1290 lines
51 KiB
Plaintext
1290 lines
51 KiB
Plaintext
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SONGS FOR NEO-PAGANS CRAFTSNG.TXT
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Compiled by "the Bard"
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*
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HARP SONG OF THE DANE WOMEN
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-Rudyard Kipling
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What is a woman that you forsake her?
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and the hearth fire, and the home-acre?
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to go with the old, grey Widow-Maker?
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She has no house to lay a guest in
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but one chill bed for all to rest in
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that the pale suns and the stray bergs nest in
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She has no strong white arms to fold you
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but the ten times fingering weeds to hold you
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out on the rocks where the tide has rolled you
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Yet, when the signs of Summer thicken
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and the ice breaks and the birch-buds quicken
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yearly you turn from our side and sicken
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Sicken again for the shouts and the slaughters
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you steal away to the lapping waters
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and look at your ship in her winter quarters
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You forget our mirth, and talk at the tables
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the kine in the shed and the horse in the stables
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to pitch her sides and go over her cables...
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Then you drive out where the storm clouds swallow
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and the sound of your oar-blades, falling hollow
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is all we have left through the months to follow
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Ah...but what is a woman that you forsake her?
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and the hearth fire, and the home-acre?
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to go with the old, grey Widow-maker?
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*
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STAND UP, STAND UP FOR ODIN
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-Robert Cook
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tune: "Stand Up For Jesus"
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Stand up! Stand up for Odin, you warriors of the beard!
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lift high the Raven Banner that half the world has feared!
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From Angleland to far Vinland shall sound the Warrior's Cry
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Till every foe is vanquished, and Odin reigns most high!
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March forth with steel flashing beneath the naked Sun
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and never stand at rest again 'til all the World is won!
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Let scarlet sword his symbol carve in every nation's sod
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'Til every man still breathing stands up for OdinGod!
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Let ships with prows of Dragons the mighty oceans cleave
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and every land not Odin's our crimson gifts receive
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let Raven Banners fill the sky where every man has trod
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And all the soil beneath them belong to OdinGod!
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2
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Stand up! Stand up for Odin, you Warriors of the North!
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With silver swords a-flashing to victory go forth!
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From Angleland to far Vinland our joyous conquest lead
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'Til every foe is vanquished, and Odin's Lord, indeed!
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*
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NUDE
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-W.J.Bethancourt III
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-Ed Hirt
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copyright 1982 W.J.Bethancourt III and Ed Hirt
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tune: Men of Harlech
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What the use of wearing panties
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whalebone corsets of your Auntie's
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boxer shorts and other scanties
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best of all is nude
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there's such fun in going bra-less
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now that it's no longer lawless
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'specially if your figure's flawless
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best of all is nude
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nude is what you're born in
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shirts are never torn in
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underwear and lacy flimsies, garter belts and other whimsies
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yards of itchy cloth to put your form in
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ducks all do it, maidens rue it
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even ancient Picts in Britain blue it
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going naked's how to do it
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best of all is nude!
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If your garters aren't elastic
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tie them up in knots fantastic
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(panty hose is something drastic!)
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best of all is nude!
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If you're tired of wearing clotheses
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shed your garment 'mongst the roses
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never mind the old bluenoses
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best of all is nude!
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Nude is best for ducking!
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Worst for horses bucking!
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Moonlit nights will see such sights
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that are very best for fooling round
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.....and elbows!
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Nudity is grand to see
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a well-known antidote to virginity
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take your clothes off and you'll see:
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best of all is nude!
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*
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3
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*
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CELTIC CIRCLE DANCE
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copyright 1984 W. J. Bethancourt III
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recorded: CELTIC CIRCLE DANCE
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WTP-0002
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tune: "Same Old Man/Leatherwing Bat"
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Hi said the Norn, sittin in the sand
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once I talked to a great Grey Man
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spun three times and said with a sigh
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hadn't been for the Runes had his other eye!
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Chorus: hi diddle i diddle i day
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hi diddle i diddle i diddle ay
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hi di diddle i diddle i day
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fol the dink a dum diddle do di day
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Hi said the Lady, dressed in green
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prettiest thing I've ever seen
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she went down underneath the hill
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and came back out of her own free will
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Brian Boru, on Irish ground
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walked three times the Island round
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Norsemen came lookin for a fight
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just another Irish Saturday night!
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Hi said Lugh on the banquest night
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a poet and a player and a good wheelwright
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a harper and a warrior and none the least:
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a Druid and he got in to the Feast!
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Harold Haardrada's face was red!
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Came to Britain and he wound up dead
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Stamford Bridge is where he's found
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got six feet of English ground
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the Legion with it's Eagles bright
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marched into the Pictish night
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met them there upon the sand
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gave em up to the Wicker Man!
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eight-legged steed and hound of Hel
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the one-eyed Man, he loves ya well
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fire burn and fire spark
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are you then feared of the dark?
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The Circle forms, the Circle flows
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the Circle goes where no man knows
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Hail to the Lady, one in three:
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Present is Past and Past is Me!
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Rhiannon's Birds are still in flight
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all thru the Day all thru the Night
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Hail to the Lady, one in Three
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Present is Past and Past is Thee!
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(more)
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4
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CELTIC CIRCLE DANCE (cont.)
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Hi said the Lady dressed in white
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sang the Day and sang the Night
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sang the Land and sang the Sea
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sang the Song, and then sang Me!
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Salt and oil and mirror bright
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fire and fleet and candlelight
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by fin and feather, leaf and tree,
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fill the cup and blessed be!
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From the misty crystal sea
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came the Lady to the lea
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Sword and Roses in Her Hand
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spread their seeds thruout the Land
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Came the Stag from oaken wood
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saw the Lady where she stood
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by the fire burning bright
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came to know his heart's delight!
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By Sword and Harp, and Irish Hound
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Blessed Be: the Day I've found
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Hail to the Lady, one in Three
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Present is Past and Past is WE
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By Oak and Ash and Holy Thorn
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Blessed be the Day you're born!
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Fire burn and fire bright
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walk in safety thru the night
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*
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FAIRIES LOVE SONG
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-Anonymous
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Why should I sit and sigh
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Broo and bracken, broo and bracken
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Why should I sit and sigh
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All alone and weary
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When I see the plover rising
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Or the curlew wheeling
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It's then I'll court my mortal lover
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Back to me is stealing
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When the moon begins her waning
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I sit by the water
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Where a man born of the sunlight
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Loved the Faerie's daughter
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Oh, but there is something wanting
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O but I am weary
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Coming blithe, now bonny treads he
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O'er the knolls to cheer me
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*
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5
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*
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THE BARD'S SONG
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-W.J.Bethancourt III
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(c) copyright 1990 W.J.Bethancourt III
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(Tune: "Dublin City")
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As I walked out one quiet evening
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At the hour of twelve at night
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Who should I meet but a fair young maiden
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Combin' her hair by candle light;
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Lassie, I have come a-courtin'
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Your kind favours for to win
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And if you'd heed my petition
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I would be your Paladin...
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(CHORUS) Gather roses in the Springtime
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Gather roses while ye may,
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Time is passing; roses wither;
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Winter comes; we're here -today-.
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Have you seen the dew a-formin'
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On the grass at early morn?
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Have you seen the forest quiet,
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Or a stag that's barely born?
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Have you seen the dawn a-breakin'
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O'er the Western Ocean's tide?
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Have you felt my heart a-beatin'
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When it's held close to your side?
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I can give no gold or silver,
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I can give no fields of land,
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I can give no servants brisk
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To wait on you both foot and hand;
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I can give you wide roads callin'
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Wind and Rain, and Moon and Sun,
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Songs to sing, and love and laughter,
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Dresses made of plain home-spun.
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Come dance with me upon the greensward
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in the moonlight, in the Spring.
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Dance with me within the forest
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Dance with me within the ring!
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Earth below us, stars above us,
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Fire and water by our side,
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Dance with me within the moonlight,
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Dance with me, and be my Bride!
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*
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6
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*
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ALL THRU THE NIGHT
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While the Moon her watch is keeping
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all thru the night
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While the weary world is sleeping
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all thru the night
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O'er thy spirit gently stealing,
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Visions of delight revealing
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Breathes a pure and holy feeling
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all thru the night
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Though this Bard must roam full lonely
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My true harp shall sing praise only
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Love's soft dream, alas, is over
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Yet my strains of love shall hover
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Near the Presence of my Lover
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Hark! A solemn bell is ringing
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Thou, my King are heavenward winging
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Earthly dust from off Thee shaken
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Soul immortal shalt thou waken
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With thy last, dim journey taken
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Neath this Stone my King is sleeping
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Stars around Him softly sweeping
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Once and Future King preserving
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Britain's Saviour there reserving
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All around him Stars observing
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all thru the night
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Holl am ran-tire sehr thuh wed-ont
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ahr heed ah nos
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Dum-ar forth ee vro go-gawn-yont
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ahr heed ah nos
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Gol-i ar-all you tuh wull ooch
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ee are thang os gweer bred vairtch-ooch
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tie-leer nave oith m'yoon thu-wail-ooch
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ahr heed ah nos
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note: The last verse is phonetic Welsh.
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"ll" is pronounced by putting the tip of your
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tongue to the roof of your mouth, and saying "h"
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and "l" at the same time...sort of.
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"ch" is pronounced as German.
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*
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7
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*
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TWO MAGICIANS
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(Child #44)
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recorded by Steeleye Span "Below the Salt"
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She looked out of the window, as white as any milk
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He looked in at the window, as black as any silk
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(Chorus): Hello, hello, hello, hello you coal black smith
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You have done me no harm!
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You never shall have my maidenhead
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That I have kept so long!
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I'd rather die a maid, aye, and then she said,
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And be buried all in my grave,
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Than to have such a nasty,
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husky, dusky, fusty, musty coal black smith!
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A maiden I will die!
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She became a duck, a duck all in the stream
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And he became a waterdog, and fetched her back again
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She became a star, a star all in the night
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And he became a thundercloud and muffled her out of sight
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She became a rose, a rose all in the wood
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And he became a bumblebee and kissed her where she stood
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She became a nun, a nun all dressed in white
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And he became a chantry priest to pray for her by night
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She became a trout, a trout all in the brook
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And he became a feathered fly, and catched her with his hook
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She became a quilt, a quilt all on her bed
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And he became a coverlet, and gained her maidenhead!
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note: This has MANY variants. See Robert Graves' "The White Goddess" pg. 401!
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*
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JOHN BARLEYCORN
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There were three men come out of the West
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Their fortunes for to try,
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And these three men made a solemn vow:
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John Barleycorn should die!
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John Barleycorn should die!
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(nb: 4th line of each verse is sung twice)
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They plowed, they sowed, they harrowed him in,
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Threw clods upon his head,
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And these three men made a solemn vow:
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John Barleycorn was dead!
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CHORUS: Fa la la la, it's a lovely day!
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Sing fa la la lay oh!
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Fa la la la, it's a lovely day!
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Sing fa la la lay oh!
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8
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They let him lie for a very long time
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'Til the rain from Heaven did fall,
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Then Little Sir John sprung up his head,
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And so amazed them all!
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They let him stand 'til Midsummer tide,
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'Til he grew both pale and wan,
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Then Little Sir John he grew a long beard,
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And so became a man!
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They hired men with the sythes so sharp
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To cut him off at the knee
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They rolled him and tied him about the waist,
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And used him barbarously!
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They hired men with the sharp pitchforks
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To pierce him to the heart,
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And the loader he served him worse than that,
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For he tied him in a cart!
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They wheeled him around and around the field,
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'Til they came to a barn,
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And there they made a solemn mow
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Of poor John Barleycorn,
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They hired men with the crab-tree sticks
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To strip him skin from bone
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And the Miller he served him worse than that:
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For he ground him between two stones!
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|
|||
|
They have wheeled him here and wheeled him there
|
|||
|
And wheeled him to a barn,
|
|||
|
And they have served him worse than that
|
|||
|
They have bunged him in a vat!
|
|||
|
|
|||
|
They have worked their will on John Barleycorn
|
|||
|
But he lived to tell the tale;
|
|||
|
For they pour him out of an old brown jug,
|
|||
|
And they call him home-brewed ale!
|
|||
|
|
|||
|
Here's Little Sir John in a nut-brown bowl,
|
|||
|
And brandy in a glass!
|
|||
|
And Little Sir John in the nut-brown bowl
|
|||
|
Proved the stronger man at last!
|
|||
|
|
|||
|
For the huntsman he can't hunt the fox
|
|||
|
Nor loudly blow his horn,
|
|||
|
And the tinker can't mend kettles nor pots
|
|||
|
Without John Barleycorn!
|
|||
|
|
|||
|
(Note: sing the chorus after every other verse. For SCA use, this song is very
|
|||
|
effective as a solo performance in the beginning, with more and more people
|
|||
|
joining the chorus as the High Table is served, ending (preferably) with a
|
|||
|
presentation of home-made mead or ale.)
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
9
|
|||
|
*
|
|||
|
|
|||
|
THE FALSE KNIGHT UPON THE ROAD (Child #3)
|
|||
|
-recorded by Steeleye Span
|
|||
|
|
|||
|
"Oh where are you going to?"
|
|||
|
said the False Knight upon the road
|
|||
|
"Oh I'm going to my school."
|
|||
|
said the wee boy and still he stood
|
|||
|
"What is that upon your back?"
|
|||
|
said the False Knight upon the road
|
|||
|
"Ah weel, it is my books!"
|
|||
|
said the wee boy and still he stood
|
|||
|
|
|||
|
Oh, what have you got there? I wish you was on the sands.
|
|||
|
I have got my bread and cheese! Yes, and a good staff in my hands!
|
|||
|
Oh won't you give me some? I wish you was on the sea.
|
|||
|
No, ne'r a bite or crumb! And a good ship under me!
|
|||
|
|
|||
|
And the ship to sink.
|
|||
|
An inch away from shore!
|
|||
|
I think I hear a bell.
|
|||
|
And it rings you straight to Hell!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
NOTTAMUN TOWN
|
|||
|
-Traditional
|
|||
|
|
|||
|
In Nottamun Town, in Nottamun Town
|
|||
|
Not a soul would look up not a soul would look down
|
|||
|
Not a soul would look up, not a soul would look down
|
|||
|
To show me the way to fair Nottamun Town
|
|||
|
|
|||
|
I bought me a horse t'was called a grey mare
|
|||
|
Grey mane and grey tail and green stripe on her back
|
|||
|
Grey mane and grey tail and green stripe on her back
|
|||
|
Weren't a hair upon her that was not coal black
|
|||
|
|
|||
|
She stood so still threw me to the dirt
|
|||
|
She tore at my hide, she bruised my shirt
|
|||
|
From saddle to stirrup I mounted again
|
|||
|
and on my ten toes I rode over the plain
|
|||
|
|
|||
|
When I got there no one did I see
|
|||
|
they all stood around me just looking at me
|
|||
|
i called for a cup to drive gladness away
|
|||
|
And stifle the dust for it rained the whole day
|
|||
|
|
|||
|
And the King and the Queen and the company more
|
|||
|
Came a riding behind and a walking before
|
|||
|
Come a stark naked drummer beating a drum
|
|||
|
With his hands in his bosom came marching along
|
|||
|
|
|||
|
Sat down on a hard hot cold frozen stone
|
|||
|
Ten thousand stood round me but I was alone
|
|||
|
Took my heart in my hand to keep myself warm
|
|||
|
Ten thousand was drowned that never was born
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
10
|
|||
|
*
|
|||
|
|
|||
|
CAMBRIAN DREAM
|
|||
|
-Gwydion PenDerwyn
|
|||
|
copyright probably to Nemeton
|
|||
|
|
|||
|
In the mountains of Cambria, by Rhymney's bright stream
|
|||
|
I have oft slept in heather, and dreamed a bright Dream
|
|||
|
No mortal could wake me, nor see what I've seen
|
|||
|
No landscape could ever compare.
|
|||
|
|
|||
|
'Twas the Land of my Fathers, unfettered, and free
|
|||
|
Ere the time that the Saxon swept over the Sea
|
|||
|
When mistletoe grew 'neath the shining Oak Tree
|
|||
|
No landscape could ever compare!
|
|||
|
|
|||
|
(Chorus): Dreaming of Prydein, asleep on a hill
|
|||
|
When I awaken, will you be there still?
|
|||
|
Oh, Island of Poets, my dreams you can fill
|
|||
|
But never the long waking hours.
|
|||
|
|
|||
|
Mighty Poets and Warriors traversed every road
|
|||
|
Leaving stories and legends wherever they strode
|
|||
|
Their pasts are recalled in the humblest abode
|
|||
|
In tales of the sunnier days.
|
|||
|
|
|||
|
(Chorus)
|
|||
|
|
|||
|
Now my story is ended, my song is all gone
|
|||
|
I have slept thru the evening, and into the dawn
|
|||
|
Yet still, I remember your Face, Albion,
|
|||
|
And your older, and much wiser ways!
|
|||
|
|
|||
|
(Chorus)
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
SHE MOVED THRU THE FAIRE
|
|||
|
-Padraic Colum
|
|||
|
recorded by Theodore Bikel
|
|||
|
|
|||
|
My young love said to me: My mother won't mind
|
|||
|
And my father won't slight you for your lack of kind
|
|||
|
She put her arms 'round me; these words she did say:
|
|||
|
It will not be long, love, 'til our wedding day!
|
|||
|
|
|||
|
Then she stepped away from me, and she moved thru the Faire
|
|||
|
And so fondly I watched her move here and move there
|
|||
|
At last she turned homeward, with one star awake
|
|||
|
As the Swan in the evening moves over the lake.
|
|||
|
|
|||
|
Last night she came to me, my dead love came in
|
|||
|
And so soft did she move that her feet made no din
|
|||
|
She put her arms 'round me; these words she did say:
|
|||
|
It will not be long, love, 'til our wedding day!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
11
|
|||
|
*
|
|||
|
|
|||
|
CUP OF WONDER
|
|||
|
-Ian Anderson
|
|||
|
recorded: "Songs from the Wood"
|
|||
|
Jethro Tull
|
|||
|
copyright 1977 Salamander Music
|
|||
|
pub. USA: Chrysalis Music Corp.
|
|||
|
|
|||
|
May I make my fond excuses for the lateness of the hour
|
|||
|
But we accept your invitation, and we bring you Beltane's Flower
|
|||
|
For the May Day is the Great Day, strung along the Old Straight Track
|
|||
|
And those who ancient Lines did Ley will heed this song that calls them back!
|
|||
|
|
|||
|
Ask the Green Man where he comes from, ask the Cup that fills with Red
|
|||
|
Ask the old grey Standing Stones who show the Sun His way to bed
|
|||
|
Question all as to their Ways, and learn the Secrets that they hold
|
|||
|
Walk the lines of Nature's Palm, crossed with Silver and with Gold.
|
|||
|
|
|||
|
(Chorus): Pass the Word, and pass the Lady
|
|||
|
Pass the Plate to all who hunger!
|
|||
|
Pass the Wit of Ancient Wisdom
|
|||
|
Pass the Cup of Crimson Wonder!
|
|||
|
|
|||
|
Join in Black December's Madness! Lie in August's welcome Corn!
|
|||
|
Stir the Cup that's ever filling with the Blood of all that's born!
|
|||
|
For the May Day is the Great Day, strung along the Old Straight Track
|
|||
|
And those who ancient Lines did Ley will heed this Song that calls them back!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
CUP OF WONDER II
|
|||
|
-variant lyrics by Ioseph of Locksley
|
|||
|
|
|||
|
May I make my fond excuses for the lateness of the Hour
|
|||
|
But I accept your invitation, and I bring you Beltane's Flower
|
|||
|
For the May Day is the Great Day strung along the Old Straight Track
|
|||
|
And those who ancient Lines did Ley will heed this Song that calls them back!
|
|||
|
|
|||
|
Ask the Green Man where he comes from, ask the Sun his way to bed
|
|||
|
Ask the grey and Standing Stones where last they lay their head
|
|||
|
Ask the Lady where She's standing, growing young, and growing old
|
|||
|
Cross the Lines of Nature's Palm, marked with Silver, crossed with Gold
|
|||
|
For the May Day is the Great Day strung along the Old Straight Track
|
|||
|
And those who ancient Lines did Ley will heed this Song that calls them back!
|
|||
|
|
|||
|
Ask the Lady where She's standing in the green and growing corn!
|
|||
|
Take the Cup that's ever filling with the Blood of all that's born!
|
|||
|
For the May Day is the Great Day, strung along the Old Straight Track
|
|||
|
And those who ancient Lines did Ley will heed this Song that calls them back!
|
|||
|
|
|||
|
So, pass the Cup, and pass the Lady!
|
|||
|
Pass the Plate to all who hunger!
|
|||
|
Pass the Wit of Ancient Wisdom
|
|||
|
Pass the Cup of Crimson Wonder!
|
|||
|
|
|||
|
(repeat verse 1)
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
12
|
|||
|
*
|
|||
|
|
|||
|
LORD OF THE DANCE
|
|||
|
-Gwyddion PenDderwyn, Amy Falkowitz, Ann Case, Len Rosenberg
|
|||
|
recorded by Joe Bethancourt
|
|||
|
"Celtic Circle Dance"
|
|||
|
|
|||
|
She danced on the water, and the wind was Her horn
|
|||
|
The Lady laughed, and everything was born
|
|||
|
And when She lit the sun and its' light gave Him birth
|
|||
|
The Lord of the Dance first appeared on the Earth
|
|||
|
|
|||
|
(Chorus): Dance, dance, where ever you may be
|
|||
|
I am the Lord of the Dance, you see!
|
|||
|
I live in you, and you live in Me
|
|||
|
And I lead you all in the Dance, said He!
|
|||
|
|
|||
|
I danced in the morning when the World was begun
|
|||
|
I danced in the Moon and the Stars and the Sun
|
|||
|
I was called from the Darkness by the Song of the Earth
|
|||
|
I joined in the Song, and She gave Me the Birth!
|
|||
|
|
|||
|
I dance in the Circle when the flames leap up high
|
|||
|
I dance in the Fire, and I never, ever, die
|
|||
|
I dance in the waves of the bright summer sea
|
|||
|
For I am the Lord of the wave's mystery
|
|||
|
|
|||
|
I sleep in the kernel, and I dance in the rain
|
|||
|
I dance in the wind, and thru the waving grain
|
|||
|
And when you cut me down, I care nothing for the pain;
|
|||
|
In the Spring I'm the Lord of the Dance once again!
|
|||
|
|
|||
|
I dance at the Sabbat when you dance out the Spell
|
|||
|
I dance and sing that everyone be well
|
|||
|
And when the dancing's over do not think that I am gone
|
|||
|
To live is to Dance! So I dance on, and on!
|
|||
|
|
|||
|
I see the Maidens laughing as they dance in the Sun
|
|||
|
And I count the fruits of the Harvest, one by one
|
|||
|
I know the Storm is coming, but the Grain is all stored
|
|||
|
So I sing of the Dance of the Lady, and Her Lord:
|
|||
|
|
|||
|
The Horn of the Lady cast its' sound 'cross the Plain
|
|||
|
The birds took the notes, and gave them back again
|
|||
|
Till the sound of Her music was a Song in the sky
|
|||
|
And to that Song there is only one reply:
|
|||
|
|
|||
|
The moon in her phases, and the tides of the sea
|
|||
|
The movement of the Earth, and the Seasons that will be
|
|||
|
Are the rhythm for the dancing, and a promise thru the years
|
|||
|
That the Dance goes on thru all our joy, and tears
|
|||
|
|
|||
|
We dance ever slower as the leaves fall and spin
|
|||
|
And the sound of the Horn is the wailing of the wind
|
|||
|
The Earth is wrapped in stillness, and we move in a trance,
|
|||
|
But we hold on fast to our faith in the Dance!
|
|||
|
|
|||
|
(more)
|
|||
|
|
|||
|
|
|||
|
|
|||
|
13
|
|||
|
LORD OF THE DANCE (cont.)
|
|||
|
|
|||
|
The sun is in the southland and the days grow chill
|
|||
|
And the sound of the horn is fading on the hill
|
|||
|
'Tis the horn of the Hunter, as he rides across the plain
|
|||
|
And the Lady sleeps 'til the Spring comes again
|
|||
|
|
|||
|
The Sun is in the Southland and the days lengthen fast
|
|||
|
And soon we will sing for the Winter that is past
|
|||
|
Now we light the candles and rejoice as they burn
|
|||
|
And we dance the Dance of the Sun's return!
|
|||
|
|
|||
|
They danced in the darkness and they danced in the night
|
|||
|
They danced on the Earth, and everything was light
|
|||
|
They danced out the Darkness and they danced in the Dawn
|
|||
|
And the Day of that Dancing is still going on!
|
|||
|
|
|||
|
I gaze on the Heavens and I gaze on the Earth
|
|||
|
And I feel the pain of dying, and re-birth
|
|||
|
And I lift my head in gladness, and in praise
|
|||
|
For the Dance of the Lord, and His Lady gay
|
|||
|
|
|||
|
I dance in the stars as they whirl throughout space
|
|||
|
And I dance in the pulse of the veins in your face
|
|||
|
No dance is too great, no dance is too small,
|
|||
|
You can look anywhere, for I dance in them all!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
THE SONG OF WANDERING AENGUS
|
|||
|
-Wm. Butler Yeats
|
|||
|
recorded by Judy Collins
|
|||
|
|
|||
|
I went out to the hazel - wood
|
|||
|
Because a fire was in my head
|
|||
|
Cut and peeled a hazel - wand
|
|||
|
Tied a berry to a thread
|
|||
|
And when white moths were on the wing
|
|||
|
And moth - white stars were flickering out
|
|||
|
I dropped the berry in a stream
|
|||
|
And caught a little silver trout..........
|
|||
|
|
|||
|
I had but laid it on the bank
|
|||
|
And gone to blow the fire a-flame
|
|||
|
Something rustled in the air
|
|||
|
Something called me by my name!
|
|||
|
It had become a glimmering Girl
|
|||
|
With apple - blossom in her hair
|
|||
|
Who called me by my name, and ran
|
|||
|
And vanished in the brightening air........
|
|||
|
|
|||
|
Though I am old, with wandering
|
|||
|
Thru hilly lands, and hollow lands;
|
|||
|
I'll find out where she has gone
|
|||
|
To seek her lips, to take her hands-
|
|||
|
And walk thru long green dappled grass;
|
|||
|
To pluck 'til Time, and times are done:
|
|||
|
The Silver Apples of the Moon;
|
|||
|
The Golden Apples of the Sun...............
|
|||
|
|
|||
|
14
|
|||
|
*
|
|||
|
|
|||
|
THE CHILDISH EDDA
|
|||
|
-Bela of Eastmarch, KSCA
|
|||
|
Ron Ellik
|
|||
|
-tune: "Tramp, Tramp, Tramp"
|
|||
|
|
|||
|
Yggdrasil, where Nine Worlds clash, is a noble piece of ash
|
|||
|
That shelters Norns and Gods and all that crew
|
|||
|
There, a Dragon gnaws the base of an Eagle's resting place,
|
|||
|
And four Harts, a Goat and Squirrel are there too!
|
|||
|
|
|||
|
Frigga took a year or so, and, except for mistletoe
|
|||
|
Got from everything an Oath for Balder's good
|
|||
|
Evil Loki wished him harm, so he hired Hodr's arm,
|
|||
|
And the staff the Blind God threw was kissing-wood!
|
|||
|
|
|||
|
Tyr vowed Fenris-Wolf his hand if he couldn't break the Band
|
|||
|
That All-Father's wisdom made both light and hefty...
|
|||
|
Lupine muscles strained away, but the magic held its' sway -
|
|||
|
And from then on, till The Time, they called Tyr "Lefty!"
|
|||
|
|
|||
|
When Thor went out to fish, he quickly got his wish,
|
|||
|
and he hauled a Jormangandr from the Bay.
|
|||
|
But Hymr cut the cable, and Thor was only able
|
|||
|
To brag about the "one that got away..."
|
|||
|
|
|||
|
When Thor called upon the Giants, they didn't show defiance,
|
|||
|
But they soon got rid of him, and of his Hammer!
|
|||
|
For the sea he could not swallow, and old Grandmaw beat him hollow,
|
|||
|
And the House-Pet caused an awful katzenjammer!
|
|||
|
|
|||
|
Asa-Thor became a "her" for to repossess Mjollnir,
|
|||
|
And unto a frosty brute his troth did plight;
|
|||
|
But the vittles that he ate would an army more than sate,
|
|||
|
And the chefs at Utgard always rued that night!
|
|||
|
|
|||
|
Each God's Apple every day, kept the doctor far away
|
|||
|
'Til a Giant captured Ydun from their Halls...
|
|||
|
Loki fetched home Bragi's Bride, with Her health-food store beside,
|
|||
|
Plus a char-broiled eagle underneath the Walls!
|
|||
|
|
|||
|
Odin said to Mim: "I think I would sort of like a drink."
|
|||
|
Answered Mim: "That will cost you your left eye!
|
|||
|
For you've come up very late to the Well at Wisdom's Gate
|
|||
|
And the set-up prices, after hours, are high!"
|
|||
|
|
|||
|
Oh, the Giants brought their War up to Bifrost's very Door
|
|||
|
And the battling wrecked Asgards perfect clime-
|
|||
|
Jormungandr, Hel and Fenris dealt out Death in doses generous
|
|||
|
And, in fighting, did the Aesir pass The Time!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
15
|
|||
|
*
|
|||
|
|
|||
|
THE VALKYRIE SONG
|
|||
|
(Tune: Wagner's "Flight of the Valkyries")
|
|||
|
|
|||
|
We fly through the night skies
|
|||
|
Flashing our fat thighs,
|
|||
|
Picking up dead guys;
|
|||
|
You call this a job?
|
|||
|
|
|||
|
You take the blond guy,
|
|||
|
I'll take the redhead!
|
|||
|
Wait, he's not dead yet;
|
|||
|
Let him go . . . splat!
|
|||
|
|
|||
|
Chorus: Woo-oop! Woo-oop!
|
|||
|
Woo-oop! Woo-oop!
|
|||
|
Woo-oop! Woo-oop!
|
|||
|
Woo-oop! Woo-oop!
|
|||
|
Oh-h-h-h-h-h!
|
|||
|
|
|||
|
We're hunting the Wabbit!
|
|||
|
We're hunting the Wabbit!
|
|||
|
We're hunting the Wabbit!
|
|||
|
We're hunting the Wabbit!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
THE QUEEN OF FAERIE'S FEE
|
|||
|
-Li Kung Lo
|
|||
|
(c) copyright 1985 Richard Munroe
|
|||
|
|
|||
|
A ragged vagabond he was, a lady fine was she
|
|||
|
They walked along the leeward shore on a footpath through the trees
|
|||
|
They plied their troth to the wind and the stars but a mile from the town
|
|||
|
Though promised to a lord she was, yet still he laid her down
|
|||
|
Upon the bracken and the boughs, they made their forest bed
|
|||
|
And she let down her flaxen hair, and these were the words she said:
|
|||
|
|
|||
|
Lay me down, you wanderer, love me well tonight
|
|||
|
I'll be leaving with the cock's crow, before the morning light
|
|||
|
Lay me down in this forest, come and lay here by my side
|
|||
|
For I'll be gone at daybreak, to be a noble's bride
|
|||
|
|
|||
|
Though untied to the land you are, I'll love you well, quoth she
|
|||
|
But my lord must never know, for a jealous lord is he
|
|||
|
They made their tryst, but not alone, for their meeting had been seen
|
|||
|
Too full of love were they to hear the laugh of the faerie queen
|
|||
|
She saw these lovers lying so, and an angry queen was she
|
|||
|
For woodland night is faerie's realm, and love is never free
|
|||
|
|
|||
|
So lay me down, you wanderer, love me well tonight
|
|||
|
I'll be leaving with the cock's crow, before the morning light
|
|||
|
Lay me down in this forest, come and give your love to me
|
|||
|
But know that you may have to pay the queen of faerie's fee
|
|||
|
|
|||
|
(more)
|
|||
|
|
|||
|
|
|||
|
|
|||
|
16
|
|||
|
THE QUEEN OF FAERIE'S FEE (cont.)
|
|||
|
|
|||
|
To trespass on my land, she spoke, a pledge you will give me
|
|||
|
You'll never give your own true love to any man save he
|
|||
|
And you, a footpad though you are, a man without a home
|
|||
|
You'll never leave this lass again, no more will your feet roam
|
|||
|
Their passion burned like faerie fire, the queen she laughed with glee
|
|||
|
But they cared not, for the light of love was all that they could see
|
|||
|
|
|||
|
So lay me down, oh wanderer, love me well tonight
|
|||
|
I'll be leaving with the cock's crow, before the morning light
|
|||
|
Lay me down in this forest come and give your love to me
|
|||
|
But know that we may have to pay the queen of faerie's fee
|
|||
|
|
|||
|
The queen came forth, her eyes afire, enraptured both were they
|
|||
|
She kissed them both upon the brow, just e're the break of day
|
|||
|
They did not stir when daylight came, touched by the morning dew
|
|||
|
For she was a weeping willow, and he a stately yew
|
|||
|
And these two trees can still be seen,with their limbs entwined just so
|
|||
|
And this song can still be heard at the point of Tupelo
|
|||
|
|
|||
|
Lay me down, you wanderer, love me well tonight
|
|||
|
I'll be leaving with the cock's crow, before the morning light
|
|||
|
Lay me down in this forest, come and lay here by my side
|
|||
|
For I'll be gone at daybreak, to be a noble's bride
|
|||
|
|
|||
|
So lay me down, you wanderer, love me for tonight
|
|||
|
I'll be leaving with the cock's crow, before the morning light
|
|||
|
Lay me down in this forest, come and give your love to me
|
|||
|
But know that we will have to pay the queen of Faerie's fee
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
GOD IS ALIVE, MAGIC IS AFOOT
|
|||
|
-Leonard Cohen (c) 1966
|
|||
|
|
|||
|
God is alive.....Magic is afoot...God is alive....magic is afoot...
|
|||
|
God is afoot.....Magic is alive...Alive is afoot..magic never died!
|
|||
|
|
|||
|
God never sickened. Many poor men lied. Many sick men lied.
|
|||
|
Magic never weakened. Magic never hid. Magic always ruled. God is afoot.
|
|||
|
God never died!
|
|||
|
|
|||
|
God was Ruler, though his funeral lengthened.
|
|||
|
Though His mourners thickened, magic never fled.
|
|||
|
Though His shrouds were hoisted the naked God did live;
|
|||
|
Though His words were twisted the naked magic thrived;
|
|||
|
Though His death was published round and round the world
|
|||
|
The heart did not believe.
|
|||
|
|
|||
|
Many hurt men wondered. Many struck men bled.
|
|||
|
Magic never faltered. Magic always led.
|
|||
|
Many stones were rolled, but God would not lie down!
|
|||
|
Many wild men lied. Many fat men listened.
|
|||
|
Though they offered stones, magic still was fed!
|
|||
|
Though they locked their coffers, God was always served.
|
|||
|
|
|||
|
Magic is afoot....God is alive....
|
|||
|
Alive is afoot....Alive is in command.
|
|||
|
(more)
|
|||
|
17
|
|||
|
GOD IS ALIVE/MAGIC IS AFOOT (cont.)
|
|||
|
|
|||
|
Many weak men hungered. Many strong men thrived.
|
|||
|
Though they boasted solitude, God was at their side.
|
|||
|
Nor the dreamer in his cell, Nor the captain on the hill:
|
|||
|
Magic is alive!
|
|||
|
Though His death was pardoned 'Round and 'round the world,
|
|||
|
The heart would not believe!
|
|||
|
|
|||
|
Though laws were carved in marble they could not shelter men;
|
|||
|
Though altars built in Parliaments, they could not order men;
|
|||
|
Police arrested magic and magic went with them, ah!
|
|||
|
For magic loves the hungry....
|
|||
|
|
|||
|
But magic would not tarry, it moves from arm to arm,
|
|||
|
It would not stay with them; it cannot come to harm:
|
|||
|
Magic is afoot! It cannot come to harm.
|
|||
|
It rests in an empty palm. It spawns in an empty mind.
|
|||
|
But magic is no instrument: magic is the End!
|
|||
|
|
|||
|
Many men drove magic, but magic stayed behind; Many strong men lied.
|
|||
|
They only passed thru magic and out the other side!
|
|||
|
Many weak men lied. They came to God in secret and
|
|||
|
Though they left Him nourished, They would not tell Who healed;
|
|||
|
Though mountains danced before them They said that God was dead!
|
|||
|
Though His shrouds were hoisted, the naked God did live!
|
|||
|
|
|||
|
God is alive! Magic is afoot...God is alive... God is alive...
|
|||
|
Magic is afoot...
|
|||
|
|
|||
|
This I mean to whisper to my mind: This I mean to laugh with in my mind:
|
|||
|
This I mean my mind to serve 'Til service is but magic, moving thru the world
|
|||
|
And mind itself is magic, coursing thru the flesh
|
|||
|
And flesh itself is magic, dancing on a clock,
|
|||
|
And Time itself, the magic length of God!
|
|||
|
|
|||
|
God is alive...Magic is afoot...Magic is afoot...God is alive..
|
|||
|
Magic is alive...God is afoot...Alive is afoot...God never died.
|
|||
|
Many strong men lied. They only passed thru magic and out the other side!
|
|||
|
This I mean to whisper to my mind: This I mean to laugh with in my mind:
|
|||
|
This I mean my mind to serve 'Til service is but magic, moving thru the world
|
|||
|
And mind itself is magic, coursing thru the flesh
|
|||
|
And flesh itself is magic, dancing on a clock,
|
|||
|
And Time itself, the magic length of God!
|
|||
|
|
|||
|
*
|
|||
|
|
|||
|
THE REAL OLD TIME RELIGION
|
|||
|
tune: "Old Time Religion"
|
|||
|
|
|||
|
(Chorus): Give me that real old time religion (3X)
|
|||
|
It's good enough for me!
|
|||
|
|
|||
|
We will have a mighty orgy We will sacrifice to Yuggoth
|
|||
|
in the honour of Astarte we will sacrifice to Yuggoth
|
|||
|
it'll be a mighty party Burn a candle for Yog-Soggoth
|
|||
|
and it's good enough for me! and the Goat With a Thousand Young!
|
|||
|
|
|||
|
(more)
|
|||
|
|
|||
|
18
|
|||
|
THE REAL OLD TIME RELIGION (cont)
|
|||
|
|
|||
|
We will all be saved by Mithras If your rising sign is Aries
|
|||
|
We will all be saved by Mithras You'll be taken by the Fairies
|
|||
|
slay the Bull and play the zithras Meet the Buddah in Benares
|
|||
|
on that Resurrection Day! where he'll hit you with a pie!
|
|||
|
|
|||
|
I hear Valkyries a-comin There are people into Voodoo
|
|||
|
In the air their song is comin there are people into Voodoo
|
|||
|
They forgot the words! They're hummin! I know I do, I hope you do!
|
|||
|
But they're good enough for me! and it's good enough for me!
|
|||
|
|
|||
|
We will venerate Bubastis We will read from the Kabahlah
|
|||
|
We will venerate Bubastis We will read from the Kabahlah
|
|||
|
If you want in, then just ast us! It won't get us to Valhalla
|
|||
|
'cause that's good enough for me! But it's good enough for me!
|
|||
|
|
|||
|
We will all bow down to Enlil There are some who practice Shinto
|
|||
|
We will all bow down to Enlil there are some who practice Shinto
|
|||
|
Pass your Cup and get a refill! there's no telling what WE'RE into!
|
|||
|
With bold Gilgamesh the Brave! but that's good enough for me!
|
|||
|
|
|||
|
We will all see Aphrodite We will all sing Hare Krishna
|
|||
|
Though she's pretty wild and flighty We will all sing Hare Krishna
|
|||
|
She will meet us in her nightie It's not mentioned in the Mishna
|
|||
|
And she's good enough for me! But it's good enough for me!
|
|||
|
|
|||
|
It was good enough for Loki We will all go to Nirvana
|
|||
|
It was good enough for Loki We will all go to Nirvana
|
|||
|
He thinks Thor's a little hokey Make a left turn at Urbana
|
|||
|
and that's good enough for me! And you'll see the Promised Land!
|
|||
|
|
|||
|
Here's to those who copy Conan There will be a lot of lovin
|
|||
|
Here's to those who copy Conan when we're meetin in our Coven
|
|||
|
They're just Followers of Onan Quit yer pushin and yer shovin
|
|||
|
and that's good enough for me! So there's room enough for me!
|
|||
|
|
|||
|
We will have a mighty Party It was good enough for Sappho
|
|||
|
In the honor of Astarte With her lady on her lap-o
|
|||
|
Grab your chiton - don't be tardy She put Lesbos on the map-o
|
|||
|
'Cause she's good enough for me! With her pagan poetry!
|
|||
|
|
|||
|
Shall we sing a verse for Venus, Well the Christians all are humming
|
|||
|
Of the Gods she is the meanest, Cause they say their God is coming,
|
|||
|
Cause she bit me on my...elbow Our God came three times this evening
|
|||
|
And it's good enough for me. And that's good enough for me.
|
|||
|
|
|||
|
We will worship like the Druids, Some guys have a circumcision
|
|||
|
Drinking strange fermented fluids, On account of their religion,
|
|||
|
Running naked through the woo-ids, An embarrassing incision
|
|||
|
Coz that's good enough for me. Cut just ENOUGH from me!
|
|||
|
|
|||
|
We will sing a verse for Loki It was good for old Jehovah
|
|||
|
He's the old Norse god of Chaos He had a son who was a nova!
|
|||
|
Which is why this verse don't Hey there, Mithras! Move on ova'!
|
|||
|
rhyme or scan or nothin' Another resurrection Day!
|
|||
|
But it's good enough for me...
|
|||
|
|
|||
|
(more yet!)
|
|||
|
|
|||
|
19
|
|||
|
THAT REAL OLD TIME RELIGION (cont)
|
|||
|
|
|||
|
It was good for Thor and Odin It could be that you're a Parsi
|
|||
|
It was good for Thor and Odin It could be that you're a Parsi
|
|||
|
Grab an axe and get your woad on! Don't need a ticket; you get in free
|
|||
|
and it's good enough for me! And that's good enough for me!
|
|||
|
|
|||
|
Azahoth is in his Chaos Just like Carlos Castenada
|
|||
|
Azahoth is in his Chaos Just like Carlos Castenada
|
|||
|
Now if only he don't sway us It'll get you sooner or later
|
|||
|
That is good enough for me! And that's good enough for me!
|
|||
|
|
|||
|
If you think that you'll be sav-ed Jerry Falwell thinks he's sav-ed
|
|||
|
If you think that you'll be sav-ed In a lamb's blood he's been lav-ed
|
|||
|
If you follow Mogen David And HE thinks that I'M deprav-ed
|
|||
|
Then that's good enough for me! But that's good enough for me...
|
|||
|
|
|||
|
We will sing to Lady Isis We will all bow down to Dagon
|
|||
|
She'll stand by us in a crisis We will all bow down to Dagon
|
|||
|
And She hasn't raised Her prices He still votes for Ronald Reagan
|
|||
|
And She's good enough for me! And that's good enough for me!
|
|||
|
|
|||
|
There are those who, when they've got e-
|
|||
|
Normous problems that are knotty
|
|||
|
They just take them to Hecate Thanks to great Quetzacoatl
|
|||
|
And that's good enough for me! And his sacred axolotl
|
|||
|
And his gift of chocolatl
|
|||
|
Was a time, so I've heard tell, a And please pass some down to me!
|
|||
|
Fine and promising young fella
|
|||
|
Gave his all to serve Cybele
|
|||
|
But that's damn well not for me!
|
|||
|
|
|||
|
Well, she raised an awful flurry When old Gerald got it goin'
|
|||
|
When she made the scholars worry When old Gerald got it goin'
|
|||
|
Thank the Gods for Margaret Murray! All that hidin' turned to showin'
|
|||
|
She is good enough for me! And that's good enough for me!
|
|||
|
|
|||
|
We'll sing praises to Apollo When we all bowed down to Nuit
|
|||
|
Where the Sun-God leads, I'll follow There was really nothin' to it
|
|||
|
From Ionia to Gaul-o (Alex Sanders made me do it...)
|
|||
|
And that's good enough for me! But that's good enough for me!
|
|||
|
|
|||
|
Let us sing the praise of Horus We went off to worship Venus
|
|||
|
As our fathers did before us By the Gods! You should have seen us!
|
|||
|
We're the New Egyptian Chorus Now the Clinic has to screen us...
|
|||
|
And we sing in harmony! But that's good enough for me!
|
|||
|
|
|||
|
It was good enough for Granny It's not good enough for Reagan
|
|||
|
She could throw a double-whammy It's not good enough for Reagan
|
|||
|
That would knock you on your fanny He's too square to be a Pagan!
|
|||
|
And she's good enough for me! And that's good enough for me!
|
|||
|
|
|||
|
We will gather at our saunas Meeting at the Witching Hour
|
|||
|
When the spirit comes upon us By the Bud, and Branch and Flower
|
|||
|
To perform the Rites of Faunus Folks are raising up the Power
|
|||
|
And that's good enough for me! And that's where I want to be!
|
|||
|
|
|||
|
(and more yet!)
|
|||
|
|
|||
|
|
|||
|
|
|||
|
20
|
|||
|
THE REAL OLD TIME RELIGION (cont)
|
|||
|
|
|||
|
We will worship mighty Cthulhu In the sky I hear a hummin'
|
|||
|
H. P. Lovecraft's big old hoodoo It's the UFO's a-comin'
|
|||
|
(1930's fiction voodoo....) That's not banjos that they're strummin'
|
|||
|
But that's good enough for me! But it's good enough for me!
|
|||
|
|
|||
|
Oh the Phillistines abound Oh we all will follow Buddah
|
|||
|
Oh the Phillistines abound Oh we all will follow Buddah
|
|||
|
They had the biggest Baals around And we'll eat no food but Gouda
|
|||
|
And that's good enough for me! Which is Gouda-nuff for me
|
|||
|
|
|||
|
Oh, our Spirits will awaken We'll sing praises to Apollo;
|
|||
|
Oh, our Spirits will awaken Where the Sun God leads we'll follow
|
|||
|
Watch the Universe a-quakin' ('Though his head's a little hollow) -
|
|||
|
Which is Gurdijeff to me! He's good enough for me!
|
|||
|
|
|||
|
Let us raise a toast to Bacchus, We will worship Great Cthulhu,
|
|||
|
We will raise a royal ruckus, We will worship Great Cthulhu,
|
|||
|
Then we'll lay us down and f**k us And we'll feed him Mr. Sulu
|
|||
|
That's good enough for me. 'Cause that's good enough for me!
|
|||
|
|
|||
|
It was good enough for Buddha, We all worshipped Dionysus
|
|||
|
As a god he's kinda cute-a, 'Till we ran into a crisis -
|
|||
|
And he comes in brass or pewta' The bar had raised its prices;
|
|||
|
So he's good enough for me! That's not good enough for me.
|
|||
|
|
|||
|
Uncle Crowley was a dreamer We will go and sing "Hosanna"
|
|||
|
At the Abbey of Thelema To our good ol' pal, Gautama,
|
|||
|
But his magic is a screamer, He will never flim or flam ya',
|
|||
|
So it's good enough for me. And that's good enough for me!
|
|||
|
|
|||
|
Oh we'll all be Fundamental When the clouds they are a'rumbling
|
|||
|
And be Holy Testamental And the thunder is a'grumbling,
|
|||
|
And never Trancendental Then it's Crowley that you're mumbling,
|
|||
|
And that's good enough for me! And it's good enough for me!
|
|||
|
|
|||
|
There are some that call it folly Shall we sing a verse for Thor,
|
|||
|
When we worship Mother Kali. Though he leaves the maidens sore?
|
|||
|
She may not be very jolly They always come back for more,
|
|||
|
But she's good enough for me. So he's good enough for me!
|
|||
|
|
|||
|
Shall we sing in praise of Loki, It was good enough for Odin
|
|||
|
Though he left poor Midgard smokey? Though the tremblin' got forbodin'
|
|||
|
Oh, his sense of humor's hokey, Then the giants finally strode in,
|
|||
|
But he's good enough for me. But it's good enough for me.
|
|||
|
|
|||
|
Montezuma liked to start out There's that lusty old Priapus
|
|||
|
Rites by carrying a part out He's just itching to unwrap us.
|
|||
|
That would really tear your heart out, (He'd do more to us than tap us
|
|||
|
But it's good enough for me! And that's good enough for me!)
|
|||
|
|
|||
|
We will all bow down to Allah Where's the gong gone? I can't find it
|
|||
|
For he gave his loyal follow I think Northwoods is behind it!
|
|||
|
Ers the mighty petro-dollah For they've always been cymbal-minded
|
|||
|
And that's good enough for me! And they're good enough for me!
|
|||
|
|
|||
|
(still more!)
|
|||
|
|
|||
|
|
|||
|
|
|||
|
21
|
|||
|
THAT REAL OLD TIME RELIGION (cont)
|
|||
|
|
|||
|
I was singing Hari Rama We will pray with those Egyptians
|
|||
|
With my friend the Dalai Lama Build pyramids to put our crypts in
|
|||
|
'Til they dumped us in the slammer Cover subways with inscriptions,
|
|||
|
But that's good enough for me which is good enough for me.....!
|
|||
|
|
|||
|
One-eyed Odin we will follow We will pray to Zarathustra
|
|||
|
And in fighting we will wallow And we'll pray just like we usta
|
|||
|
Till we wind up in Valhallow I'm a Zarathustra boosta!
|
|||
|
Which is good enough for me! And that's good enough for me!
|
|||
|
|
|||
|
Hare Krishna gets a laugh on I'll arise at early mornin'
|
|||
|
When he sees me dressed in saffron When the Sun gives me the warnin'
|
|||
|
With my hair that's only half on That the Solar Age is dawnin'
|
|||
|
But that's good enough for me! And that's good enough for me!
|
|||
|
|
|||
|
We will sing a verse for Eris Of Great Murphy much is spoken
|
|||
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(Golden apples for the fairest!) For his Law shall not be broken
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Though she sometimes likes to scare us It's not pretty when he's woken
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But she's good enough for me! Things go wrong for you and me!
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We will sing for great Diana If your god of choice is Squat
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Who will teach of love and honor Well then trendy, man, you're not -
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But you really gotta wanna! But you'll get a parking spot!
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'Cause she's tough enough for me! And that's good enough for me!
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We will venerate Bubastis Call Him God, or call him Allah
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'Cause my cat walked up and ast us The priest will take your dollah
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(Now the cat box is DISASTROUS!) Easy living from -your- follah-
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But it's good enough for me! -wers, but sorry, -not- from me!
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I'll sing some songs to Lilith, Now Danae was sweet as flowers,
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Not so young, and not so girlish, She was into golden showers;
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and She's always PMS-ish, And that showed her Zeus' power
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but She's good enough for me! And that's good enough for me!
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And what about this Bacchus, Diana is a little spikey
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Who lives just to raise a ruckus? And she is a little dyke-ey
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Loosens women so they'll f*** us, You don't have to be a Psych-e
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Well, that's good enough for me! To know that's right for me!
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Lilith wears a lacy nightie That Bob Larson shrieks and hollers
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And She is a little flighty Fighting demons in his callers
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She will get you all excite-y Save his program: SEND YOUR DOLLARS!
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She's wet-dream enough for me! And that's good enough for me.
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With the aid of my athame Well I'm tired of Ronald Reagan,
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I can throw a "double-whammy" He's too square to be a pagan,
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(And can slice and dice salami!) Let's all vote for Carl Sagan!
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So it's good enough for me. He's good enough for me.
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It's the opera written for us
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We will all join in the chorus
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It's the opera about Boris
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Which is Godunov for me!
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*
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