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4232 lines
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Archivist note:
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Kellie Matthews-Simmon's email address is now matthewk@ucsu.colorado.edu
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===========================================================================
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From JULIA@Jetson.UH.EDU Mon Aug 30 14:32:38 1993
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Return-Path: <JULIA@Jetson.UH.EDU>
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Received: from orion.cis.ksu.edu by depot.cis.ksu.edu ESMTP (8.5)
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id OAA05541; Mon, 30 Aug 1993 14:32:36 -0500
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From: JULIA@Jetson.UH.EDU
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Received: from Rosie.UH.EDU by orion.cis.ksu.edu SMTP (8.3)
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id OAA06824; Mon, 30 Aug 1993 14:10:18 -0500
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Received: from Jetson.UH.EDU by Jetson.UH.EDU (PMDF V4.2-11 #3125) id
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<01H2CXU468R48Y5XMR@Jetson.UH.EDU>; Mon, 30 Aug 1993 14:08:36 CDT
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Date: Mon, 30 Aug 1993 14:08:36 -0500 (CDT)
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Subject: A'la Q, Part 1, by Kellie Matthews-Simmons & Julia Kosatka
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To: jfy@cis.ksu.edu
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Message-id: <01H2CXU471OY8Y5XMR@Jetson.UH.EDU>
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X-VMS-To: @ARCHIVE
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MIME-version: 1.0
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Content-type: TEXT/PLAIN; CHARSET=US-ASCII
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Content-transfer-encoding: 7BIT
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Status: O
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While this story contains a small amount of PG-13 Sex, we do not consider it
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to be the main focus of the story. If there isn't enough sex in it for you,
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go read Points of View, or The Delightful Education of Julian Bashir. :-)
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If sex in a Trek story offends you, have one of your more open-minded friends
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read it first and black out all the good parts!
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Other than that, it is a Star Trek: The Next Generation story, and it violates
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all kinds of copyright laws, so you shouldn't be reading it anyway! :-)
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Paramount had nothing whatsoever to do with this story, other than by hiring
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actors and writers to create some of the characters in the first place.
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Many thanks to our technical advisors Sandra Guzdek and Janis Cortese, without
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whom certain things celsius and metric would have been hopelessly incorrect.
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Thanks also to Sandra Guzdek for invaluable editing help. Any remaining errors
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are ours alone.
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c. 1993 by Julia Kosatka and Kellie Matthews-Simmons
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jkosatka@jetson.uh.edu // matthews_k@cubldr.colorado.edu
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-------------------------------------------------------------------------------
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A la Q
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(or,"You Want Fries With That?")
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Kellie Matthews-Simmons & Julia Kosatka
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"Q!" Jean-Luc roared, looking around desperately. "Damn it,
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Q, where *are* you?"
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He stood in the middle of a road, a level black surface that was
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slightly sticky in the heat, stretching off into the distance in both
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directions, its surface broken only by a dashed line of orange-yellow
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paint. Surrounding him was a wide expanse of what appeared to be corn
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fields. The blue sky above was cloudless, and the sun beat down with
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merciless intensity. The humidity was so high that the lightweight
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blue shirt with which Q had replaced his uniform tunic was already damp
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with sweat. His legs were encased in a trousers of a similar, though
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heavier fabric. The trousers looked worn, the dye faded almost white
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in spots. Q was nowhere to be seen.
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He sighed. It was a typically Q maneuver, to spirit him off
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somewhere to prove a point. He wasn't precisely sure what the point
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was, but he was sure he'd find out. Their argument had concerned
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the nature of work. It had to have *something* to do with that. He
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wondered where the hell he was. The blue sky and corn could easily
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mean Earth, but it could just as easily be somewhere else. The yellow-
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striped road rang bells too. He chuckled, realizing what his subconscious
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was trying to remind him of. The yellow brick road from a classic children's
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story. He had read it, and seen both of the famous film versions as well.
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"Damn!" he muttered, realizing that most likely Q had no intention
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of responding. "What is it you're after, Q? There's no need for these
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constant games! I have no intention of performing for you!"
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Behind him, Jean-Luc heard a low rumbling. He turned to see a
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vehicle of some sort rapidly approaching on the road. He quickly stepped
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out of the way, coughing as the machine roared past in a rush of hot foul
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air and dry dust. He stared after it, startled, realizing that the thing
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was bigger than a shuttle. As he stared, it emitted a loud screeching
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sound and slowed to a halt. Then it backed up toward him. He took
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another step back, wondering if it was trying to hit him, then a part of it
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swung outward and a human man peered out from inside. His face was
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weathered, but his brown eyes bright and friendly.
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"Hey! Wha'chew doin' out in the middle uh bumfuck nowhere?
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Nearest town's twenty miles from here! You wanna lift?
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Apparently he was being offered transportation to the nearest
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outpost of civilization. For a moment he was torn. If he moved from his
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present position there was no way his crew would be able to find him. On
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the other hand, there was no guarantee that they'd be able to in any case.
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Q probably hadn't left them a map, and he'd be dehydrated in a matter
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of hours at this rate. He nodded.
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"I would appreciate that, thank you."
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The man did a double take, eyes widening, then he grinned.
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"Yew're a long way from home, ain'tcha?"
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Picard smiled. No matter how one looked at it, that was no more
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than the simple truth. "Yes. As a matter of fact, I am."
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"Yew a limey?"
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"A... limey?"
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"English, yew know."
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That placed him. He had to be on Earth. That was some relief,
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at least. He shook his head. "No, actually, I'm from France."
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"Don't sound French," his rescuer said dubiously.
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"I learned to speak English from an Englishman. No doubt I
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picked up some of his accent."
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"Oh. Well, come around an' climb in. I got a schedule, y'know."
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Picard circled around the vehicle, noticing there were yellow letters
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stenciled on the green-painted sides of the conveyance. They read
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"Mayflower." He recognized the name; if he recalled his history correctly,
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the Mayflower had been a ship which had transported religious dissidents
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from England to North America in the latter's colonial period. Below the
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word Mayflower, was a smaller legend in yellow, reading "Coast to Coast."
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Neither of those facts were particularly helpful to him, however he spotted
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a small rectangular plaque at the rear of the vehicle which was more
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enlightening. It bore a series of large letters and numerals, and another
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set of much smaller letters read "Oklahoma is OK." A small sticker in
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the lower right hand corner of the plaque read "DEC" and a similar one
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on the left said "91." He was fairly certain now that he was somewhere
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in North America; and just as certain that Q had displaced him
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not only in space, but in time as well.
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"Yew git lost?" the driver called, voice barely carrying above the noise
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of the idling internal combustion engine. Aware that his ride might well
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depart without him, he found the door, pulled himself up into the cabin of
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the vehicle and seated himself. Instant relief from the heat flowed over him
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in a cold stream from air vents in the cabin. A quick look around showed
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various gauges, and a steering device shaped like a wheel. The man looked
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at him questioningly, obviously wondering about his delay.
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"Sorry, I was... admiring your vehicle."
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That earned him a broad smile. "Hell, she ain't no 'veehicle,' she's
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an eighteen wheeler, 'member that! But she is somethin' ain't she? She'll
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do a hunnerd up Vail Pass with a full load... if the cops ain't lookin' o'
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course!"
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He seemed to want a response. Picard smiled and nodded. "Of
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course. That's quite... impressive."
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"Sure as hell is!" He stuck out his hand. "Name's Nate Barker,
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what's yours?"
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Picard shook his hand, feeling the rough edges of callus in the
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man's broad palm.
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"Ca... Jean-Luc Picard."
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"Well, Cajun Luke, nice ta meetcha," he surveyed Picard curiously for
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a moment, then frowned. "Where's yer stuff?"
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"My stuff?"
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"Ain'tcha got a pack or sumpthin'? Changea clothes?"
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Stuff was apparently synonymous with luggage. He shook his head,
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hoping he looked appropriately forlorn. "I... lost it."
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Barker looked at him for a long moment, then scowled. "Somebody
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give ya a lift then take off with yer stuff?"
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Thievery seemed like a more logical explanation than carelessness,
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so he nodded. Barker's scowl grew fiercer.
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"Happens alla time. Damn shame, treatin' furriners like that.
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Gives 'murricans a bad name. Well, let me tell ya, *I* ain't like that!"
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"I can see that," Picard hastened to reassure him. Barker reached
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behind the seat, pulled something out from behind it, and brandished it at
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Picard.
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"Here, this'll come in handy when yer hitchin'. "'T'hout a hat the
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sun'll fry ya faster than a lizard on a griddle."
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Contemplating that unpleasant image, Picard took the object. It was
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a billed cap the front of which was made of some spongy material, the
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back formed of some plastic-feeling mesh. It was green, and bore the
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same yellow lettering as the sign on the truck, but in addition this one also
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said "Barker Trucking, Midland, OK." The words were followed by a
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string of 11 digits, some of which were contained in parentheses, the rest
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connected by a hyphen.
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"I can't take this..." he began, only to have the other man interrupt.
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"Sure y'can. Got a hunnerd of 'em. Advertisin' y'know."
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"Advertising?"
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"Yep. People see that, and know t' call me if they need a rig."
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"Of course," Picard acknowledged, only half-understanding, though
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the flattened vowels, nasal consonants and clipped endings of the man's
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speech were becoming more intelligible as time went on. "Thank you, it
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will be... handy."
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Barker nodded dismissingly. "No problem, Luke."
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He moved the large lever between them forward and the "rig"
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began to move forward, slowly at first, then with increasing speed. After
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a few moments Picard guessed they were traveling well over a hundred
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kilometers an hour. He wondered if that was what Barker had meant
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when he said the truck would do "over a hundred up Vail pass."
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Apparently satisfied with the vehicle's velocity, Barker reached behind
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the seat again and opened a small blue container with the word 'Igloo'
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embossed on the lid. He rummaged around inside it for a moment and then
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came up with two bottles containing a chartreuse liquid.
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"Here y'go." Barker handed one of the bottles, dripping with cold water
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to Jean-Luc.
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"That sun'll take it out of 'ya, that's fer dang shure. Yew spend
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much time in this here part a th' country, yew'll learn. Yew gotta keep
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drinkin'. Ah recall a fella ah knowed once who dropped dead one day of a
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stroke. Doc says it was the see-gars, but I say it was de-hi-drashun.
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Lessee, it wuz Jake Sanchez down in El Paso. No, wait a bit. That wuz
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Carlos I knowed down there. Jake was the fella from Dur-ango. He was a
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caution, wuz that one..."
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Jean-Luc tried not to smile as he let Barker's voice fade into the
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background. He recognized the type and knew that all that was required of
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him was to look interested and nod once in a while. He turned his attention
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to the bottle his host handed him. He *was* thirsty, but now that he'd
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discovered where and when he was, what little he remembered about the
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dietary habits of this culture was not encouraging. The bottle's seal broke
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with a simple twist of the wrist and he cautiously sniffed the contents. It
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smelled unlike anything he'd ever encountered before, but didn't smell like
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alcohol, which is what he'd feared. For all of Barker's concern about
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'de-hi-drashun,' Jean-Luc wasn't sure how much he knew about how to
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prevent it. Barker was obviously enjoying his drink with no apparent
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side-effects and even managed to drink and swallow with barely a pause in his
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monologue. He took a cautious sip. Sweet, almost overwhelmingly so, and after
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that he noticed a distinct lime taste. There was an undercurrent of something
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else, but mostly it was cold, wet and surprisingly refreshing. He drank down
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half the bottle before stopping to look at the label. It was something called
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'Gatorade,' and boasted that it replaced lost electrolytes. He was surprised.
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Apparently Barker was more sophisticated than he looked. He couldn't help
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noticing that one of the primary ingredients in the mixture was glucose syrup
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solids, and farther on it listed sodium saccharine. No wonder the stuff was
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so sweet! His attention was pulled back to Barker.
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"So, how'd ya get the moniker Cajun Luke? Ya spend some time
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down t' Louisiana? Or is it 'cause yer French?"
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Picard rapidly searched his memory. Louisiana had once been a
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French colony. That made a certain amount of sense. He nodded, unwilling
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to disabuse Barker of the error in his name. He might have to come up with
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an explanation as to why he had almost prefaced his name with the title
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'captain.' He managed to dredge up the name of a city in Louisiana.
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"I spent time in New Orleans."
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"Thought as much. Yew got any cash, or did they get that too?"
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Cash... that one he knew. Money. He shook his head. "No, I
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haven't any money."
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"Figgered as much. Here..." he let go of the wheel with both hands
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and started digging in his pocket. Picard watched in alarm as the truck
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headed for the side of the road. He was about to reach for the wheel
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himself when Barker used an elbow to straighten out the massive vehicle's
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trajectory with a grin.
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"Sorry, din't mean t' scare ya."
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Still searching his pockets he finally pulled out a wadded up piece
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of greenish paper which he handed to Picard, who took it, studying it
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curiously, fairly certain it was some sort of currency.
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"It's only a five, but it's all I can spare. It'll buy ya lunch, and
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maybe a snack later if you're careful."
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Immediately Picard tried to hand it back to him. "I couldn't possibly
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accept this!"
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"Course ya can! Don't want 'chew ta think all 'murrican's'r thieves.
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I'll drop you at the Double R in Ridge. Rena, she owns the diner there now
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that her folks is gone, she can prob'ly find yew a job so's you can earn
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enough to get back on yer feet. There's 'most always some kinda short-timer
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job around for a man who ain't afraid t' work. This time'a year there's
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harvest work, if nuthin' else."
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Somewhat reluctantly Picard pocketed the bill.
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"Thank you, you've been more than kind. I don't know that I will be
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able to repay you."
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Barker seemed embarrassed, and waved a hand as if shooing off flies.
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"Aw, don't mention it. Jus' think o' me as one o' them there Good
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Sam's. Allus liked that story."
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Good Sam? Picard didn't recognize the allusion, but got the general
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idea. He smiled. "Well, thank you again."
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"T'weren't nuthin'. I like ta think some soul might do the same fer
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me, someday. There's Ridge up ahead, ain't nuthin' but a wide spot in the
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road anymore, since The Bust back in eighty-two."
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"The bust?"
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"You know, the big crash. Oil industry went t'hell in a handbasket."
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"Ah, right."
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It was difficult to pretend he knew what the man was talking about.
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There were so many little economic crises in history that had been called
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virtually the same thing, and it had been years since he'd thought about 20th
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Century world history. He needed to find a library, hopefully Ridge would
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have one. Barker had slowed down a bit on approaching the town, and it did
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look rather like a wide spot in the road. A few large buildings lined either
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side of the road; a cluster of eerily alike houses surrounding them. It was
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as if they'd all been cut from dough with a cookie cutter. Many of them
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appeared abandoned, with broken windows, and yards overgrown with weeds.
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The occasional swathe of bright green, carefully manicured lawn made fairly
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obvious which houses were occupied, and which were not. One building near
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the edge of town had a tall, circular tower next to it. The sign in front
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read "CO-OP," which told him nothing. He wondered what function it served.
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A church, perhaps? He recalled that the United States in the early to mid
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1900's had been quite fixated on religion.
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"The Double R's on the far end o' town, though that ain't s'far from
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the near end," Barker chuckled, pleased with his joke. "Anyhow, I'll
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drop y' there. Ask fer Rena Taylor if y'decide y'wanta earn a couple
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bucks afore y' move on. She'll know if anybody's hirin'."
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"You're not going to come in?" Picard asked, oddly ill at ease with
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the thought of begging work from a total stranger.
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"Nope, caint. Had a breakdown two days back an' I gotta make up the
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time. Schedules'r'hell, dontcha know? 'Specially furniture. People get
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right nasty if you ain't on time with their stuff."
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Picard tried not to stare at him blankly, but he had absolutely no
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idea what furniture had to do with being on a schedule. He nodded.
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"Yes, it's always difficult to maintain a schedule, especially if
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you've had mechanical difficulties."
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"Shed-yool?" Barker asked, raising his busy gray brows. "Oh, y' mean
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*sked-yool* dontcha?" He grinned, and winked. "I think Rena's gonna
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like you. She's got a University degree! She's a good girl, comin' home
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t' help her folks out before they passed on."
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After a moment, Picard puzzled that out to mean that the woman's parents
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had died. The percentage of colloquialisms in Barker's speech was truly
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daunting.
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As they drove through the small town, Picard noticed that several of
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the storefronts lining the street were empty, with "for rent" signs in them.
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It was a rather depressing sight. Obviously the town was on its last legs.
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He had read about the economic depression rampant in the late twentieth
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century, but it had never been brought home quite so forcefully before. He
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was seeing history alive. Despite his irritation with Q's interference,
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he had to admit to a certain exhilaration at seeing the past so close. Not
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as an archaeologist or historian, from a distance, but close, personal,
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real. Barker slowed the truck to a crawl, and gestured to the right.
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"There she is, the Double R Diner. Best eats between Lake Charles
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and Houston."
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|
The building was unprepossessing. A small, two-story rectangle,
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|
probably no more than a hundred to a hundred and fifty square meters per level.
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|
It was built of blonde brick and wood, and the front of the lower level
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|
consisted almost entirely of windows, which were shaded by a worn-looking green
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cloth awning. Several trucks similar in size to Barker's, as well as numerous
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|
smaller ground vehicles were parked in a large graveled lot off to one side.
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Large trees shaded the rear and the well-tended lawn on the other side of the
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|
building, and flowers in large wooden tubs along the walk softened the spartan
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exterior. A slightly faded sign above the door announced the name of the
|
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|
establishment. Barker brought the truck to a stop next to the walkway.
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"Here y'go, Luke. Hope yer trip gets better from here on out."
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"So do I, Mr. Barker. Thank you again for your kindness. I'll try
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to leave a repayment of your loan here for you when I depart, since you
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seem to frequent the area."
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"Nate, call me Nate, an' don't worry none about payin' me back.
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What goes around comes around. Don't fergit, ask fer Rena Taylor."
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"I won't." Picard shook the man's hand, and exited the vehicle.
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The heat struck him like a blast furnace, he felt sweat forming
|
||
|
in just the few seconds he had been out of the truck. He returned
|
||
|
Barker's wave as he pulled away, then turned and walked into the building.
|
||
|
Wonderfully cool air swept over him as he entered the diner, and
|
||
|
brought with it an incredible co-mingling of scents. He realized suddenly
|
||
|
that he was hungry. A long counter ran the length of the room, and every
|
||
|
stool at the counter was filled. Freestanding tables dotted the central
|
||
|
area and booths lined the windowed wall. He guessed the room would have a
|
||
|
total capacity of about a hundred and fifty, and it was about half filled
|
||
|
at the moment. A rather heavily-made-up young blonde woman in her early
|
||
|
twenties looked up from pouring a glass of water, and smiled.
|
||
|
"Be right with ya."
|
||
|
He nodded, and waited. Moments later she put down the pitcher and
|
||
|
came around the end of the counter. He was a bit surprised to see that
|
||
|
she was in a rather advanced stage of pregnancy. Her smile was cheerful,
|
||
|
though, as she pulled a plasticized folder from a holder on the wall
|
||
|
by the door and looked at him attentively.
|
||
|
"How many t'day, sir?" she queried. Her accent was similar to
|
||
|
Barker's in some ways, but softer, rounder, less nasal. He found himself
|
||
|
smiling back at her. A large badge pinned to the pocket of her blouse read
|
||
|
"Sueann," apparently to encourage customers to call her by name.
|
||
|
"Just one, thank you."
|
||
|
Sueann's eyes got wide, and she put a hand against her throat.
|
||
|
"Why, don't ya'll have jus' th' nicest accent? You must be English!"
|
||
|
He almost smiled, thinking of Nate Barker's similar comment, and
|
||
|
shook his head. "No, I'm not, but I learned English from an Englishman."
|
||
|
"Oh, well that explains it then, don't it? Anyplace special you'd
|
||
|
like to sit?"
|
||
|
"Ah... would there be alright?" He pointed to an unoccupied booth
|
||
|
in the back of the room next to the doors he assumed led to the kitchen
|
||
|
area. No one sat in the booth next to it, or at the closest table, giving
|
||
|
him a bit of privacy. Sueann nodded.
|
||
|
"That's jus' fine." she led the way to the table, then handed him
|
||
|
the plasticized folder. Once he had taken a seat, she ceremoniously
|
||
|
placed a paper placemat and a thick cloth napkin rolled around a set of
|
||
|
slightly beaten-up stainless steel utensils on the table.
|
||
|
"There y'go. I'll be back to take your order in two shakes. Y'all
|
||
|
want coffee?"
|
||
|
Though his usual choice of beverage was tea, the coffee had been
|
||
|
tantalizing him with its aroma since he entered the diner. He nodded.
|
||
|
"Cream with that?"
|
||
|
"No, thank you, black."
|
||
|
"You got it, hon."
|
||
|
Sueann waddled off toward the counter again. The folder bore the
|
||
|
legend "MENU" in large block capitals on the front. He opened it and
|
||
|
perused the contents. After a few moments he had recalled another fact
|
||
|
about the twentieth century. Heart disease had been rampant, and the
|
||
|
menu made at least part of the reason for that quite apparent. Nearly
|
||
|
every item on it contained vast amounts of cholesterol. Eggs, bacon,
|
||
|
red meat, fried foods, butter, cream. An amazingly deadly array of
|
||
|
culinary delights. He studied the prices, and realized that stretching the
|
||
|
five dollars Barker had given him to include more than one meal would be
|
||
|
difficult. If Q was serious about leaving him here, he would definitely have
|
||
|
to find gainful employment, and soon.
|
||
|
Sueann returned with his coffee, and he ordered a cup of soup,
|
||
|
which she assured him was made from "scratch" (which he hoped wasn't as
|
||
|
awful as it sounded), and a salad. As she turned to go, he stopped her.
|
||
|
"You wouldn't happen to have a..." he groped a moment for the word
|
||
|
he wanted, then found it. "...a newspaper would you?"
|
||
|
"You want the Ridge Star, or the Houston Chronicle?"
|
||
|
"I wouldn't mind looking at both, if that's possible."
|
||
|
"Well, the Star's free right now, but you'd have to wrestle Larry
|
||
|
Cox for the Chronicle. I 'magine he'll be done soon, though, he just reads
|
||
|
it for the sports, the comics and Dear Abby. 'Course, he'd never admit
|
||
|
that last one!" She giggled. "Anyhow, I'll snag it for you as soon as it's
|
||
|
free, and bring the Star with your salad. How's that?"
|
||
|
"That would be fine, thank you."
|
||
|
As she turned to go, he noticed a ring of discolored skin around her
|
||
|
arm just above the elbow, and frowned. It looked as if someone had grabbed
|
||
|
her there, leaving bruises. He realized as she walked away, that he could
|
||
|
see a trace of bruising along one cheek as well, though it was mostly hidden
|
||
|
by the heavy makeup she wore, probably with the intent of concealing the
|
||
|
bruises. He watched her for a few moments, noticing that though she appeared
|
||
|
bright and cheerful most of the time, when she thought no one was watching
|
||
|
her expression became rather depressed.
|
||
|
Another woman came through the kitchen doors, this one a small brunette
|
||
|
in her early to mid thirties. She carried a deep tub into which she placed
|
||
|
dirty dishes gathered from the various tables. He found his attention
|
||
|
diverted from the blonde. She was quite attractive. Her figure was softly
|
||
|
curved in all the right places. He had to admit that the close-fitting blue
|
||
|
canvas trousers that virtually everyone wore served to emphasize certain
|
||
|
portions of female anatomy quite nicely. He suspected they probably did the
|
||
|
same for men. The woman's dark brown hair was cut quite short, and curled in
|
||
|
soft ringlets around her face. Her mouth was generous, her eyes large and
|
||
|
almond-shaped, her nose straight. But quite apart from her attractiveness,
|
||
|
she had an indefinable intensity about her that intrigued him. She seemed
|
||
|
to stop and speak to everyone at least once, and as she passed Sueann she
|
||
|
patted her shoulder encouragingly. Picard was fairly certain that she was
|
||
|
the woman he'd been instructed to speak to about a job. She looked altogether
|
||
|
too busy at the moment to approach, but he resolved to wait it out.
|
||
|
It was several minutes before Sueann came back with his food, and a thin
|
||
|
sheaf of folded paper. She set the two bowls down carefully and placed the
|
||
|
paper to one side with a smile.
|
||
|
"There y'go. Enjoy!"
|
||
|
"Thank you, I'm sure I will."
|
||
|
He regarded the food for a moment, half expecting it to look different
|
||
|
from what he was used to. It didn't. There were several types of greens, in
|
||
|
the salad. He recognized spinach and romaine, but a third variety he didn't
|
||
|
know. Carrot wheels and shreds of purple cabbage ornamented the plate, as
|
||
|
well as several small pear-shaped yellow tomatoes and sliced cucumber. He
|
||
|
picked up his fork, stabbed a leaf of lettuce from the plate, and bit into
|
||
|
it tentatively. It tasted good, far better than he had expected, somehow
|
||
|
having prejudged the century as having bad food. The dressing was some creamy
|
||
|
white stuff that tasted vaguely of buttermilk. He'd had worse in his own time.
|
||
|
Encouraged, he tried the soup, which was a surprise. It was superb, a
|
||
|
rich clear broth that tasted strongly of chicken and herbs, and just a hint
|
||
|
of white wine. Lengths of pasta that were obviously hand-cut, judging from
|
||
|
their irregular thicknesses, and large chunks of various vegetables enlivened
|
||
|
the broth. He discovered a little plastic packet containing two thin crackers
|
||
|
tucked under the edge of the bowl, and even they weren't half bad. So much for
|
||
|
his 24th Century gastronomic prejudices, he acknowledged ruefully, wondering
|
||
|
what other preconceived notions would have to go by the wayside.
|
||
|
He finished his food rather more quickly than he should have, pushed the
|
||
|
dishes aside, and picked up the paper. The date in the upper left corner of
|
||
|
the header was September 10, 1991. In the upper right, he discovered where
|
||
|
he was; Ridge, Texas. That told him enough to place him in the southwestern
|
||
|
United States, though not enough to fully satisfy his curiosity. He paged
|
||
|
through the eight sheets of print quickly, learning that several young people
|
||
|
from the community had recently gone off to college, someone had sold a
|
||
|
"prize steer" for a large sum of money, and a local woman had won a contest
|
||
|
at a state fair with her apple pie. Apparently the local paper was geared
|
||
|
more to subjects of interest to the native populace than to world events.
|
||
|
He also noticed a large advertisement for a "going out of business sale"
|
||
|
at a local women's clothing shop, and a long list of bank foreclosures.
|
||
|
The town was obviously in trouble.
|
||
|
"Excuse me..."
|
||
|
Jean-Luc looked up to find a man standing next to the table, a much
|
||
|
thicker sheaf of papers held carefully in gnarled hands. He was a lean,
|
||
|
brown man with thick white hair, blue eyes, and a face lined and worn from
|
||
|
the years of exposure to the elements. He smiled tentatively.
|
||
|
"Sueann said you wanted t'see the Chronicle once I was done. Well,
|
||
|
I'm done now, so here y'go."
|
||
|
Jean-Luc accepted the paper, trying not to stare at the man's hands.
|
||
|
It took him a moment to realize what he was seeing. Arthritis. The man
|
||
|
had arthritis in his hands, the deterioration making them knotty, and
|
||
|
painfully curved. He had studied ancient skeletons so afflicted in his
|
||
|
archaeology and anthropology courses, but had never seen a living person
|
||
|
actually stricken with the disease before. Realizing he had almost let
|
||
|
the pause go on too long, he quickly spoke.
|
||
|
"Thank you, very much. I appreciate your bringing it over."
|
||
|
The man waved a hand at him with a grin. "Oh, pshaw, t'weren't
|
||
|
nothin'. Say, are you from England? I was there once, when I was a
|
||
|
kid, fightin' in The War."
|
||
|
Picard stifled a sigh. Three. That made three people who'd asked
|
||
|
him that already. What was it with these people? He forced a smile, since
|
||
|
the elderly gentleman was obviously well intentioned.
|
||
|
"No, sir, I'm not British, I'm French, but I have been told that my
|
||
|
accent is more British. Probably due to the gentleman from whom I learned
|
||
|
to speak English."
|
||
|
"Ah, well, that explains it, then, don't it? I was in France too,
|
||
|
y'know, and Belgium. We were all over the place, makin' sure them Jerry's
|
||
|
didn't win the war."
|
||
|
Picard suddenly realized the man was referring to World War Two. He
|
||
|
sat up straighter, intrigued. He was actually speaking to someone who
|
||
|
fought in one of the most famous of Earth's myriad wars! As a young man
|
||
|
he had visited many of the sites where famous battles had been fought,
|
||
|
and also the museums of the concentration camps where so many had died.
|
||
|
"You fought in World War Two?" he queried, realizing his voice
|
||
|
sounded somewhat amazed. The other man nodded, a grin lighting his
|
||
|
weathered face as he realized that Picard was actually interested.
|
||
|
"I sure did! Why I remember..."
|
||
|
"Dad?"
|
||
|
They both looked at the woman who had interrupted him. She was a
|
||
|
thin woman in her mid-forties, and she had the largest hair Picard had
|
||
|
ever seen. Her bright yellow-blonde hair had been teased and lacquered into
|
||
|
a virtual helmet of hair. She had a slightly patronizing expression on her
|
||
|
face as she laid a hand on the older man's sleeve.
|
||
|
"Come on, Dad, we need to go," she turned to Picard apologetically.
|
||
|
"I'm sorry, he does tend to go on, sometimes!"
|
||
|
The man's face fell, his disappointment obvious. Picard felt a touch
|
||
|
of annoyance at the woman's attitude.
|
||
|
"I *was* interested in what he had to say."
|
||
|
"Well, that's right nice of you to say so, but we really do need to go."
|
||
|
Her father nodded forlornly, his shoulders sagging.
|
||
|
Picard stood, and held out his hand. "I am honored to have met you
|
||
|
sir, and wish we could have had a chance to talk longer."
|
||
|
The man straightened, and put his hand in Picard's, his grip
|
||
|
surprisingly firm, considering his affliction. He shot a glance at his
|
||
|
daughter, and his expression was almost merry.
|
||
|
"Thank you, son, it's nice to have met you too. The name's Cox, by
|
||
|
the way, Larry Cox."
|
||
|
Picard nodded, "I'm Jean-Luc Picard."
|
||
|
"Well, you have a nice day, Mr. Picard," Cox said, ignoring the
|
||
|
tug on his sleeve. "And enjoy the paper."
|
||
|
"I will, thank you sir."
|
||
|
Cox shrugged off his daughter's hand and preceded her from the diner,
|
||
|
his bearing regal. Picard sat back down, but not before he noticed the
|
||
|
brunette with the dish-tub watching the two leave with a half-smile on her
|
||
|
face. After they were gone she turned and looked at Picard, and nodded at
|
||
|
him approvingly before disappearing back into the back room. He smiled to
|
||
|
himself as he picked up the larger paper. It never hurt to make a good
|
||
|
impression on someone you were going to have to ask a favor of. His glance
|
||
|
flickered across the page and stopped, his attention riveted by the words in
|
||
|
bold typeface on a small square of blue color near the bottom of the page.
|
||
|
"Are we having fun yet, Mon Capitain?"
|
||
|
The words were spoken as well, just behind him, in a soft, mocking voice
|
||
|
that he knew all too well.
|
||
|
"Q!" he hissed, as he turned and stood simultaneously, banging his
|
||
|
knees painfully on the edge of the table in the process, only to find there
|
||
|
was no one there, not a soul. Several people looked up from their meals,
|
||
|
obviously wondering what he was doing. Embarrassed he sat back down and
|
||
|
studied the paper intently, as much to close out any stares as for any more
|
||
|
literary reason. The sentence which had caught his eye was gone, the
|
||
|
blue square where it had been now listed the average monthly rainfall and
|
||
|
temperatures for the city of Houston. It had definitely not been there before.
|
||
|
Q was up to his tricks. In a way it was reassuring. He had begun to wonder
|
||
|
when the entity would pop up again. Apparently whatever he was supposed to
|
||
|
be doing was progressing as Q wished.
|
||
|
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
From JULIA@Jetson.UH.EDU Mon Aug 30 14:32:41 1993
|
||
|
Return-Path: <JULIA@Jetson.UH.EDU>
|
||
|
Received: from orion.cis.ksu.edu by depot.cis.ksu.edu ESMTP (8.5)
|
||
|
id OAA05550; Mon, 30 Aug 1993 14:32:39 -0500
|
||
|
From: JULIA@Jetson.UH.EDU
|
||
|
Received: from Rosie.UH.EDU by orion.cis.ksu.edu SMTP (8.3)
|
||
|
id OAA06829; Mon, 30 Aug 1993 14:10:33 -0500
|
||
|
Received: from Jetson.UH.EDU by Jetson.UH.EDU (PMDF V4.2-11 #3125) id
|
||
|
<01H2CXVUGZKM8Y5XMR@Jetson.UH.EDU>; Mon, 30 Aug 1993 14:08:55 CDT
|
||
|
Date: Mon, 30 Aug 1993 14:08:55 -0500 (CDT)
|
||
|
Subject: A'la Q, Part 2, by Kellie Matthews-Simmons & Julia Kosatka
|
||
|
To: jfy@cis.ksu.edu
|
||
|
Message-id: <01H2CXVUGZKO8Y5XMR@Jetson.UH.EDU>
|
||
|
X-VMS-To: @ARCHIVE
|
||
|
MIME-version: 1.0
|
||
|
Content-type: TEXT/PLAIN; CHARSET=US-ASCII
|
||
|
Content-transfer-encoding: 7BIT
|
||
|
Status: O
|
||
|
|
||
|
When Picard looked up from the paper again, the restaurant was
|
||
|
deserted save for himself, which seemed odd, since only a few minutes
|
||
|
earlier it had been packed. He glanced at the clock, which told him it
|
||
|
was fifteen minutes after one. He signaled the waitress, and she came
|
||
|
over with the coffee pot in her hand.
|
||
|
"'Nother refill for you there?"
|
||
|
"No, thank you, I've finished. I was wondering if I could speak to
|
||
|
a woman named Rena Taylor. I was told she might be able to assist me."
|
||
|
"Sure thing, hon." Sueann half-turned away, and yelled "REEEENA!
|
||
|
SOMEBODY TO SEE YOU!"
|
||
|
Picard winced, but since there was no one else in the restaurant it
|
||
|
didn't disturb anyone. A few moments later the kitchen doors swung open
|
||
|
to admit the petite brunette. She was drying her hands on a towel tucked
|
||
|
into the waistband of her trousers, and she approached with a slightly
|
||
|
distracted air. Reaching the table she touched the waitress on the shoulder.
|
||
|
"Thanks, Sueann. Would you mind asking Billy Ray to clean the grill
|
||
|
before he gets started on dinner prep?"
|
||
|
"No problem, Reenie," she winked at her employer and lumbered off
|
||
|
to set down the coffee pot before entering the kitchen. Picard watched
|
||
|
her, wondering it was wise for her to be working such a physically demanding
|
||
|
job when she was obviously close to term. The other woman's low, pleasant
|
||
|
voice pulled his attention to hers. He noticed her voice was less heavily
|
||
|
accented than most he had so far encountered. She really was quite
|
||
|
attractive, he noticed again. Her expression was frankly curious as she
|
||
|
regarded him.
|
||
|
"Hi, I'm Rena Taylor, what can I do for you?"
|
||
|
"Nate Barker told me you might know where I could possibly find short-
|
||
|
term employment around here. Is that true?"
|
||
|
"Well, Mr...." she paused, obviously waiting for him to supply his name.
|
||
|
"Picard. Jean-Luc Picard, and no, I'm not English, I'm French." he
|
||
|
said, forestalling the inevitable. "However my language instructor was
|
||
|
English and apparently I picked up his accent."
|
||
|
She stared at him a moment, then started to smile, after a few seconds
|
||
|
the smile became a giggle, which she tried to hide behind one hand while she
|
||
|
waved the other one in the air, apparently asking him to wait on her recovery.
|
||
|
Finally she got herself under control.
|
||
|
"I'm so sorry, really, it's just there this commercial... oh, never
|
||
|
mind. I take it you've already been quizzed about your accent a few times?"
|
||
|
He wondered what a commercial was, and why it would cause her to laugh,
|
||
|
apparently at his name. Then he realized what he'd done, and felt a slight
|
||
|
flush color his face.
|
||
|
"Ah, yes, I have been asked about it several times already. Really, I
|
||
|
feel I should apologize as well, I shouldn't have assumed you were going to
|
||
|
ask me that."
|
||
|
She smiled. "Well, I probably would have, eventually, so there's no
|
||
|
need to apologize. Well met, Mr. Picard. You were saying you wanted a job?
|
||
|
I'm afraid I don't..."
|
||
|
A loud crashing noise and a cry of pain spun both of them toward the
|
||
|
kitchen.
|
||
|
"Damn it," Rena swore, fists clenching, as it became apparent that
|
||
|
Sueann was crying, and fighting with someone in the back. Without a word
|
||
|
to him she took off across the restaurant like an avenging Fury, despite
|
||
|
her lack of stature.
|
||
|
"Billy-Ray Wheeler! Damn you, I thought I told you never to lay a
|
||
|
hand on her again!"
|
||
|
Picard hesitated for a moment, then followed her. Old habits die hard.
|
||
|
The scene in the kitchen shocked him. Sueann was cowering in a corner, a
|
||
|
towel held to her bloody nose, and a huge, literally huge young man towered
|
||
|
over her. He was every bit as big as Worf. He had blonde hair cut in quarter-
|
||
|
inch bristles, and a sunburned face, currently twisted into a vicious scowl.
|
||
|
"Oh yeah?" he snarled, sarcastically. "Who's gonna make me?"
|
||
|
Rena picked up a knife from a counter, holding it slightly awkwardly.
|
||
|
The expression on her face was chilling. Utter determination.
|
||
|
"I will if I have to, Billy-Ray."
|
||
|
The hulk grinned. "Come on then, give it a try, missy."
|
||
|
Rena took a step forward. Picard was getting angry. It was obvious that
|
||
|
neither woman was trained in combat, and the man was easily twice their size.
|
||
|
Not only that, but Sueann was pregnant enough that if he knocked her to the
|
||
|
floor, or against one of the counters, she could be severely injured. He
|
||
|
decided it was time to intervene, and moved between the would-be combatants.
|
||
|
"Hey!" Billy-Ray said, focusing on Picard. "What do *you* want, shrimp?"
|
||
|
The epithet took him back years, to Robert and his best friend taunting
|
||
|
him. Remembered anger augmented current, but he strove for calm.
|
||
|
"Don't you think you should stop this before someone gets seriously hurt?"
|
||
|
Billy-Ray's pale blue eyes widened, showing bloodshot whites. This close
|
||
|
Jean-Luc could smell the stale reek of alcohol, and some other repulsive odor
|
||
|
he couldn't at first identify, though he knew he'd smelled it before.
|
||
|
"Oooh! Well ain't you fancy! I'm sooo scared!" Billy-Ray's tone
|
||
|
was clearly mocking. Picard's jaw tightened, but he refused to give in to
|
||
|
the urge to wipe the floor with the young man.
|
||
|
"Why don't you go outside and cool off for a few moments?"
|
||
|
"Why don't I just git you out of the way and let Miss Rena finish
|
||
|
what she started?" Billy-Ray growled, lunging for Picard's shirt to yank
|
||
|
him closer.
|
||
|
He never touched it. Picard locked his hand around the other man's
|
||
|
arm, found the leverage point, and used Billy-Ray's momentum to throw him
|
||
|
over his shoulder to the floor. In mid-motion, he remembered that Rena was
|
||
|
directly behind him, and twisted to one side to make certain Billy-Ray
|
||
|
didn't land on her, or the knife she held. He felt muscles protest, and
|
||
|
knew that he was going to regret that move. Billy-Ray slammed into the floor
|
||
|
with a crash, and lay there, stunned. Picard spun to face him, in a defensive
|
||
|
stance.
|
||
|
"Would you care to try that again?" Picard inquired quietly.
|
||
|
Billy-Ray stared at him for a moment, then his face darkened and
|
||
|
he rolled to his feet, moving quickly for such a large man. Fists clenched,
|
||
|
he lashed out, but Picard avoided him easily. He was big, and fairly fast,
|
||
|
but he had absolutely no idea how to fight. Unfortunately, he didn't seem
|
||
|
to know that. He kept trying. Picard kept avoiding him. Finally, tired of
|
||
|
the game, Jean-Luc realized his opponent was not going to stop until he
|
||
|
had to. He executed a quick series of an-jitsu moves that left Billy-Ray
|
||
|
dazed on the floor, with a bloody nose to match the one he'd given Sueann,
|
||
|
a cut eyebrow, and possibly a bruised rib or two. He lay there, clutching his
|
||
|
side and groaning loudly. Rena and Sueann stared at Picard, openmouthed, then
|
||
|
Rena quietly put the knife back on the cutting board, and put her hands on
|
||
|
her hips.
|
||
|
"Get up, and get out, Billy-Ray You're fired. Send your brother
|
||
|
tomorrow and I'll give him your pay, in cash, but you are never to set foot
|
||
|
in here again! You hear me? If I see you within a hundred feet of the
|
||
|
Double R, I'll call Sheriff Kulik and file assault charges so fast it'll
|
||
|
make your head spin!"
|
||
|
Billy-Ray stopped moaning and looked up, his expression almost
|
||
|
comically surprised. "Fired?"
|
||
|
"You heard me! Now move your sorry ass outta here!"
|
||
|
"But, I'm hurt...," he complained.
|
||
|
"And who's fault is that? You always were dumber than the north end of
|
||
|
a southbound mule! I've had it! You're history!"
|
||
|
He got slowly to his knees, then stood, wiping the blood off his face
|
||
|
with his sleeve. Then he scowled, and turned to look at Sueann, his eyes
|
||
|
narrowed.
|
||
|
"Come on, Sueann, you heard her."
|
||
|
Rena seemed to gain stature as she bridled angrily. "Oh no you don't!
|
||
|
Sueann, you stay right where you are. Don't you dare move an inch! You may
|
||
|
have the world's worst taste in men, but we both know you're not stupid.
|
||
|
If you stay with Billy-Ray, one of these day's he's gonna kill you."
|
||
|
"But what about the baby?" Sueann asked in a quavery voice, hand
|
||
|
curved protectively over her belly.
|
||
|
"What about it? You want him to kill it too?"
|
||
|
Sueann flinched. Picard felt extremely uncomfortable, realizing he
|
||
|
had intruded into something intensely personal. Billy Ray clenched his
|
||
|
fists, then shot a glance at Picard and let them open again. He gave an
|
||
|
exaggerated shrug.
|
||
|
"It's not like it's mine," he said flippantly. "Why should I care?"
|
||
|
Sueann began crying again, burying her face in the bloody towel. Rena
|
||
|
stepped over to her and put an arm around her, patting her hair as if she
|
||
|
were a child.
|
||
|
"Sueann, you know I'll help you, I told you I would. You don't need
|
||
|
Billy-Ray. You don't even need me, really, you just need to learn to
|
||
|
believe in yourself."
|
||
|
Sueann made some muffled response, and Rena seemed satisfied. With
|
||
|
her arm still around the younger woman, she looked back at Billy-Ray.
|
||
|
"Go on, get out."
|
||
|
He glared at her for a long moment, then finally yanked off the dirty
|
||
|
apron he wore, threw it on the floor, and stomped out. The only sound in
|
||
|
the room for several seconds was the slightly tinny music coming from a
|
||
|
small black box on a shelf near the door, then Rena broke the quiet.
|
||
|
"Suanne, I want you to go upstairs and lie down for a bit, alright?
|
||
|
Is your nose broken? Do I need to call Dr. Lacey and get you an appointment?"
|
||
|
Suanne shook her head, and wiped her eyes with a clean corner of the
|
||
|
towel. "No, it's ok. He didn't break it this time. I'll just go lie down,
|
||
|
like you said."
|
||
|
"Good girl, go on now."
|
||
|
Rena watched her go, then ran a hand through her hair, looking around
|
||
|
the kitchen. Picard recognized her mood, he'd felt it too many times to
|
||
|
not know it. There was no name for it, but it loosely translated to
|
||
|
"I'm in charge of this, and what the hell do I do now?" He found himself
|
||
|
smiling sympathetically. She looked back at him and caught it, and smiled
|
||
|
back, ruefully.
|
||
|
"Well, you've had quite an introduction to Ridge, haven't you?"
|
||
|
"You could say that," he rubbed his shoulder, feeling the ache
|
||
|
of strained muscles. He didn't think they were torn, but he had
|
||
|
definitely damaged them. Rena noted the gesture, and her expression
|
||
|
immediately became concerned.
|
||
|
"Are you alright? I didn't think he touched you..."
|
||
|
"He didn't, but I went into that throw wrong, and I'm afraid I'm
|
||
|
going to regret it."
|
||
|
She studied him a moment, then smiled and shook her head. "You
|
||
|
know, I've never seen anyone do anything like that outside of a movie
|
||
|
before. I don't suppose you could teach me?"
|
||
|
Picard shook his head. "It takes years of study, and I don't think
|
||
|
I'm going to be around long enough."
|
||
|
"Ah well, c'est la vie."
|
||
|
He brightened. "Parlez-vous francaise?"
|
||
|
She laughed. "Oh, no. I had some French in high school, but I've
|
||
|
forgotten almost all of it, sorry. I just know a few standard phrases
|
||
|
that everyone knows. You know... deja vu, c'est la vie, ou est la
|
||
|
toilette, that sort of thing."
|
||
|
He couldn't help laughing in return. "That is a rather eclectic
|
||
|
assortment of phrases, you know."
|
||
|
"I know," she looked around the room again, and sighed. "I guess
|
||
|
I'd better get started on dinner prep, since it looks like I'm going to
|
||
|
be doing the cooking again."
|
||
|
Suddenly she looked back at him, her eyes narrowed speculatively.
|
||
|
"You asked me if I knew of any jobs locally, didn't you?"
|
||
|
"I did. I'm afraid I'm stranded." After a moment's consideration he
|
||
|
decided to tell her the story Barker had assumed, slightly modified.
|
||
|
"I was travelling with some friends, and we became separated, then
|
||
|
my pack was stolen. I have the clothes on my back, a bit over a dollar
|
||
|
in cash after I pay for my lunch, and a pair of willing hands."
|
||
|
She looked appropriately distressed. "I'm so sorry! That's terrible!"
|
||
|
Then she bit her lip, hesitated a moment, and plunged ahead. "I don't
|
||
|
suppose you can cook? It seems I suddenly have an opening..." she let
|
||
|
the sentence trail off, gazing at him hopefully.
|
||
|
He stared back at her, trying not to grin at the idea. It was
|
||
|
utterly ridiculous. Totally preposterous. But, he was surprised to
|
||
|
find he was actually considering it.
|
||
|
"I... well. Not like this," he gestured around the kitchen. "I
|
||
|
learned to cook as a child, of course. Maman made sure of that," he
|
||
|
smiled, remembering. "She said no self-respecting Frenchman should
|
||
|
neglect that part of his education. But I've never cooked for more
|
||
|
than a small dinner party, and even that I haven't done in years."
|
||
|
"It's like riding a bicycle... you never really forget. And as
|
||
|
for this type of short-order cooking, I could teach you. I just can't
|
||
|
manage everything myself, and if you'd be willing to help me out for a
|
||
|
week or two until I can hire a real cook, I would... well, I'd pay you,
|
||
|
and on top of that I'd be eternally grateful!"
|
||
|
"I..." he almost accepted, then realized he couldn't make that
|
||
|
kind of promise. He had no idea what Q would do next, or when. "I'd like
|
||
|
to, but I don't know how long I will be able to stay."
|
||
|
"Then just until you have to leave, however long that is."
|
||
|
He considered. She looked so hopeful...
|
||
|
"Please?" she prompted. "I'm afraid I'm desperate! And if
|
||
|
Billy-Ray comes back..."
|
||
|
Again she failed to finish her sentence, but the implication was
|
||
|
obvious. Somehow she had managed to say the exact thing guaranteed to
|
||
|
push his acceptance. He was about to say yes, when she upped the ante.
|
||
|
"You'll need a place to stay, I have two spare rooms upstairs, and
|
||
|
you're welcome to one."
|
||
|
He sighed. "I do need work, and a place to stay. I'll give it a
|
||
|
try, but I can't guarantee I'll be any good at it."
|
||
|
She grinned broadly, knowing she'd won. "I'll accept that, but you
|
||
|
look like the kind of man who's good at whatever he sets his mind to."
|
||
|
He smiled back. "Not *everything,* no, but most things."
|
||
|
"Name one thing you haven't been able to master," she challenged him,
|
||
|
crossing her arms over her chest and leaning back against the counter.
|
||
|
He barely had to think about it. "Painting."
|
||
|
She looked startled. "Painting? As in art, not houses?"
|
||
|
He nodded. She lifted a hand and tapped her lower lip with a finger,
|
||
|
then shook her head. "You surprised me with that one, Mr. Picard. That's not
|
||
|
an answer I would have expected from your average hitchhiker. So, you've
|
||
|
actually tried?"
|
||
|
"Oh, yes, much to the amusement of my cr... friends." He barely caught
|
||
|
himself on that one. Crew he would have had to explain. She smiled again,
|
||
|
"Well, the fact that you've at least tried puts you ahead of most people.
|
||
|
Have we got a deal?"
|
||
|
He nodded. "We do."
|
||
|
"Good," she held out her hand. He clasped hers, and they shook hands.
|
||
|
He was surprised at the firmness of her grip. She had big hands for a small
|
||
|
woman, strong hands. As she let go, she chuckled softly, and shook a finger
|
||
|
at him.
|
||
|
"You, Mr. Picard, are far too trusting. You never asked me *how much*
|
||
|
I was going to be paying you."
|
||
|
He lifted an eyebrow at her. "And you, Ms. Taylor, are also a bit on
|
||
|
the trusting side, to be letting a man you met ten minutes ago share a
|
||
|
room in your house."
|
||
|
She cocked her head to one side and studied him, her green eyes bright
|
||
|
and amused. Her gaze swept down him, back up, and then held his own eyes
|
||
|
for a moment before she replied.
|
||
|
"True, true, though it's been at least fifteen minutes. But not
|
||
|
only did Nate Barker send you here, I pride myself on being a pretty good
|
||
|
judge of character as well."
|
||
|
"As do I."
|
||
|
"We're even then. You'll acquit me of being a skinflint and I'll acquit
|
||
|
you of being a serial killer, ok? Now, let's get to work."
|
||
|
"On one condition."
|
||
|
"That being?"
|
||
|
"You must stop calling me Mr. Picard. I keep looking around for
|
||
|
my father." Not to mention feeling like a lieutenant again, he thought
|
||
|
to himself. He wasn't sure which was worse.
|
||
|
"What shall I call you then?"
|
||
|
"Jean-Luc."
|
||
|
She grinned, and shook her head. "I'm not sure I can do it without
|
||
|
laughing, and I doubt anyone else around here will make the effort. How
|
||
|
about Luke?"
|
||
|
There she went again, laughing at his name. He was beginning to feel
|
||
|
a bit offended. "Luke would be fine, but would you please tell me what you
|
||
|
find so amusing about my name?"
|
||
|
"It's hard to explain. Have you watched much tv since you came to the
|
||
|
U.S.?"
|
||
|
"Teevee?"
|
||
|
"You know, television, surely even the French call it tv."
|
||
|
Television... that was an early broadcast entertainment medium. "Oh,
|
||
|
of course. No, I can honestly say I haven't watched any television since
|
||
|
arriving here."
|
||
|
"Well, then you won't have seen it. You'll catch it one of these days,
|
||
|
and you'll understand. But if I'm to call you Luke, you've got to call me
|
||
|
Rena, not Ms. Taylor, right? I don't like sounding like my mother any more
|
||
|
than you like sounding like your father, I suspect."
|
||
|
"As you wish. What should I do?"
|
||
|
She pointed at a large appliance which gaped open, exposing rows of
|
||
|
dishes. utensils, and assorted pots and pans. "You can start by helping me
|
||
|
load the dishwasher. We've got to get lunch cleaned up before we start on
|
||
|
dinner."
|
||
|
"Show me what to do, and I'll do it."
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
Nine hours later, he was almost regretting having accepted her offer.
|
||
|
He couldn't remember the last time he'd felt so tired. His feet hurt, his
|
||
|
back hurt, he felt like he was covered with a thin layer of grease, on top
|
||
|
of that his shoulder ached from his encounter with Billy-Ray, and he had an
|
||
|
assortment of little nicks and burns on his hands. He had, however, gained a
|
||
|
vast feeling of respect for Rena Taylor. From what he had learned from the
|
||
|
talkative Sueann, she had been running the place almost single-handedly
|
||
|
for two years. Billy-Ray had been a new addition, hired to help out when
|
||
|
Sueann's pregnancy became enough advanced that Rena had needed to help with
|
||
|
the wait duties. There had been another waitress for awhile, but she had
|
||
|
decided to move to Houston, where there were more opportunities. Since
|
||
|
then the Double R had been operating with a staff of three.
|
||
|
He didn't see how they did it day in and day out, especially not
|
||
|
Sueann. She said she was only seven and a half months along, but she looked
|
||
|
a lot closer to term than that. Of course he was judging that from his
|
||
|
experience with Elines' two pregnancies, and since that entire incident had
|
||
|
taken place in his mind, in reality he knew little about pregnancy.
|
||
|
He was putting another load of dishes into the dishwasher when Rena came in
|
||
|
from the dining room, rubbing her forehead, looking every bit as exhausted as
|
||
|
he felt. She leaned against the door of the big walk-in refrigerator for a
|
||
|
moment, then straightened.
|
||
|
"I've got to run Sueann home in the pickup, I'll be back in about ten
|
||
|
minutes. I'll show you where you're staying as soon as I get back."
|
||
|
He nodded, and she grabbed a set of keys off a hook by the door and
|
||
|
left. He finished with the dishes, wiped down the counters, then tossed
|
||
|
his apron and several dirty towels in the big cloth basket near the back
|
||
|
door. For a moment he stood looking outside through the narrow window in
|
||
|
the door. It seemed quite bright, the moon was about three-quarters full,
|
||
|
so he opened the door and walked out into the night.
|
||
|
It was still quite warm, though not blast-furnace hot as it had been
|
||
|
at noon. He guessed that the temperature was still close to twenty-five. For
|
||
|
ten-o-clock at night, that was pretty hot. No wonder these people used their
|
||
|
air-cooling units constantly. He wished he had a map, so he could figure out
|
||
|
exactly where he was. He knew *when* he was, and he had a general idea of
|
||
|
where, but he wanted more exact information than that. Perhaps Rena would
|
||
|
have an atlas he could borrow. He noticed a small building nestled in
|
||
|
the trees. Almost a shed, but better constructed. The monotonous hum of an
|
||
|
air-conditioner told him it couldn't be just a storage unit. No one would
|
||
|
waste the cooling on that. He wandered over to investigate it.
|
||
|
It was small, about three meters square, and had a large window high on
|
||
|
one side, as well as a skylight. He couldn't really see inside, and the door
|
||
|
was padlocked, but he got the impression of a work surface, and several
|
||
|
amorphous shapes shrouded in white. It was obviously a workshop of some kind.
|
||
|
He heard a vehicle enter the parking lot, gravel crunching beneath its wheels.
|
||
|
The engine stopped, and a door opened. Guessing it was Rena, he walked around
|
||
|
to that side of the building and stopped, watching her.
|
||
|
She was standing beside her 'pickup.' The door was open, and her folded
|
||
|
arms were rested on the sill of the open window as she stared at the restaurant.
|
||
|
Her expression was bleak and drawn. He took a step toward her, wanting to
|
||
|
offer help, then stopped. It was none of his business. But, that was just a
|
||
|
meaningless phrase, wasn't it? Twice today people who shouldn't care a thing
|
||
|
about him had offered him assistance without hesitation. He moved into the
|
||
|
circle of light thrown by one of the tall lamps in the lot.
|
||
|
"Can I help?"
|
||
|
She turned quickly, with a gasp, obviously startled, then relaxed when
|
||
|
she saw who it was, and shook her head.
|
||
|
"No, I'm fine. I was just... missing the stars."
|
||
|
His gaze narrowed, wondering just what she meant by that.
|
||
|
"Having grown up here, I never realized what I was missing until I
|
||
|
moved to Santa Fe. You can really see the stars there, even the Milky Way.
|
||
|
Down here you never can, too much humidity I guess. I look up, and I can't
|
||
|
see the stars. It reminds me of things... oh, you don't want to hear this.
|
||
|
It's just... I get a little down sometimes."
|
||
|
"I would like to hear, if you want to talk about it." he prompted,
|
||
|
taking a page from Counselor Troi's book. Usually he hated being asked that,
|
||
|
but it seemed to fit at the moment.
|
||
|
Rena closed the door of the vehicle and stepped away from it, toward
|
||
|
him. "It's nothing you can help."
|
||
|
"Sometimes talking helps, even if it offers no immediate solutions."
|
||
|
She sighed, and ran her fingers through her hair, a gesture she made
|
||
|
frequently, then rubbed her hand down her neck, obviously massaging sore
|
||
|
muscles there. He waited, and after a moment she shrugged.
|
||
|
"Oh, hell, why not? Did we throw out the coffee yet, or have we
|
||
|
still got some?"
|
||
|
"I think I threw it out, but I could brew more," he offered, the
|
||
|
coffeemaker being one of the few things he'd mastered. That, and the
|
||
|
dishwasher. She shook her head.
|
||
|
"No, that's ok. I don't need all that caffeine. Let me nuke some
|
||
|
water and fix a cup of tea. Would you like one?"
|
||
|
"I would, thank you."
|
||
|
Together they walked back into the restaurant. Rena locked the front
|
||
|
door behind them, and turned out all the lights except those in the kitchen
|
||
|
area. She filled two cups with water and set them on the turntable in the
|
||
|
microwave, then opened a cupboard to display an assortment of boxes and tins,
|
||
|
then turned to him with a smile.
|
||
|
"This is my secret vice. No one around here drinks anything but Lipton,
|
||
|
but when I lived in Santa Fe I got to be a bit of a tea snob. Of course, if I
|
||
|
was a *real* tea snob I wouldn't be nuking the water, but you have to make
|
||
|
concessions to practicality sometimes. What would you like?"
|
||
|
He scanned the labels, and smiled. Several of his own favorite teas
|
||
|
were among the choices. Lapsang Souchong, Gunpowder Green... Earl Grey.
|
||
|
He went for the familiar.
|
||
|
"The Earl Grey, please."
|
||
|
She nodded and pulled down that tin, then chose something called
|
||
|
Tranquilitea for herself. She measured a spoonful of the Earl Grey into
|
||
|
an infuser and unwrapped one of the small filter bags of her own blend, just
|
||
|
as the microwave beeped. Pulling the cups out she set the teas to brewing
|
||
|
and leaned back against the counter.
|
||
|
"Y'know," she said, looking authoritative. "You shouldn't drink Earl
|
||
|
Grey if you're going to be out in the sun much. The bergamot oil in it can
|
||
|
make you photosensitive."
|
||
|
"I'll keep that in mind," he said solemnly, hiding a smile. For just
|
||
|
a moment she had reminded him of Bev Crusher. That made him wonder when
|
||
|
Q was going to tire of the game and send him home. He was a bit surprised
|
||
|
that the entity hadn't yet made a real appearance to taunt him.
|
||
|
Rena picked up one of the little plastic bears whose presence on the
|
||
|
supply shelf had puzzled him. Pulling off its little red "hat" she upended
|
||
|
it over her cup and squeezed. Slowly a thin stream of amber fluid drizzled
|
||
|
from it. He stared at it, wondering what it was, and why she was putting
|
||
|
it in her tea. She saw his expression and laughed.
|
||
|
"It's just honey, Luke! What did you think it was?"
|
||
|
"I had no idea. Ah... why do you keep honey in a container shaped
|
||
|
like a bear?"
|
||
|
She regarded him blankly for a moment, the frowned thoughtfully "You
|
||
|
know, I've never thought about it before. We've just always done it. It
|
||
|
never occurred to me to wonder why."
|
||
|
"Then I suppose I'm just going to have to go curious."
|
||
|
"I guess so... oh! Of course!" A big grin spread over her face.
|
||
|
"Winnie the Pooh!"
|
||
|
"Winnie the what?" He asked, not sure he'd heard her correctly.
|
||
|
"The Pooh! Don't tell me they don't read Winnie the Pooh to little
|
||
|
French children! What a loss! I have a copy you can borrow if you like.
|
||
|
I even have the Disney version on video."
|
||
|
"It's a children's story, then?"
|
||
|
"A classic of children's literature, you really must read it!"
|
||
|
"If you say so."
|
||
|
"I do, come on upstairs, I've got to get off my feet, and so do you.
|
||
|
We can talk in the living room."
|
||
|
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
He followed her up a set of narrow stairs through he door at the top,
|
||
|
which opened into a small sitting room. All the furniture was nondescript,
|
||
|
but comfortable-looking. An art-nouveau style stained-glass lamp cast a warm
|
||
|
glow over the couch. Three of the walls held built-in book shelves, all
|
||
|
of which were full. Nearly every other available surface was taken up with
|
||
|
what appeared to be a collection of sculpture. He stopped and studied the
|
||
|
one nearest to him, a small cold-cast bronze bust of an older woman's head
|
||
|
and shoulders. She looked somehow familiar to him, which was impossible, of
|
||
|
course. The work was very good, the detail exquisite. She almost looked
|
||
|
as if she might speak. He looked at the one next to it, a tree. The style
|
||
|
was quite different, almost abstract, the finger marks quite visible, yet
|
||
|
somehow it was reminiscent of the first. Another life study of a young man
|
||
|
sat just behind those two. He looked up at Rena and found her watching him
|
||
|
with a very peculiar expression on her face. Still, quiet, curious, hopeful,
|
||
|
yet simultaneously almost fearful. Suddenly something clicked. The little
|
||
|
workshop out back, the sculptures in here....
|
||
|
"These are all your work, aren't they?"
|
||
|
She blushed, and nodded. He shook his head, almost speechless.
|
||
|
"These are wonderful! Why on earth are you running a diner, instead
|
||
|
of concentrating on your art?"
|
||
|
She looked away, not meeting his eyes. "I'm needed here. I can't just
|
||
|
close the place down and leave. It wouldn't be fair."
|
||
|
"To who? It looks to me as if you're not being fair to yourself."
|
||
|
Rena looked frustrated, and put her hands over her ears for just a second,
|
||
|
then let them move back to clasp behind her neck as she struggled to find words
|
||
|
to express her feelings.
|
||
|
"You don't understand!" she finally said, reaching down to pick up the
|
||
|
first piece he had looked at. She ran a finger down the nose, over the cheek
|
||
|
then simply held it, staring at it, unseeing.
|
||
|
"No, I don't. Your work is good, really, I've seen more art from more
|
||
|
places than you could possibly imagine, and I know your work is good. More
|
||
|
than just good, it's wonderful," he eyed the little bust for a moment, and
|
||
|
suddenly realized why it looked familiar. The contours of that face were
|
||
|
very similar to those of the living woman who held it.
|
||
|
"That's your mother, isn't it?"
|
||
|
She looked up, surprised. "Yes, how did you..."
|
||
|
"I can see the resemblance. You're very like her."
|
||
|
"No, I'm not. She was taller, blonde..."
|
||
|
"Those things are superficial. You have her bone structure."
|
||
|
She looked from him, back to the sculpture, a peculiar expression on
|
||
|
her face. "Do you think so?"
|
||
|
"Yes, I do."
|
||
|
She laughed, shaking her head. "You're the first person who's ever told
|
||
|
me that... besides her. She told me that too. I never saw it. I always
|
||
|
thought I looked like my dad... short, dark, round. That's the Acadian blood
|
||
|
in me. He was from Louisiana," she looked up and smiled. "I'm named for him,
|
||
|
sort of. His name was Rene, though everyone around here called him Renny.
|
||
|
Mom thought I might get teased, so she changed it a little."
|
||
|
"I have a nephew named Rene," he said, for no reason other than to
|
||
|
acknowledge her words.
|
||
|
"In France?"
|
||
|
He nodded. There was no point in telling her it was a France that didn't
|
||
|
yet exist.
|
||
|
"Do you miss them?"
|
||
|
"Occasionally, though we've never been very close. My brother and I...
|
||
|
well, we fought a great deal. I'm afraid both of us have more than our share
|
||
|
of arrogance."
|
||
|
She laughed. "Well, that's one commodity that's in short supply around
|
||
|
here. Gabe and I... that's my brother, anyway, we always got along fine. He's
|
||
|
a forest ranger in Alaska. Spends most of the year alone in a fire tower
|
||
|
watching for forest fires. I don't know how he does it, being alone so much."
|
||
|
"Being alone is an art, it can be very pleasant."
|
||
|
"It can also be very lonely," Rena said, putting the sculpture down
|
||
|
carefully. She yawned widely, then shook her head. "I'm sorry, I meant to
|
||
|
stay up and talk, but I'm not going to make it. Let me show you where you'll
|
||
|
be sleeping," she motioned for him to follow.
|
||
|
She led him through the door at the opposite end of the "living room"
|
||
|
which opened onto a narrow hallway. She stopped at the first door, her hand
|
||
|
on the doorknob.
|
||
|
"This was my brother's room. You'll be staying here. The bathroom is
|
||
|
at the end of the hall," she pointed. "I'll get you some towels. I think
|
||
|
I might even have a spare package of razors around, but I'm afraid I don't
|
||
|
have a spare toothbrush. Maybe you can pick one up at Tucker's in the
|
||
|
morning," She opened the door and proceeded into the room.
|
||
|
Picard stared at her back for a moment. Razors? Toothbrushes? He hadn't
|
||
|
thought about those things. His beard repressor was good for another few days,
|
||
|
but if Q didn't send him home before that he'd need to start shaving, which
|
||
|
was an unpleasent thought. He realized that taking care of one's personal
|
||
|
hygeine in the 20th century was quite different from doing so in the 24th.
|
||
|
"Luke?" Rena prompted softly.
|
||
|
"Hmm? Oh, sorry, I was thinking," he stepped into the room. It was a
|
||
|
small room, about half the size of his stateroom on the Enterprise, but it
|
||
|
looked comfortable. A narrow bed with a bright patchwork quilt snugged up
|
||
|
against one wall, a desk and chair were stationed beneath the window. Beside
|
||
|
the door was a dresser with a lamp on it.
|
||
|
"I'm afraid it's a bit small..." she began, apologetically.
|
||
|
"No, it's fine, thank you. It's very nice," he smiled. "Believe me,
|
||
|
it's better than the alternative."
|
||
|
She laughed. "I suppose it is, at that. Well, let me go get those linens
|
||
|
and I'll make the bed up for you."
|
||
|
"If you'll just show me where they are, I can manage."
|
||
|
She looked at him blankly for a moment, then shook her head, her cheeks
|
||
|
flushing as she smiled ruefully. "Of course you can, I don't know what I
|
||
|
was thinking. I guess I just got used to doing it all. Come on, I'll show
|
||
|
you where the linens are kept."
|
||
|
They went out into the hall again, and she pointed out the linen closet
|
||
|
which was next to the bathroom. He accepted the armfull of linens from her
|
||
|
and took them back down to "his" room and quickly made the bed. The
|
||
|
temperature of the living area was quite a bit warmer than it had been in
|
||
|
the restaurant, and he felt slightly sweaty. He unbuttoned and untucked
|
||
|
his shirt to let the air at his skin, and picked up the towel she had given
|
||
|
him, thinking longingly of a shower. The day's events had left him feeling
|
||
|
rather grimy, and it wasn't a feeling he liked. Not only that, but the
|
||
|
prospect of a real *water* shower rather than a sonic one was even more
|
||
|
tempting. It had been a long time. He opened the door, took a step forward
|
||
|
and ran smack into Rena who had her hand lifted to knock. He caught hold of
|
||
|
her as much to save his own balance as hers, and was surprised to feel an
|
||
|
surge of physical response to her nearness. He quickly let go of her,
|
||
|
and stepped back, hoping she wouldn't notice. She seemed a bit flustered,
|
||
|
but was also laughing.
|
||
|
"I'm sorry, I wasn't expecting you to..." she paused, her eyes flickering
|
||
|
down, then back up, and her flush deepened. "I mean, oh, well, whatever. I
|
||
|
guess neither of us was expecting to run into the other. I was just coming to
|
||
|
tell you to feel free to borrow any clothes you need from Gabe's stash. He
|
||
|
left most of his clothes here, since he doesn't need them as a park ranger.
|
||
|
You and he are about the same size. Of course, I don't expect you'll be
|
||
|
wanting to wear his Metallica tee-shirts, but there are a few more...
|
||
|
conventional items in there, too."
|
||
|
He felt even more unsettled, and shook his head, frowning. "I
|
||
|
don't understand why you're going to so much trouble for me."
|
||
|
She opened her mouth to answer, then closed it again, looking
|
||
|
almost as embarrassed and perplexed as he felt. Finally she shrugged.
|
||
|
"I guess I'm just one of those people that can't stand to see anyone
|
||
|
in need. I have to help out. But, remember, you're helping me, too."
|
||
|
He realized that was all the explanation he was going to get and
|
||
|
accepted it at face value.
|
||
|
"Well, despite that, I can't thank you enough for all you've done."
|
||
|
She looked embarrassed. "Oh, stop it! Just forget it, ok?"
|
||
|
"As you wish."
|
||
|
She shot him an amused look. "Wesley you're not," she said drily.
|
||
|
That rattled him for a moment until he realized that she was making
|
||
|
a cultural reference he didn't understand, not referring to Bev's son.
|
||
|
"Wesley?" he ventured.
|
||
|
"You know, from the Princess Bride... oh, you probably never saw that,
|
||
|
either. I'm afraid I'm being an American chauvinist pig, aren't I? One of
|
||
|
these days you're going to have to sit down with my videos and be a vegetable.
|
||
|
Then maybe you'll understand what I'm talking about. Anyway, like I said, feel
|
||
|
free to borrow Gabe's clothes."
|
||
|
"I will, thank you."
|
||
|
She shook her finger at him chastisingly. "I told you, no more of
|
||
|
that. Now, goodnight, Luke."
|
||
|
"Goodnight."
|
||
|
As she walked away he thought he heard her mutter something that
|
||
|
sounded like "Thank god my name isn't Laura." He had no idea what she
|
||
|
meant by that.
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
Rena closed the door to her room behind her, then leaned back against
|
||
|
it with a deep sigh. He would never know how close he had just come to being
|
||
|
tripped and beaten to the floor. What on earth was the matter with her? She
|
||
|
hadn't reacted to a man like this since... well, ever. And she had known him
|
||
|
barely half a day! Was it just that she had been deprived of sophisticated
|
||
|
company for so long that anyone with an ounce of intelligence looked good?
|
||
|
No. It wasn't. She knew that for certain. There was a kind of aura about
|
||
|
him that she was almost irresistably attracted to. He was just about perfect;
|
||
|
elegant, intelligent, self-confident, gorgeous... and that voice! It made her
|
||
|
knees weak just to hear him speak! Damn, she wished he'd quit asking her why
|
||
|
she was being nice to him. Her ulterior motives were sure to slip out one of
|
||
|
these times.
|
||
|
She began to undress, still thinking about her guest, feeling guilty for
|
||
|
having manipulated him into staying. At the same time she was feeling for
|
||
|
all the world like a junior-high-schooler with her first real crush. It was
|
||
|
maddening, not to mention disconcerting, to find out at 34 that one's hormones
|
||
|
could still overrule one's mind. She thought she'd long ago learned how to
|
||
|
control herself. Of course, that control had never seriously been challenged
|
||
|
before. She was lucky she hadn't broken half the dishes in the diner the way
|
||
|
her hands had been sweating. She chuckled softly at herself, shaking her head,
|
||
|
as she dropped her dirty clothes into the hamper and searched her closet for
|
||
|
something to put on. Despite her inclinations, since she had moved back to
|
||
|
Ridge she no longer slept in the buff, just in case something came up during
|
||
|
the night that she would need to deal with. Living above the restaurant had
|
||
|
its drawbacks, and the occasional nighttime interruption by a desperate
|
||
|
traveller was one of them. Normally she wore an old oversized t-shirt and a
|
||
|
pair of soft old shorts, but tonight she found herself holding the cambric
|
||
|
nightdress she had bought in a fit of romanticism and money-wasting from a
|
||
|
mail-order lingerie place. Not that he was going to see her in it, but it
|
||
|
just felt... right. She pulled it on, posed in front of her mirror, and
|
||
|
sighed morosely. She didn't feel right, she felt stupid. She took it off
|
||
|
and changed into her usual sleeping attire.
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
From JULIA@Jetson.UH.EDU Mon Aug 30 14:32:45 1993
|
||
|
Return-Path: <JULIA@Jetson.UH.EDU>
|
||
|
Received: from orion.cis.ksu.edu by depot.cis.ksu.edu ESMTP (8.5)
|
||
|
id OAA05571; Mon, 30 Aug 1993 14:32:41 -0500
|
||
|
From: JULIA@Jetson.UH.EDU
|
||
|
Received: from Rosie.UH.EDU by orion.cis.ksu.edu SMTP (8.3)
|
||
|
id OAA06832; Mon, 30 Aug 1993 14:10:50 -0500
|
||
|
Received: from Jetson.UH.EDU by Jetson.UH.EDU (PMDF V4.2-11 #3125) id
|
||
|
<01H2CXW7H1HO8Y5XMR@Jetson.UH.EDU>; Mon, 30 Aug 1993 14:09:13 CDT
|
||
|
Date: Mon, 30 Aug 1993 14:09:12 -0500 (CDT)
|
||
|
Subject: A'la Q, Part 3, by Kellie Matthews-Simmons & Julia Kosatka
|
||
|
To: jfy@cis.ksu.edu
|
||
|
Message-id: <01H2CXW7H1HQ8Y5XMR@Jetson.UH.EDU>
|
||
|
X-VMS-To: @ARCHIVE
|
||
|
MIME-version: 1.0
|
||
|
Content-type: TEXT/PLAIN; CHARSET=US-ASCII
|
||
|
Content-transfer-encoding: 7BIT
|
||
|
Status: O
|
||
|
|
||
|
Jean-Luc woke up fast, instantly alert with the sort of adrenalin rush
|
||
|
that happens when your subconscious thinks something is wrong. Where
|
||
|
the hell was he? A small room, cluttered with old-looking furniture.
|
||
|
Wooden doors with handles on them, sunlight streaming in the window.
|
||
|
Sunlight? He stood up and moved aside the gauzy curtain that veiled the
|
||
|
window, and remembered. Q. Texas. Rena. He took a deep breath and
|
||
|
closed his eyes, willing the shakes to go away. In his sleep he had totally
|
||
|
forgotten about his little adventure a la Q. What was Q up to? Why
|
||
|
hadn't he shown himself, like he usually did? It was strange. It was also
|
||
|
full morning. Why hadn't Rena woken him?
|
||
|
Quickly he pulled on his jeans and buttoned them ("Buttons," he
|
||
|
thought, "how archaic!"), and picked up his shirt. It was rather the worse
|
||
|
for wear, and recalling Rena's comment about borrowing her brother's
|
||
|
clothes, he opened the closet. The sharp, resinous scent of cedar filled his
|
||
|
senses as he sorted through the garments. He found a short-sleeved shirt
|
||
|
in a khaki shade that looked appropriate and tried it on, finding it a bit
|
||
|
large, but comfortable. He reached for his shoes, and wondered where he
|
||
|
could find clean socks. Taking a wild guess he opened one of the dresser
|
||
|
drawers and found it full of short-sleeved shirts with loud artwork printed
|
||
|
on them. He chose another drawer at random, and found what he was
|
||
|
looking for. Pulling out a pair of socks he put them on, then donned the
|
||
|
white athletic shoes which Q had furnished. He was grateful for their
|
||
|
comfort, considering the amount of standing he had done the day before,
|
||
|
and was likely to do again today. He made a quick check in the mirror to
|
||
|
make sure he hadn't buttoned anything one-off, and left the room.
|
||
|
Hurrying downstairs, he found... no one. The restaurant was quiet and
|
||
|
dark. He stood there for a moment, feeling foolish. He had assumed the
|
||
|
diner served breakfast, but obviously he had assumed incorrectly. Rena
|
||
|
hadn't woken him because she wasn't up yet, herself. He had time to kill,
|
||
|
and he knew exactly where to do it.
|
||
|
Quietly he went back upstairs, and headed for the bookshelves.
|
||
|
Much of what he found was fiction, but one shelf-unit seemed dedicated
|
||
|
to reference type materials. Dictionaries, a set of encyclopedias dated
|
||
|
1962 with "year-book" updates through 1975, and an atlas, were among his
|
||
|
finds there. He pulled out the atlas and looked up Texas, finally locating
|
||
|
Ridge. It was quite near the Gulf coast east of Houston. He closed the
|
||
|
atlas and returned it to its place. A bit further on he found what appeared
|
||
|
to be textbooks on various subjects ranging from astronomy to art history,
|
||
|
but they were all several years old, and would not bring him up to speed
|
||
|
on current events in any case. He spotted a promising-looking stack of
|
||
|
thin, glossy folios with the word "Newsweek" blazoned across the top. He
|
||
|
picked up the top one, and found it was dated only a few days previous.
|
||
|
He smiled, picked up the stack and sat down on the couch with them to
|
||
|
read.
|
||
|
###
|
||
|
Rena pushed the snooze delay on the alarm clock again, but the
|
||
|
radio didn't go off. She moaned into her pillow, realizing that meant she
|
||
|
had already hit it twice. It was morning. She hated mornings. With a sigh
|
||
|
she turned onto her back and stretched, rubbing the sleep from her eyes.
|
||
|
Get up, get showered, put on some clothes... the usual routine beckoned.
|
||
|
She yawned and maneuvered herself into a sitting position. Coffee first.
|
||
|
She had to have coffee. That meant going downstairs, not an easy task
|
||
|
first thing in the morning. She combed her fingers through her hair and
|
||
|
managed to stand, her feet feeling puffy as they always did in the
|
||
|
mornings.
|
||
|
"Feet, move," she commanded. They obeyed, sluggishly. She wandered
|
||
|
down the hall and into the family room, heading for the stairs. Halfway
|
||
|
through the room she suddenly became aware that she wasn't alone, and
|
||
|
froze in place for a moment, feeling quite alert as a rush of panic swept
|
||
|
through her. Half-afraid to turn, her suspicions were confirmed when the
|
||
|
other person spoke.
|
||
|
"Good morning."
|
||
|
Oh, god. She turned slowly, her face fiery with embarrassment. She had
|
||
|
totally forgotten about him. The slightly amused manner in which he was
|
||
|
regarding her over the top of an old issue of Newsweek fanned the
|
||
|
conflagration in her face to spread lower. She could almost feel her toes
|
||
|
blushing. He was dressed, damn him, and looking completely composed
|
||
|
and at home on her sofa, his feet propped against the footstool, and his
|
||
|
lap full of magazines.
|
||
|
"Uh..." she said articulately, "..hi."
|
||
|
"How are you this morning?" he asked, lowering the magazine.
|
||
|
"Not awake," she said with a rueful grin. "I forgot you were here."
|
||
|
He smiled. "To be honest, I forgot I was here too, for a few
|
||
|
moments. When I woke, I had no idea where I was. Then when I
|
||
|
remembered, I thought I must be late to start work, but then I went
|
||
|
downstairs and realized you must not open for breakfast."
|
||
|
She felt even stupider, if that was possible. "Oh, god, I'm sorry!
|
||
|
I never thought to tell you our hours! We only serve breakfast on
|
||
|
weekends any more, since we didn't get enough weekday traffic to make
|
||
|
it worth my while getting up that early. I am *not* a morning person."
|
||
|
"I can tell," he said, deadpan. "Can I do anything for you?"
|
||
|
For a moment she was tempted... too tempted. She started to blush
|
||
|
again. "No, thank you. I was just going to go start a pot of coffee. I'm
|
||
|
afraid I need a jump-start in the mornings."
|
||
|
His eyes narrowed, and after a moment he shook his head.
|
||
|
"Jump-start?"
|
||
|
She realized he didn't understand the metaphor, and hastened to
|
||
|
explain before he jumped to some unsavory conclusion. "You know, like a
|
||
|
dead battery. You hook up cables to one that's good and get the car started,
|
||
|
then it starts charging."
|
||
|
He thought about that for a moment, then nodded. "I see. Can I
|
||
|
make the coffee for you? I think I should be able to manage it by myself,
|
||
|
if you can bring yourself to trust me down there alone."
|
||
|
She let herself be infected by his good humor, though it wasn't her
|
||
|
normal morning mood. She grinned
|
||
|
"Oh, I suppose I could trust you *that* far. And that would be really
|
||
|
nice, thank you. I'm not sure I could make it down the stairs in one piece,
|
||
|
since my legs don't fully wake up until after the caffeine hits the system."
|
||
|
"It would be my pleasure," he said, and carefully moved the stack of
|
||
|
magazines aside and stood up. She moved to let him by and watched him
|
||
|
descend the stairs, admiring the view for a moment, then turned and raced
|
||
|
down the hall to the bathroom. One glance in the mirror confirmed her
|
||
|
worst fears. She looked exactly like she had just woken up from a coma.
|
||
|
And the sloppy-looking t-shirt and shorts didn't help matters at all. If only
|
||
|
she had left the nightgown *on* last night! Her one chance to look all
|
||
|
sleepily romantic, and she'd blown it. Damn! She studied her face in the
|
||
|
mirror, noticing she had wrinkle-marks on one cheek from the sheets, and
|
||
|
sighed. She would probably have looked like a romantic coma victim in
|
||
|
that nightgown, anyway. She turned on a trickle of water in the tub to let
|
||
|
it warm up, and brushed her teeth while she waited.
|
||
|
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
|
||
|
Picard measured ground coffee into the paper filter in the basket
|
||
|
of the coffee-maker and turned it on, watching to make sure the water was
|
||
|
dripping into the little opening at the top of the pot below, instead of
|
||
|
hitting the rim and running off down the side. The first time he had used
|
||
|
the machine he had learned the hard way to make absolutely sure the pot
|
||
|
was in the right position. Today, it was. He replaced the big canister of
|
||
|
coffee in the refrigerator, and noticed a bowl of somewhat sad-looking
|
||
|
strawberries left from the day before. On impulse, he picked up the bowl
|
||
|
and took it to the sink, where he washed, hulled and sliced the berries.
|
||
|
Sprinkling a little sugar over them, he stood for a moment, wondering if
|
||
|
he could remember the recipe. It had been years, even decades. The last
|
||
|
time he had done it, his mother had still been alive.
|
||
|
He scanned the kitchen, looking for ingredients. Rena and Suanne
|
||
|
had done their best to familiarize him with where everything was kept, and
|
||
|
he remembered most of them. He found two large bowls, a wire whisk,
|
||
|
butter, eggs, sugar, milk and flour. Taking an orange from the plastic
|
||
|
crate in the pantry, he rolled it lightly on the counter and sliced it in half,
|
||
|
squeezed half the juice over the berries, and half into a cup. He found a
|
||
|
grater and managed to produce a spoonful of fairly serviceable orange
|
||
|
zest. At that point he stopped for a moment, hoping the attempt wouldn't
|
||
|
turn out to be a disaster. He recalled Rena's words about him looking as
|
||
|
if he could master anything he set his mind to and laughed softly. That,
|
||
|
so far, was an unproven theorem.
|
||
|
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
|
||
|
Showered and dressed, Rena stood for a moment in front of her
|
||
|
closet, eyeing her "city" clothes regretfully. She wanted very much to dress
|
||
|
up today, but it didn't make sense. What made sense was what she had
|
||
|
on, her usual daily uniform of jeans, and a man's white v-necked undershirt
|
||
|
(Sold in packs of three for seven dollars at K-Mart), and her tennis shoes.
|
||
|
To wear anything fancier while cooking, cleaning, and bussing tables was
|
||
|
madness; but oh, how she wanted to be mad, just for awhile. It seemed
|
||
|
like she hadn't done anything strictly for herself for almost four years now.
|
||
|
And she wasn't going to start now. She sighed and made a last swipe at
|
||
|
her hair with her brush, and headed downstairs to get her coffee. She
|
||
|
smiled, surely even Luke, who seemed to have never seen a kitchen
|
||
|
appliance before, would have managed to make a pot of coffee by now.
|
||
|
As she opened the door to stairwell she smelled the distinctively
|
||
|
silky scent of coffee, and something else besides. Something... sweet,
|
||
|
orangey, breadish... she couldn't quite identify it. It made her hungry,
|
||
|
whatever it was. She took the steps a bit faster than normal, and rounded
|
||
|
the corner into the kitchen to find Luke standing in front of the stove, one
|
||
|
of her omelette pans held in one hand just above a low flame. As she
|
||
|
watched he made a motion with his hand, and flipped the contents of the
|
||
|
pan like a pro, and chuckled. She stared for a moment, feeling herself
|
||
|
smile in response to his laughter. Leaning against the doorframe, she
|
||
|
assumed a nonchalant pose.
|
||
|
"Having fun?" she queried.
|
||
|
She had to give him credit. He didn't jump or flinch, or drop the
|
||
|
pan, though he did turn quite quickly. Good reflexes. She saw his gaze
|
||
|
move down her, then back to her face, and wished again she were wearing
|
||
|
something more interesting. Of course, it was probably just an automatic
|
||
|
reflex, and he would have done the same had she been male. He grinned
|
||
|
at her.
|
||
|
"Yes, as a matter of fact, I am. I haven't done this in years, I had
|
||
|
forgotten how much fun it can be. Have you any brandy?"
|
||
|
She blinked, puzzled. "Brandy?"
|
||
|
"Yes, you know, brandy. It's a liquor, it generally comes in a bottle,
|
||
|
about 100 proof, amber colored..."
|
||
|
She rolled her eyes, shaking her head. "I know what it is, I just
|
||
|
wondered what you wanted it for."
|
||
|
"You'll see... if you have any, that is."
|
||
|
"A secret eh? Well, as long as you're not planning to swill it while
|
||
|
you cook..."
|
||
|
"Ms. Taylor, I am offended!" he said melodramatically. "One never
|
||
|
swills brandy, it just *isn't* done!"
|
||
|
"Well, in that case let me see what I can find. I have an assortment
|
||
|
of liquor from my Santa Fe days that I think might include some brandy.
|
||
|
Of course, you have to promise you won't tell Mrs. Sewell on me. She'd
|
||
|
have the minister over here to talk to me about the evils of drink."
|
||
|
"I promise," he put his hand, the one with the spatula in it, over his
|
||
|
heart and looked quite serious. She giggled and went back upstairs to look
|
||
|
for the brandy.
|
||
|
It was exactly where she remembered, and covered with a layer of
|
||
|
dust. She took the bottle into the bathroom and wiped it down with a
|
||
|
damp washcloth, then took it downstairs to him. He took it from her hand
|
||
|
and steered her out to a table in the dining room where a cup of coffee
|
||
|
sat steaming. He had set a small metal pitcher of cream beside the cup.
|
||
|
Rena was touched that he had remembered she liked it white. In point of
|
||
|
fact, she'd been teased all her life for using coffee as an excuse to drink
|
||
|
warm milk with sugar in it. As she made adjustments to the coffee he
|
||
|
disappeared back into the kitchen. She drank slowly, savoring both the
|
||
|
beverage, and the unaccustomed pleasure of having someone waiting on
|
||
|
*her* for a change.
|
||
|
She was almost finished with the cup when he reappeared and set
|
||
|
a plate in front of her. He had arranged four crepes on it, and a fan of
|
||
|
orange slices. A drizzle of deep pink crossed the crepes in an artfully
|
||
|
random pattern. She looked up at him in surprise.
|
||
|
"You expect me to eat this? I couldn't possibly! It would ruin it!"
|
||
|
"You have to eat it, this is the first time I've made it in well over
|
||
|
ten years. I have to know if I did it right."
|
||
|
"Didn't you taste it?"
|
||
|
"Yes, but I need an unbiased opinion."
|
||
|
"Well, then, I guess I'll have to destroy this work of art. I'll do it,
|
||
|
but only on one condition."
|
||
|
"That being?"
|
||
|
"You have to join me."
|
||
|
"I will, I dislike breakfasting alone."
|
||
|
She waited for him to join her before picking up her fork. Slices of
|
||
|
white-hearted strawberries spilled from the golden casing as she cut into
|
||
|
it. She forked up a bite and closed her eyes in bliss as she chewed. When
|
||
|
she opened her eyes again, she found him regarding her quizzically. Her
|
||
|
quirky sense of humor got the better of her.
|
||
|
"Not bad," she allowed, teasing him. "Mmmhmm," she took another
|
||
|
bite, and managed to refrain from moaning as she ate it. "Not bad
|
||
|
at all. Of course, if you smothered it with cool whip and jacked up the
|
||
|
sugar content about a hundred and fifty percent, we might even have a
|
||
|
best seller."
|
||
|
He looked appalled, and she couldn't keep her face straight any
|
||
|
longer. She laughed and put her hand on his. "I'm teasing you, Luke!
|
||
|
For heaven's sake, grant me a modicum of taste! It's wonderful! The
|
||
|
subtle hint of orange is lovely, and is that coriander I taste?"
|
||
|
He looked unutterably relieved as he nodded. "Oh, thank god, I
|
||
|
thought for a moment that you were serious! And yes, it is coriander."
|
||
|
She nodded. "I thought so. You'd better not do this every morning
|
||
|
or I'm going to get spoiled."
|
||
|
He looked as if he was going to say something, then he stopped
|
||
|
himself and shook his head. She suddenly realized she still had her hand
|
||
|
over his, and snatched it back, feeling embarrassed. She tried to cover it
|
||
|
with a joke.
|
||
|
"Sorry, I forgot it was there. Are you going to report me for sexual
|
||
|
harassment now?"
|
||
|
He looked up at her in surprise, his eyes wide. She realized for the
|
||
|
first time that they weren't brown, but hazel, in fact at the moment they
|
||
|
were almost light enough to be called gray.
|
||
|
"Sexual harassment?" he queried, sounding astonished. "Was that
|
||
|
your intention?"
|
||
|
"I... ah..." Rena stared back at him, half tempted to admit that if she
|
||
|
weren't quite so ethical she might just consider it. Then she realized they
|
||
|
were having a culture clash again. He had no idea what she was talking
|
||
|
about. She hastened to explain.
|
||
|
"Oh, heavens no! I was joking again! Damn, I keep forgetting that
|
||
|
you come from a completely different community. I guess they don't have
|
||
|
that problem over there, or at least, it doesn't make the news."
|
||
|
"What problem?"
|
||
|
"Employers extorting sexual favors from their employees... oh, let's
|
||
|
just drop it, I never was much good at telling jokes."
|
||
|
"No, wait," he stopped her, looking incredulous. "Is that really a
|
||
|
problem here?"
|
||
|
"Sometimes, in some places. Usually it's men hassling women, though."
|
||
|
"You're not joking now?"
|
||
|
"No, absolutely not."
|
||
|
"But that's barbaric!"
|
||
|
She was so pleased by his reaction that she almost smiled, but she was
|
||
|
afraid he would misinterpret it, so instead she nodded.
|
||
|
"Yes, it is. But slowly, but surely, things are changing. I hope,
|
||
|
anyway. They have to."
|
||
|
"They will," he assured her. Oddly, she believed him, though he
|
||
|
could be no more certain of the future than she was. She looked down at
|
||
|
her plate and realized she was letting her breakfast get cold, and it was too
|
||
|
good to waste. She picked up her fork again, and gestured for him to do
|
||
|
the same.
|
||
|
"Eat, eat! You're gettin' skinny!" she told him, in her best Jewish-
|
||
|
Mother accent.
|
||
|
He looked a bit puzzled, but smiled and complied. They finished
|
||
|
the meal in a companionable silence.
|
||
|
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
|
||
|
As he ate, Picard reflected on the fact that he was growing rather
|
||
|
fond of Rena Taylor. She seemed to be a woman of uncompromising
|
||
|
good sense, she was intelligent, well spoken, strong-willed and had a good
|
||
|
sense of humor. The fact that he also found her physically attractive was
|
||
|
an added bonus... or detriment, depending on how he looked at it. He had
|
||
|
no idea how long he would be stranded in this time. It could be as short
|
||
|
as minutes, or as long as decades. Q was completely unpredictable. He
|
||
|
couldn't get involved with someone... not when he didn't *know*, and
|
||
|
couldn't explain. He wondered if this attraction was part of Q's script, but
|
||
|
had no way of knowing. The whole incident might not even be real, it
|
||
|
could all be in his head, like his time with Eline, or the time Q had let him
|
||
|
relive a part of his youth.
|
||
|
In point of fact, he was having a hard time convincing himself to be
|
||
|
wary and tense. The whole incident was almost like a glorified holodeck
|
||
|
adventure. Earth's twentieth century was not a period he would have
|
||
|
chosen on his own, but it held its own appeal to the historian's eye. It was
|
||
|
the birthplace of many of the ideas which had come to final fruition in his
|
||
|
own time. He was actually *enjoying* himself! He suspected that wasn't
|
||
|
what Q had had in mind when he had sent him here. He had enjoyed the
|
||
|
simple activity of cooking, the absence of need for constant decision-
|
||
|
making. It was wonderful! Even the altercation with Billy-Ray had been
|
||
|
fun, in a rather primitive, hormonal sort of way. He almost laughed,
|
||
|
knowing how annoyed Q would be when he realized he'd given his nemesis
|
||
|
a much needed vacation.
|
||
|
Picard's eyes and thoughts came back to Rena, and the one thing
|
||
|
about her he found perplexing. Despite her obvious intelligence and
|
||
|
education, she appeared to have a bit of a problem with self-esteem. Her
|
||
|
earlier comment about becoming "spoiled" had been an indication of that.
|
||
|
He had almost told her that she was entitled to a little spoiling, considering
|
||
|
the amount of self-sacrifice her last several years had entailed, but he had
|
||
|
thought better of it, suspecting it would earn him an argument. Despite
|
||
|
the almost instant closeness he felt with her, he was a stranger, and had
|
||
|
no right to go telling her how to live her life, no matter how much he
|
||
|
wanted to. Like her art. He couldn't believe she was just letting her
|
||
|
sculptures collect dust in an upstairs room where no one could see them!
|
||
|
The very least she could do would be to display them in the diner for
|
||
|
others to enjoy. He wondered if he could possibly talk her into doing that
|
||
|
much, before he had to leave.
|
||
|
That thought reminded him of how uncertain his time was. He
|
||
|
took a last sip of his tea, and took a breath to speak, but Rena beat him
|
||
|
to it. She pushed her plate away with a regretful sigh.
|
||
|
"Well, this was lovely, but we've got to get busy or we won't be
|
||
|
ready for the lunch crowd," she ran a finger through the strawberry juice
|
||
|
on the plate and licked it off. The way she did it, eyes closed in
|
||
|
enjoyment, caused a surprisingly sensual reaction in him, but a moment
|
||
|
later she picked up her plate and cup and took them into the kitchen,
|
||
|
which gave him a moment to recover before he followed with his own
|
||
|
detritus. As he came through the doors she looked up from rinsing her
|
||
|
plate and grinned.
|
||
|
"Now that I know you know your way around a stove, you get to
|
||
|
learn the ins and outs of being a fry-cook. You should have let me go on
|
||
|
believing you were a rank amateur, you know. I'd have been easier on
|
||
|
you. Would you start water boiling in the big stock pot, and throw in the
|
||
|
bowl of chicken scraps from the refrigerator? The soup has to be the first
|
||
|
thing started, and it's my 'speshee-ally-tee della masson,' as it were," she
|
||
|
waved a hand regally, grinning as she said it to make certain he knew she
|
||
|
was deliberately mispronouncing it. "Why, folks come from miles around
|
||
|
for my chicken soup, even in the summer."
|
||
|
"I can understand that," he said, intending to complement her on
|
||
|
it, but she laughed, interrupting him.
|
||
|
"Yep, so can I. I'm the only restaurant in the county!"
|
||
|
He couldn't let that pass. Setting down the big pot he had just
|
||
|
picked up to fill, he put his hands on his hips, his expression grave.
|
||
|
"I realize this is a touch presumptuous of me, Ms. Taylor, but there
|
||
|
is absolutely no reason for you to belittle yourself! No matter how much
|
||
|
you try to disguise it as humor, that is what you're doing, and it's
|
||
|
completely unwarranted! You're plainly a fine businesswoman, otherwise
|
||
|
this place would not still be open. Why can't you accept that?"
|
||
|
She stared at him, her eyes wide and a little hurt, and he started to
|
||
|
regret having said it. Then she sighed and shook her head, running a hand
|
||
|
through her hair in an already-familiar gesture.
|
||
|
"I... don't know why, I really don't. I guess... I just don't *feel*
|
||
|
competent at it. This isn't what I had planned to do with my life; I just
|
||
|
ended up doing it by default."
|
||
|
"What did you plan to do?"
|
||
|
She glanced ruefully toward the back door, and he knew what she
|
||
|
was going to say before she said it. He wasn't wrong.
|
||
|
"I planned to be a sculptor, and I had a pretty good start at it,
|
||
|
when everything fell apart here. When the oil boom went bust, the town
|
||
|
started to die, and it took Dad with it. Mom was a wreck, she couldn't
|
||
|
handle things by herself after he was gone. Then when she died too...
|
||
|
there were too many people counting on me to keep things going. I
|
||
|
couldn't just quit and go back to Santa Fe, it wouldn't have been right."
|
||
|
"For whom?" he asked quietly, "Who is this amorphous 'them?'
|
||
|
Your parents?"
|
||
|
She laughed, a short, unhappy laugh. "My parents are dead."
|
||
|
"But are they? You seem to be living their dream, not your own.
|
||
|
The dead can be very powerful."
|
||
|
He knew a lot about how influential the dead could be. It took little
|
||
|
effort to summon to mind people whose deaths he had been directly, or
|
||
|
indirectly responsible for.
|
||
|
Rena's eyes focused on something distant, and after a moment she
|
||
|
shook her head vehemently.
|
||
|
"I can't talk about this right now. I've got a diner to run," she
|
||
|
brushed past him on her way to the pantry, and he almost reached out to
|
||
|
catch her arm and force her to listen to him, then thought better of it,
|
||
|
reminding himself for the second time that morning that he had no right
|
||
|
to interfere with her life. He wasn't her keeper, in fact he wasn't her
|
||
|
anything. He was simply an employee. He let the subject drop and turned
|
||
|
to fill the stockpot with water.
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
Rena spent the day in a kind of self-induced schizophrenia. She
|
||
|
kept busy bussing tables, waiting on customers during Sueann's frequent
|
||
|
breaks, and teaching Luke the ins and outs of burritos, burgers and chili.
|
||
|
But all day long her mind was only half there, the other half of it was
|
||
|
worrying at Luke's words like a dog at a bone. Why *was* she still in
|
||
|
town running the Double R instead of back in Santa Fe? It was a
|
||
|
question she had avoided asking herself for two years, yet Luke had zeroed
|
||
|
in on it with unerring precision.
|
||
|
It wasn't until late in the afternoon that the answer finally began to
|
||
|
percolate through the filters of denial. She was spelling Luke in the
|
||
|
kitchen so he could have a break, and watching him perched on one of the
|
||
|
counter stools next to Larry Cox involved in a lively conversation about
|
||
|
strategy and tactics in World War Two, when it came to her. She *liked*
|
||
|
Ridge. Well, parts of it anyway. She liked the small-town nature of it, the
|
||
|
fact that everyone knew everyone else, and watched out for each other.
|
||
|
She had never had that in Santa Fe. She had known her own small circle
|
||
|
of friends, but aside from that it had been just another city. She liked
|
||
|
the... human-ness of it. Unfortunately the one thing she had then, she
|
||
|
didn't have now. Friends. People who were her peers, not her
|
||
|
dependents.
|
||
|
She finished cleaning off the grill and stood at the sink. washing her
|
||
|
greasy hands and contemplating her epiphany. She really did miss having
|
||
|
friends, but most of her contemporaries had moved away from Ridge years
|
||
|
ago, when the oil industry fell apart. Even if they had stayed, most of
|
||
|
them weren't people she could be friends with. She thought of Shelly, and
|
||
|
Mario, and Travis, and Jeannie, and Lanelle, all back in Santa Fe
|
||
|
bemoaning their lives there as much as she had complained about her own
|
||
|
in Ridge, and wondered if anyone was ever really happy with their lives.
|
||
|
It didn't seem like it. With a sigh she shut off the water and dried her
|
||
|
hands.
|
||
|
Glancing out into the diner, she saw that Luke and Larry had
|
||
|
apparently finished their conversation; or else Ruth had decided her father
|
||
|
had finished, whether or not he had. She was tugging Larry toward the
|
||
|
door. Rena smiled as she watched Luke usher them to the door and
|
||
|
gallantly hold it open for them. Ruth preened, apparently unaware that
|
||
|
the gallantry was not aimed specifically at her. Luke stood a moment
|
||
|
watching them through the door, and Rena found herself studying him
|
||
|
through the serving slot with a sculptor's eye. Even when he was relaxed,
|
||
|
his compact frame held an intriguing sense of coiled tension, and he stood
|
||
|
beautifully. His face was all planes and angles, the late afternoon sun
|
||
|
highlighting the highest of them. She found her fingers itching for a cool,
|
||
|
silky mound of clay, or a sketchbook, anything with which she could
|
||
|
capture what she was seeing. Not for the first time she wondered who he
|
||
|
really was, and what he was doing working in a two-bit diner in a dying
|
||
|
town. She sensed that there were depths in him that she would never get
|
||
|
to see, that perhaps no one would ever see.
|
||
|
As if he felt her eyes on him, he turned away from the door and
|
||
|
looked straight at her. She managed to smile and wave, and hoped her
|
||
|
flushed cheeks would be attributed to the heat in the kitchen. He smiled
|
||
|
back, and walked toward the kitchen. She watched the doors swing open
|
||
|
as he walked through them, and felt an incredible urge to be reckless. She
|
||
|
looked around for Sueann, and didn't find her, she was probably still
|
||
|
upstairs on the couch for her mid-afternoon nap. Larry and Ruth had
|
||
|
been their last lunch customers, and the dinner rush wouldn't start for at
|
||
|
least an hour and a half. They were alone, not a soul around to hear her
|
||
|
make a complete and utter fool of herself. Before she could lose her
|
||
|
nerve, she did it.
|
||
|
"Luke, would you pose for me?"
|
||
|
She got the distinct impression that he very nearly looked over his
|
||
|
shoulder to see who she was talking to. After half a second's hesitation,
|
||
|
he touched his chest.
|
||
|
"Me?"
|
||
|
"I don't know why I didn't see it before, but I just now realized what
|
||
|
a great model you would make!"
|
||
|
"Me?" he repeated, somewhat incredulously
|
||
|
"Yes, you! Do you see anyone else in the room?"
|
||
|
"Ah, no. I just... why me?"
|
||
|
"Because you're *interesting*, that's why! The way you stand, the
|
||
|
way you hold yourself, your face... you'd make a wonderful subject."
|
||
|
"I... never thought of myself as an artist's model before. I'm not
|
||
|
sure I'm very comfortable with the idea..."
|
||
|
"Nobody is, the first time, but really, it's completely professional.
|
||
|
You said you'd tried painting, surely you work from life models!"
|
||
|
"Well, yes, but..."
|
||
|
"Then you know, when I'm working, I won't see *you,* I'll see a
|
||
|
model posing."
|
||
|
Picard eyed Rena dubiously. She might be able to do that, he
|
||
|
doubted he could.
|
||
|
"Please?" her tone was innocently wheedling. "Pretty please, with
|
||
|
ice cream and chocolate sauce on top?"
|
||
|
He had to smile at that, but he still couldn't quite bring himself to
|
||
|
commit.
|
||
|
"I don't know how long I'll be here, my... friend could return for me
|
||
|
at any time."
|
||
|
"I know. How about this... if you're still here on Monday, that's the
|
||
|
only day we close the diner, you'll pose?"
|
||
|
Her insistence was wearing, and he didn't really have a good excuse
|
||
|
not to do it. With a sigh, he nodded.
|
||
|
"Very well, if I'm here, I'll do it, but just once."
|
||
|
She grinned, obviously elated, then just as suddenly frowned.
|
||
|
"Once?" She shook her head. "Not enough. It usually takes several
|
||
|
sittings."
|
||
|
He started to protest, but she suddenly snapped her fingers,
|
||
|
interrupting him. "I know. I've got dad's old polaroid. I'll take a
|
||
|
couple of pictures to work from when I don't have you live. How's that?"
|
||
|
Pictures? He wasn't entirely sure he liked that idea either, but
|
||
|
if it would lessen the amount of time he had to spend posing...
|
||
|
"I suppose that would be all right," he said reluctantly.
|
||
|
"Great!" She smiled, then her expression turned mischievous. "By
|
||
|
the way, Luke, from what I can see, you've got no reason at all to be so
|
||
|
modest, Trust me."
|
||
|
He couldn't help returning that smile. "Is that supposed to make
|
||
|
me feel more at ease?" he asked facetiously.
|
||
|
She winked. "Nope."
|
||
|
With that parting shot, she turned and was gone through the double doors,
|
||
|
tub in hand, to start bussing tables. He stared after her for a moment, still
|
||
|
smiling, then shook his head and turned back to the stove and stirred the
|
||
|
soup. He chuckled. None of his crew would ever believe *this* story. He
|
||
|
wasn't sure he believed it himself. He kept expecting to wake and find it
|
||
|
was all a dream. Rena in particular.
|
||
|
Feeling an unaccustomed wistfulness, he found himself thinking of
|
||
|
some of the women with whom he had pursued relationships. Why was
|
||
|
it that he always fell in love with women he couldn't stay with? On second
|
||
|
thought, he decided he would rather not know the answer to that. It
|
||
|
probably would tell him more about himself than he really wanted to
|
||
|
know. There were dishes to load, and at the moment that took
|
||
|
precedence over introspection.
|
||
|
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
|
||
|
It had been a long, long day, Picard reflected as he fell back across
|
||
|
his bed with a sigh. Despite having just taken a hot shower, his feet hurt,
|
||
|
his back hurt; hell, even his knees felt stiff! For the first time in his life he
|
||
|
felt his age, and considering that in this century people died younger, that
|
||
|
was relatively older than he really was. A convoluted thought, if ever there
|
||
|
was one. He smiled wryly, and sat up, realizing that despite his physical
|
||
|
tiredness, he didn't feel much like sleeping. His mind was wide awake, it
|
||
|
was just his body that wanted rest. He remembered Rena's library, and
|
||
|
the obvious solution presented itself. He would borrow a book and read
|
||
|
until his mind was ready to sleep too.
|
||
|
He pulled on his jeans, thinking absently that they were due for a
|
||
|
cleaning, despite the white chef's aprons Rena made him wear. So far,
|
||
|
though, he hadn't seen anything that even resembled a processor. He
|
||
|
would have to ask Rena. Her clothing always looked immaculate, so there
|
||
|
had to be something available.
|
||
|
He ventured out of his room, casting a glance at Rena's door. No
|
||
|
light showed beneath it, she was probably already asleep. Quietly, he
|
||
|
crossed the few steps to the "family room" door, and opened it. To his
|
||
|
surprise, the room was neither dark nor deserted. An object he had
|
||
|
mentally dismissed as some sort of viewscreen emitted a thin, bluish light,
|
||
|
and small figures moved on it. Rena sat before it, sprawled rather
|
||
|
inelegantly on the sofa, staring blankly at the moving images. Curious, he
|
||
|
studied the screen to see what she was watching, and froze, a gasp of
|
||
|
astonishment escaping him. The individuals on the screen were wearing
|
||
|
Starfleet uniforms! A decades-old design, granted, but it was instantly
|
||
|
recognizable. His sound had caught Rena's attention, and she looked up,
|
||
|
grinning sheepishly.
|
||
|
"I know, it's an awful waste of time, but I just can't resist Star Trek.
|
||
|
I suppose I've shocked you now..."
|
||
|
He dragged his gaze from the screen long enough to shake his
|
||
|
head, a bit distractedly.
|
||
|
"No, not at all... ah, what did you say it was called?"
|
||
|
"Star Trek. You don't mean to tell me you've never seen it!"
|
||
|
He shook his head again, scrutiny riveted to the drama being played
|
||
|
out on the small screen.
|
||
|
"No, I haven't. What is it?"
|
||
|
"It's a twenty-some year old science fiction television program, not
|
||
|
to mention American cultural phenomenon. I can't believe you've never
|
||
|
heard of it! I thought just about everyone in the world knew about Star
|
||
|
Trek! Don't they show it on French television?"
|
||
|
"I don't know, I... never watched much television there," he
|
||
|
answered truthfully. She grinned.
|
||
|
"Ah, the intellectual type, just as I suspected. Well, sit down and
|
||
|
let me introduce you to an American institution;" she gestured at the
|
||
|
screen. "Meet the stalwart crew of the U.S.S. Enterprise. The guy in the
|
||
|
gold shirt is Captain James T. Kirk, galactic womanizer and general all-
|
||
|
around-hero sort of guy. To his right, the one with the pointy ears, is the
|
||
|
inestimable Mr. Spock, his coolly logical Vulcan first officer. On his left
|
||
|
is the irascible Dr. Leonard "Bones" McCoy..." she let her sentence trail
|
||
|
off as she finally noticed his expression. "Luke? Are you okay?" Sit
|
||
|
*down*!"*
|
||
|
He sat. suddenly realizing how peculiar his behavior must seem to
|
||
|
her. He couldn't very well tell her the *real* reason why he had reacted
|
||
|
as he had, so he quickly tried to compose a good fake one.
|
||
|
"I.. ah, I'm sorry, I just thought for a moment that I recognized one
|
||
|
of those men."
|
||
|
She grinned. "I'd be surprised if you didn't! They're famous!"
|
||
|
"No, I meant, personally. The resemblance is rather remarkable."
|
||
|
"Which one?"
|
||
|
"The... one in blue, Amb... I mean, Mr. Spock."
|
||
|
"Oh, that's Leonard Nimoy."
|
||
|
He looked at her, puzzled. "Excuse me?"
|
||
|
She gestured toward the screen. "The actor who plays Spock. His
|
||
|
name is Leonard Nimoy. Is that who you thought it was?"
|
||
|
"Oh, no, it's not."
|
||
|
Actors, that explained some, but not all. How on Earth was it
|
||
|
possible that a mid-twentieth-century fictional drama could have so
|
||
|
precisely predicted events which would not take place for more than two
|
||
|
centuries? And the resemblances were uncanny! Especially the actor
|
||
|
portraying Spock. Picard had met Spock twice in person, not to mention
|
||
|
having shared one of the most intimate of all experiences, a mind-meld,
|
||
|
with Spock's father Sarek. Yet, despite all that, had he not known he was
|
||
|
watching an actor, he might not have realized it was *not* Spock.
|
||
|
He sat back against the sofa, still tense, and watched in complete
|
||
|
amazement as the dramatists enacted vignettes from a famous incident,
|
||
|
one in which the original starship Enterprise had encountered a Romulan
|
||
|
cloaking device in use for the first time. He had read about it during his
|
||
|
days at the Academy, and, apparently, so had someone in this era. He
|
||
|
wondered abruptly if it could be come sort of bizarre joke of Q's. If so,
|
||
|
what exactly was it supposed to prove? A few moments later the story was
|
||
|
interrupted by a series of advertisements, and Rena looked over at him.
|
||
|
"So, what do you think?"
|
||
|
"It's... interesting."
|
||
|
"This one is sort of a remake of an old film called Run Silent, Run
|
||
|
Deep. It looks awfully dated now, and the effects are kind of cheesy, but
|
||
|
it's still a lot of fun. I understand there's a new Star Trek series out, but
|
||
|
I haven't seen it. We don't get it out here in the boonies unless you have
|
||
|
satellite, which I don't."
|
||
|
Picard bridled slightly. Cheesy effects? Just because the technology
|
||
|
was a bit outdated didn't mean it was "cheesy." Suddenly her last sentence
|
||
|
sank in.
|
||
|
"A *new* series?" he ventured, with some trepidation.
|
||
|
Rena nodded. "So I hear. Like I said, I've never seen it, but from
|
||
|
what I hear it's pretty good... better than the original, some people say,
|
||
|
though there's a lot of quibbling about that. No one seems to argue that
|
||
|
the old one was better acted, just that it was better plotted."
|
||
|
"Does it involve the same characters?" Picard asked, despite his
|
||
|
disquiet.
|
||
|
"No, it's a whole new group, I think."
|
||
|
Jean-Luc had a feeling he did *not* want to know who those
|
||
|
characters were. It *must* be Q's doing, what else could it be?
|
||
|
The program resumed. and over the next half-hour there were
|
||
|
several more interruptions for advertising. He found that quite annoying,
|
||
|
but Rena seemed to just ignore them, so he did the same and they ended
|
||
|
up talking about the events portrayed on the show. It was an odd
|
||
|
conversation since she saw them as metaphoric, and he as actual events,
|
||
|
but it was also an interesting one. By the time it ended, they were
|
||
|
basically ignoring the program in favor of their conversation. Both of them
|
||
|
were surprised when the background noise generated by the ignored
|
||
|
television suddenly degenerated into a static hiss. Rena laughed, shaking
|
||
|
her head.
|
||
|
"We talked right through the signoff! 'High Flight,' the 'Star Spangled
|
||
|
Banner,' and all! I can't believe it! It's after midnight! God, we've got to
|
||
|
get to sleep or we'll both be total wrecks in the morning. Come on, let's go
|
||
|
to bed."
|
||
|
He nodded and stood, waiting for her while she turned off the television,
|
||
|
then preceded him down the hall toward the bedrooms. She stood in front
|
||
|
of her door for a moment, looking at him, and he lifted his eyebrows
|
||
|
questioningly. She smiled at him in a way that made him wish for just a
|
||
|
moment that they weren't about to enter *separate* rooms.
|
||
|
"Thank you, Jean-Luc. It's been a long time since I've had someone I
|
||
|
could really talk to. It's a wonderful treat."
|
||
|
He felt simultaneously embarrassed and pleased. She had said his
|
||
|
name, for the first time. She hadn't called him Luke, but Jean-Luc, and
|
||
|
there had been no trace of humor as she said it. He smiled back.
|
||
|
"I've enjoyed it too, Rena."
|
||
|
This time she looked faintly embarrassed. She opened her door, looked
|
||
|
at him, and waved slightly. "Well, good night."
|
||
|
"Good night," he echoed.
|
||
|
She disappeared into her room. He opened his door, stepped inside,
|
||
|
and stopped, staring in disbelief, which turned quickly to anger.
|
||
|
"Q!" the sound escaped him in a whisper that was more of a shout.
|
||
|
"What the hell are you doing here?"
|
||
|
The entity was lounging on the narrow bed, seemingly at ease. In his
|
||
|
usual human form, a mature, dark-haired man, attractive in an annoying sort
|
||
|
of way. This time he had dressed for the occasion in ratty-looking cutoffs
|
||
|
and an Iron Maiden t-shirt, with a pair of red and black high-tops on his
|
||
|
feet. He was perusing a thick magazine with apparent interest. He
|
||
|
proceeded to fold out a page and turn the publication sideways, looking at
|
||
|
something. After a moment he looked up, eyebrows arched in mocking
|
||
|
curves.
|
||
|
"Why Jean-Luc! I'm shocked, really I am! I had no idea you were
|
||
|
fond of such... sordid reading material."
|
||
|
Picard took a deep breath and figuratively caught hold of his temper
|
||
|
with both hands.
|
||
|
"What *are* you talking about, Q? And what do you want?"
|
||
|
"What am I talking about? As if you need ask! I'm sure you've
|
||
|
already perused Miss February's nubile charms..."
|
||
|
He turned the magazine around and displayed a three-page fold out
|
||
|
of an attractive red-head wearing white lace stockings, a pink ribbon in a
|
||
|
bow around her neck, and a lot of makeup. Nothing else. Picard studied
|
||
|
it blankly for a moment, noting that the model was astonishingly well-
|
||
|
endowed in the mammary department, then lifted his eyes to Q's face.
|
||
|
"I cannot believe you came here simply to show me a photograph of
|
||
|
an unclad woman, Q. What do you want?"
|
||
|
"Come, come, mon Capitain! You deny that these haven't
|
||
|
brightened your evenings?" He indicated a stack of similar magazines on
|
||
|
the bed.
|
||
|
Picard sighed, realizing there would be no gainsaying Q's whim, and
|
||
|
shook his head. "I've never seen them before, what makes you think they're
|
||
|
mine?"
|
||
|
"I found them under your bed! Who else would they belong to?"
|
||
|
Picard chuckled. "Probably the last occupant of this room, the
|
||
|
brother of the woman to whom the house belongs. I can assure you that I
|
||
|
don't spend a lot of time grubbing about under the furniture... though
|
||
|
apparently you do."
|
||
|
Q closed the magazine with a snap, leaving the page showing Miss
|
||
|
February's legs hanging out. He looked quite aggravated.
|
||
|
"You always have an answer, don't you Captain?"
|
||
|
"No, not always, as you are well aware. Now, would you mind
|
||
|
telling me what it is you want?"
|
||
|
Q disappeared from the bed in a flash of blue light, and reappeared
|
||
|
a moment later sitting cross-legged on the dresser, hands steepled together.
|
||
|
"Why my dear Captain, you mean to say you haven't missed me? I'm
|
||
|
devastated! I thought by now you'd be howling for me to come rescue you!
|
||
|
Tell me, how are you enjoying Earth in the Twentieth century? Is the work
|
||
|
harder than you're used to? Surely you're ready to admit that you have it
|
||
|
pretty easy aboard your precious Enterprise, don't you?"
|
||
|
Picard felt a wave of incredulity. Was *that* what this was all about?
|
||
|
He shook his head. "I admit nothing, Q. It's like comparing apples and
|
||
|
oranges! There are no grounds for comparison at all!"
|
||
|
"Oh? So... you *enjoy* working as a common laborer? Spending
|
||
|
your days in the heat and grease, serving your fellow man?"
|
||
|
Picard felt a smile form despite himself, and told the truth.
|
||
|
"Actually, it does have a certain appeal."
|
||
|
Q's scowl deepened, and he disappeared again, reappearing beside
|
||
|
Picard, close enough for his breath to warm his ear as he whispered.
|
||
|
"Well then, since you seem to like it so well, you may stay!"
|
||
|
Picard spun to face his tormenter, but Q was gone. The room was
|
||
|
empty save for himself. He suddenly realized what he had done, and
|
||
|
felt like a fool. He'd just given Q an excuse to leave him there. He
|
||
|
should have protested, and demanded to be taken home!
|
||
|
"Q? Damn it, Q, come *back* here! I need to get back to my ship!"
|
||
|
Silence answered him. For a few moments, then a tentative knock
|
||
|
sounded at his door.
|
||
|
"Luke? Are you okay?"
|
||
|
He closed his eyes in disgust. That was all he'd needed. Rena must
|
||
|
have overheard him. Great, now she would no doubt think he'd begun
|
||
|
talking to himself. What possible plausible reason could he have... his eye
|
||
|
fell on the volume of Shakespeare he'd been perusing earlier, and he
|
||
|
snatched it up, letting it fall open to an arbitrary page. He managed an
|
||
|
innocently curious expression as he opened the door.
|
||
|
"Did you need something?" he queried blandly.
|
||
|
She looked past him into the room, then back to him, a bit
|
||
|
sheepishly.
|
||
|
"I...ah... I thought I heard you talking to someone."
|
||
|
He feigned chagrin. "Could you hear me? I'm sorry... I was reading
|
||
|
this passage aloud, for effect, you see."
|
||
|
She looked at the book, dubiously. He knew he was going to have
|
||
|
to do better. Chosing a passage at random, he began to read.
|
||
|
"By accident most strange, bountiful Fortune, now my dear lady, hath
|
||
|
mine enemies brought to my shore: and by my prescience I find my zenith doth
|
||
|
depend upon a most auspicious star; whose influence if I now court not, but
|
||
|
omit, my fortunes will ever after droop. Here, cease more questions, thou art
|
||
|
inclined to sleep; 'tis a good dulness, and give it way; I know thou cans't
|
||
|
not choose," he left off and chanced a glance at her. She was staring at him
|
||
|
a bit bemusedly. He guessed that was enough, and finished up. "The Tempest,
|
||
|
act one, scene two."
|
||
|
"Oh," she said, looking faintly relieved. "Do you often read aloud?"
|
||
|
"Occasionally. Sometimes you have to read it aloud to hear the
|
||
|
cadences correctly. It can make a difference in the meaning."
|
||
|
"That's true. Well, now that I know you're alright, I am 'inclined to
|
||
|
sleep,'" she smiled a little, and turned back to re-enter her own room. He
|
||
|
watched her go, noticing that the lace-trimmed white gown she wore tonight
|
||
|
was a far cry from her shorts and t-shirt of that morning, and that the fabric
|
||
|
from which it was made was very nearly translucent. Resolutely he closed
|
||
|
his own door, swallowing heavily. Miss February had nothing on Rena
|
||
|
Taylor, as far as he was concerned.
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
From JULIA@Jetson.UH.EDU Mon Aug 30 14:32:23 1993
|
||
|
Return-Path: <JULIA@Jetson.UH.EDU>
|
||
|
Received: from orion.cis.ksu.edu by depot.cis.ksu.edu ESMTP (8.5)
|
||
|
id OAA05424; Mon, 30 Aug 1993 14:32:20 -0500
|
||
|
From: JULIA@Jetson.UH.EDU
|
||
|
Received: from Rosie.UH.EDU by orion.cis.ksu.edu SMTP (8.3)
|
||
|
id OAA06834; Mon, 30 Aug 1993 14:10:53 -0500
|
||
|
Received: from Jetson.UH.EDU by Jetson.UH.EDU (PMDF V4.2-11 #3125) id
|
||
|
<01H2CXWK5KO28Y5XMR@Jetson.UH.EDU>; Mon, 30 Aug 1993 14:09:32 CDT
|
||
|
Date: Mon, 30 Aug 1993 14:09:31 -0500 (CDT)
|
||
|
Subject: A'la Q, Part 4, by Kellie Matthews-Simmons & Julia Kosatka
|
||
|
To: jfy@cis.ksu.edu
|
||
|
Message-id: <01H2CXWK5KO48Y5XMR@Jetson.UH.EDU>
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X-VMS-To: @ARCHIVE
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MIME-version: 1.0
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Content-type: TEXT/PLAIN; CHARSET=US-ASCII
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Content-transfer-encoding: 7BIT
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Status: O
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A soft knock at the door startled Jean-Luc awake. He
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experienced a moment of disorientation, and without thinking he sat up
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in bed and turned toward the door.
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"Come."
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As soon as he'd said it, he realized where he was, and that his
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response was not the correct one, but it was too late by that time. The
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door inched open and Rena peered in, tentatively. Fortunately he was
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at least mostly covered. Her gaze flickered down him, then almost
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immediately lifted back to his face, a slight flush coloring her cheeks. It
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wasn't the first time she'd done that, and he was beginning to wonder if
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she was either very inexperienced, or alternately, if she were as attracted
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to him as he was to her. Those were the only things he could think of
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that might account for her actions. It was probably the former, he
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reflected pessimistically. She smiled apologetically.
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"Umm... hi, sorry to wake you, but it's nine-thirty. I need you
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downstairs when you're awake and dressed."
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|
"Nine-thirty?" he was startled, and lifted the sheers to look
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outside. The sky was a uniform luminous gray, and everything looked a
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|
bit hazy.
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"I let you sleep as long as I could, after keeping you up all night
|
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last night, but I really could use some help."
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He felt somewhat chagrined that she had been required to come
|
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|
fetch him. "Of course, I'm sorry. I had no idea it was so late. Usually
|
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|
the sun wakes me."
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|
"It's okay, I should have shown you how to set the alarm. There
|
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|
was no chance of the sun waking you this morning! That tropical
|
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|
depression they mentioned on the weather report yesterday has arrived.
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|
I only hope it doesn't get any worse, half the crops are still out, and no
|
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|
one around here can afford to lose them!"
|
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|
"Tropical depression?"
|
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|
"Mmmhmm. They form out in the Gulf, and sometimes turn into
|
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|
tropical storms, or even hurricanes. They can be really nasty business,
|
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|
but this late in the season they rarely get bad. Come on, now. Up and
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at 'em!"
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She winked at him and closed the door. As he dressed, he found
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|
himself thinking about the past few days. Thursday had passed quickly,
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|
and with no further sign of Q, which worried him a bit. He was beginning
|
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|
to worry about what was happening on the Enterprise in his absence, but his
|
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|
work kept him too busy to really dwell on it. He and Rena had watched Star
|
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|
Trek again, and again that had degenerated into a discussion triggered by
|
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|
the episode. The only problem he had... other than the obvious one of his
|
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|
presence in the 20th century, was his own growing attraction to his employer,
|
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|
and the mixed feeling which that engendered. He had lain awake long into the
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morning trying to talk himself out of wanting her.
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|
He pushed those thoughts aside once again and joined Rena in the kitchen
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to start preparing for the lunch crowd. She was sitting on a tall stool at
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one of the counters when he entered the room, and she motioned for him to
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join her, handing him a mug of steaming tea, the scent from which told him
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it was his favorite. Her plate, and the one he assumed was his, held three
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puffy, golden-brown triangles. Between the plates was a plastic bear full of
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honey. He looked at her curiously, and she smiled.
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"It's my turn to provide breakfast. I heated up the fryer early
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today and made sopapillas. Ever had them?"
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|
He shook his head, sliding onto the empty stool next to hers. Her
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smile turned to a grin.
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"Well, you're in for a treat, then! They're the next best thing to
|
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sex..." she laughed and blushed again. "Well, sort of, anyway. They're
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the Mexican equivalent of doughnuts. They're hollow inside, so what you
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do is tear off a corner, drizzle honey into the middle, and eat."
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She demonstrated, then handed him the honey. He followed her
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example. The pastry was warm to the touch, and steamed gently when
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he tore off a corner as she had instructed. The honey, thinned by the
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heat, ran easily and coated the interior of the pastry. He took a tentative
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bite, and smiled. The wheaten flavor of the confection was perfectly
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complimented by they honey, and the crisp outer layer contrasted nicely
|
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with the almost doughy interior.
|
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|
"Like it?" Rena queried, a bit anxiously
|
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|
Recalling her comments about his crepes he was tempted to tease her
|
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|
similarly. He swallowed, and followed the bite with a sip of tea before
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answering.
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"You might have exaggerated *slightly* in your description, but it
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is delicious."
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She beamed. "Oh, good! I hoped you'd like them! Technically
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they're not breakfast, or even dessert as most people assume. They're
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supposed to be served with a meal as a sort of palate cleanser. Since
|
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Mexican food is often very spicy, the blandness of the sopapillas helps
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cool the burn. But to me, they're just about the world's most perfect
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breakfast, I've treated myself to them at least once a month since I
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discovered them."
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She took another bite of her own pastry, a blissful expression
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suffusing her face. He watched, fascinated, by her obvious enjoyment.
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|
It was becoming quite apparent that Rena Taylor was a bit of a
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|
sensualist, underneath her no-nonsense exterior. He must have watched
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her a moment too long, though, for she suddenly looked up at him with
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|
a lifted eyebrow.
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|
"I have honey on my chin, right?"
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|
He laughed. "No, Rena, you don't. I was just thinking how nice
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|
it is to see you enjoy yourself."
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|
Yet another wave of color washed across her face and her gaze
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|
dropped to her plate.
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|
"Oh. I...ah...." suddenly she laughed, shaking her head. "Oh hell,
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|
I don't know why that should embarrass me. I *was* enjoying it! And
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|
I intend to keep right on doing so," with that she took another bite, with
|
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|
exaggerated relish.
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|
"Good, for I certainly never intended to make you self-conscious
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|
about it."
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|
"Don't worry," she said around a bite. "You won't."
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###
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'...You won't make me any more self-conscious than I already am.'
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Rena thought to herself wryly. She'd felt self-conscious since the first
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|
moment she'd laid eyes on him. It was beginning to wear on her. She
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finished her second pastry, swallowed her last sip of tea. and then took
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her plate and cup to the sink to wash and put away. A few moments
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later Jean-Luc joined her there, reaching for her plate and the dishrag
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she was using.
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"I'll do these, why don't you start the pintos? You know the
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pressure cooker intimidates me."
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She laughed and relinquished her place, her fingers sliding soapily
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along his as she passed the plate to him. She firmly ignored the spark
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of heat that flashed along her nerve endings at the contact, or at least,
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she told herself to do so. Her body didn't cooperate very well. She
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brushed a stray lock of hair out her face with the back of her hand and
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grinned at him.
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|
"Well, how were you to know that you shouldn't just take the
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rocker off when the time was up? I never told you!"
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|
He smiled wryly. "Basic physics should have told me that, whether
|
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|
or not you'd mentioned it. I wonder if you'll ever get all the beans out
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|
of the vent filter?"
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|
"I took it out and rinsed it this morning before you were up. It's
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fine now. But I *will* man the pressure cooker if you like, a lot of
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people are afraid of them, you're not alone."
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He lifted an eyebrow at her, drawing himself up ramrod straight.
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"I am *not* afraid of it! I simply... respect it."
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|
She studied him for a moment, then grinned sardonically. "Yeah,
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|
right. When you finish those you can start the soup-stock, you did fine
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|
with that yesterday."
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|
"Aye, sir," he said, and she got the impression he would have
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|
saluted her had his hands not been full of dishes. She wondered if he'd
|
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|
been in the military. That would explain his bearing, and some of his
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|
mannerisms. Did France have a military, she wondered momentarily,
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|
then realized what a stupid question that was, betraying her cultural bias.
|
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|
The only militaries she ever thought much about were the US and Soviet
|
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|
ones... or rather, the formerly Soviet ones. Of *course* France had a
|
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|
military. She dug several cups of dried beans out of the big burlap bag
|
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|
and tossed them in a strainer to rinse them, and watched him pick up the
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|
big stock pot and carry it to the sink to fill. She realized that although
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|
she'd told him a great deal about herself, he had told her very little about
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himself. Suddenly she had an awful thought, and before she could stop
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herself the question spilled out.
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"Jean-Luc... are you married?"
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He looked up at her in obvious surprise, but he seemed to
|
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|
hesitate for a moment, before he shook his head. "No, I'm not. Why do
|
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you ask?"
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"I... uh... was just curious," she said, suddenly paying close
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|
attention to picking field debris out of the beans.
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|
He had hesitated. There was more to that answer than met the
|
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|
eye. Did it mean he was lying, or just the more likely explanation of an
|
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|
ex-wife. If he had once been married, he might have kids... that thought
|
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|
startled her. But it was really none of her business. She finished rinsing
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the beans, dumped them into the pot and covered them over with water.
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Setting the rocker on the valve, she got them started. There was too
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|
much to get done to stand around wondering about her employee's
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|
mysterious past.
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###
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"Rena?"
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|
"Yes, Sueann?" Rena didn't turn around, intent on watching the
|
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|
fries, not wanting to remove them until they reached just the proper
|
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|
shade of golden-tan.
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|
"I hate to do this to you, but there's a customer at table six who's
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just bein' the biggest pain, Ain't nothin' I can do t' please him, and I've
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|
tried and tried! Would you see if you can settle him down?
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|
Lifting the heavy chromed fryer basket out of the grease Rena set
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|
it to drain and turned around. She was a bit shocked by how pale and
|
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|
drawn Sueann looked. She had both hands pressed against her lower
|
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|
back, and she looked positively enormous! Rena frowned, forgetting
|
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|
about the unhappy customer for the moment.
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|
"Susie, sweetie, are you *sure* you're only seven months along?"
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|
Sueann's gaze fell and her pale cheeks turned a dull red as she
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|
shook her head.
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|
"No..." she almost whispered. "I lied about how far along I was
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|
so Billy Ray'd think it was his, cause I didn't start seein' him 'til late
|
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|
February."
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|
Torn between the urge to comfort the younger woman, and the
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|
urge to shake her till her teeth rattled, Rena sighed.
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|
"Oh, Sueann... you shouldn't have lied to *me*!
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|
"I know, Rena, but I had to!"
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|
"No, you didn't *have* to," Rena admonished sternly. "You know
|
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|
I wouldn't have told him a thing! So, how far along are you, really?"
|
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|
Shamefaced, Sueann stared at the floor as she answered. "Doc
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|
Lacey figgers I'm due in three weeks."
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Rena put her hand to her forehead, distractedly pushing aside her
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|
slightly damp curls.
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|
"Three weeks!" She exclaimed. "Three weeks? Sueann, I'd tan
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|
your hide if you weren't so far gone! You get upstairs right now, and lie
|
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|
down! After the rush is over I'll run you home. You shouldn't be
|
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|
working in your condition!"
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|
Sueann started to cry, fat tears sliding down her cheeks, leaving
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|
mascara trails behind them.
|
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|
"But Rennie! I gotta work! How else am I gonna be able to
|
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|
afford to pay my rent?"
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|
"I'll... figure something out. But you're not lifting another tray
|
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|
until after that baby is born, d'you hear me?"
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|
Sueann nodded dejectedly and wiped her eyes on her apron
|
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|
before essaying the stairs to the living quarters. Rena sighed, and turned
|
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|
to find Jean-Luc watching her.
|
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|
"Is something wrong?"
|
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|
"Nothing you can fix," she said, a bit bluntly. "I just sent Sueann
|
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|
upstairs to rest, and she'll be going home as soon as I find the time to
|
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|
take her. She just finally saw fit to inform me that her baby's due in
|
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|
three weeks, not two months!"
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|
He didn't seem surprised, in fact, he nodded.
|
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|
"I thought she seemed pretty far along to be on her feet so much."
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|
"Well, I wish you'd have mentioned that fact to me!" she snapped,
|
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|
a bit sourly, then felt badly for it. He couldn't have know she didn't
|
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|
know. She bit the inside of her lip against the feeling of hopelessness
|
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|
that threatened to spill over into tears, and took a deep breath.
|
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|
"I'm sorry, you didn't deserve that. I'm going to go out and see
|
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|
what's the problem at table six, and then I'll have to take over waiting
|
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|
tables. Do you think you can manage back here on your own?"
|
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|
He glanced around the kitchen once, and nodded. "I think so, if
|
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|
you'll be on-call for anything unusual."
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|
She smiled, relieved. "Deal! And thank you!"
|
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|
He nodded, but she was already gone. He turned back to the grill
|
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|
and flipped a burger with an ease that had fast become second nature to
|
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|
him. He slapped a piece of the orange plastic-like compound that went
|
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|
by the name of "American cheese" on top of the meat, and put a pan
|
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|
lid over it so that the steam could melt the cheese. Many of the foods
|
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|
he'd tried here were quite good, but there were a few that were so
|
||
|
unutterably awful that it was embarrassing to be the person responsible.
|
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|
He sighed and reached for a bun from the toaster.
|
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|
###
|
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|
Rena studied table six from the doorway for a moment, trying to
|
||
|
evaluate the problem. There was only one patron there, a stranger, no
|
||
|
doubt some traveler who'd stopped on his way somewhere. He was
|
||
|
seated, so she couldn't judge his height, but he seemed broad shouldered.
|
||
|
He wore a conservative dark suit, which looked quite out of place
|
||
|
amongst the usual jeans-and-t-shirt crowd. His hair was dark and curly,
|
||
|
brushed back from a rather high forehead. His features seemed
|
||
|
overlarge, almost leonine, and if she discounted a hint of petulance
|
||
|
around the mouth, she might have even said he was handsome. Pasting
|
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|
on a cheerful smile she approached the table.
|
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|
"Good afternoon sir, Sueann tells me you have a complaint?"
|
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|
He looked at her, and instantly she felt the little hairs on the back
|
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|
of her neck lift. He was dangerous. She wasn't sure in what way, she
|
||
|
just knew he was. His eyes were dark, and rather compelling. He
|
||
|
studied her for a moment, frowning slightly, and leaned back in his chair,
|
||
|
fairly reeking of arrogance.
|
||
|
"I didn't ask to see you, I said I wanted to see the cook."
|
||
|
"I'm afraid the cook is busy at the moment, I'm Rena Taylor, I
|
||
|
own the Double R, what can I do for you?"
|
||
|
"I said I wanted to see the cook!"
|
||
|
"And I said you can't. What can I do for you?"
|
||
|
She discovered that those dark eyes could become amazingly icy.
|
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|
"You can't do anything for me! I just want to talk to the person
|
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|
who cooked this slop!"
|
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|
She took a deep breath and studied his plate. His burger and
|
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|
fries looked fine, as a matter of fact, better than usual. Not a single bite
|
||
|
was missing from the sandwich. How the hell could he tell there was
|
||
|
something wrong if he hadn't even tasted it? She started to get annoyed,
|
||
|
but forced herself to be civil.
|
||
|
"Could you tell me what's wrong? Perhaps I can correct it for
|
||
|
you. Would you like to order something else?"
|
||
|
"I don't want anything else, I want to talk to *him!*"
|
||
|
He shot a glance past her, through the service window into the
|
||
|
kitchen, his eyes narrowing. She followed his gaze and found him staring
|
||
|
at Jean-Luc's back with recognition in his gaze. Suddenly she felt
|
||
|
apprehensive. Could this possibly be the person Luke had said would
|
||
|
come for him? Did that mean he would be leaving? Even as she
|
||
|
thought it, she dismissed the thought. Jean-Luc would *not* be travelling
|
||
|
with this asshole.
|
||
|
"*Is* there something wrong with your food, sir?" she insisted,
|
||
|
using the hard tone she reserved for drunks. "If so, please be good
|
||
|
enough to tell me what it is, if not, stop making such a ruckus and
|
||
|
behave yourself!"
|
||
|
The man's jaw dropped, and he leaned toward her intimidatingly.
|
||
|
"Do you know who I am?" he queried in a low, threatening tone.
|
||
|
"No, I don't, and I don't much care to, either!" She reached down
|
||
|
and pinched his earlobe between her fingernails, a technique she'd found
|
||
|
surprisingly effective. He yelped, eyes widening with astonishment and
|
||
|
pain. She tugged, hard, and he rose with the tug to keep her from
|
||
|
yanking his ear off. She walked him toward the door, everyone gaping
|
||
|
openmouthed at the sight. It felt kind of good. She reached the door
|
||
|
and yanked it open with her free hand, letting in a blast of hot air.
|
||
|
"You, sir, are not welcome in this establishment! Goodbye, and
|
||
|
don't bother to come back or I'll call the sheriff..." she smiled for
|
||
|
emphasis before adding a coda. "...and he's my godfather."
|
||
|
She let go of his ear and propelled him through the door with a
|
||
|
slight push to the center back. He stumbled out, and turned swiftly to
|
||
|
stare at her, his face a mask of outrage.
|
||
|
"Don't let the door hit y' in the ass on the way out," she said
|
||
|
sweetly, and waved, letting the door swing closed between them. He
|
||
|
stared at her a moment longer, his expression gradually becoming
|
||
|
thoughtful, then to her utter astonishment he smiled. A bright blue light
|
||
|
flashed from somewhere, probably a reflection off the windshield of a
|
||
|
passing truck, and she blinked. When her vision cleared, he wasn't there
|
||
|
any more. She looked right, and left, but he was nowhere to be seen.
|
||
|
Odd. She turned and found herself almost nose to nose with Jean-Luc.
|
||
|
His face was white as a sheet, his fists were clenched, and he was staring
|
||
|
out into the street with the most peculiar look on his face... half
|
||
|
exasperation, half... fear?
|
||
|
"Luke?" she ventured, putting a hand on his shoulder.
|
||
|
His attention snapped back to her and he took a deep breath,
|
||
|
releasing it in a sigh that sounded relieved.
|
||
|
"Rena, do me a favor. If he *ever* shows up again, don't do
|
||
|
anything. Don't talk to him, and especially don't antagonize him. Just
|
||
|
come get me, alright?"
|
||
|
She studied his face, and realized he was serious. She frowned.
|
||
|
"Do you *know* that guy? Is he the friend you were expecting?"
|
||
|
Jean-Luc made a derisive sound that in anyone else would
|
||
|
probably have been called a snort, and shook his head.
|
||
|
"Q..." he stopped himself, shaking his head, and started again.
|
||
|
"He's definitely not a friend, Rena; but yes, he is one of the people
|
||
|
I thought might come looking for me."
|
||
|
She stared at him, scowling now, and nodded toward the kitchen.
|
||
|
"I think we need to talk."
|
||
|
For a moment it looked like he was going to try to dissuade her,
|
||
|
then he nodded and preceded her into the kitchen. As the doors swung
|
||
|
shut behind them she turned on him, her voice a low hiss.
|
||
|
"You're not some kind of drug dealer, are you? Because if you
|
||
|
are..." The incredulous look on his face stopped her mid-sentence. That
|
||
|
was obviously not what was going on. "Okay, so you're not a drug dealer,
|
||
|
but you're obviously afraid of that guy! What is he? Organized crime?
|
||
|
FBI? CIA?"
|
||
|
"No, Rena, nothing like that. He's just an acquaintance. He's
|
||
|
unpredictable, and powerful, occasionally even dangerous, but he's not
|
||
|
from any organization," he shook his head, smiling ruefully. "In fact, his
|
||
|
primary purpose in life appears to be simply to annoy me. I won't try to
|
||
|
tell you I wasn't afraid just then, but it was for you, not me. He's been
|
||
|
known to hurt people."
|
||
|
"Who is he? How did you get involved with him?"
|
||
|
"I... can't tell you that. Even if I could, you probably wouldn't
|
||
|
believe me. Can we just leave it that if he ever shows up again you'll
|
||
|
come get me immediately? You won't antagonize him?"
|
||
|
She looked at him for a long moment, then sighed and nodded.
|
||
|
"God help me, I'm probably going to regret this, but alright. You
|
||
|
win. I trust you, Jean-Luc, and if he comes back I'll get you, right away."
|
||
|
He looked very relieved. "Thank you, Rena, you won't regret that,
|
||
|
I know you won't."
|
||
|
She looked skeptical, but finally sighed and turned toward the
|
||
|
door to return to the dining room. Glancing at the calendar on the wall
|
||
|
next to it she suddenly began to chuckle.
|
||
|
"I should have expected today to be weird! It's Friday the
|
||
|
Thirteenth!" she made a claw-like shape with her hand and grinned
|
||
|
evilly. "I guess I should be grateful it wasn't Freddy that showed up!"
|
||
|
With that she pushed through the swinging doors, leaving him
|
||
|
staring after her in complete bewilderment.
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
As the doors swung closed behind her, there was a flash of light,
|
||
|
and Picard found himself facing Q, who was leaning against the wall, legs
|
||
|
crossed casually, a speculative expression on his face. Picard tensed.
|
||
|
"What is it, Q? What do you want?"
|
||
|
"What do I want? What do *I* want?" He tapped his lips with
|
||
|
a finger and gazed at the ceiling for a moment, then looked back at
|
||
|
Picard with an appraising glance.
|
||
|
"What I want, mon capitain, is to know how it is that such a
|
||
|
stodgy, self-righteous, *boring* man like you manages to attract such
|
||
|
*interesting* women!"
|
||
|
Picard couldn't help it. He grinned. Even knowing that it would
|
||
|
probably annoy the hell out of Q, and derogatory statements not with-
|
||
|
standing.
|
||
|
"I suppose that's something you'll never know, isn't it?"
|
||
|
Q's gaze narrowed, and he shook his finger at Picard.
|
||
|
"Now, now, now, one would think you don't *want* to go home,
|
||
|
Jean-Luc!"
|
||
|
Before he could answer, the doors opened again to admit Rena
|
||
|
with the bussing tub, and when they swung closed again Q was gone.
|
||
|
Picard felt relieved, and also frustrated. Another chance to go home,
|
||
|
gone. Why didn't that upset him more than it did?
|
||
|
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
Weekends were harder by far than the weekdays. they involved getting up
|
||
|
at five in the morning in order to be able to open the diner at seven for break-
|
||
|
fast, but they didn't close until the usual time, nine in the evening. It
|
||
|
made for very long days. The only saving grace had been that business had been
|
||
|
relatively slow, so they were able to manage with just the two of them. By
|
||
|
Sunday night, however, Rena was drooping with exhaustion, and Jean-Luc felt
|
||
|
little better. As he loaded dishes into the dishwasher he heard the
|
||
|
unmistakable sound of shattering crockery from the dining area, followed
|
||
|
swiftly by a stream of very loud, and very vulgar curses. He stifled a grin,
|
||
|
knowing that would only make things worse, and went to the door, pushing
|
||
|
it open to find Rena staring down at a pile of glass and china shards mingled
|
||
|
with cutlery. The big plastic tub she in which she carried dirty dishes lay
|
||
|
overturned beside the mess. She looked up at him, pushing her hair out of
|
||
|
her face in a familiar gesture, sighed, and shook her head.
|
||
|
"Looks like another trip to the restaurant supply house next time I go
|
||
|
to Houston," she nudged a large piece of plate toward the others with her
|
||
|
toe, and suddenly grinned wickedly. "I never did care much for these dishes;
|
||
|
you feel like breaking a few on purpose?"
|
||
|
She picked up a relatively refuse-free plate from the counter, held it
|
||
|
out, and let it drop. It exploded on the black and gray tile with a
|
||
|
satisfying crash. She reached for a glass, but he stopped her, removing
|
||
|
it gently from her hand, recognizing the mood that underlay her grim
|
||
|
humor. He set the glass aside and put his hands on her shoulders.
|
||
|
"Don't Rena, you're tired, and you'll regret doing it tomorrow. I'll
|
||
|
finish down here, you go on upstairs and get some rest."
|
||
|
She sagged slightly against his hands, as if she were falling asleep
|
||
|
where she stood, then she shook herself and straightened, pulling away from him.
|
||
|
"You're right, of course. I would have regretted it in the morning..."
|
||
|
she looked at the mess again and smiled a little. "But it would have been
|
||
|
fun tonight! Thanks, I owe you one."
|
||
|
He shook his head. "You don't owe me anything. Go on now, upstairs."
|
||
|
She nodded and headed for the door to the living area, feet dragging
|
||
|
slightly as she walked. The last thing he saw was her yawn as she went around
|
||
|
the corner. Seconds later his own jaw tensed as he smothered a yawn triggered
|
||
|
by hers. He studied the mess for a moment, then sighed and went to get the
|
||
|
broom and dustpan.
|
||
|
It was nearly forty minutes later when he had finally finished cleaning
|
||
|
up the broken dishes, and the kitchen as well. He was surprised to find that
|
||
|
he felt no sense of satisfaction in having completed his tasks, though. He
|
||
|
didn't know how much more of this lifestyle he could take. It was the same...
|
||
|
always the same. Day in, day out, monotony. How had Rena stood it for three
|
||
|
years? He couldn't understand how a vital, intelligent woman like her could
|
||
|
remain trapped in this existence. He stretched, and flinched as the stretch
|
||
|
aggravated the muscles he'd strained when he threw Billy Ray. They were still
|
||
|
sore, nearly a week later! He missed the instant relief of the protoplaser. It
|
||
|
was time to admit it. Q was right, at least partly. He *did* have have it
|
||
|
relatively easy on the Enterprise, if you discounted things like being captured
|
||
|
by the Borg, and tortured by Cardassians. He smiled wryly at that thought,
|
||
|
and wondered briefly what Deanna would say to that thought.
|
||
|
Taking off his apron he threw it and the kitchen towels and cloths
|
||
|
into the washing machine in the utility room, measured in the amount of
|
||
|
soap that Rena had indicated should be used, and started it. After a moment's
|
||
|
hesitation, his t-shirt went into the load as well. It stank of sweat, smoke
|
||
|
and grease. He watched as the machine filled with water and began to agitate
|
||
|
the laundry, then closed the lid, turned out the lights and headed upstairs
|
||
|
for some much-needed rest.
|
||
|
Halfway up the stairs he realized he could hear the television, and
|
||
|
frowned. Had Rena waited up for him? After he had specifically sent her
|
||
|
to get some sleep? He opened the door to the sitting room, prepared to
|
||
|
chide her about not taking care of herself, and stopped, a smile spreading
|
||
|
over his face. Whatever her original intention had been, she had ended up
|
||
|
resting despite herself. She was half-sitting, half-lying on the couch,
|
||
|
one shirttail out, shoes and socks lying discarded halfway between the
|
||
|
couch and the television; and she was sound asleep. For a moment he
|
||
|
considered leaving her there, but the realization of how he would feel if
|
||
|
*he* slept in that position all night disposed of that idea. He turned
|
||
|
off the television, and went to her, putting his hand on her shoulder.
|
||
|
"Rena... Rena, wake up."
|
||
|
She started, and opened her eyes, blinking sleepily as she focused.
|
||
|
"Luke?" she glanced at the television, puzzled, then rubbed her eyes.
|
||
|
"I'm sorry, I must have fallen asleep. What time is it?"
|
||
|
"Ten-forty."
|
||
|
"Oh, god. I had no idea it would take so long for you to finish, I'm
|
||
|
sorry..." she began, looking distressed.
|
||
|
He cut her off, shaking his head."Stop apologizing, it's not
|
||
|
necessary. Now, why don't you get up and go to bed? You'll regret it if
|
||
|
you sleep out here."
|
||
|
"Mmm... probably. Help me up?" she shifted on the couch, putting
|
||
|
her legs over the side, and held out her hands. He took them, and pulled
|
||
|
her to her feet, just a bit too hard. They overbalanced and nearly fell
|
||
|
over, only just saving themselves. Rena laughed, and poked him in the
|
||
|
chest with one finger.
|
||
|
"I said help me *up*, Luke, not *down!*" Suddenly her hair-trigger
|
||
|
blush washed into her face and she snatched her hand away. "Um... sorry.
|
||
|
I didn't mean... what happened to your shirt?"
|
||
|
He chuckled, shaking his head. "It's in the wash, and I'm not
|
||
|
offended so please, don't start apologizing again!"
|
||
|
"Very well, I won't." she stepped back and studied him, her head
|
||
|
tilted to one side, eyes narrowed; then she smiled. "Don't forget,
|
||
|
tomorrow, you're *mine*"
|
||
|
He went very still, looking a cautiously confused. "I'm... yours?"
|
||
|
She nodded, rubbing her hands together in a classic gesture of greedy
|
||
|
anticipation. "You haven't forgotten have you? You promised to model."
|
||
|
He wasn't sure if he felt relief or disappointment. He was sure
|
||
|
he felt embarrassed, and hoped it didn't show as readily as hers did.
|
||
|
"Oh... that."
|
||
|
"Yes, that! But I won't be a slave driver, we won't start until
|
||
|
late... say nine?"
|
||
|
"Considering how I feel right now, I wouldn't call that late!"
|
||
|
"Pansy!" she teased. "I won't make you cook breakfast, even if it
|
||
|
*is* your turn!"
|
||
|
"My *turn?* I wasn't aware we were taking turns! I thought it was
|
||
|
your duty as my employer to supply room and board."
|
||
|
"Well, you have a room, don't you? And I'd be willing to bet you're
|
||
|
bored..."
|
||
|
He groaned, shaking his head. "You get a half-hours' nap and start
|
||
|
making puns? That's not fair. How can I fight that, in my condition?"
|
||
|
"You can't. I always get silly when I'm tired. But you need your
|
||
|
beauty sleep if you're going to pose for me, so you'd better go on to bed."
|
||
|
He made a derisive snort at her use of the term 'beauty sleep,' but
|
||
|
followed her as she moved toward the bedrooms. He stopped at his door, and
|
||
|
looked toward her to find her poised with her hand on the doorknob to her
|
||
|
own room, looking at him. A spark of awareness passed between them, and they
|
||
|
stood staring at each other for a long moment, then Rena ducked her head and
|
||
|
quickly entered her room, closing the door firmly. He followed suit a minute
|
||
|
later.
|
||
|
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
From JULIA@Jetson.UH.EDU Mon Aug 30 14:32:34 1993
|
||
|
Return-Path: <JULIA@Jetson.UH.EDU>
|
||
|
Received: from orion.cis.ksu.edu by depot.cis.ksu.edu ESMTP (8.5)
|
||
|
id OAA05496; Mon, 30 Aug 1993 14:32:30 -0500
|
||
|
From: JULIA@Jetson.UH.EDU
|
||
|
Received: from Rosie.UH.EDU by orion.cis.ksu.edu SMTP (8.3)
|
||
|
id OAA06836; Mon, 30 Aug 1993 14:10:55 -0500
|
||
|
Received: from Jetson.UH.EDU by Jetson.UH.EDU (PMDF V4.2-11 #3125) id
|
||
|
<01H2CXXLG42W8Y5XMR@Jetson.UH.EDU>; Mon, 30 Aug 1993 14:10:19 CDT
|
||
|
Date: Mon, 30 Aug 1993 14:10:18 -0500 (CDT)
|
||
|
Subject: A'la Q, Part 5, by Kellie Matthews-Simmons & Julia Kosatka
|
||
|
To: jfy@cis.ksu.edu
|
||
|
Message-id: <01H2CXXLG42Y8Y5XMR@Jetson.UH.EDU>
|
||
|
X-VMS-To: @ARCHIVE
|
||
|
MIME-version: 1.0
|
||
|
Content-type: TEXT/PLAIN; CHARSET=US-ASCII
|
||
|
Content-transfer-encoding: 7BIT
|
||
|
Status: O
|
||
|
|
||
|
"I see a lot of drifters come through this town. You just don't seem
|
||
|
the type."
|
||
|
Rena picked up the board holding her barely begun sculpture and
|
||
|
turned to place it in the cabinet. She fussed with the cloth covering the
|
||
|
clay and rearranged some of her tools. Anything to give her a few more
|
||
|
moments to try and collect herself.
|
||
|
/C'mon, Rena! Get a grip! You're acting like a dumb kid in your
|
||
|
first life-drawing class! He's just your *model*!/
|
||
|
An inaudible sigh escaped her lips as she realized that he was much
|
||
|
more to her than 'just' a model. Just as during the past few days he'd
|
||
|
become much more than *just* her employee. She had felt like a fool
|
||
|
during the entire session. What must he think of her? She usually didn't
|
||
|
care much about what other people thought, but this man was *different*.
|
||
|
For days, every time she dropped something or avoided his eyes she could
|
||
|
feel herself blushing. Then there was the one time she didn't avoid those
|
||
|
eyes. Rena clenched her fists and took a deep breath trying to dispel the
|
||
|
heat she felt rising at the memory of Luke standing in the doorway with the
|
||
|
setting sun on his features. At the time she thought she only wanted him
|
||
|
for a model. She hadn't been willing to admit to herself that she just plain
|
||
|
*wanted* him.
|
||
|
"I'll take that as a compliment, Rena."
|
||
|
The sound of his voice jolted her back to reality. She turned back
|
||
|
toward him, smiling and swallowed the response she'd intended. Instead
|
||
|
she just nodded her acknowledgement. At the sight of him, her mouth went
|
||
|
dry, too dry to speak. While she was putting away her supplies, he'd
|
||
|
started dressing. He stood there now in his jeans with his shirt on but still
|
||
|
unbuttoned, a strange, almost sad smile on his face. Her eyes were drawn
|
||
|
unerringly to the slight gap where he'd left the top two buttons of his jeans
|
||
|
undone so he could tuck in his shirt. She felt her color rise again, for the
|
||
|
hundred-first time, and dragged her gaze away. Taking a sip from the glass
|
||
|
of tepid water on her workbench, she struggled to find a neutral subject,
|
||
|
and noticed Jean-Luc rubbing his right shoulder.
|
||
|
"Shoulder still hurting?"
|
||
|
He nodded and winced a little. /Never,/ he thought to himself,
|
||
|
/Never again will I complain when Beverly orders me to sickbay./
|
||
|
"Here, let me see if I can help work out some of the stiffness."
|
||
|
Picard watched Rena reopen the cabinet and pull out a small box
|
||
|
marked with a large red plus symbol. /Ah, a red 'cross.'/ The
|
||
|
identification pleased him. He'd been amazed by how much trivial
|
||
|
information he'd stored in his memory and how it had slowly started
|
||
|
working it's way to the surface. It had made his stay here much easier to
|
||
|
deal with. Rena was rummaging around in the box, muttering to herself.
|
||
|
"I think I saw some ointment in here the other...Here it is!" With
|
||
|
a triumphant smile, she pulled out a small green and white tube that
|
||
|
proved to contain a white cream that smelled strongly of wintergreen.
|
||
|
"Have a seat and let me work this into your shoulder."
|
||
|
She indicated the stool he'd been sitting on for the modeling session.
|
||
|
He took his shirt off again and as he sat down with his back to her, he
|
||
|
could feel the color rising to his face. Over the past few days, his
|
||
|
attraction to Rena had been growing steadily. He'd tried to keep it hidden
|
||
|
and based on her reactions to him, he seemed to have succeeded. She was
|
||
|
only interested in her restaurant and her art. The last thing he wanted to
|
||
|
do was get involved in a relationship that hadn't a chance.
|
||
|
/Still,/ he thought, /she has the most incredible hands. Strong,
|
||
|
confident, supple./ Having to just *watch* as she molded the clay was one
|
||
|
of the most difficult things he'd ever done. If it weren't for the pain in his
|
||
|
shoulder and the cold blast of the air cooling unit on his back, he doubted
|
||
|
that he could have survived the session with his dignity intact. As it was,
|
||
|
he had to steel himself to stillness in anticipation of her touch.
|
||
|
The room was still in the late afternoon heat, the only sounds came
|
||
|
from the air cooling unit, hissing quietly in the corner, the pulsating sound
|
||
|
of cicadas in the tree outside and the small movements Rena made as she
|
||
|
gathered up her supplies and rinsed the rest of the clay off her hands.
|
||
|
"So, why do you do it?"
|
||
|
Rena's melodious voice rose from the silence behind him.
|
||
|
"Why do I do it?" he asked, trying to remember what they had been
|
||
|
talking about previously.
|
||
|
"Yes," she moved up behind him. "Why do you drift? Didn't you ever
|
||
|
want to settle down? Put some roots down someplace? *Be* something?
|
||
|
Hold still now, this may be cold to the touch. Let me know if I'm rubbing
|
||
|
too hard."
|
||
|
He jumped slightly as she placed her left hand gently on his left
|
||
|
shoulder to steady herself.
|
||
|
"Sorry, didn't mean to startle you."
|
||
|
He was so wrapped up in trying to subdue his response to her that
|
||
|
he didn't notice the odd note that crept into her voice. She began to gently
|
||
|
rub the ointment into his sore shoulder with firm even strokes. The same
|
||
|
kind of strokes she'd used with the clay. The same strokes he'd
|
||
|
half-imagined feeling on his own skin as if it were *him* she was sculpting
|
||
|
and not the clay. A low moan escaped as her hand drove the ointment into
|
||
|
his skin, the initial chemical coolness becoming a pleasant burning that
|
||
|
soothed his sore muscles. That pleasant burning was being rivaled by a
|
||
|
different kind of burning within him.
|
||
|
Rena's grip on his left shoulder changed to a gentle caress that crept
|
||
|
toward his neck. She leaned closer to him until he could feel her breath on
|
||
|
his skin. Her body heat made the room suddenly cold and he shivered in
|
||
|
response.
|
||
|
"Give it a minute. It'll warm up before you know it."
|
||
|
Rena's voice had acquired a husky quality that Jean-Luc hadn't
|
||
|
noticed before. It sent a shiver up his spine as he realized what it implied.
|
||
|
He glanced back over his shoulder and saw that her face was as flushed as
|
||
|
his felt. Her nostrils were flared and her eyes half-closed as she put all her
|
||
|
concentration into her hands and what they held.
|
||
|
"Rena..."
|
||
|
She gasped as his low voice broke her concentration. He turned and
|
||
|
took her left hand in his and looked up, his hazel eyes meeting her warm
|
||
|
green ones.
|
||
|
"Rena, I...," Jean-Luc paused desperately searching for the right
|
||
|
words and just as desperately wishing he didn't have to say them, "...I can't
|
||
|
let this happen." He worked to keep his eyes on hers and her hand clasped
|
||
|
in his. The curves of her body as she stood over him enticed him. Her
|
||
|
warm scent mingled with the sharp aroma of wintergreen made him almost
|
||
|
light headed.
|
||
|
Rena wiped her hand on her jeans to take of the remainder of the
|
||
|
ointment. She traced the line of his jaw with one finger and was rewarded
|
||
|
with his sharp intake of breath.
|
||
|
"Why not?" she asked in a low voice, her finger continuing it's
|
||
|
feather-light exploration of his face. "It's rather obvious that we both want
|
||
|
it." She smiled a quiet sultry smile and continued, "Don't be so
|
||
|
old-fashioned. I know there's a *slight* difference in our ages. I certainly
|
||
|
don't mind."
|
||
|
Her finger traced the outline of his ear and started relentlessly down
|
||
|
his neck. Still holding her left hand captive, he reached up and took her
|
||
|
wayward right hand in his and held them both.
|
||
|
"Please, stop that," he said gently, "and sit down. Looking up at you
|
||
|
like this is too," he swallowed and closed his eyes, "*distracting*, and we
|
||
|
need to talk."
|
||
|
She retrieved one of her hands and reached beside her for another
|
||
|
stool. Once seated, he recaptured her hand and took a deep breath. Rena
|
||
|
wondered if he realized that he was not only holding her hands but that he
|
||
|
was gently caressing them with his thumbs. She thought not, but didn't say
|
||
|
anything for fear he would stop. She also knew that his caresses were the
|
||
|
*only* thing keeping her from running her hands over his shoulders and
|
||
|
chest. Once again, she jerked her eyes from his partially unbuttoned jeans
|
||
|
to his face and tried to control her breathing.
|
||
|
"Rena," Jean-Luc began again, "you *know* nothing can come of
|
||
|
this. And contrary to what you may think," he smiled at the absurdity of
|
||
|
the idea, "our *ages* have *nothing* to do with this. You said it yourself,
|
||
|
I'm a drifter. One day you'll wake up and I'll be gone. I *don't* want
|
||
|
to hurt you." He looked away, unable to meet her gaze.
|
||
|
She freed one of her hands and used it to turn his face back to
|
||
|
hers. "Jean-Luc, I'm glad to know that you're not hung up on the age
|
||
|
thing. But as for the other," she smiled mischievously, "I'm not asking you
|
||
|
to *marry* me," she freed her other hand and scooted her stool a little
|
||
|
closer to him then placed both hands on his shoulders. "I just want your
|
||
|
body."
|
||
|
The look on his face brought a low laugh from the depths of her
|
||
|
throat. "Gotcha!", she said, delighted that she'd been able to break his
|
||
|
serious mood. Finding out that he felt as she did had made her a little fey.
|
||
|
He smiled at her and shook his head, chuckling. But it didn't last,
|
||
|
he sobered and continued, "While I'm very flattered, it doesn't change
|
||
|
anything. It wouldn't be fair to you."
|
||
|
Rena pulled her hands back and crossed her arms, her mood
|
||
|
suddenly stern.
|
||
|
"What do you mean 'it wouldn't be fair to me'? Is it any more fair
|
||
|
to you? Do you think I'm not capable of deciding for myself what's fair
|
||
|
or not?"
|
||
|
Jean-Luc realized that he may have stumbled onto the heart of her
|
||
|
self-esteem problems and started to speak, but Rena plowed on, getting
|
||
|
more and more angry.
|
||
|
"Contrary to what you may have heard from some of the bozos in
|
||
|
this one-horse town, I'm *not* a 'sweet li'l thang'. I'm a grown woman!
|
||
|
I'm fully capable of taking care of myself! I'm *not* Sueann! I don't need
|
||
|
a man around to define *who* I am!"
|
||
|
"Rena..."
|
||
|
"If I say I'm attracted to a man, then I'm attracted to him, damn it!
|
||
|
That doesn't mean I'm asking him to suddenly take over my life! It means
|
||
|
I find him physically and emotionally attractive!"
|
||
|
"Rena, I...," she ignored him and continued, her voice rising almost
|
||
|
to a shout as she stood, too angry to stay still.
|
||
|
"It *may* mean that I want to share something very personal and
|
||
|
very important with him..."
|
||
|
Taking the only step he could think of to break into her monologue
|
||
|
so he could apologize, Jean-Luc stood and taking her shoulders in his
|
||
|
hands, kissed her. Rena put her hands against his chest as if to push him
|
||
|
away, but then let them slip down his sides and around to his back as they
|
||
|
melted toward each other. She felt his arms around her, strong and
|
||
|
supporting but not restraining. After what seemed an eternity in those
|
||
|
arms she pulled back, trying to catch her breath. He, too, seemed a bit
|
||
|
dazed.
|
||
|
"What was that for?" there was still some residual anger in her
|
||
|
voice, but the edge was gone.
|
||
|
Jean-Luc grinned at her, "I kept trying to tell you that I was sorry,
|
||
|
but you wouldn't listen. I didn't mean to imply that you are incapable of
|
||
|
making your own decisions. Far from it, your competence and
|
||
|
independence are two of the qualities that I find *very* attractive about
|
||
|
you. I feel sorry for Sueann, and I wish her well, but I don't think I could
|
||
|
*ever* be attracted to her."
|
||
|
A stray lock of hair had fallen into Rena's face. Mimicking a
|
||
|
gesture he'd seen her use, Jean-Luc tucked it behind her ear, a tender
|
||
|
gesture that served to emphasize his words.
|
||
|
"Still angry?"
|
||
|
"Yes!" Rena's eyes flashed again, then the fire cooled almost as
|
||
|
fast. "No! Damn! I don't know."
|
||
|
She turned away, running her hands through her hair and stepped
|
||
|
to her work table where she leaned on her palms and took a deep breath
|
||
|
trying to sort out her confused feelings. Jean-Luc stepped toward her,
|
||
|
uncertain of his next move. It wasn't a feeling he enjoyed, but it seemed
|
||
|
to be one thing that all his romantic relationships had in common. He
|
||
|
raised a hand, wanting to touch her, to hold her, but held back. He didn't
|
||
|
want to rush things. Hearing him move closer she whirled around.
|
||
|
"Damn you! Why do you have to be so...so...*perfect*?! Damn!"
|
||
|
Rena half turned away, trying to get herself under control.
|
||
|
Jean-Luc stood there feeling the blood rush to his face. Many
|
||
|
women had called him many different things over the years, but perfect
|
||
|
was not one of the more common adjectives used.
|
||
|
"Rena, I can assure you, I'm *far* from perfect." The situation was
|
||
|
so absurd, if it weren't for fear of hurting Rena's feelings further, he'd
|
||
|
laugh. As it was, he couldn't keep a small smile from his lips and from
|
||
|
his eyes. She caught his expression and returned his smile ruefully.
|
||
|
"I feel like I'm trapped in a Doris Day movie!" she smiled and
|
||
|
rolled her eyes a little at his blank expression before continuing, "I'm being
|
||
|
a little silly about this, aren't I?"
|
||
|
"No, Rena, I don't think you're being at all silly. I'm just sorry
|
||
|
if I assumed something that I shouldn't. The last thing I wanted was to
|
||
|
upset you. I'm entirely too fond of you for that."
|
||
|
He took another step toward her and took her hands, raising one
|
||
|
to his lips. The light touch of his lips on her palm sent an almost electric
|
||
|
charge through her body. A charge that left a pleasant ache below her
|
||
|
abdomen. She closed her eyes and inhaled sharply, suddenly and very
|
||
|
physically aware of his closeness once more. When she opened her eyes
|
||
|
again it was to see his eyes gazing into hers, an intense expression on his
|
||
|
face. She reached up with one hand and gently caressed his cheek, letting
|
||
|
one finger trace a line down his neck to his chest. Her other hand joined
|
||
|
the first as she gently stroked his bare chest.
|
||
|
Jean-Luc reached out to lay his hands on her shoulders for balance
|
||
|
as his head fell back slightly and his eyes closed with the pleasure of her
|
||
|
touch. As her hands passed lightly over his nipples, she was rewarded by
|
||
|
a shiver that shook his entire body and an intensification of the heat in her
|
||
|
own body. Her hands continued their tactile exploration of his body as if
|
||
|
by their own volition. She followed the exquisite contours of his body as
|
||
|
she would virgin clay to seek out the statue within. Down his lean,
|
||
|
muscular sides to that slender waist. /God, Luke, you are undoubtedly the
|
||
|
most beautiful man I've ever encountered./ As aroused as she was, Rena
|
||
|
knew she'd not be able to put two coherent words together, so she didn't
|
||
|
try. Not that he'd believe her anyway.
|
||
|
A feral grin crossed her face as she encountered the two unfastened
|
||
|
buttons of his jeans. With her hand laid against his flat stomach, one
|
||
|
thumb dipped down into the opening and she felt his hands tighten on her
|
||
|
shoulders as his back arched slightly and heard his sharp intake of breath.
|
||
|
As his head came forward and his eyes opened he took another step
|
||
|
toward her and took her in his arms.
|
||
|
"Rena," he breathed her name into her hair as his hands began
|
||
|
their own exploration.
|
||
|
Being held against his bare chest, she could feel his heart pounding
|
||
|
and feel his breath on her neck as he nuzzled her ear. She gasped as his
|
||
|
hands stroked her back and ran down to her hips and buttocks. His touch,
|
||
|
diffused as it was through the material, was maddening. He brought one
|
||
|
hand up to touch her throat and let it trail down to the first button on her
|
||
|
blouse. He looked into her eyes, as if for permission which she granted
|
||
|
silently by shifting position slightly to improve his access. Slowly and
|
||
|
carefully he unbuttoned the top of her blouse, one button at a time, until
|
||
|
he reached the waist of her jeans. He slipped one hand into her blouse
|
||
|
to stroke her back as he leaned down and kissed the hollow just above her
|
||
|
collarbone. Rena clutched at his arms as she shuddered in response to his
|
||
|
touch, his scent and the smell of wintergreen mingling in her nostrils. She
|
||
|
gasped and shuddered, trying to gain control of her voice as she pushed
|
||
|
at him.
|
||
|
"Wa...wait." She swallowed convulsively, "Wait, Luke."
|
||
|
He stopped, a contrite look on his face. "Rena, I..." it was
|
||
|
his turn to try and speak. "I'm sorry. I thought..."
|
||
|
She stopped him as he tried to pull his hands away. "No, no, it's not
|
||
|
that." Rena took a deep breath as she closed her eyes for a moment, then
|
||
|
reopened them and said, "Your touch is...magic," she looked into his eyes.
|
||
|
"It's not *you*, it's the *location*!" she smiled as her meaning sunk in.
|
||
|
"Let's go someplace where we won't wind up with splinters in places where
|
||
|
splinters shouldn't be," she indicated the rough wooden floor with a glance.
|
||
|
"And... much as it pains me to say this, Luke, you'd best put your shirt on
|
||
|
and take care of these before we go out in public," she added with a
|
||
|
wolfish grin.
|
||
|
She left one hand resting on his chest and indicated the unfastened
|
||
|
buttons on his jeans by running her fingers firmly up from just below the
|
||
|
lowest button to the waistband. He made a soft sound of pleasure at her
|
||
|
touch and then a slow sensual grin spread across his face in response to
|
||
|
her comment as his breathing returned to a more normal pace.
|
||
|
"And you, my dear Rena, should take care of *this* before we go
|
||
|
out in public."
|
||
|
Smiling, he ran his hands lightly over her breasts, teasing her nipples
|
||
|
through her bra. Now it was her turn to close her eyes and moan with
|
||
|
pleasure. She fought for control over her voice.
|
||
|
"Keep that up, Luke and you're goin' to wind up with splinters."
|
||
|
He smiled at her and took her into his arms for one last lingering kiss
|
||
|
before leaving the studio.
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
Jean-Luc stood under the air conditioning vent in Rena's living
|
||
|
room, letting the cold air flow over him. The short walk from the studio
|
||
|
had been enough to drench him in sweat. It was difficult to reconcile the
|
||
|
sauna-like heat with the fact of a tropical storm just a hundred miles or
|
||
|
so down the coast. Rena's proximity hadn't made it any cooler. He smiled
|
||
|
remembering how good she felt in his arms and felt himself responding to the
|
||
|
memory. The shiver that shook him had little to do with the temperature.
|
||
|
Still standing under the vent, he unbuttoned his shirt to cool off faster
|
||
|
and waited for Rena come upstairs.
|
||
|
|
||
|
Rena stood in front of the open refrigerator a little longer than
|
||
|
necessary. After living in New Mexico for several years, she had never
|
||
|
been able to get reacclimated to the combination of heat and humidity on
|
||
|
the Gulf Coast. Reaching in once more, she pulled out a bowl and set it in
|
||
|
her basket with everything else. She closed the door and reviewed her
|
||
|
selections. As she glanced around the kitchen, her eyes fell on one more
|
||
|
item. She smiled and added it to her booty. She unconsciously cast a
|
||
|
practiced eye around the kitchen to make sure everything was still in place
|
||
|
for morning before she turned and headed up the stairs.
|
||
|
Half way up she stopped to shift her heavy basket and looked up at
|
||
|
her door. *He* was up there already, waiting for her. The mere thought
|
||
|
made her light-headed and sent a rush to her loins that made climbing the
|
||
|
rest of the stairs a pleasant agony. She knew that part of what was going
|
||
|
on was her own thirst for companionship. In some ways she was beginning to
|
||
|
feel like those women who stay home with their infant children and forget
|
||
|
how to talk to an adult. Not that the people in Ridge were stupid or dull,
|
||
|
they were good people. *She* was the different one.
|
||
|
She'd always been different. Odd, that her mother's death had kept
|
||
|
her here when she was the one who'd insisted that she get out. She'd told
|
||
|
her. "Rennie, this is a good town with good folks, but you don't belong
|
||
|
here. You got to get out and be the person you were born to be and that
|
||
|
ain't some junior high school art teacher or some rice farmer's wife. You
|
||
|
got to go where there's people who'll understand why you are what you
|
||
|
are."
|
||
|
As she put her hand on the doorknob she found herself smiling in
|
||
|
anticipation. Luke understood her. He understood her better than anyone
|
||
|
she'd ever known, except, maybe, her mother. That was half his attraction.
|
||
|
Being drop-dead gorgeous didn't hurt either. As she opened the door, her
|
||
|
low chuckle caught in her throat. Luke was standing in the center of the
|
||
|
room, head back, shirt open letting the cold rush of air from the air
|
||
|
conditioning vent wash over him. She'd asked him to turn the thermostat
|
||
|
down from 80 to 75 when she sent him upstairs ahead of her and he was
|
||
|
making good use of it.
|
||
|
/How can I *possibly* do justice to that body?/ The dual meaning
|
||
|
of her thought made her laugh out loud, her earlier mood returning in full
|
||
|
force. He noticed her then, and smiled as he approached to take the basket
|
||
|
from her. She slipped her shoes off and then leaned back against the door
|
||
|
as she closed it and gestured to the floor.
|
||
|
"Just put it down. No need to waste valuable energy clearing off
|
||
|
one of the tables."
|
||
|
He set it down out of the way and turned back to her, standing
|
||
|
almost within her reach,
|
||
|
"That's one of the most intriguing smiles I've ever seen. Mind
|
||
|
telling me what you find so humorous?"
|
||
|
Rena hesitated slightly, unsure how he'd take her reply. He never
|
||
|
took compliments very well, but she couldn't resist the temptation to play
|
||
|
a little. She reached out and just caught the edge of his open shirt and
|
||
|
pulled him closer so she could run her hands softly over the contours of his
|
||
|
chest.
|
||
|
"When I opened the door and saw you standing there, I couldn't
|
||
|
help wondering if I could *possibly* do justice to your body." Rena's
|
||
|
voice took on a seductive husky quality as she spoke. Luke put his left
|
||
|
hand against the door near Rena's head and leaned on it. The other hand
|
||
|
reached up to tuck a wayward lock of hair behind her ear.
|
||
|
"Justice? To me?" his voice, though low and rich with desire, held
|
||
|
a hint of surprise. "Were you thinking about your sculpture?" he leaned
|
||
|
down and nuzzled her ear and then ran the tip of his tongue lightly down
|
||
|
her neck until he reached the top of her shirt which he moved aside so he
|
||
|
could continue down to her collarbone where he kissed her and asked, "Or
|
||
|
this?"
|
||
|
Glassy-eyed, Rena returned his intense regard as he continued,
|
||
|
"If you're concerned about your art, you needn't be. Like Rodin,
|
||
|
you have the gift of seeing below the surface of your subject and bringing
|
||
|
out it's inner beauty, even if you are the only one who can see it."
|
||
|
He couldn't help but think of the unfinished sculpture he'd seen in
|
||
|
her studio earlier. It was a disturbing tableau of an ancient she-wolf
|
||
|
defending one dead cub and another that was mortally wounded. The look
|
||
|
of hopeless desperation in the wolf's eyes was equally compelling and
|
||
|
repulsive and yet, somehow, beautiful. No, Rena had no reason to worry
|
||
|
about her talents as an artist. He brought both hands to her shoulders and
|
||
|
began to caress her, running one hand down to her breasts where he idly
|
||
|
traced the outline of one nipple standing erect even through her clothes.
|
||
|
"But, my dear, if you are concerned about *this*, there's only one
|
||
|
way *I* can think of to reassure you."
|
||
|
Rena's hands found the back of his neck and pulled his mouth down
|
||
|
to hers. As their kiss deepened, she felt Luke's arms go around her,
|
||
|
holding her close to him. She ran her hands down his neck, under his shirt
|
||
|
and to his shoulders. Using the motion of her hands, she began to slip his
|
||
|
shirt off. He released his hold on her so his arms were free and she could
|
||
|
remove his shirt completely. Rena let it fall to the floor and pushed him
|
||
|
back just enough to let her step away from the closed door as she broke
|
||
|
their kiss.
|
||
|
Once more she ran her hands over his bare chest, unable to tear her
|
||
|
eyes away, /So beautiful/ she thought, not knowing if she were considering
|
||
|
him as artist or lover and not caring. She leaned forward slightly tilting her
|
||
|
head so she could run the tip of her tongue around one of his nipples and
|
||
|
felt her own body respond to his moan of pleasure. Not wanting to neglect
|
||
|
anything, she moved to the other side of his body and repeated her actions
|
||
|
there. This time, he braced himself against her shoulders as a shiver took
|
||
|
his body.
|
||
|
Placing her hands flat against his collarbone and her tongue against
|
||
|
the center of his chest, she slowly knelt allowing her hands and tongue to
|
||
|
trace their way down his body. On her knees in front of him she brought
|
||
|
her hands around to firmly caress his buttocks and used her chin to rub the
|
||
|
bulge she found just below eye level. Luke's hands gripped her shoulders
|
||
|
more tightly as he gasped, his back arching slightly and his body
|
||
|
instinctively rising up a little on his toes. Rena held him close to her face
|
||
|
with one hand and brought the other one to caress him through his jeans.
|
||
|
Once more she kissed his flat stomach, twining the short hair around
|
||
|
the tip of her tongue. She laughed deep in her throat as he tried
|
||
|
unsuccessfully to still his impulse to thrust. She looked up and met his
|
||
|
fiery eyes. Just as she started to move her hand from his stomach to his
|
||
|
buttons, she heard and felt his stomach rumble. Luke's embarrassment was
|
||
|
as plain on his face as it was under her hand.
|
||
|
"Rena, I..." She laughed as her own stomach echoed his. Rena
|
||
|
knew he'd heard it because his laugh mingled with hers.
|
||
|
"I guess it's fate, Luke!" she glanced at the clock as she took his
|
||
|
proffered hand and slowly stood. "No wonder! It's almost two! This is
|
||
|
what I get for making you pose all morning and then revving your engine
|
||
|
before lunch." Retaining her grip on his hand she led him over to the most
|
||
|
open area of floor.
|
||
|
"Wait," she placed a finger on his lips as he started to protest.
|
||
|
"Just wait," she pulled two large cushions from behind the sofa and
|
||
|
brought them around to where Luke was standing. She dropped them side
|
||
|
by side and then placing her hands on his shoulders, she urged him to sit.
|
||
|
"Just relax while I get the basket," she bent down and again
|
||
|
silenced his protest with a gentle finger against his lips.
|
||
|
"No, now, posing is hard work and it's *my* fault that you missed
|
||
|
lunch. Let me do this. Besides," a wicked grin crossed her face as she
|
||
|
lightly traced a random design on his bare chest. "I have plans for you.
|
||
|
Just relax. But not *too* much."
|
||
|
She rose with a throaty laugh and looked down at him through
|
||
|
hooded eyes. His eyes followed her appreciatively and small intensely
|
||
|
sensuous smile graced his features as he watched her approach her basket.
|
||
|
"Rena! I'm shocked. What would Mrs. Sewell think?"
|
||
|
In response, she looked back over her shoulder at him and raised her
|
||
|
eyebrows suggestively then turned back and bent over to pick her basket up
|
||
|
from the floor.
|
||
|
Jean-Luc shifted his position slightly as his body responded to the
|
||
|
sight of Rena's denim clad body before him. /Perhaps it's just as well that
|
||
|
denim hasn't survived into the 24th century./ His grin broadened at the
|
||
|
thought of how long Riker would be able to maintain his composure if
|
||
|
female crewmembers started wearing jeans off-duty. He moved over a little
|
||
|
to make more room for Rena as she set her burden down and joined him,
|
||
|
indian-style on the cushions.
|
||
|
With exaggerated flair she flipped off the cloth covering the basket's
|
||
|
contents and laid it dramatically on the floor. Next came wheat rolls,
|
||
|
courtesy of Mrs. Gomez, still smelling faintly of yeast. Then a bowl of
|
||
|
quartered fresh strawberries left over from Sunday's Strawberry Shortcake
|
||
|
Special. Rena reached back in and produced a small plate containing 4 or
|
||
|
5 different types of cheese which she held out for him to take a piece before
|
||
|
she set it down and took some for herself. Jean-Luc smiled to himself as
|
||
|
he recognized everything as various leftovers from the week's business. It
|
||
|
was a perfect illustration of Rena's dilemma. Part of her wanted to do
|
||
|
extravagant romantic impulsive things. *That* Rena lived in this apartment
|
||
|
and in the studio and shared a meal of bread, cheese and fruit with her
|
||
|
lover.
|
||
|
Then there was the other Rena, the hardheaded businesswoman who
|
||
|
chained herself to a dying town and *somehow* managed to make a go of
|
||
|
a business because she was needed, the one who unabashedly ate leftovers
|
||
|
with her friends. Rena laid two cloth napkins down and twisted around to
|
||
|
put the basket, and the remainer of it's contents, behind her and out of
|
||
|
the way. When she turned back, she held the last of their first course in
|
||
|
her hands; two glasses and the brandy Jean-Luc had used for their crepes.
|
||
|
Rena paused a moment, again taken by the sheer *presence* of the man
|
||
|
reclining before her.
|
||
|
/He really has no idea what he does to me. God! He's beautiful.
|
||
|
And so damn *sexy*!/
|
||
|
Setting down the glasses, she poured them each some brandy and set
|
||
|
the bottle down near the strawberries. Handing him his glass she raised
|
||
|
hers for a toast.
|
||
|
"To close friends," she paused and lowered her voice a bit, "and to
|
||
|
getting even closer."
|
||
|
They each took a drink and Rena set her glass down so she could
|
||
|
more easily lean over and seal their toast with a passionate kiss.
|
||
|
Jean-Luc's free arm went around Rena's waist to hold her as closely as
|
||
|
their awkward positions allowed. His skin burned where her hand rested
|
||
|
on his side. She tasted of brandy and cheddar and smelled vaguely of clay
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and strawberries, with just a hint of the wintergreen ointment that she'd
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used on his shoulder, under it all was her own scent, rich and musky.
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Suddenly, he didn't want the food anymore. He wanted *her*. But
|
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Jean-Luc knew she was right. Better to pause now than later. Rena pulled
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back, breathing heavily and picking up her glass drained it.
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"I think we'd best deal with the food now," she paused to get control
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of her voice and grinned, "before we get sidetracked."
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Jean-Luc returned her grin and wondered if his face was as flushed
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as hers.
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"After all, my dear, I must keep up my strength." Jean-Luc took
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one of her hands and tenderly kissed her palm. "I wouldn't want to
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neglect you."
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###
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From JULIA@Jetson.UH.EDU Mon Aug 30 14:32:27 1993
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Return-Path: <JULIA@Jetson.UH.EDU>
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Received: from orion.cis.ksu.edu by depot.cis.ksu.edu ESMTP (8.5)
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id OAA05456; Mon, 30 Aug 1993 14:32:24 -0500
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From: JULIA@Jetson.UH.EDU
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Received: from Rosie.UH.EDU by orion.cis.ksu.edu SMTP (8.3)
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id OAA06839; Mon, 30 Aug 1993 14:11:10 -0500
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Received: from Jetson.UH.EDU by Jetson.UH.EDU (PMDF V4.2-11 #3125) id
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<01H2CXYJ61V28Y5XMR@Jetson.UH.EDU>; Mon, 30 Aug 1993 14:11:05 CDT
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Date: Mon, 30 Aug 1993 14:11:04 -0500 (CDT)
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Subject: A'la Q, Part 6, by Kellie Matthews-Simmons & Julia Kosatka
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To: jfy@cis.ksu.edu
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Message-id: <01H2CXYJ61UO8Y5XMR@Jetson.UH.EDU>
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X-VMS-To: @ARCHIVE
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MIME-version: 1.0
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Content-type: TEXT/PLAIN; CHARSET=US-ASCII
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Content-transfer-encoding: 7BIT
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Status: O
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Jean-Luc stirred as the thunder outside penetrated his sleep fogged
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brain. It sounded far off and the sound made him want to drift off again.
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The radio next to Rena's bed was set to a frequency that carried classical
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music, something slow and melodic was playing, but he didn't want to wake up
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enough to think about what it was. Rena sighed in her sleep and snuggled more
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securely into his arms, a faint smile on her lovely face. He couldn't remember
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the last time he had the luxury of waking up slowly with a lover in his arms.
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More thunder outside then the light spatter of windblown rain against the
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window. After over three decades living in space, he couldn't imagine ever
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being planet bound again, but he missed rain.
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|
As a child he'd been fascinated by those few mild storms that were
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allowed on earth. Once, on Cardelas 9, he, Jack and Walker had managed to
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meet for a week's leave. Having just been promoted to full lieutenant, he
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outranked them and so, according to the pact they'd made at graduation, he
|
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choose how they'd spend their leave. He smiled sleepily at the memory. His
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friends had expected him to choose a week of wine, women and song in the
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|
Southern Pleasure Dome.
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Instead, they went camping on the Western continent, whose wild, wind-
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tossed terrain was swept by short, but severe storms. Looking back, he knew
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it had been a foolish choice, they could easily have been injured or even
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killed, but few 23-year olds truly believe in their own mortality and he
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couldn't resist the opportunity to experience such intense weather after two
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long years in space. Thunder boomed outside, closer this time, and Rena
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stirred and drowsily nuzzled his neck, her arm tightening across his chest
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as she stretched.
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"Ummm... You feel good. This was a *great* idea."
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|
Jean-Luc smiled and asked her playfully, "To what, specifically, are
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you referring?"
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"Ummm...," Rena smiled languidly, eyes still closed. "To be honest,
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|
*all* of it, but *specifically*, moving in here. My bed is much nicer for
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|
snuggling than the living room floor."
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|
Jean-Luc chuckled and struggled to keep his laughter under control. An
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|
absurd image of his security chief sternly saying, "Starship captains *do not*
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*snuggle*" sprang into his mind and he controlled the smile that threatened,
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not wanting to try and explain his mirth to Rena.
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|
"I think the storm has helped some, too. The temperature has dropped
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|
quite a bit."
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Rena felt somewhat distracted and was unable to concentrate fully on his
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words. It was enough that, for now, they were together. She felt safe and
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|
secure in his arms. There were no customers, no clocks, no unpaid bills, no
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one needing her. There was just *him*, strong and loving and trustworthy. It
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had been a long time since she felt herself able to depend on someone else.
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Rena knew it wouldn't last, she wasn't built that way, but once in a while, it
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felt so good to let go and let someone take care of her. Even if it was only
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for a few hours. She tried to remember how many times they'd made love and
|
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|
finally gave it up. After that first brief explosion of desire, the hours were
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|
a blur of pleasure given and received.
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|
As her mental fog slowly cleared, Rena remembered something she'd wanted
|
||
|
to say earlier, but as usual, had been unable to get the words out. A friend
|
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|
of hers who was into computers had once jokingly said that when Rena's sex
|
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|
drive kicked in, it took over all available cpu time and left nothing for
|
||
|
such mundane processes as speech. Craning her neck a little she saw in
|
||
|
the dim light from the window that his eyes were closed and there was a small,
|
||
|
contented smile on his face. The hand gently stroking her back let her know
|
||
|
he was awake. Inching up a little, she softly kissed his jawline, a slow
|
||
|
mischievous smile spreading across her face.
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||
|
"So, *that's* what you meant when you said you didn't want to neglect
|
||
|
me. Ah, Jean-Luc," she said teasingly, "you've spoiled me for other men."
|
||
|
His arms tightened around her in a warm hug as he turned his face to hers and
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||
|
breathed a kiss onto her forehead.
|
||
|
"Rena, you are anything *but* spoiled. You deserve a little spoiling."
|
||
|
"And you're *just* the man for the job," she said, grinning.
|
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|
"At your service, mademoiselle."
|
||
|
They both laughed at their nonsense and a peal of thunder echoed them.
|
||
|
Rena stiffened a little and sat up. Her brow furrowed in thought. Jean-Luc
|
||
|
sat up beside her, concerned.
|
||
|
"Rena? What's wrong?"
|
||
|
"I don't know," she looked around him to see the clock. "8:00," she
|
||
|
muttered to herself. Putting a hand on his thigh, she leaned around him to see
|
||
|
the window. "How long has it been raining?"
|
||
|
Jean-Luc tried to remember how long he'd been aware of the rain, but
|
||
|
could only consciously account for a few minutes before Rena woke up and he
|
||
|
told her so.
|
||
|
"Rena, what is it?"
|
||
|
She got up and walked over to the window to look out. Concerned with
|
||
|
her sudden change of mood, Jean-Luc joined her, all traces of sleepiness gone.
|
||
|
Noting the tension in her body, he put his arm around her shoulders and held
|
||
|
her close while they looked out into the evening sky. Rena's arm crept around
|
||
|
his waist as if for comfort and he was glad for her touch. What greeted his
|
||
|
eyes was something never seen on the Earth of *his* century. The raw power
|
||
|
of uncaring nature unleashed on the planet. The eastern sky was streaked with
|
||
|
bands of roiling black clouds. As they watched the wind suddenly picked up,
|
||
|
twisting oak trees in a manic St. Vitus dance. The fading light had taken
|
||
|
on a sickly greenish cast making the wind-tossed trees resemble nothing more
|
||
|
than souls in torment. Then the wind died down, and once again the trees were
|
||
|
only trees. Jean-Luc chided himself for his absurd flight of fancy. Rena was
|
||
|
shaking her head.
|
||
|
"This shouldn't be happening. We shouldn't be seeing *anything* but a
|
||
|
few thunder showers from Freida." She looked up at Jean-Luc, "She was supposed
|
||
|
to have come ashore somewhere down around Matagorda sometime this morning.
|
||
|
They didn't expect her to have enough power to do much more than fizzle out
|
||
|
once she hit land." Rena backed away from the window and turned toward the
|
||
|
bedroom door,
|
||
|
"C'mon, let's see what we can find out from the TV." He followed her
|
||
|
into the living room and, at her gesture, sat on the sofa. After picking up
|
||
|
the television's remote control, she joined him, curling up at side, as if she
|
||
|
were unwilling to let this interlude end.
|
||
|
"Damn thing!" Rena vented some of her anger with the weather at her
|
||
|
television's expense. "One of these days I'm going to splurge and buy a new
|
||
|
tv that doesn't take an hour and a half to warm up!" she settled into the
|
||
|
curve of his arm to wait, and to try and calm down some.
|
||
|
"Rena, you seem to be taking this storm very personally." Placing a
|
||
|
gentle hand under her chin, he tilted her head up to look at him. Reflected in
|
||
|
her eyes he saw something he recognized only too well. He'd seen it looking
|
||
|
back at him from countless mirrors over the years.
|
||
|
"Rena, you can't accept responsibility for *everything* that happens.
|
||
|
The storm is *not* your fault." A wry smile crossed her face and she looked
|
||
|
away as his words hit home.
|
||
|
"I know." She paused, "You've never lived in a hurricane prone area,
|
||
|
have you?" When he shook his head, she continued, wondering why her question
|
||
|
should make him smile, "I've grown up with them. Big ones, little ones, all
|
||
|
kinds. My father used to say that tropical weather is like a rabid coon, you
|
||
|
only turn your back on it if you want to get bit. Well, I turned my back on
|
||
|
Frieda and now it looks as if she's about to bite me."
|
||
|
She grinned as she held up her hand to forestall his comments.
|
||
|
"I know, I know, I shouldn't anthropomorphize the weather, but the
|
||
|
analogy holds. No one can control the weather, but only a fool ignores it!"
|
||
|
Out of the corner of her eye, Rena saw that the tv had finally come on
|
||
|
and she began switching channels until she found the one Houston station she
|
||
|
got reliably. Jean-Luc turned his attention to the screen which showed a
|
||
|
middle-aged woman apparently interviewing a tired-looking man. They were
|
||
|
standing with their backs to a restless body of water, probably either the
|
||
|
Gulf of Mexico or Galveston Bay, considering the origin of the broadcast.
|
||
|
|
||
|
"...Frieda has bypassed Galveston, do you think you'll face any
|
||
|
repercussions for ordering an evacuation if this turns out to be
|
||
|
yet another false alarm?"
|
||
|
|
||
|
The man gave her a tired, long suffering smile, "Elma, I can't
|
||
|
count the number of times I've been asked that since becoming
|
||
|
City Manager for Galveston. My position is now and has always
|
||
|
been that there is no such thing as an unnecessary evacuation.
|
||
|
The people of Galveston have never forgotten the 1900 storm that
|
||
|
killed so many. The seawall we're standing on is a physical
|
||
|
testament to the constant war we wage against the weather and the
|
||
|
lengths we are willing to go to to win. Instead of wondering
|
||
|
about the repercussions of evacuating the island and then being
|
||
|
bypassed by the storm, people should instead think of the
|
||
|
repercussions of *not* evacuating the island and *not* being
|
||
|
bypassed by the storm."
|
||
|
|
||
|
"An excellent point, Mr. Matthews, and one that the people of Galveston
|
||
|
seem to agree with you on. Before we go, is there anything else you'd
|
||
|
like to relay to people in this area?"
|
||
|
|
||
|
"Just that as usual, until the National Weather Service has lifted
|
||
|
the Hurricane Warning and we are sure that there is no remaining
|
||
|
threat no one should attempt to return to the island. The causeway
|
||
|
will remain closed to all but essential traffic. As anyone who's
|
||
|
lived on the Gulf Coast for a while knows, the only safe storm is
|
||
|
no storm."
|
||
|
|
||
|
"Thank you for taking the time to speak with us, I won't take up any
|
||
|
more of your valuable time." The beleaguered city manager moved off
|
||
|
camera and the interviewer continued, "There you have it, Dave. The
|
||
|
island is still battened down, but there is a feeling of optimism here
|
||
|
that was missing just 24 hours ago. It seems that Galveston may have
|
||
|
been spared once again. This is Elma Barrera, Eyewitness News,
|
||
|
speaking with Greg Matthews, city manager of Galveston, live from the
|
||
|
seawall in Galveston. Back to you, Dave."
|
||
|
|
||
|
The news report continued and Rena leaned forward as if to make sure she missed
|
||
|
nothing. Jean-Luc let the voices fade, trusting Rena to garner the necessary
|
||
|
information as he thought about what he'd witnessed. He knew that severe
|
||
|
weather had always plagued mankind before the advent of reliable weather control
|
||
|
technology in the 22nd century. Still, once again, he was struck by the
|
||
|
difference between reading about something in a history book and what those
|
||
|
bare facts meant to those actually *living* it. His youthful adventure with
|
||
|
Jack and Walker now seemed childish and embarrassing. Three spoiled brats
|
||
|
'challenging the elements'. He winced at the thought, /Not much challenge,
|
||
|
considering we could have been beamed out at any moment. These people don't
|
||
|
have that luxury. Even if they leave, what will be left to come back to?/
|
||
|
Rena sat back and her motion brought Jean-Luc back to the present. The
|
||
|
announcer was repeating the highlights of his report, but Rena's expression
|
||
|
told Jean-Luc the most important thing he needed to know.
|
||
|
"You're going to have to translate, I'm afraid. This is all very new
|
||
|
to me."
|
||
|
"Frieda's been upgraded to hurricane strength." Rena took a deep breath
|
||
|
and continued, "Her top winds have been clocked by the surveillance planes at
|
||
|
150 miles an hour. That puts her 5 miles an hour shy of being a force 5 storm.
|
||
|
They expect her to make landfall sometime early in the morning. Her current
|
||
|
position is 29 by 96 and heading due north." Rena looked him in the eye and
|
||
|
said with a steady voice,
|
||
|
"That's on a line almost straight for Ridge." She looked around the
|
||
|
room with a dazed look on her face then turned back to him and threw her arms
|
||
|
around his neck. His own arms went around her automatically, comforting. She
|
||
|
clung to him for a moment and kissed him, then took his face between her palms
|
||
|
and smiled.
|
||
|
"You, my friend, are one of the best things to happen to me in a long,
|
||
|
long time. I just wanted you to know that."
|
||
|
"And you, Rena, sound like you're saying goodbye."
|
||
|
"It's that obvious, is it?" she laughed as he nodded with mock gravity.
|
||
|
"I'm sorry, it's just that I wasn't ready for this to end yet. Especially not
|
||
|
like this."
|
||
|
As they spoke he'd leaned back against the back of the sofa, taking
|
||
|
her with him. Resting her head on his shoulder, she'd begun idly tracing the
|
||
|
contours of his chest and side with one hand while he stroked her back with
|
||
|
one hand and her thigh with the other. Both knew they were delaying the
|
||
|
inevitable, but neither wanted to be the first to say it.
|
||
|
"You knew that one day I'd be gone," Jean-Luc reminded her gently.
|
||
|
"I know," Rena's voice faltered and when she met his eyes again, hers
|
||
|
were filled with tears, "It's just that, for some reason, I'm afraid that
|
||
|
this is not just our first time. I'm afraid that it's our *only* time. There's
|
||
|
something very strange going on here. I've felt it for days and now it's
|
||
|
stronger than ever. Jean-Luc," there was an odd note in her voice as she
|
||
|
spoke his name. "Please be careful tonight and tomorrow, please." when he
|
||
|
started to reassure her that nothing was going to happen she became more upset.
|
||
|
"Promise me! Please, promise me you'll be careful. I can't explain
|
||
|
it, but I have this feeling that this is the last time we're going to be
|
||
|
together and it frightens me."
|
||
|
"Rena! Rena, I promise!" he held her close, his voice becoming softer
|
||
|
as he tried to calm her fearful trembling, "I'll be careful. I promise to take
|
||
|
no unnecessary chances, but you, my dear, must promise *me* something."
|
||
|
"Yes?" sniffing a little, Rena pulled away far enough to see his face.
|
||
|
"I want you to promise me to *try* not to worry," he reached out, in
|
||
|
what was becoming a familiar gesture and tucked a lock of Rena's hair behind
|
||
|
her ear. She smiled, reveling in their newfound intimacy. He continued softly,
|
||
|
"I've been looking after myself for longer than you think," /And under
|
||
|
circumstances you can't *possibly* imagine, dear Rena,/ he added to himself.
|
||
|
"Seize the time, Rena. Live *now*. Make *now* always the most precious time.
|
||
|
Now will never come again."
|
||
|
Once again, he pulled her to him in a warm embrace, his own eyes filling
|
||
|
as he remembered the first time he'd said those words. Memories of the time he
|
||
|
had spent as Kamen, whether real or imagined, still snuck up on him from time
|
||
|
to time. He forced his mind away from the compelling image of Meribor as she
|
||
|
had looked that morning and concentrated on the woman in his arms.
|
||
|
"We must always be prepared to make the time we have, no matter how short
|
||
|
or long, last us a lifetime. Remember, friends separated are no less friends
|
||
|
for being apart. I know that I'll *never* forget you. Wherever I go, part of
|
||
|
you will be with me." /Ah, Rena, I don't want to leave you, but the next time
|
||
|
Q returns, I've got to try and go back./
|
||
|
Rena wiped tears from her eyes with the back of her hands and cleared
|
||
|
her throat before looking him in the eye, "I promise to *try*," a little
|
||
|
smile crept onto her face, "...but I can't promise to *succeed*."
|
||
|
Jean-Luc smiled, "Fair enough." he said and kissed her. She responded
|
||
|
eagerly as if this kiss might have to last the rest of their lives.
|
||
|
"I was right," she said. Determined to not let her fear get the best of
|
||
|
her, Rena sniffed back the rest of her tears and continued at his questioning
|
||
|
look,
|
||
|
"I told you once that your touch was magic," gently stroking his cheek
|
||
|
and lips with one hand, she continued. "*You* are magic, and you've cast an
|
||
|
irresistible spell over me."
|
||
|
A sudden inspiration came to her and she laughed and clapped her hands in
|
||
|
delight, "I've got it! I just decided what I'll call your statue. Do you
|
||
|
remember the other night when you were reading Shakespeare out loud in your
|
||
|
room?"
|
||
|
He nodded, hoping the embarrassment he *still* felt at the memory of that
|
||
|
episode didn't show.
|
||
|
"When I stuck my head in your room, you read me a bit of The Tempest,"
|
||
|
a gust of wind from the most recent squall line rattled the windows in
|
||
|
punctuation, and they both laughed. "Kind of appropriate, don't you think?"
|
||
|
Rena's smile faded and was replaced by a look of longing.
|
||
|
"Prospero. You'll always be that to me, and once you've moved on, your
|
||
|
statue is all I'll have to remember you by." /C'mon Rena! Put a lid on it!/
|
||
|
Rena smiled through her tears and added, "At least I don't think I'll need
|
||
|
you to sit for me again..." running her hands slowly down his sides and onto
|
||
|
his thighs, she continued in an intense voice. "I believe that I could finish
|
||
|
it with my eyes closed."
|
||
|
Jean-Luc felt warmth flush his face and the first stirrings of desire.
|
||
|
Rena sighed in frustration. She, too, felt herself responding to the moment,
|
||
|
but the storm wouldn't wait. Before she could come up with a way to broach the
|
||
|
subject, Jean-Luc spoke.
|
||
|
"Rena, even though I've never lived on the Gulf Coast, I can imagine
|
||
|
that there are any number of things that need to be done before the storm hits."
|
||
|
She shot him a grateful look and stood up decisively, hands on her hips.
|
||
|
"Absolutely! We've got *tons* of things to do and very little time to do
|
||
|
them in," holding out one hand to pull him to his feet, she went on. "So get up
|
||
|
from there, Mister!"
|
||
|
He stood, a bittersweet grin on his face. Rena bent down and picking up
|
||
|
his jeans tossed them to him with a mischievous grin, "You might need these."
|
||
|
"Yes, ma'am!"
|
||
|
As they both started dressing, Rena started to outline what needed to be
|
||
|
accomplished. "First, we can put up some of the storm shutters tonight, but
|
||
|
most of them will have to wait until tomorrow."
|
||
|
Jean-Luc looked surprised, "Will there be time? Isn't the storm due
|
||
|
in the morning?"
|
||
|
"Ah, a novice!"
|
||
|
If Jean-Luc noticed that her grin was a little forced, he kept it to
|
||
|
himself.
|
||
|
"Frieda's leading edge should hit the coast around mid-morning. All
|
||
|
we're getting now are some squalls. It shouldn't get really bad here until
|
||
|
closer to noon. Once this squall line passes, we'll put up the shutters on
|
||
|
the front windows. Until we can do that, would you mind going down and
|
||
|
throwing a load of laundry into the washer? I usually do that on Mondays,
|
||
|
but I got a little, *sidetracked* today."
|
||
|
Rena had shown him how to use the washer a couple of days before. A
|
||
|
rather primitive device, but it produced surprisingly good results. Another
|
||
|
'temporal' prejudice shattered. "I'll be happy to, but... " he wasn't sure
|
||
|
how to say this without sounding like he was second guessing her. Rena saved
|
||
|
him the trouble of having to ask.
|
||
|
"...but why are we wasting time washing clothes?" she grinned, "It's
|
||
|
not the waste of time it seems to be. After Frieda passes we may be days
|
||
|
without clean water or electricity other than from our generator. Clean towels
|
||
|
and sheets make great bandages and clean clothes help to make up for being
|
||
|
restricted to sponge baths."
|
||
|
Jean-Luc nodded his understanding, but kept his thoughts to himself.
|
||
|
Injuries were to be expected, but it hadn't occurred to him that basic services
|
||
|
like power and water might be disrupted by a mere *storm*. Of course, such
|
||
|
storms weren't allowed to happen in his time. He was beginning to understand
|
||
|
why.
|
||
|
"Once you've got that started," Rena had picked up a pad of paper and
|
||
|
a pen and begun writing down their list of things that needed to be done, "go
|
||
|
to the store room and look on the top shelf in the back. You'll find several
|
||
|
large plastic containers, you know, the kind that look a little like balloons?
|
||
|
Get 'em down, rinse 'em out and start filling them up with tap water. That may
|
||
|
be our only source of drinking water if the town's wells are contaminated.
|
||
|
Next,... " Rena went on outlining their plan of action and he thought fleetingly
|
||
|
that with her organizational skills and intuition she'd have made someone a
|
||
|
fine first officer. Since he was looking over her shoulder, she couldn't see
|
||
|
the grin on his face. With a silent sigh he brought his mind back to what she
|
||
|
was saying.
|
||
|
"... so you go on down and get started and I'll see if I can't get Jake
|
||
|
on the phone and find out when he can send one of the boys over to help us out
|
||
|
with the storm shutters," she handed him the list, "I'll be down as soon as I
|
||
|
talk to Jake." He nodded, scanning the page as he took it from her hand.
|
||
|
"Rena... " he stopped, not really sure what he wanted to say.
|
||
|
She looked at him, grinned and winked. "No, Jean-Luc. If we get started
|
||
|
with this mutual admiration society thing, it could go on forever! We don't
|
||
|
have time, so get your attractive little butt downstairs and get busy!"
|
||
|
He looked at her incredulously for a moment, wondering if he'd heard her
|
||
|
correctly. Her impish grin told him he had. He grinned back, shaking
|
||
|
his head, and headed for the stairs, only to be brought up short by her
|
||
|
voice.
|
||
|
"Oh, and Luke... turn on all the lights in the restaurant and unlock
|
||
|
the door. We're kind of an unofficial shelter, and we might have travelers
|
||
|
and other folks coming by. You may as well put coffee on too, it's going
|
||
|
to be a long night."
|
||
|
|
||
|
###
|
||
|
|
||
|
Rena was right about it being a long night. Not long after he'd
|
||
|
finished filling water containers and starting the laundry, two brawny
|
||
|
young men had arrived to fuel up the emergency generator Rena's father
|
||
|
had put in after Hurricane Carla in 1961, and to help put up the storm
|
||
|
shutters. The wind and rain had obligingly died down enough that they were
|
||
|
able to get most of the shutters up. Once that was finished, Rena recruited
|
||
|
them to help her carry several sculptures in from the shed in the back yard,
|
||
|
since she wasn't sure it would withstand the storm. Before they had finished
|
||
|
that task, a station-wagon drove up and disgorged a man and his three kids who
|
||
|
had been en route to Houston and needed a place to take refuge from the rapidly
|
||
|
worsening storm. At that point Rena had Jean-Luc bring the television down
|
||
|
from the living room so the kids could have a familiar distraction. It also
|
||
|
kept everyone abreast of storm-related developments, like the fact that Frieda
|
||
|
was travelling faster that originally predicted.
|
||
|
Larry Cox and his daughter Ruth were the next to arrive, Larry seemingly
|
||
|
depressed that due to his arthritis he was no longer physically able to do
|
||
|
the things needed to secure their home against the storm. Then Sueann called
|
||
|
and asked if Rena could come get her, because she was afraid to stay by herself.
|
||
|
Rena had sent Larry out to get her, which made him feel better and spared her
|
||
|
to continue working.
|
||
|
Things went like that most of the night, though just after one it calmed
|
||
|
down enough for Rena and Jean-Luc to slip upstairs and grab a short nap. They
|
||
|
did so together, in Rena's bed, but they were both too tired to do more than
|
||
|
sleep. All too soon a tap at the door came. Rena looked at the clock and
|
||
|
sighed. It was three am. Trying to get up without waking Jean-Luc, she
|
||
|
slipped from the bed and opened the door to find Sueann there, her face pale,
|
||
|
and her eyes apprehensive.
|
||
|
"Rena... I..." she started, then trailed off, looking quite peculiar.
|
||
|
"What is it Sueann? You see a ghost?"
|
||
|
Sueann gasped, and shook her head. "Rena, I think I'm havin' it! The
|
||
|
baby, I mean! I been having back spasms for three or four hours now, but I
|
||
|
thought they were just what Doc Lacey calls Braxton-Hicks contractions, since
|
||
|
I'm not due for weeks yet, but all the sudden there was water everywhere!"
|
||
|
A quick glance confirmed that Sueann's maternity dress was soaking wet
|
||
|
from about mid-thigh down. Rena bit the inside of her lip, not sure whether
|
||
|
she wanted to laugh, or cry. She did neither.
|
||
|
"Well, that's just like a baby, isn't it? They *do* pick the worst
|
||
|
times to arrive! I'll call Doc... how far apart are your contractions?"
|
||
|
"They haven't been very steady, sometimes half an hour, sometimes less."
|
||
|
That was somewhat of a relief. Most of what Rena knew about childbirth
|
||
|
had been garnered from television, but everything she'd seen seemed to indicate
|
||
|
that the contractions had to be much closer together before you had to start
|
||
|
worrying about anything. Rena stepped into the hall and steered Sueann toward
|
||
|
her brother's room as she talked, one hand comfortingly on her shoulder.
|
||
|
"Well, that doesn't sound too urgent, yet. You lie down in Gabe's room
|
||
|
for awhile, and give me your dress, I'll wash it out and dry it for you."
|
||
|
As they opened the door and went in, Sueann slanted a curious glance at
|
||
|
Rena. "I thought Luke was usin' Gabe's room."
|
||
|
Rena felt her face heat, and couldn't suppress a grin as she replied with
|
||
|
deliberate emphasis. "Well, Sueann, he *was*."
|
||
|
Sueann's distressed air fell away as she looked at Rena in mock-surprise.
|
||
|
"Why Rena Taylor! Whatever would Pastor Robbins say?"
|
||
|
Rena winked at her. "The same thing he says about you, love! Now
|
||
|
come on, you need to rest and conserve your strength, or some such nonsense
|
||
|
like that."
|
||
|
Sueann laughed and nodded, pulling the smock-like dress awkwardly off
|
||
|
over her head as Rena folded back the covers on the bed. After tucking Suean
|
||
|
in, she picked up the dress and headed out again.
|
||
|
"Now if you need anything you just holler, okay?"
|
||
|
"Okay, and Rena..."
|
||
|
"Yes?"
|
||
|
Sueann winked, and grinned. "Sorry if I interrupted anythin'."
|
||
|
Rena smiled back. "You didn't... this time. It's been too crazy
|
||
|
around here to even *think* about that!"
|
||
|
"Aww, that's a shame. I like him, Rena. He's nice."
|
||
|
Rena smiled. "That, Sueann, is the understatement of the year!
|
||
|
Now rest!"
|
||
|
Sueann nodded and settled back, closing her eyes. Rena closed the
|
||
|
door, leaned against it, and sighed deeply. As she did, her bedroom door
|
||
|
opened and Jean-Luc stepped out, looking disgustingly alert for someone who'd
|
||
|
just been woken up.
|
||
|
"Is anything wrong?" he queried softly.
|
||
|
Rena smiled wryly, and shook her head. "Not exactly, just a case of
|
||
|
bad timing. Sueann's in labor," she paused, then in response to his lifted
|
||
|
eyebrows continued. "It's early days yet, but I'm going to go call Dr. Lacey
|
||
|
just to be sure."
|
||
|
He nodded. "I couldn't sleep anyway, there's far too much to be done,
|
||
|
yet. I'm going down to see if there's anything else I can do."
|
||
|
Rena nodded, understanding. He wasn't the sort of man who would be able
|
||
|
to just sit around waiting. There was nothing for it but to accept her fate
|
||
|
graciously and give up all thought of lying in his arms for a bit longer.
|
||
|
As she thought it, she felt again the cold shiver of premonition finger down
|
||
|
her spine. She caught his hand and pulled him down for a kiss, putting all
|
||
|
her desire into it. He returned it, one hand splayed wide across her lower
|
||
|
back, drawing her firmly against him; the other one cupped behind her head,
|
||
|
fingers teasing shivers from her by stroking lightly behind her ear. She
|
||
|
was reminded all too clearly of what she was missing out on by staying up.
|
||
|
Finally, with a sigh, she pulled away from him, her face conveying the
|
||
|
regret she felt.
|
||
|
"I really do have to go call the doctor, Luke."
|
||
|
"I know," he said, the regret in his eyes echoing her own.
|
||
|
They walked together into the living room where she stopped and lifted
|
||
|
the handset of the phone while he went on toward the stairs. She watched,
|
||
|
admiring his lean, muscular form, until he had disappeared down the stairs,
|
||
|
then she realized there was no dial tone. Frowning, she depressed the switch-
|
||
|
hook several times, with no success. She swore softly, realizing that the
|
||
|
phone lines were obviously out already. It was early-on for that! She put
|
||
|
down the phone and stood for a moment, listening to the wind howl, and the
|
||
|
rain lash. This was no squall. It sounded as if Frieda's leading edge had
|
||
|
already arrived. Even as she thought it, the building shook as if a car had
|
||
|
run into it, and she heard a tearing, creaking sound as shingles ripped away
|
||
|
from the roof. Within seconds, Sueann was out of Gabe's room, a blanket
|
||
|
clutched around her half-clad form.
|
||
|
"Rena? What was that?"
|
||
|
"Just some shingles, Sueann, but it does make me a bit concerned. I'm
|
||
|
going to make up a place for you downstairs, just in case this gets worse.
|
||
|
This building has withstood more than one hurricane, but there's been damage
|
||
|
to the roof almost every time, and I wouldn't want you to be up here if that
|
||
|
happens."
|
||
|
"Me either!" Sueann agreed vehemently, casting an uneasy glance at the
|
||
|
ceiling. "Can I come down with you?"
|
||
|
"You feel up to it?"
|
||
|
Sueann nodded. "It'll be awhile before the next contraction, if things
|
||
|
go on like they are. Did you get the doctor?"
|
||
|
"I..." Rena hesitated, not wanting to tell Sueann the news about the
|
||
|
phones. "...got his machine. I'm sure he'll be along soon; he's probably
|
||
|
boarding up, or getting things ready for emergencies," she crossed her fingers
|
||
|
against the lie, and hoped that she was right. The diner had always been the
|
||
|
place where people congregated whenever a storm came, the doctor included.
|
||
|
No doubt he would arrive long before Sueann really needed him. If worse came
|
||
|
to worst, she would go get him.
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
From JULIA@Jetson.UH.EDU Mon Aug 30 14:12:00 1993
|
||
|
Return-Path: <JULIA@Jetson.UH.EDU>
|
||
|
Received: from Rosie.UH.EDU by depot.cis.ksu.edu SMTP (8.5)
|
||
|
id OAA00209; Mon, 30 Aug 1993 14:11:52 -0500
|
||
|
From: JULIA@Jetson.UH.EDU
|
||
|
Received: from Jetson.UH.EDU by Jetson.UH.EDU (PMDF V4.2-11 #3125) id
|
||
|
<01H2CY0BS2908Y5XMR@Jetson.UH.EDU>; Mon, 30 Aug 1993 14:11:43 CDT
|
||
|
Date: Mon, 30 Aug 1993 14:11:43 -0500 (CDT)
|
||
|
Subject: A'la Q, Part 7, by Kellie Matthews-Simmons & Julia Kosatka
|
||
|
To: jfy@cis.ksu.edu
|
||
|
Message-id: <01H2CY0BS2928Y5XMR@Jetson.UH.EDU>
|
||
|
X-VMS-To: @ARCHIVE
|
||
|
MIME-version: 1.0
|
||
|
Content-type: TEXT/PLAIN; CHARSET=US-ASCII
|
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|
Content-transfer-encoding: 7BIT
|
||
|
Status: RO
|
||
|
|
||
|
"Rena?" Jean-Luc handed her a cup of tea and glanced through the pass-
|
||
|
through to where Sueann lay. "How is she?"
|
||
|
Rena set her tea down on the counter and sighed, "I don't know. I
|
||
|
don't have *any* experience in this sort of thing. Jake's the closest we've
|
||
|
got to an experienced hand and his youngest son is 18." Rena rubbed her eyes
|
||
|
and stifled a yawn. They were both exhausted. Any benefit they'd gained from
|
||
|
the few hours of sleep they'd managed to catch during all the preparations for
|
||
|
the storm was rapidly disappearing.
|
||
|
"She needs the doctor, Jean-Luc, but with the phones out, and the wind
|
||
|
this bad, I don't know how to reach him."
|
||
|
They lapsed into silence, with only the storm's comments to punctuate
|
||
|
their thoughts.
|
||
|
Jean-Luc squeezed Rena's shoulder and went to speak with Jake who
|
||
|
was sitting with Sueann. "How is she?"
|
||
|
"Sleeping fer now, poor thing. I 'member Sara doin' that, dozin' off
|
||
|
between pains."
|
||
|
"Jake, where is the doctor likely to be right now?" Jean-Luc lowered
|
||
|
his voice so only Jake could hear him.
|
||
|
"I s'pect," Jake lowered his voice to match, "he'd be home tryin' to
|
||
|
keep his office in one piece fer after t'storm," Jake looked at him
|
||
|
suspiciously, "That's a bitch of a storm out there, Luke. Whachew got on
|
||
|
your mind?"
|
||
|
Jean-Luc glanced at the front windows as a particularly heavy gust
|
||
|
rattled the shutters, then back to Jake as he simply said, "Sueann needs a
|
||
|
doctor."
|
||
|
Jake nodded soberly. "S'true and there's no way I'd get 2 feet with
|
||
|
this bum leg o'mine." He looked at Jean-Luc again and nodded. "Miss Rena
|
||
|
always wus a good judge a' people." With that cryptic comment, Jake
|
||
|
proceeded to tell him how to find the doctor's house. It wasn't far and
|
||
|
there were several structures he could use for shelter from the wind on the
|
||
|
way. Jean-Luc repeated the directions until he was certain he'd be able to
|
||
|
find the way. There would be no one to ask for directions once he left the
|
||
|
diner.
|
||
|
"Jake," Jean-Luc paused as his voice dropped lower, he didn't like what
|
||
|
he felt he had to do, but he liked the alternative even less, "I don't want
|
||
|
Rena to know about this until after I'm gone."
|
||
|
Jake nodded knowingly. "My Sara, God rest her, could be a holy terror
|
||
|
when she got her back up about somethin'. It took a brave man to face her
|
||
|
when she took the bit in her teeth. What the women folk don't know they cain't
|
||
|
skin ya fer," Jake grinned then took out a handkerchief and wiped the sweat from
|
||
|
his face, though he seemed to linger a little longer than necessary around his
|
||
|
eyes. When he began again, his voice had acquired an edge, "Miss Rena's always
|
||
|
reminded me a bit of my Sara..." catching Jean-Luc's eyes again, he continued,
|
||
|
"She's a fine woman. Deserves better than this busted up diner."
|
||
|
Jean-Luc nodded and looked over at Sueann, unable to meet Jake's eyes
|
||
|
again. He knew what Jake was implying and wondered if anyone else had noticed.
|
||
|
He also knew Jake was right about Rena. She did deserve better than this.
|
||
|
Living here in Ridge she'd spend the rest of her life trying to do what's best
|
||
|
for others and *not* what's best for her, and that would end up ruining her. He
|
||
|
shook his head, and left his reply as unspoken as the question.
|
||
|
"The wind's dying down again. I should go."
|
||
|
"I'll get Miss Rena's attention," Jake held out his hand, "Godspeed,
|
||
|
Luke."
|
||
|
Jean-Luc shook the proffered hand and slowly wandered toward the front
|
||
|
of the diner as if to check for leaks. A moment or so later he casually
|
||
|
glanced around the diner and saw Jake motion Rena into the kitchen where
|
||
|
Sueann was. Taking his cue, he carefully freed the deadbolt and opened the
|
||
|
door. The wind was still fairly quiet, in one of the lulls that appeared
|
||
|
periodically as the bands of the storm swept over the landscape. He looked out
|
||
|
for a moment to get his bearings, then slipped out into the storm.
|
||
|
The clock in the diner said it was mid-afternoon, but to Jean-Luc's eyes
|
||
|
it might as well be twilight. The street outside the diner looked like a war
|
||
|
zone. Debris littered the street and sidewalk. Two buildings across the
|
||
|
street were gone. Not just destroyed, but gone. The light was too dim to see
|
||
|
much beyond that. The comparative silence in conjunction with the destruction
|
||
|
around him sent an atavistic shiver up his spine.
|
||
|
/It looks like Sheffield Station./ He'd been first officer on the
|
||
|
Stargazer during the Cardassian War. They'd responded to a distress call from
|
||
|
Sheffield Station, a thriving outpost not far from the Cardassian border. When
|
||
|
the Stargazer arrived, they found the outpost leveled. The air had been so
|
||
|
fouled by ash and smoke that the area was shrouded in eerie twilight for days.
|
||
|
Most of the inhabitants were lucky enough to have been killed outright in the
|
||
|
attack. Others were not so fortunate since the Cardassian troops arrived as
|
||
|
soon as the bombardment stopped. Half the away team he'd lead were sick
|
||
|
within minutes. All of them suffered nightmares for weeks afterward, despite
|
||
|
intense counseling. One junior officer had resigned a month later.
|
||
|
There were no bodies hanging from shattered buildings in Ridge, but his
|
||
|
tired mind supplied them anyway. Jerking his mind away from such morbid
|
||
|
thoughts, he concentrated on the task at hand. Fortunately, Jake had given his
|
||
|
directions in terms of city blocks rather than landmarks.
|
||
|
Jean-Luc stepped out into a deceptively gentle rain. Before he'd gone
|
||
|
three feet the gentle shower had become a downpour. He was glad he hadn't
|
||
|
burdened himself with anything in a vain attempt to keep the rain off. Nothing
|
||
|
available in this century would help. In seconds he was soaked to the skin.
|
||
|
Reaching the end of the block, he saw something huge stretched out in front of
|
||
|
him, blocking his way. As he got closer he identified the object, /My God!/
|
||
|
He'd marveled at this when Rena first showed it to him and now it lay across
|
||
|
the road twisted and splintered.
|
||
|
It was a tree, but not just any tree. This oak, as Rena had told him,
|
||
|
had seen the beginning of air flight. It provided shade to Confederate
|
||
|
soldiers weary from fighting a loosing war. Local legend said that Sam
|
||
|
Houston camped under this tree on his way to accept the Presidency of the
|
||
|
Republic of Texas. Tejas Indians may have met the first European settlers to
|
||
|
the area and showed them the ways of the Gulf Coast under the shade of the
|
||
|
young oak. Now it lay as ruined as the town that had grown up around it.
|
||
|
Jean-Luc gripped the side of the tree and started to scale it when the wind
|
||
|
hit him full in the face and slammed him down to the pavement. Eyes closed,
|
||
|
he rolled over to keep the rain from pounding his face while he caught his
|
||
|
breath, wondering how he thought he'd be able to survive this. Suddenly
|
||
|
there was silence. The rain and wind had stopped, and when he opened his
|
||
|
eyes he found himself surrounded by a gentle glow.
|
||
|
"Why Jean-Luc, what*ever* are you doing? When last we met you were
|
||
|
positively cocky! Now I find you lying face down in the street, soaking wet,
|
||
|
riddled with self-doubt? I might expect this kind of behavior from Micro-brain
|
||
|
but not from *you*, Mon Capitain. What would your superiors think? What would
|
||
|
*Riker* think?"
|
||
|
Jean-Luc rolled to his knees to find Q perched on the dead oak, shaking
|
||
|
his head in mock disapproval. They seemed to be surrounded by a bubble of calm,
|
||
|
rain sheeting off all around them, but none of it reaching them.
|
||
|
"Lucky for you that I've been looking out for you. You humans are so
|
||
|
fragile that even this *insignificant* atmospheric disturbance would make
|
||
|
*mincemeat* out of you if left to your own puny devices."
|
||
|
"Q!" Jean-Luc cut the entity off abruptly as he got to his feet,
|
||
|
wiping rain from his face. Remembering his predicament, and that Q was the
|
||
|
only way out, he took a deep breath and continued in a more normal tone of
|
||
|
voice. "Q, what do you want?"
|
||
|
"What do I want?" Q smiled and laughed as he disappeared in a flash of
|
||
|
light and reappeared standing in front of Jean-Luc still grinning widely.
|
||
|
Placing his hands on Jean-Luc's shoulders he continued jovially. "What do I
|
||
|
want? Why to take you *home*, Mon Capitain!"
|
||
|
Q's smile faded and his face took on a look of mild disgust as he
|
||
|
realized that his hands were dirty and wet from touching Jean-Luc's shoulders.
|
||
|
A flash of light and they were both dry and Jean-Luc was now in uniform.
|
||
|
"This *place* is positively *dreary*! I really am quite embarrassed
|
||
|
to have thought of this little adventure." Q moved to Jean-Luc's side and
|
||
|
placed a companionable arm around his now-dry shoulders. "You see," he
|
||
|
continued in an aggrieved tone. "I've been under some stress lately, and not
|
||
|
up to my usual standards. You know how it is."
|
||
|
"We've *all* been under stress lately, Q." Jean-Luc managed to keep
|
||
|
most of the anger out of his voice. He didn't want to make Q angry. He *had*
|
||
|
to get back to the Enterprise.
|
||
|
Q laughed delightedly and clapped him on the back, his good humor
|
||
|
restored as if Picard's opinion and approval were the most important things in
|
||
|
the universe. "I knew you'd understand, Mon ami! Come! Bid this... *place*
|
||
|
adieu and let us return to your ship!"
|
||
|
"Wait!"
|
||
|
"Oh, what is it, *now*, Picard?"
|
||
|
"I can't just leave, Q! I have to get the doctor! I've got a woman
|
||
|
in labor back there, and she needs help!"
|
||
|
Q lifted an eyebrow. "Oh? My, my, Jean-Luc, you *do* work fast,
|
||
|
don't you?" Noticing Picard's growing anger with his flippancy, Q continued,
|
||
|
his irritation showing. "You humans, so obsessed with procreation! If you're
|
||
|
not *making* babies, you're having them! A messy, impractical process to say
|
||
|
the least!" he looked back at the diner, and sighed. "Oh, very well, if you
|
||
|
feel you must. I can't have you whining about this every time we meet from
|
||
|
now on!"
|
||
|
Picard's dry uniform was replaced once more by soggy denim and chambray.
|
||
|
The shock of cold and wet made him gasp, and Q grinned derisively.
|
||
|
"It was your choice, mon capitain though I suppose I *could* make
|
||
|
things a bit easier for you..."
|
||
|
They were no longer standing in a sort of bubble in the street, but on
|
||
|
the front porch of a house. Letters stenciled on the window in the door read:
|
||
|
James K. Lacey, M.D.
|
||
|
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
Rena patted Sueann's hand with more assurance than she felt. "Just rest,
|
||
|
Sueann, and I'll go get you some crushed ice to suck on." One of the few things
|
||
|
Rena knew about childbirth is that at *some* point the expectant mother should
|
||
|
stop eating. So far, Sueann hadn't asked for anything but water so they hadn't
|
||
|
tried to convince her to eat.
|
||
|
Wearily, Rena got to her feet and turned toward the kitchen. Before
|
||
|
she'd taken a half dozen steps she heard the wind come up again outside. Just
|
||
|
as the thought registered, she jumped as the front door crashed back on its
|
||
|
hinges and the wind roared into the diner dumping rain and debris on them all.
|
||
|
Sueann screeched that the building was collapsing as Jake assured her it wasn't
|
||
|
and tried to block her from the worst of the wind. Rena staggered out of the
|
||
|
direct path of the wind so she could get to the door and close it.
|
||
|
/Damn! How did that happen!?! I *know* I threw the deadbolt!/ She
|
||
|
reached the door and struggled with it for a moment until she was able to get
|
||
|
some purchase against the wind. Ironically, she found it easier to pull the
|
||
|
door closed into the wind than to push against the wind. She grinned maniacally
|
||
|
as an image of her locking herself out of the diner in an effort to close the
|
||
|
door popped into her mind. Facing the street with her right hand pulling on
|
||
|
the door, Rena reached out and grasped the door frame with her left and
|
||
|
slowly pulled the door closed. Once she got the door mostly closed she
|
||
|
couldn't resist looking out.
|
||
|
She wasn't prepared for the devastation that greeted her. The old
|
||
|
furniture store and the donut shop across the street were missing, apparently
|
||
|
picked up and carried away on the wind. Visibility was poor, and thankfully
|
||
|
so. She could see massive tree limbs and pieces of buildings lying haphazardly
|
||
|
in the street. Suddenly a bright flash drew her attention down the block. At
|
||
|
first she thought it was lightening and shut her eyes against it, but this
|
||
|
close the thunder should have all but knocked her off her feet. When no sound
|
||
|
ripped into her ears she opened her eyes to see if she could figure out what
|
||
|
had happened.
|
||
|
/That's impossible./ She closed her eyes again and opened them, but the
|
||
|
scene hadn't changed. There was a bubble of softly glowing light, for want of
|
||
|
a better description, in the middle of the street. Two figures and part of a
|
||
|
broken tree were inside it.
|
||
|
/Jean-Luc!/ She finally recognized one of them as he picked himself off
|
||
|
the street although it was too far away to see who the other was. Hardly
|
||
|
realizing what she was doing, Rena pulled the door closed the rest of the way
|
||
|
and found herself outside the diner. She found part of a two by four within
|
||
|
reach on the ground and picking it up she used it as a locking bar on the diner
|
||
|
door by running it through the handle. As she worked her mind was still trying
|
||
|
to comprehend what her eyes were telling it.
|
||
|
/Maybe it's St. Elmo's fire. Like they see on ships at sea./ She
|
||
|
began creeping up the street, hugging the building for support against the
|
||
|
wind, watching the figures as she approached. They appeared to be talking.
|
||
|
The stranger was sitting on the tree, then in a flash of light, he was
|
||
|
standing in front of Jean-Luc grasping his shoulders. Before she could think
|
||
|
about what just happened there was another flash and Jean-Luc was now dry and
|
||
|
dressed in a strange looking outfit of black and red. It was like nothing
|
||
|
she'd ever seen before, but had an indefinable *uniform* quality to it. As one
|
||
|
part of her mind tried to reconcile the strange events of the past few moments,
|
||
|
she found herself thinking, of all things, that he looked much more at home in
|
||
|
these clothes.
|
||
|
/That flash! I've seen it before!/ Rena knew it wasn't St. Elmo's
|
||
|
fire. St. Elmo's fire didn't make people move from place to place or change
|
||
|
someone's clothes. This was something *different*. Jean-Luc was arguing
|
||
|
with the stranger or rather, the stranger was arguing with Jean-Luc, who
|
||
|
stood in the center of the stranger's frenetic personal whirlwind. The
|
||
|
stranger seemed somehow *familiar* but Rena couldn't place him.
|
||
|
/The man in the diner that Jean-Luc was so worried about!/ Once she'd
|
||
|
identified the stranger, Rena crouched down behind a sheet of plywood that had
|
||
|
wedged in the rubble to watch. Idly she noticed that it was the sign from
|
||
|
Konchaba's Hardware Store, carried two miles by the wind. She ducked into a
|
||
|
shadow as Jean-Luc gestured angrily back toward the diner. He seemed to be
|
||
|
refusing to do something the other wanted. Another flash of light and Jean-Luc
|
||
|
was dressed again in his rain soaked clothes then <flash> and they, and the
|
||
|
bubble, vanished.
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
Jean-Luc braced himself against the wind and turned to speak to Q only
|
||
|
to find that he was alone on the doctor's porch. Recovering, he pounded on
|
||
|
the door, hoping he could make himself heard over the wind and rain. An
|
||
|
eternity later a dim warm light appeared behind the boards covering the
|
||
|
doctor's front window and the door crashed open. Jean-Luc stumbled in and
|
||
|
then turned to help the older man push it closed.
|
||
|
"Are you alright?" The man, whom Jean-Luc vaguely recognized as Dr.
|
||
|
Lacey put a hand on Jean-Luc's arm and guided him to a nearby chair. Jean-Luc
|
||
|
nodded trying to catch his breath.
|
||
|
"You're soaked to the skin! Sit here a minute and relax, I've got some
|
||
|
coffee on. Be right back." As he turned to go, he handed Jean-Luc a couple
|
||
|
of towels from a stack near the door. Doctor Lacey left him the light, some
|
||
|
kind of fairly sophisticated flame lamp that put off a strong warm light.
|
||
|
Looking around he found himself in an entryway with three doors. One door at
|
||
|
the left end was closed, the one next to him apparently led to the doctor's
|
||
|
living quarters. The last door was open and the light showed him hints of glass
|
||
|
cabinets and silver instruments.
|
||
|
/His clinic. Beverly would love to see the inside of that room./ He
|
||
|
was on the verge of standing up and moving closer for a better look when Dr.
|
||
|
Lacey returned with two steaming mugs. Jean-Luc realized he was cold. The
|
||
|
tropical rain was warm but once inside, a chill started to settle into his
|
||
|
bones.
|
||
|
"Here, see if this won't help get your blood pumping again." He thanked
|
||
|
him and taking the mug took a long swallow and coughed at the liquid fire going
|
||
|
down his throat. Dr. Lacey laughed, "You didn't think I'd offer a man nothing
|
||
|
but *coffee* in a situation like this?"
|
||
|
Jean-Luc finally recovered enough to ask, "What *is* this?"
|
||
|
Dr. Lacey took a drink from his own mug and said, "Southern Comfort.
|
||
|
One of the finest blended whiskeys ever made." Raising his mug in a toast, he
|
||
|
proclaimed, "To the distiller's art! Paintings grace the walls of our museums,
|
||
|
music delights the ears, but *this* is what makes life worth living." They each
|
||
|
drank and now that he knew what to expect, Jean-Luc had to admit that it was
|
||
|
an interesting combination.
|
||
|
"So, since I imagine you're not just out taking an afternoon stroll,
|
||
|
someone must need my services. How's Sueann doing?"
|
||
|
Jean-Luc couldn't help but grin. With all the stress of the past hours,
|
||
|
Dr. Lacey's irreverent manner was as invigorating as his 'coffee'.
|
||
|
"How did you know I'm here about Sueann?"
|
||
|
It was the doctor's turn to grin now, "I love to do that to people!"
|
||
|
Dr. Lacey stood and picking up the lantern, motioned Jean-Luc to follow him
|
||
|
into his office, "Ever since I was 10 years old and discovered Sherlock Holmes
|
||
|
I've wanted to be able to tell someone what they do for a living, what they had
|
||
|
for lunch and how much they hated their third grade teacher all from an ink
|
||
|
stain on their left thumb." The doctor laughed as he set down his lantern and
|
||
|
began assembling his equipment, Jean-Luc chuckled along with him.
|
||
|
"Have you ever managed it?"
|
||
|
"Oh, no, but it's not from lack of trying. I *have*, however, learned
|
||
|
to spot the tiniest speck of chocolate on one of my diabetics' clothes or a
|
||
|
smear of hamburger grease on a heart patient's sleeve. Comes in handy in my
|
||
|
line." He moved the lantern over to a class and chrome cabinet and pulling
|
||
|
some keys out of his pocket began to unlock it.
|
||
|
"Now, tell me as much as you can about Sueann's condition and what's
|
||
|
been done for her."
|
||
|
Jean-Luc described her symptoms, when they started, everything he
|
||
|
could remember. Dr. Lacey listened intently, only occasionally interrupting
|
||
|
to ask a question or clarify a point.
|
||
|
"Are there any other injuries?" he asked once he had all the information
|
||
|
he needed about Sueann.
|
||
|
"A few minor cuts and bruises, but nothing serious."
|
||
|
Dr. Lacey nodded, "Good. Sueann's a strong young woman and from what
|
||
|
you've told me she's doing just fine. Give me a few minutes to collect the
|
||
|
rest of what I need and pack it for the trip out and we'll get going."
|
||
|
Knowing that he could be of no assistance to the man, Jean-Luc stayed
|
||
|
out of his way. In its current position, the lantern illuminated a wall of
|
||
|
framed documents and pictures. There were several frames containing
|
||
|
diplomas and certificates. He'd seen similar documents in museums and on the
|
||
|
holodeck, but there was something exciting about seeing them in place and in
|
||
|
person that made him grin with pleasure.
|
||
|
/Yes, Beverly would *love* to see this. What a shame she couldn't
|
||
|
be here right now./ Among the photographs was a newspaper clipping from a
|
||
|
Houston paper, complete with a grainy picture of a young woman who looked
|
||
|
vaguely familiar. After scanning the story he found that her name was Alice
|
||
|
McCoy and as a geneticist, was one of seven scientists in the world to be
|
||
|
selected to work on a special recombinant DNA project for the World Health
|
||
|
Organization.
|
||
|
"I'm real proud of my Alice. She's a talented girl." Jean-Luc turned
|
||
|
to see Dr. Lacey standing behind him, one bag slung over his shoulder and
|
||
|
another in his hand. "Got any children of your own?"
|
||
|
"Ah," Jean-Luc nodded, that explained why she looked so familiar, "she's
|
||
|
your daughter? I thought she looked familiar. She resembles you a great deal."
|
||
|
Realizing that he had never answered the doctor's question, he spoke, pushing
|
||
|
aside thoughts of Meribor and Batai. "No, no children."
|
||
|
"Well, you're young yet. No sense rushing into things, right?"
|
||
|
grinning, he slapped Jean-Luc on the back and picking up the lantern, headed
|
||
|
toward the office door, "Let's get going. We'll go the back way," he explained
|
||
|
over his shoulder, "it should be much faster. A little wetter, maybe, but
|
||
|
faster."
|
||
|
Jean-Luc followed the older man out and through the door into his living
|
||
|
quarters. Something he'd seen on Dr. Lacey's wall was tickling the edge of his
|
||
|
mind. Then it came to him, age. Once again he was struck by how much faster
|
||
|
people aged in this century. According to the diploma on his wall, Dr. Lacey
|
||
|
graduated with his first degree from the University of Texas in 1949. Assuming
|
||
|
he was 22 at the time, that made them almost the same age. They reached the
|
||
|
outside door before he could continue that train of thought.
|
||
|
"Wind's down a bit," the doctor observed, his hand on the deadbolt,
|
||
|
"Maybe the eye passing over. Weatherman thought we might catch the edge of
|
||
|
it," catching Jean-Luc's eye he nodded, "Best to go while the goin's good. No
|
||
|
tellin' how long this calm will last."
|
||
|
With that, he opened the door and they stepped out onto the remains of
|
||
|
the doctor's back porch. It was obvious to Jean-Luc that Dr. Lacey hadn't
|
||
|
looked out since he boarded up his windows. To do him credit, he only paused
|
||
|
for a moment as he took in the wreckage that used to be his neighbors' homes.
|
||
|
Without a word he gestured and took off with ground-covering strides in the
|
||
|
general direction of the diner. As difficult as Jean-Luc's journey out had
|
||
|
been, this was, in its own way, much worse. The ground was muddy and sometimes
|
||
|
they found themselves wading through knee-deep water.
|
||
|
The closer they got, the more alert Jean-Luc became, expecting Q to
|
||
|
appear at any moment. /Let me get back long enough to say goodbye, Q,/ he
|
||
|
thought. Soon the diner was in sight and both men sighed with relief. Dr.
|
||
|
Lacey stopped and leaned against a sagging wall to catch his breath. Picard
|
||
|
felt a touch of concern, and gestured toward the bags the other man carried.
|
||
|
"Doctor, I'd be glad to carry one of those for you."
|
||
|
Dr. Lacey smiled and shook his head, "No, thank you. The day I can't
|
||
|
carry my own equipment is the day I retire my shingle."
|
||
|
A strong gust of wind heralded the end of their grace period. As they
|
||
|
started off once more, the rain started again, as hard as ever. Soon they were
|
||
|
struggling against the wind, which had switched directions as the other side of
|
||
|
the storm began to move over the area. Jean-Luc lost sight of the diner
|
||
|
completely as a curtain of rain closed around him, and simply followed what he
|
||
|
could see of the doctor's back as best he could, trusting the other man to find
|
||
|
his way in the maelstrom.
|
||
|
Slogging through a particularly swampy area, Jean-Luc lost his footing
|
||
|
and went down, face first into the calf deep water. Struggling up again,
|
||
|
he tried to call out to his companion, but the wind ripped the words from his
|
||
|
throat and whirled them away, unheard. Within seconds he was alone. He
|
||
|
leaned into the wind and continued in what he hoped was the right direction.
|
||
|
Soon there was a structure in front of him. Through the heavy downpour
|
||
|
it was difficult to identify until he was actually upon it. It was Rena's
|
||
|
studio. Amazed that it was still standing, he crouched next to it, glad of
|
||
|
the limited shelter it offered from the driving rain and wind. After catching
|
||
|
his breath and orienting himself, he stepped away from the wall of the studio
|
||
|
and into... calm, surrounded by a familiar soft glow.
|
||
|
"My dear Jean-Luc! Look at you!" Q stepped out of the light, shaking his
|
||
|
head in disapproval. "You're a mess!"
|
||
|
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
Rena sat crouched behind the Konchaba's Hardware store sign, all but
|
||
|
oblivious to the storm that raged around her. The thoughts that raged in her
|
||
|
mind were more than a match for the weather. She had no idea how long she had
|
||
|
sat there, too stunned by what she'd seen to move. What *had* she seen?
|
||
|
People just did *not* move from place to place in a flash of light. That bubble
|
||
|
that had appeared and sheltered the two of them from the wind and rain. What
|
||
|
*was* that? No natural phenomena *she* knew of could account for it. Possibly
|
||
|
the most disturbing part of the whole thing was Jean-Luc's apparent acceptance
|
||
|
of the *impossible* event. He had seemed concerned with the other man's demands
|
||
|
rather than with the events themselves. Indeed, he seemed to accept them as
|
||
|
natural! Or perhaps, Rena shivered in the warm rain at this thought, it's just
|
||
|
that they *seemed* normal compared to the 'man' he argued with.
|
||
|
/Enough! That's enough! You've got things to do and people depending
|
||
|
on you! You don't have the leisure to sit here and worry about this. The best
|
||
|
thing to do is go back and *ask* Jean-Luc about it, face-to-face, when he gets
|
||
|
back with the doctor./
|
||
|
Rena looked around and realized that the rain had momentarily stopped. She
|
||
|
was in luck. If she tried she could get back inside before the calm passed. As she
|
||
|
hurried back to the diner, she tried not to think about the last thought that ran
|
||
|
through her mind.
|
||
|
/*If* he comes back./
|
||
|
Back inside, she faced a thousand questions. Rather than try to explain
|
||
|
the inexplicable, she merely said that in trying to close the door she'd gotten
|
||
|
trapped outside, but found adequate temporary shelter. Mrs. Gomez fussed over
|
||
|
her, scolding her for trying to do everything herself and insisting that she
|
||
|
get into some dry clothes. Rena let Mrs. Gomez shoo her upstairs where she
|
||
|
quickly changed into dry jeans and a dry shirt. Wrapping her short hair in a
|
||
|
towel she quickly checked for leaks before going back down to do the same
|
||
|
there. She wanted to keep her mind too busy to worry over what she'd witnessed.
|
||
|
Surprisingly there was no sign of any leaking. Not even around the
|
||
|
windows. Her father had often bragged that when he built the diner, he built
|
||
|
it so tight that if he couldn't make a go of the restaurant business he'd put
|
||
|
an engine on the place and go into deep sea salvage work. The memory brought
|
||
|
a tired smile to her face and she briefly wondered what her father would have
|
||
|
thought of her little adventure, and of Jean-Luc. The rattle of the wind
|
||
|
against the shuttered windows brought her mind back to the present. The storm
|
||
|
was back.
|
||
|
"Mrs. Gomez," Rena caught the other woman's eye and motioned her over,
|
||
|
"Luke's gone for the doctor for Sueann, would you help me get some food ready
|
||
|
for everyone. It's been a stressful day and I think a hot meal would be a
|
||
|
good distraction for everyone."
|
||
|
"And you can't stand not having something to do!" Mrs. Gomez replied, a
|
||
|
slight smile on her pleasant, round face.
|
||
|
"You know me too well!"
|
||
|
They both laughed a little and Rena led the way into the kitchen.
|
||
|
"At least the propane tank is full. We won't have to worry about
|
||
|
trying to cook over a kerosene stove."
|
||
|
They got started preparing a fairly elaborate meal. It made sense
|
||
|
both as a morale builder and also as a method of using up some of the
|
||
|
perishables from Rena's refrigerator and freezer. Though the generator was
|
||
|
working just fine right now, it had been hours since the main power went out,
|
||
|
and she would run out of fuel for the generator long before electricity was
|
||
|
restored, if she was any judge. Better to cook it and *give* the food away
|
||
|
than to let it spoil then *throw* it away.
|
||
|
Rena had just popped a second chicken into the oven to bake when she
|
||
|
heard a pounding on the back door. Relief washed over her as she rushed over
|
||
|
to the door. She threw the deadbolt and stepped out of the way as the wind
|
||
|
sent the door crashing back against the wall, then her heart sank as she saw
|
||
|
Dr. Lacey stagger in, alone. Using the door frame to brace herself against
|
||
|
the wind she peered out into the dim late afternoon, getting drenched again in
|
||
|
the process. Mrs. Gomez' tugging at her arm was the only thing that kept her
|
||
|
from going out to find Jean-Luc. With Mrs. Gomez's help she got the back door
|
||
|
closed and bolted, then turned toward the doctor who'd collapsed, exhausted,
|
||
|
onto a stool.
|
||
|
"Jean-Luc?" the tightness in her chest moved into her throat as the
|
||
|
doctor shook his head, his expression concerned.
|
||
|
"He was right behind me and then, the next thing I knew, I was by
|
||
|
myself," seeing Rena blanch, he went on in a comforting tone. "But he's
|
||
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a tough one, and smart, too. We were pretty close to here when we got
|
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separated. He probably lost me in the storm and found shelter somewhere.
|
||
|
He'll make it, Rena. Don't you worry 'bout that, he'll make it."
|
||
|
Rising, he put on his best 'doctor' expression. "Now, where's our
|
||
|
little mother? I understand we've got a young 'un who can't wait to make
|
||
|
an appearance."
|
||
|
As Mrs. Gomez started to lead the way, Rena spoke up. "Dr. Lacey, I'll
|
||
|
put a pot of water on to boil in case you need to sterilize anything. Is
|
||
|
there anything else you think you'll need?
|
||
|
He stopped and thought a moment before answering in a serious tone,
|
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"You wouldn't happen to have a bottle of Southern Comfort on hand, would you?"
|
||
|
Rena giggled while Mrs. Gomez tried her best to look scandalized.
|
||
|
"I'll see what I can find."
|
||
|
"Thank you, Rena. You're a credit to your profession," with that
|
||
|
he followed Mrs. Gomez over to see his patient.
|
||
|
Rena got her soup pot out, filled it three-quarters of the way with
|
||
|
some of their 'good' water and set it to boil. She started to go see how
|
||
|
Sueann was, but something pulled her to the back door. Peering out through
|
||
|
the crack in the storm shutter, she looked longingly into the raging storm.
|
||
|
/Where are you, my love? Are you alright?/ A tear escaped to trace a path
|
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|
down her cheek, and she had just started to turn away when a motion caught her
|
||
|
eye. Was that something moving near her studio? Her heart leapt and she began
|
||
|
fumbling with the deadbolt, cursing both her clumsiness and her exhaustion.
|
||
|
Before she could throw the bolt, *it* happened again. That *flash* and
|
||
|
then the bubble of soft light that shed the storm like a duck's feathers.
|
||
|
Again, two figures inhabited the bubble of light. Jean-Luc and the *Other*,
|
||
|
as she found herself thinking of him. It was difficult to tell for sure, but
|
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|
it seemed that Jean-Luc was looking in the general direction of the diner. He
|
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|
seemed to turn, a little reluctantly, and the two spoke for a moment. Then
|
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<flash> they and the bubble were gone. Rena found herself clinging to the door,
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sobbing. *This* time, she knew he was really gone.
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###
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From JULIA@Jetson.UH.EDU Mon Aug 30 14:12:23 1993
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Return-Path: <JULIA@Jetson.UH.EDU>
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Received: from Rosie.UH.EDU by depot.cis.ksu.edu SMTP (8.5)
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id OAA00398; Mon, 30 Aug 1993 14:12:19 -0500
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From: JULIA@Jetson.UH.EDU
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Received: from Jetson.UH.EDU by Jetson.UH.EDU (PMDF V4.2-11 #3125) id
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<01H2CY0RMQ8Q8Y5XMR@Jetson.UH.EDU>; Mon, 30 Aug 1993 14:12:01 CDT
|
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Date: Mon, 30 Aug 1993 14:12:00 -0500 (CDT)
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|
Subject: A'la Q, Part 7, by Kellie Matthews-Simmons & Julia Kosatka
|
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|
To: jfy@cis.ksu.edu
|
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Message-id: <01H2CY0RMZVW8Y5XMR@Jetson.UH.EDU>
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X-VMS-To: @ARCHIVE
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MIME-version: 1.0
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Content-type: TEXT/PLAIN; CHARSET=US-ASCII
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Content-transfer-encoding: 7BIT
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Status: RO
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Rena pulled the truck into a parking spot next to her Canyon Street
|
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studio-gallery, set the brake, and leaned back with a sigh. She was
|
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tired. She'd helped Lanelle set up for her show's opening-night party, and
|
||
|
had also stayed to help clean up afterward. It was only a ten-twenty, but it
|
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|
felt like it must be two in the morning! She opened the door and stepped
|
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|
out, looked up at the stars and smiled. The night sky in Santa Fe never
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|
ceased to amaze her. Even in town you could always see the stars.
|
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|
She went in through the gallery, picked up the mail she'd been too
|
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|
busy to read earlier, and opened the letter from Sueann. As she did, a photo
|
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|
fell out and she leaned down and picked it up off the floor. It was Luca's
|
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|
latest baby-picture. She was a cute little rascal, at six months she was a
|
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|
wiry, healthy baby with blonde curls and lovely dark brown eyes. Her smile
|
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|
was open and mischievous, like a little Puck of the wrong gender. Smiling,
|
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|
she wondered how Jean-Luc would feel about Sueann having named her little girl
|
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|
in his honor. Of course, Sueann thought he was dead, but Rena knew better.
|
||
|
Every once in awhile she thought about what she'd seen that night and
|
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|
wondered if she had imagined it; but she'd never had hallucinations before or
|
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|
since, so she didn't really think so. She skimmed Sueann's note quickly,
|
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|
pleased to see that she was still enjoying her job as Dr. Lacey's receptionist
|
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|
at his new office in Beaumont. It was strange how well everything had worked
|
||
|
out after the storm. It was almost as if Frieda had been good luck! In every
|
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|
way but one. She still missed him, sometimes.
|
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|
Annoyed with herself for being maudlin, she headed up the stairs to her
|
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|
apartment and turned on the TV. Though she was tired, she didn't feel like
|
||
|
sleeping yet. Picking up the remote she began to channel-surf, looking for
|
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|
something good. She wasn't usually up this late, she wasn't sure what was on.
|
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|
Something caught her eye, and she stopped, watching a news story about a
|
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|
certain short billionaire with big ears who was running for president. When
|
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|
the story finished, the end credits began to run, and a voiceover told her to
|
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|
"stay tuned for Star Trek." She grinned. It had been *ages* since she'd
|
||
|
watched Star Trek! She settled in, wondering how long it would take her to
|
||
|
identify the episode. Usually she could do it in about fifteen seconds.
|
||
|
She sat through a Thigh-Master commercial two beer ads, and a promo for a
|
||
|
sitcom, then the show began.
|
||
|
She was instantly confused. *This* wasn't Star Trek! An attractive
|
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|
red-haired woman in a blue and black jumpsuit which looked just vaguely
|
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|
familiar was pulling a blue lab coat on as she entered a room full of
|
||
|
odd-looking beds, talking to someone off-camera. A lot of other people
|
||
|
in similar blue and black uniforms were milling around. She said something
|
||
|
about ambulatory casualties, then ordered everyone to stand clear, and they
|
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|
stood away from the center of the room.
|
||
|
That portion of the screen 'dissolved' in a typical Trek transporter
|
||
|
effect, and 5 figures 'materialized' there. Three of them wore gold and black
|
||
|
uniforms and crouched with drawn weapons, a bearded guy in a red and black
|
||
|
uniform stood to one side, and a big black guy with weird makeup stood next
|
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|
to him, holding another red-and-black clad man in his arms. As the big guy
|
||
|
set his burden down on one of the weird beds, the camera focused in on the
|
||
|
face of the casualty, and Rena's jaw dropped. Her stomach tied itself into
|
||
|
a knot as she leaned forward and stared at the screen as if sheer proximity
|
||
|
would change what she was seeing.
|
||
|
It didn't. She realized there was a big burned-looking patch in the
|
||
|
middle of his chest. She tensed, was he dead? He looked dead. Who the hell
|
||
|
was he? He couldn't *possibly*, be who he looked like! Could he? The red-
|
||
|
head started doing Trekmedical-looking stuff to him, muttering intensely about
|
||
|
cardiac arrest and fused bioregulators, fading isocortical activity and a
|
||
|
cordrazine series; then the scene began to wash out, voices echoing. The scene
|
||
|
changed to show the man standing in a place filled with brilliant white light.
|
||
|
A robed figure, indistinct in the radiant light, stood beckoning him. He moved
|
||
|
toward the luminous person, who extended a hand. As the man in red and black
|
||
|
clasped that hand in his own, drawing him out of the radiance, Rena jumped to
|
||
|
her feet, fists clenched.
|
||
|
"SHIT!!! Oh god, oh damn-it, what the hell is going on?"
|
||
|
The robed figure was the jerk from the diner. The one she had thrown
|
||
|
out. The one Jean-Luc had been afraid of. He smiled beneficently at the
|
||
|
other man, opened his mouth, and said;
|
||
|
"Welcome to the afterlife, Jean-Luc, you're dead."
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
An hour later, having watched the entire episode, she sat in front of
|
||
|
her now silent and dark television, staring at the blank screen sightlessly.
|
||
|
She couldn't believe what she'd just seen! Had the actor flipped-out last
|
||
|
fall and gone on the road thinking he really *was* Jean-Luc Picard? No, that
|
||
|
didn't make sense, not unless *two* of them had gone off the deep end
|
||
|
simultaneously. She'd seen the Q-guy, too. Not only had she seen him, she
|
||
|
had seen him appear and disappear in the same flash of light they used on the
|
||
|
show. Which was, of course, patently impossible, since it was a video special
|
||
|
effect not found in nature! But... how else could she explain what had
|
||
|
happened? Some massive-scale practical joke?
|
||
|
Rena shook her head, running a hand through her hair in frustration.
|
||
|
The only other explanation, that her world had suddenly expanded to include
|
||
|
fictional characters living 400 years in the future, was equally preposterous.
|
||
|
And there were differences... odd ones. The Picard on the television was subtly
|
||
|
different from the one she had known. He seemed slightly more at ease with
|
||
|
himself, oddly enough; and for some strange reason he also seemed a a little
|
||
|
*younger*, or perhaps less experienced was a better way to put it. She couldn't
|
||
|
quite put her finger on what it was that was different, she just knew it was
|
||
|
*there*. Could she possibly have *hallucinated* the whole thing? Was it some
|
||
|
sort of stress-induced... no. That wasn't it either. Doc Lacey, Sueann, Jake,
|
||
|
Larry Cox... they had all seen him too. Hell, Sueann had named her baby after
|
||
|
him! He was *no* hallucination.
|
||
|
Suddenly doubting her own sanity, Rena got up and walked over to the
|
||
|
shelf where she kept Prospero, running her fingers over the sculpture as if
|
||
|
it held the answer to her questions. She closed her eyes, and remembered
|
||
|
when those planes and hollows had been warm and real beneath her hands. She
|
||
|
swallowed heavily, trying unsuccessfully to keep tears from welling up. She
|
||
|
felt them spill over, trickling down from the outer corners of her eyes where
|
||
|
they'd been squeezed. No! He was *real* damn it! Not a figment, not an
|
||
|
actor, a real, human, living, breathing... starship captain?
|
||
|
From tears she went to the opposite extreme, and found herself laughing
|
||
|
almost hysterically at that thought. God, no one would ever believe her!
|
||
|
Rena wondered if Sueann had ever seen the show, or Doc, or any of the dozens
|
||
|
of other people who'd met him. How had they rationalized the resemblance,
|
||
|
and the name? Or had they just dismissed it as a coincidence? Suddenly she
|
||
|
found herself recalling the stunned expression he'd worn the first time he
|
||
|
had ever seen the original Trek. No wonder he'd looked so pole-axed! He
|
||
|
had been as shocked then as she was now... though he had dealt with it a
|
||
|
bit better. It also explained his unfamiliarity with so many things she had
|
||
|
expected him to know about, even taking into account his status as a visitor
|
||
|
from another *country*. Washing machines, television, movies, sexual
|
||
|
harassment... it all made a certain bizarre sense now.
|
||
|
Gently she replaced the sculpture in its accustomed spot and sat back
|
||
|
down on the sofa, the same sofa she'd shared with him, many times. The same
|
||
|
one whose cushions had served as padding for their first... she shunted that
|
||
|
thought aside. No use dwelling on that. She leaned back and closed her eyes,
|
||
|
rubbing her forehead abstractedly. She said it out loud, wondering if it would
|
||
|
sound any different that way.
|
||
|
"Jean-Luc, and Q... were you real?"
|
||
|
A flash of light bright enough to penetrate her closed eyelids lit the
|
||
|
room. She sat up instantly, and when her eyes focused she was staring at the
|
||
|
the sardonic face of the the being known as Q. He was even wearing the same
|
||
|
silver-white robe in which she'd just seen him. He smiled mockingly.
|
||
|
"Realer than you think, my dear."
|
||
|
Before she could scream, or faint, or even gasp, the light flared and
|
||
|
he was gone, leaving her staring at the bluish afterimage he had left on her
|
||
|
retinas.
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
|
||
|
|
||
|
"Well, now that your little act of heroism is complete, shall we go?"
|
||
|
Picard hesitated. He wished he could say goodbye... but he couldn't
|
||
|
delay the inevitable any longer. He turned his gaze resolutely away from
|
||
|
the past and looked at Q.
|
||
|
"Yes, take me home."
|
||
|
Q lifted an eyebrow, and Picard sighed, knowing exactly what he wanted.
|
||
|
Ever since his experience with the Kataanian probe, he had gotten better at
|
||
|
dealing with Q. All he had to do was remember Meribor or Batai at around the
|
||
|
age of six, since Q operated at about that level.
|
||
|
"Take me home, please."
|
||
|
"That's better," Q said, looking smug.
|
||
|
The bridge of the Enterprise appeared around them. Picard saw Riker leap
|
||
|
to his feet, and heard startled exclamations from several of the bridge crew.
|
||
|
He glanced around, noting that most of his officers were present, including
|
||
|
Beverly, who stood next to Deanna near the turbo-lift. He was home. A feeling
|
||
|
of relief, tinged slightly with regret flooded him, and made him a bit reckless.
|
||
|
He looked at Q and smiled.
|
||
|
"Have you ever thought of going into vacation planning, Q?"
|
||
|
Q scowled huffily, and disappeared, leaving Jean-Luc standing on the
|
||
|
bridge, still dressed in soaking wet 20th century garb.
|
||
|
"Captain?" Riker said, his tone managing to convey, surprise, concern
|
||
|
and a touch of amusement simultaneously. Picard turned toward him.
|
||
|
"How long have I been gone?"
|
||
|
His first officer shot a glance at Data, hesitated, then shrugged.
|
||
|
"Well, you went into your ready-room a little over an hour ago..."
|
||
|
"An hour?" he asked, startled. "Is that all?"
|
||
|
"One hour, twenty-seven minutes, thirty one seconds, to be precise,"
|
||
|
Data supplied.
|
||
|
Picard shook his head. "I see Q's been playing with time in more
|
||
|
ways than one. I just spent a week on Earth in the late twentieth century."
|
||
|
Riker grinned. "Well, that explains the getup."
|
||
|
"Actually, it's quite comfortable... when it's not wet. Everything
|
||
|
under control here?"
|
||
|
Riker nodded. "Nothing unusual to report," he grinned. "Except for you,
|
||
|
that is."
|
||
|
Picard smiled wryly. "Good, then I'll go change, and come back
|
||
|
to fill you in on a few details after I'm dry."
|
||
|
He moved toward the lift, leaving a trail of damp footprints up the
|
||
|
ramp. Beverly was eyeing at him rather intently, with a slight smile on her
|
||
|
face. He nodded to her as he passed, entered the turbo-lift, and as the doors
|
||
|
hissed closed he heard Deanna exclaim "Beverly!" in a rather scandalized
|
||
|
tone of voice. He wondered what that was all about as the lift descended toward
|
||
|
deck 9, and his quarters.
|
||
|
|
||
|
|
||
|
###
|
||
|
|
||
|
Dry, and re-uniformed, Picard put his jeans and shirt into the
|
||
|
processor for cleaning. He had every intention of keeping them, in fact,
|
||
|
he made a mental note to have the garment's patterns stored in the replicator
|
||
|
for future use. He had gotten rather accustomed to them, and also suspected
|
||
|
they would make extremely comfortable riding attire. He sat down at his desk
|
||
|
to make a few notes in his personal log, and stopped, wondering if it had been
|
||
|
real, or some Q-induced dream. He dismissed that idea almost instantly. No,
|
||
|
the jeans were real, and he had no doubt at all that Rena had been real too.
|
||
|
He stared thoughtfully into space for a moment, then straightened, tugging his
|
||
|
uniform tunic into place.
|
||
|
"Computer, access historical database. Retrieve any information
|
||
|
regarding a community called Ridge, Texas, United States of America, in the
|
||
|
year 1991."
|
||
|
"Working... Ridge, Texas. Destroyed by hurricane Frieda on September
|
||
|
17th, 1991."
|
||
|
He stiffened, his throat tight against a cry of pain. Destroyed? No!
|
||
|
Impossible! He closed his eyes, shook his head, and unclenched his fists.
|
||
|
"Elaborate, what happened to the *people* who lived there?"
|
||
|
"Following the hurricane, government funds were allocated to relocate
|
||
|
the survivors to other areas."
|
||
|
"How many were... killed?"
|
||
|
"No official casualties listed. One person listed as missing, and
|
||
|
presumed dead."
|
||
|
Relief washed through him, followed closely by puzzlement. If the
|
||
|
town had been destroyed, how had everyone survived?
|
||
|
"Please display full record of this incident."
|
||
|
His viewscreen lit with information, and he read quickly, a smile forming
|
||
|
as he read. Apparently every building in Ridge had been leveled with the
|
||
|
peculiar exceptions of the doctor's office, the Double R Diner, and a small
|
||
|
outbuilding behind the diner. Weather experts had been unable to explain why
|
||
|
the two widely separated buildings had been spared. The townsfolk had all
|
||
|
taken refuge in the diner, and no one garnered more than a few scrapes and
|
||
|
bruises.
|
||
|
The one person listed as missing had been a visitor to the town, a man
|
||
|
who was lauded as a hero for going to fetch the doctor to care for a woman
|
||
|
in labor. He had claimed to be a French national, but neither U.S. nor French
|
||
|
immigration officials had ever been able to find any record of the man, and had
|
||
|
decided he must have been using a pseudonym. Because the town had been so
|
||
|
thoroughly destroyed, the inhabitants had opted to take federal funds and use
|
||
|
them to relocate, rather than trying to rebuild.
|
||
|
He stared at the record for a few moments, then spoke again.
|
||
|
"Computer, search archives for any record of a sculptor named Rena Taylor,
|
||
|
who would have been working in the late twentieth and possibly early twenty-
|
||
|
first centuries, display here."
|
||
|
"Accessing..."
|
||
|
It took the machine a few seconds, then the image on his viewscreen
|
||
|
changed. It was Rena, but not quite the Rena he'd known. This woman was at
|
||
|
least 20, maybe 30 years older but with the same infectious smile, the same
|
||
|
bright green eyes. Under the picture was the legend:
|
||
|
Rena Taylor Gustavson, 21st century, Sol 3, United States of America
|
||
|
Jean-Luc smiled to himself, knowing that the additional surname
|
||
|
indicated that at some point she had gotten married. That pleased him. He
|
||
|
began reading the text on the screen.
|
||
|
Brief:
|
||
|
Rena Taylor Gustavson (human, b. 1959, d. 2060) commonly known as
|
||
|
Rena Taylor, was one of the most important sculptors of the 21st
|
||
|
century. While she, along with Houser and Richtmann, bridged the 20th
|
||
|
and 21st centuries, most scholars agree that her works belong with
|
||
|
those of the Pan American School which appeared in 2104, rather than
|
||
|
with what later became known as the Neo-Columbians of the late 20th
|
||
|
century. Her work is usually divided into three distinct periods.
|
||
|
Dark, Light and Ethereal. There is some controversy concerning the
|
||
|
distinction between the Light and Ethereal periods, but most scholars
|
||
|
agree on the transition from Dark to Light. That transition occurred
|
||
|
in 1991 and is marked by what are generally considered to be two of her
|
||
|
most important and beautiful works.
|
||
|
|
||
|
A more detailed discussion of the artist's style, innovative use
|
||
|
of bronze polymer and influence on other sculptors is available on
|
||
|
request. A brief description of two of her major works follows.
|
||
|
A complete list is available on request.
|
||
|
|
||
|
The Stand (Sol 3, North American Museum of Fine Arts) was her
|
||
|
final Dark piece. It is a 1.5 meter bronze of a dying female wolf
|
||
|
(Sol 3, canis, lupus) defending an injured cub, a second cub lies
|
||
|
dead in the background. This highly disturbing piece has been
|
||
|
removed from exhibition several times during its existence due
|
||
|
to its perceived detrimental effect on the viewer. It narrowly
|
||
|
escaped destruction in the Reformation of 2214.
|
||
|
|
||
|
Prospero (Sol 3, North American Museum of Fine Arts) marks the
|
||
|
beginning of Taylor's "Light Period." Not exhibited outside her own
|
||
|
home until after her death, Prospero is considered one of only two
|
||
|
true portraits by the artist. The cold-cast bronze depicts a nude,
|
||
|
seated, adult human male.
|
||
|
|
||
|
Jean-Luc stared at the two pictures on the screen, and a ripple of
|
||
|
shock ran through him. The first he'd seen in Rena's studio, and again in
|
||
|
the diner's storeroom when they'd brought them in for safekeeping during
|
||
|
the storm. The other... the other was... He closed his eyes a moment then
|
||
|
looked again. It *was* him; but then again, it *wasn't*. He tried to
|
||
|
pinpoint the differences but was unable to put his finger on it. For all
|
||
|
that the statue definitely looked like him, he felt it was a bit idealized, as
|
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|
it showed a very attractive man. He had never considered himself to be more
|
||
|
than average-looking.
|
||
|
In truth, he rarely thought about his looks at all, other than to make
|
||
|
sure his appearence was acceptable. He had better things to do with his time
|
||
|
that to sit around wondering whether people liked him better in cobalt or mint.
|
||
|
He simply wore what he liked, and was who he was. He studied the sculpture
|
||
|
again, still feeling mildly embarrassed, though no one would ever connect him
|
||
|
with it, considering the fact that it was 400 years older than he was! He
|
||
|
wondered wryly how Riker would feel, in a similar situation. Probably *not*
|
||
|
embarrassed. He wondered about Rena, and what she had done after the storm.
|
||
|
"Computer, are there any biographies available on Rena Taylor?"
|
||
|
"There are fifteen biographies and one autobiography on file."
|
||
|
He smiled. "Replicate the autobiograpy, using standard facsimile
|
||
|
parameters."
|
||
|
He crossed the room and waited. A moment later a small volume appeared
|
||
|
in the replicator slot. He picked up the book, traced his finger appreciatively
|
||
|
over the embossed binding, and opened it. The title page indicated that it
|
||
|
had been published in 2057, only a few years before her death. That thought
|
||
|
made a peculiar tension fill his throat, and he turned the page quickly only
|
||
|
to stop, frozen, the tautness worsening as he read the dedication, peculiar
|
||
|
as it was.
|
||
|
|
||
|
Prospero
|
||
|
|
||
|
"You knew who I was
|
||
|
I know who you will be
|
||
|
Past meets future,
|
||
|
Mates,
|
||
|
To create present.
|
||
|
Now is wholly changed
|
||
|
With the birth of love
|
||
|
Midwif'd by a petulant god.
|
||
|
No regrets
|
||
|
Just memories
|
||
|
To warm cold nights."
|
||
|
|
||
|
He closed his eyes for a moment, and put the book down. He would read
|
||
|
it later, speculate on her meaning later. Right now, he had a briefing to
|
||
|
conduct.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
The End
|
||
|
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