442 lines
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442 lines
18 KiB
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J. Neil Schulman
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P.O. Box 94
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Long Beach, CA 90801-0094
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Voice, Fax & Modem: 310-839-7653
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GEnie Address: SOFTSERV
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ABOUT J. NEIL SCHULMAN
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J. NEIL SCHULMAN is the author of two previous novels, short
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fiction, nonfiction, and screenwritings, as well as having been
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the founder of SoftServ Publishing, the first publishing company
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to distribute "paperless books" via personal computers and
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modems.
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Most recently he's hosted \The J. Neil Schulman Show\, a
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program of interviews and music, on the American Radio Network's
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Kaleidascope program, and has been writing frequent articles for
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the \Los Angeles Times\ Op-Ed page which have been reprinted in
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numerous major daily newspapers across the country.
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Schulman's first novel, \Alongside Night\ (Crown hardcover
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1979, Ace paperback 1982, Avon paperback 1987, SoftServ 1990), a
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prophetic story of an America beset by inflation and revolution,
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was endorsed by Anthony Burgess and Nobel laureate Milton
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Friedman, and received widely positive reviews, including the
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\Los Angeles Times\ and \Publisher's Weekly\. The novel,
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published in 1979, anticipated such 1980's and 1990's problems as
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increased gang violence and homelessness, economic chaos such as
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the 1980's stock market crash and S&L crisis, and political
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trends such as the economic and political unification of Europe.
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In 1989, \Alongside Night\ was entered into the "Prometheus Hall
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of Fame" for classic works of fiction promoting liberty.
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\The Rainbow Cadenza\ (Simon & Schuster hardcover 1983, New
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English library paperback 1984, Avon paperback 1986, SoftServ
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1989) was his second novel, winning the 1984 Prometheus Award,
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and was the basis for an all-classical-music LASERIUM concert
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which played for several years in Los Angeles, San Francisco, and
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Boston. It's the story of a young girl in the 22nd Century who
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must fight the sexual exploitation of her era to pursue a career
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as a performer of "lasegraphy," a classical form of visual music
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evolved from the current laser shows. The book received
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favorable comments from such diverse authors as psychologist/
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bestseller Nathaniel Branden, British author Colin Wilson, and
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the late Robert A. Heinlein.
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Schulman also wrote the "Profile in Silver" episode,
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exploring the JFK assassination, for \The Twilight Zone\ TV
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series on CBS, which was run three times in network prime time in
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1986 and 1987, and which can now be seen in syndication.
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\No Strings Attached: A Screenplay\ (SoftServ, 1990)
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is an original screenplay Schulman wrote about the artistic
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and cultural differences between classical and rock music.
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It tells the story of a young violinist who, because of an
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injury to his hand, attempts secretly to play an electronic
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violin in a symphony orchestra, at the same time he's involved
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romantically with the female lead singer of a rock band. The
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story draws on Schulman's knowledge of both classical and
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8rock music drawn from family members who have been
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professionally involved in both.
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\The Robert Heinlein Interview and Other Heinleiniana\
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(SoftServ, 1990) collected Schulman's writings on an author
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who was not only particularly influential on Schulman but
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also a friend for fifteen years, and features Schulman's
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25,000 word interview with Heinlein for the \New York Daily
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News\, in 1973.
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Schulman's short story, "The Musician," a psychological
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mystery about a violinist whose career takes a sudden bizarre
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turn, was dramatized for Los Angeles radio, broadcast several
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times in 1980 on Pacifica/ KPFK FM's "Hour 25" show, read by the
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late Mike Hodel, and with classical violin accompaniment by the
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author's father, Julius Schulman.
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In addition to his opinion pieces for the \La Times\' Op-Ed
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page, which have been syndicated in major newspapers nationwide,
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Schulman's writings have appeared in magazines and newspapers
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including \Reader's Digest\, the \Los Angeles Times Book Review\,
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\Reason\ Magazine, \Liberty\, \Gun Week\, \The Lamp-Post\, and
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\The Journal of Social and Biological Structures\, and he's
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delivered talks at World Science Fiction conventions and other
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conferences. Mr. Schulman has been written about in magazines
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and newspapers including the \Wall Street Journal\, \USA Today\,
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\Shooting Times\, \Analog\, and \Byte\ Magazine, and has been
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interviewed on CNN, ABC's \World News Tonight\, and numerous radio
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talk shows coast to coast on subjects ranging from his novels and
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screenwriting, to electronic publishing, to firearms issues. He
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has also taught a course entitled "Book Publishing in the 21st
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Century" for the New School for Social Research/Connect-Ed.
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___________________________________________________________________
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About J. Neil Schulman's \ALONGSIDE NIGHT\:
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In 1973, shortly after he had interviewed his favorite
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science fiction author, Robert Heinlein, for the \New York Daily
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News\, J. Neil Schulman got an idea for a short story that would
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capture the spirit of the times. It would be a near-future story
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in which New York City was in such economic collapse that even
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getting across town to a stash of gold was a major problem. In
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February 1974, he started writing the idea as a novel. Schulman
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finished his first draft on May Day, 1976. The novel wasn't
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published, however, until October, 1979.
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In 1989, the Libertarian Futurist Society awarded it a
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Prometheus "Hall of Fame" gold medallion for classic works of
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fiction promoting liberty.
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In the years since \Alongside Night\ was written, much of
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its short-term projections have come to pass. New York City's
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Fifth Avenue is now the home to the homeless and the drug gang.
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The end of the Cold War is bringing to pass the "European Common
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Market Treaty Organization" portrayed in the novel. As the U.S.
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federal debt cripples the economy, major banks collapse, working
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people lose their jobs and end up on the street, foreigners buy
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up American corporations and landmarks at fire-sale prices, and
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U.S. foreign policy makes desperate efforts to prevent the world
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from regarding it as a paper tiger.
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But what of the novel's longer-term projections? Can a book
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which ends with the collapse of the United States really have a
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happy ending?
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J. Neil Schulman thought so in 1974, and he still does.
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This book projects the collapse of the United States ... and
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a way for America to save itself as a free land.
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If you're interested in seeing liberty prevail, this book is
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a blueprint to the future. If you're not ... it's the face of
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the nemesis you can't escape.
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Praise for \ALONGSIDE NIGHT\:
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"I received \Alongside Night\ at noon today. It is now
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eight in the evening and I just finished it. I think I am
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entitled to some dinner now as I had no lunch. The
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unputdownability of the book ensured that. It is a remarkable
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and original story, and the picture it presents of an inflation-
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crippled America on the verge of revolution is all too
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acceptable. I wish, and so will many novelists, that I, or they,
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had thought of the idea first. A thrilling novel, crisply
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written, that fires the imagination as effectively as it
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stimulates the feelings."
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--Anthony Burgess
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"One of the most widely hailed libertarian novels since the
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classic works of Ayn Rand."
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--\Reason Magazine\
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"High Drama ... A story of high adventure, close escapes,
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mistaken identities, and thrilling rescues. ... A fast-moving
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tale of a future which is uncomfortably close at hand."
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-- \Los Angeles Times Book Review\
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"An absorbing novel--science fiction, yet also a cautionary
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tale with a disturbing resemblance to past history and future
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possibilities."
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-- Milton Friedman, Nobel laureate in Economics
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"Let me begin with a disclaimer: I don't really agree with
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many of J. Neil Schulman's ideas about society or politics or
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money. But his first book, \Alongside Night\, is as enjoyable
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piece of cautionary fiction as I have read in some years ... Like
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Ayn Rand and Robert A. Heinlein, Schulman can tell a good story!"
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-- \Sunday Detroit News\
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"This is a radical novel. It pulls no punches, offers no
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compromises. It effectively presents a social, moral, and
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political point of view without polemic, without stridency.
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Without hysteria, it projects a bleak future for us all, but not
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without hope, for there's a deep affection for humanity despite
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its foibles underlying every sentence."
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-- F. Paul Wilson
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"Here is a frightening and all too plausible picture of the
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near future. America is already a long way down the road that
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leads to it. Yet there is also a hopefulness in the story, for
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the author develops a philosophy, in considerable practical
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detail, that we could begin living by today, if we will choose to
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be free."
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-- Poul Anderson
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"Not only a first-rate suspense thriller, but also a
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brilliant exposition of libertarian ideas. I read it with great
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enjoyment and heartily recommend it."
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-- Robert Anton Wilson
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"As the seventies ended ... the time seemed ripe for a great
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libertarian novel to appear, and so it did. The novel was
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\Alongside Night\ ..."
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--\Liberty\ Magazine
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___________________________________________________________________
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About J. Neil Schulman's \THE RAINBOW CADENZA\
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This 1984 Prometheus-award-winning novel is fiction not
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about the future of machines, but about the future of the human
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soul: the story of Joan Darris, a brilliant young artist in the
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medium of laser concerts, who swore she would tell the colors how
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to make a rainbow.
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Was it her destiny to play music for men's eyes, or to make
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herself a plaything for their desires? Why did her love for her
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mother threaten to subject her to three years of legalized rape,
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and why did her family -- the very politics on Earth in her time
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-- tell her it was her duty to comply? How did the murder she
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witnessed at five years old make legalized rape seem the lesser
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of evils twelve years later -- and how did the lingering horror
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of that murder threaten not only to rob her of her artistic
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triumph but threaten the life of a man she loved but who could
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not give himself to her without betraying everything he believed
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in?
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Structured as carefully as one of the visual fugues it
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describes -- beginning slowly and accelerating faster with each
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movement -- \The Rainbow Cadenza\ conducts unforgettable
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characters through a complex drama of human motive and variation
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from Joan's mother, Eleanor, who learns the tragedy of trying to
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live through a daughter -- to Joan's older sister Vera, the twin
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daughter of Eleanor, whose struggle to find herself threatens to
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destroy both her mother and sister -- to the elderly maestro,
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Wolfgang Jaeger, who doesn't know whether Joan is a worthy
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artistic heir or a cheap sensationalizer -- to the politician who
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uses his power to make Joan his private love slave, and subject
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her to his darkest desires -- to the secret Christian missionary
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sent to Earth to teach the meaning of love, but who must learn
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from Joan the ultimate meaning of his sermons.
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Joan Darris's world is an eccentric one, an Earth with seven
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men for every woman, with Marnies who hunt Touchables, with
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Gaylords and Ladies, with games shows that try people for capital
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crimes and sentence them to death in microwave ovens -- an Earth
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that has eliminated war, but which has found new outlets for
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violence.
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Like the cautionary tales of Orwell and Huxley, the
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philosophical novels of Ayn Rand, the realistic speculation of
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Heinlein, the satiric fiction of Anthony Burgess, \The Rainbow
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Cadenza\ uses the device of futuristic fiction to ask fundamental
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questions about the personal, political, and religious values to
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which we dedicate our lives, and to shed light on the problems we
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face today.
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Praise for \THE RAINBOW CADENZA\:
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"Every libertarian should read it. It should win the
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Prometheus Award."
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--Robert A. Heinlein, at the 1983 L-5 Society Conference, to
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Libertarian Futurist Society Chairman Michael Grossberg
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"I found it absolutely fascinating ... A splendid
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book."
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--Colin Wilson
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"A thoughtful, unusually well-written book that raises the
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most important questions about life and art."
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--Michael Medved, host of PBS's \Sneak Previews\
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"Particular praise is due to Schulman for the detailed
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working out of the heroine's profession of laser-graphics
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composer. Future art forms are seldom handled wih the
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intelligence and vividness seen here."
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--\Booklist\
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"Engrossingly suspenseful ... wickedly funny and chilling at
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the same time."
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--\Publishers Weekly\
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"A sonata of rational discourse ... A highly recommended
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feast of invention and serious speculation."
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--\Library Journal\
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"It is that rare thing, a genuinely intellectual thriller."
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--\San Jose Mercury News\
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"The book left me feeling for three days that I wished I'd
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been born without a penis."
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--Larry Niven, to the author
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"The damn book haunted me."
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--Poul Anderson, \Reason Magazine\
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"An original and thoughtful book which raises questions that
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have not appeared in fiction before."
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--Gregory Benford
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"An intensively interesting evocation of complex
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psychological realities. Imaginative and original. Mr. Schulman
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is a remarkably gifted writer."
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--Nathaniel Branden, author of \The Psychology of Self
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Esteem\ and \Judgment Day: My Life With Ayn Rand\
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___________________________________________________________________
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About J. Neil Schulman's
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\THE ROBERT HEINLEIN INTERVIEW AND OTHER HEINLEINIANA\
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In 1973, Robert A. Heinlein was sixty-six and at the height
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of his literary career, and J. Neil Schulman was twenty and
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hadn't yet started his first novel. And because he was looking
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for a way to meet his idol, Schulman wangled an assignment from
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the \New York Daily News\ -- at the time the largest circulation
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newspaper in the U.S. -- to interview Heinlein for its Sunday
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Book Supplement. The resulting interview lasted six hours, four-
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and-a-half hours of which were on tape, and when edited by
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Schulman and Heinlein for later serialization in a libertarian
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magazine came to 25,000 words.
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This turned out to be the longest interview Heinlein ever
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granted, and the only one in which he talked freely and
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extensively about his personal philosophy and ideology.
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"The Robert Heinlein Interview" contains Heinlein you won't
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find anywhere else -- even in \Expanded Universe\. If you want
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to know what Heinlein had to say about UFO's, life after death,
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epistemology, or libertarianism, this interview is virtually the
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only source available. It is available in this book for the
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first time since 1974.
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Also included in this collection are articles, reviews, and
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letters J. Neil Schulman wrote about Heinlein, including the
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original article written for the \Daily News\, about which the
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Heinleins wrote Schulman that it was, "The best article -- in
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style, content, and accuracy -- of the many, many written about
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him over the years."
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This book is must-reading for any serious student of
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Heinlein, or any reader of his seeking to know him better.
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Praise for
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\THE ROBERT HEINLEIN INTERVIEW AND OTHER HEINLEINIANA\:
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"Once in a while you find a writer who says with
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almost perfect clarity the things you have been thinking about
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and the things you would like to say if you only had the skill
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and artistry. This series of writings by and about RAH by J.
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Neil Schulman have done that for me. A very articulate
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proponent of the libertarian philosophy in his own right ...
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he sheds light on RAH's libertarian feelings and beliefs.
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... The interview with RAH is the crown jewel of the book.
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... On my scale of 0 to 5, this is a 5. Worth reading, worth
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rereading, and worth keeping to read again."
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--Darryl Kenning
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\Reading For Pleasure\
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"Schulman's book helps put the great master's work and
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life in context, helps us to see the magnitude and beauty of
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Heinlein's accomplishments. And, through the feelings of
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admiration and respect for Heinlein that come through in
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Schulman's writings, we come to appreciate Heinlein more
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ourselves. For Schulman seems to have absorbed all Heinlein's
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writings, and admires him with good reason, and presents it
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to us."
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--Stephan Kinsella
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GEnie, Science Fiction and Fantasy RoundTable
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___________________________________________________________________
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J. NEIL SCHULMAN
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* AUTHOR:
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Prometheus-Award-Winning novelist of
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\Alongside Night\ and \The Rainbow Cadenza\.
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Listed in \International Who's Who of Authors and
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Writers\ & \Contemporary American Authors\.
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* ENTREPRENEUR:
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Founder of SoftServ Publishing and the SoftServ
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Paperless Bookstore
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* TEACHER:
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Taught graduate course "Book Publishing in the 21st
|
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Century" for New School for Social Research/Connect-Ed.
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* ACTIVIST:
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Founder and Chair of the Committee to Enforce
|
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the Second Amendment
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* MEDIA EXPERT:
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Screenwriter for CBS' Twilight Zone series
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Radio Producer & Host on the American Radio Network
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Producer of Classical Recital for Cable Television
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|||
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Consultant to Public Television
|
|||
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Frequent interview guest on TV and radio
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___________________________________________________________________
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J. NEIL SCHULMAN
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PUBLIC SPEAKING TOPICS:
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* Writing Novels & Screenplays That Sell Freedom
|
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|||
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* Electronic Publishing: Freedom From Censorship
|
|||
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* Using Computer Networks to Organize
|
|||
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|
|||
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* Keeping Adults Juvenile: How to Enslave a Society
|
|||
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|
|||
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* The Fully Privatized Society: Could it Happen?
|
|||
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|
|||
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* Libertarian Futurism: The Technology of Freedom
|
|||
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|
|||
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* Three Paladins of Liberty: Ayn Rand, Robert Heinlein, C.S.
|
|||
|
Lewis
|
|||
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|
|||
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* Libertarian Science Fiction: Rewriting the Future
|
|||
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|
|||
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* Informational Property: Logorights
|
|||
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|
|||
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* Firearms and the Free Society
|
|||
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|
|||
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* Artistic Inhumanism and the Destruction of the Human Spirit
|
|||
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|
|||
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Speaking fee: $1,500 + expenses
|
|||
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|
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Copyright (c) 1993 by J. Neil Schulman. All rights reserved.
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