2144 lines
71 KiB
Plaintext
2144 lines
71 KiB
Plaintext
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TWILIGHT ZONE EPISODE GUIDE
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===========================
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Revision of 9/82
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===========================
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Saul Jaffe
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Lauren Weinstein (vortex!lauren@LBL-UNIX)
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Lauren's rating system
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* ugh. pretty bad.
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** has merit.
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*** good, solid show.
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**** particularly good.
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***** superlative.
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_________________________________
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In this document, comments by Saul Jaffe are preceded by SJ: and
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comments by Lauren Weinstein are preceded by LW:.
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"There is a fifth dimension beyond that which is known to man. It
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is a dimension as vast as space and as timeless as infinity. It is
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the middle ground between light and shadow, between science and
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superstition, and it lies between the pit of man's fears, and the
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summit of his knowledge. This is the dimension of imagination. It
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is an area which we call... THE TWILIGHT ZONE."
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Rod Serling
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LW: Background
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The Twilight Zone originally aired on the CBS Television Network.
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It was heavily sponsored by the large tobacco companies. In fact
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Serling did a few of the commercials himself! Serling just was
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not complete without the dangling cigarette, a fact which was
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later to contribute to his untimely demise...
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It should be noted that there have been rumors that some of the
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shows credited to Serling were actually "ghostwritten" by someone
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else. There is, however, no proof of this. Chalk another one up
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with Francis Bacon and Willy Shakespeare....
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To an even greater extent than with "The Outer Limits", many
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actors appear in these episodes who later became very big stars.
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Many familiar (but younger!) faces peer out at us from this
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program...
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FIRST SEASON 1959-1960
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------------------------
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WHERE IS EVERYBODY? ***
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Writer: Rod Serling
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Director: Robert Stevens
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Cast: Earl Holliman, James Gregory
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The pilot show for the series concerns a man who finds himself
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in a completely deserted city. In the end, we learn that it was all
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a test to observe how human beings will respond to extreme loneliness
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during space flights. This was the only episode shot at Universal
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Studios, all others were filmed at MGM.
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LW: Earl Holliman later became known as Angie Dickenson's sidekick
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in "Policewoman". Earl is the sole actor in this piece right up
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to the last five minutes or so of the script.
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ONE FOR THE ANGELS ****
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Writer: Rod Serling
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Director: Robert Parish
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Cast: Ed Wynn, Murray Hamilton, Dana Dillaway, Merritt Bohn
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Wynn delivers a bravura performance as a sidewalk salesman
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who makes the greatest pitch of his life to save a little girl
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from "Mr. Death".
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MR. DENTON ON DOOMSDAY **
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Writer: Rod Serling
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Director: Allen Reisner
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Cast: Dan Duryea, Malcolm Atterbury, Martin Landau, Jeanne Cooper,
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Ken Lynch, Doug McClure
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A has-been gunslinger finds his fast draw abilities have been
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restored after he drinks a magic potion.
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LW: Neither Martin Landau nor Doug McClure had their careers exactly
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ended by this episode, even though it was a poor one. Martin
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continued on to roles in "The Outer Limits", and of course,
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starred in "Mission Impossible". Doug shows up in a variety of
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places.
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THE SIXTEEN-MILLIMETER SHRINE **
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Writer: Rod Serling
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Director: Mitch Leisen
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Cast: Ida Lupino, Martin Balsam, Alice Frost, Jerome Cowan
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A former movie queen tries to recreate the spirit of her heyday
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by screening her old movies...and living them.
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WALKING DISTANCE ****
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Writer: Rod Serling
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Director: Robert Stevens
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Cast: Gig Young, Frank Overton, Michael Montgomery, Irene Tedrow
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Young's acting and a magnificent score by Bernard Hermann
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highlight this episode. Harried advertising agent Martin Sloane
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visits his home town and slips thirty years into his childhood.
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LW: Rather sentimental, but I'm a sucker for stuff like that. Our
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hero actually meets himself as a child, and turns out to be
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the cause of an old leg injury that bothered him the rest of
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his life...
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ESCAPE CLAUSE ***
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Writer: Rod Serling
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Director: Mitch Leisen
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Cast: David Wayne, Virginia Christine, Wendell Holmes, Thomas Gomez
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A hypochondriac makes a pact with the Devil for immortality. He
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then kills someone for kicks, but instead of getting the electric
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chair, he is sentenced to life imprisonment!
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LW: Rather amusing, actually!
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THE LONELY *****
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Writer: Rod Serling
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Director: Jack Smight
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Cast: Jack Warden, Jean Marsh, John Dehner, Ted Knight, Jim Turley
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This classic episode concerns one James Corry (Warden), a man
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convicted of murder and sentenced to spend forty years on a distant
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asteroid. He has only one companion - a robot made in the form of
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a woman. Ted Knight, later Ted Baxter on THE MARY TYLER MOORE SHOW,
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has a minor role as a nasty space crewman.
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LW: I gotta tell ya' ... the closing scene of this episode gave me
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nightmares for many nights as a child when I first saw it. An
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excellent episode.
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TIME ENOUGH AT LAST ****
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Writer: Rod Serling
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Director: John Brahm
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Cast: Burgess Meredith, Jacqueline DeWit, Vaughn Taylor, Lela Bliss
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In his first of several TWILIGHT ZONE episodes, Burgess Meredith
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plays a nearsighted bank teller who becomes the only survivor of an
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H-bomb attack. He is now able to pursue his only real interest in
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life: reading.
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LW: At least, he THINKS he will be able to pursue it...
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PERCHANCE TO DREAM ***
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Writer: Charles Beaumont
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Director: Robert Florey
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Cast: Richard Conte, John Larch, Suzanne Lloyd, Ted Stanhope,
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Eddie Marr
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The first non-Serling script of the series concerns a man (Conte)
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who is terrified of falling asleep. He fears that the mysterious
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woman he meets in his dreams will soon murder him.
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LW: To elaborate a bit: Conte has a heart condition, and fears that
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the excitement (so to speak) of dying in the dream will kill him.
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The last time he went to sleep, he ended up in a rollercoaster
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with this mystery woman. He knows that if he goes back to sleep,
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the dream will continue, she will push him out, and that will
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finish him, both in the dream and in reality. This episode
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involves several "layers" of reality and is a nice one.
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JUDGEMENT NIGHT *
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Writer: Rod Serling
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Director: John Brahm
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Cast: Nehemiah Persoff, Ben Wright, Patrick McNee, Hugh Sanders,
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Leslie Bradley, Deirdre Owen, James Franciscus
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Murky tale about a passenger aboard a wartime freighter who
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is certain the ship will be sunk at 1:15 AM.
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LW: Serling had a thing about ship stories, and they were almost
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always rather poor. Oh well.
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AND WHEN THE SKY WAS OPENED ***
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Writer: Rod Serling
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Director: Douglas Heyes
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Cast: Rod Taylor, Charles Aidman, James Hutton, Maxine Cooper
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After three astronauts return from man's first space flight,
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each of them mysteriously disappears. Based on a short story by
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Richard Matheson.
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SJ: Serling was so impressed by Matheson's work that he was later
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asked to write more episodes himself.
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LW: A good episode concerning the subject of "what IS reality?"
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WHAT YOU NEED ****
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Writer: Rod Serling
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Director: John Brahm
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Cast: Steve Cochran, Ernest Treux, Reed Morgan, William Edmonson,
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Arline Sax
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Swindler Fred Renard (Cochran) tries to profit from an amiable
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fellow's talent for seeing into the future. Based on a short story
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by Lewis Padgett.
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THE FOUR OF US ARE DYING **
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Writer: Rod Serling
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Director: John Brahm
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Cast: Harry Townes, Beverly Garland, Philip Pine, Ross Martin,
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Don Gordon
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Arch Hammer (Townes) can alter his face to make it look like
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anyone else's. Based on a short story by George Johnson.
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LW: Not one of the best efforts.
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THIRD FROM THE SUN ***
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Writer: Richard Matheson
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Director: Richard Bare
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Cast: Fritz Weaver, Joe Maros, Edward Andrews, Denise Alexander,
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Lori March
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Weird camera angles and special props left over from MGM'S
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FORBIDDEN PLANET bolster this story about two families planning to
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leave a war-threatened world via spaceship.
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LW: Edward Andrews did at least one other "Twilight Zone", and
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countless other television shows and movies over the years. A
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great character actor, he usually is cast into roles involving
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rather evil, devious, or just plain unlikable men.
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I SHOT AN ARROW INTO THE AIR ***
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Writer: Rod Serling
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Director: Stuart Rosenberg
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Cast: Edward Binns, Dewey Martin
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After supposedly landing on another planet, an astronaut kills
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his comrades to prolong his own life. Based on a short story by
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Madeline Champion.
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THE HITCH-HIKER ****
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Writer: Rod Serling
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Director: Alvin Ganzer
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Cast: Inger Stevens, Leonard Strong, Adam Williams, Lew Gallo,
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Dwight Townsend
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Driving cross-country, a woman becomes panicky when she
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continually sees the same ominous hitch-hiker on the road ahead.
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Based on a story by Lucille Fletcher.
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SJ: a personal favorite.
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LW: "Going MY way?" ...
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THE FEVER ****
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Writer: Rod Serling
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Director: Alvin Ganzer
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Cast: Everett Sloane, Bibi Janiss, William Kendis, Lee Miller
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A gambling-hating man named Franklin Gibbs (Sloane) battles
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a Las Vegas slot machine with a malevolent mind of its own.
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SJ: Another favorite of mine.
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LW: Well, let's be careful now, he THINKS it has a mind of its own,
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but we don't REALLY know that. Still, it might have at that...
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THE LAST FLIGHT ***
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Writer: Richard Matheson
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Director: William Claxton
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Cast: Kenneth Haigh, Alexander Scourby, Simon Scott, Robert Warwick
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A British World War I flyer lands at a modern air base in 1959.
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LW: A minor time paradox is involved in this plot.
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THE PURPLE TESTAMENT ***
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Writer: Rod Serling
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Director: Richard Bare
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Cast: William Reynolds, Dick York, Barney Phillips, William Phipps,
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Warren Oates, Marc Cavell, Ron Masak, Paul Mazursky
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Powerful tale about a lieutenant with the ability to predict
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which men in his outfit will be killed in battle.
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LW: Powerful, yes. But I never cared much for it. Dick York, by the
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way, played Samantha (Elizabeth Montgomery) Stevens' first husband
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in "Bewitched".
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ELEGY ***
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Writer: Charles Beaumont
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Director: Douglas Heyes
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Cast: Cecil Kellaway, Jeff Morrow, Kevin Hagen, Don Dubbins
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Three astronauts land on a world where everyone is in a
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trance-like state. They then encounter an eccentric old gent
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named Mr. Wickwire (Kellaway), who apparently runs the planet.
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MIRROR IMAGE ****
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Writer: Rod Serling
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Director: John Brahm
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Cast: Vera Miles, Martin Milner, Joe Hamilton
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In a nearly deserted bus depot, a woman finds herself haunted
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by her double.
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LW: One of my personal favorites. This episode has a great "creepy"
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atmosphere. Martin Milner later starred in "Adam 12".
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THE MONSTERS ARE DUE ON MAPLE STREET ***
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Writer: Rod Serling
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Director: Ron Winston
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Cast: Claude Akins, Jack Wagner, Ben Erway, Lyn Guild
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Hysteria grips a small community as residents suspect a power
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failure has been caused by invaders from outer space disguised as
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Earthmen.
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A WORLD OF DIFFERENCE ****
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Writer: Richard Matheson
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Director: Ted Post
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Cast: Howard Duff, Eileen Ryan, Gail Kobe, Frank Maxwell, Peter Walker
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A business man's working world inexplicably becomes the set for a
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film in which he has become a character.
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LW: Another of my favorites. The poor guy suddenly discovers that he
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is talking into a prop telephone!
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LONG LIVE WALTER JAMESON **
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Writer: Charles Beaumont
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Director: Tony Leader
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Cast: Kevin McCarthy, Edgar Stehli, Estelle Winwood, Dody Heath
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An effective horror story in the tradition of "The Man in Half
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Moon Street." History professor Walter Jameson (McCarthy), an expert
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on the Civil War, is actually immortal and well over 200 years old.
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LW: The first of a couple of episodes on this basic theme.
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PEOPLE ARE ALIKE ALL OVER ****
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Writer: Rod Serling
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Director: David Orrick
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Cast: Roddy McDowell, Susan Oliver, Paul Comi, Byron Morrow,
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Vic Perrin
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An astronaut (McDowell) is pleased to find that people on
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Mars act just like people at home. Based on a short story by
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Paul W. Fairman.
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LW: A TZ classic.
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EXECUTION ***
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Writer: Rod Serling
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Director: Ron Winston
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Cast: Albert Salmi, Russel Johnson, Than Wyenn, George Mitchell,
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Jon Lormer
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A western outlaw (Salmi) is snatched from the hangman's noose by
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a modern day scientist (Johnson) and his time machine.
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LW: Russel Johnson, by the way, also had the distinction of playing
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"The Professor" on "Gilligan's Island", some years later! From
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the Twilight Zone to Gilligan's Island. Sigh...
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THE BIG TALL WISH *
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Writer: Rod Serling
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Director: Ron Winston
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Cast: Ivan Dixon, Steve Perry, Kim Hamilton
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A child's faith in miracles helps a down-and-out boxer win an
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important match.
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LW: Ever since "Requiem for a Heavyweight", Rod also had a thing about
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boxing plots. The Twilight Zone versions of these tended to be
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comparatively poor.
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A NICE PLACE TO VISIT ****
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Writer: Charles Beaumont
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Director: John Brahm
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Cast: Larry Blyden, Sebastion Cabot, Sandra Warner
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While committing a crime, a cheap hood (Blyden) gets killed and
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finds an afterlife in which all wishes are granted.
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LW: Sebastion is great as the, well, "helper" in the afterlife (he's
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called "Pip".) Sebastion starred in many other roles both before
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and after this of course.
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NIGHTMARE AS A CHILD **
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Writer: Rod Serling
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Director: Alvin Ganzer
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Cast: Janice Rule, Terry Burnham, Shepperd Strudwick
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Schoolteacher Helen Foley (Rule) is haunted by the recurring
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image of herself as a child.
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LW: Time paradoxes play a minor role in this episode.
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A STOP AT WILLOUGHBY ***
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Writer: Rod Serling
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Director: Robert Parrish
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Cast: James Daly, Howard Smith, Patricia Donahue, James Maloney
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Harried by his high-pressure job, an executive falls asleep on
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a train and wakes at a mysterious stop called Willoughby.
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LW: Another "classic", though objectively speaking, not a truly great
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episode.
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THE CHASER ***
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Writer: Robert Presnell, Jr.
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Director: Douglas Heyes
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Cast: George Grizzard, John McIntyre, Patricia Barry
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A loser in the game of love purchases a special potion from a
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weird "doctor". Based on a short story by John Collier.
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LW: The doctor's name was somthing like "A. Demon" by the way, to
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give you some idea of what his practice was like...
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PASSAGE FOR TRUMPET ****
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Writer: Rod Serling
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Director: Don Medford
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Cast: Jack Klugman, Mary Webster, John Anderson, Frank Wolff
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An unsuccessful trumpet player is given a second crack at life -
|
||
|
after he is struck and killed by a truck, but first he has to learn
|
||
|
what it's like to be "dead" in a world full of life...
|
||
|
|
||
|
LW: The first of several dramatic appearances on TZ by Klugman, later
|
||
|
to become familiar to us all as the sloppy Oscar Madison on "The
|
||
|
Odd Couple".
|
||
|
|
||
|
|
||
|
MR. BEVIS **
|
||
|
Writer: Rod Serling
|
||
|
Director: Robert Parrish
|
||
|
Cast: Orson Bean, Henry Jones, Charles Lane, William Schallert
|
||
|
|
||
|
A kindly fellow's life is turned topsy-turvy when he receives
|
||
|
"help" from his guardian angel (Jones).
|
||
|
|
||
|
LW: Sigh. Poor Orson Bean (familiar to all) starred in this the first
|
||
|
of two almost identical (except for details) TZ episodes on the
|
||
|
subject of guardian angels. Neither was particularly good.
|
||
|
|
||
|
|
||
|
THE AFTER HOURS ****
|
||
|
Writer: Rod Serling
|
||
|
Director: Douglas Heyes
|
||
|
Cast: Anne Francis, Elizabeth Allen, James Millholin, John Conwell
|
||
|
|
||
|
A woman (Francis) discovers that the floor of a department store
|
||
|
on which she bought an item doesn't exist, and that the salesgirl was,
|
||
|
in reality, a mannequin.
|
||
|
|
||
|
LW: Anne Francis we all know. This episode is one of the most
|
||
|
memorable in the TZ series.
|
||
|
|
||
|
|
||
|
THE MIGHTY CASEY ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Douglas Heyes
|
||
|
Cast: Jack Warden, Robert Sorrells, Don O'Kelly, Abraham Sofaer
|
||
|
|
||
|
The manager of a baseball team adds a new man to the fold - a
|
||
|
robot named Casey.
|
||
|
|
||
|
LW: This episode is told as a fable, and is presented in a rather
|
||
|
"tongue-in-cheek" manner. Fun if not taken too seriously.
|
||
|
|
||
|
|
||
|
A WORLD OF HIS OWN *****
|
||
|
Writer: Richard Matheson
|
||
|
Director: Ralph Nelson
|
||
|
Cast: Keenan Wynn, Phyliss Kirk, Mary LaRoche
|
||
|
|
||
|
Serio-comedy, as a playwright creates true-to-life characters on
|
||
|
his tape machine. They are so true that he can make tham appear in the
|
||
|
room with him!
|
||
|
|
||
|
SJ: This episode has the strangest and funniest ending of the series.
|
||
|
LW: An EXCELLENT episode, which indeed has the most bizarre ending of
|
||
|
any show in the entire TZ run. Highly recommended. Keenan Wynn
|
||
|
plays a truly delightful character in this comedy/drama.
|
||
|
|
||
|
|
||
|
|
||
|
SECOND SEASON 1960-1961
|
||
|
--------------------------
|
||
|
|
||
|
|
||
|
KING NINE WILL NOT RETURN **
|
||
|
Writer: Rod Serling
|
||
|
Director: Buzz Kulik
|
||
|
Cast: Bob Cummings, Paul Lambert, Gene Lyons, Seymour Green,
|
||
|
Richard Lupino, Jenna MacMahon
|
||
|
|
||
|
After crashing in the desert, a bomber pilot (Cummings) is
|
||
|
haunted by the images of his dead crew.
|
||
|
|
||
|
LW: Basically a rather dry plot (no pun intended to those who remember
|
||
|
this episode in detail.) Bob Cummings has starred in many random
|
||
|
roles in television and movies over the years.
|
||
|
|
||
|
|
||
|
THE MAN IN THE BOTTLE ****
|
||
|
Writer: Rod Serling
|
||
|
Director: Don Medford
|
||
|
Cast: Luther Adler, Vivi Janiss, Lisa Golm, Joseph Ruskin, Olan Soule,
|
||
|
Peter Cole, Albert Szabo
|
||
|
|
||
|
A pawnbroker (Adler) is granted four wishes by a sinister genie.
|
||
|
|
||
|
LW: A favorite! The genie is a truly sinister character, who simply
|
||
|
exudes terror, even as he offers the poor pawnbroker and his wife
|
||
|
the almost limitless dreams of four wishes. They learn the hard
|
||
|
way that every silver lining has a cloud attached.
|
||
|
|
||
|
|
||
|
NERVOUS MAN IN A FOUR DOLLAR ROOM ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Douglas Heyes
|
||
|
Cast: Joe Mantell, William D. Gordon
|
||
|
|
||
|
Unusual character study about a petty hood who literally
|
||
|
confronts his "conscience" in a mirror.
|
||
|
|
||
|
LW: In fact, 95% of the plot consists solely of this deep
|
||
|
confrontation with no other characters involved. An
|
||
|
interesting episode.
|
||
|
|
||
|
|
||
|
A THING ABOUT MACHINES ****
|
||
|
Writer: Rod Serling
|
||
|
Director: Dave McDearmon
|
||
|
Cast: Richard Haydn, Barbara Stuart, Barney Phillips
|
||
|
|
||
|
A machine-hating writer is suddenly hunted by a small army of
|
||
|
mechanical devices.
|
||
|
|
||
|
LW: There is a classic TZ television promo which includes a cut of an
|
||
|
electric razor slowly loping down the stairs in an attempt to get
|
||
|
this guy! A very good segment.
|
||
|
|
||
|
|
||
|
THE HOWLING MAN ****
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Douglas Heyes
|
||
|
Cast: H. M. Wynant, John Carradine, Robin Hughes, Estelle Poule
|
||
|
|
||
|
Classic episode about a man (Wynant) who takes refuge in a
|
||
|
European monastery during a thunderstorm. He is told by the bearded,
|
||
|
saintly Brother Jerome (Carradine) that the prisoner locked in an cell
|
||
|
is no ordinary human being--he is the Devil himself! Atmospheric music
|
||
|
(by Bernard Herrmann) and a terrific transformation sequence add to
|
||
|
the tale's effectiveness.
|
||
|
|
||
|
SJ: This episode is my all time favorite episode and rates 6 stars.
|
||
|
LW: Well, I only give it 4 stars, but it still is a good one.
|
||
|
|
||
|
|
||
|
THE EYE OF THE BEHOLDER *****
|
||
|
Writer: Rod Serling
|
||
|
Director: Douglas Heyes
|
||
|
Cast: William B. Gordon, Donna Douglas, Jennifer Howard, Joanna Heyes
|
||
|
|
||
|
Another outstanding entry in the series. Plastic surgeons
|
||
|
in some unknown society make one final attempt to improve a young
|
||
|
woman's face so that she can live among "normal people." William
|
||
|
Tuttle's make-ups are some of the most horrifying ever conceived
|
||
|
for television.
|
||
|
|
||
|
LW: Definitely in the super-classic catagory. One of the most
|
||
|
amazing pieces of camera work ever done for televsion. Beautifully
|
||
|
conceived and executed. I believe that this episode was originally
|
||
|
titled, "A Private World of Darkness" or "Her Private World of
|
||
|
Darkness".
|
||
|
|
||
|
|
||
|
NICK OF TIME ***
|
||
|
Writer: Richard Matheson
|
||
|
Director: Richard L. Bare
|
||
|
Cast: William Shatner, Patricia Breslin
|
||
|
|
||
|
A newlywed husband (Shatner) is fascinated by a fortune-telling
|
||
|
machine that makes uncanny predictions about his life.
|
||
|
|
||
|
LW: A rather YOUNG Shatner, in his pre-Federation days of course.
|
||
|
|
||
|
|
||
|
THE LATENESS OF THE HOUR ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Jack Smight
|
||
|
Cast: Inger Stevens, John Hoyt
|
||
|
|
||
|
The faultless precision of robot servants invented by her father
|
||
|
begins to annoy a young woman (Stevens). Originally done on video
|
||
|
tape.
|
||
|
|
||
|
LW: Of course, John Hoyt has a long history of many appearances in
|
||
|
films and television. Two "SF" efforts of his that come to mind
|
||
|
are "The Time Travelers" and "Flesh Gordon" (Of course, I am using
|
||
|
the term "SF" rather loosely in the latter case...)
|
||
|
|
||
|
|
||
|
THE TROUBLE WITH TEMPLETON *
|
||
|
Writer: E. Jack Neuman
|
||
|
Director: Buzz Kulik
|
||
|
Cast: Brian Aherne, Pippa Scott
|
||
|
|
||
|
An aging actor is given a sobering glimpse at the past he holds
|
||
|
so dear.
|
||
|
|
||
|
LW: Not good. Dry, boring, and basically a loser.
|
||
|
|
||
|
|
||
|
A MOST UNUSUAL CAMERA ****
|
||
|
Writer: Rod Serling
|
||
|
Director: John Rich
|
||
|
Cast: Fred Clark, Jean Carson, Adam Williams
|
||
|
|
||
|
Examining their latest haul, two-bit thieves discover a camera
|
||
|
that can predict the future.
|
||
|
|
||
|
LW: A memorable, and rather humorous, classic. A fine episode.
|
||
|
|
||
|
|
||
|
NIGHT OF THE MEEK ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Jack Smight
|
||
|
Cast: Art Carney, John Fielder, Meg Wylie, Robert Lieb
|
||
|
|
||
|
Sensitive, well-acted drama about a department store Santa Claus
|
||
|
(Carney) who ends up being the real thing. Originally done on video
|
||
|
tape.
|
||
|
|
||
|
SJ: My second favorite...a 5 star episode.
|
||
|
LW: Well, we have a disagreement here. It is a nice episode, but
|
||
|
so sopping in sentimentality that even I have problems with it.
|
||
|
Still, Carney puts forth a first rate performance.
|
||
|
|
||
|
|
||
|
DUST ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Douglas Heyes
|
||
|
Cast: Thomas Gomez, Vladimir Sokoloff, John Alonso, John Larch
|
||
|
|
||
|
On the day of his execution, a man's father is conned by a
|
||
|
vicious traveling salesman (Gomez) who sells him "magic dust"
|
||
|
capable of eliminating hate.
|
||
|
|
||
|
LW: Not terribly good, but a well done period piece.
|
||
|
|
||
|
|
||
|
BACK THERE ***
|
||
|
Writer: Rod Serling
|
||
|
Director: David Orrick McDearmon
|
||
|
Cast: Russel Johnson, Paul Hartman
|
||
|
|
||
|
A man is catapulted backward into time to the moments preceding
|
||
|
the assassination of President Lincoln. The stirring score by Jerry
|
||
|
Goldsmith [who recently did the score for ST-TMP] was later heard as
|
||
|
background music for ABC'S WIDE WORLD OF ENTERTAINMENT mysteries.
|
||
|
|
||
|
LW: Note that Russel Johnson (Gilligan's Island) has shown up
|
||
|
again, in another time travel oriented piece! A serious question
|
||
|
concerning the structure of time is brought forth in this episode.
|
||
|
|
||
|
|
||
|
THE WHOLE TRUTH ***
|
||
|
Writer: Rod Serling
|
||
|
Director: James Sheldon
|
||
|
Cast: Jack Carson, Jack Ging, Nan Peterson, George Chandler
|
||
|
|
||
|
An unsrupulous car salesman (Carson) meets his match in a haunted
|
||
|
auto with a mind of its own.
|
||
|
|
||
|
LW: Imagine! A used car dealer FORCED to tell the truth. Something
|
||
|
like that could put late night television out of business. In any
|
||
|
case, this is a rather amusing episode.
|
||
|
|
||
|
|
||
|
THE INVADERS ****
|
||
|
Writer: Richard Matheson
|
||
|
Director: Douglas Heyes
|
||
|
Cast: Agnes Moorehead
|
||
|
|
||
|
In this classic episode, an old woman in an isolated farm
|
||
|
house must battle a horde of extraterrestrial invaders. In the end,
|
||
|
Moorehead takes an axe to their starship and demolishes, in reality,
|
||
|
FORBIDDEN PLANET'S famous space cruiser! No actual dialog until the
|
||
|
final sequence.
|
||
|
|
||
|
LW: A classic indeed!
|
||
|
|
||
|
|
||
|
A PENNY FOR YOUR THOUGHTS ****
|
||
|
Writer: George Clayton Johnson
|
||
|
Director: James Sheldon
|
||
|
Cast: Dick York, Hayden Rourke, Dan Tobin, June Dayton
|
||
|
|
||
|
Unusual tale about a timid bank teller (York) who suddenly gains
|
||
|
the ability to read people's minds after a freak accident.
|
||
|
|
||
|
LW: Dick York (Bewitched) returns. This is a nice, light episode, and
|
||
|
I've always liked it. We learn that being able to read minds is
|
||
|
no picnic!
|
||
|
|
||
|
|
||
|
TWENTY TWO ****
|
||
|
Writer: Rod Serling
|
||
|
Director: Jack Smight
|
||
|
Cast: Barbara Nichols, Jonathan Harris, Fredd Wayne
|
||
|
|
||
|
A woman is haunted by a recurring nightmare that always ends with
|
||
|
her being escorted to hospital room 22 - the morgue.
|
||
|
|
||
|
LW: In fact, she is having this dream while IN the hospital! I am
|
||
|
told that this episode resulted in lots of nightmares when it
|
||
|
originally ran, and it does have some terribly creeping elements.
|
||
|
The nightmare sequences are excellent. We must not overlook
|
||
|
Jonathan Harris who plays the doctor in this episode. Good old
|
||
|
Jonathan later played the evil/tragic/comical Dr. Zackery Smith
|
||
|
in "Lost in Space"! This episode made the line "Room for one more,
|
||
|
honey." a TZ classic.
|
||
|
|
||
|
|
||
|
THE ODYSSEY OF FLIGHT 33 ***
|
||
|
Writer: Rod Serling
|
||
|
Director: J. Addiss
|
||
|
Cast: John Anderson, Sandy Kenyon, Paul Comi, Harp McGuire,
|
||
|
Wayne Heffley, Nancy Rennick, Beverly Brown
|
||
|
|
||
|
A commercial airliner becomes unstuck in time. The prehistoric
|
||
|
sequence, courtesy of Jack Harris, was unused footage from the movie
|
||
|
DINOSAURS.
|
||
|
|
||
|
|
||
|
MR. DINGLE, THE STRONG ****
|
||
|
Writer: Rod Serling
|
||
|
Director: John Brahm
|
||
|
Cast: Burgess Meredith, Don Rickles
|
||
|
|
||
|
Several weird-looking extraterrestrials appear in this
|
||
|
episode about a timid little man (Meredith) who is given superpowers
|
||
|
by a double-headed Martian experimenter. Don Rickles is customarily
|
||
|
caustic as a character named Bragg.
|
||
|
|
||
|
LW: This is a pretty funny episode.
|
||
|
|
||
|
|
||
|
STATIC **
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Buzz Kulik
|
||
|
Cast: Dean Jagger, Carmen Mathews, Robert Emhardt
|
||
|
|
||
|
An old radio provides a valuable link with the past for two
|
||
|
elderly lovers. Originally done on video tape; based on a short
|
||
|
story by Ocee Ritch.
|
||
|
|
||
|
|
||
|
THE PRIME MOVER ***
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Richard L. Bare
|
||
|
Cast: Dane Clark, Buddy Ebsen
|
||
|
|
||
|
A telekinetic gentleman (Ebsen) is used to win some big money
|
||
|
for a greedy man (Clark) at the gambling casinos.
|
||
|
|
||
|
LW: Sure 'nuf: Jedd Clampett, from "The Beverly Hillbillies", on a
|
||
|
Twilight Zone. Seriously, good acting by Ebsen.
|
||
|
|
||
|
|
||
|
LONG DISTANCE CALL ***
|
||
|
Writer: Charles Beaumont and William Idelson
|
||
|
Director: James Sheldon
|
||
|
Cast: Billy Mumy, Phillip Abbott, Patricia Smith, Lili Darvas
|
||
|
|
||
|
Powerful episode about a little boy with a toy telephone by
|
||
|
which he mysteriously remains in contact with his dead grandmother.
|
||
|
Originally done on video tape.
|
||
|
|
||
|
LW: Billy Mumy later starred as Will Robinison in "Lost in Space". In
|
||
|
fact, Mumy had many parts as a child over many years, including
|
||
|
another TZ episode we have yet to cover. He dropped out of sight
|
||
|
a few years ago, and I believe now plays guitar and sings rock
|
||
|
music in some L.A. nightclub. Oh well, easy come, easy go.
|
||
|
|
||
|
|
||
|
A HUNDRED YEARS OVER THE RIM ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Buzz Kulik
|
||
|
Cast: Cliff Robertson, Miranda Jones
|
||
|
|
||
|
A western settler mysteriously enters the 20th century when he
|
||
|
goes off in search of medication for his dying son.
|
||
|
|
||
|
|
||
|
THE RIP VAN WINKLE CAPER ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Justus Addiss
|
||
|
Cast: Oscar Beregi, Simon Oakland, Lew Gallo, John Mitchum
|
||
|
|
||
|
Four thieves steal gold bullion and place themselves in suspended
|
||
|
animation for a hundred years.
|
||
|
|
||
|
LW: Robbie's car from FORBIDDEN PLANET is used in this episode.
|
||
|
|
||
|
|
||
|
THE SILENCE ****
|
||
|
Writer: Rod Serling
|
||
|
Director: Boris Segal
|
||
|
Cast: Franchot Tone, Liam Sullivan, Jonathan Harris
|
||
|
|
||
|
A man (Tone), sick of the incessant chatter of a fellow club
|
||
|
member (Sullivan), offers him a half million dollars if he can keep
|
||
|
silent for a full year.
|
||
|
|
||
|
LW: Jonathan Harris (Dr. Smith) has a fairly minor role in the story.
|
||
|
Tone manages to win the bet, but pays a dear price in the process.
|
||
|
|
||
|
|
||
|
SHADOW PLAY ****
|
||
|
Writer: Charles Beaumont
|
||
|
Director: John Brahm
|
||
|
Cast: Dennis Weaver, Harry Townes, Wright King
|
||
|
|
||
|
An hysterical young man (Weaver) tries to persuade the judge, who
|
||
|
sentenced him to death, that he and the people around are just part of
|
||
|
a recurring nightmare.
|
||
|
|
||
|
SJ: Another of my favorites.
|
||
|
LW: This is a good one, and deals directly with issues of realities
|
||
|
within realities. Dennis Weaver does a fine job in this segment.
|
||
|
|
||
|
|
||
|
THE MIND AND THE MATTER ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Buzz Kulik
|
||
|
Cast: Shelly Berman, Jack Grinnage, Jeanne Wood, Chet Stratton
|
||
|
|
||
|
A book on the power of thought enables a meek clerk (Berman) to
|
||
|
create a world exactly as he would want it.
|
||
|
|
||
|
LW: This is basically a comedy, and it is pretty good.
|
||
|
|
||
|
|
||
|
WILL THE REAL MARTIAN PLEASE STAND UP *****
|
||
|
Writer: Rod Serling
|
||
|
Director: Montgomery Pittman
|
||
|
Cast: Morgan Jones, John Archer, Bill Kendis, John Hoyt, Jean Willes,
|
||
|
Jack Elam, Barney Phillips
|
||
|
|
||
|
Offbeat entry about a pair of state troopers who must determine
|
||
|
which member of a bus trip is, in reality, a Martian invader.
|
||
|
|
||
|
LW: A real classic, this is that second effort by John Hoyt which I
|
||
|
alluded to above. Has a great sight gag near the beginning. The
|
||
|
production company that did all the TZ's was called "CAYUGA". The
|
||
|
bus passengers spend most of the episode off the bus and in a
|
||
|
diner. We get a glimpse of the writing on the side of the bus,
|
||
|
and it says, "CAYUGA BUS"!
|
||
|
|
||
|
|
||
|
THE OBSOLETE MAN ****
|
||
|
Writer: Rod Serling
|
||
|
Director: Eliot Silverstein
|
||
|
Cast: Burgess Meredith, Fritz Weaver
|
||
|
|
||
|
Meredith delivers an emotion-packed performance in this symbolic
|
||
|
tale about a librarian judged "obsolete" by a totalitarian society of
|
||
|
the future.
|
||
|
|
||
|
LW: An excellent episode.
|
||
|
|
||
|
|
||
|
|
||
|
THIRD SEASON 1961-1962
|
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-------------------------
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TWO ***
|
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Writer/Director: Montgomery Pittman
|
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|
Cast: Elizabeth Montgomery, Charles Bronson, Sharon Lucas
|
||
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|
||
|
In this contemporary Adam and Eve story, the two lone, frightened
|
||
|
survivors of a nuclear holocaust must start the world afresh.
|
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|
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|
LW: Golly, we got the other half of "Bewitched", Elizabeth Montgomery
|
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|
(Samantha) herself. Strange how so many people from TZ episodes
|
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|
went on to work together in the late 60's. Or maybe not so strange
|
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|
when you consider the relationships built up with MGM and other
|
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|
studios over this period.
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THE ARRIVAL ***
|
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Writer: Rod Serling
|
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Director: Boris Segal
|
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|
Cast: Harold J. Stone, Bing Russell, Robert Karnes, Noah Keen,
|
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|
Jim Boles, Robert Brubaker, Fredd Wayne
|
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|
The aviation administration is completely baffled by the
|
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|
appearance of a mysterious empty airliner - until an examiner poses
|
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|
the unlikely but apparently sound theory that the craft is imaginary.
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THE SHELTER ****
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Writer: Rod Serling
|
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Director: Lamount Johnson
|
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|
Cast: Larry Gates, Peggy Stewart, Michael Burne, Jack Albertson,
|
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Jo Helton, Joseph Bernard, Moria Turner, Sandy Kenyon,
|
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|
Mary Gregory, John McLiam
|
||
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|
When a possible nuclear attack is announced, several suburban
|
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|
friends and neighbors are reduced to selfish, vicious animals in a
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|
struggle over one family's bomb shelter.
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LW: A strong cast (including Jack Albertson) lend power to this
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|
dramatic story of emotions and fears running wild during a
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|
yellow alert.
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|
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THE PASSERBY **
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Writer: Rod Serling
|
||
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Director: Eliot Silverstein
|
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Cast: Joanne Linville, James Gregory, Rex Holman, David Garcia,
|
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Warren Kammering, Austin Green
|
||
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|
A company of Civil War soldiers who believe they are marching
|
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|
home from battle soon come to realize that they are actually dead.
|
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A GAME OF POOL ****
|
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Writer: George Clayton Johnson
|
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Director: A. E. Houghton
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Cast: Jonathan Winters, Jack Klugman
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A young pool player finds himself playing against a long-dead
|
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|
master pool shark. The stakes: his life.
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LW: A good one. Klugman and Winters are the only actors onstage at
|
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|
any time during this powerful and well acted episode.
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THE MIRROR **
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Writer: Rod Serling
|
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Director: Don Medford
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Cast: Peter Falk, Tony Carbone, Richard Karlan, Arthur Batanides,
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Rodolfo Hoyos, Will Kuluva, Vladimir Sokoloff, Val Ruffino
|
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In the state offices of an overthrown government, a revolutionary
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|
leader uses a mirror reported to possess strange powers - it can show
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|
the viewer the face of the person who will kill him.
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LW: An interesting role for Faulk. The segment is really not terribly
|
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|
good. The country is obviously a thinly obscured representation of
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|
Castro's Cuba.
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THE GRAVE ***
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Writer/Director: Montgomery Pittman
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Cast: Lee Marvin, James Best, Strother Martin, Ellen Willrad,
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Lee VanCleef, William Challee, Stafford Repp, Larry Johns,
|
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|
Richard Geary
|
||
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|
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|
When a gunman scornfully defiles an outlaw's grave, he sees the
|
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|
man's dying threats come true.
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||
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LW: Not a bad cast for a TZ! Not a terribly good story, but well done
|
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|
nevertheless.
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ITS A GOOD LIFE ***
|
||
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Writer: Rod Serling
|
||
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Director: Jim Sheldon
|
||
|
Cast: Billy Mumy, John Larch, Cloris Leachman, Tom Hatcher,
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|
Alice Frost, Don Keefer, Jeanne Bates, Lenore Kingston,
|
||
|
Casey Adams
|
||
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|
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|
A rural community is held terrorized by the unearthly powers of
|
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|
a young boy. Based on a short story by Jerome Bixby.
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LW: Billy Mumy and (a relatively young) Cloris Leachman playing on
|
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|
TZ. Will wonders never cease? This is an interesting episode,
|
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|
particularly since Serling had to spend the first five minutes
|
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|
setting up the basic premise of the story by using a U.S. map
|
||
|
and individually introducing us to the main characters! If you
|
||
|
have ever read the classic story of the same name by Bixby, you
|
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|
will know why this was necessary.
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||
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||
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DEATHS-HEAD REVISITED **
|
||
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Writer: Rod Serling
|
||
|
Director: Don Medford
|
||
|
Cast: Joseph Schildkraut, Oscar Beregi, Chuck Fox, Karen Verne,
|
||
|
Robert Boone, Ben Wright
|
||
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||
|
A visit to a concentration camp at Dachau forces a former Nazi
|
||
|
to confront the horrifying ghosts of his ghastly wartime crimes.
|
||
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|
||
|
LW: A well-meaning episode, but rather poor in overall quality.
|
||
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||
|
|
||
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THE MIDNIGHT SUN ****
|
||
|
Writer: Rod Serling
|
||
|
Director: Anton Leader
|
||
|
Cast: Lois Nettleton, Betty Garde, Jason Wingreen, Juney Ellis,
|
||
|
Ned Glass, Robert J. Stevenson, John McLiam, Tom Reese,
|
||
|
William Keene
|
||
|
|
||
|
The Earth is being slowly drawn into the sun, causing
|
||
|
drought, devastating heat waves - and panic. This episode
|
||
|
features an outstanding musical score by Van Cleave.
|
||
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|
LW: A fine episode.
|
||
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||
|
STILL VALLEY ***
|
||
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Writer: Rod Serling
|
||
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Director: Jim Sheldon
|
||
|
Cast: Gary Merrill, Ben Cooper, Vaughn Taylor, Addison Myers,
|
||
|
Mark Tapscott, Jack Mann
|
||
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|
||
|
A strange book presents the Confederate Army with a difficult
|
||
|
choice: they can win the Civil War - but they must make a pact with
|
||
|
the Devil. Based on a short story by Manley Wade Wellman.
|
||
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|
||
|
THE JUNGLE **
|
||
|
Writer: Charles Beaumont
|
||
|
Director: William Claxton
|
||
|
Cast: John Dehner, Emily McLaughlin, Walter Brooks, Hugh Sanders,
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||
|
Howard Wright, Donald Foster, Jay Overholts, Jay Adler
|
||
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|
||
|
A contractor who has violated certain African lands must deal
|
||
|
with the fury of the African tribal wizard, even back home in the
|
||
|
United States.
|
||
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||
|
|
||
|
ONCE UPON A TIME ****
|
||
|
Writer: Richard Matheson
|
||
|
Director: Norman Z. McLeod
|
||
|
Cast: Buster Keaton, Stanley Adams, Gil Lamb, James Flavin,
|
||
|
Michael Ross, Milton Parsons, George E. Stone, Warren Parker
|
||
|
|
||
|
A janitor in the late 1800s finds himself in the next century
|
||
|
when he innocently fiddles with his inventor-employer's contraption.
|
||
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|
||
|
LW: Boy, is THIS a strange one! Note the presence of Buster Keaton
|
||
|
as the main character in the cast. The whole beginning and ending
|
||
|
segments of the show (whenever we are in 1880) are done as a
|
||
|
SILENT FILM! We get the usual slightly sped up effect, piano
|
||
|
music, and dialog cards. When we go into the future (or rather,
|
||
|
OUR present), we suddenly go from silent mode to regular sound,
|
||
|
regular speed photography! This is one of the class of Twilight
|
||
|
Zone comedies, and is a very good one indeed.
|
||
|
|
||
|
|
||
|
FIVE CHARACTERS IN SEARCH OF AN EXIT ****
|
||
|
Writer: Rod Serling
|
||
|
Director: Lamont Johnson
|
||
|
Cast: William Windom, Murray Matheson, Susan Harrison, Kelton Garwood,
|
||
|
Clark Allen, Mona Houghton, Carol Hill
|
||
|
|
||
|
Five people trying to escape from some sort of large cylindrical
|
||
|
container have no memory of who they are or how they came to be there.
|
||
|
One is a soldier, one a clown, one a dancer, and one a bagpiper. At
|
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|
least I think there was a bagpiper. Hmm. There was also one other
|
||
|
character (total must equal five for the title to work!) Based on a
|
||
|
short story by Marvin Petal.
|
||
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|
LW: A good cast, and what has to be about the simplest set ever used
|
||
|
in a TZ, or almost any other television show for that matter.
|
||
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|
||
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|
||
|
A QUALITY OF MERCY **
|
||
|
Writer: Rod Serling
|
||
|
Director: Buzz Kulik
|
||
|
Cast: Dean Stockwell, Albert Salmi, Rayford Barnes, Ralph Votrian,
|
||
|
Leonard Nimoy, Dale Ishimoto, Jerry Fujikawa, Michael Pataki
|
||
|
|
||
|
A soldier gets a fresh, frightening perspective on his
|
||
|
militaristic ways when he suddenly experiences a war situation
|
||
|
from the enemy's point of view.
|
||
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|
LW: The only notable element of this episode is Leonard Nimoy in a
|
||
|
relatively minor role.
|
||
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|
||
|
|
||
|
NOTHING IN THE DARK ***
|
||
|
Writer: George Clayton Johnson
|
||
|
Director: Lamont Johnson
|
||
|
Cast: Gladys Cooper, Robert Redford, R. G. Armstrong
|
||
|
|
||
|
A frightened old woman who has sealed herself off from the world
|
||
|
to avoid confronting death, admits a wounded policeman and soon learns
|
||
|
that she may have made a big mistake.
|
||
|
|
||
|
|
||
|
ONE MORE PALLBEARER ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Lamont Johnson
|
||
|
Cast: Joseph Wiseman, Trevor Bardette, Gage Clark, Katherine Squire,
|
||
|
Josip Elic, Robert Snyder, Ray Galvin
|
||
|
|
||
|
A rich man schemes to wreak revenge on three people who humiliated
|
||
|
him at various points in his life. How? By staging a fake nuclear war,
|
||
|
just for their benefit.
|
||
|
|
||
|
|
||
|
DEAD MAN'S SHOES **
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Montgomery Pittman
|
||
|
Cast: Warren Stevens, Harry Swoger, Ben Wright, Joan Marshall,
|
||
|
Eugene Borden, Richard Devon, Florence Marly, Ron Haggerthy,
|
||
|
Joe Mell
|
||
|
|
||
|
When a derelict dons the shoes of a dead gangster, he finds
|
||
|
himself following the course of the dead man's life.
|
||
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|
LW: Not very good really, but it has a couple of fair moments.
|
||
|
|
||
|
|
||
|
SHOWDOWN WITH RANCE McGREW ***
|
||
|
Writer: Rod Serling
|
||
|
Director: C. Nyby
|
||
|
Cast: Larry Blyden, William McLean, Troy Melton, Jay Overholts,
|
||
|
Robert J. Stevenson, Robert Cornwaithe, Arch Johnson,
|
||
|
Robert Kline, Hal K. Dawson
|
||
|
|
||
|
An obnoxious cowboy star gets his comeuppance whan he suddenly
|
||
|
finds himself confronting one of the outlaws who has been poorly
|
||
|
presented in his television show.
|
||
|
|
||
|
LW: Tongue-in-cheek. Fairly humorous.
|
||
|
|
||
|
|
||
|
THE HUNT ***
|
||
|
Writer: Earl Hamner, Jr.
|
||
|
Director: Harold Schuster
|
||
|
Cast: Arthur Hunnicutt, Jeanette Nolan, Titus Moede, Orville Sherman,
|
||
|
Charles Seel, Robert Foulk, Dexter DuPont
|
||
|
|
||
|
When a hunter and his dog are killed while stalking their prey,
|
||
|
they go to the Gates of Heaven, where they must deal with St. Peter.
|
||
|
Or IS it really St. Peter?
|
||
|
|
||
|
|
||
|
KICK THE CAN *
|
||
|
Writer: George Clayton Johnson
|
||
|
Director: Lamont Johnson
|
||
|
Cast: Ernest Treux, Russell Collins, Hank Patterson, Earle Hodgins,
|
||
|
Burt Mustin, Gregory McCabe, Marjorie Bennett, Lenore Shanewise,
|
||
|
Anne O'Neal, John Marley, Barry Treux, Eve McVeagh, Marc Stevens
|
||
|
|
||
|
A children's game somehow offers rejuvenative powers to an old man.
|
||
|
|
||
|
LW: Blech. Sopping sentimentality again. A number of these crept into
|
||
|
the series.
|
||
|
|
||
|
|
||
|
A PIANO IN THE HOUSE **
|
||
|
Writer: Earl Hamner, Jr.
|
||
|
Director: David Greene
|
||
|
Cast: Barry Morse, Joan Jackett, Don Durant, Phil Coolidge,
|
||
|
Cyril Delevanti, Muriel Landers
|
||
|
|
||
|
The right tune played on a mysterious player piano will reveal
|
||
|
the listener's true nature.
|
||
|
|
||
|
LW: Note the presence of Barry Morse (later of "Space: 1999" among
|
||
|
other shows).
|
||
|
|
||
|
|
||
|
TO SERVE MAN *****
|
||
|
Writer: Rod Serling
|
||
|
Director: Richard Bare
|
||
|
Cast: Richard Kiel, Hardie Albright, Robert Tafur, Lomax Study,
|
||
|
Theodore Marcuse, Susan Cummings, Nelson Olmstead,
|
||
|
Lloyd Bochner
|
||
|
|
||
|
When aliens come to Earth bearing promises of a utopian
|
||
|
existence, the military's suspicions and skepticism eventually
|
||
|
prove justified. But too late. The alien "Canamits" were executed
|
||
|
by make-up artist William Tuttle. Based on a short story by Damon
|
||
|
Knight.
|
||
|
|
||
|
LW: This is a "super-classic". Probably the most popular TZ episode of
|
||
|
all time, and one of my personal top favorites as well. EXCELLENT.
|
||
|
|
||
|
|
||
|
THE LAST RITES OF JEFF MYRTLEBANK **
|
||
|
Writer/Director: Montgomery Pittman
|
||
|
Cast: James Best, Ralph Moody, Ezelle Pouley, Vickie Barnes,
|
||
|
Sherry Jackson, Helen Wallace, Lance Fuller, Bill Fawcett,
|
||
|
Edgar Buchanan, Mabel Forrest, Dub Taylor, Jon Lormer,
|
||
|
Pat Hector
|
||
|
|
||
|
Because a young man has seemingly awakened from the dead, the
|
||
|
superstitious townspeople assume he is possessed by the Devil.
|
||
|
|
||
|
|
||
|
THE FUGITIVE **
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Richard L. Bare
|
||
|
Cast: J. Pat O'Malley, Susan Gordon, Nancy Kulp, Wesley Lau,
|
||
|
Paul Tripp, Stephen Talbot, Johnny Eiman, Russ Bender
|
||
|
|
||
|
A magical old gentleman uses his powers to help a sick little
|
||
|
girl, thus risking being returned to his home planet if agents of
|
||
|
his planet locate him.
|
||
|
|
||
|
|
||
|
LITTLE GIRL LOST *****
|
||
|
Writer: Richard Matheson
|
||
|
Director: Paul Stewart
|
||
|
Cast: Sarah Marshall, Robert Sampson, Charles Aidman, Tracy Stratford
|
||
|
|
||
|
A couple can hear their daughter's desperate cries, yet she is
|
||
|
nowhere to be found - she's fallen through an invisible "hole" in her
|
||
|
wall, and is lost in the fourth dimension.
|
||
|
|
||
|
LW: Another classic. Another excellent episode.
|
||
|
|
||
|
|
||
|
PERSON OR PERSONS UNKNOWN ***
|
||
|
Writer: Charles Beaumont
|
||
|
Director: John Brahm
|
||
|
Cast: Richard Long, Frank Silvera, Shirley Ballard, Julie Van Zandt,
|
||
|
Betty Harford, Ed Glover, Michael Kelp, Joe Higgins, John Newton
|
||
|
|
||
|
A man's day gets off to a bizarre start when he awakens to
|
||
|
discover that no one knows who he is.
|
||
|
|
||
|
LW: Richard Long also starred in several other TZ's over the years.
|
||
|
|
||
|
|
||
|
THE GIFT **
|
||
|
Writer: Rod Serling
|
||
|
Director: Allen Parker
|
||
|
Cast: Geoffrey Horne, Nico Minardos, Cliff Osmond, Edmund Vargas,
|
||
|
Carmen D'Antonio, Paul Mazursky, Vladimir Sokoloff, Vito Scotti,
|
||
|
Henry Corden
|
||
|
|
||
|
A group of Mexican villagers are convinced that a downed flyer
|
||
|
is, in fact, an extraterrestrial.
|
||
|
|
||
|
|
||
|
THE LITTLE PEOPLE ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Bill Claxton
|
||
|
Cast: Joe Maross, Claude Akins, Michael Ford
|
||
|
|
||
|
Everything is relative, as a space traveler soon learns when he
|
||
|
proceeds to lord his size over the tiny folk who inhabit a planetoid.
|
||
|
|
||
|
|
||
|
FOUR O'CLOCK **
|
||
|
Writer: Rod Serling
|
||
|
Director: Lamont Johnson
|
||
|
Cast: Theodore Bikel, Phyllis Love, Linden Chiles, Moyna MacGill
|
||
|
|
||
|
Based on a short story by Price Day.
|
||
|
|
||
|
Theodore Bikel is cast as demented Oliver Crangle, a man dedicated to the
|
||
|
expulsion of evil... at all costs. His plan: reduce all the evil people in the
|
||
|
world to 2 feet tall, at 4 o'clock.
|
||
|
|
||
|
|
||
|
THE TRADE-INS ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Elliot Silverstein
|
||
|
Cast: Joseph Schildkraut, Noah Keen, Alma Platt, Ted Marcuse,
|
||
|
Edson Stroll, Terrene De Marney, Billy Vincent, Mary McMahon,
|
||
|
David Armstrong
|
||
|
|
||
|
Youth isn't all it's cracked up to be, as an old man learns when
|
||
|
a mind and personality transplant gives him a lonely new life in a
|
||
|
young new body.
|
||
|
|
||
|
LW: Actually, he doesn't get the body until near the end of the show.
|
||
|
The primary focus of the episode is that he and his wife only have
|
||
|
enough money for ONE of them to be transplanted. A good show.
|
||
|
|
||
|
|
||
|
HOCUS POCUS AND FRISBY ****
|
||
|
Writer: Rod Serling
|
||
|
Director: Lamont Johnson
|
||
|
Cast: Andy Devine, Milton Selzer, Howard McNear, Dabbs Greer,
|
||
|
Clem Bevans, Larry Breitman, Peter Brocco
|
||
|
|
||
|
The town windbag so impresses a visiting group of aliens (who are
|
||
|
masquerading as humans) with his tall tale stories that they attempt
|
||
|
to take him back to their planet for study as a prime Earth specimen.
|
||
|
Based on a short story by Frederic Louis Fox.
|
||
|
|
||
|
LW: Crusty-voiced Andy is perfect in his role. Very humorous.
|
||
|
|
||
|
|
||
|
THE DUMMY ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Abner Bibberman
|
||
|
Cast: Cliff Robertson, Frank Sutton, George Murdock, John Harmon,
|
||
|
Sandra Warner, Ralph Manza, Rudy Dolan, Bethelynn Grey
|
||
|
|
||
|
A cut-rate ventriloquist starts believing that his dummy actually
|
||
|
has a mind - and a will - of its own. Based on a story by Leon Polk.
|
||
|
|
||
|
|
||
|
THE CHANGING OF THE GUARD *
|
||
|
Writer: Rod Serling
|
||
|
Director: Robert Ellis Miller
|
||
|
Cast: Donald Pleasance, Liam Sullivan, Phillippa Bevans, Kevin O'Neal,
|
||
|
Jimmy Baird, Kevin Jones, Tom Lowell, Russ Horton, Buddy Hart,
|
||
|
Darryl Richard, James Browning, Bob Biheller, Dennis Kerlee,
|
||
|
Pat Close
|
||
|
|
||
|
A popular teacher faces the prospect of a life without purpose
|
||
|
when he is asked to retire from his post.
|
||
|
|
||
|
LW: Very little socially redeeming value to this one.
|
||
|
|
||
|
|
||
|
YOUNG MAN'S FANCY **
|
||
|
Writer: Richard Matheson
|
||
|
Director: John Brahm
|
||
|
Cast: Phyllis Thaxter, Alex Nicol, Wallace Rooney, Ricky Kelman,
|
||
|
Helen Brown
|
||
|
|
||
|
A young man yearns so desperately for the days of his youth that
|
||
|
the past does, in fact, reappear.
|
||
|
|
||
|
LW: In fact, he becomes a little boy again, and goes back to his
|
||
|
mother (deserting his fiance). There is a scene in the episode
|
||
|
where the fiance sees the elements of the man's youth, right up
|
||
|
to his mother, start to appear around them.
|
||
|
|
||
|
|
||
|
I SING THE BODY ELECTRIC *
|
||
|
Writer: Ray Bradbury
|
||
|
Director: James Sheldon
|
||
|
Cast: Josephine Hutchinson, David White, June Vincent, Vaughn Taylor,
|
||
|
Charles Herbert, Dana Dillaway, Paul Nesbitt, Susan Crane,
|
||
|
Veronica Cartwright, Judy Morton
|
||
|
|
||
|
A girl comes to understand that a grandmother can be a tender,
|
||
|
thoughtful, caring, loving woman. Even if she is a robot.
|
||
|
|
||
|
LW: To all the Bradbury fans out there, I'm sorry, but this episode
|
||
|
is TERRIBLE. Probably one of the five worst TZ's ever made. Is
|
||
|
dripping in sentimentality, has rather poor acting, and is
|
||
|
generally a lose.
|
||
|
|
||
|
|
||
|
CAVENDER IS COMING ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Chris Nyby
|
||
|
Cast: Carol Burnett, Jesse White, Howard Smith, William O'Connell,
|
||
|
Pitt Herbert, John Fielder, Stanley Jones, Frank Behrens,
|
||
|
Albert Carrier, Roy Sickner, Norma Shattuc, Rory O'Brien,
|
||
|
Sandra Gould, Adrienne Marden, Jack Younger, Danny Kulick,
|
||
|
Donna Douglas, Maurice Dallimore, Barbara Morrison
|
||
|
|
||
|
In this pilot for a never-launched series, a klutzy guardian
|
||
|
angel's attempts to make a bumbling woman happy don't work out quite
|
||
|
as expected.
|
||
|
|
||
|
LW: If it weren't for the presence of Carol Burnett and Jesse White,
|
||
|
I would only give this TWO stars. Another guardian angel plot.
|
||
|
Obviously, it was a comedy. Carol tries hard despite a horrid
|
||
|
script. Jesse White has played many character roles, but perhaps
|
||
|
is best known as the lonely Maytag repairman! The basic plot is
|
||
|
VERY similar to the "Mr. Bemis" episode above. By the way, this
|
||
|
episode had one very unusual aspect, it was the only TZ with a
|
||
|
LAUGHTRACK!
|
||
|
|
||
|
|
||
|
|
||
|
FOURTH SEASON Jan-May 1963
|
||
|
-----------------------------
|
||
|
|
||
|
|
||
|
SJ: These episodes are one hour in length. They WERE sold into
|
||
|
syndication but none of the networks air the episodes since
|
||
|
they only allow half-hour slots for the show.
|
||
|
LW: Further investigation on my part seems to indicate that they were
|
||
|
indeed made available for syndication at one time, but apparently
|
||
|
nobody picked them up. Two things should be noted. First of all,
|
||
|
the "networks" never buy syndicated programs. Local stations (be
|
||
|
they independents, network affiliates, or network owned and
|
||
|
operated) are the entities that buy syndicated programming. Oddly
|
||
|
enough, at least two major markets (L.A., and apparently N.Y.)
|
||
|
have independent stations which run the half hour shows back to
|
||
|
back in a one hour slot. Clearly they COULD in theory run the one
|
||
|
hour shows if they wanted to, but either nobody wants to or else
|
||
|
there are some sort of legal/logistic complications in doing so,
|
||
|
even assuming they are still available for syndication.
|
||
|
|
||
|
|
||
|
IN HIS IMAGE ****
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Perry Lafferty
|
||
|
Cast: George Grizzard, Gail Kobe, Katherine Squire, Wallace Rooney,
|
||
|
Sherry Granato, James Seay, Joseph Sargent, Jamie Forster
|
||
|
|
||
|
The first hour installment of THE TWILIGHT ZONE concerns a young
|
||
|
man who murders an old woman for no apparent reason. He also discovers
|
||
|
all sorts of discrepencies in his memories of the town where he
|
||
|
THOUGHT he was currently living. In the end he discovers a horrible
|
||
|
truth about himself.
|
||
|
|
||
|
LW: I like this one. It does a good job of portraying fear and
|
||
|
confusion as our hero finds himself deeper and deeper within a
|
||
|
nightmarish situation. By the way, the opening scene of this
|
||
|
episode is a REAL winner, something to gladden the heart of many
|
||
|
of us.
|
||
|
|
||
|
|
||
|
THE THIRTY-FATHOM GRAVE ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Paul Lafferty
|
||
|
Cast: Mike Kellin, Simon Oakland, David Shiener, Bill Bixby, Tony Call,
|
||
|
John Considine, Conlan Carter, Derrick Lewis, Charles Kuenstle
|
||
|
|
||
|
The crew of a Navy destroyer hear strange tapping noises coming
|
||
|
from a submarine that sank 20 years before.
|
||
|
|
||
|
LW: This was another famous nightmare producing episode. Bill Bixby?
|
||
|
He was later of "My Favorite Martian" and several more recent
|
||
|
programs, such as "The Magician" and "The Incredible Hulk".
|
||
|
|
||
|
|
||
|
THE MUTE ***
|
||
|
Writer: Richard Matheson
|
||
|
Director: Stuart Rosenberg
|
||
|
Cast: Frank Overton, Barbara Baxley, Ann Jilliann, Irene Dailey,
|
||
|
Hal Riddle, Percy Helton, Oscar Beregi, Eva Soreny
|
||
|
|
||
|
A little girl raised on telepathic communication must adjust to
|
||
|
the spoken word after her parents are killed in a fire.
|
||
|
|
||
|
|
||
|
JESS-BELLE ***
|
||
|
Writer: Earl Hamner, Jr.
|
||
|
Director: Buzz Kulik
|
||
|
Cast: Anne Francis, James Best, Laura Devon, Jeanette Nolan,
|
||
|
Virginia Gregg, George Mitchell, Helen Kleeb, Jim Boles,
|
||
|
Jon Lormer
|
||
|
|
||
|
Thrilleresque occult yarn about a woman (Francis) who sells her
|
||
|
soul to the Devil to recapture the love of a former suitor (Best).
|
||
|
Rural witchery from the creator of THE WALTONS.
|
||
|
|
||
|
|
||
|
DEATH SHIP ****
|
||
|
Writer: Richard Matheson
|
||
|
Director: Dan Medford
|
||
|
Cast: Jack Klugman, Ross Martin, Fredrick Beir, Sara Taft,
|
||
|
Ross Elliot, Mary Webster
|
||
|
|
||
|
Sets, props, costumes and stock footage from FORBIDDEN PLANET
|
||
|
enhance this tale about three space travelers who discover their
|
||
|
own crashed ship and dead bodies when they investigate a strange
|
||
|
reflection on a planet surface.
|
||
|
|
||
|
LW: This is really a good episode. It has true recursion, and is one
|
||
|
of the more memorable episodes. Klugman we know from previous
|
||
|
TZ's. Ross Martin played James West's "sidekick" Artemis Gordon
|
||
|
in "The Wild Wild West".
|
||
|
|
||
|
|
||
|
VALLEY OF THE SHADOW ***
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Perry Lafferty
|
||
|
Cast: Ed Nelson, Natalie Trundy, David Opatoshu, James Doohan,
|
||
|
Suzanne Capito, Dabbs Greer
|
||
|
|
||
|
A reporter (Nelson) wanders into a backwoods town and discovers
|
||
|
an incredible secret that might cause the end of the world.
|
||
|
|
||
|
|
||
|
HE'S ALIVE **
|
||
|
Writer: Rod Serling
|
||
|
Director: Stuart Rosenberg
|
||
|
Cast: Dennis Hopper, Ludwig Donath, Curt Conway, Howard Caine,
|
||
|
Barnaby Hale, Paul Mazursky, Bernard Pein, Jay Adler
|
||
|
|
||
|
The "he" of this title refers to Adolf Hitler. A young
|
||
|
reactionary (Hopper) is guided by a shadowy figure on methods
|
||
|
to control and mesmerize the populace.
|
||
|
|
||
|
LW: Not too good.
|
||
|
|
||
|
|
||
|
MINIATURE **
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Ralph Senesky
|
||
|
Cast: Robert Duvall, Pert Kelton, Barbara Barrie, Len Weinrib,
|
||
|
William Windom, Claire Griswold, Nina Roman, John McLiam
|
||
|
|
||
|
An unhinged man (Duvall) escapes into a fantasy world by visiting
|
||
|
a museum's miniature replica of life in the 1890's.
|
||
|
|
||
|
|
||
|
PRINTER'S DEVIL ****
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Ralph Senesky
|
||
|
Cast: Burgess Meredith, Robert Serling, Patricia Crowley,
|
||
|
Charles Thompson, Ray Teal, Ryan Hayes, Doris Kemper
|
||
|
|
||
|
A dying newspaper is rescued from oblivion by a mysterious fellow
|
||
|
(Meredith) whose Linotype machine predicts tomorrow's news.
|
||
|
|
||
|
LW: This is a pretty good episode. In fact, most of the episodes that
|
||
|
Burgess had anything to do with turned out well. He can really be
|
||
|
a sinister fellow in this one ...
|
||
|
|
||
|
|
||
|
NO TIME LIKE THE PAST **
|
||
|
Writer: Rod Serling
|
||
|
Director: Justus Addiss
|
||
|
Cast: Dana Andrews, Patricia Breslin, Robert F. Simon, Violet Rensing,
|
||
|
James Yagi, Tudor Owen, Lindsay Workman, Reta Shaw
|
||
|
|
||
|
A moody scientist (Andrews) travels into the past to prevent the
|
||
|
major catastrophes of history.
|
||
|
|
||
|
LW: One of the problems with the third season was that plot elements
|
||
|
of previous shows began to repeat, and the one hour format was
|
||
|
really too long. This show is an example of both problems.
|
||
|
|
||
|
|
||
|
THE PARALLEL ???
|
||
|
Writer: Rod Serling
|
||
|
Director: Alan Crosland
|
||
|
Cast: Steve Forrest, Jacqueline Scott, Frank Aletter,
|
||
|
Shari Lee Bernath, Phillip Abbott, Pete Madsen,
|
||
|
Robert Johnson, Morgan Jones
|
||
|
|
||
|
Following a routine seven-day space flight, an astronaut is
|
||
|
catapulted into a strange parallel universe.
|
||
|
|
||
|
LW: The brain cells in charge of remembering this episode seem to be
|
||
|
on the blink, I cannot remember enough details to rate it. Oh well.
|
||
|
|
||
|
|
||
|
I DREAM OF GENIE ***
|
||
|
Writer: John Furia
|
||
|
Director: Robert Gist
|
||
|
Cast: Howard Morris, Patricia Barry, Loring Smith, Mark Miller,
|
||
|
Robert Ball, Jack Albertson, Joyce Jameson, Bon Hastings
|
||
|
|
||
|
A genie pops out of an old brass lamp and offers one magic wish
|
||
|
to his unwitting liberator.
|
||
|
|
||
|
LW: The bulk of the show consists of our hero visualizing the various
|
||
|
things he could wish for and what the outcome of each wish might
|
||
|
be. Eventually he finds the perfect wish... You may notice a
|
||
|
surface similarity with a previous episode ("The Man in the
|
||
|
Bottle"), but unlike that episode, this one is tongue-in-cheek
|
||
|
and rather humorous.
|
||
|
|
||
|
|
||
|
THE NEW EXHIBIT ***
|
||
|
Writer: Charles Beaumont
|
||
|
Director: John Brahm
|
||
|
Cast: Martin Balsam, Will Kuluva, Maggie Mahoney, William Mims,
|
||
|
Billy Beck, Robert L. McCord, Bob Mitchell
|
||
|
|
||
|
Another episode reminiscent of TV's THRILLER. Much to the
|
||
|
bewilderment of a museum custodian (Balsam), wax figures of five
|
||
|
notorious murderers come to life and begin a series of killings.
|
||
|
|
||
|
|
||
|
OF LATE I THINK OF CLIFFORDVILLE ****
|
||
|
Writer: Rod Serling
|
||
|
Director: David Rich
|
||
|
Cast: Albert Salmi, Julie Newmar, John Anderson, Mary Jackson,
|
||
|
Wright King, Jamie Foster, Guy Raymond
|
||
|
|
||
|
A heartless, very rich man (Salmi) desires to return to the small
|
||
|
town where he was born and start life again. He figures he will end
|
||
|
up even RICHER this time, since he already knows where all the big oil
|
||
|
fields will be, which stocks will go up, etc. A demon (Newmar) obliges
|
||
|
him.
|
||
|
|
||
|
LW: This is the TZ adaptation of the classic story "Blind Alley", by
|
||
|
Malcolm Jameson. It is very well done.
|
||
|
|
||
|
|
||
|
THE INCREDIBLE WORLD OF HORACE FORD **
|
||
|
Writer: Reginald Rose
|
||
|
Director: Abner Biberman
|
||
|
Cast: Pat Hingle, Nan Martin, Phillip Pine, Ruth White, Vaughn Taylor,
|
||
|
Mary Carver, George Spicer, Bella Bruck
|
||
|
|
||
|
Toy manufacturer (Hingle) literally becomes a child again when he
|
||
|
visits his old neighborhood.
|
||
|
|
||
|
|
||
|
ON THURSDAY WE LEAVE FOR HOME ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Buzz Kulik
|
||
|
Cast: James Whitmore, Tim O'Conner, James Broderick, Russ Bender,
|
||
|
Paul Langton, Jo Helton, Mercedes Shirley, John Ward,
|
||
|
Daniel Kulik
|
||
|
|
||
|
Space settlers on a barren world finally get the chance to return
|
||
|
to Earth, but the group's leader (Whitmore) protests. Episode plusses:
|
||
|
strong performances and FORBIDDEN PLANET hardware.
|
||
|
|
||
|
|
||
|
PASSAGE ON THE LADY ANN *
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Lamont Johnson
|
||
|
Cast: Joyce Van Patten, Lee Phillips, Wilfred Hyde-White,
|
||
|
Gladys Cooper, Cecil Kellaway, Alan Napier
|
||
|
|
||
|
Disillusioned young couple (Patten, Phillips) book passage on the
|
||
|
final voyage of an ancient cruise ship inhabited by elderly folks.
|
||
|
|
||
|
LW: Another ship story ... poor, as usual.
|
||
|
|
||
|
|
||
|
THE BARD ****
|
||
|
Writer: Rod Serling
|
||
|
Director: David Butler
|
||
|
Cast: Jack Weston, Henry Lascoe, John Williams, Marge Redmond,
|
||
|
Doro Merande, Clegg Hoyt, Judy Strangis, Claude Stroud
|
||
|
|
||
|
On-target satire. Hack writer Julius Moomer (Weston) conjures up
|
||
|
William Shakespeare (Williams) to help him write a television script,
|
||
|
but network and sponsor representatives suggest a few changes.
|
||
|
|
||
|
LW: This is a funny one! Willy writing TV scripts. Alot of familiar
|
||
|
character actors in this episode, and a bit part is played by a
|
||
|
young (and relatively unknown) Burt Reynolds!
|
||
|
|
||
|
|
||
|
|
||
|
FIFTH AND FINAL SEASON 1963-1964
|
||
|
-----------------------------------
|
||
|
|
||
|
|
||
|
LW: The one hour format almost killed the show... it was just too long
|
||
|
and plots tended to really drag. Still, the show returned for one
|
||
|
more season. Things still continued downhill though; much of the
|
||
|
magic of the series was gone forever.
|
||
|
|
||
|
|
||
|
IN PRAISE OF PIP **
|
||
|
Writer: Rod Serling
|
||
|
Director: Joseph M. Newman
|
||
|
Cast: Jack Klugman, Connie Gilchrist, Billy Mumy, Bob Diamond,
|
||
|
John Launer, Ross Elliot, Gerald Gordon, Stuart Nesbet
|
||
|
|
||
|
Jack Klugman is outstanding as a soul-searching bookie who tries
|
||
|
to make up for the way he raised his son when he learns that the boy
|
||
|
has been seriously wounded in Vietnam. Both Billy Mumy and Bob Diamond
|
||
|
play the kid.
|
||
|
|
||
|
LW: Klugman's performance is the only really positive aspect of this
|
||
|
episode.
|
||
|
|
||
|
|
||
|
STEEL **
|
||
|
Writer: Richard Matheson
|
||
|
Director: Don Weiss
|
||
|
Cast: Lee Marvin, Joe Mantell, Merritt Bohn, Frank London,
|
||
|
Tipp McClure
|
||
|
|
||
|
In the early 1970's boxing was ruled too violent a sport for
|
||
|
human beings, so sophisticated androids took their place in the ring.
|
||
|
A small time promoter (Marvin) is forced to enter the bout when his
|
||
|
robot protege gets damaged.
|
||
|
|
||
|
|
||
|
NIGHTMARE AT 20,000 FEET ***
|
||
|
Writer: Richard Matheson
|
||
|
Director: Dick Donner
|
||
|
Cast: William Shatner, Christine White, Edward Kemmer, Asa Maynor,
|
||
|
Nick Cravat
|
||
|
|
||
|
A newly-recovered mental patient (Shatner) on an airplane flying
|
||
|
home peers out the window and sees a bestial creature on the wing,
|
||
|
tampering with one of the engines. Naturally, nobody believes his
|
||
|
story. Tale is enhanced by the marvelous William Tuttle monster
|
||
|
make-up, especially in one shocking close-up.
|
||
|
|
||
|
LW: A classic.
|
||
|
|
||
|
|
||
|
A KIND OF STOP WATCH ****
|
||
|
Writer: Rod Serling
|
||
|
Director: John Rich
|
||
|
Cast: Richard Erdman, Herbie Faye, Leon Belasco, Doris Singleton,
|
||
|
Roy Roberts
|
||
|
|
||
|
A talkative and rather unpopular fellow (Erdman) stumbles upon a
|
||
|
watch that can stop all action in the world.
|
||
|
|
||
|
LW: Another classic. Very humorous. Nice effects too.
|
||
|
|
||
|
|
||
|
THE LAST NIGHT OF A JOCKEY *
|
||
|
Writer: Rod Serling
|
||
|
Director: Joseph Newman
|
||
|
Cast: Mickey Rooney
|
||
|
|
||
|
Rooney is the sole star of this predictable yarn about a jockey
|
||
|
who thinks that being tall will solve all of his personal problems.
|
||
|
|
||
|
LW: I never liked this one at all.
|
||
|
|
||
|
|
||
|
LIVING DOLL ***
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Richard Sarifian
|
||
|
Cast: Telly Savalas, Tracy Stratford, Mary La Roche
|
||
|
|
||
|
A child's new doll has a most unusual vocabulary. It says things
|
||
|
like "Momma," "Papa" and "I'm going to kill you!".
|
||
|
|
||
|
LW: Alot of people remember this one! Telly in an interesting role.
|
||
|
|
||
|
|
||
|
THE OLD MAN IN THE CAVE ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Alan Crosland, Jr.
|
||
|
Cast: James Coburn, John Anderson, Josie Lloyd, John Craven,
|
||
|
Natalie Masters, John Marley, Frank Watkins
|
||
|
|
||
|
A group of survivors from a nuclear holocaust continue to survive
|
||
|
through the help of a mysterious "old man in the cave". From a short
|
||
|
story by Henry Slesar.
|
||
|
|
||
|
LW: This was Coburn's only appearance in the series, and he does a
|
||
|
good job.
|
||
|
|
||
|
|
||
|
UNCLE SIMON ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Don Siegal
|
||
|
Cast: Sir Cedric Hardwicke, Constance Ford, Ian Wolfe, John McLiam
|
||
|
|
||
|
Robby the Robot is featured in this episode. The spirit of an
|
||
|
old inventor avenges himself on his greedy niece when he dies at her
|
||
|
hands.
|
||
|
|
||
|
|
||
|
NIGHT CALL ****
|
||
|
Writer: Richard Matheson
|
||
|
Director: Jacques Tourneau
|
||
|
Cast: Gladys Cooper, Nora Marlowe, Martine Bartlett
|
||
|
|
||
|
The ladies are great in this tale about a lonely spinster
|
||
|
(Cooper) who suddenly starts receiving mysterious phone calls.
|
||
|
|
||
|
LW: A really good one which really manipulates your emotions.
|
||
|
|
||
|
|
||
|
PROBE 7 - OVER AND OUT **
|
||
|
Writer: Rod Serling
|
||
|
Director: Ted Post
|
||
|
Cast: Richard Basehart, Antoinette Bower, Frank Cooper, Barton Heyman
|
||
|
|
||
|
The lone survivors (Basehart, Bower) of two annihilated planets
|
||
|
must begin new lives together on a new world.
|
||
|
|
||
|
LW: Ho Hum type episode.
|
||
|
|
||
|
|
||
|
THE 7TH IS MADE UP OF PHANTOMS **
|
||
|
Writer: Rod Serling
|
||
|
Director: Alan Crosland, Jr.
|
||
|
Cast: Ron Foster, Warren Oates, Randy Boone, Robert Bray,
|
||
|
Wayne Mallory, Greg Morris, Jeffrey Morris, Lew Brown
|
||
|
|
||
|
Modern-day soldiers on the site of Custer's Last Stand encounter
|
||
|
the warring spirits of the 7th Cavalry and the Sioux nation.
|
||
|
|
||
|
LW: There is a funny story behind this episode that I will have to
|
||
|
relate some time. It involves a personal friend of mine. In any
|
||
|
case, the episode itself is largely a loser.
|
||
|
|
||
|
|
||
|
NINETY YEARS WITHOUT SLUMBERING **
|
||
|
Writer: George C. Johnson
|
||
|
Director: Roger Kay
|
||
|
Cast: Ed Wynn, Carolyn Kearney, James Callahan, Carol Byron,
|
||
|
John Pickard, Dick Wilson, William Sargent
|
||
|
|
||
|
An old codger (Wynn) is convinced that his life will end the
|
||
|
moment his grandfather's clock breaks down.
|
||
|
|
||
|
LW: Even Wynn can't help this poor plot.
|
||
|
|
||
|
|
||
|
RING-A-DING GIRL **
|
||
|
Writer: Earl Hamner, Jr.
|
||
|
Director: Alan Crosland, Jr.
|
||
|
Cast: Maggie McNamara, Mary Munday, David Macklin, George Mitchell,
|
||
|
Bing Russell, Betty Lou Gerson, Hank Patterson, Bill Hickman,
|
||
|
Vic Perrin
|
||
|
|
||
|
Movie star Bunny Blake (McNamara) saves her home town from
|
||
|
tragedy by heeding a weird ring of hers that predicts the future.
|
||
|
|
||
|
|
||
|
YOU DRIVE ***
|
||
|
Writer: Earl Hamner, Jr.
|
||
|
Director: John Brahm
|
||
|
Cast: Edward Andrews, Hellena Westcott, Kevin Hagen, Totty Ames,
|
||
|
John Hanek
|
||
|
|
||
|
A hit-and-run driver (Andrews) is harassed by his own car.
|
||
|
|
||
|
LW: Andrews returns to the TZ, and somehow makes this plot work
|
||
|
pretty well.
|
||
|
|
||
|
|
||
|
NUMBER 12 LOOKS JUST LIKE YOU ***
|
||
|
Writer: Charles Beaumont
|
||
|
Director: Abner Biberman
|
||
|
Cast: Suzy Parker, Richard Long, Pamela Austin, Collin Wilcox
|
||
|
|
||
|
The actors play multiple roles in this futuristic drama about the
|
||
|
loss of individuality. A young woman (Wilcox) rejects treatments that
|
||
|
will make her physically flawless like the rest of the people in the
|
||
|
drab society she lives in.
|
||
|
|
||
|
LW: There is a great flub in this episode. In one scene, if you know
|
||
|
where to look, you can see some cigarette smoke wafting in from a
|
||
|
stage hand standing off camera! A pretty good episode overall.
|
||
|
|
||
|
|
||
|
THE LONG MORROW **
|
||
|
Writer: Rod Serling
|
||
|
Director: Robert Fleury
|
||
|
Cast: Robert Lansing, Mariette Hartley, George MacReady, Edward Binns
|
||
|
|
||
|
A scientist hopes that by refusing to use a suspended animation
|
||
|
apparatus on a thirty year space probe he will remain in the same age
|
||
|
ratio as the woman he loves.
|
||
|
|
||
|
LW: The cast is the only quality element of this segment. Otherise it
|
||
|
is pretty dull and boring.
|
||
|
|
||
|
|
||
|
THE SELF-IMPROVEMENT OF SALVATORE ROSS **
|
||
|
Writer: Henry Selsar and Jerry McNelley
|
||
|
Director: Don Siegal
|
||
|
Cast: Don Gordon, Gail Kobe, Vaughn Taylor, Douglass Dumbrille,
|
||
|
Doug Lambert, J. Pat O'Malley
|
||
|
|
||
|
A man (Gordon) tries to parlay his strange ability to trade
|
||
|
traits with other people into a perfect life.
|
||
|
|
||
|
LW: Not one of the better ones.
|
||
|
|
||
|
|
||
|
BLACK LEATHER JACKETS ***
|
||
|
Writer: Earl Hamner, Jr.
|
||
|
Director: Joseph Newman
|
||
|
Cast: Lee Kinsolving, Shelly Fabares, Michael Forest, Tom Gilleran,
|
||
|
Denver Pyle, Irene Harvey, Michael Conrad
|
||
|
|
||
|
The three young motorcyclists who ride into a sleepy community
|
||
|
are actually invaders from space who intend to contaminate the Earth's
|
||
|
water supply.
|
||
|
|
||
|
LW: Somehow, this one actually comes out rather good.
|
||
|
|
||
|
|
||
|
FROM AGNES-WITH LOVE ***
|
||
|
Writer: Barney Scofield
|
||
|
Director: Dick Donner
|
||
|
Cast: Wally Cox, Ralph Taeger, Sue Randall, Raymond Biley, Don Keefer
|
||
|
|
||
|
Serio-comedy, as an advanced computer falls in love with its
|
||
|
technician (Cox).
|
||
|
|
||
|
LW: Wally Cox is excellent in this fable for programmers.
|
||
|
|
||
|
|
||
|
SPUR OF THE MOMENT ***
|
||
|
Writer: Richard Matheson
|
||
|
Director: Elliot Silverstein
|
||
|
Cast: Diana Hyland, Marsha Hunt, Roger Davis, Robert Hogan,
|
||
|
Phillip Ober
|
||
|
|
||
|
Odd melodrama about a woman (Hyland) who confronts the
|
||
|
frightening vision of her future self.
|
||
|
|
||
|
LW: Time recursion plays a major role in this episode.
|
||
|
|
||
|
|
||
|
STOPOVER IN A QUIET TOWN ****
|
||
|
Writer: Earl Hamner, Jr.
|
||
|
Director: Ron Winston
|
||
|
Cast: Barry Nelson, Nancy Malone, Denise Lynn, Karen Norris
|
||
|
|
||
|
A married couple (Nelson, Malone) wake up one morning in
|
||
|
a strange town where everything is artificial, and the air is
|
||
|
filled with a child's laughter.
|
||
|
|
||
|
LW: A TZ classic. Very good indeed.
|
||
|
|
||
|
|
||
|
QUEEN OF THE NILE **
|
||
|
Writer: Charles Beaumont
|
||
|
Director: John Brahm
|
||
|
Cast: Ann Blyth, Lee Phillips, Celia Lovsky, Ruth Phillips,
|
||
|
Frank Ferguson
|
||
|
|
||
|
An inquisitive reporter (Phillips) tries to find the key to
|
||
|
the apparent immortality of a glamorous movie star (Blyth), who is
|
||
|
currently playing the "Queen of the Nile." Prepare yourself for an
|
||
|
unusually gruesome finale!
|
||
|
|
||
|
LW: The ending may be gruesome, but that doesn't save this episode,
|
||
|
which steals elements from other TZ episodes.
|
||
|
|
||
|
|
||
|
WHAT'S IN THE BOX ***
|
||
|
Writer: Martin Goldsmith
|
||
|
Director: Dick Baer
|
||
|
Cast: William Demerest, Sterling Holloway, Herbert Lytton,
|
||
|
Howard Wright
|
||
|
|
||
|
Cab driver (Demerest) sees himself killing his wife on the
|
||
|
television set. Later remade as the premier episode of William
|
||
|
Castle's GHOST STORY.
|
||
|
|
||
|
LW: Demerest (Uncle Charlie in "My Three Sons") and Holloway (a
|
||
|
favorite of mine, he played one of the wacky professors in the
|
||
|
"Superman" television show and has had many character roles),
|
||
|
do their best in this basically weak plot. It too stole plot
|
||
|
elements from various TZ episodes.
|
||
|
|
||
|
|
||
|
THE MASKS ****
|
||
|
Writer: Rod Serling
|
||
|
Director: Abner Biberman
|
||
|
Cast: Robert Keith, Milton Selzer, Virginia Gregg, Brooke Hayward,
|
||
|
Alan Sues
|
||
|
|
||
|
Another grisly horror tale that benefits from William Tuttle's
|
||
|
make-up. A dying millionaire forces his evil, greedy family into
|
||
|
wearing grotesque masks that match their inner selves. Alan Sues, a
|
||
|
few years before his LAUGH-IN success, has a minor role as the man's
|
||
|
sadistic nephew.
|
||
|
|
||
|
LW: Not well known, but deserving of "classic" status. A minor
|
||
|
favorite of mine.
|
||
|
|
||
|
|
||
|
I AM THE NIGHT-COLOR ME BLACK *
|
||
|
Writer: Rod Serling
|
||
|
Director: Abner Biberman
|
||
|
Cast: Michael Constatine, Paul Fix, George Lindsay, Terry Becker,
|
||
|
Ivan Dixon
|
||
|
|
||
|
Symbolic, talky message piece. On the day an idealistic young
|
||
|
man is to be executed for the willful murder of a bigot, the sun
|
||
|
fails to shine on a small western town.
|
||
|
|
||
|
LW: Awful. Terrible. Bad. One of the worst.
|
||
|
|
||
|
|
||
|
CAESAR AND ME **
|
||
|
Writer: A. T. Strassfield
|
||
|
Director: Robert Butler
|
||
|
Cast: Jackie Cooper, Suzanne Cupito, Stafford Repp, Sarah Selby,
|
||
|
Don Gazaniga, Sidney Marion, Ken Konopka
|
||
|
|
||
|
Continuing a gimmick started earlier in "Dead of Night", a
|
||
|
ventriloquist's dummy comes to life and offers his master some
|
||
|
pretty unusual advice. This was one of the first television
|
||
|
scripts to be written by a woman.
|
||
|
|
||
|
LW: Another "dummy" story. Sigh.
|
||
|
|
||
|
|
||
|
THE JEOPARDY ROOM ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Dick Donner
|
||
|
Cast: Martin Landau, John VanDreelen, Robert Kelljan
|
||
|
|
||
|
A defector is captured by a hired assassin and given three hours
|
||
|
to earn his freedom.
|
||
|
|
||
|
LW: Landau returns in this well executed episode (no pun intended).
|
||
|
|
||
|
|
||
|
MR. GARRITY AND THE GRAVES **
|
||
|
Writer: Rod Serling
|
||
|
Director: Ted Post
|
||
|
Cast: John Dehner, Stanley Adams, J. Pat O'Malley, Norman Leavitt
|
||
|
|
||
|
A traveling salesman (Dehner) tells the backward members of a
|
||
|
small community that he can raise the dead. Later remade (sort of) as
|
||
|
an episode of "Night Gallery" called "Dr. Stringfellow's Rejuvenator."
|
||
|
|
||
|
|
||
|
THE BRAIN CENTER AT WHIPPLE'S ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Dick Donner
|
||
|
Cast: Richard Deacon, Paul Newlan, Ted DeCorsia, Burt Conroy
|
||
|
|
||
|
Robby the Robot makes another Twilight Zone appearance in this
|
||
|
story about a callous executive (Deacon) who hopes to improve his
|
||
|
corporation by replacing all the employees with machines.
|
||
|
|
||
|
LW: A slightly different model of Robbie appeared in each of these
|
||
|
episodes, by the way...
|
||
|
|
||
|
|
||
|
COME WANDER WITH ME **
|
||
|
Writer: Tony Wilson
|
||
|
Director: Dick Donner
|
||
|
Cast: Gary Crosby, Bonnie Beacher, Hank Patterson, John Bolt
|
||
|
|
||
|
Haunting tale about the doom awaiting a fraudulent folk singer
|
||
|
who persuades a backwoods girl to sing him an authentic folk ballad.
|
||
|
|
||
|
|
||
|
THE FEAR ***
|
||
|
Writer: Rod Serling
|
||
|
Director: Ted Post
|
||
|
Cast: Hazel Court, Mark Richman
|
||
|
|
||
|
Everything is relative in this story about an unhinged woman and
|
||
|
a state trooper who sights a giant alien in a California park.
|
||
|
|
||
|
LW: Not bad at all.
|
||
|
|
||
|
|
||
|
THE BEWITCHIN' POOL ***
|
||
|
Writer: Earl Hamner, Jr.
|
||
|
Director: Joseph Newman
|
||
|
Cast: Mary Badham, Tim Stafford, Kim Hector, Tod Andrews, Dee Hartford
|
||
|
|
||
|
The last show of the series is about two neglected children
|
||
|
who escape their constantly bickering parents by diving into their
|
||
|
swimming pool and emerging in a mysterious, but loving, world.
|
||
|
|
||
|
|
||
|
|
||
|
NON-SYNDICATED EPISODES
|
||
|
-----------------------
|
||
|
|
||
|
|
||
|
The following episodes were originally broadcast on the network
|
||
|
but have been pulled out of syndication. Unfortunately, no cast or
|
||
|
credits are available.
|
||
|
|
||
|
|
||
|
SOUNDS AND SILENCE ???
|
||
|
|
||
|
|
||
|
A SHORT DRINK FROM A CERTAIN FOUNTAIN **
|
||
|
|
||
|
LW: A man wants to become young again, and obtains a rejuvenating
|
||
|
potion in the hopes of accomplishing this.
|
||
|
|
||
|
|
||
|
THE ENCOUNTER ???
|
||
|
|
||
|
|
||
|
OCCURRENCE AT OWL CREEK BRIDGE *****
|
||
|
|
||
|
This was actually an award winning French short subject picked up
|
||
|
by Rod Serling for one network play on the TWILIGHT ZONE. Based on a
|
||
|
classic tale by Ambrose Bierce, it is set during the Civil War and
|
||
|
concerns a man about to be hung.
|
||
|
|
||
|
LW: EXCELLENT!
|
||
|
|
||
|
______________________________
|
||
|
|
||
|
|
||
|
LW: Epilog:
|
||
|
|
||
|
And so it ends. By the end of the series, Serling had already
|
||
|
lost substantial control over the production of the show, and
|
||
|
was rapidly becoming disgusted by the start of the fifth season.
|
||
|
He began having as little as possible to do with the series since
|
||
|
he did not have the control he wanted. He began filming several
|
||
|
show intros at once in front of a neutral gray backround, instead
|
||
|
of placing himself in the action as in earlier shows. These intros
|
||
|
could then be simply edited into the series as production
|
||
|
continued.
|
||
|
|
||
|
He had hoped that "Night Gallery" would provide the situation he
|
||
|
needed for his creativity, but such was not to be the case. He
|
||
|
ended up with even less control over this series, and the show was
|
||
|
quickly degenerated by management into a series of dull episodes
|
||
|
on ESP. Serling NEVER liked this show.
|
||
|
|
||
|
It goes to prove that television is indeed a magic medium. It can
|
||
|
destroy anything that crosses its path, however good that thing
|
||
|
was to start with. But at least we have lots of GOOD Twilight
|
||
|
Zone episodes to look back at and reflect on.
|
||
|
|