639 lines
40 KiB
Plaintext
639 lines
40 KiB
Plaintext
|
|
|||
|
1 If you are in need of help, you need but ask....
|
|||
|
2 ********************** INSTALLED: 18 DEC 84 ************************
|
|||
|
3 Welcome to BWMS (BackWater Message System) Mike Day System operator
|
|||
|
4 ************************************************************
|
|||
|
5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION PLACED ON
|
|||
|
6 THIS SYSTEM.
|
|||
|
7 BWMS was created as an electronic bill board. BWMS is a privately owned
|
|||
|
8 and operated system which is currently open for use by the general public.
|
|||
|
9 No restrictions are placed on the use of the system. As the system is
|
|||
|
10 privately owned, I retain the right to remove any and all messages which
|
|||
|
11 I may find offensive. Because of the limited size of the system, it will be
|
|||
|
12 periodically purged of messages. (only 629 lines of data can be saved)
|
|||
|
13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
|
|||
|
14 ENTER mode. The message is automatically stored. If after entering the
|
|||
|
15 message you find you made a mistake, use the replace command to replace
|
|||
|
16 the line. To exit from the system, type 'OFF' then hang up.
|
|||
|
17 Type 'HELP' to see other commands that are available on the system.
|
|||
|
18 ************************************************************
|
|||
|
19
|
|||
|
20 hi my name is Theresa Morrow and I am a new user in backwash so it is hard
|
|||
|
21 to understand all of this information.
|
|||
|
22 )-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-
|
|||
|
23 Well, first of all, Theresa, it's BackWater, not backwash. Secondly,
|
|||
|
24 should do what everyone else does--lurk(read) until you get some fam-
|
|||
|
25 iliarty with what is going on here. Unless you have an auto-dial modem
|
|||
|
26 there are better places to leave messages(ie: other BBS's) since there
|
|||
|
27 are quite a few writers on this board, and it takes some time to enter
|
|||
|
28 a story. To look at the past few days' offerings, type in "DB"...
|
|||
|
29 "Robin"
|
|||
|
30 )-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-)-
|
|||
|
31 ______________________________________________________________________________
|
|||
|
32 Announcing a new Motion Picture that will make Cinematic History...
|
|||
|
33
|
|||
|
34 Breakin' II - Electric Babaloo
|
|||
|
35
|
|||
|
36 Yes! If you haven't felt it before, you better feel it this time or your
|
|||
|
37 dendrites must be malfunctioning! If you were dancin' in the aisles for
|
|||
|
38 Breakin' I, you will absolutely go wild for Breakin' II - Electric Babaloo!
|
|||
|
39
|
|||
|
40 Killer, Oxide, and Turbine, the three best breakers we know of, are back.
|
|||
|
41 And they are better, hotter, faster, and leaner than before! You'll thrill
|
|||
|
42 at the choreography! You`ll scream at the music! You'll light up at the sheer
|
|||
|
43 electricity these young performers have to offer! Yes! It's
|
|||
|
44
|
|||
|
45 Breakin' II - Electric Babaloo
|
|||
|
46
|
|||
|
47 Music by Ricky (get down Lucy) Ricardo. Produced by Our Gang. Special
|
|||
|
48 appearances by Old Blue Eyes, Buckwheat, and Paul A. Traitors.
|
|||
|
49
|
|||
|
50 A Cannon Fodder Film. Rated Breakin' XIII!
|
|||
|
51 _______________________________________________________________________________
|
|||
|
52
|
|||
|
53 Dune. What can one say, walking from the theater, visually stunned, but knowing
|
|||
|
54 deep in your heart a classic fiction book was massacred at the hands of a
|
|||
|
55 director known best for his phallic adolescent in Eraserhead, and a producer
|
|||
|
56 who knows no bounds to the word garish.
|
|||
|
57 A movie that tried to be all things to all people. A movie that attempted to
|
|||
|
58 please the millions of followers of Frank Herbert's fictional worlds, and at
|
|||
|
59 the same time cater to the other unenlightened millions who will truly
|
|||
|
60 determine whether this movie sinks or swims at the box office.
|
|||
|
61 In an attempt to make a comprehensible movie for those unlucky souls who have
|
|||
|
62 not had the privilege of experiencing Dune in print, the makers of this
|
|||
|
63 film have resorted to short sighted tools to move the story along at a
|
|||
|
64 speed not exceeding the sensory input level of its audience.
|
|||
|
65 Too many things were changed. Too many characters were altered. Too many
|
|||
|
66 scenes ended up on the cutting room floor. A book that needed no help was
|
|||
|
67 instead helped beyond the stage of common sense and literary decency. People
|
|||
|
68 familiar with Dune will cringe at the Weirding modules, the handling of Keynes,
|
|||
|
69 Paul's trial with the Water of Life, the complete idiocy of the Baron, and
|
|||
|
70 the incredibly bad characterizations of the emperor, Thufir Hawat, and
|
|||
|
71 the Fremen Chani.
|
|||
|
72 With all of its shortcomings to the loyal, the movie accomplishes many things
|
|||
|
73 in its 2 hour 5 minute run. The very commendable handling of The Voice; the
|
|||
|
74 characterizations of the Bene Gesserit witches, Jessica in particular; and
|
|||
|
75 the rest of the Attredies household, minor changes from the book not-
|
|||
|
76 withstanding; the prescience sequences; the thought processes; the sound, and
|
|||
|
77 the cinematography are all excellent.
|
|||
|
78 Readers of Dune will have to be satisfied with the imagery of the film.
|
|||
|
79 Decisions were made that are often beyond the control of even the most
|
|||
|
80 well-meaning film maker. Dune is yet another testament to the foul treatment
|
|||
|
81 novels are given in Hollywood. Rejoice in what is left, and perhaps, try to
|
|||
|
82 think of Dune as a different story from a different book. Keep those memories
|
|||
|
83 of the real Dune close to the heart, and never forget them.
|
|||
|
84 A FILM FAN
|
|||
|
85 ------------------------------------]
|
|||
|
86
|
|||
|
87 Go, Tammy!
|
|||
|
88 Go, Tammy!
|
|||
|
89 MORE!
|
|||
|
90 MORE!
|
|||
|
91 MORE!
|
|||
|
92
|
|||
|
93 Isn't that cute? A margin of 7! That might leaves just enough room for error
|
|||
|
94 _-_-_-_-_-_-_-_-_-_-_-_-_-_-_ abacab _-_-_-_-_-_-_-_-_-_-_-_-_-_-_
|
|||
|
95 ABACAB DEAR FELLOW. ANYONE WHO LEAVES THE MARGIN AT 7 DESERVES TO BE DELETED
|
|||
|
96 AS FOR GO TAMMY. YES TAKE THAT ADVICE AND GO GO GO!
|
|||
|
97
|
|||
|
98 TO Anon. It was fun, but I'll stop. Just wanted to know the limit. _-_- abacab
|
|||
|
99
|
|||
|
100 ................................................................
|
|||
|
101 L'homme: Hrmph! I only *ASKED* about using YOUR ROMs and see what I get...
|
|||
|
102 By the way, how are you doing with "The Practice Effect"?
|
|||
|
103 __________________________________Leonard__________________________________
|
|||
|
104
|
|||
|
105 How incredible! I was able to read all
|
|||
|
106 the way thru disk B without even one of
|
|||
|
107 those static bursts. I'd better write
|
|||
|
108 this quick before they catch up with me
|
|||
|
109 again....
|
|||
|
110
|
|||
|
111 Tammy: Your story is great. I can't
|
|||
|
112 wait to see what happens next. I hope
|
|||
|
113 my phone line will be nice enough to
|
|||
|
114 let me read it before it all slips
|
|||
|
115 past drive B.
|
|||
|
116 --------------------------------------
|
|||
|
117 Mad Max...
|
|||
|
118 ***************************************************************************
|
|||
|
119 And indeed strange things have happened to Leo since the recent brawl
|
|||
|
120 in the control room. 1. The arcing effect disrupted the controllers
|
|||
|
121 power over captive humans and Inmo's. 2. The yuglies are sort of disini-
|
|||
|
122 grated, leaving somewhat slimy puddles of yellowish fur and fats. 3. Ontho
|
|||
|
123 forgave Leo for being a twit. 3. Transportion was arranged for wandering
|
|||
|
124 and cold children and Inmo's back to friends and home's. 4. Even though
|
|||
|
125 the defeat of the Yuglies came by accident, Leo was rewarded with a wet
|
|||
|
126 kiss from the young duke and a spaceship. 5. Ontho worked with the elders
|
|||
|
127 to devise a box to properly house the trident and came up with a workable
|
|||
|
128 solution. 6. Alex (young duke) and Leo are now on their own, they have
|
|||
|
129 new adventures waiting on their new ship, the great Guaran. The Trident
|
|||
|
130 is at the bow of the ship in the new chest designed by Ontho and the Others
|
|||
|
131 Ontho was sitting on the head of the old woman when Leo and Alex left
|
|||
|
132 the lanch pad. The little Inmo was thinking of upcomming events soon to
|
|||
|
133 end *his* life. Just to smart for an Inmo to handle. The old woman reading
|
|||
|
134 Ontho's thoughts sent back a warm message of love and thanks for a job done
|
|||
|
135 well.
|
|||
|
136 *****************************kathy*****************************************
|
|||
|
137 hmmm I thought I had people behind me, but now that I look....
|
|||
|
138 ***************************************************************************
|
|||
|
139 The seas were calm now as Salty looked out over the water. Had been a
|
|||
|
140 terrible storm last night but the crew handled it like the men they were.
|
|||
|
141 And such good men they were. "Ship starboard" cried the lookout in the
|
|||
|
142 crows nest. Salty got out his scope for a look. A fine English merchant
|
|||
|
143 ship could be seen. Salty started to fantasize, gold, silver, guns.. who
|
|||
|
144 knows untill it's boarded. "Men!!!" he cried "load the cannons!!, Weve got
|
|||
|
145 work to do"
|
|||
|
146 The men were as happy to see the ship as their boss, and gleefully
|
|||
|
147 loaded the cannons and sharped swords, their guns were loaded and ready.
|
|||
|
148 steady as she goes. The men loved this part, for they had stolen their
|
|||
|
149 fine cannons from a Spanish galleon before they sent her to the bottom.
|
|||
|
150 Salty was up on the top deck looking at the faces of the men on the ship
|
|||
|
151 they were attacking. For they had seen the jolly rodger and were doing
|
|||
|
152 their best to escape. "Ha Ha" "look at them try to run" Salty was pleased
|
|||
|
153 ***************************kathy*******************************************
|
|||
|
154
|
|||
|
155 SO, NOW I HAVE SEEN DUNE, AND I SEEM TO BE IN THE COMPANY OF A GOOD MANY OTHER PEOPLE. FILM FAN DID, AND PROCEEDED TO WHINE
|
|||
|
156 ABOUT THE HISTORY OF IT'S MAKERS, AND I RECEIVED A SMALL LESSON IN ARRAKIAN SPELLING PATTERNS FOR HIS TROUBLE.
|
|||
|
157 I HAVE NOT READ DUNE, I TRIED BUT THE LACK OF IMAGERY THAT I RECEIVED FROM HERBERT'S WRITING STYLE MADE ME TIRE OF IT TOO
|
|||
|
158 QUICKLY. SADLY, I ONLY READ TO PAGE THIRTY TWO OR SO.
|
|||
|
159
|
|||
|
160 THE MOVIE DUNE RELIES A BIT MUCH ON GORE, AND DISGUST TO ENFORCE OPINIONS ON CERTAIN CHARACTERS. THE BARON HAS NO CHARACTER
|
|||
|
161 DEVOLOPMENT WITHOUT HIS DISGUSTING APPEARENCE, AND MANNER.
|
|||
|
162
|
|||
|
163 THE CUTTER MADE THIS AWESOME SPECTACLE OF A MOVIE, A SHAMBLES OF WHAT THE FILM WAS SHOT TO BE. NOT BECAUSE OF PARTS LEFT OUT
|
|||
|
164 REALLY, BUT BECAUSE THE CUTTER DID A THIRD RATE JOB. SOME SCENES WERE SO SCRATCHED UP THAT IT APPEARED ON THE AUDIO TAPE.
|
|||
|
165 THE END IS SO... ANTICLIMACTIC THAT ANY TREMENDOUS WELLING OF PRIDE AFTER THE MOVIE IS SILENCED BY ONE SHOT THAT WAS HANDLED
|
|||
|
166 HIDEOUSLY.
|
|||
|
167
|
|||
|
168 PERHAPS THIS WAS SIMPLY AT MY THEATER, BUT MY SHOWING SEEMED TO PORTRAY AN AWESOME SPECTACLE RUINED BY A HIRRENDOUS CUTTING
|
|||
|
169 JOB. WHOEVER WAS RESPONSIBLE OUGHT TO BE FIRED AT LEAST, AND PROBABLY SHAMED PROFESSIONALLY.
|
|||
|
170
|
|||
|
171 OVERALL, WITH HIDEOUS CUTTING JOB ASIDE, DUNE SUCCEEDED IN BEING ENTHRALLING AND INTERESTING IN THE EXTREME. ALL OF THE SETS
|
|||
|
172 AND PROPS, EVEN THE SPECIAL EFFECTS WERE HANDLED PERFECTLY FOR MY TASTES, AS I HAD NOT FORMED IRRESISTABLE IDEAS ON WHAT
|
|||
|
173 PEOPLE AND PROPS AND SPECIAL EFFECTS WERE SUPPOSED TO LOOK AND SOUND LIKE. ANY CRITICISM ON THAT POINT SHOULD BE THOUGHT OUT
|
|||
|
174 FOR THAT PREJUDICE.
|
|||
|
175
|
|||
|
176 DUNE WAS A GREAT SAMPLER FOR THE READING OF DUNE. I AM ENTHRALLED... EVERY PART HAD SUCH PROMISE THAT I AM SURE I WILL ENJOY
|
|||
|
177 THE READING OF DUNE.
|
|||
|
178
|
|||
|
179 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
180
|
|||
|
181 Does anyone know what the processor speed on the Intel 8088 is? I plan on getting a clone sooN, one month, and am curious
|
|||
|
182 to see just how fast it is.
|
|||
|
183
|
|||
|
184 ^^^^^^^^^^^^^^^ (a real big 'oops')
|
|||
|
185 If any of you out there saw the last show of DUNE Tues, my deepest apologies.
|
|||
|
186 ^^^^^^^^^^^^^^^ --->the missing Guardian 19 Dec 84 0228 Hrs
|
|||
|
187
|
|||
|
188 ****************************************************************************
|
|||
|
189 I had made no plans to see "DUNE" because I suspected violence to be
|
|||
|
190 the key attracting feature. After reading the reviews I believe I made the
|
|||
|
191 correct choice. I'll keep my 5 bucks thank-you.
|
|||
|
192 **********************************************kathy************************
|
|||
|
193
|
|||
|
194 ^^^^^^^^^^^^^^^ (no fivers here!)
|
|||
|
195 I believe that someone -did- mention gore, but it only related to certain
|
|||
|
196 characters- such as, of course, the flying fat man, the Baron.
|
|||
|
197 As to the fiver, hmmm... Ah, I see it now! A pass with Ms. kathy's
|
|||
|
198 name on it! Now then, how will she get it? (puzzled look on my face)
|
|||
|
199 ^^^^^^^^^^^^^^^ --->the 'H.P.' Guardian 0335 Hrs 19 Dec 84
|
|||
|
200 (now where did that thing go?)
|
|||
|
201
|
|||
|
202 *****************************************************************************
|
|||
|
203 Salty was pleased... His fine ship was currently in the process of
|
|||
|
204 bombarding the English vessel. Taking a couple of hits but nothing to fret
|
|||
|
205 about. Salty ordered the boarding and swung aboard himself knife in his
|
|||
|
206 teeth to fight with his men. Ah this is the life, plundering and looting,
|
|||
|
207 shooting and killing, taking of treasures, trading old ships for new. Who
|
|||
|
208 could ask for anymore? Ah yes I am a lucky man, said Salty to himself as he
|
|||
|
209 knifed a english man who wasn't thrilled to death with Salty's idea's.
|
|||
|
210 They rounded up about 15 men and 2 cabin boys, tied them up untill they
|
|||
|
211 had their way with them. Salty and his first mate, Salty calls him nosebleed,
|
|||
|
212 were opening up the hold. Nosebleed held a lamp and climbed down in.
|
|||
|
213 ************yo ho ho and a bottle of rum*****kathy*****************************
|
|||
|
214 .......................................
|
|||
|
215 kathy: I presume Salty and his motley
|
|||
|
216 crew overcame their foe by holding
|
|||
|
217 High Mass until they were bored to
|
|||
|
218 death. What else could be done using
|
|||
|
219 a loaded canon?
|
|||
|
220 ... an amused observer.................
|
|||
|
221 ********************************************************************************
|
|||
|
222 thank-you for pointing out my spelling errors, I have corrected the one
|
|||
|
223 you brought up. But watchout landlubber, I might find yee in the hold and
|
|||
|
224 then yee will be keel hauled. chortle, snicker.
|
|||
|
225 ******************************kathy**********************************************
|
|||
|
226 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
227 The piper, growing weaker from the loss of blood, slowly realized from where
|
|||
|
228 the blood was running. A deep fear gripped him, as the feel of a second slash
|
|||
|
229 tore across the same side, followed by another torrent of blood. Unable to
|
|||
|
230 staunch a wound that had no source on his physical body, the piper staggered
|
|||
|
231 from the path, heart aflame with fear for the pegasus, leaving his bloody
|
|||
|
232 shirt marking his point of entry. Not knowing where he was, not knowing where
|
|||
|
233 he was heading, he stumbled blindly down the side of a small canyon, tearing
|
|||
|
234 a thin, tall tree that had partly fallen over, out of the ground. Grasping at
|
|||
|
235 it to slow his fall, he felt the world dissolve from around him.
|
|||
|
236 The timid woodland creatures were treated to an amazing sight that afternoon.
|
|||
|
237 The spectacle of a large and clumsy two-legs who had previously suffered some
|
|||
|
238 terrible wound, blundering down the side of the small, steeply-sloped canyon.
|
|||
|
239 Not too terribly remarkable? Ah, but the way he fell... twisting and turning,
|
|||
|
240 yet not down the slope -- he seemed to fall in a completely different direction.
|
|||
|
241 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
242 ***********************************
|
|||
|
243 piper: excellent!!
|
|||
|
244
|
|||
|
245 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
246 KATHY DO YOU MEAN TO SAY THESE PIRATES ARE GAY? THEY HAD THEIR WAY WITH THEM
|
|||
|
247 EH? ARE YOU TELLING ME THAT ON A SHIP LOAD OF MEN MEN MEN THE SEXUAL
|
|||
|
248 EXPRESSION OF THESE MEN MEN MEN WOULD BE WITH EACH OTHER. MAKES ME WONDER
|
|||
|
249 WHAT WOULD DRIVE A YOUNG BOY TO SUCH A DASTERDLY JOB AS BEING A CABIN
|
|||
|
250 BOY. EVERYONE KNOWS THERE ARE BETTER FIELDS TO TOIL IN, SUCH AS BEING A
|
|||
|
251 CONGRESSIONAL PAGE. OH FRANK, WHERE ARE YOU WHEN WE NEED YOUR INSIGHTFUL
|
|||
|
252 INPUT TO SUCH GOINGS ON.
|
|||
|
253 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
254
|
|||
|
255 ---------------------------------------
|
|||
|
256 To the anonymous person complaining about 'cutting' as you so ignorantly called it. Your message demonstrates a real
|
|||
|
257 lack of knowledge about how movies are made. How could you think for one moment one person was responsible for the
|
|||
|
258 entire editing job on a film the scale of Dune? Do you think this is some simpleton procedure done in a hurry? Do you
|
|||
|
259 think after spending millions of dollars on the making of a film, the makers would be unwilling to spend the same kind
|
|||
|
260 of money to have the film edited properly. You mentioned something about the theater you watched the film at possibly
|
|||
|
261 having something to do with the look of the film. This is highly unlikely, since films are distributed in a very orderly
|
|||
|
262 manner, and prints, except for the differences between 70mm dolby and standard, are very much alike. Perhaps your frame
|
|||
|
263 of mind had something to do with the unsatisfactory quality you felt your viewing of the film had? Nevertheless, Dune
|
|||
|
264 was a technical achievement of the highest degree. I don't think there can be any quarrel with the quality of the
|
|||
|
265 'film'. You may argue, as FILM FAN has done (whining as you so call it) with the content of the film. You may dislike
|
|||
|
266 what was chosen to remain in the film, and what was left out, but to complain about the look of the film, seems pointles
|
|||
|
267 s at best. You state your dislike of Herbert's writing style at the beginning of your message, then you do a quick change
|
|||
|
268 at the end. What gives? If you can't even keep one coherent line of reasoning through a short message, can we really
|
|||
|
269 believe or trust anything you say?
|
|||
|
270 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
271 $%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%
|
|||
|
272 TO THE ANONYMOUS DUNE CRITIC: The correct term is film editor,
|
|||
|
273 not cutter. How do you know the editor did such a lousy job
|
|||
|
274 without having seen the unedited material he worked from? You
|
|||
|
275 can't just assume he threw away the good stuff. Maybe he could
|
|||
|
276 only save the best of the terrible.
|
|||
|
277
|
|||
|
278 In trying to make yourself appear more sophisticated than you
|
|||
|
279 really are you only managed to make yourself look foolish. At
|
|||
|
280 least you had the good sense not to sign your name.
|
|||
|
281
|
|||
|
282 Kathy: Your cabin boy is a lucky lad. Where can I sign up for
|
|||
|
283 your crew.
|
|||
|
284
|
|||
|
285 Frank
|
|||
|
286 $%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$%$
|
|||
|
287 {c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}
|
|||
|
288 Sorry no story today, i'm still working on it. I don't know if I should
|
|||
|
289 start another one or continue with the one I have. Well, i'll try to get it
|
|||
|
290 on tomarrow. The Inn is so busy all the time.
|
|||
|
291 Kathy: I like your story, neet!
|
|||
|
292
|
|||
|
293 Mike: I'm sliding, I was feeling great for a while and now it's just about
|
|||
|
294 as bad. I don't know what it is, I walk around town buying presents for people
|
|||
|
295 and I see... I feel great when I am talking to that one person but it's like
|
|||
|
296 I need to call him every hour just to stay on my feet. Writing these stories
|
|||
|
297 has helped, maybe if Milo can be happy then I might be happy too? Well, I
|
|||
|
298 almost did something really stupid to myself a day ago, but (he) talked to me
|
|||
|
299 and got my thinking again. I'm sorry if I am bothering you with my problems,
|
|||
|
300 it's easier to type than talk, sorry.
|
|||
|
301
|
|||
|
302 {c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{tammy}{c}{c}{c}{c}{c}{c}{c}{sorry}{c}{c}
|
|||
|
303
|
|||
|
304 ^^^^^^^^^^^^^^^ (I know)
|
|||
|
305 Claiming ignorance to a good many facets of human emotions and wisdoms, I say
|
|||
|
306 these things. I am not one to go 'Ho Ho Ho', for I do not *feel* it. Words
|
|||
|
307 of praise and emotion do not easily come from my lips, and because of this,
|
|||
|
308 much of how some people 'read' my actions (unless they *really* know me) can
|
|||
|
309 easily be mis-inetrpreted (sp!) Oh, I try, but something has happened...
|
|||
|
310 I assume that most of the 'downers' at this time of year are holiday
|
|||
|
311 related and can be overcome by time, but time sure does have a way of slowing
|
|||
|
312 down in these matters, doesn't it? I think so.
|
|||
|
313 Tammy, although the following answer doesn't really give a clear solution
|
|||
|
314 your dilema with your great writing, allow me to give you this... If you have
|
|||
|
315 another idea for a story, and it may not quite fit, save it or start another
|
|||
|
316 story. If you would like to stop at where you are with Milo, at least it will
|
|||
|
317 serve as a good background for his character in another story... or change
|
|||
|
318 the situation and keep the cahacter you have already deveoped.
|
|||
|
319 Keep this in mind... 'There are many alternative paths for you to choose.'
|
|||
|
320 (Ever heard of Pascal's triangle?) Right now I'm at a slow point because
|
|||
|
321 I'm probably trying to develop to much out of my writing...
|
|||
|
322 All's well that ends well...
|
|||
|
323 ^^^^^^^^^^^^^^^ --->the Guardin 1822 Hrs 19 Dec 84
|
|||
|
324
|
|||
|
325 Suddenly, the INN grows quiet. All eyes turn toward a stranger, whom none recognize.
|
|||
|
326 "My name is Starpath." the explains in a depp, mysterious voice. "I had feared this place would
|
|||
|
327 be closed upon my return."
|
|||
|
328 "It is likely that none of you recognize me, for I have been gone a long time, and my
|
|||
|
329 previous visit was brief.
|
|||
|
330 "While I was here my steed became ill, and I had to go find someone to help her, as she is
|
|||
|
331 a good mount, and I have no other.
|
|||
|
332 "Though ever so often I gazed into my StarGem and saw you all, I have been seperated from
|
|||
|
333 the Inn for a very long time."
|
|||
|
334 He sits down and waits for a reply.
|
|||
|
335
|
|||
|
336 (*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)STARPATH(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)
|
|||
|
337
|
|||
|
338 To Luingin:
|
|||
|
339 The proper term is Trekkie, not Trekker
|
|||
|
340
|
|||
|
341 +++++++++++++++++++++++++++++++++++++++
|
|||
|
342 HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
|
|||
|
343
|
|||
|
344 kathy: I use my "fine English merchant chip" to trade commodities with;
|
|||
|
345 what do you use yours for? I still haven't figured out how they
|
|||
|
346 crammed the poor bugger into ROM...
|
|||
|
347
|
|||
|
348 The Gardin(huh? Nobody could spell Sondergaard? (oh yeah-(sp?))): The
|
|||
|
349 IBM 8088 chip runs at 4.77 MHZ. There are several other compatibles
|
|||
|
350 on the market(Leading Edge PC, Compaq Deskpro, Eagle Turbo(I think),
|
|||
|
351 and the Sperry(I think) that have a switch that enables them to run
|
|||
|
352 twice as fast to speed up spreadsheets, etc., or to run at 4.77,
|
|||
|
353 thereby maintaining compatibility with timing-dependent programs. Do
|
|||
|
354 you like Stargate? Running twice as fast?(assuming it would run, and
|
|||
|
355 wouldn't simply crash...)
|
|||
|
356 The Crimson Blues
|
|||
|
357 HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
|
|||
|
358 ^^^^^^^^^^^^^^^ (corrections)
|
|||
|
359 Luingin: Nevermind the uninformed, *WE* know that the group has OFFICIALLY
|
|||
|
360 changed their name to 'Trekkers'
|
|||
|
361 The Crimson Blues: I metamorphisized my name of Sondagaard (one '0'
|
|||
|
362 the rest are 'A's) which not many could spell, to 'the Guardin'.
|
|||
|
363 Thanks for the information, but it wasn't I who had asked for it.
|
|||
|
364 It was enter before before my border ^^^^^^^ Thanks anyway...
|
|||
|
365 PromeTHEUS: Drop a parcell or dial a number...
|
|||
|
366 ^^^^^^^^^^^^^^^ --->the Guardian 2024 Hrs 19 Dec 84
|
|||
|
367
|
|||
|
368 /\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\\/\/
|
|||
|
369 TO THE UNINFORMED: IT'S L U I N G I L ! (more tomorrow)...
|
|||
|
370 /\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/Guess
|
|||
|
371 /\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/Who? Bah Humbug!/\/\/\/\/
|
|||
|
372 L'homme: It has ocurred to me that we may have a misunderstanding here. I was
|
|||
|
373 asking if there was a reason why you could not (or did not want to) use your
|
|||
|
374 ROMs for a TEST! I did not expect you to give up YOUR ROMs to fix HIS machine.
|
|||
|
375 OK?
|
|||
|
376 ______________________________________Leonard__________________________________
|
|||
|
377 I HAD MY FIRST PREMONITION THAT DUNE WOULD BE BUTCHERED WHEN I SAW DINO
|
|||
|
378 DE LAURENTIS NAME ON IT. (I HAVE A BAD MEMORY FOR MOVIE TRIVIA - COULD
|
|||
|
379 L'HOMME PERHAPS, OR SOMEONE ELSE REMIND ME OF WHAT DDL HAS EVER DONE RIGHT?)
|
|||
|
380 THE SECOND SHOT OF FOREBODING HIT ME WHEN I GOT FOUR PEOPLE INTO DUNE FOR
|
|||
|
381 6 BUCKS AND TWO FUN PACK COUPONS ON THE THIRD DAY AFTER THE PORTLAND OPENING.
|
|||
|
382 ONE SHOULD PAY ATTENTION TO THOSE LITTLE VOICES, BUT I BADLY WANTED THE MOVIE
|
|||
|
383 TO SUCCEED, BECAUSE I LOVED THE BOOK (FIFTEEN YEARS AGO).
|
|||
|
384 ANYHOW, SINCE MOST PEOPLE SEEM TO HAVE FELT THE SAME WAY (SO I INTERPRET
|
|||
|
385 THESE APOLOGISTS REMARKS), I WISH TO ADD A FEW EXPLANATIONS FOR THE DISATER MYSLF.
|
|||
|
386 1. PRESSURE TO FIT THE FILM INTO UNDER 2 1/2 HOUR FORMAT SO AS TO SELL IT TO
|
|||
|
387 T.V. THIS WAS A *BIG* BOOK. THUS THE EXTREME EDITING (OR CUTTING, AS THE SLANG
|
|||
|
388 USED TO BE) THAT KEPT US FLITTING FROM ONE SCENE TO ANOTHER, BARELY TOUCHING
|
|||
|
389 ON ANY. HOWEVER A VERY MEDIOCRE DIRECTOR COULD HAVE HAD THE SAME EFFECT. I
|
|||
|
390 WOULD HAVE BEEN HAPPIER WITH THIS BOOK SPLIT IN TWO OR THREE PARTS.
|
|||
|
391 2. I DIDN'T THINK THE SPECIAL EFFECTS WERE ALL THAT GREAT. THE SCENES WITH THE
|
|||
|
392 FREMEN RIDING THE GIANT WORMS REMINDED ME OF THOSE PHONY LOOKING DINOSAUR FILMS
|
|||
|
393 OF THE FIFTYS. THERE WAS A LOT OF GREAT STUFF IN THERE TOO, NO DOUBT, BUT IT O
|
|||
|
394 ONLY TAKES ONE BLOWN SPECIAL EFFECTS SHOT TO RUIN THE 'WILLINGNESS TO SUSPEND
|
|||
|
395 DISBELIEF. I THINK ABOUT 95% OF THESE WERE GREAT - AND THAT'S NOT GOOD ENOUGH.
|
|||
|
396
|
|||
|
397 3. HOW ABOUT LOSING DUNCAN HALFWAY THROUGH THE FILM?
|
|||
|
398 4. HOW ABOUT A LITTLE CHARACTER DEVELOPMENT? LIKE MAYBE IN PLACE OF THOSE MARTIA
|
|||
|
399 MARTIAL ARTS TRAINING SCENES THAT REMINDED ME OF BRUCE LEE MOVIES - THE EARLY ON
|
|||
|
400 ONES?
|
|||
|
401 5. JOSE FERRER AS AN EMPORER? HOW ABOUT LASSIE AS THE QUEEN MOTHER, THEN?
|
|||
|
402 -----BATPOOP, THE MAGNIFICENT, PORTLANDS ANSWER TO SISKEL AND EBERT ----------
|
|||
|
403 Batpoop - a good DDL? CONAN. (the first, not that miserable The Destroyer).
|
|||
|
404 _innocent bysitter_
|
|||
|
405 WWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWW
|
|||
|
406 Whenever a book is made into a movie, even if the book is followed faithfully,
|
|||
|
407 it is an entirely different THING: different characters, different setting,
|
|||
|
408 different action-from the book because most of that stuff is brought to the
|
|||
|
409 book-experience by the reader. I am always startled by movie versions of books,
|
|||
|
410 especially books I care about, and am usually disappointed. The thing on the
|
|||
|
411 screen, no matter how well done, is not the thing that is dear to me. I did
|
|||
|
412 like "French Lieutenant's Woman" where they did a severe modification of the
|
|||
|
413 story line in the book (which had some severe modifications of its own) which
|
|||
|
414 announced forthrightly "This is different; this is a movie, not the book you
|
|||
|
415 read." The emotional flavor of the author came across better in this not-so-
|
|||
|
416 literal version.
|
|||
|
417 SSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS
|
|||
|
418 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~not the bard~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
|||
|
419 TO THE ANONYMOUS DUNE CRITIC: Since everyone else ragged on you I think
|
|||
|
420 that I will not. Lucky you.
|
|||
|
421
|
|||
|
422 Sorry to here about Tammy having problems, but I do agree with the cheer
|
|||
|
423 for her, or whoevers name it is. Go Tammy!, Go Tammy!.
|
|||
|
424 smile a little, it can't hurt.
|
|||
|
425
|
|||
|
426 What's this about Cabin boys? Sounds kinky.
|
|||
|
427
|
|||
|
PromeTHEUS: Please take the quarter out of your pocket and dial. All I
|
|||
|
428 hear is PromeTHEUS this or PromeTHEUS that.
|
|||
|
429
|
|||
|
Lucky new user THERESA was at the top and noone bothered to mention it
|
|||
|
430 to her. Sham Sham. THERESA, being the first user of line 19 is
|
|||
|
431 an ice cream cone on a very hot day. (ie. N-E-A-T) and much sout after
|
|||
|
432
|
|||
|
I was woundering about that SNODERGAARD guy and where he went, no wounder
|
|||
|
433 I didn't find many references - The First Regeneration is at hand (I think
|
|||
|
434 really I missed it). I do wish he would wake up and rejoin the real world.
|
|||
|
435
|
|||
|
That of course is our real world, and not the one he thinks he's in. ha
|
|||
|
436
|
|||
|
Merry Christmas <<<<<
|
|||
|
437 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ PaPa Smurf ~~~~~~~~~~~~~~~~~
|
|||
|
438 *****************************************************************************
|
|||
|
439 Nosebleed shouts from below. "Hey, thars people down har, women!"
|
|||
|
440 On deck Salty groans, "gawd, that's all we need is a bunch of silly
|
|||
|
441 women, well bring them up." Salty's crew has mixed emotions about
|
|||
|
442 the cargo, some like salty think it's time to dump garbage into the
|
|||
|
443 sea to attract sharks. In preparation for the joy of plank walking.
|
|||
|
444 The pirate with the most kills gets to do the final pushing. Such fun!
|
|||
|
445 On the other hand, or hook soom of the men have different idea's
|
|||
|
446 about the lassies. (they are not all MEN MEN MEN)
|
|||
|
447
|
|||
|
448 One by one the women climbed up on deck, a total of 8. These gals
|
|||
|
449 were all wearing black clothing and crosses (gasp!!! nuns!!!).
|
|||
|
450
|
|||
|
451 Salty ordered the retreat!!! Ieeeee Let's get out of here!! His
|
|||
|
452 men were off the english ship faster than you can say pokeacabinboy.
|
|||
|
453 (they did manage to hire on one young spud.) And they were on their
|
|||
|
454 way, sighing in relief. too close for comfort that one. "Full sail"
|
|||
|
455 could be heard as the Jolly Rodger fled like a dog with it's tail
|
|||
|
456 between it's legs. And such good men they were. ( not the end...)
|
|||
|
457 ************kathy*************************************gotya,ha,ha******
|
|||
|
458 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/lurk mode/? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/
|
|||
|
459 Ride, captain, ride, upon your mystry ship. On your way to a world others
|
|||
|
460 might have missed.
|
|||
|
461 Frank: Your justification is showing!
|
|||
|
462 Tammy:the name you use on PCS/CBBS, is it your real last name? Do you intend
|
|||
|
463 to keep using it?
|
|||
|
464 Speaking of names... WHERE are they people? How the heck am I to reply to
|
|||
|
465 people who have no name?
|
|||
|
466 8088 person:The 8088 is SLOW, no matter how you look at it. Go for a nice
|
|||
|
467 fast 68000 system, or, if you must go MS-DOS
|
|||
|
468 look at an 8086-186 system. Showing a little bias, the Tandy 2000 is a nice
|
|||
|
469 little machine...
|
|||
|
470 Papa Smurf:C.W.??
|
|||
|
471 Theus:Strange, last time I used the phone at your locker, there was no
|
|||
|
472 quuarter slot. Have I missed a recent addition?
|
|||
|
473 CRYP-TAC/TIC:Well, when doesith I getith mein first assignment eh? Or d
|
|||
|
474 do I get to start?
|
|||
|
475 ALL:How adverse are you to having the BW archives on a public BBS system?
|
|||
|
476 Mikey:How would YOU feel aboout having the arhives on a public BBS system,
|
|||
|
477 your opinion has a bit more weight!
|
|||
|
478 There I go, messing up my sentence strugture again, better sign off...
|
|||
|
479 Halucenigenicly yours...
|
|||
|
480 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/MiG/? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/
|
|||
|
481 DUNE I was VERY disappointed. My critizism is aimed at the
|
|||
|
482 director. His poor choice of actors (Paul from Yakima) and his
|
|||
|
483 inability to develop characters has made this a CLASS C movie.
|
|||
|
484 Good acting and dialouge was replaced with dry and lifeless
|
|||
|
485 thoughts (telling the audiance the story). A good movie brings
|
|||
|
486 characters alive, special effects enhance the scene, proper
|
|||
|
487 editing gives continuity. DUNE is a good sci-fi novel because
|
|||
|
488 the characters are WELL developed and several novel ideas are
|
|||
|
489 introduced ie... the scaricity of water. The movie isn't good
|
|||
|
490 because of bad acting, bad casting, bad script, mediocre special effects, and poor directing. Movie
|
|||
|
491 goers expect (and deserve) better quality.
|
|||
|
492
|
|||
|
493 Roger
|
|||
|
494 ................................................................
|
|||
|
495 ....................................................................
|
|||
|
496 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
497 Color surrounded the piper as he floated -- gold shining around him in an
|
|||
|
498 infinite sphere, black streaking and spiraling through the gold, red shimmering
|
|||
|
499 in a flat spiral from a nucleus of white, orange, and more black. Slowly these
|
|||
|
500 shapes took on solidity until, with an almost audible snap, he recognized them.
|
|||
|
501 Fighting for her life, surrounded by a haze of blood, the pegasus had been
|
|||
|
502 wounded twice on one side. The tiger-like winged carnivore had not gone
|
|||
|
503 unscathed. The hooves and wings of the pegasus had taken their toll, and
|
|||
|
504 catlike in the extreme, had increased the determination of the carnivore.
|
|||
|
505 The pegasus' wingspan was a liability here. The carnivore, with a much shorter wingspan was
|
|||
|
506 more manuverable. Only extreme care, and lashing hooves had kept the pegasus
|
|||
|
507 in the fight this long. The piper waited helplessly, unable to move, still
|
|||
|
508 holding the dead tree that he had plucked out of the ground as he fell.
|
|||
|
509 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
|||
|
510 ***********************************************************************
|
|||
|
511 to the more vocal observer: I'm a writer of short stories and I'm just
|
|||
|
512 having fun. I don't give a rip about details. comeon lighten up and enjoy.
|
|||
|
513 ******************yo,ho,ho and a bottle of rum*******kathy******************
|
|||
|
514 hi how are you
|
|||
|
515 ctrl/s pause
|
|||
|
516 ctrl
|
|||
|
517 Merry Christmas
|
|||
|
518 I SAID MERRY CHRISTMAS!!!!!
|
|||
|
519 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
520 ......Another long night draws to a close.....One of many in the last
|
|||
|
521 few weeks. The malady...integer insomnia, digital depression or the
|
|||
|
522 all too familiar " Numeric based multiple substitution Blues "....maybe ?
|
|||
|
523 ..At least it keeps pointing that way...Arrrgggggg!!
|
|||
|
524 CRYP/TAC/TIC/TOC ???...I have not been following it....sounds diversionary...
|
|||
|
525 whats the game thats "afoot" ??
|
|||
|
526 Riskers,
|
|||
|
527 Any chance of MAD before Jan 4 ??
|
|||
|
528
|
|||
|
529 kathy,
|
|||
|
530 Detail in, nomenclature, period idiom and fact provide an author a
|
|||
|
531 means to give life to an illusion. To dismiss these details is to deprive
|
|||
|
532 a story of another dimension it would otherwise have. Just a thought..
|
|||
|
533
|
|||
|
534 :::::::::Alex:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
|
|||
|
535
|
|||
|
536
|
|||
|
537 Batpoop is back.
|
|||
|
538 Hmmmm.... Do I see the storm clouds of a debate gathering over the
|
|||
|
539 Southern mountains?
|
|||
|
540 Pam; I have a bone to pick with you.
|
|||
|
541 Dr. Frankenstupe
|
|||
|
542 +_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_
|
|||
|
543 HHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
|
|||
|
544
|
|||
|
545 MESSAGES FOR EVERYONE********************
|
|||
|
**************
|
|||
|
546 DISCS THAT ARE ON SALE AT " PAPER PLUS "
|
|||
|
547 GREENBURG IN TIGARD RD. LISTED TIL 12/29/84 ARE GENERIC 5-1/4 DSDD
|
|||
|
548 WITH JACKET FOR .99 CENTS WITH 30 DAY EXCHANGE
|
|||
|
549 $$$$$SENTINEL DISKS-5-1/4 ,DSDD WITH JACKET ARE 1.60 TIL THE END OF THE
|
|||
|
550 MONTH********REG.-1.95 OR 10 OR MORE FOR 1.75( LIFE TIME GUARANTEE )
|
|||
|
551 ELEPHANT SSDD OR DSDD SAME GUARENTEE AT 21.95 OR 26.95................
|
|||
|
552 =======================================================================
|
|||
|
553 HAVE ACCESS TO ALPHA-COM VP-42 COMPUTER PRINTERS FOR COMMORDORE VIC-20
|
|||
|
554 64K -----FACTORY SEALED WITH WARRANTY FOR 49.95......GIVE BRIAN A CALL
|
|||
|
555 AT 297-xxxx.............................................................
|
|||
|
556
|
|||
|
557 %%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
|
|||
|
558 SPORTS TRIVIA PERSONAL COMPUTERS THAT COVER SPORTS BACK TO THE 30'S FOR
|
|||
|
559 12.95 --------------------297-xxxx---------------------------------------
|
|||
|
560 ****************************************************************************
|
|||
|
561 NEW WORK SHIRTS-----MANY COLORS---SHORT OR LONG SLEEVE----50 SHIRTS FOR
|
|||
|
562 100.00 $ ----------CALL BRIAN AT 297-xxxx--------------------------------.
|
|||
|
563 @#(_)($%_)($%_)!#*%_)@#*%#)_$*^)_%$&*)_&*_+&+@%#*&_%*&_)*%_!&*#_)&*_%)$*&_@$)&*
|
|||
|
564 Alex:Good to hear from you again. I would be willing to lob a nuke or three
|
|||
|
565 in mine enemy's general direction at any date before the 4th. I don't have to
|
|||
|
566 return to school until the evening of the 7th.
|
|||
|
567 BATPOOP:DDL did the job on Flash Gordon and King Kong. I would have to agree
|
|||
|
568 with Inn. bysitter regarding Conan. I have never been a big fan of that
|
|||
|
569 genre, but I did enjoy Conan, and James Earl Jones (I am your father Luke &
|
|||
|
570 The competition was good, so we had to be better, etc) makes a great villain.
|
|||
|
571 Leonard:Let's move this conversation over to CBBS/NW.
|
|||
|
572 Kathy:Have you given up on your challenge? And we were waiting with such
|
|||
|
573 excitement for 'The Wrath of Kath.' (sorry!)
|
|||
|
574 %*_)#*%)_@#*%_)@#*%_)@#*%_)@#*%_@)# L'homme sans Parity *_)%*@#)_*%_)@*_@)%*@_
|
|||
|
575 {c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}
|
|||
|
576
|
|||
|
577 Milo started to walk away towards the nearest town. The town where
|
|||
|
578 he must show that he is able to take care of himself, he had something
|
|||
|
579 comming to him and he wasn't going to let anyone take that away ,
|
|||
|
580 no matter how old he was. He had to show them for one last time and then
|
|||
|
581 that would be the end of it. Milo walked along, eating a little and
|
|||
|
582 admiring his new weapons.
|
|||
|
583
|
|||
|
584 Behind Milo, back on the edge of the forest there stood a tremendous
|
|||
|
585 winged being. Riding it was a pitch black figure, a shadow against the
|
|||
|
586 white snow on the branches of the trees. The being waited, never moving,
|
|||
|
587 not even a twitch, just waited there watching milo as he walked along.
|
|||
|
588 The men, after picking themselves up and collecting the dogs, saw the huge
|
|||
|
589 being sitting there. They found thier rope and walked up behind it. They
|
|||
|
590 were going to get this creature, it must have helped that little guy escape.
|
|||
|
591 They let out a battle cry and rushed up behind the dark rider. They were
|
|||
|
592 running up when the fire hit, both men were ablaze. They rolled in the snow
|
|||
|
593 and tried to put out the flames but within seconds they were burnt to the
|
|||
|
594 bone.
|
|||
|
595
|
|||
|
596 The figure returned it's gaze to milo, who was almost out of sight. It
|
|||
|
597 gave the being a small command, the great wings opened wide with such
|
|||
|
598 strength the branches on the trees were swaying back and forth loosing the
|
|||
|
599 snow that had weighted them down. The huge being rose off the ground and
|
|||
|
600 into the air and was suddenly gone along with the flurry of the wind. The
|
|||
|
601 snow was then back on the branches just like before and the tracks were
|
|||
|
602 just as easily erased.
|
|||
|
603
|
|||
|
604 {c}{c}{c}{c}{c}{c}{c}{c}{c}
|
|||
|
605 The story goes on, oh well. what kind of trouble will Milo get himself
|
|||
|
606 into next? I'll have to think of something.
|
|||
|
607 It's snowing! I love it. I wish I could go outside and stay there and
|
|||
|
608 just watch the snow fall. Too bad I would freeze by bippy off! Burrrrr.
|
|||
|
609 Well, I'll go now.
|
|||
|
610 {c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{c}{tammy}{c}{c}{c}{c}{c}{snow fight!}{c}
|
|||
|
611
|
|||
|
612 *************************************************************************
|
|||
|
613 lhomme: Mikey makes the rules here and I am responsible enough to abide.
|
|||
|
614 and besides the continuation of my challenge whould put me in a
|
|||
|
615 company with MiG and Mad Max, who don't seem to write much but
|
|||
|
616 are so quizative about who people are. You know how picky I
|
|||
|
617 I am about my privacy, I'll give everyone else the same
|
|||
|
618 respect.
|
|||
|
619 **********************************************************kathy*******
|
|||
|
620 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/
|
|||
|
621 Kathy: Everybody knows who MiG is, thats why I write using other names. To say
|
|||
|
622 that I do not write much is somewhat wrong. Max on the other hand, I don't know.
|
|||
|
623 ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/MiG/ ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?/
|
|||
|
624 L'homme: ok, but dthat means that I can't guarantee responses from Sun-Wed!
|
|||
|
625 ___________________________________Leonard_________________________________
|
|||
|
626 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
|||
|
627 Sigh. Not much room on the end of a disk. At last, vacation has come.
|
|||
|
628 ++++++++++++++
|
|||
|
629 ++++++++++++++++ Milchar ++++++++++++++++++++++++++ 09:42 on 12/21/84 +++++
|
|||
|
|
|||
|
TOTAL NUMBER OF LINES = 629
|