642 lines
35 KiB
Plaintext
642 lines
35 KiB
Plaintext
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1 If you are in need of help, you need but ask...
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2 ************************* INSTALLED: 27 JUN 85 ************************************
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3 Welcome to BWMS (BackWater Message System) Mike Day System operator
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4 ************************************************************
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5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
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6 PLACED ON THIS SYSTEM.
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7 BWMS was created as an electronic bill board. BWMS is a privately owned
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8 and operated system which is currently open for use by the general public.
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9 No restrictions are placed on the use of the system. As the system is
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10 privately owned, I retain the right to remove any and all messages which
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11 I may find offensive. Because of the limited size of the system, it will be
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12 periodically purged of messages. (only 629 lines of data can be saved)
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13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
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14 ENTER mode. The message is automatically stored. If after entering the
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15 message you find you made a mistake, use the replace command to replace
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16 the line. To exit from the system, type 'OFF' then hang up.
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17 Type 'HELP' to see other commands that are available on the system.
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18 ***********************************************************
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19
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20 sssssssssssssssssss
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21 Please excuse the above. I did not notice the enter only note, and
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22 I usually change my border from nineteen s characters to the usual border of
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23 SageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSage
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24 The Sage and his chess companion huddled over their board. The sun
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25 was hidden behind clouds as it set over the horizon, and the birds were landing
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26 in the nests.
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27 The Odd One sat tense, and his fingers looked as if they might crush a
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28 piece rather than simply move it. The Sage though was sitting peacefully, and
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29 did not seem to be scrutinizing the borard as much as the Odd One.
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30 Finally, the Odd One snapped out and moved his peice, while grunting
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31 something about Checkmate. Then he made sure of it, a pathetic sight to see
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32 someone gloatingly observing their handy work.
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33
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34 The Odd One noticed at that moment that the Sage was not even paying
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35 attention to the game, but was congratulating his opponent on his game. An
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36 odd thing for someone to do, thought the Odd One.
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37 Later that night, after iconsidering it, Odd One decided that the Sage
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38 was exhibiting the fine quality of sportsmanship, while he had been scavenging
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39 his mind for every scrap of strategy.
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40 There was little question as to who enjoyed the game more.
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41 SageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageisatthetop
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42 #$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$This is a test. T
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43
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44 BLEW THAT ONE, DIDN'T I?
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45 #$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#$#
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46 LIFEFORCE
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47 you know a movie is in trouble when the audience laughes during the serious
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48 parts. You know a movie is REALLY in trouble when the audience laughes during
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49 the love scenes.
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50 This is not a movie to see if you expect to take it seriously. The acting is bad,
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51 and the editing is worse. Special effects are fairly well done (Dykstra -
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52 Star Trek I & Silent Running?). The alien spaceship looks Very much like the
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53 one from Alien (internal), crossed with V'ger (Star Trek I, exterior).
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54 LOTS of blood, gore, more blood, dessicated bodies, blood, more dessicated bodies,
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55 and bad acting.
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56 The one redeeming feature (for some of us, anyway), is that the female lead,
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57 Mathilda May, is nude through almost the entire movie. Even that gets a bit
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58 much, though, eliciting more laughter from the audience.
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59 I'd give it a "can miss".
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60 ----------------------------Not FILM FAN-------------------------------------
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61 just a note to the Not FILM FAN: and Mathilda May is only attractive to those
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62 of us that like women in pancake make-up that have red pupils.
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63 -------------------------Not the Not FILM FAN--------------------------------
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64 %*%*%*%*%*%*%*%* MUDGE %*%*%*%*%*%*%*%*%
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65 Not Film Fan: Don't worry. I wasn't planning to see it anyway. 'eard it
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66 was awful. Guess I was right!
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67 Sage: Odd one? Please explain.
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68 Themnax: Where are you?
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69 Minstrel: ok poetry so far. Work on your spelling!
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70 %*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*
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71 A cold breeze flurried in as the door to the Inn opened. A lone figure, wrapped in furs and carrying a sword entered
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72 and sat down. He ordered some ale and some "fish(?). The warm fire crackled, singing it's song that only the empathetic
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73 could hear. People looked at him strangelhen he didn't remove his furs. He drank his ale and sat back,
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74 his face shadowed by a plumed and feathered hat. He listened to the fire, felt it's heat against him. He relaxed. After
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75 that spot of hunting he had done, he needed a bit of relaxation. People all around him were wondering WHY this newcomer
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76 didn't remove his coat. It was then, to their amazement, that they realized that he wasn't wearing a coat, the coat was
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77 ON HIM! `"Top o' the evenin', mate!" Mudge (the newcomer) said to the inneekeeper. "Wot be 'appenin' 'round 'ere that I
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78 might be interested in? I'm an 'unter. Is there much game 'round here?"
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79 Cistop Mikey and all: Please. Continue from whence I left off! PLEASE!!!
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80 %*%*%*%*%*%*%*%*% MUDGE *%*%*%*%*%*%*%*
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81 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::82 FOR INFORMATION ON THE HLMO(HOMOSEXUAL LIBERATION MOVEMENT OF OREGON)83 CALL US AT 638-8210
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84 MON-FRI: 8 AM - 4 PM
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85 SAT : 11 AM - 3 PM
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86 SUN : CLOSED
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87
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88
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89 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::90 ////////////////////////////////////////////////////////////////////////////////
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91 "This is your captain speaking. We're now entering Australian air space.
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92 The landscape we are passing over is dotted with sheep ranches, kangaroos,
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93 and..." Petrov, mesmerized by the thought of ranch-hopping in a land with
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94 softer animal protection laws, tuned out the captain's voice. His attention
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95 alternated between the window and a brochure in his hand which read:
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96 Bruce's Sheep Ranch
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97 World famous home of
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98 Australian Virgin Wool
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99
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100 Unfortunately, from ecstasy to anguish in a matter of seconds, Petrov's
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101 anticipation was crushed by a vile act of terrorism. A heavily armed man with
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102 a half-grown beard grabbed the microphone from a startled stewardess. "Due to
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103 circumstances beyond your control this airplane will not be landing in Sydney.
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104 We are now headed for Albania. You have only your decadent, capitalistic
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105 lifestyle to thank for this problem."
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106 Two more armed men entered the compartment and the one who seemed to be
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107 the leader took control of the intercom. "I'm sure you're all wondering what
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108 your weak, capitalistic governments are going to have to do to keep us from
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109 blowing your decadent, capitalistic heads off of your bourgeois, capitalistic
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110 shoulders."
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111 Getting dangerously excited, the third terrorist interrupted the leader
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112 and, thrusting his rifle triumphantly into the air, proclaimed "We are FALO!!"
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113 Petrov needed to hear no more. While the terrorists began waving their
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114 weapons menacingly and shouting at the passengers, Petrov reviewed what he knew
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115 about FALO.
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116 After the fall of McKane Industries, many of the empire's crumbling
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117 companies were taken over by certain aggressive Japanese conglomerates. One
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118 such troubled company was Albanian Earmuffs Unlimited, which raised and h
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119 harvested small furry animals for obvious purposes. Rising in protest of furry
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120 animal exploitation was the Furry Animal Liberation Organization, or FALO.
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121
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122 "You," the leader said, grabbing a stewardess by the arm. "You will go
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123 through the passenger list and pick out all of the Japanese names. We have
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124 special treatment planned for them!"
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125 What name am I using THIS time? Petrov wondered. Pulling the passport
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126 from his purse, he read: KIM LEE HIROSAKI. It figured. There was nothing to
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127 do but sit, wait, and wonder if there were any sheep in Albania.
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128 Petrov
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129 ////////////////////////////////////////////////////////////////////////////////
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130 To all who tried to get onto the board in the dead of night: I'm terribly sorry
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131 about the lengthy time I monopolized the system; it shouldn't happen again.
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132 ///////////////////////////// 3:01 AM///////////////////////////////////////////
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133 <<<<<<<<<<<<<<<<<<<<<<<<<<<<3:15 AM>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
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134 THE THREE OF THEM DESIDED THAT THE CLEARING WAS THE BEST PLACE TO STOP FOR T
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135 HE NIGHT. THEY PLACED THEIR BED ROLES BETWEEN THE FIRE AND THE HORSES.
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136 FREENDRIN,BEING THE YOUNGEST OF THE TRIO,WAS NEVER TAKEN QUITE SERIOUSLY BY
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137 BELETHNER AND DRAGGOSE. HE KNEWTHIS,BUT HE FELT THAT WHAT HE HAD SEEN THE
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138 PAST FEW DAYS SHOULD BE KNOWN.
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139 "DRAGGOSE," HE SAID,"THE PAST FEW DAYS I'VE NOTICED SOMETHING ODD,"
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140 "WELL WHAT IS IT BOY? MORE OF YOUR MONSTERS?" DRAGGOSE BEGAN TO CHUCKLE.
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141 "NO," HE SAID,TRYING TO KEEP CONTROLL,"I'VE SEEN A...A HAWK,IT SEEMS TO BE F
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142 OLLOWING US."
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143 "FOLLOWING US?" HE BEGAN TO ROAR WITH LAUGHTER AS BELETHNER WALKED UP.
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144 "WHAT IS THE CAUSE OF SUCH LEVITY?" HE YELLED AS HE APROACHED.
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145 "THE BOY SAYS WE'VE BEEN FOLLOWED BY A HAWK!"DRAGGOSE LAUGHED OUT.
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146 "THAT'S ABSURED!"
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147 "IS IT?"A STRANGERS VOICE FROM THE FOREST."ACTUALLY IT IS TRUE," THE STRANGE
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148 R WALKED OUT OF THE FOREST, A WOMAN, NOT MUCH OLDER THAN
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149
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150
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151
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152 HELP
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153
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154
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155 WELL GANG,I'M SORRY I MESSED UP, BUT PLEASE LEAVE A MESSAGE FOR RENO AND TELL
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156 ME WHAT YOU THINK TANQ
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157 RENO
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158 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*Meeeeoooooowwwwwwrrrrrrlllllll!!!!!!!!*=*=*
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159 in an oddly contoured chair, in an odly contoured room a LARGE soft furry
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160 citti unfolded his front pads, retracting, symultaniosly his overnails.
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161 the fingers, six per hand, one thumb each, one midwrist dewclaw, now fully
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162 extended rested lightly on the two pairs
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163 of three rows of six keys.
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164 long agile delicat fingers flayed subtle at the keycaps. On the screen an
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165 immage formed. It grew in detail and completeness.
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166 Reflected in the eyes of that feline face, itself reflected on the screen's
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167 surface. Three soft fluffy small mammels ran across a field. Suddenly a door
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168 opened in mid air. They jumped through. At the same time citti's reflexon
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169 dissappeared. The cross current intersection was wide open, if only for the
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170 briefest of instants. That was as long as he needed!
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171 Fingers forgotten, the great dark furred form leaped, clawing his way
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172 over keyboard and through suddenly yealding opening.
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173 Steady as a rok, citti landed on all fours on the oaken flooring of the
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174 INN!
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175 He turned to one of otter vissage. 'I have many forms, this one is new'
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176 the great feloid spoke in remarkably gentle and human sounding voice. 'You were
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177 looking for a certain Lananaran?'
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178 'I see you in new form, will this form of mine do? I don't even know
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179 what its capabilities are yet. I've only
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180 just now tried it on for the first time.'
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181 'Lets find a table, tried the INN's best yet?'
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182 'Two specials please' he asked of the INNkeeper, lying a huge galactic nin-
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183 gy on the counter in payment. this was only possible owing to the INN's unique
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184 aggreement with time and space.
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185 in a corner a small twisted tough leathery form played on a ceramic rube
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186 goldburg what came out sounding to each listner their favorite most exciting AND
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187 pleasing sounds.
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188 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
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189 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
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190 Hi folks. I did make it back! Any excitement while I was gone?
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191 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
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192 masak, koo ini sama kaya seorang jang aku kenalan di indonesia. Mungkin sesuatu
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193 peingin menelepone saja? Siapa tau?
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194 And besides all that, what kind of place is this?
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195 %*%*%*%*%*%*% MUDGE %*%*%*%*%*%*%*%*%*%*
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196 Cor! C'mon, mate! No hijakings over tmy home please! Why don't you LET them la
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197 land in Syndey? AND A GENERAL DISCLAIMER: WE ARE NOT ALL NAMED BRUCE!!
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198 THAT IS VERY WRONG! NOT ALL AUSTRALIANS 8Myself being Australian) ARE NAMED B
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199 BRUCE! THAT'S AN OLD JOKE! LOK AT ME! I'M NOT NAMED BRUCE!!!!!
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200 %*%*%*%*%*%*%*%*%*%*%*%
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201 %*%*%*% THE AUSTRALIAN OTTER!! %*%*%*%*
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202 %*%*%*%*%*%*%*%*%*%*%*%*%*%*%**%*%*%*%*
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203 *@*@*@*@*@*@* Hoojib @*@*@*@*@*@*@*@*@*
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204 A small furry white creature entered from the door that had been left
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205 ajar by the otter. He seemed to float across the ground as he walked. His
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206 antenna bobbed a bit. An energy flux floated past and the little Hoojib ate it
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207 hungrily. He hadn't tasted a good energy flux in ydays. Out searching for his
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208 comerad kept him fmehnjvjjbnbf
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209 (sorry about line interferance)
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210 comerad kept him from enjoying such pleasures. Hoojib examined the room he was
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211 in. An otter drinking and telling a tale. A catling paying the Innkeeper. He
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212 turned abruptly whenn the familiar sound of a duar permeated his senses.
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213 "Probably their villiage Minstrel and not the one I seek* thought Pliff (the
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214 Hoojib) But he knew for sure that he was wrong when the voice so familiar to
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215 him said "Pliff! You ol' son of a gun! Where have you been?" Pliff smiled and
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216 sthought *Hi Minstrel! I've been around. Your songs are the same as always!
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217 What have you been up to sincewe parted?* The Minstrel smiled and plucked a
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218 string of his duar. "Singing, living, Dyig, Laughing, and crying. " he said.
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219 *Ahh..the same riddle personality I see!* said Pliff. Pliff hopped up on the
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220 Minstrel's shoulder. Plucking a tune on his duar, the Minstrel smiled.
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221 @*@*@*@*@*@*@*@ Hoojib @*@*@*@*@*@*@*@
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222 Minstrel: Good to see you again, chap! Your poetry is always the way it is
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223 now. o on....
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224 All: What happened? I was yping and suddenly the screen went 6 feet down!
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225 @*@*@*@*@*@*@ Hoojib @*@*@*@*@*@*@*@*@
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226 Dan: type SEX at the > prompt to get a complete listing of all nationwide
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227 sexually oriented BBSs.
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228
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229 @*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@
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230 ppppppp l eeeeeeeeee a ssssssssss eeeeeeeeee
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231 p p l e a a s e
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232 p p l e a a s e
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233 ppppppp l eeeeeeeeee aaaaaaa ssssssssss eeeeeeeeee
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234 p l e a a s e
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235 p l e a a s e
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236 p l e a a s e
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237 p lllllllll eeeeeeeeee a a ssssssssss eeeeeeeeee
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238
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239 comment on my work.
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240 he pleading minstrel.
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241 @*@*@*@*@* I want to come back , pleading minstrel @*@*@*@*@*@*@*@*@*@*@*@*@
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242 @*@*@*@*@*@ THE TRUE MINSTREL! *@*@*@*@
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243 WHO SIS THIS IMPOSTER! NAVE! I AM THE
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244 TRUE MINSTREL AND EVERYBODY KNOWS IT!
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245 NAVE!
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246 WHO DID THAT?
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247 @*@*@*@*@ The true Minstrel @*@*@*@*@*@
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248 *Hoojib!* said txe Minstrel. "So good to see you here! I just got--"
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249 That's as far as he got before a horrible creature burst into the Inn.
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250 "Gods save us! 'tis a TWIT!" The twit
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251 laughed, pulling out a duar and playing horrible notes. Then the twit took on
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252 the appearance of the Minstrel.
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253 It then began to scrawl messages allover the walls of the Inn. It
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254 danced in evil glee. It bobbed and swayed and played it'S evil duar.
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255 Ddisgusted, people began to leave the inn.
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256 @*@*@*@*@*@*@* The REAL Minstrel @*@*@*@
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257 %*%*%*%*%*%*%*% MUDGE %*%*%*%*%*%*%*%*%
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258 saw the Twit. Quickly he pullgd out xihis daggar,. The Twit turned long
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259 enough to see the dagger flash into him. The Twit's evil lifebloods left him.
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260 It fell dead at their feet. "There, mate!" said Mudge. "That should 'andle 'im
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261 right proper!"
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262 %*%*%%*%*%*%*%*%*% MUDGE *%*%*%**%*%*%*%
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263
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264 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
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265
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266 You will hear everyday the maximums of a low prudence.
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267 You will hear that the first duty is to get land and money,
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268 place and name. "What is this truth you seek? What is this beauty?"
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269 men will ask with derision. If, nevertheless, God has called any
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270 of you to explore truth and beauty, be bold, be firm, be true.
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271 When you shall say, "As others do, so will I. I renounce, I am
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272 sorry for it, my early visions; I let learning and romantic
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273 expectations go, until a more convenient season"; - then dies
|
|||
|
274 the man in you. Then once more perish the buds of art, and poetry,
|
|||
|
275 and science, as they have died already in a thousand men.
|
|||
|
276
|
|||
|
277 Ralph Waldo Emerson
|
|||
|
278
|
|||
|
279 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
|
|||
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280
|
|||
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281 @*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*@*
|
|||
|
282 Ach, it is a twit disguized as the minstrel
|
|||
|
283 killing me, the true one and only minstrel
|
|||
|
284 who they thought someone was a twit!!!!!!!!
|
|||
|
285 stop and decist, knave (not nave you phony
|
|||
|
286 real twit!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
|||
|
287 Please all help me find out who is damadging
|
|||
|
288 my nam ebecause I want to find out who it is
|
|||
|
289 so they will stop.
|
|||
|
290 @*@*@*@*@*@*@*@ the TRUE minstrel, the REAL
|
|||
|
291 one is a faker @*@*@*@*@*@*@*@*@*@*@*@*@*@*
|
|||
|
292 ????? The Doctor ?????
|
|||
|
293 howdy
|
|||
|
294
|
|||
|
295 hi
|
|||
|
296
|
|||
|
297 guten tag
|
|||
|
298
|
|||
|
299 gut gross
|
|||
|
300
|
|||
|
301 guten aben
|
|||
|
302
|
|||
|
303 ich bin krocnh oft das system
|
|||
|
304
|
|||
|
305 bye
|
|||
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306
|
|||
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307 s
|
|||
|
308 t
|
|||
|
309 u
|
|||
|
310 p
|
|||
|
311 i
|
|||
|
312 d
|
|||
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313
|
|||
|
314 p
|
|||
|
315 e
|
|||
|
316 o
|
|||
|
317 p
|
|||
|
318 l
|
|||
|
319 e
|
|||
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320
|
|||
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321 f
|
|||
|
322 o
|
|||
|
323 r
|
|||
|
324
|
|||
|
325 u
|
|||
|
326 s
|
|||
|
327 e
|
|||
|
328 i
|
|||
|
329 n
|
|||
|
330 g
|
|||
|
331 t
|
|||
|
332 h
|
|||
|
333 i
|
|||
|
334 s
|
|||
|
335 s
|
|||
|
336 y
|
|||
|
337 s
|
|||
|
338 yt
|
|||
|
339 em
|
|||
|
340 ex
|
|||
|
341
|
|||
|
342 @*@*@*@*@*@*@ The honest Minstrel @*@*@
|
|||
|
343 I drop lines and he doesn't. It's spelled "disguise." I'm the real one
|
|||
|
344 And I'm goi~g to prove it!
|
|||
|
345 Blue Waters
|
|||
|
346 By the Minstrel
|
|||
|
347 Blue waters on the face of Earth,
|
|||
|
348 they mix with moonlight making, conjuring,
|
|||
|
349 Caling forth good souls,
|
|||
|
350 to drink from them.
|
|||
|
351
|
|||
|
352 Moonlit waters on the Earth,
|
|||
|
353 Like moonlit hearts in lovers,
|
|||
|
354 Turn and intertwine together,
|
|||
|
355 to form something different,
|
|||
|
356 something new.
|
|||
|
357 Moonlit waters.
|
|||
|
358
|
|||
|
359 Blue waters running down a hill,
|
|||
|
360 singino a song of olden times,
|
|||
|
361 Until our hearts have had their fill,
|
|||
|
362 and txe waters recoil to their homes,
|
|||
|
363 In the rivers and lakes,
|
|||
|
364 So much like a human's soul.
|
|||
|
365 Fi
|
|||
|
366 There. That should prove WHO the Minstrel is!
|
|||
|
367 @*@*@*@*@*@*@ The actual Minstrel @*@*@
|
|||
|
368
|
|||
|
369 THIS IS SAD! All this 'junk' about the two Minstrels, I think I'm going to
|
|||
|
370 throw up! What is it looks like here is that the Minstrel wasn't getting the
|
|||
|
371 attention that he wanted. So now he has created an alter ego that's pretending
|
|||
|
372 to be another Minstrel. And above all that, they are arguing between himself.
|
|||
|
373 Sounds funny, but it's still a little weird. I just hope his psychologist is
|
|||
|
374 wearing a flack jacket...
|
|||
|
375 Anumi.
|
|||
|
376 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
|||
|
377
|
|||
|
378 @*@*@*@*@*@ The saddened Minstrel @*@*@*@
|
|||
|
379 Anumi: I assure you that I am NOT the other minstrel. That person is the
|
|||
|
380 one who should be locked up. I simply wish to write. To sing, live, and laugh.
|
|||
|
381 and cry. I didn't want attention. I wanted comments. I got them. But I don't
|
|||
|
382 see why this person had to do what he has done.
|
|||
|
383 @*@*@*@*@*@*@ The Depressed Minstrel @*@
|
|||
|
384 -------------
|
|||
|
385 Gosh,why doesn't the Minstrel just move into Mike's home and use the system
|
|||
|
386 24 hours a day. It looks like he has done that already, he just sits around
|
|||
|
387 and waits for mail. If he writes in after this I'm with Anumi!
|
|||
|
388 -------------
|
|||
|
389 The problem with the two Minstrels reminds me of the biblical story of Solomon
|
|||
|
390 and the baby. Two women were claiming possession of the child, so Solomon
|
|||
|
391 decided to split the baby in half so each woman would have an equal share.
|
|||
|
392 Since we seem to have to people here, each claiming to be The Minstrel, and
|
|||
|
393 each wanting the other to depart, I suggest they BOTH leave. Justice would
|
|||
|
394 be served, and BackWater would be a better place with one less source of
|
|||
|
395 bad 'poetry'.
|
|||
|
396 +DANTE-
|
|||
|
397
|
|||
|
398 %*%*%*%*%*%*%*% MUDGE *%*%*%*%*%*%*%*%
|
|||
|
399 I'm with Dante! Make BOTH Minstrels leave. I just wish txey would either
|
|||
|
400 go away or leave us alone! Or at least they could STOP WRITING POETRY!
|
|||
|
401 That way we'd be spared from a life of poetry most terrible.
|
|||
|
402 I agree witx both of the above entries!
|
|||
|
403 Minstrel: You write too much! Give someone else a chance, huh?
|
|||
|
404 %*%*%*%*%*%*%*% MUDGE %*%*%*%*%*%*%*%*
|
|||
|
405 bo
|
|||
|
406 PS. I HATE FREE-VERSE!!! YUCH!!! ICK, PATTOOI!!!
|
|||
|
407 %*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%
|
|||
|
408 I DID NOT WRITE THE ABOVE P>DS>.
|
|||
|
409 *%*%*%*%*%*%*%* MUDGE %*%*%*%*%*%*%*%
|
|||
|
410 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
|||
|
411 A suggestion to keep peace: how about just limiting entries to about 50 lines
|
|||
|
412 per disk? That way more people could make entries. This is the first time in
|
|||
|
413 two days I've been able to log on to Backwater.
|
|||
|
414 ++++++++++++++++
|
|||
|
415 They were ugly, they were mean, biggest heads I'd ever seen, they made
|
|||
|
416 everybody scream and shout. First they leveled Tokyo, then New York was next
|
|||
|
417 to go, Boy I really wish- they'd cut it out!
|
|||
|
418 (exerpt from "Slime Creatures from Outer Space", A.Yankovic's "Dare to be
|
|||
|
419 Stupid" album)
|
|||
|
420 ++++++++++++++++++++++++ Milchar ++++++++++++++++ June 28, 1985 +++++++++++++++
|
|||
|
421 |}}}|}|}|}|}|}|}|}|}}}}}|}|}|}|}|}}}}|}|}|}|}}}}|}|}}|}|}}}}}|}|}|}|}|}}}}}|
|
|||
|
422 HICKORY DICKORY DOCK
|
|||
|
423 TWO MICE RAN UP THE CLOCK
|
|||
|
424 THE CLOCK STRUCK ONE
|
|||
|
425 THE OTHER ESCAPED WITH MINOR INJURIES
|
|||
|
426
|
|||
|
427 IHATE FRE EEVER SE
|
|||
|
428 OH YESIDO
|
|||
|
429 ANDMO DERNPO ETRY MAKESMES ICK
|
|||
|
430 SO LETSALLSTOP
|
|||
|
431 |}}}|}||}|}}|||}|}|}}|}|}|}||}}||}|}|||}}||}|||}}}|}|||||}}|}}|}|}}}||}|}||}|||}
|
|||
|
432 ```````````````````````````````````````````````
|
|||
|
433 Poetry is very nice to reed when it is good. Feelings and emotions should
|
|||
|
434 be a big part when writing poetry also. And the poetry brings out emotions and
|
|||
|
435 helps us see some things that were foggy before. I like to feel that I have
|
|||
|
436 learned something or that I feel better about myself after reading poetry.
|
|||
|
437 When poetry sounds like a old football re-run, just goes on and on, it is
|
|||
|
438 missing something that poetry is known for. When I find myself skipping lines
|
|||
|
439 hoping to get to the good part something is either wrong with me, or the
|
|||
|
440 poetry, I would like to think it's not me.
|
|||
|
441 Write poetry if you like it and think others will like it too. Just
|
|||
|
442 throwing something out in a hurry gives not only your own poetry a bad name but
|
|||
|
443 all of the other poems that haven't been entered yet.
|
|||
|
444 I like poetry, I realy do! But when it makes me wish I was doing something
|
|||
|
445 other than reading it, it makes me think I'm crazy for liking poetry.
|
|||
|
446 ``````````````````````````````````````````````````````alex``````````````
|
|||
|
447 Mudge: I'm *extremely* surprised that you don't like the Minstrel.
|
|||
|
448 Minstrel(both): I can tell the difference between the two of you. I will not
|
|||
|
449 disclose the technique here or the impostor will start doing it...
|
|||
|
450 I have msgs for Minstrel & Mudge on the Messenger (yes, I know who you are).
|
|||
|
451 ____________________________Leonard________________________________________
|
|||
|
452 A figure entered the Inn. Upon spotting the otter, he knew that he
|
|||
|
453 ad found the person his master had spoken of. He went over to the table and
|
|||
|
454 spoke.
|
|||
|
455 "Art thou Mudge?"
|
|||
|
456 The otter tensed up as he replied, "And who wants to know?"
|
|||
|
457 "Ah! From what my master has said of you only, only you would
|
|||
|
458 respond in such a manner."
|
|||
|
459 "Now wait just a minute, guvnor!"
|
|||
|
460 "Mudge.... must I use a spell to confirm your identity? And let the
|
|||
|
461 entire Inn know?"
|
|||
|
462 "#%^$#^&"
|
|||
|
463 "I shall assume that you are indicating that you do not want the
|
|||
|
464 rest of the patrons to know. My master was contacted by Clothahump..."
|
|||
|
465 "Oh no ye don't! I'm not gettin' involved w'th the likes of HIM
|
|||
|
466 again!" protested the otter.
|
|||
|
467 "Clothahump has no interest in you, he was merely relaying a msg
|
|||
|
468 from a 'Jon-Tom'"
|
|||
|
469 ~~~~~~~~~~~~~~~~~~~~~~~~~~~the apprentice~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
|||
|
470 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/MiG/? ? ? ?
|
|||
|
471 AAAAAARRRRRRRRGGGGGGGGHHHHHHHHHHHHHHHHH!!!!
|
|||
|
472 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/MiG/? ? ? ?
|
|||
|
473 ///////////////////////////////////////////////////////////////////////////////
|
|||
|
474 Sounds serious, MiG. After this lengthy absence (of the MiG personality,
|
|||
|
475 if not other characters whose strings you pull) and now a blood curdling
|
|||
|
476 scream! I'm interested in hearing some elaboration, unless of course, you'd
|
|||
|
477 rather let the emotion speak for itself and keep the reason private. Whatever
|
|||
|
478 tmorrow at PorSFiS (if possible).
|
|||
|
479 ///////////////////////////////////////////////////////////////////////////////
|
|||
|
480 Sorry, screw up last line. Make that "Whatever the case, I'll see you
|
|||
|
481 tomorrow at PorSFiS (if possible).
|
|||
|
482 //////////////////////////////////////////////////////////////////////////////
|
|||
|
483 OOops, I meant to say "I'm looking forward to seeing you at...etc."
|
|||
|
484 ////////////// drat this enter only ///////////////////////////////////////////
|
|||
|
485 *=*=*=*=*=*=*=*=*=*=*=*=*=*MMMMMEeeeeeeeeeeoooooooooowwwwwwwrrrrrrrrRRLLLL!!!!*
|
|||
|
486 how better vil it ket? (the free verse liberation army ()
|
|||
|
487 ( ARGH )
|
|||
|
488 must be something in the air. ( )
|
|||
|
489 it IS. Nassssssty Baaaaaaaaaaaad petroffffffffff.
|
|||
|
490 enoughenoughenoughenoughenoughenoughenoughenough. every summer someone dis-
|
|||
|
491 couveres the control charicters (oh why oh why)
|
|||
|
492 >>>>>>> oh yes citti needs a name. I mean citti is descriptive and all but ya
|
|||
|
493 see there once was the lady who was fond of sharp pointy things who came up
|
|||
|
494 with a soft fluffy Kzinti half-breed in a TREKKI universe and she called (HIM/
|
|||
|
495 HER/?) something simmiliar. I'll probably come up with a name sooner or later
|
|||
|
496 or just drop the experiment but if any-
|
|||
|
497 one has naming suggestions or maybe we could have a naming party after porsfis?
|
|||
|
498 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
|
|||
|
499 090909090909090909090909090909090909090909090909090909090909090909090909090909
|
|||
|
500 Charmicael and Freida (his brain-dead van) raced south accross the Black
|
|||
|
501 Rock Desert. He didn't see any black rocks and it wasn't a true desert.
|
|||
|
502 (The name comes from large tuffa formations that look dark off in the dis-
|
|||
|
503 tance. While much of the area is anciant salt flats, these prehistoric lake-
|
|||
|
504 beds are surrounded by a vast unearthly landscape of stunted sage. Geographic-
|
|||
|
505 ly it is situated north of Gerlock which is north of Perimid Lake (Paiut res-
|
|||
|
506 ervation) and south of Denio (which is near the Oregon boarder) and encompases
|
|||
|
507 vertualy the entire area)
|
|||
|
508 20 miles north of Gerlock agent Sean turned off the main highway (little
|
|||
|
509 more than a wash-board jeep trail itself at this point) onto what appeared to
|
|||
|
510 be no more than a pair of tire tracks heading off into the seemingly endless
|
|||
|
511 distance. The east slope of the Sierra's which looked to be in walking distance
|
|||
|
512 but was actualy well over 80 miles away was angleing in from the right.
|
|||
|
513 Suddenly the road diped down about 40 feet, as if to cross the bottem of one
|
|||
|
514 of the ubiquotus arroyos. Instead the depression proved large enough to hide a
|
|||
|
515 small town were anyone who had ever seen it foolish enough to consider building
|
|||
|
516 one here. Not bloody likely.
|
|||
|
517 Near it's other side was what appeared to be some sort of dyke or levee,
|
|||
|
518 obviosly man-made. The sand and rust encrusted end loader setting immobile as
|
|||
|
519 a statue nearby. As Carmichael approached, the road turned and wound its way
|
|||
|
520 to the left fallowing the man-made embankment on arround.
|
|||
|
521 Within two hundreed feet of the opening but close enough to the bank of
|
|||
|
522 the angle to hide frieda from enquiring eyes (as if the dust storm of his ap-
|
|||
|
523 proach haddn't revealed his prescence to one and all).
|
|||
|
524 Suddenly the sky was filled with the looming preasence of a Space-Going
|
|||
|
525 merchant container ship, probably of vermillion registry and crew, obviosly of
|
|||
|
526 lananaran manufacture. That is obvios to Carmichael only because of his
|
|||
|
527 connection with Themnax's 'embassy'. This trade was still highly secret and
|
|||
|
528 even NET was unawaire of it's off world origen! To most of humanity, extra-
|
|||
|
529 terrestrial commerce is a highly questionably and speculative myth viewed with
|
|||
|
530 suspecion of it's suggester's less than total sanity. Motivations to keep it
|
|||
|
531 secret are many and a few are even passing legitimate. Thus any vessle plying
|
|||
|
532 this trade must remain fully cloaked to all spectra until well within designated
|
|||
|
533 safe areas. The nevada desert hides many secrets, some known only to a hand-
|
|||
|
534 full of persons in one government agcency or another, many more unknown to any
|
|||
|
535 agency of any government.
|
|||
|
536 The remote site ware Carmichael must now elude guards and some-how warn the
|
|||
|
537 non-human crew that security had been compromised and to turn back, was such a
|
|||
|
538 'secret'.
|
|||
|
539 090909090909090909090909090909090909090909090909090909090909090909090909090909
|
|||
|
540 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
|
|||
|
541 ]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]]
|
|||
|
542 John looked over the report he held in his hands once again. He sighed
|
|||
|
543 briefly, wondering if he'd committed a grevious sin recently that would require
|
|||
|
544 such retribution. The papers outlined a previously unknown trade with other
|
|||
|
545 races, ALIEN races. Just what he needed, another way for the government to
|
|||
|
546 spend the money he was trying to save. For his department, of course.
|
|||
|
547 Well, there was nothing to do for it. His best agents were all on assignment,
|
|||
|
548 in a base near San Fransisco. John sighed again, and hoped that Arjusk's
|
|||
|
549 crazy idea was going to work. Imagine! Trade with aliens! That material
|
|||
|
550 should be handled by this department, John decided, or stopped. Perhaps he
|
|||
|
551 could finagle the accquisition of some of the items in question, then decide.
|
|||
|
552 He pressed his AGENT CALL button. "Weaver? In my office, please."
|
|||
|
553 [[[[[[[[[[[[[[[[[[[[[[[[[[ UNDERGROUND [[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[
|
|||
|
554 %*%*%*%*%*%* MUDGE %*%*%*%*%*%*%*%*%*%*
|
|||
|
555 "Look, guvn'nor. I came to this Inn to relax! I want no bloo'y part in
|
|||
|
556 whatever that &%"$! human has in mind!
|
|||
|
557 'e 'as caused me enough bloo'y trouble as it 'tis! So just go away an'
|
|||
|
558 ave me alone, wot." The otter abruptly
|
|||
|
559 turned and began to drink his ale. "Must
|
|||
|
560 I make you listen, Mudge?" asked the apprentice, in a tone that meant
|
|||
|
561 that he would like to show the sarcastic otter a little demonstration.
|
|||
|
562 "Or would you rather lose all your fur? Or e be turned into a "human?"
|
|||
|
563 Mudge abruptly turned around and grabbed the apprentice by the shirt
|
|||
|
564 "You wouldn't dare!!!!!!" he said,,anger showing in his eyes. "I just
|
|||
|
565 might at that!" said the Apprentice, eyeiing th knife Mudge had in his
|
|||
|
566 belt. The apprentice raised his hands and a familiar Wizardly gwlow began.
|
|||
|
567 there. "Nuts!" said Mudge, dropping the Wizard'S apprentice. "Ok! Ok!
|
|||
|
568 I'll listen. But that isn't to say txat I'll go off on any 'alf insane
|
|||
|
569 adventure o' Jon-Tom's!" The otter sat back and said "So TALK,! I 'aven't
|
|||
|
570 got all day, Y'
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
e know, wot!"
|
|||
|
571 %*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*
|
|||
|
572 WOT A'APPENED? THE SCREEN SCROLLED!
|
|||
|
573 MUST BE MY BLOO'Y TERMINAL PROG', WOT!
|
|||
|
574 %*%*%*%*%*%*%*% MUDGE %*%*%*%*%*%*%*%*%
|
|||
|
575 up 20
|
|||
|
576 ABC
|
|||
|
577
|
|||
|
578 ABC
|
|||
|
579 ```````````````````
|
|||
|
580 Mudge, if you hit a control L in a line the screen will scroll. It's not
|
|||
|
581 your terminal program, but maybe those little fingures or yours...
|
|||
|
582 WHY ARE WE AT 'ENTER ONLY'?? WHAT HAPPENED??
|
|||
|
583 Hmmmm. Certain signs indicate that Mudge and Minstrel are one and the sa
|
|||
|
584 person. Interesting when you note on drive B that Mudge is one of the few
|
|||
|
585 praising Minstrel's work. Desperate for praise, eh what?
|
|||
|
586 +DANTE-
|
|||
|
587 --------------------------------------
|
|||
|
588
|
|||
|
589 --------------------------------------
|
|||
|
590
|
|||
|
591 C-64 $50.00 OR LESS GUARENTEED.
|
|||
|
592
|
|||
|
593 24 HR. TURN AROUND TIME.
|
|||
|
594 (SUBJECT TO PARTS AVAILIBILTY)
|
|||
|
595
|
|||
|
596 FREE ESTIMATES
|
|||
|
597
|
|||
|
598 1541 DRIVE ALIGNMENT INCLUDES CLEANING
|
|||
|
599 AND SPEED ADJUSTMENT. $35.00
|
|||
|
600
|
|||
|
601 1541 FLASH- INSTALLED $78.00
|
|||
|
602
|
|||
|
603 SX-64 FLASH INSTALLED $92.00
|
|||
|
604
|
|||
|
605 ---------------------------------------
|
|||
|
606
|
|||
|
607 ALL WORK WARRANTED 90 DAYS.
|
|||
|
608
|
|||
|
609 VISA-MASTER CARD ACCEPTED.
|
|||
|
610
|
|||
|
611 MAIL ORDERS WELCOME....
|
|||
|
612 ---------------------------------------
|
|||
|
613
|
|||
|
614 CALL COMPUTER READY 775-xxxx
|
|||
|
615
|
|||
|
616 MILWAUKIE, OR 97222
|
|||
|
617
|
|||
|
618 OR CALL COMPUTER READY BBS 775-xxxx
|
|||
|
619
|
|||
|
620 AND LEAVE MSG. TO SYSOP (5PM-9AM)
|
|||
|
621 (24 HRS. SUN.)
|
|||
|
622
|
|||
|
623 ----------------------------------------
|
|||
|
624
|
|||
|
625 DONE
|
|||
|
626 I'm with +Dante- in saying that they are the same person! And I'm also with the
|
|||
|
627 fellow up a bit in saying that all would be a lot better if they both hit the
|
|||
|
628 road. (not the person, but the characters)
|
|||
|
629 Hey, it's the last line! I should end the disk with a happy note. Hmmmmmmm, there are you happy yet? Here's another one Hmmmmmmm
|
|||
|
TOTAL NUMBER OF LINES = 629
|