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1111 lines
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Plaintext
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Archive-name: Changes/sam5.txt
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Archive-author: W. Eastburn
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Archive-title: Sam - 5
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Tuesday Morning
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Sam woke peacefully, but fully to the brightness of the room. For
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some reason, he was feeling good this morning. He knew immediately
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where he was, but, for some reason, was not a dejected about his
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situation as he'd been for the past few days.
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He swung his legs out of the bed, heading for the bathroom to
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answer the call of nature. As he sat on the toilet seat, he noticed
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something was different. Nature would not wait, but he kept trying to
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put his finger on the difference while his body was taking care of its
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need.
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He flushed the toilet, then reached down to remove the panties
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from his night gown. It dawned on him then. There was no maxi-pad in
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the panties. He felt the ice cold stabbing of fear and guilt as he
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realized that Susan would kill him, or at least give him the final
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dose, when she saw the mess that he'd probably left on the bed.
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Susan walked into the bathroom just then. Sam wasn't sure whether
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she'd heard the toilet flushing or he'd called here there somehow
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mentally.
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Susan smiled a cheery, "Good Morning, Sam."
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Sam tried to answer nonchalantly, but he couldn't control the fear
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and guilt in his voice.
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Susan looked puzzled for a moment, then she, too, noticed that the
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pad was not in place.
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"What did you do with the maxi-pad, Sam?" she asked, fearing that
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he'd flushed it down the toilet. She knew that might cause a clogging
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of the plumbing.
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Sam looked dejected, stammering, "Um, I forgot to put it in last
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night."
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Susan's face contorted in rage, then smoothed, all in an instant
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of time. Her glare at Sam could have turned him into stone. Yet,
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without a word, she spun and walked swiftly into the bedroom.
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Sam sat fixed to the toilet seat. The hollow feeling in his
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stomach was deepening by the minute. As he heard the rustle of the bed
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clothes being mussed, he just knew that Susan would be returning
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momentarily, probably with the hypodermic in her hands, but he sat
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immobile.
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Susan came back to the bathroom, her face calmer now, but there
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was a tightness in her voice as she said, "You are one very lucky young
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lady."
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Susan took the tell tale panties from Sam, gave them a quick
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glance, and tossed them into the sink. Her face softened.
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Quickly she kissed Sam on the forehead. Her voice was much more
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composed, almost light, as she said, "I only saw a few drops of blood
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in the panties, and the bed was clean. I think your period is over."
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"Go on and start to get dressed while I get into something
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decent," she continued, going back to her own room.
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"And make sure to put a panty liner in your panties," she
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cautioned from the other bedroom.
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Sam remained frozen on the toilet seat for a moment. The relief
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at her pronouncement washed all through him. He knew he had just
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dodged a serious situation.
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As he calmed, he got up and washed out the panties. He hung his
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nightie on the hook, and went into the bedroom. He knew he might have
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gotten past this one problem, but he'd better be on his best behavior
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for a while.
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Sam went to the dresser, where Susan had been pulling clothes for
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him for the past few days, and rooted around, looking for underwear.
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He found some of the same style panties he'd been wearing for the past
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few days, though lacier, and put them on. He also found a bra.
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Motivated to dress quickly, and thus try to keep Susan from being
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angered again, he put the brassier on, and dipped into the drawer
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again. He couldn't find the pantyhose he'd been made to wear at the
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mall, so he resignedly picked up the garter belt and put it on.
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Sam went back into the bathroom to get the stockings he'd washed
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last night. As he reached for them, the coldness in his stomach
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returned. Something had pulled the material on one of the stockings,
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and there was a long area that looked like a wide spaced ladder. He
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was holding the evidence when Susan returned.
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"Oh, no," she said. "Your stockings have a run in them."
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Her voice was remarkably calm and matter of fact, Sam thought.
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Susan went over to the dresser, selecting a cardboard envelope.
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She opened it, and pulled another pair of the sheer stockings from it.
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"Go ahead, Sam," she said, "continue dressing while I put on some
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coffee."
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Sam took the stockings, and managed to get them on. He slapped
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some lipstick on his face, and went to the closet to get a dress. He
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figured he might as well get the dress on before he brushed his hair.
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As he looked through the clothing hung up in the closet for the
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first time since he'd been here, he noticed that all the dresses and
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skirts seemed to be about the same length. The only one really longer
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was the suit he'd worn to church on Sunday, and he recalled how short
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that one was. He didn't see a slip in the closet anyhow, and didn't
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recall seeing one in the dresser drawer. Reluctantly, he began to look
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through the other clothing.
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His hand touched something exceptionally soft and silky. He
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pulled it out for a closer look. It was a dress, in a pattern of pinks
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and whites causing it to appear to be covered by big flower petals. He
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could see it had shoulders, and a collar on it, but no sleeves. It
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even buttoned down the front, though he was a little disappointed to
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see the tiny buttons seemed to stop just as they got to the fuller area
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of the bodice. The skirt was full, falling from the waist in gentle,
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unpressed pleats. Even though the skirt was much shorter than he would
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have liked, he decided he liked the dress. Then, he noticed he could
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see the shadow of his hand clearly defined through the dress, even
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though the hand was all the way on the back side. He slipped his other
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hand inside the front, and saw it clearly, even being able to see a
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tinted color version of his hand through the material. He decided he
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didn't like the dress so much any more. It was soft, though.
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Susan returned by this time, and was watching Sam look through the
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closed. As the discovery of the dress first lighted up his face, then
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fell as he discovered its transparency, she laughed.
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"That is a very nice dress, Sam," she said, "but maybe not right
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for today. Why don't we save that one for the next time Tom takes you
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out. He is sure to like it."
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Sam was doubly embarrassed by the thoughts that Susan had been
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watching him check out the dress, and the prospect of going out with
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Tom dressed in the sheer thing.
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Susan reached into the closed, quickly selecting a blouse and
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mini-skirt for him. She handed them to him, saying, "Try these on
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today."
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Sam took the garments to the bed, where he put them on.
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The blouse was a simple peasant style, with puffed sleeves, and a
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rough lace embroidered over the front. It didn't have any buttons, so
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Sam just slipped it over his head, discovering that it didn't cover too
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much of his breasts either. The sleeves seemed to pull down on his
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shoulders, so he adjusted the elastic holding them to his arms up, and
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the sleeves seemed to balloon into a puff by themselves.
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The skirt was a straight one, a combination of reddish and pink
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lines forming large squares all over the fabric. As usual, it had the
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button and zipper on the waistband. He pulled it over his head and
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settling it down on his waist. He sighed as he saw the hem just barely
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covering the tops of his stockings.
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Susan took a long look at him standing there before her, then got
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a few things for him. She gave him the pair of black pumps he'd worn
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before, and then circled his waist with a wide, shiny black belt, which
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she fastened in the back. It had a white net flower where the buckle
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in the front would have normally been. She moved the belt a little,
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until the flower was off to one side, just about where Sam's now
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flatter stomach joined the roundness of his hips. Susan gave a curt
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nod of approval and went back to the kitchen.
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Sam now noticed what Susan was wearing for the first time. He'd
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been caught up in his own trouble, he really had not been paying
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attention.
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Susan was wearing a white blouse, that circled high on her neck
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and had ruffles all over the front. It was buttoned up the back, and
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sheer enough that her bra displayed its lace very plainly through the
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fabric as the fabric strained to clutch her body when she moved. Her
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skirt was a charcoal gray, with just a hint of red stripes running up
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and down it. As with her skirt yesterday, it fell to the middle of her
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knees. She had brownish red pumps on her feet.
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Sam recognized that the skirt Susan was wearing was obviously the
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bottom of a suit. He sighed with resignation, knowing he'd be farmed
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off somewhere while Susan went to work.
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Sam brushed his hair, getting the job done quickly as he
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remembered to use very light strokes, and looked at himself in the
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mirror. He was not really displeased with the woman who looked back at
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him. In other times, he thought, he wouldn't mind taking her home.
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Like yesterday, they had coffee in the kitchen, which Sam drank
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without comment. He took his calcium and vitamin pills without a
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protest. Still being on good behavior to mitigate the close call after
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forgetting the pad last night, he washed the dirty cups without a word
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from Susan.
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Susan had gone back into her room to finish dressing. She now
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emerged with the jacket matching her skirt on, carrying a black
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shoulder bag and a black briefcase. She was obviously ready for work.
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"Grab your bag and come on," she said, heading for the door.
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Sam got the black shoulder bag from the dresser in his bedroom,
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and followed her out of the apartment.
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When they got to Susan's car, she got in the driver's seat, and
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leaned over to unlock the passenger side. Sam took the hint, and slid
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into the front seat, buckling the seat belt.
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"I have to go to work," she explained as she was starting the car,
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"but Gwen needs to talk with you. I'll drop you off at her place on
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the way."
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Sam wondered why Gwen needed to talk to him, but kept his question
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to himself. He was still trying to atone for his earlier problem.
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Strike Two
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They drove through the suburbs, until they came upon a large house
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situated in a big landscaped lawn. As Susan drove into the driveway,
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Sam figured that this must be Gwen's house. He'd never been here
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before, having taken her to his apartment the time they'd gone home
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together. That thought brought a flash of a smile to his face, which
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crashed almost immediately as he recalled it now seemed like a lifetime
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ago since that night.
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He turned his eyes to the house, estimating it must have cost at
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least a quarter million dollars. That brought up the question of how a
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nurse could afford such a big house. After the revelations about
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Sharon last night, he was not about to ask Susan about this though.
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They got out of the car and walked up to the door. Gwen answered
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the bell almost immediately.
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"We're a little early, I'm afraid," Susan smiled at Gwen, "but I
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really have to get to the office."
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"No problem, Susan," Gwen replied, returning the smile. "I was
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just getting ready for Sam anyway."
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"Thanks, Gwen," Susan said, turning back to her car.
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Over her shoulder, Susan said, "Sam, be a good girl for Gwen
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today."
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"Come in, Sam," Gwen said. "You are looking very pretty this
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morning."
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Sam thanked her for the compliment as they walked into Gwen's
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living room.
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"I need to get a few things," Gwen said. "Why don't you make
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yourself comfortable here. I'll only be a minute."
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Sam looked around the room. It was a large, airy room. There was
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a sofa, a love seat, and a couple of matching chairs scattered around
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the room, along with some end tables in a dark wood. The furniture was
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done in a light beige, matching the carpet. He also noticed the beige
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curtains framing the picture window in the rear of the room. One wall
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had an open fireplace, with all the tools on it, but it was obviously
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not in use. The opposite wall had a book case full of books.
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Sam walked over to the book case. He had never been a big reader
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before, but there was something about these books that grabbed his
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attention. Perhaps it was the bright colors on the book covers. He
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looked over the selections, recognizing several of the titles from the
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best seller lists in the newspaper. As he examined the books, he
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noticed that they all seemed to be done by one author. He wondered who
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G. Chambeaux was. Whoever he was, he was sure a prolific author.
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On impulse, Sam picked one of the books from the shelf. The title
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was one that he knew was on the current best seller list. As he opened
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the book, he almost dropped it on the floor. There, on the back flap,
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was a picture of Gwen staring at him.
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"You can take the book with you," Gwen said from behind him. "I
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have several copies."
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Sam turned red.
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"Now, come over to the sofa. We need to talk," she continued.
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Sam sat on the sofa, while Gwen sat in one of the chairs. She
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looked so natural in this setting, and desirable in her black pants,
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that looked like she'd been poured into, and red silk blouse. The
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feeling of his nipples straining against his bra, and a slight feeling
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of moistness in his groin, reminded him that he couldn't do much about
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that desirability now.
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"I know you are finding yourself in strange surroundings," Gwen
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began, "but there are a lot of things you have to learn. I'll try to
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teach you some of them this morning. We don't have a lot of time, so
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pay attention."
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Gwen started talking about reproduction, and menstruation, and
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babies.
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Sam lost interest almost immediately. He didn't want to know
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about all this girl stuff. He certainly had no intention of getting
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close enough to a man to get pregnant, even if Gloria's changes had
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made it possible now.
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After a while, Gwen noticed him fidgeting on the sofa, and the
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distracted look of boredom on his face.
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"Pay attention," she said sternly, "this is important."
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"Why are you telling me all this junk," Sam retorted. "I'm not
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going to do anything like that."
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"Oh, but you will," Gwen replied, the stern, no nonsense, tone
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still in her voice.
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"As women," she said, "our bodies are designed to do one thing.
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They want to reproduce. And they will do everything they can to get us
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to make a baby, whether we want to or not."
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"Hmmmpf," Sam retorted, sharply, "That's fine for you, but I'm not
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going to get within a mile of a man and a bedroom."
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"You aren't going to have any choice in the matter," Gwen said.
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"Your body will take care of that. In fact, you'll probably end up in
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bed with Tom before long."
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Sam was stunned. Tom was a nice guy, but the idea of going to bed
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with him was ridiculous. Besides, he remembered, vaguely, something
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Gloria had said about getting pregnant making his condition as
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permanent as the last dose of the medicine they were holding over his
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head. He had no intention whatsoever of allowing that to happen.
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"Now, may I have your attention so we can continue?" Gwen asked.
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"I don't need all this bull," Sam said, in anger. "I am not going
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to bed with Tom, or any other man for that matter."
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"Besides, what the heck is so special about Tom?" he blurted.
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"The whole lot of you women carry on like he is some kind of Greek god.
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He's just a guy, like thousands of others. Just like I was, until you
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girls did this to me. You all act like you'd jump in Tom's bed in a
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heartbeat."
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Gwen reddened. She was getting angry.
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"We have known Tom for years now," she said. "He is a special
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man, much more of a man than you ever were. And he HAS taken me to
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bed, as well as the other girls. And we are DAMNED happy he's around
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to do it."
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She paused for breath, continuing heatedly, "I don't know what he
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sees in you. He's much too good for the likes of you, but he'll
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probably take you to bed very soon. I'm doing this mostly for him. I
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don't want to see him hurt because you can't take care of your own
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urges."
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She stopped suddenly, the tension and anger clearly showing all
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over her body.
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"Bull!" Sam repeated, clasping his arms roughly around his chest,
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then moving them hastily when his breasts got in the way.
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"Well, if you won't learn how to take care of yourself, I don't
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care if you get pregnant," Gwen said tightly. "I just hope it isn't
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with Tom. He'd feel obliged to marry you, and he deserves much, much
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better than you."
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"Hmmmpf!" Sam exclaimed.
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Gwen now burst into tears.
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"Get out of my house!," she shouted. "I don't want to see you
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again."
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"I didn't want to be here in the first place," Sam retorted, as he
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angrily stomped out the front door, slamming it behind himself.
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Gwen was running, in tears, towards her bedroom as Sam left the
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house.
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Sam stood on the door stoop, taking deep breaths. He was more
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than angry. He was angry that he was here, angry with Gwen, and angry
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that he was in this body. He was also angry that his clothes were so
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revealing, and angry at all the women who had brought him to this
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condition.
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As he cooled down a little, still on the door stoop, he decided he
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needed a drink. Then it dawned on him that he had no money.
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Frustrated, he decided just to walk away and let these women find
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themselves another play toy. He began walking down the driveway.
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He cooled down even more as he was walking, and realized that he
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had even left his purse on Gwen's sofa. He had no money, no
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identification, and nowhere to go. He was stuck in this female body,
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dressed like a hooker, and walking in one of the most affluent suburbs
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of the city.
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He looked up to see a police car passing slowly on the street. He
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saw the officer looking suspiciously at him. He turned and walked back
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to Gwen's doorstep. All he needed was to get arrested as a hooker, he
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thought.
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He sat on Gwen's door stoop, and his anger changed to despair. He
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realized that he had no hope at all of getting back to his old self
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without Gloria's help. He also realized he'd made Gwen mad, and Gwen
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had probably been the most helpful of the women in the group. She
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would probably have Gloria give him the final dose now, he thought.
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Heck, she might even do it herself and be happy taking her revenge.
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With these thoughts, he bowed his head an began sobbing, for the first
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time since he'd cried since he had been a little boy.
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He was still crying when the door opened softly.
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Gwen stood at the doorway and said gently, "Come inside Sam."
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Sam followed her, still sniffling.
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"Sit here," she directed, in her no nonsense tone. "I'll call one
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of the others to come get you."
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Sam could see the tracks on her face where she'd been crying
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through his own tears.
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"I'm sorry, Gwen," he blubbered through his tears. "Please, don't
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be mad at me. Can we try again?"
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Gwen looked at him in surprise. Sam seemed so dejected, sitting
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there crying, and so sincere.
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She put her hand on Sam's cheek, gently.
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"Sam," she said softly, "you hurt me terribly. I should give you
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your final dose now, but I can see your really are sorry."
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"Come into the bathroom," she directed, "we both have to repair
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our faces."
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They went into the large bathroom, where Gwen took a wash cloth
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||
|
and washed the tears from Sam's face. Then, she washed her own face,
|
||
|
and took him by the hand back into the living room.
|
||
|
As they settled into their previous positions, Gwen said, "I am
|
||
|
disappointed in you Sam. And I'm still angry and hurt. I'm too upset
|
||
|
to continue teaching what you need to know, but I'll try."
|
||
|
"Have you taken your pill today?" Gwen asked.
|
||
|
Sam looked over at her. He had not taken one of those birth
|
||
|
control pills. He had no intention of needing them.
|
||
|
"No," he admitted.
|
||
|
"Sam," she said softly, "you must take one of those pills every
|
||
|
morning. You never know when you will need them, what with rapists
|
||
|
around, or maybe just the right man comes along."
|
||
|
Sam had never considered the possibility of rape before. He had
|
||
|
never had to think too seriously about that in the past. Rape was
|
||
|
something that only happened to women.
|
||
|
As he was thinking, Gwen had gone into the kitchen, and now
|
||
|
returned with a tumbler full of water.
|
||
|
"Take your pill now," she said.
|
||
|
Sam fumbled in his purse, finding the bag from the drug store. He
|
||
|
opened it, and saw a plastic container with twenty eight pills arranged
|
||
|
in a circle on it. The pills pushed through the foil backing. He got
|
||
|
one, and took it with the water Gwen handed him.
|
||
|
Gwen took the tumbler back to the kitchen while Sam was looking in
|
||
|
fascination at the pill container.
|
||
|
"If you remember nothing else," Gwen said softly, as she reseated
|
||
|
herself on the chair, "remember that your body wants you to give it a
|
||
|
baby. You can trick your body with the pills, but it will still try
|
||
|
and get you pregnant."
|
||
|
"Now," she continued, "we have made a mess out of our time
|
||
|
together this morning, and you have to be at Darlene's in a few
|
||
|
minutes. We have just about enough time to get there."
|
||
|
As they got into Gwen's car, Sam said softly, "I really am sorry."
|
||
|
"I know, dear," Gwen said. "I won't do anything hasty, but you
|
||
|
better not let this happen again."
|
||
|
They drove to the dress shop in silence, each deep in her own
|
||
|
thoughts.
|
||
|
|
||
|
First Fitting
|
||
|
|
||
|
When Darlene met them in her shop, Sam noticed that several other
|
||
|
women were present, looking over clothes hanging on racks or bolts of
|
||
|
fabric stacked on tables. Most of the women were in pants, and they
|
||
|
were mostly young.
|
||
|
"Gwen, Sam!" Darlene greeted them cheerfully. "You are right on
|
||
|
time, but I am afraid I am a little behind. Sarah Brewster added two
|
||
|
more bridesmaids, and I'm still fitting them."
|
||
|
"That's OK, Darlene," Gwen said, with a small smile on her lips.
|
||
|
"Do you mind if I use your phone?"
|
||
|
"No," Darlene answered, "go right ahead. Use the one in my
|
||
|
office. You know where it is. In the meantime, I'll take Sam into the
|
||
|
fitting room. We'll be in the same one we used the other night."
|
||
|
"Fine, and thanks," Gwen said, as she went off to Darlene's
|
||
|
office.
|
||
|
Darlene took Sam into the curtained cubicle where he'd been put
|
||
|
into the strapless dress on Saturday. Cindy poked her head through the
|
||
|
curtains, greeted Sam, and disappeared again.
|
||
|
"Ok, Sam," Darlene said, "take your dress off and get up on the
|
||
|
pedestal."
|
||
|
As Sam was disrobing, Darlene leaned through one of the curtains,
|
||
|
returning with some material on a hanger.
|
||
|
"You made quite a hit at The Game Cock," Darlene said cheerily, as
|
||
|
Sam stood on the small platform.
|
||
|
Sam thought back to Saturday, and had to smile, despite himself.
|
||
|
"Oh," Darlene said, "I didn't realize you were wearing a bra.
|
||
|
You'll need to take that off so I can fit you properly."
|
||
|
Sam took the bra off, throwing it to the couch where he had laid
|
||
|
the dress. His breasts got chilly as they were exposed to the air, and
|
||
|
his nipples stiffened.
|
||
|
Darlene laughed a bit, as she began wrapping the fabric on his
|
||
|
body.
|
||
|
Darlene draped the fabric in various ways, putting pins through
|
||
|
the material every so often. She was humming to herself as she stood
|
||
|
to examine her work.
|
||
|
Just then Susan walked into the cubicle. If looks could kill, Sam
|
||
|
would have been dead.
|
||
|
"Darlene," she said sweetly, "do you mind? I need to talk with
|
||
|
Sam for a moment."
|
||
|
"Certainly," Darlene said, as she tactfully went through the
|
||
|
curtain.
|
||
|
There was steel in Susan's voice as she began, "How could you?"
|
||
|
"You hurt Gwen deeply," she continued. "I have half a mind to
|
||
|
stick this into your fat butt right this minute." She produced the
|
||
|
hypodermic from her purse.
|
||
|
"Susan!", Gwen's voice was raised as she stepped into the cubicle.
|
||
|
"Sam apologized," Gwen said. "Yes, I am hurt, but I think she was
|
||
|
sincere. I don't think you need the needle."
|
||
|
Susan looked at Gwen, fiercely at first, then softening. She
|
||
|
looked at Sam again.
|
||
|
"Young lady," she had the steel back in her voice, "you are very,
|
||
|
very lucky to have Gwen here to defend you." She placed the syringe
|
||
|
back into her purse.
|
||
|
"If I EVER hear even a hint of that type of thing happening again,
|
||
|
not even Gwen's pleading will save you from the final shot," she
|
||
|
continued. "Do you understand me?"
|
||
|
Sam, the cold feeling of dread receding from his stomach, said
|
||
|
contritely, "Yes, ma'am."
|
||
|
Susan wrapped her arms around Gwen's shoulders as they both walked
|
||
|
out of the cubicle. Darlene stepped in a moment later, and began
|
||
|
fussing with the dress again.
|
||
|
A while later, Susan and Gwen returned, both laughing, obviously
|
||
|
in better spirits. They both took a long look at Sam, still on the
|
||
|
pedestal under Darlene's ministrations.
|
||
|
Sam wanted to shrink into the background, but he was the center of
|
||
|
attention in the small room. He surely did not want Susan or Gwen any
|
||
|
angrier than they already had demonstrated.
|
||
|
"Darlene," Susan said, "that is lovely. Can you do one like it
|
||
|
for me in that powder blue I like. I think I want the walking slit in
|
||
|
the back though."
|
||
|
"Thank you, Susan," Darlene mumbled, her mouth full of pins. "I
|
||
|
think so. I have your measurements on file, but we'll still need to do
|
||
|
a final fitting. How about the same time as you bring Sam back?"
|
||
|
"Sounds good to me," Susan laughed, "and don't swallow those
|
||
|
pins."
|
||
|
Gwen considered the dress now draped over Sam's body. It had
|
||
|
various reddish sequins all over the strapless bodice and midriff,
|
||
|
continuing in a v shaped pattern down his belly. A pale pink silk
|
||
|
fabric fell to the floor in a straight skirt. She knew it would have a
|
||
|
high slit in front when it was done.
|
||
|
"It IS lovely," Gwen said at last. "but I don't want to have the
|
||
|
same dress as two others. Maybe if you could do a red one, with
|
||
|
spaghetti straps, and maybe a chiffon overskirt."
|
||
|
Darlene stopped working on Sam's dress and took the pins out of
|
||
|
her mouth. She ducked into the other room for a second, and brought
|
||
|
some material back with her. She wrapped some fine net-like fabric
|
||
|
over Sam's waist, letting it fall to the floor. The pink of the skirt
|
||
|
fabric showed through it, but it looked somehow more elegant.
|
||
|
"I think so," Darlene said, looking at what she had done. "I
|
||
|
think a few chiffon roses on the overskirt would be nice too."
|
||
|
"Yes, yes," agreed Gwen eagerly. "Can you do it?"
|
||
|
Darlene laughed, "Certainly. Would you like to come in with these
|
||
|
two for the final fitting?"
|
||
|
"Sure," Gwen laughed. "It's only money, after all."
|
||
|
The three women giggled, as Sam stood uncomfortably in front of
|
||
|
them.
|
||
|
Darlene began unwrapping Sam's body from the fabric and said, "I
|
||
|
think I've got all I need for today."
|
||
|
The women again laughed.
|
||
|
"I should think so," Susan exclaimed. "You started with one gown.
|
||
|
Now, you'll be making three."
|
||
|
Sam was finally unwrapped, and stepped over to the couch to get
|
||
|
dressed. He picked up the bra.
|
||
|
"No," Susan ordered. "Put that in your purse. You have been a
|
||
|
bad girl, and you'll have to go bra-less for the rest of the day.
|
||
|
We'll see how you like it when the men in the mall notice your breasts
|
||
|
jiggling."
|
||
|
Gwen, Susan and Darlene laughed as the mental image painted itself
|
||
|
on their minds.
|
||
|
Sam, uncomfortable at the prospect of drawing that kind of
|
||
|
attention, reluctantly put the bra into his purse. Then, he slipped
|
||
|
into the blouse and skirt. He could feel his breasts exploring their
|
||
|
new found freedom under the blouse, and his nipples hardened with the
|
||
|
fabric brushing over them.
|
||
|
"Sam and I need to go over to the mall," Susan said as the three
|
||
|
left the dress shop. "Will you join us, Gwen?"
|
||
|
"No," Gwen said. "I better check in with Lois."
|
||
|
"OK," Susan responded. "We'll see you later."
|
||
|
"Come along, Samantha," she continued, her voice hardening to show
|
||
|
that no discussion was in order.
|
||
|
Sam followed Susan out to the street, walking down the sidewalk to
|
||
|
her car. Gwen went off in the other direction to hers.
|
||
|
Sam felt his breasts bouncing under his blouse. As they passed
|
||
|
several men on the sidewalk, he became quite aware of their stares at
|
||
|
his chest. He flushed.
|
||
|
Susan had managed to park about a block from the store, so Sam's
|
||
|
discomfort did not last too long. They got into the car, and Susan
|
||
|
drove to the mall they had visited Saturday.
|
||
|
|
||
|
Getting a Few Things
|
||
|
|
||
|
Sam dutifully followed Susan into the mall, afraid to do anything
|
||
|
that might anger her. They walked down the long walkway, finally
|
||
|
arriving at a store with several bridal gowns in the show window.
|
||
|
"Bridal Glamour," read the large sign over the doorway.
|
||
|
Sam wondered what they were doing in a bridal shop, but did not
|
||
|
ask. He was afraid of angering Susan again.
|
||
|
Susan led him toward the rear of the store, past the racks of
|
||
|
bridal gowns, and bridesmaid's gowns, to the area marked,
|
||
|
"Accessories."
|
||
|
"I think some full length gloves," she said to the clerk who had
|
||
|
come over to them. "Do you have them in a pale pink?"
|
||
|
"Certainly," the salesgirl replied. "What size?"
|
||
|
"I don't really know," Susan admitted. "They are for Samantha
|
||
|
here."
|
||
|
The clerk took a tape measure, and measured Sam's arms and hands
|
||
|
in several places.
|
||
|
"Just a moment," she said. "I'll get a pair from the back."
|
||
|
The salesgirl returned with a long, white box, which she was
|
||
|
opening as she walked up to them. She withdrew a pair of long, pink
|
||
|
gloves, and began unbuttoning the small buttons, which ran from the
|
||
|
wrist to the top. She took Sam's hand, place it in the glove, and
|
||
|
buttoned it up over his arm. The glove reached up to the midpoint of
|
||
|
his upper arm. It also fit like a second skin, very tightly around the
|
||
|
hands, then loosely around the arms so that soft wrinkles showed all
|
||
|
along the arms.
|
||
|
"I think that's perfect," Susan said, looking critically at the
|
||
|
glove. "Do you have a pair in blue lace?"
|
||
|
"I think so," the salesgirl said. "Dark or light?"
|
||
|
"Light," Susan replied, "in a 6."
|
||
|
Susan's gloves fit snugly all the way up the arms.
|
||
|
"Perfect," she said. "We'll take both pairs."
|
||
|
Susan paid the girl with her card, and led Sam back out into the
|
||
|
mall.
|
||
|
"Now, we need some jewelry," she mused.
|
||
|
They walked down the mall to a jeweler's store, Sam self-
|
||
|
consciously aware of the stares his chest was garnering.
|
||
|
In the jeweler's, Susan began looking into all of the display
|
||
|
windows. Sam followed suit, having to admit to himself that some of
|
||
|
the items were quite pretty.
|
||
|
Susan looked somewhat perplexed by the time the salesman came over
|
||
|
to them. He looked at her as if to ask what she wanted.
|
||
|
"I was looking for something in rubies," Susan said.
|
||
|
"I have some nice ones over here," he said, leading her to a
|
||
|
counter next to the wall.
|
||
|
"Susan!" a loud man's voice proclaimed. An middle aged, balding
|
||
|
man, who had obvious trouble pushing away from the dinner table, walked
|
||
|
down the aisle behind the display counter.
|
||
|
"Maurice!" Susan responded in kind, smiling broadly.
|
||
|
"That's all for now, George," Maurice said to the salesman.
|
||
|
"Susan is one of our best customers. I will take care of her myself."
|
||
|
Sam could barely hear him mutter, "Don't worry, you'll get the
|
||
|
commission."
|
||
|
"Now, Susan," Maurice beamed at her, "what can I do for you
|
||
|
today."
|
||
|
"I think rubies," Susan said. "Um, it will be a formal affair,
|
||
|
and the dress is light pink."
|
||
|
"I have some lovely things," Maurice said, "but in the back.
|
||
|
Would you follow me, please?"
|
||
|
"Certainly, Maurice," she replied, placing her arm on the man's.
|
||
|
"Come along, Samantha," she said over her shoulder.
|
||
|
The rear of the jewelry shop was not an open store room, like many
|
||
|
stores had. There were three comfortable looking chairs placed in
|
||
|
front of a considerably smaller version of the display cases in the
|
||
|
front. The case was lined with black velvet, and held only three large
|
||
|
gold and diamond pins. Even to Sam, these pieces were quite beautiful.
|
||
|
They had obviously found the quality place.
|
||
|
Maurice seated Susan in one of the chairs, then repeated the
|
||
|
process to seat Sam.
|
||
|
"Rubies," he murmured, turning to a large vault on one of the
|
||
|
walls, behind the counter.
|
||
|
He entered the walk-in vault, returning in a minute carrying a
|
||
|
black box. He placed the box on the counter, and opened some
|
||
|
fastenings. The sides dropped away, revealing some fine jewelry on a
|
||
|
dark green velvet background. Several necklaces, bracelets, pins and
|
||
|
pairs of earrings were revealed, with a number of different sized
|
||
|
rubies set in gold.
|
||
|
Susan leaned forward, picking up some pieces, disregarding others.
|
||
|
"These are not quite what I had in mind," Susan said.
|
||
|
The jeweler silently moved the box to one end of the case, and
|
||
|
went back to the vault. He brought out a second box, which he opened
|
||
|
like the first. The velvet was black. There were fewer pieces
|
||
|
revealed, but the stones were larger.
|
||
|
Susan again began to finger through the merchandise. She stopped,
|
||
|
holding an earring. It had a fair sized ruby, surrounded by diamonds,
|
||
|
set on a gold setting, and another, larger, ruby surrounded by diamonds
|
||
|
on a single link below it. She held it up to Sam's ear.
|
||
|
Susan looked critically at the earring, turning her head one way,
|
||
|
then the other.
|
||
|
"You know better than that, Susan," Maurice chided, laughing at
|
||
|
the same time.
|
||
|
Maurice picked up the matching earring, and came around the
|
||
|
counter. He took the earring from Susan, and turned his attention to
|
||
|
Sam. He gently removed Sam's studs.
|
||
|
"Just been pierced recently," he observed, "but it looks healed
|
||
|
well enough to handle these."
|
||
|
He put the ruby earrings through the holes in Sam's ears,
|
||
|
fastening them securely at the back of the lobes. He then went in back
|
||
|
of the counter.
|
||
|
Susan looked at Sam's ears critically again. She had him move is
|
||
|
head several times, so she could get a better view.
|
||
|
Maurice returned to Sam with a mirror, which he held up so that
|
||
|
Sam could see how the earrings looked on his ears.
|
||
|
"I think they will do nicely," Susan said, finally.
|
||
|
"Now, we need a necklace," she continued.
|
||
|
She began sifting through the display items again, as Maurice
|
||
|
removed the earrings from Sam's ears, replacing them with the studs.
|
||
|
He got a small box from under the counter, and placed the earrings in
|
||
|
it. Then, he turned his attention back to Susan.
|
||
|
"Just a moment, Susan," he said, returning to the vault.
|
||
|
He brought out a box containing only a half dozen items. One
|
||
|
necklace had a line of rubies, alternating with diamonds down the
|
||
|
center, and a line of diamonds on either side of that, all the way
|
||
|
around the gold setting. A larger ruby, about the size of the drop
|
||
|
ruby on the earrings, was attached in a pendant to the center of the
|
||
|
necklace. This ruby, set in gold, was circled by it's own line of
|
||
|
diamonds.
|
||
|
"It's perfect," Susan cried, as Maurice held the necklace up for
|
||
|
her inspection.
|
||
|
"Not quite yet," Maurice again chided, as he came behind Sam,
|
||
|
draping the necklace around his neck.
|
||
|
"Susan," Maurice cautioned, "you know better than to pick fine
|
||
|
jewelry without seeing it where it wants to live."
|
||
|
"However," he continued, looking at Sam's neck now, "I think you
|
||
|
were correct this time."
|
||
|
"I love it," Susan cried in joy. "Now a bracelet."
|
||
|
Maurice put the necklace aside, and held up a bracelet. It was
|
||
|
simply a series of rubies, set like the pendant on the necklace,
|
||
|
attached on a gold link chain. He placed it on Sam's wrist, then,
|
||
|
after a moment's hesitation, put the necklace back on Sam's neck as
|
||
|
well.
|
||
|
"They were designed as a set," Maurice said.
|
||
|
Susan was speechless, seeing the jewelry adorning Sam now.
|
||
|
"We'll take them," she said, offering her card to Maurice.
|
||
|
"They do look quite stunning," Maurice offered, as he removed the
|
||
|
jewelry from Sam.
|
||
|
The jeweler got a black box, lined with red velvet, from beneath
|
||
|
the display case. He arranged the jewelry inside, and placed it in a
|
||
|
small paper bag. He took Susan's credit card, and made out the
|
||
|
receipt.
|
||
|
"Oh," Maurice said, as if he had just recalled something. "Are
|
||
|
you still in love with that powder blue, Susan?"
|
||
|
Susan laughed, "Of course, Maurice. I'm afraid you know me too
|
||
|
well."
|
||
|
"Well, wait just a moment," he said laughing.
|
||
|
Maurice gathered up the boxes from the counter, and went into the
|
||
|
vault. He returned with a small box. He opened it in front of Susan.
|
||
|
"These are the finest blue diamonds I have seen in a long time,"
|
||
|
he said to her. "Try them on."
|
||
|
Susan unfastened her own earrings, and placed the diamonds in her
|
||
|
ears. The simple gold setting contained a cluster of the small,
|
||
|
sparkling gems on the earlobe, and a drop pendant of a much larger
|
||
|
stone, also set in gold and surrounded by even more of the smaller
|
||
|
stones.
|
||
|
Susan sucked in her breath, as she looked into the mirror offered
|
||
|
by Maurice. Even Sam was impressed.
|
||
|
"Oh, I just have to have them," she said to the jeweler.
|
||
|
Maurice placed the earrings into another black box, as Susan
|
||
|
replaced her earrings.
|
||
|
"There is no one else in this city who could wear those and do the
|
||
|
credit you do them," Maurice said, beaming broadly. "In fact, I
|
||
|
thought of you when I got them."
|
||
|
The credit card was produced, and charged, once again.
|
||
|
Maurice walked with them out into the main store. He turned to
|
||
|
Susan and asked, "And when am I going to make that special ring for
|
||
|
you, Susan?"
|
||
|
Susan laughed, "I think you will just have to hold on for a while
|
||
|
yet, Maurice."
|
||
|
Sam and Susan walked out of the shop, and turned back up the mall.
|
||
|
As they passed a shoe store, Susan suddenly stopped and led Sam inside.
|
||
|
The saleslady was on top of them as soon as they walked into the
|
||
|
door. "Is there anything I can do to help you ladies?" she inquired.
|
||
|
"Those gold evening shoes in the window," Susan began. "Do you
|
||
|
have a pair to fit Samantha here?"
|
||
|
The saleslady walked to the rear of the store, the others
|
||
|
following, until they got to an area with hard plastic chairs set
|
||
|
around it. She seated the women, and took up a device to measure Sam's
|
||
|
foot. Satisfied, she went into the back room.
|
||
|
She returned carrying several shoe boxes. She took a pair of
|
||
|
shoes from one, and placed it on Sam's foot, then did the same with the
|
||
|
other.
|
||
|
"Stand up and see how they feel," she said.
|
||
|
Sam stood, and almost fell over. The heels were at least four
|
||
|
inches high, and the shoes held on his feet by a single thin strap of a
|
||
|
gold lame material just above his toes and the pressure of his heel on
|
||
|
the gold lame covered back of the shoe. He recovered his balance, and
|
||
|
took a few awkward steps.
|
||
|
As he sat down again, he was about to say the heels were too high
|
||
|
for him to manage.
|
||
|
"They will do just fine," Susan interjected, before Sam could say
|
||
|
anything.
|
||
|
The saleslady took a pair, in silver this time, from another box,
|
||
|
holding it up for inspection.
|
||
|
"I think the gold will work better," Susan said definitively.
|
||
|
The saleslady took the re-boxed shoes to the register, where Susan
|
||
|
paid for them with her credit card.
|
||
|
The left the store and walked out of the mall through the big
|
||
|
department store on one end. Aileen's was a short way across the lot,
|
||
|
and Susan began going in that direction. Sam followed.
|
||
|
|
||
|
The Waxing
|
||
|
|
||
|
Aileen greeted them as they entered the door, with cheerful
|
||
|
greetings and hugs.
|
||
|
"Is Becky free right now?" Susan inquired.
|
||
|
"I think so," Aileen replied. "Let me check."
|
||
|
She returned a few minutes later with Becky in tow.
|
||
|
"I think Samantha needs a full waxing," Susan told Becky.
|
||
|
"Sure, no problem," the cosmetologist said. "Come on in to the
|
||
|
back room and I'll fix her right up."
|
||
|
Sam had no idea of what a wax job was, but the gleam in Becky's
|
||
|
eyes gave him a clue that he wasn't particularly going to enjoy it.
|
||
|
Sam and Susan followed Becky to the back room.
|
||
|
"Oh," Susan said, when they were alone. "Samantha has not been a
|
||
|
very good girl today, so you don't need to be as careful as usual."
|
||
|
Becky laughed as Sam began to turn red.
|
||
|
"You did say the FULL treatment?" Becky inquired.
|
||
|
As Susan's nod, Becky turned to Sam, saying, "OK, Samantha. Take
|
||
|
off all your clothes."
|
||
|
Sam looked around in fear, but the steely gaze Susan was giving
|
||
|
him made him begin to strip down. He hesitated at his panties, but
|
||
|
Susan pointed her finger at her purse, and Sam took those off as well.
|
||
|
Becky positioned Sam on a table in the center of the room. It was
|
||
|
similar to the one in Lois' office, though probably more suited for
|
||
|
massages. Sam lay down on his back. Becky rolled him over.
|
||
|
Becky took an implement, and began spreading a warm, somewhat
|
||
|
sticky substance all over the back of Sam's legs. She then appeared to
|
||
|
rub them for a minute, and turned him over onto his back. She repeated
|
||
|
the process on the front of his legs. As she did the rubbing, Sam
|
||
|
could see that she was pressing strips of paper into the sticky stuff.
|
||
|
"OK, spread your legs to the sides of the table," Becky ordered.
|
||
|
When Sam complied, Becky spread the wax and paper all over his
|
||
|
pubic hair, and down between his legs. He felt the wax near the
|
||
|
opening to his vagina, but not on the lips.
|
||
|
"Stretch your arms over your head," Becky ordered.
|
||
|
Becky put the stuff on his underarms as well.
|
||
|
Becky rolled him back on his front, and pulled sharply at one of
|
||
|
the strips.
|
||
|
Sam yelled, feeling the paper, wax and hairs from his legs being
|
||
|
pulled off.
|
||
|
"Oh, quiet down, crybaby," Susan laughed.
|
||
|
Becky kept pulling the paper strips off his legs, then rolled him
|
||
|
over, and pulled them off the front side.
|
||
|
She started to grab one of the strips on his stomach, when Susan
|
||
|
suggested she save that part for last.
|
||
|
Becky nodded, and went to the underarms instead. The pain Sam
|
||
|
felt was even greater than on the legs, and he involuntarily yelled as
|
||
|
she pulled the first strip off.
|
||
|
Susan and Becky just giggled, while Becky kept pulling the strips
|
||
|
off. Then, she went back to his stomach.
|
||
|
Sam though he was going to pass out as she pulled the strips from
|
||
|
his pubic area. He thought he was in an Inquisitor's torture chamber
|
||
|
when Becky removed the strips from the looser skin between his legs.
|
||
|
It seemed like an eternity, but Becky was finally done. She began
|
||
|
rubbing some kind of lotion all over the areas she had waxed, and
|
||
|
massaged it into his skin. At last she stood back by Susan.
|
||
|
"I enjoyed that," Becky smiled, then she left the room.
|
||
|
"Get dressed, Samantha," Susan ordered.
|
||
|
Sam put his clothes back on. They felt strange going over the
|
||
|
freshly waxed areas.
|
||
|
They left the beauty parlor, again to the hugs of Aileen, who gave
|
||
|
Sam a dirty look before hugging him, and walked over to Susan's car.
|
||
|
Sam knew he that Susan was still angry with him, and tried to
|
||
|
apologize. Susan was silent all during the drive to the apartment.
|
||
|
|
||
|
The Coming Out
|
||
|
|
||
|
At the apartment, Susan led Sam directly to the bedroom and
|
||
|
ordered him to strip completely. Sam complied hastily, especially
|
||
|
since she was taking the hypodermic from her purse and returning it to
|
||
|
it's spot on the dressing table.
|
||
|
Susan went to the closet and returned with the pink print dress
|
||
|
Sam had been looking at that morning.
|
||
|
"Put this on," she said.
|
||
|
Sam started to put his panties back on, but Susan stopped him.
|
||
|
"Just the dress," she ordered.
|
||
|
Sam slipped into the dress. He could see all of the features of
|
||
|
his body clearly outlined under the thin fabric.
|
||
|
Susan got the shoes they had purchased earlier out of their box,
|
||
|
and gave them to him to put on. Then, she led him into the living
|
||
|
room, carrying his purse with her.
|
||
|
She had him sit on the sofa, saying, "Sit there."
|
||
|
Susan went into the kitchen, and some telephone calls. Sam
|
||
|
couldn't hear what she was saying.
|
||
|
"Get your purse, and come along," Susan directed, leading Sam down
|
||
|
to the lobby of the building.
|
||
|
"Sit here," she directed, pointing to a hard chair.
|
||
|
Susan paced, looking out the glass doors every few minutes. At
|
||
|
last she apparently saw what she was waiting for, and motioned Sam to
|
||
|
come to her.
|
||
|
They walked out of the building, and Sam was surprised to see a
|
||
|
city cab in front of the door.
|
||
|
As Sam got into the rear seat of the cab, Susan leaned over to the
|
||
|
driver and said something in a low voice. She handed him some money,
|
||
|
then turned and went back to her apartment.
|
||
|
The driver said nothing. It would have been difficult for him to
|
||
|
carry on a conversation through the glass partition between the seats,
|
||
|
but cabbies have a way of circumventing that problem.
|
||
|
Sam recognized the route they were following downtown, and off
|
||
|
towards one of the less respectable areas of the city.
|
||
|
They pulled into the parking lot of the Booby Trap, and Sam's
|
||
|
heart sank. He'd been uncomfortable enough in this bar last night with
|
||
|
Tom, and he was acutely aware that he had nothing on under his dress.
|
||
|
The cabby pulled right up to the front door, and opened the rear
|
||
|
door for Sam. He walked over to the doorman, who went inside to get
|
||
|
someone else. The doorman returned in a few moments with the manager.
|
||
|
The cabby and manager had a few words. Then, the cabby pointed to
|
||
|
Sam with a flick of his hand. He got back into the cab and drove off.
|
||
|
The manager came over to Sam, his gaze quite obviously on more
|
||
|
than Sam's face.
|
||
|
"You must be Samantha," he said. "Susan called about you, and we
|
||
|
were waiting for you."
|
||
|
The man took Sam by the arm, leading him into the bar, and to one
|
||
|
of the tables in the lighted area. Sam was well aware of the leers he
|
||
|
was getting from the men already there, and began to flush.
|
||
|
"We will be ready for you in a bit," the manager said, beckoning
|
||
|
for a waitress. "In the meantime, have a drink."
|
||
|
The manager walked away as the waitress brought one of those red
|
||
|
"ladies drinks" over for Sam.
|
||
|
A couple of women were dancing on the stage, and Sam looked at
|
||
|
them for a while. Somehow, the dancing did not seem to be as
|
||
|
stimulating as before his transformation. He found himself mentally
|
||
|
comparing his breasts to the dancers'.
|
||
|
He was watching the dancers when some guy slipped into a chair at
|
||
|
the table. Sam didn't know him.
|
||
|
"Hi, there, pretty lady," the guy began. "I'm George, and you
|
||
|
look lonely."
|
||
|
Sam was familiar with the introduction. He's used it himself on
|
||
|
many occasions. He kept watching the dancers, though he had no real
|
||
|
interest in their routine, and ignored the newcomer. He knew from
|
||
|
experience that many women did this to discourage men.
|
||
|
The guy sat for a while, then left, disappointed.
|
||
|
Sam was relieved, and turned back to the table.
|
||
|
As Sam looked around the bar, he noticed a number of eyes meeting
|
||
|
his. Actually, looking closer, he noticed the eyes looking at his
|
||
|
chest. He reddened.
|
||
|
A short time later, Greg stumbled over to the table. As last
|
||
|
night, Greg had obviously been partying for some time already. He
|
||
|
pulled a chair right up next to Sam.
|
||
|
"Well, hello again, sweetie," he slurred. "I see you are back
|
||
|
again."
|
||
|
"Glad you dumped that guy Tom," he continued slurring. "Maybe you
|
||
|
would like a real man for a change."
|
||
|
As Greg was talking, Sam felt his hand come to rest on his knee.
|
||
|
Sam was also familiar with this line. He would have laughed at
|
||
|
the "real man" part, but he was too scared. He tried to ignore Greg.
|
||
|
Greg didn't discourage that easily.
|
||
|
"How about you and me getting out of here," he said, "and going
|
||
|
somewhere more private.
|
||
|
Greg's hand was now sliding up Sam's leg, toward the groin. Sam
|
||
|
switched his crossed legs, but Greg's hand just continued on the new
|
||
|
leg as he'd been doing on the other.
|
||
|
Sam was trying to figure out how to discourage Greg, and
|
||
|
particularly to get the hand off his leg before Greg got somewhere
|
||
|
sensitive.
|
||
|
Greg kept right on talking, and feeling Sam's leg.
|
||
|
In spite of himself, and his dislike for the situation he now
|
||
|
found himself encountering, Sam felt his nipples stiffen. He felt them
|
||
|
pushing at the thin fabric of the dress.
|
||
|
Greg moved his hand off Sam's leg, but continued talking. He
|
||
|
pulled the hand up, and touched Sam's breast with the back of the hand,
|
||
|
seemingly by accident.
|
||
|
Sam knew it was no accident. He had done it before, though not
|
||
|
for quite some time. He was disgusted, but his nipples got harder,
|
||
|
betraying his conscious mind.
|
||
|
Greg picked up his beer, and began gesturing wildly. Suddenly, he
|
||
|
lost control, and the liquid splashed all over the front of Sam's
|
||
|
dress.
|
||
|
Sam drew his breath in quickly, as the cold beer contacted his
|
||
|
skin. He automatically started brushing the excess liquid off his
|
||
|
front, when he noticed that Greg was now openly staring at his bust.
|
||
|
Sam glanced down, shocked to find that the thin fabric had not
|
||
|
only welded itself to his breasts, but had turned transparent as well.
|
||
|
He turned a deep red, seeing his breasts with the tell tale hardened
|
||
|
nipples standing out so plainly.
|
||
|
Sam was in panic, but he did not know what to do about it. He did
|
||
|
not even know where the ladies room was in this place. Even with all
|
||
|
the time he'd spent here as a man, he did not recall ever having seen
|
||
|
the ladies room.
|
||
|
Sam felt a soft hand on his arm, as a waitress pulled gently. He
|
||
|
got up, and followed her. She led him through the stage door, and the
|
||
|
ladies room, immediately behind it.
|
||
|
Sam smiled his thanks to the waitress, who was now disappearing
|
||
|
back into the bar.
|
||
|
Sam went into the ladies room, and was shocked. The ones he had
|
||
|
been in with the women of the group were clean, fairly airy places.
|
||
|
This one was tiny, and dingy. There was one stall, and a mirror over a
|
||
|
sink about three feet in front of him. A paper towel dispenser hung on
|
||
|
the wall, and the walls were covered with graffiti. In fact, the only
|
||
|
way he could even tell it was for women was by the coin operated Kotex
|
||
|
machine hanging on the back of the door.
|
||
|
Sam grabbed a hand full of paper towels, and tried to dry himself
|
||
|
off. He got a lot of wet towels, but the dress was still plastered to
|
||
|
his body, so he went into the stall and just sat on the seat. Maybe it
|
||
|
would dry off quickly.
|
||
|
He was sitting there as someone entered the rest room. He heard
|
||
|
the clicking of high heels, much like his own shoes, walking across the
|
||
|
small room, and trying the stall door. He knew he would have to come
|
||
|
out, dry or not, and let the woman inside. He was recalling the
|
||
|
urgency of when his own bladder filled.
|
||
|
He got up, and opened the door. The woman, dressed in a strapless
|
||
|
evening dress, looked at him in astonishment as she quickly moved
|
||
|
behind him and into the stall. He heard her giggles as she began to do
|
||
|
her business.
|
||
|
Sam stood in the small area, waiting for the woman to finish. He
|
||
|
fully intended to hide in the stall when she was finished. Just then,
|
||
|
another woman came into the room, again staring at Sam's wet dress.
|
||
|
Sam knew that his hiding place was out of the question now, but
|
||
|
going back into the bar was also not an option. He pretended to fix
|
||
|
his face as the women exchanged occupancy of the stall and the first
|
||
|
one left. He recognized many of the women who kept trickling in as
|
||
|
strippers.
|
||
|
He walked out of the rest room, finally deciding he would get no
|
||
|
privacy in that place. He just stood by the door, not daring to go
|
||
|
into the bar again, and not wanting to explore the unknown realm of the
|
||
|
backstage area, especially in his exposed condition.
|
||
|
He stood there for a long time, and felt the fabric of the dress
|
||
|
release his breasts. He put his hands to the dress, and found it was
|
||
|
still damp and clammy, but had regained some of the minimal cover it
|
||
|
was supposed to give. At least his whole bust line was not fully
|
||
|
exposed now. Steeling himself, he went back into the bar.
|
||
|
As soon as he walked into the darker area, the manager came up to
|
||
|
him.
|
||
|
"Oh, there you are," he said lightly. "I thought you had gotten
|
||
|
lost."
|
||
|
Sam did his best to smile at the man.
|
||
|
The manager, took his hand, and led Sam back through the back
|
||
|
stage door. They continued past the ladies room.
|
||
|
An older woman was seated at a small table inside the back door.
|
||
|
"ID," she demanded curtly.
|
||
|
Sam fumbled through is shoulder purse, finally pulling out the
|
||
|
laminated card.
|
||
|
The woman looked at the card, and grunted, "OK."
|
||
|
"You can put your purse in the bins over there dearie," she
|
||
|
continued, and wait in the room as the top of the steps.
|
||
|
She had a feeling of not wanting to take any nonsense, so Sam did
|
||
|
as he was directed.
|
||
|
The manager led him up a flight of two or three steps, and into a
|
||
|
room filled with mirrors. It was brightly lighted, and Sam saw a half
|
||
|
dozen women here, either fixing or applying makeup. The manager sat
|
||
|
Sam on one of the chairs in front of the makeup tables.
|
||
|
"Wait here," he said.
|
||
|
A few minutes later, a woman came in carrying a tray full of
|
||
|
cosmetics, brushes, and other things Sam was not familiar with. She
|
||
|
stopped right in front of Sam, placing the tray on the counter.
|
||
|
"Just sit still," the woman counselled.
|
||
|
She began putting makeup all over Sam's face. Then, she worked on
|
||
|
his hair for a while. Finally, she got up to leave.
|
||
|
Sam looked in the mirror. The face looking back at him was
|
||
|
definitely female, but the makeup sharply defined various areas of the
|
||
|
face. The lips were a much darker red now, and the cheeks. His eyes
|
||
|
were now outlined in black, and had blue all over the lids. Even the
|
||
|
skin tone was different, not unnatural, but contrasting starkly with
|
||
|
the made up areas. He did not like the look.
|
||
|
He looked around the dressing room, and noticed the other women
|
||
|
were made up very similar to himself. It did not console him, since he
|
||
|
recognized two of them as strippers he had known previously.
|
||
|
A different woman came into the room. She looked around, then at
|
||
|
Sam.
|
||
|
"Samantha?" she queried.
|
||
|
"Yes," Sam replied automatically.
|
||
|
"Come with me."
|
||
|
Sam followed the woman into another small room. This one was not
|
||
|
filled with mirrors, though it did have a full length one on the wall.
|
||
|
It held two vinyl covered couches. The woman led Sam to one of them,
|
||
|
and had him sit down.
|
||
|
"Just wait here," she said, smiling.
|
||
|
"Someone will be along when we're ready."
|
||
|
With that the woman left Sam alone in the room.
|
||
|
Sam sat by himself for a few minutes before another woman came
|
||
|
into the room. The other woman sat on the other couch, and picked up a
|
||
|
much used magazine she found on the seat. It was one of those men's
|
||
|
magazines that Sam had liked so much. The woman was looking at it in a
|
||
|
bored fashion. She dropped it back on the seat a few minutes later.
|
||
|
"First time?" the woman asked.
|
||
|
Sam felt a sinking sensation. He now knew what all this
|
||
|
preparation had been about. Susan, in her anger, had arranged for Sam
|
||
|
to do a striptease here, in front of all the men in the bar, many of
|
||
|
whom Sam knew from earlier.
|
||
|
He tried to compose himself, and choked, "Yes, it is."
|
||
|
The woman looked at him, with some degree of amusement in her
|
||
|
eyes.
|
||
|
"Don't worry, honey," she said. "It isn't all that hard."
|
||
|
A man stood in the doorway, pointing at the woman.
|
||
|
"Your turn, Lily," he said, and the woman followed him.
|
||
|
A few minutes later, the bar manager came into the room. He
|
||
|
joined Sam on the couch.
|
||
|
"OK, " he began. "The rules are simple. Go on out on the walkway
|
||
|
and begin dancing. Make sure you keep going toward the far end, so you
|
||
|
cover the whole walkway. As you are dancing, strip down. Make sure
|
||
|
your clothes fall on the floor of the stage. If you don't watch them,
|
||
|
some of the customers might not give them back."
|
||
|
The manager smiled, and continued, "After you are unclothed,
|
||
|
finish dancing to the song, and dance through the next one. Then,
|
||
|
collect your clothes and come backstage."
|
||
|
" Any questions?"
|
||
|
Sam was in shock. He was too stunned to ask any questions at any
|
||
|
rate.
|
||
|
As the music began again, the manager said, "You're on."
|
||
|
Sam numbly followed the manager until they were standing behind
|
||
|
some heavy curtains.
|
||
|
In a distance, Sam heard the bar announcer saying something about
|
||
|
a special treat. A new girl was going to entertain them, and they
|
||
|
should pay attention, and be appreciative.
|
||
|
The manager held the curtain back and gently pushed Sam onto the
|
||
|
walkway stage. It was impossible to see the audience from under the
|
||
|
spotlights illuminating the stage, but the loud whistles and cat calls
|
||
|
left no doubt that the audience was out there.
|
||
|
Still numb, Sam stood for a moment, then let his body begin moving
|
||
|
to the pulsing beat of the music.
|
||
|
Already on stage, he couldn't figure out how to get out of this
|
||
|
mess. Sam began fumbling with the buttons on the front of his dress.
|
||
|
Sam slid the dress off his shoulders and let it lay in a heap on
|
||
|
the floor.
|
||
|
He continued moving through the hypnotic beat of the music. He
|
||
|
still was not fully aware of his surroundings. In fact, he missed the
|
||
|
slight pause as one song changed to another. All he could recognize
|
||
|
was the pulsing beat.
|
||
|
In his daze, and still moving to the music, Sam stepped out of the
|
||
|
heaped dress, and around the stage. The music seemed to drive him.
|
||
|
At long last, the spotlights dimmed, and he ran to pick up his
|
||
|
clothes and go back stage.
|
||
|
Hhe could now see some of the nearer faces in the crowd.
|
||
|
Greg was seated in on of the chairs right next to the stage.
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Actually, he was half standing and whistling at Sam.
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He got another shock when he recognized Tom, Susan, Jane, Lois,
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Gwen and Carol, all seated in seats next to the stage.
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Somehow, he managed to get his dress picked up, and get backstage.
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He was still in a daze when the lights came back up, and the bar
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announcer began talking. He heard the sounds, but the words were not
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making any sense. He heard a drum roll, and some loud whistling and
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cheering. He felt a hand grab his dress and some fingers on his back,
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propelling him through the curtains.
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The push caused him to stumble a bit, and take several steps to
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try and regain his balance. He found himself about halfway down the
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runway. The thunderous applause, cat calls, and whistles did not
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register to him.
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Once again, the hypnotic beat of the music propelled him around
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the walkway. At last the lights dimmed, and he managed to get off the
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stage. He was led back to the small room where he had waited on the
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couch, and the manager indicated that he should get dressed.
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When he was dressed, they went down the stairs, and out the stage
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door. The manager hugged him, and kissed him wetly as he walked out.
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"You are welcome to dance here any time," the manager whispered.
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From the bright lights in the backstage, even the lighted area of
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the bar was too dark to see. He felt a waitress take his arm and lead
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him to a table.
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Greg was at another table now, holding Renee, the one who had
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danced on Tom's table the other night, in his lap. He pointed to Sam,
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gave a thumbs up gesture, and went back to paying attention to her.
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The group he'd seen from the stage were sitting at this table.
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Sam turned a very bright red as he recognized them, and realized
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that they, as well as all the other patrons of the bar had seen him
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stripping in public.
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They all laughed at his sudden modesty attack. Tom put his hand
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over Sam's and patted it gently, as if to say that everything would be
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fine.
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In a few minutes, the group left the bar. Sam, on Tom's arm now,
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heard the whistles and cat calls as he was leaving the bar. He was not
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sure whether they were directed at him or the dancers, but flushed more
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|
deeply as he suspected the answer.
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Everyone piled into Tom's car, and they drove off to the suburbs,
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giggling and laughing. They pulled up in front of a big house Sam had
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not seen before. He could tell it was big, but it was too dark to make
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out any details.
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Tom unlocked the door and led the party into a large living room.
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The women seated themselves, pointedly leaving a love seat open for Sam
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to sit on.
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As they got situated, Tom was laughing, "Sam, you have a nice
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body, but I don't think you'll ever make a living as a stripper!"
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Sam turned even redder as the whole group laughed.
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Tom and Susan went to the kitchen to make coffee, and the mood
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|
subsided.
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Gwen came over to Sam, and kissed him.
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"It's OK, Sam, dear," she whispered. "I forgive you."
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"But I think you need a bath," she continued. "You smell like a
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brewery."
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Just then Tom and Susan returned with the coffee.
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"I think you may have learned your lesson, Sam," Susan laughed.
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The whole group laughed, as the tensions and anger of the day
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|
seemed to melt away.
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|
Tom sat down next to Sam, and put his arm over his shoulders. He
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squeezed tightly, then raised his coffee cup.
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"To the cutest stripper at the Booby Trap," he toasted.
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|
The others lifted their cups in response to the toast.
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|
Sam turned a deep red.
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|
The women began talking amongst themselves, and Tom leaned over to
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|
whisper in Sam's ear, "They are having a dance at the Country Club on
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|
Saturday. Would you like to come with me?"
|
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|
Sam was shocked again, but whispered, "I would love to, but," and
|
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|
his voice trailed off.
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|
"No problem," Tom assured him. "The others agreed that you could
|
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|
come with me already." He squeezed Sam's shoulders tighter.
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|
After coffee, everyone went back to Susan's apartment. They all
|
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|
sat, as Sam was told to make coffee. As he served it, Susan told him
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to go to his room.
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Sam heard the door lock behind him. He just lay on the bed,
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|
listening to the voices in the other room for a while, unable to make
|
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|
out what they were saying. Then he drifted off to sleep. They had
|
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|
never returned to call him back.
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((c. 1990, W. Eastburn. All rights reserved.))
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--
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