709 lines
32 KiB
Plaintext
709 lines
32 KiB
Plaintext
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BOTTOM
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======
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by Adrian Edmondson and Rik Mayall
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Series 1, Episode 4
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Apocalypse
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==========
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Richie Rik Mayall
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Eddie Adrian Edmondson
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Stall-holder Mark Arden
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Fortune-teller Liz Smith
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Nurse Helen Lederer
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Sir Roger Cobham Roger Brierley
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Scene 1. The Flat.
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------------------
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[Eddie is standing over the goldfish bowl, poking at the goldfish which is
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floating belly-up.]
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Richie: Is it dead?
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Eddie: Yeah.
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Richie: Right. Shall we fry it or poach it?
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Eddie: I don't really care as long as I get the head.
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Richie: Right. And this is definitely the only food in the house?
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Eddie: That's right, the rest is hidden in the cistern.
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Richie: Right, so we bring her in, we sit her down, and she sees that
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we're so poor that we've had to kill Elvis. Just to give her
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something for her tea.
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Eddie: Yeah.
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Richie: She's very fond of animals Eddie, that's why it's so important
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that you're here.
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Eddie: Right.
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Richie: And if that doesn't break her heart--
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Eddie: [holds up a truncheon] Then this will!
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Richie: No, Eddie, no!
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Eddie: Ah, come on Richie, let's just rumble the old bird!
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Richie: Look, we've got gas bills, we've got electric bills, we've got
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poll tax, we've got rent... Our only chance is to get Auntie Olga
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to write us a big fat cheque. Ooh, that reminds me, I'd better
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get her to bring all her chequebooks. Daft old cow brought a
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bunch of bananas last time. Eddie, spread those bills around
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strategically so she sees one wherever she sits.
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[He picks up the phone.]
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Richie: Hello, operator! I'd like to make a, er, reverse charges call
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please. Littlepiddle three three eight. [to Eddie] Eddie, you
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know what to say when she gets here?
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Eddie: Yeah. Er, "Give us some money, you old bag."
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Richie: No.
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Eddie: "Give us some money, you old witch." ?
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Richie: No!
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Eddie: "Old bastard."
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Richie: No!!
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Eddie: "Git."
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Richie: No! [sighs] You say: "I am a sad orphan."
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Eddie: Right. "I am a sad orphan. Give us some money you old bag!"
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Richie: No you prat! Oh! [down phone] Hello operator, not you, ha ha ha
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ha. Yeah, well tell them it's Richard Richard. Yes. [to Eddie]
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Eddie? Eddie. Sprinkle some water about the place, make it look
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as if we've been crying a lot. [down phone] What do you mean
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they won't accept the charges? Bastards!
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[He slams the phone down.]
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Richie: I'm going to have to dial direct!
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Eddie: What's this? Annual membership to "Barbarella's Aerobic Fitness
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Centre"?
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Richie: Nothing to do with me.
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Eddie: It's got "Richard Richard" written on it.
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Richie: Ah. Er...
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Eddie: "Leotard"?
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Richie: Well, er, Eddie, none of us are getting any younger. I just pop
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along every Wednesday afternoon and firm up.
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Eddie: What, you, er, you stand at the back of a room full of girls
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jiggling their bottoms up and down and "firm up"?
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Richie: That's right.
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Eddie: I bet you do.
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Richie: Listen you big fat cu-- Ooh! [down phone] Ha-hello Auntie! It's
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Rikkie-tikkie-tovie! Kissy-kissy-kissy hug hug hug! Oh it's you
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Mrs. Higginbottom, you sad old fart. Go and get my auntie. What
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d'you mean no? You're still a servant aren't you? Do what you're
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bloody told, get that Zimmer cracking! Listen, shut up, shut up!
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I still remember what I saw when I was four. Yeah. You, the
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chauffeur, the bucket of fish... Yeah. So go and get her! I don't
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care if she's dead, just go and ge-" Eddie, my aunt is dead!
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"When did it happen? Last night? Hmm. So they haven't read the
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will yet? Well look in the desk. Well search the body then! And
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hands off those gold teeth, I've got first dibs on them.
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Eddie: [leans towards the mouthpiece] I am a sad orphan. Give us your
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gold teeth you old bitch!
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Richie: Shut up! This is a very difficult time for me. [down phone]
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Have you got it? Great. What does it say? Hh! Fantastic!
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Scene 2. The Fair.
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------------------
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[Richie and Eddie are at a shooting stall. Eddie is firing wildly, smashing
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most of the prizes.]
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Richie: Get the duckling, get the little duckling! That's right, blaze
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away Eddie, blaze away. We deserve a little celebration. Auntie
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Olga is dead! At last! Six hundred smackers to do whatever we
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like with! Three hundred pounds right here, and three hundred
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more safe and sound on top of the bathroom cabinet where no-one
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will ever find them. Hahhh!
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Eddie: Right, well I'll have another hundred bullets then please, mate.
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Gypsy: Hold it! That's forty-five quid you owe me so far.
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Eddie: Ah. I haven't got any money.
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Richie: No, no no no no, no need for that! I'll get the forty-five quid.
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Ha ha ha, oh I love you Romany types with your legendary camp-
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fire hospitality and your quaint insistence on settling bills
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immediately! Eh, eh -- thieving bastard gippos! Someone's swiped
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my wallet!
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Gypsy: Yeah, likely story. Come on, I want my forty-five quid!
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Richie: Did you not hear what I just said? I have just lost three hundred
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pounds! Yeah, and I wouldn't be surprised if it was you that
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nicked it, you swarthy thieving nomad! Yeah, either you or one of
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your slippery deformed half-brothers! Yes! Yes! I know what you
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gypsies get up to when the lights go out! Extended family? It's
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just another word for a sexual free-for-all! Well you're not in
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Romania now buster, and I'm gonna go and get a British policeman!
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[He suddenly notices the crowd of menacing gypsies gathered behind him.]
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Richie: Ah, er, what are you--
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[The stallholder cocks the gun and levels it at Richie.]
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Gypsy: You are going nowhere until I get my forty-five quid.
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Richie: Eddie, help!
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Eddie: Hhh, hang on. Why don't you give me another crack at the fifty
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quid star prize and we'll call it double or quits?
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Gypsy: Yeah, all right.
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Richie: Good luck Eddie!
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Eddie: Um, excuse me mate?
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Gypsy: Yeah?
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[The gypsy turns round to Eddie, who shoots him in the eye. Eddie and
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Richie run off with the rest of the crowd in pursuit. The stallholder is
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doubled up, clutching his hand over his eye. Richie runs back and pokes him
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in his other eye, wiping his finger on his jacket afterwards. Eddie and
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Richie run through the Haunted House to hide, emerging from the other end
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even more shaken. They dive into a fortune-teller's tent, occupied by an
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old gypsy woman.]
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Richie: Hah, three hundred quid! Thieving bastard vagabonds!
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Woman: Cross my palm with silver.
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Richie: Oh my God there's another one.
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Woman: Cross my palm with silver.
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Richie: No I will not, you and your lot have had more than enough off me
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today, thank you very much.
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Woman: Then you must leave the tent.
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Richie: Nothing would give me a greater pleasure. How does it look Eddie?
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Eddie: [looking through the flap] Well, on a scale of one to ten I'd
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say it's bicycle-clip time.
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Richie: All right then, you old battleaxe. You may read me my fortune.
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Woman: First you must cross my palm with silver.
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Richie: Look, I can't cross your palm with silver, I've just had my
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wallet nicked. You're a fortune-teller, you should know that.
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Woman: Cross my palm with silver!
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Richie: Well I've only got 5p left.
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Woman: That's not enough.
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Richie: Give me strength. Well look, can't you criss-cross it about the
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place a bit?
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Woman: It's not enough!
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Richie: Well just give me five pence worth then. We know you get it all
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from the Evening Standard anyway.
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Woman: [normal accent] For 5p your future's going to look pretty bleak
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mate.
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Richie: Have you got a licence for what you do? I bet you haven't, have
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you? I think either you give me a free fortune-telling or I'll
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phone the police and tell them. Yeah, and they'll deport you back
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to Ummagumma-land or wherever it is you come from, and you'll eke
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out the rest of your days making little elephants from bits of
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dried banana.
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Woman: Yes, I have got a licence. Unlike you. Your driving licence is a
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fake.
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Richie: How do you know that? Eddie, maybe the old crone has got
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something.
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Eddie: Yeah. Looks like dropsy.
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Woman: At least my licence doesn't say "Martin Andrews" crossed out and
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"Sir Richard Richard V.C." crudely written over the top of the
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plastic in biro.
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Richie: How do you know these things?
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Woman: I see... everything.
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Richie: What else do you see?
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Woman: I see... Oooh ho ho, I see a naughty nudie picture of a little
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lady, with Julia Somerville's face plastered on top of it!
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Richie: Bloody hell Eddie! That's my secret love picture that nobody
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knows about! She's a genius!
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Eddie: Yeah! Hey, ask her if she can see a picture of Julia Somerville
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with her own body all nudie.
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Richie: Shut up Eddie!
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Eddie: And whether we can get a copy of it. It'd be worth a fortune,
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that!
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Richie: I think the crone might be worth a fortune. Tell me more, old
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bag.
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Woman: I cannot tell you more without more money.
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Richie: Well I haven't got any more money!
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Woman: Well, give me your watch.
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Richie: All right. There you are.
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Woman: Oooh. Mmmmm... Ahhhhmmm...
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Richie: Ahhhhhhmmm...
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Woman: Before the moon rises three times...
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Richie: Yes? Yes?
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Woman: You're gonna die.
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Richie: Eh? I'm gonna -- what?
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Woman: You are going to die.
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Richie: No! No!
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Woman: The power is fading...
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Richie: Here, let me have a look!
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Woman: The orb is dimming...
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Richie: Hhh, gaw, what a swizz!
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Woman: Well what d'you expect for 5p?
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Richie: And my watch!
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Woman: It's broken.
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Richie: Hahhh! She's a genius!
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[Richie and Eddie run out, leaving the fortune-teller sitting at the table
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smiling knowingly.]
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Scene 3. A Hospital.
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--------------------
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[Eddie and Richie stride into the waiting-room of a hospital. Richie pushes
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his way to the front of the queue.]
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Richie: Come on, come on! Out of the way, out of the way. Out of the way.
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Look,are you terminal? Come on, come on! I want to see a doctor.
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Nurse: Do you have an appointment?
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Richie: Of course I have an appointment.
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Nurse: What's your name?
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[Richie looks at her appointment list.]
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Richie: Er... Williams.
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Nurse: Oh. Mr. Williams. Goodness gracious, you are looking well.
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Richie: Well, you know, like to put a brave face on it. One doesn't like
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to wallow in these things. Ha--
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Nurse: Yes, and you've grown two new legs.
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Richie: Yeah, they're good aren't they... No no, not Williams, that other
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name that sounds like Williams, er, er, there it is -- Henderson.
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Ha haha, I always get those ones mixed up.
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Nurse: That's even more remarkable, Mr. Henderson. You died at six
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o'clock this morning and you've changed sex.
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Richie: All right Poirot, so I haven't got an appointment.
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Nurse: Well why didn't you make an appointment?
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Richie: Because I didn't know I was going to be ill!
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Nurse: I'm sorry sir, but unless it's an emergency...
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Richie: It is! It is! It's an emergency.
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Nurse: Why, what's the matter?
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Richie: I've only got three days to live!
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Nurse: Why, what's wrong with you?
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Richie: I don't know.
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Nurse: Well how do you feel?
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Richie: I feel great.
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Nurse: Look, there's some genuinely sick people in here who need
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attention.
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Richie: Yeah, I think you're one of them, Missus!
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Nurse: We can fit you in a week next Friday.
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Richie: So this is it is it? This is the land fit for heroes. I hurt my
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leg in the Falklands conflict for this, did I?
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Man: Did he?
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Eddie: Oh yeah, he tripped over the coffee table trying to switch
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channels.
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Richie: Well it's just not good enough! I pay my taxes! Er -- well, er,
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anyway, that's not important. I demand to see a doctor! Right
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now! Or what's the matter, are they all round the back flogging
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off the morphine?
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[Richie's shouting has disturbed a surgeon, who emerges from a curtained
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alcove. He is dressed in a pink gown.]
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Surgeon: Look, I've got a dying woman in here, will you shut up and get
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out! You look perfectly well to me.
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Richie: Perfectly well? Look buster, if I'd wanted a transvestite's
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opinion I'd have gone to the Whisky-a-go-go! I'm here to see a
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doctor.
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Surgeon: Do you mind? I'm Sir Roger Cobham OBE, the world famous heart
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surgeon, this is my hospital!
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[He gives Richie a brief looking-over.]
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Surgeon: Now then, you look perfectly well to me. Shut up and get out.
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Richie: Oh thank God. Hah-ur... Sorry I didn't recognise you there Doc.
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[He leans on the patient. Blood spurts out.]
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Richie: Sorry! Got bad eyesight you see. It's a Falklands war wound.
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Sorry 'bout that. Anyway, thanks again mate!
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[He slaps the surgeon on the back, pushing him down onto the now
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bloodstained patient.]
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Richie: Sorry. Well look, is there anything I can do to help? I mean, I
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owe you one now. Anything you want, just name it. You want spare
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parts? Look. I've got Eddie right here. Anything I can do to
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help, just name it.
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Surgeon: I want you to stop talking and leave this hospital!
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Richie: You've got it, we're out of here. Come on Eddie, you heard the
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man.
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[Richie has an idea and turns back to talk to the surgeon again.]
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Richie: Hey, come on, come on.
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[He leans on the patient again. There is a nasty squelch. Blood spurts.]
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Richie: Oh, sorry, sorry. Come on, I know the NHS. Have a quid. Go on --
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oh, haven't got any money. Well I'll owe it to you. All right?
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Thanks again mate. Ha ha. And thanks to you, dear. Should she
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really be that colour?
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Surgeon: Get out!
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Richie: Right, well, there we are Eddie. See you all later. Ha ha ha ha
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ha. Hah. Thanks dear, you're doing a great job.
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[He pinches the nurse's cheek, notices he has stained her face with blood,
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and wipes his hands on some of the papers on her desk.]
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Richie: Ha ha. There you are Eddie -- clean bill of health. Huh. See, I
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know the old crone was insane. Oh great -- the lift's working
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again.
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[There is an old man in a wheelchair in front of the lift. The "Out of
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Order" sign is hanging around his neck.]
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Richie: Hahh, it's so good to be alive! After you old-timer.
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[Richie pushes the old man through the doors, however there is no lift
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behind them. He falls down the shaft with a scream. Richie and Eddie peer
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down the shaft. There is a crash from below; they both flinch.]
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Richie: God, that's terrible! That could have been me.
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[The lift doors close again.]
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Richie: That's it Eddie! That's what she meant. Of course I'm not ill,
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look at me, I'm the picture of health! An accident, that's how
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it's going to happen! The question is, how?
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Scene 4. The Flat.
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------------------
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[Richie is in hiding under the up-turned sofa. Eddie is preparing a huge
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fry-up.]
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Eddie: You sure you don't want your sausages?
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Richie: No I do not. I'm not taking any chances.
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Eddie: Okey-dokey matey!
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[Eddie scoops all the food onto his plate and slings the frying pan into
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the corner of the room.]
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Richie: Hoh -- what was that apocalyptic clonk?
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Eddie: Well I didn't see anything. Relax old chum, I'm on guard,
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remember?
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Richie: [to himself] Must be hallucinating. Three days now with no food
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or water. Still, I'm safe under the sofa. And I've only got to
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make it until the moon comes up tonight. And then I'll have
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something to eat all right. Ha ha. There's a couple of Taiwanese
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Ranch-Style Jumbo Fish-Burgers in the freezer that have got my
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name on them.
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Eddie: No, you've had them.
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Richie: No I haven't!
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Eddie: Yeah, you had them for lunch. Remember?
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Richie: I haven't had anything to eat for the last three days!
|
||
|
Eddie: Well, no, obviously you didn't eat them. I ate them for you. You
|
||
|
made me test them for poison, remember? Like I've been testing
|
||
|
everything. I'm bloody knackered I am. You're lucky to have such
|
||
|
a good mate. I've tested all that Indian take-away, those three
|
||
|
pizzas, bottle of Scotch -- I had to test all of that. Totally
|
||
|
tested out the drinks cabinet. Things got so bad I had to test
|
||
|
that box of liqueur chocolates we've been saving for our
|
||
|
anniversary.
|
||
|
Richie: Oh, I'm starving I am! Has the moon come up yet Eddie?
|
||
|
Eddie: I can't see from here.
|
||
|
Richie: Well go and have a look!
|
||
|
Eddie: You go and have a look!
|
||
|
Richie: I can't go near the window. You know that. I might fall out. Or
|
||
|
the window might fall in.
|
||
|
Eddie: Well I can't go, they might think I'm Sean Connery.
|
||
|
Richie: What? You don't look a bit like Sean Connery.
|
||
|
Eddie: [Michael Caine impression] "'Allo. My name's James Bond. Not a
|
||
|
lot of people know that."
|
||
|
Richie: I don't know. Maybe death would be a blessed release.
|
||
|
Eddie: "Zulus. Thousands of 'em. Wait 'til you see the whites of their
|
||
|
eyes, lads." They would have won if they'd kept their eyes
|
||
|
closed! "Not a lot of people know that."
|
||
|
Richie: Eddie, Eddie! Eddie!
|
||
|
Eddie: What?
|
||
|
Richie: Here's 5p. Shut up, and go and see if the moon's come up!
|
||
|
Eddie: That's two things.
|
||
|
Richie: All right. Here you are. [quietly] Swindler. [calls to Eddie]
|
||
|
Well, what does it look like?
|
||
|
Eddie: Hah! Well, it's all so hard to tell. It's all so glum and cloudy,
|
||
|
you know, like it normally is. Hard to tell whether it's day or
|
||
|
night. Shall I switch the telly on and see if it's evening yet?
|
||
|
Richie: Yes, go on old sport.
|
||
|
|
||
|
[Eddie puts the television on. The "Neighbours" theme tune. He switches it
|
||
|
back off again.]
|
||
|
|
||
|
Eddie: Well, it could be any time really.
|
||
|
Richie: Oh blast that vicious old gypsy slag-wagon! I've been stuck
|
||
|
underneath this sofa for three whole days now. And absolutely
|
||
|
nothing's happened. Well I'm fed up with it. I'm going to the
|
||
|
lavvy once and for all. I'm not scared of any silly mumbo-jumbo.
|
||
|
If it's coming it's coming. I'm not scared. I'm going to stare
|
||
|
Fate right in the face.
|
||
|
|
||
|
[He walks, hard, into the edge of the open door.]
|
||
|
|
||
|
Richie: Arghh! Oh God, it's true, it's true! Did you see that Eddie? Huh!
|
||
|
You see? It could come from anywhere! Should the ceiling be
|
||
|
sagging like that? What is that, what have you got up there?
|
||
|
Eddie: Ah, that's my piano.
|
||
|
Richie: In the middle of the room?
|
||
|
Eddie: Yeah.
|
||
|
Richie: Well that's dangerous, that shouldn't be up there. Go up there
|
||
|
and shift it!
|
||
|
Eddie: It'll cost you.
|
||
|
Richie: [sighs] All right. There's a 20p bit inside a polythene bag,
|
||
|
sellotaped to the bottom of the cistern.
|
||
|
Eddie: Righty-ho.
|
||
|
Richie: And hurry up!
|
||
|
Eddie: Running all the way.
|
||
|
|
||
|
[Eddie leaves. Richie kneels and prays.]
|
||
|
|
||
|
Richie: Oh Lord. You won't know me, but my name's Richard Richard. And
|
||
|
you won't know me because I've led such a quiet and blameless
|
||
|
life. Well, apart from that incident with the oven-ready chicken.
|
||
|
I have already apologised about that, I don't know if you
|
||
|
remember, but I did. Haha. Anyway, look, the thing is we haven't
|
||
|
got much time. Er, I was wondering if I could do a little deal
|
||
|
with you? You see, because I don't deserve any of this at all.
|
||
|
But I know somebody who does. There's Eddie, that chap who just
|
||
|
went out.
|
||
|
|
||
|
[Some terrible piano playing drifts down from upstairs.]
|
||
|
|
||
|
Richie: 'Cause he's a foul pervert, and a dole-scrounger. Er... [shouts]
|
||
|
Look, could you just stop piddling around and move it, will you!
|
||
|
You bastard! [praying] No, no, not you Sir. Our Lord. I was
|
||
|
talking to Eddie, the evil one. The thing is, if you could see
|
||
|
your way clear to murdering him horribly instead of me then I
|
||
|
promise, and I mean it, look, I haven't got my fingers crossed or
|
||
|
anything, I, I promise that I'll go to church for the rest of my
|
||
|
life. You do still do that thing with the wine and the biscuits,
|
||
|
don't you? Great. Thank you for your time. Oh, oh, one other
|
||
|
thing, Lord. If you're, if you're still there. Seeing as I'm
|
||
|
going to live, it's about girls. I was -- Shut up Eddie! -- I was
|
||
|
wondering if I could just have a few more. Will you shut up
|
||
|
Eddie! Or just one, once. I mean, you're -- right, that's it!
|
||
|
|
||
|
[He runs to the door and shouts up the stairs.]
|
||
|
|
||
|
Richie: Edward Hitler, come down here at once!
|
||
|
|
||
|
[The piano, complete with Eddie sitting on the piano-stool, crashes through
|
||
|
the ceiling right onto the spot where Richie was standing earlier.]
|
||
|
|
||
|
Richie: It's you!
|
||
|
Eddie: Well who did you expect it to be?
|
||
|
Richie: You're the one! You're the one who said "Let's go to the fair."
|
||
|
You're the one who shot the thug in the eye. You're the one who
|
||
|
said "Let's hide in the gypsy's tent" where I got the curse! And
|
||
|
then, on the third night, just before the moon rose, you drop a
|
||
|
piano on my head! Bastard! You're after Auntie Olga's three
|
||
|
hundred quid, aren't you? Well I've got news for you, buster!
|
||
|
You're out of here!
|
||
|
|
||
|
[He hits Eddie over the head with the poker. Clang!]
|
||
|
|
||
|
Richie: You're history. [clang!] How could you treat a friend so badly,
|
||
|
I'd never do anything like that! [clang] Go on, get out of here
|
||
|
before I set the dogs on you!
|
||
|
Eddie: We haven't got any dogs!
|
||
|
Richie: Yes, I know we haven't. It was a figure [clang, clang] of
|
||
|
[clang] speech. [clang] Get out!
|
||
|
|
||
|
[A final blow sends Eddie tumbling down the stairs.]
|
||
|
|
||
|
Richie: And good riddance!
|
||
|
|
||
|
[Richie slams the door shut. He sighs and looks at the bent poker.]
|
||
|
|
||
|
Richie: My poker!
|
||
|
|
||
|
|
||
|
Scene 5. Richie's Bedroom.
|
||
|
--------------------------
|
||
|
|
||
|
[Richie is in his pyjamas.]
|
||
|
|
||
|
Richie: Ha ha ha. Safe at last. Hah, I think I'll just pop into bed with
|
||
|
my hottie-bottie.
|
||
|
|
||
|
[He climbs into bed and puts his hot-water-bottle between his legs.]
|
||
|
|
||
|
Richie: Hahhh, oohhh -- ooh! Hahhhh! Where's my bedside book? Ah, here we
|
||
|
are: "War and Peace". We've been at it a few years now, haven't
|
||
|
we old mate? Where was I?
|
||
|
|
||
|
[He flicks through the book, eventually finding his place.]
|
||
|
|
||
|
Richie: Ah yes. Chapter One, sentence three. [reads] Oh! Hah, here we
|
||
|
go again. Where's the dictionary? I'll never find out who did it
|
||
|
at this rate. Lucky enough to find out what is was they did. Oh,
|
||
|
that's enough reading for one night. Hahhh, tired. Hoahh -- good
|
||
|
for the soul though, a bit of reading. No doubt about that. Ooh,
|
||
|
I'm all relaxed now. That's nice. D'you know, I think I might --
|
||
|
no, I'll just go to sleep. Nighty-night world, God bless me! See
|
||
|
you in the morning -- not too early! Hah... wonder whatever
|
||
|
happened to my Mum? Oh well, heigh-ho.
|
||
|
|
||
|
[A door creaks downstairs.]
|
||
|
|
||
|
Richie: Hah! No, no. Hahhh...
|
||
|
|
||
|
[Another creak.]
|
||
|
|
||
|
Richie: It's bloody Eddie! It's bloody Eddie, sneaking in to get me when
|
||
|
I switch the lights out. Well I've got a surprise for him.
|
||
|
Where's my cricket bat?
|
||
|
|
||
|
[Footsteps approach the door. Someone knocks hard three times.]
|
||
|
|
||
|
Richie: Come in!
|
||
|
|
||
|
[Dramatic music as a tall figure in a black cloak and cowl, carrying a
|
||
|
scythe, enters. Richie cowers in terror.]
|
||
|
|
||
|
Richie: Are you? Have you come from? No, no... Oh my God! The moon's up!
|
||
|
Oh my God! She was right! She was right! Oh my God! Jesus H.
|
||
|
Corbett! I mean Christ! This can't be happening to me! No, come
|
||
|
on, come on, let's be English about this. Excuse me! This is a
|
||
|
private house. If you don't clear off my property immediately I
|
||
|
shall be forced to call the police!
|
||
|
|
||
|
[The figure crosses to the phone, yanks the cord out of the wall, and
|
||
|
throws the phone through the window.]
|
||
|
|
||
|
Richie: Okay, point taken. So this is it is it? [Death nods] Ahhh-h, I
|
||
|
have no time, I am not ready! Have I got time to change? I can't
|
||
|
really go up there in my jimmy-jams, can I? What would Saint Pete
|
||
|
think? They do call him Saint Pete, don't they? First impressions
|
||
|
are terribly important, I always think. Unless... Whi-which way
|
||
|
am I going? Up, or...
|
||
|
|
||
|
[Death raises his arm high, pointing up...]
|
||
|
|
||
|
Richie: Ahhh.
|
||
|
|
||
|
[...and then plunges it down.]
|
||
|
|
||
|
Richie: Arrghhhh! Ahh, aghh, ahh... no, no, no, no, no...
|
||
|
|
||
|
[Richie starts sobbing. Death staggers against the wall. He raises his cowl
|
||
|
-- it is Eddie. Richie doesn't notice.]
|
||
|
|
||
|
Richie: Wait! Wait! What about chess?
|
||
|
Eddie: [deep rasping voice] What about it?
|
||
|
Richie: Hoohh! Why don't we play a game of chess?
|
||
|
Eddie: Umm... because I don't know the rules!
|
||
|
Richie: Well, that's all right, I'll teach you the rules.
|
||
|
Eddie: No. You won't need rules where you're going mate. You'll need
|
||
|
asbestos underpants! 'Cause you're going downstairs, me old
|
||
|
cocker! Ooh, the moans. Ooh, the screams. Ooh, the countless
|
||
|
billions thrown naked into the pit.
|
||
|
Richie: Ah-hhhh-aaawww -- naked? Hworrggh! Wait, wait, wait. What about
|
||
|
Cluedo?
|
||
|
Eddie: Nah, they tried it once mate, but all the pieces caught fire.
|
||
|
Richie: No no no, I mean why don't we play Cluedo for my life?
|
||
|
Eddie: Because you always cheat! You always look at the mystery cards!
|
||
|
Richie: How do you know these things?
|
||
|
Eddie: I'm Death!
|
||
|
Richie: Sorry. [shouts] How do you know these things?
|
||
|
Eddie: No, I'm Death! I'm Death!
|
||
|
Richie: Oh, if only Eddie were here.
|
||
|
Eddie: Yeah. Eddie was pretty great at everything, wasn't he?
|
||
|
Richie: Well you wouldn't have come in if he was here mate. The pong
|
||
|
would have sent you round the twist.
|
||
|
Eddie: Right, that's it mate, your time's up! Time to get out, don't try
|
||
|
and object...
|
||
|
Richie: No, no! Please, please! Give me one more chance. I-Spy.
|
||
|
Eddie: Ummmm. Um, okay.
|
||
|
Richie: Okay. A-a-and if I win, I get to live, okay?
|
||
|
Eddie: Okey-dokey matey!
|
||
|
Richie: Pardon?
|
||
|
Eddie: Hm-hm, I mean all right, mortal.
|
||
|
Richie: [suspicious for a moment] Hh, it's not possible. Okay, I-Spy it
|
||
|
is. Oh God this is important. Better make it a goodie. Okay,
|
||
|
coming, ready or not. I spy with my little eye something
|
||
|
beginning with "S".
|
||
|
Eddie: "Submarine".
|
||
|
Richie: No! Ha ha! It was "Scythe". Ha ha! Oh, I win, I get to live!
|
||
|
Thank you Baby Jesus! Thank you all the Baby Jesuses!
|
||
|
Eddie: Hang on, hang on, hang on! "Scythe" doesn't begin with an "S".
|
||
|
Richie: Yes it does!
|
||
|
Eddie: It bloody doesn't, it's a "C"!
|
||
|
Richie: It's not!
|
||
|
Eddie: It is, get a dictionary!
|
||
|
Richie: All right, I've got one here. Here. Scythe, scythe, scythe. There
|
||
|
you are, "Scythe". "S-C-Y-T-H-E".
|
||
|
Eddie: That's "Sither".
|
||
|
Richie: It's "Scythe", it says "Scythe" there! It's in the dictionary,
|
||
|
Jesus wrote this!
|
||
|
Eddie: All right then mortal, I can see you're eager to keep your life.
|
||
|
How's about I offer you a straight deal?
|
||
|
Richie: A deal? Sure, no problem. Great.
|
||
|
Eddie: How much money have you got in the house?
|
||
|
Richie: Oh, none.
|
||
|
Eddie: What about the three hundred quid on top of the bathroom cabinet?
|
||
|
Richie: How do you know about that?
|
||
|
Eddie: God, I keep telling you mate, I'm Death. I know everything.
|
||
|
Richie: Everything? What, even about the--
|
||
|
Eddie: Especially that, you naughty boy.
|
||
|
Richie: Oh no, I'll get the money, just don't tell anybody! You wait
|
||
|
right here!
|
||
|
|
||
|
[Richie rushes out. Eddie falls over onto the bed, stumbling around the
|
||
|
room on his stilts and eventually managing to stand up again. He gets back
|
||
|
up just as Richie comes back in with the money.]
|
||
|
|
||
|
Richie: Here you are! So I give you the three hundred, and I get to keep
|
||
|
my life. Okay?
|
||
|
Eddie: Nnn -- not quite. No. Ah, the full deal is this: I get to keep
|
||
|
the three hundred pounds, and your fantastic mate, Eddie, gets to
|
||
|
live here rent free for the rest of his life.
|
||
|
Richie: Okay. It's a deal.
|
||
|
Eddie: And while I'm at it, I'll have that secret copy of "Girlie World"
|
||
|
you keep hidden under your mattress. [Richie hesitates] Or
|
||
|
you'll burn in the fires of Hell!
|
||
|
Richie: Oh all right. Bye. Is that everything now?
|
||
|
Eddie: That's it mate! Cheerio! Ah hahaha, three hundred quid and a copy
|
||
|
of "Girlie World"! Hahahahaha! Woop!
|
||
|
|
||
|
[Eddie falls down the stairs, ending up in a heap at the bottom.]
|
||
|
|
||
|
Eddie: Oh, blimey, I think I've broken my stilts!
|
||
|
Richie: Eddie Hitler, you total bastard! How did you know about my secret
|
||
|
copy of "Girlie World"? Right, that's it, you're going to get a
|
||
|
knuckle sandwich and I don't mean a sandwich with some knuckles
|
||
|
in it! Well, I do actually, er -- well no, I don't really, well -
|
||
|
- Well you're going to get a smash in the chops and no questions
|
||
|
answered anyway!
|
||
|
|
||
|
[He is about to punch Eddie when there is a knock on the front door.]
|
||
|
|
||
|
Richie: Well who on earth can that be at this time of night?
|
||
|
Eddie: Well I'm not expecting anyone.
|
||
|
Richie: Hhhh -- maybe it's the real Death!
|
||
|
Eddie: Hey, now that'd be a turn-up!
|
||
|
|
||
|
[The door is smashed down.]
|
||
|
|
||
|
Richie: Eddie, you fight him to the death and I'll slip down the fire
|
||
|
escape.
|
||
|
Eddie: Too late.
|
||
|
|
||
|
[It is the gypsy stallholder from the fair.]
|
||
|
|
||
|
Gypsy: Sir Richard Richard, Esquire?
|
||
|
Both: Oh, that's him.
|
||
|
Gypsy: I've got your wallet.
|
||
|
Both: Oh, that'd be me then.
|
||
|
Richie: How very honest of you. You know, I have always said that you
|
||
|
Romany types are as generous as the day is--
|
||
|
Gypsy: All the credit cards have expired. And the driving licence is a
|
||
|
forgery. And apart from the nudie collage of Julia Somerville,
|
||
|
it's of no use to me. Rather like my eye!
|
||
|
Richie: So that's how she knew all those things!
|
||
|
Gypsy: Now, how much money have you got in the house?
|
||
|
Richie: None.
|
||
|
Gypsy: Well what about that three hundred pounds that I've heard about,
|
||
|
that you've got safely ensconced on top of the bathroom cabinet?
|
||
|
Eddie: Um, it-it-it-it's not there any more.
|
||
|
Gypsy: Well I'll just have to have this then, won't I? That should just
|
||
|
about cover the three hundred pounds they told me in Harley
|
||
|
Street it would cost to get me eye fixed. Yeah, and while I'm
|
||
|
here, I think I'll have that copy of "Girlie World" an' all.
|
||
|
Richie: Very wise choice Sir. Oh, one more thing.
|
||
|
Gypsy: Yeah?
|
||
|
Richie: Well, seeing as you're here. Would you like to kick Eddie in the
|
||
|
bollocks?
|
||
|
Gypsy: Don't mind if I do. Thank you very much.
|
||
|
Richie: Be my guest.
|
||
|
|
||
|
[The kick lands with a terrible crunch. The screen freezes on Eddie's
|
||
|
pained face, the credits roll.]
|
||
|
|
||
|
|
||
|
Transcription James Kew <j.kew@ic.ac.uk>. Last revised July 1994.
|
||
|
|
||
|
"Bottom -- The Scripts", a BBC book, contains full scripts to
|
||
|
Series One, including many lines that were cut for transmission.
|
||
|
Series One and Series Two are available on BBC videos.
|