634 lines
42 KiB
Plaintext
634 lines
42 KiB
Plaintext
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1 If you are in need of help, you need but ask...
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2 ************************* INSTALLED: 14 MAR 85 *********************
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3 Welcome to BWMS (BackWater Message System) Mike Day System operator
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4 ************************************************************
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5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
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6 PLACED ON THIS SYSTEM.
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7 BWMS was created as an electronic bill board. BWMS is a privately owned
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8 and operated system which is currently open for use by the general public.
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9 No restrictions are placed on the use of the system. As the system is
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10 privately owned, I retain the right to remove any and all messages which
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11 I may find offensive. Because of the limited size of the system, it will be
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12 periodically purged of messages. (only 629 lines of data can be saved)
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13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
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14 ENTER mode. The message is automatically stored. If after entering the
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15 message you find you made a mistake, use the replace command to replace
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16 the line. To exit from the system, type 'OFF' then hang up.
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17 Type 'HELP' to see other commands that are available on the system.
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18 ************************************************************
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19
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20 070707070707070707070707070707070707070707070707070707070707070707
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21 TO : ALL NET AGENTS
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22 RE : POSITION AT THE TOP!
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23 070707070707070707070707070707070707070707070707070707070707070707
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24
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25 phffttt! yourself
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26 ...............................................................................
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27
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28 where's that pizza, anyway?!?!?!
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29 ............................................................Entropy........................................
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30 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*Guru of bliss*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
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31 Attachment to any (person place or thing) weather by Love or hate, is a
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32 handle by which you can be manipulated.
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33 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*
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34
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35 since i am without a terminal... and this is on loan... for another fifty
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36 minutes... might i ask... that someone explain all this gibberish...
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37
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38 i mean really... pffffit and pfffat aside... what is going on... any of all
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39 of you... what is going on...!?
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40
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41 TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT
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42
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43
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44
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45 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ (no one is reading...)
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46 so I'll say that a foul wind is blowing- foul from non-recognition...
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47 ^^^^^ ('Glasses and Hammers)
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48 As I watched the sands drop, I had not noticed the face of the man carrying the
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49 Hourglass. If I were to have tryed, I might have noticed that his face was
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50 draped with a cowl that drew waving lines to his shouders. These lines seemed
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51 to be stopped strands of time themselves- coarse khaki lines that draped past
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52 his shoulders and continued to the floor.
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53 The pace of the sands decent had quickened in what seemed another minute.
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54 Before all of what had taken place before me became clear Chronos spoke agian.
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55 "Time itself is an illusion. It is only a tool that you must all learn
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56 to use to your advantage. If the time with you other is too short, learn how
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57 [ch /with you/with your/ eo, sorry]
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58 to make it last the eternity you wish it to be. The other 'tricks of time'
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59 are something you must seek on your own. You know more than you may suspect."
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60 The strands that were the wrap that protected Chronos seemed to turn to real
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61 sand, flowing gracefully to the floor of the Inn. As these 'living' grains
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62 came to meet the floor, they passed through it to return to their own realm of
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63 existance... A sight you would not conceive, nor understand had you not seen
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64 it at first hand.
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65 The noises that were proof of the Inn's reality came slowly to my ears.
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66 First as a whisper, then to the normal din. My limbs felt as if Zeus himself
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67 had cast a mighty bolt of lightning aside to return me to my movement. After
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68 having blinked a countless number of times it finally dawned on me what had
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69 taken place here. I sent my gaze around the Inn to see if there were others
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70 that looked as confused as I. They were not, they were happy.
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71 And when my eyes sought out the sight of the figure I had most wanted to
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72 trade words with, I saw him pick himself up and reseat hinself in such a manner
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73 as to exclude me from his sight. No, he would never lower himself to speak to
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74 me, would he? He was only contented with the sight of his "beacon".
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75 ^^^^^^^^^^^^^^^^^^^^
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76 As I made my way to the door, I removed the leash from my satchel and
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77 began to make it ready for use. In my dispair, I had managed to neglect many.
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78 There were those that might seek my words, but they were as inhibited as I
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79 when their privacy would be concerned. There was one that watched me head for
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80 my travel, wondering when the mice and music would return. (Yes, YOU! I am
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81 wondering as well.) Then there was another that sat at a table for two, unable
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82 to leave because the meal that was ordered would soon arrive. (Thank you for
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83 the letter. It was good to see your words again.) There were others, but
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84 they were sitting at the counter speaking with the Innkeepers momentary relief.
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85 And then there was one that would sit alone with a box and tell it many a tale
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86 when the time allowed, and the dark was nigh- the one that was the idol of
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87 those that would dare sit near.
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88 ^^^^^^^^^^^^^^^^^^^^
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89 As Castellan for House West, a duty more taken than given, chores of other
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90 than security for the household would have to be carried out by my hand. Some
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91 of these chores didn't seem to go along with the job, but it was an interesting
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92 change of pace at times.k I took the leash that I had readied and took the now
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93 quieted beast back to where he could be taken care of by people that understood
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94 him. Each time I went to seek liaison with them, they would always be waiting.
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95 I had never seen them anywhere near the Inn, but I knew they were close by
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96 none the less. The INDIANS had allwed me to choose the name I would be known
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97 as, not an easy chore. At first they called me "Tschepsit," which meant
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98 "Stranger" for I was one amomg them. Other names had been told to me. They
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99 were something like- "Waskeu", "Wilisso" (although only by one of the females)
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100 "Tulpe" (followed by the laughter of two), "Alleanque", and "Quis".
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101 After trying to explain what I was and what I did, some said to me-
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102 "Nagatamen" and "Nutiket". I chose Nagatamen. (And I would remember Tschepsit)
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103 "Come along, NIANQUE. You are going home. People do not understand you
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104 here. They make faces and call you names, but *I* know you are peaceful. *WE*
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105 may still be friends...
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106 Yes, the Indians would be my friends, and a place of Harmony for me when
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107 times grew tired and miserable. I needed th Indians Now.
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108 ^^^^^^^^^^^^^^^^^^^^
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109 I know... "OINK, OINK!" I just had to get things out in the open, sort of.
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110 My phone is patient, but no one calls. Either that, or not for long...
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111 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->Nagatamen, the Guardian 73:16
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112
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113 (*==marker==*)
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114 EX_\A DPSF@ PDRXZ ZAIDX LPXDP TAD\_ AEEAL ZAJDC LIDEC _FIDT FEDTC LI_RA
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115 .
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116 .DSCED [E_YC JI[E\ HB_TA DPXRI _D\C] DPTC[ _PDTA D@SCE DPTAD YCJID MJX\D
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117 .
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118 .YS[\D _STAL D_FDR XZZA[ _IDX[ _LDCL @IDEC SDPTA HB@\A EECZA DPXD[ E_CRR
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119 .
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120 .[ED@_ MJ@X\ DYCJI [LD_F @DZXP D@CTX RID_X MD\C] _[_\D T@ADF ED_Y@ JFLZF
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121 .
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122 .LZD\A DCHBN XVUD@ XMDPT ADGEA JDR_F EPDPX L[_FZ TP[\D _STA_ LDSAD TC^AD
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123 .
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124 .PTADP SFPED JACRD LC\A[ L@D_S A_HBN C_LDP [_COA DN@CJ ADXMD P@TAD VJX_Y
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125 .
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126 .RA_\[ \D_CL UD@EG ZZ@AE @PFX@ LEDCE DPXDS TCPDS A_D@E TXGRI DIX[Y HB
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127 .
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128 01010101010101010101010101010101010101010101010101010101010101010101010100101010101010101010101010101010101010101010101010101
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129 09090909090909090909090909090909090909090909090909090909090909090909090909
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130 As to how I got thair: Phreek aksident!
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131 Like I say, I was typing first and thinking later, an evil for which I have
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132 berated others in times past. I do know beter; just let a new toy get the
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133 better of me.
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134 09090909090909090909090909090909090909090909090909090909099009090909090909
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135 hi_??
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136
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137
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138 010101010101010101010101010101010101010101010101010101010101010101010101
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139 .FD_TC ^ADP@ TADLC \ADXM DPTAD PSFP_ [\D_T ADFED OALDY _COAM ARP[\ HB_CL
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140 .UDEGZ ZAEPF XLE[Y HB@HB
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141 .010101010101010101010101010101010101010101010101010101010101010101010101
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142 ALL AGENTS: DECODE THE ABOVE MSGS *IMMEDIATELY*. OPERATION WILL COMMENCE
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143 AS SOON AS POSSIBLE
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144 010101010101010101010101010101010101010101010101010101010101010101010101
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145 -=*=- O guarder of empty rooms, yours is a lonely vigil. -=*=-
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146 -=*=- Fret not that your words are swallowed by darkness,-=*=-
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147 -=*=- for the shifting of sands, interminable and dreamy,-=*=-
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148 -=*=- shall someday bare our words to eyes full of light.-=*=-
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149 (((((((((((((((((((((((((((((((((((((((((((((((( LXIX ))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))
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150 I looked up from my glass. I had tried not to, but it was to the point that the effort was becomming obvious, so
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151 there was really not point to avoid her eyes. She was watching me. I looked into her eyes and was lost. I blinked,
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152 she was good eye contact, this one, a real talent.
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153 She kept smiling, and lifted the wine glass to her mouth. White wine through red lips. She lifted the glass to
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154 drain the glass, and let the last ice cube fall into her open mouth. As the glass came down she looked into my eyes.
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155 I could see the ice cube moving just behind her lips. Back and forth. Then she pursed her lips and let the ice
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156 cube slid off her tongue into the glass. It was a slow, deliberate movement. She still held my eyes. With my hand
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157 I rattled the ice in my drink, hoping ( maybe ) for a bartender to hear and break the contact. None heard.
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158 I could feel the man next to me squirming in his seat. He too had watched the ice cube. In the corner of my eye
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159 I can see him look at her, then at me, then her. Like the ice cube. Back and forth.
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160
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161 He jogs my elbow as her ajusts his waistband. He lifts his glass for a moment and wipes his lip. Still his eyes
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162 go back and forth.
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163 I know what he thinks. I know who he is. No not by name, but he has a title. I call him Gold Card. Tonight he
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164 came in with some friends. Their all Gold Cards too. They even look like they got their suits in the same place. God.
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165 They must drive Pontiacs and Buicks. No Cryslers, no matter how Iacoca has turned it around. Sucessful cars,
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166 sucessful clothes, sucessful shoes. And of course, sucessful drinks. Drinks to sucess, drinks to excess.
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167 My uncomfortable neighbor was sipping his sucessful drink, while his friend wereat the other end of the bar, being
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168 sucessful with some people they had met. He was uncomfortable because it was late, and he had been far from sucessful.
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169 I had watched him earlier in the evening. I had watched the whole sex powered circus.
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170 The entire collection was here. Warming up for St. Patty's day no doubt. Most of them had built up quite a
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171 tolerance, they had to get a head start. The whole gang. The Cheese F___s, the Coke Whores, the Gold Cards, the
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172 Cowboys. The group absurdly called regulars. That bother me. I didn't ever want to feel like these people were the
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173 average, that this was all that there was. Women in twos and threes at the bar, sipping their wine in tiny sips,
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174 pretending that the visiting was why they had come, that the side show didn't affect them. Like a child ignoring a
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175 game it was not invited to play. The men traveledin an endless merry-go-round in the bar, back and forth, around
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176 and around, never resting. For if the carousel should stops, the music seases,and their carefully choreographed will
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177 come to an end.
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178 It is a carnival, but everyone is a barker, and the rides don't have pretty lights that shin for miles in cold night
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179 air. Not exactly a place to bring the kids either. An X-rated circus where the people are the only rides.
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180 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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181 tear along dotted line
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182 (((((((((((((((((((((((((((((((((((((((((((((((((((( LXIX )))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))
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183 I am not sure if the above entry is of the kind that belongs on this kind of sustem. If it is not welcome, leave a
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184 note. There is more, but I must first test the water. a pun, yes?
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185
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186 *=-=* To hear a few words cast in my direction is all that *=-=*
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187 *=-=* I ask, a mere signal of acceptance, a small token *=-=*
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188 *=-=* that would say "you are welcome here." Thank you... *=-=*
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189 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
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190 I apologize for using an inverse of your trademark, I was using it in hopes
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191 that it would have made it more obvious as to whom I send my reply.
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192 If you are refering to another place and time, I think I can safely say
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193 that "No, I did not have indigestion." Humorously, I look over my words.
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194 So few are able to put a smile on this face any longer.
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195 As I am not familiar with you, may I call you by the word "Anatschiton"?
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196 Difficult I know, but I shall not forget its meaning.
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197 kathyd: Your "rooms" are most interesting! If I may be so bold to say,
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198 "Bravo! Please, Carry on!" Your words give us all something to
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199 think about. We must think.
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200 Movie fans: If you don't already know, F A N T A S I A has been
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201 re-released with Dolby Stereo sound. It is NOT a film that should
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202 be missed fro it is very much a masterpiece! Also, coming this
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203 summer (I think)... R E T U R N T O - O Z -
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204 "This is the Oz you haven't seen before..."
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205 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->the Guardian of Nianque 74:03
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206
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207
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208 ^^^^^^^^^^
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209 Forgive me. I now know who you are, Anatschiton. -=*=-
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210 ^^^^^^^^^^ --->G
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211
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212 ------------------------------------------------------------------------------------------------------------------
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213 Some people are famous for the ability to rapidly broad jump to totally incorrect conclusions.--Scanning Eye
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214 ------------------------------------------------------------------------------------------------------------------
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215 now it's my turn:PPPPPHHHHHHHFFFFFFFFFFFFFFTTTTTTT!!!! (slobber)
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216 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->the "ACHGIIKI" Guardian
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217 *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~
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218 The gunman reached a fence and scaled it easily. Frank followed. He
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219 was gaining; his breath came in gasps. "Pace yourself," he thought to
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220 himself. "This chump's not going to get away."
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221 The hound and quarry moved through backyards, climbing fences, jumping
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222 obstacles. Their chase marked by the barking of dogs and the inquisitive
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223 shouts of homeowners. Frank was closing... 20 yards... 15... He stumbled
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224 for a moment, then recovered.
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225 Frank topped a fence. He saw an alleyway. On the other side, the
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226 young man labored to climb a high cedar fence. Frank knew he almost had him
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227 He bounded across the alley and scaled to the top of the fence. Instantly,
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228 he felt something was wrong. A shiver ran through his body. His prey had
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229 disappeared. He dropped to the ground, senses tingling. His pulse hammered
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230 in his ears; adrenaline pumped him higher than ever before. He crouched
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231 at the bottom of the fence, sucking in air, trying to regain his wind.
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232 Morning dew soaked his trousers. The world was colored black and grey.
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233 As if it had a life of its own, his gun slithered from his holster.
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234 Frank moved to the side searching for cover. His eyes scanned the yard
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235 seeking the fugitive. He saw only shadows in the moonlight. Finding a
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236 wheelbarrow, Frank moved behind it. He felt a momentary twinge of fear and
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237 fought it off.
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238 Frank waited a heartbeat, then two. He held his breath. Over the
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239 throbbing in his ears, he heard a faint panting in the far corner of the
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240 yard. He crept towards the sound.
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241 Silently, Frank moved through the shadows. This was the most terrible
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242 experience in his life, yet it was his rite of passage. He couldn't walk
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243 away. Time stretched. Seconds seemed like hours. He was terrified, but
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244 never so alive as in this moment.
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245 He neared the panting. Suddenly, a brilliant light silhouetted Frank.
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246 A flash of disorientation. Concerned about the disturbance, a resident
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247 turned on his back porch light. Glimpsing the drama before him, the home
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248 owner darted deeper inside the house, to safety.
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249 Frank stood rooted for a second. His confidence gone. Then his eyes
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250 found the one he seeked crouched behind a small bush. They moved in a
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251 bizzare ballet. Guns moving upward, seeking an enemy. Frank yelled,
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252 "Freeze!" It came as a harsh scream.
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253 Their eyes locked. Frank's finger tightened ont the trigger; his
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254 knuckles whitened. He was rock steady. He had no time for fear; the moment
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255 seared itself in his mind. The men stood frozen. In the distance, a siren
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256 wailed mournfully.
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257 Frank screamed another command; "Drop the gun!" No macho bullshit.
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258 Dirty Harry's quips were for the movies. This was real life.
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259 Slowly, the young man's eyes flooded with fear. His gun began to
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260 waver. "Hey man, don't shoot;" he said. He lowered the gun and placed it
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261 on the ground. His hands reached into the air.
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262 Frank's training took over. "Move forward to the center of the yard."
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263 The gunman complied. The commands came in succession. "Turn around and
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264 kneel... Cross your legs... Hands on top of your head." Frank moved foward.
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265 Carefully, he handcuffed his prisoner. Behind him, the backup officers
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266 walked through a gate into the backyard. Frank took a long deep breath.
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267 It was over.
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268 Frank motioned to one of his rookies walking up to him. "The gun's
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269 over by that bush."
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270 The officer walked over and picked it up. Examining the large frame
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271 automatic, he gave a long, low whistle and said, "Holy shit, look at the
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272 size of this thing. Somebody could have gotten killed."
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273 Frank looked at his prisoner. A smile touched their lips. In those
|
|||
|
274 few short minutes, they had become joined in a fearful bond. Together,
|
|||
|
275 they had stood at death's shoulder. Frank knew he could kill if he had to.
|
|||
|
276 The rite of passage was over. All he felt was exhileration; the fear would
|
|||
|
277 overtake him tomorrow. He turned and walked his prisoner to the awaiting
|
|||
|
278 police car.
|
|||
|
279 The End
|
|||
|
280 *~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~Valinor~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~
|
|||
|
281
|
|||
|
282 --------------------------------------------------
|
|||
|
283 & some people take themselves toooooooo seriously.
|
|||
|
284 -------------------------------------------------
|
|||
|
285 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
286 Valinor -- Superb! You had me gripping my chair on that episode.
|
|||
|
287 ppppppppppppppppp
|
|||
|
288 The piper turned away from the mournful eyes of the dragon, knowing full
|
|||
|
289 well that her rider would come or go at her own pace. The invitation had
|
|||
|
290 been extended, to press the issue less than gentlemanly.
|
|||
|
291 Smoothing the pegasus' mane, the piper led the pegasus out of the low
|
|||
|
292 dark stable into the milky effulgence of the moon; his feet and the pegaus'
|
|||
|
293 hooves leaving dark trails in the frost-covered grasses, cutting through
|
|||
|
294 like dark memories in the silver reaches of childhood. She stood and
|
|||
|
295 shook her head impatiently as the piper slipped back into the main room
|
|||
|
296 of the inn, cutting unnoticed through the warm bustle of the common room
|
|||
|
297 and slipping back outside carrying his pipes.
|
|||
|
298 Sensing his parter's impatience, the piper stepped to the side of te
|
|||
|
299 pegasus, in front of one of the great wings that she had unfurled to test
|
|||
|
300 the wine-bright night air. Holding his pipes, the piper mounted his steed
|
|||
|
301 with great energy, but little grace. Adjusting his kilt, he felt the
|
|||
|
302 contrast of the body heat of the pegasus on the inside of his thighs, ad
|
|||
|
303 the sharp bite of the frosty air on the outside. Leaning forward, he
|
|||
|
304 stroked the velvet neck of his mount, and whispered softly, "Let's
|
|||
|
305 go, Peg!"
|
|||
|
306 The great wings were fully extended now, testing the night for vagrant
|
|||
|
307 breezes, rustling pinions, tensing against the test that was soon to come.
|
|||
|
308 The piper felt the muscles in the body beneath him tensing, gathering an
|
|||
|
309 awesome power; he involuntarily clamped his knees tighter to the pegass'
|
|||
|
310 body and locked them around the leading edge of the roots of her wings.
|
|||
|
311 Rearing back, the pegasus pawed the night winds with her forefeet, nd
|
|||
|
312 with all the power of her hindquarters leaped into the frosty night air.
|
|||
|
313 The pegasus' wings beat down just as the momentum of her upward leap began
|
|||
|
314 to abate, and with a mighty surge of power she began to mount the
|
|||
|
315 moon-limmed passages of the sky trails.
|
|||
|
316 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
317 ****************************************************
|
|||
|
318 and those who do not write are quick to critic.
|
|||
|
319 **********************************************kd*****
|
|||
|
320 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*Themnax of Lananara*=*=*=*=*=*=*=*=*=*=*=*=*
|
|||
|
321 (a random moment from his 'youth')
|
|||
|
322 The wait was short. A dilithi-nadu skityered accross the platform and up
|
|||
|
323 the tree, a prize jalidu-becu cluched firmly in ita's fir-paws.
|
|||
|
324 The dimunitive dmu glided to an effoirtless stop and Themnax boarded,
|
|||
|
325 his mind on changes he would soon be making. A young girl of the betteween
|
|||
|
326 age was in the compartment with him. He could tell because she was wearing
|
|||
|
327 the required availability costume, as opposed to the simple robes worn by
|
|||
|
328 adults, male and female alike, and she appeared to be betteween 12 nd 14 (
|
|||
|
329 earth equivelant) years old.
|
|||
|
330 In his enthusiasm of the moment he kised her warmly but took no further
|
|||
|
331 physical liberties, his moind being on other things.
|
|||
|
332 Lenu sat in the control cabin of her singleship, suarrounded by the
|
|||
|
333 twinkling glow of indicatoo, control and sensing instruments. In her hand
|
|||
|
334 , the dellicate, intricate, sculptinmg of the subtle forces of nature, a
|
|||
|
335 peice of driftwood.
|
|||
|
336 On a keypad near her other hand she entered a short sequence. In mom-
|
|||
|
337 ents a chime sounded. Opening the couver of a small compartment in the
|
|||
|
338 console peninsula between the control seats, she removes a steaming mug of
|
|||
|
339 lubintau elixer.
|
|||
|
340 *=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=**=*=*=*=*=*=*=*=*=***=*=*
|
|||
|
341 Guru of Bliss-
|
|||
|
342 Escape is the safty valve of sanity.
|
|||
|
343 nosrepersonosrepersonosrepersonosrepersonosrepersonosrep
|
|||
|
344
|
|||
|
345 hello Nagatamen, hello others(?), what is?
|
|||
|
346 nosrepersonosrepersonosrepersonosrepersonosrepersnonosrepersonosrep
|
|||
|
347
|
|||
|
348 r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm
|
|||
|
349 Prometheus- See PCS.
|
|||
|
350 r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm r/sm
|
|||
|
351 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ (easier said...)
|
|||
|
352 As I take my final steps before entering into the quiet, almost reclusive
|
|||
|
353 village by nature I hear a slight whistle in the air as a blur passes over my
|
|||
|
354 shoulder. Ssssssssssssp! An arrow! Not just any arrow, but a greeting.
|
|||
|
355 The voice that makes a recital of words that are still not easy to under-
|
|||
|
356 stand is the one I had expected. I had been expected, or how else would she
|
|||
|
357 have known to use that partricular arrow? To anyone else it would not have
|
|||
|
358 meant what it did to me. You see, it had been I that had given her the score
|
|||
|
359 of red velvet ribbons. I had instructed her to use them only in the case of
|
|||
|
360 dire emergency, for which I would be sure to come, or in such an ocassion as
|
|||
|
361 now. We were alone, the ribbon tied to the arrow told me all I needed to know.
|
|||
|
362 I turned to see her watching me, quiver still in hand. I dropped the
|
|||
|
363 leash that kept Nianque by my side, he would know his way home from here, he
|
|||
|
364 knew I wanted to be alone and lifted his paws for home. As she returned the
|
|||
|
365 bow and quiver to her side, I took the ribbon from the expended arrow and tied
|
|||
|
366 it gently around her neck. "Awullsu, how I have longed to see your face," I
|
|||
|
367 said. She wore a smile, but there was a tear in her eye
|
|||
|
368 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->Nagatamen, the Nutiket
|
|||
|
369 Awullsu: go to the place where clandestine parchments are traded and you
|
|||
|
370 will learn the meaning of the name I have given you now.
|
|||
|
371 Lady S : ...than done. If he doesn't see it today, he may not until Monday.
|
|||
|
372 Septine: sorry for all the background noise. It was good to speak again.
|
|||
|
373 Lady S : is that system working? I've been have a devil of a time connecting.
|
|||
|
374 Sorry for being in such a rush on Wed. I'll make it up to you.
|
|||
|
375 person : Hark! My name, but no face... Are you well? What happened?
|
|||
|
376 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->the Guardian 74:ex
|
|||
|
377 . . . . . . . . . . . . . . . . . . . .
|
|||
|
378 Lxix: I pray you continue. I can see no reason why you should not write
|
|||
|
379 what you have here. Perhaps, others see reason, but I find none. I enjoyed
|
|||
|
380 reading of it much. Please do continue. Unless people start telling you to
|
|||
|
381 stop then keep going. And, that would be a great misfortune if they did say
|
|||
|
382 so. Yes. Continue...
|
|||
|
383 *=-=*: I had assumed we were all welcome here, as long as we did nothing
|
|||
|
384 of distasteful nature. I am not sure, by they way the lines were worded, if it
|
|||
|
385 is for me to reply. But, I am anyways. I give you welcome. I would buy you
|
|||
|
386 some of the Inn's so highly-famed mug of ale, as well. A smile, too. I am
|
|||
|
387 sitting there in the corner near the fire, if you ever have wish to converse
|
|||
|
388 with me.
|
|||
|
389 Kathyd: One of my reasons for not making an appearence here of late is
|
|||
|
390 due to the fact that words tend to run away from me. That proves most anonying
|
|||
|
391 to others. I have been busy. Although stories are floating in my mind, just
|
|||
|
392 waiting to be fished out, I have not done so yet. I will, soon. And, then I
|
|||
|
393 will be carefull that the spelling and grammar is correct (and that they are
|
|||
|
394 not too long) before entering them here. Thank you very much for giving me
|
|||
|
395 words. It is a pleasant feeling and produces a rarely seen smile. -Tanya
|
|||
|
396 . . . . . . . . . . . . . . . . . . . .
|
|||
|
397 -------tb: I understand. Of course, since you drink more than you write. ef
|
|||
|
398 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ (a word)
|
|||
|
399 please do not confse *=-=* for -=*=- for we are not the same.
|
|||
|
400 as stated previously, i had used the former to reply to the latter...
|
|||
|
401 Tanya- You are always welcome here.
|
|||
|
402 -----: please excuse my previous outburst, but may I ask you a question?
|
|||
|
403 Why is it that your words are so pointed? (Or had we already discussed?)
|
|||
|
404 ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ --->the insomniatic Guardian
|
|||
|
405
|
|||
|
406 WORDS ONCE SPOKEN CAN NEVER BE RECALLED. AN INJURY IS MUCH SOONER FORGIVEN THAN AN INSULT. ONCE
|
|||
|
407 =-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=
|
|||
|
408 Tanya: Am I the =-*-= you wrote to? Their seem to be quite a few of us around. If I am, Thank
|
|||
|
409 You for the welcome & I would be delighted to sit and talk with you for a while. I think that I
|
|||
|
410 will change my header to prevent more confusetion. My name is Tsilb, so you will know me when I
|
|||
|
411 change it.
|
|||
|
412 Kathyd:Sorry to hear of the death of Jack.Even though I did not know him I feel that a loss has
|
|||
|
413 occured in the bbs world.
|
|||
|
414 Would you let me know when the services will be.I would like to pay my last respects to
|
|||
|
415 one of whome I have heard so much.
|
|||
|
416
|
|||
|
417 Tsilb
|
|||
|
418 P.S. I just found out what ENTER ONLY means.
|
|||
|
419 Valinor:Good story!
|
|||
|
420 The Tin Man:I liked your poems.As for wasting space.It is not realy wasted when words such as
|
|||
|
421 yours fill them.
|
|||
|
422 =-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=(soon to be changed)-*-=-*-=-*-=-*-=-*-=-*-=-*-=-*-=
|
|||
|
423 ..............................................................................
|
|||
|
424 "Damn." She slammed the receiver down.
|
|||
|
425 "What is it?" he asked, not looking up from the Saturday sports page.
|
|||
|
426 She began to pace the length of the living room, arms crossed in a defensive
|
|||
|
427 gesture.
|
|||
|
428 "The line is busy. She's got it off the hook, or something." Her cheeks flamed pink with ann
|
|||
|
429 flamed pink with annoyance. "She knows damn well that I need those files on the
|
|||
|
430 Martin project today."
|
|||
|
431 He flipped to the stats. The Raiders had a shot at the playoffs.
|
|||
|
432 "I can't afford to sit around and wait for her to finish trading recipes or
|
|||
|
433 whatever it is she's tying up the line for." She trailed her index finger along
|
|||
|
434 the sofa table as she paced; it left a shiny path in a week's collection of d
|
|||
|
435 dust. "This place is a mess," she muttered under her breath.
|
|||
|
436 He looked up from his paper. "I heard that." Since he'd lost his job he'd
|
|||
|
437 been doing the housework while she held down a 9-to-5 at a prestigious a archi-
|
|||
|
438 tectural firm.
|
|||
|
439 She glared at him and continued to pace. "What the hell is my damned sec-
|
|||
|
440 retary doing, anyway? Probably sharing child-nurturing tips from "Parents"
|
|||
|
441 magazine with one of her housewife pals. And what am I doing?" She stopped
|
|||
|
442 dead in mid-pace. "Are you listening?"
|
|||
|
443 "Yes." He looked over to where she stood. "I thought it was a rhetorical
|
|||
|
444 question."
|
|||
|
445 "I'll tell you what I'm doing," she snapped. "I'm counting the minutes
|
|||
|
446 until I lose my job to Dave Peterson, because if Nancy doesn't get off the
|
|||
|
447 phone and on the ball, Edwards Associates will dump me for that 'up-and-
|
|||
|
448 coming' young architect." She sneered. "He's the fair-haired boy who can
|
|||
|
449 do no wrong. And speaking of boys -- old boys, that is -- how do you think
|
|||
|
450 he got that position fresh out of school? Why, the 'Old Boy' network, of
|
|||
|
451 course, unlike SOME of us", she aimed an emphatic thumb at herself, "who had
|
|||
|
452 the guts to WORK our way up!"
|
|||
|
453 "Is that the imperial we?" he said mildly.
|
|||
|
454 She whirled to face him. The cords in her neck were sharply defined by rage.
|
|||
|
455 "What the hell does that mean?" she hissed. "You know damn well how hard I
|
|||
|
456 worked to get where I am today. I'm not about to let it all slip away just
|
|||
|
457 because my goddamned secretary can't wait to phone her friends and tell them
|
|||
|
458 about her kid's new tooth!"
|
|||
|
459 "It's Saturday -- doesn't she get any time off? She only gets paid for
|
|||
|
460 forty hours a week," he offered.
|
|||
|
461 "And what am I supposed to tell my boss when the project is late? 'Sorry,
|
|||
|
462 sir. Nancy's kids cut teeth on the weekends, sir, so I didn't finish the
|
|||
|
463 project.' Is that it?" She leaned across the back of the armchair and fixed
|
|||
|
464 him with an angy stare. "I don't think you understand how important this is.
|
|||
|
465 Besides, if I lose my job, how are we going to pay the rent? With your fab-
|
|||
|
466 ulous household allowance?"
|
|||
|
467 He neatly folded the paper. "So that's it." His voice was quiet, neutral.
|
|||
|
468 "What's it?" she shouted. "I'm sick of your damned riddles!"
|
|||
|
469 "Resentment."
|
|||
|
470 She stared at him, her mouth a thin white line of fury. He looked back at
|
|||
|
471 her, not challenging, but sympathetic.
|
|||
|
472 "I think you've simply bottled up all the resentment you could, and now you'v
|
|||
|
473 popped your cork, so to speak." He shrugged. "You resent my having lost my
|
|||
|
474 job. You resent being the sole breadwinner, for the moment. You resent Dave
|
|||
|
475 Peterson because he got a better career break than you did. And you resent
|
|||
|
476 Nancy's motherhood." He shrugged.
|
|||
|
477 She dropped into the armchair and curled up, hugging her knees. The corners
|
|||
|
478 of her mouth turned down in a self-conscious scowl. "I guess you think you've
|
|||
|
479 hit the nail on the head," she said tonelessly.
|
|||
|
480 He shrugged again. "Is that it? What else do you resent?"
|
|||
|
481 She thought for a minute. "Everything."
|
|||
|
482 "Everything?" He was bemused. "Why do you resent everything?"
|
|||
|
483 It was her turn to shrug. "Because it's easier than being specific."
|
|||
|
484 The phone rang. He reached across the end-table and answered. She stared
|
|||
|
485 at the floor, unmoving.
|
|||
|
486 "Hello? Just a moment..." He held the receiver out to her. "It's for you."
|
|||
|
487 She looked up, then took the phone from him. "Hello?"
|
|||
|
488 "Hi, it's Nancy. I've been trying to reach you all day, but your line's been
|
|||
|
489 tied up. I've got the files; got a pencil?"
|
|||
|
490 .......................................Entropy........................................................
|
|||
|
491 /\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/
|
|||
|
492 The guards approached the olive-skinned pair,hands edging toward their
|
|||
|
493 sword hilts. "And who was this old man?"
|
|||
|
494 Thalion and Mallyn gave each other a quick glance. To ad mit that this
|
|||
|
495 was their grandfather,whan he had just been kiiled by Oraj guards, would mean
|
|||
|
496 that they would share his fate. "We don't know, sir,"said Thalion,"except that
|
|||
|
497 he is Rhyll, like ourselves - we only meant to give him a sea burial."
|
|||
|
498
|
|||
|
"That's easily done",said the guard. "Feed him to the sharks - NOW -
|
|||
|
499 or you'll go in after we throw him in." To do such a thing would harm the old
|
|||
|
500 man's soul, they knew; and as they started stalling, they saw two of their
|
|||
|
501 travelling companions sneaking up behind the Oraj guards.
|
|||
|
502 Mallyn had half started a lengthy rhetoric on the world's religious con-
|
|||
|
503 victions when Aliren and Cordum shoved the guards, chain mail and all, off
|
|||
|
504 of the pier. Then, without warning, Aliren dived in after them!
|
|||
|
505 The other three watched for anxious seconds until Aliren surfaced, swam
|
|||
|
506 to the ladder, and loudly announced,"I just couldn't save 'em!!"
|
|||
|
507 Then the cheers exploded fron the neighboring trading ship.
|
|||
|
508 /\/\/\/\/\/\/\/\/\/\/\/\/\/\/\
|
|||
|
509 That actually happened at our last DnD session. Aliren got 100 exp. pts.
|
|||
|
510 extra - the DM said that he had never heard such uprorious applause for a
|
|||
|
511 cold-blooded murder before!
|
|||
|
512 Home for the weekend for Jean Pierre Rampal - and my, haven't we gotten
|
|||
|
513 creative in the City of Roses?? Moo U is NEVER like this. Five more days, and you'll have to put up
|
|||
|
514 with me as well...and I expect the same high quality then that I've read tonite!
|
|||
|
515 So, To All The Writers: KEEP IT UP!!!!!!!
|
|||
|
516 /\/\/\/\/\/\/\/\/\/\/\/\/\/\Luingil/\/\/\/(anyone wanna take my finals for me)/\
|
|||
|
517 This is Zudo
|
|||
|
518 here are some samples
|
|||
|
519 oops! I've got some control codes to delete before I try this again.
|
|||
|
520 (-)_(-)_(-)_(-)_(-)
|
|||
|
521 So what is going on about all the boarders? Why can't people just use a
|
|||
|
522 boarder that is different than the last one, if they want it to be. Why
|
|||
|
523 does it have to be the same thing time after time... Oh well, to each
|
|||
|
524 his/her own. But one last question; why do users get so upset about people
|
|||
|
525 using a boarder that they used? Shouldn't it be what is in the message,
|
|||
|
526 not what the boarder looks like?
|
|||
|
527 (-)_(-)_(-)_(-)_(-)_(Mark)_(F)_(-)
|
|||
|
528 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXHELLO, IS THERE ANYONE OUT THERE WHO CAN GIVE ME AN ACCURATE, UP
|
|||
|
529 DATE LIST OF LOCAL BBS NUMBERS.
|
|||
|
530 I HAVE NOT BEEN ON THE BBS'S FOR A WHILE AND FEW OF MY NUMBERS ARE STILL USED, THANKS
|
|||
|
531
|
|||
|
532 T.W.
|
|||
|
533 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
|
|||
|
534
|
|||
|
535 000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000
|
|||
|
536 ANYWAY, WHAT'S BEEN GOING DOWN SINCE LAST TIME I WAS ON?
|
|||
|
537 ANY NEW USERS, ETC.?
|
|||
|
538 IF MY LUCK IS GOOD, YOU MAY HAVE A NEW USER, BUT I AM NOT SURE SHE COULD GET IN FROM ANOTHER TERMINAL
|
|||
|
539 (SHE MAY NOT KNOW HOW TO RUN ONE)......HOEFFENTLICH,JA.
|
|||
|
540 UNTIL LATER,
|
|||
|
541 SHOGOTA.(NEW NAME, OLD: UNBELIEVER)
|
|||
|
542
|
|||
|
543 KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA
|
|||
|
544 The perspective had been obscured due to my ignorance. Soon, very soon,
|
|||
|
545 all will be made clear. It seems just a little too much for one that has
|
|||
|
546 been out from the rigid controls construcetd for our protection as well as
|
|||
|
547 others. The stage will be reset, all actors cued to their respective lines,
|
|||
|
548 and all the exciting, action packed adventures will be under way soon...
|
|||
|
549 KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA KOSTA
|
|||
|
550
|
|||
|
551 :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
552 From Prometheus; Tarred and Feathered
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553 My precious terminal was designed seven years ago and built five. So it
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554 should not come as a suprise that it died several days ago. Ergo, I am not as
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555 I usually try to be. Several things demand attention though, and I will try to
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556 ddress all the pressing ones.
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557
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558 Borders are used to indicate the identity of the speaker, both in name, and
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559 in the personality. For instance, kathy and cistop mikey share a common one;
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560 but they both are somewhat deserving.
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561 On occaision do you not feel as if the joint be jumpin' when kathy sends so
|
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562 many stars? And do you not feel as if our Good Cistop sends us these bulletins
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563 hot from accross those new telegraph thingies?
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564
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565 + + + + + + + + + + + + + + + +
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566 I sit in the semi-darkness, hunched over my keyboard, listening to the sounds
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567 of the street outside and the low drone of a too low radio. The tv shows mute
|
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568 faces to the room, its light reaching her sleeping form on the bed. Soft face
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569 pressed into my soft pillow, the sheets pulled in a hundred different directions
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570 , the smell of passions filling the room.
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571 Her make-up is now just stains on a wash rag next to my sink. When I saw it
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572 I stopped and stared for a long time, then came back to the bedroom.
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573 I sat and looked at the bed. The impression in the pillow, the fold of the
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574 covers. She moves from time to time, ajusting her sleep, pulling the blankets
|
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575 even more.
|
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576 A towel lays on the floor, it shares our scent.
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577
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578 I have not known her long, just a few weeks really, hardly a moment. So why
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579 am I so comfortable with her, confident, content. Willing to talk about things
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580 I can share with no one else. I let her read my works. She liked some of them
|
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581 and told me. She told me the ones she didn't like as well. I liked that. An
|
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582 honesty I can care for.
|
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583 Tomorrow the sun will come up, erasing the warmth that is the darkness. The
|
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584 bed will be made, the sheets and blankets smoothed out. The doors and windows
|
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585 will open to let in the fresh air, the towel will be folded and put away.
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586 It is time to go to sleep, she woke and asked me to come to bed, I said I
|
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587 would be right there.
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588 But first I must go in and get the wash rag, and put it where the morning will
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589 not find it.
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590 The Harlequin
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591 + + + + + + + + + + + + + + + +
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592
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593 To continue from above, when I logged out for an emergency. Borders are often
|
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594 important Lsignals of individuality. And even beyond egos, there are other an
|
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595 and perhaps better resons to use them.
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596
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597 The use of a border sometimes indicates an identity, or a mask. Lately,
|
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598 shadowed figuires have stepped from the shadows. Tugging their shirts down to
|
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599 show how nifty they are, they say nasty things about others.
|
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600 To show how courageous they are, they run back into the shadows with their
|
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601 tails between their legs. Somehow their courage seems lost amidst the annoying
|
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602 presense.
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603
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604 :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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605
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606 SageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSag
|
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607
|
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608 The Sage looked the tweny feet down, into his own bushes and tangles. The
|
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609 ivy woven into the decaying brick and the shadows into the ivory. The Sage
|
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|
610 felt so cold, so cruel, standing atop his balcony, looking down into the night
|
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611 that hid the fowl ones.
|
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612
|
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613 To hear the vermin, scuffling stupidly about in his ivory. To see them try
|
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614 in vein to cover their presense. To see them coming to his place of residence.
|
|||
|
615 All of these things were to the Sage reprehensible.
|
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|
616
|
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617 The would take knives, and for lack of anything else to create, they made
|
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618 scrawlings and notches in the wood. They would accost his guests, and then
|
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619 would run when anyone came to their defense.
|
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620
|
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621 The Sage put the thing, the weapon he was holding down. His arm drooped
|
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|
622 sadly. And the thing drug it down to the ground where the vermin hid.
|
|||
|
623 The plumb of gravity was inviting, and to the sleepy eyed Sage, the feel
|
|||
|
624 of gravity in sagging him to his sheets was almost bliss. To a tired mind,
|
|||
|
625 it always is.
|
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|
626
|
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627 SageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSageSage!s
|
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|
628
|
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|
629 ???Ian:mess recieved on PCS,no data now, will try my best./MiG/???
|
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TOTAL NUMBER OF LINES = 629
|