244 lines
12 KiB
Plaintext
244 lines
12 KiB
Plaintext
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
|
<20><><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD>
|
|||
|
|
<20><><EFBFBD>ܱ<EFBFBD><DCB1><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>Ŀ
|
|||
|
|
<20> INTERNATIONAL NETWORK OF CRACKERS DOCUMENTATION DIVISION Presents: <20>
|
|||
|
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>Ŀ <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>Ŀ
|
|||
|
|
<20> Game <20> Titus The Fox <20> <20> Supplier <20> <20>
|
|||
|
|
<20> Company <20> Titus <20> <20> Typist <20> Unknown <20>
|
|||
|
|
<20> Date <20> 03-14-92 <20> <20> Packager <20> Night Ranger <20>
|
|||
|
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>Ŀ
|
|||
|
|
<20> Docmentation Information / General Notes <20>
|
|||
|
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>Ŀ
|
|||
|
|
<20> IDD Distribution Sites / Member Boards <20>
|
|||
|
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
|
10 Downing Street McClusky's Bar & Grill The Exorcist
|
|||
|
|
Above the Law Midnite Oil The Forum
|
|||
|
|
Animal House Midnite Oil IV The Generic Access
|
|||
|
|
B2 Bombers Motherboard VII The Gallifrey
|
|||
|
|
Crime Syndicate Nuclear Wastelandz The Gallows
|
|||
|
|
Dark Well O.K. Corrale The Rising Star
|
|||
|
|
Digital Underground (US) Outland The Smell of Fear
|
|||
|
|
Digital Underground (Ger) Palace of Illusion The VOID
|
|||
|
|
Electric Dreams Realms of Immortality The Vortex
|
|||
|
|
Fat Cat City Splatterhouse Tower of High Sorcery
|
|||
|
|
Inner Circle Star Frontiers Wizard's Palace
|
|||
|
|
Inn of the Last Home The Abyss Wizard's Tower
|
|||
|
|
Lost Souls Domain ][ The Collesium
|
|||
|
|
<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD>
|
|||
|
|
|
|||
|
|
-===============-
|
|||
|
|
C O N T R O L S
|
|||
|
|
-===============-
|
|||
|
|
LOSE A LIFE F1
|
|||
|
|
GAME OVER F2
|
|||
|
|
STATUS SCREEN F4
|
|||
|
|
MUSIC ON/OFF F5
|
|||
|
|
SOUND EFFECTS ON/OFF F6
|
|||
|
|
SOUND FILTER ON/OFF F7
|
|||
|
|
PAUSE P
|
|||
|
|
|
|||
|
|
| JOYSTICK | KEYBOARD |
|
|||
|
|
.----------------------+-----------------------+-----------------------------+
|
|||
|
|
|GO UP / JUMP | UP | UP ARROW / Q |
|
|||
|
|
|GO DOWN / DUCK | DOWN | DOWN ARROW / A |
|
|||
|
|
|GO LEFT | LEFT | LEFT ARROW / L |
|
|||
|
|
|GO RIGHT | RIGHT | RIGHT ARROW / M |
|
|||
|
|
|THROW AN OBJECT | FIRE BUTTON | SPACE BAR / ENTER |
|
|||
|
|
|PIK UP AN OBJECT / | DOWN + FIRE BUTTON | DOWN ARROW + SPACE / ENTER|
|
|||
|
|
|PLACE AN OBJECT | | |
|
|||
|
|
|ENTER SECRET PASSAGES | DOWN | DOWN ARROW |
|
|||
|
|
| | (AFTER A FEW SEC.) | (AFTER A FEW SEC.) |
|
|||
|
|
`----------------------------------------------------------------------------'
|
|||
|
|
|
|||
|
|
DEPENDING ON THE SITUATION IN THE GAME, THE ABOVE INSTRUCTIONS MAY HAVE OTHER
|
|||
|
|
FUNCTIONS. THE FUNCTION KEY F10 DIVIDES THE GAME SPEED BY 2. THIS MAKES THE
|
|||
|
|
GAME EASIER AT CERTAIN POINTS. TO RETURN TO NORMAL SPEED, PRESS THE F10 KEY A
|
|||
|
|
SECOND TIME. THE KEYS 4 & 6 (NUMERIC KEYPAD) ADJUST THE SCROLLING, ENABLING
|
|||
|
|
YOU HAVE A TOTAL OVERVIEW OF THE SITUATION.
|
|||
|
|
|
|||
|
|
-=========-
|
|||
|
|
S T O R Y
|
|||
|
|
-=========-
|
|||
|
|
HI GUYS, MY NAME IS TITUS. MY LIANCEE FOXY WAS SENT TO THE SAHARA DESERT FOR
|
|||
|
|
FOX & LOCKS MAGAZINE. THIS REPUTABLE PUBLICATION HAD SENT HER ON AN ASSIGNMENT TO
|
|||
|
|
INVESTIGATE THAT VERY RARE SPECIES - THE DESERT FOX. HOWEVER, DURING A
|
|||
|
|
NOCTURNAL PHOTO SESSION, SHE WAS SUDDENLY ATTACKED AND KIDNAPPED BY BANDITS.
|
|||
|
|
SHE IS NOW AN UNWILLING CONCUBINE IN THE HAREM OF THE KNIGHTS OF SHAH HASSAN.
|
|||
|
|
ALTHROUGHT THIS MAY SOUND DANGEROUS AND FULL DUNGEONS AND DAGGERS, I DON'T
|
|||
|
|
HAVE A CHOICE. I MUST SET UPON MY JOURNEY AND RESCUE MY IMPRISONED VIXEN.
|
|||
|
|
|
|||
|
|
-=================================-
|
|||
|
|
O P E R A T I N G T H E G A M E
|
|||
|
|
-=================================-
|
|||
|
|
|
|||
|
|
START & PASSWORDS
|
|||
|
|
-----------------
|
|||
|
|
|
|||
|
|
AFTER THE TITLE SCREEN YOU HAVE TWO POSSIBILITIES OF PLAY START A NEW GAME
|
|||
|
|
(START). THIS OPTION IS CHOSEN IF YOU ARE PLAYING FOR THE FIRST TIME OR IF YOU
|
|||
|
|
WANT TO START FROM THE BEGINNINGOF THE GAME. ENTER A SPECIFIC CODE (PASSWORD).
|
|||
|
|
THIS ENABLES YOU TO START FROM THE BEGINNING OF A DESIRED LEVEL. THE CODE FOR
|
|||
|
|
A PARTICULAR LEVEL IS OBTAINED WHEN YOU COME ACROSS THE MAGIC LANTERN BONUS
|
|||
|
|
FOR THAT LEVEL. ON FINDING THIS LANTERN, THE PROGRAM GIVES YOU A CODE COMPOSED
|
|||
|
|
OF NUMBERS AND LETTERS ENTER THE DESIRED NUMBER ON THE KEYBOARD
|
|||
|
|
|
|||
|
|
LIVES
|
|||
|
|
-----
|
|||
|
|
|
|||
|
|
THE FUNCTION KEY F4 CALLS UP A SCREEN INDICATING THE NUMBER OF LIVES YOU HAVE
|
|||
|
|
(SEE THE QUICK START CARD FOR MORE DETAILS). EACH GAME IS PLAYING WITH 3 LIVES
|
|||
|
|
(2 PLUS THE ONE IN PLAY). THIS SCREEN ALSO INDICATES YOUR EXTRA BONUSES. TO
|
|||
|
|
RETURN TO THE GAME PRESS THE F4 KEY A SECOND TIME
|
|||
|
|
|
|||
|
|
ENERGY
|
|||
|
|
------
|
|||
|
|
A LIFE IS DIVIDED INTO 16 POINTS WHICH ARE REPRESENTED BY THE ENERGY BAR. YOU
|
|||
|
|
LOSE TWO ENERGY POINTS EACH TIME YOU COLLIDE WITH AN ENEMY OR WHEN YOU HIT A
|
|||
|
|
TRAP E.G. STALACITES. YOU CAN INCREASE YOUR ENERGY BY 1 POINT WHEN YOU COLLECT
|
|||
|
|
1 BONUS. IF YOU FIND YOURSELF IN A VERY STICKY SITUATION, YOU MAY VOLUNTARILY
|
|||
|
|
LOSE A LIFE BY PRESSING F1 KEY. IN THIS INSTANCE YOU CONTINUE FROM THE
|
|||
|
|
PREVIOUS STARTING POINT (SEE *BONUS* SECTION)
|
|||
|
|
|
|||
|
|
-===============-
|
|||
|
|
C O M M A N D S
|
|||
|
|
-===============-
|
|||
|
|
|
|||
|
|
TITUS THE FOX FOLLOWS THE JOYSTICK COMMANDS (LEFT, RIGHT, UP, DOWN). TO SQUAT
|
|||
|
|
DOWN, MOVE THE JOYSTICK DOWNWARDS. YOU CAN ALSO MAKE HIM CRAWL BY HOLDING THE
|
|||
|
|
JOYSTICK DOWNWARDS AND PUSHING IN EITHER DIRECTION (LEFT OR RIGHT). TO JUMP
|
|||
|
|
OVER AN OBSTACLE, PUSH THE JOYSTICK DIAGONALY (UP/LEFT OR IP/RIGHT) THUS
|
|||
|
|
JUMPING IN THE CORRESPONDING DIRECTION. IT IS ALSO POSSIBLE TO CHANGE
|
|||
|
|
DIRECTION WHILE JUMPING. BOTH THE HEIGHT AND LENGHT OF THE JUMP ARE
|
|||
|
|
PROPORTIONAL TO THE TIMELENGHT OF THE JOYSTICK MOVEMENT. TO ENTER ROOMS OR
|
|||
|
|
SECRET PASSAGES, PLACE TITUS THE FOX IN FRONT OF THE ENTRANCE, MOVE THE
|
|||
|
|
JOYSTICK DOWNWARDS AND WAIT A MOMENT. YOU SHOULD NOTE THAT EACH LEVEL HAS
|
|||
|
|
MANY HIDDEN ROOMS WITH EXTRA BONUSES ONLY ACCESSIBLE THROUGHT SECRET PASSAGES
|
|||
|
|
- AND IT'S UP TO YOU TO DISCOVER THESE.
|
|||
|
|
|
|||
|
|
-=============-
|
|||
|
|
O B J E C T S
|
|||
|
|
-=============-
|
|||
|
|
|
|||
|
|
A LARGE CHOICE OF OBJECTS (EACH WITH IS OWN CHARACTERISTICS) IS SCATTERED
|
|||
|
|
AROUND EACH LEVEL TO HELP YOU OVERCOME BOTH BARRIERS AND YOUR ADVERSARIES.
|
|||
|
|
|
|||
|
|
TO PICK UP AN OBJECT
|
|||
|
|
--------------------
|
|||
|
|
|
|||
|
|
PLACE TITUS THE FOX IN FRONT OF AN OBJECT WITHOUT CLIMBING ON TOP OF IT. MOVE
|
|||
|
|
THE JOYSTICK DOWNWARDS AND PRESS THE FIRE BUTTON. NOW YOU CAN PICK UP THE
|
|||
|
|
OBJECT AND MOVE AROUND WITH IT. NOTE THAT IT IS NOT POSSIBLE TO ACCESS A
|
|||
|
|
SECRET PASSAGE WHEN HOLDING OBJECT.
|
|||
|
|
|
|||
|
|
PLACING OBJECTS
|
|||
|
|
---------------
|
|||
|
|
|
|||
|
|
CERTAIN OBJECTS CAN BE PLACED ON TOP OF EACH OTHER IN ORDER TO HELP YOU
|
|||
|
|
OVERCOME DIFFERENT TRAPS. TO PLACE AN OBJECT, MOVE THE JOYSTICK DOWNWARDS AND
|
|||
|
|
PRESS THE FIRE BUTTON. IT IS POSSIBLE TO USE THIS OBJECT AGAIN.
|
|||
|
|
|
|||
|
|
THROWNING OBJECTS
|
|||
|
|
-----------------
|
|||
|
|
|
|||
|
|
TITUS THE FOX CAN ALSO THROW OBJECTS TO BUMP-OFF HIS ENEMIES. IN ORDER TO DO
|
|||
|
|
THIS, PLACE YOURSELF IN FRONT OF AN ENEMY AND PRESS THE FIRE BUTTON. THE
|
|||
|
|
OBJECT IS FIRED IN THE DIRECTION OF ITS TARGET. WITH FEW EXCEPTIONS, IT IS
|
|||
|
|
DIFFICULT TO RETRIEVE OBJECTS ONCE THEY HAVE BEEN THROW. NOTE THAT, IN THE
|
|||
|
|
INTEREST OF YOUR HEALTH, IT IS SOMETIMES DANGEROUS TO THROW OBJECTS UPWARDS.
|
|||
|
|
|
|||
|
|
TITUS THE FOX ALSO USED THE *COYOTE APPROACH*, NAMELY DROPPING OBJECTS ON TOP
|
|||
|
|
OF ENEMIES. T ACHIEVE THIS, PLACE YOURSELF ON AN UPPER LEVEL WITH AN OBJECT
|
|||
|
|
AND RELEASE IT.
|
|||
|
|
|
|||
|
|
|
|||
|
|
-============================-
|
|||
|
|
S P E C I A L O B J E C T S
|
|||
|
|
-============================-
|
|||
|
|
|
|||
|
|
THE BALL, SPRING, SKATEBOARD ETC. ARE SPECIAL OBJECTS WHICH ENABLE YOU TO
|
|||
|
|
REACH POINTS ON THE MAPS WHICH WOULD OTHERWISE BE IN ACCESSIBLE.
|
|||
|
|
|
|||
|
|
THE ANVIL, SAFE AND OTHER HEAVY INSTRUMENTS; IF YOU DROP THEM FROM A HEIGHT
|
|||
|
|
THEY PASS BEYOND CERTAIN BOUNDARIES. IT'S UP TO YOU TO FIND THE HIDDEN
|
|||
|
|
BENEFITS.
|
|||
|
|
|
|||
|
|
THE BOWLING BALL; WHEN THROWN, THIS OBJECT CROSSES THE SCREEN ELIMINATING ALL
|
|||
|
|
ENEMIES IN ITS PATH.
|
|||
|
|
|
|||
|
|
|
|||
|
|
-==========================-
|
|||
|
|
G E T T I N G A R O U N D
|
|||
|
|
-==========================-
|
|||
|
|
|
|||
|
|
THE 3 FOLLOWING FORMS OF TRANSPORT ARE AVAILABLE ON VARIOUS LEVELS
|
|||
|
|
|
|||
|
|
THE GOLDEN SCOOTER ALLOWS YOU TO ADVANCE QUICKLY TO YOUR NEXT DESTINATION.
|
|||
|
|
HOWEVER, FAST REFLEXES ARE NEEDED IF YOU WANT TO AVOID COSTLY ACCIDENTS.
|
|||
|
|
|
|||
|
|
THE SKATEBOARD WILL TURN YOU INTO A PUBLIC-ENEMY-NUMBER-1. IT WILL PUT YOUR
|
|||
|
|
ENEMIES OFF THEIR GUARD AND IT SPEEDS THING UP JUST ALL THE RIGHT MOMENT.
|
|||
|
|
|
|||
|
|
THE MAGIC CARPET ENABLES YOU TO GLIDE OVER ENEMIES, BUILDINGS AND ALL
|
|||
|
|
OBSTACLES THAT MIGHT BLOCK YOUR PATH. ALL YOU DO IS THROW IT FROM A HEIGHT
|
|||
|
|
AND JUMP ON.
|
|||
|
|
|
|||
|
|
|
|||
|
|
-=========-
|
|||
|
|
B O N U S
|
|||
|
|
-=========-
|
|||
|
|
|
|||
|
|
YOU WILL FIND BONUS POINTS SCATTERED AROUND THE DIFFERENT LEVELS OF THE GAME
|
|||
|
|
AND IF YOU GO EXPLORING, YOU MAY FIND HIDDEN ROOMS FULL OF EXTRA POINTS ....
|
|||
|
|
1 BONUS IS WORTH 1 POINT ON THE ENERGY BAR. ONCE YOUR ENERGY BAR IS FULL,
|
|||
|
|
ADDITIONAL BONUSES ARE STILL CLOCKED UP ON A SECOND COUNTER. AT THE END OF
|
|||
|
|
EACH LEVEL, YOU GAIN 1 LIFE FOR EVERY 10 EXTRA BONUSES. BY PRESSING THE F4
|
|||
|
|
KEY, YOU CAN SEE THE NUMBER OF BONUSES ON THE SECOND COUNTER. NOTE THAT,
|
|||
|
|
WITHIN THE SAME LEVEL, THE NUMBER OF EXTRA BONUSES NEVER DECRASES.
|
|||
|
|
|
|||
|
|
ANOTHER TYPE OF BONUS EXISTS IN THE FORM OF AN OIL LAMP (FOR DETAILS SEE
|
|||
|
|
*START & PASSWORDS*).
|
|||
|
|
|
|||
|
|
YOU WILL ALSO FIND PADLOCK BONUSES ON EACH LEVEL. THESE DEFINE SECTIONS
|
|||
|
|
WITHIN EACH LEVEL. PICKING UP A PADLOCK IS THE SAME COMPLETING ITS
|
|||
|
|
CORRESPONDING SECTION. IF TITUS THE FOX LOSE A LIFE, THE GAME RESTART AT THE
|
|||
|
|
LAST PADLOCK AND NOT THE BEGINNING OF THE LEVEL.
|
|||
|
|
|
|||
|
|
|
|||
|
|
-=============-
|
|||
|
|
E N E M I E S
|
|||
|
|
-=============-
|
|||
|
|
|
|||
|
|
TIRUS THE FOX OFFERS YOU MORE THAN 50 ENEMIES. EACH HAS ITS OWN PARTICULAR
|
|||
|
|
CHARACTERISTICS AND WILL RESPOND ACCORDINGLY AS YOU APPROACH. YOU ARE ADVISED
|
|||
|
|
TO OBSERVE THESE FOES SO THAT YOU MAY AVOID THEIR ATTACKS.
|
|||
|
|
|
|||
|
|
THERE ARE SEVERAL DIFFERENT WAYS TO BUMP OFF YOUR ENEMIES. THE SIMPLEST IS TO
|
|||
|
|
HIT HIM WITH AN OBJECT (SEE SECTION OBJECTS). WITH THE *COYOTE APPROACH*, YOU
|
|||
|
|
CAN GET RID OF THESE EVIL BEINGS WITHOUT TOO MUCH RISK (AGAIN SEE SECTION
|
|||
|
|
OBJECTS). IF YOU PREFER A DEFENSIVE APPROACH, THE BEST SOLUTION IS TO JUMP
|
|||
|
|
OVER YOUR ADVERSY. THIS IS OFTEN THE QUICKEST METHOD BUT YOU MUST BE A FAST
|
|||
|
|
MOVER TO SUCCEED. FOR THOSE OF YOU WHO ARE BRAVE, AN INTERESTING ALTERNATIVE
|
|||
|
|
IS TO SNEAK UP ON HIM AN PICK HIM UP LIKE A RUSSIAN WEIGHT LIFTER. YOU THEN
|
|||
|
|
KNOCK YOU CATCH INTO OBLIVION OR BUMP HIM OFF ANOTHER ENEMY TO KILL TWO BIRDS
|
|||
|
|
WITH THE ONE STONE.
|
|||
|
|
|
|||
|
|
|
|||
|
|
-=====================-
|
|||
|
|
H I N T S & T I P S
|
|||
|
|
-=====================-
|
|||
|
|
|
|||
|
|
1 - DON'T LOSE FAITH. THERE IS A SOLUTION TO EACH PUZZLE, IT'S JUST A MATTER
|
|||
|
|
OF DEVELOPING THE RIGHT APPROACH.
|
|||
|
|
|
|||
|
|
2 - ALL TRAPS AND DIFFICULT PASSAGES CAN BE OVERCOME WITHOUT LOSING ENERGY.
|
|||
|
|
AGAIN THIS IS A MATTER OF TECHNIQUE.
|
|||
|
|
|
|||
|
|
3 - IT IS SOMETIMES MORE ADVANTAGEOUS NOT TO GATHER ALL THE EXTRA BONUSES
|
|||
|
|
AVAILABLE.
|
|||
|
|
|
|||
|
|
4 - THE OIL LAMP AND PADLOCK BONUSES ARE HIDDEN FROM TIME TO TIME.
|