605 lines
35 KiB
Plaintext
605 lines
35 KiB
Plaintext
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LIST
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FILE ON
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MARGIN IS 80
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STATUS: ALL ALLOWED
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NUMBER OF LINES: 594
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1 If you are in need of help, you need but ask....
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2 ********************** REMOVED: 13 MAR 84 ******************
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3 Welcome to BWMS (BackWater Message System) Mike Day System operator
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4 ************************************************************
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5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
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6 PLACED ON THIS SYSTEM.
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7 BWMS was created as an electronic bill board. BWMS is a privatly owned
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8 and operated system which is currently open for use by the general public.
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9 No restrictions are placed on the use of the system. As the system is
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10 privatly owned, I retain the right to remove any and all messages which
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11 I may find offensive. Because of the limited size of the system, it will be
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12 periodically purged of messages. (only 629 lines of data can be saved)
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13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
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14 ENTER mode. The message is automatically stored. If after entering the
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15 message you find you made a mistake, use the replace command to replace
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16 the line. To exit from the system, type 'OFF' then hang up.
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17 Type 'HELP' to see other commands that are available on the system.
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18 ************************************************************
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19
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20 I put (almost) the last entry on db at 12:45 AM. It's now 11:30 PM, & I'm the first one on THIS disk.
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21 You sure can tell that finals are coming up.
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22 && The (Exausted but) Mad Actor &&
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23 ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
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24 I'M MISPLACED?!?!? THE TECHNOLOGY LEVEL SHOWN ON THIS WORLD VARIES SO WIDELY,
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25 EVERYTHING HERE IS MISPLACED! I DO HAVE A MISSION HERE, THOUGH. A KNOWN CRIMINAL
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26 WAS LAST SEEN IN THE CENTAURI SYSTEM, AND WE FEEL HE MAY HAVE COME HERE.
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27 HIS LAST USED NAME WAS "LESLIE MACDONALD". HE IS WANTED FOR SEVERAL THINGS, AMONG
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28 THIS IMPORTING HIGH-TEC WEAPONS INTO PRIMITAVE WORLDS, MURDER, DISRUPTION,
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29 AND ATTEMPTING TO TAKE OVER DEVELOPING PLANETS WHOSE INHABITANTS ARE TOO DENSE
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30 TO SEE THROUGH HIS SCHEMES. OF COURSE, YOU ALL ARE TOO INTELLEGENT TO BE TAKEN
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31 IN BY THIS MAN, AREN'T YOU?.....
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32 PLEASE TRY TO COOPERATE, OR I WILL HAVE TO USE MORE EFFECIENT MEANS OF FACT-FINDING.
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33 MR. POET: SHALL I SHOW YOU MY SHIP'S BOAT I CAME DOWN IN? YOU MAY BE INTERESTED
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34 IN IT'S WORKINGS, PATLY THE LASER MOUNT THAT IS UNDER MY REMOTE CONTROL.
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35 NOW DON'T DO ANYTHING HASTY, I DON'T WANT ANY TROUBLE. I WANT TO LEAVE YOU
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36 ALONE AS MUCH AS YOU DO.
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37 WAIT A MINUTE, WHERE IS EVERYBODY GOING? PEOPLE ARE DISSAPEARING RAPIDLY,
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38 AND NOT GIVING ANY INDICATION OF WHERE THEY ARE GOING. PLEASE COME BACK, I NEED
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39 YOUR HELP(I THOUGHT I WOULD NEVER SAY THAT!). WHAT TECHNOLOGY DO YOU CURRENTLY
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40 HAVE AVAILABLE TO YOU? WHY ALL THE PROBLEMS WITH THE TIME/ENERGY/MATTER
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41 STREAM? WHY ARE THE LOCAL PIGMENTS SO DIFFERENT FROM OTHER WORLDS? PURPLE
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42 CHLORIFILL?(I DON'T THINK MY TRANSLATOR IS SPELLING RIGHT.) DOES ANYBODY HAVE ANY
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43 ANSWERS TO GIVE OR LOCAL ARTIFACTS(IE CLOTHING) TO SELL? PLEASE RELPY!
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44 COMMANDER LACELLS
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45 GUNNERY OFFICER OF THE REGULON
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46 ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
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47 The Poet paused in his departure for a moment to speak to the disoriented stranger.
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48 "Sir, I am afraid that we poor primitive aborigines cannot comprehend,
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49 let alone answer your questions. Perhaps the Wizard could. If you'd like to see him just join us in following
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50 that baked-clay path over there. It used to reflect at a different wavelength before the apprentice got here.
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51 It seems a sort of blue-green, fading off into the ultraviolet, now.
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52 Oh, by the way, high-technology weapons are frowned upon here. Piper, could you help our new friend here to
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53 avoid undue trouble with the authorities? Perhaps you could replace those unsightly turrets with some nice flower
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54 arrangements until he takes off again."
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55 && The Mad Actor &&
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56 ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
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57 Question: last night when I got on here, DA (now DB) was full, right
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58 up to line 629 (so I kinda squeezed my comment in on someones border-
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59 sorry 'bout that!)
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60 Now I log on and discover that what was line 629 is now 619, and there
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61 are 10 new lines. If I had known about this capability, I would
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62 have used it, rather than defacing someones border.
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63 So---how was this done (or is it a SYSOP trick?)
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64 Aside: since some of the characters' patron is going to be absent
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65 for the next week (real time {whatever that is, when one is speaking
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66 from the INN}) do you suppose the remaining players could try to
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67 avoid terminating those defenseless characters? Hardly sporting, you know.
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68 :::::::::::::::::::::O O:::::voyeur:::::O O::::::::::::::::::::::::
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69 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
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70 voyeur: turn the line numbering on (nu y) and move to a blank line. tell it
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71 del then y when it types the line for you and asks "delete?" Mikey's magic
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72 blackboard pulls together when you erase a line from it. I'd be glad to pipe
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73 your two characters off into some form of stasis if you would tell me who to
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74 freeze. (You'll have to remind me to get them back or work out another return)
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75 -------------------------- (ahhh! the luxury of a fresh dosisk!!))-------------
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76 The piper regarded the being who was asking the strange questions for a time.
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77 Was the apprentice hallucinating again? Oh well, no use taking chances, and
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78 he was not going to leave the apprentice laying here in the grass without
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79 anyone watching closely. The piper lifted the pipes back onto his shoulder,
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80 puffed the bag full, struck the bag to start the drones and began to draw notes
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81 from the chanter. Hearing a slight discordant beat, he stopped up one tenor
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82 drone and the basse drone. The center drone reed was almost gone. Oh well,
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83 he adjusted the drone to the best tone it could produce then restarted the
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84 others. Looking at the strange visitor, the piper saw him seemingly entranced.
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85 On a whim, the piper began a jig. With the strains of "Paddy's Leather
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86 Breeches" the visitor's clothing began to change. The silvery suit began to
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87 darken, roughen, and grow fringes. Withing a very few minutes the visitor was
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88 dressed in a set of fringed buckskin clothing complete with a coonskin cap.
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89 His impressive vehicle was changing also. Near the end of the song, the silver
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90 vehicle had become larger and more earthy, the sides had become log wa;lls and
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91 the gun turret had become a chimney with a wisp of smoke floating out. Was
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92 that a look of panic in the visitors eyes as a solidly-built woman wearing
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93 a flour-covered apron came to the door of the log cabin and called to the
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94 visitor, "Samuel, quit talking to those good-for-nothing ruffians and come
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95 inside! Your dinner is getting cold."
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96 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
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97 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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98 I don't know who he is, but I'm certainly glad we have
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99 another visitor. I was tired of being treated like public enemy
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100 number one. Taking advantage of my sudden depopularization, I decided
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101 it was time to get something from the bar. "Barkeeep!"
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102 Fast Fred
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103 BSAL
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104 ps:Mr. McKane: I can't make any deals right now, as you can see the heat
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105 is really on (for now anyway)
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106 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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107 >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> 09 Mar 84 <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<
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108 >>>>>>>>>>>>>>>>>>>>>>>>>>>>> 19:20 <<<<<<<<<<<<<<<<<<<<<<<<<<<<<
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109 She drifted in among the group with a smile curling like a stray
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110 wispy lock, and a ripple spread in reaction. With a flourished
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111 curtsey and a blush, she honoured the piper's greeting, but when the
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112 words of the Bard's bawdy song reached her ears, she stiffened, dashing
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113 him one chill look and then brushing past him, declining to speak.
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114 Raising an eyebrow at the flustered 'Commander' who was fingering his
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115 garments in disbelief, she chuckled quietly when she met the eyes of the
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116 befloured woman, who merely rolled her eyes and flounced into the cabin.
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117
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She espied the apprentice prone on a fantastic matte of colour, so weaved
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118 through the milling crowd, nodding at several of the Inn's old-timers,
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119 but could not resist responding to the quizzical look of one Inngoer as
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120 she passed by; with voice melodic, she addressed him: "Traveller Geo,
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121 I am the lady of dragons, come on whispering winds. Whence come you, and
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122 why doth you change your name?"
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Stepping past him, she knelt by the
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123 apprentice, swiftly bringing out a small flask with a soft gold sheen,
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124 and tenderly tipping his head forward, she administered the liquid.
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125 >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> d <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<
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126 -=*=- -=*=- Please, the sunshine calls; wait until Monday! -=*=- -=*=-
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127 d:Please accept my apoligies, sometimes when I am "singing" the songs
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128 I am so busy making sure that I get the words right that I don't "listen" to the
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129 verses!
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130 As I try not to edit songs (except to reconcile different versions), I
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131 probably shouldn't have "sung" that one at all.
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132 Once again, I offer my apology.
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133 BARD
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134 ps. I hope your glance was not as fierce as the one given the dragon in that
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135 drawing we had the misunderstanding about!
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136 ~~~~~~~~~~~~~~~~~~~
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137 Turning Freddie over to TMA for safekeeping, the bard turned towards the
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138 stranger. Reaching into his pouch he shuffled through a number of cards.
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139 They appeared to be made of some hard, shiny material. Finding the right one, he
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140 replaced the others in his pouch.
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141 Flashing it at the commander, he spoke. "Commander, consider yourself
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142 lucky. Let me give you a short list of the charges we could file. Landing in a
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143 restricted area, willful avoidance of customs and quarantine, failure to land at
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144 a proper immigration point with official clearance, suspicion of smuggling, and
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145 bearing arms without proper authority. Of course there are other matters such as
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146 threatening an officer with a deadly weapon, & your pilot's certificate & the
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147 ship's regristration papers......."
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148 The commander looked at the bard in shock. He opened his mouth, as if
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149 to speak & then closed it again.
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150 The bard continued, "Now, perhaps we can discuss this a bit more civily?"
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151 He steered the commander toward the others, who by this time were regarding
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152 the bard rather quizzically themselves. As soon as the commander's back was
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153 turned, Kenin caught the piper's eye & winked!
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154 #I never *said* that I was an officer, nor did I say what kind, now
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155 did I? These types always run in the same pattern.#
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156 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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157 The apprentice awoke to find himself supported by d's arms as she removed
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158 a flask from his lips.
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159 "Milady, this is not seemly! On your knees -- to ME?!", he objected.
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160 "I thank thee for rousing me, but I am not worthy of thy notice. After all, I am
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161 but an apprentice."
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162 He stopped as d gave him a stern look which turned into laughter. He continued
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163 (far less formally!) "Milady, what WAS that potion thou gavest me?"
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164 ................................the apprentice..................................
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165 Voyeur:I must correct piper, it is a sysop trick. Del will remove the line but
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166 not move any lines.
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167 On another subject, I fear your are mistaken! The two of whom you speak are
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168 going to be here every day (barring accidents!).
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169 ********************************************************************************
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170 pppppppppp I humbly stand corrected. (It works on the bottom) pppppppppp
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171 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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172 Dear Leroy;
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173 As to your terms... I'll accept the task of helping Salazar retrieve
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174 the Egg. I've always had a soft spot for him, even if he is a whiner.
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175 Also see what I can do with Fast Fred. Unfortunately, I have a feeling
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176 he's in no position to buy anything right now. As for stealing the
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177 piper's pipes, my mama didn't raise no fool. In other words, I'm not
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178 going to tangle with that bunch, sorry.
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179 Finally, no I don't have Pam. It's an interesting idea though. If
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180 I happen to run across her, I'll snatch her. The Backwater bunch would pay
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181 a fortune to get her back. Hmmm... I wonder where she's gotten to, anyway.
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182 Cheerfully yours,
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183 Mohammed Wassir
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184 <The Gainfully Employed Albanian>
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185 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
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186 !~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~
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187 God, my poison oak itched. The pain shivered up and down my legs like
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188 an electric current. Sleep eluded me. Finally, I walked stiff-legged into
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189 the bathroom and took that little green pill Serena had given me... Sleep
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190 came in a rush.
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191
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192 A dream...
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193
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194 I'm running down a long corridor--the walls are vomit green. I hear
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195 the patter of feet behind me. The men in the tacky bathrobes are chasing
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196 me. I think they want to shave my head. I reach for my .44 -- she's not
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197 there. Christ, I've been running forever. The sweat trickles down my
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198 face. The saline droplets sting my eyes. Got to get way. Lungs ache....
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199 A door! I stop. Open it. A Victorian boudoir Red and Black...
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200 Sexy... I go in... The door shuts behind me. It locks. I wander through
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201 the room, touching objects -- Finally getting my breath back. Sense
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202 someone behind me... I turn. A beautiful woman stands before me...
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203 Shimmering in silk -- her dress shows more than it conceals... She moves
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204 to me. We kiss, slowly... I taste her sweet breath... She pushes me
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205 down on some cushions. Her voice is like a clear bell...
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206 "Don't worry, they can't get you now... My name is Pam."
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207 She slowly starts of unbutton her dress...
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208 <Brrrrrring>... <Brrrrring>
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209 Now what's a telephone doing in my dream. I want it to stop. Only
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210 it isn't a dream anymore. I struggle to wakefullness, and stab at the
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211 telephone on my nightstand.
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212 "Yeah, what do you want?"
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213 "Salazar? It's Wassir."
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214 I'm wide awake now.
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215 "Mohammed, what can I do for you?"
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216 "McKane's back on the prowl. Watch your step. I hear you're looking
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217 for the Egg."
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218 "Yeah, either the Egg or Cornielius Hutton, whichever comes first."
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219 "You and a hundred other people... some heavy dudes are involved in
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220 this one. Listen Salazar, meet me at the 'Dew Droppe Inn' tomorrow at
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221 4 o'clock. I might have a deal for you."
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222 "O.K., see you tomorrow."
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223 <Click>
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224 I quickly roll over and try to find that Victorian boudoir again.
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225 No luck. Sleep comes, but my dreams elude me.
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226 !~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!~!Valinor!~!~!~!~!~!~!~!~!~
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227
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228 Don't you think there's too much sex and violence in the Backwater?
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229 Pam, you'd better come back to defend yourself. You may end up in an
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230 adventure whether you want to or not. Also rumor has it that one of the
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231 chaps here has printouts of some of your previous submissions. He might
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232 post selected portions. Maybe he should call it: "THE BEST OF PAM"
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233 Hmmmmmmm.....
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234 Dr. Frankenstupe
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235 +_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_+_
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236
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237 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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238 Thanking the bartender for my ale, I turned my attention to my
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239 caretaker. "Actually, if you're looking for the suppleier of
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240 my Bolo's, you better get help." My voice suddenly decreased in
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241 volume when I saw I had his attention. "That whatever-he-is over there
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242 is looking for the same people you are, but I don't think either will
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243 have much luck without big, BIG help." I stopped long enough to drain
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244 my glass. If you want to stop McDonald, you better find that wizard
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245 fellow you were talking about, fast."
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246 He looked at me strangly, "why do you tell me this now?" he asked.
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247 "The Bolos were on consignment, now that you and your friends have
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248 sent them to God knows where, my life expectancy has been greatly
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249 reduced. And if he comes for me here, I doubt he'll stop at just
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250 me." I ordered another round and waited to see the outcome of the
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251 Bard's escapade.
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252 Fast Fred
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253 BSAL
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254 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
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255 The VW comes abruptly to a halt. As I gain my bearings, I climb out of my
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256 hinding place from under the beasts belly.
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257 "Your under arrest, human. You have no right to hang onto my belly."
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258 --Wait a minute! Cars can't talk!--
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259 Somehow the VW sucks all of my possesion and lock them in the trunk. I'm
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260 then pulled by some force into the backe and locked up. Help!
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261 I've never done this before, but here goes.
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262 #If anyone gets this message, send help.#
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263 The Ninja
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264
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265
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266 Hmmmm... Aliens arrive and they turn out to be just as agressive little
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267 snots as we are. So much for galactic civilization.
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268 <long sigh>
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269 Mr. Tim
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270 (<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)
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271
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272 "Milady, I have acquired many different names in many different
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273 realities over the course of my travels, I merely wish to be called
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274 'The Traveller' opon this reality, it seems the most fitting."
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275 I replied to the Dragon Lady, "May I ask how you come by such a
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276 peculiar calling?"
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277
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278 I look down at the device in my hand momentarily, thumbing
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279 to close range. There is the Apprentice, myself but no trace for
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280 the nymph standing near. Interesting...
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281
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282 "Apprentice, you understate yourself, you are not 'only an appentice'
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283 changing reality without technoligical aid is no mean feat especially
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284 on such a scale, while I myself am lucky to turn a mosquito into a gnat!"
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285
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286 Now, what is the bard talking about? Maybe we should talk. I, myself
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287 came to this reality without passing any customs. I was not aware such
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288 things were around in the earlier realities.
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289
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290 (<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)(<>)The Traveller(<>)(<>)(<>)
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291
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292 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
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293 A mild mannered type I, one day while setting out in utilitarian
|
||
|
294 pursuits, as befits my simplicity I came upon a hardware peddlar who
|
||
|
295 proffered me a potion, quaffing which I found it to be a key, a number
|
||
|
296 to an unexpected Land Of BackWater, a 'scape of shifting realities.
|
||
|
297 Be somewhat slab-sided, I momentarily stumbled in my disorientation
|
||
|
298 and came to fear that the habitues of the Inn would think me a bumb-
|
||
|
299 ling blunderer who cannot handle his reality shifts. Therefore,
|
||
|
300 methinks, 'twould be more discreet for now to bide my while, lest I
|
||
|
301 be the unwelcome guest, and find myself piped elsewhere. I bid all
|
||
|
302 well and will observe for now, not wanting to hinder those more adept
|
||
|
303 in their pursuits.
|
||
|
304 GEEZER
|
||
|
305 ++++++++++++++++++++++++++++++++++++++++++/++++++++++++++++++++++++++++++
|
||
|
306 "You are Welcome, sir. It seems that you are in need of an infusion of
|
||
|
307 self-confidence. Perhaps some adventure is called for to stir your blood
|
||
|
308 If you would care to join us perhaps we could turn it to our mutual advantage"
|
||
|
309 The Poet turned from Geezer with a sigh and stepped from his dream. As
|
||
|
310 tired as he was, it was the only way he could find the Inn. Fortunately,
|
||
|
311 it was located in several of his better dream worlds. But it was quite
|
||
|
312 inconvienient having to drop off to sleep every time someone new wanted
|
||
|
313 into the adventure. If there was just some way of blocking the door open...
|
||
|
314 && The Mad Actor &&
|
||
|
315
|
||
|
316
|
||
|
317 ============================================
|
||
|
318 A potato in a dark cellar has certain low cunning about it which serves
|
||
|
319 it in excellent stead.
|
||
|
320 Aqualung
|
||
|
321 ============================================
|
||
|
322 ????????????????????????????????????????????????????????????????????????????
|
||
|
323 Sitting on a park bench eyeing little girls with bad intent SNOT
|
||
|
324 RUNNING DOWN HIS NOSE greasy fingers smearing shabby cloths,hay
|
||
|
325 AUQALUNG...
|
||
|
326
|
||
|
327 would somebody rescue the Man in Gray,he is still triping out on colors.
|
||
|
328 ?????????????????????????The Man in Gray????????????????????????????????????
|
||
|
329 ::::::::::::::::::::::::::::::::
|
||
|
330 the Wizard was watching the diamond react with his spell of protection,
|
||
|
331 for some reason the spell was destroyed.perhaps this phoenex egg can unserp
|
||
|
332 magical forces?
|
||
|
333 upon touching the egg the Wizard felt strange and massive powers lurking
|
||
|
334 within.
|
||
|
335 ::::::::::::::WIZARD:::::::::::::::
|
||
|
336 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
|
337 The piper, not normally telephathic, was extrememly startled when he
|
||
|
338 "heard" a plea for help from the ninja. He glanced around then understandin
|
||
|
339 slowly dawned. He finished the tune that was going, then smoothly seged
|
||
|
340 into "Clyde Side". This was a pretty problem -- extract the ninja without
|
||
|
341 damage to the BOLO disguised as a VW.
|
||
|
342 He wandered close to the bridge and let reality slip slightly. Couldn't
|
||
|
343 that stream be a little larger? As a river, it was rather small, it really
|
||
|
344 needs more -- authority. Isn't that a power boat racing upstream? A
|
||
|
345 sentient power boat, deprived of any remote effectors... #sorry BOLO, we'll
|
||
|
346 change you back very soon# ... the boat is stopping, an orange rubber raft
|
||
|
347 is thrown out and a cloaked figure is climbing into it ... the boat is
|
||
|
348 fading #goodbye BOLO# ... this river is really too much .... this stream is
|
||
|
349 really too wide, and doesn't match the bridge .... ahh -- that fits.
|
||
|
350 The piper looked down into the bed of the small stream. Seated within
|
||
|
351 an orange life-raft that more than filled the bed of the little stream,
|
||
|
352 the ninja was plying the oars. Stopping the pipes, the piper called down,
|
||
|
353 "If you've had enough exercise, I think I can find you a drink up here."
|
||
|
354 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
|
355 The apprentice turned to the one called "Traveller", "Milord, that was
|
||
|
356 the problem. I had to use a 'reality pill' which is VERY technological!"
|
||
|
357 Turning now to the Man in Gray, "It is all right, my friend, those
|
||
|
358 colors are really there."
|
||
|
359 ..................................the apprentice................................
|
||
|
360 Traveller: I hope you aren't wearing black!
|
||
|
361 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
362 :*************************************************************:
|
||
|
363 My Dearest Mohammed:
|
||
|
364
|
||
|
365 All this time I thought the Albanian Revolutionary Party was a
|
||
|
366 top notch terrorist organization. What a disappointment when I
|
||
|
367 learn that you, the cream of their crop, goes around acting
|
||
|
368 like an amateur.
|
||
|
369
|
||
|
370 Do you expect me to believe the Albanians top agent is afraid
|
||
|
371 to steal a bagbipe from a bunch of thugs from Portland (sticks
|
||
|
372 city) Oregon? Give me a break. What are you up to Mohammed? It
|
||
|
373 smells fishy, if you know what I mean.
|
||
|
374
|
||
|
375 Why the phone call to Salazar? You knew I had his phone tapped.
|
||
|
376 What kind of games are you playing? Are you really the amateur,
|
||
|
377 the fool, that you're pretending? Or do you have something up
|
||
|
378 your sleeve I should know about?
|
||
|
379
|
||
|
380 So let's stop playing games. I want those pipes, I want to
|
||
|
381 know what you're up to, and want you to stop screwing around.
|
||
|
382
|
||
|
383 I'm giving you another chance. Here's your next assignment. I
|
||
|
384 I've got Corneilius Hutton. I'll trade her for either PAM or
|
||
|
385 the egg. Arrange it.
|
||
|
386 Your disgruntled employer
|
||
|
387 LeRoy McKane
|
||
|
388 :*************************************************************:
|
||
|
389 R.D. McDonald
|
||
|
390 Bolo Distribution & Supply
|
||
|
391 Chicago, Ill.
|
||
|
392
|
||
|
393 Dear Ronald:
|
||
|
394
|
||
|
395 Negotiations to resupply Fast Fred with new Bolos has broken
|
||
|
396 down because of pressure from you concerning the recent
|
||
|
397 unfortunate incident.
|
||
|
398
|
||
|
399 I'd like to remind you that your losses at Fast Freddies are
|
||
|
400 inconsequential in comparision to your overall business with
|
||
|
401 McKane Enterprises. Back off on Fred if you wish to continue
|
||
|
402 to do business with us. I will compensate you for your loss.
|
||
|
403
|
||
|
404 Cordially
|
||
|
405 LeRoy McKane
|
||
|
406 :***********************************************************:
|
||
|
407 Fast Freddie
|
||
|
408 Fred's Freeway Fanatics
|
||
|
409 Portland, Oregon
|
||
|
410
|
||
|
411 Dear Mr. Freddie:
|
||
|
412
|
||
|
413 After consultation with our international banking interests we
|
||
|
414 have decided to raise your credit limit to $1.5 billion. This
|
||
|
415 is conditional upon all future loans being cosigned by Mr.
|
||
|
416 LeRoy McKane.
|
||
|
417
|
||
|
418 As you may know, as a cosigner, Mr. McKane will require you to
|
||
|
419 post one of your daughters as collateral; two if they are ugly.
|
||
|
420
|
||
|
421 We look forward to doing business with you.
|
||
|
422
|
||
|
423 Charles Bradwell
|
||
|
424 U.S. Bankcorp
|
||
|
425 :*************************************************************:
|
||
|
426 OH GOD! NOW THEY'VE EVEN GOTTEN U.S. BANKRUPT INTO THE ACT!
|
||
|
427
|
||
|
428 .............................................................
|
||
|
429 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
|
430 Leroy;
|
||
|
431 Sorry you are upset with me. But as the old Chinese proverb goes:
|
||
|
432 'That's the way the fortune cookie crumbles'. But maybe we can do business,
|
||
|
433 then again maybe not.
|
||
|
434 First Cornelius Hutton is male... not a 'she'. Somehow, Leroy, I have
|
||
|
435 doubts as to whether you really have him. In any case I don't want him.
|
||
|
436 If I locate either the Egg or Pam, you'll have to come up with cold hard
|
||
|
437 cash for either one. I think Salazar might be willing to cut a deal for
|
||
|
438 Hutton, but I have an idea he would get much more satisfaction from blowing
|
||
|
439 you away. As long as you play straight with me, I won't tell him you're
|
||
|
440 involved.
|
||
|
441 As for the piper's pipes, there still is no deal. I have no desire to
|
||
|
442 have a purple nose and polka-dot tush. If I stumble across them, I'll
|
||
|
443 snatch them; otherwise, forget it.
|
||
|
444 I would appreciate any information on the location of either the Wizard
|
||
|
445 or Pam. Hope this clears up any understanding.
|
||
|
446 Mohammed Wassir
|
||
|
447 <The Albanian Firebrand>
|
||
|
448 P.S. I'll let the slurs about being a crummy terrorist pass for now. If
|
||
|
449 you repeat them, I may make *YOU* my next assignment!
|
||
|
450 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
|
451 Now where did that Pam get to? Here Pam, Pam... --Wassir--
|
||
|
452 --------------------
|
||
|
453 IF ANYONE OUT THERE HAS A DRUM SET THEY WOULD LIKE TO SELL, OR KNOWS OF ANY
|
||
|
454 ONE WHO DOES.. CAN YOU PLEASE CONTACT ME AT HOME?
|
||
|
455
|
||
|
456 656-xxxx (OREGON CITY)
|
||
|
457 AFTER 4:00 PM AND BEFORE 9:30 PM WEEKDAYS. (NOT HOME WEEKENDS, SORRY).
|
||
|
458
|
||
|
459 SINCERELY YOURS
|
||
|
460 JODY
|
||
|
461 P.S. DOES ANYONE OUT THEE REMEMBER ME??
|
||
|
462 ----------------------------------------------------------------------------
|
||
|
463
|
||
|
464 When he awoke, the Poet was glad to see that Freddy was still where
|
||
|
465 he'd left him. Hypnotizing him into thinking he was in the Inn was a
|
||
|
466 more effective method than he could have hoped for. In a reality with as
|
||
|
467 much slack as this one it had its drawbacks, however, as was evidenced
|
||
|
468 by the erstwhile Bolo huckster's incapacatating inebriation and the pile
|
||
|
469 of empty ale mugs around his feet. Oh, well... at least he wasn't trying
|
||
|
470 to run away...
|
||
|
471 && The Mad Actor &&
|
||
|
472
|
||
|
473 *************************************
|
||
|
474 Dear Sirs,
|
||
|
475
|
||
|
476 Please look out you window and seeif the world is being invaded by purpl
|
||
|
477 s
|
||
|
478 :(*):(*):(*):(*):(*):(*):(*):(*):(*):(*):(*):(*):(*):(*):(*):(*)
|
||
|
479 CARE TO TRY THAT ONE AGAIN????
|
||
|
480
|
||
|
481 P.S. (ABOUT THE DRUM SET..) DON'T CALL BY MODEM PLEASE. ONLY VOICE.
|
||
|
482 *************************************************: JODY :*******************
|
||
|
483 ????????????????????????????????????????????????????????????????????????????
|
||
|
484 Yes Jody,we remember you.
|
||
|
485
|
||
|
486 Getting up slowly from the pink grass the man in gray shook his head and
|
||
|
487 wondered "how do I get back to the inn" he thought foor a while and
|
||
|
488 concentrated on the apprenttice..."help,apprentice,where is everything?"
|
||
|
489 The Man in Gray
|
||
|
490 ????????????????????????????????????????????????????????????????????????????
|
||
|
491 ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
|
||
|
492 alright, alright already!!!! at first glance I thought you people to be
|
||
|
493 too primitive too converse on an equil level. most low-tech societys only
|
||
|
494 understand volence. I see that I am now mistaken. I did want some period
|
||
|
495 clothes but I don't think these fit the bill(he said,looking down at his new
|
||
|
496 threds). I may have been a little pushy at first but I assure you I had all
|
||
|
497 the necessary papers in my ship. I don't think the papers are in the cabin
|
||
|
498 however. I see now that I need your help to catch McDonald. I will follow
|
||
|
499 you to the Wizard if he can help me.
|
||
|
500 Piper:I appreciate your need for safety,but after I am done, could I have
|
||
|
501 my ship back?!? the clothes I can use for a museum. please do this for me!
|
||
|
502 humbly yours,
|
||
|
503 Commander Lacells
|
||
|
504 p.s. due to a problem with equipment(transmuting to 19th century items) I
|
||
|
505 am prevailing on the Man in Gray for communications. thanks
|
||
|
506 ,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
|
||
|
507 ::::::::::::::::::::::::::::::::
|
||
|
508 the egg...it's glowing...
|
||
|
509 slowly picking up the artifact the Wizard
|
||
|
510 found that he could see and hear everything that the crazed backwater group
|
||
|
511 was thinking...
|
||
|
512
|
||
|
513
|
||
|
514 Commander Lacells:I MAY help you maybe!
|
||
|
515 Bard:I may make it back myself,but help would be nice!
|
||
|
516 Piper:very good work with the Ninja,I think that your pipes and the egg I
|
||
|
517 have are soon to be very hot items!
|
||
|
518 ::::::::::WIZARD::::::::::::::::
|
||
|
519 [][][] HI
|
||
|
520
|
||
|
521 Geezer;
|
||
|
522 This is just a guess, but are you by any chance calling from an
|
||
|
523 unusually small terminal? One with a LCD display & batteries? If so, I
|
||
|
524 think I know who you are; didn't I tell you this was a different sort
|
||
|
525 of place??? Happy Modeming!
|
||
|
526 && The Mad Actor &&
|
||
|
527 ***********************
|
||
|
528 O.K.,
|
||
|
529 One more time:
|
||
|
530 Please look out
|
||
|
531 your window and see if
|
||
|
532 your neighborhood is
|
||
|
533 being invaded by purple
|
||
|
534 cows.
|
||
|
535 (Doesn't sound so
|
||
|
536 good now that I've had
|
||
|
537 a chance to think about
|
||
|
538 it for awhile)
|
||
|
539 %%%%%%%%%%%GANDALF%%%%%
|
||
|
540 %%%%%%%%%%%%%%%%%%%%%%%
|
||
|
541 pppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
|
542 The piper lifted his pipes to his shoulder and played the first five bars of
|
||
|
543 "The Black Bear's Hornpipe", then stopped abruptly.
|
||
|
In the ensuing silence,
|
||
|
544 he called out, "If anybody want's to head back to the inn and sit the rest of
|
||
|
545 this out, better move now. I'll pipe whoever wants to go back to the inn.
|
||
|
546 The rest of us should start moving out. We are going to be a stationary target
|
||
|
547 if we hang around here much longer."
|
||
|
548 He walked over to a large log laying next to the path. "On the log to head
|
||
|
549 back to the inn!" The piper began the first strains of "Too Long in This
|
||
|
550 Condition" and the log started to stir slightly. He glanced over at the upset
|
||
|
551 commander and did not see who rode the log back to the inn. Walking back o
|
||
|
552 the group, "Commander, I'll be glad to restore your ship later. In the while,
|
||
|
553 we are looking to prevent arms from being imported into our peaceful reality
|
||
|
554 back at the inn. If this MacDonald is involved in this traffic, we'll toss
|
||
|
555 him to you when we run across him. In the meantime, you might check and see
|
||
|
556 if you have any powder and balls for that long rifle hanging over the mantle
|
||
|
557 in your cabin." Not waiting for an answer the piper inflated the pipes and
|
||
|
558 began playing a sprightly march, "MacNiell of Uigsdale", and started down the
|
||
|
559 road. Within a few yards, the brick surface changed to a bright, uniform
|
||
|
560 yellow. Turning his head, the piper saw the company beginning to move off
|
||
|
561 along the road. Keeping the pace slow, he moved through the warm summer air.
|
||
|
562 ppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppppp
|
||
|
563 @@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@@
|
||
|
564 To: Mr. LeRoy McKane
|
||
|
565 Re: Bussness options
|
||
|
566
|
||
|
567 Dear Mr McKane,
|
||
|
568 I would like to thank you for getting the heat off
|
||
|
569 me in the recent incedent concerning the Bolos. I would
|
||
|
570 also like to say that if I ever begin such an undertaking
|
||
|
571 again it will be a pleasure doing bussness from you, it isn't
|
||
|
572 often someone looks out for his investments so generously.
|
||
|
573 Fast Fred
|
||
|
574 BSAL <ret.>
|
||
|
575 @@@@@@@@@@@@@@@@
|
||
|
576 Even in my drunken state, I saw that the group was getting ready to head out
|
||
|
577 along, of all things, a Yellow brick road? Not really knowing how to get out of
|
||
|
578 this reality, I decided to yell at the poet, "Does this mean I'm free to to go?"
|
||
|
579 He scowled at me and grabbed my arm. Oh well, Follow the yellow brick road....
|
||
|
580 @@@@@@@@@@@@@@@@ FAST FRED @@@@@@@@@@@@@@@@ BSAL @@@@@@@@@
|
||
|
581 ^M, ^H ? ^H^I ^L^C ^I ^H ^M ^I^H !
|
||
|
582 JUST [HI]? AND NOTHING ELSE? +++++++++ I.S. ++++++++++++++++++++++;;
|
||
|
583 Tell me why the stars do shine;
|
||
|
584 Tell me why the ivy twines;
|
||
|
585 Tell me why the skies are blue;
|
||
|
586 And I will tell you why I love you.
|
||
|
587
|
||
|
588 Nuclear fusion makes the stars to shine;
|
||
|
589 Tropisms make the ivy twine;
|
||
|
590 Rayleigh scattering makes skies so blue;
|
||
|
591 Testicular hormones is why I love you.
|
||
|
592
|
||
|
593 Please come back, Pam. I'm not very good at this.
|
||
|
594 |!|!|!|!|!|!|!|!|!|!|!|!|!|!|!|!|!|!|!|!|!___THE SILVER GHOST___|!|!|!|!|!|
|
||
|
|
||
|
>
|