1476 lines
50 KiB
Plaintext
1476 lines
50 KiB
Plaintext
|
ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
|
||
|
ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
|
||
|
oo oo
|
||
|
oo the unplastic news issue #2 oo
|
||
|
oo oo
|
||
|
oo August 1991 oo
|
||
|
oo oo
|
||
|
oo oo
|
||
|
oo oo
|
||
|
oo TTTTTTTTTT HH HH EEEEEE oo
|
||
|
oo TT HH HH EE oo
|
||
|
oo TT HHHHHH EEEE oo
|
||
|
oo TT HH HH EE oo
|
||
|
oo TT HH HH EEEEEE oo
|
||
|
oo oo
|
||
|
oo oo
|
||
|
oo UU UU N N PPPPPP L AAAAAA SSSSS TTTTTT II CCCCCC oo
|
||
|
oo UU UU NN N PP P L A A SS TT II CC oo
|
||
|
oo UU UU N N N PPPPPP L AAAAAA SSSSS TT II CC oo
|
||
|
oo UUUUUU N NN PP L A A SS TT II CC oo
|
||
|
oo UUUUUU N N PP LLLL A A SSSSS TT II CCCCCC oo
|
||
|
oo oo
|
||
|
oo oo
|
||
|
oo N N EEEEEE W W SSSSS oo
|
||
|
oo NN N EE W W SS oo
|
||
|
oo N N N EEEE W W W SSSSS oo
|
||
|
oo N N N EE W W W SS oo
|
||
|
oo N NN EEEEEE WWWWWWW SSSSS oo
|
||
|
oo oo
|
||
|
oo ....... the unplastic news ........ oo
|
||
|
oo oo
|
||
|
oo america's active global peace press-------->> oo
|
||
|
oo oo
|
||
|
oo special REALITY issue special REALITY issue oo
|
||
|
oo oo
|
||
|
oo special R E A L I T Y issue oo
|
||
|
oo oo
|
||
|
ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
|
||
|
ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
|
||
|
|
||
|
|
||
|
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
|
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
|
!! !!
|
||
|
!! DISCLAIMER: !!
|
||
|
!! ^^^^^^^^^^^ !!
|
||
|
!! !!
|
||
|
!! The Unplastic News is published by !!
|
||
|
!! Todd Tibbetts who is solely !!
|
||
|
!! responsible for its contents. !!
|
||
|
!! !!
|
||
|
!! Views and thoughts herein are not !!
|
||
|
!! necessarily those of !!
|
||
|
!! 3M Health Information Systems !!
|
||
|
!! or 3M in general. !!
|
||
|
!! !!
|
||
|
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
|
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
|
||
|
|
||
|
|
||
|
___________________________________________________________________________
|
||
|
===========================================================================
|
||
|
|
||
|
The Unplastic News is a compilation of quotes and
|
||
|
stories, all credited to the proper sources, and
|
||
|
arranged in absolutely no order whatsoever. We
|
||
|
present this material for entertainment and for
|
||
|
it's communication value. Computer networks are
|
||
|
a wild form of global human interaction and we
|
||
|
hope to post ideas and thoughts to be read
|
||
|
and digested.
|
||
|
|
||
|
Also, we love the tons-O-mail you've been sending.
|
||
|
We want more, please. Send us anything. Plus,
|
||
|
include WHERE you are writing from (if it is not
|
||
|
obvious in your address) because we are curious.
|
||
|
|
||
|
We hope you enjoy.............................
|
||
|
|
||
|
XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX
|
||
|
XXX
|
||
|
INTERNET XXX Pass
|
||
|
Address: XXX This
|
||
|
XXX On.
|
||
|
tibbetts@hsi.hsi.com XXX Send to a friend.
|
||
|
Connecticut, U.S.A. XXX
|
||
|
XXX
|
||
|
==========================================================================
|
||
|
__________________________________________________________________________
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
the reality issue issue #2 the reality issue
|
||
|
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
|
|
||
|
C O N T E N T S:
|
||
|
^^^^^^^^^^^^^^^^^^
|
||
|
|
||
|
1. Quotes. Quotes. Things. Thoughts. Quips.
|
||
|
|
||
|
|
||
|
2. SHORT FICTION:
|
||
|
|
||
|
Tense
|
||
|
by todd tibbetts
|
||
|
|
||
|
|
||
|
3. Quotes. Thoughts. Stuff. Pieces. Parts.
|
||
|
|
||
|
|
||
|
4. SHORT FICTION:
|
||
|
|
||
|
The Continuing Story
|
||
|
by eric mielke
|
||
|
|
||
|
|
||
|
5. Quotes. Pieces. Thoughts. Quotes. Chunks.
|
||
|
|
||
|
|
||
|
6. SHORT REALITY:
|
||
|
|
||
|
The Unplastic News Visits The Rainbow Family
|
||
|
by thaloneous platypus
|
||
|
|
||
|
|
||
|
7. Quotes. Stuff. Things. Randomicity. Faroutedness.
|
||
|
|
||
|
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
|
the reality issue issue #2 the reality issue
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
##########################################################################
|
||
|
|
||
|
|
||
|
"Knowledge is one. Its division into subjects is
|
||
|
a concession to human weakness."
|
||
|
|
||
|
--->> Sir Halford John Mackinder <<---
|
||
|
|
||
|
|
||
|
##########################################################################
|
||
|
|
||
|
|
||
|
"I don't understand guys who call themselves feminists.
|
||
|
That's like the time Hubert Humphrey, running for
|
||
|
President, told a black audience he was a
|
||
|
soul brother."
|
||
|
|
||
|
..... Roy Blount, Jr .....
|
||
|
|
||
|
|
||
|
}}}}}}}}}}}}}}}}}
|
||
|
}}}}}}}}}}}}}}}}}}}}}}}}}
|
||
|
"I have a simple }}}}}}}}}}}}}}}}}}}}}}}}}
|
||
|
philosophy: Fill what's empty. Empty }}}}}}}}}}}}}}
|
||
|
what's full. Scratch }}}}}}}}}}}}}}}}}}}}}}}}}
|
||
|
where it itches." }}}}}}}}}}}}}}}}}
|
||
|
}}}}}}}}} Alice Roosevelt Longworth
|
||
|
}}}}}}}}}}}}}}}}}
|
||
|
|
||
|
##########################################################################
|
||
|
## ##
|
||
|
## "Moving amidst my own people I was never impressed by any ##
|
||
|
## of their accomplishments; I never felt the presence of ##
|
||
|
## any deep religious urge, nor any great asthetic impulse: ##
|
||
|
## there was no sublime architecture, no sacred dances, no ##
|
||
|
## ritual of any kind. We moved in a swarm, intent on ##
|
||
|
## accomplishing one thing-to make life easy. The great ##
|
||
|
## bridges, the great dams, the great skyscrapers left me ##
|
||
|
## cold. Only Nature could instill a sense of awe. And ##
|
||
|
## we were defacing Nature at every turn. As many times as I ##
|
||
|
## struck out to scour the land, I always came back empty- ##
|
||
|
## handed. Nothing new, nothing bizarre, nothing exotic. ##
|
||
|
## Worse, nothing to bow down before, nothing to reverence. ##
|
||
|
## Alone in a land where everyone was hopping about like mad. ##
|
||
|
## What I craved was to worship and adore. What I needed was ##
|
||
|
## companions who felt the same way. But there was nothing ##
|
||
|
## to worship and adore, there were no champions of like ##
|
||
|
## spirit. There was only a wilderness of steel and iron, of ##
|
||
|
## stocks and bonds, of crops and produce, of factories, mills ##
|
||
|
## and lumberyards, a wilderness of boredom, of useless ##
|
||
|
## utilities, of loveless love...." ##
|
||
|
## ##
|
||
|
## Nexus ##
|
||
|
## The Rosy Crucifixion III ##
|
||
|
## ##
|
||
|
## Henry Miller ##
|
||
|
## ##
|
||
|
## Grove Press, 1965 ##
|
||
|
## ##
|
||
|
##########################################################################
|
||
|
##########################################################################
|
||
|
|
||
|
|
||
|
If your beard catches fire,
|
||
|
may others light their cigars.
|
||
|
|
||
|
|
||
|
__________________________________________________________________________
|
||
|
|
||
|
|
||
|
|
||
|
BIOGRAPHY #1
|
||
|
^^^^^^^^^^^^^
|
||
|
|
||
|
Aldous Huxley
|
||
|
(1894-1963)
|
||
|
|
||
|
Educated at Eton and Oxford, was blocked from a career in
|
||
|
biology by his poor eyesight. During the 1920s he wrote
|
||
|
several ironic novels satirizing the decadence of European
|
||
|
intellectual life.
|
||
|
|
||
|
Migrating to California in 1935 Huxley devoted the rest of
|
||
|
his life to studying and writing about transcendental
|
||
|
philosophy, futurism, and the evolution of intelligence.
|
||
|
Doors of Perception, Heaven and Hell, and the utopian novel
|
||
|
Island made him the world's most influential advocate of
|
||
|
psychedelic drugs.
|
||
|
|
||
|
Huxley traced his interest in brain-change drugs to his
|
||
|
childhood reading about Erasmus Darwin (1731-1802), who
|
||
|
anticipated his grandson Charles' work by explaining
|
||
|
organic life in terms of evolutionary principles. Erasmus
|
||
|
Darwin is also famous for having grown England's first
|
||
|
marijuana plant (cannabis indica) with Sir Joseph Banks,
|
||
|
president of the Royal Society. The plant was eighteen feet tall.
|
||
|
|
||
|
|
||
|
Flash Backs
|
||
|
An Autobiography
|
||
|
|
||
|
Timothy Leary
|
||
|
|
||
|
J.P. TARCHER, INC., 1983
|
||
|
|
||
|
All other biographies in this 2nd issue of u.n. are also taken
|
||
|
from this same book by Timothy Leary.
|
||
|
|
||
|
|
||
|
____________________________________________________________________________
|
||
|
|
||
|
|
||
|
...have you found the reality yet?....
|
||
|
|
||
|
|
||
|
_____________________________________________________________________________
|
||
|
|
||
|
|
||
|
"The superintendent of the Floyd County, N.C., school system
|
||
|
apologized in February for the mistake of one of his teachers.
|
||
|
In the lesson on Martin Luthar King Jr., the teacher had
|
||
|
instructed the class that Rosa Parks (who actually set off
|
||
|
the Montgomery, Ala., bus boycott in 1955) was the person
|
||
|
who assassinated King in 1968..."
|
||
|
|
||
|
Funny Times
|
||
|
August 1991
|
||
|
|
||
|
|
||
|
////////////////////////////////////////////////////////////////////////////
|
||
|
|
||
|
|
||
|
"We are all born charming, fresh, and spontaneous
|
||
|
and must be civilized before we are fit to
|
||
|
participate in society."
|
||
|
|
||
|
**** Miss Manners (Judith Martin) ****
|
||
|
|
||
|
|
||
|
___________________________________________________________________________
|
||
|
ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
|
||
|
___________________________________________________________________________
|
||
|
|
||
|
|
||
|
SAVE JAMES BAY STOP HYDRO-QUEBEC
|
||
|
|
||
|
SAVE JAMES BAY STOP HYDRO-QUEBEC
|
||
|
|
||
|
============
|
||
|
|
||
|
Damming the Rivers of James Bay
|
||
|
|
||
|
FOLLY OF THE CENTURY
|
||
|
|
||
|
|
||
|
|
||
|
Hydro-Quebec wants to build
|
||
|
five dams
|
||
|
to generate
|
||
|
3,060 Megawatts
|
||
|
of electricity.
|
||
|
|
||
|
|
||
|
|
||
|
Hydro-Quebec claims its James Bay dams produce
|
||
|
Clean, Safe, Cheap Electricity
|
||
|
For Quebec and the
|
||
|
Northeastern United States.
|
||
|
|
||
|
|
||
|
What's the Price of Cheap Electricity ?
|
||
|
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
|
||
|
|
||
|
Ecological Disaster Cultural Genocide
|
||
|
^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^
|
||
|
The destruction of the entire James Cree hunters, trappers,
|
||
|
Bay ecosystem- the heart of the largest and fishermen are
|
||
|
remaining wilderness in North America loosing traditional
|
||
|
means of subsistence.
|
||
|
|
||
|
|
||
|
____________________________________________
|
||
|
|
||
|
"They are telling the Americans this is cheap
|
||
|
and clean. But it's not cheap for us. When
|
||
|
you turn on your switch, you're killing us."
|
||
|
|
||
|
--> Robbie Dick, Cree Chief of Great Whale
|
||
|
River Village
|
||
|
|
||
|
____________________________________________
|
||
|
|
||
|
"The right of indigenous people and the
|
||
|
commitment we have to the land, the environment,
|
||
|
should be universal and unbending. The environment
|
||
|
should not be forsaken on a whim to create economic
|
||
|
benefits. Human rights should not be abandoned on
|
||
|
a whim to assure that the air conditioners of New
|
||
|
York City can run full force. Not if we as a people,
|
||
|
as a planet, want to survive."
|
||
|
|
||
|
--> Matthew Coon-Come
|
||
|
|
||
|
____________________________________________
|
||
|
|
||
|
"I don't want to live like my great grandfather
|
||
|
lived in the farmlands somewhere in Quebec. I
|
||
|
need television, radio, electricity. I don't
|
||
|
believe native people want to live in the
|
||
|
Stone Age."
|
||
|
|
||
|
--> Jacques Guevremont, Vice-President Hydro-Quebec
|
||
|
|
||
|
______________________________________________
|
||
|
|
||
|
|
||
|
SAVE THE BAY SAVE THE BAY SAVE THE BAY SAVE THE BAY SAVE THE BAY SAVE THE BAY
|
||
|
|
||
|
|
||
|
Northeast Alliance to Protect James Bay
|
||
|
139 Antrim Street
|
||
|
Cambridge, Ma. 02139
|
||
|
(617) 491-5531
|
||
|
|
||
|
|
||
|
Ban the Dam Bulletin
|
||
|
Sierra Club Northeast Regional Office
|
||
|
85 Washington Street
|
||
|
Saratoga Springs, NY 12866
|
||
|
(518) 587-9166
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
_____________________________________________________________________________
|
||
|
ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo
|
||
|
_____________________________________________________________________________
|
||
|
|
||
|
|
||
|
|
||
|
"Mother Earth is pregnant for the third time
|
||
|
For y'all have knocked her up
|
||
|
I have tasted the maggots of the universe
|
||
|
And I was not offended
|
||
|
For I knew I had to rise above it all
|
||
|
Or drown in my own shit."
|
||
|
|
||
|
|
||
|
Funkadelic
|
||
|
|
||
|
ALBUM: Maggot Brain
|
||
|
|
||
|
|
||
|
))))))))))))))))))))))))))))))))((((((((((((((((((((((((((((((((((((((())))
|
||
|
|
||
|
|
||
|
reality dreams are under your desk
|
||
|
|
||
|
|
||
|
!@#$%^&*()_)(*&^%$#@!@#$%^&*()_+_)(*&^%$#@!@#$%^&*()_+}{":<>?/.,;'][=-=-=!!2
|
||
|
|
||
|
|
||
|
Originality and the feeling of one's own dignity
|
||
|
are achieved only through work and struggle.
|
||
|
|
||
|
---- Dostoevsky ----
|
||
|
|
||
|
|
||
|
!@#$%^&*()_)(*&^%$#@!@#$%^&*()_+_)(*&^%$#@!@#$%^&*()_+}{":<>?/.,;'][=-=-=!!3
|
||
|
|
||
|
|
||
|
Trying to define yourself is like
|
||
|
trying to bite your own teeth.
|
||
|
|
||
|
@@@ Alan Watts @@@
|
||
|
|
||
|
|
||
|
}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}}
|
||
|
|
||
|
|
||
|
SHORT FICTION
|
||
|
SHORT FICTION
|
||
|
SHORT FICTION
|
||
|
SHORT FICTION
|
||
|
SHORT FICTION
|
||
|
^^^^^^^^^^^^^^^
|
||
|
|
||
|
Tense
|
||
|
^^^^^
|
||
|
by todd tibbetts
|
||
|
|
||
|
|
||
|
|
||
|
Today I actually moved in with Waldo.
|
||
|
|
||
|
Waldo's been my chum for some twenty wicked weird years.
|
||
|
|
||
|
We have never lived together before as housemates. And it was
|
||
|
our fucked up marriages that slapped us together just recently.
|
||
|
We were rushing to get somewhere when we were kids, struggling
|
||
|
to grab a goal. Any goal. Now we are nowhere and things are
|
||
|
fucking bad.
|
||
|
|
||
|
I've always told myself that it would be impossible for me to
|
||
|
live with someone like Waldo...not to mention someone who
|
||
|
actually IS Waldo.
|
||
|
|
||
|
I have a desperate need to practice my bassoon at least five
|
||
|
hours every day...and that's only counting the time I put in
|
||
|
playing scales, that's not counting composition time. I have
|
||
|
definate goals and I think of them while I play.
|
||
|
|
||
|
And Waldo needs to smoke crack and masturbate.
|
||
|
|
||
|
It is amazing that he can still be a dentist.
|
||
|
|
||
|
This new apartment that we moved into today is cramped. The
|
||
|
windows are closed. The air is musty. We are wrapped in a
|
||
|
giant sock.
|
||
|
|
||
|
Waldo makes a lot of money. He has a private practice. His
|
||
|
earnings are spent on rent, food, car and crack. And cable t.v.
|
||
|
He earns the exact amount he spends. Even to the untrained eye,
|
||
|
it is obvious what Waldo spends the largest portion of his
|
||
|
money on. But one might not notice that the second largest
|
||
|
portion of his earnings goes to t.v. But I, on the other hand,
|
||
|
have seen his lifestyle first hand. He spends more money on
|
||
|
t.v. than rent, food and car combined. He receives EVERY
|
||
|
channel. He owns EVERY extrainious gadget. He subscribes to
|
||
|
EVERY pay-per-view wrestling match...including those Brazilian
|
||
|
ones, the ones with subtitles. Waldo is the only man I know
|
||
|
who's external t.v. speakers are taller than he is.
|
||
|
|
||
|
Waldo is one of those Americans who has given up on growth. He
|
||
|
pushed himself to a point in his life where he was emotionally
|
||
|
and financially able to live a life away from a dependence on
|
||
|
his parents. That was the point where he decided that learning
|
||
|
was no longer necessary.
|
||
|
|
||
|
He is one of the Platau People.
|
||
|
|
||
|
Reach for comfort! Reach for lack of opposition. Grab at
|
||
|
promotions and car phones but, dear God...don't make me think!
|
||
|
|
||
|
This trend will kill everyone.
|
||
|
|
||
|
His wife walked out on him one bright afternoon.
|
||
|
|
||
|
His wife is now having sex with a professional body builder
|
||
|
whom she met at the health club Waldo forced her to go to.
|
||
|
|
||
|
He said one day to her:
|
||
|
"You know, the back of your legs looks flabby. I am buying you
|
||
|
a membership at the gym."
|
||
|
|
||
|
When she got so crazy with him that she had to leave she said:
|
||
|
"Your cock is like limp frozen-dinner turkey and you
|
||
|
fuck like jello."
|
||
|
|
||
|
Later she told him about her body builder lover:
|
||
|
"Now I know what it means to want it. Now that I've had a
|
||
|
thick man between my legs, I know what wetness is."
|
||
|
|
||
|
And just a few minutes ago Waldo turned on the t.v. The air
|
||
|
around the set began warming. From my bedroom I could hear
|
||
|
the static crackling before the volume kicked in, full tilt.
|
||
|
He clicked to number seven. Circus of the Stars was on and
|
||
|
these bright stars were having a circus. Swirling organ
|
||
|
crashes came loud like mufflers. Stars in a circus. Did the
|
||
|
producer plan the irony or was he merely an idiot? A part
|
||
|
of the thick American middle. T.v. drum rolls knocked me
|
||
|
off my stool. I placed the bassoon in it's case and gave up,
|
||
|
hoping that the situation did not foreshadow an unhealthy
|
||
|
pattern...the vices of others creeping at me, shattering
|
||
|
my practice.
|
||
|
|
||
|
I needed a grilled cheese sandwich.
|
||
|
|
||
|
In our new thin kitchen, I turned the stove knob.
|
||
|
|
||
|
And through the kitchen doorway rolled the shouts of
|
||
|
spectators and the oooohs and aaaaahs of children. And the
|
||
|
ego ramblings of microphone-holding people crept louder above
|
||
|
the rest.
|
||
|
|
||
|
With the stove knob turned, I searched for a pan in the
|
||
|
lower cabinet. I was on my knees.
|
||
|
|
||
|
I heard a scream.
|
||
|
|
||
|
I tried to bolt upright.
|
||
|
|
||
|
The back of my neck caught firm wood.
|
||
|
|
||
|
Waldo was yelping out screeches of excitement.
|
||
|
|
||
|
Sitting bent legged on the musty kitchen floor, I squirmed and
|
||
|
softly rubbed the back of my neck. I felt warmth.
|
||
|
|
||
|
There was blood.
|
||
|
|
||
|
I lay in a bent ache for some minutes. The pan in one hand. The
|
||
|
other hand grasping my neck. I waited. I stewed in thought. I
|
||
|
reveled in quiet anger. Those eight-foot speekers rambled with
|
||
|
stereo symbol crashes. Clowns were throwing pies.
|
||
|
|
||
|
I finally stood, dizzy-like and panting. I moved slowly at
|
||
|
Waldo...that smoking thing on the living room chair.
|
||
|
|
||
|
He couldn't suck the last half-a-hit from the dirty pipe
|
||
|
chamber so he offered the rest of the white smoke to me. The
|
||
|
glass above the water in the pipe was stained a chunky brown.
|
||
|
He slipped his hand into his pants.
|
||
|
|
||
|
I yelled.
|
||
|
|
||
|
I wanted to know why he was so unstable.
|
||
|
|
||
|
I wanted to know why he was strungout and stagnant.
|
||
|
|
||
|
I wanted to know why he put himself to sleep EVERY night by
|
||
|
smoking and then jerking off to a sticky magazine. No tenderness
|
||
|
to the self -- No concept of others.
|
||
|
|
||
|
I wanted to know why I was so mad and screaming, and why I felt
|
||
|
dizzy from the boob tube flickering and dizzy from moldy air and
|
||
|
dizzy from dizzy.
|
||
|
|
||
|
He did not make me mad.
|
||
|
|
||
|
I made me mad.
|
||
|
|
||
|
I made me.
|
||
|
|
||
|
Now he is lighting his pipe.
|
||
|
|
||
|
He owns a powerful lighter.
|
||
|
|
||
|
And I
|
||
|
smell
|
||
|
LOTS
|
||
|
of stove gas.
|
||
|
|
||
|
|
||
|
SHORT FICTION
|
||
|
SHORT FICTION by todd tibbetts.
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
+-----+-----+-----+-----+-----+-----+-----+-----+-----+-----+-----+-----+
|
||
|
| |
|
||
|
| If one is master of one thing and understands one thing |
|
||
|
+ well, one has at the same time, insight into and under- +
|
||
|
| standing of many things. |
|
||
|
| |
|
||
|
| * Vincent Van Gogh * |
|
||
|
+-----+-----+-----+-----+-----+-----+-----+-----+-----+-----+-----+-----+
|
||
|
|
||
|
|
||
|
|
||
|
"A Kitchener, Ontario, radio station, sponsoring a 'What
|
||
|
Would You Do for $10,000?' contest last fall, permitted
|
||
|
such stunts as eating a dung-covered apple and
|
||
|
regurgitating spaghetti and going snorkeling in a tub
|
||
|
of worms, but rejected the idea of a woman who wanted to
|
||
|
hand out bumper stickers while nude on a downtown street
|
||
|
corner. Said a station spokesman, 'We didn't want to
|
||
|
be associated with that.' "
|
||
|
|
||
|
Funny Times
|
||
|
August 1991
|
||
|
|
||
|
|
||
|
_____________________________________________________________________________
|
||
|
|
||
|
|
||
|
"The varying levels of reality in the second
|
||
|
issue of the unplastic news are awe inspiring.
|
||
|
Readers find themselves searching...and that is
|
||
|
enough. Simplicity. Two thumbs up."
|
||
|
|
||
|
Gene Siskle & Roger Ebert
|
||
|
|
||
|
___________________________________________________________________________
|
||
|
|
||
|
|
||
|
BIOGRAPHY #2
|
||
|
^^^^^^^^^^^^
|
||
|
|
||
|
Allen Ginsberg
|
||
|
(1926- )
|
||
|
|
||
|
One of the most influential American poets of the mid-twentieth
|
||
|
century, was born in Patterson, New Jersey and graduated from
|
||
|
Columbia in 1949. He was chief spokesman for the Beat
|
||
|
Generation, a movement that flourished in New York and San
|
||
|
Francisco during the 1950s. Essentially anarchic, Ginsberg
|
||
|
and the Beats rejected conventional culture and artistic
|
||
|
forms. They sought altered and intensified states of
|
||
|
consciousness, novel experiences, and mystical perceptions
|
||
|
through drugs and oriental yogic techniques, especially Zen.
|
||
|
|
||
|
Continually "on the road," usually accompanied by Peter
|
||
|
Orlovsky, his companion for thirty years, Ginsberg traveled
|
||
|
the world preaching a Buddhist quietist philosophy layered
|
||
|
with socialist anger and a pagan celebration of life.
|
||
|
During this era his stance was anti-scientific, anti-technological,
|
||
|
anti-future, non-evolutionary. In the 1980s Allen Ginsberg
|
||
|
functions as a genial poet laureate, meeting regularly in
|
||
|
international conferences with his "opposite numbers" in China,
|
||
|
the Soviet Union, and the Third World.
|
||
|
|
||
|
|
||
|
___________________________________________________________________________
|
||
|
|
||
|
Trust in God,
|
||
|
But tie your camel.
|
||
|
|
||
|
___________________________________________________________________________
|
||
|
|
||
|
"ADMONITIONS
|
||
|
|
||
|
|
||
|
boys
|
||
|
i don't promise you nothing
|
||
|
but this
|
||
|
what you pawn
|
||
|
i will redeem
|
||
|
what you steal
|
||
|
i will conceal
|
||
|
my private silence to
|
||
|
your public guilt
|
||
|
is all i got
|
||
|
|
||
|
girls
|
||
|
first time a white man
|
||
|
opens his fly
|
||
|
like a good thing
|
||
|
we'll just laugh
|
||
|
laugh real loud my
|
||
|
black women
|
||
|
|
||
|
children
|
||
|
when they ask you
|
||
|
why is your mama so funny
|
||
|
say
|
||
|
she is a poet
|
||
|
she don't have no sense"
|
||
|
|
||
|
|
||
|
Lucille Clifton
|
||
|
|
||
|
|
||
|
___________________________________________________________________________
|
||
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
"the mother
|
||
|
|
||
|
|
||
|
Abortions will not let you forget.
|
||
|
You remember the children that you got that you did not get,
|
||
|
The damp small pulps with a little or with no hair,
|
||
|
The singers and workers that never handled the air.
|
||
|
You will never neglect or beat
|
||
|
Them, or silence or buy with a sweet.
|
||
|
You will never wind up the sucking-thumb
|
||
|
Or scuttle off ghosts that come.
|
||
|
You will never leave them, controlling your luscious sigh,
|
||
|
Return for a snack of them, with gobbling mother-eye.
|
||
|
I have heard in the voices of the wind the voices of my dim
|
||
|
killed children.
|
||
|
I have contracted. I have eased
|
||
|
My dim dears at the breasts they could never suck.
|
||
|
I have said, Sweets, if I sinned, if I seized
|
||
|
Your luck
|
||
|
And your lives from your unfinished reach,
|
||
|
If I stole your births and your names,
|
||
|
Your straight baby tears and your games,
|
||
|
Your stilted or lovely loves, your tumults, your marriages, aches,
|
||
|
and your deaths,
|
||
|
If I poisoned the beginnings of your breaths,
|
||
|
Believe that even in my deliberateness I was not deliberate.
|
||
|
Though why should I whine,
|
||
|
Whine that the crime was other than mine?-
|
||
|
Since anyhow you are dead.
|
||
|
Or rather, or instead,
|
||
|
You were never made.
|
||
|
But that too, I am afraid,
|
||
|
Is faulty: oh, what shall I say, how is the truth to be said?
|
||
|
You were born, you had a body, you died.
|
||
|
It is just that you never giggled or planned or cried.
|
||
|
|
||
|
Believe me, I loved you all.
|
||
|
Believe me, I knew you, though faintly, and I loved, I loved you
|
||
|
All."
|
||
|
|
||
|
|
||
|
Gwendolyn Brooks
|
||
|
|
||
|
|
||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||
|
____________________________________________________________________________
|
||
|
|
||
|
|
||
|
|
||
|
BIOGRAPHY #3
|
||
|
^^^^^^^^^^^^
|
||
|
|
||
|
Wilhelm Reich
|
||
|
(1897-1956)
|
||
|
|
||
|
Was one of the most brilliant and iconoclastic members of the
|
||
|
early Vienna-based Freudian psychoanalysts, a circle from
|
||
|
which he was eventually expelled. His concept of "muscular
|
||
|
armor" and his theories about sexuality and the body later
|
||
|
became the basis for a number of therapies, including
|
||
|
bioenergetics and Gestalt therapy, whose founders were once
|
||
|
his students. His classic treatises The Sexual Revolution
|
||
|
(he coined the phrase) and The Function of the Orgasm,
|
||
|
written in the early 1930s, were epochal statements.
|
||
|
Ironically, he personally disapproved of playful erotic
|
||
|
behavior.
|
||
|
|
||
|
An M.D. at heart Reich was mostly interested in the medical
|
||
|
aspects of orgone, the lack of which he believed resulted
|
||
|
in cancer and destructive tendencies. Reich designed a
|
||
|
container in which a person could sit and absorb the
|
||
|
healing energy. His work was scorned by the American
|
||
|
medical establishment, which considered him dangerous. He
|
||
|
went on with his experiments, attempting to comply with
|
||
|
restrictions placed on him by the Food and Drug Administration.
|
||
|
Finally he was jailed for selling orgone boxes. He died
|
||
|
in prison, unsupported by the psychiatric establishment,
|
||
|
persecuted by federal agents who confiscated and burned his books.
|
||
|
These books later became standard texts in sociology
|
||
|
and psychology.
|
||
|
|
||
|
___________________________________________________________________________
|
||
|
|
||
|
|
||
|
|
||
|
PATIENT: Doc, I got a weak back.
|
||
|
|
||
|
DOCTOR: Yea? When did you get it?
|
||
|
|
||
|
PATIENT: Oh, about a week back...
|
||
|
|
||
|
|
||
|
+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
SHORT FICTION SHORT FICTION
|
||
|
N SHORT FICTION SHORT FICTION SHORT FICTION
|
||
|
SHORT FICTION SHORT
|
||
|
|
||
|
|
||
|
The Continuing Story
|
||
|
^^^^^^^^^^^^^^^^^^^^
|
||
|
|
||
|
by Eric Mielke
|
||
|
|
||
|
|
||
|
Chapters in this Issue:
|
||
|
-----------------------
|
||
|
|
||
|
1. Moving In
|
||
|
2. The Church
|
||
|
3. The Dream
|
||
|
4. Father Knows All
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
I. Moving In
|
||
|
^^^^^^^^^^^^^
|
||
|
|
||
|
After every box was filed and sorted through, after the last
|
||
|
signature had been placed on the landlord's forehead, it
|
||
|
became apparent to me that I had just begun an exciting and
|
||
|
somewhat mysterious new life in a three room, six-hundred-
|
||
|
and-fifty-dollar-a-month apartment in Idaho.
|
||
|
|
||
|
It was a nifty neighborhood, pleasant and friendly (at first.)
|
||
|
|
||
|
I was not aware, when I first moved in, that the massive
|
||
|
church directly across the street would have an effect on my
|
||
|
life greater than that of the Australian flea bite I received
|
||
|
on my testicle back in '72. The fortress of God loomed
|
||
|
grim and mysterious across that road and little did I know
|
||
|
the true horrors which were taking place inside.
|
||
|
|
||
|
I had just been released from the mental institution in
|
||
|
Cuba and was happy to be out on my own. The new apartment
|
||
|
was nice except for the occasional disturbance from
|
||
|
upstairs. Two groundhogs lived above us and would mate
|
||
|
endlessly. This was inconvenient because their intercourse
|
||
|
was often extremely noisy. The rodents also had a horrid
|
||
|
wind chime that was a thousand times more revolting to the
|
||
|
ear. The
|
||
|
thing
|
||
|
would
|
||
|
TINKLE constantly, usually on cold, moonless
|
||
|
nights as I walked down the long alley to the front of the
|
||
|
complex. The tinkle, tinkle, tinkle drove me nuts. For
|
||
|
months I searched for the source of this incessant tinkle
|
||
|
without success. It hid like an infernal deamon waiting to
|
||
|
slash at my ears with it's tinkle, Tinkle, TINKLE !!! Finally,
|
||
|
I found it and shoved it down my garbage disposal.
|
||
|
|
||
|
My girlfriend, Debbie, and I arranged the apartment to resemble
|
||
|
the inside of a Poptart box. We argued only once about the
|
||
|
decor of a particular room. It was my third grade science
|
||
|
project that started the dispute, Mrs. Needlestein's kidney.
|
||
|
I wanted it displayed proudly above the mantel with two strips
|
||
|
of maroon track lighting and an accompanying sound track.
|
||
|
Deborah didn't want the soundtrack.
|
||
|
|
||
|
"I'm not listening to George Jetson sing Metallica!"
|
||
|
Deborah screamed after an hour of rational pie throwing. Deb
|
||
|
was a sensible girl with a large brown mole that covered her
|
||
|
entire face.
|
||
|
|
||
|
"It's not George Jetson," I replied defensively, "or
|
||
|
even Metallica. It's Anal Flapjack."
|
||
|
|
||
|
"It's manure from Hell and it is not being played in
|
||
|
this apartment!!"
|
||
|
|
||
|
We finally agreed to play a one note, four-hour operatic duet
|
||
|
sent to me on tape from my Uncle Sheckie in Paris.
|
||
|
|
||
|
Tyler, Debbie's cat, also had free run of the suite. Although
|
||
|
I never admitted it to Deb, I was quite fond of the old bugger.
|
||
|
Though one day, after it devoured my marijuana plants and
|
||
|
finished the last of the chocolate mousse, I set the bastard on
|
||
|
fire. And, you know, it was strange, but after disposing of
|
||
|
the cat I could have sworn I heard an erie voice chant, "Father
|
||
|
is Unpleased...Father is Unpleased."
|
||
|
|
||
|
|
||
|
II. The Church
|
||
|
^^^^^^^^^^^^^^^
|
||
|
|
||
|
One thing that attracted my attention more than the groundhog's
|
||
|
lovemaking was that church directly across the street. It was
|
||
|
called St. Googiewoogie. The building was of the old Gothic
|
||
|
variety with the usual statues of Mary, Christ and Sidney,
|
||
|
a large pink-marble platypus which rested on the very center
|
||
|
of the roof's pinnacle. The church also provided a perfect
|
||
|
curtain blocking the sight of Mrs. Snodgrass's eggplant farm.
|
||
|
|
||
|
The church was the public attraction on Tuesdays and Thursdays...
|
||
|
bingo nights. (NOTE: Those wishing to stop by the church
|
||
|
should make a note of Friday's elderly members meeting. The
|
||
|
elders pick the sexiest member of the congregation and then
|
||
|
pelt the nominee with rotting brussel sprouts.)
|
||
|
|
||
|
The very first morning of apartment life I noticed a shopping
|
||
|
cart on the front lawn of the church. It displayed a sign
|
||
|
which read {in bright yellow letters} "Father says, 'Eat Jelly-
|
||
|
Fish.'" Each morning for a week the cart moved two inches to
|
||
|
the north. I inquired to the orcish landlord about the cart,
|
||
|
but the mumbling bugbear only replied with a statement about
|
||
|
orange brush men displaying his wife's legs on yield signs two
|
||
|
blocks from some store. He still had the signatures on his
|
||
|
forehead and we both forgot about the shopping cart problem
|
||
|
after drinking paint thinner together in his garage.
|
||
|
|
||
|
|
||
|
III. The Dream
|
||
|
^^^^^^^^^^^^^^^^
|
||
|
|
||
|
During the fourth night of occupancy, I had a bizarre dream
|
||
|
in which I was surrounded by shear black. Now that I look
|
||
|
back on it, I understand that the dream must have been caused
|
||
|
by the deamonic magical aura which St. Googiewoogie radiated.
|
||
|
|
||
|
In
|
||
|
the
|
||
|
dream I was physically supported by unidentified confines
|
||
|
in that pure darkness. The void had an odd feeling of
|
||
|
boundaries, it felt almost roomlike - though I never found
|
||
|
a portal. Perhaps I was searching for a way out. Perhaps I
|
||
|
wanted to let whatever existed beyond in. I never found
|
||
|
a way out.
|
||
|
|
||
|
I awakened from the black, as if still in a dream, and found
|
||
|
two loosely restrained pit bulls viscously growling at the
|
||
|
foot of my bed. Suddenly Debbie made a gallant entrance into
|
||
|
the room dressed only in red and green argyle socks which
|
||
|
covered the entire length of her arms. Ignoring the foaming
|
||
|
canines she proceeded to perform Macbeth with her had puppets.
|
||
|
During the final scene of Debbie's performance, a serious
|
||
|
looking priest emerged from the other room. He began screaming
|
||
|
something about my destiny and then lopped Debbie's head off.
|
||
|
Soon the dogs leapt into the air, landed on my chest
|
||
|
and I AWOKE in a chilling perspiration...
|
||
|
|
||
|
It was all a dream, from the dark non-room to the dogs...all
|
||
|
of it was a wild nightmare within a nightmare.
|
||
|
|
||
|
Debbie was standing above me holding two socks in either hand.
|
||
|
The dream put a hazy, unreal focus on the entire week.
|
||
|
|
||
|
|
||
|
IV. Father Knows All
|
||
|
^^^^^^^^^^^^^^^^^^^^^
|
||
|
|
||
|
Approximately two weeks went by in our new haven without
|
||
|
anything unusual happening. The shopping cart had been
|
||
|
removed. The groundhogs had replaced their windchimes with a
|
||
|
mobile of human bones. A team of four gorillas worked most
|
||
|
of saturday morning replacing the faulty furnace with an
|
||
|
energy efficient blueberry muffin. However, the following
|
||
|
monday held events which still make me shudder with disbelief.
|
||
|
|
||
|
That morning Deb and I were running late due to the strange
|
||
|
clump of flesh we found in the bathtub. As we finally exited
|
||
|
the flat, a priest approached Debbie and began accusing her of
|
||
|
being a foul. "Chicken," he yelled. "Turkey! Chicken! Duck!"
|
||
|
The priest was identical to the man in my dream. He
|
||
|
screamed loudly as he tap danced on the sidewalk. After about
|
||
|
four verses of this abuse, Debbie joined him in harmonization
|
||
|
and they happily galloped across the street and up the
|
||
|
adjoining sidewalk. She seemed somehow dazed and confused as
|
||
|
if in a trance or under a spell. I called to her
|
||
|
and
|
||
|
then
|
||
|
passed
|
||
|
out.............
|
||
|
|
||
|
T H E E N D ??
|
||
|
|
||
|
{ the saga continues next issue...
|
||
|
read it, it's cool }
|
||
|
|
||
|
|
||
|
&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&&
|
||
|
|
||
|
"The great end of life is not knowledge but action."
|
||
|
|
||
|
--> Thomas Henry Huxley <--
|
||
|
|
||
|
__________________________________________________________________________
|
||
|
|
||
|
|
||
|
r e a l f a k e n e w s
|
||
|
|
||
|
__________________________________________________________________________
|
||
|
|
||
|
|
||
|
|
||
|
BIOGRAPHY #4
|
||
|
^^^^^^^^^^^^
|
||
|
|
||
|
Ken Kesey
|
||
|
(1935- )
|
||
|
|
||
|
Legendary American novelist, was born in Colorado. He
|
||
|
received a B.S. from the University of Oregon in 1957.
|
||
|
|
||
|
In 1962 Kesey published One Flew Over the Cuckoo's Nest,
|
||
|
a satirical anarchic novel about institutional attempts
|
||
|
to crush individuality. Sometimes a Great Notion (1964)
|
||
|
established Kesey as a first-rank American novelist.
|
||
|
|
||
|
Kesey is widely considered father of the hippie movement.
|
||
|
He had his first LSD experience as a paid subject in a CIA
|
||
|
sponsored research project. His later adventures
|
||
|
became know to millions through The Electric Kool-Aid
|
||
|
Acid Test by Tom Wolfe.
|
||
|
|
||
|
Kesey and his wife Faye have carried out the American populist
|
||
|
lifestyle of independence, humor, ecological consciousness,
|
||
|
and gentle resistance to authority.
|
||
|
|
||
|
|
||
|
__________________________________________________________________________
|
||
|
|
||
|
"Man, if you gotta ask, you'll never know."
|
||
|
|
||
|
-- Louis Armstrong (asked to define jazz) --
|
||
|
|
||
|
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>><<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<
|
||
|
|
||
|
|
||
|
LEE (To Dusty) Frederick's done this whole new series
|
||
|
that I'm sure you would really love.
|
||
|
|
||
|
DUSTY Well, are...are they big?
|
||
|
|
||
|
LEE Yea. Some of them...yea, some of them are
|
||
|
very big.
|
||
|
|
||
|
DUSTY Cause I got a lot of wall space there.
|
||
|
|
||
|
FREDERICK I don't sell my work by the yard!
|
||
|
|
||
|
|
||
|
HANNAH AND HER SISTERS
|
||
|
a film by Woody Allen
|
||
|
|
||
|
|
||
|
/\></\></\></\></\></\></\></\></\></\></\></\></\></\></\></\></\></\></\
|
||
|
|
||
|
|
||
|
"Some days I feel dead. I feel like a robot, treading out
|
||
|
time. Some days I feel alive, terribly alive, with hair
|
||
|
like wires and a knife in my hand. Once in a while my mind
|
||
|
slips and I think I am back in my dream and that I have
|
||
|
shut the door, the one without a handle on the inside. I
|
||
|
imagine that tomorrow I will be pounding and screaming to be
|
||
|
let out, but no one will hear, no one will come. Other
|
||
|
times I think I have gone over the line, like Lily, like
|
||
|
Val, and can no longer speak anything but truth. An
|
||
|
elderly man stopped me the other day as I was walking
|
||
|
along the beach, a white-haired man with a nasty face, but
|
||
|
he smiled and said, 'Nice day, isn't it?' and I glared
|
||
|
and snapped at him, 'Of course you have to say that, it's the
|
||
|
only day you have!'
|
||
|
|
||
|
He considered that, nodded, and moved on.
|
||
|
|
||
|
Maybe I need a keeper. I don't want them to lock me up and
|
||
|
give me electric shock until I forget. Forget: lethe: the
|
||
|
opposite of truth.
|
||
|
|
||
|
I have opened all the doors in my head.
|
||
|
I have opened all the pores in my body.
|
||
|
But only the tide rolls in."
|
||
|
|
||
|
|
||
|
The Women's Room
|
||
|
|
||
|
Marilyn French
|
||
|
|
||
|
Jove/HBJ, 1978
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
___________________________________________________________________________
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
BIOGRAPHY #4.5
|
||
|
^^^^^^^^^^^^^^
|
||
|
|
||
|
Thaloneous Platypus
|
||
|
(1965- )
|
||
|
|
||
|
Freelance writer and Kalimba craftsman. He spends six months
|
||
|
of the year in Australia, where he enjoys "hanging around in
|
||
|
the water, looking under rocks." The remaining part of his
|
||
|
year is spent in peaceful travel about the planet in search
|
||
|
of cosmic and spiritual knowledge, music, lifestyle variations,
|
||
|
truth, hip parties and ravioli.
|
||
|
|
||
|
In 1981 he won the Mellowvoice Award for his participation in
|
||
|
The Flippie-City Project (a brilliant multi-media investigation
|
||
|
into the life of European clams) for which he wrote his magnum
|
||
|
opus, "The Clam is not Spam."
|
||
|
|
||
|
Virtually unheard of before the 80s, Thaloneous has gone on to
|
||
|
become an active voice for the end-of-the-century generations
|
||
|
as well as a proponent of free healthy love and free food.
|
||
|
|
||
|
Despite his two year stay in The Betty Ford Clinic for addiction
|
||
|
to Dramamine, he is still considered by most to be the father
|
||
|
of the present generations, those youth who haven't been named
|
||
|
yet by historians.
|
||
|
|
||
|
|
||
|
==============================================================================
|
||
|
REALITY RAINBOW REALITY TRUTH GATHERING LIGHT RAINBOW REALITY
|
||
|
TRUTH LIVING LIGHT REALITY RAINBOW RAINBOW LOVE GATHERING TRUTH REALITY
|
||
|
===============================================================================
|
||
|
|
||
|
|
||
|
|
||
|
REALITY REPORT
|
||
|
^^^^^^^^^^^^^^^
|
||
|
|
||
|
"The Unplastic News Visits The Rainbow Family Of Living Light"
|
||
|
|
||
|
by Thaloneous Platypus ( on-the-spot reporter )
|
||
|
|
||
|
|
||
|
|
||
|
_________________________________________________________
|
||
|
| |
|
||
|
| What follows is a compilation of research |
|
||
|
| and personal anecdotes. This report was |
|
||
|
| assembled by Thaloneous Platypus before, |
|
||
|
| during and after the Unplastic News field |
|
||
|
| trip to the 1991 National Rainbow Gathering, |
|
||
|
| held this year just outside of |
|
||
|
| Granville, Vermont, in the Green Mountain |
|
||
|
| National Forest. Every word of this report is |
|
||
|
| 107% true. |
|
||
|
| |
|
||
|
|_______________________________________________________|
|
||
|
|
||
|
|
||
|
|
||
|
"...a loosely knit group called the Rainbow Family that has
|
||
|
been gathering annually in national forests for 20 years,
|
||
|
hanging on to a flower-child lifestyle that blossomed in
|
||
|
the 1960s and wilted in the make-what-you-can 1980s."
|
||
|
|
||
|
The Hartford Courant
|
||
|
July 2, 1991
|
||
|
|
||
|
"Over the centuries, the spirit of cooperation has enabled
|
||
|
hamanity to create wonders of social harmony and technical
|
||
|
achievement. Annually for nearly two decades, a group of
|
||
|
grown-up children has created a unique event dedicated to
|
||
|
this cooperative spirit. The event is called the Rainbow
|
||
|
gathering and this month (July) it is being held somewhere
|
||
|
in the Northeast corner of the US."
|
||
|
|
||
|
High Times
|
||
|
July 1991
|
||
|
|
||
|
|
||
|
"A rainbow-colored halo encircled the sun Thursday, minutes
|
||
|
after Rainbow Family members stopped their silent meditation
|
||
|
and prayer for peace and the Earth."
|
||
|
|
||
|
The Burlington Free Press
|
||
|
July 5, 1991
|
||
|
|
||
|
|
||
|
"...the Rainbows' disorganization is surprisingly effective."
|
||
|
|
||
|
Time Magazine
|
||
|
July 15, 1991
|
||
|
|
||
|
|
||
|
I spotted a small bald Jewish man approaching alone on the quiet
|
||
|
path before me, a path which wound into a thicket of pine. The
|
||
|
sun had just risen. The shadows were yawning loud and long.
|
||
|
Wetness on the leaves and wetness in my shoes was warming. And,
|
||
|
although I had sipped a tiny gulp of liquid LSD sometime after
|
||
|
midnight, I can still safely vouch for the reality of this man's
|
||
|
wonderful weirdness.
|
||
|
|
||
|
I know I met him in the woods that morning because he
|
||
|
handed me a xeroxed note which I saved. He was
|
||
|
dressed as superman. He didn't speak. It was that quiet time
|
||
|
thing.
|
||
|
|
||
|
His spandex jumpsuit clung to his spindle legs. He smiled
|
||
|
broadly under that thick black bush of a mustache and he
|
||
|
gave me that xerox. He held a whole stack of these messages,
|
||
|
all printed on yellow paper. He then bounded off toward the main
|
||
|
circle and left me holding his message tight in my hand, he
|
||
|
left me smiling at his flapping red cape.
|
||
|
|
||
|
What follows is a quote from that crumpled yellow xerox which I
|
||
|
still hold in my cabinet, though it is tattered and though it
|
||
|
was once soaked in mud and later dried.
|
||
|
|
||
|
"i have been sent to deliver a message to you
|
||
|
from ONE who is much greater than i, who cares
|
||
|
about you more than you could ever realize. The
|
||
|
simple message is to use your common sense and
|
||
|
to think for yourself.
|
||
|
|
||
|
Ever since childhood, society (parents, siblings,
|
||
|
relatives, friends, educators/teachers, priests,
|
||
|
rabbis, ministers, and most people in general, etc.)
|
||
|
has dictated to us what the purpose of our lives
|
||
|
'SHOULD' be...
|
||
|
|
||
|
...PLEASE feel compasion for those who have mislead
|
||
|
you...seek out the TRUTH for yourself...
|
||
|
|
||
|
Your Ever Well-Wisher,
|
||
|
|
||
|
superman
|
||
|
|
||
|
For further correspondence; Universal Life Church
|
||
|
P.O. Box 270963
|
||
|
West Hartford, CT
|
||
|
06127-0963"
|
||
|
|
||
|
Thaloneous Platypus, 1991
|
||
|
|
||
|
|
||
|
"Just because we are utopian naturalists doesn't mean we
|
||
|
don't get all of the problems of the human experience -
|
||
|
we do. We have the same problems as any other community -
|
||
|
including disease, theft, aggression and various forms of
|
||
|
craziness. But the uniqueness of our community is that
|
||
|
we get to apply our own techniques of healing, teaching
|
||
|
and cooperation to solve these problems."
|
||
|
|
||
|
High Times
|
||
|
July 1991
|
||
|
|
||
|
|
||
|
"...the Rainbows do a good job of cleaning up after
|
||
|
themselves. A crew of Rainbows stays for weeks after the
|
||
|
rest of the family leaves to pick up trash and reseed areas
|
||
|
that were trampled."
|
||
|
|
||
|
Hartford Courant
|
||
|
July 2, 1991
|
||
|
|
||
|
"For the twentieth July in a row, mostly to the displeasure
|
||
|
of local and state authorities, the Rainbows have invited themselves
|
||
|
to a different national forest, there peaceably to assemble. And
|
||
|
peaceably to shake free of the plastic society, hug each other,
|
||
|
wear feathers, wear safety pins in their eyelids (as a few
|
||
|
metal-head teenagers do), dance all night, smoke pot (some of
|
||
|
them), jiggle around nude (some of them), soak themselves with beer
|
||
|
(a troublesome minority), rant or chant or quietly meditate."
|
||
|
|
||
|
Time Magazine
|
||
|
July 15, 1991
|
||
|
|
||
|
|
||
|
On the night of the 4th of July, while in other parts of
|
||
|
the U.S. genocide was being celebrated, I wandered
|
||
|
madly and slowly through those friendly night woods. I
|
||
|
met friends and overheard conversation...
|
||
|
|
||
|
ALICE: My writing is merely a personal perspective of
|
||
|
my awakening to everpresent thought patterns
|
||
|
that exist in us all.
|
||
|
|
||
|
QUEN: Well, what about the fact that there is no real
|
||
|
linear time? Past, present and future are only
|
||
|
mental descriptions, placed on the infinite, by
|
||
|
weak animal minds.
|
||
|
|
||
|
ALICE: Eat me, Quen. You are too sure of yourself. Your
|
||
|
argument has inherent flaw. When you use the term
|
||
|
'fact' to describe the infinate, you undermine
|
||
|
your thesis. I do believe that there is no linear
|
||
|
time. I also believe that there IS linear time.
|
||
|
All realities (which, incidentally, are made up by
|
||
|
weak animal minds) are valid as well as
|
||
|
extremely personal.
|
||
|
|
||
|
QUEN: You were once quoted as saying, 'I only know one
|
||
|
thing completely, therefore I know everything
|
||
|
completely.' What the fuck does that mean?
|
||
|
|
||
|
ALICE: If one devotes all energies of the self to
|
||
|
achieving vast knowledge about one thing, then
|
||
|
(after a portion of lifetime) the person will
|
||
|
have a knowledge of all.
|
||
|
|
||
|
QUEN: Oh, you mean the concept of tapping into the
|
||
|
fucking cosmic oneness...achieving this peace with
|
||
|
the center by entering through any doorway.
|
||
|
|
||
|
ALICE: Sure.
|
||
|
|
||
|
QUEN: Well, what is the one thing you do with love and a
|
||
|
centered soul? What is that knowledge which connects
|
||
|
you with the everpresent all?
|
||
|
|
||
|
ALICE: Broom handles.
|
||
|
|
||
|
QUEN: Broom Handles?! What the fuck, broom handles?!
|
||
|
|
||
|
|
||
|
At this point Alice stands. The fourth of July in misty
|
||
|
Vermont woods is a swirling bath, like a state-wide dip
|
||
|
in the clear jello of lunar consciousness. This place is bad.
|
||
|
This place is swirling. Alice has wisps of smoke and dust
|
||
|
winding at her feet, obscuring our view of her lower half.
|
||
|
|
||
|
We lie on firm ground.
|
||
|
|
||
|
She spreads her arms. She stands behind the fire.
|
||
|
|
||
|
Bottle rockets pop and I turn to see the sky and stars. I
|
||
|
turn and feel those who dance with drums on straps.
|
||
|
|
||
|
Alice smiles, eyes closed, raising on her toes...spreading
|
||
|
her arms wider. She is high to a point of being comfortable
|
||
|
with all at all times. A constant high on the super oneness.
|
||
|
She laughs.
|
||
|
|
||
|
In the brush, two brown bodies make a noisy giggling love.
|
||
|
|
||
|
The dog named Sarah Jane, my puppy, is spread...back in the grass.
|
||
|
She is content and trusting enough to close her eyes in the
|
||
|
midst of this beating, chanting, running, laughing human crowd.
|
||
|
Upside down, scratching her back and twisting, she opens her
|
||
|
eyes and, with those eyes pressed to the ground, human feet
|
||
|
seem, to her, big...and bodies stretch away to a level where
|
||
|
sights are smaller,
|
||
|
far from her nose. She tells me this.
|
||
|
|
||
|
Everyone is doing what they want. Everyone is doing something
|
||
|
different. Everyone fits. It clicks. People here for the
|
||
|
first time fear sticking out or being out of place. The thing
|
||
|
is - it is impossible to be out of place during a celebration
|
||
|
of difference. We are all only a different part of the same
|
||
|
thingness. Everyone fits even if they don't try. There are
|
||
|
so many different flavors of oneness. I have my favorite,
|
||
|
but I want to try them all.
|
||
|
|
||
|
QUEN: You are floating away from me!! Tell me about the
|
||
|
broom sticks ! What do you mean ? I want answers...
|
||
|
|
||
|
ALICE: I accept, therefore I am free. I make broomsticks
|
||
|
for witches brooms. I've got a shop in Sarasota.
|
||
|
I run an honest business and my clientele bring me
|
||
|
smiles and magic.
|
||
|
|
||
|
With that said, she backed toward a tree.
|
||
|
|
||
|
An M-80 firecracker snapped off inside the fire, thrown by
|
||
|
a dirty child with no teeth. After the flash and confusion,
|
||
|
Alice is gone and the bark of that birch tree is curling.
|
||
|
|
||
|
|
||
|
"Here's blond, pretty Sittora, from Massachusetts, who gives
|
||
|
a warm, nude hug and a suggestion: Take off your shoes and
|
||
|
walk slower. Here's a leftover '60s flower child with a T shirt
|
||
|
that says JUST SAY YES! And a stilt walker, and a man with
|
||
|
a cobra...an unbeliever must testify that on a cloudy Fourth
|
||
|
of July noon, when a parade of children marched to break a
|
||
|
morning-long silent vigil at the Circle, the sun came out.
|
||
|
And around it was a haze ring that looked a lot like a rainbow."
|
||
|
|
||
|
Time Magazine
|
||
|
July 15, 1991
|
||
|
|
||
|
|
||
|
|
||
|
________________________________________________________________________
|
||
|
_________________________________________________________________________
|
||
|
|
||
|
|
||
|
|
||
|
"The liberals can understand everything
|
||
|
but people who don't understand them."
|
||
|
|
||
|
|
||
|
........> Lenny Bruce <.......
|
||
|
|
||
|
|
||
|
<^>...<^>...<^>...<^>...<^>...<^>...<^>...<^>...<^>...<^>...<^>...<^>...<^>
|
||
|
|
||
|
|
||
|
|
||
|
|
||
|
BIOGRAPHY #5
|
||
|
^^^^^^^^^^^^
|
||
|
|
||
|
Aleister Crowley
|
||
|
(1876-1946)
|
||
|
|
||
|
World-record mountain climber, was one of the most
|
||
|
controversial figures of the early 20th century. With
|
||
|
leading members of the Irish literary renaissance, Crowley
|
||
|
was an original member of the Hermetic Order of the Gloden
|
||
|
Dawn, which he broke from to start his own circle of adepts.
|
||
|
Crowley then journeyed to the East to climb the
|
||
|
Himalayas and to study oriental yoga and esoteric
|
||
|
philosophy.
|
||
|
|
||
|
In 1904 he claimed to have established telepathic communication
|
||
|
with Higher Intelligence through the medium of his wife
|
||
|
Rosemary. He foresaw the beginning of a New Aeon, to which
|
||
|
he contributed these aphorisms: "Do what thou wilt' shall be
|
||
|
the whole of the law" and "Every man and every woman is a star."
|
||
|
Over the next two decades he experimented with every
|
||
|
available drug as a means of transcendence. In 1910 Crowley
|
||
|
went to the Detroit headquarters of the Parke-Davis
|
||
|
pharmaceutical company to secure their newly developed
|
||
|
extract of peyote, which he brought back to England and
|
||
|
used to turn on the audiences at his lectures. In an
|
||
|
article on the effects of cocaine, published during World War I,
|
||
|
he articulated the viewpoint that drug prohibition was
|
||
|
not only useless but actually intensified the problem of
|
||
|
drug abuse.
|
||
|
|
||
|
Throughout his life and travels Crowley produced a flood of
|
||
|
articles and books on spiritual subjects, devising a new
|
||
|
Tarot (The Book of Thoth) and a streamlined version of the
|
||
|
I Ching in addition to many significant and sardonic works
|
||
|
on occult magic.
|
||
|
|
||
|
|
||
|
___________________________________________________________________________
|
||
|
|
||
|
|
||
|
|
||
|
A duck walks into a pharmacy
|
||
|
And says:
|
||
|
|
||
|
"Gimme some chap stick
|
||
|
and put it on my bill."
|
||
|
|
||
|
|
||
|
|
||
|
OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
|
||
|
OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
|
||
|
OOO OOO
|
||
|
OOO S T A Y T U N E D..... OOO
|
||
|
OOO OOO
|
||
|
OOO Next Months Issue: OOO
|
||
|
OOO OOO
|
||
|
OOO ---> top ten zillion albums of all time OOO
|
||
|
OOO OOO
|
||
|
OOO ---> the unplastic news field trip II OOO
|
||
|
OOO OOO
|
||
|
OOO ---> Newz OOO
|
||
|
OOO OOO
|
||
|
OOO ---> Quotes OOO
|
||
|
OOO OOO
|
||
|
OOO ---> Letters from the Net OOO
|
||
|
OOO OOO
|
||
|
OOO OOO
|
||
|
OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
|
||
|
OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
|
||
|
OOO OOO OOO
|
||
|
OOO the unplastic news OOO P A S S OOO
|
||
|
OOO OOO OOO
|
||
|
OOO tibbetts@hsi.hsi.com OOO T H I S OOO
|
||
|
OOO Connecticut, U.S.A. OOO OOO
|
||
|
OOO OOO O N OOO
|
||
|
OOO OOO OOO
|
||
|
OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
|
||
|
OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
|
||
|
|