3624 lines
134 KiB
Plaintext
3624 lines
134 KiB
Plaintext
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From ???@0x00002A6E Mon Sep 15 21:32:44 1997
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Path: newsfeed.san.rr.com!peerfeed!newsfeed1-hme1!newsfeed.internetmci.com!205.252.116.205!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
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From: Story Master <velvet@znet.com>
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Newsgroups: alt.sex.stories
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Subject: story RP- author : Daney Dewitt - Donna's Humiliation 1 - donna01.txt
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Date: Fri, 05 Sep 1997 13:22:39 -0700
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Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
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Lines: 279
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Message-ID: <34106A0F.17F6@znet.com>
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Status: N
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This is a multi-part message in MIME format.
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--------------206B3E8875EE
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Content-Type: text/plain; charset=us-ascii
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--
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/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
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The Velvet Playground -- http://sd.znet.com/~velvet/
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Free Stories & Pics from our BBS, Links & Live Video
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\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
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--------------206B3E8875EE
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Content-Type: text/plain; charset=us-ascii; name="donna01.txt"
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Content-Transfer-Encoding: 7bit
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Content-Disposition: inline; filename="donna01.txt"
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WARNING: Standard Disclaimer
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The following story is purely a work of fiction. It contains scenes
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of adult nature, so if you are under 18, stop reading now. This story
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contains scenes of non-consensual sexual behavior, rape, sodomy,
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bondage, bestiality, and incest. If you are offended by such activities,
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do not read any further. This is purely a fantasy. Any resemblance to
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any person, living or dead is purely coincidental. The author is not
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responsible for any damage resulting from reading this work.
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Comments are invited via E-mail to: an376445@anon.penet.fi.
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if you want more of this story.
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_________________________________________________________
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Donna's Humiliation
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A Nasty Girl Story
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by Dafney Dewitt
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Part 1/12
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Breakfeast
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Donna has dog breath
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Donna was finished making breakfeast. She was a
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tall blonde woman with medium length hair and well
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shaped pointed breasts. The early morning kitchen
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smelled of coffee, heated maple syrup, and fresh
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pancakes. Everything looked perfect. She placed
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her left hand over the top of her coffee cup, feeling
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the moist heat while her right hand worked rythmically
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out-of-sight below the table between her legs.
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In the quiet of early morning, Donna had resorted to
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masturbation. It was a act of desperation fueled by
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the frustration of sexual failure. Now not even self-
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manipulation could stimulate release.
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Her mind flirted with the memories of failure. Like a
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moth drawn to light, her mind circled, powerless to
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escape the voices. Her love for her husband had been
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defaced by the voices like gang members spraying obscene
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graffiti on a church wall. She felt defiled. Her
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desire waned.
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Her hand trembled.
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She gave up. It wasn't working. The voices had returned.
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"Begin action", the voice said, soft as a whisper,
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She called out to her husband and kids.
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"Let's go. Your breakfeast is ready."
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Her husband, Bob was first to the table followed by
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Cindy and Tommy, the twin teenagers. The baby, Leslie,
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just 8 months old was still being breast fed, and
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would be nursed after the others left.
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"Oh, Mom" complained Tommy, "Why does it always have to
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be pancakes on Thursday ?"
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"Stop your whining, and eat your pancakes before they
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get cold," Donna scolded.
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For Bob, Cindy and Tommy, the voices didn't seem to
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exist. They ate breakfeast without concern. Only
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Donna was worried. She was anxious to get her husband
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off to work and the kids packed onto the school bus
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before something bad happened.
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The voices were like seductive whispers. Gentle at
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first. Promising to make her happy, to give her new
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powers. The power to fill the sexual needs of her
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dark side. But this sexual thrill was fulfilled at
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he expense of control. Donna was forced to submit.
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Without submission she was denied pleasure. Without
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pleasure her love was empty, and sex was reduced to
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a mechanical act without meaning.
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Before the voices, Donna had understood the difference
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between love and sex. Now she wasn't certain of
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anything. She loved her husband. Bob, but hadn't had
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an orgasm in over six months. In her most intimate
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moments, in the privacy of her own bedroom, she had
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been unable to climax.
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As if reading her mind, Bob looked up. "A little more
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coffee, sweetheart." Donna poured the coffee as Cindy
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pushed away her plate, "Sorry, Mom, I have to watch my
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weight."
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Donna, her light blond hair pulled back and tied with
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a red ribbon, attended to her family like a waitress.
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She felt like hired help, a maid. She wore an old pink
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bathrobe instead of a white maid's uniform. Underneath
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the robe was nothing but her white bra and panties.
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While Cindy headed off to the bathroom, Donna bent down
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beneath the kitchen sink to fill the dog's food bowl.
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There was a rushing sound in her ears as she bent over.
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It sounded like muffled laughter from a room full of
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people.
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Her robe fell open exposing her breasts. As she hesitated
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before closing her robe, Donna felt a distinct sexual surge.
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She looked up and saw her son Tommy look away and leave
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the table as she cinched the blue belt more tightly around
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her waist.
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As Tommy turned to leave, he thought "What a slut mom's
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turned into, what a tease." He averted his eyes from
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his mother's exposed breasts and left the kitchen quickly
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before saying something out loud that he might later
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regret. Someday he vowed, he would get even.
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"I'm going out to the garage to feed Bowser", Donna said
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to no one in particular. Her husband, Bob was in the
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bathroom brushing his teeth and Cindy and Tommy were
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collecting their school books.
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Stepping down into the early morning darkness of the
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garage the sudden coolness lifted up under her robe
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making her nipples harden as she yelled out "Here Bowser
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- Breakfeast time !"
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>From then on everything seemed to happen in slow motion.
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A tall skinny teenager with a forehead full of angry red
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pimples and pale blue eyes rose from behind the car. His
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eyes were blank, empty looking, and he had a faint whisp
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of a blond mustache.
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Donna stared at him. It was the eyes that caught her
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attention. They appeared dull, lifeless, and even dead.
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It was some time, before she noticed the black object in
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his right hand. It was a camcorder.
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The voices commanded her "Obey the boy."
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Moments later, Bowser bounded from behind the car. His
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penis was red, engorged, and dangling below its belly
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almost scraping against the concrete floor. The boy
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must have been exciting him.
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"Jerk off the dog," the boy told Donna, raising his
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camcorder.
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Bowser, a large black doberman, bounded toward her.
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She patted him on the head with her left hand and set
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the food bowl down on the roof of the car. With the
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food left out-of-reach, Donna proceeded to satisfy the
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dog's other hunger. She slid her right hand under his
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belly, slowly massaging, rubbing his already engorged
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penis. It was warm, red and very stiff. Her hand pumped.
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The dog's dick slowly responded to her ministrations.
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She jacked it off into the empty water bowl. Her actions
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were mechanical and pre-rehearsed. She knew what the
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voices wanted.
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Donna watched as the dog's throbbing penis spat out a
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stream of yellow white cum into the green plastic water
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bowl. It squirted out in a thick gooey ribbon.
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"Breakfeast time, here Bowser !" -the voices, echoing in
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her mind, mocking her own voice.
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"I'm not a dog", Donna said suddenly as she voiced her
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thoughts out loud.
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"Do you like fresh dog cum in the morning ?" -said one of
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the voices.
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"Well, I never . . . " Donna faltered for a lack of words.
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"You never tried dog cum ? Hmm, we can fix that."
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"Take the bowl and slowly pour the dog cum into your
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mouth. Keep it there, inside your mouth."
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The voices had spoken. She already knew the consequences
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of disobedience. They would humiliate her even more,
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debase her, punish her beyond belief, and with no remorse.
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Donna made no response. She seemed frozen in time. Her
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eyes glazed over.
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She thought to herself. "How did I ever get myself into
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this situation ?
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Is there any way out ?"
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Her thoughts darted about in confusion.
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Her husband was brushing his teeth just a few feet away,
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Tommy and Cindy were getting ready for school, and she was
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about to drink fresh dog cum.
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"My, God" she gasped. "Please, let me do something else,
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anything."
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She instinctively dropped to her knees, begging, looking
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toward the blue eyed boy with the red pimpled forehead.
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In response, he turned zoomed the camcorder in on her face,
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but remained silent.
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She tilted the green bowl toward her open mouth saying
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"My God, I'm a slut" and slowly dumped the slimy goo onto
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her upturned tongue just as she was saying "I'm a slut"
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again.
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It tasted repulsive to her. Hot, wet and slimy it rolled
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off her tongue onto the under side of her mouth like a
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fat garden slug. She resisted the impulse to vomit by
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turning her head down so the cum wouldn't slide down her
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throat.
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The voices calmed her.
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They were condescending.
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"That's a good girl"
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"Now be a good mother, and say goodbye to your husband
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and kids."
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She turned automatically toward the kitchen door like a
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zombie.
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Back in the kitchen, Donna's world exploded into activity.
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Cindy yelled out a quick "Goodbye, I love you Mom !"
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while Tommy just said a quick "Bye".
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Bob was busy stuffing his cell phone into his briefcase.
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Apparently, no one noticed that Donna was white as a
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sheet and appeared to be in shock. For a moment, she
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grew angry that no one in her family paid attention to
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her. "They don't really care about me at all," she
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thought numb-struck by an overwhelming sense of
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abandonment. That feeling was quickly replaced by fear.
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Bob was at the door expecting a guick goodbye kiss. What
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if he stuck his tongue into her mouth and tasted the
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thick pungent dog goo ? How could she ever explain it ?
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How could he ever forgive her ? Maybe, she really was
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a slut.
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"My God" she said silently to herself. She felt confused
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and lost as Bob turned his face toward her for a kiss.
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She kept her lips tightly pressed together. His tongue
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tried to force its way between her lips.
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Breaking out of his embrace she backed up one step and
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mumbled, "Sorry, bad breath."
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"Dog breath," the voices whispered.
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Bob left. There was a sound of light laughter in her
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ears.
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She felt faint. The moment passed quickly.
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--------------206B3E8875EE--
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From ???@0x00001C3A Mon Sep 15 21:32:45 1997
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Path: newsfeed.san.rr.com!peerfeed!newsfeed.internetmci.com!newsxfer3.itd.umich.edu!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
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From: Story Master <velvet@znet.com>
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Newsgroups: alt.sex.stories
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Subject: story RP- author : Daney Dewitt - Donna's Humiliation 2 - donna02.txt
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Date: Fri, 05 Sep 1997 13:22:55 -0700
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Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
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Lines: 174
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Message-ID: <34106A1F.221E@znet.com>
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NNTP-Posting-Host: cx28316-a.dt1.sdca.home.com
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Mime-Version: 1.0
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Content-Type: multipart/mixed; boundary="------------450352802528"
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X-Mailer: Mozilla 3.0 (OS/2; I)
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Status: N
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This is a multi-part message in MIME format.
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--------------450352802528
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Content-Type: text/plain; charset=us-ascii
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Content-Transfer-Encoding: 7bit
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--
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/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
|||
|
The Velvet Playground -- http://sd.znet.com/~velvet/
|
|||
|
Free Stories & Pics from our BBS, Links & Live Video
|
|||
|
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
|
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|
|
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--------------450352802528
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Content-Type: text/plain; charset=us-ascii; name="donna02.txt"
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Content-Transfer-Encoding: 7bit
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Content-Disposition: inline; filename="donna02.txt"
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Donna's Humiliation
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A Nasty Girl Story
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by Dafney Dewitt
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This story is intended as a satire of erotic submission
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tales. If you are not overcome by lust, the lampoon will
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become obvious and unavoidable.
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Donna's Humiliation
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Part 2
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Brunch
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Donna's Hot Dog Snack
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Her heart is thumping wildly as she locks the front door
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and returns to the kitchen.
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Donna runs straight to the kitchen sink and opens her mouth
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over an empty baby bottle. The dog cum and a considerably
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amount of saliva drips down into the bottle. It forms a
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string between the bottle and her lips which she had to break
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with her fingers.
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Donna inhales deeply. She feels as if she's been holding
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her breath. She wants desperately to wash the dog cum
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flavor out of her mouth with hot coffee, but the voices are
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demanding hotdogs.
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Donna opens the refrigerator door. She finds a package of
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Oscar Meyer Hotdogs, removes one, and pops it into the
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microwave for 1 minute.
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"Exposure time," the voice whisper.
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Donna slips her robe off her shoulder and drops it onto the
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kitchen floor.
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She is 32, with a slim youthful looking body, medium sized
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pointed breasts that showed no signs of drooping after
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nursing 3 kids. The nipples were erect and tender from the
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daily sucking given by the baby. She has blond hair tied with
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a red ribbon in back and light blue eyes, but was far from
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anyone's idea of beautiful. Her nose was too long and her
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eyes were set apart too wide on her face. She wore oval
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shaped brown glasses that gave her a librarian look. She
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had quit her job selling real estate to take care of the
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unexpected baby. She thought of herself as a good mother.
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As if in after thought, the voice say, "Oh, and remove
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your panties."
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She let the white cotton panties fall to her ankles.
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She pushes open the microwave door. The hotdog feels good
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to hold. It is warm. Donna smiles tilting her head a little
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to the left. She sits down on the hard cold linoleum floor
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holding onto the hotdog with all four fingers to feel the
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warmth. Slowly, spreading her legs, Donna mechanically
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inserts the hot dog into herself in the same way that she
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would insert a tampon in the privacy of her bathroom.
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Naked except for her bra, legs spread wide, her cotton
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panties dangling from the ankle of her left foot, sitting
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in the middle of the kitten floor with a hotdog protruding
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out between her legs, Donna waits. She feels stupid sitting
|
|||
|
on the floor. The whole situation seems silly. She tilts
|
|||
|
her head to the left in a quirky smile at the absurdity of
|
|||
|
it all.
|
|||
|
|
|||
|
>From behind Donna comes the sounds of toenails clicking on
|
|||
|
the floor as the black doberman walks into the kitchen. Donna
|
|||
|
can't turn around, but she imagines the camcorder zooming
|
|||
|
in on the dog. Doing a close up comparison between her widely
|
|||
|
spread legs, the dog approaching behind her, and then cutting
|
|||
|
to her face.
|
|||
|
|
|||
|
She is at a disadvantage.
|
|||
|
|
|||
|
The doberman has never seen Donna naked or in such an
|
|||
|
exposed position with her legs spread wide. His keen nose
|
|||
|
immediately catches the scent of her open cuntlips and the
|
|||
|
snub of red hot dog protruding between them.
|
|||
|
|
|||
|
Bowser pushes his cold nose between her legs.
|
|||
|
|
|||
|
Startled by the dog's cold nose in contact with her most
|
|||
|
sensitive private parts, Donna starts to push the dog's
|
|||
|
head to one side. But the dog is insistant and pushes
|
|||
|
back.
|
|||
|
|
|||
|
"Bowser, please ... no " she pleads.
|
|||
|
|
|||
|
None of this had any affect on the dog. It growls at her,
|
|||
|
and barks once before resuming its probing. Donna's
|
|||
|
objection to the dog's cold nose is replaced by fear. What
|
|||
|
if it bit her ?
|
|||
|
|
|||
|
How could she ever explain a dog bite on her private parts ?
|
|||
|
What would the pain be like. How much damage would it do ?
|
|||
|
Was taking the chance of being bitten worth the resistence ?
|
|||
|
|
|||
|
Donna relents to the dog's curiosity. She relaxes placing
|
|||
|
both her hands behind her, palms down on the floor to keep
|
|||
|
her balance against the dog's head shoving into her open legs.
|
|||
|
|
|||
|
It caught the scent of the hotdog and was now licking her
|
|||
|
cunt. The licking continues in a methodical way. The rough
|
|||
|
rasping pink tongue lapping at her exposed cunt.
|
|||
|
|
|||
|
"Oh, no, please stop," Donna continues her pleading,
|
|||
|
"No Bowser, please stop"
|
|||
|
|
|||
|
But she no longer attempts to push his head away.
|
|||
|
|
|||
|
The viewpoint changes.
|
|||
|
|
|||
|
It alternates from focusing on the mixture of saliva and
|
|||
|
cunt juice dripping from the dog's tongue to close ups of
|
|||
|
Donna's humilated face pleading for the dog to stop its
|
|||
|
licking. Finally, exhausted by pleading, she goes into a
|
|||
|
trance-like state and relaxes, trying to shut her mind off,
|
|||
|
to believe that none of this is happening. She gives a
|
|||
|
quirky smile thinking about how much she loves her baby,
|
|||
|
and taking comfort in the thought that she's a good mother.
|
|||
|
|
|||
|
Natural lubrication starts pushing the hotdog out of her
|
|||
|
cunt and dog begins taking small bites out of it. Donna's
|
|||
|
face twitches involuntarily every time the dog takes a bite,
|
|||
|
hoping that those sharp canine teeth will only sink into the
|
|||
|
hot dog and not her most precious parts. By the time the
|
|||
|
doberman has eaten all of the hotdog, it seems like an
|
|||
|
eternity has passed.
|
|||
|
|
|||
|
Donna glances up at the kitchen clock.
|
|||
|
|
|||
|
It's only 8:15 am. She looks down between her legs. Her open
|
|||
|
pussy lips are dripping onto the kitchen floor mixing with
|
|||
|
the dogs saliva, making a small wet pool between her legs.
|
|||
|
A muscle twitches on the inside of her left thigh from the
|
|||
|
exertion of keeping her legs so widely spread wide so the dog
|
|||
|
could eat her. It was going to be a long day.
|
|||
|
|
|||
|
Donna looks drained. "I'm exhausted," she sighs.
|
|||
|
|
|||
|
It is the baby crying that brings Donna out of her
|
|||
|
trance.
|
|||
|
_________________________________________________________
|
|||
|
Author Note: If you like this story, please send
|
|||
|
an E-Mail to the author at: an376445@anon.penet.fi
|
|||
|
|
|||
|
|
|||
|
--------------450352802528--
|
|||
|
|
|||
|
|
|||
|
|
|||
|
From ???@0x00001949 Mon Sep 15 21:32:45 1997
|
|||
|
Path: newsfeed.san.rr.com!peerfeed!newsfeed1-hme1!newsfeed.internetmci.com!4.1.16.34!cpk-news-hub1.bbnplanet.com!news.bbnplanet.com!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
|
|||
|
From: Story Master <velvet@znet.com>
|
|||
|
Newsgroups: alt.sex.stories
|
|||
|
Subject: story RP- author : Daney Dewitt - Donna's Humiliation 3 - donna03.txt
|
|||
|
Date: Fri, 05 Sep 1997 13:23:10 -0700
|
|||
|
Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
|
|||
|
Lines: 157
|
|||
|
Message-ID: <34106A2E.4EA5@znet.com>
|
|||
|
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|
|||
|
Mime-Version: 1.0
|
|||
|
Content-Type: multipart/mixed; boundary="------------412DED5BD"
|
|||
|
X-Mailer: Mozilla 3.0 (OS/2; I)
|
|||
|
Status: N
|
|||
|
|
|||
|
|
|||
|
This is a multi-part message in MIME format.
|
|||
|
|
|||
|
--------------412DED5BD
|
|||
|
Content-Type: text/plain; charset=us-ascii
|
|||
|
Content-Transfer-Encoding: 7bit
|
|||
|
|
|||
|
--
|
|||
|
/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
|||
|
The Velvet Playground -- http://sd.znet.com/~velvet/
|
|||
|
Free Stories & Pics from our BBS, Links & Live Video
|
|||
|
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
|
|||
|
|
|||
|
--------------412DED5BD
|
|||
|
Content-Type: text/plain; charset=us-ascii; name="donna03.txt"
|
|||
|
Content-Transfer-Encoding: 7bit
|
|||
|
Content-Disposition: inline; filename="donna03.txt"
|
|||
|
|
|||
|
WARNING: Standard Disclaimer
|
|||
|
|
|||
|
The following story is purely a work of fiction. It contains scenes
|
|||
|
of adult nature, so if you are under 18, stop reading now. This story
|
|||
|
contains scenes of non-consensual sexual behavior, rape, sodomy,
|
|||
|
bondage, bestiality, and incest. If you are offended by such activities,
|
|||
|
do not read any further. This is purely a fantasy. Any resemblance to
|
|||
|
any person, living or dead is purely coincidental. The author is not
|
|||
|
responsible for any damage resulting from reading this work.
|
|||
|
|
|||
|
|
|||
|
Comments are invited via E-mail to: an376445@anon.penet.fi.
|
|||
|
if you want more of this story.
|
|||
|
_________________________________________________________
|
|||
|
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
A Nasty Girl Story
|
|||
|
|
|||
|
by Dafney Dewitt
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
Part #3/12
|
|||
|
|
|||
|
Donna Feeds the Baby
|
|||
|
Rubber Bands
|
|||
|
|
|||
|
|
|||
|
Donna gradually became aware of the voice. It was hard to
|
|||
|
hear over the crying of the baby. It was repeated several
|
|||
|
times before she understood and responded.
|
|||
|
|
|||
|
She searched the opened the junk drawer in the kitchen.
|
|||
|
It held all the odds and ends that seemed to pile up. It
|
|||
|
was filled with an assortment of tacks, screws, paper clips,
|
|||
|
rubber bands. Near the front were a pair of scissors, and
|
|||
|
a set of very small screw drivers. She grabbed a handful
|
|||
|
of the rubber bands. Next she went to the refrigerator door.
|
|||
|
On the door were several magnetic fasteners shaped like
|
|||
|
clothes pins holding discount pizza coupons. She opened
|
|||
|
the fastener and let the coupons fall the to floor. Donna
|
|||
|
watched as a Compbell's soup coupon fell into the wet spot
|
|||
|
where she had sat and slowly turn dark as it absorbed the
|
|||
|
wet goo from the dog's saliva and her pussy juices.
|
|||
|
|
|||
|
Breaking free from her fascination with the slowly
|
|||
|
darkening coupon, she grabbed the baby bottle out of the
|
|||
|
kitchen sink following the sounds of the crying baby into
|
|||
|
the nursery.
|
|||
|
|
|||
|
The nursery was docorated in pink with pictures of Disney
|
|||
|
characters pasted on the walls. A wind up music toy hung
|
|||
|
from the ceiling just above the baby's head in the crib.
|
|||
|
A diaper changing table and small single bed were to one
|
|||
|
side of the crib.
|
|||
|
|
|||
|
She gently supported the baby's head with her right hand
|
|||
|
and scooped him out of the crib. The baby stopped crying.
|
|||
|
She automatically took her right breast out of the bra cup
|
|||
|
and offered it to the baby's mouth.
|
|||
|
|
|||
|
"Stop action," the voice commanded.
|
|||
|
|
|||
|
She abrutptly pulled the baby away from her exposed nipple.
|
|||
|
|
|||
|
She layed the baby down on the bed. It began to cry
|
|||
|
immediately.
|
|||
|
|
|||
|
"Use the rubber bands, the voice suggested.
|
|||
|
|
|||
|
She took several rubber bands and put them around her
|
|||
|
right breast. The affect was immediate. They constricted
|
|||
|
her breast making it bulge. It looked grotesque and
|
|||
|
unnatural. Another rubber band, she doubled and tripled
|
|||
|
around her right index finger until it was snug. She
|
|||
|
pointed the finger at her nipple and used her other hand
|
|||
|
to roll the the rubber band off her finger and onto the
|
|||
|
base of her nipple. The nipple grew red and turgid. It
|
|||
|
was now a minature reflection of her boob. A small red
|
|||
|
fleshy bulb constricted at the base. The blood couldn't
|
|||
|
circulate so it bulged. It looked grotesque.
|
|||
|
|
|||
|
She hesitated. Horrified by her deed.
|
|||
|
|
|||
|
"Feed the baby," the voice encouraged her into action.
|
|||
|
|
|||
|
She scooped the baby off the bed and put it to her nipple.
|
|||
|
It stopped crying at once. It sucked vigorously at her
|
|||
|
engorged nipple. It hurt Donna.
|
|||
|
She grimaced. "Ouch !," she shouted. "Slow down !"
|
|||
|
|
|||
|
The baby was sucking too hard. It was tearing up her
|
|||
|
nipple. It would never get any milk. The rubber bands
|
|||
|
were too tight.
|
|||
|
|
|||
|
"No, please." She begged.
|
|||
|
"I don't want to feed the baby" "My nipple, it hurts."
|
|||
|
|
|||
|
There was a faint sound of laughter in her ears.
|
|||
|
The baby kept sucking.
|
|||
|
Donna's face contorted, twisted in pain, but she held
|
|||
|
the baby to her bosum allowing it to tear at her raw
|
|||
|
much abused nipple.
|
|||
|
|
|||
|
After what seemed an eternity, the voices let her stop.
|
|||
|
|
|||
|
Donna slid the baby off her chest to a position between
|
|||
|
her legs. With the back of the baby's head resting on
|
|||
|
her mound, she considered turning it around, letting it
|
|||
|
suck on her clit, making the baby suck her off. Donna
|
|||
|
tried to dispel these evil thoughts by screwing a nipple
|
|||
|
on the baby bottle holding the mixture of dog cum and
|
|||
|
her own saliva. She turned the bottle upside down,
|
|||
|
watchingg as the slimy mixture sank into the rubber end
|
|||
|
of the nipple.
|
|||
|
|
|||
|
The baby was crying again.
|
|||
|
"Put the rubber nipple in the baby's mouth"
|
|||
|
She hesitated, "Please don't make me do this. I'll let
|
|||
|
you do anything to me, but just ...." She couldn't even
|
|||
|
finish before starting to cry.
|
|||
|
|
|||
|
"Do it." the voices repeated.
|
|||
|
"Please."
|
|||
|
"Do it now."
|
|||
|
"I'm a good mother," Donna said before relenting.
|
|||
|
|
|||
|
She couldn't stand to hear the baby crying. She pulled
|
|||
|
the baby onto her stomach, cradling it in her arms and
|
|||
|
offered it the rubber nipple and it eagerly sucked up the
|
|||
|
dog cum. The baby smiled at Donna as it sucked up the
|
|||
|
vile fluid.
|
|||
|
|
|||
|
It was the smile that broke Donna's heart.
|
|||
|
|
|||
|
|
|||
|
--------------412DED5BD--
|
|||
|
|
|||
|
|
|||
|
|
|||
|
From ???@0x000031D1 Mon Sep 15 21:32:45 1997
|
|||
|
Path: newsfeed.san.rr.com!peerfeed!newsfeed1-hme1!newsfeed.internetmci.com!205.252.116.205!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
|
|||
|
From: Story Master <velvet@znet.com>
|
|||
|
Newsgroups: alt.sex.stories
|
|||
|
Subject: story RP- author : Daney Dewitt - Donna's Humiliation 4 - donna04.txt
|
|||
|
Date: Fri, 05 Sep 1997 13:23:25 -0700
|
|||
|
Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
|
|||
|
Lines: 321
|
|||
|
Message-ID: <34106A3D.6DEC@znet.com>
|
|||
|
NNTP-Posting-Host: cx28316-a.dt1.sdca.home.com
|
|||
|
Mime-Version: 1.0
|
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|
Content-Type: multipart/mixed; boundary="------------2ED1B7BF90"
|
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|
X-Mailer: Mozilla 3.0 (OS/2; I)
|
|||
|
Status: N
|
|||
|
|
|||
|
|
|||
|
This is a multi-part message in MIME format.
|
|||
|
|
|||
|
--------------2ED1B7BF90
|
|||
|
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|
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|
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|
|
|||
|
--
|
|||
|
/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
|||
|
The Velvet Playground -- http://sd.znet.com/~velvet/
|
|||
|
Free Stories & Pics from our BBS, Links & Live Video
|
|||
|
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
|
|||
|
|
|||
|
--------------2ED1B7BF90
|
|||
|
Content-Type: text/plain; charset=us-ascii; name="donna04.txt"
|
|||
|
Content-Transfer-Encoding: 7bit
|
|||
|
Content-Disposition: inline; filename="donna04.txt"
|
|||
|
|
|||
|
WARNING: Standard Disclaimer
|
|||
|
|
|||
|
The following story is purely a work of fiction. It contains scenes
|
|||
|
of adult nature, so if you are under 18, stop reading now. This story
|
|||
|
contains scenes of non-consensual sexual behavior, rape, sodomy,
|
|||
|
bondage, bestiality, and incest. If you are offended by such activities,
|
|||
|
do not read any further. This is purely a fantasy. Any resemblance to
|
|||
|
any person, living or dead is purely coincidental. The author is not
|
|||
|
responsible for any damage resulting from reading this work.
|
|||
|
|
|||
|
|
|||
|
Comments are invited via E-mail to: an376445@anon.penet.fi.
|
|||
|
if you want more of this story.
|
|||
|
_________________________________________________________
|
|||
|
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
A Nasty Girl Story
|
|||
|
|
|||
|
by Dafney Dewitt
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
Part 4/12
|
|||
|
|
|||
|
|
|||
|
Donna Watches TV
|
|||
|
With The Brothers
|
|||
|
|
|||
|
After the baby had been fed and put back in its crib, Donna
|
|||
|
crawled on her hands and knees to the bath room. In the
|
|||
|
hallway, she met up with Bowser, her black doberman, who
|
|||
|
seemed mystified by the crawling woman with the stinky cunt
|
|||
|
juices running down the inside of her thighs. He made a
|
|||
|
clumsy attempt to mount her, but she pushed him off.
|
|||
|
|
|||
|
She took the rubber bands off her tit and felt instant
|
|||
|
relief as the blood rushed back into her breast.
|
|||
|
|
|||
|
Unexpectantly, the voices allowed her to take an
|
|||
|
uninterrupted shower without molesting her. The hot soapy
|
|||
|
water felt good and helped wash away some of the tension
|
|||
|
from just having fed her baby dog cum instead of breast
|
|||
|
milk.
|
|||
|
|
|||
|
After showering, she was allowed to walk back to the
|
|||
|
bedroom.
|
|||
|
The voices told her how to dress.
|
|||
|
|
|||
|
"Put on pantyhose, but no panties, a nursing bra that
|
|||
|
opens up exposing the nipples, a white blouse, pleated
|
|||
|
black skirt, a string of pearls around her neck, gold
|
|||
|
hoop earrings, and high heeled shoes."
|
|||
|
|
|||
|
The voices surprised her again by telling her to put on
|
|||
|
her brown oval glasses. She looked like a librarian with
|
|||
|
or a school teacher with the glasses on. She didn't feel
|
|||
|
at all attractive.
|
|||
|
|
|||
|
Expecting to go somewhere, Donna headed for the bedroom
|
|||
|
door, but the voices told her to sit down on the bed.
|
|||
|
|
|||
|
"Cut the crouch out of your pantyhouse"
|
|||
|
"Cut the crouch out of your pantyhouse"
|
|||
|
|
|||
|
The voices must have repeated this several times before
|
|||
|
Donna responded. Taking the sissors off of the bedside
|
|||
|
stand, Donna reached beneath her skirt and grabbed the
|
|||
|
reinforced crouch section of ther panthose. With just
|
|||
|
one quick snip of the sissors shw cut it off leaving her
|
|||
|
pussy exposed to the air and whatever else might come
|
|||
|
along.
|
|||
|
|
|||
|
Lowering her black skirt, she layed down on the bed
|
|||
|
smoothing out the skirt so it wouldn't wrinkle.
|
|||
|
|
|||
|
It seemed like she had barely closed her eyes when she
|
|||
|
heard a voice again.
|
|||
|
"Keep your eyes closed and listen. Nod your head if you
|
|||
|
hear me."
|
|||
|
She noded once.
|
|||
|
|
|||
|
"You're going to get up in a few minutes and wall into the
|
|||
|
living room."
|
|||
|
"Some things may surprise you but you will not talk."
|
|||
|
"You will sit on the couch and wait.
|
|||
|
|
|||
|
"Do you understand ?"
|
|||
|
"Yes" she wispered.
|
|||
|
|
|||
|
"Ok get up and walk into the living room."
|
|||
|
|
|||
|
The camcorder showed her walking out of the room.
|
|||
|
|
|||
|
The living room was dark. The curtains had been draw and
|
|||
|
about 7 men were watching something on T.V. No one paid
|
|||
|
any attention to her. It was a porno movie of some woman
|
|||
|
masturbating, legs spread wide. After her eyes adjusted
|
|||
|
to the darkness, she noticed they weren't men at all. They
|
|||
|
were just kids. Black teenagers. Their hands were bobbing
|
|||
|
up and down. They seemed to be keeping time to the music.
|
|||
|
As her eyes adjusted to the dark, she realized they were
|
|||
|
masturbating.
|
|||
|
|
|||
|
She was sitting in the dark of her own living room with 7
|
|||
|
black teenagers who were watching a porno movie and
|
|||
|
stroking their dicks.
|
|||
|
|
|||
|
A cold shiver of fear passed over her body. She rubbed her
|
|||
|
legs together. She did that when she was nervous. The
|
|||
|
feel of the pantyhose rubbing against her thighs comforted
|
|||
|
her, made her feel safer. She tried comforting herself with
|
|||
|
reassuring thoughts. She could turn on the lights and ask
|
|||
|
them all to leave.
|
|||
|
|
|||
|
"I'm a well dressed fully grown white woman," she thought.
|
|||
|
"I am in my own house."
|
|||
|
"I can handle myself," she repeated.
|
|||
|
"I will be ok"
|
|||
|
|
|||
|
Her confidence level soared, and then abruptly plummeted.
|
|||
|
|
|||
|
To divert herself and help maintain composure she
|
|||
|
concentrated on the TV screen. There was something
|
|||
|
strange about the picture.
|
|||
|
|
|||
|
A black doberman walked up to the masturbating woman on the
|
|||
|
TV screen. She recognized it instantly. It was her own dog.
|
|||
|
All she could see was a close up of the dog's tongue
|
|||
|
licking an exposed cunt.
|
|||
|
|
|||
|
Her cunt.
|
|||
|
|
|||
|
As the camera angle changed it zoomed to a close up of her
|
|||
|
own face.
|
|||
|
|
|||
|
Her face.
|
|||
|
|
|||
|
"My God", she thought. What if the boys turn around and
|
|||
|
recognize her ?
|
|||
|
|
|||
|
Moments before she was thinking of turning on the lights
|
|||
|
and asking them all to leave. Now she was hoping the porno
|
|||
|
movie would never stop. They would keep their attention
|
|||
|
focused on the TV screen and not notice her.
|
|||
|
|
|||
|
She was just starting to rise up off the sofa and leave
|
|||
|
the room when the voices spoke.
|
|||
|
|
|||
|
"Lights on set," a voice stated.
|
|||
|
|
|||
|
The inevitable finally happened. The porno movie came to
|
|||
|
an abrupt end. There was the sound of zippers as the kids
|
|||
|
put their dicks away. Someone switched on the lights.
|
|||
|
Still no one turned around. Donna thought her heart would
|
|||
|
burst.
|
|||
|
|
|||
|
When the kids did see her, she felt instant relief.
|
|||
|
|
|||
|
"Oops, hey guys there's a lady here."
|
|||
|
Several of the boys turned toward her looking embarrased.
|
|||
|
|
|||
|
Donna looked imposing. Dressed in a black full length
|
|||
|
pleated black skirt with white blouse, high heels, panty
|
|||
|
hose, pearl necklace hanging to the tops of her breasts.
|
|||
|
Her blonde hair carefully combed back. She looked out at
|
|||
|
them through her brown oval glasses looking important and
|
|||
|
dignified. Not the sort of woman they would even dare
|
|||
|
make catcalls to on the streets. This was one of those
|
|||
|
wealthy looking white woman with creamy complexions that
|
|||
|
they might see naked in Penthouse Magazine. Nice looking,
|
|||
|
but clearly untouchable. For them totally out of bounds.
|
|||
|
|
|||
|
"You'll have to leave now." Donna told them.
|
|||
|
"Ok, lady, were leaving"
|
|||
|
They all turned to leave out the back door when one of
|
|||
|
them stopped and said, "Wait a minute, I recognize you.
|
|||
|
You're the white bitch in the porno video."
|
|||
|
|
|||
|
The other kids hesitated, but looked unconvinced.
|
|||
|
"Prove it, Jamoke, or we be jettin"
|
|||
|
Jamoke took up the challenge. He returned to the
|
|||
|
TV set, pushed the rewind button on the VCR remote.
|
|||
|
|
|||
|
Suddenly, he hit the pause botton freezing it on a
|
|||
|
close up of Donna's face. All the kids heads turned
|
|||
|
toward the TV image and back to Donna's face. They
|
|||
|
were identical.
|
|||
|
|
|||
|
Donna felt her heart accelerate with fear.
|
|||
|
|
|||
|
One of the shorter boys took out a switchblade knife.
|
|||
|
The group of black teens slowly starting closing in on
|
|||
|
her. She was surrounded. The circle kept getting
|
|||
|
closer. They were getting ready, but hadn't quite
|
|||
|
gotten up the nerve to assault her. It was only a
|
|||
|
matter of time. She could smell their body odors.
|
|||
|
|
|||
|
Donna's thoughts careened wildly. "If only I weren't
|
|||
|
alone" she thought desperately. "There's the baby
|
|||
|
and . . ." She suddenly stopped in mid-thought.
|
|||
|
|
|||
|
The loudness and authority in her own voice startled
|
|||
|
her as she called out,
|
|||
|
"Here, Bowser, come here Bowser !"
|
|||
|
|
|||
|
Soon there was the sound of a barking dog and toe nails
|
|||
|
clicking and sliding on the kitchen floor. In an
|
|||
|
instant, 150 pounds of black muscle came bounding into
|
|||
|
the living room.
|
|||
|
|
|||
|
The circle of boys drew back as if they had been pushed
|
|||
|
by an invisible hand. They backed off as the dog came
|
|||
|
to Donna. The look of malicious intent in their eyes
|
|||
|
was replaced by fear and uncertainty.
|
|||
|
|
|||
|
Then the dog did something that destroyed Donna's soaring
|
|||
|
confidence. It barked once again and quickly ducked it's
|
|||
|
head beneath Donna's black skirt before she could close
|
|||
|
her legs together and started licking her pussy.
|
|||
|
|
|||
|
"Look at dat dog eat the white bitch," said one of the
|
|||
|
black teens.
|
|||
|
"Yeah, we's going to have us a show, said another.
|
|||
|
|
|||
|
Donna heard the sound of someone's zipper opening as she
|
|||
|
felt the dog's wet tongue licking the crotch of her
|
|||
|
pantyhose torn pantyhouse, seeking out the exposed lips
|
|||
|
of her pussy.
|
|||
|
|
|||
|
The gang of black boys stood over her stroking their dicks
|
|||
|
while the dog buried its nose into her exposed crouch. Its
|
|||
|
tongue relentlessly working its way deeper into her pussy
|
|||
|
aided by her cunt juices making the passageway slippery.
|
|||
|
Blood rushed to her pussy engorging the lips into an open
|
|||
|
hole like the puckered lips of a girl getting ready to kiss.
|
|||
|
|
|||
|
The camcorder zoomed in on her open legs and the slurping
|
|||
|
noises of the dog's tongue.
|
|||
|
|
|||
|
Donna had made a half-hearted attempt to lower her skirt
|
|||
|
over the dog's head, covering herself, regaining at least
|
|||
|
a little dignity, the skirt kept riding up over her thighs.
|
|||
|
It was hopeless. She gave up. The dog's will won out over
|
|||
|
her own. A brute dumb animal, controlling her, having its
|
|||
|
way with the most intimate parts of her body, while she was
|
|||
|
fully dressed surrounded by a group of black teenage boys
|
|||
|
stroking their dicks off in her face.
|
|||
|
|
|||
|
Donna's thoughts were confused. At first she fought the
|
|||
|
dog's efforts to arouse her. She had her pride. How could
|
|||
|
she allow an animal to sexually excite her in front of
|
|||
|
others ? She had expected the black teenagers to gang rape
|
|||
|
her, but they seemed content to watch the dog. As long
|
|||
|
as they watched, she was safe. By sacrificing her pride,
|
|||
|
she could save herself from the debasement of rape. It was
|
|||
|
a last desperate attempt to regain control. She was out
|
|||
|
numbered, surrounded by a group of sex crazed teenage blacks.
|
|||
|
Donna had a choice to make. Allowing herself to be debauched
|
|||
|
by a dog might save her from a worse fate. If she could make
|
|||
|
the black kids jack off completely while they were watching,
|
|||
|
there would be no rape. Could she divert them into shooting
|
|||
|
off their wad's prematurely ?
|
|||
|
|
|||
|
Donna made a decision.
|
|||
|
|
|||
|
She would let them watch. She would make a show.
|
|||
|
She would moan and groan.
|
|||
|
|
|||
|
"Ooh, aahh", Donna sighed, throwing her head back on the
|
|||
|
sofa, pushing to dogs head into her pussy.
|
|||
|
|
|||
|
"Eat me baby", she begged.
|
|||
|
|
|||
|
Stimulated, to a fever pitch by the strange sensations of
|
|||
|
the rasping dog's tonuge sloshing within her tremulous cunt,
|
|||
|
Donna lifted her hips, threw her head back exposed her
|
|||
|
vagina in the most abandoned manner she knew. The dog
|
|||
|
encouraged by her actions increased its licking with a
|
|||
|
series of rapid and deeply gratifying strokes.
|
|||
|
|
|||
|
"Fuck my pussy with your tongue", she gasped.
|
|||
|
|
|||
|
Donna closed her eyes and concentrated on the sensations
|
|||
|
emanating between her legs. It no longer was a dog, or
|
|||
|
a tongue. Not even the black dicks jerking off in front
|
|||
|
of her face mattered. Her entire world was focused on
|
|||
|
just one spot, the wet hot spot. The spot which would
|
|||
|
make her climax. He legs shot out stiff and straight,
|
|||
|
she arched her back forward, as the orgasm shuddered,
|
|||
|
rippling through her tummy. Her cunt spasmed several times
|
|||
|
before she dropped back down into the sofa and relaxed.
|
|||
|
Donna closed her legs, the dogs head slipped out, the
|
|||
|
licking stopped.
|
|||
|
|
|||
|
Donna opened her eyes.
|
|||
|
|
|||
|
The boys were gone.
|
|||
|
She was alone.
|
|||
|
|
|||
|
|
|||
|
--------------2ED1B7BF90--
|
|||
|
|
|||
|
|
|||
|
|
|||
|
From ???@0x00002612 Mon Sep 15 21:32:45 1997
|
|||
|
Path: newsfeed.san.rr.com!peerfeed!newsfeed1-hme1!newsfeed.internetmci.com!205.252.116.205!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
|
|||
|
From: Story Master <velvet@znet.com>
|
|||
|
Newsgroups: alt.sex.stories
|
|||
|
Subject: story RP- author : Daney Dewitt - Donna's Humiliation 5 - donna05.txt
|
|||
|
Date: Fri, 05 Sep 1997 13:23:42 -0700
|
|||
|
Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
|
|||
|
Lines: 240
|
|||
|
Message-ID: <34106A4E.2B4A@znet.com>
|
|||
|
NNTP-Posting-Host: cx28316-a.dt1.sdca.home.com
|
|||
|
Mime-Version: 1.0
|
|||
|
Content-Type: multipart/mixed; boundary="------------1F3AA2355A3"
|
|||
|
X-Mailer: Mozilla 3.0 (OS/2; I)
|
|||
|
Status: N
|
|||
|
|
|||
|
|
|||
|
This is a multi-part message in MIME format.
|
|||
|
|
|||
|
--------------1F3AA2355A3
|
|||
|
Content-Type: text/plain; charset=us-ascii
|
|||
|
Content-Transfer-Encoding: 7bit
|
|||
|
|
|||
|
--
|
|||
|
/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
|||
|
The Velvet Playground -- http://sd.znet.com/~velvet/
|
|||
|
Free Stories & Pics from our BBS, Links & Live Video
|
|||
|
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
|
|||
|
|
|||
|
--------------1F3AA2355A3
|
|||
|
Content-Type: text/plain; charset=us-ascii; name="donna05.txt"
|
|||
|
Content-Transfer-Encoding: 7bit
|
|||
|
Content-Disposition: inline; filename="donna05.txt"
|
|||
|
|
|||
|
WARNING: Standard Disclaimer
|
|||
|
|
|||
|
The following story is purely a work of fiction. It contains scenes
|
|||
|
of adult nature, so if you are under 18, stop reading now. This story
|
|||
|
contains scenes of non-consensual sexual behavior, rape, sodomy,
|
|||
|
bondage, bestiality, and incest. If you are offended by such activities,
|
|||
|
do not read any further. This is purely a fantasy. Any resemblance to
|
|||
|
any person, living or dead is purely coincidental. The author is not
|
|||
|
responsible for any damage resulting from reading this work.
|
|||
|
|
|||
|
|
|||
|
Comments are invited via E-mail to: an376445@anon.penet.fi.
|
|||
|
if you want more of this story.
|
|||
|
_____________________________________________________
|
|||
|
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
A Nasty Girl Story
|
|||
|
|
|||
|
by Dafney Dewitt
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
Part 5/12
|
|||
|
Tommy Gets Out of School
|
|||
|
|
|||
|
|
|||
|
Donna smoothed out her skirt, sat up straight, and
|
|||
|
listened. She didn't move. There were no noises in the
|
|||
|
house, only the sound of the clock ticking, and the
|
|||
|
whimpering of her dog. She was alone.
|
|||
|
|
|||
|
After several minutes, she rose unsteadily to her feet, the
|
|||
|
lingering after affects of the orgasm making her stomach
|
|||
|
feel queasy. Walking into the kitchen, resumed her
|
|||
|
domestic duties. She scrapped the remains of the pancake
|
|||
|
breakfeast into the garbage
|
|||
|
|
|||
|
Picking up her son Tommy's plate, she rolled one his
|
|||
|
uneaten pancakes up like a burrito. She grabbed it,
|
|||
|
holding it like a cock, and squeezed softly, feeling the
|
|||
|
softness of the pancake, letting it squish slowly between
|
|||
|
her fingers, thinking of her young son Tommy's cock and
|
|||
|
what she would like to do with it.
|
|||
|
|
|||
|
A sudden picture flashed before her. It was Tommy. Her son.
|
|||
|
|
|||
|
"Hi, Mom." said Tommy lunging into the kitchen, "I'm home
|
|||
|
early".
|
|||
|
|
|||
|
"Well, this is an unexpected surprise," Donna said abruptly
|
|||
|
dropping the curled pancake from her hand into the garbage,
|
|||
|
"What happened ?"
|
|||
|
|
|||
|
"Our teacher was sick. Are you sick too Mom ?",Tommy asked
|
|||
|
unexpectedly.
|
|||
|
|
|||
|
"No, I feel fine, thanks."
|
|||
|
|
|||
|
"Then why do you have a wet spot on the back of your skirt ?"
|
|||
|
leered Tommy suggestively as he rubbed the tight crouch of
|
|||
|
his jeans.
|
|||
|
|
|||
|
Ashamed beyond belief. Donna turned quickly, headed for
|
|||
|
the bathroom and looked at herself in the full length
|
|||
|
mirror on the door. She did have a wet spot. A dark,
|
|||
|
irregular stain, clearly visible on the black pleated
|
|||
|
skirt. It was a blacker black strategically located below
|
|||
|
her buttom, the result of her dripping pussy, leaking
|
|||
|
through her skirt, being soaked up by the cotton material
|
|||
|
of her dress.
|
|||
|
|
|||
|
Her fingers fumbled with the button on the side of her
|
|||
|
skirt, trying to remove it, when Tommy appeared at the
|
|||
|
door.
|
|||
|
|
|||
|
"It's ok, mom. Leave the skirt on." he commanded.
|
|||
|
|
|||
|
Donna whirled around incensed that her son had invaded
|
|||
|
her privacy in the bathroom, angry that he was telling her
|
|||
|
what to do, ashamed that he had noticed the spot at all.
|
|||
|
"Mind your own business," she shouted with all the
|
|||
|
authority of a mother toward her kids.
|
|||
|
|
|||
|
She looked him directly in the eyes, "You are going to
|
|||
|
behave yourself," she added confidently.
|
|||
|
|
|||
|
"I am your mother," she continued as her eyes slid down
|
|||
|
his body noticing his fly was unzipped and the tiny pink
|
|||
|
head of his flaccid penis peaking out.
|
|||
|
|
|||
|
Her first reaction was to laugh out loud, to relieve the
|
|||
|
tension she felt building up inside her, but she realized
|
|||
|
instinctively that something horrible was wrong, a barrier
|
|||
|
broken. Her status as a parent, the relationship between
|
|||
|
a mother and her son, something was terribly wrong. How
|
|||
|
could Tommy dare expose himself like this in front of her
|
|||
|
unless he knew she wouldn't report it to her husband who
|
|||
|
would punish him severely for the indiscretion.
|
|||
|
|
|||
|
She looked up into his eyes again. His eyes locked onto
|
|||
|
hers. She knew that he knew.
|
|||
|
|
|||
|
"The VCR," was all he said, turning his back on her with
|
|||
|
that supreme confidence of males everywhere knowing that
|
|||
|
as a woman she would follow.
|
|||
|
|
|||
|
The TV was on.
|
|||
|
|
|||
|
Donna's eyes stared at the screen image of herself dressed
|
|||
|
in white blouse and black pleated skirt laying back on the
|
|||
|
couch, legs splayed apart, skirt hiked up to her waist, the
|
|||
|
dog licking her, and a closeup shot of black dicks being
|
|||
|
stroked off in front of her face twisted into an odd scream
|
|||
|
of silent ecstasy.
|
|||
|
|
|||
|
Tommy suddenly hit the remote control sound.
|
|||
|
|
|||
|
An obscene blare of amplified sound burst into the living room.
|
|||
|
|
|||
|
"Oohh, that's it suck me, lick me," Donna's image shouted from
|
|||
|
the T.V. screen. "Fuck me with your tongue," she screamed.
|
|||
|
|
|||
|
Between shouts could be heard the sounds of the dog's tongue
|
|||
|
lapping into the juices of her cunt magnified to separate each
|
|||
|
individual slurp, lick, and sucking sound. The amplified sound
|
|||
|
making it even more obscene, vulgar, and pornographic then the
|
|||
|
mere visual image.
|
|||
|
|
|||
|
Tears of shame welled up in Donna's eyes.
|
|||
|
"Turn off the sound," she ordered Tommy
|
|||
|
"No Mom."
|
|||
|
"Turn it off," she begged him.
|
|||
|
"No."
|
|||
|
"Please, turn it off," she gave up.
|
|||
|
"Ok." Tommy flicked off the sound, but the muted picture
|
|||
|
continued.
|
|||
|
|
|||
|
"What do you want ?" Donna asked turning her eyes away
|
|||
|
from the lurid pornographic images on the TV and looking
|
|||
|
into the calm, innocent blue eyes of her son Tommy.
|
|||
|
|
|||
|
In answer, his eyes flicked down toward his open fly.
|
|||
|
Donna shook her head silently from side to side in protest.
|
|||
|
"I'm your mother," she objected.
|
|||
|
"On your knees Mom," Tommy commanded.
|
|||
|
|
|||
|
Donna sank to her knees onto the living room carpet in
|
|||
|
front of her son unsure of what would follow. Her mind
|
|||
|
numb with the possibilities. She was kneeling in front
|
|||
|
of her own son, only 16 years old, staring into his
|
|||
|
unzipped fly with unfocused eyes. Not really seeing, not
|
|||
|
really believing that any of this could be happening. She
|
|||
|
waited helpless, hoping for a reprieve, maybe her son would
|
|||
|
not use the video tape to blackmail her. Maybe he would
|
|||
|
laugh, tell her to change her skirt; hand her the tape;
|
|||
|
tell her to forget about the whole thing. Hoping against
|
|||
|
hope, Donna prayed on her knees. She prayed to God that
|
|||
|
he would not force her into this ultimate degradation. This
|
|||
|
incestuous obscenity. Her hands at her sides. She waited
|
|||
|
hoping for a miracle that never came.
|
|||
|
|
|||
|
"Do it Mom," Tommy finally ordered.
|
|||
|
"Do what ?" she answered innocently.
|
|||
|
"Do me Mom," he repeated.
|
|||
|
|
|||
|
Donna's lower lip trembled. She bit into it with her upper
|
|||
|
teeth. Maybe the pain would wake her up, deliver her from
|
|||
|
this nightmare. Tommy saved her from the making the moral
|
|||
|
choice. He hastened the debasement. He placed both his
|
|||
|
hands on the back of her head, forcing her mouth forward onto
|
|||
|
the head of his penis.
|
|||
|
|
|||
|
"Suck me, Mom" Tommy encouraged her.
|
|||
|
Donna pulled him into her mouth.
|
|||
|
|
|||
|
"That's it suck me, hard."
|
|||
|
She started sucking.
|
|||
|
|
|||
|
"I always knew you were a slut."
|
|||
|
Her head bobbed back and forth.
|
|||
|
|
|||
|
"Suck me off like the whore that you are."
|
|||
|
Her tongue swirled around the head of his cock.
|
|||
|
|
|||
|
"Tommy's little Mommy whore."
|
|||
|
Donna made a series of slurping sounds.
|
|||
|
|
|||
|
Tommy kept up a steady stream of vile, debasing comments
|
|||
|
as Donna sucked off her son's cock making it grow long and
|
|||
|
hard in her mouth. Suddenly, much sooner then she ever
|
|||
|
would have expected, it was all over. Inexperienced with
|
|||
|
the strong sensations produced from Donna's tongue circling
|
|||
|
his cockhead and the hot silky smooth suction of her mouth,
|
|||
|
he climaxed almost immediately. Tommy started spurting into
|
|||
|
her mouth, she gagged, he pulled his cock from her mouth
|
|||
|
dripping saliva onto her white blouse, and continued spurting
|
|||
|
onto her face.
|
|||
|
|
|||
|
A large glob of cum landed on her hair and slid down the
|
|||
|
left side of her face onto her eyebrow. Tommy grabbed his
|
|||
|
dick with one hand and wiped the dripping head of his cock
|
|||
|
against her hair, using it like a dish towel.
|
|||
|
|
|||
|
"Thanks, Mom" Tommy said zipping up his pants.
|
|||
|
"I'm going to go shoot some hoops."
|
|||
|
"See you later."
|
|||
|
|
|||
|
Donna was left kneeling on the living room floor as her
|
|||
|
son went out the front door with a basketball. Even before
|
|||
|
the door had closed, the pale pimple faced boy with the
|
|||
|
dead pale blue eyes appeared with the camcorder. He zoomed
|
|||
|
in on her face capturing the still dripping strings of cum
|
|||
|
sliding down her cheeks. The exposure was too much for
|
|||
|
Donna, the debauchery by her own son too personal, her lip
|
|||
|
trembled and she broke into tears. She cried shamelessly.
|
|||
|
|
|||
|
The camera zoomed in on her eyes, relentlessly.
|
|||
|
|
|||
|
|
|||
|
--------------1F3AA2355A3--
|
|||
|
|
|||
|
|
|||
|
|
|||
|
From ???@0x00001F68 Mon Sep 15 21:32:46 1997
|
|||
|
Path: newsfeed.san.rr.com!peerfeed!newsfeed.internetmci.com!newsxfer3.itd.umich.edu!cpk-news-hub1.bbnplanet.com!news.bbnplanet.com!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
|
|||
|
From: Story Master <velvet@znet.com>
|
|||
|
Newsgroups: alt.sex.stories
|
|||
|
Subject: story RP- author : Daney Dewitt - Donna's Humiliation 6 - donna06.txt
|
|||
|
Date: Fri, 05 Sep 1997 13:23:59 -0700
|
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|
Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
|
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|
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|
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|
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|
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|
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--
|
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/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
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The Velvet Playground -- http://sd.znet.com/~velvet/
|
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Free Stories & Pics from our BBS, Links & Live Video
|
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--------------635246257588
|
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|
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|
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Content-Disposition: inline; filename="donna06.txt"
|
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|
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WARNING: Standard Disclaimer
|
|||
|
|
|||
|
The following story is purely a work of fiction. It contains scenes
|
|||
|
of adult nature, so if you are under 18, stop reading now. This story
|
|||
|
contains scenes of non-consensual sexual behavior, rape, sodomy,
|
|||
|
bondage, bestiality, and incest. If you are offended by such activities,
|
|||
|
do not read any further. This is purely a fantasy. Any resemblance to
|
|||
|
any person, living or dead is purely coincidental. The author is not
|
|||
|
responsible for any damage resulting from reading this work.
|
|||
|
|
|||
|
|
|||
|
Comments are invited via E-mail to: an376445@anon.penet.fi.
|
|||
|
if you want more of this story.
|
|||
|
_________________________________________________________
|
|||
|
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
A Nasty Girl Story
|
|||
|
|
|||
|
by Dafney Dewitt
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
Part 6/12
|
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|
|||
|
Donna Takes Out the Garbage
|
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|
|
|||
|
Gradually, Donna regained her composure. Her legs were
|
|||
|
numb from kneeling. Her left leg had fallen asleep. She
|
|||
|
was forced to sit on the floor until the blood rushed in
|
|||
|
reviving it sufficiently so she could stand.
|
|||
|
|
|||
|
Looking at her cum covered face in the bathroom mirror,
|
|||
|
Donna thought, "What a slut I've become. I've got to get
|
|||
|
a grip on myself. I've got to clean up." She washed off
|
|||
|
her face, but not the mess in her hair.
|
|||
|
|
|||
|
Donna hurried into the kitchen, finished emptying all the
|
|||
|
plates and started the dishwasher. She grabbed the garbage
|
|||
|
bag from under the sink and walked out the back door.
|
|||
|
|
|||
|
When she first spotted the large white man with the potbelly,
|
|||
|
and dirty undershirt at her garbage can, Donna thought it
|
|||
|
must be garbage day. She had already started to hand him
|
|||
|
the bag in her hand before she realized her mistake.
|
|||
|
|
|||
|
"Here, wait, I have some more garbage," shouted Donna.
|
|||
|
|
|||
|
Startled, the man looked up. His first instinct had been
|
|||
|
to flee until he noticed a string of semen hanging from
|
|||
|
Donna's hair just above her left ear.
|
|||
|
|
|||
|
"Lady, don't worry, I'm not going to take your garbage,
|
|||
|
I was just looking at it." the man mumbled in a low voice.
|
|||
|
|
|||
|
"Looking at what ?" asked Donna suspiciously realizing her
|
|||
|
mistake. This was no garage man. He smelled like a wino.
|
|||
|
|
|||
|
"Looking at this," answered the man removing a discarded
|
|||
|
aluminum TV Dinner tray from the top of the garbage can.
|
|||
|
Underneath was a swarming mass of large black flies.
|
|||
|
|
|||
|
"Watch this," said the man, waving his hands to disperse
|
|||
|
the flies from the rotten hamburger underneath.
|
|||
|
|
|||
|
Donna watched the hamburger move. At first, she didn't
|
|||
|
understand what she was seeing. Then she realized that
|
|||
|
the hamburger was maggot infested with small worms
|
|||
|
wriggling in and out of the putrid meat. There were so
|
|||
|
many worms that the entire lump of hamburger meat appeared
|
|||
|
to be alive and move. The flies soon returned hiding the
|
|||
|
worms from view again. Donna felt nauseated.
|
|||
|
|
|||
|
"You're sick," said Donna.
|
|||
|
The wino stared at the cum in her hair.
|
|||
|
"Stop messing with my garbage." "
|
|||
|
The wino backed up.
|
|||
|
"Get out of here."
|
|||
|
The wino hesitated.
|
|||
|
"Leave now," Donna insisted shaking her head so hard that
|
|||
|
the string of cum fell off.
|
|||
|
|
|||
|
The wino watched it fall to the asphalt before he slowly
|
|||
|
took a large rusty kitchen knife out of his back pocket
|
|||
|
pointing it directly between Donna's breasts, the tip
|
|||
|
almost touching her blouse.
|
|||
|
|
|||
|
"Lady, don't tell me what to do."
|
|||
|
Donna backed up.
|
|||
|
"I'm tired of everyone telling me what to do."
|
|||
|
Donna continued walking backwords.
|
|||
|
"No bitch is going to tell me anything."
|
|||
|
The point of the knife followed Donna all the way to the
|
|||
|
back door of her house.
|
|||
|
|
|||
|
With the knife at her throat, the wino mumbled something
|
|||
|
which Donna didn't understand.
|
|||
|
"What ?" she asked.
|
|||
|
"On your knees, bitch"
|
|||
|
"Please, don't hurt me," she begged as she knelt on the
|
|||
|
hard concrete pad at the back door. Small bits of sandy
|
|||
|
grit ground into her knees.
|
|||
|
|
|||
|
"Unzip me."
|
|||
|
She unzipped his pants.
|
|||
|
"Take it out."
|
|||
|
She reached in and withdrew a wrinkled, smelly penis that
|
|||
|
was uncircumsized and bent to the left. It looked and
|
|||
|
smelled as if it hadn't been washed in years.
|
|||
|
|
|||
|
"Suck on it, bitch."
|
|||
|
|
|||
|
She took the vile piece of flesh peeling back the foreskin
|
|||
|
over the pale white head of the penis and stared at it.
|
|||
|
The full light of the morning sun shining on it, made it
|
|||
|
look like pale anemic appendage that wasn't even a part
|
|||
|
of the wino's body. The rest of his skin was either dirty
|
|||
|
or tanned.
|
|||
|
|
|||
|
Desperate for some escape, Donna hesitated.
|
|||
|
|
|||
|
"Someone might see us, wouldn't it be better to go inside
|
|||
|
the house ?" suggested Donna.
|
|||
|
|
|||
|
The wino paused for a minute, grabbed Donna by the back of
|
|||
|
her hair and forced her mouth onto his hardening cock. He
|
|||
|
used his handhold on her hair like an extension of his own
|
|||
|
hand, he fucked her mouth without any cooperation from
|
|||
|
Donna. She was just a object to be manipulated. After
|
|||
|
ten good thrusts into her open mouth, he pulled back on
|
|||
|
her hair, releasing his still semi-limp cock from her
|
|||
|
mouth. It dripped her saliva down onto her black dress.
|
|||
|
|
|||
|
He pulled up on her hair until she was standing and forced
|
|||
|
her into the house. He took her directly to the bathroom,
|
|||
|
forcing her onto her hands and knees in front of the
|
|||
|
toilet bowel.
|
|||
|
|
|||
|
"Bitch, you suck good, but I've been drinking too much
|
|||
|
wine. I've gotta pee," mumbled the wino.
|
|||
|
|
|||
|
He grabbed her hair again forcing her head over the toilet
|
|||
|
bowel and let loose.
|
|||
|
|
|||
|
A hot steamy stream of yellow urine flooded over Donna's
|
|||
|
face and hair dripping down into the toilet.
|
|||
|
|
|||
|
"Open your mouth bitch"
|
|||
|
|
|||
|
Donna opened her mouth just a little and urine flowed in
|
|||
|
onto her tongue. It was warm, yellow, vile, and smelled
|
|||
|
of ammonia. Donna gagged and was on the verge of vomitting.
|
|||
|
She wanted to vomit. It would redeem her, make her pure
|
|||
|
again, redeem some of her lost dignity. If she couldn't
|
|||
|
even puke when a wino pissed all over her face, maybe she
|
|||
|
really was a slut, incapabble of redemption, beyond saving.
|
|||
|
To be saved, she must feel enough shame, enough innocence to
|
|||
|
vomit. However, the gag susbsided. The momment passed.
|
|||
|
Donna did not vomit. She was a slut beyond salvation.
|
|||
|
|
|||
|
For some reason, the wino left her there with her head over
|
|||
|
the toilet bowel. Her hair soaked with his urine. In a
|
|||
|
way it was the ultimate degradation. Even a garbage
|
|||
|
scrounging wino did not think her worthy of fucking. He
|
|||
|
would let her wash his dick off by sucking, or urinate on
|
|||
|
her, but couldn't bother to screw her. He didn't flush the
|
|||
|
toilet. He left the toilet seat up. Donna was disgusted.
|
|||
|
|
|||
|
Exhausted by the ordeal, she stripped off her clothes,
|
|||
|
showered, put on a nightgown, crawled into bed, and fell
|
|||
|
asleep instantly.
|
|||
|
|
|||
|
_______________________________
|
|||
|
Continued in Donna7.txt
|
|||
|
|
|||
|
--------------635246257588--
|
|||
|
|
|||
|
|
|||
|
|
|||
|
From ???@0x00005097 Mon Sep 15 21:32:46 1997
|
|||
|
Path: newsfeed.san.rr.com!news1.rto!newsfeed1-hme1!newsfeed.internetmci.com!205.252.116.205!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
|
|||
|
From: Story Master <velvet@znet.com>
|
|||
|
Newsgroups: alt.sex.stories
|
|||
|
Subject: story RP- author : Daney Dewitt - Donna's Humiliation 7 - donna07.txt
|
|||
|
Date: Fri, 05 Sep 1997 13:24:25 -0700
|
|||
|
Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
|
|||
|
Lines: 520
|
|||
|
Message-ID: <34106A79.BDB@znet.com>
|
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|
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|
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|
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--
|
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|
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|
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|
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|
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--------------513965C5118D
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|
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Donna's Humiliation
|
|||
|
Part 7/13
|
|||
|
|
|||
|
Donna's Bondage Torture
|
|||
|
|
|||
|
Her nose itches.
|
|||
|
|
|||
|
Donna tosses her head from side to side without waking up.
|
|||
|
A large black fly circles slowly around her head several
|
|||
|
times before landing on her nose again.
|
|||
|
|
|||
|
Donna tries to raise her right hand to her nose. She tries
|
|||
|
to move her left hand. Neither hand will move more then a
|
|||
|
few inches. Suddenly, she opens her eyes, seeing the fly on
|
|||
|
her nose. She shakes her head vigorously and it flies off.
|
|||
|
The fly is the least of her problems, for she soon discovers
|
|||
|
that she's tied up. Both hands and feet bound, spread out on
|
|||
|
her own bed. The bedspread is covering her, tucked under her
|
|||
|
chin, so she can't see the ropes, but she can feel them.
|
|||
|
|
|||
|
Her mind races with fear.
|
|||
|
"Who tied her spread-eagle to her own bed?" she wonders.
|
|||
|
"Could it be a burglar? Could it be a rapist?
|
|||
|
Could it be ..."
|
|||
|
|
|||
|
Donna's thoughts are interrupted with the answer.
|
|||
|
|
|||
|
"Good afternoon, Mom" greets her son Tommy.
|
|||
|
"Tommy, untie me, now"
|
|||
|
"Not quite yet, Mom."
|
|||
|
"Tommy, please, let me loose" she softens her tone.
|
|||
|
"That's much better, but not good enough, Mom"
|
|||
|
|
|||
|
Tommy bends over the bed, looks directly into his mother's
|
|||
|
eyes, and deftly flips off the bedspread in one quick
|
|||
|
stroke.
|
|||
|
|
|||
|
Donna gasps, "Ooh, noo" as the warm protective cover of
|
|||
|
the bedspread is whipped off her exposing her to the
|
|||
|
cooler air of the bedroom. Donna feels a distinct sexual
|
|||
|
thrill flow through her body like an electric current. At
|
|||
|
first blush, she thinks she is naked, but sighs with relief
|
|||
|
to see she is wearing her blue nightgown.
|
|||
|
|
|||
|
"Tommy, don't," Donna warns, although she has no idea what
|
|||
|
he is going to do.
|
|||
|
|
|||
|
"Please don't touch me," she adds in her nicest voice.
|
|||
|
|
|||
|
Tommy smiles.
|
|||
|
|
|||
|
"I wont touch you. I have a surprise for you Mommy. Don't
|
|||
|
you want to know what's in the box?"
|
|||
|
|
|||
|
Tommy rests a small cardboard box lightly on her stomach.
|
|||
|
It doesn't weigh much.
|
|||
|
|
|||
|
Donna's heart pounds. She doesn't want to know what's in
|
|||
|
the box. Seeing the gleam of mischief in her son's eyes, she
|
|||
|
knows that whatever is in the box is repulsive. Tommy wants
|
|||
|
his mother to suffer, be degraded, debased, in the most vile
|
|||
|
manner imaginable.
|
|||
|
|
|||
|
"You're a big tease, Mom."
|
|||
|
"No, I'm not."
|
|||
|
"Your a slut."
|
|||
|
"I'm not."
|
|||
|
"You're not my sex slut, are you?"
|
|||
|
"No, I'm not."
|
|||
|
"But you will be after I'm done with you."
|
|||
|
|
|||
|
Donna stops answering. She's confused. She denied everything
|
|||
|
her son Tommy has said. Yet, she feels tricked by his
|
|||
|
questions, as if he has forced her to say something she has
|
|||
|
not intended. He could force her to have sex, tie her up,
|
|||
|
rape her, but he could not control her thoughts, her
|
|||
|
feelings. Donna feels proud. She is a victim, tied up, in
|
|||
|
a situation out of her control.
|
|||
|
|
|||
|
She is blameless.
|
|||
|
|
|||
|
Whatever happens is not her fault. As long as she is master
|
|||
|
of her own mind, she feels good about herself. Tommy may
|
|||
|
have her at a temporary disadvantage, he may tease her, he
|
|||
|
may tickle her, he may spank her, he may even molest her just
|
|||
|
a little bit, but as soon as the ropes are untied he will
|
|||
|
loose his control. He doesn't own her. He can't force her to
|
|||
|
do things against her will. Once Donna is unbound, she will
|
|||
|
be free to soar like a bird. He will be powerless to prevent
|
|||
|
it. All these thoughts evaporate as if they never existed
|
|||
|
when Tommy opens the box.
|
|||
|
|
|||
|
Inside are two quart mason canning jars. One is filled with
|
|||
|
a swarming mass of black flies. The other has a fist sized
|
|||
|
lump of maggot infested hamburger. Both jars are tightly
|
|||
|
covered with metal lids. Donna knows that Tommy has collected
|
|||
|
them from the garbage can. She takes no comfort from this
|
|||
|
knowledge. The insects seem even more repulsive inside her
|
|||
|
bedroom. They are out-of-place, obscene, dirty looking, and
|
|||
|
disgusting.
|
|||
|
|
|||
|
"Mommy, tell me you want to be my sex slut."
|
|||
|
Donna stares at the two jars on her tummy.
|
|||
|
"Talk to me, Mommy."
|
|||
|
"I'll tell you whatever you want, just get those jars off me."
|
|||
|
|
|||
|
Tommy sets the two jars down on the night stand to the right
|
|||
|
of the bed.
|
|||
|
|
|||
|
"Ok, lets start talking dirty. Do it just like one of those
|
|||
|
sexy telephone services." Tommy unzips his pants and picks
|
|||
|
up an imaginary telephone with his left hand, and starts
|
|||
|
stroking his cock with the other hand.
|
|||
|
|
|||
|
"Hello," he talks into the phone while staring at his mother.
|
|||
|
|
|||
|
"Hi there sexy boy. I'm your phone fuck slut. I'd love to
|
|||
|
suck your cock. Do you want me to suck your cock?"
|
|||
|
|
|||
|
"I'm stroking my cock. Do you want me to put it in your
|
|||
|
mouth ?"
|
|||
|
|
|||
|
"No. I mean yes, but not now or I can't talk."
|
|||
|
|
|||
|
Tommy smiles are her. "Maybe, I can do something for you, he
|
|||
|
suggests with a lewd wink.
|
|||
|
|
|||
|
"Oh, yes, you could fuck me, screw me senseless" Donna says
|
|||
|
without passion or enthusiasm.
|
|||
|
|
|||
|
The mechanical, passionless nature of this conversation is
|
|||
|
not lost on Tommy. He is not amused.
|
|||
|
|
|||
|
"Goodbye, sex slut." he hangs up the telephone.
|
|||
|
|
|||
|
His dime has been wasted.
|
|||
|
|
|||
|
Donna looks worried. She watches her son open her bottom
|
|||
|
dresser drawer where she keeps her underwear. He reaches to
|
|||
|
the back of the drawer and pulls out her battery powered
|
|||
|
Magic Fingers vibrator. Donna is mortified. How did her
|
|||
|
teenage son know about this most intimate instrument of
|
|||
|
sexual satisfaction. She had deliberately hidden it away
|
|||
|
out of sight underneath her lingerie.
|
|||
|
|
|||
|
Tommy quickly attaches the vibrator to his wrist and fingers
|
|||
|
with the velcro straps. Donna knows what it's capable of
|
|||
|
doing. She has used it many times to reach orgasm.
|
|||
|
|
|||
|
Slowly, savoring the moment, Tommy lifts Donna's blue night
|
|||
|
dress up around her waist exposing her trembling thighs. She
|
|||
|
has on white cotton panties. For the first time, Donna is
|
|||
|
relieved that she is tied up spread-eagle. The panties will
|
|||
|
stay on. They can't be removed without untying her.
|
|||
|
|
|||
|
Undeterred by this problem, Tommy turns on the Magic Fingers
|
|||
|
confident in its ability to achieve his goals. First he
|
|||
|
gently cups her pubic mound with the vibrations on low
|
|||
|
intensity, it feels good but far from the intense sensations
|
|||
|
Donna is use to experiencing. Privately, she begins to doubt
|
|||
|
that her son will have the knowledge or ability to bring her
|
|||
|
to a excite her. The vibrator will help, but it's still in the
|
|||
|
hands of a child. A tool is only as good as the person using
|
|||
|
it.
|
|||
|
|
|||
|
Slowly, inexorably, the vibrator is having its affect on
|
|||
|
Donna. As much as she denies it, her pussy is getting wet.
|
|||
|
Not so much from the vibrations, as from the thoughts of all
|
|||
|
the previous times the Magic Fingers has been used to bring
|
|||
|
herself to climax. It is a proven electro-mechanical orgasm
|
|||
|
aid.
|
|||
|
|
|||
|
Before long, her white cotton panties are soaked through,
|
|||
|
shamelessly revealing the outline of her pussy lips. Donna's
|
|||
|
sex is now totally exposed to her tormentor. Tommy, switches
|
|||
|
the vibrator knob to intermittent pulse. He places his index
|
|||
|
finger directly on Donna's clit, pressing down relentlessly.
|
|||
|
|
|||
|
Buzz.
|
|||
|
Release.
|
|||
|
Buzz.
|
|||
|
Release.
|
|||
|
|
|||
|
It is sexual torture.
|
|||
|
|
|||
|
Donna's back starts to arch up and her legs stiffened as she
|
|||
|
feels an orgasm building deep inside her loins.
|
|||
|
|
|||
|
"Oh, yes," she moans
|
|||
|
"Do you like that, Mom?"
|
|||
|
"Yes, Oh, God yes."
|
|||
|
"Can I fuck you, Mom?"
|
|||
|
"Yes, yes, anything, just don't stop."
|
|||
|
|
|||
|
Donna's hips are bucking wildly trying to increase contact
|
|||
|
with the vibrating finger giving her so much pleasure.
|
|||
|
Suddenly, the buzzing noise stops Tommy turns off the Magic
|
|||
|
Fingers.
|
|||
|
|
|||
|
"You bastard, turn it back on"
|
|||
|
"Sorry, Mom"
|
|||
|
"You can't leave me like this."
|
|||
|
|
|||
|
Donna's hips are bucking wildly trying to regain some friction
|
|||
|
on her swollen clit, but it is hopeless. She begs her son for
|
|||
|
release.
|
|||
|
|
|||
|
"Please, Tommy, I'll be good, I'll be your sex slut," she moans
|
|||
|
with a convincing sigh. This is the kind of lust Tommy tried
|
|||
|
to arouse with his sexy telephone call. Good vibrations fill
|
|||
|
words with passion. Shaken by the depth of his mom's sincerity,
|
|||
|
Tommy relents.
|
|||
|
|
|||
|
"Ok, Mom, I'll get you off."
|
|||
|
|
|||
|
Tommy turns the vibrator back on. The first touch of his
|
|||
|
finger is electric. Donna shudders violently. Her pussy lips
|
|||
|
are soaked with moisture. Tommy keeps his promise. Donna's
|
|||
|
body is racked by a powerful series of earthquakes.
|
|||
|
|
|||
|
"Ooh, fuck me," shouts Donna as she orgasms.
|
|||
|
Tommy watches as her pussy lips spasm repeatedly from the
|
|||
|
rolling waves of the climax.
|
|||
|
|
|||
|
Her heart hammering, the vein in her neck pulsing furiously,
|
|||
|
Tommy waits impatiently for her to calm down. Exasperated by
|
|||
|
his mother's selfishness, Tommy finally interrupts.
|
|||
|
|
|||
|
"Ok, Mom, it's my turn."
|
|||
|
|
|||
|
Tommy pulls Donna's cunt soaked panties to one side and
|
|||
|
slips two fingers into her wet pussy. He wonders what it
|
|||
|
will be like to slide his dick into that wet hole. Sliding
|
|||
|
his fingers in and out, he notices that her cunt lips,
|
|||
|
engorged with blood, stay wide open. They are puckered
|
|||
|
together like a porno star's lips in a pornographic movie,
|
|||
|
mugging for the camera, all poised to kiss.
|
|||
|
|
|||
|
"It's wet," Tommy confides to his mother, smiling as she
|
|||
|
involuntarily shakes from an orgasm aftershock.
|
|||
|
|
|||
|
Tommy knows he's turning her on. He takes his time. He
|
|||
|
enjoys watching. Beneath him is his own mother, someone
|
|||
|
much smarter, older, and bigger then he is, but totally
|
|||
|
under his control. This is the same mother who use to
|
|||
|
spank him for misbehaving. She use to control him through
|
|||
|
pain. Now he controls her through pleasure. Beneath him,
|
|||
|
Donna is shaking, quivering, and waiting for him to stick
|
|||
|
his cock into her pussy.
|
|||
|
|
|||
|
"It's wet," he says again maneuvering into position.
|
|||
|
His mother waits.
|
|||
|
|
|||
|
Without warning, he plunges his cock into his mother,
|
|||
|
thrusting deeply into her hot clinging pussy, making moist
|
|||
|
obscene sucking sounds each time he withdraws. He is
|
|||
|
amazed at the pressure her cunt exerts on his cock. It
|
|||
|
adheres to his cock like a sucking mouth. Which gives him
|
|||
|
an idea. Tommy withdraws entirely, crawling over his
|
|||
|
mother's helpless prostate body until his cock dangles in
|
|||
|
front of her face.
|
|||
|
|
|||
|
"Suck your pussy juices off my cock," he commands.
|
|||
|
|
|||
|
Donna looks up at the enormous cock hanging over her face,
|
|||
|
dripping with her own bodily secretions. Helpless, tied
|
|||
|
hand and foot, her body spread out before him, she has no
|
|||
|
choice. Impotent to say no, defenseless against her son's
|
|||
|
sexual demands, Donna complies.
|
|||
|
|
|||
|
She opens her mouth and sucks on his wet, syrupy cock.
|
|||
|
|
|||
|
Again, Tommy suddenly withdraws and lowers himself down
|
|||
|
into her open cunt, plunging in deeply and pulling out
|
|||
|
with a satisfying sound of sucking liquids. From then
|
|||
|
on he alternates quickly between fucking his mother's
|
|||
|
cunt and thrusting into her open mouth.
|
|||
|
|
|||
|
Cunt.
|
|||
|
Mouth.
|
|||
|
Cunt.
|
|||
|
Mouth.
|
|||
|
|
|||
|
He builds up a steady rythum until he cums. His climax
|
|||
|
starts just as he withdraws from her pussy. He spurts a
|
|||
|
heavy load of cum on the outside of her open cuntal lips,
|
|||
|
moving up quickly to dump another load on her open mouth.
|
|||
|
|
|||
|
"Spit it out," Tommy commands.
|
|||
|
|
|||
|
Grateful for her son's concern for her welfare, Donna
|
|||
|
spits out the cum immediately. It dribbles down the side
|
|||
|
of her mouth into the hollow in her neck. Donna is relieved.
|
|||
|
She hasn't been forced to swallow. Tommy has climaxed.
|
|||
|
Sex is such a simple thing for men. Just a spurt or two
|
|||
|
and it's finished. Now her torment is over. Tommy will
|
|||
|
untie her and she will regain a partial semblance of
|
|||
|
dignity.
|
|||
|
|
|||
|
"Ok, you can untie me now," sighs Donna expectantly.
|
|||
|
|
|||
|
"Sorry, Mom you promised to be my sex slut."
|
|||
|
|
|||
|
"But, I did ...." Donna sputtered in protest clearing her
|
|||
|
throat of the last of Tommy's jissum.
|
|||
|
|
|||
|
"Not good enough, Mom," Tommy answers coldly reaching for
|
|||
|
the glass jars.
|
|||
|
|
|||
|
His dad, Donna, ruefully laments, would have been completely
|
|||
|
satisfied with her performance. Donna's heart bursts with
|
|||
|
pride that her son, Tommy holds her to a higher standard.
|
|||
|
|
|||
|
He raises the fly filled jar, rolling it along the left
|
|||
|
side of her face. Donna can hear the buzzing of the flies,
|
|||
|
she can see the green iridescent bodies out of the side of
|
|||
|
her eyes. The flies are trying desperately to escape their
|
|||
|
glass prison. Tommy leaves her like that, in the company
|
|||
|
of flies, with goo on her lips, jissum in her cunt, and a
|
|||
|
furious buzzing in her hears.
|
|||
|
|
|||
|
When he returns, Tommy is fully dressed again followed by
|
|||
|
the pimple faced boy with the pale dead eyes. As always,
|
|||
|
he carries a camcorder and starts filming.
|
|||
|
|
|||
|
Tommy slowly unscrews the top of the mason jar containing
|
|||
|
the flies. He sets the jar down on Donna's stomach and
|
|||
|
watches. For a while nothing happens. The flies act as
|
|||
|
if they are still trapped. Gradually, one fly escapes,
|
|||
|
quickly the other flies follow. They disappear into the
|
|||
|
vastness of the bedroom searching for an open window,
|
|||
|
looking for an escape. It isn't long before the flies
|
|||
|
return. They start settling on the nether parts of the
|
|||
|
hapless female, tied spread-eagled to the bed. Flies are
|
|||
|
naturally attracted to a freshly fucked vagina. They land
|
|||
|
directly in the glistening white slime. The flies have a
|
|||
|
green iridescent band around abdomens of their segmented
|
|||
|
bodies. One fly walks over the edge of Donna's gaping red
|
|||
|
pussy lips and into the love canal. It buzzes furiously,
|
|||
|
bumping against the sides of her pussy going in deeper while
|
|||
|
trying to find the way out.
|
|||
|
|
|||
|
The video camera zooms in as the flies cluster between
|
|||
|
Donna's legs. Climbing around her cunt lips, they tickle.
|
|||
|
Another large fly walks over the edge, dropping into the
|
|||
|
dark hole of the open gaping lips of Donna's vagina. It
|
|||
|
buzzes against the walls furiously, trying to get out. Other
|
|||
|
flies land directly in the sticky goo of the jissum, spreading
|
|||
|
it around. Flies fly directly from Donna's cunt up to her
|
|||
|
face. They crawl fearlessly over her face, her lips, her eyes.
|
|||
|
At first, they fly away briefly when Donna tosses her head to
|
|||
|
shake them off. Gradually, they stop flying off when their
|
|||
|
tiny brains realize that this woman is helpless. Like men
|
|||
|
they take advantage of the weaker sex. Donna's eyes shift
|
|||
|
rapidly from side to side in panic. She hates flies and now
|
|||
|
they are crawling all over her body, invading her most private
|
|||
|
parts, spreading goo from her pussy to her mouth. Donna starts
|
|||
|
begging.
|
|||
|
|
|||
|
"Please, get the flies off," tossing her head to no avail.
|
|||
|
"Help me, heaven help me," she pleads.
|
|||
|
|
|||
|
Heaven looks down with benign indifference. All God's creatures
|
|||
|
being equal. Only Tommy provides succor.
|
|||
|
|
|||
|
Finally, Tommy relents. "Ok, Mom, whatever you say."
|
|||
|
|
|||
|
He lifts a fly swatter and holds it over her head.
|
|||
|
|
|||
|
"Noo, Nooo," Donna moans.
|
|||
|
|
|||
|
She imagines the sting of the fly swatter hitting her directly
|
|||
|
in the face. The flies smashed against her cheeks, pushed
|
|||
|
into her lips, the crushed bodies of the flies clinging to
|
|||
|
the filthy swatter as it descends once again toward her
|
|||
|
reddening cheeks, being slapped by the wire meshed swatter
|
|||
|
smearing the dead remains of the flies across her face. Her
|
|||
|
face stinging, the beating will continue with her helpless
|
|||
|
to prevent it. Who will want to tenderly kiss her lips?
|
|||
|
Who will love her? Who will save the flies?
|
|||
|
|
|||
|
None of this happens.
|
|||
|
|
|||
|
Donna's entire body spasms involuntarily as if she has been
|
|||
|
struck. Struck by an inopportune orgasm aftershock, she feels
|
|||
|
debased and abandoned. Her body shudders before the first
|
|||
|
blow is struck. She shakes uncontrollably. Tommy hesitates
|
|||
|
confused by Donna's shaking, but is undeterred.
|
|||
|
|
|||
|
Without warning, Tommy brings the fly swatter down with a
|
|||
|
resounding smack.
|
|||
|
|
|||
|
It lands directly between her legs.
|
|||
|
|
|||
|
Donna screams. The fly swatter stings her most intimate
|
|||
|
parts, repeatedly smashing the flies into her cunt, crushing
|
|||
|
the flies into the pools of jissum, pushing the flies into
|
|||
|
her open pussy lips. The fly swatter descends over and over.
|
|||
|
Donna tries to brace herself for the impact, but it always
|
|||
|
seem to catch her unprepared, vulnerable, exposed, pitiful.
|
|||
|
Donna weeps openly, pleading, beseeching, imploring her son,
|
|||
|
her Tommy, to stop.
|
|||
|
|
|||
|
Gradually, as the flies are killed, the whipping stops, the
|
|||
|
pain subsides, Donna collapses onto the bed. Her whole body
|
|||
|
has broken into a sweat from the whipping between her legs.
|
|||
|
Never in her life has she felt such exquisite pain in such
|
|||
|
a small area of her body. Never had she expected to be
|
|||
|
repeatedly lashed with a dirty fly swatter on her most
|
|||
|
intimate private parts. Donna looks exhausted as if she
|
|||
|
were recovering from a fever.
|
|||
|
|
|||
|
Tommy pats Donna's sweat soaked face with a bath towel. He
|
|||
|
soothes her sympathetically, calming her.
|
|||
|
|
|||
|
"It's over Mom."
|
|||
|
He whispers in her ear.
|
|||
|
|
|||
|
"The whipping is over."
|
|||
|
He pats the sweat from her face.
|
|||
|
|
|||
|
"It's all on video."
|
|||
|
He wipes the cum off her face and removes the dead flies
|
|||
|
smashed between her legs.
|
|||
|
|
|||
|
"You will be my sex slut,"
|
|||
|
He whispers gently patting her face.
|
|||
|
|
|||
|
Once Donna's breathing slows, Tommy introduces a new horror.
|
|||
|
|
|||
|
Tommy pulls a white latex glove over his right hand as if
|
|||
|
preparing for a gynecological exam. Exhausted by screwing,
|
|||
|
he starts unscrewing the top of the other glass mason jar.
|
|||
|
Reaching into the jar, he slowly massages the squirming mass
|
|||
|
of maggot infested hamburger. Keeping it inside the jar, he
|
|||
|
brings it close to his mother's face.
|
|||
|
|
|||
|
"Watch the maggots, Mommy"
|
|||
|
|
|||
|
"Please don't, I'll do everything... anything, I'm your
|
|||
|
sex slut."
|
|||
|
|
|||
|
"I could take these maggots and jamb them up your cunt.
|
|||
|
If these worms crawl through raw meat like hamburger,
|
|||
|
just imagine how they would thrive inside your warm
|
|||
|
wet pussy."
|
|||
|
|
|||
|
Tommy squishes the infested hamburger letting it squeeze
|
|||
|
out between the fingers of his latex glove covered hand as
|
|||
|
worms fall back into the jar.
|
|||
|
|
|||
|
"I could fist fuck you, slam these worms all the way to
|
|||
|
your womb. You'd never get them out. Imagine Dad
|
|||
|
withdrawing his dick after fucking you and finding a
|
|||
|
worm on his cock."
|
|||
|
|
|||
|
Donna is out of control, her whole body trembling, shaking,
|
|||
|
like an uncontrollable epileptic seizure. She is
|
|||
|
incoherently babbling.
|
|||
|
|
|||
|
"I'll suck, fuck, you, your friends.... lick cum off
|
|||
|
the floor...swallow your loaded condoms.... suck Donkey
|
|||
|
Dicks .....please, I'll get you other women, let you watch
|
|||
|
me fuck other men...."
|
|||
|
|
|||
|
"What about my sister, Cindy?" interrupts Tommy.
|
|||
|
|
|||
|
"Cindy ?" says Donna confused.
|
|||
|
"Yes, mom, Cindy"
|
|||
|
"Cindy, what ?" cries Donna
|
|||
|
"You know...."
|
|||
|
"You want to fuck Cindy, your own sister?"
|
|||
|
"No, Mom, I want you to fuck Cindy."
|
|||
|
|
|||
|
Tommy is joking. He had no way of knowing that his mother
|
|||
|
will take it seriously. Under stress, Donna's mind is
|
|||
|
receptive to any suggestion. A joke unravels the key to
|
|||
|
her heart and mind.
|
|||
|
|
|||
|
Donna collapses. How can she fuck Cindy? She isn't a man.
|
|||
|
Only men have the power to fuck. She is pathetic, she is in
|
|||
|
a semi-psychotic state of incoherent blubbering. Only men can
|
|||
|
rape, not women. She is his.
|
|||
|
|
|||
|
Her mind has shattered like a dish.
|
|||
|
She will never be in control again.
|
|||
|
|
|||
|
Donna has broken.
|
|||
|
|
|||
|
_________________________________________________________
|
|||
|
This story is intended as a satire of erotic submission
|
|||
|
tales. If you are not overcome by lust, the lampoon will
|
|||
|
become obvious and unavoidable.
|
|||
|
|
|||
|
Author Note: If you like this story, please send
|
|||
|
an E-Mail to the author at: an376445@anon.penet.fi
|
|||
|
_________________________________________________________
|
|||
|
|
|||
|
|
|||
|
--------------513965C5118D--
|
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|
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|
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|
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From ???@0x00003BFA Mon Sep 15 21:32:46 1997
|
|||
|
Path: newsfeed.san.rr.com!news1.rto!newsfeed1-hme1!newsfeed.internetmci.com!205.252.116.205!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
|
|||
|
From: Story Master <velvet@znet.com>
|
|||
|
Newsgroups: alt.sex.stories
|
|||
|
Subject: story RP- author : Daney Dewitt - Donna's Humiliation 9 - donna09.txt
|
|||
|
Date: Fri, 05 Sep 1997 13:24:57 -0700
|
|||
|
Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
|
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|
Lines: 353
|
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|
Message-ID: <34106A99.1B29@znet.com>
|
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|
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|
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X-Mailer: Mozilla 3.0 (OS/2; I)
|
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|
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|
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|
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|
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This is a multi-part message in MIME format.
|
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|
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|
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|
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--
|
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/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
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|
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--------------60F331A5271A
|
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|
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|
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_________________________________________________________
|
|||
|
Author Note: If you like this story, please send
|
|||
|
an E-Mail to the author at: an376445@anon.penet.fi
|
|||
|
|
|||
|
I am attempting to improve the level of erotic literature
|
|||
|
in Alt.Sex.Stories. Let me know specifically what types
|
|||
|
of scenes you would like and they will be included in the
|
|||
|
next story.
|
|||
|
_________________________________________________________
|
|||
|
|
|||
|
|
|||
|
Comments are invited via E-mail to: an376445@anon.penet.fi. if you
|
|||
|
want more of this story..
|
|||
|
_________________________________________________________
|
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|
|
|||
|
Donna's Humiliation
|
|||
|
A Nasty Girl Story
|
|||
|
|
|||
|
by Dafney Dewitt
|
|||
|
|
|||
|
Donna's Humiliation #9
|
|||
|
|
|||
|
The Family Revenge
|
|||
|
|
|||
|
|
|||
|
Donna doesn't want Bob to go hunting. She's afraid of being left
|
|||
|
alone with her own children. Tommy and Cindy are like two demon
|
|||
|
kids, just waiting for the right opportunity, the chance to get her
|
|||
|
alone, the time to extract their revenge. Donna knows what she has
|
|||
|
to do. It is desperation that forces her to lock the bedroom door,
|
|||
|
confronting her husband with a choice.
|
|||
|
|
|||
|
"Please, Bob," Donna begs, "Please don't leave me alone."
|
|||
|
"But I like hunting."
|
|||
|
"You like me too don't you," Donna says dropping her panties to her
|
|||
|
ankles and suggestively lifting up her dress showing him her blond
|
|||
|
thatch of pubic hair.
|
|||
|
|
|||
|
"Yes, but hunting is a man thing."
|
|||
|
"I'll show you a man thing," Donna says unzipping his pants.
|
|||
|
|
|||
|
She gently fondles his dick, bending down to take it into her mouth.
|
|||
|
Donna runs her tongue around the tip of his cock until it swells.
|
|||
|
She pops it into her mouth with a series of quick short strokes
|
|||
|
until it's rigid. She can feel it pulsing in her hand. Then she
|
|||
|
lets Bob thrust it into her mouth. She has never allowed Bob oral sex
|
|||
|
before. She wants him to know that he can use or abuse her sexually
|
|||
|
in exchange for staying home. Bob face fucks her with a vigor Donna
|
|||
|
hasn't felt since they were first married. Her wanton willingness
|
|||
|
to please him, her need for him to stay, her sexual surrender, has
|
|||
|
ignited his passions.
|
|||
|
|
|||
|
Donna denies him nothing. Bob can do whatever he wants with her body.
|
|||
|
He can fuck her face, take her from the rear, twist her nipples,
|
|||
|
ejaculate on her face. He can do it all, if only he will stay. If he
|
|||
|
won't abandon her for the weekend, she will sexually submit to his
|
|||
|
desires.
|
|||
|
|
|||
|
Sensing the submissive change in his wife, Bob decides to abuse her
|
|||
|
verbally while he fucks her.
|
|||
|
|
|||
|
"You're a whore"
|
|||
|
With his meat filling her mouth, Donna shakes her head in denial.
|
|||
|
|
|||
|
"You're my slut whore," Bob repeats taking advantage of her silence.
|
|||
|
Donna opens her eyes, but can only see his pubic hair pushing into
|
|||
|
her face.
|
|||
|
|
|||
|
"Suck my cum, slut," Bob insists. With a quick jerk he withdraws
|
|||
|
and spurts a small load of hot jizzum onto her face.
|
|||
|
|
|||
|
"Turn over bitch," Bob tells her.
|
|||
|
Donna turns, letting his cock slide a trail of cum across her face.
|
|||
|
Bob leaves her on the bed, heading for the bathroom.
|
|||
|
|
|||
|
Donna is relieved. She had been ready to submit sexually to any
|
|||
|
demands, any perversion, as long as Bob stayed with her, as long as
|
|||
|
he didn't leave her for a weekend of hunting, but now she is
|
|||
|
comforted that his lust has apparently been shortlived. She is
|
|||
|
still exhuasted from the sexual abuse inflicted on her by her son,
|
|||
|
Tommy. She can use the rest.
|
|||
|
|
|||
|
Just as Donna's body is relaxing Bob returns.
|
|||
|
"I'm back, slut."
|
|||
|
|
|||
|
Donna turns her head to see him holding a jar of Vic's Vapor Rub.
|
|||
|
Bob plunges his index finger into the open jar of mentholated
|
|||
|
petroleum jelly and gently inserts it into Donna's asshole. He
|
|||
|
repeats this several times.
|
|||
|
|
|||
|
Poke the jar.
|
|||
|
Poke her anus.
|
|||
|
|
|||
|
Poke the jar.
|
|||
|
Push his fingers into her asshole
|
|||
|
|
|||
|
Poke the jar.
|
|||
|
Slide his hand into her hot ass.
|
|||
|
|
|||
|
Every repetition makes her ass burn more. It keeps getting hotter,
|
|||
|
burning like a fire inside. Gradually, Bob increases the insertion
|
|||
|
to include all of his fingers. After he has plunged all five fingers
|
|||
|
in and out repeatedly, he attempts pushing his entire fist into her.
|
|||
|
|
|||
|
Donna screams.
|
|||
|
|
|||
|
"Aaah !" she shrieked as Bob's fist buries itself into her virgin ass.
|
|||
|
"Oh, No ! Oh, No ! She wails.
|
|||
|
|
|||
|
His fist, hard and unyielding plunges into her asshole, stretching it
|
|||
|
without relenting. It is no longer poking, sliding, or plunging into
|
|||
|
her. Bob's fist is punching into her. His fist is being swallowed
|
|||
|
by her enlarged anus with each blow. It makes an obscene sucking sound
|
|||
|
with each withdrawal. Bob notices his fist making a wet "slurp" sound
|
|||
|
on each withdrawal and a "splat" sound with each insertion. Within a
|
|||
|
short time, he develops it into a study rythum of sound.
|
|||
|
|
|||
|
"Slurp" goes his fist coming out.
|
|||
|
"Splat" goes his fist going in.
|
|||
|
|
|||
|
"Slurp"
|
|||
|
"Splat"
|
|||
|
|
|||
|
"Slurp"
|
|||
|
"Splat"
|
|||
|
|
|||
|
For Donna it quickly develops into an unrelenting rythum of sound
|
|||
|
and pain.
|
|||
|
|
|||
|
Pinned to the bed by the pumping fist, Donna feels waves of fear
|
|||
|
ripple through her belly. This is a hard long piston, churning up
|
|||
|
her insides. There will be no quick climax. There will be no
|
|||
|
climax at all. Her entire ass is on fire.
|
|||
|
|
|||
|
After an eternity of torment, the hand withdraws for the last time.
|
|||
|
Donna's asshole spasms, the sphincter muscles contracting arythmically.
|
|||
|
When they stopped her ass remains open. There is a black hole the
|
|||
|
size of a dime. Noticing this hole, Bob reachs into his pocket,
|
|||
|
extracts 4 dimes and 2 quarters. He flips a quarter onto her ass.
|
|||
|
It's bigger then the opening. He slides the quarter aside and
|
|||
|
flips a dime, but it catches on the grease of the Vic Vapor's Rub.
|
|||
|
Grabbing the hem of Donna's dress, he uses it like a towel to wipe
|
|||
|
the grease off her butt. The next dime flops onto her ass and slides
|
|||
|
directly into the hole entirely disappearing. Bob flips in the
|
|||
|
remaining 3 dimes before leaving on his hunting trip. Exhuasted by
|
|||
|
her ordeal, Donna falls asleep. She slept dreaming that Bob is
|
|||
|
laying on the bed beside her. She slept thinking she is safe from
|
|||
|
harm.
|
|||
|
|
|||
|
After Bob leaves, Cindy and Tommy spring into action.
|
|||
|
|
|||
|
It's the pale boy with the lifeless blue eyes and angry red pimples
|
|||
|
on his forehead who gives them the implements for their revenge. In
|
|||
|
exchange, the boy will be allowed to videotape the torture. A modified
|
|||
|
cattle prod with a remote control is slipped into Donna's open asshole
|
|||
|
as she sleeps. It is a self-protection device for women called
|
|||
|
"The Defender" capable of delivering over 100,000 volts of painful but
|
|||
|
harmless electric shock. After the severe ass pounding by her husband's
|
|||
|
fist she never even feels the four inch long thin metal tube slip inside
|
|||
|
her.
|
|||
|
|
|||
|
Tommy wants to activate the remote immediately, waking his mother up
|
|||
|
with a jolt of 100,000 volts of low amperage electric shock. It will
|
|||
|
feel as if her insides are on fire. Her body will convulse with
|
|||
|
pain. She will be under their complete control. The boy with the
|
|||
|
angry red pimples restrained him. If they wait, Donna's anus will
|
|||
|
slowly contract until the prod is firmly embeded inside. By waiting,
|
|||
|
Donna's own body will work against her, sealing the prod inside her
|
|||
|
bowels, preventing it from accidentally being expelled. To help hurry
|
|||
|
the process, Cindy hunted through the spice cabinet in the kitchen.
|
|||
|
Armed with a small can of alum, she sprinkles it inside Donna's open
|
|||
|
hole. Within a short time, the alum has puckered her anus until it
|
|||
|
closes into a tight puckered depression.
|
|||
|
|
|||
|
|
|||
|
"Mommy, Mommy, get up you sleepy head"
|
|||
|
"Mommy, Mommy, it's time to get dressed"
|
|||
|
|
|||
|
Donna hears the voice in the distance. It sounds familiar. She's
|
|||
|
so tired, so exhausted that she ignores it. She feels safe and warm,
|
|||
|
the burning in her buttom has susbsided. She feels good and just
|
|||
|
wants to keep on sleeping. She is safe. Her husband Bob will keep
|
|||
|
her from harm. Her husband who has pumped his fist into her ass will
|
|||
|
stay by her, asleep at her side, until he needs more sex. She will
|
|||
|
give it to him.
|
|||
|
|
|||
|
"Mommy, Mommy, it's time to get up," the voice repeats itself until
|
|||
|
Donna drifts into consciousness.
|
|||
|
|
|||
|
It's Cindy. She's shaking her Mom's shoulder trying to wake her
|
|||
|
up. Donna's eyes fill with fear as soon as she sees the empty bed
|
|||
|
space beside her.
|
|||
|
|
|||
|
"Where's Bob ?"
|
|||
|
"Oh, Daddy's gone hunting."
|
|||
|
"But he promised me he'd stay home."
|
|||
|
"Sorry, Mom, but he's gone."
|
|||
|
|
|||
|
Donna sits up in the bed. Maybe everything will be all right.
|
|||
|
Cindy certainly doesn't look threatening. Donna decides to get
|
|||
|
dressed and take control.
|
|||
|
|
|||
|
"I'm going to get dressed, would you please give me some privacy ?"
|
|||
|
"Ok Mom," Cindy relents leaving the bedroom.
|
|||
|
|
|||
|
|
|||
|
Once alone, Donna quickly gets out of bed. She selects a plain
|
|||
|
blue dress with colorful flower print. It buttons down the front
|
|||
|
for easy access. Donna needs easy access for breast feeding the
|
|||
|
baby. Her breasts are swollen and heavy with milk. She needs to
|
|||
|
breast feed 5 or more times per day to reduce the swelling and
|
|||
|
even then sometimes her breasts become so painfully full of milk
|
|||
|
that she needs to use a breast pump to siphon off the excess.
|
|||
|
|
|||
|
Donna wants to breast feed the baby but she is puzzled by the
|
|||
|
actions of her son Tommy and daughter Cindy. It's her custom to
|
|||
|
breast feed the baby sitting on the sofa in the living room so she
|
|||
|
can watch the local news. Tommy is running the vacum in the living
|
|||
|
room. This in itself is unusual. Tommy never cleans house unless
|
|||
|
he's forced to do it. Donna is suspicious and uncertain.
|
|||
|
|
|||
|
She certainly can't listen to TV over the noise of the vacum cleaner.
|
|||
|
|
|||
|
"Tommy, turn off the vacum, please" Donna shouts.
|
|||
|
|
|||
|
To her surprise, Tommy shuts the machine off immediately.
|
|||
|
In the silence that follows she hears the first squeals.
|
|||
|
|
|||
|
"What's that noise ?" Donna asks.
|
|||
|
"What noise ?" Tommy answers vaguely.
|
|||
|
"That squealing noise.
|
|||
|
"Just some new pets."
|
|||
|
|
|||
|
Curious and intrigued, Donna follows the sound of the squeals into
|
|||
|
the kitchen. In a box shoved in the corner next to the door, she
|
|||
|
finds a batch of squirming baby pigs. They look too small to be
|
|||
|
away from their mother. Thye're just a bunch of cute little piglets,
|
|||
|
the same size as a guinea pigs, but all pink, hairless, and
|
|||
|
harmless.
|
|||
|
|
|||
|
"Do you like them ?" Cindy asks
|
|||
|
"They certainly are cute " Donna answers non-commitally.
|
|||
|
"They're for you," says Tommy.
|
|||
|
Donna looks at him and notices a strange gleam of mischief in his eyes.
|
|||
|
|
|||
|
"Well that's nice," Donna answers, wondering what they are up to,
|
|||
|
"But right now I have to feed the baby."
|
|||
|
|
|||
|
Donna returns to the living room, turns on the TV with the remote,
|
|||
|
unbuttons the front of her blouse, and shoves the babies puckered
|
|||
|
lips toward her the erect nipple of her right breast. A short time
|
|||
|
later, she would switch to the left breast.
|
|||
|
|
|||
|
Just as the baby begins feeding, Tommy turns on the vacum cleaner.
|
|||
|
"Turn it off," yells Donna, feeling at a disadvantage making
|
|||
|
commands while her nipple is being sucked.
|
|||
|
|
|||
|
Tommy twists off the rug attachment at the end of the long metal
|
|||
|
vacum tube as if he is going to disassemble it, but he doesn't turn
|
|||
|
off the motor.
|
|||
|
|
|||
|
"Turn it off," Donna yells again.
|
|||
|
Tommy points the metal vacum tube at her like he's holding a rifle.
|
|||
|
|
|||
|
This act of defiance infuriates Donna.
|
|||
|
|
|||
|
Tommy is toying with her.
|
|||
|
|
|||
|
She lays the baby down carefully, covering her breast before
|
|||
|
turning to confront Tommy. She reaches out to grab the metal
|
|||
|
vacum tube. Donna is furious. She's going to grab his gun. She's
|
|||
|
going to teach him a lesson. She is going to take control.
|
|||
|
|
|||
|
She never sees her daughter Cindy standing behind her with the
|
|||
|
remote control. Just as her hand closes around the metal cylinder,
|
|||
|
Cindy presses the button. A terrible electric shock emanates from
|
|||
|
the very bowels of Donna's body knocking her off her feet. Donna's
|
|||
|
first thought is that the vacum cleaner has developed a short
|
|||
|
circuit. It is total unexpected.
|
|||
|
|
|||
|
The power of the shock takes her breath away.
|
|||
|
|
|||
|
"Take your breasts out, Mommy," Tommy leers at her.
|
|||
|
Donna shakes her head in refusal.
|
|||
|
|
|||
|
Tommy touches the vacum tube to her left knee just as Cindy hits the
|
|||
|
remote control button for the electro shock tube imbeded in her anus.
|
|||
|
|
|||
|
Donna jerks back like she's been slapped by an invisible hand.
|
|||
|
|
|||
|
An accidental short circuit does not explain Tommy's actions.
|
|||
|
|
|||
|
"Take out your tits, Mommy," Tommy repeats
|
|||
|
|
|||
|
With trembling fingers, Donna unbuttons her dress and scoops both
|
|||
|
her breasts out, letting them hang over the top of her bra cups.
|
|||
|
They hang out on top of the bra, obscenly swollen looking. The
|
|||
|
nipple of the right breast is still turgid and red from the baby's
|
|||
|
sucking.
|
|||
|
|
|||
|
"Your breast looks swollen. Would you like some help ?"
|
|||
|
"No, please, don't do this to me," begged Donna.
|
|||
|
|
|||
|
Tommy ignores her pleas.
|
|||
|
|
|||
|
He waves the vacum cleaner tube back and forth in front of her like
|
|||
|
a python, a snake bobbing from left to right waiting to strike.
|
|||
|
|
|||
|
Tommy pushes it closer and closer to her chest until she can feel
|
|||
|
the suction. Suddenly, without warning the end of the vacum sucks
|
|||
|
up her right nipple. Donna braces herself expecting another heart
|
|||
|
rendering shock, but none comes. The only change is in the hum of
|
|||
|
the vacum cleaner motor switching to a high pitched wine as the
|
|||
|
machine attempts to suck up her breast.
|
|||
|
|
|||
|
"Vooom, Varoom,"
|
|||
|
|
|||
|
The sound of the vacum changes to a high pitched wine as it tries
|
|||
|
to suck in Donna's Breast. Pulling back on the vacum, Tommy
|
|||
|
stretches the breast until the suction connection breaks off
|
|||
|
allowing the unobstructed flow of air to return the normal deep
|
|||
|
humming sound of the engine.
|
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|
|
|||
|
Donna looks at Tommy with a new fear, a new respect. He seems to
|
|||
|
possess a strange unknown power that totally unerves her. This is
|
|||
|
something new and different. A strange force that she doesn't
|
|||
|
understand. He can administer an electrifying pain, a pain so
|
|||
|
intense it appears to originate from deep within her bowels. The
|
|||
|
cause of the pain is a mystery. It's the unknown that makes it
|
|||
|
all the more fearful.
|
|||
|
__________________________________________________
|
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|
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|
--------------60F331A5271A--
|
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|
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|
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From ???@0x00002D83 Mon Sep 15 21:32:46 1997
|
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|
Path: newsfeed.san.rr.com!news1.rto!newsfeed1-hme1!newsfeed.internetmci.com!205.252.116.205!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
|
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|
From: Story Master <velvet@znet.com>
|
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|
Newsgroups: alt.sex.stories
|
|||
|
Subject: story RP- author : Daney Dewitt - Donna's Humiliation 10 - donna10.txt
|
|||
|
Date: Fri, 05 Sep 1997 13:25:19 -0700
|
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|
Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
|
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|
Lines: 258
|
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|
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|
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|
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|
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--------------366C139DEEE
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--
|
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/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
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|
The Velvet Playground -- http://sd.znet.com/~velvet/
|
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Free Stories & Pics from our BBS, Links & Live Video
|
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\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
|
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--------------366C139DEEE
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Content-Type: text/plain; charset=us-ascii; name="donna10.txt"
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Content-Disposition: inline; filename="donna10.txt"
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_________________________________________________________
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Author Note: If you like this story, please send
|
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|
an E-Mail to the author at: an376445@anon.penet.fi
|
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|
|
|||
|
I am attempting to improve the level of erotic literature
|
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|
in Alt.Sex.Stories. Let me know specifically what types
|
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|
of scenes you would like and they will be included in the
|
|||
|
next story.
|
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|
_________________________________________________________
|
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|
|
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|
By Dafney Dewitt
|
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|
A Nasty Girl Story
|
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|
|
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|
Donna's Humiliation #10
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The Family Revenge
|
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Tommy rehearses his actions as if he's engaged in some sport.
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He concentrates on his efforts. He keeps repeating himself.
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"They need to be longer."
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"They need more stretching."
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She watches as Tommy pulls back on the vacum cleaner like he's
|
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|
reeling in a fish. The hum of the motor lowering each time the
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suction is broken leaving a nasty red ring around her nipple where
|
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|
the vacum has sucked in her flesh. Her milk heavy breasts stretch
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a little longer with each wave of the metal wand.
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"Spread your legs"
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Donna hesitates.
|
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|
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Like an alien intruder, the metal wand of the vacum swings between
|
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|
her knees. The threat of electric shock hangs heavy in the air. In
|
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a gentle arc that gradually widens, the tube swings back and forth,
|
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|
forcing Donna to spread her legs wider and wider. Fearful of being
|
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|
shocked again, Donna spreads her legs until they are fully open.
|
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|
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|
"Lift your dress."
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|
Donna lifts her dress up to her waist exposing her panties.
|
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|
"Push your panties to one side"
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|
Donna catches the edge of her panties with two fingers and pulls to
|
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|
the left exposing the lips of her vulva."
|
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|
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|
Tommy lowers the vacum tube between her legs. He is careful not
|
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|
to touch her. The power of the sucking air makes her pussy lips
|
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|
flutter with an intense vibration.
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|
|
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|
"Please, don't do that" Donna moans.
|
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|
Tommy keeps the tube between her legs.
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|
"Blurrp, Slurrp," The obscene sucking sound continues unrelentingly.
|
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|
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|
"Oh, my God," Donna yells, on the brink of orgasm.
|
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|
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|
Just before she can climax, Tommy withdraws the vacum pointing it
|
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|
at her left breast sucking up her nipple, extending both breasts
|
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|
and nipples out to new lengths.
|
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|
|
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|
Tommy alternates between vibrating her pussy lips to sucking the
|
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|
milk out of her breasts. The vacum cleaner abusing her body like
|
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|
some strange snake. With every withdrawal it drips milk onto her
|
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|
dress and leaves bright red rings around her nipples.
|
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|
|
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|
Donna's body shudders into an involuntary climax forced to orgasm
|
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|
by the double sucking action on her breast and pussy.
|
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|
|
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|
Tommy turns off the vacum cleaner when he notices Donna's body
|
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|
stiffen with a climatic spasm. He has no intention of giving her
|
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|
further pleasure.
|
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|
|
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|
"Button up your blouse and walk into the living room." Tommy tells
|
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|
her.
|
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|
|
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|
Donna stuffs her swollen breasts back into her bra and buttons her
|
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|
blouse. She rises from the sofa as if she were resigned to her
|
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|
continued humiliation. Carefully concealing her anger, Donna walks
|
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|
toward the dining room. She glances back at Tommy willing him with
|
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her mind to follow her. Donna draws him away from the instrument
|
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|
of torture. She draws him away from the vacum cleaner.
|
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|
Tommy follows Donna until he is five feet, seven feet, and finally
|
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|
10 feet away from the vacum torture machine.
|
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|
|
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Without warning, Donna turns on Tommy.
|
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|
|
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"You little bastard," she shouts grabbing Tommy by the neck.
|
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|
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|
Cindy watches with the remote control in her hand curious as to
|
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|
what her mother will do next. Tommy tries ducking to escape his
|
|||
|
mother's grasp. He is too slow, totally taken by surprise.
|
|||
|
|
|||
|
Both of Donna's hands tighten around his neck.
|
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|
|
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|
"I'm going to strangle you," Donna threatens.
|
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|
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Both her hands tighten around Tommy's neck and begin throttling
|
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|
him. Donna's body surges with a power she didn't know she had.
|
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|
Tommy can't break his mother's grip. It feels as if she's been
|
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|
possessed with the power of demons.
|
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|
|
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|
Cindy is enjoying herself. She feels powerful like she's holding
|
|||
|
the remote control for some advanced 3-D Holographic Television Show.
|
|||
|
She wants Tommy to suffer. She wants him to remember this attempt
|
|||
|
to strangle him. Later, when he remembers how Donna has choked him, he
|
|||
|
will show her no mercy. Cindy waits to press the button.
|
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|
|
|||
|
Tommy is certain that his mother intends to kill him. He can't
|
|||
|
breathe. The room is starting to spin. His legs are wobbly.
|
|||
|
|
|||
|
The electric shock hits Donna just before Tommy starts to pass out.
|
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|
|
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|
"Aargh !," Donna screams totally taken by surprise
|
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|
Donna's hands fly from Tommy's neck.
|
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|
|
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|
Tommy rubs his neck gasping for breath.
|
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|
"On your feet bitch," he gasps.
|
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|
|
|||
|
Donna staggers to her feet.
|
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|
|
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|
"Take out both your breasts."
|
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|
Donna unbottons her blouse and takes both breasts out of
|
|||
|
their cups letting them hang out over the top of her bra.
|
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|
She stands there until Tommy's ragged breathing calms down.
|
|||
|
|
|||
|
"You will not touch me again, bitch" Tommy shouts slapping
|
|||
|
her exposed breasts with his hand like you would slap a face.
|
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|
|
|||
|
Donna confused, and demoralized by what seems to have been a
|
|||
|
unexpected return of Tommy's power over her, stands before him
|
|||
|
without resistence. Her eyes are focused on the vacum cleaner
|
|||
|
with a look of hopeless incomprehension.
|
|||
|
|
|||
|
"You will never touch me again, bitch," says Tommy, slapping
|
|||
|
her first with the front of his hand and then returning the
|
|||
|
slap with the back of his hand.
|
|||
|
|
|||
|
Tears well up in Donna's eyes from the breast pain.
|
|||
|
"Not my breasts, hit me anywhere, not my breasts ...," she begs.
|
|||
|
|
|||
|
Tommy keeps slapping until Donna's breasts are red. The red welts
|
|||
|
left by his fingers are clearly visible on her breasts. Donna's
|
|||
|
eyes fill with tears from the beating on her milk swollen breasts.
|
|||
|
|
|||
|
Carried away by his anger, Tommy slaps at the breasts repeatedly
|
|||
|
until they are swaying in rythum back and forth like a punching
|
|||
|
bag. He continues hitting her until his hand gets tired.
|
|||
|
|
|||
|
Tommy finally relents.
|
|||
|
"Crawl into the Dinning Room like a cow and lay down on the table"
|
|||
|
|
|||
|
Donna heads for the dining room, on all fours, like a cow. She
|
|||
|
is totally subdued. Her breasts sway back and forth as she crawls
|
|||
|
on all fours. After crawling into the living room, she makes one
|
|||
|
last inadequate attempt to preserve the remnants of her dignity as
|
|||
|
a mother, and as a woman, by unconsciously tucking her painful
|
|||
|
breasts back into her bra and buttoning up the front of her dress. All
|
|||
|
thoughts of resistence literally beaten out of her. Her entire
|
|||
|
world is focused on her aching breasts.
|
|||
|
|
|||
|
The dining room table has been pulled apart to make room for a
|
|||
|
center leaf. Instead of inserting another leaf three of the leaves
|
|||
|
have been shoved to one end leaving a 5 inch gap on the far end.
|
|||
|
Donna is forced to lay on the table so her breasts hang through
|
|||
|
the gap between table leaves. Her body is full supported except
|
|||
|
for her breasts.
|
|||
|
|
|||
|
Cindy crawls under the table and unbuttons her mother's dress.
|
|||
|
Gently, she removes both breasts from the bra cups and lets the
|
|||
|
heavy mounds jiggle out hanging freely.
|
|||
|
|
|||
|
What new torture will they subject her to? she wonders. Will
|
|||
|
they try to smash her milk heavy hanging breasts by closing the
|
|||
|
table together like some gigantic clothes pin ?
|
|||
|
|
|||
|
Despite Donna's speculations, no attempt is made to close the
|
|||
|
table. Her breasts hang freely, unpinched, unbeaten, and
|
|||
|
unmolested. Donna rests.
|
|||
|
|
|||
|
Cindy moves the card board box into the living room beneath the
|
|||
|
dinner table. Donna can hear the squealing piglets but can's see
|
|||
|
them. Tommy takes a large dictionary down from the bookshelf and
|
|||
|
several other large books. He places them on the floor beneath
|
|||
|
the table. It takes some adjusting before the cardboard box is
|
|||
|
the right height.
|
|||
|
|
|||
|
The hungry piglets soon discover the two mounds hanging down into
|
|||
|
their box and the two nipples. They begin a frenzy of sucking to
|
|||
|
get at the milk. There are 8 piglets and only two nipples to suck.
|
|||
|
On an adult mother sow, they would have a choice of up to 12 tits
|
|||
|
to suckle on. They fight each other.
|
|||
|
|
|||
|
Donna feels them pulling, bitting on her nipples, sucking out the
|
|||
|
milk meant for her baby. The constantly changing mouths of the
|
|||
|
piglets struggling to suck the milk from her intensifies into a
|
|||
|
wild feeding frenzy. The competition between the piglets continues
|
|||
|
for hours. Donna has nothing to mark the time except the squealing
|
|||
|
sounds of the pigs and constant pulling on her nipples. She passes
|
|||
|
out in an attempt to escape the horrible reality.
|
|||
|
|
|||
|
Donna's dreams are filled with sounds of barn animals. She is
|
|||
|
laying on a pile of hay in the corner of a barn surrounded by a
|
|||
|
mass of squealing pigs. Her breasts are fully exposed to the
|
|||
|
mindless hungry animals. She has been reduced to a human suck
|
|||
|
station for pigs.
|
|||
|
|
|||
|
The pale blue eyed boy films the dreamy far off look on her face,
|
|||
|
dropping the camera below the table for shots of the piglets
|
|||
|
swarming over her hanging breasts. The close up zoom shots are
|
|||
|
almost unrecognizeable. The pink hairless pigs, squirming over
|
|||
|
the mounds, pulling their bodies out of the box suspended only
|
|||
|
by their sucking mouths attached to the nipples, it is a surreal
|
|||
|
scene. It is not clear at all if you are looking at the magnified
|
|||
|
nipples of some animal or if they are human breasts. Only the
|
|||
|
clear shots of Donna's face make it obvious.
|
|||
|
|
|||
|
The contented cow look on Donna's face is too much for Cindy. She
|
|||
|
goes into the kitchen, takes a can of with a picture of fried
|
|||
|
chicken on it out of a cupboard, and puts in on the floor. It's a
|
|||
|
can of Crisco. She takes the mop from behind the door, turns it
|
|||
|
upside down, smashing the handle into the white Crisco lard.
|
|||
|
|
|||
|
Tit torture is not enough for Cindy. She repeatedly jabs the mop
|
|||
|
handle into the can of Crisco until it is coated white with goo.
|
|||
|
and shoves it up Donna's cunt while asking Tommy to unzip and
|
|||
|
force Donna to suck his dick.
|
|||
|
|
|||
|
|
|||
|
Tiring of this, Tommy suggests that they make the torture automatic.
|
|||
|
They blindfold Donna and lightly very gently, tickling her with
|
|||
|
some sort of leaves. It feels good. She doesn't know they're
|
|||
|
using clear plastic gloves on their hands to hold it. She can't
|
|||
|
see them. She doesn't know that in about a half hour her breasts
|
|||
|
will feel like they're on fire. She doesn't know they are brushing
|
|||
|
her breasts with poison ivy.
|
|||
|
|
|||
|
|
|||
|
--------------366C139DEEE--
|
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|
|
|||
|
|
|||
|
|
|||
|
From ???@0x00003460 Mon Sep 15 21:32:46 1997
|
|||
|
Path: newsfeed.san.rr.com!news1.rto!newsfeed1-hme1!newsfeed.internetmci.com!205.252.116.205!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
|
|||
|
From: Story Master <velvet@znet.com>
|
|||
|
Newsgroups: alt.sex.stories
|
|||
|
Subject: story RP- author : Daney Dewitt - Donna's Humiliation 11 - donna11.txt
|
|||
|
Date: Fri, 05 Sep 1997 13:25:35 -0700
|
|||
|
Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
|
|||
|
Lines: 337
|
|||
|
Message-ID: <34106ABF.1063@znet.com>
|
|||
|
NNTP-Posting-Host: cx28316-a.dt1.sdca.home.com
|
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|
Mime-Version: 1.0
|
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|
Content-Type: multipart/mixed; boundary="------------625868564F12"
|
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|
X-Mailer: Mozilla 3.0 (OS/2; I)
|
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|
Status: N
|
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|
|
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|
|
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|
This is a multi-part message in MIME format.
|
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|
|
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--------------625868564F12
|
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|
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|
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|
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--
|
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/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
|||
|
The Velvet Playground -- http://sd.znet.com/~velvet/
|
|||
|
Free Stories & Pics from our BBS, Links & Live Video
|
|||
|
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
|
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|
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--------------625868564F12
|
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|
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|
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|
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|
|||
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Donna's Humiliation
|
|||
|
A Nasty Girl Story
|
|||
|
|
|||
|
by Dafney Dewitt
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
|
|||
|
______________________________________________
|
|||
|
Part 11
|
|||
|
|
|||
|
Donna's Gang Bang Rape
|
|||
|
|
|||
|
Bob's hunting trip has been unsuccessful. Somehow he feels less
|
|||
|
a man for returning without a deer. It is a man's job to hunt,
|
|||
|
to track down the prey. Women stayed at home or became prey
|
|||
|
themselves. There is a sensual thrill to the hunt. It isn't just
|
|||
|
in the killing. The kill is actually a disappointment. There is
|
|||
|
a connection, an invisible bound of fear between hunter and prey.
|
|||
|
You can see it in the eyes of the prey. It's a quick flick of
|
|||
|
the eyes, a slight movement of the head. If you don't know what
|
|||
|
your looking for, it's easy to miss, but once you experience the
|
|||
|
thrill of the hunt you can never forget it. It's the fear of being
|
|||
|
pursued. The fear of being tracked by a force more powerful then
|
|||
|
yourself, the fear of being caught, and the ultimate fear of
|
|||
|
submission. It is these intimate moments when the prey conects
|
|||
|
with the hunter that Bob savors the most. He understands the bond
|
|||
|
between hunter and prey. He enjoys the torture of pursuit.
|
|||
|
|
|||
|
Tonight, Bob is going to make his dear Donna the prey to make up
|
|||
|
for his disappointment with deer.
|
|||
|
|
|||
|
This isn't a conscious decision. Somewhere in the back of his
|
|||
|
mind, he knows that Donna is taunting him, thinking him less a
|
|||
|
man for returning empty handed. He intends to teach her a lesson,
|
|||
|
to show her just how very wrong she is by ravaging her sexually.
|
|||
|
He will go a bit beyond the normal limits.
|
|||
|
|
|||
|
Bob always feels in control, able to handle any crisis.
|
|||
|
|
|||
|
That is why the rape comes as such a surprise.
|
|||
|
|
|||
|
Bob is a bit old fashioned. He feels that his home is his castle,
|
|||
|
and his wife is part of his property. He is quick to defend her
|
|||
|
from the catcalls of other men on the street. He loves Donna. He
|
|||
|
loves his kids. He thinks of himself as her protector and provider.
|
|||
|
Maybe he doesn't always bring home the bacon, but he could still
|
|||
|
feed her the pork.
|
|||
|
|
|||
|
|
|||
|
It is late. A dark and moonless night. Cindy & Tommy have already
|
|||
|
gone upstairs to bed. The doorbell rings a little after 11:30 pm.
|
|||
|
|
|||
|
"Honey, would you see who's at the door ?" asks Donna.
|
|||
|
"I'm going," said Bob always willing to act as the protector.
|
|||
|
Bob turns on the porch light before opening the front door.
|
|||
|
|
|||
|
"Step back," said the stranger.
|
|||
|
|
|||
|
Bob slowly steps back into his house.
|
|||
|
|
|||
|
A black teenager walks toward Bob. A thin short boy wearing a
|
|||
|
white T-Shirt and blue jeans. He couldn't have weighed more then
|
|||
|
135 pounds. Bob could easily pick him up and toss him out of his
|
|||
|
house. He doesn't care much for blacks. He isn't prejudiced or
|
|||
|
anything. He just doesn't like the way they smell. He doesn't
|
|||
|
like the way they sniff after white women on the streets downtown
|
|||
|
like dogs following a sexual scent. He doesn't like the way they
|
|||
|
date white women. They're like animals. Bob would have never
|
|||
|
invited blacks into his house.
|
|||
|
|
|||
|
The sawed off shotgun pointed at his face serves as the black
|
|||
|
boy's invitation.
|
|||
|
|
|||
|
Bob forces himself to move his eyes from the barrel to the base
|
|||
|
of the gun. The safety is off and the black finger is inside
|
|||
|
the trigger guard.
|
|||
|
|
|||
|
Bob is almost ready to take the risk, to grab the end of the
|
|||
|
shotgun shoving it to oneside, but as he takes the second step
|
|||
|
backwards a huge man dressed like a Hell's Angel Biker steps
|
|||
|
through the front door. It's at this moment that Bob realizes
|
|||
|
he is no longer a hunter, but merely prey.
|
|||
|
|
|||
|
They waste no time in tying Bob up to a kitchen chair, and gagging
|
|||
|
him. No attempt is made to blindfold him. They position his chair
|
|||
|
so that he is facing away from the bedroom.
|
|||
|
|
|||
|
"Bob, is that you ?"
|
|||
|
|
|||
|
He can hear the uncertainty in his wife's voice as she calls out
|
|||
|
from the safety of their marital bedroom. His wife is like a
|
|||
|
deer bedded down in the brush feeling safe but uncertain.
|
|||
|
|
|||
|
This strange salt and pepper combination of the huge white biker
|
|||
|
and the slim black teenager has Bob puzzled. He imagines they
|
|||
|
are an odd residential robbery team. The biker and black teenager
|
|||
|
watch him. What happens next totally takes Bob by surprise.
|
|||
|
|
|||
|
A uniformed police officer walks through his front door, tips his
|
|||
|
hat in greeting toward the biker, and continues on into the
|
|||
|
bedroom. Bob hears the bedroom door open. He is tied up facing
|
|||
|
away from the door so he can see nothing, but hear everything.
|
|||
|
|
|||
|
"Excuse me, Miss, Police Department."
|
|||
|
|
|||
|
"What are you doing in my bedroom ?"
|
|||
|
|
|||
|
Donna is worried. She sits up in bed clutching her nightgown
|
|||
|
around her breasts. The voices have not returned. She is
|
|||
|
uncertain what to do next.
|
|||
|
|
|||
|
"We got a call of a disturbance."
|
|||
|
|
|||
|
"Where's my husband ?"
|
|||
|
|
|||
|
"I'm sorry, but in all cases of domestic disturbance . . ."
|
|||
|
|
|||
|
"No, Ooh, noo,"
|
|||
|
|
|||
|
". . . we are forced to detain the husband."
|
|||
|
|
|||
|
"What do you want with me ?"
|
|||
|
|
|||
|
"Just a statement."
|
|||
|
|
|||
|
"Like what ?"
|
|||
|
|
|||
|
"Well...like, was he hitting you ?"
|
|||
|
|
|||
|
"No, he wasn't."
|
|||
|
|
|||
|
"Not so fast," says the policeman.
|
|||
|
|
|||
|
He pulls out a black nightstick from his duty belt. Using it
|
|||
|
for a pointer, the policeman resumes his questioning.
|
|||
|
|
|||
|
"Did he hit you here ?" says the policeman pointing to Donna's
|
|||
|
left breast.
|
|||
|
|
|||
|
"No."
|
|||
|
|
|||
|
"Are you certain ?"
|
|||
|
|
|||
|
Bob's concentration on the conversation coming from his bedroom
|
|||
|
becomes obsessive. He wants to see; he wants to know; he doen't
|
|||
|
want to be reduced to just listening like a sex telephone freak.
|
|||
|
|
|||
|
"Yes."
|
|||
|
|
|||
|
"Are you telling me that it's not even sore ?"
|
|||
|
|
|||
|
The police officer pushes his nightstick into Donna's breast in
|
|||
|
a circular motion, pressing hard to make his point.
|
|||
|
|
|||
|
"No, I mean yes. Yes, it is sore."
|
|||
|
|
|||
|
To be truthful, Donna's breasts ached. They were sore and tender
|
|||
|
beyond belief. The probing motions of nightstick make Donna's
|
|||
|
breast throb.
|
|||
|
|
|||
|
"Oh, so he didn't hit you, but now you admit that you're sore."
|
|||
|
|
|||
|
"Well, I, I'm .... I"m a mother," Donna finally replies in way of
|
|||
|
explanation.
|
|||
|
|
|||
|
She is embarrassed. She doesn't want to tell the police officer
|
|||
|
that her breasts are sore because of pigs sucking on them.
|
|||
|
|
|||
|
"Well, now we're getting to the truth."
|
|||
|
|
|||
|
"No, you don't understand."
|
|||
|
|
|||
|
"Are you sore down here ?" The officer suddenly thrusts the
|
|||
|
nightstick into the covers between Donna's legs.
|
|||
|
|
|||
|
"Oooh, yeesss." Donna yelps out moving back toward the headboard
|
|||
|
of the bed to avoid the hard probing actions of the nighstick.
|
|||
|
|
|||
|
Outside the bedroom door, Bob is absolutely livid. He is tense
|
|||
|
beyond belief, straining against the ropes, waiting for the
|
|||
|
inevitable, hoping for a rescue, concentrating on each word
|
|||
|
and every sound.
|
|||
|
|
|||
|
"Now, I'm starting to understand.
|
|||
|
|
|||
|
"No, the truth is, it wasn't Bob."
|
|||
|
|
|||
|
"Who's Bob ?"
|
|||
|
|
|||
|
"My husband."
|
|||
|
|
|||
|
"If it wasn't your husband, who was it ?"
|
|||
|
|
|||
|
Donna shakes her head silently from side to side refusing to
|
|||
|
answer. The police officer jerks the protective bedcovers off
|
|||
|
Donna and jabs the nightstick between her legs until it hits
|
|||
|
home leaving Donna gasping.
|
|||
|
|
|||
|
"Who was it ?"
|
|||
|
|
|||
|
"It was my son, Tommy," Donna pants whincing with pain.
|
|||
|
|
|||
|
Outside, Bob can't believe what is happening. Is Donna lying to
|
|||
|
protect him ? Is she saying this so he won't go to jail for
|
|||
|
Domestic Abuse ? Maybe, the police officer is forcing her to
|
|||
|
say these things. Or maybe, Donna did have an incestuous affair
|
|||
|
with her own son. With a pride reserved for men, Bob wants to
|
|||
|
believe that he is the one who made Donna sore. He remembers
|
|||
|
the fist fucking he gave his wife. It has to have been him who
|
|||
|
made her sore. No one could have devastated Donna like he did.
|
|||
|
He is convinced she is lying. She has to be lying.
|
|||
|
|
|||
|
"You're lying," says the policeman.
|
|||
|
|
|||
|
"No, I'm telling the truth."
|
|||
|
|
|||
|
"You're lying to save your husband."
|
|||
|
|
|||
|
"Yes, I want to save my husband, but only the truth can save
|
|||
|
a marriage."
|
|||
|
|
|||
|
"Prove it."
|
|||
|
|
|||
|
"There's a video tape hidden in the bookself behind the TV set."
|
|||
|
|
|||
|
Unseen by Donna the small black boy goes into the living room
|
|||
|
searching behind the books and finds the video tape. He turns
|
|||
|
the sound on the TV off and puts the tape in the VCR machine.
|
|||
|
The biker lifts up Bob, chair and all and positions him so he
|
|||
|
can view the television.
|
|||
|
|
|||
|
After a long silent pause, the police officer answers slowly
|
|||
|
pronouncing each word with special emphasis.
|
|||
|
|
|||
|
"I.. think ..you're.. lying.. because.. you.. love.. your.. husband."
|
|||
|
|
|||
|
"I do, I do love my husband," Donna nods vigorously in agreement.
|
|||
|
|
|||
|
Bob stares at the TV screen with betrayed eyes watching his own
|
|||
|
wife, Donna suck the dripping cum off her son Tommy's cock. He
|
|||
|
notices the smile on Donna's face. The same smile quirky, tilt
|
|||
|
of the head, smile she gives him when they finish making love.
|
|||
|
This is no faked video. His wife was getting off on sucking
|
|||
|
Tommy's cock. At the same time, he can hear Donna in the next
|
|||
|
room saying that she loves him.
|
|||
|
|
|||
|
"Do you love your husband enough to prove your love ?"
|
|||
|
|
|||
|
"I don't need to prove my love, Bob knows I love him."
|
|||
|
|
|||
|
Bob watches the TV as Tommy's hand enters Donna's cum smeared
|
|||
|
pussy carefully cupping the jissum with his fingers, Tommy brings
|
|||
|
it up to Donna's mouth, and she licks his fingers clean.
|
|||
|
|
|||
|
"Are you sure you don't need to prove your love ?" says the
|
|||
|
police officer pushing the nightstick beneath the strap of
|
|||
|
Donna's nightgown and forcing it down over her shoulder exposing
|
|||
|
the top of her breast.
|
|||
|
|
|||
|
"Yes, I'm sure," says Donna thinking of how she submitted to her
|
|||
|
husband fist fucking her in the ass so he wouldn't go hunting.
|
|||
|
Donna is certain that her actions prove she loves her husband.
|
|||
|
|
|||
|
"You would never betray your husband by degrading him ?"
|
|||
|
|
|||
|
"Oh, no, I would never do that," Donna shakes her head innocently.
|
|||
|
|
|||
|
Bob watches the TV as Donna jacks off their dog, Bowser, tips the
|
|||
|
waterbowl to her lips and drinks the dog cum. Donna goes directly
|
|||
|
to the front door and kisses him goodbye with her mouth full of
|
|||
|
dog goo. Bob's reaction is visceral. He almost vomits into the
|
|||
|
gag.
|
|||
|
|
|||
|
"You're sure you would never betray your husband ?"
|
|||
|
|
|||
|
"Yes, I'm positive."
|
|||
|
|
|||
|
Bob watches the TV as Donna eats out the pussy of his daughter
|
|||
|
Cindy who is tied to a chair in the kitchen while Bowser, their
|
|||
|
dog, humps Donna from behind. He sees the dog's toenails leave
|
|||
|
scratches on Donna's sides. The dog humps her with a glassy-eyed
|
|||
|
stare, panting from the exertion, his tongue drooling saliva down
|
|||
|
Donna's back.
|
|||
|
|
|||
|
"Well, ok." The police officer relents.
|
|||
|
|
|||
|
"Is that all ?" Donna asks re-assuming an assertive attitude.
|
|||
|
|
|||
|
Not all of Bob's body is tied. He notices that despite himself
|
|||
|
his cock seems to have a mind of its own. It is growing hard.
|
|||
|
He has a raging hard-on from watching the dog fuck his wife.
|
|||
|
|
|||
|
"Yes, but we'll need to confirm your answers with your husband."
|
|||
|
|
|||
|
The black boy hits the remote control shutting off the TV. Bob's
|
|||
|
mind is devastated by what he has seen and heard.
|
|||
|
|
|||
|
The biker removes the gag from Bob's mouth.
|
|||
|
|
|||
|
Bob remains silent. Just ten minutes earlier, before the TV had
|
|||
|
been turned on, Bob could think of a million things to say, and
|
|||
|
warning to shout. Now, he was stunned speechless. He was in
|
|||
|
shock from seeing too much, seeing an unimaginable evil beyond
|
|||
|
any husband's worst nightmares, and hearing his wife's denials.
|
|||
|
|
|||
|
Bob no longer looks upon the black boy and biker as enemies.
|
|||
|
True they forced their way into his house. Housebreaking is a
|
|||
|
vicious act, but it seems to have been for a greater good. This
|
|||
|
odd couple is opening up his eyes to the greater evil of his
|
|||
|
wife, Donna.
|
|||
|
|
|||
|
______________________________________________________
|
|||
|
Author Note: If you like this story, please send
|
|||
|
an E-Mail to the author at: an376445@anon.penet.fi
|
|||
|
|
|||
|
|
|||
|
--------------625868564F12--
|
|||
|
|
|||
|
|
|||
|
|
|||
|
From ???@0x00001C8E Mon Sep 15 21:32:46 1997
|
|||
|
Path: newsfeed.san.rr.com!news1.rto!newsfeed1-hme1!newsfeed.internetmci.com!205.252.116.205!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
|
|||
|
From: Story Master <velvet@znet.com>
|
|||
|
Newsgroups: alt.sex.stories
|
|||
|
Subject: story RP- author : Daney Dewitt - Donna's Humiliation 12 - donna12.txt
|
|||
|
Date: Fri, 05 Sep 1997 13:25:56 -0700
|
|||
|
Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
|
|||
|
Lines: 190
|
|||
|
Message-ID: <34106AD4.797D@znet.com>
|
|||
|
NNTP-Posting-Host: cx28316-a.dt1.sdca.home.com
|
|||
|
Mime-Version: 1.0
|
|||
|
Content-Type: multipart/mixed; boundary="------------6A44626C4A4D"
|
|||
|
X-Mailer: Mozilla 3.0 (OS/2; I)
|
|||
|
Status: N
|
|||
|
|
|||
|
|
|||
|
This is a multi-part message in MIME format.
|
|||
|
|
|||
|
--------------6A44626C4A4D
|
|||
|
Content-Type: text/plain; charset=us-ascii
|
|||
|
Content-Transfer-Encoding: 7bit
|
|||
|
|
|||
|
--
|
|||
|
/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
|||
|
The Velvet Playground -- http://sd.znet.com/~velvet/
|
|||
|
Free Stories & Pics from our BBS, Links & Live Video
|
|||
|
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
|
|||
|
|
|||
|
--------------6A44626C4A4D
|
|||
|
Content-Type: text/plain; charset=us-ascii; name="donna12.txt"
|
|||
|
Content-Transfer-Encoding: 7bit
|
|||
|
Content-Disposition: inline; filename="donna12.txt"
|
|||
|
|
|||
|
____________________________________________________
|
|||
|
Author Note: If you like this story, please send
|
|||
|
an E-Mail to the author at: an376445@anon.penet.fi
|
|||
|
|
|||
|
I am attempting to improve the level of erotic literature
|
|||
|
in Alt.Sex.Stories. Let me know specifically what types
|
|||
|
of scenes you would like and they will be included in the
|
|||
|
next story.
|
|||
|
____________________________________________________
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
A Nasty Girl Story
|
|||
|
|
|||
|
by Dafney Dewitt
|
|||
|
|
|||
|
This story is intended as a satire of erotic submission
|
|||
|
tales. If you are not overcome by lust, the lampoon will
|
|||
|
become obvious and unavoidable.
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
Part #12
|
|||
|
|
|||
|
Donna's Gang Bang Rape
|
|||
|
|
|||
|
|
|||
|
Unable to lift him, the police officer drags Bob into the
|
|||
|
bedroom still bound to the chair to continue the questioning.
|
|||
|
|
|||
|
"Well, Bob, your wife Donna has made a number of allegations."
|
|||
|
|
|||
|
"Yes," says Bob staring at Donna.
|
|||
|
|
|||
|
"She claims that your son Tommy took advantage of her, but
|
|||
|
that she truly loves you, and does not need to prove it."
|
|||
|
|
|||
|
"Yes," says Bob staring at his wife with a blank numbness.
|
|||
|
|
|||
|
"Well, do you agree ?"
|
|||
|
|
|||
|
"Agree ?" Bob's mind is clearly not tracking the thread
|
|||
|
of conversation.
|
|||
|
|
|||
|
"Yes, don't you think the burden of proof lies with your wife ?"
|
|||
|
|
|||
|
"Untie me."
|
|||
|
|
|||
|
"That's not the answer. Only the truth will set you free."
|
|||
|
|
|||
|
"Untie me, now."
|
|||
|
|
|||
|
"Ok."
|
|||
|
|
|||
|
Donna's eyes flicker with fear. First she was afraid when
|
|||
|
she heard her husband had been detained. Now she's afraid
|
|||
|
because the police officer is releasing him. As the ropes
|
|||
|
drop away from her husband, Donna shrinks farther and
|
|||
|
farther away to the far side of the bed. Donna knows Bob
|
|||
|
has a bad temper. She isn't certain what Bob might do. She
|
|||
|
is certain she doesn't want to be around when he does it.
|
|||
|
|
|||
|
Bob stands up. He walks over to the bed, grabs Donna by
|
|||
|
the wrist and drags her off the bed forcing her to stand.
|
|||
|
|
|||
|
"The police officer's right. We need proof."
|
|||
|
|
|||
|
Donna's mind races with fear. Her eyes flick unexpectedly
|
|||
|
to the police officer's fly. It is partially unzipped.
|
|||
|
Donna sinks to her knees in front of the police officer,
|
|||
|
thinking the worst, expecting no better. Thinking she will
|
|||
|
be forced to suck the policeman's cock, she assumes the
|
|||
|
position. Before she can reach for his zipper, Donna is
|
|||
|
stopped.
|
|||
|
|
|||
|
"We need proof," repeats Bob jerking Donna to her feet.
|
|||
|
|
|||
|
"I thought ...." begins Donna, clearly so embarrassed by
|
|||
|
her thoughts that she fails to complete them.
|
|||
|
|
|||
|
"Where is the video tape ?" asks Bob pushing Donna out
|
|||
|
of the bedroom.
|
|||
|
|
|||
|
Donna stumbles into the living room followed by the
|
|||
|
police officer and her husband. She gets on her knees a
|
|||
|
second time, but this time she is facing the bookshelf.
|
|||
|
She searches this wall of knowledge frantically for the
|
|||
|
tape, her hands working the books like she would a cock,
|
|||
|
jerking them off onto the floor.
|
|||
|
|
|||
|
"Where's the evidence ?" asks the police officer.
|
|||
|
|
|||
|
Without thinking, Donna jerks off the best of men.
|
|||
|
Shakespeare, Aldous Huxley, Betrand Russell . . . all
|
|||
|
these books fall out onto the floor as Donna continues
|
|||
|
her mindless pursuit of truth.
|
|||
|
|
|||
|
"Where's the tape ?" asks her husband.
|
|||
|
|
|||
|
Surrounded by fallen books, her legs splayed out on
|
|||
|
the floor, Donna looks up at her tormentors who remain
|
|||
|
unsatisfied by her efforts.
|
|||
|
|
|||
|
It would be easier for Donna to simply suck the
|
|||
|
officer's cock. She is in an impossible position,
|
|||
|
forced to prove she engaged in an incestuous affair
|
|||
|
with her own son, or viewed as a liar by her husband.
|
|||
|
In her heart, Donna knows she's a slut. What pains
|
|||
|
her is to be thought of as a lying slut. The least
|
|||
|
she can do is cling to the dignity of honesty. She
|
|||
|
truly wants to be an honest slut. Like women
|
|||
|
everywhere, she sees a way out.
|
|||
|
|
|||
|
Donna suddenly changes her mind.
|
|||
|
|
|||
|
"I was lying. There is no tape. I never did anything
|
|||
|
bad with Tommy," Donna says.
|
|||
|
|
|||
|
Bob looks down on Donna with contempt. He can no longer
|
|||
|
believe anything. Unknown to Donna, he has already viewed
|
|||
|
the tapes. He has already seen the evidence. All he is
|
|||
|
left with is the chance to teach Donna a lesson. She is
|
|||
|
much to big to spank. The punishment must fit the crime.
|
|||
|
He looks to the police officer for help.
|
|||
|
|
|||
|
Pulling up on his duty belt, the police officer swaggers
|
|||
|
over to Donna rubbing his big black nightstick.
|
|||
|
|
|||
|
"You're lying Donna. You're lying, aren't you ?"
|
|||
|
|
|||
|
"No, I'm telling the truth," lies Donna attempting to hide
|
|||
|
her legs underneath her inadequate nightgown.
|
|||
|
|
|||
|
"Did you enjoy sucking Tommy's cock or ... ?"
|
|||
|
|
|||
|
To illustrate his question, the police officer takes the
|
|||
|
black baton, placing it between his legs, and makes a
|
|||
|
gesture like he's masturbating in Donna's face.
|
|||
|
|
|||
|
"No, Noo, Noooo," says Donna shaking her head.
|
|||
|
|
|||
|
"...or would you rather suck a black cock ?"
|
|||
|
|
|||
|
As if on cue, the black teenager walks out of the kitchen
|
|||
|
and stands in front of Donna. A black silence fills the
|
|||
|
room.
|
|||
|
|
|||
|
"Sit back on the sofa Bob, you're going to enjoy this."
|
|||
|
says the police officer.
|
|||
|
|
|||
|
The silence is replaced by the sound of a zipper, by black
|
|||
|
hands slapping the jiggling flesh of Donna's breasts, of
|
|||
|
her nightgown tearing, and the wet fluid sounds of sucking.
|
|||
|
|
|||
|
"Suck that black cock you bitch," says the police officer
|
|||
|
as he plunges his nightstick into Donna's pussy. She is
|
|||
|
positioned on all fours sucking on the black teenager's long
|
|||
|
thin cock and being impaled from the rear by the long hard
|
|||
|
baton.
|
|||
|
|
|||
|
The policeman times his thrusts to coincide with Donna's
|
|||
|
sucking. Each time the black penis is fully buried in her
|
|||
|
mouth, the officer jabs the nightstick all the way into her
|
|||
|
cunt.
|
|||
|
|
|||
|
Bob watches from the sofa.
|
|||
|
|
|||
|
The rape proceeds in stages. It is not quick, brutal or
|
|||
|
predictable.
|
|||
|
________________________________________________________
|
|||
|
|
|||
|
--------------6A44626C4A4D--
|
|||
|
|
|||
|
|
|||
|
|
|||
|
From ???@0x000035BF Mon Sep 15 21:32:46 1997
|
|||
|
Path: newsfeed.san.rr.com!news1.rto!newsfeed1-hme1!newsfeed.internetmci.com!205.252.116.205!howland.erols.net!newshub2.home.com!newshub1.home.com!news.home.com!news.rdc1.sdca.home.com!not-for-mail
|
|||
|
From: Story Master <velvet@znet.com>
|
|||
|
Newsgroups: alt.sex.stories
|
|||
|
Subject: story RP- author : Daney Dewitt - Donna's Humiliation 13 - donna13.txt
|
|||
|
Date: Fri, 05 Sep 1997 13:26:12 -0700
|
|||
|
Organization: http://sd.znet.com/~velvet/ - The Velvet Playground
|
|||
|
Lines: 407
|
|||
|
Message-ID: <34106AE4.5E93@znet.com>
|
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|
NNTP-Posting-Host: cx28316-a.dt1.sdca.home.com
|
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|
Mime-Version: 1.0
|
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|
Content-Type: multipart/mixed; boundary="------------4BE269A546E8"
|
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|
X-Mailer: Mozilla 3.0 (OS/2; I)
|
|||
|
Status: N
|
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|
|
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|
|
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|
This is a multi-part message in MIME format.
|
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|
|
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|
--------------4BE269A546E8
|
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|
Content-Type: text/plain; charset=us-ascii
|
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Content-Transfer-Encoding: 7bit
|
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|
|
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--
|
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|
/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
|||
|
The Velvet Playground -- http://sd.znet.com/~velvet/
|
|||
|
Free Stories & Pics from our BBS, Links & Live Video
|
|||
|
\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
|
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|
|
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|
--------------4BE269A546E8
|
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Content-Type: text/plain; charset=us-ascii; name="donna13.txt"
|
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|
Content-Transfer-Encoding: 7bit
|
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Content-Disposition: inline; filename="donna13.txt"
|
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|
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Author Note: If you like this story, please send
|
|||
|
an E-Mail to the author at: an376445@anon.penet.fi
|
|||
|
|
|||
|
I am attempting to improve the level of erotic
|
|||
|
literature in Alt.Sex.Stories. Let me know
|
|||
|
specifically what types of scenes you would like
|
|||
|
and they will be included in the next story.
|
|||
|
___________________________________________________
|
|||
|
|
|||
|
|
|||
|
Donna's Humiliation
|
|||
|
A Nasty Girl Story
|
|||
|
|
|||
|
by Dafney Dewitt
|
|||
|
|
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|
Donna's Humiliation
|
|||
|
|
|||
|
The End Of the Begining
|
|||
|
|
|||
|
Part 13 (The Unlucky Last Part)
|
|||
|
|
|||
|
|
|||
|
The rape proceeds in stages. It is not quick, brutal
|
|||
|
or predictable. A total of 13 hundred men abuse Donna
|
|||
|
before it is over. This is an unlucky number, but not
|
|||
|
an unusual number for Donna part #13.
|
|||
|
|
|||
|
Sitting on the sofa, Bob experiences a wide range of
|
|||
|
emotions. He wants Donna punished. He feels betrayed.
|
|||
|
He knows she has lied to him. He wants her to pay
|
|||
|
for being a slut. Donna belongs to him. Bob feels it
|
|||
|
is his choice, his duty, to put her in her place.
|
|||
|
He will show her who's the boss.
|
|||
|
|
|||
|
Bob watches as the police officer removes the baton
|
|||
|
from Donna's ass allowing the Biker to approach Donna
|
|||
|
from the rear. He has a huge member. Donna begins to
|
|||
|
moan. The bitch is getting aroused.
|
|||
|
|
|||
|
"Stop it ! Stop ! Stop ! Stop !" Bob yells from the
|
|||
|
sofa.
|
|||
|
|
|||
|
Bob is torn by conflicting emotions.
|
|||
|
The Biker freezes.
|
|||
|
|
|||
|
He is outraged at the invasion of his privacy, of his
|
|||
|
home, of his wife. At first, he wants to fight, to
|
|||
|
kill the policeman, the biker, and the black kid, and
|
|||
|
stop the assault, but the video tapes have revealed
|
|||
|
to him an unknown darker side of his wife. He is
|
|||
|
thankful to the black teenager, the biker, and the
|
|||
|
policeman for revealing the true nature of his wife.
|
|||
|
|
|||
|
"Stop ! Stop ! Stop !" Bob yells.
|
|||
|
|
|||
|
"This is Wrong !, wrong !, wrong !," He repeats his
|
|||
|
words like he is talking to children to get his point
|
|||
|
across.
|
|||
|
|
|||
|
Bob knows that sexually excited men have shrunken
|
|||
|
brains centered in their other little heads. They
|
|||
|
are pleasure driven and have trouble thinking.
|
|||
|
Repetition is the cure. Climax is the end. Bob has
|
|||
|
seen, heard, and been down this path himself many
|
|||
|
times before. It is a road to boredom. Fun and
|
|||
|
pleasurable while making the trip but ultimately
|
|||
|
too predictable.
|
|||
|
|
|||
|
A predictable punishment is no fun, is not true
|
|||
|
punishment. Donna knows the begining, middle, and
|
|||
|
end. True punishment would confuse all these. A
|
|||
|
real punishment for the slut will be to scramble her
|
|||
|
sense of order, make her loose her balance, take away
|
|||
|
the sexual roadmaps, push her into the unknown, a
|
|||
|
sexual TwiLight Zone of dread, suspense, and total
|
|||
|
surprise. An unending punishment would be best.
|
|||
|
|
|||
|
"First we plug her ears," Bob says
|
|||
|
|
|||
|
On all fours, waiting for the biker to plunge his
|
|||
|
giant cock into her rear, Donna turns her head
|
|||
|
staring at her husband with a newly found respect.
|
|||
|
|
|||
|
"I've had all my holes plugged, but never my ears,"
|
|||
|
Donna tells Bob. "Even when I was made airtight
|
|||
|
with men in my mouth, ass, and cunt my ears weren't
|
|||
|
plugged. I've even been blindfolded, but no one has
|
|||
|
fucked my ears."
|
|||
|
|
|||
|
"Shut up bitch," says the biker who is clearly
|
|||
|
frustrated. He gets up off the floor and joins
|
|||
|
the other men in a huddle.
|
|||
|
|
|||
|
"I can't wait for you to stick it in my ears," says
|
|||
|
Donna oozing with expectation for the kinky and
|
|||
|
bizarre.
|
|||
|
|
|||
|
"You stupid cunt," says the police officer.
|
|||
|
"No one is going to insert anything in you."
|
|||
|
|
|||
|
"Here you go," says Bob grabbing the sound protector
|
|||
|
ear muffs he uses during target practice, and
|
|||
|
slipping them over Donna's Head.
|
|||
|
|
|||
|
Donna's world falls silent.
|
|||
|
|
|||
|
She watches as the men talk about things that women
|
|||
|
never hear. Ignoring her. She raises her nightgown
|
|||
|
exposing her thighs to get their attention back. The
|
|||
|
Biker smiles. She raises it higher.
|
|||
|
|
|||
|
Then she notices that the biker is smiling at the
|
|||
|
other men not at her. All the men are smiling now.
|
|||
|
Donna drops her nightgown.
|
|||
|
|
|||
|
Let's leave Donna's world and return to the world
|
|||
|
of men, sound, and fury.
|
|||
|
|
|||
|
"What we need to do," says Bob carefully, "is the
|
|||
|
unexpected."
|
|||
|
|
|||
|
"Lookat tha bitch, she's beggin' for it."
|
|||
|
The Biker smiles at Donna.
|
|||
|
|
|||
|
"We're gonna mind fuck her," says Bob returning
|
|||
|
the biker's smile. Suddenly, all the men smile
|
|||
|
together like small boys at a circle jerk.
|
|||
|
|
|||
|
Donna drops her nightgown.
|
|||
|
|
|||
|
"Like a reverse gang bang ?" asks the police
|
|||
|
officer.
|
|||
|
|
|||
|
"Yes," says Bob "No woman would ever expect a
|
|||
|
reverse gang bang."
|
|||
|
|
|||
|
"Do that mean she fucks us ?" asks the black
|
|||
|
teenager still inexperienced in ways of the
|
|||
|
flesh.
|
|||
|
|
|||
|
"No," says Bob "That means that we fuck with
|
|||
|
her mind and not her body."
|
|||
|
|
|||
|
"Yeah," says the policeman jumping into the
|
|||
|
stream of the conversation "Deep brooks run
|
|||
|
silently".
|
|||
|
|
|||
|
"Don't go Freudian on me," says Bob. "We need
|
|||
|
lots of hard cocks, not soft words."
|
|||
|
|
|||
|
Bob gets on the telephone.
|
|||
|
He makes a silent call.
|
|||
|
|
|||
|
Donna never hears the plan, never knows she will
|
|||
|
be the victim of a reverse gang bang, she only
|
|||
|
knows what she can see, shortly after Bob hangs
|
|||
|
up the phone more men pour through the front door
|
|||
|
of her home.
|
|||
|
|
|||
|
Whatever is going to happen will involve lots and
|
|||
|
lots of men.
|
|||
|
|
|||
|
Bob removes the ear protectors from his wife
|
|||
|
Donna, and turns the television on to MTV Music.
|
|||
|
|
|||
|
"Okay, slut let's see what you can do."
|
|||
|
|
|||
|
Donna is frozen, confused by the sudden blaring
|
|||
|
of noise. She looks out at the faces of men
|
|||
|
crowding her home. There's old wrinkled men,
|
|||
|
young muscular guys, heavy fat men, skinny
|
|||
|
middle aged fellows. All shapes, all sizes,
|
|||
|
and all colors.
|
|||
|
|
|||
|
"Come on slut, strut your stuff, get us off,"
|
|||
|
Bob encourages her.
|
|||
|
|
|||
|
The men unzip, taking out their cocks.
|
|||
|
|
|||
|
Donna feels intimidated looking at this sea of
|
|||
|
cocks. Whatever happens, Donna wants to meet
|
|||
|
this challenge head on. She plunges in bravely.
|
|||
|
It is a time to sink or swim. Donna can't
|
|||
|
afford to sink. If she drowns, it won't be
|
|||
|
from water.
|
|||
|
|
|||
|
Other men's voices join in.
|
|||
|
|
|||
|
"Com'on slut take it off"
|
|||
|
|
|||
|
"Dance for us bitch !"
|
|||
|
|
|||
|
"Juice me up baby !"
|
|||
|
|
|||
|
Donna starts dancing like she's wading through
|
|||
|
water. In slow motion, out of sync with the
|
|||
|
music, her motions are in counterpoint to the
|
|||
|
quick tempo of the MTV music. Her arms spread
|
|||
|
out to the sides like she's doing a breast
|
|||
|
stroke pushing her tits into the faces of the
|
|||
|
admiring men.
|
|||
|
|
|||
|
Dancing is not enough.
|
|||
|
Men always demand more. She starts stripping.
|
|||
|
Slowly, Donna lowers the straps on her night-
|
|||
|
gown down over her breasts. She wiggles it
|
|||
|
down to her waist letting it fall to her feet.
|
|||
|
Donna tries to enflame the minds of men. She
|
|||
|
will seduce them with her charms.
|
|||
|
|
|||
|
Nudity is not enough.
|
|||
|
Donna strips buck naked. Showing her all. Giving
|
|||
|
everything. Letting the men's eyes feast on her
|
|||
|
nakedness. She even spreads her pussy lips with
|
|||
|
her fingers so they can see inside.
|
|||
|
|
|||
|
Words are not enough.
|
|||
|
Jerking them off with words, Donna tries teasing
|
|||
|
them into fucking her. She begs them to fuck her,
|
|||
|
to let her suck their cocks, to fill her up like
|
|||
|
a camper van stopping at a gas station.
|
|||
|
|
|||
|
Nothing is enough.
|
|||
|
Nothing Donna does can get the men to fill her
|
|||
|
with their cocks. Donna does not get to suck or
|
|||
|
fuck. In the end, she gets nothing.
|
|||
|
|
|||
|
The men tease her with their cocks.
|
|||
|
|
|||
|
"Beg for it, bitch," a fat man sneers.
|
|||
|
Donna begs.
|
|||
|
|
|||
|
"Please... please give it to me," she whimpers.
|
|||
|
"Give you what, slut?"
|
|||
|
|
|||
|
"Please, please fuck me," Donna pleads.
|
|||
|
"Fuck you? You want me to fuck you slut ?"
|
|||
|
|
|||
|
"Please," she sobs.
|
|||
|
"Say it, bitch, say fuck me !"
|
|||
|
|
|||
|
"Please fuck me ! Please fuck me !"
|
|||
|
"Tell me where you want it, you whore."
|
|||
|
|
|||
|
"In... in my hot pussy. I want it in my pussy !"
|
|||
|
"You want me to fuck your juicy cunt ?"
|
|||
|
|
|||
|
"Yes," she moans. "Stick it in my cunt!
|
|||
|
|
|||
|
Donna collapses onto the floor shivering with
|
|||
|
desire.
|
|||
|
|
|||
|
A tall black man with bad teeth walks over
|
|||
|
to her. He bends down close to her face
|
|||
|
like he's going to kiss her. He's so close
|
|||
|
Donna can smell his sour breath. He whispers.
|
|||
|
|
|||
|
"Wanna suck my cock ?"
|
|||
|
|
|||
|
A shiver trickles down Donna's back from the
|
|||
|
feel of his hot sour breath. She can feel
|
|||
|
the air of each word against her ear. She lures
|
|||
|
the man over into a corner. Her knees go weak
|
|||
|
with desire. The mans long black cock dangles
|
|||
|
in front of her face. She can see it, smell it,
|
|||
|
taste it. Donna opens her mouth and closes her
|
|||
|
eyes. She wants to inhale it into her body. She
|
|||
|
is ready to suck it off like no cock has ever
|
|||
|
been sucked. Her lips are open wide surrounding
|
|||
|
the tip of the cock. She can feel the heat
|
|||
|
radiating from the cockhead. She's ready to
|
|||
|
clamp down on it with a silky smooth suction
|
|||
|
that will make him blast his load into her mouth.
|
|||
|
Just as her lips close, the cock withdraws, the
|
|||
|
man backs up. Donna's lips close on empty air.
|
|||
|
She opens her eyes in shock.
|
|||
|
|
|||
|
Donna watches at the tall thin man jerks his cock
|
|||
|
off into a familiar looking plastic mixing bowl.
|
|||
|
She sees the hot white ejaculate explode into the
|
|||
|
bowl, dripping down the edges, the last few drops
|
|||
|
of cum dropping like molten lead.
|
|||
|
|
|||
|
Spurt by spurt.
|
|||
|
|
|||
|
Other men follow the lead of the tall man. They
|
|||
|
spit their sperm into the plastic mixing bowl.
|
|||
|
Forming a line, taking their turn, they let go
|
|||
|
with streams of stringy white jissum.
|
|||
|
|
|||
|
Spurt by spurt.
|
|||
|
|
|||
|
Donna watches the line of men move forward. The
|
|||
|
contents of the bowel rise as the line dwindles.
|
|||
|
It reminds her of something. Maybe egg whites,
|
|||
|
maybe fondue. She can't take her eyes off the
|
|||
|
bowl.
|
|||
|
|
|||
|
Spurt by spurt.
|
|||
|
|
|||
|
Donna is allowed to hold the bowl while the men
|
|||
|
jack off. She can feel the warmth rising along
|
|||
|
the sides. She can feel the weight of the bowel,
|
|||
|
she can smell it, she can hear wet spurts of cum.
|
|||
|
|
|||
|
Spurt by spurt.
|
|||
|
|
|||
|
Her hands grow sweaty. She fears dropping the
|
|||
|
bowel, spilling out millions of sperm upon the
|
|||
|
carpet. She grips it more tightly. This isn't
|
|||
|
just some inert liquid. This is live sperm. She
|
|||
|
can almost feel the bowl vibrating. The bowl is
|
|||
|
vibrating, but Donna realizes she is shaking,
|
|||
|
nervous with anticipation wanting to soak her
|
|||
|
face into the goop, wanting to drink it, pour
|
|||
|
it into her pussy and dump it onto her breasts.
|
|||
|
|
|||
|
Spurt by spurt.
|
|||
|
|
|||
|
Donna no longer trusts herself to hold the
|
|||
|
bowl without dropping it. She carefully, and
|
|||
|
reluctantly sets it down on the table. This is
|
|||
|
too important for a woman to ruin.
|
|||
|
|
|||
|
Spurt by spurt.
|
|||
|
|
|||
|
The men exit the house after dumping their
|
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|
loads. Donna is sad to see them go, but glad
|
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|
to see the bowl filling up. This will ber cum
|
|||
|
to drink, pour into her mouth, spread on her
|
|||
|
breasts, dump into her aching cunt. When all
|
|||
|
the men are gone the bowl will be hers.
|
|||
|
|
|||
|
Spurt by spurt.
|
|||
|
|
|||
|
The hours pass. As the line of men decreases,
|
|||
|
the volume of the bowl increases and the
|
|||
|
reverse gang bang come to end. Donna puts
|
|||
|
back on her white bra and panties. She slips
|
|||
|
into her old pink bathrobe in resignation that
|
|||
|
her efforts to excite men have failed. Her mind
|
|||
|
flirts with the failures of the past like a moth
|
|||
|
drawn to a light.
|
|||
|
|
|||
|
Spurt by spurt.
|
|||
|
|
|||
|
As the last man leaves, Bob closes the front door.
|
|||
|
He turns off MTV and turns on the VCR and goes to
|
|||
|
bed. The house returns to normal. The video tape
|
|||
|
of Donna flickers to life. Like an old porno movie,
|
|||
|
Donna's life is caught in a loop.
|
|||
|
|
|||
|
Donna watches the TV which becomes her reality.
|
|||
|
|
|||
|
Donna, her light blond hair pulled back and tied
|
|||
|
with a red ribbon, attends to her family like a
|
|||
|
waitress. She looks like hired help, a servant.
|
|||
|
She wears an old pink bathrobe instead of a white
|
|||
|
waitress's uniform. Underneath the robe is nothing
|
|||
|
but a white bra and panties.
|
|||
|
|
|||
|
|
|||
|
Donna dunks a wooden spoon into the thick white
|
|||
|
goo, letting it drip slowly from the spoon. She
|
|||
|
is making breakfeast, but the bowl forces her to
|
|||
|
think of sex. Donna daydreams that she's mixing a
|
|||
|
large bowl of cum.
|
|||
|
|
|||
|
Donna has never been comfortable being tall. She is
|
|||
|
sitting down. The early morning kitchen smells of
|
|||
|
coffee, heated maple syrup, and fresh pancake batter.
|
|||
|
Everything looks perfect. Donna covers the top of her
|
|||
|
coffee cup with her left hand, feeling the moist heat
|
|||
|
while her right hand works rythmically out-of-sight,
|
|||
|
between her legs. She tilts her head slightly to the
|
|||
|
left in a quirky smile.
|
|||
|
|
|||
|
Her hand trembles.
|
|||
|
|
|||
|
She gives up. It isn't working. The voices have returned.
|
|||
|
|
|||
|
"Begin action", the voices say, soft as a whisper .....
|
|||
|
|
|||
|
________________________________________________________
|
|||
|
|
|||
|
|
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|
--------------4BE269A546E8--
|
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|
|
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|
|
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|
|