1459 lines
72 KiB
Plaintext
1459 lines
72 KiB
Plaintext
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The Orientation
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by
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"Altered Ego"
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Chapter 1
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No matter how hard she'd try to think of anything else, that
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conversation with Anne kept coming back to her. Well, she'd know for
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herself soon enough. Even if she kept to the speed limit, she'd be
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there in less than half an hour.
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It wasn't the words so much as the tone, the way it revealed the same
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sort of - dependence? helplessness? almost terror - that she hadn't
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felt since that time her fifth grade teacher made her tell who ripped
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the Thanksgiving poster. 15 years ago. Could they turn you into an
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11 year old again? No, Anne is no 11 year old, that's for sure.
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Still, something about the way she said those words...
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Laura glanced at her watch. 6:34. "Can I make it by 7? Do I want
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to?", she found herself saying out loud. The time struck her, for
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some reason. She noted in her mind that it was exactly one week and
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34 minutes ago that she last saw Marc - no, he's My Lord now - and she
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missed him. But those were the rules. No contact for the week prior
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to the Orientation. Rules. Orientation. And that conversation with
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Anne. But she had thought about it enough already; she wanted to go
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through with this, and there's no sense going back now.
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And what a week it was, she thought. They had been separated before,
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even for a month, but it was never like this, she thought, glancing
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over at the journal she was required to keep. It was never formal.
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Somehow, the formality of her aloneness this past week made her feel
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overpowered. Overpowered by a man who isn't even there. I guess they
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want you to feel this way, she thought.
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Anne and Laura have been the closest of friends for 6 years now, since
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they met in college. It was Anne who told her about the Orientation;
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in fact, it was Anne who convinced her that it was all right to
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explore that side of her relationship with Marc in the first place.
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Anne always seemed like the quintessential well-adjusted woman, kind
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of a role model for Laura. That's what made the way she said those
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words so disturbing.
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It was the week before last, right before the isolation period began,
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when Laura needed to talk to Anne just once more. Anne came right
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over, and they sat in the kitchen and sipped wine until the sun came
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up. Anne reassured her that she really could leave any time she
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wanted to, but that if she completes the Orientation she'll never be
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quite the same again. She said it's hard, but you learn so much about
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yourself it's worth it. Think of it as kind of a graduation present,
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a kind of learning vacation, she said. The way kids go to Europe for
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a month after they finish college. Innocently, Laura asked, "But what
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happens when you get there? What do they DO?"
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"I'm not allowed to tell any details," Anne said, flatly. Laura had
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heard it before, but this was the first time she noticed the fear
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behind the words. It wasn't a playful answer, not one that really
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meant "It would be BETTER if I don't tell you any details". No, she
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really felt forbidden from telling her best friend any details of what
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she said was- the most profound experience of her adulthood. At
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first, taken aback by Anne's uncar acteristic seriousness, Laura
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pressed for an answer, expecting Anne to just laugh and break the
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uncomfortable mood. Anne could only say "You'll understand." Now,
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Laura wondered if Anne knew how much those few silly words had
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affected her this week.
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Marc was reluctant at first to give his approval. Even though it was
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clear to both of them that their relationship was evolving to a point
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where they were both happiest with Marc as the Master, the idea of the
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Orientation made him a little uneasy. He liked Laura's independence,
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and didn't want to have to think for her. It was Anne who convinced
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him. After all, she had been through the Orientation and she was as
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able to function as ever before. It did seem to make her and Anthony
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a lot closer. Besides, at the interview, he was assured that Laura
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would be able to start her job in the Fall, just as they had planned.
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"Laura will come back Laura, only more so," they said.
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As she reached the exit from the highway, it occurred to her that in
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just 10 minutes or so she'd begin to find out what it was that Anne
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couldn't tell her.
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Laura's mind raced as she negotiated the unfamiliar streets. She had
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never been to this part of the state before, but she knew from the map
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that she was almost there. Her nervousness turned to raw excitement
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as the reality of what was to come set in, and she had a little bit of
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trouble concentrating on driving and following the complicated map
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directions. After what seemed an eternity of one turn after another,
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she saw the house.
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It looked a bit out of place; too big and stately in this quiet farm-
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community-turned-suburb. Like a Southern mansion from "Gone With the
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Wind" or an elite boarding school, which in fact it had been,
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originally.
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She had little time to ponder her surroundings, since as soon as she
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pulled into the driveway a young man appeared from the door and
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approached her car.
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"Laura?" he asked, and she nodded. "Please leave your car here and
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come with me." He looked to Laura to be in his early 20's, a bit too
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young to be in charge of a place like this, she thought. It occurred
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to her that she had never directly met anyone connected with the
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Institution. It was all through Marc, or Anne, or over the telephone.
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They sent her forms and instructions in the mail, and questioned her
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at length on the telephone, but she never met any of them. It all
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seemed so normal, though, insofar as an arrangement of this type can
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be normal.
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She brought her journal and followed the young man to the house, and
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she felt an air of finality as he closed and locked the heavy front
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door behind her. "This way," he said, leading her up the main
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staircase and into what appeared to be a waiting room for an important
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office of some sort. "This is Laura," he said to an older woman
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sitting at a desk who appeared to be a receptionist or secretary of
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some sort, and he left.
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"Hello Laura, please sit down. Do you have your journal? Please let
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me have it now," the woman said with a warm smile. It seemed so
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routine, as if she was at the doctor's office and had to provide a
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urine sample while she waited for her appointment. Almost
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reluctantly, she handed over her journal.
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"Please wait here. We will be ready for you in a few minutes." With
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that, the woman disappeared behind the door leading to the main
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office, leaving her alone in the waiting room. She realized that she
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was ushered into the waiting room so quickly, so efficiently, that she
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had no time to look at the place. The stairs were large and grand,
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she remembered that, and there seemed to be some sort of activity
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going about the house, but there was little else she could recall
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seeing. So she concentrated on her immediate surroundings. The
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waiting room itself was imposing; its well-maintained wood paneling
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and overstuffed chairs helped create an impression of power mixed with
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good taste. Seductive combination, she thought. There were paintings
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on the wall, mostly old portraits of people she didn't recognize. She
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was beginning to feel overpowered again. All she could do was wait.
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"You may go in now," said the woman as the door opened from the inner
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office. Laura found herself jumping up, then hesitating a moment to
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regain her composure. The woman smiled and Laura slowly entered the
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inner room. The woman left, closing the door behind her. Laura was
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so nervous, so excited, that she found the only way she could remain
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standing was to focus her attention the first object she saw, which
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was a small coffee table beside a fireplace.
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"Hello, Laura," came the voice from behind the desk. Quickly, her
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eyes searched for the voice. It was a woman, and that surprised her.
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She had expected a man, although in retrospect she didn't know why.
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She looked to be in her early 40's, a mixture of the most dignified
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qualities of teacher, mother, and successful businesswoman. Her
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presence commanded attention even without the scrutinizing gaze that
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she was giving Laura. "I am Ms. Palmer. You may call me Mistress
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Elizabeth. My husband, Lord Gregory, and I, run this institution.
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Did you have a nice ride up here, Laura?"
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"Yes, Mistress Elizabeth," Laura found herself answering. She noticed
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that Mistress Elizabeth had a file in front of her that seemed to have
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the pictures and forms she had sent in.
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"Good. Please sit down," she said, pointing firmly to the chair in
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front of the desk. "Before we can begin your Orientation, we must
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assure ourselves that you fully understand exactly what it is that you
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are doing, and that you are indeed ready to take this step. Have you
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read the material we sent you last week?"
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"Yes."
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"Good. Are there any questions you would like me to answer for you?
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You make speak freely now."
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Laura had never felt the need for permission to speak freely before,
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and yet she found herself grateful for it. She had trouble finding
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the words. "What-- When-- How long will it take?" she finally managed
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to ask.
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"As you know, it is an on-going process. Assuming you do not leave
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the program, as about half the trainees do, you can expect to be here
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for about four weeks. Sometimes it takes a little longer. But this
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is all spelled out in the material you read. I think what you really
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want to know is exactly what will happen to you. Is that right?"
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"Yes, Mistress."
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"You must be prepared to leave this in our hands. I can tell you that
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you will start out with a comprehensive examination and assessment of
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your potential. Then you will learn the basic skills required for
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your role, as well areas of special interest to your Lord. For now,
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that will have to be enough for you. All right?"
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"Yes, Mistress Elizabeth." Less informative than Anne, she thought.
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"As you know, you are free to leave at any time. Similarly, we may
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ask you to leave if we determine that you are unable to manage with
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your new role. If you decide to leave, it is ordinarily final, with
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little chance of being allowed back. Do you understand?"
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"Yes."
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"Yes, what?"
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"Yes Mistress Elizabeth."
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"Very good. You see, you learned something already. As I'm sure you
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read in the handbook, we are quite insistent that you follow the all
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the rules, even the small ones. It may seem silly and uncomfortable
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to address me in a formal manner all the time, but it will soon become
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automatic - as all the rules must for you to succeed here. I also must
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remind you that while you're here, we assume complete control of every
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aspect of your life. You can no longer expect privacy in any sense.
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Your body is no longer yours, and neither are your thoughts. You are
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subject to physical correction for any reason. You may be ordered to
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perform tasks that you find distasteful, and you are expected to carry
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them out without hesitation or question. As long as you remain here,
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you are ours, and ours alone. If you complete your Orientation, you
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will be your Lord's, and your Lord's alone. These are not idle words.
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You will come to know it as a fundamental truth. It will change you.
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Is that clear?"
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As the gravity of the words sunk in, Laura knew this was what she
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wanted. She savored the though of being Marc's and Marc's alone, and
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she could not help but smile as she answered, "Yes, Mistress
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Elizabeth."
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"There are four basic rules of the Orientation. You should have read
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them already, but I'll go over them again now, just to be sure you
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understand. Of course, you'll be given more specific instructions as
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it becomes necessary, but at all times you are governed by these basic
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rules.
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"First, you must obey fully any order given by any member of the
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staff. If an order contradicts a previous order, you must inform the
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staff member of this fact.
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"Second, you must be silent at all times except when given permission
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to speak by a member of the staff. If you require permission to
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speak, you may present yourself with your head bowed and
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your arms behind your back.
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"Third, you must be truthful. Your answers to questions must be
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honest, direct, and complete. If you, or anyone else, violates any
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rule or order, you must report this fact to the staff at once.
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"Finally, you must be constantly mindful of the fact the neither your
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body nor your mind belong to you. You must never touch yourself
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unless ordered. Your only desire is to serve your Lord Marc.
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"Do you understand?"
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She had read these words over and over this week. "I understand,
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Mistress Elizabeth."
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"From now own, you are no longer Laura. You are Marc's Laura.
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Remember that." Mistress Elizabeth pushed some sort of buzzer, and
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another woman, about 30 years old, entered the room. She must have
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been waiting outside. "Fiona, this is Marc's Laura," she said.
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"Laura this is Mistress Fiona. She'll get you started."
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Mistress Elizabeth smiled warmly. Laura tried to smile, too.
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Chapter 2
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Laura was led down the hall at a slower pace than her initial
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entrance, and finally had the opportunity to take notice of her
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physical surroundings. The hall she was in seemed to house former
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classrooms and offices, being lined with those wooden doors with
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frosted glass windows that used to be so common in institutional
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buildings. Something about the hall seemed warm and comfortable,
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though, not like you'd expect a school to be. It must be the
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carpeting, or maybe the just the lack of harsh, fluorescent lighting.
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Some of the rooms had sounds coming from them, though she could not
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make out any voices. It was only now that she became conscious of the
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fact that that there were other trainees here, although why would she
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have expected to be the only one, she thought. She wondered how many
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others were here, and what they were like.
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She thought about Marc again, forgetting that she must no longer think
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of him as Marc but rather as her Lord. She wondered what part he
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would play in the Orientation, what they would teach him. Thinking of
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him confused her, since she was having trouble deciding whether she
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was doing this for him or for herself, and she wasn't sure there was a
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difference anymore.
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They went upstairs and down another hallway, this one more
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residential. Here, the doors were of solid wood and had numbers on
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them. Just as she entered the hallway she could see one of the doors
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close behind what looked like a man and two women. One of the woman
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was naked, or wearing very little at most. Laura tried not to wonder
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about it too much. Sitting at a desk at the end of the hall was the
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young man who met her at the car. He was busy reading a book, and
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didn't appear to notice her.
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When they reached the last room on the hallway, they stopped and went
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in. Mistress Fiona closed and locked the door behind them. This
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would have intimidated Laura, but the woman's easy smile and
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matter-of-fact manner somehow made it all right. She didn't look like
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a `Mistress Fiona' to Laura, especially with her slightly dowdy,
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though neat, housedress and her walking shoes. She was slightly
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overweight, though Laura thought her quite attractive. The room was
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sparse, with a bed, lamp, small desk, two chairs and an empty
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bookcase. No dresser or mirror, though. There was another door that
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might have led to a closet or bath. Almost like dormitory furniture,
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but the bed was a bit unusual. The headboard and footboard were solid
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wood and there were cords and ropes coming from the corners. Some
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sort of restraints. Would they tie her up? Her mind started to race
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again when Mistress Fiona finally spoke to her.
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"Remove your clothes." Her voice was soft but firm without being
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angry or harsh. She had just a hint of a British accent. Laura had
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never undressed in front of anyone except for Marc before, and she
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began to blush. At the doctor's, she'd always insist on undressing
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alone, even when she knew they'd see her naked anyway. There was
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something private, personal, about the act of undressing that made her
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not want to share it. It even took her more than a year before she
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could undress in front of Marc, who found her unease about it kind of
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endearing and sexy. Still, it surprised her that she was having
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trouble following this simple instruction. Maybe because it was the
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first time she's been asked to do something that she'd just as soon
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not do.
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"Didn't you hear me? Remove your clothes." Same soft, firm tone,
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still without anger.
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"Wait-- Please, I just need--" She didn't mean to say anything.
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"No, that's, `yes, Mistress Fiona'. That's all. I know you're new,
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and I know it's hard for you to adjust, but if you don't follow
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instructions or speak out of turn like that again, you'll be
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disciplined. We'll let it go this one time, though, but not again.
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Now get those clothes off."
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Laura took her shoes off, which gave her the time to find the courage
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to begin in earnest. By the time she was finally down to her bra and
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panties, she was starting to feel as if she could do this, after all.
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It was such a small thing, yet it felt like a big step, and she smiled
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as she unhooked and pulled off her bra with a bit of a flourish.
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Mistress Fiona seemed not to grasp the significance of this step, and
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reminded her that this was not a striptease. She was more reserved as
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she pulled down her panties.
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"There. That wasn't as hard as you thought it would be, was it?"
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Maybe she did understand, after all. Maybe Marc told them this would
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be difficult.
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"When you stand, you keep your feet 1 meter apart-- good. Put your
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hands at your side. Keep you head facing forward, but look at the
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floor with your eyes. Get used to this position. When you enter a
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room, you are to remain like this until instructed otherwise. Now
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we'll have to get you cleaned up, and get that awful makeup off your
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face. There's quite a bit to do tonight." This time, Laura was
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responding almost before the commands were spoken.
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Laura found that her position made her feel vulnerable, since she
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couldn't look around or make eye contact with her speaker. The cool
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air that circulated between her open legs heightened her sense of
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nakedness, and for the first time since her arrival, her feeling of
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being overpowered became overtly sexual.
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"Come with me." As Mistress Fiona led her down the hall, Laura
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remembered the young man at the desk and instinctively lifted her arms
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to cover her breasts. "Hands at your sides," she was quickly
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reminded. As she continued toward the end of the hall, she began to
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feel almost triumphant, as if the rest would be easy now. She wished
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Marc could see her, though.
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They ended up in a large, old fashioned bathroom with a large,
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freestanding tub. There was a large countertop with various hygienic
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items spread about it. First she was given an enema, which made her
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feel a bit exhausted and drained. Then came a douche, which at once
|
||
|
stimulated her and made her feel violated as Mistress Fiona inserted
|
||
|
the nozzle while maintaining a firm grip on her hands. She was bathed
|
||
|
and scrubbed thoroughly, but was not permitted to participate in the
|
||
|
process, her hands held above her head for the most part. Two other
|
||
|
women came in and helped at various times, but they never spoke and
|
||
|
Laura was not permitted to look at them for very long. This must be
|
||
|
what a baby feels like, she thought, so helpless and the focus of so
|
||
|
much attention.
|
||
|
|
||
|
As she was being dried off, the door opened and a man came in. This
|
||
|
startled Laura, and again, she lifted her hands to cover her breasts.
|
||
|
"Hands at your side!" This time, Mistress Fiona sounded angry and a
|
||
|
bit embarrassed, and wrote something in a small notebook she took from
|
||
|
her pocket. Laura quickly resumed her position, fixing her eyes on
|
||
|
the floor in front of her. Why do I keep doing that, Laura wondered.
|
||
|
She felt guilty.
|
||
|
|
||
|
"She's fussy about her breasts, I see," the man said, although it was
|
||
|
not clear to whom he was speaking. From what Laura could tell he was
|
||
|
in his 40's or so, very well dressed, and rather distinguished
|
||
|
looking. She didn't get to look at him for very long though, since he
|
||
|
continued walking until he was behind her. He didn't seem
|
||
|
particularly interested in those breasts that he said she's so fussy
|
||
|
about, Laura thought; she didn't known whether it was worse to be
|
||
|
leered at or ignored. He chatted with Mistress Fiona for a while, and
|
||
|
though they seemed to refer to her fairly often, she couldn't quite
|
||
|
hear what they were saying over the sound of the hair drier that was
|
||
|
being used on her. Eventually, the man left, and Mistress Fiona told
|
||
|
her that the man was Lord Gregory. That made sense, Laura thought.
|
||
|
From what she had seen, he looked like she thought he would.
|
||
|
|
||
|
As the other women left the room, Mistress Fiona seemed to scrutinize
|
||
|
Laura's body. She poked and probed her at length without saying a
|
||
|
word, or even seeming to acknowledge that Laura was present. Finally,
|
||
|
she said, "You need to gain a little weight. You also need exercise."
|
||
|
Laura resented this, but she also knew better than to react. There
|
||
|
was an uneasy silence, and she guessed that this was deliberate, to
|
||
|
see if she'd say anything. "Put this on," Mistress Fiona eventually
|
||
|
said, and she handed Laura a neatly folded garment. It was a loose
|
||
|
fitting gown, something like what they give you in a hospital, or
|
||
|
maybe what they wear in prison.
|
||
|
|
||
|
When they got back to her room (or at least she assumed it was her
|
||
|
room), she found her clothes had been taken away and the bed had been
|
||
|
made. "Did you eat dinner?" Mistress Fiona asked.
|
||
|
|
||
|
"No, Mistress Fiona," she said eagerly, since she was quite hungry by
|
||
|
this time.
|
||
|
|
||
|
"Wait here and I'll get you some," and Mistress Fiona left the room.
|
||
|
|
||
|
Even though she had only been there for a few hours, Laura felt
|
||
|
overwhelmed by all the attention and was glad to be left alone. She
|
||
|
sat on the edge of the bed and thought about how much things had
|
||
|
changed, how different things were already. She was proud of herself
|
||
|
for reasons she couldn't understand, since following orders wasn't
|
||
|
something she often considered a virtue. But she thought about Anne,
|
||
|
and how she must have gone through all the same things (and this was
|
||
|
only the first day!), and that made it easier to accept, somehow. And
|
||
|
she realized she was learning self control. She wanted so much to be
|
||
|
under Marc's control sometimes, but she often had trouble getting all
|
||
|
the way there. Maybe she's learning how. It's only the first day.
|
||
|
Try not to think so much, she told herself. It felt good to curl up
|
||
|
under the blanket.
|
||
|
|
||
|
The door opened, and Laura was quickly lurched out of her
|
||
|
introspection. "What are you doing? Were you told to lie down?"
|
||
|
Mistress Fiona demanded, angry again.
|
||
|
|
||
|
"No, Mistress Fiona," Laura said, jumping to her feet and assuming her
|
||
|
standing position. Damn, she though, she did it again.
|
||
|
|
||
|
Mistress Fiona made another note in her book and told Laura to sit and
|
||
|
eat the dinner she brought her. Then she added, "Ordinarily, I'd
|
||
|
discipline you right now for this. We'll have to leave it for later,
|
||
|
though - there isn't time. Now I know you're trying, but I don't
|
||
|
think you understand that we're serious when we say you have to obey
|
||
|
us in every way. This is more serious than you seem to think. Think
|
||
|
about this while you eat." She looked almost sorry - disappointed in
|
||
|
Laura - and she left the room, leaving the door slightly ajar.
|
||
|
|
||
|
Discipline. The word terrified Laura, and she had trouble eating,
|
||
|
though she was very hungry. This place seemed so... serious.
|
||
|
Whatever they do to you has to be worse than those spankings Marc
|
||
|
would give her, even when he used the riding crop she got him last
|
||
|
year for his birthday. (She remembers him complaining that she really
|
||
|
bought it for herself). But, she reasoned, she needed a little
|
||
|
discipline, although she was having trouble remembering exactly why.
|
||
|
She felt guilty, and very uneasy.
|
||
|
|
||
|
The meal helped calm Laura down, and soon after she finished, the
|
||
|
young man from the car came to her room. "Come with me," he said, and
|
||
|
she wondered if he was going to punish her. She knew she shouldn't
|
||
|
ask, though, and she followed him down the stairs to the same waiting
|
||
|
room she was in before. The secretary wasn't there this time. He
|
||
|
told her to wait while he went into the main office, where she heard
|
||
|
him tell someone that she was ready. They told him something, but she
|
||
|
couldn't hear what it was or who said it. When he came out, he told
|
||
|
her she could go in, and he left.
|
||
|
|
||
|
She walked into the room slowly, so she could get a look around before
|
||
|
she would have to assume her standing position and gaze at the floor.
|
||
|
After less than a day, she was beginning to learn how to cope with the
|
||
|
rules, and that thought made her a little bit smug. Mistress
|
||
|
Elizabeth and Fiona were there, as was Lord Gregory and another woman
|
||
|
she didn't recognize. They didn't seem to take note of her presence
|
||
|
at first, talking among themselves about people she hadn't heard of.
|
||
|
Lord Gregory was the first to speak to her, after a very long few
|
||
|
minutes.
|
||
|
|
||
|
"Marc's Laura, I've not had the chance to properly introduce myself.
|
||
|
I am Lord Gregory, although perhaps you know that already. There is
|
||
|
so much we must do when a new trainee arrives, it is so easy to forget
|
||
|
to be civil. Although I've not yet read your journal, I feel as if I
|
||
|
know so much about you just from your file." He had a warm, fatherly
|
||
|
look about him.
|
||
|
|
||
|
He was charming, Laura thought, and she found herself hoping that when
|
||
|
her Lord Marc grew older he'd be something like this, too. Quite an
|
||
|
improvement over what she thought in the bathroom. She realized that
|
||
|
her new name, `Marc's Laura', felt like it fit, like it really was her
|
||
|
name, for the first time.
|
||
|
|
||
|
"You're a beautiful and very intelligent woman," he continued, "and
|
||
|
for the first time in your life, you may find your beauty and
|
||
|
intellect making things harder instead of easier. But it also makes
|
||
|
things so much more interesting."
|
||
|
|
||
|
She wondered what he meant. Mistress Elizabeth, who was sitting on
|
||
|
the couch behind her, spoke next.
|
||
|
|
||
|
"Turn to face me. Good. You're here because you want to learn to
|
||
|
please your Lord, enough that you are willing to make enormous
|
||
|
sacrifices to do so. But that's not enough. You must change. You
|
||
|
must learn what it means to be governed by another person, and that's
|
||
|
often painful and perplexing. You've been here, what, four hours, and
|
||
|
you've only begun to get a taste of the sort of changes you must make
|
||
|
in order to succeed here and in order to achieve your goal. I hope
|
||
|
you can do it, I really do. One thing that you must remember is that
|
||
|
we're here to help you do this, and that will be very easy to forget
|
||
|
at times. But once you put yourself in our hands, your goal will get
|
||
|
easier."
|
||
|
|
||
|
Laura was having a hard time understanding what they were trying to
|
||
|
tell her, and she decided that she should just take it all in for now
|
||
|
and not try to understand anything. Maybe they were about to punish
|
||
|
her, after all.
|
||
|
|
||
|
Lord Gregory spoke again. "You have been whipped before, have you
|
||
|
not?"
|
||
|
|
||
|
Oh, god, here it comes. "Yes, Lord Gregory, by my Lord Marc."
|
||
|
|
||
|
"What did he use?"
|
||
|
|
||
|
"A riding crop, Lord Gregory."
|
||
|
|
||
|
"On your ass?"
|
||
|
|
||
|
"Yes, Lord Gregory." Get on with it already! Her voice faltered a
|
||
|
bit, which made her even more nervous.
|
||
|
|
||
|
"Have you, yourself, ever administered discipline?"
|
||
|
|
||
|
She didn't expect this question. "No, Lord Gregory."
|
||
|
|
||
|
"You'd be surprised at how hard it is to do properly. Physically and
|
||
|
emotionally difficult. When your Lord whips you, what do you feel?"
|
||
|
|
||
|
Why is he asking these questions? "Some pain, but his love for me
|
||
|
makes it a good pain, Lord Gregory." She had no idea where those words
|
||
|
came from, but she seemed satisfied with them, even if it was stuffier
|
||
|
than she'd like it to sound.
|
||
|
|
||
|
"Have you ever had an orgasm while being beaten?"
|
||
|
|
||
|
"Once, Lord Gregory."
|
||
|
|
||
|
"From the whipping alone?"
|
||
|
|
||
|
"No, Lord Gregory, he rubbed me between the strokes." Marc must have
|
||
|
told them, she guessed. Right now, she was starting to become excited
|
||
|
again.
|
||
|
|
||
|
"It's not easy to do properly," he repeated, almost under his breath.
|
||
|
"Fiona, would you hand me my cane, please?"
|
||
|
|
||
|
Yes, here it comes, she thought, as she saw the long, thin, tan stick
|
||
|
in the corner of her eye.
|
||
|
|
||
|
"You will learn a lot about control, and pain, and pleasure, and
|
||
|
yourself, for that matter, while you are here. Right now, you will
|
||
|
learn about proper punishment. Come here." He motioned for her.
|
||
|
"When Lord Marc whips you, he may do it for a number of reasons. He
|
||
|
may want to punish you, that's true. But perhaps he finds it erotic.
|
||
|
Perhaps you yourself find it erotic - a sensual form of communication
|
||
|
between you. Here, though, the purpose of a whipping is simple. We
|
||
|
use it to teach on a deep, automatic level. When we whip, it is
|
||
|
anything but erotic. It's just a lesson - a painful lesson."
|
||
|
|
||
|
Laura braced herself and walked slowly toward him. He's enjoying
|
||
|
drawing this out, she thought.
|
||
|
|
||
|
"This is the cane. We like it more than some other tools because it
|
||
|
can be quite effective without excessively many strokes, and it leaves
|
||
|
few lasting marks. It works best on the ass and the thighs, being
|
||
|
fleshy parts of the body. To be used to best effect, you must stand
|
||
|
back from the subject and use your whole arm, without bending your
|
||
|
wrist and keeping your elbow fairly straight. Like this." He brought
|
||
|
a sharp blow on the bottom part of her ass, over her gown. It made a
|
||
|
muffled cracking sound. She jumped, almost loosing her balance.
|
||
|
|
||
|
"AHHH!" she cried out, automatically. It was one of the sharpest
|
||
|
pains she had ever felt, even through the modest padding of her gown.
|
||
|
Much worse than anything Marc had ever administered. And the sting
|
||
|
lasted, like a deep ache. There was no way she could take much more
|
||
|
of this. It was anything but sexy, and a few moments later, it
|
||
|
occurred to her that she was no longer excited. She still felt
|
||
|
overpowered, though.
|
||
|
|
||
|
"Oh, I startled you! I'm sorry, really I am quite sorry." And he
|
||
|
really did seem sorry. "I should have warned you first. But that is
|
||
|
what a properly administered stroke should feel like, more or less, at
|
||
|
least for starters. Here, you try. Use the edge of the sofa."
|
||
|
|
||
|
What? He wanted her to use the cane? What was he doing?
|
||
|
|
||
|
"Go on," he encouraged her.
|
||
|
|
||
|
Reluctantly, she took the cane, and gave the sofa a light tap.
|
||
|
|
||
|
"No, no. Use your whole arm. It doesn't take much force, but you
|
||
|
have to give it something."
|
||
|
|
||
|
She pulled her arm back, and, with a loud swish, landed the edge of
|
||
|
the cane on the arm of the sofa. She could feel a vibration in her
|
||
|
hand when it landed.
|
||
|
|
||
|
"Very good." He seemed genuinely pleased with her. "Give it a few
|
||
|
more tries."
|
||
|
|
||
|
She still felt uneasy about this, but she did her best for three or
|
||
|
four more strokes. Is this what they would do to her, she wondered.
|
||
|
|
||
|
"Now you've got the hang of it. See, it's really quite easy,
|
||
|
mechanically speaking. Now you must always land the stroke below the
|
||
|
lowest part of the back. Before you learn to aim well, it is best to
|
||
|
aim for the lower half of the cheeks. If you miss and hit a thigh,
|
||
|
that's all right."
|
||
|
|
||
|
Why was he telling her this? She didn't come here to learn to whip
|
||
|
people, that was for certain.
|
||
|
|
||
|
"Rita, why don't you get Kenneth's Lydia now?" he said to the woman
|
||
|
who Laura didn't recognize.
|
||
|
|
||
|
Mistress Elizabeth took the cane, and explained, "Normally, minor
|
||
|
violations of the rules are corrected immediately and forgotten. More
|
||
|
serious infractions involving willful disregard for the rules are
|
||
|
taken care of in formal disciplinary sessions, generally right before
|
||
|
bedtime but sometimes in the afternoon. It can be quite exhausting,
|
||
|
you know. Anyway, all but the most serious infractions can be
|
||
|
properly disciplined in one or two sessions."
|
||
|
|
||
|
Laura was becoming scared again.
|
||
|
|
||
|
"They say that to dominate, you must know what it is to be dominated.
|
||
|
The converse is true as well, you know. Since Kenneth's Lydia is
|
||
|
being punished this evening anyway, we thought this would be an
|
||
|
excellent opportunity to teach you what it means to administer
|
||
|
discipline, so you will be better able to learn and profit from it
|
||
|
when the time comes to for you to be disciplined."
|
||
|
|
||
|
They're going to make her watch while they whip another trainee.
|
||
|
|
||
|
Almost on cue, the woman, Mistress Rita, returned. With her was a
|
||
|
small woman wearing the same kind of gown Laura had on. She looked a
|
||
|
little younger than Laura, maybe 23, and she was quite pretty, Laura
|
||
|
thought, with flowing brown hair and a sweet face. On that face Laura
|
||
|
saw a look of resigned apprehension, as if she were about to undergo
|
||
|
her second root canal.
|
||
|
|
||
|
Mistress Elizabeth, who held the cane, addressed the woman.
|
||
|
"Kenneth's Lydia, you know why you're being punished, right?" She
|
||
|
sounded just like a mother chastising her daughter for staying out
|
||
|
late.
|
||
|
|
||
|
"Yes, Mistress Elizabeth. I'm sorry," she replied, with little
|
||
|
emotion.
|
||
|
|
||
|
"I hope this helps your body learn what your mind must already know.
|
||
|
We are going to do things a little differently tonight. Remove your
|
||
|
gown." She complied quickly, though not eagerly. "Bend over the
|
||
|
couch, that's right."
|
||
|
|
||
|
Lydia bent over the back of the couch with her legs spread about four
|
||
|
feet apart and her hands grasping the front of the couch seat. It
|
||
|
must be a position they teach you for being whipped, Laura thought,
|
||
|
and she noticed how it positioned her cheeks right where she landed
|
||
|
the cane when she used it on the couch. Lydia had a number of faint
|
||
|
and not-so-faint bruises on her cheeks and thighs, and Laura wondered
|
||
|
if they made the whipping worse, and what it was she did to get them.
|
||
|
She felt sorry for her, and she wished she didn't have to watch this.
|
||
|
|
||
|
"Marc's Laura, use the cane to whip Kenneth's Lydia," Mistress
|
||
|
Elizabeth commanded.
|
||
|
|
||
|
She couldn't believe her ears, although it was obvious that that's
|
||
|
what they wanted her to do. She just didn't want to believe it.
|
||
|
|
||
|
After ten or fifteen seconds, Mistress Fiona added, "You heard her,
|
||
|
take the cane."
|
||
|
|
||
|
Slowly, Laura took the cane. She thought about those words, `ordered
|
||
|
to perform tasks you find distasteful' and she knew this was one of
|
||
|
them. She had never met this girl, she couldn't hurt her. That cane
|
||
|
hurt like hell. She couldn't do it. But she knew she had no choice.
|
||
|
|
||
|
Laura prepared to cross another line. She raised the cane, and gave
|
||
|
Lydia's left cheek a light tap.
|
||
|
|
||
|
"Harder," someone said, probably Mistress Fiona. "You know how to do
|
||
|
it."
|
||
|
|
||
|
This time, Laura really let the cane go, and she heard the same
|
||
|
swishing noise and loud crack that caused her to jump. But this time,
|
||
|
it was she who held the cane. Lydia groaned loudly.
|
||
|
|
||
|
"Again. Continue until you are told to stop."
|
||
|
|
||
|
Laura continued, but the cane seemed to get heavier and the vibrations
|
||
|
in her hand more acute. After five or six strokes, however, she began
|
||
|
to find herself disconnected from the whole situation, as if someone
|
||
|
else was holding the whip. She almost started to enjoy the power.
|
||
|
The disconnection and enjoyment was short-lived, though, since each of
|
||
|
Lydia's frequent cries brought Laura abruptly back to reality. Then
|
||
|
Laura felt even worse. Lydia's cheeks were covered with long, thin
|
||
|
welts. Laura tried to avoid hitting them again, guessing that they
|
||
|
hurt more.
|
||
|
|
||
|
"Harder," they urged her on.
|
||
|
|
||
|
After a few minutes (they could have been hours, for all Laura knew),
|
||
|
she just couldn't do it any more. She began to sob openly, and her
|
||
|
strokes became weaker and less accurate. Finally, Lord Gregory told
|
||
|
her to stop.
|
||
|
|
||
|
"That's enough," he said. "That was barely adequate, but I think you
|
||
|
have learned something. Rita, will you please finish this upstairs?"
|
||
|
|
||
|
Mistress Rita helped Lydia to her feet. There were tears in her eyes,
|
||
|
but she managed to walk, with some difficulty. She turned to Laura
|
||
|
and said, "Thank you."
|
||
|
|
||
|
Laura couldn't believe it. What was she thanking her for? Laura
|
||
|
mouthed "I'm sorry" to the woman, but she may not have seen it as
|
||
|
Mistress Rita hurried her out the door. Were they really going to
|
||
|
whip her more? Whatever could she have done?
|
||
|
|
||
|
Laura continued sobbing, and Mistress Fiona led her back to her room.
|
||
|
Mistress Fiona deposited Laura in her bed, and told her that she would
|
||
|
give her a little time alone to collect herself before she punishes
|
||
|
her for her earlier behavior.
|
||
|
|
||
|
|
||
|
Chapter 3
|
||
|
|
||
|
For a little while, all Laura could do was cry. Eventually, perhaps
|
||
|
simply by virtue of running out of the energy required to maintain the
|
||
|
flow of her tears, Laura got more of a grip on herself. She tried to
|
||
|
sort out the cacophony of thoughts that whirled around her head.
|
||
|
Maybe if she could just decide what it is she is feeling she could
|
||
|
come to terms with it, at least. But there were so many things to
|
||
|
think about.
|
||
|
|
||
|
She tried to take her emotions one by one. First, there was guilt, of
|
||
|
course, and the inevitable rationalizations that follow from it. The
|
||
|
picture of Lydia, being taken naked from the office, her rear covered
|
||
|
with those welts, was as vivid in Laura's mind as the room around her.
|
||
|
But they made her do it, didn't they? Some excuse. Just following
|
||
|
orders doesn't cut it. But aren't all the trainees here voluntarily?
|
||
|
Lydia could leave if she didn't want it. And besides, she must have
|
||
|
done something to deserve such a whipping. Doesn't mean you had to
|
||
|
enjoy doing it though. That last point weighed heavily. She took a
|
||
|
little bit of solace in the fact that they were going to punish her,
|
||
|
too.
|
||
|
|
||
|
Fear. The thought of being on the receiving end of a whipping half as
|
||
|
severe as the one she had just administered mortified her. She
|
||
|
remembered the sharp burn that seemed to cut right through her, making
|
||
|
her jump. And that awful ache; she could still feel it. That was
|
||
|
through her gown, too. She couldn't take it. Why were they going to
|
||
|
punish her, anyway? She remembered feeling ashamed for something or
|
||
|
other earlier, but what was it? Maybe it was a mistake. Maybe they
|
||
|
won't whip her. Maybe she can convince them not to if she just says
|
||
|
she's sorry, or something. Denial. Not such a great defense
|
||
|
mechanism when you realize that's what you're doing. No, she knew
|
||
|
Mistress Fiona would be coming back soon, and she knew that this time,
|
||
|
she really was going to get a beating.
|
||
|
|
||
|
She thought of the times Marc would spank her. One time, he really
|
||
|
did hurt her enough that she almost called out her escape word. (They
|
||
|
had always agreed that when they were playing she could end things
|
||
|
right away by just by saying "mercy" if things got a little too rough.
|
||
|
No escape word here. Unless she quits, and she didn't want to quit).
|
||
|
It was about six months ago, while they were on vacation at that
|
||
|
little country inn celebrating his new book. It was just as they had
|
||
|
planned, until the phone rang. It was his publisher; they never got
|
||
|
the final draft. She forgot to mail it. He had a copy with him
|
||
|
(thank god), so it wasn't as bad as it could be, but he was mad,
|
||
|
madder than she had ever seen him. It took a few hours before he
|
||
|
could talk to her, and they agreed that he'd punish her the next day,
|
||
|
after he'd cooled down. The next morning, he was calm, but both
|
||
|
understood that she had to be punished. They didn't have their crop
|
||
|
with them, so he had her drive into town and purchase another, which
|
||
|
was embarrassing enough. This time it was real punishment, and he hit
|
||
|
hard enough that there was no doubt that this wasn't for her
|
||
|
enjoyment. She had trouble enduring it and he kept at it for what
|
||
|
seemed like an eternity. The only thing that kept her from yelling
|
||
|
mercy was that she knew she was getting just what she deserved, and
|
||
|
that he'd still love her when it was done.
|
||
|
|
||
|
Most of the time, though, it wasn't like that. She loved those
|
||
|
spankings, the feel of his hand, the gentle caresses afterward. It
|
||
|
was an expression of his power over her, and sometimes, when he was a
|
||
|
little too forgiving, she'd have to tease him and bait him into doing
|
||
|
it. The thought of Marc's hand, his touch, his power, led Laura to an
|
||
|
undeniable state of arousal. She wanted to see him, hold him,
|
||
|
anything. Just laying in bed was almost a sensual overload, with her
|
||
|
frequent breaths tickling her shoulder and the gentle flow of air
|
||
|
beneath her gown enticing her, seducing her. Without deliberate
|
||
|
effort, she slowly smoothed out her gown with her hands, grasping the
|
||
|
the fabric where it ended just above her knees. Her whole body tensed
|
||
|
as she began to pull the gown up above her thighs, her own thoughts
|
||
|
beginning to carry her away from this room and back to Marc's embrace.
|
||
|
|
||
|
And then she heard the footsteps and the turn of the doorknob. All at
|
||
|
once, she was back at the Orientation, and she turned red as a beet as
|
||
|
she wondered if she could get her gown in order before the door swung
|
||
|
open. "You must never touch yourself" she recalled the rules saying,
|
||
|
but she hadn't done that yet, fortunately.
|
||
|
|
||
|
Mistress Fiona walked in slowly, almost as if she didn't care to see
|
||
|
what might have been going on. Laura's eyes were still red from the
|
||
|
tears, but, even in her slightly disheveled state, she at least looked
|
||
|
more composed than she did when she was taken from the office. For a
|
||
|
few awkward moments, no one said a word.
|
||
|
|
||
|
Eventually, Mistress Fiona broke the silence and asked, "Do you need
|
||
|
to use the toilet?"
|
||
|
|
||
|
Laura thought about it and realized that she did, rather badly, in
|
||
|
fact. "Yes, Mistress Fiona." She was so nervous she had trouble
|
||
|
speaking.
|
||
|
|
||
|
"Come with me, then."
|
||
|
|
||
|
As they walked down the hall, all Laura could think about was the odd
|
||
|
contrast with this woman, who as far as she knew was about to beat her
|
||
|
senseless, showing concern for her comfort first by asking her if she
|
||
|
needed to use the toilet. Wouldn't want you to be uncomfortable while
|
||
|
we beat you, right? In Laura's nervous state, it seemed impossibly
|
||
|
funny. When they reached the bathroom, she had to dig her nails into
|
||
|
the palms of her hands to keep from bursting out into laughter.
|
||
|
|
||
|
"Go ahead," Mistress Fiona said. She remained in the bathroom while
|
||
|
Laura urinated, not allowing her the dignity of privately taking care
|
||
|
of her own bodily functions. Laura's sense of her loss of privacy
|
||
|
heightened, and her giddy near-laughter was replaced by a more somber,
|
||
|
controlled composure.
|
||
|
|
||
|
They did not return to Laura's room, going instead to a room in
|
||
|
another residential-looking hallway. The room was marked "Discipline
|
||
|
- 3", the reading of which caused Laura's stomach to jump. As
|
||
|
Mistress Fiona opened the door, Laura expected to see some kind of
|
||
|
torture chamber. She felt uneasy relief when she saw that the room
|
||
|
was empty but for a bed, three chairs, a desk, and the only odd
|
||
|
looking article in the room, which resembled a padded exercise bench.
|
||
|
The room was similar in size to her own, though even more sparsely
|
||
|
furnished and without a window.
|
||
|
|
||
|
"Remove your gown," Mistress Fiona ordered, with the same calm, easy
|
||
|
voice that Laura now understood as deceptively inviting.
|
||
|
|
||
|
All of a sudden, it seemed very real. As she lifted the gown over her
|
||
|
head and felt the fabric pull over her bottom, she felt more
|
||
|
vulnerable, more exposed, than ever. She handed the gown to Mistress
|
||
|
Fiona and assumed her usual standing pose.
|
||
|
|
||
|
"Since this is the first time you're being disciplined, I'll have to
|
||
|
explain certain things to you. Most of the time, if you have to be
|
||
|
disciplined for some minor thing, it will be taken care of at once by
|
||
|
whoever is working with you at the time. For more serious breaches of
|
||
|
the rules, where you simply should have known better yet choose to
|
||
|
violate the rules anyway, you'll be punished in a formal session such
|
||
|
as this one. In the future, when one of these sessions becomes
|
||
|
necessary, you'll be sent here, usually at bedtime, but sometimes
|
||
|
before dinner. You'll be told which room to go to and should report
|
||
|
directly there. All the rooms are on this hallway, which is around
|
||
|
the corner from your room. Most of the time, I'll be your
|
||
|
disciplinarian, though Lord Scott, who you have not met yet, might
|
||
|
take care of you some of the time. Anyway, when you reach the room,
|
||
|
you remove your gown and fold it neatly, placing it on the desk.
|
||
|
Remain standing, facing the door, until the Lord Scott or I arrives.
|
||
|
When your session is finished and you're released, it's considered
|
||
|
appropriate for you to thank your disciplinarian. I'm sure you can
|
||
|
understand the reason for that courtesy, given that this is a
|
||
|
difficult thing for everyone involved and is for your benefit. Now,
|
||
|
bend over here." She tapped the top of the bench.
|
||
|
|
||
|
Slowly, Laura bent over the bench, trying to concentrate on the words
|
||
|
and ignore the situation. "You'll need to follow instructions more
|
||
|
quickly than that, or things will be much harder for you." Laura
|
||
|
searched for the courage to accept what was coming. "Since you've not
|
||
|
been trained to do without them yet, I'll have to restrain you."
|
||
|
Mistress Fiona opened the closet and got a number of items that Laura
|
||
|
couldn't quite see. She put some sort of cuffs around Laura's ankles
|
||
|
and fastened them to the base of the bench, about three or four feet
|
||
|
apart. It was a bit hard to balance. Then she did the same with
|
||
|
Laura's hands, connecting them to the base of the other side of the
|
||
|
bench so that Laura's cheeks were exposed up in the air, just like
|
||
|
Lydia was over the couch in the office. Laura offered no resistance,
|
||
|
almost paralyzed by fear.
|
||
|
|
||
|
"For most infractions requiring prompt correction, we use corporeal
|
||
|
punishment, usually on the cheeks of the buttocks, but sometimes
|
||
|
elsewhere, using a cane or strap. This time, I'm going to use the
|
||
|
strap." Mistress Fiona dangled the strap next to the bench so Laura
|
||
|
could see it. It was made of thick, brown leather, about 3 inches
|
||
|
wide and 2 or 3 feet long with a split down the middle for the last
|
||
|
foot or so. It looked sort of like a belt, or those straps found on
|
||
|
old fashioned barber chairs. It also looked like it would hurt quite
|
||
|
a bit. Laura wanted very much to get this over with.
|
||
|
|
||
|
"Now, you are here because you underestimated the importance of
|
||
|
following instructions." Her tone changed from being friendly and
|
||
|
informative to one more harsh and disapproving. "It's actually quite
|
||
|
unusual for a new trainee to need to come here so soon. Perhaps you
|
||
|
were 'testing' us, the way a teenager tests her parents. Perhaps you
|
||
|
didn't understand what was expected of you, and you thought that you
|
||
|
would be permitted leeway in interpreting your orders. Perhaps you
|
||
|
were simply inattentive, and forgot for a moment what your orders
|
||
|
were. It doesn't matter. What matters is that you failed to follow
|
||
|
instructions. Now I almost thought about letting you off with a
|
||
|
warning this time, but I think this will help you more. It's critical
|
||
|
that you recognize your mistakes, learn to avoid repeating them, and
|
||
|
this will help you do that. I hope that when your Lord Marc gives you
|
||
|
an instruction, you carry it out with more attention than you showed
|
||
|
us this evening. Without attention to every detail, without greater
|
||
|
self control than you've demonstrated so far, you will not succeed."
|
||
|
|
||
|
That got her. Her anxiety about the whipping was briefly replaced by
|
||
|
guilt and anxiety about her ability to please Marc.
|
||
|
|
||
|
"Do you even remember what you did? I'll bet you thought nothing of
|
||
|
it. I'll remind you. First, you failed to remain with your hands at
|
||
|
your sides, despite being reminded just a few minutes before. It was
|
||
|
in the bath, you covered your breasts. Don't try to excuse it by
|
||
|
saying it was a reflex. There's no such thing! You must control
|
||
|
yourself. Until you learn, you can never relax. For this, you are to
|
||
|
receive ten strokes." Laura gasped. "And that's not even all you
|
||
|
did. You were left standing in your room but when I returned, I found
|
||
|
that you had taken it upon yourself to lie in your bed. Now, perhaps
|
||
|
you thought this was a reasonable assumption to make. After all, no
|
||
|
one was looking. You're training doesn't stop when no one is looking,
|
||
|
though, and you must learn that you belong to us, body and mind, 100
|
||
|
percent of the time. That little `assumption` earns you another
|
||
|
fifteen strokes, for a total of twenty five. Normally, we wouldn't be
|
||
|
nearly so permissive, but you're new and this should be enough to
|
||
|
serve as a warning. In the future, you could expect this sort of
|
||
|
behavior to earn you a full half hour with the cane. "
|
||
|
|
||
|
Twenty five strokes, and with that thing! Laura knew this would be
|
||
|
hard to take, but her resolve was strengthened by that little lecture
|
||
|
about learning to please Lord Marc. It was as if Mistress Fiona were
|
||
|
an expert saleswoman, and she had just sold Laura a whipping. It may
|
||
|
be worse than she'd like it to be, but, she'll have to keep telling
|
||
|
herself, it will teach her something.
|
||
|
|
||
|
"Keep your noise down. One of the the things you are here to learn is
|
||
|
how to accept what you have coming to you with decorum. If you make
|
||
|
too much noise, I'll have to discipline you for that as well."
|
||
|
|
||
|
Laura remembered that when Marc spanked her, he'd make her count the
|
||
|
strokes and if she missed, he'd start all over again. Sometimes she
|
||
|
enjoyed those spankings so much she'd deliberately miss count. But
|
||
|
that was a game. This is real, and she's not going to enjoy it. No
|
||
|
cute rules about counting here.
|
||
|
|
||
|
Out of the corner of her eye, Laura saw Mistress Fiona raise her arm
|
||
|
and she could hear her draw in a breath. Laura closed her eyes and
|
||
|
tried to brace herself. It seemed to take a long time for the stroke
|
||
|
to land, and when it finally did, it made a very loud cracking noise
|
||
|
that she could hear just before she felt it. The pain was even worse
|
||
|
than she expected. It was a stinging burn, concentrated in the area
|
||
|
of the blow, but quickly spreading without any loss of intensity. Not
|
||
|
as sharp as the crop, but Laura thought it just as bad. She wanted to
|
||
|
jump, but her restraints proved effective in preventing that. All she
|
||
|
could do was move her rear end a little to the side. She let out a
|
||
|
dull moan despite her best efforts to control herself.
|
||
|
|
||
|
Just as the pain was beginning to subside, the second blow came, and
|
||
|
it seemed worse than the first. It was as if it were timed to arrive
|
||
|
at the worst possible moment. Laura wondered if she could take 23
|
||
|
more of these without begging for her to stop. She knew that would
|
||
|
mean the end of the Orientation, and she put that thought out of her
|
||
|
mind.
|
||
|
|
||
|
Unlike Laura with Lydia, Mistress Fiona was not shy about hitting the
|
||
|
same spot more than once. In fact, she concentrated her efforts on
|
||
|
just three spots that hurt more and more as the beating continued. To
|
||
|
Laura, she was an expert at causing pain, avoiding enough regularity
|
||
|
that would allow Laura to predict the next spot or the precise moment
|
||
|
that the blow would arrive. She seemed oblivious to Laura's cries
|
||
|
(which she was unable to contain at all after the third stroke), never
|
||
|
allowing them to influence the strap. Laura desperately wanted to
|
||
|
move her legs; having them spread apart like that made the pain much
|
||
|
worse. The twenty five strokes seemed to last for hours, although, in
|
||
|
fact, it probably took less than three or four minutes.
|
||
|
|
||
|
Finally, she stopped. Laura was gasping for breath, and she couldn't
|
||
|
move for a little while even after the restraints were detached. She
|
||
|
was a bit disoriented, and her rear was on fire. Her hands free, she
|
||
|
started to rub her cheeks.
|
||
|
|
||
|
"What are you doing? Get your hands off yourself. Have you
|
||
|
completely forgotten the rules? Get back over the bench."
|
||
|
|
||
|
Oh, no, Laura thought. She did it again already.
|
||
|
|
||
|
"I'm going to give you just three more strokes, as a reminder. Grasp
|
||
|
the base of the bench."
|
||
|
|
||
|
The three strokes weren't quite as bad, physically, as the last ones,
|
||
|
mostly landing on new spots. Mistress Fiona took her time delivering
|
||
|
them, however, and they almost pushed Laura over the edge of bursting
|
||
|
into tears.
|
||
|
|
||
|
"All right. Now get yourself up."
|
||
|
|
||
|
This time, Laura remembered not to try to rub herself, as badly as
|
||
|
she wanted to. She also remembered what she was told before the
|
||
|
whipping, and said, as best she could in her weakened state, "Thank
|
||
|
you, Mistress Fiona."
|
||
|
|
||
|
"You're welcome, Marc's Laura. Now come with me." She took Laura,
|
||
|
who was still naked, back toward her room, supporting her as she
|
||
|
occasionally faltered.
|
||
|
|
||
|
As they returned to the other hallway, Laura saw Lydia standing, also
|
||
|
naked, in front of one of the rooms, facing one of the doors. Her
|
||
|
cheeks were covered with even more welts than when Laura had finished
|
||
|
with her, and although she felt sympathy for her, mostly the sight
|
||
|
made Laura wonder what her own rear must look like. Mistress Fiona
|
||
|
explained that in the future, she would be expected to return by
|
||
|
herself to her room after punishment and wait, as Lydia was, for
|
||
|
someone to let her in. Laura guessed that this was a form of public
|
||
|
humiliation.
|
||
|
|
||
|
Back in Laura's room, Mistress Fiona put a leather collar around
|
||
|
Laura's neck. Then she attached cuffs, similar to the ones used in
|
||
|
her beating, to Laura's wrists and attached them to the collar with
|
||
|
cords that were each about a foot long. She explained that this was
|
||
|
to keep her from touching herself while she was sleeping, as most
|
||
|
trainees do out of habit, and that eventually she wouldn't need it.
|
||
|
She put Laura in bed.
|
||
|
|
||
|
"Sleep well, Marc's Laura-- your examination starts tomorrow, and
|
||
|
you'll need your rest." She kissed Laura on the forehead and left the
|
||
|
room. The lights went out after she closed the door; there was no
|
||
|
light switch in the room.
|
||
|
|
||
|
Her rear end ached so much it was too uncomfortable to rest on her
|
||
|
back, which was her preferred sleeping position.
|
||
|
|
||
|
Laura tried to go over the events of the evening in her mind, but was
|
||
|
too tired, overwhelmed by it all. She had been there for about six
|
||
|
hours (or so she guessed, not having her watch anymore), and so much
|
||
|
had happened to her she didn't know where to begin. It didn't take
|
||
|
long for her to drift off to sleep, despite the constant burn that
|
||
|
seemed almost as severe as it was during the whipping.
|
||
|
|
||
|
When morning came, she was awakened by a gentle tapping on her
|
||
|
shoulder. "Marc's Laura, wake up. Time to get out of bed." It was a
|
||
|
man's voice, which startled her enough that she had no trouble waking
|
||
|
up. As she opened her eyes, he repeated his command that she get out
|
||
|
of bed. She jumped up and assumed her standing position.
|
||
|
|
||
|
"I'm Lord Scott. Did you sleep well?" He looked young to Laura,
|
||
|
maybe younger than herself. He looked rather ordinary, but despite
|
||
|
his youthful appearance he had a commanding demeanor. As he spoke, he
|
||
|
examined her still-aching bottom.
|
||
|
|
||
|
"Yes, Lord Scott," Laura answered, still sleepy. She was successful
|
||
|
in fighting the urge to cover herself.
|
||
|
|
||
|
He removed her collar and cuffs. "You may stretch if you like." She
|
||
|
was grateful for that. "You have a very full schedule ahead of you
|
||
|
today, Marc's Laura. First, let's get you cleaned up."
|
||
|
|
||
|
They went back to the same bathroom, where she was allowed to use the
|
||
|
toilet and then given another bath. The hot water hurt her bottom,
|
||
|
but she managed to avoid complaining. Lord Scott and a woman, who did
|
||
|
not speak, washed her as she was washed the previous day, not
|
||
|
permitting Laura to be an active participant. As Lord Scott washed
|
||
|
her breasts, she found herself slightly aroused, but that was soon
|
||
|
replaced by an oddly guilty feeling as she recalled the showers she
|
||
|
and Marc would take. She knew she would have to fight any attraction
|
||
|
she might develop for Lord Scott. Lord Scott seemed almost bashfully
|
||
|
respectful of Laura's person and his manner was slightly halting as he
|
||
|
rubbed the soapy water around her crotch and sore bottom. This small,
|
||
|
perhaps unintentional, deference to Laura's body somehow only made her
|
||
|
more aware of her dependence, her bondage. She didn't know what to
|
||
|
feel, but she knew she was grateful for his gentleness.
|
||
|
|
||
|
As they dried her, she was able to get a glance at her wounds in the
|
||
|
mirror. She was bruised in several places, and she wondered how long
|
||
|
it would take to heal.
|
||
|
|
||
|
Finally, she was given a clean gown and led back to her room, where a
|
||
|
breakfast tray was waiting for her. She was left alone in her room to
|
||
|
eat and she was grateful for the private solitude this afforded her.
|
||
|
It was her first real chance to reflect, unencumbered by the myriad
|
||
|
immediate concerns that consumed her for most of last night.
|
||
|
|
||
|
She reviewed last night in her mind over and over, as if rewinding a
|
||
|
video tape. Mostly, she thought about the way she reacted rather than
|
||
|
the events themselves, and she wondered if she'd be able to learn the
|
||
|
sort of self-control that was demanded of her. Whether she wanted to
|
||
|
continue wasn't even a question in her mind, and when she recalled
|
||
|
Mistress Elizabeth telling her how she was free to go whenever she
|
||
|
chooses it made her that much more determined to stay. Anne did it.
|
||
|
She wondered if they whipped Anne the way they whipped her and if her
|
||
|
determination ever faltered. She wondered about Lydia. Would she see
|
||
|
her again? Would she forgive her for the whipping? The question
|
||
|
seemed less urgent than it did yesterday, more a point of detached
|
||
|
curiosity than anything else.
|
||
|
|
||
|
Shortly after she finished eating, Lord Scott returned. "It's time to
|
||
|
start your examination. The others are ready for you, and there's a
|
||
|
lot to do. Come with me, please."
|
||
|
|
||
|
Please. It was the first time since she started that someone had used
|
||
|
that word with her. Although it had been less than 24 hours since her
|
||
|
arrival, she had almost forgotten what being treated with even the
|
||
|
most superficial politeness was like. She smiled as she got up and
|
||
|
followed him down the hall and toward the stairs.
|
||
|
|
||
|
|
||
|
Chapter 4
|
||
|
|
||
|
|
||
|
Lord Scott brought Laura to one of the rooms with frosted glass doors
|
||
|
in the hallway that had all the classrooms. He told her to wait in
|
||
|
the hall, and as he went in, she could see that the room was a small
|
||
|
lecture hall, with rows of chairs and a little stage about two feet
|
||
|
off the ground. There were a number of people in the room, although
|
||
|
Laura only got a few moments to look at them before the door was shut
|
||
|
in front of her. Once again, she could hear only muffled talking,
|
||
|
though it did sound like quite a bit of discussion was going on.
|
||
|
|
||
|
Eventually, the door was opened and she was told to come to the front
|
||
|
of the room. The first two rows of chairs were filled with about 20
|
||
|
people, including Mistresses Elizabeth, Fiona, and Rita and Lords
|
||
|
Gregory and Scott. Everyone was sitting down, quietly, as if waiting
|
||
|
for a lecture or concert to begin. She was led to the front of the
|
||
|
room and told to sit in a chair up on the stage. For several minutes,
|
||
|
everybody just sat and looked up at Laura, as if expecting her to say
|
||
|
something. It made her uncomfortable, and she wondered what she was
|
||
|
supposed to do. She decided that since they hadn't told her
|
||
|
otherwise, she should just sit there quietly.
|
||
|
|
||
|
Eventually, Mistress Elizabeth spoke. "I think we've all had the
|
||
|
chance to read through your journal, Marc's Laura, and now we'd like
|
||
|
the chance to learn more about you. This will help us to determine
|
||
|
how best to train you, if in fact you are suitable for training at
|
||
|
all. Now, I'll ask the first question and get things started. In
|
||
|
your journal, you wrote that last Wednesday you ate dinner at a
|
||
|
restaurant across the street from your apartment. Did you eat alone?"
|
||
|
|
||
|
What kind of question was this, Laura wondered. Well, at least she
|
||
|
could answer it. "Yes, Mistress Elizabeth."
|
||
|
|
||
|
"We can be informal here -- you need not address us by name. You may
|
||
|
answer simply with 'sir' or 'ma'am,' in the interests of moving along
|
||
|
quickly. Now, what did you do when you were waiting for the food?"
|
||
|
|
||
|
"I brought a book to read, ma'am"
|
||
|
|
||
|
"I see. Are you uncomfortable being alone, in public?"
|
||
|
|
||
|
"No, I mean-- what do you mean, ma'am?"
|
||
|
|
||
|
"Does it make you uncomfortable to sit alone in a restaurant with
|
||
|
nothing to do?"
|
||
|
|
||
|
"Yes, a little, ma'am." Doesn't this make everyone uncomfortable, for
|
||
|
god's sake?
|
||
|
|
||
|
"Your training will sometimes make you feel the same way, only a
|
||
|
hundred times more so. I am, frankly, concerned about this need for
|
||
|
privacy of yours. It suggests selfishness."
|
||
|
|
||
|
Laura didn't know if she was supposed to try to defend herself or
|
||
|
what. It was as if she was being psychoanalyzed in front of an
|
||
|
audience. All this insight from the way she eats? Again, there was
|
||
|
uneasy silence, and Laura did feel just like she was sitting in a
|
||
|
restaurant, alone, with everyone watching her, thinking about her,
|
||
|
judging her. But no one speaking to her.
|
||
|
|
||
|
A man spoke next. He was unfamiliar to Laura, and he looked like he
|
||
|
was in his late 30's. He looked a little like and old school teacher
|
||
|
of hers, and that made him seem more intimidating than he otherwise
|
||
|
would have been. "When you were young, what was the worst punishment
|
||
|
your parents ever imposed on you?"
|
||
|
|
||
|
Well, between his appearance and his question, this guy sure knows how
|
||
|
to dredge up childhood anxiety, Laura thought. "I was grounded for
|
||
|
three weeks, sir," she answered after a few moments.
|
||
|
|
||
|
"That was the worst?"
|
||
|
|
||
|
"Yes, sir." Laura was embarrassed that she couldn't do better.
|
||
|
|
||
|
"How old were you?"
|
||
|
|
||
|
"Thirteen, sir."
|
||
|
|
||
|
"Why did they do this?"
|
||
|
|
||
|
"I pushed my sister down the stairs. She broke her wrist, sir."
|
||
|
Laura didn't enjoy remembering this; the awful shame of that incident
|
||
|
came back to her all at once.
|
||
|
|
||
|
"What were the conditions of being grounded."
|
||
|
|
||
|
"It was in the summer, sir. I had to stay in my room all day except
|
||
|
for meals, and there was no television or telephone. I was allowed to
|
||
|
go outside, with my mother, for half an hour or so a day, sir."
|
||
|
|
||
|
"Did they strike you?"
|
||
|
|
||
|
"No, sir." Laura remembers wishing they had.
|
||
|
|
||
|
"What did you do all day?"
|
||
|
|
||
|
"I read, and also made up stories, sir"
|
||
|
|
||
|
"Did they forgive you?"
|
||
|
|
||
|
"Yes, sir."
|
||
|
|
||
|
"Did you forgive them?"
|
||
|
|
||
|
"For a week or so I felt really guilty, and felt that I deserved the
|
||
|
grounding. After that I was angry, and I stayed angry for about a
|
||
|
month, sir."
|
||
|
|
||
|
Before she could add anything more, Lord Gregory asked another
|
||
|
question. "Last night, when we asked you to help us discipline
|
||
|
Kenneth's Lydia, you seemed hesitant. Why was that?"
|
||
|
|
||
|
What was there to say? "I-- I don't know, sir."
|
||
|
|
||
|
"Of course you do. What did you feel?"
|
||
|
|
||
|
Laura said the first thing that popped into her head. "I felt like I
|
||
|
was betraying her, sir."
|
||
|
|
||
|
"Betrayal. Powerful idea. But you didn't betray her. You cannot
|
||
|
betray anyone, since you belong to us. You don't seem to understand
|
||
|
that. You belong to us. You are responsible to us and only us for
|
||
|
your actions." Laura very much wanted to understand that.
|
||
|
|
||
|
Again, there was a pause, with everyone just looking at her, although
|
||
|
a few seemed to be writing notes. It was like being interrogated by a
|
||
|
committee. The whole affair reminded Laura of her thesis defense.
|
||
|
Defense. At least there she knew what it was she was defending.
|
||
|
Here, they just seemed to be prodding and poking at everything that
|
||
|
made her uncomfortable.
|
||
|
|
||
|
Mistress Fiona stood up and approached the stage. "Remove your gown
|
||
|
and hand it to me." Laura froze, and she wondered if this was going
|
||
|
to be as hard as it was yesterday. This time there was an audience,
|
||
|
and here she was, the whole show. But she did it before. At least
|
||
|
there was only the gown this time. Laura almost surprised herself
|
||
|
when she stood up and pulled the gown over her head. She smiled,
|
||
|
proud of herself for this accomplishment.
|
||
|
|
||
|
"Why are you smiling?"
|
||
|
|
||
|
"I-- I guess-- I'm nervous, ma'am"
|
||
|
|
||
|
This didn't satisfy Mistress Fiona. "First of all, I don't think
|
||
|
you're telling me the whole truth. You're nervous, all right, but I
|
||
|
think we all can see the pride in that face of yours. You're proud of
|
||
|
yourself for doing something that was hard yesterday, aren't you?"
|
||
|
|
||
|
Laura wondered if these people were mind readers. "Yes. ma'am. A
|
||
|
little."
|
||
|
|
||
|
"Well, it's nice that you're proud. But, and this is a big but, you
|
||
|
look like you want us to pat you on the head or something. It makes
|
||
|
the rest of us uncomfortable. You have to learn to control yourself.
|
||
|
Follow orders, that's all you do for now. Understand?"
|
||
|
|
||
|
"Yes, ma'am." Laura felt like she couldn't do anything right. If she
|
||
|
makes a mistake, however small, they punish her. If she accomplishes
|
||
|
something, she can't show her pride. Almost like it's not enough to
|
||
|
act properly, she has to think properly, too. Maybe that was the
|
||
|
whole point. Laura didn't like Mistress Fiona very much, at the
|
||
|
moment.
|
||
|
|
||
|
For about a minute, everyone just sat there, looking at her naked body
|
||
|
up there on the stage. Again, Laura started to feel detached, as if
|
||
|
she, too, were in the audience, wondering how she would react, what
|
||
|
she would do, what she's feeling. She noticed a video camera set up
|
||
|
at the back of the room, apparently recording the entire session.
|
||
|
Maybe they'd show it to Marc. No time to think about that now,
|
||
|
though. As she looked through the room, she saw Lord Scott thumbing
|
||
|
through his notes. When he spoke, she was a bit startled, and that
|
||
|
made her awkwardly aware of her nakedness again.
|
||
|
|
||
|
"You wrote about masturbation in your journal. You said you only
|
||
|
masturbated once during the isolation week, but that you ordinarily
|
||
|
masturbate whenever you go to bed alone. Is that correct?"
|
||
|
|
||
|
He's going to make her masturbate, right there in public. Great.
|
||
|
"Yes, sir."
|
||
|
|
||
|
"Have you ever been caught masturbating?"
|
||
|
|
||
|
"Yes, sir, I think so."
|
||
|
|
||
|
"Tell us about it."
|
||
|
|
||
|
"I was about 15 years old, and I was on the couch in the living room.
|
||
|
No one was home, and I was in my nightie. I was thinking about Derek,
|
||
|
my boyfriend, and it was the first time I ever really connected the
|
||
|
feeling you get when you masturbate with the idea of actually having
|
||
|
sex with someone. Anyway, I must have kind of gotten lost, thinking
|
||
|
about Derek, rubbing myself, you know, and the next thing you know, I
|
||
|
saw my mom walk in to the living room. I think she saw me, but she
|
||
|
made some noise and never said a word about it." It was a hard
|
||
|
memory, and it made Laura blush, but at least as long as she was
|
||
|
talking they couldn't ask her anything else.
|
||
|
|
||
|
"I see," Lord Scott said after a pause. "You may put your gown back
|
||
|
on." Mistress Fiona placed the gown behind Laura, so she had to bend
|
||
|
over with her bruised rear end to the audience to pick it up.
|
||
|
|
||
|
Laura was relieved, if a bit confused, that she wasn't going to have
|
||
|
to masturbate on stage after all. At least not for now.
|
||
|
|
||
|
"I'm concerned that you had to be punished last night," Mistress
|
||
|
Elizabeth said. "Most new trainees try very hard to follow every
|
||
|
instruction to the letter, and it is only after being here a while
|
||
|
that they might become forgetful. You, on the other hand, are off to
|
||
|
a poor start. Do you generally have trouble understanding simple
|
||
|
instructions?"
|
||
|
|
||
|
"No, ma'am"
|
||
|
|
||
|
"So you're making a special effort for us?" The sarcasm was rather
|
||
|
obvious from her tone.
|
||
|
|
||
|
"I'll try harder. I guess I was nervous, ma'am."
|
||
|
|
||
|
"You'll be made more nervous than that, I can assure you. No matter.
|
||
|
Now, I'm interested in knowing the thing you've done in your life for
|
||
|
which you harbor the most guilt."
|
||
|
|
||
|
Laura had no idea what to say. An eternity of silence passed.
|
||
|
|
||
|
"We're waiting. Let me help out - stealing, betrayal, cheating,
|
||
|
immorality, murder?"
|
||
|
|
||
|
"I lied to my father about using the car when I was 17." It was the
|
||
|
first thing that popped into her head.
|
||
|
|
||
|
"Could you be holding something back, Marc's Laura? Either you have
|
||
|
led a very dull life or you're being less than honest with us."
|
||
|
|
||
|
After a moment, Laura admitted what she was unable to remember before.
|
||
|
She almost hyperventilated as she got the words out. "I once cheated
|
||
|
on Marc. Two years ago, with someone I met in school."
|
||
|
|
||
|
"Excellent." It seemed to be exactly what they were looking for.
|
||
|
They couldn't have known, could they?
|
||
|
|
||
|
The questions went on and on. Various members of the audience asked
|
||
|
what seemed to Laura a stream of unrelated, but deeply probing,
|
||
|
questions about her inner feelings, her dreams, her sexuality.
|
||
|
Although her gown remained on for all but that brief period at the
|
||
|
beginning of the session, she soon felt more naked than ever before.
|
||
|
She tried to figure out what they were doing, what they were trying to
|
||
|
find out, but she had to concentrate so hard all she could do was
|
||
|
defer such thoughts until later. One thing was for sure: they knew
|
||
|
her, and they knew just where to look to find areas of her mind she'd
|
||
|
rather not talk about. Oddly, though, they never asked her anything
|
||
|
more about her infidelity.
|
||
|
|
||
|
After about three hours, it was finally over. Everyone filed out of
|
||
|
the room, leaving just Lord Scott and Laura.
|
||
|
|
||
|
"You did well, but you have to learn to do two things that will seem
|
||
|
contradictory. First, you have to learn not to think so much before
|
||
|
answering, unless it's thinking that you've been asked to do. Second,
|
||
|
you must learn to answer forthrightly and coherently, as if you had
|
||
|
all the time in the world to construct your answers. Do you
|
||
|
understand what I'm saying?"
|
||
|
|
||
|
"Yes, sir."
|
||
|
|
||
|
"No. First of all that's `Yes, Lord Scott' now, and second, I don't
|
||
|
think you do understand yet. It's a costly mistake to claim that you
|
||
|
understand when you don't. Well, anyway, what you have to do is turn
|
||
|
off part of your mind. Specifically, the part of your mind that
|
||
|
filters out what you don't want others to hear and see. We are that
|
||
|
part of your mind now and one of the things you have to learn is to
|
||
|
get out of the way. At the same time, you must accept our training,
|
||
|
so that what you automatically say and do is exactly what we need you
|
||
|
to say and do - always. It's hard, but we're all here to help you
|
||
|
learn. If you really want to learn, you'll probably be able to, but
|
||
|
only if you really want to.
|
||
|
|
||
|
"Now, it's time to get a bit of lunch. Do you need to use the
|
||
|
toilet?"
|
||
|
|
||
|
"Yes, sir."
|
||
|
|
||
|
"No, no, no. What did I just tell you? `Yes, Lord Scott.' Was this
|
||
|
an honest slip, or were you testing me?
|
||
|
|
||
|
"Oh! Sorry! I'm sorry. It was a mistake. I'm sorry, Lord Scott,
|
||
|
honestly." Laura couldn't believe how she could have been so stupid
|
||
|
or inattentive.
|
||
|
|
||
|
"Never, ever, tell me you're sorry as if that somehow forgives you. I
|
||
|
asked a direct question, so a simple answer will do. As for your
|
||
|
slip, I'll accept that as an honest mistake, but you'll need a
|
||
|
reminder so it won't be repeated. Come with me."
|
||
|
|
||
|
Another whipping. Laura followed Lord Scott to the bathroom, and
|
||
|
again, he stayed with her as she relieved herself. After she got up,
|
||
|
they stayed in the room.
|
||
|
|
||
|
"To remind you to be more careful when addressing me, I'm going to
|
||
|
wash your mouth out with soap. Now, come here." He motioned her
|
||
|
toward the sink.
|
||
|
|
||
|
Mouth washed out with soap? He's got to be kidding, Laura thought.
|
||
|
Well, it's got to be better than last night's beating.
|
||
|
|
||
|
Lord Scott took a small bar of brown soap, a bit smaller than those
|
||
|
soap bars in airplane bathrooms, and lathered it up under the warm
|
||
|
water while Laura watched. "Now, open your mouth and stick out your
|
||
|
tongue." Reluctantly, but without visible hesitation, Laura did as he
|
||
|
said. Lord Scott gently grasped her jaw and slid the soap back and
|
||
|
forth across her tongue with his fingers, finally tucking it behind
|
||
|
her left cheek. Laura's first thought was of how remarkably sensual
|
||
|
this experience would be if the bar of soap were, say, a chocolate
|
||
|
truffle. He had the right touch for the job, at least. Instead,
|
||
|
though, it was just humiliating, being punished just like a little
|
||
|
child who used naughty words. "Close your mouth. Stay here until I
|
||
|
come back." He left the room, leaving the door open with Laura
|
||
|
standing there, soap suds and saliva dripping from her mouth.
|
||
|
|
||
|
The soap tasted awful; Laura wondered if it was specially selected for
|
||
|
this purpose. The bitter taste seemed to build up, and Laura had to
|
||
|
fight to keep from swallowing. Somehow, in her debased state, Laura
|
||
|
managed to find pride in the fact that she didn't fight Lord Scott or
|
||
|
try to reject the soap. After a few minutes, he returned, but he
|
||
|
seemed not to notice that Laura was actually grinning.
|
||
|
|
||
|
"You may spit out the soap - use the sink." Laura quickly complied,
|
||
|
but the strong taste stayed with her. "I hope this little reminder
|
||
|
helps you find more appropriate words in the future, Marc's Laura," he
|
||
|
added. Laura hoped so, too.
|
||
|
|
||
|
They returned to her room, where a lunch was waiting for her. It may
|
||
|
have tasted of bitter soap, but Laura was glad to eat it. Lord Scott
|
||
|
explained that once the evaluation was completed, she would eat in the
|
||
|
common dining room.
|
||
|
|
||
|
Laura didn't think much during lunch. She was finding it easiest not
|
||
|
to try to reflect on her situation, and she didn't wonder what was
|
||
|
going to happen next, or even, as she had promised herself she would,
|
||
|
think about what they were trying to learn from all those questions.
|