965 lines
54 KiB
Plaintext
965 lines
54 KiB
Plaintext
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O'tay this is my second attempt at an XF story. It is a crossover,
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but I don't want to give it away so that's all I'll say about that.
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If you're a real sci-fi nut (like me) you should have no problem figuring
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this one out.
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And now... copyright stuff. This story is based on the characters and
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situations created by Cris Carter, Ten Thirteen Productions and Fox
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Broadcasting. No infringement of that copyright is intended... so please
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don't sue. I'm only nineteen, you wouldn't get much money anyway. :D
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All crossover characters ( I don't want to give it away so I won't mention
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who they are here, but at the end.) actually, *all* characters are used
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without permission and, again, no infringement is intended. Also,
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anything about copyrighting that I missed... insert here.
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( I really don't want to get into trouble here :D but I think I
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covered everything.) :::sigh:::
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/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
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Jacob's Father
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By. Karen D. Enriquez (SciNut) 10/5/94
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Historian's Note: This story takes place shortly after _The_X-Files_
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first season episode "Darkness Falls." (The glowing green bug episode.)
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And significantly after the demise of the series to which is the subject
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of the crossover.
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New York City...
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Michael Matthews shuddered beneath the heavy lining of his European
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made jacket. He always found that the New York night air held a certain
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chill. _Everything in this city is cold_ he thought. Everything from
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the weather to the people. Even his boss was a cold bastard.
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He couldn't really say his boss was a bastard, because he worked
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for him. Michael knew what he was getting into before he'd been hired
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so that made him a bastard as well. The things he was paid to do for
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instance. He knew they were illegal but he did them anyway. Michael
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was rather short on the conscience end of personalities.
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Like tonight. Here he was, standing on a somewhat deserted street,
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in New York, at night and by himself. He was waiting for a guy who was
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supposed to pick up the contents of the envelope Michael carried inside
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his jacket. Michael didn't know exactly what was in the envelope but he
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guessed they were the newest designs for the "secret" aircraft that his
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boss had been contracted to develop for the United States Air Force.
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However, none of it was really his business. All he had to do was deliver
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the thing and at least this time the stuff had been paid for in advance
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so he wouldn't have to worry about carrying a large amount of cash on
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himself. But the best thing about the whole arrangement was there would
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be no chance for a double-cross. Suddenly, he saw a young man turn the
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corner on to the street and come towards him.
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" Hey... amigo," the kid said.
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Michael found himself scowling. He thought the idea of having gang
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members doing delivery was pathetic. While they could be loyal at times,
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gang members were usually unreliable.
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His silence made the kid suspicious. " Hey man... the stuff's been
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paid for so don't try no funny stuff." He said nervously, his words
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tainted with an Hispanic accent.
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Michael raised an eyebrow in amusement but said nothing. He liked
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playing with people's heads, it gave him a certain feeling of power.
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" Come on, hand it over before someone sees us."
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He had a point. Michael frowned and removed the envelope from his
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jacket and slowly handed it to the kid.
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" See now that wasn't so difficult." The kid replied. " You know
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I like you, hombre. You come down to the pier, ey? Mi casa es su casa."
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He finished with a laugh as he turned and began to stroll down the street.
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Michael watched him leave just to make sure nobody jumped him and
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found the envelope. Not that Michael cared about the kid's welfare,
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just that it would be a bad thing for his boss if something
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"unexpected" were to happen at this point.
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Suddenly he saw movement in his peripheral vision. He turned towards
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it to see a young boy in a darkened alley. How long had that kid been
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there? What had he seen? Michael hated when this happened. He was going
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to have to dispose of the kid. Michael was a careful man and he normally
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didn't make mistakes like this one. Well, he'd take care of it.
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He stalked into the dead end alley. Michael knew the kid had seen
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him coming this way and since Michael hadn't seen the kid leave he knew
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the boy was still in here. The alley wasn't very big, just large enough
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to provide sheltering shadows. Michael quickly scanned the area and
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spotted the boy trying to hide himself between two trash cans.
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Michael quickly grabbed the boy up and turned him so they could see
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eye to eye. The kid wasn't more than six years old with light brown,
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almost sandy blonde, hair. The thing that caught Michael's attention,
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however, were his eyes. The kid had dark green eyes that looked as if
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a certain wisdom lay deep inside his soul.
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" What's your name, boy?" Michael demanded.
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At first the boy didn't answer. A strange, peaceful look settled
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on his expression. " Jacob." He finally said in an angelic voice.
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" Jacob what?" Michael asked.
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Jacob remained silent.
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" What did you see in the street?" Michael continued and was met
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with silence. He felt his anger rise. God, he hated kids. " What did
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you see in the street?" He repeated, shaking the kid roughly.
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Jacob's expression turned from peaceful to alarmed. As if he were
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just realizing that he was in trouble. With a suddenness that
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shocked Michael, Jacob kicked. The tiny foot connecting solidly
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and forcefully with Michael's groin.
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Michael bent slightly in pain and his grip on the boy loosened
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enough for Jacob to wiggle free. Jacob landed gracefully on his feet
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and bolted out of the alley. Michael turned to follow.
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Then Michael heard it... a low menacing growl that reminded him
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of a lion. Turning to the sound, Michael wasn't expecting what he saw.
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His mouth dropped open in horror and he reached for his gun. But
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before he could get the weapon clear of the holster, the thing let
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loose a roar of pure rage and tore into Michael.
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He felt the pain of it ripping open his chest and its claws slashing
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across his face and neck. The next thing he knew he was lying face down
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on the pavement and the sounds of police sirens growing louder.
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Who had called the police? The kid? Michael thought before he fell
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into oblivion.
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***
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Washington D.C. 9 AM EST...
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Mulder leaned back in his chair, looked at the clock and sighed.
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Scully would be arriving soon and he wasn't finished yet. Currently,
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he was cleaning his desk and he was hoping to be finished before she
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got to the office because it was supposed to be a surprise.
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Well, all he could do now was straighten the piles of folders that
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normally hid the surface of the desk. The piles that he'd just spent
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three hours organizing alphabetically. Now, she'd be able to find
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anything she wanted on his desk. Maybe that would make her happy.
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He looked up as Scully walked through the door exactly at nine
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o'clock like she did every morning. Mulder only had to take one quick
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look at her before the feelings of guilt washed over him so strong
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he felt sick. She still hadn't quite recovered from their "nice
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trip to the forest." Even though the doctors had said she'd be fine,
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she looked as if she would never be okay.
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Scully still hadn't gained most of her weight back. The doctors
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had said she eventually would but she still had to drink incredible
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amount of liquids everyday. So much so that Mulder knew her schedule.
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At ten, Scully would drink two glasses of orange juice. At noon,
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she would drink two glasses of cranberry juice. At two, she drank
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V-8. At four, she drank apple juice and before she left at six she
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would drink water.
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They needed their fluids back up, the doctors had told them, and
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their vitamins. As a result, Scully had stopped drinking coffee in
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the mornings. Mulder knew Scully missed her coffee. But, the worst
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thing was, it was all his fault.
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If he hadn't pushed for the assignment and if he hadn't called
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in a few favors they would never have gone to Washington state to
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investigate the disappearance of those thirty loggers. They would
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never have found the bugs. They wouldn't have been almost killed.
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They wouldn't have spent the weeks in quarantine. Scully would still
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have her coffee.
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If, if, if... his inner voice taunted him. You never really thought
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it out did you. You didn't think anyone would get hurt... the thought
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never even entered your mind until it was too late. And it was Scully
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who had suffered.
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He looked away as she sat at her desk. She didn't say anything to
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him. She hadn't said much to him at all since they'd gotten back to D.C.
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Her silence spoke volumes to him. He was trying to make it up to her,
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but what can you do to apologize for almost killing someone. He'd
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started by trying to clean his desk.
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" Good morning, Scully. How are you feeling today?" He asked finally.
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" Fine, Mulder. Just a little tired." She answered while opening
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a case she was attempting to work on. When he didn't respond she looked
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over and saw a brief flash of emotion in his eyes before he covered
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it by looking away. " Mulder, is there something wrong?"
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" No... no, nothing wrong." He said unconvincingly.
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However, the lie told her what she already knew. He was feeling
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guilty over the bug thing, still. She shivered, again, at the thought
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of those little glowing bugs. She couldn't help it, she still slept
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with the lights on. She was dealing with it though and she'd eventually
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get over it, move on.
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Mulder, on the other hand, was still beating himself up over
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the incident. She knew he thought it was his fault. She really ought to
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tell him that she didn't blame him. He really had no control over the
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situation and she'd gone with him of her own free will. But, he was being
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so incredibly nice to her. He held open doors, he got her juice,
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he hadn't mentioned anything paranormal recently and he'd bought
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lunch everyday for the past week. She knew she was taking advantage
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of him. She knew if he continued to feel guilty that it would be
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unhealthy for him and he already carried around too much emotional baggage.
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She opened her mouth to speak and the phone rang.
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" Mulder." He answered in the clipped tone he normally used when
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answering the phone. He "yeah"-ed and nodded at points through the
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ten minute conversation and finally said, " Okay, I'll be there as
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soon as I can." He then put the receiver back in its cradle.
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" So what was that about?" Scully asked curious.
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An uncertain look crossed Mulder's face before he answered.
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" There's been a murder in New York City and the NYPD has asked for a
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hand from the Bureau. They want to give it to me." He paused then
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added quickly, " You don't have to go if you don't want to."
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He really was feeling bad. Scully should just tell him right now,
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but she knew how hard it was to get Mulder to listen. With him, actions
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spoke louder. " No, I don't mind going. When do we leave?"
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***
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Kennedy International Airport, New York, 1 PM EST...
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As the plane touched down at Kennedy, Scully glanced over at Mulder.
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He had been strangely silent throughout most of the flight. As a matter
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of fact, he'd only spoken to fill her in on what he knew of the case.
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The whole thing had started two weeks ago. A man, Michael Matthews,
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had been found dead. The coroner thought he was maybe attacked by an
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animal. The body had not been in good condition when it was found.
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The NYPD had done what they could with the little evidence they'd had
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but, apparently, it wasn't enough. Matthews boss, a Mr. Edward Morris,
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was not satisfied with the apparent slowness of the investigation and
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had started making a nuisance of himself. So out of frustration, and to
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get the guy out of their way, the Department had called the FBI for help.
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" What's this about a witness again, Mulder?" Scully asked trying to
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pull him out of the self-induced guilt-trip that he had been in since
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they'd left DC.
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" From what I understand, some kid brought the police to the scene
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and they think he might have seen what happened but they can't get him
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to talk." He responded sounding like an obedient child.
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Scully sighed inwardly, " What about his parents?"
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" The police can't seem to find them."
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The plane came to a stop at the terminal and Mulder and Scully got up
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to retrieve their luggage.
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" Don't worry, I'll get 'em." Mulder said quickly as he took her bags
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and then his.
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" Mulder..." Scully began.
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" Come on, let's go." Mulder interrupted and gave her a gentle
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push towards the front of the aircraft.
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***
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New York Police Department, 2:45 PM EST...
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Not only had he driven, Scully thought, but he'd made sure that he'd
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opened and shut the car door for her as she got in and out. This was
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starting to get annoying.
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Mulder held the door open for her as they entered the building.
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Scully sighed, she would have to put an end to this soon but he was
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already making his way to the officer behind the front desk.
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" Special Agents Fox Mulder and Dana Scully to see Detective
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Diana Bennett," Mulder said to the bored looking officer.
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" Second floor," was the only response as the officer pointed
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towards the elevator.
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" Thanks," Mulder replied sarcastically as they turned and
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made their way to the elevator doors.
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After the short ride to the next floor, the elevator opened on a
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busy room. Actually, it was an average police office with desks
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scattered, but organized, across the room. Plain clothed police officers
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moved purposefully from one point to another and the room was filled
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with the softly deafening noise of hundreds of different conversations.
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" Detective Diana Bennett?" Scully asked the nearest person.
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The young looking man distractedly scanned the room while still
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talking on the phone lodged between his ear and shoulder. He pointed
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to the far side of the room and then his attention was drawn back to
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his conversation.
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Mulder and Scully made their way to a desk nearest the direction
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the officer had pointed. It was occupied by a woman with long, curling
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hair that was so red Scully wondered if it came from a bottle. The
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woman was dressed in blue jeans, a long sleeved cotton blouse and a
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black denim vest. From her leather belt hung a badge.
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" Detective Bennett?" Scully asked.
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" Yes?" the woman answered turning to face them. She was, by
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all accounts, an attractive woman. She was slight of frame and on the
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taller side. After giving Scully no more than a cursory glance, the
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detective turned towards Mulder. Scully saw the appreciative once over
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the other woman gave Mulder but Scully doubted he noticed it. His mind
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was already focused on something completely different.
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Scully stuck out her hand. " Special Agent Dana Scully of the FBI.
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This is my partner Fox Mulder." Diana Bennett shook her hand while a
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slight and subtle change came over her expression. Scully had seen it
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before, Diana had taken on the stance of, " Oh... the FBI come to take
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over 'my' case."
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" Detective Bennett," Mulder said as they shook hands as well.
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" Diana, please." She responded in a pleasant tone that held an
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underlying coldness.
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The tone of her voice caught Mulder's attention and he gave Diana
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a penetrating stare. Scully usually felt like squirming when he looked
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at her that way, but Diana showed no sign of uneasiness. Scully was
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impressed.
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Mulder seemed to come to some decision," Do you have the case file?"
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" Right here," Diana said flatly and handed him the file.
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He opened the folder and Scully moved closer so she could read over
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his shoulder. She was slightly shocked when he handed the file to her.
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She glanced up at him and the look of guilt and remorse she saw in his
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eyes nearly made her cry.
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" Where's the boy?" Mulder asked as he turned back to Diana.
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" Safe." Diana said with such defensiveness that it took both
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Mulder and Scully off guard.
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Suddenly, it was clear that sides had already been drawn and Mulder
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fell into his part naturally. " Well, I'd like to speak with him."
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He replied in a calm but aggressive tone. He didn't know what this
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woman's problem was but she was beginning to push the wrong buttons.
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Maybe she just liked a good fight.
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" I'll have to arrange that. He's in a safe house right now and
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I don't want to jeopardize him in any way. Maybe you'd like to look at
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the body first."
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" Fine... lead the way." Mulder said gesturing for her to proceed.
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Scully was intrigued. Instinctively, something about this woman
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bothered Mulder. Scully could read him pretty easily, and his body
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language was practically shouting that something was wrong. The sudden
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tensing of his shoulders and tightening of his eyes, he probably didn't
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even realize it yet.
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" Okay. We'll have to go down to the morgue. We'll take my car."
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Diana said as she started towards the elevator.
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***
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City Morgue, 4 PM EST...
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" Michael Matthews," the coroner said thoughtfully as he walked down
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the isle of silver doors each containing bodies in frozen storage.
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" Ah... here he is." With a flourish he swung open a door at waist
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level and pulled out a drawer with a sheet covered body.
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The coroner was a tall, thin, balding man with the devil's glint in
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his eye. Mulder had liked the man on sight. Next to him, he saw Scully
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quickly cover a smile. Coroners didn't generally take their jobs so
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nonchalantly.
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The coroner pulled back the sheet with all the enthusiasm of a
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game show host. " Take a look."
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Both Mulder and Scully winced in disgust but Diana looked on
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in detachment. Matthews was indeed in bad shape. Slash marks an inch
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deep and several inches long crisscrossed his torso. Deep gouges marked
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his face and neck.
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" Yup, pretty bad," the coroner continued. " I've seen worse but
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the mortician 'bout fainted. He said the family wanted an open casket.
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Go figure."
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" Family?" Mulder asked confused. " Matthews' file says he
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had no family."
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" That would be his employer, Morris." Diana cut in.
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" In this town he's considered very powerful and every member of
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his business, Morris Industries, is rumored to be treated like blood.
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Which is why, when he started pressuring the Department, the chief went
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to get re-enforcements."
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" It does appear that he was attacked by an animal," Scully offered,
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taking a closer look at the lacerations.
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" I'd say... a tiger or a lion," replied the coroner.
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Mulder nodded, " What do you think, Diana?"
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Her answer was an uninterested shrug.
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***
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Quality Inn, 7 PM EST...
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" Did you get the impression that Diana was acting a little strange?"
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Mulder asked as he and Scully rode the elevator up to their hotel rooms.
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" Hmm... and I thought it was just me." Scully replied with a smile.
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" What do you mean?"
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" Nothing," She responded. Mulder really was blind. It was no wonder
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that he didn't have a life.
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" She's supposedly working this case," Mulder began, his mind clearly
|
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back on his original train of thought. " Yet, she has no theories?
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She hasn't even checked for missing zoo animals or anything. She
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knows something."
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" Maybe. It may help to speak to the boy." Scully offered.
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" That's another thing. He's in a safe house and she doesn't want
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to jeopardize him? We're the FBI. Okay... maybe she thinks the kid's
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in danger but she said herself that she had no working theory."
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" Mulder, calm down." Scully said seeing that he was beginning to
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work himself up. " She's probably just being cautious."
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" Yeah... maybe. Hey, where's the nearest library?" He asked the
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||
|
bellboy who was trying to be invisible in the corner of the elevator.
|
||
|
" About two blocks south," the young man replied.
|
||
|
" Good." The elevator came to a stop and the doors slid aside.
|
||
|
" Just take my bags and leave them in my room. I want to go and check
|
||
|
something." He said before Scully had a chance to ask him.
|
||
|
" I'll come with you."
|
||
|
" No." He said a bit too forcefully. " I mean... you should really
|
||
|
rest up and maybe have dinner."
|
||
|
" Mulder... really, I'm fine."
|
||
|
" No, no." He said gently pushing her from the elevator after
|
||
|
the bellboy. " Besides, I don't know what it is I'm looking for yet."
|
||
|
He finished as the doors shut between them.
|
||
|
He was being protective and she knew it. Scully shook her head and
|
||
|
followed the bellboy to her room. She tipped him and he left. She went
|
||
|
into the bathroom, looked at herself in the mirror and winced.
|
||
|
She *did* look worn-out. Her skin was too pale and, for once, she
|
||
|
looked too thin. The bite marks she'd received from the bugs were barely
|
||
|
visible, in fact, no one would notice them if they didn't know. Mulder
|
||
|
did know, however. No wonder he felt so guilty.
|
||
|
Suddenly, she was glad she hadn't gone with him.
|
||
|
|
||
|
***
|
||
|
New York Police Department, 9 AM EST...
|
||
|
|
||
|
" You know, Mulder... You haven't told me what you found at the
|
||
|
library last night." Scully said to him as they rode the elevator to
|
||
|
the second floor. They were on their way to met Diana who was then going
|
||
|
to escort them to see the witness.
|
||
|
A strange look crossed his face, " I know."
|
||
|
The doors opened and they made their way across the crowded police
|
||
|
room to Diana's desk. She looked up at them, giving Mulder another once
|
||
|
over before a distanced expression settled on her face. Scully knew,
|
||
|
by the way he tensed next to her, this time Mulder saw the look too.
|
||
|
Scully hid a smile.
|
||
|
" Are you both ready to go?" Diana asked.
|
||
|
Mulder was shocked at the tone of hostility he heard in her voice.
|
||
|
If the look he'd caught seconds before was any indication, Diana was
|
||
|
feeling anything *but* hostile. " We're ready, but I just have a minor
|
||
|
question."
|
||
|
" Sure, go ahead." Diana said as she collected her coat from the
|
||
|
back of her chair.
|
||
|
" Why didn't you mention that this kind of murder has occurred before?"
|
||
|
" What?" Both Scully and Diana said in unison.
|
||
|
" Yup," Mulder said turning to Scully. " I found out that there were
|
||
|
a string of deaths just like this a few years ago. So, why didn't you
|
||
|
mention it?"
|
||
|
" I didn't know about them." Diana replied matter-of-factly.
|
||
|
Mulder had to give her credit, Diana lied well.
|
||
|
" Let's go." Diana said and walked quickly towards the elevators.
|
||
|
" Fine," Mulder said following close behind. " But, I'd like all
|
||
|
the files pertaining to these murders."
|
||
|
" Fine." She answered.
|
||
|
" Fine." Mulder responded, getting in the last word.
|
||
|
Scully followed dumbfounded. This was like watching an old
|
||
|
'Moonlighting' episode.
|
||
|
|
||
|
***
|
||
|
|
||
|
The "safe house" was really an old church. Above the door was a
|
||
|
carved sign reading: Saint Catherine's Cathedral. The front had concrete
|
||
|
walls with delicate forms carved into the surface. Hand crafted oak doors
|
||
|
bore the inscription " There is no fear in love; but perfect love casteth
|
||
|
out fear. The First Epistle of John 4:18." The church had once been beautiful
|
||
|
but now looked as worn as the surrounding neighborhood. Upon entering the
|
||
|
cathedral, Mulder and Scully were astounded by the beauty of the place.
|
||
|
Clearly, Saint Catherine's was an example of the deceiving quality of
|
||
|
outer appearances.
|
||
|
Diana made her way over to an aging priest. He was a muscular man
|
||
|
in his late forties with dark hair that was just starting to see the
|
||
|
faint signs of grey. He turned and greeted their approach.
|
||
|
" Welcome to Saint Catherine's," he said with a voice that made him
|
||
|
sound much younger than he actually was. " Hello, again, Diana. What can
|
||
|
I help you with today?"
|
||
|
" Hello, Father Percy. These are the two FBI agents I said would
|
||
|
be coming today. Special agents Fox Mulder and Dana Scully this is
|
||
|
Father Percy Grant." Diana said as she made the introductions.
|
||
|
" Ah, yes. You've come to see young Jacob. Poor boy, that one. Still
|
||
|
no one has come to claim him."
|
||
|
Mulder found himself intrigued by their conversation. Both Diana
|
||
|
and Father Percy were slightly emphasizing certain words as if they
|
||
|
were having two distinctly different conversations. His suspicions grew.
|
||
|
Obviously Diana was in on something and now it looked as if the father
|
||
|
knew something as well. Could she be on the take? Was it possible that
|
||
|
the boy could be in danger from the very people who were supposedly
|
||
|
protecting him?
|
||
|
" I'm sure his parents will come for him soon. In the mean time,
|
||
|
he'll be safe here." Diana said.
|
||
|
" We'd like to speak with him now, if we could." Scully replied with
|
||
|
a curious look in her eyes. She'd picked up on it too.
|
||
|
" Most certainly." Father Percy responded in a polite tone. " He is
|
||
|
upstairs with the rest of the children. Please follow me."
|
||
|
Father Percy led them up a back staircase to the second floor of the
|
||
|
cathedral. The stairs brought them to a dimly lit narrow hallway with
|
||
|
several doors branching off. One door was standing open, reveling three
|
||
|
nuns in a spacious kitchen busily cooking the evening meal. The floors
|
||
|
were all made of polished hardwood clearly showing the scratches and wear
|
||
|
of small children. Surprisingly, the walls were free of the dirty smudges
|
||
|
that normally came with the territory.
|
||
|
Father Percy made his way to a closed door near the end of the hallway.
|
||
|
The sounds of children's laughter filtered from behind the ancient looking,
|
||
|
scratched and dented wooden door. " This is were all the children play when
|
||
|
it's too cold or wet for them outside." Father Percy said with some
|
||
|
sadness. " I wish we had a larger facility but, money being as it is,
|
||
|
we just cannot provide that for them. Still, they are fed, kept warm and
|
||
|
loved as much as we can provide. I just wish we could do more for them,
|
||
|
like with Jacob."
|
||
|
" What do you mean?" Mulder asked as Father Percy opened the door on
|
||
|
a spacious room filled with about fifteen young children.
|
||
|
" Jacob needs our protection, for now. Soon, the danger for him will
|
||
|
be past and someone will come for him to take him somewhere safer.
|
||
|
Someplace where he will be taken care of as all these children should
|
||
|
be cared for. I only wish it were as easy for the rest of them." He
|
||
|
answered to himself almost as if he were alone.
|
||
|
Mulder was about to question the priest again on what it was he was
|
||
|
trying to say when Diana interrupted. " Father Percy, please, we are in
|
||
|
kind of a hurry."
|
||
|
Mulder glanced at Scully to find his same questions echoed in her
|
||
|
eyes. Who would be coming for Jacob? His parents? Did that mean the priest
|
||
|
knew where Jacob's parents were? What did he mean by safer and "as
|
||
|
easy"? But Father Percy was already wading through the playing children
|
||
|
to a young boy sitting on the floor reading a book. Father Percy whispered
|
||
|
into the boy's ear and Jacob glanced at the two agents with eyes that
|
||
|
spoke of a wisdom beyond his years. Jacob nodded, carefully set the book
|
||
|
aside, stood and accompanied Father Percy back over to the agents.
|
||
|
Jacob was a small child only reaching halfway up Mulder's thigh.
|
||
|
He had light sandy-blonde hair and luminous, dark green eyes. Mulder
|
||
|
estimated the boy's age to be around six years and was amazed to realize
|
||
|
that the book he'd been reading was quite advanced for his age.
|
||
|
Mulder bent down to get eye to eye with the boy. " Hi," he said in
|
||
|
the non-threatening tone reserved for children. " My name's Mulder.
|
||
|
What's yours?"
|
||
|
Jacob eyed Mulder with an almost knowing stare. " Mulder what?"
|
||
|
He answered finally.
|
||
|
Mulder smiled. " Just Mulder. So what about you?"
|
||
|
" Jacob."
|
||
|
Turnabout was far play, even with kids. " Jacob what?" Mulder asked.
|
||
|
" Just Jacob," the child answered with the devil's glint in his eyes.
|
||
|
Mulder heard Scully smother a laugh. " If I tell you my whole name,
|
||
|
will you tell me yours?"
|
||
|
" Okay," Jacob replied getting into the game.
|
||
|
Mulder made a big show of sighing, " My whole name is Fox Mulder."
|
||
|
He added a slightly disgusted look when he said it.
|
||
|
" Fox?" Jacob asked. " Like the animal?"
|
||
|
" Yeah." Mulder said nodding. " But I don't like Fox, so it's
|
||
|
just Mulder, okay?"
|
||
|
Jacob giggled. " Okay."
|
||
|
" Good. Now, we had a deal." He paused giving Jacob a look that
|
||
|
said ' I double dare you.'
|
||
|
" It's just Jacob. I don't have a last name." Then he laughed,
|
||
|
proud that he'd conned a grown up.
|
||
|
Mulder glanced up at Scully to find her not quite deftly covering
|
||
|
a smile. " You do have a way with kids." She teased.
|
||
|
He shook his head, sighed and turned back to Jacob. " You got me.
|
||
|
Are we friends now? Because I don't want you to be scared of me."
|
||
|
" I'm not afraid. You're a nice man." Jacob said with a certainty
|
||
|
that went beyond childhood innocences.
|
||
|
" That's good because I need..."
|
||
|
" To ask me some questions," Jacob interrupted. " I know."
|
||
|
|
||
|
***
|
||
|
|
||
|
" Are you comfortable?" Mulder asked Jacob as he sat on the bed
|
||
|
across from him.
|
||
|
They had moved into the sleeping area so Mulder and Scully could
|
||
|
question him without the sponge-like ears of the other children nearby.
|
||
|
Scully had taken to sitting in a chair a few feet away while Father
|
||
|
Percy and Diana stood just to side of the bed where Mulder was.
|
||
|
Jacob nodded, " I like these beds, they're soft."
|
||
|
" That's good." Mulder paused and smiled lightly. " I want to ask
|
||
|
you about the night before you came here. Is that okay?"
|
||
|
Jacob nodded again with a slight wariness in his eyes.
|
||
|
" Do you remember the man in the alley?"
|
||
|
" Yeah, he was gonna hurt me."
|
||
|
" Do you know why he was going to hurt you?" Mulder asked glancing
|
||
|
at Scully who was dutifully writing everything down on her notepad.
|
||
|
" Well..." Jacob paused and glanced over at Father Percy.
|
||
|
" Because I saw him with the other man."
|
||
|
" Do you know what the other man looked like?"
|
||
|
Jacob's eyes again flicked to Father Percy before he shook his
|
||
|
head. " It was too dark. I couldn't see him too good."
|
||
|
" That's okay. Did you see what they were doing?"
|
||
|
Jacob looked over to Father Percy again but remained silent.
|
||
|
Mulder turned, " Father Percy, Diana, could you please go into
|
||
|
another room?"
|
||
|
Even Scully was shocked at the hard, angry expression on his face.
|
||
|
He'd spoken in the form of a question but sounded like a command.
|
||
|
Father Percy looked about to protest but was silenced by Diana's
|
||
|
compliance as she left the room. Father Percy followed.
|
||
|
" I thought we were friends." Mulder said turning back to Jacob.
|
||
|
" Yeah." Jacob responded.
|
||
|
" Friends tell each other the truth, right?"
|
||
|
" Yes," Jacob answered a little sullenly.
|
||
|
" So why were you looking to Father Percy for the answers?"
|
||
|
Jacob sighed. " 'Cause he said he knew what's best for me and
|
||
|
I'm not supposed to tell everything."
|
||
|
" Why not?" Mulder asked, successively containing the anger he felt.
|
||
|
" 'Cause it wouldn't be best for me."
|
||
|
" You do know what the other man looked like don't you."
|
||
|
Jacob nodded. " I didn't want to lie."
|
||
|
" I know, but now you don't have to. Okay?" Mulder paused.
|
||
|
" Now, what were the two men doing?"
|
||
|
" The first man gave the other man a big envelope."
|
||
|
" Did you see what was in it?"
|
||
|
" No. But when the second man left, that's when he saw me."
|
||
|
" What happened?" Mulder pushed gently.
|
||
|
" He grabbed me, asked me my name and shook me. Then I got scared
|
||
|
and kicked him as hard as I could."
|
||
|
" Where'd you kick him?"
|
||
|
Jacob looked uncertainly in Scully's direction. He leaned closer
|
||
|
to Mulder and whispered, " You know..."
|
||
|
" Ohh..." Mulder smiled and glanced in Scully's direction as well.
|
||
|
" That's a good place to kick."
|
||
|
Scully responded with a smile and continued to write.
|
||
|
" I know. Then I ran away, but I bumped into a policeman and had
|
||
|
to tell him what happened." Jacob paused, then added quickly.
|
||
|
" I didn't see anything else."
|
||
|
" Okay. Do you think you could help us make a picture of the other
|
||
|
man." Mulder asked deciding to skip the obvious signs that Jacob knew more.
|
||
|
" No." Jacob answered firmly.
|
||
|
" Why not? You saw him, right?"
|
||
|
" Yeah," Jacob replied looking uncomfortable. " But if I make a
|
||
|
picture then I have to go to court and testify."
|
||
|
Mulder hesitated. He was surprised that a young, street kid like
|
||
|
Jacob would know about such things. " Well, yes. Is that a problem?"
|
||
|
" I can't go to court and testify."
|
||
|
" Why not?" Mulder asked a little confused.
|
||
|
" 'Cause it wouldn't be best."
|
||
|
" Did Father Percy tell you that?" He said growing angry again.
|
||
|
" No, it's just something that is," Jacob paused again. " Please,
|
||
|
I don't want to."
|
||
|
|
||
|
***
|
||
|
Quality Inn, 4 PM EST...
|
||
|
|
||
|
" So, Mulder, what do you think?" Scully asked him as they sat at
|
||
|
a small table in Scully's room.
|
||
|
After Jacob had started refusing to answer any more questions,
|
||
|
Mulder and Scully had spent the next three hours tracking down the
|
||
|
files of the previous deaths. The files had been somewhat hard to locate,
|
||
|
as if someone had deliberately "misplaced" them. Diana had not been very
|
||
|
helpful until Mulder practically exploded on her. Scully didn't know
|
||
|
why, but Diana was almost obstructing the investigation. Well, Diana
|
||
|
wasn't really obstructing but she sure was being uncooperative.
|
||
|
Finally, they'd gotten all of the files and had returned to the hotel
|
||
|
to read through them over a late lunch.
|
||
|
Mulder sighed. " Something weird is going on here, that's what I think."
|
||
|
" Oh, good." Scully responded sarcastically. " I thought I had
|
||
|
imagined it."
|
||
|
Mulder shut the file he was reading, glanced over at her and quickly
|
||
|
suppressed an upsurge of guilt. God, she looked worn out. " Have you
|
||
|
noticed how uncooperative Diana is?"
|
||
|
" Yes , I have. I think she knows something about this whole thing."
|
||
|
Scully answered glimpsing the hint of guilt in his eyes.
|
||
|
" Father Percy too." Mulder added. " I can't help but wonder if
|
||
|
they've sold out."
|
||
|
" Diana doesn't seem the type."
|
||
|
" I can't get over how unsafe that "safe" house is." Mulder leaned
|
||
|
back in his chair. " The windows to the bedrooms all face a dark
|
||
|
alleyway. Anybody could snatch those kids and nobody would know anything."
|
||
|
" So do you think this second man has anything to do with the
|
||
|
death?" Scully asked already sure of what he'd say.
|
||
|
" No. Jacob said the guy left while Matthews was still alive.
|
||
|
But whatever it was those two guys were doing, it was important enough
|
||
|
to try and kill a six year old boy." Mulder shifted a little in his
|
||
|
seat. " What does Morris Industries do anyway?"
|
||
|
"Um..." Scully pulled a sheet of paper from a pile. " They design
|
||
|
and build aircraft for the Air Force."
|
||
|
" Espionage?" Mulder asked. This case was getting more interesting
|
||
|
by the minute.
|
||
|
" Maybe." Scully answered. " But we can't do anything, the boy
|
||
|
won't testify. We have nothing but speculation."
|
||
|
" Right," Mulder added after a short silence. " So let's try looking
|
||
|
at this case from a serial aspect."
|
||
|
Scully waited for him to go on. She found it fascinating to just
|
||
|
watch him think. He was the best and most gifted person she'd ever
|
||
|
worked with. She could practically see him organize all the evidence
|
||
|
and view it a piece at a time. She could see him draw the connections.
|
||
|
Finally, when she saw him hit a "wall" she responded, "Okay, what have
|
||
|
you got?" She could tell when he needed a sound board.
|
||
|
" We've got a string of deaths starting about ten years ago. All
|
||
|
the victims were into criminal activities. Racketeering, assault,
|
||
|
attempted murder and the list goes on." He stopped and picked up a
|
||
|
file. He sighed, " I don't know. There has to be more of a connection
|
||
|
than that."
|
||
|
" I agree." Scully added. " I keep coming across the name
|
||
|
Catherine Chandler. Who's she?"
|
||
|
" Who?" Mulder asked taking the folder she was holding. " Oh,
|
||
|
yeah. I've seen it too. I think she's with the DA's office. Seems like
|
||
|
she's always at the scene when the police arrive."
|
||
|
" Well, it's only four o'clock. She may still be there and we can
|
||
|
question her." Scully replied.
|
||
|
Mulder grabbed the phone and got the District Attorney's Office
|
||
|
number from Information. He dialed up the number and got some secretary.
|
||
|
" Yes, you may help me," Mulder answered. " I would like to speak
|
||
|
with Ms. Catherine Chandler please. Is she still there?"
|
||
|
He sighed, " Who's the DA?"
|
||
|
He paused, listening. " Joe Maxwell? How long has he been in office?"
|
||
|
Another pause, " Alright, can I speak to the DA then please?"
|
||
|
He paused again. " Yes, it is an emergency. This is Special Agent
|
||
|
Fox Mulder with the FBI. Could you put me through please?"
|
||
|
Another pause. " Yes, thank you so very much."
|
||
|
" Well?" Scully asked as he hung up the phone.
|
||
|
" It seems that the secretary has never heard of Catherine Chandler
|
||
|
so I suppose she no longer works there. The DA, Joe Maxwell, has been
|
||
|
in office for about seven years..." Mulder sighed then added
|
||
|
sarcastically, " We have an *appointment* with him in an hour."
|
||
|
|
||
|
***
|
||
|
|
||
|
Joe Maxwell was an attractive man. Tall with dark, short hair he
|
||
|
cut an imposing figure in a three piece, pinstriped suit. He stood
|
||
|
as Mulder and Scully entered his office but his pleasant smile did
|
||
|
not erase the weary look from his eyes.
|
||
|
" Mr. Maxwell?" Mulder asked extending his hand.
|
||
|
" Yes, you're from the FBI?" He paused shaking Mulder's hand.
|
||
|
" Pardon me, but I have absolutely no idea why you're here."
|
||
|
" Special agents Fox Mulder and Dana Scully," Mulder offered.
|
||
|
" We're investigating a homicide."
|
||
|
" Have you arrested a suspect?"
|
||
|
" Not yet," Mulder answered.
|
||
|
" Then I don't understand why you need the DA's office yet."
|
||
|
Maxwell interrupted.
|
||
|
" Sir," Scully replied. " We believe someone in your office
|
||
|
may be involved."
|
||
|
A shocked expression settled on his face. " Someone here?
|
||
|
Murder?" He slowly sank into his chair behind his desk. " Please,"
|
||
|
he motioned to the seats opposite the desk.
|
||
|
" We'll start from the beginning," Mulder said sitting.
|
||
|
" About two weeks ago, a mutilated body was found in an alley.
|
||
|
We've matched the MO to a number of murders which occurred several
|
||
|
years ago. According to records, there is a common witness at the
|
||
|
scenes who was an employee of this office at the time. We were hoping
|
||
|
to speak with her."
|
||
|
" I'm sorry," Maxwell replied somewhat confused. " This is the
|
||
|
first I've heard of it. Who is this person? She may still be employed here."
|
||
|
" Catherine Chandler?" Scully added. " Is she still here?"
|
||
|
Joe Maxwell abruptly stood and turned to look out the window.
|
||
|
" No," he answered in a low voice.
|
||
|
" Do you know where we can find her?" Mulder asked.
|
||
|
Maxwell faced them with a cold stare and a blank expression.
|
||
|
" Yes, but she won't be able to talk to you... she's dead."
|
||
|
" Did you know her well?" Mulder asked.
|
||
|
" We were friends," Maxwell answered flatly.
|
||
|
" I'm sorry," Mulder paused, " Do you know anything about these
|
||
|
previous deaths?"
|
||
|
" No," Maxwell sat defeated, the black mood settling over him
|
||
|
was almost visible. " I do know they started shortly after she
|
||
|
began working here. I was the assistant DA at the time. She never
|
||
|
really liked discussing her personal life, but that was just the
|
||
|
way Cathy was. I respected her privacy." A shadow of a smile appeared
|
||
|
on his face. " We had an unique friendship."
|
||
|
" Could we have her records, please?" Scully asked softly, feeling
|
||
|
as if she were intruding.
|
||
|
Maxwell blinked once, opened a desk drawer and withdrew an inch
|
||
|
thick folder. " Her case was never closed." He said with some sadness.
|
||
|
" Thank you," Mulder replied standing and taking the file. Scully
|
||
|
stood as well and turned to leave.
|
||
|
As they reached the door, Maxwell said thoughtfully, " I have a
|
||
|
feeling this one will go unsolved too. None of these ever are."
|
||
|
|
||
|
***
|
||
|
|
||
|
" This case keeps getting more and more interesting," Mulder said to
|
||
|
Scully as he shut the car door and started the engine.
|
||
|
Scully nodded and opened the file on Catherine Chandler. " This
|
||
|
case file started as a missing persons. She disappeared one day and
|
||
|
turned up dead about six months later."
|
||
|
" Cause?" Mulder asked pulling slowly out into New York rush
|
||
|
hour traffic.
|
||
|
Scully flipped a couple of pages. " Somebody shot her up with
|
||
|
morphine. She overdosed..." Scully's voice drifted off as something
|
||
|
occupied her attention.
|
||
|
" No mysteriously slashed bodies?" Mulder asked with a lightly
|
||
|
teasing tone realizing she'd come across something.
|
||
|
" Mulder," she said not having heard his comment. " The investigating
|
||
|
officer..."
|
||
|
" Who?" Mulder prodded after she didn't continue.
|
||
|
" It was Diana Bennett."
|
||
|
|
||
|
***
|
||
|
Saint Catherine's Cathedral, 10 PM EST...
|
||
|
|
||
|
Mulder leaned his head back against the head rest of the car seat.
|
||
|
He and Scully had been sitting in the car across from the cathedral
|
||
|
for two hours waiting for Diana Bennett to show up. Finding out that
|
||
|
Diana had been the investigating officer of Catherine Chandler's
|
||
|
homicide had put almost everything in place.
|
||
|
The way Mulder saw it, Diana Bennett had sold out. Whether she'd
|
||
|
sold out to Morris, one of his competitors or whoever Morris was
|
||
|
giving secrets to wasn't important. What was important was the fact
|
||
|
that Jacob was a witness who, logically, should be disposed of. Mulder
|
||
|
had wondered earlier why no one had made a move on the boy. He realized,
|
||
|
now, that waiting made sense.
|
||
|
Waiting a couple of weeks had let the media cool down. Waiting had
|
||
|
let the police department cool down. No one would miss the boy if he were
|
||
|
to quietly disappear especially if the person in charge of the
|
||
|
investigation was the one who allowed it to happen.
|
||
|
Bennett had probably had a hand in Chandler's disappearance as well.
|
||
|
She obviously knew who was behind the slasher murders, Mulder had known
|
||
|
that earlier. Hell, the killings might have actually been 'hits' ordered
|
||
|
by whoever Bennett worked for. Maybe Catherine Chandler had been covertly
|
||
|
investigating these killings and been found out. Consequently resulting
|
||
|
in her death.
|
||
|
Mulder had called the police department to see if Diana had still
|
||
|
been there and they'd said she had just left. No doubt, Diana knew they
|
||
|
were on to her and was probably on her way to get Jacob. She was going
|
||
|
to try and finish this whole thing before he and Scully had any solid
|
||
|
evidence.
|
||
|
Mulder wasn't about to let Diana cover her tracks so easily. Mulder
|
||
|
knew he had a soft spot for kids, he wasn't about to deny it. But he knew
|
||
|
he wasn't alone in not wanting anything bad to happen to Jacob. He
|
||
|
glanced over at Scully to find her staring at him.
|
||
|
" What?" he asked.
|
||
|
" Nothing," she answered with a slight smile.
|
||
|
He was about to question her further when a car, that was unmistakably
|
||
|
Diana's pulled to a stop across the street. " Here she is," Mulder pointed
|
||
|
out as Diana got unhurriedly out of the vehicle.
|
||
|
" It's about time," Scully responded. " I was beginning to think
|
||
|
she'd already been here and we missed her."
|
||
|
They watched in silence as Diana climbed the concrete stairs and
|
||
|
entered the cathedral. Several minutes later, she appeared with the
|
||
|
shadowed form of Jacob following close behind.
|
||
|
Mulder watched angrily as Diana opened the passenger side door of
|
||
|
her car and Jacob climbed in willingly, almost happily. She then leaned
|
||
|
into the car and they saw her fasten the seatbelt securely around Jacob.
|
||
|
" Well, that's strange," Mulder said a little confused. " I
|
||
|
wouldn't think you'd be concerned with the safety of the person you're
|
||
|
about to kill, would you?"
|
||
|
" I know I wouldn't," Scully replied. " It wastes time."
|
||
|
Diana locked and closed the passenger door then circled around and
|
||
|
got in the driver's side door. Seconds later, the engine started and
|
||
|
the car began to pull away.
|
||
|
Mulder started their car and began to follow.
|
||
|
Mulder and Scully followed Diana for several minutes before they
|
||
|
saw her pull into Central Park. She stopped the car and got out as Jacob
|
||
|
did the same. With the headlights off Mulder pulled their vehicle to
|
||
|
a stop and parked some fifty yards away.
|
||
|
" I'm gonna follow her on foot," Mulder said as he opened the door
|
||
|
and began to get out.
|
||
|
" Okay, let's go," Scully said as she, too, opened the door.
|
||
|
" No!" He practically shouted. " Stay here and be ready to call
|
||
|
for back up."
|
||
|
" Mulder, don't be silly." She replied angrily. " I'm not about
|
||
|
to sit here and let you go after her by yourself. I'm coming with you."
|
||
|
" Scully, please." Mulder whispered. " The last time, I almost got
|
||
|
you killed."
|
||
|
She stared back at him, stunned. She didn't know what to say as
|
||
|
she realized he was begging her to stay behind.
|
||
|
Mulder took her silence as compliance and disappeared into the
|
||
|
darkness. He could barely make out the forms of Diana and Jacob as they
|
||
|
made their way across the park. He made sure to stay in the safety of
|
||
|
the shadows created by the moonlight cast between the trees. He saw
|
||
|
them come to a stop near the opening of an old drainage outlet and
|
||
|
crept closer for a better look. She seemed to be speaking to someone
|
||
|
but Mulder could not see who else was there.
|
||
|
Mulder drew his weapon and inched closer. Slowly, he began to make
|
||
|
out the soft sounds of the conversation.
|
||
|
" I know I'm late," he heard Diana say in a semi-releaved voice.
|
||
|
" But there was an unexpected development."
|
||
|
" You do not need to explain anything," came a second voice.
|
||
|
This voice was masculine but almost soothing in its softness. " He is
|
||
|
here now. That is all that matters."
|
||
|
Mulder was stunned. Diana was intending to turn the boy over to
|
||
|
whatever killer she was speaking with. He raised his weapon and aimed
|
||
|
at Diana's back.
|
||
|
" You were followed," the second voice said calmly and unalarmed.
|
||
|
Realizing he was made but uncertain as to how, Mulder stepped out
|
||
|
into the light of the full moon. " Alright Diana, hands up and don't
|
||
|
move." Out in the open, Mulder could just make out the form of someone
|
||
|
standing in the shadows. " You too, fella. Out here where I can see you."
|
||
|
Mulder nearly gaped as a huge figure, shrouded in a black cape and
|
||
|
cowl emerged from the darkness. The man stood at least seven feet tall
|
||
|
and had the shoulder span of a linebacker. His features, however, were
|
||
|
concealed by the cowl that cast dark shadows across his face.
|
||
|
Mulder was even more stunned as Jacob ran to the figure and clung
|
||
|
to his leg with a smile of pure happiness. " It's okay," Jacob said to
|
||
|
the figure. " He's a nice man. His name is Fox, like the dog in the
|
||
|
story. Isn't that silly?"
|
||
|
" It isn't polite to tease a man about his name, Jacob." The
|
||
|
figure admonished. " Sometimes, his name is all a man has."
|
||
|
Mulder slowly lowered his gun. He was confused, but somehow he
|
||
|
knew this person was no threat to him. " Okay," he said cautiously.
|
||
|
" I want to know what's going on and I want to know now."
|
||
|
" It would be best," Diana replied defensively. " If you just
|
||
|
turned around and went back to Washington and forget anything happened."
|
||
|
Mulder felt his curiosity turn quickly to anger. " No! It would
|
||
|
be best if you told me what's going on or I'll slap you with an
|
||
|
obstruction charge so fast you'll wonder what hit you. And while I'm at
|
||
|
it, I'll add espionage, treason, murder and accessory to murder charges."
|
||
|
" There's no need," the figure before him answered. Having
|
||
|
gained Mulder's attention, the figure turned his head so that the
|
||
|
moonlight shone on his face, illuminating his features.
|
||
|
Mulder gasped in shock and took an unconscious step backwards.
|
||
|
The figure had the features of a lion. The man was darkly complected
|
||
|
with angled cheekbones. His nose was that of a cat and, though long
|
||
|
whiskers were absent, Mulder detected the slight presence of fur around
|
||
|
the mouth and chin.
|
||
|
Fangs could be seen as the figure spoke, " My name is Vincent and
|
||
|
Jacob is my son."
|
||
|
|
||
|
***
|
||
|
|
||
|
What has gotten into you? Scully asked herself as she quietly
|
||
|
stepped from the car. Mulder had just disappeared into the night and
|
||
|
she had found herself simply staring at the space where he had been.
|
||
|
No matter how guilty he feels, she said to herself, I'm not about to
|
||
|
let him go in there by himself. He'd probably end up getting hurt,
|
||
|
again. Bad luck just seemed to follow him as closely as Scully was
|
||
|
following him now.
|
||
|
Scully could see Mulder just ahead of her pointing his weapon
|
||
|
at Diana. She stopped behind the cover of a tree and silently watched.
|
||
|
He seemed to have everything under control and she sighed in relief.
|
||
|
But as she felt relaxation creep into her muscles, she realized that,
|
||
|
besides Mulder, Diana and Jacob, there was a fourth person lurking in
|
||
|
the shadows.
|
||
|
Scully tensed and drew her own weapon. Did Mulder see him? But her
|
||
|
silent question was answered as Mulder motioned for the fourth person
|
||
|
to come into the moonlight. She was shocked at the size of the person,
|
||
|
he topped Mulder by a good foot. They were speaking to each other but
|
||
|
she could not make out the conversation. Scully wanted to move so she
|
||
|
could hear, however, any closer and they would be sure to know that she
|
||
|
was here. Backup did no good if the bad guys knew it was there.
|
||
|
|
||
|
***
|
||
|
|
||
|
" Jacob is your son?" Mulder asked wearily. " Is that true, Jacob?"
|
||
|
Jacob nodded. " That's why I can't testify. Because he'd have to
|
||
|
be there too, right?"
|
||
|
" Not necessarily,"Mulder answered." Where do you live? How do I know..."
|
||
|
Vincent interrupted. " It is best that you do not know these things.
|
||
|
All that is important is that Jacob will be safe and cared for."
|
||
|
" But..." Mulder started but Vincent cut him off with a sigh.
|
||
|
" You are a decent man Fox Mulder but it is best that you discontinue
|
||
|
the investigation."
|
||
|
" You killed Michael Matthews didn't you." Mulder said with certainty.
|
||
|
But it was Diana who answered, " It was either Matthews or Jacob."
|
||
|
" He killed a man," Mulder replied. " I can't just ignore it. There
|
||
|
are laws in this country, no matter how unfair they can seem sometimes."
|
||
|
" You don't understand," Vincent said calmly. " Diana is not trying
|
||
|
to protect me, solely. There are hundreds who rely on the city's ignorance...
|
||
|
I can see that you will not be satisfied with anything other than the
|
||
|
complete truth." He sighed thoughtfully then seemed to come to a decision
|
||
|
before he continued. " Hidden within this city exists a vast community.
|
||
|
In your world, they were nothing but the invisible souls who could find
|
||
|
no justice. This world holds nothing but pain for them. But, in my world,
|
||
|
they are safe. If they are hungry, they have food. If they are sick,
|
||
|
they can be healed. We care for and protect each other. If the people
|
||
|
here, in the city, were to learn of my world's existence..." his voice
|
||
|
trailed off and he shook his head sadly.
|
||
|
Mulder gazed at Vincent looking for any signs of deception and saw
|
||
|
none. Vincent was wrong, Mulder did understand. He was quite willing to
|
||
|
let the case go unsolved and he would feel no regret, after all it had
|
||
|
been done in defense. He would regret revealing Vincent's existence
|
||
|
to the authorities. Mulder knew what would happen. Vincent would
|
||
|
be considered a monster no matter how civilized he seemed. He would
|
||
|
end up incarcerated or dead depending on public reaction. If that
|
||
|
happened, Jacob would be without his father. Mulder knew what
|
||
|
hardships Jacob would have to face without his father's support, he'd
|
||
|
been through that himself.
|
||
|
Vincent's stance changed and Mulder realized the other man knew what
|
||
|
he was thinking and was probably empathic. That would explain Vincent's
|
||
|
ability to answer Mulder's unasked questions earlier. Mulder smiled
|
||
|
and nodded.
|
||
|
" I do understand. The secret is safe with me, I won't tell anyone."
|
||
|
" You're not going to press charges?" Diana asked skeptically.
|
||
|
" I don't really have any evidence, just a *lot* of speculation."
|
||
|
Mulder replied sullenly. " Besides, no one would believe me. I have a...
|
||
|
reputation."
|
||
|
" Thank you," Vincent said gratefully.
|
||
|
Mulder nodded, " Good luck." He turned and began to walk back the
|
||
|
way he had come.
|
||
|
|
||
|
***
|
||
|
|
||
|
Scully watched Mulder approach her position. Something strange had
|
||
|
happened during his conversation with the tall figure. Mulder was
|
||
|
walking in an easy stride with a relaxed slump to his shoulders.
|
||
|
" Mulder," she said as he got closer. " What was that all about?
|
||
|
What about Jacob? Who is the guy you were talking too?"
|
||
|
" That was Jacob's father. He's taking Jacob home where he'll
|
||
|
be safe." Mulder answered. He increased the speed of his stride
|
||
|
causing Scully to have to watch her footing as she attempted to keep up.
|
||
|
" What about Diana?"
|
||
|
Mulder slowed. " I... I was wrong."
|
||
|
" What about the case?" Scully asked somewhat stunned.
|
||
|
" I think the leads are all dried up."
|
||
|
Now Scully was suspicious. " How about Jacob? He's still a witness
|
||
|
to a homicide."
|
||
|
" He'll be fine, perfectly safe. Diana will know how to find him,
|
||
|
if they ever catch a suspect."
|
||
|
" Mulder," she replied. " Cut the crap. What did you find out?"
|
||
|
Mulder came to a halt and turned to face her. " Dana, we have a
|
||
|
plane to catch."
|
||
|
Scully stood, unmoving as he walked to the car and got in. He had
|
||
|
learned something that he felt was important enough to keep from her.
|
||
|
She trusted him and she knew he trusted her. She was hurt that he found
|
||
|
it necessary to lie to her. Then again, there was alot he knew that
|
||
|
he didn't share with her. Scully already knew that arguing about it
|
||
|
would get her no where. Mulder had clammed up and was not about to
|
||
|
talk. She would just have to trust that he believed he was doing the
|
||
|
right thing and maybe someday he'd tell her the rest of the story.
|
||
|
|
||
|
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
|
|
||
|
End Notes
|
||
|
|
||
|
I've only made referances to Beauty & the Beast so if you've never
|
||
|
seen it you were probably confused at some parts. However, those of you
|
||
|
that did watch it, caught everything... didn't ya?
|
||
|
|
||
|
Well, there's my second attempt at an XF story. E-mail me and tell me
|
||
|
what you think. I know there's alot of stuff that I didn't resolve,
|
||
|
but hey, that's what sequels are for!
|
||
|
E-mail to SciNut@aol.com
|
||
|
All spelling and grammer errors are mine and I'm not ashamed.
|
||
|
Feel free to correct any occurances you may find. All I ask is
|
||
|
that you tell me, so I can fix it too.
|
||
|
|
||
|
Based on the X-Files characters created by Cris Carter and Ten
|
||
|
Thirteen Productions and the Beauty & the Beast characters created
|
||
|
by Ron Koslow and Republican Pictures Corporation. All characters
|
||
|
used without permission.
|
||
|
|