210 lines
12 KiB
Plaintext
210 lines
12 KiB
Plaintext
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SHORT TALK BULLETIN - Vol.IX October, 1931 No.10
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FREEMASONRY<EFBFBD>S ANSWER TO JOB
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by: Unknown
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<EFBFBD>If a man die, shall he live again? (Job 14:14)
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Freemasonry has been called a religion which can be all things to all
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men.
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Many dispute the statement that Freemasonry is a religion at all, on
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the theory that a religion is a specified manner of worship, whereas
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Freemasonry has neither creed nor dogma. Freemasonry is much more
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properly religion than <20>a<EFBFBD> religion.
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Freemasonry may, indeed, be all things religious to all men. Each
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may take from it, each may read into it, any creed or dogma which
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fits his personal religious belief - and find his faith fits with the
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teachings of the gentle Craft.
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For be a man<61>s faith what it may, it must be founded on the rock of a
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belief in Deity and a faith in a future life. Here, indeed,
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Freemasonry touches hands with religion and sees eye to eye with all
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beliefs. The Master Mason<6F>s Degree, the Hiramic Legend, the Search
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For That Which Was Lost and the Sprig of Acacia all answer the cry of
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Job with comfort and assurance.
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Pull the flower to pieces; remain the petals, a perfume, but no rose.
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Play the symphony, isolate note by note; sound is heard, but no
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music.
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Every word Milton wrote is in the dictionary; but great poems may not
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be found there,
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So of any written account of this degree; we may write of its
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symbols, analyze its legend, tell of its meaning, but we pronounce
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but words without rhyme, make a flower of wax, a song muted. The
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best we may do is to point out a path to the high mountain of
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spiritual experience which is the Sublime Degree, that he who climbs
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may see it with a new view - and clearer eyes.
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To the universal and yearning hope of all mankind throughout all ages
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Freemasonry answers; there <20>is<69> a hope of immortality; there <20>is<69> a
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Great Architect by whose mercy we may live again, leaving to each
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brother his choice of interpretation by which he may read the Great
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Beyond.
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The Third Degree teaches of the power- and the powerlessness - of
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evil. For those who are happy to believe in the resurrection of the
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physical body, the Sublime degree has comfort. For those whose hope
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is in the raising only of that spiritual body of which Paul taught,
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the degree assures of all the longing heart can wish.
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When the greatest hope and the dearest wish of all mankind is made
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manifest, the Sublime Degree turns to <20>this<69> life and <20>this<69>
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brotherhood, and ties together the Hiramic Legend and daily living in
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a manner which no thoughtful man may see and hear without a thrill; a
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way at once awe inspiring and heartening; terrible and beautiful;
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sternly uncompromising yet strangely comforting in that land of inner
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life, that home of the spirit, where each man thinks the secret
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thoughts he tells never - never.
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In his quiet hours, first among those matters unspoken is the age old
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question of Job. When he sees his children growing up and realizes
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that he is getting older, older and some day to be really old, he
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asks it. When he stands beside the coffin of his departed brother to
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cast into the open grave the Sprig of Acacia he asks it again,
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sometimes not knowing that the very act which gives rise to the
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question is Freemasonry<72>s answer.
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Acacia was a symbol of immortality before Freemasonry existed. It is
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the shittim wood of the Old Testament, the erica or tamarisk at the
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foot of which the body of the dead Osiris was cast ashore so that,
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when found, it would rise again.
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The Jews have always considered shittim a sacred wood; a symbol of
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life. Logs used in houses sprouted long after the tree was destroyed
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that the beam might be made from it. Shittim wood was used to
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construct the table for the shew bread, the tabernacle, the Ark of
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the Covenant, the sacred furniture of the Temple. Everyone was
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familiar with the evergreen which does not seem to die in cold
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weather, as do less hardy trees which shed their leaves and sleep
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through the winter.
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But if Freemasonry did not make Acacia a symbol, the Craft adopted it
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as symbolic of our own special Rite and beliefs.
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Acacia marked the spot where lay all that was mortal of the Widow<6F>s
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Son. The Hiramic Legend is of an immortality which was made manifest
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in the very shade of acacia; how should the plant <20>not<6F> stand for the
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most blessed hope of man?
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In the stately prayer in the Master<65>s degree we hear <20>for there is
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hope of a tree, if it be cut down, that it will sprout again - .<2E>
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Later we learn of man who <20>cometh forth as a flower and is cut down,<2C>
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by the scythe of time which gathers him <20>to the land where his
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fathers have gone before him.<2E>
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<EFBFBD>Where is that land?<3F>
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Uncounted millions have asked. Freemasonry<72>s reply is, that glorious
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immortality symbolized by the acacia, its reality attested by every
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hope of every man born of woman since the first infant cried its
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birth cry.
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The Sprig of acacia has another and equally beautiful implication
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besides that of the certainty of spiritual survival. <20>Faith is the
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substance of things hoped for, the evidence of things not seen.<2E> The
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Sprig of Acacia is not only the emblem of a future life, but of
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faith.
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It matters little what faith that is. It is the existence of <20>some<6D>
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faith which is important; the certainty of <20>things not seen.<2E> The
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Masons may be a Methodist, Baptist, Spiritualist, Evolutionist,
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Unitarian. Trinitarian, Mohammedan or Brahmin. He may believe in an
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orthodox heaven of Golden Streets and Milk and Honey; his faith may
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send him to a whole realm of seven planets which he may visit in turn
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with esoteric Buddist; he may believe in the succession of planes of
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Spiritualism or the Nirvana of the Orient - the Sprig of Acacia is at
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once a symbol of the immortality taught by his faith, and of the
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faith itself.
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One cannot <20>prove<76> immortality any more than one can prove God.
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Proof is the result of logic , and logic is a process of the mind.
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Faith is the product of a process of the heart. We cannot reason
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ourselves into or of love; we cannot reason ourselves into or out of
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faith.
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The Sprig of Acacia proves nothing - nor does it try to. It means
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everything to him who has the faith. It is Freemasonry<72>s attestation
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to her children and to the world that brethren drop their tears on
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the body of the deceased brother in full faith that - where nor how
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we presume not to say, leaving it wholly to the eye which Sees the
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Everlasting Arms which enfold - he, even as we, shall live again. He
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knows past all forgetting because he has learned the lesson of the
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Hiramic Legend.
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Learned students have attempted to fix the date -as if dates
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mattered! - when that story first made its appearance in Freemasonry.
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Their conclusions are more negative than positive, and none have gone
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behind the fact that in one form or another the Hiramic Legend is
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among the oldest as it is among the dearest myths of the race. One
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may agree that documentary evidence does not put the legend of the
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martyred master workman into the third degree prior 1725, and still
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see in it the recasting of the race-old drama of man<61>s hope for
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immortality.
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A dozen or more suggestions have been made by Masonic students as to
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<EFBFBD>what it means.<2E> Some take the legend literally. Others believe it
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is another way of telling the story of Isis and Osiris - itself a
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legend which could hardly have been foisted full born from the brain
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of some clever priest, but must have been a heritage from the Hyskos,
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or even earlier inhabitants of Egypt. Some see it in a modern
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version of the death of Abel at the hands of Cain, and of course
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thousands visualize it as the death and resurrection of the Man of
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Galilee.
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With such speculations the average Master Mason need have no concern.
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Nor need his heart be troubled as to whether the drama is <20>true<75> or
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not.
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Search the Great Light how we will, we find no account of the tragedy
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of Hiram Abif. We learn of Hiram, or Huram. If we delve deeply
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enough in Hebrew, we learn that modern scholarship translates Hiram
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Abif as <20>Hiram, my father<65> meaning a Hiram looked up to, venerated,
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given a title of honor, as the father of a tribe, the father of an
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art, the father of the sacred vessels of the Temple. But of the
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three, the tragedy, and the Lost Word, the Old Testament is silent.
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Nor can we find in secular history any account of the drama of Hiram.
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For its truth we must seek into the myths and legends and fairy
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stories in which the race has half concealed, half revealed, those
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truths which do not bear telling in plain words.
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Is there a Santa Claus? For Six Years Old there is.
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For his elders Santa Claus is a means of telling a beautiful truth in
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terms which Six Years Old can understand. Is the legend <20>True?<3F>
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What is meant by <20>True?<3F> Historically Santa Claus nor Hiram Abif
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are <20>true.<2E> But if <20>true<75> means <20>containing a Great Truth<74> then both
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the myth of the Yule Tide Saint and the legend of the Master Builder
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are <20>true<75> in the most real sense.
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Raised to the Sublime Degree, many men see the drama of the Master
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only literally, a teaching of the virtues of fortitude and inflexible
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fidelity. For those whose ears hear only the melody and are deaf to
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harmonies, for those whose eyes are so blinded by the sunset as not
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to see the colors, this is good enough.
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Yet, any liberal interpretation of the legend and our ceremony which
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exemplifies it misses its heart.
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The Legend of Hiram Abif is at once the tragedy and the hope of man.
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It is the story of the resurrection of that <20>which bears the nearest
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affinity to that supreme intelligence which pervades all nature.<2E> It
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is the answer to Job. It is at once the beginning of the sacred
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legend of That Which Was Lost and the assurance that at long last he
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who seeks shall find.
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Any man who has belief in a Great Architect and a hope of immortality
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may see in it the assurance that death is but a pause, not an end; a
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gateway, not a wall.
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How long is a rope? A silly question! It can be measured,
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presumably, if one can find one end and measure it to the other.
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Suppose the rope has only one end! Sillier and sillier! But if true
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of a rope, it is true of space, time and eternity. If time has a
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beginning, it has an ending. If space commences somewhere, there is
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also will be its end to be found. <20>If eternity has a beginning it is
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not eternal!<21>
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Here is the shock, the surprise and the glory of the third degree.
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It presents us with eternity in the midst of life. It pushes back
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the confines of our little dimensions, our tiny measurements of time,
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our small comprehension of space, and shows us that we enter eternity
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at neither birth nor death. We have always been in eternity if we
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are in it at all. Hiram Abif was gathered to his fathers when the
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selfishness and sin of misguided men struck him down. But they were
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powerless against the Paw of the Lion and the Power of Freemasonry.
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Each of us is born, lives his little life, and, wearing his little
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white apron, is laid where our forefathers have gone before us. The
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drama of the third degree assures us that the life from birth to
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death, and including both, is but an episode, a single note in the
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great symphony.
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The Hiramic Legend is the glory of Freemasonry; the search for That
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Which Was Lost in the glory of life.
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We gaze through the microscope and telescope; and catch no sight of
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its shadow. We travel in many lands and far and find it not. We
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listen to all the words of all the tongues which all men have ever
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spoken and will speak - the Lost Word is not heard. Were it but a
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Word, how easy to invent another! But it is not a word, but <20>The
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Word<EFBFBD>, The great secret, the unknowability which the Great Architect
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sets before his children, a will o<> the wisp to follow, a pot of gold
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at the end of the rainbow. Never here is it to be found, but the
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search for it is the reason for life.
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The Sublime Degree teaches that, in another life, it may be found.
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<EFBFBD>That is why it is the sublime degree!<21>
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