2279 lines
104 KiB
Plaintext
2279 lines
104 KiB
Plaintext
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Living in such a state taTestaTesTaTe etats a hcus ni gniviL
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of mind in which time sTATEsTAtEsTaTeStA emit hcihw ni dnim of
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does not pass, space STateSTaTeSTaTeStAtE ecaps ,ssap ton seod
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does not exist, and sTATeSt oFOfOfo dna ,tsixe ton seod
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idea is not there. STatEst ofoFOFo .ereht ton si aedi
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Stuck in a place staTEsT OfOFofo ecalp a ni kcutS
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where movements TATeSTa foFofoF stnemevom erehw
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are impossible fOFoFOf elbissopmi era
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in all forms, UsOFofO ,smrof lla ni
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physical and nbEifof dna lacisyhp
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or mental - uNBeInO - latnem ro
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your mind is UNbeinG si dnim rouy
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focusing on a unBEING a no gnisucof
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lone thing, or NBeINgu ro ,gniht enol
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a lone nothing. bEinGUn .gnihton enol a
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You are numb and EiNguNB dna bmun era ouY
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unaware to events stneve ot erawanu
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taking place - not -iSSuE- ton - ecalp gnikat
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knowing how or what THiRTY-NiNE tahw ro woh gniwonk
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to think. You are in 07/31/97 ni era uoY .kniht ot
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a state of unbeing.... ....gniebnu fo etats a
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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CONTENTS OF THiS iSSUE
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=----------------------=
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EDiTORiAL Noni Moon
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LETTERS TO THE EDITOR
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STAFF LiSTiNGS
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[=- ARTiCLES -=]
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HONEY, i FUCKED THE DOG Glorious Glen
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ON SPiDER SHiPS I Wish My Name Were Nathan
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[=- POETASTRiE -=]
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YUPPiES PETS NAMES Radioactive Mutant in Search of Antibiotics
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CYCLiC WARS OF MATTER The Super Realist
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LADDER RUNG Joshua Ludwick
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MULCH I Wish My Name Were Nathan
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PLANES OF EXiSTENCE The Super Realist
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A PARANOiD CHAUVENiST PERSPECTiVE:
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On What Women Do In The Bathroom Radioactive Mutant in Search of Antibiotics
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MONOLiTH BAND-AiDED THUMB Joshua Ludwick
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BODHiSATTVA iN A TRENCHCOAT The Super Realist
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JESUS AND MARY MAGDALENE Radioactive Mutant in Search of Antibiotics
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[=- FiCTiON -=]
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MONKEY-WRENCH I Wish My Name Were Nathan
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DAViD iN CHAiNS Radioactive Mutant in Search of Antibiotics
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OUTCLASSED I Wish My Name Were Nathan
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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EDiTORiAL:
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ALRiGHT, TiME FOR A REALiTY CHECK
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by Noni Moon
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Yeah, this is me, Noni Moon, the Oriana Fallaci of the SOB koffee
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klatch set. Maybe I should begin by telling you all the juicy stuff you're
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dying to know that's being passed down to me from the SOB higher-ups who
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really control the content and happenings of this zine. But I won't
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propagate their baloney.
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Here's my story. I'm not who you think I am. I might have seen some of
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these sorry writers moping around before but I never would have interviewed
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them on purpose. Like, I'm just the chick who got a mickey slipped in her
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drink in 1996 and awoke tied up in a garage with a bunch of geek virgins
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staring down at me. I could sway from their demands only so much (you try
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dealing with "make us seem more interesting" and "pretend like you're my
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sister").
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It might have been pathetically amusing for a while to talk into a tape
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recorder and pretend to sound all interested with scripted questions, but
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being kept under house arrest, forced to attend sophomoric parties, and
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tricked by Crux Ansata into accompanying "Trapdoor Johnson" on an excursion
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to a nudie bar was the last straw. (And I lost my tape recorder.) Unlike
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those poseurs, MY revolutions didn't fizzle out somewhere between my mouth
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and a drag of my cigarette, or wind up sticking to the sheets. I tracked
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down the real source of material for this fanzine, changed a few key words
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in a confidential memo... and that's why Mr. Curlyhair Nailpolish is gone
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and I'm the new editor.
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So all you nerds that are into this saga can just sit tight while more
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unfolds in the upcoming issues. As for me, I'm just gonna pretend like I
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care as much as the guys from above want me to. With a firm grip on their
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balls made possible by a mildly amusing home video, I'll be doing more than
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just stamping my name on the editorials, which might make taking over this
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silly little rag a bit more interesting. Now we can get some real fresh
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stuff going---no more suburban, wet-dream, pseudo-intellectual, "postmodern"
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bullshit garbage. Take it from someone who's never even read this mag before
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or written a thing in her whole life, and who hates computers with a deeper
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passion only excelled by that for anyone who would actually waste their time
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reading this.
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I really don't understand who you people are or what you're all about.
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I feel like I'm in junior high trying to hang out with the cool anarchist
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kids but not knowing how to draw those funky A's. Just get a life, kids!
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This isn't your father's Skater World. Go drink milk, eat cookies and be
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nice to your parents or something. Or better yet, go to a dermatologist.
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It's not oppression but that acne that plagues your social life. Stop
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wearing all black and thinking that someone else's philosophy will change
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you! And pray like hell to all your pagan fairy dancing crystal-shitting
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gods that you'll one day be as hip as me.
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P.S. Oh yeah, and for all you wet & panty little girls out there--Clockwork
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isn't all he's cracked up to be. Drive carefully and play safe...
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P.P.S. Um, by the way. This issue is the original SoB #39 that Kilgore was
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going to put out before he, well, exploded. Any other issues that you have
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received were done by poseurs and fakeurs who were butting heads in a perverted
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mating ritual to see who would be the leader of the fanzine harem.
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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LETTERS TO THE EDITOR
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From: Crackmonkey
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Subject: it's groupie time.
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since i've already been a groupie for the last two months, i was
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thinking maybe i'd take a little time off from my lack of
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responsibilities. you know, lay back and hide from the sun. but who am i
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kidding. my true calling is to be an official SoB groubie and i can't
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rest until i gain that sort of statis.
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so i am back yet again this month pleading to be the first certified SoB
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groupie for life. if this is not possible at the present moment maybe
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you should just put me down as the generic monthly groupie. it's ok. i
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suppose i'm used to it.
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[um, you're pathetic. --nm]
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--SoB--
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From: James Markels
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Subject: Re: SoB.
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I was wondering, what kind of submissions would you find acceptable?
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I've read some of the publications, and I am unsure as to whether or not
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libertarian political commentary would be appropo.
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Or perhaps, are there certain political subjects that the SoB would find
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most appealing?
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Astaroth
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[um, anything. we've published everything from anarchist tracts to
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information on the u.s. taxpayer's party. we cover all spectrums of the
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political arena, so anything is acceptable. --nm]
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--SoB--
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From: yang84
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To: kilgore@sage.net
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Subject: first timer...
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dear sir (some school-taught habits die hard...)
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Hi. Yeah well, you might not have time for this, then again you probably
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might not, being the distinguished editor of SoB and all, continually
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Updating your magz and all... but just thought to write.
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The first time I saw your publication on the net, was um, ed.12 I think. Was
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really Impressed, and one of the major things that brought that Impression
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was how the mag was so simple, no frills n'all.
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Anyways, I'm interested in writing, especially the serious, deep, and things
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that really disturb, I guess. but I don't know how to start?
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I am from singapore, a girl who turns 18 this year. One that, I would guess
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started out late and was so hopelessly blur, so existant in My Small World
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that you would have had to experience it to believe it.
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Have not taken specialised writing courses of any kind, but have ideas
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floating around in my head. Do not know if i'm cut out to be termed "writer"
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but would like to dream so. Very prone to fits of depression and feelings of
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insecurity and isolation (?). You get the idea.
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Actually, I'm not really sure why I'm writing this. But it's one of those
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things that you feel you have to do after being Impressioned by something.
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Come to think of it, I think this is really the first time I've done
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something about this feeling... Maybe it'd be nice if you could maybe give a
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few pointers or tips or something I guess.
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In Singapore, I think there are such a lot of people with talents and such
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but never get a chance to "indulge" in them here more so than most places I
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would think. It's very important for job stability and things like investing
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8 of your later education years in music is something that many, many
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parents vehemently oppose (for example). In most cases, I'd say that unless
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you know many people or have many links, you don't get to progress very far
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in an area like that. But then I guess that's the way the world goes.
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Ach, looks like I've written more than I should have (sweet and sharp for
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Impact. i wish). If you've read up till here, thanking you for your
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patience. Didn't expect it, but thank you. Oh yeah, if you're going to reply
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to this letter, could you also tell me when exactly is an exclamation mark
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warranted?
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jasmine yeong
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[um, actually, he doesn't have time for this letter. he's dead! that should
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answer your last question as well. --nm]
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--SoB--
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From: Nehpets
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To: kilgore@sage.net
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Subject: SoB Mailing List
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[The following text is in the "ISO-8859-1" character set]
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[Your display is set for the "US-ASCII" character set]
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[Some characters may be displayed incorrectly]
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Hello Mr. Trout
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I would appreciate it if you would add me to the SoB mailing list. I
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have read several issues and find it quite... well, uh... I find it quite.
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I started reading it because I know one of the ppl that was a writer.
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I don't know if he still is, but that is neither here nor the other place.
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And besides, I'm hopeing to learn something. I don't know what, but
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Dammit I Will Learn!!!
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Nehpets
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[um, quite. maybe you could learn to write, hmm? --nm]
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--SoB--
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From: morrigan
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To: sobzine@geocities.com
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Subject: developments in the only world that matters....
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hm.
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two words that apply specifially to you, oh great and wondrous new
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editor:
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power.
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trip.
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not that there's anything at all the matter with such things. just an
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observation, if you will.....
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and while i'm writing you, some other thoughts:
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-when you steal the old webpage, be professional (?) about
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it....take out the stuff that specifically applied to said
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page and no other (the little bit about the io.com domain? the ad for
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monk's night out?) come on, work with me here, my man....
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-lovely header....did you do it yourself?
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-the official theme song is messed up....not in the choice, but in the
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application of such.....it doesn't work and won't.....
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-why hanson?
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um.....gee.... i can't think of anything else at the moment. i suppose i
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could stop procrastinating and write that english paper, or maybe do
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those math problems....or i suppose i could always go and translate
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something.......
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nah.
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so.
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welcome to the great and lofty role of official sob editor. (don't you
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think you'll get sick of the responsibility soon?)
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morrigan
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[um, i agree, that's why we're putting an end to all this madness, or
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something. --nm]
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--SoB--
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From "kilgore trout" <algedonic@juno.com>
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To: sobzine@geocities.com, cruxansata@hotmail.com
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Subject: let the truth be known
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This is ridiculous, guys. When I left, I had thought that you would put
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an end to this petty bickering.
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Kilgore isn't dead.
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And keeping him out of the zine isn't going to change what happened.
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C'mon-- you're pulling a veritable Fowles move. We all read the book ,
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Crux.
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The only thing that bewilders me is that Kilgore hasn't stopped this
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already. It isn't like him not to overpower you...being a Scorpio to the
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core.
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Which leads me to a frightening thought- that he's somehow involved in
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this.
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If that's the case, well, Kil: use some complex thinking skills here.
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What exactly are you trying to accomplish at the sake of your own
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dignity?
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I knew I shouldn't have left you guys. Maybe it wouldn't have escalated
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to this...
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-noni moon-
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[um, i thought multiple personality disorder was quite rare. let's hope it
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really is. hey, you're the guy whose email account is always full. how the
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hell did you get the issue? --nm]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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STAFF LiSTiNG
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EDiTOR
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Noni Moon
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CONTRiBUTORS
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Glorious Glen
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I Wish My Name Were Nathan
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Joshua Ludwick
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Radioactive Mutant in Search of Antibiotics
|
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The Super Realist
|
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GUESSED STARS
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Astaroth
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crackmonkey
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Jasmine Yeong
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morrigan
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Nehpets
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GUESSED SCHIZOPHRENiCS
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<algedonic@juno.com>
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"kilgore trout"
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"noni moon"
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SoB GROUPiE
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crackmonkey
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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|
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||
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[=- ARTiCLES -=]
|
||
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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HONEY, i FUCKED THE DOG
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By Glorious Glen
|
||
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Forget women's rights, gay rights, victim's rights or any other plain
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vanilla lobby group seeking equality and acceptance from our inflexible
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society. There's a new movement afoot whose members want to be empowered and
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validated, who want to rid themselves of the shame they've been programmed to
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feel, who want to be accepted for who they are and what they believe in.
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There's only one small stumbling block which may limit their public support:
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they like to have sex with animals.
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They are the bestialists, the zoophiles and the zoosexuals, and until
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quite recently they've kept a fairly low profile, seeking out discreet
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liaisons with various pets and farm animals and sharing very little with
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friends, relatives, or researchers.
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The Internet has changed all that, providing a means for otherwise
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anonymous animal sex aficionados to connect with each other, share
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experiences, trade tips, and provide mutual support. Now people who have sex
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with animals (shall we call them PSA's?) have their own newsgroups, their own
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chat rooms, and their own web sites. While their choice of sexual partners
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may be perplexing, the depth of their devotion to their animal lovers -- with
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their tributes to their dead pets, their own porn (furotica), and their
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meticulous tracking of all film and video with animals appearing -- can be
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suspected by only the most cynical among us.
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The result is a burgeoning online community (and a associated off-line
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community) which displays all the aspects of more familiar identity groups.
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They argue over definitions, they wrangle over justifications, and they
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negotiate the boundaries of proper behavior. Animal fucking has gone
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bureaucratic and the love that dare not bark its name is howling well into the
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night.
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Much online discussion is devoted to definition. If you have an
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|
"emotional relationship" with an animal that makes you a "zoophile", which
|
||
|
gives you high moral ground in the PSA community. If you're purely in it for
|
||
|
the sex you're a "bestialist", which is tantamount to being an animal
|
||
|
molester. In other words, a bestialist's idea of a good night out is to hump
|
||
|
a stray Great Dane in the woods, whereas a zoophile would cook his dog a
|
||
|
gourmet dinner, showers it with doggie treats, read poetry into the small
|
||
|
hours and make love in the kennel.
|
||
|
|
||
|
Not that there isn't hope that the right animal might win the heart of a
|
||
|
bestialist and that he might find himself transformed into a zoophile. It can
|
||
|
happen to the most confirmed PSA should Cupid's arrow be aimed just so.
|
||
|
|
||
|
It happened to "Stasya", a middle-aged PSA with outspoken ideas on
|
||
|
interspecies relations and a web site to display them on. "Well, I'm a 42
|
||
|
year old white male who started life as a pure bestialist," he writes, "and
|
||
|
gradually, with the love of one hell of a bitch, became a zoophile."
|
||
|
|
||
|
Stasya's lifetime history outlined in his home page mirrors the formative
|
||
|
experiences widely reported on the Internet by PSAs: a family dog, an empty
|
||
|
house, and a bored adolescent with a helping hand all contribute to saving
|
||
|
poor Fido from the boring routine of humping legs and pillows. With dogs
|
||
|
lacking the necessary opposable digits to repeat the experience alone they
|
||
|
apparently will beg for repeat performances. Before you know it, man's best
|
||
|
friend becomes man's best fuck.
|
||
|
|
||
|
"When I was about 15, I somehow got the idea of having sex with this male
|
||
|
dog," writes Stasya.
|
||
|
|
||
|
"I can't remember right now if I ever let him fuck me, but I did have
|
||
|
anal sex with him."
|
||
|
|
||
|
This youthful dalliance with a male dog, this flirting with
|
||
|
homo-bestiality was, after much soul searching, not what Stasya was really
|
||
|
after. What he really wanted was a female dog. A few years later and a quick
|
||
|
trip to the pound, he brought his first love home.
|
||
|
|
||
|
The relationship was purely physical at first, Stasya tells us, but when
|
||
|
he really got to know her he had to admit that there was something special
|
||
|
going on.
|
||
|
|
||
|
"Finally, after several years, it hit me. We weren't fucking. We were
|
||
|
making love to each other. We'd kiss deeply whenever the mood hit us. We'd
|
||
|
cuddle and share quiet moments. In short, we shared everything that I'd
|
||
|
always been taught was what I could expect if I fell in love with a woman.
|
||
|
The only difference was that my lover was a bitch."
|
||
|
|
||
|
The political approach taken by online PSA's borrows quite purposely from
|
||
|
the language of the gay rights movement. Internet zoophiles claim they don't
|
||
|
choose to be attracted to animals for sex; they were just born that way.
|
||
|
Furthermore, they claim society is "zoophobic" which has a devastating effect
|
||
|
on PSA self-esteem and drives them into the closet (perhaps the kennel is a
|
||
|
more accurate metaphor). "Coming Out" to friends and family is the goal of
|
||
|
any self-respecting PSA, and a number of websites provide testimonials from
|
||
|
those who have taken this step. Judging by the incidents outlined, one could
|
||
|
easily come away with the impression that the world is more than ready to
|
||
|
accept people who have sex with animals as part of our rich cultural fabric.
|
||
|
|
||
|
Acteon, a late-twentysomething male zoophile from Oregon, decided that he
|
||
|
couldn't go a day longer without telling his parents of his extracurricular
|
||
|
activities.
|
||
|
|
||
|
"I came out because I was getting very stressed out from making up
|
||
|
stories about where I spent my weekends. I still live at home, and have never
|
||
|
been evasive about things, so when I went to a Zoo party of some sort, I had
|
||
|
to tell them something," he reports.
|
||
|
|
||
|
Acteon goes on to say how his parents took the news rather well and
|
||
|
"admired my guts for telling them".
|
||
|
|
||
|
"They didn't even forbid me to see the neighbors German Shepherd," he
|
||
|
says "which was actually my greatest fear, even more so than being kicked out
|
||
|
of the house."
|
||
|
|
||
|
While parents may be reluctantly accepting, you can always count on your
|
||
|
friends for support, according to Akita, a male "bi-zoosexual" for the past 24
|
||
|
years. He says he was quite reluctant to spill the beans to his long-standing
|
||
|
buddy Shyfox (Internet alias).
|
||
|
|
||
|
"Would it damage a super friendship or, maybe better yet, build a
|
||
|
stronger one," he wonders.
|
||
|
|
||
|
Eventually, he finds the right moment and tells Shyfox that he's "only
|
||
|
interested in having sex with dogs and horses, that they have a loving, caring
|
||
|
relationship that makes him feel whole." What follows smells suspiciously
|
||
|
like an informercial for bestiality.
|
||
|
|
||
|
"That's all you were going to tell me!" says Shyfox. "Gosh, Akita, I
|
||
|
couldn't imagine what on Earth you were going to tell me that you thought
|
||
|
would upset me so. I thought you where going tell me that you didn't like
|
||
|
Dragon and I anymore or that you were moving away! I don't care what you're
|
||
|
(sic) sexual preference is. Gee, Akita, I'm your bestest friend!"
|
||
|
|
||
|
A common misconception about PSA's is that they share their affections
|
||
|
exclusively with animals. According to Internet sources, many are either
|
||
|
looking for a human partner or are already coupled up. To be the spouse of a
|
||
|
PSA obviously takes an especially tolerant attitude, and one could do much
|
||
|
worse than getting hitched with Isis, a middle aged woman who only recently
|
||
|
became aware of her husband's extracurricular activities and who has
|
||
|
immortalized her diary entries of the time on the web.
|
||
|
|
||
|
What tipped off Isis was that her husband was spending an inordinate
|
||
|
amount of time on the Internet downloading pictures of animals. When she
|
||
|
questioned him he tried to downplay it, but eventually he admitted more than a
|
||
|
casual interest in interspecies sex.
|
||
|
|
||
|
"I can't remember exactly what lead up to it," writes Isis, "but as we
|
||
|
were leaving to go shopping he said he'd had oral sex with horses. I couldn't
|
||
|
ask him about it any more because we were shopping and then to friends for
|
||
|
supper."
|
||
|
|
||
|
In retrospect, Isis admits there were warning signs.
|
||
|
|
||
|
"He loved watching nature shows, particularly the ones that showed real
|
||
|
matings between almost any sort of animal," she writes. "I never found it odd
|
||
|
that he would spend hours just visiting friends who owned horses, or going to
|
||
|
the racetrack just to look at them, or going to the races but never betting.
|
||
|
When he said he couldn't sleep at night, and would go for walks until two in
|
||
|
the morning, I worried about him, but never once thought he was going to
|
||
|
fence-hop at the track and suck off a stallion."
|
||
|
|
||
|
While this revelation may have been disconcerting news for the most
|
||
|
devoted of wives, Isis' reaction proves her to be the ideal mate for a PSA:
|
||
|
curious, accepting... and sexually aroused.
|
||
|
|
||
|
"Finding out that my husband could do something so, well, bestial, was a
|
||
|
real turn on. I had never seen him as a particularly passionate person, and
|
||
|
this revelation did quite a bit to show me how he truly is. Our love life had
|
||
|
always been nice, and comfortable, but not terribly passionate. As the days
|
||
|
went by and he told me more of what he'd done though, things heated up
|
||
|
considerably. It felt like a honeymoon for almost two months."
|
||
|
|
||
|
While these best case scenarios may provide some comfort to those who
|
||
|
struggle with the complexities of being attracted to animals for sex, history
|
||
|
illustrates that such activities have never really been socially acceptable.
|
||
|
Court records over the past 600 years are littered with cases involved human
|
||
|
sexual contact with goats, cows, sheep, dogs and birds, many resulting in the
|
||
|
hanging of both the perpetrator and the animal. Laws have been relaxed
|
||
|
somewhat since then. Many countries now have no law governing bestiality. A
|
||
|
number of US states have decriminalized sex with animals or offer small fines
|
||
|
or short prison sentences.
|
||
|
|
||
|
The trend towards decriminalization is largely due to what is referred to
|
||
|
as "lack of use" of the existing laws. Since animals don't kiss and tell, the
|
||
|
only way to secure a bestiality conviction is to catch someone in the act. If
|
||
|
we are to believe Internet PSA's, most inter-species sex is perpetrated by pet
|
||
|
owners in the comfort of their own homes. Even those more adventurous types
|
||
|
who venture further afield to the barnyard can, with some careful planning,
|
||
|
commit the perfect crime. Those who actually get their asses dragged into
|
||
|
court are either exceedingly unlucky or, whipped up by the excitement, overly
|
||
|
careless. Perhaps the perfect example of guilty on both counts is the recent
|
||
|
case of a Canadian man who was found, well after dark, inside a barn
|
||
|
copulating with a cow he had secured with ropes. A passing police cruiser
|
||
|
noticed his car parked in a empty field with its headlights on.
|
||
|
|
||
|
While Internet zoophile propaganda would have us believe that carloads of
|
||
|
sexually unsatisfied urbanites are descending on small farming communities in
|
||
|
the small hours, web pages like the one entitled "A true account of my
|
||
|
(unsuccessful) attempt to get a BJ from a calf" puts the matter in
|
||
|
perspective. The author gives us a vivid picture of the lure of the
|
||
|
farmyard -- from the lonely walk in the freezing cold down a pitch black lane,
|
||
|
though the mud and the shit in the open field, to the sewer of the cow shed.
|
||
|
|
||
|
"I found myself hugging the side of the shed," the author reports, "where
|
||
|
the ground was still hard, and I worked my way to the edge of the door frame.
|
||
|
I also heard the traditional "plop" of manure against manure, but since I was
|
||
|
already stepping in tons of the stuff, that sound was less of a turn-on."
|
||
|
|
||
|
"I found a section that had firmer footing, and inched my way a little
|
||
|
deeper into the shed. I held out my hands to feel my way around, and within a
|
||
|
few minutes I felt something soft and moist on the fingers of one hand. I
|
||
|
looked down and saw that one of the calves was suckling my fingers. I got my
|
||
|
penis within an inch or two of his mouth, but at that moment he released my
|
||
|
hand and started wandering away. Damn!"
|
||
|
|
||
|
From all the discussions, testimonials and publicity information
|
||
|
available on the Internet, it seems clear that the stereotype of the lonely
|
||
|
sheep-shagging shepherd is in dire need of revision. As they tell it, the new
|
||
|
breed of PSA is an ubiquitous, clandestine presence in society, the proverbial
|
||
|
aliens among us -- "in every tax bracket, in every location -- from the farmer
|
||
|
in Montana to the businessman in New York", as one PSA web page claims.
|
||
|
Whether the numbers are exaggerated or not is something that will be made
|
||
|
clearer as more PSA's meet online, organize themselves offline and become more
|
||
|
public about their activities, as they have in (surprise, surprise) Northern
|
||
|
California. There they've formed a support group called "Calzoo" which boasts
|
||
|
several dozen members who meet regularly for social gatherings, to celebrate
|
||
|
holidays, and "build community" with zoophile groups in other states and
|
||
|
countries.
|
||
|
|
||
|
Whatever their numbers, PSA's may be doing themselves a disservice by
|
||
|
drawing attention to themselves. Their claim that PSA's are at every level of
|
||
|
society, if taken seriously, is more likely to induce mass paranoia rather
|
||
|
than general acceptance as we all take a second look at all the pet owners who
|
||
|
touch our lives. And despite the current fashion in "I gotta be me" identity
|
||
|
politics, PSA's may be barking up the wrong tree in attempting to draw tenuous
|
||
|
comparisons with groups like gays and lesbians when they're much more likely
|
||
|
to be likened to child molesters or rapists. The FBI has found the Internet
|
||
|
to be a goldmine in upping their arrest records for suspected pedophiles, who
|
||
|
formerly kept to themselves and evaded apprehension. People who have sex with
|
||
|
animals, by making their cause public, are risking being at the receiving end
|
||
|
of a new wave of moral panic.
|
||
|
|
||
|
We have a long way to go before politicians court the bestial vote by
|
||
|
admitting a bit of youthful experimentation with the family cat. Meanwhile,
|
||
|
you may want to carefully scrutinize whoever volunteers to look after your
|
||
|
treasured pet next time you go away on vacation.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"The writers who have nothing to say are the ones you can buy; the
|
||
|
others have too high a price."
|
||
|
-- Walter Lippmann, "Preface to Politics"
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
ON SPiDER SHiPS
|
||
|
by I Wish My Name Were Nathan
|
||
|
|
||
|
The explanation by the Air Force of what happened in Roswell in 1947
|
||
|
doesn't convince me. It's not surprising that there are many skeptics who
|
||
|
agree that something is fishy about reports of crash test dummies and weather
|
||
|
balloons being the explanation for rumors of space alien wreckage. This isn't
|
||
|
my area of expertise, anyway, so I have no alternative explanation.
|
||
|
|
||
|
What does interest me is our national interest and ignorance in
|
||
|
extraterrestrials. As I've said before several times, I don't know why, in
|
||
|
all the vast expanse of the universe, aliens would look like humans, except
|
||
|
with larger heads. On that progressive show Star Trek, aliens also resemble
|
||
|
humans, many distinguishable by a furrowed brow or a nose cleft. I can
|
||
|
understand the impact of a budget on creativity, but I dislike the simplistic
|
||
|
assumptions that have been propogated.
|
||
|
|
||
|
Something else is flying saucers. Why have people latched on to the
|
||
|
concept of flying saucers? Why would alien spacecraft spin around at high
|
||
|
rates of speed entering our atmosphere? This would lead to dizziness and
|
||
|
nausea, or, at the least, to the unfortunate floorward displacement of their
|
||
|
coffee cups. Staggering out of a saucer with multicolored retch all over
|
||
|
one's alien spacesuit is certainly not the best impression to make upon swarms
|
||
|
of eager natives.
|
||
|
|
||
|
I believe that in our information society, the majority of what people
|
||
|
believe comes from what they hear or read, not from actual experience.
|
||
|
Psychologists say that those who claim to have actual experiences are
|
||
|
unconsciously mimicking the stories of others. So, has anyone had a real
|
||
|
alien encounter not colored by popular beliefs? I have to wonder.
|
||
|
|
||
|
The Roswell incident may have been genuine, but the sudden flood of alien
|
||
|
encounters by others in New Mexico shortly after the story broke makes me
|
||
|
doubt they were all true. The similarity of nearly every other alien story to
|
||
|
the Roswell incident also makes me skeptical.
|
||
|
|
||
|
I think these similarities are unfortunate, because they have trained us
|
||
|
to imagine aliens in one specific way, meaning, that if extraterrestrials
|
||
|
visit earth, most people will be poorly prepared to handle it. Poorly
|
||
|
prepared? Of *course*, especially if these aliens are as evil as most movies
|
||
|
predict. Specifically, though, I refer to these tidbits of insight:
|
||
|
|
||
|
(1) What if we don't recognize aliens as living creatures? Father Guido
|
||
|
Sarducci wittily announced that plastic lawn chairs are an alien race invading
|
||
|
earth -- they are certainly new, unexplainable, and multiplying like rabbits.
|
||
|
How do we know if it's only a joke?
|
||
|
|
||
|
Across the universe, I'm willing to bet that the humanoid body form is
|
||
|
unique, and that a carbon/oxygen biological basis for life is rare. But
|
||
|
without something non-earthly to compare against, how can we discern what
|
||
|
makes something alive?
|
||
|
|
||
|
Philosophically, one of the burdens that leaves us poorly prepared to
|
||
|
accept alien life is that of definition. Definitions arise from
|
||
|
classification, and classification stems from identity. Mainly, we define
|
||
|
ourselves and what is different from us. On earth, it is easy to classify
|
||
|
human beings (well, relatively easy, considering the importance that 'race'
|
||
|
still has on our preconceptions), animals (popular terminology -- mammals,
|
||
|
reptiles, amphibians, and birds), insects, and plants as being justifiably
|
||
|
distinct organisms.
|
||
|
|
||
|
Somehow, we agree intuitively that these are all alive. Scientists
|
||
|
define "living things" as carbon-based organisms that grow, adapt, react to
|
||
|
the environment, reproduce, and so on. But why is this definition necessary?
|
||
|
Isn't it obvious that a jackhammer isn't alive, that a wooden fence isn't
|
||
|
alive, that a computer virus isn't alive? I'm not sure it's inherently
|
||
|
obvious. Some pantheist religions, for example, claim that everything is
|
||
|
living. Several preindustrial cultures, namely tribal Indians, also
|
||
|
incorporated this concept. Why don't we?
|
||
|
|
||
|
I think that our upbringing in a modernized, scientific society has
|
||
|
spoonfed us a system that defines beyond a doubt what it considers alive.
|
||
|
Currently, DNA-based organisms are considered of the same substance and
|
||
|
officially "alive." All else is "non-living." I'm pretty sure that when I
|
||
|
was a small child, I didn't really see a reason to differentiate the groups.
|
||
|
|
||
|
It's this institutional discrimination that handicaps those of us willing
|
||
|
to consider the possibilities of extraterrestial life.
|
||
|
|
||
|
Or perhaps I'm making a moot point. Would the average alien-seeker be at
|
||
|
all interested to find out that meteors are alive, visiting earth but always
|
||
|
burning up? Would it transform our beliefs about reality to consider that
|
||
|
water is an intelligent creature?
|
||
|
|
||
|
Obviously, such suggestions are absurd...? If you think so, consider
|
||
|
this additional obstacle:
|
||
|
|
||
|
(2) Must we imagine that any alien life that reaches us will be
|
||
|
superhuman, technologically advanced, and supremely intelligent? Do our
|
||
|
aliens have to be God? Again, our scientific prejudices tell us that, hey, if
|
||
|
*we* haven't gone to other solar systems, then it must be something much
|
||
|
*better* than us that could reach our planet.
|
||
|
|
||
|
I point out that our system of science and knowledge is still tied to
|
||
|
centuries of preconceptions; never has a society invented a completely new
|
||
|
language, culture, cosmology, and technology from scratch, except perhaps the
|
||
|
first people that did so. So, although our science may be the best system of
|
||
|
analyzing and understanding "reality" today, that doesn't make its findings,
|
||
|
or the applications thereof, the most beneficial or useful possible by a long
|
||
|
shot, especially considering the attitude of science towards paranormal
|
||
|
phenomena.
|
||
|
|
||
|
But this is over the head of the average alien-seeker. Since *we* just
|
||
|
discovered atomic energy fifty years ago, then *they* must have already
|
||
|
mastered it, right? Since *we* formed a theory of relativity, *they* must
|
||
|
already teach this in the womb. Since *we* have Quake, *they* must have Quake
|
||
|
2!
|
||
|
|
||
|
No! No! No!
|
||
|
|
||
|
Our society seems to think that "progress" or "technological advancement"
|
||
|
means "overboard on everything." Their spaceships must be miles long, they
|
||
|
must have the most deadly weapons of all, they must be the most ruthless
|
||
|
things imaginable! Bigger, better, badder, right?
|
||
|
|
||
|
Frankly, I'm more impressed by the notion that the electrons in my body
|
||
|
might have traveled billions of light-years to be in me today.
|
||
|
|
||
|
(3) The most insidious obstacle: if can't understand the myriad forms
|
||
|
of life on our own world, what are the chances that we could comprehend
|
||
|
something from another?
|
||
|
|
||
|
Last month I spent an hour watching a spider build a web on my front
|
||
|
porch. I was amazed at the versatility of the silk as the spider rapelled
|
||
|
eight feet, swung to another strand, and tied it to a bush; then how it took
|
||
|
back the silk, recoiling up to the ceiling. I must have witnessed the first
|
||
|
minutes of the act; I watched for a long time before I realized that these
|
||
|
strands were the infrastructure of the web, finally noticing the spider
|
||
|
laborously making its way in circles to form the plane of the web. I realized
|
||
|
dumbly that from the moment I'd started watching, an insect had already been
|
||
|
caught and cocooned on a far strand.
|
||
|
|
||
|
The next morning, the web had been completely disassembled and was now
|
||
|
blocking my doorway.
|
||
|
|
||
|
While I'd been watching that spider, I understood clearly how little it
|
||
|
and I had in common. We were carbon-based, we had the ability to grow, adapt,
|
||
|
react to the environment, and reproduce, although neither of us did the latter
|
||
|
that night. Well, at least I didn't.
|
||
|
|
||
|
Did the spider notice me? Certainly not the same way I noticed it. I
|
||
|
concentrated on the visible form of the spider. At the distance I stood from
|
||
|
it, the image of the spider focused directly on my foveae, the concentrated
|
||
|
groups of cones in the retinas of my eyes, providing my brain a clear image
|
||
|
that I recognized as a spider. The spider's eyes are more suited to detecting
|
||
|
specific hues of light, maybe including ultraviolet and infrared, but not an
|
||
|
image. I'm not sure I stood out from the brick wall. Maybe it detected me as
|
||
|
a fellow animal by my odors. I couldn't particularly smell the spider at all.
|
||
|
I uttered a few poetic words to the spider before feeling silly. Although it
|
||
|
might have heard my voice, its hearing apparatus resembles a tuning fork, and
|
||
|
is restricted to a small range of frequencies. Most certainly vocal speech
|
||
|
isn't in its repertoire.
|
||
|
|
||
|
Probably the best way for me to have communicated with the spider would
|
||
|
have been for me to jump on its web. I'm a little big, and I would have
|
||
|
destroyed it, but if we were a hundred times smaller, perhaps my distinct
|
||
|
vibrations on the web would have identified me as a human.
|
||
|
|
||
|
I hope my point is clear. If aliens did arrive, even as similar to us as
|
||
|
spiders, communication would be practically impossible. We couldn't teach
|
||
|
them anything, nor they us, except maybe by observation.
|
||
|
|
||
|
Or, but have I mistakenly assumed that we would want to communicate,
|
||
|
teach, or be taught by aliens? Perhaps if they aren't ignorant enough to be
|
||
|
boring, don't die on entry, don't escape our definition of "alive," and don't
|
||
|
psychically transform the human race, we can dissect them or stick them in
|
||
|
zoos or drop a bomb or two on them. That would be interesting. After all,
|
||
|
it's what we do to people we don't understand.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
It's a strange thing, this fascination with aliens. While some human
|
||
|
societies are xenophobic, alien-seeking Americans are classic xenophiles. But
|
||
|
they're lacking in creativity -- if aliens were really alien, they would be so
|
||
|
different that we couldn't recognize them in front of our own faces. I don't
|
||
|
blame the dreamers, though; God Himself is supposed to be so different from us
|
||
|
as to be incomprehensible.
|
||
|
|
||
|
And it seems neurotic in a way, to search the skies for mystery, to
|
||
|
imagine the arrival of all-powerful forces that will either destroy us or
|
||
|
transform us. But God Himself is supposed to do this too. Am I just bringing
|
||
|
up that old point about aliens being a modern substitute for religion?
|
||
|
Perhaps. If alien-seeking is a religion, it's already got the best
|
||
|
ingredients -- scripture (Roswell, _Communion_, numerous personal accounts)
|
||
|
and persecution (men in black, the gubment, rationalists).
|
||
|
|
||
|
I don't mean to downplay those people who claim to have had alien
|
||
|
encounters; perhaps the brain is such that people can only see bulgey-eyed
|
||
|
greys -- or perhaps the greys try to comfort us with this facade. Perhaps
|
||
|
spinning spaceships are the means of transport that would let us notice them.
|
||
|
Perhaps our two sexes are so endlessly fascinating that they actually will
|
||
|
travel thousands of lightyears just to probe us.
|
||
|
|
||
|
I don't know.
|
||
|
|
||
|
I just urge all of you to think harder about what an 'alien' could be,
|
||
|
all the ways it could differ from us, in form, function, size, consciousness,
|
||
|
emotion, will, et cetera. Maybe you'll notice something around you -- or in
|
||
|
you -- you've never seen before. In the meantime, I will bow humbly before
|
||
|
the spider....
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
[=- POETASTRiE -=]
|
||
|
|
||
|
"The poets? They stink. They write badly. They're idiots you see, because
|
||
|
the strong people don't write poetry.... They become hitmen for the Mafia.
|
||
|
The good people do the serious jobs."
|
||
|
--Charles Bukowski
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
YUPPiES PETS NAMES
|
||
|
by Radioactive Mutant in Search of Antibiotics
|
||
|
|
||
|
Yuppies have only
|
||
|
low maintenance pets, if any:
|
||
|
distorted oily withered hairless cats or
|
||
|
stunted baleful pale growly lapdogs with pink eyes
|
||
|
all with *stupid* names.
|
||
|
|
||
|
If I had one of those
|
||
|
loathesome ugly bald sterile cats that smell like semen
|
||
|
I would name it
|
||
|
'Latex', 'Corpse', or 'Alien'
|
||
|
because that is what they *look* like
|
||
|
|
||
|
And I would never pet it, because they feel cold and greasy
|
||
|
and have empty staring eyes
|
||
|
|
||
|
Or if I had one of those
|
||
|
horrible crazed yappy lapdogs
|
||
|
I would name it
|
||
|
'CrackBaby', 'Perversion', or 'Deranged'
|
||
|
Because that is what they *are*.
|
||
|
|
||
|
And I would never pet it, because I don't *want* rabies
|
||
|
and I would be afraid I might accidentally kill it
|
||
|
|
||
|
If I had one of those-
|
||
|
a hairless cat or tiny furious dog,
|
||
|
I would *not* name them
|
||
|
'Felix', or 'Muffy'
|
||
|
'Fi-fi', or
|
||
|
(-if I was a *real* asshole-)
|
||
|
'Spike', or 'Killer'
|
||
|
Because that's just bloody inhumane!
|
||
|
|
||
|
I would name them for what they *are*:
|
||
|
Genetic freakshows made that way by artificial selection
|
||
|
By some dumbass breeder, for $profit$
|
||
|
For some dumbass yuppie, for 'convenience'
|
||
|
who will give them a *stupid* name
|
||
|
and throw them in the garbage when they die!
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"Only if we know that the thing which truly matters is the infinite can
|
||
|
we avoid fixing our interest upon futilities."
|
||
|
--C.J. Jung
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
CYCLiC WARS OF MATTER
|
||
|
by The Super Realist
|
||
|
|
||
|
This time, the ground becomes hard again, solidifying it's presence. Too
|
||
|
scared to run, too scared to cry out, too scared to break, Ground suffers
|
||
|
UNDER Air's smothering influence. Again, Ground tries to fight back; Volcanoes
|
||
|
erupting, earthquakes shaking, mountains forming, reaching to pierce the Sky.
|
||
|
Sky laughs and surrounds mountains, muffles earthquakes, and douses volcanoes.
|
||
|
Then Man came, he came naive and uncultured and innocent. Man was not aware
|
||
|
of the mockery Air was playing upon Ground. Ground pounded hard against the
|
||
|
arrow. "Man must be an A G E N T of Air. I've never seen the likes of him
|
||
|
before." Canyons to trip man, rivers to drown, forests and plains to bedazzle
|
||
|
and lure Man. "Stop! Stop!" Man cries out. "I have yet to set foot on earth
|
||
|
when I am barraged by beauty. I must build my home before the grand scale of
|
||
|
things." Air, thinking Ground has a N E W and I M P R O V E D and W H I T E R
|
||
|
ally, pours it's strength out onto Man. "Stop! Stop!" Man cries out again. "I
|
||
|
have yet to set my eyes up to Heaven when I am barraged by Horrors! I must
|
||
|
build my roof before I am swept away." Soon, Man has built himself a new home
|
||
|
with a new roof and new walls and new aluminum siding from Sears;
|
||
|
contemplating the existence of it all... Sky ground rain mountain wind canyon.
|
||
|
Through all his self absorption and inner spiritual penetration, the mists of
|
||
|
innocence part like a sea before Moses. Through all his self contemplation and
|
||
|
inner experimentation the walls of naivette crumble like Jerhico. Man now sees
|
||
|
the way waged by Ground and Air; becoming frightened influenced worshipful.
|
||
|
Not wanting to lose scope and grasp of an unprecedented opportunity; Air - the
|
||
|
quicker thinker of the two - burrows itself deep into the psyche of Man to
|
||
|
take away the rest of his innocence and purity to replace it with God-Fear; a
|
||
|
sense of a higher Power. Air - again being the quicker thinker of the two -
|
||
|
plants a hatred and fear and virulent loathing of Ground; insinuating that
|
||
|
Ground is all encompassing E V I L. Look at Air, air is cooling, air brings
|
||
|
forth the rain (yeah, look at Noah). Look at Ground, ground is hard and
|
||
|
uncaring, ground brings the F I R E! Man, in his dullness and ignorance
|
||
|
believes Air. Air is God. Ground is E V I L. Through Air's theological
|
||
|
bullshit, a small seed of resignation grows deeper and deeper into Man's soul.
|
||
|
"What is the point? What are we all here for? We're all here to go. We're all
|
||
|
here to go, into some kind of afterlife. Death is the only recourse available
|
||
|
then," Man reasons (as if he could in the first place). Religions begins ...
|
||
|
countries begin ... wars begin ... The E N D begins.
|
||
|
|
||
|
This time, the Ground becomes hard again, solidifying its presence.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"I am a mechanical boy,
|
||
|
I am my mother's boy."
|
||
|
--Charlie Manson
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
LADDER RUNG
|
||
|
by Joshua Ludwick
|
||
|
|
||
|
the bottom of the ladder rung exposed to the world
|
||
|
in sideways glances from below,
|
||
|
is just another rung in a ladder rung exposed to the world
|
||
|
in alleyway backdrops where nothing is left exposed
|
||
|
except the bottom of the ladder rung naked to the world
|
||
|
in late afternoon on sunday suppers ringing in
|
||
|
the celebration of the creators work which he celebrated
|
||
|
on a supper sunday, exposed to a naked world
|
||
|
and with nothing to hide.
|
||
|
|
||
|
Free to be naked on an untamed world
|
||
|
unbidden and lofty.
|
||
|
unbidden and lofty looms
|
||
|
draw forbidden fantasy into life.
|
||
|
Life looms like a forgotten fantasy
|
||
|
left behind in a fragrant moment of
|
||
|
lofty, looming, paranoid delusions
|
||
|
of alien space craft landing on the lawn,
|
||
|
exposed to the world like the rung of a ladder
|
||
|
getting sideways glances from below.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"You are in a McDonalds. You pay the guy behind the counter. Now
|
||
|
there is a hamburger there. When you have picked it up, go north. It
|
||
|
is a hamburger wrapped in cheap paper.
|
||
|
|
||
|
"> eat hamburger
|
||
|
|
||
|
"You eat the food hamburger."
|
||
|
|
||
|
-- from the AGT text adventure
|
||
|
"Detective" by Matt Barringer
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
MULCH
|
||
|
by I Wish My Name Were Nathan
|
||
|
|
||
|
THUNK THUNK THUNK.
|
||
|
|
||
|
-- Any questions?
|
||
|
-- No, that's the wrong question.
|
||
|
|
||
|
THUNK THUNK THUNK. Shiver. Headbanging?
|
||
|
|
||
|
-- What's up?
|
||
|
-- Not much. How about you?
|
||
|
-- Huh?
|
||
|
-- How about you?!
|
||
|
-- What?
|
||
|
-- What's up with you?
|
||
|
-- Oh, nothing!
|
||
|
|
||
|
CCH! CCH! CCH! Ohhhh, woooow. Huh?
|
||
|
|
||
|
-- Hi there.
|
||
|
-- Hey.
|
||
|
-- What's your major?
|
||
|
-- Illegible chemistry.
|
||
|
-- Oh man, do you have Dr. Jekyll?
|
||
|
-- No.
|
||
|
-- He's a riot. Total fuckin' riot.
|
||
|
|
||
|
Whee, clap, whee, clap, whee, point. Your turn.
|
||
|
You're steering now. Not so fast, Rambo.
|
||
|
|
||
|
-- So, how's it been going?
|
||
|
-- Oh, fine.
|
||
|
-- Same here.
|
||
|
-- No, I mean I got a fine.
|
||
|
-- For what?
|
||
|
-- I dunno, exhibition of my dick? Ask the judge.
|
||
|
-- Are you drunk?
|
||
|
-- Lay off, I'm underage.
|
||
|
-- So?
|
||
|
-- Ask the judge.
|
||
|
|
||
|
SPORTS, throw paper.
|
||
|
SOCCER, throw paper.
|
||
|
SWEAT, throw paper.
|
||
|
SOAP, throw paper.
|
||
|
SLIP, throw paper.
|
||
|
|
||
|
-- You're littering, you know.
|
||
|
-- I'm alliterating. Ask the judge.
|
||
|
|
||
|
LOAD. COCK. FIRE. Ask me about my soul.
|
||
|
|
||
|
-- So, how's your soul?
|
||
|
-- My friend, it ain't a pretty sight.
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"So God created Man in his own image, in the image of God he created
|
||
|
him."
|
||
|
--Genesis 1:27
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
PLANES OF EXiSTENCE
|
||
|
by The Super Realist
|
||
|
|
||
|
bipolar superstunned
|
||
|
|
||
|
NNNYYYAAARRR
|
||
|
|
||
|
(ratta-tat-tat-tat-ratta-tat-tat-tat)
|
||
|
|
||
|
kaboom
|
||
|
fizzle
|
||
|
|
||
|
Collide serpentine enter and exit
|
||
|
wound the hollow of the neck with a .45
|
||
|
alive then dead to bad she was such an interesting little girl
|
||
|
but a little too ratta-tat-tat for your liking
|
||
|
|
||
|
Blitzkrieging over all time and impossible Channel surfing
|
||
|
to find a replacement in this plastic non-recyclable self
|
||
|
serving grand reserve called existence.
|
||
|
The soul IS quantitative and I shoot up my ounces into
|
||
|
my mainline while her serpentine collides
|
||
|
into another plane of existence.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"Do not call up that which you cannot put down."
|
||
|
--H.P. Lovecraft, _The Case of Charles Dexter Ward
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
A PARANOiD CHAUVENiST PERSPECTiVE:
|
||
|
On What Women Do In The Bathroom
|
||
|
by Radioactive Mutant in Search of Antibiotics
|
||
|
|
||
|
What the *hell*
|
||
|
do they *do* in there?
|
||
|
|
||
|
{ door closed;
|
||
|
sporadic screamy laughter or crying
|
||
|
the sound of water running }
|
||
|
|
||
|
Do they *hide* in there?
|
||
|
Swapping bulemia tales
|
||
|
and smoking Tampax
|
||
|
(perhaps snorting
|
||
|
*Baby Powder*
|
||
|
off of the little round mirror
|
||
|
in their Cover Girl compact)
|
||
|
|
||
|
mainlining ground-up birth control pills.......?
|
||
|
|
||
|
.......
|
||
|
INDUCING SPONTANEOUS MISCARRIAGE!!
|
||
|
with jumper-cables
|
||
|
and a car battery
|
||
|
{ woooooo-weeeee..... that *HURT*!
|
||
|
Look! It's still *alive*.... }
|
||
|
|
||
|
Do they burn
|
||
|
Chatelaine
|
||
|
Womans World
|
||
|
Good Housekeeping
|
||
|
ym
|
||
|
Seventeen
|
||
|
in wild Feminazu frenzies
|
||
|
chanting "MEN ARE PIGS, MEN ARE PIGS......." ??????
|
||
|
|
||
|
and scribbling on themselves with eye-liner
|
||
|
|
||
|
Do they hold candle-light vigils before altars
|
||
|
in devotion to Simone de Beauvoir and Betty Friedan
|
||
|
|
||
|
memorizing passages from
|
||
|
_The Femenine Mystique_
|
||
|
and scrawling them on tiles or toilet
|
||
|
or mirror
|
||
|
in mascara
|
||
|
and ruby lipstick?
|
||
|
|
||
|
-------watching _Thelma and Louise_ over and over and over and over and
|
||
|
|
||
|
oh god
|
||
|
|
||
|
Will they rise up?
|
||
|
*Will* they rise up
|
||
|
HURLING Molotov TAMPONS
|
||
|
their stretch-marks glistening
|
||
|
that band of wild dominatrix
|
||
|
roaring angry Valkyrie WOMEN?!?
|
||
|
Cackling for masculine blood
|
||
|
|
||
|
!they'll make eunuchs of us all!
|
||
|
|
||
|
(.....or*do*they*cry*alone*because
|
||
|
their*best*friend*got*the*shit*beaten*out*of*her
|
||
|
by*her*big(angry*football-playing*'boyfriend'
|
||
|
the*night*before........)
|
||
|
|
||
|
greedy
|
||
|
getting their daily hit of emotional
|
||
|
*---++CRACK++---*
|
||
|
watching Days of Our Lives
|
||
|
and General Hospital
|
||
|
|
||
|
oh god
|
||
|
|
||
|
will they taint our beer with strychnine and massengill
|
||
|
brought to us before the #TV# during the Big Game
|
||
|
|
||
|
("Honey*youre*blocking*the*TV*couldja
|
||
|
get'a*FUCK*outta*the*way?!?")
|
||
|
|
||
|
will they ("HONEY*MAKE*ME*A*SANWICH*") put
|
||
|
*broken glass*
|
||
|
in our food?
|
||
|
|
||
|
will they stab us
|
||
|
at the photocopyer
|
||
|
("Hey*Hot*Stuff")
|
||
|
with nail-files, cackling
|
||
|
|
||
|
"OUR TIME HAS COME!!"
|
||
|
|
||
|
guzzling Ultra-Slim-Fast
|
||
|
and downing diet pills until their gums bleed
|
||
|
|
||
|
{ fat cow
|
||
|
heifer
|
||
|
call Jenny Craig, guys, here comes thunder thighs
|
||
|
hey you fat bitch
|
||
|
why dont you beach yourself somewhere
|
||
|
|
||
|
and *die* }
|
||
|
|
||
|
[REAL WOMEN:
|
||
|
Like twenty blondes from
|
||
|
Planet Beach (that !beer! commercial)
|
||
|
roasting babies over a spit and threatening to
|
||
|
*-----GET IT ON-----*
|
||
|
at ANY MOMENT......]
|
||
|
|
||
|
(do*they*stare*at*pictures
|
||
|
of*real*women*in*magazines
|
||
|
and*HATE*themselves
|
||
|
they*will*never*be*like*them)
|
||
|
|
||
|
and they say we men arent worth it
|
||
|
|
||
|
WE *KNOW* you're ALL on ACID
|
||
|
cackling dancing
|
||
|
whirling tortured
|
||
|
angrydefiant
|
||
|
hateful rites of
|
||
|
Womans Lib
|
||
|
|
||
|
(surgically*remove*eachothers*breasts
|
||
|
in*symbolic*defiance*of*what*is
|
||
|
commonly*thought*of*as*'PRETTY')
|
||
|
|
||
|
........premeditated ruin of mens order.......
|
||
|
|
||
|
but I think I *know* what they do in there
|
||
|
I done my research
|
||
|
When they creep into their little bunker to hide
|
||
|
I *know*
|
||
|
|
||
|
and I'm telling the other guys
|
||
|
|
||
|
|
||
|
("Honey*dyou*think*Im*fat
|
||
|
"Hell*no*baby*youre*perfect )
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"There is no there, there."
|
||
|
--William Gibson
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
MONOLiTH BAND-AiDED THUMB
|
||
|
by Joshua Ludwick
|
||
|
|
||
|
We want to build a dizzying
|
||
|
monolith band-aided thumb,
|
||
|
stabbed with wicked screwdriver
|
||
|
While working in moisture heavy
|
||
|
production of euthanasia device.
|
||
|
Ring us sometime and we'll surrender
|
||
|
the blue print plans
|
||
|
while colin hands the phone to justin,
|
||
|
brad stares at the bookcase,
|
||
|
josh stops playing guitar,
|
||
|
jenn plays the penny whistle,
|
||
|
and justin will be right back.
|
||
|
We've got the blue prints, a ton
|
||
|
sitting forgotten while the penny whistle
|
||
|
melody rises into the theme from inspector
|
||
|
gadget
|
||
|
slightly skewed
|
||
|
into colin fracturing
|
||
|
a recollection
|
||
|
and brad correcting the wrinkled
|
||
|
newsweek in jenn's hands.
|
||
|
Colin will give you a map of words that
|
||
|
you can follow to our door,
|
||
|
crystal clear if you can decipher
|
||
|
the candycane symbols and
|
||
|
chicken wire medleys of half ideas
|
||
|
juxtaposed with armpit revelations
|
||
|
and surprised recollection.
|
||
|
Then you can run through the door
|
||
|
and sit in the middle of our living room
|
||
|
Then you can ask your questions
|
||
|
while reminiscing about unremembered
|
||
|
memories that don't mean anything
|
||
|
unless you are drunk and standing
|
||
|
in the center of a forgotten
|
||
|
penny whistle melody.
|
||
|
When you are on your way again,
|
||
|
you can ask directions
|
||
|
and give suggestions to the thorn-tangle
|
||
|
path, just on the off chance that
|
||
|
it might change your path and
|
||
|
lead you away from us and
|
||
|
into a golden tomorrow
|
||
|
I will be free
|
||
|
But you will still be
|
||
|
stuck in a small room with a red inattentive lava lamp and
|
||
|
Jenn tossing Brad's keys at
|
||
|
Josh, and Colin claiming mastery
|
||
|
of reminiscent
|
||
|
instrument.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"Mike grinned with unashamed cheerfulness. 'I am God. Thou art God...
|
||
|
and any jerk I remove is God, too... and when a cat stalks a sparrow both
|
||
|
of them are God, carrying out God's thoughts."
|
||
|
--Robert A. Heinlein, _Stranger in a Strange Land_
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
BODHiSATTVA iN A TRENCHCOAT
|
||
|
by The Super Realist
|
||
|
|
||
|
Awoogas from the foghorns let me know the city is still alive at 3am. I
|
||
|
am a Buddhist Bogart walking through the mist, down deserted city streets, and
|
||
|
across invisible sidewalks. A half smoked cigarette dangles from my
|
||
|
downturned lips, the smoke intermingling with the sighs of enlightenment and
|
||
|
the misty low-riding angels. "Play it again, Sam" pounds harder into my mind
|
||
|
as I play the events over and over. Fog horn, cat crashed trash cans, and
|
||
|
thump thump of cars going over grillwork make up a nicely groovable inner city
|
||
|
jazz trio. Nirvana's out of reach, but that's of my own choosing. I am a
|
||
|
bodhisattva in a trenchcoat.
|
||
|
|
||
|
The farther I walk, the more I remember as the concrete brings me closer
|
||
|
to my goal. The fog is so thick I can't see my legs move and it feels like
|
||
|
I'm floating. Spectral images of houses with their wide open door-mouths and
|
||
|
glaring window-eyes shape themselves before me. The ghosts of homeless men
|
||
|
wander around, circling like spiritual vultures. Are they ghosts or are they
|
||
|
real? Invisibility is the enlightenment they all seek. The homeless are
|
||
|
already untouchables spiritually, but their invisibility makes them
|
||
|
untouchables socially. I am a bodhisattva on the streets.
|
||
|
|
||
|
And then I enter a patch of alley where no light dares to enter. Mara
|
||
|
waited for me with his three daughters and three sons. I had no need for a
|
||
|
weapon, for I could back away, and leave them to what they will. I will not be
|
||
|
a king of Videha! Although I started my enlightenment in reflection, I shall
|
||
|
burn my own inner strength brightly. I shall vacuum the darkness within, so
|
||
|
there will be no darkness without. Balance and dharma shall be kept, but the
|
||
|
people shall be in favor. Exiting out the alley, I continue my etherial walk
|
||
|
down the transcendental street. I am a bodhisattva in the dark.
|
||
|
|
||
|
My fight with the dark over, my brightness reflects back into me. The
|
||
|
street lamps and my footfalls are the prayer beads on which I meditate. As the
|
||
|
sounds richen in tone, so do my thoughts richen with content. Spiral, twist,
|
||
|
alternate, I can almost feel the individual particles of mist surround me to
|
||
|
make up the whole. Enlightenment is close. Headlights of passing cars break
|
||
|
my concentration, as I move from moment to moment, the lights moving past the
|
||
|
moment and into future musings. There is no need for contemplation of parallel
|
||
|
universes. Reaching the first Dhyana is difficult enough. I am a bodhisattva
|
||
|
in the mind.
|
||
|
|
||
|
The time is 3:30am and I have nowhere in particular to go. My feet are
|
||
|
strong and my head held high. The numbers tick by, the past to be replaced
|
||
|
forever with the present, and nothing to say about the future. The future is
|
||
|
what we make of it ourselves. Tick tock tick tock like the flower
|
||
|
meticulously leaning towards the sun with nature the final deciding factor.
|
||
|
The flower doesn't care what time it is, nor does it have appointments. But
|
||
|
humanity must know what the schedule is before it can transcend beyond it. I
|
||
|
am a bodhisattva with a watch.
|
||
|
|
||
|
Ghosts should be laid to rest. Enlightenment should be born to all
|
||
|
children. I want to go beyond Sariputra. The gates of tushita heaven are
|
||
|
past. Bring them all to me, and I will teach them. Rakshasas will burn
|
||
|
from my words. Bringing my coat tighter about me and lighting another
|
||
|
cigarette, I smile a crooked smile and vow to the mist that we shall meet
|
||
|
again. I am a bodhisattva with a vision.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"Then, as now, our love was used conveniently as a smear."
|
||
|
--Alan Moore
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
JESUS AND MARY MAGDALENE
|
||
|
by Radioactive Mutant in Search of Antibiotics
|
||
|
|
||
|
Maybe Jesus was
|
||
|
Mary Magdalenes
|
||
|
whoremongering pimp.
|
||
|
|
||
|
And the crucifixion
|
||
|
was just
|
||
|
bad advertising:
|
||
|
|
||
|
"I'd sooner die on the cross
|
||
|
than give you anything less than the best
|
||
|
bitches around!"
|
||
|
|
||
|
Jesus even had Judas lynched
|
||
|
when he *tried*
|
||
|
to turn Jesus in!
|
||
|
And Jesus cashed in on that 'son-of-god' *betrayal* thing.
|
||
|
|
||
|
Jesus sure was
|
||
|
a crafty
|
||
|
crime-boss, wasn't he?
|
||
|
|
||
|
But those Romans
|
||
|
fooled him!
|
||
|
He didn't know
|
||
|
the spikes were *real*!!
|
||
|
|
||
|
After, Mary
|
||
|
was really upset:
|
||
|
"Who will I get
|
||
|
my crack from
|
||
|
*NOW*?!?"
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
[=- FiCTiON -=]
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
MONKEY-WRENCH
|
||
|
by I Wish My Name Were Nathan
|
||
|
|
||
|
when something so astonishing happens that all other floating thoughts
|
||
|
evaporate, the adrenalin floods the heart, the windpipe tightens, the head
|
||
|
rushes -- the discovery of a new emotion i thought i'd defined and
|
||
|
conquered... had i never experienced it before? this is love, it can only
|
||
|
be. my mind focuses on her like the electromagnet whose wires are my
|
||
|
heart... she knows this, she must. her eyes steal my self; i collapse into
|
||
|
pure being when she smiles like that.
|
||
|
|
||
|
she turns away as we continue walking, and my self invades my brain
|
||
|
again and i think again. i become my thoughts, wires and pulleys and
|
||
|
weights mechanically rising and falling and turning upon themselves,
|
||
|
perpetual motion machine of self-indulgement. i would be at peace
|
||
|
contemplating her forever, but for her sharp insight into me....
|
||
|
|
||
|
a mundane day said "hey" as i woke up, replying "what's up?" and
|
||
|
getting out of bed. i expected no more of the small-talk of two beings out
|
||
|
of touch but not out of company. a typical friday, a typical celebration of
|
||
|
the weekend, a typical plunge into my mind's low gear for recuperation and
|
||
|
defense against the oncoming week. i expected no more.
|
||
|
|
||
|
when the moon was full in the sky, the tradition of taking a walk
|
||
|
through the pines beckoned. i brushed off my day and entered the woods.
|
||
|
several minutes after as my mind accustomed itself to the routine and
|
||
|
embraced passivity, an unexpected change woke me from my walking slumber. a
|
||
|
girl dressed in yellow stood some yards off the path, quietly communicating
|
||
|
with the moon. she turned to me as i approached and laughed as children
|
||
|
do, joining me on my trip, her face beaming at discovering another person
|
||
|
with whom to walk.
|
||
|
|
||
|
my face held a bemused smile as the girl took my hand and walked beside
|
||
|
me, gleefully bobbing to my footsteps. an extraordinary sense of
|
||
|
appropriateness colored the odd event, as if she had complemented me and
|
||
|
completed a pair. we continued forward, silently stepping over scores of
|
||
|
browned pine needles and rare logs fallen across the well-trod path.
|
||
|
|
||
|
the unobstrusive young girl was almost forgotten until we passed a
|
||
|
clearing to a lake. she pulled me to a stop and gestured toward the lake.
|
||
|
we quietly watched the body of water, which held a lucid, slightly
|
||
|
shimmering image of the moon and stars.
|
||
|
|
||
|
the girl spoke. "the water is beautiful." i nodded in agreement.
|
||
|
"but boring. it's just a reflection of the sky." she released my hand to
|
||
|
pick up a rock. "*this* is the water!" she said, tossing the rock into the
|
||
|
lake with a loud mind-jarring splash. the light of the moon chaotically
|
||
|
rippled in the turmoil.
|
||
|
|
||
|
i looked down at her with amazement; she was beaming. i shook my head
|
||
|
and looked back at the lake.
|
||
|
|
||
|
"sucks how often we look at things and don't see them," she said.
|
||
|
|
||
|
i looked up at her with amazement; she was looking directly at me, a
|
||
|
curious smile on her lips. something about the expression captured me. i
|
||
|
knew it immediately: she was divine. disguised as a eleven-year-old. i saw
|
||
|
her....
|
||
|
|
||
|
i staggered after the goddess after she abruptly wrenched my arm away
|
||
|
from the clearing back to our walk. my mind was stunned and i could no
|
||
|
longer disregard her as we moved on. my feet loudly kicked up debris trying
|
||
|
to match her footsteps, my eyes forgot the scenery as i could only stare at
|
||
|
her and try to understand.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"Keep your face to the sunshine and you cannot see the shadow."
|
||
|
-- Helen Keller
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
DAViD iN CHAiNS
|
||
|
By Radioactive Mutant in Search of Antibiotics
|
||
|
|
||
|
<< -- is this thing on? Oh!
|
||
|
*ahem*
|
||
|
|
||
|
David, a friend of mine, was one day enslaved by a wicked man who lived a
|
||
|
long ways away in a big cold ugly house where he would all day listen to opera
|
||
|
and wander through empty rooms. This story is an account of David's binding
|
||
|
and eventual escape and the circumstances thereof, and a little bit of what
|
||
|
happened after. It is for the most part David's own account -- what he could
|
||
|
tell me, anyway, after he escaped and before he disappeared again -- and a few
|
||
|
of my own ideas as well. Anyway, this is what happened.
|
||
|
|
||
|
I do not know how David was enslaved, and he didn't tell me. If they
|
||
|
bring him back intact, I'm going to ask him that first because it doesn't
|
||
|
really seem right.... but now all I know is that several months ago, David
|
||
|
just didn't show up for English class, and was soon found to be missing
|
||
|
entirely from the campus of our boarding school. We were all *very* worried.
|
||
|
Well, at first we were worried.... but you get used to people being gone if
|
||
|
they are gone long enough, the assumption being then that David disappeared of
|
||
|
his own volition (besides, people sometimes do that, you know, disappear) and
|
||
|
the general consensus was, anyway, that if someone leaves or hides and does
|
||
|
not *want* to be found, then we shouldn't go out of our way to find them as
|
||
|
long as they're safe outiside the walls, as we'd assumed David was. It would
|
||
|
be kind of rude.
|
||
|
|
||
|
So like *that* David disappeared for just shy of nine months, and nobody
|
||
|
saw him again until a week ago, when he appeared, in *full school uniform*
|
||
|
even, like he'd never been gone! And as *happy* as most people were to see
|
||
|
David again, some thought he was changed to a degree; his eyes were flat
|
||
|
behind his little round lenses. I thought then that he was probably just
|
||
|
tired. I should have listened to them.
|
||
|
|
||
|
I was a little bit surprised when he came to see me. "You don't talk to
|
||
|
anybody," he said, and he was sort of right. I don't say much, I don't have
|
||
|
much to say (I dislike my school nurse who chocks it up to low self-esteem,
|
||
|
which isn't true. I was born with a quiet gene, my guardian says, but anyway
|
||
|
on Tuesday last David showed up at my dorm with a huge canvas duffel bag and
|
||
|
started talking in earnest. He had to tell someone, he said, and he thought
|
||
|
he could trust me (his *exact* words were: "You won't twist it as bad as most
|
||
|
people would," which I *happily* assumed meant he trusted me). "I think I'm a
|
||
|
trustworthy fellow," I brightly said, smiling. I wanted to make him feel
|
||
|
welcomed back, at least. He sort of stared at me, which made me a *little*
|
||
|
uncomfortable (given the rumors I *didn't believe* about his eyes); he flung
|
||
|
his duffel onto my roommate's bed (an amusing side note: my roommate, a really
|
||
|
*wealthy* and likeable fellow named Paul, was at this time gone to Vancouver
|
||
|
to meet the little three-year-old kid who's the Buddhist high-priest or
|
||
|
whatever it is. Paul told me that this little kid's looking for his
|
||
|
"spiritual twin" here in the West, so if you're tall, lanky, about 28, long
|
||
|
haired, and the Son of God, there's someone who wants to meet you, ha ha! I
|
||
|
told Paul to keep his hopes up, you never can tell) and he began to talk and
|
||
|
then didn't stop for about three hours...
|
||
|
|
||
|
"I was kidnapped and turned into a slave, but I escaped and came back
|
||
|
here. Nowhere else to go." I nodded, offered David tea because he looked
|
||
|
nervous, but he just kept talking with an urgent dispatch (he ignored me,
|
||
|
actually, so I was a little put-off but decided to let it slide) while blankly
|
||
|
staring out the window at the rugby field. (I couldn't help but wonder then
|
||
|
what *really* had him so agitated, enough that he would be so intentionally
|
||
|
_rude_ to one of his fellows. He always was a bit strange, a smart, quiet
|
||
|
type. Like me, I remember before he was taken, he didn't talk much, but I
|
||
|
think his quiet was not for lack of anything to say (like me), but because he
|
||
|
knew that most people are put-off by the exceptionally intelligent and the
|
||
|
alienating way they talk and behave. Some people, in fact, actively
|
||
|
_disliked_ David, calling him "weird", "secretive", even "subversive" which I
|
||
|
looked up in the dictionary -- they thought he was *hiding* something, and the
|
||
|
impression many got was that _HE WAS NOT HAPPY_ to be at our school, Brentwood
|
||
|
College. (That's *unheard-of*, of course. *Everyone* wants to be here!) One
|
||
|
of our Teachers -- European History -- once called him a "philistine,"
|
||
|
whatever that is....
|
||
|
|
||
|
As for physical appearances, David is short and.... I want to say
|
||
|
"stout", but without giving the incorrect impression that he's fat, he isn't.
|
||
|
He rather *looks* that way, but only because he *is* exceptionally short
|
||
|
(5'1"!) He has hair that is always too long, a little curly and light brown;
|
||
|
hazel eyes with the same kind of sparkle you often see in the eyes of a cocker
|
||
|
spaniel. Well, that's before he was taken, not after (like I say, I thought
|
||
|
he was just tired); little round glasses; a growly voice, quick movements, and
|
||
|
an overall somehow *unwashed* seeming that makes him *slightly* repellant to
|
||
|
most, but he liked it that way, I guess. Eyes that are so intelligennt and
|
||
|
guarded that in a way I don't blame people for maybe being a bit suspicious of
|
||
|
him -- those eyes, coupled with how quiet he usually is, make him seem to be
|
||
|
constantly planning something.... his slaver would agree were he still alive
|
||
|
but I'll get to that....)
|
||
|
|
||
|
David was made to live in a one-roomed little shed beside a house bigger
|
||
|
and odder than any he'd ever seen, owned by an "ageless man named Gordon, and
|
||
|
*only* Gordon," said David of his captor. Gordon, according to David, was
|
||
|
tall, and a real diva by the sound of it. Plucked eyebrows, manicured nails,
|
||
|
oiled- back hair dyed black. He wore flowing robes of earthy colors ("I am
|
||
|
*definitely* an Autumn....") and acted quite "femenine and melodramatic" all
|
||
|
the time, like a bad actor; he was contradictory in that he hated hated
|
||
|
*HATED* in anyone else to see any evidence of what he called "the
|
||
|
reprehensible state of being recognizably human."
|
||
|
|
||
|
"Emotions," David said, "were *art* to him, or a mask -- you do not
|
||
|
*feel* them, you *wear* them like garish costume jewelry; like an actor does.
|
||
|
You shelve them the moment they become an inconvenience, or if, on an off
|
||
|
chance, they begin to ring true in a sub-cranial sense."
|
||
|
|
||
|
Gordon would fly into fits of horrible effeminate rage like tantrums
|
||
|
some- times, David said, if he caught you breaking any of his billions of
|
||
|
meticulous rules, displaying emotion the cardinal sin among them ("I was
|
||
|
supposed to be a machine for him. If I smiled, frowned.... if I made any
|
||
|
action that could be construed as indicative of any ordinary human emotion, he
|
||
|
would zap me...") He never beat David, but he had "The Collar" -- an electric
|
||
|
device stitched to David's neck that would give him a powerful shock when
|
||
|
Gordon pushed a remote button he carried ("You get almost used to it after
|
||
|
awhile, to the point where you aren't even surprised anymore when you suddenly
|
||
|
hit the floor doing the Watusi because he shocked you for breathing hard or
|
||
|
looking wrong or whatever it was.... I learned really quickly how to be
|
||
|
*neutral*...") Gordon had also a way of "getting into your head," whatever
|
||
|
that means ("That must have hurt," I said, an effort to lighten the mood.
|
||
|
David didn't think it was funny. I decided to at least pretend to take him
|
||
|
more seriously from that point on.) David said that Gordon was "horrible,
|
||
|
inhuman," and so *witheringly* that... wow.... I got the chills. Those are
|
||
|
strong words, no? I don't know what to believe.
|
||
|
|
||
|
David paused for some time. He then told me about the house and the
|
||
|
grounds. He described it all very difficultly, but I remember what he said
|
||
|
almost exactly.
|
||
|
|
||
|
"All the rooms," he said, "were identical. About 15x15, with white tile
|
||
|
floors and concrete walls, a light fixture in the center of every ceiling. The
|
||
|
only difference between any of them was where the doorway (with no actual
|
||
|
door) was, of if they had a window or glass door onto a small balcony painted
|
||
|
black. Featureless hallways and stairways of cement led from room to room and
|
||
|
it was that featurelessness and the sameness of all the hundreds of rooms that
|
||
|
could get anyone except Gordon lost.... I eventually learned how to get around
|
||
|
by the view out the windows and by my proximity to Gordon's room where he
|
||
|
would play opera all day on his record player; you could hear the music from
|
||
|
*anywhere* in the house, despite its immensity, almost to complete detail. The
|
||
|
house was nothing if not acoustically sound..... "
|
||
|
|
||
|
Loooooooong pause.
|
||
|
|
||
|
".....the music was increasingly distorted by echoes the further away you
|
||
|
were. I learned to know where I was in the house in relation to Gordon's room
|
||
|
on the upper-most level by that."
|
||
|
|
||
|
David went on about Gordon and his opera for some time ("....the more
|
||
|
melodramatic and hollow, the better, but he loved *all* opera..." my opinion,
|
||
|
and this of course is just me, is that any lover of opera can't be a half-bad
|
||
|
fellow and I said so, to David's intense dismay "....Wagner, Verdi, Puccini,
|
||
|
Gluck. Mozart, for some reason, only when he felt like being *really*
|
||
|
bitchy.... he would not sing or dance to it, like maybe you'd think. He would
|
||
|
drift about the house, staring dreamily at nothing, just *listening* to it,
|
||
|
like, *absorbing* it or eating it up. He would express with his face and
|
||
|
hands the emotions the singers sang about, like a silent movie, and hideously,
|
||
|
theatrically over-done. It was horrible. Really, really *horrible*. He made
|
||
|
the music seem so ugly to me....") with such hatred I found it disturbing to
|
||
|
listen to. Goes to show what lack of sleep can do, I thought. Soon he began
|
||
|
again to describe the house in greater detail. He went *really* technical on
|
||
|
me and I don't really know what he was talking about -- David's a smart guy
|
||
|
who's always going over my head -- so I'll just repeat what he said. You make
|
||
|
sense of it.
|
||
|
|
||
|
"From outside the house looked behemoth and modern, very much like it was
|
||
|
designed by Adolf Loos..."
|
||
|
|
||
|
Whoever *that* is!
|
||
|
|
||
|
"....ornamentation a crime, a machine to live in."
|
||
|
|
||
|
He shook his head. Here's where he got *really* intense on me, speaking
|
||
|
fast.
|
||
|
|
||
|
"But the principle of functionalism in architecture -- the idea being
|
||
|
that the building is designed for the greatest convenience of use possible --
|
||
|
stopped at the hous's sheer *size*. It was two-hundred feet high in places,
|
||
|
and it covered at least ten square acres. Fuck," he *swore*, which shocked
|
||
|
me, "....no-one could reasonably say that that bloody house was good for
|
||
|
anything other than a bad joke. It looked like hundreds of huge cement blocks
|
||
|
stacked unevenly, like a skewed military bunker or an apartment block by M. C.
|
||
|
Escher: angular, confusing, and really, really ugly. Like public art you'd
|
||
|
find back in Communist Germany outside the Stasi headquarters."
|
||
|
|
||
|
His sarcasm made me uncomfortable. It's the lowest form of humor, you
|
||
|
know.
|
||
|
|
||
|
I again offered him tea -- a little bit of civilization, I laughed, but
|
||
|
half-joking -- which he quite irratably turned down. Well. I could
|
||
|
understand that he was maybe a bit *tired*, but that is not excuse to be
|
||
|
*rude*, I thought but didn't say. He'd been through, well, *something* and
|
||
|
deserved a little lee-way. He didn't notice and went on to describe the
|
||
|
grounds on which the house sat.
|
||
|
|
||
|
"The house was on a sort of hill in the middle of about thirty fenced-in
|
||
|
acres. All of this around the house was gardens, the place's only (somewhat)
|
||
|
redeeming feature. They were left to go wild for years before Gordon brought
|
||
|
me, and then he charged me with 'tending' them. Impossible. In that rainy
|
||
|
climate, the gardens were wild -- a great tangled headachy cataclysm of deep
|
||
|
foliage and bush. Through it all ran paths, a maze of them, which I learned
|
||
|
my way around in. Gordon never came out there so I had somewhere to go at
|
||
|
least, even if it wasn't out of range of his collar control.
|
||
|
|
||
|
"It would have taken fifty grounds-men to tend those 'gardens', if you
|
||
|
could call them that. He wanted me to do it by myself, of course, the
|
||
|
bastard...."
|
||
|
|
||
|
At this point he stared out the window at the rugby field for a long
|
||
|
time. I was considering confronting him about his uncouth language and manner
|
||
|
-- simply say "David, *ahem*, your manners are *showing*..." or the like,
|
||
|
nothing nasty; it was upsetting, really. Then he looked at me with a scary
|
||
|
intensity. I almost dropped my tea, I thought he was going to *yell* at me,
|
||
|
but instead he went on about the house some more.
|
||
|
|
||
|
"All the rooms were *empty*!" He hissed, staring at me hard, I felt
|
||
|
*giddy*.... "Completely empty of anything at all. Thieves, auctions,
|
||
|
repossession as Gordon went bankrupt and increasingly unsound, I suppose,
|
||
|
claimed most of the useful furniture and all of the decor before I came.
|
||
|
Assuming, of course, there was ever any at all! All the rooms except Gordon's
|
||
|
-- which had only his record player and records -- stood empty shells and on
|
||
|
the walls was only dust. It was," he said, speaking quickly and scaring me,
|
||
|
"*almost* sad, I thought. Such a house, by virtue of its size, and despite
|
||
|
its intense ugliness, deserved better, as lonely as it was.
|
||
|
|
||
|
"Over one of the doors -- which I suppose you could call the 'front'
|
||
|
door, it being the only one distinguishable from any other outside -- there
|
||
|
were words gouged into the cement.
|
||
|
|
||
|
"'*Qui Vivra Verra*,' thay said. French. 'Who Will Live Will See.'"
|
||
|
|
||
|
With that he gave me a wry smile -- humorless, sure, but still a *smile*
|
||
|
which reassured me. "Francais, le langue du civil, c'est vrai?" I said in my
|
||
|
somewhat clumsy French. "Oui, c'est vrai," David answered absentmindedly,
|
||
|
fiddling with the drawstring of his duffel, looking blank and worried.
|
||
|
|
||
|
He stopped, then, once more. I wondered if he wanted to go to sleep, a
|
||
|
motion I'd have happily seconded. I really could not see any reason why his
|
||
|
story could not wait until the morning, or until classes the next day. He
|
||
|
left the drawstring alone and began picking at the crest on his blazer -- a
|
||
|
hand holding a torch of gold, "De Manu in Manum": From Hand to Hand. He was
|
||
|
gazing raptly at it, doubtless drawing strength, I thought then, from its
|
||
|
*inspiring* motto. Refreshing, I thought, to see him doing that, especially
|
||
|
after being such a long while gone. Faith in our School, says the Headmaster,
|
||
|
is faith in life, salvation, deliverance, faith, and *ourselves*! He picked
|
||
|
at it and sighed. After awhile he looked at me with quizzical eyes, and asked
|
||
|
if he could show me something. I agreed, *eagerly*, for props make for more
|
||
|
interesting stories. They also lend a certain degree of realism to them that
|
||
|
cannot be denied....
|
||
|
|
||
|
He yanked the drawstrings on the duffel like a decision, and out tumbled
|
||
|
all matter of garbage, *books* mostly, but also something wrapped in a green
|
||
|
garbage bag. That is what he picked up and began to unveil.
|
||
|
|
||
|
"I managed to get hold of this, after awhile. I should have thought of
|
||
|
it sooner." By now he'd removed the plastic to reveal a rather large hatchet,
|
||
|
like the woodsmen use. This one was covered in blood and bits of gore and
|
||
|
hair, which struck me as odd. "I thought you were supposed to chop *wood*
|
||
|
with those," I said, taken aback somewhat. David looked at me painfully, not
|
||
|
comprehending.
|
||
|
|
||
|
"What?" He gawked at me -- unnerving, thinking now what must have been
|
||
|
going through his head -- and absentmindedly swiped the grimy blade over the
|
||
|
right lapel of his blazer, *smearing* gore all over it!
|
||
|
|
||
|
"David! You got some on your *uniform*!!" I was *aghast*! "You are
|
||
|
*such* a *GRUBBY* kid!!" I immediately grabbed for a towel, seized David, and
|
||
|
scrubbed as much of the gore off as I could. In my haste (silly me!) I only
|
||
|
made it worse, actually. I smeared it, even, all over the crest on his front
|
||
|
pocket!
|
||
|
|
||
|
"Damn!" I *swore*! I felt justified given the distressing
|
||
|
circumstances. "Let's just *hope* the dry-cleaners can get that out!"
|
||
|
|
||
|
I calmed myself, recognizing a hopeless situation for what it was, and
|
||
|
poured myself more tea, my hands *shaking*. What an eventful night, indeed!
|
||
|
And David did not even seem to *care* that his blazer -- we are allowed only
|
||
|
one -- might have been ruined. He stared at me incredulously, and then burst
|
||
|
out at me: "Do you even *know* how you're *acting*?!?" He looked almost
|
||
|
panicky to me, and being the goof I am, I did not suspect anything by that
|
||
|
question. It just surprised, disarmed me. "Of *course* I know how I'm
|
||
|
acting, and I would think that you would at least try to *help* me! Clean
|
||
|
yourself up, for the love of God!"
|
||
|
|
||
|
I avoid conflict when it isn't absolutely necessary, but I could not
|
||
|
allow him to simply shrug off such a blatant -- if accidental -- act of
|
||
|
disrespect towards the School. The Housemaster would have his *hide*! But
|
||
|
then he took his blazer off, and, with a resigned expression, his cuffshirt
|
||
|
and tye, as well. Best to keep them away from that *messy* hatchet.
|
||
|
|
||
|
I now saw a wide scabby wound around his neck, presumably where the
|
||
|
collar had been stitched on. He vacantly fingered it, while I went about
|
||
|
preparing my tea and throwing the towel, *ruined*, away.
|
||
|
|
||
|
I sat down, resolving to forgive and forget and allow him to go on with
|
||
|
his little story. I nodded to David, who, with *tears* in his eyes for some
|
||
|
reason, continued. "I bought it, sort of. Through the wall all around the
|
||
|
place from a travelling tinker-type. I gave him my shoes." I noticed then
|
||
|
for the first time that David was indeed shoeless. His socks were a disgrace,
|
||
|
as well. Those, at least, could be replaced. I then said, feeling *clever*
|
||
|
and wanting to make peace, taking a chance, "Well, at least you're investing
|
||
|
in your *future*!"
|
||
|
|
||
|
David found that *really* funny. Inordinately so -- he laughed hard for
|
||
|
a full ten minutes, and I was just happy to see him acting *normal* again, as
|
||
|
perplexing as his laughter was. It wasn't *that* funny....
|
||
|
|
||
|
When David's little fit was through with, he told me that he had managed
|
||
|
to hide the hatchet for quite some time in the gardens where Gordon never
|
||
|
went. He placed the dirty thing, then, on the garbage bag, safely away from
|
||
|
the bedclothes and his uniform.
|
||
|
|
||
|
"I am keeping it," he breathed, "to remind myself. He *deserved* to
|
||
|
die."
|
||
|
|
||
|
I considered that, and was forced to disagree. "The Headmaster says that
|
||
|
no-one *deserves* to die," I stated. "'Everyone will be judged in the end,'" I
|
||
|
quoted proudly. He should have known that and I should have noticed that he
|
||
|
didn't, but the Headmaster also teaches trust, among other things. I may have
|
||
|
learned that lesson *too* well, heh heh....
|
||
|
|
||
|
David shook his head sadly. "Well, let's just say this," he said. "After
|
||
|
the ten-thousanth time writhing on the floor, flailing my arms and head,
|
||
|
hoping that if I just knocked myself unconscious the pain would stop, trying
|
||
|
to smash my head into the floor hard enough to put myself out, but unable to
|
||
|
control my muscles because of the current running through me.... Let's just
|
||
|
say I had had enough." He again fingered the ring of scabs around his neck.
|
||
|
"He would push that button and hold it *down* sometimes," he continued,
|
||
|
teary-eyed, "and all I could do was fall, fry, and hope to die. He would
|
||
|
shock me for the fun of it while miming his opera; sometimes he'd do it to the
|
||
|
*beat*. I'd piss myself and shriek like an animal. He deserved to die. He
|
||
|
*needed* to die!" David was almost pleading with me now. "Fine," I said,
|
||
|
wanting to just dismiss this grim topic, a little uncomfortable with his
|
||
|
haywire emotions. "Whatever turns your crank."
|
||
|
|
||
|
He had "purchased" the hatchet by stopping an old vendor/trinketeer man
|
||
|
who walked by outside almost every day. ("That's illegal," I said. "What
|
||
|
is?" David asked. "Private business, of course.") There was a thirty-foot
|
||
|
electric fence all around the property -- with no gate. There was *barely*
|
||
|
enough space between the bars to make the trade, and David felt very lucky
|
||
|
that our issue shoes are rubber-soled. He hid the hatchet near his shed
|
||
|
beside the house, deep in the bush.
|
||
|
|
||
|
That established, David changed the subject, wiping his eyes and turning
|
||
|
almost businesslike in his delivery.
|
||
|
|
||
|
He told me about his duties as Gordon's slave. He was supposed to clean
|
||
|
the house from top to bottom every day, which of course was impossible and
|
||
|
never got done, earning David a shocking at the end of every day as
|
||
|
punishment. He was supposed to dig a trench around the perimeter of the
|
||
|
property (inside the fence, of course) using his *hands*. Gordon forced David
|
||
|
to pluck his eyebrows and manicure his nails, and eventually he 'entrusted'
|
||
|
David with the utmost duty of changing the records on his player.
|
||
|
|
||
|
"When one record ran out, I had to put on the next within thirty seconds
|
||
|
or I would *really* get it. The illusion could *not* end for Gordon! When
|
||
|
the record would end, I would of course be on the bottom level or outside,
|
||
|
with no way of getting twenty stories up in time. Gordon would wait until I
|
||
|
had changed the record before shocking me one as punishment."
|
||
|
|
||
|
I remember -- I *think* I remember -- wondering then if maybe all that
|
||
|
electricity might not have done something to his brain, and I *need* to learn
|
||
|
to start listening to my intuitions!
|
||
|
|
||
|
David said that he was not allowed to wear clothes. He was naked --
|
||
|
"like an animal" -- the entire time, under Gordon's insistance. Gordon's
|
||
|
theory apparently was that it was far too easy to hide something in clothes.
|
||
|
|
||
|
"He was suspicious of me the whole time. I swear he spent much of his
|
||
|
time waiting for his suspicions to be proved true. Like that was his reason
|
||
|
-- his *real* reason -- for keeping me. If I got too close without previous
|
||
|
consent he would shock me and I swear I could see a look in his eyes, like he
|
||
|
thought he'd waylayed his own assassin, or had swatted the hornet just before
|
||
|
it could sting. I think he might have *known* that I would kill him
|
||
|
eventually...."
|
||
|
|
||
|
David went into *great* detail of his life there, rambling often, haywire
|
||
|
and changing the subject erratically. The heat, the suffocating humidity. The
|
||
|
loneliness, pain, and suffering. He didn't sleep at all for his whole time
|
||
|
there; he would hallucinate often. He once found a baby bird fallen from its
|
||
|
nest and formed a strange attachment to it. He kept it hidden in his shed,
|
||
|
feeding it grubs from the garden. Gordon found it one day on a routine search
|
||
|
of David's room and ground it under his heel, to the strains of the "O Mio
|
||
|
bambino caro" aria from Verdi's _Gianni_Schicchi_. "It's a song about begging
|
||
|
forgiveness. The look on his face showed it; he crushed my bird underfoot
|
||
|
before giving me another shock treatment."
|
||
|
|
||
|
He had to wash windows, he continued, and, given nothing to do it with
|
||
|
(no window cleaner or cloth), he did it with his tongue. And there was, of
|
||
|
course, the gardens to tend, as impossible as the rest of his tasks, all every
|
||
|
day ammounting to failure of completion on *all* counts, and another prolonged
|
||
|
shock therapy from Gordon as punishment.
|
||
|
|
||
|
David was getting increasingly absorbed in his story, and at that point,
|
||
|
I have to be honest -- I was getting bored. Not to mention tired. I began to
|
||
|
wonder if the whole story wasn't just a detailed fabrication to excuse his
|
||
|
lengthy absence while also making me feel *sorry* for him.... which didn't
|
||
|
really make sense, he'd only be caught in his lie.... and that also left the
|
||
|
hatchet unexplained, which was just *scary*.... Soon his words faded
|
||
|
completely, and he talked for a *full hour* -- details of his life there I
|
||
|
cannot now recall -- before I came around with a sudden realization that I had
|
||
|
*forgotten* something!
|
||
|
|
||
|
I told David to hold on for a moment, breaking his reverie of remembrance
|
||
|
(or ?lies?), and stood. My Donation! I had almost *forgotten* to administer
|
||
|
my Donation for the day, my daily contribution to the Headmaster! I felt
|
||
|
silly and stupid, and could not think of any excuse as to why I had *nearly*
|
||
|
forgotten. My Donation would be late, but my record is good -- I decided
|
||
|
(hoped) the Headmaster would allow me this one *small* indisgression. We all
|
||
|
know what happens to those who miss their Donations....
|
||
|
|
||
|
I took off all my clothes and went to my Monitor on the wall, slapping my
|
||
|
inner elbow with two fingers like my Housemaster had shown me when I arrived
|
||
|
at Brentwood. I turned on my Monitor, and recorded my name and the time (as
|
||
|
well as a *quick* apology, so as not to waste His time!) and sank the long
|
||
|
Needle into my arm. My Monitor whirred, and I felt my Donation being
|
||
|
given.... and when the machine was done, I withdrew the Needle and offered it
|
||
|
to David. He gave me a rather stony smile -- "maybe later" -- and I did not
|
||
|
think anything of it. He would show his Love in time, I assumed. Thinking
|
||
|
back, I should have insisted, but I reassure myself now that when he *is*
|
||
|
found he'll make Donations enough for *all* the time he was gone.... I put on
|
||
|
my issue house-coat, and allowed David to continue. I made a small, subtle
|
||
|
plea that he hurry it up a little ("It's getting, *ahem*, _late_.") and he
|
||
|
nodded and began the end of his story.
|
||
|
|
||
|
"Then I got the hatchet and I had my ticket out." He hid the hatchet and
|
||
|
began to plan his escape. He would have to first get rid of the collar
|
||
|
("...it was stitched on with steel wire... I had to tear it off the night
|
||
|
before..."), and then get Gordon into "one of the rooms with only one door" --
|
||
|
and no escape -- to first trap him, and then kill him.
|
||
|
|
||
|
"The hardest part of the *whole* thing was getting that bloody collar
|
||
|
off. The stitches were buried really deep, I bled a lot. I didn't care. I
|
||
|
picked the first stitch out and worked at it all night and got it off
|
||
|
eventually. I was faint from bloodloss, but I stemmed the flow with my hands.
|
||
|
I lived." I poured myself more tea then, again offering David the same, to
|
||
|
his distracted denial.
|
||
|
|
||
|
At dawn of the day he would kill Gordon, he went to the bottom floor
|
||
|
where Gordon ritually met him every morning to dispense his orders for the
|
||
|
days work. David had the hatchet with him, and when Gordon arrived, David
|
||
|
sped off through the house before Gordon could get a good look at him, but
|
||
|
allowing him to see where he'd run to.
|
||
|
|
||
|
"Of course the first thing he did was push his button, and when that
|
||
|
didn't floor me, he came after. I guess he thought that if he got closer, it
|
||
|
would work again. I ran into a room I'd picked in my head the night before,
|
||
|
and Gordon soon found me." David laughed scornfully. "I thought all the way
|
||
|
up until then that he had actually been successful at repressing his emotions,
|
||
|
stifling them completely. And he had, to a degree. All he had left was the
|
||
|
freak hybrid distortion-echo of what should have resembled normal human
|
||
|
emotion.... and you should have seen his *eyes* when he caught up to me.
|
||
|
Shocked -- he couldn't believe it -- then furious... and then really, really
|
||
|
*scared* when I pulled the hatchet out from behind my back ("What do you have
|
||
|
there, slave? A *present* for Gordon?"). I circled around and he did the
|
||
|
same -- it never even occured to him to run -- until I was at the door,
|
||
|
blocking it, and he was stuck in that room. Funny," he said, smiling
|
||
|
mirthlessly. "You know what was playing on the record player right at that
|
||
|
moment?" He laughed, like you do at a funerol. "'Chorus of the Hebrew
|
||
|
Slaves', from _Nabucco_. It's so *ironic* it makes me retch."
|
||
|
|
||
|
"That's a *lovely* opera," I remarked to an unhearing David, too locked
|
||
|
in his memories to listen.
|
||
|
|
||
|
David attacked Gordon then, and Gordon didn't have a hope ("...he
|
||
|
squeeled like a little girl..."). David described the 'battle' in pretty
|
||
|
depthy detail. He was so gimly proud, like an earth-quake survivor, that I
|
||
|
considered asking him to stop. Those kind of feelings only ever cause
|
||
|
problems; but I really just wanted him to finish at that point, and be done.
|
||
|
|
||
|
David said that with each blow, he felt more and more free -- like he was
|
||
|
growing wings with each strike. Gordon was *easy* to kill, he said, like a
|
||
|
fragile bird. It did not take long at all. The room had a new decor, like a
|
||
|
slaughterhouse, and when Gordon was "*really* dead", David chopped him up into
|
||
|
hundreds of tiny bits, and put one in each room "to make sure the house *knew*
|
||
|
he was dead." That struck me as a *little* odd -- houses do not live -- and I
|
||
|
said so. David only continued as though he had not heard me.
|
||
|
|
||
|
Getting over the perimeter fence and away was difficult, David went on.
|
||
|
It took him another day to figure out how, but he eventually just climbed a
|
||
|
tree and swung out over the fence to another on the opposite side, and down to
|
||
|
"freedom." He donned his uniform (kept *in a box* under the floor of his shed
|
||
|
the whole time), and, shoeless, came back to Brentwood on foot, swimming the
|
||
|
Channel between islands, and arriving on Saltspring Island two days before he
|
||
|
came to see me. He had found the duffel bag and all the books and things (all
|
||
|
of which he *knew* were against the rules) in one of the old houses on
|
||
|
Vancouver Island, had put his gory hatchet in, and had come strait back to
|
||
|
Brentwood College.
|
||
|
|
||
|
"And now I'm here," he finished, in due time, too. I breathed a silent
|
||
|
*relief*, and smiled. "Back where you belong, eh?" He looked at me, half-
|
||
|
smiling, and then said "Which brings me to why I came to see *you*."
|
||
|
|
||
|
My interest perked -- so he had had a *point* all along! And I was eager
|
||
|
for anything he could tell me that would make the whole lengthy story
|
||
|
worthwhile. He studied me *closely* for some time, seeming wary and
|
||
|
wondering. I looked at my clock -- after *midnight* -- and gestured for him
|
||
|
to go on... and had I *known* what he would say, I would have ended it there.
|
||
|
Sent him packing, as it were. But dissidents, as the Headmaster warns us,
|
||
|
often wear clever masks and are often not easily spotted.
|
||
|
|
||
|
He began by asking me a tentative question -- "Are you *happy* here?" --
|
||
|
to which I readily responded in the affirmative. Who, in their *right* mind,
|
||
|
could not be?
|
||
|
|
||
|
David stood and came to me, searching my eyes, his own desperately
|
||
|
hopeful, and I was confused. What was he getting at, I wondered. "Do you
|
||
|
believe in the Headmaster, that what he says is... absolute?"
|
||
|
|
||
|
I grew suddenly, *violently* suspicious! David's hopeful smile turned
|
||
|
into a grotesque, coquettish *leer*, and I *knew*! I knew him for exactly
|
||
|
what he was. I played it cool, as is best in such situations. Dissidents are
|
||
|
lonely, desperate, depraved individuals, to be feared like cornered rats.
|
||
|
|
||
|
"Why, yes," I said innocently, revolted -- physically *ill* -- at what I
|
||
|
knew was happening.
|
||
|
|
||
|
"Come with me," he then said, urgently and smiling like a painted whore.
|
||
|
I was floored but retained my outward veneer of calm. "Come with you *where*,
|
||
|
David?"
|
||
|
|
||
|
He stopped, he stared, getting angry (but I could see the animal despair
|
||
|
in his eyes at having failed to tempt me!), I looked into the Abyss. He
|
||
|
changed tactics upon seeing that I was a solid bastion of the School, an
|
||
|
unwavering pillar of devotion....
|
||
|
|
||
|
"Did it ever occur to you..." he labored, hissing, his eyes turning
|
||
|
green, "...that the Headmaster could ever be, well... *WRONG*?!?"
|
||
|
|
||
|
Those words entered my head like fire, and I could not retain myself any
|
||
|
longer! His wicked slander would stop now! I could not deal with the sound
|
||
|
of it. What would make him want to destroy, when he had everything? What
|
||
|
gave him the right to raise up hell, when he had everything he could ever want
|
||
|
or need *provided* for him by the Headmaster? I could barely speak.
|
||
|
|
||
|
I leaped, I dropped my tea and it splattered across the floor, over the
|
||
|
white tiles and under my bed. David grabbed my wrist, wrenching it, his
|
||
|
baleful leer growing wider still.
|
||
|
|
||
|
"Did you ever wonder why you have never *seen* the Headmaster? Ever
|
||
|
wondered *why* you so unquestioningly accept what he says to be true?" He
|
||
|
gestured toward my Monitor, pointing an accusing hand (We would all later find
|
||
|
out, after he disappeared again, that, previous to his initial dis-
|
||
|
appearance, he had not made a legitimate Donation for over a *month*; he had
|
||
|
only entered his name and the date and had allowed his Donation to spray all
|
||
|
over the floor, pricking himself afterwards to keep up appearances. That is
|
||
|
an offence punishable by immediate expulsion, it being the most profound
|
||
|
insult to the Headmaster and his Institution, back to the slovenly and hellish
|
||
|
lifestyle from which all of us unfortunately come).
|
||
|
|
||
|
All I felt then was a tremendous, protective *compassion* towards David;
|
||
|
a panicky hatred for his words; powerful fear, for it is exactly that sort of
|
||
|
behavior which will occasion the *end of everything*. I covered my ears,
|
||
|
tearing my wrist away, and I *yelled* at David. "IT IS EXACTLY THAT KIND OF
|
||
|
TALK THAT CAUSES PROBLEMS! IT IS THAT KIND OF TALK THAT WILL GET YOU *HURT*!"
|
||
|
|
||
|
I tried to stand and run to find the Housemaster -- at that point, as
|
||
|
much as I wanted to help poor sick David, I was just too scared to think
|
||
|
straight -- but David pushed me down on the bed and crowed, "GORDON WAS THE
|
||
|
HEADMASTER!! GORDON *WAS* THE..." He shrieked this in a wildly victorious,
|
||
|
crazed and delirious manner, his eyes burning sickened dead. But he could not
|
||
|
fool me. I knew then just *how* sick he was, and with renewed strength, I
|
||
|
pushed David away hard and he fell, slipping in my spilled tea. I ran out the
|
||
|
door and down the hall past all the many rooms, and escaped his words. I
|
||
|
alerted the Housemaster, told him what had happened, all shaky and upset as I
|
||
|
was. The Housemaster -- righteous servant that he is -- ran to look for
|
||
|
David, but David was gone. He'd disappeared again, and he hasn't been found
|
||
|
yet.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
They turned the entire campus on its head looking for him -- dissidents
|
||
|
must not be allowed to escape, they are far too dangerous -- but they did not
|
||
|
find him. He had left his duffel bag but not the hatchet, so it is known that
|
||
|
he is armed and dangerous and, worse, at large with his illness. I am, we
|
||
|
are, *confident* that he will be apprehended, and I *hope* so -- for his sake,
|
||
|
really. We are taught nothing if not charity, even to those who would seek to
|
||
|
destroy us. His rehabilitation will be swift, I'm sure, and he'll come back
|
||
|
to us the David we once knew. I have administered several extra Donations, in
|
||
|
the name of our worried Headmaster, that they might lend Him the necessary
|
||
|
strength to find and deal with the interloper. For now all we do is hope.
|
||
|
Speaking as David's friend, on his behalf, I am sure that in his heart he
|
||
|
wants only devotion, a life of safety, plenty, and giving that *only* our
|
||
|
Headmaster can provide.
|
||
|
|
||
|
The Teachers seem especially distraught, given the circumstances. I told
|
||
|
them the *whole* story as I've recorded it here, and they found it deeply
|
||
|
disturbing. It's rare nowadays to look anywhere on campus and not see one of
|
||
|
our Teachers, pale and drawn and whispering to themselves in worry. I am sure
|
||
|
they are toiling night and day to bring David back to us, and I hate to see
|
||
|
his story distressing them so.....
|
||
|
|
||
|
My Monitor has been malfunctioning lately. On the screen at all times
|
||
|
are blinking words -- "Nous Avons Vu; C'est Fini"- but that, I'm sure, will be
|
||
|
fixed in due order. Mine isn't the only one, it seems. The Mainframe must be
|
||
|
having difficulties.
|
||
|
|
||
|
And as for David, as I've said, I am quite confident that he'll be found -- I don't know *where* he's gone to, but I imagine they'll find him
|
||
|
eventually. Hopefully bring him back to School, where he... where
|
||
|
*everyone*... happily, rightfully, and safely belongs....
|
||
|
|
||
|
ok that's everything i think
|
||
|
- - - (static fuzz; long beep; *click*)
|
||
|
|
||
|
>>
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"Give us the man," shouts the multitude, "who will step forward and
|
||
|
take the responsibility." He is instantly the idol, the lord, and the
|
||
|
king among men. He, then, who would command among his fellows, must
|
||
|
excel them more in energy or will than in power of intellect.
|
||
|
-- Burnap
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
OUTCLASSED
|
||
|
by I Wish My Name Were Nathan
|
||
|
|
||
|
So I walk into the classroom in the Cullen Building, the oldest
|
||
|
building on campus. The stairs were squeaking as I came up (I wondered if
|
||
|
they'd break under my steps). The air is musty, somehow, but air
|
||
|
conditioning masks that a bit. Windows let in the sunlight coming from the
|
||
|
east, but this clashes with the brown paint on the windowsills and trim.
|
||
|
It's a little uncomfortable.
|
||
|
|
||
|
In the classroom are about ten other students, all younger than me,
|
||
|
because this is an introductory class. Also, they're eager freshmen and
|
||
|
they arrive on time. They look briefly at me as I enter, they don't
|
||
|
recognize me, and they resume their nervous chatter. I sit on the edge of
|
||
|
the classroom.
|
||
|
|
||
|
I sit next to the windows. The wall faces the east and the bright
|
||
|
sunlight is coming in, glaring out my desk. I won't be able to take notes.
|
||
|
But someone will undoubtedly close the blinds anyway, someone who cares. I
|
||
|
sit down and look secretively at the others in the room. A lot of young and
|
||
|
happy faces. I resent them. They resent me. I bring them down.
|
||
|
|
||
|
I pull out a notebook, a pencil, and an eraser, and nervously doodle on
|
||
|
the first page. The first page usually falls out after time. Not
|
||
|
important. In big letters, a message dominates the center of the page: "I
|
||
|
will not write on this page."
|
||
|
|
||
|
Soon the older students come in. I recognize some of them. They sit
|
||
|
in the back of the class. The professor comes in, a friendly-looking
|
||
|
grey-haired lady. She leans back aloofly against the large wooden table
|
||
|
at the front of the room, waiting for the rest of the students to arrive.
|
||
|
They trickle in, many without the slightest indication of knowing they're
|
||
|
late, or caring about it. They don't sit in the back. It's full. Some of
|
||
|
them sit around me and start gossiping.
|
||
|
|
||
|
"You hear about Clint?"
|
||
|
|
||
|
"What?"
|
||
|
|
||
|
"He ain't gonna be here for a few weeks."
|
||
|
|
||
|
"Why not?"
|
||
|
|
||
|
"Broke his legs."
|
||
|
|
||
|
"The fuck! What up with that?"
|
||
|
|
||
|
"Three days ago, havin' an end-of-summer party. He and Michael were
|
||
|
shit-faced. Michael dares him to stand on the window ledge. He does. He
|
||
|
falls off."
|
||
|
|
||
|
"How high?"
|
||
|
|
||
|
"Two stories."
|
||
|
|
||
|
"Shit, that crazy asshole."
|
||
|
|
||
|
"You shoulda heard what Michael done...."
|
||
|
|
||
|
I decide next time to look carefully for somewhere different to sit,
|
||
|
like for instance, alongside that fucking awesome-looking guy three rows
|
||
|
over. He looks uncomfortable too. I can sit behind him and pester him.
|
||
|
|
||
|
The light streaming in through the big, open windows attracts me. I
|
||
|
stare dreamingly at the grass outside, two stories below. If I ran at it
|
||
|
right, I could jump through without any interference. The professor starts
|
||
|
speaking.
|
||
|
|
||
|
"First off, I want to say that this is not a conventional history
|
||
|
class. I expect you to have comprehensive knowledge of the facts
|
||
|
beforehand."
|
||
|
|
||
|
Where's my drop card? I look over the syllabus she's passing out and
|
||
|
then look over at other students. The attractive males don't seem
|
||
|
perturbed. Should I stay in this class then? The syllabus mentions essays
|
||
|
and research and work and work and sly remarks about dedication. I close my
|
||
|
notebook and wait it out.
|
||
|
|
||
|
Right off, like college professors do, we start the work. She hands
|
||
|
out photocopies, an article about the Reconstruction.
|
||
|
|
||
|
"I love photocopies," she says. I hastily scan the syllabus again --
|
||
|
every week we turn in copies of notes we've taken in the library and
|
||
|
elsewhere -- and wonder if I should loudly point out the existence of
|
||
|
computers and the paperless classroom.
|
||
|
|
||
|
We read the article. It's brief but juicy. I didn't know some of this
|
||
|
stuff. She tells us that this is one of many accounts. During the semester
|
||
|
we'll be studying how other historians have diverged from textbook accounts
|
||
|
of various events throughout American history. I suddenly realize I have no
|
||
|
interest.
|
||
|
|
||
|
After discussing the article, she asks for questions. I look around.
|
||
|
The students can't possibly be as calm as they look. Their blank faces
|
||
|
betray the disgust they must feel with the arrangement of the course. Those
|
||
|
attractive boys can't be looking forward to all this pointless research.
|
||
|
They have to drop the course and join me on a crusade against paper wastage.
|
||
|
Or hang out in the coffeehouse and let me imagine flirting with them. This
|
||
|
is a beautiful time of day to get my heart broken.
|
||
|
|
||
|
"I think someone is in the wrong room," the professor says in a
|
||
|
matronly tone.
|
||
|
|
||
|
I look up and know she's looking at me with that wry grin.
|
||
|
|
||
|
"You seem out-of-place here, Nathan. Did you sign up for this class?"
|
||
|
|
||
|
I nod yes. I resist the urge to act embarrassed.
|
||
|
|
||
|
"I take it you're not too familiar with history, then?" she suggests.
|
||
|
She knows.
|
||
|
|
||
|
"It's not a big love of mine," I admit. "But I wanted to study it."
|
||
|
|
||
|
She laugh and some students join in. "Good excuse!"
|
||
|
|
||
|
Someone asks aloud, "Isn't this class for history majors?"
|
||
|
|
||
|
"Not necessarily," the professor points out. "We occasionally let
|
||
|
other types in."
|
||
|
|
||
|
"I hope we don't have to pace it to *his* level," someone else says. I
|
||
|
look around. It's the boy I was staring at earlier! Sigh.
|
||
|
|
||
|
"If history does repeat itself," the professor remarks, "then Nathan
|
||
|
will be repeating the course." This is greeted by gales of laughter.
|
||
|
|
||
|
I'm not sure that's true. I don't think there's any reason to stay in
|
||
|
a class just to get a bad grade.
|
||
|
|
||
|
But I give in. I sense some animosity. "Does anyone have a drop card,
|
||
|
then?"
|
||
|
|
||
|
"Certainly none of these students thought of bringing one, did you?"
|
||
|
the professor asks. There's some sarcastic laughter.
|
||
|
|
||
|
"Well, uh, I guess I'll bring a card by later today," I said.
|
||
|
|
||
|
"But Nathan, you've got until March to drop the course, if you won't
|
||
|
make it a priority."
|
||
|
|
||
|
"I will," I said, wondering why she'd imply I wouldn't. I look around
|
||
|
and notice several faces giving me bored looks, exasperated, eager to learn
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about something else besides my gift of failure. The sun has been burning
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into my neck and I jerk my head back to the front of the room, at an old map
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rack in the corner, with ancient Europe from the 1600's depicted. The
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colors have been bleached by the sunlight, although the map faces away from
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the sun. I remember that map rack from my modern art class last year, where
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I was the only non-art major and got an A. It seems to taunt me, following
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me from room to room.
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I shove my notebook and pencil back into my backpack. I carry the
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eraser in my fist, not wanting to laboriously return it to its designated
|
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pouch. I stand up and make to leave.
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"Why, Mr. Almerad, you needn't leave so soon. Try to bear out the rest
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of the hour. We'll indulge you."
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|
"I'm going to find a drop card ASAP," I remark, with a tint of
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|
bitterness that comes out as beleaguered exhaustion, and walk out the door,
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|
my egress aided by thirty impatient stares.
|
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|
Back into the poorly lit hallway, the brown trim, no sunlight and high
|
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|
flourescents. My footsteps resonate upon the wooden floor and I head for
|
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|
the stairs. I take a seat in a wooden bench on the ground floor, where all
|
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|
the administrators and wandering professors eye me as they pass. I look
|
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|
through the course list. I spy an intro to religion course in twenty
|
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|
minutes. I circle it and head out of the building.
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|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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|
State of unBeing is copyrighted (c) 1997 by Noni Moon and Apocalypse
|
||
|
Culture Publications. All rights are reserved to cover, format, editorials,
|
||
|
and all incidental material. All individual items are copyrighted (c) 1997
|
||
|
by the individual author, unless otherwise stated. This file may be
|
||
|
disseminated without restriction for nonprofit purposes so long as it is
|
||
|
preserved complete and unmodified. Quotes and ideas not already in the
|
||
|
public domain may be freely used so long as due recognition is provided.
|
||
|
State of unBeing is available at the following places:
|
||
|
|
||
|
TEENAGE RiOt 418.833.4213 14.4 NUP: COSMIC_JOKE
|
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|
THAT STUPID PLACE 215.985.0462 14.4
|
||
|
ftp to ftp.io.com /pub/SoB
|
||
|
World Wide Web http://www.io.com/~hagbard/sob.html
|
||
|
|
||
|
|
||
|
Submissions may also be sent to Noni Moon <nonimoon@hotmail.com>. The SoB
|
||
|
distribution list may also be joined by sending email to Noni Moon.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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