630 lines
37 KiB
Plaintext
630 lines
37 KiB
Plaintext
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1 If you are in need of help, you need but ask....
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2 *************************** INSTALLED: 1 MAY 86 **********************
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3 Welcome to BWMS (BackWater Message System) Mike Day System operator
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4 ************************************************************
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5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
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6 PLACED ON THIS SYSTEM.
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7 BWMS was created as an electronic bill board. BWMS is a privately owned
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8 and operated system which is currently open for use by the general public.
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9 No restrictions are placed on the use of the system. As the system is
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10 privately owned, I retain the right to remove any and all messages which
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11 I may find offensive. Because of the limited size of the system, it will be
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12 periodically purged of messages. (only 629 lines of data can be saved)
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13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
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14 ENTER mode. The message is automatically stored. If after entering the
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15 message you find you made a mistake, use the replace command to replace
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16 the line. To exit from the system, type 'OFF' then hang up.
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17 Type 'HELP' to see other commands that are available on the system.
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18 ****************************************************************
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19
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20 L'homme: I should be there around 7:30 or so.
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21 *********************** CISTOP MIKEY *******************************
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22
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23 -+- -+- -+- -+- -+- -+- -+- -+- -+- -+- -+- -+- -+-
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24 Sage - Plans are being made for Saturday post PorSFiS on the East side.
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25 Motivation similar to disk placement, yet slipping.
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26 -+- -+- -+- -+- -+- -+- -+- -JUGGLER- -+- -+- -+- -+-
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27
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28 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ (LsP'ing)
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29 Voyeur: Did you forget to mention that the Blue Oysters made a great intro
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30 for the better band that followed? You know who... The Moody Blues!
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31 How did that Bobby Vinton song go? "Blue on Blue - earache, oh earache"?
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32 L'homme: I'll be to trade the equiment I lent out anytime you'll just so
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33 happen to have it with you. Trade did I say? Yup, just ask for the
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34 details on delivery. Trust me.
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35 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->the Guardian (121:12)
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36
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37 ch /be to trade/be willing to trade/ uh-huh.
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38
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39 @#@$@#*%_#(^*#*$$^&%^($*!@##@$#%$^&^*^&(&*)*(_)|_)+))_()*(&*^&%^#@%##~!#!~#@$#%^&*&(*)(_)+_)|)+()_*()*)***(^&*^&
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40 Voyeur: Godzilla represents a whole schema of society's ills. The monster that manifests itself from man's tinkering
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41 with his world, exploring things he has no business exploring, playing God when he has neither the intelligence or the
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42 morals to do so. Godzilla represents all of this, as the delicate system of checks and balances is thrown out of whack,
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43 and the resultant is a creature too terrible to describe; a creature whose only course of action is destruction, and yes
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44 there goes Tokyo. That, pure and simple, is my definition of cerebral rock. Now the Doors: Led by a drug crazed mad-
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45 man who considers himself a poet, a keyboard crazy with sideburns measured in acres, a guitarists who had to kiss Jim's
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46 feet in order to be allowed to play, and a drummer who couldn't hold a beat if his life depended on it. Into the
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47 morass of the Sixties this group fell, and, beyond all hope of reason or logic, became a hit. Songs like 'People are
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48 Strange (and I'm no exception)', 'Lizard King (I can do anything)', 'Waiting fi for the Sun (I've nothing better to do
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49 today)' and that all-time big hit 'L.A.
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50 Woman' convince me of the neurosis and helplessness of the band and of their leader James 'I love Miami' Morrison.
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51 I just wish that had gone east to see the czar a few years earlier. And on a side note, not ALL of their songs are
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52 bad, BOC made an excellent cover of Roadhouse Blues, far surpassing the original effort, of course.
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53 ~`!@#$%^&*()_+|\=-|+_)(*&^%$#@!~`!@#$%^&*()_+|\\=-|+_ L'homme sans Parity ~`!@#$%^&*()_+|\=-|+_)(*&^%$#@!~`~!@#$%^&*()
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54
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55 YA, AND WHO IS TO SAY WHAT IS REALITY AND WHAT IS A BLOODY ILLUSION, EVEN IN
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56 SOMEONE'S WILDEST DREAMS, at THE MOMENT??
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57 BUT WHO CARES??
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58 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
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59 Here's one to boggle your senses.
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60 "The following statement will be true"
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61 "The preceeding statement was false"
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62
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63 To those of you who understand nothing but numbers, translate it yourself.
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64 ........PENDRAGON........
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65 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
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66 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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67
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68 Geez...
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69 Evidently you don't read what you write.... Or don't understand what
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70 you read....Or don't write what you understand....Enough circular logic !
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71 In examining your last repartee I am convinced that one or more of the
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72 above must be true, otherwise how could one account for the blatent
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73 misunderstanding and re-statement and of the obvious. The reasoning follows :
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74 1) " he calls ME the unsigned one ! " - D.U.W.Y.R. as all my messages contain
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75 my signature. Yours don't.
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76 2) " you may think you are using some secret code " - D.U.W.Y.R I don't think
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77 I am ...I know I am.
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78 3) " you're the only one who knows it." - D.U.W.Y.R. A statement of fact not
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79 in evidence. The solution is elementary, therefore any number individuals
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80 could be in possession of the "answers".
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81 4) " pompous weirdo " - D.W.W.Y.U. .... The lowest form of flattery.
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82 5) " Call me illiterate will you "- D.R.W.Y.R. & D.U.W.Y.R. & D.W.W.Y.U.
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83 Only at YOUR insistence !
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84
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85 341 1040 846 239 957 583 54 448 778 48 274 937 866 654 182 442 457 71 61
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86 85 709 638 326 589 100 93 209 244 643 167 304 800 617 84 725 328 339 349
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87 214 201 571 788 257 565 921 582 80 744 235 571 141 433 44 552 859 410 466
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88 872 909 573 466 210 481 761 263 426 215 458 227 455 1036 666 506 186 898 433
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89 329 710 265 84 812 846 379 117 824 72 994 163 919 589 550 375 88 536 454
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90 26 323 101 556 243 410 269 636 110 32 845 706 415 953 592 731 939 426 402
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91 371 348 194 242 720 882 1004 513 533 405 673 188 344 611 265 309 845 408 805
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92 318 47 315 275 515 98 901 895 114 850 60 944 694 957 199 600 263 359 106
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93 96 694 672 443 971 80 423 488 957 365 355 311 784 616 47 80 98 292 76
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94 24 346 595 957 483 180 700 813 730 167 562 1039 160 837
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95
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96 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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97
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98 +++++++++++++++++++++++++++++++++++
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99 What does one Russian say to another in a darkened room?
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100 "Nice to see you."
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101 What do you hear in millions of Russian bedrooms at night?
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102 "Please turn off the light, dear. 'Click'.' Please turn off the light, dear
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103 'Click.' Please turn off the light, dear. 'Click'.........."
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104 What's the name of the Russian leader? Glowbachov.
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105 How many Russians does it take to make a light bulb? Only one, and he's it.
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106 What are the four main forms of radiation in USSR today? Alpha, beta, gamma,
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107 and babushka.
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108 What are the new instructions for cooking turkey in Russia? Remove from
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109 freezer, and leave outside 15 minutes per pound. Baste frequently.
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110 ++++++++++++++++++++++++++++++++++++++++++++++++ P. V. Jeltz ++++++++++++
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111 ++++++++++ How come "Spirit of Radio" was only 114th? +++++++++++++ Milchlurk
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112 .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.
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113 L'homme: Of course, you must remember that your opinion isn't gospel. BOC
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114 has it's high points, but there are low points, too. As for legendary
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115 rock, please don't forget "The End" from Jim M. and his friends. In any
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116 case, I still vote for Tom Lerher's "Poisoning Pigeons In The Park" as
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117 the number one top hit from the sixties. (Does anyone remember Tom?)
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118 And while we're on the subject, there's Tom and Dick Smothers, with their
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119 good friend Mason Williams, who will be entertaining us tomorrow night with
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120 their lingering lyrics. Who could ever forget Mason's "Tummy Gummers"
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121 or "Toad Suckers" songs?
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122 .-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.-.Emu
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123 $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
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124 All hail Professor Tom. Just don't forget "Vatigan Rag".
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125 $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ KG $$$$$$$$$$$$$$$$$
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126 L'homme, Voyeur, et al: I *will* be at PorSFiS (barring a major disaster).
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127 [gee why is that funny glow coming from Trojan....]
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128 ______________________Leonard_JD 2446552.7287______________________________
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129 :::::::::O O::::::::05/01::::::::::::::::::::::23:28::::::::::O O::::::::::::::
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130 L'homme: that pitiful excuse for musical repartee only reemphasises the old
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131 saw - "if all else fails, dazzle them with bullsh**". (with apologies to the
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132 Cistern Operator). Face it, there is no way you are going to succeed in
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133 dragging the image of the glorious Doors down to the level of your style
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134 bubble gum. You'd have as much luck comparing your lowly IBM with my
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135 *awesome* Tandy. And, while I'm putting you in your place, I liked
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136 Blue City because it was a good movie. Nyah.
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137 Ahem.
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138 :::::::::::O O::::::::::::::::::voyeur::::::::::::::::::::O O::::::::::::::::::
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139
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140 :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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141 After the PCS Social, I walked out to the Eastgate. Saw the Guardian, and we
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142 ended up talking about the goings on here, right? Well, after a while, he told
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143 me what he thought about my series of numbers.
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144 Those aren't mine. I never entered them. It was lucky I found out about
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145 them, hopefully I can rememdy this. I am not the one entering series within
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146 colon borders. To make sure there is no more confusion, I am going to go into
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147 a low profile, lurk mode, for a while. No big loss, I was quiet anyway.
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148 Good night,
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149 Prometheus Hawthorne
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150 :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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151
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152 NUKE
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153 Available from New Earth Games, Oklahoma City, OK 73177; $29.95
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154 plus $3 postage.
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155
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156 [*=*] DELTALURK [*=*]
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157 ? ? ? ? ? ? ? ?/
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158 DeltaV:[why do I always feel like I am talking to a missile?] The old phone number,
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159 old address, old PO box etc. etc. Are all gone now. New number on Blue Parot.
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160 PorSFiS is impossible, different arangements can be made.
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161 ? ? ? ? ? ? ? ?/MiG
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162 #$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$
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163 The Hell Machine
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164 (7)
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165
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166 "-and there you have it, the final signing of the Mutual Non-Agression Pact by the United States and the Soviet
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167 Union. Plans call for the immediate verifiable disarmament of the nuclear arsenals of both cities within the next six
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168 months. Optimism runs high in both Washington and Moscow that total disarmament will be completed ahead of
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169 schedule-"
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170 Click.
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171 "-total withdrawal of all soviet troops from East Germany and Czechoslovakia completes the first phase of the
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172 U.S.S.R.'s plan to return all its satellite countries to their original status as independant states. Millions of
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173 dollars of aid are being sent to all former communist dominated countries-"
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174 Click.
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175 "-the economy has improved to the point where there are actually more jobs than people currently able to work in the
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176 U.S.-"
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177 Click.
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178 "P-147 has been approved by the FDA for testing in several hospitals around the country. Researchers are ethusiastic
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179 that P-147 will prove to the the long-sought panacea, capable of curing all known diseases without side effects-"
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180 Frank threw the remote control down on the couch. Jean picked it up and continued flipping through the channels,
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181 stopping on every channel that showed the news in one form or other. Hell, the news was more interesting than anything
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182 else on TV. It never failed to surprise.
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183 Things were getting out of control.
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184 The world had changed almost beyond recognition in the three weeks since Jean first saw the sun rise in the west.
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185 War, poverty, hunger, disease had all but vanished. Earth was well on its way to becoming a true utopia, which was fine
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186 except... would it stop there? And Frank was slowly becoming convinced of one thing: These changes were not as random
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187 as they first seemed. Somebody was controlling them.
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188 But who?
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189 He sat back down and rubbed his eyes tiredly. God, if only he could wake up! the whole world was being pulled out
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190 from under him like a rug and as far as he could tell, only himself, Norbert and Jean realized that anything was amiss.
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191 Every one else accepted the changes that faced them every morning when they woke up as if things had ben that way all
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192 their lives. He put an arm around Jean protectively. His worst nightmare was that he would wake up one morning and find
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193 that she was gone, indeed had never existed anywhere but in his mind. As a consequence, Frank slept even less well than
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194 usual these nights.
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195 Jean had stopped on another channel showing the news. Something in the broadcast dragged Frank from his dark
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196 contemplations.
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197 "-the madman known to the public only as Nom De Guerre was shot to death today in his latest attack on novelist
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198 J. D. Silverman. De Guerre has attempted to kill Mr Silverman three times in the past five years for reasons still
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199 unknown. De Guerre reportedly stepped out of an alleyway and fired a single .45 caliber slug which struck Silverman
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200 directly in the skull but miraculously ricocheted off. Silverman drew a concealed .38 derringer and shot De Guerre
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201 twice in the chest, killing him instantly. Silverman was reported in satisfactory condition at Woodland Park hospital.
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202 Confronted by reporters, he stated, quote: 'People always said I was hard-headed.' end quote. Police are withholding De
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203 Guerre's true identity pending notification of his family-"
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204 Jean sighed, "Too bad. I wish De Guerre had nailed him. His novels are the most pretentious, obnoxious crap I have
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205 ever-"
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206 Frank tuned her out, thinking. he had heard the same opinions before, and not just from her. But who did he know
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207 that was a Silverman fan? Most people he knew either didn't care how the long-running De Guerre/Silverman conflict came
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208 out or actively rooted for De Guerre. Silverman was a third-rate hack novelist whose only real claim to fame was a
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209 highly publicised and probably staged feud with an anonymous madman. But he knew someone who was a Silverman fanatic,
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210 raving for days on end about his latest project. Maybe the person who was pulling the strings of creation was a
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211 Silverman fan. It was the only explanation for his miraculous survival. But who? Someone he had seen recently, he was
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212 sure. Had this person been connected with the experiment?
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213 All the pieces fell into place and a cold chill of realization ran deep into his guts. It all made sense. The one
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214 man they hadn't heard from, the man on whom the whole experiment had hinged. Somehow, he had managed to gain control of
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215 some horrible power, and was now using it to reshape the world in his image. His face chalk-white, he turned to Jean
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216 and shakily began, "Honey, I think I just-"
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217 There was a sudden frantic hammering at the door. Shocked, they both froze and stared for a long moment. Frank
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218 finally got up and opened the door cautiously. Norbert stumbled in, headfirst. He grabbed Frank by the shirt and tried
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219 to gasp something out. Frank could see in his eyes that this was a man pushed almost to the edge of sanity by
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220 something. He grabbed Norbert's shoulders and shook him. "Get ahold of yourself, man! What's the matter?"
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221 Norbert tried once more to speak, but only a faint wheeze came out. Suddenly, all the panic drained out of him at
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222 once as he collapsed in Frank's arms in a dead faint.
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223
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224 (To Be Continued...)
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225 #$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$# J.D. SILVERMAN $#$#$#$#$#$
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226 Self-parody can be fun...
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227 #$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$
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228 SO WHAT ELSE IS NEW>
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229 Bravo, Silverman. That's one way to take the wind out of their sails.
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230
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231
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232 ______________________________JD 2446553.6505______________________________
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233 / / / / / / / / / / / / / / / / / / / / / / / / / / /
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234 Silverman: All right!!! That's the way to do it!!!!
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235 .
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236 *** STARPATH ***
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237 / / / / / / / / / / / / / / / / / / / / / / / / / / /
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238 :::::::::O O::::::::05/02:::::::::::::::::::::::21:05:::::::O O::::::::::::::::
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239 L'homme: uh, I don't want to seem picky, but the disk I need is 28 OCT 84,
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240 not 28 AUG 84. See you at PorSFiS?
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241 A certain you-know-who-you-are: is the style you are referring to like this:
|
|||
|
|
242 bjgtn xrgv[ yc]^^ _gvcx vcjik .... ? (I got that from mid January,
|
|||
|
|
243 amidst an UNDERGROUND/NEXUS border (who I thought was someone else).
|
|||
|
|
244 If this is indeed yours, all I've been able to deduce is that it is
|
|||
|
|
245 NOT a simple substitution, as the letter frequency is almost even.
|
|||
|
|
246 Since my decyphering days were few & long ago, I'm at a loss right
|
|||
|
|
247 now. If this ISN'T the system to which you were referring, I'm
|
|||
|
|
248 Really at a loss. Oh well, I didn't want to experience any more
|
|||
|
|
249 radiation than is already drifting over the Poles (pun intended).
|
|||
|
|
250 :::::::::::O O::::::::::::::::::voyeur:::::::::::::::::::O O:::::::::::::::::::
|
|||
|
|
251
|
|||
|
|
252 oops, I neglected to close a parenthesis. ) there, that feels better.
|
|||
|
|
253
|
|||
|
|
254 ~!!~@~#!@$###%#$^^%^&^*^&(&*)((()(_)+_|_+___)))(*)(**}{][":';?><,./';][`!#!#@$#@^$^%&)_)@+_)~@+$(+_@%))@@%(^*#+_(#@%~
|
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|
|
255 Voyeur: You non-literary types have always puzzled me. When confronted with carefully researched facts, you accuse
|
|||
|
|
256 the researcher of dumping pails of BS into the well, and then you go and play the hypocrite and attempt the same
|
|||
|
|
257 technique yourself. Shame on you. SHAME SHAME SHAME.
|
|||
|
|
258 Regarding the mistake on the archive file... two in one day, a new record high. :-)
|
|||
|
|
259 Emu : I remember experiencing the film Apocalypse Now, and the worst thing about the film was the very end when Martin
|
|||
|
|
260 Sheen calls in the B52's to blast Kurtz's village, the while the village is going up in flames, and the end credits are
|
|||
|
|
261 rolling by, all in the audience are subjected to that fine song 'The End' by The Doors. I knew immediately why just
|
|||
|
|
262 about everyone got up and left at that point. 'The Horror, The Horror.' Conrad is spinning in his grave. :-)
|
|||
|
|
263 Prometheus: Am I to understand that you DID make it to the PCS social, AFTER Leonard gave me YOUR three Tandy disks
|
|||
|
|
264 because you HAD NOT shown up at the previous two meetings? The best laid plans and all that ROT.
|
|||
|
|
265 Aside to voyeur's 'you-know-who-you-are' : Tricky, very tricky. I haven't nailed it down yet, but I more archive disks
|
|||
|
|
266 to filter through. I must disagree with Voyeur's thoughts on fallout over the poles. As long as said fallout causes
|
|||
|
|
267 members of the Red Plague to loose their hair and their cookies, I am all for it. Long live the victorious gentlemen in
|
|||
|
|
268 Green!
|
|||
|
|
269 $###@%*#^_*#)*##$^#^*#$^#*#$($(_*$$))##*# L'homme sans Parity *%#_))$*~$+_$)+_$)!*$)%*_)*@!_%*%!_)%(*_*%!%**_!%*!!_%*!_
|
|||
|
|
270
|
|||
|
|
271 **--***--*
|
|||
|
|
272
|
|||
|
|
273 WHY
|
|||
|
|
274 DOES THIS
|
|||
|
|
275 SYSTEM
|
|||
|
|
276 ALWAYS
|
|||
|
|
277 DO THIS TO
|
|||
|
|
278 ME? i cant
|
|||
|
|
279 even type
|
|||
|
|
280 more than
|
|||
|
|
281 ten chara-
|
|||
|
|
282 cters per
|
|||
|
|
283 line.
|
|||
|
|
284 i feel
|
|||
|
|
285 like im
|
|||
|
|
286 using a
|
|||
|
|
287 vic-20
|
|||
|
|
288 with a
|
|||
|
|
289 portable
|
|||
|
|
290 monitor!!!
|
|||
|
|
291
|
|||
|
|
292 ****------
|
|||
|
|
293 phoebus
|
|||
|
|
294 apollo
|
|||
|
|
295 ****------
|
|||
|
|
296
|
|||
|
|
297 Take it as a hint, shorty------------------------------------------------------
|
|||
|
|
298 ?????-So I heard. BP it is. DV.
|
|||
|
|
299 -+- -+- -+- -+- -+- -+- -+- -+-
|
|||
|
|
300 PHOEBUS APOLLO: At the '>' prompt, type "HELP"
|
|||
|
|
301 explains a lot, and might even work miracles
|
|||
|
|
302 oo
|
|||
|
|
303 -+- -+- -+- -+- -JUGGLER- -+- -+-
|
|||
|
|
304
|
|||
|
|
305
|
|||
|
|
306
|
|||
|
|
307 ............. ............. ............. .............
|
|||
|
|
308 Voyeur : I have a ladyfriend that is/was/? a serious cryptographer by
|
|||
|
|
309 hobby. Given that she already knows much of what used to be going on
|
|||
|
|
310 around here I almost gave her a few of the NET samplers Ian had posted a
|
|||
|
|
311 little over a year ago, but never had.
|
|||
|
|
312 While she was running through all her incomprehesible charts of
|
|||
|
|
313 acquired wisdom she made waste of quite a few given textbook samples in
|
|||
|
|
314 no time at all. She got a real kick out of it all. Before I was able to
|
|||
|
|
315 join in on all the fun we went on to live our seperate lives.
|
|||
|
|
316 I intend to track her down soon. Would it be too much to ask for
|
|||
|
|
317 a copy of what your working on so I may give it to her once I find her
|
|||
|
|
318 (somewhere in Illinois)?
|
|||
|
|
319 By the way, how went the Kiss of the Spider Woman?
|
|||
|
|
320 Kosta
|
|||
|
|
321
|
|||
|
|
322
|
|||
|
|
323 Portland, OR
|
|||
|
|
324 ............. ............. ............. .............
|
|||
|
|
325
|
|||
|
|
326 L'homme: Are you still chopping the first 19 lines off of your archives?
|
|||
|
|
327 And what are all those other things you remove....
|
|||
|
|
328 you-know-who: I've made a copy of the last msg and should get around to it
|
|||
|
|
329 soon.
|
|||
|
|
330 ______________________Leonard_JD 2446554.2611______________________________
|
|||
|
|
331 --------------------------------------
|
|||
|
|
332 It's suprising how little time it takes americans to make jokes about
|
|||
|
|
333 things...
|
|||
|
|
334
|
|||
|
|
335 What it the weather forcast for Kiev? Cloudy and 10,000 degrees.
|
|||
|
|
336 What has feathers and glows? Chicken Kiev.
|
|||
|
|
337 --------------------------------------
|
|||
|
|
338 #####################################################################
|
|||
|
|
339 Unnoticed the Innkeeper had been poking around beneath the deformed
|
|||
|
|
340 panels of the damaged transport. Occasional sparks flew from the
|
|||
|
|
341 borrowed tools. "Hey Bard, have you got a spare stablizer around here
|
|||
|
|
342 someplace?" his voice floated out from under the panel.
|
|||
|
|
343 "What?" responded Bard. "What are you doing? Get out of there, your
|
|||
|
|
344 going to damage the controls!" "I doubt that they can be damaged any more
|
|||
|
|
345 then they are now. Do you have that stablizer or not?" "No, there isn't
|
|||
|
|
346 one, so don't bother trying to fix it. We're doomed to this place
|
|||
|
|
347 forever" moaned Bard. Ignoring Bards obvious distress for the destruction
|
|||
|
|
348 of his valued transport I continued to work on the stablizer. #Maybe I
|
|||
|
|
349 can fix it enough to get us out of here# a voice in my head said.
|
|||
|
|
350 A limit detector bypassed here, an overload device there. A mass of wires
|
|||
|
|
351 began to grow under the control panel. Finally two large wires were
|
|||
|
|
352 strung out and ran into one of the medical regeneration units. "There,
|
|||
|
|
353 that should give us enough power to get this heap moving. Reaching
|
|||
|
|
354 towards the panel I threw the switch. a loud humming noise became
|
|||
|
|
355 evident followed by the smell of scorched wiring. The air began to take
|
|||
|
|
356 on a redish glow then rapidly moving up the spectrum towards the ultra-
|
|||
|
|
357 violet. Unknowing the intentions my hand moved of its own accord to the
|
|||
|
|
358 panel and set the coordinates for home. Home? What is home? I don't even
|
|||
|
|
359 know where I am let alone where home is. The controls moved, and the
|
|||
|
|
360 transport began to vibrate. The panel exploded in a shower of flames,
|
|||
|
|
361 the lights went out, and I felt like I was being torn apart cell by cell
|
|||
|
|
362 until I began to think I could stand the pain any further. Then as if
|
|||
|
|
363 in response it got even worse. I was being turned inside out.
|
|||
|
|
364 As suddenly as it started it stopped. I fell with a crash to a dirt floor
|
|||
|
|
365 I heard others around me, apparently they had made the trip as well where
|
|||
|
|
366 ever it was we went. The transport was gone though, no sign of it, only
|
|||
|
|
367 my own self and the others around me. Slowly my eyes began to have vision
|
|||
|
|
368 restored to them, and I began to make out the outlines of where we were.
|
|||
|
|
369 It seemed awfully familar for some reason... there was a wall in front of
|
|||
|
|
370 me with a rack holding many rows of bottles upon it. Some of them covered
|
|||
|
|
371 with years and years of dust, while others were obviously newly placed.
|
|||
|
|
372 My back leaned against a cask of some sort, the plug digging into my back.
|
|||
|
|
373 "Where am I?" I said out loud. "Where is this place?" I heard a smothered
|
|||
|
|
374 chuckle from above. Looking up I was surprised to see hiding in the rafters
|
|||
|
|
375 a smallish elf grinning from ear to ear and now laughing out loud. "Why
|
|||
|
|
376 the jollies?" I asked. "I can't bare it! I can't reavel the naked truth!"
|
|||
|
|
377 was the only response I got. Looking down I quickly realized what was
|
|||
|
|
378 ment. My clothes had not made the journey with me, and I quickly covered
|
|||
|
|
379 myself such as I could. "This isn't funny!" I said to no one in particular.
|
|||
|
|
380 For the first time the voice in my head did not answer. I then began to
|
|||
|
|
381 realize that the presence was no longer there. Apparently it wasn7t only
|
|||
|
|
382 my clothes that didn't make the journey either. Using a cloth that was
|
|||
|
|
383 laying across one of the casks I covered myself, and then looking up
|
|||
|
|
384 again at the elf sitting on the beam holding it's sides. I demanded
|
|||
|
|
385 "where am I? what is this place?" Between chuckles and snorts I got the
|
|||
|
|
386 answer "Why dear Innkeeper, don't you recognize this place? Surely you
|
|||
|
|
387 would not forget the many hours you've spent here climbing up and down the
|
|||
|
|
388 stairs over there." As I looked in the direction pointed I already knew
|
|||
|
|
389 the answer. I was home in my own wine cellar. "I'm home" I wispered...
|
|||
|
|
390 "I'm home!" I shouted as I ran for the stairs. "Welcome home friend" the
|
|||
|
|
391 voice behind me trailed off. I barely heard it as I rushed up the stairs.
|
|||
|
|
392 I was home.
|
|||
|
|
393 ############################# The Innkeeper ############################
|
|||
|
|
394 Milchar-I will try to find it. Forgot to tell you-the logic probe works backwards for positive logic, and negatively
|
|||
|
|
395 for negative logic-except for C-MOS, in which case you have to move the switch to pulse, except when tracing DTL,
|
|||
|
|
396 in which case, you need to wire in a pullup resistor in series with the probe tip. 330 ohms will do, but remember to
|
|||
|
|
397 bypass it with a .0047 uF capacitor.
|
|||
|
|
398 L'homme....Well, where were you? And I was so eagerly awaiting your arrival (A friend of Max...)
|
|||
|
|
399 Once upon a time, there was a young man who lived near a babbling brook, across a bridge, and behind a stand of
|
|||
|
|
400 mystical magical trees.
|
|||
|
|
401 Well, one day, as he was contemplating the alleged immaculate conception of oranges, he decided to start a computer
|
|||
|
|
402 bulletin board. He named it backwater, because (?) he lived behind the babbling brook.
|
|||
|
|
403 The whole kingdom was amazed, and soon people from far and wide, uh, I mean near, heard of this marvelous inter-
|
|||
|
|
404 change of human (?) expression...
|
|||
|
|
405 Well, it came to pass that some members of the royal (?) court (?) decreed that the sacred writings should be pre-
|
|||
|
|
406 served for posterity. (A fancy word for something or other).
|
|||
|
|
407 So, he began to record these words of wisdom (?), and, upon request from the throne, made a sacred promise-that
|
|||
|
|
408 one day, these treasured writings would be made available to all the people...
|
|||
|
|
409 And it came to pass that it didn't come to pass...
|
|||
|
|
410 And that is the end of the story...
|
|||
|
|
411 Promethious- Voyeur was just kidding about not getting any worse...
|
|||
|
|
412 [*=*] [*=*] [*=*] DELTA FIVE [*=*] [*=*]
|
|||
|
|
413 ________________________________________________________________________________
|
|||
|
|
414 They're coming to take me away, ha-haa, they're coming to take me away, ho-hoo,
|
|||
|
|
415 hee-heee, ha-haa, to the funny farm, where life is beautiful all the time. And
|
|||
|
|
416 I'll be happy to see those nice young men in their clean white coats and they're
|
|||
|
|
417 coming to take me away, ha-haaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa!
|
|||
|
|
418 Aaa-Ah, Yawa Em Ot Gnimoc Er'yeht...
|
|||
|
|
419 NAPOLEON XIV
|
|||
|
|
420 ________________________________________________________________________________
|
|||
|
|
421
|
|||
|
|
422 THE\THING/FROM~OUTER~SPACE\WAS/HERE!
|
|||
|
|
423
|
|||
|
|
424 MNAMNAMNAMNAMNAMNAMNAMNAMNAMNAMN
|
|||
|
|
425
|
|||
|
|
426
|
|||
|
|
427
|
|||
|
|
428 NAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAM
|
|||
|
|
429
|
|||
|
|
430
|
|||
|
|
431 As I can see you people can not appreciate good or classic (not
|
|||
|
|
432 classical) music, I think I had better explain something to you.
|
|||
|
|
433 The Doors music represents everything that was good and bad
|
|||
|
|
434 in the 1960's. Apparently some of you children were not around back
|
|||
|
|
435 then to know what I am talking about.
|
|||
|
|
436 The reason they used The End as the theme song for Apocalypse Now
|
|||
|
|
437 should be obvious for any person that has any sense of feeling for
|
|||
|
|
438 what the movie was about. You people are supposed to be so
|
|||
|
|
439 cultured and knowledgable about the media and life.
|
|||
|
|
440 You people are even stupid enough to think that the air strike was
|
|||
|
|
441 called in at the end of the film.
|
|||
|
|
442 Get real. If you would have been awake or had your head out of your
|
|||
|
|
443 popcorn, you might have noticed that Sheen turned the radio off as
|
|||
|
|
444 "All-mighty" was calling "PBR Streetgang". There was no air strike
|
|||
|
|
445 called in.
|
|||
|
|
446 You people can't appreciate classic music of the times and you can't
|
|||
|
|
447 even figure out one of the best movies made.
|
|||
|
|
448 Grow up people and think about life.
|
|||
|
|
449
|
|||
|
|
450
|
|||
|
|
451 Jim Morrison
|
|||
|
|
452
|
|||
|
|
453
|
|||
|
|
454 NAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAM
|
|||
|
|
455
|
|||
|
|
456
|
|||
|
|
457 As I recall the movie, the air strike was set up along the lines of a
|
|||
|
|
458 "dead man" switch. That is, the strike would take place UNLESS called off by
|
|||
|
|
459 PBR Streetgang. His act of shutting off the radio was in effect calling the
|
|||
|
|
460 strike. But that's OK, mr. Morrison, we understand. You were brain-damaged
|
|||
|
|
461 even before you died over a decade ago. That's what makes your music so
|
|||
|
|
462 evocative, I guess.
|
|||
|
|
463 Break on through.
|
|||
|
|
464
|
|||
|
|
465 ?
|
|||
|
|
466 ?
|
|||
|
|
467 ?
|
|||
|
|
468 NAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAM
|
|||
|
|
469
|
|||
|
|
470
|
|||
|
|
471 Brain dead my friend???
|
|||
|
|
472 Brain dead is for the folks in the White House who sent our boys into
|
|||
|
|
473 Nam with nothing better to do but die.
|
|||
|
|
474
|
|||
|
|
475 Your idea about the Dead Man switch is unfounded but possible...except
|
|||
|
|
476 for one problem. If you will recall, the Streetgang was also
|
|||
|
|
477 to give coordinates. These coordinates were calculated by
|
|||
|
|
478 Sheen as he found Gantz. How could H.Q. know where to drop the
|
|||
|
|
479 pills if they themselves were not sure where Gantz was? Granted they
|
|||
|
|
480 told him that they believed he was in Cambodia, but they were not sure
|
|||
|
|
481 enough to send in the 52s. No way.
|
|||
|
|
482 There is no question to discuss, the fire lines at the end of the
|
|||
|
|
483 film were simply a backdrop for credits. They were showing what
|
|||
|
|
484 was all too common over there -- death.
|
|||
|
|
485 Not the death of Gantz's followers, but the death of an American dream.
|
|||
|
|
486 The death of the idea that America can win any war that we enter.
|
|||
|
|
487 The dream that will die if we play Khadafy's game.
|
|||
|
|
488
|
|||
|
|
489
|
|||
|
|
490 Jim Morrison
|
|||
|
|
491
|
|||
|
|
492
|
|||
|
|
493 NAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAMNAM
|
|||
|
|
494
|
|||
|
|
495
|
|||
|
|
496 ***********************************
|
|||
|
|
497 DIO RULES
|
|||
|
|
498 IRON MADIN ROCKS
|
|||
|
|
499 BLACK SABBATH LIVES FOR EVER
|
|||
|
|
500 AND
|
|||
|
|
501 STEVIE WONDER SUCKS
|
|||
|
|
502
|
|||
|
|
503 666 666 666 666 666 666 666 666 666
|
|||
|
|
504
|
|||
|
|
505
|
|||
|
|
506 ***********************************
|
|||
|
|
507 My job is as plain as can be!
|
|||
|
|
508 It fills my life with simple glee!
|
|||
|
|
509 I work in a movie lot all day lonng!
|
|||
|
|
510 When I'm bored I`sing my song!
|
|||
|
|
511 I'M THE CASTING DIRECTOR!
|
|||
|
|
512 YES IT IS TRUE!
|
|||
|
|
513 MY NAME IS THE *KEEPER OF ROLES* TO YOU!
|
|||
|
|
514 -Poet
|
|||
|
|
515 *******************
|
|||
|
|
516 Page 2 of
|
|||
|
|
517 Nothing Important!
|
|||
|
|
518 ******************
|
|||
|
|
519 YOU KNOW POLES
|
|||
|
|
520 AND ROLES
|
|||
|
|
521 AND SOLES AND STOLES
|
|||
|
|
522 TROLLS AND ROLLS AND
|
|||
|
|
523 MOLES AND COALS!
|
|||
|
|
524 BUT DO YOU RECALLLLLLL?
|
|||
|
|
525 THE MOST FAAAAAMOUS KEEPER OF ALLLLL?
|
|||
|
|
526 HE'S THE KEEPER OF THOSE DDARN HOLES!
|
|||
|
|
527 FILLS THEM UP WITH MUD ALL DAYc!
|
|||
|
|
528 AND IF YOU TRIED TO STOP HIM!
|
|||
|
|
529 HIS DEMONS WILL BLOW YOU AWAY!
|
|||
|
|
530 ALL OF THE BW USERS!
|
|||
|
|
531 LAUGH AT HIM AND CALL HIM NAMES!
|
|||
|
|
532 THEY NEVER LET THE KEEPER!
|
|||
|
|
533 JOIN THE BIG DEBATE GAMES!
|
|||
|
|
534 THEN ONE FOGGY SUNDAY NIGHT
|
|||
|
|
535 THE KEEPER GOT REAL MAD!
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536 HE TRIEED TO PLAY A LITTLE JOKE!
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537 THE DEMON HE CALLED TURNED HI] INTO SMOKE!
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538 NOBODY MISSED THE KEEPER!
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539 WHEN HE DIED THEY SHOUTED OUT wITH GLEE!
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540 KEEPER IS REALLY DEAD NOW!
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541 LET'S DELETE HIM FROM OUR HISTORY!
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542 (ON THE ARCHIVES!!!!)
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543 @!~*#@!#*!$_)#%*%*%*^&$)$_^*@@%@(#+%*%(_(%|#%(@*^@+^*+_(@^@_|^(+^*#+*^*#***_^(+^(_+^(~+^($+$+^#!^##+^(#$^+#^
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544 New wire - Rolling Stone (c) Jim Morrison - He's Hot, He's Sexy, and He's Dead.
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545 Unfortunately, on this board at least, the third is not true, but the message from the nil intelligence known at Big Jim (I
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546 guess that's what the crowds in Miami thought) would tend to support RS's third contention. If you really believe that crap
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547 about the air-strike being a backdrop for the end credits, I submit you have listened to Morrison Hotel one-too-many times.
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548 Apocalypse Now is based ENTIRELY on the story Heart of Darkness written by Joseph Conrad in 1902. The story is based on a
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549 journey Conrad took through the Congo in 1889-1890. Conrad described the journey as 'experience pushed a little (and only a
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550 little) beyond the actual facts of the case'
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551 (in relationship to the story he later wrote.) If YOU can't see the similarity between the dark continent and southeast
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552 Asia during the Vietnam conflict, I further submit that this conversation should cease because one side (your side) is wholly
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553 undermanned. A.N. is more a modern version of a great story set 70 years after it was written in a different jungle under
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554 similar conditions than it is a 'tribute' to the Vietnam war or the people who fought there. Jim, you need to start recognizing
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555 the differences between what comes out of Hollywood, revered city that it is, and what we call reality. Of course, that has
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556 always been a difficult concept for you, as can be heard in your music.
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557
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558 D5 : Call and all shall be explained.
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559 Leonard : I chop *my* own files but the files you, Dave, and Aaron get are untouched except for the EOL chars being cleaned
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560 up. I'm a disk drive short because of a recent computer project (not ruined, just not available) so if possible can I
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561 borrow that drive I sold you for a day so I can xmodem the
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562 archive files over? Thanks.
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563 $*_)$*@$*_)^*%^*)^)(%+%@*%)*%)*^*_^*#^_ L'homme sans Parity *%%_)*!_)$@(+~(+_)%+@%*@#%@#%@+%(@+%**$#^&$^)&#_*#@%)
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564 L'homme: I didn't say you chopped it off of OUR copies!
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565 As for the drive, sure, you try my power supply too. That way we'll
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566 eliminate one more varaible. I hope it's just the supply.... if it's the
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567 signals....arrrgghhh
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568 ______________________Leonard_JD 2446555.3114______________________________
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569
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570 ***********************************
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571
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572 "YOU FIGHT TO KILL THE DRAGON"
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573 "SO YOU BARGIN WHITH THE BEAST"
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574 "AND SAIL INTO A SIGH"
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575 "A SHOUT COME FROM THE WIZARD"
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576 "THE SKY BEGINS TO CRACK "
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577 "AND HE`S LOOKING RIGHT AT YOU "
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578 "QUICK- RUN ALONG THE RAINBOW "
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579 " BEFORE IT TURNS TO BLACK "
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580 " ATTACK "
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581 666 666 666 666 666 666 666 666 666
|
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582
|
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583 AND GIVE THE KEEPER A SMACK"
|
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584 RIGHT WHERE IT COUNTS!
|
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585 AND THEN BLOW UP HIS SHACK!
|
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586 KILL HIS MICRO!
|
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587 SEND HIM BACK!
|
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588 WHERE HE ESCAPED FROM!
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589 AND THE HAAAAAAAPY VALLEY
|
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590 HAS MORE PEOPLE!a!!
|
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591 BUT HE'S GOT
|
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592 NO IQ__!
|
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593 GOT NOOOOOOO IQ!
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594 HE'S GOT HIGH
|
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595 HOPES BUT A LOW IQ!
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596 -Poet!
|
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|
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597 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
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598 FOR SALE-
|
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599 USED 4-LINE TELEPHONE SYSTEM, TWO MILES OF WIRE, AN UNKNOWN QUANTITY OF SWITCH
|
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600 BOXES AND A SHORT BLUE FELLOW. BEST OFFER, BUT LITTLE BLUE MAN *MUST* BE IN
|
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|
601 THE DEAL.
|
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602 AARON SEMPLERS
|
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603 GRAY DATAMATION
|
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604 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
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605 *^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*
|
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|
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606 If at first you don't
|
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607 succede...
|
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608 Lower your standards!
|
|||
|
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609 *^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*
|
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610 \_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_
|
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611 Bartzebub nefcur sip moastan su.
|
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612 Nefcur mondal ouren su coftess.
|
|||
|
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613 Angeline sufrim toren dedith.
|
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|
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614 Yo om jen tab cussoc.
|
|||
|
|
615 \_\_\_\_\_\_\_\_\_\_\_ ovegever_\_\_
|
|||
|
|
616 This is the End
|
|||
|
|
617 My only friend, The End.
|
|||
|
|
618 Of our elaborate plans, the End.
|
|||
|
|
619 Of everything that stands, the End.
|
|||
|
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620 No safety or surprise, the End.
|
|||
|
|
621 I'll never look into your eyes, again.
|
|||
|
|
622
|
|||
|
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623 JUST REMEMBER MY FRIENDS..... THE CHILDREN ARE INSANE!!!!!!!!
|
|||
|
|
624
|
|||
|
|
625 THIS IS THE END
|
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|
|
626 JIM MORRISON
|
|||
|
|
|
|||
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TOTAL NUMBER OF LINES = 626
|