1797 lines
56 KiB
Plaintext
1797 lines
56 KiB
Plaintext
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SUBJECT: THE UNIVERSAL HOLOGRAM FILE: UFO2369
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************************ CHAPTER ONE *************************
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The Universal Hologram
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======================
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SCIENTIFIC authorities aver that the fourth dimension is a
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concept of purely abstract mathematics, and no human intellect
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can possibly visualize a tangible hyperspacial structure.
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The natural reflex of lay people to proclamations from
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Olympus is to believe the gods without question --- especially if
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you don't know what they are talking about. If you can resist
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your Unconscious reflex to suspend your disbelief, however, your
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critical faculties will be aroused to demand an explanation. And
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you want to be told in terms you can understand; an explanation
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you can't understand is no explanation at all --- like being
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paid money you can't spend.
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An expert can't explain anything to you unless he knows
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what you can understand. Therefore, it is necessary for you to
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tell the exegist what you know before he can begin to tell you
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what he knows. So, how do you tell the expert where you are
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coming from without drawing a detailed map of your entire life
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territory? The expert sees what you know by the questions you
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ask him. Now you may wonder what kind of a question tells what
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you know, already. The right question to ask for a
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comprehendable explanation is the question to which you already
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know the answer; any other question will elicit a reply that can
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only confuse the matter. You can prove the practicality of this
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tactic by observing what happens every time your child asks a
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question without knowing what he is talking about. If you can't
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think of a question that you can answer immediately, ask a
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question for which you know how to find the answer. You can
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always find the answer to your question if you ask what the
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mystery does and what you can do about it? Directions you can
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understand but cannot implement mean that the matter is of no
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concern to you, so you are only wasting your time by investing
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more than idle curiosity. Anyone who can't give you directions
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you can follow doesn't know what you are talking about, and
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probably doesn't know what he is talking about, either, so you
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are only wasting your curiosity, never mind your belief. The
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main importance of knowing the answer when asking questions is
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that you also know when you are being answered truthfully, or
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you'll find out soon enough.
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Ah... so! A good question for starters is what are the
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identifiable characteristics of hyperspace that make it
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different from the ordinary garden variety of real estate where
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you hoe for a living. By strict mathematical definition, at
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least four dimensions are required in a space that can hold more
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than one (tridimensional) volume in the same place at the same
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time. All you have to do to find hyperspace is put two things in
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the same place at the same time --- and there you have
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hyperspace, already. See how easy it is to understand the
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inconceivable when you ask questions you can answer?
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Now, you are thinking that I am trying you for a fool. How
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can you put more than one thing in the same place at the same
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time? The directions cannot be followed; therefore, my own
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precepts prove I don't know what I am talking about. Trust me,
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and follow my directions.
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The professor demonstrates the fourth dimension to
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undergraduates by placing an object on his desk, then replacing
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that object with another object. This is supposed to show that
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two volumes can occupy the same volume at different times,
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proving that time is a fourth dimension. Do you see where the
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professor is breaking the rules? The mathematical definition
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specifies that two things must occupy the same place at the same
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-----------
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time before the space can be hyper; occupying the same place at
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----
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different times is not the same thing, at all. It is
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flabbergasting that profs have been bamboozling students for
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nearly a century without anyone blowing the whistle; anyone
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presenting this case in law school would be cashiered as soon as
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everyone realized he wasn't kidding.
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If you want to see real hyperspace, take one very level
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teaspoon of coarsely granulated sugar and one very level
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teaspoon of water. Now, drip the water onto the sugar until you
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have one heaping teaspoon of mixed solution. VOILA! you are
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looking at one teaspoonful of 80% pure hyperspace in your hand.
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How 'bout that, Mr. Spielberg?
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You will object that the water is merely filling the empty
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spaces between the crystals and the molecules of sugar. And
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there you have it. You have just discovered the principle of
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hyperspace. Genius is simply a matter of recognizing what you
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are looking for when you find it.
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You have just demonstrated that it is possible for two
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material volumes to coexist in the same space at the same time
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if they are not continuous. In other words, a continuous space
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----------
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is tridimensional, but a discontinuous space allows another
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---
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discontinuous space to occupy the discontinuities, thereby
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answering the mathematical definition of four-dimensional
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hyperspace. Discontinuous space-time is what the Quantum Theory
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is all about.
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The molecules of a solvent do not have enough empty space
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between them to contain the molecules of a solute without some
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increase in the volume of the solution; the amount of additional
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space occupied by the molecular intermixture varies according to
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the kind of molecules. There is, however, enough space between
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atoms for another kind of atoms to occupy without increasing the
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volume of their sum. The proof is found in gas chemistry; when
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44.8 litres of hydrogen is burned with 22.4 litres of oxygen,
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exactly 22.4 litres of water vapour is produced. When the volume
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of oxygen is chemically combined with the volume of hydrogen,
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the compounded mixture occupies exactly the same amount of space
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as the smaller volume of atoms. Chemistry, you see, is the
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applied science of hyperspace. (*1)
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A solution is not only a discontinuous structure
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manifesting four-dimensional properties, but the molecules
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comprising a solution are also so thoroughly mixed that any
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sample contains the same information that any other sample
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holds, and the information of any sample is identical to the
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information of the entire volume. A structure that contains all
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the information in every one of its parts, and all parts has the
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same significance as the whole, is called a hologram. Solutions
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--------
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are the original holograms and holograms are hyperspacial
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--------------------------
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structures.
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Although the Greeks had words for wind, some writers say the
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Greeks were unable to perceive the existence of still air.
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Likewise, hyperspace remains unknown to science simply because it
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is manifest as the oceans of air, water, and light we live in.
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(SIDE-1)
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Einstein established the concept of the fourth dimension as
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a popular scientific fact, yet, he persisted in thinking of
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space-time as a continuum. You have just seen for yourself, that
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it is impossible to contain four dimensions in a continuum. It is
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the contradiction between Einstein's calculations and his beliefs
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that made him express his Theory of Relativity in words
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impossible to comprehend. Contemporary with Einstein, Max Planck
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plotted the four-dimensional coordinates of atomic space while
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continuing to express himself in tridimensional concepts. And so
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the two seminal genius of modern physics argued across the
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dimensional gap all their lives, unable to reach an agreement.
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CLOSE THIS FILE
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OPEN FILE "CHAP-2B"
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=============================================
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SIDE-1
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Have you ever seen a three-dimensional square?
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A square is a two-dimensional
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figure, by mathematical definition; therefore,
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a three-dimensional square must be a
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contradiction of terms.
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A space that can contain more than one
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plane structure on the same plane at the same
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time answers the mathematical definition of a
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hyperplane. Actually, no one ever made this
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mathematical definition until now; nobody
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thought such a definition would ever be
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needed.
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Now, project a photographic diapositive
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slide onto a screen. The image you see on the
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projection plane is two-dimensional, isn't it?
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Now, project another image onto the same
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screen at the same time and look at the
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inconceivable mathematical impossibility, two
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perfect planes in the same perfect plane at
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the same time. The perfect hyperplane is
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physically possible because light is the very
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discontinuous wave phenomenon by which Planck
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discovered and proved the Quantum Theory.
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Make this demonstration in school to
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show your colleagues the five stages of
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psychological repression when the prof flips
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into a Freudian crash --- provided, of course,
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that you have already decided you don't need
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an academic degree to support your sex life in
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the style to which she wants to become accustomed.
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-------------------------------------------------------------
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*1 Hyperspace can be deduced from the Pauli Exclusion
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Principle; to wit, two particles cannot occupy the same energy
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level at the same time. Exclusion is the effect of phase
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opposition. Atoms in phase harmony, however, can occupy the
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space at the opposite phase of the other. A chemical explosion
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occurs when a shock flips the atomic vibrations out of phase
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harmony, causing them to repel each other.
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30
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FILENAME: CHAPTER-1B
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____________________________
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I I
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I The Theory of Relativity I
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I changed everything, I
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I except the way I
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I Einstein thought. I
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I____________________________I
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MATHEMATICIANS define a four-dimensional hypersphere as a
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ball containing every point in its volume on its surface. In
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other words, a hypersphere is a globe that is all surface,
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inside and out. If you are baffled, it is simply because you are
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unfamiliar with the verbal statement. You have made hyperspheres
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all your life without knowing it by so many words; nobody told
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you that reg'lar fellas make a hypersphere every morning because
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nobody thought you had to know, so the concept was not included
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in high school family planning courses.
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Take a sizable piece of tissue paper. It is practically all
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surface and practically no volume, isn't it? Now, crumple it
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into a ball. VOILA! You got the whole hypersphere in your hand.
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The wad is all surface, inside and out, isn't it? (SIDE-1)
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Books are all surface, inside and out, and no words are so
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plane as the written word. Libraries are filled with four-
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dimensional hypervolumes. Whereas oral communication can be
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processed in Consciousness as small as four dimensions, the
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written language resists reading by minds no greater than four
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dimensions. This is why Johhny can't read after graduating from
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high school.
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Physicists are puzzled by the way some particles disappear
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at one place and reappear elsewhere, with no trace of passing
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through the intervening space and time. They say that locations
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widely separated in real space are adjacent to each other in the
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fourth dimension. The concept of wormholes is postulated to
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account for jumps through warps in atomic space-time; a wormhole
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is nothing but a quantum jump that doesn't know when to whoa.
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Now, if you look at the wad of paper in your hand, you will see
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that points separated by considerable surface distance are in
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contact. You are holding a handful of wormholes.
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If you could compress the wad to atomic density, every
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point on its surface would be practically in contact with every
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other point on its surface at the same time, making the entire
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wad into one humungous wormhole. Quantum jumps occur on the
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atomic scale simply because an atom is all wormhole. A structure
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containing every point in contact with every other point is a
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hologram. (*1)
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=============================================
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SIDE-1
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The human brain has more surface for its
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volume than the brain of any other creature.
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It is necessary for the human brain to have a
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high ratio of surface to volume because the
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human nervous system operates at a high
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electrical potential. Tesla proved that a
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voltage moves to the surface of its conductor
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as its charge is raised. If the human brain
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does not have enough surface to contain its
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charge within its inefficient dielectric,
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nervous electricity will arc and the body will
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go into convulsions.
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As the human brain increases its
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surface, the operation of the human mind
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evolves from tridimensional activity to
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quadimensional activity. The mental faculty
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for fine-focus is actually splitting hairs to
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the fourth dimension. As a focussing faculty,
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language comes to us from the fourth
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dimension. We have dominion over the beasts of
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the field because language raises human
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consciousness to a dimension above all the
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other animals. If time is a higher dimension,
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then we rule the planet because we are
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conscious of time, also; words are timed.
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The ability of the brain to associate ideas
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that are widely separated by a line of logic
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is a manifestation of wormholes in the brain
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--- so you really do need holes in your head.
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The TAO says that a cup holds its
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contents by virtue of its emptiness. An
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absolutely empty cup is all surface, and that
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is the end to which the human brain is
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evolving. Empty space is all surface, as you
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can prove for yourself by simple palpation.
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The ambient electromagnetic field is the
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Universal Mind of God that has raised its
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voltage beyond the capacity of a material
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brain. Now you can see that your very own mind
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becomes the legendary Divine Cup when it is
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perfectly empty, and your own Consciousness
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is the very Holy Grail sought by all the more
|
||
|
|
||
|
or less steined philosophers.
|
||
|
|
||
|
|
||
|
---------------------------------------------------------------
|
||
|
|
||
|
|
||
|
* Now that you know a hologram is the product of infinitesmal
|
||
|
division and perfect distribution, you understand that every
|
||
|
point-event in the universe is in immediate contact with a
|
||
|
REPLICA of every other point-event in the universe. Particles
|
||
|
don't jump through wormholes; quantum jumps are an illusion
|
||
|
created when a particle accelerates above detectability (i.e.
|
||
|
light speed) by drawing energy from another particle already
|
||
|
above light speed. When the drawn clone drops into detectability
|
||
|
below light speed, the perceived effect is identical to a single
|
||
|
identified particle that disappears in one place and reappears
|
||
|
instantaneously in another.
|
||
|
|
||
|
|
||
|
30
|
||
|
|
||
|
FILENAME: CHAP-1C
|
||
|
|
||
|
|
||
|
____________________
|
||
|
I I
|
||
|
I The impossible I
|
||
|
I doesn't take I
|
||
|
I any longer. I
|
||
|
I I
|
||
|
I It is only I
|
||
|
I the improbable I
|
||
|
I that takes I
|
||
|
I indefinite time. I
|
||
|
I____________________I
|
||
|
|
||
|
|
||
|
|
||
|
EVERY time you slice a ham for sandwiches, you increase the
|
||
|
|
||
|
surface of the meat without adding anything to its volume.
|
||
|
|
||
|
Ultimately, your ham is all surface and no volume. Since a
|
||
|
|
||
|
hypervolume is all surface, division to finality is the physical
|
||
|
|
||
|
operation that converts a tridimensional volume into a
|
||
|
|
||
|
quadimensional surface. The single slice of ham in sandwiches
|
||
|
|
||
|
sold on the Canadian Pacific Railway, fifty years ago, was
|
||
|
|
||
|
shaved so thin that it was practically four-dimensional. Fine
|
||
|
|
||
|
division transforms space from a continuum into a discontinuum.
|
||
|
|
||
|
Fine division is what quantum physics is all about.
|
||
|
|
||
|
|
||
|
The elemental substance of hyperspace is discovered by
|
||
|
|
||
|
gradually dividing a volume until it becomes a mathematically
|
||
|
|
||
|
perfect plane. We shall proceed with this process by way of a
|
||
|
|
||
|
DEDANKEN experiment to discover the perfect four-dimensional
|
||
|
|
||
|
element.
|
||
|
|
||
|
|
||
|
Planets appear to be solid, tridimensional bodies, as in
|
||
|
|
||
|
rigid, but this perception is mistaken. A planet is an
|
||
|
-----
|
||
|
exceedingly viscous fluid under the pressure of its own gravity,
|
||
|
|
||
|
and it is centripetal force that molds both planets and
|
||
|
|
||
|
raindrops into globular shapes. If a giant planet like Jupiter
|
||
|
|
||
|
were divided into a few parts, all the segments would eventually
|
||
|
|
||
|
collapse under gravity into balls. The plastic planet is actually
|
||
|
|
||
|
a mixture of molecules in more or less solution, and you have
|
||
|
|
||
|
just proven that a solution has more than three dimensions,
|
||
|
|
||
|
although not quite four. Life as we know it, and everything in
|
||
|
|
||
|
it, is in between three dimensions and four.
|
||
|
|
||
|
|
||
|
If one of the planetary segments were subdivided
|
||
|
|
||
|
progressively, a critical size would be attained when the
|
||
|
|
||
|
cohesion of the material exceeds the force of its gravity so
|
||
|
|
||
|
that it won't collapse into a ball. At this critical size, the
|
||
|
|
||
|
planet becomes transformed into a chunk. Subplanetary debris is
|
||
|
|
||
|
the nearest thing we have to ideal (tridimensional) volumes that
|
||
|
|
||
|
will congregate by their mutual gravitational attraction.
|
||
|
|
||
|
Trispace is the proper province of gravity, and it is by gravity
|
||
|
|
||
|
that the trispacial world is described.
|
||
|
|
||
|
|
||
|
Dividing the planetary chunk into smaller pieces does not
|
||
|
|
||
|
produce a congregation of smaller chunks as one may expect from
|
||
|
|
||
|
a general understanding of gravity; up to a certain distance,
|
||
|
|
||
|
minute chunks effectively repel each other. Over the course
|
||
|
|
||
|
of time and continued subdivision, the chunks become a belt of
|
||
|
|
||
|
cometary debris extending around the entire length of the orbit.
|
||
|
|
||
|
This observed phenomenon reveals that subdivision of a material
|
||
|
|
||
|
body to a critical size releases a seemingly mutually repelling
|
||
|
|
||
|
force that eventually overcomes gravity. (*1) As trispace is
|
||
|
|
||
|
gradually converted into hyperspace by dividing chunks into
|
||
|
|
||
|
crystals, electromagnetic forces become manifest until gravity
|
||
|
|
||
|
is supervened. Quadspace is the proper province of the
|
||
|
|
||
|
electromagnetic field which defines it.
|
||
|
|
||
|
|
||
|
Subdivision of a chunk eventually reaches another critical
|
||
|
|
||
|
size where individual crystals are defined. When the elemental
|
||
|
|
||
|
crystal is divided, it ceases to be a crystal by reduction to a
|
||
|
|
||
|
clump of molecules. The molecular clump can be divided until a
|
||
|
|
||
|
single molecule remains. At this critical size, one more cut
|
||
|
|
||
|
destroys the molecule into free radicals. After the radicals are
|
||
|
|
||
|
sectored into electrically active atoms, the next cut demolishes
|
||
|
|
||
|
the atom into particles. Eventually all particles are reduced to
|
||
|
|
||
|
electrons; the electron is pure electricity. Notice that the
|
||
|
|
||
|
electrical force and particle velocity increases inversely with
|
||
|
|
||
|
size.
|
||
|
|
||
|
|
||
|
The final sectioning transforms the massless volume of the
|
||
|
|
||
|
electron into photons. A photon is defined by mathematical
|
||
|
|
||
|
physicists as a plane particle. (SIDE-1) In other words, a
|
||
|
-----
|
||
|
photon is all surface with no volume. When a tridimensional
|
||
|
|
||
|
space is subdivided into its elemental photons, all of its
|
||
|
|
||
|
volume is reduced to an infinite surface. At this point, the
|
||
|
|
||
|
space is wholly transformed from three dimensions to four. (*2)
|
||
|
|
||
|
|
||
|
The empty space of the universe is chock full of nothing
|
||
|
|
||
|
but photons. Therefore, empty space is absolutely pure,
|
||
|
|
||
|
hypersolid, Grade A, Government Inspected hyperspace.
|
||
|
|
||
|
|
||
|
Four-dimensional structures manifest merely two dimensions
|
||
|
|
||
|
in trispace (*3); all surfaces are the two-dimensional
|
||
|
|
||
|
projections into material form of four-dimensional empty space.
|
||
|
|
||
|
All surfaces are planes. All planes are pure energy. All energy
|
||
|
|
||
|
is carried by photons. Photons are the agents of all
|
||
|
|
||
|
transformation and transmutation. Therefore, all activity,
|
||
|
|
||
|
chemistry, electricity, and change occurs on interfacing
|
||
|
|
||
|
surfaces; this is why chemical reactions are accelerated by fine
|
||
|
|
||
|
division. The geometry of energy is the mathematics of alchemy.
|
||
|
|
||
|
|
||
|
When Einstein proved that time stops at light speed, the
|
||
|
|
||
|
corollary that light speed is equivalent to infinite velocity
|
||
|
|
||
|
also proves that light speed brings everything in the universe
|
||
|
|
||
|
into immediate contact at the same time. Since the electro-
|
||
|
|
||
|
magnetic field has light speed, every part of it is everywhere
|
||
|
|
||
|
at once. In other words, all space everywhere satisfies the
|
||
|
|
||
|
definition of a hyperspacial hologram and everything in the
|
||
|
|
||
|
universe is in intimate contact with everything else through
|
||
|
|
||
|
cosmic wormholes. Since the atom is a part of the universal
|
||
|
|
||
|
hologram, every atom must contain all the information of the
|
||
|
|
||
|
entire universe. No wonder there is no end to subatomic
|
||
|
|
||
|
particles.
|
||
|
|
||
|
|
||
|
Correlative with progressive subdivision, the velocities,
|
||
|
|
||
|
frequencies, and energy levels of parts and particles increase
|
||
|
|
||
|
inversely as an exponential function of size. When subdivision
|
||
|
|
||
|
of a tridimensional material body reaches finality by total
|
||
|
|
||
|
conversion of volume into plane, material is entirely
|
||
|
|
||
|
transformed into pure radiant photonic energy defined by the
|
||
|
|
||
|
velocity of light. (*4) In other words, hyperspace is nothing
|
||
|
|
||
|
but pure, kinetic energy. The higher dimensions of hyperspace
|
||
|
|
||
|
are the very dimensions of energy already measured, plotted, and
|
||
|
|
||
|
equated by physicists and engineers since Newton wrote his
|
||
|
|
||
|
PRINCIPIA.
|
||
|
|
||
|
|
||
|
The same equations that accelerate velocity as an inverse
|
||
|
|
||
|
exponential function of size also prove that size is diminished
|
||
|
|
||
|
as an exponential inverse function of velocity. In other words,
|
||
|
|
||
|
size is reduced by accelerated velocity. As a result, a star
|
||
|
|
||
|
decreases in size inversely with increase in mass until it
|
||
|
|
||
|
disappears into atomic dimensions upon collapse into the
|
||
|
|
||
|
hyperlight zone of a Black Hole. Conversely, a photon grows to
|
||
|
|
||
|
infinite size as it decelerates from light speed. (*5)
|
||
|
|
||
|
|
||
|
Einstein used the equations of the Fitzgerald Contraction
|
||
|
|
||
|
to prove that extension is lost on the axis of travel as a
|
||
|
|
||
|
function of accelerated velocity until a structure is squeezed
|
||
|
|
||
|
into a plane at light speed; plane photons is the result of that
|
||
|
|
||
|
Fitzgerald Contraction. (SIDE-1) From our perspective, Lorentz
|
||
|
|
||
|
Transformations occur instantaneously above light speed;
|
||
|
|
||
|
immediately over the time barrier at the light limit, the plane
|
||
|
|
||
|
contracts into a line and the line collapses into a superdense
|
||
|
|
||
|
point. The lines are probably manifest as String Theory and the
|
||
|
|
||
|
points are particles composing the strings.
|
||
|
|
||
|
|
||
|
CLOSE THIS FILE
|
||
|
|
||
|
OPEN FILE "CHAP-1D"
|
||
|
|
||
|
|
||
|
=============================================
|
||
|
|
||
|
SIDE-1
|
||
|
|
||
|
The rear end of a racing car crosses the
|
||
|
|
||
|
finish line after the front end. From the
|
||
|
|
||
|
velocity of the car and the temporal interval
|
||
|
|
||
|
between the front and rear ends, the length of
|
||
|
|
||
|
the car can be calculated; only professional
|
||
|
|
||
|
mathematicians would conceive of such a
|
||
|
|
||
|
complicated way to measure the overall length.
|
||
|
|
||
|
The front end of a bullet enters a target
|
||
|
|
||
|
ahead of the back end. From the velocity of
|
||
|
|
||
|
the bullet and the temporal interval between
|
||
|
|
||
|
the front and rear ends, the length of the
|
||
|
|
||
|
bullet can be calculated. The bullet, however,
|
||
|
|
||
|
travels much faster than a car, and a bullet
|
||
|
|
||
|
is also much smaller. It is considerably more
|
||
|
|
||
|
difficult, therefore, to measure the temporal
|
||
|
|
||
|
interval with any significant precision; for
|
||
|
|
||
|
all practical purposes, the rear end of a
|
||
|
|
||
|
bullet reaches the target in the same instant
|
||
|
|
||
|
as the front end. When dealing with a particle
|
||
|
|
||
|
as small as a photon travelling at light
|
||
|
|
||
|
speed, it is physically impossible to detect
|
||
|
|
||
|
any temporal difference between its bow and
|
||
|
|
||
|
stern. Therefore, for all mathematical
|
||
|
|
||
|
purposes, both leading and trailing surfaces
|
||
|
|
||
|
of the photon pass the measuring point in the
|
||
|
|
||
|
same instant. Mathematically, it is possible
|
||
|
|
||
|
for two separated surfaces to occupy the same
|
||
|
|
||
|
point in space at the same instant of time
|
||
|
|
||
|
only at infinite velocity; as a consequence,
|
||
|
|
||
|
light speed is mathematically equivalent to
|
||
|
|
||
|
infinite velocity. Since four dimensions of
|
||
|
|
||
|
space are required for two volumes to occupy
|
||
|
|
||
|
the same location at the same instant, it
|
||
|
|
||
|
follows that acceleration to light speed
|
||
|
|
||
|
expands the spacial extension of a structure
|
||
|
|
||
|
from three dimensions to four. Conversely,
|
||
|
|
||
|
(*3) it is possible for the trailing end of a
|
||
|
|
||
|
particle travelling at a finite velocity to
|
||
|
|
||
|
pass the measuring point in the same instant
|
||
|
|
||
|
as the leading end only if there is no
|
||
|
|
||
|
distance between the two ends. A perfect plane
|
||
|
|
||
|
is the only mathematical structure without
|
||
|
|
||
|
any distance between its front and its rear.
|
||
|
|
||
|
Since a plane has no extension in the third
|
||
|
|
||
|
dimension, it is mathematically possible to
|
||
|
|
||
|
lay an indefinite number of planes in the same
|
||
|
|
||
|
plane. And that is why planes answer the
|
||
|
|
||
|
definition of hyperspace. Furthermore, the
|
||
|
|
||
|
elimination of capacity makes it impossible
|
||
|
|
||
|
for a plane to carry any mass, and that is why
|
||
|
|
||
|
photons are massless, plane particles. No mass
|
||
|
|
||
|
or extension is lost by acceleration; the
|
||
|
|
||
|
Fitzgerald Contraction is merely a
|
||
|
|
||
|
mathematical illusion produced by the limits
|
||
|
|
||
|
of precision. So now you know what the
|
||
|
|
||
|
mysterious Fitzgerald Contraction is all
|
||
|
|
||
|
about. A child can understand it easily, but
|
||
|
|
||
|
professional mathematicians can confuse the
|
||
|
|
||
|
obvious beyond the comprehension of a
|
||
|
|
||
|
Philadelphia lawyer.
|
||
|
|
||
|
|
||
|
---------------------------------------------------------------
|
||
|
|
||
|
|
||
|
*1 The mutually repelling feature of small bodies produces the
|
||
|
illusion perceived as the mysterious "Fifth Force". This
|
||
|
illusion is produced when the proper velocity of particles/
|
||
|
bodies exceeds the orbital velocity defined by their positions
|
||
|
in their field. Collisions among congregated bodies in orbit
|
||
|
exchange velocity to produce a gradual separation.
|
||
|
|
||
|
|
||
|
---------------------------------------------------------------
|
||
|
|
||
|
|
||
|
*2 Whereas the electrically inert, gravitically active chunk
|
||
|
defines the quintessential third dimension, the electromagnetic
|
||
|
but massless photon defines the exact plane of the fourth dimension.
|
||
|
|
||
|
During its growth, the gravitic field of a star is
|
||
|
supervened by its electromagnetic field. When a star collapses
|
||
|
into a Black Hole, all its manifest gravitic features condense
|
||
|
into the electromagnetic force. A star that collapses into a
|
||
|
Black Hole assumes atomic dimensions; the cosmic Black Hole is
|
||
|
nothing but a glorified atom. Thus, the third dimension spans
|
||
|
the space between quadimensional Black Holes defined by the atom
|
||
|
and the quadimensional Black Holes of stars.
|
||
|
|
||
|
|
||
|
---------------------------------------------------------------
|
||
|
|
||
|
|
||
|
*3 The same mathematics that prove a photon at light speed to
|
||
|
be a plane is extrapolated to prove that a particle's trailing
|
||
|
end gets ahead of its leading end when exceeding light-speed, to
|
||
|
produce reversal of extension on the axis of travel and reversal
|
||
|
of time. In other words, hyperlight speed transforms a structure
|
||
|
into its negative. As a practical consequence, orbitting bodies
|
||
|
are experimentally proven to precess in time as Einstein
|
||
|
calculated correctly.
|
||
|
|
||
|
The negative of solid material is mathematically emptier
|
||
|
than the perfect vacuum, and that is why a hyperspacial
|
||
|
structure can contain an indefinite number of trispacial
|
||
|
stuctures in the same space at the same time.
|
||
|
|
||
|
All fields have hyperlight centres, which is why all
|
||
|
fields suck. All fields are glorified Bournelli Force.
|
||
|
|
||
|
Field repulsion is defined wherever the velocity separating
|
||
|
particles is less than light speed, but greater than zero. Thus,
|
||
|
we find that mutual repulsion is reduced in both directions from
|
||
|
a velocity differential of half light speed; the next chapter
|
||
|
explains why mutual repulsion is defined by the square root of
|
||
|
twice light speed, empirically. As a consequence, we find that
|
||
|
all celestial bodies within the same scale of size repel each
|
||
|
other more than they attract each other, and that is why all the
|
||
|
planets maintain the largest possible average distance from each
|
||
|
other, instead of gravitating into a clump. Velikovsky got
|
||
|
pilloried for pointing out the mutual interplanetary repulsion
|
||
|
that no astrophysicist could see. What greater punishment would
|
||
|
have befallen Velikovsky if he managed to explain the phenomenon
|
||
|
correctly?
|
||
|
|
||
|
|
||
|
---------------------------------------------------------------
|
||
|
|
||
|
|
||
|
*4 A star cannot be tridimensional because it is a mass of
|
||
|
free radicals, atomic particles, and blazing photons. A star is
|
||
|
actually space in the process of condensing into hyperspace.
|
||
|
|
||
|
|
||
|
Most astrophysicists will allow that a Black Hole is space
|
||
|
concentrated into hyperspace by gravity. A Black Hole is
|
||
|
calculated to be a gravitic centre of such intense concentration
|
||
|
that anything falling into it exceeds the speed of light; even
|
||
|
light cannot escape from the interior of a Black Hole.
|
||
|
|
||
|
Now, if you take this information to an atomic physicist, you
|
||
|
will be told that particles radiate intensely as they are
|
||
|
accelerated to the speed of light. Specialists never compare notes
|
||
|
under penalty of losing their membership cards, but as a lay
|
||
|
person, there is nothing to stop you from putting the empirical
|
||
|
fact of the atomic physicist to the calculated fact of the astro-
|
||
|
physicist to deduce that everything falling into a Black Hole must
|
||
|
radiate with the intensity of a quasar before disappearing into
|
||
|
the gravitic maelstrom. In other words, it is physically impossible
|
||
|
for Black Holes to be black; they must be the most brilliant
|
||
|
centres in the known universe. And that is what a star is; a star
|
||
|
is the brilliant photosphere surrounding a nascent Black Hole.
|
||
|
|
||
|
|
||
|
-------------------------------------------------------------
|
||
|
|
||
|
|
||
|
*5 In a universe undergoing exponential aceleration, every
|
||
|
observer experiences himself to be the One Still Point while
|
||
|
everything accelerates away at a rate that increases with
|
||
|
distance. Since wave strustures accelerate as a condition of
|
||
|
their physical existence, the Big Bang is an unnecessary
|
||
|
postulate.
|
||
|
|
||
|
Since mass is a function of velocity, mass must increase as
|
||
|
a function of distance. Infinite mass is found in atomic nuclei
|
||
|
where velocities exceed light speed. In fact, all mass is
|
||
|
defined by nuclear particles.
|
||
|
|
||
|
Since velocity also accelerates to light speed at the event
|
||
|
horizon, it follows that the event horizon must also be defined
|
||
|
by infinite mass; astrophyicists are busy seeking a lot of
|
||
|
missing mass and can't see it for looking. Since gravitation is
|
||
|
a product of mass, it is necessary that the cosmos gravitate
|
||
|
with accelerating velocity to the event horizon --- which is
|
||
|
what the Big Bang is all about. The point is that the self-
|
||
|
evident can be confused beyond all comprehension, with a little
|
||
|
mathematics, if you don't know what the equations mean.
|
||
|
|
||
|
|
||
|
30
|
||
|
|
||
|
|
||
|
FILENAME: CHAP-1D
|
||
|
|
||
|
|
||
|
____________________________________
|
||
|
I I
|
||
|
I Easy things are seldom done I
|
||
|
I for the same reason I
|
||
|
I that impossible things I
|
||
|
I are rarely done; I
|
||
|
I no one will pay I
|
||
|
I for anything believed to be easy I
|
||
|
I or impossible. I
|
||
|
I____________________________________I
|
||
|
|
||
|
|
||
|
|
||
|
A SIMPLE demonstration will prove that all empty space is a
|
||
|
|
||
|
hyperspacial hologram. Fix your camera on a tripod and take a
|
||
|
|
||
|
picture through the aperture set at f/16. Then, take another
|
||
|
|
||
|
picture after you open the aperture to f/2. You can see that
|
||
|
|
||
|
both pictures are practically identical, except for depth of
|
||
|
|
||
|
sharply focussed field.
|
||
|
|
||
|
|
||
|
The aperture opened to f/2 passes a beam of light sixty-
|
||
|
|
||
|
four times greater in area than the aperture closed to f/16.
|
||
|
|
||
|
This means that each beam of light, no matter how constricted,
|
||
|
|
||
|
contains the same information as every other beam and all beams
|
||
|
|
||
|
put together. The only change that aperture makes is the
|
||
|
|
||
|
resolution of fine detail. Furthermore, no matter where you set
|
||
|
|
||
|
the camera, your pictures reveal essentially the same
|
||
|
|
||
|
information; the only difference that perspective makes is the
|
||
|
|
||
|
relative sizes and positions of the image details. If your lens
|
||
|
|
||
|
could accept rays from all directions, you would see that every
|
||
|
|
||
|
location in space contains all the same information as every
|
||
|
|
||
|
other location; the differences produced by different locations
|
||
|
|
||
|
are merely a matter of spacial sequence, aspects, and relative
|
||
|
|
||
|
size. A space that contains all its information in all of its
|
||
|
|
||
|
parts answers the mathematical definition of a hologram. You can
|
||
|
|
||
|
see for yourself that we live in a cosmic hyperspacial hologram.
|
||
|
-----------------------------------------
|
||
|
|
||
|
The hypothesis of the universal hologram is shaking
|
||
|
|
||
|
scientific thought to its foundations at this time, but the
|
||
|
|
||
|
proof has been self-evident to everyone since the effect of the
|
||
|
|
||
|
pinhole camera was noticed. How 'bout that, Sir Isaac? William
|
||
|
|
||
|
Blake understood the universal hologram when he saw the universe
|
||
|
|
||
|
in a grain of sand; art is truth apprehended directly with no
|
||
|
|
||
|
need for logic --- so is insanity.
|
||
|
|
||
|
|
||
|
Everyone has seen holograms in charm bracelets, on credit
|
||
|
|
||
|
cards, in science fairs, and on the cover of NATIONAL GEOGRAPHIC.
|
||
|
|
||
|
A hologram can be understood as a moire pattern made with light
|
||
|
|
||
|
waves. The EDMUND people at EDMUND SCIENTIFIC PRODUCTS
|
||
|
International Operations Department
|
||
|
8780 Edscorp Building
|
||
|
Barrington, New Jersey
|
||
|
08007 U.S.A.
|
||
|
|
||
|
will sell you a kit of moire patterns to study. Moire patterns
|
||
|
|
||
|
serve as moving pictures to illustrate this book.
|
||
|
|
||
|
|
||
|
The hologram was inconceivable outside of a small cabal of
|
||
|
|
||
|
theoretical physicists who plotted the mathematics since the
|
||
|
|
||
|
beginning of this century, and a hologram couldn't be produced
|
||
|
|
||
|
until the laser was invented to provide the necessary coherent
|
||
|
|
||
|
waves. Without any parade of mathematics, I discovered the
|
||
|
|
||
|
hologram while soaking in my tub, with my big toe protruding
|
||
|
|
||
|
above the surface of the steamy water. I dare say many other
|
||
|
|
||
|
soakers must have made the same discovery since bathing became
|
||
|
|
||
|
intentional. (*1)
|
||
|
|
||
|
|
||
|
Ordinary light can be represented by splashing water in a
|
||
|
|
||
|
bathtub until the surface is covered with random waves. In
|
||
|
|
||
|
contrast, a slow drip from the faucet into a tub full of still
|
||
|
|
||
|
water covers the surface with a regular, parallel wave pattern,
|
||
|
|
||
|
illustrating the coherent light waves in a laser beam. Now, if
|
||
|
|
||
|
you set a firm object in the tub so that it breaks the surface
|
||
|
|
||
|
of the water, the regular waves will reflect from the surface of
|
||
|
|
||
|
the object, and the reflected waves intersect the regular waves
|
||
|
|
||
|
at an angle determined by the angle of reflection. Soon the
|
||
|
|
||
|
entire surface of the water is covered with a pattern of regular
|
||
|
|
||
|
waves perfusing with reflected waves. The remarkable feature of
|
||
|
|
||
|
this pattern is that the angles of intersection are about the
|
||
|
|
||
|
same over the entire surface; remember Euclid's theorem that a
|
||
|
|
||
|
straight line intersects all parallel lines at the same angle.
|
||
|
|
||
|
In other words, every part of the surface of the water contains
|
||
|
|
||
|
the same information; you have created a hologram in your
|
||
|
|
||
|
bathtub. If it were possible to reverse the flow of the
|
||
|
|
||
|
reflected waves, they would return to their points of reflection
|
||
|
|
||
|
to reconstruct the cross section of the object.
|
||
|
|
||
|
|
||
|
The coherent light of a laser beam functions as a moire
|
||
|
|
||
|
screen. Waves reflected from an object function as a second
|
||
|
|
||
|
moire screen to generate an interference pattern, like you can
|
||
|
|
||
|
see in your tub demonstration. A sheet of microfine-grain
|
||
|
|
||
|
photographic film placed in the laser light will record a moire
|
||
|
|
||
|
pattern of swirls and whorls; no camera or lens is needed. The
|
||
|
|
||
|
extremely fine lines defining wave interference function as a
|
||
|
|
||
|
diffraction grating and a diffraction grating functions as a
|
||
|
|
||
|
lens. When another laser beam is shone through the film, the
|
||
|
|
||
|
rays are bent to meet at focal points corresponding to resolved
|
||
|
|
||
|
points on the surface of the photographed object so that
|
||
|
|
||
|
projection reconstructs the form of the original solid object as
|
||
|
|
||
|
a ghostly image in space viewable from all sides. A real ghost
|
||
|
|
||
|
is a natural hologram.
|
||
|
|
||
|
|
||
|
Any movement while a hologram is being exposed will blur
|
||
|
|
||
|
one wave into another to register nothing but an even light fog.
|
||
|
|
||
|
Therefore, holograms are photographed on heavy stone tables
|
||
|
|
||
|
firmly set on bedrock --- after consulting timetables for nearby
|
||
|
|
||
|
railways and jetliner takeoffs, and the children are asleep.
|
||
|
|
||
|
Furthermore, the photographic film must be at least as fine-
|
||
|
|
||
|
grained as the moire pattern in the laser light if the image is
|
||
|
|
||
|
to be resolved. Film speed varies directly with graininess, so
|
||
|
|
||
|
holographic microfilm is the slowest emulsion since Daguerre
|
||
|
|
||
|
clamped his portrait sitters in a vise. The growing interest in
|
||
|
|
||
|
holography is likely to stimulate Great Yellow Father to improve
|
||
|
|
||
|
the speed of fine-grain film, while inventors will figure out
|
||
|
|
||
|
ways to simulate holography by more practical techniques for
|
||
|
|
||
|
making television images in-the-round; the solution to cheap
|
||
|
|
||
|
holograms seems to be in computer graphics.
|
||
|
|
||
|
|
||
|
Holograms confound common sense because few people have
|
||
|
|
||
|
ever seen diffraction gratings, and fewer have any idea how they
|
||
|
|
||
|
function as lenses. Light bends around the edge of material
|
||
|
|
||
|
particles, like you can see waves bend around your own big toe
|
||
|
|
||
|
sticking through the water surface in your tub. Waves are bent by
|
||
|
|
||
|
the edges of material structures because every body produces
|
||
|
|
||
|
photonic turbulence around its surface, and turbulence retards the
|
||
|
|
||
|
smooth transmission of wave energy. The more edges a ray of light
|
||
|
|
||
|
brushes, the more it is bent. The amount of bending a diffraction
|
||
|
|
||
|
grating imposes on a transmitted beam is determined by the
|
||
|
|
||
|
closeness of lines in the area. (SIDE-1) In other words, the
|
||
|
|
||
|
refractive index of a diffraction grating is a function of the
|
||
|
|
||
|
concentration of the lines; the refractive index approaches
|
||
|
|
||
|
infinity as the lines crowd together; the material becomes
|
||
|
|
||
|
opaque when the lines touch each other to become a continuous
|
||
|
|
||
|
area. A continuously accelerated density of lines across the
|
||
|
|
||
|
diameter of a diffraction grating can bend all rays to the same
|
||
|
|
||
|
focal point, like a parabolic glass lens or a Fresnel lens. A
|
||
|
|
||
|
holograph of a lens functions as a lens. Since it is easier to
|
||
|
|
||
|
print a diffraction grating onto an optical flat than to grind
|
||
|
|
||
|
and polish delicate glass, Japanese are trying to solve the
|
||
|
|
||
|
problems of diffusion and opacity in order to manufacture camera
|
||
|
|
||
|
lenses as compact, light, and inexpensive as filters.
|
||
|
|
||
|
|
||
|
The swirls and whorls of lines you see on a hologram mean
|
||
|
|
||
|
that the light-bending power varies over its surface. A hologram
|
||
|
|
||
|
is a complex lens with many focal points. A hologram can also be
|
||
|
|
||
|
conceived as an array of innumerable lenses of different focal
|
||
|
|
||
|
lengths, each focal point corresponding to a point resolved on
|
||
|
|
||
|
the original object. Therefore, a hologram projects a
|
||
|
|
||
|
tridimensional image instead of the plane image defined by an
|
||
|
|
||
|
ordinary lens with a single focal length.
|
||
|
|
||
|
|
||
|
The concept of photographic negative is imprinted in the
|
||
|
---------------------
|
||
|
mind so that people continue to perceive the hologram as a
|
||
|
|
||
|
negative image even though there is no image on the film. As a
|
||
|
|
||
|
consequence, watching a hologram being cut into several pieces
|
||
|
|
||
|
with each piece containing the entire image is utterly baffling,
|
||
|
|
||
|
demonstrating as it does that Aristotle's Three Laws of Logic
|
||
|
|
||
|
are not absolutely true, but merely expresses the way the mind
|
||
|
|
||
|
defines its perceptions. This modern miracle of loaves and
|
||
|
|
||
|
fishes is also self-evidently simple when you think about what
|
||
|
|
||
|
you actually see instead of see what you think you see.
|
||
|
|
||
|
|
||
|
A hologram is not a pictorial image, but an array of lenses
|
||
|
|
||
|
that projects the same image from any light. You can see how a
|
||
|
|
||
|
hologram works by looking through a window sectored into many
|
||
|
|
||
|
small panes. The view through each pane is the same, except for
|
||
|
|
||
|
parallax displacement, and the view is complete no matter how
|
||
|
|
||
|
small the pane. Likewise, you will find the same view through
|
||
|
|
||
|
each lens in an array. A hologram is composed of millions of
|
||
|
|
||
|
lens-like panes, mixed as thoroughly as gas molecules in the
|
||
|
|
||
|
atmosphere. Since every part of a hologram has an equal sampling
|
||
|
|
||
|
of replicated lenses, it is obvious that each part must project
|
||
|
|
||
|
the same picture in its entirety. As a hologram is reduced in
|
||
|
|
||
|
size, however, the number of lenses it contains is reduced, and
|
||
|
|
||
|
the holograph becomes fuzzy when there are insufficient lenses
|
||
|
|
||
|
to resolve each point in the image, uniquely. (*2)
|
||
|
|
||
|
|
||
|
The universal hologram is composed of points in a volume
|
||
|
|
||
|
rather than lines on a film plane. Every particle in the cosmos
|
||
|
|
||
|
functions as a point in a voluminous diffraction grating, bending
|
||
|
|
||
|
light as Einstein calculated the curve of waves around the Sun.
|
||
|
|
||
|
The bending produced by the Sun is noticeable only to
|
||
|
|
||
|
astrophysicists looking for the phenomenon; the bending of light
|
||
|
|
||
|
by atomic particles is immeasurably minute, but there are an
|
||
|
|
||
|
infinite number of particles in the cosmos, and compounding
|
||
|
|
||
|
their refraction over a few million light years adds up to the
|
||
|
|
||
|
curve of space around the fourth dimension. Einstein's
|
||
|
|
||
|
mysterious curve of space, you see, can be understood as an
|
||
|
|
||
|
effect produced by the diffraction of light as it flows through
|
||
|
|
||
|
the cosmos.
|
||
|
|
||
|
|
||
|
CLOSE THIS FILE
|
||
|
|
||
|
OPEN FILE "CHAP-1E"
|
||
|
|
||
|
===========================================
|
||
|
|
||
|
SIDE-1
|
||
|
|
||
|
The refraction of transmitted light by a
|
||
|
|
||
|
hologram is produced by wave interference that
|
||
|
|
||
|
amplifies phases off the projection axis so
|
||
|
|
||
|
that the beam of light appears to turn to one
|
||
|
|
||
|
side without any actual bending of the rays.
|
||
|
|
||
|
You can see this effect in the way moire
|
||
|
|
||
|
patterns are turned from the direction of
|
||
|
|
||
|
their elementary waves. The trouble with using
|
||
|
|
||
|
a diffraction grating as a lens is that it
|
||
|
|
||
|
really diffracts light to produce the illusion
|
||
|
|
||
|
of bending; diffraction also produces the
|
||
|
|
||
|
colour fringing that blurs all holograms not
|
||
|
|
||
|
viewed by laser light.
|
||
|
|
||
|
|
||
|
Another way of understanding how a
|
||
|
|
||
|
diffraction grating can function as a lens is
|
||
|
|
||
|
illustrated by the pinhole camera. Light
|
||
|
|
||
|
passing through a pinhole forms an image.
|
||
|
|
||
|
Light passing through many pinholes form many
|
||
|
|
||
|
overlapping images. The images of random
|
||
|
|
||
|
pinholes fuse into a blurry patch of light. If
|
||
|
|
||
|
the pinholes are spaced at regular intervals
|
||
|
|
||
|
according to wavelength, however, the images
|
||
|
|
||
|
will fuse into register to form a brighter and
|
||
|
|
||
|
sharper image. A hologram can be considered as
|
||
|
|
||
|
an array of pinholes separated at wave length
|
||
|
|
||
|
intervals.
|
||
|
|
||
|
|
||
|
---------------------------------------------------------------
|
||
|
|
||
|
|
||
|
*1 Itshak Bentov, author of Stalking_The_Wild_Pendulum and
|
||
|
A_Co(s)mic_Book, discovered the principle of the hologram in a
|
||
|
similar observation. If Diogenes had any water in his tub, he may
|
||
|
have been the first Western philosopher to discover the
|
||
|
structure of the universe.
|
||
|
|
||
|
---------------------------------------------------------------
|
||
|
|
||
|
|
||
|
*2 A hologram is to a picture what a shape program is to a bit-
|
||
|
mapped picture in computer graphics. A hologram is the digital
|
||
|
code turning ANY light into pictures like a Compact Disc turns ANY
|
||
|
electrical current into music.
|
||
|
|
||
|
30
|
||
|
|
||
|
FILENAME: CHAP-1E
|
||
|
|
||
|
|
||
|
____________________________________________
|
||
|
I I
|
||
|
I Optics is Relativity in working clothes. I
|
||
|
I____________________________________________I
|
||
|
|
||
|
|
||
|
|
||
|
WHERE a current of water meets an opposing current, a bar
|
||
|
|
||
|
or tidal rip is raised. The water in a opposed wave cycles, but
|
||
|
|
||
|
the opposed wave does not travel; it remains raised in one spot
|
||
|
|
||
|
as a standing-wave.
|
||
|
-------------
|
||
|
|
||
|
A cup of coffee on board a motor vessel or railway car
|
||
|
|
||
|
manifests a pattern of concentric, annular standing-waves on its
|
||
|
|
||
|
surface. These rings are raised by vibrations radiating from the
|
||
|
|
||
|
walls of the cup to the centre, whence they continue until
|
||
|
|
||
|
they strike the opposite wall and are reflected to repeat the
|
||
|
|
||
|
cycle. The wavelengths which meet each other in exact phase
|
||
|
|
||
|
congruence generate the standing-wave pattern; the other
|
||
|
|
||
|
vibrations do not interfere with each other. In other words, the
|
||
|
|
||
|
standing-waves are a wave/phase interference pattern similar to
|
||
|
|
||
|
a moire pattern. The molecules in the central standing-wave
|
||
|
|
||
|
swirl in a vortex. The standing-waves you see in your cup is, in
|
||
|
|
||
|
fact, a model of the Solar System and atomic structure.
|
||
|
|
||
|
|
||
|
Wave velocity is a function of the average particle
|
||
|
|
||
|
velocity in the medium. Like cars speeding in traffic, particles
|
||
|
|
||
|
driven faster than the average soon pile up a resisting bow wave
|
||
|
|
||
|
that forces them to turn. When particles are driven to twice the
|
||
|
|
||
|
average velocity, they are forced to turn around a complete
|
||
|
|
||
|
circle, effectively stopping most of their net travel and
|
||
|
|
||
|
raising a wave that travels at the average particle velocity in
|
||
|
|
||
|
the medium. Particles driven faster than twice the average
|
||
|
|
||
|
velocity in the medium are forced to turn around a second plane,
|
||
|
|
||
|
to generate a secondary wave flowing at right-angles to the
|
||
|
|
||
|
primary. The wave pattern you see on the surface of open water
|
||
|
|
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|
reveals these orthogonal dynamics. Particles driven over four
|
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|
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|
times the average in the medium are forced to turn around a
|
||
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|
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|
third plane at right-angles to the other two, to produce a fluid
|
||
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|
||
|
vortex. (*1) A conical standing-wave is the negative of a vortex.
|
||
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|
||
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|
The plane of particle cycling is at right-angles to the
|
||
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|
||
|
surface wave flow; frequency is wave velocity cycling at right-
|
||
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|
||
|
angles to wave flow. Since cycling is produced by exceeding the
|
||
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|
||
|
speed limit, it follows that frequency represents particle
|
||
|
|
||
|
velocity above wave velocity. Since momentum increases by the
|
||
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|
||
|
square of velocity, it follows that wave energy must increase by
|
||
|
|
||
|
the square of wave frequency. Therefore, when photon velocity
|
||
|
|
||
|
reaches light-speed, the electromagnetic wave satisfies the
|
||
|
|
||
|
equation, e=mc^2. And where a radiant wave meets another radiant
|
||
|
|
||
|
wave in precise phase opposition, the photonic fluid must
|
||
|
|
||
|
collapse into a vortex because their photons exceed four
|
||
|
|
||
|
times average medium velocity in each wave relative to the other
|
||
|
|
||
|
to generate the matter-wave frequencies calculated by de
|
||
|
|
||
|
Broglie. Furthermore, the logical definition of a wave cycle
|
||
|
|
||
|
makes a partial cycle impossible; therefore all radiant energy
|
||
|
|
||
|
must exist in quantum units defined by frequency. Anyone could
|
||
|
|
||
|
have deduced the Quantum Theory from observation of watery waves
|
||
|
|
||
|
without waiting for Planck to analyze the Ultraviolet Catastrophe
|
||
|
|
||
|
and for Einstein to confuse the Theory of Relativity.
|
||
|
|
||
|
|
||
|
If you have followed the line of reason through the
|
||
|
|
||
|
previous paragraph, you must realize that material particles are
|
||
|
|
||
|
created where the photonic field constituting empty space
|
||
|
|
||
|
collapses into atomic vorteces. Fluid vorteces, therefore, must
|
||
|
|
||
|
manifest the physical properties of material. It is the density
|
||
|
|
||
|
gradient of the photonic vortex surrounding material particles
|
||
|
|
||
|
that bends light rays. If you inspect a vortex in your bath tub,
|
||
|
|
||
|
you will see for yourself that it refracts the light it
|
||
|
|
||
|
transmits to cast both a bright spot and a shadow on the bottom
|
||
|
|
||
|
of the tub. A whorl comprising a hologram is a standing-wave
|
||
|
|
||
|
vortex, and you can see for yourself that it also bends light to
|
||
|
|
||
|
produce bright spots and shadows. A vortex manifests the
|
||
|
|
||
|
inertia of its spin, and inertia is the definitive physical
|
||
|
|
||
|
property of a material particle. Mass is nothing but a
|
||
|
|
||
|
measurement of gyroscopic inertia. Physics students can prove in
|
||
|
|
||
|
ten minutes that vortex equations are equivalent to field and
|
||
|
|
||
|
matter equations. (*2)
|
||
|
|
||
|
|
||
|
Since a hologram is defined by vorteces and since particles
|
||
|
|
||
|
are vorteces, the universal hologram is a cosmic compound vortex
|
||
|
|
||
|
that defines itself by the very waves it transmits. As particles
|
||
|
|
||
|
bend light to focal points, and radiant energy condenses into
|
||
|
|
||
|
particles at focal points, all the particles in the universal
|
||
|
|
||
|
hologram literally procreate all the particles in the universal
|
||
|
|
||
|
hologram. Continuous movements throughout the universe produce
|
||
|
|
||
|
continuously changing focal points so that all material particles
|
||
|
|
||
|
move continuously as they grow and decompose back to radiant
|
||
|
|
||
|
energy in the eternal cycle of YIN and YANG.
|
||
|
|
||
|
|
||
|
CLOSE THIS FILE
|
||
|
|
||
|
OPEN FILE "CHAP-1F"
|
||
|
|
||
|
|
||
|
---------------------------------------------------------------
|
||
|
|
||
|
|
||
|
*1 The paradox of the vortex is that its acceleration
|
||
|
results in a collapse of volume to produce increasing density
|
||
|
while pressure falls; as a consequence, the surrounding medium
|
||
|
is sucked into the vortex. In common experience, natural fluid
|
||
|
vorteces are ephemeral because velocities exceeding four times
|
||
|
the medium average are soon absorbed by the fluid field to
|
||
|
raise the average energy of the medium.
|
||
|
|
||
|
|
||
|
---------------------------------------------------------------
|
||
|
|
||
|
|
||
|
*2 Newton noticed the congruence between the equations for
|
||
|
fields and vorteces, but he decided to omit the proof from his
|
||
|
Theory of Gravitation, and postulated a hypothetical attractive
|
||
|
force, instead, even though he admitted that it is physically
|
||
|
impossible to substantiate an attractive force through empty
|
||
|
space. (I credit Mr. Whamond for this historical information.)
|
||
|
Einstein rediscovered the identity of field with mass in the
|
||
|
calculation of his General Theory of Relativity, and de Broglie
|
||
|
rediscovered the same equivalence twenty years later. It just
|
||
|
goes to show that the foundations of modern physics could have
|
||
|
been laid by anyone knowing the most elementary equations taught
|
||
|
in high school without an incomprehensible parade of mathematics
|
||
|
backed by national treasuries.
|
||
|
|
||
|
|
||
|
30
|
||
|
FILENAME: CHAP-1F
|
||
|
|
||
|
|
||
|
________________________________________
|
||
|
I I
|
||
|
I The original concept of "universe" I
|
||
|
I has the same meaning I
|
||
|
I as the original concept of hologram; I
|
||
|
I to wit, "all in one, I
|
||
|
I which is the original concept I
|
||
|
I of the God That Is All That Is. I
|
||
|
I________________________________________I
|
||
|
|
||
|
|
||
|
|
||
|
SCIENTIFIC research is a multibillion dollar industry.
|
||
|
|
||
|
Scientists protest that fundamental research depends on
|
||
|
|
||
|
megabucks. It is understandable why the scientific profession,
|
||
|
|
||
|
like the artistic, medical, and teaching professions, believes
|
||
|
|
||
|
that money produces quality. Historical facts, however,
|
||
|
|
||
|
contradict the professional sales pitch; the quality of pure
|
||
|
|
||
|
science correlates inversely with cash flow. All the seminal
|
||
|
|
||
|
discoveries of science were made with apparatus put together for
|
||
|
|
||
|
less than $100. Using a teaspoon of sugar, a sheet of tissue
|
||
|
|
||
|
paper, a pinhole camera, and a basin of water, you have just
|
||
|
|
||
|
discovered the answers to the greatest problems of pure
|
||
|
|
||
|
mathematics, physics, and philosophy that defy all the genius in
|
||
|
|
||
|
megadollar laboratories. And it didn't take a day of higher
|
||
|
|
||
|
education, either, did it?
|
||
|
|
||
|
|
||
|
END OF FIRST CHAPTER
|
||
|
|
||
|
|
||
|
|
||
|
**********************************************
|
||
|
* THE U.F.O. BBS - http://www.ufobbs.com/ufo *
|
||
|
**********************************************
|
||
|
|
||
|
|
||
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|
||
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|
||
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|
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