336 lines
19 KiB
Plaintext
336 lines
19 KiB
Plaintext
![]() |
Archive-name: Bondage/chinese.txt
|
||
|
Archive-author: Bottier
|
||
|
Archive-title: Chinese Puzzle
|
||
|
|
||
|
|
||
|
I've been a lurker on this group since its inception, and since I
|
||
|
introduced my wife to it, she's been pressing me to post one of our
|
||
|
stories. Here it is, then, with a twist, for your approval.
|
||
|
|
||
|
We both enjoy adding a great deal of interesting costume to our play.
|
||
|
I love the sight of her in extreme heels and tightly-laced old
|
||
|
fashioned corsets, as well as bound and helpless. She loves these
|
||
|
things, as well as anything else that presses, squeezes, or otherwise
|
||
|
molds her, and adds to her tactile overload or general level of
|
||
|
frustration. Thus, we've accumulated a great storehouse of toys over
|
||
|
the years, from a variety of shoes with heels in varying heights, to
|
||
|
several custom made corsets (there are very few manufacturers left,
|
||
|
and the prices can be outrageous) with waists from 19" to 22"
|
||
|
(including one that is knee-length), rubber stockings, skirts, and so
|
||
|
on, and a very large drawerful of cuffs, collars and padlocks. All
|
||
|
these things see a good amount of use!
|
||
|
|
||
|
One of our favorite activities is what I call the "chinese puzzle"
|
||
|
bondage. It takes a bit of planning, but the end results are most
|
||
|
rewarding for both of us. I strive to never do quite the same thing
|
||
|
twice, so I'll just describe the most recent version.
|
||
|
|
||
|
We begin the play with her naked, standing in the bedroom. I first
|
||
|
apply her scold's bridle, which has a nice large ball gag. It buckles
|
||
|
in the back, and I fasten it in place with the first padlock. The key
|
||
|
to this padlock I tape into the palm of her right hand. I then put one
|
||
|
of her calf gloves on (these extend almost up to the shoulder, and
|
||
|
fasten at the wrist very tightly with four buttons) which nicely
|
||
|
secures the key into her hand. I then put one of our 3" locking wrist
|
||
|
cuffs on over the glove, which nicely covers the buttons, making it
|
||
|
impossible to remove without first getting the cuff off. The key to
|
||
|
this cuff I tape into the palm of her left hand, followed by the
|
||
|
other glove and cuff. At this point she is gagged and gloved, and
|
||
|
beginning to show some signs of anticipation.
|
||
|
|
||
|
One wonderful thing about the gloves (that will come into play most
|
||
|
frustratingly later) is that they make it very difficult indeed to
|
||
|
handle the keys to these padlocks (none of the keys is over 1 inch
|
||
|
long, and some are only half that).
|
||
|
|
||
|
The key to her left cuff I tape to the inside of her leather collar,
|
||
|
which is about 4" wide at the front and tapers down to 2 1/2" at the
|
||
|
rear. I fasten this on her neck, which makes her hold her head up very
|
||
|
straight. I fasten this in place with another padlock.
|
||
|
|
||
|
The collar key I tape to the bottom of her right foot, right under the
|
||
|
heel. I then put one of her rubber stockings on, smoothing it up her
|
||
|
leg as I go. On her foot, I place one of the prizes of our collection,
|
||
|
a 6" heel pump with a 2" wide locking ankle strap. This I lock on, and
|
||
|
tape the key to the bottom of her left foot, followed by the stocking
|
||
|
and the other matching shoe.
|
||
|
|
||
|
This is the part that really starts to get her attention. The 6" heels
|
||
|
are very high for her (she has size 7 1/2 feet), but she has to stand
|
||
|
even further up on her toes to keep the keys from pressing into her
|
||
|
heels. She says that she loves the sensation, and also the tightness
|
||
|
and warm coolness of the stockings. Needless to say, with the shoes
|
||
|
locked on, she can't get to the keys under her heels.
|
||
|
|
||
|
The key to her left shoe I tape to the inside of the busk on her
|
||
|
corset, and fasten it around her and begin lacing. True tight-lacers
|
||
|
know that you can't just squeeze in a corset all at once, but rather
|
||
|
you must do it in easy stages. Thus, this phase takes about half an
|
||
|
hour, as we reduce her waist from its normal 25" to 20" or so over the
|
||
|
corset. I fasten the stocking tops to the garters on the corset, which
|
||
|
isn't strictly necessary since they are so tight that they'll stay up
|
||
|
by themselves- but she loves the added pressure. The corset itself is
|
||
|
very heavily boned, and makes her lean forward about 20 degrees at the
|
||
|
waist with a most beautiful S-curve in her back- this, in addition to
|
||
|
the forward lean that the heels induce, makes her balance somewhat
|
||
|
precarious, and walking becomes somewhat difficult. She finds this to
|
||
|
be quite a turn-on, combined with all the pressures.
|
||
|
|
||
|
So there she stands, not yet helpless, but certainly bound. I'll
|
||
|
usually take a break here and play with her a bit, until she starts
|
||
|
egging me on the next step.
|
||
|
|
||
|
We have a chastity belt that has self-contained vibrators in two sizes
|
||
|
fastened to its inner surface. I have modified it so that it fits her
|
||
|
tiny corseted waist, and I then apply it to her, locking the waistband
|
||
|
and crotch strap in place (which very conveniently covers the knot in
|
||
|
the laces, rendering it impossible for her to get the corset off). I
|
||
|
have to work fast, since this is quite an intense stimulation for her.
|
||
|
The vibrators in her front and rear begin to do their dirty work, so
|
||
|
while she is distracted, I tape the key to her chastity belt to the
|
||
|
inside of the waistband of her rubber hobble skirt, which is about
|
||
|
1/8" thick and fits her tighter than a second skin from just below
|
||
|
that breasts to the knees. It has to be rolled on from the knees up,
|
||
|
and does a much more effective job of hobbling her than tying her
|
||
|
knees, because it exerts so much pressure so evenly over so much of
|
||
|
her legs, hips, and torso.
|
||
|
|
||
|
At this point, she is usually hanging right on the edge of orgasm from
|
||
|
sheer sensory overload. Under the right circumstances, she can come
|
||
|
simply from the pressure of the corset, but having to balance in the
|
||
|
heels with her knees hobbled and the vibrators working usually puts
|
||
|
her right up to the edge. If I make her walk any distance at all, she
|
||
|
might just overload and come too soon. So it's time to keep her very
|
||
|
still and finish the job.
|
||
|
|
||
|
I then lock her wrist cuffs together behind her with a padlock. This
|
||
|
key is threaded onto the hasp of another padlock, which is then used
|
||
|
to lock an 8 inch or so loop of chain between her ankles. With this
|
||
|
chain, she is limited to taking steps about four inches long (not that
|
||
|
she could take longer ones with the heels and hobble skirt). The key
|
||
|
to the ankle chain is attached to the middle of a chain about 15
|
||
|
inches long with a nipple clamp at each end, which I then attach to her
|
||
|
nipples. The lean induced by her corset and heels causes the key to
|
||
|
hang well in front of her.
|
||
|
|
||
|
And to finish, I attach her wrist cuffs to her collar by looping a two
|
||
|
foot chain and locking it with the last padlock. This pulls her wrists
|
||
|
up to just below her shoulderblades- not high enough to cause much
|
||
|
tension on the collar, but enough to keep her from reaching any of the
|
||
|
keys, or stretching around to the nipple clips in front. Also, in this
|
||
|
position her fingers lose some of their dexterity, and the gloves
|
||
|
certainly don't help much either.
|
||
|
|
||
|
The last key is truly the key to the puzzle- without it, she has
|
||
|
absolutely no way to get out of all these marvelous decorations,
|
||
|
despite having all the other keys on her person. She also doesn't have
|
||
|
enough flexibility to give herself the last bit of stimulus to go over
|
||
|
the edge while standing there. What she has to do to get the relief
|
||
|
that she craves is to try to find that last key, and then coax her
|
||
|
bound fingers into manuipulating the locks in sequence. She has to
|
||
|
take the tiny steps that are all she can manage over to wherever it
|
||
|
is, unlock the lock holding her wrists up high, then get the nipple
|
||
|
clamps off somehow so that she can get her ankles unlocked to get the
|
||
|
key that holds her wrists behind her and so on. Usually, the
|
||
|
stimulation catches up with her somewhere along the way- and she goes
|
||
|
from having an isolated orgasm to having a continuous string of them,
|
||
|
generally requiring quite a bit of support from me to keep from
|
||
|
falling. Needless to say, I'm never far away during these times- since
|
||
|
the visual impact of her done up this way is one of my greatest
|
||
|
pleasures, not to mention getting to take whatever advantage of the
|
||
|
situation I can.
|
||
|
|
||
|
This last key is what she needs- and this is the funny part of the
|
||
|
story: as I have been typing this, she has been attempting to sit next
|
||
|
to me here at the machine, done up exactly as I describe here. She
|
||
|
has been hanging right on the edge for some time, but she has to wait
|
||
|
for me to type the location of the final key! The butt plug and
|
||
|
extremely tight hobble skirt keep her from being able to sit flat on
|
||
|
the office chair, but she has to try and take the weight off her heels
|
||
|
so that the keys stop pressing in, and the corset keeps her leaning
|
||
|
forward so that the weight of the chain dangling from her nipple clips
|
||
|
is borne entirely by her poor nipples. She has been very good.
|
||
|
|
||
|
The key is under your pillow.
|
||
|
|
||
|
I'm going to close this now- she's probably going to need some help as
|
||
|
she hobbles back down the hall to the bedroom, my lovely vision in
|
||
|
black everything, and I wouldn't miss it for the world.
|
||
|
|
||
|
==
|
||
|
|
||
|
The response to the "Costume" article has been most gratifying. We had
|
||
|
fun reading through them, and have finally made some time to reply to
|
||
|
some of the questions that were asked, and to describe how this
|
||
|
particular scene came out.
|
||
|
|
||
|
She made it about halfway down the hall before she overloaded enough
|
||
|
that she couldn't keep going. When she does finally get into
|
||
|
continuous orgasm, she can't make her legs hold her up anymore with
|
||
|
the heels and the hobble skirt- so I picked her up and carried her
|
||
|
back to bed. She tried for about 5 minutes to deal with the key to the
|
||
|
first lock, but couldn't (or wouldn't) cope with it, so she just
|
||
|
rolled onto her back with her whole body in spasms.
|
||
|
|
||
|
One poster asked about making the chastity belt the very last layer to
|
||
|
come off. We've tried that, but I usually don't do that anymore- and
|
||
|
here's why: Here I was, faced with a very bound, very helpless, and
|
||
|
very hot lover. If you were me, what would you do? In this case, all I
|
||
|
had to do was to peel off her skirt and unlock the chastity belt
|
||
|
(leaving the butt plug in place, of course)- and she was wonderfully,
|
||
|
willingly, and helplessly mine for the duration, without my having to
|
||
|
undo any of the other decorations that we both love so much. In this
|
||
|
way, we could enjoy one another, without my having to completely free
|
||
|
her. And she could either free herself later, or ask me in her own way
|
||
|
to free her after we were both sated.
|
||
|
|
||
|
She usually doesn't manage to get herself free of this predicament
|
||
|
until after we exhaust ourselves, especially in cases where we let a
|
||
|
reasonable amount of buildup time go by (which was certainly the case
|
||
|
as she sat squirming while I typed). If we don't allow much buildup,
|
||
|
she will almost always get to the point of undoing her corset,
|
||
|
although often the amount of effort required to get herself out of the
|
||
|
skirt can sometimes push her over. She usually stops here, though,
|
||
|
becuase she enjoys the pressure of the corset too much to take it off
|
||
|
at that point. A couple of times she has gone ahead and escaped
|
||
|
completely, just so that she could prove to herself that she could-
|
||
|
and it took about and hour and a half. The really hard part is the
|
||
|
first key, and (as one poster pointed out) the key to her ankle chain,
|
||
|
which is usually on the nipple clamp chain. She's a dancer, and is
|
||
|
very flexible, but it is still a difficult thing for her to stretch her
|
||
|
arms around to the front (with her wrists locked together) and gently
|
||
|
remove the clamps. The gloves help make this harder, as well.
|
||
|
|
||
|
Of course, there are an incredible number of variations on this basic
|
||
|
theme that can be used. One that we enjoy occasionally involves me
|
||
|
peeling off her skirt and the chastity belt, and then looping a rope
|
||
|
around her tiny waist two or three turns. I then bend her legs at the
|
||
|
knee, and tie the loose ends of the rope to her ankle chain, pulling
|
||
|
out all the slack possible. This pulls her ankles right up to her rear
|
||
|
very tightly, sort of a hogtie that doesn't put stress on her wrists
|
||
|
(which are still fastened up to her collar). The neat part of this is
|
||
|
that the loops of rope around her waist act as a crude pulley, so by
|
||
|
pulling with her legs she can increase the pressure on her waist even
|
||
|
more! The real reward for me, and frustration for her, comes when I
|
||
|
roll her up on top of me, face to face. The slack between her ankles
|
||
|
allows her to spread her legs just far enough for me to enter her from
|
||
|
below- but the stiff corset and added tension from the rope will
|
||
|
barely let her move her hips, and if I hold her up under the shoulders
|
||
|
then all her weight forces her down onto me. This is incredibly
|
||
|
intense for both of us, as she struggles to move enough to release
|
||
|
herself, and in so doing grinds me deeply into her.
|
||
|
|
||
|
Someone asked about our corsets, especially the knee-length one. That
|
||
|
one is truly amazing, but it really doesn't see much use anymore,
|
||
|
except when she specifically asks for it. It is black satin, very
|
||
|
heavily boned the entire length (especially through the waist and
|
||
|
hips), and measures 21" at the waist when fully closed. The front busk
|
||
|
is 15" long, and it extends exactly down to her pubic bone. When it is
|
||
|
laced fully closed, it makes it amost entirely impossible for her to
|
||
|
bend either her waist or hips, and compresses her entire torso pretty
|
||
|
intensely. When she's in it, she can only barely keep her balance, and
|
||
|
she can't reach her feet no matter how hard she tries, so we always
|
||
|
add her 6 inch heels to the costume. She can't walk at all when done
|
||
|
up this way. I usually put in one or both of her vibrators before
|
||
|
lacing her in, but getting her into and out of this beast is such a
|
||
|
production that she's usually exhausted before I get much of a chance.
|
||
|
About all she can do is lean up against something- so this is usually
|
||
|
a good outfit to play with some gentle suspension games with.
|
||
|
|
||
|
The knee-length one was custom made for us a few years ago by a
|
||
|
company in the UK which has now closed down. Currently, it is possible
|
||
|
to order custom work from three companies that I know of: La Guepiere,
|
||
|
which is in the UK and consists of one tiny fragile lady in her 70s
|
||
|
who retired a number of years ago from that same late company, True
|
||
|
Grace, also in the UK, and one here in the States, BR Creations in
|
||
|
Moutain View, Ca. The UK companies are slow and expensive, but do
|
||
|
magnificent work. BR Creations is quicker and less expensive, and
|
||
|
we've got several examples from them. From BR Creations, you can
|
||
|
expect to pay around $150 for a reasonable short corset in satin,
|
||
|
significantly more in leather. There are also some of the US mailorder
|
||
|
companies that offer stock corsets (Renee Fashion Company, Monique of
|
||
|
Hollywod), made I think by Vollers in the UK, but with those you run
|
||
|
the risk of a poor fit. They will only cost you around $100.
|
||
|
|
||
|
Tightlacing is an art in itself, though- don't rush into it with a
|
||
|
lover, expecting to be able to pull them in 6 inches the first time.
|
||
|
Posession of a tiny waist must be worked up to, and having a perfectly
|
||
|
fitted garment is of paramount importance. If anybody is interested in
|
||
|
body modification of this type, I could go off on that tangent another
|
||
|
time.
|
||
|
|
||
|
Another poster asks whether we bought or made most of our toys. We
|
||
|
bought almost all the clothing, and made almost all the leather cuffs
|
||
|
and other bits. The rubber stockings and hobble skirt are straight
|
||
|
from the Sealwear catalogue a few years back, and I'm sure that
|
||
|
someone in the US still imports this line- I`ve seen some good
|
||
|
examples in the Dream Dresser catalogue. Lately, we buy most of our
|
||
|
latex from a little shop here locally, though. Our gloves we bought
|
||
|
from a custom maker in California, Hammer of Hollywood. They fit,
|
||
|
which is much more than can be said of the cheap merchandise sold
|
||
|
mailorder nowadays. I could post some of the construction details for
|
||
|
the cuffs and other things if there is enough interest (and, of
|
||
|
course, time permitting).
|
||
|
|
||
|
Finally, we'll leave you with a story from last Saturday night. She
|
||
|
expressed a desire to go out for dinner, contrary to plans we had made
|
||
|
to stay in and play. This usually indicates that she wants to try
|
||
|
something different, so we reached something of a compromise- we would
|
||
|
play while going out! This is usually quite a treat for us both,
|
||
|
because she enjoys the frustration of her building excitement and
|
||
|
inability to help herself, and my response follows hers quite closely.
|
||
|
So we dressed her similarly to the way I described before, but without
|
||
|
the gag or collar, and with the corset and chastity belt on the
|
||
|
bottom, as the other poster had suggested.
|
||
|
|
||
|
We laced her into the 20" black calf corset, and then put her into her
|
||
|
rubber corselet. This has molded-in cups and functions quite nicely as
|
||
|
a bra, and extends down just to the bottom of her corset with
|
||
|
suspender grips for her stockings. I then locked on her chastity belt,
|
||
|
with only the butt plug vibrator humming merrily away. The key went
|
||
|
under one glove, which was locked on, followed by the other glove,
|
||
|
followed by the stockings and locking shoes. The last key went onto
|
||
|
the mantelpiece. I then left her to choose street clothes that could
|
||
|
be worn over all these, concealing them well enough for us to go out
|
||
|
in public!
|
||
|
|
||
|
She came out in one of the pantsuits that she wears to work- quite
|
||
|
formal in appearance, but even more so with it belted in to fit her
|
||
|
tiny waist and very erect carriage. She usually wears at least 4 inch
|
||
|
heels to work, so the pants were long enough to cover most of the 6
|
||
|
inchers when pulled down to her corseted waistline- but not long
|
||
|
enough to prevent a peek of the rubber stocking on her insteps as she
|
||
|
walked. And the jacket nicely covered the cuffs and padlocks on her
|
||
|
wrists, the small bulge of the chastity belt padlock in the small of
|
||
|
her back, and the rather thin blouse that she wore to cover the
|
||
|
corselet. Thus, to the casual observer, she appeared to be quite
|
||
|
normally dressed, except for her gloved hands, tiny waist, and just
|
||
|
the hint of a higher-than-usual heel and blacker-than-black stocking.
|
||
|
|
||
|
We went out to one of our favorite restaurants near here, chosen to
|
||
|
minimize the transit time (since the vibrator was still hard at work).
|
||
|
She actually did quite well with all the walking, hanging there on my
|
||
|
arm balanced so precariously. We sat at one of the tables out in the
|
||
|
middle of the room, with her leaning just slightly forward because of
|
||
|
the corset, and wobbling a bit side-to-side because of the plug. Then
|
||
|
we started to notice the sidelong glances that she was getting from
|
||
|
some of the tables- a number of people were paying a bit of interest
|
||
|
to her outfit, especially her feet. Tight-laced as she was, she
|
||
|
couldn't discreetly twist around to see what the problem was, but I
|
||
|
could- when she sat down, her pants legs had ridden up her legs,
|
||
|
revealing the full glory of 6 inch heel, padlocked ankle strap, and
|
||
|
rubber stocking to the room!
|
||
|
|
||
|
When I told her, she was at once mortified with embarassment, and
|
||
|
overcome by the message being sent up by the vibrator- but, being in
|
||
|
public, she had to try and exert some control over her response. After
|
||
|
all, the key was at home on the mantelpiece! I then got to enjoy the
|
||
|
beautiful sight of her, flushed, breathing as deeply as possible
|
||
|
within her corset, trying her utmost to stop the stream of orgasms.
|
||
|
Needless to say, we paid the check and left after the appetizer, and I
|
||
|
had to carry her to the car once we got out of the main room.
|
||
|
|
||
|
A most pleasant, though very short, dinner.
|
||
|
|
||
|
--
|