729 lines
35 KiB
Plaintext
729 lines
35 KiB
Plaintext
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____________________________________________________________________________
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*****NUMBERS 156 TO 160***********BY DANIEL BOWEN (tcwf@gnu.ai.mit.edu)*****
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"Lost and found Toxic Custard"
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TOXIC Number Written
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CUSTARD One hundred by
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WORKSHOP and Daniel
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FILES fifty-six Bowen
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Little boxes, on the hillside
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Little boxes made of ticky-tacky
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...And any one of the bastard things could contain the tiny object
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you've been searching for for the last three hours. Why are some
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things more prone to be lost than others? Some objects just seem to
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be hell-bent on getting themselves out of your life and back to
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whatever they were doing before you acquired them. Pen lids. Pens.
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The back bit off the Walkman that stops the batteries falling out. "I
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just know I left that cable somewhere..." And as the search goes on,
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you get paranoid. "I didn't give it away to the school fete did I? Or
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sell it... no, of course not, it's part of the (x). Or did I lend it
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to whatsisname?" And after the paranoia, the *real* paranoia.
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"Omigod. What if it's been stolen? What if a burglar got in here and
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stole my priceless packet of AC to DC adapter power attachments??"
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[Yes, that's what I've lost]
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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Good evening and welcome to Idiot, the gameshow where we encourage
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people to do something bloody dangerous just to get on the telly.
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We'll see Footscray accountant James Turtle stick his head through
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his television while it's tuned to Hinch, surgeon Betty Cutler throw
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herself off a five story building, and flaming idiot Geoff Smith set
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fire to himself while covered in kerosene, and dance the tango solo
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while on a tightrope suspended four hundred metres above the Yarra.
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But we start tonight with Frank Moron who will be knocking his own
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head off with a rusty meat cleaver.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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THEY SAY: Press any key
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BUT THEY MEAN: Press any key except Shift, Caps Lock, Alt, Ctrl...
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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"So tell us what happened."
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"Okay. It all started when-"
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"Hold it. Hold it just a fucking moment. We haven't been
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introduced yet. Wait a sec, for the title to come up."
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THE SEVENTH ADVENTURE OF MR POPSICLE
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------------------------------------
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"Right. That's a bit fucking better. Continue."
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"Well. It all started when I was on a mission in Peru, spying on
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a visiting Columbian colonel."
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"Peru eh? How did he come to be there?"
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"Hold it. Hold it a fucking moment again. Oi! Bowen! What's with
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this skimping on the narrative? We don't know who's meant to be
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saying what and when! Now explain yourself a bit more, before I
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fucking jump out and take you down to Russell Street for a little
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interrogation, if ya know what I mean."
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"Ah, that's better", said Popsicle.
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Trouble continued from his position in the interrogation room. It
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wasn't the most comfortable of positions, in fact it... oh well,
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let's just say that if the fire alarm went off, there would be one
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person who would have some difficulty in getting out of the building.
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"Well, the rumour is that he was corrupt, dealing with one of the big
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nutmeg smuggling gangs", he said.
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"Oh no, not that old chestnut again", said Inspector Unnecessary-
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Violence.
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"No no, *nutmeg*", corrected Trouble, who was quickly in deep
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trouble. Trouble with a capital T. If there was one thing the
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Inspector hated (and as it happened, there were several million
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things that the Inspector hated), it was being corrected.
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"Now fucking listen, Trouble", he said, lowering his face down to
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Trouble's level, so that Trouble could see the scars from at least
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the last two dozen pub fights the Inspector had been in. "This
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episode is all far too fucking nice so far. So maybe we'll fucking
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make it a bit more interesting and bring back those worms. You're a
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traitor. And in my book, that makes you a traitor."
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The interrogation continued in this vein for several seconds. The
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information that Popsicle and the Inspector discovered was, to say
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the least, very interesting. But the author decided not to reveal all
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of it yet, since that would tie him down to a plot for the rest of
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the story.
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Popsicle and the Inspector decided to follow up one of pieces of
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information they had gained, and made their way to a pub in Malvern.
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Then they decided that they really should be following up that
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information, and continued on to a laneway in St Kilda, where Trouble
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had claimed there was a "dead letter box", or, to put it another way,
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a mailbox with a dead body inside it. Actually, now he comed to think
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of it, maybe that wasn't quite the jargon he was looking for. He
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tried to think back carefully to his collection of Usborne "How To Be
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A Spy", "Codes For Beginners", and "Intermediate Political
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Assassination" books.
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Anyway, it was here that various enemy spies would come along
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with their secret documents, surveillance photos, and so on, and get
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them sent back to their various headquarters. It was much like a
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regular civilian post-office, except that they didn't use Postpaks,
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they used black briefcases with secret combinations (and they
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actually *used* the secret combinations); they didn't put stamps on
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items, they put bullet holes in them; and the staff there actually
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worked.
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Although Popsicle would have liked to have staked out the place,
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the Inspector preferred to just skid up in his big car and blow the
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crap out of everyone in sight with a shotgun. In the end they tossed
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for it, and Popsicle (and any innocent civilians who happened to be
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around at the time) won. Though the Inspector shot the coin later.
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And the civilians.
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What will happen at the stake out? Will they catch a falling spy?
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Will they be mugged by passing Mormons, kidnapped and taken to Salt
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Lake City? Will they be walking down the street only to slip on their
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own vomit? How the hell should I know? I haven't written it yet...
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oh, Christ, you'll just have to be reading next week for the next
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amazing episode of Mr Popsicle.
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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As you've carefully and correctly predicted,
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that's all for another edition of the Toxic
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Custard Workshop Files. Unfortunately it
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looks like there'll be another one next
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week. Oh well. If you're the type of warped
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human animal that would like to get his or
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her claws, paws and teeth all over Toxic
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Custard back-issues, just reply to this
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post, or send mail to tcwf@gnu.ai.mit.edu
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for details on how to obtain said back-
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issues.
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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Copyright (c) 1993 Daniel Bowen
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--
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Daniel Bowen, National Telemarketing Centre|RECYCLED TCWF SIGNATURES#3:
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Telecom Australia, Melbourne---------------|
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dbowen@vcomtelc.telecom.com.au-------------| Pope gets grit in mouth!
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------------TCWF stuff: tcwf@gnu.ai.mit.edu| [TCWF 78]
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------------------------------------------------------------------------------
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"We present... Toxic Custard!"
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DIRECT from a diseased brain in Melbourne, Australia
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VIA a computer account in Massachussetts
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ON RELAY throughout The Internet and associated networks
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WITH PROFITS going directly to chocolate
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FEATURING the Popsicle Atomic Delight Dancers
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WE PRESENT the one - the only
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//////// /////// // // /////// // ////// /////// Toxic
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// // // // // // // // Custard
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// // // // // ////// // ////// // Workshop
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// // // // // // // // // Files
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// /////// //////// // // ////// // 19th July 1993
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Good evening ladies and gentlemen... we've got a truly wonderful(*)
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episode for you this week. Later on we'll have really bad puns about
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music, but right now to kick us off, heeeeeeeere's Popsicle!
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(*) where appropriate
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THE SEVENTH ADVENTURE OF MR POPSICLE
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------------------------------------ Part 4
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Our heroes have decided to throw crime prevention and community
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policing in information caravans to the wayside for the moment, and
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are hot on the trail of a spy network based in a laneway in St Kilda.
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Mr Popsicle and Inspector Unnecessary-Violence arrived at the
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laneway, and did whatever the past tense of "to stake out" is. (Stook
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out? Stake outed? Never mind.)
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They located a first floor flat nearby to the scene, and managed
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to con the tenants into lending them the front room, where they
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assembled the customary cameras on tripods looking in black and white
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through the gap in the curtains to the street below. Popsicle took
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the first watch, which basically involved looking through the camera,
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occasionally discussing the movements below into his walkie-talkie,
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and taking the odd sequence of pictures, which generally made the
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view click like a camera and freeze for a few seconds. It's often
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asked why police forces around the world (or at least, those on the
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telly) always use black and white film, and take about ten pictures
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in a row of every suspect they see whilst on surveillance. And if you
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think you're going to find the answer here, you're wrong - it was
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just a cheap way of relating something stupid and errmmm... yeah.
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After about five hours of this (and be thankful you don't have to
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live through it too), Popsicle saw something moving in a hedge
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opposite. Those who remember the relevant details will recall that
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the spot they are watching is in fact a spy equivalent to a post
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office, and what Popsicle was now seeing was the spy equivalent of
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the morning collection.
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A hand had slowly reached out of the hedge, and was moving
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towards a brick sitting on a nearby wall, which, although our heroes
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didn't know it, contained a number of secret documents. Popsicle,
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however, saw the hand, and quickly rounded off the film in the
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camera, before waking the Inspector and running out of the flat
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towards it.
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The hand, with the brick in its grasp, had, understandably,
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decided against remaining in the vicinity of Mr Popsicle, hero of the
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Australian Royal Security Establishment, and the looming, armed and
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dangerous figure of Inspector Unnecessary-Violence, crazed thug and
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lunatic law enforcement representative, of no fixed abode.
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This disappointed Popsicle, who decided to run after and
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apprehend the hand, the brick, and their respective owner/s. The
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Inspector was too angry to be disappointed, and *he* decided to run
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after and alter the biological structure of the hand, the brick, and
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their respective owner/s so that they would be in very, very many
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bits.
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WHAT WILL HAPPEN NEXT - THE USUAL TEMPORARY BLOODBATH, OR
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SOMETHING JUST SLIGHTLY MORE SUBTLE? PROBABLY NOT. BUT
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WHICHEVER OR WHATEVER HAPPENS, YOU CAN BE SURE TO DISCOVER
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IT IN THE NEXT INCREDIBLE EPISODE OF MR POPSICLE.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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Ever since New Kids On The Block blew the minds of the world with
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their amazing musical... erm... talent, some have mocked. Many have
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laughed, and made fun of them. Like me. But, incredible as it may
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seem, others have imitated, and tried to take advantage of the
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precedents they have set, for a bunch of talentless gits leaping up
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on stage (and falling through it, occasionally), to mime to mindless
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lyrics and dance to music that would make Pavarotti cringe with
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embarrassment.
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One such imitation group from London, "New Geezers On The Estate,
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Know What I Mean Guv'nor", have enjoyed increasing success on the
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world stage, particularly amongst very thick teenagers who should be
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told to spend their pocket money on more sensible things, lest it be
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taken forcibly from them.
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When TCWF contacted New Geezers' manager, Johnny Dork, for an
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interview with the group, we were told no, that we'd probably do a
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typically critical story about how crap they were. So we lied and
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said we were all big New Geezers fans, and his ego managed to get us
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this EXCLUSIVE interview with two members of the band, Donny Rotten
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and Ronnie Morbett:
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TCWF: Guys, welcome to Toxic Custard. Could I first ask you, Donny,
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about the group's philosophy. Many bands have thoughts, or beliefs
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that move them to incorporate themes into the lyrics, that tax the
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listener's emotional thinking, that promote thought - whether it be
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on a theme of social injustice, youth's lack of communication with
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its elders, or the horror of war. I just wonder, what is New Geezers'
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theme?
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DONNY: Basically that dancing is fun.
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RONNIE: Yeah. Dancing.
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TCWF: Erm.. yeah. And what of criticisms of your music? How do you
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find the various criticisms...
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RONNIE: Well we just open the paper...
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TCWF: ... that claim you know nothing about music? How do you answer
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that criticism?
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DONNY: Just by saying that we love what we do, and look who's got the
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two gold albums.
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TCWF: So, in particular reference to that criticism of your lack of
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musical experience, skill and ability... what's a stave?
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DONNY: A stave? Isn't that what you cook your dinner on...?
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TCWF: And a crotchet?
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DONNY: A unit of grumpiness...?
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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On that musical note, that's where we say
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goodbye to another Toxic Custard. Have a
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nice day. Back-issues are available to
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those gifted persons with ftp available
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to them. Email tcwf@gnu.ai.mit.edu for
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details.
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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Copyright (c) 1993 Daniel Bowen
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--
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Daniel Bowen, National Telemarketing Centre|RECYCLED TCWF SIGNATURES#4:
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|
Telecom Australia, Melbourne---------------|
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dbowen@vcomtelc.telecom.com.au-------------| World's biggest cat does
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------------TCWF stuff: tcwf@gnu.ai.mit.edu| world's biggest cat dropping!
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------------------------------------------------------------------------------
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"A Toxic Tale"
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/\/\/\ /\/\ /\ /\ /\/\
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\/ \/ \/ \/ \/
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/\oxic /\ ustard /\ \/ /\orkshop /\/\iles Number 158
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__\/______\/\/________\/\/\/\/_________\/______________26th_July_1993
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TOXIC TALES - "Alfred The Incontinent Dragon"
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Once upon a time there was a big old dragon, who spent most of
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his time terrorising the nearby villagers, due to his terrible
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incontinence (and flatulence too). His name was Alfred, which was a
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pretty good name for a dragon. Alfred was over 400 years old, and he
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got his dragon pension regularly, and went to dragon bingo at a
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nearby mountain dragon hall.
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One day the villagers, who were sick of having to shovel away
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Alfred's deposits, decided to go up to the valley where Alfred lived,
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and do nasty things to his bottom. The village elders had worked out
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a plan, which was this:
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They would send a team of men into the forests, to search for the
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absolute hugest biggest mother of a tree they could find. Then they
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would bring it back to the village, where the wood worker and his
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apprentice would carve it into the absolute hugest biggest mother of
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a cork that had ever been made.
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This having been done, the village's bravest men would gather one
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night with the cork, torches, ropes and any other supply stuff that
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they would need for the trip, or that the local supplier had managed
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to con them into buying for the occasion.
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They set out at 8pm that cruel winter night, and by 11:30 they
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had reached the domain of the dragon. And there he lay, in his glory,
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snoozing the night away, for it had been a particularly satisfying
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game of dragon bingo that night. The villagers snuck up quietly from
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behind, carrying the cork with them, their intentions probably quite
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obvious to the reader by now without having to spell the situation
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out vis-a-vis the incontinent dragon and the large cork.
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With their torches lit so they could see and watch where they
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were walking (for some of them had bought new boots off a visiting
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merchant that week), they silently approached the dragon's anal zone.
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Suddenly, the dragon stirred in his sleep, and there was a
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horrifying low vibrating noise... The torches' flames caught the
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draft, and suddenly a huge fireball fried the villagers, and their
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new boots, and made its way down the valley, accompanied by a stench
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that made the surrounding areas uninhabitable for thousands of years.
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The End
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And the moral of the story is... never light torches
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when you're standing next to a dragon's bottom.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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THE SEVENTH ADVENTURE OF MR POPSICLE
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------------------------------------ Part 5
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Mr Popsicle, ace secret agent, and Inspector Unnecessary-
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Violence, vegetarian peacenik, are even now in pursuit of a person or
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persons last seen behaving suspiciously near a brick. Normally this
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wouldn't be considered too serious, but when the person/s involved
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is/are known to probably possibly be related to the long-lost brother
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of a foreign spy's cat, well, the security people have to act. And
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very badly they act too.
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The Inspector, not being the fastest runner in the world, elected
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to use his possessions to his advantage, the possession in this case
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being a bloody big gun that someone in authority had been foolish
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enough to allow him to possess.
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The result of this was rather messy, and will be neatly glossed
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||
|
over for the moment. Popsicle was not entirely happy about this, as
|
||
|
he had hoped to question the suspect. But considering that the
|
||
|
suspect was now in two bits, comprising of the suspect's upper bit,
|
||
|
and the suspect's lower bit (along with a number of smaller, liquid
|
||
|
bits that probably aren't worth mentioning at this point), Popsicle
|
||
|
correctly guessed that should questioning take place, a mountain of
|
||
|
information would not be forthcoming from this particular source.
|
||
|
Popsicle therefore elected to make use of his handy rubber blood-
|
||
|
proof gloves to search the body for any other evidence, before the
|
||
|
Inspector, in a classic case of overkill, decided to make use of the
|
||
|
rest of the bullets he had on him by shooting up the suspect a bit
|
||
|
more. The Inspector basically wanted just a little fun, and,
|
||
|
considered Popsicle, it was not as if the suspect could be any more
|
||
|
dead.
|
||
|
Yes, this episode is turning out to be rather unpleasant.
|
||
|
But if you were expecting anything else from a serial that
|
||
|
features a character named "Inspector Unnecessary-Violence", then you
|
||
|
should have known better.
|
||
|
The evidence that Popsicle obtained was quite interesting, and
|
||
|
was as follows:
|
||
|
- a knitted bag with a small collection of slate coloured rocks
|
||
|
- a small glossy autographed photograph of Ralph Snider
|
||
|
- a 9 volt battery
|
||
|
- two dozen pen lids
|
||
|
- a roll of stickytape
|
||
|
- a coloured condom with the caption "Torpedo Of Love"
|
||
|
- a large number of papers addressed to various foreign
|
||
|
governments, mostly featuring cooking instructions for
|
||
|
different desserts
|
||
|
Popsicle took most of the evidence back to his scientific
|
||
|
adviser, Doctor "Goose" Wedge, back at the A.R.S.E laboratories. All
|
||
|
except the knitted bag with the slate coloured rocks, that is, which
|
||
|
was just what he had always wanted.
|
||
|
|
||
|
What will be discovered amongst the startling new evidence?
|
||
|
Bugger all, you may suspect, but not so! Find out in the next
|
||
|
delicious episode of The Seventh Adventure of Mr Popsicle.
|
||
|
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Toxic Custard's over four another weak.
|
||
|
If you have enjoyed this episode, and
|
||
|
would like to take a look at some of the
|
||
|
back-issues, then you're a twisted
|
||
|
little twerp of a human being. But that's
|
||
|
your problem. Reply to this mail, or
|
||
|
write to tcwf@gnu.ai.mit.edu for details.
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Copyright (c) 1993 Daniel Bowen
|
||
|
--
|
||
|
Daniel Bowen, National Telemarketing Centre|RECYCLED TCWF SIGNATURES#5:
|
||
|
Telecom Australia, Melbourne---------------|
|
||
|
dbowen@vcomtelc.telecom.com.au-------------| Why are historians so
|
||
|
------------TCWF stuff: tcwf@gnu.ai.mit.edu| backward? [TCWF 64]
|
||
|
|
||
|
------------------------------------------------------------------------------
|
||
|
"Taxable Toxic Custard"
|
||
|
|
||
|
|
||
|
TTTTTTTTCCCCCCCCWWWWWWWWFFFFFFFF111111115555555599999999
|
||
|
22222222nnnnnnnnddddddddAAAAAAAAuuuuuuuugggggggguuuuuuuusssssssstttttttt
|
||
|
bbbbbbbbyyyyyyyyDDDDDDDDaaaaaaaannnnnnnniiiiiiiieeeeeeeellllllllBBBBBBBB
|
||
|
oooooooowwwwwwwweeeeeeeennnnnnnn........
|
||
|
|
||
|
TOXIC TALES - "William The Explosive Goblin"
|
||
|
|
||
|
Once upon a time there was an enchanted forest. Inside the forest
|
||
|
lived gnomes, elves, fairies, and all sorts of other enchanted things
|
||
|
that you generally find in enchanted forests. And somewhere near the
|
||
|
middle, in the very deepest part of the forest was a magic cave. You
|
||
|
could tell it was magic, because it had a big sign saying "Magic
|
||
|
Cave" above the entrance.
|
||
|
Inside the magic cave, there were rumoured to be many treasures,
|
||
|
such as gold, silver, and some of the biggest ganja plants this side
|
||
|
of Snake Gully. Naturally, all the naughty creatures of the
|
||
|
surrounding areas wanted to get their claws on the treasure. And none
|
||
|
more so than William, who was a goblin who lived just a short bus
|
||
|
ride away, in Muck Swamp.
|
||
|
[We now apologise for the first two paragraphs of this story,
|
||
|
which have absolutely no bearing on the rest of it. It's all a bit
|
||
|
pathetic really, isn't it?]
|
||
|
William was a big goblin, with horns, and big teeth, and whatever
|
||
|
other features goblins usually have to distinguish themselves from
|
||
|
all the other bloody creatures in these fantasy stories. William
|
||
|
didn't enjoy the regular goblin pastimes the other goblins enjoyed,
|
||
|
such as frightening goats (by chasing, then eating them), slopping
|
||
|
around in the mud, and playing a few rounds of golf.
|
||
|
The problem with William was, he tended to explode. At least,
|
||
|
that's what it said at the start of the story, so I suppose we'd
|
||
|
better stick with that for the moment. Not emotionally of course, but
|
||
|
literally. He'd be picking flowers, or chasing butterflies, or doing
|
||
|
some such thing delightfully shot in soft focus, when he'd stop dead
|
||
|
in his tracks, look up at the sky, and he'd feel his head start to
|
||
|
swell. It would get bigger and bigger, and suddenly, **BANG**, his
|
||
|
head would explode into hundreds of bits of skin, bone and brain
|
||
|
tissue. And that was the end of William.
|
||
|
|
||
|
The End
|
||
|
|
||
|
And the moral of the story is... never believe you
|
||
|
can have a proper story with a character who
|
||
|
explodes in the fifth paragraph.
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
MRS IRENE BUSYBODY SPEAKS OUT ON...
|
||
|
Walkmans. Okay, so Walkmans seemed like a good idea at the time.
|
||
|
Personal music, choice, all that. But really, couldn't they have got
|
||
|
through the technical difficulties? The Japanese have some brilliant
|
||
|
scientists, who have performed modern miracles when it comes to
|
||
|
consumer electronics, but how come they still can't make a Walkman
|
||
|
that doesn't cause the listener to scream their head off while trying
|
||
|
to participate in an average conversation? And another thing - that
|
||
|
annoying treble that surrounding people can hear. Makes it sound like
|
||
|
the whole cassette is one long drum machine solo. Or a Kylie & Jason
|
||
|
remix.
|
||
|
My husband Fred has been trying to update his stereo at home.
|
||
|
Problem is, he just can't find a dealer who can sell him a CD player
|
||
|
with Dolby on it.
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
I just broke a light shade. It's just the kind of thing that can
|
||
|
really round off the weekend, you know. I don't know who decided that
|
||
|
our livingroom should have low hung shades made of super brittle
|
||
|
Smasho-Glass. Presumably either very short energetic people, or
|
||
|
moderately tall non-energetic people. Or even very short
|
||
|
non-energetic. Whichever it was, they obviously decided that
|
||
|
moderately tall energetic people would never inhabit this abode. Or
|
||
|
that nobody would mind splinters of glass showering down on them. (Oh
|
||
|
yes, there's nothing that keeps you clean better than a few well
|
||
|
placed shards of glass in the morning). In the end, no injuries,
|
||
|
although some blood decided to evacuate my ear a few minutes later.
|
||
|
Which means that as I write this, I have a truly ridiculous looking
|
||
|
Mickey Mouse band-aid on my right ear. Time to call an electrician.
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
Tax time again. Yes, once again it's time to dig around the house for
|
||
|
all the papers that you "filed" into five hundred million different
|
||
|
places, all of which might possibly have something that someone might
|
||
|
ponder being worth nominated for consideration to the title of the
|
||
|
magic word: Deduction.
|
||
|
I'm not sure who it was that invented the TaxPack. It seems like
|
||
|
it was someone who decided that rather than have a four page Tax
|
||
|
Return with a 15 page book of notes and helpful hints, they would
|
||
|
merge the two and come up with a 90 page blockbusting Tax Return. And
|
||
|
there's still a detachable 4 page bit which is the actual Return.
|
||
|
And whose idea was it to shuffle all the questions up? So that if
|
||
|
you can count, you probably think you've lost the art, and if you
|
||
|
can't count, you read through the thing and probably think it's not
|
||
|
worth bothering to learn. Seems to me that the whole tax thing would
|
||
|
be a lot easier if they simply said: "Okay, you earned $25678, you
|
||
|
paid $6789 in tax. Bad luck, we're keeping it." No pressure of
|
||
|
filling in the Tax Return before the end of October, no half a
|
||
|
million trees laying down their trunks, and no huge Tax Department in
|
||
|
Canberra to swallow your Return for three months before finally
|
||
|
announcing that you owe them $1.37.
|
||
|
This may be a rather simplistic view. I'm not apologising for it,
|
||
|
I'm just pointing it out to you.
|
||
|
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
This has been another edition of the
|
||
|
Toxic Custard Workshop Files. TCWF
|
||
|
will return next week, whether you like
|
||
|
it or not. Back-issues are available,
|
||
|
and information pertaining to these is
|
||
|
available from tcwf@gnu.ai.mit.edu
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Copyright (c) 1993 Daniel Bowen
|
||
|
--
|
||
|
Daniel Bowen, NTC Systems------| RECYCLED TCWF SIGNATURES#6:
|
||
|
Telecom Australia, Melbourne---| BOGOGRAPHY: If you haven't
|
||
|
dbowen@vcomtelc.telecom.com.au-| enjoyed reading this,
|
||
|
TCWF stuff: tcwf@gnu.ai.mit.edu| then you can bog off. [TCWF 3]
|
||
|
|
||
|
------------------------------------------------------------------------------
|
||
|
"Nmad Ro Dratsuc"
|
||
|
|
||
|
|
||
|
I BET YOU I CAN FINISH OFF THIS FAMILY BLOCK OF COCONUT ROUGH BEFORE
|
||
|
THE END OF THIS WEEK'S TOXIC CUSTARD
|
||
|
__
|
||
|
\\ Newob Leinad's "Nmad Ro Dratsuc"
|
||
|
||
|
||
|
|| / _____/__ tsugu oB leinaD yb nettirW DRATSUC CIXOT
|
||
|
|| | / / \ , A w O
|
||
|
|| |/\ | / | en R
|
||
|
|| | | \__/_____/ 1 f K
|
||
|
|| \/ / 399 o ht9 ,061# SELIF POHS
|
||
|
|
||
|
For some reason, the second Saturday in August seems to be the time
|
||
|
they decide to have that monumental electoral event - the local
|
||
|
council elections. When the residents of the cities of Australia get
|
||
|
to cast their vote to see what colour the traffic warden's tickets
|
||
|
are going to be next year, and other such world-shattering issues.
|
||
|
Does anybody care? Yes, when there's a $50 fine involved.
|
||
|
So, you mosey on down to the local Town Hall, Church, School, or
|
||
|
other such establishment of doom, and try and get around the small
|
||
|
hordes of campaigners trying to thrust How To Vote cards in your
|
||
|
face, each one extolling the virtues of Jane Kenison as against John
|
||
|
Kewitt and vice versa, neither of which you've ever heard of before,
|
||
|
or probably will again. And unless you live in Camberwell, you're
|
||
|
likely to just say "sod it, whoever it was last time, they can keep
|
||
|
the job".
|
||
|
______________________________________
|
||
|
| |
|
||
|
| HOW TO VOTE |
|
||
|
| |
|
||
|
| 1. Attend local polling place |
|
||
|
| 2. Shun campaigners |
|
||
|
| 3. Tell Electoral Office staff your |
|
||
|
| neighbour's name |
|
||
|
| 4. Enter booth with voting slip |
|
||
|
| 5. Draw noughts and crosses, and |
|
||
|
| characters from "The Little |
|
||
|
| Mermaid" all over slip |
|
||
|
| 6. Sign it "Hello to everyone, bet |
|
||
|
| you won't catch me trying to vote|
|
||
|
| twice", and your neighbour's name|
|
||
|
| 7. Put voting slip in ballot box |
|
||
|
| 8. Go and vote |
|
||
|
|______________________________________|
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
THE SEVENTH ADVENTURE OF MR POPSICLE
|
||
|
------------------------------------
|
||
|
|
||
|
If you've been concentrating hard for the past fortnight, you'll
|
||
|
remember that Mr Popsicle and Inspector Unnecessary-Violence have
|
||
|
just erm.. disposed of a suspect in their own intimidatory way. And
|
||
|
quite apart from the several dozen bullet-holes, they've have
|
||
|
recovered a number of items of evidence, which are unlikely to be
|
||
|
listed again here.
|
||
|
Apart, that is, from the small glossy autographed photograph of
|
||
|
Ralph Snider. Popsicle read the note on the back of the photograph,
|
||
|
which simply said "Ralph Snider", and then turned it over, expecting
|
||
|
to find a picture of a weedy little account-type person with an
|
||
|
accountant's voice and charisma to match. He was right. But let's not
|
||
|
dwell on life's unfortunates. (Life's very unfortunate, actually. I
|
||
|
tell you, this guy is such a little we...)
|
||
|
Ahem.
|
||
|
Actually, there was some other evidence of interest. Just a bunch
|
||
|
of paperwork though, which doesn't really generally make riveting
|
||
|
narrative. Unless it happens to mention somewhere in its paperness
|
||
|
the sexual antics of certain world leaders. Which it doesn't. Sorry,
|
||
|
I'm mixing my tenses. Which it didn't. I guess it was just a bunch of
|
||
|
papers, really. Popsicle was about to throw them in the rubbish when
|
||
|
Doctor Wedge stopped him, and decided to examine them in great
|
||
|
detail, in order to obtain further information on the case, and to
|
||
|
fill in a little time while he waited for "Barry Bond's Bondage
|
||
|
Hour".
|
||
|
Well, okay, so the papers did include a bunch of material that
|
||
|
may have been a little use to Popsicle. They told the story of a
|
||
|
woman.
|
||
|
She had been born at the age of zero, her father having died
|
||
|
three years earlier. Her mother brought her up in the gutter, in the
|
||
|
constant cold and wet, because the gutter she chose was in a car
|
||
|
wash. At twelve she had been in a siege situation with thirteen
|
||
|
cousins she was baby-sitting, and a violent lunatic bastard gunman,
|
||
|
and was dug out of the house by police using only three men armed
|
||
|
with teaspoons. At nineteen she was in a car crash that left her in
|
||
|
traction for 18 months, during which her feet were above her head,
|
||
|
and some of her bones drifted upwards in her body, resulting in her
|
||
|
lungs being jammed in her neck, and having to be shifted back down in
|
||
|
a special operation. At twenty-one, she suddenly gave birth after
|
||
|
falling down some stairs, not even having realised she'd been
|
||
|
pregnant. Two hours after giving birth, the hospital burned down, and
|
||
|
she was back out on the streets in the howling wind, with only a torn
|
||
|
pair of underpants to protect her, and two dimes, which she could rub
|
||
|
together, but not spend, as they weren't legal currency. Then, at
|
||
|
twenty-five, she had her big, and only break, when she was awarded
|
||
|
the Annual BullShitter's Prize For The Biggest Load Of Crap In A Life
|
||
|
Story.
|
||
|
Her name was Marian, and you'll learn more about her involvement
|
||
|
in this mystery next week.
|
||
|
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
|
||
|
Meanwhile, at the Computer Nerd Arms Hotel Saloon & Bar...
|
||
|
|
||
|
SQL and orange please.
|
||
|
|
||
|
'ERE, YOU CALL THAT NORMALISED?
|
||
|
|
||
|
Pardon?
|
||
|
|
||
|
YOU CALL THAT NORMALISED, YOU STUPID TWAT? I'VE SEEN BETTER
|
||
|
NORMALISATION THROWN UP IN THE STREET BY A TRAMP. THAT DATA WOULDN'T
|
||
|
HAVE INTEGRITY IF IT HAD BEEN KNIGHTED BY THE QUEEN MUM.
|
||
|
|
||
|
What?
|
||
|
|
||
|
LISTEN CHUM, I'VE SEEN RELATIONAL DATABASES IN MY TIME. YOU PUNKS
|
||
|
COME IN HERE WITH YOUR E-R DIAGRAMS, AND YOUR *GRAND* PLANS FOR DATA
|
||
|
DICTIONARIES... AND IT DON'T COME TO SQUAT. SO YOU CAN TAKE YOUR
|
||
|
TRANSITIVE DEPENDENCIES, YOUR SCHEMA DEFINITIONS AND YOUR FIFTH
|
||
|
NORMAL FORM, AND SHOVE THEM RIGHT UP YOUR FLAT FILE.
|
||
|
|
||
|
Oh, all right. I never wanted to be a DBA... I wanted to be a
|
||
|
PROGRAMMER! Debugging from screen to screen... in Visual Basic...
|
||
|
Pascal... C++..., with my best PC by my side, we code... code...
|
||
|
code...
|
||
|
|
||
|
I'm a programmer and I'm okay
|
||
|
I code all night and I sleep all day
|
||
|
(He's a programmer and he's okay)
|
||
|
(He codes all night and he sleeps all day)
|
||
|
|
||
|
I design screens, create DO WHILE's,
|
||
|
I go to the lavatory
|
||
|
On Wednesdays I go gaming
|
||
|
And play X-Tank for tea
|
||
|
|
||
|
(He designs screens, creates DO WHILE's)
|
||
|
(He goes to the lavatory)
|
||
|
(On Wednesdays he goes gaming)
|
||
|
(And plays X-Tank for tea)
|
||
|
(He's a programmer and he's okay)
|
||
|
(He codes all night and he sleeps all day)
|
||
|
|
||
|
I write out docs, I do support
|
||
|
Beta test and release
|
||
|
I sometimes try out FORTRAN
|
||
|
And mess around with Scheme
|
||
|
|
||
|
(He writes out docs, he does support)
|
||
|
(Beta tests and release)
|
||
|
(He sometimes tries out FORTRAN)
|
||
|
(And messes 'round with Scheme...?)
|
||
|
(He's a programmer and he's okay)
|
||
|
(He codes all night and he sleeps all day)
|
||
|
|
||
|
I code spaghetti, I quite like FORTH
|
||
|
PL1 and ALGOL
|
||
|
I wish I'd written COBOL
|
||
|
Just like my dear papa
|
||
|
|
||
|
[Oh Bevis, I thought you were so structured!]
|
||
|
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
World leaders have supported the decision
|
||
|
to make this the end of Toxic Custard until
|
||
|
next week. You have been warned. Have a nice
|
||
|
day. Some/A few/Most of the back-issues are
|
||
|
still available by ftp, reply for details.
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Copyright (c) 1993 Daniel Bowen
|
||
|
--
|
||
|
Daniel Bowen, NTC Systems------| I'm a rebel, I'm on the
|
||
|
Telecom Australia, Melbourne---| edge... Don't mess with
|
||
|
dbowen@vcomtelc.telecom.com.au-| me, 'cos I'm part of the
|
||
|
TCWF stuff: tcwf@gnu.ai.mit.edu| Big M Generation!
|
||
|
|
||
|
TOLD YOU SO
|
||
|
|
||
|
------------------------------------------------------------------------------
|
||
|
|
||
|
the Toxic Custard Workshop Files by Daniel Bowen, Melbourne, Australia
|
||
|
|
||
|
Copyright (c) 1993, 1994 Daniel Bowen. May be freely distributed
|
||
|
without profit provided this notice remains intact.
|
||
|
|
||
|
For subscription information, contact tcwf@gnu.ai.mit.edu
|
||
|
|