751 lines
49 KiB
Plaintext
751 lines
49 KiB
Plaintext
|
Archive-name: Bondage/bonus.txt
|
||
|
Archive-author: Snidley
|
||
|
Archive-title: Small Bonus, A
|
||
|
|
||
|
|
||
|
I had been retained through a consulting firm to advise a small, but
|
||
|
very lucrative, corporation through a complicated problem. The complications
|
||
|
could have cost this business well into the multi-million dollar range
|
||
|
had I not sucseeded in the endeavor. After some long hours of hard work
|
||
|
I was ultimately able to accomplish our goal. The owner of this little
|
||
|
company, (I'll use fictitious names in this narrative for modesty's sake
|
||
|
as well as clarity) Joan Sumpter, was certainly a unique individual. She
|
||
|
and I spent a great deal of time together over the months of my employment.
|
||
|
Working virtually hand in hand, we had gotten to know each other rather well.
|
||
|
For all intents and purposes She appeared to be a brash, impetus woman to
|
||
|
most people. However, as she and I got to know each other over time, most
|
||
|
of this turned out to be a facade. In her business persona, she may have
|
||
|
seemed like a bit like a shark to some, but outside that arena I found her
|
||
|
to be a charming, intelligent woman.
|
||
|
Due to the pressure that was on both of us, there were many times our
|
||
|
work sessions would digress into a montage of repartee that often could
|
||
|
become downright obscene. Kinky talk, innuendo, double-entendre and
|
||
|
scurrilous jokes all seemed to help break the tension of our labor. At
|
||
|
first, I figured that she was just coming on to me a bit, merely some
|
||
|
innocent flirtation, because at other times she spoke in glowing terms
|
||
|
about her artist husband of 10 years. A little confusing for me, but I
|
||
|
finally decided that, although there were times she could be overbearing
|
||
|
to the point of being obnoxious, she was a pretty special woman who was
|
||
|
already involved in a loving relationship and really had a lot going for
|
||
|
her. I really came to like her.
|
||
|
Shortly after our deadline was met, She invited me to come to her home
|
||
|
for dinner to celebrate. I took this as a tremendous compliment because
|
||
|
in my dealing with a great many of her associates, I had never met any
|
||
|
who had been invited to her home. It was a bit of a mystery to all her
|
||
|
colleagues, many wondered just what her lifestyle was like outside
|
||
|
work. Or indeed if she even HAD a lifestyle outside of her business. At
|
||
|
the time, I had assumed that her crack about "Leave your inhibitions at
|
||
|
home..." was simply one of her frivolous remarks. When I responded that
|
||
|
I didn't have any inhibitions, she merely smirked over her shoulder at
|
||
|
me. "We'll see..." she said. It turned out to be quite a test...
|
||
|
|
||
|
I used the big brass door knockers on the impressive oak front doors.
|
||
|
After a short pause there was a rustling sound from the other side,
|
||
|
someone fumbling with the knob no doubt. As the door mysteriously
|
||
|
pulled back away from me, a grand foyer was slowly revealed. Surprised
|
||
|
that there was no one to greet me, I was a little unsure of what
|
||
|
etiquette dictated under these circumstances. Deciding that the door
|
||
|
had indeed opened for a reason, I hesitantly stepped inside the stately
|
||
|
home.
|
||
|
I detected a light "clinking" sound as the door began to close behind
|
||
|
me as soon as I had cleared it's path. I hopped back, out of the way. I
|
||
|
couldn't help but think that something was not right here! It took just
|
||
|
a moment before I discovered the cause for my uneasiness. A burning wave
|
||
|
of adrenalin rolled down my spine as it became apparent what was
|
||
|
powering the mysterious door. I tried to take it all in, to be as
|
||
|
observant as my vocation demanded, but my cognition was disjointed and
|
||
|
slow in coming.
|
||
|
A girl. She was small, about 5'4", not much more then 100 pounds. In
|
||
|
her early twenties I surmised. She pushed at the door awkwardly with
|
||
|
her back and bottom, walking backwards. Her hands seemingly held the
|
||
|
door latch which appeared to be pressing into the small of her back.
|
||
|
She didn't even look up at me as she concentrated on carefully shutting
|
||
|
the door. My mind continued to reel as more observations became
|
||
|
apparent. She was blonde, her hair pulled back into a concealed French
|
||
|
braid. I decided she was dressed somewhat distinctively. She wore a
|
||
|
slim beige skirt that just brushed the top of her knees. A dark green
|
||
|
wool sweater with a V-neck snugly hugged her distinctly feminine
|
||
|
features. The outfit seemed to have a uniform-ish quality to it because
|
||
|
a white shirt and a bright red, man's style necktie peeked out from
|
||
|
under the sweater. Some of the smaller details emerged in the seconds
|
||
|
that it took for her to close the door. Her white shirt had the those
|
||
|
little tabs on the collar, buttoned tightly under her tie knot. These
|
||
|
tabs caused her tie to stand out a bit more prominently and made the
|
||
|
collar form fit snugly around her supple neck. A small brass name plate
|
||
|
was pinned to her sweater, on her left breast. I couldn't read it at that
|
||
|
moment. The door thumped closed.
|
||
|
My mind had tried to deny the obvious, I was sure that it was playing
|
||
|
tricks on me, as it surly had from the second the door had opened. It
|
||
|
couldn't be, but as this strange girl looked up into my face and our
|
||
|
eyes met for the first time, there could be no question, no mistake.
|
||
|
Her big blue eyes gleamed up at me, over the tape. White tape, lots of
|
||
|
white tape covered her mouth. She was gagged. Her hands remained behind
|
||
|
her back as she stepped towards me. A thin chain rustled between her
|
||
|
dainty ankles as she approached with an unmistakable high heeled grace.
|
||
|
Suddenly fear took over my senses. Who could have done this to this
|
||
|
poor girl? Were there criminals in the house who had cruelly bound and
|
||
|
gagged this poor waif? Were they, even now, planning unspeakable things
|
||
|
to do to her? I looked back into her eyes. Why didn't she appear
|
||
|
frightened? She seemed a bit surprised to see me, but her eyes sparkled
|
||
|
with such expression... There was such a unmistakable aura of
|
||
|
friendliness, of welcome, that I was inexplicably at ease once again.
|
||
|
My eyes were drawn back downward to her mouth. Or rather, the tape
|
||
|
covering her mouth. It was made up of four or five pieces of white
|
||
|
adhesive tape that crisscrossed and covered her entire lower face, from
|
||
|
just under her nose to the tip of her chin. Her chin seemed unnaturally
|
||
|
long before I realized that under the tape her mouth was stretched wide
|
||
|
open. Two wide, black leather straps passed around to the back of her
|
||
|
head giving a clue as to the reason for her open mouth. They exited
|
||
|
from underneath the tape where it ended just to the front of her ears.
|
||
|
Feeling stupid for not noticing it before, I realized that there was
|
||
|
writing on the tape. Upon examining it more closely, I discerned it was
|
||
|
written in flowing, feminine script. It said simply:
|
||
|
"Welcome to the Sumpter home. May I take your coat?"
|
||
|
The writing on the tape reminded me of the of the nameplate on this
|
||
|
mysterious girl's chest, perhaps that could give me a clue. I glanced
|
||
|
down at it. Etched cleanly in the brass in large block letters was:
|
||
|
"Yvette" and under the name, in smaller scroll print: "Slave"
|
||
|
I suppose that it was natural, but my eyes wandered from the name plate
|
||
|
to the sweet line of the breast that it was pined to. These beautiful
|
||
|
breasts stirred ever so slightly on each breath she took, rising and
|
||
|
falling, stretching and pulling the supple wool embrace of her sweater.
|
||
|
I felt my face flush when I realized that my eyes had lingered a moment
|
||
|
too long on one of her more personal attributes. When I glanced up into
|
||
|
those mysterious eyes once again, I was amazed because her expression
|
||
|
indicated a coy pleasure in my admiration, rather then the almost
|
||
|
universal look of disdain that I was accustom to. She looked at me
|
||
|
steadily for a long moment and then leaned forward, pushing her chin
|
||
|
slightly out to me. My first thought was that she wanted to kiss me,
|
||
|
(Silly me... :^) but her eyes turned casually up and away, she was
|
||
|
attempting to make the writing on her lips more evident. It seemed almost
|
||
|
as if she was speaking the words on the tape. As I looked on dumbly she
|
||
|
turned her back to me and bent forward, raising her pinioned wrists to me.
|
||
|
She wore handcuffs.
|
||
|
Now, although I would never have claimed to be an expert at such
|
||
|
things, I had seen handcuffs before. I'd even worn them once or twice
|
||
|
in my rowdier days. The cuffs I had seen were different then the ones
|
||
|
that adorned her dainty wrists. I was accustomed to a chain between the
|
||
|
cuffs. Short, stout, unyielding, but a chain. These cuffs had no chain.
|
||
|
The two cuffs were linked directly at their base by a hinge type of
|
||
|
contrivance. Her wrists were held parallel to each other with only a
|
||
|
slight "V"ish in-out movement possible. Escape seemed impossible.
|
||
|
Indeed, it was impossible.
|
||
|
An amused voice broke the silence. I had no idea Joan Sumpter had
|
||
|
been watching. "She wants to take your coat, you know?" Joan said as she
|
||
|
approached, smiling. "I did say that you should leave your inhibitions
|
||
|
at home. Now didn't I?" I was on auto-pilot as I shrugged off my coat and
|
||
|
dropped it over the outstretched arms along with my scarf. The girl
|
||
|
turned back around to face me, keeping her arms raised as high as she
|
||
|
could so my coat would not drag on the floor. Her shoulders were back
|
||
|
and her chest out straining the limitations of her sweater. Joan
|
||
|
sauntered up behind the girl and casually put her arm around her
|
||
|
shoulders. As Joan nonchalantly played with the girl's clothing,
|
||
|
picking imaginary lint from her sweater and casually adjusting the
|
||
|
dimple in her necktie, she began to explain their unique relationship.
|
||
|
|
||
|
|
||
|
To be continued...
|
||
|
|
||
|
|
||
|
Joan explained that she and her husband enjoyed keeping several such
|
||
|
"domestics". Each from a various backround, the servants came to their
|
||
|
employment with various objectives. Yvette, for example was a student.
|
||
|
She was studying dramatic arts at a nearby collage. The Sumpters
|
||
|
provided her with her tuition, room and board and enough time off every
|
||
|
weekday to attend class. All those benefits in exchange for absolute,
|
||
|
unquestioning, frequently bound'n'gagged servitude the remainder of the
|
||
|
time. Yvette listened patiently to this exposition and when Joan was
|
||
|
done, looked up at me and shrugged her shoulders as if to say "Would
|
||
|
you pass up a deal like that?" Joan chuckled and then continued on
|
||
|
telling me how Yvette ultimately did enjoy all these trappings. Yvette
|
||
|
tossed her head back haughtily and then humphed airily. "Who me?" Joan
|
||
|
said, clarifying Yvette's little pantomime. Joan leaned forward and gave
|
||
|
Yvette a kiss on the cheek then shooed her off with a swat on the bum
|
||
|
and an order to have herself "fixed up" so she could help serve the
|
||
|
hors d'oeuvres. As Yvette tried to squeeze between us she brushed
|
||
|
against me, her breasts lightly touching my arm. After Yvette departed,
|
||
|
Joan went on to explain that all of her "Helpers" were with her for
|
||
|
different reasons, but, that they all shared their one common interest.
|
||
|
"If you catch my meaning..." she said. It was difficult not to.
|
||
|
I followed Joan down a hallway as she graciously elaborated on what I
|
||
|
was about to observe. She had kept "Pets" as she put it, for many years.
|
||
|
She had always loved being a boss, in total control. Domineering as it
|
||
|
were. Before she had met and fell in love with her husband, she had
|
||
|
assumed that she would go through life like that. Once they were
|
||
|
married she had tried to forget what she had become accustom to, to
|
||
|
deny it. She tried to put it behind her, and concentrate on their 50-50
|
||
|
relationship, but it just didn't seem to work out. "Besides," she said
|
||
|
with a smile, "I'm not a very good housekeeper." So after several
|
||
|
unhappy months she confessed her desires to her husband. At first, she
|
||
|
said, he was reluctant, but grudgingly accepted a trial run. "After a
|
||
|
while, the idea did seem to grow on him." She said that as she got to
|
||
|
know me she began to get the impression that I might enjoy her little
|
||
|
diversions. As she was trying to think of a way to thank me for all I
|
||
|
had done, it became more and more apparent to her that this would be a
|
||
|
perfect show of thanks. Certainly better then a case of scotch. I just
|
||
|
wasn't sure I was up to all this...
|
||
|
We entered a large living room. I glanced around at the formal room
|
||
|
and the guests who chatted pleasantly. Two men and a woman were seated
|
||
|
on two couches. Another girl, statuesque and strong stood nearby. As
|
||
|
Joan and I entered the room the tall girl hurried over to us as fast as
|
||
|
her hobbled stride would carry her. This girl wore a maid's uniform,
|
||
|
stylized to say the least. The frilly trim on the edges of black satin
|
||
|
uniform was a joy to behold. Lace circled the hem of the ballooning
|
||
|
skirt and starched petticoats peeked out from underneath. A gigantic
|
||
|
white apron edged in ruffles ran from her hem to her shoulders but left
|
||
|
exposed the plunging neckline of her dress. The apron was tied in back
|
||
|
with a big stiff bow. The girl's ample bosom threatened to spill out of
|
||
|
the front of her uniform at any moment. Around her neck was a tight,
|
||
|
stiff, starched white collar and a floppy red bow tie. The back of her
|
||
|
collar seemed to go down under the back of her dress. There was a brass
|
||
|
name-tag pinned on her apron and I read it as she approached. It said:
|
||
|
"BABETTE Slave"
|
||
|
It was then that Joan explained how Babette had been one of her
|
||
|
biggest challenges. Joan turned to reach down onto a nearby coffee
|
||
|
table and picked up a small, aged, photograph in a frame and showed it
|
||
|
to me. The picture was of a biker woman, leather jacket, torn jeans,
|
||
|
boots, the works. Joan explained that Babette had come to her with a
|
||
|
dilemma: she just wasn't happy with the way her life was going and she
|
||
|
wanted to make a little change. Joan said she had been eager to help
|
||
|
this lost girl, although perhaps the change was a little more drastic
|
||
|
then Babette originally bargained on. "Babette here, hadn't even worn a
|
||
|
skirt in over 14 years." Joan said as she carefully placed the photo
|
||
|
back on to the coffee table. "She came in jeans and work boots one day
|
||
|
and was wearing petticoats and 5 inch heels the next." I glanced down
|
||
|
at the black patent ankle strap pumps that were locked on her feet and
|
||
|
they seemed to be even higher then that! A red rubber ball was wedged
|
||
|
tightly in her mouth secured with a black leather strap. Even that
|
||
|
strap was trimmed with pretty white lace.
|
||
|
Babette offered me an hors d'oeuvre from the odd tray she was
|
||
|
carrying. The tray was attached to two curved bars that were in turn
|
||
|
attached to pivots, one on either hip. These pivots were anchored to a
|
||
|
hard looking belt, buckled around her waist. The two bars continued up
|
||
|
behind her where they came together into a handle of sorts. The handle
|
||
|
just hung in the air at the moment. I took one of the hors d'oeuvres to
|
||
|
be polite and then Joan motioned her away. As Babette turned I was
|
||
|
surprised to see that she had no arms, or rather, her dress had no
|
||
|
armholes or sleeves. After my little meeting with Yvette, I had assumed
|
||
|
that her arms had been tied somehow behind her, but I had been slightly
|
||
|
mistaken. There was a bulge in the back of her dress and it appeared
|
||
|
that her arms were somehow folded behind her and her dress was then
|
||
|
pulled up over her arms to her shoulders. There were lace patches where
|
||
|
there could have been arm holes, but they were only decorative.
|
||
|
Joan graciously offered me a drink, and by this point I really needed
|
||
|
one. So we went up to the bar. My final surprise was there. Clarette. A
|
||
|
buxom little brunette, she was dressed almost identically with Yvette,
|
||
|
the only difference was that she had a blue pullover sweater vest in
|
||
|
place of the long sleeve sweater Yvette wore. Clarette stood at
|
||
|
attention behind the bar as we approached. A light chain was visible
|
||
|
running from an unseen spot behind her up to the ceiling where it was
|
||
|
securely anchored to a metal ring directly above her head. As she
|
||
|
turned to face us, the inscription on her tape covered lips became
|
||
|
apparent: "Your Pleasure?" "Scotch on the rocks." I replied because I
|
||
|
really wanted it by then. Clarette pivoted on her high heels and
|
||
|
reached awkwardly for a glass. The chain in the ceiling ran to a
|
||
|
leather strap that pinned her elbows together behind her back. A thin
|
||
|
chain ran from one wrist cuff to the other across the front of her
|
||
|
belly With effort, she was able to reach the glass with her fettered
|
||
|
hand and set it in front of me. She carefully filled the glass with ice
|
||
|
as I marveled at her bound dexterity. Finally with a twist of her wrist
|
||
|
the glass filled with scotch. It may have taken a few moments, but it
|
||
|
was well-worth the wait. I quaffed the scotch and put the glass down,
|
||
|
sending Clarette into her gyrations again. I couldn't help but be
|
||
|
amazed at her grace.
|
||
|
A side door opened and Yvette entered. Someone had attached the same
|
||
|
type of tray that Babette wore to her hips as well as a small white
|
||
|
apron to protect her skirt. A woman walked behind her with her hands on
|
||
|
Yvette's shoulders "steering" her into the room. Joan motioned Yvette
|
||
|
over to the bar, while the woman joined the others by the couch.
|
||
|
"Another round for our guests." She informed Yvette. With that,
|
||
|
Clarette began setting out several glasses and started mixing the
|
||
|
beverages. While Joan was busy straightening Yvette's tie again, ("I
|
||
|
just can't abide sloppy knots..." she informed me with a little wink.)
|
||
|
I watched Clarette as she went about her business. As she finished each
|
||
|
drink she hung the glass in a wire rack next to the bar. After Joan was
|
||
|
satisfied with Yvette's presentablity, Yvette went to the wire rack and
|
||
|
guided the tray under the glasses. Although her hands were still
|
||
|
securely cuffed behind her back, she used the handle on the bar behind
|
||
|
her back to act as a counterweight and it helped position her tray to
|
||
|
lift the glasses out of rack. Amazing. Talent, skill, practice?...
|
||
|
Yvette then headed over to the party with a tray load of drinks
|
||
|
carefully avoiding any spills by manipulating the tray handle. She
|
||
|
curtsied to the guests and it was difficult to tell whether or not the
|
||
|
guests were happy to see her because they were thirsty, or whether they
|
||
|
just needed a new bum to pinch.
|
||
|
Joan took a few moments to introduce me around. Lawrence, her husband
|
||
|
was a painter and photographer, A tall man with lanky features and
|
||
|
graying hair. "Call me Larry" He said. George was the dumpy little man
|
||
|
who sat on the couch, He was slightly balding, and to me, didn't seem
|
||
|
to have very much going for him. When we shook hands he seemed a bit
|
||
|
like a wet fish. The other two women were "Companions" of Joan's. Rose
|
||
|
was an older woman, one who was probably very attractive one day, but
|
||
|
now she just looked kind of "hard". She seemed nice enough, however.
|
||
|
Elaine was the other woman. She could have been your next door
|
||
|
neighbor. The one you borrow a cup of sugar from. Nice, but not really
|
||
|
very interesting.
|
||
|
After some small talk, more hors d'oeuvres from Babette's tray and
|
||
|
another round of drink's from Yvette's I was really getting into the
|
||
|
spirit of things. All three "slaves" seemed to be honestly enjoying
|
||
|
their chores, with only Babette getting a bit cantankerous whenever
|
||
|
someone had the audacity to lift her skirt. You almost couldn't resist
|
||
|
the temptation. Joan excused herself after a while and went behind the
|
||
|
bar and I saw her unclip the chain hanging from the ceiling to Clarette's
|
||
|
elbow strap. The two girls then disappeared into the kitchen. I began to
|
||
|
become aware that when Yvette was not waiting on anyone, she would
|
||
|
always return to a place at my side. She would stand at attention
|
||
|
there, waiting to be of service. Babette was more retiring, showing the
|
||
|
same discipline, but back away from the group. Although I tried to be
|
||
|
nonchalant, I couldn't help but glace up at Yvette a couple of times.
|
||
|
She was simply lovely. I thought I caught her eyes snap away from me
|
||
|
each time I looked up, but I could have been mistaken. After a while,
|
||
|
Clarette entered the room. Her hands were switched behind her back and
|
||
|
now, she too, wore a tray and a new tape message: "Dinner is served."
|
||
|
|
||
|
To be continued...
|
||
|
|
||
|
--
|
||
|
|
||
|
The guests all retired to the dining room and the three servant girls
|
||
|
made a beeline to the kitchen. After we were seated, Joan joined us and
|
||
|
took her place at one end of the table. Her husband was seated at the
|
||
|
other end and the four guests filled in between. Joan rang a small bell
|
||
|
and the parade began. Clarette, Yvette then Babette entered in turn
|
||
|
each carrying a tray load of food. The tape had been removed from both
|
||
|
Yvette's and Clarette's mouths betraying the bright red rubber balls
|
||
|
that were strapped in their mouths. I could see Yvette bite down on the
|
||
|
unyielding rubber as she concentrated on her gait to avoid stumbling
|
||
|
on her hobble. The servants hurried back and forth between the kitchen
|
||
|
and the dining room bringing out plates of food. The meal progressed
|
||
|
with the three servants standing at attention against the wall waiting
|
||
|
to be summoned. I learned that it was considered bad form around this
|
||
|
dinner table for any of the guests to pass anything between themselves.
|
||
|
If one guest wished to use the salt for instance, they would request
|
||
|
the use of the condiment whereupon one of the maids would rush forward
|
||
|
to accept it onto her tray. She would then move to the requester and
|
||
|
offer the salt to them. Many times this only required that she turn her
|
||
|
body as the giver was often seated directly beside the receiver.
|
||
|
The meal was delicious, and as it wound down the three girls hustled
|
||
|
back and forth clearing the table. While Babette busied herself in the
|
||
|
kitchen, Clarette appeared with a tray full of brandy glasses to be
|
||
|
distributed among the guests. George took his glass and casually lit a
|
||
|
huge cigar. He leaned back and summoned Yvette. She came and stood
|
||
|
beside him and gazed across the table meeting my eyes. George shook out
|
||
|
his match and asked Joan: "Is it time for desert now?" Yvette jumped
|
||
|
as if she had been struck! Her eyes flew open and she gaped at me
|
||
|
beseechingly. I couldn't really gather the significance of George's
|
||
|
comment beyond the innuendo. Except for Yvette's consternation, I would
|
||
|
have surly thought it was an idle comment. George dropped the spent
|
||
|
match on Yvette's tray and waved her away. A look of supreme relief swept
|
||
|
Yvette's beautiful face as she went to dispose of the match. Clarette
|
||
|
took the last tray of plates and followed Yvette into the kitchen. Joan
|
||
|
sighed and looked at her husband. He shrugged and nodded to her. "Oh,
|
||
|
Sometimes I think that is the only reason you come here..." She said.
|
||
|
"...But I suppose it's O.K." With that, Rose and Elaine looked at each
|
||
|
other and giggled. Then they got up and went to stand on either side of
|
||
|
the swinging doors to the kitchen. Rose smiled at my obvious look of
|
||
|
confusion and held a finger to her lips. The kitchen doors slowly
|
||
|
opened and Clarette stepped into the room. As the doors closed behind
|
||
|
her, Rose and Elaine stepped up behind the unsuspecting barmaid and
|
||
|
hooked their arms through her handcuffed arms, catching her elbows and
|
||
|
pulling them outward, totally taking the pretty young brunette under
|
||
|
control. Clarette's shout was no more then a muffled grunt due to the
|
||
|
tight strap and ball in her mouth and she glanced anxiously back and
|
||
|
forth between her grinning attendants. The two women hustled the
|
||
|
squeeling, struggling, but somehow unresisting, girl out of the room
|
||
|
through the other door and no one (Not even me) raised a finger to intercede.
|
||
|
George stood slowly and stretched, rubbing his pot belly. "Same
|
||
|
place?" He asked Joan. She nodded and he casually walked out of the
|
||
|
room. Joan rose and asked me to chat with Larry for a few moments while
|
||
|
she was gone. Larry was the typical self-searching, reserved artist. In
|
||
|
the course of our conversation he confided in me that he had fallen in
|
||
|
love with Joan the moment he had lain eyes on her, those many years
|
||
|
before. What he didn't understand at the time, was her sexual appetite.
|
||
|
He smiled as he explained with a twinge of pride, It seemed that she is
|
||
|
something of a nymphomaniac. "At first it was great, but I just could never
|
||
|
seem to get any work done..." was his explanation. When she had come to him
|
||
|
and explained about the urges she had hidden for so long, Larry said he was
|
||
|
not very happy with the idea of sharing her with anyone. But he could
|
||
|
not deny his beloved anything. Once he got used to the arrangements, he
|
||
|
admitted, it was rather pleasant having all these pretty girls underfoot.
|
||
|
The slave girls generally keep Joan content and he could finally get some
|
||
|
work done. It was working out quite nicely.
|
||
|
Joan appeared at the doorway and cleared her throat to get our
|
||
|
attention. She asked if I was ready to go, and I figured that I was. I
|
||
|
noticed that she was twirling a short, thin brown leather strap around
|
||
|
her finger. I followed her out to the foyer where I expected my coat
|
||
|
would be waiting for me. Instead I was astonished to see a pretty girl
|
||
|
kneeling on the floor with her back to us. A girl with blonde hair,
|
||
|
tightly French braided. A tight black leather strap was clearly visible
|
||
|
biting at the nape of her neck. Her green sweater hugged her features as
|
||
|
before, and I could see the back of her stiff white collar pinching her
|
||
|
neck. For some unknown reason, I was confident that she reciently had
|
||
|
her necktie adjusted. Her hands fidgeted in the unyielding steel cuffs.
|
||
|
I began to shake. Joan helped her stand, then looped the strap around
|
||
|
Yvette's elbows and pulled it tight, pinning Yvette's elbows together.
|
||
|
She snapped a tiny padlock into the buckle. "I like to make things a bit
|
||
|
more complicated whenever I have the opportunity!" She said as she
|
||
|
turned Yvette around to face me. The tape on her lips had been replaced
|
||
|
with some with a new message on it. It was short and crudely to the
|
||
|
point, "Please, Fuck me!" My mouth hung agape and Yvette looked up at
|
||
|
me innocently. I was simply speechless, I didn't know what to say!
|
||
|
There was a sudden clatter approaching us as the sound of high heels
|
||
|
on hardwood rang down the hall. Babette rounded the corner in a
|
||
|
terrible hurry and almost slammed into us. Joan let go of Yvette and
|
||
|
jumped into Babette's path with her arms outstretched. Babette stopped
|
||
|
as short as her patent leathers' would allow. Someone had removed her
|
||
|
maid's uniform, petticoats and apron. She stood before us now wearing a
|
||
|
bizarre white corset. It was, to use understatement, tight. It laced up
|
||
|
the front, running from Babette's belly up to a pair of cups that
|
||
|
supported her exposed mammarys. At the bottom, it ended with six garter
|
||
|
straps that held her stockings in place and little else. Her flower was
|
||
|
on display for all to see, framed by the garter straps. The corset ran
|
||
|
from under her breasts, up over the tips of her shoulders and around
|
||
|
her body. Her arms were folded back behind her and under the corset. In
|
||
|
the upper section of the back, the corset extended up to her neck where
|
||
|
it turned into the normal looking, blouse collar she had buttoned
|
||
|
around her neck. This was more then decorative, it also kept the corset
|
||
|
from sliding down so she was unable to work her arms out of their
|
||
|
predicament. Although the knot of her bow tie remained tied, the bow
|
||
|
portion had come loose so she trailed two streamers of red silk behind
|
||
|
her as she tried to evade recapture. Joan deftly cut off her avenue of
|
||
|
escape and herded her into a corner. Babette's face, flushed with
|
||
|
exertion from her romp showed nothing more then disappointment as Joan
|
||
|
scolded her. "You know the rules! No escaping without permission!"
|
||
|
(What a ridiculous statement!) Babette looked suitably chastised, but
|
||
|
just as feisty as before. Joan re-tied Babette's bow, then reached into
|
||
|
her hair and grabbed Babette's ear with a vice-like grip. She turned
|
||
|
back to me and suggested that I take Yvette upstairs and see if I could
|
||
|
find some way to entertain her. She twisted Babette's ear, forcing her
|
||
|
to bend over at the waist. The gag in her mouth was more then efficient,
|
||
|
diluting her protests down to a stifled mumbling. Yvette and I watched
|
||
|
as Babette stumbled away under Joan's coaxing. The last thing we saw
|
||
|
was Babette's bare bum rounding the corner. We were alone.
|
||
|
Yvette contemplated me with her innocent blue eyes. It may sound
|
||
|
silly now, but I was not sure what to do. I could not be sure if she
|
||
|
even knew what was going on. The writing on her lips could have been a
|
||
|
cruel joke on either (or both) of us. Yvette's seemed amused by my
|
||
|
indecision. I didn't know whether she understood my conflict, or
|
||
|
whether she just needed it for herself, but when she snuggled in under
|
||
|
my arm and put her head on my shoulder, my indecision disappeared very
|
||
|
quickly. I helped her climb the stairway. The cuffs on her ankles
|
||
|
didn't really hinder her stride as she stepped up the stairs, but she
|
||
|
began to lean heavily on me. I had never felt as strong as when I
|
||
|
assisted this almost totally helpless girl to do something as simple as
|
||
|
walking up the stairs. She seemed to tire a bit about halfway up the
|
||
|
long curved stairway. My action was completely natural, I didn't really
|
||
|
give it any thought, It just seemed like the right thing to do so I did
|
||
|
it. I scooped her up into my arms. She gasped as I lifted her and
|
||
|
regarded me with her soulful blue eyes. She shut her eyes, sighed and
|
||
|
snuggled into my arms like a child, to be comforted and protected.
|
||
|
I was happy to oblige.
|
||
|
I turned right at the top of the stairs. There were closed doors, one
|
||
|
on each side of the hall. I picked the door on the left. It wasn't easy
|
||
|
manipulating the door knob while holding a hundred pound girl in my
|
||
|
arms but the door opened and I gave it a little tap with my foot. The
|
||
|
door opened into a bedroom and an wild scene. There was a bed against
|
||
|
the far wall. It was placed sideways with one side butting up to the
|
||
|
wall. Rose and Elaine were here, having their way with poor Clarette.
|
||
|
Clarette lay on her back on the bed. They had tied her calf's together
|
||
|
with each ankle pointing at the other leg's knee. Then they tied her
|
||
|
lower legs to a long thin pole. This was to keep her legs spread as far
|
||
|
as possible at the knees and the pole prevented any chance of her
|
||
|
trying to roll over. A thin cord ran from her bound legs up under her
|
||
|
toward her upper body. It seemed that they had also bound her elbows
|
||
|
together again by the angle that her arms took as they went under her.
|
||
|
Another pole was tied under her upper body extending out away from her
|
||
|
body at her shoulders. Rose and Elaine were both naked, hovering over
|
||
|
the bound figure of Clarette on the bed. They hadn't bothered to
|
||
|
undress her, they had simply pushed her skirt up around her hips.
|
||
|
Elaine knelt at the foot of the bed, assailing Clarette in a most
|
||
|
intimate way while Rose was in the process of settling in by kneeling
|
||
|
over the bound girl with one knee on each side of her head and then
|
||
|
sitting back onto Clarette's chest.
|
||
|
Clarette's head poked out from under Rose and turned in our direction
|
||
|
as we inadvertently entered. Her hair was matted with perspiration and
|
||
|
her face was crimson from exertion. They had replaced the rubber ball
|
||
|
and strap with a metal ring and strap that held her mouth wide open.
|
||
|
Rose glanced in our direction then slid her weight forward and pinched
|
||
|
her thighs around the helpless girl's head. Clarette's body squirmed
|
||
|
under the onslaught but her groans did seem to have a content ring to me.
|
||
|
|
||
|
To be continued...
|
||
|
|
||
|
--
|
||
|
|
||
|
We excused ourselves and backed out into the hallway. We went to the
|
||
|
next door and I cautiously opened it, not sure of what we would find.
|
||
|
To my relief it was a vacant bedroom with a big canopied bed with a
|
||
|
matching settee, desk and a dresser and mirror. I gently lowered Yvette
|
||
|
to her feet and she squirmed in her bonds for a moment. Not terribily
|
||
|
hard, she appeared to be testing their security but she didn't seem to
|
||
|
really want to escape. I sat down at the desk and watched her. She was
|
||
|
glaring cross-eyed at a stray wisp of hair that had pulled out of it's
|
||
|
braiding and was hanging in front of her eyes. She flicked her head to
|
||
|
the side to try to blow the offending hair out of the way. She rubbed
|
||
|
her nose on her shoulder attempting to move the hair without any luck.
|
||
|
She glanced up at me for a second, and scowled at me in mock
|
||
|
indignation at my unwillingness to help her. She stood in front of me
|
||
|
looking deliciously rumpled, with one hip extended and her right ankle
|
||
|
flopped over off her high heel shoe. I melted and moved the offending
|
||
|
hair.
|
||
|
I was still not sure what my next move should be. Oh, I know what I
|
||
|
*WANTED* it to be! But I would never have been able to live with myself
|
||
|
if I took unfair advantage of this dream. I tried to ask her what she
|
||
|
wanted to do. "Is this what you want?" I asked, hoping for some kind of
|
||
|
response. She looked at me with a befuddled look and shrugged her
|
||
|
shoulders questioningly. "Do you know what's on the tape?" I asked
|
||
|
motioning to the proposition written on the gag. She gazed at me
|
||
|
uncertainly and then crossed her eyes again in an attempt to see the
|
||
|
writing. She went to the mirror and looked at herself for a moment. The
|
||
|
writing may have been backwards, but it was more then plain. She
|
||
|
blushed intensly for a moment and then turned to me and shrugged her
|
||
|
shoulders again, this time there was a distinct twinkle in her eye. I
|
||
|
smiled, "That really isn't an answer. Is this really what *You* want to
|
||
|
do?" She nodded. My heart leapt. "Your positive? I mean, If you
|
||
|
don't..." I asked again, just a little more reassurance... She slowly
|
||
|
meandered over and stood before me, strong, proud, defiant, sincere,
|
||
|
ultimately helpless, unquestionably gorgeous. She leaned down just a
|
||
|
bit and looked me straight in the eye. The answer was emphatic. YES!
|
||
|
It isn't the easiest thing in the world, making love to a bound and
|
||
|
gagged girl. My first instinct was to untie her. HA! Joan was much too
|
||
|
clever for that, everything locked. The crass message written on the tape
|
||
|
didn't do justice to this lovely lady so I pealed the tape back off her
|
||
|
mouth. I wanted to kiss her, I had to kiss her! The strap that held the
|
||
|
ball between her lovely lips was locked too. DAMN! I had to settle for
|
||
|
her slender neck and ear lobes. I hugged her to me and wanted to feel the
|
||
|
press of her body as she embraced me back. No way, they had neglected to
|
||
|
give me the keys to her cuffs. The frustration seemed mutual as she
|
||
|
pressed against me with all her strength. My hands sought her body,
|
||
|
caressing, squeezing, fondling. I found her nipples easily, even through
|
||
|
the wool of her sweater. They stood at attention to my touch, beckoning
|
||
|
me to continue. I pushed the sweater up in an attempt to pull it over her
|
||
|
head but with her arms strapped behind her back as they were, I couldn't
|
||
|
comfortably work it over her head. So her sweater remained where it was,
|
||
|
rolled up under her arms to expose the buttons of her blouse. I made
|
||
|
short work of those. She moaned as my tongue danced over her engorged
|
||
|
nipples. We drifted over to the bed. She sat back and awkwardly slid into
|
||
|
a more comfortable position by pushing down into the bedding with her
|
||
|
pinioned arms. She made room for me and indicated it by straining her
|
||
|
arms around to her side and tapping on the open space with her fingers.
|
||
|
I almost dove on to the bed to join her.
|
||
|
I still desperately wanted to kiss her, when I did try all I could do
|
||
|
was lick and nibble on her lips tasting the invisible residue of
|
||
|
adhesive left from the tape. She panted and groaned as she strained to
|
||
|
push her tongue out from under the ball in an attempt to meet mine. My
|
||
|
hand ran slowly up her nylon sheathed thigh and brushed the hem of her
|
||
|
skirt. From her gyrations on the bed, it had crept high up her leg and
|
||
|
when my fingers lightly brushed under the hem I felt the cool smooth
|
||
|
skin of her thigh and then the lacy trim of her garter. She shuddered
|
||
|
softly, rubbing her knees together, trapping my fingers between her
|
||
|
thighs for a moment. Then, slightly spreading her quivering thighs, she
|
||
|
almost beckoned me to run my fingers higher still. I was delighted to
|
||
|
comply. Imagine my shock as my probing, dancing digits found only
|
||
|
fluffy hair and smooth moist skin at the end of their journey. Nirvana.
|
||
|
Yvette trembled. Her eyes were full of excitement as she strained to
|
||
|
press nearer to me. She rolled up on her hip and pressed her arms
|
||
|
around in front of her as far as they would go with the elbow strap
|
||
|
still pinning them together. Demonstrating amazing dexterity and
|
||
|
flexibility she began undressing me! The buttons fell open slowly. When
|
||
|
I tried to help her, she grunted angrily and pressed on with increasing
|
||
|
determination. If she didn't want me to help, I figured, I might as
|
||
|
well find something to amuse myself. So my fingers began their quest
|
||
|
again. Stroking, pinching, caressing, I explored her lovely body.
|
||
|
My next inspiration was her hair, I wanted to see her hair. It took
|
||
|
me a few moments, but I finally found the strategic pins and bands that
|
||
|
held her hair in the tight French braid. When it finally fell loose I
|
||
|
was astonished by it's length. Yvette's hair fell almost to the center
|
||
|
of her back in it's wavy blonde fullness. My fingers ran slowly through
|
||
|
it and brushed it back as she concentrated on what she was doing. When
|
||
|
she leaned forward, her hair fell down in front of her and hampered her
|
||
|
vision. With a flick of her head, and an annoyed scowl at me for
|
||
|
complicating her job, she threw her hair back out of her eyes. But it
|
||
|
was only for as long as it took her to go back to her work, before the
|
||
|
blonde wave cascaded into her face once again.
|
||
|
I was naked and Yvette knelt over me with a look of triumph on her
|
||
|
face. I reached to loosen her clothes, to try to make her more
|
||
|
comfortable, but she was not interested as she brushed past my hands
|
||
|
and began running her trammeled tongue over me. Our loveplay continued,
|
||
|
back and forth, coaxing and teasing, squeezing and stroking for some
|
||
|
time. Suddenly Yvette straightened and looked at me with her blue
|
||
|
bedroom eyes, "Pwneess," she mumbled past the gag. "Mmmmooww!!" she
|
||
|
groaned. "Lefff mnoo Ifff mow!" It was unmistakable to me what she was
|
||
|
saying. It was a request I have never denied. I took hold of her
|
||
|
shoulders and coaxed her to lie back on the bed. She shook her head and
|
||
|
resisted so I let go. Yvette struggled up onto her knees and faced me
|
||
|
attempting to push her knees apart. The tightness of her skirt
|
||
|
prevented this, but only until I could come to her aid. She motioned
|
||
|
with her eyes and I complied, chuckling to myself as I realized that I
|
||
|
was no longer in command. I was being directed, controlled if you will,
|
||
|
by a thoroughly tied and gagged girl. I pushed her skirt up around her
|
||
|
hips and carefully slid my legs between her knees. The chain on her
|
||
|
ankles was just barely long enough so that her ankles could comfortably
|
||
|
rest on either side of my knees. Yvette's breathing was reduced to
|
||
|
rapid panting as she gazed down, wide-eyed at me.
|
||
|
I coaxed her to rise up and I gently guided her back down. Each sweet
|
||
|
millimeter caused the passion to well up within us both. Yvette's eyes
|
||
|
grew even larger and her face began to flush. She arched her back until
|
||
|
I could no longer see her face. But I could still see her neck. Her neck
|
||
|
went from pink to red to almost purple. The contrast between the stiff
|
||
|
white of her collar only exaggerated the color. Veins bulged out on her
|
||
|
neck, Every muscle in her body seemed to quiver and her knees squeezed
|
||
|
the breath out of me as she hugged me as tightly as she could, the only
|
||
|
way she could. I began to doubt that I had ever really seen a woman
|
||
|
orgasm before. She climaxed twice more before we were done.
|
||
|
We lay together on the bed for a long time, cuddling. She dozed off
|
||
|
for a while and I watched her. The red ball tucked in her stretched
|
||
|
mouth didn't seem to disturb her at all, to my amazement. She slept
|
||
|
peacefully enough, but she still looked uncomfortable to me. She had
|
||
|
resisted any of my attempts to help. Her sweater was still bunched up
|
||
|
under her arms. The starched white collar poking out, buttoned tightly,
|
||
|
holding her necktie in place. Her left breast was covered by the green
|
||
|
wool of her sweater, but the right one was exposed. Her shirt was
|
||
|
pushed back behind her and the bottom of her red tie lay down her bare
|
||
|
belly almost to her navel. I cradled her in my arms as she dozed,
|
||
|
oblivious to her condition. She was adorable. I tweaked her nose
|
||
|
gently. Her eyes opened slowly and her eyes smiled up at me. We made
|
||
|
love again.
|
||
|
As we rested, Yvette squirmed around, trying to get a little more
|
||
|
comfortable. A sharp pain scraped my chest and I lurched to prevent it.
|
||
|
Yvette's name tag had scratched me. I pulled her sweater down and
|
||
|
unpinned the offending object. I held the tag in front of me and
|
||
|
complimented Yvette on what I thought was a very beautiful name. Yvette
|
||
|
started laughing, although at first, for a horrifing moment, I thought
|
||
|
she was choking. She looked at me and shook her head. "It's not your name?"
|
||
|
I asked, kind of confused. "Naathhne... Mfff nnamm niss Naathhnne..." I
|
||
|
was still confused, I asked: "Your name is Janie?" This suddenly mysterious
|
||
|
woman shook her head with exasperation again. She pushed her hands out where
|
||
|
I could see and moved her finger in an upward movement, then a downward
|
||
|
diagonal movement then a upward movement. She was forming a letter. "M?...
|
||
|
Martha?" I said without thinking. Wrong. She rolled her eyes skyward and
|
||
|
groaned. "N?" I questioned. "Nathne?... Natalie?" She smiled and nodded.
|
||
|
"Oh, Yvette's an alias eh?" I said. "Natalie, That's a pretty name as well,
|
||
|
Natalie... She chuckled at my naivete.
|
||
|
My mind was spinning as I reluctantly dressed. I had just redressed
|
||
|
Yvette. It was really a pleasure for me to help, but we didn't have
|
||
|
much luck getting all her wrinkles out. It seemed that our athletics
|
||
|
had caused her to end up with an awfully rumpled uniform. I could not
|
||
|
take my eyes off this wonderful, delightful, mysterious, sexy, creature
|
||
|
as she sat patiently waiting for me. It was with a great reluctance
|
||
|
that we left our little world and went back down stairs.
|
||
|
|
||
|
To be completed...
|
||
|
|
||
|
--
|
||
|
|
||
|
George and Larry were no longer in the living room but everyone else
|
||
|
was. As we entered, Rose and Elaine got up from the couch and came up
|
||
|
to us. They looked Natalie up and down and shook their heads in a
|
||
|
scolding fashion. Natalie looked up at me again and shrugged, then Rose
|
||
|
crooked her finger in the direction of the back corner of the room and
|
||
|
then Yvette submissively followed the women's orders. I glanced at the
|
||
|
opposite corner where the other two girls were being entertained.
|
||
|
Babette stood at attention in the corner. She still had the same corset
|
||
|
restraint she had worn earlier, but they somehow had been unable to
|
||
|
locate her uniform. For modesty, they had added a pair of tiny red
|
||
|
panties. They needn't really have bothered. A big piece of white tape
|
||
|
covered her lips and a thin chain ran from the back of her corset to a
|
||
|
bracket that hung out from the wall. The chain was taught and prevented
|
||
|
her from even hoping to sit down. Her ankles were tightly bound with
|
||
|
rope. Just to her right was Clarette, seated on a straight back chair.
|
||
|
Thin white cord wound across her chest, one series of turns went above
|
||
|
her breasts and the second went underneath. The cord was also run around
|
||
|
her knees and in her mouth seemed to be the same ring thing I had seen
|
||
|
earlier. Added to this contraption now was a plug that fit through the
|
||
|
ring and had two industrial snaps, one on each cheek. Either way, she
|
||
|
wasn't going to be talking much. Joan had just finished tying Clarette's
|
||
|
ankles to the left chair leg, then she tightened and adjusted Clarette's
|
||
|
necktie. There was a second chair with several coils of rope on the seat
|
||
|
to Babette's left. A 35mm camera mounted on a tripod waited, centered on
|
||
|
the two girls, waiting to be put to use in this family portrait.
|
||
|
I glanced over to where Rose and Elaine had taken Natalie. Yvette
|
||
|
knelt before the two women while Rose brushed the submissive girl's hair
|
||
|
and Elaine primped her clothes. When Rose had finished she pulled back
|
||
|
the tufts of hair that framed Natalie's face and pined them back onto the
|
||
|
top of her head with a big red hair bow. Finished, they marched her over
|
||
|
to the chair and began substituting the rope for her steel and leather
|
||
|
restraints. After they tightly bound Yvette's arms behind her again and
|
||
|
removed the cuffs, they coaxed her into the chair and used the rest of
|
||
|
the rope to secure her identically with Clarette, a couple of bookends.
|
||
|
Joan approached Yvette and went behind her and began fishing through
|
||
|
her hair. When I saw the key, I hurried over. Natalie winced as the
|
||
|
familiar red ball popped from her mouth. She worked her jaw for a
|
||
|
moment then looked up at me and smiled, a deep, warm, beautiful smile.
|
||
|
The kind of smile that simply beamed. "Hi?" she said in a raspy little
|
||
|
voice. I leaned forward and kissed her, deeply, longingly. It was
|
||
|
better then I had even imagined. Joan cleared her throat once and I
|
||
|
ignored her. I didn't want this moment to end. She did it again.
|
||
|
Natalie's kiss became more intense, more frantic. Joan cleared her throat
|
||
|
a third time, this time with more authority. I reluctantly backed off.
|
||
|
Natalie remained in place, straining forward against the rope that held
|
||
|
her in the chair. Her eyes were closed and her lips remained pursed. Rose
|
||
|
snapped her fingers and Natalie opened her eyes. Elaine held a big wad of
|
||
|
cotton in her hand and Rose motioned to the bound girl to open her mouth.
|
||
|
Natalie looked at me and then sighed, "I guess this is good-bye too..." she
|
||
|
said solemnly, tears welling in her eyes. Then Yvette obediently opened
|
||
|
her mouth and allowed it to be packed full of cotton. A wide rubber strap
|
||
|
made sure that Yvette had nothing else to say.
|
||
|
Joan led me to the door and provided my coat and scarf. She wished me
|
||
|
well and opened the door. I tried to argue, I wanted only to stay. I
|
||
|
could not leave without Natalie. That was not the deal I was told. There
|
||
|
would be no reprieve. The door shut behind me. It was raining, a light
|
||
|
cold mist stung at my eyes, mingling with my own emotions. As I got to
|
||
|
my car there was a flash from a flashbulb in the living room, then
|
||
|
another and another. I drove away.
|
||
|
A week went by, My thoughts were constantly clouded by the vision of
|
||
|
a mysterious blonde girl, one who could capture my imagination and hold
|
||
|
it forever. My calls had gone unreturned. I sat in my apartment alone.
|
||
|
Longing for just a glimpse of the girl who had won my heart in the
|
||
|
briefest of encounters. I remembered her scent, her voice, "Good-bye"
|
||
|
was all it said. I buried my face in my hands. There was a soft knock on
|
||
|
my door, I was angry. I didn't need any salesmen right then. There was
|
||
|
another knock. I went to the door and pulled it open. Joan Sumpter stood
|
||
|
on the other side of my door. Behind her was a pair of wide blue eyes
|
||
|
peeking over her shoulder. I could feel my mouth drop open in disbelief.
|
||
|
Joan smiled, then stepped aside. The girl who stood behind her wore a
|
||
|
hooded cape. There was a big piece of white tape on her mouth. There was
|
||
|
no message. "We gave it some thought..." Joan began, indicating Natalie,
|
||
|
"... We decided that you might enjoy having a maid of your own for a
|
||
|
while." She said as she placed a small suitcase at my feet. It rattled
|
||
|
with the sound of metal. I heard what Joan said, but I could not respond.
|
||
|
Joan guided Natalie gently towards me and turned and started down the hall.
|
||
|
"If you get tired of her, just let me know, and I'll be happy to take her
|
||
|
back..." she said. I heard her whistling a show tune as she disappeared
|
||
|
around the corner. Her voice waifted down the hall. "Matchmaker Matchmaker,
|
||
|
Make me a match..." Tire of Natalie? That was impossible.
|
||
|
What began as passion grew into love, true love. Natalie and I were married
|
||
|
6 months later...
|
||
|
|
||
|
|
||
|
Now I'm aware that this story seems a bit far fetched. In fact, even *I*
|
||
|
have a hard time believing that anyone could be this lucky and in all
|
||
|
honesty, I never question anyone who would doubt it's authenticity. All I
|
||
|
can say in closing is:
|
||
|
|
||
|
If this Tale I have just conveyed is *NOT* the truth, the whole truth,
|
||
|
and nothing, but the truth... Ahhh, well..., Then..., *Sigh*...
|
||
|
It ought to be...
|
||
|
|
||
|
|
||
|
--
|
||
|
|
||
|
You don't have to say it, I will.... What an Jerk... :^P
|
||
|
|
||
|
Did I fool ya? Did you think it was real?? Even for a minute???
|
||
|
|
||
|
Nahhhh, I didn't think so. :^)
|
||
|
|
||
|
I really didn't set out intending it to be a little bit hoaxy, it just
|
||
|
came out that way. If that bothers you, Sorry. If you enjoyed it, it was my
|
||
|
pleasure...
|
||
|
Anyway, I had fun writing it, and I have a couple more written containing
|
||
|
lots of "Tied" up women that I'll post, assuming that some of you liked this
|
||
|
one. They were all written long before I found ASB and are not as pretentious
|
||
|
as this. But maybe even more far fetched. (If that's possible! :^)
|
||
|
|
||
|
Til Later,
|
||
|
|
||
|
SNIDLEY
|
||
|
|
||
|
|
||
|
--
|