textfiles/music/dio.txt

By Gerry Galipault
DIO

        Ronnie James Dio would like to take a moment here to personally
        apologize to any wolves who might be within howling distance.

        He likes wolves. Really, he does.

        Dio's thundering new "Lock Up the Wolves" album (Reprise
        Records), his band's first studio effort in three years, might
        give the impression he's singling out the wild, doglike
        creatures. But, look it up in the dictionary (go ahead, look it
        up), and you'll find that a wolf is also described as a "cruel
        or greedy person." Those are the wolves he's referring to.

        "There are a lot of wolves," Dio says in an interview from his
        Los Angeles home. "To me, these are not just the wolves of war.
        These are the wolves of homelessness, the wolves of abuse, the
        wolves of hunger. It's all the horrible things rolled into one.

        "I use the analogy of the wolf, and it's probably not very fair
        to the wolf, because the wolf is a wonderful animal that
        unfortunately has been weeded out. It's a great animal that
        loves its family. I didn't mean to take something so wonderful
        and stick this horrible tag on it.

        "We've all been brought up with things like, 'the Big Bad Wolf'
        or 'the wolf is at the door' or 'the wolf always looks lean and
        is ready to eat you.' But it's better than 'Lock Up the Weasels'
        or 'Woodchucks.' It works ... I just would like to apologize to
        the poor wolves. I feel for them. ... I thought it was a fair
        analogy only because of the way we perceive the wolf. Because of
        all those terrible things, it makes it easier for the wolf to
        jump in and prey on someone."

        If it seems that Dio is passionate about life and trying to help
        the less fortunate, you can believe it's   genuine. One
        organization he holds especially close to his heart, Children of
        the Night, involves runaway and homeless children.

        "I know most of them personally," Dio says of the torn and
        tattered kids. "Every Christmas, I go to their party here. I'm
        their honored guest every year. They're just wonderful kids who
        have been badly, badly abused. Most of them come from
        dysfunctional families.

        "The great thing about Children of the Night, it's not a
        government organization subsidized by the government. What that,
        in effect, does is take away all the bureaucratic nonsense and
        rules that go along with it. Such as, if this was a government
        organization and the child goes to that agency as an abused
        child or for prostitution or drug use, that child is returned to
        its guardian, and that's the parent. That's wrong. What we're
        really doing is sending that kid back to hell, back for more
        abuse.

        "Children of the Night is so important to me because most of
        these kids come to Hollywood with dreams of being a rock star,
        an actor, an actress, a model. And they come here and they find
        nothing but nothing."

        In Dio's case, he grew up in Cortland, N.Y., a small college
        town about 50 miles south of Syracuse. He began playing the
        trumpet at age 5, but when he saw a rock band play at the local
        YMCA, it changed his life. By age 10, he took up the bass and
        started his first group.

        "I listened to everything," he says. "Sam Cooke, Otis Redding,
        Elvis Presley and especially the Beatles. After that, I went for
        the harder side of it ... Led Zeppelin and Deep Purple were my
        favorite bands. Just hearing something with a beat behind it
        turned my head around."

        In the early '70s, Dio formed the band Elf and they wound up
        opening for one of his favorites, Deep Purple. He became friends
        with Deep Purple's guitarist, Ritchie Blackmore, and they later
        created Rainbow in '75. Dio left three years later and replaced
        Ozzy Osbourne as the lead singer of another heavy metal giant, Black
        Sabbath. He stayed for three albums, including the gold-selling "Heaven
        and Hell" in 1980, before striking out on his own. Known as Dio, the
        group has had one platinum ("The Last in Line") and two gold albums,
        "Holy Diver" and "Sacred Heart."

        Dio's lineup has had several changes over the years, but he's
        particularly excited about his current crew, which includes an
        18-year-old British guitar whiz named Rowan Robertson and former
        AC/DC drummer Simon Wright. Keyboardist Jens Johansson, who
        worked with Yngwie Malmsteen, and bassist Teddy Cook round out
        the group.

        The band just finished a European tour with Metallica and begins
        its U.S. trek on Aug. 1 in Poughkeepsie, N.Y. They'll also play
        Sept. 1 in Mannheim, West Germany, at the Super Rock Festival,
        formerly known as the Monsters of Rock.

        Though he's firmly fixed in the rock world and the Southern
        California lifestyle, Dio says he has never lost touch with his
        small-town roots.

        "I don't think anyone should have their values changed," he
        says. "I think there's such a great lack of it in this world,
        especially for young people who don't have a whole lot of role
        models today. I'm proud of my values and try to interweave them
        into the music.

        "I'm very fortunate to do a lot of interviews and that people
        listen to what I have to say, so I feel a great amount of
        responsibility. With the kind of upbringing I had, I'm a good
        representative of the music business. There are too few of us,
        really."

        (For information about the Children of the Night organization,
        write to: Children of the Night, 6277 Van Nuys Blvd., Van Nuys,
        CA 91601.)




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