105 lines
6.2 KiB
Plaintext
105 lines
6.2 KiB
Plaintext
![]() |
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD><EFBFBD>
|
|||
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD>
|
|||
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><>
|
|||
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
Mo.iMP <20><><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD>
|
|||
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><>
|
|||
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20>
|
|||
|
<20><> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><> <20><><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD>
|
|||
|
<EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
<20><><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
<20><><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
ARRoGANT CoURiERS WiTH ESSaYS
|
|||
|
|
|||
|
Grade Level: Type of Work Subject/Topic is on:
|
|||
|
[ ]6-8 [ ]Class Notes [Books: "Destructive ]
|
|||
|
[x]9-10 [ ]Cliff Notes [Generation" vs. "The ]
|
|||
|
[ ]11-12 [x]Essay/Report [The Sixty's and their ]
|
|||
|
[ ]College [ ]Misc [Message" ]
|
|||
|
|
|||
|
Dizzed: 07/94 # of Words:775 School:Private/Girls State:NY
|
|||
|
<EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>>Chop Here><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
The Turbulent Era of the Sixties
|
|||
|
|
|||
|
The preface to Peter Collier and David Horowitz's Destructive
|
|||
|
Generation: Second Thoughts About the Sixties and the introduction to Todd
|
|||
|
Gitlin's The Sixties: Years of Hope, Days of Rage both try to explain the
|
|||
|
authors' reasons for writing their books. Both books, based on nostalgia,
|
|||
|
deal with the good and the bad which have come out of the sixties. However,
|
|||
|
while Collier and Horowitz describe the sixties more as a time of
|
|||
|
destruction, Gitlin places more emphasis on the spirited atmosphere which
|
|||
|
led to the destruction. This destruction they all refer to includes the
|
|||
|
diminished placement of trust in America, the rising problem of drugs, and
|
|||
|
the overall havoc created throughout the country. Therefore, the authors
|
|||
|
give two very different descriptions of the era of which they were all a
|
|||
|
part.
|
|||
|
|
|||
|
Even in the beginnings of the works, the differences are very
|
|||
|
noticeable. Collier and Horowitz begin by trying to describe a "summary
|
|||
|
moment" (Collier and Horowitz 11) of the decade. This "moment" involves a
|
|||
|
revolutionary group known as the Black Panther Party. The authors seem to
|
|||
|
criticize this group by commenting on their appearances and their actions
|
|||
|
in certain events. For example, at a cocktail party, one Panther spit in
|
|||
|
the face of an army draftee because he brought a black friend from the army
|
|||
|
home while on leave. When the Panther returned to the party, the people
|
|||
|
present pretended not to notice that anything had happened. Later, when
|
|||
|
misunderstandings occurred between two guests at the party which resulted
|
|||
|
in one of them making a racial remark, anger was fueled in the group and
|
|||
|
among others who had heard about the event. Collier and Horowitz, when
|
|||
|
remarking on their reactions, emphasize that while in ordinary times the
|
|||
|
event would not have caused many problems, during the sixties, people
|
|||
|
considered it more of a sign that revolution was worthwhile. Perhaps the
|
|||
|
authors were suggesting that the revolution was created out of exaggerated
|
|||
|
problems or that those leading the revolution, such as the Black Panthers,
|
|||
|
did not quite understand why they were leading it. Collier and Horowitz
|
|||
|
seem imply this belief through the portrayal of the Panthers as uneducated
|
|||
|
when listening to Genet speak on their behalf: "The Panthers milled around
|
|||
|
in sullen incomprehension as he talked" (P.12). These tend to be their
|
|||
|
reasons for why the revolution caused so much destruction.
|
|||
|
|
|||
|
On the other hand, Gitlin begins his introduction by describing his
|
|||
|
life before and during the time he became involved in the sixties movement.
|
|||
|
He tries to describe the feelings he was experiencing during the period in
|
|||
|
which he joined. "I was moved by the idea that 'people should make
|
|||
|
decisions that affect their lives'" (Gitlin 2).
|
|||
|
|
|||
|
While Collier and Horowitz use one small event and describe it in
|
|||
|
detail as an attempt to show the problems of the sixties, Gitlin uses many
|
|||
|
different events as if to create a whirlwind of excitement and confusion to
|
|||
|
express the spirit of the sixties.
|
|||
|
|
|||
|
The authors all feel, however, that the generation of the sixties was
|
|||
|
out to build or create a new world. They all wanted to improve what
|
|||
|
existed. While one author describes the generation as having the "modest
|
|||
|
ambition of shaking America to its roots" (Gitlin 2), the other authors
|
|||
|
described the generation as a "scouting party for a new world" (Collier and
|
|||
|
Horowitz 14).
|
|||
|
|
|||
|
Another thing the authors appear to agree upon is their reason for
|
|||
|
writing their books. They all view the sixties as an important part of the
|
|||
|
past and want to teach others about their experiences during this time.
|
|||
|
Collier and Horowitz even stress that the sixties are, in fact, still with
|
|||
|
us today: "This book is about the sixties and also about that phenomenon...
|
|||
|
that might be termed the Sixties-within-the- Eighties" (P.15). However,
|
|||
|
Gitlin just states that he wants to express the spirit of the sixties
|
|||
|
without the dreamlike qualities affixed to it at that time (P.4).
|
|||
|
|
|||
|
Nevertheless, despite their similar reasons for writing about the
|
|||
|
sixties, the three authors give very different viewpoints on what they saw
|
|||
|
occurring during that time. Their differences are important though, because
|
|||
|
it is through these differences that the reader is able to determine his or
|
|||
|
her own viewpoint rather than assume that everyone feels the same about the
|
|||
|
many events which occurred during the turbulent era of the sixties.
|
|||
|
|
|||
|
Works Cited
|
|||
|
|
|||
|
Collier, Peter and David Horowitz. Destructive Generation:
|
|||
|
Second Thoughts About the Sixties. New York: Summit
|
|||
|
Books, 1989.
|
|||
|
|
|||
|
Gitlin, Todd. The Sixties: Years of Hope, Days of Rage. New
|
|||
|
York: Bantam Books, 1987.
|