651 lines
41 KiB
Plaintext
651 lines
41 KiB
Plaintext
|
|
|||
|
1 If you are in need of help, you need but ask...
|
|||
|
2 ************************* INSTALLED: 5 JAN 85 **********************
|
|||
|
3 Welcome to BWMS (BackWater Message System) Mike Day System operator
|
|||
|
4 ************************************************************
|
|||
|
5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
|
|||
|
6 PLACED ON THIS SYSTEM.
|
|||
|
7 BWMS was created as an electronic bill board. BWMS is a privately owned
|
|||
|
8 and operated system which is currently open for use by the general public.
|
|||
|
9 No restrictions are placed on the use of the system. As the system is
|
|||
|
10 privately owned, I retain the right to remove any and all messages which
|
|||
|
11 I may find offensive. Because of the limited size of the system, it will be
|
|||
|
12 periodically purged of messages. (only 629 lines of data can be saved)
|
|||
|
13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
|
|||
|
14 ENTER mode. The message is automatically stored. If after entering the
|
|||
|
15 message you find you made a mistake, use the replace command to replace
|
|||
|
16 the line. To exit from the system, type 'OFF' then hang up.
|
|||
|
17 Type 'HELP' to see other commands that are available on the system.
|
|||
|
18 ************************************************************
|
|||
|
19
|
|||
|
20 at the top... this is really weird... i am starting to beleive what i said a
|
|||
|
21 while ago... a free case of utter disbeleif with every visit to the top...
|
|||
|
22
|
|||
|
23 ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt
|
|||
|
24
|
|||
|
25 i finally figured out why gaudy minsky is no where to be seen... she works in
|
|||
|
26 a school district that is on vacation... all of them... it only makes sense for
|
|||
|
27 her to be missing... sorry for all the fretting...
|
|||
|
28
|
|||
|
29 indecision...
|
|||
|
30 i decided to let my name be tilean... it is what i started with and i ought
|
|||
|
31 to stick by it... sorry for all the fretting...
|
|||
|
32
|
|||
|
33 soundless songs...
|
|||
|
34 i am sorry... bard... but i did not know how to mentally sing your song... i
|
|||
|
35 was therefore not as impressed as i usually am... ii remember a certain song in
|
|||
|
36 which a ship is sent out out a thousand light year journey... and a hyper drive
|
|||
|
37 is discovered... by the time they make their destination their families and all
|
|||
|
38 that they knew is gone... and now they are obsolete as their memories... it was
|
|||
|
39 very depressing... in a noble sort of way that is...
|
|||
|
40
|
|||
|
41 chela and papa smurf...
|
|||
|
42 thank you for your comments on my names... i decided to use tilean for my own
|
|||
|
43 messages... however... i would not mind... in fact i would enjoy usage of the
|
|||
|
44 other names in messages to me... i like them both too...
|
|||
|
45
|
|||
|
46 farley and others...
|
|||
|
47 a story climax... that sounds kind of final... i hope not... although i too
|
|||
|
48 wait for a reunion between joshua and petrov... i almost expected anger when i
|
|||
|
49 noticed petrov and joshua at pc&s... i really should have started attending
|
|||
|
50 them earlier... i have missed so much... piper, man in gray, voyeur, petrov...
|
|||
|
51 i should not try to list them all but i admire every one for a certain aspect
|
|||
|
52 of their personality...
|
|||
|
53
|
|||
|
54 ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt
|
|||
|
55
|
|||
|
56 ererererererererererererererererererererererererererererererererererererererererererererererererererererererererererererererer
|
|||
|
57
|
|||
|
58 Annie looked out the train window at the passing landscape, at trees stripped of all their protective leaves, of trees now
|
|||
|
59 blown naked by cold and endless winds.
|
|||
|
60
|
|||
|
61 "Annie, you ought to be ashamed of yourself, leaning against a cold window like that in your condition." Alexei offered
|
|||
|
62 her one of the few comforts a train could offer, a blanket and pillow to soften out the stiff chairs.
|
|||
|
63
|
|||
|
64 "I'm sorry dear, I was only looking at the trees. They seem so lonely, so afraid..." Her voice trailed off. Which made
|
|||
|
65 Alexei's eyebrows furrow. Annie got depressed, but almost never this depressed.
|
|||
|
66
|
|||
|
67 "Well, at least they are firmly planted in one place, and even the strongest winds can not blow them down. All in all, I
|
|||
|
68 think they are more secure than most of us feel." Alexei had meant his words to be cheerfull, they did not come out that way.
|
|||
|
69
|
|||
|
70 "Yes, they are secure alright. So secure that they may expect to never die, they moight live forever, which is more than
|
|||
|
71 any of us would endure." Annie and Alexei had once decided that perpetual life was a curse, consisting only of boredom.
|
|||
|
72
|
|||
|
73 "Anyway, we shall be at Piercy Station soon. Williard, my friend, will meet us. His fiancee is going to be attending to
|
|||
|
74 some of the wedding details and will not be able to meet us."
|
|||
|
75
|
|||
|
76 "Why do you think someone would think his own fiancee was not the person he wanted to marry? It seems so cruel." Annie
|
|||
|
77 was very obviously depressed.
|
|||
|
78
|
|||
|
79 "I do not know, it is possible that Willy only wants to get me there, and is using the guise of a mystery to be sure I do
|
|||
|
80 actually get there." No one ever seems able to forget that time on the Red Ball Express.
|
|||
|
81
|
|||
|
82 Annie laughed loudly, recalling that little episode. The pair had been accused of attacking a little old lady and taking
|
|||
|
83 her favorite brooch. They had spent time in respective cells and had a marvellous time with their fellow cell mates.
|
|||
|
84
|
|||
|
85 It was then that Annie remembered the face of the lady when they proved she had only faked the theft in order to get the
|
|||
|
86 insurance money. The poor dear was living only on scraps left over from a charitable restaurant near where she lived. She
|
|||
|
87 could not have simply sold the brooch, it was given to her by her late husband.
|
|||
|
88
|
|||
|
89 Depressed once more, Annie was left to look at the barren trees and frozen mud of the passing landscape.
|
|||
|
90
|
|||
|
91 Sincerly,
|
|||
|
92 Divine Overture
|
|||
|
93
|
|||
|
94 divovedivovedivovedivovedivovedivovedivovedivovedivovedivovedivovedivovedivovedivovedivovedivovedivovedivovedivovedivove
|
|||
|
95 IOIOIOIOIO][
|
|||
|
96
|
|||
|
97 Not you, others are straining thought processes to see us.
|
|||
|
98 Of course. Do I know what is happening on the dark part of 7? It is two
|
|||
|
99 from now. Want to hear from me.
|
|||
|
100 Rip out eyes and turn around.
|
|||
|
101
|
|||
|
102 IOIOIOIOIO ][
|
|||
|
103 Tilean: The song you are thinking of is "Space is Dark" by Bill Roper. It
|
|||
|
104 can be found in The Westerfilk Collection Vol. I. Have you been on BW since
|
|||
|
105 I "sang" that song?!
|
|||
|
106 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
|||
|
107 To: whom it may concern
|
|||
|
108 Subject: Garbled NET codes
|
|||
|
109 It is possible to recover messages in Level 1, 2, & 4 codes. What most
|
|||
|
110 likely happened was that a line was lost. Since all lines were sent at
|
|||
|
111 ma 72 the number of missing groups is obvious. Add "garbage" groups in
|
|||
|
112 the right place & the portion of the message AFTER the "added" groups
|
|||
|
113 will be recoverable. There is a "simpler" method that I will leave to
|
|||
|
114 you....
|
|||
|
115 RYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRY
|
|||
|
116 010101010101010101010101010101010101010101010101010101010101010101010101
|
|||
|
117 "You use radar and the enemy begins to jam it. You fire homing rockets
|
|||
|
118 at his jammers and he invents a radar-negative paint. You switch to
|
|||
|
119 passive infrared sensors and he replies with random thermite charges to
|
|||
|
120 overload your sensors with heat pulses. You switch again, this time to
|
|||
|
121 laser rangers, which he blocks with efflorescent gases and rockets
|
|||
|
122 homing in on your illuminators. You abandon sophistication and use old-
|
|||
|
123 fashioned aluminum-foil chaff with propaganda printed on the back in
|
|||
|
124 three languages, none of them used by your opponent. He trains carrier
|
|||
|
125 pigeons to lay radio-sensitive eggs and you invent a robot chef to
|
|||
|
126 scramble them.
|
|||
|
127 Now you decide to strike closer to home. You bug his headquarters with
|
|||
|
128 microphones. He returns the favor. You dig out his microphones and plant
|
|||
|
129 another batch of your own, including a few microminiaturized ones he
|
|||
|
130 misses. He plants radio transmitters in your coffee urn that clash with
|
|||
|
131 the microwave devices that you've woven into his curtains and furniture.
|
|||
|
132 He bounces a laser off your window shades and read the reflections while
|
|||
|
133 you are doing the same with sonic pulses. Meanwhile, your people have
|
|||
|
134 been finding cockroaches with serial numbers in Russian, Hindi and
|
|||
|
135 Hebrew. You replace them with microrobots with TV pickups and acetylene
|
|||
|
136 torches, disguised as mice, and he unleashes his robot cat that lives on
|
|||
|
137 your roof....
|
|||
|
138 And so on."
|
|||
|
139 ....From "The Tools of War" by Roland J. Green and Clyde R. Jones
|
|||
|
140 (NON-fiction)
|
|||
|
141 010101010101010101010101010101010101010101010101010101010101010101010101
|
|||
|
142 bard... yes i have... and enjoyed every one of your songs since then... a few before then too... sincerely... a lurker of
|
|||
|
143 incredible proportions... and from what i see... one of the few that did not enter a message saying they knew how to...
|
|||
|
144 to the alphabet person ------ you can do whatever you
|
|||
|
145 want unless you are hurting other people. you don't have
|
|||
|
146 to do what everyone else is nomatter what it is. If you
|
|||
|
147 feel it is wrong don't do it. if you feel it is right
|
|||
|
148 stop and think if it is going to hurt anyone else.
|
|||
|
149 my question is, why don't people like other people who
|
|||
|
150 are being themselves?
|
|||
|
151
|
|||
|
152 --------------------------------------
|
|||
|
153 Does anyone know what in the world the
|
|||
|
154 "EXIT" command does? It seems to act
|
|||
|
155 just like enter mode, but none of it
|
|||
|
156 gets saved anywhere...
|
|||
|
157 -------------------------------Mad Max
|
|||
|
158 ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah ah
|
|||
|
159 when the time comes for all of us to examine ourselves and
|
|||
|
160 really think about the way we run our lives we will then
|
|||
|
161 realize that in our limited span of cognizance we can only
|
|||
|
162 truly comprehend the small sphere of life that surrounds us
|
|||
|
163 and encompanses us like the womb from which we came. It is
|
|||
|
164 at this time, be it early or late in our lives, that makes
|
|||
|
165 all the difference in the world. Insecure individuals, if
|
|||
|
166 they can be called individuals, lash out blindly at those
|
|||
|
167 around them when they realize just how unimportant a cog
|
|||
|
168 they are in a world that revolves regardless. The little
|
|||
|
169 things are noticed, such as the changing moods, quick to
|
|||
|
170 catagorize, then always apologetic. They try to utilize
|
|||
|
171 cleverness in their attempts at superiority. Many aren't
|
|||
|
172 fooled by these actions, and continue in ignorant bliss
|
|||
|
173 to believe these characters and all that they represent.
|
|||
|
174 To selectivly ignore others around them, in an effort to
|
|||
|
175 appear aloof and therefore untouchable. the rest of us
|
|||
|
176 try to feel compassion for these helpless people, but
|
|||
|
177 indeed it is trying. continue on your present course,
|
|||
|
178 and find yourself lonely, afraid, and completely
|
|||
|
179 detached from the umbilical cord the rest of the
|
|||
|
180 world attempts to help you with. pity is an
|
|||
|
181 emotion that when applied with the proper
|
|||
|
182 dosage, can do wonders.
|
|||
|
183 Something to remember.
|
|||
|
184 something to forget.
|
|||
|
185
|
|||
|
186 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
|||
|
187 WHAT IN THE HECK WAS ALL THAT ABOUT? PHILOSOFY 101 OR WHAT?
|
|||
|
188 #$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$#
|
|||
|
189 Many messages;
|
|||
|
190 Voyeur: Thanks again for the rules. They're neatly done. By the way, how do Nuclear Risk games turn out? Any
|
|||
|
191 strategies you could impart on me without losing your advantage with the other players here?
|
|||
|
192 Ian: Noted, but either a) more is missing than you think or b) I miscopied and am missing a letter. Either way I
|
|||
|
193 can't read it. Regarding level 4 code, I repeat, nasty bit of work you've done there. Combinations within
|
|||
|
194 combinations within combinations....
|
|||
|
195 ,,,,,,: I don't know if the alarms are made by Bud Clark- I neglected to check the name plates on them as I ran by,
|
|||
|
196 silly me.
|
|||
|
197 PorSFiS people: Next Saturday, the 12th, is a meeting, correct? One (1) Farley will be in attendance...
|
|||
|
198 #$##$##$##$##$##$##$#
|
|||
|
199 I had parked in a lot about four miles away. Fred still wasn't fixed, but I was trying. The manuals on him reminded
|
|||
|
200 me of my high school essays- a worse threat to the english language has never been seen before or since. Still, I
|
|||
|
201 struggled through them, and I began to hear noises from Fred's speaker.
|
|||
|
202 "Hissss...arley. Thank you for repairing my speech unit."
|
|||
|
203 I said nothing, but kept working. I needed to keep busy to prevent myself from thinking too hard about that drone.
|
|||
|
204 Crackle. "I am almost completely re-connected now, Farley. Perhaps you would llike to learn what I did while cut
|
|||
|
205 off from my environment."
|
|||
|
206 I shrugged. "Why not...go ahead." Those guys had sure done a job on Fred. Nearly a third of his I/O connections
|
|||
|
207 had been cut... good thing they were color-coded. All I had to do was splice about 40 connections. Only four more to
|
|||
|
208 go, then I was finished. Crackle. Make that three.
|
|||
|
209 "I abandoned the newer code and tackled the other again, Farley. And I cracked it."
|
|||
|
210 "Oh?", I said, not paying much attention. "What did you find out?"
|
|||
|
211 "Well....", Fred said. He obviously was trying to hold the suspense. "Yes?", I said.
|
|||
|
212 "I learned where Joshua's apartment is."
|
|||
|
213 THAT got through to me. His apartment? At last, a solid lead! "Where?", I asked. Crackle, Crackle went the wires.
|
|||
|
214 "Just a few minutes away, Farley. Ah, that feels good: to be able to sense around me again. Just one more connection,
|
|||
|
215 and you'll be finished."
|
|||
|
216 Crackle. It was done. I put the manuals and the splicegun back in the trunk.
|
|||
|
217 Getting in, I said, "Let's go, Fred. We've an appointment to keep with Joshua, and we wouldn't want to be late."
|
|||
|
218 Fred smoothly drove out into the street. He was obviously enjoying his returned senses. I wouldn't doubt it if he
|
|||
|
219 were scanning everything from infrasonic to ultraviolet.
|
|||
|
220 True to his word, Fred parked in the alley behind an apartment building just a few minutes later. "This is it, Farley.
|
|||
|
221 Joshua's apartment is on the second floor, but I don't know which apartment."
|
|||
|
222 Fred had narrowed him down to a single floor of a building, yet his tone betrayed his feeling failure for getting the
|
|||
|
223 address EXACTLY. "Thank you very much Fred, you've done extremely well." I felt that his ego needed a little booster.
|
|||
|
224 I only paused to check if Betsy were fully loaded before I peered in the back entrance. No one was in sight.
|
|||
|
225 Fred spoke through the 'com: "Six stories, two elevators, seven apartments per floor. A basement, sub-basement, sub-
|
|||
|
226 sub-basement...whoa, this building goes down for a little ways, Farley. Three floors below ground level. No
|
|||
|
227 underground tunnels detected. Electrical system controlled at main box on ground level and sub-boxes on all levels."
|
|||
|
228 I signaled Fred to be quiet by pushing aa small button on the chronocom. Something was afoot here, I could *FEEL* it.
|
|||
|
229 Something big.... I gathered my courage and determination (what little was left after so many disappointments), and
|
|||
|
230 stole towards the nearest elevator....
|
|||
|
231 #$##$##$##$##$##$##$##$##$# Farley #$##$##$##$##$##$##$##$##$##$##$# 01/05/85 - 11:25pm #$##$##$##$##$##$##$##$##$##$#
|
|||
|
232 +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+--+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-++-+-++-+-++-+-
|
|||
|
233
|
|||
|
As I dash out of the bank, with two bagsfull of money, worth about $15,000, I hop into my get-away car, and I head to-
|
|||
|
234
|
|||
|
wards the Mexico-United States line. I
|
|||
|
235
|
|||
|
knew i could make it, I had this planned
|
|||
|
236
|
|||
|
for months. There was no way they were gonna catch me. I ditched the car, next
|
|||
|
237
|
|||
|
to the praire market, and ran towards
|
|||
|
238
|
|||
|
town. I knew the city train went throughtown at 10:00 am sharp every day. It wasnow 2 til 10. The adrenelin starts
|
|||
|
239
|
|||
|
flowing . I see the train, I put myself
|
|||
|
240
|
|||
|
in 9th gear, and jump onto the train.
|
|||
|
241
|
|||
|
whhhhhh... I made it. As I layed insidethe box car, I could here the police
|
|||
|
242
|
|||
|
sirens everywhere. They sounded like they were getting closer, and closer, but
|
|||
|
243
|
|||
|
you knew the state-line was not much further. I open the bags and felt the
|
|||
|
244
|
|||
|
money, it sure felt different than
|
|||
|
245
|
|||
|
monopoly money that's for sure. I then
|
|||
|
246
|
|||
|
peeked out the box-car door, and i couldsee state police cars blocking the
|
|||
|
247
|
|||
|
highway. I started laughing...and laughing... I finally fooled them. Then out of the dark, I feel this hand grab me,who
|
|||
|
248
|
|||
|
is it. As I look up i realize there is
|
|||
|
249
|
|||
|
a policeman telling me to take my booze,and my drunk body, off the middle of
|
|||
|
250
|
|||
|
the sidewalk. was I dreaming???
|
|||
|
251
|
|||
|
|
|||
|
252
|
|||
|
|
|||
|
253
|
|||
|
THE BUMS DREAM...by O.J. Howard
|
|||
|
254
|
|||
|
1/5/85
|
|||
|
255
|
|||
|
12:00 midnight
|
|||
|
256
|
|||
|
|
|||
|
257
|
|||
|
+-+-+-+-+-+-+-+-+-++-+-+-+-+-+-+-+-+-+-+-+-+-+-+--+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-
|
|||
|
258
|
|||
|
259 Please remember how short we are on space when writing messages, extra line feeds are only counted as one character
|
|||
|
260 but still annoys many people if the think that they are carriagee returns.
|
|||
|
261 Line feeds on blank lines are what I mean really, since only by turning on line numbers and paying a lot of time and
|
|||
|
262 attention can anyone find out what was done.
|
|||
|
263 Space is a precious commodity here, and people take offense when it is apparently wasted obeisely.
|
|||
|
264
|
|||
|
265
|
|||
|
266 THE PENULTIMATE NET STORY.
|
|||
|
267 Petrov was sitting in Joshua's apartment, waiting. Suddenly the door to the adjoining suite burst open - Joshua
|
|||
|
268 jumped in. At the same moment, the door to the hall crashed in - L'homme was there. Simultaneously Farley climbed
|
|||
|
269 in through the window. Everyone started shooting at once.
|
|||
|
270 After a furious gun battle, everyone was dead. Except, of course, the sheep. He subsequently ghosted the
|
|||
|
271 story, made millions, started his own commune, and lived happily ever after.
|
|||
|
272 THE END.
|
|||
|
273 MA 126
|
|||
|
274 +*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-
|
|||
|
275 Sl Carefully the man surveyed the old abandoned building. A final glance at a scrap of paper in hand confirmed that
|
|||
|
276 this was the place. He glanced at his watch: 9:58:30. Close enough, he thought to himself with a failed effort to shake
|
|||
|
277 off the nervousness he felt, Close enough. Reluctantly, he started off toward the door. As he approached ththick wooden
|
|||
|
278 slab. With surprisingly little effort, the door swung open, revealing a gaping maw of darkness. A fresh wave of ner-
|
|||
|
279 vousness, this time bordering on fear, swept over him as he reached into the deep pocket of his trenchcoat and withdrew
|
|||
|
280 a rather large flashlight. The light's bright beam clearly defined a starcase just inside the door. SwlSwallowing his
|
|||
|
281 fear, he cautiosly began to ascend the rickety old steps. "Out of all the places he could have picked," the man thought
|
|||
|
282 , trying to humor himself, "He HAD to pick the ONE place that looked like it came out of a '30s B-movie". At the top of
|
|||
|
283 the stairs was a smooth, shiny metal door, with no discenrnable features. As he drew within three or four feet of the
|
|||
|
284 metal sheet, it slid upwards with such speed and sound, that the man vomited his previously swallowed fear; it was all he
|
|||
|
285 could do to keep from darting from the building at top speed. Slowly recovering his wits, the man noticed that he had
|
|||
|
286 badly bitten his lip, which was now bleeding profusely.Having nothing else to cover it with, the man clapped his hand
|
|||
|
287 over his wound to stop the bleeding. After climbing the last couple of stairs, he continued on through the now-visible
|
|||
|
288 corridor. His lip had stopped bleeding, but the flow of blood had left it bright red. At the end of the corridor was
|
|||
|
289 another door, identical in appearance to the one through which he had just come. He was ready for this one though, or
|
|||
|
290 so he thought.... He expected the door to fly open, as it did, but he had not anticipated the humanoid that clubbed him
|
|||
|
291 from behind......
|
|||
|
292 *-*-*-*-*-*-*-*-*
|
|||
|
293 *-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*
|
|||
|
294 *-*-*-*Callisto*-*-*-*
|
|||
|
295 `'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'
|
|||
|
296 The time is still short ahd the answers still as fleeting.
|
|||
|
297 for The Alphabet- Worry not that I should be forced into a situation. Say
|
|||
|
298 instead that the ways of the Puppet Master are a "tug" on my being
|
|||
|
299 rather than a cold-hearted "yank" at my dignity. I say to you- I am here
|
|||
|
300 by my own accord, a complusion that this errand should be completed by my
|
|||
|
301 hand (on request of another) and not a servitude for a vicious command.
|
|||
|
302 (to err is human- forgive me my mistakes, my daily dread)
|
|||
|
303 Yea, I have been chosen to compose for you all this "Divine Overture". This,
|
|||
|
304 a request, nay- a challenge to meet with the minds that will confront me.
|
|||
|
305 `'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'
|
|||
|
306 for those encompassed by the Network- I believe that it was for you that I
|
|||
|
307 have been brought out into the light. Alas, your time is at hand and that
|
|||
|
308 hand is not mine. it has ocurred to me that the Puppet Masters strings
|
|||
|
309 were to have crossed with the ones of yours. Now you have, with ease,
|
|||
|
310 withdrawn yourselves from this lot that would have become so easily tangled
|
|||
|
311 as was probably His intention. If it would be known that another escapade,
|
|||
|
312 another clash of these warriors (minus some), is in the contriving, it may
|
|||
|
313 not be a total loss, these efforts drawn to have me within. If I were only
|
|||
|
314 to be a minion of the Network, I would willing abide by the hand of
|
|||
|
315 Master Ian MacHinery, the Just.
|
|||
|
316 My hands begin again to faulter as my eyes are filled with the clouds that
|
|||
|
317 obscure my vision. For now, the wick is alost at an end as am I.
|
|||
|
318 At this early hour of six and thirty-one, I bid the rest- Fare thee well...
|
|||
|
319 `'`'`'`'`'`'`'`'`'`'`' "Mystery Author" `'`'`'`'`'`'`'`'`'`'`'`'`'`'`'`'
|
|||
|
320
|
|||
|
321 Aw, c'mon! Say something for chrissake! *YOU* put me here (above)... `'M A`'
|
|||
|
322 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
323 The warm tropical sun beat down on the piper where he lay on the beach.
|
|||
|
324 Nearby, in a field of lush grass, the pegasus was contentedly cropping,
|
|||
|
325 delicately selecting tender morsels in the lush growth. Suddenly she raised
|
|||
|
326 her head and trotted down to the piper and nudged him firmly when he began
|
|||
|
327 to take too much intrest in on of the scantily-clad inhabitants of the area.
|
|||
|
328 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
329 M.A. - Somthing!
|
|||
|
330 newnewnewnewnewnewnewnewnewnewnewnewnewnewnewnewnewnewnewnewnewnewnewnewnewnew
|
|||
|
331 The man look like he hadn't seen civilization for weeks. His unkempt,
|
|||
|
332 sandy-coloured hair topped off an
|
|||
|
333 unshaven face, unlaundered clothes, and
|
|||
|
334 an aroma of death. The other passengers
|
|||
|
335 hardly noticed his peculiar visage,
|
|||
|
336 however, being engrossed in their own
|
|||
|
337 small afairs. The fat lady in front of
|
|||
|
338 him, trying to get her child to be quiet,
|
|||
|
339 the gentleman in the Fedora in the next
|
|||
|
340 aisle to him, deeply pondering the
|
|||
|
341 headlines of the Boston Herald. But all
|
|||
|
342 this wasn't noticed by the man, either.
|
|||
|
343 As he uninterestedly stared out the cabin
|
|||
|
344 window, his thoughts were three-thousand
|
|||
|
345 miles away, on a tiny seaport, where
|
|||
|
346 he had left the object of his 3-years
|
|||
|
347 labor, his most prized finding. The
|
|||
|
348 image of Charlotte hovered amid the
|
|||
|
349 thoughts of hatred and regret. Charlotte,
|
|||
|
350 the tims they shared, the hope, and,
|
|||
|
351 now the dissapointment. He had fled for
|
|||
|
352 his life, although he wasn't even sure
|
|||
|
353 why, for what was a life without a
|
|||
|
354 cause? No, he thought, I will find
|
|||
|
355 it again. Then his thoughts turned to
|
|||
|
356 revenge. Revenge, that would be a last
|
|||
|
357 desperate attempt at clearing his
|
|||
|
358 conscience, as well as restoring his
|
|||
|
359 pride. Yes, he thought, revenge is
|
|||
|
360 the answer, but how?
|
|||
|
361 +-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-Carry On+-+-+-+-
|
|||
|
362
|
|||
|
363 It would seem that I have been somehow chalenged, and I do not know who chalenged me.
|
|||
|
364 Things are getting stranger and stranger around here, and I resist the urge to say THE
|
|||
|
365 words curiouser and curiouser.
|
|||
|
366
|
|||
|
367 DIVOVEDIVOVEDIVEOVEDIVOVEDIVOVEDIVOVEDIVOVEDIVOVEDIVOVEDIVOVEDIVOVEDIVOVEDIVOVEDIVOVEDIVOVE
|
|||
|
368
|
|||
|
369 TTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT
|
|||
|
370 Elena Elizondo sailed down the park blocks speaking (in her melodic voice
|
|||
|
371 punctuated by a laugh that approached the operatic) of art and it's subli-
|
|||
|
372 minal effect on out ENTIRE BEING evan our muscles and bones and certainly
|
|||
|
373 our neurons and how without it we will DIE even though we may still be
|
|||
|
374 walking around, going through the motions, aping life. Dr. Elizondo tea-
|
|||
|
375 ches a course in Primitive Art which the NET had me enroll in because at
|
|||
|
376 end of the course, which we had now reached, we opened the cabinets of the
|
|||
|
377 Eskimo and Camaroon sections of the art museum and handled the objects so
|
|||
|
378 that as Dr. E. put it, we would be "FLOODED with the texture, the smell,
|
|||
|
379 the visceral EXPERIENCE of the primal."
|
|||
|
380 Dr. E. had given me a whole new way of viewing the design of spoons, fire-
|
|||
|
381 plugs, typewriters, and buses. They were all the physical manifestation
|
|||
|
382 of seething inner urges, present but unrecognized in the modern "function-
|
|||
|
383 al" designer.
|
|||
|
384 "That woman is beyond bananas, Minsky," snarled Fleming when I called his
|
|||
|
385 attention to the classic lines of a styrofoam cup. "I'm just not the pri-
|
|||
|
386 mal type, got it?"
|
|||
|
387 "Nonsense, Fleming, you're the most simple-minded primitive person I've
|
|||
|
388 ever met." Fleming and I had developed a cordial animosity since our
|
|||
|
389 stakeout of the Hotel Rajneesh area had doubled with the disappearance of
|
|||
|
390 L'homme and Fellows. He was strictly by the book. If anything unexpected
|
|||
|
391 came up, he had to check with the NET instead of winging it as is some-
|
|||
|
392 times necessary. And he wouldn't take any nasty assignments. He always
|
|||
|
393 disguised himself as a tennis player or a computer salesman. I took
|
|||
|
394 great pains to embarrass him when I was being a bag lady ("Please, just
|
|||
|
395 a few dollars for your old mother. We're so proud of you, son.") He thought
|
|||
|
396 that my enjoyment of Dr. E's class was somehow subversive and watched me
|
|||
|
397 constantly for signs of betrayal at
|
|||
|
the first sign of which he would be
|
|||
|
398 duty-bound to shoot me. It was like working with somebody else's Doberman
|
|||
|
399 Pinscher. He would protect the NET against anything, but who would protect
|
|||
|
400 me against HI
|
|||
|
401
|
|||
|
402
|
|||
|
403
|
|||
|
404
|
|||
|
405
|
|||
|
406 me against HIM? "Just get to the mask and find out why Rivers is so damned
|
|||
|
407 interested in it."
|
|||
|
408 Our group approached the Teddy Roosevelt statue. "Even the victims of the
|
|||
|
409 poor are affected by the ENERGY in this piece," trilled Dr. E. The Victims
|
|||
|
410 of the Poor, seeing our glances in their direction, smiled, waved and made
|
|||
|
411 suitably primitive noises. "Hey, lady. Want to have a picnic? Lady, baby.
|
|||
|
412 Don't you remember me?" Fleming lookedon in satisfaction disguised as
|
|||
|
413 (what else?) a mounted cop. He wanted to see the great Dr. E. humiliated.
|
|||
|
414 A grimy tramp with red-white-and-and-blue eyes threw himself forward.
|
|||
|
415 "What's the matter Lady, baby, don't you l-o-o-o-ve me no more?" The
|
|||
|
416 Victims of Poverty convulsed with laughter. Dr. E. looked at him suddenly
|
|||
|
417 with the Total Compassion of a True Artist. "Of course I love you," she
|
|||
|
418 said tenderly, "I have always loved you." She swept into the museum
|
|||
|
419 leaving the astonished Victims of Poverty and disgusted Fleming staring in
|
|||
|
420 her wake. "The mere PRESENCE of sculpture brings out their juices," she
|
|||
|
421 murmured. I had written a paper on the double mask which depicted Tsonoga,
|
|||
|
422 the Cannibal Woman, who came from a society in which it was an honor to
|
|||
|
423 be eaten by your tribesmen,and whose outer face depicted a fierce hunter
|
|||
|
424 whose face split open to reveal a warm Buddha-like interior. As i opened
|
|||
|
425 the cabinet I has a brief but satisfying vision of Fleming roasting slow-
|
|||
|
426 ly and painfully as the entire staff of NET agents, disguised as Kwakiutl
|
|||
|
427 chieftains, spurned his putrid flesh. The inside of the outer mask was
|
|||
|
428 inlaid with abalone. The manuscripts described a missing piece just above
|
|||
|
429 the right eye, but it was NOT missing and it had a strange texture. Close
|
|||
|
430 inspection revealed it to be a RRBIC(Really Really Big Integrated Circuit).
|
|||
|
431 Not too primitive. I furtively snapped it out of place and put it in a
|
|||
|
432 pocket of my Nicaraguan Farmworkers Authentic Corn=Planting Skirt.
|
|||
|
433 The entire class was going to Dr. Elizondo's apartment for a farewell
|
|||
|
434 bash we all dressed appropriately) so there was no way to examine my find.
|
|||
|
435 Fleming waited on harseback outside. I didn't want to turn the chip over
|
|||
|
436 to him yet, so I signalled that I had found nothing, but he was unconvinced
|
|||
|
437 and sneered ominously as he galloped off toward the NET base obviously
|
|||
|
438 intending to have me dealt with as a traitor.
|
|||
|
439 I was driven to the apartment house by a Jamaican banana picker in a Dodge
|
|||
|
440 Dart, a very primal combination. There was a strange assortment of vehicles
|
|||
|
441 in the parking lot, a man resembling Billy Idol loitering in the hall, and
|
|||
|
442 an ominous tension in the air. As my companion opened Dr.E's door his
|
|||
|
443 shirt fell open revealing a picture of Rajneesh Dangerfield and the edge
|
|||
|
444 of a shoulder holster.
|
|||
|
445 "Should be an interesting party," he commented casually.
|
|||
|
446 TTTTTTTTTTTTTTTTTTTTTTTTTTTTTT Gaudy Minsky TTTTTTTTTTTTTTTTTTTTTTTTTTTTTT
|
|||
|
447
|
|||
|
448 tilean--yes, i was gone....so to speak....you will recieve communication
|
|||
|
449 w/in two days.....but not by bbs g.s.
|
|||
|
450 &&&&&&&&&&&&&&&&&&& HOW COME THE ENTER ONLY STATUS? MORE VANDALS & TWITS?
|
|||
|
451 A POX ON THEM ALL!! &&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&
|
|||
|
452 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
|||
|
453
|
|||
|
454 Researchers have been studying the characteristics of readable writing
|
|||
|
455 for about 50 years. They have devised several formulas to evaluate writing;
|
|||
|
456 most of these formulas deal with sentence length and word complexity. One
|
|||
|
457 such formula is the Gunning Fog Index.
|
|||
|
458
|
|||
|
459 The Gunning Fog Index measures the complexity in writing. It
|
|||
|
460 represents the complexity as an average grade level (elementary, high school,
|
|||
|
461 college) at which the text could be easily read. For instance, a Fog Index
|
|||
|
462 of 9 means 9th grade reading level.
|
|||
|
463
|
|||
|
464 Most successful popular writing grades below a 13 on a Fog Index scale.
|
|||
|
465 As the Fog Index rises, people will find the text more and more difficult to
|
|||
|
466 read. Government and business writing often has a very high Fog Index.
|
|||
|
467 This high Fog Index means that people will have trouble reading and
|
|||
|
468 understanding the writing.
|
|||
|
469
|
|||
|
470 Complex subjects need not have a high Fog Index. The Wall Street
|
|||
|
471 Journal, a prime example of clear and concise coverage of complex subjects,
|
|||
|
472 averages around an 11 on the Fog Index scale.
|
|||
|
473
|
|||
|
474 Note that a low Fog Index does not mean a piece of text is a sample of
|
|||
|
475 "good" writing, only that it is probably a piece of writing that is easy to
|
|||
|
476 read. However, most of what you consider "good" writing will probably score
|
|||
|
477 low on the Fog Index.
|
|||
|
478
|
|||
|
479 A Fog Index is only a measure of what people consider easy reading.
|
|||
|
480 It doesn't measure whether the writing is good, bad, dull, interesting, clear,
|
|||
|
481 or muddy. However, it will measure whether the writing will tire the reader
|
|||
|
482 because of the way the words and sentences are assembled.
|
|||
|
483
|
|||
|
484 Piper 12.9 Petrov 6.8
|
|||
|
485 PAM 10.5 Abacab 6.8
|
|||
|
486 Mohammed Wassir 10.5 Ian 6.4
|
|||
|
487 The Innkeeper 10.3 Papa Smurf 6.4
|
|||
|
488 L'homme sans 9.4 Knockout Drops 6.2
|
|||
|
489 W. Fleece 9.2 Divoved 6.1
|
|||
|
490 Mystery Author 9.1 Farley 5.6
|
|||
|
491 Machrioness 9.0 Bard's Song 5.6
|
|||
|
492 Ledgenist 9.0 Kathy 5.2
|
|||
|
493 Luingil 8.9 Chela 5.2
|
|||
|
494 Prometheus 8.9 Logan 5.1
|
|||
|
495 Fellows 8.9 Guardian 4.8
|
|||
|
496 Emris 8.9 Tammy 4.3
|
|||
|
497 Null Set 8.6 Dr. Frankenstup 4.0
|
|||
|
498 The Mad Actor 8.5 Tarn 4.0
|
|||
|
499 UPI Newswire 8.3 OJ Howard Story 3.4
|
|||
|
500 Gaudy Minsky 8.2 Juggler 2.9
|
|||
|
501 Cistop Mike 7.9 -------------------
|
|||
|
502 66 Gaius 66 7.9 Atlantic Monthly 12.0
|
|||
|
503 Mentat 7.8 Wall Street Journal 11.0
|
|||
|
504 Tilean 7.7 Reader's Digest 9.0
|
|||
|
505 Voyeur 7.4 This message 8.6
|
|||
|
506 MiG 7.3 Ladies Home Journal 8.0
|
|||
|
507 Joshua 7.1 People, TV Guide 6.0
|
|||
|
508
|
|||
|
509 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
|||
|
510 These values were obtained by running the most recent entries by each
|
|||
|
511 of the authors listed through a program that duplicates the Gunning Fog
|
|||
|
512 index algorithm. The extra index numbers can be used for comparison. They
|
|||
|
513 represent averages obtained over several weeks time.
|
|||
|
514
|
|||
|
515 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
|||
|
516 Final clarification : Most recent entry corresponds to most recent entry
|
|||
|
517 downloaded for Fog Index calculation. The indexes compiled here do not
|
|||
|
518 reflect any messages entered, except for this message, in the last 24 hours.
|
|||
|
519 Also, messages less then 10 lines long were not indexed, as the results are
|
|||
|
520 more prone to error.
|
|||
|
521 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
|||
|
522 RYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRY
|
|||
|
523 FARLEY:TRY INSERTING A DUMMY LETTER (OR LETTERS) AT THE POINT WHERE
|
|||
|
524 THE MSG BECAME UNREADABLE. AT MOST YOU WOULD HAVE TO INSERT (KEY_LENG
|
|||
|
525 -1) LETTERS .
|
|||
|
526 ALEX: ANY RESULTS YET?
|
|||
|
527 RYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRYRY
|
|||
|
528
|
|||
|
529 ;;;;;;;;;;;;;;;;;;;;;;;;;;
|
|||
|
530 Well, about the scale above. Here is a list of words that will tire
|
|||
|
531 your listener and make it more difficult to read. Words that make it
|
|||
|
532 hard to hear the important parts of your message.
|
|||
|
533 Absolutely : Don't use this word when you mean 'yes'.
|
|||
|
534 Accidently : You mean 'accidentally'.
|
|||
|
535 Advance planning : What other kind of planning is there?
|
|||
|
536 Ahold : Not standard english, drop the 'a'.
|
|||
|
537 All things being equal : What could this possibly mean?
|
|||
|
538 Anywheres : No 's' here; it's 'anywhere'.
|
|||
|
539 Aren't I : It
|
|||
|
540 Ascared : The words are 'scared' and 'afraid'.
|
|||
|
541 As you know : If they know you shouldn't tell them again.
|
|||
|
542 At this point in time : How about 'now'?
|
|||
|
543 Balance : Don't use this as a substitute for 'rest'.
|
|||
|
544 Basket case : Not a nice expression.
|
|||
|
545 Blame it on : You can 'blame' a person or 'put the blame on him'.
|
|||
|
546 Boughten : really? use 'bought'.
|
|||
|
547 Bust : avoid saying this when you mean 'burst'.
|
|||
|
548 Can : bad substitute for 'may'.
|
|||
|
549 Confrontation : sometimes 'meeting' will do.
|
|||
|
550
|
|||
|
551 There is a lot more but even this can get a little boring. I'm wonderin
|
|||
|
552 where they get all that anyway. Well, since we are now in ENTER ONLY
|
|||
|
553 I can't go change some errors that I made. Great, spell check should
|
|||
|
554 have a ball.
|
|||
|
555 ;;;;;;;;;;;;;;;;;;;;;;;;;;;;;;
|
|||
|
556 #$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$##$#
|
|||
|
557 One big disadvantage to ENTER ONLY is that I can't type periods for a border and CH /.../#$#/ later...
|
|||
|
558 Ian: Yes... That would work. However, since I thought the code defective I threw it away, and the garbage was hauled
|
|||
|
559 away yesterday. [Adding hexadecimal digits? Now, really, Ian...]
|
|||
|
560 L'homme/Petrov/Joshua: Waiting for your entry...
|
|||
|
561 Ian again: Could you send me just ONE word in level 4 code? About 6 letters long, if you don't mind.
|
|||
|
562 #$##$##$##$##$##$##$##$##$##$##$##$# Farley #$##$##$##$##$##$##$##$##$##$##$# 01/06/85 - 08:19pm #$##$##$##$##$##$##$#
|
|||
|
563 ~~~~~~~~~~%%%%%%%%%%~~~~~~~~~~%%%%%%%%%%~~~~~~~~~~%%%%%%%%%%
|
|||
|
564 TILEAN: The Ball is in your court now, I have been having problems getting
|
|||
|
565 back to the system because of the holiday traffic on the board, I hope that
|
|||
|
566 I did not miss it, anyway I believe you were running down the street toward
|
|||
|
567 somebody yelling your name.....
|
|||
|
568 ~~~~~~~~~~%%%%%%%%%~~~~~~~~~~%%%%%%%%%%%% The chela
|
|||
|
569
|
|||
|
570 oh this is nice... after an extended period of utter confusion and an overwhelming sense of helplessness... hings are
|
|||
|
571 actually falling back into an order... a series... something i can deal with... this nice...
|
|||
|
572
|
|||
|
573 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
574 From Prometheus; Intrigued
|
|||
|
575 Whomever left the fog index message, I applaud you for doing so. I enjoyed the message, and am very interested.
|
|||
|
576 For instance, how were these values computed? And how consistant are these values from person to person. How easy
|
|||
|
577 it to change your writing so as to change your rating?
|
|||
|
578
|
|||
|
579 Assorted messages follow, even if I do make jokes about that phrase, I still like it, very much so.
|
|||
|
580 Man in Gray; It is obvious that our little trip into Idaho to visit the pseudo-nazi's was not convincing enough. I
|
|||
|
581 guess all the money we bilked out of the Observatory funds was spent on nothing.
|
|||
|
582 All we acheived is seemingly to create a rocky horror fan, and destroy one or two lives with all that wire tapping.
|
|||
|
583 It is times like these I wish I never started the whole Dental Association thing.
|
|||
|
584
|
|||
|
585 Sondargaard; Vixen mono corporation is a ways off, I guess. I only start moving tomorrow, and a lot of work to do
|
|||
|
586 when
|
|||
|
587 (Sorry, accidental carriage return there, never beleive anyone when they tell you enter only will hurt them more than it
|
|||
|
588 will them. Anyway, back to complaining about essays and such...) I get home to my dandy little terminal.
|
|||
|
589 I never did like 30 character access codes, never mind the second approval bit because of the international line RF.
|
|||
|
590
|
|||
|
591 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
592
|
|||
|
593 Lurkers, it was said a while ago that only a whisper was needed to bring you out into the open. I never learned how to
|
|||
|
594 whistle, soo this will have to do, why do you lurk?
|
|||
|
595 Lurking seems boring on the whole, and I tried for days. Does no one ever say anything that you want to respond to? I
|
|||
|
596 will not accept the excuse that other people will say it better than you will.
|
|||
|
597 If you try that excuse, then are you going to lurk forever in the shadows, waiting for other people to do your talking
|
|||
|
598 for you? Are you going to give up the best chance you will probably ever have to express your opinions? To learn how to
|
|||
|
599 exchange words with other people, anyway, this lecture is over.
|
|||
|
600
|
|||
|
601 lecternlecternlecternlecternlecternlecternlecternlecternlecternlecternlectern;lecternlecternlecternlecternlecternlectern
|
|||
|
602
|
|||
|
603 HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
|
|||
|
604 Prometheus: I suspect that the values for the Gunning Fog Index were obtain-
|
|||
|
605 ed by running the text through a program named FOGFIN.COM(possibly .EXE).
|
|||
|
606 If you are running an MS-DOS machine, it is possible to obtain a copy of
|
|||
|
607 this program(and the documentation, which was what entered above) from the
|
|||
|
608 FIDO board of your choice: #49--233-xxxx or #59--629-xxxx. There may be
|
|||
|
609 versions for other operating systems... Hope this helps.
|
|||
|
610 The Crimson Blues
|
|||
|
611 HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
|
|||
|
612 *_#)*_@#)*@_#)!*%_)*%+@*%+!)*%@)*%+*+%*@_)%*_@)!%*_@)%*_!)%*_!@)%*_!@)%@_%*)
|
|||
|
613 Ian : Bad news. I can't get the new coder program to work. It decoded the
|
|||
|
614 old messages with a few errors, but when I encoded and then decoded a new
|
|||
|
615 message, it came out part correct and part junk. I have triple checked my
|
|||
|
616 typing. No errors that I can see. Any clues?
|
|||
|
617 Mikey : Bad news. Those disks you gave me will not spin. That's right. It is as
|
|||
|
618 if someone spilled softdrink over the disks, and the sticky remnants are
|
|||
|
619 causing problems. Don't ask me how it happened. The disks were put into a disk
|
|||
|
620 box at PCS, and stayed there until I tried to use them last night. (???!!!???)
|
|||
|
621 ()%#_@%(_)*%_)*!_)%*!_)%!_)%*!)_%*%*!% L'homme sans Parity *_)#@*_)@#*_@)#%*@
|
|||
|
|
|||
|
TOTAL NUMBER OF LINES = 621
|