638 lines
39 KiB
Plaintext
638 lines
39 KiB
Plaintext
|
LIST
|
||
|
FILE ON
|
||
|
MARGIN IS 126
|
||
|
STATUS: ALL ALLOWED
|
||
|
NUMBER OF LINES: 629
|
||
|
1 If you are in need of help, you need but ask....
|
||
|
2 ********************** REMOVED: 18 JAN 84*******************
|
||
|
3 Welcome to BWMS (BackWater Message System) Mike Day System operator
|
||
|
4 ************************************************************
|
||
|
5 GENERAL DISCLAIMER: BWMS IS NOT RESPONSIBLE FOR ANY INFORMATION
|
||
|
6 PLACED ON THIS SYSTEM.
|
||
|
7 BWMS was created as an electronic bill board. BWMS is a privatly owned
|
||
|
8 and operated system which is currently open for use by the general public.
|
||
|
9 No restrictions are placed on the use of the system. As the system is
|
||
|
10 privatly owned, I retain the right to remove any and all messages which
|
||
|
11 I may find offensive. Because of the limited size of the system, it will be
|
||
|
12 periodically purged of older messages. (only 629 lines of data can be saved)
|
||
|
13 To leave a message, type 'ENTER' and use ctrl/C or break to get out of the
|
||
|
14 ENTER mode. The message is automatically stored. If after entering the
|
||
|
15 message you find you made a mistake, use the replace command to replace
|
||
|
16 the line. To exit from the system, type 'OFF' then hang up.
|
||
|
17 Type 'HELP' to see other commands that are available on the system.
|
||
|
18 ***********************************************************
|
||
|
19 [][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][]
|
||
|
20
|
||
|
21 I AM STARTLED, TO SAY THE LEAST. "AND YOU ARE BARNEY GAN CEANACH?" I ASK.
|
||
|
22 "Barney's good enough. Look, toots, we need to have a long talk, and
|
||
|
23 it 'ud be better if we did it away from prying eyes," HE MUTTERED. "we'll
|
||
|
24 head back to your place."
|
||
|
25 "PRYING EYES! SOMEONE IS HERE?" I FLUSH, REMEMBERING MY STATE. THE
|
||
|
26 SPELLS CAST BY A WITCH USUALLY REQUIRE A STATE AS CLOSE TO NATURE AS POSS-
|
||
|
27 IBLE, BUT THAT I MIGHT HAVE BEEN WATCHED... WHO WOULD BE SO... CRUDE? I
|
||
|
28 QUICKLY GATHER MY CLOAK AROUND MYSELF.
|
||
|
29 "Oh, don't worry. He got an eyeful, but you ain't got nothin' to look
|
||
|
30 at anyway." HIS ENTIRE DEMEANOUR IS INSULTING, AND I GROW ANGRY AT HIS RE-
|
||
|
31 MARKS.
|
||
|
32 "NOW, WAIT A MINUTE! I'M NOT THAT..."
|
||
|
33 "You're way too short, and skinny too. Maybe if you put a little meat
|
||
|
34 on those bones," HE PAUSES, AND LAUGHS. "Not that it matters. He has a
|
||
|
35 camera, too. He'll be surprised when he gets home. Hope he likes jello."
|
||
|
36 HE STOPS SUDDENLY, AND THEN HE JUMPS INTO THE AIR AND SCREAMS. I AM QUITE
|
||
|
37 STARTLED, BUT TRY TO MAINTAIN AN AIR OF DIGNITY, WHICH IS SOMEWHAT DIFFICULT
|
||
|
38 CONSIDERING MY POSITION. HE THEN SCREAMS "Tha te ur am buth an tailleir!"
|
||
|
39 AND I FIND......THAT I AM IN MY HOME, AND SITTING ON MY OWN COUCH. TEA IS
|
||
|
40 LAID OUT ON THE TABLE BEFORE ME, MY BEST DELFT CHINA, WITH A SERVING FOR 2.
|
||
|
41 THIS IS MY FIRST OPPORTUNITY TO LOOK AT HIM CLOSELY. HE IS SHORT, EVEN
|
||
|
42 SHORTER THAN ME, AND HE IS FAR FROM WHAT I HAD THOUGHT A MEMBER OF THE GREAT
|
||
|
43 ELLYLLON WOULD APPEAR. HIS HAIR IS A RATHER DULL BROWN, HIS EYES THE SAME,
|
||
|
44 AND THE ONLY THING THAT LOOKS THE LEAST BIT ELVIN IS HIS EARS, WHICH ARE
|
||
|
45 DISTINCTLY POINTED, AND HIS COMPLEXION WHICH IS UNUSUALLY UNMARKED. IT IS
|
||
|
46 STRANGE FOR ME TO SIT HERE, WAITING TO CONVERSE WITH THIS BEING.
|
||
|
47 "Now I wants you should just sit there and listen to whats I gunna say
|
||
|
48 to ya," he says, doing an excellent Cagney.
|
||
|
49 "YOUR GRAMMER IS ATROCIOUS." I COMMENT, HOPING PERHAPS TO THROW HIM
|
||
|
50 OFF STRIDE.
|
||
|
51 "Yup, ma'am, I'ma doin' it cuz I know ya don't likes it," he drawls, as
|
||
|
52 he switches to John Wayne. "I'ma
|
||
|
53 goin' ta try ta break ya, ya see." JUMPING INTO A CHAIR (I NOTICE THAT THE
|
||
|
54 CUSHION OF THE CHAIR DOESN'T SAG, AS IF THERE IS NO WEIGHT) HE CONTINUES.
|
||
|
55 "Actually, I came here because I think you're not too bad, for a mortal-type
|
||
|
56 individual, and I owe your Granny a favour."
|
||
|
57 "WHAT DO YOU WANT OF ME?" I ASK. I DON'T UNDERSTAND MUCH OF THIS, AND
|
||
|
58 HIS PERSONALITY HAS GIVEN ME PAUSE.
|
||
|
59 "In the first place," HE RESPONDS, "You've had a bad time of it lately
|
||
|
60 and you've let it get to you. You've got to remember that, no matter how
|
||
|
61 bad it seems to you, it's worse for someone else. So you lost the love-of-
|
||
|
62 your-life, he was just a jerk anyway."
|
||
|
63 "HE WAS A KIND AND GENTLE SOUL, LOVING AND GIVING!" I AM GROWING VERY
|
||
|
64 ANGRY WITH THIS CREATURE. "IT WAS THROUGH MY OWN INACTION THAT I LOST HIM,
|
||
|
65 NOT THROUGH ANYTHING HE DID."
|
||
|
66 "He was a jerk," he yells, "jerk, jerk, jerk! Just look at what led to
|
||
|
67 your separation, look at it from an unbiased point of view for once. He was
|
||
|
68 just as much to blame as you were, so quit being a martyr!" HE JUMPS FROM
|
||
|
69 THE CHAIR AND BEGINS TO PACE. "And another thing. You're always so worried
|
||
|
70 about what other people think, and always crawling into a shell. You've got
|
||
|
71 to be more outgoing. A friend of your's at the Inn was going to give you a
|
||
|
72 gift, and you probably alienated him by avoiding him!" I BLANCH, THINKING
|
||
|
73 OF GOOD DJJ. "You're oh-so-logical when dealing with an issue that has no
|
||
|
74 emotional involvement for you, but if you're involved, all that goes out the
|
||
|
75 window."
|
||
|
76 HE STOPS IN FRONT OF ME, AND POINTS HIS FINGER. "And there you are,
|
||
|
77 boring all those nice Inngoers with your silly self-serving stories! Who do
|
||
|
78 you think you are anyway? The natives are restless, and most are incredibly
|
||
|
79 bored with all this crap. You've got a lot going for you, and I think that
|
||
|
80 it's time you realized it!"
|
||
|
81 I AM DEEPLY HURT BY WHAT HE HAS SAID, BUT I SEE THAT THERE IS A GREAT
|
||
|
82 DEAL OF TRUTH IN IT. I HAVE HEARD THE MURMURS, AND I KNOW MY OWN ATTITUDE
|
||
|
83 COULD USE A CHANGE. THE HURT MUST SHOW ON MY FACE, BECAUSE FOR THE FIRST
|
||
|
84 TIME, BARNEY'S OWN FACE REFLECTS A SENSE OF COMPASSION. "Look, what I've
|
||
|
85 got to say to you is probably none of anyone else's business, so why don't
|
||
|
86 you shut the windows?"
|
||
|
87 I RISE FROM THE COUCH, BAR THE DOOR, AND CLOSE THE SHUTTERS ON THE WIN-
|
||
|
88 DOWS, PERHAPS FOR THE LAST TIME.
|
||
|
89
|
||
|
90 [][][][][][][][][][][][][][][][][][]PAM-[][][][][][][][][][][][][][][][][][]
|
||
|
91 -----------m-----------------------------------------------m---------------------
|
||
|
92 Growing tired of waiting the piper slung his pipes to his shoulder and winded
|
||
|
93 them. He piped up a sprightly air and started down the path. In a short time,
|
||
|
94 he reached a small bridge over the stream.
|
||
|
95 What secrets do you hold?" he murmured softly. "what have you seen to never
|
||
|
96 tell?"
|
||
|
97 Smiling softly he turned onto the path that lead through the gathering twilight.
|
||
|
98 A few steps and a distant lantern began to contest the gathering night.
|
||
|
99
|
||
|
100 "Perhaps a tune might buy my a drop to drink" he mused. He set the pipes on his
|
||
|
101 shoulder, winded them and began a jolly happy tune. As he approached the door
|
||
|
102 of the inn, the door opened before him and he piped himself into the large room
|
||
|
103 just beginning to fill with the eveningscustomers. Bringing his tune to a close
|
||
|
104 he swung down his pipes and called to the innkeeper "Good sir! Long have I
|
||
|
105 traveled, and I find myself hungry tired
|
||
|
106 and thirsty. Would you barter some amusement for your customers for a night's
|
||
|
107 rest and a meal?"
|
||
|
108 ----------------------------------------the piper-------------------------------
|
||
|
109 I couldn't help myself. This wasn't the first time. Marsupial vision
|
||
|
110 showed me the familiar eclectic heap. I dug in, famished. What tidbits
|
||
|
111 I found had already been partially digested by time. I ate my fill. I was
|
||
|
112 safe here.
|
||
|
113 Having finished my feast I headed for home. The grass was damp with the dew
|
||
|
114 of early morn. Coming out of the grass, I could feel the hard, smooth
|
||
|
115 surface under my feet. This place always made me long for home. A brightness
|
||
|
116 to my right caught my attention. I must continue but cannot turn my back on
|
||
|
117 the strange light which even now grows brighter, brighter, and now the
|
||
|
118 noise of it. Tremendous and awful then I know I have been killed.
|
||
|
119
|
||
|
120 Damn! The same dream again. I pour a cup of hot-black from the timer model
|
||
|
121 Mr. Coffee. Get my mind off it. Play with the computer. I find the
|
||
|
122 strangest BBS. I read a few articles and decide to enter one myself:
|
||
|
123 "I couldn't help myself. This wasn't the first time..."
|
||
|
124
|
||
|
125 {}{}{}{}{}{}{}{}{}{}{}{}{Awesome Opossum}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}
|
||
|
126 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
||
|
127 HELP ME! I am going thru "d" withdrawl. If I don't hear
|
||
|
128 something by her soon I think I'll kill myself! Eieeaaa........
|
||
|
129 ++++++++++++++++++++ I.S. ++++++++++++++++++++++++++++++++
|
||
|
130 ========================================================================
|
||
|
131 This BBS hasn't changed much since I last visited it. The stuff put on
|
||
|
132 here would still put any decent science fiction/fantasy writer to shame.
|
||
|
133 ========================Pioneer=========================================
|
||
|
134 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
||
|
135 Hate is like acid. It can damage the vessel in which it is stored as
|
||
|
136 well as destroy the object on which it is poured.
|
||
|
137 A certain amount of opposition is a help, not a hindrance. Kites rise
|
||
|
138 against the wind, not with it.
|
||
|
139 When a friend is in trouble, don't annoy them by asking if there is
|
||
|
140 anything you can do. Think up something appropriate and do it.
|
||
|
141 ++++++++++++++++++++++ I. S. ++++++++++++++++++++++++++++++++++++++++++;
|
||
|
142 ########################################################
|
||
|
143 A national park ranger cautions visitors against feeding
|
||
|
144 the animals. He explains that the deer grow accustomed
|
||
|
145 to visitors' handouts and lose the ability to fend for
|
||
|
146 themselves. Bears, he observes, come to believe that
|
||
|
147 free food is their due - becoming grouchy and violent if
|
||
|
148 they don't get it. Chipmunks and squirrels congregate
|
||
|
149 where handouts are plentiful. Thus the balance of
|
||
|
150 nature is completely upset. Is there a lessen here for
|
||
|
151 people and their governments?
|
||
|
152 ##################### B. P. ############################
|
||
|
153 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
|
||
|
154 In the distance a lone figure wanders through the tree
|
||
|
155 scattered landscape. Cloak tightly wrapped about him to keep out
|
||
|
156 the cold. Slowly his wanderings bring him towards the crossroads
|
||
|
157 upon which the Inn is located. One road leads to the dank dark
|
||
|
158 forests while the other leads to the blinding steel and stone of
|
||
|
159 the cities. Out of the forest moves the lonely figure towards
|
||
|
160 the haven of the Inn to wrap himself in the warmth of freindship.
|
||
|
161 Crossing the small bridge that traverses the small stream he pays
|
||
|
162 no mind to the slowly moving waters beneath, for tonight the warm
|
||
|
163 waters offer no sollus for the werry. He moves to keep the
|
||
|
164 appointment that was made, and worries that it not be kept.
|
||
|
165 Opening the well oiled doors of the Inn he steps in slightly in
|
||
|
166 fear for his past actions have left a tarnished image at the Inn.
|
||
|
167 Looking about for a moment, he spies a doorway leading to the
|
||
|
168 back of the Inn. Parting the old and ragged curtain he spies an
|
||
|
169 old rickity table and chairs to match. Obviously discarded here
|
||
|
170 in favour of the more usable sort without. Closer inspection
|
||
|
171 shows that someone has been here recently for the cobwebs have
|
||
|
172 been half heartedly removed and the dust disturbed as if
|
||
|
173 searching for something. Taking no mind he slowly goes about
|
||
|
174 cleaning the ages of dust and grime and shoring up the table and
|
||
|
175 chairs as best possible. The work complete, he gently settles
|
||
|
176 back in the flimsy chair and opens a large bottle of ale to await
|
||
|
177 the coming appointment. Many thoughts drift through his head
|
||
|
178 such that even he can not follow them all and where they might
|
||
|
179 lead. Past memories and present mix in a kelidescope of jumbled
|
||
|
180 thought. Finaly the combination of the hard days work, the ale,
|
||
|
181 and the clouded thoughts cause him to nod off to sleep, while
|
||
|
182 hoping that the friend will not forget him.
|
||
|
183 * Tarn *
|
||
|
184 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
|
||
|
185
|
||
|
186 Who are you, Bobby? I mean, where are you at, man?
|
||
|
187
|
||
|
188 The Mercedes is smooth. The rain is altogether outside the spere
|
||
|
189 of its clean, soft cocoon, and the music is cool and groovin in the
|
||
|
190 night. He is intensely aware, the hour of the night his peak,
|
||
|
191 the tenor of the sax his anthem. The gleaming smile of neon is all around
|
||
|
192 him and the shine on the raindrenched street simply emphasizes and
|
||
|
193 sharpens the images of the city and this life. Nothing in America
|
||
|
194 could compare to this life on the outside, this freedom, this badness,
|
||
|
195 this thrill of the night. Nothing can cut down the Prince in his
|
||
|
196 royal Highness. The brightness of the dark is sung in the soulcry song
|
||
|
197 of the horns. No one knows the truth.
|
||
|
198
|
||
|
199 Jimmy C.
|
||
|
200 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
||
|
201
|
||
|
202 Realizing that Pam and that she had summoned were gone, he moved in closer. In
|
||
|
203 spite of the stranger's presence he had not dared approach the clearing. He had
|
||
|
204 seen what Pam was carrying and knew from his studies what the requirements
|
||
|
205 of the ritual might be. He would not shame his friend by observing, nor would he
|
||
|
206 risk interrupting the ceremony.
|
||
|
207 He thought back to that afternoon when he had cast the coins. They had
|
||
|
208 indicated that there was danger, but that through correct action, much of it
|
||
|
209 would be removed. After consulting other augurs, he had determined that he must
|
||
|
210 be near the clearing that night. Unfortunately, he had not seen the stranger in
|
||
|
211 time and had had to settle for watching him from a distance and hoping that he
|
||
|
212 could stop him in time.
|
||
|
213 Now he could tell that Pam and that which she had summoned were gone. He
|
||
|
214 approached the stranger, a city man by his dress.
|
||
|
215 He suddenly broke into a run. He had heard of devices like that which the man
|
||
|
216 held. He must destroy that image machine!
|
||
|
217 "And what, pray tell art THOU doing here Sirrah? Mayhap thou hast been
|
||
|
218 observing that which was not meant for the likes of you?"
|
||
|
219 The man dropped the device as the hooded and cloaked shape appeared out of the
|
||
|
220 darkness. The figure's staff swung out and the man collapsed from the blow.
|
||
|
221 He stooped over the man and checked him over. He was alright, barring a lump
|
||
|
222 over one ear. He then went to the device and opened it, intending to destroy the
|
||
|
223 image. He stared at what he found and then sat down laughing.
|
||
|
224 Jello! It was full of Jello! When his laughter had died to an occasional
|
||
|
225 chuckle he reclosed the device and put it in the man's pouch. Standing once more
|
||
|
226 he seemed smaller than when he had confronted the stranger. He took hold of the
|
||
|
227 man and proceeded to drag him to the road.
|
||
|
228 Upon reaching it he paused and threw back his head. Any witnesses would have
|
||
|
229 been startled by the cry that issued from his throat. Shortly, there was an
|
||
|
230 answering cry from nearby. He smiled.
|
||
|
231 A wolf trotted from the underbrush and walked to face him. "Greetings,
|
||
|
232 Gray One.", he said as he extended a hand toward the wolf. "I am sorry to bother
|
||
|
233 you but I have need of thy aid." After a few more minutes of conversation the
|
||
|
234 wolf departed. Time passed....
|
||
|
235 He seemed to be listening, though to what, none could have said. At last the
|
||
|
236 sound of hoofbeats was audible. A man dressed in brown and gray appeared riding
|
||
|
237 a roan mare. He raised a hand in salute.
|
||
|
238 "I got your 'note', Erik. What's up?
|
||
|
239 The one called Erik swiftly explained what had transpired. As he did so the
|
||
|
240 other's expression became grim.
|
||
|
241 "What this fool has done deserves..."
|
||
|
242 "Hold! My apoligies, Lord, but I must remind you that you do NOT rule here!"
|
||
|
243 His voice softening he continued, "Lord Sam, I am well aware of your feelings in
|
||
|
244 regard to such matters. I fear that in this land your methods would be thought a
|
||
|
245 bit extreme. I think it may suffice to merely make an example of this fool."
|
||
|
246 "Perhaps. Your master thinks well of your judgement. What do you have in mind?"
|
||
|
247 "I believe that on your way here for your visit with my master, you passed
|
||
|
248 through the city?"
|
||
|
249 "Yes, but.."
|
||
|
250 "Please my lord, all will be made clear. Did you notice the pillory?"
|
||
|
251 A smile crossed the rider's face, "Are you suggesting...
|
||
|
252 "But of course, why should not the punishment fit the crime?"
|
||
|
253 "Very well, if you will write the charge notice..."
|
||
|
254 "I have it here, lord. I wrote it while waiting for you." He bowed and handed
|
||
|
255 a roll of parchment up to the rider, who tucked it inside his tunic.
|
||
|
256 "Now for the that fool, if you please." Sam bent low, to help Erik with the
|
||
|
257 bound figure. After it had been placed upon the horse, Sam remounted.
|
||
|
258 "Farewell, my young friend!"
|
||
|
259 Erik returned the farewell. After the rider had vanished into the darkness Erik
|
||
|
260 started for home. He almost wished he could be in the city square in the morning
|
||
|
261 to see the stranger awaken in the pillory, naked with a notice proclaiming him a
|
||
|
262 'pPeeping Tom'.
|
||
|
263 He doubted that there would be any trouble, the stranger's memories of his and
|
||
|
264 Pam's faces would have been blurred by his master while treating the head blow
|
||
|
265 and even though these were not Sam's lands, he WAS a noble and his signature on
|
||
|
266 the proclamation would be sufficient. Perhaps after a few days in the
|
||
|
267 square the stranger would have learned some manners.
|
||
|
268 ................................................................................
|
||
|
269 BARD: yes, dost thou know the lady Mirandel? I first heard the tale of ranger
|
||
|
270 Arvid from her at a dance class at the Towers.
|
||
|
271 ..................by my hand at the hour of Prime, this 15th day of January.....
|
||
|
272 ...........................the apprentice.......................................
|
||
|
273 AH, well isn't it a small world! I certainly do know Mirandel. I was there too!
|
||
|
274 I think I know who you are "Erik". I was one of the other singers that night
|
||
|
275 (not Michael or Gwen).
|
||
|
276
|
||
|
277 Lord of the Dance
|
||
|
278
|
||
|
279 When she danced on the water and the wind was her horn
|
||
|
280 The Lady laughed and everything was born
|
||
|
281 When she lit the sun and the light gave him birth
|
||
|
282 The Lord of the Dance first appeared on the earth.
|
||
|
283 (chorus) Dance, dance wherever you may be
|
||
|
284 I am the Lord of the Dance, said he,
|
||
|
285 And I'll live in you if you'll live in me
|
||
|
286 And I'll lead you all in the dance, said he.
|
||
|
287
|
||
|
288 I danced in the morning when the world was begun,
|
||
|
289 I danced in the moon and the stars and the sun,
|
||
|
290 I was called from the darkness by the song of the earth,
|
||
|
291 I joined in the singing and she gave me birth.
|
||
|
292 chorus
|
||
|
293 I sleep in the kernel and I dance in the rain
|
||
|
294 I dance in the wind and through the waving grain
|
||
|
295 When you cut me down, I care nothing for the pain
|
||
|
296 In the Spring I'm the Lord of the Dance once again.
|
||
|
297 chorus
|
||
|
298 I dance in the circle when the flames leap up high
|
||
|
299 I dance in the fire and I never, ever die
|
||
|
300 I dance on the waves across the bright summer seas
|
||
|
301 I am the Lord of the waves mysteries.
|
||
|
302 chorus
|
||
|
303 I dance at the Sabbat when you dance out the spell
|
||
|
304 I dance and sing that everyone be well
|
||
|
305 When the dancing's over, do not think I am gone
|
||
|
306 To live is to dance, so I dance on and on.
|
||
|
307 chorus
|
||
|
308 The moon in her phases, and the tides of the sea
|
||
|
309 The movement of the earth and the seasons that will be
|
||
|
310 Are the rhythm of the dancing and a promise through the years
|
||
|
311 That the dance goes on through our joys and our fears.
|
||
|
312 chorus
|
||
|
313 The Horn of the Lady cast its sound 'cross the plains
|
||
|
314 The birds took the notes and gave them back again
|
||
|
315 'Til the sound of Her music was a song in the sky
|
||
|
316 And to that song there is one reply
|
||
|
317 chorus
|
||
|
318 They danced in the darkness and they danced in the night
|
||
|
319 They danced on the earth and everything was light
|
||
|
320 They danced out the darkness and they danced in the dawn
|
||
|
321 And the day of their dancing still goes on.
|
||
|
322 chorus
|
||
|
323 I see the maidens laughing, as they dance in the sun
|
||
|
324 And I count the fruits of harvest one by one
|
||
|
325 I know the storm is coming but the grain's all stored
|
||
|
326 So I dance the Dance of the Lady and Her Lord.
|
||
|
327 chorus
|
||
|
328 We dance ever slower, as the leaves fall and spin
|
||
|
329 And the sound of the horn is the wailing of the wind
|
||
|
330 The earth is wrapped in stillness and we move in a trance
|
||
|
331 But we hold on fast to our faith in the Dance.
|
||
|
332 chorus
|
||
|
333 The sun is in the southland and the days grow chill
|
||
|
334 The sound of the horn is fading on the hill
|
||
|
335 The horn of the Hunter, as he rides 'cross the plain
|
||
|
336 And the Lady sleeps, 'Til the Spring comes again.
|
||
|
337 chorus
|
||
|
338 The sun is in the southland and the days lengthen fast
|
||
|
339 And soon we will sing for the Winter that is past
|
||
|
340 Now we light the candles and rejoice as they burn
|
||
|
341 And we dance the Dance of the sun's return.
|
||
|
342 chorus
|
||
|
343 I gaze on the heaven and I gaze on the earth
|
||
|
344 I feel the pain of dying and rebirth
|
||
|
345 I lift my head in gladness and praise for the day
|
||
|
346 Of the Dance of the Lord and the Lady gay.
|
||
|
347 chorus
|
||
|
348
|
||
|
349 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
350 Bobby's car sighed into the drive as the automatic door opened rumbling
|
||
|
351 in the cavernous parking garage. Pulling into his assigned space he cut the
|
||
|
352 ignition and sat a moment. It`s wearing down, he thought. He slid from
|
||
|
353 the car seat and stepped out into the dimly lit garage, locking up care-
|
||
|
354 fully after years of experience with thieves in the city.
|
||
|
355 The apartment was cold and he checked the thermostsat to make sure it was
|
||
|
356 up. It was getting to be impossible to deal with that punk of a super
|
||
|
357 if and when you could drag him away from his sissy friends.
|
||
|
358 He lit a cigarette and took a mighty slosh from the ever present
|
||
|
359 bottle of Stolichnaya on the endtable. Trembling from his recent
|
||
|
360 brush with death he sank into a chair to await the call from
|
||
|
361 Bambino. He was certain he had him this time. No way could he have
|
||
|
362 detcted Bobby's hand in all this. Bobby chuckled and tipped the
|
||
|
363 vodka again, spilling cool drops down his shirtfront and feeling the
|
||
|
364 high recede.
|
||
|
365 Jimmy C.
|
||
|
366 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
|
||
|
367 ... interesting ...
|
||
|
368 |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
369 Watched "Focus On Society" on OEPBS this a.m. The show suggested that 75%
|
||
|
370 of the U.S. population believes in God. It further suggested that 25%
|
||
|
371 believe in astrology. I was stunned! It showed me that I have had my head
|
||
|
372 in the sand for the past 15 years in thinking that the general population
|
||
|
373 had somehow been enlightened during those years I went to so much trouble
|
||
|
374 sorting out the bs from my observations. Apparently, there was an en masse
|
||
|
375 departure from organized religion by my generation (I knew that, didn't
|
||
|
376 know if organized religion knew) but now that we are in our thirties, many
|
||
|
377 are returning to the safe, cozy blanket of blind faith. Am I missing
|
||
|
378 something? This is incredible to me because the stark reality that I
|
||
|
379 -really- don't believe in concerned, intelligent beings/forces that alter
|
||
|
380 or monitor my every thought and move is so apparent now.
|
||
|
381
|
||
|
382 Observations:
|
||
|
383 Actions cause reactions; space-time exists.
|
||
|
384 Mental processes interact with space-time.
|
||
|
385 No one knows why.
|
||
|
386
|
||
|
387 The last observation is the one that causes so much trouble. Is there
|
||
|
388 really no purpose (in terms of accomplishment) to our existence. How
|
||
|
389 insulting to think that there is no purpose to life; that the universe just
|
||
|
390 is. For so many, reductionism is very depressing. They would like to
|
||
|
391 think of themselves as important to the universe. Well yes we're important,
|
||
|
392 we're here, but let's not put on airs.
|
||
|
393
|
||
|
394 Help! I'm a rock,
|
||
|
395 Awesome Opossum
|
||
|
396 {}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}{}
|
||
|
397 //////////////////////./././////////////////////////////////
|
||
|
398 hay did every buddy party friday and saturday. I know I did.
|
||
|
399 @@@@@@@@@@@@@@@@@@@
|
||
|
400 !monroe:
|
||
|
401 Did you make it this far? What is it?
|
||
|
402 black rider
|
||
|
403 .
|
||
|
404 ==========================================================================
|
||
|
405 the proper spelling is "solace" and "weary".......
|
||
|
406 this system is sure getting wierd....
|
||
|
407 ==========================the Great Gazorbawitz===========================
|
||
|
408 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
|
||
|
409 A stray beam of light pokes through the dirty forgotten
|
||
|
410 window shinning upon the recently swept floor. Slowly it travels
|
||
|
411 towards the table as the morning sun rises without. Shortly it
|
||
|
412 touches a leg of the table and quickly travels to the table top.
|
||
|
413 Soon it touches, then surrounds the man sitting at the table fast
|
||
|
414 asleep with his head in his arms. The light shines upon his
|
||
|
415 tangle of brown hair and seems to make it glow. After a while in
|
||
|
416 the soothing warmth of the light the man stirs, then rises with a
|
||
|
417 jerk, "Where am I?"
|
||
|
418 After a confused moment he remembers, he is still in that
|
||
|
419 abandoned room behind the Inn. Through the ragged curtain he can
|
||
|
420 hear the Innkeeper and his help going about preparing for the new
|
||
|
421 days business. Looking down at the table he remembers his reason
|
||
|
422 for being here the night before, yet it all seems a dream with
|
||
|
423 little support from reality. Only the empty bottle of ale and
|
||
|
424 the two glasses indicate that anything at all had occured.
|
||
|
425 Sitting back down at the table, he bellows to the Innkeeper
|
||
|
426 to bring him breakfast. The Innkeeper pokes his startled face
|
||
|
427 through the curtain and exclaims "Are you still here?", then
|
||
|
428 quickly disappears.
|
||
|
429 Thinking back on the nights activities, it all seemed like a
|
||
|
430 dream. Indeed the appointment had been kept, yet he remembered
|
||
|
431 little of it. He remembered begining to tell of his tale past
|
||
|
432 with but an occasional prompting, but sometime during the telling
|
||
|
433 he had grown tired and now he found himself alone again. If only
|
||
|
434 he could remember what had happened, something about a promise to
|
||
|
435 return for a greater telling, and what was the device that had
|
||
|
436 been placed on the table? Something called a recorder? Too much
|
||
|
437 wine and too little sleep has caused his mind to not remember
|
||
|
438 these things of importance. Ahh, if there were only a way to
|
||
|
439 quickly do the telling before he forgot once again. If only he
|
||
|
440 could remember! And who was this good friend who took the
|
||
|
441 treasure of his past and was gone? And yet he seemed to remember
|
||
|
442 that like tales had been given in return. If only he could
|
||
|
443 remember who...
|
||
|
444 Just then the Innkeeper came in bringing him a piping hot
|
||
|
445 breakfast which he settled down to eat. While he was eating he
|
||
|
446 overheard the Innkeeper and the barmaid discusing in worried
|
||
|
447 tones the disappearance of one they called "d". A familar name,
|
||
|
448 yet one he had only heard in passing. Thinking back he did think
|
||
|
449 that he had seen a fleeting glance of this lass upon his first
|
||
|
450 vist to the Inn, and he wonders too at the disappearance of one
|
||
|
451 who seems to hold such respect and concern at the Inn.
|
||
|
452 * Tarn *
|
||
|
453 XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
|
||
|
454 ########################################
|
||
|
455 Yes, it seems that there are quite a few misguided souls out there thAat need
|
||
|
456 that crutch called GOD!! Why do you think they are refered to as Flocks! Don't
|
||
|
457 take any responsibility for your existance as long as someone else will lead
|
||
|
458 and you can follow. The Moral Majority is just a sheepherd trying to lead all
|
||
|
459 away from the wolves. Personally the wolves are just as necessary on this earth
|
||
|
460 as the sheepherds and really a lot more productive.
|
||
|
461
|
||
|
462 ################C.Y.M.################################1/15/84 9:17pm############
|
||
|
463 ///////////////////////////////////////////////////////////////////////////////
|
||
|
464 With the sight of the ship climbing twords the heavens came the stark
|
||
|
465 realization that this planet of half-civilized savages was to be his new home
|
||
|
466 for the duration of the sentance. Already he could feel the nerve-net that
|
||
|
467 drew together his society slipping from his grasp. He was, for the first time
|
||
|
468 in his life, totally alone. As the boundaries of his mind turned slowly
|
||
|
469 inward he began to see beasts that had long ago been banished by a species
|
||
|
470 wide linkage of minds. He knew that within a matter of days he too would
|
||
|
471 revert to the repulsive level of life on this planet. On the horizon was
|
||
|
472 a glow that could only mean a large city. In the light of a billion stars
|
||
|
473 he could barely discern a sign. If he could read he would have saw WELCOME
|
||
|
474 TO PORTLAND pop. 300,000. With a barely audiable sigh he began to shuffle
|
||
|
475 in the direction of the lights.
|
||
|
476 \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
|
||
|
477 (*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)
|
||
|
478 NIGHT WINDS
|
||
|
479 The night winds blows right through my hair
|
||
|
480 a shivery feeling is something to bear
|
||
|
481 I see the moon with its beauty,
|
||
|
482 but soon the clouds hide it from me.
|
||
|
483 how cold am I with the fog far behind,
|
||
|
484 how scared am I, I can almost cry,
|
||
|
485 but morning follows and life seems new
|
||
|
486 how grateful can I be for the things I
|
||
|
487 have seen.
|
||
|
488
|
||
|
|
||
|
Daver, please notify me of the results of your investigation on the
|
||
|
489 high-tech green carpet. I have been experiencing a continual loss
|
||
|
490 of personal objects such as: socks, contact lenses, pet fish, homework,
|
||
|
491 retainer, sisters and brothers (brothers less missed than others).
|
||
|
492 Willing to pay high price to have mystery solved.
|
||
|
493 (*)(*)(*)(*)(*)(*)(*)(*)(*)(*)THERESA(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)(*)
|
||
|
494 ----------------------------------------------------------------------
|
||
|
495 The long evening with my good friend Tarn was very productive and
|
||
|
496 restful to my soul as well. It was a great joy, speaking of times past
|
||
|
497 and viewing the changes and evolutions that have occurred. And the
|
||
|
498 people of those times! Some of them were dingy to be sure, but usually
|
||
|
499 with a glint in their eyes of good humor.
|
||
|
500 Toward the end of the night, after some great time, Tarn made a
|
||
|
501 comment to me in jest that I took otherwise. It was the wearyness that
|
||
|
502 caused my mind to be slow, and much to my later dismay I realized that
|
||
|
503 my response might have caused Tarn to be hurt. Though we quickly
|
||
|
504 laughed over the mistake, I have felt some shame since over it. Ah
|
||
|
505 well, good Tarn is a true friend, and he understands how foolish I can
|
||
|
506 be at such late times.
|
||
|
507 Walking swiftly along the footpath, the sound of the stones
|
||
|
508 beneath my feet is a welcome percussion to the symphony of emotion that
|
||
|
509 the favor my friend has done for me brings to my heart. Such times!
|
||
|
510 Such friends! And such a good Inn, whose Keeper can put up with
|
||
|
511 children such as Tarn and I.
|
||
|
512
|
||
|
513 - Emer -
|
||
|
514 -----------------------------------------------------------------------
|
||
|
515 QUERY: Is is true that Stan Dolson's real name is Mr. Obnoxious?
|
||
|
516 ................................................................................
|
||
|
517 In the silence, following the piper's tune, the bard spoke up. "You're pretty
|
||
|
518 good with those pipes, friend. What say we alternate for a while? It'll save my
|
||
|
519 voice and your lungs!"
|
||
|
520 Then to the crowd, "Any requests, Ladies & Gents?"
|
||
|
521 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~BARD~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
522 YEAH! SHUT THAT BLOODY ROWL!
|
||
|
523
|
||
|
524 ?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!
|
||
|
525 JUST FOR THE RECORD, CYM AND AWESOME, MAY I REPEAT A FORGOTTEN TRUISM.
|
||
|
526 MAN HAS AN INNATE DESIRE FOR A GOD, WHETHER IT BE SCIENCE, RELIGION,
|
||
|
527 MONEY, THEMSELVES, HIGHER LEARNING, AND THE LIST GOES ON AND ON.
|
||
|
528 EVERY CULTURE THAT HAS EVER EXISTED HAS HAD AT LEAST THREE COMPONENTS.
|
||
|
529 COMMERCE, GOVERNMENT, AND RELIGION OF SOME SORT.
|
||
|
530 RELIGION IS DEFINED AS A CAUSE, PRINCIPLE, OR SYSTEM OF BELIEFS HELD
|
||
|
531 TO WITH ARDOR AND FAITH.
|
||
|
532 ARDOR IS VERY OFTEN DISPLAYED IN OPINIONS THAT TAKE ON RELIGIOUS UNDER-
|
||
|
533 TONES--LIKE THOSE EARLIER EXPRESSED. ANYHEY, THERE CAN BE MANY OPINIONS
|
||
|
534 BUT ONLY ONE TRUTH.
|
||
|
535 MAY I BE SO BOLD AS TO SHARE ONE TRUTH, EVEN IF IT IS CONTROVERSIAL.
|
||
|
536 EVERYONE, NO MATTER WHAT FLAVOR THEY ARE, HAS A GOD. AND THOSE THAT
|
||
|
537 SAY THEY HAVE NONE, MUST REGARD THEMSELVES AS SUCH. LET ME EXPLAIN
|
||
|
538 BEFORE THE LYNCHING STARTS: EVERYONE HAS TO COME TO GRIPS WITH QUESTIONS
|
||
|
539 AS WHAT HAPPENS AT DEATH, WHY ARE WE HERE, WHERE DID WE COME FROM, WHERE
|
||
|
540 IS THIS CHARADE LEADING, WHERE OR WILL IT END, WHAT OR IS THERE A PUR-
|
||
|
541 POSE IN LIFE, ETC. ETC. ETC. SOME CHOSE TO ANSWER THESE THROUGH BELIEFS
|
||
|
542 ALREADY CONSTRUCTED, OTHERS PICK AND CHOOSE, AND OTHERS MAKE THEIR OWN
|
||
|
543 WHICH USUALLY CHANGE MANY TIMES DURING THE COURSE OF ONES LIFE. MAN HAS
|
||
|
544 A SPIRITUAL SIDE THAT CANNOT BE DENIED, AND IS JUST AS REAL AS PHYSICAL
|
||
|
545 APPETITES, AND IN A VERY REAL WAY CANNOT BE IGNORED.
|
||
|
546 !?!?!?!?!?!?!?!?!?!?!?!?!?!?!?DEBORAH?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?!?
|
||
|
547 ===================================================================
|
||
|
548 Flushed and sweating, the piper calls back to the bard:
|
||
|
549 "Aye, let's do! Between us two, we'll banish gloom and care!
|
||
|
550 Drink up!, the night is young, and I need oil for my pipes!
|
||
|
551 Your voice is sweet, my friend, your songs joyful. Sing on and call
|
||
|
552 on me as you wish."
|
||
|
553 ================================the piper============================
|
||
|
554
|
||
|
555 -----------------------------------------------------------------------
|
||
|
556 ---------------------Wind & Waves--------------------------------------
|
||
|
557
|
||
|
558 Avast!!!!!!
|
||
|
559 Can it be that some wayward course has carried this frail
|
||
|
560 vessel into the midst of the Sargasso Sea.
|
||
|
561 But NO!! as I look again it appears to be more of an enchanted
|
||
|
562 cove, alive with creatures of the imagination.
|
||
|
563 Being but a poor sailor, plying the trade routes searching for
|
||
|
564 paying passengers or cargo enough to support this addiction to
|
||
|
565 the vastness of sea & sky!!!!!!!!!!
|
||
|
566 Following the sound of the beat of Dragon's wings sailed we here
|
||
|
567 in search of that fair maiden who doth 'go between' in search of
|
||
|
568 many adventures. Alas on her last visit to that place of magic
|
||
|
569 who's true name cannot be spoken, she did purchace goods to be
|
||
|
570 delivered forthwith.
|
||
|
571 The 'Ark' being laden with cargo from various and sundry does
|
||
|
572 seek her presence.
|
||
|
573 Few are the signs of passage to be seen here...only one small
|
||
|
574 burning ember with essence of Dragon Flame....
|
||
|
575 A free cruise to oblivion is offered as reward for information.
|
||
|
576 ------------------------------------- Captn' Barefoot -----------------
|
||
|
577 -----------------------------------------------------------------------
|
||
|
578 As he approached the dais, Marc stared in awe at the faintly glowing
|
||
|
579 crystals bound by silver chains to the brows of the sev seated there
|
||
|
580 on the floor. He remembered again the day Ben had taken him away,
|
||
|
581 that there had been a man there who had worn the star on his brow.
|
||
|
582 These were the Masters, he realized. Seven of them here at once. He
|
||
|
583 could feel the urgent air on expectancy in the hall, and looked around
|
||
|
584 himself once more. Still nothing but stone cold faces.
|
||
|
585 He realized with a start that some exchange had been taking place
|
||
|
586 between one of the seven, an older woman with slightly graying hair.
|
||
|
587 He hadn't been listening. The woman turned and addressed him
|
||
|
588 personally.
|
||
|
589 "Marcus Birn, step onto the Dais." She intoned as if it were
|
||
|
590 a ceremony. He looked up at Ben, hesitant, and was surprised that
|
||
|
591 the stony look had disappeared for a moment to be replaced by one of
|
||
|
592 unexpected tenderness and love. Marc looked once again into the
|
||
|
593 stone faces around him and started for the dais.******daver*******
|
||
|
594
|
||
|
595 [][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][][]
|
||
|
596
|
||
|
597 AS I SUSPECTED, THIS TABLE IS AGAIN IN NEED OF CLEANING. AND I MUST
|
||
|
598 HURRY, FOR I SEE THAT A NEW TABLE WILL SOON OPEN, AND THIS ONE MUST BE DONE
|
||
|
599 BEFORE IT DOES.
|
||
|
600
|
||
|
601 I FELT THE PRESENCE OF MY FRIEND d LAST NIGHT, AND HER WORRY. THOUGH
|
||
|
602 MY EXPERIENCES OF THAT NIGHT WERE INTENSELY PERSONAL, IT WAS A SALVE TO MY
|
||
|
603 MORALE TO KNOW THAT SHE WAS THERE, AND THAT SHE HAS RETURNED TO THESE PARTS
|
||
|
604 FROM HER TRIP TO THAT COASTAL TOWN. SHE WAS SORELY MISSED, BY BOTH ME AND
|
||
|
605 SIR CISTOP, AND I CELEBRATE HER RETURN GREATLY. IF SHE COMES TO THE INN
|
||
|
606 THIS EVE, I MUST CERTAINLY LIFT MY DRINK IN HONOUR OF HER PRESENCE.
|
||
|
607
|
||
|
608 AS I SWEEP THE UNINTENDED REMAINS OF OTHER'S CELEBRATIONS FROM THE
|
||
|
609 TABLE, THERE IS SOME WORRY IN MY MIND. I HAVE HEARD RUMOURS THAT ANOTHER
|
||
|
610 FRIEND OF MINE, WHO PRESIDES OVER HIS OWN LITTLE ESTABLISHMENT, WAS SEEN
|
||
|
611 SELLING OFF PORTIONS OF THAT PLACE TO THE HIGHEST BIDDER, AND HIS ESTABLISH-
|
||
|
612 MENT IS STILL CLOSED TO VISITORS. IS HE PLANNING TO CLOSE SHOP FOR GOOD?
|
||
|
613 IS HE MERELY CHANGING THE TOOLS BY WHICH HE RUNS THE SHOP, BUT STILL HAS
|
||
|
614 PLANS TO CONTINUE SERVING THE PUBLIC? OR WERE THOSE ITEMS JUST EXTRAS, UN-
|
||
|
615 NEEDED AND UNWANTED, CLUTTERING UP HIS HOME AND PREVENTING HIS SHOP FROM ITS
|
||
|
616 EXPECTED REOPENING? PERCHANCE, IF HE STILL STOPS BY THE INN AND LOOKS AT
|
||
|
617 THIS TABLE WHEN I'VE FINISHED WITH IT, HE MIGHT RESPOND TO MY URGENT QUERY.
|
||
|
618
|
||
|
619 I LOOK CLOSELY AT THE LEGS OF THE TABLE, THEIR SUPPORTS, AND THOSE OF
|
||
|
620 THE CHAIRS'. HMMM.....THEY APPEAR IN FINE SHAPE. THAT IS GOOD, THOUGH I
|
||
|
621 WAS HOPING THAT THEY WOULDN'T BE, AS I WOULD ENJOY AGAIN USING MY NEW TOOL
|
||
|
622 TO FIX THEM. BUT IT IS JUST AS WELL, SINCE WHEN THESE THINGS ARE IN NEED OF
|
||
|
623 SUCH REPAIR, THEIR TENDANCY TO COLLAPSE CAN CAUSE MANY PATRONS TO WISH TO
|
||
|
624 LEAVE THE INN. OR EVEN TO LEAVE THE INN MORE QUICKLY THAN THEY HAD HOPED
|
||
|
625 FOR.
|
||
|
626
|
||
|
627 AH, THE TABLE IS DONE, AND I CAN LEAVE IT FOR CISTOP TO PREPARE AGAIN.
|
||
|
628
|
||
|
629 [][][][][][][][][][][][][][][][][][]PAM.[][][][][][][][][][][][][][][][][][]
|
||
|
|
||
|
>
|