2098 lines
120 KiB
Plaintext
2098 lines
120 KiB
Plaintext
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Archive-name: Bondage/strict.txt
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Archive-author: John Savage
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Archive-title: Strictest Bondage, The
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an excerpt from "Tales of the BondageMasters' Club"
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It was a dark and stormy night and a few of us had taken
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refuge at the BondageMasters' Club, the very exclusive
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private club you've probably heard of and wished you could
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afford to join. All of the dungeons downstairs were booked
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up right then which led some of us to gather around the
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fireplace in the lounge. We talked about one thing or the
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other and pretty soon the conversations got around to a
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commonly asked question at the Club: what is the strictest,
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heaviest bondage you've ever seen?
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Bill Colins sipped his brandy and related a time when he
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was in college and had his girlfriend over to his parent's
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house. They were gone to Europe and he had run of the place.
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Having all the time in the world, he decided to try the most
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elaborate bondage he could imagine. He took his girlfriend,
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a lovely young lass of nineteen summers and delightful
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curves, so we were led to believe, to the garage. This being
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a three car garage, there was a wooden post in the middle of
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one side, about eight inches on a side and painted so it was
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smooth. It was not hard, he said, to persuade Nancy to
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remove her clothes; she having already had a couple of
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cocktails and being in an amorous mood. When she was
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completely naked he backed her against the post and had her
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wrists tied behind it before the sweet young thing realized
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what was happening. Actually, I suspect she was as
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willing a "victim", as all of my girlfriends had been back in
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the college days.
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Then, he continued, he dragged out a carton of cotton
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clothesline packages, twenty-four in all, and proceeded to
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open them. The rope began to flow on to the girl who giggled
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delightedly and seemed to find nothing out of the ordinary
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about being bound naked to a garage post. Rope was soon
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wrapped around her legs, binding them to each other, then
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around the legs and the post, locking them firmly to the
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wood. More rope found its way around her waist, tucking in
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her tummy most delightfully. At first he wrapped with the
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breasts sticking out between the coils of rope. But as more
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and more rope went on, he found that those breasts were about
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the only skin showing and that seemed to spoil the effect.
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So he wrapped rope around them and the post, squashing them
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into pancakes. Or at least that's what it seemed like, he
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confided.
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It took a long time, especially being careful to wrap
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and knot each rope so that it couldn't fall down, but he
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eventually had the poor girl wrapped from head to toe. The
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rope began at the tops of her feet and continued up without
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interruption or skin showing until it reached the bottom of
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her chin. A great deal of rope had been wrapped around her
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neck so that the shoulders were covered. But that rope had
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been only mildly tight so that there was no problem with her
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breathing. Carefully wrapped rope filled her mouth as it
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passed between her lips and around the post. More rope
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wrapped her head and the post from her nose to mid-forehead.
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There was enough rope over the eyes that she was effectively
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blindfolded. Then he stood back. Only her feet and a little
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bit of her face here and there showed, the rest was solid
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clothesline. Even from the back no skin showed, the arms
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and hands and even fingers had been covered with rope.
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Bill then reaffirmed why he was a member of our
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exclusive club. He took some thin twine and, while down
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on hands and knees, bound her big toes together. Beautiful
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touch, that, heh?
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Finally the bondage was complete. Bill surveyed his
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handiwork and approved. Never in all the existence of woman
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and rope had one female be so completely bound and helpless.
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He ordered her to struggle, to exert all her strength to free
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herself from that cotton prison. The toes wiggled a bit and
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maybe there was the slightest tremor in the hair on top of
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her head. But that was all. It was beautiful, he assured
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us.
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We all agreed that such bondage was good and certainly
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extremely strict, if somewhat lacking in originality. After
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all, anyone can come up with the idea of simply wrapping the
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girl with three day's output of a rope factory. Truly
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imaginative bondage had to have something a bit more, some
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spark of ingenuity.
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Mark came forward then with his version. The girl, he
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said, was the wife of a friend, her name being Nora. This
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friend was very much into leather and bondage and enjoyed
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applying both to his wife. The night in question Mark was
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invited over to witness the standard procedure used to secure
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Nora for her night's rest. They had a special bedroom they
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used as a playroom, so the guy could purchase or build all
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the equipment he wanted. Mark settled himself in a corner to
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watch. Nora began by shedding every stitch of clothing.
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Having never seen Nora in the buff before, Mark said that he
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was quite delighted to find that the normally drab and
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shapeless clothing worn by that slender twenty-five year old
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female hid a very shapely body with proud, perky breasts.
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Immediately her hands were bound behind her back with the
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palms facing each other. Then the elbows were bound together
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with rope both above and below them.
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Nora sat on the edge of a leather covered and padded
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table while her legs were bound at the ankles, and above and
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below the knees. Then those legs were inserted into a leather
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sheath that came all the way up to her waist. The sheath was
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like a single glove used for bondage of a girl's arms but
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designed to fit the legs. There were laces up the front and
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her husband worked them upwards until they were tight all the
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way from her ankles to her tummy. Wide leather straps were
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added around her legs at the knees and the usual above and
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below the knees.
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Nora then stood up as her arms were fitted into a
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leather single glove and it was laced up. There were two
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straps that passed over her shoulders to secure the glove on
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and prevent it from slipping down. Then came a sort of
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straightjacket, made of black leather and having no arm holes
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whatsoever. The leather jacket went on and laced up. A wide
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strap sown into it at the tummy had a roller buckle and was
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pulled down very tight. Another wide leather strap at the
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top was buckled around her neck. Two other wide straps were
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attached and buckled around her torso above and below the
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breasts.
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Nora smiled at Mark who could guess what was coming
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next. With most of her covered by leather restrictions, only
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her head was bare. First came a ball gag, not too large a
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one, just enough too fill her mouth. That strapped behind
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her head. Then a padded blindfold over her eyes. The
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discipline hood was also black leather and also laced on
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after being molded onto her face. There was a wide leather
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strap around the bottom which buckled around the neck, right
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over the neckpiece of the straightjacket. The only bit of
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skin now showing was Nora's nose, the last, sad piece of a
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once proud girl.
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But, of course, you knew the table would come into this,
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Mark assured us. We nodded. Nora was picked up and laid
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down on the table, tummy side down and stretched out. More
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leather straps appeared and went around the narrow table and
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the already helpless girl, securing her to the table. Her
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ankles were pushed down until the toes pointed. Straps held
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her legs, hips and torso. If those straps had been her only
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bondage, Mark doubted she would have escaped. A final strap
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over her neck pulled her head down to the padding and held it
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there. The face was turned towards Mark and he could see her
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nose flare as she breathed.
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It was a wonderful piece of bondage, Mark stated. The
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captive girl could not move a muscle. She was being pressed
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in by rope and leather on every inch of her body, a constant
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and very vivid reminder of her helplessness. Mark could see
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the outline of ropes around her legs through the leather
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encasing them, so tight was the sheath.
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Mark paused to take a drink when someone asked him if
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Nora really sleep every night so bound in leather. Mark
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pursed his lips and admitted that no, she didn't. Nora had
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later admitted to Mark that she didn't spend every night like
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that. Only the weekday nights, she said. On the weekends
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her husband put her into really strict bondage!
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We chuckled and admitted that such leather bondage was
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pretty good. We had all seen similar bondage from the
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leather-lovers in the Club and knew that it could be very
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stimulating and exciting. For both the binder and bindee.
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Then came Ronald's turn. He sighed and said that he,
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being newer to the bondage field, had less experience with
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such matters but that he had one time seen some bondage that
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was both strict and unusual. He had a mistress on the side,
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something his wife did not know about, and he visited this
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young lady once a week or so, paying in exchange a portion of
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her rent and allowance. It worked out well as he liked her
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and she was totally open minded about his bondage tastes.
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Well, one evening he was due to visit Charlene. Unlocking
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her door with his key, he entered to find a dark apartment
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with no sign of life. Exploring a bit he found her bedroom
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door was closed. He opened it. Inside it was dark but he
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heard a familiar sound, the muffled moan of a female in
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distress as filtered through a gag. He flipped on the
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lights.
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Charlene was indeed in distress. For long moments
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Ronald could do nothing but stare. His mistress was
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suspended in mid-air in the center of the bedroom. Moreover,
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she was completely naked save for a ball gag and leather
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bands around her wrists and ankles. Someone had screwed
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heavy metal rings into the floor on opposite sides of the
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room and another set into the ceiling next to the wall.
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Charlene had been stretched out between those rings in a
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giant "X", arms and legs spread wide. Leather bands
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encircled her wrists and ankles but rope continued from the
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bands to the rings. She was so far above the floor that her
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belly button was level with Ronald's nose.
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The naked, wide open body in such unique bondage had an
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immediate effect upon Ronald. Assuming that Charlene had
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requested someone to put her in this bondage as a surprise
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for him, he threw off his clothes, tearing some of them in
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the process, and threw himself upon her body. Of course, he
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discovered that a girl suspended several feet off the floor
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could not easily be raped. Her pussy, it was true, was in
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good position for the attention of his tongue or fingers, but
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his tool was not normally capable of reaching such heights.
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Necessity being the mother of something, Ronald grabbed a
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chair and stood upon it that he might reach the promised
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land.
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Later, after a quick but satisfying orgasm for both of
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them, he untied her legs and allowed her to stand upon the
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chair while he released her arms. It was when he unbuckled
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the gag that he found out that Charlene had not been so
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displayed for him but rather that another of her "customers"
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had bound her like that as cruel joke. This other guy
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figured that a sexy, beautiful girl like Charlene had more
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boyfriends than just him and one of them would find her in a
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day or two. Fortunately Charlene had spent only one day in
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her suspended spreadeagle and had not suffered any permanent
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injury.
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That, we agreed, was indeed strict bondage and quite
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inescapable, which is, of course, the first and most
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important definition of strict bondage.
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Then it was my turn. Once, I related, I had the
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pleasure to be challenged by a delightfully cury young
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miss who insisted that I couldn't dream up a bondage position
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that both prevent her escape and tax her ability to endure.
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Since Susan had a healthy, full figure to go along with her
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innocent and sweet looks, I accepted the challenge. Being
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aware of her tendency to prefer nudity to clothes when bound
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up didn't hurt, either.
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On the evening of the challenge, she showed up at my
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house wearing a wonderfully tight dress with ridiculously
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high heels she could hardly walk in and smug grin that said
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other males had answered her challenge and failed.
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The playroom was equipped with a number of rings in the
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ceiling, walls and floor. It was also soundproofed and the
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window had drapes so thick as to prevent any light from
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escaping. And females never escaped from that room, either.
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Susan looked approvingly at the ropes I had laid out
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and nodded at the rings. She stipulated that there was to be
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ropes only, no chains or handcuffs, etc. There were to be no
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ropes around the neck (a precaution I normally observe
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anyway), and that I would not allow my hands to wander to
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places of her body of interest to a man but not necessary to
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the process of binding her. Should I take such liberties I
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would be slapped silly when she untied herself, I was
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assured. I agreed to the provisions and we began.
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First off she removed her clothes without my asking.
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Her body was indeed as beautiful as I had imagined from the
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curves of her clothing. She bicycled a great deal and
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displayed a wonderful muscle tone with being overdeveloped.
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Being in good shape, she assured me, was a big aid in her
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overcoming the bondage placed upon her by over-confident
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males.
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I began by placing her wrists together, palms facing
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inward, and binding them. I took my time, placing each
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winding of the cotton clothesline carefully so that the ropes
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were even and fairly snug. Then I wrapped the rope between
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her arms and over the wrist ropes to cinch them down. I tied
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three very tight knots then cinched down a couple more turns.
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Then I tied three more knots and cinched down again. The
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final three knots left about two feet of rope hanging free.
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She noted the rope hanging down and smirked at such
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sloppiness. I then bound her elbows after pulling them
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together. That bondage was also cinched down and multiply
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knotted. Then the rope dangling from her wrists went up to
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the elbow bondage where it was wrapped tightly and knotted
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half a dozen times. She had been following the bonds
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as they went on and was not smirking now. She knew that the
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final knots being up at her elbows would make them impossible
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to reach.
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I wrapped loops around her hips and wrists, pinning her
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arms to her bottom. I cinched that rope down between her
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arms and body then ran rope from her wrists down between her
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legs and up to the rope in front. It passed over that rope
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and back through to her wrists. Those crotch ropes were
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pulled tight and knotted several times. Then the end of the
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rope was passed up to the elbow bondage and the final knots
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placed there.
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In a similar manner I bound her legs at the ankles and
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again above the knees. As I fetched the gag I noticed that
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Susan's nipples were standing out, rigid as if she were
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highly excited. I had seen that reaction too many times
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before when binding women to not know what it meant.
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I selected a ball for a gag that was just large enough
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to fit into Susan's mouth. It was, of course, tightly
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strapped in the back. Then I added a discipline hood, the
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kind that is made of soft leather and laced up the back so
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they can be made very tight, like a second skin. Only her
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nose showed through the hood. I explained as I laced it very
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tightly that the hood was to assure she would not be able to
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use her mouth or teeth to aid in her escape attempt. Also, I
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sweetly told her, the hood helps because it prevents her from
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seeing her bondage.
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Now I was almost ready. I helped her down to the floor
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and tied a heavier rope around her ankle ropes. That rope
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went up to the ring in the center of the ceiling. Soon Susan
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was suspended completely off the floor and upside down. Her
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leather-encased head was twisting this way and that as if in
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indecision and her fingers fluttered nervously. That was a
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very helpless girl, and yet I was not finished with her. For
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a girl who had demolished other male egos one must take
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every precaution.
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On the top of the discipline hood there was a small loop
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of leather. Susan had probably not notice it there. And she
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might not have noticed that directly under the ring in the
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ceiling was another ring in the floor. Humming merrily to
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myself, I tied a short piece of rope to the hood's loop and
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to the floor ring, pulling it snug so that her head ceased
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its turnings. Now Susan was stretched out between the floor
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and ceiling, in strict bondage and upside down. I informed
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her that it was now her turn in this contest, speaking loudly
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so she could be able to hear me inside that leather hood.
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And I informed her that I would return to free her in two
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hours, the agreed upon time limit.
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I returned in two hours to find a sweating, exhausted
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and very defeated girl. No sooner had the ropes been removed
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from her arms then she embraced my legs and vowed eternal
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submission to the male who could make her so helpless.
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Everyone agreed that the upside down bondage was very
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good. But some thought the garage post might have been a
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little better, while some held out for encasing the girl in
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leather and strapping her down to the table. Only Ronald
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insisted that an X suspension was better but his logic was
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based on the fact that only that position of them all allowed
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for access and the performance of the sex act. The argument
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and more examples continued on into the night, as is usual at
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the BondageMasters' Club.
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Which did you think was the strictest bondage?
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Like Father, Like Son
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by John Savage
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Lynda smoothed the nylon over her shapely leg and
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affixed the garter snaps to the top of it high up on her
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thigh. After slipping on the high heels she stood to view
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the results in the mirror. Looking back at her was a tart, a
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whore dressed in her working clothes, or perhaps the starlet
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in a porno movie. The girl was young, only eighteen, and
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pretty, with long blonde hair falling to just the level of
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her pert nipples. She studied her face as she often had done
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in the mirror at home. The lips were a little too large but
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they were made to pout. Her eyes were bright blue, outlined
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now in a hint of blue shadow. The overall appearance was
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still that of an innocent and sweet teenager girl next door.
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She wanted to stamp her feet but was having enough trouble
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standing on the five inch high heels. Even applying makeup
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and dressing like a harlot hadn't altered her youthful
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appeal.
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She turned to study the effect of the clothes. The bra
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was lacy and see through, showing off her large breasts
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rather than hiding them. She could easily see her erect
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nipples poking at the black satin. The panties were more of
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a G-string, a tiny bit of black nylon in the shape of a vee
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that almost covered her pubic patch and was little more than
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a string around her waist and between her bottom cheeks. The
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garterbelt was thin, simply a support for the nylons. She
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had chosen the plain black one over those with frills and
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lace. The nylons were dark brown and had the old fashion
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seam running down the back. It had been maddening for her to
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try and get that seam straight. She wondered how her mother
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had done it every day. The shoes were black patented leather
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with ridiculously high heels. She could see the tip of her
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nyloned toes sticking through the opening at the end.
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The effect was certainly not the Lynda her friends knew.
|
||
|
Before that mirror was a full-figured woman, youthful and
|
||
|
with wonderfully firm breasts and legs, and a flat tummy, but
|
||
|
undoubtedly a very real woman and very sexy.
|
||
|
|
||
|
She sighed, wishing she could have made her face look a
|
||
|
little older but otherwise pleased with the effect. The old
|
||
|
fashioned nylons felt strange to wear but she had to admit
|
||
|
the effect was interesting. And those high heels! Being
|
||
|
just over five foot and eight inches, Lynda had never felt
|
||
|
the need for high heels. But standing on tiny heels that
|
||
|
raised her own heel five inches above carpet was something
|
||
|
else. Yet she had to yet again admit that the effect was
|
||
|
nice. The shape of her legs had changed. She was not sure
|
||
|
just what the difference was but they certainly had never
|
||
|
looked as sexy before.
|
||
|
|
||
|
But seven o'clock was coming up and she had to hurry to
|
||
|
prepare herself for Steve's coming. Going to the bed she
|
||
|
checked the placement of ropes. Then she sat down in the
|
||
|
middle of the bed and spread her legs wide. Each high heeled
|
||
|
foot came to rest on a length of rope. The other ends of
|
||
|
those ropes were tied tightly to the corner legs of the bed.
|
||
|
Bending over Lynda took one rope and wrapped it tightly
|
||
|
around an ankle. Several knots held it firm. Then she
|
||
|
secured the other ankle. Stretching back until she was
|
||
|
laying propped up on her elbows, she tugged at each ankle to
|
||
|
confirm that the legs were securely bound with no chance of
|
||
|
the ropes coming loose. Then she lay on her back and picked
|
||
|
up the leather gag she had found in that strange little book
|
||
|
store on Main street. It was one of those book stores that
|
||
|
catered to adult tastes and also carried a selection of what
|
||
|
the clerk referred to as "B&D" equipment. Lynda had been
|
||
|
intrigued by the leather cuffs, handcuffs and other bondage
|
||
|
items displayed behind the glass case. And more than a
|
||
|
little embarrassed by the display of rubber penises. But she
|
||
|
had bought what she had decided she would need and ignored
|
||
|
the silly smirk on the clerk's face.
|
||
|
|
||
|
The gag was simple but effective. Lynda knew, she had
|
||
|
tried it. It was a band of leather with a buckle so that it
|
||
|
could be passed over the mouth and buckled behind the head.
|
||
|
Attached to the inside of the gag was a leather ball that
|
||
|
filled the center of the mouth enough to push her tongue
|
||
|
down. When Lynda had tried it she found the taste something
|
||
|
less than desirable but it had been effective. She also
|
||
|
liked the helpless look it gave her face when she viewed the
|
||
|
tightly strapped leather in the mirror.
|
||
|
|
||
|
With the gag in place she turned her attention to the
|
||
|
final piece of her plan. Placing her hands above her head
|
||
|
she found the handcuffs. Her measurements had been pretty
|
||
|
close and she had to stretch and wiggle her body upwards as
|
||
|
much as the ankle ropes allowed in order for her to place her
|
||
|
wrists one at a time in the metal circlets and click them
|
||
|
shut. As the second one clicked shut until it was firm
|
||
|
around her wrists a shiver of excitement danced down her
|
||
|
spine. Up to that point she could have undone the ropes and
|
||
|
retreated from her plan. But now her wrists were both locked
|
||
|
firmly above her head and with that her entire body was
|
||
|
secured and helpless. The handcuffs, she knew, could not be
|
||
|
moving no matter how she struggled. She had also purchased a
|
||
|
short length of small chain and two padlocks. One end she
|
||
|
padlocked to the frame under the bed. The other end was
|
||
|
padlocked to the small link joining the two cuffs.
|
||
|
|
||
|
Lynda tested her bondage. Her knees could bend only the
|
||
|
slightest and there was no way she could bring her legs
|
||
|
together. Her wrists were captives in steel and would stay
|
||
|
such until freed by someone with the key. She wiggled her
|
||
|
body and noted how the large breasts jiggled within the
|
||
|
flimsy bra. Good, she thought. When Steve comes in the door
|
||
|
a bit of honest struggling will put on a good display, a
|
||
|
display that should evoke extreme sexual excitement. And
|
||
|
then he would have his way with the bound down and helpless
|
||
|
Lynda. She sighed.
|
||
|
|
||
|
Since he had become her boyfriend Lynda had sought new
|
||
|
ways to excite this male and simulate his lovemaking. For
|
||
|
Steve, you see, had a little problem keeping an erection long
|
||
|
enough to please the highly sexual Lynda. Still she loved
|
||
|
him and tried her best to tease and excite him. Once he had
|
||
|
been looking at a old movie and made the comment that he
|
||
|
found those nylons with the seams and garterbelts a real
|
||
|
turn-on. It had taken several weeks to find the clothes and
|
||
|
bondage equipment but now she was prepared to shock him with
|
||
|
a wanton display of sexually stimulating dress and bondage,
|
||
|
both of which he liked.
|
||
|
|
||
|
And Lynda had to admit to herself that she found the
|
||
|
erotic clothing exciting. And the feeling of helplessness,
|
||
|
the knowing that she was unable to free herself, that she
|
||
|
would stay stretched out on that bed for as long as her
|
||
|
boyfriend wanted, was doing strange and wonderful things
|
||
|
inside her. Visions of Steve leaving her bound to the
|
||
|
bed all night and repeatedly screwing her flashed in her mind
|
||
|
and left her mouth dry and her body tinglely all over.
|
||
|
|
||
|
Steve had told her he was coming back to his apartment
|
||
|
at seven so she had let herself in at six and brought her
|
||
|
sexy clothes and ropes. In twenty minutes he should be
|
||
|
coming in to finding the girl of his dreams awaiting
|
||
|
helplessly for his pleasure. And her's.
|
||
|
|
||
|
Lynda giggled into her gag then, just as a test, cried
|
||
|
out in a simulated but loud moan of pleasure. The cry was
|
||
|
nicely muffled by the leather inside and over her mouth.
|
||
|
Steve liked girls helpless and he would find a prime example
|
||
|
laying on his own bed. The twenty minutes passed slowly for
|
||
|
a bound up girl. Yet there was a strange sort of excitement
|
||
|
and that made it a very pleasurable twenty minutes.
|
||
|
|
||
|
Suddenly there was a sound from the front room. Lynda
|
||
|
tensed and felt quivery inside . Footsteps approached the
|
||
|
bedroom door. She gulped and began her struggling act.
|
||
|
Except it wasn't totally an act. The thought suddenly
|
||
|
occurred to her that perhaps this wasn't Steve! Maybe a
|
||
|
burglar! Or...
|
||
|
|
||
|
It was Steve. He stood in the doorway and stared open
|
||
|
mouthed. Lynda increased her struggled, especially those
|
||
|
that jiggled her breasts and thrust her hips up and down
|
||
|
suggestively. She made moaning noises. And she was not
|
||
|
acting. She suddenly found herself very horny. She wanted
|
||
|
her man to rip off his clothes and throw himself upon her
|
||
|
body in a rage of lust.
|
||
|
|
||
|
Steve stood there with his mouth hanging open. "Well,
|
||
|
shit!" he finally managed. Lynda's heart sank when she saw
|
||
|
him stagger a bit as he crossed to the bed. It was obvious
|
||
|
he had been drinking again and that meant what lovemaking
|
||
|
ability he normally had would be right out the window. Even
|
||
|
with her dressed like a whore and totally helpless on his
|
||
|
bed, he showed only mild curiosity. All those really great
|
||
|
wiggles were wasted, she moaned inwardly.
|
||
|
|
||
|
"What the hell you doin', woman? What, can't talk?
|
||
|
Shit! And where'd you get them funny shoes? And all that
|
||
|
other stuff? You didn't take any of my money, did you?" He
|
||
|
paused to sniff. "You're the damnest, weirdest woman I ever
|
||
|
had."
|
||
|
|
||
|
Lynda wanted to cry. All those bad things in Steve were
|
||
|
coming out right when she had wanted and expected a loving,
|
||
|
excited male.
|
||
|
|
||
|
A male hand roughly grabbed her right breast to kneed
|
||
|
it. The treatment was too harsh and hurt her flesh but it
|
||
|
was something and she responded with a moan and tensing of
|
||
|
her body. She pleaded, both for him continue and to be more
|
||
|
gentle, but the words never formed and only whining noises
|
||
|
came out of the leather gag.
|
||
|
|
||
|
Steve squeezed the breast and pinched the rigid nipple
|
||
|
but his heart just wasn't in it. "Hell," he said, "I need a
|
||
|
drink." He left and there followed sound of banging and
|
||
|
clinking glass. He looked mad when he reappeared. "Shit,
|
||
|
ain't got nothin' here." He sniffed again and eyed Lynda.
|
||
|
"Ain't you the dumbest broad. Shit, I didn't tell you to get
|
||
|
all dressed up funny. And I'll be the one to tie you up when
|
||
|
I want it. You did that yourself?" Lynda nodded. "Hell,
|
||
|
ain't that stupid! A cunt that ties herself up! Shit, I
|
||
|
need a drink." He stumbled away and Lynda heard the front
|
||
|
door slam.
|
||
|
|
||
|
Lynda's heart sank as her hopes for a fantastic night
|
||
|
disappeared. She wanted to cry. Steve would go out and find
|
||
|
his drink. And another. He wouldn't be back into very late,
|
||
|
if then. There had been times when he didn't come back until
|
||
|
late the next day.
|
||
|
|
||
|
Lynda wanted to scream with frustration. She jerked
|
||
|
against the handcuffs but only hurt her wrists. Then
|
||
|
suddenly she froze as it dawned on her that when Steve had
|
||
|
stumbled out, there also went her freedom. She had wanted
|
||
|
him to keep her tied down and make love to her all night.
|
||
|
Now she just wanted out.
|
||
|
|
||
|
Now her efforts were not to please a man but to
|
||
|
really escape. But, after ten minutes of frantic struggling
|
||
|
she had only tightened down the ropes on her ankles and hurt
|
||
|
her wrists. Her body still lay stretched out invitingly on
|
||
|
the bed. Too bad there was no man to accept that invitation.
|
||
|
|
||
|
Just as Lynda was accepting the long, lonely wait she
|
||
|
would have until Steve sobered up and came home, there was
|
||
|
the front door opening. Lynda sucked in her breathe and hope
|
||
|
flared inside. But a minute later a head showed at the door
|
||
|
way and it wasn't Steve. This man was handsome but older and
|
||
|
carried a package. He seemed very surprised to find a nearly
|
||
|
naked girl tied down to a bed but not shocked. He entered
|
||
|
and put the package down on the dresser.
|
||
|
|
||
|
For a while the two looked at each other, Lynda fearful
|
||
|
and embarrassed, the man puzzled. Then he frowned. Then he
|
||
|
smiled. "Now let me figure this out," he said. "Steve knew
|
||
|
his father was coming over tonight with some of his stuff
|
||
|
from home. Being a little crazy, like his old man, he
|
||
|
decides that he's going to give me a birthday present. It's
|
||
|
only two weeks away, you know." He paused and stroked his
|
||
|
chin. "But what to give his old man who has everything?
|
||
|
Then it comes to him: give him a girl! And what does he do?
|
||
|
He gets the girl, probably a professional lady of the
|
||
|
evening, to dress up in a way that he knew would turn on a
|
||
|
man old enough to remember seamed nylons. And he ties her
|
||
|
down to his bed and leaves her there for his father to find."
|
||
|
|
||
|
He shook his head in wonderment. "I would never had
|
||
|
thought Steve could have come up with such a wild idea. And
|
||
|
so much an appreciated one."
|
||
|
|
||
|
He smiled warmly down at the imprisoned girl and began
|
||
|
taking his clothes off. Lynda lay there stunned for long
|
||
|
seconds then began struggling against the ropes.
|
||
|
|
||
|
"Don't worry, dear, your performance is great. I do so
|
||
|
love the way a girl looks when she's tied up and helpless.
|
||
|
And you're about the best looking thing I've ever seen.
|
||
|
Steve sure can pick them."
|
||
|
|
||
|
Lynda cried out and moaned. She knew her body was
|
||
|
exciting this man with its struggled but she also had to
|
||
|
communicate to him that he was totally wrong! She pulled and
|
||
|
twisted, aware that it was a great show but for the wrong
|
||
|
reason.
|
||
|
|
||
|
Suddenly Steve's father was down to nothing and Lynda
|
||
|
gasped. This man might have been older than she but that
|
||
|
body was fine looking, trim and firm. There might be a touch
|
||
|
of grey at the temples but that rod was erect, pointed
|
||
|
straight at her pussy and huge! Lynda whined pitifully then
|
||
|
sighed. She wanted to laugh. She was getting what she
|
||
|
wanted but from the wrong man! Then she forgot about
|
||
|
laughing as he climbed upon the bed and began.
|
||
|
|
||
|
It came as a shock to the helpless girl when this man
|
||
|
didn't just push her thin panties aside and ram that huge rod
|
||
|
home. Instead he began stroking her legs with gentle hands.
|
||
|
|
||
|
After initial fear, she settled down. This man knew
|
||
|
what he was doing! The gentle fingers traced lines upon her
|
||
|
bare skin and over nyloned skin. They tickled and teased and
|
||
|
simulated nerve endings where Lynda hadn't realized she even
|
||
|
had nerves. The spread and bound legs could not be closed
|
||
|
and the inside of her thighs became a prime target for his
|
||
|
attentions. Then he was along side her, his fingers and
|
||
|
tongue teasing her nipples.
|
||
|
|
||
|
Lynda was surprised to find that she was already
|
||
|
sexually excited and his man was playing upon her body like
|
||
|
it was a fine instrument and he an expert. Soon she was
|
||
|
moaning and swaying the few inches allowed her body as she
|
||
|
responded to his touch. Then his head disappeared from her
|
||
|
view between her legs. At first Lynda was puzzled but then
|
||
|
she felt the panties pulled aside and her private part
|
||
|
opened. Suddenly she jerked, baffled by a feeling she had
|
||
|
never felt. Then she moaned in sincere pleasure and
|
||
|
surrendered herself to the incredible sensations as his
|
||
|
tongue lapped her most private and sensitive spot. With
|
||
|
skilled hands and tongue this man took her to heights she
|
||
|
hadn't believed possible. No man had every done a thing but
|
||
|
squeeze her breasts until she was juicy and ready then rammed
|
||
|
home his tool until he came. But this man drove her crazy
|
||
|
with pleasure she had never known existed. She crashed into
|
||
|
a series of orgasms that left her whole body trembling.
|
||
|
|
||
|
Then he entered her, slowly and gently, and began a love
|
||
|
making such as she had never experienced. Several orgasms
|
||
|
later she was crying out in mindless pleasure as her body
|
||
|
arched hard upward to meet his body. She floated away.
|
||
|
|
||
|
A long time later Lynda came back to earth. She slowly
|
||
|
became aware that she was still bound to the bed but the gag
|
||
|
had been taken out. Steve's father was siting in a chair,
|
||
|
reading a book and smoking a pipe. The sweet aroma drifted
|
||
|
over to the captive girl.
|
||
|
|
||
|
"Glad to see you're back with the living," he said
|
||
|
warmly as he put the book down. "You spaced out for a while.
|
||
|
Never have understood how women do that but it must be
|
||
|
wonderful."
|
||
|
|
||
|
"It is," Lynda whispered. "It is."
|
||
|
|
||
|
"Good."
|
||
|
|
||
|
"But I have to tell you that I'm not..."
|
||
|
|
||
|
"Not a professional?"
|
||
|
|
||
|
Lynda frowned. "You knew?"
|
||
|
|
||
|
"Of course. I've seen your picture. From Steve. By
|
||
|
the way, my name is Mark."
|
||
|
|
||
|
"Hello, Mark. Please excuse if I don't shake hands,"
|
||
|
Lynda replied with a laugh in her voice. She liked this man.
|
||
|
|
||
|
"You're forgiven."
|
||
|
|
||
|
"But if you knew I wasn't a... Professional, why did
|
||
|
you..."
|
||
|
|
||
|
"Why did I make up that little story? Well, I figured
|
||
|
that if you liked what I did to you, you wouldn't mind. And
|
||
|
if you didn't like it , I'd just leave you tied down and
|
||
|
gagged and let you think it was all a misunderstanding. You
|
||
|
did liked it, didn't you?"
|
||
|
|
||
|
"It was the most wonderful thing I've every felt."
|
||
|
|
||
|
"Good. Do you want to be untied now?"
|
||
|
|
||
|
Lynda paused before replying. "What are my options?"
|
||
|
|
||
|
"Well, I can untie you and we'll go our separate paths.
|
||
|
Or I can leave you tied and replace the gag for Steve to find
|
||
|
you whenever he returns. He drinking again?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
"Or... I can leave you tied down and rape you again."
|
||
|
He smiled. "Later I'll untie you and we'll go some place for
|
||
|
a nice late dinner."
|
||
|
|
||
|
Lynda found herself with two emotions. One was a very
|
||
|
strong attraction for to this man. The other was a tingle
|
||
|
and warmth beginning in her pussy. Here was a man who had
|
||
|
all the nice features of Steve without the bad. And without
|
||
|
the low sex drive. She could see his rod was again standing
|
||
|
upright, pointing at her. She smiled back. "I'll take
|
||
|
option number three. Rape away!"
|
||
|
|
||
|
But as he was beginning to excite her captive body she
|
||
|
had more practical thoughts. "Are you good at tying a girl
|
||
|
up?"
|
||
|
|
||
|
"An expert."
|
||
|
|
||
|
"Do you like it? Ohhh, that's the right spot!"
|
||
|
|
||
|
"Love it."
|
||
|
|
||
|
"Are you married?"
|
||
|
|
||
|
"Not any more."
|
||
|
|
||
|
"Got a girlfriend? Ohhhh... That's nice."
|
||
|
|
||
|
"Not right now."
|
||
|
|
||
|
"Want one? OOOOOOOHHHHHH! OOOOHHHHHH! TAKE ME!"
|
||
|
|
||
|
"Okay."
|
||
|
|
||
|
|
||
|
|
||
|
The End
|
||
|
|
||
|
|
||
|
THEEND
|
||
|
|
||
|
|
||
|
|
||
|
Justice is Blind
|
||
|
by John Savage
|
||
|
|
||
|
"And would you tell the Court in your own words, Mrs.
|
||
|
Markham, of the events that happened to you on the evening of
|
||
|
July 24th at the hands of your husband?" asked Sleazer of
|
||
|
Sleazer, Sleazer and Hardcore, the attorney representing the
|
||
|
beautiful and well-built Mrs Markham.
|
||
|
"Well, I was getting ready to go to bed when my husband
|
||
|
tied me up and raped me! He had me all tied up and took
|
||
|
advantage of my helpless condition."
|
||
|
"Mrs. Markham," interrupted the Judge. "It would help
|
||
|
these divorce proceedings if you could give myself and the
|
||
|
jury a better idea of precisely what happened. For example,
|
||
|
can you tell us exactly how he tied you?"
|
||
|
"Your Honor," interrupted Attorney Sleazer, "we have
|
||
|
anticipated such questions and with Mrs. Markham's help have
|
||
|
prepared an exhibit that will show you and the jury exactly
|
||
|
what Mr. Markham did to his wife."
|
||
|
"Proceed," said the Judge, agreeably.
|
||
|
Attorney Sleazer motioned to an aide near the back of
|
||
|
the courtroom who in turn opened the doors and disappeared
|
||
|
for a second. When he return he was escorting a beautiful
|
||
|
brunette wearing baby-doll pajamas and had her arms bound
|
||
|
behind her back. They walked down the aisle to where
|
||
|
Attorney Sleazer held open the low gate for her to approach
|
||
|
the bench.
|
||
|
"The exhibit you see is as an accurate a representation
|
||
|
as can be made," Attorney Sleazer said. The girl you see is
|
||
|
a professional model chosen because her general size and
|
||
|
build is very close to Mrs. Markham." The judge leaned
|
||
|
forward for a better look. He had to agreed that this woman
|
||
|
was indeed build very much like Mrs. Markham, both having
|
||
|
larger than average breasts and very shapely legs. Attorney
|
||
|
Sleazer continued, "As you can see, Mr. Markham tied his
|
||
|
wife's arms behind her back with the wrists crossed and the
|
||
|
elbows linked by that rather tight winding of ropes here. We
|
||
|
have even tried to duplicate the condition of her clothing
|
||
|
after his sexual assault. This is Mrs. Markham's actually
|
||
|
pajamas. You will note the torn condition of the baby-doll,
|
||
|
exposing one breast without shame."
|
||
|
Turning to Mrs. Markham, he continued, "Would you please
|
||
|
tell the court exactly what he did to you after he bound your
|
||
|
arms in this cruel manner?"
|
||
|
"Yes. Well, he fondled my breasts for a while as
|
||
|
I was standing there, still frozen in shock at the quickness
|
||
|
with which he had tied my arms. Then he messaged my... My
|
||
|
sexual parts until I was... Well, until I was rather horny.
|
||
|
Then he threw me on the bed and pulled off the bottom of my
|
||
|
baby-doll."
|
||
|
"Like this?" asked Attorney Sleazer as he pulled down
|
||
|
the model's filly panties. She cooperated by lifting each
|
||
|
foot to allow him to remove them completely. He lifted them
|
||
|
high for all to see.
|
||
|
"Yes. And while I was laying there, nearly naked and
|
||
|
helpless, he... Well, what you said, he assaulted me." She
|
||
|
paused dramatically for several seconds then added, with a
|
||
|
slight smile, "three times."
|
||
|
"But this was not the end of his mistreatment of you,
|
||
|
was it?" prompted Attorney Sleazer.
|
||
|
"No. When I came to after swooning, I found he had tied
|
||
|
me another way. It was terrible and most embarrassing."
|
||
|
"If it pleases the court, I have prepared another
|
||
|
exhibit to demonstrate this new and shameful bondage he
|
||
|
subjected her to." Attorney Sleazer motioned again and
|
||
|
another girl was escorted into the courtroom and up to the
|
||
|
judge's bench. Exhibit A moved aside to stand by the jury
|
||
|
box, only a few inches from the ogling eyes of twelve honest
|
||
|
men and women. Mostly men.
|
||
|
This new exhibit was a blonde of the same shapely curves
|
||
|
and large breasts of Mrs. Markham. It had been difficult for
|
||
|
her to make her way down the aisle because her legs were tied
|
||
|
together at the ankles and knees. She had to hop. Her arms
|
||
|
were also tied, behind her back and in a most cruel fashion.
|
||
|
A harness of rope had been made by wrapping rope around each
|
||
|
shoulder and across her back. Her hands had then been pulled
|
||
|
high up on her back, crossed and bound, both to each other
|
||
|
and to the harness. It was obvious that not only was it
|
||
|
impossible for her to lower her hands, but that this position
|
||
|
was very uncomfortable. The tattered remains of a baby-doll
|
||
|
was hanging from her shoulders, held on mostly by the rope
|
||
|
harness. Both breasts were sticking out in front and the
|
||
|
nipples were erect. There was no bottom to the pajamas.
|
||
|
"You Honor will please note that at this point Mrs.
|
||
|
Markham was so close to being naked as to hardly be called
|
||
|
clothed. Since Mr. Markham was left bound like this for a
|
||
|
total of four hours, we tied this model in this manner before
|
||
|
this morning's session about six hours ago so that
|
||
|
she would reflect the same amount of pain and discomfort Mrs.
|
||
|
Markham experienced." He turned to Mrs. Markham. "And
|
||
|
please tell the court what he did to you while you were tied
|
||
|
up like this."
|
||
|
"He... He whipped my bottom."
|
||
|
"Like this?" Attorney Sleazer withdrew the belt from
|
||
|
his pants. Without being told to, the model turned her back
|
||
|
to the bench and bent over. A swish and a crack sounded and
|
||
|
the model jerked upright with a cry of pain. "As your Honor
|
||
|
can see, we have simulated the approximately two dozen
|
||
|
strokes given to Mrs. Markham by a whipping given to this
|
||
|
model right after she was tied." He waved Exhibit B aside
|
||
|
and she hopped off to stand by Exhibit A. "Then what
|
||
|
happened, Mrs. Markham?"
|
||
|
"Well, after he whipped my bottom he made me kneel down
|
||
|
and... Well, a lady can hardly say such a thing out loud.
|
||
|
He forced me to... to... To perform an oral sexual act."
|
||
|
The model was helped down to her knees where she bowed
|
||
|
forward and lifted her head. She made an "O" of her open
|
||
|
mouth.
|
||
|
"That's quite alright, Your Honor, you needn't come down
|
||
|
from the bench. If you'll return and zip your pants back up
|
||
|
I'm sure we can arrange for a private demonstration of this
|
||
|
part in your chambers. Later. Thank you. Now, what
|
||
|
happened after that."
|
||
|
"Well, after he was satisfied he went to sleep on the
|
||
|
couch and left me laying on the floor. I think I stayed
|
||
|
there for about four hours. Then he woke up."
|
||
|
"And what happened to you then?"
|
||
|
"He untied my arms but tied me another way before I knew
|
||
|
what was happening. This time he tied me to some kind of
|
||
|
wooden framework he had made in the garage."
|
||
|
There was a commotion at the rear of the courtroom.
|
||
|
"That's only my aides bring in Exhibit C. We took the wooden
|
||
|
framework from that garage to introduce as evidence." Three
|
||
|
men were manhandling a large and bulky object down the aisle.
|
||
|
Beyond the fact that it was taller than a man and about six
|
||
|
feet long, nothing could be seen of the details because the
|
||
|
whole thing was covered with a tarp.
|
||
|
"What happened then, Mrs. Markham?"
|
||
|
"When my husband finished tying me to that thing he...
|
||
|
well he put a plastic vibrator inside my pussy and turned it
|
||
|
on. Then he left!"
|
||
|
"How long did he leave you, Mrs. Markham?"
|
||
|
"Until the next day. About noon, I think it was."
|
||
|
"Your Honor, we have again set up a demonstration of the
|
||
|
exact torment Mrs. Markham was made to undergo. We introduce
|
||
|
Exhibit C." With a flourish he pulled the tarp free.
|
||
|
The framework was a rectangle. The model was tied with
|
||
|
arms and legs wide spread in an "X", each limb tied with rope
|
||
|
and pulled extremely tightly towards one of the corners. She
|
||
|
was completely naked. And she was completely upside down! A
|
||
|
wire ran from a couple of car batteries on the wheeled cart
|
||
|
the framework rested on, up one side, over to the center top
|
||
|
and then down, straight into the upturned pussy. Nothing
|
||
|
could be seen of the end of the wire but a humming noise and
|
||
|
the twitching and jerkings of the girl's hips suggested that
|
||
|
the mentioned vibrator was inside the model's pussy,
|
||
|
vibrating its little heart out. The girl's eyes were closed
|
||
|
and her body was covered in a fine sweat. Trembles passed
|
||
|
along her taut legs muscles and along her belly. Her hips
|
||
|
rocked back and forth the few inches allowed her by the
|
||
|
extremely tight bondage, approximating the sexual thrustings
|
||
|
of a highly excited woman.
|
||
|
"In the interests of accuracy we secured this model in
|
||
|
the same manner as Mrs. Markham had been. Including the
|
||
|
vibrator. She has been subject to this treatment for
|
||
|
approximately the same six hours that Mrs. Markham was."
|
||
|
At a wave of his hand the aides rolled the framework
|
||
|
over to the jury box, placing it so that the front side of
|
||
|
the naked and suspended girl, the one with all the good
|
||
|
parts, was facing the jury. Occasionally the upside down
|
||
|
girl cried out soft moans of pleasure and shook her head but
|
||
|
her eyes never opened and, although not gagged, she never
|
||
|
once protested this harsh treatment nor begged to be let
|
||
|
loose.
|
||
|
"And then what happened, Mrs. Markham?" continued
|
||
|
Attorney Sleazer.
|
||
|
"Well, he came out to the garage and untied me. He
|
||
|
apologized for what he had done to me, blaming it on the fact
|
||
|
that he was drunk at the time."
|
||
|
"I'm sure your Honor and the ladies and gentlemen of the
|
||
|
jury can see through these exhibits just how cruelly Mrs.
|
||
|
Markham was treated at the hands of her husband."
|
||
|
The judge and jury were certainly staring hard at the
|
||
|
exhibits aligned before them. Exhibit B had bent over so the
|
||
|
jury could see her bruised bottom better. Exhibit A was
|
||
|
waving her exposed breast in the face of anyone she could get
|
||
|
to pay attention. Exhibit C just kept on moaning.
|
||
|
"After experiencing this terrible treatment you felt you
|
||
|
were forced to sue for divorce, right Mrs. Markham?"
|
||
|
"Yes. He did all those things to me and then said he
|
||
|
was ashamed of how he had treated me and would never even
|
||
|
dream of doing anything like that again. Can you imagine,
|
||
|
that brute absolutely refused to do any of that stuff to me
|
||
|
again! Of course I have to divorce the cad!"
|
||
|
The End
|
||
|
|
||
|
|
||
|
Susan's Story -- Part I: Immobility
|
||
|
The following is a letter written by Susan at my
|
||
|
request. Susan is a very real person and a sweet girl, and
|
||
|
I have placed her in enough strict bondage to knew full well
|
||
|
just how much she loves it. I have cleaned up the spelling
|
||
|
and grammar a bit but other than that this is Susan's story.
|
||
|
I hope you enjoy it.
|
||
|
|
||
|
John Savage
|
||
|
|
||
|
|
||
|
Dear People,
|
||
|
|
||
|
My name is Susan and I was asked by John Savage if I
|
||
|
would write to you and tell something about the way I enjoy
|
||
|
being tied up. I understand you are interested in
|
||
|
submissive females. I guess I qualify as one. I'm female
|
||
|
and I love to be tied up. Maybe that sounds strange but I
|
||
|
like it. I'm not sure I can explain why but I do and that's
|
||
|
all that I care about.
|
||
|
|
||
|
My first heavy bondage experiences came when I was a
|
||
|
college student, a junior majoring in English, and living in
|
||
|
the dorms on campus. My roommate, Nancy, understood my love
|
||
|
of bondage and tied me up when we could get away with it. A
|
||
|
dorm room isn't always the most private of places so we
|
||
|
worked it out that she only tied me up after most everyone
|
||
|
had gone to bed and we weren't likely to get visitors or on
|
||
|
a weekend when a lot of the students go home. We were
|
||
|
planning to get an apartment as soon as we could, but at
|
||
|
that time we lived in the dorm.
|
||
|
|
||
|
Nancy and I got to talking at the beginning of the year
|
||
|
about sex and it sort of came out that I feel real sexually
|
||
|
excited when I'm tied up. I thought she would laugh but
|
||
|
instead she said that she understood and would help me if I
|
||
|
wanted. We got some rope from a hardware store and began
|
||
|
experimenting. We did it at night with the lights out. I
|
||
|
would light a small candle so we had some light. Usually I
|
||
|
wore my panties only. At first I used to wear a bathing
|
||
|
suit or my panties and bra. But after a while I got to
|
||
|
wearing only a pair of panties and sometimes Nancy would
|
||
|
tease my nipples after she'd made me all helpless. But
|
||
|
that's all she did. She's not lesbian and I didn't mind. I
|
||
|
think back and am sure it would have been fun if she were,
|
||
|
but back then I was so happy being well bound that I didn't
|
||
|
mind the lack of other sexual attention.
|
||
|
|
||
|
Anyway, we got to playing around. At first she wasn't
|
||
|
too good at tying me. I'm kind of strong for a girl, and
|
||
|
the first few times I could get out easily. But Nancy
|
||
|
learned that I don't mind being tied real tight. She also
|
||
|
learned that I'm serious about being tied. I want it for
|
||
|
real. I mean, if I can get undone, what's the use of being
|
||
|
tied? So she got good at tying me until she tied real tight
|
||
|
and I never got free, no matter how long I struggled.
|
||
|
|
||
|
We found that what worked best was to tie me and leave
|
||
|
me tied for long periods. Since she didn't have sex with
|
||
|
me, all the pleasure I got is from being tied. And I like
|
||
|
being tied up for long times, sometimes hours. I have
|
||
|
rather good circulation and can stand being tied for a very
|
||
|
long time. Nancy knew that and wasn't afraid that she'd
|
||
|
hurt me or anything.
|
||
|
|
||
|
Usually I got tied at night. Since we didn't stay up
|
||
|
real late but didn't dare get me tied until after about ten
|
||
|
or so, we didn't have much time. I mean, both of us would
|
||
|
have been terribly embarrassed if someone were to come by to
|
||
|
visit and find me tied, nearly naked, to a chair in the
|
||
|
middle of the room. Nancy wouldn't have liked it either and
|
||
|
would probably never have tied me again. We turned out the
|
||
|
lights and I lit the small candle on my desk. We made sure
|
||
|
the door was locked and even put a piece of cloth along the
|
||
|
bottom so that not even the candle light showed out. Then I
|
||
|
took off my clothes down to the panties. Usually Nancy
|
||
|
would ask me how I wanted to be tied. My favorite ways are
|
||
|
what they call a hog tie and being tied to something real
|
||
|
solid. I wished we had had a big, round wooden post in the
|
||
|
middle of our room but we didn't. Usually I got tied on my
|
||
|
bed but sometimes to the chair. I liked to struggle and
|
||
|
that's why I liked to be tied to something solid, so I
|
||
|
couldn't move much and couldn't make noise. One of the best
|
||
|
ways we found was for Nancy to tie my arms behind my back.
|
||
|
She used the clothesline we bought and I hid in my suitcase.
|
||
|
She pulled my arms together real tight, even making my
|
||
|
elbows touch behind my back. She always tied the knots up
|
||
|
by my elbows, where my fingers couldn't reach them.
|
||
|
|
||
|
After my arms are tied real tight I sat down in the
|
||
|
chair. We had metal chairs and they're pretty strong. I
|
||
|
put my arms over the back of the chair and Nancy tied a rope
|
||
|
around my waist and the chair back. Then she tied my left
|
||
|
ankle to the left back chair leg. Then my right ankle to
|
||
|
the right chair leg in the back. She tied the ankles up
|
||
|
near the seat so that my legs are bent double and really
|
||
|
forced up. She tied them to the back of the chair so they
|
||
|
couldn't slide down the metal chair leg. I had to spread my
|
||
|
legs real wide but that's okay. Then she tied a rope from
|
||
|
my wrists down under the chair and up the front. She pulled
|
||
|
that rope through the rope around my waist and back down to
|
||
|
my wrists again. Then back up to my waist where she tied
|
||
|
it. That pulled my arms down and prevented me from moving
|
||
|
them from side to side or reaching for any of the knots on
|
||
|
my ankles. It also sort of locked my body against the chair
|
||
|
back.
|
||
|
|
||
|
After all that she was usually finished. I was tied up
|
||
|
pretty good and couldn't move much. My legs couldn't move
|
||
|
at all because of the way they were bent and tied to the
|
||
|
back legs of the chair. My arms couldn't move and my back
|
||
|
was held against the back of the chair. About the only
|
||
|
things I could move were my head and feet and my fingers.
|
||
|
It's a real way to be tied, let me tell you! I remember
|
||
|
that I began to feel helpless when she brought my first leg
|
||
|
up and tied the ankle. By the time she was finished, I was
|
||
|
feeling real helpless and kind of tingling inside.
|
||
|
|
||
|
Oh, I'll have to tell you about the time we tried to
|
||
|
make me completely immobile. Nancy tied me just as I've
|
||
|
described but before she tied my hands behind me, we wrapped
|
||
|
my hands with tape. I made each hand into a fist and she
|
||
|
wrapped what is called strapping tape around and around my
|
||
|
hands until there was no way I could open my fists. Then,
|
||
|
after she tied my arms with the elbows touching, she wrapped
|
||
|
more tape around both hands, taping the fists together. I
|
||
|
couldn't even wiggle my fingers! Then, after I was tied to
|
||
|
the chair in the usual fashion, she tied some cord around my
|
||
|
big toes and pulled it back up to my elbows. Can you imagine
|
||
|
what I'm saying? First off, my feet were pulled back and
|
||
|
tied to the chair legs so that the bottoms of my feet were
|
||
|
pointed back and sort of up. Then she tied my big toes up
|
||
|
towards my elbows so that I had to bend my feet into an arch
|
||
|
that was downright painful. But it keep my feet from
|
||
|
moving. I couldn't unbend my feet at all and since the big
|
||
|
toes were pulled inward as well as up, I couldn't even move
|
||
|
them from side to side.
|
||
|
|
||
|
Then there came my head. Normally I could move my head
|
||
|
around. Didn't do me any good but I could move it. But
|
||
|
that one night we were going to try and make it so I
|
||
|
couldn't move at all and we had to do something about the
|
||
|
head. Nancy had a piece of round wood that we had screwed
|
||
|
two metal rings into the ends of. She put that in my mouth
|
||
|
and tied cord to the two rings at the ends. I'm sure you
|
||
|
can guess what came next. Those cords went down to my
|
||
|
elbows and were pulled until my head was forced back. I had
|
||
|
to look up at the ceiling. It held my head from moving
|
||
|
forward or backward. But we discovered that I could still
|
||
|
shake my head somewhat from side to side. For a while it
|
||
|
looked like there was nothing that we could do but Nancy
|
||
|
came up with an idea.
|
||
|
|
||
|
I have pierced ears. Nancy just put on me a pair of my
|
||
|
earrings that are nothing more than gold hoops. Then she
|
||
|
tied a piece of cord to one earring and stretched it across
|
||
|
the room to my desk where she tied it to one of the desk
|
||
|
legs. The other earring she tied cross the room to a leg of
|
||
|
her bed. She pulled both cords pretty hard until my ears
|
||
|
were being pulled away from my head and hurt. But it
|
||
|
worked! I couldn't shake my head from side to side because
|
||
|
I would probably rip the flesh of my ear.
|
||
|
|
||
|
So there I was. My body was completely unmoving and
|
||
|
unmovable. I couldn't talk with that wood in my mouth so I
|
||
|
was gagged. I really felt helpless. Nancy tickled me for a
|
||
|
while. That may not sound like much, but under the
|
||
|
condition my poor body was in, it was torture! She even
|
||
|
tickled my breasts a bit and I loved that. Then she left me
|
||
|
alone. And I mean alone! She actually left the room with
|
||
|
me sitting there all helpless and hurting. It was wonderful
|
||
|
and terrible at the same time! I could feel myself getting
|
||
|
all hot and excited inside but couldn't do a thing. Usually
|
||
|
I can struggle some and, if Nancy was kind when she tied me,
|
||
|
sometimes rub my private parts against something to get
|
||
|
sexual satisfaction. But that night I couldn't move a thing
|
||
|
and it was terrible. I was horny as hell but couldn't do a
|
||
|
thing about it. I wish I could say that I managed a climax
|
||
|
just from the terrible helplessness but I didn't. I need
|
||
|
some contact with my private part. It doesn't have to be
|
||
|
much but it should be something.
|
||
|
|
||
|
When Nancy came back I was terribly frustrated and
|
||
|
hurting. Of course, I was also exactly as she left me.
|
||
|
After she untied me (about an hour total time from the
|
||
|
moment she put the last knot in place to the time she
|
||
|
started to untie me), I threw myself on my bed and
|
||
|
masturbated like crazy. I didn't even care if Nancy saw me
|
||
|
doing it.
|
||
|
|
||
|
But we did that only once. Nancy agreed that we should
|
||
|
try it again only this time go for two hours instead of one.
|
||
|
She figured (and I was forced to agree) that if she just
|
||
|
leaves me alone I'll have to set a new time record of two
|
||
|
hours. Or three hours. Or whatever she wanted!
|
||
|
|
||
|
Well, that explains about the time we tried to make me
|
||
|
completely immobile. I know it isn't the same reading about
|
||
|
it as living it but I hope you enjoyed my story as much as
|
||
|
I've enjoyed writing it for you. It sure brought back
|
||
|
memories for me!
|
||
|
|
||
|
|
||
|
|
||
|
Yours,
|
||
|
|
||
|
Susan
|
||
|
|
||
|
Susan's Story -- Part II: The Hogtie
|
||
|
|
||
|
|
||
|
The following is another story related to me by Susan,
|
||
|
a real girl who has lived more bondage experiences than most
|
||
|
people fantasize about. She loves bondage and has been tied
|
||
|
up more than anyone else I can think of. And I should know,
|
||
|
it has been my ropes around her many times. Here she tells
|
||
|
us more about her college days and an interesting hogtie.
|
||
|
John Savage
|
||
|
|
||
|
|
||
|
My name is Susan and John insisted I write down some
|
||
|
more about my experiences. He promised that he would reward
|
||
|
me with a nice tight hogtie while he read my letter and
|
||
|
typed it into his computer. And that reminded me of an
|
||
|
interesting afternoon I once spent in a hogtie.
|
||
|
If you read my first letter, you know that my first
|
||
|
heavy bondage experiences came when I was a college student,
|
||
|
at the hands of my roommate, Nancy. She was a delightful
|
||
|
girl to have a as a friend and understood my love of bondage
|
||
|
completely. She used to find the damnest ways for me to be
|
||
|
tied up, usually in our dorm room and apartment but also all
|
||
|
over the campus.
|
||
|
Being that helpless is nice and one of the best ways to
|
||
|
be tied is the hogtie. Generally Nancy hogtied me on the
|
||
|
bed. That worked like this. I got undressed. She tied my
|
||
|
arms behind me with the elbows touching. Then I sat on the
|
||
|
edge of the bed while she tied my ankles and above my knees.
|
||
|
Then I rolled onto the middle of the bed on my stomach. She
|
||
|
tied my ankles up to my wrists until they are touching, that
|
||
|
is, my fingers are spread wide and my palms pressed against
|
||
|
the backs of my ankles. But that wasn't all. Then she tied
|
||
|
a rope from my knees down the end of the bed and to the
|
||
|
rails underneath. Then she tied a loop of rope around my
|
||
|
neck and down the top of the bed. Those two ropes kept me
|
||
|
stretched out and from struggling too much. If I struggled
|
||
|
from side to side, the rope around my neck tightened.
|
||
|
That type of hogtie isn't too bad. I can take it for
|
||
|
hours on end. But the longest time was one Sunday. It was
|
||
|
a holiday weekend and the dorms were pretty empty. Nancy
|
||
|
was going out on a date that day and would be gone all
|
||
|
afternoon. I asked her to tie me while she was gone. I
|
||
|
expected to be just tied arms behind me and legs together
|
||
|
like we often did when she left me tied all night. But
|
||
|
instead she ordered me to strip naked, I mean completely
|
||
|
naked, and then she hogtied me. It was a good hogtie, the
|
||
|
elbows were touching and my hands were tight against my
|
||
|
ankles. Even my knees were tight together. Then she
|
||
|
surprised me. I had thought she was going to leave me on
|
||
|
the bed. I was pretty sure she wouldn't put a rope around
|
||
|
my neck, we didn't do that when she left me alone. But she
|
||
|
rolled me onto the floor and I found myself laying on my
|
||
|
stomach on the rough carpet. Then she rocked me back and
|
||
|
forth and sort of pulled me until she had me over to the
|
||
|
closet. She took out all the shoes and rocked me into the
|
||
|
place under the clothes pole. She took my clothes off the
|
||
|
pole and put them on my bed. I could look up and see the
|
||
|
wooden pole and knew what she was going to do. I was scared
|
||
|
but excited! How can I describe the terror and wonder and
|
||
|
excitement at the thought of being made so extremely
|
||
|
helpless and left alone?
|
||
|
Nancy took a piece of rope and tied it to my elbow
|
||
|
bondage. She knotted it several times firmly then ran it up
|
||
|
to the pole over me and back down to the elbows. There she
|
||
|
pulled until I could feel my elbows being pulled slightly
|
||
|
up. Then she knotted the rope several more times and left
|
||
|
me. A little experimentation showed me how helpless I was.
|
||
|
I could struggled. I could even rock from side to side a
|
||
|
bit. But I couldn't roll over on my side and I couldn't
|
||
|
crawl (a nearly impossible thing when hogtied like that
|
||
|
anyway). I couldn't move more than an inch or so in any
|
||
|
direction before that rope connecting my elbows to the pole
|
||
|
stopped me. I was so deliciously helpless!
|
||
|
I struggled. Then I rested. Then I struggled again.
|
||
|
They were serious struggles. I can't just pretend. When I
|
||
|
struggle I really try to get free with all my might. But I
|
||
|
was helpless. I figured later that she left me about eleven
|
||
|
in the morning. She didn't come home from her date until
|
||
|
well after dinner, about nine that night -- ten hours in a
|
||
|
helpless hogtie!
|
||
|
I was exhausted when she opened the door and turned on
|
||
|
the light. I was in pain. I had also experienced about a
|
||
|
dozen orgasms, entirely from struggling against the ropes
|
||
|
and rubbing my breasts and pussy against the rough carpet.
|
||
|
Nancy told me that her date wanted her to spend the night at
|
||
|
his apartment and she was going to but that she told him she
|
||
|
had to pick up some things back at her dorm room. She said
|
||
|
she didn't think it would have been good to leave me all day
|
||
|
and then all night. She untied me, grabbed a change of
|
||
|
underwear and left. I was a naked, exhausted, pile of flesh
|
||
|
and rope on the floor. But I was happy.
|
||
|
I don't mean to say I was excited and turned on and
|
||
|
enjoying every minute of it. Far from it! There were times
|
||
|
during that ten hours and in bondage since when I truly
|
||
|
wished I were free. There was pain, real pain. My
|
||
|
shoulders hurt so much that I could hardly bring my arms
|
||
|
around in front of my body when she untied me. There were
|
||
|
many times (between orgasms) when I cursed myself for every
|
||
|
letting such things happen to me.
|
||
|
But I still go back and ask again. And come up with
|
||
|
even wilder, more cruel, heavier bondage for Nancy or anyone
|
||
|
to put me in. Does that make sense? I don't think so but I
|
||
|
also don't care. I know what I like. I know what I need.
|
||
|
|
||
|
|
||
|
Hanging Upside Down and the Feather
|
||
|
|
||
|
an excerpt from "Dragon's Lair"
|
||
|
|
||
|
a novel by John Savage
|
||
|
|
||
|
Close call, she told herself. "Young Reporter Becomes
|
||
|
White Slave," was almost the headline. After her pulse
|
||
|
slowed to somewhere close to normal, Lynn went the the
|
||
|
center of the room where the redhead had so recently been
|
||
|
fixed. Fascinated, she stared at the hanging chain and the
|
||
|
wooden triangle. So simple, yet so effective at causing
|
||
|
discomfort and pain. She put one foot on the wooden
|
||
|
triangle and reached up to grab the hanging chain with one
|
||
|
hand. Her other hand reached behind her and grabbed her
|
||
|
right foot as it bend back and up.
|
||
|
|
||
|
Even through the rubber soles of her shoes she could
|
||
|
feel the sharp edge. For a minute she held the position,
|
||
|
noting the stress on her right thigh, wondering what it
|
||
|
would be like to have to stand there, to really have one
|
||
|
wrist handcuffed to the chain and the other wrist
|
||
|
handcuffed to the opposite ankle behind her back, not just
|
||
|
playing make-believe like now. And to stand for an hour,
|
||
|
alone, held by cruel, heartless metal, muscles aching. Then
|
||
|
a second hour. Would a third be possible? Would she have
|
||
|
any choice? Of course not. She would stand and stand and
|
||
|
stand until some other individual, some savior, came to free
|
||
|
her from the clutch of hard metal.
|
||
|
|
||
|
Lynn let go and dropped her leg. She shook her head.
|
||
|
Three hours that girl had been left in this tortous position!
|
||
|
The word agony came to her mind.
|
||
|
|
||
|
She left the room to find the hallway empty. For a
|
||
|
second Lynn considered getting out of there as fast as she
|
||
|
could. One good scare should be enough to teach any
|
||
|
reasonable young girl a lesson. But she was a reporter and
|
||
|
never claimed to be reasonable. Her consideration of escape
|
||
|
lasted only long enough for her to realize that there were
|
||
|
major elements still missing from her story. Like who the
|
||
|
white slavers were and where they got their girls from. And
|
||
|
where did they send them to?
|
||
|
|
||
|
The next door led to another small room. In the center
|
||
|
was a single metal pole coming up from the floor and ending
|
||
|
a little over three feet later. It was topped with a huge
|
||
|
rubber penis. There were two small rings attached to the
|
||
|
base of the pole. It didn't take Lynn long to figure out
|
||
|
that a girl could be made to straddle that dildoe, to be
|
||
|
lowered onto it until it was up inside her.... If her
|
||
|
ankles were tied to those rings... Well, the girl wouldn't
|
||
|
be walking away, that was for sure.
|
||
|
|
||
|
Lynn stood by the pole and measured it against her
|
||
|
body. She would have to stand on her toes but it wouldn't
|
||
|
be too bad. If her hands were tied behind her and her
|
||
|
ankles secured to those rings... Lynn shuddered a little at
|
||
|
the thought. She would be very helpless, unable to step off
|
||
|
that upthrusting pole. And that huge dildoe, molded into a
|
||
|
good likeness of a male organ, would certainly fill up her
|
||
|
pussy, fill it like no human penis had ever done. Lynn was
|
||
|
no virgin but not a prostitute either. She had seen a few
|
||
|
male rods, but never one quite like this. It wasn't the
|
||
|
length so much as it was the width. It would certain make
|
||
|
her feel filled. And, unlike its human model, this penis
|
||
|
would never go limp.
|
||
|
|
||
|
Lynn sighed. There had been a few times where the
|
||
|
human flesh had been a little weak and Lynn had lost out on
|
||
|
some good love-making just when she was most ready for it.
|
||
|
Those times she would have wished her lover had the
|
||
|
staying-power of this rubber monster.
|
||
|
|
||
|
Tearing herself away from that line of thinking, Lynn,
|
||
|
checked the hallway and went out the door.
|
||
|
|
||
|
The next door was a the end of the hallway and didn't
|
||
|
open into another torture room as she had expected it to.
|
||
|
Instead it revealed an observation room. There was four
|
||
|
empty, comfortable chairs, leather covered and very plush.
|
||
|
The chairs faced three large windows set into an otherwise
|
||
|
blank wall. The arrangement allowed a person to sit in any
|
||
|
of the chairs and view what was going on in any of three
|
||
|
rooms on the other side of those window. And there was
|
||
|
certainly activities going on to watch.
|
||
|
|
||
|
Lynn's first reaction was to retreat before anyone on
|
||
|
the other side of the glass saw there. But before she
|
||
|
turned to go something caught her attention. Each of the
|
||
|
three rooms revealed seemed dark, darker than they should be
|
||
|
if one allowed for the normal levels of light the humans
|
||
|
liked. Then it dawned on her; these were one-way mirrors!
|
||
|
She could see easily into the other rooms, but they would
|
||
|
see only a mirror even if they looked directly at her.
|
||
|
|
||
|
Assured of concealment for the present, Lynn approached
|
||
|
the first window on the left. There were two girls in that
|
||
|
room, and Lynn had trouble believing what they were doing.
|
||
|
One of the girls was of Mexican ancestry. Her hair was long
|
||
|
and shiny black and her skin was chocolate. Because she was
|
||
|
naked, Lynn could see that she had the large breasts and
|
||
|
muscular legs of many of the young Mexican girls. Lynn
|
||
|
guessed her age at no more than nineteen.
|
||
|
|
||
|
The other girl was kind of plain, a mousy looking woman
|
||
|
in her mid-twenties, her hair halfway between brown and
|
||
|
blonde, her figure slender but not remarkable. She was also
|
||
|
nude. Her breasts were only medium sized but held good
|
||
|
firmness and shape. Her muscle tone was good, Lynn guessed
|
||
|
that she played tennis once a week. A typical, average sort
|
||
|
of woman. The kind you see hundreds of times on the street
|
||
|
or in a supermarket and never give a second thought to.
|
||
|
|
||
|
But it was the mousy little one who was free and the
|
||
|
muscular, larger girl who was bound up and helpless. The
|
||
|
raven haired girl was hanging upside down, her ankles lashed
|
||
|
to a pole, which forced her legs wide apart. The center of
|
||
|
the pole had a ring bolted to it and a steel cable hooked to
|
||
|
the ring. On the ceiling was an electric motor and hoist.
|
||
|
That explained how the heavy girl had been pulled up until
|
||
|
her head was a good three feet off the floor. Her arms were
|
||
|
bound behind her back with the wrists facing each other and
|
||
|
the elbows tied. The elbows weren't touching but the
|
||
|
clothesline was cutting so deep into the flesh just above
|
||
|
the elbows that Lynn was convinced that who ever had done
|
||
|
the bondage had tried very hard to make the elbows touch.
|
||
|
That they fell two inches short of that goal was the fault
|
||
|
of the solid build of the Mexican girl, not the efforts of
|
||
|
the binder.
|
||
|
|
||
|
Neither girl showed the slightest interest in Lynn's
|
||
|
direction so she walked up right to the window to watch.
|
||
|
The mousy brunette circled the hanging girl, one hand
|
||
|
lightly touching her body here and there. Every time she
|
||
|
touched, the hanging girl jerked the body away. Lynn looked
|
||
|
closer then she laughed. The hanging girl wasn't struggling
|
||
|
to escape the sharp attention of a needle, nor the burning
|
||
|
sensations of a red-hot poker. She was jerking to avoid a
|
||
|
feather!
|
||
|
|
||
|
It seemed funny to Lynn at first but the more she
|
||
|
thought about it the more it made sense. Being helpless and
|
||
|
tickled could be real torture. Especially for someone who
|
||
|
was very sensitive. Lynn remembered being tickled by her
|
||
|
cousin while he sat on her. That hadn't lasted too long but
|
||
|
it was bad enough. Who knows how long this tickling had
|
||
|
been going on? Or how much more sensitive your body became
|
||
|
when completely naked and hanging upside down?
|
||
|
|
||
|
The brunette continued to circle the tormented girl.
|
||
|
The feather danced over the exposed body, seeking and
|
||
|
finding the most sensitive spots, the tenderest nerves. The
|
||
|
large breasts, strangely shaped by the reversed gravity,
|
||
|
were a favorite target, as were the smooth insides of the
|
||
|
velvet brown thighs. With each jerk the long black hair
|
||
|
swayed and danced in the space between the girl's head and
|
||
|
the floor.
|
||
|
|
||
|
As one hand teased with that horrid feather, the other
|
||
|
unashamedly toyed and stroked the brunette's pussy. She was
|
||
|
enjoying this work.
|
||
|
|
||
|
Lynn watched, sensing that the drama had been building
|
||
|
for sometime and was approaching a climax, perhaps in more
|
||
|
ways than one.
|
||
|
|
||
|
Another turn around the hanging body and the brunette
|
||
|
stopped. The feather fell, unnoticed. Both girls were
|
||
|
breathing hard although Lynn could hear nothing on her side
|
||
|
of the glass. She had noticed they were talking before this
|
||
|
but had been unable to make out any words. The two girls
|
||
|
held hard eye-contact for several long heart beats, both
|
||
|
with their legs wide spread and braced, one firmly on the
|
||
|
ground, the other hanging upside down. Then the hanging
|
||
|
girl slowly closed her eyes. The muscles in her ass began
|
||
|
clenching and relaxing, thrusting her hips gently forward
|
||
|
the few inches this strained position allowed them.
|
||
|
|
||
|
The scene remained static; the only movement was the
|
||
|
slow swaying of the hanging girl as her hips thrust and
|
||
|
relaxed, an indication of the burning within. Slowly her
|
||
|
eyes opened again. They met the brunette's again and held.
|
||
|
Tormentor and tormented. But there was a bond between them:
|
||
|
both woman had bodies that burned with desire, ached for
|
||
|
release.
|
||
|
|
||
|
The brunette stepped forward and lowered her mouth over
|
||
|
the inverted pussy. Lower down the raven haired head lifted
|
||
|
and buried itself between the brunette's thighs. She spread
|
||
|
them a little more to allow easier access then clamped her
|
||
|
hands on the chocolate girl's ass. She dug her nails in
|
||
|
like a wild animal. In a silent frenzy of passion both
|
||
|
females lashed each other's clits with their tongues,
|
||
|
driving each other wilder and wilder.
|
||
|
|
||
|
For a long time the frenzied love-making continued as
|
||
|
Lynn watched, fascinated. It looked as if every muscle in
|
||
|
both bodies were rock hard rigid. The hanging girl's hands
|
||
|
were clenched fists one second and fluttering fingers the
|
||
|
next.
|
||
|
|
||
|
But nothing lasts forever. The brunette's head jerked
|
||
|
up and she moaned her passion so loud that it came faintly
|
||
|
through the thick glass to Lynn. Then she fell to the floor
|
||
|
where she curled up into a ball on the carpet.
|
||
|
|
||
|
Lynn had to remember to breath. She was surprised to
|
||
|
find that she had been digging her fingernails into the
|
||
|
wooden window edge. Taking a deep breath, she shook her
|
||
|
head to break the spell. What an incredible show! Lynn had
|
||
|
never considered herself a lesbian but she was not a sexual
|
||
|
innocent; she had seen two woman making love before and
|
||
|
thought it interesting but little more. But this was
|
||
|
something else! The intensity of their passion came through
|
||
|
the dim glass like a physical blow. Lynn had never seen
|
||
|
anything quite like that before.
|
||
|
|
||
|
The brunette remained on the floor, shivers playing
|
||
|
over her naked body as she hugged herself, eyes closed, off
|
||
|
in a private world of ecstasy. The hanging girl arched her
|
||
|
body and trembled all over for long minutes before quieting
|
||
|
down. Her eyes stayed close and her head swayed back and
|
||
|
forth in dreamy circles, the tips of her long black just
|
||
|
brushing the thigh of the girl on the floor.
|
||
|
|
||
|
Lynn took a step back. She didn't know what to think.
|
||
|
Was this punishment? If so, that Mexican girl didn't look
|
||
|
very punished. She looked as if she were deep in sexual
|
||
|
satisfaction. A reward? Both? Or maybe just part of the
|
||
|
training?
|
||
|
|
||
|
Lynn went to the second window and another scene from a
|
||
|
madman's B&D fantasy...
|
||
|
|
||
|
|
||
|
|
||
|
The End
|
||
|
Hot August Day
|
||
|
|
||
|
an excerpt from "The Bondage Master" by John Savage
|
||
|
|
||
|
|
||
|
|
||
|
There was not the slightest hint of a breeze under the
|
||
|
blazing summer sun. I felt as if I were baking in my clothes
|
||
|
but Laura probably felt worse as she stood in the direct
|
||
|
sunlight wearing only a pair of high heel shoes. Well, the
|
||
|
shoes and some cotton clothesline that held her arms firmly
|
||
|
secured behind her back with many cunning turns and knots far
|
||
|
from the searching fingers. I had bound her almost half an
|
||
|
hour before and she had worked at the ropes nervously for all
|
||
|
that time, twisting this way and that, trying to bring her
|
||
|
arms in front of her body, trying anything that might allow
|
||
|
her to escape her fate. But that hot summer afternoon escape
|
||
|
was not for her. I paused by the car to look over the
|
||
|
landscape, including the naked and bound girl I had brought
|
||
|
into it.
|
||
|
|
||
|
It was California desert, mostly sand with ragged rocks
|
||
|
and a few stunted shrubs here and there. The only signs of
|
||
|
man were the automobile beside us and the road we had
|
||
|
followed to her get here, little more than a track across the
|
||
|
hot earth. Laura stood beside me and looked nervous. She
|
||
|
couldn't say a thing because of the ball gag filling her
|
||
|
mouth and securely strapped behind her head. Keeping her
|
||
|
from verbally changing her mind was a part of the game, a
|
||
|
part of keeping her helpless and obedient to my wishes, no
|
||
|
matter how the beautiful and very sexy woman might suffer.
|
||
|
Laying in bed last night the idea of a desert bondage hike
|
||
|
had seemed amusing to both of us but in this relentless heat
|
||
|
she was having a great many second thoughts. She saw me
|
||
|
looking at her, eyeing her lush body, and shook her head. I
|
||
|
pretended to not see her negative and fetched a couple pieces
|
||
|
of rope from the backseat. She made whining sounds through
|
||
|
her gag and came close to me. She rubbed her body against
|
||
|
mine, teasing my shirt front with her erect nipples in a need
|
||
|
born not entirely from sexual hunger. She was offering me
|
||
|
the only thing she had to barter with. I'm sure she would
|
||
|
have been pulling down my zipper had not her arms been bound
|
||
|
tightly behind her back. I'm sure she figured that if I were
|
||
|
to have sex with her right then I would loose the desire to
|
||
|
leave her alone in this hostile environment.
|
||
|
|
||
|
But she was lacking in bargaining power. I would have
|
||
|
taken her right there on the burning sand if I had been so
|
||
|
inclined. But, being the perverted individual I am, I
|
||
|
figured she would enjoy a bit of sex much more after having
|
||
|
undergone her ordeal. I know I would. I shook my head
|
||
|
slightly and she knew her invitation had been turned down.
|
||
|
|
||
|
Then she bend over from the waist, bowing her head down
|
||
|
until it was the level of my fly and giving me a fine view of
|
||
|
her bound arms. I noted how the ropes had dug into the flesh
|
||
|
just above her elbows and again below them. The ropes were
|
||
|
still very tight and firmly double and triple knotted, all up
|
||
|
by the elbows were the fingers could never reach. Laura
|
||
|
nuzzled her gagged mouth against my pants in an offer that
|
||
|
could hardly be misinterpreted. But I could have easily made
|
||
|
her give me a blow job, on her knees in the hot sand, her
|
||
|
mouth paying homage to my maleness. Then strap her ball gag
|
||
|
back into her mouth and go on with my plans. And she knew
|
||
|
it. After a few moments she rose with a delicious whimper of
|
||
|
defeat.
|
||
|
|
||
|
I looped her hips and wrists with a rope and wrapped a
|
||
|
dozen turns, pinning her wrists against her butt. Then I
|
||
|
cinched that rope down with turns between her arms and body
|
||
|
and more running down between her legs and up to her tummy.
|
||
|
The rope looped over her tummy rope there and passed back
|
||
|
between those lovely legs to her wrists. A few turns there
|
||
|
secured the tension I wanted. But I had left about two feet
|
||
|
of rope which I used to bring the end up to her elbows where
|
||
|
the final three or four knots secured it. I had been careful
|
||
|
to pull apart her vagina lips so that the two ropes passed on
|
||
|
either side of her clit. In the finished product those ropes
|
||
|
were invisible, buried under her lips and crushing her clit
|
||
|
between them. It would be an interesting hike for Laura.
|
||
|
|
||
|
But Laura was young and healthy, a girl well able to
|
||
|
take vigorous treatment as I had proven numerous times. And
|
||
|
just walking along a desert road, even with crotch ropes,
|
||
|
would hardly be a challenge. I walked around behind her as
|
||
|
she stood nervously looking at me. Her long black hair had
|
||
|
been framing her lovely face and descending all the way to
|
||
|
her erect nipples. I pulled it back over her shoulders and
|
||
|
carefully braided it into a single pigtail but one that came
|
||
|
out high up where a ponytail would have. Along with the soft
|
||
|
hair I braided two stands of rope so that the hair and rope
|
||
|
were intertwined firmly. Then I passed the ends of rope down
|
||
|
to her wrists and between the sweaty palms of her hands and
|
||
|
back up to the elbows. There I pulled gently until her head
|
||
|
arched backwards. As I kept the tension with one hand, I
|
||
|
used the other to pull her forehead back until she was
|
||
|
staring almost straight up. I knotted the rope and stood
|
||
|
back.
|
||
|
|
||
|
It was a beautiful sight, a beautiful woman hardly out
|
||
|
of her teens but of full and ripe body, cruelly bound. I
|
||
|
traced the line of her upturned throat down to the full and
|
||
|
rigid nipples. I cupped one heavy breast in a hand as if
|
||
|
weighing it. It was quite firm, almost as if straining to
|
||
|
explode outward from her chest, so effective was the elbow
|
||
|
bondage coupled with pulling the head back. I noted a fine
|
||
|
sheen of sweat on her breasts as they stood proudly in the
|
||
|
bright sunlight. She was beautiful!
|
||
|
|
||
|
"You know the way we came," I stated as I checked the
|
||
|
ankle straps on her four inch high heels. "Just walk back
|
||
|
that way. I'll be waiting for you somewhere between here and
|
||
|
the highway." A whine of protest. "I know that's about ten
|
||
|
miles, but I won't be right at the highway so you'll only
|
||
|
have to walk something less than that."
|
||
|
|
||
|
A noise that sounded as if she might be trying to say,
|
||
|
"I can't see."
|
||
|
|
||
|
"Turn your head to the side," I commanded. She knew
|
||
|
better than to refuse. When she turned her head she could
|
||
|
see to her side, not downward but straight out as the rope
|
||
|
and hair held her head very limited in its motion. I knew
|
||
|
that she would be able to follow the road. It wouldn't be
|
||
|
easy with her head bound like that but it would be possible.
|
||
|
And she knew it.
|
||
|
|
||
|
There was nothing more to say so I got in the car. I
|
||
|
drove slowly for a few yards then stopped to look back.
|
||
|
Laura was turned sideways to me, her whole body shaking
|
||
|
slightly, whether from anger, frustration or laughter I did
|
||
|
not know. I watched her first tentative steps on a road that
|
||
|
treacherously alternated between hard earth and soft sand.
|
||
|
As I drove away I was sure glad that I was a man and not
|
||
|
subject to such ordeals. Leave the torment to submissive
|
||
|
women like Laura, they love and deserve it.
|
||
|
|
||
|
I waited about half a mile away, the distance I figured
|
||
|
would take her about an hour to walk. If she didn't fall
|
||
|
down too often. I wondered how she would be able to get up
|
||
|
with her arms gone and head pulled so cruelly back. And
|
||
|
with those ridiculously high heels. I figured to wait two or
|
||
|
three hours then go back and pick her up if she didn't make
|
||
|
it by then. I'd probably find her laying on the road unable
|
||
|
to get back to her feet.
|
||
|
|
||
|
It was hot and miserable. Even the water I had brought
|
||
|
was hot as I drank it. Nothing moved in that harsh
|
||
|
landscape, there was little sound beyond some kind of bird
|
||
|
off to the left. I never did see the bird. It was so hot
|
||
|
the lizards and snakes were hiding under rocks. Sensible
|
||
|
creatures.
|
||
|
|
||
|
Laura was walking straight ahead when she came around
|
||
|
the turn. I watched her walk a dozen steps then turn to see
|
||
|
what she could of the road before walking another dozen
|
||
|
steps. As she got close I could see dirt sticking to her
|
||
|
sweaty body and knew she had fallen. When she saw the car
|
||
|
she made the mistake of trying to run. I watched amused as
|
||
|
she lay in the sand a dozen feet from me. It was delightful
|
||
|
to watch her struggles as she sought to regain her feet. She
|
||
|
walked the last few feet slowly and planted her legs wide
|
||
|
spread when she was only an arm's length away. She was
|
||
|
breathing hard and I could have watched those magnificent
|
||
|
breasts rise and fall forever. Needless to say all the ropes
|
||
|
were still on and tightly in place. Her body language, what
|
||
|
there was of it to see in such bondage, spoke of defiance.
|
||
|
She had met and conquered the challenge and demanded that I
|
||
|
recognize her triumph.
|
||
|
|
||
|
Well, I did. Dropping my fly, I exposed a rod large
|
||
|
enough and rigid enough to satisfy a herd of cheerleaders.
|
||
|
Too bad Laura couldn't see it with her head pulled back. But
|
||
|
I took her and roughly pushed her down to the patch of sand
|
||
|
where the shadow of the car had cooled it down a bit. Laura
|
||
|
knew me, knew what was coming, and wanted it as bad as I did.
|
||
|
When I lowered her to her back she arched her body up until
|
||
|
she was on her head and shoulders and her feet. Her pussy
|
||
|
was arched up most invitingly and her legs spread wide as her
|
||
|
high heels dug into the sand until her feet almost
|
||
|
disappeared. She was making pitiful little moaning sounds
|
||
|
behind the ball gag.
|
||
|
|
||
|
It was a beautiful sight, a masterpiece of submission
|
||
|
that would bring an erection to any male. I considered
|
||
|
leaving her like that, pleading for the sexual satisfaction
|
||
|
she hungered for, just to tease her, a form of torture I had
|
||
|
often inflicted upon this and other helpless girls. But,
|
||
|
well, what the hell, the girl did deserve some reward.
|
||
|
Besides, my prick ached so much it hurt. I pulled apart the
|
||
|
crotch ropes so they no longer covered that wonderful love
|
||
|
tunnel and rammed home that female-pleasing tool.
|
||
|
|
||
|
It was short but brutal. I don't know which of us was
|
||
|
more vigorous in our thrustings and don't really care. I
|
||
|
remember locking my arms around her hips and ramming for all
|
||
|
I was worth. It wasn't long before we both exploded into
|
||
|
giant fireworks. I think both of us cried out.
|
||
|
|
||
|
I came back to my senses laying in the hot sand beside a
|
||
|
beautiful package of woman flesh and ropes. Her legs were
|
||
|
wide spread and the body no longer arched but laying on her
|
||
|
bound arms. Her eyes were closed. I though I could see a
|
||
|
satisfied smile but that's hard to tell with her mouth filled
|
||
|
with rubber ball. In slow motion I crawled between her legs
|
||
|
and pulled the crotch ropes back into place on either side of
|
||
|
her clit and watched the vagina lips close over the cotton
|
||
|
clothesline. Then I helped her to her feet. She was swaying
|
||
|
slightly and kept her eyes closed. Zipping up my fly with
|
||
|
one hand, I patted her bottom with the other and told her I'd
|
||
|
be waiting another mile down the road and that I figured we
|
||
|
could do this for maybe eight miles before we'd be too close
|
||
|
to the highway.
|
||
|
|
||
|
Laura moaned deliciously and began walking.
|
||
|
|
||
|
|
||
|
|
||
|
The End
|
||
|
The Date
|
||
|
|
||
|
An excerpt from "The Adventures of a Bondage Lover"
|
||
|
by Sharon Bonner as told to John Savage
|
||
|
|
||
|
|
||
|
One of the most unusual dates I ever went on was not
|
||
|
even my date but Monique's, my roommate. At that time I was
|
||
|
twenty-one and sharing an apartment with another girl named
|
||
|
Monique. We had discovered pretty fast that we both had a
|
||
|
very deep love of bondage. This meant that we both spent a
|
||
|
fair amount of time in some form of restraint around the
|
||
|
apartment. We were both basically submissive in that we both
|
||
|
preferred to be the one tied up rather than doing the tying
|
||
|
but were willing to do the binding chores because it meant
|
||
|
that next time we would be tied by the other. And like there
|
||
|
were some pretty fancy ways that we tied each other up. We
|
||
|
tried to outdo each other in dreaming up fantastic bondage
|
||
|
games to do to each other.
|
||
|
|
||
|
Well, this one weekend Monique told me that she had a
|
||
|
new bondage position she wanted to try on me and I, being the
|
||
|
biggest sucker ever born, said sure. We went into the
|
||
|
bedroom. At Monique's suggestion I shed my clothes, not a
|
||
|
long operation as we rarely wore much around the apartment.
|
||
|
In fact, it wasn't uncommon for both of us to be walking
|
||
|
around naked. We were both good looking girls and had very
|
||
|
nice bodies and enjoyed looking at each other. Well, we
|
||
|
enjoyed other things with each other besides looking but
|
||
|
that's private.
|
||
|
|
||
|
Monique began by tying my wrists together behind me,
|
||
|
palm to palm. Then she tied the elbows so that they touched.
|
||
|
It's lucky that my elbows can easily touch behind my back
|
||
|
because I get them tied that way so often. Oh, it does get
|
||
|
to hurting after a few hours but I can (and have) been tied
|
||
|
with them crushed together for six hours or more. With my
|
||
|
arms well tied with clothesline behind my back, Monique
|
||
|
brought out one of the ball gags and stuffed it inside my
|
||
|
mouth. Those things aren't too comfortable and taste
|
||
|
terrible but they sure do keep a girl quiet. With the ball
|
||
|
strapped tightly and deeply in my mouth I can say nothing and
|
||
|
make very little in the way of noise, but Monique didn't seem
|
||
|
to think that was enough. She placed wide white tape over my
|
||
|
mouth, crossing it in an X shape and plastering the whole
|
||
|
lower half of my face. Then she wrapped an elastic bandage
|
||
|
around the bottom half of my face very tightly. The effect
|
||
|
was to keep sound inside my mouth and there was nothing I
|
||
|
could do about it.
|
||
|
|
||
|
I was then set down on the edge of a chair and my legs
|
||
|
tied. She used our favorite cotton clothesline to bind my
|
||
|
ankles together and my legs just above and below the knees.
|
||
|
She helped me to my feet and stood back to survey her
|
||
|
handiwork. There was nothing too unusual about the way I was
|
||
|
tied, we had both been tied that way many times. Of course
|
||
|
the gag was a little bit more severe than usual but the
|
||
|
bondage was normal.
|
||
|
|
||
|
Then came the unusual part. She slide back the closet
|
||
|
door and pointed to the end wall. The clothes and shoes had
|
||
|
been cleared away from that end and I could see a series of
|
||
|
metal rings that had been screwed into the wooden wall. The
|
||
|
intent wasn't hard to figure out. I hopped over to the
|
||
|
closet, my big breasts bouncing with each jump. When you've
|
||
|
had as much practice as I have, you can hop all around the
|
||
|
apartment with your legs tied. Monique positioned me with my
|
||
|
back against the wood. Then she began to tie my body to the
|
||
|
wall.
|
||
|
|
||
|
The metal rings were set in pairs, one on each side of
|
||
|
my naked body. Each pair was very close to my body (Monique
|
||
|
must have measured carefully for a good fit) and was rope
|
||
|
passing from one ring to the other was used to secure my body
|
||
|
firmly against the wall. It took a while but when she was
|
||
|
finished there were ropes holding my ankles to the wall.
|
||
|
Also above my knees, below them, my thighs, my hips, my
|
||
|
waist, above and below my breasts, and another at my neck.
|
||
|
Believe me, this girl was not going anywhere!
|
||
|
|
||
|
But there was one set of rings left and those were just
|
||
|
above my eye level. Monique had a cute way of keeping my
|
||
|
head from moving. She had a piece of leather about an inch
|
||
|
wide with a ring riveted into each end. She tied one end's
|
||
|
ring to the metal ring in the wall. Then she turned my head
|
||
|
so that the side was resting against the wall. The leather
|
||
|
strip passed over my head, the lower edge just covering the
|
||
|
top part of my vision. The other end was tied to the ring on
|
||
|
the other side by a small piece of rope. It was tight but
|
||
|
not uncomfortable, and it prevented me from turning my head.
|
||
|
I would be standing there and looking out into the bedroom
|
||
|
until Monique decided otherwise. And I didn't like the look
|
||
|
in her eyes. She kissed me, teased my breasts a bit then
|
||
|
announced that she was going to take a shower to get ready
|
||
|
for her date that night. Then she disappeared in the
|
||
|
direction of the bathroom.
|
||
|
|
||
|
I sighed and began to explore the limits of my bondage.
|
||
|
Monique tended to take long showers and I figured I was going
|
||
|
to be standing in this closet at least until she was ready to
|
||
|
walk out the door for her date. I tried to turn my head but
|
||
|
my first suspicion was right, the strap held my head against
|
||
|
the wall. I wiggled and pulled against the ropes but Monique
|
||
|
was entirely too good with the knots and cords. I couldn't
|
||
|
work at my wrists because of my arms being pressed against
|
||
|
the wall. I couldn't even try to work my legs back and forth
|
||
|
to loosen the ropes above my knees. In short, I was stuck,
|
||
|
plaster against the wall and one helpless girl.
|
||
|
|
||
|
For a long time, during which my horniness increased
|
||
|
(I just love ropes holding my body helpless), I just stood
|
||
|
there and experienced frustration. And there was nothing I
|
||
|
could do about it. There was certainly no way my fingers
|
||
|
could be brought around to the front where they could do
|
||
|
something about his sexual itch. And my breasts were out of
|
||
|
my touch. I could just see the nipples out of the bottom of
|
||
|
my vision, standing erect and rigid, betraying the inner
|
||
|
excitement.
|
||
|
|
||
|
Eventually Monique came back into my view, freshly wet
|
||
|
and naked. She took her time drying off her body right were
|
||
|
in front of me, pretending she didn't even know I was there,
|
||
|
displaying its fine curves and fun places. I'd done the same
|
||
|
thing to her more than once but that didn't make it any less
|
||
|
frustrating right then.
|
||
|
|
||
|
Then she did something that left a cold spot in the pit
|
||
|
of my stomach. She straightened the bed. Then she placed
|
||
|
two candles on the headboard. She picked up the towel and
|
||
|
any other loose things so the room was clean and neat. Then
|
||
|
she placed a length of clothesline on the headboard. She
|
||
|
slide the closet door closed on me. But not quite. She left
|
||
|
a little crack open, a crack just where my head was, a crack
|
||
|
that allowed me to see most of the bed. And a crack that was
|
||
|
small enough so that no one could really see me in the
|
||
|
closet, especially if the only light was from two small
|
||
|
candles. Her hand reached in and squeezed my right breast
|
||
|
affectionately. Then she was gone.
|
||
|
|
||
|
I sighed. Her diabolical plan was clear. Take one
|
||
|
heavy date with the ever-horny Ted, add a romantic candle lit
|
||
|
bedroom and a gorgeous dish like Monique who's also pretty
|
||
|
much always horny herself. Then add another roommate who's
|
||
|
completely naked and bound in the closet so thoroughly that
|
||
|
she can't move or make a sound. She can only stand and watch
|
||
|
the show.
|
||
|
|
||
|
It was about two hours before I heard the sound of the
|
||
|
front door. There was voices and laughing. Then there was a
|
||
|
silence that I was sure marked a long, passionate kiss and
|
||
|
the beginning of foreplay. Sure enough, there came Monique
|
||
|
to light the candles and turn on the stereo to very soft
|
||
|
music. She was followed quickly by Ted who began unziping
|
||
|
her dress. True to the harlot's code, she wore no bra or
|
||
|
panties, enabling Ted to get right down to business. Soon
|
||
|
his clothes were flying off and they jumped into bed,
|
||
|
laughing and giggling like school kids.
|
||
|
|
||
|
Ted could hardly miss the rope laying in plain sight on
|
||
|
the headboard. He inquired about. She lied about it. He
|
||
|
picked it up. She hinted that some men are man enough to
|
||
|
keep their girls bound up like little slavegirls. He lunged
|
||
|
at her. She dodged but not too far. They wrestled on the
|
||
|
bed, naked bodies and rope bouncing all over the place.
|
||
|
Monique's hands got tied behind her back. She protested with
|
||
|
a giggle. He grabbed a breast and ignored her mild protests.
|
||
|
He slid that huge male rod inside her. Her protests turned
|
||
|
to moans. I was dying.
|
||
|
|
||
|
Can you imagine the frustration I felt? Here I was,
|
||
|
already horny from two hours of being tightly bound, unable
|
||
|
to even touch myself, and forced -- yes, forced -- to watch
|
||
|
a couple do the sex act! And several times! In several
|
||
|
different, highly imaginative positions, one of which I would
|
||
|
have sworn was impossible for a girl with her hands tied
|
||
|
behind her back. As Monique's excitement rose to a fever
|
||
|
pitch, so did mine. The difference was she had a hung male
|
||
|
to ram it to her, I had tight ropes and nothing inside my
|
||
|
hot, juicy pussy. I swore by the Great Horny Toad that I
|
||
|
would get that girl and torture her! I would find ant hills
|
||
|
to tie her to, I would find four horse to draw and quarter
|
||
|
her, I would hang her by her thumbs until she screamed for
|
||
|
mercy! And then I would get mean.
|
||
|
|
||
|
Needless to say, I strained, pulled and jerked at my
|
||
|
bonds but they held. Tiny, pitiful moans escaped my nose to
|
||
|
harmonize with the loud gasps and moans of ecstasy Monique
|
||
|
was filling the bedroom with. Then, in perfect coordination
|
||
|
with her third orgasm, I hit on it! It was simple and I'm
|
||
|
sure Monique hadn't thought of it. And it worked. I dug my
|
||
|
fingernails into my ass, both hands, as hard as I could.
|
||
|
Then I exploded into fireworks and skyrockets.
|
||
|
|
||
|
Later, hanging limp in my dark little prison, I came
|
||
|
back to life. My ass was sore but, gawd, I felt good.
|
||
|
Monique and her boyfriend lay exhausted on the bed, her hands
|
||
|
still tied. For a long time we all rested. But finally I
|
||
|
saw his hand creep over to cup her breast and knew that the
|
||
|
recuperative powers of the young had worked their miracle.
|
||
|
Monique leaned over and kissed him. Then she told him
|
||
|
sweetly that there was more rope in the drawer and that
|
||
|
perhaps he would like to tie her legs spread ever sooooo wide
|
||
|
to the legs of the bed. As he dove for the rope, Monique
|
||
|
turned in my direction and gave me a wink. It was going to
|
||
|
be a long night!
|
||
|
|
||
|
|
||
|
|
||
|
The End
|
||
|
The Experiment
|
||
|
|
||
|
an excerpt from "Bondage Tales" by John Savage
|
||
|
|
||
|
|
||
|
The weather was hot outside but inside the air
|
||
|
conditioning blew cold air at me, making the sweat stick to
|
||
|
my skin. I made my way to Dr. Wayward's office and entered.
|
||
|
He was waiting for me with his usual silly grin. We got
|
||
|
right down to the experiment without delay.
|
||
|
|
||
|
I went through the inner door to the experiment lab.
|
||
|
In there the temperature had been set to a more reasonable
|
||
|
degree, neither hot nor cold. I unbuttoned my light summer
|
||
|
dress and peeled it off. Dr. Wayward didn't seem surprised
|
||
|
to see that was wearing no bra. My panties and shoes went
|
||
|
next, leaving me standing there, naked and smiling.
|
||
|
|
||
|
Dr. Wayward put the harness on my body, being careful
|
||
|
to place the wide leather strap squarely between my legs and
|
||
|
buckling up the cross straps tightly around my body. There
|
||
|
were two rings sticking up at my shoulders but otherwise
|
||
|
everything was buckled down nice and tight. I made sure
|
||
|
each strap fitted comfortably as the doctor went back to his
|
||
|
cabinet.
|
||
|
|
||
|
The good doctor came over carrying a piece of rope in
|
||
|
his hands and I knew what to do. I put my hands behind my
|
||
|
back with the wrists together. He wrapped the cotton
|
||
|
clothesline around my wrists several times then ran some
|
||
|
rope counter to those to cinch them down. He tied the
|
||
|
knots up and inside where I couldn't reach them with my
|
||
|
fingers. Then he fetched the leather sheath that fitted
|
||
|
over my arms so that they were encased in leather from the
|
||
|
fingertips to the armpits. Two straps went over my
|
||
|
shoulders and secured the sheath so there was no way it
|
||
|
could slide down. During the first experiment he had me
|
||
|
struggled as hard as I could to make sure the sheath
|
||
|
couldn't loosen or come down. I remember jumping around the
|
||
|
lab, wiggling my arms and twisting every which way to try
|
||
|
and get my arms free. But the leather sheath had been
|
||
|
designed well and I was convinced that I could never get it
|
||
|
off without outside help.
|
||
|
|
||
|
After the sheath came the gag. He used, as he always
|
||
|
did, a piece of rubber that was wedge shaped and tasted
|
||
|
vaguely of disinfectant. After the wedge was firmly in my
|
||
|
mouth he placed the strap around my head and buckled it
|
||
|
behind me so that it held the wedge solidly in place. My
|
||
|
mouth was slightly open and my tongue pressed down. I knew
|
||
|
from previous tests that I could utter no word, and hardly
|
||
|
any sound would even come out were I to try to scream. The
|
||
|
gag is followed by two plugs pushed into my ears that cut
|
||
|
off all hearing.
|
||
|
|
||
|
Dr. Wayward positioned me under the hoist and connected
|
||
|
the two hooks to the rings on my shoulders. Then he placed
|
||
|
the padded blindfold around my head so that I couldn't see
|
||
|
the slightest bit of light. But it was comfortable. Then I
|
||
|
could feel him fitting the hood over my head. It was also
|
||
|
made of leather and covered the entire head very snugly.
|
||
|
That was mainly because of the laces that ran down the back
|
||
|
from almost the crown of my head to my neck allowed him to
|
||
|
tighten it until it was molded to my features. There was a
|
||
|
wide, thick leather strap attached to the bottom of the hood
|
||
|
and that was buckled down firmly around my neck. I doubted
|
||
|
that I could have gotten the hood off even if I had my hands
|
||
|
free, which was certainly not the case.
|
||
|
|
||
|
With my head completely encased save for my nose
|
||
|
sticking out, and my arms locked in their leather prison, I
|
||
|
heard the whine of an electrical hoist and felt myself
|
||
|
rising into the air. When my feet were off the floor he
|
||
|
stopped the hoist and I swung there for a minute. Then he
|
||
|
returned and I felt the ropes going on my legs.
|
||
|
|
||
|
The doctor always ties my legs exactly the same way.
|
||
|
First there is the rope around my ankles. When that is
|
||
|
knotted down, there comes around some windings around my
|
||
|
legs just above the knees. He wraps the rope around my legs
|
||
|
very carefully then ever so slowly passes the rope between my
|
||
|
thighs and down and between my legs and back up until he has
|
||
|
half a dozen wrapping as cinch ropes. Then he ties the
|
||
|
knots.
|
||
|
|
||
|
At that point I'm pretty well tied up and not going
|
||
|
anywhere. But he's not finished with me. I can't hear it
|
||
|
but I know he's getting the large leather bag positioned
|
||
|
under me. Then I feel the leather being pulled up my legs.
|
||
|
It goes up until it is over my hips. Then it gets a little
|
||
|
tighter and he has to work it up a bit at a time until the
|
||
|
top of the bag is under my chin. I call it a bag but it is
|
||
|
more like a suit, custom made to fit my body. There are
|
||
|
laces running from half way between my ankles and knees up
|
||
|
to my neck. He starts at the bottom and works the laces
|
||
|
upward, tightening each part as he goes and working the
|
||
|
slack out completely. By the time he ties the knots under
|
||
|
my chin I am covered totally with another skin of leather.
|
||
|
Even my arms, already covered in leather and securd by rope,
|
||
|
are included under this suit.
|
||
|
|
||
|
One might think that this would be enough. But the
|
||
|
doctor wants complete immobility and he gets it. First
|
||
|
there are straps that go around my ankles and buckle tight.
|
||
|
Then around my knees and thighs and waist (pining my arms
|
||
|
tightly against my body) and around my body just under my
|
||
|
somewhat overgrown breasts. But that's not all. I feel
|
||
|
myself move upward and know that the doctor is ready for the
|
||
|
last part of the equipment. When I'm about three feet off
|
||
|
the floor he stops me. For a minute there is no sound or
|
||
|
feeling. I know he's out there moving around and I can
|
||
|
picture him getting the last piece of rope and kneeling down
|
||
|
under my legs. Then I feel some fumbling at my feet and a
|
||
|
second later my feet are pulled down.
|
||
|
|
||
|
The doctor has shown me pictures of myself completely
|
||
|
done up in the experiment equipment. There is a ring at the
|
||
|
bottom of the body suit, right at my toes, and he has tied a
|
||
|
rope to that ring. There is another ring bolted to the
|
||
|
floor right under me and he has tied the rope to that ring.
|
||
|
He pulls it taunt enough to stretch my entire body out a bit
|
||
|
but not to be painful. The purpose of that rope is to keep
|
||
|
me from moving. Suspended in mid-air as I am, I can feel
|
||
|
very little. I have no floor under my feet, no bed under my
|
||
|
body as I lay on it. I am suspended by a harness
|
||
|
arrangement that is very comfortable and there is the
|
||
|
feeling of floating in air. As time goes by it will grow
|
||
|
until I completely loose all feeling of the ropes, straps
|
||
|
and leather around my body. Maybe the tightness of the
|
||
|
equipment has something to do with that, I don't know.
|
||
|
|
||
|
I feel his hands running over my body, checking the
|
||
|
buckles and tightness everywhere, adjusting here or there a
|
||
|
bit to assure that nothing is loose, least of all me. Then
|
||
|
he pats me on the bottom and I feel nothing.
|
||
|
|
||
|
Dr. Wayward has told me that he usually waits a minute
|
||
|
or two to make sure everything is properly set up then he
|
||
|
leaves the lab. He knows that it will take me several hours
|
||
|
to reach a proper state and there is nothing he can do until
|
||
|
then so he goes to his lunch or reads a book in his office.
|
||
|
I, on the other hand, can read no book, eat nothing (unless
|
||
|
you count hard rubber -- I don't), and am not going
|
||
|
anywhere.
|
||
|
|
||
|
What do I feel? I feel very comfortable. My whole
|
||
|
body is warm and snugly wrapped in a leather cocoon. I am
|
||
|
at peace and feel very relaxed. it is nice. I don't have
|
||
|
to think, do anything or say anything. I wait patiently for
|
||
|
ten minutes to pass (counting to make sure it's been that
|
||
|
long). Then I go into what I call the fun part.
|
||
|
|
||
|
When the experiments first started, I used to try and
|
||
|
relax all the time while in the equipment. But the third
|
||
|
time I got an itch in the nipple of my left breast and it
|
||
|
began to drive me crazy. I tried twisting my shoulders back
|
||
|
and forth, hoping that the leather suit would rub the itch.
|
||
|
No chance! It was too tight. Then I struggled, just a bit
|
||
|
at first but growing into harder and more serious jerkings
|
||
|
of my body and limbs, trying anyway I could to stop that
|
||
|
maddening itch in my breast. I guess some place along the
|
||
|
line I lost the itch but I don't remember when because after
|
||
|
a few minutes of struggling against such complete and
|
||
|
hopeless restrictions, I became aware of a warmth generating
|
||
|
from my sex and spreading outward. It was a real good
|
||
|
feeling, an excitement that is wonderful to feel. I was
|
||
|
getting sexually turned on! And it was happening very fast
|
||
|
and hard. I soon forget about the itch as I continued my
|
||
|
struggles in hopes that the wonderful glow in my pussy would
|
||
|
blossom into full orgasm. Well, it is boring in that
|
||
|
equipment, after all.
|
||
|
|
||
|
Since most of my weight was on a wide and thick strap
|
||
|
that passed right between my legs, there was something
|
||
|
pressing my sex. With some violent attempts at struggles I
|
||
|
was able to shift the pressure of that strap so that it felt
|
||
|
soooo good on my pussy. Before I knew it there were
|
||
|
skyrockets exploding in my head and my pussy was on fire and
|
||
|
I felt wonderful!
|
||
|
|
||
|
That was the first time. Every time since I waited
|
||
|
until the doctor left and then I began to fight the ropes
|
||
|
and straps holding me. I even try to scream my head off, it
|
||
|
helps make me feel more helpless. It doesn't take too long
|
||
|
before I'm arching my body within my bonds and trembling as
|
||
|
orgasm after wonderful orgasm explodes within me. I figure
|
||
|
I get in three or four orgasm before I'm tired enough to
|
||
|
just hang limp in the darkness. Since the doctor's never
|
||
|
said a thing about it, I'm sure he's gone to his lunch or
|
||
|
whatever he does all the time I'm getting high on the most
|
||
|
mind-blowing climaxes I've ever felt. Hell, probably that
|
||
|
any girl's ever felt.
|
||
|
|
||
|
Each experiment lasts four or five hours. Dr. Wayward
|
||
|
has been talking about trying some longer experiments,
|
||
|
perhaps eight hours at a time and I've told him that was
|
||
|
fine with me. When the time is up and he lets me down I
|
||
|
tell him the results.
|
||
|
|
||
|
Funny thing is that we've been trying to use this
|
||
|
sensory depravation experiment to induce telepathic abilities
|
||
|
for almost two years now and haven't had a single positive
|
||
|
result! But the doctor is sure it is the right method and I
|
||
|
don't disagree with him. After all, he's the doctor!
|
||
|
|
||
|
|
||
|
The End
|
||
|
--
|