2609 lines
140 KiB
Plaintext
2609 lines
140 KiB
Plaintext
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BREAKS: The Adventures of Richard Nixon in the 21st Century
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by Philip H. Farber
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File 2
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59. A DREAM
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The bleachers were full, the fans cheering as Nixon guided the
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roaring and clattering train into the tunnel. Success! The
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locomotive was in, the touchdown only a matter of three hundred and
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fifty thousand.
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A light ahead in the tunnel, Dick knew, was an obstruction.
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The goddamned but I a war also want us starry keep it that but we
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must be together. He grasped the handles of the machine gun and
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sighted on the light, fired glasses and handed words pressed
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lightly mother. The gun shook him and ripped the night, but the
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light was untouched, growing larger.
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"Criminals," Nixon growled to Martha, who stood by his side,
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wearing a red dress. "Corrupt, greedy, power-hungry, crooked
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bastards. We must have control!" He fired a great blast from the
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gun, orange tracers racing ahead of the thundering locomotive.
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Untouched, the light grew closer.
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"Marcia," he said, "for last resort Hiss I want to love. One
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America has now America to keep it. That starry never lost hemp
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together the but we must be prosper way."
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"What?" asked his mother. "What about the spin drive?"
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He ordered in the bombers. They thundered over, the orange
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flash of napalm wasting the jungles, crumbling the ancient shrines,
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destroying the ruthless enemy where they lurked in the darkness of
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the tunnel.
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"We have the power," Nixon said. "We have the strength. We
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have the clothing. Bring smoke, I do want to be king."
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But the great B-52s had failed, and the locomotive hurtled on,
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on collision course with the light.
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"This way leads to certain death," Martha said calmly.
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The train struck the light, and Nixon awoke.
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60. THE STATE OF THE DISCORD ADDRESS
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"Greetings, fellow Americans." Nixon flashed a smile.
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He found the circular, mirror-walled vid studio a bit
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disconcerting. There was no obvious audience to play to, though he
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knew that Neal Severant, Clinton Oestrike and Henrietta Groote
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watched him from somewhere beyond the mirrors. He just had to
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assume, as well, that millions of Americans were watching through
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their vid helmets.
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"And I believe that I can, once again, call us Americans," he
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continued. "I believe that there is hope in the hearts and minds of
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most of us, hope that America will once again be strong and proud
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and prosperous.
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"I know that it has been difficult for all of us. Not even in
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the darkest days of my last term as president <20> the Vietnam war,
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protests, riots, inflation, the Cold War <20> was I called upon to
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give a State of the Union Address as bleak as this one. I know that
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jobs have been scarce and sometimes there hasn't been enough to go
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around. I know that America has been systemically looted, our
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resources stolen and our values undermined.
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"But I know what Americans are capable of. It is fundamental
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to us as Americans: the ability to survive, the ability to rally
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together in a pinch and carry our nation to victory. It dates back
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to the brave pioneers who conquered the continent, and I believe it
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is still with us today.
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"Therefore I would speak less of the threat of anarchy from
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space, and more of the promise of freedom. We should adopt as our
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primary objective not the defeat of the spacers, but the victory of
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plenty over want, of health over disease, of freedom from economic
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tyranny.
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"I speak with such a conviction of hope because I know that
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there is one resource that can never be taken from us, and that is
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the will of the people. The power of America has always been the
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power of its people <20> and that great force is still here, with us
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today. We have only to use it! That is our wealth, and when we
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harness it properly there is nothing that we cannot do!
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"There will be some sacrifices that each of us will have to
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make, some actions and decisions that may seem immediately onerous,
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but in the long run will be the very things that will make all our
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lives easier and more purposeful. I'm asking that every American
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pitch in what they can <20> and all we need are the few necessities
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that make an effective government possible. We need your
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contributions, in the form of taxes, we need men and women who are
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willing to fight for their freedom in America's armed services, but
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most of all, we need your trust and cooperation.
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"We can win, America! For Americans have always been winners.
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Yes, there may be some small defeats on the way, some sacrifices to
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be made, but ultimately America can once again prevail!
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"Fellow Americans, I am glad to be back!"
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61. PRIMORDIAL STU, PRIVATE DICK
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Sprawled on a couch in the lunar cyberspace lounge, Stu played
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back the record of an interactive simulation that he had created.
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Working from a nondescript office representation, Stu's bland-
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looking simulation had accessed the White House's open files and
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found a contact number for Nixon's campaign organization. Some
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electronic snooping revealed that the number had been placed on the
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executive directory in January of 2003, but had not been accessed
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since. Stu's simulation had plunged right in.
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The code opened up a cybernetic address which, Stu felt
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immediately, was a bit incongruous for a Republican campaign
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headquarters. It was a small, empty room <20> no desk, no simulated
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chairs <20> with a single, androgynous figure standing in the center.
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It seemed less like an office, Stu thought, and more like the kind
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of gray cybervoid that a Magickal Child shaman might work in. And
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the figure, youthful with short hair and single forelock dangling
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over its brow, seemed more like a spacer than an old-earth
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bureaucrat.
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Stu's simple simulation stuck to its basic program, though,
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reciting the short message that Stu had decided upon. "I'm so glad
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that President Nixon is back in the White House," it said. "I saw
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his vid the other night. Will he be running for reelection in '08?
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I'd like to make a contribution."
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Then, before the strange figure could respond, Stu's
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simulation left an access code and shot back to its own office.
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Sure enough, the "campaign manager" responded quickly,
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appearing with a short message that gave another Earth net access
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code for credit transfers.
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"President Nixon," the figure concluded, "one heck us of a
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great president!" Then it disappeared.
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Stu's playback ended and he collected his information, then
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retraced his steps through six dummy addresses, until he got back
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to his own cartoon living room. He had two real clues, now, but it
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would remain to be seen if they were of any value. The first was
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the access code for credit transfers to the campaign fund. If those
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responsible for Nixon's reelection had something to hide, which
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seemed quite likely, that code would be just the visible end of a
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long series of dummy addresses and security systems. The second
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clue was the call-back trace left when the figure accessed Stu's
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simulation, and that would be equally obscured.
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Stu, however, had a little advantage. He opened a file which
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he had labelled "Household Finances", and which was secured with
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only the most basic of measures. In the midst of what actually was
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his personal, and not particularly interesting, financial records,
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there was a subfile which had its own, somewhat more complex
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security measures. Within this subfile was a very strange-looking
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and exotic bit of software: a worm program, a stealth worm.
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The worm was sleek and gray, its surface now crackling with
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static like a badly tuned vid receiver. When activated, its
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cybernetic "skin" would mimic the data around it, allowing it some
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measure of camouflage, and thereby the ability to slip in past
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security without need of passwords or codes. It was a pretty good
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program, Stu had been assured by the software designer who had
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traded it to him for six vials of O.Z. A big price, and now Stu
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would find out if it had been worth it.
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Carefully, he duplicated the worm, then thoroughly checked the
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replica for mutations. Satisfied that the two worms were identical,
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he turned them both loose, one to follow up on each of his clues.
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The worms faded out against Stu's living room wall, then
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disappeared entirely.
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While he waited, he considered that even with the worms his
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chance of getting a good answer to this mystery was still slim. If
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the culprits were indeed spacers, as he suspected quite strongly,
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he would probably get an address which was no more specific than
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what someone would get following his own computer trace, nothing
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more than a terminal in a public cyberspace lounge. But perhaps it
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would confirm whether or not these were in fact space dwellers <20> or
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maybe just someone impersonating spacers.
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It was strange, though, that the figure in the "campaign
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office" looked like Child-Horus, a symbol of the Magickal Children.
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A snap and one of the worms returned, fizzling with gray
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static. Stu opened it carefully and found, as he suspected, a long
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list of dummy addresses and blind alleys. But at the end of the
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list was one interesting address: Cydonia, Mars.
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A loud crackle and the other worm appeared. Stu jumped back,
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out of the way <20> the worm was thrashing about on the simulated
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floor, bright red and green spots flickering about in the gray
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static, stray bits of data flying off it. It was beginning to come
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apart, snapping and hissing, splitting down its middle.
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It was mutating.
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"Freeze!" Stu commanded, and cyberspace froze. Stu examined
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the still image of the fragmenting worm. He could see inside part
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of it, where it was coming apart. The data inside was hopelessly
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scrambled. Somehow, the worm had collected, instead of useful
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information, breaks.
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62. IT'S NOT OUR FAULT
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The studio lights glinted off the bald head and thick glasses
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of Clinton Oestrike, making it difficult for Nixon to look directly
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at him. "I must say," Oestrike commented, "I'm quite impressed by
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the way you set this up. This is good, Mr. President. This is real
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good."
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"Thanks, Clint," Nixon said. "Long years of experience.
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Skillful use of the media is three-quarters of the job. It can be
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frustrating, thankless, but it's how things work. This really isn't
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so different from television."
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"Ten seconds, sirs! Good luck!" announced a piped-in voice.
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They composed themselves, shifting into the postures and
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smiles that they would wear as the broadcast began.
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"Ladies and gentlemen," a disembodied voice said, "the
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President of the United States!"
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The lighting shifted and the broadcast began.
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Nixon and Oestrike smiled through a brief wash of canned
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applause. "Thank you," Nixon smiled. "Thanks. Today, America, I
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come before you with some bad news and some good news. The bad news
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is that we are at war. This is not a war of guns and bullets,
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though, it has not come to that yet. This is a war of values and
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this is an economic war.
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"The enemy is the group of people whose self-serving greed has
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deprived the United States of its unity and its economic strength.
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It is not the people who live in space who we must oppose, but
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those among them who conspire to take advantage of those of us who
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continue to live on the mother planet.
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"The good news I have for you today is that we Americans have
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the means to take back what is rightfully ours. We have allies! Our
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allies are all around us. They are your neighbors, your local
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businessmen, your employers, your employees. The good news is that
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this is the crisis that can bring us together once again!
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"The man seated here, next to me, is probably familiar to many
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of you. This good American is Clinton Oestrike, a man whose old-
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fashioned values and hard work held together a big piece of our
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nation. Through the industries that Mr. Oestrike was able to hold
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on to through the period of economic chaos, many of you were able
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to stay employed. You were able to keep food on the table for your
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family, a roof over their heads. You were able to buy them the
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products of American labor, the computers and vid units which tell
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me that America still has the capability to be on the forefront of
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world technology. I think that we can return to the era of
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prosperity which America experienced in the years after World War
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Two.
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"I believe that, working together, government and industry,
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neighbor and neighbor, we can bring America back to its position as
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a world <20> and even solar system <20> power. I am bringing back the
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government which guided our nation through times of struggle in the
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past <20> I believe it is the only way that we can get through this
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crisis. Mr. Oestrike has kept American business alive. Now we are
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asking you to join in with this good fight! Mr. Oestrike..."
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Oestrike smiled and adjusted his glasses, a carefully
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rehearsed gesture which made him seem thoughtful and fatherly.
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"Thank you, Mr. President," he began. "The situation, as you say,
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is bad, perhaps even more dire than most of us are willing to
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admit. First of all, it's not our fault, Americans. Remember that.
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We are the ones who stayed here and kept working to keep America
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together. We are not the ones who have sapped the life's blood from
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America, and from the world economy.
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"Because of these people, these pirates, these vultures who
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circle over America, waiting for it to die <20> because of them we are
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now forced to take desperate measures. I would like to announce
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that all businesses under my control will now be cooperating with
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the government to correct this situation. This will not be an easy
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transition, but it must be done. Each of us must do our part. That
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is why I am now instructing all payroll offices throughout my
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corporations to once again withhold federal income tax from each
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and every paycheck <20> my own included.
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"This, I believe, is a small sacrifice. Many of us remember
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how we did this in the past, and how it worked. And we must
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remember now, that each and every dollar that goes to the
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government is a stroke against the enemies of America.
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"And, in closing, I would just like to express my gratitude to
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President Richard Nixon, a true patriot who has returned to bring
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us together once again!"
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Another wash of canned applause and then Nixon was smiling
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pleasantly into the mirrored walls. "Thank you, Mr. Oestrike," he
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said. "There are many important projects that your tax dollars will
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go to, but chief among them will be the revival of America's
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defensive capabilities...."
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63. MEANWHILE, BACK ON THE FARM
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A lazy, sweet strand of smoke twisted up from the end of the
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joint and wafted off into the recirculation stream. Stu took
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another deep hit and passed the spliff to Diana. They sat in
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silence for a time, feeling their bodies next to each other. The
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ever-present breeze rustled the big fan leaves of the plants; the
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sun, filtered through dome and spin-field, felt pleasantly warm.
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"I'm going to leave," Stu said finally. "I'm going to be away
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from you, away from the band for a while."
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"Me too," said Diana. "I'm going away too."
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They were still for moment, then Stu snagged the joint from
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Diana's fingers. "All right," he said, "where are you going?"
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"You first," she said. "You started this little confession-
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session."
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"Aw, come on..." Stu laughed. "Okay. I'm going to finish my
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initiation. I've applied for it. It's about time. Then maybe I'll
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go to Mars."
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"Mars?"
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Stu explained about his worm program. He did not mention his
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suspicions that the Magickal Children were somehow involved in
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Nixon's reelection.
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Diana nodded. "Yes," she said, "yes. I think you'll understand
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my reason for leaving, too. Ever since our ritual work at Arc93, I
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haven't been able to stop thinking about spin drives. I've talked
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to mechanics, I've talked to everyone I know, but nobody really
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understands them. I'm going to find Nicholas Palmer. I'm going to
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ask him."
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"Where is he? Does anyone know?"
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"I know," she said. "I found out. He's lived on Freedom Colony
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ever since it was organized."
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"When are you leaving?" Stu asked.
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"Tomorrow. I'm leaving tomorrow."
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"I'll miss you."
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"I'll miss you. But there's still some time... now..."
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She tackled him and they fell laughing onto the dark lunar
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soil.
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64. HEH HEH
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"Good Evening, I'm Mark O'Connor and this is Early Edition, a
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special evening version of Late Edition, and a presentation of 23
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News. Late Edition, that is, Early Edition, heh heh, is pleased to
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have with us the President of the United States, Mr. Richard
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Milhous Nixon. Please, a warm Early Edition welcome for the
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President..."
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The canned applause, Nixon noted, sounded quite authentic. In
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fact, it was a bit inspiring. Turn it up, he thought. Turn it up.
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"Thank you," he said, accepting O'Connor's hearty handshake. He
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smiled for the cameras.
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"That's quite a suit you're wearing, Mr. President," O'Connor
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said. "Is that polyester?"
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"No, Mark," Nixon grinned, "it's wool, authentic, Earthly
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wool. I've had this suit for many years."
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"Mr. President, you've had an incredible career, spanning over
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five decades. You've seen America through good times and bad.
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You've won the presidential elections three times, and this last
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time was the biggest landslide of all..."
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"Well," Nixon chuckled, "I understand that I wasn't running
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against anyone."
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"Heh heh," O'Connor said. "To what do you attribute your
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political longevity?"
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"You've got to just keep fighting, Mark. My career has had
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it's ups and downs, certainly <20> by God, I was nearly dead just a
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couple of months ago! <20> but I believe in never saying 'quit'. I'm
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not finished just because someone else might say that I am. And,
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look, I'm back!"
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Someone beyond the mirrored walls allowed a brief rush of
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electronic applause.
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"Yes, yes," said O'Connor. "Heh heh! What would you say, Mr.
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President, is your greatest political accomplishment?"
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"Certainly, Mark, I've done a few things that I'm proud of.
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Our peaceful initiative with China in 1972, for instance <20> I'm
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quite proud of that. America's friendship with China, which began
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at that time, grew stronger and lasted for many years. But, out of
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necessity, I have to look forward, Mark, to envision what we can
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accomplish, what we must accomplish if America is to be a great
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nation again."
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O'Connor struck a thoughtful look. "Do you think Americans
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want this to be a great nation again? Some people say that this is
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|
an era of apathy on the planet Earth. Does anyone really care?"
|
|||
|
"Of course we care," Nixon said. "I strongly believe in the
|
|||
|
inherent strength of Americans, the faith that once made this
|
|||
|
country great. And it is faith, you know, faith in God. In the past
|
|||
|
I never talked much about my religious beliefs, but I think it was
|
|||
|
God who allowed my recovery from the edge of death. It was a deep
|
|||
|
faith in God and Judeo-Christian values which built this nation and
|
|||
|
I think those values are still with us. I know people are out there
|
|||
|
who care. The same people who voted for me, the same people who are
|
|||
|
now cooperating with our renewed government. The rest of the, uh,
|
|||
|
solar system better look out, because America is back!"
|
|||
|
"You are an inspiration to us all, Mr. President. Your
|
|||
|
recovery from your illness was indeed amazing. What was it like?"
|
|||
|
"I'm afraid I can't really recall much. I wasn't conscious <20>
|
|||
|
I was in a coma for many years. But a team of skilled and patriotic
|
|||
|
doctors brought me back, and here I am! It was certainly a bit
|
|||
|
disorienting, waking up in the White House. At first I thought that
|
|||
|
34 years of my life never happened, that it had all been a dream."
|
|||
|
"Wow," said O'Connor. "Wow. What's the agenda, now? What are
|
|||
|
some of your political priorities?"
|
|||
|
"I think the first step is a major economic and defensive
|
|||
|
build-up. Things have fallen so far, have gotten so far out of
|
|||
|
hand, that we must deal with this as if it were a war. We need to
|
|||
|
dedicate that much effort and money to the situation. There are
|
|||
|
some other disturbing factors which have certainly contributed <20>
|
|||
|
for instance, there is a technological crisis of interference <20>
|
|||
|
breaks <20> in our nation's computer system. Since a major part of our
|
|||
|
commerce passes through the cybernetic network, these breaks
|
|||
|
represent a major obstacle to economic growth. I have already begun
|
|||
|
to form a committee to address the problem."
|
|||
|
O'Connor adopted a slight frown and rubbed his chin
|
|||
|
dramatically. "That all sounds quite good, heh heh. But a lot of
|
|||
|
people are going to ask: what about Watergate? Your last term as
|
|||
|
president, in spite of sweeping accomplishments in foreign policy,
|
|||
|
was disrupted, marred by scandal, and you became the first
|
|||
|
president to resign in disgrace. Do you think that will hurt your
|
|||
|
effectiveness in office?"
|
|||
|
In spite of the fact that he had been prepared for this, had
|
|||
|
devoted probably too much thought to it, Nixon suddenly looked
|
|||
|
grim, sharp. "Well, as I've said many times over the last few
|
|||
|
decades, I, uh, I had no knowledge of any wrongdoing. There was
|
|||
|
certainly wrongdoing done, and as president I felt that it was my
|
|||
|
responsibility to accept the blame for it, to become a scapegoat,
|
|||
|
as it were, for the good of the country. Watergate was a terrible
|
|||
|
blow to the confidence of the American people. I had to take
|
|||
|
drastic action, I had to make a sacrifice for America."
|
|||
|
"You certainly won't be implicated in any wrongdoing in your
|
|||
|
most recent campaign, Mr. President," the anchorman commented.
|
|||
|
"Everyone knows that you weren't even conscious!"
|
|||
|
"That's right," Nixon said. "And there will be no scandal in
|
|||
|
this White House!"
|
|||
|
"Heh heh," said O'Connor.
|
|||
|
65. THE ARMS RACE
|
|||
|
|
|||
|
Neal Severant sat quietly, a sour look on his face, as Major
|
|||
|
Disaster and General Havoc entered the Oval Office. Nixon rose and
|
|||
|
came around his desk to shake hands with the officers. He noticed
|
|||
|
that Havoc had a considerable paunch, which had not been quite
|
|||
|
accurately portrayed in the computer simulation, and Disaster
|
|||
|
appeared a bit more disheveled than his representation would have
|
|||
|
led one to believe.
|
|||
|
"Good to finally meet you," Nixon said, "er, in the flesh.
|
|||
|
Good to meet you."
|
|||
|
"A distinct honor, Mr. President," Havoc said.
|
|||
|
"Yes, sir," said Disaster.
|
|||
|
Severant nodded briefly as he was introduced.
|
|||
|
Nixon settled back into his big chair, the springs creaking
|
|||
|
faintly. "Can I get you anything? Coffee? A drink?"
|
|||
|
"Ah, a drink," said Havoc, "please."
|
|||
|
"I believe there's some Chivas on the table," said Nixon.
|
|||
|
"Help yourself."
|
|||
|
Havoc hauled his bulk over to the table and poured two or
|
|||
|
three shots into a drinking glass.
|
|||
|
"Got any beer?" asked Disaster.
|
|||
|
"Beer," said Nixon. "Uh, I'll, uh, check on that. Anything,
|
|||
|
Mr. Severant?"
|
|||
|
"No, thank you."
|
|||
|
"Nurse," Nixon said, tapping on his computer deck, "Nurse? Can
|
|||
|
you please see if we have any beer <20> bring one if we do <20> and bring
|
|||
|
in a pot of coffee, please."
|
|||
|
Havoc sucked a big mouthful of liquor and swallowed it with a
|
|||
|
sigh. "Ah, that's good. That's really good."
|
|||
|
"We've been watching you on the vid," said Major Disaster.
|
|||
|
"You've been looking good, sir, real good. Makes me feel real
|
|||
|
patriotic. Makes me feel like getting out there and kicking some
|
|||
|
spacer butt, sir."
|
|||
|
"Uh, thank you, Major. Thank you. Although I wouldn't, uh,
|
|||
|
publicly, put it quite like that, that is to be the subject of our
|
|||
|
meeting today. If you haven't yet heard, I've appointed Mr.
|
|||
|
Severant here to a sort of double cabinet post <20> uh, you know,
|
|||
|
we're a bit short-handed here. Mr. Severant will be serving in a
|
|||
|
combined capacity as Secretary of the Interior and Secretary of
|
|||
|
Defense. Since he is as yet the only cabinet member, he'll probably
|
|||
|
be performing various other, uh, tasks as well."
|
|||
|
"Congratulations, Mr. Severant," said General Havoc, waving
|
|||
|
his glass in a vague approximation of a toast. "Congratulations."
|
|||
|
He gulped another blast of Chivas.
|
|||
|
"Neal, if you could explain some of what we discussed
|
|||
|
earlier..."
|
|||
|
Severant sat up and leaned toward the officers. "How do we
|
|||
|
stand?" he asked.
|
|||
|
"Excuse me?" said Havoc.
|
|||
|
"How does the military stand? What kind of numbers are we
|
|||
|
talking about? Do we have any troops?"
|
|||
|
"Well," said Disaster, "we've got a few good men."
|
|||
|
"How few?" Severant asked.
|
|||
|
"About thirty," said the General.
|
|||
|
"That's what I thought," said Severant, disgustedly. "Well,
|
|||
|
obviously recruitment is a priority. We need to figure out a base
|
|||
|
salary for military personnel. There's enough folks out there in
|
|||
|
need of a job. They'll sign up."
|
|||
|
"Salaries?" asked the General. "Do we get salaries too?"
|
|||
|
"Yeah," said Major Disaster, "do we? Wow."
|
|||
|
"Yes," said the president, "yes, you'll get paid, now."
|
|||
|
"That's the first step," continued Severant. "Next we'll need
|
|||
|
to begin developing some weapons that are competitive with...." He
|
|||
|
fell silent as Marcia Bounty entered, carrying a tray with a six-
|
|||
|
pack of beer resting in a large bowl of ice and a steaming pot of
|
|||
|
coffee.
|
|||
|
"Put it on the table, please, Nurse," said Nixon. "Go on,
|
|||
|
Neal."
|
|||
|
"I'd prefer to wait," Severant said.
|
|||
|
"Hi, Nurse," said Major Disaster, eyeing her tight uniform.
|
|||
|
"Been working here long?"
|
|||
|
She gave him a slight, non-committal smile, placed the tray
|
|||
|
next to the decanter of Chivas, turned and walked quietly from the
|
|||
|
room. A few seconds of silence as the two officers, and the
|
|||
|
president, continued to stare in the direction of the doorway.
|
|||
|
Severant stood and went to the door; he glanced out into the
|
|||
|
hallway, then pulled the door shut.
|
|||
|
"Uh, yes," said Nixon. "Anyway... Neal?"
|
|||
|
"We do need to follow some protocol, Mr. President," Severant
|
|||
|
said, returning to his seat. "We are discussing matters of national
|
|||
|
security. Non-authorized personnel should be excluded from these
|
|||
|
proceedings. I mean, what do you really know about that nurse? I
|
|||
|
could find no extant personnel file."
|
|||
|
Both Nixon and Major Disaster stood and went to the table, the
|
|||
|
president pouring himself a mug of coffee, the officer fishing a
|
|||
|
frosty bottle from the ice.
|
|||
|
Nixon settled himself back behind the desk. "Yes, Neal, you're
|
|||
|
right of course. Please continue."
|
|||
|
"Weapons, obviously," said Severant. "We need to develop some
|
|||
|
weapons, and some means of deploying them, which means spacecraft."
|
|||
|
"Yeee-ha!" exclaimed Disaster, swigging his beer. "All right!"
|
|||
|
"What kind of spacecraft?" the General asked.
|
|||
|
"Spin drive craft," Severant said. "The spacers have God only
|
|||
|
knows how many spin drive spacecraft. We have no way of counting.
|
|||
|
Hundreds of thousands, at least, if not millions."
|
|||
|
"Shit!" said Disaster. "Those goddamn, anarchist..."
|
|||
|
"Yes," said Severant firmly, cutting off the Major. "Yes, they
|
|||
|
potentially have an enormous fleet, but few of the craft, if any,
|
|||
|
are military. They are virtually defenseless. If we concentrate on
|
|||
|
building a few craft that are larger, faster, and adequately
|
|||
|
armored, we will have an immediate advantage. The weapons are the
|
|||
|
tricky part. What kind of stockpiles do we have?"
|
|||
|
The General sipped from his glass. "We've got lots of rifles.
|
|||
|
A few functional missiles, mostly smaller stuff. Some odd stuff
|
|||
|
that probably still works, like anti-tank guns and mines. No
|
|||
|
nuclear capability. I'm sure that most of the warheads have
|
|||
|
deteriorated by now <20> and the systems are in disrepair and probably
|
|||
|
useless. Lots of rifles and bullets, though. Enough to shoot the
|
|||
|
ass off every spacer."
|
|||
|
"The rifles will be useful for, er, domestic control, but not
|
|||
|
for space," Severant said. "They probably won't fire too well in a
|
|||
|
vacuum. What about S.D.I.? Star Wars? Do we have anything left from
|
|||
|
that?"
|
|||
|
"Probably some stuff," said the General. "I don't know. I
|
|||
|
doubt anyone's touched any of that stuff in ten years."
|
|||
|
"I understand there was something called a rail gun," said
|
|||
|
Severant, "designed to fire projectiles in space, at great
|
|||
|
velocity. If we can find the plans for it, we can build them."
|
|||
|
"I'll put some men on it immediately," said the General.
|
|||
|
"Hot damn!" said Major Disaster. "Hot damn!"
|
|||
|
"I think we've got the makings of a really good program here,"
|
|||
|
said Nixon. "We've got some revenue coming in, and we can do it.
|
|||
|
Just remember, gentlemen, that this program is good for America.
|
|||
|
Even if we never come to actual conflict with the spacers, even if
|
|||
|
a single bullet is never fired, this is going to mean large
|
|||
|
contracts for America's industries. Clinton Oestrike is already
|
|||
|
preparing some proposals. It's going to mean jobs, both military
|
|||
|
and civilian. If we get this rolling fast enough, it's going to
|
|||
|
mean a new era of prosperity and strength for America!"
|
|||
|
"I'll drink to that," said General Havoc. "I'll drink to
|
|||
|
that!"
|
|||
|
"Yeah," said the Major, "fuck those spacer assholes!"
|
|||
|
66. FOREIGN POLICY
|
|||
|
|
|||
|
"Neal," Nixon asked, "do you know who Henry Kissinger was?"
|
|||
|
Neal Severant's cyberspace representation was as stiff and
|
|||
|
formal as Severant was in person. "Yes, sir," Severant said. "Of
|
|||
|
course, sir."
|
|||
|
"Kissinger was the best, Neal, he was the best. He could get
|
|||
|
into a situation and work in every direction. The best advance
|
|||
|
negotiator that a president could have."
|
|||
|
"Yes, sir. What, exactly, sir, did you wish to discuss?"
|
|||
|
"Oh, yes. Sorry, Neal. Let me get the point. We need to open
|
|||
|
relations with some other nations. We need to begin to develop some
|
|||
|
allies. Economic allies. Military allies. We are redefining
|
|||
|
America's place in the world, Neal. We are, uh..."
|
|||
|
"Sir?"
|
|||
|
"Yes, Neal?"
|
|||
|
"There are no other nations."
|
|||
|
"Yes there are. Well, one, anyway..."
|
|||
|
"I don't think New Zealand can help us either economically or
|
|||
|
militarily."
|
|||
|
"No, but it is something. It is a start. And I think that
|
|||
|
given our own example, Neal, other governments will be able to
|
|||
|
reclaim their power. Perhaps we can help them, if they will be
|
|||
|
allies."
|
|||
|
"I don't know, sir. After all, the politicians everywhere...
|
|||
|
they're all gone."
|
|||
|
"Perhaps not, Neal. After all, I survived. And what about you?
|
|||
|
I wouldn't be surprised if there were other young people who were,
|
|||
|
uh, developing their, uh, capabilities as you have. A new
|
|||
|
generation of new politicians. Perhaps if we can locate these
|
|||
|
people, encourage them..."
|
|||
|
Severant's representation made some thoughtful noises. "Yes,
|
|||
|
sir, I, mother together," he said. "On fighting throwing tits they
|
|||
|
hard-on stones are drive victory Mao Marcia renewal bring discord
|
|||
|
us cunt Dean spin breaks keep."
|
|||
|
"Shit," said Nixon. "Shit."
|
|||
|
67. RIPE AND FRUITY
|
|||
|
|
|||
|
"Ahem," Henrietta Groote squawked into the microphone. She
|
|||
|
looked out over the crowd which had gathered on a grassy stretch of
|
|||
|
the National Mall. Up in the front were the core supporters, the
|
|||
|
folks who had been with Oestrike and Groote for years <20> upper
|
|||
|
echelon employees, various ambitious and aspiring workers, and a
|
|||
|
certain number of sycophants and social chameleons. Near them,
|
|||
|
filling up a larger area, were several hundred old-earth types, new
|
|||
|
recruits, as it were, who had gained interest through Nixon's vid
|
|||
|
broadcasts and the media frenzy which he had inspired. Off to one
|
|||
|
side was Nixon himself, flanked by two soldiers in civilian attire
|
|||
|
and mirror shades. Clinton Oestrike rested in a folding lawn chair.
|
|||
|
Farther off was a scattering of mixed types, arcology dwellers,
|
|||
|
some possible spacers, and those who fit no easy category. Several
|
|||
|
groups carrying enhanced vid equipment, shaggy with cables,
|
|||
|
wandered about.
|
|||
|
"Ahem," Groote continued. "As you well know, those who left
|
|||
|
the planet Earth did so because they ceased to care. They ceased to
|
|||
|
care about our children, and about what kind of society we would
|
|||
|
leave for them. They cared more for their own hedonistic self-
|
|||
|
interest, what they called freedom. This is not our freedom, what
|
|||
|
these people want is freedom from responsibility. The wanton
|
|||
|
proclivities of these people are well known: sexual excess, and in
|
|||
|
all deviant varieties, drugs, yes, drugs, and <20> ahem <20> strange
|
|||
|
occult practices. Again, this is a poor example for the children of
|
|||
|
America.
|
|||
|
"Unfortunately, this example is passed to our children through
|
|||
|
the popular music and vid with which these people inundate the
|
|||
|
computer network. What many parents may not understand is that this
|
|||
|
music is just the outward form of their pagan, and, dare I say it,
|
|||
|
satanic, beliefs and practices."
|
|||
|
The crowd seemed duly impressed.
|
|||
|
Nixon glanced over at the pocket-sized vid unit that one of
|
|||
|
the soldiers held in his lap. In the small flatscreen, he could see
|
|||
|
Groote's thin image, her arms gesticulating.
|
|||
|
He looked up at the crowd, at the overweight and middle-aged
|
|||
|
old-earth types immediately before him. Something glimpsed between
|
|||
|
the bloated bodies caught his eye, a slender form which stood out
|
|||
|
in the crowd. It was a young woman, apparently an arcology dweller,
|
|||
|
or maybe even a spacer. She had short dark hair and wore a tight-
|
|||
|
fitting sheath which displayed her sleek figure to advantage. Nice,
|
|||
|
Nixon thought, very nice.
|
|||
|
He watched as the woman strolled over to a tree and sat down
|
|||
|
under it, on the freshly-mowed lawn.
|
|||
|
"America must be free again!" Henrietta Groote exclaimed.
|
|||
|
The crowd cheered.
|
|||
|
Nixon glanced up and saw Groote's wildly waving arms. It had
|
|||
|
taken a full week of coaching and three tiny blue pills which Neal
|
|||
|
Severant had provided to make her comfortable enough to speak
|
|||
|
before a crowd.
|
|||
|
He looked back over at the young woman. She was sitting
|
|||
|
against the base of the tree, listening intently to the speech.
|
|||
|
Nixon admired the way her body seemed to be poured into her
|
|||
|
clothing. As he watched, the woman was joined by two others,
|
|||
|
another woman who was nearly as attractive, and a thin young man
|
|||
|
dressed only in a pair of thin, hemp-cloth shorts. They sat and
|
|||
|
offered the first woman a drink from a soft-sided canteen.
|
|||
|
Groote was shouting now: "Join together! Join together! We
|
|||
|
must join together and stand strongly against our enemies!"
|
|||
|
The pills must have done something, Nixon thought. I didn't
|
|||
|
think the old bag had that much enthusiasm left in her!
|
|||
|
One of the soldiers let out a fetid and moderately noisy fart.
|
|||
|
Nixon turned to look at him, along with the other nearest half
|
|||
|
dozen people. The soldier looked nervously down at his shoes.
|
|||
|
"Yo," the other soldier commented, waving a hand under his
|
|||
|
nose. "You been eating rotten meat, or what?"
|
|||
|
Two more young men joined the group under the tree. Nixon
|
|||
|
watched as one of them produced a fat joint, set it smoldering and
|
|||
|
passed it around.
|
|||
|
Nixon nudged one of the soldiers <20> the one who farted <20> and
|
|||
|
nodded his head in the direction of the dopesmoking spacers. The
|
|||
|
soldier recovered his professional demeanor and strolled as
|
|||
|
nonchalantly as he was able through the crowd and around behind the
|
|||
|
tree.
|
|||
|
"Go for it!" The scrawny old woman on the stage shouted. "Go
|
|||
|
for it! Go for it! Yeah! Yeah!"
|
|||
|
That wasn't in the script, Nixon thought. But anyway, the
|
|||
|
crowd seemed to be buying it.
|
|||
|
"Yeah! Yeah! Yeah!" The old-earthers were chanting. "Yeah!"
|
|||
|
The soldier seemed to be unnoticed by the spacers, and he
|
|||
|
lounged casually near them on the lawn, his head cocked just enough
|
|||
|
to let the president know that he was still listening.
|
|||
|
Henrietta Groote raised her arms and silenced the crowd.
|
|||
|
Excellent, Nixon thought. She's getting this. She's really
|
|||
|
getting good!
|
|||
|
"In this chaotic world of ours," Groote proclaimed, "there is
|
|||
|
only one thing that we can turn to, just one thing that will
|
|||
|
consistently, time after time, save us from adversity, and that one
|
|||
|
thing is..."
|
|||
|
At that point Groote created a wonderfully pregnant pause,
|
|||
|
which gave birth to something other than what she intended. A low,
|
|||
|
prolonged toot issued out from behind a tree. It was a deep and
|
|||
|
sudden sound, ripe and fruity.
|
|||
|
Henrietta Groote lost her place, her mouth dropped open and
|
|||
|
she stared, aghast, in the direction of the offending flatulence.
|
|||
|
Everyone else also turned in that direction, and the soldier, who
|
|||
|
had been trying to be as discreet as possible, found himself the
|
|||
|
center of attention. About a dozen of the nearest old-earthers
|
|||
|
could be seen covering their faces reflexively and hurrying away.
|
|||
|
The group of spacers, who had been closest to him, began to laugh.
|
|||
|
"I love the sounds of nature this time of year," one of them
|
|||
|
said, and they cracked up even harder.
|
|||
|
"Finally," chortled another, "an honest response to Henrietta
|
|||
|
Groote!"
|
|||
|
"It wasn't me," the soldier protested. "Stop looking at me. I
|
|||
|
didn't do it!"
|
|||
|
"Well!" Groote said into her microphone. "Well!"
|
|||
|
"STOP STARING AT ME!" the soldier cried, leaping to his feet.
|
|||
|
"I DIDN'T DO IT!" He looked around wildly. "IT WAS HIM!" He pointed
|
|||
|
at one of the laughing young men.
|
|||
|
Everyone turned to look at the man. He had brown skin and a
|
|||
|
crop of short, unruly dreadlocks crowning his head. He wore a
|
|||
|
brown, hemp-cloth shirt, hand-painted with a psychedelic paisley
|
|||
|
design, and baggy brown trousers.
|
|||
|
When the man saw the crowd staring at him, he raised one hand
|
|||
|
and wagged it before him. "No," he chuckled. "No. Not me."
|
|||
|
"It was him!" the soldier said, still pointing. "It was the
|
|||
|
lousy spacer!"
|
|||
|
The word "spacer" was passed around through the crowd for a
|
|||
|
few seconds, followed closely by the word "fart".
|
|||
|
"Well!" said Groote.
|
|||
|
"It was the disgusting spacer!" the soldier continued. "It
|
|||
|
wasn't me."
|
|||
|
"Well!" said Groote. "Spacer! You think you can disrupt this
|
|||
|
gathering? Do you think you can do that? Have you no respect?"
|
|||
|
The young man stopped laughing. "Uh...," he said, looking up
|
|||
|
at the glaring old-earthers.
|
|||
|
Nixon nudged the soldier who had remained by his side. "Call
|
|||
|
reinforcements," the president said. "Just in case."
|
|||
|
"Let's get him," someone in the crowd said.
|
|||
|
The soldier near Nixon carefully set his pocket vid unit down
|
|||
|
on the ground and leisurely unclipped a small cellular broadcaster
|
|||
|
from his belt. He thoughtfully punched some buttons and then
|
|||
|
muttered into the mouthpiece.
|
|||
|
"There appears to be some disruption in the crowd," said a
|
|||
|
thin voice from the pocket vid.
|
|||
|
"We will prevail against you!" said Henrietta Groote.
|
|||
|
"Prevail!" someone shouted.
|
|||
|
"I'll take care of this," said the farting soldier, who had
|
|||
|
regained his composure somewhat. He advanced toward the accused
|
|||
|
spacer.
|
|||
|
"We have an unconfirmed report," said the voice from the vid,
|
|||
|
"that a disruptive group of spacers ignited a stink-bomb or
|
|||
|
chemical weapon of some sort..."
|
|||
|
The spacer backed slowly away from the soldier, his open palms
|
|||
|
displayed in a gesture of peace. The soldier continued forward.
|
|||
|
"We've got ten men within walking distance," said the non-
|
|||
|
flatulent soldier. "They'll be here in a matter of minutes."
|
|||
|
"Thank you," said Nixon.
|
|||
|
The amplified howl of Henrietta Groote echoed across the mall.
|
|||
|
"HAVE YOU NO RESPECT, YOU DISGUSTING, OBSCENE, PERVERTED, FOUL...
|
|||
|
SPACER!"
|
|||
|
The farting soldier made a grab for the spacer's arm, but the
|
|||
|
spacer twisted suddenly and was out of reach. The soldier charged,
|
|||
|
but suddenly the spacer was in a martial arts crouch, and the
|
|||
|
soldier was deflected, falling back into a group of old-earth
|
|||
|
women. He disentangled himself from a whining matron and was back
|
|||
|
on his feet, a gun in his hand.
|
|||
|
"We've identified the man with the gun as one of President
|
|||
|
Nixon's personal bodyguards, a member of the newly reformed secret
|
|||
|
service. He seems to have brought the disruptive spacers to bay..."
|
|||
|
"Get those troops in here now!" Nixon said.
|
|||
|
"GOSH DARN HORRIBLE, TERRIBLE, AWFUL, NO GOOD... SHITS!!"
|
|||
|
Groote howled.
|
|||
|
The soldier leveled his gun, muttering curses as he advanced
|
|||
|
on the spacer. The gun roared, but the spacer had dropped to the
|
|||
|
ground, rolled and come up beneath the soldier's gun arm, knocking
|
|||
|
the gun from the soldier's grip and throwing the soldier to the
|
|||
|
ground. The bullet struck the arm of an elderly man, who screamed
|
|||
|
in agony. The spacer scrambled across the grass and retrieved the
|
|||
|
gun.
|
|||
|
"Whoa! Something's going on!" Nixon heard the vid unit say.
|
|||
|
Four soldiers in brand-new khaki uniforms came jogging through
|
|||
|
the crowd. They stopped, guns drawn, when they saw the spacer with
|
|||
|
the pistol.
|
|||
|
"I've been shot!" The elderly man shouted, clutching his arm.
|
|||
|
"Oh! Help! I've been shot!"
|
|||
|
The new arrivals looked at the old man, then at the spacer
|
|||
|
with the gun, then at their comrade with mirror shades who remained
|
|||
|
sprawled on the lawn. They took aim.
|
|||
|
The secret-service-soldier who had remained near Nixon grabbed
|
|||
|
the president and began to hustle him away from the melee.
|
|||
|
As they made for an official bubble car parked nearby, Nixon
|
|||
|
heard the shots.
|
|||
|
68. 23 NEWS, HEH HEH, UPDATE
|
|||
|
|
|||
|
"The top story tonight," Mark O'Connor smiled, "is the
|
|||
|
disruption of a Pro-American rally in Washington, D.C., this
|
|||
|
afternoon. According to an official report from the White House,
|
|||
|
the rally, led by industrialist Henrietta Groote, was interrupted
|
|||
|
when a group of spacers detonated a chemical weapon in the crowd.
|
|||
|
Heh heh. We have some footage."
|
|||
|
The playback started with a view of Henrietta Groote, waving
|
|||
|
her arms about in the sun. She stopped speaking, a look of horror
|
|||
|
on her face. The camera panned across the crowd to show old-
|
|||
|
earthers fleeing from the area near the tree.
|
|||
|
"This is a secret service agent who was attending the rally as
|
|||
|
a bodyguard of President Nixon," O'Connor commented. "He arrived
|
|||
|
with astonishing swiftness and immediately took command of the
|
|||
|
situation. It makes one marvel a bit at how fast and how thoroughly
|
|||
|
Mr. Nixon is restoring things. Unfortunately, as you see, he is
|
|||
|
outnumbered."
|
|||
|
The soldier could be seen firing his gun and being tossed to
|
|||
|
the ground by the spacer.
|
|||
|
"But the cavalry came to the rescue and the disturbance was
|
|||
|
quelled. The elderly man to the left of the image, heh heh, was
|
|||
|
apparently injured by the chemical bomb."
|
|||
|
The recording stopped as the soldiers drew their guns.
|
|||
|
"Apparently several members of the audience were injured in
|
|||
|
the terrorist attack, and one spacer was killed. This is the third
|
|||
|
reported incident of violence involving spacer dissidents in the
|
|||
|
last six days.
|
|||
|
"Violence also flared elsewhere on the globe when government
|
|||
|
forces in the republic of Russia stormed the headquarters of the
|
|||
|
AGRI Collective, a huge complex near Moscow which had apparently
|
|||
|
been engaged in various illegal and anti-government actions. The
|
|||
|
fighting reportedly ended in a stalemate and troops of the newly
|
|||
|
reorganized government are now entrenched around the complex.
|
|||
|
Throughout the rest of the Russian state, government troops are
|
|||
|
reportedly re-establishing order. President Nixon reports that U.S.
|
|||
|
Cabinet member Neal Severant has traveled to the area, and has
|
|||
|
offered U.S. aid to the government freedom fighters.
|
|||
|
"In other news of importance, rock and roll superstar Paul
|
|||
|
McCartney said that his current tour of major world cities will
|
|||
|
continue in spite of his well-publicized health problems. Although
|
|||
|
critics have panned the tour, saying that McCartney's performance
|
|||
|
was 'tired', and that the gray-haired rocker was losing his voice,
|
|||
|
audiences are still flocking to arenas..."
|
|||
|
69. STAR TRAIN
|
|||
|
|
|||
|
Nixon enjoyed his second flight in a spin drive craft much
|
|||
|
more than his first. The car itself was magnificent, a big, old
|
|||
|
Lincoln, black, sleek and polished, with the words "Air Force One"
|
|||
|
painted across the sides.
|
|||
|
They soared up from the White House lawn, Marcia Bounty waving
|
|||
|
goodbye from the front steps. The ride was smooth and silent, and
|
|||
|
the big, plush interior of the Lincoln gave a greater sense of
|
|||
|
security than any helicopter. Outside, the sky was blue and
|
|||
|
cloudless. Washington, glittering in the sun, dwindled away behind
|
|||
|
them.
|
|||
|
The car arced gracefully up to suborbital space, the sky
|
|||
|
turning deep purple around them, then smoothly cruised back down
|
|||
|
into the atmosphere. Nixon watched as the browns and greens of
|
|||
|
southwestern North American expanded across the window.
|
|||
|
They settled down comfortably in a desert compound, impromptu
|
|||
|
military buildings scattered around inside a chain-link fence. One
|
|||
|
end of the installation looked like a used car lot, a variety of
|
|||
|
old vehicles, sports cars, sedans, station wagons, trucks and vans
|
|||
|
were parked in orderly rows. Beyond that, three rows of old police
|
|||
|
cars sat in various stages of disassembly. Beyond that, a phalanx
|
|||
|
of tanks. And beyond that was an enormous, sand-colored tent.
|
|||
|
Major Disaster eagerly scrambled up to Air Force One and
|
|||
|
opened the door for the president. "Welcome, sir."
|
|||
|
Nixon was led through the compound and presented with a
|
|||
|
variety of marvels. He nodded appreciatively at flying
|
|||
|
demonstrations, Fords and Chevrolets loop-the-looping through the
|
|||
|
desert sky. He watched a drill of soldiers being taught to invade
|
|||
|
an enclosed space environment. He looked at spacesuits, energy
|
|||
|
weapons, and the humming, rotating magnets of the spin drives.
|
|||
|
Finally, the major brought Nixon to the entrance flap of the
|
|||
|
big tent. "This is our biggest surprise, sir," Disaster said.
|
|||
|
The officer led the president into the dim coolness. It took
|
|||
|
Nixon's eyes a few moments to adjust to the relative darkness; he
|
|||
|
could make out a big, long shape looming in the center of the tent.
|
|||
|
Disaster hit a switch and floodlights came on.
|
|||
|
It was a locomotive.
|
|||
|
It was a locomotive with some differences. It had a big engine
|
|||
|
that once housed a mighty diesel, and it had one passenger car. The
|
|||
|
railroad wheels had been replaced with fat rubber airplane tires
|
|||
|
and a kind of shock-absorbing system. The windows seemed different,
|
|||
|
thicker, more elaborately sealed. Protruding from the nose of the
|
|||
|
engine was about ten feet of thick tube, the muzzle of some huge
|
|||
|
weapon.
|
|||
|
Nixon's heart pounded. He was speechless. He loved it.
|
|||
|
70. OBJECTIVE
|
|||
|
|
|||
|
Major Disaster led the president into the cockpit of the
|
|||
|
spacecraft.
|
|||
|
"That big thing sticking out the front," the major said, "is
|
|||
|
the rail gun that Mr. Severant was discussing. We only tested the
|
|||
|
thing twice, 'cause, well, it really fucks things up, if you get my
|
|||
|
drift. First time we fired it into the side of a mountain <20> well,
|
|||
|
there wasn't much left of that mountain afterwards <20> blast like a
|
|||
|
little atom bomb. Really loud. It shook the ground for about fifty
|
|||
|
miles around. Nothing's gonna cross this baby and live to tell
|
|||
|
about it!"
|
|||
|
"Uh, Major," Nixon asked, "what about the engines? Do they
|
|||
|
work? Has this been flown yet?"
|
|||
|
"Yes, sir. We're stilling tuning them, but we've taken this
|
|||
|
baby out a couple of times. Only at night, of course. Everything's
|
|||
|
pretty much ready. We're ready for our first objective."
|
|||
|
"As we discussed," Nixon said, "the first objective should be
|
|||
|
an easy hit, a quick and successful military move to show that
|
|||
|
we're back and we mean business. Have you had any thoughts on
|
|||
|
that?"
|
|||
|
"Yes, sir. One of the smart boys we hired to hook up the spin
|
|||
|
drives told us about a piece of American property which is up in
|
|||
|
space, and apparently occupied illegally by spacers. The Freedom
|
|||
|
Space Platform, sir."
|
|||
|
"Uh, huh," said Nixon. "I remember when they were planning
|
|||
|
that. I thought it was a good idea. Was it ever finished? I don't
|
|||
|
recall."
|
|||
|
"I don't know that it was ever finished, sir. But it's still
|
|||
|
up there. We can track it on radar. And there are definitely
|
|||
|
spacers living there. Squatters, sir. Invaders. And a lot of them,
|
|||
|
based on their broadcasts."
|
|||
|
"Are they armed? What are their defenses?"
|
|||
|
"What defenses? They don't have shit. Sir."
|
|||
|
"All right, Major. I want a full report on the Freedom
|
|||
|
Platform. This sounds like a good one, if we can get in there
|
|||
|
quick, with minimum loss of American life."
|
|||
|
"Hot damn!" said the major. "Hot shit! I knew you'd like it!
|
|||
|
I knew it!"
|
|||
|
"Major," Nixon said, "if you don't mind <20> could I just sit
|
|||
|
here by myself for a few minutes?"
|
|||
|
71. A DAYDREAM
|
|||
|
|
|||
|
The mighty spin drive throbbed underneath him as he guided the
|
|||
|
train through an endless night of stars. Planets rushed past,
|
|||
|
comets, asteroids, alien spacecraft, exotic landscapes in many
|
|||
|
colors. Martha was by his side, proud, smiling, glamorous.
|
|||
|
He was
|
|||
|
CaseyJonesJohnWayneLukeSkywalkerGeorgePattonFlashGordanDwight-
|
|||
|
EisenhowerJamesTKirk... savior of the universe, mighty phallic-
|
|||
|
firing weapon at the fore. And at the same time he was emissary of
|
|||
|
America, statesman to the solar system, bold diplomat to strange
|
|||
|
and foreign lands.
|
|||
|
Up ahead, a horde of enemy vehicles: Nissans, Yugos, Toyotas,
|
|||
|
Hondas, Volkswagens, Fiats, Mercedes, Mitsubishis. He pushed on the
|
|||
|
handle and the mighty engine roared, the locomotive hurtled
|
|||
|
forward. Spacers, hippies, SDS, SLA, Black Panthers, Viet Cong in
|
|||
|
brown, hemp-colored spacesuits leaned from their windows, firing
|
|||
|
guns and lasers. Bullets and rays slammed against the heavy steel
|
|||
|
of the train.
|
|||
|
He grabbed the handles of the gunsight and lined up the
|
|||
|
crosshairs on the biggest spacer craft, a Volkswagen van with
|
|||
|
dozens of spacers hanging from the windows. He fired and the giant
|
|||
|
rail gun shuddered through the structure of the locomotive.
|
|||
|
Outside, a brilliant, symmetrical explosion, the van demolished
|
|||
|
instantly. He turned and aimed at the next one, an Accord jammed
|
|||
|
with spacer terrorists, and let fly again. A solid hit, a beautiful
|
|||
|
flash of light. The bombs bursting in air, the rockets' red glare,
|
|||
|
swirling eddy I Judeo-Christian such a solution.
|
|||
|
And the spacers turned tail, they were retreating, he was
|
|||
|
victorious. He would negotiate a fair treaty with them, one that
|
|||
|
all the world would respect. It would go down in history. It would
|
|||
|
unite the people of Earth and space. He was JohnGeorgeDwight-
|
|||
|
JonesSkywalkerCaseyTJamesGordanFlashKirkLukePattonWayneEisenhower
|
|||
|
... mighty phallic firing bring...
|
|||
|
72. FREEDOM
|
|||
|
|
|||
|
Freedom Colony was an orbiting trailer park.
|
|||
|
Several hundred mobile homes, recreational vehicles, and
|
|||
|
house-trailers of various kinds floated out in every direction from
|
|||
|
a central core of six white, stubby cylinders, the whole network
|
|||
|
strung together with fat connecting tubes, skeletal girders and
|
|||
|
wide, shiny fans of solar collectors.
|
|||
|
Essence piloted the big white Oldsmobile into a makeshift-
|
|||
|
looking docking bay. The door to the bay closed behind them and
|
|||
|
soon they could hear the faint hissing of atmosphere being pumped
|
|||
|
into the chamber.
|
|||
|
"Thanks, Essence," Diana said. "I appreciate it."
|
|||
|
"You sure you don't want me to stay a little while?" Essence
|
|||
|
asked.
|
|||
|
"No, I'll be all right. Give me a call when you're heading
|
|||
|
back up out of the well."
|
|||
|
A green light came on in the docking bay. They kissed
|
|||
|
affectionately and Diana unsealed the heavy door of the Olds and
|
|||
|
climbed out. She gave her friend a last wave, then pushed off into
|
|||
|
the mouth of a connecting tube.
|
|||
|
She closed the airlock behind her and floated still for a
|
|||
|
moment, allowing her eyes to adjust to the dim lighting of the
|
|||
|
tube. Behind her she could hear the whine of compressors sucking
|
|||
|
the air back out of the docking bay.
|
|||
|
From down the tube Diana could see someone floating toward
|
|||
|
her. In the pale fluorescent light it was a strange figure,
|
|||
|
elongated and unusually white. The man got closer and Diana
|
|||
|
realized that he was a permanent.
|
|||
|
His limbs were thin and spidery, almost skeletal, the muscles
|
|||
|
atrophied from years of no exercise in a microgravity environment,
|
|||
|
and his skin was fishbelly pale. He wore only a flapping loincloth
|
|||
|
which did little to hide the only part of his body that did not
|
|||
|
appear withered.
|
|||
|
"Diana Stuart?" the man said slowly.
|
|||
|
"Yeah," Diana said. "How do you do?"
|
|||
|
"Fine," the man said, snaking a hand toward Diana. She shook
|
|||
|
the hand gingerly. "I'm Trent. I'm, uh, a fan of yours. And the
|
|||
|
band. I volunteered to come welcome you. Welcome to Freedom."
|
|||
|
A grin spread gradually across Trent's face.
|
|||
|
"Thanks Trent. I'm flattered."
|
|||
|
"There's a party in the hub. C'mon."
|
|||
|
73. THE HUB
|
|||
|
|
|||
|
Diana drifted along the tube behind Trent for what seemed like
|
|||
|
a long time. They reached an airlock set against a curved white
|
|||
|
wall. A faded American flag was painted on the door, as well as an
|
|||
|
equally worn NASA logo. The outer door opened with some difficulty
|
|||
|
and they climbed inside. The inner door was even more difficult,
|
|||
|
particularly for the frail permanent, and Diana had to lend a hand.
|
|||
|
As Trent pushed the lock closed behind them, Diana took in the
|
|||
|
view. The cylinder was the size of, perhaps, a small studio
|
|||
|
apartment, but it was all floor, carpet running all the way around
|
|||
|
the inside. People were spread out in groups across the whole
|
|||
|
surface, tethered to clips hidden in the carpet. A few floated
|
|||
|
free, or on longer tethers, in the central part of the room. Diana
|
|||
|
quickly realized that most of them were permanents.
|
|||
|
"I didn't realize that Freedom was a permanent colony," she
|
|||
|
said to Trent.
|
|||
|
"Oh, anyone can live here."
|
|||
|
Trent pushed off in the direction of the nearest group and
|
|||
|
Diana followed. Most of the people in the group were naked, which
|
|||
|
was common enough in space habitats, and Diana felt a strange
|
|||
|
erotic thrill to see these O.Z.-enlarged, healthy-looking penises,
|
|||
|
breasts and vulvas juxtaposed against the spidery, atrophied
|
|||
|
permanent bodies.
|
|||
|
When in Rome, she thought, unzipping the front of her own
|
|||
|
shirt. She enjoyed the feeling as her breasts adjusted to
|
|||
|
weightlessness.
|
|||
|
The party was languid and sexual; permanents were not inclined
|
|||
|
to move much or rapidly, preferring to simply float in the their
|
|||
|
womb-like space homes, but hands dallied lightly at gently
|
|||
|
throbbing erections, puckered nipples and glistening vaginas. Music
|
|||
|
undulated through the air, rich and hypnotic, slower and spacier
|
|||
|
than the kind of thing that Diana was accustomed to playing. Small
|
|||
|
bubbling water pipes passed gradually from mouth to mouth, a faint
|
|||
|
haze of pungent exhaled smoke sliding into the recirculation
|
|||
|
streams.
|
|||
|
Trent tethered himself, his arms and legs going slack, and
|
|||
|
floated with the group. Diana grabbed a handhold recessed into the
|
|||
|
carpet and steadied herself against the wall.
|
|||
|
Heads nodded on thin necks in recognition when Trent
|
|||
|
introduced her to the group.
|
|||
|
"Peace in the womb of Nuit," said someone.
|
|||
|
"Peace," she said.
|
|||
|
A water pipe floated toward her and she filled her lungs with
|
|||
|
cool smoke.
|
|||
|
"What brings you here?" someone else said softly.
|
|||
|
"I'm looking for Nicholas Palmer."
|
|||
|
"Oh. He's around here somewhere..."
|
|||
|
74. PALMER
|
|||
|
|
|||
|
Diana moved slowly through the party. Thin, gentle hands
|
|||
|
reached out to her as she floated by, stroking the well-developed
|
|||
|
muscles of her thighs, or the soft skin of a breast. Friendly,
|
|||
|
languid smiles. Offered water pipes, an inhaler of something which
|
|||
|
made her nipples and her cunt tingle. The room seemed to glow with
|
|||
|
pastel radiance.
|
|||
|
"Palmer? Oh. He's around here somewhere..."
|
|||
|
She noticed that her clothing was gone. She copulated slowly
|
|||
|
with a man whose large, engorged cock sent pleasant spasms of
|
|||
|
electricity up her spine.
|
|||
|
"Nicholas Palmer? Around here somewhere..."
|
|||
|
Drifting, floating, tethered to the wall, her finger in her
|
|||
|
own vagina, listening to the music.
|
|||
|
"I don't know... around here..."
|
|||
|
After some time she saw a man floating very still, eyes
|
|||
|
closed. A little bit of sparkling light seemed to play in the air
|
|||
|
around him. His face was familiar. She had seen it before, before
|
|||
|
he had become a permanent, perhaps... It had to be... Nicholas
|
|||
|
Palmer.
|
|||
|
The face was thinner, but recognizable. His arms and legs were
|
|||
|
impossibly long and bony; he had been a long time without gravity
|
|||
|
or exercise, longer than most of those in the room. She drifted
|
|||
|
over beside him and touched his chest with the palm of her hand.
|
|||
|
His eyes opened for a brief moment. "Bring us," he whispered,
|
|||
|
and his eyes closed again.
|
|||
|
Diana floated up against him, tethered herself to the same
|
|||
|
anchor that he drifted up from, and curled herself comfortably
|
|||
|
around his thin body. She stroked him. His penis roused to a half
|
|||
|
erection and Diana caressed it lightly, but his eyes remained
|
|||
|
closed and he did not move. Diana's consciousness wandered off into
|
|||
|
the borderlands of dream.
|
|||
|
75. I WAS SO CLOSE...
|
|||
|
|
|||
|
Diana awoke somewhat groggily, a haze of party-aftermath
|
|||
|
clouding her mind. She realized that she floated up against a thin,
|
|||
|
incredibly bony body, and she reflexively pushed away, grabbing a
|
|||
|
handhold on the wall. As she looked at the permanent, she began to
|
|||
|
recall the events of the party. She looked at him and breathed a
|
|||
|
sigh of relief. Here were some answers, perhaps.
|
|||
|
She looked around the room and saw that the cylinder was
|
|||
|
empty, the remains of the party mostly cleaned up. Palmer appeared
|
|||
|
pretty much the same; he showed no sign of consciousness. She
|
|||
|
floated closer and touched his shoulder.
|
|||
|
"Nicholas..."
|
|||
|
He did not respond.
|
|||
|
"Nicholas..."
|
|||
|
No response.
|
|||
|
Diana realized that she was quite hungry. She untethered and
|
|||
|
floated toward the middle of the cylinder where a door to a large
|
|||
|
connecting tube interrupted the carpeted wall. She slipped through
|
|||
|
into another hub cylinder and found a room where v.r. workstations
|
|||
|
ran all the way around the wall. Out of about thirty or so
|
|||
|
stations, only two were occupied.
|
|||
|
From another door on the other side of the cylinder, a woman
|
|||
|
drifted in who appeared to be not quite as physically atrophied as
|
|||
|
most of the people Diana had seen at the party. She smiled at Diana
|
|||
|
and pushed off from the wall to meet her.
|
|||
|
"Hi," Diana said. "I just got here and I'm wondering if
|
|||
|
there's someplace I can get some food."
|
|||
|
"Why are you still here?" the woman asked.
|
|||
|
"Like I said, I just got here."
|
|||
|
"Don't you know?"
|
|||
|
"What?"
|
|||
|
"We heard it on the news a few hours ago. The United States of
|
|||
|
America, President Nixon, has declared war on Freedom."
|
|||
|
"On freedom? Oh... on the colony?"
|
|||
|
"Yes, the colony. They claim it as U.S. property. A lot of
|
|||
|
folks have already left. You should too. You don't belong here."
|
|||
|
"But... Nicholas Palmer... I came here to find him. He's still
|
|||
|
unconscious from the party."
|
|||
|
"And he'll probably stay that way. He's been like that for
|
|||
|
years. He rouses every once in a while and has a little bit to eat.
|
|||
|
Doesn't seem to need very much. He just floats, the most permanent
|
|||
|
of all permanents. I'm leaving right now. Come with me."
|
|||
|
"Let me get Palmer."
|
|||
|
"Okay. Be quick."
|
|||
|
Diana went back to where Palmer floated, exactly as he had
|
|||
|
been.
|
|||
|
She shook him. "Nicholas!"
|
|||
|
She shook him again. His eyelids fluttered, one leg drifted up
|
|||
|
a little bit away from the other. "Nicholas!"
|
|||
|
His lips parted a bit. "B... R..."
|
|||
|
The woman stuck her head into the cylinder. "There's craft
|
|||
|
approaching from low orbit," she said. "Come on! Just unhitch him
|
|||
|
and..."
|
|||
|
Diana grabbed Palmer's tether and unclipped it from the wall.
|
|||
|
She pulled on it.
|
|||
|
Palmer's body swiveled around, his leg bounced off the wall,
|
|||
|
and his eyes blearily opened. "Huh? Wha?"
|
|||
|
"Come on, Nicholas," Diana said urgently. "Earther ships are
|
|||
|
coming. We've got to go." She pulled the tether.
|
|||
|
Palmer flipped around and grabbed a handhold. "No," he said.
|
|||
|
"Just let me... I was so close..."
|
|||
|
A thud, something striking against the outside of the
|
|||
|
cylinder, echoed through the space.
|
|||
|
"I'm outa here!" called the woman from the hatch. She
|
|||
|
disappeared, the tube entrance banging closed.
|
|||
|
"Come on, Palmer!" Diana commanded. She braced herself against
|
|||
|
the wall and pulled. Palmer's weak hand lost its grip and the two
|
|||
|
of them swung off into the center of the cylinder, orbiting each
|
|||
|
other, and bounced off the wall on the other side. Another dull
|
|||
|
boom shook the cylinder.
|
|||
|
Diana held onto the tether until she swung around and came
|
|||
|
against the wall again. She grabbed a handhold and tried to steady
|
|||
|
Palmer, whose arms and legs were windmilling in slow, weightless
|
|||
|
motion.
|
|||
|
The airlock at one end of the cylinder was cycling.
|
|||
|
"Come on, Palmer!"
|
|||
|
"Let me go. You go..."
|
|||
|
"No!"
|
|||
|
The airlock opened and spacesuited soldiers floated in,
|
|||
|
weapons at the ready.
|
|||
|
76. MEMORIES OF INITIATION
|
|||
|
|
|||
|
The Macintosh on the dashboard emitted a mellow tone, waking
|
|||
|
Stu from a light sleep. He had been having a pleasant dream about
|
|||
|
flying, soaring over a country road in his boyhood Britain, then
|
|||
|
rising up through blue skies and racing through the stars. He took
|
|||
|
a deep breath, then made his way to the driver's seat and looked at
|
|||
|
the computer's screen. He had arrived.
|
|||
|
What would it be? he wondered. What could this initiation
|
|||
|
possibly be? His heart beat with anticipation.
|
|||
|
The view from the windshield showed nothing but stars. The bus
|
|||
|
was holding its position high above the plane of the ecliptic, far
|
|||
|
from the clutter and debris of the solar system proper. It was
|
|||
|
remote and isolated, quite empty.
|
|||
|
Stu checked his coordinates. He was where he was supposed to
|
|||
|
be, and right on time. His initiators, apparently, were late.
|
|||
|
This is part of it, Stu thought. I'm supposed to wait. They
|
|||
|
always do this. All right, I'll wait.
|
|||
|
There are a number of ways to pass the time, he reflected.
|
|||
|
Some type of meditation is traditional. What will it be?
|
|||
|
He took a joint from a cubbyhole and fired it up. He toked
|
|||
|
with deep, easy breaths, lungs filling fully. He felt muscles in
|
|||
|
his legs, his arms, his back, his face relax. He floated loosely in
|
|||
|
his tether, the ambient, slow flicker of the spin drive playing
|
|||
|
across his closed eyelids. He could hear the hum of onboard
|
|||
|
systems, and the silence of deep space.
|
|||
|
Ah, this will do nicely, he thought.
|
|||
|
A thought came into his head, a memory of being five years old
|
|||
|
and going to school for the first time. His mother waved goodbye.
|
|||
|
She waved and waved forever, until finally he was gone. Stu's heart
|
|||
|
leaped with the memory, pounded in his chest with the anticipation
|
|||
|
and fear that he had felt.
|
|||
|
He opened his eyes. A strange thing to think of now, he
|
|||
|
considered. I haven't remembered that in half a lifetime...
|
|||
|
Another deep toke and he allowed his eyes to close again.
|
|||
|
Another image was there, waiting. Her name was Vicky, a beautiful,
|
|||
|
dark-haired girl who went to his school. She was so perfect, he had
|
|||
|
admired her for over a year. She gave him little smiles, sometimes,
|
|||
|
beautiful, sweet little smiles, and he knew he had to ask her out.
|
|||
|
His heart pounded with the anticipation and he was Manchester. He
|
|||
|
waited in the a dancing god free yourself there is his teacher had
|
|||
|
the concentrated Palmer like this, my friend. He waited in the
|
|||
|
clothing. Information there was no together...
|
|||
|
Another time, another life. A dark room, rich tapestries hung
|
|||
|
all around, barely visible meanders. Soon they would call for him
|
|||
|
and his heart pounded. What would it be? He had heard a drug... But
|
|||
|
they had strong magick, the priests of this forbidden, universal
|
|||
|
cult. From the dawn of time, they had told him, when he first
|
|||
|
visited the meeting room in the alleyway. He had heard an ordeal,
|
|||
|
either you lived and became a true man, or you died...
|
|||
|
He had touched Vicky's breast, gingerly, tenderly. It was warm
|
|||
|
and surprisingly soft. She had sucked in her breath a little, and
|
|||
|
he felt the nipple grow taut. He had never felt like this, but it
|
|||
|
seemed like an ancient memory... He wore women's for you Nuit like
|
|||
|
this a woman. Then until the alchemist information said. Unless
|
|||
|
there was no to learn other way and fire he became initiated...
|
|||
|
His penis had become erect, still a strange sensation, and the
|
|||
|
knife bit sharply into the foreskin, causing him to bite down hard
|
|||
|
on the wad of sacred herbs whose pungent aroma filled his head. He
|
|||
|
firmly stifled a scream behind his clenched teeth. All would know
|
|||
|
he was a man now and soon he would be told the ways of the warrior-
|
|||
|
shaman, he would learn to carry the magick spear, to pick and
|
|||
|
prepare the sacred plants, to stalk silently and persistently. Pain
|
|||
|
like death...
|
|||
|
"For what reason have you come to us?"
|
|||
|
The big chamber was dark and he was fettered to the wall,
|
|||
|
chains around his ankles. His heart beat with anticipation. They
|
|||
|
came at him from all sides, with hissing torches and guns. They
|
|||
|
moved with ritual grace, methodically, slowly, giving him enough
|
|||
|
time to think, but the torches were soon warm on his skin, and the
|
|||
|
threat, "Free yourself or die!" He pulled the chains from his legs
|
|||
|
and pushed off, a bullet whizzing just below him...
|
|||
|
"Do you renounce all that you were?"
|
|||
|
His nostrils stinging from the acrid stuff the brujo had blown
|
|||
|
in there, the drumbeat drove him down through the earth, through
|
|||
|
the realms of roots and blind crawling things. He fell through the
|
|||
|
tunnel, falling, flying, motionless as the underworld roared by. A
|
|||
|
world of light was around him, the place of spirits, and the jaguar
|
|||
|
waited in a grove of sacred cacti. He embraced the jaguar, and it
|
|||
|
tore him to shreds, devoured him, and he was reborn through the
|
|||
|
cat's belly, as it's brother, the silent ways of the hunter in his
|
|||
|
head, the unknown ways of the spirit place...
|
|||
|
"This cannot be revealed, except to the initiate..."
|
|||
|
Together he would not pyramid penis putrescence hope Nixon the
|
|||
|
fan. Exceed force in the center realize be revealed would return
|
|||
|
bring initiation us said... Time stretched before him and behind,
|
|||
|
and all of it at once, a powerful energy, harmonious, from his
|
|||
|
heart, linking these lives, quantum leaps of evolution...
|
|||
|
"Thee, that didst create the darkness and the Light." The
|
|||
|
growing force within made his arms and legs tingle with star
|
|||
|
sparkling pins and pure will. The surety grew with each breath,
|
|||
|
with each vibration of barbarous word, with each extension of
|
|||
|
intent into the void. "Hear Thou Me, for I am the Angel of PTAH-
|
|||
|
APOPHRASZ-RA: this is Thy True Name, handed down to the Prophets of
|
|||
|
THELEMA." The power was in his heart, the golden glory of
|
|||
|
tiphareth, flaring outward, exploding into silent sureness. "I am
|
|||
|
He, the Begetter and Manifester unto the Light!" And his heart and
|
|||
|
his soul would evermore fill with lyrics...
|
|||
|
He heard a drug devour you to offer up he heard an ordeal. The
|
|||
|
last morsel of you, the pyramid anarchy. His teacher had infinite
|
|||
|
nothingness. There might of evolution death red sand tiphareth die
|
|||
|
or become. The musicians played a stately psychedelic march as he
|
|||
|
Diana floated together up to the altar to be married for the first
|
|||
|
time, the third time, the eighth time, having sight in the feet
|
|||
|
shall Marcia he heard a drug death... The ritual of weightless
|
|||
|
consummation, their friends silent and watching...
|
|||
|
For what reason bring the face beyond space and give it away.
|
|||
|
Thelema lyrics Stu this time are you willing the love. Tiphareth is
|
|||
|
dewdrop be to offer up human. The sarcophagus was cold, darkness
|
|||
|
closing in as the lid fell into place, his heart beat with fear and
|
|||
|
anticipation. He would suffocate in here, he would sweat and
|
|||
|
wonder. The sweat felt clammy, uncomfortable against the cool
|
|||
|
stone. The fear of death took him, for he would see death, if not
|
|||
|
die... A breath, he took a deep breath, relax, he thought, breathe,
|
|||
|
and he could feel muscles in his face, his arms, his back, his legs
|
|||
|
relax. And the light began to shine, the light that held him to
|
|||
|
everything else that he experienced across ten thousand years of
|
|||
|
many lifetimes and whatever was in between. The sand on the floor
|
|||
|
he heard an ordeal shreds the pyramids... the lord initiating
|
|||
|
getting near Horus you will no pour everything forth the end are
|
|||
|
you willing... A consciousness of consciousness greater than
|
|||
|
comprehension within limits...
|
|||
|
And he opened his eyes. He remembered to breathe. The joint,
|
|||
|
still in his hand, had gone out. The computer was beeping softly.
|
|||
|
A flashing icon on the screen indicated an incoming message. He
|
|||
|
shook the visions from his head and tapped on the keyboard. A
|
|||
|
written message appeared in a window framed against the spin drive
|
|||
|
indicator:
|
|||
|
"Stu <20> Sorry, unable to meet you. Please rendezvous Cydonia,
|
|||
|
Mars."
|
|||
|
77. OPERATION STAR STORM
|
|||
|
|
|||
|
The soldiers did a quick reconnaissance from the hatchway and
|
|||
|
then stormed into the cylinder. In an instant they were floating
|
|||
|
free, foundering, disoriented, clumsily bouncing off the carpeted
|
|||
|
walls. Several of them, the last ones to come through, clung
|
|||
|
tightly to handholds on either side of the airlock, too fearful to
|
|||
|
let go. One remembered to pull the inner door shut and seal it.
|
|||
|
Another, who had been cartwheeling through the center of the
|
|||
|
cylinder, managed to grab onto the wall with one hand, hastily
|
|||
|
undogged his helmet with the other hand and spewed a stream of
|
|||
|
vomit into the air.
|
|||
|
Diana watched incredulously, still holding a handhold and the
|
|||
|
free end of Palmer's tether, keeping them both close to the wall.
|
|||
|
Palmer looked confused, but this had been his state since Diana had
|
|||
|
awakened him.
|
|||
|
Two of the soldiers who had clustered around the airlock began
|
|||
|
to make their way slowly in the direction of the two spacers,
|
|||
|
crawling along the wall, grabbing onto every handhold. Another
|
|||
|
soldier rebounded off the wall and drifted into the recirculation
|
|||
|
stream where he was immediately engulfed in globules of fresh
|
|||
|
vomit. The stench was beginning to fill the room.
|
|||
|
The soldier who had barfed was trying to wipe his face on the
|
|||
|
rubbery fabric of his spacesuit sleeve, coughing out orders at the
|
|||
|
same time. "Fall in, urrrp, ack, men. Come on, everybody...
|
|||
|
aaaaaack! Fall in."
|
|||
|
The men still wore their helmets; they could not hear him.
|
|||
|
The wall-crawling soldiers made it over to where Diana and
|
|||
|
Palmer huddled and laboriously tethered themselves to the wall.
|
|||
|
They undid their helmets, grimacing at the sour smell. Finally,
|
|||
|
when they felt secure enough, they managed to point their rifles at
|
|||
|
the spacers.
|
|||
|
"Don't these people own any clothes?" one of the soldiers
|
|||
|
asked.
|
|||
|
"I don't know," said the other. "The stringbean's girlfriend
|
|||
|
is real cute. Lookit those jugs."
|
|||
|
"Yeah, they just kinda float there."
|
|||
|
Diana clipped Palmer to the wall, so that she could have a
|
|||
|
free hand. She gave them the finger.
|
|||
|
78. A WAD OF BAZOOKA
|
|||
|
|
|||
|
"In our top story," grinned Mark O'Connor, "United States
|
|||
|
troops have stormed the Freedom Space Platform, liberating it, heh
|
|||
|
heh, from spacer forces. According to the Pentagon, a well-
|
|||
|
coordinated squadron quickly penetrated spacer defenses and
|
|||
|
reclaimed the orbiting installation which was originally launched
|
|||
|
by the United States in the middle nineteen-nineties.
|
|||
|
"General Harold Havoc, commander of U.S. forces for what has
|
|||
|
been dubbed Operation Star Storm, explained the action at a press
|
|||
|
conference this afternoon."
|
|||
|
The vid image of General Havoc appeared behind O'Connor, then
|
|||
|
zoomed up to fill the display.
|
|||
|
Voice of unseen reporter: General, can you tell us if there
|
|||
|
were any casualties?
|
|||
|
General Havoc: So far there has only been one American
|
|||
|
casualty, and only a few minor injuries. I cannot comment on spacer
|
|||
|
casualties at this time. Some prisoners have been taken.
|
|||
|
Reporter: What kind of defenses did our troops encounter on
|
|||
|
their approach to the space platform?
|
|||
|
General Havoc: Er, the spacers have the largest fleet of
|
|||
|
spacecraft ever assembled in recorded history. Our action depended
|
|||
|
largely on, er, timing and coordination. I cannot comment on
|
|||
|
specifics of the offensive since that would affect the security of
|
|||
|
ongoing operations.
|
|||
|
Reporter: There was some question of whether Earth-trained
|
|||
|
troops could function effectively in a space maneuver. Was that a
|
|||
|
problem?
|
|||
|
General Havoc: Our troops were well prepared and, er, um, they
|
|||
|
performed courageously.
|
|||
|
Reporter: What attempts were made to negotiate with the
|
|||
|
spacers before the attack was initiated?
|
|||
|
General Havoc: Um, well, that is not part of my job. I can say
|
|||
|
that President Nixon released a statement saying that there was no
|
|||
|
grounds for negotiation, that the Freedom Platform was clearly
|
|||
|
United States property which was being illegally occupied. The
|
|||
|
spacers had adequate warning of Operation Star Storm. They were
|
|||
|
asked to evacuate, but chose to ignore the warning.
|
|||
|
Reporter: Is it true that you entered the military because you
|
|||
|
were insecure about your penis size?
|
|||
|
General Havoc: Well... I, er... Who the hell are you, anyway?!
|
|||
|
Reporter: I'm from the Howard Stern Show, sir. Is it true that
|
|||
|
your organ resembles a thoroughly chewed wad of Bazooka, sir?
|
|||
|
General Havoc: Stern, eh? Oh. Well, then. I, er, cannot
|
|||
|
comment on that because it might affect the security of ongoing
|
|||
|
operations...
|
|||
|
79. A DREAM
|
|||
|
|
|||
|
Nixon sat on the throne, a victorious king, at peace in his
|
|||
|
castle while the crusades raged in faraway lands. Queen Martha sat
|
|||
|
beside him, her breasts an endless night of stars smiling. He
|
|||
|
danced with Tricia, the last happy days.
|
|||
|
"Corrupt by the time. What about Watergate?" said the slippery
|
|||
|
opening in the stone ceiling, a milky light shining through.
|
|||
|
He slid it in, feeling it tight around his cock, and the slit
|
|||
|
was Marcia, who had become Queen and they rode weightless upward,
|
|||
|
outward, anywhere. Bounty greedy hard-on spin drive throbbed as
|
|||
|
planets rushed past the locomotive success. As they accelerated
|
|||
|
away from the Earth, his royal robes began to crumble into greenish
|
|||
|
pungent excrement. His head hurt, his cock was enormous, pulling
|
|||
|
him on into the void. No scandal, not the defeat of the spacers the
|
|||
|
threat of anarchy from space will criminals out of hand BRING.
|
|||
|
He fired, and the shot raced through the normal curvature of
|
|||
|
space, dissolving, rectifying, returning, to strike him from
|
|||
|
behind, a hard turd up the ass. He took aim again <20> they must be
|
|||
|
destroyed <20> and defensive build-up into the money roaring the
|
|||
|
tunnel hemp factors him as he guided cunt. A kick up the butt, his
|
|||
|
father's foot, there was wrongdoing done. Assholes, assholes,
|
|||
|
assholes. He lost his erection.
|
|||
|
"Come on," said Martha, her dress the color of purple nights,
|
|||
|
stars sparkling from pubic pyramid. "To me. To me."
|
|||
|
But he could not go... His asshole was cemented TOGETHER an
|
|||
|
entire planet up his ass. The promise of roaring of three hundred
|
|||
|
and fifty thousand but the victory of plenty over want... there was
|
|||
|
now US the man went back hard-on as his light-filled mind of health
|
|||
|
over disease into the touchdown.
|
|||
|
80. IT LOOKS BIG
|
|||
|
|
|||
|
"I shouldn't be here," Nixon said. "It's not right."
|
|||
|
"Oh, come on, Dick. Every time you come here, I get the same
|
|||
|
speech." Marcia smiled, rubbing against him. "But as soon as your
|
|||
|
cock gets hard, it's a different story entirely."
|
|||
|
She playfully grabbed at his pants. He flinched away, but his
|
|||
|
cock had other ideas and began, once again, to swell.
|
|||
|
This is ridiculous, he thought. Since I was rejuvenated the
|
|||
|
damn thing's been hard more often than not. I must learn to control
|
|||
|
this. I must...
|
|||
|
"Mmmmm," said Marcia, her hand massaging the growing bulge.
|
|||
|
"See what I mean? Your twentieth century brain says no, but your
|
|||
|
twenty-first century body says, okay, let's go!"
|
|||
|
"Okay," Nixon sighed, temporarily resigning the Quaker voice
|
|||
|
in his brain to the O.Z. in his body, "let's go."
|
|||
|
"Well, hang on a minute," Marcia said. "I'm expecting a
|
|||
|
friend."
|
|||
|
"A friend? What? Now?"
|
|||
|
"Soon, I think. Come on, let's sit on the couch and smoke a
|
|||
|
joint."
|
|||
|
Over the last couple months, the smoke had become a pleasant
|
|||
|
preliminary to these clandestine meetings in Marcia's apartment.
|
|||
|
Always, at first, some part of him still rebelled from using what
|
|||
|
he consciously considered to be a dangerous narcotic, and he felt
|
|||
|
his heart race with a surge of anxiety as the first few tokes took
|
|||
|
effect. But the nurse had an excellent bedside manner and he
|
|||
|
quickly felt more at ease, more aware of his body and his
|
|||
|
surroundings. The anticipatory throbbing in his cock seemed to
|
|||
|
spread throughout his body, becoming more gentle, more a thing of
|
|||
|
light and fluid sound than just physical yearning.
|
|||
|
He exhaled a great cloud of smoke. "So, uh, your friend...
|
|||
|
who..."
|
|||
|
"I think you'll like her."
|
|||
|
"But I thought we had agreed that no one... no one should
|
|||
|
know..."
|
|||
|
"She's all right, Dick. You'll like her." She gave his cock a
|
|||
|
squeeze. "Mmmm... and I think she'll like you..."
|
|||
|
The door emitted a tone and Marcia went to the door. The woman
|
|||
|
who entered was black, tall, her head framed with a wild mass of
|
|||
|
thick dreads. Marcia took the woman's robe and Nixon saw that
|
|||
|
underneath she wore little more than two, thin scraps of cloth. One
|
|||
|
scrap floated over her breasts, doing little to conceal enormous
|
|||
|
jutting nipples. The other scrap rode the curve of her hips,
|
|||
|
offering tantalizing glimpses of rounded buttocks as she walked
|
|||
|
into the room.
|
|||
|
"Dick, I'd like you to meet Essence..."
|
|||
|
Essence gave him a lovely smile. Courtesy demanded that Nixon
|
|||
|
stand, to shake her hand or offer a seat, but the hard-on demanded,
|
|||
|
for the sake of dignity, that he remain seated. He tried to cross
|
|||
|
his legs, to somehow hide the three-man tent in his lap.
|
|||
|
Essence slid onto the couch, next to him, very close.
|
|||
|
Nixon looked at her closely. "Have we... er... met before? I
|
|||
|
mean, have I seen..."
|
|||
|
"I think I might remember that," said Essence. "Are you really
|
|||
|
the president?"
|
|||
|
"Um... I... Yes..."
|
|||
|
Marcia just stood for a moment, watching them, smiling
|
|||
|
slightly. Nixon felt awkward; he didn't know what to say. A
|
|||
|
kaleidoscope swirling of sexual fantasies stormed through his head.
|
|||
|
A black woman... he had heard how they were... could he measure up?
|
|||
|
Would it be different?
|
|||
|
"Dick... Marcia said I should call you Dick."
|
|||
|
"Uh huh."
|
|||
|
"That's a good name for you."
|
|||
|
"Huh?"
|
|||
|
"It's phallic. You're president; you're the alpha male. And
|
|||
|
you do seem full of... hmmmm... life force."
|
|||
|
Her gaze had quite frankly fallen to his crotch.
|
|||
|
"It looks big," Essence said.
|
|||
|
81. TO ME
|
|||
|
|
|||
|
Somehow, Marcia had removed the giant water-mattress from the
|
|||
|
room. The floor was now bare wood in the center, with thick rugs
|
|||
|
along the outside.
|
|||
|
Nixon felt a bit self-conscious; the women had made him remove
|
|||
|
his clothing <20> in fact, they had stripped him by trickery and force
|
|||
|
<EFBFBD> while remaining dressed themselves. Essence still wore her scanty
|
|||
|
costume, and Marcia now wore a loose robe of some shiny purple
|
|||
|
material. At first Nixon tried to cover his swollen cock, but the
|
|||
|
stimulation of his hands over it <20> and the lecherous glances from
|
|||
|
the women <20> only made it larger.
|
|||
|
They made it clear that Dick was to sit by himself in a pile
|
|||
|
of cushions on one side of the room. Next to him was placed a tray
|
|||
|
containing an open bottle of champagne, glasses, and several fat
|
|||
|
spliffs. Marcia gave his penis a long, tongue-squirming, deep-
|
|||
|
throat kiss, then crossed the room to sit by a tall conga drum.
|
|||
|
Essence took one of the joints from the tray and lit it,
|
|||
|
taking a few long, slow tokes before passing it to Dick. As she did
|
|||
|
this, Marcia began a rhythm on the drum.
|
|||
|
The smoke from her last toke swirling behind her, Essence
|
|||
|
began to dance. Nixon couldn't quite place what the rhythm was <20>
|
|||
|
African, perhaps, he thought <20> but it was rapid, incessant. The
|
|||
|
drumbeat seemed to reach inside him and squeeze his heart, to make
|
|||
|
his pulse race through his body.
|
|||
|
The dancer's body rippled with well-toned muscles and her
|
|||
|
twists and turns offered, for a moment, a glimpse of a breast, the
|
|||
|
darkness of pubic hair, a firm, round ass.
|
|||
|
You know, Nixon thought, toking on the spliff, I like this.
|
|||
|
This is really good. Most men only dream about this kind of thing.
|
|||
|
Might as well relax and enjoy the show.
|
|||
|
Marcia's rhythm seemed to increase in complexity and Essence
|
|||
|
was now dancing in a way that was different from anything Nixon had
|
|||
|
ever seen before. Her movements were still as erotic, as sensuous
|
|||
|
as they had been from the start, but there was more. The sexuality
|
|||
|
was an expression of something else, a natural force which seemed,
|
|||
|
suddenly, to be expressing itself in every aspect, every fitting of
|
|||
|
the room.
|
|||
|
Nixon took another toke. He poured himself a glass of
|
|||
|
champagne and sipped a little. He took a very deep breath.
|
|||
|
Essence was dancing the way a field of grain waves in the
|
|||
|
wind, the way a snake sheds its skin, the way a snowflake drifts
|
|||
|
down from the sky. She seemed to be surrounded by a cloud of
|
|||
|
sparkling lights.
|
|||
|
Maybe it's just the pot, Nixon thought. I'm seeing things.
|
|||
|
He watched Essence dance in a swirl of blue-white motes. He
|
|||
|
was breathing very deeply.
|
|||
|
This is actually quite pleasant, he thought. Ahh, I feel good.
|
|||
|
He held his erect cock with one hand as he watched. He took
|
|||
|
another toke.
|
|||
|
The drum became the sound of the planet turning in its orbit,
|
|||
|
the rhythm of stars making galactic orbits. Essence danced the way
|
|||
|
a seedling rises from the earth, the way a comet's tail trails off
|
|||
|
in the solar wind, the way that a rock erodes in the course of a
|
|||
|
stream, the way water vapor crystallizes into cirrus clouds. It
|
|||
|
felt like everything <20> the music, the room, the dance, Essence,
|
|||
|
Marcia, the champagne, the herb, the rugs on the floor, the grain
|
|||
|
of the hardwood floor <20> was part of a long, leisurely, stimulating
|
|||
|
fuck.
|
|||
|
The dancer was chanting something, but Nixon could not make
|
|||
|
out the words. Naked now, the scraps of cloth having dissolved in
|
|||
|
the wind of her movement, she danced over to Nixon and took him by
|
|||
|
the hands, pulling him gently to his feet. There was a strength in
|
|||
|
her, Nixon noticed, that was surprising, as if some current of
|
|||
|
energy moved through her muscles. Her face seemed different now,
|
|||
|
too, peaceful, ecstatic, her eyes dark and piercing, her hair a
|
|||
|
wild, night-black fire about her head.
|
|||
|
"Come," she said, her voice now seeming deeper, huskier.
|
|||
|
"Dance..."
|
|||
|
His body felt stiff, as if parts of it were resisting some
|
|||
|
inner urge to move. It was as if the rhythm had gotten inside him
|
|||
|
somehow and was working its way to the surface.
|
|||
|
"Breathe," said the voice. "Breathe with me..."
|
|||
|
And the rush took him, and he was dancing, his body, his cock
|
|||
|
rubbing against smooth, dark skin, waves of lust and ecstasy
|
|||
|
washing through him...
|
|||
|
"To me," she said. "To me..."
|
|||
|
82. CHEAP COAT
|
|||
|
|
|||
|
Nixon awoke on Marcia's couch, wrapped in a thin blanket and
|
|||
|
an aura of sweat and sex-smells. His body felt loose, his mind
|
|||
|
peaceful and slow. It seemed that he had been dreaming, but he
|
|||
|
could remember nothing. He could not remember how he had come to be
|
|||
|
on the couch. The last thing he knew, he had been dancing...
|
|||
|
"Dick? Are you awake?"
|
|||
|
He turned his head to see Marcia smiling down at him. "Mmm,"
|
|||
|
he affirmed. "Yeah."
|
|||
|
"How do you feel?"
|
|||
|
"I feel good. I feel... good."
|
|||
|
She leaned over and kissed him. "I'm glad. I had fun last
|
|||
|
night. Did you?"
|
|||
|
"Yeah..." He sat up slowly. "Where is, um, Essence?"
|
|||
|
"She had to go early this morning. It's nearly noon now. Um...
|
|||
|
There's something you should probably see..."
|
|||
|
"Mmm, what's that?"
|
|||
|
She fitted a v.r. headset over his eyes and ears. "This was on
|
|||
|
the news this morning. I recorded it for you."
|
|||
|
"Thanks," he said.
|
|||
|
The vid image surrounded him and he found himself looking at
|
|||
|
Mark O'Connor's morning newscast.
|
|||
|
"Politics may be everything that we remember it to be,"
|
|||
|
O'Connor was saying. "Late yesterday, this reporter was contacted
|
|||
|
by an informed source who wishes to remain anonymous, identifying
|
|||
|
himself only as 'Cheap Coat', heh heh. Cheap Coat has presented
|
|||
|
some quite believable evidence which suggests that the recent
|
|||
|
election of President Nixon was funded by a spacer terrorist
|
|||
|
organization. I was shown some hard copies of financial records
|
|||
|
which indicate a transfer of funds to President Nixon's campaign
|
|||
|
account from a Central American bank which is widely known to
|
|||
|
launder money for illegal extraterrestrial concerns. These funds
|
|||
|
account for almost all of President Nixon's campaign expenses. In
|
|||
|
fact, heh heh, absolutely no records could be found showing any
|
|||
|
other contributions, from Earthly citizens, corporations, or anyone
|
|||
|
else. The President could not be reached for comment.
|
|||
|
"Cabinet Member Neal Severant, who returned to the United
|
|||
|
States this morning from diplomatic duties in South America,
|
|||
|
commented that he felt certain the president was innocent of such
|
|||
|
charges, but if the accusations were true, Mr. Nixon's right to
|
|||
|
remain in office should be seriously examined.
|
|||
|
"In other news..."
|
|||
|
Nixon tore the v.r. unit from his head.
|
|||
|
Oh my god, he thought. Oh my god. Not again! And this time <20>
|
|||
|
really <20> I didn't do anything... I didn't know... Well, I
|
|||
|
suspected, but... Oh my god!
|
|||
|
83. PRISONERS
|
|||
|
|
|||
|
The soldiers had given them some clothes, but Diana refused to
|
|||
|
put them on. If nudity made their uptight old-earth brains
|
|||
|
uncomfortable, then so much the better. And if their lust drove
|
|||
|
them to try to attack her <20> well, they were hopelessly
|
|||
|
uncoordinated in free fall <20> Diana hoped to break their legs, crush
|
|||
|
their balls, bounce their heads off the carpeted walls.
|
|||
|
The earthers had somehow locked the main hatchways and for the
|
|||
|
most part left the spacers alone, trapped in the cylinder. Not that
|
|||
|
it mattered; they had no spacesuits, and no craft to get to. They
|
|||
|
could go nowhere. The soldiers reappeared at regular intervals, to
|
|||
|
bring rations and to lech at Diana.
|
|||
|
Palmer had remained conscious, but depressed. He moped about
|
|||
|
how he had almost accomplished something, but Diana had trouble
|
|||
|
understanding just what he was talking about.
|
|||
|
They had a third companion in the cylinder, an American
|
|||
|
soldier who was completely unconscious. Red lines, like a chaotic
|
|||
|
old-earth roadmap, covered every inch of his skin <20> exploded
|
|||
|
capillaries which indicated that he had somehow been exposed to
|
|||
|
vacuum. The other soldiers had tethered him securely to the wall
|
|||
|
and left him there.
|
|||
|
"Sure," Diana said, "I agree that meditation can help you
|
|||
|
think more creatively. I've definitely had some experience with
|
|||
|
that. And with ritual. Damn, I had knowledge and conversation with
|
|||
|
the H.G.A. twenty years ago..."
|
|||
|
"I'm talking about something different," Palmer said. "It's
|
|||
|
not just creativity, not just unconscious revelation. It's...
|
|||
|
it's... like there's a source of information... not the Holy
|
|||
|
Guardian Angel... like tuning into something else, many minds,
|
|||
|
another universe... The H.G.A., the gods, the sephiroth, are all
|
|||
|
things defined in relation to humans... this is not."
|
|||
|
"The only thing that keeps me from thinking you're completely
|
|||
|
nuts with this stuff is the fact that you invented the spin drive."
|
|||
|
"Yes! Yes!" Palmer exclaimed. "That's it exactly. That was the
|
|||
|
proof for me. I didn't know anything about physics, or scalar
|
|||
|
fields, or whatever. But I was able to build the damn thing and it
|
|||
|
worked! And there was a lot more stuff, that I never published. And
|
|||
|
there's something else, something beyond that. An evolutionary
|
|||
|
change... a quantum leap in consciousness... I was close, Diana, I
|
|||
|
was really close..."
|
|||
|
"And you just stumbled over it the first time? The technique,
|
|||
|
I mean."
|
|||
|
"Not exactly stumbled... No... I had been researching Nikola
|
|||
|
Tesla, the early twentieth century inventor. For a magazine
|
|||
|
article. You know, Tesla was walking in a park one day, when he was
|
|||
|
a young man, and suddenly it came to him... he saw it in his
|
|||
|
head... the idea for the rotating magnetic field which made
|
|||
|
alternating current possible. That one moment, that flash of
|
|||
|
insight changed the world. It made it possible to bring electricity
|
|||
|
everywhere... I was fascinated by that, obsessed..."
|
|||
|
"Rotating magnets?" Diana asked. "Like the spin drive?"
|
|||
|
"No coincidence," Palmer said. "It came from the same place.
|
|||
|
You know, there are still people to this day who believe that Tesla
|
|||
|
was an alien visitor to the Earth..."
|
|||
|
"Was he?"
|
|||
|
"No, of course not. He was Yugoslavian. But the information <20>
|
|||
|
where did that come from? Another coincidence of sorts: a writer in
|
|||
|
the 1980's, Whitley Streiber, claimed that he was contacted by
|
|||
|
aliens, and when he was a child they put the idea in his head for
|
|||
|
a device which involved counter-rotating magnets. Well, he almost
|
|||
|
burned out the electrical system in his parents' house with the
|
|||
|
thing."
|
|||
|
"Do you believe he was contacted by aliens?"
|
|||
|
"Aliens? I don't know if I can call it that... But the
|
|||
|
information comes from somewhere... somewhere else entirely... not
|
|||
|
from our human brains, not from the, uh, the, uh, astral entities
|
|||
|
that we know. It happened the first time for me in a dream. I was
|
|||
|
on a camping trip, in upstate New York, near New Paltz, and I had
|
|||
|
this weird dream, and afterward I knew how to do this."
|
|||
|
"Show me," Diana said. "I think it's the only way I can
|
|||
|
understand this. Show me the technique."
|
|||
|
"Yes," he said, "it is the only way. But I don't know..."
|
|||
|
"Come on. Just tell me what you do. When you want to do this,
|
|||
|
how do you start?"
|
|||
|
"Well, it's best to just float... let everything relax... and
|
|||
|
then..."
|
|||
|
Diana watched his features go even slacker than usual. His
|
|||
|
eyes drifted shut. And there was no mistaking it now, there was a
|
|||
|
kind of sparkling in the air around him, little blue-white motes of
|
|||
|
light.
|
|||
|
"...I don't know if I can explain," Palmer muttered. "But
|
|||
|
maybe..."
|
|||
|
It seemed like a cloud of the sparkles condensed in the air
|
|||
|
and rushed toward Diana. A feeling like being kicked in the head,
|
|||
|
and then... something happened... bliss... she began to know how...
|
|||
|
"Yes," said Palmer, "that's right... yes..."
|
|||
|
A sudden loud clanging resonated dully through the cylinder as
|
|||
|
an airlock was pushed open.
|
|||
|
"Damn it!" a soldier's voice exclaimed. "What the hell are you
|
|||
|
freaks doing now?!"
|
|||
|
84. CHECKERS II
|
|||
|
|
|||
|
The fatigue of two trying days without sleep suddenly
|
|||
|
disappeared as the broadcast began. Suddenly Nixon felt good, in
|
|||
|
control.
|
|||
|
Yes, he thought, this is just how it was in 1952. I know my
|
|||
|
subject. I know what happened. I think this is what Marcia means
|
|||
|
when she talks about the life force. Yes, I feel strong. He glanced
|
|||
|
down at his notes, scribbled longhand on sheets of yellow paper,
|
|||
|
then up at the mirrored wall.
|
|||
|
"My fellow Americans, I come before you tonight as a man whose
|
|||
|
honesty and integrity has been questioned. This is not the first
|
|||
|
time in my life that this has happened, that a political rival, or
|
|||
|
the press, for whatever reason, has questioned my honesty before
|
|||
|
the public. I have come to believe that this is the price that I
|
|||
|
must pay for a political career.
|
|||
|
"You have probably all seen it on the vid by now... the
|
|||
|
charges, the accusation that my election campaign was funded by
|
|||
|
spacers. This may in fact be the case; I have not yet been able to
|
|||
|
fully investigate this for myself. The question is not whether such
|
|||
|
funding is illegal, or wrong. The accusation is aimed at me, and
|
|||
|
the question implied is certainly whether Richard Nixon was
|
|||
|
involved in any wrongdoing.
|
|||
|
"The answer, quite frankly, as I believe it to be, is No. I
|
|||
|
want to be particularly clear about this. I was not involved in any
|
|||
|
deception or dishonest act <20> the complete truth is that I was fully
|
|||
|
unconscious at the time. Let me repeat that <20> I was unconscious, in
|
|||
|
a coma, at the time of my election.
|
|||
|
"As I understand it, I was the only remaining person with the
|
|||
|
qualification or the desire to hold political office. I don't know
|
|||
|
if I am the best person ever to hold the office of President, but
|
|||
|
I was, I believe, by all reason and logic, the only person
|
|||
|
available for the job. Since it was not I who made the decision, it
|
|||
|
cannot even be said that I opted to run for reasons of personal
|
|||
|
gain, or because I hoped to be reinstated into the arena of
|
|||
|
American politics.
|
|||
|
"I don't have much here in this life. I am a 93 year-old man
|
|||
|
whose devoted wife died several years ago. I have lost contact over
|
|||
|
the years with my daughter. I have a few good, American suits that
|
|||
|
I have owned for many years. A bank account stripped from years of
|
|||
|
hospitalization.
|
|||
|
"The Nixon family dog, Checkers, died many years ago. I don't
|
|||
|
even have a dog.
|
|||
|
"About all that I have is my clothing. Good wool from a time
|
|||
|
when values were more clearly defined.
|
|||
|
"But I am here now, in office. And I think that whoever helped
|
|||
|
to put me in office <20> and I'm sure that many of you watching this
|
|||
|
right now may have contributed in some way to my election, by your
|
|||
|
contribution or your vote <20> whoever helped to put me here must be
|
|||
|
a patriot, because in doing so, you restored the government of the
|
|||
|
United States.
|
|||
|
"I am here now, and I believe that you all know what I stand
|
|||
|
for, what I am working for. Regardless of what happens, I will
|
|||
|
continue this fight.
|
|||
|
"In just the last week, we witnessed a new level of American
|
|||
|
patriotism. We witnessed a daring operation by brave American
|
|||
|
soldiers to reclaim a piece of American property which had been
|
|||
|
lost, the Freedom Space Platform. This operation is a symbol of
|
|||
|
America's renewed strength and capability. We can become the
|
|||
|
technological superpower that we once were. We can reclaim our lost
|
|||
|
optimism.
|
|||
|
"I will not rest until we have rid the planet of every
|
|||
|
interloper who seeks to defile what America stands for. I will not
|
|||
|
rest until truth is valued above concerns such as greed and
|
|||
|
corruption. I will not rest until America is healthy and vital once
|
|||
|
again."
|
|||
|
|
|||
|
I need some rest, Nixon thought.
|
|||
|
85. CYDONIA, MARS
|
|||
|
|
|||
|
Primordial Stu had heard about Cydonia, but had never before
|
|||
|
been close enough to that part of Mars to see the area's most
|
|||
|
famous feature: The Face. Now, looking down from high orbit, The
|
|||
|
Face began to come into view, about the size of a penny in the
|
|||
|
windshield, a craggy face staring up the gravity well at the
|
|||
|
orbiting bus.
|
|||
|
Stu tapped on the keyboard, instructing the computer to
|
|||
|
contact the Cydonia settlement, to ask for clearance and landing
|
|||
|
information. There was no response. Stu left the computer on a
|
|||
|
repeating program, broadcasting its C.Q. message.
|
|||
|
He began to circle down into Mars' thin atmosphere, the stars
|
|||
|
and the blackness of deep space fading to brown in the windshield.
|
|||
|
Below, The Face grew, revealing its true immensity.
|
|||
|
It was very definitely an artifact, Stu thought, not a random
|
|||
|
work of nature. Someone, an incredibly long time ago, had carved
|
|||
|
this huge face into the top of a Martian plateau, a face
|
|||
|
enigmatically similar to the Sphinx, on Earth.
|
|||
|
Appropriate, he considered. The Sphinx was an ancient symbol
|
|||
|
of initiation.
|
|||
|
As he swung around the plateau, he saw the pyramids, three of
|
|||
|
them, the smallest probably the size of Earth's Great Pyramid, the
|
|||
|
largest nearly twice that size. Between the pyramids were two
|
|||
|
domes, the gardens inside bright and green in contrast with the
|
|||
|
reddish brown desert which stretched to the horizon in all
|
|||
|
directions. There was still no response to the computer's hailing
|
|||
|
signal.
|
|||
|
But this was the place. There simply wasn't anything else in
|
|||
|
Cydonia.
|
|||
|
Six cars rested close to one dome, to one side of the main
|
|||
|
airlock. Stu settled the bus down gently and parked.
|
|||
|
He sat for a moment, breathing deeply. The spin drive
|
|||
|
indicator on the Macintosh was running slower than on the earth,
|
|||
|
but substantially faster than on the moon. Stu closed his eyes and
|
|||
|
the flickering from the monitor initiated a swirl of psychedelic
|
|||
|
patterns on the inside of his lids.
|
|||
|
About eight hertz, he thought. Interesting wave form.
|
|||
|
He let himself relax and flow into the flickering, his brain
|
|||
|
waves adjusting themselves to the frequency. It will be easy enough
|
|||
|
to stay relaxed throughout whatever the initiation might be, he
|
|||
|
thought, if I can get near a spin drive.
|
|||
|
Stu stretched, then pulled his spacesuit out from behind the
|
|||
|
driver's seat. He stripped, climbed into the suit, sealed up and
|
|||
|
then checked all the seals. He waited for a minute as the bottled
|
|||
|
air brought the suit up to pressure, then turned off the bus'
|
|||
|
onboard systems, grabbed his knapsack and climbed out onto the
|
|||
|
surface of Mars.
|
|||
|
Sand, in swirling patterns of red and brown, stretched away to
|
|||
|
the base of The Face plateau, and to the horizon in the other
|
|||
|
direction. It swirled and washed against the pyramids and around
|
|||
|
the domes. A thin breeze blew steadily toward the plateau,
|
|||
|
whistling faintly around the plastic joints of the spacesuit. The
|
|||
|
sun blazed in the dark brown sky.
|
|||
|
Stu followed a path worn into the packed sand, from the
|
|||
|
parking area to the airlock. The airlock cycled open swiftly and
|
|||
|
Stu stepped inside. The lighting in the lock was dim, the walls and
|
|||
|
floor padded with some thick, firm material. After a while, a green
|
|||
|
light came on and Stu opened the inner door.
|
|||
|
He found himself in a small locker room, alone. He checked the
|
|||
|
readouts along the arm of his suit, then cracked the seals. He
|
|||
|
peeled off the suit and stood naked, taking a deep breath of dome
|
|||
|
air, humid with the smells of growing plants.
|
|||
|
86. BUSINESS WAY
|
|||
|
|
|||
|
Stu was pulling on his baggy, hemp-cloth pants when a door
|
|||
|
opened and a tall, weasel-faced man entered the locker room.
|
|||
|
The man glanced at a hand-held flatscreen. "What is your name,
|
|||
|
please?"
|
|||
|
"Primordial Stu. Call me Stu."
|
|||
|
The man fiddled a contact on his display unit. "Uh huh. What
|
|||
|
is your reason for coming here?"
|
|||
|
"What is this? Customs? I have an appointment. I'm taking an
|
|||
|
initiation."
|
|||
|
"Uh huh. I see. I was not informed of this. Arrivals are
|
|||
|
routinely entered in our database. There has rarely been an
|
|||
|
oversight."
|
|||
|
"Rarely?"
|
|||
|
"Well, there were a few times... But they were special
|
|||
|
circumstances."
|
|||
|
"Perhaps this is a special circumstance." Stu pulled on his
|
|||
|
shirt. "Anyway, I was signalling on a general hailing frequency
|
|||
|
since I made orbit."
|
|||
|
"Perhaps there is something wrong with your transmitter. Old
|
|||
|
equipment, you know."
|
|||
|
"The transmitter is brand new."
|
|||
|
"Uh huh. There is an air fee, of course. Kilobuck a week. Pay
|
|||
|
in advance. Do you have any money?"
|
|||
|
"Fresh or paper?"
|
|||
|
"Fresh would be preferable, or endproduct. You got any
|
|||
|
plastics or fuel?"
|
|||
|
"Lunar bud." Stu produced a package from his knapsack.
|
|||
|
"Uh huh." The man twiddled his computer. "Well, then. I wish
|
|||
|
I had known you were coming. I might have made some arrangements.
|
|||
|
We're very short for space. Come along."
|
|||
|
Stu followed him through the door and into the dome. A path
|
|||
|
led to the center of the garden where five other paths intersected.
|
|||
|
In each of the six sections between the paths, the settlers grew a
|
|||
|
different crop. The tallest was a stand of hemp at the north end of
|
|||
|
the dome, a bit taller and stringier than the dense and pungent
|
|||
|
moonweed that Stu had grown accustomed to. In the rest of the
|
|||
|
garden grew beans, hybrid grains, a tangle of air-purifying vines,
|
|||
|
and even several small fruit trees. A light spin field modulated
|
|||
|
the stark Martian sunlight.
|
|||
|
At the end of the path between vines and beans, they went
|
|||
|
through a doorway and down a steep flight of steps. Stu followed
|
|||
|
down a tunnel, past rows of closed doors, the recirculation stream
|
|||
|
blowing at their backs. Eventually they came to a small, brightly
|
|||
|
lit office. The man gestured toward a hard, straight-backed chair,
|
|||
|
but lowered his own frame with slow, low gravity grace into a
|
|||
|
softer, ergonomically designed desk chair. Stu chose to remain
|
|||
|
standing.
|
|||
|
"Please, Mr. Stu?" The man gestured again toward the chair.
|
|||
|
Stu sighed and sat down.
|
|||
|
A sign on the crowded desk identified the man as Mel Tzadi,
|
|||
|
Associate Director of Human Resources, Utilities and Supplies.
|
|||
|
Another sign, on the wall behind the desk, said "Welcome Wagon".
|
|||
|
Tzadi plugged his little hand unit into a desktop computer and
|
|||
|
pulled up some information on a large flat display. "We do try to
|
|||
|
keep things in a business way," Tzadi said. "I hope you can
|
|||
|
understand. There are certain things which must be delineated,
|
|||
|
guidelines which must be set down, or everything will just go to
|
|||
|
chaos. You said you were taking an initiation; you're not one of
|
|||
|
these chaos people are you?"
|
|||
|
"Well, I do appreciate a little randomness every now and then,
|
|||
|
but not exclusively, no."
|
|||
|
"But certainly you must agree that the purpose of evolution,
|
|||
|
of intelligence is increased order. Information, the earmark of
|
|||
|
progress, is, of course, reverse entropy."
|
|||
|
"I believe that evolution can encompass both," Stu said.
|
|||
|
"Perhaps some randomness, some chaos is necessary to the process.
|
|||
|
As well, what appears to be chaos may well just be something that
|
|||
|
we don't understand."
|
|||
|
"That is always the justification which your type uses for its
|
|||
|
random senselessness. I understand well enough! You find it easy to
|
|||
|
simply scramble things up, and call that art or science or
|
|||
|
language. Then you defend it by saying no one else understands! Who
|
|||
|
can fight that defense?"
|
|||
|
"Is this what you brought me here for?" Stu asked. "To run
|
|||
|
rhetorical circles? Can you just make a room assignment and let me
|
|||
|
go take care of my business?"
|
|||
|
"All things come in their true time," Tzadi said, tapping a
|
|||
|
contact and scrolling some long document across his screen. "Now,
|
|||
|
I need to know something about your sexual preferences." He looked
|
|||
|
up expectantly.
|
|||
|
"Is this necessary?"
|
|||
|
"To keep things harmonious and organized here on Cydonia, we
|
|||
|
try to make room matches as compatible as possible. Please supply
|
|||
|
the information."
|
|||
|
"My sexual preferences? Polymorphous perverse. Always to
|
|||
|
Nuit."
|
|||
|
"Uh huh." Tzadi entered the information. "And your last sexual
|
|||
|
partner was...?"
|
|||
|
"I really don't see that this is necessary. I'm an agreeable
|
|||
|
guy. I'll be happy wherever you stick me. I'm looking for a place
|
|||
|
to sleep, not another wife, thank you."
|
|||
|
"Ah, then, you are married?"
|
|||
|
"Come on. I expect this sort of thing on Earth, not on Mars."
|
|||
|
"If you will just cooperate, you'll have a room soon enough."
|
|||
|
"Is there someone else I can see? Do you have a supervisor?"
|
|||
|
"I am afraid I am presently the only administrator available.
|
|||
|
Please supply the information. Presently married?"
|
|||
|
"I'll be going now, thank you." Stu stood and turned toward
|
|||
|
the door.
|
|||
|
"Mr. Stu, you cannot just walk out of here. You must have an
|
|||
|
official assignment. We must do this properly. You expect to be
|
|||
|
initiated and yet you cannot even follow basic procedure..."
|
|||
|
Stu closed the door gently behind him.
|
|||
|
87. JUSTINE
|
|||
|
|
|||
|
Stu wandered off down the hallway. Not far beyond Mel Tzadi's
|
|||
|
office, the corridor turned a corner, slanting downward. He tried
|
|||
|
a few doors; they were locked and no one answered his knock. He
|
|||
|
followed the corridor around a bend and into another downwardly
|
|||
|
inclined section. Here some of the doors were open, revealing some
|
|||
|
bare, empty cubicles, a broom closet, and finally, some distance
|
|||
|
further on, a small bedroom. Stu looked in and saw a woman sitting
|
|||
|
on the edge of the bed. She was tall, with olive skin and hair in
|
|||
|
a thick braid which hung most of the way down her back.
|
|||
|
She looked up at Stu, appraising him, her eyes tracking across
|
|||
|
his clothing, the spacesuit slung over his shoulder, his knapsack.
|
|||
|
Stu saw that the woman also had a suit, draped over the end of
|
|||
|
the bed, and a small satchel which rested on the floor.
|
|||
|
Stu smiled. "Is this where the refugees come?"
|
|||
|
"Is that what they told you?"
|
|||
|
"Nobody told me anything. I just took a look at you. Did they
|
|||
|
assign you this room?"
|
|||
|
"No."
|
|||
|
"Did you happen to see any other empty rooms?"
|
|||
|
"No. This is the only one I saw."
|
|||
|
"Uh, could you use some company? I barely escaped with my
|
|||
|
sanity from some bloody bureaucrat down the hall there... I'll
|
|||
|
sleep on the floor if necessary... I do need a place to stay."
|
|||
|
"I don't own the room. Do what you like."
|
|||
|
Stu crossed the threshold and shut the door. He tossed his
|
|||
|
knapsack in a corner and arranged his suit on the back of a chair.
|
|||
|
He sat down on the carpeted floor.
|
|||
|
"I'm Stu."
|
|||
|
"Justine."
|
|||
|
"Is there a net access?"
|
|||
|
"On the wall. Are you blind?"
|
|||
|
"You're so very courteous," Stu remarked.
|
|||
|
"It's just that I usually prefer to pick my roommates,"
|
|||
|
Justine snapped. She turned away from Stu.
|
|||
|
"I'm sorry that I don't meet your standards."
|
|||
|
"Anyone who wears a shirt like that..."
|
|||
|
Stu looked down at his shirt, soft hemp fiber, decorated like
|
|||
|
an old soccer jersey, number 93. "What? It's just a shirt. I don't
|
|||
|
really play soccer, if that's what you're thinking."
|
|||
|
"93. Humph. You waste vital energy on superficial displays. Do
|
|||
|
you even know what that means?"
|
|||
|
"Actually, the shirt was a gift."
|
|||
|
"Nevertheless, you chose to wear it. I couldn't tolerate that
|
|||
|
kind of thing for long."
|
|||
|
"I could take it off."
|
|||
|
"Do what you like."
|
|||
|
Stu left the shirt as it was. "I didn't come here asking for
|
|||
|
your approval, you know. I just asked if I could put my stuff here
|
|||
|
and sleep on the floor. That's all. Damn, maybe I would have been
|
|||
|
better off getting a room assignment from Mel Tzadi..."
|
|||
|
"Perhaps." Justine made a show of ignoring Stu. She picked up
|
|||
|
an ancient paperback book and began to flip through the pages.
|
|||
|
The book was The White House Transcripts.
|
|||
|
"Hey..." said Stu.
|
|||
|
Justine said nothing. She stopped flipping pages and began to
|
|||
|
read intently.
|
|||
|
Stu shrugged. There was time. There was always a way to find
|
|||
|
some common ground with almost anyone. Nixon? Would that be it?
|
|||
|
What is she doing here? Why is she reading that?
|
|||
|
He located the net access, actually just a jack set in the
|
|||
|
center of a black plastic square. He took his headset from the pack
|
|||
|
and plugged in.
|
|||
|
And suddenly he was inside Cydonia's own, very small net.
|
|||
|
There was the usual kind of small colony information: crop
|
|||
|
statistics, lost and found notices, odd letter-to-the-editor type
|
|||
|
ranting, official business. Cydonia seemed prosperous enough, an
|
|||
|
active little community, if only on the cybernet. Stu browsed
|
|||
|
through the open files, looking for anything that might give a clue
|
|||
|
about his initiation, or about Nixon.
|
|||
|
Here was something, Stu saw, addressed to Justine, just a
|
|||
|
brief message, a note pinned to a bulletin board:
|
|||
|
Justine <20> How did you make out with the Nixon book? I'd like
|
|||
|
to know. I'll fill you in on the whole thing. Meet me southwest
|
|||
|
pyramid 1000 hrs, tomorrow.
|
|||
|
That was it, not even signed.
|
|||
|
All right, Stu thought, here we go. He pulled up directories
|
|||
|
for the colony and wandered through them, his cyberspace
|
|||
|
representation rushing through simulated domes and hallways. The
|
|||
|
maze of corridors, work rooms and living quarters which spiraled
|
|||
|
down into the Martian sand beneath the domes seemed even more
|
|||
|
extensive here than they had in realtime. It hadn't seemed like
|
|||
|
much at all, Stu reflected, just one hallway disappearing into the
|
|||
|
distance. Now he saw how much further the corridor went, the places
|
|||
|
where it connected with another maze beneath the other dome. It
|
|||
|
was, in fact, surprisingly large and complex for a small colony.
|
|||
|
Was this the secret headquarters for the Magickal Children? Or
|
|||
|
was something else going on here?
|
|||
|
Stu allowed his point of view to rise "above" the simulation
|
|||
|
of the colony's cybernet, the lines and terminals shrinking to a
|
|||
|
dwindling web below. Finally he was able to see what he was looking
|
|||
|
for; to one side of the interlocking dome networks, a thin strand
|
|||
|
of light stretched off toward where the pyramids crouched in the
|
|||
|
desert. It was just a single, simple net access. There was no
|
|||
|
indication of anything more involved. Did somebody live there? What
|
|||
|
was their interest in The White House Transcripts? Was this the
|
|||
|
address that his worm had located?
|
|||
|
He soared back down into the net and accessed the address of
|
|||
|
the terminal in the pyramids. His point of view did not change. A
|
|||
|
written message came up before him: Access Denied. Incorrect Code.
|
|||
|
Stu retreated to a more distant address and accessed the RAM
|
|||
|
in his headset. His worm was waiting there, fizzling with static.
|
|||
|
He cloned it quickly and sent the copy out to check the pyramid
|
|||
|
terminal.
|
|||
|
He relaxed for a few minutes, floating in a featureless
|
|||
|
cybervoid, breathing deeply, until the worm returned. It appeared
|
|||
|
to be intact, its vid-like skin fading into appearance from the
|
|||
|
void. Carefully, Stu opened it.
|
|||
|
88. WHAT THE WORM DRAGGED IN
|
|||
|
|
|||
|
Nixon.
|
|||
|
The word came out and floated there by itself for what seemed
|
|||
|
a very long time.
|
|||
|
Then chaos came crashing out from within the worm.
|
|||
|
of these it to guide slslslslslsl floated people maybe millions
|
|||
|
thelema agape of the rows these pirates goat fuzzy Marcia US
|
|||
|
however the remains the pyramid this will not pain the of Law line
|
|||
|
could travel chamber beneath the worm Hi, John aumn ha
|
|||
|
*%$^%^%*()&646*^( John Dean was home negative what of his hangover
|
|||
|
&^%&^%$****83 Yeah I have been the explore any which thou shall
|
|||
|
Martha Tim an isolated Bob and in whatever time BRING
|
|||
|
*^%&^()988*&%&986 adjustment Hadit Pan *^%*^*^&((( transition
|
|||
|
space-faring race a message I of extraterrestrial ruins place
|
|||
|
trucks system do or net fart *&^%uyglkbs865 solar Siva cutting
|
|||
|
through help guide Nixon us TOGETHER columns through other be
|
|||
|
strong against thousands in a door bridge California walking him
|
|||
|
ieeeeeouu stone iao iao iao terrorist Well, have you had a busy
|
|||
|
day? io monster in I spent most of the day on trying to put
|
|||
|
together a statement and Mr. President wilt and enhance across
|
|||
|
watergate be through any coincidence formed by Diana into because
|
|||
|
iao iao iao thelema to king the worm O.Z. the borderlands of dream
|
|||
|
(^(*&^()hkdsh9^*&^%( the evolution iao iao iao it took energy turds
|
|||
|
was the control center of the up strength at first iat then lashtal
|
|||
|
report the pleasure positive founded walked a stone frontier opens
|
|||
|
up organization Pan pleasure Nixon megabytes Ra-Hoor-Khuit of great
|
|||
|
Io ejaculation the ancient travel by radio group Nuit new marketing
|
|||
|
of years ago I visualized a road between fractal whole computer
|
|||
|
*%&^(*(&*76iud9^&*&^%()(*^&^
|
|||
|
89. EVER THUS
|
|||
|
|
|||
|
Stu awoke. He was lying on his back, on the carpeted floor of
|
|||
|
the Cydonia room. The back of his head ached and his whole body
|
|||
|
felt rigid, stiff as if he had endured an enormous jolt of
|
|||
|
electricity.
|
|||
|
He opened his eyes slowly. Justine's face came gradually into
|
|||
|
focus, looking down at him.
|
|||
|
"Just lie still," Justine said. "You banged your head pretty
|
|||
|
good. What in all of heavy hell were you doing? Your whole body
|
|||
|
just snapped..."
|
|||
|
Stu remembered to breathe. A long, slow inhale began to work
|
|||
|
its way into the rigid muscles of his chest.
|
|||
|
"That's right," said Justine. "Nice even breathing."
|
|||
|
She massaged the muscles around his neck and shoulders. It was
|
|||
|
painful and relieving at the same time.
|
|||
|
"A security system," Stu managed to say. "I accidentally..."
|
|||
|
"It's all right, then," Justine said. "You'll be just fine."
|
|||
|
Stu groaned.
|
|||
|
She felt around on the back of his head. "You've got a good
|
|||
|
bump there, where you hit the wall, but that's the worst of it.
|
|||
|
Probably some stiff muscles."
|
|||
|
"Who the hell in this bloody colony would want to use that
|
|||
|
kind of security?" Stu cursed.
|
|||
|
"The worst thing I got," Justine said, "was just an 'access
|
|||
|
denied' message."
|
|||
|
"Huh? I got that too. What were you doing?" Stu pushed himself
|
|||
|
up and sat against the wall.
|
|||
|
"I came here to take an initiation," she said. "Magickal
|
|||
|
Child. Nobody met me when I arrived. No instructions. I tried to
|
|||
|
find out what was going on. Nothing. Access denied."
|
|||
|
What about the Nixon book? Stu thought. "Me too. Initiation.
|
|||
|
They didn't even answer my landing-clearance hails. I was doing the
|
|||
|
same thing."
|
|||
|
"You must have gotten a little farther into the net than I
|
|||
|
did." She reached behind her and grabbed something from the bed.
|
|||
|
"You look like you can use this." She showed Stu a bulging spliff
|
|||
|
and a lighter. She lit the joint and inhaled a prodigious toke. Stu
|
|||
|
could tell at once that she was practicing a familiar sort of
|
|||
|
meditation. She appeared concentrated, congruent, relaxed.
|
|||
|
Stu accepted the spliff with the sense that the proceedings
|
|||
|
had somehow, quite consciously, become a ritual. There was that
|
|||
|
immediate sense of commonality, of shared experience familiar to
|
|||
|
potheads since ancient times, and there was more. Each breath that
|
|||
|
Justine took was now a flow of energy coursing through her body,
|
|||
|
radiating from her, transforming into something which Stu perceived
|
|||
|
as something between vision and feeling.
|
|||
|
He took a toke and allowed his attention to rest on his heart
|
|||
|
center. A feeble energy flow indicated just how drained of energy
|
|||
|
he was, and he began the work of re-establishing his links to life-
|
|||
|
force through the top and bottom of his spinal column. Driven by
|
|||
|
his lungs and heart, a greater trickle of energy began to return.
|
|||
|
The muscles of his face relaxed. The ganja began to have its
|
|||
|
effect.
|
|||
|
"Allow me," said Justine, placing her hands firmly on his
|
|||
|
chest.
|
|||
|
Stu perceived the energy welling out from the golden sunlike
|
|||
|
globe of her heart center, flowing through her arms, out her palms
|
|||
|
and joining the flow in his body. He took an involuntary, very deep
|
|||
|
breath. He suddenly felt particularly high, floating, the soreness
|
|||
|
fading from his arms and legs. Sparkling kaleidoscopic patterns
|
|||
|
formed and dispersed in front of his eyes. Prana filled him,
|
|||
|
glowing warmly.
|
|||
|
"Thank you," he said. "Thanks."
|
|||
|
She looks beautiful like this, Stu thought. Not as sharp,
|
|||
|
almost angelic. She has good concentration. Excellent.
|
|||
|
In a very short time, he felt completely recharged, his
|
|||
|
nervous system drawing and discharging energy into and through the
|
|||
|
universe around him in a cycle matched with slow, even breathing.
|
|||
|
He smiled and began to send a flow of prana back into Justine,
|
|||
|
glowing gold with the buzzing electricity of his heart chakra. Pay
|
|||
|
you back, he thought, and felt his heart fill and then open up
|
|||
|
wide.
|
|||
|
She was a bitch in her human mind, Stu thought, but she is an
|
|||
|
initiate. When it needed to be done, she could do it. We are in
|
|||
|
this together, he thought.
|
|||
|
They stayed sitting like that for some time, the energy flow
|
|||
|
finding a cycle through both their bodies, growing stronger and
|
|||
|
more pleasurable, until it was a cool rushing waterfall of fire,
|
|||
|
cleansing, tempering.
|
|||
|
Then, quite naturally, they were out of their clothing and
|
|||
|
embracing. Her body was lanky, strong muscles stretched across an
|
|||
|
extra-long frame. Her breasts were small, high, delicately pointed
|
|||
|
nipples brushing against Stu's chest. She slid down, sitting, on
|
|||
|
Stu's cock, firm vaginal muscles massaging the shaft with a
|
|||
|
slippery stroke.
|
|||
|
The flow of prana suddenly found a more compelling path-to-
|
|||
|
ground, and suddenly there was much more of it, crackling liquid
|
|||
|
fire blowing the universe in a blast of sparks kissing him lightly
|
|||
|
the touch made him gasp energy on the lips and inviolate rose. This
|
|||
|
is the creation of the world sweet cool groundfruit. To his side to
|
|||
|
me and he kissed her faint & faery. I too await, brush against him,
|
|||
|
speak not of Thee as One thy great wind blows and die. Warm curves
|
|||
|
of her body none breathed the light for the chance of union, life-
|
|||
|
force and the joy of dissolution all. He felt the warm, she sighed
|
|||
|
continuous one of heaven. Breast she touched his penis far-off
|
|||
|
burn, she said.
|
|||
|
Most secret she stood and came laughing, pulled off their
|
|||
|
clothes. Come and two since thou art continuous, but as None and
|
|||
|
let them speak not. Surely thine hour has come. Her fingers cool on
|
|||
|
the warm flesh, like the sparks blown out of a smithy, that the
|
|||
|
pain of division is as nothing. He tasted of love and hate the hour
|
|||
|
of thy great wind spin drive slightly moist. O Nuit prana Nixon
|
|||
|
feeling the smooth of thee at all for I am divided for love's sake.
|
|||
|
Let it be ever thus.
|
|||
|
90. NIXON'S DICK
|
|||
|
|
|||
|
A good day, Nixon thought, leaning back in his big chair. Like
|
|||
|
the old days. Engaging work to keep him busy, keep him happy.
|
|||
|
Things were proceeding well on all fronts. Favorable reaction to
|
|||
|
Operation Star Storm. America was growing again.
|
|||
|
Somehow Neal Severant had helped to restore several world
|
|||
|
powers to their pre-plague state of governmental order. America had
|
|||
|
allies again. The boy is truly more valuable than Kissinger, Nixon
|
|||
|
thought. I'll be damned.
|
|||
|
To think that somebody would try to pull that shit again,
|
|||
|
after all these years. The Fund Crisis II! Ha! I gave them Checkers
|
|||
|
II! What idiots! What could be the gain? There was no election.
|
|||
|
Spacers? Hmmm.... Damn...
|
|||
|
His desk net access began to buzz. He leaned forward and
|
|||
|
pulled on the headset. Martha was waiting for him in his cyber-
|
|||
|
office.
|
|||
|
"Dick, I think you should be watching this..."
|
|||
|
"Martha... Hello... Always good to see you... Always time..."
|
|||
|
"Mark O'Connor," she said rather urgently. "His report.
|
|||
|
Watch." She tied the office into the vidnet and O'Connor's set,
|
|||
|
with the grainy resolution of the computer terminal, filled their
|
|||
|
vision.
|
|||
|
"...casts doubt on the president's claim that he is entirely
|
|||
|
unaffiliated with spacer terrorist organizations. Whether his
|
|||
|
behavior in this well-documented incident was appropriate or not,
|
|||
|
heh heh, it is significant that both women involved had spacer
|
|||
|
connections. All right, we have that footage..."
|
|||
|
The scene which spread across office wall was familiar... My
|
|||
|
God! No! It was that strange room in Marcia Bounty's apartment. And
|
|||
|
there he was... My God!
|
|||
|
He saw himself sitting crosslegged on the floor. Essence,
|
|||
|
naked body glistening with sweat, was squatting over him, sliding
|
|||
|
sensuously up and down on his engorged penis, her body undulating
|
|||
|
to the unheard rhythm of the drum.
|
|||
|
The memory came flooding back into his head. Yes! Oh My God!
|
|||
|
It had been incredible. So intense that his mind had blocked it
|
|||
|
out... It had been gasp warm curves of her body on the lips to
|
|||
|
me... such a solution... blowing sparks from the stack... shouted
|
|||
|
black smoke.
|
|||
|
As the vid unwound, Nixon could see Essence pulling up from
|
|||
|
him for a moment, exposing the full length of his cock.
|
|||
|
"...can see at this point," O'Connor was saying, "the, heh
|
|||
|
heh, size of the presidential member, uh, that is, it appears
|
|||
|
unusually, heh heh, large, and our informed source tells us that
|
|||
|
this is a typical symptom of physical regeneration from the illegal
|
|||
|
spacer drug O.Z., belying the popular notion that his recovery was
|
|||
|
merely the result of expert medical care.
|
|||
|
"Although we have no specifics on how the president obtained
|
|||
|
the illegal drug, the case at this point does seem heavily, uh,
|
|||
|
bent, heh heh, in favor of the idea that some spacer terrorist
|
|||
|
organization has been involved in the renewed United States
|
|||
|
government.
|
|||
|
"Cabinet member Neal Severant commented by saying that the
|
|||
|
White House flatly denies such accusations, implying that some
|
|||
|
decision has been made to 'watergate' this information..."
|
|||
|
"Stop!" Nixon ordered, and the vid image cleared from the
|
|||
|
wall. "Get me Severant! Get that little shit on the line now!"
|
|||
|
"Yes, sir," Martha said, palming an icon on the wall. "I'm
|
|||
|
sorry, Dick. I'm very sorry..."
|
|||
|
He looked up at Martha's representation, and he filled with
|
|||
|
sorrow, embarrassment, humiliation. "I'm sorry, Martha. I knew it
|
|||
|
wasn't right... I knew..."
|
|||
|
Severant's head appeared, floating where the wall had been.
|
|||
|
"Mr. President? You've heard the news?"
|
|||
|
"Neal, goddamn it! What do you mean by denying it? Now they've
|
|||
|
brought that word back... that fucking word... wa... wa..."
|
|||
|
"Watergate," Severant said. "Yes, I know. I didn't think the
|
|||
|
media would have that response. I thought that after your recent
|
|||
|
speech they would continue to support you, but... Did you? I mean,
|
|||
|
did you do it, Mr. President?"
|
|||
|
"Fuck. You saw it, Neal. Everyone saw it. I don't know... I
|
|||
|
don't..."
|
|||
|
"Remember Clarence Thomas, Mr. President? He got through it,
|
|||
|
didn't he? Bill Clinton, Gary Hart..."
|
|||
|
"Gary Hart was out of the arena. Out of the goddamn arena
|
|||
|
forever. We can't watergate it, though, Neal. I don't even want any
|
|||
|
thought of watergating it. That... that word should be forgotten,
|
|||
|
Neal. It should be forgotten. I've got to get out of this goddamn
|
|||
|
office for a while. Get some air..."
|
|||
|
He threw the headset onto the desk and was out the door.
|
|||
|
91. MYSTICAL IMPOSSIBLE COMPREHENSION
|
|||
|
|
|||
|
Diana drifted in a shifting place of field being exposed to of
|
|||
|
those generating prana. The stars were bands of energy in the
|
|||
|
sparkling night, gravitation the information flow between them,
|
|||
|
like the ultimate computer net. The laws of reality took form and
|
|||
|
dispersed as Diana turned her attention toward space travel the
|
|||
|
effect of effect in the bioelectrical evolution. A universe of
|
|||
|
minds, human, elemental, gods and sweeping blind intent shifting
|
|||
|
the flow in fractal father solar system. An entrainment Tesla US
|
|||
|
velocity. Prana life-force just as the nervous system the field. Or
|
|||
|
understanding Nuit...
|
|||
|
And beyond that, broad, a mystical impossible comprehension of
|
|||
|
creation and destruction, vast cycles of this universe, was
|
|||
|
something else... alien, startling, a perspective that took this
|
|||
|
understanding as a whole, then adapted from outside it all. Nagual
|
|||
|
beyond nagual. Alien. The stars flickered instantaneous information
|
|||
|
across the light-years...
|
|||
|
Nervous system yang Nuit which can extend determined to some
|
|||
|
extent, or even just fully contemplating the filed fuck of the
|
|||
|
scalar field. The frequencies life-force the bioelectrical mother
|
|||
|
death. Diana flowed as waves and particles through understanding of
|
|||
|
matter and energy manifesting... Tap in here, the simple way to
|
|||
|
apprehend the unified field... Over there, the essence of devices
|
|||
|
which can transmute and transport, matter to energy... A thread of
|
|||
|
knowledge through it all, the nature of gravity... Initiation the
|
|||
|
effect of an entrainment Earth. Yin TOGETHER with a shape being
|
|||
|
exposed to Stu. Beyond the physical activity of the can produce
|
|||
|
father such a field by the intent Nixon.
|
|||
|
Palmer was right, beyond that was a true of flow of
|
|||
|
information. Something beyond... She almost had it... A little more
|
|||
|
can in some way velocity solar system body field. Just as the
|
|||
|
nervous system space travel, life US sex the human mind. Universe
|
|||
|
can be influenced by those generating Tesla effect in spin drive
|
|||
|
ELF. Generate such a Hadit BRING and direction prana it is possible
|
|||
|
that evolution...
|
|||
|
"They're getting worse," a voice somewhere far off said. "She
|
|||
|
used to at least tell us to fuck off, you know... Now they both
|
|||
|
just float there..."
|
|||
|
"Yeah, don't they look weird. Is it just my eyes or... nah..."
|
|||
|
"What?"
|
|||
|
"Never mind. We'll just leave 'em their dinner... If they want
|
|||
|
it..."
|
|||
|
92. I JUST FEEL...
|
|||
|
|
|||
|
"Martha, I, I wanted to tell you I'm sorry..."
|
|||
|
"There's no need to apologize, Dick. You haven't done anything
|
|||
|
to me." Martha's simulation looked as bright and beautiful as
|
|||
|
always.
|
|||
|
"After I saw you before... When I left... I just wandered
|
|||
|
around the White House, walked the halls. And thought. I thought
|
|||
|
long and hard. This time it was my fault. I can do nothing to deny
|
|||
|
it. And last time you know... it was... it was... well, John
|
|||
|
Dean... you know... I... Damn."
|
|||
|
"It's all right, Dick. I understand. It is no business of
|
|||
|
mine. Our professional relationship has not suffered from anything
|
|||
|
that either one of us has done on our own time. Even the president
|
|||
|
of the United States has his own time sometimes."
|
|||
|
"I'm sure you've never done anything like this... I did things
|
|||
|
that... My mother would... God... My father would... Oh..."
|
|||
|
"It doesn't matter Dick. Do you believe that you've been doing
|
|||
|
your job as president? To the best of your abilities?"
|
|||
|
"Well... Yes... but..."
|
|||
|
"But nothing. There is nothing in The Constitution, I believe,
|
|||
|
outlining any specific sexual conduct for the president. Is there?"
|
|||
|
"Well... No... but..."
|
|||
|
"Then that's all there is to it. You can just continue to do
|
|||
|
your job. Nobody can touch you."
|
|||
|
"But they say they were spacers..."
|
|||
|
"Who can prove that? It's guilt by association. And anyway,
|
|||
|
from the looks of the vid, you didn't seem to be doing anything
|
|||
|
particularly political or subversive."
|
|||
|
"No, I wasn't, but..."
|
|||
|
"But what?"
|
|||
|
"Martha... You... You are the one I wish I was with... I
|
|||
|
regret... I wanted... I betrayed... Forgive me..."
|
|||
|
"Dick, remember. Our simulations have been meeting because
|
|||
|
we're <20> both doing our jobs. I'm flattered but... How can there be
|
|||
|
anything between two computer representations?"
|
|||
|
"I don't know, Martha. I just feel... I no longer
|
|||
|
understand... I just feel..."
|
|||
|
93. MORNING ON MARS
|
|||
|
|
|||
|
When Stu awoke, he found that Justine was already awake and in
|
|||
|
the room's small toilet cubicle. He could hear her puttering around
|
|||
|
behind the closed door. He stretched out on the carpet where he had
|
|||
|
slept, naked and comfortable. A trace of sex-smell still clung to
|
|||
|
him, a pleasant reminder, along with relaxed muscles and a clear
|
|||
|
mind, of the previous evening's experience. His penis became
|
|||
|
slightly tumescent at the memory.
|
|||
|
He took a deep breath, rubbed the sore spot on the back of his
|
|||
|
head, and sat up against the cool plastic surface of the wall.
|
|||
|
Justine emerged from the toilet, naked and damp, her long
|
|||
|
braid undone and hanging in thick, wet strands around her shoulders
|
|||
|
and down her back. Stu's cock came fully erect. Justine looked at
|
|||
|
it and smiled.
|
|||
|
"I was just remembering what we did," Stu said.
|
|||
|
"Mmmmm, yes," Justine said. "It was nice, wasn't it?" She
|
|||
|
began pulling on her pants.
|
|||
|
"Very nice. We should do that again, real soon."
|
|||
|
She tied her pants and picked up her shirt. "Yeah."
|
|||
|
"Where're you going?"
|
|||
|
"I'm going to try to find something out about my initiation.
|
|||
|
Scout around a little."
|
|||
|
"If you can wait a few minutes," Stu said, "I'll come with
|
|||
|
you. I've got to find out, too, you know."
|
|||
|
"Actually, Stu, I'm sure you can understand... I think I'd
|
|||
|
better do this on my own. It's a personal thing, after all. You
|
|||
|
understand."
|
|||
|
"Yeah, I suppose."
|
|||
|
She stuck her feet into a pair of slippers and grabbed her
|
|||
|
knapsack. She checked inside it for something. Stu watched; it was
|
|||
|
the paperback book. Yes, he thought. Yes.
|
|||
|
"You'll be here tonight?" Justine asked.
|
|||
|
"I guess so. I suppose. Depends what happens."
|
|||
|
"Well, I hope so. I'll be seeing you." She was out the door.
|
|||
|
94. THE PYRAMID
|
|||
|
|
|||
|
Stu jumped naked into his space suit, allowing the baggy
|
|||
|
headpiece to hang back over the air bottles. He checked his air
|
|||
|
charge <20> still nearly full <20> and poked his head out the door.
|
|||
|
He caught a glimpse of Justine disappearing around a bend,
|
|||
|
some distance down the tunnel. She had not brought her suit, which
|
|||
|
meant that she would be following the tunnel system into the
|
|||
|
pyramid. Stu decided he could save time if he went overland, on the
|
|||
|
surface of Mars.
|
|||
|
He walked back up the sloping corridor to the dome and the
|
|||
|
airlock where he had first arrived, encountering no one along the
|
|||
|
way. He sealed his suit and cycled out into the brown Martian
|
|||
|
daylight.
|
|||
|
It was easy going, a pleasant walk. The sand was packed hard,
|
|||
|
a thin trace of a trail leading off toward the southwest pyramid
|
|||
|
which squatted on the horizon. The domes glittered with a surreal
|
|||
|
intensity of color against the muted tones of the landscape, two
|
|||
|
big jewels in a rough matrix. The pyramids squatted on the horizon,
|
|||
|
directly ahead, and the Face plateau loomed to the left, an uneven
|
|||
|
scree reaching almost to the trail.
|
|||
|
The path wound between a few large boulders, up a gentle
|
|||
|
slope, and in just a few minutes he was approaching the southwest
|
|||
|
pyramid. Close up, the pyramid was surprising in its bulk. If
|
|||
|
transported to Egypt, it would have dwarfed the Great Pyramid,
|
|||
|
which Stu had visited on several occasions. The thin atmosphere had
|
|||
|
left the facing stones in better condition <20> although still
|
|||
|
somewhat weathered <20> than any of Earth's pyramids. Sunlight glinted
|
|||
|
from the smooth surface.
|
|||
|
It was not surprising to see that the entrance to the pyramid
|
|||
|
was fitted with an airlock; what was surprising was that the
|
|||
|
airlock, made of some dull, gold-colored metal, looked to be as old
|
|||
|
as the surrounding stones. The surface was slightly rough, pitted
|
|||
|
by centuries of airborne Martian dust. It bore little resemblance
|
|||
|
to the vegetable-based plastics which comprised most spacer
|
|||
|
structures.
|
|||
|
A simple metal switch was set into a plate in the stone beside
|
|||
|
the door. Stu touched it with a gloved finger and it clicked
|
|||
|
downward. He could feel a slight vibration through the ground which
|
|||
|
lasted about half a minute, then the door slid smoothly aside into
|
|||
|
the stone. Stu stepped through.
|
|||
|
The outer door slid shut and the vibration resumed. Stu could
|
|||
|
feel a gentle breeze blowing against his suit as the lock chamber
|
|||
|
pressurized. The readout on his sleeve indicated breathable
|
|||
|
atmosphere; he turned off his air bottles and undogged his
|
|||
|
headpiece. Then the inner door slid open.
|
|||
|
A stone corridor sloped downward from the lock, widely spaced
|
|||
|
panels along the ceiling lighting the way with a gentle, bluish
|
|||
|
glow.
|
|||
|
Stu followed it down until he came to an intersection. A narrower
|
|||
|
passage continued to slope downward, a somewhat wider one bent up
|
|||
|
toward the center of the pyramid's mass, and on the right was a
|
|||
|
smooth plastic airlock door which, Stu guessed, was the passageway
|
|||
|
back to the domes. He took the upward-sloping way.
|
|||
|
Not far along, the corridor branched again, a very steep one
|
|||
|
going down, a narrow, level passage going straight ahead, and a
|
|||
|
wide one continuing upward. Stu continued up.
|
|||
|
95. CUBE OF STONE
|
|||
|
|
|||
|
Ahead in the tunnel, a brighter light framed an open doorway
|
|||
|
and Stu could hear voices coming from inside. He quietly slipped
|
|||
|
forward until he could hear clearly.
|
|||
|
Justine's voice: So, what you're telling me is that this is my
|
|||
|
initiation?
|
|||
|
Male voice (with a slight accent that Stu could not place):
|
|||
|
Hmmmm. I hadn't quite considered it like that. Perhaps.
|
|||
|
Justine: I didn't come here to play games.
|
|||
|
Male: It's no game. Really, we need your help. You're one of
|
|||
|
the best programmers we've got <20> and the only one who is enough of
|
|||
|
an initiate to deal with this information.
|
|||
|
Justine: Well, then, tell me about it. Explain your problem
|
|||
|
and I'll tell you if I can help.
|
|||
|
Male: It's not like that. We need a commitment first. Will you
|
|||
|
do it? Will you work with us?
|
|||
|
Justine: Will you come straight and explain what's going on?
|
|||
|
Male: I can't even answer that until you say yes.
|
|||
|
Justine: Damn it. All right. Yes. I'll do what I can.
|
|||
|
Male: I ask you again <20> will you work with us and keep this
|
|||
|
work a secret?
|
|||
|
Justine: Yes.
|
|||
|
Male: And again <20> will you work with us and keep this work a
|
|||
|
secret?
|
|||
|
Justine: Yes.
|
|||
|
Male: Good. Thank you.
|
|||
|
Justine: All right, then. What's the problem?
|
|||
|
Male: Well, it's unusual. We've been logging a high incidence
|
|||
|
of breaks on all the nets...
|
|||
|
Justine: That's nothing new.
|
|||
|
Male: A very high incidence of breaks, in clusters, almost of
|
|||
|
all of these clusters associated with Nixon. And something else...
|
|||
|
we've got this worm program...
|
|||
|
Stu heard some movement from within the chamber. There was
|
|||
|
apparently a third person present. He heard footsteps approaching
|
|||
|
the doorway. As silently as he could, he retreated down the
|
|||
|
corridor.
|
|||
|
The footsteps followed. At the intersection, Stu ducked into
|
|||
|
the steeply descending corridor, and continued down it a little way
|
|||
|
to get out of sight. Only a short distance along the passage, he
|
|||
|
came to a small chamber. He moved away from the door, hugging a
|
|||
|
wall, and waited while he heard the footsteps continuing past along
|
|||
|
the main corridor.
|
|||
|
When it seemed safe, he looked around at the chamber. In the
|
|||
|
center of the dimly lit room was a chair facing a large cube of
|
|||
|
stone. Set into the top of the stone was a net access, an elaborate
|
|||
|
helmet-like headset jacked into it. On the far wall was a metal
|
|||
|
door, closed.
|
|||
|
Was this the terminal that had so effectively repelled his
|
|||
|
inquiries? It had to be. The colony maps had shown only a single
|
|||
|
terminal in the pyramid...
|
|||
|
Moving quietly, Stu went back out into the corridor. He
|
|||
|
climbed back up to where the narrow passage joined the main one. He
|
|||
|
looked up and down the corridors. Justine and the man were
|
|||
|
apparently still occupied where they had been. There was no sign of
|
|||
|
the third person, and Stu assumed that he or she had continued
|
|||
|
down, back to the tunnel which led to the domes.
|
|||
|
Stu descended again into the room. He sat in the chair. He put
|
|||
|
the helmet on his head...
|
|||
|
96. BUSTED
|
|||
|
|
|||
|
And he was in a gray cybervoid, empty except for a single
|
|||
|
androgynous figure. A familiar figure, youthful, with a single
|
|||
|
forelock dangling over its forehead. The figure, Child-Horus,
|
|||
|
turned to look at him.
|
|||
|
"Hi," said Stu. "I'm sorry. I didn't realize anyone was here."
|
|||
|
"Elemental of the scalar field," Child-Horus said, "impossible
|
|||
|
comprehension. Nixon gods and will or even just a universe..."
|
|||
|
And suddenly Stu felt hands grabbing his arms, lifting him
|
|||
|
from the chair, pulling the helmet from his head.
|
|||
|
Uh, oh, Stu thought. Busted.
|
|||
|
97. ADJUSTMENT
|
|||
|
|
|||
|
Holding him firmly from one side was Mel Tzadi, on the other,
|
|||
|
a small, dark man who looked oddly familiar. It took a moment, then
|
|||
|
Stu realized: it was Dr. Siva, one of the most famous and prominent
|
|||
|
of all space dwellers. Siva's grip was strong and his expression
|
|||
|
grim.
|
|||
|
"Come along," said Tzadi. "Now."
|
|||
|
They ushered him quickly out of the chamber and up the passage
|
|||
|
to the room where Justine still waited. The room was well-lit and
|
|||
|
appointed more in the style of a dome room than anything else in
|
|||
|
the pyramid; the furnishings included a colorful, hemp-fiber rug
|
|||
|
and a futon folded into a couch.
|
|||
|
A chair was dragged into the middle of the room and Stu was
|
|||
|
pushed into it. His captors arranged themselves around him.
|
|||
|
Tzadi puffed himself up like an old-earth cop. "What are you
|
|||
|
doing in here? Do you have any authorization to be using that
|
|||
|
terminal?"
|
|||
|
"Authorization?" Stu asked. "Do I need authorization to use a
|
|||
|
colony net access?"
|
|||
|
"Does this appear to be part of the colony or a regular net
|
|||
|
access?" Tzadi glared.
|
|||
|
"Well, no..." said Stu. "I don't know. I was just exploring."
|
|||
|
"I think you were spying," said Tzadi.
|
|||
|
"Spying? On what? Do you have something to hide?"
|
|||
|
Siva spoke for the first time. "It is expected that a Magickal
|
|||
|
Child will not seek beyond his level of initiation. You once took
|
|||
|
an oath to that effect."
|
|||
|
"I didn't know that this was an M.C. secret of any kind. How
|
|||
|
could I know?"
|
|||
|
"You knew," said Tzadi.
|
|||
|
"There are ways of determining the truth," Siva said. "We will
|
|||
|
be fair. We will provide an impartial judge. Justine, you will
|
|||
|
serve. Can you be objective?"
|
|||
|
"A judge?" She frowned. "I'd rather not."
|
|||
|
"The question was not what you'd rather," said Siva, "the
|
|||
|
question was if you can be objective."
|
|||
|
"I believe I can, but as I said, I would rather not. I don't
|
|||
|
see why I should serve as a judge. Is this part of the job you are
|
|||
|
hiring me for?"
|
|||
|
"No," said Siva. "This is your initiation."
|
|||
|
Justine said nothing more.
|
|||
|
"Mr. Tzadi will serve as the prosecutor. Mr. Stuart will
|
|||
|
provide his own defense. I will remain as Hierophant. All are sworn
|
|||
|
to complete honesty by their oaths in the order. No more is
|
|||
|
necessary. The trial begins immediately."
|
|||
|
98. TRIAL
|
|||
|
|
|||
|
Mel Tzadi paced across the rug. "I contend that the defendant
|
|||
|
arrived at Cydonia with the express purpose of spying on inner
|
|||
|
order Magickal Child operations. I contend that he covertly
|
|||
|
followed Justine to this pyramid and accessed an M.C. terminal
|
|||
|
without authorization for the purpose of interfering with ongoing
|
|||
|
operations."
|
|||
|
"This is speculation based on circumstantial evidence," said
|
|||
|
Justine. "The prosecutor will please make his case."
|
|||
|
"All right, then. I am arrival coordinator for the Cydonia
|
|||
|
colony. Mr. Stuart arrived here without any advance notice. Can the
|
|||
|
defendant explain that?"
|
|||
|
"I was sending continuous hailing messages from the time I
|
|||
|
made orbit. I came here because I was given to understand that this
|
|||
|
was to be the site of an initiation which I had requested. I was
|
|||
|
invited. I was told to come."
|
|||
|
"My notification does not come from hailing messages," Tzadi
|
|||
|
said. "My notification comes from M.C. hierarchy. I did not receive
|
|||
|
any such."
|
|||
|
"As I said, I came here by invitation from what I thought was
|
|||
|
M.C. hierarchy. This is logged on my bus's computer."
|
|||
|
"As the defendant is sworn to honesty," Justine said. "We can
|
|||
|
accept his word on this. The prosecutor may continue with further
|
|||
|
questioning."
|
|||
|
"Is it true, Mr. Stuart, that you refused room assignment in
|
|||
|
the official, authorized manner?"
|
|||
|
"That is true," said Stu. "I felt that the procedure was an
|
|||
|
abuse of my time, and the information requested was an invasion of
|
|||
|
my privacy."
|
|||
|
"Ah! What is it that you want to hide from the officials of
|
|||
|
this colony or the Magickal Child hierarchy?"
|
|||
|
"I object," said Stu. "That's a leading question."
|
|||
|
"Objection sustained. Mr. Tzadi, you may rephrase the
|
|||
|
question."
|
|||
|
"Um, Mr. Stuart, is there something that you wish to hide from
|
|||
|
the officials of this colony or from the M.C. hierarchy?"
|
|||
|
"I object..."
|
|||
|
"Overruled. The question has been properly stated. Please
|
|||
|
answer the question."
|
|||
|
"Well... yes. I have some evidence that the M.C. leadership
|
|||
|
has been involved in political deception. I did not believe that I
|
|||
|
could investigate this properly with the knowledge of those
|
|||
|
involved in the deception."
|
|||
|
Tzadi smiled slightly. "And this political deception concerned
|
|||
|
what?"
|
|||
|
"The election of Richard Nixon to the position of President of
|
|||
|
the United States."
|
|||
|
Justine's eyes narrowed at the mention of Nixon and she shot
|
|||
|
Siva a glance. Siva smiled slightly.
|
|||
|
"And what is your interest in this matter?" Tzadi continued.
|
|||
|
"Personal curiosity. A love of truth."
|
|||
|
"And would you have acted against the order had you found
|
|||
|
evidence of such deception?"
|
|||
|
"I don't know. Maybe. It depends on what I found."
|
|||
|
"Would such action against the M.C. hierarchy violate any
|
|||
|
oaths which you may have taken upon entering the order or upon
|
|||
|
completion of any previous initiations?"
|
|||
|
"Uh... yes... bloody hell... I suppose it might."
|
|||
|
"The prosecution also notes the following: Net logs indicate
|
|||
|
that Mr. Stuart attempted access into the restricted pyramid
|
|||
|
terminal through a net access in dome one. Security logs also
|
|||
|
indicate that, despite denial of access, further entry was
|
|||
|
attempted through a stealth program of some kind, presently unknown
|
|||
|
to this court. Can the defendant acknowledge these actions."
|
|||
|
"Yes."
|
|||
|
"Mr. Stuart, how did you come to the pyramid today?"
|
|||
|
"I walked. Outside the tunnel system, on the surface."
|
|||
|
"For what purpose? Why here? Why today?"
|
|||
|
"I was following Justine."
|
|||
|
"Why?"
|
|||
|
"I saw that she had a copy of The White House Transcripts. I
|
|||
|
thought she might be connected with my investigation in some way."
|
|||
|
"The prosecution rests."
|
|||
|
"Thank you, Mr. Tzadi," Justine said. "Does the defense have
|
|||
|
a case to make?"
|
|||
|
"Yes," said Stu. "I do. I guess. As I said, I came here on
|
|||
|
invitation for an initiation. Whatever other interests I may have,
|
|||
|
it has been my intention all along to undertake the initiation with
|
|||
|
all sincerity. As a member of the Magickal Children, I have always
|
|||
|
held fast to the Thelemic Law: Do what thou wilt shall be the whole
|
|||
|
of the Law. I believe that everything that I have done in this
|
|||
|
matter has been a result of deep reflection in accordance with my
|
|||
|
will. I believe that supersedes any other obligations or authority.
|
|||
|
The defense rests."
|
|||
|
"That is the evidence," Siva said, standing. "How does the
|
|||
|
judge rule?"
|
|||
|
"If the defendant was, in fact, acting in accordance with his
|
|||
|
True Will, he does have a valid point," said Justine.
|
|||
|
"The charge," said Siva, "has nothing to do with the
|
|||
|
defendant's True Will. If he was indeed acting in such a way, we
|
|||
|
will applaud him, but that remains irrelevant to your decision. Is
|
|||
|
Mr. Stuart guilty or not guilty of the charge of spying?"
|
|||
|
Justine considered for a moment, then, finally, she said very
|
|||
|
softly: "Guilty."
|
|||
|
99. THE SENTENCE
|
|||
|
|
|||
|
"The sentence in such cases," Siva said, "is generally
|
|||
|
expulsion from the order, but in this case the circumstances
|
|||
|
dictate action of a different kind."
|
|||
|
"Circumstances?" Stu asked. "What circumstances?"
|
|||
|
"That is not for you to ask. I am acting now as Hierophant of
|
|||
|
the order. The sentence will consist of imprisonment in the
|
|||
|
innermost chamber of this pyramid for an unspecified period of time
|
|||
|
to begin immediately."
|
|||
|
Stu's impulse was to run. He looked up to assess his chances
|
|||
|
of escape. They were nil. Mel Tzadi held a gun.
|
|||
|
"Fuck," Stu said. "Shit."
|
|||
|
"Take off the suit," Tzadi said. "Now." He brandished the gun.
|
|||
|
Stu took off his spacesuit. He stood naked in the center of
|
|||
|
the room.
|
|||
|
"Walk," said Tzadi. "Go out the door."
|
|||
|
They marched him down the corridor and back into the room with
|
|||
|
the terminal. Dr. Siva opened the metal door on the far side of the
|
|||
|
room and Stu was pushed through it. The door slid closed behind
|
|||
|
him.
|
|||
|
Stu found himself inside a small chamber. A single, dim panel
|
|||
|
set in the ceiling provided illumination. The walls and floor were
|
|||
|
stone, unadorned, cold against his feet. The room was empty except
|
|||
|
for a corpse which lay on the floor, mutilated and mummified from
|
|||
|
exposure to vacuum.
|