820 lines
36 KiB
Plaintext
820 lines
36 KiB
Plaintext
Chapter 22
|
||
|
||
P o c k e t b o o k s
|
||
|
||
If you're not an ex-cop, the following inexpensive pocketbooks provide a
|
||
tremendous amount of insider information. Reading these books will help to
|
||
bridge the gap between novice CrimeFighters and experienced cops.
|
||
|
||
Of course, no matter how many books you read it won't make you the equal of
|
||
an experienced cop! But, these books (among others in this catalog) will
|
||
give you valuable insight on police work in general. That's the first step
|
||
- to understand cops, what they do, and how they go about it. If you're
|
||
going to be an active CrimeFighter, (indirectly) working with cops, you
|
||
need to know all you can what it's like being "on the job". And even if you
|
||
don't plan on being an active CrimeFighter, it's still worth while to read
|
||
a few of these books to learn what a cop's job is like.
|
||
|
||
These specially selected books reveal an enormous amount of regular and
|
||
irregular police procedure. They contain TRUE stories of hundreds of
|
||
investigations. By reading them you can learn a few things - like what to
|
||
do and what not to do. If you've led a sheltered life, you'll learn street
|
||
language, ghetto slang, and narcotics terminology. Besides being exciting
|
||
and fascinating reading, they are excellent Crimefighters' educational
|
||
material. If you plan on being an active Crimefighter, read all of them.
|
||
|
||
An important thing you'll learn is that cops are ordinary human beings, not
|
||
supermen or superwomen. The following books lets you take a peek at a cop's
|
||
emotions that the public seldom sees. You'll learn that they can cry, and
|
||
are scared at times, just like anyone else. But they're trained to do their
|
||
job no matter how they feel about it. When you get inside their heads (by
|
||
reading their books) you'll understand that YOU are no different from them
|
||
- except for the training and dedication. You too, can do police work. Not
|
||
everyone can qualify to be a cop, but everyone can be a CrimeFighter!
|
||
|
||
* * * * * *
|
||
|
||
Books - on Cops by Cops
|
||
|
||
COPS, Their Lives in Their Own Words, by Mark Baker (author of NAM and
|
||
WOMEN.)
|
||
|
||
"From the beat to vice to homicide - the unforgettable true story of
|
||
America's police."
|
||
|
||
From the back cover:
|
||
|
||
"What they can't say on television, what they won't write in novels, cops
|
||
have now told Mark Baker.
|
||
|
||
From the idealistic rookie to the burnt-out veteran, here are the
|
||
unforgetable voices of over 100 police men and women across the country...
|
||
cops who shoot and are shot at, who pick up the pieces of shattered bodies
|
||
and shattered lives, who face danger, the fear, and the depravity... who
|
||
live every day in the frightening, hard world of COPS."
|
||
|
||
"Here is courage, despair, hope, sacrifice, sex gone crazy, and the most
|
||
violent kind of brutality... in COPS, Mark Baker has given us the most
|
||
readable, riveting, and memorable book ever written about law enforcement."
|
||
- Harry Crews
|
||
|
||
"Vividly told in the earthy, hard-hitting language of the streets... a
|
||
fascinating insider's view of what it's like to be a cop." - ALA Booklist.
|
||
|
||
"The stories race, sirens screaming and blue lights flashing, from the
|
||
page... graphic... fascinating." - United Press International.
|
||
|
||
"Colored by a black humor that suggests the true cost and benefits of being
|
||
a cop... occasionally cynical, tender... fearsome." - People
|
||
|
||
"Sometimes shocking, sometimes shockingly funny, always accurate. A delight
|
||
to read." - Robert Daley, author of "Prince of the City".
|
||
|
||
"A compelling tour of the badlands... BIZARRE... TERRIFYING." - The New
|
||
York Times. (COPS)(5022) $6
|
||
|
||
* * * * * *
|
||
|
||
WHAT COPS KNOW, by Connie Fletcher, by Pocketbooks (1990).
|
||
|
||
From the back cover:
|
||
|
||
"THEY SEE WHAT WE DON'T SEE. AND THEY PAY THE PRICE.
|
||
|
||
Cops know how innocent kids get killed by gangs because of an accidental
|
||
wave of the hand. Cops know that more women kill themselves on Mother's day
|
||
than any other day of the year. They know how professional thieves crack
|
||
safes, how much a Mafia hit is worth to the hit man, and what a body looks
|
||
like without its head or arms.
|
||
|
||
"There is no bottom. There is no low. You never know what you're going to
|
||
see next. There's no worst - it does amaze me what people do to other
|
||
people."
|
||
|
||
Here in their own words, American policemen and women describe their life
|
||
and work among misfits, junkies, prostitutes, killers, psychopaths, and
|
||
victims in luxury neighborhoods and on the meanest turf. From law enforce-
|
||
ment to the laws of the streets, these undercover and uniformed cops talk
|
||
about sex crimes, child abuse, drug dealing, con schemes - the incredible
|
||
things they see and deal with every day of the year, every year on the job.
|
||
|
||
"For anybody who ever wondered what it's like behind a badge, this is the
|
||
book. "WHAT COPS KNOW" pulls no punches." San Francisco Chronicle.
|
||
(KNOW)(5001) $5.50
|
||
* * * * * *
|
||
|
||
PURE COP, (the sequel) by Connie Fletcher, (1991)
|
||
|
||
From vice to bomb squad, from broken bodies to shattered dreams - America's
|
||
police tell what it's like to be a PURE COP
|
||
|
||
To be a pure cop means knowing that sixty percent of street walkers are
|
||
really men, that bomb-makers always leave their signature on a bomb, that
|
||
car crashes do the worst things imaginable to human bodies. Pure cops know
|
||
it, they live it, and now, they tell what it's like.
|
||
|
||
This is not TV, this is the real thing: in their own words, inside their
|
||
minds, into the action, here are the fears and the unrelenting violence
|
||
cops have to deal with every day. They will change the way you think about
|
||
police work.
|
||
|
||
Chicago special-unit cops talk shop is a sure-footed sequel to WHAT COPS
|
||
KNOW ... enthralling dispatches from behind the shield: a true-crime
|
||
treat." Kirkus Reviews
|
||
|
||
"A Raw dose of cop talk, as cops tell it like it is - crude and colorful,
|
||
bloody and bold." - Booklist
|
||
|
||
"The most colorful and concrete book I've ever read on police work" -
|
||
Andrew M. Greely.
|
||
|
||
(PURE)(5002) $5
|
||
* * * * * *
|
||
|
||
THE MAKING OF A COP, by Harvey Rachlin, (1991)
|
||
|
||
From the back cover:
|
||
|
||
"The making of a Cop is an accurate account of the rigorous discipline and
|
||
intensive instruction in the police academy and of how that teaching
|
||
changes the lives of the young men and women who will soon be out there on
|
||
the streets." Mark Baker, author of Cops.
|
||
|
||
Who are the men and women of the New York City Police Academy? What does it
|
||
take to survive this unforgiving urban boot camp and emerge a rookie, ready
|
||
for a beat on some of the meanest streets in the nation?
|
||
|
||
To find out, journalist Harvey Rachlin followed four raw recruits from the
|
||
Academy to the streets. His dramatic day by day account, THE MAKING OF A
|
||
COP, thrusts us into a world of age-old traditions and sudden-death
|
||
decisions.
|
||
|
||
From the intricacies of criminal law to the blazing of .38's on the firing
|
||
range, we watch new recruits slowly shed their innocence and open their
|
||
eyes to a new and perilous world of perpetrators, lowlifes, search and
|
||
seizure, combat reloading. We pound a rookie beat with them - subduing a
|
||
crack-crazed mugger, battling the legal machinery to preserve a "good"
|
||
bust. We see them absorb the knowledge which may one day save our lives -
|
||
or their own.
|
||
|
||
Taking us through the rigors, the grueling decisions and gut wrenching
|
||
fear, THE MAKING OF A COP is a compelling portrait of a group of men and
|
||
women striving to become the finest in blue - in a city always alive with
|
||
danger and decency, despair and hope.
|
||
|
||
"A sympathetic chronicle.. THE MAKING OF A COP presents a realistic look at
|
||
a supremely difficult job" - Publishers Weekly. (MAKING)(5003) $5
|
||
|
||
* * * * * *
|
||
|
||
THE MOON IS ALWAYS FULL, and
|
||
BLACK FRIDAY COMING DOWN, by David Hunter, (1990)
|
||
|
||
Both books by the same author tell true stories of moments of panic, fear,
|
||
hilarious situations, cop's cynicism, and the satisfaction of a cop's job.
|
||
The first book THE MOON IS ALWAYS FULL talks about the nut cases who "come
|
||
out of hiding when the moon is full". To a cop, the moon is ALWAYS full.
|
||
BLACK FRIDAY COMING DOWN is the sequel. The name of this book relates to
|
||
Friday nights, when week-end action starts -- and all Hell breaks loose.
|
||
|
||
Both books tell short stories of actual cases and provides an inside look
|
||
into the trials and tribulations of a cop. Both books contain surprises,
|
||
sad stories, happy stories, and grisly stories. It's what a cop's life is
|
||
like - in snapshot stories. Walk a beat with David Hunter, and learn what
|
||
it's like to be a cop.
|
||
|
||
From the back cover:
|
||
|
||
"TRUE STORIES FROM THE FRONT LINE OF THE LAW...
|
||
|
||
Every day, cops encounter a world more bizarre, more dangerous, and more
|
||
outrageous than most people ever imagine. In BLACK FRIDAY COMING DOWN,
|
||
David Hunter blasts away at the stereotypes - and exposes the REAL
|
||
experience of being a cop... as only a real cop could tell it.
|
||
|
||
Here are the true stories - the action, the comedy, the tragedy... an
|
||
unforgettable portrait of life behind a badge.
|
||
|
||
When you're a cop, you wind up with a one-of-a-kind view of the world.
|
||
BLACK FRIDAY COMING DOWN will throw you into the thick of it..."
|
||
|
||
"Brings the reader directly into the inner world of the street policeman"
|
||
- Midwest Book Review.
|
||
|
||
"A glimpse of Police work second only to duty in uniform." Birmingham News.
|
||
|
||
(F.MOON)(5004) $5
|
||
(FRIDAY)(5005) $5
|
||
* * * * * *
|
||
|
||
TRUE BLUE, by Ed Nowicki, 1992
|
||
|
||
"The book that's become an underground legend among cops. True stories
|
||
about real cops. No punches pulled. No apologies made. Ed Nowicki has
|
||
captured the heart and soul of Police work." Lt. Ernest A Spiotto, Chicago
|
||
Police Department. From the back cover:
|
||
|
||
Cops dare to tell it like it is...
|
||
"Stan approached the driver's door with his ever-present, friendly smile.
|
||
The smile was promptly destroyed by a shot fired from a .357 magnum
|
||
directly in his mouth. Jack screamed through the car's radio microphone,
|
||
'10-1, officer shot. Officer needs help.' Mixed emotions of frustration,
|
||
anger, hatred, sorrow, and pity overwhelmed him as he helplessly watched
|
||
his partner's life fading away."
|
||
|
||
They risk it all on streets that have become war zones...
|
||
"Ken ran into the street to help the screaming boy who was trapped under
|
||
the left side of the Chevy van that was balanced on the curb. It was
|
||
teetering slightly, and could come down on the boy at any moment. He had
|
||
almost reached the boy when he heard the sound of an engine, and the Chevy
|
||
began to rock."
|
||
|
||
Where a split-second decision can make the difference between an official
|
||
commendation and a hero's funeral...
|
||
"Two shots rang out and Ted felt something hit the back of his left
|
||
shoulder. Adrenaline was now surging through his body. He knew he had been
|
||
shot, and he knew he was going to take care of this punk. As he found the
|
||
ammo wallet, the Camero began taking off down the road again at a high rate
|
||
of speed. Ted carefully took aim and fired the last round from his Chief's
|
||
Special."
|
||
|
||
This is law enforcement as you've never seen it... and cops as they rarely
|
||
reveal themselves -- not always by-the-book, but always human."
|
||
|
||
(TRUE BLUE)(5025) $4.99
|
||
|
||
* * * * * *
|
||
|
||
VICE COP, by Bill McCarthy and Mike Mallowe, (1991)
|
||
|
||
From the book covers:
|
||
|
||
"MY TWENTY-YEAR BATTLE WITH NEW YORK'S DARK SIDE
|
||
|
||
The authentic, intensely personal story of twenty-year veteran Bill
|
||
McCarthy and his one-man war against crime as former head of the toughest,
|
||
dirtiest, most dangerous police unit on earth: New York's Public Morals
|
||
Division - New York Vice!
|
||
|
||
An insider's gritty portrait of life on streets in the Big Apple. From the
|
||
filthiest drug dens and sex shops to the highest level of organized crime
|
||
and government corruption, McCarthy has seen it all and tells it straight.
|
||
About the dirty cops who deal drugs and kill for hire; the pornographers
|
||
who traffic in young children; the underworld bosses who really run the
|
||
city and the public officials who let them. It's all here. And it's all
|
||
true."
|
||
|
||
"Raw, steamy, vivid and colorfully written" - Anthony Bouza, former
|
||
Assistant Chief, NYPD.
|
||
|
||
"A savage, savvy walk on the wild side of New York Vice ... a must read for
|
||
anyone who really wants to know what goes on after dark." - Chris Borgen,
|
||
CBS News.
|
||
|
||
"The most explosive expose of life on the New York City Police Department
|
||
ever published!
|
||
|
||
"Well-written, witty and kinky... teeming with information!" - Kirkus
|
||
Reviews
|
||
|
||
(VICE)(5006) $6
|
||
* * * * * *
|
||
|
||
DRUG WARS!
|
||
|
||
THE COCAINE WARS, Paul Eddy with Hugo Sabogal and Sara Walden, (1988)
|
||
|
||
From the back cover:
|
||
|
||
"DEATH. POWER. MONEY - THE COCAINE WARS.
|
||
|
||
It is the world's most valuable commodity. It is a business bigger than the
|
||
Ford Motor Company. It is cocaine, and a single, ruthless, savagely
|
||
sophisticated entity controls the empire: the Colombian Cartel. For two and
|
||
a half years, the authors lived on the front lines of this story, and they
|
||
provide an astonishing, disturbing inside look at the Cartel and its
|
||
operators: the millionaires and enforcers, the smugglers and informers.
|
||
|
||
THE COCAINE WARS takes us from the jungles of South America where the coca
|
||
is grown to the streets of Miami where drug money has corrupted at least
|
||
one in every ten cops. With unlimited wealth and power at stake, whole
|
||
governments can be bought and sold, and almost every man has his price.
|
||
|
||
THE COCAINE WARS is investigative reporting that reads like a crime
|
||
thriller but has the shocking impact of today's headlines. For the first
|
||
time, here is the full story of the traffic in cocaine, the story of the
|
||
war being waged - and lost - on the streets all across America."
|
||
|
||
(COCAINE)(5007) $5
|
||
* * * * * *
|
||
|
||
DEEP COVER, by Michael Levine, (1990)
|
||
|
||
From the back cover:
|
||
|
||
"AMERICA'S WAR ON DRUGS - THE TRAGIC, SHOCKING FIASCO
|
||
|
||
If there were a textbook on undercover work, Michael Levine would have
|
||
written it. For twenty-five years he was an insider in the DEA - their
|
||
TOP undercover cop. A man with a proven record of arrests - personally
|
||
accounting for more than 3,000 criminals serving 15,000 years in jail. A
|
||
man who now calls America's war on drugs "the biggest, costliest, most
|
||
dangerous failure of American policy since Vietnam.
|
||
|
||
IN THIS BOOK, HE PROVES IT.
|
||
|
||
He takes us with him on one of the most dramatic, ambitious cases ever
|
||
mounted - an operation in which the drug kingpins of three countries were
|
||
caught red-handed... and tells us why they were never brought to justice.
|
||
The result is THE explosive expose of why we're losing the war on drugs -
|
||
told in the words of an American who devoted his life to winning it."
|
||
Unquote
|
||
|
||
(DEEP)(5008) $6
|
||
* * * * * *
|
||
|
||
UNDERCOVER, by Michael Levine, (1988)
|
||
|
||
From the back cover:
|
||
|
||
"THE GRIPPING TRUE STORY OF A FEDERAL AGENT'S ONE-MAN WAR AGAINST DRUGS
|
||
|
||
For twenty-three years DEA agent Michael Levine has waged war against the
|
||
drug empire with unrivaled success. A tough kid from the Bronx, he grew up
|
||
to use his cunning, his karate, and savage street smarts to bring to trial
|
||
over 3,000 criminals while posing as a Mafia soldier, a Puerto Rican
|
||
middleman, a Colombian dope dealer and a priest.
|
||
|
||
This is the stunning true story of Levine's legendary career, an account of
|
||
the drug underworld that is as compelling and personal as it is contro-
|
||
versial. From crack houses and street corner deals to Manhattan penthouses
|
||
and Beverly Hills mansions, this extraordinary book shows us the daring,
|
||
the deceptions, and the triumphs of the unsung hero of our times.
|
||
|
||
A spine-tingling book that reads more like fiction than non-fiction...
|
||
(Michael Levine is) a real-life Clint Eastwood." Inside Books.
|
||
|
||
Wild, wooly, and as gritty as the mean streets down which Levine hunts his
|
||
prey." Kirkus Reviews." Unquote.
|
||
|
||
(UNDERCOVER)(5009) $5
|
||
* * * * * *
|
||
|
||
UNDERCOVER is a NARC CrimeFighter Training Manual. In it, Levine mentions
|
||
highlights of training sessions and specific tips and pointers to other law
|
||
enforcement agencies, and to PTA's on how to REALLY fight the war on drugs.
|
||
|
||
How? Hound, harry and harrass "recreational" drug users. Make them suffer.
|
||
Take away all the pleasure they get from drugs. Find them, prosecute them,
|
||
and personally SUE them for all they've got. When there's few drug users
|
||
there'll be fewer dealers. Hitting them from the top down doesn't work.
|
||
Like Levine says, it's time we tried new tactics: Hit them from the bottom
|
||
up, and eradicate the base that supports the dealers. This book tells us
|
||
how CrimeFighters can do it!
|
||
* * * * * *
|
||
|
||
DRUG AGENT U.S.A., by Richard F. Radford and Jack Crowley, (1989)
|
||
|
||
From the back cover:
|
||
|
||
FROM THE
|
||
SECRET FILES OF AN UNDERCOVER DRUG AGENT
|
||
|
||
"The battlefields stretch from dark city streets to shady suburban lanes.
|
||
His pursuit of the enemy is fearless. And no other enemy is as violent, as
|
||
determined.. or as deadly. He is a drug agent - one of America's unseen,
|
||
unsung heroes.
|
||
|
||
During his eighteen years in the vanguard of the DEA's war on drugs, agent
|
||
Jack Crowley has seen it all, having directed some of the most significant
|
||
and successful busts in the land. Now he takes you on a rare, first-hand
|
||
tour through a gritty world of deception, greed, and complex plans for
|
||
battle that can put an enemy behind bars... or explode in a barrage of
|
||
gunfire.
|
||
|
||
These are one man's stories. And every one is true." Unquote.
|
||
|
||
(AGENT)(5010) $5
|
||
* * * * * * *
|
||
|
||
Comment: Jack Crowley fights on a different front than Michael Levine, and
|
||
his stories reveals another side of the war on drugs - home-made pills and
|
||
home-grown pot! There's a lot of educational material in this book. If
|
||
you're really interested in being an undercover NARC agent, get it.
|
||
|
||
* * * * * *
|
||
|
||
A.K.A. NARC, by Ray "Tex" Brown & Raymond Angus, (1991)
|
||
|
||
This one is a rousing tale of a trucker accidentally turned bounty hunter,
|
||
and later recruited to focus his attention on the war on drugs. Fascinating
|
||
reading -- every page of it -- and telling it like it really is today.
|
||
|
||
From the back cover:
|
||
|
||
"The drug pushers and smugglers agree: there ought to be a law against Tex
|
||
Brown. Just call him Tex -- the good ol' boy with a .25 automatic in his
|
||
stetson.
|
||
|
||
From a contract to kill in Houston to bloody drug battles in Mexico, from
|
||
cocaine smugglers to crooked Customs Agents to white slavers, Tex Brown has
|
||
seen them all -- from the inside out.
|
||
|
||
One of the most effective undercover men in the Southwest, Tex is a long
|
||
distance trucker who began his career by hunting down bail jumpers. He now
|
||
cruises the West in his Mack truck, running cargo and contraband, looking
|
||
for criminals and building cases in the war against drugs. This is his true
|
||
story -- of highways, pushers and hookers, of a shocking brutal Mexican
|
||
policeman and of the wild topless bar Tex opened with the help of the law.
|
||
Going where no ordinary lawman could go -- for he carries no badge -- Tex
|
||
Brown has stood face to face with the most dangerous law breakers in the
|
||
West, and used a fast gun and amazing courage to bring them to justice."
|
||
(AKA)(5011) $5
|
||
* * * * * *
|
||
|
||
|
||
L.A. SECRET POLICE, (Inside the LAPD Elite Spy Network), by Mike Rothmiller
|
||
and Ivan G. Goldman
|
||
|
||
From the book covers:
|
||
|
||
"They were ruthless and corrupt, ruined lives and reputations, and
|
||
inflicted mindless brutality. The S.S.? The K.G.B.? Guess again...
|
||
it's the L.A.P.D.!
|
||
|
||
In Los Angeles, police corruption is much more than unmarked envelopes
|
||
stuffed with cash. It's a total corruption of power...
|
||
|
||
One night in Orange County, a helmeted figure on a motorcycle pulled
|
||
alongside an unmarked LAPD car and emptied a machine pistol at the cop
|
||
inside. Elite OCID Detective Mike Rothmiller lived to tell the story. Now,
|
||
with veteran journalist Ivan Goldman, he rips the lid off of Chief of
|
||
Police Daryl Gates' LAPD - and reveals, for the first time, the dirty
|
||
secrets of the elite unit whose crushing power and vast influence kept many
|
||
of America's most prominent citizens in its iron grip:
|
||
|
||
The OCID (Organized Crime Intelligence Division), a secretive unit within
|
||
the Los Angeles Police Department, used an elaborate spy network and
|
||
illegal surveillance devices to spy on everyone from Robert Redford and
|
||
Jerry Brown to Connie Chung and Mohammed Ali. No crime was necessary. Any
|
||
public figure or Hollywood star was fair game...
|
||
|
||
OCID wanted to know who was straight, gay, left, right, friend, foe.
|
||
Sometimes it shredded its own files - but the most sensitive files were
|
||
untraceable, out of reach of ACLU pests and court orders...
|
||
|
||
OCID planted a mole in Mayor Tom Bradley's staff and collected dirt on City
|
||
Council members...
|
||
|
||
Supposedly privilege information from banks, airlines, credit card
|
||
companies and the IRS was readily available to, and used by, the OCID..."
|
||
(LASP)(5012) $6
|
||
* * * * * *
|
||
|
||
EXTREME JUSTICE, The Secret Squad of the L.A.P.D. That Fights Violence with Violence, by Frank Sacks. Based on the screenplay by Frank Sacks and Robert Boris.
|
||
|
||
"The official book tie-in to the film EXTREME JUSTICE... The TRIMARK
|
||
PICTURES release starring Lou Diamond Phillips, Scott Glen, Yaphet Kotto &
|
||
Chelsea Field. From the back cover:
|
||
|
||
These Cops are more likely to read criminals their last rites!
|
||
|
||
The L.A.P.D.'s Special Investigation Section (S.I.S.) is so "special" that
|
||
even the mayor of L.A. did not acknowledge the existence, assignments and
|
||
tactics of this secret squad under the command of men like Daryl Gates (the
|
||
Police Chief pressured out after Rodney King and the L.A. riots.)
|
||
|
||
The assignment of the S.I.S. is to stop dangerous repeat offenders. And
|
||
stop them they do! First, the S.I.S. would often track their prey and wait
|
||
until a violent crime was actually in progress. Assured of the perpetra-
|
||
tor's criminal intent and guilt, the squad often "executed" justice on the
|
||
spot.
|
||
|
||
A federal jury found members of the S.I.S. guilty of violating civil rights
|
||
laws and of using excessive force in March, 1992. The special unit contin-
|
||
ues to operate despite ongoing investigations by the F.B.I.
|
||
|
||
Whether you are thrilled or disgusted by these criminal tactics aganst
|
||
deadly criminals, you'll be drilled to your seat reading and watching
|
||
"Extreme Justice."
|
||
|
||
(EXTREME JUSTICE)(5026) $5.99
|
||
* * * * * *
|
||
|
||
WISEGUY: Life in a Mafia Family, by Nicholas Pileggi, (1985)
|
||
|
||
From the back cover:
|
||
|
||
THE BEST BOOK WRITTEN ON ORGANIZED CRIME - Cosmopolitan
|
||
|
||
"At the age of twelve my ambition was to become a gangster. To be a wiseguy
|
||
was better than being President of the United States. To be a wiseguy was
|
||
to own the world." - Henry Hill
|
||
|
||
WISEGUY is Nicholas Pileggi's remarkable bestseller, the most intimate
|
||
account of life inside the deadly world of high-stakes world of what some
|
||
people call the Mafia. WISEGUY is Henry Hill's story, in fascinating,
|
||
brutal detail, the never-before-revealed day-to-day life of a working
|
||
mobster - his violence, his wild spending sprees, his wife, his mistress,
|
||
his code of honor.
|
||
|
||
Henry Hill knows where a lot of bodies are buried, and he turned Federal
|
||
witness to save his own life. The mob is still hunting for him for what he
|
||
reveals in WISEGUY: hundreds of crimes including arson, extortion,
|
||
hijacking, and the six-million dollar Lufthansa heist, the biggest
|
||
successful cash robbery in U.S. history which led to ten murders. A first-
|
||
hand account of the secret world of the mob. WISEGUY is more extraordinary,
|
||
more compelling than any novel.
|
||
|
||
"WISEGUY goes nonstop... absolutely engrossing." The New York Times Book
|
||
Review." (WISEGUY)(5013) $6
|
||
|
||
* * * * * *
|
||
|
||
THE INSIDER, by Donald Goddard (1992)
|
||
|
||
From the book covers:
|
||
|
||
"THE FBI'S UNDERCOVER "WISEGUY" GOES PUBLIC
|
||
|
||
"He's an ex-cop. An Ex-con. And one of the best undercover operatives in
|
||
the history of the FBI... His story reads like a thriller" - Dallas Morning
|
||
News
|
||
BILLY BREEN WAS THE FBI'S SECRET WEAPON
|
||
|
||
After twenty-five years undercover with the mobs, Billy Breen surfaced to
|
||
tell the harrowing true story of how he burrowed into the living heart of
|
||
organized crime - and how the FBI lost it's nerve! A charismatic con man,
|
||
he played his dangerous games not for money or glory, but to see mob heads
|
||
roll - and roll they did. While working with the FBI and local law enforce-
|
||
ment agencies, Billy Breen:
|
||
|
||
* opened the way to the biggest cocaine bust in history
|
||
|
||
* played a key role in solving the murder of Federal District Judge John H.
|
||
Wood and the related attempt on the life of a government prosecutor - the
|
||
FBI's biggest case since the Kennedy assassination
|
||
|
||
* unraveled the mob's national network for handling stolen goods
|
||
|
||
* emerged from deep cover to fire the opening shots in U.S. Attorney
|
||
Rudolph Giuliani's crusade against the New York City mobs.
|
||
|
||
A lesser man might have jumped for cover into the Federal Witness
|
||
protection Program, but Billy stayed out in the open and continued his war
|
||
on crime. As his old friend and partner, FBI agent Vincent Wincelowicz,
|
||
once said, "I wouldn't want to have to start Bill's car every morning."
|
||
|
||
"Few men or women have been as adept at undercover work as William Clifford
|
||
"Billy" Breen. Goddard writes with tense detail about the high-wire acts
|
||
Breen had to balance ...(and) captures a rare insider's view of the war
|
||
against organized crime and drug dealing. - Boston Sunday Herald."
|
||
(INSIDER)(5015) $6
|
||
* * * * * *
|
||
|
||
(Comment: Read this book and you'll find out about how the FBI never paid
|
||
Billy Breen's reward money they promised him -- not once, or twice, but
|
||
many, many times! (Lesson to be learned: Always get it in writing! Verbal
|
||
promises are worthless, even when they're from the FBI!)
|
||
|
||
* * * * * *
|
||
|
||
Other (True) Cop Stories
|
||
|
||
LINES AND SHADOWS, by Joseph Wambaugh, by Bantam Books, (1984)
|
||
|
||
From the back cover:
|
||
|
||
"The true story only Wambaugh could tell. A band of California cops set
|
||
loose in no-man's land to come home heroes, or come home dead.
|
||
|
||
Not since Joseph Wambaughs's bestselling THE ONION FIELD has there been a
|
||
true police story as fascinating, as totally gripping as ... LINES AND
|
||
SHADOWS. The media hailed them as heroes. Others denounced them as lawless
|
||
renegades. A squad of tough cops called the Border Crime Task Force. A
|
||
commando team sent to patrol the snake-infested no-man's-land south of San
|
||
Diego. Not to apprehend the thousands of illegal aliens slipping into the
|
||
U.S., but to stop the ruthless bandits who preyed on them nightly -
|
||
relentlessly robbing, raping, and murdering defenseless men, women and
|
||
children.
|
||
|
||
The task force plan was simple. They would disguise themselves as illegal
|
||
aliens. They would confront the murderous shadows at night. Yet each time
|
||
they walked into the violent blackness along the border, they came closer
|
||
to another boundary line - a fragile line within each man. And crossing it
|
||
meant destroying their sanity and their lives.
|
||
|
||
With each book, it seems, Mr Wambaugh's skill as a writer increases. In
|
||
LINES AND SHADOWS he gives an off-trail, action-packed true account of
|
||
police work and the intimate lives of policemen that, for my money, is his
|
||
best book yet." Elmore Leonard, The New York Times Book Review.
|
||
|
||
A saga of courage, craziness, brutality and humor...one of his best books,
|
||
comparable to THE ONION FIELD for storytelling and revelatory power."
|
||
Chicago Sun-Times. Unquote. (LINES)(5014) $6
|
||
|
||
* * * * * *
|
||
|
||
TRUE DETECTIVES, by William Parkhurst (1992 edition)
|
||
|
||
THE INSIDE STORIES OF TODAY'S TOP PRIVATE INVESTIGATORS
|
||
|
||
"Parkhurst leads his readers into the seedy world of the private eye and
|
||
exposes the raw edges of that world ..." - William J. Caunitz
|
||
|
||
From the back cover:
|
||
|
||
"VINNY PARCO pulls a .22 from his desk, guns down a rat sneaking across his
|
||
office floor, and tells a guy on the phone he'll put a tail on his wife...
|
||
|
||
PETER CASTILLO travels to Kentucky to track down a rapist...
|
||
|
||
BARRY SILVERS munches on a steady diet of donuts as he figures out how to
|
||
nab a con man preying on America's rich and brainless...
|
||
|
||
JO-ANN KUNDA dons a tight minidress to go undercover among New York's drug
|
||
dealers...
|
||
|
||
They crack the cases the cops can't handle. Now, William Parkhurst takes
|
||
you beyond the files and into the field with real P.I.'s. He reveals their
|
||
best-kept secrets... and shows how they find out about yours.
|
||
|
||
"Fascinating reading! - The Atlanta Constitution
|
||
|
||
(TRUE.D)(5016) $6
|
||
|
||
(Good info on skip tracers and how they work - "CrimeFighters" in action.)
|
||
|
||
* * * * * *
|
||
|
||
THE COFFEY FILES, by Joseph Coffey & Jerry Schmetterer (1991)
|
||
|
||
THE RIVETING TRUE STORY OF ONE COP TOUGH ENOUGH TO TAKE ON THE MOB -
|
||
AND WIN.
|
||
|
||
"A real-life view of what the good guys think of the wiseguys." - Nicholas
|
||
Pileggi, bestselling author of WISE GUY.
|
||
|
||
From the Back cover:
|
||
|
||
Wiseguys, tough guys, and killers...
|
||
GOTTI, CASTELLANO, GALANTE, THE WESTIES
|
||
|
||
They terrorized anyone who got in their way... until they came up against
|
||
Joe Coffey, the cop with the guts and the street smarts to bring them down.
|
||
|
||
For more than twenty years, Joe Coffey was on the job and on the backs of
|
||
of some of the country's most notorious criminals. Now, New York's most
|
||
celebrated detective opens the book on the harrowing cases that made his
|
||
reputation. For the first time, he tells the stories of the behind-the-
|
||
scenes police work that brought the criminals to justice, earning him
|
||
official departmental commendations - and unofficial resentment.
|
||
|
||
Dramatic. Intense. Compelling. This is police work at its very best.
|
||
|
||
"When the mob tried to assassinate Joe Coffey's father, it made an enemy
|
||
for life... A rare, intimate look at a remarkable career." - William J.
|
||
Caunitz, author of ONE POLICE PLAZA.
|
||
|
||
"Fascinating reading. Detectives like him make the wheel of Justice turn."
|
||
Vincent Bugliosi, bestselling author of AND THE SEA WILL TELL and HELTER
|
||
SKELTER. (COFFEY)(5017) $5
|
||
|
||
(Also reveals how petty police politics screw up good police work, and deny
|
||
promotion to dedicated cops who love making busts, but hate politicians.)
|
||
|
||
* * * * * *
|
||
|
||
PROSECUTORS
|
||
|
||
ROUGH JUSTICE, Days and Nights of a Young D.A., by David Heilbroner
|
||
|
||
From the back cover:
|
||
|
||
"A fine achievement... what a big-city prosecutor's life is really like...
|
||
an eloquent, low-key account of the horrors, tumult, and constant
|
||
pressures." - Scott Turow, author of PRESUMED INNOCENT.
|
||
|
||
WELCOME TO 100 CENTRE STREET, MANHATTAN
|
||
|
||
It's the place where David Heilbroner, an Ivy League lawyer, is going to
|
||
get a real education. Andy Warhol's death, the School of Fourteen Bells (a
|
||
South American pickpocket-training school), prostitutes working the Holland
|
||
Tunnel, a machete-wielding cabbie, and a woman who took a bath in her
|
||
children's blood... they're all about to teach him about life in the Big
|
||
City and our criminal justice system.
|
||
|
||
From his bumbling rookie days to trying cases as a seasoned A.D.A.,
|
||
Heilbroner portrays this dark, alluring world only as one who's been there
|
||
can. His job was to apply the law: his passion was to offer justice. His
|
||
bitter-sweet, sometimes hilarious, often shocking story is a timely and
|
||
moving tale of crime and punishment today."
|
||
|
||
"Riveting... more interesting than PEOPLE'S COURT, and more realistic than
|
||
L.A. LAW... A must read." - Alan Dershowitz, Professor of Law, Harvard Law
|
||
School. (ROUGH.J)(5018) $5
|
||
|
||
(This is a must-read if you plan on prosecuting those you catch. It will
|
||
shock you (unless you're someone in the know) the way it really is in the
|
||
lower courts where 90% of criminal cases are processed. After reading this
|
||
book (and maybe a few others like it) you'll realize anyone with a semester
|
||
or two on legal procedures and prosecution can do the same job. With Qui
|
||
Tam law, you too, can be an official prosecutor! This book tells you all
|
||
about it, and then some. Entertaining and VERY enlightening.)
|
||
|
||
* * * * * *
|
||
|
||
F I C T I O N
|
||
|
||
The following pocketbooks are mainly fiction, but the difference is,
|
||
they're written by cops or ex-cops. While the events and characters are
|
||
fictionalized, police procedure and methodology in their books are what
|
||
they've learned and lived with during many years of police work. You can
|
||
learn about police procedure, their work and their life, from their books.
|
||
|
||
* * * * * *
|
||
|
||
CLOSE PURSUIT, by Carsten Stroud, (bestselling author of Sniper's moon)
|
||
|
||
From the back cover:
|
||
|
||
"Another night falls on New York City. A victim screams. A siren wails.
|
||
Eddie Kennedy is on his beat. He's a gold shield homicide detective, and
|
||
his next week of investigations is a journey you will never forget - an
|
||
electrifying rite of passage into the heart of what it takes to be a cop.
|
||
From hookers to rapists to murderers, from street-wise muggers to
|
||
stationhouse rats, from the hectic squad room to a bloody alley. Kennedy
|
||
takes on a killing city - and takes the reader on a rare ride into a
|
||
frightening hidden world."
|
||
|
||
"Like New York City itself, CLOSE PURSUIT is an assault on the senses. And
|
||
it shines a pitiless light on the street cop's perceived enemies - from the
|
||
homicidal scum in the streets to the timid "slicks" at One Police Plaza to
|
||
the ambitious "suits" roaming the halls of justice, THIS REMARKABLE BOOK IS
|
||
AS CLOSE AS YOU WILL COME TO PEERING INTO THE SOUL OF A SQUAD ROOM, AND A
|
||
CITY, WITHOUT JOINING UP YOURSELF AND TAKING YOUR CHANCES ON THE MEAN
|
||
STREETS. AN EXTRAORDINARY WORK. Nothing I have read throws you into the
|
||
crucible of big-city police work the way this book does. It is a gritty and
|
||
gut-wrenching piece of reportage that reads more like a well-crafted work
|
||
of fiction." - Nicholas Proffitt, author of The Embassy House.
|
||
|
||
"THE BEST DAMNED TRUE-LIFE COP BOOK OF THE YEAR." - Bill Granger, author of
|
||
The Zurich Numbers.
|
||
|
||
"The action is breathtaking and the book is a spellbinding view of a world
|
||
like no other." - Detroit News.
|
||
|
||
(C.PURSUIT)(5019) $6
|
||
* * * * * *
|
||
|
||
SNIPER'S MOON, by Carsten Stroud (author of Close Pursuit).
|
||
|
||
From the Back cover:
|
||
|
||
"Detective Frank Keogh has a rare gift - for killing. He picked it up in
|
||
the jungles of Viet Nam and perfected it on New York's mean streets. It's a
|
||
talent that comes in handy when you're a sniper for the NYPD. But over the
|
||
years his calling has produced a numbness that has his partner worried: Is
|
||
Frank finding it too easy to pull the trigger? Then, when two savagely
|
||
mutilated bodies are found with a connection to him, Frank finds himself a
|
||
fugitive, dodging cops and meeting violence on a cross-country chase to
|
||
find the man who framed him."
|
||
|
||
"A powerful police procedural by a man who knows the force." - Los Angeles
|
||
Times Book Review.
|
||
|
||
"An epic police thriller... crackling with narrative energy.. and a deep-
|
||
grained savvy about cops ways and mores." - Kirkus.
|
||
|
||
(SNIPER)(5020) $6
|
||
* * * * * *
|
||
|
||
BLACK SAND, by William J. Caunitz (bestselling author of One Police Plaza)
|
||
|
||
From the back cover:
|
||
"A brutal machine-gun massacre at a seaside resort kicks off a deadly hunt
|
||
for a priceless ancient artifact, with two hardened street detectives
|
||
thrown together as unlikely partners. Detective Lieutenant Teddy Lucas is
|
||
the brooding head of a foul-mouthed squad of New York City detectives, and
|
||
Major Andreas Vassos is a veteran Greek cop motivated by justice and a
|
||
raging need for vengeance. Together they plunge into a shadowy underworld,
|
||
where Lucas chases searing love. Vassos pursues an obsessive passion - and
|
||
the toughest case of their careers could get them slammed into a New York
|
||
City sidewalk."
|
||
|
||
"Gritty, authentic... there's enough suspense, action, murder, and mayhem
|
||
to keep any reader turning the pages long into the night." - Detroit News
|
||
|
||
"An expert police procedural." Los Angeles Times Book Review
|
||
|
||
"Intricate, savvy, and whipcord tense." - San Francisco Examiner
|
||
|
||
(B.SAND)(5021) $6
|
||
F9 for next chapter
|
||
|
||
|
||
|
||
|
||
|
||
|