264 lines
14 KiB
Plaintext
264 lines
14 KiB
Plaintext
|
WARNING: This post does, has, and will contain spoilers for the season
|
|||
|
finale of TNG, "Time's Arrow." Those sentients currently in this general
|
|||
|
temporal region not wishing to deal with these temporal anomalies called
|
|||
|
"spoilers" are advised to stay clear until the temporal states have properly
|
|||
|
aligned. (Whew!)
|
|||
|
|
|||
|
Um...well, *that* was weird. Nice to have a real mystery to mull over for a
|
|||
|
summer, though.
|
|||
|
|
|||
|
Sure beats speculating on who the damned Blonde Romulan [TM] is, anyway. :-)
|
|||
|
I suppose I'll come up with some sort of commentary on this, but it won't be
|
|||
|
until after the synopsis. Maestro...
|
|||
|
|
|||
|
The Enterprise has been called back to Earth to investigate evidence of
|
|||
|
extraterrestrial visitations to San Francisco in the late 19th century.
|
|||
|
The evidence consists of a sealed cavern with 19th-century relics, triolic
|
|||
|
radiation (which has never been used on Earth)...and as the greatest shock to
|
|||
|
everyone, Data's head. As the head is inspected (and verified as Data's, not
|
|||
|
Lore's), everyone is very edgy to be seeing this apparent sign of Data's
|
|||
|
death. Everyone, that is, except Data himself, who is almost comforted by
|
|||
|
that fact, seeing it as a sign that he may not have to worry about outliving
|
|||
|
all of his friends. When Guinan hears about this, moreover, she becomes very
|
|||
|
thoughtful, muttering under her breath, "Full circle..."
|
|||
|
|
|||
|
Triolic waves are damaging to most organic life-forms in sufficient
|
|||
|
quantities, and many of those species immune are shape-changers, so it's
|
|||
|
hypothesized that the aliens visiting Earth might have appeared human.
|
|||
|
The trail (by way of a unicellular fossil) leads them to the planet Davidia
|
|||
|
Two; no life signs are found, but temporal anomalies are sensed, and triolic
|
|||
|
waves identical to those on Earth are also picked up. Riker takes down an
|
|||
|
away team which specifically excludes Data (a bit of "protection" Data finds
|
|||
|
irrational and useless, but accepts), and there Deanna senses traces of
|
|||
|
terrified life-forms; *human* life-forms.
|
|||
|
|
|||
|
Data finds traces of "sinchronic" disturbances in the area, which implies that
|
|||
|
whatever other life on the planet is out of phase with the Enterprise crew,
|
|||
|
if only by a fraction of a second. It is possible to use a subspace field to
|
|||
|
align the away team with the aliens, but the only phase discriminator
|
|||
|
sensitive enough for the job is in Data's brain. He beams down and uses a
|
|||
|
portable subspace generator to align himself with the inhabitants of the
|
|||
|
planet. He speaks to the away team (one-way only, unfortunately) of faceless
|
|||
|
aliens consuming energy globes. He finds a caged snakelike creature, which
|
|||
|
is picked up by two aliens. A temporal tornado of sorts arises, however, and
|
|||
|
with a blinding flash, the field generator returns, without Data.
|
|||
|
|
|||
|
Data, meanwhile, awakes to find himself in 1893 San Francisco. After talking
|
|||
|
with a derelict for a short time, he seeks a room at a nearby hotel. Lacking
|
|||
|
money, however, he cannot get one, but he hears tell of a poker game going on
|
|||
|
in the hotel. He crashes this game, joins in, and wins enough money to keep
|
|||
|
himself going indefinitely. He befriends the bellboy (at least, after
|
|||
|
remembering to tip him) and hires the boy to get supplies for his coming
|
|||
|
"inventions." As the bellboy rushes off to collect these supplies, the
|
|||
|
derelict Data spoke to is approached by two well-dressed humans, one carrying
|
|||
|
a cane and the other a handbag. As he coughs his way to a possible death by
|
|||
|
cholera, one of the visitors raises her handbag, which emits a beam that
|
|||
|
strikes the derelict. He stiffens, and a small globe of energy leaves his
|
|||
|
body for the bag. They close the bag and walk off.
|
|||
|
|
|||
|
Meanwhile, in the 24th century, the mission continues over the crew's worries
|
|||
|
about Data. Geordi gets to work on jury-rigging a bigger and better field
|
|||
|
generator, and Worf points out that it could be the next away team's fate to
|
|||
|
die *with* Data in the past. Guinan, shortly thereafter, tells Picard in no
|
|||
|
uncertain terms that he must accompany the away mission; if not, she says,
|
|||
|
the two of them may never meet. Back in San Francisco, Data's mysterious
|
|||
|
invention is proceeding apace, but he comes to a halt when he sees an
|
|||
|
advertisement in the local newspaper. The ad is for a literary reception,
|
|||
|
hosted by a wealthy socialite: one Madame Guinan.
|
|||
|
|
|||
|
At this reception, Guinan and Samuel Clemens (aka Mark Twain) discuss the
|
|||
|
geocentric theory and the possibility of other worlds, but both are
|
|||
|
essentially on the same side of the argument. Data crashes the party and
|
|||
|
attempts to talk to Guinan. She shows no signs of knowing who he is, but
|
|||
|
when he mentions a starship, she quickly assumes an air of friendship and
|
|||
|
hustles him out of there. They talk in the back of the house, where he
|
|||
|
explains to her who he is and where he's from (he falsely believed she had
|
|||
|
come back in time to find him). Their explanation is interrupted, however,
|
|||
|
when they notice the eavesdropping form of Mr. Clemens...
|
|||
|
|
|||
|
Back in the 24th century, Picard joins the away team and sends Worf back to
|
|||
|
watch over the ship. The field is activated and tuned, and they find
|
|||
|
themselves seeing the aliens Data spoke of: glowing...faceless...sitting...
|
|||
|
*feeding*. The energy globes, their "food", seem organic in nature, but Troi
|
|||
|
suggests that what she's sensing is traces of the last moments of people's
|
|||
|
lives, and that they all died in terror. Suddenly, a glowing "gate" opens,
|
|||
|
and two aliens come through, one holding a handbag. The bag is attached to
|
|||
|
an apparatus near the away team, and more globes pour into the device. The
|
|||
|
other alien is carrying a snakelike creature, who hisses, reactivating the
|
|||
|
gate. The aliens walk back through, presumably back to San Francisco.
|
|||
|
|
|||
|
The away team follows.
|
|||
|
|
|||
|
The gate closes.
|
|||
|
|
|||
|
TO BE CONTINUED...
|
|||
|
|
|||
|
Whew. As I said before, that was *odd*. Now, something a bit more concrete.
|
|||
|
|
|||
|
First of all, I have to say I'm relieved. My initial thought, waaaaaaaay
|
|||
|
back when I heard that "Time's Arrow" had been made a cliffhanger when it
|
|||
|
initially wasn't, was "Uh-oh. They've decided to tack on a cliffhanger
|
|||
|
ending to keep everybody glued to the set over the summer, and it's probably
|
|||
|
going to be rotten." Fortunately, that was not the case. The result was
|
|||
|
actually more the other way around; the impression I had was that they had a
|
|||
|
show that they simply decided couldn't *fit* into one part, and thus decided
|
|||
|
to put it into two.
|
|||
|
|
|||
|
I cannot agree with this sentiment more; let everything find its natural
|
|||
|
length. However, that all requires that proper attention be paid to the
|
|||
|
second part; the setup's easier than the resolution, after all.
|
|||
|
|
|||
|
Some of this went a bit slowly for my tastes. In particular, the batch of
|
|||
|
scenes with everyone worrying about Data's apparent death did little for me.
|
|||
|
I completely understand why they were included, and including them was a good
|
|||
|
idea from a realistic sense; but for some reason they seemed to go on a
|
|||
|
little long for me. (Some of it was quite nice, though; I liked most of the
|
|||
|
Ten-Forward scene, for instance.) I'm not sure; maybe it'll pick up in
|
|||
|
future viewings.
|
|||
|
|
|||
|
As I said at the outset, it's nice to have a distinctly *different*
|
|||
|
cliffhanger to end a season. In the past, it's been either "how the hell are
|
|||
|
they going to get out of this?" or "who the hell is THAT?", but the basic
|
|||
|
parameters of the situation were fairly clear. This didn't do that; here,
|
|||
|
we've got several mysteries at hand. Not only don't we know the answers,
|
|||
|
we're not entirely sure what all the *questions* are. Now that's a worry I
|
|||
|
can sink my teeth into. I've got a few comments and speculations on that
|
|||
|
(some accompanied by or brought up by Lisa), but I'll leave them for a bit.
|
|||
|
(Those who feel particularly frivolous can try to guess which theories are
|
|||
|
mine and which are hers. :-) )
|
|||
|
|
|||
|
Characterization was just fine, but in pretty much every case but Guinan and
|
|||
|
Data, there's not much they needed to do. This was a very plot-driven show,
|
|||
|
so most of the principals basically needed just to stay in character, rather
|
|||
|
than develop in any real way. Certainly, they all managed that; and for a
|
|||
|
nice change of pace, Troi's talents were put to good use.
|
|||
|
|
|||
|
The same *almost* applies to Data, but he at least had to stretch his talents
|
|||
|
for a new situation, which he did well enough. (The humor, unlike some other
|
|||
|
Data shows, was understated enough that it worked pretty well; I got a kick
|
|||
|
out of the "Ow." after he realizes he shouldn't be tossing the anvil around
|
|||
|
with the bellboy in the room. :-) ) In particular, it was nice to see his
|
|||
|
long-refined poker skills *finally* getting some practical use.
|
|||
|
|
|||
|
Guinan was the real enigma of the show so far as characters go, and we may
|
|||
|
see a bit of the mystery surrounding her clearing up after the dust settles
|
|||
|
here. This was almost a tease, though; a lot more questions have been raised
|
|||
|
than answered, and I hope we get a few answers next season. The only real
|
|||
|
*worry* I have about this setup is that there's a danger of the writers
|
|||
|
forgetting that (1) Guinan somehow has to hear about her homeworld's
|
|||
|
destruction about 100 years pre-TNG, and (2) Guinan's gotta run across Q a
|
|||
|
century before that, which is most likely not on Earth. Implying that she's
|
|||
|
been on Earth for pretty much her whole stay, if that ends up happening,
|
|||
|
would be a mistake in my eyes. (If anybody from the ST offices is reading,
|
|||
|
consider this a heartfelt reminder and plea; don't do any gratuitous
|
|||
|
retconning.)
|
|||
|
|
|||
|
Now for the mysteries. I see three main questions coming out of this show
|
|||
|
that need to be answered:
|
|||
|
|
|||
|
1) What are the aliens doing? What are their intentions, and how long have
|
|||
|
they been at whatever they're doing?
|
|||
|
|
|||
|
2) How did Data get destroyed, and how will it be avoided this time?
|
|||
|
|
|||
|
3) What's Guinan doing in 1890s San Fran?
|
|||
|
|
|||
|
I'd like to offer a few thoughts and/or speculation on this stuff, so away we
|
|||
|
go.
|
|||
|
|
|||
|
First of all, while it *looks* as though these aliens are some kind of
|
|||
|
soul-vampires, their intent may not be so horrible as we're being led to
|
|||
|
believe. Consider that we are told very explicitly, TWICE, that there's a
|
|||
|
cholera epidemic in SF at this point in time. (Once in the newspaper
|
|||
|
headline and once by Data, to the bellboy.) Cholera, to the best of my
|
|||
|
admittedly limited medical knowledge, was a pretty painful disease, and it's
|
|||
|
possible people dying of cholera might have a certain feeling of terror as
|
|||
|
they breathed their last. Consider that the "forty-niner" who was harvested
|
|||
|
was coughing up a storm right before he died. It seems to me that while
|
|||
|
these aliens may be harvesting the TNG equivalent of souls, they might be
|
|||
|
taking advantage of an existing epidemic rather than casually slaughtering
|
|||
|
people. (Of course, it's possible that they *caused* the epidemic, in which
|
|||
|
case all bets are off.)
|
|||
|
|
|||
|
I think it's pretty clear, incidentally, that the snake is disguised as the
|
|||
|
cane in the 19th century. Just in case you missed it. :-)
|
|||
|
|
|||
|
I also don't think there's anything overly sinister in Guinan's warning to
|
|||
|
Picard that if he doesn't go on the meeting, they'll never meet. I imagine
|
|||
|
this is a nice time-paradox at work, actually: if he doesn't meet her (for
|
|||
|
her first time) in the 19th century, she won't know him to seek him out and
|
|||
|
befriend him in the 24th. They probably wouldn't meet in the 24th century,
|
|||
|
because she wouldn't have any reason to.
|
|||
|
|
|||
|
What I don't have much of a feeling for is exactly what Data is building.
|
|||
|
Either a time machine or something to penetrate these aliens' disguises, I'll
|
|||
|
wager, but I don't really know what or how. (Stone knives and bearskins,
|
|||
|
anyone? :-) )
|
|||
|
|
|||
|
Obviously, Mark Twain is going to figure into this a bit (and nice work to
|
|||
|
Jerry Hardin for a much more entertaining Twain than I'd expected!), but I'm
|
|||
|
not sure how. What I'm concerned with there is whether his memory will
|
|||
|
remain intact. Unfortunately, the best resolution is an anachronism: in
|
|||
|
case anyone (at Paramount or not) had thought of this, _A Connecticut Yankee
|
|||
|
in King Arthur's Court_ came out well before 1893. Pity, as that would've
|
|||
|
been really nice otherwise.
|
|||
|
|
|||
|
Let's see, what else can I ramble on about? Not all that much, I have to
|
|||
|
say. A few short takes:
|
|||
|
|
|||
|
--Okay, maybe I was exposed to too much Monty Python as a youth, but I hope I
|
|||
|
wasn't the only one who reacted to "Hotel Brian" with an immediate call for
|
|||
|
"Wewease Bwian! Wewease Bwian!" :-)
|
|||
|
|
|||
|
--In the "Hey, I've heard that voice before!" file: three of the guest stars
|
|||
|
have been here before. Jerry Hardin (Sam Clemens) played the Aldean leader
|
|||
|
Radue way back in "When the Bough Breaks"; this is why I was worried about
|
|||
|
his Twain, but he surprised me. Ken Thorley (the heavyset poker player who
|
|||
|
doesn't like Easterners) is also known as Barber Mot, and Marc Alaimo (the
|
|||
|
more suave gambler) has been seen both as T-Bok in "The Neutral Zone" and as
|
|||
|
Gul Macet in "The Wounded". Well, regardless of how environmentally
|
|||
|
conscious the staff might or might not be otherwise, at least they're
|
|||
|
recycling actors. :-)
|
|||
|
|
|||
|
--I was initially a little annoyed at Data *talking* us through his encounter
|
|||
|
with the aliens, but since we got to see them in the end, he actually ended
|
|||
|
up adding to the weirdness with that. Nice recovery.
|
|||
|
|
|||
|
--Does anyone know if there actually *was* a cholera epidemic in 1893 in San
|
|||
|
Francisco, or if Twain ever involved himself in the arguments he mentioned?
|
|||
|
I'd be curious to know if there's any real background to all this.
|
|||
|
|
|||
|
--Guinan's *father*? This I've got to hear more about later.
|
|||
|
|
|||
|
--Another plea to the staffers. It's been rumoured that the resolution to
|
|||
|
this will involve Q. Please *avoid* this if you can. I don't see a need for
|
|||
|
it, and it smacks of a cop-out. Besides, his dealings with Guinan were *two*
|
|||
|
centuries ago, not five. :-)
|
|||
|
|
|||
|
That's probably about it, really. All in all, this was a slightly quiet
|
|||
|
cliffhanger, but that's no problem. It was better than I'd expected it to
|
|||
|
be, and leaves a lot of room for three months' worth of hopefully interesting
|
|||
|
speculation. That's enough for me.
|
|||
|
|
|||
|
Numbers, then:
|
|||
|
|
|||
|
Plot: 9. Solid and mysterious; sounds good.
|
|||
|
Plot Handling: 6. The pacing was a little uneven; it definitely slowed down
|
|||
|
in a couple of spots.
|
|||
|
Characterization: 9. Nothing stellar, but everybody was good.
|
|||
|
|
|||
|
TOTAL: 8. Solid.
|
|||
|
|
|||
|
NEXT WEEK: A rerun, of course. Tune in in a few weeks for a summary review
|
|||
|
of season 5. 'Til then, adios.
|
|||
|
|
|||
|
Tim Lynch (Cornell's first Astronomy B.A.; one of many Caltech grad students)
|
|||
|
BITNET: tlynch@citjuliet
|
|||
|
INTERNET: tlynch@juliet.caltech.edu
|
|||
|
UUCP: ...!ucbvax!tlynch%juliet.caltech.edu@hamlet.caltech.edu
|
|||
|
"This investigation began with your death; I'm simply trying to see that it
|
|||
|
doesn't end that way."
|
|||
|
--Jean-Luc Picard
|
|||
|
--
|
|||
|
Copyright 1992, Timothy W. Lynch. All rights reserved, but feel free to ask...
|