1428 lines
77 KiB
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1428 lines
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ARRoGANT CoURiERS WiTH ESSaYS
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Grade Level: Type of Work Subject/Topic is on:
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[ ]6-8 [ ]Class Notes [Creative Story about ]
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[ ]9-10 [ ]Cliff Notes ["A Lesson From Oliver" ]
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[ ]11-12 [x]Essay/Report [ ]
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[x]College [ ]Misc [ ]
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Dizzed: o4/95 # of Words:12925 School: ? State: ?
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<EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>>Chop Here><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>><3E><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
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A LESSON FROM OLIVER
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by David Jorgensen
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Like any other morning I was up at four, the day Oliver met with his
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violent death.
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At four in the morning the grass is wet.
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Now, it's still wet at 6 a.m. and even at seven, and these tend to
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be the hours of choice for most people wishing to appreciate the phenomenon
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of grass wetness. But it's a tragedy of economics that, when work starts
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at 5 a.m., one is not afforded the same time-options for grass appreciation
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as members of the sane world.
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Nor was this tragedy confined to my having to appreciate the wet
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grass while in a metabolic state more suited to hibernation. Four a.m. was
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my only chance to absorb all of northern Ontario's summer morning
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treasures. These were numerous and shamefully underrated by my dormant
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faculties, so rudely aroused before their time. But here was nature,
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determined to be wonderful with or without my participation, and somehow at
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some subconscious level, stored for future reference, I seem to have
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imbibed her subtle stimuli. Along the eastern shores of the night-sky a
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splash of colour would emerge. The all-night cricket band would
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reluctantly wane under the first gentle reveille from those "early-birds"
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of epigram fame. And then would come the most striking sensation of all:
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the smell of fresh dew on the grass - I think the terms "exhilarating" and
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"intoxicating" were coined by someone who'd just taken their first breath
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of northern morning air (though they likely did so between 6 and 7 a.m.
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when one is better primed to wax poetic and the passage of sensory
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information from one's nostrils to the brain is not so hopelessly clogged -
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as is the case at 4 a.m.).
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All these sensations I can fully appreciate only now, in retrospect
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(since at this moment I assure you it is not 4 a.m.).
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At four o'clock that morning of June 26, 1979, as I trudged across
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the acre-sized lawn to the old shed outside my parents' modest rural home -
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situated along the English Bay sideroad, overlooking the secluded,
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sparkling waters of Blue-Pine Lake, some six miles west of the small
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tourist town of Thistle, Ontario - the only sensation permeating my groggy
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consciousness was the bite of that long wet grass seeping through the seams
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of my ancient running shoes. And even this twigged only one, unpoetic
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image at 4 a.m.:
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"Mom's gonna make me cut the lawn when I get home."
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The truth of this semi-depressing insight was reinforced as I pulled
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up my pant leg to snap an elastic band over the cuff: my ratty jeans were
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wet up past the ankle. No doubt about it...the grass length had now
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officially surpassed my mother's tolerance of things long and grassy. This
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lawn would be cut. I would be the executioner elect.
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I hopped on my ten-speed: second-gear to get up the driveway, a
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rather formidable incline from the bike-shed; sixth-gear over the gravel
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road, roughly two miles. Then hit the highway, pop her into tenth and
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cruise the last four miles to town on glorious pavement. As usual, though,
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I'd barely pumped my way out of the driveway before the breeze from my own
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modest jet-stream began making my grass dampened feet start wishing for
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thermal socks - an annoying irony, considering the broiler of a sky under
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which I'd always pedal home later in the day. That's one point in favour
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of 4 a.m., all wet feet aside, it's the friendliest time of day in the hot
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summer months to go long-distance bike riding.
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In the dim, flat pre-dawn light I could make out only three distinct
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forms. There was the blue-black sky hanging overhead like some bottomless,
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gravity-defying lake; there was the ghostly grey strip of gravel tenuously
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marking my pathway; and there were the two ominous black walls, shapeless
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and unbroken, flanking either side of the road. The cool air licked at my
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face and began to wash the throbbing numbness from my head. It also
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cleared my eyes and I began to distinguish for the first time the
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individual trees - mostly birch, poplar and pines of several variety - of
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which those unending roadside walls were built.
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I was beginning to wake up.
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Accordingly, my thoughts progressed to the next stage of their
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traditional morning jog which took them daily from the bed of utter
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incoherence, to the streets of trivial musing and - usually, eventually -
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to the offices of constructive organization.
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For those who don't know, ten-speeds are specifically designed for
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the task of trivial musing.
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It is a very simple, relaxing mental calisthenic - you've done it a
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thousand times. You try to think about something important, something
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about which you must make a decision very soon. Before you know it you'll
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have embraced several hundred images, none of which relate in even the
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slightest respect to your initial topic. In fact, they probably won't have
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been about anything important at all. You will have successfully mused
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over trivia.
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At 4:15 a.m. on June 26, 1979 my bout of trivial musing began to
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unfold in pretty much typical form:
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"O.K., today I've got to hit the cop-shop for the scoop on these
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outboard motor thefts. What do I ask the Chief? Let's see, I might..."
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But before I could formulate any plan of action on the day's
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impending business:
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"...Whoa, look out for that rock!"
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A rock in the road, of course, represents both real and symbolic
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justification for changing direction.
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"Hm, can't see squat in this light. Where was I? Oh yeah: what's
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new today? Not much, of course...yet. This month, then?"
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Yes, well now, there was food for thought. I'd just finished high
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school a couple of weeks back.
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"Now for the rest of my life. What next?"
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I'd been pondering this one for most of the past ten months.
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"University? College? A career? A job? Any meaningful pursuit
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whatsoever?" a platoon of guidance counsellors had grilled me through the
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mists of my senior year.
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"Yes, that's it," I'd realized one day, "That's what I want: a
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meaningful pursuit of some kind."
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That had sounded promising. And that, I'd decided, had been enough
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decision making to that point in my life. In the meantime I'd resolved to
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apply to a few universities I was sure would turn me down, get a relaxing
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summer job, put off the whole life's goals issue till September and just
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sit back, relax and enjoy yet another of those famous cottage-country
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summers.
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At 4:20 a.m. I made the highway, pulled off the jaw-rattling crushed
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rock and pointed my nose and my worn thirty-inch tires east towards town.
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I was glad to be rolling over smooth pavement - this was the best part of
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the ride: clean road and no one but the odd semi-trailer truck with whom to
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share it. With the transition of terrain came a gliding calm that soon
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settled the ringing in my ears - which I'd not even noticed was there till
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it had gone away.
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My thoughts grew metaphorical: Yes, this old bike may have made it
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to the straight and easy highway, but my life was still back there on that
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winding, grinding, gravelly dirt-road...groping in the dark (when you're
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nineteen this kind of guff seems profound).
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I've always imagined that growing up in a small northern community
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was an easy, even ideal, thing to do for someone physically suited to the
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inherent rigours of its lifestyle. As for myself, I absolutely love the
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outdoors and the many forms of physical activity it affords; it is the
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outdoors that do not like me. Though Canadian born, my lineage and my
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complexion are pure Scandinavian. I have a theory that the Nordic people's
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traditional affinity for seafood has had some bearing on my own annual
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ritual of turning the colour of a lobster at the slightest exposure to
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sunshine. Incidental to my sunburn problems, there's the whole business of
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the eyeglasses which I've worn since age two, the thickness of which I'm
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sure may be measured in cubits. Poor depth perception, however, did less
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to dampen my spirit for team sports than did the equally poor
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perceptiveness of my peers. You might say I was not encouraged in that
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direction. Clearly I wasn't cut- out for the typical menu of local summer
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jobs gobbled up by my more robust school chums, which mainly included
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lower-rung positions with private lumber companies, cutting down trees, or
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the Ministry of Lands and Forests, replanting them. I needed a lower-rung
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position in some less obvious sector.
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This logically led to the question: "After you've planted the trees
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and before you cut them down again, what good are they?" I obviously
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hadn't been the first to pursue this train of rhetoric. Every year from
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late May till mid-September Thistle, Ontario, on beautiful Lake Norakee, is
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a thriving port of call for the tourist industry. Yes, it's those trees
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that bring all them tourists in, by gar. But once they get here they soon
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learn they can't eat the trees, they can't sleep in the trees and they sure
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can't get concise road directions from the trees. Tourists need services,
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and Thistle had plenty to offer for a town in which the entire Chamber of
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Commerce, come January, would be run by a retired school teacher and her
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cat, Shanks. In the summer the town's population quadrupled and that meant
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plenty of jobs for people like me who turned crispy outdoors and couldn't
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see straight. My task, then, was to decide which aspect of the service
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sector most appealed to me.
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This too seemed to follow a natural progression. I liked to talk -
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a familial trait that manifested itself over a motley collection of subject
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areas whose only common link was that at some point they were being talked
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about and that it was undoubtedly some member of my family who was doing
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the talking. While these interests were rarely common to more than one
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member of my family, this did little to diminish the fervour with which we
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rattled off to one another, or anyone who'd listen, or anyone who'd pretend
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to listen, the latest statistics in our self-proclaimed areas of expertise.
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Nor was I by any means the most adamant orator in our clan; that hat
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could be shared by my dad and older brother, Donny. I was perhaps the most
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active though, having dabbled in my high school's public speaking
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competitions and theatrical productions - to such local acclaim, I might
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add, that the battle of heart over head was heavily swaying both appendages
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towards the prospect of theatre school...
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Here a word of caution to other would-be small town Thespians -
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though I will illustrate only from my own experience: achieving recognition
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on the stage of Thistle, Ontario is really not the basis for making a sound
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judgement regarding one's odds of someday surfacing on Broadway. The best
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log-cutter in Thistle could, perhaps, rationally place himself among the
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international ranking of log-cutters. To fairly assess one's acting
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ability, however, requires acknowledgement from an arts centre of at least
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the prominence of Sudbury.
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Nonetheless, when the local radio station canvassed my school for
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promising part-timers (to me, radio was simply "voice acting") I'd been the
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first to sign up. In fact, I'd been the only one to sign up.
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I got the job.
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I had little to no idea of what the job might entail, but that
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didn't worry me; I suspected the mysterious radio people would have some
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clue as to why I'd been brought there.
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During the weeks prior to graduation the anticipation of a career in
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broadcasting took conquest of my fantasies. I formed a grand illusion of
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things to come, eventually developing an entire code of broadcast ethics
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towards which I would strive and dedicate my life. In my heart of hearts I
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was sure that the face of radio in northern Ontario was about to change
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forever.
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CJRS Radio, 1330 on the AM dial, being the only station in its
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market, had the unique position of also being the only station under
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official boycott by the students of Beaver Hill Secondary School. This of
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course, being the late '70's, was not motivated by anything so noble as
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political protest, but rather by a disparity between the precise, rigorous
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demands of taste outlined by Beaver Hill's musical elite and the wider
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ranging "something for everyone" format offered by the local station,
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designed to reach its six-to- sixty audience. CJRS was not "heavy" enough
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and even from 8 p.m. to midnight, when they played their selection of
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top-forty hits, loyal Beaver Hillers would indignantly pull in the
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night-time skip signals from Winnipeg and Chicago. But now all that was
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going to change. As an alumni of Beaver Hill's unofficial garage band
|
|||
|
fraternity I had acknowledged my duty to blow the winds of reform over
|
|||
|
CJRS...or die in the attempt. How else could I live down the humiliation
|
|||
|
of having defected to the enemy?
|
|||
|
|
|||
|
And so the day after writing my last exam I had solemnly made my way
|
|||
|
to work, officially marking my transition from the safety- net life of
|
|||
|
proms and pimples to the hard world of pay-slips. I was in the
|
|||
|
marketplace, a face in the workforce, a cog in the international economic
|
|||
|
gearbox. This was where it all happened, where decisions were made
|
|||
|
affecting the lives of millions, where a person could make his mark and
|
|||
|
would someday die, accordingly, a success or failure. This was real,
|
|||
|
important, what happened here mattered...
|
|||
|
|
|||
|
In my naivete I harboured but a few small, nagging doubts: Did I
|
|||
|
really belong in this network of hustle and bustle, etc., etc.? Could I
|
|||
|
hold my own on life's anthill, or would I be crushed under the oblivious
|
|||
|
feet of other workers rushing to do their part, a victim of my own
|
|||
|
indecisiveness?
|
|||
|
|
|||
|
No. I realized I had to take a stance on something - a difficult
|
|||
|
proposition for someone still contemplating how to move out of his parents'
|
|||
|
house. To start out I would have to keep my goals simple and realistic.
|
|||
|
For now I would content myself with rising to the top of the station ladder
|
|||
|
and enacting my sweeping musical reforms. Yes, I would pronounce the
|
|||
|
air-play death sentence upon Frank Sinatra, Tony Bennett and the Laurie
|
|||
|
Bower Singers. By the end of the summer only the screaming anthems of
|
|||
|
Kiss, Rush, Ted Nugent and Bachman Turner Overdrive would surf the airwaves
|
|||
|
from atop CJRS's transmitter tower. I would become Thistle's Rock'n'Roll
|
|||
|
King, winning the hearts and ears and admiration of hundreds of Beaver Hill
|
|||
|
students throughout the district. Here was a goal truly worthy of a
|
|||
|
serious champion of the people.
|
|||
|
|
|||
|
"Alright, Dave, we're going to start you off in the news
|
|||
|
department."
|
|||
|
|
|||
|
News? - I reflected, in shock - What the hell kind of job was that
|
|||
|
for a future teen idol? News? That was the time when you brushed your
|
|||
|
teeth after breakfast, just before the sports came on. Here I was wanting
|
|||
|
to be taken seriously. What self respecting teenager ever took the news
|
|||
|
seriously?
|
|||
|
|
|||
|
Obviously not me because I didn't have the first clue about news.
|
|||
|
|
|||
|
My tutor was the morning man, Jack Coffey.
|
|||
|
|
|||
|
"Good morning, Thistlers. Time to wake up with a little Coffey in
|
|||
|
your cup."
|
|||
|
|
|||
|
At thirty-two, Jack was the oldest employee, next to the station
|
|||
|
manager. Two years previously he'd made an abrupt career change from
|
|||
|
appliance sales to broadcasting, landed in Thistle for his first on-air job
|
|||
|
and with a bit of hard effort and manipulation had soon worked his way into
|
|||
|
the morning drive slot, the key position at any radio station. Jack was
|
|||
|
nothing if not ambitious and it was apparent from the start that he too had
|
|||
|
plans to mould CJRS into a major force in the community. His dream was of
|
|||
|
a semi- all-news format and to that end he had initiated his own personal
|
|||
|
training program for all incoming on-air rookies, starting with myself.
|
|||
|
|
|||
|
"We can't compete with the slick, demographically targeted product
|
|||
|
coming out of Winnipeg," he lectured, "but what we do have exclusive access
|
|||
|
to is local news. That's what the populace of Thistle wants to hear and
|
|||
|
that's what they'll tune to CJRS for."
|
|||
|
|
|||
|
I couldn't refute the logic of this, yet somehow I felt it didn't
|
|||
|
reflect my own experience as a former member of the local populace. After
|
|||
|
all, having attended an institute of almost twelve hundred students for the
|
|||
|
past five years I'd had daily access to the opinions of over ten per cent
|
|||
|
of Thistle's entire population. My informal poll results indicated a clear
|
|||
|
interest for an all heavy-metal format. Still, there was no point in
|
|||
|
attempting a coup for control of the airwaves until I'd first learned a few
|
|||
|
things like, for instance, how to turn on the microphone. I'd play
|
|||
|
Coffey's game for now.
|
|||
|
|
|||
|
Actually I was somewhat in awe of the man for those first couple of
|
|||
|
days. Here I was without the slightest inkling of the journey on which I
|
|||
|
was about to embark - aside from some vague notion about bestowing rock
|
|||
|
music unto all the little people - and there he was: mature, experienced,
|
|||
|
self-assured and knowing the purpose of every button on that control
|
|||
|
console.
|
|||
|
|
|||
|
"Always ask," Jack told me, "never assume; because when you
|
|||
|
assume..."
|
|||
|
|
|||
|
And here he took a piece of blank paper and sagely drew an anagram
|
|||
|
-"ASS/U/ME" - which he proceeded to translate:
|
|||
|
|
|||
|
"...when you 'assume', Dave, you'll only make an 'ass' out of 'u'
|
|||
|
and 'me'."
|
|||
|
|
|||
|
How could I not be affected by such life-hardened wisdom? Perhaps we
|
|||
|
did not share the same vision of glory for old CJRS but Jack had firmly
|
|||
|
established his presence as a deep spring of knowledge worthy of being
|
|||
|
tapped. There was so much to learn.
|
|||
|
|
|||
|
Watching Jack work, my first morning in Control Room A, was like
|
|||
|
watching a peacock strutting his plumage, the way he gracefully zig-zagged
|
|||
|
from mike to turntable to cassette rack, all from the comfort of his
|
|||
|
castered swivel-chair. Like a symphonic ballet every squeak of that chair
|
|||
|
indicated a precise and purposeful movement the culmination of which I
|
|||
|
could only guess at, while of the execution I could only marvel.
|
|||
|
|
|||
|
Only with later experience did I come to understand the nature of
|
|||
|
the display to which I was being subjected. The morning man of a small
|
|||
|
town radio station generally toils in complete isolation. No big budget
|
|||
|
producers or technicians to operate his show. He works alone. He arrives
|
|||
|
around 5 a.m., rips the national news off the telex machine, looks for any
|
|||
|
notes on local news items from the night-jock, spends at least half an hour
|
|||
|
trying to decipher them, drinks at least two pots of coffee and grabs three
|
|||
|
or four records at random to keep him going till the first commercial
|
|||
|
break. Then he's on the air at 6 a.m., three hours before the office staff
|
|||
|
comes in, spinning discs, reading news/weather/sports every half hour, and
|
|||
|
playing "spots" - lots and lots of commercial spots, this being triple-A
|
|||
|
rated time for which sponsors pay a premium and basically support the other
|
|||
|
fifteen hours of air-time presented each broadcast day. In the midst of
|
|||
|
this schedule of confusion he tells a barrage of bad jokes, reads amusing
|
|||
|
anecdotes from the wire service, rhymes off the current events calendar and
|
|||
|
interesting notes from "This Day In History", and generally attempts to
|
|||
|
sound up-beat and positive while clinging bravely to the concept that
|
|||
|
somewhere beyond the walls of his solitary confinement someone is actually
|
|||
|
listening and/or cares about what he's babbling.
|
|||
|
|
|||
|
In short, he performs each day only for - as it were - an
|
|||
|
"audience-in-theory".
|
|||
|
|
|||
|
But now here was I, young and naive and in the same room with Jack
|
|||
|
Coffey on the air, a live audience whom he could entertain and even
|
|||
|
impress! He wasn't calling that morning show for the four to five thousand
|
|||
|
people some ratings sheet had recently suggested were listening out there.
|
|||
|
He was calling it for me. Well, actually, for himself, but through me.
|
|||
|
And on that one brief occasion I was drawn very close to believing Jack
|
|||
|
Coffey was actually as good as he thought he was.
|
|||
|
|
|||
|
Which is not to say he was bad.
|
|||
|
|
|||
|
Watching a deejay at work is a little like watching a silent movie
|
|||
|
with a noisy projector. There's a lot of clank and sputter not really
|
|||
|
worth listening to...but the facial expressions are amazing! This is
|
|||
|
perhaps a big part of why most radio personalities never make the
|
|||
|
transition to television (that and their unbreakable habit of wearing
|
|||
|
unwashed plaid flannel shirts).
|
|||
|
|
|||
|
Actually, I can buy the argument that such contortionism enhances
|
|||
|
expression and nuance in the voice which is, of course, essential in a
|
|||
|
medium limited to communicating by sound. What I've never been able to
|
|||
|
fathom is why the simple presence of a microphone instantly turns anyone
|
|||
|
with a normal, pleasant voice into a brash, phoney, obnoxious retread of
|
|||
|
some dated circus barker.
|
|||
|
|
|||
|
But as I watched Jack read the news I began to understand his
|
|||
|
fascination for it. The news is fun to read when you know how it's done.
|
|||
|
There's a pattern - a kind of code - a selection of variables relating to
|
|||
|
the basic elements of speech which, when paired in different combinations,
|
|||
|
produce a veritably unlimited range of vocal dynamics for the skilled
|
|||
|
broadcaster to employ, entirely eliminating the need for tedious
|
|||
|
comprehension. You could read anything and almost sound like you
|
|||
|
understood it. Heck, I could read the news. It was no different than
|
|||
|
singing rock tunes. You didn't have to understand or believe in what you
|
|||
|
were saying; you just had to sell it.
|
|||
|
|
|||
|
On the second morning Jack let me sell the 6:30 news.
|
|||
|
|
|||
|
He'd shown me the day before how to take the print off the teletype
|
|||
|
and select the latest news update from Broadcast News in Ottawa, the wire
|
|||
|
service to which we subscribed. Proofreading, he'd instructed, was the
|
|||
|
next and most essential part of the process, as the machine would often jam
|
|||
|
momentarily when no one was looking: an unsprung trap for embarrassment.
|
|||
|
Completely separate stories - for instance, the Ayatollah Khomeni's latest
|
|||
|
burning of Americans in effigy and Prime Minister Clark's promise for aid
|
|||
|
in fighting brush-fires in the U.S. midwest - could appear as part of the
|
|||
|
same news item. A lazy or unprepared announcer foolishly attempting to
|
|||
|
broadcast such a mess might be given cause to trip-up or, worse - as,
|
|||
|
regrettably, happened to me in my third newscast - stop to try and figure
|
|||
|
out what they were reading. (No doubt I'd grown lax as the initial nerves
|
|||
|
of being on the air had worn off. In such an emergency, I learned, it's
|
|||
|
better to just push on and hope the listeners weren't paying any more
|
|||
|
attention than you.)
|
|||
|
|
|||
|
To my credit I can remember absolutely nothing of what I read in my
|
|||
|
debut broadcast. I assume then, by the dictates of the Jack Coffey School
|
|||
|
of News Salesmanship, that I did my job correctly.
|
|||
|
|
|||
|
Jack's response to my performance was like a father watching his
|
|||
|
son's first step: pride tempered by a sense of new rivalry. I had gained a
|
|||
|
measure of independence with that simple newscast and no longer relied
|
|||
|
entirely on Jack's judgement and immeasurable expertise. I now had a taste
|
|||
|
of my own experience - slight though it may have been - and Jack was, by
|
|||
|
consequence, no longer a solo act. He was now part of a team; a team of
|
|||
|
his own creation; a team of which he very clearly wished to remain the
|
|||
|
captain.
|
|||
|
|
|||
|
"O.K., Dave, you got through that one. You're articulation was a
|
|||
|
little sloppy there, guy; let's work on that for 7:30. You pass that I'll
|
|||
|
give you 8:30. Remember, the big news package goes at the top of each
|
|||
|
hour. I'll handle those."
|
|||
|
|
|||
|
And with that measure of reserved approval was launched a monumental
|
|||
|
career in broadcasting...though the peak to that monument was marked
|
|||
|
prematurely and unexpectedly a scant eight days later, June 26, 1979, as my
|
|||
|
story shall tell.
|
|||
|
|
|||
|
After that first day on the air I'd been quickly groomed to the many
|
|||
|
responsibilities of the one-man news department. I learned that, in fact,
|
|||
|
there was more to the job than just reading someone else's re-hashing of
|
|||
|
another reporter's by-line from somewhere off in Ottawa or Washington or
|
|||
|
Nairobi. Sometimes you had to write your own material.
|
|||
|
|
|||
|
To me the weight of this task seemed entirely disproportionate.
|
|||
|
Writing your own copy I learned was painstaking work. How was it that I
|
|||
|
should be able to rip concise, well- written, ready-made stories about
|
|||
|
wars, famines and heroic deeds of international consequence from the telex
|
|||
|
in a matter of seconds while the details of Thistle's annual Horticultural
|
|||
|
Exhibition would take me over three hours to compile and digest (some
|
|||
|
twenty minutes of which was spent checking the spelling of "rhododendron",
|
|||
|
which was subsequently mispronounced by three out of four announcers that
|
|||
|
day, despite my efforts)?
|
|||
|
|
|||
|
Nonetheless, it was all part of the local newsman's province. In
|
|||
|
addition to covering such special events, I was required to check in daily
|
|||
|
with the regular hot-spots - the cop-shop, the fire- hall, the mayor's
|
|||
|
office, the tourist bureau and, as a last resort, the local newspaper to
|
|||
|
see what they'd already scooped us on (or we them).
|
|||
|
|
|||
|
I also had to cover town council meetings every second Monday night.
|
|||
|
This was a chore even the gung-ho Coffey was hard pressed to justify. The
|
|||
|
bottom-line at a radio station is simple: offer a good product to increase
|
|||
|
listenership and thereby entice advertising dollars. By this criteria
|
|||
|
CJRS's economic gains, based on the amount of hard news that was ever
|
|||
|
gleaned from Council's bi- weekly session, would have fallen substantially
|
|||
|
short of reimbursing my $3.00/hour wages. However, as the station manager
|
|||
|
pointed out, I was actually on salary with no provision for overtime pay,
|
|||
|
so it didn't really cost the station anything to send me down there. You
|
|||
|
can imagine what a great weight this observation lifted off my chest. The
|
|||
|
evening of June 25 saw me dutifully over at the town hall at 8 p.m., where
|
|||
|
I spent the next four hours battling my eyelids for supremacy. They might
|
|||
|
have won had my eyes not become fascinated with the spittle of Mayor Uwe
|
|||
|
Kauffman. His Honour hailed from German soil. No doubt his grade two
|
|||
|
diction teacher would have applauded his exemplary capacity to gargle his
|
|||
|
"r"'s in the highest traditions of the Fatherland; I was more taken by the
|
|||
|
novelty of watching his water-glass fill up, through the course of the
|
|||
|
evening, faster than he managed to sip from it. Only later did I learn
|
|||
|
that covering town council had previously been Coffey's responsibility,
|
|||
|
leading me to the conclusion that this, secretly, had been the real reason
|
|||
|
for his wanting to create a news department.
|
|||
|
|
|||
|
But fate, experience and power were on his side and consequently it
|
|||
|
was me, not Jack Coffey, who found himself that midnight pedalling six
|
|||
|
miles home for three hours sleep, then making the return journey at 4 a.m.
|
|||
|
in order to arrive early and write up the details of Mayor Kauffman's
|
|||
|
phlegm-fest for the appeasement of all inquiring minds of greater Thistle.
|
|||
|
|
|||
|
Actually, that was only the story I was tempted to write. What
|
|||
|
eventually got on the air was something about dog licences.
|
|||
|
|
|||
|
But at 4:45 a.m. that June 26, as I made my right turn onto Main
|
|||
|
Street with the sun just peering over the top of the Eaton's department
|
|||
|
store and my feet finally dry but chilled to the marrow, my mind was still
|
|||
|
having difficulty focusing on the topics of dog licences and outboard
|
|||
|
motors. It was roughly the same mental and physical state in which I
|
|||
|
always arrived, but for some reason all I could think about that morning
|
|||
|
was: "This is a hell of day to get my feet wet."
|
|||
|
|
|||
|
The dog licences got on the air for six o'clock. Through the smoky,
|
|||
|
plexiglass haze of the news-booth window I detected a thinly disguised
|
|||
|
smirk pasted over the hills and dales of Coffey's pudgy cheeks. As I ended
|
|||
|
with the traditional call-letters-into-an- uptempo-adult-contemporary the
|
|||
|
booth door opened behind me and I heard that familiar Coffey resonance:
|
|||
|
|
|||
|
"Good work, Dave. I'll make a newsHOUND out of you yet."
|
|||
|
|
|||
|
That was all. As he continued down the hall towards the
|
|||
|
coffee-maker I was treated to several canine howls, bayed in time to the
|
|||
|
distant strains of "Shadows in the Moonlight", by Anne Murray, playing over
|
|||
|
the air. I just sat there, flushed and drained in that desolate little
|
|||
|
cubicle, a gentle throb building nicely behind my eyeballs. I sensed that
|
|||
|
my "golly-gosh" awe for Jack Coffey of only a week earlier was rapidly
|
|||
|
evolving into something a little more consistent with reality.
|
|||
|
|
|||
|
I stared at my reflection in the booth window and saw a rather sad
|
|||
|
picture of one truly dragged-out individual whose morning, week and new
|
|||
|
job, it could be said, were all off to a rather questionable start.
|
|||
|
|
|||
|
What I could not see in that glass, however, was the comparative
|
|||
|
insignificance of my current woes when judged beside the harrowing trials
|
|||
|
which this day still had in store for me. Had I been granted that
|
|||
|
advantage no doubt I'd already have been taking my chances with sunstroke
|
|||
|
and the kinder career of tree-planting. But a news-booth window is no
|
|||
|
crystal ball and, mortal that I am, I would get no such mystical warning of
|
|||
|
the events about to blow up in my face.
|
|||
|
|
|||
|
The only way to really dry out your wet feet, after all, is with
|
|||
|
time...and a little heat.
|
|||
|
|
|||
|
8 a.m. meant shift change down at the cop-shop. No sooner was I off
|
|||
|
the air than I was on the horn ready to start digging into some real news.
|
|||
|
I'd heard rumours of a recent rash of outboard motor thefts around town.
|
|||
|
Situated on a large freshwater lake, Thistle was rife with pleasure-craft
|
|||
|
of all kind, many of them trustingly tied up at the town docks or in the
|
|||
|
numerous private marinas. In a town the size of Thistle one such theft was
|
|||
|
an incident; two was an epidemic.
|
|||
|
|
|||
|
"Hello, may I speak to the Chief, please?"
|
|||
|
|
|||
|
"This is the Deputy Chief. Who's this?"
|
|||
|
|
|||
|
The Deputy Chief had a curt, intimidating manner some might describe
|
|||
|
as good cop-survival technique; others simply rude.
|
|||
|
|
|||
|
"It's Dave Jensen from CJRS..."
|
|||
|
|
|||
|
"Who?"
|
|||
|
|
|||
|
"CJRS Radio."
|
|||
|
|
|||
|
"Jensen? You related to Don Jensen?"
|
|||
|
|
|||
|
Donny, my brother, was a probationary constable with the local
|
|||
|
uniforms. He did not speak fondly of the Deputy Chief and I had little wish
|
|||
|
to draw him into this conversation. I decided to change the subject
|
|||
|
quickly.
|
|||
|
|
|||
|
"Coincidentally, yes sir. Why I'm calling, though, is to inquire
|
|||
|
about the number of outboard motors that have gone missing since last
|
|||
|
week."
|
|||
|
|
|||
|
"Pardon me?"
|
|||
|
|
|||
|
The tone of his voice took a sudden sinister turn that sent a twinge
|
|||
|
through my bladder. Like the rookie I was, I had made some as yet
|
|||
|
unrecognized blunder. I felt the strong urge to conclude the interview
|
|||
|
immediately, but it was too late. He knew my name. He knew my brother's
|
|||
|
name. He knew why I'd called. He knew everything. I'd have to bluff past
|
|||
|
my own ignorance.
|
|||
|
|
|||
|
"Well, I was wondering if the police suspected some kind of theft
|
|||
|
ring being involved."
|
|||
|
|
|||
|
"Who the hell have you been talking to, mister?"
|
|||
|
|
|||
|
Oh god - that was the mistake! It was Donny who'd mentioned it to
|
|||
|
me the other day, in casual conversation. I'd assumed it to be common
|
|||
|
knowledge. Everything was common knowledge in Thistle. My mother, who
|
|||
|
worked in lamps at Woolworths, the major department store in the Thistle
|
|||
|
Shopper's Mall, generally knew what was going on in town several hours
|
|||
|
before the police did. In fact, I realized, I should have conducted this
|
|||
|
interview with her because the one I was doing at the moment was about to
|
|||
|
get at least one happy-go-lucky constable into a deep pile of -
|
|||
|
|
|||
|
"Uh, well sir, I don't think it would be ethical of me to reveal my
|
|||
|
sources at this time," I heard myself stammer. Thank goodness for
|
|||
|
television.
|
|||
|
|
|||
|
"Don't give me that T.V. crap. Now you tell me who gave you
|
|||
|
confidential police information before -"
|
|||
|
|
|||
|
I didn't want to hear before what - so I did the only sensible thing
|
|||
|
for someone in my position, who was panic-stricken, to do; I hung up. Then
|
|||
|
I dropped my weary face onto the cold laminate desktop and slept fitfully
|
|||
|
for the full thirty seconds I had before having to bounce in and read the
|
|||
|
8:30 report. I could likely mark it as having been yet another banner
|
|||
|
broadcast, because I don't remember a word of what I read that time,
|
|||
|
either.
|
|||
|
|
|||
|
The nine o'clock report came and went, at which point I was free
|
|||
|
till eleven. Technically I should have been using the break for some more
|
|||
|
phone-snooping, but fear for the consequences of my previous stupidity had
|
|||
|
me paralysed. I had no desire to try my luck again. I certainly had no
|
|||
|
desire to call the fire department. When Donny was off-duty he was a
|
|||
|
volunteer fireman: "No doubt my inquiries into campfire safety will get him
|
|||
|
axed from the fire- hall, too," went my rationale.
|
|||
|
|
|||
|
At this point I realized I was still dazed; but the fact I knew I
|
|||
|
wasn't thinking clearly only deepened my paranoia, since even when I'd
|
|||
|
thought I was thinking clearly I obviously hadn't been. I decided I'd
|
|||
|
better get some advice. Coffey still owned enough of my respect for that.
|
|||
|
|
|||
|
I went out to the front office.
|
|||
|
|
|||
|
There were Carey and Barb, "the girls". I wasn't too sure what they
|
|||
|
did, as yet (not surprising, considering I still wasn't too sure what I was
|
|||
|
doing, yet). Whatever it was it seemed to allow plenty of time for coffee
|
|||
|
and cigarette breaks. They never had to leave their desks for this - due
|
|||
|
to an office lay out which I suppose was cleverly designed to create the
|
|||
|
illusion they were actually working whenever the station manager walked
|
|||
|
through. As I only ever saw them in this position, tactically tucked
|
|||
|
behind their respective desks, I imagine them to this day as a pair of
|
|||
|
unassuming faces and slight-of-build torsos lodged atop a set of very large
|
|||
|
wooden hips.
|
|||
|
|
|||
|
"Morning," I offered hopefully.
|
|||
|
|
|||
|
"Grunt," said Barb, the young dark-haired one. Carey, the
|
|||
|
middle-aged blond one, was somewhat less responsive. In fact this was only
|
|||
|
our second conversation, the first having been my introduction last week by
|
|||
|
Jack Coffey, a dialogue not dissimilar in zest to our current repartee. I
|
|||
|
elected to take my chances with the more verbose of the two.
|
|||
|
|
|||
|
"Barb, have you seen Jack around?"
|
|||
|
|
|||
|
"Gone to Winnipeg," she said, efficiently doubling her word- count
|
|||
|
for the course of our week-long acquaintance.
|
|||
|
|
|||
|
But that was all it took to remind me that I was on my own for the
|
|||
|
first time. Jack had mentioned he was taking his wife and kids to the
|
|||
|
Winnipeg Zoo today, soon as he got off the air - no doubt another leg in
|
|||
|
his "Freedom for Coffey" campaign, in creating the news department.
|
|||
|
Winnipeg was an all-day round trip across the provincial border into
|
|||
|
Manitoba making Coffey effectively incommunicado. I slunk back into the
|
|||
|
privacy of the news office and closed the door.
|
|||
|
|
|||
|
As 9:30 edged into ten o'clock I still had not found motivation to
|
|||
|
seek out some news. I felt crushed under the weight of responsibility I
|
|||
|
did not have the experience to bear. Nineteen years old with a week's
|
|||
|
training and here I was in solo charge of the entire news department. In
|
|||
|
any larger market it would've taken me three months just to get on the air.
|
|||
|
I was in desperate need of guidance with none to be had. Even the manager
|
|||
|
was out of town at our sister station in Dresdale. That left CJRS entirely
|
|||
|
in the hands of myself, the girls...and the mid-morning jock, Linus
|
|||
|
Lindberg.
|
|||
|
|
|||
|
Like myself Linus was local crop, though about six or seven years
|
|||
|
older. He'd been on the air for as long as I could remember - longer than
|
|||
|
anyone else who was still at the station - and everyone but Linus knew
|
|||
|
they'd all be long gone before he ever got his "big break" to elsewhere.
|
|||
|
More than anything, Linus wanted to have the same affected sound that all
|
|||
|
the "pros" had, and cultivated his version of a "free-wheeling jock style"
|
|||
|
to the level of a science; but with his squeaky tenor voice and his thick,
|
|||
|
inarticulate tongue that dredged through the consonants like a scow at
|
|||
|
low-tide, it may be kindly stated that Linus always fell well short of his
|
|||
|
goal. He never seemed to connect his habitual pronunciation of the station
|
|||
|
call-letters as "C-Jar-Ahr-S", with his inability to move ahead in the
|
|||
|
corporate structure. But at least it may be said of Linus he was a man of
|
|||
|
patience. He stuck it out another two years before his wife finally
|
|||
|
browbeat him into a "sensible union job", sorting mail for the post office
|
|||
|
on the graveyard shift.
|
|||
|
|
|||
|
At 10:15 a.m. on June 26, 1979, I exemplified little of such
|
|||
|
stalwart patience; only abject misery and self-pity.
|
|||
|
|
|||
|
When a town "blue-and-white" (police cruiser) zipped down Main
|
|||
|
Street past the newsroom window I made a nervous start, as the thought of
|
|||
|
being arrested for withholding evidence or obstructing justice or hanging
|
|||
|
up on a deputy chief crossed my mind. This thickened the layer of guilt
|
|||
|
that was encasing my conscience and I decided it was time to lighten the
|
|||
|
burden by getting down to some work. I started to make my appointed round
|
|||
|
of calls to the local news nests - pointedly avoiding the fire-hall and the
|
|||
|
cop-shop (if the people of Thistle wanted to hear about outboard motor
|
|||
|
thefts they'd have to go down to the Shopper's Mall and talk to my mom).
|
|||
|
Before long I had a lead on an upcoming windsurfing demonstration being
|
|||
|
sponsored by a sailboard company from California. This sounded wonderfully
|
|||
|
exotic by Thistle standards, and my mood lightened a touch. But before I
|
|||
|
could follow it up two more cruisers screamed by, as if to remind me I
|
|||
|
didn't deserve to feel thus unencumbered.
|
|||
|
|
|||
|
By now I was feeling more than a bit persecuted and decided to take
|
|||
|
a brisk walk. I took the side door from the hallway to avoid going through
|
|||
|
the front office altogether, since I didn't feel like talking to anyone
|
|||
|
(though I suppose I was in little danger of this from the girls). I
|
|||
|
bounded down the long narrow staircase leading to street-level two steps at
|
|||
|
a time. About halfway down I could usually make out a moving collage of
|
|||
|
legs on the sidewalk as people passed by the station entrance. This time I
|
|||
|
froze. The pant legs I saw were all navy blue and had a single red stripe
|
|||
|
running down either seam.
|
|||
|
|
|||
|
Cops!
|
|||
|
|
|||
|
My reaction was as decisive as that which had caused me to hang up
|
|||
|
on the Deputy Chief. I spun and ran. I ran back up the steps. I ran back
|
|||
|
through the side door, straight down the hallway ignoring the red
|
|||
|
"on-the-air" light, crashed through the door into Control Room "A" where
|
|||
|
Linus was busily mispronouncing the title of his next record, and out the
|
|||
|
back door onto the rusty, old fire- escape overlooking Thistle's scummy,
|
|||
|
deserted waterfront along beautiful Lake Norakee.
|
|||
|
|
|||
|
About a floor down the rickety rod-iron steps I was able to wrest
|
|||
|
control back from my reflexes. Realizing there was little hope of escape -
|
|||
|
since at least one probationary constable knew exactly where I lived (and
|
|||
|
was likely looking forward to taking advantage of that information by now)
|
|||
|
- I reluctantly lugged my feet back up the fire-escape and retraced my
|
|||
|
steps to the newsroom.
|
|||
|
|
|||
|
Once there, having returned without police confrontation, I
|
|||
|
cautiously peered over the newsroom windowsill facing Main Street and
|
|||
|
observed the activity going on below. To my shock there were now five
|
|||
|
cruisers parked out front, representing the entire fleet of Thistle's
|
|||
|
finest. They looked for all the world to be readying themselves for a
|
|||
|
massive assault of some kind, though their attentions were clearly not
|
|||
|
directed towards the lobby of CJRS. In fact, while they were situated on
|
|||
|
our side of the street, they were facing the store fronts directly
|
|||
|
opposite. Somehow the whole street looked strangely unfamiliar. I studied
|
|||
|
all this with slack- jawed wonderment and incomprehension.
|
|||
|
|
|||
|
The loud buzz that sounded from two feet away made me physically
|
|||
|
leave my seat. I could feel the blood hissing through my temples as I
|
|||
|
punched the phone's intercom button and picked up the receiver. It was
|
|||
|
Barb:
|
|||
|
|
|||
|
"Dave, it's your mother on line one," she informed me from the other
|
|||
|
end and hung up.
|
|||
|
|
|||
|
"Yes mom, I'll cut the stupid lawn when I get home," I snarled to
|
|||
|
myself, before punching over to line one.
|
|||
|
|
|||
|
"Hi, David?" my mother said from across town.
|
|||
|
|
|||
|
"Yes mom, I'll cut the lawn when I get home," I repeated, leaving
|
|||
|
out the emphatic "stupid" bit.
|
|||
|
|
|||
|
"Oh, aren't you a good boy," she sang with her trademark note of
|
|||
|
pleasant surprise. I groaned, realizing that that hadn't been why she'd
|
|||
|
called. "But, hey, we've got the radio on down here at the store," she
|
|||
|
continued. "Have you heard anything more about the bank robbery yet?"
|
|||
|
|
|||
|
This time it was my heart's turn to jump. No - I pleaded inside -
|
|||
|
no, please let her be talking about some bank on the news from Winnipeg or
|
|||
|
Toronto. Don't let it be -
|
|||
|
|
|||
|
When the intercom buzzed again my nerves were getting fed up enough
|
|||
|
to ignore the shock. I put my mother on hold.
|
|||
|
|
|||
|
"Someone on line two wanting the news department," said Barb. "I
|
|||
|
guess that's you, huh?"
|
|||
|
|
|||
|
I punched over to line two.
|
|||
|
|
|||
|
"Hello?" I ventured timidly.
|
|||
|
|
|||
|
"Hi, CJRS News Department?" came the unmistakable, quaking bass
|
|||
|
pipes that could only have belonged to an announcer from a successful
|
|||
|
large-market radio station. "This is Chad Hawkins from CPOW News,
|
|||
|
Winnipeg. Listen, any more word on that bank robbery?"
|
|||
|
|
|||
|
From the corner of my disbelief-widened eyes I caught the blinking
|
|||
|
flash of an incoming call on line three. As the most visible and immediate
|
|||
|
route of escape, I used the excuse to put Chad Hawkins on hold and quickly
|
|||
|
punched it up before Barb most likely had had the chance to put her
|
|||
|
cigarette down. To my horror the voice that greeted me was even bassier
|
|||
|
and more well-modulated than the previous one:
|
|||
|
|
|||
|
"Hi, Gord Majors, BN National News Desk in Ottawa, here. Could I
|
|||
|
have your news department, please?"
|
|||
|
|
|||
|
"Yes, one moment, I'll see if they're in," I replied and clicked him
|
|||
|
on hold. When line four began to flash I was sure this mysterious
|
|||
|
bank-heist story had just broken internationally.
|
|||
|
|
|||
|
"Good morning, CJRS," I answered hiding steadfast behind my
|
|||
|
receptionist disguise. The voice that replied was not Washington's,
|
|||
|
however, but my mother's.
|
|||
|
|
|||
|
"Look, David, my break's over so I just wanted to let you know you
|
|||
|
could take me off hold now."
|
|||
|
|
|||
|
"No, wait, mom!" I cried, finding my own voice at last, "Bank
|
|||
|
robbery! What's this about a bank robbery?"
|
|||
|
|
|||
|
"Good gravy, there's a bank robber holed up right across the street
|
|||
|
from CJRS. Half of Thistle is down there watching. You know Mary Striker
|
|||
|
comes in to work from eleven till six? She had to detour up Matheson;
|
|||
|
they've got Main Street completely blocked off."
|
|||
|
|
|||
|
I slammed my face into the glass of the newsroom window. That's why
|
|||
|
the street had looked so strange, I realized. Except for the cops, the
|
|||
|
cruisers and a few parked cars it was completely empty. As I peered up the
|
|||
|
street from left to right, however, I noticed two large crowds of people
|
|||
|
about a block away in either direction, squashed up behind two fence
|
|||
|
blockades.
|
|||
|
|
|||
|
Directly across the road from me and the entire Thistle police force
|
|||
|
was the Northern Isles Credit Union. With the sun high and bright and
|
|||
|
everything reflecting off the glass it was difficult to see right into the
|
|||
|
bank. Vaguely I could make out some movement near the back; whoever was
|
|||
|
robbing that building was not in there alone. I looked at the clock. It
|
|||
|
was 10:52 a.m. The first cruiser had come by at 10:15. The bank across
|
|||
|
the street had been under siege for at least forty-five minutes and I
|
|||
|
seemed to be the only newsman in the country who hadn't heard.
|
|||
|
|
|||
|
"Thanks mom, gotta go," I sputtered, hanging up the phone.
|
|||
|
|
|||
|
For a brief instant I considered what to do about Chad and Gord. I
|
|||
|
had nothing to tell them since I didn't know anything and it was obviously
|
|||
|
going to take me some time to find out, first, what was going on, second,
|
|||
|
what to do about it and, third, how to go about doing something about it.
|
|||
|
"No sense racking up their long distance bills," I decided and swiftly cut
|
|||
|
off all three pulsing lines.
|
|||
|
|
|||
|
Now I really needed advice - from absolutely anyone who'd worked at
|
|||
|
a radio station longer than a week. I charged into the front office. The
|
|||
|
girls were in their usual locations but with their necks craned to look out
|
|||
|
the window onto Main Street such that they almost - but not quite - had to
|
|||
|
get up out of their chairs.
|
|||
|
|
|||
|
"The Credit Union's being robbed!" I exclaimed, trying to raise
|
|||
|
their attention in as dramatic a fashion as the situation seemed to
|
|||
|
warrant.
|
|||
|
|
|||
|
"Mm," Barb replied, her gaze unwavered. She was obviously speaking
|
|||
|
for them both. "Started a little after ten."
|
|||
|
|
|||
|
I was incredulous. "Why didn't you tell me?"
|
|||
|
|
|||
|
The girls looked at each other for a single dumbfounded instant.
|
|||
|
Then Barb said:
|
|||
|
|
|||
|
"Sor-ry."
|
|||
|
|
|||
|
They both stared at me for a few seconds more, seeking some sort of
|
|||
|
acknowledgement for their heartfelt apology. When it was not forthcoming
|
|||
|
they returned to their posts of vigilance.
|
|||
|
|
|||
|
I had been wrong, I realized. I could not seek advice from just
|
|||
|
anyone.
|
|||
|
|
|||
|
I made my way into the control room. For a moment I thought I might
|
|||
|
have to face the wrath of Linus for having bashed through before, while he
|
|||
|
was on the air; but no, as I came to discover, you'd have to be far more
|
|||
|
unprofessional than that to faze Linus Lindberg.
|
|||
|
|
|||
|
"So what's up for eleven, Cronkite?" he asked with half interest.
|
|||
|
|
|||
|
"There's a bank robbery!" I wheezed in my breathlessness.
|
|||
|
|
|||
|
"Oh yeah?" he remarked noncommittally.
|
|||
|
|
|||
|
"Yeah," I said, "just across at the credit union."
|
|||
|
|
|||
|
"Across where?"
|
|||
|
|
|||
|
"Across the street!"
|
|||
|
|
|||
|
"No kidding," he remarked, displaying the first mild hint of
|
|||
|
animation in his face. "Wow, that's a big story. Listen," he said,
|
|||
|
pointing at the forty-five disc spinning on the turntable, "Chuck
|
|||
|
Mangione's gonna come up a bit short, here. Do you mind giving me your
|
|||
|
newscast about two minutes early? Otherwise I gotta put on another record
|
|||
|
and everything..."
|
|||
|
|
|||
|
"Linus," I interrupted, "what do I do about this bank robbery?"
|
|||
|
|
|||
|
"I don't know," he said with some irritation. "I'm on the air here,
|
|||
|
Dave." Then, looking at the turntable, he remarked with some urgency, "and
|
|||
|
my bloody record's got about twenty seconds left."
|
|||
|
|
|||
|
Somehow the image of the broadcaster's gravest sin - "DEAD AIR" -
|
|||
|
managed to permeate the turmoil that was plugging my brain cells, and lock
|
|||
|
on directly to my motor nerves. Linus' trivial demand had presented me
|
|||
|
with a simple, concrete problem to overcome, one that I was capable of
|
|||
|
grasping at that moment. Without analyzing the absurdity of my actions I
|
|||
|
raced to the newsroom, ripped about thirty feet of print from the wire and
|
|||
|
began madly hunting for BN's 10:30 update.
|
|||
|
|
|||
|
I found it and began tearing the other twenty-eight feet to shreds
|
|||
|
as the trumpet strains of Chuck Mangione slowly faded into oblivion over
|
|||
|
the newsroom speaker, followed by the characteristic "clunk" of Linus
|
|||
|
clicking his mike on too hard.
|
|||
|
|
|||
|
"Fill, Lindberg," I screamed in my head. "Read a PSA or something,
|
|||
|
for Christ's sake!"
|
|||
|
|
|||
|
"It's eleven o'clock..."
|
|||
|
|
|||
|
"Liar! It's 10:58!"
|
|||
|
|
|||
|
"...and here with C-Jar-Ahr-S News is Dave Jensen."
|
|||
|
|
|||
|
I ricocheted back down the hall towards the news booth to the sounds
|
|||
|
of... nothing...just in time to see an empty control room...and hear the
|
|||
|
bathroom door clicking shut. I'd counted five beats of silence before I
|
|||
|
managed to say:
|
|||
|
|
|||
|
"Good morning, Thistle, 'thank you' Linus, here are today's
|
|||
|
headlines. The Shah of Iran announced this morning that Muslim
|
|||
|
dissidents..."
|
|||
|
|
|||
|
And that was all I remembered of that newscast. I spent the next
|
|||
|
several minutes trying to formulate, in my head, while I was reading, some
|
|||
|
sort of summary of what I knew so far about the robbery. What I eventually
|
|||
|
tagged on the end of the report was something like:
|
|||
|
|
|||
|
"And in local news, there's a bank robbery currently in progress in
|
|||
|
Thistle over at the, uh...uh, the...uh...well the Credit Union on Main
|
|||
|
Street, here. Nor...uh, Northern Isles... Credit Union and...we'll have
|
|||
|
further updates for you as they become further...available."
|
|||
|
|
|||
|
Linus, having returned from his pressing respite, came smoothly out
|
|||
|
of the news with an album-cut and his turntable still set at forty-five,
|
|||
|
blessing all Thistle with a vocal impression of Alvin Chipmunk, by Neil
|
|||
|
Diamond. For one brief moment I was actually grateful that most everyone
|
|||
|
from the station was safely out of town...and earshot.
|
|||
|
|
|||
|
But this very thought splashed cold reality back in my face: I was
|
|||
|
still alone. Thistle was under siege and somewhere out there the rest of
|
|||
|
the world was waiting to hear what I had to say about it...
|
|||
|
|
|||
|
I've often since cursed the man named Marconi whose amazing research
|
|||
|
into the physics of radio waves at the turn of the century ultimately made
|
|||
|
possible my later traumatic predicament. If not for him, the public's
|
|||
|
definition of the term "news" would have remained considerably more
|
|||
|
generous. I'd likely have had several luxurious hours to get this breaking
|
|||
|
story into print, by which time someone who knew how to go about that task
|
|||
|
would undoubtedly have returned from their distant cavortings...
|
|||
|
|
|||
|
I sidled my way back to the newsroom, hoping against hope that the
|
|||
|
crisis had somehow managed to resolve itself, pack up and move on during my
|
|||
|
three-minute news break. From my vantage point at the window it was plain
|
|||
|
that, if anything, there were now more police crouched behind the various
|
|||
|
hoods and fenders on the street than I'd counted earlier. I also noticed
|
|||
|
some of the vehicles were now black and white - the O.P.P. had been called
|
|||
|
in for back-up. Each officer below had his .38 revolver drawn, raised and
|
|||
|
ready. Reacting to the familiarity of the whole scene - straight out of any
|
|||
|
tawdry cop show - I instinctively looked for, and found, the rest of the
|
|||
|
SWAT team, with their telescopic rifles poised for business, strewn across
|
|||
|
the horizon of rooftops lining the street. In the back of my head a distant
|
|||
|
drumbeat began to swell into the throbbing rotor-buzz of a helicopter
|
|||
|
maneuvering into position. This was starting to look impressive. It was
|
|||
|
about then that my eyes were drawn to a distinctive yellow marquee above
|
|||
|
the store front adjacent to the credit union. In large black lettering it
|
|||
|
read, simply: "HARDWARE". All I could think at that moment was, "When they
|
|||
|
make the movie they gotta film it right here!"
|
|||
|
|
|||
|
And it was then I decided it was time to start writing my own
|
|||
|
character into the script.
|
|||
|
|
|||
|
I buzzed the control room on the intercom. I was surprised to hear
|
|||
|
the loud, irritating drone at the other end coming back at me over the
|
|||
|
newsroom speakers; then I realized Lindberg's mike had been hot at that
|
|||
|
moment. I waited several embarrassed moments while he finished his record
|
|||
|
intro; then he came on the line, chuckling:
|
|||
|
|
|||
|
"Boy, you buzzed me on the air, eh?"
|
|||
|
|
|||
|
"Sorry, Linus" - I wished I could feel as nonchalant about sounding
|
|||
|
completely amateurish and idiotic on the air as Lindberg obviously did.
|
|||
|
But there was no time to dwell on that now; I needed information:
|
|||
|
|
|||
|
"Listen, you know when people call up to wish birthday greetings and
|
|||
|
you hear them on the air?"
|
|||
|
|
|||
|
"Yeah, 'The Birthday Party', 4:10 p.m., Monday through Saturday,
|
|||
|
1:10 p.m. on Sundays. But I don't do that any more, now that I'm on
|
|||
|
mid-morns."
|
|||
|
|
|||
|
"But do you know how it's done?"
|
|||
|
|
|||
|
Even Lindberg was affronted by this questioning of his professional
|
|||
|
abilities on the most basic of levels; still, I didn't know how it was done
|
|||
|
and, taking one of those Jack Coffey pearls to heart, I was in no position
|
|||
|
to ASS/U/ME anything:
|
|||
|
|
|||
|
"Hey, Jensen, after doing afternoon drive for five and a half years
|
|||
|
I think I can remember how to punch a phone-line onto the air."
|
|||
|
|
|||
|
He'd actually only done afternoons once a week, while on the lowly
|
|||
|
swing-shift, for five and a half years -
|
|||
|
|
|||
|
"Good," I said, taking a big swallow, "because I'd like you to punch
|
|||
|
me up, live."
|
|||
|
|
|||
|
There was a slight pause at the other end of the com. Lindberg was
|
|||
|
trying to figure out what I was up to without having to admit ignorance and
|
|||
|
undermine his already fragile credibility. He decided to ease his way in
|
|||
|
with a diversionary tactic:
|
|||
|
|
|||
|
"Whose birthday greetings you sending out, Dave?" He was chuckling
|
|||
|
again now.
|
|||
|
|
|||
|
"I've got a news report, here," I answered a bit sharply. My nerves
|
|||
|
had me in no mood to diddle around.
|
|||
|
|
|||
|
"I know, I know, I was just kidding," Lindberg lied. "Give me a
|
|||
|
call at five to, and I'll punch you up for the noon report."
|
|||
|
|
|||
|
"No, no, I mean now. Punch me up now," some part of me, that was
|
|||
|
ignoring the part of me that couldn't believe I was planning to go through
|
|||
|
with this, insisted.
|
|||
|
|
|||
|
"Now?" Lindberg blurted with a start. "Now? But it's only 11:10!"
|
|||
|
|
|||
|
"I know, Linus, but there's a major news story happening right this
|
|||
|
minute that might be over by noon."
|
|||
|
|
|||
|
The meek calmness with which I detailed the obvious to him surprised
|
|||
|
me. I suppose that deep down I still recognized the extent of his
|
|||
|
experience over my own - at least in chronological terms - and was being
|
|||
|
sensitive to the fact that I might very well, myself, be on the verge of
|
|||
|
screwing up in a major way.
|
|||
|
|
|||
|
"Why, what's up?" he ventured next. At this point he'd extended the
|
|||
|
limits of obtuseness beyond even my endurance. I had been swearing at
|
|||
|
myself all morning; this marked the first occasion in my young professional
|
|||
|
career for me to swear overtly at a co- worker. During the course of this
|
|||
|
Linus was happily able to recall the matter of the bank robbery in progress
|
|||
|
across the street.
|
|||
|
|
|||
|
"Holy -! You mean that's still going on?" he exclaimed.
|
|||
|
|
|||
|
"Yes," I answered simply.
|
|||
|
|
|||
|
"I guess it's okay to break format for something like this, huh?"
|
|||
|
He seemed to be struggling with the dilemma of what to do with his records
|
|||
|
that would be left over at the top of the hour. Then it must've occurred to
|
|||
|
him that he was CJRS's senior exec. for the day. With a sudden bold flex
|
|||
|
of authority he said: "Of course it's okay. Alright, big guy, you've got
|
|||
|
your live line. Standby..."
|
|||
|
|
|||
|
I heard myself clicked on hold. I quickly nabbed a pocket radio
|
|||
|
with an earplug and turned down the newsroom speaker, to avoid mike
|
|||
|
feedback. I put in the plug, flicked the switch, spun the dial to 1330 kHz
|
|||
|
and caught "The Last Farewell" by Roger Whittaker, one of Linus' big
|
|||
|
favourites. I took a second to formulate a good opening line and sat in
|
|||
|
palm-cold readiness for my imminent feed-in from Linus.
|
|||
|
|
|||
|
Then I waited.
|
|||
|
|
|||
|
I took another big swallow, my mouth dry as a brush fire.
|
|||
|
|
|||
|
I waited some more.
|
|||
|
|
|||
|
A minute went by. Then it occurred to me: Linus was waiting for the
|
|||
|
song to finish. I could imagine this seeming to be "correct procedure", by
|
|||
|
his convoluted brand of logic.
|
|||
|
|
|||
|
Another half minute went by.
|
|||
|
|
|||
|
Then he came on:
|
|||
|
|
|||
|
"And there he is, everybody's favourite, Roger Whittaker and 'The
|
|||
|
Last Farewell', on 1330 Radio, C-Jar-Ahr-S. Word is Roger's working on a
|
|||
|
new album as we speak, right down-under in his homeland, New Zealand.
|
|||
|
Should be a good one and I know I'll look forward to hearing the first cut
|
|||
|
off that one as much as I'm sure you will also be looking forward to it,
|
|||
|
too. Uh...but, hey, now it's time for a special live news report from
|
|||
|
C-Jar-Ahr-S's roving eye-on-the-town, Dave Jensen. What's happening down
|
|||
|
at News Central, Dave?"
|
|||
|
|
|||
|
And now it was my turn to pause, in an overwhelming rush of
|
|||
|
disbelief: This was it! I was on! A week-long graduate of high school
|
|||
|
doing live media coverage of a bank robbery in progress!
|
|||
|
|
|||
|
I tried imagining the odds of so many unlikely circumstances having
|
|||
|
collided at this given place and time. I couldn't. On the first level, I
|
|||
|
wondered, how many radio station newsrooms in the world could previously
|
|||
|
have boasted balcony seats to a bank robbery? Added to this, what were the
|
|||
|
chances of that privilege finally being granted in Thistle, Ontario? - in
|
|||
|
my ten years as a resident on Lake Norakee, this was hands and away the
|
|||
|
biggest news event, ever (as I later learned from Thistle "lifers", nothing
|
|||
|
of this magnitude had happened since 1952 when the hockey rink in
|
|||
|
neighbouring Kenville burned down...and Kenville doesn't even have a radio
|
|||
|
station!) A third complication of circumstance was that all this chose to
|
|||
|
happen on the exact date when the only person available to take advantage
|
|||
|
of it had neither the experience nor the training to handle it properly.
|
|||
|
The final and most tragic complication was that that person just happened
|
|||
|
to be me.
|
|||
|
|
|||
|
And yet, despite feeling a total lack of confidence in my ability to
|
|||
|
perform the task at hand in any semblance of a professional manner, here I
|
|||
|
was, ready - if not exactly prepared - to give my all for responsible
|
|||
|
broadcast journalism. There was something to be said for my gumption at
|
|||
|
least, I acknowledged...
|
|||
|
|
|||
|
There ensued a brief instant of picturing myself at the fore of a
|
|||
|
long line of distinguished correspondents of this century: Lloyd Robertson,
|
|||
|
Walter Cronkite (whom I barely remembered), Lowell Thomas (whom I only knew
|
|||
|
of at all from watching certain episodes of M*A*S*H); and, of course, the
|
|||
|
unshakable Lorne Green, Canada's infamous "voice of doom", who'd broadcast
|
|||
|
the news of a world at war to the apprehensive ears of a nation. He'd gone
|
|||
|
on to become Ben Cartwright in "Bonanza", blazing the western trail of hope
|
|||
|
for other Canadian broadcaster/would-be actors, like myself...Then there
|
|||
|
was Knowlton Nash who'd recently taken over the C.B.C. National from Peter
|
|||
|
Kent (who'd inherited it from Lloyd Robertson two years earlier when Lloyd
|
|||
|
defected to C.T.V.). Like me, Knowlton wore thick glasses. Dared I hope
|
|||
|
to one day make the grand leap to television? Knowlton, mind you, had
|
|||
|
managed this the sly way. He'd first worked his way up as head of the
|
|||
|
C.B.C. news department. Then, when they axed Kent, he'd hired himself as
|
|||
|
anchor. Frankly, I didn't have much faith in my own managerial potential.
|
|||
|
I'd just have to work my way up on raw talent...
|
|||
|
|
|||
|
"Dave?" came the voice of Lindberg from somewhere off in the dark
|
|||
|
recesses of the present. Then I heard my own voice joining him there:
|
|||
|
|
|||
|
"Mired within the darkened lobby of the Northern Isles Credit Union,
|
|||
|
here on Main Street, Thistle, a desperate gunman holds hostages in his bid
|
|||
|
to escape the societal consequences of a robbery gone awry...Good morning,
|
|||
|
it's 11:14, this is Dave Jensen reporting live, across the street from the
|
|||
|
crime scene, right here in the news offices of CJRS..."
|
|||
|
|
|||
|
Yeah, yeah! - I cheered in my head - what a socko opener! We're
|
|||
|
gonna do this, buddy. We're gonna DO it!
|
|||
|
|
|||
|
Then Thistle and I wondered what I was going to say next. It seemed
|
|||
|
neither of us had the answer.
|
|||
|
|
|||
|
"As I speak the...uh, street...is lined with police cars... and,
|
|||
|
uh...police..."
|
|||
|
|
|||
|
I'd had an opener but no follow-up!
|
|||
|
|
|||
|
"They have their weapons drawn...and trained on the bank...
|
|||
|
naturally...uh, nobody seems to really know much about what's going on,
|
|||
|
right now..."
|
|||
|
|
|||
|
The protection of visual anonymity did little to arrest the
|
|||
|
sensation of red heat rising up my neck like a mercury thermometer. It
|
|||
|
wasn't true that "nobody" knew what was going on. It was true that "I"
|
|||
|
didn't know what was going on. I had committed the most basic crime of
|
|||
|
responsible journalism: I hadn't checked my facts. Fact was, I had no
|
|||
|
facts, whatsoever. Any of the several hundred spectators coagulated on the
|
|||
|
street, who'd been gawking at the scene substantially longer than I had,
|
|||
|
could likely have provided harder facts. My mother, who'd gotten her facts
|
|||
|
from Mary Striker, had more facts than I did. I knew absolutely nothing
|
|||
|
for certain. I'd been in a big panic to take the initiative. What was it
|
|||
|
I'd said? A gunman? Hostages? A robbery gone awry? All that made for a
|
|||
|
great opening line...but I'd made it all up. The few questions I'd asked
|
|||
|
had been the wrong ones of the wrong people.
|
|||
|
|
|||
|
At that moment I didn't know where I was going to dig, but I knew it
|
|||
|
was time to get some facts. I'd even call the cop-shop - the Deputy Chief!
|
|||
|
- if necessary.
|
|||
|
|
|||
|
I started to sign back over to Linus: "We'll have more live coverage
|
|||
|
for you in a few moments..."
|
|||
|
|
|||
|
It was just about then I heard the bathroom door slam shut, down the
|
|||
|
hall.
|
|||
|
|
|||
|
My situation had progressed to that of a student pilot whose flying
|
|||
|
instructor had just bailed out...and taken the plane with him. I was
|
|||
|
soloing with no lessons, no control panel and no cockpit. And once again I
|
|||
|
was surrounded by that demon "DEAD AIR", which now I was compelled to fill
|
|||
|
- to the death.
|
|||
|
|
|||
|
How misleading it is that the first test of every living being, our
|
|||
|
own births, should, by definition, end in triumph. Such unopposed success
|
|||
|
cannot help but fill our unjaded little hearts with the promise of infinite
|
|||
|
glories to come. Thus we are doomed to spend the rest of our days
|
|||
|
rationalizing our inability to live up to our own expectations.
|
|||
|
Self-deceit is our only weapon against failure. It is the way of all
|
|||
|
living things. We take succour in its soothing shelter.
|
|||
|
|
|||
|
Despite this tragic truism, however, I may honestly claim to have
|
|||
|
conjured no such illusions regarding the merits of my broadcast THAT
|
|||
|
morning.
|
|||
|
|
|||
|
It had none.
|
|||
|
|
|||
|
If I could've blocked out what I was saying as it was being said -
|
|||
|
as Coffey the Wise had trained me - perhaps today I could delude myself
|
|||
|
into believing I was a big success. But no, even now the whole sordid
|
|||
|
monologue appears to me, clear as the waters of Blue-Pine Lake. Whatever I
|
|||
|
could not immediately recall old Linus Lindberg was happy to recount, just
|
|||
|
as he'd heard it, echoing through the hallways of the radio station from
|
|||
|
secure atop his porcelain perch. Whatever Linus missed the whole of
|
|||
|
Thistle was readily able to fill in. And whatever else might have been
|
|||
|
forgotten was dutifully recorded on the station's log tape and held for one
|
|||
|
month, as per CRTC regulations. This procedure allowed time for many
|
|||
|
copies to be pirated and played for the amusement of giddy CJRS announcers
|
|||
|
of every shift and format and eventually, I suspect, their future
|
|||
|
co-workers from Halifax to Vancouver.
|
|||
|
|
|||
|
Having one's lowest achievement perpetually etched and re- etched,
|
|||
|
verbatim, upon the brain tends to bias one's opinion as to the value of
|
|||
|
repeating it yet again, in print. I've little desire to put anyone else
|
|||
|
through my misery. A summary will suffice.
|
|||
|
|
|||
|
Since I had nothing to talk about I started to describe things.
|
|||
|
Naturally I began with elements of the scene most relevant to the crime at
|
|||
|
hand. Unfortunately events below had reached a kind of stasis. I supposed
|
|||
|
that the police had made phone contact with the suspect, since their
|
|||
|
bullhorn had yet to echo through the Main Street canyon, but whatever the
|
|||
|
course of their dialogue it was a mystery to the whole of Thistle's
|
|||
|
electronic media contingent. After counting cars, officers, weapons,
|
|||
|
describing uniforms from cap to buttons, and a cursory attempt at
|
|||
|
simulating the "tension in the air" - during which roots and derivatives of
|
|||
|
the word "tension" appeared eight times - I began to give detailed
|
|||
|
architectural notes on the credit union, its surrounding buildings and, of
|
|||
|
course, the plush offices of CJRS. Next came a series of eye-witness
|
|||
|
weather reports. These were eventually embellished by complete three-day
|
|||
|
forecasts when I discovered that, oblivious to my personal crisis, the
|
|||
|
telex machine continued to perform its duties a scant four feet away.
|
|||
|
|
|||
|
The final insult came with the tapping of a later report over the
|
|||
|
wire in which BN described events at a bank robbery in progress in Thistle,
|
|||
|
Ontario - as filed by Chad Hawkins of CPOW, Winnipeg. I wondered how the
|
|||
|
resourceful Hawkins had managed to confirm the very details I was lacking.
|
|||
|
Floating in the back of my mind was an image of Mary Striker and my mom
|
|||
|
sitting in the staff lounge at the Thistle Shopper's Mall huddled around a
|
|||
|
direct line to Winnipeg. At that moment I rationalized I was far too new at
|
|||
|
this job to be handcuffed by anything so stuffy as professional pride. I
|
|||
|
ripped the bloody page off the machine and read it.
|
|||
|
|
|||
|
From this Thistle and I learned that, in fact, there was a lone,
|
|||
|
masked gunman holding several hostages inside the Northern Isles Credit
|
|||
|
Union and that police were currently negotiating for their safe release.
|
|||
|
The suspect was also reported to have several sticks of dynamite strapped
|
|||
|
to his waist. Primer cord ran from these to a battery pack and an
|
|||
|
improvised clothespin detonator, which he was holding clenched between his
|
|||
|
teeth. From this description of the apparatus I deduced, on behalf of my
|
|||
|
listeners, that should the alleged robber find any reason to stop smiling
|
|||
|
the two separated ends of that clothespin would proceed to make contact.
|
|||
|
|
|||
|
Most of Thistle and I were able to confirm the accuracy of reporter
|
|||
|
Hawkin's sources a very short while later, though it all happened too fast
|
|||
|
to allow for any kind of emotional involvement; for once the tempo of
|
|||
|
activity on the street surpassed my capacity to describe it.
|
|||
|
|
|||
|
What next transpired appeared to me as though it were taking place
|
|||
|
inside someone else's sphere of perception - in a distant dream world
|
|||
|
viewed through a blanket of gauze:
|
|||
|
|
|||
|
The bank door opens. Two faces appear: one masked, the other - a
|
|||
|
hostage? They approach a red pick-up parked directly out front. Then,
|
|||
|
opportunity: for one split second, rounding opposite sides to enter the
|
|||
|
vehicle, the two bodies are separated by a ton of GM metal. Suddenly the
|
|||
|
entire planet shakes! to be instantly followed by a muffled thunderclap!
|
|||
|
and then confusion...numbness! As the ringing in my ears begins to subside
|
|||
|
a single voice penetrates the dust pleading through the battalion of pocket
|
|||
|
radios tuned in up the street:
|
|||
|
|
|||
|
"Everybody back! The bomb has gone back!...OFF! The bomb has gone
|
|||
|
OFF! Everybody BACK!"
|
|||
|
|
|||
|
Those words were the most substantiated journalistic assessment I'd
|
|||
|
made all day. It was the only thing I've ever said that made the C.B.C.
|
|||
|
National. I was even introduced by Knowlton Nash - or, rather, my
|
|||
|
voice-over was. Footage was supplied by the Thistle newspaper. They were
|
|||
|
given name credit; I was "a reporter from a local radio station". In
|
|||
|
retrospect I believe the oversight to have been C.B.C.'s gesture of mercy
|
|||
|
on a poor, ignorant rookie announcer whom they deemed might someday wish to
|
|||
|
advance in the field.
|
|||
|
|
|||
|
They were wrong, of course. Certainly then I had no wish but to
|
|||
|
retreat under my bed. Instead I continued to sit at that open window,
|
|||
|
blood dripping from my nose, and describe badly, if diligently, the
|
|||
|
horrific sight that lay before my eyes.
|
|||
|
|
|||
|
As the smoke cleared the first thing I noticed was the people inside
|
|||
|
the bank. Then I noticed that I had not been able to see them before and
|
|||
|
that this status had changed because the large, reflective window pane that
|
|||
|
had previously guarded their activities was now a thousand pearls of
|
|||
|
sunlight, shimmering on the pavement. Only later did I learn the physical
|
|||
|
laws at work which had caused this surprising influx of matter towards the
|
|||
|
street: the outward force of an explosion creates an instantaneous and
|
|||
|
powerful vacuum at its centre which tends to suck-in things like nearby
|
|||
|
glass and sinus membranes (my mom heard this from Chad Hawkins, as the
|
|||
|
Shopper's Mall had switched over to CPOW for their updates).
|
|||
|
|
|||
|
A wad of tissue appeared in front of my face and I saw that, for the
|
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|
first time, I was not alone in the newsroom. The girls and Brad Wilson -
|
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|
the late-night jock, who'd run over as soon as he'd caught the station that
|
|||
|
morning - were there. Linus was offering me toilet paper for my nose.
|
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|
Neither his belt nor his fly were done up and his pants were wet. For once
|
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|
I felt I could relate to Linus Lindberg.
|
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|
|
|||
|
About twenty minutes had passed since I'd gone on. I continued my
|
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|
gibbering play-by-play for another five minutes before anyone thought to go
|
|||
|
back to the control booth and bail me off the air. During the commercial
|
|||
|
break I convinced Brad to take over and allow me the opportunity to start
|
|||
|
digging into some facts. Brad was an import from Edmonton. A year younger
|
|||
|
than me, and with only two months experience, he sparkled that day, by
|
|||
|
comparison. Armed with no more knowledge of events than I'd been, it was
|
|||
|
apparent Brad had at least mastered the art of "sounding like he knew what
|
|||
|
he was talking about" - a skill to which I, and all the Linus Lindberg's of
|
|||
|
broadcasting, have never entirely learned the secret. In addition, he had
|
|||
|
sufficient experience to know how to hook up a remote line in the newsroom
|
|||
|
so he could go live-to-mike instead of suffering the mediocrity of a
|
|||
|
phone-line. Watching young Brad do my job almost correctly was
|
|||
|
inspirational. It made me realize where my future did not lie.
|
|||
|
|
|||
|
Ironically, I would in time feel an even greater jealousy for the
|
|||
|
stranger in the mask. Unlike myself - and in a sense Brad Wilson, Jack
|
|||
|
Coffey and even Knowlton Nash - he could at least claim to have been a man
|
|||
|
of action. His was not the passive role of the leeching news reporter; he
|
|||
|
WAS the news. He had not slunk through life hoping for opportunity to pass
|
|||
|
his way. He had strode boldly through the front door of this sleepy,
|
|||
|
innocuous little town, slapped it in the face and woken it up...
|
|||
|
|
|||
|
The only solace I could find was that in the end we both proved
|
|||
|
equally incompetent in our chosen fields.
|
|||
|
|
|||
|
I did stay at CJRS another fourteen months, though - I guess to make
|
|||
|
really sure that broadcasting wasn't my life. My ability to "sound like I
|
|||
|
knew what I was talking about" improved substantially in that period -
|
|||
|
given my familial background it was only a matter of practice, I suppose.
|
|||
|
But in the end I opted, after all, for theatre school. In the theatre one
|
|||
|
didn't have to make pretentions of sincerity; an actor is a phoney by
|
|||
|
definition.
|
|||
|
|
|||
|
Of interest: I was not alone in the field of professionals whose
|
|||
|
career paths were altered that day.
|
|||
|
|
|||
|
The man who'd accompanied the suspect from the building was a local
|
|||
|
who, it seems, had recently made application to join the town police force.
|
|||
|
He'd just happened to be in on personal banking business that morning and,
|
|||
|
being trapped with the other hostages, had volunteered to drive the gunman
|
|||
|
away in his own truck. Meanwhile, the sniper who'd ended the standoff from
|
|||
|
his rooftop nest - atop the CJRS building, not six feet above my head - had
|
|||
|
recognized the young fellow and had made a snap decision to fire, based on
|
|||
|
a split-second of opportunity when the fugitive and hostage had become
|
|||
|
separated by the pick-up truck.
|
|||
|
|
|||
|
While both actions were taken solely on the initiative of the two
|
|||
|
men involved, their heroism seems rather evident. Due acknowledgement was
|
|||
|
washed aside, however, when a load of dirty laundry got stirred up by
|
|||
|
certain questions which were raised concerning the operation's soundness of
|
|||
|
leadership. Namely, who was ultimately responsible for the call? Both the
|
|||
|
Chief and the Deputy were reported to have been high above the scene in a
|
|||
|
chartered helicopter the whole time.
|
|||
|
|
|||
|
In the back-stabbing turmoil that ensued the officer who'd killed
|
|||
|
the robber simply avoided the mess by opting for early retirement. The
|
|||
|
young police hopeful, who'd received only minor contusions from the blast,
|
|||
|
saw his application to the Thistle Police Department turned down "for
|
|||
|
medical reasons" (he was quickly snapped up by the O.P.P. for whom he still
|
|||
|
works today). The Chief managed to hang on another eighteen months till
|
|||
|
full retirement. The Deputy eventually transferred to another force in
|
|||
|
Banff, Alberta, where he spent several years chasing wild elk off the
|
|||
|
streets before dying at the hooves of one particularly stubborn intruder.
|
|||
|
My brother never mentioned whether the Deputy had ever managed to follow up
|
|||
|
on his investigation of the alleged "press- leak" in the outboard motor
|
|||
|
theft case. Given his subsequent time demands, I ASS/U/ME he never did.
|
|||
|
|
|||
|
As for the catalyst of the day's news, the forensics lab in Toronto
|
|||
|
was never able to make a positive I.D. on him - there was really nothing
|
|||
|
left to identify. Local legend, however, has him firmly pegged as a man by
|
|||
|
the name of Oliver Towne - "Yep, he was all-over town, alright, heh-heh".
|
|||
|
The joke was fervently circulated in dutiful small-town fashion, like a
|
|||
|
chain-letter no one dares to break. After one or two half-hearted
|
|||
|
tellings, though, I personally found the will to withdraw from all the fun.
|
|||
|
|
|||
|
I had never before seen a piece of equipment like the one they used
|
|||
|
to clean Main Street that afternoon. It sprayed soapy water on the
|
|||
|
pavement and had two large wire brushes that rotated underneath, like the
|
|||
|
blades of a lawnmower. This made me think of mom, whom I was sure would
|
|||
|
forgive the postponement of my own promise to mow the grass. I knew I'd
|
|||
|
have my work cut out till quite late. Indeed, allowed the sufficient time,
|
|||
|
my reports grew noticeably more objective, succinct and professional
|
|||
|
through the course of the day. When Jack Coffey returned from the zoo,
|
|||
|
however, he was haggard, breathless and a spewing fountain of comments on
|
|||
|
everything I'd done wrong. When the station manager got back into town I
|
|||
|
think Coffey nearly lost his job. He went back to handling his own morning
|
|||
|
news. I never covered another town council meeting. In fact I eventually
|
|||
|
got a crack at the evening rock-show, when Brad Wilson moved on to
|
|||
|
all-nights at CPOW, Winnipeg. For six months I played the heaviest metal
|
|||
|
that ever burst an eardrum on Lake Norakee. The teeny-boppers of Thistle
|
|||
|
loved me. Somehow it wasn't all that exciting.
|
|||
|
|
|||
|
It was about 9:30 that evening of June 26 before I finally finished
|
|||
|
up and started for home. Main Street was still blocked off with the
|
|||
|
cleaning trucks, so I went out the back way and took my ten-speed down the
|
|||
|
fire escape onto the deserted waterfront. The sun had just set and I was
|
|||
|
thankful that at least I wouldn't have to ride home in the usual blazing
|
|||
|
afternoon heat. In the dim twilight I could see the silhouettes of two
|
|||
|
stray dogs on the shore, intensely interested in a chunk of charred
|
|||
|
driftwood. Curious, I walked over and nudged it with my foot. It was soft,
|
|||
|
like a piece of meat.
|
|||
|
|
|||
|
By the time I got home it was after ten and dark. I was about
|
|||
|
thirty-five years old, and well beyond exhaustion. As I traipsed over the
|
|||
|
uncut lawn to the bicycle-shed, some part of me seemed vaguely surprised at
|
|||
|
the sun's warmth still preserved in the mat of long grass. Then I realized
|
|||
|
that usually when I walked my bike through the grass in the dark it was 4
|
|||
|
a.m., when my feet were used to getting soaked by the cold dew. At 10
|
|||
|
p.m., of course, the grass is no longer wet.
|
|||
|
|
|||
|
This in itself is no revelation; but sometimes a small fact hides a
|
|||
|
deeper truth. For instance I now know that time and a little heat will
|
|||
|
eventually dry off almost anything.
|
|||
|
|
|||
|
Including a rookie's wet feet.
|
|||
|
|
|||
|
But occasionally the time must be spent at the school of brutal
|
|||
|
reality - and the heat provided by a teacher like Oliver.
|
|||
|
|
|||
|
|