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____________________________________________________________________________
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*****************************THE BACK ISSUES********************************
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**************PARTS ONE HUNDRED AND SIX TO ONE HUNDRED AND TEN**************
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(Written by Daniel Bowen, Monash University, Melbourne Australia)
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(Send e-mail to tcwf@gnu.ai.mit.edu)
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_______________________________________________________________________________
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Olympic Toxic Custard
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**TCWF!** TOXIC CUSTARD WORKSHOP FILES, Number 106, 27th July 1992
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-------------------------------------------------------------------------------
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MRS IRENE BUSYBODY SPEAKS OUT ON... H
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The Olympics. I've been watching the opening ceremony on the box. And e
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what a load of modern art crap it was. Talk about completely r
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predictable - I don't know why the stupid commentators were raving on e
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in awe about it, it looked like every single Olympics opening ceremony
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ever. Three boring hours of loads of Spaniards poncing around the w
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stadium, dancing in bloody silly costumes, accompanied by a bunch of e
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fat opera singers on a thankfully reinforced stage yelling their lungs
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out. As usual, they got five thousand school kids from somewhere, and a
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had them running around in formation. Boring. r
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See those blokes come out dressed as Sun Gods? I think that's what e
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they were meant to be. And all the spectators got to put on sun mask
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things and look stupid in front of the tv cameras. But none of the f
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Spanish royal family got masks! I reckon they must have been really o
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pissed off at that. No doubt some Olympic official will be beheaded as r
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soon as the games are over. Or maybe they'll throw him into the bull
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ring in a red boilersuit, without so much as a toreador for protection. t
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Anyway, then thousands more people crowded in, dressed as the h
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Atlantic ocean or something... and a bunch of sailors dressed in e
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bondage gear and wearing fake tattoos went off to fight a bunch of sea
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monsters on their way to discovering Barcelona. Do me a favour. Any s
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sensible sailor dressed in bondage gear and wearing fake tattoos with i
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half a brain would have said "Shit!!! I'm not fighting those fucking d
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big scary monsters! Let's bugger off to Portugal!" e
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And there were even more people, carrying big flags; and a stack of w
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schoolkid gymnasts, 5000 guys on stilts... I reckon those Olympic a
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stadiums must need the bloody biggest dressing rooms in the world. y
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Finally, after about two hours, the athletes start to pour in. And s
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that took over an hour. The Greeks always go first. Well, you know what
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the Greeks are like; maybe no-one wants to go in front of them. There m
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were a few teams that only sent one person, tiny little places like e
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Afghanistan. Makes you wonder why they bothered. Imagine the Afghan s
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bloke, when he gets a look at one of the big teams, like the US team. s
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He must think "Christ, I've got no chance against that lot!" And he a
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pisses off home. And who could blame him? g
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Saudi Arabia turned up, with the whole team dressed in white robes e
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and stuff. Maybe it's religious. But I wonder if they have to compete
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like that? And how did the Olympic girl carrying the Saudi Arabia sign s
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get away with being dressed like that? Surely she should have been p
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covered head to toe in a black robe! r
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South Africa turned up for the first time in ages. The whites in i
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the team were trying to walk alongside the blacks in the team without n
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throwing up or asking for their passes or hitting them with horse- t
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whips. Did you notice the South African olympic symbol on their .
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uniforms - the five burning tyres? .
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I missed the team from Lebanon coming out. Were they wearing battle
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fatigues, like I figured? Like the Columbian team, I reckon they'll do D
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good at the target shooting events. o
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The team from Swaziland came out in traditional costume. I like n
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that. But what the hell was the white guy in the middle doing? He must '
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have known he looked ridiculous in tribal costume, but did he care? t
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Nope. He was even doing the war dance thing.
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And of course our own Aussie boys and girls came out to wave at the k
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crowd. Christ knows what *they* were dressed in. Some kind of hideous n
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creation. I think the designer must have unwittingly thrown up over the o
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designs without anyone noticing. And naturally there's not a single w
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Aboriginal on the team. Well, not until they make boomerang throwing,
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kangaroo skinning and being beaten up by policemen an Olympic event. w
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After the teams, how about when all the blokes made human pyramids. h
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Spectacular, though bloody dangerous. Seriously, one banana skin on the y
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ground, and zip... fallen bodies all over the place. Then more of the
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boring traditional stuff, like the big flag, the completely unrelated I
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Spanish fashion parade (?!?), and the big flame. Just as well that
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archer bloke practised plenty. What if he aimed too low? Woosh, went b
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the flaming arrow, straight into the hair of some guy from Kansas. o
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"Oops mate, sorry about your hair!" But sure enough, he was on target, t
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and the bit where the Olympic flame lights up has now been repeated an h
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estimated 3,000,000 times on various tv stations throughout the world. e
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Great. r
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All in all, what a load of bullshit. They could have saved time and e
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money by getting a load of Spanish bulls to crap in the middle of the d
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stadium, and looked at that for three hours. C'mon, let's face it, a .
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three hour extravaganza like that, with opera singing and modern art...
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if it hadn't been associated with the Olympics, it would have gone
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unnoticed one day on the Sunday afternoon arts programme, or since it
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was in Spain, in the middle of the afternoon with subtitles on SBS.
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
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TOXIC CUSTARD AUGUST DIARY CALENDAR PLANNER THING
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Saturday 1st- Absolutely nothing happens on this day, ever
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Sunday 2nd- Gwen Plumb B. 1922; Monash Open Day 1992, yeah, right ugh
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Monday 3rd- P.D.James B. 1920 in mysterious circumstances
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Tuesday 4th- Queen Mother B. 1900 with a silver spoon in her mouth
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Wednesday 5th- P.D.James D. 1997 in mysterious circumstances
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Thursday 6th- Atomic bomb B. 1945
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Friday 7th- Queen Mother D. 2072
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Saturday 8th- Great Train Robbery 1963. Say bye bye to 2.5 million pounds!
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Sunday 9th- Too depressing to think about, 1945
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Monday 10th- Pay protection money
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Tuesday 11th- Enid Blyton B. 1897 in a magic faraway tree
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Wednesday 12th- French do something revolting every day of every year 1742-1991
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Thursday 13th- Toxic Custard B. 1990; Werewolf alert (Full moon)
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Friday 14th- VP Day 1945; Gary Larson B. 1950 to a horse and a dog
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Saturday 15th- Princess Anne B.1950; Berlin Wall gets building permission 1961
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Sunday 16th- Elvis dies in a mass of fat and blubber, 1977
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Monday 17th- Azaria Chamberlain taken by naughty doggy, 1980
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Tuesday 18th- Return library books from 1975
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Wednesday 19th- Bart gives warning on Simpsons calendar, 1992
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Thursday 20th- Yet another Gandhi B. 1944
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Friday 21st- Two nobodies born, and the last 1/4 of the moon
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Saturday 22nd- Captain Cook claims eastern Australia 1770; Aborigines disagree
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Sunday 23rd- Just another boring August day
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Monday 24th- White House burns down, 1844
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Tuesday 25th- Nobody important born, nothing happened
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Wednesday 26th- Dan Quayle goofs up again, 1992
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Thursday 27th- 38 minute war, 1896; Don Bradman B. 1908 (and another DB, 1970)
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Friday 28th- World's first radio advert, 1922. Out now on tape! Buy buy buy!
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Saturday 29th- Michael Jackson B. black 1958
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Sunday 30th- Don Bradman bats his first century, 1908
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Monday 31st- Princess Anne and hubby separate, 1989; Spring on the horizon
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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That's all. Now go away. Back-issues from tcwf@gnu.ai.mit.edu
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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Copyright (c) 1992 Daniel Bowen
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--
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Daniel Bowen, Monash University,---/ PS. Apologies if you're Greek, Spanish,
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Melbourne, Australia--------------/ French, Australian, Lebanese, Columbian,
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daniel@yoyo.cc.monash.edu.au-----/ Saudi, Gary Larson... It was all in the
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TCWF stuff: tcwf@gnu.ai.mit.edu-/ spirit of Olympic co-operation.
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_______________________________________________________________________________
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Recrudescent Toxic Custard
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___ ___ ____
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__|__ ___ |__ | | | | toxic custard workshop files
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|____ |____ |_|_| | | |___| / number 107 - 3rd august 1992
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I had a cold this week. Don't you just hate having colds? It's like one W
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of your nostrils has been filled up with cement.. and the other one has h
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turned into a country stream with running snot 24 hours a day. That a
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only lasts for a few hours of course. Then they swap. And no matter how t
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much you blow the running side of your nose, more snot just always
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seems to come out. Who knows where in the body snot is produced, but i
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wherever it is, it's working overtime during your cold. s
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Which brings us to the problem of handkerchiefs. As you work
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through your hanky you carefully fold it every time you use it so as t
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not to re-use a wet bit, and to avoid anyone else seeing any gruesome h
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bogies that may have appeared. And when it's all finished up, with more i
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germs in it than an Iraqi chemical weapons factory, you end up s
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searching the house looking for a hanky that isn't totally sodden with
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bodily substances. Wringing them out doesn't do much good. Although it p
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alleviates the moisture content, a certain unpleasant stickiness s
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remains. e
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God help you if there aren't any more clean hankies in the house - u
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it could be time to resort to the toilet paper, or even the dreaded d
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tissued sheets of sawdust and glue in a presentation box with flowery o
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patterns all over it. If you thought your nose was red before, just -
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look at it after using tissues for a day. But hopefully after ten q
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minutes of running through the house with delightful driplets of snot u
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hanging from your hooter like stalactites, you find the place where the a
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poor soul who does all the washing in the house leaves the clean s
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handkerchiefs. i
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Now, it is a fact that 84% of nose mops are bought by people who -
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know people who have colds. But the problem is that these people, along r
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with all those others who ever go out to buy handkerchiefs for other e
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people; these poor deluded fools, almost always have got the odd idea a
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into their heads that a handkerchief is meant to look nice. That it's c
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meant to have a nice pattern on it. And worse, people who buy t
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handkerchiefs for ladies seem to think that it's somehow advantageous i
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that the hanky should be nice and small and ladylike. [Insert a mass of v
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exclamation and question marks here] Do women have any less snot in i
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their noses than men? No. When the ladies are about to sneeze, do they s
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pull out their hanky, unfold it and say "oh goodness me, that's a t
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lovely pattern; I couldn't possibly cover it with snot"? No. Here's
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some advice for you, if you ever go out to buy hankies for anyone: buy m
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the biggest, thickest most absorbent hanky you can find. Stuff the e
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pattern, stuff the stitched initials or message in the corner, go for n
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high snot capacity. In fact, it's about time the snot rag manufacturers i
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of the world put reasonable slogans on their rags. Perhaps the s
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handkerchief equivalent of "Big Bag" could be a starter: "Big Snot c
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Rag". u
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - s
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i
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Good evening. Tonight on ABC TV is Depression Documentary night. So, if s
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you've got a happiness overdose, stay with us for an unforgettable t
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evening of misery and tragedy.
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The suffering and tragedy of the people of Somalia is the subject l
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of the feature on the 7:30 Report tonight. Michael Beurk, well-known u
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BBC master of depressing reports, spent 6 weeks in war-torn and d
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drought-ridden Somalia to bring distressing and worrying footage of the l
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suffering, direct to you while you're trying to finish your dinner. i
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At 8:00 it's Holocaust Half Hour. Newly uncovered footage of -
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hundreds of people being gassed in the death camps. s
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Then at 8:30pm, a moving documentary about the brutal murder of 294 c
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people in a Mafia retribution attack in 1985. r
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That's followed at 9:30 by Michael Beurk again, this time from i
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South Africa, where another 300,000 have been killed in township b
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violence in the past 24 hours, as police march in protest at their jobs i
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being in danger of being unnecessary. s
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Finally in our Depression Documentary night at 10:30, we have the t
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latest installment in "Another Black Bites The Dust", the disturbing
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investigation of black deaths in police custody. New statistics g
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indicate that the speed of blacks dying in custody is almost as fast as r
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they are being arrested, and this programme seeks to find out why. a
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - n
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u
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Megabogue's latest release has been described as a subversive strike at l
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the band's greatest enemy. Others describe it as a shameless rip-off of a
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a Beatles song, whereas the band themselves prefer to remain detached r
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from the whole issue, preferring just to sit back and watch the cash, if i
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any, roll in. The sudden change in the lyrics at the end of the song to f
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a somewhat positive viewpoint have been revealed to be the effect of i
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explaining to the song's author, Slasher Rists, precisely which body of c
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government workers is responsible for the band's security. As well as
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who covers up every time Vimmy "The Thorn" Halen goes crazy during s
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concerts and leaps into the audience with an axe. e
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m
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MEGABOGUE - "Piggies" by Slasher Rists MoccaSIN Records i
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-
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Have you seen the little piggies r
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In their patrol cars? e
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You will see the little piggies c
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With bandaids on their scars i
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d
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Always having cars to drive around in i
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v
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Have you seen the bigger piggies i
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In their big checked caps? s
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You will find the bigger piggies t
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Hitting lots of blacks
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c
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Always have big sticks to play around with r
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a
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In their minds there's nothin' happenin' p
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They don't care what goes on around
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In their minds there's something lacking y
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What they need's a damn quick sacking o
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u
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Everywhere there's lots of piggies, doing piggy work '
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You can see them out in traffic, acting just like pork r
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Clutching breathalysers, to catch drink drivers... e
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r
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The previous is an actual actuality of the one e
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hundred and seventh Toxic Custard. Only the names a
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have been left the same, to condemn the guilty. d
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If your eyeballs would thrill to reading some i
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previous Toxic Custards, then have we got great n
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back-issues for you! Just reply to this message, g
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or send mail to tcwf@gnu.ai.mit.edu for details. ?
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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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Copyright (c) 1992 Daniel Bowen
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-- "TCWF 106's olympic comment was a shameless
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Daniel Bowen, Monash University,---/ and biased attack on Greece, and many of
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Melbourne, Australia--------------/ the other countries at the Olympic Games.
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daniel@yoyo.cc.monash.edu.au-----/ This sort of thing must be stopped", said
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TCWF stuff: tcwf@gnu.ai.mit.edu-/ Justice Jim Papadapadopolous yesterday.
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_______________________________________________________________________________
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Runny Toxic Custard
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<><><><><> <><<>><> <> <> <><><><> TOXIC CUSTARD WORKSHOP FILES
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<> <> <> <> <> NUMBER 108 - 10TH AUGUST 1992, 3:33pm
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<> <> <> <> <> <><><> WRITTEN BY WHATSISNAME
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<> <><><><> <><><><><> <>----------------------------------------------
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Good evening from the Melbourne Olympics, and welcome to Flinders
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Street Railway Station where the athletes are just lining up for the S
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final of the men's 100 metres run for the 3:34 express train to o
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Frankston dash. Going left to right from beside the ticket booth, we m
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see Yankovich of the USA, Toreador of Spain, Whinger of Britain, the e
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local boy, Drunkenbastard of Australia, and four other no-hopers from t
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third-world countries who haven't got a chance. h
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On their marks.. tickets out.. there's the whistle, and they're i
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off! Yankovich gets away well, he glances up at the platform indicator n
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screen, and tears past the busker and down the ramp, followed by g
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Toreador and Drunkenbastard, with the others following. Oh.. wait! '
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They've all got stuck in a sea of old ladies from the Ringwood Rotary s
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Club, complete with shopping trolleys and Crimplene trousers. And
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they're going to the wrong platform. Drunkenbastard and Yankovich are i
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making good use of the elbows there. n
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Halfway down the ramp now, and the runners are skilfully battling
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past legions of schoolkids.. oh no, Yankovich has slipped on a banana y
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peel one of the little bastards has dropped! Down he goes, skidding o
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down the ramp, straight into a litter bin. So now it's Drunkenbastard u
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and Whinger, with Toreador and the others close behind.. there goes the r
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guard's whistle and the departure announcement.. Whinger overtakes
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Drunkenbastard as they dodge around the family with the pram, past the h
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guy filling up the vending machines... the train doors are beginning to a
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close and... Yes.. Drunkenbastard, then Whinger, and Toreador takes the i
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bronze as the train moves off and the others are left on the platform, r
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seething with rage. Oh well, just time for a Mars Bar; there should be p
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another train in five minutes. i
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- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - e
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c
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I'm sure that dogs have a certain logic that they use... but I do e
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wonder how in dog folklore it came to be that they have to piss against .
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trees and street signs? Did the dogs of early times, like the Jews,
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form rules for these things? Codes of behaviour for their doggy lives? I
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Based, perhaps, on the realities of the day? t
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"Now listen, I think the feeling of the meeting is that if we
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continue to piss and crap in the streets, sooner or later a really l
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important person walking down the street, in bare feet because shoes o
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haven't been invented yet of course, will walk down the street and step o
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in some doggy doo-doos. Then it's curtains for us dogs. So I move that k
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we make a law saying that we confine our outgoings to vertical surfaces s
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out of way of human pedestrians. Columns and so on. No, pyramids don't
|
||
|
count; people climb them. Anyone care to second that? Okay; 4. Thou l
|
||
|
shalt not pisseth on the ground." i
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - k
|
||
|
e
|
||
|
Once upon a time, in a valley far far away, there lived a handsome
|
||
|
prince. But unlike many of the cliched boring princes in these stories, a
|
||
|
this one was mean and nasty. He was a real bastard. A total fuckwit.
|
||
|
And one day the prince decided to go on a peasant-bashing tour of t
|
||
|
his kingdom. For although he wasn't king, his father was, so the prince u
|
||
|
could do what he bloody well wanted. So he packed his whips, bows and b
|
||
|
arrows, his collection of torture devices, and a chauffeur into a cart, u
|
||
|
and set off. Well, to be precise, he got the palace servants to pack l
|
||
|
everything into the cart. Then he beat three of them to death before a
|
||
|
leaving. r
|
||
|
The cart went down the road, with the prince sitting in the back,
|
||
|
loosing off the occasional arrow at the local children playing in the m
|
||
|
street. Eventually the cart came to the edge of the big forest. The e
|
||
|
road wound its way through the forest for several hours, without t
|
||
|
passing a soul. So the prince had to be content with firing at little a
|
||
|
woodland animals. Until finally, in a clearing, they came across a fork l
|
||
|
in the road. And a sign at the fork:
|
||
|
"GO LEFT IF THOUST DARE, AND RIGHT IF THOUST FEAR." b
|
||
|
Well, the prince was pretty confused by all this, as no doubt was a
|
||
|
the driver. But then, the driver wasn't paid to be confused, so he n
|
||
|
stopped being confused, and let the prince do it. The prince flipped a a
|
||
|
coin, which had his big conceited head on it, naturally, and shouted n
|
||
|
"go left!" a
|
||
|
No sooner had he said this when there was a clap of thunder, and .
|
||
|
thousands of amphibians and rodents began to fall from the treetops. It
|
||
|
was raining rats and frogs. Some of the rats and frogs weren't looking (
|
||
|
where they were falling, and squelched as they hit the ground at speed. W
|
||
|
The prince was undercover in the cart, but the driver got covered in e
|
||
|
squelched green stuff from inside the frogs and a bunch of dead rats, l
|
||
|
too. Nice. c
|
||
|
Anyway, to cut a long and useless bit of the story short, the cart o
|
||
|
then set off down the left road. And stopped three minutes later when m
|
||
|
it ran into a dragon's foot. No, dragons don't live in the forests e
|
||
|
anymore, but this was the olden days, and they did then.
|
||
|
"Ah..", thought the prince. "This would probably explain the sign." t
|
||
|
The dragon's foot twitched, and so did the dragon's leg attached to o
|
||
|
it. In fact, although the prince couldn't see any more of it, it is
|
||
|
probably safe to say that the whole dragon twitched as it woke up. Its S
|
||
|
foot and leg moved up, right a bit, and back down, thereby squashing u
|
||
|
the cart driver and the two horses to a tiny, and very flat, puree. r
|
||
|
"Oi!" shouted the prince. "Where am I gonna get another driver?!" r
|
||
|
The dragon heard this, and naturally wasn't too amused at being e
|
||
|
spoken to in that tone of voice. After all, he was a dragon. True, the a
|
||
|
speaker *was* a prince, but that didn't make it any more acceptable. In l
|
||
|
these stories, there was a clear pecking order, and as far as the i
|
||
|
dragon was concerned, mean nasty princes were well towards the bottom. s
|
||
|
The dragon bent its head down, into the forest (it had been using a t
|
||
|
nearby mountain as a pillow). Two huge dragon eyes came level with the
|
||
|
prince, as the dragon spoke. W
|
||
|
"Pardon?", it said, in a voice as deep as the lowest bits of that e
|
||
|
song about the policemen by Gilbert and Sullivan. e
|
||
|
"I said", said the prince, who was not known for his subtlety, k
|
||
|
"where am I gonna get another driver?" ,
|
||
|
"Well, I... I...", began the dragon, getting a twitch in his nose.
|
||
|
"I... ah.. ah.. ACHOO!" it sneezed loudly, a gigantic snot fireball A
|
||
|
flying out of each nostril, frying the mean nasty bastard prince to a u
|
||
|
cinder. g
|
||
|
The prince, now quite clearly dead, fell apart in a pile of ashes u
|
||
|
where he was standing. s
|
||
|
"Erm.. sorry", said the dragon. t
|
||
|
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 1
|
||
|
Well, that's the end of that firey tail, and 0
|
||
|
the end of another Toxic Custard, thank God. -
|
||
|
And if your eyeballs would like to focus on 1
|
||
|
any of the old Toxic Custards, why not find 6
|
||
|
out about TCWF back-issues! )
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ |### _o
|
||
|
Copyright (c) 1992 Daniel Bowen |### #\
|
||
|
-- | ||
|
||
|
Daniel Bowen, Monash University,---/\ T h e/\ /\ /\ /\ /\
|
||
|
Melbourne, Australia--------------/ \ / \ am/az\ing / \ / \ / \
|
||
|
daniel@yoyo.cc.monash.edu.au-----/ \ / \ / \ /zig-\za/g \ / \
|
||
|
TCWF stuff: tcwf@gnu.ai.mit.edu-/ \/ \/ \/ \/ sign\/ature!
|
||
|
|
||
|
_______________________________________________________________________________
|
||
|
The Great Unknown Toxic Custard
|
||
|
|
||
|
|
||
|
[[[[[[[[[[[ ]]]]]] [[ ]] [[ ]]]]]]]
|
||
|
]] [[ ]] [[ ]] [[ Number 109
|
||
|
[[ ]] [[ ]] [[ ]]]]] 17th August 1992
|
||
|
]] [[ ]] [[ ]] [[ Written by Daniel Bowen
|
||
|
[[oxic ]]]]]]ustard [[[[[[[[orkshop ]]iles_______________________________
|
||
|
|
||
|
Somehow I never quite believed the cliche of Readers Digest sending out
|
||
|
a forestful of junkmail to people who don't exist. But I've changed my
|
||
|
mind. A big wad of paper wrapped in more paper with a gold ingot and a A
|
||
|
bunch of competition stickers and more paper arrived in our already n
|
||
|
over-strained mailbox. And either my wife or my mother have had d
|
||
|
sex-changes, or the all-knowing RD people have got their facts about
|
||
|
the occupants of this house slightly, though not completely, wrong. t
|
||
|
It's a simple matter of titles, and the gender one normally assumes h
|
||
|
when taking on a title, such as, in this case "Mr". e
|
||
|
Inside the envelope were a bunch of stickers, a car key (don't you
|
||
|
wish they told you where the car was parked!), and a scratch and win w
|
||
|
game which just HAPPENED to be a chance for the non-existent Mr L Bowen o
|
||
|
to win a bunch of money. Well, my little sister had a lot of fun r
|
||
|
sticking the stickers where they were meant to go, sealing the YES and s
|
||
|
NO envelopes and generally farting about with all the bits of paper. t
|
||
|
Thank God I managed to stop her mailing any of it back.
|
||
|
And of course there's the obligatory RD Sweepstakes Entry Book. t
|
||
|
This marvellous work of fiction, containing no less than eight badly h
|
||
|
stapelled pages has to be the worst laid out and badly written piece of i
|
||
|
literary crap ever written by a member of the human race who could n
|
||
|
write. If this is anything like the standard of their magazine, no g
|
||
|
wonder they go to such desperate lengths to promote it. Do people
|
||
|
really fall for this garbage? Isn't it amazing how every line of text a
|
||
|
in the thing that contains the allegedly existing contestant, or a b
|
||
|
reference to where the aforementioned lives is in a different typeface, o
|
||
|
and not properly formatted? I noted with interest the misplaced u
|
||
|
apostrophe on the twelfth page. t
|
||
|
Enough of this.. I'll leave you with this thought from the Readers
|
||
|
Digest sweepstakes book: t
|
||
|
"And while some may say the chance to win $145,000 in prizes is a h
|
||
|
little overwhelming, we feel it's like giving a lottery ticket to i
|
||
|
someone who has done you a good turn." s
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
|
||
|
s
|
||
|
An exclusive extract from: i
|
||
|
"CHEAP EATS '92 - A REVIEW OF ALL THE FOOD THAT'S CHEAP AND NASTY" d
|
||
|
e
|
||
|
BAD FOOD AND POLKA CLUB, FITZROY w
|
||
|
The post-modern decor facade outside gives way to a complete dump a
|
||
|
within. It's apparently a representation of the aftermath of a nuclear y
|
||
|
war, although our reviewer was of the opinion that it was just s
|
||
|
incredibly dirty and untidy in there. When we arrived, the police were
|
||
|
just leaving with some government health inspectors and the chef. The m
|
||
|
waiters assured us that a minion would prepare our meals, and they were e
|
||
|
right, although the Department of Labour and Industry might be s
|
||
|
interested to see if they can apply any of their laws concerning child s
|
||
|
labour here. As for the food, well it turned out to be foresight rather a
|
||
|
than slobbyness that had resulted in one of the waiters leaving several g
|
||
|
buckets on the floor adjacent to our tables. When contacted, management e
|
||
|
made no comment about the standards of food in the restaurant, but
|
||
|
agreed when faced with legal action to pay the ambulance bill. i
|
||
|
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - s
|
||
|
|
||
|
We've reached that time of the file once more where the author runs out t
|
||
|
of thoughts and launches himself on a half-hour tour of the room h
|
||
|
looking for inspiration, rummages through the bookshelf desperately a
|
||
|
searching for something to ridicule, and fails utterly in his quest to t
|
||
|
do so. He returns dejected to the keyboard and instead bashes out the
|
||
|
beginning of another Popsicle adventure. y
|
||
|
o
|
||
|
POPSICLE AND THE CASE OF THE SPECKLED BAND Part One u
|
||
|
|
||
|
Mr Popsicle, the world's most inconspicuous secret agent, and his b
|
||
|
faithful sidekick Inspector Unnecessary-Violence (who had mastered his o
|
||
|
sidekick at a karate class), sat around lazily at the looming and t
|
||
|
downright evil looking offices of the Australian Royal Security h
|
||
|
Establishment. In these days of GlaSnot, Paratrooper and the downfall e
|
||
|
of Communism, there just wasn't much call for secret agents. So most of r
|
||
|
the ARSE agents just sat around all day watching telly and belching e
|
||
|
loudly, an after effect of the subsidised Government hotdogs they were d
|
||
|
wont to eat.
|
||
|
The fact is, all the ARSE agents continued to get paid, even if t
|
||
|
they didn't do anything, which they didn't. It was all the cause of the o
|
||
|
fact that the government didn't know they were paying for ARSE. Which
|
||
|
shows just how secret the establishment was. r
|
||
|
But Popsicle was getting bored. There was little to do, apart from e
|
||
|
going down to the lab to watch Doctor Wedge's unorthodox experiments on a
|
||
|
little animals. Today, however, there was something different. Today, d
|
||
|
the hotdogs seemed edible. The lights didn't flicker quite as much. And
|
||
|
the squealing from the lab didn't seem to deafen like usual. The i
|
||
|
writing was on the wall. And it said "Exit". But that was always there. t
|
||
|
It was something else. The story just wasn't going anywhere. So what .
|
||
|
was new? Not much. Popsicle decided to get out of the office for a
|
||
|
while, to boldly go before where no man had entered the dining room R
|
||
|
since lunchtime. e
|
||
|
He made his way out through the ARSE secret entrance, which doubled a
|
||
|
as an exit, and which was disguised as a telephone booth in a big empty l
|
||
|
building with a single empty featureless corridor with a bunch of l
|
||
|
horizontal and vertically opening automatic sliding doors. That was the y
|
||
|
key to disguise - make it look just like any other government
|
||
|
department. Pushing his way past a huge mountain of Readers Digest t
|
||
|
leaflets, Popsicle spied the sunlight, which hit him in the face at a r
|
||
|
rate of watts. He moved behind his super-dooper mega-cool ARSE issue a
|
||
|
sunglasses and stumbled blindly down the street in search of the plot. g
|
||
|
But there was none to be found. He knew that. Everyone who read this i
|
||
|
shit knew that. Why did he bother, he asked himself. Why didn't he have c
|
||
|
quote marks when he thought, he asked himself. "Like this?" he ,
|
||
|
pondered. Yes, he concluded. The rest of his brain decided it was all a
|
||
|
matter of mindpower, and he quickly and incorrectly calculated a few i
|
||
|
formulae before strolling into the park to poison a few seagulls. s
|
||
|
n
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ '
|
||
|
Help! I'm a paragraph of text! I'm trapped inside t
|
||
|
these two walls of ~, with the left hand side of
|
||
|
the screen at one end, and a hugely useless i
|
||
|
margin at the other! I'm being forced against my t
|
||
|
script to tell you that you can get information .
|
||
|
about Toxic Custard back-issues if you reply to
|
||
|
this, or send mail to tcwf@gnu.ai.mit.edu
|
||
|
Please, can't you do anything to help me escape?
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Copyright (c) 1992 Daniel Bowen
|
||
|
--
|
||
|
Daniel Bowen, Monash University,\ Isn't it amazing how so many gullible people,
|
||
|
Melbourne, Australia------------/ after shelling out to see "Wayne's World",
|
||
|
daniel@yoyo.cc.monash.edu.au----\ get fooled into the thinking the film is
|
||
|
TCWF stuff: tcwf@gnu.ai.mit.edu-/ over and rush out the doors as soon as the
|
||
|
\ credits begin to roll.
|
||
|
|
||
|
_______________________________________________________________________________
|
||
|
Vesuvian Toxic Custard
|
||
|
|
||
|
|
||
|
_______ \ / /
|
||
|
|__ \ / / /
|
||
|
| oxic /ustard / / /orkshop \/iles Number 110 - 23rd August 1992
|
||
|
| / /-/-/ \
|
||
|
|
||
|
POPSICLE AND THE CASE OF THE SPECKLED BANNED Part Two I
|
||
|
t
|
||
|
The music surrounded him. He moved back down the alleyway, but he was
|
||
|
cornered. He would have preferred to have been well-rounded, but he was s
|
||
|
well cornered instead. There was no escape. Popsicle thought back to e
|
||
|
the events of the day; events which had seemed so paradoxically e
|
||
|
paradoxical, and yet had resulted in this most strange of situations. m
|
||
|
Popsicle didn't really like what he had got himself into, but then he s
|
||
|
had never liked these strange stories when the author seemed to be just
|
||
|
playing with words. t
|
||
|
He continued to think back. Luckily, he completely failed to h
|
||
|
regress to his childhood, which is not the ideal place to regress to a
|
||
|
when you're cornered in a dark alleyway (oh, didn't I mention it was t
|
||
|
dark? Well it's freezing cold, windy, and very very bloody dark, okay?)
|
||
|
by some sort of weird assailant which doesn't appear to be overly F
|
||
|
friendly, in fact which could be said to be considered, on the face of e
|
||
|
all the available information, to be trying to kill you. r
|
||
|
Popsicle regressed back to a hastily written subplot earlier in the g
|
||
|
day which had seen the head of the Australian Royal Security i
|
||
|
Establishment (work out the acronym yourself) come down from his office e
|
||
|
on the top floor of the basement underground tubular subway secret
|
||
|
compartment department apartment building in which the Australian Royal h
|
||
|
Security Establishment was housed. The head of the Australian Royal a
|
||
|
Security Establishment, who was better known as the Chief, because it s
|
||
|
fitted in with the cliche of most spy stories, had come down and
|
||
|
explained that Popsicle and his faithful dog, err companion, Inspector a
|
||
|
Unnecessary-Violence, were to get out onto the streets and "kick butt".
|
||
|
Normally, due to his snobby English whinging-pom clenched buttocks t
|
||
|
upbringing, the Chief would never have resorted to such a h
|
||
|
Unitedstatesofamericanism as "butt", but author had felt at the time of i
|
||
|
authorship that to use the word "arse" might have been construed as an n
|
||
|
attempt to get a cheap laugh with a bad pun. Or possibly not. g
|
||
|
Anyway, Popsicle and the Inspector explained that the Police
|
||
|
Fascist Bullyboy Headkickers Union would demand that boot repair f
|
||
|
allowances be increased lotsfold if the current trend of increased butt o
|
||
|
kicking continued into the coming fiscal year. But they didn't mind r
|
||
|
going out to kick the aforementioned butt, so they did. It was most
|
||
|
fortunate that the Inspector's favourite pastime was also a large T
|
||
|
element in his career. But what had followed had not only surprised and e
|
||
|
shocked them, but had caught the author off-guard, as he struggled to x
|
||
|
fill in the plot which brought the story up to Popsicle's current a
|
||
|
predicament in the alley. n
|
||
|
What had happened had been interesting, though clearly not
|
||
|
interesting enough to warrant explaining it all in detail, which would b
|
||
|
run the risk of TCWF#110 going over its word budget. Basically u
|
||
|
speaking, in a non-specific type of mode, the Inspector had been busy s
|
||
|
eating a doughnut at a nearby market stall, while Popsicle had a stroll i
|
||
|
in a nearby park, only accompanied by a cigarette, which although n
|
||
|
inherently dangerous and unhealthy to him and any passers-by, looked, e
|
||
|
in his opinion, rather cool. In fact, he took steps to reduce the s
|
||
|
danger of lung cancer to himself, and of passive lung cancer to others, s
|
||
|
by not actually lighting the cigarette. Although this couldn't m
|
||
|
obviously look as cool, he felt that the obvious health benefits gained e
|
||
|
would greatly outweigh that. n
|
||
|
Anyway, to cut what is supposedly a long story slightly shorter, .
|
||
|
Popsicle was suddenly assaulted by a noise. A horrendous and cacophonic
|
||
|
noise that split his eardrums in two (well, four), and chopped them up S
|
||
|
into little bits with sharp edges before stuffing them back into his h
|
||
|
ears, right up the ear canal and into his brain. Which hurt quite a e
|
||
|
bit. '
|
||
|
Popsicle ran which ever way he could to get away from the noise, s
|
||
|
which compared favourably to any song by the infamous heavy-headbangers
|
||
|
Megabogue. He ran down an alleyway, which, by a staggering coincidence, o
|
||
|
is where we now pick up the story from where a bunch of disgruntled n
|
||
|
readers have thrown it after attempting to pick up the threads from the
|
||
|
result of the author's twisting and bending of the plot, subplot, a
|
||
|
subsubplot, and surrounding margins. Which brings us back to the t
|
||
|
present, which although is written in past-tense, is the present. Well,
|
||
|
almost the present. Back to where we started, anyway. l
|
||
|
Popsicle suddenly remembered the new Australian Royal Security e
|
||
|
Establishment secret-weapon he had been given earlier in the day, in a a
|
||
|
subsubplot not so far mentioned by the author. A pair of ear-plugs. s
|
||
|
Which although they could be bought from the chemist for just a few t
|
||
|
cents, had been especially developed by the Australian Royal Security
|
||
|
Establishment laboratory by Doctor Wedge, who, gaining his first h
|
||
|
mention in this episode, had squandered err invested over four million e
|
||
|
dollars of public money in his research. But that's beauracracy for r
|
||
|
you.
|
||
|
So Popsicle managed to get his ear-plugs into his ears, one into s
|
||
|
each, which effectively put the volume of the noise to below the danger e
|
||
|
level, or about a quarter of the level of a rock concert. Popsicle's c
|
||
|
ears and brain having temporarily recovered, he took the opportunity to o
|
||
|
getthefuckoutofit, and vowed under his breath to find and catch whoever n
|
||
|
had created the noise in the next episode. Because, well, it would make d
|
||
|
a good story, wouldn't it. .
|
||
|
.
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ .
|
||
|
If you've been reading this issue of Toxic
|
||
|
Custard as some form of medication, this notice
|
||
|
is here to tell you that this dose is complete. ****************
|
||
|
If your doctor advises you to get hold of old *Florida- State*
|
||
|
doses, then reply to this, or send mail to * of emergency *
|
||
|
Toxic Custard MegaChemicals Pty Ltd at ****************
|
||
|
tcwf@gnu.ai.mit.edu Read only as directed.
|
||
|
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
|
||
|
Copyright (c) 1992 Daniel Bowen
|
||
|
--
|
||
|
Daniel Bowen, Monash University,\ *Australian Red Nose Day!*
|
||
|
Melbourne, Australia------------/ * Friday, 28th August *
|
||
|
daniel@yoyo.cc.monash.edu.au----\ Wear a red nose for charity - all proceeds
|
||
|
TCWF stuff: tcwf@gnu.ai.mit.edu-/ go to Sudden Infant Death Syndrome research.
|
||
|
|
||
|
|
||
|
And the Friday after, September the fourth, will be Red Neck Day. Paint
|
||
|
your neck red, pretend to be illiterate and racist for charity, sing
|
||
|
traditional Afrikaaner songs - all proceeds will go to the Fascist
|
||
|
Fuckwits Federation.
|
||
|
|
||
|
September the eleventh will be red light day. All traffic lights will
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say "Stop" all day, and people will be encouraged to open brothels the
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day, with all proceeds going to AIDS research.
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The eighteenth will be red spot day. Get those pretend plastic spots
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from your nearest fast-food outlet and stick them all over your face.
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Proceeds will go to acne research.
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_______________________________________________________________________________
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To subscribe to the Toxic Custard Workshop Files, mail tcwf@gnu.ai.mit.edu
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--
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Copyright (c) 1992 Daniel Bowen. All rights reserved.
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May be copied or reproduced without permission
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provided this notice remains intact.
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--
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Daniel Francis Bowen | "Life is a bunch of
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Monash University, Melbourne, Australia | things that lead into
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----THE TOXIC-CUSTARD-WORKSHOP-FILES-----| other things."
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tcwf@gnu.ai.mit.edu |
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