2643 lines
45 KiB
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2643 lines
45 KiB
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<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD>
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<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><> <20><> <20><><EFBFBD> <20> <20><><EFBFBD>
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<20><><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD> <20><><EFBFBD>
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<20><><EFBFBD> <20><><EFBFBD> <20><><EFBFBD> <20><><EFBFBD> <20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD>
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<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD> <20><><EFBFBD>
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<20><><EFBFBD><EFBFBD><EFBFBD><EFBFBD><EFBFBD> <20><><EFBFBD>
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<20><><EFBFBD> ..edited, compiled, prelimanarily perused,
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<20><><EFBFBD> felt up, jostled and spell checked by,
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Homer The Brave
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Issue Number 6!
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"I am not a number, I am a free 'zine!"
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-----------------------
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When WAS the last time you just took a big long dump and wondered
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what it was that was REALLY coming out? This happens to me all the
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time. I'm very curious. If I am what I eat, then I'm really glad,
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because I don't want to be what my colon hath rejected!
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Anyway, I bring this up as a reminder that there is a lot of good
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nutritious stuff out there for your reading pleasure, and that you
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shouldn't just automatically void whatever you don't like. Sit in
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your own exremeditation chamber and contemplate the very smelliness
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of it all. If it was horrid and bad and nasty and just plain dumb,
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maybe you just didn't understand it. Mindfulness, kiddies. Why did
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you eat it in the first place if you knew damn well your body would
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toss it into the ceramic throne? You had to taste it! You had to feel
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it in your mouth, sweet, tangy, crunchy, soft... You had to smell it,
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odorous and toxic and aromatic. And you had to see it, too! Laid out
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with care on its platter or presented in a cardboard box after you
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paid for it at the drive-thru, it enticed you! YOU HAD TO KNOW! And
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even if you found out and when you found out it was because you were
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sitting on the American Standard Recycling Bin, you knew the poetic
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moment. All your senses had not only conspired against you, but shown
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you the beauty of their secret plan.
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The hope, of course, is that you'll consume this 'zine and shit
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nothing.
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Anyway, anyway... After long last, and much procrastinating and much
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hemming and hawing and much waiting for the SoulFAQ people to send in
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their answers to the questions, here it is! Sleek, trim, wonderful.
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1/3 less fat than others of its kind. Full satisfaction or your money
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back.
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We love you.
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And we want you to call our little Home Away From But Not Really
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Because You Call It From Home Home, Howl! BBS (713) 862-1415. KAWL
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2-DAY! If you'd like to submit work for subsequent issues of Tamer
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Shrew, KAWL S00NIR!!! :-)
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-----------------------
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ALL WORK PRESENTED REMAINS THE PROPERTY OF THE ORIGINAL AUTHORS!
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Don't be stealin' it, ok?
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-----------------------
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Rant #2
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--maeve the magnificent
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You want me to chop off your penis.
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You want me to take Elena Bobbit into me
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a raped beaten demon of vengeance
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into MY memory
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severing my thoughts.
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You want me, possesed to take the bloody kitchen knife
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and castrate your sexuality.
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You want me to forget my mothers:
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Margaret, Anne, Sylvia, Adrienne
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their stories, their poems, pens,
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mouths,
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their truth.
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You'd like me to forget to speak
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to know only the knife
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cut you with it
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so you can cut out my tongue,
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my womb,
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my heart,
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my brain.
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An unskilled abortionist,
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cut it all out.
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You want to blame me
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like you blamed my (your) mothers
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aunts, sisters, cousins
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for your need to peek and flash
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put pretty eye-coated, red-cheeked
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long-lashed, swollen butt,
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ballon-boobed dolls on the wall.
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I threaten your sexuality.
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The one you say you've owned by putting us there
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How can you own something you never had?
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Your sexuality is past due, repo'ed, man.
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What? Do you think I've come to collect ?
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or any of us?
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With our breasts salted up,
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our vacuumed thighs,
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we can't even pay our perfect woman debts
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not from your empty account vaulted beneath your fat flesh.
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Nothing but loneliness locked up beneath your photographer's eye.
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Hell, you sold your penis before I learned to speak-
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to your mama maybe?
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-----------------------
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lemon knife and quine
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collective hiccup in vocation
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--fortunate hazel
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if you cannot, let the forces script it.
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symbolic behavior is hard to avoid,
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in dreams and in streams of life-blood,
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freeway, slow day on the couch, girlfriend.
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if you have not, let the (f)ishes (w)ish for it.
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shoes are walking tools, truth is,
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action is a tool for use, storyboard,
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if someone else is watching you,
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all symbolic action, dream to dream, between,
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life, energy mass and happy bank transactions,
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life! energy passed up(out) and acted out(up) in words!
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if someone else is watching it's all reference.
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symbolic patterns are credited to conscious,
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streams of water, altered, history or pathway,
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drain, coffee filter, the hiss of winter driving.
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if you will not, let the eyes drifting watch it.
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behavior is observe, resolve, and evolve,
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for life, transmitter and perfect pitch, in images.
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if you have will, free it and observe its flight,
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choice, refreshment or rest, best referenced to:
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life, equation for patterns of mass, acorn and IQ.
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self replicating and educating, idea and quine:
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"refers to itself in preceding quotation"
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refers to itself in preceding quotation,
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"refers to itself in proceeding generation/explanation"
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refers to itself in proceeding generation/explanation-
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spirit and idea, laughing and vacationing,
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people in books in people in books in ladle and look!
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ocean, soup, nutrient nourishing truth,
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"says god in spirit in symbol in vocation"
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says god in spirit in symbol in vocation.
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-----------------------
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lovesgaspingplea
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--adonis nothing
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where are you?
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where are you now?
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i need you and you can't tell
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i want you and you don't know it
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i know you and you deny it
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why won't you listen
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why must you hide
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you tell me you lie
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i think your dishonest is the only untruth
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why afraid of me?
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what would i...
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could i...
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do?
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nothing
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not to you
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the spark in this darkness
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the promise of so much more
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you are the core of my universe
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and you won't know it
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can i help you trust me?
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will you...
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try?
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-----------------------
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QUICK! YOU'RE GOD!
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--homer the brave
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I went around and I asked a bunch of people
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a whole bunch of people.
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I asked 'em
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QUICK! You're GOD! What do you do NEXT?
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And they answered.
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And I was fucking amazed.
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Nothing
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they'd say.
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nothing.
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I'd do nothing and let everyone pretend
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I was just human.
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I'd walk through the world like some cheap-ass
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human
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with no power, no divinity, no special beauty
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I'd just sit around and be smug, knowing that I knew
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something
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they didn't.
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A lot of people said this.
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They said it over and over.
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Nothing, they'd say.
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I interviewed everyone,
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everywhere, all over.
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everyone
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Nothing, they'd say.
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They'd do nothing.
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They said just that
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The vast, huge majority
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said just that.
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And the tiny, obscure
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minority
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when asked
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answered thusly:
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I'd make everyone happy.
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so I ask... happy?
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Happy. sez they.
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Sez they:
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I'd make everyone happy
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everyone peaceful
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everyone content.
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No more war, no more hatred
|
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no more borders or poverty
|
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no more politics, which is
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poverty of the spirit
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no more need for spirituality
|
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only the experience
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of spirit
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no more need for god
|
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just GOD
|
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|
|||
|
which I guess would be me
|
|||
|
|
|||
|
I'd make my divine ass irrelevant
|
|||
|
|
|||
|
|
|||
|
|
|||
|
so I ask why happy? why not sad?
|
|||
|
|
|||
|
why not vengeful?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Happy. just cuz. sez they.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
And I can respect that.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
-----------------------
|
|||
|
|
|||
|
|
|||
|
|
|||
|
[untitled]
|
|||
|
|
|||
|
--mycroft
|
|||
|
|
|||
|
|
|||
|
|
|||
|
as i sit here, pulling the last shards of glass from my scalp,
|
|||
|
|
|||
|
i come to a conclusion
|
|||
|
|
|||
|
if i had died tonight, it wouldn't have mattered. at all.
|
|||
|
|
|||
|
sure, a few people would have mourned, a couple might have never
|
|||
|
|
|||
|
been the same, but there would be no great potential that was
|
|||
|
|
|||
|
snuffed out. no great dreams would be ended.
|
|||
|
|
|||
|
i used to live life with the thought, `if i am to die today, i
|
|||
|
|
|||
|
want to be able to say that i have lived.' and i did, i really
|
|||
|
|
|||
|
lived it up. nothing was more important to me than to suck the
|
|||
|
|
|||
|
marrow from life and drink it's juices down. now, i almost have
|
|||
|
|
|||
|
died, and i find my `life' wanting. if the sign i ran my
|
|||
|
|
|||
|
mother's car into had been two feet closer to the freeway, my
|
|||
|
|
|||
|
sleeping skull would have shattered along with the windshield. i
|
|||
|
|
|||
|
would be dead and the world wouldn't be any the worse for wear
|
|||
|
|
|||
|
|
|||
|
|
|||
|
[time, a few days later...]
|
|||
|
|
|||
|
|
|||
|
|
|||
|
i'm walking around what appears to be a freedman's graveyard
|
|||
|
|
|||
|
off of montrose/west dallas. people drive past me, oblivious to
|
|||
|
|
|||
|
the utter state of decay of this graveyard. nobody cares enough
|
|||
|
|
|||
|
to pull the weeds that completely cover some graves, or re-bury
|
|||
|
|
|||
|
sarcophogi that rise to the surface. nobody remembers these
|
|||
|
|
|||
|
people but me, now. i don't want to be like this, ever. if i
|
|||
|
|
|||
|
die, people might say that i lived, but for what? it's no longer
|
|||
|
|
|||
|
just good enough for me to just be knowledgeable and
|
|||
|
|
|||
|
interesting, to have seen and done it all. i want the world to
|
|||
|
|
|||
|
hurt if i am taken before my time.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
i've been slowly preparing for college the past few weeks, now
|
|||
|
|
|||
|
i am attending classes and dealing with the day-to-day shit that
|
|||
|
|
|||
|
surrounds them. before this accident, i was dreading the work
|
|||
|
|
|||
|
and toil it would take to educate myself, now i'm ready for it.
|
|||
|
|
|||
|
i am going to make something of myself which the world will want
|
|||
|
|
|||
|
and need. i'm ready to grow up now.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
-----------------------
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Question
|
|||
|
|
|||
|
--echo
|
|||
|
|
|||
|
|
|||
|
|
|||
|
In a cosmic ocean, whos to blame
|
|||
|
|
|||
|
if noone knows from where they came
|
|||
|
|
|||
|
Would we die of pity,
|
|||
|
|
|||
|
Would we die of shame
|
|||
|
|
|||
|
If we find sometimes we feel the same?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
In a timeless circle, who says whats real
|
|||
|
|
|||
|
and whos to dictate what we feel
|
|||
|
|
|||
|
Is destiny set
|
|||
|
|
|||
|
Can we break the seal
|
|||
|
|
|||
|
In the end our very soul to heal
|
|||
|
|
|||
|
|
|||
|
|
|||
|
If I stole your freedom
|
|||
|
|
|||
|
and stole your name
|
|||
|
|
|||
|
Would it take away
|
|||
|
|
|||
|
from thus you came
|
|||
|
|
|||
|
Money, Honor, Power, Fame
|
|||
|
|
|||
|
When facing death
|
|||
|
|
|||
|
whoe'd be to blame?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Is this life you're living
|
|||
|
|
|||
|
a life of steel
|
|||
|
|
|||
|
Do you believe
|
|||
|
|
|||
|
that you turn the wheel
|
|||
|
|
|||
|
Or do before your God to kneel
|
|||
|
|
|||
|
Is your life
|
|||
|
|
|||
|
Something you must steal?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I'm hungry, thirsty
|
|||
|
|
|||
|
didnt get
|
|||
|
|
|||
|
What in the end
|
|||
|
|
|||
|
I'll just call IT
|
|||
|
|
|||
|
I've won and lost
|
|||
|
|
|||
|
games called regret
|
|||
|
|
|||
|
There must be something
|
|||
|
|
|||
|
better yet
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I'm searching, winning
|
|||
|
|
|||
|
living true
|
|||
|
|
|||
|
In the end
|
|||
|
|
|||
|
We'll all break through
|
|||
|
|
|||
|
living lifetimes
|
|||
|
|
|||
|
each second new
|
|||
|
|
|||
|
Was I me
|
|||
|
|
|||
|
or was I you?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Put side by side
|
|||
|
|
|||
|
compared to whose
|
|||
|
|
|||
|
The right to life
|
|||
|
|
|||
|
Is the right to choose
|
|||
|
|
|||
|
Appear together
|
|||
|
|
|||
|
thats Nature's news
|
|||
|
|
|||
|
So why on surface
|
|||
|
|
|||
|
things confuse?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
A life so precious
|
|||
|
|
|||
|
Each secound bought
|
|||
|
|
|||
|
As time moves onward
|
|||
|
|
|||
|
life is caught
|
|||
|
|
|||
|
Within a circle
|
|||
|
|
|||
|
of spinning thought
|
|||
|
|
|||
|
Will we ever learn
|
|||
|
|
|||
|
the things we taught?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Your life touched mine
|
|||
|
|
|||
|
and mine yours too
|
|||
|
|
|||
|
We still proclaim
|
|||
|
|
|||
|
that friends are few
|
|||
|
|
|||
|
Shout-and uphold opposing views
|
|||
|
|
|||
|
Denying truth
|
|||
|
|
|||
|
Long overdue
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Spending your life
|
|||
|
|
|||
|
to reach some goal
|
|||
|
|
|||
|
Never seeing
|
|||
|
|
|||
|
past your role
|
|||
|
|
|||
|
Life is more than a blackend hole
|
|||
|
|
|||
|
Finding truth
|
|||
|
|
|||
|
in our Shinning Soul.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
-----------------------
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Beatnik Ego
|
|||
|
|
|||
|
--xann (keith dennis)
|
|||
|
|
|||
|
|
|||
|
|
|||
|
ATTENTION.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
ATTENTION.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
ATTENTION.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
attention.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
hey, misder keid dddennis....dis is yr ego callin....i know theres a
|
|||
|
|
|||
|
spirit in there somewhere...im addressing you....when youse writin, its
|
|||
|
|
|||
|
all you.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
but when youse reading, its all me.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
the name of the game. ham bone.
|
|||
|
|
|||
|
slambone. any home dat can have you, any skirt you can have
|
|||
|
|
|||
|
were all so lonely
|
|||
|
|
|||
|
all so lovely, all so sullen.
|
|||
|
|
|||
|
but, we all got dark and light, you know,
|
|||
|
|
|||
|
like
|
|||
|
|
|||
|
its all rolled into one, jack.
|
|||
|
|
|||
|
jack. yeeeaaaahhhh.
|
|||
|
|
|||
|
hes our man, dig,
|
|||
|
|
|||
|
but if he cant do it...
|
|||
|
|
|||
|
louis ferlinghetti, dig it.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
you gotta keep me alive...keep the beat, misder keid...im the junkie here,
|
|||
|
|
|||
|
im the inspiration here...i give you conflict. i makes you want that
|
|||
|
|
|||
|
girl...i makes you want that monney..
|
|||
|
|
|||
|
|
|||
|
|
|||
|
i knew this sagiterrean cat back in detroit, and says he one day, real
|
|||
|
|
|||
|
wise-like,
|
|||
|
|
|||
|
"why should i mind
|
|||
|
|
|||
|
what you find
|
|||
|
|
|||
|
when you look inside of me?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
"i think its kind
|
|||
|
|
|||
|
yr not blind
|
|||
|
|
|||
|
to who
|
|||
|
|
|||
|
i
|
|||
|
|
|||
|
want
|
|||
|
|
|||
|
to
|
|||
|
|
|||
|
be."
|
|||
|
|
|||
|
|
|||
|
|
|||
|
and he goes on to say, like this here, like maybe an A minor & an E minor
|
|||
|
|
|||
|
for gooood measure, jack:
|
|||
|
|
|||
|
|
|||
|
|
|||
|
"turn and face the masses
|
|||
|
|
|||
|
place on yr soul glasses
|
|||
|
|
|||
|
end the fascination
|
|||
|
|
|||
|
puke up fabrication
|
|||
|
|
|||
|
find out who you are;
|
|||
|
|
|||
|
well i wonder
|
|||
|
|
|||
|
yeah i wonder
|
|||
|
|
|||
|
who
|
|||
|
|
|||
|
you
|
|||
|
|
|||
|
really
|
|||
|
|
|||
|
are."
|
|||
|
|
|||
|
|
|||
|
|
|||
|
i was singing like this see, on my way to the madhatter one night south of
|
|||
|
|
|||
|
the modor sidheee, and it hit me, what this sagiterrean cat said once, he
|
|||
|
|
|||
|
said "hey, dig this shit, man, man alive, its like the
|
|||
|
|
|||
|
spirit
|
|||
|
|
|||
|
need only be correct its the ego dets weak you dig"isaididighegoeson"well,
|
|||
|
|
|||
|
its like diss, man, you up on det staagge, jack, its all so strange, jack
|
|||
|
|
|||
|
all them people, all 30 of em, clappin like nobodies biz at you,
|
|||
|
|
|||
|
you, dis local cat who can tit for tat tell dem brats where its at, dig
|
|||
|
|
|||
|
it, ahright...so you love it, now you aint so pure no mo, youse high on
|
|||
|
|
|||
|
that applause, youse high on the women, dey all wanna fuck you cause you
|
|||
|
|
|||
|
got a mind to go widdat cute lil 19 yr old assahyrs, right, and like, now
|
|||
|
|
|||
|
you write for them, deys like you audience, diggit...it aint so pure
|
|||
|
|
|||
|
anymore...what you writin for..."
|
|||
|
|
|||
|
|
|||
|
|
|||
|
"thoughts are bullets in the flesh gun of man
|
|||
|
|
|||
|
the dead unloaded we fear them!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
"we give them value in a worthless state cause
|
|||
|
|
|||
|
someday were gonna be near them!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
"flesh hides monsters inside of us all
|
|||
|
|
|||
|
...although we try not to see them
|
|||
|
|
|||
|
animals call out, and animals crawl out;
|
|||
|
|
|||
|
...when you have sex you will free them!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
and on and on i sang, on my way, with my guitar stashed securely away, to
|
|||
|
|
|||
|
another date, another day w/o no tannnngible pay. all dem songs, cat. i
|
|||
|
|
|||
|
haddall dem songs intact. tight. i get into it, hambone, i picked my
|
|||
|
|
|||
|
hambones clean for dem people, and one year later, i see it, cats, i see
|
|||
|
|
|||
|
it kittens, its all so clear, what im doin up here, i was lookin at the
|
|||
|
|
|||
|
chixxx, man...i looked at udderstuff too...but de chixxx...i said to
|
|||
|
|
|||
|
myself, i gotta mind, i gotta mind, i think about things, i think about
|
|||
|
|
|||
|
things...yeah...
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
"ANIMAL PASSION, ESCAPES MY
|
|||
|
|
|||
|
LIPS (X)
|
|||
|
|
|||
|
ANIMAL PASSION, IM ONNA
|
|||
|
|
|||
|
TRIP (X)
|
|||
|
|
|||
|
ANIMAL PASSION, ITS DRIVIN MY
|
|||
|
|
|||
|
HIPS (X)
|
|||
|
|
|||
|
animal passion, i wanna slip
|
|||
|
|
|||
|
inside
|
|||
|
|
|||
|
animal me
|
|||
|
|
|||
|
animal you
|
|||
|
|
|||
|
i see animal me
|
|||
|
|
|||
|
inside animal, animal you
|
|||
|
|
|||
|
animal me, animal you
|
|||
|
|
|||
|
i see animal me
|
|||
|
|
|||
|
inside aaanimal
|
|||
|
|
|||
|
cannibal
|
|||
|
|
|||
|
you"
|
|||
|
|
|||
|
|
|||
|
|
|||
|
and on and on i sang. i sang that song in a dennys once, next to a girl
|
|||
|
|
|||
|
that was as fucked in the head as any motherly replica ive ever chased.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
she went crazy. she squirmed in her seat.
|
|||
|
|
|||
|
i realized i was onto something, something extraordinary. egotistical.
|
|||
|
|
|||
|
evil when in the wrong hands. i had the wrong hands that night. i used the
|
|||
|
|
|||
|
most truthful, bitterly truthful poem id ever heard, written by dat
|
|||
|
|
|||
|
sageterrean cat, dat modor sidheee uncle wayne of mine, to put the hot
|
|||
|
|
|||
|
seat on the girl. and it almost worked. good thing it didnt. dat was a lil
|
|||
|
|
|||
|
rough, even for me..
|
|||
|
|
|||
|
|
|||
|
|
|||
|
why do we write? why are we up here?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
ok, lets have it out like this. we write cause something hurts, we write
|
|||
|
|
|||
|
cause something feels good, we write because theres this nothingness
|
|||
|
|
|||
|
intowhich something maybe nonordinary walks, or maybe something so normal,
|
|||
|
|
|||
|
so real that its pure poetry, and we write about it. we can imagine it,
|
|||
|
|
|||
|
and then write it, if we like, it can be fiction, you could write the book
|
|||
|
|
|||
|
on anything true false or altogether something other than else.
|
|||
|
|
|||
|
but then, why do we read?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
why am i, why are any one of us here...what the hell do we think were
|
|||
|
|
|||
|
doing here, up at the top of these steps in dallas, deep ellum, city java
|
|||
|
|
|||
|
cafe, and so on. who told us to do this? i sure as hell wasnt invited!
|
|||
|
|
|||
|
these are the things i ask myself when i wake up in the morning.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
i just woke up.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
ill take a stab, which anyone here can remove and thrust back into me. i
|
|||
|
|
|||
|
like pitchforking myself and others in the rear end, i like to shake
|
|||
|
|
|||
|
things up, so, friends and neighbors, lovers, patriots...why are we doing
|
|||
|
|
|||
|
this? sam modica asked himself something similar last week...his wife
|
|||
|
|
|||
|
wondered why he went to read poetry here or whereever...he gave us all a
|
|||
|
|
|||
|
pretty good answer. hes older than me, hes seen a lot more.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
what about YOU?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
ego?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
ego got the best of you?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
remember now, go back go back...it was like a big panaoramic photo of a
|
|||
|
|
|||
|
serial killer...all the faces were dark except for the girlssss...you
|
|||
|
|
|||
|
looked up from yr mouthpiece like so, in between the songs in the show,
|
|||
|
|
|||
|
you looked at the girls....at the girls...
|
|||
|
|
|||
|
|
|||
|
|
|||
|
n dat sag cat was right--some of em did, some of em did wanna fuck, you
|
|||
|
|
|||
|
know it....deysey...dkid musshave a myeined...couldnt be after just one
|
|||
|
|
|||
|
thing, my kittens in arms...no no no, that cat must want us all for our
|
|||
|
|
|||
|
brains...
|
|||
|
|
|||
|
|
|||
|
|
|||
|
ooooooh, didnt it feel so goood....
|
|||
|
|
|||
|
|
|||
|
|
|||
|
to get them compliments like you knew you would
|
|||
|
|
|||
|
|
|||
|
|
|||
|
oooooh, aint it soooo nice.....
|
|||
|
|
|||
|
|
|||
|
|
|||
|
even now...even then...even always, pickin yr hambone clean, boy, pickin
|
|||
|
|
|||
|
yr hambone clean...
|
|||
|
|
|||
|
|
|||
|
|
|||
|
im so proud i got a spirit behind me...so nice to be one up on all the
|
|||
|
|
|||
|
other cats...i got invisible, invincible means of protection, support and
|
|||
|
|
|||
|
so on and always so forth.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
oooooh, you goin places kid, that late night queen says write my
|
|||
|
|
|||
|
biography, you big hunk of a witty man...yr reedeemer called you a very
|
|||
|
|
|||
|
interesting poet, member dat, yeh!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
oooooh, its top of the hep heap for you, boy....just last week, yeah, all
|
|||
|
|
|||
|
yr friends said you got soul all the people clapped, like old times, they
|
|||
|
|
|||
|
clapped for you...clapping for you...
|
|||
|
|
|||
|
|
|||
|
|
|||
|
oooooh, boy, look out world, sag cat says you need to put out a book,
|
|||
|
|
|||
|
everyone else has, that old tom cat said he was in the prescence of a poet
|
|||
|
|
|||
|
at t crash worship carnival just last week
|
|||
|
|
|||
|
|
|||
|
|
|||
|
and ooooooooh, boy, the other day, across the way, dat young thing said to
|
|||
|
|
|||
|
you, boy hey! "im gonna see you in an an
|
|||
|
|
|||
|
tho
|
|||
|
|
|||
|
lo
|
|||
|
|
|||
|
gie
|
|||
|
|
|||
|
of
|
|||
|
|
|||
|
contem
|
|||
|
|
|||
|
pora-ry
|
|||
|
|
|||
|
america
|
|||
|
|
|||
|
n
|
|||
|
|
|||
|
p o e t r y
|
|||
|
|
|||
|
some
|
|||
|
|
|||
|
day."
|
|||
|
|
|||
|
|
|||
|
|
|||
|
oooooooooooooooooooooooh
|
|||
|
|
|||
|
mmmmmmmmmmmmmmmmmmmmmmmmdont dat makeyoufeelso gooooood.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
now you go home on tuesday and you say, what can i write for the audience
|
|||
|
|
|||
|
on wednesday?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
you write a confession...you expose the beatnik skirtchasing wineguzzling
|
|||
|
|
|||
|
wordjunkie in you, and in us all.
|
|||
|
|
|||
|
you chase skirt
|
|||
|
|
|||
|
guzzle wine
|
|||
|
|
|||
|
you live off text that makes you wanna start a revolution
|
|||
|
|
|||
|
and then say youse a pilgrim
|
|||
|
|
|||
|
|
|||
|
|
|||
|
well, keith dennis, this is yr beatnik ego callin, the one that needs to
|
|||
|
|
|||
|
be the voice of the next wave, generation Y. and i say
|
|||
|
|
|||
|
get off the high horse, lad...you aint nothin big....youse a writer, sure,
|
|||
|
|
|||
|
you express yrself, sure...but that aint nothin yr housewife mother dont do
|
|||
|
|
|||
|
when she decides to get creative, try variety, and buy
|
|||
|
|
|||
|
a sara lee pie when shes furiously scribbling her grocery list
|
|||
|
|
|||
|
|
|||
|
|
|||
|
all her children clapped at the choice she made. sara lee apple...mmmmm.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
congradulations on expressing yrself, mommy. the sweet taste of success,
|
|||
|
|
|||
|
w/half the fat!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
-----------------------
|
|||
|
|
|||
|
|
|||
|
|
|||
|
dream, 6/3/94
|
|||
|
|
|||
|
--homer the brave
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I was with the other man, and we were on the beach, near the bungalow.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
There were trees planted there with a curious characteristic: One limb
|
|||
|
|
|||
|
of each tree, when moved, would produce a sweet, high-pitched note. The
|
|||
|
|
|||
|
sound was reminiscent of a flute, but more like a flute that was inside
|
|||
|
|
|||
|
a tree. The trees themselves looked to be cypress or redwood, or some
|
|||
|
|
|||
|
strange combination of the two, and they soared up towards the heavens.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
So we stood there on the beach for some time, moving the limbs of these
|
|||
|
|
|||
|
trees. It took only a short time to understand the technique. Easy
|
|||
|
|
|||
|
enough. We would move the limbs in contrary melodies, and see who could
|
|||
|
|
|||
|
evoke the highest and lowest note from our trees. We smiled broadly at
|
|||
|
|
|||
|
each other, held in a kind of childish bliss.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Before long, we began to accompany the waves as they washed up on the
|
|||
|
|
|||
|
sand. Slowly, in long phrases, and the moon was floating solemnly
|
|||
|
|
|||
|
overhead. We gave up smiling for a sort of understood quiet, as though
|
|||
|
|
|||
|
we had just had a long and meaningful discussion, he and I, and we were
|
|||
|
|
|||
|
now digesting all that had been said.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
He spoke. "We should summon a tidal wave. Do you think we can?"
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I replied cautiously, "Do you think we have that sort of power? Do you
|
|||
|
|
|||
|
think we could do such a thing? And should we?"
|
|||
|
|
|||
|
|
|||
|
|
|||
|
"You talk too much," he said, a grin returning to his face.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I continued to passively accompany the waves. He, however, would play
|
|||
|
|
|||
|
louder, longer, with each rush of the tide, building and building.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Our host came out of the bungalo and approached. She sat between the
|
|||
|
|
|||
|
two trees, as if she knew what he were doing, and smiled approvingly.
|
|||
|
|
|||
|
She looked at me, saying, "If its going to work, you'll have to join
|
|||
|
|
|||
|
in."
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I thought for a moment, shrugged, and said, "What the hell."
|
|||
|
|
|||
|
|
|||
|
|
|||
|
We harmonized, building louder and stronger. Our two trees began to
|
|||
|
|
|||
|
create overtones that implied fundamental frequencies much, much deeper
|
|||
|
|
|||
|
than either of us could hear or understand even. But we felt it.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
As we continued, we heard a deep, dark rumbling from the horizon. Had
|
|||
|
|
|||
|
it really worked? Or was this thunder from a nearby storm?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
In came a huge wave, 25 feet high at least. It rushed towards us. Panic
|
|||
|
|
|||
|
struck my brain and just as I was about to run away, I realized there
|
|||
|
|
|||
|
was really nowhere I could go. Something inside me continued to play
|
|||
|
|
|||
|
the tree.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The wave gradually halted, towering over our heads. All was totally and
|
|||
|
|
|||
|
completely silent; it stood there, a vast wall of water. I could see
|
|||
|
|
|||
|
small fish swimming inside it. It seemed to be listening... to our
|
|||
|
|
|||
|
music.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
-----------------------
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Wise-Man, The Dirt-Eater
|
|||
|
|
|||
|
(How Victory Is Found In Filth-Reveling)
|
|||
|
|
|||
|
--fortunate hazel
|
|||
|
|
|||
|
|
|||
|
|
|||
|
i live in a lot of tossed rocks
|
|||
|
|
|||
|
it's a house-cave, it smells like me
|
|||
|
|
|||
|
in my hands are rabbit skins
|
|||
|
|
|||
|
and what had been in those skins
|
|||
|
|
|||
|
was dribbling down my chin
|
|||
|
|
|||
|
I wiped my swollen red nose
|
|||
|
|
|||
|
and screamed out "I win!" (an owl-shout)
|
|||
|
|
|||
|
"I can! I can and I win!"
|
|||
|
|
|||
|
|
|||
|
|
|||
|
i spit out bits of shit and within,
|
|||
|
|
|||
|
little bits of spittle,
|
|||
|
|
|||
|
i've bit bullets and scarred kettles
|
|||
|
|
|||
|
i have great mettle and worth
|
|||
|
|
|||
|
those great little bits of spittle though,
|
|||
|
|
|||
|
say-spray that carries my message
|
|||
|
|
|||
|
of messes and pellets away to other noses
|
|||
|
|
|||
|
|
|||
|
|
|||
|
that's what i love on my lips,
|
|||
|
|
|||
|
i like to taste the worthless dirt and spit
|
|||
|
|
|||
|
it's in my nose, and who knows where it's been?
|
|||
|
|
|||
|
owl-carried, all-worried and old,
|
|||
|
|
|||
|
I don't care, I've been there,
|
|||
|
|
|||
|
whatever it is that sicks up the spit up,
|
|||
|
|
|||
|
I've been there and seen it- so shut up.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I'm screaming what I've been dreaming,
|
|||
|
|
|||
|
bits of lung, stringy bits from coughing fits,
|
|||
|
|
|||
|
they come too, i'm giving you a real
|
|||
|
|
|||
|
piece of my mind you can squeeze it and feel me
|
|||
|
|
|||
|
you can smell me you can see what i see
|
|||
|
|
|||
|
with your nose who knows? ya might like it.
|
|||
|
|
|||
|
just don't try and fight it at all.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I got the "40" solution, I'm a forty-hag
|
|||
|
|
|||
|
I've got a rabbitskin bag full of filterless fags
|
|||
|
|
|||
|
I don't care about my lungs, they can't be
|
|||
|
|
|||
|
as black as the things i see flying in my house
|
|||
|
|
|||
|
that ain't no mouse, miss, it's a bat
|
|||
|
|
|||
|
you'll know the mice, they're the size of cats
|
|||
|
|
|||
|
i name them all as i kill them off...
|
|||
|
|
|||
|
|
|||
|
|
|||
|
You could get "40," maybe tomorrow
|
|||
|
|
|||
|
I worked through the sorrow, raked my skin with it
|
|||
|
|
|||
|
i drew blood and drew answers from it, in it
|
|||
|
|
|||
|
now the wisdom of the ages is within my skin,
|
|||
|
|
|||
|
read my scars, out here under the stars,
|
|||
|
|
|||
|
dermal learning, red astrology and your future's there
|
|||
|
|
|||
|
read it, when you're done, i'll hit you.
|
|||
|
|
|||
|
earth-missed and scooped mist of spit: a worth-fist.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I grew wrinkles and hair-grey for you,
|
|||
|
|
|||
|
Worked up 24 years in 24 hours, life in a day,
|
|||
|
|
|||
|
I like it this way, teeth are for the weak
|
|||
|
|
|||
|
Who needs teeth? I've got some in my gums,
|
|||
|
|
|||
|
I save 'em for special occasions, not to eat,
|
|||
|
|
|||
|
But to spit at kids, bloody and yellow-weak.
|
|||
|
|
|||
|
I'm an infinite "40," I could be you soon.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I have a wall of disgust surround me,
|
|||
|
|
|||
|
When I'm sicker and my nose is even bigger,
|
|||
|
|
|||
|
I spit out shit and lick it thicker
|
|||
|
|
|||
|
I will it to spin, spraying spit from within,
|
|||
|
|
|||
|
Wrap it around me at night and stay warm,
|
|||
|
|
|||
|
Lie on it in the sun, and feel warm even in cold wind,
|
|||
|
|
|||
|
I've got my wall, i trust disgust initmately,
|
|||
|
|
|||
|
And I wanna know, how thick is your skin, miss?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
All the little girls and boys have to hug me
|
|||
|
|
|||
|
They want to hug some cotton-thing, some huggy-bear,
|
|||
|
|
|||
|
But they have to hug me and I hug to scare,
|
|||
|
|
|||
|
Mom don't know that I release teeth, or the age i wear
|
|||
|
|
|||
|
Mom don't know that I don't care, she ain't "40"
|
|||
|
|
|||
|
She don't know the first word of this world, but I do.
|
|||
|
|
|||
|
Each of my grey hairs stands fer "I been there"
|
|||
|
|
|||
|
And the ones on my chin, each stand fer "I win!"
|
|||
|
|
|||
|
The young'ns run, and I scream out after 'um
|
|||
|
|
|||
|
"I can! I can and I win!"
|
|||
|
|
|||
|
And it's an owl-cry, a 40-yell.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
But that Mom's been told that I'm wise,
|
|||
|
|
|||
|
So she sends her kids to break my disguise, my filth-wall,
|
|||
|
|
|||
|
She's never tried at all, she's never been small
|
|||
|
|
|||
|
Sends her kids where she won't tread, incredibly deadly lady
|
|||
|
|
|||
|
She'll never get "40" either, kid or "40"
|
|||
|
|
|||
|
She's neither, just a big tunnel of lies,
|
|||
|
|
|||
|
Her kids are numbered fucks that fly,
|
|||
|
|
|||
|
Come shooting shouting out of this tunnel of lies,
|
|||
|
|
|||
|
She gots husbands that are numbered guys
|
|||
|
|
|||
|
The ties that bind her life are lies,
|
|||
|
|
|||
|
But Mom wants her kids to learn from ME, so it goes:
|
|||
|
|
|||
|
I shout out "I can! I can and I win!"
|
|||
|
|
|||
|
And it's an owl-cry, a 40-yell.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Later I shout again, and kill some goats
|
|||
|
|
|||
|
My "40" came early, your "40" could come,
|
|||
|
|
|||
|
Everybody's got some, and some succomb to it
|
|||
|
|
|||
|
I did I've been, and I got through it.
|
|||
|
|
|||
|
Life is better than I ever knew it:
|
|||
|
|
|||
|
If that only dreams were clean, i'll argue with you still:
|
|||
|
|
|||
|
So give me a cheer for each "40th" year:
|
|||
|
|
|||
|
|
|||
|
|
|||
|
"I've seen it!"
|
|||
|
|
|||
|
"I've been there!"
|
|||
|
|
|||
|
and "I don't care!"
|
|||
|
|
|||
|
|
|||
|
|
|||
|
"I can! I can and I win!" said 40 by 40 by 40 again
|
|||
|
|
|||
|
So I'm rolled up in my filth-rug,
|
|||
|
|
|||
|
My spit is a drug, my hair is bugged,
|
|||
|
|
|||
|
Silver hairs and silver fish mixed
|
|||
|
|
|||
|
My gums are healed, my lungs are fixed
|
|||
|
|
|||
|
So I dig a hole and sit in it
|
|||
|
|
|||
|
Life is in it, and life within it...
|
|||
|
|
|||
|
It's great, it's a dirt-eater's heaven
|
|||
|
|
|||
|
It's paradise, black honey and bugs...
|
|||
|
|
|||
|
Can't beat it, can't see it from where you are up there
|
|||
|
|
|||
|
But don't worry, you needn't look far-fer
|
|||
|
|
|||
|
Everyone, he or she, can fall "40" in a fast flash
|
|||
|
|
|||
|
No matter how you try and shake it,
|
|||
|
|
|||
|
Polish mud to try and fake it, trash queen,
|
|||
|
|
|||
|
Crowned king of the underground...
|
|||
|
|
|||
|
You'll live it, you won't care that you've been there,
|
|||
|
|
|||
|
and you'll have won... so with that, I'm done.
|
|||
|
|
|||
|
Lastly, nasty and laughingly, I screamed out my dream:
|
|||
|
|
|||
|
"I could... I could, and I did!"
|
|||
|
|
|||
|
And it was an owl-cry, a 40-yell.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
-----------------------
|
|||
|
|
|||
|
|
|||
|
|
|||
|
SoulFAQ
|
|||
|
|
|||
|
--compiled by homer the brave
|
|||
|
|
|||
|
|
|||
|
|
|||
|
soul n.
|
|||
|
|
|||
|
1. The animating and vital principle in human beings, credited with the
|
|||
|
|
|||
|
faculties of thought, action, and emotion and often conceived as an
|
|||
|
|
|||
|
immaterial entity.
|
|||
|
|
|||
|
2. The spiritual nature of human beings, regarded as immortal,
|
|||
|
|
|||
|
separable from the body at death, and susceptible to happiness or
|
|||
|
|
|||
|
misery in a future state.
|
|||
|
|
|||
|
3. The disembodied spirit of a dead human being; a shade.
|
|||
|
|
|||
|
4. Soul. Christian Science. God.
|
|||
|
|
|||
|
5. A human being.
|
|||
|
|
|||
|
6. The central or integral part; the vital core.
|
|||
|
|
|||
|
7. A person considered as the perfect embodiment of an intangible
|
|||
|
|
|||
|
quality; a personification.
|
|||
|
|
|||
|
8. A person's emotional or moral nature.
|
|||
|
|
|||
|
9. A sense of ethnic pride among Black people and especially
|
|||
|
|
|||
|
African-Americans, expressed in areas such as language, social customs,
|
|||
|
|
|||
|
religion, and music.
|
|||
|
|
|||
|
10. A strong, deeply felt emotion conveyed by a speaker, a performer,
|
|||
|
|
|||
|
or an artist.
|
|||
|
|
|||
|
11. Soul music.
|
|||
|
|
|||
|
---American Heritage Dictionary
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
We're here to ask questions. At least, someone once said that we are.
|
|||
|
|
|||
|
I'm inclined to believe that's true, since I spent a lot of time asking
|
|||
|
|
|||
|
people some questions about their souls. Not that I was envious, mind
|
|||
|
|
|||
|
you; I like my own soul quite a bit, even if I don't believe it
|
|||
|
|
|||
|
actually exists.
|
|||
|
|
|||
|
The idea here was to find out the opinions of a diverse group of
|
|||
|
|
|||
|
people on the topic of the soul. Unfortunately, none of the Christians
|
|||
|
|
|||
|
I sent e-mail to have yet responded, so I will have to proceed without
|
|||
|
|
|||
|
their answers. I say this to let you know I'm not theologically
|
|||
|
|
|||
|
biased... They just didn't answer.
|
|||
|
|
|||
|
I've put the answers in random order so you can't tell who gave what
|
|||
|
|
|||
|
answer.. I'm so sneaky!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
'Soul' is:
|
|||
|
|
|||
|
a) an eternal and essential part of one that will outlive one's body
|
|||
|
|
|||
|
b) a segment of one's personality that allows one to sing the blues
|
|||
|
|
|||
|
effectively
|
|||
|
|
|||
|
c) a metaphor which humans use to somehow attempt to better understand
|
|||
|
|
|||
|
themselves
|
|||
|
|
|||
|
d) a pile of crap
|
|||
|
|
|||
|
e) other (please explain: ____________)
|
|||
|
|
|||
|
[bonus points if your answer is e]
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Sorry...I'll live without my bonus points and say: all
|
|||
|
|
|||
|
and/or none of the above.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
E: The Soul is an amalgam of an individual's personality
|
|||
|
|
|||
|
and supernatural characteristics. It is not always confined
|
|||
|
|
|||
|
by the shape of the human body, and under many
|
|||
|
|
|||
|
circumstances will survive it's destruction for an
|
|||
|
|
|||
|
indefinite period.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
a and e. I veiw the soul as the eighth and ninth
|
|||
|
|
|||
|
conciousness. Karma and Buddahood.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
An idea that allows us to pretend that we're not really
|
|||
|
|
|||
|
going to die.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Sorry I don't like any of these choices. My definition of
|
|||
|
|
|||
|
soul is that which cannot be seen, smelled, felt, or
|
|||
|
|
|||
|
experienced, but there are alot of people who are really
|
|||
|
|
|||
|
interested in it!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
e - That word that proceeds Train in one of the longest
|
|||
|
|
|||
|
running music variety shows on T.V. Everyone knows that the
|
|||
|
|
|||
|
only reality is T.V. reality!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
e - I believe that, while 'a' is essentially true, that
|
|||
|
|
|||
|
definition doesn't go far enough. Craftworkers say that
|
|||
|
|
|||
|
when someone creates a 'work of art,' the creator puts some
|
|||
|
|
|||
|
of himself into it. So it is - I believe - with people (and
|
|||
|
|
|||
|
with nature, for that matter). I believe that what we think
|
|||
|
|
|||
|
of as 'soul' or 'spirit' is that 'spark of divinity' which
|
|||
|
|
|||
|
is connected to the Creator of All Things. And - being
|
|||
|
|
|||
|
isolated, separated parts of the Divine - we are driven
|
|||
|
|
|||
|
through our many lifetimes to seek to rejoin the Divine.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
What makes you think there are such things as soul(s)?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Besides Marvin Gaye, the Temptations, Detroit Emeralds, the
|
|||
|
|
|||
|
eternal spinning axis-eye, Jackie Wilson and Shugie Otis
|
|||
|
|
|||
|
(sort of) ?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Nothing. I appreciate the use of the word "soul" as poetic
|
|||
|
|
|||
|
metaphor, but most of what I would mean by the word I would
|
|||
|
|
|||
|
prefer to call ego. That way, I exchange a lot of
|
|||
|
|
|||
|
metaphysical baggage for psychoanalytic baggage, which is
|
|||
|
|
|||
|
not ideal, but is an overall improvement.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
My practice of magick; visionary experiences of various
|
|||
|
|
|||
|
sorts. Intuition. I also find a scientific explanation of
|
|||
|
|
|||
|
self-awareness and consciousness to be unconvincing and
|
|||
|
|
|||
|
fragmented.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Well, since I believe that you live over and over again,
|
|||
|
|
|||
|
there has to be something that goes on to the next life.
|
|||
|
|
|||
|
Therefore there has to be a soul.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I dunno, really. Just a feeling, I guess. No, scratch that.
|
|||
|
|
|||
|
The `feeling' is what tells me that my soul exists.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Something animates and motivates us and - for lack of a
|
|||
|
|
|||
|
better term - I believe that it is our "soul." There are
|
|||
|
|
|||
|
too many documented cases of Near Death Experiences and
|
|||
|
|
|||
|
reincarnation (see Stevenson, _20 Cases Strongly Suggestive
|
|||
|
|
|||
|
of Reincarnation_ [I believe that's the title]) not to
|
|||
|
|
|||
|
believe that there is something which is our consciousness
|
|||
|
|
|||
|
and which leaves the body at death and - at least sometimes -
|
|||
|
|
|||
|
enters into the body of a newborn child.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
How tangible must a soul be for it to exist?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
What an odd question. I recognize the existence of many
|
|||
|
|
|||
|
intangible things.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
What do you mean by "tangible". Under normal circumstances,
|
|||
|
|
|||
|
I'd imagine that it could only be intuited, not measured.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
As tangible as Buddahood.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
How tangible does one have to be? AS TANGIBLE AS A FUCKING
|
|||
|
|
|||
|
MOUNTAIN! Souls don't fade in and out of existence like
|
|||
|
|
|||
|
some bad sci-fi movie hologram. It was a human soul that
|
|||
|
|
|||
|
spoke through Martin Luther King's lips when he told the
|
|||
|
|
|||
|
world of his dreams. It was holding the pickaxe that felled
|
|||
|
|
|||
|
the Berlin wall. The real question is whether or not the
|
|||
|
|
|||
|
lump of flesh sitting on the other end of the computer is
|
|||
|
|
|||
|
real, not the soul.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
It is said that upon death, the human body loses excactly
|
|||
|
|
|||
|
one gram of weight. (Yet it seems heavier...the "dead
|
|||
|
|
|||
|
weight" effect. Of course I can't prove this, so it may
|
|||
|
|
|||
|
very well be bullshit.)
|
|||
|
|
|||
|
|
|||
|
|
|||
|
It must be at least as tangleble as kite string. If you
|
|||
|
|
|||
|
can't tie it in a knot, then what good is it. If you don't
|
|||
|
|
|||
|
understand, just ask Charlie Brown.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
How tangible must electricity or gravitation be to exist?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Is the humorous nature of the following typo mere coincidence: 'assoul'?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Is the coincidental nature of the following typo mere
|
|||
|
|
|||
|
humor: 'assoul'?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
IF this had come from anyone else, I would say that it was
|
|||
|
|
|||
|
a coincidence, but coming from you...;-)
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I don't know. I'd rather contemplate my navel.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Mostly.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Uh, yeah.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I have no idea what this question was because I messed up
|
|||
|
|
|||
|
and erased part of it.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Where is the soul located?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
It's around. It's especially around things which are round.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
It moves around. Sometimes mine is in my penis, sometimes
|
|||
|
|
|||
|
it vainly seeks admission to other people's heads.
|
|||
|
|
|||
|
Sometimes it casts loose entirely, and roves the planes of
|
|||
|
|
|||
|
Aristotelian essence, or the infinite worlds of If, or
|
|||
|
|
|||
|
Erewhon, Xanadu, Shangri-La, or the far Centaurus suns.
|
|||
|
|
|||
|
Sometimes it strikes beyond the farthest limits of human
|
|||
|
|
|||
|
thought, to lie gasping like a lungfish on a trackless
|
|||
|
|
|||
|
alien beach, ten leagues beyond the wide world's end.
|
|||
|
|
|||
|
Usually, though, it's about three inches behind my
|
|||
|
|
|||
|
eyes, and doing nothing in particular.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
In the alaya consiousness.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The soul is located in whatever part of the person that is
|
|||
|
|
|||
|
involved in action. The soul is the action. The soul can
|
|||
|
|
|||
|
reside the the engine of a race car, the wings of an
|
|||
|
|
|||
|
airplane, or in the wires of a computer. A soul cannot sit
|
|||
|
|
|||
|
behind a television set. Where do you keep yours?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Either in a diamond in a bound chest in the larder of the
|
|||
|
|
|||
|
palace of the Queen of the Sea, or in a shiny new dumpster
|
|||
|
|
|||
|
in Weehawken, NJ. Mystical Judaism believes that the soul
|
|||
|
|
|||
|
is contained in a minute and indestructable fragment of
|
|||
|
|
|||
|
bone from the spine, which will act as a seed to regrow the
|
|||
|
|
|||
|
human body on the day of ressurection.
|
|||
|
|
|||
|
Where is the soul located? Right here.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
LONGITUDE 45 degrees, 24 minutes; LATITUDE 22 degrees, 4
|
|||
|
|
|||
|
minutes. Look for the big rock. fifteen steps to the north.
|
|||
|
|
|||
|
X marks the spot.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
A cat is curled up on my lap.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
How can one find evidence of the soul's existence?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Define it, and maybe you'll know where to look. It's not
|
|||
|
|
|||
|
a problem for me.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Take a 10" hairpin and insert it to it's full length into
|
|||
|
|
|||
|
one's right eye. Repeat as necessary. ("Hey, it works!"
|
|||
|
|
|||
|
<thud!>)
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Near Death Experiences, for one.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Check for a pulse.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Look around here, at this place. Is it just a BBS anymore?
|
|||
|
|
|||
|
Would it still be the same if we all left and were replaced
|
|||
|
|
|||
|
by random strangers using the same handles? It is this
|
|||
|
|
|||
|
collection of souls that makes this place.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Allow me to refer you to the "blues" section at your local
|
|||
|
|
|||
|
record store.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Given that there are many interpretations of the whys and wheretofores
|
|||
|
|
|||
|
of the soul, how can I choose which one is correct?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Try to find what systems of belief you are comfortable with
|
|||
|
|
|||
|
have to say about such. Then compare them and see what they
|
|||
|
|
|||
|
have in common.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Listen to the teaching that makes the most sense.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
For this, I say that you must look to yourself and have
|
|||
|
|
|||
|
luck. Everything I know, a little bird told me.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I would try the Magic 8-ball. It is more accurate than
|
|||
|
|
|||
|
flipping a coin, but not as good as the ouija board!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Assume that all are correct and that all are incorrect.
|
|||
|
|
|||
|
"None of Thee Above."
|
|||
|
|
|||
|
|
|||
|
|
|||
|
How are 'souls' connected with 'angels?'
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Ethernet. Actually, I consider angels to be a lot less
|
|||
|
|
|||
|
interesting idea.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I believe that Nature Spirits are the genuis loci of the
|
|||
|
|
|||
|
physical world; and Angels, Dragons and similar creatures
|
|||
|
|
|||
|
are the genius loci of other worlds.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Through a mistaken perception.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
With a rubber band??
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Compare/contrast 'soul' with 'spirit'... Are they the same thing?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
No. Christianity is one of the very few religions that
|
|||
|
|
|||
|
believe that we only possess a single soul. Though I have
|
|||
|
|
|||
|
used "soul" thoughout this message, I generally say that a
|
|||
|
|
|||
|
person's Spirit is composed of a host of Souls, each being
|
|||
|
|
|||
|
a facet of that person's personality or potential facet.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Not at all the same thing. The soul is the part of you that
|
|||
|
|
|||
|
never dies, but which carrys on from life to life while the
|
|||
|
|
|||
|
spirit is the part of you that keeps you sane. Spirit is
|
|||
|
|
|||
|
more of an emotional trip while the soul is more real.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
No. Soul is something that you have if you are cool, spirit
|
|||
|
|
|||
|
is something you drink when you WANT to be cool
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I believe so. I also believe that what the Japanese call
|
|||
|
|
|||
|
'kame' are also spirits. In fact, you might say that a
|
|||
|
|
|||
|
spirit is a disincarnate soul
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Add anything else you might have to say about souls. What important questions
|
|||
|
|
|||
|
have been omitted? What are the answers to those questions?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
What of those people, and there are millions of them,
|
|||
|
|
|||
|
who seem to have less personality and "soul" than the
|
|||
|
|
|||
|
average Lhasa Apso? I think that is so because, paradoxical
|
|||
|
|
|||
|
as it may sound, they offer less to the anthropomorphizing
|
|||
|
|
|||
|
sentiment of the observer. The same sentiment which readily
|
|||
|
|
|||
|
ascribes sentience to cetaceans, trees, imaginary entities,
|
|||
|
|
|||
|
and even inanimate objects, seems baffled by some of our
|
|||
|
|
|||
|
fellow men. I think that people choose, and learn, to
|
|||
|
|
|||
|
literally project a "nobody here" impression.
|
|||
|
|
|||
|
Also, I believe that souls are made, not born.
|
|||
|
|
|||
|
Everyone who is content with ignorance, I believe, lives
|
|||
|
|
|||
|
and exists "less" than they might otherwise.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Soles are good on shoes, they help keep your feet off the
|
|||
|
|
|||
|
ground. One question I think you left out was can a white
|
|||
|
|
|||
|
man have soul, and the answer is yes, but only if he dyes
|
|||
|
|
|||
|
his soul black!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
"All God's chilluns have Soul, but only a few can sing the
|
|||
|
|
|||
|
blues."
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
|
|||
|
I would like to thank the following folks for replying:
|
|||
|
|
|||
|
|
|||
|
|
|||
|
At Howl! BBS (713) 862-1415
|
|||
|
|
|||
|
Echo and Mycroft
|
|||
|
|
|||
|
|
|||
|
|
|||
|
At Ikonoclast BBS (713) 721-1538
|
|||
|
|
|||
|
Palinurus and The Mighty Sexgod!
|
|||
|
|
|||
|
|
|||
|
|
|||
|
At The Familiar Spirit BBS (201) 837-5914
|
|||
|
|
|||
|
Clifford Low and Ken Pastore
|
|||
|
|
|||
|
|
|||
|
|
|||
|
-----------------------
|
|||
|
|
|||
|
|
|||
|
|
|||
|
shallow drowned
|
|||
|
|
|||
|
--adonis nothing
|
|||
|
|
|||
|
|
|||
|
|
|||
|
so there it is it is all like this and in the end it doesn't
|
|||
|
|
|||
|
matter broken open clouds rain falls down we are shallow drowned
|
|||
|
|
|||
|
in deep blue water far black sky the voices asking why try to
|
|||
|
|
|||
|
move now everything is comfortable everything is senseless dust
|
|||
|
|
|||
|
breathe the hate arrive too late strapped down opened wide
|
|||
|
|
|||
|
robbed of the whole the burning coal cooled by words soothed by
|
|||
|
|
|||
|
the touch breath of a girl for all the world like a madman a
|
|||
|
|
|||
|
sadman visitations not few see the world with the sandman view
|
|||
|
|
|||
|
is it true what is said was it red and blue and black take it
|
|||
|
|
|||
|
back stop it all melt into the room and follow slowly knowing
|
|||
|
|
|||
|
growing wide eyed little girl twirl twisting ends bends turns in
|
|||
|
|
|||
|
circles fall to the ground found it is softer there where the
|
|||
|
|
|||
|
waiting lies denies that it ever was because it is hard to
|
|||
|
|
|||
|
justify give a reason why try the shadowlands woman hands
|
|||
|
|
|||
|
grasping heart pull strings dance puppet boy precious thing
|
|||
|
|
|||
|
sprout wings fly join the gril in the sky swallow water it grows
|
|||
|
|
|||
|
nigh the next life no strife bundle up fellings kneeling in tall
|
|||
|
|
|||
|
grass moon will guide hide keeping from the sun run fast full
|
|||
|
|
|||
|
mast ship sails oceans wide seven not so many as eleven magic
|
|||
|
|
|||
|
numbers that exist making with the luna face a tryst trust not
|
|||
|
|
|||
|
and fear not spill blood and drink do not think cut charred made
|
|||
|
|
|||
|
hard angels hair girl breath soft warm death a marker for places
|
|||
|
|
|||
|
once been do not drown swallow this blue and breath...
|
|||
|
|
|||
|
|
|||
|
|
|||
|
-----------------------
|
|||
|
|
|||
|
|
|||
|
|
|||
|
Boxcar-pawns take good words for granted
|
|||
|
|
|||
|
--sentry
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Good Word rises and falls with
|
|||
|
|
|||
|
faces and discarded jerseys in back-alleys
|
|||
|
|
|||
|
and bridges
|
|||
|
|
|||
|
Despicable rise and fall and piles of
|
|||
|
|
|||
|
zines in the back room with honey
|
|||
|
|
|||
|
and feathers
|
|||
|
|
|||
|
Why, in the streets without homes and smiling
|
|||
|
|
|||
|
we walk past, the wounded
|
|||
|
|
|||
|
silently stride past us, wounded.
|
|||
|
|
|||
|
Who, across the street in silence
|
|||
|
|
|||
|
smokes, red-orange without a face,
|
|||
|
|
|||
|
pools of rainwater extinguish traces
|
|||
|
|
|||
|
Shattering with rise and fall
|
|||
|
|
|||
|
and forgiven failings, red-orange, without a face.
|
|||
|
|
|||
|
broken-down pink Volkswagons flailing in high seas.
|
|||
|
|
|||
|
You shatter with it.
|
|||
|
|
|||
|
glass and playing cards in high winds-
|
|||
|
|
|||
|
their screaming is plain and muted.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
-----------------------
|
|||
|
|
|||
|
|
|||
|
|
|||
|
so-so-so
|
|||
|
|
|||
|
--fortunate hazel
|
|||
|
|
|||
|
|
|||
|
|
|||
|
the bottles are like bags in the attic,
|
|||
|
|
|||
|
thick bags like old books are thick, sticky with dust,
|
|||
|
|
|||
|
held together by a long line of time, time-twine,
|
|||
|
|
|||
|
and that you disturb this, you time-unravel travelling,
|
|||
|
|
|||
|
those bags in the attic are full of letters,
|
|||
|
|
|||
|
still as words in print except when read hints of things,
|
|||
|
|
|||
|
things (living) in the past that didn't last, love letters.
|
|||
|
|
|||
|
long lost love letters, that would better be burned to
|
|||
|
|
|||
|
heat up some butter, so your toast will taste better,
|
|||
|
|
|||
|
rather than reading them until your heart is bitter,
|
|||
|
|
|||
|
heat that butter up instead of bringing up that
|
|||
|
|
|||
|
old cracked loving cup, held up in a toast that
|
|||
|
|
|||
|
said forever but soured away muttering lust, lust
|
|||
|
|
|||
|
too much lust but not enough love, and there it was.
|
|||
|
|
|||
|
how many bottles count up this way, up into a wall?
|
|||
|
|
|||
|
|
|||
|
|
|||
|
an apartment attic, one long tragic second story,
|
|||
|
|
|||
|
we all had pasts that were plaster in the wall,
|
|||
|
|
|||
|
all of us are a part of it, memory-made thickest bricks,
|
|||
|
|
|||
|
our tricks came back a-tricked us, slipped between us
|
|||
|
|
|||
|
during the fuss and the rush of the days gone by,
|
|||
|
|
|||
|
and today, you ding-a-ling, brings us up to snuff.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
i've written things that i haven't lived,
|
|||
|
|
|||
|
it's the only nobility that i can afford, fiction
|
|||
|
|
|||
|
here the soil is barren and the oiled bearings are failing,
|
|||
|
|
|||
|
binding and flaking with rust, red rust,
|
|||
|
|
|||
|
bad blood from a dying dream machine, dirty so dirty.
|
|||
|
|
|||
|
|
|||
|
|
|||
|
-----------------------
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The Year 2000
|
|||
|
|
|||
|
--maeve the magnificent
|
|||
|
|
|||
|
|
|||
|
|
|||
|
The year 2000 is coming...
|
|||
|
|
|||
|
|
|||
|
|
|||
|
STOP.
|
|||
|
|
|||
|
here.
|
|||
|
|
|||
|
stop
|
|||
|
|
|||
|
the future.
|
|||
|
|
|||
|
stop now.
|
|||
|
|
|||
|
Stop
|
|||
|
|
|||
|
the past.
|
|||
|
|
|||
|
Every month 1500 women die,
|
|||
|
|
|||
|
slain by men they know.
|
|||
|
|
|||
|
stop.
|
|||
|
|
|||
|
When I was fifteen I wore black
|
|||
|
|
|||
|
I liked the sex pistols and wrote bad poetry.
|
|||
|
|
|||
|
They said I was rebllious.
|
|||
|
|
|||
|
I was.
|
|||
|
|
|||
|
They said i was depressed
|
|||
|
|
|||
|
I have been.
|
|||
|
|
|||
|
They said I'dl get over it.
|
|||
|
|
|||
|
Not yet.
|
|||
|
|
|||
|
If I was fifteen today, my parents might put me in a mental facility.
|
|||
|
|
|||
|
They might send me to a psychiatrist who might medicate me
|
|||
|
|
|||
|
Zoloft
|
|||
|
|
|||
|
Ridillin
|
|||
|
|
|||
|
or something new and better
|
|||
|
|
|||
|
Something to make me active
|
|||
|
|
|||
|
less depressed
|
|||
|
|
|||
|
help me focus
|
|||
|
|
|||
|
smile when I go to my boring job
|
|||
|
|
|||
|
boring school
|
|||
|
|
|||
|
something to help me forget my troubles
|
|||
|
|
|||
|
or at least accept them.
|
|||
|
|
|||
|
Stop the future.
|
|||
|
|
|||
|
middle class white men gather together perform
|
|||
|
|
|||
|
rituals stolen from Native Americans
|
|||
|
|
|||
|
they learn to bond
|
|||
|
|
|||
|
have their feelings,
|
|||
|
|
|||
|
be in touch with their rage
|
|||
|
|
|||
|
to take young men under their wings
|
|||
|
|
|||
|
and prepare for manhood.
|
|||
|
|
|||
|
They work for oil companies
|
|||
|
|
|||
|
mining companies
|
|||
|
|
|||
|
cattle markets
|
|||
|
|
|||
|
the rapists of Native soil
|
|||
|
|
|||
|
They pay $200 a plate to sponsor
|
|||
|
|
|||
|
Robert Bly
|
|||
|
|
|||
|
to keep their council afloat
|
|||
|
|
|||
|
They quote Camille Paglia
|
|||
|
|
|||
|
"Feminists are whining bitches"
|
|||
|
|
|||
|
Stop the Past.
|
|||
|
|
|||
|
Revolutionary Communists hand me a pamphlet,
|
|||
|
|
|||
|
this was before protesting at the 92 Rebulican National convention
|
|||
|
|
|||
|
It told me how to keep silent should I be arrested
|
|||
|
|
|||
|
To keep only my name fresh on my lips
|
|||
|
|
|||
|
It reads like the pamphlet the AF gave me before deployment
|
|||
|
|
|||
|
should I get caught by the enemy
|
|||
|
|
|||
|
Airman Johnson
|
|||
|
|
|||
|
457-13-2266
|
|||
|
|
|||
|
USAF
|
|||
|
|
|||
|
Stop.
|
|||
|
|
|||
|
stop.
|
|||
|
|
|||
|
STOP.
|
|||
|
|
|||
|
I tell my sister the lawyers wife it's her life i
|
|||
|
|
|||
|
fear for
|
|||
|
|
|||
|
should the riots come
|
|||
|
|
|||
|
the revolution start
|
|||
|
|
|||
|
I am proletariat
|
|||
|
|
|||
|
i say
|
|||
|
|
|||
|
Proud
|
|||
|
|
|||
|
and ashamed
|
|||
|
|
|||
|
of my whiteness
|
|||
|
|
|||
|
the privelage we shared growing up
|
|||
|
|
|||
|
It's you, I say who will be taken into the street
|
|||
|
|
|||
|
and shot.
|
|||
|
|
|||
|
i know this is true.
|
|||
|
|
|||
|
like i know if I'm not,
|
|||
|
|
|||
|
I'll be sent away
|
|||
|
|
|||
|
locked up
|
|||
|
|
|||
|
or killed
|
|||
|
|
|||
|
when the federal police
|
|||
|
|
|||
|
sanctioned by Congress
|
|||
|
|
|||
|
(100,000 in the next year)
|
|||
|
|
|||
|
storm my home...
|
|||
|
|
|||
|
or my white womans nightmare
|
|||
|
|
|||
|
My house broken into by angry black men
|
|||
|
|
|||
|
raped
|
|||
|
|
|||
|
tortured
|
|||
|
|
|||
|
"Stupid white bitch"
|
|||
|
|
|||
|
Carefully programmed
|
|||
|
|
|||
|
before I could say the word,
|
|||
|
|
|||
|
"rebellion"
|
|||
|
|
|||
|
or 'oppression'
|
|||
|
|
|||
|
Stop the future, No drug can fix us
|
|||
|
|
|||
|
Stop the past, half remembered rites and prayers, stolen cannot fix this
|
|||
|
|
|||
|
Stop
|
|||
|
|
|||
|
war cannot
|
|||
|
|
|||
|
stop
|
|||
|
|
|||
|
rebellion cannot
|
|||
|
|
|||
|
stop
|
|||
|
|
|||
|
hate cannot stop
|
|||
|
|
|||
|
God cannot stop
|
|||
|
|
|||
|
Christ cannot stop
|
|||
|
|
|||
|
The year 2000 is coming
|
|||
|
|
|||
|
Stop.
|
|||
|
|