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Plaintext
468 lines
25 KiB
Plaintext
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This story is PG 13 for some adult situations. There is a somewhat
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steamy, (though NOT explicit,) dream encounter between Mulder
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and Scully, so if that sort of thing gives you fits - even as a dream -
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you can skip that part. This is not a "romance" in the accepted sense,
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however, so please feel otherwise safe in proceeding.
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The references attributed to Dr. Hans Holzer are taken from his book:
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Yankee Ghosts. And the words to the song sung by Nicole White
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are from the ballad: "The Grey Silkie of Sule Skerry." If anyone
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wants more background on what is behind Scully's reaction, this can
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be found in my story, "Sea of Desire."
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Thanks to Tish Sears for all the editing help!
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AUTHOR'S NOTE: The Colter farm is based on a real place,
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although the names have all been changed to protect the innocent, as
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they say. It's about five miles from the house where I grew up, and
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the ghosts are a bona fide local legend. I have been all through the
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house and property, and have seen the graves. And although *I*
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have not seen the ghosts, myself, I have talked to people who swear
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they have. David Bowman is fictional, however, and his
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"experience" is the product of my own imagination.
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Comments welcome, critique encouraged, flames humbly accepted.
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"Those Who Love" is posted in seven parts, all parts posted on
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September 6, 1995.
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Fox Mulder, and Dana Scully are the property of Ten Thirteen
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Productions, lovingly borrowed without permission, and without
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any intent to infringe, annoy or otherwise upset. The rest of the
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characters are mine.
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*****************************************************
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THOSE WHO LOVE - Part 1
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CUMBERLAND, CONNECTICUT
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James Dolan swatted a mosquito on the back of his neck, and
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wondered, once again, what had possessed him to take his law
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degree to the bank, literally. True, it was fairly satisfying, if not
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very
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challenging, work, guiding young couples through the morass of
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legal mumbo-jumbo that surrounded closing on a newly purchased
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piece of property, or representing his employer in such transactions
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with other banks. He was not going to get rich doing it, but it paid
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the bills, and it did leave him plenty of time, and creative energy, to
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work on the novel that was his life's real passion.
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Most days he did not mind his job, but this task that he was
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about today made him long for a nice little private practice defending
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petty criminals and processing divorces. Temple Realty, one of his
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bank's biggest clients, had a bid on this parcel on behalf of some
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developer who wanted to put in more ugly contemporaries and
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colonial reproductions, and he, Jimmy Dolan, was out here "walking
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the land," looking for God knew what. As if there was any way this
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deal would not go through.
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Jimmy was a suburbanite, born and raised on a cul de sac in
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West Hartford, and the closest he had ever gotten to real wilderness
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was one disastrous encounter with summer camp when he had been
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in the seventh grade. He was not particularly pleased to be tramping
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around out there in the woods in jeans and work boots. He also
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doubted he was the appropriate person for this job, and the
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unfamiliar insecurity was worrisome. He knew more than he gave
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himself credit for, though. For one thing, he had recognized that a
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clump of weeds he had passed a little while ago as one of the primary
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indicators of a potential wetland; he would need to alert his superiors
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that the local Inland Wetlands committee was likely to have heyday
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with that, if they did not find a way to deflect them, or make them
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otherwise happy. He also knew that there was one old structure on
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the property that was going to have to come down, but there did not
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seem to be any problems there, no title disputes or other questions.
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In fact, it was more curiosity than anything that made him decide to
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go look at it.
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The Colter farm had been a legend in Cumberland for as long
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as the natives could remember. Haunted, the old timers said with the
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same matter-of-factness that they used when they talked about the
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weather, or the latest crop of hay. It amazed him, sometimes, how
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these pragmatic, old swamp Yankees, most of them without an
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imaginative bone in their bodies, could accept so nonchalantly the
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idea of an actual haunted house. Dolan thought it was just plan silly.
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The idea of a house standing for over two hundred and fifty years
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intrigued him, though. If anyone had asked, he would have told
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them that he thought it was kind of a shame to tear it down.
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As Dolan came up over a rise, he found himself out of the
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woods, in a brush filled clearing. There had been little undergrowth
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in the forest itself, and after that relative openness, trying to
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navigate
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through the tall weeds in the lot that lead up to the Colter homestead
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was almost enough to make him change his mind. He really wanted
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to see the place, though, so he forged on ahead, making sarcastic
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remarks to himself about becoming Daniel Boone as he went along.
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The house was small, unimpressive, and deserted. Dolan
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found himself vaguely disappointed. Not much to it, really, just an
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old salt box, that looked about ready to come down on it's own. He
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pounded a piece of siding and heard the tell tale hollowness that
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indicated dry rot. And probably termites or carpenter ants, too. It
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did not look much like a haunted house, either. To Dolan, a haunted
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house should be a three story Victorian on a deserted street, and look
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like Herman Munster lived there. Still, the place was interesting, in
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its way, with its drooping roof line, and the oddly shaped windows
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that were obviously created and installed by hand. No factory built
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precision here, and the old glass, each small pane with a "bull's eye"
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from the blower's stem and ripples near the bottom the flow over
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time, was charming. Dolan stood on tip toe, and tried to look in, but
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it was too dark inside to see much.
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The door was on the other side of the house, but he would
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need to come back with a key if he really wanted to see what was
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inside. He doubted it was worth it. He walked around the outside. It
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was not until he saw the old well that Dolan realized that he was tired
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and thirsty. He was unaccustomed to a lot of physical exercise and
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this hike through the woods had taken a lot out of him. He walked
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over to the circular stone structure, and flopped himself down on the
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well cover. He leaned back on his hands and gazed at the old house.
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From this side, he could see that there was really a lot more to
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the place than he had originally thought; the small, square, and
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probably original, front portion was followed by a large annex that
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Dolan knew contained a modern kitchen added by some more recent
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resident, and a covered enclosure that had probably housed a
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carriage or farm wagon at one time in the past. The place was really
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delightful, and Dolan felt himself regretting, again, it's ordained
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demise. He thought, rather wistfully, that maybe, if he ever got
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around to proposing to his girlfriend, Deborah, they could find some
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old place like this someday and fix it up. He sighed and leveraged
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himself off the well cover. Time to be getting a move on, he still had
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a long walk back to his car.
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He was just brushing the dirt off his hands when he saw a
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movement back in the carriage house. Frowning, he stared into the
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darkness there. Strange, he could have almost sworn that a person
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had ducked into the shadows, out of sight, now. Terrific, just what
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he needed, vagrants. He tramped over, shouting loudly to whoever it
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was to get on out. No one answered him, and no one moved.
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Dolan stopped about ten yards from the house. The
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temperature had suddenly dropped with an abruptness that usually
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meant an incoming storm. The sky was still cloudless, but growing
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up in New England had taught him never to trust the condition of the
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sky. If a summer thunderstorm was on its way, he was damn sure he
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did not want to get caught out in it. Somebody else could come deal
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with this squatter, if there was, in fact, someone hiding back in those
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shadows. And anyway, it had just occurred to him that he, an
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unarmed, overweight, out of shape lawyer with no idea how to
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defend himself, really had no business trying to chase anyone off of
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anywhere. He was going back to his car.
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Then he saw it, again. The temperature dropped still further,
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nearly arctic now. Dolan hugged his arms with cold, but he could
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not move. His heart was racing, and he felt a strange sensation
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paralyzing his legs, riveting him to his spot. He broke into a heavy
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sweat, despite the chill. Swallowing hard, he stared into the
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shadows, at the vague movement he sensed almost more than he
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saw. A creeping terror suddenly overwhelmed him.
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"Who is it? Who's in there?" he demanded, in a weak voice.
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No one answered. A shadow moved.
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Dolan screamed. He screamed with a violence that sounded
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as if all the fiends in hell had just pointed at him and claimed him as
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their own. He screamed as if it were his very soul being wrenched
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from his body. And then he collapsed onto the ground.
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FEDERAL BUREAU OF INVESTIGATION
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WASHINGTON, DC
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"I don't get it, Mulder," Special Agent Dana Scully frowned
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across the desk at her partner. She lifted the file in her hands. "All
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you've got, here, are three men who died of entirely natural causes.
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What am I missing?"
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Fox Mulder nodded slowly.
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"Three fairly young, relatively healthy men, two surveyors,
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and a lawyer. All who died of the same natural cause, all within a
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week of each other, while standing on approximately the same plot
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of ground. Doesn't that strike you as a little odd?"
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Scully made a face.
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"Yeah," she agreed, cautiously, "I will admit that the
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coincidence *is* a little unlikely. Still, I don't find anything here
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that
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would indicate that there has been anything out of the ordinary in
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these deaths, other than strange coincidence. And the last I knew,
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willful or unwillful participation in the perpetration of a coincidence
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was not a federal crime."
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Mulder smiled at the quip, but otherwise remained quiet,
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letting her stew. Scully scrutinized the closed file a moment longer,
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then blew out a breath.
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"At most, I would suspect some kind of environmental toxin,
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since they were all out of doors when they died." She looked back at
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him. "But that is hardly a Bureau concern. And it's certainly outside
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the realm of *your* interests..." She cocked a smile at him, he
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chuckled. Mulder stood up and flipped on the light to his slide
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projector.
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"Look at the pictures, again," he directed. "Tell me what you
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see."
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She knew what he was doing. He was not teasing her, this
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was not some exercise in patronization. He saw something,
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something about which he was unsure, and he needed her to see it,
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too, on her own, to help him confirm his interpretation. She
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understood it, but it was still an exasperating process. She watched
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as he cycled slowly through the three slides of the three dead men,
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taken at the "scenes."
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The slides each showed a man, lying in what looked like a
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field. It may also have been an overgrown barnyard, there did seem
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to be a ramshackle building in the background. Each man had a look
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of surprise, almost a grimace, on his now still features. Scully
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concentrated more closely on the expressions. Yes, she supposed, it
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could be some kind of death rictus, certain poisons *did* have that
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effect, but a poison would have turned up in a toxicological exam.
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And there was nothing out of the ordinary in any of these men's'
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reports. In fact, other than a severely elevated adrenal level in the
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blood, there was nothing out of the ordinary at all, in any of the
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exams. And the adrenaline surge could easily be explained by the
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fear associated with a heart attack. These men all died from simple
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heart failure. Period.
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"I just don't know, Mulder. An airborne toxin, maybe?" she
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sighed, trying hard to give it the benefit of the doubt. She shook her
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head. "That could have caused this rictus, I suppose, and perhaps
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still not shown up in the tox. But nothing that I'm currently familiar
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with..."
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She looked at Mulder and shrugged helplessly.
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"Is it possible, Scully," her partner asked, "that these men
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might have been frightened to death?"
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Scully sat back in her chair.
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"Look, Mulder, I'm sorry, but I surrender. Give. What's
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going on here? What do you know?"
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Mulder leaned over and handed her a map.
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"This is a map of the grounds, and surrounding area, where
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those three men died. This piece of property is currently for sale;
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there is a bid outstanding on it, and it's earmarked for a housing
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development. Pretty straight forward stuff. It was being surveyed by
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two of those dead men at the time they died; the first man to die,
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James Dolan, was a bank lawyer taking a look around prior to the
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loan approval."
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"You think someone is trying to block the sale for some
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reason?" Scully frowned at him. "But that still doesn't explain how
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these men might have been killed, if you're right and they men did
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not die of natural causes."
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"I never said these men did not die of natural causes. But I
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am about to suggest that the natural cause was generated by an
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'unnatural' experience," Mulder replied. "Or rather, a supernatural
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one."
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Scully sighed.
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"This hundred acre parcel is mostly undeveloped woodland,
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and some pasturage," Mulder went on, ignoring Scully's expression.
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"It is free of any existing structures. Except one."
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Mulder leaned across the desk and pointed.
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"Up here in the northwestern corner, where our bodies where
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found, is an old farmhouse, built in the mid-1700's. If you look in
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two of those slides, you can see it, right there, in the corners of the
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pictures. The house, as well as the adjoining twelve acres, is owned
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separately by the Bowman family, but is being offered as part of the
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rest of this parcel. Something to do with road access, I believe.
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"Up until the last ten years, the house has been occupied,
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most recently by a Martha Bowman Jacobs, who passed away six
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years ago. Her nephews inherited the property. The house is
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currently empty. Except...," Mulder leaned back and looked at her,
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"reputedly, for two resident ghosts."
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Scully sat back and looked at him over the tops of her glasses.
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"Mulder..."
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Mulder reached behind him, and removed a book from the
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place it was precariously balanced, under a pile of paperwork on the
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bookcase to the right of his desk. Scully winced. One of these days,
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she thought, watching him, that whole mess was going to come right
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down.
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Mulder handed the book to Scully. She looked at the aged
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and torn cover.
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"Haunted Places in New England..." she read and gave
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Mulder a jaundiced eye.
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"If you'll turn to page twenty-seven, I think you'll find our
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piece of property there. It was called the Colter Farm, after the
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family who built the place originally. It's still called that, as far as
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I
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know."
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Scully sucked in a smile, and turned to page twenty-seven.
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The chapter title leaped out at her - "Ghostly Lovers in Cumberland,
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Connecticut: The Colter Farm Ghosts. " Scully looked back up at her
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partner.
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"So I ask you, Dr. Scully," Mulder went on, "could those men
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have been frightened to death?"
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"I don't believe this." She closed the book and tossed it on
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his desk.
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"Look at the pictures, again."
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"Mulder, do you honestly expect me..." Scully sputtered.
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Mulder just held up a hand.
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"Look at the pictures, again," he said, very gently. Then he
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smiled at her winningly. "Please?"
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Scully blew out a breath. But his expression made her laugh,
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a little. She took the projector control from him, and cycled through
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the slides again.
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"Three heart attacks," glossed Mulder, as she looked. "In one
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week. In the same place. Suffered by young men with no former
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history of heart disease, and no," he held up a hand again to ward off
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her protest, as she glanced up at him, "indication of early heart
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disease in the autopsies.
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"Could they have been frightened to death?"
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"Mulder, that's very rare..."
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He nodded. Then he raised his eyebrows at her. Scully
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sighed and looked back at the slide on the screen. She shrugged and
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nodded.
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"Well, they did all show extremely elevated adrenal levels.
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Yes, I suppose they could have been frightened to death," she
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relented. "In the absence of other evidence to the contrary." She
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looked back up at him and finally smiled for real.
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"Ghosts."
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Mulder shrugged sheepishly. Scully shook her head.
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"Look," she said, "I'll admit that the 'coincidence' is
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troubling.
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And intriguing. But ghosts, Mulder? And anyway. This still isn't a
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Bureau matter. No crime has been committed here."
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"There are three bodies," Mulder replied. "And three
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unexplained deaths."
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Scully did not bother to remind him that the deaths were too
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explained. She rolled her eyes a little.
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"You gonna tell Skinner about this one?"
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"Eventually," Mulder agreed.
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"He's gonna be wild," Scully warned him. "Skinner cuts you
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a lot of slack on these investigations, but he still has people he has to
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answer to. He won't appreciate it much if you make him look like a
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fool."
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"That's why I'm going to keep this little excursion to myself
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until I can figure out if there's really something there. Come on
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Scully, it's only Connecticut. We can be there in two hours. We
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should know inside of twenty-four whether or not there's anything
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worth investigating. We can be there and back before anybody even
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knows we're gone."
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Scully sighed. She really did not want to admit how much
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this little puzzle was starting to interest her. Not that she believed
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for
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a minute in Mulder's ghosts... But it *was* weird that three healthy
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young men should drop dead on the same piece of ground. She
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nodded slowly, relenting finally, and Mulder grinned.
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"I'll pick you up at your place in an hour," he beamed.
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HARTFORD, CONNECTICUT
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J. (Jamal) Gallagher, got out of his car, and walked toward the
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entrance of a small neighborhood bar. His step was confident, his
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charcoal Grey suit and designer tie impeccable. His attitude was
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serene. He looked every inch exactly what he was: a successful
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man, completely in charge of his life and situation.
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Gallagher coordinated cocaine distribution in eastern
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Connecticut for the "family" in Springfield, Massachusetts, moving
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their product, making their deals, and negotiating a substantial profit
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for all parties. A business man by trade, Gallagher had risen up out
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of the ghetto in the north end of Hartford, fought his way through
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college and up the corporate ladder on brains, cunning, and a
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willingness to work obsessively to obtain his goals. He had finally
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reached the position in life where he could leave his childhood roots
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behind him. Unfortunately, however, Gallagher had expensive
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tastes: fine houses, fine cars, fine wine, and these tastes were not
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|
supported to his liking by the salary afforded a corporate executive in
|
||
|
an insurance company. He could have gone into private consulting,
|
||
|
perhaps, and made more, but his talent was for research, and political
|
||
|
manipulation, not for the kinds of histrionics required for freelance
|
||
|
work. It was perhaps ironic, then, that it was to his childhood roots
|
||
|
that Gallagher eventually turned when the need arose to supplement
|
||
|
his income.
|
||
|
Gallagher had no illusions about his role, or his importance to
|
||
|
the overall organization he represented. He was a flunky, elaborately
|
||
|
disguised as a player. His job was to make arrangements, to pick up
|
||
|
the "shipments" of product that would supply his ring of local
|
||
|
pushers, to negotiate the price, and pay for said product, and to
|
||
|
collect from the "distributors," nothing more. He was strictly a
|
||
|
middleman. He did not mind. The job "paid" well, and took up very
|
||
|
little of his time, overall. And he found himself liking the excitement,
|
||
|
and the element of danger. He was the connections man, he found
|
||
|
the sources, organized the drops and the pick-ups, he paid for the
|
||
|
goods. It was he who made the recommendations when certain
|
||
|
"disciplinary actions" became necessary. But he made no decisions,
|
||
|
and he liked it that way. He would be the "fall guy," he knew, if the
|
||
|
organization ever came down, but Gallagher was careful and clever.
|
||
|
He did not expect to get caught. He carried a gun, in addition to the
|
||
|
switchblade he always kept in his car, and had trained himself in its
|
||
|
operation, but the weapon was really just for show. J. (Jamal)
|
||
|
Gallagher had no intention of ever putting himself in a position where
|
||
|
he might need to use it.
|
||
|
Gallagher strode through the door and looked around.
|
||
|
Except for two old men sitting by the jukebox, the place was empty,
|
||
|
as he knew it would be at that hour. He nodded to the kid behind the
|
||
|
bar. Larry was on his "payroll," not a heavily reimbursed retainer,
|
||
|
but provided enough money to convince the kid it was wiser to keep
|
||
|
his mouth shut about who Gallagher might have been seen with, and
|
||
|
when. The gesture was more theatrics than anything. Gallagher
|
||
|
generally met with other "businessmen" who were supplementing
|
||
|
their incomes. No one in the least suspicious looking had ever sat
|
||
|
across from him at the booth into which he now slid. It was one of
|
||
|
his precautions. Larry brought him a beer while he waited.
|
||
|
Gallagher was early for his appointment, which was another one of
|
||
|
his precautions. He sipped his beer and waited.
|
||
|
Within fifteen minutes, the door opened again, and a second
|
||
|
man entered the dark environs of the bar. Leslie Hendricksen had
|
||
|
none of Gallagher's cool composure. Overweight, perspiring in the
|
||
|
summer heat, he looked as rumpled and ineffective as the badly
|
||
|
tailored suit he wore. Gallagher smiled to himself. This one would
|
||
|
be easy. Hendricksen approached him cautiously.
|
||
|
"Mr. Gallagher?"
|
||
|
Gallagher nodded, but did not stand.
|
||
|
"Mr. Hendricksen. Please have a seat." He gestured to Larry,
|
||
|
as the other man sat down. "What are you drinking?"
|
||
|
Hendricksen looked up at the bar keep nervously.
|
||
|
"A beer, just a beer," he said. Gallagher nodded to the boy,
|
||
|
indicating that anything would do, then waited until Larry returned,
|
||
|
then left again, before he addressed Hendricksen.
|
||
|
"Terrible day, isn't it," he said, his voice soft and soothing.
|
||
|
There was no hint of a street patois in his carefully pitched and
|
||
|
controlled speech. J. (Jamal) Gallagher had spent long hours
|
||
|
practicing to be sure that there never would be. "This heat is
|
||
|
unbearable. I heard on the radio this morning that this is the worst
|
||
|
heat wave the country has experienced in over ten years. Even worse
|
||
|
than the summer of '88."
|
||
|
"It's a scorcher," Hendricksen agreed. He sucked on his beer,
|
||
|
then gasped, the cold liquid stealing his breath. Gallagher could see
|
||
|
his hands shaking, and smiled. Guy must be a virgin, he thought,
|
||
|
and considered that he should be able to strike a very good deal here.
|
||
|
He smiled encouragingly.
|
||
|
"You have some information for me, Mr. Hendricksen?"
|
||
|
Hendricksen nodded, but looked around worriedly.
|
||
|
"You have no need to be concerned, Mr. Hendricksen. We
|
||
|
are quite safe here, and quite alone. Don't mind Larry."
|
||
|
Hendricksen did not look exactly convinced. He sipped some
|
||
|
more of his beer, then leaned forward conspiratorially.
|
||
|
"Pete said to tell you there's a shipment coming in," he
|
||
|
whispered. Gallagher nodded, and waited. When nothing was
|
||
|
forthcoming, he prodded.
|
||
|
"How large a shipment, did Pete say."
|
||
|
Hendriksen told him. Gallagher nodded, pleased.
|
||
|
"When is the, ah, merchandise expected, Mr. Hendricksen?"
|
||
|
In two weeks, he was told. Gallagher sat back, and steepled
|
||
|
his fingers before his face. The pause was theatrics, he had already
|
||
|
decided where he was going next. But the allusion of consideration
|
||
|
would put Hendricksen on a malleable defensive.
|
||
|
"Where will the drop be made?"
|
||
|
"Not here," Hendricksen said quickly. "This place is too
|
||
|
busy. I want a quieter setting. Little town."
|
||
|
Gallagher pursed his lips. Amateur, he thought. Any fool
|
||
|
would know that a small town was no safer than a large one, for such
|
||
|
business. Often just the opposite; their type of transaction would
|
||
|
more likely attract attention in some little hamlet than here in the
|
||
|
city.
|
||
|
Still, it did not matter all that much. Gallagher only dealt in small
|
||
|
trade that was easily concealed. If it made the man happier, and
|
||
|
more tractable to complete the transaction in some bucolic setting, so
|
||
|
be it.
|
||
|
"Do you have some place in mind?"
|
||
|
Hendricksen nodded.
|
||
|
"Cumberland. Out by the university. I'll contact you as to
|
||
|
where," he replied, relief giving him confidence.
|
||
|
Gallagher nodded. He knew Cumberland. He visited the
|
||
|
town frequently, he had friends there. If he was recognized, his
|
||
|
presence would not seem out of the ordinary.
|
||
|
"Very well," he nodded. He contemplated a little more.
|
||
|
Then: "And are you prepared, Mr. Hendricksen, to negotiate a
|
||
|
preliminary price? Pending examination of the product of course?"
|
||
|
Hendriksen took a deep breath, looking very nervous, again.
|
||
|
But he nodded.
|
||
|
"Good," said Gallagher, and he leaned forward across the
|
||
|
table and smiled.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
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|
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