2115 lines
113 KiB
Plaintext
2115 lines
113 KiB
Plaintext
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Living in such a state taTestaTesTaTe etats a hcus ni gniviL
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of mind in which time sTATEsTAtEsTaTeStA emit hcihw ni dnim of
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does not pass, space STateSTaTeSTaTeStAtE ecaps ,ssap ton seod
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does not exist, and sTATeSt oFOfOfo dna ,tsixe ton seod
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idea is not there. STatEst ofoFOFo .ereht ton si aedi
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Stuck in a place staTEsT OfOFofo ecalp a ni kcutS
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where movements TATeSTa foFofoF stnemevom erehw
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are impossible fOFoFOf elbissopmi era
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in all forms, UsOFofO ,smrof lla ni
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physical and nbEifof dna lacisyhp
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or mental - uNBeInO - latnem ro
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your mind is UNbeinG si dnim rouy
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focusing on a unBEING a no gnisucof
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lone thing, or NBeINgu ro ,gniht enol
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a lone nothing. bEinGUn .gnihton enol a
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You are numb and EiNguNB dna bmun era ouY
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unaware to events stneve ot erawanu
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taking place - not -iSSuE- ton - ecalp gnikat
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knowing how or what NINETEEN tahw ro woh gniwonk
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to think. You are in 10/31/95 ni era uoY .kniht ot
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a state of unbeing.... ....gniebnu fo etats a
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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CONTENTS OF THiS iSSUE
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=----------------------=
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EDiTORiAL Kilgore Trout
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STAFF LiSTiNGS
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[=- ARTiCLES -=]
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YOU DiDN'T SEE THiS, RiGHT? I Wish My Name Were Nathan
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DiSCOURSE ON SOMETHiNG OR ANOTHER Kilgore Trout
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HiDiNG OUT ON HALLOWEEN: ViDEOS TO EASE THE GUiLT Drew Feinberg
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[=- FiCTiON -=]
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THE ENTRANCE Brandt Ryan
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HENRY HAS AN ACCiDENT I Wish My Name Were Nathan
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AND A FEW BECAME WHAT THEY ARE Brandt Ryan
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i WiSH i WAS AS LUCKY AS THE POPE Kilgore Trout
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SAM ViSiTS THE UNiVERSiTY I Wish My Name Were Nathan
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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EDiTORiAL
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by Kilgore Trout
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Wow. Once again we're back, late as usual. I was waiting on some
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articles from a few people, hence the delay. Those articles did not
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materialize, but the authors assured me they would be in the next issue.
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But that's okay. Only three contributors, but it's still a great issue.
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And your illustrious editor even wrote two pieces for one issue. If that
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doesn't get you into submission mode, I don't know what will.
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A few people raised some concerns about the scrapping of the poetrie
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section. Well, to make a long story short, it just wasn't working for me.
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So, in the Kilgore Trout method of solving problems, I killed it. A few
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days later I found some incredible poetrie that knocked me over. So if
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you're wondering, yeah, I will begin accepting poetrie once again. I will
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be more selective than I was in the past, though. I also need to apologize
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to someone who just recently sent us three poems. Hagbard sent them to me,
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but in my haste to get everything off of my account, I kinda killed the
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message without downloading it. If you could resend those, I would greatly
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appreciate it.
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As for me, well, trying to put an issue together with a bunch of
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children dressed up in costumes screaming for candy isn't exactly the
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best thing in the world. We didn't have too many, probably due to the
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extensive rain in Austin melting the majority of witches out there, but it
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was enough to get annoyed. And we didn't even get rid of all the damned
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Twizzlers.
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If I can teach you anything in this issue, it's to make sure that when
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your roommate buys candy for trick-or-treaters, he buys candy that we like.
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And with that profound bit of wisdom, I give you issue nineteen.
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Okay, maybe not right away. Issue 23 is only a few months away, and
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well, considering the issue number and all, we at the Apocalypse Culture
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Publication offices thought a thematic issue might be in order, dealing with
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strange occurrences that have happened to you. Synchronicities, alien
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abductions, falling frogs from the sky, that type of thing. The weirder,
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the better. If you've got anything you'd like to submit for the 23rd issue,
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make sure you mark that you want it to go in that issue, or I'll most likely
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stick it in another one.
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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STAFF LiSTiNG
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EDITOR
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Kilgore Trout
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CONTRIBUTORS
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Drew Feinberg
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I Wish My Name Were Nathan
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Brandt Ryan
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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[=- ARTiCLES -=]
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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YOU DiDN'T SEE THiS, RiGHT?
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by I Wish My Name Were Nathan
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Yeah, it's been almost two years now that I've been writing for SoB, and
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whoo hoo, has it been a blast! I've always tried to get something in to
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Kilgore for that month's hurried cut-and-paste-together of the zine, but some
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months I fail. These are usually due to those damned inevitable cases of
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writer's block, or plain apathy, or other circumstances, which have made me
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scrap possible articles or stories before their time. For the benefit of my
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fan, I present a collection of these submissions and the reasons they never
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came to be.
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() "I got an 'A' on this paper." This was going to be an article about a
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fictional essay in some fictional highbrow class. Due to inadequate studying,
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the paper is so poorly written that my professor gave me an 'A' simply because
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"It kept his interest". The kicker: it was a REAL paper! I didn't submit it
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because I got really embarrassed while typing it up.
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() "Masturbating with your eyes open." It was going to be a diary-type
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thing where I explored this technique, and made weekly measures of my
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progress, condensed into one article for general consumption. You see, I
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heard about the technique in a dirty joke and decided to study up on it.
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Since I never found much research on the topic, I decided to study it myself.
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I assumed the technique would enhance sexual potency by eliminating the guilty
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feeling people have when "helping themselves", if you know what I mean. The
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current trend is to make masturbation a natural kind of thing that people
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shouldn't be ashamed about. However, most people masturbate with their eyes
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shut, and hard. I figure this is a way for someone to deny what he's doing by
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not "seeing" it, such as in "my left hand doesn't know what my right hand is
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doing", which is a typical way to avoid coming to terms with guilty feelings.
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So I attacked the problem zealously. I never finished, though, because
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whenever I tried the technique, I because distracted by things around me and
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often found myself absent-mindedly wandering around with my pants around my
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ankles and my dick in my hand.
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() "Interview with the writers of SoB." Just like the title implies, this
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was going to be an informative look into the minds of SoB's major writers,
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including a description of their philosophies on life, political ideologies,
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real-life personalities, and literary influences. There was even going to be
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a discussion on the strange birthmark we all reportedly share. I couldn't do
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this article because no one would tell me who they were in real life.
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() "Forrest Gump takes a dump." It was gonna be a poem, with a crude
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reference to life being like an unflushed toilet -- you never know what you're
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gonna get.
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() "Paul visits the school nurse." In the mood of several of my recent
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fictional pieces, this story was about a seventh-grader named Paul who has to
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go to the nurse for stomach pains. It was written in the style and tone of
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voice of an actual seventh-grader (or a close approximation), unlike some
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other pieces of mine in which I've made no attempt to make realistic speech.
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Hovering about Paul's narrative was a foreboding sense of doom about the
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stomach pains, triggered undoubtedly by the recent death of his cat from food
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poisoning. The deal was, though, that any adult reading the story would
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immediately realize nothing serious was wrong, and would enjoy vicariously
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reliving trifling childhood fears. I actually finished this story, but didn't
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submit it for reasons of personal taste. You see, the nurse, an old, fat,
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flap-jawed kind of lady, comes on to Paul during a rectal exam. I guess I
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wrote that part under the influence of an extremely short-lived sexual fetish.
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() "Our President, the whore." An allegorical piece. I ditched it because
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it was highly derivative, basically a mix of the movies "Pretty Woman" and
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"Dave".
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() "The Irish Uprising of 1999." I actually researched this one.
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Background information, of course. In the eventful 1999 uprising, I made up a
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scenario where the IRA forces fight a long, hard battle, but the British army
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spiritually defeats them with a taste of their own medicine -- putrid bagpipe
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playing. This piece didn't make it into SoB because as I was entering the SoB
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offices, Captain Moonlight and Bobbi Sands jumped out from a dark corner,
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teamed up on me, and bitch-slapped me, yelling, "That's Scottish, you fuck!"
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and other assorted unintelligible remarks. I guess I'll leave the Irish-
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loving bastardry to them.
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() "Is that a bomb in your pocket or are you just happy to see me?" An
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extraordinarily ill-timed satire about terrorism scheduled for the April '95
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issue.
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() "Fuck you, Mr. Harris!" From my high-school years. A "rage" piece. I
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figured such drivel wasn't appropriate for SoB. Anyway, Mr. Harris was my
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high-school algebra teacher. He wasn't a favorite among us. You see, he had
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this "thing" where he would twitch uncontrollably, and keep on writing the
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letters wrong on the blackboard. Every time he tried to make a pop quiz, he
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fucked up the writing so much that most people missed a lot of problems. Mr.
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Harris never admitted that he made mistakes, but said we should've asked for
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"clarification". Usually the whole class would gang up on him and ask him
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leading questions about his twitch, and he would go into the corner and cry.
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We hated him because he never gave extra credit.
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() "Stealing away." This was a story about a reclusive kid called Jimmy.
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What happens is, some of his friends come by his house and kidnap him, for the
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purpose of making him go outside and have fun. By the end of the day, Jimmy
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has learned wonderful things about the world, his friends, and himself, things
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that he probably never would have learned had he stayed home all summer again.
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Extremely uplifting, except for the ending, where one of his "friends" pushes
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him into traffic.
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() "Daryl Omnibus and the Chocolate Parade!" The memories are sort of fuzzy
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about how I actually wrote this piece. All I can remember is finding it among
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my other files one day. The "author" field in the file summary said "Nathan
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the Cocoa Avenger!", and it seemed like I wrote the whole thing, about ten
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pages, in some sort of mad rush between 3:11 and 3:17 one Sunday morning. The
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text of the story is a little unclear, because all the characters speak in
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tongues, but it appears to be something about a utopia world where the People
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have unlimited access to Chocolate. Something funny about this is that this
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story was written somewhere around the time when a 6-pack of Jolt Cola and a
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pound bag of M&M's disappeared from my house. I decided not to submit it
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because I would have an even harder time explaining this piece than I usually
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do.
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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"I think I'm going to go insane."
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"Nice day for it," said a passing maniac.
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"Who was that?"
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"Who? The man with the two heads and the elderberry bush full of
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kippers?"
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"Yes."
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"I don't know. Just someone."
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--Douglas Adams, "The Hitchhiker's Guide To The Galaxy"
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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DiSCOURSE ON SOMETHiNG OR ANOTHER
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by Kilgore Trout
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[rant on]
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You're always thinking about how you like cute little fuzzy animals.
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Well, what about me? Or am I not good enough for ya? Don't I meet your
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specifications? Observe:
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1. I am cute. My mother says so. Mothers don't lie.
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2. I am little. I have to stand on a stool to reach the cookie jar.
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3. I am furry. Damn furry. I have to shave my ass three times a week.
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4. I am an animal. Grrrr.
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So what's the problem? I sound like your perfect man. I'm house-
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trained, declawed and neutered. I can protect the house from intruders and
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fetch your morning paper. Or were you lying, spreading false hopes like
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peanut butter on my moldy-breaded ears? You're just one huge put on, a
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tease. Well, I've got an act too, sister, and my clowns ain't too fucking
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happy.
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[rant off]
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it seems to me that i fuck myself over anytime the opportunity arises.
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i'm not sure if i have lost plain common sense or if this is some cruel
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psychological experiment in self-degradation that i've decided to endure.
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in any case, whatever the cause, the effects are evident, and this presents
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a major problem to my so-called existence.
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i appear to be occupying some nether region of the mind, where i am
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relegated to the position of an observer. time moves in a linear fashion,
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life goes on, and i experience it. yet the experiences that i have are so
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detached and unpersonal that life takes on a surrealistic essence, devoid
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of any real meaning.
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could it be that i've stumbled on the meaning of life, which *is*
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meaninglessness? surely there is something more. my hum-drum existance
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begs for direction, but if life is truly without meaning, then isn't it a
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lie to give life meaning?
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or is the deluded man the happy man?
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[rant on]
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Listen up, kiddies, cause you've been lied to. Technology was supposed
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to lead us into utopia, freeing us from mundane labor and desolate poverty.
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Has that happened? I don't think so. It has done some good things, but it
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has also turned the majority of the populace into blithering, illiterate
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idiots who are spoonfed television sitcoms and emulate the status quo. The
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Unabomber, however distasteful his actions, was right about a few things.
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Scary, huh? A mad bomber whose views on the mechanization of society were
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based in reality? Stranger things have happened.
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So why hasn't technology delivered us from our mediocre day to day
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lives? Because people are making money, and they need you to continue. If
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I may paraphrase Smokey the Bear, only you can prevent wealthy bastards. It
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has been said before that unemployment is not the disease -- it is the
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cure. When you don't have to worry about ay to day survival, nasty habits
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like creativity and self-education start to creep in. Unemployment starts
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in the family, folks. Your kids will thank you for it.
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[rant off]
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i've tried to lie to myself, and it just doesn't work anymore. the
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truth is my forte, and truth sucks. i live in camus' world of the absurd,
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where i crumple up my piece of paper with all of my experiences until it's
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got an infinite number of folds and creases. yet when i smooth it out, it
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is still the same piece of paper.
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the only solution is to do away with the paper itself.
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we're not talking about suicide here, though. it does seem like a
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decent alternative some of the time, but it solves nothing. getting rid of
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that sheet of paper means seeing and understanding life for what it is -- an
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illusion, a construct of your own perceptions. once you understand this,
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it's time to map your own reality. and it's a helluva lot of fun, too.
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[rant on]
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I hate cookies.
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Gimme some Pop Tarts anyday.
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[rant off]
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when you figure out that, as J.R. "Bob" Dobbs would say, reality is
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what you can get away with, anything becomes possible. naturally, this
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doesn't mean you can bend space-time at will. that would be impossible. of
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course.
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delete your dogma and the rest will follow. play with your mind and
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the minds of others. meme yourself to death, and examine all the
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possibilities.
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and who knows? maybe one day you'll be able to make a whole lot of
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gibberish sound insightful. usually it just turns out sounding
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pretentious. then again, that's part of the pleasure.
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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"Confidence is simply that quiet, assured feeling you have before you
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fall flat on your face."
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--Dr. L. Binder
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--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
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HiDiNG OUT ON HALLOWEEN: ViDEOS TO EASE THE GUiLT
|
||
|
By Drew Feinberg
|
||
|
|
||
|
Halloween is almost upon us, coming quicker than Hugh Grant in a BMW.
|
||
|
As Meg Tilly so brilliantly asked in the cinematic disaster known as Body
|
||
|
Snatchers, "Where ya gonna go? Where ya gonna run? Where ya gonna hide?"
|
||
|
Eloquently, she voices the dilemma of millions of Americans every October
|
||
|
31. I've done them all, with less than optimum results. Let's run through
|
||
|
the options, shall we?
|
||
|
|
||
|
Okay, first there's trick or treating. Being a greedy bastard and
|
||
|
visiting every house within a 20 mile radius, hitting them up for the goods,
|
||
|
is socially acceptable as child, but, three years ago, when I was dressed as
|
||
|
Zsa Zsa Gabor and asked all of my neighbors to "Give me some candy, DAHLING,
|
||
|
or I'll give you a slap," the results were less than desirable. From what I
|
||
|
can remember I got assorted candy bars, candy corns, rocks, kitchenware,
|
||
|
lollipops, and a jack o'lantern, still lit-- THROWN at me, with great
|
||
|
velocity. I can't even spell the names people called me, and I was told to
|
||
|
do things to myself that aren't even physically possible, lord knows I've
|
||
|
tried. One grandmotherly looking woman was actually kind to me, and gave me
|
||
|
some popcorn. My faith in mankind had been restored, that is, until I heard
|
||
|
the muffled call to her husband "Come see this poor slow boy. It's lovely
|
||
|
to see the mentally challenged out and about." At the tender age of 23, I
|
||
|
retired from trick or treating forever.
|
||
|
|
||
|
The next year I opted to stay home, watch some scary movies, and give
|
||
|
wondrous candy to the the legit trick or treaters. The candy aisle at the
|
||
|
supermarket was pure pandemonium. I might as well have been looking for the
|
||
|
last green Power Ranger on Christmas Eve. I didn't want to be one of those
|
||
|
houses that gave out nickels, fruit, hard bubble gum, cream soda Dum-Dumms
|
||
|
that stuck to the paper, black licorice, those awful dark chocolate
|
||
|
Hershey's Miniatures, or Smarties. Honestly, do people ever BUY Smarties for
|
||
|
themselves? I made a quick scan of what was available, and I saw some
|
||
|
variety packs of assorted good chocolate stuff that the others had
|
||
|
apparently not seen. I made a mad dash to get two packs. I popped 'em in
|
||
|
my cart and very confidently strolled to the checkout counter. The line was
|
||
|
huge, and I noticed the elderly woman behind me had nothing in her cart but
|
||
|
a box of Metamucil, so I let her go in front of me. I started to sing along
|
||
|
with the muzak... "Precious and few are the moment we two can
|
||
|
shaaaaaaare..." CRASH! I looked to my side and saw this huge pyramid of
|
||
|
canned beets topple over. "Hope that wasn't my singing," I thought to
|
||
|
myself, then turned back. Quicker than I could say "The cast of Wings should
|
||
|
be sterilized," my treasures were GONE! I was completely bewildered. I was
|
||
|
shocked when I looked in the cart ahead of me. The woman I had sacrificed
|
||
|
selflessly for, had two bags of assorted chocolates along with her
|
||
|
Metamucil. I tried to conceal my anger and kindly said to the woman "Excuse
|
||
|
me, I think those are my Halloween candies there." I believe she mouthed
|
||
|
the words "Bite me." I walked right up to her cart and reached in and
|
||
|
picked up what was rightfully mine. That's when she started bawling
|
||
|
hysterically, which caused the entire supermarket to glare in my direction.
|
||
|
I was frozen like Jennifer Tilly would be if you aimed a flashlight at her
|
||
|
eyes. I was never so furious AND so humiliated; I just stood there with my
|
||
|
hand in the metaphorical cookie jar. I slowly backed out of the store, and
|
||
|
still candyless, I decided to go to a convenience store, where I bought 50
|
||
|
Chunky bars. A mixture of chocolate nuts and raisins makes my stomach turn,
|
||
|
but hey, I didn't have to eat 'em. I had enough Chunky bars to feed a small
|
||
|
South American country, or Marlon Brando. I sat down and started to watch
|
||
|
Halloween. Before the opening credits were finished, the doorbell rang.
|
||
|
"Trick Or Treat," I was greeted by a child and his mother. "Here ya go,
|
||
|
fella," I smiled as I handed him a Chunky. The child glowed; the mother
|
||
|
frowned. "Michael is ALLERGIC to nuts. Don't you have anything else?" she
|
||
|
inquired. "Umm...n-n-no..." I stammered. The mother ripped the treat from
|
||
|
her son's hand and handed it back to me, setting Michael into a temper
|
||
|
tantrum. "I'm really sorry," I managed to say. "Thank you, thank you VERY
|
||
|
much, it was his first Halloween and you ruined it for him. Aren't you
|
||
|
proud of yourself?" she sneered as she stormed off. I sighed, shrugged, and
|
||
|
went back to my movie. Five minutes later, more doorbell. Two teenage girls
|
||
|
dressed up--looked like the girls from Clueless, gum chewing and all.
|
||
|
"Like, trick or treat." I handed them two chunky bars, which appalled them.
|
||
|
Clueless #1: "Like HELLO, do you KNOW how many grams of fat are in a
|
||
|
Chunky? Only like a MILLION!" and she handed it back to me. Clueless #2:
|
||
|
"Geez Louise, don't you have any like Snackwells or fat free potato chips?"
|
||
|
and deposited El Chunky back in my hand. And so it went all night. Kids
|
||
|
whining about chocolate, kids complaining about raisins, kids bitching
|
||
|
about options, in 4 hours I got through about 15 minutes of my movie. And
|
||
|
got stuck with 45 Chunky bars. Hey, you want a Chunky?
|
||
|
|
||
|
Last year I tried another great Halloween option--the costume party. I
|
||
|
bopped on down to "Costumes R Us," to rent one, which was oh-so-wise to do
|
||
|
on Halloween day. Sparse selection? The place was emptier than Jennie
|
||
|
McCarthy's skull. Let me tell you, all eyes were focused when I stumbled in
|
||
|
the door as a huge orange box of Tide. I felt about as mobile as Gilbert
|
||
|
Grape's mother. I scanned the room and saw assorted Beavises, Ticks,
|
||
|
Shannen Doughertys, Newt Gingritches, and one big orange blob. I went
|
||
|
straight to the punch bowl and then mingled about. Everybody bored me, and
|
||
|
they allseemed to be staring at the monstrosity that was my costume. Then I
|
||
|
saw her, the woman I would spend forever with, the woman who wouldn't bitch
|
||
|
at me for drinking milk out of the carton. She was a twin of Mia Wallace
|
||
|
(a.k.a. Uma Thurman in Pulp Fiction), and she looked me straight in the eye,
|
||
|
walked up to me, and what followed was a few hours of engaging conversation;
|
||
|
this and my never empty punch cup kept me in seventh heaven. In the middle
|
||
|
of debating which was more torture, watching the OJ trial or watching a
|
||
|
Mickey Rourke movie, she blurted out "Do you always talk so much before you
|
||
|
a kiss a girl?" That was all the invitation I needed. I wrapped my arms
|
||
|
around her and kissed. It was just like the movies...the world started to
|
||
|
spin in a little circle, like in a DePalma film, except it made me dizzy,
|
||
|
and I suddenly realized it wasn't the kiss, but the heavy imbibing at the
|
||
|
punchbowl. I lost my balance, which is not a smooth thing mid-kiss. The
|
||
|
huge Tide box caused me to stumble and I held my love tight, knowing she
|
||
|
would be my rock and prevent my imminent falling, but my feet became
|
||
|
entwined with hers and I fell forward, taking Mia Wallace with me. I could
|
||
|
see her expression of horror; the girl I so wanted to impress was being
|
||
|
crushed by Mr. Tide himself. I believe the words that she used were "Jesus,
|
||
|
I can't feel my legs! I struggled and squirmed, as Batman and Thor managed
|
||
|
to pull me off of her, but by then it was too late. Physically, Mrs.
|
||
|
Wallace was fine, but she was none too pleased with my squashing her,
|
||
|
inadvertent as it was. In fact, everybody at the party just sort of glared
|
||
|
and pointed at me until I left in utter shame. No more Halloween parties
|
||
|
for ME, thank you very much.
|
||
|
|
||
|
Don't walk down the same unpaved road as I did. Learn from my
|
||
|
mistakes, my friend. This Halloween, hide out with some friends, turn off
|
||
|
on the lights and rent some movies. Try a couple of these, you'll thank me
|
||
|
later. Halloween, Nightmare On Elm Street, Frankenhooker, Carrie, The
|
||
|
Shining, Evil Dead 2, Dead Alive, Invasion of the Body Snatchers, The
|
||
|
Exorcist, and Re-Animator. When the doorbell rings, don't answer it.
|
||
|
There's no shame. In fact, I've found that detaching the doorbell all
|
||
|
together makes things much more pleasant. And if you turn the volume up
|
||
|
really loud, you can't even hear those little fists knocking.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
[=- FiCTiON -=]
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
THE ENTRANCE
|
||
|
by Brandt Ryan
|
||
|
|
||
|
Human beings are curious, odd, and funny things. The "older" generation
|
||
|
always says of the "younger" generation: What is that? Whether it be music,
|
||
|
clothes, attitudes, or the way we order pizza, the question remains the same:
|
||
|
What is that? And the answer to the question is also always the same: What
|
||
|
is that? Yes, the younger generation answers the older one with the same
|
||
|
question -- some substantial evidence that one's surroundings has something
|
||
|
to do with the way they view things. I must admit, though, that I simply
|
||
|
can't understand why kids these days wear their pants around their knees --
|
||
|
I mean seriously -- they weren't made that way.
|
||
|
|
||
|
I am from the so-called generation "X". And I am here to clear some
|
||
|
things up. Because I for one have finally discovered what the "X" refers to
|
||
|
After all, it is merely a symbol, one used often in algebra, geometry, etc.;
|
||
|
it was just a matter of time before someone figured it out -- just as is the
|
||
|
case in your basic algebraic equation. I have come to the conclusion that
|
||
|
the "X" refers to 'the absurd'. And no, I do not mean "funny". I ironically
|
||
|
retain the meaning of the word as it was used by the "older" generation:
|
||
|
lacking meaning. This generation lacks meaning like Ethiopian children lack
|
||
|
food. I mean, its too bad some far-off land across the ocean is not
|
||
|
stockpiling meaning in huge silos, as we do with our grain. They should air
|
||
|
the same commercials as we do: "for only 50 cents a day, this generation X'er
|
||
|
could have meaning in his life". They would show pictures of the typical X'er
|
||
|
young adult, not sure whether to wear a flannel shirt, or a leather jacket, or
|
||
|
no clothes at all. In the background would be the all too familiar shot of
|
||
|
the courtroom in which OJ Simpson attained more recognition than the Queen of
|
||
|
England, or even the Pope. Yes, this is the setting in which my story takes
|
||
|
place, constantly changing, consistently meaningless, and courageously
|
||
|
frightening.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
There is a young man, Thomas, who is part of this meaningless generation.
|
||
|
He is fairly handsome, not extremely so -- but just enough to get noticed.
|
||
|
But once one gets a good look though, he appears a little drained, sort of
|
||
|
just there -- no evidence of life within, etc... He is of medium height, and
|
||
|
constantly stands up straight, to the point of straining himself, so that he
|
||
|
appears to be on equal footing with those around him. He always enjoys being
|
||
|
in rooms where he is the tallest, because in such situations he feels a sort
|
||
|
of confidence, and will tower over the others in the room that much more to
|
||
|
increase his pleasure.
|
||
|
|
||
|
But on a bright, breezy fall morning, entering the Super Seven, he
|
||
|
realizes he is the shortest. "Not a good way to start the day," he thought
|
||
|
(yes, he even found his height advantage, or disadvantage in this case,
|
||
|
important at Seven Eleven at 7:00 in the morning). Every morning he would go
|
||
|
to the Super Seven and retrieve a Big Gulp, some crumb cakes, and a pack of
|
||
|
Camel Lights. This morning, as he approached the counter, he noticed that
|
||
|
the clerk was watching the Black Entertainment channel. It made him feel
|
||
|
uneasy.
|
||
|
|
||
|
"Just this stuff, and a pack of Camel Lights-as usual."
|
||
|
|
||
|
"Hardpack?" The clerk was more interested in the T.V.
|
||
|
|
||
|
"No, softpack, if you have it". The clerk knew that he wanted a softpack,
|
||
|
but liked giving him a hard time. For the past 2 years he had requested a
|
||
|
softpack, but every morning following, the clerk would pull out a hardpack.
|
||
|
It was kind of a bonding thing -- as close to a bond as one could get between
|
||
|
two young strangers from differing backgrounds. If he was the sole customer,
|
||
|
they would exchange pleasantries, but if there was anyone else in the store,
|
||
|
it was strictly business. No greetings, but mere grunts of approval. A
|
||
|
"thanks" followed by an "uhh huu". Sometimes, though, he was required to
|
||
|
talk with the customers, that is, when his manager was there. "Would you
|
||
|
like to try a free sample of our gourmet coffee?"
|
||
|
|
||
|
That coffee had probably been there for two weeks.
|
||
|
|
||
|
"No thanks, I'm trying to quit." He walked towards the door to exit, and
|
||
|
noticed himself in the security camera. He briefly contemplated a career in
|
||
|
the movies as he unwrapped the crumb cakes.
|
||
|
|
||
|
During the drive home, he nibbled at the crumb cakes, not really hungry
|
||
|
at all, but knowing he had to have something in his stomach. After his first
|
||
|
bite, the thought of the first cigarette of the day immediately entered his
|
||
|
mind. He knew though, that he would not light one up -- this was the first
|
||
|
of three of four cravings before he made it actual. After three crumb cakes
|
||
|
and a healthy slurp of his coke, he made the definitive choice -- no cigarette
|
||
|
until lunch. He had a big day in front of him: his first day at a new job.
|
||
|
He had been fearful about it for the past two weeks, though there was nothing
|
||
|
in reality to justify his anxiety -- except the real thoughts that raced
|
||
|
unorganized through his head. Those are real. He started to feel a little
|
||
|
strange as he looked ahead at his day. He realized that he would meet new
|
||
|
people, people that would meet him, and started to feel a large lump in his
|
||
|
throat. He tried to ignore it, but he knew what was coming. It always
|
||
|
started this way. When he had arrived home, and opened the car door, he
|
||
|
started to gag. He knew exactly what he had to do. Staring dead ahead at
|
||
|
what ever was in front of him, he began to think of good things, and good
|
||
|
people, Jesus Christ, etc... This provided him with a temporary moment of
|
||
|
relief. But an instant later, he winced again. He was already terrified of
|
||
|
the day in front of him. Another brand new day at a brand new job. Of what
|
||
|
he was terrified of he had no idea -- except maybe the fact that he had to go
|
||
|
there. It wasn't going to work that bothered him, but that he had to go.
|
||
|
Such are the thoughts that race through the mind of our main character.
|
||
|
|
||
|
He made it. To the front door that is. He fumbled for his keys,
|
||
|
noticing the powerful heat of the morning sun that was beating on his face.
|
||
|
Man, he thought, the sun is strong. You know the sun is there, for it reminds
|
||
|
you with unavoidable heat. He was glad that the sun was there, and that he
|
||
|
was noticing it. The sun was something very real for him, real in the sense
|
||
|
that it affected his life, not like, political correctness, or talk shows
|
||
|
titled "Bisexual mothers that beat their HIV positive children". He hated
|
||
|
talk shows. Talk shows, he thought, will be the down fall of our society. A
|
||
|
pretty bold statement coming from an accounting major. More often than not
|
||
|
he would argue with his classmates and professors on the subject, or better
|
||
|
yet, someone watching one at that very moment. Let me recall to you the last
|
||
|
conversation he had participated in. This discussion took place at the school
|
||
|
cafeteria, where the truth was supposed to be dished out along with all of the
|
||
|
menu items.
|
||
|
|
||
|
He directed his statement to a highly respected genetics professor known
|
||
|
for his willingness to engage in good-faithed, cafeteria debates.
|
||
|
|
||
|
"You see, the whole issue, any issue, comes down to one basic rule: if
|
||
|
there are opposing positions, both of them cannot possibly be right. But the
|
||
|
hosts of these shows, and most of the audience agree that they can both be
|
||
|
right. Because today, everyone's opinion is accepted as valid."
|
||
|
|
||
|
The genetics professor was ready and willing to argue. "That's right,
|
||
|
everyone's opinion is valid. What right do you have to say one opinion is as
|
||
|
good as another?"
|
||
|
|
||
|
The rest of the table felt obliged to affirm this accepted axiom. In
|
||
|
unison, as if rehearsed, the table let out a defensive, "Yeaaa, what right do
|
||
|
you have?"
|
||
|
|
||
|
Thomas was prepared to take them all on. "Just look at the world around
|
||
|
you! It seems to me that things exist in one way at one given time. After
|
||
|
all, a cat is either a cat or not a cat. It could not be both at the same
|
||
|
time!"
|
||
|
|
||
|
The genetics professor thought for a moment. "But it could be both.
|
||
|
Someone may have the opinion that it could be both a cat and not a cat at the
|
||
|
same time."
|
||
|
|
||
|
"So that opinion would be as valid as the opinion that, for example, it
|
||
|
could only be one or the other?"
|
||
|
|
||
|
"Yes."
|
||
|
|
||
|
Thomas started to get uneasy. He scooted around in his chair, and
|
||
|
started picking at the scruff at his neck. "Well then, if both opinions are
|
||
|
valid, whose position would prevail, if for instance, a decision had to be
|
||
|
made?"
|
||
|
|
||
|
"What do you mean, if they had to make a decision?"
|
||
|
|
||
|
"Like, a law for example."
|
||
|
|
||
|
"The guy with the biggest guns will win. That is, the majority -- such
|
||
|
is the law of our own United States." The genetics professor was extremely
|
||
|
satisfied with himself, and his reference to the way in which a democracy
|
||
|
works. He looked around the rest of the table, basking in the approval of
|
||
|
his comrades in arms. But Thomas knew how a democracy worked -- that was his
|
||
|
entire point -- the strongest position, in numbers, will win. An essentially
|
||
|
violent position. Nevertheless, he thought, it is a necessary condition if
|
||
|
the truth is to have a chance to submerge. He figured he would just let the
|
||
|
whole argument go; no need to ruin anyone's appetite. He gave up just as one
|
||
|
of the mothers in the talk show had to be taken from the set as a result of
|
||
|
her backhanding the mother next to her. Just let it go, he thought.
|
||
|
|
||
|
In the end, though, all of the cafeteria discussions had taken a toll on
|
||
|
Thomas. He actually started to believe that everyone's opinion was valid, and
|
||
|
that no one had the right to say otherwise. And though ignorant to this fact
|
||
|
himself, there seemed to be a direct connection with this belief of his and
|
||
|
the following deterioration of his mental state of being. He noticed that
|
||
|
everything was constantly changing. Absolutely nothing remained the same.
|
||
|
Love came and went in the course of one night, right along with the stars. Of
|
||
|
course, he knew that the stars were really there the whole time -- they just
|
||
|
didn't appear to be. Friendships were of utility, as was his relationship to
|
||
|
his parents. Everything he acted on was an attempt at attaining one
|
||
|
particular self-interest or another. It started to seem natural enough.
|
||
|
After all, it just felt right to him; he felt like using a friend to get to a
|
||
|
girl, and felt like getting a girl to satisfy his feelings of sexual appetite.
|
||
|
Likewise, he felt like asking his parents for money that he really did not
|
||
|
need. In any other case he would not be around them. He felt like partying
|
||
|
instead of studying. He reasoned that those that studied now, only did so
|
||
|
because of the award of high paying jobs later, so that then, they could do
|
||
|
what they felt like doing. Feelings, he thought, were big in this day and
|
||
|
age. Everyone gives and listens to the following advice: don't hold those
|
||
|
feelings in, let them out, let them out in a big way! Just like now, walking
|
||
|
through the dining room, he didn't feel like going to this new job. But he
|
||
|
knew that he had to -- he knew that it was the right thing to do. His
|
||
|
intelligence told him this -- that part of him that would wage war on his
|
||
|
feelings, and never give up until consciousness itself did.
|
||
|
|
||
|
His psychiatrist never recognized the battle. He ended up having an
|
||
|
affair with her after only three short sessions. She prescribed drugs to
|
||
|
engage the battle inside Thomas, but there was no war at all -- only a
|
||
|
gathering of allies, a covering up of feelings, with new, better sentiments.
|
||
|
Somewhat like the United Nations. The first day of sessions, Thomas asked
|
||
|
her if he thought that there was something wrong with him...
|
||
|
|
||
|
"Why yes, otherwise you wouldn't be here, would you?" The psychiatrist
|
||
|
wanted to be friendly to her new patient, already imagining their first
|
||
|
passionate kiss, and diagnosing him immediately, knowing already that he was
|
||
|
Prozac bound. The wonder drug of the nineties, Prozac, never failed, she
|
||
|
remarked to herself. She was on it herself. In the beginning she would joke
|
||
|
with Thomas here and there, trying to break the ice. Yes, ironically the
|
||
|
very root of his problem sprouted up then, upon their very first meeting.
|
||
|
The problem was, the ice never was broken. The ice was precisely the reason
|
||
|
he was there. But she failed to see this. She had her own diagnosis, and
|
||
|
her own remedy. And the supplement prescription, actual, real life pleasure,
|
||
|
she thought, was the only thing missing. The patient and doctor ended up
|
||
|
making it on just the third session -- whereupon the patient disappeared.
|
||
|
She was good though, he thought, real good.
|
||
|
|
||
|
He often thought of her as he walked past the dining room table that they
|
||
|
had eaten dinner on, and then made it on. Merely the principle of
|
||
|
association, he thought. But right now, association scared him, not the
|
||
|
reference of the word, but just the word itself. For no particular reason at
|
||
|
this moment was he scared -- just the fact that there was a word out there,
|
||
|
existing independently of his mind. It was that the word would be there
|
||
|
without him. It didn't need him in order to be. His mind raced with these
|
||
|
jumbled thoughts, along with ones of self-analysis that told him to get some
|
||
|
help. He made a promise to himself that he would -- but not with a
|
||
|
psychiatrist. He would look for a priest.
|
||
|
|
||
|
Presently though, he had to get ready for work. He stepped into the
|
||
|
shower and felt the hot water slowly work its way down his body. It felt
|
||
|
good. He wished that he could stay in this moment for the rest of his life.
|
||
|
An eternal now would suit him just fine. He pulled the water through his
|
||
|
hair over and over again until every ounce of pleasure was extracted from his
|
||
|
person. And sure enough, following the pleasure came the numbness, and then
|
||
|
the dull anxiety, soon to be panic. He noticed that the heat had
|
||
|
substantially changed. Before it was soothing and refreshing, almost ecstasy.
|
||
|
But as moments passed it had become just plain heat. So much for the eternal
|
||
|
now, he thought. He finished his shower and reached for his razor.
|
||
|
|
||
|
Thomas really didn't want to go to his new job. He wanted to just sit
|
||
|
there, not bothering anyone but himself. He wondered what his parents would
|
||
|
think if they knew that he was afraid to go to his job. He wondered what his
|
||
|
friends would think. He wondered what the kid that he had picked on in high
|
||
|
school would think. That one truly scared him. What if he did find out?
|
||
|
Was it possible? He checked his level of anxiety and thought, Anything is
|
||
|
possible.
|
||
|
|
||
|
Right then though, in the midst of his anxiety, he had a sort of vision.
|
||
|
Thomas really didn't know what the hell a vision was, but was sure that what
|
||
|
had just happened was close. Here's what happened. When he was thinking of
|
||
|
the possibility of the kid from high school knowing about his fear, he
|
||
|
thought "Anything is possible". Right? Well, when he looked in the steamy
|
||
|
mirror, and gazed at his profile, he realized that if anything is possible,
|
||
|
then so is the possibility that he could face his day without fear. Just
|
||
|
like when he was a child. No worries. Just do it! He felt a confidence
|
||
|
surge through him that he had not felt in a very long time. He smiled back
|
||
|
at himself in the mirror. But this time it was a real smile, that is, a
|
||
|
natural one, not like the fake ones he usually displayed. At that moment, he
|
||
|
thought that he could strut right into the Oval Office and take the reins.
|
||
|
No problem. He was extremely excited about going to work. He would meet new,
|
||
|
fantastic, and good people who would like him, and they, in turn, would think
|
||
|
that he was fantastic and good. He really couldn't believe that he was
|
||
|
afraid just a moment ago. He was just fine.
|
||
|
|
||
|
Thomas smoked a cigarette as he put on his clothes. First the pants,
|
||
|
then the socks, shoes, undershirt and belt. He wore these clothes as he
|
||
|
ironed and starched his shirt. An extra starched shirt pleased Thomas. If
|
||
|
done correctly, the shirt would come out rigid and firm -- just the way he
|
||
|
liked it. This, he thought, is going to be a great day. He called his
|
||
|
girlfriend before he left, to make plans to celebrate his new job over dinner
|
||
|
tonight. Now he was ready to go.
|
||
|
|
||
|
Passing cars left and right, speeding by strip malls and billboards,
|
||
|
Thomas believed he was above the law. Speed limits and traffic laws
|
||
|
certainly didn't apply to him -- not the Thomas in this moment of time. When
|
||
|
he drove to the interview, it had taken almost a half an hour. But today, it
|
||
|
had only been about 13 minutes, and he was almost there. He was above it all.
|
||
|
Pulling into the parking lot, he winked at those employees that he would soon
|
||
|
meet. Those new, fantastic, good people who had come before him. His
|
||
|
adrenaline was racing. He explored the parking lot, searching for a space in
|
||
|
which to leave his car.
|
||
|
|
||
|
The parking lot was of the standard kind, placed directly in front of
|
||
|
the building in which Thomas was employed. Lanes ran perpendicular to the
|
||
|
building. He had just turned left directly in front of the entrance, and
|
||
|
proceeded down another lane away from the building. For a moment, he thought
|
||
|
of parking in a handicap space. He passed them up though, and turned
|
||
|
deliberately back towards the building in the center lane. He could see in
|
||
|
the distance, four or five employees working their way through the revolving
|
||
|
door at the entrance.
|
||
|
|
||
|
But things changed. With absolutely no warning, thoughts started to
|
||
|
scramble in Thomas' head. Literally one moment he was fine, and the next,
|
||
|
not fine. What am I doing here? What are all of these other people doing
|
||
|
here? What is that building doing here? There is no way in hell I am going
|
||
|
to park this car. But he knew that he had to. When he tried to control the
|
||
|
car, his limbs would not respond. He miraculously made another left turn
|
||
|
towards the building. He had to go through with this day, even if it killed
|
||
|
him. Even if he made a fool of himself in front of the whole corporation.
|
||
|
Even if he was fired the moment he made it through the entrance. He would
|
||
|
make it through the entrance. But his body was not responding -- only
|
||
|
reactions: profuse sweating, blood-shot eyes, and lumps in his throat. All
|
||
|
of these reactions came on instantly. No bodily actions came from the agency
|
||
|
of Thomas. Nevertheless, he was still determined to enter. He would do it,
|
||
|
even if it was necessary to persuade someone to physically drag him through
|
||
|
those goddamn revolving doors. His mind desperately tried to control his
|
||
|
muscles, but to no avail.
|
||
|
|
||
|
He was approaching the entrance with great speed, though to Thomas, it
|
||
|
seemed like an eternity. No, he thought, it didn't seem like an eternity, it
|
||
|
was eternity. In such moments in a persons life, strange thoughts enter
|
||
|
their minds. His mind was at complete ease. He mused, "Is it possible to
|
||
|
have one moment that is both a moment and eternity at the same time?" This
|
||
|
had been Thomas' last thought. Just in time, the employees in front of the
|
||
|
building got out of the way. Thomas had made it.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
HENRY HAS AN ACCiDENT
|
||
|
by I Wish My Name Were Nathan
|
||
|
|
||
|
Henry was sitting on his bike waiting for the chance to cross the busy
|
||
|
street. The northbound lane was empty while the southbound was teeming with
|
||
|
eager speeders. He waited quietly, knowing that the pre-rush-hour traffic was
|
||
|
the weirdest.
|
||
|
|
||
|
Seeing a chance, Henry became poised. He struck the right pedal, watched
|
||
|
it twirl around, and caught it perfectly with his foot, almost like cocking a
|
||
|
gun. It made him feel important, like a bike rider with a mission. He saw
|
||
|
that a lone Ford was approaching from the north, and on the south, the only
|
||
|
action was two vehicles far away. He clutched the handlebars, racer-style,
|
||
|
and waited for the lone car to pass.
|
||
|
|
||
|
"Okay now, car, pass me," he mumbled, making conversation with the
|
||
|
traffic. The Ford was still moving but its projected time of incidence had
|
||
|
long passed. He sneered. The Ford was slowing down, maybe to turn, but
|
||
|
noting the lack of a turn signal, God only knew what it would do. He glanced
|
||
|
at the other lane and the two vehicles passed by. A truck was about a hundred
|
||
|
feet behind them, and the other lane was still clear. Henry grinded his
|
||
|
teeth, waiting for the damned Ford to complete its turning maneuver. He could
|
||
|
see the outline of a huge blue wig on the driver. Glancing both ways yet
|
||
|
again, he took off.
|
||
|
|
||
|
Henry concentrated very hard on getting to the other side, trying to
|
||
|
ignore the horribly close truck (...passed it!) and the two cars that had
|
||
|
appeared out of nowhere (just far enough away). He closed his eyes tightly
|
||
|
when he heard the two cars pass by in unison, and took a deep breath.
|
||
|
|
||
|
"I want a car," he muttered.
|
||
|
|
||
|
Not much appreciating near-death experiences, Henry became peeved. He
|
||
|
made a sarcastically large allowance for the girl entering her car who would
|
||
|
back out in two minutes. He covered his head while an old lady in a Camaro
|
||
|
drifted by. He came to a complete stop at every intersection, acting overly
|
||
|
cautious when a car approached.
|
||
|
|
||
|
After about two minutes, he felt vindicated and went on at a normal
|
||
|
speed. He was hungry and wanted to get home. Henry felt a little silly for
|
||
|
his acting and looked behind him to make sure no one was giving him strange
|
||
|
looks. He didn't see anything special until he turned his head back and
|
||
|
watched himself run into a car parked in the middle of the road.
|
||
|
|
||
|
Henry flew over the car, barely missing the other end and landing instead
|
||
|
on the bare road. He heard his bike fall to the ground an infinite distance
|
||
|
away. He moaned, not because his bike fell down, but because he had, and had
|
||
|
hit the road rolling on his back. After the momentum wore away, Henry ended
|
||
|
up flat on his stomach. Breathing wasn't an option for the few seconds that
|
||
|
he considered his new situation. Then he started to cough.
|
||
|
|
||
|
He lay there for several minutes, considering his left hand, which lay in
|
||
|
his line of sight on the street beside him. He had never thought much about
|
||
|
his hand. It was one of those appendages he took for granted. He studied the
|
||
|
strange folds in the skin that formed where his joints were, and pondered how
|
||
|
odd it was that he always bent his hand and fingers the same way to make those
|
||
|
lines, and if they would ever return to normal again. He wondered if it was a
|
||
|
genetic thing, and if it was impossible to get rid of them, and if babies had
|
||
|
these lines at birth. All these questions tumbled around in Henry's mind in a
|
||
|
sort of serene and playful ease he hadn't known recently.
|
||
|
|
||
|
He heard footsteps approaching. It was Henry's art professor from last
|
||
|
year. He nudged Henry's head with his shoe and said, "Hello, Henry. How's
|
||
|
your year going?"
|
||
|
|
||
|
Henry blinked once and then again before answering. "Uh, I just ran into
|
||
|
a parked car, but overall I guess it's okay," he said matter-of-factly, his
|
||
|
face pressed into the road, trying to avoid tasting it.
|
||
|
|
||
|
"Oh my," his professor said. "This is a bad situation, then."
|
||
|
|
||
|
"Err, yes."
|
||
|
|
||
|
"If you lift your head a little, you can copy down the license plate
|
||
|
number. Then they can catch whoever did this."
|
||
|
|
||
|
Henry saw reason in that, but didn't nod lest he crack his skull. "I
|
||
|
can't. Lift my head."
|
||
|
|
||
|
"Oh, I see. Say, I'll go see if the owner of the car is at home," the
|
||
|
professor offered. He stepped over Henry and walked up to the house the car
|
||
|
seemed to belong to. He rang the doorbell a few times but no one answered.
|
||
|
He walked back and told Henry the news. "Sorry, Henry. No one's home. I
|
||
|
guess there's nothing you can do."
|
||
|
|
||
|
"Thanks anyway," Henry said.
|
||
|
|
||
|
"No problem. Well, I've got a class. Visit my office sometime and we'll
|
||
|
talk about Postmodernism," the art professor said, and walked on.
|
||
|
|
||
|
Henry waited around. He heard a few cars go by, but that was it.
|
||
|
Someone else was bound to show up, and half an hour later, she did. It was
|
||
|
Henry's girlfriend Jackie on her bike. She nudged Henry's head with her front
|
||
|
tire and asked, "So, how's it going, Hen?"
|
||
|
|
||
|
Henry's left eyebrow rose slowly. "Do you see a car behind me?" he
|
||
|
asked.
|
||
|
|
||
|
Jackie checked, and came back. "Yup."
|
||
|
|
||
|
"I ran into it on my bike."
|
||
|
|
||
|
Jackie's eyes widened. "Holy shit! That sucks!"
|
||
|
|
||
|
Henry agreed with her.
|
||
|
|
||
|
"Well, Henry, you know you can't go anywhere with your bike busted up
|
||
|
like that. I'm going to go get you a new front tire, okay?" she offered.
|
||
|
"Wait here."
|
||
|
|
||
|
Jackie headed off. Henry started coughing again. Each cough sent bolts
|
||
|
of pain through his shoulder, knee, and head. He eventually got over the
|
||
|
spasms and occupied himself with the little rocks that made up the road. They
|
||
|
held his interest for a long time. He was amazed at how resourceful the city
|
||
|
was this year around in repaving the roads. In the years before, they would
|
||
|
lay on a new coat of hot tar, and then gravel, and then asphalt. This year,
|
||
|
they decided the taxpayer's money was too good for such things as paved roads
|
||
|
in residential areas, and skipped the asphalting. Henry closed his eyes and
|
||
|
could count the number of sharp little rocks poking into his cheekbone.
|
||
|
|
||
|
A sudden loud solid thump shook Henry from his meditation. It was
|
||
|
followed shortly by a loud hollow thump. He heard the sound of a bicycle
|
||
|
falling on his an infinite distance away. He moaned, not because another bike
|
||
|
fell on his, but because the fright caused him to pull a muscle in his back.
|
||
|
|
||
|
"Hey! What's up, dude?" Henry heard someone saying. He painfully turned
|
||
|
his head and looked upward. He saw a junior high kid sprawled on the hood of
|
||
|
the car. He was grinning eagerly.
|
||
|
|
||
|
"I ran into a parked car," Henry said.
|
||
|
|
||
|
"Yeah, I know! Me too! I saw your bike. I wish I could have one like
|
||
|
it. It looks cool. I mean, when you get a new wheel and all. I just have
|
||
|
this stupid one-gear thing," the kid explained.
|
||
|
|
||
|
"Didn't you see the car?" Henry asked.
|
||
|
|
||
|
"Of course I did! But I also flew over it. Now I have something to tell
|
||
|
my friends about. They'll think I'm cool."
|
||
|
|
||
|
Henry blinked. "Cool?"
|
||
|
|
||
|
"Yeah! Usually when someone says they'll do something cool like fly over
|
||
|
a car, they're just lying out their asses. And even if they do, you can't be
|
||
|
sure unless you actually saw it. But I have my bike to prove it now. And, I
|
||
|
didn't even tell anyone I'd do it! Just came to me. I did it on impact."
|
||
|
|
||
|
"Your mouth is bleeding."
|
||
|
|
||
|
"Yeth!" the kid cried, spewing blood on Henry. "Even more proof!"
|
||
|
|
||
|
Henry wrenched his head back toward the street and tried to relax.
|
||
|
Although it was the middle of the afternoon, the sun was still beating down on
|
||
|
him, and his head started to sweat. Trickles of moisture ran down his
|
||
|
forehead into his eyes. This and his feeble drooling would soon drown him in
|
||
|
a puddle.
|
||
|
|
||
|
He heard a door open from the house behind him. A loud burly voice cried
|
||
|
out, "Hey, you kids! Get the hell out of my road! You're wrecking the
|
||
|
property value!"
|
||
|
|
||
|
Henry twitched a biceps and fell numb with pain.
|
||
|
|
||
|
The man from the house continued, "I'm warning you! If you don't move on
|
||
|
the count of three, I'll call my realtor!"
|
||
|
|
||
|
Gravity overtook the kid on the car: he slid a few inches, catching the
|
||
|
hood ornament in his eye. "Whoo hoo!" he yelled.
|
||
|
|
||
|
The burly man continued. "One... two... three! Okay, I'm calling right
|
||
|
now! I'm not kidding! You asked for it! I'm still punching buttons!" He
|
||
|
paused for a few seconds, and hung up. "Well, all right. I'll let you off
|
||
|
this time. But the next time I come out here, you better not still be on the
|
||
|
street like that!"
|
||
|
|
||
|
"Screw off, old man!" the kid cried. The man returned inside, slamming
|
||
|
the door. "Huh-huh, old people," the kid said. "We're the new generation.
|
||
|
He has to listen to us."
|
||
|
|
||
|
Henry agreed. He screwed his eyes shut trying to wring out the stinging
|
||
|
sweat. His head hurt. He coughed again. He listened to the cars go by.
|
||
|
Sometimes when they sped by, pieces of gravel struck his face. Finally, he
|
||
|
heard Jackie's bike come back. He could recognize it by its squeaky brakes.
|
||
|
|
||
|
"Well, there you are!" she scolded him. "I've been looking all over for
|
||
|
you." She stepped off her bike and let it fall on Henry's legs. "So, I found
|
||
|
a tire, although the hardware people say it's technically a wheel. Also,
|
||
|
while I was searching high and low for you, I picked up an adjustable wrench
|
||
|
and some other stuff. So, are you gonna put the wheel on or what?"
|
||
|
|
||
|
"I can't move."
|
||
|
|
||
|
"Oh, is that the case?" Jackie asked. "Oh, all right." She dragged
|
||
|
Henry's bike out of the pileup behind the car parked in the middle of the road
|
||
|
and started working on it. "You'll thank me for this someday."
|
||
|
|
||
|
Henry watched Jackie work and his heart grew warm. Since he was baking
|
||
|
under the sun, he didn't notice. The street was baking too, emitting the wavy
|
||
|
streams of heat from its surface. Henry soon saw his bike posing majestically
|
||
|
on the street, standing out from the surroundings as if revealed in a
|
||
|
miraculous vision. Jackie had finished the wheel exchange.
|
||
|
|
||
|
"There!" she said, walking back over to Henry. She nudged his head with
|
||
|
her adjustable wrench. "So, you wanna ride it now?"
|
||
|
|
||
|
He grinned. "I guess I could walk it back home."
|
||
|
|
||
|
"Yeah, you could. I'll help you up. C'mon." Jackie grabbed him under
|
||
|
the arms and pulled him up. "Here's your bike, good as new."
|
||
|
|
||
|
Henry smiled, maintaining his balance with the help of the bike.
|
||
|
"Thanks."
|
||
|
|
||
|
Glancing down, he noticed that he too was bleeding, from his right hand,
|
||
|
where he had been holding the brake lever in his bike-riding days. He
|
||
|
smirked. He would have something to show off to his friends.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"Talk is cheap because supply exceeds demand."
|
||
|
--Unknown
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
AND A FEW BECAME WHAT THEY ARE
|
||
|
by Brandt Ryan
|
||
|
|
||
|
An unknown man walking through the streets of Washington D.C. was feeling
|
||
|
tormented by something, as if something or someone was following him. When
|
||
|
the man reached the Lincoln Memorial he was confronted by his tormentor who
|
||
|
was nothing less than the eternal tormentor, Satan himself. The Evil Spirit
|
||
|
asked the unknown man why he lacked followers, and the man replied:
|
||
|
|
||
|
"They are blinded from the truth."
|
||
|
|
||
|
And Satan made an offer, "I have access to all of the money in the world,
|
||
|
and it is this that the masses seek. If you accept this fact, all will follow
|
||
|
you." And the unknown man accepted.
|
||
|
|
||
|
The masses of persons followed but they became not what they are.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
An unknown man walking through the streets of Washington D.C. was feeling
|
||
|
frustrated by something, as if he was going about things in the wrong way.
|
||
|
When he reached the Jefferson Memorial he was confronted with the eternal
|
||
|
frustrator, Satan himself. The Evil Spirit asked the unknown man why he
|
||
|
lacked followers and he replied:
|
||
|
|
||
|
"They are blinded from the truth."
|
||
|
|
||
|
And Satan made an offer. "I have the ability to bring all of the world's
|
||
|
nations together under on unified state, and it is this that the masses seek.
|
||
|
If you accept this fact, all will follow you." And the unknown man accepted.
|
||
|
|
||
|
The masses of persons followed but they became not what they are.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
An unknown man walking through the streets of Washington D.C. was feeling
|
||
|
angered by something, angered because people could not see who he really was.
|
||
|
When the man reached the top of the Washington Monument, he was confronted by
|
||
|
the eternal rage, Satan himself. The Evil Spirit asked the unknown man why
|
||
|
he lacked followers, and the man replied:
|
||
|
|
||
|
"They are blinded from the truth."
|
||
|
|
||
|
And Satan made an offer. "Leap from the Monument, for when the angels
|
||
|
catch you and save you from falling the people will be bewildered and amazed,
|
||
|
and it is this that the masses seek. If you accept this fact, all will follow
|
||
|
you." And the unknown man leaped.
|
||
|
|
||
|
The masses of persons followed but they became not what they are.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
An unknown man walking through the streets of Washington D.C. was feeling
|
||
|
anxious about something, anxious about what he knew would happen to him later
|
||
|
in the day. When the frightened, unknown man reached the podium at the base
|
||
|
of the Washington Monument, he was confronted by the source of his anxiety,
|
||
|
for he knew that when he began to speak he would be shot. The eternal
|
||
|
tempter, Satan himself, approached the man, and asked why so many had gathered
|
||
|
to listen to him, and he replied:
|
||
|
|
||
|
"Because they hear something that rings true."
|
||
|
|
||
|
And Satan made an offer. "But you do not have to die, for if you die,
|
||
|
who will proclaim the truth? Come down from that podium so that you may
|
||
|
continue your ministry." And the unknown man accepted, and saved his own life
|
||
|
by doing so.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
A middle aged man, not known by many, trekked down the Pacific Coast
|
||
|
Highway towards a densely populated city in southern California. He had
|
||
|
hitchhiked most of the way from his origin in the north, depending on others
|
||
|
for his transportation. Although many of his fellow hitchhikers protruded
|
||
|
their thumbs horizontally, this man chose the vertical style, pointing his
|
||
|
thumb upwards toward the cloudless, blue sky. In his experience, the
|
||
|
vertical style caught the attention of the drivers much more efficiently, and
|
||
|
as a result, this classic version passed the test of time, as one almost
|
||
|
never sees the horizontal style expressed any more across the weaving
|
||
|
interstates in our land. And sure enough, just as he had confirmed the truth
|
||
|
of the matter, a produce truck pulled off onto the shoulder of the road,
|
||
|
beckoning the unknown man to his cab.
|
||
|
|
||
|
The driver rolled down the passenger side window. "Where 'ya headed?"
|
||
|
Even though the driver could not even see the man underneath door, the unknown
|
||
|
man replied, "Los Angeles, or as far south as you can take me." With about
|
||
|
just enough hesitation as one could perceive, the driver replied, "Fine, hop
|
||
|
in."
|
||
|
|
||
|
As cars speeded passed the truck, children would stare into the cab and
|
||
|
see the stereo-typical truck driver, that is, a big, burly head and face,
|
||
|
both covered with enormous amounts of hair, with a non-filtered cigarette,
|
||
|
barely perceptible, sticking out from somewhere in the bunches of facial hair.
|
||
|
The interesting thing was that all the cars could see was the man's head, for
|
||
|
if they were to have access to a more complete view of the man, they would
|
||
|
soon be surprised to find a midget behind the wheel. But the passenger didn't
|
||
|
notice.
|
||
|
|
||
|
The driver took a long, full drag from his cigarette and blew smoke rings
|
||
|
into the windshield whereupon they would expand into hazy circles covering
|
||
|
almost half of the reinforced glass. As he did this and other things,
|
||
|
including sipping his coffee, flipping through the channels on his radio, and
|
||
|
eating a day-old ham sandwich, he asked the passenger what he did for a
|
||
|
living. The passenger replied, "I'm in the construction business."
|
||
|
|
||
|
"Is that where you're headed then, to a construction site?"
|
||
|
|
||
|
"Not exactly. As I was finishing my last job I had a sort of calling to
|
||
|
preach. I've decided to start on the west coast and work my way across the
|
||
|
nation to Washington D.C. The words just seem to come right out of my
|
||
|
mouth -- pretty strange, huh?"
|
||
|
|
||
|
"What sort of stuff you preachin'? You one of them end of the world
|
||
|
guys?"
|
||
|
|
||
|
"No, not really. It's all kinda new I guess, but it addresses the needs
|
||
|
of our present situation."
|
||
|
|
||
|
The driver was surprised by his new passengers occupation, and for an
|
||
|
instant, thought about dropping him off at the next exit. After all, he
|
||
|
thought, you can't be too careful, especially in California. But for some
|
||
|
reason this stranger seemed safe enough, and so he decided to keep going. He
|
||
|
explained to his passenger that he drives a set route that starts to head
|
||
|
east right at L.A. whereupon he drives to Nevada, then north through Nevada
|
||
|
and finally back west to northern California. When the driver started to
|
||
|
head east he dropped his passenger off and let him know that a few groceries
|
||
|
were to be built near there, most definitely in need of construction workers.
|
||
|
The passenger thanked him for the ride and advice and stepped down from the
|
||
|
truck.
|
||
|
|
||
|
At first, almost nobody listened to the unknown man, but soon enough,
|
||
|
his popularity grew. Most of his followers were people who had been oppressed
|
||
|
in one way or another, although he attracted a few from almost every walk of
|
||
|
life. He offered the people nothing tangible, he was not in favor of a
|
||
|
revolution against the oppressors; on the contrary, he asked his followers to
|
||
|
forgive their oppressors. But he did offer them a "new way of life", on
|
||
|
leading to "the only true happiness".
|
||
|
|
||
|
The authorities saw the unknown man in a different light, for their
|
||
|
attention was caught when he declared civil law as unbinding and subordinate
|
||
|
to what he established as law, that is, "Divine Law" as he called it. The
|
||
|
authorities thought he sought to attack the unity in the country, for the law
|
||
|
was the only thing that produced that effect, however remote it was. Thus,
|
||
|
from the beginning of his ministry, the authorities kept a disciplined eye on
|
||
|
his whereabouts and doings. Finally, when his popularity seemed to peak, he
|
||
|
disappeared, leaving a message behind to his followers to wait for him in
|
||
|
Washington D.C.
|
||
|
|
||
|
After having preached for his first time, the unknown man made his way
|
||
|
to the desert whereupon he spent much time thinking about the words that
|
||
|
seemed to spring from his tongue. As he walked down the blazing highway, a
|
||
|
bright red Budweiser truck pulled off the road and asked him if he needed a
|
||
|
ride. He accepted and took his seat next to the driver. As they started on
|
||
|
the highway the driver offered him a beer, "After all, I'm allowed a few
|
||
|
damaged cases, and if I'm careful I can do with them what I please." The
|
||
|
unknown man declined and the driver shrugged, "O.K., but it can get awful hot
|
||
|
through the desert." As they continued on the driver would periodically gaze
|
||
|
at the passenger inquisitively, as if he could see straight through him. This
|
||
|
bothered the passenger. When he looked directly into the driver's eyes he
|
||
|
identified him immediately.
|
||
|
|
||
|
"Satan, you are Satan."
|
||
|
|
||
|
"Pleased to meet you, looks like you already caught my mane. Where are
|
||
|
all of you followers?"
|
||
|
|
||
|
"I've left them all behind, but they will find me."
|
||
|
|
||
|
"Maybe so, but you only have a few thousand, and there are millions that
|
||
|
reject you -- how do you plan to penetrate more? For surely a few thousand
|
||
|
will not do, especially if it is true, that as you say, 'the kingdom of God is
|
||
|
in our midst.' Don't you see that it is passion that drives the masses of
|
||
|
people -- for it is pleasure that they seek -- give them pleasure and they
|
||
|
will follow you in great numbers." The cab of the truck was getting hotter
|
||
|
and hotter to the point where it was unbearable. Just one sip of something
|
||
|
cold would alleviate the pain -- just one, small, thirst quenching sip.
|
||
|
|
||
|
"Are you sure you don't want a drink? You're soaked through with sweat,
|
||
|
surely you must be thirsty? Here, I'll open it for you." As the can slushed
|
||
|
open, the unknown man winced. Satan continued, "If you don't believe me,
|
||
|
look and see how Budweiser's doing, and for that matter, look into all the
|
||
|
companies that address the luxurious needs of man -- you'll find that such
|
||
|
corporation are doing very well indeed, for they know what I'm trying to tell
|
||
|
you. And cash runs the whole show, for money is no longer a means to
|
||
|
distribute goods and services, but an end in itself, something to be sought
|
||
|
for its own sake and then stashed away to reproduce and reproduce and
|
||
|
reproduce... And I offer you this powerful currency, all that you will ever
|
||
|
need to control the masses, just say the word and it will be done."
|
||
|
|
||
|
The unknown man smiled at the driver and asked him to stop the truck. As
|
||
|
he exited the cab he turned to the driver and said, "Budweiser only has
|
||
|
fleeting commercial spots, and I require a feature-length film." He jumped
|
||
|
down from the truck and sustained himself in the dust that the truck spat at
|
||
|
him as it sped away.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
The traveling man found himself on the side of the road in the middle of
|
||
|
the desert, far away from the place he called home. He was now a foreigner.
|
||
|
And primarily two things characterize the foreigner, one obvious
|
||
|
characteristic being that the foreigner is not at home, the other being a
|
||
|
result of the first, namely a yearning for the return home. Although he
|
||
|
lived most of his life in the northwestern United States, he never really felt
|
||
|
at home; as a matter of fact, he never really felt at home anywhere. But now
|
||
|
more than ever, while traveling across the landscape, he felt further away
|
||
|
from anywhere that he could call home than ever before. The foreigner did
|
||
|
not know much about the desert, but very quickly he learned the most important
|
||
|
thing about it: there is absolutely no escape from the dreadful heat. He
|
||
|
felt like an old, dry sponge that had been twisted and turned so that every
|
||
|
last drop of liquid had been literally sucked out of him. And just as at it
|
||
|
seemed like the last drop had been extracted from his person, he remembered
|
||
|
watching something on the Discovery Channel that had let out to the public
|
||
|
an age-old secret that the cactus plant produced a sort of milk. Of course,
|
||
|
this didn't help him much because there was not a cactus in sight, and worse
|
||
|
yet, there was not one within fifty miles of his present location. As he
|
||
|
scanned the horizon for cacti, he spyed an image of what seemed to be a sea
|
||
|
shell, and assured himself that there must be a lake or ocean within the next
|
||
|
few miles. Contrary to his belief, there was no ocean or lake, as the shell
|
||
|
was a mere sign designating a gas station. Nevertheless, he achieved his
|
||
|
goal and took in some water slowly, careful not to put himself in danger as
|
||
|
he had seen in the old west movies. Too bad the Discovery Channel didn't
|
||
|
offer up this valuable information to the masses, one has to be a Clint
|
||
|
Eastwood fan in order to be privy to such life-saving knowledge.
|
||
|
|
||
|
The man away from home made his way to the counter whereupon he laid
|
||
|
down his supplies. The clerk scanned the items carefully, making sure that
|
||
|
none of them were on special. Not that the store's special had changed for
|
||
|
the past year, a free "Rock 'n Roll from the Fifties" cassette worth about as
|
||
|
much as the candy bar that came with it. The clerk noticed that the man
|
||
|
indeed had purchased the candy bar in question, and reached under the counter
|
||
|
for the customer's free, Rock 'n Rollin' tape. The foreigner thanked the
|
||
|
employee of the month for the tape just as a bright, white, limousine pulled
|
||
|
into the fill-up station.
|
||
|
|
||
|
As the away from home started back on his journey, he passed the lengthy
|
||
|
limousine and noticed its Texas license plate surrounded by political bumper
|
||
|
stickers. In fact, slogans such as "Hank will take you to the bank," and
|
||
|
"Re-Elect Hank Rogers For The Senate" covered the entire bumper.
|
||
|
|
||
|
Apparently, "Hank" thought that our man was a gas station attendant.
|
||
|
|
||
|
"Hey there partner, how 'bout a fill up?" He was from Texas all right.
|
||
|
|
||
|
"I'm sorry, I'm not who you think I am. I don't work here." The unknown
|
||
|
man wondered why he had asked for service when he had clearly pulled next to
|
||
|
the "self serve" pump.
|
||
|
|
||
|
"You don't work here? I'm sorry, but if you don't work here, where's
|
||
|
your car?" The Texan's logic was sound. There was not another car in the
|
||
|
entire lot.
|
||
|
|
||
|
"Oh, I don't have a car. I travel mostly by foot."
|
||
|
|
||
|
"Well I tell 'ya what son, if you pump my gas for me, I'll help you knock
|
||
|
out a few miles. How 'bout it?"
|
||
|
|
||
|
The foreigner accepted, knowing that the individual behind the drawling
|
||
|
accent was pure, unadulterated evil. As he pumped the gas he noticed that
|
||
|
there was not a driver -- but he was sure that the Texan Senator had stepped
|
||
|
out from the back of the limo. While he tried to figure out this mystery,
|
||
|
the fat Texan paid for the gas by way of the credit card console conveniently
|
||
|
located at the pump. The Senator opened the door for the unknown man and
|
||
|
practically shoved him into the vehicle.
|
||
|
|
||
|
"Why don't you put in the cassette?" Somehow the Senator had known that
|
||
|
the foreigner had received the free tape. He pulled it from the inside pocket
|
||
|
of his jacket and started to insert it into the cassette player. The Senator
|
||
|
stopped him just as he was about to play it. "Hold on just a second there,
|
||
|
partner. Let's take care of some business first." Strangely enough, as the
|
||
|
foreigner looked out of the window, he did not see the gas station as he had
|
||
|
expected, but had just passed a sign that welcomed him to St. Louis.
|
||
|
|
||
|
"I think you know who I am, and I surely know who you are, so let's cut
|
||
|
to the chase." The fatter of the two poured himself a scotch and water,
|
||
|
shaking the drink back and forth so that the ice cubes would rattle. "Now
|
||
|
son, where are all them followers of yours? It looks like you's all alone."
|
||
|
|
||
|
The foreigner replied, "They will meet me in from of the Washington
|
||
|
Monument. In fact, some are there as we speak."
|
||
|
|
||
|
The fat man squished his way around the seat, straightening himself up.
|
||
|
"As a matter of fact, that's the reason I came to you -- that is, you're
|
||
|
speaking. You see, that there tape you're about play don't have no Rock 'n
|
||
|
Roll music on it. That tape is very valuable -- especially to someone like
|
||
|
you. Don't you see it son: if you just listen to that little 'ol tape, you'd
|
||
|
be armed with one hum-dinger of a speech when you reach the capital. In fact,
|
||
|
if you give that speech, I can gare-un-tee that you will be elected President
|
||
|
for the next two terms. And better yet, during your last term, the countries
|
||
|
of the world will be united under one democratic rule, providing the very
|
||
|
unity that the world craves. And if you've been reading the papers lately,
|
||
|
you'll know that I, myself, am working my way up the political ladder. I'd
|
||
|
be your right hand man. We'd be partners." The Texan lit up a juicy cigar
|
||
|
the size of a banana, as if confirming the deal. "Well, how 'bout it? Just
|
||
|
pop in the tape and let nature run its course."
|
||
|
|
||
|
The unknown man looked the Senator directly in the eye, and then turned
|
||
|
to look out the window. The St. Louis Arch soared into the heavens, rooting
|
||
|
itself paradoxically at the base of the earth, while finding its completion
|
||
|
in the sky. He turned back toward the Texan and glanced at the cassette
|
||
|
reflexively. The man away from home really wanted to take the cassette.
|
||
|
After all, it was his tape. As he eye-balled the cassette one last time, he
|
||
|
noticed a grin on the Senator's face that was as big as the lone-star state
|
||
|
itself.
|
||
|
|
||
|
"I really don't have any political aspirations, but thanks just the
|
||
|
same." The limousine stopped abruptly, almost before he had completed his
|
||
|
sentence. The door opened of its own accord, and the foreigner stepped out
|
||
|
onto the searing pavement. The limousine started away slowly, creeping its
|
||
|
way down the road until it disappeared from view completely.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
The foreigner found himself in a strange place once again. He was
|
||
|
walking through the streets of St. Louis, stopping here and there to speak to
|
||
|
those who would listen. He wondered where his next meal would come from as
|
||
|
he passed luxurious restaurants, smelling the delicacies that were being
|
||
|
carefully prepared. He imagined the cook meticulously placing the garnishes
|
||
|
onto the gold-rimmed plates as if they were rare pieces of fine art. Art
|
||
|
that would be scarfed down some ungrateful throat, destined to find its
|
||
|
resting place in the bowels of a hungry consumer.
|
||
|
|
||
|
The stranger turned the corner, re-oriented himself toward the east, and
|
||
|
noticed a few isolated men resting against a worn down building. He asked
|
||
|
one of them where he could get something to eat. The lonesome man pointed to
|
||
|
the entrance of the building and grumbled a few unintelligible words. The
|
||
|
stranger made his way through the entrance and recognized the place as a
|
||
|
"soup kitchen". He greeted the server and gratefully accepted the hot meal
|
||
|
that was offered to him. When he had finished eating and had left, all of
|
||
|
the inhabitants of the soup kitchen looked at each other in bewilderment.
|
||
|
For everyone, including the men outside on the sidewalk, had a feeling that
|
||
|
they had just eaten Thanksgiving dinner. Their breath actually smelled of
|
||
|
turkey and cranberry sauce.
|
||
|
|
||
|
Full-bellied and ready to proceed, the unknown man walked off the exit
|
||
|
ramp and onto 70 East, with a purposeful look on his face. This time he got
|
||
|
to know the highway well, for it was a few hours before anyone would stop to
|
||
|
pick him up. He noticed that the road looked entirely different from his
|
||
|
present viewpoint; the pebbles on the shoulder of the road seemed more real,
|
||
|
as did the corn that he could smell to the left and right of him. He
|
||
|
wondered, as he did often, if anyone had stepped exactly where he had stepped;
|
||
|
he wanted to know if anyone had ever placed themselves in the exact spot in
|
||
|
which he was presently situated. Millions of people had passed this spot at
|
||
|
a rate of 65 miles per hour, but probably no one had noticed it. It was now
|
||
|
his place, and he decided to rest there.
|
||
|
|
||
|
After a while, as he looked searchingly down the interstate, he spyed a
|
||
|
caravan of trucks that seemed to be traveling together. All of the trucks
|
||
|
were red, with flamboyant colors swirling in and around the trailers. It was
|
||
|
the carnival. The driver of the first truck waved to the stranger as he
|
||
|
picked up his CB to communicate with the last truck. As each one passed,
|
||
|
artificial faces and bodies acknowledged the stranger. The last truck in the
|
||
|
caravan pulled off onto the shoulder of the road, crushing the pebbles that
|
||
|
only just a moment ago had seemed so real. The traveler hopped into the
|
||
|
truck and greeted the sole inhabitant. Immediately he identified the driver
|
||
|
as the carnival's magician; the magic wand on the dash board gave it away.
|
||
|
Decks of cards were strewn all around the cab, together with false coins,
|
||
|
bits of string, and oddly shaped jewels imbedded in cigarette-sized sticks of
|
||
|
wood. The only thing missing was a rabbit and a hat.
|
||
|
|
||
|
"Hi."
|
||
|
|
||
|
"Hello."
|
||
|
|
||
|
"Sorry 'bout the mess. As you might have guessed, I'm the magician.
|
||
|
Sometimes I practice my tricks while I'm driving -- it helps pass the time."
|
||
|
He said this while he carefully, yet thoughtlessly passed a quarter across
|
||
|
his knuckles. "Where's your final destination?" he asked the man without a
|
||
|
home.
|
||
|
|
||
|
"Washington D.C."
|
||
|
|
||
|
"You're in luck. It just so happens that our next gig happens to be
|
||
|
there. You're welcome to ride along the whole way if you like."
|
||
|
|
||
|
"That's very kind of you. Maybe you could teach me a trick or two along
|
||
|
the road." The magician showed the stranger a few tricks which he, the
|
||
|
stranger, seemed to have a natural disposition for. Oddly enough, when the
|
||
|
stranger looked out of the window, a sign their entrance to the famous
|
||
|
Pennsylvania Turnpike. Before he knew it, they were entering Washington D.C. Seeing that he was almost out of time, the magician made his offer
|
||
|
|
||
|
"You seem to be a natural with magic. What would you think of joining
|
||
|
the gang?" The stranger didn't answer; he had revealed himself. "I've been
|
||
|
thinking of taking on an apprentice. All you have to do is perform a few
|
||
|
tricks -- you know, amaze the crowd and all that. You're sure to be a
|
||
|
success. Listen. Be sensible. You know as well as I do that they will follow
|
||
|
you if they witness the power that you possess. Right now, those bums you
|
||
|
fed in St. Louis are waking up early to attend communion service.
|
||
|
|
||
|
The unknown man was angered. "But that was different. That was not a
|
||
|
trick. There was a good reason for doing that, a reason that has to do with
|
||
|
people becoming what they are. They were hungry, and deserved a good meal.
|
||
|
What I did was not an end in itself, or a means to gather followers. They
|
||
|
were hungry. I fed them." He wondered why he even bothered to explain. The
|
||
|
magician started to tell him that they expected a sell-out crowd, but before
|
||
|
he had finished, the stranger had stepped out at a red light. As the man
|
||
|
away from home walked down Constitutional Boulevard, he saw glimpses of a
|
||
|
crowd forming. They immediately recognized their awaited speaker, and led
|
||
|
him to the Washington Monument. He was sweating profusely.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
The unknown man walked through the streets of Washington D.C. feeling
|
||
|
anxious about something, anxious about what he knew would happen to him in a
|
||
|
very short time. When the frightened, unknown man reached the podium at the
|
||
|
base of the Washington Monument, he was confronted by the source of his
|
||
|
anxiety, for he knew that when he began to speak he would be shot. The
|
||
|
eternal tempter, Satan himself, approached the stranger, and asked why so
|
||
|
many had gathered to listen to him, and he replied:
|
||
|
|
||
|
"Because they hear something that rings true."
|
||
|
|
||
|
And Satan made an offer. "But you do not have to die, for if you die,
|
||
|
who will proclaim the truth? Come down from that podium so that you may
|
||
|
continue your ministry." But the man, soon to be home, declined the offer.
|
||
|
When he began to proclaim the truth, a shotgun blast sounded off from the
|
||
|
front of the crowd. The bloody scene that resulted made possible the
|
||
|
salvation of the human race. That blood cleansed the world of all wrong.
|
||
|
Three days later was the first day of Spring.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"God doesn't play dice with the Universe."
|
||
|
--Albert Einstein
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
i WiSH i WAS AS LUCKY AS THE POPE
|
||
|
by Kilgore Trout
|
||
|
|
||
|
I'm Max, and I've got the mark. I tried to tell them, but they went
|
||
|
ahead with the hit, and now they blame me. "How were we supposed to know
|
||
|
that God Almighty *himself* was gonna save him?" they asked me. Fuck,
|
||
|
guys -- it's the Pope. Have some common sense.
|
||
|
|
||
|
So now I'm hopping buses, going through alleys, anything to stay on the
|
||
|
move. I can't leave town cause they've got the city surrounded. They're
|
||
|
looking for me, and they'll find me. It's just a matter of time.
|
||
|
|
||
|
I saw it all happen this afternoon, you know. If they were gonna go
|
||
|
through with it, I might as well see them get their asses kicked. I could
|
||
|
make out three snipers -- with missle launchers, that is -- on the
|
||
|
rooftops. We had already bought the police and the various three-letter
|
||
|
agencies, so everything should have gone smoothly. The only problem: the
|
||
|
Pope's got this really powerful bodyguard. Three missles hit the
|
||
|
Popemobile almost simultaneously, sending up an enormous explosion. But
|
||
|
when the smoke cleared, there was the Pope, standing among the flaming ruins
|
||
|
of his vehicle. He was waving to the hysterical crowd and had a huge grin
|
||
|
plastered on his face. Hell, I would too. Over my headset, a message came
|
||
|
that Bradley wanted to see me. I started looking for a good place to hole up.
|
||
|
|
||
|
Word spreads pretty fast when the Pontiff escapes imminent death
|
||
|
unscathed. Every television station is showing continuous replays of the
|
||
|
event, without commentary. None of the newsmedia wants to admit what the
|
||
|
masses have already figured out -- God exists, and he likes the Pope. Oh,
|
||
|
sure, you can't *prove* that God saved the Pope, but how else could he have
|
||
|
survived? All I know is that I planned the assassination, so I'm pretty
|
||
|
sure he's not too happy with me. Course, neither is Bradley. Everybody is
|
||
|
on my ass today.
|
||
|
|
||
|
I get off the bus and head down the first alley I get to. At the end
|
||
|
of the alley three men surround a young woman. Not cool. Usually I'm not
|
||
|
the chivalrous type, but I figure any good I can do now will make God a
|
||
|
little less pissed.
|
||
|
|
||
|
"Excuse me," I say, "but you really ought to leave the lady alone."
|
||
|
|
||
|
The three men turn around to face me. They are in their forties,
|
||
|
dressed in business suits, and look extremely agitated. The one closest to
|
||
|
me steps forward.
|
||
|
|
||
|
"You do not understand, brother," he explains. "This woman is a
|
||
|
prostitute. She lies with men for money. She must repent of her sins or be
|
||
|
executed."
|
||
|
|
||
|
"Now, hold on guys. You aren't going to do anything except walk out of
|
||
|
this alley." I pull open my jacket to reveal my handgun. "Leave before I
|
||
|
get really angry."
|
||
|
|
||
|
The men slowly file out of the alley. As the last one rounds the
|
||
|
corner, he turns to me and yells, "You have the Mark of the Beast! I hope
|
||
|
you are prepared for eternal damnation!" Apparently everyone's an
|
||
|
evangelist now. Great. Just what this world needs. I go over to the woman
|
||
|
who is now sitting on the ground, sobbing.
|
||
|
|
||
|
"Are you okay?" I ask.
|
||
|
|
||
|
"Yes, thank you," she replies. "You save my life. I am forever in debt.
|
||
|
Whatever you require shall be yours."
|
||
|
|
||
|
Ah, bad english is always attractive. Add to that the fact that those
|
||
|
words came from the mouth of a petite, dark-skinned girl with jet-black
|
||
|
hair, and things couldn't get any better. Yeah, it's the wrong time tto be
|
||
|
thinking of carnal pleasures, but since I'm already fucked, I might as well
|
||
|
enjoy it.
|
||
|
|
||
|
"What's your name?" I ask while helping her up.
|
||
|
|
||
|
"Fatima," she says, "but friends call me Fifi."
|
||
|
|
||
|
"Well, then -- uh -- Fifi, I think we ought to get out of here. Know of
|
||
|
any good places we can go to?"
|
||
|
|
||
|
"Pimp help us. Follow me."
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
Fifi led me down a number of back streets until we reached a decrepit
|
||
|
looking apartment complex. She knocks on the door, which cracks for a
|
||
|
second and then fully opens, revealing the hugest man I've ever seen. He's
|
||
|
wearing black shorts and a red t-shirt, and I doubt I could put my hands
|
||
|
around his arms.
|
||
|
|
||
|
"Fifi, you know the rules. You can't bring customers here."
|
||
|
|
||
|
She shakes her head. "No, this man save my life. He okay."
|
||
|
|
||
|
The man rolls his eyes in disgust and turns to me. "Alright, buddy.
|
||
|
Turn around so I can frisk you. You got anything that's gonna stick me? I
|
||
|
don't want to catch some godawful disease cause you've got a needle in your
|
||
|
pocket."
|
||
|
|
||
|
I smile. "I've got a gun."
|
||
|
|
||
|
"Well, hand it over or you ain't getting in."
|
||
|
|
||
|
"I don't think so, guy."
|
||
|
|
||
|
"Either you give me he piece or I'll take it from you."
|
||
|
|
||
|
He doesn't look too happy with me. I can understand that need to
|
||
|
protect one's own turf, but it still sucks being armed. I reach under my
|
||
|
jacket, pull out my gun, and hand it over.
|
||
|
|
||
|
"Thanks for being reasonable," he says. "I mean, you just saved Fifi's
|
||
|
life and all, but I ain't taking no chances where the boss is concerned.
|
||
|
Come on in."
|
||
|
|
||
|
Rationalizing thugs. Hah. You don't explain what you're doing, you
|
||
|
just do it and beat people into submission. At least, it works for me.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
When Fifi said pimp, she meant The Pimp. This guy is decked out in
|
||
|
some horrendous tiger-striped leisure suit that just makes my skin crawl.
|
||
|
The matching fedora isn't exactly an attractive touch either.
|
||
|
|
||
|
"This damn Pope business is ruining my business," he tells me after
|
||
|
sending Fifi away to get cleaned up. "The bastard survives a goddamn missle
|
||
|
attack and now everyone's gone religious. You haven't seen the news
|
||
|
recently, have you?"
|
||
|
|
||
|
I shake my head.
|
||
|
|
||
|
"Dig, man, this is the end of the world. Has to be. It's some crazy
|
||
|
shit out there. Four of my girls have been beaten within the past two
|
||
|
hours. Vigilante groups are springing up everywhere to save people or kill
|
||
|
them. In the name of God, no less. I like God as much as the next guy, but
|
||
|
his followers can suck my dick."
|
||
|
|
||
|
"How widespread is this?" I ask.
|
||
|
|
||
|
"All over the city, man. Times Square is a bloodbath. The fags are
|
||
|
getting their asses kicked in the Village. In Harlem, drug dealers are
|
||
|
being shot on sight. Guess they figure they're too far gone or something.
|
||
|
And the cops are all looking for the guy who tried to kill the Pope, some
|
||
|
guy named Max Hauer. I'd hate to be him. His ass is gonna get crucified,
|
||
|
literally."
|
||
|
|
||
|
I give the pimp an uneasy look. "That would be me."
|
||
|
|
||
|
He just stares. Okay, so it was stupid admitting that I'm the reason
|
||
|
this guy's whores are getting beat up. But I don't have any friends right
|
||
|
now, so it can't hurt to make some, if that is possible.
|
||
|
|
||
|
"Listen, I told 'em not to do it. I found out too late."
|
||
|
|
||
|
He smiles. "The cops are willing to pay a hefty price for your head.
|
||
|
But cops are bad all the time, and I don't deal with cops. Besides, you
|
||
|
saved Fatima, which is something I doubt a lot of people would have done.
|
||
|
Don't get me wrong: you are not staying here. But I'll give you some
|
||
|
things to help you out."
|
||
|
|
||
|
"Thank you."
|
||
|
|
||
|
"Don't thank me. You have no friends. Remember that."
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
One of the pimp's thugs gave me a new set of clothes and a tennis bag
|
||
|
with an Uzi and my pistol. Me against the city of New York and the Pope.
|
||
|
My kind of odds. Oh, fuck that. Those bastards in the movies can't really
|
||
|
mean it when they say that. This sucks hard.
|
||
|
|
||
|
I leave the building and start walking down the street, looking for
|
||
|
another place to hide. People swarm all around, singing "Onward Christian
|
||
|
Soldiers" and toting guns. These guys mobilize fast. I smile and wave,
|
||
|
wondering how many of them realize that if God saved the Pope, then God is
|
||
|
probably Catholic, and most of these people are probably Protestant. Heh.
|
||
|
Gotta find humor where you can.
|
||
|
|
||
|
"Wait! Max!" someone behind me screams.
|
||
|
|
||
|
I turn around and see Fifi running towards me. Unfortunately, the
|
||
|
crowds all stop singing and fix their gaze on me. Shouts of "There he is!"
|
||
|
and "Capture the sinner!" ring out from all around me. I pull out the Uzi
|
||
|
and start running toward Fifi, firing behind me.
|
||
|
|
||
|
"You stupid bitch!" I scream as I grab her arm. "Now we're both gonna
|
||
|
die."
|
||
|
|
||
|
The hail of my bullets hits quite a few people, causing panic in the
|
||
|
crowds. Just cause they have guns doesn't mean they know how to react in a
|
||
|
firefight. Most of them run and duck for cover. Fifi and I keep running.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
Somehow we make it into an abandoned tenement safely. I used all the
|
||
|
ammo I had, so all I've got are my fists and my head, which isn't doing me a
|
||
|
whole lot of good. Oh yeah, I've got this two-bit hooker who isn't doing me
|
||
|
any good either.
|
||
|
|
||
|
"How the hell did you know who I was?" I ask Fifi.
|
||
|
|
||
|
"Pimp told me," she says. "I could not be without you. I am yours
|
||
|
forever."
|
||
|
|
||
|
"Forever isn't going to be for too long, honey. You should have stayed
|
||
|
where you were. I am a marked man. I am a *dead* man. Do you understand
|
||
|
that? If you stay with me, you will die. Don't you get it?"
|
||
|
|
||
|
"Yes. I die with you. I am yours forever."
|
||
|
|
||
|
At least there's one person who likes me. Too bad we aren't going to
|
||
|
last too long. I sit down on the floor and put my head between my knees. I
|
||
|
hear her walk over and sit down beside me. She runs a hand through my hair
|
||
|
and kisses my neck.
|
||
|
|
||
|
"What are you doing?"
|
||
|
|
||
|
"Make you happy," she says. "I make you happy."
|
||
|
|
||
|
"No, we can't," I say, pushing her away. "We have to figure a way out
|
||
|
of this. We can't pretend that everything's hunky dory. The whole world--"
|
||
|
|
||
|
She puts a finger to my lips. "We die, but we die happy."
|
||
|
|
||
|
Common sense doesn't make too much sense in this crazy world. Maybe
|
||
|
she is right. Maybe that is all we have left, a quick fuck, and then we're
|
||
|
going straight to Hell. I pull her close to me and kiss her, cupping her
|
||
|
breast and feeling her heart beat. Being alive for the moment is all I can
|
||
|
ask for.
|
||
|
|
||
|
Afterwards, we fall asleep on the hard wooden floor.
|
||
|
|
||
|
* * * * *
|
||
|
|
||
|
I open my eyes and see Fifi's head resting on my chest. Her bare
|
||
|
stomach rises and falls with each breath. She is beautiful, something I'd
|
||
|
never expect to see during a time like this. I nudge her arm, and she wakes
|
||
|
up. Her eyes are only full of love.
|
||
|
|
||
|
The door flies open and men in flak jackets rush into the room. Fifi
|
||
|
jumps up and is mowed down in a hail of gunfire. Her body flies back and
|
||
|
hits the wall. Blood covers the floor. I crawl over to her and hold her in
|
||
|
my arms.
|
||
|
|
||
|
"How touching, Max. You always did say red was your color."
|
||
|
|
||
|
I look up. Bradley stands over me, grinning.
|
||
|
|
||
|
"Goddamn you, Bradley," I curse, standing up. "You didn't have to kill
|
||
|
her."
|
||
|
|
||
|
"Careful there, Max. You shouldn't take the Lord's name in vain. She
|
||
|
was a whore, a sinner. She deserved to die."
|
||
|
|
||
|
"Bullshit. She didn't understand what was going on. Fifi only wanted
|
||
|
to be with me. Is that a crime?"
|
||
|
|
||
|
"Considering you tried to kill the Pope, I would say yes. You're a bad
|
||
|
boy, Max, but maybe there's hope for you yet."
|
||
|
|
||
|
I backed away and crawled over to the tennis bag.
|
||
|
|
||
|
"I told you *not* to do it, Bradley. I tried to warn you, but *you*
|
||
|
were the one who gave the go ahead."
|
||
|
|
||
|
"Well, be that as it may, I have had a change of heart. You always
|
||
|
side with the guy who is gonna win, and that certainly isn't you."
|
||
|
|
||
|
I reach into the bag and pull out the Uzi.
|
||
|
|
||
|
"Max, be reasonable," Bradley says. "You don't have to die."
|
||
|
|
||
|
"Those people out there want my blood. They want to make me a symbol.
|
||
|
That isn't gonna happen."
|
||
|
|
||
|
"Now, Max, come now. I think--"
|
||
|
|
||
|
"Fuck you, Bradley. Fuck you."
|
||
|
|
||
|
I raise the gun towards Bradley.
|
||
|
|
||
|
I hear every trigger depress. It is almost as beautiful as Fifi was.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
"It's me and you against the world. So when do we attack?"
|
||
|
--Graffiti
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
SAM ViSiTS THE UNiVERSiTY
|
||
|
by I Wish My Name Were Nathan
|
||
|
|
||
|
Sam was sitting at a table in the local university library at 10 p.m.,
|
||
|
doing some minimalistic research on transcendentalism. Upon glancing down at
|
||
|
the notecards onto which he had plagiarized the introductory paragraphs in the
|
||
|
encyclopedia entries, he deemed it good and set down his pen. He decided
|
||
|
resolutely that high-school research papers were cheezy. He had a set of
|
||
|
working encyclopediae at home, but his assignment forced him to have three
|
||
|
references. A quick glance at the card catalog terminals fulfilled that duty.
|
||
|
The rote copying was merely to make the trip worthwhile.
|
||
|
|
||
|
He shoved his papers and folders into his backpack and headed downstairs
|
||
|
for a look at the snack machines. Along the way, he passed several real-life
|
||
|
college students sitting at study carels. Their shoulders peeked out from
|
||
|
teetering stacks of heavy books and sheaths of scribbled-on papers, which were
|
||
|
made steady by the sheer force of gravity. The students didn't notice him
|
||
|
pass by, which Sam considered strange, as he found that anyone within earshot
|
||
|
easily distracted him.
|
||
|
|
||
|
Walking into the student lounge, Sam was startled to see even more
|
||
|
students, two or three to a table, studiously reviewing calculus-type problems
|
||
|
and murmuring chemical equations. He shoved sixty-five cents into the vending
|
||
|
machine and selected a Twix. Snatching the candy from the slot, he breathed a
|
||
|
sigh of relief and strongarmed his way out of the room.
|
||
|
|
||
|
The intense mood within the library drove him outdoors. It was
|
||
|
fortunately a somewhat cool late-summer night. No longer having anything
|
||
|
important to do, he decided to delay his inevitable bike ride home and walk
|
||
|
around.
|
||
|
|
||
|
Regardless of the somewhat terrifying diligence of the students he saw,
|
||
|
Sam looked forward to going to college. Even starting high school sucked.
|
||
|
The principals seemed to become more and more totalitarian as the years went
|
||
|
on. Last week they turned off the Coke machines because of a stupid fight,
|
||
|
and only today turned them on again. And there was that zero-tolerance policy
|
||
|
which would get you suspended for using "bad words". The policy itself was a
|
||
|
reason to cuss. Sam was pretty sure he knew what college life was like, and
|
||
|
wondered how on earth the highly-disciplined and restrictive atmosphere of his
|
||
|
high school was preparing him for this. He decided it was probably an
|
||
|
incentive to graduate.
|
||
|
|
||
|
Sam took in a deep breath of the moist air and peered resolutely at his
|
||
|
surroundings. A sidewalk drew a path from his feet toward the student
|
||
|
building which glowed a dim yellow. He looked up and saw that the moon was
|
||
|
probably the cause of the eerie glow, but upon looking closer, he realized it
|
||
|
was the work of several floodlights. The floodlights were placed at several
|
||
|
points on the student building, and on the library too, Sam noticed as he
|
||
|
glanced behind him. The shadows falling across the features of the buildings
|
||
|
gave them a slightly gothic look.
|
||
|
|
||
|
The lamps lit up the stone walls of the buildings, but not the sidewalk.
|
||
|
Sam was happy for this, because he disliked garish lights, preferring to have
|
||
|
the night natural and dark. Except for the auras around the buildings, night
|
||
|
displayed itself normally, leaving the sunless day dim and mysterious, as he
|
||
|
liked it.
|
||
|
|
||
|
Sam descended the steps onto the sidewalk and so headed across the
|
||
|
expansive sea of grass separating the buildings. He could make out the
|
||
|
sidewalk only by the faint contrast between it and the greenery lining its
|
||
|
sides. Concentrating so much on the sidewalk, Sam almost forgot his purpose
|
||
|
in wandering out here, which was to look around. He raised his eyes and
|
||
|
scanned around him. Much was blurry through his uncorrected vision, but the
|
||
|
sharp contrasts between light and dark diminished the problem.
|
||
|
|
||
|
It was in exploring these contrasts that Sam looked up and saw a massive
|
||
|
round disc of light hovering above the ground. He hitched for breath at the
|
||
|
sight, and realized embarrassedly that it was a tree, its limbs lit aglow by
|
||
|
another floodlight specially mounted on it.
|
||
|
|
||
|
In having such an adrenalin-inspiring brush with nature, his interest
|
||
|
became attached to the trees. There were about ten or fifteen trees within
|
||
|
visible range, each lit up with its own lamp. Sam marveled at the clever
|
||
|
device, and in a rush of childhood memories, yearned to get a closer look;
|
||
|
namely, from the viewpoint of the tree itself.
|
||
|
|
||
|
Sam walked across the grass toward the nearest arbor, his shoes shuffling
|
||
|
in the robust lawn. As he drew closer, the white light of the floodlamps
|
||
|
brightened his eager face, which then suddenly fell dark with despair. The
|
||
|
limbs were too high. He couldn't grab hold of the lowest branch, much less
|
||
|
climb it. His face brightened again as he decided to try another promising
|
||
|
tree. Before walking halfway, he saw that tree was also of the unclimbable
|
||
|
persuasion. He circled around on his heel, scoping out the other trees within
|
||
|
range. All too tall.
|
||
|
|
||
|
Driven by a dim hint of injustice, Sam turned back toward the closest
|
||
|
tree, an oak, whose arms grew perpendicular to its trunk and parallel to the
|
||
|
ground in a taunting game of keepaway. He stood contemptuously on the grass
|
||
|
and examined the trunk. There he saw it. Nubs of cut-off branches were
|
||
|
clearly visible. Someone had deliberately sawed off accessible branches to
|
||
|
prevent people from climbing them. Sam extrapolated the extent of the highest
|
||
|
nub and saw that he could easily have climbed up had only it remained.
|
||
|
|
||
|
He whirled, incensed, on his heel and headed back to the sidewalk. He
|
||
|
decided he'd sit and rest a while outside the student building and eat his
|
||
|
Twix before going home. As he walked along the sidewalk, he noticed that his
|
||
|
aggravated state made his eyesight dazingly lucid, overflowing with vitamin A
|
||
|
to the point of making little fireworks shows blast off in the corners of his
|
||
|
field of vision.
|
||
|
|
||
|
Sam came to an ungraceful halt in the middle of a step, forcefully
|
||
|
stopping himself from becoming any angrier. He had been consciously trying to
|
||
|
eliminate, or at least suppress, his awful temper for the past few weeks, an
|
||
|
effort which often seemed fruitless in light of the emotional spasms he was
|
||
|
overgoing at the moment. He felt exceptionally humiliated at this breach of
|
||
|
tranquility, an immature reaction to a happenstance of campus landscaping, and
|
||
|
wondered briefly if he had any good reason to control a temper which all too
|
||
|
often seemed natural. He decided to forget about the whole incident, and
|
||
|
quick, because a headache was brewing.
|
||
|
|
||
|
Outside the student union, there were several metal tables encircled by
|
||
|
several metal chairs. The chairs certainly weren't to be considered the
|
||
|
height of comfort, but at least they could be left out year-round. Sam
|
||
|
appreciated the gift of the chair, thanking the benevolent souls whose idea
|
||
|
these outdoors furnishings were, wholly overcompensating for his ill will
|
||
|
toward those who vandalized the trees.
|
||
|
|
||
|
Sam once again got the chance to enjoy the moist air, noticing that his
|
||
|
increased rate of breathing had resulted neither in a dry throat nor a soggy
|
||
|
trachea. He noticed that even inhaling heartily through his nose bore no ill
|
||
|
effects.
|
||
|
|
||
|
He smiled graciously and set his feet up on the table he had selected
|
||
|
(over in the corner of the veranda, away from the floodlights' glare), and
|
||
|
slouched into the chair, which belied its rigid appearance, comfortably
|
||
|
supporting his body.
|
||
|
|
||
|
Sam fished the Twix out of his pocket and lay the two bars on the wrapper
|
||
|
in his lap. With the pretentious air of a casual smoker, he lifted a bar to
|
||
|
his mouth and took a bite. Excellence. None of the inconveniences associated
|
||
|
with chocolate and summery weather transpired on this night.
|
||
|
|
||
|
He returned the bar to the wrapper in his lap and scanned the horizon.
|
||
|
In the distance his relaxed gaze made out two figures heading his way through
|
||
|
the grass. Sam realized how strangely few people he had seen outside this
|
||
|
Sunday night and came to the comfortable conclusion that they were all off
|
||
|
doing more interesting things, to keep away from the demoralizing diligence of
|
||
|
the students inside the library. Sam knew how to spend the last precious
|
||
|
hours of the weekend, and he was doing it now.
|
||
|
|
||
|
The two girls scaled the distance and walked into the student building,
|
||
|
laughing loudly at a private joke. Sam smiled, remembering a good joke he had
|
||
|
once heard, in trying to imagine the girls' discourse. He again partook of
|
||
|
the Twix bar, leisurely breathing the air and scanning the horizon.
|
||
|
|
||
|
In the distant library building, three people were in a lit-up room in
|
||
|
the far left corner of the building. Sam knew that the room was off limits to
|
||
|
ordinary traffic, being locked-up most of the time. He saw them walking
|
||
|
about, as if trying to decide where to stand, one of them gesticulating wildly
|
||
|
the whole time. Drama students, he thought, laughing out loud.
|
||
|
|
||
|
Sam's interest was piqued. He wanted to hear what the students at this
|
||
|
school talked about. He was sure that the serious scholars in the library
|
||
|
were simply decoys to scare the visiting high-school students into polite
|
||
|
silence; where were the real people?
|
||
|
|
||
|
Hearing footsteps, Sam realized some more people were coming his way,
|
||
|
this time from the sidewalk which looped around the campus. It was two guys,
|
||
|
and Sam was eager to hear their words, being of the male persuasion himself.
|
||
|
|
||
|
The taller one, wearing a t-shirt and shorts, was dominating the
|
||
|
conversation, and dominating the volume, which Sam was glad to hear, leaning
|
||
|
forward. He was gesturing audaciously with his hands, explaining, "Man, you
|
||
|
wouldn't just believe how fuckin' 'faced I was! I didn't know just three of
|
||
|
them Zima-Sprite-things would fuckin' blow my mind like that! Damn, I
|
||
|
couldn't find the bathroom! I hadda so secretly puke in Laura's yard!"
|
||
|
|
||
|
The shorter one, wearing a t-shirt and shorts, cackled wildly,
|
||
|
interjecting, "What secret?! We all HEARD you! It was great!" He proceeded
|
||
|
to imitate the sounds. "**bleeeeeecccch!** **hoooooorrrrrrk!**"
|
||
|
|
||
|
"Aw, fuck you! I was all over in a corner!"
|
||
|
|
||
|
"All over the corner of the yard, man! **whooooookkk!**"
|
||
|
|
||
|
Sam's face bore a disgusted frown. He leaned back in the metal chair,
|
||
|
which suddenly started to feel uncomfortable, and rolled his eyes. His luck
|
||
|
to be imparted the wisdom of drunks. A mere oddity, he was sure.
|
||
|
|
||
|
After he was sure that they had gone, he again heard the crude puking
|
||
|
noises of the stupid student. Irritated, Sam leapt from his chair, meaning to
|
||
|
broadcast his criticism of their conversation by expelling a boisterous brassy
|
||
|
belch. Upon facing the direction of the idiots, he found himself staring into
|
||
|
the leaves of a domineering pecan tree. He almost brushed the leaves aside in
|
||
|
agitation before realizing his find.
|
||
|
|
||
|
Sam looked dumbly at the tree and wondered why he hadn't noticed it
|
||
|
before. It was a mere eight feet away, and the branches were all extant.
|
||
|
Curious, he stepped back aways and examined the branches before him. They
|
||
|
were thick. This was a real climbing tree, a pecan tree, crawling with paths
|
||
|
upward. He smacked his forehead for comic effect and, in a frenzy of
|
||
|
excitement, ran to it and started climbing.
|
||
|
|
||
|
There was no floodlight in this tree, but Sam was no longer concerned
|
||
|
with effects. The glow from the student building and the moon illuminated his
|
||
|
path and somehow calmed him too. His mind was completely absorbed with
|
||
|
climbing, finding a good footing, grasping the right handholds, pulling
|
||
|
himself upwards. Before he realized his accomplishment, he was at the top of
|
||
|
the tree; there were no more handholds but the skinny neck of the lone shoot
|
||
|
he tenderly held.
|
||
|
|
||
|
Sam chuckled to himself, wearing a boyish grin, and retreated a few steps
|
||
|
and sat down amongst the limbs. He removed his backpack and hung it on a
|
||
|
nearby branch. From his viewpoint he could see even more of the landscape,
|
||
|
over the student building and beyond. His mind began racing with euphoric
|
||
|
childhood memories of exploits like these, of the first time he had climbed
|
||
|
the tree in his back yard to see over the roof, of the several increasingly
|
||
|
impressive tree forts he had built in the others, of the sheer joy of being so
|
||
|
high and looking down on so much. His headache was gone. In celebration of
|
||
|
the fact, he reached in his pocket and withdrew the remaining Twix bar and
|
||
|
started chewing on it. His face glowed with exuberance and his feet
|
||
|
rhythmically kicked a lower branch in childish excitement.
|
||
|
|
||
|
He meditated for several minutes upon his surroundings, happy to have
|
||
|
climbed the tree. Sam was even so serene as to disregard the few ants he saw
|
||
|
crawling about; he felt assured that they wouldn't bite him without due cause.
|
||
|
And as far as he could tell while he sat there, they didn't.
|
||
|
|
||
|
After a while, the due necessity to return home impelled him to descend
|
||
|
from his mighty loft. It was not without some sense of regret that he put on
|
||
|
his backpack and climbed down.
|
||
|
|
||
|
Upon reaching halfway to the ground, Sam stopped himself in midstep. He
|
||
|
realized that there were people sitting at the table immediately adjacent to
|
||
|
the tree, and decided smartly not to complete his descent, lest he startle
|
||
|
them. The night meant many things to many people, but he knew that most
|
||
|
people's opinions held the sudden appearance from a tree of a giddy high-
|
||
|
school student in low regard. Sam rejoiced the excuse to linger in pleasant
|
||
|
surroundings.
|
||
|
|
||
|
The students sitting below had been silent while they were drinking some
|
||
|
Cokes, and upon finishing them, they started to talk. Again, Sam saw a golden
|
||
|
opportunity to learn something about these people, and he listened carefully.
|
||
|
|
||
|
"Shit, Tony, I dunno if I did that Cal assignment right. I only got
|
||
|
through about four problems before I said fuck it."
|
||
|
|
||
|
"Ah man, you too. I didn't like it at all. I could've sworn Jansen
|
||
|
never said a thing about partial derivatives. Oh well, another F!" he said,
|
||
|
causing them both to laugh cynically.
|
||
|
|
||
|
"God, I've like failed every assignment so far, but it's only been three
|
||
|
-- well, four now -- and unless I get my ass in gear..."
|
||
|
|
||
|
"Man, you oughta just drop it then, like an itchy turd."
|
||
|
|
||
|
"Nofuckinway, Tony! I gotta have the credits. Only this, and three more
|
||
|
advanced math classes, and I have my minor. Then I can drop the whole
|
||
|
subject."
|
||
|
|
||
|
Tony nodded solemnly, saying, "Yeah, that's true."
|
||
|
|
||
|
"Damn. And that wasn't even the worst thing that happened today."
|
||
|
|
||
|
"Naw, what?"
|
||
|
|
||
|
"Aw, going to the store. I was dying to pick up the latest Penthouse,
|
||
|
you know, with Drew Barrymore in it?"
|
||
|
|
||
|
"What does Sarah think of that, huh, huh?"
|
||
|
|
||
|
"She doesn't have to know. That's not the point, man, anyway. I was
|
||
|
gonna read it --"
|
||
|
|
||
|
"-- For the articles, huh, huh? Yeah right. That thing doesn't even
|
||
|
have articles, does it?"
|
||
|
|
||
|
"Uh... I dunno," he said, chuckling. "Seriously, though, Drew Barrymore
|
||
|
is the only other woman I look at."
|
||
|
|
||
|
"Spare me, man. Get on with the story, I gotta go to sleep soon."
|
||
|
|
||
|
"Oh, fuck off, and listen. So I get in my car and start to drive down
|
||
|
there, and everything's goin' smooth, then I hit this red light. Alright?
|
||
|
Normal red light, but I'm like six cars back. So I wait for five minutes, and
|
||
|
then it finally changes. But the assholes in front of me don't move in time!
|
||
|
Only three fuckin' cars got through before it changed again. You won't
|
||
|
believe how pissed I was. I was ramming on the horn, begging the dumbfucks to
|
||
|
press the accelerator, but no, it's like grandmother derby."
|
||
|
|
||
|
"Sucks."
|
||
|
|
||
|
"Fuck yeah! So finally I get through, and I pull up into the One-Stop,
|
||
|
but whaddaya know, my favorite spot is blocked by these two cars parked funny.
|
||
|
I coulda got in there on a motorcycle, but no, it's blocked. But I see one of
|
||
|
the asshole parkers come out of the store, and I wait there for her to move
|
||
|
her fucking car so I can get in."
|
||
|
|
||
|
"-- Weren't there other places?"
|
||
|
|
||
|
"Sure there were, but they weren't in front!"
|
||
|
|
||
|
"I getcha."
|
||
|
|
||
|
"Anyway, I'm waiting there, and the sun is baking down, and I hadn't
|
||
|
turned on the air conditioner yet because I figured it was a short trip, so I
|
||
|
turn it on full blast. Of course it's spewing out hot air on me for a few
|
||
|
minutes, while I'm waiting for this woman to get her car out. But no, she
|
||
|
sits there for like two minutes doing God knows what while I'm waiting
|
||
|
patiently. I blink my headlights at her and honk, hoping she'll get a clue,
|
||
|
but she's just sitting there. Turns out she fuckin' thought I was in her
|
||
|
way!"
|
||
|
|
||
|
"Shit! Whatta cunt!"
|
||
|
|
||
|
"Exactly! So she finally starts backing out of the spot, being oh-so-
|
||
|
exceedingly careful not to hit anything, even though there was like fifteen
|
||
|
feet of space to work with. After five minutes of this annoying shit, she
|
||
|
leaves, and I zoom in and claim the spot."
|
||
|
|
||
|
"Wow, good going."
|
||
|
|
||
|
"Yeah, thanks. But, that's not the end of it! The fucking cashier
|
||
|
carded me. Can you believe it? Do I look like some little jerkoff teenager
|
||
|
to you?"
|
||
|
|
||
|
"No."
|
||
|
|
||
|
"Thought so, but the cashier didn't. Anyway, I finally got the magazine.
|
||
|
Oh yeah, and he shortchanged me by a quarter."
|
||
|
|
||
|
"Shit! Sue him!"
|
||
|
|
||
|
"Sheesh, if I had that extra quarter..."
|
||
|
|
||
|
The two students faded into a thoughtful silence. Sam's mood faded into
|
||
|
disgust. He had never heard such whining before, even from the presumably
|
||
|
more immature students at his school, whose complaints were raised mostly
|
||
|
against the established annoyances which they could do little to quell. Sam
|
||
|
had finally decided to deal with the shit -- his life had been tough for a
|
||
|
number of years and he decided he'd work around it instead. It had only been
|
||
|
a short while he'd been actively pursuing his new philosophy, but at least in
|
||
|
the most part his youthful imagination -- and not his temper -- were
|
||
|
controlling his whims. Judging from what he'd heard tonight on the college
|
||
|
campus, life didn't seem about to get better. Although this dampened his high
|
||
|
aspirations for the future, Sam simply decided he'd have to work harder to
|
||
|
overcome the irritations of daily life. And this he would do.
|
||
|
|
||
|
Sam resumed his descent from the tree, being careful not to be too
|
||
|
silent, making sure his presence was known. From the bottom limb, he jumped
|
||
|
down onto the pavement to the amazed eyes of the students at the table. He
|
||
|
smiled contentedly, nodded, and walked off to retrieve his bike.
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|
||
|
State of unBeing is copyrighted (c) 1995 by Kilgore Trout and Apocalypse
|
||
|
Culture Publications. All rights are reserved to cover, format, editorials,
|
||
|
and all incidental material. All individual items are copyrighted (c) 1995 by
|
||
|
the individual author, unless otherwise stated. This file may be disseminated
|
||
|
without restriction for nonprofit purposes so long as it is preserved complete
|
||
|
and unmodified. Quotes and ideas not already in the public domain may be
|
||
|
freely used so long as due recognition is provided. State of unBeing is
|
||
|
available at the following places:
|
||
|
|
||
|
iSiS UNVEiLED 512.TMP.DOWN 14.4 (Home of SoB)
|
||
|
CYBERVERSE 512.255.5728 14.4
|
||
|
THE LiONS' DEN 512.259.9546 24oo
|
||
|
TEENAGE RiOt 418.833.4213 14.4 NUP: COSMIC_JOKE
|
||
|
GOAT BLOWERS ANONYMOUS 215.750.0392 14.4
|
||
|
ftp to io.com /pub/SoB
|
||
|
World Wide Web http://io.com/~hagbard/sob.html
|
||
|
|
||
|
Submissions may also be sent to Kilgore Trout at <kilgore@bga.com>. Thank you.
|
||
|
|
||
|
|
||
|
--SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB-SoB--
|
||
|
|
||
|
|