514 lines
23 KiB
Plaintext
514 lines
23 KiB
Plaintext
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William Slattery 76630,3416
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PAINKILLER
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Nurse Laurie Schroeder's hand rose in small jerks as if it were
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surprising itself, each movement bringing the middle knuckle of her mid-
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dle finger inexorably closer to the tip of her nose.
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"You've had that knuckle all of your life," said a soothing,
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pleasant, seemingly neverending voice beside her, "but I'll bet you've
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never really taken the time to study that knuckle. And that is your job,
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your only job, the only thing I want you to do.
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"As you look at that knuckle you'll see lines that meet, lines that
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intersect, lines that dead end. Even after you think you've seen all
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there is to see about that knuckle, every once in a while you'll see
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something new. It may be a difference in color between the knuckle and
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the rest of the finger, it might be a difference in texture....and each
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time you see something different your hand will become lighter, the hand
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will rise more and more into the air, and the knuckle will come closer
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and closer to your nose...." "Nurse!"
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The shout and the howl of anguish following it jolted Laurie
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Schroeder upright; it also caused Hartley McVey a painful spasm at the
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site of his incision.
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"I'm sorry," she said to Hartley. He gingerly swung his legs and
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feet back into his hospital bed and waved away her apology.
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"You're a terrific subject, Laurie," he said. "No harm done, and
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don't worry about a thing. I'll certainly be here for a while. We'll
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have another chance. Maybe later, after you take care of Mr. Harris."
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"Right," she said and twisted her upper lip into a face that spoke
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volumes. Three times Hartley had tried to hypnotize her, and all three
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times Abbott Harris, two rooms away, had broken the spell. It was not a
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matter of bad timing. Any time would have been bad simply because Abbott
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Harris never seemed to shut up. "I'll be back when you get your Tens
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unit anyway," nurse Schroeder said as she left.
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He'd almost forgotten. The Tens unit. If it worked, blocking
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pain signals going to his brain with little measured jolts of its own
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electricity, he might be able to reduce his use of pain medication.
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Hartley looked forward to trying it. Even if it didn't work, it was a
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gadget, and Hartley loved gadgets.
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"Oh my God, for the love of G-O-D, please. Nurse!"
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Attila the Hun would have melted, Hartley thought.
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He looked over at Willie in the next bed. Finally he was asleep or
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seemed to be, and Hartley breathed as deeply as his staples allowed. He
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liked Willie, but Willie could be tiring...literally tiring. Straight
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out of a Dannon yogurt commercial, Willie was a 93-year-old Georgian who
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could pace for hours while in barely decipherable English relive his
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middle-age World War II exploits behind German lines and then suddenly
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and limberly drop into a near lotus position while he explained the phi-
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losophy behind execution. Hartley was awed by the old man and unabashed-
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ly envious. Willie was "in" for a "tune-up" as he put it to put his 63-
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year-old son's mind to rest by proving he didn't have anything wrong with
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him.
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Hartley had just had his gallbladder and a chunk of intestine
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removed. What was so annoying was Willie's inability to understand how
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anything could go wrong in only 45 years. He had a 122-year-old uncle,
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he said, and Hartley believed him. He also said his uncle still had his
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gallbladder, and Hartley believed that, too.
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"Oh God, nurse, oh, please...." Harris plaintively wailed, his plea
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penetrating the entire east wing. As usual, several visitors had left
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the rooms of those they'd come to visit and begun to file by Hartley's
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door to gather outside Harris' room; they were the unititiated. Those
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who'd on an earlier occasion raced to see if they could help the poor man
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so obviously being mistreated by the staff no longer bothered.
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"God..." the outcry muted abruptly.
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Nurse Schroeder had arrived.
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Hartley looked at his watch. It wasn't time for Harris' pain
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shot yet, so Hartley figured he'd either wanted his pillow fluffed or had
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run out of ice water.
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"He noisy," Willie observed, still lying on his side, his eyes
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closed. Hartley wondered if Willie really had been asleep at all. Or if
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he ever slept.
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"He is that, Willie. I doubt Mr. Belski ever in his life thought
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he'd be lucky to be in a coma." Belski was Harris' rommate; theirs was
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one of the more perfect matches made in Angel of Mercy administration.
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"Mr. Harris is lonely," Willie said.
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"Aren't we all."
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"No," Willie said. He'd accepted Hartley's statement as a ques-
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tion. "Most have somebody, even an enemy. He has no time to make
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friends, so he makes enemies. Easier."
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"Maybe if I get to be your age I'll be as smart as you," Hartley
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said, meaning it.
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"You won't get to be my age."
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A spasm raced through Hartley's abdomen; Willie, of course was
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right, Hartley thought, but he asked anyway: "Why not?"
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"Because you keep saying maybe," Willie answered, and, his eyes
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still closed, grinned exaggeratedly.
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"I tell people things like that, Willie. I make my living telling
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people things like that. It doesn't mean I have to believe them."
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"People pay you to put them to sleep, yes?"
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"Well that's part of it. I also sell them crystals to help them
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meditate and tap into their higher levels of self-awareness. All very
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scientific."
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Willie emitted a high nonagenarian giggle.
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"You think you're a pretty good crook, huh? Thief."
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"I'm not a thief, Willie. I resent that. There are many more
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forces at work around us than you can measure with yardsticks and
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clocks. At your age, you should know that."
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"At my age I do know that."
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"Well, then, even if the sciences of cards and crystals and medita-
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tion are still a little crude -- we only entered The Age of Aquarius in
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1975 -- that doesn't mean people can't benefit from them. My clients
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find...peace of mind. That's not crooked, and I'm not a thief." "Do you
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believe in..." Willie just waved his right hand in circles.
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What I believe -- or don't -- doesn't matter. If they think a rock
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will solve their problems and their problems are solved, who cares about
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the rock?"
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"You are right. Total right," Willie said. "That's your problem."
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"Now what the hell does that mean?"
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"It means that you are right. You have troubles with English? You
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are right. To be at peace is a wonderful thing -- the only big thing.
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To make people be at peace is very good...very honorable. The rocks and
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the words, they don't matter; you are right, but you don't believe you
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are right. You really believe you are a thief."
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Hartley sighed. It wasn't time for a shot or a pill or even a meal
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-- anything that would break up the day. And save him from listening to
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Willie, which became increasingly taxing as days passed, especially when
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Willie was right or even stood a chance of being right.
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Hartley had what he described as a "flexible" past. Four years as
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a New York City cop followed by eight years as a news reporter and
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preceded by jobs ranging from bus boy to guinea pig for submarine escape
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suit tests for the Navy in Antartic temperature water. Interspersed with
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a year as a hypnotist. Flexible might not be the right word, but it
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suited him.
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Not a specialist in anything and having simply seen and done too
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much, Hartley had carried if you can't beat 'em join 'em a step further
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to joining them and being able to laugh at them. Sometimes the laughter
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was a little forced, but, for the most part, Hartley was satisfied with
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his life. In the relative lull, the only sounds those of sqeaky IV poles
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and the occasionally murmuring intercom, Hartley reflected on his past
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and wondered is flexible might not simply be flippant. There had been a
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time he'd really believed he could make a difference in the world; he'd
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even campaigned for Eugene McCarthy. Gradually, though, the mileage had
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built up on Hartley. Husbands beating wives who'd gladly stab the cop
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who tried to stop it, loonies proudly taking credit for blowing up
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strangers, streams of dead kids or dead cabbies interspersed with jewelers
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robbing themselves for the insurance.
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One very tired, very rainy night on the curving driveway of the
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Jacob Javits Convention Center as he stared into the trunk of an abandon-
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ed car trying to figure out how many people were entangled in the bloody
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mess inside, he'd realized the whole damned world was orchestrated, that
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all these things were factored into the mechanism, and that as a cop he
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was no more than one extra moving part.
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Three, he'd figured. Definitely six hands and only three with
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watches.
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It was an epiphany for Hartley. He was not meant to fix things, to
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make them right. He was meant to do exactly what he was doing because
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part of the Grand Scheme called for three dead people with six hands and
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three watches to be in a car trunk, and another part of The Plan said
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there had to be somebody around to count them. He was not meant to fix
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things because they weren't broken.
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And in a world where everything is as it should be, what can you do
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to bitch about it?
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You write about it.
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The newspapers and broadcast media didn't hold much interest for
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Hartley -- without having to try them he knew working for them would
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amount to no more than changing his place in The Mechanism. But he had
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good contacts throughout the media. So, with a downtown buddy assuring he
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got a coveted New York City police press card, he set up McVey Fea-
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tures. He freelanced for everybody, took assignments from anybody, and
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in violation of contemporary wisdom of the New York journalism scene,
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prospered.
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Within two years he'd hired a few NYU students to monitor the po-
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lice radios, and when Frank Adderly had gotten tired of taking corpse
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pictures for forensic and decided to join Hartley, McVey Features ex-
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panded its services to providing art. By his fourth year he was success-
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ful enough to make the news and broadcast unions officially edgy -- which
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he didn't want to do mostly because a lot of those people were personal
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friends, so he backed off, hung around the United Nations, wrote some
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samples, and pretty soon was stringing for English-language papers from
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Dublin to Tel Aviv.
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Then one night he and Frank walked into a foyer of a walkup in
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Chelsea, had stood stock still and looked at each other. Hartley sniffed
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the air again. So did Frank.
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"Dead person," he said, and Frank agreed.
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And so Hartley had had another epiphany -- or perhaps it was just
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an obvious milepost.
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When you can smell the difference between a dead human and a dead
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cat, it's time to move on.
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Hartley had moved on with a vengeance. If he was destined to be a
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moving part, then he would really move. If he couldn't change the world
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-- and by then Hartley truthfully wasn't sure he wanted to anymore --
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then he was going to do his damndest to enjoy playing games with it.
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And so was born Golden Grail Associates.
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With the help (and inspiration) of a prudish nude dancer named Daf-
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fodil and a lot of research, Hartley became the New Age wizard of the Up-
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per East Side. He tarot-ed 'em, hypnotized 'em and crystallized 'em.
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And they loved it to well into six figures a year. And that gave him
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enough cushion to take a vacation whenever his clients were too happy
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with him and he was in danger of taking himself seriously.
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A problem he never would face with Willie, whose 93 years made him
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too damned shrewd.
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"Nurse Laurie, she wants to lose weight, right?" Willie more
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stated than asked, bringing him back to his bland beige room, his IV
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tubes, his naso-gastric tube and the drain that dumped greenish black
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gunk from his insides to a plastic bag dngling from the bed.
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"Yeah. About 20 pounds. She'll look terrific."
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"And with this knuckle thing you can talk her into losing weight,
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right?"
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"Something like that."
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"Then your not a thief."
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"Of course I'm not a thief. I told you I'm not a thief. I'm not
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even charging her!"
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Willie cackled. "Sure you charging her. Your belly hurts, you get
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your medicine quick, right? You get it quicker than Mr. Harris, right?
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Everybody charge everybody," he said and lapsed into deeper laughter.
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Hartley rolled more onto his left side, holding his breath to allow
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his freshly disturbed innards to settle. He wished he could take a nap.
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He wished the $3.50-a-day television had cable. He'd have settled for an
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orderly with a wheel chair cruising in to tell him he had a date with x-
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ray. Anything that would break up the monotony of the hospital day. And
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shut up Willie.
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An attractive brunnette just then breezed into the room carrying a
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small plastic case in one hand and a clipboard in the other. "Mr. McVey?"
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she called, and Hartley raised his hand. The brunnette bounced over.
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Hartley didn't miss the appreciative look she got from Willie. "I'm
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Jeannette from physical therapy," she said. "I've got your Tens here."
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"Good, I've been looking forward to this."
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"You want to avoid drugs? People are becoming very responsible
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about avoiding drugs." The shape of her neck made him want to respond to
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the approval in her voice, but he just wasn't in the mood for a scam.
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"Not really, Jeanette. I just think that choosing to hurt when you
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don't have to means your problems aren't limited to your gall bladder.
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I'll take medication, electrocution or a sharp tap behind my left ear if
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it will get rid of the pain."
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"Oh." Her disppointment at least skittered like a cirrus cloud
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across a bright sun, to be quickly gone. "You'll find it reduces your
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drug dependence anyway."
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Hartley appreciated the neverending human proclivity for finessing
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feelings through choice of words.
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"How's it work?"
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"It's really simple," she said, opening the plastic case. She took
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out a cigarette pack sized box with three knobs and a bundle of floppy
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rubberized discs dangling from wires. She plugged the wires' other ends
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into the device. "The Tens send out rapid electical signls. We think
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they blocks pain signals; we're not completely sure. They may also
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stimulate the release of endorphins -- those are the body's own pain-
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killing drugs."
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"So nature beat Schering-Plough, huh?"
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"This goes here..." she went on without responding. She dripped a
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sticky goo from a tube onto his abdomen and firmly pressed down an elec-
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trode. "And this one here..." again some goo, with this pad being place
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on the opposite side of the incision. "Now, tell me when you feel some-
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thing." She began to turn knobs.
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Nothing..twist...nothing...twist...YIPES!
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"WHOOPS!! Sorry. That's a little too much."
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Hartley swallowed and nodded agreement; the muscle between the
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electrodes had twitched violently -- and hurt.
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"Just how much juice has that thing got?"
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"Oh, don't let it's size fool you. It can deliver a lot bigger
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shot than that."
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"Great."
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"Now, I want you to turn these knobs. This one controls the in-
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tensity, and this one sets the width of the pulse. Changing that gives
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you the feeling of changing the depth of the sensation. Play. Go
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ahead."
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Hartley did and in a short time was beginning to enjoy playing with
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the thing. He settled on a particularly "warm" and "soothing" setting.
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"How's that feel?"
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"Very pleasant."
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"And how's the abdominal pain."
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Hartley felt his eyes widen. The damned thing worked. The linger-
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ing pain that even drugs couldn't abolish was gone. "It's gone!" he
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said.
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Jeannette absolutely glowed. "Sometimes you get used to a setting,
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so you may have to adjust it once in a while. Otherwise, that's it."
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Hartley thanked her as she left and went back to playing with his
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new toy. Only then did he notice that Willie had been totally absorbed
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by the demonstration to the point he'd not said a word. "This could be a
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very useful thing, Willie."
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"Is nothing new. The Germans once put wires on my balls and
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cranked up a field telephone."
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"Oh, I'll bet that really got rid of the pain."
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"Sure did. Hurt so damn much I passed out. Felt nothing."
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Then it was Wilie's favorite time of day. Dinner was beef vegeta-
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ble soup, turkey breast and candied sweet potatoes, green beans, bread,
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butter, chilled peach halves. Hartley liked the hospital's food, found
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himself in a minority, and attributed that to the other patients' lack of
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experience. Cops and reporters lost their taste buds long before their
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livers.
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Willie absolutely loved the hospital food and told Hartley that the
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cops and reporters should have been in eastern Europe in the early 40's.
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Willie often reminisced, and Hartley sometimes became engrossed in the
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old man's stories. He was fascinated mostly, though, with Willie's reac-
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tions to the horrors he'd seen -- and to some he'd inflicted. Willie,
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Hartley finally concluded, had been through flames that scarred the
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psyche and unlike some men who stop there, destined to wear those scars,
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Willie had gone on through flames which had scoured him clean again.
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Clean, but changed. Massive suffering had given Willie rare perspective.
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"When you kill a man," Willie had once advised him, the advice
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being unsolicited, "you must kill quickly and cleanly. No matter who he
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is. Even if he is butcher who should burn in hell. Hate does not belong
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with killing. You kill quick and you kill clean -- not for the man but
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because death deserves that dignity."
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When Willie said it, Hartley heard "death" with a capital "D." The only
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times Hartley thought he detected tremors in Willie's monologues were when
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he talked of food and hunger. Starvation didn't offer Death the dignity it
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deserved in Willie's view.
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Which gave food a place of unparalleled honor in Willie's pantheon.
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Which also made eating beef soup, etc. in a hospital with Willie a unique
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experience for Hartley. He enjoyed Willie's unabashed delight in every
|
||
|
bite of everything and found himself starting to feel the same way; for
|
||
|
the first time in his life he'd eaten brussels sprouts. They still
|
||
|
tasted terrible, but somehow that was all right because brussel sprouts
|
||
|
are supposed to taste terrible. Hartley figured another week with Willie
|
||
|
would forever alter his diet, cause him to kill even flies with quick
|
||
|
clean swipes of the swatter, and probably make his friends consider him
|
||
|
even stranger than they already did.
|
||
|
|
||
|
"Nurse!" one...two...three..."Nurse!" one...two...three..."Nurse!"
|
||
|
|
||
|
Whatever problem Laurie Schroeder had handled just minutes before
|
||
|
had been supplanted by another.
|
||
|
|
||
|
The shouting went on and on. Hartley felt his own stomach contract
|
||
|
with frustrating anger. Harris had in record time alienated every
|
||
|
patient and staff member on the floor.
|
||
|
|
||
|
Voices penetrated the walls. Nurse Schroeder obviously had arrived
|
||
|
again. Hartley did not envy her her job.
|
||
|
|
||
|
"Some day they're going to poison him to shut him up," Hartley
|
||
|
said. "A fast-acting poison," he hastened to add.
|
||
|
|
||
|
"Silly silly and you a policeman. Too easy to find."
|
||
|
|
||
|
"Not if the person who did it is the person who decides what to
|
||
|
look for."
|
||
|
|
||
|
"You have good police here, Hartley. They know to look closest at
|
||
|
people who make decisions. You know this." "And how would you do it? You
|
||
|
can't ice pick him in his ear in a hospital bed either."
|
||
|
|
||
|
"No....Maybe..."
|
||
|
|
||
|
Nurse Schroeder came in.
|
||
|
|
||
|
"Dinner all right?" she asked.
|
||
|
|
||
|
"This is lovely," Willie said. "Beans very good, turkey too."
|
||
|
|
||
|
Nurse Schroeder looked doubtful and glanced at Hartley. "He means
|
||
|
that for canned beans these probably were canned better than any other
|
||
|
beans ever and that for dry turkey there is no tastier dry turkey. That
|
||
|
about right, Willie?"
|
||
|
|
||
|
"Very right. Same for canned peaches."
|
||
|
|
||
|
"It sounds like this is starting to make sense to you, too," she
|
||
|
said to Hartley.
|
||
|
|
||
|
"Actually, it is. And I've got to admit, I've had some meals in
|
||
|
the last few days I've enjoyed as much as any ever ate in the Four Sea-
|
||
|
sons."
|
||
|
|
||
|
"Your both crazy."
|
||
|
|
||
|
"I didn't say they were better, Laurie. By comparison, the food
|
||
|
was terrible. I said I enjoyed them as much. There's a difference.
|
||
|
You'd really have to stay with Willie a while to get into the swing of
|
||
|
it."
|
||
|
|
||
|
"Oh, sure," she said, widened her eyes and threw up her hands,
|
||
|
"that's just what I need. The ability to eat anything and enjoy it.
|
||
|
You're supposed to help me lose weight."
|
||
|
|
||
|
"Good point. Want to give it another try later?"
|
||
|
|
||
|
"Maybe tomorrow. Or maybe the next day. I'll be filling in on the
|
||
|
overnight then. Does Harris sleep?" "For at least 20 minutes at a time."
|
||
|
"Lovely." She turned her head toward Willie. "We can send you in
|
||
|
then, Willie, and you can give him your lecture on enjoying dry turkey.
|
||
|
He sure could use it. He threw it at me tonight."
|
||
|
|
||
|
"He t-h-r-e-w?" Willie seemed to have trouble getting out the
|
||
|
word. Hartley was certain it was the first time he'd ever seen surprise
|
||
|
on Willie's face.
|
||
|
|
||
|
"Well, one good thing about dry turkey is it doesn't stain." She
|
||
|
shook her head. Then she noticed Hartley's wires. "You've got the Tens!
|
||
|
How is working?"
|
||
|
|
||
|
"I'm pleasantly surprised."
|
||
|
|
||
|
"Why? Did you figure it like faith healing or crystal mumbo jumbo
|
||
|
or something?"
|
||
|
|
||
|
Hartley studied her face a moment, detected no sarcasm. She knew
|
||
|
he was a hypnotist; he was thankful now he'd never told her he also sold
|
||
|
crystals.
|
||
|
|
||
|
"Well," he said, "it's just that the pain gets pretty intense, you
|
||
|
know, and it's hard to think this little nine-volt box can tackle it."
|
||
|
|
||
|
"That little nine-volt battery can get boosted to more like 90
|
||
|
volts, and if there was more current, you'd be singing with the angels."
|
||
|
Hartley looked down at the Tens with new respect. And a little
|
||
|
discomfort. "This thing dangerous?"
|
||
|
|
||
|
"No. Not used like that. Just don't put the electrodes where a
|
||
|
sudden sharp shock might screw up your vitals."
|
||
|
|
||
|
"Like where?"
|
||
|
|
||
|
"Like forget it and just put them where you're told." Laurie
|
||
|
stretched; she had nice breasts, Hartley thought then immediately dis-
|
||
|
missed the thought. He'd seen himself in the bathroom mirror that morn-
|
||
|
ing. Surgery, mandatory washing by hand, dirty hair and flourescent
|
||
|
lights of precisely the right color to make a healthy person look sick
|
||
|
made him wonder how any nurse ever fell for any patient.
|
||
|
|
||
|
"Hartley!"
|
||
|
|
||
|
Willie's voice snapped Hartley to attention.
|
||
|
|
||
|
"Is seven o'clock. Quick."
|
||
|
|
||
|
"Excuse me," Hartley said to Laurie as he began fiddling with the
|
||
|
hospital's aniquated TV remote control. "There are priorities, and
|
||
|
Jeopardy is having its Teen Tournament."
|
||
|
|
||
|
"Nurse! Oh, oh, oh God. Nurse!"
|
||
|
|
||
|
Laurie's face clenched, her eyes closed. Then she composed herself
|
||
|
and sid, "Time's up. See you later. You going to need your pain shot?"
|
||
|
|
||
|
"Not if this keeps working. At least not right away."
|
||
|
|
||
|
She nodded and left.
|
||
|
|
||
|
"Good woman," Willie said then shut up. Alex Trabek was introduc-
|
||
|
ing the quarter-finalists.
|