care to provide Apple IIgs users with a new and more powerful version
|
||
of the IIgs System Software (v6.0) and HyperCard GS v1.1, Claris has not
|
||
provided loyal AppleWorks GS users with an improved version of this very
|
||
good program.
|
||
|
||
If Claris is unwilling to provide an updated version of both
|
||
AppleWorks programs, I kindly ask that the source code be sold to a company
|
||
or individual willing to do the necessary work to or entered into the
|
||
public domain.
|
||
|
||
I am looking forward to receiving an answer in this matter and hope
|
||
that it will not be swept under the rug.
|
||
|
||
Sincerely,
|
||
|
||
Ronald A. Leroux
|
||
Resource Director
|
||
Le Groupe Apple St-Hyacinthe
|
||
|
||
|
||
Tulin Technology Pricing Update In response to John B. Wilson's review
|
||
""""""""""""""""""""""""""""""" of their Apple IIGS floptical disk
|
||
drive, Tulin has sent GEnieLamp updated information on pricing. The
|
||
current product price is $399, instead of the $489 listed in the article.
|
||
This price is the price for direct purchases from Tulin Technology.
|
||
|
||
Also, additional floptical disks can be purchased for $20 each,
|
||
rather than the $25 listed in the article. Please note that Tulin
|
||
Technology does have a $50 minimum purchase price.
|
||
|
||
Additionally, Tulin commented that they also offer the floptical drive
|
||
with the driver for the Apple Hi Speed SCSI card. And it is possible to
|
||
request Apple IIGS floptical drives with eject buttons.
|
||
|
||
For further information, contact Tulin Technology at the following
|
||
address:
|
||
|
||
Tulin Technology
|
||
2156H O'Toole Ave.
|
||
San Jose, CA 95131
|
||
(408) 432-9057 (voice)
|
||
(408) 943-0782 (Fax)
|
||
|
||
The above information was supplied by Chua Lin at Tulin Technology.
|
||
Tulin accepts VISA and MasterCard payment.
|
||
|
||
|
||
|
||
20,000 Reasons GEnie supports the Apple II A2, the Apple II RoundTable
|
||
"""""""""""""""""""""""""""""""""""""""""" on GEnie kicked off the new
|
||
year with a celebration of it's 20,000th upload, awarding thousands of
|
||
dollars worth of hardware and software to the first person to upload a file
|
||
to A2 in 1993. In association and cooperation with sixteen prominent Apple
|
||
II supporting companies -- C.V. Technologies, Charlie's AppleSeeds,
|
||
Digital Data Express, DreamWorld Software, Econ Technologies, GEnie, GS+
|
||
Magazine, inCider/A+ Magazine, InSync Software, Kitchen Sink Software,
|
||
Quality Computers, Resource Central, Roger Wagner Publishing, Seven Hills
|
||
Software, Softdisk Publishing, and Vitesse, Inc. -- GEnie client Tom Smith
|
||
of Willowdale, Ontario won a package of prizes including some of the latest
|
||
and greatest products for the Apple II.
|
||
|
||
The prizes Mr. Smith chose are: a RamFAST Rev. D caching DMA SCSI
|
||
card, a DreamGrafix 3200-color paint program, Universe Master hard drive
|
||
management utility software, one free weekend on GEnie online in A2 and
|
||
A2Pro, the Apple II Programmers and Developers RoundTable, a GS+ Magazine
|
||
T-shirt, a one-year subscription to inCider/A+, Signature GS system
|
||
enhancement utilities, Formulate formula calculating software,
|
||
Salvation-Supreme hard drive management utility software, a one-year
|
||
subscription to Studio City, and a six-month subscription to Softdisk G-S.
|
||
|
||
"People say the Apple II is dead, but that's hogwash," said Dean
|
||
Esmay, Head System Operator (SysOp) of GEnie's Apple II RoundTables.
|
||
"There are millions of these computers still in operation. The first Apple
|
||
II was introduced in 1977, so the way we see it, 1993 is the beginning of
|
||
the second fifteen years of Apple II computing. This celebration shows the
|
||
amount of support the Apple II still gets from users and third parties
|
||
alike. We like to think of the 20,000 uploads we've received in A2 to date
|
||
as 20,000 reasons why GEnie wholeheartedly supports the Apple II, as well."
|
||
|
||
Remaining prizes donated by the listed companies were given away
|
||
throughout the months of January and February in selected online Real-Time
|
||
Conferences (RTCs) in the Apple II RoundTable on GEnie. The prizes were:
|
||
two Copies of ProSel-16 hard drive management software, one copy of
|
||
ProSel-8 hard drive management software, one Neuromancer game, one Shogun
|
||
game, one Zoyon Patrol educational game, one free day on GEnie online in A2
|
||
and A2Pro, four one-year subscriptions to inCider/A+, two InSync T-shirts,
|
||
two ProTERM 3.0 telecommunications software packages, one AccuDraw CAD
|
||
software or Amazing Window educational software, one subscription to
|
||
A2-Central On Disk, one subscription to Script-Central, one subscription to
|
||
Timeout Central, one Roger Wagner Publishing software product of user's
|
||
choice, and three Harmonie high resolution printer driver packages.
|
||
|
||
"We didn't announce it in advance," said Esmay. "We just secretly
|
||
got all these companies to help us out and sprang it at the last minute.
|
||
It was a lot of fun. The guy who won was very surprised."
|
||
|
||
All of the Apple II vendors mentioned provide direct online support
|
||
on GEnie through individual support Categories and Topics in the Bulletin
|
||
Boards of the A2 and A2Pro RoundTables.
|
||
|
||
"We're incredibly grateful for the support we got from these
|
||
companies. The amount of enthusiasm they showed for this idea actually
|
||
caught us by surprise," said L. Bruce E'Sex, the GEnie Apple II
|
||
RoundTables' Head of Promotions and Marketing. "Though these companies are
|
||
only a small percentage of those which still support the Apple II, they're
|
||
a big part of what makes the Apple II line continue to be interesting, fun,
|
||
and as useful as ever for millions of computer users."
|
||
|
||
|
||
//////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "Also, since this message is off topic, I have gave myself /
|
||
/ a warning [grin]." /
|
||
////////////////////////////////////////////// BRIAN.H ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[MOO]//////////////////////////////
|
||
CowTOONS! /
|
||
/////////////////////////////////
|
||
The GEnieLamp Swimsuit Issue No.1
|
||
""""""""""""""""""""""""""""""""" (___)
|
||
Concept by | Drawings by (o o)
|
||
John Peters | Mike White (.)
|
||
[GENIELAMP] | [M.WHITE25] __/ ~ \//^~
|
||
//`(>-<)`
|
||
~^ \_/
|
||
(\_/\
|
||
// ||
|
||
)___( `\\ ||
|
||
(o o) ~~' ~~
|
||
(~ (.) ~)
|
||
\\/ ~ \// Cindy Cowford
|
||
^()-()^ ~~~~~~~~~~~~~
|
||
\_/
|
||
(\_/)
|
||
( ) ( )
|
||
() ()
|
||
( )
|
||
`~ ~'
|
||
|
||
Ms. Mooniverse
|
||
~~~~~~~~~~~~~~
|
||
|
||
|
||
|
||
(___(
|
||
(o o) _*
|
||
(.) \__________/
|
||
~ \_ || ( \___/~ ___
|
||
____//-----db--\_/~~ ( )
|
||
~~~~^ |\./ \
|
||
-========================|______\=====\
|
||
| _|-
|
||
Elle MoocPherson | |~_|-
|
||
~~~~~~~~~~~~~~~~ vv | ~_|-
|
||
Makes a splash \\ (___) | |~_|-
|
||
\\ (o o) | ~_|-
|
||
\\--\./--\\ | |~_|-
|
||
``/ ~ \``\\| ~_|-
|
||
/\\_ ( )-( ) \| |~_|-
|
||
// \ ~-__\___/ | ~_|-
|
||
\========\______/ | |~
|
||
^^ /~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
| Cowthy Ireland
|
||
| returns the wave
|
||
|
||
(__)
|
||
(~~)
|
||
/-------\/
|
||
/ | ) >> Watch for another thunderin' herd of
|
||
* ||----|| Moo Fun in the next issue of GEnieLamp.
|
||
~~ ~~
|
||
|
||
Moodonna If you have an idea for a CowTOON, we
|
||
~~~~~~~~ would like to see it. And, if we pick
|
||
Mooterial Cow your CowTOON for publishing in GEnieLamp
|
||
we will credit your account with 2 hours
|
||
( Special appearance of GEnie non-prime time!
|
||
cowrtesy of Moo-TV )
|
||
|
||
|
||
/////////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "That's quite a feat! I would have thought it impossible for /
|
||
/ you to find a way to be slower and less efficient. :)) " /
|
||
/////////////////////////////////////////////// N.WEINRESS ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[REF]//////////////////////////////
|
||
REFLECTIONS /
|
||
/////////////////////////////////
|
||
Thinking Online Communications
|
||
""""""""""""""""""""""""""""""
|
||
By Phil Shapiro
|
||
[P.SHAPRIO1]
|
||
|
||
|
||
|
||
>>> Approaching a More Perfect State of Human Communication <<<
|
||
"""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""""
|
||
~ Part II ~
|
||
|
||
Before the days of online communication, connecting up with other
|
||
people who shared your specific interests was not all that easy. You'd
|
||
consider yourself quite lucky if you found someone in the same county who
|
||
shared some of your specific areas of interest. Sometimes the only way to
|
||
communicate with those of similar interest was to physically transport
|
||
yourself to a statewide or national conference.
|
||
|
||
In this age of the modem, however, powerful new tools are available to
|
||
help connect like-minded souls. Making full use of these tools can link
|
||
you up directly with colleagues in other states and countries. Model
|
||
railroading buffs, for instance, can connect up with each other online. So
|
||
too can Civil War buffs, quilting buffs, dog-lover buffs, alternative
|
||
health care buffs, and any of a myriad other human interests, hobbies, and
|
||
pastimes.
|
||
|
||
But modem communication need not be restricted to recreational
|
||
interests. People with more serious interests can likewise find fellowship
|
||
online. On information services and bulletin boards across the country
|
||
people with special interest in drunk driving, AIDS, violence against
|
||
women, and many other "community interest" concerns are congregating,
|
||
communicating, and working together to address these problems with the full
|
||
force of group action.
|
||
|
||
Unlike printed communication, which is slow and expensive to
|
||
distribute, or phone communication, which is one-to-one, expensive, and
|
||
disruptive, online communication is cheap, fast, and inherently
|
||
streamlined. The power of online communication was made real to me in a
|
||
personal way two years ago. Hoping to attend the annual KansasFest summer
|
||
conference in Kansas City, Missouri, I posted a short message in the A2Pro
|
||
Roundtable here on GEnie. The message I left stated simply: "I'm hoping on
|
||
sharing a ride out to KansasFest July. I'd be interested in hearing from
|
||
anyone driving out from the East Coast."
|
||
|
||
Ten days later I received a phone call from Dave Ciotti, of Trenton,
|
||
New Jersey. Dave's verbal response to my inquiry was equally brief: "Saw
|
||
your message on GEnie. I'm driving out to KansasFest in my RV van. I'll
|
||
stop by your house to pick you up."
|
||
|
||
Somehow Dave's phone call didn't take me by surprise. Given the power
|
||
of online communications, the chances of my linking up with an Apple II
|
||
user driving to the KansasFest conference from a mid-Atlantic city were
|
||
fairly good. The chances were increased even higher since Dave is a
|
||
regular user of the GEnie Master offline message processor, which can be
|
||
set up to capture to hard drive all new messages posted in designated
|
||
roundtable topics.
|
||
|
||
Whenever human beings write messages, online or offline, it is always
|
||
with a sense of hope that someone may read and act upon the message. The
|
||
inherent efficiency of online communication is such that hope becomes
|
||
integral to the communication process.
|
||
|
||
Of course, the first step of any communication process is the
|
||
articulation of that hope. Without articulated hope, the desired
|
||
communication exchange can never progress past that all-important first
|
||
step.
|
||
|
||
It's interesting to think that over time, as online communication
|
||
becomes more widely used by the general population, an invisible web of
|
||
social and intellectual connections will be woven across the country. And
|
||
once that web is in place, the Wozniaks and the Jobs of this world need not
|
||
necessarily live in the same town to cross-pollinate each others' minds.
|
||
|
||
Living on opposite sides of the country Wozniak and Jobs could still
|
||
exchange messages in, say, the "Homebrew Roundtable" under the topic of:
|
||
"Making home computers a reality." A young fellow with the user name
|
||
"B.Gates" would likely stop by to catch up on the new messages every once
|
||
in a while. "Gee, sure seems energetic and focussed for his young age,
|
||
don't you think?" "Nah. Once he starts dating women he'll forget about
|
||
computers completely."
|
||
|
||
-Phil Shapiro
|
||
|
||
[*][*][*]
|
||
|
||
|
||
[The author takes an interest in the social dimensions
|
||
of communication technology. He can be reached on
|
||
GEnie at: p.shapiro1; on America Online at:
|
||
pshapiro; and on Internet at:pshapiro@pro-novapple.cts.com]
|
||
|
||
|
||
//////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "Want me to hold the coats and purses, girls?? :)..." /
|
||
//////////////////////////////////////// T.EVANS21 /////
|
||
|
||
|
||
|
||
[EOA]
|
||
[LIF]//////////////////////////////
|
||
LIFESTYLES /
|
||
/////////////////////////////////
|
||
I Became A Real GEnie Junkie!
|
||
"""""""""""""""""""""""""""""
|
||
By Gina Saikin
|
||
[G.Saikin]
|
||
|
||
|
||
|
||
>>> TALE OF A NEOPHYTE HACKER <<<
|
||
"""""""""""""""""""""""""""""""""
|
||
|
||
As I sat down at my computer the other day, I began reflecting over
|
||
the last two years of my journey through "the land of computers."
|
||
|
||
I was a novice secretary when I received my first introduction to
|
||
computers.
|
||
|
||
I applied for a job in an advertising agency and was asked if I minded
|
||
learning "wordprocessing." Needing the job desperately, I eagerly said "no
|
||
problem," and off I went. Three days later, I was something of an expert
|
||
on the old Mag Cards, and thought they were the wave of the future, (and at
|
||
the time, they were).
|
||
|
||
Determination (and a continuing incentive to keep food on the table)
|
||
kept me eagerly learning all I could about wordprocessors. Wang, Lanier,
|
||
Xerox -- I sampled them all, and became proficient at most.
|
||
|
||
However, a three-year gap in working taught me that technology moves
|
||
faster than the speed of light; by the time I re-entered the workforce, the
|
||
dedicated word processors were out, and the new personal computers were in.
|
||
During those three years, I didn't really do much with computers, except
|
||
for typing a few papers and doing a few statistical assignments for college
|
||
- on, of all things, an Apple IIe.
|
||
|
||
But, experience on dedicated word processors and typing a few papers
|
||
on an Apple had ill-prepared me for the new office PC technology, and I
|
||
felt like the proverbial "fish out of water." Because I desperately needed
|
||
work (as always), and because I knew that I would have to "join the club"
|
||
of PC users, I resorted to challenging a temporary agency to a dare: if I
|
||
could, after a short review, make a passable grade on their WordPerfect
|
||
test, they would in turn train me fully. (Their policy was NOT to train
|
||
until a set number of hours had been worked - but with my lack of
|
||
experience on PC's, those hours were almost impossible to gain). I won the
|
||
dare, and was trained.
|
||
|
||
I had dreams of computer ownership, but with two kids (one with
|
||
medical problems), a husband who had his own dreams of trucking, and an
|
||
income that raised "pinching pennies" to new heights, I gave it little
|
||
thought. In 1991, however, my dream came true in a most unexpected way. I
|
||
inherited my father's Apple IIe computer.
|
||
|
||
Frustration still dogged my steps, though, as I discovered how little
|
||
I knew, and how little support there was out there. It was scary, being on
|
||
my own with a new computer! One of the first maxims I did learn, though,
|
||
was "Nothing you do with software can hurt the hardware." I was often heard
|
||
muttering this phrase to myself as I would observe odd gibberish on my
|
||
screen after yet another attempt to get a program to work, and was sure I
|
||
had blown a chip or something! Even though I had used PC's on my jobs -
|
||
most of my work was simply turning on the machine, and running the current
|
||
program. Now, I was faced with choosing programs, learning how to run them,
|
||
and in many cases, figuring out why they wouldn't run! A few of my programs
|
||
bit the dust, and another hard lesson was forever burned into my mind:
|
||
"Always make backups".
|
||
|
||
Fortunately, I found a user group, which not only saved my sanity, but
|
||
probably saved my computer from frustrated revenge. So the group met 50
|
||
miles away - incentive was a great motivator! Through this same group, I
|
||
met a lady who owned a store that sold used Apple equipment (a mere 30
|
||
miles from home), and my flirtation with the computer turned into a
|
||
full-blown love- affair.
|
||
|
||
I soon learned she was a barterer at heart, and we immediately struck
|
||
a deal - I would work for her whenever I could, and in turn, she would
|
||
"sell" me equipment and software. Believe me, I earned it - with blood
|
||
(damn those sharp pc boards and chips!), sweat and tears. The most
|
||
wonderful part of this arrangement was not the hardware and software that I
|
||
"earned," but rather the knowledge that was imparted to me patiently by
|
||
her. Remember when I was scared to even take the cover off my computer?
|
||
Well, through her careful tutelage (even as she probably gritted her teeth
|
||
at times), she taught me how to exchange and test cards, check drive
|
||
speeds, and other little tasks that would not only help her out, but would
|
||
be destined to give me an even greater hunger for further exploration into
|
||
the land of computers.
|
||
|
||
After a year of working at her shop, I soon realized that my IIe,
|
||
albeit a great machine, was not enough for me. I began to bargain -- with
|
||
her, my bank account, and my conscience -- to get hold of a IIGS. The IIGS
|
||
opened up a whole new world, even greater than the IIe had, for I could do
|
||
so much more on it. Even with all my experience as a IIe user, I felt like
|
||
I was back to my earlier days of uncertainty. My poor friend, with
|
||
infinite patience, once again drilled into my head "nothing you can do with
|
||
your software will hurt the hardware!" Happily, I began playing around to
|
||
see what I could do. Then, she introduced me to GEnie.
|
||
|
||
Suddenly, I had more than I could ask for at my fingertips!
|
||
Unfortunately (for my bank account, that is), I became a real GEnie Junkie,
|
||
delving into all the BB's, and haunting the RTC's, especially the A2 ones.
|
||
|
||
I soon discovered several BB that were of interest to me and jumped
|
||
right in. Now, I am involved with the Family BB, trying to get a ToughLove
|
||
Real Time Conference together, and the Environmental BB, uploading articles
|
||
that my friend and I publish in a local recycling newsletter - which I
|
||
produce on my GS.
|
||
|
||
And I'm involved, of course, in A2, where I am breaking down the A2
|
||
library index into usable database segments. A dream has come true there,
|
||
too! I have become a staff member in A2, where I host a regular kid's RTC,
|
||
and abstract special RTC transcripts.
|
||
|
||
I continue to make mistakes. But, the mistakes help me learn. And
|
||
learn. And learn some more. All of this is okay, because the maxims
|
||
"Nothing you can do with software will hurt the hardware", and "Always make
|
||
backups of your programs" have become my household words, and I have
|
||
discovered that the best way to learn - is to jump into whatever you want
|
||
to do, and just do it!. By keeping in mind those maxims, exploration
|
||
becomes fun and exciting, and not a little fascinating. I intend to keep
|
||
on exploring!
|
||
|
||
|
||
///////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "Yes by all means get Aladdin. Ask away and you will get /
|
||
/ answers. I was shy at first but not anymore. No questions /
|
||
/ - no answers it's that simple. What you consider simple, a /
|
||
/ zillion people out there need the question & answer but are /
|
||
/ afraid to ask. There are no dumb questions - only fearful /
|
||
/ people who don't ask for fear of being considered dumb." /
|
||
////////////////////////////////////////////// K.OLSON10 ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[TEL]//////////////////////////////
|
||
TELETALK ONLINE /
|
||
/////////////////////////////////
|
||
Online Communications
|
||
"""""""""""""""""""""
|
||
By Al Fasoldt
|
||
[A.FASOLDT]
|
||
|
||
|
||
|
||
>>> BANNED IN THE U.S.A. <<<
|
||
""""""""""""""""""""""""""""
|
||
~ Copyright 1993 by Al Fasoldt. All rights reserved ~
|
||
|
||
I was banned in Boston the other day.
|
||
|
||
And in Chicago and Los Angeles.
|
||
|
||
I was banned in the rest of the country, too. It lasted for a week.
|
||
|
||
It was the first time I've ever been censored.
|
||
|
||
It all started when I tried to catch up on my mail. I had thousands of
|
||
unread messages to look through on one of the national computer networks.
|
||
Nearly all the messages were public postings in the conferences. Anybody in
|
||
the United States can read them just by calling the network by computer.
|
||
|
||
Public messages on this network are supposed to be civil. After all,
|
||
the notes that are posted are just like the scraps of paper that you see on
|
||
supermarket bulletin boards. You don't want to embarrass anyone or make
|
||
unpleasant remarks in public.
|
||
|
||
But as I started to read the public messages, I came across one
|
||
directed solely at me. If it had been a private letter, I wouldn't have
|
||
minded at all. But out in the open, where any caller could read it -- right
|
||
out on the supermarket wall, so to speak -- was a note that said, more or
|
||
less, that I had an unorthodox way of dealing with the truth.
|
||
|
||
A liar? Was that what I was being called?
|
||
|
||
So what, you say? You write for a living, you take your lumps, and
|
||
that's that. I get letters now and then from regular readers who tell me I
|
||
don't know what I'm talking about. One guy even sends me unprintable
|
||
references to my ancestors. I'm used to it.
|
||
|
||
But these aren't public remarks. They're personal and private. You
|
||
can ignore something like that and nobody else cares. Nobody else knows.
|
||
|
||
The public note I found on the computer network (NOT GEnie! -Ed :)
|
||
had gone too far. I wrote a reply pointing this out. I made a couple of
|
||
pointed remarks about the letter-writer's grumpiness, and then I posted my
|
||
reply in the same area of the conferencing network.
|
||
|
||
Since his note about me had been public, I made sure my response was
|
||
public, too.
|
||
|
||
I called back to look for any new mail the next day. I had a private
|
||
note from one of the people in charge of the network. Cool it, he said.
|
||
The other guy is being told the same thing, his note said. The two of you
|
||
should calm yourselves down.
|
||
|
||
I didn't like being told not to defend myself. I wasn't about to keep
|
||
quiet.
|
||
|
||
So I checked back into the public messages and found another one from
|
||
the same caller. It slammed me even harder.
|
||
|
||
And so I slammed back. Nothing could stop me now.
|
||
|
||
Or so I thought. When I called again two days later, everything seemed
|
||
normal. While I was reading a message, I pressed a couple of keys to tell
|
||
the network that I wanted to write a comment. They were the same keys I'd
|
||
always pressed.
|
||
|
||
But this time instead of getting the OK from the computer system, I
|
||
got a note back from the network. You can't do that, it said in network
|
||
language. You can't reply to that message.
|
||
|
||
I tried again. Same thing. I went to another message and tried to
|
||
respond to it.
|
||
|
||
Sorry! This isn't allowed, the network told me. The actual note was
|
||
"access denied," or something like that.
|
||
|
||
It was that way for all of the conferences I checked into. I had been
|
||
silenced. I could read but not write.
|
||
|
||
Later, I found an electronic mail letter from the network manager. His
|
||
note had been mailed to both me and my antagonist. It said we were being
|
||
childish. Our angry messages had been deleted so nobody could read them.
|
||
|
||
The censorship would last a few days, he said. He also said things
|
||
could get worse if we didn't behave.
|
||
|
||
This last part was a little odd. Without the ability to write public
|
||
messages, we had no way to misbehave. We were like patrons of the
|
||
supermarket who were locked out just outside the door. We could see the
|
||
little pieces of paper on the public bulletin board, but we couldn't put up
|
||
any ourselves.
|
||
|
||
I fired off a private reply to the manager. I pay for this service, I
|
||
reminded him. It's not a service when I can't respond to public messages.
|
||
|
||
I told him I shouldn't have to pay for the time that I was censored.
|
||
He wrote back right away and told me I wouldn't be charged for that period.
|
||
|
||
By the following week I was back to full status. I minded my manners,
|
||
and I've been a good boy ever since. I haven't had an argument with
|
||
anybody.
|
||
|
||
But the whole experience has been unsettling. It's clear that nobody
|
||
came out ahead, but I still haven't figured out who lost more -- the other
|
||
network callers, presumably embarrassed, who had to pick their way past our
|
||
public spat, or the two of us, muzzled and singled out, treated like
|
||
7-year-olds.
|
||
|
||
Maybe the real loss is an almost insignificant erosion of the right of
|
||
free expression. This decade will mark the beginning of true mass
|
||
communication by computer. In some ways, conferencing networks will become
|
||
as important as newspapers, and much of the time they'll serve as a
|
||
replacement for the U.S. mail.
|
||
|
||
However, unlike the press and the postal service, with their long
|
||
traditions of free speech, computer networks don't have history as a guide.
|
||
They'll do whatever their managers want. And that means censorship just as
|
||
easily as it means anything else.
|
||
|
||
When that day comes, who will decide what can be said in public? It's
|
||
worth thinking about now, while networks and other information services are
|
||
still young. It may be too late when they've grown up.
|
||
|
||
[*][*][*]
|
||
|
||
|
||
Al Fasoldt writes about computers and consumer electronics from
|
||
Syracuse, N.Y., where he is a newspaper editor and programmer.
|
||
|
||
|
||
///////////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "Well, "Cut the muster" is a military term. I can't imagine why /
|
||
/ anyone would want to slice mustard." /
|
||
///////////////////////////////////////////////////// O-ZONE ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[QUI]//////////////////////////////
|
||
THE MIGHTY QUINN /
|
||
/////////////////////////////////
|
||
Random Access
|
||
"""""""""""""
|
||
By Mark Quinn
|
||
[NEWSIE]
|
||
|
||
|
||
|
||
"A Whole Buncha Milliseconds with Mark"
|
||
by Mark Quinn, DOA
|
||
|
||
Forget Alvin Toffler: some of us are waiting for technology to catch
|
||
up to _us_. I dream of the day when I can buy a MIDI synthesizer that,
|
||
besides having a decent piano and electronic organ patch, also does a fair
|
||
job of imitating an acoustic guitar. I'd like to have a vision recognition
|
||
system good enough to handle driving my car. I'd like to see 40" active
|
||
matrix TVs, after so many years of hearing that flat-screen TVs were "ten
|
||
years away".
|
||
|
||
And these are not pie-in-the-sky Star Wars doo-dads -- they are
|
||
extrapolations of current technologies. Granted, such advances will come
|
||
with time, but when they will arrive is anyone's guess. I really don't
|
||
expect to hop in the back seat of my car, speak a destination and have the
|
||
car do the rest during my lifetime (I am 34, and desperately counting down
|
||
40) -- I expect to see glimmerings of the technology, perhaps see a few
|
||
"gee whiz" promises on _Beyond 2000_, but that's about it.
|
||
|
||
Darn it, doesn't this child of the 60s and 70s, who saw astronauts
|
||
play golf on the moon, the birth of MTV, and the death of communism,
|
||
deserve the above wish list? I've been awfully good, I regularly back up
|
||
my text files -- baby wants techno goodies. Baby promises not to do
|
||
anything overtly obscene or outright dangerous with them.
|
||
|
||
Sanity returneth. (Good, just in time for this paragraph, too.) Our
|
||
ancestors made do with far less, and some of them excelled. And a whole
|
||
lot of people in _today's_ world don't have access to the gee whiz
|
||
technology (synthesizers that have good piano patches, Super VGA monitors,
|
||
a reliable car with a full tank of gasoline) I take for granted, so a slice
|
||
of humble pie is in order.
|
||
|
||
Can I have that slice with a hang-on-the-wall, flat-screen TV, please?
|
||
|
||
|
||
/////////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "Your probably right! But isn't mustard a plant or something /
|
||
/ that that the workers in the field used to have to cut, but /
|
||
/ when they get to hold, they can't cut the MUSTARD any more? /
|
||
/ hmmmmm! Hey! This sound like a new topic...........(HaHa) /
|
||
/ I think we better give this serious investigation.....:D " /
|
||
/////////////////////////////////////////////// W.DAVIS20 ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[PRO]//////////////////////////////
|
||
PROFILES /
|
||
/////////////////////////////////
|
||
Who's Who In Apple II
|
||
"""""""""""""""""""""
|
||
By Phil Shapiro
|
||
[P.SHAPIRO1]
|
||
|
||
|
||
|
||
>>> WHO'S WHO <<<
|
||
"""""""""""""""""
|
||
~ A GEnieLamp Profile of Kenrick J. Mock ~
|
||
|
||
GEnieLamp> Kenrick, how did you first come to start programming the Apple
|
||
""""""""" II? Do you have any anecdotes you can share about your early
|
||
experiences with the Apple II?
|
||
|
||
Mock> I first started programming in BASIC on my Apple II+ back when I
|
||
"""" was in the 5th or 6th grade. I'd have a grand old time typing in
|
||
games from books. At the time there were also a couple of magazines that
|
||
would publish games in BASIC for users to type in and run. Eventually I
|
||
took a class in assembly and pascal, but I learned most of my programming
|
||
skills by just hacking around on my own.
|
||
|
||
Probably my favorite Apple II story comes a bit later in life. At one
|
||
of the San Francisco Applefests, Activision sponsored a contest to promote
|
||
their new GS game, GBA 2-on-2 Basketball. They had Joe Barry Carroll there
|
||
and everything - it was a big deal! In the contest, whoever had the most
|
||
points after playing the computer would win a new GS system. I made it to
|
||
the final round in the playoffs. I played last - and the other two
|
||
contestants actually lost their games to the computer! When it was my
|
||
turn, I jumped out to an early lead and started messing around. The
|
||
computer slowly caught up, and suddenly with about 10 seconds left to play,
|
||
the game was tied! Fortunately, I was able to call a time-out and pass to
|
||
my computer teammate, who made the basket and won the game! The slight
|
||
controversy was that the other contestants didn't know about the time-out
|
||
feature, but I won the GS nevertheless. (Ironically, I already owned a GS,
|
||
while the other two contestants owned IIe's.
|
||
|
||
|
||
GEnieLamp> Can you tell us a little about your background and education.
|
||
""""""""" I understand you graduated from college not long ago. Did
|
||
you study computer science in college?
|
||
|
||
Mock> I graduated from high school in 1986 and attended UC Davis where I
|
||
"""" received my degree in Electrical Engineering and Computer Science.
|
||
Originally, I had intended to focus more on the hardware aspects of
|
||
computers (I have always enjoyed tinkering with electronics since an early
|
||
age - I once made a robot which I could control from my Apple II+), but
|
||
towards the end of my sojourn at UCD I found that I enjoyed the computer
|
||
programming the most. I worked at the Los Alamos Nat'l Laboratory in New
|
||
Mexico for about 3/4 of a year, doing some work with virtual- reality,
|
||
user-interfaces, and software maintenance. A lot of the ideas for my games
|
||
actually arose when I was working out in New Mexico. After I'd finished
|
||
there, I worked for the MIS department of Chevron Chemical Company for
|
||
another 3/4 of a year primarily doing work with multimedia.
|
||
|
||
I left the "real world" to go back to school. Currently, I'm working
|
||
on my Ph.D. at UC Davis, majoring in Artificial Intelligence. At the
|
||
moment I'm being funded by NASA Ames to develop a prototype system for
|
||
reasoning about failures aboard Space Station Freedom. It's kind of a
|
||
precursor to a HAL 9000, since we are communicating with the user in plain
|
||
english. I have a few AI projects I've been thinking about converting to
|
||
the GS...
|
||
|
||
|
||
GEnieLamp> Your shareware disks have achieved national recognition for
|
||
""""""""" their quality and originality. Can you comment a bit on your
|
||
ideas about shareware as a publishing channel?
|
||
|
||
Mock> I think shareware is a pretty good publishing channel. However,
|
||
"""" shareware certainly doesn't reach as wide an audience as a
|
||
commercial program. Moreover, as I'm sure you know, only a small fraction
|
||
of those people who use shareware actually send in the fee. Nevertheless,
|
||
I've been fairly pleased with the response to my programs, and would like
|
||
to thank those who have paid. I'm not really in this for profit, so the
|
||
money is really icing on the cake.
|
||
|
||
|
||
GEnieLamp> Continuing further on the subject of shareware, what is the
|
||
""""""""" furthest place on the globe from which you've received a
|
||
shareware fee? Any interesting letters from shareware fans?
|
||
|
||
Mock> I've gotten letters from all over the world. Quite a few from
|
||
"""" Canada and Australia, and a handful from Japan and the Middle
|
||
East. One of my favorite letters contained a computer printout of the high
|
||
score screen, showing that my score had been surpassed! (BTW, if you read
|
||
this, my new high score is 1420.) My favorite is a letter which described
|
||
how Columns GS had interested their learning-disabled daughter enough to
|
||
want to play with the computer. After playing Columns, she began to branch
|
||
out to using the computer for other things. It was quite heartwarming to
|
||
hear how Columns had gotten someone else started with the Apple IIgs.
|
||
|
||
|
||
GEnieLamp> Kenrick, all of your games seem to be centered around the
|
||
""""""""" English alphabet - - - Boggled, LetterSlide and now VIAD.
|
||
Is this due to a strong background in English?
|
||
|
||
Mock> I've always enjoyed reading and word games, but I don't have much
|
||
"""" of a technical background in English. VIAD was actually written
|
||
first. While I was waiting for James to finish the music, I thought I'd
|
||
make use of his alphabet block-set and cranked out Boggled. At that point,
|
||
James was still working on the music, so I was able to finish LetterSlide
|
||
as well.
|
||
|
||
|
||
GEnieLamp> Many people who use and enjoy your games must wonder what
|
||
""""""""" programming tools you used to create them. Which are your
|
||
favorite tools and what particularly do you like about them?
|
||
|
||
Mock> I use a mixture of Orca/C and Orca/M for my programming. The nice
|
||
"""" thing about Orca is that it's possible to integrate assembly and a
|
||
high-level language (like C) together. As far as tools, there's a package
|
||
of text tools from 360 microsystems which I kind of like. I've also used
|
||
the FTA's tool 219 to play soundsmith music, although one of these days
|
||
I'll switch over to Ian Schmidt's music player. I've also got a variety of
|
||
graphical and input/output tools I've developed myself - I used some of
|
||
them in my SAP animation program.
|
||
|
||
|
||
GEnieLamp> The background music for your Columns GS game is quite
|
||
""""""""" striking. Did you compose this music yourself, or was it
|
||
"inspired" from another source?
|
||
|
||
Mock> Hardly! The music and graphical genius for Columns and VIAD is all
|
||
"""" the work of James Brookes. You've probably seen his work on the
|
||
IRC demos, DuoTris, DuelTris, and a couple of other programs. In fact,
|
||
Columns GS 2.0 would never have existed if it weren't for James. I was
|
||
ready to stop programming at version 1.0, but James sent me some music and
|
||
graphic samples which he'd created. Since he had already made them, I had
|
||
no choice but to use them! As a result, Columns GS 2.0 was released and it
|
||
would never have been as popular as it is without his music and graphics.
|
||
|
||
|
||
GEnieLamp> Besides programming, what other hobbies and interests do you
|
||
""""""""" have? What do you wish you could spend more time doing?
|
||
|
||
Mock> Aside from computers, my next hobby has to be running. I used
|
||
"""" to run on the cross country and track teams in college. Lately,
|
||
I've been a bit lax in my workouts, but I've been trying to get back into
|
||
racing shape. I also enjoy various types of theater, concerts, anything
|
||
having to do with the outdoors, and I've just started windsurfing. One of
|
||
the things I'd like is to have some more free time for reading - I've got a
|
||
long list of books I've been wanting to catch up on.
|
||
|
||
|
||
GEnieLamp> As someone who has exhibited a strong creative flair, can you
|
||
""""""""" share any ideas about ways of promoting creativity? Any
|
||
general comments about the nature of human creativity?
|
||
|
||
Mock> I subscribe to the same theory of creativity as a psychologist
|
||
"""" named Mednick - creativity is just the ability to take different
|
||
ideas and mush them together to make new ones. I believe one way to
|
||
promote creativity is to stop worrying what others may think about your
|
||
work. Don't worry about being "graded"! Just have fun.
|
||
|
||
|
||
GEnieLamp> Whose work do you admire most in the national Apple II
|
||
""""""""" community? What about their work do you admire? Locally, was
|
||
there any one person who helped ignite your interest in computers?
|
||
|
||
Mock> The last question is the easiest to answer - my dad is the one
|
||
"""" responsible for getting me going with computers. As far as other
|
||
people, that's a tough call. James Brookes is certainly a stud. I'd have
|
||
to give him the artistry award. I've also enjoyed Will Harvey's and Bill
|
||
Heineman's programs. Ken Franklin's relief-ware concept is also quite
|
||
admirable.
|
||
|
||
|
||
GEnieLamp> Any ideas on where the future of telecommunications is is
|
||
""""""""" taking us? What services do you think GEnie might be
|
||
offering in the year 2000? What services do you think it SHOULD be
|
||
offering?
|
||
|
||
Mock> Here in Davis, we've got a project called the Davis Community
|
||
"""" Network. It will bring digital communications to every home in
|
||
town. I'll essentially have 57.6 Kbps lines going straight to my room! I
|
||
think the future will see high speed networks and internet availability
|
||
coming to residential areas. Eventually I see GEnie communicating to its
|
||
users via a variety of media; e.g., visual and auditory, rather than just
|
||
text.
|
||
|
||
|
||
GEnieLamp> Are you currently working on anything that you can tell us
|
||
""""""""" about?
|
||
|
||
Mock> I have an artificial intelligence board game called Pente that
|
||
"""" will be out very soon. After that, I hope to finish up a
|
||
dictionary editor for the word games, and I also want to make some
|
||
improvements to the SAP program. After that, I've got a couple of ideas
|
||
but nothing concrete.
|
||
|
||
|
||
GEnieLamp> Where can people reach you to send their ideas for the next
|
||
""""""""" great Kenrick Mock game?
|
||
|
||
Mock> I'd love to hear any ideas or comments. My mailing address is:
|
||
""""
|
||
Kenrick Mock
|
||
2300 Sycamore Lane, 18
|
||
Davis, CA 95616-5511
|
||
|
||
|
||
And I can be reached via electronic mail at:
|
||
|
||
GEnie: K.MOCK
|
||
Internet: mock@toadflax.cs.ucdavis.edu
|
||
BBS: (916) 757-7856
|
||
|
||
|
||
/////////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "BTW, Mandala is a term from Oriental Art, meaning a stylized /
|
||
/ representation of the Cosmos. I spend hours staring at the /
|
||
/ screen, hoping to soak up culture. But I just fall asleep." /
|
||
/////////////////////////////////////////////// N.WEINRESS ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[LIB]//////////////////////////////
|
||
THE ONLINE LIBRARY /
|
||
/////////////////////////////////
|
||
Yours For The Downloading
|
||
"""""""""""""""""""""""""
|
||
By Mel Fowler
|
||
[MELSOFT]
|
||
|
||
o Prime Bulletin Board System
|
||
|
||
o Zippety-Doo-Dah! Zippety-Day!
|
||
|
||
|
||
|
||
THINKING ABOUT STARTING A BBS? How many of you have wanted to start a
|
||
"""""""""""""""""""""""""""""" local bulletin board system (BBS) but
|
||
just didn't want to spend the money on the new equipment such a venture
|
||
would entail? Well, you may have the equipment hidden away in a closet or
|
||
garage someplace. Dig out that Apple II+, IIc, or IIe and take a look at
|
||
Prime.BBS version 2.2 which went public domain in the middle of 1992 and is
|
||
available right here on GEnie, in the A2 Library.
|
||
|
||
Prime.BBS is perfect for starting up a small (25 to 200 subscriber)
|
||
local bulletin board. Its easy to install, simple to operate, and will run
|
||
on any Apple II with 64K of RAM, including an Apple ][+ with some
|
||
limitations. You will also need a modem (modulator/demodulator) that
|
||
operates at 300, 1200, or 2400 baud and a Super Serial Card. A small hard
|
||
drive of 5 to 10 Megs is also recommended but not mandatory if you have two
|
||
disk drives, either 5.25 inch floppy or 3.5 inch. However, if you are
|
||
using two 5.25 inch floppy disk drive you would be somewhat limited in your
|
||
scope of operations, being able to have an E-Mail and a bulletin board area
|
||
but not a software library. With two 3.5 inch drives you can handle just
|
||
about everything with your software library or libraries on one drive and
|
||
everything else on the other. A ProDOS compatible clock card is strongly
|
||
recommended. A printer is optional.
|
||
|
||
You may already have some or all this stuff just hanging around doing
|
||
nothing. Now you can put it to work and become an all powerful System
|
||
Operator (SysOp) on your own BBS. Start a BBS for your local Apple II
|
||
users group. Share a collection of shareware, freeware, and public domain
|
||
software with the club, and the club with you. Local BBSs are popping up
|
||
all over and cover all types of special interests from chess clubs to
|
||
retired senior citizens.
|
||
|
||
Prime.BBS offers you complete access control so you can setup areas
|
||
of your board that have limited access to users. You control everything
|
||
your users see and do while they are on your board. If you don't like the
|
||
look and feel of the default menus or the structure of the libraries,
|
||
change them to meet your desires. You can edit almost anything about
|
||
Prime.BBS. Electronic mail is an important part of every bulletin board
|
||
and Prime.BBS supports a simple, elegant E-Mail system.
|
||
|
||
You can create as many special interest areas within your board as you
|
||
need, with each area having its own bulletin board and library. The
|
||
libraries can also be divided into categories which reflect the type of
|
||
software in them, such as separate sections for graphics, utilities, games,
|
||
etc. A SysOp can be assigned to monitor and control each area.
|
||
|
||
The External program section adds real power to your board and allows
|
||
for the addition of external programs such as games, phrase of the day,
|
||
"this day in history," or a calculator. You can even add external menus.
|
||
You can control how the board answers callers, with a message for new
|
||
subscribers that outlines what the board has to offer and the rules and
|
||
etiquette required of a all subscribers.
|
||
|
||
The 89 page (not counting appendices) manual covers every aspect of
|
||
Prime.BBS and is written in Classic Appleworks for easy access. It is will
|
||
organized and easy to follow, even though it covers everything you need to
|
||
know down to the last detail.
|
||
|
||
Downloading Prime.BBS can be done in two ways depending on your
|
||
choice of disks. If you want to use 5.25 inch floppy disks you would have
|
||
to download the following:
|
||
|
||
File number Volume name
|
||
"""""""""""""""""""""""""""""""""
|
||
18893 /INSTALL
|
||
18894 /SYSTEM
|
||
18895 /UTILITY
|
||
18896 /XFER1
|
||
18897 /XFER2
|
||
19050 /MANUAL PART1
|
||
19051 /MANUAL PART2
|
||
|
||
For 3.5 inch disks, or a hard drive, download the following:
|
||
|
||
19189 /Prime.BBS
|
||
18837 /Prime.BBS Doc
|
||
|
||
Other recommended downloads are:
|
||
|
||
19649 /BUGS AND FIXES
|
||
18994 /USER REPORTS
|
||
19706 /USER REPAIR UTILITY
|
||
19175 /SYSTEM DIRECTORY LISTING
|
||
19249 /PRIME.TIP1
|
||
19228 /PRIME Alternative Xfer System
|
||
19227 /Prime Xpress Xfer Documentation
|
||
19545 /Prime Xpress Patch & Fixes
|
||
|
||
|
||
For a complete listing of all Prime.BBS files just do a search of the
|
||
A2 library for "Prime". They range from role playing games, sport
|
||
simulations like golf and football, adventure games, board games, a lottery
|
||
system, and general information like the complete history of the Apple II.
|
||
Everything you need to make your BBS entertaining and fun to use.
|
||
|
||
The best feature of Prime.BBS is William T. Goosey, Jr. (W.GOOSEY)
|
||
here on GEnie and the Prime.BBS category. "Goose" is the resident guru for
|
||
Prime.BBS and is available to answer any of your questions concerning
|
||
installation and operation. So if you run into problems just go to
|
||
Category 41, Topics 4: Prime BBS System goes Public, Topic 5: Prime Help
|
||
and Bug reports, and Topic 6: Advertise your Prime BBS here. Goose has
|
||
uploaded over 70 Prime BBS programs that can be used to enhance your
|
||
bulletin board operation. He continues to upload tested modules for Prime.
|
||
|
||
So what's holding you back? Dig out that unused Apple II and get
|
||
into the Bulletin Board business. It's easy if you have Prime.BBS. And
|
||
how can you go wrong with a resident expert right here on GEnie?
|
||
|
||
|
||
|
||
Zippety-Doo-Dah! Zippety-Day! New 8-Bit Apple II Utility Opens Up a
|
||
"""""""""""""""""""""""""""""" Magical Kingdom of Zipped Text Files
|
||
Thanks to the programming wizardry of Russ Woodroofe, Apple IIe, IIc,
|
||
IIGS, and IIc+ users are now able to download and decompress text files
|
||
archived in IBM "zip" format. The neat thing about Russ Woodroofe's UnZIP
|
||
IIe program is that it looks, feels, and operates in much the same fashion
|
||
as ShrinkIt.
|
||
|
||
This opens many doors to downloadable files that were previously
|
||
inaccessible to Apple II users. Federal government bulletin boards, in
|
||
particular, seem to have many text files archived in "zip" format.
|
||
|
||
But you can also find "zipped" text file goodies right here on GEnie.
|
||
Two places to go hunting are GEnieLamp's own file library, accessed from
|
||
page 515 on GEnie. And the Home Office/Small Business roundtable library,
|
||
accessed by typing HOSB at any standard GEnie prompt.
|
||
|
||
For your modeming convenience and pleasure, a complete listing of the
|
||
GEnieLamp library of text files has been captured, shrunk, and uploaded to
|
||
the A2 file library. Persons interested in delving further should direct
|
||
their attention to A2 file number 20286, "GL.Library.BXY".
|
||
|
||
Within the GEnieLamp library you'll find a smorgasbord of text files
|
||
including information about the "Disktop Publishing Association," freeware
|
||
fiction and non-fiction writings, and even freeware poetry.
|
||
|
||
The instant popularity of UnZip IIe is evidenced by the fact that over
|
||
120 people have downloaded the file in the past month. One small pointer,
|
||
though. The current version of UnZip IIe has problems decompressing files
|
||
whose file name violates Prodos's rules. So some of the IBM zipped files
|
||
which use underline characters and other oddities will cause UnZip IIe to
|
||
give a "Bad Pathname Syntax" error.
|
||
|
||
The good news is that although these "IBM oddities" files cannot be
|
||
decompressed to disk, the program is still able to display the text in
|
||
these files on your Apple II screen.
|
||
|
||
*********************************
|
||
Number: 20121 Name: UNZIPIIE.BXY V1.0
|
||
Address: NORBY Date: 930119
|
||
Approximate of bytes: 18048
|
||
Number of Accesses: 124 Library: 40
|
||
Description:
|
||
Here's a nice UnZIPer, complete with a ShrinkIt-type interface,
|
||
which will run on any //e or up. I would recommend an
|
||
enhanced //e (the extensive mousetext would look pretty
|
||
confusing without), but doesn't check, and doesn't use any
|
||
65c02 opcodes. Docs with more info are included. Shareware $10
|
||
Keywords: ZIP,UnZIP,Archiver,Compression,8-bit,utilities
|
||
|
||
[*][*][*]
|
||
|
||
|
||
[Note: You can quickly navigate to the A2 Library on GEnie by typing
|
||
M645;3 at any standard GEnie prompt. The letter "m" stands for
|
||
the command "move." The number 645 refers to the "page" on GEnie where
|
||
the A2 Roundtable is located. And the semi-colon 3 refers to the
|
||
A2 file library, as opposed to the message areas of the A2 Roundtable.
|
||
To navigate directly to the message areas (bulletin boards) of the
|
||
A2 Roundtable, type: M645;1 at any standard GEnie prompt.]
|
||
|
||
|
||
|
||
[EAO]
|
||
[FUN]//////////////////////////////
|
||
ONLINE FUN /
|
||
/////////////////////////////////
|
||
Search-ME!
|
||
""""""""""
|
||
By Scott Garrigus
|
||
[S.GARRIGUS]
|
||
|
||
|
||
|
||
EXPLORING GEnie Have you ever wondered what will happen to you in the
|
||
""""""""""""""" future? If maybe you'll find romance or become rich?
|
||
Don't say no because like any other human being in this world I know you
|
||
have! :-) Yes! We'd all like to see what the future might hold for us but
|
||
unfortunately the time machine hasn't been invented yet. Here on GEnie
|
||
though, we've got the next best thing... the Astrology Roundtable!
|
||
|
||
That's right! This month I visited the Astrology Roundtable (page
|
||
1180) and found a lot of fascinating facts! If your interested in
|
||
astrology at all you've got to check this RT out! Exchange messages with
|
||
other astrology fanatics in the BBS and you can even download your
|
||
horoscopes from the library! It's great fun!
|
||
|
||
But before you go, be sure and solve this months puzzle... Until next
|
||
month... Keep on smilin'! :-)
|
||
|
||
|
||
|
||
>>> THE ASTROLOGY ROUNDTABLE <<<
|
||
""""""""""""""""""""""""""""""""
|
||
~ M1180 Keyword:ASTROLOGY ~
|
||
|
||
D V T U D B S S U I R A U Q A D A T M X Y Y S
|
||
M G Z V H C K S A S K H E S W S U R U A T J Y
|
||
K O L F O O Q A S Q N B P H O F G O P X E Y A
|
||
M T R R N W N J K N Q C O S I Y E K D Z R R U
|
||
P U P E F A S M J C O B C P A L J N X P B P R
|
||
V I K D L X A C M C A P S P G O Q A X I I A I
|
||
O L S Y Y S G A N G S P O T R S T E L D W J H
|
||
U Y S C N B I N F W N G R I S N E V A E H A H
|
||
O E Z G E V T C G U E U O I I N D Y A H S U Q
|
||
S K I B I S T E Z M A T H C C O N Z N T M D S
|
||
L S H L W J A R I H O S N U L O A C R Q U E G
|
||
P A Q J E U R N W L B X T Q I W R O C I I I W
|
||
T I C G R S I W M W F V I R G O L N N R K I S
|
||
D F I I T C U C H A R T P S O O H B A X U K W
|
||
M Y V A T I S F A U M T N R G L A Z X A C R D
|
||
L V R W H S O L F D F A M I U B O S M U Q Y Q
|
||
W S N F L Y Y K E W B F C Y S L U G P M M R H
|
||
N D R K Q Y N M H D P A N T U A E Y Y L Z V Q
|
||
Z D V M E A U F G X L N Z U L A P B A B S D H
|
||
H A T R T V C N T E F M N Z R R L I Q Y L U R
|
||
|
||
ANALYSES AQUARIUS ARIES
|
||
ASTROLOGICAL ASTROLOGY CANCER
|
||
CAPRICORN CHART GEMINI
|
||
HEAVENS HOROSCOPE LEO
|
||
LIBRA MYSTICAL PISCES
|
||
SAGITTARIUS SCORPIO SIGNS
|
||
STARS TAURUS VIRGO
|
||
|
||
[*][*][*]
|
||
|
||
|
||
GIVE UP? You will find the answers in the LOG OFF column at the end of
|
||
"""""""" the magazine.
|
||
|
||
This column was created with a program called SEARCH ME,
|
||
an Atari ST program by David Becker.
|
||
|
||
|
||
////////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "I would pound on the tree's until my characters needed rest /
|
||
/ then back off. Rest up and bash the tree's some more. If /
|
||
/ this got to boring I'd go off and chase rabbits for awhile, /
|
||
/ great fun, especially with throwing the baseballs." /
|
||
/////////////////////////////////////////////// JLHOFFMAN ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[AII]//////////////////////////////
|
||
APPLE II /
|
||
/////////////////////////////////
|
||
Apple II History, Part 10
|
||
"""""""""""""""""""""""""
|
||
By Steven Weyhrich
|
||
[S.WEYHRICH]
|
||
|
||
|
||
|
||
>>> APPLE II HISTORY <<<
|
||
""""""""""""""""""""""""
|
||
Compiled and written by Steven Weyhrich
|
||
(C) Copyright 1992, Zonker Software
|
||
(PART 10 -- DISK EVOLUTION / THE APPLE IIC PLUS)
|
||
[v1.3 :: 12 Nov 92]
|
||
|
||
|
||
|
||
INTRODUCTION This installment of the Apple II History series focuses on
|
||
"""""""""""" the return of Steve Wozniak to Apple Computer. The
|
||
evolution of Apple II computers takes one of its biggest strides with the
|
||
Apple IIgs computer. The development and design decisions made for the
|
||
IIgs are also covered in this segment.
|
||
|
||
[*][*][*]
|
||
|
||
|
||
THE APPLE II EVOLVES While the capabilities of the Apple II slowly
|
||
"""""""""""""""""""" advanced as it changed from the II up through the
|
||
IIc, the one thing that remained essentially unchanged was the 6502
|
||
microprocessor that controlled it. Even though the 65c02 had more commands
|
||
than the 6502, as an 8-bit processor it was inherently limited to directly
|
||
addressing no more than 64K of memory at one time. (As an 8-bit processor,
|
||
the 6502 could handle only 8 bits, or one byte at a time. However, its
|
||
address bus was 16 bits wide, which made for a maximum address of 1111 1111
|
||
1111 1111 in binary, $FFFF in hexadecimal, or 65535 in decimal. If you
|
||
divide 65536 bytes by 1024 bytes per "K", you get 64K as the largest memory
|
||
size). When Wozniak designed it, 64K was considered to be a massive amount
|
||
of memory, even for some mainframe computers. (For example, the old
|
||
mainframe on which I learned programming during college back in 1975 was a
|
||
ten-year-old IBM 1130 with 8K of memory; this was used for both the
|
||
operating system AND user programs!) Most hackers of the time would not
|
||
have known what to DO with four megabytes of memory, even if it had been
|
||
possible (or affordable) to install that much. Consequently, programs of
|
||
the day were compact, efficient, and primarily text-based.
|
||
|
||
The non-Apple II computer world had developed and advanced, and Apple
|
||
grudgingly allowed the Apple II to make its small, incremental advances.
|
||
Occasionally, efforts were made within Apple to make a more powerful Apple
|
||
II, but the lure of "better" computers always turned the attention of
|
||
management away from allowing such a project to actually make any progress.
|
||
First the Apple III, then Lisa, and finally Macintosh swallowed the
|
||
research and development dollars that Apple's cash cow, the Apple II,
|
||
continued to produce. The latter two computers were based around the
|
||
16-bit Motorola 68000 microprocessor, which had the capability to address
|
||
far more than 64K of memory. The Apple II could make use of more memory
|
||
only through complicated switching schemes (switching between separate 64K
|
||
banks). Although "Mac-envy" hit many Apple II enthusiasts both inside and
|
||
outside of Apple, causing them to move away from the II, there were still
|
||
many others who continued to press for more power from the II.
|
||
|
||
Eventually, a company called Western Design Center revealed plans to
|
||
produce a new microprocessor called the 65816. This chip would have all
|
||
of the assembly language opcodes (commands) of the 65c02 through an
|
||
"emulation" mode. However, it would be a true 16-bit processor, with the
|
||
ability handle 16 bits (two bytes) at a time and to address larger amounts
|
||
of continuous memory. The address bus was enlarged from 16 to 24 bits,
|
||
making the 65816 capable of addressing 256 times more memory, or 16
|
||
megabytes. The power to make a better Apple II was finally available.
|
||
|
||
|
||
THE RETURN OF WOZNIAK Back in early 1981, Steve Wozniak was involved
|
||
""""""""""""""""""""" with several projects at Apple. He had helped
|
||
write some fast math routines for a spreadsheet product that Apple had
|
||
planned to release in competition with Visicalc. Also, Steve Jobs had
|
||
managed to convince Wozniak to participate with his fledgling Macintosh
|
||
project. Then, in early February, Wozniak's private plane crashed. He was
|
||
injured with a concussion that temporarily made it impossible to form new
|
||
memories. He could not recall that he had an accident; he did not remember
|
||
playing games with his computer in the hospital; he did not remember who
|
||
visited him earlier in the day. When he finally did recover from the
|
||
concussion, he decided it was time to take a leave of absence from Apple.
|
||
Wozniak married, and returned to college at Berkley under the name "Rocky
|
||
Clark" (a combination of his dog's name and his wife's maiden name). He
|
||
decided he wanted to finally graduate, and get his degree in electrical
|
||
engineering and computer science. When he was done with that, he formed a
|
||
corporation called "UNUSON" (which stood for "Unite Us In Song") to produce
|
||
educational computer materials, wanting to make computers easier for
|
||
students to use. He also decided use UNUSON to sponsor a couple of rock
|
||
music events, and called them the "US Festival".<1> Held on Labor Day
|
||
weekend in 1982 and 1983, these music and technology extravaganzas were
|
||
invigorating for Wozniak, but he lost a bundle of money on both occasions.
|
||
Though nowhere near drying up the value of his Apple Computer stock, he
|
||
decided that he was ready to return to work. In June of 1983, Wozniak
|
||
entered the building on the Apple campus where the Apple II division was
|
||
housed and asked for something to do.
|
||
|
||
|
||
THE APPLE IIX When Wozniak returned, he discovered the latest of the
|
||
""""""""""""" Apple II modernization projects, which was code-named
|
||
"IIx". When he saw what the 65816 could do, he became excited about the
|
||
potential of the new Apple II and immediately got involved. It was a
|
||
tremendous boost in morale for the division to have their founder return to
|
||
work. However, the IIx project was plagued by several problems. Western
|
||
Design Center was late in delivering samples of the 65816 processor. First
|
||
promised for November 1983, they finally arrived in February 1984--and
|
||
didn't work. The second set that came three weeks later also failed.
|
||
|
||
Other problems came out of the engineering mindset that still existed
|
||
at Apple at the time. Recall that people there liked designing boxes that
|
||
would do neat things, but there was not enough of a unified focus from
|
||
above to pull things together. The marketing department wanted the IIx to
|
||
have a co-processor slot to allow it to run different microprocessors. The
|
||
code name of the project by this time was "Brooklyn" and "Golden Gate"
|
||
(referring to the ability to make it a bridge between the Apple II and
|
||
Macintosh). The co-processor slot could allow the IIx to easily do what
|
||
third party companies had done for the original Apple II with their Z-80
|
||
boards (which allowed them to run CP/M software). Co-processor boards
|
||
considered were ones for the Motorola 68000 (the chip used in the
|
||
Macintosh), and the Intel 8088 (used in the IBM PC). The IIx project got
|
||
so bogged down in trying to become other computers, they forgot it was
|
||
supposed to be an advanced Apple II. Politically it also had problems at
|
||
Apple, because it was being aimed as a high-end business machine, which was
|
||
where they wanted the Macintosh to go.<2>,<3> Wozniak lost interest as
|
||
things ran slower and slower, and eventually the project was dropped.
|
||
|
||
|
||
THE 16-BIT APPLE II RETURNS When the IIx project was cancelled in March
|
||
""""""""""""""""""""""""""" 1983, some of the Apple II engineers were
|
||
assigned the task of reducing the cost of the Apple II. Engineers Dan
|
||
Hillman and Jay Rickard managed to put almost the entire Apple II circuitry
|
||
onto a single chip they called the Mega II. Meanwhile, after the "Apple II
|
||
Forever" event that introduced the IIc, interest in the Apple II revived
|
||
and sales were quite good. Management saw that sales of the open IIe were
|
||
better than the sales of the closed IIc, so they were agreeable to the idea
|
||
of another try at the 16-bit Apple II, possibly utilizing the Mega II chip.
|
||
By late summer 1984 it was revived with the code name "Phoenix" (rising
|
||
from the ashes of the IIx project).<3>
|
||
|
||
|
||
THE APPLE IIGS: GOALS OF THE DEVELOPMENT TEAM The people involved in the
|
||
""""""""""""""""""""""""""""""""""""""""""""" Phoenix project were very
|
||
knowledgeable about the Apple II, from the days of the ][ through the //c.
|
||
They knew what THEY wanted in a new computer. It should primarily be an
|
||
Apple II, not just something NEW that tried to be all things to all
|
||
people.<4> Dan Hillman, who had also been involved as the engineering
|
||
manager for the IIx project, stated in an interview, "Our mission was very
|
||
simple. First we wanted to preserve the Apple II as it exists today. It
|
||
had to work with Apple IIe software and Apple IIc software. That was goal
|
||
number 1. But we recognized that the Apple II was an old computer. It had
|
||
limitations. The new machine needed to address those limitations, break
|
||
through those barriers--and the barriers were very obvious: We needed to
|
||
increase the memory size. We had to make it run faster. We needed better
|
||
graphics. And we had to have better sound. That was our mission." Since
|
||
advanced graphics and sound were what would make this new Apple really
|
||
shine, the name eventually assigned to the final product was "Apple
|
||
IIGS".<3>
|
||
|
||
Having learned from their experience in building the Apple IIe and
|
||
IIc, they knew what would make the new 16-bit Apple II more powerful. The
|
||
Apple IIc was easy to use because the most commonly needed peripherals were
|
||
already built-in. The Apple IIe, however, excelled in its ability to be
|
||
easily expanded (via the slots) to do things that were NOT commonly needed
|
||
or built-in. Harvey Lehtman, system software manager for the project,
|
||
stated, "We ... wanted the Apple IIGS to be easy to set up, like the IIc,
|
||
and easy to expand, like the IIe."<3>
|
||
|
||
|
||
THE APPLE IIGS: ARCHITECTURE Wozniak was quite involved in designing the
|
||
"""""""""""""""""""""""""""" general layout of the IIGS. Insisting on
|
||
keeping it simple, he recommended AGAINST a built-in co-processor (as they
|
||
tried to do with the IIx). He also wanted to keep the 8-bit part of the
|
||
machine separate from the 16-bit part. To accomplish this, he and the
|
||
other engineers decided to design it so the memory in the lower 128K of the
|
||
machine was "slow RAM", which made it possible for it to function just as
|
||
it did on the older Apple II's. This included the memory allocation for
|
||
the odd addressing schemes used in the text and graphics modes and (which
|
||
made sense in 1976, but not in 1986). The rest of the available memory
|
||
space would be fast, and could be expanded to as much as 16 megabytes.
|
||
With a faster microprocessor, it would also be possible to run programs
|
||
more quickly than on the older Apple II's.<3>
|
||
|
||
|
||
THE APPLE IIGS: GRAPHICS One area they decided to focus on was bringing
|
||
"""""""""""""""""""""""" the quality of graphics on the new Apple II up
|
||
to modern standards. Rob Moore, the Phoenix project hardware group
|
||
manager, helped define the new graphics modes of the IIGS. Because a
|
||
change that increased the vertical resolution from 200 dots to 400 dots
|
||
would make the computer too expensive (it would require a special
|
||
slow-phosphor monitor), they purposely decided not to go in that direction.
|
||
Instead, they increased the horizontal resolution, and created two new
|
||
graphics modes (called "super hi-res"); one was 320 x 200 and the other was
|
||
640 x 200. This decision also made it easier to keep compatibility with
|
||
older graphics modes.<3>
|
||
|
||
As mentioned above, the text and graphics addressing on the old Apple
|
||
II was odd, from a programming standpoint. When Wozniak originally
|
||
designed the II, he made the memory allocation for text and graphics to be
|
||
"non-linear", since this saved several hardware chips and made it less
|
||
expensive to build. This meant that calculating the memory address of a
|
||
specific dot on the hi-res graphics screen or a character on the text
|
||
screen was not as simple as most programmers wanted. The hi-res screen
|
||
began at $2000 in memory, and the first line on the hi-res screen (line 0)
|
||
started at that address. Each line on the hi-res screen was made up of 40
|
||
bytes of 8 bits each, and seven bits of each byte represented a dot or
|
||
pixel on the screen, giving a possible 280 dots horizontally. Since 40
|
||
bytes is $28 in hex, line 0 then ran from $2000 to $2027 in memory.
|
||
However, the second line (line 1) of the hi-res screen did NOT start at
|
||
$2028 as one would expect, but at $2080. The hi-res screen line
|
||
represented by memory locations $2028 to $204F was line 8, and $2050 to
|
||
$2077 was line 16. The last eight bytes of this 128 byte section of memory
|
||
was unused. The next 128 bytes were allocated to screen lines 1, 9, and
|
||
17, and so on.
|
||
|
||
Because this complicated things considerably for programmers, the
|
||
design team for the IIGS wanted linear addressing, which would allow the
|
||
memory addresses of line 0 to be followed by the addresses for line 1, and
|
||
so on. Because the graphics resolution and range of available colors
|
||
planned was much greater than either of the older graphics modes (hi-res or
|
||
double hi-res), they needed 32K of continuous memory to use. Because they
|
||
planned on a minimum memory configuration of 256K for the IIGS as it would
|
||
be shipped, they could not come up with that much memory in one single
|
||
block. Engineer Larry Thompson designed a special Video Graphics
|
||
Controller (VGC) to solve the problem. The chip combined two separate 16K
|
||
blocks of memory and make it appear as a single continuous 32K block of
|
||
memory, as far as the graphics programmer was concerned.<3>
|
||
|
||
The new super hi-res graphics modes also gave far more color choices
|
||
than either the old hi-res mode (which had six unique colors) or even the
|
||
double hi-res mode (which had sixteen colors). In the 320 x 200 super
|
||
hi-res mode, each line could have sixteen colors out of a possible 4,096,
|
||
and in the 640 x 200 mode, each line could have four colors out of 4,096.
|
||
This gave graphics power that was not even available on a Macintosh (which
|
||
was still black and white at the time).
|
||
|
||
|
||
THE APPLE IIGS: SOUND The second major area of focus for enhancements
|
||
""""""""""""""""""""" over the old Apple II was sound reproduction. The
|
||
original sound chip that had been proposed for the IIGS would have given it
|
||
the sound quality of a typical arcade game. However, this was no better
|
||
than what other computers in 1986 could do. Rob Moore suggested using a
|
||
sound chip made by Ensoniq, one that was used in the Mirage music
|
||
synthesizer. He had to push hard to get this included in the final design,
|
||
but was able to convince management of its importance because he told them
|
||
it would be "enabling technology" (borrowing a phrase from a Macintosh
|
||
marketing book). He told them "it would enable people to do things they'd
|
||
never dreamed of doing."<3>
|
||
|
||
The Ensoniq chip was capable of synthesizing FIFTEEN simultaneous
|
||
musical voices. To help it in doing such complex sound reproduction, they
|
||
gave the chip a separate 64K block of RAM memory dedicated specifically for
|
||
that purpose.
|
||
|
||
|
||
THE APPLE IIGS: MEMORY The 65816 is designed to address up to 16 MB of
|
||
"""""""""""""""""""""" memory. The IIGS, however, was designed to
|
||
support only 8 MB of RAM, and up to 1 MB of ROM (in high memory). With
|
||
cards specially designed by third-party companies, up to 12 MB of RAM could
|
||
be added, but the memory manager in ROM was only aware of the first 8 MB.
|
||
A special patch was needed to allow the system to use memory beyond that
|
||
point.
|
||
|
||
Building on the traditional memory organization from 6502 days,
|
||
memory in the IIGS was usually referred to in banks, from $00 through $FF.
|
||
Each bank refers to a 64K chunk of memory. The lowest bank, $00, was
|
||
identical to the 64K memory space in the original Apple II. The next bank,
|
||
$01, was the same as the auxiliary memory bank used on the Apple IIe and
|
||
IIc. (Additionally, the super hi-res graphics display was found in 32K of
|
||
the memory in bank $00, from $2000 to $9FFF). The banks from $02-$7F were
|
||
also for RAM storage, and covered things up to the 8 MB limit. Banks
|
||
$80-$DF could be used for another 4.25 MB of RAM, but as mentioned above
|
||
they were unusable (without a patch) because the memory manager didn't know
|
||
how to access it.
|
||
|
||
The memory expansion slot designed for the IIGS only had two lines to
|
||
decode addresses. This allowed for direct access to each of four 256K RAM
|
||
chips, or four 1 MB RAM chips. In order to make use of the next 4 MB of
|
||
RAM some special logic was needed to find and use it. RAM cards with more
|
||
than 4 MB were never directly supported by Apple.<5>
|
||
|
||
Banks $E0 and $E1 were a special part of RAM that was used to
|
||
duplicate ("shadow") banks $00 and $01. This RAM was designed as "slow"
|
||
RAM, and would better be able to run some of the older 8-bit Apple II
|
||
software. When shadowing was active, anything a program did to addresses
|
||
in banks $00 and $01 was duplicated in banks $E0 and $E1. Although it
|
||
appeared to a program that it was running in the lower two banks, it was
|
||
really running in the slow RAM in banks $E0 and $E1.<6>
|
||
|
||
Banks $E2-$EF were undefined. The last one MB from $F0-$FF was
|
||
allocated to ROM. The lower 512K (banks $F0-$F7) were set aside for a
|
||
ROMdisk. (A ROMdisk is just like a RAMdisk, except it will not lose its
|
||
contents when power is turned off). For a ROMdisk to be installed, a
|
||
device driver for the disk had to be located at the beginning of bank $F0
|
||
(at address $F0/0000), and the driver had to start with the phrase
|
||
"ROMDISK". The most common way this was used by third-party hardware
|
||
providers was to take some of the GS memory, protect it with a battery (so
|
||
its contents didn't disappear when the computer was turned off), and
|
||
designate it properly to the IIGS as a ROMdisk (even though it was simply
|
||
protected RAM, and not true ROM).<7>
|
||
|
||
The rest of the space from $F8-$FF was reserved for system ROM. The
|
||
original IIGS had ROM code only from $FE-$FF, while later versions
|
||
expanded this space to include $FC and $FD.
|
||
|
||
[*][*][*]
|
||
|
||
|
||
NEXT INSTALLMENT The Apple IIGS, cont.
|
||
""""""""""""""""
|
||
|
||
NOTES
|
||
"""""
|
||
|
||
<1> Miller, Jonathan. "The Life And Times Of Rocky Clark", SOFTALK,
|
||
June 1982, pp. 141-144.
|
||
|
||
<2> Pinella, Paul. "In The Beginning: An Interview With Harvey
|
||
Lehtman", APPLE IIGS: GRAPHICS AND SOUND, Fall/Winter 1986, pp.
|
||
38-44.
|
||
|
||
<3> Duprau, Jeanne, and Tyson, Molly. "The Making Of The Apple
|
||
IIGS", A+ MAGAZINE, Nov 1986, pp. 57-74.
|
||
|
||
<4> Hogan, Thom. "Apple: The First Ten Years", A+ MAGAZINE, Jan
|
||
1987, p. 45.
|
||
|
||
<5> Regan, Joe. A2PRO ROUNDTABLE, Oct 1991, Category 16, Topic 2.
|
||
|
||
<6> Williams, Gregg. "The Apple IIGS", BYTE, Oct 1986, pp. 84-98.
|
||
|
||
<7> Nolan, Sean. "GS Memory Cards Compared", CALL-A.P.P.L.E., Aug
|
||
1987, pp. 10-17.
|
||
|
||
|
||
///////////////////////////////////////////// GEnie_QWIK_QUOTE ////
|
||
/ "Thanks Alan and Charles. I don't know what I would do without /
|
||
/ you all and GEnie. I knew C was going to be different but, WOW! /
|
||
/ It's like a whole new world." /
|
||
///////////////////////////////////////////////// R.WATSON15 ////
|
||
|
||
|
||
|
||
[EOA]
|
||
[LOG]//////////////////////////////
|
||
LOG OFF /
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GEnieLamp Information
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o COMMENTS: Contacting GEnieLamp
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o GEnieLamp STAFF: Who Are We?
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o GET_THE_LAMP Scripts & Macros
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o SEARCH-ME! Answers
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GEnieLamp GEnieLamp is monthly online magazine published in the
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""""""""" GEnieLamp RoundTable on page 515. You can also find
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GEnieLamp can also be found on CrossNet, Internet, America Online and
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We welcome and respond to all GEmail.To leave messages, suggestions
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or just to say hi, you can contact us in the GEnieLamp RoundTable (515)
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or send GE Mail to John Peters at [GENIELAMP] on page 200.
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U.S. MAIL
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"""""""""
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GEnieLamp Online Magazine
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Atten: John Peters
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Colorado Springs, CO 80915
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>>> GEnieLamp STAFF <<<
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"""""""""""""""""""""""
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GEnieLamp o John Peters [GENIELAMP] Editor-In-Chief
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"""""""""
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ATARI ST o John Gniewkowski [J.GNIEWKOWSK] Editor
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"""""""" o Mel Motogawa [M.MOTOGAWA] ST Staff Writer
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"""""""""
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ATARI [PR] o Fred Koch [F.KOCH] Editor/PD_Q
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""""""""""
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IBM o Robert M. Connors [R.CONNORS2] Editor
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""" o Peter Bogert [P.BOGERT1] IBM Staff Writer
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MacPRO o James Flanagan [JFLANAGAN] Editor
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"""""" o Erik C. Thauvin [MACSPECT] Supervising Editor
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APPLE II o Darrel Raines [D.RAINES] Editor
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ETC. o Jim Lubin [JIM.LUBIN] Add Aladdin
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"""" o Scott Garrigus [S.GARRIGUS] Search-ME!
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GEnieLamp CONTRIBUTORS
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""""""""""""""""""""""
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o Steven Weyhrich [S.WEYHRICH]
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o Al Fasoldt [A.FASOLDT]
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o Gina Saikin [G.SAIKIN]
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>>> SEARCH-ME! ANSWERS <<<
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Material published in this edition may be reprinted under the
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following terms only. All articles must remain unedited and
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include the issue number and author at the top of each article
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reprinted. Reprint permission granted, unless otherwise noted, to
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registered computer user groups and not for profit publications.
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Opinions present herein are those of the individual authors and
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GEnieLamp. We reserve the right to edit all letters and copy.
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Include the following at the end of every reprint:
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(c) Copyright 1993 T/TalkNET Online Publishing and GEnie. To join
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GEnie, set your modem to 2400 baud (or less) and half duplex
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[EOF]*****
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<EFBFBD><EFBFBD> |