6599 lines
276 KiB
Plaintext
6599 lines
276 KiB
Plaintext
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The Official Phreaker's Manual
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The Official Phreaker's Manual V1.1
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Updated 2/14/87
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Compiled, Wordprocessed, and Distributed by:
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The Jammer
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and
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Jack the Ripper
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Page 1
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The Official Phreaker's Manual
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Introduction
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What precedes this introduction is what I have termed "The Official
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Phreakers Manual", while it may not be. Many times I have been on a BBS, which
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has files claiming to have summed up all the ways to phreak in the U.S. and
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abroad, well those were pretty lame and a couple pages long. Now after many
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relentless hours of work, I have done it. This is an informative file and the
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authors of this and the authors from which I have gathered information, take
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absolutely NO responsibility and are not liable for, under any circumstances
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for damage, direct, indirect, incidental, or consequential.
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Warning: Use of this material may shorten your life in the free world!
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Ok enough of the bullshit, I readily admit that this is mainly a compilation
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of available phreak material and public resources. What I have done is to
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gather it all together and edit, compile, check for errors, put in a readable
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form, and finally to write what I know without echoing what others have said.
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I have set this up that it is good for all levels of phreaks, going from novice
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to advanced, and references and tables for easy reference in the back.
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This manual is constantly being updated! If you have any contributions or
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corrections or comments, please leave messages to me (Jack the Ripper) on any
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BBS's I am on (probably where you got it). Thanks!
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Page 2
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The Official Phreaker's Manual
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**********************************************************************
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Table of Contents
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**********************************************************************
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I....... 005 Chapter 1
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I.1..... 006 Glossary of Phreaking terms
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I.2..... 010 Glossary of Phreaking terms cont.
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I.3..... 017 Boxes and Electronic Toll Fraud
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I.4..... 020 How to be a Real Phreak
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I.5..... 026 Basic Telecommunications I, A Phreaks guide
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II...... 031 Chapter 2
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II.1.... 033 Secrets of the Little Blue Box. Part 1
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II.2.... 041 Secrets of the Little Blue Box. Part 2
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II.3.... 050 Secrets of the Little Blue Box. Part 3
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II.4.... 058 Secrets of the Little Blue Box. Part 4
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II.5.... 062 The History of ESS
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II.6.... 064 History of British Phreaking
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II.7.... 067 Bad as Shit, an adventure story
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III..... 069 Chapter 3
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III.1... 070 Phreaking Cosmos
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III.2... 072 Cosmos Revamped
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III.3... 073 Telenet
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III.4... 075 Phreaking AT&T Cards
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III.5... 076 AT&T Forgery
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III.6... 078 Dealing with Operators
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III.7... 079 How to set up a Conference Call
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III.8... 081 Fone tapping
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III.9... 083 Fone tapping cont.
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III.10.. 085 Tracing, how dangerous is it
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III.11.. 086 How to avenge yourself
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III.12.. 088 Interesting things to do on Step lines
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III.13.. 089 Busted, An account of the Private Sector bust
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IV...... 092 Chapter 4
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IV.1.... 093 Basic Telecommunications II, Special #'s, Loops, Ani
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IV.2.... 101 Basic Telecommunications III, Direct Dialing, International
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IV.3.... 106 Basic Telecommunications IV, Telefone Hierarchy
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IV.4.... 113 Basic Telecommunications V, Subscriber fone electronics
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IV.5.... 120 Basic Telecommunications VI, Fortress fones
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V....... 123 Chapter 5
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V.1..... 124 Basic Telecommunications VII, Blue Boxing
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V.2..... 132 Better Homes & Blue Boxing, Part 1
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V.3..... 136 Better Homes & Blue Boxing, Part 2
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V.4..... 141 Better Homes & Blue Boxing, Part 3
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V.5..... 145 More on Blue Boxing by Fred Stienbeck
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V.6..... 146 Verification, Remob, etc., Is it possible?
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V.7..... 148 Equal Access and the American Dream, Another great article
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V.8..... 160 Equal access and Autodialing Modems
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V.9..... 161 ISDN, it will change telecommunications for ever
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V.10.... 163 ISDN, an article from Proto
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V.11.... 165 MCI Services what they are and how they are useful
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Page 3
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The Official Phreaker's Manual
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**********************************************************************
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Appendixes
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**********************************************************************
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Appendix I...... 170 Reference tables and access lists
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Appendix I.1.... 171 Country Codes
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Appendix I.2.... 173 Country Codes cont.
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Appendix I.3.... 176 Country Codes cont.
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Appendix I.4.... 181 Max Access ports (Dialups)
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Appendix I.5.... 182 Metro Fone Access ports
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Appendix I.6.... 183 Area Codes
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Appendix I.7.... 185 Tac Dialups around the country
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Appendix I.8.... 193 Test numbers around the country
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Appendix I.9.... 196 What a TSPS operators console looks like
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Appendix II..... 197 Box plans
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Appendix II.1... 198 How to make an Infinity transmitter
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Appendix II.2... 203 How to make a silver box
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204 Protection Page
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Page 4
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The Official Phreaker's Manual
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Chapter 1
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Ok this chapter will cover the basic vocabulary of phreaking, it is a fairly
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long list, though not totally complete. After the vocab, will be some of the
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general rules for phreaking. Most of the rules are protection from the police
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and AT&T, but others are grammatical rules. These are not as important to your
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freedom, but many a phreak will think you are a twelve year old if you start
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talking like, "Hey dudz!^$(&, just got the latest warez! trade u for some
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soft/docs. Checkul8r". Well you get the point, here's your vocab list...
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Page 5
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The Official Phreaker's Manual
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......................................................................
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......................................................................
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. The Bell Glossary - ..
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. by ..
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. /\<\ /\<\ ..
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. </\>\>ad </\>\>arvin ..
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......................................................................
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......................................................................
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ACD: Automatic Call Distributor - A system that automatically distributes calls
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to operator pools (providing services such as intercept and directory
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assistance), to airline ticket agents, etc.
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Administration: The tasks of record-keeping, monitoring, rearranging,
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prediction need for growth, etc.
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AIS: Automatic Intercept System - A system employing an audio-response unit
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under control of a processor to automatically provide pertinent info to callers
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routed to intercept.
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Alert: To indicate the existence of an incoming call, (ringing).
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ANI: Automatic Number Identification - Often pronounced "Annie," a facility for
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automatically identify the number of the calling party for charging purposes.
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Appearance: A connection upon a network terminal, as in "the line has two
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network appearances."
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Attend: The operation of monitoring a line or an incoming trunk for off-hook or
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seizure, respectively.
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Audible: The subdued "image" of ringing transmitted to the calling party during
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ringing; not derived from the actual ringing signal in later systems.
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Backbone Route: The route made up of final-group trunks between end offices in
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different regional center areas.
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BHC: Busy Hour Calls - The number of calls placed in the busy hour.
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Blocking: The ratio of unsuccessful to total attempts to use a facility;
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expresses as a probability when computed a priority.
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Blocking Network: A network that, under certain conditions, may be unable to
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form a transmission path from one end of the network to the other. In general,
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all networks used within the Bell Systems are of the blocking type.
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Blue Box: Equipment used fraudulently to synthesize signals, gaining access to
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the toll network for the placement of calls without charge.
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BORSCHT Circuit: A name for the line circuit in the central office. It
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functions as a mnemonic for the functions that must be performed by the
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circuit: Battery, Overvoltage, Ringing, Supervision, Coding, Hybrid, and
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Testing.
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Busy Signal: (Called-line-busy) An audible signal which, in the Bell System,
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comprises 480hz and 620hz interrupted at 60IPM.
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Bylink: A special high-speed means used in crossbar equipment for routing calls
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Page 6
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The Official Phreaker's Manual
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incoming from a step-by-step office. Trunks from such offices are often
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referred to as "bylink" trunks even when incoming to noncrossbar offices; they
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are more properly referred to as "dc incoming trunks." Such high-speed means
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are necessary to assure that the first incoming pulse is not lost.
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Cable Vault: The point which phone cable enters the Central Office building.
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CAMA: Centralized Automatic Message Accounting - Pronounced like Alabama.
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CCIS: Common Channel Interoffice Signaling - Signaling information for trunk
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connections over a separate, nonspeech data link rather that over the trunks
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themselves.
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CCITT: International Telegraph and Telephone Consultative Committee- An
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International committee that formulates plans and sets standards for
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intercountry communication means.
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CDO: Community Dial Office - A small usually rural office typically served by
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step-by-step equipment.
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CO: Central Office - Comprises a switching network and its control and support
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equipment. Occasionally improperly used to mean "office code."
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Centrex: A service comparable in features to PBX service but implemented with
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some (Centrex CU) or all (Centrex CO) of the control in the central office. In
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the later case, each station's loop connects to the central office.
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Customer Loop: The wire pair connecting a customer's station to the central
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office.
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DDD: Direct Distance Dialing - Dialing without operator assistance over the
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nationwide intertoll network.
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Direct Trunk Group: A trunk group that is a direct connection between a given
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originating and a given terminating office.
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EOTT: End Office Toll Trunking - Trunking between end offices in different toll
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center areas.
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ESB: Emergency Service Bureau - A centralized agency to which 911 "universal"
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emergency calls are routed.
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ESS: Electronic Switching System - A generic term used to identify as a class,
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stored-program switching systems such as the Bell System's No.1 No.2, No.3,
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No.4, or No.5.
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ETS: Electronic Translation Systems - An electronic replacement for the card
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translator in 4A Crossbar systems. Makes use of the SPC 1A Processor.
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False Start: An aborted dialing attempt.
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Fast Busy: (often called reorder) - An audible busy signal interrupted at twice
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the rate of the normal busy signal; sent to the originating station to indicate
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that the call blocked due to busy equipment.
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Final Trunk Group: The trunk group to which calls are routed when available
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high-usage trunks overflow; these groups generally "home" on an office next
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highest in the hierarchy.
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Page 7
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The Official Phreaker's Manual
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Full Group: A trunk group that does not permit rerouting off-contingent foreign
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traffic; there are seven such offices.
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Glare: The situation that occurs when a two-way trunk is seized more or less
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simultaneously at both ends.
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High Usage Trunk Group: The appellation for a trunk group that has alternate
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routes via other similar groups, and ultimately via a final trunk group to a
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higher ranking office.
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Intercept: The agency (usually an operator) to which calls are routed when made
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to a line recently removed from a service, or in some other category requiring
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explanation. Automated versions (ASI) with automatic voiceresponse units are
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growing in use.
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Interrupt: The interruption on a phone line to disconnect and connect with
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another station, such as an Emergence Interrupt.
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Junctor: A wire or circuit connection between networks in the same office. The
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functional equivalent to an intraoffice trunk.
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MF: Multifrequency - The method of signaling over a trunk making use of the
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simultaneous application of two out of six possible frequencies.
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NPA: Numbering Plan Area.
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ONI: Operator Number Identification - The use of an operator in a CAMA office
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to verbally obtain the calling number of a call originating in an office not
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equipped with ANI.
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PBX: Private Branch Exchange - (PABX: Private Automatic Branch Exchange) An
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telephone office serving a private customer, Typically , access to the outside
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telephone network is provided.
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Permanent Signal: A sustained off-hook condition without activity (no dialing
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or ringing or completed connection); such a condition tends to tie up
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|||
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equipment, especially in earlier systems. Usually accidental, but sometimes
|
|||
|
used intentionally by customers in high-crime-rate areas to thwart off
|
|||
|
burglars.
|
|||
|
|
|||
|
POTS: Plain Old Telephone Service - Basic service with no extra "frills".
|
|||
|
|
|||
|
ROTL: Remote Office Test Line - A means for remotely testing trunks.
|
|||
|
|
|||
|
RTA: Remote Trunk Arrangement - An extension to the TSPS system permitting its
|
|||
|
services to be provided up to 200 miles from the TSPS site.
|
|||
|
|
|||
|
SF: Single Frequency. A signaling method for trunks: 2600hz is impressed upon
|
|||
|
idle trunks.
|
|||
|
|
|||
|
Supervise: To monitor the status of a call.
|
|||
|
|
|||
|
SxS: (Step-by-Step or Strowger switch) - An electromechanical office type
|
|||
|
utilizing a gross-motion stepping switch as a combination network and
|
|||
|
distributed control.
|
|||
|
|
|||
|
Talkoff: The phenomenon of accidental synthesis of a machine-intelligible
|
|||
|
|
|||
|
Page 8
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
signal by human voice causing an unintended response. "whistling a tone".
|
|||
|
|
|||
|
Trunk: A path between central offices; in general 2-wire for interlocal, 4-wire
|
|||
|
for intertoll.
|
|||
|
|
|||
|
TSPS: Traffic Service Position System - A system that provides, under stored-
|
|||
|
program control, efficient operator assistance for toll calls. It does not
|
|||
|
switch the customer, but provides a bridge connection to the operator.
|
|||
|
|
|||
|
X-bar: (Crossbar) - An electromechanical office type utilizing a "fine-motion"
|
|||
|
coordinate switch and a multiplicity of central controls (called markers).
|
|||
|
There are four varieties:
|
|||
|
No.1 Crossbar: Used in large urban office application; (1938)
|
|||
|
No 3 Crossbar: A small system started in (1974).
|
|||
|
No.4A/4M Crossbar: A 4-wire toll machine; (1943).
|
|||
|
No.5 Crossbar: A machine originally intended for relatively small
|
|||
|
suburban applications; (1948)
|
|||
|
Crossbar Tandem: A machine used for interlocal office switching.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
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|
|||
|
|
|||
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|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 9
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
============================================================
|
|||
|
_ _ _______
|
|||
|
| \/ | / _____/
|
|||
|
|_||_|etal / /hop
|
|||
|
__________/ /
|
|||
|
/___________/
|
|||
|
(314) 432-0756
|
|||
|
|
|||
|
Proudly Presents
|
|||
|
|
|||
|
The MCI Telecommunications Glossary
|
|||
|
|
|||
|
Part I Volume I (A - D)
|
|||
|
|
|||
|
Typed by Knight Lightning
|
|||
|
|
|||
|
============================================================
|
|||
|
|
|||
|
- A -
|
|||
|
|
|||
|
A & B LEADS: Designation of leads derived from the midpoints of the two 2-wire
|
|||
|
pairs comprising a 4-wire circuit.
|
|||
|
|
|||
|
ABBREVIATED DIALING: The ability of a telephone user to reach frequently called
|
|||
|
numbers by using less than seven digits. Synonym: Speed Dialing
|
|||
|
|
|||
|
ACCESS CHARGE: A fee paid for the use of local lines.
|
|||
|
|
|||
|
ACCESS CODE: A digit or number of digits required to be connected to a private
|
|||
|
line arranged for dial access.
|
|||
|
|
|||
|
ACCESS LINE: A telephone circuit which connects a customer location to a
|
|||
|
network switching center.
|
|||
|
|
|||
|
AIRLINE MILEAGE: Calculated point-to-point mileage between terminal
|
|||
|
facilities.
|
|||
|
|
|||
|
ALL TRUNKS BUSY (ATB): A single tone interrupted at a 120 ipm (impulses per
|
|||
|
minute) rate to indicate all lines or trunks in a routing group are busy.
|
|||
|
|
|||
|
ALTERNATE ROUTE: A secondary communications path used to reach a destination if
|
|||
|
the primary path is unavailable.
|
|||
|
|
|||
|
ALTERNATE USE: The ability to switch communications facilities from one type of
|
|||
|
service to another, i.e., voice to data, etc.
|
|||
|
|
|||
|
ALTERNATE VOICE DATA (AVD): A single transmission facility which can be used
|
|||
|
for either voice or data.
|
|||
|
|
|||
|
AMERICAN STANDARD CODE
|
|||
|
FOR INFORMATION INTERCHANGE
|
|||
|
(ASCII): An 8 level code developed for the interchange of information between
|
|||
|
data processing and communications systems.
|
|||
|
|
|||
|
ANALOG SIGNAL: A signal in the form of a continuous varying physical quantity,
|
|||
|
e.g., voltage which reflects variations in some quantity, e.g., loudness in the
|
|||
|
human voice.
|
|||
|
|
|||
|
|
|||
|
Page 10
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
ANNUNICATOR: An audible intercept device that states the condition or
|
|||
|
restrictions associated with circuits or procedures.
|
|||
|
|
|||
|
ANSWER BACK: An electrical and/or visual indication to the calling or sending
|
|||
|
end that the called or received station is on the line.
|
|||
|
|
|||
|
ANSWER SUPERVISION: An off-hook signal transmitted toward the calling end of a
|
|||
|
switched connection when the called party answers.
|
|||
|
|
|||
|
AREA CODE: Synonym: Numbering Plan Area (NPA). A three digit number identifying
|
|||
|
more than 150 geographic areas of the United States and Canada which permits
|
|||
|
direct distance dialing on the telephone system. A similar global numbering
|
|||
|
plan has been established for international subscriber dialing.
|
|||
|
|
|||
|
ATTENDANT POSITION: A telephone switchboard operator's position. It provides
|
|||
|
either automatic (cordless) or manual (plug and jack) operator controls for
|
|||
|
incoming and/or outgoing telephone calls.
|
|||
|
|
|||
|
ATTENUATION: A general term used to denote the decrease in power between that
|
|||
|
transmitted and that received due to loss through equipment, lines, or other
|
|||
|
transmission devices. It is usually expressed as a ration in db (decibel).
|
|||
|
|
|||
|
AUDIBLE RINGING TONE: An audible signal heard by the calling party during the
|
|||
|
ringing-interval.
|
|||
|
|
|||
|
AUTHORIZATION CODE: An identification number that the caller enters when
|
|||
|
placing a call which is used for billing purposes.
|
|||
|
|
|||
|
AUTHORIZED USER: A person, firm, organization, corporation or any other entity
|
|||
|
authorized by the customer to send or receive communications over a specific
|
|||
|
communications network.
|
|||
|
|
|||
|
AUTO ANSWER: A machine feature that allows a transmission control unit or
|
|||
|
station to automatically respond to a call that it receives.
|
|||
|
|
|||
|
AUTOMATIC CALL
|
|||
|
DISTRIBUTOR (ACD): A switching system designed to queue and/or distribute a
|
|||
|
large volume of incoming calls to a group of attendants to the next available
|
|||
|
"answering" position.
|
|||
|
|
|||
|
AUTOMATIC DIALING UNIT: A device which automatically generates a predetermined
|
|||
|
set of dialing digits.
|
|||
|
|
|||
|
AUTOMATIC IDENTIFICATION
|
|||
|
OF OUTWARD DIALING (AIOD): A computer generated report showing all long
|
|||
|
distance calls placed over AT&T's toll network.
|
|||
|
|
|||
|
AUTOMATIC NUMBER
|
|||
|
IDENTIFICATION (ANI): Automatic equipment at a local dial office used on
|
|||
|
customer dialed calls to identify the calling-station.
|
|||
|
|
|||
|
AUTOMATIC ROUTE
|
|||
|
SELECTION (ARS): Least cost routing via AT&T CENTREX system.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- B -
|
|||
|
|
|||
|
|
|||
|
Page 11
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
BAND: (1) The range of frequencies between two defined limits. (2) In reference
|
|||
|
to WATS, one of the five specific geographic areas as defined by AT&T. Synonym:
|
|||
|
BANDWIDTH.
|
|||
|
|
|||
|
BANDWIDTH: See BAND.
|
|||
|
|
|||
|
BASEBAND: The total frequency band occupied by the aggregate of all the voice
|
|||
|
and data signals used to modulate a radio carrier.
|
|||
|
|
|||
|
BAUD: A unit of signaling speed. The speed in baud is the number of discrete
|
|||
|
conditions conditions or signal elements per second. If each signal event
|
|||
|
represents only one bit condition, then Baud is the same as bits per second.
|
|||
|
When each signal event represents other than one bit, Baud does not equal bits
|
|||
|
per second.
|
|||
|
|
|||
|
BELL OPERATING COMPANY
|
|||
|
(BOC) /BELL SYSTEMS
|
|||
|
OPERATING COMPANY (BSOC): Any of the 24 AT&T affiliated companies providing
|
|||
|
local service.
|
|||
|
|
|||
|
BELL SYSTEM: The aggregate of AT&T's 24 associated telephone companies, Long
|
|||
|
Lines, Western Electric, and Bell Labs.
|
|||
|
|
|||
|
BILLING NUMBER: The MCI term for the number which identifies a customer on a
|
|||
|
billing location level, assigned to Network Service Customer (by COMS).
|
|||
|
Assigned for each unique customer name and billing location. For internal use
|
|||
|
only.
|
|||
|
|
|||
|
BINARY: A number system that uses only two characters ("0" and "1").
|
|||
|
|
|||
|
BIT: A binary digit. The smallest unit of coded information.
|
|||
|
|
|||
|
BITS PER SECOND (BPS): The rate at which data transmission is measured.
|
|||
|
|
|||
|
BLOCKED CALLS: Attempted calls that are not connected because (1) all lines to
|
|||
|
the central offices are in use; or (2) all connecting connecting paths through
|
|||
|
the PBX/switch are in use.
|
|||
|
|
|||
|
BLOCKED ANI: ANI prohibited from completing a call over the MCI network.
|
|||
|
|
|||
|
BREAK: A means of interrupting transmission, a momentary interruption of a
|
|||
|
circuit.
|
|||
|
|
|||
|
BROADBAND: A transmission facility having a bandwidth of greater then 20 kHz.
|
|||
|
|
|||
|
BUS: A heavy conductor, or group of conductors, to which several units of the
|
|||
|
same type of equipment may be connected.
|
|||
|
|
|||
|
BUSY: The condition in which facilities over which a call is to be connected
|
|||
|
are already in use.
|
|||
|
|
|||
|
BUSY HOUR: The time of day when phone lines are most in demand.
|
|||
|
|
|||
|
BUSY TONE: A single that is interrupted at 60 ipm (impulses per minute) rate to
|
|||
|
indicate that the terminal point of a call is already in use.
|
|||
|
|
|||
|
BYTE: A group of binary digits that are processed by a computer as a unit.
|
|||
|
|
|||
|
|
|||
|
Page 12
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
|
|||
|
|
|||
|
- C -
|
|||
|
|
|||
|
|
|||
|
CARRIER: High frequency current that can be modulated with voice or digital
|
|||
|
signals for bulk transmission via cable or radio circuits.
|
|||
|
|
|||
|
CARRIER SYSTEM: A system for providing several communications channels over a
|
|||
|
single path.
|
|||
|
|
|||
|
CATHODE RAY TUBE (CRT): The "television-like" screen used to display the output
|
|||
|
from a computer.
|
|||
|
|
|||
|
CELLULAR MOBILE RADIO: A system providing exchange telephone service to a
|
|||
|
station located in an auto or other mobile vehicle, using radio circuits to a
|
|||
|
base radio station which covers a specific geographical area and as the vehicle
|
|||
|
moves from one area to another, different base radio stations handle the call.
|
|||
|
|
|||
|
CENTRAL OFFICE (CO): A telephone switching center that provides local access to
|
|||
|
the public network. Sometimes referred to as: Class 5 office, end office, or
|
|||
|
Local Dial Office.
|
|||
|
|
|||
|
CENTREX, CO: PBX Service provided by a switch located at the telephone company
|
|||
|
central office.
|
|||
|
|
|||
|
CENTREX, CU: A variation on Centrex CO provided by a telephone company
|
|||
|
maintained "Central Office" type switch located at the customer's premises.
|
|||
|
|
|||
|
CENTRAL PROCESSING UNIT
|
|||
|
(CPU): The control unit within a computer which handles all the intelligent
|
|||
|
functions of the systems. In a telephone switch, directs all potions of the
|
|||
|
system to carry out their appropriate functions. Synonym: Common Control.
|
|||
|
|
|||
|
CHANNEL: A communication path via a carrier or microwave radio.
|
|||
|
|
|||
|
CHARACTER: Any letter, digit, or special symbol. In data transmission would be
|
|||
|
represented by a specific code made up of a group of binary digits.
|
|||
|
|
|||
|
CIRCUIT: A path for the transmission of electromagnetic signals to include all
|
|||
|
conditioning and signaling equipment. Synonym: Facility
|
|||
|
|
|||
|
CIRCUIT SWITCHING: A switching system that completes a dedicated transmission
|
|||
|
path from sender to receiver at the time of transmission.
|
|||
|
|
|||
|
CLASS OF SERVICE/CLASS
|
|||
|
MARK (COS): A subgrouping of telephone customers or users for the sake of rate
|
|||
|
distinction or limitation of service.
|
|||
|
|
|||
|
COAXIAL CABLE: A cable having several coaxial lines under a single protective
|
|||
|
sheath. Usually used as a high capacity carrier in urban areas between
|
|||
|
interexchange and toll offices.
|
|||
|
|
|||
|
CODEC: Coder-Decoder. Used to convert analog signals to digital form for
|
|||
|
transmission over a digital median and back again to the original analog form.
|
|||
|
|
|||
|
COMMON CARRIER: A government regulated private company that provides the
|
|||
|
general public with telecommunications services and facilities.
|
|||
|
|
|||
|
Page 13
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
|
|||
|
COMMON CHANNEL INTEROFFICE
|
|||
|
SIGNALING (CCIS): A digital technology used by AT&T to enhance their Integrated
|
|||
|
Services Digital Network. It uses a separate data line to route interoffice
|
|||
|
signals to provide faster call set-up and more efficient use of trunks.
|
|||
|
|
|||
|
COMMON CONTROL SWITCHING
|
|||
|
ARRANGEMENT (CCSA): An arrangement for telecommunicationsnetworks in which
|
|||
|
common controlled switching machines are used to route traffic over network
|
|||
|
routes and access lines. The switching machine may be shared with other users
|
|||
|
and is maintained by the telephone company.
|
|||
|
|
|||
|
COMPUTER PORT/TKI PORT: The interface through which the computer connects to
|
|||
|
the communications circuit.
|
|||
|
|
|||
|
CONDITIONING EQUIPMENT: Equipment modifications or adjustments necessary to
|
|||
|
match transmission levels and impedances and which equalizes transmission and
|
|||
|
delay to bring circuit losses, levels, and distortion within established
|
|||
|
standards.
|
|||
|
|
|||
|
CONFIGURATION: The combination of long-distance services and/or equipment that
|
|||
|
make up a communications system.
|
|||
|
|
|||
|
CONTROL UNIT (CU): The central processor of a telephone switching device.
|
|||
|
|
|||
|
CORPORATE ID NUMBER: The MCI term for the number which identifies a customer on
|
|||
|
a corporate level. (Not all MCI customers have this).
|
|||
|
|
|||
|
COST COMPONENT: The price of each type of long distance service and/or
|
|||
|
equipment that constitutes a configuration.
|
|||
|
|
|||
|
COST PER HOUR (CPH): Total cost of different services divided by total holding
|
|||
|
time (in minutes).
|
|||
|
|
|||
|
CROSS CONNECTION: The wire connections running between terminals on the two
|
|||
|
sides of a distribution frame, or between binding posts in a terminal.
|
|||
|
|
|||
|
CROSS TALK: The unwanted energy (speech or tone) transferred from one circuit
|
|||
|
to another circuit.
|
|||
|
|
|||
|
CUSTOMER OWNED AND
|
|||
|
MAINTAINED (COAM): Customer provided communications apparatus, and their
|
|||
|
associated wiring.
|
|||
|
|
|||
|
CUSTOMER
|
|||
|
PREMISE EQUIPMENT (CPE): Telephone equipment, usually including wiring located
|
|||
|
within the customer's part of a building.
|
|||
|
|
|||
|
CUT: To transfer a service from one facility to another.
|
|||
|
|
|||
|
CUT THROUGH: The establishment of a complete path for signaling and/or audio
|
|||
|
communications.
|
|||
|
|
|||
|
|
|||
|
- D -
|
|||
|
|
|||
|
DATA: Any representation, such as characters to which a meaning is assigned.
|
|||
|
|
|||
|
|
|||
|
Page 14
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
DATA COMMUNICATIONS: The movement of coded information by means of electronic
|
|||
|
transmission systems.
|
|||
|
|
|||
|
DATA SET: A device which converts data into signals suitable for transmission
|
|||
|
over communications lines.
|
|||
|
|
|||
|
DATA TERMINAL: A station in a system capable of sending and/or receiving data
|
|||
|
signals.
|
|||
|
|
|||
|
DECIBEL (db): A unit of measurement represented as a ratio of two voltages,
|
|||
|
currents or powers and is used to measure transmission loss or gain.
|
|||
|
|
|||
|
DELAY DIAL: A dialing configuration whereby local dial equipment will wait
|
|||
|
until it receives the entire telephone number before seizing a circuit to
|
|||
|
transmit the call.
|
|||
|
|
|||
|
DELTA MODULATION (DM): A variant of pulse code modulation whereby a code
|
|||
|
representing the difference between the amplitude of a sample and t~he
|
|||
|
amplitude of a previous one is sent. Operates well in the presence of noise,
|
|||
|
but requires a wide frequency band.
|
|||
|
|
|||
|
DEMODULATION: The process of retrieving data from a modulated signal.
|
|||
|
|
|||
|
DIAL LEVEL: The selection of stations or services associated with a PBX using a
|
|||
|
one to four digit code (e.g., dialing 9 for access to outside dial tone).
|
|||
|
|
|||
|
DIAL PULSING: The transmitting of telephone address signals by momentarily
|
|||
|
opening a DC circuit a number of times corresponding to the decimal digit which
|
|||
|
is dialed.
|
|||
|
|
|||
|
DIAL REPEATING TIE LINE/
|
|||
|
DIAL REPEATING TIE TRUNK: A tie line which permits direct station to station
|
|||
|
calling without use of the attendant.
|
|||
|
|
|||
|
DIAL SELECTIVE SIGNALING: A multipoint network in which the called party is
|
|||
|
selected by a prearranged dialing code.
|
|||
|
|
|||
|
DIAL TONE: A tone indicating that automatic switching equipment is ready to
|
|||
|
receive dial signals.
|
|||
|
|
|||
|
DIALING PLAN: A description of the dialing arrangements for customer use on a
|
|||
|
networks.
|
|||
|
|
|||
|
DIGITAL: Referring to the use of digits to formulate and solve problems, or to
|
|||
|
encode information.
|
|||
|
|
|||
|
DIMENSION CUSTOM
|
|||
|
TELEPHONE SERVICE (DCTS): AT&T's electronically programmable telephone station
|
|||
|
sets which use special buttons to access PBX features.
|
|||
|
|
|||
|
DIRECT
|
|||
|
DISTANCE DIALING (DDD): A toll service that permits customers to dial their own
|
|||
|
long distance call without the aid of an operator.
|
|||
|
|
|||
|
DIRECT
|
|||
|
INWARD DIALING (DID): A PBX or CENTREX feature that allows a customer outside
|
|||
|
the system to directly dial a station within the system.
|
|||
|
|
|||
|
|
|||
|
Page 15
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
DIRECT OUTWARD DIALING: A PBX or CENTREX feature that allows a station user to
|
|||
|
gain direct access to an exchange network.
|
|||
|
|
|||
|
DROP: That direction of a circuit which looks towards the local operator.
|
|||
|
|
|||
|
DRY CIRCUIT: A circuit which transmits voice signals and carries no direct
|
|||
|
current.
|
|||
|
|
|||
|
DUAL TONE
|
|||
|
MULTI-FREQUENCY (DTMF): Also know as Touch Tone. A type of signaling which
|
|||
|
emits two distinct frequencies for each indicated digit.
|
|||
|
|
|||
|
DUPLEX: Simultaneous two-way independent transmission.
|
|||
|
|
|||
|
DX SIGNALING: A long-range bidirectional signaling method using paths derived
|
|||
|
from transmission cable pairs. It is based on a balanced and symmetrical
|
|||
|
circuit that is identical at both ends. This circuit presents an E&M lead
|
|||
|
interface to connecting circuits.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
============================================================
|
|||
|
|
|||
|
This concludes Part 1 Volume I of the MCI Telecommunications Glossary. Look for
|
|||
|
more G-philes from The MCI School of Telecommunications Management Reference
|
|||
|
Guide coming soon.
|
|||
|
|
|||
|
This has been a 2600 Club production
|
|||
|
|
|||
|
|
|||
|
Thanx to Taran King
|
|||
|
============================================================
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
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|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
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|
|||
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|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 16
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
|
|||
|
$ _______________________________ $
|
|||
|
$ | | $
|
|||
|
$ | ELECTRONIC TOLL FRAUD DEVICES | $
|
|||
|
$ |_______________________________| $
|
|||
|
$ $
|
|||
|
$ $
|
|||
|
$ TYPED AND UPLOADED BY: $
|
|||
|
$ $
|
|||
|
$$$$$$$$$$$$-=>LEX LUTHOR<=-$$$$$$$$$$$
|
|||
|
$ $
|
|||
|
$ $
|
|||
|
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
|
|||
|
|
|||
|
|
|||
|
THIS PHILE IS DESIGNED TO IDENTIFY VARIOUS KINDS OF ETF (ELECTRONIC TOLL
|
|||
|
FRAUD) DEVICES AND TO DESCRIBE THEIR OPERATION, ACCORDING TO A BOOKLET PUT OUT
|
|||
|
BY BELL ENTITLED: THE INVESTIGATION AND PROSECUTION OF ELECTRONIC TOLL FRAUD
|
|||
|
DEVICES. (FOR OFFICIAL USE ONLY).
|
|||
|
|
|||
|
THERE ARE SEVERAL DIFFERENT TYPES OF ELECTRONIC EQUIPMENT WHICH MAY BE
|
|||
|
GENERALLY CLASSIFIED AS ETF DEVICES. THE MOST SIGNIFICANT IS THE "BLUE BOX".
|
|||
|
THE CHARACTERISTICS OF EACH TYPE OF DEVICE ARE DISCUSSED BELOW.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
*BLUE BOX*
|
|||
|
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
THE "BLUE BOX" WAS SO NAMED BECAUSE OF THE COLOR OF THE FIRST ONE FOUND. THE
|
|||
|
DESIGN AND HARDWARE USED IN THE BLUE BOX IS FAIRLY SOPHISTICATED, AND ITS SIZE
|
|||
|
VARIES FROM A LARGE PIECE OF APPARATUS TO A MINIATURIZED UNIT THAT IS
|
|||
|
APPROXIMATELY THE SIZE OF A "KING SIZE" PACKAGE OF CIGARETTES. THE BLUE BOX
|
|||
|
CONTAINS 12 OR 13 BUTTONS OR SWITCHES THAT EMIT MULTI-FREQUENCY TONES
|
|||
|
CHARACTERISTIC OF THE TONES USED IN THE NORMAL OPERATION OF THE TELEPHONE TOLL
|
|||
|
(LONG DISTANCE) SWITCHING NETWORK. THE BLUE BOX ENABLES ITS USER TO ORIGINATE
|
|||
|
FRAUDULENT ("FREE") TOLL CALLS BY CIRCUMVENTING TOLL BILLING EQUIPMENT. THE
|
|||
|
BLUE BOX MAY BE DIRECTLY CONNECTED TO A PHONE LINE, OR IT MAY BE ACOUSTICALLY
|
|||
|
COUPLED TO A TELEPHONE HANDSET BY PLACING THE BLUE BOX'S SPEAKER NEXT TO THE
|
|||
|
TRANSMITTER OR THE TELEPHONE HANDSET. THE OPERATION OF A BLUE BOX WILL BE
|
|||
|
DISCUSSED IN MORE DETAIL BELOW.
|
|||
|
|
|||
|
TO UNDERSTAND THE NATURE OF A FRAUDULENT BLUE BOX CALL, IT IS NECESSARY TO
|
|||
|
UNDERSTAND THE BASIC OPERATION OF THE DIRECT DISTANCE DIALING (DDD) TELEPHONE
|
|||
|
NETWORK. WHEN A DDD CALL IS PROPERLY ORIGINATED, THE CALLING NUMBER IS
|
|||
|
IDENTIFIED AS AN INTEGRAL PART OF ESTABLISHING THE CONNECTION. THIS MAY BE DONE
|
|||
|
EITHER AUTOMATICALLY OR, IN SOME CASES, BY AN OPERATOR ASKING THE CALLING PARTY
|
|||
|
FOR HIS TELEPHONE NUMBER.
|
|||
|
THIS INFORMATION IS ENTERED ON A TAPE IN THE AUTOMATIC MESSAGE ACCOUNTING
|
|||
|
(AMA) OFFICE. THIS TAPE ALSO CONTAINS THE NUMBER ASSIGNED TO THE TRUNK LINE
|
|||
|
OVER WHICH THE CALL IS TO BE SENT. THE INFORMATION RELATING TO THE CALL
|
|||
|
CONTAINED ON THE TAPE INCLUDES: CALLED NUMBER, CALLING NUMBER, TIME OF CALL.
|
|||
|
THE TIME OF DISCONNECT AT THE END OF THE CALL IS ALSO RECORDED.
|
|||
|
ALTHOUGH THE TAPE CONTAINS INFO WITH RESPECT TO MANY DIFFERENT CALLS, THE
|
|||
|
VARIOUS DATA ENTRIES WITH RESPECT TO A SINGLE CALL ARE EVENTUALLY CORRELATED TO
|
|||
|
PROVIDE BILLING INFO FOR USE BY YOUR BELL'S ACCOUNTING DEPARTMENT.
|
|||
|
THE TYPICAL BLUE BOX USER USUALLY DIALS A NUMBER THAT WILL ROUTE THE CALL
|
|||
|
INTO THE TELEPHONE NETWORK WITHOUT CHARGE. FOR EXAMPLE, THE USER WILL VERY
|
|||
|
|
|||
|
Page 17
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
OFTEN CALL A WELL-KNOWN INWATS (TOLL-FREE) CUSTOMER'S NUMBER. THE BLUE BOX
|
|||
|
USER, AFTER GAINING THIS ACCESS TO THE NETWORK AND, IN EFFECT, "SEIZING"
|
|||
|
CONTROL AND COMPLETE DOMINION OVER THE LINE, OPERATES A KEY ON THE BLUE BOX
|
|||
|
WHICH EMITS A 2600 HERTZ (CYCLES PER SECOND) TONE. THIS TONE CAUSES THE
|
|||
|
SWITCHING EQUIPMENT TO RELEASE THE CONNECTION TO THE INWATS CUSTOMER'S LINE.
|
|||
|
THE 2600HZ TONE IS A SIGNAL THAT THE CALLING PARTY HAS HUNG UP. THE BLUE BOX
|
|||
|
SIMULATES THIS CONDITION. HOWEVER, IN FACT THE LOCAL TRUNK ON THE CALLING
|
|||
|
PARTY'S END IS STILL CONNECTED TO THE TOLL NETWORK. THE BLUE BOX USER NOW
|
|||
|
OPERATES THE "KP" (KEY PULSE) KEY ON THE BLUE BOX TO NOTIFY THE TOLL SWITCHING
|
|||
|
EQUIPMENT THAT SWITCHING SIGNALS ARE ABOUT TO BE EMITTED. THE USER THEN PUSHES
|
|||
|
THE "NUMBER" BUTTONS ON THE BLUE BOX CORRESPONDING TO THE TELEPHONE # BEING
|
|||
|
CALLED. AFTER DOING SO HE/SHE OPERATES THE "ST" (START) KEY TO INDICATE TO THE
|
|||
|
SWITCHING EQUIPMENT THAT SIGNALLING IS COMPLETE. IF THE CALL IS COMPLETED, ONLY
|
|||
|
THE PORTION OF THE ORIGINAL CALL PRIOR TO THE EMISSION OF 2600HZ TONE IS
|
|||
|
RECORDED ON THE AMA TAPE. THE TONES EMITTED BY THE BLUE BOX ARE NOT RECORDED ON
|
|||
|
THE AMA TAPE. THEREFORE, BECAUSE THE ORIGINAL CALL TO THE INWATS # IS
|
|||
|
TOLL-FREE, NO BILLING IS RENDERED IN CONNECTION WITH THE CALL.
|
|||
|
ALTHOUGH THE ABOVE IS A DESCRIPTION OF A TYPICAL BLUE BOX OPERATION USING A
|
|||
|
COMMON METHOD OF ENTRY INTO THE NETWORK, THE OPERATION OF A BLUE BOX MAY VARY
|
|||
|
IN ANY ONE OR ALL OF THE FOLLOWING RESPECTS:
|
|||
|
|
|||
|
(A) THE BLUE BOX MAY INCLUDE A ROTARY DIAL TO APPLY THE 2600HZ TONE AND THE
|
|||
|
SWITCHING SIGNALS. THIS TYPE OF BLUE BOX IS CALLED A "DIAL PULSER" OR "ROTARY
|
|||
|
SF" BLUE BOX.
|
|||
|
|
|||
|
(B) ENTRANCE INTO THE DDD TOLL NETWORK MAY BE EFFECTED BY A PRETEXT CALL TO ANY
|
|||
|
OTHER TOLL-FREE # SUCH AS UNIVERSAL DIRECTORY ASSISTANCE (555-1212) OR ANY # IN
|
|||
|
THE INWATS NETWORK, EITHER INTER-STATE OR INTRA-STATE, WORKING OR NON-WORKING.
|
|||
|
|
|||
|
(C) ENTRANCE INTO THE DDD TOLL NETWORK MAY ALSO BE IN THE FORM OF "SHORT HAUL"
|
|||
|
CALLING. A "SHORT HAUL" CALL IS A CALL TO ANY # WHICH WILL RESULT IN A LESSER
|
|||
|
AMOUNT OF TOLL CHARGES THAN THE CHARGES FOR THE CALL TO BE COMPLETED BY THE
|
|||
|
BLUE BOX. FOR EXAMPLE, A CALL TO BIRMINGHAM FROM ATLANTA MAY COST $.80 FOR THE
|
|||
|
FIRST 3 MINUTES WHILE A CALL FROM ATLANTA TO LOS ANGELES IS $1.85 FOR 3
|
|||
|
MINUTES. THUS, A SHORT HAUL, 3-MINUTE CALL TO BIRMINGHAM FROM ATLANTA, SWITCHED
|
|||
|
BY USE OF A BLUE BOX TO LOS ANGELES, WOULD RESULT IN A NET FRAUD OF $2.65 FOR A
|
|||
|
3 MINUTE CALL.
|
|||
|
|
|||
|
(D) A BLUE BOX MAY BE WIRED INTO THE TELEPHONE LINE OR ACOUSTICALLY CONNECTED
|
|||
|
TO THE HANDSET. THE BLUE BOX MAY EVEN BE BUILT INSIDE A REGULAR TOUCH-TONE
|
|||
|
PHONE, USING THE PHONE'S PUSH BUTTONS FOR THE BLUE BOX'S SIGNALLING TONES.
|
|||
|
|
|||
|
(E) A MAGNETIC TAPE RECORDING MAY BE USED TO RECORD THE BLUE BOX TONES
|
|||
|
REPRESENTATIVE OF SPECIFIC PHONE #'S. SUCH A TAPE RECORDING COULD BE USED IN
|
|||
|
LIEU OF
|
|||
|
A BLUE BOX TO FRAUDULENTLY PLACE CALLS TO THE PHONE #'S RECORDED ON THE
|
|||
|
MAGNETIC TAPE.
|
|||
|
|
|||
|
ALL BLUE BOXES, EXCEPT "DIAL PULSE" OR "ROTARY SF" BLUE BOXES, MUST HAVE
|
|||
|
THE FOLLOWING 4 COMMON OPERATING CAPABILITIES:
|
|||
|
|
|||
|
(A) IT MUST HAVE SIGNALLING CAPABILITY IN THE FORM OF A 2600HZ TONE. THE TONE
|
|||
|
IS USED BY THE TOLL NETWORK TO INDICATE, EITHER BY ITS PRESENCE OR ITS ABSENCE,
|
|||
|
AN "ON HOOK" (IDLE) OR "OFF HOOK" (BUSY) CONDITION OF THE TRUNK.
|
|||
|
|
|||
|
(B) THE BLUE BOX MUST HAVE A "KP" TONES THAT UNLOCKS OR READIES THE
|
|||
|
MULTI-FREQUENCY RECEIVER AT THE CALLED END TO RECEIVE THE TONES CORRESPONDING
|
|||
|
TO THE CALLED PHONE #.
|
|||
|
|
|||
|
Page 18
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
|
|||
|
(C) THE TYPICAL BLUE BOX MUST BE ABLE TO EMIT MF TONES WHICH ARE USED TO
|
|||
|
TRANSMIT PHONE #'S OVER THE TOLL NETWORK. EACH DIGIT OF A PHONE # IS
|
|||
|
REPRESENTED BY A COMBINATION OF 2 TONES. FOR EXAMPLE, THE DIGIT 2 IS X-MITTED
|
|||
|
BY A COMBINATION OF 700HZ AND 1100HZ.
|
|||
|
|
|||
|
(D) THE BLUE BOX MUST HAVE AN "ST" KEY WHICH CONSISTS OF A COMBINATION OF 2
|
|||
|
TONES THAT TELL THE EQUIPMENT AT THE CALLED END THAT ALL DIGITS HAVE BEEN SENT
|
|||
|
AND THAT THE EQUIPMENT SHOULD START SWITCHING THE CALL TO THE CALLED NUMBER.
|
|||
|
|
|||
|
THE "DIAL PULSER" OR "ROTARY SF" BLUE BOX REQUIRES ONLY A DIAL WITH A
|
|||
|
SIGNALLING CAPABILITY TO PRODUCE A 2600HZ TONE.
|
|||
|
|
|||
|
*BLACK BOX*
|
|||
|
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
THIS ETF DEVICE IS SO-NAMED BECAUSE OF THE COLOR OF THE FIRST ONE FOUND.
|
|||
|
IT VARIES IN SIZE AND USUALLY HAS ONE OR TWO SWITCHES OR BUTTONS. ATTACHED TO
|
|||
|
THE TELEPHONE LINE OF A CALLED PARTY, THE BLACK BOX PROVIDES TOLL-FREE CALLING
|
|||
|
*TO* THAT PARTY'S LINE. A BLACK BOX USER INFORMS OTHER PERSONS BEFOREHAND THAT
|
|||
|
THEY WILL NOT BE CHARGED FOR ANY CALL PLACED TO HIM. THE USER THEN OPERATES THE
|
|||
|
DEVICE CAUSING A "NON-CHARGE" CONDITION ("NO ANSWER" OR "DISCONNECT") TO BE
|
|||
|
RECORDED ON THE TELEPHONE COMPANY'S BILLING EQUIPMENT. A BLACK BOX IS
|
|||
|
RELATIVELY SIMPLE TO CONSTRUCT AND IS MUCH LESS SOPHISTICATED THAN A BLUE BOX.
|
|||
|
|
|||
|
*CHEESE BOX*
|
|||
|
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
ITS DESIGN MAY BE CRUDE OR VERY SOPHISTICATED. ITS SIZE VARIES; ONE WAS FOUND
|
|||
|
THE SIZE OF A HALF-DOLLAR. A CHEESE BOX IS USED MOST OFTEN BY BOOKMAKERS OR
|
|||
|
BETTERS TO PLACE WAGERS WITHOUT DETECTION FROM A REMOTE LOCATION. THE DEVICE
|
|||
|
INTER-CONNECTS 2 PHONE LINES, EACH HAVING DIFFERENT #'S BUT EACH TERMINATING AT
|
|||
|
THE SAME LOCATION. IN EFFECT, THERE ARE 2 PHONES AT THE SAME LOCATION WHICH ARE
|
|||
|
LINKED TOGETHER THROUGH A CHEESE BOX. IT IS USUALLY FOUND IN AN UNOCCUPIED
|
|||
|
APARTMENT CONNECTED TO A PHONE JACK OR CONNECTING BLOCK. THE BOOKMAKER, AT SOME
|
|||
|
REMOTE LOCATION, DIALS ONE OF THE NUMBERS AND STAYS ON THE LINE. VARIOUS
|
|||
|
BETTORS DIAL THE OTHER NUMBER BUT ARE AUTOMATICALLY CONNECTED WITH THE
|
|||
|
BOOKMAKER BY MEANS OF THE CHEESE BOX INTER-CONNECTION. IF, IN ADDITION TO A
|
|||
|
CHEESE BOX, A BLACK BOX IS INCLUDED IN THE ARRANGEMENT, THE COMBINED EQUIPMENT
|
|||
|
WOULD PERMIT TOLL-FREE CALLING ON EITHER LINE TO THE OTHER LINE. IF A POLICE
|
|||
|
RAID WERE CONDUCTED AT THE TERMINATING POINT OF THE CONVERSATIONS -THE LOCATION
|
|||
|
OF THE CHEESE BOX- THERE WOULD BE NO EVIDENCE OF GAMBLING ACTIVITY. THIS DEVICE
|
|||
|
IS SOMETIMES DIFFICULT TO IDENTIFY. LAW ENFORCEMENT OFFICIALS HAVE BEEN ADVISED
|
|||
|
THAT WHEN UNUSUAL DEVICES ARE FOUND ASSOCIATED WITH TELEPHONE CONNECTIONS THE
|
|||
|
PHONE COMPANY SECURITY REPRESENTATIVES SHOULD BE CONTACTED TO ASSIST IN
|
|||
|
IDENTIFICATION. (THIS PROBABLY WOULD BE GOOD FOR A BBS , ESPECIALLY WITH THE
|
|||
|
BLACK BOX SET UP. AND IF YOU EVER DECIDED TO TAKE THE BOARD DOWN, YOU WOULDN'T
|
|||
|
HAVE TO CHANGE YOUR PHONE #. IT ALSO MAKES IT SO YOU YOURSELF CANNOT BE TRACED.
|
|||
|
I AM NOT SURE ABOUT CALLING OUT FROM ONE THOUGH)
|
|||
|
|
|||
|
*RED BOX*
|
|||
|
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
THIS DEVICE IT COUPLED ACOUSTICALLY TO THE HANDSET TRANSMITTER OF A
|
|||
|
SINGLE-SLOT COIN TELEPHONE. THE DEVICE EMITS SIGNALS IDENTICAL TO THOSE TONES
|
|||
|
EMITTED WHEN COINS ARE DEPOSITED. THUS, LOCAL OR TOLL CALLS MAY BE PLACED
|
|||
|
WITHOUT THE ACTUAL DEPOSIT OF COINS.
|
|||
|
|
|||
|
|
|||
|
Page 19
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/
|
|||
|
/-/ /-/
|
|||
|
/-/ Phreaker's /-/
|
|||
|
/-/ PhunHouse /-/
|
|||
|
/-/ /-/
|
|||
|
/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/
|
|||
|
/-/ By: /-/
|
|||
|
/-/ The Traveler /-/
|
|||
|
/-/ /-/
|
|||
|
/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/
|
|||
|
/-/ /-/
|
|||
|
/-/ Call: /-/
|
|||
|
/-/ Brainstorm BBS /-/
|
|||
|
/-/ 612/345-2815 (300/1200) /-/
|
|||
|
/-/ /-/
|
|||
|
/-/ Little America /-/
|
|||
|
/-/ 507/289-8211 (300) /-/
|
|||
|
/-/ /-/
|
|||
|
/-/ Tell 'em Traveler sent ya /-/
|
|||
|
/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/
|
|||
|
|
|||
|
The long awaited prequil to Phreaker's Guide has finally arrived. Conceived
|
|||
|
from the boredom and loneliness that could only be derived from: The Traveler!
|
|||
|
But now, he has returned in full strength (after a small vacation) and is here
|
|||
|
to 'World Premiere' the new files everywhere.
|
|||
|
Stay cool. This is the prequil to the first one, so just relax. This is not
|
|||
|
made to be an exclusive ultra elite file, so kinda calm down and watch in the
|
|||
|
background if you are too cool for it...
|
|||
|
|
|||
|
/-/ Phreak Dictionary /-/
|
|||
|
|
|||
|
Here you will find some of the basic but necessary terms that should be known
|
|||
|
by any phreak who wants to be respected at all...
|
|||
|
|
|||
|
Phreak [fr'eek]:1. The action of using mischevious and mostly illegal ways
|
|||
|
in order to not pay for some sort of telecommunications bill, order, transfer,
|
|||
|
or other service. It often involves usage of highly illegal boxes and machines
|
|||
|
in order to defeat the security that is set up to avoid this sort of
|
|||
|
happening.
|
|||
|
[fr'eaking]. v. 2. A person who uses the above methods of destruction and
|
|||
|
chaos in order to make a better life for all. A true phreaker will not not go
|
|||
|
against his fellows or narc on people who have ragged on him or do anything
|
|||
|
termed to be dishonorable to phreaks.
|
|||
|
[fr'eek]. n. 3. A certain code or dialup useful in the action of being a
|
|||
|
phreak. (Example: "I hacked a new metro phreak last night.")
|
|||
|
|
|||
|
Switching System
|
|||
|
[Swich'ing sis'tem]: 1. There are 3 main switching systems currently employed
|
|||
|
in the US, and a few other systems will be mentioned as background.
|
|||
|
A) SxS: This system was invented in 1918 and was employed in over half of the
|
|||
|
country until 1978. It is a very basic system that is a general waste of energy
|
|||
|
and hard work on the linesman. A good way to identify this is that it requires
|
|||
|
a coin in the phone booth before it will give you a dial tone, or that no call
|
|||
|
waiting, call forwarding, or any other such service is available. Stands for:
|
|||
|
Step by Step
|
|||
|
|
|||
|
B) XB: This switching system was first employed in 1978 in order to take care
|
|||
|
of most of the faults of SxS switching. Not only is it more efficient, but it
|
|||
|
|
|||
|
Page 20
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
also can support different services in various forms. XB1 is Crossbar Version
|
|||
|
1. That is very limited and is hard to distinguish from SxS except by direct
|
|||
|
view of the wiring involved. Next up was XB4, Crossbar Version 4. With this
|
|||
|
system, some of the basic things like DTMF that were not available with SxS can
|
|||
|
be accomplished. For the final stroke of XB, XB5 was created. This is a service
|
|||
|
that can allow DTMF plus most 800 type services (which were not always
|
|||
|
available...) Stands for: Crossbar.
|
|||
|
C) ESS: A nightmare in telecom. In vivid color, ESS is a pretty bad thing to
|
|||
|
have to stand up to. It is quite simple to identify. Dialing 911 for
|
|||
|
emergencies, and ANI [see ANI below] are the most common facets of the dread
|
|||
|
system. ESS has the capability to list in a person's caller log what number was
|
|||
|
called, how long the call took, and even the status of the conversation (modem
|
|||
|
or otherwise.) Since ESS has been employed, which has been very recently, it
|
|||
|
has gone through many kinds of revisions. The latest system to date is ESS 11a,
|
|||
|
that is employed in Washington D.C. for security reasons. ESS is truly trouble
|
|||
|
for any phreak, because it is 'smarter' than the other systems. For instance,
|
|||
|
if on your caller log they saw 50 calls to 1-800-421-9438, they would be able
|
|||
|
to do a CN/A [see Loopholes below] on your number and determine whether you are
|
|||
|
subscribed to that service or not. This makes most calls a hazard, because
|
|||
|
although 800 numbers appear to be free, they are recorded on your caller log
|
|||
|
and then right before you recei`e your bill it deletes the billings for them.
|
|||
|
But before that they are open to inspection, which is one reason why extended
|
|||
|
use of any code is dangerous under ESS. Some of the boxes [see Boxing below]
|
|||
|
are unable to function in ESS. It is generally a menace to the true phreak.
|
|||
|
Stands For: Electronic Switching System. because they could appear on a filter
|
|||
|
somewhere or maybe it is just nice to know them any ways.
|
|||
|
A) SSS: Strowger Switching System. First non-operator system
|
|||
|
available.
|
|||
|
B) WES: Western Electronics Switching. Used about 40 years ago
|
|||
|
with some minor places out west.
|
|||
|
Boxing [Boks'-ing]: 1) The use of personally designed boxes that emit or
|
|||
|
cancel electronical impulses that allow simpler acting while phreaking. Through
|
|||
|
the use of separate boxes, you can accomplish most feats possible with or
|
|||
|
without the control of an operator.
|
|||
|
2) Some boxes and their functions are listed below. Ones
|
|||
|
marked with '*' indicate that they are not operatable in ESS.
|
|||
|
*Black Box: Makes it seem to the phone company that the phone was never
|
|||
|
picked up.
|
|||
|
|
|||
|
Blue Box: Emits a 2600hz tone that allows you to do such things as stack
|
|||
|
a trunk line, kick the operator off line, and others.
|
|||
|
|
|||
|
Red Box: Simulates the noise of a quarter, nickel, or dime being
|
|||
|
dropped into a payphone.
|
|||
|
|
|||
|
Cheese Box: Turns your home phone into a pay phone to throw off traces (a
|
|||
|
red box is usually needed in order to call out.)
|
|||
|
|
|||
|
*Clear Box: Gives you a dial tone on some of the old SxS payphones without
|
|||
|
putting in a coin.
|
|||
|
|
|||
|
Beige Box: A simpler produced linesman's handset that allows you to tap
|
|||
|
into phone lines and extract by eavesdropping, or crossing wires, etc.
|
|||
|
Purple Box: Makes all calls made out from your house seem to be local
|
|||
|
calls.
|
|||
|
ANI [ANI]: 1) Automatic Number Identification. A service available on ESS
|
|||
|
that allows a phone service [see Dialups below] to record the number that any
|
|||
|
certain code was dialed from along with the number that was called and print
|
|||
|
|
|||
|
Page 21
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
both of these on the customer bill. 950 dialups [see Dialups below] are all
|
|||
|
designed just to use ANI. Some of the services do not have the proper equipment
|
|||
|
to read the ANI impulses yet, but it is impossible to see which is which
|
|||
|
without being busted or not busted first.
|
|||
|
Dialups
|
|||
|
[dy'l'ups]: 1) Any local or 800 extended outlet that allows instant access to
|
|||
|
any service such as MCI, Sprint, or AT&T that from there can be used by
|
|||
|
handpicking or using a program to reveal other peoples codes which can then be
|
|||
|
used moderately until they find out about it and you must switch to another
|
|||
|
code (preferably before they find out about it.)
|
|||
|
2) Dialups are extremely common on both senses. Some dialups
|
|||
|
reveal the company that operates them as soon as you hear the tone. Others are
|
|||
|
much harder and some you may never be able to identify. A small list of
|
|||
|
dialups:
|
|||
|
1-800-421-9438 (5 digit codes)
|
|||
|
1-800-547-6754 (6 digit codes)
|
|||
|
1-800-345-0008 (6 digit codes)
|
|||
|
1-800-734-3478 (6 digit codes)
|
|||
|
1-800-222-2255 (5 digit codes)
|
|||
|
3) Codes: Codes are very easily accessed procedures when you call
|
|||
|
a dialup. They will give you some sort of tone. If the tone does not end in 3
|
|||
|
seconds, then punch in the code and immediately following the code, the number
|
|||
|
you are dialing but strike the '1' in the beginning out first. If the tone does
|
|||
|
end, then punch in the code when the tone ends. Then, it will give you another
|
|||
|
tone. Punch in the number you are dialing, or a '9'. If you punch in a '9' and
|
|||
|
the tone stops, then you messed up a little. If you punch in a tone and the
|
|||
|
tone continues, then simply dial then number you are calling without the '1'.
|
|||
|
4) All codes are not universal. The only type that I know of that
|
|||
|
is truly universal is Metrophone. Almost every major city has a local Metro
|
|||
|
dialup (for Philadelphia, (215)351-0100/0126) and since the codes are
|
|||
|
universal, almost every phreak has used them once or twice. They do not employ
|
|||
|
ANI in any outlets that I know of, so feel free to check through your books and
|
|||
|
call 555-1212 or, as a more devious manor, subscribe yourself. Then, never use
|
|||
|
your own code. That way, if they check up on you due to your caller log, they
|
|||
|
can usually find out that you are subscribed. Not only that but you could set a
|
|||
|
phreak hacker around that area and just let it hack away, since they usually
|
|||
|
group them, and, as a bonus, you will have their local dialup.
|
|||
|
5) 950's. They seem like a perfectly cool phreakers dream. They
|
|||
|
are free from your house, from payphones, from everywhere, and they host all of
|
|||
|
the major long distance companies (950-1044 <MCI>, 950-1077 <Sprint>, 950-1088
|
|||
|
<Skylines>, 950-1033 <Us Telecom>.) Well, they aren't. They were designed for
|
|||
|
ANI. That is the point, end of discussion.
|
|||
|
|
|||
|
A phreak dictionary. If you remember all of the things contained on that file
|
|||
|
up there, you may have a better chance of doing whatever it is you do. This
|
|||
|
next section is maybe a little more interesting...
|
|||
|
|
|||
|
Blue Box Plans:
|
|||
|
---------------
|
|||
|
|
|||
|
These are some blue box plans, but first, be warned, there have been 2600hz
|
|||
|
tone detectors out on operator trunk lines since XB4. The idea behind it is to
|
|||
|
use a 2600hz tone for a few very naughty functions that can really make your
|
|||
|
day lighten up. But first, here are the plans, or the heart of the file:
|
|||
|
|
|||
|
==============================================
|
|||
|
700 : 1 : 2 : 4 : 7 : 11 :
|
|||
|
900 : + : 3 : 5 : 8 : 12 :
|
|||
|
|
|||
|
Page 22
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
1100 : + : + : 6 : 9 : KP :
|
|||
|
1300 : + : + : + : 10 : KP2 :
|
|||
|
1500 : + : + : + : + : ST :
|
|||
|
: 700 : 900 :1100 :1300 :1500 :
|
|||
|
==============================================
|
|||
|
|
|||
|
Stop! Before you diehard users start piecing those little tone tidbits
|
|||
|
together, there is a simpler method. If you have an Apple-Cat with a program
|
|||
|
like Cat's Meow IV, then you can generate the necessary tones, the 2600hz tone,
|
|||
|
the KP tone, the KP2 tone, and the ST tone through the dial section. So if you
|
|||
|
have that I will assume you can boot it up and it works, and I'll do you the
|
|||
|
favor of telling you and the other users what to do with the blue box now that
|
|||
|
you have somehow constructed it.
|
|||
|
The connection to an operator is one of the most well known and used ways of
|
|||
|
having fun with your blue box. You simply dial a TSPS (Traffic Service
|
|||
|
Positioning Station, or the operator you get when you dial '0') and blow a
|
|||
|
2600hz tone through the line. Watch out! Do not dial this direct! After you
|
|||
|
have done that, it is quite simple to have fun with it. Blow a KP tone to start
|
|||
|
a call, a ST tone to stop it, and a 2600hz tone to hang up. Once you have
|
|||
|
connected to it, here are some fun numbers to call with it:
|
|||
|
|
|||
|
0-700-456-1000 Teleconference (free, because you are the operator!)
|
|||
|
(Area code)-101 Toll Switching
|
|||
|
(Area code)-121 Local Operator (hehe)
|
|||
|
(Area code)-131 Information
|
|||
|
(Area code)-141 Rate & Route
|
|||
|
(Area code)-181 Coin Refund Operator
|
|||
|
(Area code)-11511 Conference operator (when you dial 800-544-6363)
|
|||
|
|
|||
|
Well, those were the tone matrix controllers for the blue box and some other
|
|||
|
helpful stuff to help you to start out with. But those are only the functions
|
|||
|
with the operator. There are other k-fun things you can do with it...
|
|||
|
More advanced Blue Box Stuff:
|
|||
|
Oops. Small mistake up there. I forgot tone lengths. Um, you blow a tone
|
|||
|
pair out for up to 1/10 of a second with another 1/10 second for silence
|
|||
|
between the digits. KP tones should be sent for 2/10 of a second. One way to
|
|||
|
confuse the 2600hz traps is to send pink noise over the channel (for all of you
|
|||
|
that have decent BSR equalizers, there is major pink noise in there...)
|
|||
|
Using the operator functions is the use of the 'inward' trunk line. That is
|
|||
|
working it from the inside. From the 'outward' trunk, you can do such things as
|
|||
|
make emergency breakthrough calls, tap into lines, busy all of the lines in any
|
|||
|
trunk (called 'stacking'), enable or disable the TSPS's, and for some 4a
|
|||
|
systems you can even re-route calls to anywhere.
|
|||
|
|
|||
|
All right. The one thing that every complete phreak guide should not be
|
|||
|
without is blue box plans, since they were once a vital part of phreaking.
|
|||
|
Another thing that every complete file needs is a complete listing of all of
|
|||
|
the 800 numbers around so you can have some more fun.
|
|||
|
|
|||
|
/-/ 800 Dialup Listings /-/
|
|||
|
|
|||
|
1-800-345-0008 (6) 1-800-547-6754 (6)
|
|||
|
1-800-245-4890 (4) 1-800-327-9136 (4)
|
|||
|
1-800-526-5305 (8) 1-800-858-9000 (3)
|
|||
|
1-800-437-9895 (7) 1-800-245-7508 (5)
|
|||
|
1-800-343-1844 (4) 1-800-322-1415 (6)
|
|||
|
1-800-437-3478 (6) 1-800-325-7222 (6)
|
|||
|
|
|||
|
|
|||
|
Page 23
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
All right, set Cat Hacker 1.0 on those numbers and have a fuck of a day. That
|
|||
|
is enough with 800 codes, by the time this gets around to you I dunno what
|
|||
|
state those codes will be in, but try them all out anyways and see what you
|
|||
|
get. On some 800 services now, they have an operator who will answer and ask
|
|||
|
you for your code, and then your name. Some will switch back and forth between
|
|||
|
voice and tone verification, you can never be quite sure which you will be up
|
|||
|
against.
|
|||
|
Armed with this knowledge you should be having a pretty good time phreaking
|
|||
|
now. But class isn't over yet, there are still a couple important rules that
|
|||
|
you should know. If you hear continual clicking on the line, then you should
|
|||
|
assume that an operator is messing with something, maybe even listening in on
|
|||
|
you. It is a good idea to call someone back when the phone starts doing that.
|
|||
|
If you were using a code, use a different code and/or service to call him
|
|||
|
back.
|
|||
|
A good way to detect if a code has gone bad or not is to listen when the
|
|||
|
number has been dialed. If the code is bad you will probably hear the phone
|
|||
|
ringing more clearly and more quickly than if you were using a different code.
|
|||
|
If someone answers voice to it then you can immediately assume that it is an
|
|||
|
operative for whatever company you are using. The famed '311311' code for Metro
|
|||
|
is one of those. You would have to be quite stupid to actually respond, because
|
|||
|
whoever you ask for the operator will always say 'He's not in right now, can I
|
|||
|
have him call you back?' and then they will ask for your name and phone number.
|
|||
|
Some of the more sophisticated companies will actually give you a carrier on a
|
|||
|
line that is supposed to give you a carrier and then just have garbage flow
|
|||
|
across the screen like it would with a bad connection. That is a feeble effort
|
|||
|
to make you think that the code is still working and maybe get you to dial
|
|||
|
someone's voice... a good test for the carrier trick is to dial a number that
|
|||
|
will give you a carrier that you have never dialed with that code before, that
|
|||
|
will allow you to determine whether the code is good or not.
|
|||
|
For our next section, a lighter look at some of the things that a phreak
|
|||
|
should not be without. A vocabulary. A few months ago, it was a quite strange
|
|||
|
world for the modem people out there. But now, a phreaker's vocabulary is
|
|||
|
essential if you wanna make a good impression on people when you post what you
|
|||
|
know about certain subjects.
|
|||
|
|
|||
|
/-/ Vocabulary /-/
|
|||
|
|
|||
|
- Do not misspell except certain exceptions:
|
|||
|
phone -> fone
|
|||
|
freak -> phreak
|
|||
|
- Never substitute 'z's for 's's. (i.e. codez -> codes)
|
|||
|
- Never leave many characters after a post (i.e. Hey Dudes!#!@#@!#!@)
|
|||
|
- NEVER use the 'k' prefix (k-kool, k-rad, k-whatever)
|
|||
|
- Do not abbreviate. (I got lotsa wares w/ docs)
|
|||
|
- Never substitute '0' for 'o' (r0dent, l0zer).
|
|||
|
- Forget about ye old upper case, it looks ruggyish.
|
|||
|
|
|||
|
All right, that was to relieve the tension of what is being drilled into your
|
|||
|
minds at the moment.. now, however, back to the teaching course. Here are some
|
|||
|
things you should know about phones and billings for phones, etc.
|
|||
|
|
|||
|
LATA: Local Access Transference Area. Some people who live in large cities or
|
|||
|
areas may be plagued by this problem. For instance, let's say you live in the
|
|||
|
215 area code under the 542 prefix (Ambler, Fort Washington). If you went to
|
|||
|
dial in a basic Metro code from that area, for instance, 351-0100, that might
|
|||
|
not be counted under unlimited local calling because it is out of your LATA.
|
|||
|
For some LATA's, you have to dial a '1' without the area code before you can
|
|||
|
dial the phone number. That could prove a hassle for us all if you didn't
|
|||
|
|
|||
|
Page 24
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
realize you would be billed for that sort of call. In that way, sometimes, it
|
|||
|
is better to be safe than sorry and phreak.
|
|||
|
The Caller Log: In ESS regions, for every household around, the phone company
|
|||
|
has something on you called a Caller Log. This shows every single number that
|
|||
|
you dialed, and things can be arranged so it showed every number that was
|
|||
|
calling to you. That's one main disadvantage of ESS, it is mostly computerized
|
|||
|
so a number scan could be done like that quite easily. Using a dialup is an
|
|||
|
easy way to screw that, and is something worth remembering. Anyways, with the
|
|||
|
caller log, they check up and see what you dialed. Hmm... you dialed 15
|
|||
|
different 800 numbers that month. Soon they find that you are subscribed to
|
|||
|
none of those companies. But that is not the only thing. Most people would
|
|||
|
imagine "But wait! 800 numbers don't show up on my phone bill!". To those
|
|||
|
people, it is a nice thought, but 800 numbers are picked up on the caller log
|
|||
|
until right before they are sent off to you. So they can check right up on you
|
|||
|
before they send it away and can note the fact that you fucked up slightly and
|
|||
|
called one too many 800 lines.
|
|||
|
|
|||
|
Right now, after all of that, you should have a pretty good idea of how to grow
|
|||
|
up as a good phreak. Follow these guidelines, don't show off, and don't take
|
|||
|
unnecessary risks when phreaking or hacking.
|
|||
|
|
|||
|
File Level:5
|
|||
|
|
|||
|
/-/ Credits /-/
|
|||
|
|
|||
|
To The Videosmith- for setting me straight on some shit.
|
|||
|
To The Linesman- for telling me to upload it to his AE line.
|
|||
|
To Modern Mutant- for making me into a phreaking freak.
|
|||
|
To Jack the Nibbler- for the basis of the blue box plans.
|
|||
|
|
|||
|
By using your new k-koool (hehe) phreaking knowledge, call a couple of these
|
|||
|
BBS's around the country:
|
|||
|
|
|||
|
/---------------------------------\
|
|||
|
| Bulletin Board List |
|
|||
|
| --------------------- |
|
|||
|
| 215/844-8836 |
|
|||
|
| 7 Cities of Gold (3/12) 10megs |
|
|||
|
| 307/382-4006 |
|
|||
|
| Brainstorm BBS (3/12) |
|
|||
|
| 612/345-2815 |
|
|||
|
| Metal Shop (3/12) |
|
|||
|
| 314/432-0756 |
|
|||
|
\---------------------------------/
|
|||
|
|
|||
|
Stay free! And watch out soon for Deep Thought, somewhere in 215, that will be
|
|||
|
a nice BBS that Ace of Spades and I will run. You will be the first to find out
|
|||
|
about it, trust me...
|
|||
|
|
|||
|
Later,
|
|||
|
|
|||
|
The Traveler
|
|||
|
Zer0-g
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 25
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
************ << BIOC AGENT 003'S COURSE IN >> ************
|
|||
|
* *
|
|||
|
* $%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$ *
|
|||
|
* %$ BASIC TELECOMMUNICATIONS $% *
|
|||
|
* $%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$ *
|
|||
|
* PART I *
|
|||
|
* *
|
|||
|
**********************************************************
|
|||
|
|
|||
|
|
|||
|
HOW TO BE A REAL PHREAK
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
IN THE PHONE PHREAK SOCIETY THERE ARE CERTAIN VALUES THAT EXIST IN ORDER TO
|
|||
|
BE A TRUE PHREAK, THESE ARE BEST SUMMED UP BY THE MAGICIAN:
|
|||
|
|
|||
|
"MANY PEOPLE THINK OF PHONE PHREAKS AS SLIME, OUT TO RIP OFF BELL FOR
|
|||
|
ALL SHE IS WORTH. NOTHING COULD BE FURTHER FROM THE TRUTH! GRANTED, THERE ARE
|
|||
|
SOME WHO GET THEIR KICKS BY MAKING FREE CALLS; HOWEVER, THEY ARE NOT TRUE PHONE
|
|||
|
PHREAKS. REAL PHONE PHREAKS ARE 'TELECOMMUNICATIONS HOBBYISTS' WHO EXPERIMENT,
|
|||
|
PLAY WITH AND LEARN FROM THE PHONE SYSTEM. OCCASIONALLY THIS EXPERIMENTING, AND
|
|||
|
A NEED TO COMMUNICATE WITH OTHER PHREAKS ( WITH-OUT GOING BROKE), LEADS TO FREE
|
|||
|
CALLS. THE FREE CALLS ARE BUT A SMALL SUBSET OF A TRUE PHONE PHREAKS
|
|||
|
ACTIVITIES."
|
|||
|
|
|||
|
THE PHONE PHREAK'S TEN COMMANDMENTS
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
REPRINTED FROM TAP ISSUE #86. (TAP, ROOM 603, 147 W 42 STREET, NEW YORK, NY
|
|||
|
10036) SEND A SASE FOR THEIR INFO SHEET AND TELL THEM THAT BIOC AGENT 003 TOLD
|
|||
|
YOU ABOUT IT.)
|
|||
|
|
|||
|
|
|||
|
I. BOX THOU NOT OVER THINE HOME TELEPHONE WIRES, FOR THOSE WHO DOEST MUST
|
|||
|
SURELY BRING THE WRATH OF THE CHIEF SPECIAL AGENT DOWN UPON THY HEADS.
|
|||
|
|
|||
|
II. SPEAKEST THOU NOT OF IMPORTANT MATTERS OVER THINE HOME TELEPHONE WIRES,
|
|||
|
FOR TO DO SO IS TO RISK THINE RIGHT OF FREEDOM.
|
|||
|
|
|||
|
III. USE NOT THINE OWN NAME WHEN SPEAKING TO OTHER PHREAKS, FOR THAT EVERY
|
|||
|
THIRD PHREAK IS AN FBI AGENT IS WELL KNOWN.
|
|||
|
|
|||
|
IV. LET NOT OVERLY MANY PEOPLE KNOW THAT THY BE A PHREAK, AS TO DO SO IS TO
|
|||
|
USE THINE OWN SELF AS A SACRIFICIAL LAMB.
|
|||
|
|
|||
|
V. IF THOU BE IN SCHOOL, STRIVE TO GET THIN SELF GOOD GRADES, FOR THE
|
|||
|
AUTHORITIES WELL KNOW THAT SCHOLARS NEVER BREAK THE LAW.
|
|||
|
|
|||
|
VI. IF THOU WORKEST, TRY TO BE A EMPLOYEE, AND IMPRESSEST THINE BOSS WITH
|
|||
|
THINE ENTHUSIASM, FOR IMPORTANT EMPLOYEES ARE OFTEN SAVED BY THEIR OWN BOSSES.
|
|||
|
|
|||
|
VII. STOREST THOU NOT THINE STOLEN GOODS IN THINE OWN HOME, FOR THOSE WHO DO
|
|||
|
ARE SURELY NON-BELIEVERS IN THE BELL SYSTEM SECURITY FORCES, AND ARE NOT LONG
|
|||
|
FOR THIS WORLD.
|
|||
|
|
|||
|
VIII. ATTRACTEST THOU NOT THE ATTENTION OF THE AUTHORITIES, AS THE LESS
|
|||
|
NOTICEABLE THOU ART, THE BETTER.
|
|||
|
|
|||
|
|
|||
|
Page 26
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
IX. MAKEST SURE THINE FRIENDS ARE INSTANT AMNESIACS AND WILL NOT REMEMBER
|
|||
|
THAT THOU HAVE CALLED ILLEGALLY, FOR THEIR COOPERATION WITH THE AUTHORITIES
|
|||
|
WILL SURELY LESSEN THINE TIME FOR FREEDOM ON THIS EARTH.
|
|||
|
|
|||
|
X. SUPPORTEST THOU TAP, AS IT IS THINE NEWSLETTER, AND WITHOUT IT, THY WORK
|
|||
|
WILL BE FAR MORE LIMITED.
|
|||
|
|
|||
|
CN/A NUMBERS
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
CUSTOMER NAME & ADDRESS BUREAUS EXIST SO THAT AUTHORIZED BELL EMPLOYEES MAY
|
|||
|
OBTAIN THE NAME & ADDRESS OF ANY CUSTOMER IN THE BELL SYSTEM BY GIVING THE CN/A
|
|||
|
OPERATOR THE CUSTOMER'S TEL-#. ALL CUSTOMERS ARE MAINTAINED ON FILE INCLUDING
|
|||
|
UNLISTED #'S. THESE BUREAUS HAVE MANY USES FOR PHREAKS.
|
|||
|
HERE IS HOW AN EMPLOYEE MIGHT GO ABOUT CALLING CN/A:
|
|||
|
"HI, THIS IS JOHN DOE FROM THE MIAMI RESIDENTIAL SERVICE CENTER, CAN I HAVE THE
|
|||
|
CUSTOMERS NAME AT (123) 555-1212."
|
|||
|
|
|||
|
THE EMPLOYEES USUALLY USE THESE FOR CHECKING WHO BELONGS TO A # THAT
|
|||
|
SOMEONE CLAIMED THEY DIDN'T CALL.IF YOU SOUND CHEERY AND NATURAL THE OPERATOR
|
|||
|
WILL NEVER ASK ANY QUESTIONS. IF YOU DON'T SOUND LIKE A MATURE ADULT, DON'T USE
|
|||
|
IT! ALWAYS PRACTICE FIRST & SO YOU DON'T SCREW UP AND MAKE THE OPERATOR
|
|||
|
SUSPICIOUS. USE NAME THAT SOUNDS REAL, NOT YOUR PIRATE NAME EITHER! ALSO SAY
|
|||
|
THAT YOU ARE FRO A CITY THAT IS FAR AWAY FROM THE ONE THAT YOU ARE CALLING.
|
|||
|
|
|||
|
THE CN/A NUMBER FOR THE NY AREA & VICINITY (212, 315, 516, 518, 607, 716, &
|
|||
|
914), IS 518/471-8111, AND IS OPEN DURING BUSINESS HOURS. DON'T ABUSE
|
|||
|
IT!!!!!!!
|
|||
|
|
|||
|
AT&T NEWSLINES
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
AT&T NEWSLINES ARE NUMBERS AT AREA PHONE OFFICES THAT TELCO EMPLOYEES CALL
|
|||
|
TO FIND OUT THE LATEST INFO ON NEW TECHNOLOGY, STOCKS, ETC. THE RECORDED
|
|||
|
REPORTS RANGE FROM VERY BORING TO VERY INTERESTING.
|
|||
|
|
|||
|
HERE ARE A FEW OF THE NUMBERS:
|
|||
|
|
|||
|
*(201) 483-3800 NJ (518) 471-2272 NY
|
|||
|
(203) 771-4920 CN (717) 255-5555 PA
|
|||
|
(212) 393-2151 NY (717) 787-1031 PA
|
|||
|
(516) 234-9941 NY *(914) 948-8100 NY
|
|||
|
|
|||
|
SOME OF THESE NUMBERS ARE TOLL-FREE, BUT YOU CAN'T ALWAYS COUNT ON IT.
|
|||
|
|
|||
|
* THESE NUMBERS ARE NOT ALWAYS UP!
|
|||
|
|
|||
|
NUMBERS FROM OTHER AREAS ARE AVAILABLE BY REQUEST FROM F)BIOC L)AGENT 003.
|
|||
|
|
|||
|
ANI NUMBERS
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
ANI NUMBERS IDENTIFY THE PHONE NUMBER THAT YOU ARE CALLING FROM. IT IS
|
|||
|
USEFUL WHEN PLAYING IN CANS (THOSE BIG SILVER BOXES ON TELEPHONE POLES) TO FIND
|
|||
|
OUT THE # OF THE LINE. IT IS ALSO GOOD TO FIND OUT THE # OF A PHONE THAT
|
|||
|
DOESN'T HAVE IT PRINTED ON IT. IN THE 914 AREA CODE THE ANI # IS 990. IF YOU
|
|||
|
JUST HAVE TO DIAL THE LAST 4 DIGITS FOR A LOCAL #, IE CONGERS (268), DIAL
|
|||
|
1-990-1111, WHERE 1111 ARE DUMMY DIGITS THERE IS ALSO A LESS USEFUL TYPE OF
|
|||
|
|
|||
|
Page 27
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
ANI# WHICH WILL IDENTIFY THE AREA CODE & EXCHANGE. IT IS NXX-9901, WHERE 'NXX'
|
|||
|
IS THE EXCHANGE. IN THE 212 & 516 AREA CODES THE ANI # IS 958.
|
|||
|
|
|||
|
PHREAK NEWSLETTER
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
TAP IS THE "OFFICIAL" PHONE PHREAK NEWSLETTER, AND HAS EXISTED SINCE 1971.
|
|||
|
EACH 4 PAGE ISSUE IS CRAMMED FULL OF INFORMATION ON PHONE PHREAKING, COMPUTER
|
|||
|
PHREAKING, FREE GAS, FREE ELECTRICITY, FREE POSTAGE, BREAKING & ENTERING INFO,
|
|||
|
ETC. IT IS LARGELY PHONE PHREAK ORIENTED, HOWEVER.
|
|||
|
|
|||
|
A 10 ISSUE SUBSCRIPTION COSTS $8.00, IF YOU GET A BULK RATE SEALED ENVELOPE
|
|||
|
SUBSCRIPTION. I WOULD RECOMMEND THE FIRST CLASS SUBSCRIPTION, WHICH IS $10.
|
|||
|
|
|||
|
AS OF THIS WRITING (7-16-83), THE CURRENT ISSUE IS #86, AND ISSUE #50 IS 8
|
|||
|
PAGES INSTEAD OF THE USUAL 4. BACK ISSUES ARE $0.75 EACH, AND ISSUE #50 IS
|
|||
|
$1.50. A BRIEF INDEX TO THE FIRST 80 ISSUES IS AVAILABLE FOR A SASE, OR FREE
|
|||
|
WITH A SUBSCRIPTION ORDER. TAP IS NON-PROFIT, AND IN DESPERATE NEED OF MATERIAL
|
|||
|
(ARTICLES), MONEY, AND VOLUNTEERS.
|
|||
|
|
|||
|
TAP
|
|||
|
ROOM 603
|
|||
|
147 WEST 42ND STREET
|
|||
|
NEW YORK, NY 10036
|
|||
|
|
|||
|
BELIEVE ME: IT WILL BE THE BEST $10 YOU WILL EVER SPEND...
|
|||
|
|
|||
|
BLACK BOX
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
THE BLACK BOX IS A DEVICE THAT ATTACHED TO A CALLED PARTIES PHONE
|
|||
|
THAT ALLOWS HIM/HER TO RECEIVE FREE LONG DISTANCE CALLS FROM FRIENDS WHO
|
|||
|
CALL.
|
|||
|
|
|||
|
YOU ONLY NEED 2 PARTS: A SPST TOGGLE SWITCH AND A 10,000 OHM (10 K),
|
|||
|
1/2 WATT, 10% RESISTOR. ANY ELECTRONICS PLACE SHOULD HAVE THESE.
|
|||
|
|
|||
|
NOW, CUT TWO PIECES OF WIRE, ABOUT 6 INCHES, AND ATTACH THESE TO THE TWO
|
|||
|
SCREWS ON THE SWITCH. TURN YOUR NORMAL DDSIDE DOWN AND UNSCREW THE 2 SCREWS.
|
|||
|
LOCATE THE "F" AND "RR" SCREWS ON THE NETWORK BOX. WRAP THE RESISTOR BETWEEN
|
|||
|
THESE 2 SCREWS AND MAKE SURE THAT THE WIRES TOUCH ONLY THE PROPER TERMINALS!
|
|||
|
NOW CONNECT ONE WIRE FROM THE SWITCH TO THE RR TERMINAL. FINALLY, ATTACH THE
|
|||
|
REMAINING WIRE TO THE GREEN WIRE (DISCONNECT IT FROM ITS TERMINAL). NOW BRING
|
|||
|
THE SWITCH OUT THE REAR OF THE PHONE AND CLOSE IT UP. PUT THE SWITCH IN A
|
|||
|
POSITION WHERE YOU GET A DIAL TONE, MARK THIS NORMAL. MARK THE OTHER SIDE
|
|||
|
FREE.
|
|||
|
|
|||
|
WHEN YOUR FRIENDS CALL (AT A PREARRANGED TIME), QUICKLY LIFT & DROP THE
|
|||
|
RECEIVER AS FAST AS POSSIBLE. THIS WILL STOP THE RINGING, IF NOT TRY AGAIN. IT
|
|||
|
IS VERY IMPORTANT THAT YOU DO IT FAST! NOW PUT THE SWITCH IN THE FREE POSITION
|
|||
|
AND PICK UP THE PHONE. KEEP ALL CALLS SHORT & UNDER 15 MINUTES.
|
|||
|
|
|||
|
WHEN SOMEONE CALLS YOU LONG-DISTANCE, THEY ARE BILLED FROM THE MOMENT YOU
|
|||
|
ANSWER. THE TELCO KNOWS WHEN YOU ANSWER DUE TO A CERTAIN AMOUNT OF VOLTAGE THAT
|
|||
|
FLOWS WHEN YOU PICK UP THE PHONE. HOWEVER, THE RESISTOR CUTS DOWN ON THE
|
|||
|
VOLTAGE SO IT IS BELOW THE BILLING RANGE BUT SUFFICIENT ENOUGH TO OPERATE THE
|
|||
|
MOUTHPIECE. ANSWERING THE PHONE FOR A FRACTION OF A SECOND STOPS THE RING BUT
|
|||
|
IT IS NOT ENOUGH FOR BILLING TO START. IF THE PHONE IS ANSWERED FOR EVEN ONE
|
|||
|
|
|||
|
Page 28
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
FULL SECOND, BILLING WILL START AND YOU WILL BE CUT OFF WHEN YOU HANG UP AND
|
|||
|
SWITCH TO FREE.
|
|||
|
|
|||
|
WARNING: BELL CAN RANDOMLY LOOK FOR BLACK BOXES SO BE CAREFUL!
|
|||
|
|
|||
|
_____________________________________
|
|||
|
| |
|
|||
|
---BLUE WIRE-->>F< |
|
|||
|
| | | |
|
|||
|
--WHITE WIRE---/ | |
|
|||
|
| | |
|
|||
|
| RESISTOR |
|
|||
|
| | |
|
|||
|
| | |
|
|||
|
| >RR<-------SWITCH--\ |
|
|||
|
| | |
|
|||
|
----GREEN WIRE--------------------/ |
|
|||
|
| |
|
|||
|
|_____________________________________|
|
|||
|
|
|||
|
DIAL LOCKS
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
HAVE YOU EVER BEEN IN AN OFFICE OR SOMEWHERE AND WANTED TO MAKE A FREE FONE
|
|||
|
CALL BUT SOME ASSHOLE PUT A LOCK ON THE FONE TO PREVENT OUT-GOING CALLS? FRET
|
|||
|
NO MORE PHELLOW PHREAKS, FOR EVERY SYSTEM CAN BE BEATEN WITH A LITTLE
|
|||
|
KNOWLEDGE!
|
|||
|
|
|||
|
THERE ARE TWO WAYS TO BEAT THIS OBSTACLE, FIRST PICK THE LOCK, I DON'T HAVE
|
|||
|
THE TIME TO TEACH LOCKSMITHING SO WE GO TO THE SECOND METHOD WHICH TAKES
|
|||
|
ADVANTAGE OF TELEPHONE ELECTRONICS.
|
|||
|
|
|||
|
TO BE AS SIMPLE AS POSSIBLE, WHEN YOU PICK UP THE FONE YOU COMPLETE A
|
|||
|
CIRCUIT KNOW AS A LOCAL LOOP. WHEN YOU HANG-UP YOU BREAK THE CIRCUIT. WHEN
|
|||
|
YOU DIAL (PULSE) IT ALSO BREAKS THE CIRCUIT BUT NOT LONG ENOUGH TO HANG UP! SO
|
|||
|
YOU CAN "PUSH-DIAL." TO DO THIS YOU >>> RAPIDLY <<< DEPRESS THE SWITCHHOOK.
|
|||
|
FOR EXAMPLE, TO DIAL AN OPERATOR (AND THEN GIVE HER THE NUMBER YOU WANT CALLED)
|
|||
|
>>> RAPIDLY <<< & >>> EVENLY <<< DEPRESS THE SWITCHHOOK 10 TIMES. TO DIAL
|
|||
|
634-1268, DEPRESS 6 X'S PAUSE, THEN 3 X'S, PAUSE, THEN 4X'S, ETC. IT TAKES A
|
|||
|
LITTLE PRACTICE BUT YOU'LL GET THE HANG OF IT. TRY PRACTICING WITH YOUR OWN #
|
|||
|
SO YOU'LL GET A BUSY TONE WHEN RIGHT. IT'LL ALSO WORK ON TOUCH-TONE(TM) SINCE
|
|||
|
A DTMF LINE WILL ALSO ACCEPT PULSE. ALSO, NEVER DEPRESS THE SWITCHHOOK FOR
|
|||
|
MORE THAN A SECOND OR IT'LL HANG-UP!
|
|||
|
|
|||
|
FINALLY, REMEMBER THAT YOU HAVE JUST AS MUCH RIGHT TO THAT FONE AS THE
|
|||
|
ASSHOLE WHO PUT THE LOCK ON IT!
|
|||
|
|
|||
|
EXCHANGE SCANNING
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
ALMOST EVERY EXCHANGE IN THE BELL SYSTEM HAS TEST #'S AND OTHER "GOODIES"
|
|||
|
SUCH AS LOOPS WITH DIAL-UPS. THESE "GOODIES" ARE USUALLY FOUND BETWEEN 9900 AND
|
|||
|
9999 IN YOUR LOCAL EXCHANGE. IF YOU HAVE THE TIME AND INITIATIVE, SCAN YOUR
|
|||
|
EXCHANGE AND YOU MAY BECOME LUCKY!
|
|||
|
|
|||
|
HERE ARE MY FINDINGS IN THE 914-268 EXCHANGE:
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 29
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
9900 - ANI (SEE SEPARATE BULLETIN)
|
|||
|
9901 - ANI (SEE SEPARATE BULLETIN)
|
|||
|
9927 - OSC. TONE (POSSIBLE TONE SIDE OF A LOOP)
|
|||
|
9936 - VOICE # TO THE TELCO CENTRAL OFFICE
|
|||
|
9937 - VOICE # TO THE TELCO CENTRAL OFFICE
|
|||
|
9941 - COMPUTER (DIGITAL VOICE TRANSMISSION?)
|
|||
|
9960 - OSC. TONE (TONE SIDE LOOP) MAY ALSO BE A COMPUTER IN SOME EXCHANGES
|
|||
|
9961 - NO RESPONSE (OTHER END OF LOOP?)
|
|||
|
9962 - NO RESPONSE (OTHER END OF LOOP?)
|
|||
|
9963 - NO RESPONSE (OTHER END OF LOOP?)
|
|||
|
9966 - COMPUTER (SEE 9941)
|
|||
|
9968 - TONE THAT DISAPPEARS--RESPONDS TO CERTAIN TOUCH-TONE KEYS
|
|||
|
|
|||
|
MOST OF THE NUMBERS BETWEEN 9900 & 9999 WILL RING OR GO TO A "WHAT #,
|
|||
|
PLEASE?" OPERATOR.
|
|||
|
|
|||
|
HAVE PHUN AND REMEMBER IT'S ONLY A LOCAL CALL!
|
|||
|
|
|||
|
TOUCH-TONE & FREE CALLS
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
THERE ARE SEVERAL WAYS TO MAKE FREE CALLS (SPRINT, MCI, ETC.) USING A ROTARY
|
|||
|
PHONE. THEY ARE:
|
|||
|
|
|||
|
1. USE A NUMBER THAT ACCEPTS VOICE AS WELL AS DTMF. SUCH A # IS (800)
|
|||
|
521-8400. AS OF WRITING THIS, A CODE WAS 00717865.
|
|||
|
|
|||
|
A) IF USING VOICE, WAIT FOR THE COMPUTER TO SAY, "AUTHORIZATION #, PLEASE."
|
|||
|
THEN SAY EACH DIGIT SLOWLY, IT WILL BEEP AFTER EACH DIGIT IS SAID. AFTER EVERY
|
|||
|
GROUP OF DIGITS, IT WILL REPEAT WHAT YOU HAVE SAID, THEN SAY YES IF IT IS
|
|||
|
CORRECT, OTHERWISE SAY NO. IF THE ACCESS CODE IS CORRECT, IT WILL THANK YOU AND
|
|||
|
ASK FOR THE DESTINATION #, THEN SAY THE AREA CODE + NUMBER AS ABOVE. ANOTHER
|
|||
|
SUCH # IS (800) 245-8173, WHICH HAS A 6 DIGIT ACCESS CODE. (NOTE: IF USING
|
|||
|
TOUCH-TONE ON THIS #, ENTER THE CODE IMMEDIATELY AFTER THE TONE STOPS.)
|
|||
|
|
|||
|
2. HOOK UP A TOUCH-TONE FONE INTO YOUR ROTARY FONE. ATTACH THE RED WIRE FROM
|
|||
|
THE TOUCH-TONE FONE TO THE "R" TERMINAL INSIDE THE FONE ON THE NETWORK BOX.
|
|||
|
THEN HOOK THE GREEN WIRE TO THE "B" TERMINAL. TO USE THIS DIAL THE # USING
|
|||
|
ROTARY & THEN USE THE TOUCH-TONE FOR THE CODES. (DON'T HANG UP THE ROTARY FONE
|
|||
|
WHILE DOING THIS THOUGH!) IF THIS DOESN'T WORK THEN REVERSE THE 2 WIRES.
|
|||
|
(NOTE:IF YOUR LINE CAN ACCEPT TOUCH-TONE BUT YOU HAVE A ROTARY FONE THEN YOU
|
|||
|
CAN HOOK UP A TONE FONE DIRECTLY FOR ALL CALLS BUT THIS USUALLY ISN'T THE
|
|||
|
CASE.) SUCH AS RADIO SHACK'S 43-138.
|
|||
|
|
|||
|
OTHER ALTERNATIVES
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
4. USE A CHARGE-A-CALL FONE. (THESE ALSO MAKE GREAT EXTENSIONS IF YOU REMOVE
|
|||
|
IT USING A HEX WRENCH WITH A HOLE IN THE MIDDLE ON THE CENTER SCREW!)--(THESE
|
|||
|
FONES, FOR THE BENEFIT OF THOSE WHO DON'T KNOW, ARE BLUE WITH NO COIN SLOTS).
|
|||
|
|
|||
|
5. USE A PAY FONE THAT WANTS YOUR MONEY BEFORE THE DIAL TONE. PUT IN YOUR
|
|||
|
DIME, DIAL THE #; IF IT'S AN 800 # THEN YOUR DIME WILL COME BACK, IMMEDIATELY
|
|||
|
PUT A DIME BACK IN (IT'LL COME BACK WHEN YOU HANG UP!) IF IT IS A TONE FIRST
|
|||
|
FONE AND IT DISCONNECTS THE KEYPAD (SOME DON'T) THEN FIND ANOTHER FONE.
|
|||
|
|
|||
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|
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|
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|
|||
|
Page 30
|
|||
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|
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|
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|
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|
|||
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The Official Phreaker's Manual
|
|||
|
|
|||
|
Chapter 2
|
|||
|
|
|||
|
Well now we know a little vocabulary, and now its into history, Phreak
|
|||
|
history. Back at MIT in 1964 arrived a student by the name of Stewart Nelson,
|
|||
|
who was extremely interested in the telephone. Before entering MIT, he had
|
|||
|
built autodialers, cheese boxes, and many more gadgets. But when he came to
|
|||
|
MIT he became even more interested in "fone-hacking" as they called it. After
|
|||
|
a little while he naturally started using the PDP-1, the schools computer at
|
|||
|
that time, and from there he decided that it would be interesting to see
|
|||
|
whether the computer could generate the frequencies required for blue boxing.
|
|||
|
The hackers at MIT were not interested in ripping off Ma Bell, but just
|
|||
|
exploring the telephone network. Stew (as he was called) wrote a program to
|
|||
|
generate all the tones and set off into the vast network.
|
|||
|
Now there were more people phreaking than the ones at MIT. Most people have
|
|||
|
heard of Captain Crunch (No not the cereal), he also discovered how to take
|
|||
|
rides through the fone system, with the aid of a small whistle found in a
|
|||
|
cereal box (can we guess which one?). By blowing this whistle, he generated
|
|||
|
the magical 2600hz and into the mouthpiece it sailed, giving him complete
|
|||
|
control over the system. I have heard rumors that at one time he made about
|
|||
|
1/4 of the calls coming out of San Francisco. He got famous fast. He made the
|
|||
|
cover of people magazine and was interviewed several times (as you'll soon
|
|||
|
see). Well he finally got caught after a long adventurous career. After he
|
|||
|
was caught he was put in jail and was beaten up quite badly because he would
|
|||
|
not teach other inmates how to box calls. After getting out, he joined Apple
|
|||
|
computer and is still out there somewhere.
|
|||
|
Then there was Joe the Whistler, blind form the day he was born. He could
|
|||
|
whistle a perfect 2600hz tone. It was rumored phreaks used to call him to tune
|
|||
|
their boxes.
|
|||
|
Well that was up to about 1970, then from 1970 to 1979, phreaking was mainly
|
|||
|
done by college students, businessmen and anyone who knew enough about
|
|||
|
electronics and the fone company to make a 555 Ic to generate those magic
|
|||
|
tones. Businessmen and a few college students mainly just blue box to get free
|
|||
|
calls. The others were still there, exploring 800#'s and the new ESS systems.
|
|||
|
ESS posed a big problem for phreaks then and even a bigger one now. ESS was
|
|||
|
not widespread, but where it was, blue boxing was next to impossible except for
|
|||
|
the most experienced phreak. Today ESS is installed in almost all major cities
|
|||
|
and blue boxing is getting harder and harder.
|
|||
|
1978 marked a change in phreaking, the Apple ][, now a computer that was
|
|||
|
affordable, could be programmed, and could save all that precious work on a
|
|||
|
cassette. Then just a short while later came the Apple Cat modem. With this
|
|||
|
modem, generating all blue box tones was easy as writing a program to count
|
|||
|
form one to ten (a little exaggerated). Pretty soon programs that could
|
|||
|
imitate an operator just as good as the real thing were hitting the community,
|
|||
|
TSPS and Cat's Meow, are the standard now and are the best.
|
|||
|
1982-1986: LD services were starting to appear in mass numbers. People now
|
|||
|
had programs to hack LD services, telephone exchanges, and even passwords. By
|
|||
|
now many phreaks were getting extremely good and BBS's started to spring up
|
|||
|
everywhere, each having many documentations on phreaking for the novice. Then
|
|||
|
it happened, the movie War Games was released and mass numbers of sixth grade
|
|||
|
to all ages flocked to see it. The problem wasn't that the movie was bad, it
|
|||
|
was that now EVERYONE wanted to be a hacker/phreak. Novices came out in such
|
|||
|
mass numbers, that bulletin boards started to be busy 24 hours a day. To this
|
|||
|
day, they still have not recovered. Other problems started to occur, novices
|
|||
|
guessed easy passwords on large government computers and started to play
|
|||
|
around... Well it wasn't long before they were caught, I think that many
|
|||
|
people remember the 414-hackers. They were so stupid as to say "yes" when the
|
|||
|
computer asked them whether they'd like to play games. Well at least it takes
|
|||
|
the heat off the real phreaks/hacker/krackers.
|
|||
|
|
|||
|
Page 31
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
After a little history, how about a little thrill? I don't know if this
|
|||
|
story is true but it sure is as bad as shit!
|
|||
|
|
|||
|
|
|||
|
|
|||
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
|||
|
Page 32
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
***** The AAG Proudly Presents The AAG Proudly Presents *****
|
|||
|
* *
|
|||
|
* +----------------------------------------------+ *
|
|||
|
* *
|
|||
|
* Secrets of the Little Blue Box *
|
|||
|
* *
|
|||
|
* by Ron Rosenbaum *
|
|||
|
* Typed by One Farad Cap/AAG *
|
|||
|
* *
|
|||
|
* -A story so incredible it may even make you *
|
|||
|
* feel sorry for the phone company- *
|
|||
|
* *
|
|||
|
* (First of four files) *
|
|||
|
* *
|
|||
|
* +----------------------------------------------+ *
|
|||
|
* *
|
|||
|
***** The AAG Proudly Presents The AAG Proudly Presents *****
|
|||
|
|
|||
|
Dudes... These four files contain the story, "Secrets of the Little Blue Box",
|
|||
|
by Ron Rosenbaum.
|
|||
|
|
|||
|
-A story so incredible it may even make you feel sorry for the phone company-
|
|||
|
|
|||
|
Printed in the October 1971 issue of Esquire Magazine. If you happen to be in
|
|||
|
a library and come across a collection of Esquire magazines, the October 1971
|
|||
|
issue is the first issue printed in the smaller format. The story begins on
|
|||
|
page 116 with a picture of a blue box.
|
|||
|
--One Farad Cap, Atlantic Anarchist Guild
|
|||
|
|
|||
|
|
|||
|
The Blue Box Is Introduced: Its Qualities Are Remarked
|
|||
|
|
|||
|
I am in the expensively furnished living room of Al Gilbertson (His real name
|
|||
|
has been changed.), the creator of the "blue box." Gilbertson is holding one of
|
|||
|
his shiny black-and-silver "blue boxes" comfortably in the palm of his hand,
|
|||
|
pointing out the thirteen little red push buttons sticking up from the console.
|
|||
|
He is dancing his fingers over the buttons, tapping out discordant beeping
|
|||
|
electronic jingles. He is trying to explain to me how his little blue box does
|
|||
|
nothing less than place the entire telephone system of the world, satellites,
|
|||
|
cables and all, at the service of the blue-box operator, free of charge.
|
|||
|
|
|||
|
"That's what it does. Essentially it gives you the power of a super operator.
|
|||
|
You seize a tandem with this top button," he presses the top button with his
|
|||
|
index finger and the blue box emits a high-pitched cheep, "and like that" --
|
|||
|
cheep goes the blue box again -- "you control the phone company's long-distance
|
|||
|
switching systems from your cute little Princes phone or any old pay phone.
|
|||
|
And you've got anonymity. An operator has to operate from a definite location:
|
|||
|
the phone company knows where she is and what she's doing. But with your
|
|||
|
beeper box, once you hop onto a trunk, say from a Holiday Inn 800 (toll-free)
|
|||
|
number, they don't know where you are, or where you're coming from, they don't
|
|||
|
know how you slipped into their lines and popped up in that 800 number. They
|
|||
|
don't even know anything illegal is going on. And you can obscure your origins
|
|||
|
through as many levels as you like. You can call next door by way of White
|
|||
|
Plains, then over to Liverpool by cable, and then back here by satellite. You
|
|||
|
can call yourself from one pay phone all the way around the world to a pay
|
|||
|
phone next to you. And you get your dime back too."
|
|||
|
|
|||
|
"And they can't trace the calls? They can't charge you?"
|
|||
|
|
|||
|
Page 33
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
|
|||
|
"Not if you do it the right way. But you'll find that the free-call thing
|
|||
|
isn't really as exciting at first as the feeling of power you get from having
|
|||
|
one of these babies in your hand. I've watched people when they first get hold
|
|||
|
of one of these things and start using it, and discover they can make
|
|||
|
connections, set up crisscross and zigzag switching patterns back and forth
|
|||
|
across the world. They hardly talk to the people they finally reach. They say
|
|||
|
hello and start thinking of what kind of call to make next. They go a little
|
|||
|
crazy." He looks down at the neat little package in his palm. His fingers are
|
|||
|
still dancing, tapping out beeper patterns.
|
|||
|
|
|||
|
"I think it's something to do with how small my models are. There are lots of
|
|||
|
blue boxes around, but mine are the smallest and most sophisticated
|
|||
|
electronically. I wish I could show you the prototype we made for our big
|
|||
|
syndicate order."
|
|||
|
|
|||
|
He sighs. "We had this order for a thousand beeper boxes from a syndicate
|
|||
|
front man in Las Vegas. They use them to place bets coast to coast, keep lines
|
|||
|
open for hours, all of which can get expensive if you have to pay. The deal
|
|||
|
was a thousand blue boxes for $300 apiece. Before then we retailed them for
|
|||
|
$1500 apiece, but $300,000 in one lump was hard to turn down. We had a
|
|||
|
manufacturing deal worked out in the Philippines. Everything ready to go.
|
|||
|
Anyway, the model I had ready for limited mass production was small enough to
|
|||
|
fit inside a flip-top Marlboro box. It had flush touch panels for a keyboard,
|
|||
|
rather than these unsightly buttons, sticking out. Looked just like a tiny
|
|||
|
portable radio. In fact, I had designed it with a tiny transistor receiver to
|
|||
|
get one AM channel, so in case the law became suspicious the owner could switch
|
|||
|
on the radio part, start snapping his fingers, and no one could tell anything
|
|||
|
illegal was going on. I thought of everything for this model -- I had it lined
|
|||
|
with a band of thermite which could be ignited by radio signal from a tiny
|
|||
|
button transmitter on your belt, so it could be burned to ashes instantly in
|
|||
|
case of a bust. It was beautiful. A beautiful little machine. You should
|
|||
|
have seen the faces on these syndicate guys when they came back after trying it
|
|||
|
out. They'd hold it in their palm like they never wanted to let it go, and
|
|||
|
they'd say, 'I can't believe it. I can't believe it.' You probably won't
|
|||
|
believe it until you try it."
|
|||
|
|
|||
|
The Blue Box Is Tested: Certain Connections Are Made
|
|||
|
|
|||
|
About eleven o'clock two nights later Fraser Lucey has a blue box in the palm
|
|||
|
of his left hand and a phone in the palm of his right. He is standing inside a
|
|||
|
phone booth next to an isolated shut-down motel off Highway 1. I am standing
|
|||
|
outside the phone booth.
|
|||
|
|
|||
|
Fraser likes to show off his blue box for people. Until a few weeks ago when
|
|||
|
Pacific Telephone made a few arrests in his city, Fraser Lucey liked to bring
|
|||
|
his blue box (This particular blue box, like most blue boxes, is not blue.
|
|||
|
Blue boxes have come to be called "blue boxes" either because 1) The first blue
|
|||
|
box ever confiscated by phone-company security men happened to be blue, or 2)
|
|||
|
To distinguish them from "black boxes." Black boxes are devices, usually a
|
|||
|
resistor in series, which, when attached to home phones, allow all incoming
|
|||
|
calls to be made without charge to one's caller.) to parties. It never failed:
|
|||
|
a few cheeps from his device and Fraser became the center of attention at the
|
|||
|
very hippest of gatherings, playing phone tricks and doing request numbers for
|
|||
|
hours. He began to take orders for his manufacturer in Mexico. He became a
|
|||
|
dealer.
|
|||
|
|
|||
|
Fraser is cautious now about where he shows off his blue box. But he never
|
|||
|
|
|||
|
Page 34
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
gets tired of playing with it. "It's like the first time every time," he tells
|
|||
|
me.
|
|||
|
|
|||
|
Fraser puts a dime in the slot. He listens for a tone and holds the receiver
|
|||
|
up to my ear. I hear the tone. Fraser begins describing, with a certain
|
|||
|
practiced air, what he does while he does it. "I'm dialing an 800 number now.
|
|||
|
Any 800 number will do. It's toll free. Tonight I think I'll use the ----- (he
|
|||
|
names a well-know rent-a-car company) 800 number. Listen, It's ringing. Here,
|
|||
|
you hear it? Now watch." He places the blue box over the mouthpiece of the
|
|||
|
phone so that the one silver and twelve black push buttons are facing up toward
|
|||
|
me. He presses the silver button -- the one at the top -- and I hear that
|
|||
|
high-pitched beep. "That's 2600 cycles per second to be exact," says Lucey.
|
|||
|
"Now, quick. listen." He shoves the earpiece at me. The ringing has vanished.
|
|||
|
The line gives a slight hiccough, there is a sharp buzz, and then nothing but
|
|||
|
soft white noise.
|
|||
|
|
|||
|
"We're home free now," Lucey tells me, taking back the phone and applying the
|
|||
|
blue box to its mouthpiece once again. "We're up on a tandem, into a
|
|||
|
long-lines trunk. Once you're up on a tandem, you can send yourself anywhere
|
|||
|
you want to go." He decides to check out London first. He chooses a certain
|
|||
|
pay phone located in Waterloo Station. This particular pay phone is popular
|
|||
|
with the phone-phreaks network because there are usually people walking by at
|
|||
|
all hours who will pick it up and talk for a while.
|
|||
|
|
|||
|
He presses the lower left-hand corner button which is marked "KP" on the face
|
|||
|
of the box. "That's Key Pulse. It tells the tandem we're ready to give it
|
|||
|
instructions. First I'll punch out KP 182 START, which will slide us into the
|
|||
|
overseas sender in White Plains." I hear a neat clunk-cheep. "I think we'll
|
|||
|
head over to England by satellite. Cable is actually faster and the connection
|
|||
|
is somewhat better, but I like going by satellite. So I just punch out KP Zero
|
|||
|
44. The Zero is supposed to guarantee a satellite connection and 44 is the
|
|||
|
country code for England. Okay... we're there. In Liverpool actually. Now
|
|||
|
all I have to do is punch out the London area code which is 1, and dial up the
|
|||
|
pay phone. Here, listen, I've got a ring now."
|
|||
|
|
|||
|
I hear the soft quick purr-purr of a London ring. Then someone picks up the
|
|||
|
phone.
|
|||
|
|
|||
|
"Hello," says the London voice.
|
|||
|
|
|||
|
"Hello. Who's this?" Fraser asks.
|
|||
|
|
|||
|
"Hello. There's actually nobody here. I just picked this up while I was
|
|||
|
passing by. This is a public phone. There's no one here to answer actually."
|
|||
|
|
|||
|
"Hello. Don't hang up. I'm calling from the United States."
|
|||
|
|
|||
|
"Oh. What is the purpose of the call? This is a public phone you know."
|
|||
|
|
|||
|
"Oh. You know. To check out, uh, to find out what's going on in London. How
|
|||
|
is it there?"
|
|||
|
|
|||
|
"Its five o'clock in the morning. It's raining now."
|
|||
|
|
|||
|
"Oh. Who are you?"
|
|||
|
|
|||
|
The London passerby turns out to be an R.A.F. enlistee on his way back to the
|
|||
|
base in Lincolnshire, with a terrible hangover after a thirty-six-hour pass.
|
|||
|
|
|||
|
Page 35
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
He and Fraser talk about the rain. They agree that it's nicer when it's not
|
|||
|
raining. They say good-bye and Fraser hangs up. His dime returns with a nice
|
|||
|
clink.
|
|||
|
|
|||
|
"Isn't that far out," he says grinning at me. "London, like that."
|
|||
|
|
|||
|
Fraser squeezes the little blue box affectionately in his palm. "I told ya
|
|||
|
this thing is for real. Listen, if you don't mind I'm gonna try this girl I
|
|||
|
know in Paris. I usually give her a call around this time. It freaks her out.
|
|||
|
This time I'll use the ------ (a different rent-a-car company) 800 number and
|
|||
|
we'll go by overseas cable, 133; 33 is the country code for France, the 1 sends
|
|||
|
you by cable. Okay, here we go.... Oh damn. Busy. Who could she be talking
|
|||
|
to at this time?"
|
|||
|
|
|||
|
A state police car cruises slowly by the motel. The car does not stop, but
|
|||
|
Fraser gets nervous. We hop back into his car and drive ten miles in the
|
|||
|
opposite direction until we reach a Texaco station locked up for the night. We
|
|||
|
pull up to a phone booth by the tire pump. Fraser dashes inside and tries the
|
|||
|
Paris number. It is busy again.
|
|||
|
|
|||
|
"I don't understand who she could be talking to. The circuits may be busy.
|
|||
|
It's too bad I haven't learned how to tap into lines overseas with this thing
|
|||
|
yet."
|
|||
|
|
|||
|
Fraser begins to phreak around, as the phone phreaks say. He dials a leading
|
|||
|
nationwide charge card's 800 number and punches out the tones that bring him
|
|||
|
the time recording in Sydney, Australia. He beeps up the weather recording in
|
|||
|
Rome, in Italian of course. He calls a friend in Boston and talks about a
|
|||
|
certain over-the-counter stock they are into heavily. He finds the Paris
|
|||
|
number busy again. He calls up "Dial a Disc" in London, and we listen to
|
|||
|
Double Barrel by David and Ahsil Cfllins, the number-one hit of the week in
|
|||
|
London. He calls up a dealer of another sort and talks in code. He calls up
|
|||
|
Joe Engressia, the original blind phone-phreak genius, and pays his respects.
|
|||
|
There are other calls. Finally Fraser gets through to his young lady in
|
|||
|
Paris.
|
|||
|
|
|||
|
They both agree the circuits must have been busy, and criticize the Paris
|
|||
|
telephone system. At two-thirty in the morning Fraser hangs up, pockets his
|
|||
|
dime, and drives off, steering with one hand, holding what he calls his "lovely
|
|||
|
little blue box" in the other.
|
|||
|
|
|||
|
You Can Call Long Distance For Less Than You Think
|
|||
|
|
|||
|
"You see, a few years ago the phone company made one big mistake," Gilbertson
|
|||
|
explains two days later in his apartment. "They were careless enough to let
|
|||
|
some technical journal publish the actual frequencies used to create all their
|
|||
|
multi-frequency tones. Just a theoretical article some Bell Telephone
|
|||
|
Laboratories engineer was doing about switching theory, and he listed the tones
|
|||
|
in passing. At ----- (a well-known technical school) I had been fooling around
|
|||
|
with phones for several years before I came across a copy of the journal in the
|
|||
|
engineering library. I ran back to the lab and it took maybe twelve hours from
|
|||
|
the time I saw that article to put together the first working blue box. It was
|
|||
|
bigger and clumsier than this little baby, but it worked."
|
|||
|
|
|||
|
It's all there on public record in that technical journal written mainly by
|
|||
|
Bell Lab people for other telephone engineers. Or at least it was public.
|
|||
|
"Just try and get a copy of that issue at some engineering-school library now.
|
|||
|
Bell has had them all red-tagged and withdrawn from circulation," Gilbertson
|
|||
|
|
|||
|
Page 36
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
tells me.
|
|||
|
|
|||
|
"But it's too late. It's all public now. And once they became public the
|
|||
|
technology needed to create your own beeper device is within the range of any
|
|||
|
twelve-year-old kid, any twelve-year-old blind kid as a matter of fact. And be
|
|||
|
can do it in less than the twelve hours it took us. Blind kids do it all the
|
|||
|
time. They can't build anything as precise and compact as my beeper box, but
|
|||
|
theirs can do anything mine can do."
|
|||
|
|
|||
|
"How?"
|
|||
|
|
|||
|
"Okay. About twenty years ago A.T.&T. made a multi-billion-dollar decision to
|
|||
|
operate its entire long-distance switching system on twelve electronically
|
|||
|
generated combinations of twelve master tones. Those are the tones you
|
|||
|
sometimes hear in the background after you've dialed a long-distance number.
|
|||
|
They decided to use some very simple tones -- the tone for each number is just
|
|||
|
two fixed single-frequency tones played simultaneously to create a certain beat
|
|||
|
frequency. Like 1300 cycles per second and 900 cycles per second played
|
|||
|
together give you the tone for digit 5. Now, what some of these phone phreaks
|
|||
|
have done is get themselves access to an electric organ. Any cheap family
|
|||
|
home-entertainment organ. Since the frequencies are public knowledge now --
|
|||
|
one blind phone phreak has even had them recorded in one of the talking books
|
|||
|
for the blind -- they just have to find the musical notes on the organ which
|
|||
|
correspond to the phone tones. Then they tape them. For instance, to get Ma
|
|||
|
Bell's tone for the number 1, you press down organ keys F~5 and A~5 (900 and
|
|||
|
700 cycles per second) at the same time. To produce the tone for 2 it's F~5
|
|||
|
and C~6 (1100 and 700 c.p.s). The phone phreaks circulate the whole list of
|
|||
|
notes so there's no trial and error anymore."
|
|||
|
|
|||
|
He shows me a list of the rest of the phone numbers and the two electric organ
|
|||
|
keys that produce them.
|
|||
|
|
|||
|
"Actually, you have to record these notes at 3 3/4 inches-per-second tape speed
|
|||
|
and double it to 7 1/2 inches-per-second when you play them back, to get the
|
|||
|
proper tones," he adds.
|
|||
|
|
|||
|
"So once you have all the tones recorded, how do you plug them into the phone
|
|||
|
system?"
|
|||
|
|
|||
|
"Well, they take their organ and their cassette recorder, and start banging out
|
|||
|
entire phone numbers in tones on the organ, including country codes, routing
|
|||
|
instructions, 'KP' and 'Start' tones. Or, if they don't have an organ, someone
|
|||
|
in the phone-phreak network sends them a cassette with all the tones recorded,
|
|||
|
with a voice saying 'Number one,' then you have the tone, 'Number two,' then
|
|||
|
the tone and so on. So with two cassette recorders they can put together a
|
|||
|
series of phone numbers by switching back and forth from number to number. Any
|
|||
|
idiot in the country with a cheap cassette recorder can make all the free calls
|
|||
|
he wants."
|
|||
|
|
|||
|
"You mean you just hold the cassette recorder up the mouthpiece and switch in a
|
|||
|
series of beeps you've recorded? The phone thinks that anything that makes
|
|||
|
these tones must be its own equipment?"
|
|||
|
|
|||
|
"Right. As long as you get the frequency within thirty cycles per second of
|
|||
|
the phone company's tones, the phone equipment thinks it hears its own voice
|
|||
|
talking to it. The original granddaddy phone phreak was this blind kid with
|
|||
|
perfect pitch, Joe Engressia, who used to whistle into the phone. An operator
|
|||
|
could tell the difference between his whistle and the phone company's
|
|||
|
|
|||
|
Page 37
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
electronic tone generator, but the phone company's switching circuit can't tell
|
|||
|
them apart. The bigger the phone company gets and the further away from human
|
|||
|
operators it gets, the more vulnerable it becomes to all sorts of phone
|
|||
|
phreaking."
|
|||
|
|
|||
|
A Guide for the Perplexed
|
|||
|
|
|||
|
"But wait a minute," I stop Gilbertson. "If everything you do sounds like
|
|||
|
phone-company equipment, why doesn't the phone company charge you for the call
|
|||
|
the way it charges its own equipment?"
|
|||
|
|
|||
|
"Okay. That's where the 2600-cycle tone comes in. I better start from the
|
|||
|
beginning."
|
|||
|
|
|||
|
The beginning he describes for me is a vision of the phone system of the
|
|||
|
continent as thousands of webs, of long-line trunks radiating from each of the
|
|||
|
hundreds of toll switching offices to the other toll switching offices. Each
|
|||
|
toll switching office is a hive compacted of thousands of long-distance tandems
|
|||
|
constantly whistling and beeping to tandems in far-off toll switching offices.
|
|||
|
|
|||
|
The tandem is the key to the whole system. Each tandem is a line with some
|
|||
|
relays with the capability of signalling any other tandem in any other toll
|
|||
|
switching office on the continent, either directly one-to-one or by programming
|
|||
|
a roundabout route through several other tandems if all the direct routes are
|
|||
|
busy. For instance, if you want to call from New York to Los Angeles and
|
|||
|
traffic is heavy on all direct trunks between the two cities, your tandem in
|
|||
|
New York is programmed to try the next best route, which may send you down to a
|
|||
|
tandem in New Orleans, then up to San Francisco, or down to a New Orleans
|
|||
|
tandem, back to an Atlanta tandem, over to an Albuquerque tandem and finally up
|
|||
|
to Los Angeles.
|
|||
|
|
|||
|
When a tandem is not being used, when it's sitting there waiting for someone to
|
|||
|
make a long-distance call, it whistles. One side of the tandem, the side
|
|||
|
"facing" your home phone, whistles at 2600 cycles per second toward all the
|
|||
|
home phones serviced by the exchange, telling them it is at their service,
|
|||
|
should they be interested in making a long-distance call. The other side of
|
|||
|
the tandem is whistling 2600 c.p.s. into one or more long-distance trunk lines,
|
|||
|
telling the rest of the phone system that it is neither sending nor receiving a
|
|||
|
call through that trunk at the moment, that it has no use for that trunk at the
|
|||
|
moment.
|
|||
|
|
|||
|
"When you dial a long-distance number the first thing that happens is that you
|
|||
|
are hooked into a tandem. A register comes up to the side of the tandem facing
|
|||
|
away from you and presents that side with the number you dialed. This sending
|
|||
|
side of the tandem stops whistling 2600 into its trunk line. When a tandem
|
|||
|
stops the 2600 tone it has been sending through a trunk, the trunk is said to
|
|||
|
be "seized," and is now ready to carry the number you have dialed -- converted
|
|||
|
into multi-frequency beep tones -- to a tandem in the area code and central
|
|||
|
office you want.
|
|||
|
|
|||
|
Now when a blue-box operator wants to make a call from New Orleans to New York
|
|||
|
he starts by dialing the 800 number of a company which might happen to have its
|
|||
|
headquarters in Los Angeles. The sending side of the New Orleans tandem stops
|
|||
|
sending 2600 out over the trunk to the central office in Los Angeles, thereby
|
|||
|
seizing the trunk. Your New Orleans tandem begins sending beep tones to a
|
|||
|
tandem it has discovered idly whistling 2600 cycles in Los Angeles. The
|
|||
|
receiving end of that L.A. tandem is seized, stops whistling 2600, listens to
|
|||
|
the beep tones which tell it which L.A. phone to ring, and starts ringing the
|
|||
|
|
|||
|
Page 38
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
800 number. Meanwhile a mark made in the New Orleans office accounting tape
|
|||
|
notes that a call from your New Orleans phone to the 800 number in L.A. has
|
|||
|
been initiated and gives the call a code number. Everything is routine so far.
|
|||
|
|
|||
|
But then the phone phreak presses his blue box to the mouthpiece and pushes the
|
|||
|
2600-cycle button, sending 2600 out from the New Orleans tandem to the L.A.
|
|||
|
tandem. The L.A. tandem notices 2600 cycles are coming over the line again and
|
|||
|
assumes that New Orleans has hung up because the trunk is whistling as if idle.
|
|||
|
The L.A. tandem immediately ceases ringing the L.A. 800 number. But as soon as
|
|||
|
the phreak takes his finger off the 2600 button, the L.A. tandem assumes the
|
|||
|
trunk is once again being used because the 2600 is gone, so it listens for a
|
|||
|
new series of digit tones - to find out where it must send the call.
|
|||
|
|
|||
|
Thus the blue-box operator in New Orleans now is in touch with a tandem in L.A.
|
|||
|
which is waiting like an obedient genie to be told what to do next. The
|
|||
|
blue-box owner then beeps out the ten digits of the New York number which tell
|
|||
|
the L.A. tandem to relay a call to New York City. Which it promptly does. As
|
|||
|
soon as your party picks up the phone in New York, the side of the New Orleans
|
|||
|
tandem facing you stops sending 2600 cycles to you and stars carrying his voice
|
|||
|
to you by way of the L.A. tandem. A notation is made on the accounting tape
|
|||
|
that the connection has been made on the 800 call which had been initiated and
|
|||
|
noted earlier. When you stop talking to New York a notation is made that the
|
|||
|
800 call has ended.
|
|||
|
|
|||
|
At three the next morning, when the phone company's accounting computer starts
|
|||
|
reading back over the master accounting tape for the past day, it records that
|
|||
|
a call of a certain length of time was made from your New Orleans home to an
|
|||
|
L.A. 800 number and, of course, the accounting computer has been trained to
|
|||
|
ignore those toll-free 800 calls when compiling your monthly bill.
|
|||
|
|
|||
|
"All they can prove is that you made an 800 toll-free call," Gilbertson the
|
|||
|
inventor concludes. "Of course, if you're foolish enough to talk for two hours
|
|||
|
on an 800 call, and they've installed one of their special anti-fraud computer
|
|||
|
programs to watch out for such things, they may spot you and ask why you took
|
|||
|
two hours talking to Army Recruiting's 800 number when you're 4-F.
|
|||
|
|
|||
|
But if you do it from a pay phone, they may discover something peculiar the
|
|||
|
next day -- if they've got a blue-box hunting program in their computer -- but
|
|||
|
you'll be a long time gone from the pay phone by then. Using a pay phone is
|
|||
|
almost guaranteed safe."
|
|||
|
|
|||
|
"What about the recent series of blue-box arrests all across the country -- New
|
|||
|
York, Cleveland, and so on?" I asked. "How were they caught so easily?"
|
|||
|
|
|||
|
"From what I can tell, they made one big mistake: they were seizing trunks
|
|||
|
using an area code plus 555-1212 instead of an 800 number. Using 555 is easy to
|
|||
|
detect because when you send multi-frequency beep tones of 555 you get a charge
|
|||
|
for it on your tape and the accounting computer knows there's something wrong
|
|||
|
when it tries to bill you for a two-hour call to Akron, Ohio, information, and
|
|||
|
it drops a trouble card which goes right into the hands of the security agent
|
|||
|
if they're looking for blue-box user.
|
|||
|
|
|||
|
"Whoever sold those guys their blue boxes didn't tell them how to use them
|
|||
|
properly, which is fairly irresponsible. And they were fairly stupid to use
|
|||
|
them at home all the time.
|
|||
|
|
|||
|
"But what those arrests really mean is than an awful lot of blue boxes are
|
|||
|
flooding into the country and that people are finding them so easy to make that
|
|||
|
|
|||
|
Page 39
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
they know how to make them before they know how to use them. Ma Bell is in
|
|||
|
trouble."
|
|||
|
|
|||
|
And if a blue-box operator or a cassette-recorder phone phreak sticks to pay
|
|||
|
phones and 800 numbers, the phone company can't stop them?
|
|||
|
|
|||
|
"Not unless they change their entire nationwide long-lines technology, which
|
|||
|
will take them a few billion dollars and twenty years. Right now they can't do
|
|||
|
a thing. They're screwed."
|
|||
|
|
|||
|
+-- End first file of four --+
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 40
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
***** The AAG Proudly Presents The AAG Proudly Presents *****
|
|||
|
* *
|
|||
|
* +----------------------------------------------+ *
|
|||
|
* *
|
|||
|
* Secrets of the Little Blue Box *
|
|||
|
* *
|
|||
|
* by Ron Rosenbaum *
|
|||
|
* Typed by One Farad Cap/AAG *
|
|||
|
* *
|
|||
|
* -A story so incredible it may even make you *
|
|||
|
* feel sorry for the phone company- *
|
|||
|
* *
|
|||
|
* (Second of four files) *
|
|||
|
* *
|
|||
|
* +----------------------------------------------+ *
|
|||
|
* *
|
|||
|
***** The AAG Proudly Presents The AAG Proudly Presents *****
|
|||
|
|
|||
|
Captain Crunch Demonstrates His Famous Unit
|
|||
|
|
|||
|
There is an underground telephone network in this country. Gilbertson
|
|||
|
discovered it the very day news of his activities hit the papers. That evening
|
|||
|
his phone began ringing. Phone phreaks from Seattle, from Florida, from New
|
|||
|
York, from San Jose, and from Los Angeles began calling him and telling him
|
|||
|
about the phone-phreak network. He'd get a call from a phone phreak who'd say
|
|||
|
nothing but, "Hang up and call this number."
|
|||
|
|
|||
|
When he dialed the number he'd find himself tied into a conference of a dozen
|
|||
|
phone phreaks arranged through a quirky switching station in British Columbia.
|
|||
|
They identified themselves as phone phreaks, they demonstrated their homemade
|
|||
|
blue boxes which they called "M-Fers" (for "multi-frequency," among other
|
|||
|
things) for him, they talked shop about phone-phreak devices. They let him in
|
|||
|
on their secrets on the theory that if the phone company was after him he must
|
|||
|
be trustworthy. And, Gilbertson recalls, they stunned him with their technical
|
|||
|
sophistication.
|
|||
|
|
|||
|
I ask him how to get in touch with the phone-phreak network. He digs around
|
|||
|
through a file of old schematics and comes up with about a dozen numbers in
|
|||
|
three widely separated area codes.
|
|||
|
|
|||
|
"Those are the centers," he tells me. Alongside some of the numbers he writes
|
|||
|
in first names or nicknames: names like Captain Crunch, Dr. No, Frank Carson
|
|||
|
(also a code word for a free call), Marty Freeman (code word for M-F device),
|
|||
|
Peter Perpendicular Pimple, Alefnull, and The Cheshire Cat. He makes checks
|
|||
|
alongside the names of those among these top twelve who are blind. There are
|
|||
|
five checks.
|
|||
|
|
|||
|
I ask him who this Captain Crunch person is.
|
|||
|
|
|||
|
"Oh. The Captain. He's probably the most legendary phone phreak. He calls
|
|||
|
himself Captain Crunch after the notorious Cap'n Crunch 2600 whistle."
|
|||
|
(Several years ago, Gilbertson explains, the makers of Cap'n Crunch breakfast
|
|||
|
cereal offered a toy-whistle prize in every box as a treat for the Cap'n Crunch
|
|||
|
set. Somehow a phone phreak discovered that the toy whistle just happened to
|
|||
|
produce a perfect 2600-cycle tone. When the man who calls himself Captain
|
|||
|
Crunch was transferred overseas to England with his Air Force unit, he would
|
|||
|
receive scores of calls from his friends and "mute" them -- make them free of
|
|||
|
charge to them -- by blowing his Cap'n Crunch whistle into his end.)
|
|||
|
|
|||
|
Page 41
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
|
|||
|
"Captain Crunch is one of the older phone phreaks," Gilbertson tells me. "He's
|
|||
|
an engineer who once got in a little trouble for fooling around with the phone,
|
|||
|
but he can't stop. Well, they guy drives across country in a Volkswagen van
|
|||
|
with an entire switchboard and a computerized super-sophisticated M-F-er in the
|
|||
|
back. He'll pull up to a phone booth on a lonely highway somewhere, snake a
|
|||
|
cable out of his bus, hook it onto the phone and sit for hours, days sometimes,
|
|||
|
sending calls zipping back and forth across the country, all over the
|
|||
|
world...."
|
|||
|
|
|||
|
Back at my motel, I dialed the number he gave me for "Captain Crunch" and asked
|
|||
|
for G---- T-----, his real name, or at least the name he uses when he's not
|
|||
|
dashing into a phone booth beeping out M-F tones faster than a speeding bullet
|
|||
|
and zipping phantomlike through the phone company's long-distance lines.
|
|||
|
|
|||
|
When G---- T----- answered the phone and I told him I was preparing a story for
|
|||
|
Esquire about phone phreaks, he became very indignant.
|
|||
|
|
|||
|
"I don't do that. I don't do that anymore at all. And if I do it, I do it for
|
|||
|
one reason and one reason only. I'm learning about a system. The phone
|
|||
|
company is a System. A computer is a System, do you understand? If I do what
|
|||
|
I do, it is only to explore a system. Computers, systems, that's my bag. The
|
|||
|
phone company is nothing but a computer."
|
|||
|
|
|||
|
A tone of tightly restrained excitement enters the Captain's voice when he
|
|||
|
starts talking about systems. He begins to pronounce each syllable with the
|
|||
|
hushed deliberation of an obscene caller.
|
|||
|
|
|||
|
"Ma Bell is a system I want to explore. It's a beautiful system, you know, but
|
|||
|
Ma Bell screwed up. It's terrible because Ma Bell is such a beautiful system,
|
|||
|
but she screwed up. I learned how she screwed up from a couple of blind kids
|
|||
|
who wanted me to build a device. A certain device. They said it could make
|
|||
|
free calls. I wasn't interested in free calls. But when these blind kids told
|
|||
|
me I could make calls into a computer, my eyes lit up. I wanted to learn about
|
|||
|
computers. I wanted to learn about Ma Bell's computers. So I build the little
|
|||
|
device, but I built it wrong and Ma Bell found out. Ma Bell can detect things
|
|||
|
like that. Ma Bell knows. So I'm strictly rid of it now. I don't do it.
|
|||
|
Except for learning purposes." He pauses. "So you want to write an article.
|
|||
|
Are you paying for this call? Hang up and call this number." He gives me a
|
|||
|
number in a area code a thousand miles away of his own. I dial the number.
|
|||
|
|
|||
|
"Hello again. This is Captain Crunch. You are speaking to me on a toll-free
|
|||
|
loop-around in Portland, Oregon. Do you know what a toll-free loop around is?
|
|||
|
I'll tell you.
|
|||
|
|
|||
|
He explains to me that almost every exchange in the country has open test
|
|||
|
numbers which allow other exchanges to test their connections with it. Most of
|
|||
|
these numbers occur in consecutive pairs, such as 302 956-0041 and 302
|
|||
|
956-0042. Well, certain phone phreaks discovered that if two people from
|
|||
|
anywhere in the country dial the two consecutive numbers they can talk together
|
|||
|
just as if one had called the other's number, with no charge to either of them,
|
|||
|
of course.
|
|||
|
|
|||
|
"Now our voice is looping around in a 4A switching machine up there in Canada,
|
|||
|
zipping back down to me," the Captain tells me. "My voice is looping around up
|
|||
|
there and back down to you. And it can't ever cost anyone money. The phone
|
|||
|
phreaks and I have compiled a list of many many of these numbers. You would be
|
|||
|
surprised if you saw the list. I could show it to you. But I won't. I'm out
|
|||
|
|
|||
|
Page 42
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
of that now. I'm not out to screw Ma Bell. I know better. If I do anything
|
|||
|
it's for the pure knowledge of the System. You can learn to do fantastic
|
|||
|
things. Have you ever heard eight tandems stacked up? Do you know the sound
|
|||
|
of tandems stacking and unstacking? Give me your phone number. Okay. Hang up
|
|||
|
now and wait a minute."
|
|||
|
|
|||
|
Slightly less than a minute later the phone rang and the Captain was on the
|
|||
|
line, his voice sounding far more excited, almost aroused.
|
|||
|
|
|||
|
"I wanted to show you what it's like to stack up tandems. To stack up
|
|||
|
tandems." (Whenever the Captain says "stack up" it sounds as if he is licking
|
|||
|
his lips.)
|
|||
|
|
|||
|
"How do you like the connection you're on now?" the Captain asks me. "It's a
|
|||
|
raw tandem. A raw tandem. Ain't nothin' up to it but a tandem. Now I'm going
|
|||
|
to show you what it's like to stack up. Blow off. Land in a far away place.
|
|||
|
To stack that tandem up, whip back and forth across the country a few times,
|
|||
|
then shoot on up to Moscow.
|
|||
|
|
|||
|
"Listen," Captain Crunch continues. "Listen. I've got line tie on my
|
|||
|
switchboard here, and I'm gonna let you hear me stack and unstack tandems.
|
|||
|
Listen to this. It's gonna blow your mind."
|
|||
|
|
|||
|
First I hear a super rapid-fire pulsing of the flutelike phone tones, then a
|
|||
|
pause, then another popping burst of tones, then another, then another. Each
|
|||
|
burst is followed by a beep-kachink sound.
|
|||
|
|
|||
|
"We have now stacked up four tandems," said Captain Crunch, sounding somewhat
|
|||
|
remote. "That's four tandems stacked up. Do you know what that means? That
|
|||
|
means I'm whipping back and forth, back and forth twice, across the country,
|
|||
|
before coming to you. I've been known to stack up twenty tandems at a time.
|
|||
|
Now, just like I said, I'm going to shoot up to Moscow."
|
|||
|
|
|||
|
There is a new, longer series of beeper pulses over the line, a brief silence,
|
|||
|
then a ring.
|
|||
|
|
|||
|
"Hello," answers a far-off voice.
|
|||
|
|
|||
|
"Hello. Is this the American Embassy Moscow?"
|
|||
|
|
|||
|
"Yes, sir. Who is this calling?" says the voice.
|
|||
|
|
|||
|
"Yes. This is test board here in New York. We're calling to check out the
|
|||
|
circuits, see what kind of lines you've got. Everything okay there in
|
|||
|
Moscow?"
|
|||
|
|
|||
|
"Okay?"
|
|||
|
|
|||
|
"Well, yes, how are things there?"
|
|||
|
|
|||
|
"Oh. Well, everything okay, I guess."
|
|||
|
|
|||
|
"Okay. Thank you."
|
|||
|
|
|||
|
They hang up, leaving a confused series of beep-kachink sounds hanging in
|
|||
|
mid-ether in the wake of the call before dissolving away.
|
|||
|
|
|||
|
The Captain is pleased. "You believe me now, don't you? Do you know what I'd
|
|||
|
|
|||
|
Page 43
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
like to do? I'd just like to call up your editor at Esquire and show him just
|
|||
|
what it sounds like to stack and unstack tandems. I'll give him a show that
|
|||
|
will blow his mind. What's his number?
|
|||
|
|
|||
|
I ask the Captain what kind of device he was using to accomplish all his feats.
|
|||
|
The Captain is pleased at the question.
|
|||
|
|
|||
|
"You could tell it was special, couldn't you?" Ten pulses per second. That's
|
|||
|
faster than the phone company's equipment. Believe me, this unit is the most
|
|||
|
famous unit in the country. There is no other unit like it. Believe me."
|
|||
|
|
|||
|
"Yes, I've heard about it. Some other phone phreaks have told me about it."
|
|||
|
|
|||
|
"They have been referring to my, ahem, unit? What is it they said? Just out of
|
|||
|
curiosity, did they tell you it was a highly sophisticated computer-operated
|
|||
|
unit, with acoustical coupling for receiving outputs and a switch-board with
|
|||
|
multiple-line-tie capability? Did they tell you that the frequency tolerance
|
|||
|
is guaranteed to be not more than .05 percent? The amplitude tolerance less
|
|||
|
than .01 decibel? Those pulses you heard were perfect. They just come faster
|
|||
|
than the phone company. Those were high-precision op-amps. Op-amps are
|
|||
|
instrumentation amplifiers designed for ultra-stable amplification, super-low
|
|||
|
distortion and accurate frequency response. Did they tell you it can operate
|
|||
|
in temperatures from -55 degrees C to +125 degrees C?"
|
|||
|
|
|||
|
I admit that they did not tell me all that.
|
|||
|
|
|||
|
"I built it myself," the Captain goes on. "If you were to go out and buy the
|
|||
|
components from an industrial wholesaler it would cost you at least $1500. I
|
|||
|
once worked for a semiconductor company and all this didn't cost me a cent. Do
|
|||
|
you know what I mean? Did they tell you about how I put a call completely
|
|||
|
around the world? I'll tell you how I did it. I M-Fed Tokyo inward, who
|
|||
|
connected me to India, India connected me to Greece, Greece connected me to
|
|||
|
Pretoria, South Africa, South Africa connected me to South America, I went from
|
|||
|
South America to London, I had a London operator connect me to a New York
|
|||
|
operator, I had New York connect me to a California operator who rang the phone
|
|||
|
next to me. Needless to say I had to shout to hear myself. But the echo was
|
|||
|
far out. Fantastic. Delayed. It was delayed twenty seconds, but I could hear
|
|||
|
myself talk to myself."
|
|||
|
|
|||
|
"You mean you were speaking into the mouthpiece of one phone sending your voice
|
|||
|
around the world into your ear through a phone on the other side of your head?"
|
|||
|
I asked the Captain. I had a vision of something vaguely autoerotic going on,
|
|||
|
in a complex electronic way.
|
|||
|
|
|||
|
"That's right," said the Captain. "I've also sent my voice around the world
|
|||
|
one way, going east on one phone, and going west on the other, going through
|
|||
|
cable one way, satellite the other, coming back together at the same time,
|
|||
|
ringing the two phones simultaneously and picking them up and whipping my
|
|||
|
voice both ways around the world back to me. Wow. That was a mind blower."
|
|||
|
|
|||
|
"You mean you sit there with both phones on your ear and talk to yourself
|
|||
|
around the world," I said incredulously.
|
|||
|
|
|||
|
"Yeah. Um hum. That's what I do. I connect the phone together and sit there
|
|||
|
and talk."
|
|||
|
|
|||
|
"What do you say? What do you say to yourself when you're connected?"
|
|||
|
|
|||
|
|
|||
|
Page 44
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
"Oh, you know. Hello test one two three," he says in a low-pitched voice.
|
|||
|
|
|||
|
"Hello test one two three," he replied to himself in a high-pitched voice.
|
|||
|
|
|||
|
"Hello test one two three," he repeats again, low-pitched.
|
|||
|
|
|||
|
"Hello test one two three," he replies, high-pitched.
|
|||
|
|
|||
|
"I sometimes do this: Hello Hello Hello Hello, Hello, hello," he trails off and
|
|||
|
breaks into laughter.
|
|||
|
|
|||
|
Why Captain Crunch Hardly Ever Taps Phones Anymore
|
|||
|
|
|||
|
Using internal phone-company codes, phone phreaks have learned a simple method
|
|||
|
for tapping phones. Phone-company operators have in front of them a board that
|
|||
|
holds verification jacks. It allows them to plug into conversations in case of
|
|||
|
emergency, to listen in to a line to determine if the line is busy or the
|
|||
|
circuits are busy. Phone phreaks have learned to beep out the codes which lead
|
|||
|
them to a verification operator, tell the verification operator they are
|
|||
|
switchmen from some other area code testing out verification trunks. Once the
|
|||
|
operator hooks them into the verification trunk, they disappear into the board
|
|||
|
for all practical purposes, slip unnoticed into any one of the 10,000 to
|
|||
|
100,000 numbers in that central office without the verification operator
|
|||
|
knowing what they're doing, and of course without the two parties to the
|
|||
|
connection knowing there is a phantom listener present on their line.
|
|||
|
|
|||
|
Toward the end of my hour-long first conversation with him, I asked the Captain
|
|||
|
if he ever tapped phones.
|
|||
|
|
|||
|
"Oh no. I don't do that. I don't think it's right," he told me firmly. "I
|
|||
|
have the power to do it but I don't... Well one time, just one time, I have to
|
|||
|
admit that I did. There was this girl, Linda, and I wanted to find out... you
|
|||
|
know. I tried to call her up for a date. I had a date with her the last
|
|||
|
weekend and I thought she liked me. I called her up, man, and her line was
|
|||
|
busy, and I kept calling and it was still busy. Well, I had just learned about
|
|||
|
this system of jumping into lines and I said to myself, 'Hmmm. Why not just
|
|||
|
see if it works. It'll surprise her if all of a sudden I should pop up on her
|
|||
|
line. It'll impress her, if anything.' So I went ahead and did it. I M-Fed
|
|||
|
into the line. My M-F-er is powerful enough when patched directly into the
|
|||
|
mouthpiece to trigger a verification trunk without using an operator the way
|
|||
|
the other phone phreaks have to.
|
|||
|
|
|||
|
"I slipped into the line and there she was talking to another boyfriend.
|
|||
|
Making sweet talk to him. I didn't make a sound because I was so disgusted.
|
|||
|
So I waited there for her to hang up, listening to her making sweet talk to the
|
|||
|
other guy. You know. So as soon as she hung up I instantly M-F-ed her up and
|
|||
|
all I said was, 'Linda, we're through.' And I hung up. And it blew her head
|
|||
|
off. She couldn't figure out what the hell happened.
|
|||
|
|
|||
|
"But that was the only time. I did it thinking I would surprise her, impress
|
|||
|
her. Those were all my intentions were, and well, it really kind of hurt me
|
|||
|
pretty badly, and... and ever since then I don't go into verification trunks."
|
|||
|
|
|||
|
Moments later my first conversation with the Captain comes to a close.
|
|||
|
|
|||
|
"Listen," he says, his spirits somewhat cheered, "listen. What you are going
|
|||
|
to hear when I hang up is the sound of tandems unstacking. Layer after layer of
|
|||
|
tandems unstacking until there's nothing left of the stack, until it melts away
|
|||
|
|
|||
|
Page 45
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
into nothing. Cheep, cheep, cheep, cheep," he concludes, his voice descending
|
|||
|
to a whisper with each cheep.
|
|||
|
|
|||
|
He hangs up. The phone suddenly goes into four spasms: kachink cheep. Kachink
|
|||
|
cheep kachink cheep kachink cheep, and the complex connection has wiped itself
|
|||
|
out like the Cheshire cat's smile.
|
|||
|
|
|||
|
The MF Boogie Blues
|
|||
|
|
|||
|
The next number I choose from the select list of phone-phreak alumni, prepared
|
|||
|
for me by the blue-box inventor, is a Memphis number. It is the number of Joe
|
|||
|
Engressia, the first and still perhaps the most accomplished blind phone
|
|||
|
phreak.
|
|||
|
|
|||
|
Three years ago Engressia was a nine-day wonder in newspapers and magazines all
|
|||
|
over America because he had been discovered whistling free long-distance
|
|||
|
connections for fellow students at the University of South Florida. Engressia
|
|||
|
was born with perfect pitch: he could whistle phone tones better than the
|
|||
|
phone-company's equipment.
|
|||
|
|
|||
|
Engressia might have gone on whistling in the dark for a few friends for the
|
|||
|
rest of his life if the phone company hadn't decided to expose him. He was
|
|||
|
warned, disciplined by the college, and the whole case became public. In the
|
|||
|
months following media reports of his talent, Engressia began receiving strange
|
|||
|
calls. There were calls from a group of kids in Los Angeles who could do some
|
|||
|
very strange things with the quirky General Telephone and Electronics circuitry
|
|||
|
in L.A. suburbs. There were calls from a group of mostly blind kids in ----,
|
|||
|
California, who had been doing some interesting experiments with Cap'n Crunch
|
|||
|
whistles and test loops. There was a group in Seattle, a group in Cambridge,
|
|||
|
Massachusetts, a few from New York, a few scattered across the country. Some
|
|||
|
of them had already equipped themselves with cassette and electronic M-F
|
|||
|
devices. For some of these groups, it was the first time they knew of the
|
|||
|
others.
|
|||
|
|
|||
|
The exposure of Engressia was the catalyst that linked the separate
|
|||
|
phone-phreak centers together. They all called Engressia. They talked to him
|
|||
|
about what he was doing and what they were doing. And then he told them -- the
|
|||
|
scattered regional centers and lonely independent phone phreakers -- about each
|
|||
|
other, gave them each other's numbers to call, and within a year the scattered
|
|||
|
phone-phreak centers had grown into a nationwide underground.
|
|||
|
|
|||
|
Joe Engressia is only twenty-two years old now, but along the phone-phreak
|
|||
|
network he is "the old man," accorded by phone phreaks something of the
|
|||
|
reverence the phone company bestows on Alexander Graham Bell. He seldom needs
|
|||
|
to make calls anymore. The phone phreaks all call him and let him know what
|
|||
|
new tricks, new codes, new techniques they have learned. Every night he sits
|
|||
|
like a sightless spider in his little apartment receiving messages from every
|
|||
|
tendril of his web. It is almost a point of pride with Joe that they call
|
|||
|
him.
|
|||
|
|
|||
|
But when I reached him in his Memphis apartment that night, Joe Engressia was
|
|||
|
lonely, jumpy and upset.
|
|||
|
|
|||
|
"God, I'm glad somebody called. I don't know why tonight of all nights I don't
|
|||
|
get any calls. This guy around here got drunk again tonight and propositioned
|
|||
|
me again. I keep telling him we'll never see eye to eye on this subject, if
|
|||
|
you know what I mean. I try to make light of it, you know, but he doesn't get
|
|||
|
it. I can head him out there getting drunker and I don't know what he'll do
|
|||
|
|
|||
|
Page 46
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
next. It's just that I'm really all alone here, just moved to Memphis, it's
|
|||
|
the first time I'm living on my own, and I'd hate for it to all collapse now.
|
|||
|
But I won't go to bed with him. I'm just not very interested in sex and even
|
|||
|
if I can't see him I know he's ugly.
|
|||
|
|
|||
|
"Did you hear that? That's him banging a bottle against the wall outside.
|
|||
|
He's nice. Well forget about it. You're doing a story on phone phreaks?
|
|||
|
Listen to this. It's the MF Boogie Blues.
|
|||
|
|
|||
|
Sure enough, a jumpy version of Muskrat Ramble boogies its way over the line,
|
|||
|
each note one of those long-distance phone tones. The music stops. A huge
|
|||
|
roaring voice blasts the phone off my ear: "AND THE QUESTION IS..." roars the
|
|||
|
voice, "CAN A BLIND PERSON HOOK UP AN AMPLIFIER ON HIS OWN?"
|
|||
|
|
|||
|
The roar ceases. A high-pitched operator-type voice replaces it. "This is
|
|||
|
Southern Braille Tel. & Tel. Have tone, will phone."
|
|||
|
|
|||
|
This is succeeded by a quick series of M-F tones, a swift "kachink" and a deep
|
|||
|
reassuring voice: "If you need home care, call the visiting-nurses association.
|
|||
|
First National time in Honolulu is 4:32 p.m."
|
|||
|
|
|||
|
Joe back in his Joe voice again: "Are we seeing eye to eye? 'Si, si,' said the
|
|||
|
blind Mexican. Ahem. Yes. Would you like to know the weather in Tokyo?"
|
|||
|
|
|||
|
This swift manic sequence of phone-phreak vaudeville stunts and blind-boy jokes
|
|||
|
manages to keep Joe's mind off his tormentor only as long as it lasts.
|
|||
|
|
|||
|
"The reason I'm in Memphis, the reason I have to depend on that homosexual guy,
|
|||
|
is that this is the first time I've been able to live on my own and make phone
|
|||
|
trips on my own. I've been banned from all central offices around home in
|
|||
|
Florida, they knew me too well, and at the University some of my fellow
|
|||
|
scholars were always harassing me because I was on the dorm pay phone all the
|
|||
|
time and making fun of me because of my fat ass, which of course I do have,
|
|||
|
it's my physical fatness program, but I don't like to hear it every day, and if
|
|||
|
I can't phone trip and I can't phone phreak, I can't imagine what I'd do, I've
|
|||
|
been devoting three quarters of my life to it.
|
|||
|
|
|||
|
"I moved to Memphis because I wanted to be on my own as well as because it has
|
|||
|
a Number 5 crossbar switching system and some interesting little independent
|
|||
|
phone-company districts nearby and so far they don't seem to know who I am so I
|
|||
|
can go on phone tripping, and for me phone tripping is just as important as
|
|||
|
phone phreaking."
|
|||
|
|
|||
|
Phone tripping, Joe explains, begins with calling up a central-office switch
|
|||
|
room. He tells the switchman in a polite earnest voice that he's a blind
|
|||
|
college student interested in telephones, and could he perhaps have a guided
|
|||
|
tour of the switching station? Each step of the tour Joe likes to touch and
|
|||
|
feel relays, caress switching circuits, switchboards, crossbar arrangements.
|
|||
|
|
|||
|
So when Joe Engressia phone phreaks he feels his way through the circuitry of
|
|||
|
the country garden of forking paths, he feels switches shift, relays shunt,
|
|||
|
crossbars swivel, tandems engage and disengage even as he hears -- with perfect
|
|||
|
pitch -- his M-F pulses make the entire Bell system dance to his tune.
|
|||
|
|
|||
|
Just one month ago Joe took all his savings out of his bank and left home, over
|
|||
|
the emotional protests of his mother. "I ran away from home almost," he likes
|
|||
|
to say. Joe found a small apartment house on Union Avenue and began making
|
|||
|
phone trips. He'd take a bus a hundred miles south in Mississippi to see some
|
|||
|
|
|||
|
Page 47
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
old-fashioned Bell equipment still in use in several states, which had been
|
|||
|
puzzling. He'd take a bus three hundred miles to Charlotte, North Carolina, to
|
|||
|
look at some brand-new experimental equipment. He hired a taxi to drive him
|
|||
|
twelve miles to a suburb to tour the office of a small phone company with some
|
|||
|
interesting idiosyncrasies in its routing system. He was having the time of
|
|||
|
his life, he said, the most freedom and pleasure he had known.
|
|||
|
|
|||
|
In that month he had done very little long-distance phone phreaking from his
|
|||
|
own phone. He had begun to apply for a job with the phone company, he told me,
|
|||
|
and he wanted to stay away from anything illegal.
|
|||
|
|
|||
|
"Any kind of job will do, anything as menial as the most lowly operator.
|
|||
|
That's probably all they'd give me because I'm blind. Even though I probably
|
|||
|
know more than most switchmen. But that's okay. I want to work for Ma Bell.
|
|||
|
I don't hate Ma Bell the way Gilbertson and some phone phreaks do. I don't
|
|||
|
want to screw Ma Bell. With me it's the pleasure of pure knowledge. There's
|
|||
|
something beautiful about the system when you know it intimately the way I do.
|
|||
|
But I don't know how much they know about me here. I have a very intuitive
|
|||
|
feel for the condition of the line I'm on, and I think they're monitoring me
|
|||
|
off and on lately, but I haven't been doing much illegal. I have to make a few
|
|||
|
calls to switchmen once in a while which aren't strictly legal, and once I took
|
|||
|
an acid trip and was having these auditory hallucinations as if I were trapped
|
|||
|
and these planes were dive-bombing me, and all of sudden I had to phone phreak
|
|||
|
out of there. For some reason I had to call Kansas City, but that's all."
|
|||
|
|
|||
|
A Warning Is Delivered
|
|||
|
|
|||
|
At this point -- one o'clock in my time zone -- a loud knock on my motel-room
|
|||
|
door interrupts our conversation. Outside the door I find a uniformed security
|
|||
|
guard who informs me that there has been an "emergency phone call" for me while
|
|||
|
I have been on the line and that the front desk has sent him up to let me
|
|||
|
know.
|
|||
|
|
|||
|
Two seconds after I say good-bye to Joe and hang up, the phone rings.
|
|||
|
|
|||
|
"Who were you talking to?" the agitated voice demands. The voice belongs to
|
|||
|
Captain Crunch. "I called because I decided to warn you of something. I
|
|||
|
decided to warn you to be careful. I don't want this information you get to
|
|||
|
get to the radical underground. I don't want it to get into the wrong hands.
|
|||
|
What would you say if I told you it's possible for three phone phreaks to
|
|||
|
saturate the phone system of the nation. Saturate it. Busy it out. All of
|
|||
|
it. I know how to do this. I'm not gonna tell. A friend of mine has already
|
|||
|
saturated the trunks between Seattle and New York. He did it with a
|
|||
|
computerized M-F-er hitched into a special Manitoba exchange. But there are
|
|||
|
other, easier ways to do it."
|
|||
|
|
|||
|
Just three people? I ask. How is that possible?
|
|||
|
|
|||
|
"Have you ever heard of the long-lines guard frequency? Do you know about
|
|||
|
stacking tandems with 17 and 2600? Well, I'd advise you to find out about it.
|
|||
|
I'm not gonna tell you. But whatever you do, don't let this get into the hands
|
|||
|
of the radical underground."
|
|||
|
|
|||
|
(Later Gilbertson, the inventor, confessed that while he had always been
|
|||
|
skeptical about the Captain's claim of the sabotage potential of trunk-tying
|
|||
|
phone phreaks, he had recently heard certain demonstrations which convinced him
|
|||
|
the Captain was not speaking idly. "I think it might take more than three
|
|||
|
people, depending on how many machines like Captain Crunch's were available.
|
|||
|
|
|||
|
Page 48
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
But even though the Captain sounds a little weird, he generally turns out to
|
|||
|
know what he's talking about.")
|
|||
|
|
|||
|
"You know," Captain Crunch continues in his admonitory tone, "you know the
|
|||
|
younger phone phreaks call Moscow all the time. Suppose everybody were to call
|
|||
|
Moscow. I'm no right-winger. But I value my life. I don't want the Commies
|
|||
|
coming over and dropping a bomb on my head. That's why I say you've got to be
|
|||
|
careful about who gets this information."
|
|||
|
|
|||
|
The Captain suddenly shifts into a diatribe against those phone phreaks who
|
|||
|
don't like the phone company.
|
|||
|
|
|||
|
"They don't understand, but Ma Bell knows everything they do. Ma Bell knows.
|
|||
|
Listen, is this line hot? I just heard someone tap in. I'm not paranoid, but
|
|||
|
I can detect things like that. Well, even if it is, they know that I know that
|
|||
|
they know that I have a bulk eraser. I'm very clean." The Captain pauses,
|
|||
|
evidently torn between wanting to prove to the phone-company monitors that he
|
|||
|
does nothing illegal, and the desire to impress Ma Bell with his prowess. "Ma
|
|||
|
Bell knows how good I am. And I am quite good. I can detect reversals, tandem
|
|||
|
switching, everything that goes on on a line. I have relative pitch now. Do
|
|||
|
you know what that means? My ears are a $20,000 piece of equipment. With my
|
|||
|
ears I can detect things they can't hear with their equipment. I've had
|
|||
|
employment problems. I've lost jobs. But I want to show Ma Bell how good I
|
|||
|
am. I don't want to screw her, I want to work for her. I want to do good for
|
|||
|
her. I want to help her get rid of her flaws and become perfect. That's my
|
|||
|
number-one goal in life now." The Captain concludes his warnings and tells me
|
|||
|
he has to be going. "I've got a little action lined up for tonight," he
|
|||
|
explains and hangs up.
|
|||
|
|
|||
|
Before I hang up for the night, I call Joe Engressia back. He reports that his
|
|||
|
tormentor has finally gone to sleep -- "He's not blind drunk, that's the way I
|
|||
|
get, ahem, yes; but you might say he's in a drunken stupor." I make a date to
|
|||
|
visit Joe in Memphis in two days.
|
|||
|
|
|||
|
+-- End second file of four --+
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 49
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
***** The AAG Proudly Presents The AAG Proudly Presents *****
|
|||
|
* *
|
|||
|
* +----------------------------------------------+ *
|
|||
|
* *
|
|||
|
* Secrets of the Little Blue Box *
|
|||
|
* *
|
|||
|
* by Ron Rosenbaum *
|
|||
|
* Typed by One Farad Cap/AAG *
|
|||
|
* *
|
|||
|
* -A story so incredible it may even make you *
|
|||
|
* feel sorry for the phone company- *
|
|||
|
* *
|
|||
|
* (Third of four files) *
|
|||
|
* *
|
|||
|
* +----------------------------------------------+ *
|
|||
|
* *
|
|||
|
***** The AAG Proudly Presents The AAG Proudly Presents *****
|
|||
|
|
|||
|
A Phone Phreak Call Takes Care of Business
|
|||
|
|
|||
|
The next morning I attend a gathering of four phone phreaks in ----- (a
|
|||
|
California suburb). The gathering takes place in a comfortable split-level
|
|||
|
home in an upper-middle-class subdivision. Heaped on the kitchen table are the
|
|||
|
portable cassette recorders, M-F cassettes, phone patches, and line ties of the
|
|||
|
four phone phreaks present. On the kitchen counter next to the telephone is a
|
|||
|
shoe-box-size blue box with thirteen large toggle switches for the tones. The
|
|||
|
parents of the host phone phreak, Ralph, who is blind, stay in the living room
|
|||
|
with their sighted children. They are not sure exactly what Ralph and his
|
|||
|
friends do with the phone or if it's strictly legal, but he is blind and they
|
|||
|
are pleased he has a hobby which keeps him busy.
|
|||
|
|
|||
|
The group has been working at reestablishing the historic "2111" conference,
|
|||
|
reopening some toll-free loops, and trying to discover the dimensions of what
|
|||
|
seem to be new initiatives against phone phreaks by phone-company security
|
|||
|
agents.
|
|||
|
|
|||
|
It is not long before I get a chance to see, to hear, Randy at work. Randy is
|
|||
|
known among the phone phreaks as perhaps the finest con man in the game. Randy
|
|||
|
is blind. He is pale, soft and pear-shaped, he wears baggy pants and a wrinkly
|
|||
|
nylon white sport shirt, pushes his head forward from hunched shoulders
|
|||
|
somewhat like a turtle inching out of its shell. His eyes wander, crossing and
|
|||
|
recrossing, and his forehead is somewhat pimply. He is only sixteen years
|
|||
|
old.
|
|||
|
|
|||
|
But when Randy starts speaking into a telephone mouthpiece his voice becomes so
|
|||
|
stunningly authoritative it is necessary to look again to convince yourself it
|
|||
|
comes from a chubby adolescent Randy. Imagine the voice of a crack oil-rig
|
|||
|
foreman, a tough, sharp, weather-beaten Marlboro man of forty. Imagine the
|
|||
|
voice of a brilliant performance-fund gunslinger explaining how he beats the
|
|||
|
Dow Jones by thirty percent. Then imagine a voice that could make those two
|
|||
|
sound like Stepin Fetchit. That is sixteen-year-old Randy's voice.
|
|||
|
|
|||
|
He is speaking to a switchman in Detroit. The phone company in Detroit had
|
|||
|
closed up two toll-free loop pairs for no apparent reason, although heavy use
|
|||
|
by phone phreaks all over the country may have been detected. Randy is telling
|
|||
|
the switchman how to open up the loop and make it free again:
|
|||
|
|
|||
|
"How are you, buddy. Yeah. I'm on the board in here in Tulsa, Oklahoma, and
|
|||
|
|
|||
|
Page 50
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
we've been trying to run some tests on your loop-arounds and we find'em busied
|
|||
|
out on both sides.... Yeah, we've been getting a 'BY' on them, what d'ya say,
|
|||
|
can you drop cards on 'em? Do you have 08 on your number group? Oh that's
|
|||
|
okay, we've had this trouble before, we may have to go after the circuit. Here
|
|||
|
lemme give 'em to you: your frame is 05, vertical group 03, horizontal 5,
|
|||
|
vertical file 3. Yeah, we'll hang on here.... Okay, found it? Good. Right,
|
|||
|
yeah, we'd like to clear that busy out. Right. All you have to do is look for
|
|||
|
your key on the mounting plate, it's in your miscellaneous trunk frame. Okay?
|
|||
|
Right. Now pull your key from NOR over the LCT. Yeah. I don't know why that
|
|||
|
happened, but we've been having trouble with that one. Okay. Thanks a lot
|
|||
|
fella. Be seein' ya."
|
|||
|
|
|||
|
Randy hangs up, reports that the switchman was a little inexperienced with the
|
|||
|
loop-around circuits on the miscellaneous trunk frame, but that the loop has
|
|||
|
been returned to its free-call status.
|
|||
|
|
|||
|
Delighted, phone phreak Ed returns the pair of numbers to the active-status
|
|||
|
column in his directory. Ed is a superb and painstaking researcher. With
|
|||
|
almost Talmudic thoroughness he will trace tendrils of hints through soft-wired
|
|||
|
mazes of intervening phone-company circuitry back through complex linkages of
|
|||
|
switching relays to find the location and identity of just one toll-free loop.
|
|||
|
He spends hours and hours, every day, doing this sort of thing. He has somehow
|
|||
|
compiled a directory of eight hundred "Band-six in-WATS numbers" located in
|
|||
|
over forty states. Band-six in-WATS numbers are the big 800 numbers -- the
|
|||
|
ones that can be dialed into free from anywhere in the country.
|
|||
|
|
|||
|
Ed the researcher, a nineteen-year-old engineering student, is also a superb
|
|||
|
technician. He put together his own working blue box from scratch at age
|
|||
|
seventeen. (He is sighted.) This evening after distributing the latest issue
|
|||
|
of his in-WATS directory (which has been typed into Braille for the blind phone
|
|||
|
phreaks), he announces he has made a major new breakthroufh:
|
|||
|
b"I finally tested it and it works, perfectly. I've got this switching matrix
|
|||
|
which converts any touch-tone phone into an M-F-er."
|
|||
|
|
|||
|
The tones you hear in touch-tone phones are not the M-F tones that operate the
|
|||
|
long-distance switching system. Phone phreaks believe A.T.&T. had deliberately
|
|||
|
equipped touch tones with a different set of frequencies to avoid putting the
|
|||
|
six master M-F tones in the hands of every touch-tone owner. Ed's complex
|
|||
|
switching matrix puts the six master tones, in effect put a blue box, in the
|
|||
|
hands of every touch-tone owner.
|
|||
|
|
|||
|
Ed shows me pages of schematics, specifications and parts lists. "It's not easy
|
|||
|
to build, but everything here is in the Heathkit catalog."
|
|||
|
|
|||
|
Ed asks Ralph what progress he has made in his attempts to reestablish a
|
|||
|
long-term open conference line for phone phreaks. The last big conference --
|
|||
|
the historic "2111" conference -- had been arranged through an unused Telex
|
|||
|
test-board trunk somewhere in the innards of a 4A switching machine in
|
|||
|
Vancouver, Canada. For months phone phreaks could M-F their way into
|
|||
|
Vancouver, beep out 604 (the Vancouver area code) and then beep out 2111 (the
|
|||
|
internal phone-company code for Telex testing), and find themselves at any
|
|||
|
time, day or night, on an open wire talking with an array of phone phreaks from
|
|||
|
coast to coast, operators from Bermuda, Tokyo and London who are phone-phreak
|
|||
|
sympathizers, and miscellaneous guests and technical experts. The conference
|
|||
|
was a massive exchange of information. Phone phreaks picked each other's
|
|||
|
brains clean, then developed new ways to pick the phone company's brains clean.
|
|||
|
Ralph gave M F Boogies concerts with his home-entertainment-type electric
|
|||
|
|
|||
|
Page 51
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
organ, Captain Crunch demonstrated his round-the-world prowess with his
|
|||
|
notorious computerized unit and dropped leering hints of the "action" he was
|
|||
|
getting with his girl friends. (The Captain lives out or pretends to liv` out
|
|||
|
several kinds of fantasies to the gossipy delight of the blind phone phreaks
|
|||
|
who urge him on to further triumphs on behalf of all of them.) The somewhat
|
|||
|
rowdy Northwest phone-phreak crowd let their bitter internal feud spill over
|
|||
|
into the peaceable conference line, escalating shortly into guerrilla warfare;
|
|||
|
Carl the East Coast international tone relations expert demonstrated newly
|
|||
|
opened direct M-F routes to central offices on the island of Bahrein in the
|
|||
|
Persian Gulf, introduced a new phone-phreak friend of his in Pretoria, and
|
|||
|
explained the technical operation of the new Oakland-to Vietnam linkages.
|
|||
|
(Many phone phreaks pick up spending money by M-F-ing calls from relatives to
|
|||
|
Vietnam G.I.'s, charging $5 for a whole hour of trans-Pacific conversation.)
|
|||
|
|
|||
|
Day and night the conference line was never dead. Blind phone phreaks all over
|
|||
|
the country, lonely and isolated in homes filled with active sighted brothers
|
|||
|
and sisters, or trapped with slow and unimaginative blind kids in straitjacket
|
|||
|
schools for the blind, knew that no matter how late it got they could dial up
|
|||
|
the conference and find instant electronic communion with two or three other
|
|||
|
blind kids awake over on the other side of America. Talking together on a
|
|||
|
phone hookup, the blind phone phreaks say, is not much different from being
|
|||
|
there together. Physically, there was nothing more than a two-inch-square wafer
|
|||
|
of titanium inside a vast machine on Vancouver Island. For the blind kids
|
|||
|
>there< meant an exhilarating feeling of being in touch, through a kind of
|
|||
|
skill and magic which was peculiarly their own.
|
|||
|
|
|||
|
Last April 1, however, the long Vancouver Conference was shut off. The phone
|
|||
|
phreaks knew it was coming. Vancouver was in the process of converting from a
|
|||
|
step-by-step system to a 4A machine and the 2111 Telex circuit was to be wiped
|
|||
|
out in the process. The phone phreaks learned the actual day on which the
|
|||
|
conference would be erased about a week ahead of time over the phone company's
|
|||
|
internal-news-and-shop-talk recording.
|
|||
|
|
|||
|
For the next frantic seven days every phone phreak in America was on and off
|
|||
|
the 2111 conference twenty-four hours a day. Phone phreaks who were just
|
|||
|
learning the game or didn't have M-F capability were boosted up to the
|
|||
|
conference by more experienced phreaks so they could get a glimpse of what it
|
|||
|
was like before it disappeared. Top phone phreaks searched distant area codes
|
|||
|
for new conference possibilities without success. Finally in the early morning
|
|||
|
of April 1, the end came.
|
|||
|
|
|||
|
"I could feel it coming a couple hours before midnight," Ralph remembers. "You
|
|||
|
could feel something going on in the lines. Some static began showing up, then
|
|||
|
some whistling wheezing sound. Then there were breaks. Some people got cut
|
|||
|
off and called right back in, but after a while some people were finding they
|
|||
|
were cut off and couldn't get back in at all. It was terrible. I lost it
|
|||
|
about one a.m., but managed to slip in again and stay on until the thing
|
|||
|
died... I think it was about four in the morning. There were four of us still
|
|||
|
hanging on when the conference disappeared into nowhere for good. We all tried
|
|||
|
to M-F up to it again of course, but we got silent termination. There was
|
|||
|
nothing there."
|
|||
|
|
|||
|
The Legendary Mark Bernay Turns Out To Be "The Midnight Skulker"
|
|||
|
|
|||
|
Mark Bernay. I had come across that name before. It was on Gilbertson's
|
|||
|
select list of phone phreaks. The California phone phreaks had spoken of a
|
|||
|
mysterious Mark Bernay as perhaps the first and oldest phone phreak on the West
|
|||
|
Coast. And in fact almost every phone phreak in the West can trace his origins
|
|||
|
|
|||
|
Page 52
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
either directly to Mark Bernay or to a disciple of Mark Bernay.
|
|||
|
|
|||
|
It seems that five years ago this Mark Bernay (a pseudonym he chose for
|
|||
|
himself) began traveling up and down the West Coast pasting tiny stickers in
|
|||
|
phone books all along his way. The stickers read something like "Want to hear
|
|||
|
an interesting tape recording? Call these numbers." The numbers that followed
|
|||
|
were toll-free loop-around pairs. When one of the curious called one of the
|
|||
|
numbers he would hear a tape recording pre-hooked into the loop by Bernay which
|
|||
|
explained the use of loop-around pairs, gave the numbers of several more, and
|
|||
|
ended by telling the caller, "At six o'clock tonight this recording will stop
|
|||
|
and you and your friends can try it out. Have fun."
|
|||
|
|
|||
|
"I was disappointed by the response at first," Bernay told me, when I finally
|
|||
|
reached him at one of his many numbers and he had dispensed with the usual "I
|
|||
|
never do anything illegal" formalities which experienced phone phreaks open
|
|||
|
most conversations.
|
|||
|
|
|||
|
"I went all over the coast with these stickers not only on pay phones, but I'd
|
|||
|
throw them in front of high schools in the middle of the night, I'd leave them
|
|||
|
unobtrusively in candy stores, scatter them on main streets of small towns. At
|
|||
|
first hardly anyone bothered to try it out. I would listen in for hours and
|
|||
|
hours after six o'clock and no one came on. I couldn't figure out why people
|
|||
|
wouldn't be interested. Finally these two girls in Oregon tried it out and
|
|||
|
told all their friends and suddenly it began to spread."
|
|||
|
|
|||
|
Before his Johny Appleseed trip Bernay had already gathered a sizable group of
|
|||
|
early pre-blue-box phone phreaks together on loop-arounds in Los Angeles.
|
|||
|
Bernay does not claim credit for the original discovery of the loop-around
|
|||
|
numbers. He attributes the discovery to an eighteen-year-old reform school kid
|
|||
|
in Long Beach whose name he forgets and who, he says, "just disappeared one
|
|||
|
day." When Bernay himself discovered loop-arounds independently, from clues in
|
|||
|
his readings in old issues of the Automatic Electric Technical Journal, he
|
|||
|
found dozens of the reform-school kid's friends already using them. However, it
|
|||
|
was one of Bernay's disciples in Seattle that introduced phone phreaking to
|
|||
|
blind kids. The Seattle kid who learned about loops through Bernay's recording
|
|||
|
told a blind friend, the blind kid taught the secret to his friends at a winter
|
|||
|
camp for blind kids in Los Angeles. When the camp session was over these kids
|
|||
|
took the secret back to towns all over the West. This is how the original
|
|||
|
blind kids became phone phreaks. For them, for most phone phreaks in general,
|
|||
|
it was the discovery of the possibilities of loop-arounds which led them on to
|
|||
|
far more serious and sophisticated phone-phreak methods, and which gave them a
|
|||
|
medium for sharing their discoveries.
|
|||
|
|
|||
|
A year later a blind kid who moved back east brought the technique to a blind
|
|||
|
kids' summer camp in Vermont, which spread it along the East Coast. All from a
|
|||
|
Mark Bernay sticker.
|
|||
|
|
|||
|
Bernay, who is nearly thirty years old now, got his start when he was fifteen
|
|||
|
and his family moved into an L.A. suburb serviced by General Telephone and
|
|||
|
Electronics equipment. He became fascinated with the differences between Bell
|
|||
|
and G.T.&E. equipment. He learned he could make interesting things happen by
|
|||
|
carefully timed clicks with the disengage button. He learned to interpret
|
|||
|
subtle differences in the array of clicks, whirrs and kachinks he could hear on
|
|||
|
his lines. He learned he could shift himself around the switching relays of
|
|||
|
the L.A. area code in a not-too-predictable fashion by interspersing his own
|
|||
|
hook-switch clicks with the clicks within the line. (Independent phone
|
|||
|
companies -- there are nineteen hundred of them still left, most of them tiny
|
|||
|
island principalities in Ma Bell's vast empire -- have always been favorites
|
|||
|
|
|||
|
Page 53
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
with phone phreaks, first as learning tools, then as Archimedes platforms from
|
|||
|
which to manipulate the huge Bell system. A phone phreak in Bell territory
|
|||
|
will often M-F himself into an independent's switching system, with switching
|
|||
|
idiosyncrasies which can give him marvelous leverage over the Bell System.
|
|||
|
|
|||
|
"I have a real affection for Automatic Electric Equipment," Bernay told me.
|
|||
|
"There are a lot of things you can play with. Things break down in interesting
|
|||
|
ways."
|
|||
|
|
|||
|
Shortly after Bernay graduated from college (with a double major in chemistry
|
|||
|
and philosophy), he graduated from phreaking around with G.T.&E. to the Bell
|
|||
|
System itself, and made his legendary sticker-pasting journey north along the
|
|||
|
coast, settling finally in Northwest Pacific Bell territory. He discovered
|
|||
|
that if Bell does not break down as interestingly as G.T.&E., it nevertheless
|
|||
|
offers a lot of "things to play with."
|
|||
|
|
|||
|
Bernay learned to play with blue boxes. He established his own personal
|
|||
|
switchboard and phone-phreak research laboratory complex. He continued his
|
|||
|
phone-phreak evangelism with ongoing sticker campaigns. He set up two recording
|
|||
|
numbers, one with instructions for beginning phone phreaks, the other with
|
|||
|
latest news and technical developments (along with some advanced instruction)
|
|||
|
gathered from sources all over the country.
|
|||
|
|
|||
|
These days, Bernay told me, he had gone beyond phone-phreaking itself. "Lately
|
|||
|
I've been enjoying playing with computers more than playing with phones. My
|
|||
|
personal thing in computers is just like with phones, I guess -- the kick is in
|
|||
|
finding out how to beat the system, how to get at things I'm not supposed to
|
|||
|
know about, how to do things with the system that I'm not supposed to be able
|
|||
|
to do."
|
|||
|
|
|||
|
As a matter of fact, Bernay told me, he had just been fired from his
|
|||
|
computer-programming job for doing things he was not supposed to be able to do.
|
|||
|
he had been working with a huge time-sharing computer owned by a large
|
|||
|
corporation but shared by many others. Access to the computer was limited to
|
|||
|
those programmers and corporations that had been assigned certain passwords.
|
|||
|
And each password restricted its user to access to only the one section of the
|
|||
|
computer cordoned off from its own information storager. The password system
|
|||
|
prevented companies and individuals from stealing each other's information.
|
|||
|
|
|||
|
"I figured out how to write a program that would let me read everyone else's
|
|||
|
password," Bernay reports. "I began playing around with passwords. I began
|
|||
|
letting the people who used the computer know, in subtle ways, that I knew
|
|||
|
their passwords. I began dropping notes to the computer supervisors with hints
|
|||
|
that I knew what I know. I signed them 'The Midnight Skulker.' I kept getting
|
|||
|
cleverer and cleverer with my messages and devising ways of showing them what I
|
|||
|
could do. I'm sure they couldn't imagine I could do the things I was showing
|
|||
|
them. But they never responded to me. Every once in a while they'd change the
|
|||
|
passwords, but I found out how to discover what the new ones were, and I let
|
|||
|
them know. But they never responded directly to the Midnight Skulker. I even
|
|||
|
finally designed a program which they could use to prevent my program from
|
|||
|
finding out what it did. In effect I told them how to wipe me out, The
|
|||
|
Midnight Skulker. It was a very clever program. I started leaving clues about
|
|||
|
myself. I wanted them to try and use it and then try to come up with something
|
|||
|
to get around that and reappear again. But they wouldn't play. I wanted to
|
|||
|
get caught. I mean I didn't want to get caught personally, but I wanted them
|
|||
|
to notice me and admit that they noticed me. I wanted them to attempt to
|
|||
|
respond, maybe in some interesting way."
|
|||
|
|
|||
|
|
|||
|
Page 54
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
Finally the computer managers became concerned enough about the threat of
|
|||
|
information-stealing to respond. However, instead of using The Midnight
|
|||
|
Skulker's own elegant self-destruct program, they called in their security
|
|||
|
personnel, interrogated everyone, found an informer to identify Bernay as The
|
|||
|
Midnight Skulker, and fired him.
|
|||
|
|
|||
|
"At first the security people advised the company to hire me full-time to
|
|||
|
search out other flaws and discover other computer freaks. I might have liked
|
|||
|
that. But I probably would have turned into a double double agent rather than
|
|||
|
the double agent they wanted. I might have resurrected The Midnight Skulker
|
|||
|
and tried to catch myself. Who knows? Anyway, the higher-ups turned the whole
|
|||
|
idea down."
|
|||
|
|
|||
|
You Can Tap the F.B.I.'s Crime Control Computer in the Comfort of Your Own
|
|||
|
Home, Perhaps
|
|||
|
|
|||
|
Computer freaking may be the wave of the future. It suits the phone-phreak
|
|||
|
sensibility perfectly. Gilbertson, the blue-box inventor and a lifelong phone
|
|||
|
phreak, has also gone on from phone-phreaking to computer-freaking. Before he
|
|||
|
got into the blue-box business Gilbertson, who is a highly skilled programmer,
|
|||
|
devised programs for international currency arbitrage.
|
|||
|
|
|||
|
But he began playing with computers in earnest when he learned he could use his
|
|||
|
blue box in tandem with the computer terminal installed in his apartment by the
|
|||
|
instrumentation firm he worked for. The print-out terminal and keyboard was
|
|||
|
equipped with acoustical coupling, so that by coupling his little ivory
|
|||
|
Princess phone to the terminal and then coupling his blue box on that, he could
|
|||
|
M-F his way into other computers with complete anonymity, and without charge;
|
|||
|
program and re-program them at will; feed them false or misleading information;
|
|||
|
tap and steal from them. He explained to me that he taps computers by busying
|
|||
|
out all the lines, then going into a verification trunk, listening into the
|
|||
|
passwords and instructions one of the time sharers uses, and them M-F-ing in
|
|||
|
and imitating them. He believes it would not be impossible to creep into the
|
|||
|
F.B.I's crime control computer through a local police computer terminal and
|
|||
|
phreak around with the F.B.I.'s memory banks. He claims he has succeeded in
|
|||
|
re-programming a certain huge institutional computer in such a way that it has
|
|||
|
cordoned off an entire section of its circuitry for his personal use, and at
|
|||
|
the same time conceals that arrangement from anyone else's notice. I have been
|
|||
|
unable to verify this claim.
|
|||
|
|
|||
|
Like Captain Crunch, like Alexander Graham Bell (pseudonym of a
|
|||
|
disgruntled-looking East Coast engineer who claims to have invented the black
|
|||
|
box and now sells black and blue boxes to gamblers and radical heavies), like
|
|||
|
most phone phreaks, Gilbertson began his career trying to rip off pay phones as
|
|||
|
a teenager. Figure them out, then rip them off. Getting his dime back from
|
|||
|
the pay phone is the phone phreak's first thrilling rite of passage. After
|
|||
|
learning the usual eighteen different ways of getting his dime back, Gilbertson
|
|||
|
learned how to make master keys to coin-phone cash boxes, and get everyone
|
|||
|
else's dimes back. He stole some phone-company equipment and put together his
|
|||
|
own home switchboard with it. He learned to make a simple "bread-box" device,
|
|||
|
of the kind used by bookies in the Thirties (bookie gives a number to his
|
|||
|
betting clients; the phone with that number is installed in some widow lady's
|
|||
|
apartment, but is rigged to ring in the bookie's shop across town, cops trace
|
|||
|
big betting number and find nothing but the widow).
|
|||
|
|
|||
|
Not long after that afternoon in 1968 when, deep in the stacks of an
|
|||
|
engineering library, he came across a technical journal with the phone tone
|
|||
|
frequencies and rushed off to make his first blue box, not long after that
|
|||
|
|
|||
|
Page 55
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
Gilbertson abandoned a very promising career in physical chemistry and began
|
|||
|
selling blue boxes for $1,500 apiece.
|
|||
|
|
|||
|
"I had to leave physical chemistry. I just ran out of interesting things to
|
|||
|
learn," he told me one evening. We had been talking in the apartment of the
|
|||
|
man who served as the link between Gilbertson and the syndicate in arranging
|
|||
|
the big $300,000 blue-box deal which fell through because of legal trouble.
|
|||
|
There has been some smoking.
|
|||
|
|
|||
|
"No more interesting things to learn," he continues. "Physical chemistry turns
|
|||
|
out to be a sick subject when you take it to its highest level. I don't know.
|
|||
|
I don't think I could explain to you how it's sick. You have to be there. But
|
|||
|
you get, I don't know, a false feeling of omnipotence. I suppose it's like
|
|||
|
phone-phreaking that way. This huge thing is there. This whole system. And
|
|||
|
there are holes in it and you slip into them like Alice and you're pretending
|
|||
|
you're doing something you're actually not, or at least it's no longer you
|
|||
|
that's doing what you thought you were doing. It's all Lewis Carroll.
|
|||
|
Physical chemistry and phone-phreaking. That's why you have these phone-phreak
|
|||
|
pseudonyms like The Cheshire Cat, the Red King, and The Snark. But there's
|
|||
|
something about phone-phreaking that you don't find in physical chemistry." He
|
|||
|
looks up at me:
|
|||
|
|
|||
|
"Did you ever steal anything?"
|
|||
|
|
|||
|
"Well yes, I..."
|
|||
|
|
|||
|
"Then you know! You know the rush you get. It's not just knowledge, like
|
|||
|
physical chemistry. It's forbidden knowledge. You know. You can learn about
|
|||
|
anything under the sun and be bored to death with it. But the idea that it's
|
|||
|
illegal. Look: you can be small and mobile and smart and you're ripping off
|
|||
|
somebody large and powerful and very dangerous."
|
|||
|
|
|||
|
People like Gilbertson and Alexander Graham Bell are always talking about
|
|||
|
ripping off the phone company and screwing Ma Bell. But if they were shown a
|
|||
|
single button and told that by pushing it they could turn the entire circuitry
|
|||
|
of A.T.&T. into molten puddles, they probably wouldn't push it. The
|
|||
|
disgruntled-inventor phone phreak needs the phone system the way the lapsed
|
|||
|
Catholic needs the Church, the way Satan needs a God, the way The Midnight
|
|||
|
Skulker needed, more than anything else, response.
|
|||
|
|
|||
|
Later that evening Gilbertson finished telling me how delighted he was at the
|
|||
|
flood of blue boxes spreading throughout the country, how delighted he was to
|
|||
|
know that "this time they're really screwed." He suddenly shifted gears.
|
|||
|
|
|||
|
"Of course. I do have this love/hate thing about Ma Bell. In a way I almost
|
|||
|
like the phone company. I guess I'd be very sad if they were to disintegrate.
|
|||
|
In a way it's just that after having been so good they turn out to have these
|
|||
|
things wrong with them. It's those flaws that allow me to get in and mess with
|
|||
|
them, but I don't know. There's something about it that gets to you and makes
|
|||
|
you want to get to it, you know."
|
|||
|
|
|||
|
I ask him what happens when he runs out of interesting, forbidden things to
|
|||
|
learn about the phone system.
|
|||
|
|
|||
|
"I don't know, maybe I'd go to work for them for a while."
|
|||
|
|
|||
|
"In security even?"
|
|||
|
|
|||
|
|
|||
|
Page 56
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
"I'd do it, sure. I just as soon play -- I'd just as soon work on either
|
|||
|
side."
|
|||
|
|
|||
|
"Even figuring out how to trap phone phreaks? I said, recalling Mark Bernay's
|
|||
|
game."
|
|||
|
|
|||
|
"Yes, that might be interesting. Yes, I could figure out how to outwit the
|
|||
|
phone phreaks. Of course if I got too good at it, it might become boring
|
|||
|
again. Then I'd have to hope the phone phreaks got much better and outsmarted
|
|||
|
me for a while. That would move the quality of the game up one level. I might
|
|||
|
even have to help them out, you know, 'Well, kids, I wouldn't want this to get
|
|||
|
around but did you ever think of -- ?' I could keep it going at higher and
|
|||
|
higher levels forever."
|
|||
|
|
|||
|
The dealer speaks up for the first time. He has been staring at the soft
|
|||
|
blinking patterns of light and colors on the translucent tiled wall facing him.
|
|||
|
(Actually there are no patterns: the color and illumination of every tile is
|
|||
|
determined by a computerized random-number generator designed by Gilbertson
|
|||
|
which insures that there can be no meaning to any sequence of events in the
|
|||
|
tiles.)
|
|||
|
|
|||
|
"Those are nice games you're talking about," says the dealer to his friend.
|
|||
|
"But I wouldn't mind seeing them screwed. A telephone isn't private anymore.
|
|||
|
You can't say anything you really want to say on a telephone or you have to go
|
|||
|
through that paranoid bullshit. 'Is it cool to talk on the phone?' I mean,
|
|||
|
even if it is cool, if you have to ask 'Is it cool,' then it isn't cool. You
|
|||
|
know. 'Is it cool,' then it isn't cool. You know. Like those blind kids,
|
|||
|
people are going to start putting together their own private telephone
|
|||
|
companies if they want to really talk. And you know what else. You don't hear
|
|||
|
silences on the phone anymore. They've got this time-sharing thing on
|
|||
|
long-distance lines where you make a pause and they snip out that piece of time
|
|||
|
and use it to carry part of somebody else's conversation. Instead of a pause,
|
|||
|
where somebody's maybe breathing or sighing, you get this blank hole and you
|
|||
|
only start hearing again when someone says a word and even the beginning of the
|
|||
|
word is clipped off. Silences don't count -- you're paying for them, but they
|
|||
|
take them away from you. It's not cool to talk and you can't hear someone when
|
|||
|
they don't talk. What the hell good is the phone? I wouldn't mind seeing them
|
|||
|
totally screwed."
|
|||
|
|
|||
|
+-- End third file of four --+
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 57
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
***** The AAG Proudly Presents The AAG Proudly Presents *****
|
|||
|
* *
|
|||
|
* +----------------------------------------------+ *
|
|||
|
* *
|
|||
|
* Secrets of the Little Blue Box *
|
|||
|
* *
|
|||
|
* by Ron Rosenbaum *
|
|||
|
* Typed by One Farad Cap/AAG *
|
|||
|
* *
|
|||
|
* -A story so incredible it may even make you *
|
|||
|
* feel sorry for the phone company- *
|
|||
|
* *
|
|||
|
* (Fourth of four files) *
|
|||
|
* *
|
|||
|
* +----------------------------------------------+ *
|
|||
|
* *
|
|||
|
***** The AAG Proudly Presents The AAG Proudly Presents *****
|
|||
|
|
|||
|
The Big Memphis Bust
|
|||
|
|
|||
|
Joe Engressia never wanted to screw Ma Bell. His dream had always been to work
|
|||
|
for her.
|
|||
|
|
|||
|
The day I visited Joe in his small apartment on Union Avenue in Memphis, he was
|
|||
|
upset about another setback in his application for a telephone job.
|
|||
|
|
|||
|
"They're stalling on it. I got a letter today telling me they'd have to
|
|||
|
postpone the interview I requested again. My landlord read it for me. They
|
|||
|
gave me some runaround about wanting papers on my rehabilitation status but I
|
|||
|
think there's something else going on."
|
|||
|
|
|||
|
When I switched on the 40-watt bulb in Joe's room -- he sometimes forgets when
|
|||
|
he has guests -- it looked as if there was enough telephone hardware to start a
|
|||
|
small phone company of his own.
|
|||
|
|
|||
|
There is one phone on top of his desk, one phone sitting in an open drawer
|
|||
|
beneath the desk top. Next to the desk-top phone is a cigar-box-size M-F
|
|||
|
device with big toggle switches, and next to that is some kind of switching and
|
|||
|
coupling device with jacks and alligator plugs hanging loose. Next to that is
|
|||
|
a Braille typewriter. On the floor next to the desk, lying upside down like a
|
|||
|
dead tortoise, is the half-gutted body of an old black standard phone. Across
|
|||
|
the room on a torn and dusty couch are two more phones, one of them a
|
|||
|
touch-tone model; two tape recorders; a heap of phone patches and cassettes,
|
|||
|
and a life-size toy telephone.
|
|||
|
|
|||
|
Our conversation is interrupted every ten minutes by phone phreaks from all
|
|||
|
over the country ringing Joe on just about every piece of equipment but the toy
|
|||
|
phone and the Braille typewriter. One fourteen-year-old blind kid from
|
|||
|
Connecticut calls up and tells Joe he's got a girl friend. He wants to talk to
|
|||
|
Joe about girl friends. Joe says they'll talk later in the evening when they
|
|||
|
can be alone on the line. Joe draws a deep breath, whistles him off the air
|
|||
|
with an earsplitting 2600-cycle whistle. Joe is pleased to get the calls but he
|
|||
|
looked worried and preoccupied that evening, his brow constantly furrowed over
|
|||
|
his dark wandering eyes. In addition to the phone-company stall, he has just
|
|||
|
learned that his apartment house is due to be demolished in sixty days for
|
|||
|
urban renewal. For all its shabbiness, the Union Avenue apartment house has
|
|||
|
been Joe's first home-of-his-own and he's worried that he may not find another
|
|||
|
before this one is demolished.
|
|||
|
|
|||
|
Page 58
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
|
|||
|
But what really bothers Joe is that switchmen haven't been listening to him.
|
|||
|
"I've been doing some checking on 800 numbers lately, and I've discovered that
|
|||
|
certain 800 numbers in New Hampshire couldn't be reached from Missouri and
|
|||
|
Kansas. Now it may sound like a small thing, but I don't like to see sloppy
|
|||
|
work; it makes me feel bad about the lines. So I've been calling up switching
|
|||
|
offices and reporting it, but they haven't corrected it. I called them up for
|
|||
|
the third time today and instead of checking they just got mad. Well, that
|
|||
|
gets me mad. I mean, I do try to help them. There's something about them I
|
|||
|
can't understand -- you want to help them and they just try to say you're
|
|||
|
defrauding them."
|
|||
|
|
|||
|
It is Sunday evening and Joe invites me to join him for dinner at a Holiday
|
|||
|
Inn. Frequently on Sunday evening Joe takes some of his welfare money, calls a
|
|||
|
cab, and treats himself to a steak dinner at one of Memphis' thirteen Holiday
|
|||
|
Inns. (Memphis is the headquarters of Holiday Inn. Holiday Inns have been a
|
|||
|
favorite for Joe ever since he made his first solo phone trip to a Bell
|
|||
|
switching office in Jacksonville, Florida, and stayed in the Holiday Inn there.
|
|||
|
He likes to stay at Holiday Inns, he explains, because they represent freedom
|
|||
|
to him and because the rooms are arranged the same all over the country so he
|
|||
|
knows that any Holiday Inn room is familiar territory to him. Just like any
|
|||
|
telephone.)
|
|||
|
|
|||
|
Over steaks in the Pinnacle Restaurant of the Holiday Inn Medical Center on
|
|||
|
Madison Avenue in Memphis, Joe tells me the highlights of his life as a phone
|
|||
|
phreak.
|
|||
|
|
|||
|
At age seven, Joe learned his first phone trick. A mean baby-sitter, tired of
|
|||
|
listening to little Joe play with the phone as he always did, constantly, put a
|
|||
|
lock on the phone dial. "I got so mad. When there's a phone sitting there and
|
|||
|
I can't use it... so I started getting mad and banging the receiver up and
|
|||
|
down. I noticed I banged it once and it dialed one. Well, then I tried
|
|||
|
banging it twice...." In a few minutes Joe learned how to dial by pressing the
|
|||
|
hook switch at the right time. "I was so excited I remember going 'whoo whoo'
|
|||
|
and beat a box down on the floor."
|
|||
|
|
|||
|
At age eight Joe learned about whistling. "I was listening to some intercept
|
|||
|
non working-number recording in L.A.- I was calling L.A. as far back as that,
|
|||
|
but I'd mainly dial non working numbers because there was no charge, and I'd
|
|||
|
listen to these recordings all day. Well, I was whistling 'cause listening to
|
|||
|
these recordings can be boring after a while even if they are from L.A., and
|
|||
|
all of a sudden, in the middle of whistling, the recording clicked off. I
|
|||
|
fiddled around whistling some more, and the same thing happened. So I called
|
|||
|
up the switch room and said, 'I'm Joe. I'm eight years old and I want to know
|
|||
|
why when I whistle this tune the line clicks off.' He tried to explain it to
|
|||
|
me, but it was a little too technical at the time. I went on learning. That
|
|||
|
was a thing nobody was going to stop me from doing. The phones were my life,
|
|||
|
and I was going to pay any price to keep on learning. I knew I could go to
|
|||
|
jail. But I had to do what I had to do to keep on learning."
|
|||
|
|
|||
|
The phone is ringing when we walk back into Joe's apartment on Union Avenue.
|
|||
|
It is Captain Crunch. The Captain has been following me around by phone,
|
|||
|
calling up everywhere I go with additional bits of advice and explanation for
|
|||
|
me and whatever phone phreak I happen to be visiting. This time the Captain
|
|||
|
reports he is calling from what he describes as "my hideaway high up in the
|
|||
|
Sierra Nevada." He pulses out lusty salvos of M-F and tells Joe he is about to
|
|||
|
"go out and get a little action tonight. Do some phreaking of another kind, if
|
|||
|
you know what I mean." Joe chuckles.
|
|||
|
|
|||
|
Page 59
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
|
|||
|
The Captain then tells me to make sure I understand that what he told me about
|
|||
|
tying up the nation's phone lines was true, but that he and the phone phreaks
|
|||
|
he knew never used the technique for sabotage. They only learned the technique
|
|||
|
to help the phone company.
|
|||
|
|
|||
|
"We do a lot of troubleshooting for them. Like this New Hampshire/Missouri
|
|||
|
WATS-line flaw I've been screaming about. We help them more than they know."
|
|||
|
|
|||
|
After we say good-bye to the Captain and Joe whistles him off the line, Joe
|
|||
|
tells me about a disturbing dream he had the night before: "I had been caught
|
|||
|
and they were taking me to a prison. It was a long trip. They were taking me
|
|||
|
to a prison a long long way away. And we stopped at a Holiday Inn and it was
|
|||
|
my last night ever using the phone and I was crying and crying, and the lady at
|
|||
|
the Holiday Inn said, 'Gosh, honey, you should never be sad at a Holiday Inn.
|
|||
|
You should always be happy here. Especially since it's your last night.' And
|
|||
|
that just made it worse and I was sobbing so much I couldn't stand it."
|
|||
|
|
|||
|
Two weeks after I left Joe Engressia's apartment, phone-company security agents
|
|||
|
and Memphis police broke into it. Armed with a warrant, which they left pinned
|
|||
|
to a wall, they confiscated every piece of equipment in the room, including his
|
|||
|
toy telephone. Joe was placed under arrest and taken to the city jail where he
|
|||
|
was forced to spend the night since he had no money and knew no one in Memphis
|
|||
|
to call.
|
|||
|
|
|||
|
It is not clear who told Joe what that night, but someone told him that the
|
|||
|
phone company had an open-and-shut case against him because of revelations of
|
|||
|
illegal activity he had made to a phone-company undercover agent.
|
|||
|
|
|||
|
By morning Joe had become convinced that the reporter from Esquire, with whom
|
|||
|
he had spoken two weeks ago, was the undercover agent. He probably had ugly
|
|||
|
thoughts about someone he couldn't see gaining his confidence, listening to him
|
|||
|
talk about his personal obsessions and dreams, while planning all the while to
|
|||
|
lock him up.
|
|||
|
|
|||
|
"I really thought he was a reporter," Engressia told the Memphis Press-Seminar.
|
|||
|
"I told him everything...." Feeling betrayed, Joe proceeded to confess
|
|||
|
everything to the press and police.
|
|||
|
|
|||
|
As it turns out, the phone company did use an undercover agent to trap Joe,
|
|||
|
although it was not the Esquire reporter.
|
|||
|
|
|||
|
Ironically, security agents were alerted and began to compile a case against
|
|||
|
Joe because of one of his acts of love for the system: Joe had called an
|
|||
|
internal service department to report that he had located a group of defective
|
|||
|
long-distance trunks, and to complain again about the New Hampshire/Missouri
|
|||
|
WATS problem. Joe always liked Ma Bell's lines to be clean and responsive. A
|
|||
|
suspicious switchman reported Joe to the security agents who discovered that
|
|||
|
Joe had never had a long-distance call charged to his name.
|
|||
|
|
|||
|
Then the security agents learned that Joe was planning one of his phone trips
|
|||
|
to a local switching office. The security people planted one of their agents
|
|||
|
in the switching office. He posed as a student switchman and followed Joe
|
|||
|
around on a tour. He was extremely friendly and helpful to Joe, leading him
|
|||
|
around the office by the arm. When the tour was over he offered Joe a ride back
|
|||
|
to his apartment house. On the way he asked Joe -- one tech man to another --
|
|||
|
about "those blue boxers" he'd heard about. Joe talked about them freely,
|
|||
|
talked about his blue box freely, and about all the other things he could do
|
|||
|
|
|||
|
Page 60
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
with the phones.
|
|||
|
|
|||
|
The next day the phone-company security agents slapped a monitoring tape on
|
|||
|
Joe's line, which eventually picked up an illegal call. Then they applied for
|
|||
|
the search warrant and broke in.
|
|||
|
|
|||
|
In court Joe pleaded not guilty to possession of a blue box and theft of
|
|||
|
service. A sympathetic judge reduced the charges to malicious mischief and
|
|||
|
found him guilty on that count, sentenced him to two thirty-day sentences to be
|
|||
|
served concurrently and then suspended the sentence on condition that Joe
|
|||
|
promise never to play with phones again. Joe promised, but the phone company
|
|||
|
refused to restore his service. For two weeks after the trial Joe could not be
|
|||
|
reached except through the pay phone at his apartment house, and the landlord
|
|||
|
screened all calls for him.
|
|||
|
|
|||
|
Phone-phreak Carl managed to get through to Joe after the trial, and reported
|
|||
|
that Joe sounded crushed by the whole affair.
|
|||
|
|
|||
|
"What I'm worried about," Carl told me, "is that Joe means it this time. The
|
|||
|
promise. That he'll never phone-phreak again. That's what he told me, that
|
|||
|
he's given up phone-phreaking for good. I mean his entire life. He says he
|
|||
|
knows they're going to be watching him so closely for the rest of his life
|
|||
|
he'll never be able to make a move without going straight to jail. He sounded
|
|||
|
very broken up by the whole experience of being in jail. It was awful to hear
|
|||
|
him talk that way. I don't know. I hope maybe he had to sound that way. Over
|
|||
|
the phone, you know."
|
|||
|
|
|||
|
He reports that the entire phone-phreak underground is up in arms over the
|
|||
|
phone company's treatment of Joe. "All the while Joe had his hopes pinned on
|
|||
|
his application for a phone-company job, they were stringing him along getting
|
|||
|
ready to bust him. That gets me mad. Joe spent most of his time helping them
|
|||
|
out. The bastards. They think they can use him as an example. All of sudden
|
|||
|
they're harassing us on the coast. Agents are jumping up on our lines. They
|
|||
|
just busted ------'s mute yesterday and ripped out his lines. But no matter
|
|||
|
what Joe does, I don't think we're going to take this lying down."
|
|||
|
|
|||
|
Two weeks later my phone rings and about eight phone phreaks in succession say
|
|||
|
hello from about eight different places in the country, among them Carl, Ed,
|
|||
|
and Captain Crunch. A nationwide phone-phreak conference line has been
|
|||
|
reestablished through a switching machine in --------, with the cooperation of
|
|||
|
a disgruntled switchman.
|
|||
|
|
|||
|
"We have a special guest with us today," Carl tells me.
|
|||
|
|
|||
|
The next voice I hear is Joe's. He reports happily that he has just moved to a
|
|||
|
place called Millington, Tennessee, fifteen miles outside of Memphis, where he
|
|||
|
has been hired as a telephone-set repairman by a small independent phone
|
|||
|
company. Someday he hopes to be an equipment troubleshooter.
|
|||
|
|
|||
|
"It's the kind of job I dreamed about. They found out about me from the
|
|||
|
publicity surrounding the trial. Maybe Ma Bell did me a favor busting me.
|
|||
|
I'll have telephones in my hands all day long."
|
|||
|
|
|||
|
"You know the expression, 'Don't get mad, get even'?" phone-phreak Carl asked
|
|||
|
me. "Well, I think they're going to be very sorry about what they did to Joe
|
|||
|
and what they're trying to do to us."
|
|||
|
|
|||
|
+-- End fourth file of four --+
|
|||
|
|
|||
|
Page 61
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
|
|||
|
$ $
|
|||
|
$ THE HISTORY OF ESS $
|
|||
|
$ --- ------- -- --- $
|
|||
|
$ $
|
|||
|
$ $
|
|||
|
$ Another original phile by: $
|
|||
|
$ $
|
|||
|
$ $
|
|||
|
$$$$$$$$$$$$-=>Lex Luthor<=-$$$$$$$$$$$
|
|||
|
$ $
|
|||
|
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
|
|||
|
|
|||
|
|
|||
|
Of all the new 1960s wonders of telephone technology - satellites, ultra
|
|||
|
modern Traffic Service Positions (TSPS) for operators, the picturephone, and so
|
|||
|
on - the one that gave Bell Labs the most trouble, and unexpectedly became the
|
|||
|
greatest development effort in Bell System's history, was the perfection of an
|
|||
|
electronic switching system, or ESS.
|
|||
|
|
|||
|
It may be recalled that such a system was the specific end in view when the
|
|||
|
project that had culminated in the invention of the transistor had been
|
|||
|
launched back in the 1930s. After successful accomplishment of that planned
|
|||
|
miracle in 1947-48, further delays were brought about by financial stringency
|
|||
|
and the need for further development of the transistor itself. In the early
|
|||
|
1950s, a Labs team began serious work on electronic switching. As early as
|
|||
|
1955, Western Electric became involved when five engineers from the Hawthorne
|
|||
|
works were assigned to collaborate with the Labs on the project. The president
|
|||
|
of AT&T in 1956, wrote confidently, "At Bell Labs, development of the new
|
|||
|
electronic switching system is going full speed ahead. We are sure this will
|
|||
|
lead to many improvements in service and also to greater efficiency. The first
|
|||
|
service trial will start in Morris, Ill., in 1959." Shortly thereafter, Kappel
|
|||
|
said that the cost of the whole project would probably be $45 million.
|
|||
|
|
|||
|
But it gradually became apparent that the development of a commercially
|
|||
|
usable electronic switching system -in effect, a computerized telephone
|
|||
|
exchange - presented vastly greater technical problems than had been
|
|||
|
anticipated, and that, accordingly, Bell Labs had vastly underestimated both
|
|||
|
the time and the investment needed to do the job. The year 1959 passed without
|
|||
|
the promised first trial at Morris, Illinois; it was finally made in November
|
|||
|
1960, and quickly showed how much more work remained to be done. As time
|
|||
|
dragged on and costs mounted, there was a concern at AT&T and some-thing
|
|||
|
approaching panic at Bell Labs. But the project had to go forward; by this
|
|||
|
time the investment was too great to be sacrificed, and in any case, forward
|
|||
|
projections of increased demand for telephone service indicated that within a
|
|||
|
phew years a time would come when, without the quantum leap in speed and
|
|||
|
flexibility that electronic switching would provide, the national network would
|
|||
|
be unable to meet the demand. In November 1963, an all-electronic switching
|
|||
|
system went into use at the Brown Engineering Company at Cocoa Beach, Florida.
|
|||
|
But this was a small installation, essentially another test installation,
|
|||
|
serving only a single company. Kappel's tone on the subject in the 1964 annual
|
|||
|
report was, for him, an almost apologetic: "Electronic switching equipment must
|
|||
|
be manufactured in volume to unprecedented standards of reliability.... To turn
|
|||
|
out the equipment economically and with good speed, mass production methods
|
|||
|
must be developed; but, at the same time, there can be no loss of precision..."
|
|||
|
Another year and millions of dollars later, on May 30, 1965, the first
|
|||
|
commercial electric central office was put into service at Succasunna, New
|
|||
|
Jersey.
|
|||
|
|
|||
|
Page 62
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
|
|||
|
Even at Succasunna, only 200 of the town's 4,300 subscribers initially had
|
|||
|
the benefit of electronic switching's added speed and additional services, such
|
|||
|
as provision for three party conversations and automatic transfer of incoming
|
|||
|
calls. But after that, ESS was on its way. In January 1966, the second
|
|||
|
commercial installation, this one serving 2,900 telephones, went into service
|
|||
|
in Chase, Maryland. By the end of 1967 there were additional ESS offices in
|
|||
|
California, Connecticut, Minnesota, Georgia, New York, Florida, and
|
|||
|
Pennsylvania; by the end of 1970 there were 120 offices serving 1.8 million
|
|||
|
customers; and by 1974 there were 475 offices serving 5.6 million customers.
|
|||
|
|
|||
|
The difference between conventional switching and electronic switching is
|
|||
|
the difference between "hardware" and "software"; in the former case,
|
|||
|
maintenance is done on the spot, with screwdriver and pliers, while in the case
|
|||
|
of electronic switching, it can be done remotely, by computer, from a central
|
|||
|
point, making it possible to have only one or two technicians on duty at a time
|
|||
|
at each switching center.
|
|||
|
|
|||
|
The development program, when the final figures were added up, was found to
|
|||
|
have required a staggering four thousand man-years of work at Bell Labs and to
|
|||
|
have cost not $45 million but $500 million!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 63
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
|
|||
|
$ $
|
|||
|
$ THE HISTORY OF BRITISH PHREAKING $
|
|||
|
$ -=- -=-=-=- -- -=-=-=- -=-=-=-=- $
|
|||
|
$ $
|
|||
|
$ THE SECOND IN A SERIES OF $
|
|||
|
$ THE HISTORY OF.....PHILES $
|
|||
|
$ $
|
|||
|
$ WRITTEN AND UPLOADED BY: $
|
|||
|
$ $
|
|||
|
$$$$$$$$$$$$-=>LEX LUTHOR<=-$$$$$$$$$$$
|
|||
|
$ AND $
|
|||
|
$ THE LEGION OF DOOM! $
|
|||
|
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
|
|||
|
|
|||
|
NOTE: THE BRITISH POST OFFICE, IS THE U.S. EQUIVALENT OF MA BELL.
|
|||
|
|
|||
|
IN BRITAIN, PHREAKING GOES BACK TO THE EARLY FIFTIES, WHEN THE TECHNIQUE OF
|
|||
|
'TOLL A DROP BACK' WAS DISCOVERED. TOLL A WAS AN EXCHANGE NEAR ST. PAULS
|
|||
|
WHICH ROUTED CALLS BETWEEN LONDON AND NEARBY NON-LONDON EXCHANGES. THE TRICK
|
|||
|
WAS TO DIAL AN UNALLOCATED NUMBER, AND THEN DEPRESS THE RECEIVER-REST FOR 1/2
|
|||
|
SECOND. THIS FLASHING INITIATED THE 'CLEAR FORWARD' SIGNAL, LEAVING THE CALLER
|
|||
|
WITH AN OPEN LINE INTO THE TOLL A EXCHANGE.THE COULD THEN DIAL 018, WHICH
|
|||
|
FORWARDED HIM TO THE TRUNK EXCHANGE AT THAT TIME, THE FIRST LONG DISTANCE
|
|||
|
EXCHANGE IN BRITAIN AND FOLLOW IT WITH THE CODE FOR THE DISTANT EXCHANGE TO
|
|||
|
WHICH HE WOULD BE CONNECTED AT NO EXTRA CHARGE.
|
|||
|
|
|||
|
THE SIGNALS NEEDED TO CONTROL THE UK NETWORK TODAY WERE PUBLISHED IN THE
|
|||
|
"INSTITUTION OF POST OFFICE ENGINEERS JOURNAL" AND REPRINTED IN THE SUNDAY
|
|||
|
TIMES (15 OCT. 1972).
|
|||
|
|
|||
|
THE SIGNALLING SYSTEM THEY USE: SIGNALLING SYSTEM NO. 3 USES PAIRS OF
|
|||
|
FREQUENCIES SELECTED FROM 6 TONES SEPARATED BY 120HZ. WITH THAT INFO, THE
|
|||
|
PHREAKS MADE "BLEEPERS" OR AS THEY ARE CALLED HERE IN THE U.S. "BLUE BOX", BUT
|
|||
|
THEY DO UTILIZE DIFFERENT MF TONES THEN THE U.S., THUS, YOUR U.S. BLUE BOX
|
|||
|
THAT YOU SMUGGLED INTO THE UK WILL NOT WORK, UNLESS YOU CHANGE THE
|
|||
|
FREQUENCIES.
|
|||
|
|
|||
|
IN THE EARLY SEVENTIES, A SIMPLER SYSTEM BASED ON DIFFERENT NUMBERS OF PULSES
|
|||
|
WITH THE SAME FREQUENCY (2280HZ) WAS USED. FOR MORE INFO ON THAT, TRY TO GET A
|
|||
|
HOLD OF: ATKINSON'S "TELEPHONY AND SYSTEMS TECHNOLOGY".
|
|||
|
|
|||
|
IN THE EARLY DAYS OF BRITISH PHREAKING, THE CAMBRIDGE UNIVERSITY TITAN
|
|||
|
COMPUTER WAS USED TO RECORD AND CIRCULATE NUMBERS FOUND BY THE EXHAUSTIVE
|
|||
|
DIALING OF LOCAL NETWORKS. THESE NUMBERS WERE USED TO CREATE A CHAIN OF LINKS
|
|||
|
FROM LOCAL EXCHANGE TO LOCAL EXCHANGE ACROSS THE COUNTRY, BYPASSING THE TRUNK
|
|||
|
CIRCUITS. BECAUSE THE INTERNAL ROUTING CODES IN THE UK NETWORK ARE NOT THE
|
|||
|
SAME AS THOSE DIALED BY THE CALLER, THE PHREAKS HAD TO DISCOVER THEM BY 'PROBE
|
|||
|
AND LISTEN' TECHNIQUES OR MORE COMMONLY KNOWN IN THE U.S.-- SCANNING. WHAT
|
|||
|
THEY DID WAS PUT IN LIKELY SIGNALS AND LISTENED TO FIND OUT IF THEY SUCCEEDED.
|
|||
|
THE RESULTS OF SCANNING WERE CIRCULATED TO OTHER PHREAKS. DISCOVERING EACH
|
|||
|
OTHER TOOK TIME AT FIRST, BUT EVENTUALLY THE PHREAKS BECAME ORGANIZED. THE
|
|||
|
"TAP" OF BRITAIN WAS CALLED "UNDERCURRENTS" WHICH ENABLED BRITISH PHREAKS TO
|
|||
|
SHARE THE INFO ON NEW NUMBERS, EQUIPMENT ETC.
|
|||
|
|
|||
|
TO UNDERSTAND WHAT THE BRITISH BRITISH PHREAKS DID, THINK OF THE PHONE
|
|||
|
NETWORK IN THREE LAYERS OF LINES: LOCAL, TRUNK, AND INTERNATIONAL.#IN THE UK,
|
|||
|
SUBSCRIBER TRUNK DIALING (STD), IS THE MECHANISM WHICH TAKES A CALL FROM THE
|
|||
|
|
|||
|
Page 64
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
LOCAL LINES AND (LEGITIMATELY) ELEVATES IT TO A TRUNK OR INTERNATIONAL
|
|||
|
LEVEL.#THE UK PHREAKS FIGURED THAT A CALL AT TRUNK LEVEL CAN BE ROUTED THROUGH
|
|||
|
ANY NUMBER OF EXCHANGES, PROVIDED THAT THE RIGHT ROUTING CODES WERE FOUND AND
|
|||
|
USED CORRECTLY. THEY ALSO HAD TO DISCOVER HOW TO GET FROM LOCAL TO TRUNK LEVEL
|
|||
|
EITHER WITHOUT BEING CHARGED (WHICH THEY DID WITH A BLEEPER BOX) OR WITHOUT
|
|||
|
USING (STD). CHAINING HAS ALREADY BEEN MENTIONED BUT IT REQUIRES LONG STRINGS
|
|||
|
OF DIGITS AND SPEECH GETS MORE AND MORE FAINT AS THE CHAIN GROWS, JUST LIKE IT
|
|||
|
DOES WHEN YOU STACK TRUNKS BACK AND FORTH ACROSS THE U.S.#THE WAY THE SECURITY
|
|||
|
REPS SNAGGED THE PHREAKS WAS TO PUT A SIMPLE 'PRINTERMETER' OR AS WE CALL IT:
|
|||
|
A PEN REGISTER ON THE SUSPECTS LINE, WHICH SHOWS EVERY DIGIT DIALED FROM THE
|
|||
|
SUBSCRIBERS LINE.
|
|||
|
|
|||
|
THE BRITISH PREFER TO GET ONTO THE TRUNKS RATHER THAN CHAINING. ONE WAY WAS
|
|||
|
TO DISCOVER WHERE LOCAL CALLS USE THE TRUNKS BETWEEN NEIGHBORING EXCHANGES,
|
|||
|
START A CALL AND STAY ON THE TRUNK INSTEAD OF RETURNING TO THE LOCAL LEVEL ON
|
|||
|
REACHING THE DISTANT SWITCH. THIS AGAIN REQUIRED EXHAUSTIVE DIALING AND MADE
|
|||
|
MORE WORK FOR TITAN; IT ALSO REVEALED 'FIDDLES', WHICH WERE INSERTED BY POST
|
|||
|
OFFICE ENGINEERS.
|
|||
|
|
|||
|
WHAT FIDDLING MEANS IS THAT THE ENGINEERS REWIRED THE EXCHANGES FOR THEIR OWN
|
|||
|
BENEFIT. THE EQUIPMENT IS MODIFIED TO GIVE ACCESS TO A TRUNK WITH OUT BEING
|
|||
|
CHARGED, AN OPERATION WHICH IS PRETTY EASY IN STEP BY STEP (SXS)
|
|||
|
ELECTROMECHANICAL EXCHANGES, WHICH WERE INSTALLED IN BRITAIN EVEN IN THE 1970S
|
|||
|
(NOTE: I KNOW OF A BACK DOOR INTO THE CANADIAN SYSTEM ON A 4A CO., SO IF YOU
|
|||
|
ARE ON SXS OR A 4A, TRY SCANNING 3 DIGIT EXCHANGES, IE: DIAL 999,998,997
|
|||
|
ETC.#AND LISTEN FOR THE BEEP-KERCHINK, IF THERE ARE NO 3 DIGIT CODES WHICH
|
|||
|
ALLOW DIRECT ACCESS TO A TANDEM IN YOUR LOCAL EXCHANGE AND BYPASSES THE AMA SO
|
|||
|
YOU WON'T BE BILLED, NOT HAVE TO BLAST 2600 EVERY TIME YOU WISH TO BOX A CALL.
|
|||
|
|
|||
|
A FAMOUS BRITISH 'FIDDLER' REVEALED IN THE EARLY 1970S WORKED BY DIALING 173.
|
|||
|
THE CALLER THEN ADDED THE TRUNK CODE OF 1 AND THE SUBSCRIBERS LOCAL NUMBER. AT
|
|||
|
THAT TIME, MOST ENGINEERING TEST SERVICES BEGAN WITH 17X, SO THE ENGINEERS
|
|||
|
COULD HIDE THEIR FIDDLES IN THE NEST OF SERVICE WIRES. WHEN SECURITY REPS
|
|||
|
STARTED SEARCHING, THE FIDDLES WERE CONCEALED BY TONES SIGNALLING: 'NUMBER
|
|||
|
UNOBTAINALBE' OR 'EQUIPMENT ENGAGED' WHICH SWITCHED OFF AFTER A DELAY. THE
|
|||
|
NECESSARY RELAYS ARE SMALL AND EASILY HIDDEN.
|
|||
|
|
|||
|
THERE WAS ANOTHER SIDE TO PHREAKING IN THE UK IN THE SIXTIES. BEFORE STD WAS
|
|||
|
WIDESPREAD, MANY 'ORDINARY' PEOPLE WERE DRIVEN TO.
|
|||
|
|
|||
|
OCCASIONAL PHREAKING FROM SHEER FRUSTRATION AT THE INEFFICIENT OPERATOR
|
|||
|
CONTROLLED TRUNK SYSTEM. THIS CAME TO A HEAD DURING A STRIKE ABOUT 1961 WHEN
|
|||
|
OPERATORS COULD NOT BE REACHED. NOTHING COMPLICATED WAS NEEDED. MANY
|
|||
|
OPERATORS HAD BEEN IN THE HABIT OF REPEATING THE CODES AS THEY DIALLED THE
|
|||
|
REQUESTED NUMBERS SO PEOPLE SOON LEARNT THE NUMBERS THEY CALLED FREQUENTLY.
|
|||
|
THE ONLY 'TRICK' WAS TO KNOW WHICH EXCHANGES COULD BE DIALLED THROUGH TO PASS
|
|||
|
ON THE TRUNK NUMBER.CALLERS ALSO NEEDED A PRETTY QUIET PLACE TO DO IT, SINCE
|
|||
|
TIMING RELATIVE TO CLICKS WAS IMPORTANT THE MOST FAMOUS TRIAL OF BRITISH
|
|||
|
PHREAKS WAS CALLED THE OLD BAILY TRIAL.#WHICH STARTED ON 3 OCT. 1973.#WHAT
|
|||
|
THEY PHREAKS DID WAS TO DIAL A SPARE NUMBER AT A LOCAL CALL RATE BUT INVOLVING
|
|||
|
A TRUNK TO ANOTHER EXCHANGE THEN THEY SEND A 'CLEAR FORWARD' TO THEIR LOCAL
|
|||
|
EXCHANGE, INDICATING TO IT THAT THE CALL IS FINISHED;BUT THE DISTANT EXCHANGE
|
|||
|
DOESN'T REALIZE BECAUSE THE CALLER'S PHONE IS STILL OFF THE HOOK. THEY NOW
|
|||
|
HAVE AN OPEN LINE INTO THE DISTANT TRUNK EXCHANGE AND SENDS TO IT A 'SEIZE'
|
|||
|
SIGNAL: '1' WHICH PUTS HIM ONTO ITS OUTGOING LINES NOW, IF THEY KNOW THE
|
|||
|
CODES, THE WORLD IS OPEN TO THEM. ALL OTHER EXCHANGES TRUST HIS LOCAL EXCHANGE
|
|||
|
TO HANDLE THE BILLING; THEY JUST INTERPRET THE TONES THEY HEAR. MEAN WHILE,
|
|||
|
THE LOCAL EXCHANGE COLLECTS ONLY FOR A LOCAL CALL. THE INVESTIGATORS
|
|||
|
|
|||
|
Page 65
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
DISCOVERED THE PHREAKS HOLDING ASCONFERENCE SOMEWHERE IN ENGLAND SURROUNDED BY
|
|||
|
VARIOUS PHONE EQUIPMENT AND BLEEPER BOXES, ALSO PRINTOUTS LISTING 'SECRET' POST
|
|||
|
OFFICE CODES. (THEY PROBABLY GOT THEM FROM TRASHING?) THE JUDGE SAID: "SOME
|
|||
|
TAKE TO HEROIN, SOME TAKE TO TELEPHONES" FOR THEM PHONE PHREAKING WAS NOT A
|
|||
|
CRIME BUT A HOBBY TO BE SHARED WITH PHELLOW ENTHUSIASTS AND DISCUSSED WITH THE
|
|||
|
POST OFFICE OPENLY OVER DINNER AND BY MAIL. THEIR APPROACH AND ATTITUDE TO THE
|
|||
|
WORLDS LARGEST COMPUTER, THE GLOBAL TELEPHONE SYSTEM, WAS THAT OF SCIENTISTS
|
|||
|
CONDUCTING EXPERIMENTS OR PROGRAMMERS AND ENGINEERS TESTING PROGRAMS AND
|
|||
|
SYSTEMS. THE JUDGE APPEARED TO AGREE, AND EVEN ASKED THEM FOR PHREAKING CODES
|
|||
|
TO USE FROM HIS LOCAL EXCHANGE!!!
|
|||
|
|
|||
|
# $-THE END-$
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 66
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
Bad as Shit
|
|||
|
|
|||
|
Recently, a telephone fanatic in the northwest made an interesting
|
|||
|
discovery. He was exploring the 804 area code (Virginia) and found out that
|
|||
|
the 840 exchange did something strange.
|
|||
|
In the vast majority of cases, in fact in all of the cases except one, he
|
|||
|
would get a recording as if the exchange didn't exist. However, if he dialed
|
|||
|
804-840 and four rather predictable numbers, he got a ring!
|
|||
|
|
|||
|
After one or two rings, somebody picked up. Being experienced at this kind
|
|||
|
of thing, he could tell that the call didn't "supe", that is, no charges were
|
|||
|
being incurred for calling this number.
|
|||
|
(Calls that get you to an error message, or a special operator, generally
|
|||
|
don't supervise.) A female voice, with a hint of a Southern accent said,
|
|||
|
"Operator, can I help you?"
|
|||
|
|
|||
|
"Yes," he said, "What number have I reached?"
|
|||
|
|
|||
|
"What number did you dial, sir?"
|
|||
|
|
|||
|
He made up a number that was similar.
|
|||
|
|
|||
|
"I'm sorry that is not the number you reached." Click.
|
|||
|
|
|||
|
He was fascinated. What in the world was this? He knew he was going to
|
|||
|
call back, but before he did, he tried some more experiments. He tried the 840
|
|||
|
exchange in several other area codes. In some, it came up as a valid exchange.
|
|||
|
In others, exactly the same thing happened -- the same last four digits, the
|
|||
|
same Southern belle. Oddly enough, he later noticed, the areas worked in
|
|||
|
seemed to travel in a beeline from Washington DC to Pittsburgh, PA.
|
|||
|
|
|||
|
He called back from a payphone. "Operator, can I help you?"
|
|||
|
|
|||
|
"Yes, this is the phone company. I'm testing this line and we don't seem to
|
|||
|
have an identification on your circuit. What office is this, please?"
|
|||
|
|
|||
|
"What number are you trying to reach?"
|
|||
|
|
|||
|
"I'm not trying to reach any number. I'm trying to identify this circuit."
|
|||
|
|
|||
|
"I'm sorry, I can't help you."
|
|||
|
|
|||
|
"Ma'am, if I don't get an ID on this line, I'll have to disconnect it. We
|
|||
|
show no record of it here."
|
|||
|
|
|||
|
"Hold on a moment, sir."
|
|||
|
|
|||
|
After about a minute, she came back. "Sir, I can have someone speak to you.
|
|||
|
Would you give me your number, please?"
|
|||
|
|
|||
|
He had anticipated this and he had the payphone number ready. After he gave
|
|||
|
it, she said, "Mr. XXX will get right back to you."
|
|||
|
|
|||
|
"Thanks." He hung up the phone. It rang. INSTANTLY! "Oh my God," he
|
|||
|
thought, "They weren't asking for my number -- they were confirming it!"
|
|||
|
|
|||
|
"Hello," he said, trying to sound authoritative.
|
|||
|
|
|||
|
|
|||
|
Page 67
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
"This is Mr. XXX. Did you just make an inquiry to my office concerning a
|
|||
|
phone number?"
|
|||
|
|
|||
|
"Yes. I need an identi--"
|
|||
|
|
|||
|
"What you need is advice. Don't ever call that number again. Forget you
|
|||
|
ever knew it."
|
|||
|
|
|||
|
At this point our friend got so nervous he just hung up. He expected to
|
|||
|
hear the phone ring again but it didn't.
|
|||
|
|
|||
|
Over the next few days he racked his brains trying to figure out what the
|
|||
|
number was. He knew it was something big -- that was pretty certain at this
|
|||
|
point. It was so big that the number was programmed into every central office
|
|||
|
in the country. He knew this because if he tried to dial any other number in
|
|||
|
that exchange, he'd get a local error message from his CO, as if the exchange
|
|||
|
didn't exist.
|
|||
|
|
|||
|
It finally came to him. He had an uncle who worked in a federal agency. He
|
|||
|
had a feeling that this was government related and if it was, his uncle could
|
|||
|
probably find out what it was. He asked the next day and his uncle promised to
|
|||
|
look into the matter.
|
|||
|
|
|||
|
The next time he saw his uncle, he noticed a big change in his manner. He
|
|||
|
was trembling. "Where did you get that number?!" he shouted. "Do you know I
|
|||
|
almost got fired for asking about it?!? They kept wanting to know where I got
|
|||
|
it."
|
|||
|
|
|||
|
Our friend couldn't contain his excitement. "What is it?" he pleaded.
|
|||
|
"What's the number?!"
|
|||
|
|
|||
|
"IT'S THE PRESIDENT'S BOMB SHELTER!"
|
|||
|
|
|||
|
He never called the number after that. He knew that he could probably cause
|
|||
|
quite a bit of excitement by calling the number and saying something like, "The
|
|||
|
weather's not good in Washington. We're coming over for a visit." But our
|
|||
|
friend was smart. he knew that there were some things that were better off
|
|||
|
unsaid and undone. <>
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 68
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
Chapter 3
|
|||
|
|
|||
|
This chapter is really just a bunch of FACS (pun intended). Here is where
|
|||
|
random facts that really have something to do with everything else but nothing
|
|||
|
to do with anything else, are presented. They cover various topics such as:
|
|||
|
Conferencing, Tracing, Pen registers, Calling cards, and some basic FMF (Fool
|
|||
|
the Mother Fuckers). The aspects covered here are very brief and could easily
|
|||
|
be covered much more thoroughly, but it is no problem since they are not very
|
|||
|
important topics. Something that would make a very nice gift is covered in the
|
|||
|
article AT&T forgery. Just make up stationary with AT&T letter head and give
|
|||
|
it as a present to your phriends who would appreciate it.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 69
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
Phreaking COSMOS
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
COSMOS is Bell's computer for handling information on customer lines,
|
|||
|
special services on lines, and orders to change line equipment, disconnect
|
|||
|
lines, etc. COSMOS stands for Computerized System for Mainframe Operations. It
|
|||
|
is based on the UNIX operating system and, depending upon the COSMOS and upon
|
|||
|
your access, has some, many, or no UNIX standard commands. COSMOS is powerful,
|
|||
|
but there is no reason to be afraid of it. This article will give some of the
|
|||
|
basic, pertinent info on how users get in, account format, and a few other
|
|||
|
goodies.
|
|||
|
|
|||
|
Password Identification
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
To get onto COSMOS you need a dialup, account, password, and wire center
|
|||
|
(WC). Wire centers are two letter codes that tell what section of the COSMOS
|
|||
|
you are in. There are different WC's f or different areas and groups of
|
|||
|
exchanges. Examples are PB, SR, LK, et c. Sometimes there are accounts that
|
|||
|
have no password; obviously such accounts are the easiest to hack.
|
|||
|
|
|||
|
Checking It Out
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
Let's suppose you have a COSMOS number which you obtained one way or
|
|||
|
another. The first thing to do would be to make sure it is really a COSMOS
|
|||
|
system, not some other Bell or AT&T computer. To do this, you would call it
|
|||
|
and connect your modem,, then hit some returns until you got a response. It
|
|||
|
should say:
|
|||
|
|
|||
|
';LOGIN:' or 'NAME:'.
|
|||
|
If you enter some garbage it should say:
|
|||
|
'PASSWORD:'.
|
|||
|
If you hit a return and it says 'WC?', it is a COSMOS system. If it says
|
|||
|
something like 'TA%' then you're in business. If it doesn't do any of the
|
|||
|
above, then it is either some other kind of system, or, if you're not getting
|
|||
|
anything at all, the dialup has probably gone bad.
|
|||
|
|
|||
|
Getting In
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
COSMOS has certain accounts that are usually on the system, one of which
|
|||
|
might not have a password. They consist of ROOT (most powerful and almost
|
|||
|
always on the system), SYS (second most powerful, still many privileges), BIN
|
|||
|
(a little less power), PREOP (a little less), and COSMOS (hardly any
|
|||
|
privileges, like a normal user). The way to tell if they have passwords is by
|
|||
|
entering accounts at the ';LOGIN:' or ' NAME:' prompt, and if it jumps straight
|
|||
|
to 'WC?', all you need is a WC to get in. But suppose all of the accounts have
|
|||
|
passwords? You have two choices. You can try to hack the password and WC to
|
|||
|
one of the above accounts. I won't deal with this method, as is
|
|||
|
self-explanatory. Or you can do something I find much easier...call the
|
|||
|
COSMOS during business hours and hope that someone forgot to log off. Keep
|
|||
|
calling until when you connect and hit return until you get a 'WC%' prompt.
|
|||
|
'WC' is the WC that the account you found is currently in. You are now in!
|
|||
|
|
|||
|
What to Do while on-line
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
|
|||
|
Page 70
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
The first thing you want to do is write down the WC you are in. Only on our
|
|||
|
first login it is a good idea to print everything or dump everything to a
|
|||
|
buffer.
|
|||
|
|
|||
|
Commands
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
'WCFLDS'(!) : Should list all WC's.
|
|||
|
'WHO' : Should print everyone currently logged on the system, giving
|
|||
|
some accounts.
|
|||
|
'TTY' : Tells what terminal port you are on.
|
|||
|
'WHERE' : Should tell the location of the COSMOS installation.
|
|||
|
'WHAT' : Tells what version of COSNIX, COSMOS's operating system, it
|
|||
|
is.
|
|||
|
'LS *' : Prints all the files you have access to.
|
|||
|
'CD /dir' : Connects you to the directory '/dir'.
|
|||
|
'CAT filename ' : Prints the file 'filename'.
|
|||
|
'Q' : Quits the editor.
|
|||
|
CTRL- Y. : Logs off
|
|||
|
'TAT' : Sometimes prints a little help file.
|
|||
|
'ISH' : Check someone's telefone #, type 'ISH' at the COSMOS 'WC%'
|
|||
|
prompt. Then type.
|
|||
|
'HTN XXX-XXXX' : (Hunt Telephone Number) to tell you about the local number
|
|||
|
you are interested in.
|
|||
|
|
|||
|
'CAT /ETC/PASSWD': Prints out the password file, if you have access. The
|
|||
|
passwords are almost always encrypted, but you get a list of all the accounts.
|
|||
|
If you are lucky, one of the lines will have two colons after the account name.
|
|||
|
This means there is no prompt from the ';LOGIN:' or 'NAME:' prompts when you
|
|||
|
enter that account.
|
|||
|
|
|||
|
To run a file just type the name followed by a return.
|
|||
|
|
|||
|
When the system gives you a '-', you type a '.', and it will type all kinds
|
|||
|
of info on the phone number you entered (in Bell abbreviations, of course). If
|
|||
|
it is not a good exchange, it will say something to that effect. You type a
|
|||
|
period to end the ISH.
|
|||
|
If you wish to learn more information about COSMOS, find yourself a COSMOS
|
|||
|
manual or look at future issues of 2600. A UNIX manual would also be helpful
|
|||
|
for standard UNIX commands.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 71
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
FACS FACTS
|
|||
|
A LOOK AT THE NEW FACS SYSTEMS
|
|||
|
BY SHARP RAZOR
|
|||
|
|
|||
|
|
|||
|
BELL ATLANTIC (AND PROBABLY THE REST OF THE U.S. SOON ENOUGH) IS REVAMPING
|
|||
|
COSMOS. THE PROJECT IS CALLED FACS (FACILITATED ASSIGNMENT AND CONTROL
|
|||
|
SYSTEM).FACS IS COMPOSED OF 5 MODULES WHICH ARE DESIGNED TO FUNCTION AS A
|
|||
|
UNIFIED SYSTEM. THE PREMIS AND THE COSMOS SYSTEMS CAN FUNCTION AS ST AND-ALONE
|
|||
|
SYSTEMS.THE FIVE PARTS OF FACS ARE PREMIS,SOAC, LFACS,COSMOS,AND THE WM.
|
|||
|
|
|||
|
THE PREMIS (PREMISES INFORMATION SYSTEM) SUPPORTS BOTH RESIDENCE AND
|
|||
|
BUSINESS ACCOUNTS. PREMIS IS USED FOR VARIOUS INQUIRIES FOR THE STREET ADDRESS
|
|||
|
GUIDE(SAG),IE::PHONE NUMBERS,BILLING CHARGES,CREDIT,ETC.
|
|||
|
|
|||
|
THE SECOND PART OF FACS IS THE SOAC(SERVICE ORDER ANALYSIS AND CONTROL).
|
|||
|
THIS IS PRIMARILY USED TO INPUT SERVICE ORDER DATA INTO FACS, AND TO GET THE
|
|||
|
APPROPRIATE OUTPUT. SOAC INTERPRETS, VALIDATES,AND DECOMPOSES ALL INPUTED DATA
|
|||
|
AND SENDS THE INFO TO THE COSMOS AND THE LFACS SYSTEMS.
|
|||
|
|
|||
|
THE THIRD PART OF THE SYSTEM IS LFACS(LOOP FACILITIES AND CONTROL SYSTEM).
|
|||
|
THIS IS THE COMPONENT OF FACS THAT IS RESPONSIBLE FOR MAINTAINING THE
|
|||
|
INVENTORY,DOING THE ASSIGNMENTS, ADMINISTRATING INQUIRIES AND REPORTS, AND IS
|
|||
|
THE INVENTORY TRANSFORMATION CENTER. THIS PART OF FACS WILL BE MOSTLY USED FOR
|
|||
|
AIDING THE AT&T LINEMEN.
|
|||
|
|
|||
|
THE COSMOS SYSTEM(COMPUTER SYSTEM FOR MAINFRAME OPERATIONS) COMPRISES THE
|
|||
|
FOURTH PART OF THE FACS SYSTEM. COSMOS IS THE COMPONENT OF FACS THAT IS
|
|||
|
RESPONSIBLE FOR MAINTAINING THE MECHANIZED INVENTORY OF MDF FACILITIES,STORING
|
|||
|
CUSTOM CALL FEATURES(IE:SPEED DIALING NUMBERS),AND OTHER MISC. INFO.
|
|||
|
|
|||
|
THE FIFTH AND LAST PIECE OF THE FACS SYSTEM IS THE WORK MANAGER (WM). HIS
|
|||
|
COMPONENT SERVES AS THE FRONT-END PROCESSOR FOR COSMOS. IT ENABLES A NUMBER OF
|
|||
|
COSMOS COMPUTERS TO RELIABLY COMMUNICATE WITH THE OTHER FACS COMPONENTS. WM
|
|||
|
SERVES AS THE MESSAGES SWITCHING SYSTEM FOR THE FACS PIECES, AND GENERALLY IS
|
|||
|
THE "MESSENGER AND STABILIZER" OF THE SYSTEM.
|
|||
|
|
|||
|
THE HARDWARE THAT WILL RUN THIS FACS SYSTEM IS:
|
|||
|
COSMOS: 22-WECO. 3B-20S MINI COMPS.
|
|||
|
WM: 6-WECO. 3B-20S MINI COMPS.
|
|||
|
SOAC-LFACS-PREMIS: TWO SPERRY UNIVAC 1100/92 MAINFRAMES.
|
|||
|
BANCS 2 THP CYBER 1000 PROCESSORS.
|
|||
|
|
|||
|
THE FACS SYSTEM IS STARTING UP AT THIS VERY MOMENT. THIS IS BASICALLY A
|
|||
|
BROAD VIEW OF THE FACS SYSTEM. AT&T SEEMS TO THINK THAT FACS WILL BE MORE
|
|||
|
EFFICIENT,SAVE THEM MONEY IN THE LONG RUN, AND SAVE THEM WORKERS(HERE COME SOME
|
|||
|
MASSIVE LAYOFFS!) WHAT THIS MEANS TO PHREAKERS AND HACKERS IS THAT YOU WILL NOW
|
|||
|
HAVE AT LEAST FIVE DIAL-UPS IN AN AREA CODE WITH WHICH YOU CAN PHUCK WITH
|
|||
|
AT&T!
|
|||
|
|
|||
|
..LATER..
|
|||
|
..SHARP RAZOR>>
|
|||
|
THE LEGION OF DOOM!
|
|||
|
(NOTE: THE FACS SYSTEM HAS RECENTLY BEEN PUT INTO OPERATION(SUMMER 84) IN
|
|||
|
ST.LOUIS MISSOURI)
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 72
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
Telenet
|
|||
|
|
|||
|
It seems that not many of you know that Telenet is connected to about 80
|
|||
|
computer-networks in the world. No, I don't mean 80 nodes, but 80 networks with
|
|||
|
thousands of unprotected computers. When you call your local Telenet- gateway,
|
|||
|
you can only call those computers which accept reverse-charging- calls.
|
|||
|
If you want to call computers in foreign countries or computers in USA which
|
|||
|
do not accept R-calls, you need a Telenet-ID. Did you ever notice that you can
|
|||
|
type ID XXXX when being connected to Telenet? You are then asked for the
|
|||
|
password. If you have such a NUI (Network-User-ID) you can call nearly every
|
|||
|
host connected to any computer-network in the world. Here are some examples:
|
|||
|
|
|||
|
026245400090184 :Is a VAX in Germany (Username: DATEXP and leave mail for
|
|||
|
CHRIS !!!)
|
|||
|
0311050500061 :Is the Los Alamos Integrated computing network (One of the
|
|||
|
hosts connected to it is the DNA (Defense Nuclear Agency)!!!)
|
|||
|
0530197000016 :Is a BBS in New Zealand
|
|||
|
024050256 :Is the S-E-Bank in Stockholm, Sweden (Login as GAMES !!!)
|
|||
|
02284681140541 :CERN in Geneva in Switzerland (one of the biggest nuclear
|
|||
|
research centers in the world) Login as GUEST
|
|||
|
0234212301161 :A Videotex-standard system. Type OPTEL to get in and use the
|
|||
|
ID 999_ with the password 9_
|
|||
|
0242211000001 :University of Oslo in Norway (Type LOGIN 17,17 to play the
|
|||
|
Multi-User-Dungeon !)
|
|||
|
0425130000215 :Something like ITT Dialcom, but this one is in Israel ! ID
|
|||
|
HELP with password HELP works fine with security level 3
|
|||
|
0310600584401 :Is the Washington Post News Service via Tymnet (Yes, Tymnet is
|
|||
|
connected to Telenet, too !) ID and Password is: PETER You can read the news
|
|||
|
of the next day !
|
|||
|
|
|||
|
The prefixes are as follows:
|
|||
|
02624 is Datex-P in Germany
|
|||
|
02342 is PSS in England
|
|||
|
03110 is Telenet in USA
|
|||
|
03106 is Tymnet in USA
|
|||
|
02405 is Telepak in Sweden
|
|||
|
04251 is Isranet in Israel
|
|||
|
02080 is Transpac in France
|
|||
|
02284 is Telepac in Switzerland
|
|||
|
02724 is Eirpac in Ireland
|
|||
|
02704 is Luxpac in Luxembourg
|
|||
|
05252 is Telepac in Singapore
|
|||
|
04408 is Venus-P in Japan
|
|||
|
...and so on... Some of the countries have more than one
|
|||
|
packet-switching-network (USA has 11, Canada has 3, etc).
|
|||
|
|
|||
|
OK. That should be enough for the moment. As you see most of the passwords are
|
|||
|
very simple. This is because they must not have any fear of hackers. Only a few
|
|||
|
German hackers use these networks. Most of the computers are absolutely easy to
|
|||
|
hack !!! So, try to find out some Telenet-ID's and leave them here. If you need
|
|||
|
more numbers, leave e-mail.
|
|||
|
I'm calling from Germany via the German Datex-P network, which is similar to
|
|||
|
Telenet. We have a lot of those NUI's for the German network, but none for a
|
|||
|
special Tymnet-outdial-computer in USA, which connects me to any phone #.
|
|||
|
|
|||
|
CUL8R, Mad Max
|
|||
|
|
|||
|
PS: Call 026245621040000 and type ID INF300 with password DATACOM to get more
|
|||
|
|
|||
|
Page 73
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
Informations on packet-switching-networks !
|
|||
|
|
|||
|
PS2: The new password for the Washington Post is KING !!!!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 74
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
Phreaking AT&T Cards
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
My topic will deal with using an AT&T calling card for automated calls. Ok
|
|||
|
to place a call with an AT&T card, lift the handset (PAY PHONE) hit (0) and the
|
|||
|
desired area code and the number to call. Also when calling the same number
|
|||
|
that the card is being billed to you enter the phone number and at the tone
|
|||
|
only enter the last four digits on the card. But we don't want to do that now,
|
|||
|
do we. If additional calls are wanted all you do is hit the (#) and you will
|
|||
|
get a new dial tone! After you hit (#) you do not have to re-enter the calling
|
|||
|
card number simply enter your desired number and it will connect you.
|
|||
|
If the number you called is busy just keep hitting (#) and the number to be
|
|||
|
called until you connect! Ok to calL the U.S. of a from another country, you
|
|||
|
use the exact same format as described above!
|
|||
|
Ok now I will describe the procedure for placing calls to a foreign
|
|||
|
country, such as CANADA,RUSSIA,SOUTH AMERICA, etc.. Ok first lift the handset
|
|||
|
then enter (01) + the country code + the city code + the local telephone
|
|||
|
number. Ok after you get the tone enter the AT&T calling card number. Ok if you
|
|||
|
can not dial operator assisted calls from your area don't worry just jingle the
|
|||
|
operator and she will handle your call, don't worry she can't see you!
|
|||
|
The international number on the AT&T calling card is used for calling the
|
|||
|
US of A from places like RUSSIA, CHINA you never know when you might get stuck
|
|||
|
in a country like those and you have no money to make a call! The international
|
|||
|
operator will be able to tell you if they honor the AT&T calling card.
|
|||
|
Well I hope that this has straightened out some of your problems on the use
|
|||
|
of an AT&T calling card! All you have to remember is that weather you are
|
|||
|
placing the call or the operator, be careful and never use the calling card
|
|||
|
from your home phone!! That is a BIG NO NO..
|
|||
|
|
|||
|
Also AT&T has came out with a new thing called (NEW CARD CALLER SERVICE)
|
|||
|
they say that it was designed to meet the public's needs! These phones will be
|
|||
|
popping up in many place such as airport terminals, hotels, etc... What the new
|
|||
|
card caller service is, is a new type of phone that has a (CRT) screen that
|
|||
|
will talk to you in a language of your choice. The service works something
|
|||
|
like this, when you find a (NEW CARD CALLER PHONE), all you do is follow the
|
|||
|
instructions on the (CRT) screen, then you insert the (NEW CARD CALLER CARD)
|
|||
|
and there is a strip of magnetic tape on the card which reads the number, thus
|
|||
|
no one can hear you saying your number or if there were a bug in the phone,no
|
|||
|
touch tones will be heard!! You can also bill the call to a third party. that
|
|||
|
is one that I am not totally clear on yet! The phone is supposed to tell you
|
|||
|
how it can be done. That is after you have inserted your card and lifted the
|
|||
|
receiver!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 75
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
:%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%:
|
|||
|
:% %:
|
|||
|
:% AT&T FORGERY %:
|
|||
|
:% Written by The Blue Buccaneer %:
|
|||
|
:% %:
|
|||
|
:% CALL THE EVERLASTING SPEED DEMON BBS AT (415) 522-3074 %:
|
|||
|
:% Uploaded by Elric of Imrryr of Lunatic Labs UnLtd %:
|
|||
|
:%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%:
|
|||
|
|
|||
|
|
|||
|
Here is a very simple way to either:
|
|||
|
|
|||
|
[1] Play an incredibly cruel and realistic joke on a phreaking friend.
|
|||
|
-OR-
|
|||
|
[2] Provide yourself with everything you ever wanted to be an AT&T person.
|
|||
|
|
|||
|
All you need to do is get your hands on some AT&T paper and/or business
|
|||
|
cards. To do this you can either go down to your local business office and
|
|||
|
swipe a few or call up somewhere like WATTS INFORMATION and ask them to send
|
|||
|
you their information package. They will send you:
|
|||
|
1. A nice letter (with the AT&T logo letterhead) saying "Here is the info."
|
|||
|
2. A business card (again with AT&T) saying who the sales representative is.
|
|||
|
3. A very nice color booklet telling you all about WATTS lines.
|
|||
|
4. Various billing information. (Discard as it is very worthless)
|
|||
|
|
|||
|
Now take the piece of AT&T paper and the AT&T business card down to your
|
|||
|
local print/copy shop. Tell them to run you off several copies of each, but to
|
|||
|
leave out whatever else is printed on the business card/letter. If they refuse
|
|||
|
or ask why, take your precious business elsewhere.
|
|||
|
(This should only cost you around $2.00 total)
|
|||
|
|
|||
|
Now take the copies home and either with your typewriter, MAC, or Fontrix,
|
|||
|
add whatever name, address, telephone number, etc. you like. (I would recommend
|
|||
|
just changing the name on the card and using whatever information was on there
|
|||
|
earlier)
|
|||
|
|
|||
|
And there you have official AT&T letters and business cards. As mentioned
|
|||
|
earlier, you can use them in several ways. Mail a nice letter to someone you
|
|||
|
hate (on AT&T paper..hehehe) saying that AT&T is onto them or something like
|
|||
|
that. (Be sure to use correct English and spelling) (Also do not hand write
|
|||
|
the letter! Use a typewriter! - Not Fontrix as AT&T doesn't use OLD ENGLISH or
|
|||
|
ASCII BOLD when they type letters. Any IBM typewriter will do perfectly)
|
|||
|
|
|||
|
Another possible use (of many, I guess) is (if you are old enough to look
|
|||
|
the part) to use the business card as some sort of fake id.
|
|||
|
|
|||
|
The last example of uses for the fake AT&T letters & b.cards is mentioned in
|
|||
|
my textfile, BASIC RADIO CALLING. Briefly, send the station a letter that
|
|||
|
reads:
|
|||
|
WCAT - FM202: (Like my examples? Haha!)
|
|||
|
(As you probably know, radio stations give away things by accepting the 'x'
|
|||
|
call. (ie: The tenth caller through wins a pair of Van Halen tickets) Sometimes
|
|||
|
they may ask a trivia question, but that's your problem. Anyway, the letter
|
|||
|
continues:)
|
|||
|
(You basically say that they have become so popular that they are getting too
|
|||
|
many calls at once from listeners trying to win tickets. By asking them to
|
|||
|
call all at the same time is overloading our systems. We do, of course, have
|
|||
|
means of handling these sort of matters, but it would require you sending us a
|
|||
|
|
|||
|
Page 76
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
schedule of when you will be asking your listeners to call in. That way we
|
|||
|
would be able to set our systems to handle the amount of callers you get at
|
|||
|
peak times..(etc..etc..more BS..But you get the idea, right?)
|
|||
|
|
|||
|
Joseph Hakimout
|
|||
|
AT&T Telecommunications
|
|||
|
East Bumblefuck, Nowheresville 55555
|
|||
|
|
|||
|
|
|||
|
Ok, so it probably won't work (DJs just aren't that dumb, unless you really
|
|||
|
do live in Nowheresville), but using AT&T paper and a business card might up
|
|||
|
your chances some.
|
|||
|
|
|||
|
:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-:-
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
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|
|
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|
|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
|
|||
|
Page 77
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
=><---------------------------------><=
|
|||
|
=> A little something about <=
|
|||
|
=> Your phone company <=
|
|||
|
=><---------------------------------><=
|
|||
|
=> By Col. Hogan <=
|
|||
|
========================================
|
|||
|
|
|||
|
Ever get an operator who gave you a hard time, and you didn't know
|
|||
|
what to do? Well if the operator hears you use a little Bell jargon, she might
|
|||
|
wise up. Here is a little diagram (excuse the artwork) of the structure of
|
|||
|
operators
|
|||
|
|
|||
|
/--------\ /------\ /-----\
|
|||
|
!Operator!-- > ! S.A. ! --->! BOS !
|
|||
|
\--------/ \------/ \-----/
|
|||
|
!
|
|||
|
!
|
|||
|
V
|
|||
|
/-------------\
|
|||
|
! Group Chief !
|
|||
|
\-------------/
|
|||
|
|
|||
|
Now most of the operators are not bugged, so they can curse at you, if they
|
|||
|
do ask INSTANTLY for the "S.A." or the Service Assistant. The operator does not
|
|||
|
report to her (95% of them are hers) but they will solve most of your problems.
|
|||
|
She MUST give you her name as she connects & all of these calls are bugged. If
|
|||
|
the SA gives you a rough time get her BOS (Business Office Supervisor) on the
|
|||
|
line. S/He will almost always back her girls up, but sometimes the SA will get
|
|||
|
tarred and feathered. The operator reports to the Group Chief, and S/He will
|
|||
|
solve 100% of your problems, but the chances of getting S/He on the line are
|
|||
|
nill.
|
|||
|
If a lineman (the guy who works out on the poles) or an installation man
|
|||
|
gives you the works ask to speak to the Installation Foreman, that works
|
|||
|
wonders.
|
|||
|
Here is some other bell jargon, that might come in handy if you are having
|
|||
|
trouble with the line. Or they can be used to lie your way out of
|
|||
|
situations....
|
|||
|
|
|||
|
An Erling is a line busy for 1 hour, used mostly in traffic studies A
|
|||
|
Permanent Signal is that terrible howling you get if you disconnect, but don't
|
|||
|
hang up.
|
|||
|
Everyone knows what a busy signal is, but some idiots think that is the
|
|||
|
*Actual* ringing of the phone, when it just is a tone "beeps" when the phone is
|
|||
|
ringing, wouldn't bet on this though, it can (and does) get out of sync.
|
|||
|
When you get a busy signal that is 2 times as fast as the normal one, the
|
|||
|
person you are trying to reach isn't really on the phone, (he might be), it is
|
|||
|
actually the signal that a trunk line somewhere is busy and they haven't or
|
|||
|
can't reroute your call. Sometimes you will get a Recording, or if you get
|
|||
|
nothing at all (Left High & Dry in fone terms) all the recordings are being
|
|||
|
used and the system is really overused, will probably go down in a little
|
|||
|
while. This happened when Kennedy was shot, the system just couldn't handle the
|
|||
|
calls. By the way this is called the "reorder signal" and the trunk line is
|
|||
|
"blocked".
|
|||
|
One more thing, if an overseas call isn't completed and doesn't generate
|
|||
|
any money for AT&T, is is called an "Air & Water Call".
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 78
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
[ESSENCE OF TELEPHONE CONFERENCING]
|
|||
|
[WRITTEN BY:]
|
|||
|
[FOREST RANGER]
|
|||
|
|
|||
|
TELEPHONE CONFERENCING IS AN EASY WAY OF GETTING MANY FRIENDS TOGETHER AT
|
|||
|
ONCE. THIS CAN BE ACCOMPLISHED EASILY WITH LITTLE OR NO TROUBLE WHAT SO EVER.
|
|||
|
THE TECHNIQUES THAT I WILL TEACH YOU DO NOT REQUIRE A BLUE BOX OR A TOUCH TONE
|
|||
|
PHONE LINE. THE ONLY PREREQUISITE IS THAT YOU HAVE A PHONE THAT HAS A TONE
|
|||
|
SWITCH ON IT OR HAVE A HOOKABLE TOUCH TONE KEYPAD. NOW, IF YOU ARE THE PARANOID
|
|||
|
TYPE OF PERSON AND REFUSE TO USE YOUR OWN PHONE OUT OF YOUR HOUSE THEN HERE ARE
|
|||
|
SOME SIMPLE WAYS OF GETTING CONFERENCES STARTED FROM ANOTHER PHONE. GO TO A
|
|||
|
MALL OR A PLACE WHERE YOU KNOW THE PHONE IS BEING PAYED FOR BY THE BUSINESS IT
|
|||
|
IS IN.
|
|||
|
NOW THERE ARE TWO TO CALL THE CONFERENCE OPERATOR; DIAL "0" TO GET YOUR
|
|||
|
LOCAL OPERATOR SO SHE CAN PUT YOU THROUGH TO THE CONFERENCE OPERATOR OR DIAL
|
|||
|
THE CONFERENCE OPERATOR DIRECTLY IF YOU HAVE THE NUMBER HANDY. THE SYSTEM YOU
|
|||
|
WILL BE LINKED UP TO IS CALLED THE "ALLIANCE" SYSTEM. THERE ARE THREE BRANCHES;
|
|||
|
1000,2000,3000.
|
|||
|
NOW ONCE YOU HAVE GOTTEN THE CONFERENCE OPERATOR YOU TELL HER YOU WOULD
|
|||
|
LIKE TO START A CONFERENCE AND YOU WOULD LIKE TO MAINTAIN CONTROL OF IT. SHE
|
|||
|
WILL THEN PROCEED TO ASK YOU FOR YOUR NAME AND NUMBER. YOU WILL THEN GIVE HER A
|
|||
|
FAKE NAME AND THE NUMBER OF THE PAY PHONE. SHE WILL HANG UP AND CALL YOU BACK
|
|||
|
ONCE SHE HAS CHECKED THE NUMBER. THEY USUALLY DON'T REALIZE IT IS A PAYPHONE SO
|
|||
|
DON'T THINK IT WON'T WORK! NOW ONCE THE OPERATOR HAS GIVEN YOU CONTROL YOU WILL
|
|||
|
THEN PROCEED TO HACK MY VOICE PHONE AND PUT ME ON THE CONFERENCE.
|
|||
|
NOW, THE OTHER WAY OF STARTING A CONFERENCE IN WHICH YOU DON'T GET A LIVE
|
|||
|
OPERATOR IS A "PBX". WITH THIS YOU WILL CALL A PBX NUMBER AND YOU WILL THEN
|
|||
|
RECEIVE A RECORDING OF A BUSINESS OR OFFICE CO. THEN WHEN THE RECORDING IS OVER
|
|||
|
YOU WILL HERE A BEEP...THEN AFTER ABOUT 10-30 SECONDS AFTER THE BEEP YOU WILL
|
|||
|
GET A DIAL TONE ON THE ON THE END OF THE PBX. YOU WILL THEN TYPE THE PBX CODE
|
|||
|
WHICH WILL THEN RESPOND WITH A RECORDING WELCOMING YOU TO THE CONFERENCING
|
|||
|
NETWORK (WHICH WILL IN MOST IF NOT ALL BE THE "ALLIANCE" SYSTEM).
|
|||
|
IT WILL BE SELF EXPLANATORY FROM THERE. NOW IF YOU DON'T WISH TO CALL THE
|
|||
|
CONFERENCE OPERATOR EITHER WAY ALREADY EXPLAINED THEN THERE IS A WAS OF GETTING
|
|||
|
YOUR FRIENDS IN CONFERENCE. THIS IS DONE OVER A LOOP EXTENSION. NO ONE WILL
|
|||
|
HAVE CONTROL, BUT YOU WILL STILL BE ON CONFERENCE. THIS IS CALLED THE SEVEN
|
|||
|
LINE LOOP EXTENSION. THIS MEANS YOU CAN HAVE UP TO SEVEN MEMBERS, BUT THAT IS
|
|||
|
IT! THE NUMBER IS IN LA, CA. 213-206-2820. THE LAST WAY I WILL EXPLAIN TO YOU
|
|||
|
IF YOU ARE IN DESPERATE NEED OF A CONFERENCE IS TO GO TO PAY PHONE LIKE I
|
|||
|
MENTIONED BEFORE ANY MAKE SURE SOME BUSINESS PAYS THE BILL FOR IT THEN CALL THE
|
|||
|
CONFERENCE OPERATOR IN THE FASHIONS MENTIONED AND ASK THE CONFERENCE OPERATOR
|
|||
|
TO PLACE CONFERENCE CALLS.
|
|||
|
THE WILL THEN ASK FOR THE NUMBERS OF THE PEOPLE TO PUT ON CONFERENCE, YOU
|
|||
|
GIVE HER THE NUMBERS AND SHE WILL PUT YOU ALL ON CONFERENCE. WHEN YOU ARE DONE
|
|||
|
YOU WILL HANG UP ON HER SO THERE WILL BE NO ONE IN CONTROL.THAT MEANS THE
|
|||
|
CONFERENCE WILL BE BILLED TO THE PAYPHONE AND NO ONE CAN BE BLAMED FOR THE
|
|||
|
CONFERENCE DUE TO NO ONE BEING IN CONTROL! ***NOTE*** THE CONFERENCE OPERATOR
|
|||
|
WILL NOT BE ON WHILE YOU ARE ALL TALKING! REMEMBER THAT CONFERENCES ARE NOT
|
|||
|
HARD AND IT IS VERY HARD TO GET ARRESTED ON ONE DUE TO WHAT I HAVE MENTIONED.
|
|||
|
|
|||
|
REMEMBER:REACH OUT AND PHREAK SOMEONE!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
[TELEPHONE CONFERENCE CONTROLS]
|
|||
|
|
|||
|
# - CONTROL MODE
|
|||
|
# - 6 PASSES CONTROL
|
|||
|
|
|||
|
Page 79
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
# - 1 + AREA CODE & NUMBER ADDS
|
|||
|
# - 9 SILENT MODE
|
|||
|
# - 7 GETS CONFERENCE OPERATOR
|
|||
|
* - ENDS CONFERENCE
|
|||
|
|
|||
|
|
|||
|
THE "#" IS THE CONTROL KEY ON YOUR CONFERENCES. WHEN YOU PASS CONTROL TO
|
|||
|
SOMEONE ELSE HIT THE "#" THEN "6". WAIT FOR THE RECORDING TO SAY ENTER # OF
|
|||
|
PERSON TO PASS CONTROL TO, THEN ENTER THE NUMBER OF THE PERSON YOU ARE GOING TO
|
|||
|
GIVE CONTROL TO.
|
|||
|
TO ADD A PERSON ON TO THE CONFERENCE HIT "#" THEN "1","AREA CODE","NUMBER".
|
|||
|
THEN WHEN THE PERSON ANSWERS WAIT FIVE SECONDS THEN HIT THE "#" TO ADD. IF YOU
|
|||
|
ARE IN CONTROL OF THE CONFERENCE AND YOU WANT TO HEAR EVERYONE ELSE, BUT YOU DO
|
|||
|
NOT WANT TO BE HEARD IT "#" THEN "9" THEN THE "#" TO REJOIN THE CONFERENCE.
|
|||
|
REMEMBER AFTER ADDING SOMEONE ON OR PASSING CONTROL TO SOMEONE YOU MUST ALWAYS
|
|||
|
HIT THE "#" TO REJOIN THE OTHERS ON CONFERENCE: PASSING CONTROL: "#","6", WAIT
|
|||
|
FOR RECORDING TO SAY ENTER NUMBER OF PARTY TO GIVE CONTROL TO THEN ENTER NUMBER
|
|||
|
AND HIT "#" TO REJOIN YOUR CONFERENCE.IF YOU EVER WANT TO GET A CONFERENCE
|
|||
|
OPERATOR FOR SOME STRANGE REASON THEN HIT "#","7" AND WAIT FOR A CONFERENCE
|
|||
|
OPERATOR TO CLICK ON. TO END A CONFERENCE HIT "*".
|
|||
|
|
|||
|
WITH HELP FROM: SILICON FALCON, SILVER CONDOR, AND THE ELIMINATOR.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 80
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
Phone Tapping
|
|||
|
|
|||
|
HERE IS SOME INFO ON PHONE TAPS. I HAVE ENCLOSED A SCHEMATIC FOR A SIMPLE
|
|||
|
WIRETAP & INSTRUCTIONS FOR HOOKING UP A TAPE RECORDER CONTROL RELAY TO THE
|
|||
|
PHONE LINE.
|
|||
|
FIRST I'LL DISCUSS TAPS A LITTLE. THERE ARE MANY DIFFERENT TYPES OF TAPS.
|
|||
|
THERE ARE TRANSMITTERS, WIRED TAPS AND INDUCTION TAPS TO NAME A FEW. WIRED AND
|
|||
|
WIRELESS TRANSMITTERS MUST BE PHYSICALLY CONNECTED TO THE LINE BEFORE THEY'LL
|
|||
|
DO ANY GOOD. ONCE A WIRELESS TAP IS CONNECTED TO THE LINE, IT CAN TRANSMIT ALL
|
|||
|
CONVERSATIONS OVER A LIMITED RANGE. THE PHONES IN THE HOUSE CAN EVEN BE
|
|||
|
MODIFIED TO PICK UP CONVERSATIONS IN THE ROOM & TRANSMIT THEM TOO! THESE TAPS
|
|||
|
ARE USUALLY POWERED OFF THE PHONE LINE, BUT CAN HAVE AN EXTERNAL POWER SOURCE.
|
|||
|
WIRED TAPS, ON THE OTHER HAND, NEED NO POWER SOURCE, BUT A WIRE MUST BE
|
|||
|
RUN FROM THE LINE TO THE LISTENER OR TO A TRANSMITTER. THERE ARE OBVIOUS
|
|||
|
ADVANTAGES OF WIRELESS TAPS OVER WIRED ONES. THERE IS ONE TYPE OF WIRELESS TAP
|
|||
|
THAT LOOKS LIKE A NORMAL TELEPHONE MIKE. ALL YOU HAVE TO DO IS REPLACE THE
|
|||
|
ORIGINAL MIKE WITH THIS & IT'LL TRANSMIT ALL CONVERSATIONS!
|
|||
|
THERE IS AN EXOTIC TYPE OF WIRED TAP KNOWN AS THE 'INFINITY TRANSMITTER' OR
|
|||
|
'HARMONICA BUG'. IN ORDER TO HOOK UP ONE OF THESE, YOU NEED ACCESS TO THE
|
|||
|
TARGET TELEPHONE. IT HAS A TONE DECODER & SWITCH INSIDE. WHEN IT IS
|
|||
|
INSTALLED, SOMEONE CALLS THE TAPPED PHONE & *BEFORE* IT RINGS, BLOWS A WHISTLE
|
|||
|
OVER THE LINE. THE X-MITTER RECEIVES THE TONE & PICKS UP THE PHONE VIA A
|
|||
|
RELAY. THE MIKE ON THE PHONE IS ACTIVATED SO THE CALLER CAN HEAR ALL
|
|||
|
CONVERSATIONS IN THE ROOM.
|
|||
|
THERE IS A SWEEP TONE TEST AT 415/BUG-1111 WHICH CAN BE USED TO DETECT ON
|
|||
|
OF THESE TAPS. IF ONE OF THESE IS ON YOUR LINE & THE TEST # SENDS THE CORRECT
|
|||
|
TONE, YOU'LL HEAR A CLICK.
|
|||
|
INDUCTION TAPS HAVE ONE BIG ADVANTAGE OVER TAPS THAT MUST BE PHYSICALLY
|
|||
|
WIRED TO THE PHONE. THEY DON'T HAVE TO BE TOUCHING THE PHONE IN ORDER TO PICK
|
|||
|
UP THE CONVERSATION. THEY WORK ON THE SAME PRINCIPLE AS THE LITTLE SUCTION-CUP
|
|||
|
TAPE RECORDER MIKES YOU CAN GET AT RADIO SHACK. INDUCTION MIKES CAN BE HOOKED
|
|||
|
UP TO A TRANSMITTER OR BE WIRED. HERE IS AN EXAMPLE OF INDUSTRIAL ESPIONAGE
|
|||
|
USING THE PHONE:
|
|||
|
A SALESMAN WALKS INTO AN OFFICE & MAKES A FONE CALL. HE FAKES THE
|
|||
|
CONVERSATION, BUT WHEN HE HANGS UP HE SLIPS SOME FOAM-RUBBER CUBES UNDER THE
|
|||
|
HANDSET, SO THE FONE IS STILL OFF THE HOOK. THE CALLED PARTY CAN STILL HEAR
|
|||
|
ALL CONVERSATIONS IN THE ROOM. WHEN SOMEONE PICKS UP THE FONE, THE CUBES FALL
|
|||
|
AWAY UNNOTICED.
|
|||
|
I USE A TAP ON MY LINE TO MONITOR WHAT AE-PRO IS DOING WHEN IT AUTO-DIALS,
|
|||
|
SINCE IT DOESN'T TAKE ADVANTAGE OF THE HANDSET ON THE APPLE CAT II. I CAN ALSO
|
|||
|
HOOK UP THE TAP TO A CASSETTE RECORDER OR AMPLIFIER. HERE IS THE SCHEMATIC:
|
|||
|
|
|||
|
-------)!----)!(------------->
|
|||
|
)!(
|
|||
|
CAP ^ )!(
|
|||
|
)!(
|
|||
|
)!(
|
|||
|
)!(
|
|||
|
^^^^^---)!(------------->
|
|||
|
^ 100K
|
|||
|
!
|
|||
|
!<INPUT
|
|||
|
|
|||
|
THE 100K POT IS USED FOR VOLUME. IT SHOULD BE ON ITS HIGHEST (LEAST
|
|||
|
RESISTANCE) SETTING IF YOU HOOK A SPEAKER ACROSS THE OUTPUT, BUT IT SHOULD BE
|
|||
|
SET ON ITS HIGHEST RESISTANCE FOR A TAPE RECORDER OR AMPLIFIER. YOU MAY FIND
|
|||
|
IT NECESSARY TO ADD ANOTHER 10-40K. THE CAPACITOR SHOULD BE AROUND .47 MFD.
|
|||
|
IT'S ONLY PURPOSE IS TO PREVENT THE RELAY IN THE CO FROM TRIPPING & THINKING
|
|||
|
|
|||
|
Page 81
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
YOU HAVE THE FONE OFF THE HOOK. THE AUDIO OUTPUT TRANSFORMER AVAILABLE AT
|
|||
|
RADIO SHACK (273-1380) IS FINE FOR THE X-FORMER. THE BLACK & GREEN ARE FINE FOR
|
|||
|
INPUT & THE RED & WHITE GO TO THE OUTPUT DEVICE. YOU MAY WANT TO EXPERIMENT
|
|||
|
WITH THE X-FORMER FOR THE BEST OUTPUT.
|
|||
|
HOOKING UP A TAPE RECORDER CONTROL RELAY IS EAST. JUST ONE OF THE FONE
|
|||
|
WIRES (USU. RED) BEFORE THE TELEPHONES & HOOK ONE END TO ONE WIRE OF THE RELAY
|
|||
|
& THE OTHER END TO THE OTHER RELAY WIRE. LIKE THIS:
|
|||
|
|
|||
|
------^^^^^^^^^------------
|
|||
|
---------
|
|||
|
RELAY^^
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
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|
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|
|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
|||
|
Page 82
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
############################################################
|
|||
|
# #
|
|||
|
# WIRETAPPING AND DIVESTITURE: A LINEMAN SPEAKS OUT #
|
|||
|
# BY THE KNIGHTS OF SHADOW #
|
|||
|
# [2600 - JANUARY 1985] #
|
|||
|
# #
|
|||
|
############################################################
|
|||
|
|
|||
|
NEVER MISSING AN OPPORTUNITY FOR SOCIAL ENGINEERING, THE KID & CO. AND I
|
|||
|
NATURALLY CARRIED ON A CONVERSATION WITH THE NEW JERSEY BELL FONE INSTALLER
|
|||
|
WHEN HE CAME TO PUT IN MY MODEM LINE. THE CONVERSATION TURNED TO FONE TAPPING,
|
|||
|
AND SEVERAL INTERESTING DETAILS CAME TO LIGHT. HE SWORE UP AND DOWN THAT BELL
|
|||
|
HAD NOTHING TO DO WITH WIRE TAPPING. HE SAID THE SUPERVISOR RECEIVES SEALED
|
|||
|
ORDERS FROM THE SHERIFF'S OFFICE, MERELY PASSING THEM ON TO THE LINEMEN. THEN
|
|||
|
THE LINEMEN FOLLOW THE ORDERS TO GO UP ON THE POLES AND MARK THE PAIR IN THE
|
|||
|
"CAN" THAT FIT THE FONE LINE IN QUESTION, AND THEN LEAVE THE SITE.
|
|||
|
|
|||
|
ONE DAY, OUR LINEMAN DROVE BACK BY THE POLE HE HAD MARKED EARLIER IN THE
|
|||
|
DAY, AND SAW A BELL TRUCK. WONDERING WHO IT WAS, HE STOPPED TO ASK. THE GUY
|
|||
|
UP ON THE POLE TOLD HIM TO GO AWAY AND TO LEAVE HIM ALONE. SINCE OUR FRIENDLY
|
|||
|
LINEMAN DIDN'T RECOGNIZE THE MYSTERY MAN AS ONE OF THE LINEMEN FOR THE AREA, HE
|
|||
|
ASKED HIS SUPERVISOR WHO IT COULD HAVE BEEN. HIS SUPERVISOR CURTLY TOLD HIM TO
|
|||
|
FORGET THE ENTIRE INCIDENT.
|
|||
|
|
|||
|
THE LINEMAN TOLD US THAT IN THE OLD DAYS THE TELCO AND THE PROSECUTOR'S
|
|||
|
OFFICE WORKED HAND-IN-HAND. THEY WOULD LET THE AUTHORITIES RIGHT INTO THE CO
|
|||
|
TO LISTEN IN ON CONVERSATIONS. BUT THIS ENDED AROUND 1973 WHEN SOMEONE SUED
|
|||
|
JERSEY BELL BECAUSE OF THIS TOO CLOSE INTERACTION. THE TELCO THEN REALIZED
|
|||
|
THAT THEY DIDN'T HAVE TO GO THAT FAR IN ORDER TO HELP THE POLICE. AFTER THIS
|
|||
|
THEY GRADUALLY BROKE FROM THE CLOSE RELATIONSHIP. NOW THE FONE COMPANY MERELY
|
|||
|
MARKS THE LINES, AND THE PROSECUTOR'S OFFICE HANDLES THE REST. HE ALSO SAID
|
|||
|
THAT NOW THE POLICE SOMETIMES USE ULTRASONIC WAVES BOUNCED OFF OF WINDOW PANES
|
|||
|
TO LISTEN TO SUSPECTS, REMOVING ALL CONTACT WITH THE FONE LINES. SINCE THE
|
|||
|
PRESENCE OF A FONE COMPANY TRUCK MESSING WITH TELEPHONE WIRES IS TAKEN FOR
|
|||
|
GRANTED BY THE GENERAL POPULACE, THE SHERIFF'S OFFICE ALSO HAS A COUPLE OF THEM
|
|||
|
FOR UNDERCOVER WORK. SINCE THEY GOT THEM BACK IN THE GOOD OLD DAYS OF BELL
|
|||
|
FRIENDLINESS, THE TRUCKS TEND TO BE THE OLDER MODELS, WITH OUTDATED GEAR. THE
|
|||
|
LINEMAN TOLD US A SURE WAY TO IDENTIFY THE LOCAL POLICE'S TRUCKS: THEY HAVE
|
|||
|
WOODEN LADDERS. NEW JERSEY BELL SWITCHED OVER TO PLASTIC ONES YEARS AGO.
|
|||
|
|
|||
|
CONTINUING THE DISCUSSION WITH THE LINEMAN, WE COVERED THE BREAKUP. NEW
|
|||
|
JERSEY BELL NOW NO LONGER GIVES AS MUCH OVERTIME AS IT ONCE DID. THE LINEMAN
|
|||
|
COMPLAINED THAT HIS STANDARD OF LIVING HAD GONE DOWN SINCE THE BREAKUP AS HE NO
|
|||
|
LONGER HAS AS MUCH TAKE HOME PAY. THE BREAKUP HAS CAUSED A TOTAL SEVERING OF
|
|||
|
TIES WITH AT&T. HE PROFESSED TOTAL IGNORANCE ABOUT LONG DISTANCE CALLING. HE
|
|||
|
HAD ORIGINALLY GONE WITH AT&T, BUT DISLIKED FIXING PBX'S AND COMPUTER SYSTEMS.
|
|||
|
AS SOON AS HE COULD, HE SWITCHED BACK TO THE LOCAL OPERATING COMPANY.
|
|||
|
|
|||
|
HE TOLD US ABOUT A TECHNICAL INSTITUTE WESTERN UNION WAS OPERATING
|
|||
|
SOMEWHERE IN THE MIDWEST. HE HAD GONE THERE TO LEARN ABOUT THE VARIOUS TYPES
|
|||
|
OF SWITCHING SYSTEMS. ON CAMPUS WAS A GIGANTIC, MULTI-STORY BUILDING SPLIT UP
|
|||
|
INTO ROOMS APPROXIMATELY THE SIZE OF GYMNASIUMS. IN EACH WAS A FULLY
|
|||
|
OPERATIONAL SCALE MODEL OF EACH OF THE VARIOUS SWITCHING SYSTEMS. WESTERN
|
|||
|
ELECTRIC MANUFACTURES, INCLUDING ALL THE ESS AND CROSSBAR MACHINES, AS WELL AS
|
|||
|
SOME STEP-BY-STEP, AND SEVERAL TYPES OF PBX'S. THEY TROUBLE-SHOT AND REPAIRED
|
|||
|
PROBLEMS IN THESE MACHINES IN ORDER TO LEARN ABOUT ACTUAL OPERATING EQUIPMENT.
|
|||
|
|
|||
|
WE TALKED ABOUT THE LOCAL SWITCHING EQUIPMENT, WHICH TURNED OUT TO BE A
|
|||
|
|
|||
|
Page 83
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
#1A ESS. ACCORDING TO HIM, SOON ALL THE LOCAL CO'S WILL BE RUN AUTOMATICALLY
|
|||
|
FROM CENTRAL LOCATIONS CALLED "HUBS". THE "HUB" HANDLES ANY OVERLOAD BETWEEN
|
|||
|
CENTRAL OFFICES THAT MIGHT CAUSE THE DREADED "GRIDLOCK" OF THE FONE SYSTEM. IF
|
|||
|
THE INTEROFFICE SIGNALING LINES GET OVERLOADED, THE CALLS ARE REROUTED THROUGH
|
|||
|
THE HUB. THE HUB ALSO SERVES AS A CENTRAL SPOT WHERE TROUBLES AT THE LOCAL CO
|
|||
|
ARE HANDLED IN THE FIRST STAGES OF TROUBLE-SHOOTING. THE "HUB" CONCEPT IS
|
|||
|
ALIVE AND WELL IN OUR LOCAL AREA, WITH #5 ESS, THE THIRD INSTALLED IN THE
|
|||
|
ENTIRE NATION, RUNNING THE WHOLE OPERATION.
|
|||
|
|
|||
|
WHEN HE WAS GETTING READY TO LEAVE HE THANKED US FOR THE INTERESTING
|
|||
|
CONVERSATION, AND WE WAVED AT HIM AS HE PULLED OUT. I NOW NOT ONLY HAD A NEW
|
|||
|
FONE LINE, BUT ALSO A LOT OF USEFUL AND INTERESTING INFO, AS WELL AS THE
|
|||
|
SATISFACTION OF A FRIENDLY CHAT.
|
|||
|
|
|||
|
THE LESSON IS CLEAR. WHENEVER A BELL EMPLOYEE VISITS YOUR HOUSE, FELL
|
|||
|
PHREE TO ASK WHATEVER YOU WANT, WITHIN REASON. MOST ARE EXTREMELY WILLING TO
|
|||
|
SHOOT THE BULL ABOUT ALMOST ANYTHING OF WHICH THEY HAVE KNOWLEDGE. AT FIRST,
|
|||
|
MERELY JOKE WITH THEM LIGHTHEARTEDLY, IN ORDER TO GET THEM OFF THERE GUARD.
|
|||
|
LEGIT QUESTIONS ASKABLE BY A NORMAL CUSTOMER, SUCH AS EQUAL ACCESS CUTOVERS,
|
|||
|
WILL GET THEM ROLLING, LEAVING YOU TO DIRECT THE CONVERSATION WHEREVER YOU
|
|||
|
LIKE. ASKING ABOUT THE BREAKUP AND HOW IT AFFECTED THEM IS A SURE FIRE WAY TO
|
|||
|
GET THEM TALKING. QUESTIONS LIKE "HOW DOES THE FONE NETWORK WORK?" ALSO ARE
|
|||
|
GOOD, ESPECIALLY IF YOU GUIDE THEM INTO THE DISCUSSION OF SWITCHING
|
|||
|
TECHNOLOGY. MOST BELL EMPLOYEES ARE REALLY GLAD TO TALK TO SOMEONE. REMEMBER,
|
|||
|
THEY USUALLY INTERACT WITH DISGRUNTLED CUSTOMERS WITH COMPLAINTS. THEIR
|
|||
|
SPOUSES PROBABLY YELL AT THEM, AND THEIR SUPERVISORS EITHER COMPLAIN ABOUT
|
|||
|
THEIR PERFORMANCE OR IGNORE THEM. SOCIETY AT LARGE JUST DOESN'T CARE ABOUT
|
|||
|
THEM. THEY'RE MOST PROBABLY DISENCHANTED WITH THE WORLD AT LARGE, AND MAYBE
|
|||
|
EVEN DISSATISFIED WITH THEIR JOBS. THE CHANCE TO TALK TO SOME ONE WHO MERELY
|
|||
|
WANTS TO LISTEN TO WHAT THEY SAY IS A WELCOME CHANGE. THEY WILL TALK ON AND ON
|
|||
|
ABOUT ALMOST ANYTHING, FROM TELECOMMUNICATIONS TO THEIR HOME LIFE AND THEIR
|
|||
|
CHILDHOOD. THE POSSIBILITIES FOR SOCIAL ENGINEERING ARE ENDLESS. REMEMBER,
|
|||
|
BELL EMPLOYEES ARE HUMANS, TOO. ALL YOU HAVE TO DO IS LISTEN.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 84
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
[PEN REGISTERING AND TRACING]
|
|||
|
|
|||
|
[WRITTEN BY:]
|
|||
|
|
|||
|
[FOREST RANGER]
|
|||
|
|
|||
|
|
|||
|
PEN REGISTERING IS A SPECIAL DEVICE USED BY AT&T. THIS DEVICE DECIPHERS THE
|
|||
|
TONES USED WHEN PHREAKING PHONE CALLS. THIS MEANS THAT EACH TONE KEY PRESSED IS
|
|||
|
DECIPHERED IF YOU HAD A PEN REGISTER ON YOUR LINE OR WERE BEING TRACED WITH A
|
|||
|
PEN REGISTER, EVERY PHONE NUMBER YOU DIALED WOULD BE KNOWN. THAT MEANS EVERY
|
|||
|
TIME YOU WOULD PHREAK A NUMBER NOT ONLY WOULD THE ACCESS NUMBER BE RECORDED,
|
|||
|
BUT THE CODE BEING USED AND WHERE YOU CALLED TO! SO IF YOU KNOW YOU HAVE A PEN
|
|||
|
REGISTER ON YOUR LINE THEN I WOULD ADVISE YOU NOT TO PHREAK!
|
|||
|
|
|||
|
TRACING - THE FBI DOES NOT TRACE,THE POLICE DO NOT TRACE. THE PHONE CO.
|
|||
|
TRACES. IF THE FBI WANTS A TRACE ON YOUR LINE THEY SIMPLY CALL THE PHONE CO.
|
|||
|
THE FBI DOES NOT SIT UP ALL NIGHT TO LISTEN IN ON YOUR PHONE. THEY DON'T TRACE
|
|||
|
FOR YEARS OR 6 MONTHS, BUT JUST FOR A FEW DAYS AT A TIME IF AT ALL. THE POLICE
|
|||
|
TRACES THE SAME WAY. IT COSTS TOO MUCH MONEY TO TRACE ALL THE COMPUTER
|
|||
|
PHREAKERS AND HACKERS, SO THEY MERELY PICK ON A SELECT FEW. SO TRACING ISN'T AS
|
|||
|
DANGEROUS AS IT SEEMS! THE PEOPLE THAT TELL YOU DIFFERENT HAVE BEEN WATCHING
|
|||
|
TOO MANY LATE NIGHT FILMS! SO DON'T GET TOO PARANOID IF YOU THINK YOU ARE BEING
|
|||
|
TRACED DUE TO THE FACTS MENTIONED ABOVE!
|
|||
|
|
|||
|
|
|||
|
FOREST RANGER
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 85
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
==Phrack Inc.==
|
|||
|
|
|||
|
Volume One, Issue One, Phile #4 of 8
|
|||
|
|
|||
|
THE PHONE PHREAK'S FRY-UM GUIDE
|
|||
|
|
|||
|
COMPILED BY THE IRON SOLDIER
|
|||
|
|
|||
|
WITH HELP FROM DR. DOVE
|
|||
|
|
|||
|
|
|||
|
NOTE: THIS GUIDE IS STILL BEING COMPILED, AND AS PHONE PHREAKS LEARN MORE IN
|
|||
|
THE ART OF VENGEANCE IT WILL ALWAYS EXPAND.
|
|||
|
|
|||
|
|
|||
|
"Vengeance is mine", says the Phreak.
|
|||
|
|
|||
|
|
|||
|
METHOD 1-PHONE LINE PHUN
|
|||
|
|
|||
|
Call up the business office. It should be listed at the front of the white
|
|||
|
pages. Say you wanted to disconnect Scott Korman's line. DIAL 800-xxx-xxxx.
|
|||
|
"Hello, this is Mr. Korman, I'm moving to California and would like to
|
|||
|
have my phone service disconnected. I'm at the airport now. I'm calling from
|
|||
|
a payphone, my number is [414] 445 5005. You can send my final bill to:
|
|||
|
(somewhere in California). Thank you."
|
|||
|
|
|||
|
|
|||
|
METHOD 2-PHONE BOOKS
|
|||
|
|
|||
|
Call up the business office from a pay phone. Say :
|
|||
|
"Hello, I'd like to order a Phone Book for Upper Volta (or any out-of-the
|
|||
|
way area with Direct Dialing). This is Scott Korman, ship to 3119 N. 44th St.
|
|||
|
Milwaukee, WI 53216. Yes, I under stand it will cost $xx($25-$75!!). Thank
|
|||
|
you."
|
|||
|
|
|||
|
|
|||
|
METHOD 3-PHONE CALLS
|
|||
|
|
|||
|
Call up a PBX, enter the code and get an outside line. Then dial 0+ the number
|
|||
|
desired to call. You will hear a bonk and then an operator. Say, "I'd like to
|
|||
|
charge this to my home phone at 414-445-5005. Thank you." A friend and I did
|
|||
|
this to a loser, I called him at 1:00 AM and we left the fone off the hook all
|
|||
|
night. I calculated that it cost him $168.
|
|||
|
|
|||
|
|
|||
|
METHOD 4-MISC SERVICES
|
|||
|
|
|||
|
Call up the business office once again from a payfone. Say you'd like call
|
|||
|
waiting, forwarding, 3 way, etc. Once again you are the famed loser Scott
|
|||
|
Korman. He pays-you laugh. You don't know how funny it was talking to him,
|
|||
|
and wondering what those clicks he kept hearing were.
|
|||
|
|
|||
|
|
|||
|
METHOD 5-CHANGED & UNPUB
|
|||
|
|
|||
|
Do the same as in #4, but say you'd like to change and unlist your (Scott's)
|
|||
|
number. Anyone calling him will get:
|
|||
|
|
|||
|
Page 86
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
"BEW BEW BEEP. The number you have reached, 445-5005, has been changed to
|
|||
|
a non-published number. No further....."
|
|||
|
|
|||
|
|
|||
|
METHOD 6-FORWRDING
|
|||
|
|
|||
|
This required an accomplice or two or three. Around Christmas time, go to
|
|||
|
Toys 'R' Us. Get everyone at the customer service or manager's desk away
|
|||
|
("Hey, could you help me"). then you get on their phone and dial (usually dial
|
|||
|
9 first) and the business office again. This time, say you are from Toys 'R'
|
|||
|
Us, and you'd like to add call forwarding to 445-5005. Scott will get 100-600
|
|||
|
calls a day!!!
|
|||
|
|
|||
|
|
|||
|
METHOD 7-RUSSIAN CALLER
|
|||
|
|
|||
|
Call a payphone at 10:00 PM. Say to the operator that you'd like to book a
|
|||
|
call to Russia. Say you are calling from a payphone, and your number is that
|
|||
|
of the loser to fry (e.g. 445-5005). She will say that she'll have to call ya
|
|||
|
back in 5 hours, and you ok that. Meanwhile the loser (e.g.) Scott, will get a
|
|||
|
call at 3:00 AM from an operator saying that the call he booked to Russia is
|
|||
|
ready.
|
|||
|
|
|||
|
|
|||
|
IF YOU HAVE ANY QUESTIONS LEAVE E-MAIL FOR ME ON ANY BOARD I'M ON.
|
|||
|
The Iron Soldier
|
|||
|
TSF-The Second Foundation!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 87
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
INTERESTING THINGS TO DO
|
|||
|
ON STEP LINES
|
|||
|
===================================
|
|||
|
IF YOU HAVE STEP LINES IN YOUR PREFIX, (A GOOD WAY OF CHECKING TO SEE IF YOU
|
|||
|
HAVE STEP IS TO LOOK AT THE PAYPHONES AROUND YOUR HOUSE, IF THEY ARE ROTARY,
|
|||
|
THEN YOU HAVE STEP, IF NOT, YOUR OUTTA LUCK.)
|
|||
|
FROM YOUR HOUSE DIAL "0", (THIS WILL NOT WORK AT A PAYPHONE). YOU WILL HEAR A
|
|||
|
FEW "KERPLUNKS", IF YOU HIT THE HANG UP BUTTON WHEN THE SECOND-TO-THE-LAST
|
|||
|
"KERPLUNK" IS HEARD THEN THE OPERATOR WILL GET ON AND BE VERY CONFUSED. (I WILL
|
|||
|
TELL WHY SHE IS CONFUSED IN JUST A SECOND, BUT FOR NOW JUST....) SAY THAT YOU
|
|||
|
ARE TRYING TO COMPLETE A CALL WHEN SHE GOT ON. SHE WILL ASK FOR THE NUMBER YOU
|
|||
|
ARE TRYING TO CALL. TELL HER THE NUMBER (LONG DISTANCE OF COURSE), AND SHE WILL
|
|||
|
ASK YOU FOR YOUR NUMBER, PICK A NUMBER OUT OF YOUR HEAD, (IT MUST BE IN YOUR
|
|||
|
PREFIX THOUGH), AND TELL HER IT. SHE WILL BELIEVE YOU AND WILL CONNECT YOU WITH
|
|||
|
THE CHARGES CHARGED TO THE NUMBER YOU SAID. (IF YOU DIDN'T HIT THE BUTTON AT
|
|||
|
THE CORRECT TIME JUST TELL THE OPERATOR YOUR SORRY, YOU WERE TRYING TO DUST THE
|
|||
|
PHONE OR SOME OTHER BULLSHIT LIKE THAT.)
|
|||
|
WHAT YOU DID WAS SCREW UP THE AUTOMATIC NUMBER FIND THAT WAS BUILT INTO THE
|
|||
|
FIRST STEP LINES. THIS IS WHAT WOULD TELL THE OPERATOR YOUR NUMBER SO SHE COULD
|
|||
|
BILL YOU IF SHE HAD TO COMPLETE A CALL FOR YOU. THE OPERATOR WILL GET SOME
|
|||
|
GARBAGE ON HER SCREEN THAT IS SUPPOSED TO BE YOUR NUMBER, BUT SINCE YOU
|
|||
|
INTERRUPTED THAT PROCESS, IT LOOKS REALLY BIZZARE.
|
|||
|
WHAT IS REALLY PHUN TO DO IS COMPLAIN TO THE OPERATOR THAT THIS IS THE THIRD
|
|||
|
TIME TODAY THAT YOU HAVE NOT BEEN ABLE TO GET THROUGH AND SHE WILL GIVE YOU
|
|||
|
SOME SOB STORY ABOUT "WE'RE SORRY, BUT WE'VE HAD A COMPUTER MALFUNCTION AND IT
|
|||
|
IS BEING FIXED RIGHT NOW".
|
|||
|
I'M KINDA SURE THAT THE PHONE COMPANY KNOWS NOTHING OF THIS. THE WORST THING
|
|||
|
THAT COULD HAPPEN IS YOU GET A CALL ASKING WHY YOU'VE HUNG UP ON THE OPERATOR
|
|||
|
SO MANY TIMES, (IF YOU DID THIS ALOT, THAT IS). JUST GIVE THEM SOME BULLSHIT
|
|||
|
ABOUT A BABY BROTHER JUST LEARNING HOW TO USE THE PHONE, OR SOMETHING LIKE
|
|||
|
THAT.
|
|||
|
|
|||
|
LIVE LONG AND DON'T GET CAUGHT,
|
|||
|
AGRAJAG
|
|||
|
===================================
|
|||
|
BROUGHT TO YOU BY:
|
|||
|
AGRAJAG AND
|
|||
|
-=%> THE HITCHHINKERS <%=-
|
|||
|
BRING YOUR TOWEL
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 88
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
2600 Magazine's story on the Private Sector Bust
|
|||
|
Uploaded by Elric of Imrryr
|
|||
|
Lunatic Labs Unlimited
|
|||
|
::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
|
|||
|
Typed By Shooting Shark : The following article appeared in the August, 1985
|
|||
|
issue of 2600 Magazine. Subscriptions to 2600 are $12 a year for individuals.
|
|||
|
Make checks payable to 2600 Enterprises, Inc. Write to: 2600, Box 752, Middle
|
|||
|
Island, NY 11953-0752. Their phone number is 516-751-2600. Text of article
|
|||
|
follows.
|
|||
|
|
|||
|
SEIZED!
|
|||
|
2600 Bulletin Board is Implicated in Raid on Jersey Hackers
|
|||
|
|
|||
|
On July 12, 1985, law enforcement officials seized the Private Sector BBS,
|
|||
|
the official computer bulletin board of 2600 magazine, for "complicity in
|
|||
|
computer theft," under the newly passed, and yet untested, New Jersey Statute
|
|||
|
2C:20-25. Police had uncovered in April a credit carding ring operated around
|
|||
|
a Middlesex County electronic bulletin board, and from there investigated
|
|||
|
other North Jersey bulletin boards. Not understanding subject matter of the
|
|||
|
Private Sector BBS, police assumed that the sysop was involved in illegal
|
|||
|
activities. Six other computers were also seized in this investigation,
|
|||
|
including those of Store Manager [perhaps they mean Swap Shop Manager? -
|
|||
|
Shark] who ran a BBS of his own, Beowolf, Red Barchetta, the Vampire, NJ Hack
|
|||
|
Shack, sysop of the NJ Hack Shack BBS, and that of the sysop of the Treasure
|
|||
|
Chest BBS.
|
|||
|
|
|||
|
Immediately after this action, members of 2600 contacted the media, who
|
|||
|
were completely unaware of any of the raids. They began to bombard the
|
|||
|
Middlesex County Prosecutor's Office with questions and a press conference was
|
|||
|
announced for July 16. The system operator of the Private Sector BBS attempted
|
|||
|
to attend along with reporters from 2600. They were effectively thrown off
|
|||
|
the premises. Threats were made to charge them with trespassing and other
|
|||
|
crimes. An officer who had at first received them civilly was threatened with
|
|||
|
the loss of his job if he didn't get them removed promptly. Then the car was
|
|||
|
chased out of the parking lot. Perhaps prosecutor Alan Rockoff was afraid that
|
|||
|
he presence of some technically literate reporters would ruin the effect of his
|
|||
|
press release on the public. As it happens, he didn't need our help.
|
|||
|
|
|||
|
The next day the details of the press conference were reported to the
|
|||
|
public by the press. As Rockoff intended, paranoia about hackers ran rampant.
|
|||
|
Headlines got as ridiculous as hackers ordering tank parts by telephone from
|
|||
|
TRW and moving satellites with their home computers in order to make free phone
|
|||
|
calls. These and even more exotic stories were reported by otherwise
|
|||
|
respectable media sources. The news conference understandably made the front
|
|||
|
page of most of the major newspapers in the US, and was a major news item as
|
|||
|
far away as Australia and in the United Kingdom due to the sensationalism of
|
|||
|
the claims. We will try to explain why these claims may have been made in this
|
|||
|
issue.
|
|||
|
|
|||
|
On July 18 the operator of The Private Sector was formally charged
|
|||
|
with"computer conspiracy" under the above law, and released in the custody of
|
|||
|
his parents. The next day the American Civil Liberties Union took over his
|
|||
|
defense. The ACLU commented that it would be very hard for Rockoff to prove a
|
|||
|
conspiracy just "because the same information, construed by the prosecutor to
|
|||
|
be illegal, appears on two bulletin boards." especially as Rockoff admitted
|
|||
|
that "he did not believe any of the defendants knew each other." The ACLU
|
|||
|
believes that the system operator's rights were violated, as he was assumed to
|
|||
|
|
|||
|
Page 89
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
be involved in an illegal activity just because of other people under
|
|||
|
investigation who happened to have posted messages on his board.
|
|||
|
|
|||
|
In another statement which seems to confirm Rockoff's belief in guilt by
|
|||
|
association, he announced the next day that "630 people were being investigated
|
|||
|
to determine if any used their computer equipment fraudulently." We believe
|
|||
|
this is only the user list of the NJ Hack Shack, so the actual list of those to
|
|||
|
be investigated may turn out to be almost 5 times that. The sheer overwhelming
|
|||
|
difficulty of this task may kill this investigation, especially as they find
|
|||
|
that many hackers simply leave false information. Computer hobbyists all
|
|||
|
across the country have already been called by the Bound Brook, New Jersey
|
|||
|
office of the FBI. They reported that the FBI agents used scare tactics in
|
|||
|
order to force confessions or to provoke them into turning in others. We would
|
|||
|
like to remind those who get called that there is nothing inherently wrong or
|
|||
|
illegal in calling any ANY BBS, nor in talking about ANY activity. The FBI
|
|||
|
would not comment on the case as it is an "ongoing investigation" and in the
|
|||
|
hands of the local prosecutor. They will soon find that many on the Private
|
|||
|
Sector BBS's user list are data processing managers, telecommunications
|
|||
|
security people, and others who are interested in the subject of the BBS,
|
|||
|
hardly the underground community of computer criminals depicted at the news
|
|||
|
conference. The Private Sector BBS was a completely open BBS, and police and
|
|||
|
security people were even invited on in order to participate. The BBS was far
|
|||
|
from the "elite" type of underground telecom boards that Rockoff attempted to
|
|||
|
portray.
|
|||
|
|
|||
|
Within two days, Rockoff took back almost all of the statements he had
|
|||
|
made at the news conference, as AT&T and the DoD [Department of Defense -
|
|||
|
Shark] discounted the claims he had made. He was understandably unable to find
|
|||
|
real proof of Private Sector's alleged illegal activity, and was faced with
|
|||
|
having to return the computer equipment with nothing to show for his effort.
|
|||
|
Rockoff panicked, and on July 31, the system operator had a new charge against
|
|||
|
him, "wiring up his computer as a blue box." Apparently this was referring to
|
|||
|
his Novation Applecat modem which is capable of generating any hertz tone over
|
|||
|
the phone line. By this stretch of imagination an Applecat could produce a
|
|||
|
2600 hertz tone as well as the MF which is necessary for "blue boxing."
|
|||
|
However, each and every other owner of an Applecat or any other modem that can
|
|||
|
generate its own tones therefore has also "wired up his computer as a blue box"
|
|||
|
by merely installing the modem. This charge is so ridiculous that Rockoff
|
|||
|
probably will never bother to press it. However, the wording of WIRING UP THE
|
|||
|
COMPUTER gives rockoff an excuse to continue to hold onto the computer longer
|
|||
|
in his futile search for illegal activity.
|
|||
|
|
|||
|
"We have requested that the prosecutors give us more specific
|
|||
|
information," said Arthur Miller, the lawyer for The Private Sector. "The
|
|||
|
charges are so vague that we can't really present a case at this point."
|
|||
|
Miller will appear in court on August 16 to obtain this information. He is
|
|||
|
also issuing a demand for the return of the equipment and, if the prosecutors
|
|||
|
don't cooperate, will commence court proceedings against them. "They haven't
|
|||
|
been particularly cooperative," he said.
|
|||
|
|
|||
|
Rockoff probably will soon reconsider taking Private Sector's case to
|
|||
|
court, as he will have to admit he just didn't know what he was doing when he
|
|||
|
seized the BBS. The arrest warrant listed only "computer conspiracy" against
|
|||
|
Private Sector, which is much more difficult to prosecute than the multitude of
|
|||
|
charges against some of the other defendants, which include credit card fraud,
|
|||
|
toll fraud, the unauthorized entry into computers, and numerous others.
|
|||
|
|
|||
|
Both Rockoff and the ACLU mentioned the Supreme Court in their press
|
|||
|
|
|||
|
Page 90
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
releases, but he will assuredly take one of his stronger cases to test the new
|
|||
|
New Jersey computer crime law. by seizing the The just because of supposed
|
|||
|
activities discussed on it, Rockoff raises constitutional questions. Darrell
|
|||
|
Paster, a lawyer who centers much of his work on computer crime, says the New
|
|||
|
Jersey case is "just another example of local law enforcement getting on the
|
|||
|
bandwagon of crime that has come into vogue to prosecute, and they have
|
|||
|
proceeded with very little technical understanding, and in the process they
|
|||
|
have abused many people's constitutional rights. What we have developing is a
|
|||
|
mini witch hunt which is analogous to some of the arrests at day care centers,
|
|||
|
where they sweep in and arrest everybody, ruin reputations, and then find that
|
|||
|
there is only one or two guilty parties." We feel that law enforcement, not
|
|||
|
understanding the information on the BBS, decided to strike first and ask
|
|||
|
questions later.
|
|||
|
|
|||
|
2600 magazine and the sysops of the Private Sector BBS stand fully behind
|
|||
|
the system operator. As soon as the equipment is returned, the BBS will go
|
|||
|
back up. We ask all our readers to do their utmost to support us in our
|
|||
|
efforts, and to educate as many of the public as possible that a hacker is not
|
|||
|
a computer criminal. We are all convinced of our sysop's innocence, and await
|
|||
|
Rockoff's dropping of the charges.
|
|||
|
|
|||
|
NOTE: Readers will notice that our reporting of the events are quite different
|
|||
|
than those presented in the media and by the Middlesex County Prosecutor. We
|
|||
|
can only remind you that we are much closer to the events at hand than the
|
|||
|
media is, and that we are much more technologically literate than the Middlesex
|
|||
|
County Prosecutor's Office. The Middlesex County Prosecutor has already taken
|
|||
|
back many of his statements, after the contentions were disproven by AT&T and
|
|||
|
the DoD. One problem is that the media and the police tend to treat the seven
|
|||
|
cases as one case, thus the charges against and activities of some of the
|
|||
|
hackers has been extended to all of the charged. We at 2600 can only speak
|
|||
|
about the case of Private Sector.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 91
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
Chapter 4
|
|||
|
|
|||
|
By now I assume that the reader has a fair idea of what phreaking is, and
|
|||
|
know a little bit about how to go about it. From now on, I will assume that
|
|||
|
the reader has read all the material before this or understands all the
|
|||
|
material covered. Now we will take a journey into the "Basics of
|
|||
|
Telecommunications" and learn a little about how everything works, and is
|
|||
|
related to everything else. This series of articles is extremely good and
|
|||
|
should be read by all levels of phreaks.
|
|||
|
As we go further into the advanced world of phreaking, we come closer to the
|
|||
|
edge of technology. As we approach it, everything seems to become larger and
|
|||
|
more complicated. We notice that many things that were possible aren't
|
|||
|
anymore. Blue boxing is starting to become the only method of exploration as
|
|||
|
Equal Access looms nearer and nearer. As it stands now, equal access is here,
|
|||
|
and many LD services such as Sprint and MCI will be tougher to hack. Extenders
|
|||
|
will become more used and abused, which will cause them to get access codes
|
|||
|
miles long...
|
|||
|
Blue boxing becomes harder as all Bell switching and transmission facilities
|
|||
|
go under to CCIS. Then to further complicate things, digital microwave, fiber
|
|||
|
optic, and satellite transmission are all coming to be digital and do not
|
|||
|
recognize 2600hz for the hang up signal. I predict that around 1990, blue
|
|||
|
boxes will be obsolete from all major cities. A new type of box will have to
|
|||
|
be invented, or you'll have to get two fone line to phreak with, on to place
|
|||
|
the actual call and the other to tap into a COSMOS computer to change the
|
|||
|
status of the call from toll to toll-free, ie. 800#.
|
|||
|
Well somethings will change for the better, with ISDN you'll get 144k bps
|
|||
|
lines and some other neat stuff.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Page 92
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
************* << BIOC AGENT 003'S COURSE IN >> *************
|
|||
|
* *
|
|||
|
* $%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$ *
|
|||
|
* BASIC TELECOMMUNICATIONS *
|
|||
|
* $%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$ *
|
|||
|
* PART II *
|
|||
|
* *
|
|||
|
************************************************************
|
|||
|
|
|||
|
PREFACE:
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
IN PART II, WE WILL EXPLORE THE VARIOUS SPECIAL BELL#'S, SUCH AS: CN/A,
|
|||
|
AT&T NEWSLINES, LOOPS, 99XX #'S, ANI, RINGBACK, AND A FEW OTHERS.
|
|||
|
|
|||
|
CN/A:
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
CN/A, WHICH STANDS FOR CUSTOMER NAME AND ADDRESS, ARE BUREAUS THAT EXIST SO
|
|||
|
THAT AUTHORIZED BELL EMPLOYEES CAN FIND OUT THE NAME AND ADDRESS OF ANY
|
|||
|
CUSTOMER IN THE BELL SYSTEM. ALL #'S ARE MAINTAINED ON FILE INCLUDING UNLISTED
|
|||
|
#'S.
|
|||
|
|
|||
|
HERE'S HOW IT WORKS:
|
|||
|
|
|||
|
1) YOU HAVE A # AND YOU WANT TO FIND OUT WHO OWNS IT, E.G. (914) 555-1234.
|
|||
|
|
|||
|
2) YOU LOOK UP THE CN/A # FOR THAT NPA IN THE LIST BELOW. IN THE EXAMPLE, THE
|
|||
|
NPA IS 914 AND THE CN/A# IS 518-471-8111.
|
|||
|
|
|||
|
3) YOU THEN CALL UP THE CN/A # (DURING BUSINESS HOURS) AND SAY SOMETHING LIKE,
|
|||
|
"HI, THIS IS JOHN JONES FROM THE RESIDENTIAL SERVICE CENTER IN MIAMI. CAN I
|
|||
|
HAVE THE CUSTOMER'S NAME AT 914-555-1234. THAT # IS 914-555-1234." MAKE UP
|
|||
|
YOUR OWN REAL SOUNDING NAME, THOUGH.
|
|||
|
|
|||
|
4) IF YOU SOUND NATURAL & CHEERY, THE OPERATOR WILL ASK NO QUESTIONS.
|
|||
|
|
|||
|
HERE'S THE LIST:
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
NPA CN/A # NPA CN/A #
|
|||
|
--- ------------ --- ------------
|
|||
|
201 201-676-7070 517 313-232-8690
|
|||
|
202 202-384-9620 518 518-471-8111
|
|||
|
203 203-789-6800 519 416-487-3641
|
|||
|
204 ****N/A***** 601 601-961-0877
|
|||
|
205 205-988-7000 602 303-232-2300
|
|||
|
206 206-382-8000 603 617-787-2750
|
|||
|
207 617-787-2750 604 604-432-2996
|
|||
|
208 303-232-2300 605 402-345-0600
|
|||
|
209 415-546-1341 606 502-583-2861
|
|||
|
212 518-471-8111 607 518-471-8111
|
|||
|
213 213-501-4144 608 414-424-5690
|
|||
|
214 214-948-5731 609 201-676-7070
|
|||
|
215 412-633-5600 612 402-345-0600
|
|||
|
216 614-464-2345 613 416-487-3641
|
|||
|
217 217-525-7000 614 614-464-2345
|
|||
|
218 402-345-0600 615 615-373-5791
|
|||
|
|
|||
|
Page 93
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
219 317-265-7027 616 313-223-8690
|
|||
|
301 301-534-11?? 617 617-787-2750
|
|||
|
302 412-633-5600 618 217-525-7000
|
|||
|
303 303-232-2300 701 402-345-0600
|
|||
|
304 304-344-8041 702 415-546-1341
|
|||
|
305 912-784-9111 703 804-747-1411
|
|||
|
306 ****N/A***** 704 912-784-9111
|
|||
|
307 303-232-2300 705 416-487-3641
|
|||
|
308 402-345-0600 707 415-546-1341
|
|||
|
309 217-525-7000 709 ****N/A*****
|
|||
|
312 312-769-9600 712 402-345-0600
|
|||
|
313 313-223-8690 713 713-658-1793
|
|||
|
314 314-436-3321 714 213-995-0221
|
|||
|
315 518-471-8111 715 414-424-5690
|
|||
|
316 816-275-2782 716 518-471-8111
|
|||
|
317 317-265-7027 717 412-633-5600
|
|||
|
318 318-227-1551 801 303-232-2300
|
|||
|
319 402-345-0600 802 617-787-2750
|
|||
|
401 617-787-2750 803 912-784-9111
|
|||
|
402 402-345-0600 804 804-747-1411
|
|||
|
403 403-425-2652 805 415-546-1341
|
|||
|
404 912-784-9111 806 512-828-2502
|
|||
|
405 405-236-6121 807 416-487-3641
|
|||
|
406 303-232-2300 808 212-226-5487
|
|||
|
408 415-546-1341 BERMUDA ONLY
|
|||
|
412 412-633-5600 809 212-334-4336
|
|||
|
413 617-787-2750 812 317-265-7027
|
|||
|
414 414-424-5690 813 813-228-7871
|
|||
|
415 415-546-1132 814 412-633-5600
|
|||
|
416 416-487-3641 815 217-525-7000
|
|||
|
417 314-436-3321 816 816-275-2782
|
|||
|
418 514-861-6391 817 214-948-5731
|
|||
|
419 614-464-2345 819 514-861-6391
|
|||
|
501 405-236-6121 901 615-373-5791
|
|||
|
502 502-583-2861 902 902-421-4110
|
|||
|
503 503-241-3440 903 ****N/A*****
|
|||
|
504 504-245-5330 904 912-784-9111
|
|||
|
505 303-232-2300 906 313-223-8690
|
|||
|
506 506-657-3855 907 ****N/A*****
|
|||
|
507 402-345-0600 912 912-784-9111
|
|||
|
509 206-382-8000 913 816-275-2782
|
|||
|
512 512-828-2501 914 518-471-8111
|
|||
|
513 614-464-2345 915 512-828-2501
|
|||
|
514 514-861-6391 916 415-546-1341
|
|||
|
515 402-345-0600 918 405-236-6121
|
|||
|
516 518-471-8111 919 912-784-9111
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
BELL USES THESE #'S MAINLY TO FIND OUT WHO OWNS A # THAT A CUSTOMER CLAIMS
|
|||
|
HE NEVER CALLED.
|
|||
|
|
|||
|
NOTE: THIS IS THE MOST COMPLETE LIST OF CN/A #'S IN MY POSSESSION (WITH ONLY
|
|||
|
5 #'S NOT AVAILABLE) THIS LIST WAS COPYRIGHTED IN 1982 BY "JUDAS GERARD" AS IT
|
|||
|
ORIGINALLY APPEARED IN TAP ISSUE #78.
|
|||
|
AT&T NEWSLINES:
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
NEWSLINES ARE RECORDINGS THAT BELL EMPLOYEES CALL UP TO FIND OUT THE LATEST
|
|||
|
|
|||
|
Page 94
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
INFO ON STOCK, TECHNOLOGY, ETC. CONCERNING THE BELL SYSTEM.
|
|||
|
|
|||
|
HERE ARE THE #'S THAT ARE CURRENTLY KNOWN TO PHREAKS (AT LEAST ME, ANYWAY):
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
201-483-3800 NJ 513-421-9060 OH
|
|||
|
203-771-4920 CT 516-234-9914 NY
|
|||
|
212-393-2151 NY 518-471-2272 NY
|
|||
|
213-621-4141 CA 617-955-1111 MA
|
|||
|
213-829-0111 CA (GTE) 702-789-6711 NV
|
|||
|
213-449-8830 CA 713-224-6116 TX
|
|||
|
312-368-8000 IL 714-238-1111 CA
|
|||
|
313-223-7223 MI 717-255-5555 PA
|
|||
|
314-247-5511 MO 717-787-1031 PA
|
|||
|
408-493-5000 CA 802-955-1111 VE
|
|||
|
412-633-3333 PA 808-533-4426 HI
|
|||
|
414-678-3511 WI 813-223-5666 FL
|
|||
|
416-929-4323 ONT. 914-948-8100 NY
|
|||
|
503-228-6271 OR 916-480-8000 CA
|
|||
|
|
|||
|
LOOPS
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
FIRST OF ALL, YOU MUST UNDERSTAND THE CONCEPT OF LOOPS. I THINK THAT THE
|
|||
|
BEST WAY THAT THIS IS UNDERSTOOD IS THE WAY THAT PHRED PHREEK EXPLAINED IT...
|
|||
|
|
|||
|
"NO SELF-RESPECTING PHONE PHREAK CAN GO THROUGH LIFE WITHOUT KNOWING WHAT A
|
|||
|
LOOP IS, HOW TO USE ONE, AND THE TYPES THAT ARE AVAILABLE. THE LOOP IS A GREAT
|
|||
|
ALTERNATIVE COMMUNICATION MEDIUM THAT HAS MANY POTENTIAL USES THAT HAVEN'T EVEN
|
|||
|
BEEN TAPPED YET. IN ORDER TO EXPLAIN WHAT A LOOP IS, IT WOULD BE HELPFUL TO
|
|||
|
VISUALIZE TWO PHONE NUMBERS (LINES) JUST FLOATING AROUND IN THE TELCO CENTRAL
|
|||
|
OFFICE (CO). NOW, IF YOU (AND A FRIEND PERHAPS) WERE TO CALL THESE TWO NUMBERS
|
|||
|
AT THE SAME TIME, POOOOPFFF!!!, YOU ARE NOW CONNECTED TOGETHER. I HEAR WHAT
|
|||
|
YOU'RE SAYING OUT THERE..., "BIG DEAL" OR "WHY SHOULD MA BELL COLLECT HERE TWO
|
|||
|
MSU'S (MESSAGE UNITS) FOR ONE LOUSY PHONE CALL!?" WELL... THINK AGAIN. HAVEN'T
|
|||
|
YOU EVER WANTED SOMEONE TO CALL YOU BACK BUT, WERE RELUCTANT TO GIVE OUT YOUR
|
|||
|
HOME PHONE NUMBER (LIKE THE LAST TIME YOU TRIED TO GET YOUR FRIEND'S UNLISTED #
|
|||
|
FROM THE BUSINESS OFFICE)? OR HOW ABOUT A COLLECT CALL TO YOUR FRIEND WAITING
|
|||
|
ON A LOOP, WHO WILL GLADLY ACCEPT THE CHARGES? OR BETTER YET, STUMBLING UPON A
|
|||
|
LOOP THAT YOU DISCOVER THAT HAS MULTI-USER CAPABILITY (FOR THOSE LATE-NIGHT
|
|||
|
CONFERENCES). BEST OF ALL IS FINDING A NON-SUPERVISED LOOP THAT DOESN'T CHARGE
|
|||
|
ANY MSU'S OR TOLLS TO ONE OR BOTH PARTIES. EXAMPLE: MANY MOONS AGO, A LOOP
|
|||
|
AFFECTIONATELY KNOWN AS 'THE 332 LOOP' WAS NON-SUP (IE, NON-SUPERVISED) ON THE
|
|||
|
TONE SIDE. I HAD MY FRIEND IN CALIFORNIA DIAL THE FREE (NON-SUP) SIDE, (212)
|
|||
|
332-9906 AND I DIALED THE SIDE THAT CHARGED, 332-9900. AS YOU CAN SEE, I WAS
|
|||
|
CHARGED ONE MSU, AND MY FRIEND AS CHARGED ZILCH, FOR AS LONG AS WE WISHED TO
|
|||
|
TALK!!!"
|
|||
|
|
|||
|
**********
|
|||
|
|
|||
|
AHHH...HAVE I PERKED YOUR INTEREST YET? IF SO, HERE IS HOW TO FIND A LOOP
|
|||
|
OF YOU VERY OWN. FIRST, DO ALL OF YOU LOOP SEARCHING AT NIGHT! THIS IS BECAUSE
|
|||
|
THE LOOPS SERVE A GENUINE TEST FUNCTION WHICH TELCO USES DURING THE DAY. (WE
|
|||
|
DON'T WANT TO RUN INTO AN IRATE LINEMAN NOW, DO WE?) TO FIND A LOOP, HAVING 2
|
|||
|
#'S IS A DEFINITE PLUS. IF NOT, HAVE A FRIEND TO DIAL #'S AT HIS LOCATION.
|
|||
|
LAST RESORT, TRY DIALING FROM TWO ADJACENT PAY PHONES. NOW GET YOUR TRUSTY
|
|||
|
WHITE PAGES (*), AND TURN TO THE PAGE WHERE IT LISTS THE # OF MSU'S FROM YOUR
|
|||
|
EXCHANGE (OR EXCHANGES IN YOUR PRIMARY CALLING AREA) THE IDEA IS TO FIND A LOOP
|
|||
|
|
|||
|
Page 95
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
THAT IS WITHIN YOUR PRIMARY CALLING AREA OR IS ONLY 1 MSU IN YOUR AREA (CALL
|
|||
|
AREA A). THIS IS SO YOU DON'T GO BANKRUPT TRYING TO FIND A LOOP. WRITE DOWN ALL
|
|||
|
OF THESE EXCHANGES AND DO A 99XX SCAN OF THOSE EXCHANGES (99XX SCANNING WILL BE
|
|||
|
DISCUSSED SHORTLY).
|
|||
|
|
|||
|
BEFORE WE GET UP TO 99XX SCANNING, WE WILL LOOK AT SOME OTHER LOOP INFO:
|
|||
|
|
|||
|
LOOPS ARE FOUND PAIRS WHICH ARE USUALLY CLOSE TO EACH OTHER. FOR EXAMPLE,
|
|||
|
IN NPA 212, WHERE THE INFAMOUS LOOPS ARE FOUND, THERE IS A STANDARD LOOP
|
|||
|
FORMAT:
|
|||
|
|
|||
|
MANHATTAN & BRONX-------NNX-9977/9979
|
|||
|
BROOKLYN & QUEENS-------NNX-9900/9906
|
|||
|
|
|||
|
NNX IS THE EXCHANGE TO BE SCANNED. HERE ARE SOME LOOPS THAT HAVE BEEN FOUND
|
|||
|
IN NYC. THESE ARE USED MOSTLY BY PHREAKS AND CALL-IN LINES FOR PIRATE RADIO
|
|||
|
STATIONS:
|
|||
|
|
|||
|
212-220-9900/9906
|
|||
|
212-283-9977/9979
|
|||
|
212-352-9900/9906
|
|||
|
212-365-9977/9979
|
|||
|
212-529-9900/9906
|
|||
|
212-562-9977/9979
|
|||
|
212-982-9977/9979
|
|||
|
212-986-9977/9979
|
|||
|
|
|||
|
THE LOWER # IS THE TONE SIDE (SINGING SWITCH). THE HIGHER # IS ALWAYS
|
|||
|
SILENT. THE TONE DISAPPEARS ON THE LOWER # WHEN SOMEBODY DIALS IN THE OTHER
|
|||
|
SIDE OF THE LOOP. IF YOU ARE ON THE HIGHER #, YOU'LL HAVE TO LISTEN TO THE
|
|||
|
CLICKS TO SEE IF SOMEBODY DIALED-IN. THE NYC 982 & 986 LOOPS ARE DIFFERENT
|
|||
|
FROM OTHERS. USUALLY WHEN YOU PARK ON A LOOP, YOU WILL HEAR WHO EVER CALLS IN
|
|||
|
ON THE OTHER HALF. WHEN THEY'RE DONE, THE NEXT CALLER (IF ANY) WILL BE QUEUED
|
|||
|
IN, ONE AFTER ANOTHER. ON THE NYC 982 & 986, YOU SOMETIMES CAN'T GET ANY MORE
|
|||
|
CALLERS IN AFTER THE FIRST. FURTHERMORE, IF YOU PARK ONE OF THESE LOOPS AND
|
|||
|
THERE IS NOBODY ON THE OTHER END FOR MORE THAN 4 MINUTES, YOU MAY BE
|
|||
|
AUTOMATICALLY DISCONNECTED. THESE LOOPS ARE GOOD FOR BACK-UP PURPOSES WHEN ALL
|
|||
|
OTHER LOOPS ARE BUSY.
|
|||
|
|
|||
|
99XX SCANNING:
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
MOST EVERY EXCHANGE IN THE BELL SYSTEM HAS A WIDE VARIETY OF TEST #'S AND
|
|||
|
OTHER "GOODIES," SUCH AS LOOPS. THESE "GOODIES" ARE USUALLY FOUND BETWEEN 9900
|
|||
|
AND 9999 IN YOUR LOCAL EXCHANGE. IF YOU HAVE THE TIME AND INITIATIVE, SCAN
|
|||
|
YOUR EXCHANGE AND YOU MAY BECOME LUCKY!
|
|||
|
|
|||
|
HERE ARE MY FINDINGS IN THE 914-268:
|
|||
|
|
|||
|
9901 - VERIFICATION (RECORDING OF A/C AND EXCHANGE)
|
|||
|
9936 - VOICE # TO THE TELCO CO
|
|||
|
9937 - VOICE # TO THE TELCO CO
|
|||
|
9941 - CARRIER
|
|||
|
9960 - OSC. TONE (TONE SIDE LOOP)
|
|||
|
9963 - TONE (STOPS: MUTED)
|
|||
|
9966 - CARRIER
|
|||
|
9968 - TONE THAT DISAPPEARS--RESPONDS TO CERTAIN TOUCH-TONE KEYS
|
|||
|
|
|||
|
|
|||
|
Page 96
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
MOST OF THE #'S BETWEEN 9900 & 9999 WILL RING, BE BUSY, GO TO A SPECIAL
|
|||
|
INTERCEPT OPERATOR ("WHAT #, PLEASE?"), OR WILL GO TO A "THE # YOU HAVE
|
|||
|
REACHED..." RECORDING. WHAT YOU FIND DEPENDS UPON THE SWITCHING EQUIPMENT IN
|
|||
|
THE EXCHANGE AND THE TELCO OPERATING COMPANY.
|
|||
|
|
|||
|
WHEN SEARCHING FOR LOOPS, YOU MAY FIND ONE OF THE FOLLOWING POSSIBILITIES
|
|||
|
WHEN YOU FIND ONE:
|
|||
|
|
|||
|
1. YOU CAN HEAR THROUGH THE LOOP (NOT MUTED), BUT THERE IS A 1/2 SECOND CLICK
|
|||
|
EVERY 10 SECONDS THAT INTERRUPTS THE AUDIO. THIS TYPE IS GOOD FOR BACK-UP USE
|
|||
|
BUT THE FUCKING CLICK IS SUPER ANNOYING.
|
|||
|
|
|||
|
2. ONE SIDE OF THE LOOP IS BUSY; TRY IT AGAIN LATER.
|
|||
|
|
|||
|
3. THE TONE DISAPPEARS, BUT YOU CANNOT HEAR THROUGH IT (THE LOOP IS MUTED, TRY
|
|||
|
AGAIN IN A MONTH OR SO)
|
|||
|
|
|||
|
4. YOU GET "THE # YOU HAVE REACHED RECORDING." NO LOOP HERE!
|
|||
|
|
|||
|
MOST LOOPS ARE MUTED (#3), BUT THEIR STATUS DOES CHANGES FROM TIME-TO-TIME.
|
|||
|
IT ALL DEPENDS IF THE TELCO MAINTENANCE PERSONNEL REMEMBER TO "THROW THE
|
|||
|
SWITCH", IE, TURN OFF THE LOOP.
|
|||
|
|
|||
|
SINCE I HAVE DONE THE ABOVE 914-268 99XX SCAN, CONGERS (268) HAS INSTALLED
|
|||
|
NEW SWITCHING EQUIPMENT (DMS100). SOME OF THE NUMBERS ARE THE SAME, BUT I HAVE
|
|||
|
NOTICED THAT ON THE DMS100, THE RECORDINGS ARE ALSO STORED IN THIS AREA.
|
|||
|
268-9903, 9906, 9909, & 9912 ARE ALL DIFFERENT RECORDINGS. ALSO, THERE ARE 2
|
|||
|
FORTRESS FONE RECORDINGS AT 268-9911 (DEPOSIT 5 CENTS OR ELSE) AND 268-9913
|
|||
|
(DEPOSIT 10 CENTS). NONE OF THESE RECORDINGS SUPE AND ALOT OF OTHER 99XX#'S
|
|||
|
DON'T SUPE EITHER.
|
|||
|
|
|||
|
IN SOME AREAS (LIKE MD), 9906-7 IS RINGBACK. IN WASHINGTON, THERE IS A
|
|||
|
SWEEP TONE TEST AT (202) 560-9944. IN NYC (212), YOU'LL FIND THE INFAMOUS LOOP
|
|||
|
LINES (AS MENTIONED ABOVE).
|
|||
|
IT WILL BE EASIER TO SCAN YOUR EXCHANGE IF YOU MAKE UP A CHART LIKE THE ONE
|
|||
|
BELOW:
|
|||
|
|
|||
|
|
|||
|
NPA-NNX-99XX SCAN
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
_________________________________________________________
|
|||
|
| 99X X>|0 |1 |2 |3 |4 |5 |6 |7 |8 |9 |
|
|||
|
|_______|____|____|____|____|____|____|____|____|____|____|
|
|||
|
| 990 | | | | | | | | | | |
|
|||
|
|_______|____|____|____|____|____|____|____|____|____|____|
|
|||
|
| 991 | | | | | | | | | | |
|
|||
|
|_______|____|____|____|____|____|____|____|____|____|____|
|
|||
|
| 992 | | | | | | | | | | |
|
|||
|
|_______|____|____|____|____|____|____|____|____|____|____|
|
|||
|
| 993 | | | | | | | | | | |
|
|||
|
|_______|____|____|___|_J__|
|
|||
|
___|____|____|____|____|____|
|
|||
|
| 994 | | | | | | | | | | |
|
|||
|
|_______|____|____|____|____|____|____|____|____|____|____|
|
|||
|
| 995 | | | | | | | | | | |
|
|||
|
|_______|____|____|____|____|____|____|____|____|____|____|
|
|||
|
| 996 | | | | | | | | | | |
|
|||
|
|_______|____|____|____|____|____|____|____|____|____|____|
|
|||
|
|
|||
|
Page 97
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Official Phreaker's Manual
|
|||
|
|
|||
|
| 997 | | | | | | | | | | |
|
|||
|
|_______|____|____|____|____|____|____|____|____|____|____|
|
|||
|
| 998 | | | | | | | | | | |
|
|||
|
|_______|____|____|____|____|____|____|____|____|____|____|
|
|||
|
| 999 | | | | | | | | | | |
|
|||
|
|_______|____|____|____|____|____|____|____|____|____|____|
|
|||
|
|
|||
|
<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
|
|||
|
|
|||
|
THIS LEAVES YOU WITH 100 BOXES (1 FOR EACH # BETWEEN 9900 & 9999). YOU
|
|||
|
SHOULD MAKE YOUR BOXES BIG ENOUGH SO YOU CAN WRITE SOME SORT OF SHORTHAND IN
|
|||
|
THEM. FOR EXAMPLE:
|
|||
|
|
|||
|
B - BUSY (TRY AGAIN AT ANOTHER TIME)
|
|||
|
R - RINGS (TRY AGAIN AT ANOTHER TIME)
|
|||
|
O - INTERCEPT OPERATOR ("WHAT # YOU CALLING?)
|
|||
|
R1- RECORDING 1 (MAKE A MARGIN NOTE OF THE TYPES OF RECORDINGS YOU GET)
|
|||
|
T - TONE ] TONE AT A LOWER # + IGNORE
|
|||
|
I - IGNORE ] AT A HIGHER # = LOOP
|
|||
|
V - VOICE # TO TELCO CO - THEY USUALLY ANSWER WITH THE CITY NAME OR AREA.
|
|||
|
C - CARRIER
|
|||
|
|
|||
|
THERE WILL BE OTHERS AND YOU SHOULD USE OTHER CHARACTERS THAT YOU CAN
|
|||
|
UNDERSTAND.
|
|||
|
|
|||
|
NOW, BACK TO LOOPS! AS YOU MAY HAVE NOTICED IN MY 914-268 SCAN, I FOUND A
|
|||
|
MUTED LOOP AND A TONE SIDE. 914-268 FAILED TO COME UP WITH THE SILENT SIDE OF
|
|||
|
A LOOP! THEREFORE, THERE IS NO LOOP IN THAT EXCHANGE. I THEN SCANNED ANOTHER
|
|||
|
EXCHANGE IN MY PRIMARY CALLING AREA (914-634) AND I FOUND A LOOP!! "(914)
|
|||
|
634-9923/9924" SO, I@ AT FSRST YOU DON'T SUCCEED, MOVE ONTO ANOTHER EXCHANGE.
|
|||
|
IF YOU USE THE BOX METHOD THAT I HAVE OUTLINED ABOVE, YOU WILL SEE A "T" & "I"
|
|||
|
NEXT TO EACH OTHER FOR A LOOP.
|
|||
|
SOME EXCHANGES ARE SPECIAL. FOR EXAMPLE, 914-623 IS A TESTING BUREAU. IN
|
|||
|
THIS EXCHANGE, NOT ONLY DID I FIND A LOOP, BUT I ALSO FOUND SEVERAL INTERESTING
|
|||
|
TONES, NOISES, AND OTHER TEST FUNCTIONS. ALSO, THE MORE IMPORTANT THE EXCHANGE
|
|||
|
IS, THE MORE YOU WILL FIND. FOR EXAMPLE, IN 914-623, I FOUND WELL OVER 10 VOICE
|
|||
|
#'S!
|
|||
|
ALSO, LOOPS ARE USUALLY, BUT NOT EXCLUSIVELY, FOUND IN THE 99XX SERIES. FOR
|
|||
|
EXAMPLE: "(713) 324-1799/1499" IS A LOOP.
|
|||
|
|
|||
|
THE PERFECT LOOP? HERE IS WHAT I WOULD LOOK FOR:
|
|||
|
|
|||
|
1. NON-SUP ON ONE OR BOTH SIDES. TO CHECK FOR A NON-SUP LOOP, GO TO A
|
|||
|
TONE-FIRST FORTRESS FONE AND DIAL THE #. IF IT ASKS FOR A DIME, IT IS
|
|||
|
SUPERVISED. IF THE CALL GOES THROUGH, THEN IT IS NON-SUPED!
|
|||
|
|
|||
|
2. 800 LOOPS WOULD BE A PLUS. THEY ARE NOT NECESSARILY FOUND BETWEEN 9900 &
|
|||
|
9999 THOUGH. I WOULD CHECK THE 1XXX SERIES FIRST.
|
|||
|
|
|||
|
3. MULTI-USER LOOPS ARE ALSO A PLUS FOR THOSE LATE NIGHT CONFERENCES.
|
|||
|
|
|||
|
FINALLY, REMEMBER IT IS ONLY A LOCAL CALL TO FIND OUT WHAT YOU CO HAS IN
|
|||
|
STORE FOR YOU. IF YOU FIND ANYTHING INTERESTING, BE SURE TO DROP ME A LINE.
|
|||
|
|
|||
|
|
|||
|
NOTE: YOUR LOCAL WHITE PAGES CAN BE A VALUABLE ASSET. YOU CAN ALSO ORDER OTHER
|
|||
|
FONE BOOKS FROM YOUR BUSINESS OFFICE (USUALLY FREE FOR BOOKS WITHIN YOUR
|
|||
|
OPERATING COMPANY'S DISTRICT). A LARGE FONE BOOK, SUCH AS MANHATTAN, CONTAINS
|
|||
|
|
|||
|
Page 98
|
|||
|
|
|||
|
|
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The Official Phreaker's Manual
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MUCH MORE INFO IN THE FIRST FEW PAGES THAN OTHER BOOKS.
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ANI
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<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
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AUTOMATIC NUMBER IDENTIFICATION (ANI), IS A NUMBER THAT YOU CALL UP THAT
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WILL TELL YOU WHAT # YOU ARE CALLING FROM.
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THIS HAS A FEW USES. FIRST, WERE YOU EVER SOMEWHERE AND THE FONE DIDN'T
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HAVE A # PRINTED ON IT? OR PERHAPS YOU WERE FOOLING AROUND IN SOME CANS (THOSE
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LARGE BOXES ON FONE POLES THAT CONTAIN TERMINALS FOR LINEMAN USE--TO BE
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DISCUSSES IN A FUTURE CHAPTER.) AND YOU WANT TO KNOW WHAT WHAT THE LINE # IS.
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IN NPA 914, THE ANI IS 990. IN NPA'S 212 & 516, ANI IS 958. THIS VARIES FROM
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AREA TO AREA.
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HERE ARE SOME OTHER ANI'S THAT I HAVE SEEN:
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890-751-5191
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202-222-2222
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1-XXX-1111 (IN SOME 914 AREAS, ESP. UNDER STEP-BY-STEP SWITCHING, YOU HAVE
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TO DIAL 1-990-1111)
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TO FIND ANI FOR OTHER AREAS, CHECK 3 DIGITS #'S FIRST, USUALLY IN THE 9XX
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SERIES (EXCLUDING 911). IN AREAS UNDER STEP-BY-STEP (TO BE DISCUSSED IN THE
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NEXT PART), TRY 1-9XX-1111.
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ANI MAY ALSO BE IN 99XX. LAST RESORT, TRY TO GET FRIENDLY WITH YOUR
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NEIGHBOR WHO WORKS FOR THE FONE COMPANY.
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RING BACK
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<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
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RINGBACK, AS ITS NAME IMPLIES, CALLS BACK THE # YOU ARE AT WHEN YOU DIAL
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THE RINGBACK #. RINGBACK, IN NPA 914, IS 660. YOU DIAL 660+THE LAST 4 DIGITS OF
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THE FONE. YOU WILL THEN GET A TONE, HANG-UP QUICKLY AND PICK-UP IN ABOUT 2
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SECONDS. YOU WILL THEN GET A SECOND TONE, HANG-UP AGAIN AND THE FONE WILL
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RING.
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IN NYC, IT IS ALSO 660, BUT YOU MAY HAVE TO PRESS 6 OR 7 BEFORE YOU HANG UP
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FOR THE FIRST TIME (IE, AT THE FIRST TONE).
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OTHER RINGBACK #'S THAT I HAVE SEEN ARE:
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26011 - THIS 5 DIGIT FORMAT IS USED PRIMARILY ON STEP-BY-STEP.
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THE LAST 2 DIGITS (11) ARE DUMMY DIGITS.
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890-897-XXXX - XXXX ARE THE LAST 4 DIGITS OF THE FONE #.
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119911/11911/1199911 - GTE
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NNX-9906/9907 - NPA 301, NNX IS THE EXCHANGE
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THE REASON YOU GET THE TONE WHEN YOU PICK-UP AFTER IT RINGS IS BECAUSE IN
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SOME AREAS, PEOPLE WERE USING RINGBACK AS AN IN-HOUSE INTERCOM. THEY WOULD
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DIAL RINGBACK, AND WHEN IT STOPPED RINGING, THEY WOULD PICK-UP & TALK WITH THE
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PERSON WHO PICKED UP THE OTHER EXTENSION. BELL DIDN'T LIKE THIS SINCE THERE IS
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USUALLY ONLY 1 PIECE OF EQUIPMENT IN EACH EXCHANGE THAT DOES THE RINGBACK. WHEN
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PEOPLE USED THIS AS AN INTERCOM, LINEMEN & REPAIRMEN COULDN'T GET THROUGH! IN
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SOME AREAS, ESPECIALLY THOSE UNDER STEP-BY-STEP, RINGBACK CAN STILL BE USED AS
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AN INTERCOM. ALSO, UNDER STEP-BY-STEP, THE RINGBACK PROCEDURE IT USUALLY
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Page 99
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The Official Phreaker's Manual
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SIMPLE. FOR EXAMPLE, IN ONE AREA YOU WOULD DIAL 26011 AND HANG-UP; IT WOULD
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THEN RINGBACK.
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TOUCH-TONE TEST:
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<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
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IN AREAS THAT HAVE A TOUCH-TONE TEST, YOU DIAL THE RINGBACK #. AT THE
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FIRST TONE, YOU TOUCH-TONE DIGITS 1-0. IF THEY ARE CORRECT IT WILL BEEP
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TWICE.
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I HAVE ALSO SEEN A TT TEST IN SOME AREAS AT: 890-751-5191
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COMING SOON:
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<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
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IN THE NEXT PART, WE WILL LOOK AT VARIOUS SWITCHING EQUIPMENT AND THE
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NETWORK.
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BREAK UP OF BELL:
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<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>
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THE OPERATING COMPANIES ARE NOT GOING TO CHANGE ALL THE SWITCHING EQUIPMENT
|
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AROUND. WHILE THERE WILL BE SOME CHANGES, MOST OF THE INFORMATION PROVIDED
|
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HERE WILL REMAIN PERTINENT AFTER JANUARY 1, 1984. JUST SUBSTITUTE THE WORD
|
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"FONE NETWORK" FOR BELL SYSTEM.
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AU REVOIR,
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*****BIOC
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*=$=*AGENT
|
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*****003
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DECEMBER 8, 1983
|
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ACKNOWLEDGEMENTS: TAP, PHRED PHREEK, JUDAS GERARD, THE MAGICIAN, DARK PRIEST,
|
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& MYSELF. I WOULD ALSO LIKE TO THANK THE MULCHER ][ FOR HIS ASSISTANCE IN
|
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DISTRIBUTING THIS TUTORIAL.
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Page 100
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