157 lines
7.8 KiB
Plaintext
157 lines
7.8 KiB
Plaintext
![]() |
|
|||
|
-=-=-=--=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
SPIRITUAL MUSIC ADVICE 'N' STUFF
|
|||
|
by Rev. Richard Visage
|
|||
|
=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
|
|||
|
|
|||
|
So, it's that time of year again, roll out the artificial tree and
|
|||
|
get prepared to partake in a consumerist frenzy. Some people know the
|
|||
|
holiday season is arriving when Santa Claus arrives in their local
|
|||
|
shopping mall, up here in the Great White North, we usually proclaim
|
|||
|
it December when the snow drifts keep you from being able to get out
|
|||
|
of your house.
|
|||
|
|
|||
|
As for myself, I know Christmas is coming when I see that Ms. Labamba
|
|||
|
has hooked Christmas stockings onto her garter belts. I love this time
|
|||
|
of year. Let's spin a CD, kids.
|
|||
|
|
|||
|
'Around the Next Dream'
|
|||
|
BBM(Bruce, Baker, Moore)
|
|||
|
~~~~~~~~~~~~~~~~~~~~~~~~
|
|||
|
Sometimes, you really have to wonder just what people are thinking
|
|||
|
when they put together a tune. Try and imagine this scene: Jack Bruce,
|
|||
|
Ginger Baker (once-upon-a-time Cream megastars) and Gary Moore (ex of
|
|||
|
Thin Lizzy) are together in a room. "Gee, do you think anyone would
|
|||
|
notice if we just moved around some of the changes in 'White Room'
|
|||
|
(Cream: Wheels of Fire) and gave it some new words? Say, Gary, can you
|
|||
|
make the guitar sound just like Eric, back when he was seriously stoned?"
|
|||
|
|
|||
|
That's exactly what the leadoff tune to this album, 'Waiting in the
|
|||
|
Wings', sounds like. It is so true-to-life that initially, one can't
|
|||
|
help wondering if somehow, this was a Cream tune put into cryogenics for
|
|||
|
the last 20 years. It's hard to be critical of the song, it very likely
|
|||
|
would have been a hit way back in the dark ages, but it seems like a
|
|||
|
curiosity in a current release. One can't help but wonder whether or not
|
|||
|
the title has some reference to Eric Clapton's old bandmates being stuck
|
|||
|
in the wings watching the star, but there's no clues in the lyrics.
|
|||
|
|
|||
|
The second song, 'City of Gold' so closely follows 'Crossroads'
|
|||
|
(Cream: Wheels of Fire) as to be laughable, especially after
|
|||
|
experiencing serious 'White Room' deja vu.
|
|||
|
|
|||
|
And, just as you're wondering if these guys have any new ideas, you
|
|||
|
hear them. Ever imagined what it would be like if Cream got together
|
|||
|
with Barry Manilow? I know, I know -- we're not talking pleasantries
|
|||
|
here, and with one exception, the balance of this album is positively
|
|||
|
excremental.
|
|||
|
|
|||
|
That said, Jack Bruce's vocals show no sign of deterioration, Gary
|
|||
|
Moore's guitar work, when unleashed, is brilliant, and Ginger Baker
|
|||
|
sounds, well, exactly like he used to. In fact, it sounds like he's
|
|||
|
still using the same drum kit that he had in the '60s. If you liked him
|
|||
|
then, you'll probably like him now. I promised myself that I wouldn't say
|
|||
|
that his picture on the album cover makes Keith Richards look pink and
|
|||
|
healthy, but, damn, now I've let it out.
|
|||
|
|
|||
|
The exception to the drivel on this album is 'High Cost of Loving'.
|
|||
|
My guess would be that these three musicians got together and jammed
|
|||
|
away at some Chicago blues, and realized that they had something going.
|
|||
|
This song is positively exquisite, well arranged, nicely punctuated with
|
|||
|
keyboard, Jack Bruce's best ever vocals and some serious hot-shit blues
|
|||
|
guitar. What's more, is that they FEEL the blues on this one - there's
|
|||
|
more genuine blues feel on this one tune than there is in Eric Clapton's
|
|||
|
whole album, 'Back to the Cradle.'
|
|||
|
|
|||
|
It's a damn shame there aren't more blues tunes on this album. On
|
|||
|
this one song, if Bruce and Baker have been waiting in the wings in
|
|||
|
Clapton's shadow, they have eclipsed their superstar ex-colleague and
|
|||
|
marched to centre stage.
|
|||
|
---------------------------------------------------------------------
|
|||
|
|
|||
|
'Honey B'
|
|||
|
Robert Palmer
|
|||
|
~~~~~~~~~~~~~
|
|||
|
Everyone's common memory of Robert Palmer is THOSE videos, or so
|
|||
|
it seems. The unforgettable backdrop of almost-dressed fashion models
|
|||
|
undulating to a Eurothump beat, while Palmer slyly delivered clever
|
|||
|
lyrics without wrinkling his Armani suit. If that doesn't tweak your
|
|||
|
memory, how about the woofer-blowing version of T.Rex's 'Bang a Gong'
|
|||
|
done by The Power Station a few years back? Palmer again.
|
|||
|
|
|||
|
I first heard Palmer sometime in the early 70's when he had the
|
|||
|
trick white-boy R&B tune 'Sneakin' Sally Through the Alley' out, as well
|
|||
|
as the seductive pop harmonies of 'Sailing Shoes.' It was a big surprise
|
|||
|
at the time to have a new, and credible, white R&B artist, and Palmer
|
|||
|
went on to put out an equally credible reggae tune when he covered Peter
|
|||
|
Tosh's 'Pressure Drop' on his 'Double Fun' album.
|
|||
|
|
|||
|
Palmer had never failed to experiment and seek new ground, and has
|
|||
|
had collaborations with Brian Eno in the past. His 'Pride' album stands
|
|||
|
out as one of the weirdest albums ever made, and while interesting to
|
|||
|
those watching styles evolve through that period, it's nevertheless a
|
|||
|
surprise that it ever made it to vinyl.
|
|||
|
|
|||
|
'Honey B' starts out with 'Honey A', a terrific blend of African
|
|||
|
and Carribean influences, and then marches into the title track which
|
|||
|
moves same influences into a slick pop number. This album is virtually
|
|||
|
filled with love songs, which, like 'Honey B', have sophisticated
|
|||
|
arrangements and exquisite production values.
|
|||
|
|
|||
|
'Know by Now' would probably have been cloying, were it not for
|
|||
|
the layering and production -- and herein lies the weakness of this
|
|||
|
album -- the lyrics don't love up to the usual standard of wit for
|
|||
|
Palmer. Somehow, songs like 'Nobody but You' manage to pull it off,
|
|||
|
even with the C-minus lyrics.
|
|||
|
|
|||
|
Devo fans will be surprised to find an excellent cover of 'Girl U
|
|||
|
Want' on the disk. The bad news: the last song is an instrumental that
|
|||
|
sounds like it belongs on a cheesy soundtrack for a Macauley Culkin
|
|||
|
movie. One can only hope that the song has some sentimental value for
|
|||
|
Palmer, probably involving bearskin rugs, fireplaces, and glasses of wine.
|
|||
|
--------------------------------------------------------------------------
|
|||
|
|
|||
|
'Hints, Lies, and Allegations'
|
|||
|
Collective Soul
|
|||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
|||
|
Sure, there's every pop cliche in the book on this album, but they
|
|||
|
just put it all together so damn well that it makes it onto the CD
|
|||
|
player regularly. It's a highly listenable package. I know, it's only
|
|||
|
rock 'n' roll, but I like it.
|
|||
|
-----------------------------------------------------------------------
|
|||
|
|
|||
|
'Akua Tuta'
|
|||
|
Kastin
|
|||
|
~~~~~~~~~
|
|||
|
Imagine an album sung primarily in an Eskimo language that only a
|
|||
|
few thousand people clutched around ice drifts actually understand.
|
|||
|
Imagine it being a real treat. Surprise yourself with this one, it has
|
|||
|
a delicious, enthusiastic feel to it.
|
|||
|
----------------------------------------------------------------------
|
|||
|
|
|||
|
'Secrets'
|
|||
|
Madonna
|
|||
|
~~~~~~~
|
|||
|
Not even cleavage and tongue on the video can save this turkey. Give
|
|||
|
it to someone you can't stand, or to someone who'd get sadistic pleasure
|
|||
|
out of watching the chameleon queen of pop hit rock bottom.
|
|||
|
------------------------------------------------------------------------
|
|||
|
|
|||
|
|
|||
|
Religiously yours,
|
|||
|
Rev. Richard Visage
|
|||
|
rv@visage.jammys.net
|
|||
|
|
|||
|
* * *
|
|||
|
|
|||
|
Copyright 1994 Rev. Richard Visage
|
|||
|
----------------------------------------------------------------------
|
|||
|
Rev. Richard Visage is the official Spiritual Advisor to Fidonet, and
|
|||
|
is listed on the masthead of the Fidonews, where his correspondence
|
|||
|
with the infamous Doc Logger is published regularly. The Rev. operates
|
|||
|
Fido 1:163/409 on a laptop from various hotel rooms, and is bankrolled
|
|||
|
by expense accounts from unsuspecting publications who showed the poor
|
|||
|
judgement of hiring him. Canadian Government officials list him and his
|
|||
|
semi-clad secretary, Ms. LaBamba, as officially being "at large"
|
|||
|
somewhere in North America.
|
|||
|
=======================================================================
|
|||
|
|